PLEASE READ THESE TERMS AND CONDITIONS CAREFULLY BEFORE ENTERING A VEHICLE FOR SALE OR BEFORE BIDDING OR BUYING. YOU WILL BE BOUND BY THESE TERMS AND CONDITIONS. COPIES OF THESE TERMS AND CONDITIONS ARE AVAILABLE FROM LETCHWORTH MOTOR AUCTIONS LTD UPON REQUEST WITHOUT CHARGE.
2.1. Access to our site is permitted on a temporary basis and we reserve the right to withdraw or amend the service we provide on our site without notice (see below). We will not be liable if for any reason our site is unavailable at any time or for any period.
2.2. From time to time we may restrict access to some parts of our site or our entire site to users who have not registered with us.
2.5. You are responsible for making all arrangements necessary for you to have access to our site. You are also responsible for ensuring that all persons who access our site using your user name and password are aware of these terms and that they comply with them. You will be liable for all transactions carried out under your user name and password therefore it is in your interests to keep these safe.
3.1.1. In any way that breaches any applicable local, national or international law or regulation.
3.1.2. In any way that is unlawful or fraudulent or has any unlawful or fraudulent purpose or effect.
3.1.3. For the purposes of harming or attempting to harm minors in any way.
3.1.4. To transmit or procure the sending of any unsolicited or unauthorised advertising or promotional material or any other form of similar solicitation (spam).
3.1.5. To knowingly transmit any data send or upload any material that contains viruses, trojan horses, worms, time-bombs, keystroke loggers, spyware, adware or any other harmful programs or similar computer code designed to adversely affect the operation of any computer software or hardware.
3.2.2. Not to access without authority, interfere with, damage or disrupt any part of our site, any equipment or network on which our site is stored, any software used in the provision of our site or any equipment or network or software owned or used by any third party.
4.2. You may print off one copy and may download extracts of any page(s) from our site for your personal reference and you may draw the attention of others within your organisation to material posted on our site.
4.3. You must not modify the paper or digital copies of any materials you have printed off or downloaded in any way and you must not use any illustrations, photographs, video or audio sequences or any graphics separately from any accompanying text.
Commentary and other materials posted on our site are not intended to amount to advice on which reliance should be placed. We therefore disclaim all liability and responsibility arising from any reliance placed on such materials by any visitor to our site, or by anyone who may be informed of any of its contents. In particular, you acknowledge and confirm we have no liability or obligation whatsoever to you in respect of any representation or statement made by us on our site about the specification, colour or condition (together "details") of the vehicles listed there. All such details are provided for information purposes only. All vehicles are available for inspection prior to the commencement of the auction and you should satisfy yourself as to the details of the relevant vehicle prior to placing any bids, whether through our online system or otherwise.
All bids you place through our site and all transactions you conclude for the purchase of vehicles through the use of our site are governed by our Online Auction User Terms and Conditions and the General Conditions of Auction (Letchworth) which is conducting the auction.
10.1. You must not misuse our site by knowingly introducing viruses, trojans, worms, logic bombs or other material which is malicious or technologically harmful. You must not attempt to gain unauthorised access to our site, the server on which our site is stored or any server, computer or database connected to our site. You must not attack our site via a denial-of-service attack or a distributed denial-of service attack.
10.2. By breaching this provision you would commit a criminal offence under the Computer Misuse Act 1990. We will report any such breach to the relevant law enforcement authorities and we will co-operate with those authorities by disclosing your identity to them. In the event of such a breach your right to use our site will cease immediately.
10.3. We will not be liable for any loss or damage caused by a distributed denial-of service attack, viruses or other technologically harmful material that may infect your computer equipment, computer programs, data or other proprietary material due to your use of our site or to your downloading of any material posted on it, or on any website linked to it.
11.1. You may link to our home page provided you do so in a way that is fair and legal and does not damage our reputation or take advantage of it but you must not establish a link in such a way as to suggest any form of association, approval or endorsement on our part where none exists.
(c)Comply with applicable law in the UK and in any country from which they are posted.
(j) Be threatening, abuse or invade another's privacy or cause annoyance, inconvenience or needless anxiety.
(m) Give the impression that they emanate from us if this is not the case.
The English courts will have exclusive jurisdiction over any claim arising from or related to a visit to our site although we retain the right to bring proceedings against you for breach of these conditions in your country of residence or any other relevant country.
Letchworth Motor Auctions Live is a trade mark of Letchworth Motor Auctions Ltd.
If you have any concerns about material which appears on our site please contact info@lmauctions.co.uk.
PLEASE READ THEM CAREFULLY BEFORE ENTERING A VEHICLE FOR SALE, BEFORE BIDDING OR BEFORE BUYING.
THIS IS AN ONLINE AUCTION FOR MOTOR VEHICLES & ALIKE. DO NOT BID UNLESS YOU ARE WILLING TO COMMIT TO PURCHASE. BY BIDDING YOU ARE DEEMED TO HAVE ACCEPTED THE TERMS AND CONDITIONS SET OUT BELOW & THAT YOU WILL MAKE THE PURCHASE UPON THE SUCCESS OF YOUR BID.
THESE TERMS AND CONDITIONS ARE AS IMPORTANT TO YOU AS THEY ARE TO US AND IT IS IMPORTANT TO REALISE THAT YOU BOUND & UNDERSTAND THEM.
COPIES OF THESE TERMS AND CONDITIONS ARE AVAILABLE FROM LETCHWORTH MOTOR AUCTIONS LTD UPON REQUEST, WITHOUT CHARGE.
The following terms and conditions together with any such terms, conditions and notices as may be set out in any relevant catalogue or around the Auction Hall apply to all transactions undertaken by Letchworth Motor Auctions Ltd. It is intended that all the terms and conditions between us and you are contained in this document but that may not always be possible. Whilst these are our express terms and conditions, other terms and conditions may supervene or be implied by law.
Where any alteration to these Terms and Conditions are agreed, they are not binding on either party unless accepted by us in writing.
Any concession or latitude given by us in the application of these Terms and Conditions are at our discretion and will not affect the enforceability of any Term or Condition at a subsequent date.
If any Term or Condition or any part of any Term or Condition shall be held to be unenforceable or invalid this shall not affect the enforceability or validity of the remainder or remaining Term or Condition.
We reserve the right to occasionally amend these Terms and Conditions and it is for you to familiarise yourself with any printed alterations. These Terms and Conditions are also subject to change and where they are changed we will give reasonable notice, either on our website, in writing, notices at our premises or by oral announcement made by the Auctioneer prior to or during the auction.
References to the masculine include the feminine and any references to the singular include the plural unless the meaning results in an absurdity.
Headings and numbering are for convenience only and all terms and conditions written herein are intended to be read and understood in their entirety and not in isolation.
Please note that this is a public auction for 2nd hand vehicles and consequently bidders and legislation states that buyers cannot under any circumstances be treated as a consumer. This means that bidders will not have the same rights and protection as a buyer would have if they were consumers purchasing elsewhere. If you wish to receive consumer rights as a potential buyer then please do not bid.
Please also note that if we receive cash of more than £500 from a buyer for any one transaction, there is a 2.0% handling charge (plus VAT) on any amounts OVER that £500. Payment by debit or credit card receives no additional charges or fees due to us from the buyer. We do not accept cheques.
"Auction House", "us", "our" and "we" means Letchworth Motor Auctions Ltd.
"Auctioneer" means the employee, representative or agent of Letchworth Motor Auctions Ltd who conducts the Auction. The expressions Auction House" and Auctioneer" are the interchangeable.
"Seller" means the party (business or private) entering the Vehicle into the auction and on whose behalf the Vehicle is being sold. Also referred to as "Vendor".
"Buyer" means the person making the highest bid accepted by the Auctioneer either on the fall of the hammer or otherwise.
"Reserve Price" means the minimum sale price set by the Seller and notified to the Auctioneer for which the Vehicle may be sold.
"Buyer's fee" means the fee payable by all Buyers for services provided by the Auctioneer. Separate notices are displayed around the Auction Hall detailing the actual amounts and these form part of these Terms and Conditions.
"Commission" is the amount that the Auctioneer retains from the proceeds of sale.
"Lien" means the right to retain goods as security pending the payment of unpaid monies owing to the Auctioneer.
"Vehicle" means any form of motor car, motor cycle or other motorised vehicle or caravan or mechanical or electrical equipment or machinery.
"Catalogue" includes advertising, brochure, price list or similar publication.
"Hammer Price" is the price in £'s at which a Lot is sold by the Auctioneer.
"Purchase price" is the "sold price" plus VAT (if applicable) which is currently at 20% of the hammer price but which may change from time to time.
"Lot" is any item or items that is/are intended for sale by auction.
"Sold as Seen" means a vehicle which may or may not have defects.
"Sold with a trial" means a 1 hour test of the vehicle following collection of it.
Whilst attending our premises you are on private land. We reserve the right to ask you leave at any time. We will not tolerate any abuse to our staff or to other visitors and we may impose sanctions for those who do such as (but not limited to) impose a permanent or temporary ban on visiting our premises and/or suspend any purchasing privileges that you may enjoy.
All vehicles are parked at your own risk and we accept no liability for damages and/or loss to vehicles and/or to any possessions contained therein. Please park considerately. Similarly we accept no liability for losses or damages for property that is brought into the Auctioneer's Premises by any visitor. We reserve the right to remove any inconsiderately parked vehicle and will not be held liable for any damage we cause unless caused by our negligence and which was foreseeable.
CONDITIONS OF THE CONTRACT BETWEEN THE AUCTIONEER AND THE SELLER.
The Auctioneer undertakes, subject to Condition 2 below, to auction the Vehicle entered for sale by the Seller. Any sale will be in accordance with the Conditions of the Contract of Sale set out at Part B below. Whilst the Auctioneer has a contract with the Seller insofar as the services the Auctioneer will provide the Seller, the Auctioneer acts as agent of the Seller in relation to any purchase by a Buyer, whether on the fall of the hammer or otherwise. A contract of sale/purchase will be between the Seller and the Buyer only.
(a) A Vehicle is entered for auction when it is brought onto the Auction Premises.
(i) The entry fee specified in the Tariff is not paid in full before the auction.
(ii) Where a Vehicle is to be sold with the benefit of an M.O.T. Certificate, and the Seller fails to deliver a current and valid Certificate to the Auctioneer before the auction.
(iii) The Seller fails to deliver the Vehicle's Registration Document (Form V5C) and/or other proper document of ownership to the Auctioneer before the auction and/or proper written authority to sell the Vehicle on behalf of another.
(iv) The Seller fails to deliver the Vehicle's key or keys to the Auctioneer before the auction.
(v) The Seller fails fully to complete and sign the Auctioneer's appropriate entry form and to deliver it to the Auctioneer before the auction.
(vi) Where the Vehicle is subject to a hire purchase, conditional sale or other finance interest, and the Seller fails to pay to the Auctioneer the sums referred to in Paragraph 4 below before the auction.
(c) Where a vehicle is rejected from the auction under (b) above, the rejection shall be deemed to be a withdrawal by the Seller, who will be liable to pay a charge to the Auctioneer under Paragraph 3 below.
(d) Unless stated otherwise by the Seller in writing, the Seller supplies a Vehicle that may lawfully by used on a highway and that it complies with all statutory provisions.
(e) The Auctioneer reserves the absolute right to refuse any Vehicle for sale at his discretion.
A Seller may only withdraw a Vehicle, once entered for auction, on payment to the Auctioneer of the full commission calculated on the Reserve Price or, where none is set, the minimum commission set out in the Tariff under "unsold vehicle fee".
(b) an amount sufficient to discharge all finance outstanding on the Vehicle as confirmed in writing by the finance provider or providers (or the aforementioned third party) to be the appropriate settlement sums. The effect of which has to result in the Buyer being given full title in the Vehicle without any encumbrances or third party claims thereon.
A Vehicle which is not sold will, unless it is removed beforehand )and the unsold fee has been paid) be entered in the Auctioneer's next auction sale and a further entry fee – as specified in the Tariff – will be payable by the Seller. This applies to a maximum of three auctions.
Where the Auctioneer fails to sell a Vehicle at auction because no bid reaches the Reserve Price, the Auctioneer may make a provisional contract on behalf of the Seller with the person who made the highest bid or with any other person who makes a similar offer, subject to Part B Paragraph 4 below.
Where a contract for the sale of a Vehicle is rescinded or revoked as a result of the Buyer failing to make payment in accordance with Part B Paragraph 5 below, the Auctioneer shall have a Lien on the Vehicle the subject of the contract, pending the full payment by the Seller to the Auctioneer of any sums due from the Seller including any part of the purchase price for the Vehicle already paid to the Seller by the Auctioneer.
On any sale of a Vehicle negotiated or agreed on the Auction Premises, Commission shall be payable by the Seller to the Auctioneer on the sale in accordance with the Tariff.
Where any person is lawfully in possession of the Vehicle under these conditions, the Seller undertakes that he will at no time disturb or interfere with such possession or allow another to disturb or interfere with such possession, insofar as the Seller can reasonably control.
The Auctioneer shall not be liable for any loss or damage to any vehicle (of contents therein or thereon) on the Auction Premises where the Auctioneer, its servants, employees or agents are not at fault and which was not reasonably foreseeable when the vehicle was brought onto the Auction Premises. Insuring the Vehicle is the responsibility of the Seller until such time as ownership of the Vehicle transfers to the Buyer.
