If we want to look for accommodation and booking, there are several options to choose from. People can choose to use internet search and they book accommodation themselves, which they have to coordinate everything with the landlord, and they have risk of pay, or they go to a travel via a travel agency where the administrator of the office administers everything with adequate accommodations, in this case we can pay safely, and we only need to travel. The second option is more popular, but more and more travel agencies open in Hungary, which have to compete with each other. Each agency plans to lure more customers in their agency who are satisfied with the services, and they will be the guests of the agency again, and again. Every little detail of a vacation matters, the tourism agencies have to provide extremely accurate administration to ensure a worry-free vacation. This can happen if they use an application that allows for accurate and fast search and that has reliable reservation function. The most suitable systems are the ERP systems, so more and more agencies will introduce this system.
In this paper I present a development of application, which is in SAP, in ABAP language. SAP systems are more popular, since there are many introductory reliable partners.
I present what data is needed for development, how can be these data stored in tables and how these tables are connected. The individual function's process are easier to interests of transparency I create diagrams and figures also. I implement the processes, and then I test the proper functioning of the program with various tests and various data.


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Walt Disney World Marathon Weekend Returns January 4
Friday, December 23, 2016 Advisory, Walt Disney World, Walt Disney World Marathons
The 24th annual Walt Disney World Marathon Weekend presented by Cigna will return to Walt Disney World Resort January 4-8 with a series of events leading up to the big race that winds through each park and the ESPN Wide World of Sports Complex. To accommodate the weekend's multiple events, Disney will make some adjustments to the transportation schedule, including road closures during the races. As a result, Guests may encounter detours and delays.
As one of the largest sporting events in Central Florida, and one of the nation's top destination races, the Walt Disney World Marathon Weekend is expected to draw more than 100,000 fans, spectators and runners from around the globe.
Weekend Overview
runDisney Health & Fitness Expo - ESPN Wide World of Sports Complex
Jan. 4 – Noon-8 p.m.
Jan. 5 – 10 a.m.-7 p.m.
runDisney Kids Races - ESPN Wide World of Sports Complex
Jan. 5, 6 and 7 – Kids dashes at 11 a.m. and 1-mile run at 12:30 p.m.
Walt Disney World 5K - Epcot
Jan. 5 – 6 a.m.
Walt Disney World 10K - Epcot
Jan. 6 – 5:30 a.m.
Walt Disney World Half Marathon - Epcot
Walt Disney World Marathon - Epcot
Major roads, including Osceola Parkway, Victory Way, World Drive and Epcot Center Drive will be closed or operating under traffic restrictions starting at 4 a.m. on Friday, Jan. 6 and 11 p.m. Friday and Saturday, Jan. 6 and 7. Drivers should closely follow roadway signs and allow for extra travel time.
Transportation has been arranged for participants staying at host resorts. Buses will be indicated by runDisney signs placed in the front windows. Please, note that transportation is only provided to and from host resorts. Guests who do not stay at a host resort are responsible for their own transportation to and from race-related events.
Transportation schedule
Wednesday (Expo):
Host Resorts to EWWS: 11:30 a.m. – 7:30pm
EWWS to Host Resorts concludes at 8:30pm
Thursday (Expo):
Host Resorts to EWWS: 9:30am – 6:30pm
Thursday (5K):
Host Resorts to/from Epcot: 4-5:30am and 7-9 a.m.
Friday (Expo):
Friday (10K):
Host Resorts to Epcot: 3:30-5:00am and 7-10 a.m.
Saturday (Expo):
Saturday (Half Marathon):
Host Resorts to/from Epcot: 3:30-5:00am and 7-11:00am. Race participants must board a bus or monorail to Epcot no later than 4 a.m. to be on time for race start. Transportation will continue throughout the morning for spectators.
Sunday (Marathon):
Host Resorts to/from Epcot: 3-5:00am and 7 a.m. - 2 p.m. Race participants must board a bus or monorail to Epcot no later than 4 a.m. to be on time for race start. Transportation will continue throughout the morning for spectators.
Spectator viewing
There will be spectator viewing areas at each race's start and finish areas.
MAP: © 2016 Walt Disney World Resort. All Rights Reserved.
Walt Disney World Marathon Weekend Returns January 4 Reviewed by OTPN Administrator on Friday, December 23, 2016 Rating: 5

