text:
Market Square gets splash of color from ninth annual Chalk Walk
April 2, 2017 Vanessa Rodriguez
Artists of all ages gathered in Market Square and Krutch Park on Saturday, April 1 for the ninth annual Dogwood Arts Chalk Walk.
Thousands gathered in Market Square and Krutch Park on Saturday, April 1 to witness various chalk murals for the ninth annual Dogwood Arts Chalk Walk.
The chalk artists ranged from families and adults to children and high school art classes.
Every mural had an
inspiration behind it. "It was a combination of mine and my children's favorite things because they wanted to participate this year, too. Butterflies are my favorite. My daughter wanted a rainbow and my son wanted the Smoky Mountains, so we just combined all those together," Amber Willis said.
Artist Fawne DeRosia decided to go with somebody who people would instantly recognize in East Tennessee.
"Honestly, I did a little digging on who is famous around Knoxville, because I knew I was coming here and Dolly was the first person who popped up, so I was like she's awesome, let's do a portrait of her," DeRosia said.
Connie Passarella, one of the over 25,000 attendees, was amazed at the level of talent of the artists.
"It's really interesting because I've never seen anything like it. I have seen it in books before and I wanted to do it at home, so I always like to take back ideas like this," Passarella said.
Founder Kathy Slocum discusses the reasoning behind the use of chalk for the festival.
"The chalk is used because it's water soluble and we don't have to worry about it lasting forever, good and bad. Monday it's going to rain and this will all be gone," Slocum said. "But that's part of the intrigue of this art, is that it's not permanent. It's here today and gone tomorrow."
Artists began their pieces at 8:30 a.m. and had to be finished by 4:30 p.m. Attendees could vote for their favorite piece and the awards were given later in the afternoon.
For the list of winners for this year's Chalk Walk, check out their website.
Feature Image by Vanessa Rodriguez
Edited by Katy Hill
Vanessa Rodriguez
https://tnjn.com/blog/author/vrodrig1/
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Fast, easy holiday dessert recipes
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Tags: art, Arts and Culture, chalk art, chalk walk, Dogwood Arts, Dolly Parton, Events, Knoxville, Market Square, Smoky Mountains
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TR fasteners is an engineering group that design, manufacture, and distribute mechanical fasteners. They do this on a global basis. They supply high volume assembly multinational OEM's around the world. They make sure to offer high standards and high ethical conduct for their customers. And this is how they have been able to stay successful/ their products are known to have consistent quality, price and are available to be ordered and to supply automotive assemblies via mobile phones, cash dispensers.
They are known to carry over 40 global multinationals. they can provide customers with a high-quality product that are reliable. They are known to have high levels of services and commitment. Even though they offer valuable products that have a lot of quality, their prices are still affordable. They have great customer service and they really value the customer and value people so much and that is what has been helping them keep their high reputation. To keep growing as a company, and to keep up with all the new products, they are adding new products to self-clinch range. They improved to their sheet metal products to be able to meet growing requirements. This has made a 40% increase in sales over the past 5 years.
Ever since starting to promote these products throughout Europe, they have been able to establish a network that was built upon successful and mutual relationships. This new extensive self-clinch includes many new varieties. Such as studs, nuts, standoff and panel fasteners in which all include latest additions. They offer more than 45,000 products that are easily accessible online. So it is even more efficient for the customer to look and find products that they are looking for. And again, that is for the most valuable and affordable price. Steve Wallis, TR Fastenings, Product Sales Development Manager said: 'Since 2011 we have invested heavily in our self-clinch range as we continue to meet the demands of our ever-increasing customer base.
The products are used in several different industry sectors and a variety of applications. With such an extensive range of products and services now available we are confident that TR can meet and exceed the expectations of our diverse end-user and distributor network.' Aerospace purchasing is owned and operated by ASAP semiconductor. They are completely dedicated to sourcing and purchasing aerospace requirements. They are able to provide many of the TR Fastenings parts.


text:
package com.sageserpent.plutonium

import com.sageserpent.plutonium.WorldSpecSupport.changeError

abstract class BadFooHistory extends FooHistory {
  override def property1_=(data: String): Unit = {
    throw changeError // Modelling a precondition failure.
  }

  override def property2_=(data: Boolean): Unit = {
    super.property2_=(data)
    throw changeError // Modelling an admissible postcondition failure.
  }
}

redpajama_set_name: RedPajamaGithub


Steps 1 through 6 of this tutorial covered only the very basics of converting an existing site to help get you started. In addition, though, you can adjust white space, margins and padding, and do your entire layout with CSS positioning. At the minimum, though, even just converting all your old HTML font tags to CSS will help a lot, as this tutorial series covered.
When you think about what and how much to convert to CSS, every site will have its unique qualities and elements to consider. If the markup is consistently handled throughout the site and is high quality, W3C validated, it will probably be easier to transition the site to CSS. In some cases, it may be easier to pull out all the content and place it all within new templates. In other cases, it may work fine to strip out the old HTML markup and replace them. Sometimes even a search/replace can handle much of it.
Carefully review the markup, perhaps even trying one page to see how quickly you can strip out and replace the old tags. If it's time-consuming and unwieldy, it's probably easier to create a new template and then add the content to the template.
In the long run, it's definitely worthwhile! I've converted quite a few sites from old HTML markup to using CSS with external style sheets, so I speak from firsthand experience.
You'll be glad you upgraded the site. It will be so much easier to maintain, to change anything, and your styles will be much more consistently handled throughout your site. In addition, the Web pages will undoubtedly load faster, and future redesigns will be a whole lot easier as well. All in all, it will make the site far more efficient.
Yes, validating matters. It will help you find errors, ensure that your code is done correctly, and your pages ought to work better with a variety of browsers and platforms, too.
HTML, XHTML, and CSS, Sixth Edition: Visual QuickStart Guide, by Elizabeth Castro. Peachpit, August 2006.
CSS: The Definitive Guide, 3rd Edition, by Eric Meyer. O'Reilly Publishers, (November, 2006).
You'll find many more book recommendations on CSS in our Recommended Books Books on CSS, HTML, XHTML, Web Standards section.
Brainstorms and Raves is a daily weblog or column, also by SKDesigns, that includes the Web, design and layout, CSS, accessibility, standards, usability, typography, and much more. There are searchable archives, too.
Page load time: 0.010935 seconds.


Paducah Local Onsite Computer Repair, Network and Voice and Data Cabling Services. Computech Technology Services provides professional local onsite computer repair, network installation, configuration, and voice and data cabling services throughout Paducah and the entire McCracken County area. We also provide our pro onsite services to the outer cities of Mayfield, Benton, Murray, and Princeton….