The Seller or his agent shall pay the Auctioneer a storage fee for each day or part of a day that the vehicle is left on site after a period of 48 hours has elapsed. The start of the 48 hour period commences at 00:01 hours the day following the auction in which the vehicle was bought and the charges and rates for these storage charges are as stated in and around the auction hall as well as on the buyers' and sellers' fee lists displayed in the auction hall".
Where a contract of sale is rescinded by the Buyer in accordance with Part B Paragraph 6 below, the Seller shall nevertheless be liable to pay the Auctioneer the commission that would otherwise have been payable in accordance with the Tariff had the contract not been so rescinded.
When remitting sale proceeds, the Auctioneer shall operate a self-billing system and any VAT registered Seller, by entering a Vehicle for sale, shall accept this system and agree not to issue tax invoices in respect of transactions covered by this system.
The Seller shall be liable to ensure that the entry form is completed accurately and fully. In the event of a sale being rescinded or damages being claimed by reason of the information thereon being inaccurate or incomplete, then the Seller shall remain liable to the Auctioneer for commission on the sale notwithstanding that the sale has been rescinded or damages claimed.
The Seller has an ongoing obligation to notify the Auctioneer (before the lot is auctioned) of any errors or omissions in the description of the Lot as soon as possible after the Seller becomes aware of any errors or omissions or as soon as possible after the Seller ought to have been aware of any errors or omissions.
Where possible we will seek to resolve any dispute between Buyer and Seller but we may need to forward details of that dispute to the Seller with a view to their seeking to resolve that dispute directly with the Buyer. For the avoidance of doubt, we are obliged to disclose the identity of the Seller upon reasonable written request.
The Seller shall compensate the Auctioneer and/or the Buyer in relation to any losses and expenses incurred by the Auctioneer and/or the Buyer for any breaches of the Sellers' obligations and/or for any breaches of contract/misrepresentations by the Seller.
If the Seller wishes to sell the Vehicle but wishes to retain the right to the registration number of the Vehicle then it is the responsibility of the Seller to notify us in writing in advance.
It is the responsibility of the Seller to arrange for the Vehicle to be allocated another registration number should the Seller wish to retain its current registration number.
The Seller is not permitted the sell the Vehicle with Road Tax and it is for the Seller to arrange for any unused Road Tax to be reimbursed directly from the DVLA.
The Seller permits us to photograph any Lot and use it free of Copyright (and ownership and Copyright to vest in us) for the purposes of advertising the Lot or any Vehicle contained in that Lot and for any other purpose reasonably expected from our role as an Auction House.
Bidders and Buyers are deemed to be acting as a principal unless we are notified in advance of the Auction that the bidder acts as an agent on behalf of a named principal and that name is given to us and accepted by us.
The entry form completed by the Seller on entering a Vehicle for sale by the Auctioneer is the basis of the contract of sale and purchase between the Seller and the Buyer. The Seller agrees and guarantees that the information contained in the entry form is true and accurate. There is an ongoing obligation that the Seller informs the Auctioneer (as his agent) of any alteration to the information in the entry form prior to the Vehicle being offered for sale. This will be announced by the Auctioneer and will be binding on both the Seller and the Buyer.
All auctions are carried on subject to the right of the Seller, whether by himself his, employees, servants or agents or to employ any person to bid at the sale, to bid for the Seller's Vehicle, subject to the Seller being liable for the due commission on sale on any bid at or above the Reserve Price.
(a) At the fall of the hammer a contract is made between the Seller and the Buyer and the Vehicle is then at the Buyer's risk (subject to the Auctioneer's responsibilities referred to in Part A Paragraph 10 above).
(b) On the making of a contract, the Buyer (or if the winning bidder is an Agent of the Buyer) shall immediately give the Buyer's name and address to the Auctioneer conducting the auction on the rostrum, together with a contract deposit in the sum specified in the Tariff.
Where a Vehicle is to be sold subject to a Reserve Price stated on the entry form and the bidding for that Vehicle does not reach its Reserve Price, the Auctioneer may make a provisional contract (on behalf of the Seller) with the person who made the highest bid or with any other person who makes a similar offer – such contract being conditional upon the Seller agreeing it.
(a) In this clause the word "pay" shall mean handing to the Auctioneer cash or, if the Auctioneer so requires, debit card or credit card or any other method of payment agreed by the Auctioneer, and the word "payment" shall be construed accordingly. It is an essential condition of the contract that payment must be made at the time stipulated. By reason of the EU Money Laundering Directive of 2001, the Auctioneer can under no circumstances accept cash payments or linked cash payments totaling more than €15,000 (or such other sum as maybe specified in the Directive, or any amending directive or legislation from time to time). Please note that a 2.0% plus VAT cash handling charge applies to any transaction where the buyer gives the Auctioneer any amount over £500. The cash handling charge only applies to that amount which is over £500 and not the first £500.
(b) The Buyer shall pay the full price for the Vehicle to the Auctioneer within 48 hours of the auction concluding including the Buyers' Fee, otherwise storage and late payment charges will be enforced.
(c) The Auctioneer as agent of the Seller reserves the right not to allow any Vehicle to be removed from the Auction Premises by the Buyer until full payment has been made by the Buyer. Where a Buyer has bought more than one Vehicle, the Auctioneer reserves the right not to allow any of the Vehicles so bought to be removed until full payment has been made for all the Vehicles so bought.
(i) The Vehicle or Vehicles shall remain the property of the Seller, and (subject to the Auctioneer's responsibilities referred to in Part A Paragraph 10 above, and save where the loss or damage is the fault of the Seller, his servants or his agents, the Buyer will pay for any loss or damage caused to the Vehicle or Vehicles. Risk in the goods passes when the hammer falls but ownership passes upon full payment by (or on behalf of) the Buyer.
(ii) Irrespective of any other remedies which the Seller may have against the Buyer, the Seller shall be entitled to require the Buyer to deliver the vehicle up to him.
(iii) The Buyer may agree to sell after the auction any Vehicle or Vehicles he has agreed to buy, prior to paying the Seller for the Vehicle(s) in part or in full. However, any such subsequent sale shall be deemed to be made by the Buyer on the Seller's behalf (but without imposing any liability on the Seller to that subsequent buyer) and the Buyer shall retain all proceeds of such subsequent sale on the Seller's behalf until such time as thesubsequent Buyer has paid for the Vehicle(s) in full.
(e) Failure to make due payment to the Auctioneer under (b) above by or on behalf of a Buyer shall cause the contract deposit referred to in paragraph 3(b) above (if any) to be forfeited and the contract shall be considered breached by the Buyer against the Seller and the contract of sale not then binding on the Seller; additionally, if the Vehicle is re-sold, the defaulting Buyer shall be liable to pay the Auctioneer firstly the charges involved in the re-sale, and secondly the amount if any by which the sale price obtained for the Vehicle on re-sale is lower than the price agreed to be paid by the defaulting Buyer.
(i) Prior to bidding and making a contract to buy a Vehicle, the Buyer shall satisfy himself as to the condition of the Vehicle.
(ii) Subject to Paragraph 7 below, all conditions warranties or representations (about the quality or fitness for purpose of the Vehicle) expressed by the Seller (or by us as agent of the Seller) or implied by statute, common law or otherwise are excluded to the fullest extent possible by law and the Buyer shall have no claim to terminate the contract or to recover damages in respect of any defect.
(vi) if the vehicle is "Sold With a Trial" – in which case the buyer may have the right to rescind the contract if, within one hour of the Vehicle leaving the site of Letchworth Auctions Ltd, the buyer notifies us of a mechanical fault within the brakes, engine or gearbox only. Any mechanical faults not reported to us within one hour will not be considered. Allegations of a defect may need investigating by an independent garage which we will appoint on behalf of the seller. Refunds and the cost of that investigation will be determined by us following that investigation.
(c) The terms implied by Section 9 & 10 of the Consumer Rights Act 2015 (as amended) – which provide that goods sold by a seller acting in the course of a business must be of a satisfactory quality and reasonably fit for the purpose– shall be excluded from the contract of sale as the Buyer is also acting in the course of trade or business.
(d) A Buyer must as soon as reasonably possible check to the best of his ability for any alleged issues which could give rise to a claim for rescission under Paragraph (b) above, and must return the Vehicle in question to the Auctioneer at the Auction Premises as soon as practically possible after discovering the matter complained of and in any event within a reasonable time after the sale (or within one hour of the vehicle leaving our premises if Clause (b)(vi) above applies), to enable the Auctioneer to investigate the complaint and determine the validity thereof. The Auctioneer will consider the complaint and make a decision thereon but may have to consult with the Seller or an independent garage before making a determination. If the Buyer or Seller are not satisfied with the decision, then he or they must take the matter up with the other party to the sale/purchase and there shall be no liability on the Auctioneer arising from its decision.
(e) Save for the above, a Vehicle which is "sold as seen" is sold with any defects it may have; no guarantees as to the mechanical condition of such Vehicle (whether express or implied by law) are given. No refunds will be given for any vehicle that is auctioned as "sold as seen".
Where a Vehicle is sold in a non-roadworthy condition within the meaning of Section 75 of the Road Traffic Act 1988 (as amended by Section 16 and Schedule 8 of the Road Traffic Act 1991 or subsequent legislation), the Buyer undertakes not to use such Vehicle on any road to which the public has access until such Vehicle has been put into a roadworthy condition as defined. The Seller and Auction House do not permit Vehicles to be driven on a public highway in a non-roadworthy condition.
The Vehicle cannot by law, be sold with existing Road Tax on it and any purchase thereof is at the expense of the Buyer and is wholly separate to the auction purchase of the Vehicle or Lot.
From time to time we may sell Vehicles in the course of our business that belong to us and not on behalf of another Seller and in doing we are the Seller and the contract of sale is between us and the Buyer. Please refer to Part C below.
TERMS AS BETWEEN THE AUCTIONEER AND THE BUYER.
Bidders and Buyers are deemed to be acting as a principal unless we are notified in advance of the Auction that the bidder acts as an agent on behalf of a named principal and that name is given to us and accepted.
(a) The Auctioneer may at his discretion refuse to accept a bid which is less than the Reserve Price.
(b) In the event of a dispute arising in respect of any bidding, the Auctioneer shall be at liberty to put the Vehicle up for sale again at the last undisputed bidding or withdraw the vehicle from the current auction.
The Auctioneer knows of no defect in the Seller's legal ownership of the Vehicle, except as specified by the Seller on the entry form of sale and repeated by us. If we are the Seller of the Vehicle in our own right and not as an agent for the actual Seller then we will sell the Vehicle with good title in the Vehicle.
On the making of the contract of sale, the Buyer shall pay to the Auctioneer a Buyer's fee for each Vehicle bought, as specified in the Tariff.
(a) For the purposes of this paragraph, legal ownership of a Vehicle shall be defective if the Seller did not have the right (whether knowingly or not) to transfer the full legal ownership of the Vehicle free of all Liens, claims, set offs, third party rights or encumbrances.
(i) The Buyer having paid the Buyer's fee specified in the Tariff, the Auctioneer will compensate the Buyer for any loss caused to him by reason of the legal ownership of the Vehicle being found to be defective and notified to the Auctioneer during the period of one year following the date of the contract of sale and otherwise subject to the terms set out below.
(ii) The maximum liability of the Auctioneer to a Buyer in the event of a claim shall not exceed the price paid by the Buyer for the vehicle or (if the claim is made more than three months after the sale) the lower of the purchase price or the value of the Vehicle. The value of the Vehicle shall for this purpose be the trade value according to CAP Black Book of current market prices for the month in which the claim is made. The maximum liability the Seller has against the Auctioneer or against the Seller directly is set out in Part A, Clause 17 above.
– and any other evidence which indicates a defect in the Seller's legal ownership of the Vehicle.
(2) or within three days of receipt of any notice (or of otherwise obtaining any knowledge) of any claim against the Buyer actually made or anticipated to be made in respect of which the Buyer claims or intends to claim compensation hereunder from the Auctioneer.
(3) It is a term of this compensation scheme that the Buyer shall, as soon as practicable after the receipt or intimation of any notice, forward such notice or intimation to the Auctioneer and shall at the same time give to the Auctioneer (in writing) full and sufficient information as to any verbal notice of any such claim against the Buyer and all such information evidence or the circumstances surrounding such claim as the Auctioneer shall require.
(c) The liability of the Auctioneer hereunder shall be limited to the direct pecuniary loss of the Vehicle arising from any defect in the Seller's legal ownership of the Vehicle, and not further or otherwise. Without prejudice to this, the Auctioneer shall not be liable for any consequential loss or damage to the Buyer (whether directly or indirectly) arising in any way whatsoever.
(d) The Auctioneer shall be entitled in its sole discretion at any time after a claim has been made to require the Buyer, upon payment to the Buyer of the sum specified in paragraph (b) (ii) above, to assign to the Auctioneer all rights in the Vehicle and against the Seller, and such payment to the Buyer by the Auctioneer shall be in full and final settlement of all liability to the Buyer hereunder, provided that if the Auctioneer shall have paid any sum or sums to any person other than the Buyer in respect of any claim hereunder the Auctioneer shall be entitled to take credit for the money so paid and shall reduce the amount payable to the Buyer.
