text:
Beethoven Gesamtausgabe
The Beethoven Gesamtausgabe is the first collected edition of the works of Ludwig van Beethoven. Its full title is Ludwig van Beethovens Werke: vollständige kritisch durchgesehene überall berechtige Ausgabe (which roughly translated means Ludwig van Beethoven's Works: complete, critical, thoroughly revised, authorized edition). It was published between 1862 and 1865, with a supplementary volume appearing in 1888.
The edition contained 263 works arranged in twenty four "series". While a groundbreaking achievement, its limitations soon became apparent. Musicologist Friedrich Spiro delivered a paper to the Fourth Congress of the International Music Society in 1911 that advocated a revision of the Gesamtausgabe. Spiro pointed out both numerous inaccuracies in its musical text and various authentic works of Beethoven that were never included (such as Op. 134, Beethoven's own piano duet arrangement of his Große Fuge, Op. 133).
Subsequently, Willy Hess prepared a catalogue of those authentic works of Beethoven not included in the Gesamtausgabe, a catalogue that was published in 1957.
In providing annotation for the celebrated recording of Beethoven's piano concertos by Steven Lubin and Christopher Hogwood, Prof. Robert S. Winter noted that the parts available for the concertos at the time of the recording (1987) were the same ones available when the Gesamtausgabe was completed. He points out both that the original sources which have come down to us of the concertos can be ambiguous, and that even in instances where they were not, "the anonymous editors of the concertos [in the Gesamtausgabe] dressed them in 1860s garb--a wholly understandable response. In other instances they simply misconstrued the sources". Part of this, Winter suggests, can be attributed to the fact that the piano changed significantly between Beethoven's time and the time when the Gesamtausgabe appeared. (A similar phenomenon is observable when one compares the piano concertos of Mozart as originally written by the composer and the versions of the Alte Mozart-Ausgabe published in the 1870s; the latter have numerous changes, particularly in matters of phrasing.)
A new complete edition of Beethoven's music began publication in 1961, initiated by the Beethoven-Haus[1] in Bonn. However, the work on this was reported in 1991 by Nicholas Marston to be proceeding slowly. According to their website, 56 volumes are projected of which half have now been published.
Nicholas Marston, "Beethoven Literature: Editions of the Music," in Barry Cooper, ed., The Beethoven Compendium (Ann Arbor, MI: Borders Press, 1991). ISBN 0-681-07558-9. pp. 314–6.
Robert S. Winter, "Beethoven and the Piano Concertos," liner notes to Ludwig van Beethoven: The Five Piano Concertos as performed by Steven Lubin, piano, and the Academy of Ancient Music directed by Christopher Hogwood, L'Oiseau Lyre 421 408-2, released in 1988.
"The Unheard Beethoven": Website containing numerous Beethoven works omitted from the "Gesamtausgabe" and catalogued by Hess.
Information on the new complete edition of Beethoven[permanent dead link] from the Beethoven-Haus in Bonn.
^ https://www.beethoven.de/page/Research#works
Retrieved from "https://en.wikipedia.org/w/index.php?title=Beethoven_Gesamtausgabe&oldid=867216814"
Collected editions of classical composers
This page was last edited on 4 November 2018, at 12:10 (UTC).


