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A LOCALLY-ORIENTED CONTEMPORARY AND CHART MUSIC AND INFORMATION STATION FOR 15-44 YEAR-OLDS ON TEESSIDE.
Studio location: Locally-made programming must be produced within the licensed areas of Teesside (AL105) or Tyne & Wear (AL083).
Locally-made hours: At least 7 hours per day during daytime weekdays (must include breakfast). At least 4 hours daytime Saturdays and Sundays.
Programme sharing: All programmes may be shared between the Teesside licence (AL105) and the Tyne & Wear licence (AL083), subject to satisfying the character of service requirements above.


Before moving to its current campus, the former premises of the Oliveira Martins secondary school, the existing buildings were extensively refurbished and new buildings were added, creating a modern facility. Carried out under the School Building Modernisation Programme (SMP) launched by the Portuguese government in 2007. Soares dos Reis was one of four institutions selected for the pilot phase of the SMP. The former school was built in the 1960s, and consisted of a classroom and administrative block linked by an external walkway to a second block housing the gym, canteen and assembly hall. The space between these two volumes has been used to add two new buildings, which house teaching rooms and workshops, the library, a multipurpose room and the cafeteria. The new buildings and the refurbished premises have been linked by an internal circulation route. Its design is based on the "learning street" concept, and connects all areas of the school to the main entrance. It allows parts of the institution to be accessed by the public outside normal school hours. An extension has been added to the entrance, creating a covered outdoor area at the front of the school. Informal learning is encouraged throughout the building, and the school ethos is that education should not be confined to the classroom. The indoor and outdoor social and recreational spaces support informal encounters, the sharing of ideas and extracurricular activities. The circulation spaces are wide, and every room is acclimatised and soundproof. The school has wireless broadband access throughout. Access roads for suppliers enable deliveries to be made without disturbing classes or going through the corridors. The materials used for interior finishings are washable, so the school looks always clean.
Porto is the second largest city in Portugal and one of the major urban areas in the Iberian Peninsula. It has a population of 237 559 (2011) inhabitants distributed within 15 civil parishes.


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Cao Fang es un nombre chino que puede referirse a:
 Cao Fang (Wei), emperador chino de la Dinastía Wei (239-254)
 Cao Fang (n.1983), cantante china

redpajama_set_name: RedPajamaWikipedia


Alison Richardson-Pickett joined the firm in January of 2011. Alison is a full-time paralegal serving both the Foreclosure Department and Litigation Department. She holds a Bachelor of Arts in English and Master of Public Administration from the University of Toledo, along with Paralegal Certification from the University of Maryland. In her spare time, Alison enjoys spending time with her children, baking, walking and aerobics, and writing.


What tool is best to create .img files of file systems? I've been trying to use dd, but having no luck with it.
Using 'dd' is the best option, at least if you're attempting to create an image of an SD card. Could you clarify where you're having problems?
Well for instance, dd creates an image as large as the SD card. Meaning even though I only have 1.2 GB worth of files, I'm creating a 4 GB image. Is there a way to make the image only as larger as the files needed?
You could use GParted to re-size the partition to something about as big as the actual data content before using dd.
But this copies the entire space, even blank space. Can I have multiple if inputs some how so I only mmcblk0p1 and mmcblk0p2?
This will read the first 2GB from an SD card which could be 8GB in total size.
I need save my customized ubuntu maverick (desktop background, same script, ecc..) to img using dd command (on external SD card).
Can I creating image from running system target?
You cannot take an image from a running system target. You must boot some other way, mount the target drives in that other operating system, and make your image that way.
Just take it to another Linux box and compress it there from the SD card to somewhere safe.
The reason we provided that stuff was to help people to do exactly what you want to do.


text:
Q: Source control misunderstanding I created a new branch in XCode to build a new feature. After some frustration with tons of errors I decided to switch back to my master branch to work on something else. After the switch, none of my code changed back to its original state before I created the new branch.
WHAT? I thought this was the point of source control. Am I misunderstanding how this works?

A: One way to do this is to commit your changes in the xcode branch.  Then checkout the master branch.  Not committing changes and then checking out another branch brings along said changes.  If you want to remove the xcode branch do the following:  git branch -D xcode

redpajama_set_name: RedPajamaStackExchange


A BRITISH Airways flight was forced to return to Heathrow after suffering suspected engine failure with an onlooker reporting flames coming from an engine.
The Boeing 777 turned back minutes after taking off from the West London airport at about 1.44pm today and has since landed safely.
Flight tracking service AirNav shows the flight doubling back over Kent.
AirLive tweeted: "British Airways Boeing 777 (reg. G-VIIH) returning to Heathrow with engine #2 shut down."
One onlooker said they saw flames coming from the right engine while a second claimed it was the result of a bird strike.
British Airways has not confirmed the cause of the emergency.
A spokesperson said: "The flight landed safely after returning to the airport, and our highly trained engineers are investigating what happened.
"The safety of our customers and crew is always our priority."


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Salento IGP Rosso Susumaniello Serre 2018 - Cantina Due Palme
Winery Cantina Due Palme
Category Red wines
Production area Salento
Service temperature 16/18 °C
Code DUE_SER_18
Vines Susumaniello ( %)
Color: Intense ruby red with bluish reflections.
Smell: The nose is intense with notes of reds also in jam, and a finish of graphite.
Taste: Full-bodied on the palate, decisive and balanced in tannins, with an excellent fruit compenent in persistent aromas.
Food pairing: Perfect for traditional Apulian dishes, first courses with meat sauces, stewed and roasted red meats, cured meats and aged cheeses.
Susumaniello, whose name means "loaded like a donkey", as it is particularly full of fruit at a young age, in the maturity phase, after about 10 years, productivity drops significantly and can finally be tasted in all its perfection. It is easy to recognize the Susumaniello bunches among the native Salento wines, thanks to its extremely ink blue color, so much so that in the past it was used as a cut to give greater chromatic depth to the other wines.
Harvest: Manual in small boxes.
Vinification: Maceration in horizontal rotating silos, alcoholic and malolactic fermentation.
Aging: For 6 months in French oak barriques.
Since 1989, the year of its foundation, Cantine Due Palme has as its main objective the vinification of quality products, obtained from the typical grapes of the area such as Negroamaro, Malvasia Nera, Primitivo and Susumaniello. All stages of production, from the cellar to aging to the bottling line, are guaranteed by meticulous quality controls. Among the few cooperatives in Italy to be able to boast the description on the back label of wines "entirely produced in the company"; a unique quality assurance and traceability of the supply chain, which allows you to follow the evolution of the raw material, from the bunch of grapes to the glass of wine. To unite to grow: to unite to strengthen the presence on the territory, to stimulate from the bottom a productive sharing centered on the quality of the grapes, to organize to generate a strong propensity on international markets; these are the cornerstones of our company, which have allowed, and allow, many small producers to express their potential to the fullest, respecting the three-thousand-year wine tradition of our territory. The company has always focused on preserving the Apulian sapling which allows us to obtain grapes of exceptional quality, with complex and full-bodied fruit. Cantine Due Palme is today a symbol of excellence of Apulian oenology, an important testimony of this territory, its history and its tradition.

redpajama_set_name: RedPajamaCommonCrawl


When every last detail needs to be perfect, you can rely on Your Private Chef Catering & Events to provide an Unforgettable Food Experience for your special day. There are so many lovely dining options for you to choose from.
We have a menu to suit your style, budget and personality! We can also tailor menus for special dietary requirements ensuring every one of your special guests is looked after.
Our seasonal three-course menu embraces formal dining through stunning entrées, mains, and desserts.
We understand how unique your wedding is, which is why we work closely with you to create a tailor-made three-course dining menu that you and your guests will love!
Your Private Chef will create the perfect tailor-made canape menu for your special day.
Whether you prefer canapes as a delicious nibble before dinner or you opt for a cocktail-style wedding centered on mingling, Your Private Chef will create the perfect canape menu for your special day. Our roving waiters ensure no guest misses out!
A beautiful shared meal experience, banquet catering is all about connecting.
Beautifully presented platters on tables or on a central buffet creates an intimate and engaging dining experience.
With so many menu options available, buffet catering lends itself perfectly to a home wedding, bench style seating, or a more relaxed affair.
Finish your evening on a sweet note as you select a metallic-glazed donut from your very own donut wall or follow the latest craze and opt for a cheese tower in lieu of a traditional wedding cake.
Our stunning donut wall, adorned with flowers, is a guaranteed talking point that will thrill your guests, while our cheese towers, built using the finest Artisan cheeses from around the world, are decorated with flowers, fruit, and more.
Decadent and beautifully styled food stations are a growing trend for all kinds of events – including weddings!
Our impressive spreads will captivate not only your taste buds, but your eye, too!
Last-minute catering disaster? Has your caterer or venue let you down?
Call Your Private Chef now for expert wedding catering... even at the last minute! We work well under pressure and have ties to some of the best wedding venues across Melbourne. Call us today to solve your catering panic!
We know how important it is for your food to look and taste divine at your wedding. Our professional, dedicated staff have been providing wedding catering throughout Victoria for many years, and know exactly how to make those great times perfect.
With attention to detail, a passion for amazing food, and a commitment to ensuring everything, from the wedding menu to the decorative flowers we use, is impeccable, we offer more than wedding food – we're here to give you and your guests an epic culinary experience.
One of our favourite things about wedding catering is the uniqueness of each event. To honour your unique style, we've made sure to offer all the options you could ever want to make sure your wedding menu suits your tastes and your budget.
From banquet catering for family-style dining to delicate canapes for a cocktail-style wedding and elegant three-course menus for a more formal atmosphere, we'll work with you to make your perfect vision come true.
Your guests will adore your wedding food – we'll make sure of it! With artisan cheese towers, decorated with flowers and fruit, customised three-course wedding menus, gourmet canapes, and more, the food is sure to have everyone thrilled.
Our chefs can also prepare a food station – one of the latest trends in wedding catering – letting your guests graze on delectable treats while they mingle.
Let Your Private Chef make your wedding unforgettable. The food, the service, and the passion – you can count on us for nothing less than the best in Melbourne. Contact us today. We can also help with last-minute wedding catering if your venue or caterer falls through.