redpajama_set_name: RedPajamaCommonCrawl


GitHub is an open source coding community, who prides itself in transparency, connectivity and creating a collective product. The goal for this tech company's new office expansion was to soften the harsh, masculine feel of their current brick and timber framed building, while providing a variety of opportunities for working. Before designing, we executed an extensive programming analysis, which enlisted focus groups, individual feedback, utilization surveys and even aesthetic preferences. This helped our design team to understand and respond to the bid goals and spatial issues, what was working and what wasn't, and what resonated with employees culturally and the values that held true. After collating the data into a comprehensive report, the solution that arose was overwhelmingly in contrast with their current space.
working, and new opportunities for vibrant communities.
The "future of dentistry" was the driving concept behind this project. Our design challenge was to change the way patients perceive and receive dental care. We were able to do this by making design decisions based off of the characteristics of innovative, familial and fun. Along with a subtle, clean and soft palette we are able to evoke this notion of the familiar. The operatory room's pitched ceiling plays off of a classic residential roof-line as well as brings a twist on the basic tooth structure; literally a "playful edge." With a team of two graphic designers and two spatial designers, I was completely involved in the development, design and production from programming through to construction administration.
The objective for this project was to embody the location, environment and client's values through a design that was familial yet able to stand out from its surroundings. We created a flexible system of experiences that reinforce the people-focused and revolutionary spirit of our client, both through the building and interior spaces. Through the use of dynamic axial shifts we allowed our building to dictate ones focus towards the mountains. The concept behind both the exterior and interior faceted architecture was to communicate our client's vision for always looking forward, thus never static and constantly innovative in its ways. When driving by or experiencing the interiors, our design embodies movement and change. For the interior spaces we communicated our client's solar dedication, through a gradient affect that alludes to the solar cycle. With a five-person team at Rapt Studio, I was completely involved in the development, design and production from schematic design through the documentation of this project.
Infrastructure is the foundation of all cities. Everyday our vital resources are delivered by unseen networks. There are two types of infrastructure: systems that require human presence and those that do not. Infrastructure that supplies resources falls within the latter category, because its function does not involve prolonged human access. The general public rarely acknowledges the spaces devoted to resource distribution, unless the resource is not forthcoming. The disconnect between source and recipient becomes a critical issue. Over time, infrastructure technology changes, and existing systems are rendered obsolete. Can defunct infrastructure be the tool that passively heightens awareness of resource consumption? Would public access to these hidden spaces raise awareness of the resources surrounding us? In order for these structures to be usable spaces in modern society, we must take into account the addition of ventilation, daylight, and human dimensions.
Because the roots of resource infrastructure begin with ancient aqueducts, this thesis will investigate the McMillan Slow Sand Filtration site, which supplied the nation's capitol with chemically free filtered water from 1905 to 1986. I am creating a Community Driven Movement through the DC Exchange marketplace. Through the intervention of ventilation, daylight and proportional space, such infrastructure will once again become usable space in modern society.
When conceptualizing our design for the Louisville Children's museum, we wanted to take the fun and exciting qualities that shape children's design and allow these aspects to extend past the building's facade. Our concept was to design a "Cultural Campus" that unifies the museum as well as the urban spaces throughout the site (which includes the parking structure and surrounding landscape). The program called for interior space dedicated to a museum, library and Hi-Tech start up incubator. In order to create separation between spaces, we split our massing in half, which allows for open space to fall in the middle. This public space becomes an anchor point for museum activities as well as an interactive space for the surrounding neighborhood. In order to connect the two masses, a series of bridges were developed to house potential exhibition space as well as create a visual and spatial narrative with the public space below. Solid structural elements were designed to protrude from the facade, which provide interactive screens that display what exhibits are occurring. In order to reinforce connection throughout the neighborhood, one of the buildings is lifted off the ground to create seamless circulation from the parking structure to the museum entrance. This unique massing strategy in turn allows visitors, workers and neighbors to interact throughout the day.
During my internship work at Praud, I was a part of the development and design of the below completed visual submission. All the work displayed was created and produced by a team of 5 at Praud (Rafael Luna - co-founder, Dongwoo Yim - co-founder, Geonwoo Nam, Zhilin Ding).
When it comes to public facilities for transit, the main priorities are functionality, efficiency, and cost effectiveness. In the rare occasion that such facilities are able to capitalize on brilliant design, it is even rarer for such spaces to harvest public gathering and activity spaces within its walls. These facilities are there to function and function flawlessly, so that commuters can enter and exit as quickly as possible. But what if such a space becomes a hub of interaction and public gathering? Would our outlook on travel shift as well? The ring form is able to give meaning and context to an enclosed and secure public hub. When traveling, waiting is inevitable. The ring form harbors the potential for additional programs and activities to occur within a fully functioning transit facility. Instead of creating a secured building that is unconnected to its surrounding, culture and land, the Kinmen Ring prevents travelers from losing sight of where they are and the culture surrounding the city of Kinmen, Taiwan.
Building remodel including removal of existing exterior veneer, new glazing systems, exterior court, and new roof occupancy.
The objective for this project is to help draw technology companies into San Jose to help revitalize the city center. Originally a JC Penny Department store, this building is being transformed into an inviting open office space with two separate street front retail spaces which help to create an interior public lobby that is busting with activity. Our concept was to maximize light as well as reveal the existing structural members and thus character of this historic department store. Through a continuous site line, ones view is drawn from the entry lobby all the way through the interior court and to the back elevator wall. The entry experience is populated with double height spaces, a floating walkway and direct access to the adjacent Blue Bottle.
