text:
<?php

declare (strict_types = 1);

namespace Dunglas\PhpDocToTypeHint;

use phpDocumentor\Reflection\DocBlock;
use phpDocumentor\Reflection\DocBlock\Tag;
use phpDocumentor\Reflection\Fqsen;
use phpDocumentor\Reflection\Php\Class_;
use phpDocumentor\Reflection\Php\File;
use phpDocumentor\Reflection\Php\Interface_;
use phpDocumentor\Reflection\Php\Project;
use phpDocumentor\Reflection\Types\Array_;
use phpDocumentor\Reflection\Types\Compound;
use phpDocumentor\Reflection\Types\Null_;

/**
 * Parses DocBlocks and adds relative scalar type hints
 * to functions and methods.
 *
 * @author Kévin Dunglas <dunglas@gmail.com>
 */
class Converter
{
    const OBJECT_CLASS = 0;
    const OBJECT_INTERFACE = 1;
    const OBJECT_TRAIT = 2;
    const OBJECT_FUNCTION = 3;

    /**
     * @link http://php.net/manual/en/functions.arguments.php#functions.arguments.type-declaration
     */
    const TYPES = [
        'array',
        'bool',
        'callable',
        'float',
        'int',
        'self',
        'string',
    ];

    /**
     * Converts the given file.
     *
     * @param Project $project
     * @param File    $file
     * @param bool    $nullableTypes
     *
     * @return string
     */
    public function convert(Project $project, File $file, bool $nullableTypes): string
    {
        $tokens = token_get_all($file->getSource());

        $output = '';
        $outsideFunctionSignature = false;
        $insideFunctionSignature = false;
        $insideNamespace = false;
        $objectType = self::OBJECT_FUNCTION;
        $outputTypeHint = true;
        $outputDefaultValue = false;
        $outputReturn = true;
        $paramByReference = false;
        $namespace = null;
        $object = null;
        $function = null;
        $level = 0;

        foreach ($tokens as $token) {
            if (is_string($token)) {
                $outputToken = true;

                switch ($token) {
                    case '(':
                        if ($outsideFunctionSignature) {
                            $insideFunctionSignature = true;
                            $outsideFunctionSignature = false;
                            $outputTypeHint = true;
                        }
                        break;

                    case ':':
                        if (null !== $function) {
                            $outputReturn = false;
                        }
                    break;

                    case ')':
                        if ($insideFunctionSignature) {
                            if ($outputDefaultValue) {
                                $output .= ' = null';
                            }

                            $insideFunctionSignature = false;
                        }
                        break;

                    case ',':
                        if ($insideFunctionSignature && $outputDefaultValue) {
                            $output .= ' = null';
                        }
                        break;

                    case '&':
                        if ($insideFunctionSignature) {
                            $paramByReference = true;
                            $outputToken = false;
                        }
                        break;

                    case '=':
                        if ($insideFunctionSignature) {
                            $outputDefaultValue = false;
                        }
                        break;

                    case ';':
                    case '{':
                        if (null !== $function && $outputReturn) {
                            $return = $this->getReturn($project, $objectType, $namespace, $object, $function);

                            if ($return && $return[0] && (!$return[1] || $nullableTypes)) {
                                if ($endsInNewLine = $this->endsInNewLine($output)) {
                                    $output = substr($output, 0, -strlen($endsInNewLine));
                                }

                                $output .= sprintf(': %s%s', $return[1] ? '?' : '', $return[0]);

                                if ($endsInNewLine) {
                                    $output .= $endsInNewLine;
                                }
                            }

                            $function = null;
                            $outputReturn = false;
                        }

                        if ('{' === $token) {
                            ++$level;
                        }

                        if (';' === $token && $insideNamespace) {
                            $insideNamespace = false;
                        }
                    break;

                    case '}':
                        --$level;

                        if (0 === $level) {
                            $objectType = self::OBJECT_FUNCTION;
                        }
                        break;
                }

                if ($outputToken) {
                    $output .= $token;
                }

                continue;
            }

            list($id, $text) = $token;

            if ($paramByReference && $id !== T_VARIABLE) {
                // Not an actual argument passed by reference,
                // only an ampersand in a function signature
                $output .= '&';
                $paramByReference = false;
            }

            switch ($id) {
                case T_NAMESPACE:
                    $insideNamespace = true;
                    $namespace = '\\';
                    break;

                case T_STRING:
                    if ($outsideFunctionSignature) {
                        $function = $text;
                    }

                    if (null === $object && $objectType !== self::OBJECT_FUNCTION) {
                        $object = $text;
                    }
                    // No break

                case T_NS_SEPARATOR:
                case T_STRING:
                    if ($insideNamespace) {
                        $namespace .= $text;
                    }
                    // No break

                case T_STRING:
                case T_ARRAY:
                case T_CALLABLE:
                    if ($insideFunctionSignature) {
                        $outputTypeHint = false;
                    }
                    break;

                case T_CLASS:
                    $objectType = self::OBJECT_CLASS;
                    $object = null;
                    $level = 0;
                    break;

                case T_INTERFACE:
                    $objectType = self::OBJECT_INTERFACE;
                    $object = null;
                    $level = 0;
                    break;

                case T_TRAIT:
                    $objectType = self::OBJECT_TRAIT;
                    $object = null;
                    $level = 0;
                    break;

                case T_FUNCTION:
                    $outsideFunctionSignature = true;
                    $outputDefaultValue = false;
                    $outputReturn = true;
                    break;

                case T_VARIABLE:
                    if ($insideFunctionSignature) {
                        $outputDefaultValue = false;

                        if (null !== $function && $outputTypeHint) {
                            $parameter = $this->getParameter($project, $objectType, $namespace, $object, $function, $text);

                            if ($parameter) {
                                $outputDefaultValue = (bool) $parameter[1];
                                if ($outputDefaultValue && $nullableTypes) {
                                    $output .= '?';
                                    $outputDefaultValue = false;
                                }

                                $output .= $parameter[0].' ';
                            }

                            if ($paramByReference) {
                                $output .= '&';
                                $paramByReference = false;
                            }

                            $output .= $text;
                            $outputTypeHint = true;

                            continue 2;
                        }

                        if ($paramByReference) {
                            $output .= '&';
                            $paramByReference = false;
                        }

                        $outputTypeHint = true;
                    }

                    break;
            }

            $output .= $text;
        }

        return $output;
    }

    /**
     * Gets a DocBlock.
     *
     * @param Project     $project
     * @param int         $objectType
     * @param string|null $namespace
     * @param string|null $object
     * @param string      $function
     *
     * @return DocBlock|null
     */
    private function getDocBlock(Project $project, int $objectType, string $namespace = null, string $object = null, string $function)
    {
        switch ($objectType) {
            case self::OBJECT_FUNCTION:
                if (null === $namespace) {
                    $function = sprintf('\\%s()', $function);
                } else {
                    $function = sprintf('%s\\%s()', $namespace, $function);
                }

                foreach ($project->getFiles() as $file) {
                    return $this->getDocBlockForFunction($file->getFunctions(), $function);
                }

                return;

            case self::OBJECT_CLASS:
                $method = 'getClasses';
                break;

            case self::OBJECT_INTERFACE:
                $method = 'getInterfaces';
                break;

            case self::OBJECT_TRAIT:
                $method = 'getTraits';
                break;
        }

        $fqsen = $namespace.'\\'.$object;
        $fqfunction = sprintf('%s::%s()', $fqsen, $function);

        foreach ($project->getFiles() as $file) {
            foreach ($file->$method() as $obj) {
                if ($obj->getFqsen()->__toString() === $fqsen) {
                    $docBlock = $this->getDocBlockForFunction($obj->getMethods(), $fqfunction);

                    if (
                        self::OBJECT_TRAIT === $objectType ||
                        (null !== $docBlock && 0 !== strcasecmp('{@inheritdoc}', trim($docBlock->getSummary())))
                    ) {
                        return $docBlock;
                    }

                    if ($obj instanceof Class_) {
                        if ($docBlock = $this->getDocBlockForInterfaces($project, $obj->getInterfaces(), $function)) {
                            return $docBlock;
                        }