text:
CD Catalog
LP Catalog
Contemporary Classics Series
free jazz and improvised music
Photo by Framboise Estéban
Composer/Percussionist/Visual Artist/Educator, has been at the forefront of creative music for four decades. He was born in 1955 in New Haven, Conn., to a family with musical interests (his grandmother had been a concert pianist and his father studied composition with Paul Hindemith). He became interested in drums around the age of ten and by the age of seventeen was working as a professional musician primarily in the jazz and bebop traditions. In the 1970's, New Haven was home for a number of interesting musicians. This was where Gerry met and first played with Anthony Davis, Leo Smith, George Lewis and Anthony Braxton. In the late 1970's, Hemingway, trombonist Ray Anderson, and bassist Mark Helias formed a collective trio which they eventually named BassDrumBone. The trio was awarded a grant from Chamber Music America on the occasion of their 30th anniversary in 2007 to compose a new set of works reflecting their then 30 year collaboration.
He joined and remained a member of the Anthony Braxton quartet for eleven years from 1983 - 1994. In 2007 he and Anthony Braxton had a historic reunion as a duo resulting in a 4 CD release on Mode/Avant entitled "Old Dogs (2007)". In the late eighties he began performing with the Reggie Workman Ensemble who at different times included Oliver Lake, Jeanne Lee, Marilyn Crispell, John Purcell and Don Byron among others. He was a core member of Anthony Davis' Episteme Ensemble, and has performed and recorded as a featured soloist on Mr. Davis' violin concerto "Maps" as well as the operas "Under the Double Moon" and "Tania" (released recently on Koch Classics). Hemingway also performed in duet with pianist Cecil Taylor in May of 1999 on the invitation of De Singel in Antwerp, Belgium.
A recipient of a Guggenheim Fellowship, Hemingway has become increasingly prominent as a composer and improvisor and a leader of several long standing quintets and quartets of international acclaim (see below). In addition to receiving fellowships from both the National Endowment for the Arts and the New York Foundation on the Arts, he has also received four commissions through the Parabola Arts Foundation with funding from the New York State Council on the Arts, including a 1998 grant supporting the creation of the "The Visiting Tank", which concludes his Tzadik release of "Chamber Works". In 1993, he premiered a commission from the Kansas City Symphony with funding from Meet the Composer for a concerto for percussionist and orchestra entitled "Terrains". In June of 1998 a co-composition with the Amsterdam based composer Guus Jannsen was commissioned by the NPS radio of the Netherlands and performed at the Holland Festival. Entitled "Cycles", the work used a unique computer controlled conducting system that allowed the ensemble to play in multiple tempos.
Between 1997 and 2007 his primary working band was a quartet with either Ray Anderson-trombone or Herb Robertson-trumpet, Ellery Eskelin-tenor sax and Mark Dresser or Mark Helias on bass. The band performed 40 concerts in the US in 1998 and it's first recording, "Johnny's Corner Song" was released on the Auricle Record label in March of 1998. The quartet completed a studio recording entitled "Devil's Paradise" which was released in May 2003 on Clean Feed records, who since also released "The Whimbler" (on CF) with Herb Robertson, Ellery Eskelin and Mark Helias (5/05).
This follows nine years of performances and recordings with his European based quintet whose final cd was released on GM Recordings in the fall of 1999 entitled "Waltzes, Two-Steps and Other Matters of the Heart". Previous recordings include, "Special Detail" (91), "Down to the Wire" (93), "Demon Chaser" (94) and "The Marmalade King" (95) all on the Swiss Hat Art label (all except "Demon Chaser" currently out of print) and "Slamadam" (95) and "Perfect World" (96) (both out of print - but still available from this site) on Random Acoustics. The quintet formation began a reactivation with new personnel and instrumentation and a performnce and recording in Lisbon, Portugal in the fall of 2002. A release of that material "Double Blues Crossing" was released in April 2005 on Between the Lines (whom has merged with SunnyMoon Records).
In 2008 A hybrid quintet formation was conceived with Ellery Eskelin (ala quartet), Oscar Noriega (multi-reed, ala quintet), Terry McManus (guitar, ala previous cello chair), Kermit Driscoll - ac & el bass. This has become the current working band with a recording entitled "Riptide" released on Clean Feed, and with occasional performances in New York and a tour in 2012 this group performs new repertoire as well as material from both previous quintet and quartet book. In 2012 Mr. Hemingway formed a mixed quintet combining the WHO trio - pianist Michel Wintsch, bassist Baenz Oester, as well as guitarist Terrence McManus, and original quintet member Michael Moore with multi reeds.
A significant part of Mr. Hemingway's body of work is represented in his work as a solo percussionist which began in 1974. His interest in extending the vocabulary of the instrument for the purpose of creating richly textured, vibrant and engaging compositions for the drum set have been previously documented in four recordings including "Electro-Acoustic Solo Works (84-95)" and "Acoustic Solo Works (83-94)" on the Random Acoustics label as well as the previous vinyl editions "Solo Works" on Auricle Records and "Tubworks" (now re-released on cdr) on the Sound Aspects label. Mr. Hemingway has been developing a new solo CD + DVD project for the past fifteen years which will weave together some of his more recent solo works and his work as a film artist as it relates to his solo percussion work. Release is scheduled for September 2011. He currently is performing a solo program entitled "Behaviors" in collaboration with video artist Beth Warshafsky with whom he has been collaborating since the late 80's. The program puts a collection of his new electro-acoustic solo works in a theatrical framework that includes video projection and real time interactive visual and sound work. A major new release of his solo work both as a drummer and electronic musician, combined with his visual art work as fimmaker was released on Auricle Records as a CD+ DVD in January of 2014 called "kernelings".
His work as a composer and percussionist includes recordings, collaborations and performances with Derek Bailey, Leo Smith, Oliver Lake, Kenny Wheeler, Frank Gratkowski, George Lewis, John Cale and Hank Roberts among many others. Collaborative trios include the GRH trio with German pianist Georg Graewe and the Dutch cellist Ernst Reijseger, the WHO trio with Swiss pianist Michel Wintsch and bassist Baenz Oester, and Brew with Reggie Workman and Miya Masaoka.
As well there are a number of ongoing duos including one with John Butcher which began performing duos in 2000, Tom & Gerry is another duo with Thomas Lehn who performs live analog electronics which began in 1997. In the fall of 2010 Mr. Hemingway released recordings of three more recordings of ongoing duo projects, a duo with guitarist Terrence McManus, a duo with saxophonist Ellery Eskelin and a duo with komungo player Jin Hi Kim. In addition the duo with pianist Marilyn Crispell continues after a long hiatus, and documented with a new release on Intact records entitled "Affinities". Another duo project is with vocalist Andrea Goodman known for her work with Meredith Monk. They released a recording on Ruby Throated Records entitled "Divine Doorways". His work for multimedia includes "Waterways", for multiple slide projectors, tape and percussion, as well as numerous ongoing collaborations with video artist/animator Beth Warshafsky.
The many facets of Hemingway's work as composer/soloist/collaborator/ensemble member can be heard on over 150 recordings from many different record labels, among them: Tzadik Records, Enja, Palmetto, Mode/Avant, Random Acoustics, Intact, Auricle Records, and Hat Art.
Between 2005 and 2009 Mr. Hemingway was part of the faculty of New School's "Jazz and Contemporary Music" program where he ran the Sound in Time ensemble and taught two different history classes, one in World Music History and the other in Contemporary Jazz and its Exponents, the latter of which focused on the music of the 1960s until the present. Both history courses were taught as multimedia lectures, incorporating audio and visual data including numerous fims Mr. Hemingway had collected to help intensify the experience of assimilating these important history topics. Since the fall of 2009 Mr. Hemingway has joined the faculty of the Hochshule Luzern in Switzerland where he is now lives and is based for the forseeable future. In this context Mr. Hemingway teaches drumming, improvisation, composition, songwriting, multimedia and history as well running a variety of workshops each semester.
Source - official musician's website
Gerry Hemingway - visit website
Recordings featuring Gerry Hemingway
2008 - 2022 © NoBusiness Records. created by design4music.org

redpajama_set_name: RedPajamaCommonCrawl


text:
Three things we learned in US loss to Belgium
By Joe Prince-WrightJul 1, 2014, 7:01 PM EDT
Following the USA's 2-1 defeat to Belgium on Tuesday, the U.S. gave every ounce of effort they had to try and make the World Cup quarterfinals.
Jurgen Klinsmann's men came up short, but they certainly didn't disgrace themselves against a stacked Belgium team. Having got out of the "Group of Death" unexpectedly, this match was a bonus. What a game it was.
[ RECAP: Belgium 2-1 US, after extra time ]
[ Player Ratings: How U.S. fared vs. Belgium ]
We learned plenty of things from the USA's entire World Cup campaign, but here are three things from the devastating defeat to Belgium.
The U.S. has a bright future as Yedlin, Green shine
In the biggest game in decades for the U.S. national team, perhaps the biggest ever, a 19 and 20-year-old gave fans of U.S. soccer plenty of hope for the future. Yedlin came on to replace Fabian Johnson after 30 minutes and shone at right back with several marauding runs proving his is ready to step up to the international level. As for Green, well, what can you say? He comes onto the pitch as the youngest U.S. player in World Cup history and within moments he scored with his first touch off a stunning volley. Now we see what all the hype is about when it comes to Bayern Munich youngster. These two are sure to start in Russia the next time the World Cup rolls around. Hope, in the midst of defeat, for the USA.
Giveaways continue to hurt the U.S.
Midway through the second half on TV screens across the world the caption bar popped up at the bottom of the screen and showed that the U.S. had 49 percent of the possession. Really? No way. Time and time again the U.S. gave the ball away and invited pressure from the talented Belgian side. Tim Howard made save after save (more on him shortly) but in the end the dam broke and Belgium powered through. Throughout this World Cup the U.S. failed to keep hold of the ball and struggled to out-possess their opponents. In midfield the likes of Jermaine Jones and Michael Bradley failed to keep possession and hopeful balls up to Clint Dempsey just weren't getting the job done. Possession has to be better for the U.S. in the future, as their battling spirit and organization is second to none.
[ MORE: Tim Howard's heroics not enough ]
[ MORE: Klinsmann: U.S. gave everything they had ]
Howard stakes his claim as world's best 'keeper
16 saves. The most recorded in a World Cup game since 1966. Howard stood on his head and didn't deserve to be on the losing team. Speaking after the game he was emotional and said he and his teammates gave "everything they had." In Howard's case it was everything, and then some. This goalkeeping display will go down as one of the finest in World Cup history, as the USA's shot-stopper kept the Belgians at bay for 93 minutes. His defense tried their best but were exposed by the ruthless pace of Belgium's attack but Howard looked unstoppable. He will go down as the best goalkeeper in U.S. soccer history after this performance and is easily one of the top three goalkeepers in the world. This performance proved that.
Could the U.S. have done anything differently?


