text:
<?xml version="1.0" ?><para version="5.0" xml:lang="zh" xmlns="http://docbook.org/ns/docbook">

Description of GPFS storage configuration options

    <col width="50%"/>
    <col width="50%"/>

        Configuration option = Default value
        描述

        [DEFAULT]

        <option>gpfs_images_dir</option> = <replaceable>无</replaceable>
        (StrOpt) Specifies the path of the Image service repository in GPFS.  Leave undefined if not storing images in GPFS.

        <option>gpfs_images_share_mode</option> = <replaceable>无</replaceable>
        (StrOpt) Specifies the type of image copy to be used.  Set this when the Image service repository also uses GPFS so that image files can be transferred efficiently from the Image service to the Block Storage service. There are two valid values: "copy" specifies that a full copy of the image is made; "copy_on_write" specifies that copy-on-write optimization strategy is used and unmodified blocks of the image file are shared efficiently.

        <option>gpfs_max_clone_depth</option> = <replaceable>0</replaceable>
        (IntOpt) Specifies an upper limit on the number of indirections required to reach a specific block due to snapshots or clones.  A lengthy chain of copy-on-write snapshots or clones can have a negative impact on performance, but improves space utilization.  0 indicates unlimited clone depth.

        <option>gpfs_mount_point_base</option> = <replaceable>无</replaceable>
        (StrOpt) Specifies the path of the GPFS directory where Block Storage volume and snapshot files are stored.

        <option>gpfs_sparse_volumes</option> = <replaceable>True</replaceable>
        (BoolOpt) Specifies that volumes are created as sparse files which initially consume no space. If set to False, the volume is created as a fully allocated file, in which case, creation may take a significantly longer time.

        <option>gpfs_storage_pool</option> = <replaceable>system</replaceable>
        (StrOpt) Specifies the storage pool that volumes are assigned to. By default, the system storage pool is used.

</para>


First Dates have stated that they need applicants for the show.
Are you looking for love? Well you could be in luck as Channel 4's First Dates is looking for people from Whitby to appear on the show.
Producers of the popular dating show are to start casting next month ahead of a new series of both First Dates and First Dates Hotel.
First Dates sees singletons paired up with potential love matches over dinner at the Paternoster Chop House restaurant in London.
And applying is easy as all it takes is to fill in a few questions on an online form, explain a bit about yourself and upload a picture and video.
The show's Facebook and Twitter pages currently show a video starring the restaurant's maitre 'd' Fred Sirieix urging contestants of all ages to come forward.
Applicants must be single and over the age of 18.


Liberty Lincoln Vermilion is proud to be one of the premier Lincoln dealerships in the Vermilion area. From the moment you walk into our showroom, you'll know our commitment to customer service is second to none. We strive to make your experience with Liberty Ford Lincoln Inc. a good one for the life of your vehicle.
Whether you need to purchase, finance, or service a new or pre-owned Lincoln in Vermilion, you've come to the right place. Use the website new car shopping tools to assist you in finding the perfect new vehicle, or search our inventory to find a great deal on a low-mileage pre-owned vehicle. Plus, you can check out the current online specials and promotions that change all the time!
If visiting Liberty Lincoln Vermilion in person doesn't fit your busy schedule, then complete our contact us form and a Lincoln specialist will be in touch. Liberty Lincoln Vermilion is an excellent online source for a new or pre-owned Lincoln vehicles, or genuine Lincoln parts, accessories, or auto service in Vermilion.
In addition to providing the drivers of Vermilion, Ohio with a cornucopia of new Lincoln MKC, Lincoln MKS, Lincoln MKX, Lincoln MKZ, Lincoln Navigator vehicles and used cars, we at Liberty Lincoln Vermilion are dedicated to all of your automotive needs. Namely, that includes helping you find the model that best suits your lifestyle and your budget through conversations with our sales consultants and Lincoln lease and financing experts.
Wait, there's more. After you've left our showroom and driven your new car home, our longstanding relationship has only just begun. Over the miles that you and your Lincoln car share, our Lincoln MKC, Lincoln MKS, Lincoln MKX, Lincoln MKZ and Lincoln Navigator service technicians are available to carry out your model's need for routine maintenance or auto repair in Vermilion. Moreover, our comprehensive parts department houses all the fixings that do-it-yourself drivers require when electing to tackle their own automotive repairs.
In summary, we at Liberty Lincoln Vermilion are looking forward to assisting you in the ways in which match your automotive needs. To learn more about the products and services that our Lincoln dealer provides the Norwalk, Elyria, Lorain, and North Ridgeville areas with, we welcome you to visit our showroom at your earliest convenience. Housed nearby at 4215 East Liberty Avenue in Vermilion, Ohio we're happy to continue the conversation and answer any questions.


Kerbs and garden edging can make a big difference to the look, feel and maintenance of domestic and commercial properties.
They help create distinct pathways and bedding areas, while maintaining the order of each pavement for driveways, gardens and playgrounds. If you want to transform your exteriors and help increase its value, then our garden edging and kerbing services in Perth are ideal for you.
We have flexible designs, from flowing curves and contours to straight lines, allowing you to customise according to the dimensions of your front and backyard. During installation, our team will only cause minimal disturbance to your property and existing landscape. You can still enjoy the peace in your home, while we work.
Depending on the size and specifications of your project, our team strives to finish them in the shortest time possible without sacrificing quality. If you need anything additional, you can tell us beforehand and we'll look into it right away.
We have a range of natural stone materials for your kerbs and garden edging. All these are of high quality and are available in different colours and textures. You don't have to worry about complementing them with the design of your exteriors, we'll make our Perth garden kerbing and edging services work for you instead.
Don't hesitate to contact us if you have questions or would like to ask for a quote. Our team is always available to accommodate your needs.


text:
Jere Petrud Bergius (ur. 4 kwietnia 1987 w Vesilahti) – fiński lekkoatleta specjalizujący się w skoku o tyczce.

W 2007 bez powodzenia startował na młodzieżowych mistrzostwach Europy w Debreczynie. Na tej samej imprezie wystartował dwa lata później (w Kownie), ponownie odpadając w eliminacjach. W 2011 nie awansował do finału podczas halowych mistrzostw Europy w Paryżu i mistrzostw świata w Daegu. W kolejnym sezonie odpadł w eliminacjach mistrzostw Starego Kontynentu oraz nie zaliczył żadnej wysokości podczas igrzysk olimpijskich w Londynie.

Wielokrotny medalista mistrzostw Finlandii oraz reprezentant kraju w drużynowym czempionacie Europy i meczach międzypaństwowych.

Rekordy życiowe: stadion – 5,72 (26 maja 2012, Haapajärvi); hala – 5,55 (4 lutego 2012, Tampere).

Osiągnięcia

Bibliografia

Fińscy skoczkowie o tyczce
Fińscy olimpijczycy
Uczestnicy Letnich Igrzysk Olimpijskich 2012
Urodzeni w 1987

redpajama_set_name: RedPajamaWikipedia


A review of SNF QRP changes and updates to the Minimum Data Set (MDS) 3.0 Version 1.17.0, which became effective October 1, 2019.
Registration for the in-person training is limited to 250 people on a first-come, first-serve basis.
For those not able to attend in person, the session will be available via webcast. A URL to access the webcast will be provided to participants closer to the training event.
Whether you plan to participate in person or via the webcast, please register for this training event.
If attending in person, please enter your name as you would like it to appear on your name tag and certificate of completion.
If you have questions or need additional information about the logistics of the training session, please email the PAC Training mailbox at PACTraining@econometricainc.com.


text:
Q: How do I make a button in a Java Applet that opens a JFrame? I've made a few JFrames and I want to call them from a JApplet. What is the best way to do this? Could I just instantiate my JFrames in my init method and then call them whenever a button is pushed?

A:
How do I make a button in a Java Applet that opens a JFrame?

You probably shouldn't do this, but rather if you want to open another window from the JApplet, create and show a JDialog. They are created and displayed similar to a JFrame, but uses different constructors. You will need to get the applet's Window for the "owner" parameter of the JDialog, and this can be obtained via:
Window w = (Window) SwingUtilities.getAncestorOfClass(Window.class, comp);

Where comp is a visible component in the JApplet.

A: Ok, it sounds like you initialize a JFrame on initialization and you store it. You don't need to re-instantiate the JFrame from initalization. Instead just store it in a field of your Applet and use it when ever the button is pressed.
OR you can use Singletons and lazy initialization:
class JFrameToOpen extends JFrame {
    private static JFrame frame = null;
    private JFrameToOpen() {
        //init
    }
    public static GetJFrame() {
        if(frame==null) {
            frame=new JFrameToOpen();
        }
        return frame;
    }
}

But singletons are ugly and many people choose to avoid them.