                        $parentFqsen = $obj->getParent();
                        if (null === $parentFqsen || !$parent = $this->getObject($project, $parentFqsen, self::OBJECT_CLASS)) {
                            return;
                        }

                        return $this->getDocBlock($project, self::OBJECT_CLASS, $this->getNamespace($parentFqsen), $parent->getName(), $function);
                    }

                    if ($obj instanceof Interface_ && $docBlock = $this->getDocBlockForInterfaces($project, $obj->getParents(), $function)) {
                        return $docBlock;
                    }
                }
            }
        }
    }

    /**
     * Extracts a namespace from a FQSEN.
     *
     * @param Fqsen $fqsen
     *
     * @return string
     */
    private function getNamespace(Fqsen $fqsen): string
    {
        $value = $fqsen->__toString();

        return substr($value, 0, strrpos($value, '\\'));
    }

    /**
     * Finds a Class_ or an Interface_ instance using its FQSEN.
     *
     * @param Project $project
     * @param Fqsen   $fqsen
     * @param int     $objectType
     *
     * @return Class_|Interface_|null
     */
    private function getObject(Project $project, Fqsen $fqsen, int $objectType)
    {
        $method = self::OBJECT_CLASS === $objectType ? 'getClasses' : 'getInterfaces';

        foreach ($project->getFiles() as $file) {
            foreach ($file->$method() as $object) {
                if ($object->getFqsen()->__toString() === $fqsen->__toString()) {
                    return $object;
                }
            }
        }
    }

    /**
     * Gets a DocBlock from an array of interfaces FQSEN instances.
     *
     * @param Project $project
     * @param Fqsen[] $fqsens
     * @param string  $function
     *
     * @return DocBlock|null
     */
    private function getDocBlockForInterfaces(Project $project, array $fqsens, string $function)
    {
        foreach ($fqsens as $fqsen) {
            $object = $this->getObject($project, $fqsen, self::OBJECT_INTERFACE);

            if (!$object) {
                continue;
            }

            $docBlock = $this->getDocBlock($project, self::OBJECT_INTERFACE, $this->getNamespace($fqsen), $object->getName(), $function);

            if ($docBlock) {
                return $docBlock;
            }
        }
    }

    /**
     * Gets the DocBlock of a function.
     *
     * @param array  $functions
     * @param string $function
     *
     * @return DocBlock|null
     */
    private function getDocBlockForFunction(array $functions, string $function)
    {
        foreach ($functions as $reflectionFunctionName => $reflectionFunction) {
            if ($function !== $reflectionFunctionName) {
                continue;
            }

            return $reflectionFunction->getDocblock();
        }
    }

    /**
     * Gets the type and nullability of the parameter of a function.
     *
     * @param Project     $project
     * @param int         $objectType
     * @param string|null $namespace
     * @param string|null $object
     * @param string      $function
     * @param string      $parameter
     *
     * @return array
     */
    private function getParameter(Project $project, int $objectType, string $namespace = null, string $object = null, string $function, string $parameter): array
    {
        $docBlock = $this->getDocBlock($project, $objectType, $namespace, $object, $function);

        if ($docBlock) {
            foreach ($docBlock->getTagsByName('param') as $tag) {
                if ($parameter !== sprintf('$%s', $tag->getVariableName())) {
                    continue;
                }

                return $this->getType($tag);
            }
        }

        return [];
    }

    /**
     * Gets the return type of a function.
     *
     * @param Project     $project
     * @param int         $objectType
     * @param string|null $namespace
     * @param string|null $object
     * @param string      $function
     *
     * @return array
     */
    private function getReturn(Project $project, int $objectType, string $namespace = null, string $object = null, string $function): array
    {
        $docBlock = $this->getDocBlock($project, $objectType, $namespace, $object, $function);

        if ($docBlock) {
            $tags = $docBlock->getTagsByName('return');
            if (1 !== count($tags)) {
                return [];
            }

            return $this->getType($tags[0]);
        }

        return [];
    }

    /**
     * Gets the parameter type and tries to find best-matching PHP type
     *
     * Commonly used type aliases are normalized and a whitelist for
     * all-lowercase types is applied.
     *
     * @param Tag $tag
     *
     * @return array
     */
    private function getType(Tag $tag): array
    {
        $type = $this->getTypeFromTag($tag);

        if (!$type) {
            return $type;
        }

        $typeDesc = $type[0];

        if ($typeDesc === strtolower($typeDesc)) {
            $typeDesc = $this->normalizeType($typeDesc);
            // match all-lowercase types against known types
            if (!in_array($typeDesc, static::TYPES)) {
                return [];
            }
        }

        return $type;
    }

    /**
     * Gets the type of the parameter or an empty array if it is not defined.
     *
     * @param Tag $tag
     *
     * @return array
     */
    private function getTypeFromTag(Tag $tag): array
    {
        $type = $tag->getType();

        if (null === $type) {
            // No type specified
            return [];
        }

        if ($type instanceof Compound) {
            if ($type->has(2)) {
                // Several types, cannot guess
                return [];
            }

            $type0 = $type->get(0);
            $type1 = $type->get(1);

            if ($type0 instanceof Null_ && $type1 instanceof Null_) {
                // No type hint
                return [];
            }

            if (!$type0 instanceof Null_ && $type1 instanceof Null_) {
                if ($type0 instanceof Array_) {
                    return ['array', true];
                }
                return [$type0->__toString(), true];
            }

            if (!$type1 instanceof Null_ && $type0 instanceof Null_) {
                if ($type1 instanceof Array_) {
                    return ['array', true];
                }
                return [$type1->__toString(), true];
            }

            // Mixed types, cannot guess
            return [];
        }

        if ($type instanceof Array_) {
            // May contain more specific type declarations, but we only
            // convert to pure arrays
            return ['array', false];
        }

        return [$type->__toString(), false];
    }

    /**
     * Determines if the string ends in a new line and returns it.
     *
     * Will also include additional space/tab character if present, i.e. the
     * indentation into the next line.
     *
     * Returns an empty string if no match was found.
     *
     * @param string $output
     * @return string
     */
    private function endsInNewLine(string $output): string
    {
        $result = preg_match('/((?:\r\n|\r|\n)[ \t]*)$/', $output, $matches);

        if (0 === $result) {
            return '';
        }

        return $matches[1];
    }

     /**
     * Normalizes the type.
     *
     * @link https://github.com/symfony/symfony/blob/d2d8d17a8068d76f42c42c7791f45ca68f4f98a4/src/Symfony/Component/PropertyInfo/Extractor/PhpDocExtractor.php#L317-L346
     * @license https://github.com/symfony/symfony/blob/d2d8d17a8068d76f42c42c7791f45ca68f4f98a4/src/Symfony/Component/PropertyInfo/LICENSE
     *
     * @param string $docType
     *
     * @return string
     */
    private function normalizeType($docType)
    {
        switch ($docType) {
            case 'integer':
                return 'int';

            case 'boolean':
                return 'bool';

            // real is not part of the PHPDoc standard, so we ignore it
            case 'double':
                return 'float';

            case 'callback':
                return 'callable';

            default:
                return $docType;
        }
    }
}


May The Beyhive Have Mercy On Karlie Kloss Because She Thought Destiny's Child Sang "Waterfalls"
Um, how do we break this to you, Karlie?
This is Karlie Kloss. She's a supermodel.
Recently, Karlie was asked by Love magazine to write a "mega fan profile" about her favorite artist. Like anyone on planet Earth with a pair of eyes and ears, Karlie stans for Beyoncé.
Although in the interview she calls herself the "biggest" fan of Queen Bey, which seems like a bold statement.
The interview for the most part seems to be going FINE. Karlie even remembers to accent the second "e" in Beyoncé, like any good member of the Hive.
But when you look at her answer to the question "How have they influenced your life?" Karlie makes a mistake so egregious she might want to put herself in witness protection because hell hath no fury like the Beyhive scorned.
Yup, upon closer examination, it *APPEARS* Karlie thinks Destiny's Child is responsible for the classic '90s R&B jam "Waterfalls."
She mentions Destiny's Child earlier in the interview, so I'm assuming she means them when she references the song. The cherry on top of the sundae is Karlie's intentionally placed "C'MON" before "Waterfalls" like it's Destiny's Child's most well-known song.
The only problem? "Waterfalls" is sung by legendary girl group TLC...NOT Destiny's Child.
They both have three members? Maybe that's how she got confused.
Luckily, Karlie seems to be a pretty good sport about the whole ordeal.
Better luck next time, Karlie.
You can check out Karlie's full interview here. H/T to the Who? Weekly Facebook page.
The song "Rocket" is off the album Beyoncé. An earlier version of the post incorrectly said it is off of 4. May the Beyhive be merciful to the author for his mistake.