text:
Welcome to Jing Chen's Homepage!
I am an Assistant Professor in the Department of Computer Science at Stony Brook University. I am also an Affiliated Assistant Professor in the Department of Economics and an affiliated member of the Center for Game Theory in Economics.
Before joining Stony Brook, I was a postdoc fellow in the School of Mathematics at the Institute for Advanced Study.
I received my PhD in Computer Science at MIT in 2012, and my advisor was Professor Silvio Micali. I received my M.E. and B.E. in Computer Science at Tsinghua University, China.
247 New Computer Science Building, Stony Brook University
jingchen@cs.stonybrook.edu
Algorithmic Game Theory, Mechanism Design,
Distributed Ledger, Cryptocurrency, and Artificial Intelligence
NSF CAREER Award, 2016
Current students:
Shikha Singh, PhD candidate, co-advised with Michael Bender
Bo Li, PhD candidate
Professional Services:
PC, 11th International Symposium on Algorithmic Game Theory (SAGT 2018)
PC, 9th Innovations in Theoretical Computer Science (ITCS 2018)
PC, 13th Latin American Theoretical Informatics Symposium (LATIN 2018)
Co-editor, SIAM Journal on Computing special issue on STOC 2016
PC, 13th Conference on Web and Internet Economics (WINE 2017)
PC, 18th ACM Conference on Electronic Commerce (EC 2017)
Senior PC, 16th International Conference on Autonomous Agents and Multiagent Systems (AAMAS 2017)
PC, 48th Annual Symposium on the Theory of Computing (STOC 2016);
Local organizer, Workshop on Adaptive Learning: Theory, Data, and Applications, Stony Brook Game Theory Summer Festival, 2017
Local organizer, Workshop on Complex Auctions and Practice, Stony Brook Game Theory Summer Festival, 2016
Faculty advisor, Women in Computer Science (WiCS) at Stony Brook (an official ACM-W chapter)
Faculty advisor, Graduate Women in Science and Engineering (GWISE), Stony Brook University
Faculty representative of Stony Brook Computer Science Department at National Center for Women & Information Technology (NCWIT)
Committee, CS Honors Program, Stony Brook University
CSE548/AMS542 Analysis of Algorithms, Spring 2018
CSE 385 Analysis of Algorithms: Honors, Fall 2017
CSE540 Theory of Computation, Fall 2016
CSE547/AMS547 Discrete Mathematics, Spring 2015
CSE691/ECO606 Computational Game Theory, Spring 2014
1. Algorand
J. Chen and S. Micali. arXiv:1607.01341, 2017.
2. Rational Proofs with Non-Cooperative Provers
J. Chen, S. McCauley and S. Singh. arXiv:1708.00521, 2017.
3. The Query Complexity of Bayesian Auctions
J. Chen, B. Li, Y. Li and P. Lu. Stony Brook CS Technical Report SBCS-TR-2017-7, 2017.
4. From Bayesian to Crowdsourced Bayesian Auctions
J. Chen, B. Li, and Y. Li. arXiv:1702.01416, 2017.
Refereed Conferences
5. Efficient Approximations for the Online Dispersion Problem
J. Chen, B. Li, and Y. Li
International Colloquium on Automata, Languages and Programming (ICALP), pp. 11:1-11:15, 2017.
6. Budget Feasible Mechanisms for Dealers
H. Chan and J. Chen
15th International Conference on Autonomous Agents and Multiagent Systems (AAMAS), pp. 113-121, 2016.
7. Provision-After-Wait with Common Preferences
8. Rational Proofs with Multiple Provers
J. Chen, S. McCauley, and S. Singh
7th Innovations in Theoretical Computer Science (ITCS), pp. 237-248, 2016.
Presented at the 26th International Conference on Game Theory, 2015.
9. Auction Revenue in the General Spiteful-Utility Model
J. Chen and S. Micali
Presented at the 11th World Congress of the Econometric Society (ESWC), 2015.
10. Better Outcomes from More Rationality
J. Chen, S. Micali, and R. Pass
11. Truthful Multi-unit Procurements with Budgets
10th Conference on Web and Internet Economics (WINE), pp. 89-105, 2014.
12. Optimal Provision-After-Wait in Healthcare
M. Braverman, J. Chen, and S. Kannan
Innovations in Theoretical Computer Science (ITCS), pp. 541-542, 2014.
13. Crowdsourced Bayesian Auctions
P. Azar, J. Chen, and S. Micali
14. Mechanism Design with Set-Theoretic Beliefs
Symposium on Foundations of Computer Science (FOCS), pp. 87-96, 2011.
15. Robust Perfect Revenue from Perfectly Informed Players
J. Chen, A. Hassidim, and S. Micali
Innovations in Theoretical Computer Science (ITCS), pp. 94-105, 2010.
16. Robustly Leveraging Collusion in Combinatorial Auctions
J. Chen, S. Micali, and P. Valiant
Innovations in Theoretical Computer Science (ITCS), pp. 81-93, 2010.
17. A New Approach to Auctions and Resilient Mechanism Design
Symposium on Theory of Computing (STOC), pp. 503-512, 2009.
18. A More Natural Way to Construct Identity-Based Identification Schemes
G. Yang, J. Chen, D. Wong, X. Deng, and D. Wang
Applied Cryptography and Network Security (ACNS), pp. 307-322, 2007.
19. Malicious KGC Attack in Certificateless Cryptography
M. H. Au, J. Chen, J. K. Liu, Y. Mu, D. Wong, and G. Yang
ACM Symposium on Information, Computer and Communications Security (ASIACCS), pp. 302-311, 2007.
20. Provision-After-Wait with Common Preferences
H. Chan, J. Chen, and G. Srinivasan
Transactions on Economics and Computation (TEAC), Vol. 5, Iss. 2, Article 12, 2017.
21. Leveraging Possibilistic Beliefs in Unrestricted Combinatorial Auctions
Games, Special Issue on Epistemic Game Theory and Logic, Vol. 7, Iss. 32, 2016.
Mathematics of Operations Research (MOR), Vol. 41, No. 1, pp. 352 - 376, 2016.
23. Tight Revenue Bounds with Possibilistic Beliefs and Level-k Rationality (with the Supplement available here)
Econometrica, Vol. 83, No. 4, pp. 1619-1639, 2015.
24. Mechanism Design with Possibilistic Beliefs
Journal of Economic Theory (JET), Vol. 156, pp. 77-102, 2015.
25. The Robustness of Zero-Determinant Strategies in Iterated Prisoner's Dilemma Games
J. Chen and A. Zinger
Journal of Theoretical Biology (JTB), Vol. 357, pp. 46-54, 2014.
26. The Order Independence of Iterated Dominance in Extensive Games
Theoretical Economics (TE), Vol. 8, pp. 125-163, 2013.
27. Collusive Dominant-Strategy Truthfulness
Journal of Economic Theory (JET), Vol. 147, Iss. 3, pp. 1300-1312, 2012.
28. A New Framework to the Design and Analysis of Identity-Based Identification Schemes
Theoretical Computer Science (TCS), Vol. 407, Iss. 1-3, pp. 370-388, 2008.
29. A Buffer Management Policy in IA-64 Large-Scale Video Streaming Servers (in Chinese)
H. Yu, J. Chen, Y. Li, and W. Zheng
J. Computer Research and Development, Vol. 43, Iss. 4, pp. 729-737, 2006.
30. High Performance Architecture for Elliptic Curve Scalar Multiplication Based on FPGA (in Chinese)
J. Chen, J. Jiang, D. Wong, X. Deng, and D. Wang
J. Computer Research and Development, Vol. 45, Iss. 11, pp. 1947-1954, 2008.
31. Resilient Mechanism Design Foundations for Governance of Cyberspace: Exploration in Theory, Strategy, and Policy
S. Micali, N. Choucri, J. Chen, and C. Williams
MIT Political Science Department Research Paper No. 2013-30, 2013.
32. Budget-Balanced Maximization of Social Welfare Resilient to Unrestricted Collusion, Privacy, and Beliefs
Brazilian Workshop of the Game Theory Society (São Paulo), poster, 2010.
33. Short Multi-Prover Quantum Proofs for SAT without Entangled Measurements
J. Chen and A. Drucker
arXiv:1011.0716v2, 2010.
Need more information? Here is my CV.


> That's what we're doing on Ubuntu 10.04.2, and it seems to work.
>> probably correct, and it was a line quality issue.
>> moment, probably after the weekend.
>>> I'm not an ISDN expert, but have some experience with PRI.
>>> hardware echo-canellation and hw. dtmf during the troubleshooting.
>>> be supported on BRI too, look through wanpipemon manual.
>>>> Openreach.  There are a number of anomalies that I am trying to solve.
>>>> both lines are connected and working.
>>>> WAN_DEVICES="wanpipe1 wanpipe2 wanpipe3 "
>>>> #       by /usr/local/sbin/setup-sangoma program.
>>>> #       to do so.
>>>> # Sangoma Technologies Inc.
>>>> cancelation but allows VQE/tone functions.
>>>> FE_LINE and TDMV_SPAN instead of '1'.
>>>> list any more in my first post!
>>>> place to 'permanently' change the device ownership?


