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Recommended opera recordings: September 2013
September sees new releases from Anna Netrebko, Cecilia Bartoli and Maria Callas.
By Robert Perry (Retail Manager)
23 September 2013 at 3.31pm | 6 Comments
Anna Netrebko in Manon © ROH/Bill Cooper, 2010
Cecilia Bartoli - Norma (Decca)
As summer broke, Cecilia Bartoli's much heralded recording of Bellini's Norma hit the shelves. If, like me, you raised an eyebrow at the prospect of Bartoli taking on this most iconic of bel canto roles, you'll understand why I waited a while to write about it.
You may also, like me, be forced to eat your proverbial hat. This is a fascinating and valid recording. Vincenzo Bellini's Norma must have seemed revelatory in 1831, and it does so again here under Giovanni Antonini's taut and driven performance, free from the lushly Romantic sound we are used to in this opera. It crackles from the off, properly underlining the central conflicts that make Norma such as exceptional opera.
Is Bartoli the Norma we've all been waiting for? In some respects, yes. The vocal grandeur of a Callas or Sutherland is not hers to command, but she matches the former's intensity and sings with much of the latter's tonal beauty. But hers is a far more intimately scaled portrait, and within the context of this recording Bartoli challenges and redefines our expectations. The other role casting helps maintain the lighter vocal balance: Sumi Jo is credibly girlish as Adalgisa against Bartoli's more primal priestess. John Osborn is a lyric tenor with dramatic leanings, and his Pollione too is a perfect fit, as is Michele Pertusi's Oroveso.
This is a Norma Bellini would recognise. It may not topple the already legion and legendary recordings we have, but it is a vital bookend to any bel canto collection and demands to be heard.
Anna Netrebko - Verdi (Deutsche Grammophon)
Signalling a new career path, Anna Netrebko's new all-Verdi CD is a thing of inconsistent beauty. There is clearly repertoire here that she is ripe to sing: the Trovatore exerpts, for example, are stupendously good: the line sustained, colours found, trills executed, drama communicated. Her Lady Macbeth (a role debut as the Lady is already in her diary) is grandly sung with all the right spirit if wayward attack, and her Don Carlo Elisabetta a marvellous creation even in embryonic form. Other passages fare less well – the Vêpres Bolero kept too much in the chest and robbed of brio, the breath too short at times. But put the niggles aside: this is where Anna Netrebko is going, and on the balance, we are in for some very thrilling nights at the opera.
The Royal Opera including Maria Callas - Cherubini's Medea (ICA Classics)
ICA needs an award given to them: they've mined a treasure of vintage ballet footage from the BBC archives, and released, on CD, the Callas Violetta and Tebaldi Tosca, both recorded live at the ROH.
And now comes Callas' Medea, broadcast on 30 June 1959. To all intents and purposes Callas's stage career was virtually over – a handful of performances remained over the next five years, and a string of ill-advised concerts after that. Listening to this Medea makes the loss almost more incredible: Callas is in spectacular voice, biting through the drama, shaping line after line as only a master of their art can, and it is only in a live context that we can fully appreciate the size and thrust of her voice. She shares the stage with her favourite Giasone, Jon Vickers and no less than a young Fiorenza Cossotto as Neris and Nicola Zaccaria as Creonte. Nicola Rescigno is an efficient conductor. The performance is of its time – the orchestra is not entirely at home in this idiom, the chorus sounds willing rather than skilled, and the sound is decent, no more. You will want this above all for Callas and Vickers, whose duet is worth the price of the disc alone.
http://www.youtube.com/watch?v=LUIlpbF7E-U
What recently released recordings would you recommend?
The Royal Opera House Shop stocks a full range of recordings as well as DVDs and other merchandise.
23 September 2013 at 3.31pm
This article has been categorised Opera and tagged album, Anna Netrebko, CD, Cecilia Bartoli, Maria Callas, Medea, Medee, Norma, online shop, product, recording, review, Shop, verdi
Hariclea Darclee responded on 23 September 2013 at 3:47pm Reply
Jonas Kaufmann's Verdi of course! :-)
and speaking of recordings and DVDs when will the ROH Troyens DVD be released?????
John responded on 1 October 2013 at 5:01pm
Totally agree with your comment on the Kaufmann Verdi recommendation - although I don't think the Rigoletto suits him any more and isn't a great opening to the disc. I believe the ROH Troyens was released this week and it's certainly available on Amazon!
Catherine Pisaroni responded on 24 September 2013 at 12:22am Reply
Simon Boccanegra with Thomas Hampson, Kristine Opolais, Joseph Calleja, Carlo Colombara and Luca Pisaroni of course! Absolutely gorgeous recording!
Jacky T responded on 24 September 2013 at 12:41am Reply
The DVD of Matilde di Shabran from Pesaro 2012 and Cecilia Bartoli's Norma would be my recommendations. Both show Bel Canto singing at its thrilling best.
Paulshk responded on 26 September 2013 at 4:55am Reply
And the MacMillan Requiem???
Robert Perschmann responded on 11 October 2013 at 5:53pm Reply
WHY... doesn't BBC do what the Berlin Philharmonic does and sell subscriptions to the world in full HD?
I have subscribed to that service thanks to a tip from Sony, and I love it. I have expected this all my life. It's here... a window to the world... in my house. The High Def. live concerts and the large catalogue... are magnificent. While we are at it, could we talk about 4K broadcasting? Right, no one seemed to have heard of Berlin's HD transmissions. We should talk it up. I think broadcasting to movie theaters is too narrow-sighted. We should want millions on board.
Well, anyway... UK is the world's greatest source of all that is culturally wonderful. BBCAmerica is puny... though I love it. No, I don't want to be limited to my computer screen either. Let's crank up the arts via Internet to the home HD screen.