text:
Apple removed songs from iPods without telling customers
by Roberto Baldwin — in Apple
Music is incredibly personal. What we like says so much about us and acts as a roadmap of our lives with songs attached to moments. So when a company removes some of those songs from a device because they are from a rival, it's kind of a big deal.
The Wall Street Journal reports that between 2007 and 2009, Apple deleted music from users' iPods that originated from competing digital music services. It didn't just remove the music, instead it produced an error message that instructed users to restore their iPod when music from rival services was detected.
Once the restore was complete, the music from competitors would not sync back with the iPod.
Apple's security director Augustin Farrugia told the court that there were legitimate security reasons for restoring the iPods and removing the songs. Farrugia said that Apple didn't explain that it was removing the songs because, "We don't want to confuse users."
The news comes from court proceedings of a class-action lawsuit against Apple that contends that the company stifled competition with the iPod and iTunes music store.
➤ Apple Deleted Rivals' Songs from Users' iPods [WSJ]
Read next: Bing Pulse now lets anyone conduct audience polls

redpajama_set_name: RedPajamaCommonCrawl


text:
using System;

namespace PowerArgs
{
    /// <summary>
    /// Use this attribute to annotate methods that represent your program's actions.
    /// </summary>
    public class ArgActionMethod : Attribute, ICommandLineActionMetadata { }
}

redpajama_set_name: RedPajamaGithub


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text:
Home > Entertainment News > Bollywood News > Photos > Happy Birthday Sonali Bendre: Here are 7 unknown facts about the birthday girl
Happy Birthday Sonali Bendre: Here are 7 unknown facts about the birthday girl
After having started off from humble beginnings, Sonali Bendre went onto conquer Bollywood with her flawless performances. Let's have a look at 7 unknown facts about the birthday girl!
Updated on : 01 January,2023 05:24 PM IST
Official Instagram Account of Sonali Bendre
Besides acting, Sonali Bendre is an exemplary writer as well. Testimony to this is the book which she had authored titled 'The 'Modern Gurukul: My Experiments With Parenting'.
Prior to Bollywood, the birthday girl Sonali was a model and had done commercials for many brands.
Those who have 'witnessed' the nineties will swear by the euphoria that was created when the legendary Michael Jackson had visited India for his much-awaited concert. It was at that time, Sonali Bendre had the opportunity to welcome Michael Jackson. Sonali, who was dressed in a traditional Marathi sari, welcomed Michel Jackson by applying the traditional 'tilak' on his forehead.
Not many know that, besides films, Sonali Bendre has also acted in a play called 'Aap Ki Soniya'.
Sonali Bendre's debut film was 'Aag'. Besides Sonali, the film had Govinda and Shilpa Shetty in the lead roles. The film was released in the year 1994 and was directed by K. Ravi Shankar.
Besides Hindi, Sonali Bendre had also acted in regional films including Tamil, Kannada, Telugu, Marathi languages.
Not many know that the actress rung in the New Year 2023 with a gleaming Mercedes-Benz as the year's first purchase!
Happy Birthday sonali bendre govinda shilpa shetty bollywood bollywood news Bollywood Entertainment Bollywood News Update Bollywood Buzz Bollywood Breaking News
IN PHOTOS: Amitabh Bachchan celebrates Basant Panchami with his family
IN PHOTOS: Suhana Khan, Salman Khan, Sajid Khan attend Pathaan screening at YRF
Arjun Kapoor with Malaika Arora spotted at Varun-Natasha's anniversary bash
B'wood's Top Stories: Jackky on casting Prithviraj, A.R. Rahman's Vaishnav Jan
'Munnabhai' duo Sanjay Dutt and Arshad Warsi reunite, 'Pathaan' creates history


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High quality leather needs looked after properly in order to maintain its beauty and function. Avoid getting your Michael Kors leather watch strap wet from water, cosmetics and chemicals. Over exposure to the sun may also damage the appearance of the leather. When you're not wearing your watch, keep it protected from sun damage by storing it in a drawer away from direct sunlight.
A timepiece is precious, make sure that you do not wear your watch during events where it could receive bumps or knocks.
This could affect the inner workings of the mechanism and bracelet. Remove your Michael Kors watch and keep it in a safe place before undertaking any sporting activities or heavy physical work.
Our watch expert's advice that the crown on your watch is always pushed down. The crown is used to change the hands/date, is properly pushed in and/or screwed at all times.
This prevents infiltration of water or dust which leads to internal damage.
Batteries are bound to give up at some point and like most watch brands your Michael Kors watch's battery should last for up to three years.
Keep in mind how important it is to have your watch battery replaced once it has died. Contact the experts at Repairs by Post for watch battery replacement; dead battery cells can harm the watch movement if left unattended.
Does your Michael Kors watch need a servicing? It is important that any precision instrument is well looked after and cared for in the long run.
Keep your Michael Kors timepiece in order with periodic upkeep and servicing is required. It's recommended your watch is serviced ever 3-5 years, though this is dependent on the wear and tear it undergoes. Michael Kors watch repair is convenient with our online service centre.
WHAT HAPPENS DURING A MICHAEL KORS WATCH SERVICE?
The excellent things about sending us your team piece is that our horologist will examine every aspect of the timepiece to pinpoint any areas that require replacement.
It is not just the outside of your watch that is examined. The inner components will be specially lubricated in order to minimise friction that leads to excess wear.
As part of our service, the balance wheel will be tested expertly to ensure it's perfectly precise and keeping time as it should.
If your timepiece has a Quartz mechanism, our team will change the battery as standard.
Your watch strap will then will undergo specialist cleaning and examination of wear and tear. We will ensure that any parts that are damaged will be refurbished or be replaced.
Once your watches are carefully reassembled and reattached to your watch's strap with every seal replaced.
Your Michael Kors watch will be methodically tested one last time; this process will ensure that your timepiece is still absolutely water tight.
Please note: As expert horologist, we refuse to touch or have anything to do with replicas or copy watches of any description.
Michael Kors is a world famous watch brand. Michael Kors is a fashion designer that has won multiple awards for his luxury accessories. The Michael Kors watch brand was established in 1981 and currently produces a range of products. This versatile brand has products that include accessories, footwear, watches, jewellery, eyewear and a full line of fragrance products.
The brand is incredibly successful worldwide and Michael Kors stores are operated, either directly or through licensing partners, in some of the most prestigious cities in the world, including New York, Beverly Hills, Chicago, London, Milan, Paris, Munich, Istanbul, Dubai, Seoul, Tokyo, Hong Kong, Shanghai and Rio de Janeiro.
Over the years the Michael Kors brand has expanded. The company has become much bigger that before since its launch of watches and it is admired by younger as well as older fans. Michael Kors is much respected within the fashion industry and has earned the respect and affection of millions across the world.
If you are someone who appreciated fashion watches then it is important that your timepiece is treated appropriately by a professional online watch repair brand. Call us today for more information on sourcing a Michael Kors watch battery or a watch repair.
When a Bergdorf Goodman executive spotted Michael Kors' designs in a boutique in New York City this was the start of the brand's big break in retail. Kors then formed his namesake brand the "Michael Kors Collection".
Michael Kors hosts his first womenswear which was extremely successful with fashion critics.
Kors opens his first boutique at 974 Madison Avenue in New York City – in which he also debuts his first fragrance.
In 2001 Accessories were added to the Michael Kors fashion empire.
This same year, the label also launches their first men's fragrance.
Michael Kors was also nominated for the Accessories Designer of the year from the CFDA in 2001.
Michael Kors is accessories and apparel collections at a lower price point.
The collection critically acclaimed and Michael Kors joins Emmy-award winning TV show Project Runway as a judge.
Michael Kors Partners with watch manufacturer Fossil to create and launch the Michael Kors watch line.
Michael Kors E-commerce site launches, allowing his apparel and accessories, making the brand readily available worldwide.
With the inauguration of Barack Obama as the 44th President of the United States of America, the First Lady Michelle Obama chooses a stunning Michael Kors dress for her official White House portrait.
Vogue editor-in-chief, Anna Wintour, presents Michael Kors with the CFDA Lifetime Achievement Award for his continuous inspiring contribution to fashion.
Michael Kors continues to work with Fossil and will be creating a Michael Kors Jewelry line. The Michael Kors label recently celebrated 3 decades of his namesake line with a lavish party during Paris Fashion Week.
Fashion label Michael Kors is celebrating 1 million Facebook fans by revamping its page to Timeline, showing off brand and designer history, a curated video and dedicated social media components.
Michael Kors is named one of the 100 Most Influential New Yorkers by the New York Observer and one of the most influential people in the world on the 2013 Time 100 list; continuously dressing powerful female celebrities including Angelina Jolie, Blake Lively, Catherine Zeta-Jones and Natalie Portman.
Michael Kors launches a range of smart watches.