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Home >> A News >> America's First All Vegan Elementary School to Launch in Fall 2015
America's First All Vegan Elementary School to Launch in Fall 2015
James Cameron is reportedly preparing to launch America's first vegan/plant-based elementary school in Calabasas, California in Fall 2015. The school is called the MUSE School, and will serve an all-plant cafeteria menu.
"The average person would say vegan, but we say whole food, plant-based. It's about raising kids who don't think it's strange or exotic or worthy of a pat on the back to be doing the right thing for the living biosphere," Cameron said.
The MUSE School was launched in 2006 by Cameron's wife, Suzy Amis Cameron, and her sister, Rebecca Amis, when Amis Cameron was fed up with the schooling options available for her own children. Today, the MUSE School is a nonprofit which educates children from age two through high school on two campuses.
This has been a topic since June 2014, when NPR's The Salt covered the early efforts. "We are gradually moving toward a plant-based menu because we do call ourselves an environmental schools," Amis Cameron told The Salt. "Within the next year and a half, we will be plant-based."
"Already, the school has a strong seed-to-table program that's producing fresh fruits and vegetables grown by its 140 students," reported The Salt. "They're guided by the school's full-time, year-round gardener and educator, Paul Hudak."
Amis Cameron admits it hasn't been easy to convince parents that the meat and dairy products at the MUSE school need to go.
"People have their cultural reasons for eating meat, their traditional reasons, their likes and dislikes. But slowly we are offering educational programs through MUSE, for not only the children, mainly for the grownups, because the children, they live and breath [the environmental way] already," Amis Cameron said.
By Samantha DiMauro, Education World Contributor

redpajama_set_name: RedPajamaCommonCrawl


Important announcement: TitanBet Sports is blacklisted because of slow communications and response to player and affiliate requests. As a result, we can recommend you to play at Unibet, William Hill or Novibet, some of our best rated bookmakers.
Check out the best betting bonus codes, sportsbook reviews or the safest betting sites!
For exactly 4 years, Titanbet has been serving customers from all over the world and from the very beginning it made use of software developed by Playtech. These are the ones powering other online casinos, including some of the biggest operators in the United Kingdom, which is great news for those who value security and transparency. The company is licensed and regulated in Antigua and Barbuda and authorized to operate on a global scale. They have more than 100,000 customers, with most of them residing in Europe and offer casino games and poker in addition to sports betting services.
4 Play with the free bet and keep the winnings!
New members can collect a sports free bet of €50, with the money being awarded in the form of a free bet, as opposed to cash prizes. What this means is that players will have to take slightly bigger chances when wagering and focus on events that have the potential of generating a decent return on investment. There are also requirements made by the bookmaker itself, with the sports bonus being supposed to be wagered and odds exceeding even value.
The minimum amount that players can deposit is €10 and those who apply for the free bet will have to make at least five bets of one euro each. The free bet will be credited after all five wagers have been settled and the amount depends exclusively on how much money they players wager initially. The betting bonus needs to be played through within the first seven days after signing up, otherwise the free bet will expire. Only those who reside in Australia, Canada, Netherlands, New Zealand and Switzerland qualify.
The Titanbet Sports free bet does a good job at convincing players that it is worth opening an account and wagering here, but quality service is what will keep them around. The first impression is overwhelmingly positive, with the website being simple yet good-looking and navigation is a breeze. The classic three column layout has been tested and proved is worth on many occasions, so it comes as no surprise that the bookmaker decided to stick to it for four years in a row.
The interface was only slightly changed, to meet the increasingly high expectations of customers and put to rest the criticism regarding the old-fashioned display. The good news is that former clients didn't find the changes confusing, while new members will appreciate the fact that the website looks every bit as good as the competition. Betting on sports is a dynamic activity, with the odds changing quickly and much to their credit, they are always kept up to date.
Another thing that customers will surely appreciate is the way the betting slip looks and the manner in which the selections are updated. Multi betting options are available and Titanbet Sportsbook even runs special promotions aimed at those who don't mind adding several events on the same betting slip. A great looking website is appealing, but what interests players more is the average bookmaker margin. In this case is sits at 6%, which is slightly higher than the industry average of 5.1% but not crushing.
The discrepancy is still a bit frustrating, but those players who take advantage of all available promotions and bonuses can easily mitigate the effects. Although this is a bookmaker focusing mostly on the European customers, it has a comprehensive selection of American sports. All professional leagues enjoy ample coverage and players can bet on the outright winner, spread wagers as well as game totals.
Football leagues are the ones that provide the most numerous options and not only the major European competitions enjoy the attention they deserve. It is possible to bet on lower divisions, even on Australian soccer, which is hardly the most competitive championship. Players from this country, as well as those who reside in the United Kingdom or Ireland will be particularly impressed with Titanbet's horse racing.
The vast majority of online punters are particularly interested in betting live and Titanbet Sports is one of the places where they are guaranteed to enjoy outstanding service. The live console is not only responsive but also great looking with dynamic odds and scores that get updated extremely fast. It is possible to wager on several markets regardless of how important the game in hand, so those who want to hedge against risks, can combine bets placed prior to kickoff with real-time wagers.