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A Look at Inside Llewyn Davis
Posted on January 30, 2014 by omarid513
Odd. That was the one word that came to mind when I walked out of the cinema. Not bad, not horrible, just odd. For me, that's strange to say, considering a lot of Coen Brothers' films either are odd, yet enjoyable, or have very quirky characters.
This one falls into the same situation, but with a main character that just isn't having any luck at all. Let's dive in.
The film begins in the Gaslight Café in 1961, where folk singer Llewyn Davis, played by Oscar Isaac, sings a rendition of "Hang Me, Oh Hang Me." It goes well with the crowd, but just as Oscar leaves the stage, the club owner, Pappi, played by Max Casella, tells Oscar that there's a man in a suit waiting for Oscar in the alley. Out in the alley, a man obscured by shadow calls Llewyn a funny man before punching him in the face because he heckled a performer at the Café on the previous night.
Our hero stays at the Upper West Side with the Gorgeins, some friends of his. As Llewyn is leaving the apartment one day, the Gorfeins' orange tabby cat rushes out with him and Llewyn is unable to return it since the Gorfeins are out. Unfortunately, he can't leave it with the elevator operator. I mean, after all, he's gotta stay there and run the elevator.
So Llewyn takes the cat to the West Village apartment of his two friends: his ex-girlfriend, Jean, played by Carey Mulligan, and Jean's current boyfriend, Jim, played by Justin Timberlake.
Llewyn visits his manager, Mel, played by Jerry Garrison, at Legacy Records about the status of his record, Inside Llewyn Davis, but it's not taking off. The manager insists that Llewyn focus on being known for his solo work- Llewyn's previous musical partner, Mike, committed suicide. However, the manger does tell Llewyn that he sent a copy of his album to a producer in Chicago named Bud Grossman.
When Llewyn gets some alone time with Jean, she informs him that she is pregnant and is unsure of the father. She'd like it to be Jim, because everything that Llewyn touches turns to shit. On the chance that Llewyn could be the father, she wants him to pay for an abortion. Good luck, since Llewyn is already in need of money.
At the Gaslight Café that evening, Jim and Jean perform "Five Hundred Miles" with the help of their guest, Troy Nelson, played by Stark Sands, who was stationed at Fort Dixon.
Next morning, Llewyn makes the mistake of opening the window just as the cat scurries through it. Whoops.
Llewyn pays a visit to his sister, Joy, played by Jeanine Serralles, and wants to pick up all of his practice materials. Joy suggests that Llewyn go back to being a merchant marine, but Llewyn isn't keen on the suggestion. However, after getting what he needs for the moment, he asks Joy to throw out a box of his papers.
A bit of good news for a change. Llewyn gets a phone call from Jim, who wants him to come help him record a song. Of course, as Llewyn is at a train station, trains happen to pass by just as he receives this news. Soon enough, Llewyn joins Jim to record with his group: the John Glenn Singers. The third singer, Al Cody, played by Adam Driver, provides backup vocals and his occasional sound effects for their rendition of "Please, Mr. Kennedy." Once the song is completed, as Llewyn needs money now, he asks if he can receive the $200 upfront, no royalties. After this, he takes it upon himself to room with Al Cody until…well, until he finds another place to stay.
True to his word, Llewyn meets with a doctor, played by Steve Routman, to set an appointment for the abortion. There's no charge for it, though, because of last time. Last time? As it turns out, Llewyn paid in advance for a different woman who later decided to keep the baby before she moved to Akron. This is all new to Llewyn, who appears visibly hurt by this revelation.
He later meets with Jean and the two clash. Llewyn says Jean is too busy trying to blueprint her life rather than living in the now. He calls her a careerist, but she counters by claiming he has little to no direction in life. That tends to happen when you sleep in different homes every night. In the middle of all of this, Llewyn comes across the cat, so all is well with the universe!
Except the movie's not over. Llewyn returns the cat to its Gorfeins: Mitch, played by Ethan Phillips, and Lillian, played by Robin Bartlett. No hard feelings, so they invite him in for dinner. All goes well until they ask him to play for them. Reluctant, he begins to play "Fare Thee Well." Sounds fine until Mrs. Gorfein joins in with the harmony, which was Mike's part. He lashes out at the Gorfeins and their guests, telling them that he sings and plays for a living, not parlor games. This upsets Mrs. Gorfein, who leaves, but then quickly returns and notes that the cat Llewyn found is not theirs. How does she know this? Well, where's its scrotum?
Where, indeed?
Anyway, Llewyn, with his trusted cat companion, needs to head to Chicago, so he hitches a ride with two musicians: Johnny Five, played by Garrett Hedlund, and jazz musician Roland Turner, played by John Goodman. Turner connects with Llewyn right from the start, wondering why a grown man named Lou N. Davis travels around the world with a cat. Also, he regales us with a story about someone who committed suicide not by jumping off the Brooklyn Bridge, but the George Washington Bridge. I mean, who does such a thing?
After a rest stop when Turner wounds up face down in the bathroom due to a heroin overdose, the three continue but, due to the snow, decide to stop the car and rest for awhile. Big mistake, as a police officer soon arrives and tells them to move along. When Johnny Five refuses and resists arrest, he's…well, arrested. Turner, however, is still asleep, and Llewyn, still needing to get to Chicago, leaves the cat with Turner. Hey, it wasn't his cat.
And we'll leave the plot there.
Again, I hesitate to use the word 'odd' to describe my overall feelings on this film, but it's what came to mind as I exited the cinema. If there's one thing the Coen Brothers manage to do in many of their films, it's put their characters through miserable and unfortunate circumstances, such as Everett in O Brother, Where Art Thou? and Llewelyn Moss in No Country for Old Men, just to name two. Inside Llewyn Davis is not a bad film. I'm not saying that. What I'm saying is that this is a film where its central character just cannot catch a break. He's not very likable, he always has to have a response and he's not an optimistic character. Would your average movie-going audience gravitate toward such a protagonist? I doubt it, but it's not impossible.
Though Llewyn himself may not be the most likable of main characters, I do appreciate his drive. As mentioned, he sings and plays music for a living, not as an act. He's not out to change or revolutionize the music scene, just to make something for himself. This proves challenging since he now works solo and, right now, there really isn't a market for folk music.
This leads into an interesting question I've read from others concerning the film and one I wonder myself: who is this film marketed toward? With musicals, which this film isn't, you can be broad in your approach and tailor the music for all audiences. Here, the focus is very narrow: folk music in 1960s New York. Bob Dylan isn't a household name yet. I'd be hard pressed to say there's a giant market for such a film. Also, by the end of the film, I certainly didn't learn more about folk music, but that's unfair because the focus of the film isn't on the origins of folk music. Also, I recognize that it's unfair to ask about a film's targeted audience because this could apply to many movies.
Yet I found myself interested not just because of the subject matter, but because of Llewyn's journey to gain recognition. His actions feel consistent with his overall character arc as he travels to Chicago.
But I'm focusing too much on the character for the moment and less on the film's presentation, so since I suck at transitions, let's move to that. The cinematography can be subdued at times, with muted colors throughout. There's no real life or vibrancy to the film and that's fine with me because it just added to the unending misery that is Llewyn's life. Aside from the cat's bright orange fur, nothing pops out or is striking to the eyes. This movie isn't about the visual or the spectacle. Much like Llewyn's dry attitude toward many, that mood is reflected in the film's downbeat look.
The film is paced well. Nothing ever moves too quickly or is difficult to understand, but at the same time, few of the subplots add to the overall plot. While the film's focus is primarily on Llewyn's life, scattered throughout the film are moments that don't have any payoff, but are there to showcase Llewyn outside of his music life. Similar to how Clerks took place during one day in Dante and Randall's life, Inside Llewyn Davis is just a look at Llewyn's career, or lack thereof, with bits of the rest of his life sprinkled elsewhere in the film.
I've argued against filler moments that add nothing a movie's storyline, but I make a slight exception here if only because the moments flesh out Llewyn's character: why he's so unlikable, how his tone and demeanor deteriorates the friendships and relationships he has and the many steps he takes in order to receive payment and, ultimately, reach Chicago. Llewyn never knows what to expect, such as when the Gorfeins ask him to play, but we as an audience go along with him because it's the randomness of his life that made it so entertaining, to me at least. The filler moments are speed bumps in Llewyn's otherwise bad week. Having said that, Llewyn doesn't just sit down and accept when fate throws a speed bump in his way- he finds a way around it, which I appreciate. It shows he's at least a fighter- albeit, with some attitude to him- and isn't content with just staying in one place. Though that could also have to do with the fact that he realistically couldn't be allowed to stay at one person's home without eventually chipping in with money he doesn't have.
The performances from the supporting cast help flesh out the film, but also provide some much needed humor. John Goodman as Roland Turner, for example, is a loud talking jazz musician who makes the Llewyn's road trip hell, though his speculation on which bridges people should jump off of did make me laugh. He's brash and brute, but has great power. It's a performance that's very reminiscent of Big Dan Teague, a character that Goodman played in O Brother, Where Art Thou? Also, Goodman, and by extension, Johnny Five, aren't used that much, but just enough that their episode creates another inconvenience in Llewyn's week. To me, that's how it should be. Don't saturate the film with so many performances and take focus away from the main character's story.
I don't have anything bad to say about Justin Timberlake's performance here. He's the nice guy in a sweater and beard. He plays it straight and isn't out to mug for the camera, which one would expect if a director got a big name to appear in their film. Sure, Timberlake's Jim is a bit more integral due to his relationship with Jean, but there's never any rivalry or tension between him and Llewyn. He's just there as the nice, charming guy who happens to be very good on the guitar and vocals. I'm glad to see that if Timberlake is indeed set on slowly making the cross from music to film, he's making more good decisions, at least of the films I've seen where he played a role. Be it this, Bad Teacher or The Social Network, I've seen him do more good than bad, such as The Love Guru. Seriously, why'd he agree to that?
Carey Mulligan is very sharp as Jean and has a lot of ferocity in her performance, but it's not overbearing and doesn't verge on becoming filled with rage. Jean carries a lot of baggage and anger toward Llewyn because she's carrying his baby. I really felt the venom in her tone when she told Llewyn that everything he touches turns to shit, but at the same time, she has a tender side. Mulligan and Timberlake's rendition of "Five Hundred Miles" is still stuck in my head.
By the way, it's worth mentioning that the music in the film is quite good. I might not know much about folk music, but the numbers in the movie are very catchy and help craft the film's tone, similar to the songs in O Brother Where Art Thou?, and I don't know why I keep comparing the two films.
But back to Mulligan, there's just as much warmness in her performance as there is rage. Jean speaks with fondness when talking about how much she misses Mike, yet this is just after she suggested that Llewyn use double condoms before they had sex. However, in hindsight, Jean isn't exactly blameless in this ordeal, as she wasn't and, to my knowledge, never did take birth control and she absolves herself of any real responsibility aside from the decision to pursue an abortion. So while I enjoy Mulligan's performance, she's not given much to do outside of trade barbs with Llewyn or sing with Jim.
Then there's Oscar Isaac as Llewyn Davis himself. Isaac's performance drew me in from the start due to how well I thought he sang. When he performs, it's almost as if the audience is an intrusion, similar to when he lashed out as Mrs. Gorfein when she joined in his performance of "Fare Thee Well."
Again, Llewyn is by no means a likable character: he's short-tempered and can be an absolute prick to almost everyone he comes in contact with. He doesn't have a home to stay in, isn't the most attentive when it comes to cats, always feels the need to have a comeback and doesn't seem to have a lot of passion or vigor in his life.
In the traditional sense, Llewyn Davis isn't a character we'd gravitate toward because there's little to like about him, yet it's his dark sense of humor in this dreary world, coupled by his perseverance to make a name for himself, that kept me interested. Here's a man who is in constant sorrow and has seen trouble all his days. He bid farewell to his partner and now must make it all on his own since, aside from couch space and holding onto his stuff, Llewyn isn't in the habit of relying on other people all that often.
More than that, success is always outside of his reach. He's living in the moment and just trying to make it to the next day, not thinking down the line. That, I suppose, would give weight to him calling out Jean for wanting to blueprint out her entire life, but the difference is that Jean and Jim are, commercially, fine. When they perform at the Gaslight Café, the audience joins in, much to Llewyn's surprise. It makes sense that he'd want to cut Jean down a peg not just for thinking of the future, but even for gaining the success he so desires. So in addition to being a jealous character, Llewyn is self-absorbed and concerned with his own well-being, with the rare exception when he thinks about the child he didn't know existed.
And yet his passion for being a musician is believable. He sounds very soulful when he strums his guitar and I enjoyed each of his performances, though credit for that rightly goes to the great job I found Oscar Isaac did playing this character. His mood fits well within the film's near lifeless color palette. I kept wondering to myself whether Llewyn would ever catch a break or find some semblance of happiness, but rarely does it come for him.
Inside Llewyn Davis is not an uplifting film that will leave you with a sense of optimism and drive for adventure when you leave the cinema. It's an interesting character study about a man who plays music for the love of the art, but exists in a time where his particular brand of music has not caught on yet. It's a film about perseverance and pushing through every impossible situation. Again, 'odd' is a strange word to use when describing my initial reaction to this film, but as with other films they've directed, the Coen Brothers manage to inject their own brand of dry, sardonic humor that lighten the otherwise gray mood of this movie. For me, this film was reminiscent of Blue Jasmine: the movie focuses on a not so likable character who we as an audience should detest, but something about them makes us root for them to push on despite the adversity they face.
The strength of Inside Llewyn Davis comes from its strong acting performances and the plot centered around the week of an unlucky son of a gun. In the traditional sense, it's not a film that many would gravitate toward due to its muted tones, smart-alecky protagonist, somewhat absurd plot twists and a lack of overall optimism. From that, it has the potential to alienate a lot of casual moviegoers who just want to sit back and have a good time, but for those interested in a well done character study with quirky characters filled with the black humor the Coen Brothers are known for, Inside Llewyn Davis may just be for you.
This entry was posted in Film and tagged 1960s, Adam Driver, Al Cody, Alex Karpovsky, Bob Dylan, Bud Grossman, Carey Mulligan, Ethan Phillips, F. Murray Abraham, folk music, Garrett Hedlund, Gaslight Cafe, Ginny, Hang Me, Inside Llewyn Davis, Jean Berkey, Jeanine Serralles, Jerry Garrison, Jim Berkey, John Goodman, Johnny Five, Joy, Justin Timberlake, Legacy Records, Lillian Gorfein, Llewyn Davis, Marty Green, Max Casella, Mel, Mitch Gorfein, New York, Oscar Isaac, Pappi, Robin Bartlett, Roland Turner, Stark Sands, Steve Routman, Sylvia Kauders, Troy Nelson by omarid513. Bookmark the permalink.

redpajama_set_name: RedPajamaCommonCrawl


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Патријарх грузијски Илија II ( 21. децембра 2010. Пун назив  Његова светост и блаженство патријарх-католикос све Грузије, архиепископ мцхетски и тбилиски и митрополит питсундски и чхум-абхазети.