text:
Q: Scala Spark RDDs, DataSet, PairRDDs and Partitoning In Scala Spark, there are several methods that can result into data partitioning/repartitioning.  These include partitionBy, coalesce, repartition, and textFile among other functions that have a partition-count as parameter. Below, I use textFile with a specification of at least 8 partitions. I do not want transformations to undo these partitions. For partitions to be preserved, you need to persist the partitioning result. However, functions such as map and flatMap do not preserve the partitions. This I believe can be a hit on performance. PairRDDS have mapValues and flatMapValues that maintain partitions.
Are there equivalent functions for DataSets and RDDs for map and flatMap that do not screw up partitions?
If I have this all mixed up, how do RDDs and DataSets maintain there partitions putting in mind that map and flatMap operations are key in their manipulation.
val tweets:RDD[Tweet] = mySpark.sparkContext.textFile(path,8).map(parseTweet).persist()
val numerical_fields_Tweets:Dataset[Tweet] = tweets.toDS()

A: In Spark, operations that do not repartition/shuffle the data preserve partitions (by operating on the previously established partitions). map and flatMap are such operations: they will not alter the number of partitions. Further, map will not change the number of rows within partitions or their order.

how do RDDs and DataSets maintain there partitions

You are mixing two concepts: (1) the partitioner associated with data at a point in its transformation and (2) the partitions the data is split into.
There is a difference between how data is partitioned vs. which partitioner is associated with the data. As explained above, map and flatMap do not change the number of partitions but they make no guarantees about the partitioner associated with the data. Consider RDD's map:
/**
 * Return a new RDD by applying a function to all elements of this RDD.
 */
def map[U: ClassTag](f: T => U): RDD[U] = withScope {
  val cleanF = sc.clean(f)
  new MapPartitionsRDD[U, T](this, (context, pid, iter) => iter.map(cleanF))
}

and MapPartitionsRDD:
private[spark] class MapPartitionsRDD[U: ClassTag, T: ClassTag](
    var prev: RDD[T],
    f: (TaskContext, Int, Iterator[T]) => Iterator[U],
    preservesPartitioning: Boolean = false, ...)

So, while map doesn't repartition the data, it makes no guarantees about the partitioner associated with the data because there are no restrictions on how map may modify rows.
Pair RDDs, i.e., RDD[(K, V)], are somewhat special in that they are often the result of a partitioning operation and, if we use mapValues instead of map, we can be certain that the partitioner has not changed because we have not touched the "keys".
/**
 * Pass each value in the key-value pair RDD through a map function without changing the keys;
 * this also retains the original RDD's partitioning.
 */
def mapValues[U](f: V => U): RDD[(K, U)] = self.withScope {
  val cleanF = self.context.clean(f)
  new MapPartitionsRDD[(K, U), (K, V)](self,
    (context, pid, iter) => iter.map { case (k, v) => (k, cleanF(v)) },
    preservesPartitioning = true)
}

Hope this helps!

redpajama_set_name: RedPajamaStackExchange


text:
Q: When do controls in Flex become addressable? I'm having some troubles with Flex with regards to changing controls on different viewstack panels.  At runtime, certain controls aren't accessible and come back as null.  Here's an example structure:
viewstack1
   canvasPeople
      datagridPeople
   canvasDetails
      tabNavigator1
         canvasPersonDetail
             txtLastname
         canvasPersonOptions
             comboboxOccupation

I have a "click" handler in datagrid1 set up to activate canvasB (viewstack1.selectedChild = canvasB) and the detail options box (tabNavigator1.selectedChild = canvasPersonOptions).  The former works OK but the latter returns an error about accessing a null object, because at the moment the user clicks on an item in the People datagrid, the tabNavigator1 is null, as is any control underneath it.  (its parent, though (canvasDetails), is addressable.)  Currently this is a tiny application, so it's not like it's waiting to load the items.  Is there a way to control how Flex renders controls so they're accessible before the user sees them?  I don't know if this is specific to the viewStack control.

A: Yes, this is referred to as "creation policy" and it's a property on all Container classes.  To do what you we're looking for, you can use a creation policy of "all"; "auto" is the default.
A creationPolicy of ContainerCreationPolicy.AUTO means that the container delays creating some or all descendants until they are needed, a process which is known as deferred instantiation. This policy produces the best startup time because fewer UIComponents are created initially. However, this introduces navigation delays when a user navigates to other parts of the application for the first time. Navigator containers such as Accordion, TabNavigator, and ViewStack implement the ContainerCreationPolicy.AUTO policy by creating all their children immediately, but wait to create the deeper descendants of a child until it becomes the selected child of the navigator container.
A creationPolicy of ContainerCreationPolicy.ALL means that the navigator containers immediately create deeper descendants for each child, rather than waiting until that child is selected. For single-view containers such as a VBox container, there is no difference between the ContainerCreationPolicy.AUTO and ContainerCreationPolicy.ALL policies.
More info here:
http://livedocs.adobe.com/flex/3/html/layoutperformance_04.html
Be careful with this though: Flex picked AUTO as the default for a reason. If your app grows large, the initialization time under creationPolicy=all will be large.

A: The creation of subcomponents is controlled by the creationPolicy property. It is described in detail in the Flex 3 documentation page "About the creationPolicy property".
If you set the property to "all", every subcomponent of the ViewStack container will be created as soon as the ViewStack is created. The same works for the TabNavigator. Of course this might have some performance implications, which are also described in the documentation.


text:
#AmwayVolunteers | Amway Volunteer Spotlight | Alicia M. Clyburn
ALICIA M. CLYBURN
Alicia arrived to pick up her 8-year old son one day from school, he took her by the hand and led her into a room full of boys and their parents. They told her they were forming a Cub Scout™† pack, and because they had seen her around in uniform, they said they wanted her as their leader.
"What did they know about my leadership skills?" Alicia asks today, laughing. "I thought, 'Well, I am in charge of troops …,' and that's how it started."
Over the next 20 years, Alicia saw 66 boys from inner-city Detroit rise through the ranks of the Boy Scouts of America®†, guiding 16 of them to Eagle Scout®*, or nearly a quarter of them – a figure far higher than the 5% of Scouts who normally reach that level.
She also became the first woman with more than eight Scouts to reach Eagle. Nearly all of her Scouts attended college, with some even attending Harvard, Yale, and West Point. And others have successful careers on Wall Street or in the military.
Her influence goes beyond her involvement with Troop 409. "It's impossible to overstate the impact she had on these kids," said Harding Fears, the Scoutmaster®† who took over for Alicia after she retired. "She's a legend in the Scouting®† community, locally and nationally. People see 409 on my shirt and always ask 'How is Alicia?'"
†Scoutmaster, Eagle Scout, Scouting, and Cub Scouts are registered trademarks of Boy Scouts of America. Cub Scout and Boy Scout are trademarks of Boy Scouts of America.