"We'll come to you", that's their motto. In order for preventative dental care to succeed, flexibility and convenience become essential. This design, based on innovation and accessibility, flips the industry on its head and brings the doctor to you. With a growing number of campus based companies, the dental industry could cater to the workforce through mobility. As the lead designer, along with the support of a graphic designer, an architect and a design director, we created a form that evokes a sense of community through three recognizable rooflines. The familiarity of the home was used as the focal point of this project with humble materials and simple details.
The goal of this project was to bring the Silicon Valley workplace style to a fast growing Chinese Technology Company. The resulting designed masked traditional Chinese rituals with a western lens to create a familiar, approachable and innovative sense.
Bringing the tech vibe and open plan work style to Pennsylvania was the client's first priority. How can we create a space that tells our employees who we are and entices prospective clients and talent about the potential of the company?
Rapt's objective was to design an experience that will allow our client to foster a culture of innovation and retain the best talent. We strove to design an inspiring workplace that will secure our client's position at the forefront of the payment technology landscape, smoothly supporting the move from a traditional financial services company into a technology driven organization. With a team of five, I was completely involved in the development, design and production from schematic design through construction administration of this project.
Its not just about projecting a movie, it's about choreographing an exceptional encounter. This space will be the new gold standard of theater experiences. The Real D technology perfects the visual experience of a movie. The concept of visual distortion twists reality in the spaces surrounding and leading into the auditorium, by manipulating visual acuity. It triggers one's intrigue, questions one's surroundings and transports one into another realm. By distorting the build form surrounding you, each visitor comes into question with reality.
This project was part of a one-month design build studio in La Flor, Costa Rica. Within the agricultural campus of Earth University, 13 of my classmates and I built a prototype schoolhouse that developed systems to improve sustainability, air circulation, water collection/filtration and sun regulation for the Central American climates. Our goal of sustainability did not only apply to systems and local material use, but also a key result was the building's ability to be replicated. By observing and learning about the environmental challenges prevalent in the dry tropics, we were able to design a building whose characteristics responded directly to our site. During our discussions and debates, a few key systems and design elements were agreed upon. The weather conditions became the driving factor. Our siting, just to the Northeast of a vegetated grove, protects the building from the prevailing winds while also positioning our roof line to help collect water during the rainy season. Once these initial site decisions were made, we were able to finalize a structural as well as aesthetically pleasing design. From when we broke ground to the last day of construction, my classmates and I were able to complete the buildings structural framing in two weeks.
This library design was inspired by the concept of an individual book. Like a chapter building upon the previous chapter, each floor of the building builds up from the next. Similar to the plot twists of a book, each of the buildings floor plans have slight variations in square feet, exterior and interior space, and most importantly axial orientation. The circular form mimics the way a story unfolds, like a narrative that comes full circle and links back to the beginning, its roots. The building's steel sunscreen creates a protective layer that weaves the floors together, which symbolically represents a book's cover. The concept of a book helps to create a story as one circulates, by keeping the visitors attention towards the central atrium, as a means of escape for the surrounding city.
During my internship work at Praud, I was a part of the 2024 Boston Olympic bid submission, where I created graphic studies for publication. To help understand Boston's proposed multi-campus Olympic model, I compared it to those of previous Olympic models. The traditional, singular village model often fails post ceremony due to the pressure of economic upkeep and distanced local. No matter how robust of a development plan is set in place, these venues seem to be left to ruin due to the distance from the city center. All the work displayed was created and produced by my individual hand.
The city of Boston hosts 22.1 million annual visitors. Boston Tourists account for 48% of MA state annual revenue. But with a single visitors center providing the needed information, tourist are stuck spending the time gathering this information. So how can we improve visitor's experience? The answer is Infotel. Infotel is based on the concept of easy to access information. With Infotel, Boston can eliminate the hassle of travel by compiling needed information under one roof. By decreasing the hours spent traveling to tourist posts, persons have more time experiencing Boston. With a variety of collated information, Infotel can extend its clientele base by pulling from local, regional, national, and global data sources. My concept of an information portal is articulated in the module design as well as the dwelling unit, through its spatial layout and interactive characteristics.
This research investigates the climate conditions of our site, along the Woonasquatucket River in Providence RI. We studied the global, regional, and local conditions. Global winds and tides, affect storm cycles and magnitude along the northeast coastline. We examined historical data to understand the environmental changes throughout time. We examined regional precipitation, temperature, humidity, wind speed and direction, and solar angles and their seasonal affects. The local climate conditions are altered due to the urban heat island effect and local microclimates. Tree cover and material location become determining factors for the local conditions.
Railroad development has a distinguished role in Providence's past, which is exhibited through many of the city's factory buildings. One such factory, The American Locomotive Company, called the Valley District its home. I wanted to continue revitalizing the history that railroads have played within Providence, and specifically this site. With the remnants of tracks running across the Woonasquatucket River and accessing the site, my concept plays off of the linear stacking of programmatic train cabs and the multiplicity of intersecting tracks. I created a system of pathways that bisect between activity zones as well as significant transition points. As one crosses the site from Valley Street to the River, these shifts in alignment cause the visitor to reorient himself to become aware of the surroundings and to become conscious of programmatic changes. I also used the technique of graded berms as a means to connect the hillside to the waterfront. In order to reintroduce the community to the River, I designed entirely new tracks that will bustle with activity along its bank.