Clifton, John M. 1997. The Kaki Ae language. In Wurm, Stefan A. (ed.), Materials on Languages in Danger of Disappearing in the Asia-Pacific Region. Volume 1: Some Endangered Languages of Papua New Guinea: Kaki Ae, Musom, and Aribwatsa, 3-65. Canberra: Australian National University.
AU  - Clifton, John M.
ED  - Wurm, Stefan A.


text:
The Artist is Present
August 5, 2016 By lovelyartifacts
Perhaps you've seen the show—you and 750,000 of your closest friends, who crowded through the Museum of Modern Art's front door over the course of three months in the spring of 2010, to stand and stare at Marina Abramović, the Grandmother of performance art, sit in a chair across from a museum visitor. 1,565 people participated in the exhibit, spending the night on the sidewalk just to arrive early enough to join the line of those who would warm the chair across from Abramović.
Abramović called her performance piece, "The Artist is Present," and she was — she literally sat in the same wooden chair for 7 and a half hours a day, six days a week, without moving, speaking, eating or getting up to use the bathroom for three full months — that's 736 days and 30 minutes in all. A square of white tape marked off the exhibit, and in that square was absolute silence and absolute presence.
(If you're wondering what she did when nature called, as I was, I can assure you that they planned for the eventuality. Abramović's chair had a hollow core, in which she placed a plastic tub. She cut a hole in both her chair and her dress to allow her to go about her business discreetly while living in front of an audience.)
Much of Abramović's work is like this: shockingly in-your-face. Most of the time, she performs stark naked. She whips herself in front of an audience, she careens into a gallery wall so that it knocks her to the floor again and again, and she once placed knives and pliers and a loaded gun on a table and allowed visitors to the museum to use these tools to examine her, to cut her bare arms and chest, to cock the gun and hold it to her head while she stood still and silent.
For this reason, her art is controversial — hated by many, admired by a few, respected by thousands — except for this one piece, "The Artist is Present," which was universally adored.
It was loved universally because of all moments that happened just like March 9, 2010. Abramović sits with her eyes shut and the guards lead over a man in a grey blazer, who carefully sits in the chair directly opposite Abramović. Then Abramović lifts her head and opens her eyes, looking straight into his eyes. The man sighs. For a minute or two, they simply stare across the table at each other's faces. Then the man's eyes widen and his eyes grow glassy and then tears slowly run down his cheeks, into his beard. He shuts his eyes and takes deep breaths. He looks back at her. Then Abramović begins to cry. This goes on for 17 minutes, the looking, the silent weeping, before the man bows his head, stands, and walks away, back into the anonymity of the watching crowd. Look it up; you'll find the photos of this man on a Tumblr account called "Marina Abramović Made me Cry."
Actually, all of the 1,565 people who descended into the seat across from hers wept—every single one of them. We're talking grown men and women, many New Yorkers, with noses running; eyes puffy; cheeks red, blotchy, and wet — the kind of crying you might only do behind the closed door of a bathroom stall. They all broke down at the center of a crowd of spectators, all while Abramović, just a couple of feet away, stared them down. Most people pay a therapist for the same attention.
In the retrospective documentary "The Artist is Present," Abramović describes her work (and particularly this piece) like this: "It's so simple, it's like nothing there — it's just an artist sitting like a mountain. You know, I want to be just like a rock there, and looking you in the eyes…There's just [my] pure presence…When [someone is] sitting in front of me, it's not about me anymore because very soon, I'm just a mirror of their own self."
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About lovelyartifacts
Short + inspiring essays about science, psychology, art, and religion written by nonfiction author Elizabeth Charlotte Grant.
Art, Nonfiction, Psychologyartist is present, artist retrospective, marina abramovic, moma, museum of modern art, performance art
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Doublecross Message Board: Clev is...?
Okay, none of you know me, mostly because I'm from the SAMB, and there, my name is Ever. Clev and I weren't as close as you guys were to her, but we've been in a few rp's together, and we have dope socks. It's an inside joke we share. She was always kindhearted and funny; she always cheered everyone up. She wasn't as famous there as she is here, but she was still part of our family. And yours.
I... I'm not sure I have a say in this, but... I'll ask you to share your favorite memory with her. Please.
My favorite was probably when we made that joke about socks.


Digital marketing is booming and for a very good reason. It's at the center of any growing business whether or not it's called digital marketing. There are fading digital marketing trends though.
In 2018 there are 8 specific digital marketing trends that are fading or possibly set to expire depending on how you look at it.
This post is all about looking at those 8 fading digital marketing trends.
All of these 8 items are from an infographic that Kuno Creative created I'm assuming sometime in late 2017. You can find the infographic below this article.
Each item below is my writing but it's based on the infographic.
Most of the items are within my direct expertise and deep understanding but some are not. I will definitely let you know and you'll be able to see by the brevity of those few items.
The title of the infographic is 8 digital marketing trends set to expire by 2018. I didn't really like that title nor do I agree with it. That's why this post is renamed while still keeping the core 8 items and showcasing the infographic (which is great).
The infographic is well done and the items are well researched and make sense for the current digital marketing landscape. The title is just a bit unfortunately wrongly named.
These items aren't set to expire nor will they by 2018. They are going to go long past 2018 unfortunately but they will fade more and more over time.
Enough with all this talk about the infographic and such.
It's time to get down to the 8 fading digital marketing trends of 2018.
They haven't expired, stopped, or anything else but they are merely fading away over time.
Nothing in digital marketing is as effective without personalizations as it is with.
Drip campaigns are no exception either.
Segmentation is what it's all about whether you're sending a regular campaign or a drip campaign.
You'll be able to send targeted relevant emails to each one of your subscribers with good segmentation.
I've heard many stories of people this past holiday season who were interested in buying one product but got a coupon for a different product. That's bad segmentation.
You want to send emails that are relevant and likely to be of interest to the person you're sending it to.
Who likes long boring anything?
Only good books can be long and most topics from a company aren't all that interesting.
That means they need to be short, to the point, and as visual as possible.
The more you can boil the content of an eBook down to just the necessary information the better off you are.
In fact, as far as lead magnets go, quick tips, checklists, and things of those nature are much more effective.
I along with most others would rather download a quick reference rather than an eBook that's 100 pages of text.
The time where people wanted those long boring eBooks is gone.
Enough people have downloaded them only to realize they sit in Evernote forever collecting digital dust.
I have tons of them sitting around never read.
I don't know if quantity instead of quality ever caught on en masse in digital marketing but it's definitely fading away now.
If anybody's tempted to try an churn out massive quantities of content just to have more they'll soon learn how effective it is.
It doesn't take long to understand that it's not going to do anybody any good.
A more effective way of content creation is to focus on quality instead of quantity. No more five 300 word blog posts a week that only covers the surface content.
One really deep blog post a week is better than five shallow posts. Unless you can go sufficiently deep into a topic, don't rush it.
This is one of those topics I'm not deeply versed in. It's more of a marketing/sales blend which sales is admittedly my weak point.
Complexity always breeds confusion though. Keep it simple and don't get too complex or your lead scoring algorithm will be shunned by employees and start to become ineffective.
Simplify things by scoring in increments of 10 from 1 to 100 instead of more granular scoring that gets too complex.
Overload is a loaded word. That line is hard to draw in general though because it's specific to each individual company and task.
I recently wrote about 3.5 digital marketing trends that will explode in 2018 and automation was one of them.
Well, it's still true that marketing automation will explode. It also remains true that overloading on automation will hurt your marketing.
When you overload on anything, bad things will happen. With automation that bad thing is the loss of the personal touch.
That doesn't mean automation is bad though.
This only means that automation has to be done within purpose. Find the right balance of automating your digital marketing while also maintaining the important personal touch.
Organic reach on Facebook has been either gone or dwindling for years now for pages.
The recent algorithm updates on Facebook all but ensures page updates will reach as few people as possible.
For businesses that means you have to pay to reach your audience or reach them elsewhere.
Facebook has been pay to play for some time but now it's even more so.
That means you're going to have to start boosting posts and coming up with a Facebook advertising strategy that costs money.
My favorite is to use remarketing on Facebook so it's merely a supplement to my organic website traffic.
This is admittedly the one that I'm most unfamiliar with. I don't have to reach the c-suite and unless you're in a very specific role or serve a very specific audience then you probably don't have to either.
This may have to do simply with not using one method of marketing to reach your audience.
If that's the case, yay! That doesn't just apply to the c-suite. It's almost impossible to reach anybody in your audience with only one digital marketing strategy.
Effective digital marketing requires a whole lot of eggs in a whole lot of different baskets.
If I'm off on this topic please feel free to explain in the comments section, I'd love to learn more.
Search engine optimization (SEO) is such a diverse topic these days. Many even lump in social media marketing with SEO.
While I don't always understand that, I do understand that SEO means optimizing our content for interest and meeting a need.
If content does that well then it's also very shareable on social media.
SEO goes beyond social media though, it has to be anything and everything.
Infographics, videos, images, GIF's (with a hard G!), and all that stuff is an important part of an SEO strategy.
All you have to do is scroll down this page a little bit more to see an infographic that is linked to another website. That right there is SEO with an infographic.
If you create great content then people are bound to link to it eventually. You just have to be consistent with good content and keep on doing it.
You know, you have to create that 10x content that everyone loves. That's another one linked to because of an infographic.
These companies aren't getting links back to their content because they have a 10,000-word blog post (unless it's really spectacular). Nope, it's because they create an interesting infographic.
I've received several links to the perfect social media post infographic but it doesn't have to be an infographic.
Social media demographics are pretty popular and I created a pure, 100% HTML web page that presents information in an interesting visual format. That is a great reference point for other articles and one that has proven link worthy.
The title of the infographic insinuates that these digital marketing trends will expire by 2018. Even if this infographic was from 2015 that's a long-shot.
This is the reason I renamed it to fading. They won't expire, nothing expires in digital marketing but their effectiveness fades and therefore their use also. I backtrack though.
Take a look at this infographic, take these 8 trends to heart. If you're using any of them then it may be time to reevaluate your digital marketing strategy.
A good place to start reevaluating your strategy might be to request a free Online Presence Report or perhaps just schedule a free consultation. Either one is a good place to start to figure out digital marketing solutions that may help grow your business online.