text:
BlogSharesight Features & Tips
How to record inherited shares in your portfolio
23rd July 2019 by Prashant Mohan, Chief Marketing Officer, Sharesight
Disclaimer: The below article is for informational purposes only and does not constitute a product recommendation, or taxation or financial advice and should not be relied upon as such. Please check with your adviser or accountant to obtain the correct advice for your situation.
Often attributed to Benjamin Franklin is the famous quote: "Nothing is certain except for death and taxes". Share inheritances combine these two certainties in a painful way. The grief of losing a loved one is difficult enough, but then comes the administrative burden of figuring out estate-related capital gains and tax information.
In this article we'll cover a few things you might need to know should you inherit shares, as well as how to track those shares in Sharesight.
Do you pay tax on inherited shares?
The date of death of the relative who left you the shares is important to note. Many countries have inheritance or estate taxes at either the federal or state level. Among the OECD countries, the range varies from 55% in Japan and South Korea, to 0% in Australia and New Zealand.
In Australia you don't have to pay any tax when inheriting shares or funds, but you may be liable for CGT if you sell them.
Tax after you inherit shares
Generally speaking, a capital gains event occurs whenever there is a transfer of ownership. The only exception is inheritance (it may be called by a different name depending on the country). After you have inherited shares, they need to be tracked in your portfolio. If the shares pay dividends, the income they generate will be taxed at your marginal income tax rate, and should you sell the shares, you will have to pay capital gains tax if your country has CGT laws in place.
How do I calculate the cost base for inherited shares?
Should you decide to sell a parcel of inherited shares, you will need to calculate the cost base for tax purposes. The cost base is the price at which the shares were bought.
Here's an Australian example to explain the cost base for inherited shares. John lost his father on 13 July 2018, leaving him an inheritance that included a parcel of CBA shares. John's father had bought 3000 CBA shares at $23.10 in 1999. The share price has gone up significantly since then, but the cost base of those shares is recorded as of the date of the original purchase by John's father.
Another Australian example is that of Sarah. Sarah's mother left her 200 shares in BHP on 13 June 2018, which she had acquired in 1980. In this case, because the original asset was acquired before 20 September 1985 when CGT was introduced in Australia, it is not subject to capital gains tax.
In Canada however, the fair value of the shares is assessed on the date they were inherited when calculating the cost base for a parcel of shares.
How to track inherited shares and funds in Sharesight
Inheritances have their own set of record-keeping requirements. For this purpose, it's a good idea to track them separately from your other investments.
There are 2 features in Sharesight that can help achieve this outcome: Custom Groups, and Labels.
Sharesight Labels
Using the Labels feature in Sharesight, John can create a label called "Inheritance" in his portfolio, and assign his 200 BHP shares to that label. The label helps him identify the shares at a glance, and he can use the label to run the Performance Report on the particular holdings or exclude them to calculate the performance of his own "true" portfolio.
Using the Custom Groups feature, a Sharesight user can visualise the group s/he has created. In this example we created an "Inheritance" group in Sharesight, as shown below.
Track inherited shares with Sharesight
The above features are only two of the ways Sharesight makes it easy to track inherited shares. With Sharesight you can:
Automatically track your daily price & currency fluctuations, as well as handle corporate actions such as dividends and share splits
Run powerful tax reports built for investors, including Capital Gains Tax (Australia and Canada), Unrealised Capital Gains, (Australia) and Taxable Income (All regions)
The best way to understand what Sharesight is all about is to sign up and try Sharesight for yourself. We're confident that you'll agree that it's the best portfolio tracker for investors.
Canadian Revenue Agency - Property you inherit or receive as a gift
How to evaluate and record stock buybacks
The pros and cons of dividend reinvestment plans
3 tips to maximise your retirement savings


Flickr Addict, my very cool (if I do say so myself) Dojo powered application for the Palm Pre & Pixi smartphones, has just been given a massive upgrade. Flickr Addict automatically downloads photos from Flickr and sets them as your wallpaper at set intervals. It is completely configurable, and very easy to use.
New image gallery, very similar to the Palm Photos app, which makes it very quick and simple to view all your downloaded photos.
Full screen preview of all wallpapers.
The ability to randomize the selection of photos from a user.
The Palm Pre Wallpapers group on Flickr is now selectable, in addition to the iPhone Wallpapers group.
See the video below for a demo. This version of Flickr Addict and Flickr Addict Lite is currently in review for the App Catalog, and will hopefully make it in soon. However the previous version is in there now and available for download, and will be updated automatically when the new version is out.


text:
SAT 12:00pm to 3:00pm
Artists By Name
Art By Medium
Valorie Sams
Artist By Name
Name: Valorie Sams
Valorie Sams was born and spent her early years in the American South. For the last five years she has lived in East Texas where she has established herself as an artist.
Sam's led a very successful career as an award winning graphic designer, having worked for advertising agencies, magazines and her own design business. Her primary goal she says as an artist is to relate, through the mood and color of a painting, a sense of awe and escape to the viewer. A painting can change not only the energy of an environment, it can also change the viewer. Art can be more than color on canvas; it can be a tranquil beauty that brings peace to our lives. Proficient in illustration, recently Sam's has turned her talents to the art of pastel painting. In 2017, Sam's was recognized in the Colored Pencil Magazine as a featured artist. Her work has been published in "Color" magazine "Color Pencil Hidden Treasures Vol. 4", and is represented in private collections across the United States.
Group Shows:
Pastel Society of North Carolina "Pure Color" fall 2017
Bosque 32nd Annual Art Classic, fall 2017
Colored Pencil Society of America's "ArtSpectations" summer 2017
Colored Pencil Society of America's "Explore This!" summer 2017
Southwest Art Magazine "Artistic Excellence" Top 100 summer 2017
Conroe Art League 2nd Invitational Art Exhibition spring 2017
32nd Texas & Neighbors Regional Art Exhibition spring 2017
Bosque 31st Annual Art Classic, fall 2016
Georgetown ArtHop fall 2016
Artists of Texas Fall Show "Open Spaces" fall 2016
Awards and Associations:
"Explore This" Colored Pencil Society of America's District Chapters Award for Outstanding Merit summer 2017
Irving Animal Art Show 1st place in dry media fall 2017
Member of the Texas Pastel Society
Looking for the Perfect Custom Frame?
4518 S Broadway Ave
Gold Leaf Gallery, a custom Frame shop and Art Gallery located in Tyler, Texas offers you the finest in custom frames and framing, original paintings, limited edition prints, and sculptures in East Texas.
Fine Art Sales
©2020 Gold Leaf Gallery, All Rights Reserved.
Internal Requests | Privacy Policy | Terms of Use | Sitemap