Why this hotel? Popular choice. Villas with ocean views. Great value. Free WiFi.
Located in a quiet area on Phi Phi Island's Long Beach, this great-value resort offers beautiful ocean views. Each villa features teak wood interior, private balcony, satellite TV, tea makers. Free WiFi available.
The resort has an outdoor pool, cocktail bar & restaurant serving a daily breakfast buffet. The tour desk can arrange excursions and transportation. Snorkeling and kayaking facilities are offered.


This class will consist of 4-5 hours of classroom training, followed by a live fire qualification. Upon completion, you will receive the qualifications to apply for your license to carry in MA, VA, FL, ME and NH. These 5 states will allow you to carry in 38 States.
Cost: $175 for full class or $125 for those who already have a Massachusetts LTC.
Contact Overwatch Outpost to reserve your spot. A $25 non-refundable deposit is required. Balance due on day of class with cash or check only.
Life paying by credit card, balance must be paid in full before the day of class.
Guns & Ammo will be provided for live fire qualification, using .22 caliber handgun. Students may bring their own firearms and ammunition, following all applicable state laws.
Class will be taught by NRA Certified Instructor and MA State Certified Instructor, Denise Arcieri.
Next Congratulations to our gift card winner!


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Drakkar is een boomstamattractie in het Franse attractiepark Walibi Sud-Ouest.

Geschiedenis
De attractie was oorspronkelijk gebouwd in 1978 in Walibi Belgium, in opdracht van Eddy Meeùs. Het was een van de eerste echte pretparkattracties in het park. De attractie stond in het water op het grote centrale meer van het park. Oorspronkelijk heette ze Rivière Sauvage (Frans voor Wilde Rivier), later werd ze hernoemd naar Rio Grande. Eind 1994 werd de attractie gesloten en verwijderd, samen met de andere, kleinere boomstamattractie van het park, Rio Salto (die gebouwd was in 1986). Dit om plaats te maken voor één grote nieuwe boomstamattractie ter ere van het twintigjarig bestaan van het park in 1995: Flash Back.

De attractie werd intact gehouden en werd verplaatst naar Walibi Sud-Ouest. Daar opende ze in 1996 onder de naam Drakkar.

Technisch
De baan van de attractie is 430 meter lang en heeft één afdaling van 15 meter hoog. Om alleen in de attractie plaats te mogen nemen, dient men 120 centimeter groot te zijn. Tussen de 90 en 120 centimeter is begeleiding door een volwassene vereist. Er kunnen vier personen in een bootje plaatsnemen.

Attractie in Walibi Belgium
Boomstamattractie


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jazz festival
DCLX 2019 – The Washington DC Lindy Exchange
by Lindy Shopper	on April 2, 2019 April 2, 2019
We'll be making our DCLX debut this year, performing at Glen Echo Park's Spanish Ballroom for the Saturday late night (i.e. the wee hours of Sunday morning) from 1:00 a.m. to 4:00 a.m., following the main Saturday dance with the Jonathan Stout Orchestra. I know it's late, but the dancing will be amazing all weekend, with 9 bands performing throughout the weekend – join us in DC the weekend of April 205-28, 2019!
Duck Jazz Festival Highlights
by Lindy Shopper	on June 8, 2018 June 8, 2018
Back in October we performed at the Duck Jazz Festival, a fantastic two day jazz festival on the outer banks of North Carolina, and they've put together a highlight reel from the festival, including the Mint Julep Jazz Band's performance at the swing dance lesson taught by Laura Windley and Keenan McKenzie – check it out and make plans to attend this wonderful festival by the sea.
Winter Blues Jazz Fest – Williamsburg, Virginia
by Lindy Shopper	on January 2, 2018 January 2, 2018
We are excited to announce our addition to the lineup of the 4th Annual Winter Blues Jazz Fest in Williamsburg, Virginia – find us on Friday, January 10, 2018 at the Mixology and Music event at the Williamsburg Lodge, which features a sampling of cocktails from the best bartenders and mixologists in the area and, of course, some hot jazz and swing from yours truly. We play from 7:00 p.m. to 9:30 p.m. and tickets are $60 per person or $100 per couple for this special event. Purchase tickets at Eventbrite.
Facebook event at https://www.facebook.com/events/698087857043867/
Duck Jazz Festival – October 7, 2017
by Lindy Shopper	on September 9, 2017 October 3, 2017
The Duck Jazz Festival is a special and unique event in North Carolina and we were excited to perform as part of the festival in 2015 – coastal North Carolina is not known for its bustling music scene (Laura writing here, as a native of Beaufort, can attest to this firsthand), so that the coastal town of Duck, along with sponsors such as the North Carolina Arts Council and the National Endowment for the Arts, puts their efforts into a well-curated, day-long jazz festival that is free and open to the public on a beautiful beach-side town commons is a feat, a wonder, and a blissful experience for those coastal natives who may not make it to larger metro areas very often to catch the latest in jazz performances.
This year the festival has expanded to include two days of music – the traditional day-long festival on Sunday and they have added a Saturday afternoon set on the town commons featuring the Mint Julep Jazz Band. We hope you will join us for this free show from 4:00 p.m. to 6:00 p.m. with a swing dance lesson between sets taught by Laura and Keenan. Then, stay for Sunday's concerts, with performances from Davina and the Vagabonds, the Marquis Hill Blacktet, the Rad Trads, the Robert Jospe Express Trio, the Second Marine Aircraft Wing Jazz Ensemble, and the First Flight High School Jazz Band.
To be asked back to perform at this festival is an honor and a joy – the jazz fans at this festival are gracious and responsive, the best audience an artist could ask for. See you soon, Duck!
Photos from Duck Jazz Festival
by Lindy Shopper	on October 21, 2015 October 22, 2015
The Duck Jazz Festival is one of the best experiences we have had as a band – this community cares about jazz and puts on a thoughtful and perfectly executed event that draws jazz fans and music lovers from the outer banks of North Carolina and beyond. Thanks so much to the Town of Duck for creating such a fantastic music festival and inviting us to be a part of it!
Thanks to Alexandrea Lassiter of Dtownperspective for taking almost all of these photos and documenting our trip!
The jam session on Saturday night of the festival at The Blue Point.
There are wild horses statues throughout Duck, in honor of the wild horses that roam the dunes on the outer banks.
Duck Donuts across from our hotel!
Setting up at the Duck Jazz Festival main stage.
Performing Ducky Wucky at the Duck Jazz Festival!
A full band shot.
The crowded lawn at the Duck Jazz Festival.
Signing autographs at the merch table after our performance.
Our trumpeter Paul Rogers signs a Duck Jazz Festival poster, featuring the silhouette of Maceo Parker, the festival headliner.
That's a wrap – love you, Duck!
Duck Jazz Festival – October 11, 2015
by Lindy Shopper	on October 1, 2015 October 1, 2015
We love traveling around our home state of North Carolina to perform at cool and unique venues, so we are delighted to be included in the roster for this year's Duck Jazz Festival on the outer banks of North Carolina! The Duck Jazz Festival, now in its 9th year, presents a free day-long festival of regional, national, and international jazz artists with two stages on the Duck Town Green.
This year's festival artists include Maceo Parker, the Bria Skonberg Quintet, the Mint Julep Jazz Band, The Monitors, Joe Mapp and the Coordinates, and the First Flight High School Honors Jazz Band.
The music starts at 11:00 a.m. – join us on October 11, 2015 in Duck! For more information, visit the Duck Jazz Festival website.