The Auctioneer undertakes to give possession of the Vehicle to the Buyer as soon as full payment has been made to the Auctioneer, and further undertakes that such possession will not be interfered with by the Auctioneer or by the Seller.
(a) The Auctioneer is not a party to the contract of sale between the Seller and the Buyer (unless we are selling the vehicle in our own right and not as agent for the actual Seller) and we make no assurances guarantees or representations save as set out above.
(b) For the avoidance of doubt, where the Auctioneer is not a party to the contract of sale, they shall not be liable for any breach of term or condition, express or implied, as to the condition, quality or fitness of any Vehicle sold on the Auction Premises.
(c) In circumstances where representations are made by the Auctioneer in respect of a Vehicle (including representations as to the odometer reading) on behalf of the Seller based on information given by the Seller, the Auctioneer makes such representations in good faith, but without verifying the information so given and without incurring personal liability or liability against the Auction House and THEREFORE the buyer should note whether the odometer reading as disclosed on the entry form or notified to the Auctioneer by the Seller is warranted by the Seller or not.
(d) Where we are selling the Vehicle or a Lot in our own right then the Clauses in Part B above – from Clause 2 onwards – will additionally apply as well as the Clauses below and throughout these Terms and Conditions.
The Auctioneer shall not be liable for any loss or damage to any vehicle on the Auction Premises where the Auctioneer, its servants or agents are not at fault or which was not reasonably foreseeable when the vehicle was brought onto the AuctionPremises. Risk in the Lot or Vehicle passes to the Buyer upon the fall of the hammer but title in the lot or Vehicle only passes when full payment is madeto the Auctioneer in accordance with Part B above, Clause 5.
The Buyer shall pay to the Auctioneer for each day or part thereof that the Buyer's vehicle is left on the Auction premises subsequent to the sale, the garaging charge specified in the Tariff and the Buyer is at all times responsible for removing the Lot or Vehicle at his own expense.
Unless the Buyer notifies the Auctioneer otherwise prior to purchase, the Buyer shall be deemed to be a trade buyer and will only receive the vehicle's Form V5C (assuming the Seller has provided the same) for completion by him as necessary, with Section 9 having been removed. If he has notified the Auctioneer that he is a private buyer, he will receive Section 10 of the vehicle's Form V5C (assuming the Seller has provided the Form V5C) and the Auctioneer will complete the remainder of the form as agent for the Buyer on the basis of the information supplied by the buyer.
www.guaranteedauctionvalue.co.uk, www.dontscrapitcashit.co.uk, www.dontscrapitcashit.com, www.cashitlma.co.uk & www.cashitlma.com are websites operated by Letchworth Motor Auctions Ltd (we or us). We are a company registered in England and Wales under company number 07731811 and our registered office is at 35 Grafton Way, London, W1T 5DB.
Is not an import or been re-registered.
Has never been subject to an insurance write off or used for private hire, rental, and driving tuition or as a police vehicle.
Hasn't a personalised registration plate or subject to a cherish transfer.
No damage, including interior and not in need of mechanical attention.
Has two sets of keys.
You have the following documents:- Current V5 and valid MOT certificate.
The assumptions we have made with the information given to us by you, the seller, assume that your car is in average condition for its age and mileage. We are assuming that there are no major mechanical faults. Damage added by you should be considered above and beyond fair wear and tear.
We carry out a visual inspection of a vehicle before we confirm an offer to purchase it. If we consider that its value is affected by any aspect of its history or condition, including any non factory feature which was not apparent to us when we gave the online quotation, the price that we offer may differ from the online quotation.
We guarantee to buy every car we value up to the value of £10,000.00. However, if there is a change in the market value of your car resulting in a reduced valuation, then we endeavour to let you know what the new valuation is before your appointment, so that you have the opportunity to cancel if you choose to do so.
Our standard BACS payment terms takes up to 3 working days after the day of purchase to arrive in your bank account.
3.1. Any quotation given through our site or by e-mail (online valuation) is a valuation based upon what you tell us about the vehicle and may not be a price at which we are willing to buy the vehicle.
3.2. We will always carry out a visual inspection of a vehicle before we complete the transaction. After you have received an online valuation, you may book an appointment for us to carry out an inspection.
3.3. If we consider that the value of a vehicle is affected by any aspect of its history or condition, including any unusual feature or customisation, which was not apparent to us when we gave the online valuation, the price that we offer for it following an onsite inspection may differ from the online valuation quoted.
4.1. Once we have carried out an inspection of a vehicle, we will offer to buy the vehicle for a price.
4.2. Any offer to buy the vehicle may only be accepted by you, and a contract will only be made between us, if and when you sign our standard written purchase invoice contract at the appointment. The contract will be subject to these terms and conditions and will not contain any other standard terms or conditions.
All of the vehicles keys.
Vehicle registration document must be registered in the sellers name and current address.
Any accessories there may be such as a locking wheel nut, radio fascia, remote controls and headsets.
And to remove any personal possessions from the vehicle.
4.4. In the event that you fail to comply with 4.3 above, we reserve the right to withdraw any offer to buy the vehicle with immediate effect and/or to rescind any contract with immediate effect.
5.1. Once you have handed over the vehicle in accordance with 4.3 above, we will pay you the price for the vehicle quoted after the inspection, less the amount of any transaction fee, by electronic transfer to your bank account.
5.2. The minimum valuation is £0.
5.3. Our standard BACS payment terms takes up to 3 working days after the day of sale to arrive in your bank account.
5.4. It is possible that events beyond our control may delay payment and if that happens we will not have any liability to you for the delay.
You are legally capable of entering into a binding contract to sell the vehicle.
You have disclosed to us all matters which a prudent purchaser would want to know about, such as physical defects in the vehicle (e.g. if it has any material, mechanical problems or damage).
All information supplied by you in respect of the vehicle (whether in obtaining an on-line valuation, at any appointment or otherwise) is true and accurate in all respects.
The vehicle is registered in the UK unless stated at valuation.
You are not (nor are you acting on behalf of anyone who is) selling the vehicle in the general course of business.
We will require proof of identification ie: current driving license or passport plus a bank statement or current utility bill.
Request any documentation or information we deem necessary to determine whether the above representations are untrue or false.
Withdraw any offer to buy the vehicle with immediate effect.
To rescind any contract with immediate effect and/or where appropriate seek damages from you.
7.1. We may agree to purchase the vehicle even though it is the subject of a financial agreement between you and a third party (Finance Agreement), provided that we receive a written statement of the amount required to settle the outstanding finance agreement in full from the third party.
7.2. We will only pay to a third party such sum as we agree with you in formal writing. We will make such payment as soon as is reasonably practicable after we enter into the contract and following receipt of any sum due from you under condition 7.3(b) below.
7.3.2. Lower than the settlement figure required to fully settle any sum outstanding under any finance agreement you must pay us the difference.
7.3.3. If you are liable for the difference then we will settle upon receiving cleared funds of the difference.
8.1. Subject to condition 8.3, we will not be responsible or liable to you for any loss of income or revenue, loss of business, loss of profit, or loss of anticipated savings. However, this condition 8.1 shall not prevent claims for loss of or damage to your physical property which is caused by our negligence.
8.2. Subject to condition 8.3, our maximum aggregate liability to you under or in connection with any contract with you shall not exceed the value of the vehicle.
9.1. Each contract will be governed by English law and any dispute or claim arising out of or in connection with it shall be subject to the jurisdiction of the courts of England and Wales unless the appointment takes place in Scotland, in which case it will be governed by Scots law and any dispute or claim arising out of or in connection with it shall be subject to the jurisdiction of the courts of Scotland.
11.1. You are only permitted to access and use our website for your personal, non-commercial purposes, meaning this website may only be accessed and used directly by a private individual. Access to and use of this website other than for your personal, non-commercial purposes is strictly prohibited.
11.2.1. In any unlawful, fraudulent or commercial manner.
11.2.2. To create, check, confirm, update, modify or amend your own or another person's databases, records or directories.
11.2.3. Using any automated software, process, program, robot, web crawler, spider, data mining, trawling or other 'screen scraping' software, process, program or system.
11.3. You may operate a link to this website and our affiliate sites provided you do so in a way that is fair and legal and does not damage our reputation or take advantage of it as determined by us. You must not operate a link to this website in such a way as to suggest or imply any form of association, approval or endorsement by us. We reserve the right to require you to immediately remove any link to this website at any time and we may withdraw any linking permission at any time.
1.1 www.guaranteedauctionvalue.co.uk, www.dontscrapitcashit.co.uk, www.dontscrapitcashit.com, www.cashitlma.co.uk & www.cashitlma.com are websites operated by Letchworth Motor Auctions Ltd (we or us). We are a company registered in England and Wales under company number 07731811 and our registered office is at 35 Grafton Way, London, W1T 5DB.
We carry out an visual inspection of a vehicle before we confirm an offer to purchase it. If we consider that its value is affected by any aspect of its history or condition, including any non factory feature which was not apparent to us when we gave the online quotation, the price that we offer may differ from the online quotation.
We guarantee to buy every car we value up to the value of £10,000.00. However, if there is a change in the market value of your car resulting in a reduced valuation, then we endeavour to let you know what the new valuation is before your appointment, so that you have the opportunity to cancel, if you choose to do so.
Any quotation given through our site or by e-mail (online valuation) is a valuation based upon what you tell us about the vehicle and may not be a price at which we are willing to buy the vehicle.
We will always carry out a visual inspection of a vehicle before we complete the transaction. After you have received an online valuation, you may book an appointment for us to carry out an inspection.
If we consider that the value of a vehicle is affected by any aspect of its history or condition, including any unusual feature or customisation, which was not apparent to us when we gave the online valuation, the price that we offer for it following an onsite inspection may differ from the online valuation quoted.
Once we have carried out an inspection of a vehicle, we will offer to buy the vehicle for a price.
Any offer to buy the vehicle may only be accepted by you, and a contract will only be made between us, if and when you sign our standard written purchase invoice contract at the appointment. The contract will be subject to these terms and conditions and will not contain any other standard terms or conditions.
In the event that you fail to comply with 4.3 above, we reserve the right to withdraw any offer to buy the vehicle with immediate effect and/or to rescind any contract with immediate effect.
Once you have handed over the vehicle in accordance with 4.3 above, we will pay you the price for the vehicle quoted after the inspection, less the amount of any transaction fee, by electronic transfer to your bank account.
The minimum valuation is £0.
Our standard BACS payment terms takes up to 3 working days after the day of sale to arrive in your bank account.
It is possible that events beyond our control may delay payment, and if that happens we will not have any liability to you for the delay.
We may agree to purchase the vehicle even though it is the subject of a financial agreement between you and a third party (Finance Agreement), provided that we receive a written statement of the amount required to settle the outstanding finance agreement in full from the third party.
We will only pay to a third party such sum as we agree with you in formal writing. We will make such payment as soon as is reasonably practicable after we enter into the contract and following receipt of any sum due from you under condition 7.3(b) below.
Lower than the settlement figure required to fully settle any sum outstanding under any finance agreement you must pay us the difference.
If you are liable for the difference then we will settle upon receiving cleared funds of the difference.
Subject to condition 8.3, we will not be responsible or liable to you for any loss of income or revenue, loss of business, loss of profit, or loss of anticipated savings. However, this condition 8.1 shall not prevent claims for loss of or damage to your physical property which is caused by our negligence.
Subject to condition 8.3, our maximum aggregate liability to you under or in connection with any contract with you shall not exceed the value of the vehicle.
You are only permitted to access and use our website for your personal, non-commercial purposes, meaning this website may only be accessed and used directly by a private individual. Access to and use of this website other than for your personal, non-commercial purposes is strictly prohibited.
You may operate a link to this website and our affiliate sites provided you do so in a way that is fair and legal and does not damage our reputation or take advantage of it as determined by us. You must not operate a link to this website in such a way as to suggest or imply any form of association, approval or endorsement by us. We reserve the right to require you to immediately remove any link to this website at any time and we may withdraw any linking permission at any time.