Use this page to know about the Essential Graphics panel in After Effects and how to work with Motion Graphics templates and Master Properties.
The Essential Graphics panel allows you to build custom controls for motion graphics and share them as Motion Graphics templates via Creative Cloud Libraries or as local files. Essential Graphics panel works as a bucket in which you can add different controls, modify them, and then pack them as shareable Motion Graphics templates. A new workspace for working with the Essential Graphics panel in After Effects, named Essential Graphics, is available from the workspace bar. You can access the workspace from the Window > Workspace.
As a control surface within After Effects: Use the Essential Graphics panel as a control surface for your compositions. Drag parameters from your timeline into Essential Graphics panel to create shortcuts for the elements in your composition you change often.
To create Master Properties that work as master controls that allow you to modify effect and layer properties of a composition when it is nested in another composition.
To export Motion Graphics templates (.mogrt): Encapsulate your After Effects project into a Motion Graphics template that can be edited directly in Premiere Pro. All the source images, videos, and pre-comps necessary to maintain your design are packaged in the template. Only the controls you expose are available for customization in Premiere Pro that allows you to retain creative control of your design.
To group controls together, control font properties, and add controls for CSV and TSV spreadshseet data sources to a Motion Graphics template. You can access the groups with the Add Formatting menu in the Essential Graphics panel. The Add Comment command can be accessed from this menu.
In the Essential Graphics panel, use the Master drop-down to select a composition in your project to start building a Motion Graphics template.
To open current composition, select Composition > Open in Essential Graphics.
To open a particular composition, right-click a composition in the Project panel, and select Open in Essential Graphics.
To open any composition in your project, click the Master menu in the Essential Graphics panel.
The Master composition is the current composition in the Essential Graphics panel. You can add supported properties from the Master composition to the panel. You can also add properties from the compositions that are in the hierarchy of the master composition.
Properties from composition that are not in the hierarchy of the master composition are considered unrelated properties. When you add unrelated properties to the Essential Graphics panel, a warning message is displayed. The properties are still added to the panel, but are highlighted in red and have no effect when exported as a Motion Graphics template.
Tip: To use unrelated properties, nest the composition containing the properties into the master composition or the hierarchy.
Unrelated properties do not work when the composition is exported as a Motion Graphics template.
You can add supported properties from any effect or any layer property group such as - Transform, Masks, and Material Options.
To add a control, drag single or multiple selected properties from the timeline into the Essential Graphics panel.
Select a property in the Timeline panel, then select Animation > Add Property to Essential Graphics.
Right-click a property in the Timeline panel or Effect Controls panel, then select Add Property to Essential Graphics from the menu.
You can also assign a keyboard shortcut to the Add Property to Essential Graphics panel command. To learn the steps, see Visual Keyboard Shortcut Editor.
If you want to only view the properties supported by the Essential Graphics panel, click the Solo Supported Properties button in the panel. The button filters the properties and displays the supported properties in the timeline.
Click the name field of the control and enter a new name.
Drag and highlight the current name and enter a new name.
Reveal source properties: To reveal the source properties of a control in the timeline, right-click the control name and choose Reveal in Timeline from the context menu. The reveal option opens the related composition even if it is closed.
Reorder the controls: To reorder the controls, drag them up or down in the panel.
The controls that you add to the Essential Graphics panel are linked to the source properties. Changing the value of a control also changes the value of the properties in the composition. For example, if you change the Opacity to 50% in the panel, the value of Opacity in the composition also changes to 50%.
The composition values are simultaneously updated as you slide the value of numerical controls in the panel. To disable the live update feature, hold Option (Mac) or Alt (Win) as you slide.
You can group controls in the Essential Graphics panel for better navigation and to reduce clutter. This is particularly helpful when you add long lists of editable controls or the master properties of nested compositions to the panel.
To create a group, click the Add Formatting menu in the lower-left corner of the Essential Graphics panel, then select Add Group.
To add a control to a group, drag it over the group name.
Add the Source Text property of a text layer to the Essential Graphics panel.
Click Edit Properties option on the right side of the control row.
Enable Custom Font Selection - Adds the Font Family and Font Style controls.
Enable Font Size Adjustment - Adds the Font Size control.
Enable Faux Styles - Adds Faux Bold, Faux Italic, All Caps, and Small Caps controls.
Font controls are unsupported as master properties of a nested composition.
To add comments, click the Add Comment button at the bottom of the Essential Graphics panel. You can add multiple comments, rename them, and reorder them. You can also undo and redo adding comments, reorder them, and remove them if necessary.
To rename, click the name field of the comment and enter a new name.
To reorder, drag the comment up or down the panel.
To delete a comment, select the comment and press Backspace or Delete.
When you duplicate a composition in the Project panel (cmd+D Mac or ctrl+D Win), After Effects duplicates properties and comments added to the Essential Graphics panel for that composition.
To name or rename your Motion Graphics template, click the name field of the template, and enter a new name.
You can set the poster frame for your template. The poster frame is used as the thumbnail image for your template in Creative Cloud libraries and the Essential Graphics panel in Premiere Pro.
In the master composition, place the current-time indicator on the frame you want to select.
Click the Set Poster Time button in the Essential Graphics panel.
Click the Export Motion Graphics Template button at the bottom of the Essential Graphics panel. Compositions in the hierarchy of the master composition are included in the template.
Creative Cloud Libraries: Add templates to your Creative Cloud Libraries.
Essential Graphics: Add templates to the local folder by default. Templates stored in the Essential Graphics folder are directly available in the Essential Graphics panel in Premiere Pro.
Local Drive: Save templates to a local directory. The templates you save to your local directory are not automatically available in the Essential Graphics panel in Premiere Pro.
Warn me if this Motion Graphics template uses fonts that are not available from Adobe Fonts: Enable this option if you want After Effects to warn you if any fonts used by the composition are not available on Adobe Fonts.
Warn me if After Effects needs to be installed in order to customize this Motion Graphics template: Enable this option if you only want to export After Effects independent features - for example, any third-party plug-ins.
For more information on adding assets to Creative Cloud Libraries, see Creative Cloud Libraries in After Effects.
These options only display warnings, they do not modify the content of the Motion Graphics template. To edit the project to meet the requirements, cancel the export and make the changes, then export the Motion Graphics template again.
Choose the export destination from the Destination menu and click OK.
Only the Classic 3D composition renderer is supported; the CINEMA 4D and Ray-traced 3D renderers are not supported.
All effects included with After Effects are supported, except: Camera-Shake Deblur, Synthetic Aperture Color Finesse, Maxon CINEWARE, Puppet, and Warp Stabilizer.
Dynamic Link footage is not supported such as Premiere Pro sequences or Character Animator CC scenes in an After Effects composition.
FLV format footage and third-party plug-ins are not supported.
To edit your After Effects Motion Graphics template (.mogrt files), you can open them in After Effects as a Project file. After you edit the template, re-export it as a .mogrt file.
In the Open Project dialog, select a .mogrt file, then click Open.
When you open a .mogrt as a project, After Effects extracts the project file and assets. In the Extract "<filename>.mogrt" dialog, choose a location to extract the .mogrt contents, then click Extract.
In After Effects, open the .mogrt file as a project. Modify one or more compositions, or add or change controls in the Essential Graphics panel.
After you make the edits, in the Essential Graphics panel, click Export Motion Graphics Template button. You can either replace the original .mogrt file or select a new location or name for the updated file.
In Premiere Pro, hold Option (MacOS) or Alt (Win) and drag the new or updated .mogrt from the Browse tab of the Essential Graphics panel and over the existing .mogrt clip in the sequence. Premiere Pro updates the Edit tab of the Essential Graphics panel with the new controls.
In After Effects, open the .mogrt file as a project. Modify the compositions, or add or modify controls in the Essential Graphics panel.
After you edit, in the Essential Graphics panel, click Export Motion Graphics Template button. You can either replace the original .mogrt file or select a new location or name for the updated file.
In Premiere Pro, in the Browse tab of the Essential Graphics panel, hold Opt (MacOS) or Alt (Win) and drag the new or updated .mogrt over the existing .mogrt clip in the sequence. Premiere Pro updates the Edit tab of the Essential Graphics panel with the new controls.
Data-driven Motion Graphics templates allow you to quickly and accurately customize bar charts, line graphs, and more, without manual entry or deep knowledge of motion graphics.
With this feature, you can add controls for CSV (comma-separated value) and TSV (tab-separated value) spreadsheet data to the Essential Graphics panel. When you export these Motion Graphics templates with data controls to Premiere Pro, you can modify or replace them in Premiere Pro.
Another use is that the data controls in the Essential Graphics panel can work as a data browser or editor for CSV or TSV data layers in your composition without exporting it as a template. When you add a composition with spreadsheet data to the panel, the panel displays all the related data which is editable. If you are working with a nested composition, the data controls are not accessible as master properties of that composition.
Import a CSV or TSV file into your project and add it to your composition.
In the Timeline panel, twirl open the layer properties for the data layer.
Select and drag the data property group of the layer to the Essential Graphics panel.
Data property type: Choose the data type for the values in each column. Use this to change how the spreadsheet values are represented in Premiere Pro. An After Effects author sets the type for each column in After Effects. In Premiere Pro, the type translates as either a text string, a hot text slider for numbers, or a hexadecimal value for color (for example, #EE0473).
Minimum Rows: In Premiere Pro, you can modify the number of rows used in the Motion Graphics template. Set the minimum number of rows allowed.
Rows: In Premiere Pro, you can modify the number of rows used in the Motion Graphics template. Set the maximum number of rows allowed.
Column names: Modify the column names that display in the Motion Graphics template.
Data values: Modify the value of a spreadsheet cell. To choose the row you edit, change the Row menu at the top of the Data values group.
When you add the Data property group of a data layer to the panel, it removes the expressions that link the data properties of the layer to the source data file. It changes them to static values. If you modify the source data file outside of After Effects, the static data values automatically update.
For more information on how to use these templates in Premiere Pro, see Work with data-driven Motion Graphics templates.
If you are working with .tsv files, specifically with Excel in German (but this impacts any language that uses a comma instead of a decimal), Excel saves the .tsv files as .txt files. You need to manually change the file extension to .tsv before attaching it to a Motion Graphics template in Premiere Pro.
Alternatively, you can use other spreadsheet tools like Open Office or Google Sheets.
Master Properties work as master controls that allow you to access layer and effect properties of a composition when it is nested in another composition. This can be time-saving when you build complex animations across multiple nested compositions as you don't have to open separate precompositions to view their properties. Master Properties can override their original values and keyframes, which allows you to reuse the same composition as multiple instances with different values. The source composition remains the same, your edits only create instances that you can render after editing your comp. Refer to the Glossary of terms for a list of terms used to explain Master Properties.
To create Master Properties, in the Essential Graphics panel, add properties from a nested composition, or nest the composition (Layer > Precompose) after you add the properties. For more information on the property types supported by the Essential Graphics panel, see Types of supported controls. Once you nest the composition, the Timeline panel displays the Master Properties group of the precomposition layer.
The core workflow to create Master Properties is similar to how you create controls for a Motion Graphics template. The difference is how you use the properties - whether you use the master properties on a precomposition in After Effects or on a Motion Graphics template in Premiere Pro.
Nest: To place a composition inside other composition.
Precomposition: A composition that is nested inside another composition in a project.
When a composition, for example - Comp A is placed inside another composition, for example - Comp B, Comp A becomes the Parent composition which contains Comp B - the Child composition.
A composition you set as Master in the Essential Graphics panel is the Master composition. For a master composition, when you add a layer or effect property from the Timeline to the Essential Graphics panel, the property is called the Master property.
The layer or effect property that a master property refers to.
A master property of a precomposition when the source property is modified.
To change the value, keyframe, or expression of a master property on a precomposition.
Linked properties - When you nest a master composition, the master properties of that precomposition link to the source properties. For example, if Comp B is nested in Comp A, the effect and layer properties of Comp B are the source properties. From Comp B, the properties that you add to the Essential Graphics panel are the Master Properties. When you modify the source properties, master properties of the precomposition also change.
Unlinked properties - When you modify master properties of the precomposition, however, they become unlinked. Unlinking creates an instance of the master composition. You can modify both the master properties and the source properties independently.
When you modify a master property, it overrides the value or keyframes of the source property. The precomposition is a unique instance of the master composition and only this instance renders with the modified value or keyframes.
When you modify a master property, the Pull and Push buttons in the Timeline panel are enabled, and the name of the master property turns bold. These are the indications that a property is unlinked.
The Pull and Push buttons relink a master property with the source property. There are Pull and Push buttons for each master property, and for the entire Master Properties group.
Pull discards the modified value, keyframes, and expression of a master property.
Push applies the modified value, keyframes, and expression of a master property to the source property.
After you click either the Pull or Push button, master properties again link to their source properties, and disable the Pull and Push buttons.
When you push a modified master property back to source property, all instances of the same master composition are updated if the same master property is linked. For example, you create a master composition for a credit roll and nest it multiple times, and modify the color master property on only one of the precompositions. When you push the new color value back to source value, all instances of the master composition render with the new color value.
Select the specific master properties and click the Pull or Push button on the Master Properties group.
Deselect all master properties in the Timeline panel and click the Pull or Push button on the Master Properties group.
In the context of a parent composition, you cannot use the Type tools to modify Source Text master properties in the Composition panel.
Right-click the Source Text master property and select Edit Value. Edit the text string in the dialog, then click OK.
Apply an expression to the Source Text master property. Ensure to include double quotes around the new string. For example, "She sells seashells by the sea shore."