PLASTIC bags, get yer plastic bags.
Coles will continue to offer its 15-cent reusable plastic bags for free to help customers make the switch, following the ban on single-use plastic bags from July 1 that sparked a deluge of complaints and "plastic bag rage".
The supermarket first announced it would hand out the complimentary bags last Thursday with the offer running until Sunday, matching Woolworths' policy announced the previous week.
After slapping the 15-cent fee back on for Monday and Tuesday, Coles has once again made the bags free - and it's not sure when it will start charging for them again.
"Our customers are telling us they need more time to make the adjustment to reusable bags," a spokeswoman said.
"It's important to remember that this change was only implemented at the start of the month and many customers bringing bags from home can still find themselves short a bag or two. Over time, we expect our customers to know exactly how many bags they will need for their shop.
"We will continue to assess feedback from our customers and team members. We are already finding that our customers are bringing complimentary Better Bags back to stores to re-use, but some still find themselves a bag or two short for their entire shop."
Coles said it had been "delighted with the level of support" it had received from the community and "thank our customers, and our team members, for helping us make the transition away from single-use plastic bags".
"Since we removed single-use plastic bags from our stores, customers have told us that this has been a big change for them, so we want to do everything we can to help them," the supermarket said in a statement.
As of Sunday, July 1, single-use plastic bags have been banned in all states except NSW and Victoria. The bans in Queensland and Western Australia brought them into line with South Australia, the ACT, Northern Territory and Tasmania, but the supermarkets have voluntarily removed the bags from their entire store networks.
"Coles supermarkets will continue to provide complimentary reusable carry bags in Victoria, NSW, Queensland and Western Australia, and is investing in customer service to help make the transition away from single-use plastic bags as easy as possible for our customers," Coles said.
"Coles is also investing in thousands of additional hours of customer service for the busy back-to-school period, as well as providing refresher training for our team members on the best way to pack reusable bags of various sizes and shapes.
"Coles Better Bag is made from 80 per cent recycled material and is bigger, thicker and more durable than single-use plastic bags. Better Bags can also be used multiple times and when customers have finished with the Better Bag, it can be recycled through REDcycle bins available at all Coles supermarkets."
According to an analysis by Queensland University of Technology retail expert Gary Mortimer, the supermarkets stand to make roughly $71 million in gross profit by replacing free lightweight plastic bags with heavier 15-cent options.
Woolworths has been contacted for comment.


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Pico-Robertson
Memory care facility to replace gas station at 1502 S Robertson Boulevard
At the intersection of Robertson and Cashio
November 01, 2022, 10:30AMSteven Sharp Comments
In Pico-Robertson, a gas station just south of the neighborhood's namesake intersection is up for redevelopment with a new complex dedicated to the care of dementia and Alzheimer's patients.
Last month, Michael Radnia of Robertson Cashio, LLC submitted an application to the L.A. Department of City Planning seeking approvals for a new memory care facility at 1502 S. Robertson Boulevard. The property, which has been a service station since the 1970s, would see existing improvements removed to make way for a new two-story buildings featuring 40 patient rooms and parking for 15 vehicles at street level.
1502 S Robertson BoulevardGoogle Street View
HBA is designing the proposed building, according to architectural plans included with the entitlement package.
"The building is designed around a central landscaped outdoor courtyard in a modern Spanish/Mediterranean style comprising stucco walls, custom sized exterior windows and doors, traditional base, and eave relief moldings, fireplace/chimney features, S-tile roofs, and parapets concealing rooftop mechanical equipment and tile and wrought iron details," reads a narrative included with the plans. "The main pedestrian access is from Robertson Boulevard. Vehicular access to the basement parking is from the alley that runs at the rear of the project and connects to Cashio Street."
1502 S Robertson BoulevardGoogle Maps
The proposed project is one of a handful of new developments in the works for the surrounding stretch of Robertson Boulevard, highlighted by a mixed-use apartment complex now under construction less than one block to the north.
On the other hand, plans to bring a new hotel to a site located just south of Pico Boulevard were rejected earlier this year by the Los Angeles City Planning Commission.
Pico-Robertson (Urbanize LA)
Hochhauser Blatter
1502 S Robertson Boulevard
Robertson Cashio LLC
Michael Radnia


Ligands are ions, molecules, or a molescular group that bind to another chemical entity to form a larger complex. In nutritonal medicine, practitioners need to understand why to select certain mineral combinations for the best clinical outcome. This podcast looks at this in greater detail with leading nutritional biochemist, Dr Bob Buist.


With a love for the sweet nectar and pollen found inside colorful blooms, honeybees and butterflies bring a beautiful and whimsical presence to backyards and flower patches. As natural indicators of a healthy and flourishing eco-system, people take pride in seeing them flying throughout their gardens. But beyond their beauty, these clever insects are part of something much bigger and their story is one we should all hear. As pollinators, they play an important role in the environment and sadly, their populations have been steadily declining.
"Everything falls apart if you take pollinators out of the game. If we want to say we can feed the world in 2050, pollinators are going to be part of that." - Dennis vanEngelsdorp, a University of Maryland bee expert.
To help you better understand the importance of honeybees and butterflies, we've explained their role in the eco-system, the reason for their decline and the ways that we can help bring their populations up to a normal level. We've also included a Save The Bees Infographic with expert facts from David Suzuki, Greenpeace and more. We encourage you to share this information with friends and family so more people can understand the problem and work together to help solve it.
Honeybees and butterflies are incredibly important to the health of the environment because they play a number of roles in the natural eco-system. As crucial pollinators, bees contribute to 1/3 of the food that humans eat including over 130 fruits and vegetables! Similarly, butterflies like the gorgeous Monarch, Red Admiral and Painted Lady find their way to the fragrant and brightly colored blooms and feed on the nectar that the fresh flowers produce. As the butterflies fly to each flower in the garden, they pollinate the plants, which helps the flower species develop and flourish.
Butterflies are also an essential part of the natural food chain because they act as a main source of food for birds, bats, mice and other animals. In fact, according to this article by One Green Planet, they can be connected back to two-thirds of all invertbrates! As mentioned above, they're known to be incredibly sensitive to pollution and shifts in climate change and are indicators of a healthy eco-system. While humans rely on this information for accurately measuring the health of the environment, this acute sensitivity is one of the main causes for their decline.
Since both honeybees and butterflies survive on the fresh pollen and nectar found in fresh flowers, the reasons behind the decrease in their populations are closely related as a result of habitat loss, pesticides, diseases and the negative effects of climate change. Approximately 1/3 of the national bee population has disappeared over the last five years due to the increased use of pesticides called neonicotinoids (also known as neonics). According to Global Research, this dangerous insecticide creates a toxic living environment for bees and other members of the colony since they also ingest the chemicals.
Likewise, butterfly populations are declining as well and in the last century, four butterflies and 60 moths became extinct and while that might seem low, the issues are becoming more critical as time goes on. Perhaps the most highly recognizable butterfly in North America, the beautiful Monarch butterfly is suffering from the loss of the milkweed plant from genetically modified crops so much that their populations have dropped by 90%. As stated in this article by Naples News, nearly 90% of all plants require a pollinator to reproduce and as bee populations decline, the role of butterflies becomes even more important to continuing this crucial process.
Avoid using pesticides in your garden and landscaping.
Leave them alone - bees won't harm you if left unprovoked and butterflies should never be captured.
Buy local and eat more organic, pesticide-free foods to encourage healthy agriculture.
Purchase local honey prepared by local beekeepers.
Encourage your local council to implement pollinator-friendly policies and to maintain and enhance pollinator habitats.
Help Us Share The 'Save The Bees' Message!


PYP1 visited Mohammed Al Ameen Mosque in Bowsher on their unit field trip. Children and adults alike were amazed at the beauty of the decorations and the multitude of patterns found indoors, on floors, walls, mats and ceilings. PYP1 also had a chance to visit the mosque library where they were welcomed by the librarian and read a few books in both English and Arabic. This was a great coincidence relating to the book week that is currently being celebrated throughout the whole school. Excited and grateful thinkers and inquirers, everyone had such an amazing time.


text:
(4630) Chaonis est un astéroïde de la ceinture principale.

Description
(4630) Chaonis est un astéroïde de la ceinture principale. Il fut découvert le  à Chions par Johann Martin Baur. Il présente une orbite caractérisée par un demi-grand axe de 2,67 UA, une excentricité de 0,13 et une inclinaison de 5,9° par rapport à l'écliptique.