A: You can just create JFrame with its default constructor and then show it:
JFrame frame = new JFrame();
JLabel label = new JLabel("Welcome");
frame.add(label);
frame.pack();
frame.setVisible(true);

This code forks from the applet similar way as from the standalone program. No need for any special tricks. The applet itself then can only contain buttons like "press to launch the application".

redpajama_set_name: RedPajamaStackExchange


text:
Obama isolated as Democrats run for cover in row over Ground Zero mosque
Feelings are running high at meetings and some workers on the Ground Zero site wear protest badges on their helmets
MICHAEL NAGLE/GETTY IMAGES
Four days into an intensifying national dispute over plans for a mosque near Ground Zero, President Obama has been left isolated by his own party after the refusal of senior Democrats to back the project.
Harry Reid, the Senate Majority Leader and Mr Obama's former mentor in Congress, has broken with the White House by saying that the mosque should be built elsewhere, while David Paterson, the Democratic Governor of New York State, announced last night that he would be meeting the project's developers to discuss alternative sites.
Gleeful Republicans have stepped up attacks on the President for appearing to bow to the dangerous political currents stirred up by the idea of an Islamic cultural centre two blocks from where the World Trade Centre collapsed

redpajama_set_name: RedPajamaCommonCrawl


text:
"This is an easy to use, easy to clean citrus juicer that I wish I had bought 25 years ago! It is versatile (will juice small fruit like limes or large fruit such as Meyer lemons and even relatively small grapefruit. There is an adjustment allowing a little or a large amount of pulp to go through with the juice. It is well made and requires only a small space for storage. I will be buying oranges by the bag to have fresh juice. Probably my favorite small appliance."
Traditionally, this is the most common type of juicer. These typically utilize a fast-spinning metal blade that spins against a mesh filter, separating juice from flesh via centrifugal force. The juice and pulp are then separated into different containers. The problem with centrifugal juicers is that the fast-spinning metal blade generates heat, which destroys some of the enzymes in the fruits and vegetables you're juicing. The heat also oxidizes those nutrients, rendering less nutritious juice than a cold-press juicer.
Juicing is largely considered to be a great habit to start if you want to improve your health and form better eating and drinking habits. A fresh juice with a good combination of fruits and vegetables can be a great way to get more vitamins, antioxidants, enzymes, and minerals — many of which don't come through when the fruits and vegetables are processed in other cooking methods.
The Omega J8006 Nutrition Center Juicer is one of the best juicers available on the market and offers a unique approach for extracting nutrient-dense juices from fruits and vegetables. The Omega J8006 is a masticating juicer, which means it operates at lower power ratings, runs quieter, and produces less heat. With its high-quality manufacturing and targeting masticating design, the Omega J8006 delivers some of the most high-quality juices you'll find.
We found vertical masticating juicers like the Tribest Slowstar to be easier to assemble, use, and clean than horizontal models with a sleek modern look for your countertop. Made by a company specializing in the wellness market; the Slowstar's double bladed auger creates a double cut, doing twice as much work compared to a traditional auger while operating at a low hum. It has a generous feed tube that makes it easier to prep produce with no motor jams at all–even putting whole leaves and stems of kale directly into the juicer. The pulp from the Tribest Slowstar was also the driest of all the tests–this juicer machine squeezes every bit of juice from produce with high yields. We loved the slightly thicker results of the carrot-apple juice test but if you don't care for pulpy juices this may not be the best model for you. The Slowstar also serves as a multi-purpose kitchen tool; an included Mincing Attachment lets you make sorbets, nut butters, and even cookie dough. It comes with a generous 10-year warranty and is our top vertical masticating choice to keep on the counter for juicing and other kitchen tasks.
To open a can, push front of cutting assembly backwards to lift the blade. Make sure the flip-up magnet is in the up position. Tilt top of can in to position cutting blade inside rim of can. Push down top of cutting assembly to start the cutting action. To remove the can, hold the can and push backwards on front of cutting assembly again. To remove the cutting assembly for washing, twist release button on front of can opener clockwise and lift out cutting assembly. Wash, rinse, and dry thoroughly. If you want to wash the cutting assembly in the dishwasher, remove flip-up magnet first by grasping one side near hinge and pulling out slightly until magnet releases from hinge. To replace cutting assembly, place it in position and firmly press both sides until it snaps into place.
Features: From the smallest lime to the largest grapefruit, this sleek brushed stainless steel citrus juicer gets out more juice more efficiently. An adjustable auto-reversing reamer features "custom" pulp control settings, and the unique Final-Spin feature maximizes the amount of juice from each piece of fruit. Dishwasher-safe parts make cleanup a breeze. Features: Adjustable reamer with 3 pulp control settings—low, medium, high Auto-reversing universal juicer cone for more efficient juicing Final-Spin feature extracts more juice from pulp Extra-long Snap-Up spout accommodates more glasses and prevents dripping Cover activates Final-Spin feature and protects against dust Brushed stainless steel design Easy-clean dishwasher-safe parts Convenient cord storage Limited 3-year warranty BPA Free
While juicers like the Omega and the Tribest only filled one-half to two-thirds of a standard 8-ounce drinking glass, the Hurom gave us nearly a full glass. It's a cold-press juicer, meaning it works a little slower, but is likely to squeeze more from your fruits and veg. You can run the Hurom with one of two filters — "low pulp" and "high pulp" — but our taste-testers reported the low-pulp option was still pretty pulpy. If you're not a fan of all that fiber, we'd suggest the Breville, below.
All products and services featured are selected by our editors. Real Simple may receive compensation for some links to products and services in this email on this website. Offers may be subject to change without notice. Real Simple is part of the Meredith Home Group. Copyright © 2018 Meredith Corporation. All rights reserved. Reproduction in whole or in part without permission is prohibited.


Donna Shields, a registered dietitian who serves as Coke's senior manager of health and nutrition communications, said the new institute will look at issues of global health and nutrition, not just US matters.
Coke's product offerings have expanded into juices and waters in recent years. Because of that, "health and wellness is logically going to become a broader part of what we look at," she said.
Gary Hemphill, an SVP with Beverage Marketing, a New York-based industry consulting company, said Coke's creation of the institute makes sense from a PR standpoint.
"We believe health and wellness is the number-one consumer trend today," he said. "It's important for companies to get ahead of this."
Jennifer English, founder of the Food and Wine Radio Network, said that while creating the institute helps Coke's image, critics will be watching to see if the studies it produces are self-serving for Coke products. If they are, the company could find itself taking new PR hits in the future.
The institute will be based in Houston where Coke's Minute Maid orange juice line is located. Many soft drink companies have come under pressure in recent years for producing several high-calorie offerings at a time when a record number of Americans are obese.
Besides research, the institute also will communicate with health professionals and consumers about nutrition, physical activity, and health maintenance issues.


text:
Mosul Long a Center of Saddam's Support
MOSUL, Iraq – Mosul (search), the city where Saddam Hussein (search)'s sons were killed in a fierce firefight Tuesday, was a center of support for him and the Iraqi army during his rule.
The dominant city in northern Iraq, it has a large Kurdish population, and many Arabs in the area were apparently loyal to Saddam partly out of fear Kurds (search) could gain power.
After Saddam's fall, there were rumors in the region that the Iraqi leader and his sons were being sheltered by Arab tribes in the countryside between the city and the Syrian border. U.S. special forces were active in the area, and Kurds overjoyed by the fall of Saddam said they were cooperating with the Army in the search for Saddam.
Saddam's half brother, Watban Ibrahim Hasan al-Tikriti, was captured near Mosul in April apparently while trying to flee to Syria.
Mosul, with a commercial center of 600,000 people and a metropolitan area nearly three times that size, is Iraq's third largest city. About two-thirds of its people are Arab, with Kurds as the largest minority. There is also a significant Assyrian Christian minority.
During Saddam's rule, the powerful 5th Army Corps was based in the city and a large percentage of Iraqi army officers were from the region.
The 5th Army Corps collapsed without a fight during the war, setting off days of looting that led to the ransacking of the city's university, museum and hotels.
The U.S. 101st Airborne Division is now based in the city and is headquartered in one of Saddam's former palaces.
The city, on the banks of the Tigris river, is part of the country's breadbasket and the areas to the south are dominated by rolling fields of wheat and barley.
Much of the countryside was populated by Kurds. During Saddam's regime, Kurds were forced out of the area and replaced by Arabs, part of a strategy to change the ethnic balance of the region.
Following the war, Kurds began to move back, sparking tensions with Arabs.
To reduce tensions in the city and countryside, the head of the 101st Airborne, Maj. Gen. David H. Petraeus, helped form a group of electors who chose a municipal council in early May. The council -- headed by an Arab with a Kurd as his deputy -- was billed as Iraq's first postwar elected body.