Биографија
Рођен је 4. јануара 1933. године као Ираклије Георгиевич Гудушаури-Шиолашвили.  Родитељи - из области Казбеги: отац, Георгије Симонович Шиолашвили, - из села Сно; мајка, Наталиа Јосифовна Кобаидзе - из села Сиони. Презиме Гудушаури древно је грузијско презиме. 1927. године преселили су се у Владикавказ.

Био је четврто дете у породици. Као новорођенче крстио га је архимандрит Тараси (Канделаки) на дан празника Рођења Христовог у грузијској цркви; име Ираклија је добио по грузијском краљу Ираклију II.

Године 1952. завршио је руску средњу школу бр. 22 у граду Орджоникидзе (тадашњи назив за Владикавзаз) и уписао Московску богословију, где је дипломирао 1956. године, а потом наставио студије на Московској теолошкој академији.

16. априла 1957. године, у 24. години живота, у храму Светог Александра Невског у Тбилисију, уз благослов Мелхиседека III, студент друге године теолошког фалултета примио је монашки чин са именом Илија у част светог пророка Илије. У монашки чуб га је увео стари епископ Зинови (Мазхуг), који му је уједно предсказао даљњу патријархалну службу.

Два дана касније патријарх Мелхиседек рукоположио га је у чин јерођакона у Бавзнесењском храму.

10. маја 1959. године, патријарх Московски и читаве Русије Алексије I рукоположио га је у чин јеромонаха.

1960. дипломирао је на Московској теолошкој академији. По завршетку академије преселио се у Грузију и постављен за свештеника храма у Батумију.

1961. године уздигнут је у чин игумана, а потом и архимандрита.

26. августа 1963. године посвећен је за епископа Шемокмеда, и викарног епископа патријарха Јефрема II.

Од 1963. до 1972. године био је ректор Теолошког факултета Мтцкета, које је у то време било једина теолошка школа у Грузији.

1. септембра 1967. постављен је за епископа Сукхума и Абхазије. 1969. године уздигнут је у чин митрополита.

Након смрти патријарха Давида V, 9. новембра 1977, одлуком Светог синода именован је патријархом Локум Тененсом. 23. децембра 1977. изабран је за патријарха Илија II.

У периоду од 1978-1983. био је председник Светског савета цркава. 1997. године Грузијска православна црква се повукла из те организације.

Након његовог доласка на место грузијског патријарха десио се масовни препород православља у Грузији током 1980-их. Од 1989. године, више пута је деловао као посредник између зараћених политичких странака. Противио се плану "грузизације" јерменског споменика у Тбилисију и, упркос избијању оружаног сукоба, назвао браћу Абхазије и Осетије

Од 1. до 4. марта 2007. године, на позив Руске православне цркве, он је посетио Русију, током које је одржано представљање 13. свеска Православне енциклопедије, у којој је објављен опсежни чланак о Грузијској цркви.

6. новембра 2008. године објављено је да је патријарх Илија у Немачкој имао операцију срца у једној од клиника.

Одлуком Светог Синода 21. децембра 2010. године постављен је за администратора Абхазијске епархије. 18. јуна 2013. године, крстио је око хиљаду становника Аџаре у храмо Рођења Пресвете Богородице Марије у Батумију..

Извори

Спољашње везе
 45 година од устоличења патријарха Илије (СПЦ, 30. децембар 2022)

Грузијска православна црква
Патријарси
Рођени 1933.

redpajama_set_name: RedPajamaWikipedia


55 minutes using the Pilates Reformer to tone, sculpt and stretch your body back into alignment. Learn proper form and how to get the right muscles to fire up and engage, taking unnecessary stress off your back and neck. Flexibility is important throughout the day – tying shoes, reaching that high shelf, getting in and out of cars – and helps prevent stress and injury. Bring your water, and grip socks (or barefoot), and be ready for a great workout!
There are no upcoming "Tone and Sculpt (All Levels)" classes on this day.
Megan was an awesome instructor and teacher. She helped me with my form and made sure I was getting the most out of the workout.
Superb instructor! Almost feels like a private because there are only 4 reformers. I highly recommend.
First time doing Pilates in a class and it was so much fun and challenging! She's a great instructor.
fun, small class. Talin is a nice teacher!
talin is a terrific instructor. she is knowledgeable and helpful.
Talin is caring, attentive, knowledgeable and down to earth. Really enjoy her classes!


text:
La bataille de Niš fut menée le , près de la ville de Niš dans le Sud de Serbie entre les forces de l'Empire ottoman et celles du Saint-Empire romain germanique dans le cadre de la grande guerre turque.

Le commandant germanique, Louis-Guillaume de Bade-Bade, vainc les forces ottomanes et s'empare de la ville. Après la bataille, il marche sur le sandjak de Vidin et charge le lieutenant-général Ottavio Piccolomini d'occuper le sandjak de Niš. Celui-ci mène une expédition vers la Macédoine. Les Ottomans reprennent Niš l'année suivante après l'abandon de la ville par les Impériaux.

Niš
Bataille impliquant l'Empire ottoman
1689 en Europe
Bataille de 1689
Bataille impliquant le Saint-Empire romain germanique
Bataille impliquant l'Autriche
Septembre 1689


text:
Џокер (🃏;  — шаљивчина) је посебна карта за играње која нема боју нити вредност и може заменити сваку другу мапу. У неким играма (Џокер) је то најјача карта. На мапи је обично нацртана дворска луда. У шпилу се налазе два или три џокера.

Историја
Сматра се да име џокер потиче од погрешног изговора речи "Jucker", немачког назива за игру Jucker (), игре у којој је та карта први пут уведена (око 1860).

Коришћење у играма
 Џокер се не користи у већини игара. Неке од њих су:
 Преферанс
 Бакара
 Белот
 Блацкјацк
 Вист
 Шнапс ...
 Игре у којима џокер мења било коју мапу:
 Бурацо
 Канаста
 Реми
 Игре у којима је џокер најјача карта:
 Јукер

Утицај
Реч џокер је ушла у широку употребу са значењима сличним оним у картама, а најчешће симболизује изненађење, односно осигурава успех ("ММФ: Стари џокер за нову Владу" , "Црни ким - имунолошки џокер").

Извори

Игре са картама


On this page you will find comprehensive listings for Motorbikes & Scooters in Dundee, part of our On The Road directory of useful information for drivers of all experience levels. You can use the information below to shop for motorbikes & scooters in Dundee and the surrounding areas.
There is 1 result in Dundee for Motorbikes & Scooters.


did you know we've been going no where?
did you know it would be like this?
did you know I thought I could fake it?
did you think this would end up good?
on who will you depend?
talking about what we needed and wanted and loved?
did you know I want out?
on this train, on these tracks, never looking back?
did you know we killed half a year?
did you see the end of this road?
did you know I wanted out?


When new homes are built on a street with existing homes, a block face survey indicates the distance the new home should be from the street in order to comply with the existing homes. The block face report can contribute to plot plans and real property reports or exist as its own specific document.
Block face surveys are used by homebuilders to ensure new homes are compliant with municipal guidelines.


/r/Explosions91 GMC vs Tannerite With various angles and Slow Motion Timestamps in description.
/r/ExplosionsJust 1:09 of us blowing up some oil barrels.
/r/ExplosionsTianjin explosion, hilarious commentary. RIP to those who died.
/r/ExplosionsNaval Air Weapons Station China Lake. Lots and lots of big bangs for your buck.
/r/ExplosionsThese Wind Turbines Get DEMOLISHED!


HELP "User name or password remote resource incorrect"
Discussion in 'Acronis True Image Product Line' started by Stay_With_XP, Jun 16, 2008.
I am using a Hammer NAS. I can access it from Windows Explorer or Internet Explorer using the user name and password with no problems. I only have a problem with True Image 11. About 90 percent of the time TI fails with the error message "User name or password for the remote resource F:\BACKUPS\C June 2008.tib . . .is incorrect. Please check user name and password and type it again."
TI did work with the same Hammer NAS, but I'm not sure if that was with XP or when I first installed Vista. Is it possible that I made some unintentional change to Vista that caused this? I'm not sure.
I have tried everything. I have start TI by right clicking and starting it as the Administrator. (The user also has administrator privileges.) I turn off the firewall. I have tried different user names. I even wiped out all settings on the Hammer and returned to the default, but still had the problem.
I searched through the very basic and meager help pages on the Acronis web site. (IMHO Acronis does a lousy job of maintaining their web site. They should update it regularly based on the issues reported in this forum.) The closest help on their web page is a reference to Windows Server 2003 and the "Active Directory." I then searched through all of the Vista help on the Microsoft site, in addition to consulting two Vista books. I finally gave up, concluding that the recommendation for Server 2003 does not apply to Vista.
Finally, if I keep trying, TI does work about 10 or 20% of the time without this error. I have had no luck in repeating the conditions under which it does work, without the error, and when it hits the error. Normally it hits the error almost immediately and the operation concludes with the error. There is no consistency or pattern to when it happens to work that I can determine.
The reason of the issue can be in the fact that the NAS is accessed as a mapped drive. If this is the case you should access it via full UNC path instead of drive mapping. This can make the trick. If the issue still persists after using UNC path I'd recommend you to describe the issue more clearly to let us provide you with the help. Here I mean saying whether the backup is run manually or by schedule first of all.