Join the Bureau and become a CYtes of Ames member!
Be a CYtes of Ames member and you can help visitors STAY, DO, EAT, SHOP and PLAN. . .perhaps at your business! Ames welcomed 498,100 overnight visitors and thousands more single-day visitors to our community this past year; visitors spent $114 million dollars in Ames.* Be part of it as a CYtes of Ames!
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Seeing as i don't blog all that much these days, i have a little catching up to do.. in the shape of show & tell.
So let me begin by showing you where i'm at with my Blackbird Gathering quilt... a free sew-along for anyone wishing to join Cheri's friendship Group, on Facebook.
ready for the next step in this sew-along..
It's that time of year again ~ doll quilt swapping time.. YAY!!!
It's the fourth Humble Quilt Exchange run by Lori, and they just keep getting better!!
the log cabin block just happens to be one of my faves..
it's so wonderfully scrappy.. i love it!!
Karen kindly sent me three of her delightful patterns... how spoiled am i??
Has it really been a week since Michelle & i trained it down to the city, to go to AQC??
It's been over ten years since my last visit, and i must say it was so lovely to be visiting this grand 19thC Victorian treasure, again.
The highlight of the day was bumping into a blogging friend.. meeting her 'face-to-face' for the first time.
Lenora & i met via our blogs some nine years ago, when we were both embarking on a momentous quilting journey <> our Dear Jane journey.
I have fond memories of exchanging fabrics with Lenora, for our DJ blocks.
Lenora is every bit as delightful as i imagined her to be, and a talented quilter to boot!
we ooohed and aaahed at all the scrumdiddlyumptiousness at every turn..
but we resisted the temptation to buy EVERYTHING!!
Michelle & i had the loveliest day and we didn't lose our heads completely..
Is it that time already.. Easter time??
Right now i'm feeling a bit like the White rabbit... rush, rush... no time to waste!
I simply couldn't let the weekend go by without showing you my Easter collection, namely my egg cup collection with a distinct Easter theme..
a few bunny egg cups..
and a few chicky egg cups..
As the year is fast drawing to a close, i wanted to take the time to share a little Christmas stitching with you.
First up is this sweet little prim redwork design by Cheri Payne.
As you can see i tweaked it a little by stitching it in red & green, and then i turned it into a small hanging, by adding a (log-cabin style) border.
The jumbo zig-zag along the bottom, was the final touch.. a small scrap which i finally found a use for.
here it is currently hanging on a spool cabinet in my studio..
the second project is December's SQT quilt challenge - a Christmas Star, designed by Kathy.
the star quilt is currently hanging on a lovely old corner cabinet in the kitchen.
The last Christmas project which i finished today, is another delightful Cheri design.
It was calling my name.. i ask you, who can resist basket designs??... not me lol!!
As per usual i tweaked it by using red, green & black thread and by adding a little kitty in the middle basket, just for fun :)) After i finished the stitchery i left it for a few days as i pondered on how to finish it.
Yesterday, i pulled out an old tin in which i keep leftover blocks. I'd forgotten just how many HST's were in that tin... before long i was laying a few out along the bottom of the stitchery.. yep, that'll work. A simple black border along the top and voila... i love how it turned out.
here's my sweet little Oscar.. the inspiration for the kitty in the basket (he loves hopping into empty baskets)..
the quilt is currently hanging on a ladder in my studio..
I'd like to wish you all a very Happy 'stitching' New Year..
The most recent being Lori's Humble Quilts mystery quilt-along by the name of Quilters Madder.
As the name implies it was all about using those lovely rich madder prints with b&w shirtings... and just a hint of pink.
and quilting it was a little cumbersome, but i must admit i'm very happy with the results..
Meanwhile, let me bring you up to date on the progress of another mystery sew-along that i'm working on... Cheri's 'A Blackbird Gathering' SAL.
It started back in June and finishing in November... eeeek that's this month, already!
You have already seen June's Block #1 ... i can't believe it's been five months!!
So, here are the corresponding months' wool applique blocks.
is the next, and final step in this fun SAL.
One of the highlights of the day was meeting American quilt historian, quilt maker and author Leah Zieber.
You can imagine, my heart skipped a beat when i spotted her wonderful collection of antique treasures... crazy quilts, doll quilts, doll's & children's clothing, quilt blocks and lots of lovely old photographs.
I was drawn to this 19th century photo of a girl with her doll & pram, standing in front of a quilt, and holding a potted plant.
As Leah pointed out, the prize possession of the day most likely would have been the plant, not the quilt.
Among Leah's delightful collection of antique quilt blocks were a few sweeties that begged to come home with me.. how could i resist?? I also purchased a copy of Leah's debut novel 'Libby Morgan: Reunion' ~ the first in her American Heritage Quilt Series.
It was so nice to see Leonie again, busily cutting into her lovely reproduction fabrics... of course i had to have a few lol!!
as did 3.5 metres of lemony chrome for the setting triangles in my Panama Pyramid quilt.. very happy with that!
speaking of Panama Pyramids... here she is (Linda's antique beauty) tucked away in the corner.. i almost missed her!
It was so lovely to see her again... looking as good as ever!
What a wonderful day spent with friends, surrounded by so many beautiful antique quilts and treasures.
It's time for QITB (Quilts in The Barn) for the last time and i wasn't going to miss it!
Jacquie & i made our way down to Wonga Park bright & early Friday morning... to avoid the crowds.
We arrived right on 10 and as you can see we were not the first to arrive.
There's no need for words... the quilts speak for themselves.