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The CLICK Lab
iWolfpack Readers Program
Knowledge, Language, & Inquiry for English Learners
Co-development of Reading and Science Knowledge
NEWS from NC state university
WUNC: For one NC county, the reading gap between high and low-income students narrowed during COVID
A new study on a large North Carolina school district found the reading gap narrowed between high and low-income students there during the pandemic. The study by researchers at NC State's College of Education, in affiliation with researchers at Harvard and other universities, examined the reading scores of third through fifth graders at about 180 […]
In-Person Learning Helped Narrow Reading Gaps During Pandemic
In-person classes helped narrow pandemic reading learning losses for some elementary school students, a study led by an NC State researcher found.
Publication and Presentation Roundup: A Look at Scholarly Work from College of Education Researchers from July-September, 2022
Faculty, staff and research associates at the NC State College of Education, including its Belk Center for Community College Leadership and Research and Friday Institute for Educational Innovation, are publishing their research related to pressing educational topics in journals and sharing their work through national and international presentations.
Publication and Presentation Roundup: A Look at Scholarly Work from College of Education Researchers from April-June, 2022
Faculty, staff and research associates at the NC State College of Education, including its Belk Center for Community College Leadership and Research and Friday Institute for Educational Innovation, are publishing their research related to pressing educational topics in journals and sharing their work through national and international presentations. Take a look at a selection of […]
College of Education Scholars Highlight What Teachers Know About Reading Instruction, Comprehension Through Recent Publications
Faculty members in the NC State College of Education have co-authored a series of new papers that focus on what teachers know about literacy instruction and take an asset-based approach to professional development.
Assistant Professors Crystal Chen Lee and Jackie Relyea to Receive Outstanding Engagement Awards
NC State College of Education Assistant Professors Crystal Chen Lee and Jackie Relyea have been selected as winners of the NC State Office of Outreach and Engagement's 2021 Outstanding Engagement Award.
NC State College of Education Awarded Over $5 Million in Research Funding From April-June, 2021
Faculty and researchers at the NC State College of Education, including the Friday Institute for Educational Innovation and the Belk Center for Community College Leadership and Research, were awarded $5,296,858 to support 18 projects from April 1 to June 30, 2021.
AERA-NSF-funded Project Allows Assistant Professor Jackie Relyea To Explore Co-development of Reading Ability, Science Content Knowledge Among English Language Learners
A recent study co-authored by Assistant Professor Jackie Relyea, Ph.D., found that a group of first graders in N.C. who participated in a 10-day reading program that used a series of science books had higher science knowledge and improved vocabulary knowledge, reading comprehension and argumentative writing compared with children who received regular instruction. She will […]
Science Books Boost Beginning Readers' Skills
NC State College of Education Assistant Professor Jackie Relyea, Ph.D., was part of study that used science books on Arctic animal survival to teach first graders to read.
Assistant Professor Jackie Relyea Selected to Join First Cohort of NC State Impact Scholars
Jackie Relyea, Ph.D., assistant professor of literacy education in the NC State College of Education, has been selected to join the first-ever cohort of NC State Impact Scholars as part of the Strengthening the Impact of Research (STIR) program.