Southcare is a community of people with a passion to make a difference in the lives of the people we work with and for the wider community.
Our people – made up of our Board of Governance, the Leadership Team, Southcare volunteers, our community support workers and administration and service staff come from a wide variety of age, professional and cultural backgrounds to be a strong, professional and diverse organisation.
We provide health, wellbeing and capacity building services to people in need to so that they can stay independent, in control and make the most of their opportunities and potential. We work within the areas of aged care, finances, Aboriginal family support, leadership training and community amenity.
Our service is personal and caring and connected to the communities around us. We are committed to creating strong people and strong communities.
Southcare's Board comprises professional and community members from a wide range of service backgrounds.


text:
white ess logo
PhoneCall us on (08) 9374 2244Current OffersCataloguesServicesNewsLocationsJoin Us
Current OffersCataloguesServicesNewsLocationsJoin Us
THE ESSENTIAL4WD CLUB MEMBERSHIP
"Card" means a membership card issued pursuant to this Program;
"Club Voucher" means the Introductory offer given to each Member upon joining the Essential4WD Club, which can be redeemed by the Member against a purchase with Essential4WD in accordance with these Terms and Conditions;
The "introductory offer" is subject to change from month to month, but it will generally give the member of UP TO 30% off purchase of parts or non-sale cash-and-carry items and is valid for 30 days after the member first registered their details with us online.
"Member" means an individual who is an Australian resident whose application to take part in the Program is accepted and approved in writing by Essential4WD;
"Membership" means membership in this Program;
"Program" means the Essential4WD program operated pursuant to these Terms and Conditions by Essential4WD;
"Essential4WD" means Essential4WD, ABN 63 636 112 046.
"Website" means www.Essential4WD.com.au.
By joining or using the Program, each Member accepts and agrees to be bound by these Terms and Conditions and any variations made from time to time to these Terms and Conditions by Essential4WD.
Essential4WD may change these Terms and Conditions at any time by publishing the amended terms on the Website or otherwise notifying the Member of the change. The amended Terms and Conditions are effective in 30 days from the date they are notified to the Member. It is the Member's responsibility to check the Website and their emails for changes from time to time and before using the card.
Notwithstanding any other provision in these Terms and Conditions, Essential4WD may terminate, suspend, deactivate and/or archive your membership if you have not transacted with or used your card for any 24-month period. ESSENTIAL4WD do not warrant that your Membership details will be kept and/or can be retrieved in the event that your Membership is terminated, suspended, deactivated and/or archived pursuant to this clause. However, you may be eligible to reapply for a new membership, subject to the Terms and Conditions of the Program at the applicable time.
Essential4WD gives no warranty as to the continuing availability of the Program. Essential4WD may, in its absolute discretion, at any time cancel or suspend the Program in whole (or in part) upon reasonable notice of not less than 30 days to the Member.
Membership in the Program is only open to individuals who reside in Australia and is subject to acceptance and approval of application by Essential4WD. Memberships are only established on receipt, acceptance and approval of original application of the Member by Essential4WD. Essential4WD may refuse any application at its absolute discretion.
Each card shall remain the property of Essential4WD. The card is not a credit or a payment card. Any lost card may at the discretion of Essential4WD be replaced. There is no fee for this replacement. A Member must notify us immediately if their card is stolen or lost. Essential4WD is not liable for any delay in replacing a card.
The Member is responsible for the safe keeping of their card, and Essential4WD will not be liable for any unauthorised use of a card. The Member shall be responsible and liable for any use of the card by anyone other than that Member. The Member will be responsible to contact the Essential4WD if they discover any unauthorised activity.
The Member's card can only be used by the Member and is not transferable. The Member's card can only be used on presentation to Essential4WD and must be accompanied with adequate personal identification as determined by Essential4WD (at its sole discretion).
Essential4WD shall determine the Membership entitlements at its sole discretion which may include (without limitation) communication from Essential4WD, exclusive Member competitions, regular email updates and special promotional offers at Essential4WD. Notwithstanding the forgoing, nothing shall prevent Essential4WD (at its sole discretion) offering promotional offers to individuals who are not Members, changing the terms of the membership entitlements, adding membership entitlements, and removing any membership entitlements.
Essential4WD reserves the right to exclude certain products and services from the Program. These products and services include but are not limited to fitment and installation.
Membership is considered activated once the Member's profile has been fully completed online. Members will receive notification of this activation via email (if a validated email address has been provided).
Each Member Account includes a Club Voucher which is valid for 12 months from the date of joining.
To use the Club Voucher, a Member must show their Card at a Essential4WD store before making their purchase.
The redemption and/or use of the Introductory Voucher is subject to the following conditions:
Each Club Voucher will have an expiry date applied to it.
Club Vouchers are not redeemable for cash or exchanged for any other type of credits offered by ESSENTIAL4WD.
The Club Voucher will have specific terms and conditions applied to it, which may change from time to time.
The Member hereby irrevocably holds harmless ESSENTIAL4WD, its related corporate bodies, employees, directors, suppliers and agencies from all claims, suits, demands, actions, proceedings which the Member has or in the future may have against ESSENTIAL4WD, its related corporate bodies, employees, directors, suppliers and agencies, and shall indemnify and release ESSENTIAL4WD, its related corporate bodies, employees, suppliers, directors, related companies and agencies from all and any claims for damages or otherwise in the terms of, and arising out of this Program to the full extent permitted by law or unless the liability arises due to the wilful default and/or negligence of ESSENTIAL4WD. The term "related corporate bodies" has the meaning given to the term "related company" by the Corporations Act 2001 (Cth).
To the extent permitted by law, ESSENTIAL4WD will not be liable for any delays, disruptions, omissions or errors in the operation of the Program including technical or mechanical malfunctions, and will not be liable for any loss caused by any such delays, disruptions, omissions or errors.
To the extent permitted by law, ESSENTIAL4WD, its related corporate bodies, employees, directors, suppliers and agencies is not liable for any loss or damage suffered by Members resulting from such withdrawals, cancellations, variations or change permitted under these Terms and Conditions.
Where ESSENTIAL4WD is required to notify the Member of a particular matter (including without limitation, any change to these Terms and Conditions, suspension and termination of the Program, any change to the Membership entitlements) pursuant to these Terms and Conditions, ESSENTIAL4WD will notify the Member by email in the first instance (if a validated email address is provided) or by text message (if a valid mobile phone number is provided but no validated email address has been provided). Where a Member has not provided a validated email address or valid mobile number, then ESSENTIAL4WD is deemed to have notified the Member if the notification is published on the Website.
Without in any way limiting the rights of ESSENTIAL4WD available in these Terms and Conditions and/or under law, if a Member is in breach of these Terms and Conditions and/or acted fraudulently, at any time, then ESSENTIAL4WD may cancel the Member's Membership with the Program and any Member whose Membership is cancelled may no longer access Member promotional offers, use any unused Introductory Vouchers, or any other related benefits.
Refer to the https://www.essential4wd.com.au/privacy, which forms part of these Terms and Conditions.
GroupCall Us At(08) 9374 2244
emailJoin Us
locationLocations
ServicesCataloguesNewsLocations
facebook logoinstagram
© Copyright 2020 Essential 4x4.
PhoneCall Now


text:
866.490.MAIN(6246) humanresources@mainline.com
Careers at Mainline
Work for the Leader:
Mainline Information Systems
Mainline is an industry leader, and one of the fastest growing companies in the United States. If you are looking to work with the best people in the industry with extensive technical skills and experience then a job at Mainline is for you.
Mainline is set apart from other solution providers by our experience, our solutions, and our PEOPLE. Mainline is committed to doing its part to provide employees with a satisfying work experience. Mainline employees experience career development, promotion opportunities, and a competitive benefit package to name a few. As a member of Mainline's team you will not just be an employee, you will be part of the Mainline difference.
Mainline participates in E-Verify, which verifies work status in the United States.
Search for job openings at Mainline, one of the industry's leading Solution Providers.
Mainline Staffing Opportunities
Search for staffing job opportunities with a Mainline client. (Staffing opportunities include contract, contract to hire, and direct hire positions)
Mainline Information Systems is committed to creating a diverse environment and is proud to be an equal opportunity/affirmative action employer. Qualified applicants will receive consideration for employment without regard to race, color, religion, gender, sexual orientation, national origin, genetics, disability, age, or veteran status.
View the EEO is the Law Poster.
View Mainline's affirmative action policy statement for individuals with disabilities.
View Mainline's EEO/Affirmative Action policy.
View Mainline's affirmative action policy statement for protected veterans.


This, my friends, is the newest member of my extended family.
One aspect of her arrival has had me in knots of anticipation all 9 months.
Her big sister Tomi is dark complected with dark brown hair.
But big brother Jett is pale and red headed.
So, it was a total toss up when it came to guessing what would be next.
What a pretty baby! I love these...you really captured the emotion.


text:
Tata Steel rejigs senior team to integrate Corus
BS Reporter in Kolkata | November 29, 2007 09:30 IST
The Tata Steel [Get Quote] group - comprising Tata Steel and Corus Group, the European steel maker it acquired in January � on Wednesday took decisive steps towards integration by setting up a new organisation structure that will become effective January 1, 2008.
The new organisation structure includes an umbrella management team or "group centre" that consists of senior Corus Group and Tata Steel executives and to be co-chaired by Tata Steel's managing director B Muthuraman and Corus CEO Philippe Varin.
The group centre is being set up to ensure a common approach across the key functions - technology, integration, finance, strategy, corporate relations, communications and global minerals.
The directors overseeing various functions will report to both Muthuraman and Varin.
An integration committee chaired by Ratan Tata was announced at the time of the $12 billion acquisition of Corus Group to identify synergies between the two companies.
The group centre will be more focused and deal with specific functions. Therefore, some of the executives, such as those handling communications, technology and integration, will be posted in London.
The group has appointed Tridibesh Mukherjee as group director, technology and integration.
Mukherjee retired as deputy managing director (steel), Tata Steel, on October 31, 2007, and was appointed a non-executive director on the Tata Steel board on November 22.
Sources said Mukherjee would be moving to London. The key post of finance has gone to Tata Steel vice-president, finance, Koushik Chatterjee, who has been appointed group chief financial officer.
Jean-Sebatien Jacques, so far director, corporate development and strategy, with Corus, has become group director, strategy. Manzer Hussain is group director, communications, from London while Arun D Baijal takes charge as group director global minerals.
Both Tata Steel and Corus will have executive committees chaired by Muthuraman and Varin, respectively.
The reorganisation is designed to help realise the group's ambition of becoming "one of the leading players in the global steel industry,"according to a statement. Tata Steel Chairman Ratan Tata will continue to chair the integration committee.
The other members of this committee are Corus & Tata Steel Deputy Chairman Jim Leng, Muthuraman, Varin, Mukherjee, Rauke Henstra, who sits on the Corus board; Chatterjee, Jacques and Hemant Nerurkar.
With the acquisition of Corus, the Tata Steel group has a crude steel capacity of 25.6 million tonnes, making it the world's sixth largest steelmaker.