Jenna, one of our Redress Better Fashion Workshop participants wrote a piece on what the workshop meant to her.
'The Re-Dress workshop took place in Dublin Castle on September 14th at the UNICEF Youth Summit 2014. We were split into 4 groups to discuss slogan ideas to spread the message of questioning what you buy and wear. The slogan that got the most votes was 'What You Wear Might Not Be Fair'. We all cut letters out of material and glued them onto a banner spelling out our slogan. The banner was put up on show outside in Dublin Castle for by-passers to notice and read.
I felt the objective of this activity made a lot of sense. Displaying a banner with a strong slogan can be very thought provoking and it might happen to make people question what they are buying and wearing. It is an effective way of getting people thinking rather than shoving a leaflet in their hands or screaming out of a microphone. It is not insulting people but simply putting the idea in their head that ironically/again what they wear 'might not be fair'.
I gained a lot of information in the workshop. It made me realise that, as a young person of today, I am a consumer of tomorrow and will be for quite some time. At some point it will be up to my generation to target these problems, which is why I feel taking part in a workshop like Re-Dress, is great because it gives you an idea of how to go about tackling the problems.
What stuck with me most from the workshop was that as a buyer, I have the right to transparency- to ask questions of the brands, I now know that human rights and natural resources need far more respect and that by becoming a conscious consumer I can help make this happen.


text:
"""Python configuration for GraphInput interaction."""

from __future__ import annotations

from extensions.interactions import base

from typing import List

MYPY = False
if MYPY:  # pragma: no cover
    from extensions import domain

class GraphInput(base.BaseInteraction):
    """Interaction for evaluating graphs."""

    name: str = 'Graph Theory'
    description: str = 'Allows learners to create and manipulate graphs.'
    display_mode: str = base.DISPLAY_MODE_SUPPLEMENTAL
    is_trainable: bool = False
    _dependency_ids: List[str] = []
    answer_type: str = 'Graph'
    instructions: str = 'I18N_INTERACTIONS_GRAPH_INPUT_INSTRUCTION'
    narrow_instructions: str = (
        'I18N_INTERACTIONS_GRAPH_INPUT_NARROW_INSTRUCTION'
    )
    needs_summary: bool = True
    can_have_solution: bool = True
    show_generic_submit_button: bool = True

    _graph_default_value: domain.GraphDict = {
        'vertices': [{
            'x': 150.0,
            'y': 50.0,
            'label': '',
        }, {
            'x': 200.0,
            'y': 50.0,
            'label': '',
        }, {
            'x': 150.0,
            'y': 100.0,
            'label': '',
        }],
        'edges': [{
            'src': 0,
            'dst': 1,
            'weight': 1,
        }, {
            'src': 1,
            'dst': 2,
            'weight': 1,
        }],
        'isLabeled': False,
        'isDirected': False,
        'isWeighted': False,
    }

    _customization_arg_specs: List[domain.CustomizationArgSpecsDict] = [{
        'name': 'graph',
        'description': 'Initial graph',
        'schema': {
            'type': 'custom',
            'obj_type': 'Graph',
        },
        'default_value': _graph_default_value
    }, {
        'name': 'canAddVertex',
        'description': 'Allow learner to add vertices',
        'schema': {
            'type': 'bool',
        },
        'default_value': False
    }, {
        'name': 'canDeleteVertex',
        'description': 'Allow learner to delete vertices',
        'schema': {
            'type': 'bool',
        },
        'default_value': False
    }, {
        'name': 'canMoveVertex',
        'description': 'Allow learner to move vertices',
        'schema': {
            'type': 'bool',
        },
        'default_value': True
    }, {
        'name': 'canEditVertexLabel',
        'description': 'Allow learner to edit vertex labels',
        'schema': {
            'type': 'bool',
        },
        'default_value': False
    }, {
        'name': 'canAddEdge',
        'description': 'Allow learner to add edges',
        'schema': {
            'type': 'bool',
        },
        'default_value': True
    }, {
        'name': 'canDeleteEdge',
        'description': 'Allow learner to delete edges',
        'schema': {
            'type': 'bool',
        },
        'default_value': True
    }, {
        'name': 'canEditEdgeWeight',
        'description': 'Allow learner to edit edge weights',
        'schema': {
            'type': 'bool',
        },
        'default_value': False
    }]

redpajama_set_name: RedPajamaGithub


Videos — C. Jackson Investigations, Inc.
There is nothing better than an investigation in the Lone Star State.
San Francisco is the center of tech and one of the most challenging environments for investigations.
Two days, three states, and one epic investigation.
Politicians. The ultimate investigation providing the ultimate experience.
You never know where you'll end up next. This time I was walkin' in Memphis, to the beat of an unfaithful husband.
One of the best celebrity serves we have ever accomplished. This one was on rapper Nipsey Hussle.


Tax Lawyer Santa Monica has been successfully representing clients in Santa Monica and it's surrounding areas for years. Regardless of how complicated the tax case might be, Tax Lawyer Santa Monica has enough experience to represent you and defend you and your interests against any audit departments or the IRS. We are a Santa Monica based firm that offers individual attention to each case we get to handle in order to resolve any tax disputes that our clients have as quickly as possible.
Unfiled tax returns are one of the most common problems that Hurricane Tax gets to deal with. The IRS views unfiled tax returns as a criminal offence, hence the need to be addressed immediately before it becomes a criminal offence. Tax Lawyer Santa Monica will prevent the IRS from preparing a Substitute For Return (SFR) to begin collecting, which means that there won't be any deductions accounted for. We will help you avoid IRS from seizing money from your bank accounts or social security benefits as this can mean financial ruin for you and your family.
Large tax debts can be very burdensome because most people don't know how to settle them. Because of our experience and thorough understanding of the tax law, we help our clients to come up with a plan. Contact Tax Lawyer Santa Monica to know all your options for dealing for with your large debt.
If delinquent taxes are not dealt with immediately, a bank or wage levy is sure to follow. The IRS will start what is called an enforcement collection after sending you letters or other forms of notices and you still fail to pay. The IRS will send a notice to your financial institutions instructing them to freeze your accounts and send the money to the IRS or notify your employer in case of a wage garnishment. Tax Lawyer Santa Monica has a number of solutions to help you avoid any bank or wage levy.
Bankruptcy can wipe out your entire tax debt if it is handled by an experienced lawyer. It is a complicated process that should be left to experienced lawyers such as Tax Lawyer Santa Monica. We research your taxes and make sure they are dischargeable before we file for bankruptcy.
Right now is the time to deal with your tax problem. Contact Tax Lawyer Santa Monica if you are looking for an experienced Tax Lawyer in the Santa Monica area. Call 844-829-2494 (844-TAX-BIZ4).


Izvornik: 22nd Conference of Alzheimer's Disease International : AbstractsBerlin : ADI & Deutche Alzheimer Gesellschaft e.V. , 2006. 102-103.
Mjesto i datum: Berlin, Njemačka, 12.-14.10.2006.
Alzheimer's disease societies Croatia (ADSC) was founded in 1999 in Zagreb. The main aim is to help people with dementia, their families and care- givers. ADSC fights stigma and brings education to general population. The whole work is done by volunteers. Activities range from publishing booklets, leaflets and posters, organizing symposia and congresses on Alzheimer's disease, celebrating the World Alzheimer's Day on 21st Sept. each year, providing a 24 hours help-line (0915691660), advising through web-site page (www.alzheimer.hr) and e-mail (alzheimer@alzheimer.hr). Even though ADSC does not have its own office, it has done a lot for raising awareness on AD and helping people with dementia, their families and care-givers.


