text:
Northern Music Collective
Author: northernmusiccollective
Industry Interview: Pippa (Generator & Singing Light Music)
Post author By northernmusiccollective
Post date 20th Jan 2022
No Comments on Industry Interview: Pippa (Generator & Singing Light Music)
How long have you been active in the north east music scene and what do you do?
I've been active in the North East Music scene for around two years, having moved up to Newcastle from Wales to study music at Newcastle Uni – however since the moment I arrived I got well and truly stuck in the local scene!
I have my fingers in quite a few pies – I currently work at local talent development agency Generator, at artist management and distribution company Singing Light Music, and I also work at Du Blonde's record label imprint Daemon TV.
How did you become involved in music and what have you done to get where you are today?
I was a musician from a young age and got involved in gigs through playing the saxophone – but I soon realised that it was behind the scenes that I wanted to build a career in. Whilst at University I put on some live events within the jazz community and became more active in the wider scene in general, going along to as many gigs as possible (difficult during a global pandemic!) and picking the brains of those currently working in the industry (mostly via zoom!).
After completing a placement whilst at University – I landed my dream job at Generator, and through the power of networking, gained work with the amazing people behind Singing Light Music and Daemon TV.
What advice would you offer to others looking to be more involved in music?
Utilise your surroundings! Seek out/go along to as many gigs and events as possible, and make the most of the expertise of those already working in the industry. In my experience – people are more than willing to chat through what they do and help out if they can, one of the great things about how collaborative the North East music industry is!
What are your favourite things about the north east music scene? Are there any particular highlights from your experiences?
How close knit and welcoming the local music community is. Ever since I stepped foot up here I've been welcomed by the Newcastle music scene with open arms – and I've been very lucky that I've met lots of great people who have supported me in building a career up here.
Particular highlight for me has been being a part of the founding group of supportive network Forward NE (for women, trans and non-binary people working for equality and diversity in the North East). I've been able to meet and work with loads of great people, and have been a part of organising some fantastic events building collective power for change.
Where can others find out more about your work and how can they get in touch?
I've recently set up my own platforms as a creative practitioner so I can put all my various music activity and projects in one place – you can find me over on @PMorganMusic on Instagram and Facebook, and @PM__Music on Twitter.
PM Music: Facebook | Instagram | Twitter
I've just announced a gig on there with the amazing collective NEWISM (North East Music In Soul Music) at Cobalt Studios on the 19th of March. Tickets on sale here!
Tags Blog, Collective, Generator, Industry, Industry Interview, Interview, Music, North East, Northern, Northern Music Collective, Northumberland, Northumbria, Tyne and Wear
Artist Interview: Crux
No Comments on Artist Interview: Crux
Hello, Crux. In your own words, how would you describe your sound and style?
We often describe our sound as alternative rock, but that's quite an umbrella term. Though, we've recently been described as prog rock mixed with punk which I think accurately describes our sound. Our bassist, Hallam, cynically thinks this is the sound we've developed as we're not technical enough to write actual prog rock!
October 2021 saw you release your debut EP: "Death at the Cash Machine". What is the story behind the EP and, generally, what themes does it deal with?
The EP has been years in the making. It started with the release of Bigg Market way back in 2019 – this was a real turning point for us as we'd never really been comfortable in the recording studio beforehand and we were really pleased with Kyle Martin's work at The Garage Studios on the track. The single had local success, featuring on a documentary about the street, as well as receiving radio play. The track also helped us get in touch with acclaimed producers, Jim Lowe and Max Heyes. So, in the October and November of 2019, we recorded Slaving Away and Living in Dystopia in London. These singles were due to be released at the start of 2020, then covid happened…
Resultantly we didn't release the tracks until October 2020 and February 2021. As soon as the recording studios started opening again, we got in touch with Andy Bell at Blast Studios and recorded the remaining three tracks, Incel, Radgie Gadgie, and Agent Orange (+erased), and we finished recording in April 2021.
Despite the fragmented timeline between all of the songs, they encapsulate our varied sound and themes. Our lyrics usually comment on social issues, and the EP looks at the death of collectivism and the rise of individualism, and the pressures this puts on people. One pressure we really dissected in the likes of Bigg Market, Incel, and Radgie Gadgie is toxic masculinity, one of humanity's worst diseases.
You've managed to remain active, despite local, national & international circumstances. What has it been like playing gigs through the year and what gigs do you have in the diary for 2022?
We've been very lucky to play quite a few gigs from July to the end of this year. They've been really exhilarating – I think so many people were cooped up for so long that as soon as people were back in their local venues, there was just a massive release of energy, so they've almost been cathartic as everyone just goes mental. We have noticed as soon as cases go up again, gigs are less well attended, which is no surprise!
We've got a few gigs scheduled in for 2022 so far, we'll be playing the NE Volume Music Bar on January 21st, The Globe on February 25th, and Teeside Student Union on March 11th.
Crux (Photo Credit: Chris Ord)
Have you had much of a chance to look ahead to the new year? If so, what plans do you have and what would you like to achieve in the upcoming year?
We've just received confirmation that our EP vinyls will finally be shipped to us in April 2022, so we're thinking of hosting a vinyl release party then, and potentially releasing Radgie Gadgie as a single to help gain some momentum.
We're also rehearsing four new songs at practice at the minute, and we're really excited with how they're sounding. It's likely we'll get these recorded this year and released.
We're hoping to play a few festivals in the summer also, as long as they don't all get cancelled again!
What advice do you have specifically for other north east artists? And what advice do you have for artists in general?
The things I'd do to go on a time machine back to 2014 when we were first starting to give myself a lecture on the do's and don'ts. I'm still learning though, that's one bit of advice, no one in the music industry knows exactly what's going on, it's a bit of a free-for-all (good old free market capitalism), so you've just constantly got to be on your toes and learn from every experience.
The main things I'd recommend for local artists and artists in general would be to make sure you get a really good recording of your track, and make sure you're very prepared for a release. Beware of sharks too because there's plenty of them, but in the same sentiment, never burn bridges. Connections are one of the most efficient ways to make headway in the industry.
Lastly, what artists are on your radar that you would recommend others listen to & see live?
I recently saw Lanterns on the Lake and black midi live; both were unbelievable experiences and I couldn't speak highly enough of them. We also played with Goodsprings in December and they put on an unbelievable live show, Sam's a cracking front man, and it's brilliant to see how much they've progressed as a band over lockdown. We're also playing with Alex James at Teeside Student union in March, and we've always been a fan of his, we'd definitely recommend anyone giving his music a listen!
Follw Crux on socials: Facebook | Instagram | Twitter
Tags Interview, Northern Music Collective, Music, Artist Interview
Artist Interview: Bosola
Post date 3rd Jan 2022
No Comments on Artist Interview: Bosola
Hello, Bosola. In your own words, how would you describe your sound and style?
We are an alternative guitar rock band who make energetic tunes with forlorn lyrics. We take influence from The Smiths, The Stone Roses, The Manic Street Preachers, Big Thief and The Replacements. We like writing gloomy bangers.
You've just released your latest single: "Me On A Good Day". What is the story behind the song and what does it mean to you?
The song was written at a time in my life in which the curtains all were drawn back at the same time and found that all the stories I had been told started to ring empty and everything started to feel pointless and I felt tired all the time. Existing almost entirely on cigarettes and black coffee my parents suggested I might benefit from a more varied diet. I started taking two beroccas in the morning. At the time the slogan of berocca was 'You, on a good day'. I reworked the slogan as a sarcastic and barbed reminder of my inadequacy and apathy at the time. It feels good to have expressed that, processed it and be living life in a more meaningful ways these days.
You've been very active as a band, releasing a string of singles leading up to an EP and working with a Glasgow-based label. Where do you find the energy and what keeps you all motivated?
Well this has been our first year as a band and it's actually really fun and energising to be writing, recording and performing together live. We've also been able to get out and watch live music which also gives us a buzz so that too. Also playing band badminton matches and drinking less.
Bosola (Photo Credit: Harvey Kuyck Cohen)
What do you have planned for the rest of this year and, more importantly, what does 2022 hold in store for you?
In 2022 we've got a gig in Stockton in January, a two legged gig swap with Deliberator Records label mates Silver Haar in February between Glasgow and Newcastle, then we are putting on a gig called Split the Bill in April where we will be playing with local bands Sirens and The Avelons. Hopefully later in the year we might get some support slots and festival shows, fingers crossed. We are also planning to put out 3 singles over the first half of 2022 and maybe a physical EP on cassette or CD. We might also squeeze in some recording at some point.
Get out and support the scene whenever you can and don't be scared to put on nights and gigs yourself. I think 2021 is the year where the North East Scene also made an ethical stance against abuse so yeah be nice to each other and be wary of working with companies who might treat you or the people who work for them badly.
In terms of industry infrastructure, are there any organisations in or around the north east that you would recommend that other artists reach out to for advice and support?
Pillar Artists have been hugely supportive, as have Narc magazine and Afterlight Management.
Good question. I think some good acts to check out would be: Holiday in Tokyo, Silver Haar, Riotous Monks, Waves of Dread , Ren Lawton, and One Million Motors.
Follow Bosola on socials: Facebook | Instagram | Twitter
NMC Guest: Simon Shaw (KU Promotions)
Post date 16th Aug 2021
No Comments on NMC Guest: Simon Shaw (KU Promotions)
Hey, I've been active since I was 18 years old as a musician, I think I put my first gig on when I was 22 as a promoter? I'm 33 years old now, it's been a long long time. My main role is co-promoter over at KU Promotions alongside Jimmy Beck but I also am a rep for other gigs and even more recently also take photos/videos of gigs. Bass playing wise I've played in a fair few projects most notably Cape Cub but currently playing with 'Travis Shaw' and 'Church, Honey' with a couple others TBA (that's a promoter joke but also true).
I'll speak mainly as a promoter from now on as that's been my full-time work for so long and probably more interesting than wanting to perform on stage 'because it's class'. I wanted to put gigs on because I wanted my mates to have somewhere to play at the start. I did everything myself to keep the costs down to please the venue owner at the time which meant setting up, doing the sound, taking little breaks away from the desk to take photos and serve some drinks if the bar was busy. I did that four, sometimes five nights a week for three years. I do think I'm still here because I'm very honest and friendly and people can see I'm horribly working class, I'm not from money in fact my parents were both disabled growing up. I am a people pleaser and somewhat live my happiness through the events I put on. I love live music, I don't think there's anything better than a dead good gig.
If you're wanting to be a promoter I'd say find your local small venues, go in and watch the gigs as early as possible, maybe turn up at the door time. Stay as long as you are allowed and watch and take in what's happening. Usually these gigs have the lowest overheads so speak to the owner of the building and see how feasible it would be to put a night on and explain it'll be your first. Thankfully the buzz with your mates about your first promoted gig will be enough to fill a small room but then comes the graft. Little tips that always work is to keep the bands happy with expectations of what the gig is and how sales are going. Keep your engineers happy by sticking to planned timings and give them enough space and time to work. Keep everyone safe and most importantly, look after yourself. It's a tough craft at times because the buck literally stops at you, if an event fails it's because you didn't get it right and that's okay.
I think the word wholesome is the vibe for me. I love seeing people succeed in their own expectations. My favourite thing is listening to people talk about something they really care about and the music world is full of those kinds of people.
Are there any upcoming events that you're especially excited about and, if so, why?
The big one we're promoting this year is a new music festival in Stockton called The Gathering Sounds festival. The best way to describe it to gig going fans is that it is a very slightly smaller Stockton Calling festival. Six stages all in established music venues like Georgian Theatre, ARC and KU itself. We've got This Feeling and Under The Influence promoters curating their own stages at this years festival. The line-ups announced please do check out because I could write a book about them all by now, headliners are Red Rum Club, Sophie and the Giants and The Mysterines, Du Blonde and Himalayas. It really feels like this is the year for a bloody big all day music festival ey?
My personal social media accounts are full of my work or you can check out KU Stockton on the usual places, I'm over at @SimonShawBass. Always happy to answer questions and I love a good natter so if you spot me at a gig let's chat. Thanks very much for the questions Northern Music Collective.
KU Stockton: Facebook | Simon: Instagram & Twitter
Tags Guest, Interview, KU Promotions, Music, Newcastle, NMC, North East, Northern Music Collective, Simon Shaw, Stockton, Teesside, Tyneside
NMC Guest: Rotate Records
Post date 14th Jun 2021
No Comments on NMC Guest: Rotate Records
Who are, or what is, Rotate Records? And what do you do?
Rotate Records is a Durham based dance music label looking to expose the city's present, but unseen production talent. The label is one part of the multi-faceted organisation, Rotate: a collective of producers and DJs whose primary goal is to provide a platform for Durham based artists to promote their music and bring the local scene onto the map. We want to bring together the huge mix of tastes, skills and sounds from both the student and local communities and our debut project, the various artists compilation '66 Saddler Street', aims to do just that.
What is the history of Rotate Records?
Rotate grew from a group of students who had a strong collective appreciation for underground dance music. We actually started from a house party that essentially moved house and turned into a full fledged weekly Wednesday night club event. That first year, pioneered by the 'founding fathers' Luke Thorne and Callum Traynor, saw this close community grow. The next year Isaac Green, Andy Knape, Dina Hudson and Brettan Garrett continued their legacy and brought in wider crowds, attracting those not so used to our kind of music, whilst at the same time still giving grassroot DJs the chance to play a live headline set. This year, despite the obvious lockdown restrictions we expanded our organisation. With such a strong following from the previous years, we had all the backing to start a podcast series and begin our new label Rotate Records. Fortunately, these were possible to do at a time when events were not.
What are your aims or mission statements?
Rotate's primary focus has always been to provide a platform for Durham based dance musicians to showcase their music, whether that be DJs or producers, local or student. With our events, we aim to give fledgling DJs the opportunity to perform a headline set, often their debut. With Rotate Records, we aim to showcase the raw talent of dance music producers in Durham that have been under our noses the whole time.
How did Rotate become integrated in the music scene in the North East? And what is next for Rotate Records?
Rotate as a collective has comprised a number of students over the years who have had ties to Newcastle in the North East especially. Our residents at Rotate have been going to raves in Newcastle since before the brand was founded, notably events run by Rush, Ape-X and Ill Behaviour. It is through these events that we've been able to get in touch with DJs and producers and integrate ourselves with the music community in the North East. Everyone has been so accommodating and ready to go out on a limb to help out, which has really helped us to grow and develop.
We've got a lot of exciting plans for the next couple of months, after our debut compilation release on June 18th, we've got a couple of events lined up in Durham. We're doing a takeover at the BST Durham Terrace Party alongside Harrison BDP and Hamdi on the 21st of June and have numerous other events in venues around Durham. After this premiere compilation we have a couple of singles lined up to release over the summer which we're hoping coincides with the return of events and clubs over the coming months.
