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Moorings Jesuit High School Sacramento Literary & Arts Journal
Cover Photo: Falling Deeper Anton Gutierrez, '17 1st Place, Photography 1st Annual Moorings Literary & Arts Contest
Jesuit High School Sacramento Literary & Arts Journal Volume 1, No. 1 Spring 2017
From the Editors Welcome to Moorings, the new Jesuit High School Literary & Arts Journal. This publication serves as a platform for our student artists and writers to share their creative works. Over the past few months, we have endured the tides of submissions, laid bare the hazards of Microsoft clip art, trained under the waterfall in the delicate art of Indesign, and scoured the seven seas for only the finest array of sleep-deprived rants, war poems, meditations on mortality, literary kaleidoscopes, cat photos, mental railroads, pictures of water, pictures of more water, and much, much more. Of course, we do not work alone. We, the editors, would like to extend our eternal gratitude to the fantastic beings we have met in our journey, including Indesign guru Ms. Mala Paul, Shipmaster Mr. Nick Luppino, '98 and his Plank crewmen, Contest maestro, Dean Tim Kelly, Supreme Overlord Mr. Michael Wood, '99, and our very own Captain Mr. Jeremiah Loverich. Our sincerest thanks also go out to those who bravely threw their work into the fray, both those who were published and those who live to submit another day.
With the academic year drawing to a close and the ferocious, frothy squalls of homework giving way to the calm blue of exam books and summer skies, we think it's a perfect time to just take a step back for some good oldfashioned introspection. The name "Moorings" was chosen to evoke in our readers that spirit of quiet reflection and calmness in the face of a bustling world, not unlike the respite a sailor would receive from the biting wind and roiling waves at... well, his ship's moorings. That said, our title pays similar homage to the important role such ports would play in spreading culture, color, and ideas among the bustling crowds that would frequent them. It is our desire that you find this journal similarly engaging, and hopefully with less rats than our namesake. The Editors, William Burke, '17 Aidan Cordero, '17 Garrett Emmons, '19 Hunter Hechtl, '19 Steven Noll, '19 Hunter Smith, '19 Faculty Advisor: Mr. Jeremiah Loverich
Table of Contents Liminal Space ................................ Working Hours ............................. On Serving the Homeless ............... Polizei ................................................
Dart, Dip, and Sip .......................... The Hummingbird's Travail ......... Our Ailing Mother ......................... A Flower in the Wasteland ............ My Sister's Rose .............................. Fearless .............................................. Reading? .......................................... Dawn on the Sea of Cortez .......... Self-Portrait .................................... 5150: Penal Code for Crazy ......... Keyhole ........................................... Home ................................................ Moonrise ........................................ On Insomnia .................................. Keen Eye ............................................. Mornings .......................................... A Big Decline ................................ Train of Thought ........................... On Being a Gamer ....................... Spring Bloom ............................... Don Clark ........................................ Coruscant ......................................... Flying High ................................... Until Then ....................................... Carousel Horse ............................... The Wayward .................................... Summer Fake-ation ...................... Sun Bathing ......................................
Carson Black, '17 ....................................... Andrew Sheleby, '19 ................................ David Crowley, '18 .................................. Anton Gutierrez, '17 ................................ Jaden Fong, '18 ......................................... Risheek Pingili, '18 ................................. Austin Weideman, '18 ................................ Joshua Wiggen, '17 ..................................... Steven Noll, '19 ......................................... Joshua Wiggen, '17 ..................................... Zachary Neil, '17 ....................................... Peter Grimmett, '19 .................................. Josiah Davis, '17 ....................................... David Crowley, '18 ..................................... Anton Gutierrez, '17 .................................... Ian Hallford, '18 ....................................... Jaden Fong, '18 .......................................... Austin Weideman, '18 ................................. Anton Gutierrez, '17 .................................. Aidan Cordero, '17 ..................................... Casey Gilles, '17 ........................................ Jaden Fong, '18 .......................................... Jacob Sasaura, '18 ....................................... Joshua Noll, '20 ......................................... Conrad Hawkins, '17 ................................... Caelin Sutch, '20 ........................................... Chris Appel, '17 ............................................ Matthew Nguyen, '17 ................................ Steven Noll, '19 .......................................... Garrett Emmons, '19 .................................... Will Roberts, '18 ......................................... Matthew Ruggles, '18 ..................................
8 9 10 11 17 18 19 20 22 23 28 29 30 31 34 35 36 39 40 42 43 44 45 51 52 53 55 56
Liminal Space Carson Black, '17
2nd Place, Photography 1st Annual Moorings Literary & Arts Contest
Working Hours Andrew Sheleby, '19
My son and I see differently. He plays on the beach while I work beyond the shore. He smells the fresh water, while I smell the foul scent of fish. He hears the clashing of waves on the rocks, while I hear the shouting of men. The time he spends is with hermit crabs and sea shells, while the time I spend is with dying carp and barnacles. But we both see something good, beyond where we stand. He looks towards a storm, and sees a hero, tirelessly fighting nature on his little wooden boat, so the young boy can live happily another day. I get paid very little, but that is no matter to me, for when I look towards land and see my boy, waving to me, I see his smile, and the glow of his mother's eyes. For that is the true payment for the working hours.
On Serving the Homeless David Crowley, '18
The other day I crawled on the floor of a soup kitchen bathroom, scooping as much vomit into the dustpan as I possibly could after a drunken guest just nearly missed the toilet. As the manager of my serving crew, the dirtiest duties fall on me, and sadly that I have been includes all vomit scooping drunken related tasks. Half vomit . . . for covered in it myself, three years now. I started to ponder whether what I was doing was actually making a difference, whether these people actually appreciated the time and effort that I put into providing something as simple as a hot meal every night.
the ripe young age of fourteen, sixty-seven year old John Mason decided it was a great day to overdose on heroin in the parking lot. To my dismay, just an hour later I was then on the phone with 911 as Mr. Mason had collapsed and was now completely unresponsive on the floor. During the whole process, other guests still requested food, as to them this was quite normal. Although shocking to me, drug overdoses and the fact of death are an ever present reality in the homeless community and for John Mason, it was his last. Although stories of drunken guests seem to be the most prevalent, the unique, less threatening ones are the most memorable. One man for example always wears a hard hat and reflective jacket. Upon asking him whether he was a construction worker or not, he simply replied that he likes the outfit. Although strange, we have one of the best relationships of any of the guests. He may not be normal by society's standards, but in most cases, who is?
I have been scooping drunken vomit, having plates of food thrown at me, and dealing with disrespectful, unthankful people for three years now in the small building at 1868 Broadway. But for some reason, I still The truth is, whether homeless or not, return. Each night at the Upper Room Dining they are all human. In my line of work this Hall , we serve hot meals to an average of understanding may seem to fade, but it will 129 people—from all backgrounds— always be including soup, salad, a main entree and something Some call him the dessert. In addition to this service, we solid that I General, some call provide sack lunches for the following can rely upon. day. As expected with the people soup him Wayne, no matter Nevertheless, kitchens attract, the volunteers of this who he is, he is vulgar, work at the establishment have some stories to tell disrespectful, violent, and soup kitchen is after each and every night of work: the stressful, and unpredictable. only thing to expect is the unexpectable. always full of Although when people think of the homeless, synonyms such as drunken, lazy, and unappreciative surface, surprisingly, I have found the exact opposite. Nevertheless, all stereotypes have grains of truth, and the same applies here. The first day I took over as the manager at
One guest in particular has tested my limits. Some call him the General, some call him Wayne, no matter who he is, he is vulgar, disrespectful, violent, and unpredictable. After countless incident reports of him cursing at, throwing things towards, and even stabbing
other guests and volunteers, he has finally been banned from the establishment. In the past he has threatened to arrest me, on what grounds I don't know, and even thrown a plate of meatloaf directly at my face. Thankfully his drunken aim is not as threatening as his volatile tendencies. Even though I have never used my pepper spray that I keep in my right pocket each night, it took all of my composure and restraint to not unleash a torrent of eye burning liquid directly at him. "The General" may be the image that comes to mind when one thinks of the homeless, but he is actually part of the minority. One of my favorite parts of serving at the soup kitchen is the sense of love and hospitality. We have "Tony, we are all one volunteers. You don't have to be here. Anything volunteer, Tony, who you can do to help us is drives over appreciated—no matter an hour to wash how slow." the dishes for us. With a bad knee, two hip surgeries, and a date of birth from before Calvin Coolidge took office, he still returns every week. He once apologized for being slow one day while helping; I simply replied "Tony, we are all volunteers. You don't have to be here. Anything you can do to help us is appreciated—no matter how slow." Carol, more commonly known as "The Salad Lady," volunteered for over eight years at The Upper Room, working up until the week she passed away at eighty two. I have still not met a nicer, more caring women than Carol, and she will always be remembered as one who loves unconditionally, which is quite difficult with the people she served.
Although the Upper Room Dining Hall may not attract the most amicable people, and bizarre occurrences seem second nature, there is a sense of love that truly provides a home for those who come each night. Even though Merriam Webster defines homelessness as "having no permanent residence or place," I see it as not having a home metaphorically. In the past I have been told repeatedly not to say that I am feeding the homeless when I volunteer—as some of our guests are not necessarily without a residence, just hungry. Nevertheless, I prefer the phrase feeding the homeless because our guests may not be without a home literally, they are all without a home in the abstract sense. To have a place to sleep is quite different than having a home. A home is a family, a sense of love and care, and although many people we serve have places to sleep, they return each night in seek of more than just a meal. Our clients may lack this value, yet we provide them with more than a place to eat, we provide them with a home, a sense of love, a place to come together each night. And just as every family has their differences and disputes, the people we serve are not perfect. Society assume all homeless people are the same: the drunken, the disrespectful, the lazy; yet, I have more positive stories than negative ones. Tuesday night shifts are usually the most understaffed of the week, and thus I'm usually running the whole operation with less than five volunteers. Nonetheless, some guests take the liberty to help, assisting us with dishes, serving and clean up. One guest, Greg, who used to come and eat for over two years, has now turned his life around for the better and no longer needs a soup kitchen to get his meals. Nonetheless, he now volunteers at least once a week—showing his thanks to the establishment and people that cared for him
when he fell on hard times. He has seen the soup kitchen from both perspectives, guest and server, and is a veteran of the homeless lifestyle. In some instances, people may be living off of social programs like the soup kitchen intentionally; yet hitherto Greg's first meal, he was taking a step towards self sufficiency and a stable life of his own.
endless support and dedicated service, I guarantee that our nightly average of over 100 people would not be met.
Because the volunteers and guests alike come together each and every night, we are able to create a family, a home for those less fortunate. Although we may literally be serving the hungry, we serve the hearts and souls of the Now, whenever homeless, whether they have a place to Dallas comes to eat, he live or not.