text:
Addo Elephant National Park • 2017 • episode "1/9" • Great Parks of Africa
The vast plains of Addo Elephant National Park stretch more than 600 square miles into South Africa's interior. Embark on a thrilling journey through this unique wilderness sanctuary and meet its most endangered resident: the African elephant.
Great Parks of Africa • 2017 - 2018 • 9 episodes •
Table Mountain National Park
Nicknamed "Cape of Storms," Table Mountain National Park teems with life despite its unforgiving weather conditions. Dive into the contrasts of this harsh world and learn about the life it harbors, including the fynbos--plant life that demands brush fire in order to spread its seeds and rejuvenate.
iSamangaliso The Miracle
The name iSimangaliso means "Miracle" in Zulu--and the sheer number of species sustained by this diverse haven live up to this name. Explore this rare sanctuary, home to some of the world's most striking and iconic creatures, including the black rhino and the giant leatherback turtle.
Karoo national Park
From mountain zebras to shy and secretive caracals, Karoo National Park showcases a diversity of creatures who have adapted to demanding environmental conditions. Scale the varying altitudes of this nature reserve's vast landscape.
Kgalagadi Transfrontier Park
The riverbeds that carve their way through the Kgalagadi Transfrontier Park offer a tantalizing promise of life, as well as a fierce test of survival. Explore the hidden lifelines that create a fragile link for the creatures that inhabit this unwelcoming wilderness.
Chobe Land of Learning
Chobe is Botswana's first national park, as well as the name of the mighty river that runs through it. Explore how its iconic species, like elephants, baboons, and lions, pass on their secrets of survival to the youngest members of their families.
Garden Route National Park is a patchwork of protected areas that safeguard a range of land and marine habitats in southern Africa. Take a tour of this conservationist paradise offering hope for creatures as varied as the humpback whale, the blue duiker antelope, and the Knysna seahorse--the only endangered seahorse in the world.
Kruger's Pafuri
Sandwiched between the Limpopo and Luvuvhu rivers in South Africa lies Pafuri, a multi-habitat area with astonishingly biodiverse animal and plant life--including the famous fever tree, rumored to cause illness to anyone who lives near it. Dive into this secret corner of Kruger National Park.
Augrabies Falls
The Orange River travels almost two-thirds the length of South Africa to reach its most scenic checkpoint: The mighty Augrabies Falls. Widely regarded as one of the six great waterfalls on Earth, it is also an interminable source of hydration and food for the wildlife that live near its waters.
Human Worlds
Two out of five wild plants are threatened with extinction. Today people are finding remarkable ways to help them, and so make our world a little greener and a little wilder.
S1E5 • The Green Planet • 2022 • Nature
Mike and his team confront an armour-plated catfish, discover a 45-metre hole in the riverbed and come face to face with an anaconda.
S1E3 • Amazon Abyss • 2005 • Nature
Experience a village of birds, masks that come alive, the world's greatest mountain range and baby turtles erupting out of the sand.
2/2 • India: Nature's Wonderland • 2015 • Nature
Beautiful Serengeti
(Contains all 12 episodes) Shows the diversity of animals in East Africa, in unspoiled landscapes and extraordinary sceneries.
Land Invaders
David Attenborough reveals the bizarre adaptations which have helped amphibians break their ties with water as he meets marsupial frogs, show-off newts and giant salamanders.
S1E2 • Life in Cold Blood • 2008 • Nature
In this fourth episode, Iolo Williams explores how birds in Wales have adapted to living alongside us, making use of our buildings, parks and gardens and even the waste we throw away. One of the most notorious urban birds is the gull and Iolo explains why these very adaptable and intelligent birds are doing so well in Cardiff
4/5 • Secret Life of Birds • 2012 • Nature


Boston, MA, Nov. 08, 2018 (GLOBE NEWSWIRE) -- Reputation Institute (RI), the world's leading provider of reputation intelligence, today announced the 2018 US Technology RepTrak® rankings. NVIDIA attained the top position with the best reputation overall and is the only company with an excellent score. Samsung closely followed with its strong reputation driven by transparent communications and popular support for its products and services; Garmin came in the third spot.


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SD.264946
Bleaberry Haws. Torver High Common
This is a circle of uncertain status, it is thought that it may have had an internal cairn or barrow. It measures 5.2 metres by 4 metres in diameter.
The Beacon. The Enclosure
This embanked stone circle is of uncertain status and measures 29.9 metres by 27.4 metres in diameter. There are a reported 10 stones at the site.
Bleasdale. Bleasdale Stone Circle This circle originally consisted of Oak posts. Radio Carbon Dating for one of the posts suggested a date between 1900 to 1720 BC. The 11 Oak posts are now marked by concrete pillars and the circle measures 45 metres in diameter. It is sited in a plantation and the site also consists of a turf barrow 11 metres across and 1 metre high.
Turton. Stone Circles, North of Egerton
This site consists of 2 stone circles and outlying stones. The Northern circle measures 15.5 metres in diameter and consisting of 6 or 7 stones all under one metre high. Although ruined it is still recognisable. Both stone circles are 320 metres above sea level. Approximately 12 metres SW is an outlying stone. Continuing SW is the second circle which is made up of 2 concentric rings. The outer circle is 11 metres and the inner 9.6 metres in diameter. Rubble has been found between the stones with more stones in the centre leading to the assumption that it is probably a ruined ring cairn covering a burial site.
Mosley Height
Although ruined it is still recognisable. It is thought to be an embanked circle with an entrance. The circle itself measures 12.8 metres in diameter. Not shown on O/S maps.
Worsthorne with Hurstwood. Stone circle (& round Barrow) Hamdeldren Pasture (Nr Burnley)
This stone circle is now destroyed. No known measurement or description can be found upon investigation and does appear on O/S maps.
Ring stones Hill. North of Catlow Brook
Now destroyed no recorded measurements or description can be found. Does not appear on O/S maps
Extwistle Moor
This circle is of uncertain status and measures 4.6 metres in diameter. It is believed to have been excavated in 1887 when an urn and a flint battle axe were found.


Retail Finance Analyst Hours: Full-time/Permanent Location: Scunthorpe Salary: £30,000 Reporting to: Head of Finance Business Partnering - Retail & Logistics Nisa is an award-winning group which helps independent retailers flourish in the retail market by distributing quality and competitive food at scale. Our ethos is to support communities around the UK, by helping independent retailers make a true difference to their local area. We are looking for a Retail Finance Analyst. Supporting the Head of Finance Business Partnering - Retail & Logistics here at Nisa, the Finance Business Partner role will help provide the support and information to the Directors and enabling high level decision making. Job Knowledge: * To support the business with relevant financial data and information * Providing analytical support for strategic decision making * To provide relevant data insight and analysis to support the business * Knowledge of Forecasting/Budgeting and reporting * Have a challenging attitude to drive best practice and add maximum value in a Business Partnering role * Reporting and presentation skills for communicating to key stakeholders Specific Areas of Work: * Preparation of weekly sales reports * Preparation of periodic and quarterly reports on business unit and partner performance * Provide information and reports on an ad hoc basis to business unit heads and the field teams * Involvement as part of the team in respect of business unit and partner performance * Deal with Partner queries as they arise * Provide financial analysis relevant to recruiting new Partners Preferable Experience: * Part-Qualified or Qualified Accountant (CIMA, ACCA, ACA etc.) * Experience within Wholesale, Retail or FMCG sector * Knowledge/Experience of reporting, budgeting and forecasting processes * Exposure to Sales and Margin reporting Personal Attributes: * Excellent influencing and interpersonal skills * Objective and willing to challenge the status quo * Strong IT skills including Word, Excel and PowerPoint, Cognos desirable * High degree of self-motivation, self-discipline and enthusiasm to succeed * Self-starter and results orientated * Excellent attention to detail & persuasive writing skills * Ability to manage multiple priorities * Analytical, uses a logical, systematic approach to problem solving * Adaptable and flexible, working with the wider business to find solutions to business problems and exploring opportunities * Excellent communication skills - confident and articulate communicator liaising with both internal and external stakeholders * A good relationship builder with excellent attention to detail who can keep to tight deadlines * Ability to work pro-actively, be results oriented, self-driven and to work independently * Will be confident handling large amounts of data In order to apply for this role, please click 'Apply' to continue your application. Please ensure you include details of your current remuneration package.