As cliche as it is, above all else strive to be ambitious and independent. For us, we've never been afraid to stray from the beaten path and as a result we've adapted to all the challenging conditions we've had to face over the last year. The majority of us had not done much before we got involved with Rotate, it was just a case of putting in the hours at any opportunity and loving every bit of it that got us where we are now.
We've got a website which we keep updated regularly with our mix series, live streams, podcasts, playlists, merch and events: http://www.rotatedurham.com
Check out our social media as well for all our latest events and news: linktr.ee/DURotate
You can also get in touch by email at info@rotatedurham.com
Tags Collective, Durham, Interview, Music, NMC, Northern, Northern Music Collective, Record Label, Rotate Records
NMC Guest: Bekka (The Tyne Tribe)
Post date 18th May 2021
No Comments on NMC Guest: Bekka (The Tyne Tribe)
Oooh. This is a hard question to answer as I've been in and out for years, ha! But if we're focusing on what I do currently, then I would say since the start of 2021.
I had the idea of wanting to create a newsletter database for gig-listings for when the world is out of the pandemic. I got too excited and launched The Tyne Tribe on International Women's Day. In it's current form, it's best described as a curated newsletter of some of my favourite musical discoveries from the North East who I call "The Tribe" (I spent four years in London so I'm basically re-educating myself) and it also features some small-scale reviews, shares other publications articles' and songs I'm currently listening to.
As lockdown restrictions ease it will focus more towards listings, events and music news but for now I am enjoying sharing some of our regions best talent and being able to provide another platform to shout about how wicked everyone is.
So I used to have a couple of online zines from around 2011-2015 that focused more on promoting acts from the UK and USA rather than necessarily regionally. I went to University in Sunderland though, so had some very ad-hoc single review pieces published in The Crack and on the Uni's website as well.
But my zines helped me land an internship at Sony Music so I moved down south and worked on various releases including Blue, Judas Priest, Carrie Underwood and Live Lounge. After my year was up I moved to a digital agency where I spent three years creating social strategies and album campaigns for Ward Thomas, Calum Scott, Tom Walker, Years & Years, The xx, Ellie Goulding and loads more! It was a brilliant experience and I loved seeing the real industry side of things that seems to be hidden to us Northerners.
After four years down south I decided to come back up North and for a while I didn't do too much. I was briefly involved with Sofar Sounds and also did some live music photography which is a big passion of mine, but only this year did I decide to properly get back into the scene because I miss it so much and it's also grown bloody loads which is amazing.
Just go for it. Regardless of what area you want to get into whether its writing, photography, promotions, playing in a band – just give it a go. I spent years being scared to network because I thought people wouldn't take me seriously so have the confidence to fight for whatever it is you want and as long as you work hard you'll get there. Also be nice to people, the music industry is way smaller than you think and connections are everything.
The people. Honestly, I know everyone says it but it's so true. I haven't got a lot of connections in the North because I was too scared to make any before I moved (so hiya if you're reading this, let's grab a beer) but since I have started The Tyne Tribe you can see how truly supportive everyone is of each other and it's refreshing to see.
I think my personal highlights are just becoming more familiar with the local venues since coming home. I took them for granted before, but now they're some of my favourite places to be.
If you're interested in The Tyne Tribe we're on Twitter @thetynetribe, or you can subscribe to the newsletter that goes out twice a month here (it's free) https://www.getrevue.co/profile/thetynetribe.
If you wanna be pals with me and grab that beer, I'm at @bekkacollins on Twitter, but also still do freelance social strategy work and shoot gigs when I can www.bekkacollins.com
Tags Bekka, Collective, Durham, Gateshead, Music, Newcastle upon Tyne, NMC Guest, Northern Music Collective, Sunderland, Teesside, The Tyne Tribe, Tyneside
Forward NE
Post date 21st Apr 2021
No Comments on Forward NE
What is Forward NE and what does it hope to achieve?
Forward NE is a supportive network for female, trans and non-binary musicians, working for equality and diversity in the North East music scene. We'll be doing this via workshops, seminars, networking and industry insights, and we're really hoping this activity will be shaped by the participants' needs.
Our core group is made up of women with several decades of experience between us, and vast contacts and networks to call upon to help provide additional support.
Forward NE Logo
How can others become involved?
We really want our activity to be shaped by those in the industry, so we're encouraging people to join our first event on Tuesday 27th April at 6pm via Zoom to meet like-minded people and have an informal chat about what we can do moving forward, sign up for a free ticket here: http://bit.ly/ForwardNE
Why is this needed?
While things may have improved over recent years, the playing field is nowhere near level for women and gender minorities in the music industry. In our region alone there are more male promoters than female; you're more likely to come across all-male line-ups at gigs and festivals and gender minorities are often not represented at all. Nationally, women make up just 19% of artists signed to UK music labels in 2019*; female acts accounted for just 10% of the most played songs by British artists on BBC Radio 1 and 6Music from June 19-20**. There are also deeper underlying issues around safe spaces and how women, trans and non-binary musicians are treated in the industry.
* Research conducted by Vick Bain, Counting the Music Industry: The Gender Gap
** Guardian article
Are there any other organisations or resources you'd recommend to others too?
There are some great organisations in the North East already highlighting some important research and pushing for change. Check out the likes of Tits Upon Tyne, Sister Shack CIC, Crystallized, Newcastle Council's Shout Up campaign, labels like Coat Rack Records and Rebel Rose, champions like Sheesiders and Hun.
How can people find out more about Forward NE?
Check us out on social media:
www.facebook.com/forwardne
www.twitter.com/forwardne
www.instagram.com/forward__ne
People can also email us at forwardne@gmail.com
How can people stay up to date with Forward NE? Are there social media accounts or a mailing list that people can join or follow?
We'll be keeping people informed on our activity via a mailing list, which can be signed up to here: http://eepurl.com/hvd6E1
Tags Forward NE, Interview, Northern Music Collective
NMC Guest: Jordan (Editor at Spotlight Music)
Post date 19th Apr 2021
No Comments on NMC Guest: Jordan (Editor at Spotlight Music)
I am the editor and manager for Spotlightuk.co.uk which is a North East based music blog, but we also occasionally do video content and put on gigs too.
My role is primarily to organise and delegate content to our volunteer writing team and make sure that it is of a good standard when we publish it and share it on social media.
In addition to this I am constantly networking with musicians, PR, managers, photographers and venues to make sure that they are on our radar and we are doing our best to help those who need it.
I've been active as a journalist and reviewer for around four years, an editor for three of those years and sole owner of the Spotlight brand since 2018 when it's other founders moved on to pursue different projects.
I've been going to gigs since I was 16, we used to get a lot of the national up and coming metalcore and hardcore bands come through Newcastle on tour so I was constantly at the 02 Arena and The Cluny for those. When I started a journalism course at uni I initially wanted to pursue a career in news journalism, but found myself being involved more and more in local arts and culture projects. I met one of the founding members of Spotlight while at university as it was just starting out and they were looking for writers, before long I was writing content for the website and not long after that I was sub-editing other writers' contributions and helping to organise their events and social media.
Spotlight became my priority once I graduated from university and I jumped at the chance to officially take over ownership of the website in 2018.
If you haven't found an artist or project you love in your local music scene, don't give up! There's always a huge range of hard working individuals in every genre imaginable, you just might need to scratch beneath the surface or try something new.
Take a chance and see a random band play live (Post-pandemic obviously) or start asking around for some recommendations, read blogs or listen to playlists and I'm almost certain something exciting will show up.
You can build some really rewarding relationships just by showing an interest in your local artistic community and more often than not the musicians are hugely grateful for your support.
If you're wanting to get involved in writing reviews, features or music journalism I would say that there is no secret key to success other than to practice and delve into reviews made by others. Try out different styles and formats until you find something that fits you.
Start your own blog or see if you can contribute to a pre-existing one and be open to feedback and constructive criticism so you can learn and grow.
But definitely don't be hard on yourself if you find yourself struggling to find inspiration or can't quite reach a stage where you're comfortable showing off your work to others yet.
Everybody starts from this point and you are absolutely as capable of being a fantastic writer as everyone else!
I love that, even after all this time, I'm still finding new musicians, labels and projects that I'd never heard before!
There is always something new around the corner to discover, and a dedicated following ready to help support it, no matter how niche.
I'm also so encouraged by the fact that, once you start engaging with the music scene, familiar faces show up in crowds or on stage and that makes the experience feel more special.
This is especially true when you've been involved for a few years and you can see artists develop and grow over time!
Spotlight Music: Facebook | Instagram | Twitter
Tags Interview, Jordan, Music, NMC, Northern Music Collective, Spotlight
NMC Guest: Aaron (Base Camp Boro & Heelapalooza Festival)
Post date 15th Mar 2021
No Comments on NMC Guest: Aaron (Base Camp Boro & Heelapalooza Festival)
I've been active in the North East Music Scene for around 15 years now. Since the age of 13 I've played in bands and at the age of 18 I took the dive into promoting gigs. Treating it as a hobby or side project until about 2 years ago when Base Camp was starting out. Now I'm an Event Manager and Promoter at Base Camp, hosting everything from films and quizzes to live music and wrestling shows. I run the 'currently on pause' Sad For Life Records and I also birthed the Festivals Heelapalooza and Celebrate Everything.
I first became involved in music when I was about 12 because I was surrounded by a music loving family, my Dad would sneak me into 18+ shows to see my two brothers playing to capacity rooms under the town hall and I had a cousin that was off selling out shows in Japan, releasing albums, supporting The Libertines and generally just having a good time. Every aspect of it was exciting to me and I knew I wanted to be involved. I obviously assumed this meant that if I pick an instrument up I'll be a natural. I was wrong, and average at best.
I started promoting gigs instead at 18 with my friend Leon, hosting a weekly community radio show playing local bands music, a weekly gig at The Legion and frequently allowing too many people in and a free entry 4-band bill at Doctor Browns in Middlesbrough every Thursday(This was 4-Play and later became Whirling Dervish under Joel). We hosted bands like Dead Sons and Chapman Family at times. It was nuts.
I'd later play in the band Bi:Lingual with my friends George and Stephanos (now of Swears) and Dylan Cartlidge(now of Dylan Cartlidge), I always enjoyed promoting the band a bit more than playing. We had a good run and I have some incredible memories with some of the best people. After we split I kind of couldn't be arsed to embrace the creative side of myself and decided to take myself more serious. I mean I was managing an arcade in a bowling alley. That didn't last too long.
A few personal issues and walking out of jobs later I eventually started managing a bar in a tattoo studio and decided to use that job as a platform to host weekly gigs in there, I'd also just booked up the gig calendar for a bar on the same road. So one time there was like a 2 month run where 2 of my gigs were happening at the same time on the same road in 2 bars that didn't like each other very much. I started Sad For Life Records and was playing bass in Heel Turn around this time too, both were exciting fresh projects. all of this caught the attention of Ten Feet Tall… FINALLY. Now I am where I am at Base Camp and in the living happily ever after phase with my work.
Crack on. Try it all. Find what you enjoy the most and embrace it. Be that playing an instrument, selling tickets, reviewing shows, taking photos, etc. Most importantly, enjoy yourself through it all. Music and art isn't meant to be stressful.
My favourite thing about the North East Music Scene is the community, the people, I've made most of my friends through being involved in music and I have the best friends in the world so….
Some personal highlights for me include all of the gigs Bi:Lingual had with allusindrugs, there wasn't a boring moment and we thrived off each others energy. Supporting DZ Deathrays was a good'un.
My favourite time ever though had to be promoting and running Heelapalooza, I had no idea what I was doing but i embraced every opportunity like Jim Carrey in Yes Man and it paid off. Refereeing the first ever No Ring Death Match in the UK on the floor of a nightclub in the middle of the day with glass, blood and bodies everywhere. I should have been running a stage but I wasn't gonna miss that opportunity.
If anyone's interesting in following me and seeing what I'm up to just follow @basecampboro @heelapalooza @sadforliferecords and @aaronjohnlythe and if anyone wants to get in touch just follow me or add me on socials and message me. I hate formal emails but if you're that way inclined my email is aaron@sadforlife.co.uk alternatively if you fancy a game of Warzone my activision account is BobbyTurmeric#4733037
Facebook: Base Camp Boro | Heelapalooza | Sad For Life Records
Instagram: Base Camp Boro | Heelapalooza | Sad For Life Records
NMC Guest: Claire (Founder & Editor at NARC. Magazine)
Post date 15th Feb 2021
No Comments on NMC Guest: Claire (Founder & Editor at NARC. Magazine)
I've been going to gigs in the region since around 2002. Music and writing have always been a passion and I started freelancing for local magazines and newspapers but ended up a bit frustrated that there wasn't an outlet for me to talk about the amazing talent I was discovering in the region, so I set NARC. magazine up in 2006 to fill a gap in the market – both for likeminded writers, but also for musicians to get a wider platform. Since then, we've become an established part of the region's cultural landscape, a source of alternative music and culture news, reviews, interviews and opinions, with a dedicated audience and a trusted voice.
Mostly by good old fashioned networking – if you can call going to gigs and talking to anyone who'd listen to me 'networking'! In the early days, attending as many gigs as I could and meeting new people was absolutely essential in building a picture of the region and understanding the scene. It's often at gigs that I meet writers who are keen to join the team, and hear bits of news that end up turning into articles.
I'd like to think we're approachable and open to anyone who wants to be featured in our pages, and we treat musicians and creatives in a fair and friendly manner.
When it comes to writing, just doing it a lot will serve you well! When I was first starting out for at least a year I read nothing but music magazines – across every genre and style imaginable – and I read them from cover to cover. It helped me to understand the style of writing I liked (and that I didn't like) and helped to shape my own voice.
When I first started out, there wasn't really anyone to ask advice from or get any insight into the industry, so I largely forged my own path and made it up as I went along for the most part – now I'd like to think that there are more resources out there for budding writers, and I'd certainly like to encourage people interested in music and culture writing to get in touch with us at NARC., I'm always happy to give advice to writers as well as bands looking to get a bit of an insight into the world of press and promotion.
We're a small region, but I think we have the potential to make a lot of noise. Being somewhat isolated from the rest of the country has its plus points, I think the music scene is largely quite supportive and there are a lot of well-meaning people and organisations who can help steer musicians on the right path (like Tees Music Alliance, Generator and Tracks). I think it's this aspect that makes me feel the most proud to live here and be involved in the music scene.
In terms of personal highlights, right now I'm feeling very wistful about the events we've been involved with in the past – things like NARC. Fest and Stockton Calling – these festivals are always a highlight of my calendar, as I get to see so many bands and meet music fans, which is really at the heart of what we do at NARC. I can't wait to get back to a sweaty music venue and some loud music!
Our monthly magazine can be found on Issuu while we're digital-only – www.issuu.com/narc_media and when we're in print our list of outlets are on our website www.narcmagazine.com, where you'll also find loads of original content including videos, features and exclusives. NARC. TV is our magazine-style online programme, which features performances and interviews by local artists filmed in local venues – that's available to watch at www.youtube.com/NARCmagazineTV.
And we're on the usual social media channels too: Facebook, Twitter & Instagram.
Anyone is welcome to get in touch by emailing me at narcmedia@gmail.com
Tags Blog, Interview, NARC. Magazine, NMC Guest
© 2022	Northern Music Collective