Compléments

Articles connexes
 Liste des planètes mineures (4001-5000)
 Ceinture d'astéroïdes

Références

Planète mineure découverte en 1987
Astéroïde de la ceinture principale
Objet céleste découvert par Johann Martin Baur
Chaonis


text:
Sagar (en hindi; सागर जिला) es un distrito de la India en el estado de Madhya Pradesh. Código ISO: IN.MP.SG.

Comprende una superficie de 10 252 km².

El centro administrativo es la ciudad de Sagar. Dentro del distrito se encuentra la localidad de Garhakota.

Demografía
Según censo 2011 contaba con una población total de 2 378 295 habitantes, de los cuales 1 124 044 eran mujeres y 1 254 251 varones.

Referencias

Enlaces externos

Sagar


text:
{{#helpers.highlight}}{ "attribute": "glosses" }{{/helpers.highlight}}
About SgSL
History of SgSL Language Parameters
Contributors References
List of Signs
History of SgSL
Sign language is a visual-manual mode of communication. The linguistic structure and grammar of signed languages may differ from the surrounding spoken languages. Signed languages are not a visual representation of spoken languages; they exist as separate languages. Signed languages do not refer to miming and gestures, though it does incorporate these elements, just as spoken languages do.
Sign language is the primary mode of communication of the Deaf community. Deaf (capital D) refers to people who are deaf, not just in the auditory sense, but includes cultural identity as well.
The deaf education system in Singapore had adopted different signed languages and a sign system throughout the years, as listed below:
1954: Shanghainese Sign Language
1975: American Sign Language
1978: Signed Exact English II
Within the social setting, another variety of signing existed. The Deaf community previously referred to this variety as native sign language. In 2009, a term was coined for this variety and it is Singapore Sign Language (SgSL). SgSL consists of local signs and is believed to be mainly influenced by the languages and system used in the deaf education system.
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SgSL is socially recognised and accepted by the Deaf community in Singapore and is a reflection of Singapore's diverse linguistic culture.
Copyright © 2020 The Singapore Association for the Deaf. All rights reserved.


text:
Year : 2018 | Volume : 6 | Issue : 1 | Page : 130-133
Gossypiboma: A diagnosis not to forget
Shreyas Sorake1, Charvi Chawla2, J Prasanna Kumar Rao2, Raghavendra Kini2, Joji Peter1
1 Department of Oral and Maxillofacial Surgery, AJ Institute of Dental Sciences, Mangalore, Karnataka, India
2 Department of Oral Medicine and Radiology, AJ Institute of Dental Sciences, Mangalore, Karnataka, India
Dr. Charvi Chawla
Department of Oral Medicine and Radiology, AJ Institute of Dental Sciences, Kuntikana, Mangalore - 575 004, Karnataka
DOI: 10.4103/amhs.amhs_14_17
Granuloma formation is a specific type of chronic inflammation initiated by infectious and noninfectious agents with an aggregation of multinucleated giant cells. Foreign bodies can penetrate soft tissues in connection with accidents through open wounds and lacerations. Foreign body giant cells are most commonly observed at the tissue interface where the size of foreign particulate is too large to permit macrophage phagocytosis. A case of foreign body granuloma in the mandible is presented.
Keywords: Foreign body, giant cells, granuloma, inflammation, mandible
Sorake S, Chawla C, Kumar Rao J P, Kini R, Peter J. Gossypiboma: A diagnosis not to forget. Arch Med Health Sci 2018;6:130-3
Sorake S, Chawla C, Kumar Rao J P, Kini R, Peter J. Gossypiboma: A diagnosis not to forget. Arch Med Health Sci [serial online] 2018 [cited 2023 Jan 28];6:130-3. Available from: https://www.amhsjournal.org/text.asp?2018/6/1/130/234093
Foreign bodies in the head and neck are common, including those of long duration.[1] Penetration of foreign bodies through open wounds, lacerations, or accidents may present a diagnostic challenge to the surgeon. Among the commonly encountered, foreign bodies due to trauma are of glass, metal, and wood in nature.[2] There are circumstances in which the substances that provoke the acute inflammatory reaction are particulate and larger than the phagocytes and cannot be digested by the reacting neutrophils causing granulomatous inflammation. Granulomas are a collection of epithelioid cells which are frequently surrounded by mononuclear cells.[3] The presence of a foreign body that causes a granuloma impairs the healing of the tissues. Some reports on foreign body granuloma originating from a traumatic implantation have been published, with different objects, including fish bones, teeth, and metallic material.[4],[5],[6] However, intraosseous foreign body granulomas with accidents are rarely found. Here, we report a case of intraosseous foreign body granuloma in the mandible.
A medically fit 48-year-old male reported to the dental outpatient department with a chief complaint of growth in the lower front region of the jaw since 4 years. The patient gave history of the accident (fall on the floor) 5 years back with no history of loss of consciousness or bleeding from ear, nose, or throat during the fall. Initially, there was a scar after the fall for which he took ayurvedic treatment for wound healing. The patient gives a history of growth 1 year after the fall which was gradual in onset. Initially, growth was small in size which grew to present size without any associated symptoms.
On examination, a single, focal, diffuse growth of size 2 cm × 2 cm was seen on the left side of the chin extending anteriorly from the midline, posteriorly along the corner of the mouth, superiorly along the lower border of the mandible, and inferiorly 1 cm below the lower border of the mandible. The surface of growth appeared normal [Figure 1]a and [Figure 1]b. On palpation, the swelling was firm in consistency, well-defined margins, fixed to the underlying structure and nontender. Hard-tissue examination revealed fixed prosthesis in the upper right (15–18) and upper left (25–27) back region and caries in the lower right (48) and lower left back (38) region. No intraoral changes were appreciated with respect to the growth [Figure 1]c.
Figure 1: (a and b) Extraoral growth, (c) intraoral examination
Pulp vitality test was carried out from left mandibular second premolar to right mandibular first molar which revealed favorable response; however, right mandibular central incisor was nonvital. The presumable clinical differential diagnosis for the above-mentioned case could be considered namely keloid, foreign body granuloma, or infection.
The radiographic investigation included cone-beam computed tomography (CBCT) where in panoramic view revealed an expanded osteolytic mass in the area, with destruction of most of the bone on the buccal side extending from 41 to 35 regions. Three-dimensional (3D) view revealed bone destruction and extent of the lesion was appreciated in cross-sectional images of each tooth [Figure 2]. Radiopacity was seen in the coronal area, pulp chamber, and root canal suggestive of obturating material in relation to 41.
Figure 2: Cone-beam computed tomography showing expanded osteolytic mass in the area, with destruction of most of the bone on the buccal side extending from 41 to 35 region
Total surgical excision was the treatment of choice. Treatment was carried out in local anesthesia under aseptic conditions with antibiotic prophylaxis, 0.2% adrenalin was infiltrated locally. An elliptical incision was placed around the lesion and was excised. The soft tissue mass was completely removed and was sent for histological diagnostic examination [Figure 3]a. Bone curettage and irrigation was done. Resorbable sutures were placed [Figure 3]b. The patient was recalled after 15 days for follow-up, and postoperative healing was uneventful [Figure 3]c.
Figure 3: (a) Surgical excision of growth, (b) sutures placed, and (c) postoperative healing
Histopathology report revealed epithelium of skin with its appendages such as sebaceous glands and hair follicles. Underlying connective tissue comprised inflammatory cells, foreign body, multinucleated giant cells, and thick bundles of collagen fibers in the form of segments. Areas of hemorrhage and bold vessels were seen. Based on clinical, radiographic, and histopathology report, a final diagnosis of foreign body granuloma was achieved.
Foreign bodies in the head and neck are common, including those of long duration. They can be detected as a radiographic finding in a routine examination, and a painless reaction is, sometimes, a feature of this lesion, making it difficult to diagnose.[1]
Granuloma formation is a specific type of chronic inflammation characterized by the accumulation of modified macrophages and initiated by infectious and noninfectious agents.[7] It also develops in response to relatively inert foreign bodies forming foreign body granulomas. However, it does not always lead to eradication of the causal agent, which is frequently resistant to killing or degradation and may result in granulomatous inflammation and subsequent fibrosis.[8] Pathologically, two types of reactions are described against them. One is an aseptic fibrinous response that results in adhesion or encapsulation leading to granuloma formation. The other is an exudative type leading to abscess formation with or without bacterial superinfection. Sometimes, the gossypiboma may remain unnoticed for years till the time that they result in a complication or be incidentally picked up.[9]
Formation of granuloma occurs in stages involving protein absorption, macrophage adhesion, macrophage fusion, and crosstalk. As the neutrophil infiltration and adsorption of host proteins to the foreign material occur, monocytes circulating in the blood migrate to the surrounding tissues and differentiate into macrophages. Where the particle volume is greater than the macrophage volume, macrophages aggregate, forming giant cells, and secretes factors, which activate fibroblasts, influencing the development of fibrous capsule around the foreign body material and formation of the foreign body giant cell.[10],[11]
The visibility of different materials on plain radiographs depends on their ability to attenuate X-rays. Foreign bodies may be visualized depending on their inherent radiodensity and proximity with the tissues in which they are embedded.[12] CT and CBCT scans are the most effective methods to diagnose, showing a round, low-intensity, ill-defined mass containing a spongiform air bubble. Ultrasonography is another diagnostic method, showing echogenic masses with intense and sharply delineated acoustic shadows or hypoechogenic masses with complex echogenic foci.[13] When no radio-opaque marker is seen on a radiograph, CBCT, or CT scans, the characteristic internal structure of the gauze granuloma is best visualized using magnetic resonance imaging.[14] Confocal laser scanning is a newer method of identifying the microscopical changes within the tissues where the foreign body is embedded (13 SJ). It helps in providing improved tissue images, bidimensional pictures with better resolution at the cellular level and in particular a 3D imaging and reconstruction are possible.
Foreign bodies located in the mandible resulted from a traumatic implantation are rare. According to Heo et al., no foreign body granuloma occurring in the mandibular area has previously been cited in the literature, being his report the first one.[15] Silveira et al. reported a case of intraosseous foreign body granuloma in the mandible subsequent to a 20-year-old work-related accident.[16] Ding et al. reported a case of foreign body granuloma in the submental region that resulted from a fish bone embedded in the floor of the mouth.[17]
Usually, foreign bodies are small in size and relatively inert in nature, thus, eliciting no or a very limited inflammatory response. Occasionally, foreign bodies may be retained for a prolonged period, causing persistent and distressing symptoms. Complications caused by impacted foreign bodies include infection, peripheral nerve damage, pseudoaneurysm, synovitis, and paresthesia in the inferior alveolar nerve due to the displaced calcium hydroxide paste was reported.[18],[19] A foreign body reaction to a small piece of gauze resulted in a cystic mass in mandible was also reported.[15]
The correct approach in the treatment of these injuries requires a multidisciplinary team and the proper sequencing, with the administration of adequate procedures and techniques that offer a satisfactory result. Although some foreign bodies may be left in situ for good clinical reasons, most are removed before the onset of a complication, notably infection.[20] Surgical complete removal of the granuloma is the first choice of treatment. Prognosis is good and recurrences are rare with effective treatment.
Therefore, we conclude that if possible, these pathologies must be removed at the time of detection to prevent further complications; however, in asymptomatic cases, according to location and the characteristic of the foreign body, they can be kept under observation without performing any operations. Even though intraosseous foreign body granulomas are rare lesions, dentists should be familiar with their features and include them in the differential diagnosis of tissue masses, mainly in the presence of previous surgery or accidental trauma history.
The authors certify that they have obtained all appropriate patient consent forms. In the form the patient(s) has/have given his/her/their consent for his/her/their images and other clinical information to be reported in the journal. The patients understand that their names and initials will not be published and due efforts will be made to conceal their identity, but anonymity cannot be guaranteed.
Joyce S, Sripathi BR, Mampilly MO, Nyer CF. Foreign body granuloma. J Maxillofac Oral Surg 2014;13:351-4.
Krimmel M, Cornelius CP, Stojadinovic S, Hoffmann J, Reinert S. Wooden foreign bodies in facial injury: A radiological pitfall. Int J Oral Maxillofac Surg 2001;30:445-7.
Mariano M. The experimental granuloma. A hypothesis to explain the persistence of the lesion. Rev Inst Med Trop Sao Paulo 1995;37:161-76.
Lin CJ, Su WF, Wang CH. A foreign body embedded in the mobile tongue masquerading as a neoplasm. Eur Arch Otorhinolaryngol 2003;260:277-9.
Baldwin JK, Newton GM. A tooth located in the tongue. Oral Surg Oral Med Oral Pathol 1978;45:860-2.
Girdler NM. Unusual delayed sequel to facial trauma. Oral Surg Oral Med Oral Pathol 1993;75:264.
Yallamraju S, Gunupati S. An unusual foreign body in upper lip. Int J Dent Sci 2012;10:1.
Kumar V, Cotran RS, Robbins SL. Robbins Basic Pathology. 7th ed. India: Harcout Private Limited.; 2012. p. 74.
Mochizuki T, Takehara Y, Ichijo K, Nishimura T, Takahashi M, Kaneko M, et al. Case report: MR appearance of a retained surgical sponge. Clin Radiol 1992;46:66-7.
Murphy KM, Traves P, Walport M. Janeway's immunology. New York: Garland Science; 2008.
Rubin E, Farber JL. Pathology. 3rd Edition. Lippincott Williams & Wilkins 1999.
Robinson PD, Rajayogeswaran V. Unlikely foreign bodies in unusual facial sites. Br J Oral Maxillofac Surg 1997;35:36-9.
Cevik I, Dillioglugil O, Ozveri H, Akdas A. Asymptomatic retained surgical gauze towel diagnosed 32 years after nephrectomy. Int Urol Nephrol 2008;40:885-8.
Bani-Hani KE, Gharaibeh KA, Yaghan RJ. Retained surgical sponges (gossypiboma). Asian J Surg 2005;28:109-15.
Heo MS, Song MY, Lim JJ, Lee SS. Foreignbody granuloma occurring in the mandible subsequent to orthognathic surgery: A case report. Oral Surg Oral Med Oral Pathol Oral Radiol Endod 2001;91:4835.
Silveira VA, Carmo ED, Colombo CE, Cavalcante AS, Carvalho YR. Intraosseous foreignbody granuloma in the mandible subsequent to a 20 yearold workrelated accident. Med Oral Patol Oral Cir Bucal 2008;13:E65760.
Ding X, Zhu XH, Fang YM, Zhang L. Foreign body granuloma in the sub mental region due to fish bone: A case report. Oral Surg 2010;3:436.
de Santana Santos T, Avelar RL, Melo AR, de Moraes HH, Dourado E. Current approach in the management of patients with foreign bodies in the maxillofacial region. J Oral Maxillofac Surg 2011;69:2376-82.
Nayak RN, Hiremath S, Shaikh S, Nayak AR. Dysesthesia with pain due to a broken endodontic instrument lodged in the mandibular canal – A simple deroofing technique for its retrieval: Case report. Oral Surg Oral Med Oral Pathol Oral Radiol Endod 2011;111:e48-51.
Vikram A, Mowar A, Kumar S. Wooden foreign body embedded in the zygomatic region for 2 years. J Maxillofac Oral Surg 2012;11:96-100.
[Figure 1], [Figure 2], [Figure 3]
1 Gossypiboma: An Unintentional Iatrogenic Error
Sravani Bhogaraju,Vennela Sriramula,Uday Kiran Uppada,Prem Kumar Rathod
Journal of Maxillofacial and Oral Surgery. 2021;
Sorake S
Chawla C
Kumar Rao J P
Kini R
Peter J
giant cells
granuloma
[TAG2]