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An Interview with Elizabeth Stanley
May 27, 2015 January 2, 2017 Victoria Myers 6498 Views actress, musicals
Written by Victoria Myers
We saw Elizabeth Stanley in On the Town and thought, "We should interview her." Then we saw her perform at The Lilly Awards' Cabaret and thought, "We definitely should interview her." And then we saw her at the shoot for the #MakeItFair video, that's recently exploded on the web, and thought, "Wait, why haven't we interviewed her?" Prior to being hilarious in On the Town and earning a Drama Desk nomination for Best Supporting Actress in a Musical, Elizabeth played a wide range of roles that showcased her versatility. She made her Broadway debut as April in the 2007 revival of Company. She then appeared in shows ranging from Cry Baby to Michael John LaChiusa's Hello, Again and the Encores! production of Merrily We Roll Along. She's also been a longtime supporter of ASTEP, an organization that we're also very fond of. We recently talked with Elizabeth in her dressing room before a performance of On the Town about being funny, her development as an actress, and being a woman in the theatre industry.
(i.) Present
One of the things that's great about On the Town is that it goes from broad humor to very poignant, dramatic moments. What was it like shaping a character within that?
We knew that going in and that gave us freedom. I knew I was not hired to be the delicate, romantic person in this show. It was nice that the sky was the limit in terms of how wacky we could be. John Rando is a fantastic director and he was really encouraging in saying, "Try this," or, "Try that," but also really reminding us to keep the heart. It's easy with all the crazy comedy to forget the heart and what's really the meat of the story; it's about a desperate love and a need to connect in a time of war.
What was your process like for finding the humor for Claire?
I think the thing that makes her tick is that she's very buttoned up, but what's great about this role is that she really comes undone. So I just tapped into my own life story. I was sort of very studious, very academic—I wouldn't say I was nerdy although maybe other people would. I lived by a lot of rules when I was younger because they got me the things I wanted; they got me the grades I wanted and the discipline of practicing worked to my benefit. Then, very much like Claire, I got to a certain age and was like, "I don't seem to be having a lot of fun." I'd say I was always the quirky one out of my group of friends, and my friends who come and see this show always say, "It's so great to see you in a role where you're actually just being yourself." So I guess she's a little bit of me. I see a lot of my older brother in her. He's very, very smart. He's an electrical engineer and an air force pilot, and he's really dedicated and meticulous, but then he's such a goofball when he lets loose.
Styles of comedy change over time. When you're doing something that's from another era, is that something you had to think about?
Yes. I'm lucky in that I'm the third scene in and by then audiences are like, "We see where you're at." I'm lucky that audiences are ready to embrace that type of comedy by the time my scene rolls around, which helps because it allows me to be a little more off the wall. I wasn't necessarily thinking about it when I created it, but people have said, "Oh you remind me a little bit of Lucille Ball or Carol Burnett." I think that style of comedy influences what I did, and it's different than something like April, a comedic role I did in Company, which is very dry and minimal. So, yeah, you have to shape it because I feel like if you don't honor the era in which it was written, then it doesn't play as well. It sort of confuses the audience brain of like, "What's the tone? Who are you? I'm confused about how to look at you."
A lot of the jokes in this have to do with sex too. That's something that's changed a lot, especially for women. Were those kinds of jokes something you had to be aware of?
Phyllis Newman [of the original cast of On the Town] came and saw our show and said, "I think they would have loved this," meaning Betty Comden and Adolf Green and Leonard Bernstein. She said, "It's a lot sexier than I've ever seen it." The jokes are written in there, it's not like we added them or changed it, but I think we're able to be more blatant about it than they originally were. Sex is so human and it's really funny. It's tragic and heartbreaking and all of those things, but most people, when they talk about their dating experiences, make jokes about it—because that's the way you deal with the pain. When you're vulnerable and trying to connect with someone, most of the time it doesn't work, so I think there's a lot of comedy to be found in that.
(ii.) Likability
Some of the other actresses we've talked to have mentioned they feel extra pressure to make their characters more likable than a similar male character would have to be. We've had it only come up with more serious roles, but we were wondering if that came up doing a comedy?
I don't know that I feel that very much with this role. I know exactly what you mean though. I've definitely felt that with other roles. In this role I feel like it works on her side. I feel like out of all the female characters in the show, she's the most relatable perhaps. I think a lot of women know what it feels like to be sort of buttoned up and keeping their true feelings under wraps and then letting them out. In that sense, I feel like it's a very, "Yay ladies" role. My partner is equally goofy so I don't feel like I have to dumb down for him. The only thing with Claire that's tricky is that she is technically engaged to someone else, and that I think gender doesn't play into that since cheating is generally a problem for most people.
You've had the likeability issue come up with other roles?
I feel it especially when you're playing an ingénue-y, romantic character. It's like in order for the fairytale version to work you have to be a little demure or a little quieter—all the things that are stereotypical feminine traits. It can be tricky.
(iii.) Development
On the Town started at Barrington and actually came to Broadway in a way that's a little out of ordinary these days—unexpectedly. What was that like for you as an actress to be able to do it out of town without feeling like it was a tryout with a capital T?
It's so great. I feel so lucky to have had that. When I got the audition for On The Town, I was like, "I'm just going to go away for the summer and enjoy the Berkshires." Of course, I love being in a Broadway show, but everything that goes around it can sometimes be really distracting since it's not why most of us become artists—you do it because you love the actual craft. I always like going out of town because you can just do it. It doesn't become this huge thing outside of the show. So that was awesome. And it was nice to get time off in between to think about it, and then get another rehearsal process to go, "Oh I think this angle wasn't quite right," or, "I had this idea, but I never got to try it before." It's definitely a luxury to try and re-do something. And I think that theatre is special because it's a live performance and you're having a collective reaction to something that's happening right in front of you. It's different to watch action unfold with real people right in front of you than it is to watch a movie unfold in front of you. I feel like that can happen no matter where you are and I think it's something to be valued.
Is there anything you think could get more people to come see shows?
Have you seen the new Matilda commercial [where people sing and dance to one of the songs from the show]? Things like that make it more accessible to the average person. If you see a video of people singing and dancing that's b-roll of the show, it's very accurate advertising like, "This is exactly what you're going to see when you come." But if you've never seen that before or didn't grow up going to shows or watching old movies, I just don't think that grabs someone who doesn't already have an experience with it and makes them say, "Oh I want to try something new and go to that." So I think you have to show it to people in more everyday terms of what they're used to. So if commercials looked more like movie clips that's a great way to engage them. Like with our show, they could have a handsome solider—it doesn't even have to be one of the actors from our show—wandering around the city and trying to ask a girl out or ask for directions and have "Lonely Town" playing and have him experience all of these great New York spots. That's exactly what this story is and it's still accessible and relevant. I just think advertising could be more contemporary.
There's a study that says if people don't go to a show by the time they're twelve, it's next to impossible to get them to go.
I feel like a pretty adventurous gal, but I'm not super interested in sports so I'm not going to buy a $100 ticket to see a sporting event unless someone is like, "Hey, let's do this!" But on my own it's probably never going to happen. So I understand the reverse. I get it.
What's something you think can be improved upon in how we develop musicals?
That's hard. It's so hard to create something new. And in our culture, Broadway has become something closer to Vegas, so people have this expectation of a real spectacle when they come, which is limiting to so many artists in terms of what you're capable of producing that then gets produced on a giant level. As a general rule, I think if we as a culture had a greater appreciation of art for art's sake that would be a place to start.
(iv.) Process
What's your process like as an actress? Do you go to the character or do you bring the character to you?
I meet it in the middle is maybe the safe answer. I do feel like I'll go back and look at a performance I did and think, "You were putting so much of yourself into that and you didn't even know it," since I think your subconscious can certainly sneak out. I usually go through a script and analyze it with what's being said about the character, what do we know about them, how are people talking about them, and then I ask questions for anything that's not answered, and some of that you have to make up so that becomes personalized. It's really fun to play characters who aren't like you and you get to find people in your life or in history that tap into that character. But, ultimately, it all comes from your own imagination. For me it feels almost impossible to not go, "Okay, how am I like this character and how am I not like this character" and then see how you fit in the middle.
Do you come into rehearsal with a lot?
I would say I feel better when I come in with quite a bit. It gives me a place to start. It feels safer, in a way. But it always changes based on who you're with and what happens in the room. With music, that was the first thing I started studying, so I like to feel pretty solid with it before the first day, if I can. And, again, it changes.
(v.) Culture
What's your relationship like with music? When you hear a piece of music do you go to an image or a color or a story?
I'm more of a scene person. It almost always puts me in some sort of mood. I'm actually very careful about the type of music I listen to in my downtime or at home, because sometimes there will be singers that I love—I love their voice or their instrumentation or their lyrics—so I'll listen to it for all of these other reasons, but then I'm like, "I really don't need to be in that mood right now." When I was younger, I remember playing piano music and talking to my teacher and going, "This piece of music makes me think of this story."
What are your top five favorite albums?
1. Joni Mitchell, Blue.
2. India Arie, Love and Testimony.
3. Michael Jackson. I don't know which one.
4. Stevie Wonder, The Key of Life.
5. Aaron Copeland, Fanfare for Common Man. (I know, not exactly an album)
What shaped your sense of humor?
I have a lot of really funny friends. I honestly think most of my stuff is from them. My brothers are both funny, but we don't joke a lot with each other. We're not funny with each other as a family. In fact, my parents came to see one show I did and my dad said, "I didn't realize you were funny," which is kind of hilarious in itself.
What other areas of culture influence your artistic life?
Visual art, for sure. I love going to museums. I usually like to go alone or I have a couple of really good friends where we both like to go alone, but we like to go together and say, "I'll meet you back here in two hours and we can talk about what we've seen." I love that. I like historical and I really like contemporary art. I like to paint. It's just something that I do for myself. I paint a lot of cards and things like that for my family and friends. When you make your living in one creative capacity, it's nice to have something else creative that's not your job.
(vi.) Past
What is the first piece of storytelling that had a major impact on you?
I have really early memories of my grandmother putting me to sleep and repeating nursery rhymes. Going to visit her, I'd sleep in the bed with her and she'd tell me nursery rhymes. So that's definitely one of them. I grew up going to church every Sunday and we had this children's storybook bible. I remember the Moses story where he was put in a basket and sent down the river. And I remember loving it because the picture of the baby was so cute. From an early age I wanted that story told over and over.
Who were your heroes growing up?
I was definitely a kid of the 80s so Mary Lou Retton was on the Wheaties box and was a super cool gymnast lady who had me doing cartwheels and headstands and things like that amateur style in my living room. Musically, when I was really young, I loved Madonna. I just wanted to dress like her and be like her. She was just so cool and such a badass. I was really far from it, but I secretly hoped to be like her. By the time I got to fifth or sixth grade, I was starting to get really into music, so my first voice teacher. I just worshipped her, and she was so pretty and just getting married and an amazing teacher and she had lots of energy and was so encouraging of her students. I'm from a pretty small town, so any artist that would come through and play or sing with the local symphony I just thought was really awesome. They were unique because they weren't from there, but they were doing something that I hoped I could do but didn't really understand yet. My older brother was a really great role model to me growing up. He's a really sweet guy and great older sibling, and he's such a hard worker and was so studious and just calm. I think that shaped me.
Were you imitative as a child?
I did cut my hair really short, which was a huge mistake. My mom was like, "Okay…" I needed to put gel in it and style it, which I was never going to do at eight or nine so I just ended up with this boy haircut. I thought it would be really cool. And I was really creative about what I would wear. I was always trying to copy what I saw people wearing on TV and stuff, but with a really limited budget. There wasn't H&M. It was like JC Penny. I don't know how successful I was.
(vii.) Leadership
When did you first feel like a grown up?
It might be this cast. I just suddenly feel like no one looks at me like a child anymore. This is one of the first casts I've been a part of where I'm one of the oldest people. And I still don't feel very old, but there are a lot of young people in my cast. But that was sort of an, "Oh wait! I used to always be the youngest person!" My youngest cousin got married a couple of weeks ago, and that was a real eye opener because I saw a lot of extended family that I hadn't seen in maybe fifteen years. For the longest time, we were the kids and they always looked the same and now my cousins and I were all there and some of them have kids and some of them are married and, all of a sudden, all of our parents looked older. That was like, "Wow I guess we're really adults."
Going back to what you were saying about the show, did you think about what you wanted to bring to it as someone leading the company?
Yes, that's something I've certainly thought about with this show. Anytime I'm playing a more principal role I think about people who I've been in casts with who were in that position and what I admired. I want to emulate that. I hope. I try to be someone who is able to speak up in rehearsals and challenge a decision if it's something I feel differently about, but in a collaborative way and in a secure way. Then, just being inclusive and compassionate because there are times that are hard. Everyone is going through their whole life during the time a show is going on and that's another part of everyone's world. I try really hard—and it's not possible everyday—to leave whatever is going on outside, so we can all be on the same field.
(viii.) Representation
We're always interested in how other people's labels affect an individual's artistic growth. Actresses get boxed in a lot at the beginnings of their careers based on how they look and voice type. How do you think that affected your development as an artist?
A lot. I'm not and have never been a size two, so when I moved to the city I was immediately a different type. In college I was always the soprano, ingénue part, and when I moved here there was more of an expectation of what the romantic lead should look like and that she should be tiny. So then I became the quirky sidekick or the sassy, sexy belter. But I don't regret that because those roles were so fun and I ended up loving that. Now I feel like I'm a grownup and I'm growing into these roles where you can look more womanly and they're more fleshed out, so they're more interesting to play. Early on I did have someone tell me, "You should never wear flats," and you see my Birkenstocks, so I really listened to that today, but I thought about it like, "Someone is going to be there taking my photo, and you need to always look pretty if you're going to be around people in the business. You need to have your hair done and you need to have a face on." And that's hard. I get it because I chose to go into an industry where what you look like is a part of it. That's undeniable. I'm not a studio musician. I'm not a radio voice. But I wasn't raised that way. My mom never colored her hair. She takes pride in how she looks but it was not the most important part of her day or life. It was a real adjustment for me. At first I felt really fake and superficial or like my priorities were messed up if I was spending so much time and money on what I looked like. Sometimes that's still hard. Sometimes you still get feedback like: "You wore the wrong thing." "You look terrible in that." "That was unflattering." I don't think guys probably get that. Some do. I don't think they're immune to it. But it's harder for women, for sure. Even if you're not an actress.
Was there a learning curve to figuring out how to deal with that?
Yes, and I'd say I'm continuing to find that balance. It's a constant juggle of what can be my style, how much do I need to look like what people are expecting me to look like, and when I can I just be real. It has gotten easier. I think I feel more comfortable about it. I also think the more successful—I'm not saying this about me—an actor gets, the easier it is to just be. You're not having to prove yourself. People learn to love you for who you are. Like Meryl Streep. She's not making a statement with her clothing. People respect her as an artist no matter what she looks like.
(ix.) Support
You were recently part of the #MakeItFair video that's been going around the internet. Why did you want to be involved with that?
I was like, "Yes! This is a great idea!" It was a couple of my friends who approached me about doing it and they're both very cool ladies and great creative talents. And people who have been very honest with me as a friend about, "This is hard," and, "I'm struggling with that." So I knew they were going to have smart things to say. I also knew they were very funny so I knew they'd make it something that wasn't too heavy handed, which I feel they did.
You also did the Lilly Awards cabaret this year. We always think women supporting women is cool. We're always interested to hear from people about why it's important to them, personally, to support other women and be involved in those types of events.
I think women are awesome. We've come so far. I don't feel like a lot of my friends had to fight for doing what they wanted to do, but I still feel like gender equality isn't totally there. It's something to stay on. There can be so much negative energy and thoughts around competition between women and sometimes that, I think, is a result of them having to fight for what they want instead of just being able to say, "This is what I want. That's what you want. Okay. Great." So I think it's really important to be supportive and encouraging. And now where I'm the age where a lot of my friends are having children, that becomes a whole other thing to juggle and embrace and everyone has a different path. It's a whole thing. And that feels like the conversation that my generation is dealing with. Equal parenting. And I think that's a really interesting conversation.
Something we talk about a lot with the women who have children are the questions they get asked about being a parent that their husbands never get asked.
Yeah. I didn't really think about it but, when I was at this wedding a few weeks ago, my older brother said, "I'm really glad that it's cool for dads to be so involved now." I was sort of shocked since my older brother is a very sensitive, great dad. I was shocked that he ever even had that thought that it was never not cool. But I suppose, as a guy, that's perhaps on your radar that you weren't successful if you weren't killing it in your career rather than being a fabulous dad.
(x.) Future
What's something you think people can do to improve gender parity in theatre?
I think educating women that there are jobs in theatre other than being an actress because I had no idea about any of the other jobs growing up. I thought, "Oh I like theatre," but it never occurred to me to do any of the other stuff around it.
You can follow Elizabeth on Twitter: @StanWoman and Instagram: @ecstans.
← Petition to Broadcast Best Book and Score on the Tony Awards
Behind the Scenes with Sutton Foster and Micaela Erlanger →
Jayne Houdyshell and Elizabeth Marvel in Conversation
Amanda Duarte on Staying Alive (her cabaret show, but also in the metaphysical sense)
Head Over Heels With Bonnie Milligan