I find it funny how on certain days, it is easy to see which people are simply those places his multiple sharp who have fallen on hard times At some point in my life, like anyone like Greg, and those who are objects on the counter else, I may end up without a place to the more stereotypical homeless before we even have the sleep. Nevertheless, I hope that when person, such as the General. chance to ask for them. I'm living on the streets I will never be Whenever we have to call 911 homeless—for that is a far worse reality for some offense or the other, that I am not prepared to face. which happens at least once a week, the majority of those eating leave in a bustle, namely, those with outstanding warrants. The soup kitchen tracks how many people eat each night, and simply by looking at the chart I can easily identify which days the police were called, as significantly less people came to dine. Nevertheless, we do not like to use law enforcement for every trivial occurrence. For example, a man named Dallas always brings multiple knives, and even an axe every day when he comes to eat, but sometimes it is simpler to confiscate the weapons and return them after a nice meal than to get the police involved. Now, whenever Dallas comes to eat, he places his multiple sharp objects on the counter before we even have the chance to ask for them. Behind his threatening, tattooed appearance, Dallas is actually an extremely respectful and cooperative person. Although running The Upper Room is a grueling task, and dealing with people such as Dallas being one of them, we tend to have like minded people by our sides. Such as, there are always at least two missionaries from the Church of Jesus Christ and the Latter Day Saints, which make the whole process run smoother. I was asked once what I am thankful for, and I simply replied, "the Mormons." Without their
Anton Gutierrez, '17
Dart, Dip, Sip Jaden Fong, '18
The Hummingbird's Travail Risheek Pingili, '18
Like a hummingbird, travelling swiftly from place to place So small, yet so powerful, so depended upon Billions, trillions flying through the air Delivering pollen to their needy flowers For the flowers would surely die, lest they get their pollen And some flowers may bear fruit, but many simply wither Yet these hummingbirds, so beautiful is their work Carrying nothing but ones and zeros Go unnoticed by the flowers, taken for granted Hummingbirds seek no reward, receive no praise This web of birds, each carrying pollen all over the world This web, built upon the backs of the hummingbirds Yet this web's hummingbirds receive no fame Not even the copper paths they take Not even their speed, nearly instantaneous Yet each flower, hungers for more pollen, more data These flowers, searching for some pollen or the other These flowers, sending pollen amongst themselves Knowing not, and caring not, for the hummingbird's travail
Our Ailing Mother Austin Weideman, '18
Trees had reached while oceans fell deep Ere the blight was called Her beauty was clear fore God decreed One flaw shall plague it all From Her meadow's brush to river's rush A sickness does reside No caring touch nor gentle hush Can cure the ache inside This disease strides fast as fire My nursing Mother blazes No desire for Her ills to expire As She fades into forgotten hazes We are left to finish Her death We, Her beloved birth Our home, She expects Her final breath For we infect Her earth
A Flower in the Wasteland
"Is this real? Are you here?" she said. She adjusted her bag and shouldered rifle, causing her equipment to rattle a little.
I awoke to the crackle of distorted lightning. A sickly green light poured in from the sorely patched roof above me, and I felt the radiation on my skin like a bad indian burn. I checked my monitor to see how many rads I had soaked up in my sleep, and was relieved when the meter was still within safe levels.
"Unfortunately." I said as I lowered my carbine the rest of the way.
Joshua Wiggen, '17
"This place isn't safe. What are you doing out here?" It almost seemed as if she had been waiting for someone to ask her that question her entire life. "I," she cleared her throat "I'm looking for a flower."
Journeys out in the wastes like this were often enough for me that I shouldn't feel so I laughed. That was the lonely, but for some reason, funniest damn thing I had ever not seeing Sophie next to me "I," she cleared her heard. Ever. But obviously she made my heart sink a little. wasn't joking because her bubbly throat "I'm looking I didn't always travel with face turned into a slight scowl. "A for a flower." her. In fact, there were many flower? You came all the way out years that I traveled alone, here to find a flower?" not feeling a lick of sadness before I met her. "Yes, a flower! I bet you've never seen a real * * * one either." She folded her arms, obviously a little annoyed with me. But she was right; I "Wow! A person! A real life person!" had never personally seen a flower except for I had just shot the last of a reaver scouting in a few books and on some posters in the old party, and turned my rifle in the direction of mall area. the voice as the lifeless body fell to the ground. "If a flower is so pathetic, may I ask what "Hey, easy! I'm not looking for trouble." you're doing out here?" A girl climbed out from behind a slab of I stopped laughing. It was a good question. concrete with her hands over her head. It'd I simply didn't have an answer to it. "I dunno." been a very long time since I had seen a nonreaver, and I guess that curiosity got the better "Sooo… you're out here. Just cuz?" of me. I somewhat lowered my rifle and stared I nodded my head. This was all I knew. at the girl as she walked closer. She couldn't The wastes, scavenging, killing. It was all a have been more than nineteen, but to survive routine for me. I decided to try and change out here for this long, she was definitely the subject. "What do others call you?" skilled at something. Her auburn hair was put back into a ponytail that hung just past her "Huh?" shoulders. Her face, while covered in soot and dirt, beamed with curiosity and excitement. "You know… what's your name?" Her hazel eyes dashed from my cap to my "Oh!" She held out her hand. "I'm Sophia! boots as if she was trying to soak in all the But you can call me Sophie. What's yours?" visual information that she could.
This was getting a little embarrassing. Again, I didn't have an answer, so I simply shrugged. "Oh come on, it can't be that bad! You can tell me." "I… I guess I had a name at one point. I just can't remember." I looked off to the side. It's not like I hadn't tried to remember my name, but in all honesty absolutely zero memories before all this came to mind. I had simply woken up one day with nothing but the clothes on my back, my rifle, and a backpack full of 5.56 ammunition. "Hmm… a man without a name, and without any idea why he's out here." She looked at me with even more curiosity as she stuffed her hands in her pockets. "Well, nameless man, mind if I tag along with you for a bit? More chance of finding a flower if two sets of eyes are looking." I ignored her question and walked towards the dead reavers starting to scavenge would I could from them; food, ammunition, first aid supplies. Sophie squatted down in front of me and I could feel her eyes burrowing into the top of my ragged cap. Just the feeling was enough to make my eye twitch. "Please?"
"Sure." my face softened a little as I tried to give a little smile. After we had swept the area for as much supplies as we could and put the bodies in a bonfire, we continued our journey to the next town, following a sign that said "Savannah-118 miles.' After a few miles of her humming and whistling, she went quiet and proceed to stare at the side of my face. Again, that burrowing feeling made my eye twitch uncontrollably. "Can I help you?" "Hold on…" she seemed to stare even deeper into my complexion as if she was having a conversation with the scars on my face. All of a sudden, her face lit up and she snapped her fingers."I know what I'll call you!" Curious, I turned to face her. "Hmm?" "Adam. you're the first man I've met out here, and Adam was the first man in the Bible. Thus, you shall be Adam." I was silent for a bit, a little embarrassed to ask my next question. "What is a… bible?"
She stopped in her tracks and turned to face me, clearly confused. She grabbed my arm and made me stop too. "You really don't know about the bible? Do you know about God?" I had simply woken
The sound up one day with nothing of that word was I shook my head. enough to stop but the clothes on my She opened her bag and took out me in my tracks. back, my rifle, and a an ancient leather bound book with a I took in a deep backpack full of 5.56 lowercase "t" on it. breath and sighed ammunition. before looking up "Here, you can have it. I've read to meet her eyes. it at least a dozen times over. Sorta a family Through them, I saw her pain. How she went heirloom." She handed me the book and through this entire destroyed town looking for waited for me to take it in hand. something that may have just as well been a unicorn at this point, and who knows how far "Wouldn't your family want it back?" I she had actually come just to get here. softly pushed the book back towards her.
She looked down instead of answering and shoved the book into my chest. "Oh." I took the book and stuffed it into my satchel. We continued along the broken highway for a bit in silence again. I could tell that I had reminded her of something bad when I mentioned her family and I wanted to lighten her mood. "So what's with the "t" on the cover?" I was completely unprepared for the response that came afterwards.
She looked up from the flames and took the pot of stew from the pit. "I guess… that's why I'm out here. I need to know." She slowly poured some of the contents into a tin mug that she had grabbed from her bag. She then handed the pot to me, and I poured it into my foldable bowl, and reached into my bag for a spoon.
"So, where's this God guy now? Why didn't he stop the world from going to hell?"
She spent hours on end telling me about this guy named God who created everything and loved unconditionally, and how he sent down his son from this place called heaven just to try and save us. Then she went on to explain the significance of the "cross" and how it was a symbol of the Christian religion; how they were a group of people who tried to do good in the world. They faced persecution and death, and somehow for some reason, they kept their beliefs. Somewhere along the way, we found a little shack that was somewhat intact and decided to make camp there. She continued with her stories as we rolled out our bedding, made a fire, and began dinner. "So, where's this God guy now? Why didn't he stop the world from going to hell?"
"I dunno, but I know he has a plan. He always does." She stared into the fire, watching the flames dance around each other as if being serenaded by a slow tune. "How do you know God is real?" "Honestly, I don't know. That's why I want to find a flower. Finding something so beautiful in a place like this would be a miracle in itself. Then I'd know that God is real."
"Well then," I said, "I guess we're just gonna have to find you that flower, aren't we?" I extended my bowl out to her and we gently clashed our containers together.
I finished packing my gear and stepped out of the shack and into the oncoming radiation storm. It was hard enough to see out of my goggles with all the dirt and grime that coated the lenses, but the greenish fog cut visibility down to nearly nothing. Not that it mattered; I'd walked this same trail for years with Sophie and knew every inch of the path. It wasn't a very secluded one, but it was the fastest path from the city where we scavenged to where we had set up a home for ourselves. Our home wasn't much, but it protected us from the elements, had heating, and we even had a solar panel that powered a single light inside the main room of our pod structure.
"It's… nice?" I had never settled down anywhere for more than eight hours somewhere, so having a home was a pretty foreign idea for me. "Of course its nice! It's a bit of a fixerupper, but that's an easy thing to deal with." I walked around the welded pods, inspecting every inch of the structure. In
comparison to the other buildings I had seen, this one looked very new. "You sure no one lives here?" "C'mon Adam. Have you seen any other people besides me?" She rolled her eyes and leaned on the structure."There's a reason that man stopped being nomadic centuries ago. People need a home. Look at it this way: we can stockpile more supplies than just what's on our backs, we can have a safe, defendable place to sleep every night, and it's got electricity! Have you ever seen a working light?" "My flashlight?" I pulled the heavy metal tube from my thigh pocket and flashed the light in her face. She covered her eyes from the brightness and groaned. "You're missing the point. We have a place now." She walked closer and covered the light with her hand. "You and me. This can be our sanctuary; away from the reavers and the fear of not waking up some day." I could tell that she really wanted this, but I wasn't sure if it'd be something that she'd regret. If we settled down, we'd have less of a chance of finding a flower, and wasn't that the reason we began traveling together in the first place? "What about your flower?" She gently grasped my free hand with hers. "Adam, you are my flower."