text:
Elisabeth of Cieszyn (; after 1340? – after 20 January 1364), was a Polish princess, member of the Piast dynasty in the Cieszyn branch.

She was the fourth daughter and youngest child of Casimir I, Duke of Cieszyn, by his wife Euphemia, daughter of Duke Trojden I of Czersk-Warsaw.

Life
From childhood, Elisabeth was destined for the Church by her father, like her older brothers Bolesław, Jan and Siemowit and her older sister Jolanta Helena.

Elisabeth entered as a nun in the Cistercian monastery of Trzebnica. Presumably in 1363, she fled from the Trzebnica monastery and began a relationship with John Henry, Margrave of Moravia, brother of Emperor Charles IV. The scandalous news soon reached Rome. By a letter dated on 20 January 1364, Pope Urban V demanded of the Bishop of Wrocław, Przecław of Pogarell, that he convince Elisabeth to break her concubinage with the Margrave of Moravia and return to the Trzebnica monastery. Soon afterwards, the liaison between Elisabeth and John Henry ended, and by 26 February 1364 the Margrave of Moravia was married for the third time, to Margareta, daughter of Albert II, Duke of Austria.

Elisabeth's later fate is unknown, as are the date of her death and the place of her burial.

Ancestry

References
This article was translated from his original in Polish Wikipedia.

Genealogical database by Herbert Stoyan

Genealogy of the Dukes of Cieszyn

Further reading
Rajman J., Elżbieta, in: Piastowie. Leksykon biograficzny, Wydawnictwo Literackie, Kraków 1999, p. 794.