Are Twentysomethings Expecting Too Much? - They were raised to believe they could do anything, and now they're demanding more from work than previous generations ever did. Will they change the world or have to lower their sights?
Why is College So Expensive? Blame Government!
Right now we have what the Left so fervently desires — an us-against-them Tocquevillian nightmare that can only exacerbate the class warfare currently being whipped up in Washington.
Gates: What is Wrong With Western Elites?
The fair-lending task force's original policy paper undercuts the notion the financial crisis was all about banker "greed," though it certainly played a role after the fact. Rather, it offers compelling evidence that the crisis evolved chiefly from government mandates and threats to increase lending to applicants who could not afford them.
"Surprise! No warming in last 11 years"
In other words, as long as it doesn't get any warmer, then AGW is a hoax. However, should it warm up a bit over the next few decades, then AGW is real.
If it hasn't warmed up in a decade, then that proves AGW is a hoax. However, if suddenly the temperature does start to rise, then that proves they were right after all, since the basis for proving it a hoax has evaporated.
My personal thanks to Ed Morrissey for posting this article yesterday and reminding me of yet another item to add to my AGW project.
Spengler is right about the property tax.
And what really infuriates me about the property tax is that you have to pay it whether you have any income or not.
Should they so choose, The State can tax your property to the point where you can't pay, and then you either must sell or they can confiscate it. And they have the ability to raise the rates to the point where they could own it all.
As governments have an insatiable demand for revenue, how long will it be until a person's cash and investments are considered 'property" and taxed accordingly?
Some of my property taxes went up 44% this year. And they ratchet up every year, it is an annual, not a periodical reassessment.
Property tax is just a nice way of saying that you don't have any private property. You could say it only applies to the property being taxed, but what's to keep some greedy politicians from taxing some other property you own. Most places already tax your home and some tax your car - those are the largest expenditures most people make. Given the way giverments coming up with new things to tax, I'm not optimistic that new forms of property tax aren't in our future. After all, that's a pretty effective way of taking "the rich" down a few pegs!
Regarding the angry Michelle Obama: as long as the president's family, including the First Lady, remain on essentially neutral ground, the family should be immune to political swipes. Sasha and Mahlia, being teens, are certainly immune.
But if Mrs. Obama engages in political speeches and especially attack speeches, she makes herself a spokesperson and that makes her available for any attack based in logic and fact.
Re the tax shifting or tax burden: the taxes have not shifted to state and local governments, the taxes at those levels have been raised. It's not like the feds have quit shoveling money they don't have at state and local projects which are not their business in the first place.
The Founders' idea was that most taxes would be local, and therefore easier to influence by the people, and few taxes would be federal. But they also envisioned a federal government with a more limited role.
I ran a few simple numbers and it seems unlikely to me that many people are paying as much property tax as they are interest. Assuming a 4% mortgage, a $100,000 home fully mortgaged (somewhat unusual situation) runs around $4100 per year in interest. In my state, at least, that home would run around $2500 in property taxes. Now, if you've paid down your mortgage or refinanced with a good balance, you might be paying 4% on a $50k balance on a $100k home and then you might be paying more property tax than interest. That represents the normal and desirable turn-around on the mortgage.
By good fortune more than good planning, I've got my home paid off so I pay a whole lot more in property tax than I do in interest. I'm doubtful that this metric -- comparing mortgageinterest to state and local property tax -- is meaningful.
chairman, appointed by Pelosi and/or Reid, was Phil Angelides.
He was and is also the chairman of the Apollo Alliance, the zombie jamboree of far-left organizations which wrote the Stimulous Bill.
The final report (BTW boycotted by two of the ten commissioners, eloquently by the guy from Heritage Foundation, whose name escapes at the mo), natcherly truthful at the distance chosen --that is, the distance where the generalizations leave one speechless --it more or less ascribed the disaster to 'human nature'.
Anyhoo, the question is, of all the availables to run this official fact-finding investigation, why did the congressional Democrat leadership pick Phil Angelides?
Actually, it's not really a question. Everybody who takes a look knows beyond a shadow of doubt, the guy was picked to bury the truth. And, he did just that.
The deal is, Doc, that the warmists claim infallibility. And that warming has been happening inexorably, and indubitably. No actual warming shows that warmists are WRONG. Wrong, wrong, wrong, and liars as well.
Is our world warming? My Magic 8 Ball says "All Signs Point To Yes." I grew up in glacial moraine territory, with no sign of glaciers in 15K years.
Warmists claim "man" is the cause of warming. The Vikings discovered the island now called Greenland and named it Vinland for the grapes they could grow. Must have been due to the cars and SUVs they had, since the warmists are claiming ours are a/the cause.
"If the pieces don't fit, you must acquit." And the pieces don't fit.
Right now 40% of my monthly payment goes towards my property taxes. I"ll have the mortgage itself paid off in about 4 years (should the good Lord grant me the lifetime and the income) - but I'll still have to pay $5600/year and ever-rising to the State of Illinois and various County and municipal sub-divisions or they'll take my house and sell it to someone else.
It's the most regressive tax out there and the schools, etc. absolutely depend on it. Residential housing taxes should be eliminated.
It was never intended that the police would be able to protect us from crime. Their job, for the most part, is to keep public order in certain situations (large crowds, public buildings, etc.) and to investigate crimes that have already occurred.
Consider how this country started. We were mostly an agrarian society with houses well-separated on farms and from the urban centers with no means of communication faster than a horse. Of course there was no way for the Sheriff to have his deputies guard every house. Of course the police couldn't stop crimes from occurring. And they have never been able to stop crimes from being committed by a determined criminal in the cities - there's too many people.
So, as was well covered by the recent Supreme Court decisions, people were expected to defend themselves. There was no alternative. What the anti-civil rights activists of the present day want to do is to infantilize themselves - and you and me - to the point that they can abandon their responsibility of self-defense and pass it along to the police. The same police that they often deride and disparage. Where they get the idea that this is even possible is beyond me.
The filing came as MF Global told regulators of potential "deficiencies" in some customer accounts, according to a statement by the U.S. Securities and Exchange Commission and Commodity Futures Trading Commission. Regulators are investigating whether hundreds of millions of dollars are missing from client accounts, according to a person with knowledge of the matter.
President Obama is desperately putting his Wall Street stock in an unlikely old buddy.
The beleaguered president has recruited former Goldman Sachs head honcho Jon Corzine to shore up re-election funds from the banking industry, which is furious over Obama's financial regulations.
Corzine, the former governor of New Jersey who was blasted out of office by Republican Chris Christie in 2009, has attended secret meetings with the president and has been working on Obama's 2012 campaign for months, The Post has learned.
The Democrat, who now leads Manhattan-based brokerage MF Global, has been tasked with scraping up the very little banking-industry support Obama can still get.
Nice. Oh, that's from July, if anyone's interested.
Correcgtion, the article Denninger quotes is not WaPo but NY Post.
And, like any good executive, Corzine is looking out for his own bottom line.
Success could resuscitate his political career with a top post -- such as treasury secretary or a key ambassadorship -- if there is a second Obama term.
Obama campaigned heavily for Corzine in his failed re-election bid, calling him "our Wall Street guy."
"Correcgtion, the article Denninger quotes is not WaPo but NY Post."
I just wanted to offer my heartiest congratulations on coming up with a single-word oxymoron, one of the rarest of breeds.
"Are Twentysomethings Expecting Too Much? "
No, but an "education" in studies (gender, racial, or environmental) won't' bring about what they expect. If they want what they expect, let them become engineers; scientists; real scholars void of Marxism, deconstructionism, etc.; or learn real skills: machinist, welder, pipe fitter, etc.
RE the Stone age restaurant: Where do they get the mastodon meat? clones?