I'd never had flashbacks before, so remembering these moments was heartwrenching for me. I moved my gloved hand up to wipe away the tears that began to trickle down my cheeks, but instead I only managed to smudge my goggles and respirator against my scruffy face. The once bright town now looked sickly
and deranged; the greenish haze that floated through the air and reaver carcasses that littered the streets created an almost-alien atmosphere in a place that I had thought I knew well. It wasn't too long ago that Sophie and I walked these streets on our way back home from our outings. Occasionally, we'd see a wild deer eating the foliage off of the buildings or a few birds resting on the broken street lamps, and when the weather was just right, this place was almost serene; and when the broken city was the most calm, is when I should have been the most ready for the unexpected.
It was a cloudless night and the stars in the sky lit the way home. A soft breeze moved at our backs, gently pushing us along on the cracked blacktop as we slowly walked hand in hand. With her free arm, Sophie pointed out all of the different constellations. Of all the ones she showed me, she spent the most time talking about Orion the hunter and his loyal dogs Canis Major and Canis Minor. "Ultimately, Orion's ego got the best of him. He bragged that he could slay all the beasts on earth, so Mother Earth sent Scorpio to kill him." "Where's this Scorpio then?" "Oh, we won't be seeing him for a while yet. He's a summer constellation." She dropped her pointer finger and tugged my arm towards one of the multi-story buildings in the plaza. "Mind if we sit on the roof for a bit? Go for a better view?" I shrugged my shoulders and gave her a smile. We made our way up the large building, skipping over broken stairs and jumping over the holes in the flooring. When we got to the top, I used the stock of my rifle to break off the rusty lock that lead to the roof. The ancient door
swung open loudly and we stepped out into the open once more.
deserted streets. Slowly but surely they began what looked like a patterned search of the city, as if they knew we were there. For what seemed We had a completely unobstructed view of like hours, we evaded group after group, inching the brilliant night sky. Even the Milky our way to freedom. We Way seemed to extend from horizon to were two blocks away Before I met horizon as it emitted a soft glow that from the open road illuminated the building around us. Before Sophie, I had never when they finally boxed I met Sophie, I had never really noticed really noticed us in. how beautiful this ravaged earth was. how beautiful this She taught me to look for the light in "Hold up." I held ravaged earth was. everything, even the light in myself. Now, my hand up to signal when she was with me, it was easy to see for Sophie to stop as I the good in everything. peeked around the corner of a building. "Looks like we're gonna have to fight our way out of She drew me close and I smiled into her this one," I grumbled as I ducked back behind warm embrace, feeling the wave of calmness the wall and readied my rifle. that wrapped itself around me like a warm blanket. For a while, we simply stood there "How many on this street?" holding each other and looking up in silence. "Seven. But I'm not thinking about these The wind picked up and drew with it a foul ones, it's the others that'll hear the shots that smell that seemed to seep into the city. It wasn't have me worried." a smell that we encountered often, but the scent of rotting flesh, blood, and sulfur was familiar "Hey," she leaned in and gave me a soft kiss. enough to cause us to tense up. "We've made it out of stickier situations than this. We'll be okay." "Reavers." We looked out over the side of the building to see a horde of them crawling around the outskirts of the city. Dead reavers look just like normal humans, The wind picked but the live up and drew with it a ones act foul smell that seemed completely to seep into the city. different; they act like zombies connected to a hive mind. They have no spoken language, no education or mental development, yet somehow they were intelligent enough to use tools and weapons, and that is what makes them so dangerous. Well, that and their numbers. We rushed down the building and began making our way through the back alleys and
I exhaled slowly and collected my calm before giving her a soft smile. "Alright, ready?" "Ready."
My attention was brought back to reality with another crackle of thunder as the sound echoed throughout the city. I suddenly became very tired, but I kept on moving anyway. After what seemed like forever, I reached our home but I didn't stop inside. Instead, I made my way to the back where the mound of dirt and a makeshift cross peacefully sat. I unclipped my backpack and removed my mask and goggles and sat down in front of the grave. "Hey there Sophie… I'm sorry I've been
gone so long." I could already feel a lump forming in my throat. It had already been a few months since our last reaver fight, but the crushing feeling I felt didn't feel any less painful than the day she died.
can. But I need to move on." I wiped off my hands and put on my gloves and headgear before standing back up. I took a few steps away from the grave but I stopped and turned around, staring at the flower that now guarded Sophie.
"I've got something for you, you'll never guess what I found." I My attention was unzipped brought back to reality my backpack with another crackle of and pulled thunder as the sound out a black box. I gently echoed throughout the city. put it on the ground before I began to undo the latches that kept the box together.
"You're my flower too, Sophie." And with that I turned around and began walking back into the eye of the storm.
"This is why I was gone for so long; 'went all the way to Mississippi for it." I lifted the box cover to reveal a purple buttercup flower, gently nestled in fertile soil. I scooped a little bit of dirt out of the top of the grave and gently began to transfer the flower. "Don't worry, I've been stopping frequently so it can get some sunlight. Wouldn't have done much good to stop today though; kinda bad weather." I let out an empty laugh. But quickly, my laugh turned into heaving sobs as the tears began streaming down my face. I tried to find some comfort in smoothing out the soil around the flower I had planted, but it was hard for my hand to feel anything underneath my thick gloves. I took off my gloves and placed my hand on the mound of dirt in front of me, sitting in silence. "I can't stay here. I think you'd understand that." The wind picked up for a moment as the storm finally began to die down, slowly revealing a dark, starry sky. "Don't worry, I'll stop by and visit when I
My Sister's Rose Steven Noll, '19
Joshua Wiggen1, '17
I stared at Death across the no man's land He seemed at home in the grey, pocketed wasteland. Once or twice, he too looked at me, But he did not fear me, for Fear was beside him Feeding ammunition into their shared tool of destruction. Their black cloaks fluttered behind them As the air combusted in front of the muzzle of their machine gun Mowing down anyone who dared rush across the mud and wire to challenge them. I should be among the dead and dying I too should have rushed across and challenged the oppressors. But I was frozen in place. As if the bloodied mud had seeped into my boots And had solidified around my feet. Then Courage appeared beside me as he began to rally the troops, Back straight and head held high As he beamed words of commitment And duty to king and country. The few of us left began to share his rally Growing in confidence and shedding our fears I was among them as Courage gave the order to fix bayonets. I climbed the ladder half-way Crouched Waited for the whistle. And as I crouched in anticipation I felt a hand on my back and turned to face my comrade. Hope stood behind me, Fire in his eyes and a smirk on his bloodied face. I too now had a fire in my eyes and in my heart, I was ready. The whistle sounded and We went up and over. I sprinted across the mud and wire with my brothers as we all yelled in unison. Fearless.
1. In approximately one year Joshua Wiggen will be an Army Ranger
Reading?
Zachary Neil, '17
"I hate reading." Matthew texted, when the subject arose in the group chat of his like-minded friends, with whom he had been conversing for the past hour.
Dawn on the Sea of Cortez Peter Grimmet, '19
Self-Portrait Josiah Davis, '17
1st Place, Art 1st Annual Moorings Literary & Arts Contest
5150: Penal Code for Crazy
of comedic fashion, and are perfect for "oneupping" someone who unwisely claims they have a "crazy" family. Often, they go like this:
2nd Place, Prose 1st Annual Moorings Literary & Arts Contest
Out of the blue he told me 'don't go to the barn,' which was strange as we always played in the barn. The first time I went up there, there was a dead horse left in its stall to rot. The second had to be when we found all of the marijuana plants and grow lights in the hay loft.
David Crowley, '18
"You know sometimes, I don't know why, But this . . . just seems so hopeless. I ain't really sure, but it seems I remember the good times Were just a little bit more in focus." —Tom Petty and Mike Campbell, "Here Comes My Girl"
This, of course, is my mom speaking. Teresa is the youngest The first time I of three daughters2— at went up there, there least with that wife. There I don't know my grandfather. was a dead horse left is another long string of I know the run down house we children—too many to in its stall to rot. visit every Easter. I know the image name or even keep track of an aged, bearded man. I know of—that follow with the the mentally withdrawn expressions of a man other four wives. She grew up in a hectic named Lyle Hosford— but I do not know my manner: living off food stamps, farmed rabbit grandfather. meat, and the toil of manual labor. However, what's undoubtedly true, is that she had a Lyle is a man of stories—or at least that strange childhood. is the only way I know him—for I've never met my grandfather, nor he, me. It's hard to describe the feeling of when you go to your grandparent's house and your very grandfather doesn't know your name, and his fifth wife doesn't bother to clean the dingy cigarette ash off the countertop, or even notice the rotting dog poop that dots the front yard of tumble weeds and sand. I know Crazy Grandpa, which is what the whole family refers to him as, more through their stories and experiences than through my own—mainly because every time we make the three-hour-trek to visit the dreary town of Yerington1, we are more concerned with being shot in a freak In Cold Blood-style accident than truly connecting with family. Many of these stories are told in a sort 1. Yerington is a city in Lyon County, Nevada, United States—with a population just over 3,000.
She recalls, "I remember the first time my dad said 'I never want to see you again!' I was probably 14 or 15 at the time, and called my friend to take me to a bar down the road and eventually to go stay at my mom's for awhile. It's sad really. Still to this day he has never called me on my birthday." Now, she is well into her late forties— married and successful—but the strain of a broken childhood still wears on her. "I don't really think we realized the crazy s**t he was doing until we were grown up," she said. "Sometimes it's hard to think that your dad would do all these things, but looking back lots of the things he did were pretty clear—just not to us at the time." 2. Carrie is the eldest daughter, Marilyn the middle, and Teresa the youngest.
"My first memory of him was when I was five," my aunt Marilyn recounts. "... when he and Mom were going to get divorced, and he was gonna leave. I was sitting on the kitchen counter and he asked which parent I wanted to go with. It's like, who asks a five-year-old that? … that was my first memory."
fleeting at the time. "I remember him saying 'I didn't do that.' And I'm like, well Dad, if you didn't do that, why did you sign this paper in court saying that you did—and when you were arrested you had three illegal Mexicans in your pickup." Yet, this was not the first time Marilyn noticed his mental state slipping.