This electronic manual is in PDF format, is interactive with easy subject/link navigation system and very user friendly. Search and print only the pages you need when you need them!! Beats dealing with greasy paper manuals!!!!!
This Workshop Repair Manual is essential for restoring, maintaining or repairing your https://www.tradebit.com Manual has detailed diagrams, technical, diagnostic and maintenance information in an easy to understand step by step format. This means they are suitable even for the novice do it yourself repair person.
No more greasy Workshop Manuals!
Just print off the pages you need and start fixing!
Brake Hose, Headlamp Dimmer Switch, Ammeter, Fogs, Catalytic Converter, Seat Position Air Bag Sensor, Glass, Exhaust Valves, Horn, Cylinder Block, Steering System, Heater Radiator, Air Hose, Windshield, Partial Engine, Wheel And Tire System, Block, Air Seals, Pushrod, Oil Pressure Sensor, Third Brake Light, Gasket, Piston Ring, Bearings, OEM, Heater System, Air Filter, Routine Maintenance Accelerator, Headlight Dimmer Switch, Air Pressure Gauge, Sensors, Antenna, Short Shifter, Exhaust Pipe, Hoist, Recoil Starter, Spark Plugs, Spark Plug Wires, Headers, Starter, Block, Axles, Water Pump, Rear Suspension System, NOS, Flywheel, Fuel Tank Cap, Lifting, Hinge, Washer Nozzle, Inner Rear View Mirror, Pulley Compressor, Cylinder Head, Insulator, Fuel Pump Replacement, Ignition, Boost Ventilator Control, Pistons, Volt Meter, Automatic Transaxle, Gaskets, Valve Springs, Fog Lights, Oil Change, Parts, Replacement, Water Pump, Oil System, Input Shaft, Oil Radiator, Air Bags, Bumper, Rotor Replacement, Brakes, NOS, Filter Housing, Grommets, Air Seals, Engine Mechanical, Dashboard, Shifter, Projector, Combination Meter, Gas, Valve Clearance, Seat Belt Warning System, Cylinder, Timing Chain, Damper, Pedals, Power Programmer, Brake Actuator, Heat Wrap, Starter, HID, Steering System, Starter Relay, body repair, Emission Control Systems, Dash Replacement, Intake Valves, Battery, Windshield, Heat Exchanger, Valve Stems, Crankshaft, Floor Mat, Band Nut, Grommet, Cylinder Head, Front Door, Leather, Piston Pin Bushings, Lights, Front Wheel Alignment, Axle Assembly, Assembly, Bulb Replacement, Center Console, Axle Shafts, Courtesy Light, Console Replacement, Door Lock, Air Screw, Crank Shaft Seal, Lifter, Alignment, Ignition, Problems Troubleshooting Maintenance, Parking Brake Lever, Brake Discs, parts fix it, Window Regulator, Camshaft, Damper, Clips, Timing, Cargo Liners, Fuel Filter, Air Filter Replacement, Oil Filter, Electrical Components, engine, Quarter Window, Rear Door Window Frame Moulding, Transmission Wire, Air Hose, Tail Lights, Amplifier Antenna, Door Panels, Heater, Exhaust, Front Bumper, Head Gasket, Transfer Case, Freeze Plugs, Plug Cap, Fluid Change, Stands, Band Nut, Starter Relay, Fuel Cap, Sleeve, Oil Pump, Headlight Assembly, Bearings, service, Balancing, Fasteners, Lugs, Heads, Antenna Cord, Parts Location, Heat Wrap, Front Suspension Arm, Valve Springs, Ignition System, Clutch Hose, Starter Replacement, Center Cluster Module Switch, Suspension, Distributor, Cam Bolt, Rings, Restoration, Manifold, Service Check, Supplemental Restraint System, Doors, Alignment, Steering Wheel, Wiper Blade, Maintenance, Ignition Coil, Body Plug, Pan, Bushings, Cam Bolt, Windshield Wiper Motor, Spring, Tires, Intake, Battery Replacement, troubleshooting, Torque Converter Clutch, Wrench, Diaphragm, Power Steering, Rear Axle Hub, Spacer, Jack, Rear Brake, Alternator, Power Window Control System, License Plate Lamp, how to, Passenger Air Bag, Fasteners, Oil Cooling, Roof Antenna, Wire Harness Repair, Brake Master Cylinder, Clutch Pedal, Clutch Slave Cylinder, Radiator, Transmission Mount, Downpipe, Rear Bumper, Engine Hood, Head Gasket, Rear Bumper, Air Screw, Carburetor Assembly, Chassis, Outer Rear View Mirror, Foglight Replacement, procedures, Choke Valve, Rotate Tire, Inspection, Rotor, Back Door Garnish, Rear Axle Beam, Fuel Door, Drive Belt, Plugs, Downpipe, download, and Tire Replacement.
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This file is sold by pecno1, an independent seller on Tradebit.


Looking for dedicated Business Law Services in the Lanarkshire area? Talk with us today.
We will ensure the timeous transfer of any premises license (for example, off sales licence) to your name to ensure not only the transfer of the premises but also the business.
If you are setting up a business with another individual, or individuals, you will want to consider a Partnership Agreement. This is a document which will set out exactly what are the responsibilities, obligations and rewards of each person who has a stake in the business.
We specialise in helping our business clients create Partisanship Agreements that are robust enough to stand the test of time and flexible enough to respond to the ever-changing circumstances of a developing business.
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No. 2 seed Minnesota proves too much for South Carolina in the second round of the NCAA Tournament.
The Gamecocks and Buffaloes alternate wins in a five-set thriller in the first round of the NCAA Tournament.


text:
Seved Ribbing
Biography of Seved Ribbing
Seved Ribbing was one of two notable Swedes to be awarded an honorary LLD from the University of Glasgow on its ninth Jubilee in 1901, the other being Johan Henrik Emil Schück.
Ribbing was born in Lund, Sweden, and became a doctor before being appointed Professor of Medicine at Lund University (1888-1910) and elected Rector of the same university in 1904-07.
Born 17 February 1845.
Died 14 February 1921.
University Link: Honorary Graduate
GU Degree: LLD, 1901;
Occupation categories: physicians
Honorary Graduate


text:
Q: TypeError when creating zip file with gulp-vinyl-zip I'm trying to use Gulp to create a zip file of a Mac application containing symlinks.  I'm using gulp-vinyl-zip to get around the lack of symlink support in the output of dest
var gulp = require('gulp');
var zip = require('gulp-vinyl-zip');

gulp.task('default', function () {
    return gulp.src('tmp/Application.app/**/*')
        .pipe(zip.dest('releases/Application.zip'));
});

But I get the following error:
buffer.js:84
    throw new TypeError('must start with number, buffer, array or    string');
          ^
TypeError: must start with number, buffer, array or string
    at fromObject (buffer.js:84:11)
    at new Buffer (buffer.js:52:3)
    at DestroyableTransform.through.obj.stream.push.File.path [as _transform] (/opt/ygor/client/node_modules/gulp-vinyl-zip/lib/zip/index.js:24:21)
    at DestroyableTransform.Transform._read (/opt/ygor/client/node_modules/gulp-vinyl-zip/node_modules/through2/node_modules/readable-stream/lib/_stream_transform.js:184:10)
    at DestroyableTransform.Transform._write (/opt/ygor/client/node_modules/gulp-vinyl-zip/node_modules/through2/node_modules/readable-stream/lib/_stream_transform.js:172:12)
    at doWrite (/opt/ygor/client/node_modules/gulp-vinyl-zip/node_modules/through2/node_modules/readable-stream/lib/_stream_writable.js:237:10)
    at writeOrBuffer (/opt/ygor/client/node_modules/gulp-vinyl-zip/node_modules/through2/node_modules/readable-stream/lib/_stream_writable.js:227:5)
    at DestroyableTransform.Writable.write (/opt/ygor/client/node_modules/gulp-vinyl-zip/node_modules/through2/node_modules/readable-stream/lib/_stream_writable.js:194:11)
    at DestroyableTransform._transform (/opt/ygor/client/node_modules/gulp-vinyl-zip/lib/dest/index.js:13:9)
    at DestroyableTransform.Transform._read (/opt/ygor/client/node_modules/gulp-vinyl-zip/node_modules/through2/node_modules/readable-stream/lib/_stream_transform.js:184:10)

Searching for a solution, I thought it might be that buffered rather than streaming vinyl file objects might be needed so I tried adding vinyl-buffer to the pipeline:
var gulp = require('gulp');
var zip = require('gulp-vinyl-zip');
var buffer = require('vinyl-buffer');

gulp.task('default', function () {
    return gulp.src('tmp/Application.app/**/*')
        .pipe(buffer())
        .pipe(zip.dest('releases/Application.zip'));
});

But I still get the same error message.  Being new to Gulp, I'm thinking I'm missing something funamental.  Any ideas?

A: You may want to use the os built-in zip command:
gulp.task('default', function(cb) {
    require('child_process').exec('zip --symlinks -r ../releases/Application.zip Application.app', {
        cwd: 'tmp'
    }, function(err, stdout, stderr) {
        err ? console.err(stderr) : console.log(stdout);
        cb(err);
    });
});

redpajama_set_name: RedPajamaStackExchange


text:
Dödviktsförlust, dödviktskostnad eller allokativ ineffektivitet är inom nationalekonomi den allokeringsförlust som uppstår genom bristfällig ekonomisk effektivitet, som uppstår när jämvikten för en vara eller tjänst inte ligger i Pareto optimum.

Dödviktsförluster kan uppstå på grund av den prissättning som sker i monopol, externa effekter, skatter, subventioner, priskontroll eller fasta nivåer för exempelvis löner. Dessa förluster är en konsekvens omkring regler som gynnar artificiell knapphet.

Källor
 Lär lätt! Mikroekonomi kompendium
 Dufwenberg, Martin, Isacson, Marie-Louice och Lundholm, Michael (2000). Tillämpad Mikroekonomi. Lund: Studentlitteratur.
 Roger Axelsson (1998). Mikroekonomi. Lund: Studentlitteratur.