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Fraternity allows transgender members
PinkNews Staff Writer May 17, 2006
Sigma Phi Beta Fraternity's national board of directors enacted a policy at a meeting this week to allow transgender students to join.
The policy goes above and beyond any other known policy of a national social college fraternity by allowing individuals who self-identify as male to seek membership, regardless of their sex at birth and whether or not they have obtained legal recognition of their gender identity.
Furthermore, the policy allows full members to maintain their membership, even if at a later date they decide to change their gender to female.
Jamison Green, a transgender activist and educator who serves on the board of directors of the Transgender Law and Policy Institute, expressed his support.
"Sigma Phi Beta's decision to welcome transgender fraternity members is in direct fulfilment of the Greek Life values of self-determination, self-actualisation, and brotherhood.
"The inclusion of gay and transgender students in the fraternity system ensures the formative experience of true brotherhood," said Mr Green.
The fraternity's national president and chairman, Sam Holdren said that while the purpose of Sigma Phi Beta Fraternity has always been "to build character in gay, straight, bisexual and transgender male college students," this new policy acknowledges the complex nature of gender identity by respecting students "ability to self-identify."
'Sigma Phi Beta Fraternity wants to make it known that we are committed to being inclusive and supportive of transgender students while maintaining our identity as a Fraternity for men.
Sigma Phi Beta Fraternity was originally formed as a local chapter at Arizona State University in September 2003, forming its own national parent organization in July 2005. Since its inception, the fraternity has made great strides in the Greek fraternity system.
The development of this groundbreaking policy came about in collaboration with the local and national transgender community. The policy enacted by the national board will be binding on present and future chapters of the Fraternity.
© 2006 GayWired.com; All Rights Reserved.
'Sick' football thugs cant homophobic, racist abuse on packed train in front of kids
Josh Milton - January 18, 2022
Popstar Peach PRC 'feels finally at peace' after coming out in brilliant viral video


This creamy Mushroom, White Wine and Herb sauce from Meridian is made from specially selected ingredients, totally free from dairy products, wheat & gluten.
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Dietary Attributes: Gluten Free, Dairy Free, Yeast Free, Refined Sugar Free, Egg Free, Vegan, Wheat Free.
Water, Mushrooms (10%), Sunflower Oil, White Wine (6%), soya flour, Onion, Glucose Syrup, Maize Starch, Salt, Porcini Powder (0.7%), Lemon Juice Concentrate, Garlic, Stabiliser (Xanthan Gum), Vegetable Bouillon (Salt, Sugar Potato Starch, Yeast Extract, Onion Powder, Dried Parsley, Celery Extract, Onion Extract, Parsley Extract, Turmeric Extract, Acidity regulator: Citric Acid), Black Pepper, Parsley, Marjoram.
Product contains soya and Celery. Not suitable for other nuts and sesame allergy sufferers.
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Meridian foods have been producing wholesome, organic tasty foods using the finest, most authentic ingredients from all around the globe. Based in the rolling Welsh countryside, Meridian have been producing high quality healthy food for 30 years, and are continually expanding their excellent range to meet the demand of the ethical consumer. All their products are suitable for vegetarians, and many are suitable for vegans, diabetics and those with food allergies. Meridian believe that eating a healthy, organic diet, should not mean you have to compromise on taste and variety.
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The sun is shining and it's just too good to miss it. Plus it's Friday. The manager lets us out early to enjoy what might be the last dose of hot weather before the wet and the gloomy season, so of course we head to the near bar with a decent deck area.
I'd been to Tomtom for the Christmas function for a previous company so know they have good food but this is my first time for an after work drinks. The interior is dark compared to the bright deck out the back, half covered in a canopy with couches, the other half in the sun with tables and chairs. This is definitely not a pub.
Half the department is already there, competing in size with another company boys in suits, and the DJ is just gearing up the music. The weather is awesome and the work week is over and we deserve this rare early getaway!
Each with a drink in hand, we shout over each other and the music, by now blasting it out.