redpajama_set_name: RedPajamaCommonCrawl


Enjoy life at The Bentley. This fine condominium complex is just walking distance to Langley Town Centre, parks, shopping, restaurants and entertainment. Be in the centre of it all. Quality units with strong floorplans abound in this tasteful building.


text:
Notebook Interview
Hopelessness Is Boring: Alexandre Koberidze on His film "What Do We See When We Look at the Sky?"
Alexandre Koberidze discusses the process behind his second feature film and how creates his specific cinematic worlds.
After the success of his first feature Let the Summer Never Come, Georgian filmmaker Alexandre Koberidze found his second feature What Do We See When We Look at the Sky? placed prominently within the main competition of the Berlinale's recent online edition, where it was met with considerable acclaim and the receipt of the FIPRESCI prize. Koberidze's two features share some similarities, but this second one—made as the filmmaker's graduation project for the German Film and Television Academy Berlin (DFFB) programme that filmmakers such as Christian Petzold and Angela Schanelec studied on—seems like a scaling up. Instead of himself filming (as he did with a Sony Ericsson W595 for his first film) Koberidze works here with a crew and a cinematographer (Faraz Fesharaki, his classmate at DFFB, shooting beautifully on 16mm). He continues some ideas from his first feature (a city setting, a central romantic plot-line, a storyteller-narrator, and the use of classical music inspired by a silent film tradition) and introduces many others that are new. Taken together, these two films display an emerging filmmaker who has a distinctive vision and an unorthodox, idiosyncratic style.
What Do We See When We Look at the Sky? begins with a chance encounter. Giorgi (Giorgi Ambroladze) and Lisa (Oliko Barbakadze) bump into each other and soon begin a romantic relationship that is challenged from the start when a curse descends on the couple, altering their appearances and transforming their lives. Footballer Giorgi loses all knack for the game that he loves, and Lisa, a pharmacist, can no longer practice medicine. Unable to recognize each other or understand themselves, the path that fate had laid in front of them finds itself quickly waylaid. Much like the narrative trajectory of the film, the line their life will take now resembles a zig-zag, and, as a result, the film expands to encompass more than their story, serving as much as an abstract environment portrait as a linear narrative film.
Set in the ancient city of Kutaisi, the film is backdropped by summer scenes in a city where a World Cup frenzy is settling in, but this is only one detail in a film made from many. No single moment is deemed more important than any other, and the film flitters from one character to another, the camera drifting gently to gaze upon objects, animals, or buildings before looping back to develop the central story. Giorgi and Lisa draw closer and move apart, eventually finding each other when a crew casting a film about couples mistakes the two strangers for long time lovers. The film takes many contours, but what is ultimately conveyed is the value of chance and the importance of incidental experience. Out of a series of small romantic moments, Koberidze makes an amorphous portrait of a place and the people within it, showing how all the tiny individual parts and pieces of a city fit together to make something feel material and real.
Notebook spoke with Koberidze about the underlying philosophies and inspirations that inform the making of the cinematic worlds he creates, and about his love of football, cats, and music.
NOTEBOOK: How did you get started making this film, and how long did it take? What were you thinking about when starting to develop the project and did this change over the production period?
ALEXANDRE KOBERIDZE: One evening, late at night, I was asking myself what sort of films I want to make. I decided that I wanted my next few films to be fairytales. I read a lot of fairytales, and then started writing a script for a film. When reading a lot of fairytales, you see that anything can happen, and you feel much freer than you did before. That's a nice way to think about folklore, as something that releases you from the restriction of having to to stick to the rules of reality.
When I finished writing it, I felt that the project was too large to make at this point in time, but I had meanwhile gathered some other ideas through digging into this world. One of these ideas then became the core of this film. I wrote it quickly, but my intention was very different at the beginning. I thought I wanted to make something simple that used only one or two locations, but when I arrived in Kutaisi, it was immediately clear I wouldn't be able to stick to single locations because it was a place that offered so much. It was clear that I needed to be more open to the location, and that this simple idea I had initially come up with would no longer suffice.
NOTEBOOK: Why Kutaisi?
KOBERIDZE: My last feature was set in Tbilisi. I shot that film there for more than a year, so I felt that I had said enough about that city for the moment. Meanwhile I had written a script which would be set in Batumi, on the coast of the Black Sea, so when I started to plan this film, I thought about Kutaisi, Georgia's third largest city. Kutaisi is the heart of Georgia, many important things started there, and many people who are crucial to Georgian culture, politics, sports, or sciences have come from there. A few films I admire are also set there, so I knew it would be fertile land to start making something. I knew a lot about the city's past but little about its present, so I spent a year there with my cinematographer Faraz Fesharaki and my producer Mariam Shatberashvili, and each new day spent there gave us more reasons to believe that our decision to come to Kutaisi was the correct one.
NOTEBOOK: How did you approach the look of the film? There is a texture and tactility to the images, a focus on surfaces, bodies, as well as on the scenes of ordinary city life.
KOBERIDZE: We devoted a lot to talking with Faraz about how we wanted our film to look and I think at some point we reached some general, unspeakable feeling about what we liked and what we did not. I had a special trust with Faraz that we would treat everything with the care and respect required. When you first start shooting, you have to be careful to not show too much or too little, to not go too near but to still catch something. In moments like this, it was great to have someone like Faraz by my side who I knew would never disturb a sleeping cat on the street by putting his tripod there.
NOTEBOOK: I'm interested in your approach to hybridity. In both of your features, you mix constructed scenarios and observational material, placing actors within real situations. The films are almost like urban documentaries for me. What are your thoughts about this?
KOBERIDZE: One of the things I like the most is to go out and take pictures and record video with my small camera. When I walk around, I can sense some hidden rhythm or logic amongst all the things that are happening simultaneously around me. I think it can be relieving to feel that we and everything around us are part of some big movement, what I call a "main rhythm." Moments when one is able to observe this rhythm or even feel part of it are somehow very spiritual. I also think that human beings are doomed to not be involved in this rhythm all the time, and that it requires great effort to be able to experience this sensation even for a short time. But when I observe my cat, I can see that she is permanently part of it. So when I make films, I try to catch these moments. Sometimes for example, while an actor is doing something in the foreground, something unplanned may be happening in the background. These two scenes interact and become one.
On the other hand, I like to write very much. Making things up—situations, moods, images—is an essential part of filmmaking for me. It can be interesting to see how written and staged scenes can be blended with observational ones, how observation can become fiction and vice versa.
NOTEBOOK: Speaking of rhythm, can you talk about the use of music in the film? As with your last film, there are bursts of ecstatic, joyful classical music that give a different sense of magic. How did you approach choosing music, and editing your film in a rhythmic, musical fashion?
KOBERIDZE: I think one of the purposes of cinema is to help bring us closer to a hidden rhythm, to the flow of time. One—but not the only—way to achieve this is to observe your surroundings while hearing music. This music helps to reveal the actual music of everyday life; it helps us to see that the chaos all around us is in fact a well-composed symphony. Sometimes I gave some references to my brother Giorgi Koberidze, the composer, to explain the direction that I wanted to go and he would then create pieces which were flowing in a similar way. In other cases, I gave him some parts of the film without saying anything and he would make the music he felt was right for the scene. I had moments when I set the scenes I gave him without music to the music he composed, and I had the sense that the scene had now come alive—now we can observe the rhythm.
NOTEBOOK: One thing I thought that was similar about this feature and your last one was that they are both love stories in which chance and fate play a large part in the direction that the films take. I wanted to ask why you are such a romantic filmmaker?
KOBERIDZE: I think this romantic approach to the surroundings that you see in these films is what I lack in my everyday life, so I try to compensate through the films. I think how people behave and communicate in these films is more like how I would wish it to be in my life or in my surroundings, which it is frankly not.
NOTEBOOK: Can you talk about the role that football plays in this film and how it began a key part of the story? Why did you decide to set the story against the backdrop of the World Cup?
KOBERIDZE: Football is my biggest love and passion. The history of football is like mythology; it is a story of gods, titans, heroes, victories, and tragedies. I have my own heroes and I love being able to follow their fates, even when they seem tough or unjust. Some great wisdom lies there—how the more difficult road can be the better one to follow. In my film I lead the events in the direction that I wanted them to go, not the way they ended up going. In sport, you can see this same rhythm I mentioned before. It is still rare, but we can see instances where some athletes become one with this "main rhythm" and achieve magical things.
NOTEBOOK: In both features, plot serves to frustrate as much as resolve the narrative, with the direction changing often, moving away from the story and then returning to it. How did you develop your approach to the role that narrative plays within your films, which is different to a traditional approach?
KOBERIDZE: It's a big question I think, what is narrative for a film and can we make a film without one? When asking myself this, a bigger question arose: what is a film, or what separates narrative film from video work, for example? Personally, I often like films that have no story, but I want the films I make myself to have one. That's one of—if not the only—rules I set for myself when thinking about what cinema is. if I want to call what I make a film then it has to have some kind of story.
So I often gather many ideas that I want to include in a film and then think about what sort of story could connect all of these things that have nothing to do with each other. I mostly try to have a simple story which won't require much time to tell, as that leaves more time to show things which are more interesting. I read a book by the Russian animator, Yuri Norstein in which he said something like "the simpler the story, the more space for the film" and that resonated with me.
The story for What Do We See When We Look at the Sky? is not so simple. It needs some time to be understood, which is why I used the narrator as a way to help guide the viewer. Having a narrator gives the feeling of being in a fairytale because it means you do not need to be as active a viewer; it provides moments where you can watch and listen passively and you will get everything you need. At other points, you have to watch more precisely and think harder about what you are seeing. I'm looking to mess with the viewer's perception: sometimes you are required to be active and sometimes you can relax—almost like a child hearing a bedtime story.
NOTEBOOK: Could you also talk about the metatextual elements in the film? Why did you add the film-within-the-film and the casting of the couples?
KOBERIDZE: I always knew that the protagonists were going to be cursed, but I needed that curse to be lifted at some point because hope was a big question for this film. Should the film be as hopeless as I feel, or should it have some hope? Eventually I decided that hopelessness is boring; it's really obvious that this is how most people feel today and it doesn't bear repeating. There has to be a chance for these characters to overcome their curse. I was thinking about how someone could help themselves when faced with a situation like this where they wake up within a different body. In modern life there is no solution for such a situation, so that's why the characters mostly do not even try to overcome their problem—they just wait and hope. Then I started thinking about how cinema is kind of the magic of our time; I find it really magical what people can do with this medium. So I thought that in my film this particular kind of modern magic can descend upon the characters as a source of hope—something that comes to help them.
NOTEBOOK: Related to this idea of hope and hopelessness, I was also interested by the section of the narration that talks about all the harm we have brought to "our brothers and sisters in the animal kingdom", and this idea of the world as a dark place in a dark time. I wanted to ask about the ecological underpinnings of this film, and what you were thinking about with that?
KOBERIDZE: I think this is something that most people think about pretty often. The more that I think about it, the harder it gets to continue thinking about it, but equally to think about anything else. This situation is so aggressively present that it is almost absurd. Just being alive in our modern society means you are a kind of criminal. Maybe you don't want to be but you are a part of this very bad thing that is happening. I don't have any tools to do anything about it, but I knew that I had to at least say a few words about how I feel and how I see this time. I knew before starting What Do We See When We Look at the Sky? that whatever it ended up as, I would include a few sentences in which I say what I think about the world as it is now. This section wasn't in the script, but whilst shooting I knew it was going to have to be said somewhere. When shooting the river scenes, I felt this could be a good moment to include this. It was clear for me that when it came to this, I had to avoid speaking with allegories and metaphors and just say this as directly as possible, not hide it.
NOTEBOOK: Can you talk about how the de-centering of humans in the film factors into this? In the film, animals, objects, buildings, are given equal space in the universe you create. Why did you decide to make this universe with equality of all life forms, whether human or non-human?
KOBERIDZE: There is still a sort of hierarchy in the film over what is more important and what is less, and it is expressed through time. Some people in the film get more time and others get less. But we knew that we didn't want to mark any difference through how we film them. This was a way to express our feeling that no human is more important than any other human. Maybe for me personally, some humans are of course more important than others, but to whoever it is that made it all, every human and every creature is equally precious. I think we tried to recreate this gaze that looks equally upon everyone and everything.
Alexandre KoberidzeBerlinaleBerlinale 2021InterviewsFestival Coverage