1340s births
Piast dynasty
14th-century deaths
Cistercian nuns

redpajama_set_name: RedPajamaWikipedia


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Directed sets and cofinal types
Author: Stevo Todorčević
Journal: Trans. Amer. Math. Soc. 290 (1985), 711-723
MSC: Primary 03E05; Secondary 03E35, 06A10, 18B35, 54A15
DOI: https://doi.org/10.1090/S0002-9947-1985-0792822-9
MathSciNet review: 792822
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Abstract: We show that and are the only cofinal types of directed sets of size , but that there exist many cofinal types of directed sets of size continuum.
References [Enhancements On Off] (What's this?)
[1] U. Abraham and S. Todorčević, Martin's axiom and first-countable 𝑆- and 𝐿-spaces, Handbook of set-theoretic topology, North-Holland, Amsterdam, 1984, pp. 327–346. MR 776627
[2] James E. Baumgartner, Applications of the proper forcing axiom, Handbook of set-theoretic topology, North-Holland, Amsterdam, 1984, pp. 913–959. MR 776640
[3] Garrett Birkhoff, Moore-Smith convergence in general topology, Ann. of Math. (2) 38 (1937), no. 1, 39–56. MR 1503323, https://doi.org/10.2307/1968508
[4] Mahlon M. Day, Oriented systems, Duke Math. J. 11 (1944), 201–229. MR 9970
[5] K. J. Devlin, J. Steprāns and W. S. Watson, The number of inequivalent directed sets, Abstracts Amer. Math. Soc. 3 (1982), 253.
[6] R. P. Dilworth, A decomposition theorem for partially ordered sets, Ann. of Math. (2) 51 (1950), 161–166. MR 32578, https://doi.org/10.2307/1969503
[7] J. R. Isbell, The category of cofinal types. II, Trans. Amer. Math. Soc. 116 (1965), 394–416. MR 201316, https://doi.org/10.1090/S0002-9947-1965-0201316-8
[8] John R. Isbell, Seven cofinal types, J. London Math. Soc. (2) 4 (1972), 651–654. MR 294185, https://doi.org/10.1112/jlms/s2-4.4.651
[9] John L. Kelley, General topology, D. Van Nostrand Company, Inc., Toronto-New York-London, 1955. MR 0070144
[10] Richard Laver, An order type decomposition theorem, Ann. of Math. (2) 98 (1973), 96–119. MR 319820, https://doi.org/10.2307/1970907
[11] E. C. Milner and K. Prikry, The cofinality of a partially ordered set, Proc. London Math. Soc. (3) 46 (1983), no. 3, 454–470. MR 699097, https://doi.org/10.1112/plms/s3-46.3.454
[12] E. H. Moore and H. L. Smith, A General Theory of Limits, Amer. J. Math. 44 (1922), no. 2, 102–121. MR 1506463, https://doi.org/10.2307/2370388
[13] Jürgen Schmidt, Konfinalität, Z. Math. Logik Grundlagen Math. 1 (1955), 271–303 (German). MR 76836, https://doi.org/10.1002/malq.19550010405
[14] Saharon Shelah, Proper forcing, Lecture Notes in Mathematics, vol. 940, Springer-Verlag, Berlin-New York, 1982. MR 675955
[15] R. M. Solovay and S. Tennenbaum, Iterated Cohen extensions and Souslin's problem, Ann. of Math. (2) 94 (1971), 201–245. MR 294139, https://doi.org/10.2307/1970860
[16] J. Steprāns, Some results in set theory, Ph.D. thesis, University of Toronto, 1982.
[17] Stevo Todorčević, Forcing positive partition relations, Trans. Amer. Math. Soc. 280 (1983), no. 2, 703–720. MR 716846, https://doi.org/10.1090/S0002-9947-1983-0716846-0
[18] Stevo Todorčević, A note on the proper forcing axiom, Axiomatic set theory (Boulder, Colo., 1983) Contemp. Math., vol. 31, Amer. Math. Soc., Providence, RI, 1984, pp. 209–218. MR 763902, https://doi.org/10.1090/conm/031/763902