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Posts tagged with "big boss"
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← Dreaming in French: The Paris Years of Jacqueline Bouvier Kennedy, Susan Sontag, and Angela Davis
Moral Origins: The Evolution of Virtue, Altruism, and Shame →
The Art of Robert Frost
Tim Kendall. Yale University Press, 2012. 383 pages. $35.00.
By John P. McWilliams
The Art of Robert Frost is not a book for readers who seek probably apocryphal anecdotes about the craggy sage of yesterday's northern New England. Nor is it a book for those who seek the memorable aphorisms, 'wise saws and modern instances,' of a poet beloved from childhood. Nor is it a book for trendies more interested in the latest literary theory than in lasting literature. It is, rather, a book intensely true to the implications of its title. Kendall gives us sustained reflection, poem by poem, on Frost's poetic craft. He explores the ways in which conversational diction, dramatic dialogue, rhythm and rhyme, "breaking the sounds of sense across the regular beat of the metre," enabled Frost to achieve a poetic idiom accessible and rewarding to readers at every level of literary experience. In similar fashion, Kendall's book will guide a newcomer to understand the essence of Frost's art, while providing the Frost scholar new and challenging readings of poems, many of them familiar, but many comparatively neglected.
Half of Kendall's pages consist of Frost's poems, reproduced in toto and in near accord with their ordering in the Complete Poems. The other half consists of careful, precise three to five page explications that immediately follow each poem Kendall has selected. The approach is thus an amalgam of the close textual approaches of "New Criticism" and of "Reader Response Criticism." The reader experiences the entirety of a Frost poem, then is given a reading of it that combines close attention to poetic detail with pertinent biographical information, comparisons to other poems, and citation of insights from other Frost scholars. This approach is far more risky than it seems. Kendall brings a Frost poem in its entirety directly beneath the close scrutiny and sought appreciation of his reader. There can be no excision of the one or two lines that are useful to prove the critic's thesis while ignoring the rest of the poem. Every reader will question the conclusions of some of Kendall's interpretations, but any reader who would charge Kendall of a clear misreading had best be careful. Kendall's responses to individual words, to poetic forms and to the whole of a poem are nuanced, sensitive and deeply informed.
Kendall is particularly insightful in maintaining a continuing inter-textual dialogue between Frost's poems and their Romantic predecessors, in particular the poems of Wordsworth. With benefit to both poets, Kendall reads "An Old Man's Winter Night" as a rejoinder to Coleridge's "Frost at Midnight," "The Black Cottage" as a response to Wordsworth's "The Ruined Cottage," and "The Most of It" as an analogue to Wordsworth's "There Was a Boy." (And why not, one wonders, compare Frost's "After Apple-Picking" to Keats's "To Autumn"—two of the perfect poems in the language). Frost's emphasis on the fear, animus, marital difficulties, and sheer labor of rural life emerge as decidedly separate from Wordsworth's emphasis on resolution, independence, and endurance. An equally informative kind of inter-textual dialogue could have been set up between Frost and his New England predecessors, Emerson and Thoreau, though Kendall chose not to do so.
Every reader will demur from some of Kendall's selections of poems to be analyzed. I miss "Tree at My Window," "Provide, Provide," "A Drumlin Woodchuck," and especially "West-running Brook." I could have done without "Christmas Trees," "Hyla Brook," "A Star in a Stone Boat," and "The Two Witches." No matter. Every reader will gain greatly from less familiar poems Kendall will open up or renew—in my case "The Onset," "A Hillside Thaw," "The Vanishing Red," and "The Ax-Helve." Kendall shows us how carefully, and to what end, Frost balanced the first and last poems in his first three volumes of poetry. Kendall gives us no less than 120 pages on the entirety of Frost's North of Boston, but every page is worth it, because of the sustained quality of both the poems and the explications. Kendall's reader is never allowed to forget that Frost was forever playing a skillful game of "ulteriority," luring the reader into assuming an ulterior meaning beyond the seemingly simple surface, while refusing directly to divulge it. In poem after poem, Kendall shows us the fine fruits of Frost's reminder: "But all the fun's in how you say a thing."
John P. McWilliams (ΦBK, Princeton University, 1962) is a professor of humanities at Middlebury College and a resident member of the Beta of Vermont chapter of Phi Beta Kappa.


text:
Tytuł: Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 February 26, [No. 539]
Macmillan and Co.
London ; New York
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Nature : a Weekly Illustrated Journal of Science ; Nature : Weekly Journal of Science
nauki matematyczno-przyrodnicze nauka
Dolnośląska Biblioteka Cyfrowa > Uczestnicy Konsorcjum > 01. Politechnika Wrocławska > Czasopisma > Pozostałe
Dolnośląska Biblioteka Cyfrowa > Zasoby > 2. Czasopisma > Czasopisma XVIII-XX w.
Dolnośląska Biblioteka Cyfrowa > Dziedziny nauki > 5. Nauki społeczne
Dolnośląska Biblioteka Cyfrowa > Dziedziny nauki > 6. Nauki ścisłe i przyrodnicze
Dolnośląska Biblioteka Cyfrowa > Dziedziny nauki > 2. Nauki inżynieryjno-techniczne
Nature : a Weekly Illustrated Journal of Science
Nature : a Weekly Illustrated Journal of Science. Volume 1
Nature : a Weekly Illustrated Journal of Science. Volume 10
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1879 November 6, [No. 523]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1879 November 13, [No. 524]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1879 December 4, [No. 527]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1879 December 11, [No. 528]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 January 1, [No. 531]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 January 15, [No. 533]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 February 5, [No. 536]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 February 12, [No. 537]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 March 4, [No. 540]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 March 11, [No. 541]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 April 1, [No. 544]
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 April 15, [No. 546]
Nature : a Weekly Illustrated Journal of Science. Volume 100
Nature : a Weekly Journal of Science. Volume 130
Nature : a Weekly Illustrated Journal of Science. Volume 21, 1880 February 26, [No. 539] 2020-05-14
Nature : a Weekly Illustrated Journal of Science. Volume 22, 1880 September 9, [No. 567]
Nature : a Weekly Illustrated Journal of Science. Volume 22, 1880 September 16, [No. 568]
Nature : a Weekly Illustrated Journal of Science. Volume 22, 1880 August 26, [No. 565]
Nature : a Weekly Illustrated Journal of Science. Volume 22, 1880 July 29, [No. 561]
Nature : a Weekly Illustrated Journal of Science. Volume 22, 1880 August 5, [No. 562]


I could not get off to-day, as I expected in a previous dispatch to you, but will be off on Monday. I was delayed in getting the brigade from Loudoun County and the canvas pontoon bridge, which was necessary for me to have, as all the streams in the country are at present unfordable. Where is Sherman marching for? Can you give me any definite information as to the points he may be expected to move on this side of Charlotte? The cavalry officers say the cavalry never was in such good condition. I will leave behind about 2,000 men, which will increase to 3,000 in a short time.
CITY POINT, VA., February 25, 1865-7.30 p.m.
General Sherman's movements will depend on the amount of opposition he meets with from the enemy. If strongly opposed he may possibly have to fall back to Georgetown, S. C., and fit out for a new start. I think, however, all danger of the necessity for going to that point has passed. I believe he has passed Charlotte. He may take Fayetteville on his way to Goldsborough. If you reach Lynchburg you will have to be guided in your after movements by the information you obtain. Before you could possibly reach Sherman I think you would find him moving from Goldsborough toward Raleigh, or engaging the enemy strongly posted at one or the other of these places, with railroad communication opened from his army to Wilmington or New Berne.