text:
Music Video, Visuals
Mpho Sebina Releases Too Late For Mama Music Video Capturing the Legacy of Brenda Fassie
Category - Music Video
Music, Music Video, News, Visuals
Sauti Sol Display Colourful Music Video For Rhumba Japani
WATCH THE RHUMBA JAPANI MUSIC VIDEO HERE Johannesburg, South Africa – Friday, 25 June 2021 – Sauti Sol celebrates Midnight Train's anniversary...
Music, Music Video, New Release, Visuals
Don Billiano Surprises Fans With New Music Video For Siyathandana Set To Go Live at 17:00 CAT On Youtube
The Music Video For Siyathandana Will Go Live at 17:00 CAT. Set Reminder Here Johannesburg, South Africa – Friday, 25 June 2021 – Cassper...
Music, Music Video, New Release, News
25K Drops The Visuals for 'Pheli Makaveli' (Intro)
Johannesburg, Wednesday, 09 June 2021 – After the successful release of his new single, Pheli Makaveli (Intro), 25K, drops the visuals on YouTube...
Music Video, New Release
Major League DJz, Abidoza and Jay Sax Present, Their Interpretation Of Private School Amapiano on New Visuals For Careless Whisper
Johannesburg, South Africa – Wednesday, 08 June 2021 – Major League DJz mark their return to South Ah with Careless Whisper music video. After...
Music Video, New Release, Visuals
T-Man Features Holly Rey On New Visuals For Take Me Back
Johannesburg, South Africa – Wednesday, 28 April 2021 – DJ T-Man and Holly Rey showcase a detailed story of how to win your love back on new...
Music Video, New Release, News, Visuals
Major League DJz Team Up With Mr JazziQ, Amaroto, Abidoza and Costa Titch For Their Long Awaited Visuals For Ayeye
Johannesburg, South Africa – Wednesday, 28 April 2021 – Major League DJz and Abidoza give us visuals to the inception of the new dance titled...
Music, Music Video, Visuals
Boity Pays Homage To Potchefstroom With New Visuals For 018's Finest
Johannesburg, South Africa – Friday, 16 April 2021 – Boity returns to music with 018's Finest visuals. Boity debuts her lead music video of the...
BIA RELEASES OFFICIAL VIDEO FOR "WHOLE LOTTA MONEY"!
BIA RELEASES OFFICIAL VIDEO FOR "WHOLE LOTTA MONEY"! ABOUT BIA Spitting with agile aggression, dropping clever observations, and pouncing...
GRAMMY AWARD WINNER WIZKID RELEASES NEW VIDEO FOR "ESSENCE" FEATURING TEMS FROM CRITICALLY ACCLAIMED FOURTH ALBUM MADE IN LAGOS
"…WizKid manages to prove, once again, that he can infuse his sound with anything and come out with a body of work that's begging...
Music, Music Video
DJ Mezi Enlists Cassper Nyovest On Brand New Music Video
Johannesburg, South Africa – Friday, 9 April 2021 -DJ Melzi has released his debut music video of the year with La Melza, featuring Mkeyz and Mphow69...