After probing her more about her "And then we found some weird stuff . . childhood, she realized too—similar to ." Teresa recalls. ". . . Barbara was doing some my mother—that Lyle seldom if ever weird shit—she was renting cars—we found expressed any sort of affection towards them. receipts to strange things. . . I think she was "Interestingly living high on the hog when he went to enough, I don't "He asked which parent prison." Although some alone time in remember him prison might be good for his alcoholI wanted to go with. It's induced insanity, it continued again telling me he like, who asks a five-year- afterwards. "You'd think . . . because he loved me until I old that? … that was my can't have any alcohol in prison it would was like sixteen. We always knew be a great time to sober up, but when first memory." he did…but he Barbara picked him up, she picked him never said it." up with beer and it started all over again." Nonetheless, most of the stories I hear about my grandfather are more recent—long after my Mother and Aunt lived with him. One of our favorite stories to tell—one I hear often—is the story of how he was sent to federal prison. It all started about a year prior to his conviction, in the early 2000s, when he was living in Telegraph, Texas. He soon found he could make a pretty penny—about "five grand a pop" in Marilyn's words—smuggling Mexicans across the Río Grande into The States. In actuality, he was one of the center members in Texas' largest smuggling ring— which served as an Underground Railroad of sorts for undocumented immigrants. He would bring them across the border, house them on his farm or a nearby hotel, and then send them with the next person further north into the country. His price for more than $50,000.00 in illegal income? A mere 18 months in low-security federal prison. Nevertheless, his mental state was already
However, the smuggling that led to his felony charges, was not his first illegal activity. Strangely enough, when my mother was working at the Department of Justice3, his file came across her desk—which consisted of pages upon pages of offenses ranging from grand theft auto to breaking and entering and assault with a deadly weapon. "I was probably twelve when I really grasped what happened to Roy," Marilyn recounts. Roy was married to a woman named Barbara, who was also Lyle's girlfriend, and soon to be wife number four. Roy was shot in a drive-by shooting that is still today a cold, unsolved murder investigation. Marilyn continues: "I remember asking him, I was probably sixteen at the time, if he killed Roy. His statement to me was 'they can never prove it.'" Carrie, the eldest of the three daughters, 3. Teresa worked at the Department of Justice between 1989 and 1991
has her own experience with Lyle and guns. She recalls that "it was Father's Day, probably 2005." When she was unloading the car, she felt a sharp sting in her upper thigh. "I turned around and yelled at Randy," her husband, thinking that he had hit or pinched her. "But there was "He shot Crazy Grandpa, standing me right in the on the porch with his ass," she says. gun. He yelled over: 'I was aiming for the dog.' He shot me right in the ass," she says, and still has the scar today to prove it—a living example of how mentally unstable people who are already seven beers deep by noon do not mix well with firearms.
this was a pretty normal year." I've learned quite a few lessons from growing up with a mentally damaged felon for a grandfather, one being, never eat food prepared in his house. While living in Texas, he had a large freezer filled with every different variety of meat known to man— from deer and rabbit, to hogs and beef. The whole time during the three-day drive while moving to Nevada, with temperatures easily peaking over 100, the freezer sat on the trailer. When he arrived, it was leaking quite profusely with blood, meat juice, and whatever other liquids that might come out of a freezer of now putrid meat. His solution? Simply plug it back in.
Although the shootings and illegal activity When all three sisters had the chance to were more unique instances, the day to day sit down and discuss their peculiar childhood, life on Lyle's ranch, much like everything else, many negative anecdotes arose. However, they never proved lackluster. "A few days before all agree that their upbringing was not plagued Thanksgiving . . ." Carrie recounts, "the donkey with negative died and our oven broke, all within . . . he instructed the kids to memories: a few hours." Lyle proceeded to bury the now stiff and rotting look through The Gold Panner4, a Teresa seems Craigslist of sorts that is printed donkey corpse, as guests would more nostalgic in the local paper of El Dorado than spiteful be arriving soon for dinner, County, for a new one. He found and the scent of dead donkey is towards her father. one that was slightly functional, "Anytime we went not the most appetizing. and at the price of free, it was to the grocery perfect. While he brought it into store I always held onto his pinkie—that was the house, he instructed the kids to bury my way of staying with him. And I remember, the now stiff and rotting donkey corpse, as no matter where we went, he would stop and guests would be arriving soon for dinner, talk—everybody knew him." and the scent of dead donkey is not the most Marilyn agrees, "Everybody knew him . . ." appetizing. Since they couldn't get it out of the stall, their only option was to bury it where ". . . and loved him. He was very it was. "And as if the situation wasn't already charismatic," Teresa adds. unpleasant," she says, "the oven was too big to fit in the place of the previous one—so Lyle Carrie, the eldest chimes in, "We couldn't got his chainsaw and cut about six inches off leave the house without him stopping to talk of the cabinets to widen the gap. Surprisingly, to someone." 4. The Gold Panner is an El Dorado County newspaper publication, founded in 1979, used to advertise and sell used goods.
Marilyn changes the topic, ". . . And did he alway walk really fast?"
"Super fast."
fun there over the summer."
"And do you still walk fast to this day?"
Carrie shifts to a more depressed topic, revealing the sad truth about their father. "We always had fun . . . but he drank a lot. He was great fun. Now it's sad. He just seems . . . lost."
"I do walk fast," Teresa replies. Marilyn reminisces in the past, replying "So do I, and so does Jen5, because he would take Jen when she was little, and she would have to walk really fast to keep up."
Marilyn agrees: "It's really the alcohol that got him to this point. And Barbara will tell me, 'I bought him a twelve pack and he drank the whole thing in a Teresa shifts the Lyle caught a bobcat. day.' I'm like, well no shit." She conversation towards Any civilized person would continues with another story of more jovial childhood simply open the door and let his drunken lifestyle. Back in '97 memories. "And I loved going to get hay the cat go, but Lyle decided to while trapping wild hogs, Lyle caught a bobcat. Any civilized with him. We'd take keep it and name it Sassy. person would simply open the his big flatbed truck door and let the cat go, but Lyle decided to and we'd go to some big huge hay barn and get keep it and name it Sassy. He was never good hay—maybe it was in Sacramento… " with animals. Often drunk, he would forget to "I think it was," Marilyn confirms. feed them, and Sassy was no different. Finally, six years later when he was moving from Texas "...While he was there talking to the to Nevada, everyone agreed that the bobcat people me and Cathy6 would climb all over was not going to be crossing state lines. My the hay bales—hundreds and hundreds of mother found a wildlife rescue a few hours bales of hay. . . . he keeps going away, and Marilyn was chosen to be the driver: "Back when I remember, when it was time to relocate on and on about how it was okay to do the bobcat . . . we got it into this little wooden he doesn't want to that," Marilyn crate in the truck. I didn't have a cell phone live, and I might as jokingly adds. then or GPS so we must of just had directions. well run the truck I think it was like State Route 12, which is just All three into that tree. a dirt road, that appears to go nowhere. And sisters also agree remember, it's hotter than hell. First we had to that their tireless stop and pick up beer for dad, I think he got childhood was overall beneficial. Teresa states, an eighteen pack. And we started driving, and "He was always very active and we were always I don't know, he's probably six, seven, maybe outside doing things—even though we hated eight beers deep—and I'm lost. We are now our chores." two and a half hours into what's supposed to Marilyn agrees, saying ". . . But you know, I be a two hour drive. He's drunk, I'm lost and think in the long run it was really good. . . He that's frustrating as hell. I find my way but always kept us busy. . . We were always having before we get to the location he keeps going on and on about how he doesn't want to live,7 5. The eldest of Marilyn's four children
6. Family friend of the three sisters (Carrie, Marilyn, and Teresa) who would often spend time on Lyle's ranch during the summer
7. That night, Carrie had to round up all of the guns and bury them in the yard after he continued to voice his suicidal intentions.
and I might as well run the truck into that We return each spring to witness the same tree. He started talking about the war, how no withdrawn exterior of a man named Lyle. one can take as good as care of his bobcat as Although the stories may portray him as a him, and 'that bobcat loves me.' At this point, little rough around the edges, his sad decline I just wanted to from charismatic and loving to crazed We turn our kids stop and let him and incriminating is mainly attributed to loose to hunt for candyand the bobcat alcoholism. His pleasant past may be but filled eggs hidden in out, and just a distant memory, yet what's undoubtedly drive off down true, is that Lyle Hosford is not your tumbleweeds, old deer that dirt road. skulls, and rusty car parts. average alcoholic, smuggler, felon—or grandfather. Marilyn, like many of us, has experienced Lyle's alcoholic tendencies first hand—seeing exactly how quickly he transcends into a delusional state. Now, in his alcohol-induced, dementia riddled state8, it takes a few beers to get him back to any sort of lucid manner. However, it's difficult to convince a slightly buzzed, mentally unstable alcoholic to quit after a mere three drinks. The phrase "snowball effect" comes to mind.. I find it strangely fitting that when we make the trek to Yerington every spring, our Easter-egg-hunting experience does not match the American ideal of freshly mowed lawns and nice clothes for the whole family on a church going Sunday. We turn our kids loose to hunt for candy-filled eggs hidden in tumbleweeds, old deer skulls, and rusty car parts—the last living symbol of Lyle's downward spiral from the man everyone knew around town, to the alcoholic we know today. His house fits his current state. It has the appearance of being vacant—grey sand fills the front yard lined of field fence, no two curtains match, although their patterns jibe, and fittingly, to envelope the whole shamble: the melancholy tone of overcast clouds. 8. Lyle Hosford was later diagnosed with alcohol induced dementia in 2009, after he drove for hours around his home town unable to find his own house. He eventually found the police station, which allowed an officer to lead him home and refer him to mental health treatment
room's curtains are drawn, the source of the darkening. A mother lies there with labored Ian Hallford, '17 breath and pounding heart, younger than the father but far more aged. Unwilling though The rain fell as it had for many weeks she is, no matter how she might scream and prior upon the sloped roofs of a nondescript rage, the source of this heaviness inexorably suburban neighborhood, projecting an driving a wedge between the four corners atmosphere of stifling silence. Pattering, of the house is her. The kitchen's heart lies pattering it falls, slipping over the roof 's lip, cold and still now, no longer throbbing with dripping down the gutter, and rushing out jubilant energy. Though some remnants persist the drain pipe, pooling in a poorly drained — a joke about better days gone past or some gravel bed uniformly grey as the clouds above. small meal cooked and eaten together — the The house itself was distinctly faded to those truth hangs unyielding over the house. Life who knew it, despite its relatively untouched can never be the same. The front door's iron beige paint, standing in twilight between rusts away gradually in the rain and wind, the glowing events of its past and the grim corroded piece by piece by reality of its present. A common house, The doors remain open but an greater powers. Close once, now no longer, trapped aluminum sided unspoken barrier stands betwixt, but beneath a truth most somber, and rectangular, the sickness of one body traversing a home becomes a house. the front appears The rain falls, the wind into the minds of all four. orderly enough, shifts, and a home becomes drought-resistant a house. Slowly, silently, sorrowfully, a home plants well-contained to their respective becomes a house. beds, but a distinct aura of subtle disorder pervades the scene. The rear, invisible to the typical onlooker, is choked with weeds, the few remaining cultivated flowers wild and unkempt. The sound of the rain rolls through the narrow halls, a march of resounding finality in tandem with the beating hearts of those within. There is laughter still but broken and defiant, a wan shadow. Rain drums against four windows, four corners, four rooms, four individuals. The doors remain open but an unspoken barrier stands betwixt, the sickness of one body traversing into the minds of all four. Light reaches still through the windows of the first three, casting in stark relief the figures of a father, a son, and a daughter. The daughter and son are close, sharing interests and comfort to ward off a creeping, insidious hollowness. The father stands apart, shoulders heaving beneath the weight of his burden, pride denying him assistance. The fourth
Jared Fong, '18
On Insomnia
momentum. I am a boy with a frenzied mind. I am an insomniac.