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Provide application support for radiology systems including, but not limited to, PACS, RIS and Voice recognition.
Use Remedy ticket tracking system for daily monitoring, troubleshooting and maintenance of Radiology Systems.
Participate in implementations and application upgrades of new and existing Radiology Systems.
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Coordinate with vendors to provide application and hardware support.
Assist with new modality installs including testing and connectivity to the PACS system.
Provide rotating on-call coverage after hours and on weekends.


text:
Veit Harlan (* 22. September 1899 in Charlottenburg; † 13. April 1964 auf Capri) war ein deutscher Schauspieler und Regisseur. Als Regisseur zur Zeit des Nationalsozialismus, besonders wegen der Propagandafilme Jud Süß und Kolberg, ist Harlan bis heute umstritten.

Leben
Veit Harlan wurde als Sohn des Schriftstellers Walter Harlan und dessen Frau Adele geb. Boothby in Charlottenburg in deren Wohnung am Savignyplatz 12 als viertes Kind nach seinem Bruder Walter, seiner Schwester Esther (1895–1975) und seinem Bruder Peter (1898–1966) geboren. Nach ihm folgten noch sein Bruder Fritz Moritz (1901–1970) und seine Schwestern Bertha Elise (1906–?) und Nele (1908–2004). Nach einer Silberschmiedlehre und Schauspielunterricht am Seminar von Max Reinhardt stand Harlan zum ersten Mal öffentlich 1915 auf einer Theaterbühne.

1916 meldete er sich als Kriegsfreiwilliger und wurde an der Westfront eingesetzt.

Anfänge als Schauspieler
Nach dem Ersten Weltkrieg wurde er 1919 Schauspiel-Volontär an der Berliner Volksbühne am damaligen Bülowplatz, zu deren festem Ensemble er von 1920 bis 1922 gehörte. Ab Mitte der 1920er Jahre übernahm Harlan auch Rollen im Film.