redpajama_set_name: RedPajamaCommonCrawl


Be sure to check the schedule! Lots of events going on in our community. Let me know what your post has scheduled so we can list it and all join in.
The American Legion 12th District, Department of Texas, is one of 23 Districts in Texas. Our District includes 15 Posts in the Tarrant County Texas area (scroll down for the listing). Each of our Posts are a team of one or more Legion Family organizations comprised of Veterans and Veterans families working together in support the principles of our "Four Pillars".
The American Legion is comprised of veterans from all branches of military service, the American Legion Auxiliary are female relatives of Veterans, Sons of the American Legion are male descendants and the American Legion Riders are motorcycle enthusiasts that are also members of these organizations. Although each is in fact a separate entity with its own Charter and By-Laws, we work as a Post Family by supporting activities and programs of each organization, other posts, our community, state and nation.
We are all part of THE AMERICAN LEGION or AUXILIARY, Created by Act of Congress, Washington, DC on September 16, 1919. Political activities: The Corporation shall be nonpolitical and may not promote the candidacy of an individual seeking public office.
Please advise Webmaster of errors or bad links.


text:
Q: Comparing dictionaries in Python Given two dictionaries, d1 and d2, and an integer l, I want to find all keys k in d1 such that either d2[k]<l or k not in l. I want to output the keys and the corresponding values in d2, except if d2 does not contain the key, I want to print 0. For instance, if d1 is
a: 1
b: 1
c: 1
d: 1

and d2 is
a: 90
b: 89
x: 45
d: 90

and l is 90, the output would be (possibly in a different order)
b 89
c 0

What is the best way to do this in Python? I am just starting to learn the language, and so far this is what I have:
for k in d1.keys():
    if k not in d2:
        print k, 0
    else:
        if d2[k]<l:
            print k, d2[k]

This works of course (unless I have a typo), but it seems to me that there would be a more pythonic way of doing it.

A: You can simplify this by using a defaultdict. Calling __getitem__ on a defaultdict will return the "default" value.
from collections import defaultdict
d = defaultdict(int)
print d['this key does not exist'] # will print 0

Another bit that you could change is not to call keys. The dictionary implements iter. It would be preferable to simply write:
for k in d1:

A: Here is a compact version, but yours is perfectly OK:
from collections import defaultdict

d1 = {'a': 1, 'b': 1, 'c': 1, 'd': 1}
d2 = {'a': 90, 'b': 89, 'x': 45, 'd': 90}
l = 90

# The default (==0) is a substitute for the condition "not in d2"
# As daniel suggested, it would be better if d2 itself was a defaultdict
d3 = defaultdict(int, d2)
print [ (k, d3[k]) for k in d1 if d3[k] < l ]

Output:
[('c', 0), ('b', 89)]

A: Yours is actually fine -- you could simplify it to
for k in d1:
    if d2.get(k, 0) < l:
       print k, d2.get(k, 0)

which is (to me) pythonic, and is pretty much a direct "translation" into code of your description.
If you want to avoid the double lookup, you could do
for k in d1:
    val = d2.get(k, 0)
    if val < l:
        print k, val

A: Yours is good enough but here's one that is a little simpler:
for k in d1:
    val = d2.get(k, 0)

    if val < l:
        print k, val

redpajama_set_name: RedPajamaStackExchange


I was gonna say the "average" employee gets x amount of vacation days a year & from my experience of u don't use those within a year's time it doesn't roll over, u normally lose it!!! So how did he get more than a year's salary just in vacation time?? Oh, I'm sorry, politicians get special treatment!!


text:
ARM Demonstrates its Commitment to a Standardized Security Infrastructure by Joining GlobalPlatform
26 January 2010 – GlobalPlatform the international smart card specification body, today announced that ARM has joined the group as a Participating Member. The move demonstrates ARM's commitment to help standardize the security infrastructure for mobile financial transactions, and other security orientated applications such as Pay-TV and secured communications.
ARM designs the technology behind advanced digital products, from wireless, networking and consumer entertainment solutions to imaging, automotive, security and storage devices. It joins GlobalPlatform as a Participating Member to contribute to the work of the Device Committee. ARM expertise will assist this group in furthering its work to define an open security architecture and software framework for wireless and multi-application secure devices.
ARM will also join the 45 other GlobalPlatform member companies that have active representation on the association's Mobile Task Force, which contributes to the development of mobile telecommunications standards worldwide. A further member privilege for ARM includes attendance at the GlobalPlatform Advisory Council; a forum for open dialogue between members, the Board of Directors and the Executive Committee on priority issues.
Ian Drew, Executive Vice President, Marketing at ARM comments: "With ARM processors at the heart of an ever growing number of consumer devices it is important that we participate in driving the standardization of software application programming interfaces. By contributing to the advancement of GlobalPlatform technology, we can help to reduce the burden on our silicon partners and software developers, and ensure a faster time to market for the next generation of feature-rich, security–sensitive connected devices."
Kevin Gillick, Executive Director of GlobalPlatform, adds: "ARM is a very welcome addition to the GlobalPlatform membership. Its participation and shared expertise in the GlobalPlatform Device Committee and Mobile Task Force will add value to these groups' work efforts and strengthen the visibility of GlobalPlatform Specifications as a relevant and future-proof technology option for smart devices."
For further media information, please contact Georgina D'Arcy or Sarah Jones at iseepr: sarah@iseepr.co.uk / georgina@iseepr.co.uk or on + (0) 1943 468007
About GlobalPlatform – www.globalplatform.org
GlobalPlatform is the world leader in smart card infrastructure development. Its proven technical specifications for cards, devices and systems are regarded as the industry standard for achieving interoperable, sustainable and flexible smart card deployments that support multi-application, multi-actor and multi-business model implementations.
GlobalPlatform is a member driven association with cross-industry representation from all world continents. As of October 2008, an estimated 305.7 million GlobalPlatform-based smart cards had been deployed globally and an additional two billion mid range USIM/SIM cards worldwide are estimated to use GlobalPlatform card technology to enable over-the-air (OTA) application downloads for 3G and GSM mobile networks.
ARM is a registered trademark of ARM Limited. All other brands or product names are the property of their respective holders. "ARM" is used to represent ARM Holdings plc; its operating company ARM Limited; and the regional subsidiaries: ARM Inc.; ARM KK; ARM Korea Limited.; ARM Taiwan Limited; ARM France SAS; ARM Consulting (Shanghai) Co. Ltd.; ARM Belgium N.V.; ARM Germany GmbH; ARM Embedded Technologies Pvt. Ltd.; ARM Norway, AS and ARM Sweden AB.


text:
Q: Title bar with close, minimize, and maximize dialogue options dissapeared after update Running Ubuntu 12.04
During installation of a few programs (Gparted and some others) my computer unexpectedly shut down.
When I restarted my machine everything appeared normal. However, every program I open, whether it be terminal or Firefox, the title bar is missing. In other words there is no window dialogue other than File, Edit, View, etc... I don't have the option to close, minimize or maximize.
In addition to the absent title bar things don't seem to load quite right. For example, when I load Firefox and go to google.com search results seem to be improperly underlined/not underlined at all. Picture quality is not bad; things just don't load fully/corrupted looking textures and graphics.

A: Log in with Unity 2D, open ccsm (Compiz config settings manager) or download it with sudo apt-get install ccsm and go to Preferences at the bottom and choose Reset to defaults and then choose Unity from the list. Then you can log in into Unity 3D (the normal one) and everything works :)
I had this error today too and that worked for me.
Notice: Probably you have to log in with Unity 3D to change the settings, I am not totally sure anymore. But give both a try ;)

Thanks to Ryan McClure for this addition:
If by any chance Unity 2D has the same issue (it happened to me once before, so I can relate :P) and neither shell does not allow you to open terminal, press Ctrl+Alt+F1 to open a TTY session. From here, enter your username and password and continue to do the commands thonixx gave you.

A: After running Pinta on 12.04 today, my windows borders and title bars disappeared.
I got them back running CCSM - Effects - Window decoration: turn off and on again.

A: In the past, when this would happen, we would simply run /usr/bin/compiz-decorator --replace from the run dialog.
An easier way was to use fusion-icon from the repository, which is an icon that enables, disables, and restarts Compiz, and change the currently used window manager and/or window decorator.
By the way, it's the window decorator that is in charge of the titlebar, etc.


Do you love dogs? Then, you're in the right place.
Dog Messenger is a website that connects dog enthusiasts and owners to varying news, stories, and videos about our loving four-legged furry friends. Dog Messenger indulge readers to commend the awesome ways our lovable furry best friends present their coolness and funny side.
to spread the message about "animal cruelty awareness. " Animal cruelty is any form of dog abuse and neglect.
Thank you for visiting our website. To best interact with our dog pals, bookmark our website, like our Facebook page. Visit our website again for updates of interesting dog stories and videos. Share your thoughts, comments, and suggestions on our Facebook page. Kindly show some love by sharing our website and posts to your family and friends. We would gladly love to meet more cool people like you.