Ekonomi
Välfärdssamhälle
Prissättning
Knapphet


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Patriot's (Only) Choice: White Revolution
The Indo-European Dragon-Slayer Myth
Classic Audio: America Since World War Two
Ötzi: The Aryan Iceman
Historical Revisionism and the Legacy of George Orwell
Macroevolution, Microevolution, and Race
To Honor Darwin
"Hate Speech" Serves an Evolutionary Purpose
The Majority Ruse
by Michael Walsh
THERE IS STILL considerable confusion over the decolonisation of Africa. The term 'Majority Rule' was always an absurdity; this high-minded ideal does not exist anywhere, least of all in post-colonial Africa. British Prime Minister Harold Macmillan's (1894-1986) Winds of Change speech simply meant the transfer of Europe's African colonies to global finance management. It's the same if you don't keep up the payments on your mortgage.
Decolonisation of Africa was the Russian Revolution Mk II. The transfer of power was based on the same regime-changing strategy as that applied to Imperial Russia in 1917-1922. The 1960s hijacking of the world's second largest continent resulted in similar carnage, anarchy and its ultimate prostration.
Salisbury, Rhodesia before being the bank's real estate
Responsibility for the deaths of millions of Africans can be laid on the doorstep of Wall Street's banking dynasties. The foot soldiers of the global banking houses included Europe's politicians and tin pot dictators drawn from the corridors of unelected power in the United Nations. The fraud was carried out by Western political elites who, compromised by fiscal and sexual indiscretions, were blackmailed to do the bidding of the American-based banking dynasties.
Victim of the Church's 'Christian Army'
During the 1960s, the Washington DC-controlled NATO West, imposed sanctions and blockaded Rhodesia and South Africa whilst the Soviet Union and Communist China funded, trained and armed terrorists. Africa's Godfathers of Damnation were hyped by Western media as noble partisans fighting for democracy and freedom.
The marketing departments of the banks' pin-striped Bolsheviks were to be found in Western media, the Church pulpits, the liberal-left caucus and the notorious Anti-Apartheid Movement. All sang to the same Red hymn sheet as they unleashed hell on Africa. Church leaders referred to Soviet-armed African-killing terrorists as Christian soldiers.
Western and Soviet-backed Rhodesian tyrant Robert Mugabe, South African Communist Party card-carrying despot Nelson Mandela, and the deposed fugitive from justice Joshua Nkomo, controlled proxy armies similar to today's so-called Syrian 'rebels'. None of them had the power to disrupt a garden party without the backing of the banking dynasties and Europe's corrupt politicians and on-message sycophantic media.
African despots today sit and smirk in grand mansions built by European colonialists. These dark-skinned bankers' tenants now manage the banks' real estate. Their enslaved populations today fare much worse than they did when managed by European colonists. The millions of Africans who died and still perish are victims not of White supremacy but of the bankers' bloodletting. In Black South Africa hundreds of thousands of impoverished ethnic Europeans and African natives eke out a miserable existence and face a hopeless future. Impoverished ethnic Europeans barely survive in nearly 600 shanty towns. The handover is completed; there isn't a BBC, CNN, FOX or ITV camera team anywhere to be seen.
The same 'winds of change' now sweep across Europe. The same dark forces today inflict on ethnic-Europe a bloodbath of epic proportions. This, if successful, will transfer total control of Europe to the same global banking houses; Africa yesterday, Europe today and Russia tomorrow.
Source: Renegade Tribune
South African Journalist Mugged Seconds Before Live TV Report
Opting Out of the System
The Lesson of South Africa
Freedom's Lights Flicker
The Great Trek
Jewish Bankers Were the Cause of Both World War 2 and the Armenian Genocide
The Congoid as Nature Made Him
Tags:AfricaBankersDecolonizationFinanceMichael Walshregime changeRhodesiaSouth Africa
Americans Bombarded With As Much Propaganda As North Koreans
The Mongrel -- and How the Jews Control Politicians
The Lighter Side of Negro Pathology: Electing Hitler
From a Lost World
23 August, 2016 11:06 am
So good to see National Vanguard post this essential truth-carrying book. The Fall of Rhodesia (and later South Africa) was not an isolated 'independence' struggle but another stage of the plan for world domination by an un-elected shadowy elite.


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Q: Delete duplicate images with different file names I have lots of images that have all the exact same metadata (size, the picture itself, etc) and the only difference between them is their file names.
So say I have 10 images that all look the same, I only want to keep 1 of them. It doesn't matter which one. The other 9 need to be deleted.
I have to repeat this for a few hundred images.
Is there an easy, automated way of deleting all duplicate-look-alike images?

A: I found an app that does this; it's called VisiPics:
http://www.visipics.info/

VisiPics does more than just look for identical files, it goes beyond checksums to look for similar pictures and does it all with a simple user interface. First, you select the root folder or folders to find and catalogue all of your pictures. It then applies five image comparison filters in order to measure how close pairs of images on the hard drive are.
…
All detected duplicates are shown side by side with pertinent information such as file name, type and size being displayed. Its auto-select mode let you choose if you want to keep the higher resolution picture, space-saving filetype, smaller filesize or all of the above. If you are insecure over what you really want to delete you can manually select the images you don't want to keep and delete them yourself.


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Romani Platni – the first Roma home restaurant
babramegy 2014. június 5., csütörtök 10:12 0 0
Romani Platni (meaning Roma Stove in the Romani language) is a project of a local NGO (Ferencvárosi Tanoda) located in the 9th district's Közért Youth Centre and Civil Space. The organizers of Romani Platni thought in every family gathering and party the most popular place is the kitchen, so what else could be a better scene to bring Roma and non-Roma people closer together than around a table laden with wonderful food. Usually three or four local Roma women are the hosts, they prepare traditional Roma dishes, made to their mother's and grandma's secret recipes. The cuisine is just like Hungarian food but it's brought to the next level: it's spicier, heavier and definitely more filling as well. The project kicked off around two years ago and has already received an Austrian social awareness award called SozialMarie for building a bridge between Roma and non-Roma communities.
Practically it's not a home restaurant, because it's located in a community space, but 'since the journalist named it the 'first Roma home restaurant', it was catchy enough to keep the name' – said one of the organizers. Once a week, Roma women from the neighborhood rearrange the tables, start to cook a meal and the air will be filled with the delicious smell of spices and herbs of the traditional Roma cuisine. The dinner is often accompanied with live music or folktales, making the atmosphere homely and cosy.
Last year, when we visited, we had a great time! All dishes were wonderful, the gooseneck soup was warming and filling - perfect for a hangover by the way - , the beef tripe stew was spicy, fatty and chewy (as it's supposed to be), Aunt Malvin's dessert was chocolaty and fluffy. My personal favourite was the 'bodag', the Roma bread, which is made from water, flour and baking soda (instead of yeast) and it was traditionally baked on the top of an old-fashioned kitchen range (nowadays it's baked in the oven). It was served still warm, we just couldn't stop eating it. Well, actually we could have taken home a few pieces, since our hosts – as all grandmothers in the world – were only too glad to feed us. After the dinner, local musicians came to play Roma songs, the audience was happy to sing along and clap their hands to the rhythms. Wish they would have played longer, the food and the songs created a very nice atmosphere for the evening.
Tripe stew
address: 1094 Budapest, Tűzoltó u. 33/a.
email: romaniplatni@gmail.com
website www.romaniplatni.blogspot.com
facebook: https://www.facebook.com/platni.romani?fref=ts
availability (how often they cook): Once a week, usually on Fridays. Other appointments are also available by appointment (with a minimum of 10 people)
GREAT NEWS! This weekend (7th-9th June) at the 7. Street Food Festival you can taste their bodag, and from the 10th of June it will be permanently available in a pub, called Élesztő!!!
Bodag - the Roma brad


A list showing the car number and driver name. Newspapers are for sell at the track and an entry list is in each one. A nice one with photos is available if you buy a $10 program.
The speaker system at the track can't be heard when loud race cars are passing by infront of you.
Sitting within site of a TV monitor is helpful too.
Some people take a radio scanner that allows them to scan a hundred different frequencies that the race teams, speedway, and tv channels use to communicate back and forth.
These scanners are for rent at the track (not the U.S. Grand Prix) and are generally price around $30-40. They usually have a frequency list for you for $5 if you have your own scanner.
See cars down the stretch.
See bikini clad girls stretch out.
Time an Andretti to see what his average speed is - or time Bubba to see how fast he chugs a beer.
Time a race car on a lap and then use the speed charts below so you can tell how fast in MPH that they are going and know when your driver is picking up the pace.
I have created them for you in versions you can print out. I have tried to make them so that they fit on one piece of paper. But since there are different printers, you may have to adjust it. To do so in Windows, Once you choose PRINT, then choose PREFERENCES, then choose the PAGE SETUP tab, then select SCALED PRINTING for the Printing_Type. A SCALING box will appear, change the 100% to something less like 80%.
If you are a little wus, better take NERF or the guy's who's corvette you hit, might hit you!
Don't get it dirty, haul it down in the back of your pickup truck.
You can sit on top of it all day, then abandon it.
Cut the top off and paint it a checkered flag pattern. Get some attention, then abandon.
Here is a car this guy always takes to the races.
He has a cardboard cutout of AJ Foyt and Dale Earnhardt riding in the back under a big fake spoiler. AJ even signed the hood.
If you will be partying in the infield, better than sitting on your cooler.
Coolers limited to 14"x14" (12-pack) in the stands on raceday. No glass bottles. If you park in the infield, bring all you want!
The easiest way to haul around mass quantities.
The refreshment stands do not take credit cards! There is only one little ATM on the grounds, located on the outside of the track and stands in Turn 1.
You can buy smokes at some snack bars, but they are expensive.
It is hard to light up at the top of the stands in the wind with a bic. Best to have a Zippo!
There are not alot of payphones at the track.
I recommend taking pictures around Gasoline Alley, where you can capture candid photos of the racing stars. The museum is another place to get good photos. For on-track pictures, either find a place where the fence isn't in your way, or sit up high and use a zoom lens. And if its got an auto-focus, all the better.
Note: I've posted some tips on taking racing pictures at the bottom of this page.
Race Fans will want to be fashionable and wear what the drivers are wearing that year.
Party people may bring cheap sunglasses.
Depending upon the weather, you may need an umbrella and a poncho instead (both of which are sold at the Speedway giftshops that are scattered around.
33 roaring V-8's can get kinda loud.
(May 2002) - Cooler size is now restricted to a max size of 14"x14".
On race day, expect all bags and coolers and purses to be searched.
Those little pre-moistened napkins come in handy up in the stands after you've eaten some fried chicken or whatever.
Carrying Bags Backpacks and fannypacks are helpful, even plastic souvenir bags are handy.
Tennis shoes as opposed to sandals or high heels.
Do not take illegal substances - they might CART you off to jail.
Do not take glass bottles.
Here are some tips on how to take great auto-racing pictures from the world's largest photography school, the New York Institute of Photography (NYI).
Your Number One objective should be to try to produce a sense of speed in your still pictures. How? There are three traditional ways to do this.
The first technique is to freeze the action with a fast shutter speed. This may be fine for a pole vaulter, but it's a bad choice at an auto race. If you "freeze" a speeding car or motorcycle so that it looks like it's standing still, that's exactly the way it will look - like it's standing still. It may as well be parked!
The second technique is a better choice at the raceway. Place your camera on a tripod and shoot with a slow shutter speed. How slow? Start with 1/30-second and experiment with even slower shutter speeds like 1/15th or even 1/8th. On your prints the racing cars will come out with a blurred look on your prints. This blurring implies to the viewer that they're whizzing by.
The third technique is an even better choice at the raceway. As we just described, place your camera on a tripod and use a slow shutter speed. This time, however, pan as a car whizzes by. How do you pan? You pick up the car in your viewfinder a few seconds before you actually press the shutter button. Follow the car in your viewfinder by swiveling the camera to keep it in view. As the car zooms by, press the shutter button. Keep following the car in the viewfinder for a few more seconds. Result: The racing car will come out sharp in the print, but the background will blur. This blurred background implies "speed!"
With either technique, there's one more subtle trick NYI suggests: When you look at the racing car in your viewfinder, position it off center - with open space in front of it. In the finished print, this adds to the illusion of speed because it gives the car space to "move into." The picture looks much better this way.
Copyright © 1996, 2006 IndySpeedway.comAll Rights Reserved. Created Dec. 26 1996.