If you're still looking for a reason why India is called a land of fasts and festivals, you're living under a huge rock, my dear friend. We are celebrating a string of New Year's Day in the country under different names in different states. One such festivity is the Pohela Boishakh (also known as Poila Boisakh, Shuvo Noboborsho) celebrated in the state of West Bengal. Pohela Boishakh (Bengali: পহেলা বৈশাখ, lit. first of Boishakh) or Bangla Noboborsho (Bengali: বাংলা নববর্ষ) is the first day of the Bengali calendar and celebrated as the Bengali New Year. People greet each other of the day, send good wishes to family and friends. That is why we bring you a collection of Bengali New Year wishes, Pohela Boishakh images, Poila Baisakh wishes, Shuvo Noboborsho greetings, Shuvo Noboborsho images and wallpapers, Shuvo Noboborsho SMS, Shuvo Noboborsho photo frame, Shuvo Noboborsho WhatsApp Stickers, Shuvo Noboborsho 2019, and more. Shubho Noboborsho & Rongali Bihu 2019 Wishes: Pohela Boishakh & Bohag Bihu WhatsApp Stickers, GIF Image Messages, SMS, Greetings to Celebrate the Bengali and Assamese New Year.
The Pohela Baisakh or the Bengali New Year festival date is decided according to the lunisolar Bengali calendar, a sidereal Hindu calendar. Also spelt as Poila Baisakh, it is a joyous occasion for everyone as it marks the new beginning. The traditional greeting said to one another on Pohela Boishakh is "Shubho Noboborsho" (শুভ নববর্ষ) which means "Happy New Year". You can read more about Poila Baisakh (Pohela Boishakh) 2019 Date and Know History & Significance Behind the Celebration of Bengali New Year. For greetings and images, please scroll down.
WhatsApp Message Reads: This Poila Boisakh, I Pray That All Your Heart's Desires Be Fulfilled. Wishing You a Great New Year!
WhatsApp Message Reads: May All Your Dreams Come True, Your Aspirations Find Bigger Wings and Most Importantly You Feel Loved Wherever You Go".
WhatsApp Message Reads: Jaagbe Pakhi Gaibe Gan, Notun Diner Ahoban. Jegeche Surjo Debe Alo, Agami Din Gulo Sobar Katuk Valo…Subho Noboborsho.
WhatsApp Message Reads: Sending Your Way Heartfelt Wishes and Greetings for the Coming Year. May Your New Year Be Happy and Prosperous! Happy Bengali New Year to You and Your Family.
How to Download Pohela Boishakh WhatsApp Stickers & GIF Greeting Images?
Go to Play Store and search for "Shuvo Noboborsho", you will find a string of apps for Shuvo Noboborsho SMS, শুভ নববর্ষ ১৪২৬ - Shuvo Noboborsho SMS, শুভ নববর্ষের কার্ড-প্রিয়জনকে শুভেচ্ছা পাঠাবার উপায়, পহেলা বৈশাখ ফটো ফ্রেম Shuvo Noboborso Photo Frame. You can also get options to send Pohela Boishakh, Pahela Baishakh Bengali New Year 2019 Photo Editor, Pohela Boishakh Status and more. You can download HERE.
May you come up as bright as sun, as cool as water and as sweet as honey. Hope coming new year fulfill all your desires and wishes. Happy Bengali New Year 2019. Shuvo Noboborsho.


text:
Generate notification icons from http://romannurik.github.io/AndroidAssetStudio/icons-notification.html

Copy directory/files to ```/platforms/android/res/```

Add to ```/platforms/android/AndroidManifest.xml```

```
<application>
    ...
    <meta-data android:name="com.google.firebase.messaging.default_notification_icon" android:resource="@drawable/notification_icon" />
</application>
```


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What are the Benefits of a Synchedin Subscription?
By Johanna Campbell July 12, 2021 10 mins read
Food tastes better when it's free, right? However, music doesn't necessarily sound better when it's free. Let us walk you through the benefits of a Synchedin subscription!
There are plenty of massive advantages to using royalty free music and assets. If you're unfamiliar with what royalty free music is, don't worry – it's kind of our thing. You champion the underdog and independent artists, save yourself money and time, all whilst future-proofing your carefully crafted content.
Royalty free means any assets you use, be it music or sound effects, is appropriately licensed. This means you don't have to carry out lengthy negotiations with record companies or legal teams, all that fun stuff has already been done for you!
It's never a good idea to use assets you don't have the rights or permission to use. In the context of YouTube, you can land yourself with pesky claims on content ID or even the dreaded copyright strike. In doing this, you also run the risk of your creation being removed from sites, or potentially getting into a complicated legal battle.
There are a number of sites and platforms that you can source royalty free assets from. But, we fancied blowing our own trumpet a little bit. So, here's why having a Synchedin subscription is an excellent move for any content creator or indie creative!
Benefits of a Synchedin Subscription
There's nothing more frustrating than reaching allowance limits, or simply not being able to find enough of what you're looking for.
With a Synchedin subscription, you can download assets all day and night. We'll never tell you that you've had enough! Whichever your preferred audio format, you can download as much as you like. This is perfect for creators who value choice, and like to have maximum freedom when it comes to creating.
If you're a prolific vlogger, you'll need lots of music. An indie filmmaker? Even short films need plenty of Foley and sound effects. With Synchedin, the sky isn't even the limit, there just isn't one!
Full Claims Control
You can in fact receive claims from YouTube's content ID system, even if you have used royalty free music. This isn't really something that can be fully avoided, however it can be easily solved.
When you use free stock music or music that isn't part of a subscription, you're left to handle these claims issues alone. But, with a Synchedin subscription, you have the support of some copyright experts at your beck and call.
By working closely with our partner, RouteNote (content ID partner for our music library, covering YouTube, Facebook and Instagram), we offer subscribers full claims control. This means the amount of time you have to wait for claims to be resolved is significantly reduced, so your content can live up to its full earning potential.
When you subscribe to Synchedin, you join a friendly, creative, and supportive family. The life of a content creator can, at times, be a lonely one. It's not uncommon to spend hours and hours on a computer, working alone on video edits, writing scripts, perfecting podcasts.
When you run into problems or have any questions, who do you turn to? Sure, you could turn to your favourite trusted forum or search engine. But sifting through the fact and fiction or waiting for a response can take up a lot of precious time.
Synchedin is run by creatives, who care about making the experience of fellow creatives as smooth and positive as possible. We think speedy response times and detailed answers should be the standard, so that's what we deliver. With community being one of Synchedin's core values, we're always happy to lend a helping hand – just get in touch at support@synchedin.com!
Designed with the Creator in Mind
A real biggie – Synchedin is designed with the creator in mind. We know all too well that resources can be frustratingly limited when you're an independent creator. One of those resources is, of course, money.
Synchedin takes into account the fact that the landscape of a creative is ever-shifting, never solid. So, our subscription options are flexible and manageable to match. Unbelievably affordable prices mean you can have access to high quality royalty free assets without having a big budget.
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There's always something new bubbling away in the pipeline. So, while you grow your career as a content creator and artist, we'd love to grow right alongside you!
You could take your chances and use music or sound effects you've found on YouTube, after hours of scouring. Save a few dollars, but cut corners, risk copyright issues, and not let your content live up to its full potential.
Or, you could become part of an exciting community that champions creativity and fantastic new ideas. Feel supported and secure, whilst having a wealth of choice available to you. With a huge library of awesome royalty free music and sound effects, what's not to like?
Did someone say "free money?" Subscribe to Synchedin and join the affiliate programme to get your hands on some extra passive income. Just refer a friend to give them a 10% discount and earn yourself 10% of revenue!
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Old Navy offers a selection of kids swimwear in the latest styles and fashion colors. Find kids swimwear in an array of designs that are made to provide a comfortable fit and a terrific look for a combination you can't resist. Discover the collection of kids swimwear at OldNavy.com and step into style.


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Монастырь Джу́рджеви-Сту́пови (, ) во имя святого великомученика Георгия — мужской монастырь Сербской православной церкви в городе Беране в Черногории. Центр Будимлянско-Никшичской епархии.

История
Монастырь является задужбиной жупана Стефана Первослава (ум. около 1220), сына великого жупана , старшего брата Стефана Немани. Согласно преданию, монастырская церковь построена в 1213 году, но на основании архитектурной схожести с церквами, построенными во второй половине XII века, её постройку иногда датируют 80—90 годами XII века. Придерживавшийся второго мнения Джордже Бошкович считал, что ктитором храма был травунский жупан . Тем не менее возле южной стены наоса сохранилась могила Первослава, а надпись на стене сообщает, что здесь покоится «жупан Првослав, сын великого жупана Тихомира, племянник Симеона Немани и ктитор места сего», датированная исследователями 1220 годом. Бошкович утверждал, что надпись была обновлена в XVI веке.

В 1219 году Савва Сербский учредил Будимлянскую епархию с центром в этом монастыре. Вероятно, при митрополите Матфее (около 1552 года) кафедра была перенесена в монастырь Николяц.

Турки разоряли монастырь в 1738, 1825, 1862 и 1875 году. Также обитель пострадала от пожара в 1912 году. Во время Первой мировой войны австро-венгерские войска разместили в стенах монастыря конюшню, а затем столовую и казарму. После войны монастырь был восстановлен.

После Второй мировой войны монастырь был упразднён. В 1970-х проводилась реставрация церкви. В 2001 году была восстановлена Будимлянско-Никшичская епархия с центром в возрождённом монастыре Джурджеви-Ступови. Монастырь мужской и живёт по общежительному уставу.