The Mountain View Rooms have a window looking out to the cable car station which is located directly behind the Nira Alpina. The Rooms feature heavy pine wood furnishings, alpine and modern décor, and fine white linens. These rooms also include a flat-screen TV and a USB charging port. The en-suite bathrooms include a power shower, porcelain basins and baths, and Pure Altitude Spa toiletries.
The Corvatsch Rooms are comfortable and airy with uninterrupted views of the surrounding mountains and lakes from the private furnished balcony. Thoughtfully decorated to create a warm and welcoming atmosphere, these rooms offer a beautifully designed bathroom with Pure Altitude Spa toiletries. Many of these rooms have connecting doors to create double rooms when desired.
The Garden Rooms have floor to ceiling windows with a terrace on the ground floor. Stunning views to the Silvaplana lake and mountains. As standard, our rooms feature high tech accessories, an LCD TV, and modern en-suite bathrooms with Pure Altitude Spa toiletries. Each of the gardens offer comfortable seating and a glass-topped table ?" a great place to watch the sunset.
Our Alpine Junior Suites are utter perfection. They are located on higher floors, offering privacy and serenity, and boast stunning views across the nearby Engadin mountains and lakes. The rooms come with a separate living room, flat-screen TV, coffee machine, stone bathroom with Pure Altitude Spa toiletries, and a large private balcony with comfortable furniture. Large bathroom with 2 washbasins, bathtub with separate shower. Walk in wardrobe and murphy bed. These are our largest and most luxurious rooms, and you will be treated to the very best views.


text:
package io.fabric8.arquillian.kubernetes;

import io.fabric8.arquillian.kubernetes.log.Logger;
import io.fabric8.utils.Systems;

import java.io.File;
import java.util.concurrent.atomic.AtomicInteger;

/**
 * Represents a testing session.
 * It is used for scoping pods, service and replication controllers created during the test.
 */
public class Session {
    private final String id;
    private final Logger logger;
    private final String namespace;
    private final AtomicInteger passed = new AtomicInteger();
    private final AtomicInteger failed = new AtomicInteger();
    private final AtomicInteger skiped = new AtomicInteger();
    private File basedir;

    public Session(String id, String namespace, Logger logger) {
        this.id = id;
        this.logger = logger;
        this.namespace = namespace;
    }
    void init() {
        logger.status("Initializing Session:" + id);
    }

    void destroy() {
        logger.status("Destroying Session:" + id);
        System.out.flush();
    }

    public String getId() {
        return id;
    }

    public Logger getLogger() {
        return logger;
    }

    /**
     * Returns the namespace ID for this test case session
     */
    public String getNamespace() {
        return namespace;
    }

    public AtomicInteger getPassed() {
        return passed;
    }

    public AtomicInteger getFailed() {
        return failed;
    }

    public AtomicInteger getSkiped() {
        return skiped;
    }

    public File getBaseDir() {
        if (basedir == null) {
            basedir = new File(System.getProperty("basedir", "."));
        }
        return basedir;
    }
}

redpajama_set_name: RedPajamaGithub


Hello gorgeous, welcome to my blog !
How's your day? Hope you guys have a good day, and your day will be better after visiting my blog ;;) so today, I wanna share about another event I attended a few days ago. Hush puppies, one of the most famous brand around the world (as well as in Indonesia) has just launched their new collection of footwear. Well, usually we know this brand just by seeing the cute dog as their logo, right? They're known for their footwear and even now they sell bags and outfit for men and women. Me myself, always love their footwear because of the comfiness and of course fashionable.
The event was hosted at Lewis and Carol tea house, which is a good place to hang out and have a great tea time. With the touch of magic, the team of hush puppies decorated the venue with beautiful flowers and of course the star of the show, their newly launched comfort walk ballerinas. We get to see all models from this collection. They're divided into two section, Belle and Samantha. Belle has 4 colors ; black, white, pink, and light brown. As for samantha, they prepare four choices of colors ; broken white, maroon, navy blue, and yellow. Pretty interesting, right?
Price : all models from comfort walk ballerinas collection IDR 1.199.000, and if you make an online order you'll get another discount for this super comfy flat shoes!
Not only get to see their collection, they also treat us some yummy dishes.
While enjoying these delicious foods, we also have radhini as the guest star. She and her beautiful voice complete the whole event, and also made us enjoy the evening. I've always love her voice, and the way she sing make us enjoy each and every song she performed.
I guess that's all for the event highlights, thanks a lot to hush puppies and cosmopolitan for having me :D hope you girls enjoy this one as well as me, and I'll see you on my next posts really soon!


text:
Alan Williams (bishop)
The Right Reverend
Alan Stephen Williams
Bishop of Brentwood
Thomas McMahon
by George Basil Hume
by Vincent Nichols
(1951-03-15) 15 March 1951 (age 69)
sub tuum præsidium
Alan Stephen Williams, SM (born 15 March 1951) is an English Roman Catholic prelate and 7th Bishop of Brentwood. He is a member of the Marist Order.
Born in Lancashire in 1951, Alan Williams trained for the priesthood at Allen Hall before which he obtained a Degree in Psychology from Durham University.[1] He later earned a qualification in Theology from the University of Cambridge, a PhD in Psychology from London University and a Masters Degree in Education from Hull University.
He took his final vows with Society of Mary (Marists) in 1981 and was ordained priest on the 30 April 1983 at St Anne's, Whitechapel. Williams served as Parish Priest at St Lawrence of Canterbury, Sidcup and as Chaplain to Sheffield Hallam University. He is a former Superior of the Marist Fathers in England, a post he held from 2000 to 2008[2] and has also served as a school teacher and Catholic chaplain at Sheffield Hallam University.[3] He has also taught Christian Spirituality at postgraduate level. Williams was Appointed Director of the Roman Catholic National Shrine at Walsingham in 2008 where he had overall responsibility for pilgrimage and retreat work. He was appointed the 7th Bishop of Brentwood 14 April 2014 and consecrated 1st July 2014 by Cardinal Vincent Nichols.[4]
Coat of Arms[edit]
BLAZON. Impaled; Dexter, Azure a cross flory above the three suns Or, each charged with an annulet Gules (Diocese of Brentwood). Sinister Argent three lilies Gules seeded and slipper Or, on a chief Azure a star of seven points of the third (Williams). Behind the shield a cross in pale, surmounted by a green hat with twelve tassels.[5]
The personal arms which a diocesan bishop adopts are impaled with the arms of the diocese, with the shield of the diocese on the left side (heraldic 'dexter') and his own arms on the right (or 'sinister') side which shows that he is the holder of the see.
The pontifical cross behind the shield is based upon the shape of the Metropolitan Cross of Westminster from which the Diocese of Brentwood was formed.
The green hat refers to that of a bishop, the number of tassels showing his rank.
In the Bishop's personal arms, the colours of the shield are based upon the arms of the Society of Mary, the Marists, (a blue chief with a gold star, over a white field bearing a Marian monogram). The three lilies are taken from both the arms of the Diocese of Lancaster, where Bishop Williams was born, and the arms of the ancient priory of Walsingham, where he was Rector.
They are red to refer to the red rose of Lancaster (present in both the arms of Oldham and of the Diocese of Lancaster) and this also alluding to the Blood of the Martyrs. The three lilies are Trinitarian in number and also represent the three Diocese in which the Bishop has served as a priest and now bishop. These are impaled with the diocesan arms.
The arms of the Diocese bear the cross from the shield of Saint Edward the Confessor, whose miracle of the ring and the beggar took place in Romford within the diocese and beneath this the three suns of Saint Edmund, from the arms of Saint Edmund's College, Ware, as Bishop Bernard Ward, the first bishop of the Diocese, was born at Old Hall Green where the college stands. These suns are charged with three rings, referring to a mystical dream St Edmund received when a teacher of geometry, as a means of explaining the Holy Trinity.
The Motto 'Sub Tuum Praesidium' (meaning Under Thy Protection which comes from an ancient hymn to Our Blessed Lady) alludes to the Marist motto Sub Tuum Nomine and combines the Bishop's own Marian devotion with that of St Edward the Confessor.
^ "Results of Final Examinations held in June 1972". University of Durham Gazette (Supplement). 19 (New Series): 10. 1972. Retrieved 17 December 2020.
^ "Vatican Radio article".
^ "Brentwood welcomes new Bishop".
^ "The Rt Rev Alan Williams - Diocese of Brentwood".
^ "The Bishop's Personal Coat of Arms".
Catholic Church titles
Thomas McMahon Bishop of Brentwood
Hierarchy of the Catholic Church in England and Wales
Province of Westminster
Alan Hopes
David Oakley
Patrick McKinney
Archbishop Vincent Nichols
Province of Birmingham
Archbishop Bernard Longley
Declan Lang
Province of Liverpool
Ralph Heskett
Robert Byrne
Hexham and Newcastle
Paul Swarbrick
Marcus Stock
Terry Drainey
John Arnold
Province of Southwark
Richard Moth (Arundel and Brighton)
Mark O'Toole (Plymouth)
Philip Egan (Portsmouth)
Archbishop John Wilson (Southwark)
Province of Cardiff
Archbishop George Stack
Menevia
Peter Brignall
Other Latin
Bishopric of the Forces
Hugh Allan
Keith Newton
Personal Ordinariate of Our Lady of Walsingham
Eastern Catholic
Kenneth Nowakowski
Ukrainian Catholic Eparchy of Holy Family of London
Joseph Srampickal
Syro-Malabar Catholic Eparchy of Great Britain
Bishop of Beverley
Pre-Restoration of the Hierarchy Apostolic Vicariates: London District, Midland District, Northern District, Western District
Apostolic Nuncio
Edward Adams
Catholicism portal
Retrieved from "https://en.wikipedia.org/w/index.php?title=Alan_Williams_(bishop)&oldid=994841901"
20th-century English Roman Catholic priests
21st-century English Roman Catholic priests
Post-Reformation Roman Catholic bishops in England
Bishops of Brentwood
Clergy from Lancashire
Alumni of the University of Hull
Alumni of the University of Cambridge
Alumni of Grey College, Durham
CS1: long volume value
Pages using S-rel template with ca parameter
AC with 0 elements


"One day the AIs are going to look back on us the same way we look at fossil skeletons on the plains of Africa... an upright ape living in dust with crude language and tools, all set for extinction."
indeed! We'll be like those apes gaping at the black stone in "2001".


text:
from deluca.lung.environments._balloon_lung import BalloonLung
from deluca.lung.environments._delay_lung import DelayLung
from deluca.lung.environments._physical_lung import PhysicalLung
from deluca.lung.environments._stitched_sim import StitchedSim
# from deluca.lung.environments._linear import Linear
# from deluca.lung.environments._cnn import CNN
# from deluca.lung.environments._lstm import LSTM
# from deluca.lung.environments._mlp import MLP
# from deluca.lung.environments._single_comp_lung_pid import SingleCompLung
# from deluca.lung.environments._double_comp_lung_pid import DoubleCompLung