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The Different Layers To Bryan Barberena
He lives on a farm outside of Knoxville, Tennessee and spends time with his girls and wife when he isn't in North Carolina training. Barberena is also the type of guy to walk out to the Octagon to "Baby Shark."
By Gavin Porter • Jun. 20, 2019
Growing up, Bryan Barberena's goal was to stay out of fights. And if you knew him outside of the Octagon you'd probably be surprised to find out he is a professional fighter.
The smiley, go-lucky father of three happily rocks painted fingernails every fight week as a reminder of what he is fighting for. He lives on a farm outside of Knoxville, Tennessee and spends time with his girls and wife when he isn't in North Carolina training. Barberena is also the type of guy to walk out to the Octagon to "Baby Shark."
Join ESPN+ to Watch UFC Greenville
Underneath all that is a fierce competitor there to prove that he's the better man. Punch by punch and kick by kick.
"It's the competition. I love going in there [the Octagon] and finding out who's the better man that night," Barberena said. "All the tools we have, putting them together. Personally I love to stand-up and strike. I love to throw hands get in there and make it dirty and have a war or blood bath. That's fine with me I love that."
It's that mentality and pure heart that has helped Barberena earn a reputation as one of the toughest guys in the welterweight division. A prime example can be found in his UFC Phoenix battle with ranked Vicente Luque. In what is without question one of the best fights of the year so far, "Bam Bam" and Luque traded for three solid rounds in a thrilling showcase of determination and skill.
MORE FROM UFC GREENVILLE: Brown is Learning on the Job | Lineker Needs To Fight | Unfiltered Episode 300 | Greenville's Top 5 Finishes | Korean Zombie's Must See Moments
Barberena looks to bring that type of performance to every fight, not only to put on a show for the fans, but simply because he thinks it's fun.
"I like to stand-up throw hands and bang and put on a show for the fans," Barberena said. "I enjoy it quite a bit. I'm just going to keep doing that and hopefully keep putting on exciting fights for the fans and get some exciting finishes as well."
One of the things that radiates from Barberena is his quiet yet humble confidence. He believes that his evolution as a fighter has been exactly what he needs to take the next step as a mixed martial artist.
"If you think you've seen improvement now, from before, I think it's just getting even greater and I think I'm only getting better and better every time," Barberena said. "I feel like I've improved so much just from my last fight and that wasn't even that long ago."
Barberena was quick to credit his change in lifestyle, mentality, training techniques and surrounds [the farm] for his recent strides. This has helped him reach what he described as a new level of "peace" that allows him to better execute in the Octagon.
That has to be a scary thought for the rest of the welterweight division, including Barberena's UFC Greenville opponent Randy Brown.
"I don't want to beat a half Randy Brown. I want to beat the best Randy Brown that there is," Barberena said. "I don't expect him to stand on the feet with me very long. I expect him to try to shoot for take downs and I expect him to try to mix up and try to throw me off what I want to. But little does he know, he doesn't know what I want to do because of course yeah I want to stand-up but I have some tricks, I have some things up my sleeve. You never know. But I'll be looking to keep this on the feet and put him away early. I don't see this going past the second round."
PHOENIX, ARIZONA - FEBRUARY 17: (L-R) Bryan Barberena elbows Vicente Luque in their welterweight bout during the UFC Fight Night event at Talking Stick Resort Arena on February 17, 2019 in Phoenix, Arizona. (Photo by Josh Hedges/Zuffa LLC/Zuffa LLC via Getty Images)
PHOENIX, ARIZONA - FEBRUARY 17: (L-R) Bryan Barberena elbows Vicente Luque in their welterweight bout during the UFC Fight Night event at Talking Stick Resort Arena on February 17, 2019 in Phoenix, Arizona. (Photo by Josh Hedges/Zuffa LLC/Zuffa LLC via Ge
Barberena is well aware of just how important this fight is. He's coming off a loss and in order to move up the pecking order and provide for his family he has to take Brown out.
And he plans to do it in dominate fashion.
"I don't focus on what he's doing. I'm focused on what I'm going to do," Barberena said. "I'm going to go in there and I'm going to dominate. That's why I don't see it going past the second round. I'm feel like I'm going to be able to go in there and dominate him early."
UFC Greenville starts at 4pm/1pm ETPT on ESPN+, with the main card starting at 7pm/4pm ETPT.
Make sure to tune in and watch Barberena take on Brown in what is shaping up to be an awesome welterweight showdown.
Gavin Porter is a digital producer and writer for UFC.com, follow him on Twitter at @PorterUFCNews.
Bryan Barberena
Remaining UFC 2019 Schedule Announced
Fight Of The Night Power Rankings
A new Fight of the Night Power Rankings has dropped.
UFC Greenville: Fight by Fight
Featherweight Bout
Moicano
The Korean Zombie
Sat, Jun 22 / 7:00 PM EDT
Bon Secours Wellness Arena, Greenville United States
Tickets How to watch


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Section 955.06 | Registration fee for partial year and multiple years.
(A) The owner, keeper, or harborer of a dog becoming three months of age after the first day of July in a calendar year and the owner, keeper, or harborer of a dog purchased outside the state after the first day of July in a calendar year shall register the dog in accordance with division (B), (C), or (D) of this section within ninety days of the dog's becoming three months of age or within ninety days of the date of the purchase of the dog, as applicable.
(B) The owner, keeper, or harborer of a dog to which division (A) of this section applies may register the dog for the remainder of the current year. The fee for such a registration shall be one-half of the original fee for a one-year registration. Thereafter, the owner, keeper, or harborer shall register the dog for a period of one year, three years, or permanently as provided in section 955.01 of the Revised Code.
(C) The owner, keeper, or harborer of a dog to which division (A) of this section applies may register the dog for a period consisting of the remainder of the current year and two additional years. The fee for such a registration shall be eighty-three per cent of the original fee for a three-year registration. Thereafter, the owner, keeper, or harborer shall register the dog for a period of one year, three years, or permanently as provided in section 955.01 of the Revised Code.
(D) The owner, keeper, or harborer of a dog to which division (A) of this section applies may register the dog permanently. The fee for such a registration shall be the same as the original fee for a permanent registration.
December 1, 2014 – House Bill 483, 130th General Assembly [ View December 1, 2014 Version ]


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Strap on your stilettos and get ready to step into the wild world of "Marie Claire" Magazine. For many, they envision working at one of the world's premiere fashion magazines means Manolos, martinis and makeovers—but the reality couldn't be farther from the fairy tale. In the premiere season of this new docu-series, get an intimate look at the professional and personal lives of the women who work there, all the way from editor-in-chief Joanna Coles down to gaggle of interns who live and work together as they struggle to balance their demanding jobs with bustling social lives in the Big Apple. See emotions boil over as the girls struggle to get along and jealousies arise as they vie for the editors' attention. Plus, get exclusive access to many of the publication's high-profile events including runway shows, celebrity photo shoots and, of course, fashion fetes from around the globe.
Running In Heels, Season 1
© 2009 E! Entertainment Television, Inc.
Kell On Earth, Season 1
The Fashion Show, Season 2
She's Got the Look, Season 3
America's Next Top Model, Season 22
The Rachel Zoe Project, Season 5
Fashion Hunters, Season 1
Top Reality TV Shows
Vanderpump Rules, Season 8
The Bachelor, Season 24
Siesta Key, Season 3
Very Cavallari, Season 3
Project Runway, Season 18
Below Deck, Season 7


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Total Talent Management
Workspend adopts a holistic approach to Total Talent Management that combines all available sourcing options to maximize talent sourcing potential, control the work, and minimize spend
Read MoreDownload Brochure (PDF)
Freelancers and contingent workers continue to play a pivotal role in helping organizations respond to changing demands for a best-fit workforce. For this reason, most organizations are taking steps to leverage the contingent workforce and gig-working talent that exists. With so many ways to get jobs done – and with fulfilment responsibilities split between HR, IT, recruitment, and procurement teams – how can you make sure your organization is making the best choices for each and every work task?
Total Talent Management (TTM) describes the implementing a uniform operational behavior to evaluate talent needs, design, operate, and review talent operations in such a way that combines all available sourcing options. These may include full-time employment, contingent workforce, gig working, tech automation, and micro-task outsourcing options.
We bring real value to the change program needed to achieve a Total Talent Management solution. How? By focusing on the outcome, not just the technology. Workspend's role is to manage and resource change; to transform your talent acquisition capability by embracing a holistic approach to talent programs.
We look to first embed, then facilitate the provision of a Total Talent Management system.
WHAT MAKES OURS A DIFFERENT APPROACH TO TOTAL TALENT MANAGEMENT?
There are many ways to get jobs done these days – micro-tasks, SOWs, robots, freelancers…
The biggest inhibitor to change is how your organization is designed and how it thinks.
Duties to source talent are split between multiple departments.
Most resourcing decisions are driven at department level and don't follow any formalized triage process.
To maximize value, sourcing decisions must start in the boardroom and follow a formal triage process.
Weak governance leads to multiple systems, duplications in resourcing, and poor resourcing outcomes.
How do you know you need Workspend's TTM solution?
Your processes are not documented in a way that allows you to determine the proportion of jobs that are (1) fully automated, (2) partially automated, and (3) manual.
Resourcing decisions are being made largely at departmental level.
There is no uniform triage system for working out how best to get jobs done employed by all departments that embraces automation, outsourcing, full-time, freelance and gig-working solutions.
Your organization operates different approaches to full-time and contingent staffing.
There is no holistic understanding of the total cost of resourcing jobs to be done.
WORKSPEND INC.,
101 Hudson Street,
e. marketing@workspend.com
t. +1 800-770-5973
Taskforce-PMO
Lean MSP
Plan-B TTM
Direct Sourcing
Workspend Ltd 2020