Austin Weideman, '18
1st Place, Prose 1st Annual Moorings Literary & Arts Contest "There is a romance about all those who are abroad in the black hours." —Robert Louis Stevenson
It is 3:42 a.m., and I am wide awake. My face is illuminated by the dim light of my computer screen. All else is dark. My fingers are busy tapping at my keyboard. All else is silent. When should I get to sleep? In two hours tops, but I'm not making any promises.
Insomnia is habitual sleeplessness or the inability to sleep. It is a simple word with simple origins: the Latin prefix in- aligns with the word somnus (sleep) to form insomnis (sleepless). The modern English derivative is most commonly used as medical terminology for self-diagnosis of sleep problems. This diagnosis can be divided into primary and secondary insomnia. Secondary insomnia can be thought of as a side-effect of something else, like illness, stress, anxiety, hormonal imbalances, or depression. On the other hand, primary insomnia is not a result of medical problems, medicines, or other substances. My sleepless nights result from the primary variation, the state of self-induced insomnia, and that is what I will be referring to from now on.
I have been named a variety of things in reference to my sleepless nature. For reasons unknown to me, humans have some fascination with dividing whole sets of people into two distinct groups. Nowadays, I can In either case, according to the National either be a morning person or an evening Sleep Foundation, insomnia results from person, an early bird or a night owl. In fact, disruption of sleep-regulating body systems: my parents have used the terms night owl "sleep/wake homeostasis, and the and evening person to Sleeplessness has circadian biological clock." Sleep/wake describe me on more than made an indelible homeostasis increases sleep drive after one occasion. I am a night long periods of time spent awake, thus mark on my body. creating a balance between hours awake owl because I stay awake longer than normal. I am It has chiseled its and hours asleep. The circadian clock an evening person because name into my works by timing the release of sleep and I am active when the sun human nature; it wake inducing hormone. For example, goes down rather than as has tattooed itself when light hits the eye in the morning, it rises. the "Suprachiasmatic Nucleus (SCN),
onto my soul.
Yet, these words feel empty to me. Anyone can stay up late. Anyone can prefer night to day. Sleeplessness has made an indelible mark on my body. It has chiseled its name into my human nature; it has tattooed itself onto my soul; it is a part of who I am. Sleeplessness is no longer a matter of choice; instead, it has ingrained itself into my daily routine. I am not awake for pleasure. I am not awake for delight. I am a person with a
a group of cells in the hypothalamus that respond to light and dark… sends signals to raise body temperature and produce hormones like cortisol," thus giving us the boost of energy we need to get out of bed in the morning. Homeostasis and circadian rhythms can be shifted by staying awake for long and irregular periods, leading to restless nights and drowsy afternoons. Insomnia stems from the prolonged disruption of these two
systems—from doing the opposite of what the body wants.
wolf who stalked the white-tailed deer in the jet black forest. And I shared the same seconds as the ball python who lunged at its prey under the disguise of darkness.
Over the course of my life, I have beaten I have beaten my my biological clock like Unfortunately, my restless nights are biological clock like a a punching bag. Ever no longer filled with the amusement of punching bag. since my childhood, I my past. Like any ordinary teenager, age have been fascinated and responsibility have caught up to me, with the middle of the night. I viewed it as a and my night-time activities have shifted from time when I could be completely undisturbed wonder to work, from pleasure to necessity. by the commotion of the busy day. As I began Nowadays, I find myself in the dark hours, finding myself increasingly anxious during taking notes, solving math problems, or the day, I longed for a time when I could be drafting essays, doing what could not be done completely isolated, completely silent, and in one day. On the bright side, the dozens of completely still during the night. The hours nights I have spent awake have taught me after midnight offered solace to my young some valuable lessons. The very first thing I do body. At first I thought sleep awarded all the when I know I'm in for a long night is set an same benefits. But sleep did not allow me to alarm, a backup alarm, and a backup-backup savor every minute after midnight. Sleep did alarm. I have slept in too many times to ever not break the chains and let my mind run free. make the mistake of pressing "snooze" again. Most importantly, sleep did not let me do all Once I am ready to leave the house, I always the things I wanted to do. bring along a cold water or a hot coffee for my car, which So I found myself staying awake longer With each abnormally thankfully has and longer, fostering the insomniac inside loud enough long night, the hands of me. I can recall the night, after many speakers to similar nights before it, when I finished the my internal clock gradually blast my brain final chapter of the last Harry Potter book shifted in the wrong into focus. after hours of quiet reading. I can look back direction. Little by little, My insomnia to the night when I first learned to solve a is funny the gears began to spin Rubik's cube, after many tortuous minutes that way; it counter-clockwise. of twisting the puzzle under my bedside keeps me lamp. I can even remember the night when up all night but can make me drop at any I attempted to write the first two chapters of moment during the day. School is the time, my own short novel. With each abnormally however, when my body kicks into peak and long night, the hands of my internal clock determination prevents me from nodding gradually shifted in the wrong direction. Little off during class. Then, I return home and by little, the gears began to spin counterlikely resist another night of sleep. This cycle clockwise. It began with mere seconds that I continues throughout the week until I reach hardly noticed, then came minutes, hours, and the light at the end of the tunnel—Friday. soon my clock would be completely flipped. I cannot stress enough the importance of I entertained myself in knowing I shared the weekends to an insomniac. They are a flowing same hours as the nocturnal tawny owl who river in a desert of sand, salvation after years scoured the woods for mice in the dead of of torment. But the insomnia fights Friday night. I shared the same minutes as the gray
night sleep, telling my body it has hours to go before it can rest. With enough effort, however, I am able to trudge through the sand, and I can refill my empty canteen, attaining those precious hours of sleep to make up for those I have lost. After my brief rest, my body continues on, the insomnia pushing its agenda the whole week through.
eyelids are too heavy. The insomniac keeps hitting when the punching bag won't budge. The insomniac persists in his quiet quest under the shield of the stars, no matter the discomforts he may feel the next day.
Over time, I have grown accustomed to the night. I like to think that the human body can adapt to whatever challenges it might face. While this idea is hardly true, my own body often surprises me. The headaches become increasingly easier to endure, and the weight of fatigue becomes less stressful to bear. I can get through each The single mother who day with less hours of sleep backing me up. finds her eyes always The relentless insomniac drooping but never inside me grows stronger closing, forever watchful by the day.
for the faintest stir of her youngest child . . .
When it comes to insomnia, though, I am certainly not alone. The word insomnia is frequently heard being tossed around by lastminute workers, busy students, and ordinary people without enough hours in the day. The lawyer who finds himself draining mug after mug of coffee, typing away as the night sky turns and finally fades to a brisk morning, might call himself an insomniac. The single mother who finds her eyes always drooping but never closing, forever watchful for the faintest stir of her youngest child, might call herself an insomniac. And the biologist who slaves away in his lab from one day to the next might call himself an insomniac. But what do all of these insomniacs have in common?
Every instinct tells their eyes to close shut, their heads to lay back, and their bodies to shut down. But for whatever their cause, no matter how urgent or how trivial, they push on. The insomniac keeps looking when his
Keen Eye
Aidan Cordero, '17
He awoke, and knew the day would be as it always was. The stale scent of his unkempt laundry pile mingled with the air and filled his nostrils, as his dread swallowed him. Today, he thought, would not be a fine day. However, he supposed that despite the coming horrors of a day office job, he would treat the morning as if it were unlike any other.
was womanly, but he wished it masculine, and it was so. He strut to the breakfast table, and pictured he was waiting for his butler to bring him a plate of succulent breakfast delicacies. Mr. Weatherford was the butler's name, he decided. He swapped bodies for a moment, and as Mr. Weatherford he stood from the table and prepared the most scrumptious bowl of cereal he had ever laid his eyes upon. He scarfed it down with the ravenous appetite of a man gone without food for years. Once finished with his meal, he had the misfortune of turning around. 7:30. He was running thirty minutes late.