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The Dallara F188 was a Formula One car designed by Gian Paolo Dallara and Sergio Rinland for use by the BMS Scuderia Italia team during the 1988 Formula One season. Driven by Italian Alex Caffi, it failed to score any points for the team.

Development
Dallara was contracted by Beppe Lucchini to design a car for his new BMS Scuderia Italia racing team, which was to participate in the 1988 Formula One season. The F188, powered by a Cosworth DFZ V8 engine, was designed by Gian Paolo Dallara in conjunction with Sergio Rinland. With the longest wheelbase of all the Formula One cars entered for 1988, the F188 was a well-regarded car given the resources available to Dallara. A total of three chassis were built during the year.

Race history
Scuderia Italia ran a single entry through 1988 for Italian Alex Caffi. The F188 was not quite ready to start the season and a F3000 chassis, the Dallara 3087, was used for the opening race in Brazil. Caffi debuted the F188 at San Marino where he qualified in 24th but retired from the race itself. He put in a creditable performance throughout the year and qualified for all but one race with the F188, with a best of 10th in Hungary. No points finishes were scored, but Caffi did manage a best placing of seventh, at the Portuguese Grand Prix.

Complete Formula One results
(key) (results in bold indicate pole position; results in italics indicate fastest lap)

Notes

References

1988 Formula One season cars
Dallara Formula One cars


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text:
Reading: FIRST BANK REITERATES COMMITMENT TO LEVERAGE FINTECH
Starconnect Media > Business > Banking > FIRST BANK REITERATES COMMITMENT TO LEVERAGE FINTECH
BankingBusinessTop Story
FIRST BANK REITERATES COMMITMENT TO LEVERAGE FINTECH
MD and CEO of First Bank Plc, Dr Adesola Adeduntan
Admin l Thursday, October 18, 2018
LAGOS, Nigeria – Nigeria's leading Tier 1 lender, First Bank of Nigeria Limited, has reiterated its commitment to leveraging Financial Technology (Fintech) to deliver innovative services.
The Managing Director/Chief Executive Officer, First Bank of Nigeria Limited, Dr. Adesola Adeduntan, stated this in his address to the Fintech summit hosted by the lender in Lagos yesterday. he event tagged, "FirstBank Fintech Summit 2.0," was the second edition of the summit which the bank commenced two years ago.
Dr Adeduntan, who was represented at the event by the Deputy Managing Director of the bank, Mr. Gbenga Shobo, stated that the summit was conceived to enable financial sector players provide financial products and services with greater speed, accountability and efficiency.
He stated that the event commenced last week with a two-day hackathon on Artificial Intelligence (AI) and Big data at the FirstBank Digital Lab with the aim of finding new ways to apply artificial intelligence to banking operations and practices.
According to him, "to remain competitive, banks must make the most of this disruptive change. At the moment, some actors are using this new technology so enthusiastically that it's hard to keep up whilst others are still channeling too much investment in old systems.
TAGGED: Fintech, First Bank of Nigeria Plc
Court told how owners of Lionstone Offshore stole $4.7 million from Hercules Offshore
LIRS boss, Ayodele Subair, Bags Vanguard's Public Sector Icon Award
Commerzbank with operating balance of $3.7 billion for listing on DAX Index
Sahara Foundation, Egbin Power Plc upgrade Ijede Police Station to improve security, deepen sustainability


When you write something for print, all the qualification that you do to it is within the text, you can add emphasis and punctuation to stress and tone your message, but essentially, everything is in the words. In Hypertext, it's not so, there's some stuff called Markup that you have to worry about. And it's all so damn unintuitive and intrusive. If I have to write something that really cuts to the heart, something simple yet beautiful – something like poetry in prose, that develops an image in words, I simply can't break it with markup. HTML Links interfere with a reader's thoughts, they're kinks in a long melodious chain of word upon word, rotten kinks that don't fit in anywhere, and so I have to invent, contort, displace prose so that somehow it isn't so terribly rotten on the eye and it all somehow fits in. But I never seem to be able to do that well, it's said of this that it's a hard thing to learn, and I'll try and try again because as always if you catch the reader unaware, it's said to be more effective.


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Campus + Environment + Life
MSU lands grant to increase nutritious food consumption in developing countries
Contact(s): Elisabeth Paymal Agricultural Food And Resource Economics office: 517-884-8662 paymalel@msu.edu
Michigan State University has landed a grant that will focus on different ways to increase the availability of nutritious foods and promote their consumption in developing countries.
The objective of the $1.2 million grant, provided by the Global Alliance for Improved Nutrition, is to increase the capacity and willingness of consumers, especially low-income consumers, to acquire and consume more nutritious foods.
The scientific team includes researchers from the United States and Africa and will collect new data in Kenya. The consortium is led by MSU's Food Security Group with partners from the University of Michigan School of Public Health and from Innovations for Poverty Action – Kenya.
"This multidisciplinary and multi-institutional team came together extremely well to produce a top-flight proposal," said David Tschirley, professor of agricultural, food and resource economics and co-director of the Food Security Group.
This team has years of expertise in researching food security and diet transformation in developing countries, in particular in sub-Saharan Africa. Tschirley, who is the principal investigator of the grant, said he is enthusiastic about this award.
"It is a great opportunity for MSU, as it recognizes the work that our group has done," Tschirley said. "It explicitly encourages us to push the frontier on research in this area and investigate how the profound changes taking place in African economies are affecting food choice and nutritional outcomes."
More on these topics
College of Agriculture and Natural Resources Africa Food production
MSU faculty recognized with University Distinguished Professor titleJul 09, 2019Ten MSU professors have been named University Distinguished Professors. . .New phone app: 'your on-the-go tick expert'Jul 08, 2019With school out, summer finally arriving and outdoor activities in full. . .Historic building gets new life for agricultural economics studiesJul 05, 2019Thanks to a gift from Michigan State University alumnus Gary Seevers,. . .Scott Swinton named University Distinguished ProfessorJul 02, 2019Scott Swinton, professor in MSU's Department of Agricultural, Food. . .MSU to partner with Egyptian Center of Excellence for Agriculture to support advancementMay 23, 2019MSU is joining other leading agricultural institutions in the U.S. and. . .
MSU earns $11 million USAID grant to help developing nations improve food security policymakingJul 08, 2019MSU earns $11 million USAID grant to help developing nations improve. . .Students develop artwork, videos, materials for Detroit ZooMay 21, 2019MSU students, faculty and researchers are the creators and driving force. . .Using computer games to aid cognitive development in African childrenMay 16, 2019Michael Boivin, a professor in the MSU College of Osteopathic Medicine,. . .Data, statistics and hydrology can reveal key truths about Lake ChadMay 06, 2019Lake Chad is critically important, both economically and. . .Honors College students receive funding for international service projectsApr 19, 2019Two Honors College student service projects have received funding from. . .
GMOs 101Nov 25, 2018Spartan plant researchers explain the basics of genetically modified. . .MSU Institute of Agricultural Technology graduates 124th classApr 05, 2018The MSU Institute of Agricultural Technology graduated its 124th class. . .MSU 'smart ag' forum focuses on feeding more with lessNov 30, 2017The SmartAg International Symposium, being held at MSU Dec. 3-6, will. . .Fighting plant disease at warm temperatures keeps food on the tableNov 27, 2017An issue of global concern is the anticipated shortage of agricultural. . .Tomatoes' crystal ball reveals evolutionary secretsSep 12, 2017MSU's Robert Last studies tomatoes. Specifically, he researches their. . .
Land-grant rootsJun 30, 2018More than 160 years ago, Michigan State University pioneered a bold. . .
Susan Packard named 2019 MSU Homecoming grand marshalJul 09, 2019Susan Packard, former HGTV chief operating officer and Michigan State. . .
MSU faculty recognized with University Distinguished Professor titleJul 09, 2019Ten MSU professors have been named University Distinguished Professors. . .
At-home support helps stroke patients adjust after hospital stayJul 17, 2019MSU researchers have found that many stroke patients feel unprepared. . .
Plants can crash when photosynthesis rates are highJul 16, 2019Just as brakes are essential to whiz down a highway, plants rely on. . .
Casey Henley, assistant professor and director of online programs for the Neuroscience Program in Michigan State University's College of Natural Science, took first place in the "Best Fully Online" category of the 2019 AT&T Faculty-Staff Instructional Technology Awards competition.


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