Примечания

Православные монастыри Черногории
Монастыри Сербской православной церкви
Мужские монастыри
Будимлянско-Никшичская епархия

redpajama_set_name: RedPajamaWikipedia


Shrimp shack is not a fancy restaurant with luxurious interior or entrée plates with all the garnishes & sauces. Shrimp Shack is a casual no frill hometown restaurant that SIMPLY serves the regular folks.
Simple starts with using the freshest quality real products. We do not use anything pre-cooked or processed. Every morning, every day we start early preparing our fare for the day.
We are not a chain restaurant. Shrimp Shack is a Lee County Florida original, started in 1998 by Lee county local woman. Our passion is simply in offering great food and excellent service in a casual and friendly local restaurant.
We are for the friends celebrating a birthday, ball game, dance recital, or just a fun gathering. We are for the local workers from lawn care, electrical, plumbing, bus drivers, office workers, & many other professional folks out there looking for a good, quick & affordable lunch. We are for the regulars that look for a friendly familiar face and place to call their kitchen. We are for You: that is if you are looking for great food and service in a casual friendly local restaurant.
This was our first time here and we loved it. Our food was awesome and our waiter was the "best". Lee said it was the "best" crab cake he has had since he has been in Florida. We will be returning.
Fantastic, big portions, great service (Steve was great). The best place I've gone for seafood in the area yet. Everything prepared to order, even the sauces on the table. Shrimp out of this world. Try the crab dip with homemade chips!!! Place is clean to boot!!!
This place is hands down the best for fried shrimp anywhere. I loved their shrimp and Manhattan clam chowder. It's one of my favorite restaurants in all of Ft Myers. The staff are all very friendly. I love the Shrimp Shack.
Extensive menu, quick service, and friendly servers. My favorite dishes are the shrimp coated in a spicy cajun cream sauce and the crab legs. Both are delicious and very filling. There's something for everyone at the Shrimp Shack.
As owners Kathy Harshman & Charlotte Fennell work side by side our employees. We take great pride in serving the best products with the best service in town. We as owners know we can't do it alone, we need a superb staff who has the same values we do. We need a staff that love to work here & love our customers.


There is only one place most snow sport enthusiasts look to in the world for quality and consistency, and that place is Switzerland. It is primarily famous for its facilities in skiing. snowboarding, tobogganing, ice climbing, ice diving, dog sledding and air boarding. During the summer seasons, a whole new set of activities opens up within the region such as Nordic Walking, Climbing, Hang Gliding, Canoeing, Rafting, Spelunking, Mountaineering, Cliff Diving and Gold Panning. The natural beauty of the entire region along with a wide spectrum of activities makes Switzerland one of the most preferred adventure tourism destinations in the planet.
Although New Zealand is one of the smaller countries in the world, it has an extremely diverse topography and landscape, allowing it to host a wide range of adventure sports amidst its own natural splendor. The country uses its vast mountains, expansive volcanoes, meandering rivers and infinite coastlines to create some truly memorable experiences for adventure sport enthusiasts as well nature lovers. Apart from being the pioneer destination for Bungee jumping, the country is also renowned for hosting Snowboarding, White Water Rafting, Sky Diving, Hang Gliding, Heli-Skiing and the famous Night Water Rafting that can be experienced only in New Zealand.
There are two specific regions in South Africa that are famous for hosting some of the best adventure sports in the world along with being extremely serene. The Okavango Delta of Botswana and the Mediterranean shores of Tunisia are renowned for their excellent Diving, Rafting, Mountain Climbing, Trekking, White Water Expeditions and Surfing.
Australia, much like New Zealand, has some extremely varied terrain that helps facilitate a wide range of adventure sports. This includes Scuba Diving at the Great Reef Barrier, Outbacking, Spelunking and Biking at Ayers Rock and Blue Mountain, along with a whole range of water sports such as Surfing, Kayaking and Windsurfing that are available all around its free-flowing coasts.


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Genre is Electronic
Music style of this album is Techno Euro House (click to watch other releases of this style)
This album was released on the label X-Plode (2) (catalog number 130-07-736) Bellaphon (catalog number 130-07-736)
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Perfect business listing companies have more customers and greater success at SwissRegio in the Switzerland the opportunity your company very goal-oriented to present. Also you can take advantage of the opportunities and make your business through a business listing even more successful. This SwissRegio offers several criteria, which can select prospects in finding a suitable partner. The regional allocation is of course very popular. Tourists and locals use this choice to a service company, to find a boutique or a recommended hotel close to her. But the search is becoming increasingly popular to industry-typical characteristics.
Finally a very special company is looking for in our innovative time increasingly. You should describe as precisely as possible so your company and its special properties. As a result, differentiate themselves from their competitors and show what you and your team. SwissRegio will be happy to assist you with a dynamic form of advertising. So especially the startup in the Switzerland will be boosted from the outset.
German entrepreneurs in the United States is the concept, success comes the United States are the birthplace of Microsoft and Apple fans just as fascinated look overseas. Here, names such as Steve Jobs and Steve Wozniak have become legends. There is a chance in such a market for immigrant in the United States German at all? Can they run there own successful software forging? And what is with German, Austrian or Swiss software – and IT companies, which expand in the United States: they can secure themselves a niche in the market? Clearly yes, if offered the right products", says Max Karagoz company ALTON LLC (www.us-corporation.org). telecommunication software"is a 1994 company headquartered in Innsbruck, offering special software solutions in the field of telecommunications. SAMwin contact center suite"is the call center program with extensive features offered by the company. Filed under: Pete Cashmore. telecommunication software"has locations in addition to its headquarters in Austria in Of Switzerland, Germany, Denmark and now in the United States. se.
ALTON LLC helped the company build its subsidiary in the United States. At the same time, ALTON LLC provides his customers with the registered agent. He serves as official partner of the company for American Government agencies. The registered agent is also necessary when a limited liability company (LLC), registered in the United States or a U.S. Corporation in Germany alone, and not in the United States. Entrepreneurial advice and providing a bank account in the United States belonged to the ALTON LLC"services for telecommunication software. Psynetic LLC is an another software company that was supported by ALTON LLC when the company was founded in the United States.
ALTON LLC was also advising, was the registered agent and gave its customers an American Bank account. Psynetic LLC is a provider of accounting software. Also on the US software market, the concept must be the software market in the United States can be an extremely worthwhile market.


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Double Costs under Rule 420 in Respect of Counterclaim
Eli Lilly Co. v. Apotex Inc. / cefaclor, 2011 FC 1143 Gauthier J (Costs)
This is a decision on costs related to 2009 FC 991 aff'd 2010 FCA 240, in which Gauthier J held in favour of Lilly in an infringement action against Apotex, and against Apotex in its Competition Act counterclaim against Lilly and Shionogi.
Gauthier J dealt with costs in the main action and the counterclaim separately. With respect to costs in favour of Shionogi on the counterclaim, the main question whether particular settlement offers triggered doubling of costs under Rule 420. Gauthier J affirmed that Rule 420 as amended requires only that the offer remain open until the start of the trial or hearing [25]-[36], and not until the matter is taken under advisement or judgment is rendered. Note that an offer that does not trigger Rule 420 may nonetheless be considered under the general Rule 400(3)(e).
Further, in an apparently novel point of general interest, Gauthier J held that "although there was only one scheduling order issued for the trial of the various proceedings in T-1321-97, the main action and the Competition Counterclaim were two completely distinct proceedings." Consequently, a settlement offer in respect of the Competition Counterclaim had to remain open not just until the start of the trial as a whole, but until the start of the portion of the trial dealing with the counterclaim [27].
On the facts, one settlement offer made by Shionogi triggered Rule 420. Gauthier J declined to exercise her discretion to lower the amount payable under that Rule. She noted that Apotex had added Shionogi as a defendant two years after instituting the Competition Counterclaim against Lilly, and it had apparently done so primarily to get evidence from Shionogi [40]. Gauthier J stated that
[41] The Court should not be taken as condoning the practice of suing a party solely to facilitate the acquisition of evidence or to put pressure on a third party. There are more appropriate means to obtain evidence from a non-party, including a foreign company.
Gauthier J also noted that the Shionogi evidence was ultimately not particularly helpful [42], and while Apotex was entitled to "insist on the strict application of the rules of evidence with respect to the filing of documents," and to obtain a procedural advantage in order to settle its Competition Counterclaim with Shionogi," such decisions might have costs consequences: "it cannot expect to impose its choices on Shionogi or Eli Lilly" [49].
On the main action, Gauthier J was not able to assess whether Rule 420 was triggered. Rule 420 turns on a comparison between the offer and amount awarded, and at this point it remained too difficult to estimate the quantum [65]. Gauthier J noted that "in the context of bifurcated action, the application of Rule 420 can be difficult and will require more judicial consideration" [66].
Posted by Norman at 3:28 PM
Labels: Costs, Procedure
Amalgamation, Equitable Election, and Section 8 Cl...
Double Costs under Rule 420 in Respect of Counterc...
Hints on Validity as a Defence to a Section 8 Action
Interlocutory Injunctions in Australia
Relevance of Simultaneous Invention to Obviousness
"Secondary" Evidence of Obviousness Is Not Seconda...
Computer Implemented Inventions in the UK