__all__ = [
    "BalloonLung",
    "DelayLung",
    "PhysicalLung",
    "StitchedSim",
    # "Linear",
    # "CNN",
    # "MLP",
    # "SingleCompLung",
    # "DoubleCompLung",
]


It is one of the most conservative village of the Bali Age "Original Balinese". This is a walled village. Within the bastions, all living compound are identical in plan and are arranged in rows on either side of the wide, stone-paved lines which run the length of the village. Tenganan is also well known for its Geringsing cloth or double ikat. Through an intricate process of weaving and dyeing, known only here, a single cloth takes five years to complete. Tenganan has many interesting traditions such as a ritual and art tradition especially Mekare-kare or Perang Pandan (the fight of Pandanus leaves) which takes place only once the year during a festival called Usaba Sambah, tradition of preserving and maintaining the environment, burial tradition, etc.
It is located at Tumbu village in Karangasem regency around 85 km from Ngurah Rai International Airport. The water palace was built in 1919 by the late King of Karangasem, I Gusti Bagus Djelantik but the launching of this complex of water palace was held in 1912. This water Palace was built to welcome and serve important guests and kings from neighboring countries, as well as for the pleasure of the king and his royal family. The most attracting aspect from this buildings complex is the combination of three different cultural elements, like Bali, Holland, and China resulting a very original and authentic architecture. Balinese architecture could be clearly seen from the decoration pattern which are in the form of wayang stories and other Balinese sculpture patterns. Meanwhile, Holland architecture could be seen from the style of building, and Chinese architecture could be seen from the gates, octagonal pool, and Bale Bundar (gazebo). According to Balinese cosmology, Taman Ujung Karangasem is a meeting point of the mountain and sea which are represented by Lempuyang Mountain in northeast, Agung Mountain in west, and sea or Lombok Strait in the east which is only a few meters near from this park. The concept of mountain and sea is very respected and often practiced by Indonesian traditional people.
Candidasa is located in Karangasem Regency, east part of Bali. Candidasa is a tranquil coast offering varying accommodation, from basic to five-star resorts and few good restaurants in between. It is also a strategic place from where to explore the east of the island, which boasts exotic cultural highlights and a range of historical sites and exciting tours to enjoy.


For many people with food allergies, completely avoiding problem foods isn't easy or even practical. Accidental exposures happen, and sublingual immunotherapy (allergy drops) for foods can help many patients safely build tolerance in case an accidental exposure occurs. For others, it can help them enjoy foods that once caused reactions. Food allergy is becoming more common.
Often there is an underlying environmental allergy, such as dust mite, which primes the immune system to have an allergic reaction to foods. Diagnosing food allergy begins with identifying a history of sensitivity to certain foods.
Once diagnosed with food allergies, treatment options range from avoiding the allergens, managing symptoms, to treating the root cause through immunotherapy. The only way to change the underlying allergic disease is immunotherapy.
Can allergy drops help food allergies?
Treating food allergies with sublingual immunotherapy begins at a much lower dosing level than the amount that triggers reactions. This small amount, placed under the tongue, is enough for the immune system to build allergic tolerance over time, yet is below the level that triggers a serious reaction.
When using the La Crosse Method™ Protocol for food allergies, we recommend one pump dose, three times a day — morning, afternoon, and night – to help build tolerance.
The goal of sublingual immunotherapy treatment for food allergy varies from person to person. For those with mild to moderate allergies, it is possible to reintroduce allergic foods back into the diet, while for those with severe or life-threatening allergies, the goal may be to reduce the likelihood of a severe allergic reaction to an accidental exposure.


The most powerful challenge that faces us as humans is to overcome the fear of the unknown. We become comfortable with the familiar and we do not like to step outside of that "comfort zone" into regions where we cannot predict what might happen. If you have never been involved in therapy, it can be very intimidating. You have no idea what might happen, what the doctor might say to you, what you might be asked to do, how much it might cost, how long it will take, whether or not it will work, or if it will be difficult, painful, or perhaps impossible.
At Down To Earth, we acknowledge this very real and normal fear. We encourage you to ask as many questions as you need to in order to feel comfortable to begin. This is why we offer the FREE consultation session. Come check us out and see how you like us. There is no cost but your time. The only risk you are taking is that you might decide to begin!
We hate to admit it, but the other major barrier to beginning therapy is pride. We like to think that we are intelligent, resourceful, healthy, and normal. Going to a therapist seems to be an admission that there is something wrong with us.
Okay, what if something goes wrong with your car? Are you "intelligent" enough to replace your own radiator? Do you feel "stupid" going to a mechanic? Of course not, that's just something you don't know how to do. At Down To Earth, we teach you how to do things you don't know how to do for about the price of a good mechanic, and the mechanic doesn't teach you how to do it yourself next time. We do.
What if you lose your house keys? Are you "resourceful" enough to get into your house? Probably, but don't you ruin something trying? Do you feel "lazy" calling a locksmith? Of course not, you call them because they can help you more efficiently than you could do it yourself. And, if you lose your keys again, you've got to call them again. At Down To Earth, we provide you with new keys you can use for the rest of your life.
What if you have a sore throat? Does that mean you are "not healthy?" No, it just means you aren't feeling well. Can you do your own medical treatment at home? For a sore throat, probably. What if the sore throat persisted for a week and made it difficult for you to eat or talk? Would you be ashamed to admit that you weren't "healthy?" No, you would go to a doctor and get a simple remedy and be feeling better in a matter of days. At Down To Earth, we provide common sense solutions for everyday problems and restore your health as quickly as possible. We also teach you how to treat minor problems at home without having to come in.
What if you have a problem ? Does that mean you are not "normal?" No, it means you are very normal. You are a human being having a bit of a difficult time with something. We have yet to hear of someone who never had a problem. If we ever meet that person, we will definitely call him "abnormal!" At Down To Earth, we have no concept of what is "normal." Whatever makes you happy, as long as it isn't hurting anyone else, is "normal." We help restore you to whatever your definition of normal may be. Or, we might convince you that you already are normal and don't need to change a thing.


text:
Lawnchair.adapter('html5-filesystem', (function(global){

  var fail = function( e ) {
    if ( console ) console.error(e, e.name);
  };

  var ls = function( reader, callback, entries ) {
    var result = entries || [];
    reader.readEntries(function( results ) {
      if ( !results.length ) {
        if ( callback ) callback( result.map(function(entry) { return entry.name; }) );
      } else {
        ls( reader, callback, result.concat( Array.prototype.slice.call( results ) ) );
      }
    }, fail );
  };

  var filesystems = {};

  var root = function( store, callback ) {
    var directory = filesystems[store.name];
    if ( directory ) {
      callback( directory );
    } else {
      setTimeout(function() {
        root( store, callback );
      }, 10 );
    }
  };

  var isPhoneGap = function() {
    //http://stackoverflow.com/questions/10347539/detect-between-a-mobile-browser-or-a-phonegap-application
    //may break.
    var app = document.URL.indexOf('http://') === -1 && document.URL.indexOf('https://') === -1;
    if (app) {
      return true;
    } else {
      return false;
    }
  }

  var createBlobOrString = function(contentstr) {
    var retVal;
    if (isPhoneGap()) {  // phonegap filewriter works with strings, later versions also work with binary arrays, and if passed a blob will just convert to binary array anyway
      retVal = contentstr;
    } else {
      var targetContentType = 'application/json';
      try {
        retVal = new Blob( [contentstr], { type: targetContentType });  // Blob doesn't exist on all androids
      }
      catch (e){
        // TypeError old chrome and FF
        var blobBuilder = window.BlobBuilder ||
          window.WebKitBlobBuilder ||
          window.MozBlobBuilder ||
          window.MSBlobBuilder;
        if (e.name == 'TypeError' && blobBuilder) {
          var bb = new blobBuilder();
          bb.append([contentstr.buffer]);
          retVal = bb.getBlob(targetContentType);
        } else {
          // We can't make a Blob, so just return the stringified content
          retVal = contentstr;
        }
      }
    }
    return retVal;
  }

  return {
    // boolean; true if the adapter is valid for the current environment
    valid: function() {
      var fs = global.requestFileSystem || global.webkitRequestFileSystem || global.moz_requestFileSystem;
      return !!fs;
    },

    // constructor call and callback. 'name' is the most common option
    init: function( options, callback ) {
      var me = this;
      var error = function(e) { fail(e); if ( callback ) me.fn( me.name, callback ).call( me, me ); };
      var size = options.size || 100*1024*1024;
      var name = this.name;
      //disable file backup to icloud
      me.backup = false;
      if(typeof options.backup !== 'undefined'){
        me.backup = options.backup;
      }

      function requestFileSystem(amount) {
//        console.log('in requestFileSystem');
        var fs = global.requestFileSystem || global.webkitRequestFileSystem || global.moz_requestFileSystem;
        var mode = window.PERSISTENT;
        if(typeof LocalFileSystem !== "undefined" && typeof LocalFileSystem.PERSISTENT !== "undefined"){
          mode = LocalFileSystem.PERSISTENT;
        }
        fs(mode, amount, function(fs) {
//          console.log('got FS ', fs);
          fs.root.getDirectory( name, {create:true}, function( directory ) {
//            console.log('got DIR ', directory);
            filesystems[name] = directory;
            if ( callback ) me.fn( me.name, callback ).call( me, me );
          }, function( e ) {
//            console.log('error getting dir :: ', e);
            error(e);
          });
        }, function( e ) {
//          console.log('error getting FS :: ', e);
          error(e);
        });
      };

      // When in the browser we need to use the html5 file system rather than
      // the one cordova supplies, but it needs to request a quota first.
      if (typeof navigator.webkitPersistentStorage !== 'undefined') {
        navigator.webkitPersistentStorage.requestQuota(size, requestFileSystem, function() {
          logger.warn('User declined file storage');
          error('User declined file storage');
        });
      } else {
        // Amount is 0 because we pretty much have free reign over the
        // amount of storage we use on an android device.
        requestFileSystem(0);
      }
    },

    // returns all the keys in the store
    keys: function( callback ) {
      var me = this;
      root( this, function( store ) {
        ls( store.createReader(), function( entries ) {
          if ( callback ) me.fn( 'keys', callback ).call( me, entries );
        });
      });
      return this;
    },