[19] John W. Tukey, Convergence and Uniformity in Topology, Annals of Mathematics Studies, no. 2, Princeton University Press, Princeton, N. J., 1940. MR 0002515
U. Abraham and S. Todorcevic, Martin's Axiom and first countable and spaces, Handbook of Set-Theoretic Topology (K. Kunen and J. Vaughan, eds.), North-Holland, Amsterdam, 1984, pp. 327-346. MR 776627 (86h:03092)
J. E. Baumgartner, Applications of the proper forcing axiom, Handbook of Set-Theoretic Topology (K. Kunen and J. Vaughan, eds.), North-Holland, Amsterdam, 1984, pp. 913-959. MR 776640 (86g:03084)
G. Birkhoff, Moore-Smith convergence in general topology, Ann. of Math. (2) 38 (1937), 39-56. MR 1503323
M. Day, Oriented systems, Duke Math. J. 11 (1944), 201-209. MR 0009970 (5:231c)
K. J. Devlin, J. Steprāns and W. S. Watson, The number of inequivalent directed sets, Abstracts Amer. Math. Soc. 3 (1982), 253.
R. P. Dilworth, A decomposition theorem for partially ordered sets, Ann. of Math. (2) 51 (1950), 161-166. MR 0032578 (11:309f)
J. R. Isbell, The category of cofinal types. II, Trans. Amer. Math. Soc. 116 (1965), 394-416. MR 0201316 (34:1200)
-, Seven cofinal types, J. London Math. Soc. (2) 4 (1972), 394-416. MR 0294185 (45:3258)
J. L. Kelley, General topology, Van Nostrand Reinhold, New York, 1955. MR 0070144 (16:1136c)
R. Laver, An order type decomposition theorem, Ann. of Math. (2) 98 (1973), 96-119. MR 0319820 (47:8361)
E. C. Milner and K. Prikry, The cofinality of a partially ordered set, Proc. London Math. Soc. (3) 46 (1983), 454-470. MR 699097 (84m:06004)
E. H. Moore and H. L. Smith, A general theory of limits, Amer. J. Math. 44 (1922), 102-121. MR 1506463
J. Schmidt, Konfinalität, Z. Math. Logik Grundlagen Math. 1 (1955), 271-303. MR 0076836 (17:951e)
S. Shelah, Proper forcing, Lecture Notes in Math., vol. 490, Springer-Verlag, Berlin, Heidelberg and New York, 1982. MR 675955 (84h:03002)
R. M. Solovay and S. Tennenbaum, Iterated Cohen extensions and Souslin's problem, Ann. of Math. (2) 94 (1971), 201-245. MR 0294139 (45:3212)
J. Steprāns, Some results in set theory, Ph.D. thesis, University of Toronto, 1982.
S. Todorcevic, Forcing positive partition relations, Trans. Amer. Math. Soc. 280 (1983), 703-720. MR 716846 (85d:03102)
-, A note on the Proper Forcing Axiom, Contemporary Math. 31 (1984), 209-218. MR 763902 (86f:03089)
J. W. Tukey, Convergence and uniformity in topology, Ann. of Math. Studies, no. 2, Princeton Univ. Press, Princeton, N. J., 1940. MR 0002515 (2:67a)
Retrieve articles in Transactions of the American Mathematical Society with MSC: 03E05, 03E35, 06A10, 18B35, 54A15
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'Bad fairy was bored now. Bored with riding like a queen under Diva's tail, and bored with pretending to be Good fairy. This could only mean one thing. Trouble. For if she was fed up with a life of luxury and fun, she would go to all sorts of lengths to amuse herself. At Diva's expense of course, and probably Em and Gordon; and now there was Em's Mother.' Here we go for the final instalment of Diva! Our puppy is heading for more adventures and Good fairy has her magic cut out. Hold on, like Gordon does to Diva's lead and follow…..