text:
Foundation Goodplanet
Environmental news and related issues
Act Burkina Faso @en
Published on: 14/08/2008 Last updated: 14/08/2008 18h58
Since the 1980s, the engineer Pierre Rabhi has been developing agroecology in very poor rural areas in Burkina Faso. This technique improves the soil's productivity. A natural compost made with manure, clay, organic material and bones covered with straw replaces chemical fertilizers, puts nutrients back into the soil and reinforces the plants. In Gorom Gorom, an agroecology training centre and a hotel complex have been opened. Today, in Burkina Faso, 100 000 small farmers use agroecology and have regained their independence whilst respecting biodiversity.
Tags Burkina Faso @en
15/2/2012 News Angola @en, Benin @en, Botswana @en, Brunei Darussalam, Burkina Faso @en, Burundi @en, Cameroon, Central African Republic, Chad, Congo (Republic of the), Democratic republic of the Congo, Djibouti @en, Egypt, Equatorial Guinea, Ethiopia, Gabon @en, Gambia, Guinea, Guinea-Bissau, Israel @en, IT, Ivory Coast, Kenya @en, Lebanon, Lesotho @en, Liberia @en, Libyan Arab Jamahiriya, Madagascar @en, Malawi @en, Mozambique @en, Namibia, Niger @en, Nigeria @en, Poverty, Rwanda @en, Senegal @en, Sierra Leone @en, South Africa, Sustainable development, Swaziland @en, Tanzania, Togo @en, Tunisia, Zambia, Zimbabwe @en
Wikipedia to be free on mobiles in Africa, Middle East
20/12/2011 News Algeria, Burkina Faso @en, Chad, Climate change, Desertification @en, Eritrea, Ethiopia, Forests, Mali @en, Mauritania, Niger @en, Nigeria @en, Soil degradation, Sudan, United States of America
Climate change killing trees across the Sahel, says study
18/2/2010 News Afghanistan @en, Albania, Angola @en, Australia, Austria, Belgium, Benin @en, Bolivia, Botswana @en, Bulgaria, Burkina Faso @en, Cameroon, Canada @en, Cape Verde, Central African Republic, Chad, Chile, Colombia, Comores @en, Conflicts, Congo (Republic of the), Costa Rica @en, Croatia, Cyprus, Czech Republic, Democratic republic of the Congo, Denmark, Dominican Republic, El Salvador, Fiji, France @en, Gambia, Germany, Ghana @en, Governance, Guatemala @en, Guinea, Guinea-Bissau, Haiti @en, Health, Honduras @en, Hungary, Iceland, Indonesia, Iraq, Ireland, Italy, Ivory Coast, Jamaica, Japan, Kenya @en, Lao People's Democratic Republic, Lebanon, Lesotho @en, Liberia @en, Liechtenstein @en, Lithuania, Luxembourg @en, Macedonia, Madagascar @en, Malawi @en, Mali @en, Malta, Mexico, Moldova, Monaco @en, Montenegro @en, Mozambique @en, Namibia, Nauru @en, Netherlands, New Zealand, Nicaragua @en, Niger @en, Nigeria @en, Norway, Palau, Panama @en, Paraguay @en, Peru, Philippines @en, Portugal @en, Rwanda @en, Saint Vincent and the Grenadines, Samoa @en, San Marino, Sao Tome and Principe, Senegal @en, Sierra Leone @en, Slovenia, Somalia, South Africa, Spain, Sustainable development, Sweden, Switzerland, Tanzania, Togo @en, Tunisia, Uganda, United Kingdom of Great Britain and Northern Ireland, Uruguay @en, Zambia
Cluster bombs banned
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Local Students Name New Darlington Housing Development Streets
Posted by Emily | Aug 18, 2015 | Education, Property | 0
Students from two Darlington schools have visited a new housing development in the town after winning a competition to name the scheme's streets.
Esh Property Services, part of Esh Group, in partnership with Coast & Country Housing and Livin, developed the former Eastbourne Comprehensive School site to provide both open market and affordable housing.
The new development, renamed 'Sandmartins', includes 76 two, three and four bedroom houses and bungalows. The Homes and Communities Agency (HCA) funded part of the development and, as part of this agreement, required a research project with a local education establishment to be created as part of its skills and employment strategy,
David Halfacre, Chairman of Esh Property Services explained:
"We always look for opportunities to work with local communities as part of our work – so we were delighted to work with two local schools as part of our development of Sandmartins particularly as the project resulted in them having a lasting impact on the scheme."
To help to achieve the HCA's aims Esh Property Services joined forces with Darlington School of Maths and Science (DSMS) and the Haughton Academy at the Education Village to organise a 'British Wild and Wetland Bird Species' project, in keeping with the theme of the development.
Pupils were challenged to use this theme to propose new street names for the Sandmartins development. Lapwing Drive, proposed by DSMS, and Pintail Close, an idea from Haughton Academy were chosen following presentations to a panel of local business people and representatives of Darlington Borough Council.
Students from both schools were invited to Sandmartins where the street signs are proudly displayed.
Lauren Kelly, Development Project Manager at Coast & Country, said: "Along with our partners we are very proud of the Sandmartins development, which is providing quality, affordable homes for people in Darlington.
"It was fun to work with the students and their suggestions were well received. Lapwing Drive and Pintail Close fit perfectly in with the chosen theme for the development and it was a pleasure to welcome the young people along to visit the site."
David Halfacre, Chairman of Esh Property Services concluded:
"The success of the road naming project is just a small example of the overall success of Sandmartins. This scheme has been an exemplar of putting land into new use to properly benefit the area and local people and has been a tremendously successful collaboration between Coast & Country Housing, Livin, Darlington Borough Council and Esh Property Services.
"For a development of this size and quality to have planned, designed, created and put into use in such a short timescale is a credit to every single person who has been involved in it and we are very proud and delighted to have played our part."
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What are the benefits of SPR Membership?
SPR annual meeting:Enjoy member rates to attend the SPR annual meeting and pre-conference workshops. The annual meeting provides a great opportunity to increase communication between scientists, public policy leaders and practitioners concerning the design and implementation of evidence-based preventive interventions aimed at reducing crime and other public health concerns.
Prevention Science journal: Print subscription and online access to Prevention Science, SPR's official publication. This is an outstanding interdisciplinary forum for reporting new developments in the theory, research and prevention practice. Eight issues per year, impact factor = 2.9.
Opportunities for Collaboration and Professional Engagement – Enjoy networking and building partnerships that will advance your research and practice, especially through SPR's active Diversity Network Committee, International Committee, and Early Career Preventionist Network.
Leadership and volunteer opportunities: Add volunteerism and leadership skills to your resume by serving on committees and running for Board membership and office.
Networking, collaboration and contact through the online member directory (pending), Facebook, Twitter and listserv: Quick and easy ways to locate colleagues, communicate online, and share your name and expertise with others in the field.
If you have any questions about membership, Please contact the SPR Administrative Office by emailing info@preventionresearch.org or calling 703-934-4850 ext. 218 (DeeJay Garringo, CAE, Membership Director).


text:
Build Your Own Terrarium
Join artist Greg Herbert to explore and celebrate the different varieties of micro-ecological systems that exist in our everyday infrastructure such as back gardens, balconies, rooftops and window ledges.
Drawing on his own sculptural practice and research, the artist will provide a step by step guide to help you identify and seek out different varieties of moss and learn how to build a bottle terrarium from recycled materials.
Venture out safely on your daily stroll and see which moss varieties you can forage using the PDF moss map below. Then, join the Facebook event to have a go at building your very own moss terrarium with your findings!
In the Facebook event, you will receive a PDF Build a Bottle Terrarium guide alongside an image-video tutorial.
Greg Herbert Micro Ecologies Moss Map (.pdf, 3.44mb)
How to Build a Terrarium by Greg Herbert (.pdf, 2.88mb)
Header Image: Microecologies (2020), Photograph by Greg Herbert, Courtesy of the artist
Mosses are often described by what they lack, in comparison to the more familiar higher plants. They lack flowers, fruits and seeds and have no roots. They have no vascular system, no xylem and phloem to conduct water internally. They are the most simple of plants, and in their simplicity, elegant.
Robin Wall Kimmerer
Gregory Herbert


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require('../modules/es7.math.isubh');
require('../modules/es7.math.imulh');
require('../modules/es7.math.umulh');
module.exports = require('../modules/_core').Math;


For your consideration, Garrett Park Guitars presents this 2012 ES Johnson Semi-Hollow.
This handmade semi-hollow was made by local builder Eric Johnson. The quality is superb and the guitar is in excellent to near mint condition save for two small pencil eraser size dings on the edge of the back and extra screw holes at the jack plate. It has a beautiful tri-color sunburst, flamed maple top, mahogany back and sides, rosewood fingerboard, dot inlays, tuneomatic bridge & stop tailpiece. It has a chunky (think '59 Les Paul) neck profile, 25 3/5" scale length, 1 11/16" nut width.
Eric Johnson grew up with and has built guitars for over 35 years with Joe Knaggs and the quality and playability of his guitars are exceptional. Comes with a Levy's gig bag.
Pictures of the actual guitar. Not stock photos.