With childish fervor he sprung from his bed and let the covers sprawl inelegantly across At one moment, Without thought, he the carpet floor. He skipped grabbed his scarred leather he was the star of a toward the bathroom, and briefcase sitting beside the romantic tragedy, and conjured a gleeful diddy in breakfast table. He shuffled his head; this is the opening the lukewarm, snake-like down the hall, surrounded theme song to a TV show, streams of water slithering on either side by tattered, he thought, and I'm the down his body fit his monochrome walls. Once at star. He showered, and his gloomy mood, and the next the front door, he turned the mind tugged him to and fro metal knob. The worn oak he was a youth in love between the many avenues swung open with a creak. He of imagination. At one stepped out of his decrepit home, one foot moment, he was the star of a romantic tragedy, after the other, as was custom when walking. and the lukewarm, snake-like streams of water The musty odor of moldy porch flooring and slithering down his body fit his gloomy mood, dried lawn grass filled his nostrils, as his dread and the next he was a youth in love, letting a swallowed him. Today, he thought, would not torrent strike him as he stood in love-struck be a fine day. stupor. He turned off the water, and stepped out of the shower, emerging as if he were a horrid creature from the nocturn depths of a vast, navy ocean. Then, he was a millionaire hot-shot, dressing for a big day of business dealing and money spending, or whatever it is, he supposed, that the wealthy do with their time. With an aura of pompous self-satisfaction, he tied his cherry-red tie in a dignified knot and adjusted it with four precise movements; left to right, right to left. He slicked his damp hair back, combed it once, twice, and sprayed it all down with a can of hairspray. The scent
A Big Decline
specific fundamentals and techniques to dominate the low post that modern centers Casey Gilles, '18 just can't or aren't eager to employ. He also says that modern stars aren't willing to The NBA had long been dominated by undertake the dirty work necessary to fulfill the behemoths of the low post. The monstrous for a team to win, which had been the bread men dueled in the paint and fought to protect and butter of a typical workday for the centers the basket, scrap for rebounds, and punish the of yesterday. In other words, everyone wants opponent with their strength. Big men like to be Mr. Big Shot, shining in the spotlight Bill Russell, Wilt Chamberlain, and Kareem for all the world to admire, yet their avenue Abdul-Jabbar epitomized the culture of the to success doesn't include diving on the floor NBA in the 1960s, 70s, and for that out-of-reach 80s, making it a center's league. . . . their avenue to loose ball or setting that Meanwhile, the up-and-coming success doesn't include hard screen to free up a generation, notably Shaquille diving on the floor for that shooter, knowing good O'Neal, sought to carry on and well that a lick to the out-of-reach loose ball or the legacy of the gritty, low setting that hard screen to chops is a good exchange post play of their predecessors. for their team's success. free up a shooter However, Shaq's presence may Contemporary stars don't have concluded the last big man prioritize this kind of play as much as the era that the NBA culture will ever see. And, gritty big men of the past have, and, as a result, although Shaq insists that his domination the behind the scenes work is less valued in made guys afraid to face him in the paint, today's NBA culture. and thus shoot from the perimeter instead, there has to be more meat on the bones of this The lacking fundamentals of post play change. So what happened? Why are these expressed by Fixler is also attributed to the dinosaurs on the brink of extinction? dwindling college experience of players. Fixler asserts that lack of college experience hurts a NBA big men have always been physically center's development and doesn't allow them and psychologically tough guys. The guys to fully mature before reaching the NBA. willing to brawl and scrap in the paint for Star players rush out of college after only their team. The guys who battle in the post, one year to indulge in the lifestyle of being get knocked on their butts, and shake it off, an NBA player. But they leave something regardless of feeling their arm on the verge behind: proper development. This modern of breaking. Willing to do the dirty work and one-and-done attitude of college basketball push their minds and bodies to exhaustion, scars even the most skilled centers with these types of big men used to be the hallmark lackluster fundamentals of low-post offense of the NBA. Yet these players are in deep and defense that were formerly developed in decline. Cal Berkeley graduate and journalist college. Soon enough, these college "centers" for numerous sports news franchises such as are trapped between a near extinct position Sports Illustrated and The Atlantic, Kevin of the traditional NBA big man and a power Fixler explains the decline of the traditional forward. This setback, along with the social low post player in his article, "The Mystery of media era and the modern three-point shot the Disappearing NBA Center" (The Atlantic, crazed game plan, has victimized the back-to15 May 2012). Fixler explains that the NBA the-basket dinosaurs into a dying species. used to be replete with big men that executed
The implementation of the three-point line in the 1979-80 season also shifted the culture of how the game has been played. Basketball teams began to emphasize perimeter shooting more, and an increase in perimeter shots per game has pervaded the league ever since. Basketball Reference, a popular website that records NBA statistics and history, reveals that the NBA league average for three pointers attempted per game in the 1979-80 season, the year of the three point line's inception, was a meager 2.8. That number has since skyrocketed to about 25.8 threes attempted per game in 2016. Possessing an outside shot took precedence over having quality low post fundamentals, and the fascination with the long ball gradually left traditional NBA centers in the dust. Although the desire for a traditional low post player in addition to three point specialists had remained prevalent throughout the end of the 20th century, it has plummeted in the early 21st century.
turn replaced their value with more athletic power forwards that have developed threepoint shots. Replacing back-to-the-basket big men with more athletic power forwards, many teams have adopted a small ball strategy. This strategy casts out the necessity of low post play and instead swaps it with a smaller lineup of three-point shooters and athletic forwards to create a faster, more versatile, and higher scoring lineup. The Golden State Warriors embraced the small ball mentality by utilizing a lineup full of outside shooters (Steph Curry, Klay Thompson, and Draymond Green) and athletic forwards (Harrison Barnes, Andre Iguodala, and, take a guess? Draymond Green) to win an NBA Championship in 2015. The fate of the back-to-the-basket behemoth of old times seemed jeopardized when the Warriors managed this amazing feat with no big help from their centers. This nail in the coffin of the big man's importance created a culture change, and now, more than ever before, the center is less valued. The NBA All-Star Game 2016 was a testament to the new small ball culture of the NBA. Of the 28 players in the All-Star Game, only 3 chosen were centers. And get this: None of those three even started for either team (but is this really a shock?).
Along with the rise in three-point attempts, the rise of a social media era has altered the NBA culture. Smartphones give fans access to gameplay and countless highlights through the use of apps like Twitter, Instagram, and Snapchat. These constant feeds of new excitement on social media The big men just Basketball has become a much more cause fans to crave don't produce likes on individualized sport in young people's more show-stopping eyes. With the greater use of social media, Twitter. performances from children have been exposed to and fallen in NBA stars. What love with the spectacular highlight dunks, if every player was a high-flying dunker, a ankle-breaking crossovers, and three-point dribbling virtuoso, or a three-point assassin? moonshots of their favorite NBA stars. This Are fans more excited to watch these players exposure causes young players to see value or fundamentally sound, systematic, low and importance only in these show-stopping post players who dominate the game with a plays, and they develop an individualized repertoire of high-percentage 3 footers? The approach to the game by trying to imitate the big men just don't produce likes on Twitter. plays that put them in the spotlight. Blind This rise in social media led to a decline in to the importance of the behind the scenes the appreciation of a solid big man and in work, young players shove the true big man's
work into the backseat. The idea of dirty work: diving on the floor, scrapping for rebounds, setting hard screens, and more, has been Blind to the devalued in young importance of the player's minds behind the scenes because of this work, young players change in NBA shove the true big culture. Basketball man's work into the is at its roots a team sport, which backseat. means players should have a team-oriented mindset. Yet, the individualized approach to basketball allures players, leading them to lose touch with its roots. Again, everyone wants to be Mr. Big Shot. The fundamental, tough, back-to-thebasket big man isn't in vogue. But, who knows, maybe the near extinction of these dinosaurs of the old NBA will see a rebound. And maybe not. Perhaps the NBA will just trend toward more and more perimeter shooters and high flying dunkers as it seems to be doing so. Nevertheless, the legacy of the true NBA big man has reached near extinction, and Shaq may be able to claim the seat atop the throne of the last real big man of the NBA. Maybe he really did scare them away a bit after all.
train of thought Jaden Fong, '18
2nd Place, Poetry 1st Annual Moorings Literary & Arts Contest
sometimes i wonder why we think how our train of thought works why what matters to me may not matter to someone else but then our thoughts speed up like a bullet train likewhenyoumakearealization or other times it may … be … slower because you cant process the rush in your veins when you hear a certain name so you stop … and then suddenly realize itsbecauseofsomethingtheydid but thoughts the jumbled become may because there's so many things going through your brain questions, ideas, worries and then after struggling organizing and recollecting pondering you understand your thoughts shape you and you shape your train of thought
On Being A Gamer Jacob Sasaura, '18
I was breathing heavily and perspiring nervously. I took a moment to take in the situation, finding myself on the ropes, physically and mentally. Despite my escalating desperation, I pressed forward, having gone too far to give in so easily. I advanced to the clearing, where the great warrior loomed. He was prepared for this moment as the final obstacle between me and the fulfillment of my dream. We began to trade blows, locked in an impassioned battle, neither of us able to make any headway. In my eyes, the fight dragged on for innumerable hours. I struggled in vain until I could struggle no more. Completely drained, I paused the video game and put my face in my hands. * * * I f the average person happened to see me in such a state as a result of that video game, I would have most likely left a poor impression:
These mediums are perfectly fine in the eyes of the majority. And when the average person plays a video game, they dismiss it out of hand, seeing nothing of real value to the pixels.
I am an emotional person, enjoying jokes, acting, stories, and engaging friends. It is probably due to this fact that I see video games in a different light than the norm. When I play a video game, I am not moving the character on the screen. Instead, I am that character, in every sense of the word. Their thoughts and actions are mine, and I to revel in it. With a book or movie, I cannot be the one to bear the One Ring, or bring balance to the Force. In a video game I achieve, I feel, I become. When it comes Gamers are just a bunch to storytelling, nothing else compares to video of pimply, awkward, and pathetic nerds. If they knew games.
any better, they would go outside into the real world.
"Gamers" are just a bunch of pimply, awkward, and pathetic nerds. If they knew any better, they would go outside into the real world; it is absolutely absurd for those gamers to take a fake system made up of code so seriously. Fictional books are so much better. It is in no way pathetic to be heavily invested into a world of fantasy like this. After all, a book, unlike a stupid video game, is on paper, making their worlds and stories infinitely superior. A mere gamer could never understand. Sure, it doesn't have a tangible world to immerse the reader, but that's of little importance. How about movies? Everyone watches movies. Ergo, they are exempt from the ridiculousness of looking at an electronic display, unlike some gamer. There is nothing better than to sit back and just spectate
characters in grand narratives out of the viewer's control. Better yet, just go outside, and enjoy real life. There is nothing better than the good 'ol pigskin, or some other physical activity.
I feel that The Legend of Zelda Skyward Sword is a fantastic example of what video games can really do. In this game, the character I play as, Link, begins as an unfulfilled face in the crowd, never leaving his floating city of Skyloft, content to hang around with his best friend, Zelda. As he talked to her and traversed the skies, as they always had, she ceased to be some projection. I looked into her eyes, and exchanged sheepish grins. I was best friends with her, just as Link was. With this in mind, imagine what happened when Zelda was taken away by dark forces that not only Link was powerless to stop, but me as well. I immediately resolve to save her, and begin my search of the uncharted lands below my lofty home. Though the risk was high and the path uncertain, I could
not forsake my friend in a time of need. As I get better at playing the game, Link grows more skilled in the game, becoming the hero we both have the potential to be. I just kept pressing on, longing for, no, desperate for, my dear Zelda. It is an intimate quest for fulfillment which I can only wish lasted longer. Nothing else before or since has ever made me feel so accomplished and happy, and no one can take that away from me.
would succeed. There was no other way to see her again. I resumed the game, and a roaring fire burst out from my soul. By means I cannot recall or explain, I began to fight in ways I never thought possible. I could see the warrior almost imperceptibly faltering. He dove at me with the intent to finish the fight, unaware that I was not about to give him the ending he wanted. Like lighting, I evaded his desperate lunge. Putting everything that I have left into a final attack, I gave a roar of triumph. The attack connected. I won.