Im Jahr 1922 verließ Harlan Berlin, um am Landestheater in Meiningen und während der Theaterferien als Mitglied der norddeutschen Holtorf-Gruppe, einer Wanderbühne, Erfahrungen in der Provinz zu sammeln. Im selben Jahr heiratete er die jüdische Sängerin Dora Gerson. Die Ehe wurde nach zwei Jahren geschieden. Dora Gerson wurde 1943 im KZ Auschwitz-Birkenau ermordet. Ein hilfesuchender Bittbrief Dora Gersons an Harlan blieb unbeantwortet. 1929 heiratete er in zweiter Ehe die Schauspielerin Hilde Körber, mit der er bis zur Scheidung neun Jahre später drei Kinder hatte: Thomas Christoph (1929–2010), Maria Christiane (1930–2018) und Susanne Christa (1932–1989). 1933 bekannte sich Harlan in einem Interview mit dem Völkischen Beobachter nach der Machtergreifung der Nationalsozialisten zu deren Politik.

Anfänge als Theaterregisseur
Am 22. Januar 1935 gab er am Theater am Schiffbauerdamm sein Debüt als Bühnenregisseur mit der musikalischen Komödie Hochzeit an der Panke (So war Berlin), eine Posse, die der Erwin-Piscator-Schüler und Kabarettist Wolfgang Böttcher bearbeitet hatte. Am selben Haus inszenierte Harlan die Komödie Krach im Hinterhaus von Maximilian Böttcher, und zwar so erfolgreich, dass ihn die ABC-Filmproduktion um eine Kinoversion bat, die angeblich nur elf Drehtage in Anspruch nahm.

NS-Filme
Fortan wandte sich Harlan der Regie zu und drehte neben Komödien auch zunehmend Propaganda-Filme im Sinne des Nationalsozialismus, meist mit dem technisch herausragenden Kameramann Bruno Mondi an seiner Seite, der mit ihm erstmals bei Krach im Hinterhaus 1935 zusammenarbeitete und später auch Jud Süß und den aufwendigen "Durchhalte"-Farbfilm Kolberg aufnahm. 1937 wurde Reichspropagandaminister Joseph Goebbels durch den von Harlan im heroischen Stil der NS-Propaganda unter der künstlerischen Oberleitung von Emil Jannings gedrehten Film Der Herrscher, der  mit dem Nationalen Filmpreis ausgezeichnet wurde, auf den Regisseur aufmerksam und betraute ihn mit "staatspolitisch wertvollen" Filmprojekten.

Von Goebbels bekam Harlan 1939 den Auftrag für den antisemitischen Hetzfilm Jud Süß. Harlan war neben der Regie auch am Drehbuch beteiligt, seine spätere Frau Kristina Söderbaum, Heinrich George, Ferdinand Marian und Werner Krauß, der in fünf Nebenrollen jeweils als Jude zu sehen war, spielten die Hauptrollen. Der Film wurde in Deutschland und Osteuropa während des Zweiten Weltkrieges gezielt eingesetzt, um den Antisemitismus zu schüren und damit weltanschaulich den Boden zu bereiten für die Deportationen der europäischen Juden. Da die propagandistische Wirkung durch die raffinierte Machart des Films unbestritten war, wurde Harlan 1949 wegen "Beihilfe zur Verfolgung" angeklagt, jedoch in zwei umstrittenen Prozessen freigesprochen (s. u.).

Auch der mit einem riesigen Aufwand von Statisten gedrehte Historienfilm Der große König (1942) über Friedrich den Großen gehört zu den Arbeiten von Harlan mit eindeutig nationalsozialistischer Tendenz, wird der Monarch doch in seiner größten militärischen Krise gezeigt, die er mit Verbissenheit und gegen den Widerstand seiner mutlosen Ratgeber und einer teilweise kriegsmüden Bevölkerung überwindet, eine direkte Anspielung auf die schwierige Lage Nazi-Deutschlands nach dem Scheitern des "Blitzkrieges" gegen die Sowjetunion.

Im Jahr 1939 heiratete er Kristina Söderbaum. Aus dieser Ehe gingen zwei Söhne hervor, Kristian (* 1939, genannt Tian) und Caspar (* 1946). Söderbaum übernahm in vielen Filmen Harlans die Hauptrolle und erhielt vom Publikum den Beinamen "Reichswasserleiche", da sie oft die Rolle der tragischen Selbstmörderin spielte – unter anderem auch als Opfer von "Jud Süß". 1943 erhielt Harlan zum 25-jährigen Jubiläum der Universum Film AG (Ufa) den Professorentitel. Sein Status zeigt sich auch daran, dass er von 1942 bis zum Ende des nationalsozialistischen Deutschen Reiches alle seine Filme (insgesamt vier) in Agfacolor drehen konnte. Die aus Kostengründen parallel gedrehten Melodramen Immensee (1943) und Opfergang (1944) gelten als künstlerisch ausgesprochen hochwertige und wirkmächtige, wenngleich moralisch und politisch fragwürdige Filme und wurden 2016 in restaurierten Fassungen auf DVD wiederveröffentlicht. Noch Ende Januar 1945 konnte Harlan unter größten Mühen und nach zahlreichen Änderungswünschen von Goebbels den mit Heinrich George und Kristina Söderbaum in den Hauptrollen gedrehten Ufa-Farbfilm Kolberg fertigstellen, der mit Produktionskosten von ca. 8 Millionen Reichsmark der teuerste Film im "Dritten Reich" wurde. Er zeigt die Belagerung von Kolberg, eine Episode aus dem Vierten Koalitionskrieg von 1807, als der damalige preußische Major August Neidhardt von Gneisenau die Küstenstadt in Hinterpommern erfolgreich gegen eine französische Übermacht verteidigte.

Nachkriegszeit

Nach Kriegsende wurde Harlan in einem auf eigenen Antrag vorgezogenen Entnazifizierungsverfahren als "Entlasteter" eingestuft. Am 3. März 1949 wurde auf Antrag der VVN ein Schwurgerichtsverfahren vor dem Landgericht Hamburg unter dem Vorsitz von Walter Tyrolf eröffnet. Tyrolf war 1944 als Staatsanwalt beim Sondergericht Hamburg tätig gewesen. Die Anklage vertrat Gerhard Kramer, Harlans Verteidiger war Erich Wandschneider. Im Prozess wurde Harlan nach dem Kontrollratsgesetz Nr. 10 der "Beihilfe zur Verfolgung" angeklagt. Harlan wurde am 23. April 1949 freigesprochen, weil ihm eine persönlich zurechenbare Schuld nicht nachzuweisen und eine strafrechtlich relevante Kausalität zwischen Film und Völkermord nicht beweisbar sei. Harlan-Anhänger trugen den Freigesprochenen auf ihren Schultern aus dem Gerichtssaal. Die Staatsanwaltschaft ging in Revision, woraufhin der Oberste Gerichtshof für die Britische Zone in Köln das Urteil aufhob, weil der Film Jud Süß "ein nicht unwesentliches Werkzeug" gewesen sei. Im Revisionsprozess des Landgerichts Hamburg berief sich Harlan darauf, dass die Nationalsozialisten seine Kunst missbraucht, ihn zur Regie von Jud Süß gezwungen hätten und dass eine Weigerung ihn in eine bedrohliche Lage gebracht hätte. Das Gericht – erneut unter Vorsitz von Walter Tyrolf – folgte dieser Argumentation und sprach Harlan am 29. April 1950 frei.

Der während der Zeit des Nationalsozialismus in Deutschland tätige Drehbuchautor und Regisseur Géza von Cziffra behauptete in seiner 1975 erschienenen Autobiografie Kauf dir einen bunten Luftballon, dass ursprünglich der Produktionschef der Terra-Film Peter Paul Brauer für die Regie von Jud Süß vorgesehen gewesen sei. Doch habe Harlan unter anderem durch Interventionen im Propagandaministerium erfolgreich dafür gekämpft, den Film inszenieren zu können. Joseph Goebbels erwähnt Harlan mehrmals in seinen Tagebuchaufzeichnungen:

Im Jahr 1951 forderte der Hamburger Senatsdirektor Erich Lüth das deutsche Publikum auf, Harlans ersten Nachkriegsfilm Unsterbliche Geliebte zu boykottieren. Carlo Schmid erklärte vor dem Deutschen Bundestag, Harlan habe dazu beigetragen, "die massenpsychologischen Voraussetzungen für die Vergasungen von Auschwitz zu schaffen", und es sei eine Schande, die "Machwerke Harlans" zu zeigen. In zwei Gerichtsverfahren wurde Lüths Boykottaufruf als "sittenwidrig" i. S. v.  BGB eingestuft. Die Zivilgerichte erließen deshalb Unterlassungsverfügungen gegen Lüth. Während dieser Prozesse erklärte Harlan, dass "jede Art von Antisemitismus vom kulturellen, religiösen und moralischen Standpunkt abzulehnen" sei. Gegen diese Gerichtsentscheide legte Lüth Verfassungsbeschwerde zum Bundesverfassungsgericht ein, das die Entscheidungen der Vorinstanzen in einer vielbeachteten und -zitierten Grundsatzentscheidung aufhob, dem später so genannten Lüth-Urteil. Auch die Zivilgerichte hätten bei der Auslegung unbestimmter Rechtsbegriffe wie etwa "Sittenwidrigkeit" die Grundrechte als prägende Wertordnung zu beachten. Im konkreten Fall hätten die Zivilrichter die Bedeutung des  Abs. 1 GG (Meinungsfreiheit) zulasten des Beschwerdeführers völlig verkannt.