Why is my Conflict Report listing the "Family Split" error when just one family member is scheduled, but not when two or more family members are scheduled (without the rest of the family)?
If a family profile is set to, "Never schedule this family without all of its members," and one family member is scheduled without the others, then the "Conflict Report" from the Reports menu on the schedule will list this as a "Family is split" error. However, if two or more members of a family are scheduled, and there are still more missing members of the family, then no error will be shown.
The program works this way instead of reporting errors anytime a family member is missing to both reduce the time it takes for the auto-scheduler to run and prevent error messages from appearing when they should not be. That makes things simple enough for MSP to calculate in a reasonable amount of time.
So the only time the "Family is split" error will show up is if there is only one family member scheduled for the service. If there are two or more family members scheduled, no error is shown.


The most advanced canopy light is now on the market with the new, award-winning Cree IG-NM-5S-J-40K-UL-WH-JKIT canopy light! Distributing light through perfectly angled, thin acrylic panels, this LED shines 7,500 lumens evenly with its incredible WaveMax technology. Impact resistant polycarbonate housing and acrylic lenses protect the bulb from damage. The IG Series is the future of LED canopy lighting safety and efficiency, as WaveMax delivers over 114 lumens per watt at a 4000 Kelvin, cool white color temperature.


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Glaser Weil Partner Mieke Malmberg Moderated a Panel for the AIPLA Mid-Winter Institute in La Quinta, CA
On January 27, 2016, Glaser Weil Partner, Mieke Malmberg, moderated a panel for the AIPLA Mid-Winter Institute in La Quinta, California.
TAGS: Copyrights, Intellectual Property, Intellectual Property, Litigation, Patent Litigation, Trade Secrets, Trademarks
The En Banc Federal Circuit in Akamai v. Limelight Broadens the Scope of Direct Infringement under Section 271(a)
By: Dan Liu
Recently, the Federal Circuit, for a second time this year, evaluated infringement of a method claim.[1] The Court, vacating the recent panel decision in May, outlined the governing framework for direct infringement of a method claim. It held that direct infringement occurs "where all steps of a claimed method are performed by or attributable to a single entity."[2] This holding is significant because proving direct infringement of a method claim where steps of the method are performed by more than one party no longer requires the parties to be in principal-agent or contractual relationships, or joint enterprise, as demanded by the vacated panel decision.
TAGS: akamai technologies, direct infringement, Federal Circuit, Intellectual Property, Intellectual Property, limelight, patent claim, Patent Law, Patent Litigation, patent litigation, Section 271(a), Supreme Court, USPTO
Laches As a Defense to Patent Damages Survives – For Now
By: Rex Hwang
In last week's 6-5 decision in SCA Hygiene Prod. v. First Quality Baby Prod., LLC, No. 2013-1564, 2015 WL 5474261 (Fed. Cir. Sept. 18, 2015), the US Court of Appeals for the Federal Circuit, sitting en banc, reaffirmed that laches remains a viable defense in patent infringement lawsuits. The decision was reached despite the relatively recent U.S. Supreme Court decision in Petrella v. Metro-Goldwyn-Mayer, Inc., 134 S.Ct. 1962 (2014), where the high court struck laches as an available copyright infringement defense. However, the Federal Circuit's sharp divide on this issue suggests that further review by the U.S. Supreme Court may be on its way.
TAGS: Federal Circuit, federal court, Intellectual Property, Intellectual Property, laches, patent act, patent case, patent claim, patent infringement, Patent Law, Patent Litigation, patent litigation, U.S. Supreme Court, US Supreme Court
Federal Circuit Attacks Functional Claim Drafting Under 35 U.S.C. § 101
In Internet Patents Corp. v. Active Networks, the Federal Circuit affirmed yet another dismissal of a patent infringement lawsuit due to the asserted patent being invalid for lacking patent eligible subject matter under 35 U.S.C. § 101. Here, the sole patent-in-suit, U.S. Patent No. 7,707,505 (the "'505 Patent"), was generally directed to the use of a web browser Back and Forth navigational functionalities without data loss in an online application consisting of dynamically generated webpages. Claim 1 of the '505 Patent recites:
TAGS: 35 U.S.C. § 101, Federal Circuit, Internet Patents Corp v Active Networks, inventive concept, patent eligible subject matter, patent infringement, Patent Litigation, Williamson v Citrix Online LLC
Federal Circuit's Latest Patent Subject Matter Decision in Ariosa v. Sequenom Renders Many Biotech Patents at Risk
On June 12, 2015, the Federal Circuit issued its decision in Ariosa Diagnostics, Inc. v. Sequenom, Inc.,[1] finding that Sequenom's patent claiming methods of using cell-free fetal DNA ("cffDNA") for prenatal diagnosis test is patent ineligible under 35 U.S.C. § 101. The Sequenom's patent is directed to a revolutionary finding that there is cffDNA in the blood stream of a pregnant woman. The presence of cffDNA in maternal blood samples provides a safer, cheaper, and faster alternative to the conventional invasive methods to determine fetal genetic abnormalities, such as Down Syndrome. Several popular prenatal diagnosis tests, including Sequenom's MaterniT21 and Ariosa's Harmony, embody Sequenom's discovery.
TAGS: 35 U S C 101, Ariosa v Sequenom, cffDNA, Federal Circuit, inventive concept, Mayo Collaborative Services v Prometheus Laborites Inc, natural phenomenon, patent eligibility, Patent Litigation, patent-ineligible, Supreme Court
No Suit For You! Changes to Patent Pleading Standard Issued By the U.S. Supreme Court Require More Than Bare Bones Pleading
In late April, the U.S. Supreme Court adopted changes to the Federal Rules of Civil Procedure which have significant implications for patent plaintiffs. In an April 29, 2015 order, the high court approved, without comment, changes initially approved by the Judicial Conference of the U.S. in September 2014. While these changes impact several different areas of civil litigation, they specifically impact patent litigation: unlike the previous edition of the Federal Rules, which allowed patent plaintiffs to "file bare-bone complaints," patent plaintiffs will soon be subject to the same heightened pleading standards required of plaintiffs in other types of civil litigation.
TAGS: ashcroft v iqbal, bell atl corp v twombly, federal court, form 18, frcp, intellectual property, model forms, model patent complaint, patent infringement, patent litigation, rule 84, us supreme court
Good-Faith Belief of Invalidity Not a Defense to Inducement
In its recent ruling in Commil USA v. Cisco Systems, 575 U.S. __ (2015), the Supreme Court addressed the knowledge requirement for a claim of inducing patent infringement, holding that defendants in a patent case could not evade liability by asserting a "good-faith belief" that the patent was invalid.
TAGS: 395, 430, 6, a claim of inducing patent infringement, a good faith belief of invalidity is no defense, cardinal chemical co v morton int'l, certiorari, cisco systems, commil usa, eastern district of texas, good-faith belief, induced infringement under 271b requires knowledge that the induced acts constitute patent infringement, intellectual property, supreme court
Federal Circuit Reaffirms Single Entity Rule for Divided Infringement under Section 271(a) in Akamai, Making Method Claims Difficult to Enforce
On May 13, 2015, the Federal Circuit issued the much-anticipated decision in Akamai Technologies, Inc. v. Limelight Networks, Inc. following a remand from the Supreme Court.[1] The Federal Circuit, in a 2-1 decision, held that "direct infringement liability of a method claim under 35 U.S.C. § 271(a) exists when all of the steps of the claim are performed by or attributed to a single entity[.]" This is consistent with its 2008 Muniauction decision, where the Federal Circuit first made clear that "direct infringement requires a single party to perform every step of a claimed method."[2] The Akamai Court concluded that when "one party, acting as 'mastermind' exercises sufficient 'direction or control' over the actions of another," the "single entity" requirement may be met and the direct infringement may be found. Sufficient direction or control may occur in a principal-agent relationship, a contractual arrangement, or a joint enterprise.
TAGS: 35 U.S.C. § 271(a), akamai technologies, Akamai Technologies Inc v Limelight Networks Inc, direct infrignment liability, Fed Cir, Inc., Intellectual Property, limelight, Muniauction Inc., Patent Litigation
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24146 Бенджамюллер (24146 Benjamueller) — астероїд головного поясу, відкритий 14 листопада 1999 року.

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Website for reptile breeder. Services include breeding, sheltering, selling and reptile parties/events.
We provide maintenance and additional site design upon the previous build.
Health and wellness coach based in New York City. Responsive website done with HTML5 and CSS3.
Real estate website on Long Island, NY. Newly redesigned with a responsive layout and listings forms.
Specializing in custom furniture repair/refinishing, antique restoration and wood artwork.


Tired of getting spray from your wheels all over you when it's wet? Had enough of the skunk strip up your back and a soggy behind? No mudguard eyelets on your main bike? Problems no more with these Widget Blades. Quick strap-type fitment means installation or removal in under a minute, so you can whip them on or off after a quick glance out of the window. Reflective sections mean you may just leave them on for the commute, regardless of the weather.


Cool, crisp, clean, serene lines with modern refinement accent your bathroom with timeless style. The Trinity frame is designed with a 1″ crisp flat frame, complemented with a precisely placed 1/2″ bevel edge. Polished chrome and polished nickel plated frames highlight the true beauty of this series. Other popular finishes such as brushed nickel, brushed bronze and oil rubbed bronze complete the finish options to complement your bath. This frame is available with standard flat mirror or 3/4″ beveled mirror upgrade shown above.