The NBA 2016-2017 season is about to enter the NBA Playoff in just a few months, but the race is not over. Top athletes around the league are battling their way to take the crown of becoming the NBA Most Valuable Player award that includes, Russell Westbrook, James Harden and LeBron James.
Khloe Kardashian and Tristan Thompson are seemingly going strong since the end of last summer. The couple has been together for almost all the time and have been very inseparable as the two enjoy their vacation in Jamaica. As the NBA star's birthday is approaching, Khloe said that she is ready to give her the best gift ever.
Warner Bros. has just released the new "Shattered Alliances Part 2" story trailer of the upcoming "Injustice 2" title. Apart from that, the game developer NetherRealm confirmed that they are unveiling new characters this Monday.
Steven Spielberg has announced that he will be directing a film titled "The Post" starring Tom Hanks and Meryl Streep.
BioWare has been consistent to reveal any developments made by the team they announced the game last year. Today, the developers have just released the latest "Mass Effect: Andromeda" game launch trailer along with the introduction of the Tempest and the crew.
After the release of Rock Band 4 last 2015, Harmonix has finally broken its silence and is about to release their new kind of music game called "DropMix." The new music game is not as everybody would expect since it will be incorporating some mechanics of a card game.
The Monster Hunter-esque PC game called "Dauntless" has just released a new trailer. The developer Phoenix Labs are taking the path of the Monster Hunter game created by a Japanese company.
Upcoming "The Batman" villain Joe Manganiello has praised his co-star Ben Affleck and talked about his own spin on Deathstroke. Affleck who plays the titular role has since removed himself to helm the film.
After finishing the upcoming "Uncharted" The Lost Legacy, Naughty Dog announced that they are about to step away on making the next sequel. Evan Wells, the co-president of the company said that their team is not making another sequel of the series, but it may seem that it will be transferred to a new studio.


We aim to increase local disaster resilience in remote mountainous environments by bringing together world-leading scientists on mountain hydrometeorology and landslide risk with experts on citizen science, participatory approaches to knowledge generation, and risk governance. We aim to deliver an end-to-end solution to the generation of locally actionable knowledge for disaster risk reduction, addressing the full workflow of information generation, processing, and communication to decision makers. Our proposition is that maximum impact is created if end-users are involved from the start in this process, using a bottom-up and participatory approach. For this, we will leverage recent advances in in-situ and remotely sensed monitoring, risk modelling and forecasting, vulnerability assessment, and risk governance.


Establishing your company's brand is key in today's marketplace. Communicating your personal brand through your daily emails, text messages, social media posts or producing annual reports, external newsletters and press releases are all important elements to establishing direct contact with your customers.
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Let us help you to maximize and be consistent with your messages.


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Perspectives #01/2018: The Quest for Political Accountability: Change Agents, Openings and Dead Ends
Heinrich-Böll-Stiftung e.V.
Place of Publication: Cape Town
Since the third wave of democratisation swept through the continent in the 1990s, the majority of African states have replaced military dictatorships and one-party-dominant systems with more democratic forms of governance. Today, 61 percent of sub-Saharan countries are "free" or "partly free" according to Freedom House's 2018 survey – although this is down from a high of 71 percent in 2008.
By adopting representative democracies founded on multiparty elections, the African electorate was promised, finally, responsive and accountable governments, for the people and by the people.
In a comparative study of electoral governance, Shaheen Mozaffar and Andreas Schedler (2002) posit that "competitive elections are the hallmark of modern representative democracy. As the institutionalized means by which large numbers of people participate peacefully in selecting and removing governments, they are the primary, albeit not the only, source of democratic legitimacy".
This, they argue, is predicated on two conditions. First, there must be "institutional certainty" to ensure unbiased rules and procedures. Such institutional impartiality results in the second condition: "substantive uncertainty" about the outcome. The prospect of defeat keeps politicians on their toes and places the balance of power with the electorate.
The idea that an institutional architecture of multiparty democracy would lead to more responsive and accountable governments in Africa remains in question. In numerous countries, institutional certainty has yet to establish itself, rendering elections a hollow ritual. The corrupting influence of money has taken its toll, as it has elsewhere in the world. And even where electoral governance has become relatively entrenched, it may have little sway when political parties serve as proxies for deep ethnic cleavages or for the ambitions of powerful individuals. In countries like South Africa, a perceived absence of alternatives to the governing party makes abstention and disengagement seem more meaningful options than engaging in elections.
In such contexts, what do elections contribute to accountability? What additional paths to accountability can be discerned? This edition of Perspectives seeks to deliberate on such questions, unpacking limitations and exploring how actors in the state, political parties, and civil society have been able to make those in government less certain about the future balance of power.
Although these change agents have not always reached their stated objectives, they have protected important democratic gains, opened up political possibilities, and initiated reforms that seemed inconceivable until they happened.
In Zimbabwe, a new leader took power in November 2017. While Robert Mugabe's departure after 37 years was widely welcomed, he was replaced by his former vice president in what was no less than a military coup. That Emmerson Mnangagwa has long been a member of the political establishment clearly raises doubts about his desire for meaningful political reform. Sharing these reservations, McDonald Lewanika nonetheless concludes that "the coup has opened a crack in the authoritarian wall, allowing people to reimagine what they can accomplish to widen that crack".
Leaders in other countries managed to cling to power in 2017. Kenya's Supreme Court declared the August 8 presidential elections invalid due to irregularities and ordered a new vote. The period that followed was marred by political contempt for the constitution, violence, and a boycott by the main opposition leader, Raila Odinga, all of which undermined the credibility of President Uhuru Kenyatta's 98 percent victory in October. Constitutional expert Yash Ghai unpacks how this episode highlights both the strengths and weaknesses of the judiciary in consolidating constitutionalism and political accountability.
In neighbouring Uganda, Yoweri Museveni, who has ruled since 1986, was re-elected in 2016 after polls characterised by violence and intimidation. In her article, Lydia Namubiru outlines how individual activists like academic Stella Nyanzi and musician Bobi Wine have, despite the general repression of dissent, been able to challenge power both from within and without the ballot box. The challenge that lies ahead, she concludes, is to translate the power individual activists hold into effective political movements.
In South Africa, Jacob Zuma's presidency posed the most difficult test yet to the country's young democracy. However, as unending corruption scandals inflicted significant damage on democratic institutions, and the public's trust in them, the foundations held and may even have been strengthened. This is not least thanks to brave individuals inside the state machinery.
Filmmaker Shameela Seedat offers a powerful portrait of the country's public protector, Thuli Madonsela, who fearlessly "whispered truth to power" throughout the Zuma era. Electoral competition also increased significantly in the 2016 local government polls, with the opposition, led by the Democratic Alliance and the Economic Freedom Fighters, wresting power from the ruling African National Congress (ANC) and taking over the large metros. It would be hard to argue that the 2016 results did not also have a bearing on the internal power struggles in the ANC. Sithembile Mbete considers whether the opposition's momentum can be maintained against a revived ANC under President Cyril Ramaphosa and whether indications of more responsive and accountable administration can be detected as power changes hands.
Our interview with Patrick O. Okigbo III, a political campaigner from Nigeria, shows that opposition politics can also be a dead end. Osita Chidoka ran a spirited, people driven campaign for Anambra State governor in 2017, but his results were less than encouraging. Even after the 2015 elections supposedly marked a democratic consolidation in Nigeria, a toxic mix of voter apathy, identity politics and money eliminates "substantive uncertainty" for voters and undermines the "institutional certainty" of the elections, thus raising questions about the necessary reforms that would instill their credibility.
The political events in the Gambia provide a ray of hope that change is possible even in the most difficult circumstances. After more than two decades of authoritarian rule under President Yahya Jammeh, the people and opposition parties, with the help of the diaspora and the regional body ECOWAS, leapt into a new era in January 2017 when opposition candidate Adama Barrow was inaugurated as their new president. Sheriff Bojang Jr unpacks how it all became possible and reflects on the democratic gains achieved one year later as well as the challenges ahead.
In a time when democracy worldwide is facing the strongest headwinds since the end of the Cold War, we hope that the collection of articles gathered here gives inspiration to those committed to continuing the fight for democratic ideals, such as free and fair elections, free speech, the rule of law, and political accountability.
Access other Perspectives editions here>>