However, some cynics maintain that even if the video game feels real, the fact remains that it is simply not, and that my pride and joy "No way! How did you do that?!" a amount to nothing in reality. In that brutally spectator exclaimed in amazement. literal sense, I suppose they are right. But "You did it! You beat him! I knew you gamers are not limited to the boundaries of would, of course," added my friend. the games. People who might normally be generally antisocial or hiding behind a fit-in "Wow, can you teach me how to do persona, find common ground to relate to that?" pleaded the kid next to me. where other mediums can't. Our single player I don't respond to anyone, since games, which would I'm too busy embracing her. I lean . . . we gamers bond, seem to be isolating, back in my chair and look around me, become unique competing with each stories that we can other to better ourselves, reveling in a happiness so deep that only a gamer could feel. relate to together. or assisting each other in Others games provide our endeavors, literally a direct communal knowing each other's experience, whether it struggles as our own. be a duel to the death or a cooperative romp through a fantastical world. Though these adventures and narratives, we gamers bond, competing with each other to better ourselves, or assisting each other in our endeavors, literally knowing each other's struggles as our own. Those experiences are most certainly real. With our companions at our side, gamers can always play video games and find some real happiness. * * * It all happened so fast. I lifted my face out of my hands. Something inside me flickered. I looked up and steeled myself. I told myself I
Spring Bloom Joshua Noll, '20
Don Clark
Conrad Hawkins, '17 1st Place, Poetry 1st Annual Moorings Literary & Arts Contest
September 14, a day to be remembered, the wind silent, not a single leaf shuttered the rain fell upward, forever defiant. The white flag was never waved, a man's soul never caved. A life lived without regret, and shook death's hand in duet. The blue Jay sang and the lyrics hang, the concentric circles, of an aging tree, reminiscent of the time, the memory, that once stood before me. The roots dug deep in the earth, the minds, the memories, and hearts of a family's hearth. The omniscient embrace, to the kingdom above, his immortal love, and a family's face.
Caelin Sutch, '20 2nd Place, Art 1st Annual Moorings Literary & Arts Contest
"You know it might be a little easier if the damn instructions weren't in French," said Dusty.
"Now gather 'round children, I've got a story fer ya. This isn't one of your moving pictures, this is a real story."
"That's what we get for deciding to fight for these damn Frenchies," James McConnell muttered.
"Don't you mean movies, Grandpa Dusty?" the boy, Oakley said.
"Hey I may not speak it, but I'm French," said Dusty.
Chris Appel, '17
"Move what?" Dusty said. "Movies, like on the television…" the girl, Annie began.
"Maybe, but you're also American, as are the rest of us. We don't belong here, but the French need our help," Chapman said as he helped the other two into their flight suits.
"Bah, televisions. "Do you Those aren't real stories, this " You know it might be a little remember where is a real story. It all starts easier if the damn instructions we're supposed to with some prince getting weren't in French." go?" McConnell shot. Your home country of asked. France was involved in a war against a nasty German dictator." "Yeah we're to report to a base just outside of... uhhh Luxel," Chapman said as he "Hitler?" Annie asked. read a handwritten note from Dr. Gros. "Hitler who? This man was named "I think it's pronounced Luxeuil." Kaiser Wilhelm II. He was so off his rocker, that when the Germans attacked France, the "Who cares, Dusty." United States wouldn't help our relatives out." Once they finished getting changed, "But Grandpa, if the U.S. didn't help the three of them made their way towards the French, how come you fought in the war?" Luxeuil's airfield. They navigated as best Oakley asked. they could in a foreign country, but they still managed to be fashionably late. "I was a member of a squadron known as the Lafayette Escadrille. It was a unit "Sir, we are here to report for duty." led by the French, but filled with American Dusty and the other two saluted who they Volunteers like myself. We wore French assumed was their commanding officer. "You uniforms and everything. Hell, I remember my are Captain Thenault right? We were told to first day of training. None of us knew how to report to you." put the leather straps of the flight suits on, and "That is correct," the man replied with a quite honestly we were in over our heads." thick French accent. "You boys are late." * * * "Sorry, first time in France," McConnell "Hey guys, I figured it out. It's kind of said. like putting a harness on," Victor Chapman "Fall in line with your fellow said.
countrymen," Thenault said. The three of them joined the other Americans standing at parade rest in front of Captain Thenault, who then proceeded to address the line of men in front of him. "Bonjour et bonjour messieurs. Au nom de la France, je vous remercie pour votre service. Vous êtes parmi les premiers Américains à rejoindre notre noble conflit et …" he paused due to the general look of confusion he was met with. "Umm, do any of you actually speak French?" A few muttered "No's" and some head shaking confirmed Thenault's suspicions.
volunteer fighting in a squadron that they might actually make a difference. Dr. Gros relished in the idea and had given it his full support. Prince, Dusty, Chapman, and McConnell were also joined by Elliot Cowdin, Laurence Rumsey, Kiffin Rockwell, and William Thaw. "You mean to say we're expected to die, so they're treating us nice so that we won't have any regrets?" Cowdin announced. As he did, there was a general look of uneasiness among the other men. "Quiet now!" Prince responded in an attempt to regain control.
"Well, I just wanted to thank you young "He's right!" Chapman yelled even louder. men for choosing to fight on behalf of the "These damn flying machines have only been French. Your benefactor, Dr. Edmund L. Gros, around for fifteen years, and we're supposed to has seen to the costs of your training, housing what fly with them?" arrangements, and anything else "The French Nieuports we "It doesn't you'll need. Do please try to at are going to be flying are a top least pick up some French while matter if I'm scared, of the line aircraft. We'll be fine," you're here, it's a bit disingenuous someone has to Thaw said as he pushed up his to volunteer to fight on behalf help the Frenchies glasses. He was off to the side of a country whose language you fight the Krauts. reading a book while propped up can not understand." Ever even heard against the wall. "And if you were After an initial tour of the so uneasy about flying, why did of a French war airfield, the men were driven you volunteer for this anyhow?" victory?" to the building in which they "Like Dusty says, it was would reside while training and fighting for the right thing to do. It doesn't matter if I'm the French. Their quarters happened to be a scared, someone has to help the Frenchies Grand Hotel within Luxeuil. fight the Krauts. Ever even heard of a French "Hot damn if this isn't the nicest place I've war victory?" Chapman said. ever slept in!" There was a slight pause, a calm of sorts, "Be respectful, Dusty, Dr. Gros was and all the men began to laugh. They knew kind enough to put us up in a suite befitting what was on the line, and while it bothered foreigners fighting for a country other than them, they had all come to do the right thing. their own. I'm sure the Hessians slept better Fight in a war the French couldn't possibly than the British Imperials," said Norman win on their own. With a general sense of Prince. camaraderie in place, they all began to pack in for the night. Prince was a veteran pilot, and the one who had proposed the idea of American * * *
"Hold on a minute Grandpa, you got to stay in a hotel?" Annie asked. "Of course I did. Times were different back then. Man, oh man, was it a nice place! We each got our own suite with three rooms. You had a sitting room, a dining room and kitchen, and then your bedroom. They were furnished with some of the best European pieces you've ever seen." "That's so not fair Grandpa, I want to stay in a nice French hotel," Annie said. "Maybe you'll get to if we get involved in another World War," Dusty said, followed by a slight chuckle from both him and Annie. "That's not funny you guys," said Oakley. "You haven't asked anything, are you sure you're even paying attention Oaks?" "I mean the stories alright so far, but why were you guys so afraid to fly? You know you're more likely to die in a car crash than when you travel by plane," Oakley said. "Well you see, the planes we flew were a bit different. We were lucky to get those damn things moving over a hundred miles an hour, and they flew like rocks." "Even if they didn't fly well, it must have been cool to fly some of the first planes," Oakley said. "To us they weren't 'the first planes.' They were just planes, and we just flew them. That was that, nothing special. Where was I?" "You had just gotten to the part where you guys got to the hotel," Annie chimed in. "Ah yes, once we got settled in, the work began." * * * Their training took several months.
They began with a general knowledge of aerodynamics, Captain Thenault taught them how lift worked, and why these machines could even get up in the air. This seemed to ease everyone's nerves about flying, at least somewhat. They learned battle strategy, and how to work as a squadron in the air. They were taught things like angle of attack, and they were given a chance to fire the Vicker's MGs that their Nieuports would be equipped with. Once they'd learned the basics of flight, and had practiced the rudimentary combat skills and ideas they would need in air-to-air and air-to-ground combat, they were ready to fly. They flew in pairs, a trainer in back, and the trainee up front at the controls. The experience was exhilarating for them. Soaring over a mile in the air at unimaginable speeds, it was incredible. It wasn't too long before they all began to fly solo. The excitement of flying, and the pride they took in the idea of defending their allies against an evil Empire had erased any inhibitions the Americans had. Once they had all become proficient pilots, their individual strengths and weaknesses had become evident. Chapman and Thaw were the best at aerial maneuvers, but Rockwell, Rumsey, and McConnell had better aim. Cowdin was the most cool headed and logical in the high pressure situations that their training had provided. Prince and Dusty were tied for all around best pilots. One night near the end of their training, Cowdin brought up the question of their identity as a squadron. "You guys…" he began, "What should they call us?" They all turned their attention to Cowdin. Some were playing cards, some having private conversation, and Thaw as usual was reading
from a book. "How about Blue Angels?" Dusty proposed.
Everyone snapped to attention. "Sir!" they all said in military unison.
"Why Blue Angels? It sounds kind of lame for a group of badass combat aviators like ourselves," McConnell asked half joking.
"At ease, gentlemen," Captain Thenault said. "So Lafayette Escadrille, this is to be your name no?"
"Well I figured because our uniforms are blue, and because we soar in the sky like angels," Dusty said. "I don't know, I don't think it'll stick. Don't we want a name that people will remember?" Chapman asked.
"We hadn't exactly decided, but it felt as thought there was a general consensus regarding the validity of that name," Prince "Don't we want a name said in his usual take that people will remember?" charge manner.
"How about Lafayette Escadrille?" Thaw offered looking up from his book. "It's got a nice ring to it, what does it mean?" Prince asked. "Well, I was reading the other day and…" "You were reading? Big surprise." Cowdin interrupted. They all proceeded to laugh. "Hold on, give him a second, I want to hear this name out."
"No! We are not
"It is decided then. You shall be known as the Lafayette Escadrille. Just in time too. Your first mission is in a week, and your planes are currently on their way. Now that you are officially a squadron, what shall your mascot be?" Captain Thenault asked. "Mascot?" Dusty responded. "Oui, of course a mascot. You need a symbol of some sort to be painted on your planes so that in the air you can recognize each other and fight as a unit." "Well it should be symbolic, but maybe also a little intimidating. Something that strikes fear into the Krauts," Chapman said.