text:
News: Radio.com Interview (May 5, 2014)
Posted by woj on Wednesday, May 07, 2014 | Articles
While Tori spilled the beans about the production of the The Light Princess' original cast recording on Fubar Radio back in April and added more details of its status and the hope for bringing it to the States sometimes in future on Soundcheck last week, she opened up more about on-going life of the project in an interview with Radio.com.
The interview addresses everything from the the production process — the album is being recorded and produced her her crew during the tour — to the dream of bringing the musical to Broadway to the hope of some fans to hear Tori's take on the songs from the musical. She also ruminates on the freedom the National Theatre proffered and encouraged during the development of the production.
Definitely a good read — many thanks to Butch for bringing it to our attention!
Tori Amos Recording Soundtrack to 'The Light Princess' Musical, Eyes Broadway Production
By Brian Ives
Tori Amos will release her new album, Unrepentant Geraldines, on May 13, following a few years of non-pop-album-related projects. This includes writing the music and co-writing the lyrics for the musical The Light Princess, that opened at England's Lyttelton Theatre last year.
Amos told Radio.com in an interview last week that she's aiming to bring the show to Broadway ("That's the plan, that's the dream"), and that she's already started work on the soundtrack.
"To be honest with you, we are making the cast recording now, I'm producing it for Universal," she said. "In a climate where the record business the way it is, a lot of labels aren't making these cast recordings anymore, because of the time and the expense."
She's about to kick off a tour for the her new album, and her road crew will be working double time to help her work on the soundtrack. "We're doing eighty shows on this tour. I said to my crew, 'Not only are we doing eighty shows, boys, but we're making an album!' And if I'm ready to work that hard on a show day, they can work that hard with me! So we have our Pro Tools rig, we recorded the orchestra Easter weekend, and we'll be editing on the road and catching the actors as we travel. And building it that way and mixing it. Thirty-three songs, it'll be out globally early next year."
Of course, there will also be a demand from Tori's die-hard fans to hear her versions of the songs, as opposed to the versions sung by cast members. But she has no plans to release her takes on the songs just yet. "Of course, I have all the demos. They got orchestrated with me playing all the parts, which was a bit freaky. But I really enjoyed playing the male roles. That was my favorite part: being the guys. But I really feel like you need to hear The Light Princess as a story, the characters coming alive, not my quirky versions. Once you know it, then you can hear the quirky Tori stuff."
Will it be too quirky for Broadway though? Amos and co-writer Samuel Adamson wrote it with a lot of artistic freedom. It was written and staged for England's Royal National Theatre — a publicly funded house: "It wasn't commercial theater, so from the top down they said, 'Do not dumb this down. You be brave, you be bold, you be confrontational.' Sam and I said, 'Well, this is a feminist fairy tale, and not everyone will be comfortable with it.' It's not always going to make everyone feel warm and fuzzy. It brings up confrontations between teenagers and their parents, that would resonate in the 21st century."
On the other hand, Hedwig and the Angry Inch, a rock musical about a botched sex-change operation and gender roles, received eight Tony nominations.
"How exciting that theatre is encouraging people to be expressive," Amos says. "The Light Princess has to be something that kids can come see, because it is a story of a teenage girl. And we felt it was essential that adolescent girls could come [to see the show] too, although it might be a little dark for some. But we found at the National [Theatre], that there were kids that were completely entranced. And even though sometimes it got scary, they stayed with the story."