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Football Transfer Rumours From Online Sources
The English Premiership is without a doubt the most popular football league in the world. Some of the biggest transfer rumours come from this league as it is home not only to some of the world's best talents such as Wayne Rooney, Fernando Torres and Cesc Fabregas but also has teams with the longest history. Clubs such as Manchester United and Liverpool are known in every corner of the world and have history stretching back over 100 years.
While it is common for football players to be in the limelight on the sports pages, nowadays these same players are also getting the front page treatment due to their relationships with many entertainers. The daily newspapers have been the traditional source of information for news about football players and clubs but increasing fans are turning to online sources when it comes to the latest gossips.
No matter which football club you support from Manchester United to Newcastle United FC, the Internet has replace tabloids and broadsheets as the default source for the latest in football news and gossips. Each club will surely have an official site and most ข่าวบอลทั้งหมด of the well supported clubs have dozens of unofficial websites dedicated to the club. Some supporters have also set up blogs mainly to report the latest happenings in the club and the players' lives. By visiting these blogs and website, you can be assure of the latest news, well ahead of what's being reported in the daily media which is traditionally a day late with their news. Some of the more popular football news websites include Premiershiptalk.com, football.co.uk and football-talk.co.uk.
When there is a breaking news of a major story regarding a club or a player, you can be sure that the online news sources will have the latest well before the morning newspaper. For example, during the latest transfer window, the successful transfers of Fernando Torres to Chelsea and Luiz Suarez and Andy Carroll to Liverpool were only completed just before midnight. Although you could have read all about it in the morning newspapers, the online sources had already written many columns and comments pieces regarding the issue that what you would be reading in the morning paper are all rehashed versions of the same news.
Interior Design London UK
Foxy Boxing


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Human Rights in EU countries 06 May 2019, 18:06 UTC
Poland: Activist arrested and house raided after Amnesty International meeting
Responding to news that the Polish authorities detained an activist, Elżbieta Podlesna for several hours, on suspicion of offending religious beliefs, Amnesty International's Regional Europe Researcher, Barbora Cernusakova, said:
"We are extremely concerned to hear that Elżbieta Podlesna, a Polish human rights activist, was arrested and detained for several hours on spurious charges yesterday upon her return to Poland from a trip to Belgium and the Netherlands with Amnesty International.
Elżbieta is suspected of "offending religious beliefs", after the police claimed that they found copies of a posters depicting the Virgin Mary with a halo around head and shoulders in the colours of the LGBTQ flag in her house when they raided it. The image had been posted around the town of Płock at the end of April.
"Given the lack of evidence of a crime here, we can only see that Elżbieta has been detained for her peaceful activism. Amnesty International calls on the Polish authorities to stop harassing peaceful protesters and activists in Poland, including by arbitrarily arresting people who stand up for their rights. Restricting activists from freely expressing their views in the country is unlawful and must stop immediately."
Barbora Cernusakova
For more information or to arrange an interview, contact Alison Abrahams on alison.abrahams@amnesty.org +32 2 548 27 73 or +32 483 680 812
Elżbieta Podlesna had just returned to Poland after completing an advocacy tour with Amnesty International in Belgium and the Netherlands raising concerns about the rule of law in Poland.
Amnesty International has established that at 6am on 6 May, during a house-search, the police confiscated Elżbieta Podleśna's laptop, mobile phone and memory cards. She was also aware of police surveillance and learned the police requested a CCTV camera from the building where she resides.
European Union/ Libya: Act Now to Save Lives
Poland: Witch hunt of judges threatens independence of judiciary
Cyprus: Authorities hold last hope for unfairly detained father to return to his family


Home News Dj Stephen Releases Playlist For Upcoming Mixtape.
Dj Stephen Releases Playlist For Upcoming Mixtape.
One of the influential music promoters in the Volta region,Stephen Adeleke has official unveil the playlist for his upcoming mixtape featuring all the award winning and promising artistes from the region.
Even though this is not his first time, this particular edition is crucial because of the line up and it's also happening at the time the music scene in the region has become very vibrant with Agbeshie winning artiste of the year,Keeny Ice daring rappers to wake up and Jerome Bigx bashing artiste,managements,stakeholders to be on their toes.
Dj Stephen works with Akatsi based Shine Fm and Holy Fm in Aflao respectively. He is also known for promoting talents in the region. Check out the playlist and be on the look out for tape in few days here on Jonilar.net.
Previous articleThings To Do In Ghana This Summer.


Show your friends and family the best of Indiana through it's state parks, lakes, wildlife, forests, trails, hunting, fishing, wildflowers and outdoorsy people. Outdoor Indiana is delivered six times a year with 48 pages of vibrant color photos taken by DNR's seasoned photographers, and also includes a calendar. The magazine is full of stories and inside information from DNR experts. Outdoor Indiana is your personal tour guide to our beautiful state.
New subscribers should allow at least 6 weeks for delivery of your first issue.


Yes, you too could look like this.
There are numerous items of specialist gear available to the caver. All equipment that you will need to go on a caving trip will be provided by the club in the first instance.
This page is here to introduce you to the clothing and equipment you will be using during the course of your caving trip. It aims also to provide a rough guide to caving clothing and accessories available should you wish to purchase your own. Members of the caving club will be happy to provide you with their experience regarding equipment should you have any questions.
Large fleece romper suit with a zip up the front (and round the crotch if that's your scene). Makes you look like an overgrown tellytubby. Small rambling children on hillsides will point at you and shout' Tinky-Winky!'. Ignore them.
The fleece is worn as a foundation layer over underwear. It comes in a number of different styles and colours. Fleeces are light to wear and provide freedom to move around comfortably. They also provide very good insulation, ensuring warmth.
This semi waterproof garment is worn over the top of the fleece. It is designed to limit heat loss, deflect water and provide protection. Again there are many different variations. On the left is the traditional Warmbac oversuit complete with neoprene cuffs and neck. Variations of this oversuit are most commonly found within the caving club.
The helmet is worn, obviously, to protect your head and to provide a base from which to mount lighting. It is most handy in avoiding painful contact with the roof of passageways when bobbling through at speed.
The belt is worn around the waist to support a battery pack for a lighting system, or anything else you wish to hang from it.
Lace up boots and wellies are the most common kind of caving footwear. Wellies are thought to be the best footwear for caving as there are no laces to get in the way and they provide a good gripping sole. Some wellies, like the ones shown on the right, have a steel toecap whereas others do not. Again it's a matter of preference.
Obvious from the name, these are worn to protect the knees and elbows. Whilst some undersuits and oversuits have built in knee and elbow pads, extra protection is always useful in some of the more squeezy caves. Knee and elbow pads are generally worn over the oversuit.
Gloves can come in many shapes and sizes, although some cavers prefer not to wear any at all. They range from household washing up gloves to PVC coated gloves to neoprene wet suit gloves. Gloves help to keep hands warm whilst protecting against cuts and abrasions. Generally cavers just wear gloves that they find comfortable but do not restrict movement or activity, such as climbing, within a cave.
This is what you sit when going up and down when SRT-ing or being lifelined. A badly adjusted harness can apply lots of pressure to the young gentleman in places that really ought not to be subject to such forces.
As the name suggests, these are worn as socks and help to prevent water from seeping into your outfit. They can be 2 part or 5 part, 5 part wet socks tend to be more flexible which lends to a longer life. The wet socks shown here are short which means they come up to ankle height. Much anguish is involved in the removal of wetsocks. Get a grown up to help.
A fuller explanation and guide to the various bits and bobs used in Single Rope Technique is available in our Useful SRT Guide.


Reservations must be booked directly with the hotel.
What better way to spend a winter weekend then at a brewery tour? Our Experience Local Brews is a great package that teams up with Susquehanna Brewing Company which provides you with a fun-filled (and beer-filled) getaway!
Homebrewer? Beer enthusiast? Part of a Brewer's Club? Or just want to take a peak behind the scenes at how the wonderful craft beer you love is made.
Join us at the Inn, Farmhouse and Brewing Co. at Turkey Hill this winter for a two-night beer-centric hands-on brewing experience lodging package. Spend the day inside the brew house with the guys, enjoy beer tastings & pairings and chatting all things craft beer with our Head Brewer, Donny Abraczinskas, and Assistant Brewer, Tim Plisiewicz.