"You know how "Well we've got a French name how the French have been putting damn angels on our planes, blue or about an American symbol?" McConnell our Allies as long as added. otherwise." we've been a country, even before that?" "I think I have an idea," Dusty said. he paused. "Well back during our revolution, there was a Frenchie named Gilbert du "No! We are not putting damn angels Motier, Marquis de Lafayette. He was a key on our planes, blue or otherwise," Chapman figure in both our revolution, and their own. said. I think we should call ourselves Lafayette "It's not that, I was thinking we have an Escadrille in honor of him. Escadrille simply Indian war chieftan as our mascot," Dusty said because it's the French word for squadron, and we are a French squadron after all." "That's actually not a bad idea," said Thaw. "The Indians do have a tendency to "So you have been learning your French strike fear into their enemies using only after all," said a voice with a familiar French their appearance, and they are the original accent. Americans. 48
"Sounds like it's settled then, Captain," Prince said. "We are the Lafayette Escadrille, the flying Indians. * * * "You were in the Lafayette Escadrille?" Oakley said in a voice of disbelief. "So you've heard about us, eh?" "Heard about you? We're studying WWI in history, I was assigned to study your They had squadron for my project. the power of Grandpa, your friends gods, flying are in my history book." thousands Oakley fetched his of feet above textbook from his book bag and flipped to a their French page with an old black comrades on the and white photograph ground. and a caption that read 'Lafayette Escadrille circa 1916.'" "Yep, that's us. I'm the one right in the middle," Dusty pointed at a figure "Grandpa, you're practically a walking piece of history. That's so cool!" Annie said "I don't know if I should take offense to that, or if I should take it as a compliment." "Maybe a bit of both," Oakley said. The three of them laughed. * * * The air was cold on the morning of their first mission. Their briefing had been short, and the Escadrille was excited. This was to be the maiden voyage of their newly manufactured and newly painted Nieuports. Each man had been granted his own personal plane, owned of course by Dr. Gros, but they felt personal sentiment towards their crafts nonetheless. This was part in fact to the hand-
painted Indian chiefs on each of their planes. They would represent America with pride and honor. Their first aerial engagement was helping to support ground troops in the battle of Verdun. Five days into the fighting, the Escadrille took their first aerial victory, when Rockwell shot down a German Fokker. In the battles that followed everyone managed to earn an aerial victory, and both Dusty and Prince had achieved the title of ace for having achieved five aerial victories each. The mood at the hotel had become that of a celebratory sports team after a major victory. They had all become quite confident with their abilities in the air, and life was good. They had the power of gods, flying thousands of feet above their French comrades on the ground. Nothing could touch them. Or so they thought. Rockwell was killed on a routine scouting mission, and Prince perished while single-handedly taking on a bomber. This rocked Dusty and the other men, two of their comrades had perished in such a short span. They were reminded of their mortality. Their success, on the other hand, had a widespread effect on their fellow Americans. Over fifty recruits joined their ranks, and they became notorious as a unit. The Germans soon learned to fear the flying Indians. As soon as one pilot perished, others filled the space they left, but Dusty never forgot Prince or Rockwell. It wasn't long before the United States entered the war, and when that happened the Lafayette was dissolved. Dusty joined the 103rd Aero Squadron with many of the other members of the Lafayette. Chapman signed on to fight with an infantry unit citing that fighting in the
trenches was safer then soaring through the air. He'd never been a fan of flying, and was happy that he was able to serve in a way he was comfortable with. He perished when his rifle misfired and killed him. As the war drew near to an end, the original members of the Lafayette had been spread into various units of Aero squadrons in order to share their flying experience with the greener American pilots. With the United States fighting against the Germans, it was only a matter of time before the war was won in favor of the French American allied forces. Dusty never saw another member of the Lafayette for the rest of his life. * * * "So they just split you guys up like that, that's not fair," Annie said. "There was nothing we could do. Even though we fought under the French for a time, once the U.S. joined the war, we had to answer to them." said.
"That kind of sucks Gramps." Oakley
"That's life," Dusty sighed with a voice of resignation. "It's not so bad though, I mean I did meet your grandmother after the war. She was such a fox." "Ewww!" The kids groaned in unison. said.
"Thanks for the story, Grandpa," Annie "Did you learn anything from it?"
"Just that you and grandma were young and less gross once," joked Oakley. "Hey now, one day you'll be old and gross too," Dusty joked back. "But really, did you guys learn anything?"
"I learned that you're a pretty cool guy, Gramps," Annie said. "Here! here!" Oakley seconded the sentiment. "Oh geez kids, I love you guys." As he said that he began to blink rapidly, and the room began to swirl. As everything began to settle, an old but familiar voice said. "We love you too, Dusty." Dusty looked up, and to his surprise, Captain Thenault, and the rest of the Lafayette were standing in front of him. "Does this mean what I think it means?" "It happens to all of us," Prince said. "At least I got to tell them one last story," Dusty said.
Matthew Nguyen,'17
Days and days go by Me walking around waiting to cry Waiting to see you one last time But people keep telling me to get over it How could I They wouldn't know how I feel I tried getting over this ideal Thinking about what is even real But it's not so simple to understand As nothing is ever planned I can remember back in those days Things were much simpler and I could pray Thinking I could find my way I guess I was fool Hoping that my emotions were not some kind of tool Because I was happy that I met you And I promised I could protect you But things went for the worst It's still something I curse Seeing you lying there Being so helpless and scared I tried to wipe my tears As the end was near You gave me one last smile to my delight The sun rose up and you went to see the light
I realized it was a mistake To stay in this helpless state That brought hate That tried to make me forget What I should have truly kept The love and the compassion The friendship and the passion The warmth and smile I could see That's what really matters to me I can no longer hide I have made up my mind With my head held high With you in my heart You're gone and I can't change that There will always be that gap But I was able to grow And I'm ready to show The same love and compassion The friendship and the passion That you gave to me In all honesty, I miss you But now I tell your story So thank you Until then, see you.
I was caught up in desolation Fallen in desperation Trying to find my own consolation I didn't do anything about it and kept repressing Drowning in my own recollection Forgetting the beauty in God's creation
Carousel Horse Steven Noll, '19
The Wayward Garrett Emmons, '19
They perch atop obsidian obelisks of their own towering hubris, with their hollow, slate eyes scouring the unattainable Eden sprawled in front of them, never able to hold their gaze on a particular want for too long. And They bawl at each other with quaint words and retort with cherubic smiles and seraphic laughter. They adorn themselves with crowns of golden thorns, pricking their temples, producing tiny jewels of crimson, while they sit on their ivory rocking chair thrones. They dig their skin-deep graves out of the worm-infested soil of their own enlightenment, and are laid head-to-toe inside forgotten alabaster tombs. Their fractured hands probe the engravings indelibly etched on their own souls. Searching, but never, finding. They parade parched pastures of sun-charred thistles that plead for a momentary respite from the desiccating heat, where the cobras and cottonmouths writhe on their coarse underbellies. They reside in hazy swamps littered with bubbling molasses pitfalls and pale birches and ensnaring vines, where the sun rarely punctures the charcoal blanket reigning above. They bestride ebony horses with withering flames in their eyes, and the same tired, worldly disdain that accompanies their owners, whose spindly legs and wrought iron hooves trample daisies and peonies, and whose ribcages protrude through their gaunt flesh. And They feast upon the meager carcasses that even the leering vultures and voracious maggots do not engage. And They imbibe the trickle of merlot that pours forth from their bleeding hearts. They profess their besottedness to the kings and tyrants who prance on top of them with their polished moccasins and who tend to their peacocked brimmed mitres like an orangutan tends to her baby child, and who pay no heed to their subjects toiling under the weight of their strained yokes. They supplement their cries to deaf monarchs by appeasing any morsel of spirituality they can scavenge, despite the unadulterated apathy that replies.
They are stalked by the sleek, predatory panthers of mistaken perfection whose insectile eyes bore bullet holes in the backs of They who dare not glance back at their stalkers nor forward at their own lacquered reflections. They are haunted not by the silhouettes encircling and tightening closer around them, but by the silhouettes growing within their own being. They desecrate the pious monuments dedicated to the antique principles long replaced, which tumble upon the paltry groves of weeping daffodils. And They quarantine the precious few who amass the pluck to propose an altered course of musing that would not fall prey to the same trappings currently entertained. They bloat themselves with the righteousness that does not befall the slaves and vagabonds who occupy the same abyss. Their minds fall asleep on latex mattresses atop mahogany bed frames, surrounded by pastel portraits and landscapes framed by gilded mounts. And their dreams are filled with futile grasps at the past and bitter hopes for the future. Their imagination cannot venture beyond the shallow tidal pool They inhabit that is rooted beside the infinite sea of learning whose tide recedes and evades their feeble grasp every time They draw near. They hesitate to guide their eyes toward the sole vessel that remains run aground on their basalt beaches, whose mast and sail were irreparably splintered long ago. But will They gnash their teeth and forsake their impotence when their judgment comes upon them like a hawk to a baby vole? Will their serene oblivion pervade their calloused bodies and permeate into every cowering recess of their environment? For the Wayward know not their own impermanence.
Summer Fake-ation Will Roberts, '18
The concept of "summer break" tends to be misleading when applied to high school students like myself. The once idyllic afternoons of reclining on a poolside lounge chair and savoring an ice-cold cherry popsicle simply don't exist anymore; rather, summerschool, summer homework, and other "necessary" extracurriculars appropriate our freetime. The word "summer" conjures a bittersweet feeling when spoken. I imagine the freedom I so desperately yearn for throughout the school year and am at last confronted by the dismal reality of growing up when it finally arrives. And the last vestiges of freedom are quickly replaced by anxiety, for I know the piles of summer assignments Maybe I have that are to come. Just misunderstood the when I think I have word "break" in finished my work, there "summer break." is always another book to read, another chapter It is not a noun to outline, or another but a verb—not worksheet to finish. a time of respite Only when I complete but rather the the first day of a sixweek summer class does shattering of my hopelessness and loss liberties. truly sink in.
days of countless table tennis bouts with my brother or the hours of playing catch at the park. I have dismissed the hollow promises of "let's hang out over the summer" and bid farewell to the evening breeze that once touched my face as I biked aimlessly to any place I wished. I see the gray, ever-approaching horizon of adulthood and face it head-on, for I understand our ineluctable destiny together. Childhood brings both comfort and misery: comfort to those who live within it, and misery to those who wish they still could. I miss the weightless feeling of freedom that comes with a child's summer—the bright days during which I could truly be myself. As I grow, I regard summer with less enthusiasm than the year before. Summer will come as she always does, but the person she greets every year—the child she once embraced with the warmth of a mother—will be pried from her grasp, all that is left a shadow cast by her sunset.
Maybe I have misunderstood the word "break" in "summer break." It is not a noun but a verb—not a time of respite but rather the shattering of my liberties. I look forward, and the depressing reality weighs my heart down. I will be bound, by some form of work, for all the summers of the rest of my life. Sure there are the week-long family vacations, but never again will I sprawl out at home with no stresses infiltrating at my conscience. Never again will I wake up and tell myself that I have nothing planned for the day. Gone are the
Parting Shot:
Sun Bathing
Matthew Ruggles, '18
1200 jacob Lane Carmichael, CA 95608-6024
Jesuit High School Literary Arts Journal Spring 2017 | Volume 1 | No.1
Jesuit High School