    // save an object
    save: function( obj, callback ) {
      var me = this;
      var key = obj.key || this.uuid();
      obj.key = key;
      var error = function(e) { fail(e); if ( callback ) me.lambda( callback ).call( me ); };
      root( this, function( store ) {
        var writeContent = function(file, error){
          file.createWriter(function( writer ) {
            writer.onerror = error;
            writer.onwriteend = function() {
              // Clear the onWriteEnd handler so the truncate does not call it and cause an infinite loop
              this.onwriteend = null;
              // Truncate the file at the end of the written contents. This ensures that if we are updating
              // a file which was previously longer, we will not be left with old contents beyond the end of
              // the current buffer.
              this.truncate(this.position);
              if ( callback ) me.lambda( callback ).call( me, obj );
            };
            var contentStr = JSON.stringify(obj);

            var writerContent = createBlobOrString(contentStr);
            writer.write(writerContent);
          }, error );
        }
        store.getFile( key, {create:true}, function( file ) {
          if(typeof file.setMetadata === 'function' && (me.backup === false || me.backup === 'false')){
            //set meta data on the file to make sure it won't be backed up by icloud
            file.setMetadata(function(){
              writeContent(file, error);
            }, function(){
              writeContent(file, error);
            }, {'com.apple.MobileBackup': 1});
          } else {
            writeContent(file, error);
          }
        }, error );
      });
      return this;
    },

    // batch save array of objs
    batch: function( objs, callback ) {
      var me = this;
      var saved = [];
      for ( var i = 0, il = objs.length; i < il; i++ ) {
        me.save( objs[i], function( obj ) {
          saved.push( obj );
          if ( saved.length === il && callback ) {
            me.lambda( callback ).call( me, saved );
          }
        });
      }
      return this;
    },

    // retrieve obj (or array of objs) and apply callback to each
    get: function( key /* or array */, callback ) {
      var me = this;
      if ( this.isArray( key ) ) {
        var values = [];
        for ( var i = 0, il = key.length; i < il; i++ ) {
          me.get( key[i], function( result ) {
            if ( result ) values.push( result );
            if ( values.length === il && callback ) {
              me.lambda( callback ).call( me, values );
            }
          });
        }
      } else {
        var error = function(e) {
          fail( e );
          if ( callback ) {
            me.lambda( callback ).call( me );
          }
        };
        root( this, function( store ) {
          store.getFile( key, {create:false}, function( entry ) {
            entry.file(function( file ) {
              var reader = new FileReader();

              reader.onerror = error;

              reader.onload = function(e) {
                var res = {};
                try {
                  res = JSON.parse( e.target.result);
                  res.key = key;
                } catch (e) {
                  res = {key:key};
                }
                if ( callback ) me.lambda( callback ).call( me, res );
              };

              reader.readAsText( file );
            }, error );
          }, error );
        });
      }
      return this;
    },

    // check if an obj exists in the collection
    exists: function( key, callback ) {
      var me = this;
      root( this, function( store ) {
        store.getFile( key, {create:false}, function() {
          if ( callback ) me.lambda( callback ).call( me, true );
        }, function() {
          if ( callback ) me.lambda( callback ).call( me, false );
        });
      });
      return this;
    },

    // returns all the objs to the callback as an array
    all: function( callback ) {
      var me = this;
      if ( callback ) {
        this.keys(function( keys ) {
          if ( !keys.length ) {
            me.fn( me.name, callback ).call( me, [] );
          } else {
            me.get( keys, function( values ) {
              me.fn( me.name, callback ).call( me, values );
            });
          }
        });
      }
      return this;
    },

    // remove a doc or collection of em
    remove: function( key /* or object */, callback ) {
      var me = this;
      var error = function(e) { fail( e ); if ( callback ) me.lambda( callback ).call( me ); };
      root( this, function( store ) {
        store.getFile( (typeof key === 'string' ? key : key.key ), {create:false}, function( file ) {
          file.remove(function() {
            if ( callback ) me.lambda( callback ).call( me );
          }, error );
        }, error );
      });
      return this;
    },

    // destroy everything
    nuke: function( callback ) {
      var me = this;
      var count = 0;
      this.keys(function( keys ) {
        if ( !keys.length ) {
          if ( callback ) me.lambda( callback ).call( me );
        } else {
          for ( var i = 0, il = keys.length; i < il; i++ ) {
            me.remove( keys[i], function() {
              count++;
              if ( count === il && callback ) {
                me.lambda( callback ).call( me );
              }
            });
          }
        }
      });
      return this;
    }
  };
}(this)));


text:
<title>link's hash property</title>

Hash and search properties should be non-empty only if they were specified.

link w/o hash
link with empty hash
link with hash


text:
from __future__ import print_function

import sys
try:
    import maproxy.proxyserver
except:
    sys.exit("Require maproxy installed. Run: pip install maproxy")

import tornado.ioloop
import socket

def main(forward=26944, host='127.0.0.1', listen=5555):
    '''
    Args:
        - forward(int): local forward port
        - host(string): local forward host
        - listen(int): listen port
    '''
    # HTTP->HTTP: On your computer, browse to "http://127.0.0.1:81/" and you'll get http://www.google.com
    server = maproxy.proxyserver.ProxyServer("127.0.0.1", forward)
    server.listen(listen)
    print("Local IP:", socket.gethostbyname(socket.gethostname()))
    print("0.0.0.0:{} -> {}:{}".format(listen, host, forward))
    tornado.ioloop.IOLoop.instance().start()

if __name__ == '__main__':
    main()


By now you should have your kitchens clean. If you have not had time to finish the kitchen, which was a huge job (I know!) I want to encourage you to set a day this week and complete the project before continuing.
Today, I want you to get out your schedule again and let's look at it. What is working? What isn't working? What do you think is hindering you the most?
When I look back at my own struggles with working out a schedule and sticking to it… I realize that for me, it was often hard to keep a schedule for more than one reason.
Reason #1 – A Lack of Self-discipline. For those of you who are not naturally inclined to being organized or who are prone to laziness, this will be your greatest challenge. As you tweak your schedule, don't overdo the details. You will only frustrate yourself if you try to be detailed in your planning. Begin by setting aside chunks of time for certain tasks, but do not plan in 15 minute intervals. As you make your loose schedule a habit, you can incorporate more details one at a time.
Reason #2 – Too Much to Do. This is a hard one. I recently found myself in this position. Actually, I often find myself in this position. As a homeschooling mom, a pastor's wife, writer, and Director of A Virtuous Woman, it is easy to get overwhelmed by everything I need to accomplish on any given day. My solution is to schedule only the basics and do what I can to work the rest in. I keep my children on a schedule and work around them. When I follow my schedule, I often find myself with small bits of free time to sit and relax during the day!
Evaluate your schedule and make changes as needed. You can sit down and do this any time you feel that your schedule is not working well. It is not set in stone. As your life changes, so you will your schedule!
If you feel like you'll never get it right, trust that God will pull you through. If you struggle, if you fall off track, if things go wrong one day or many – just keep picking up where you left off and start over. As we continue to clean the house, make it your priority each day to keep the areas we have covered clean before you go to bed. The kitchen should be your priority. If you are only able to keep the kitchen clean for now, don't sweat it! Feel proud of yourself as you go to bed each night with that clean kitchen. Thank God for His power that is working in you to create the home of peace and calm you have always wanted.
How is your schedule or daily routine going? What are you struggling with?
Hi, I've missed this post from the beginning and would like to start with Day 1 of this series. Do I just need to look back in the archives?


Near Dillon MT and like everything in these parts named for either Lewis or Clark or both. The Bureau of Reclamation built a dam and a campground (a free one at that!) so we stopped for the night and camped near the water. I let the boiz out and they got to have a little romp around camp before the wind kicked up and started rocking the coach.
Near the campground, and likely at the bottom of the lake, is where Sacajawea was reunited with her birth-tribe on the outbound leg of the Corps of Discovery trip.
The north wind is cold and reminds me that winter is on its way. The trees are turning yellow and it won't be long before the white stuff drifts down from the sky.


Representing everything from wartime paranoia to outright racism, Manzanar paints a rather sordid picture of American history in the 20th century. And yet today—some 75 years after 10,000 Japanese Americans and resident Japanese aliens were incarcerated there—it's, well…beautiful. Desolate, depressing, and infuriating, sure, but, despite everything, there's something about it that also quiets the soul.
A reproduction of one of the eight guard towers that loomed over the one-square-mile residential area of Manzanar War Relocation Center.
Pinnacles, on the other hand—the newest of our national parks, achieving that status in 2012—holds an entirely different spell over me. I grew up in the area, spending many a Saturday afternoon exploring its talus caves, wandering dry creek beds in search of fossils, and trying (somewhat successfully) to avoid scorpions. It's been 40 years since I last wandered its trails, and nothing's changed—other than the 30-odd California condors, who were introduced to the park in 2003.
Looking southwest from the Balconies Cliffs Trail—and back four decades in time.
Yosemite was breathtaking, Death Valley mesmerizing, Joshua Tree stupefying. But Pinnacles was easily the most meaningful stop on this year's road trip for me. Chalk it up to nostalgia, I guess.
Check out #superhappyfuntimeroadtrip on Instagram for more photos.


Star Wars fans in galaxies near and far, far away are all looking skyward, as Kenny Baker—the actor who originated the role of R2D2 and portrayed the robot in the majority of the Star Wars films—has passed away at the age of 81.
Baker's death following a long-term illness on August 13 was "expected, but it's sad nonetheless," his niece shared with The Guardian. News soon spread from England of the actor's passing, and his former co-stars and colleagues took to social media to express their dismay.
Mark Hamill—Luke Skywalker himself—tweeted a fitting tribute: "He WAS the droid I was looking for!" Hamill and Baker, pictured above at the Oscars in 1978 alongside Anthony Daniels, who plays C-3PO, worked together on the first Star Wars film, A New Hope, The Empire Strikes Back, and Return of the Jedi.
Ewan McGregor, who played Obi-Wan Kenobi's younger self in The Phantom Menace, Attack of the Clones, and Revenge of the Sith, which served as Baker's final Star Wars appearance, tweeted his respects as well.
Rest in peace, Kenny. The bleeps, bloops, and very non-robotic personality you gave R2D2 brought generations of aspiring jedis so much joy.


Groves at Manzanita is an 89-unit development with 47 units subsidized through a HUD project-based Section 8 contract. The property is located at 5701 Manzanita Ave, Carmichael, California 95608. The development was originally constructed in 1974 and offers one and two-bedroom units. All units are located within eight two-story flat and townhouse buildings. Common amenities include a central laundry facility. Groves at Manzanita was acquired by PPD in November 2015 for $7,666,667. Renovations were completed in December 2016.