1957 drehte Harlan den Film Anders als du und ich (§ 175), der unter der wissenschaftlichen Beratung des Sexualwissenschaftlers Hans Giese ursprünglich ein Plädoyer für die Abschaffung des damals immer noch gültigen § 175 sein sollte, jedoch in der endgültigen Fassung (teilweise durch die Freiwillige Selbstkontrolle der Filmwirtschaft erzwungen) Homosexualität als unmoralisch und Ergebnis von Verführung darstellte. Harlan selbst teilte die Homosexuellen in "unsittliche" und "tragische" Fälle ein und wollte letzteren nach eigener Aussage sein "Mitgefühl" zeigen. Kritisiert wurde aber vor allem, dass der Regisseur in dem Film avantgardistische Kunst und Männerliebe gleichsetzte und verteufelte. Ebenfalls ein umstrittenes Sittengemälde im Zeitgeist der fünfziger Jahre ist Liebe kann wie Gift sein (1958), wo im Gefolge der Rosemarie-Nitribitt-Affäre die Themen Prostitution und Drogenabhängigkeit behandelt werden. Die Hauptrollen spielten Sabina Sesselmann und Joachim Fuchsberger. Die Theodor-Storm-Verfilmung Ich werde dich auf Händen tragen (1958) sollte Harlans letzter Film werden. Er starb 1964 während eines Urlaubs auf Capri an einer Lungenentzündung. Dort wurde er auch beigesetzt.

Familie

Harlans Nichte ist Christiane Kubrick, Witwe des Regisseurs Stanley Kubrick, und sein Neffe Jan Harlan, Produzent mehrerer Kubrick-Filme. Harlan war der Großvater der Autorin und Filmemacherin Jessica Jacoby.

Auszeichnungen
 1937: Staatsfilmpreis für Der Herrscher
 1942: Ehrenring des deutschen Films für Der große König
 1942: Coppa Mussolini für Der große König als bester ausländischer Film bei den Internationalen Filmfestspielen von Venedig
 1942: Preis des Präsidenten der internationalen Filmkammer für Die goldene Stadt wegen besonderer Qualitäten als Farbfilm
 1943: Ernennung zum Professor

Filmografie

Als Schauspieler

Als Regisseur

Als Herstellungsleiter und Drehbuchautor
 1944: Augen der Liebe (Zwischen Nacht und Morgen), Erstaufführung: 1951
 1945: Der Puppenspieler, unvollendet

Theater

Schauspieler
 1919: Georg Kaiser: Die Bürger von Calais – Regie: Paul Legband (Volksbühne Theater am Bülowplatz Berlin)
 1920: Friedrich Schiller: Wallensteins Tod – Regie: Friedrich Kayssler (Volksbühne Theater am Bülowplatz Berlin)
 1920: Heinrich von Kleist: Das Käthchen von Heilbronn – Regie: Johannes Klaudius (Volksbühne Theater am Bülowplatz Berlin)
 1921: William Shakespeare: Die Komödie der Irrungen – Regie: Jürgen Fehling (Volksbühne Theater am Bülowplatz Berlin)
 1922: Gerhart Hauptmann: Die Ratten – Regie: Jürgen Fehling (Volksbühne Theater am Bülowplatz Berlin)
 1922: Hans Sachs: Der Rossdieb zu Fünsing – Regie: Edgar Klitsch (Volksbühne Theater am Bülowplatz Berlin – Jugendbühne)
 1923: Paul Altenberg: Der Narr von Lerici (Narr) – Regie: Franz Ulbrich (Landestheater Thüringen Meiningen)
 1924: Bertolt Brecht: Eduard II. – Regie: ? (Staatliches Schauspielhaus Berlin)
 1925: Arnolt Bronnen: Die Exesse (Bub) – Regie: Heinz Hilpert (Junge Bühne im Lessingtheater Berlin)
 1925: Arnolt Bronnen: Die Geburt der Jugend (Proletarier) – Regie: Friedrich Neubauer (Lessingtheater Berlin)
 1925: William Shakespeare: Der Widerspenstigen Zähmung – Regie: Ludwig Berger (Schiller Theater Berlin)
 1926: Hans Henny Jahnn: Medea (Älterer Sohn) – Regie: Jürgen Fehling (Staatliches Schauspielhaus Berlin)
 1926: Friedrich Schiller: Die Räuber – Regie: Traugott Müller (Piscator-Bühne im Theater am Nollendorfplatz Berlin)
 1926: Ralph Benatzky: Im weißen Rößl (Sülzheimer) – Regie: Jürgen Fehling (Staatliches Schauspielhaus Berlin)
 1927: Felix Joachimson: Fünf von der Jazzband (Schwarzer Schlagzeuger Jim) – Regie: Erich Engel (Schiller Theater Berlin)
 1927: Franz Grillparzer: Weh dem, der lügt! (Küchenjunge Leon) – Regie: Erich Engel (Schiller Theater Berlin)
 1927: Walter Hasenclever: Ein besserer Herr – Regie: Heinz Hilpert (Deutsches Theater Berlin)
 1928: Dietzenschmidt: Hinterhauslegende (Mörder) – Regie: Wolfgang Hoffmann-Harnisch (Schiller Theater Berlin)
 1928: Georg Kaiser: Gas (Gasarbeiter) – Regie: Leopold Jessner (Schiller Theater Berlin)
 1928: Gerhart Hauptmann: Die Weber (Moriz Jäger) – Regie: Leopold Jessner (Staatliches Schauspielhaus Berlin)
 1929: Dieter Knoeller: So und so, so geht der Wind – Regie: Wolfgang Hoffmann-Harnisch (Schiller Theater Berlin)
 1929: Hermann Essig: Des Kaisers Soldaten – Regie: Jürgen Fehling (Schiller Theater Berlin)
 1929: Maxwell Anderson: Zaungäste – Regie: Jürgen Fehling (Schiller Theater Berlin)
 1930: George Ciprian: Der Mann mit dem Klepper (Ideologe) – Regie: Ernst Legal (Schiller Theater Berlin)
 1930: Lion Feuchtwanger: Wird Hill amnestiert? – Regie: Leopold Jessner (Staatliches Schauspielhaus Berlin)
 1930: William Shakespeare: Liebes Leid und Lust – Regie: Jürgen Fehling (Staatliches Schauspielhaus Berlin)
 1931: Gotthold Ephraim Lessing: Matrone von Ephesus – Regie: Leopold Lindtberg (Staatliches Schauspielhaus Berlin)
 1932: Friedrich Schiller: Wilhelm Tell (Melchthal) – Regie: Jürgen Fehling (Staatliches Schauspielhaus Berlin)
 1932: Johann Wolfgang von Goethe: Faust. Eine Tragödie (Schüler) – Regie: Lothar Müthel (Staatliches Schauspielhaus Berlin)
 1932: Reinhard Goering: Die Südpolexpedition des Kapitäns Scott Regie: Leopold Jessner (Staatliches Schauspielhaus Berlin)
 1933: Johann Wolfgang von Goethe: Faust. Der Tragödie zweiter Teil (Baccalaureus) – Regie: Gustav Lindemann (Staatliches Schauspielhaus Berlin)
 1933: Maxim Ziese: Siebenstein (Ursulas Freund) – Regie: Jürgen Fehling (Staatliches Schauspielhaus Berlin)
 1933: Hanns Johst: Schlageter (Friedrich Thiemann) – Regie: ? (Staatliches Schauspielhaus Berlin)

Regisseur
 1934: Maximilian Böttcher: Krach im Hinterhaus (Theater am Schiffbauerdamm Berlin)
 1934: Maximilian Böttcher: Hochzeit an der Panke (Theater am Schiffbauerdamm Berlin)
 1935: Fritz Peter Buch: Veronika (Kleines Theater Unter den Linden)
 1935: Pedro Calderón de la Barca: Dame Kobold (Agnes-Straub-Theater Berlin)

Hörspiele (Sprecher)
 1926: Christian Dietrich Grabbe: Herzog Theodor von Gothland. Tragödie in fünf Akten – Bearbeitung und Regie: Alfred Braun
 1926: Thomas Mann: Fiorenza – Regie: Alfred Braun
 1935 oder 1936: Hans Rothe: Verwehte Spuren – Regie: Gerd Fricke

Literatur
 Ingrid Buchloh: Veit Harlan – Goebbels' Starregisseur Ferdinand Schöningh, Paderborn 2010, ISBN 978-3-506-76911-4.