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Q: Applying formatting coding style in IntelliJ I am using IntelliJ Community Edition as my Java IDE. I am trying to set up my coding style preferences from File -> Settings -> Preferences -> Code Style -> Java. I applied my preferences, however, I want IntelliJ to create the javadocs templates for me when formatting. How can I do that?
I used other formatting tools like Jalopy that when formatted it creates the javadocs templates for you but not sure how to do that in IntelliJ.

A: IntelliJ IDEA does not have support for creating javadoc stubs when formatting. The lack of this functionality is intentional, because javadocs are only useful when they contain information written by a developer, and such an autogeneration feature will undoubtedly result in empty javadoc stubs with no information.
To generate a javadoc stub for a single method, type /** before a method, or press Alt-Enter and select "Add Javadoc" from the menu.

redpajama_set_name: RedPajamaStackExchange


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I am the President by Elyas Noori, Afghanistan
Film Title: I am the President
Artist: Elyas Noori
Genre: Narrative
Time Category: Under 15 minutes
Webcast: Aga Khan Music Awards gala concert and prize-giving ceremony
The 2019 Aga Khan Music Awards will conclude with a gala concert and prize-giving ceremony on Sunday 31 March in Lisbon, Portugal. Each of the Laureates will perform at the event, after which His Excellency President Marcelo Rebelo de Sousa and Mawlana Hazar Imam will present the awards. The event is scheduled to begin at 5 PM GMT+1 and will be webcast live at the.ismaili/live.
Aga Khan Music Awards' inaugural Seminar hosted in Lisbon
On the third day of the inaugural Aga Khan Music Awards, eminent figures in the realm of arts and music came together to participate in discussions relating to the concept, vision, and impact of the Awards. The Seminar was attended by Mawlana Hazar Imam, Prince Amyn, Prince Hussain, and Prince Aly Muhammad.
Aga Khan Music Awards presented to ten laureates
At a momentous and celebratory event held at the Calouste Gulbenkian Foundation in Lisbon, the Aga Khan Music Awards reached a crescendo, as His Excellency President Marcelo Rebelo de Sousa, Mawlana Hazar Imam, and Prince Amyn awarded prizes to ten laureates, representing 13 countries around the world.
Distinguished finalists perform for Master Jury at Aga Khan Music Awards
Earlier today, finalists for the Aga Khan Music Awards' Award in Performance category performed for a live audience, which included Prince Amyn, Prince Hussain, and Prince Aly Muhammad.
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Louisa Zanoun is a historian working for Génériques, a Paris-based NGO working on the history and memory of immigration in France and in Europe, and would like to join your network.
She has a PhD in International History (LSE; 2009) and as part of her responsibilities at Génériques and one of her fields of specialisation, she is particularly interested in the relationship between immigration and heritage (how does immigration challenge the traditional way "patrimoine" works in France? Who is in charge of "patrimoine" when it comes to immigration, the state, immigrants, institutions, museums? etc.)
Her organisation has a long experience in "patrimoine"; its founders wrote the first report on why France should have its own museum of immigration and immigration heritage; which later led to the creation of the Cité nationale de l'histoire de l'immigration in Paris.
She also represents her organisation in a scientific body (GIS Institutions patrimoniales et pratiques interculturelles; http://www.ipapic.eu/) focusing on issues of heritage in France and in Europe.
You may find more information on our website, http://www.generiques.org
We have created an online resource catalog with archives and sources pertaining to the history of immigration in France over the last 200 years, http://odysseo.org
We also publish a bi-annual academic journal, Migrance, http://www.generiques.org/migrance.php.
Louisa Zanoun, historienne
Responsable du pôle scientifique et culturel
Génériques – Organisme de recherche spécialisé dans l'histoire et la mémoire de l'immigration en France et en Europe
34, rue de Cîteaux
http://www.generiques.org
http://odysseo.org


This special 4-day course happens only once a year. The Chicago Lomi Lomi Workshop is four inspiring days where students receive a solid foundation in the art of Hawaiian 'Temple Style' massage while teaching them to adapt this exotic form of massage to any environment. The added fourth day allows for ample time to practice, receive and solidify the teachings.
This workshop qualifies students for our advanced trainings.
earn 32 Credit Hours through NCBTMB and receive a beautiful color certificate upon completion of course.
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Unlimited available	 Chicago July 2019 - Deposit to hold your space $100.00 $100 Deposit will hold your space in the 4 Day Sacred Lomi Workshop in Chicago. Your balance due will be $525 providing you pay by the early registration deadline of July 4, 2019. Deposits are non-refundable but should you cancel, are held as credit for two years and can be used for products or other workshops.
Unlimited available	 Chicago July 2019 - Early Reg. Pay Your Balance $525.00 I have paid a deposit and would like to complete my early registration by July 4, 2019. We will email you a welcome letter two weeks prior to the class and you will receive a receipt and certificate in class.
Unlimited available	 Chicago July 2019 - Early Reg. Pay in Full $625.00 To pay in full for the Chicago 4 Day Workshop with early registration by July 4, 2019. $100 of your registration is non-refundable but will be held as a credit for two years. We will email you a welcome letter two weeks prior to the class and you will receive a receipt and certificate in class.
Unlimited available	 Chicago July 2019 - Return Student $450.00 If you have attended a Sacred Lomi® Workshop in the past, choose this option to pay in full for your registration.


Permits for new construction in Michigan continued to improve in 2016. However, there were fewer new construction permits issued per capita in Michigan than in all "Top Ten" states save for Pennsylvania. The state lagged behind all peer states except for Illinois and Ohio.
What It Is: The number of new, privately owned, housing units authorized for construction per 1,000 residents.
Why It Matters: This measure indicates how quickly new housing stock is being created in the state—a proxy for growing population and household formation, and a source of economic growth.


Cuboid syndrome, also known as cuboid subluxation, occurs when the joints and ligaments near the cuboid bone in the foot become torn. If you have cuboid syndrome, consult with Dr. Richard Silverstein from Union Foot Care. Our doctor will assess your condition and provide you with quality foot and ankle treatment.
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