I need an advice for my case in urgent. Last year one police officer catched me on the road because my sticker felt off. He asked me about paper and unluckily i didnt bring the renew car insurance with me at this time. I was scared and didnt listen to carefully that i have to show all proper papers at the court. I lost the ticket few day later and forgot about it. Until this June, they sent me a ticket cost more than 5,000 bc of no car insurance and didnt show off at the court. The conviction date is 13 June 2018. Even i didnt know i miss few times already. I did motion to ask for next court at 18 Sep. However, the minister of transportation has just sent me a paper to ask for fine payment on 17 July.
1.Now i confuse that i should pay or wait until the next court i can present all my proper paper to them.
2.The date to count for late payment from the conviction date 13 June or the date of the letter from Ministry of Transportation 17 July?
3. Did they refund if i pay the fine first and prove that i have all paper later at the court on 18 Sep?
Thanks for reading my issue. Pls give me an advice for my case.
No idea...maybe you could call the MTO and ask them? Let us know too!


Wig Dance serves as a follow up to Ozzy's recent trending hit – Shake lt featuring Mr Real. A super collaboration which is bringing out a new Dance Step tagged Wig Dance.
Plz listen, share & download "WIG DANCE" by OzzyBee X Zlatan. IT'S A BANGER!!!


text:
DEFAULT 06.10.2020 06.10.2020 by Kigagis
Daft punk tron music
Dec 03, · Check out Tron: Legacy (Amazon Exclusive) by Daft Punk on Amazon Music. Stream ad-free or purchase CD's and MP3s now on unser-m.de(). 23 rows · The TRON: Legacy soundtrack to the Walt Disney motion picture features Daft Punk's . Daft Punk performed with West on the Grammy Awards in , marking the mercurial duo's first and only television appearance anywhere in the world. "TRON: Legacy" will mark Daft Punk's first film score/5().
Daft Punk - End of Line HQ, time: 3:05
Daft Punk performed with West on the Grammy Awards in , marking the mercurial duo's first and only television appearance anywhere in the world. "TRON: Legacy" will mark Daft Punk's first film score/5(). Dec 03, · Check out Tron: Legacy (Amazon Exclusive) by Daft Punk on Amazon Music. Stream ad-free or purchase CD's and MP3s now on unser-m.de(). 23 rows · "The Game Has Changed" is the name of one of the tracks on Daft Punk's score to Tron: . Dec 03, · Last summer, Daft Punk's soundtrack to Tron: Legacy leaked on the internet. You would think that Daft Punk fans might exercise caution when it comes to internet leaks after that unfortunate Author: Alexis Petridis. Jan 01, · Tron: Legacy is the soundtrack album to the film of the same name, released by Walt Disney Records on December 3, It is the first film score by French music duo Daft Punk. Description provided by Wikipedia under Creative Commons Attribution CC-BY-SA Read more/5(K). 23 rows · The TRON: Legacy soundtrack to the Walt Disney motion picture features Daft Punk's . Daft Punk's playable likenesses are absent from the sequel DJ Hero 2, which includes a remixed version of the song "Human After All". At the San Diego Comic-Con, it was announced that the duo composed 24 tracks for the film Tron: Legacy. Daft Punk's score was arranged and orchestrated by Joseph unser-m.de: French house, electronic, dance, disco.Tron: Legacy is the soundtrack album to the film of the same name, released by It is the first film score by French music duo Daft Punk. . and orchestral music, specifically noting that in "The Son of Flynn" the "arpeggios and strings are. TRON: Legacy. By Daft Punk. • 22 songs. Play on Spotify. 1. Overture. 2. The Grid. 3. The Son of Flynn. 4. Recognizer. This is not the new Daft Punk album. filter-house also-rans "Derezzed" and " Tron Legacy (End Titles)") or symphonic ("Nocturne", "Outlands"). Behold, the unbelievable true story of how Disney secured Daft Punk to score their futuristic sci-fi adventure TRON Legacy. Product Description. Original soundtrack to the highly anticipated motion picture, composed by the multi platinum Electronic duo Daft Punk. It's no accident . Stream Derezzed by Daft Punk, TRON:Legacy Soundtrack by Disney Music Group Europe from desktop or your mobile device. -
Use daft punk tron music
see more ocr a std truetype


MATTSON TECHNOLOGY INC is a California company, with head office located at 47131 Bayside Parkway Fremont, California 94538. The company achieved a record breaking net income last year - 10.31 million USD. This is 4.39% higher than one reported in 2014. In 2015 the company owned a total of 114.41 million USD worth of assets, including 103.19 million USD worth of current assets. 2014 was the year when the company amassed the most assets. The company net sales last year amounted to 172.53 million USD. The company allocated 18.83 million USD of its income to research and development.


text:
Andie MacDowell Biography
Andie MacDowell , Bio, Age, Husband, Divorce, Boyfriend, Net Worth
Facts of Andie MacDowell
Rosalie Anderson MacDowell
Actress, Model
Andie MacDowell is a divorced lady. She was last married to her childhood friend Rhett Hartzog. The couple tied their knots in 2001 but got divorced in 2004. Prior to him, she married Paul Qualley in 1986. From the marriage, they have three children together. Unfortunately, they divorced in 1999. As of now, she is living a single life.
Who is Andie MacDowell husband ?
Rhett Hartzog
Andie MacDowell Relationship timeline ?
Andie MacDowell is a famous American actress and model. She is notable for her roles in movies like Magic Mike XXL, Lord of the Apes, and more.
Andie Mac Dowell's Early Life and Education
She was born on 21 April 1958, in Gaffney, South Carolina, USA. She is the daughter of a lumber executive father Marion St. Peter MacDowell and a music teacher mother Pauline Johnston. Her parents divorced when she was six. Her mother was an alcoholic and died from a heart attack at 53 after being sober for a year. She belongs to English, Scottish, French, Welsh, and Irish ethnic backgrounds.
Similarly, she graduated from Gaffney High School in 1976. Furthermore, she attended Winthrop University for two years before dropping out to pursue her career in modeling.
Andie MacDowell's Professional Life
Andie MacDowell began her career as a model appearing on many ad campaigns for brands like Yves Saint Laurent, Armani, Vassarette, and more. She made her movie debut in Greystroke: The Legend of Tarzan in 1984. She got her critical acclaim from the movie Sex, Lies, and Videotape in 1989. Her further roles include in movies like Greed Card in 1990, Four Weddings and a Funeral in 1994, The Muse in 1999, Footloose in 2011, and more.
Andie MacDowell's Personal Life
Andie MacDowell is a divorced lady. She first tied her knots with Paul Qualley in 1986. From their marriage, the pair has three children, two daughters Rainey born in 1990, Sarah born in 1994, and a son Justin born in 1990. However, their marriage began having trouble and came to a point where it was unmendable. The couple split up in 1999 and parted their own ways.
Andie MacDowell with her first husband Paul Qualley, Source: Nickiswift.com
After the divorce, she met American actor Dennis Quaid and began dating. Their relationship was short-term and separated soon after. She then met her childhood friend Rhett DeCamp Hartzog via her sister Julia. They announced their engagement in July 2001. They went to high school together and walked down the aisle on November 10, 2001. Likewise, her second marriage was also unsuccessful. The pair split up in October 2004.
After her second divorce, she then got engaged to businessman Kevin Geagan in January 2006. They met through a mutual friend. Again the relationship did not last long and the couple parted ways soon. As of now, she is most probably living a single life in Marina del Rey, California. There is no information about her current relationship whatsoever.
Andie MacDowell's Net Worth
The popular actress and model Andie MacDowell have an estimated net worth of around $20 Million as per the celebrity net worth. A huge bulk of her income generally came from her successful career as an actress. However, her annual salary is yet under moderation but, viewing her career, it is quite certain to be in six figures.
Likewise, the actress lives a very luxurious and lavishing life in California. In 2013, she bought a home in the Silver Strand neighborhood for $1.7 Million. She purchased another home in Los Feliz, California for $1.2 Million. In 2012, she sold her house in Asheville, North Carolina for $3 Million.
November 19, 2021 Margaret Qualley
Margaret Qualley was born on October 23, 1994, in Kalispell, Montana, USA. She is an actress by profession.
February 13, 2022 Brigitte Nielsen
Brigitte Nielsen was born on July 15, 1963, in Rodovre, Denmark. She is a model, actress, singer, and TV personality by profession.
February 14, 2022 Sophia Rose Stallone
Sophia Rose Stallone was born on 27 August, 1996, in Miami, Florida, USA. She is a model by profession.
February 13, 2022 Sasha Czack
Sasha Czack was born on July 17, 1950, in Chester, Pennsylvania, USA. She is an actress, director, and photographer by profession.
Pingback: Margaret Qualley, Bio Age, Boyfriend, Affair, Breakup, Net Worth


text:
Home :: Military :: Library :: News :: 2004 :: May ::
Military Menu
Annan writes Sudanese President urging disarmament of militias
13 May 2004 – United Nations Secretary-General Kofi Annan has urged President Omar Hassan al-Bashir of Sudan to disarm the militia whose attacks on civilians in the western region of Darfur have led to a grave humanitarian crisis, and to improve the access of humanitarian workers to those uprooted from their homes, Mr. Annan's spokesman said today.
In his letter, Mr. Annan also asked Mr. al-Bashir to maintain the humanitarian ceasefire and facilitate the early deployment of African Union (AU) observers throughout the area, while negotiating a political settlement to the crisis, spokesman Fred Eckhard told the daily briefing at UN Headquarters in New York.
Earlier this month, the AU sent a mission to consult with the Sudanese Government and the two rebel movements in Darfur, the Sudan Liberation Army/Movement (SLA/M) and the Justice and Equality Movement (JEM), as well as with UN agencies and non-governmental organizations (NGOs), about establishing a ceasefire commission.
The humanitarian ceasefire agreement on the Darfur conflict, signed last month in western neighbour Chad, provides for such a commission.
Meanwhile, the UN Secretary-General's Special Adviser on Africa, Mohamed Sahnoun, met Kenyan Foreign Minister Kalonzo Musyoka in Nairobi and delivered Mr. Annan's thanks for Kenya's efforts on behalf of the regional Inter-Governmental Authority on Development (IGAD), which is sponsoring peace talks for Sudan and Somalia.
He went on to meet Sudanese Vice-President Ali Osman Taha and the Chairman of the Sudan People's Liberation Movement/Army (SPLM/A), Dr. John Garang, at Naivasha, where the talks are taking place.
Mr. Sahnoun said the Secretary-General was encouraged by the cohesiveness shown by the IGAD Ministers on Somalia when they met last Thursday and was looking forward to the cooperation of the Somali leaders at the next meeting on 20 May.