 Géza von Cziffra: Kauf dir einen bunten Luftballon. Erinnerungen an Götter und Halbgötter. Herbig, München und Berlin 1975, ISBN 3-7766-0708-4.
 Francesca Falk: Grenzverwischer. "Jud Süss" und "Das Dritte Geschlecht": Verschränkte Diskurse von Ausgrenzung (= Schriften des Centrums für Jüdische Studien, Band 13). Studienverlag, Innsbruck 2008, ISBN 978-3-7065-4512-9.
 Thomas Harlan: Veit. Mitarbeit: Jean-Pierre Stephan, Sieglinde Geisel. Rowohlt, Reinbek 2011, ISBN 978-3-498-03012-4.
 Jud Süss – Propagandafilm im NS-Staat (Ausstellungskatalog, Stuttgart, 14. Dezember 2007 bis 3. August 2008, Redaktion: Ernst Seidl), Haus der Geschichte Baden-Württemberg, Stuttgart 2007, ISBN 3-933726-24-7.
 Veit Harlan: Im Schatten meiner Filme. Selbstbiographie. Herausgegeben von H.C. Opfermann, Sigbert Mohn, Gütersloh 1966.
 Friedrich Knilli: Ich war Jud Süß. Die Geschichte des Filmstars Ferdinand Marian. Mit einem Vorwort von Alphons Silbermann. Henschel, Berlin 2000, ISBN 3-89487-340-X.
 Dietrich Kuhlbrodt: "Jud Süß" und der Fall Harlan/Lüth. Zur Entnazifizierung des NS-Films. In: Peter Reichel (Hrsg.): Das Gedächtnis der Stadt. Hamburg 1997, ISBN 3-930802-51-1, S. 101–112.
 Frank Noack: Veit Harlan. "Des Teufels Regisseur". Belville, München 2000, ISBN 3-923646-85-2.
 Maike Raap: Veit Harlan-Prozess. In: Torben Fischer, Matthias N. Lorenz (Hrsg.): Lexikon der "Vergangenheitsbewältigung" in Deutschland. Debatten- und Diskursgeschichte des Nationalsozialismus nach 1945. Bielefeld : Transcript, 2007 ISBN 978-3-89942-773-8, S. 96ff.
 Jörg Schöning: Veit Harlan – Schauspieler, Regisseur. In: CineGraph – Lexikon zum deutschsprachigen Film, Lieferung 15, 1989.
 Kay Weniger: Das große Personenlexikon des Films. Die Schauspieler, Regisseure, Kameraleute, Produzenten, Komponisten, Drehbuchautoren, Filmarchitekten, Ausstatter, Kostümbildner, Cutter, Tontechniker, Maskenbildner und Special Effects Designer des 20. Jahrhunderts. Band 3: F – H. John Barry Fitzgerald – Ernst Hofbauer. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3, S. 536 f.

Dokumentation
 Harlan – Im Schatten von Jud Süss (2008)

Einzelnachweise

Weblinks

 Der Veit Harlan Prozess

 Sven Preger: 13.04.1964 - Todestag von Veit Harlan. WDR ZeitZeichen vom 13. April 2014 (Podcast).

Veit
Filmregisseur
Filmschauspieler
Stummfilmschauspieler
Theaterschauspieler
Theaterregisseur
Hörspielsprecher
Darstellende Kunst (Nationalsozialismus)
Film (Nationalsozialismus)
Person des Antisemitismus
Darstellender Künstler (Berlin)
Person der NS-Propaganda
Deutscher
Geboren 1899
Gestorben 1964
Mann


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Category: Primary
Home Primary
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No. 4 Auburn wins 13th straight, beats Ole Miss 80-71
Auburn used a 24-9 run over nine minutes — including four 3-pointers, two by Green, and three layups from Kessler — to take a commanding 71-60 lead with 4:09 remaining. After that, Ole Miss never got closer than four points.
Ex-Alabama QB Jay Barker charged with domestic violence
The Tennessean reported that the arrest affidavit on file with Metro Nashville General Sessions Court said two people in the vehicle were leaving a party around 1:30 a.m. Saturday when Barker allegedly reversed his vehicle "at a high rate of speed attempting to hit them, but missed."
Alabama unveiling 'all-in-one' tourism tickets
Six packages will be available, one each for Huntsville and north Alabama; the Shoals area of northwest Alabama; the Birmingham attraction ticket; the Birmingham family fun ticket; the Montgomery attraction ticket; and the Montgomery, Selma and Tuskegee attraction ticket.
Former Alabama sheriff indicted on ethics, campaign charges
Attorney General Steve Marshall said Norris, who quit in May, was charged with one count of using his office for personal gain; five counts of illegally using campaign contributions; three counts of intentionally violating reporting and disclosure requirements; and one tax evasion charge.
Snow, ice blasts through South with powerful winter storm
A dangerous winter storm combining high winds and ice was sweeping through parts of the U.S. Southeast on Sunday, knocking out power, felling trees and fences and coating roads with a treacherous frigid glaze.
Draft plan shows funding for broadband, hospitals, water and sewer
Lawmakers will allocate $580 million in ARPA as well as a separate $192 million capital projects fund for a total of $772 million.


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Shift Blog / Case Studies / Case Study: Daring To Be Different
Case Study: Daring To Be Different
Sophie Blaine
Marketing Specialist - 12 Jan, 2021
Alex Birkett shares how he fosters innovation at HubSpot
Alex Birkett has always had a keen interest in entrepreneurship and has an entrepreneurial mindset in his career ventures. Birkett had already begun to showcase his creativity in fifth grade, having started a clothing store selling comedic shirts to his classmates. He even hired interns and started up an online store — it comes as no surprise that his unique talents for business would take him far in his career. Like many of us, his career path was not always clear, and it took some self-reflection to realize what steps to take. Birkett started college as a music major and later found it more of a hobby than what he wanted out of his career. His inspiration transpired after watching Mad Men, and his interest piqued in advertising. Throughout this journey, Alex continued to showcase his talents for pushing the entrepreneurial envelope.
"Still to this day, l have more of an interest in entrepreneurship and have never really looked at myself as a marketer."
Alex is the Senior Growth and Marketing Manager at Hubspot, a platform for CRM. Despite the job title, Alex still works with an entrepreneurial mindset, and that has taken him to start his marketing agency in 2019, Omniscient. This problem-solving marketer has a lot on his plate and has always tried to stand out from the crowd in everything he does. Alex knows it's natural to want to reduce the risk of standing out — blend with the sheep because often the herd's voice is right, but blending can be very boring. Alex notes that the best marketers are those that do not shy away from the risk of being different; they "looked at the way something is done and did something completely noteworthy because that gets attention." He looks at marketers' sameness as an opportunity to truly stand out and challenge the status quo.
Alex Birkett shares how he preserves his energy, balances his workload, and creates meaningful work
"I work in very, very short sprints of highly intense work"
Birkett has the work style of a lion searching for its prey — his short bursts of energy output his best work, and then he can give himself breaks throughout the day. Alex takes a unique approach to everything he does and has never fit into the typical 9 to 5 workday. He points out that working long hours will only lead you to burn out quicker and produce average results. Wholly immersed in deep work is when Alex can get down to the root of complex problems and brainstorm cutting edge solutions.
Alex isn't much of a power tool user and admits that he doesn't enjoy managing his inbox, but Shift has allowed him to aggregate his email and streamline his communication. With Shift, following up with multiple email accounts in a day is made much easier, and as Alex says, "anything that can aggregate email for me and put it all in one place is of value just by itself." Spending less time sifting through emails allows Alex to really immerse himself in work that he finds exciting and challenging.
Alex's advice for innovative marketers looking for their start
There is no better superpower than being able to well-articulate your ideas. Alex encourages young business people to polish their writing skills to put those ideas to fruition.
"I think writing is the superpower that has leveraged effects in that you can work on something, and then you can explain it to your team."
Alex Burkett recommends you spend some time on your personal brand — starting a blog, writing out tweets or Linkedin posts, and connecting with as many people as possible. The unfortunate reality of not communicating effectively is that "you could be working on really cool things and not be able to explain this to other people or reach other people." In the business world, that could be detrimental to career development. So approach problems like Alex Birkett — head-on, with a thirst for knowledge and creative solutions.
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