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Home DePaul University Yearbooks DePaulia, page 060
Minerval October 1916
DePaulia, page 060
Depaulia Commencement Exercises
Commencement week opened with the solemn Mass in Saint Vincent's Church, Sunday, June 11, 1916. The Rev. D. A. Duggan, C. M., Vice President of the University, was celebrant, assisted by the Rev. D. J. McHugh, C. M., as deacon, and the Rev. J. T. Donnelly, C. M., as subdeacon.
The Baccalaureate Sermon was preached by the Very Rev. F. X. McCabe, C. M., LL. D., President of the University.
College and Academy of Arts and Sciences
The graduation exercises of the College and Academy of Arts and Sciences were held in the College Theatre, Friday evening, June 16th. Mr. John Cummings delivered an oration on "The Ideal System of Education," in which he advocated the system followed in the Catholic schools and colleges. Mr. Charles F. Geiger spoke on "Catholics in Science." By recounting the names of most eminent scientists, who were Catholics, he made it quite clear that there is no opposition between Catholicity and Science. The immense audience, filling the College Theatre, manifested remarkable interest in the Valedictory of Mr. John H. Drechney, and repeatedly applauded the sentiments and convictions to which he gave expression.
The Very Rev. F. X. McCabe, C. M., LL. D., President of the University, conferred the following degrees:
Doctor of Literature Adam Chrysostom Derkum Doctor of Music Walter Keller Bachelor of Arts Sister M. Alcantara	John Joseph Cummings
Sister M. Jerome	John Henry Drechney
Sister M. Pulcheria	Agatha Theodosia Williams
Bachelor of Philosophy Sister M. Francis	Elinore Blanche MacCarthy
Mary Cecilia Hyland	Agnes Josephine Marnell
Bachelor of Science Sister M. Dominic Bachelor of Science in Civil Engineering Charles Frederick Geiger Bachelor of Science in Mechanical Engineering Henry John Eifler Bachelor of Education Sister M. Monica
Identifier Minerval-October1916
Title Minerval October 1916
Description October issue of The DePaul Minerval, published 1916.
Identifier Minerval-October1916_064
Title DePaulia, page 060
Full Text Depaulia Commencement Exercises Commencement week opened with the solemn Mass in Saint Vincent's Church, Sunday, June 11, 1916. The Rev. D. A. Duggan, C. M., Vice President of the University, was celebrant, assisted by the Rev. D. J. McHugh, C. M., as deacon, and the Rev. J. T. Donnelly, C. M., as subdeacon. The Baccalaureate Sermon was preached by the Very Rev. F. X. McCabe, C. M., LL. D., President of the University. College and Academy of Arts and Sciences The graduation exercises of the College and Academy of Arts and Sciences were held in the College Theatre, Friday evening, June 16th. Mr. John Cummings delivered an oration on "The Ideal System of Education," in which he advocated the system followed in the Catholic schools and colleges. Mr. Charles F. Geiger spoke on "Catholics in Science." By recounting the names of most eminent scientists, who were Catholics, he made it quite clear that there is no opposition between Catholicity and Science. The immense audience, filling the College Theatre, manifested remarkable interest in the Valedictory of Mr. John H. Drechney, and repeatedly applauded the sentiments and convictions to which he gave expression. The Very Rev. F. X. McCabe, C. M., LL. D., President of the University, conferred the following degrees: Doctor of Literature Adam Chrysostom Derkum Doctor of Music Walter Keller Bachelor of Arts Sister M. Alcantara	John Joseph Cummings Sister M. Jerome	John Henry Drechney Sister M. Pulcheria	Agatha Theodosia Williams Bachelor of Philosophy Sister M. Francis	Elinore Blanche MacCarthy Mary Cecilia Hyland	Agnes Josephine Marnell Bachelor of Science Sister M. Dominic Bachelor of Science in Civil Engineering Charles Frederick Geiger Bachelor of Science in Mechanical Engineering Henry John Eifler Bachelor of Education Sister M. Monica
Table of Contents, page 001
Sweetest Bunch of Roses, page 003
Wealth, Poverty and Pauperism,...
Wealth, Poverty and Pauperism;...
Out of the Chafing Dish, page 010
Induction, page 012
The Spice of Life, page 017
The Priceless Pearl, page 026
War and Loyalty, page 028
A Watery Flight, page 033
The Puritan Movement, page 041
Rev. Joseph J. Allenbach, C.M.
In Memoriam: Rev. Joseph J....
The Lonely Tomb, page 053
DePaul Minerval Staff, page 054
Editorials, page 055
Exchange Department, page 058
Class Organizations, page 067
DePaul University Auxiliary, page...
Confessions of a Bachelor Maid,...
Ye Scribe, page 077
Intside back cover
- DePaul University
- Table of Contents, page 001
- Sweetest Bunch of Roses, page 003
- Wealth, Poverty and Pauperism, page 005
- Wealth, Poverty and Pauperism; Ave Maria, page 009
- Out of the Chafing Dish, page 010
- Induction, page 012
- The Spice of Life, page 017
- The Priceless Pearl, page 026
- War and Loyalty, page 028
- A Watery Flight, page 033
- The Puritan Movement, page 041
- Rev. Joseph J. Allenbach, C.M.
- In Memoriam: Rev. Joseph J. Allenbach, C.M., page 051
- The Lonely Tomb, page 053
- DePaul Minerval Staff, page 054
- Editorials, page 055
- Exchange Department, page 058
- DePaulia, page 060
- Class Organizations, page 067
- DePaul University Auxiliary, page 071
- Confessions of a Bachelor Maid, page 073
- Ye Scribe, page 077
- Intside back cover


The claim GPS must be set to the specific role, before you have access to the plugin in the GeoMedia Smart Client.
With the GPS Plugin, a user has the possibility to connect a GPS device with GeoMedia Smart Client and capture the current position. Click '''GPS Command''' and you can start and stop the GPS Support. If you start the GPS Support the first time, the GPS settings dialog box will open. If the user has already worked with the GPS Support, GPS will start with the last stored settings. While GPS is active, the will be selected.
The GPS Settings dialog differs between two methods of getting your GPS position displayed in GeoMedia Smart Client.
Install your GPS Device and all applications that the GPS device needs to run. Be sure that the COM Port settings are correct, confirming the manufacturer's specifications. Activate the GPS device and be sure that there is a signal.
Note: Every GPS-Device that streams NMEA0183 Sentences over a COM-Port (minimum sentences are RMC, GGA, GSA).
For more information about NMEA sentences visit this site.
You have to connect the GPS device via a COM port.
Update Interval Defines how often the GPS positions gets an update (in seconds). The value has to be an integer. For example: 10. That means that every 10 seconds the GPS position on your map gets updated.
GPS layer, but it will also linking them with a line.
Center to map Check the box if you want to center the map of the Smart Client always the GPS gets an update.
GPX Export Check the box if you want to store your GPS measurements in a textfile. A new window opens where you can define the storage location of this textfile.
Trace On the bottom of the Smart Client a data window opens, in which all the GPS measurements are displayed.
Port Defines the port who is responsible for the data transfer between GPS device and GeoMedia Smart Client.
Baudrate The symbol rate of the GPS device. Please read the manual of the device for detailed information about the baudrate.
VDop Vertical Dilution of precision.
HDop Horizontal Dilution of precision.
Threshold You can define the maximum value for HDOP respectively VDOP which should be displayed in GeoMedia Smart Client respectively should be written into the GPX file.
In principle it works like a filter.
For example: You define the value 2 for HDOP and Disabled (unbounded) for VDOP. So every measurement which has an HDOP value of 2 or lower will be displayed or written.
Because you haven't defined a maxmimum value for VDOP the filter isn't working for it.
Defines the display size of the HDOP respectively VDOP value.
Note: Scalefactor adjusts just the visualization of the DOP values.
Start GPS Store your settings and changes and GPS support will start.
Close Exit the GPS settings dialog box without storing the changes and settings.
Delete Delete all GPS measurements on the GPS layer in the Smart Client.
7 - 8 Moderate Could be used for measurements. A more open view to the sky is recommended.
9 - 20 Fair Just for a very rough estimate for the current location.
> 20 Poor Discard the measurements. Your measurements are precise just within a football field.
Set the value of the your desired accuracy. If the accuracy is worse than the set value, you won't get a point at all in the map.
Note: Please consider the position source defining the desired accuracy. For example it makes no sense that you want to have a accuracy of 10m and you set the position source to IP address.
Movement Threshold You can define the maximum movement of your GPS positions within the map. If the new GPS position is too far away from the last point you won't get a new point in the map at all.
Defines the display size of the position.
Note: Scalefactor adjusts just the visualization of the points in the map.


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Canucks sign Skille to one-year deal
By Jason BroughOct 13, 2016, 2:45 PM EDT
The Vancouver Canucks made the signing of winger Jack Skille official today.
Skille, 29, gets a one-year, one-way deal worth $700,000. A former seventh overall draft pick of the Blackhawks, he came to Vancouver's camp on a PTO, saying he was "willing to chew through rope" to make the Canucks.
He then turned heads in the preseason, using his skating and size on the forecheck, hitting defensemen and turning over pucks. He essentially pushed out Emerson Etem, who was lost to waivers today.
Skille played 74 games for Colorado last season, scoring eight goals with six assists.
The Canucks don't open their regular season until Saturday, when they're at home to Calgary. It remains to be seen if Skille will be in the lineup against the Flames. He's a candidate to be the lone extra forward.


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Marie des intrigues est un roman historique de Juliette Benzoni paru en 2004 chez Plon. Il constitue le premier volet de la série Marie des intrigues.

Personnages

Histoire

Lieux de l'histoire

Roman historique
Roman français paru en 2004
Roman de Juliette Benzoni

redpajama_set_name: RedPajamaWikipedia