Sum Insured based on Salary or Category, as per client requirements.
Policy can be tailor-made according to your requirements as per your choice of benefits in combination with Accidental Death benefit.
Dismemberment - This would mean loss of limbs, loss of eyesight, loss of hearing, etc.


Australia's Business Indicators Survey: Income from Sales of Goods & Services: 2012-13p: Trend: Electricity, Gas, Water & Waste Services data was reported at 14,421.000 AUD mn in Jun 2015. This records a decrease from the previous number of 14,475.000 AUD mn for Mar 2015. Australia's Business Indicators Survey: Income from Sales of Goods & Services: 2012-13p: Trend: Electricity, Gas, Water & Waste Services data is updated quarterly, averaging 13,144.000 AUD mn from Mar 2001 to Jun 2015, with 58 observations. The data reached an all-time high of 15,339.000 AUD mn in Sep 2012 and a record low of 8,581.000 AUD mn in Dec 2001. Australia's Business Indicators Survey: Income from Sales of Goods & Services: 2012-13p: Trend: Electricity, Gas, Water & Waste Services data remains active status in CEIC and is reported by Australian Bureau of Statistics. The data is categorized under Global Database's Australia – Table AU.S001: Business Indicators Survey: Income from Sales of Goods and Services: ANZSIC 2006.
What was Australia's Business Indicators Survey: Income from Sales of Goods & Services: 2012-13p: Trend: Electricity, Gas, Water & Waste Services in Jun 2015?


I just released Data::Mapper which implements Data Mapper Pattern described in PofEAA. Of course, I know there has been already existing implementation of that pattern: DBIx::ObjectMapper. Despite that, I've done it because I need simpler one for my new project.
Any suggestions are welcome. Please contact me via GitHub.


I know it's only January, but I'm looking ahead to Valentine's Day. One recipe that is perfect for the upcoming sweet treat day is my Gluten free strawberry cheesecake.
This one is not baked, so it's easy to make and only requires some time to reduce some strawberries. I know fresh is best and I am looking forward to those first spring strawberries. In February, I usually have to search the grocery store for some Florida fresh strawberries.
After blogging for several years, I've noticed a distinct divide between my early recipes and my newer gluten-free recipes. I have no choice but to eat 100% gluten-free so I'm slowly working on some of my best recipes from before 2011 when I was diagnosed with Celiac.
The dessert recipes can be the most challenging due to the baking ingredients and measurements. Since this is a no-bake cheesecake, I don't have to worry about that.
This one is inspired by my grandmother who always made her cheesecakes with light and fluffy cream cheese and graham crusts. She never bought the pressed pie-shaped store kind. She literally threw crumbled graham crackers in a Tupperware box and layered her cream cheese mixture on top. Then she would top with whichever berry we requested. I usually chose strawberry. Stephen loves the blue. After it set for a few hours, we would scoop it out into bowls and dive in.
I use Smoreables if I can find them. My second choice is Schar Honeygrams. Because I'm grinding these up, the thickness of the cracker itself is not important. Both of these taste great for a crust. The star of the show is the cheesecake and topping.
Also, the recipe calls for using a food processor to grind the crackers. I've also thrown them in a zip top bag and beat them into submission with a jar, pan, or rolling pin. It just depends on my current level of aggression that day.
Other ideas for sweet treats include Cranberry Bliss Bars and Oreo Balls.
Individual servings of Gluten free strawberry cheesecake.
8 oz. fresh whipped cream or store-bought Cool Whip.
Using a food processor, grind the crackers and almond flour together.
Drizzle melted butter over the crumbs and stir to combine.
Spread evenly in 6 pint jars. Set aside.
Mix cream cheese and whipped cream together until fully combined.
Add powdered sugar and continue mixing.
Using a large spoon, add cream cheese mixture to 6 jars until almost full.
In a small saucepan, bring water to a low boil.
Add sliced strawberries and sugar, reduce heat to low simmer.
Let simmer about 15 minutes until it begins to thicken. DO NOT COVER.
Let it cool for another 15 minutes. Putting it in fridge works great if you're in a hurry.
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We just can't wait! Hear from Shawn as he tells you about the upcoming New Year's Revolution Body Transformation Challenge and take a look back with us at our last challenge. This is NOT something you are going to want to miss. Be at FitCamp 180 on Saturday, January 5th at 10:00am!!
Make plans NOW to attend our FREE Saturday workout and BRING SOMEBODY!!
Don't let December go by and not work on staying in shape. Why wait until January?
Join us TOMORROW for a free workout!
FALL BREAK SPECIAL FOR TEACHERS!


text:
Panic Room — Essence
(Firefly FFMCD008, 2017, CD)
by Peter Thelen, Published 2017-09-03
One might take a look at the track list on Essence and be fooled into thinking that it's a best-of compilation (initially this writer was), but that would be incorrect. Keyboardist Jonathan Edwards, singer Anne Marie Helder, drummer Gavin Griffiths and bassist Yatim Halimi figured that a good way to introduce their new guitarist Dave Foster would be to re-record some of their best earlier material with new arrangements. Not quite unplugged necessarily, let's just say somehat less imposing arrangements than the original versions, the result being a collection of re-recordings of some of the band's best material from the their first five years – three cuts from their 2008 debut Visionary Position, four from Satellite (2009), and three more from 2012's S.K.I.N. – no songs were drawn from the band's fourth album Incarnate. In addition, they present two completely new songs here, the lilting rocker "Denial," based on piano rhythms with some great aggressive guitar solos by Foster throughout, and passionate lyrics delivered by Helder. The other new piece is the eloquent and seductive "Rain, Tears & Burgundy," opening with an acoustic guitar figure with Helder's voice out front, the other players coming in later to round out the arrangements splendidly. Overall, knowing those first three albums quite well, I think after half a dozen or more listens to Essence, in most cases I'm liking these new versions somewhat more than the originals; the more subdued arrangements definitely push Helder's voice to the fore, and the two new songs are among their best.
Filed under: New releases, 2017 releases
Related artist(s): Panic Room
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