John Bray & Sons Estate Agents, also known as 'Brays' commenced on a loan of £150 as a house agent at No. 13 South Colonnade, St Leonards on Sea in 1872; Mr Bray also took a lease on premises at No.28 White Rock. John Bray & Sons are noted having offices at White Rock, South Colonnade and St John's Road and it is recorded that Mr John Bray was an alderman for the Borough auctioneer estate agent and founder of John Bray & Sons.
The business in St Johns Road (No 2, where he also lived) was opened in 1879." It became a partnership with his brother. In 1895 he took the rooms at 12 Claremont, as St Leonards was too small. The Bexhill branch, at 5 Devonshire Terrace, opened in 1893, Eastbourne 1889. He was into property buying and selling, and was known as an auctioneer.
Through the years, John Bray & Sons continued to be privately owned and continues to be to this date. Now located on the High Street in the Old Town, John Bray & Sons once had offices within the popular iconic 30's architecture known as Marine Court. We are now fortunate to be the leading independent agent located in the heart of Hastings Old Town Conservation Area and we continue to be one of the most popular and well known estate agent in Hastings & St Leonards.
The combined knowledge and experience totaling over 100 years of our senior sales and lettings staff is invaluable to any potential clients wishing to receive the very best of service – which is often complimented on – but never surpassed! We are specialists in the sale and letting of Charming Character and Individual Homes covering the entire market – assisted by extensive and eye catching local advertising and enhanced by a dedicated team.
Covering all areas of Hastings, St Leonards and Battle, Guestling, Pett & Fairlight!
John Bray and Sons is a trading name of John Bray Hastings LTD.
This business is a Full Member and abides by TPO Codes of Practice. The Ombudsman is able to consider complaints in relation to residential sales, lettings and buying services, commercial sales and lettings, international sales and lettings, chattels auctions.


Chicago-born writer and designer Will Hindmarch aims to write one of everything. He says he's way behind schedule but so far he's published tweets, stories, games, poetry, essays, interviews, comics, and more. Will co-founded Gameplaywright Press and works as a game designer, narrative designer, and graphic designer for print and electronic publishers.
As the Assistant Director of the Shared Worlds creative-writing summer camp, he teaches students about storytelling and world-building. He co-founded and co-produces Story Club South Side in the footsteps of the literary visionary Dana Norris for selfish reasons: he wanted more shots at the mic.


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What's On | Crouch, Touch, Pause, Engage
Crouch, Touch, Pause, Engage
"I was doing something nobody had done before, and if you're the first to do something, you have to be prepared to take the sh*t for it."
On the eve of one of the most important games of his career, Welsh rugby legend Gareth Thomas received a warning: The Sun newspaper was going to "out" him as gay.
This is the story of two Welsh names bruised, but not beaten, by media speculation: Gareth Thomas, 100 caps for Wales, now the world's most prominent gay sportsman; and his hometown, Bridgend, itself a victim of intrusion following the deaths of several young residents.
Working with Gareth himself, and young people in Bridgend, two of the UK's most exciting theatre companies – Out of Joint and National Theatre Wales – have teamed up to tell a great story about sport, politics, secrets, life and learning to be yourself.
Thu 01 Jan 1970 - Sat 09 May 2015
Thu 20 Jan 2022 - Sat 22 Jan 2022


The UN Sustainable Development Goals are an inspiration to many companies. But how do you measure your company's impact on them? Two new approaches are being developed to shed light and help you get concrete.
Assessing the sustainability of investments is becoming increasingly important for investors, to guard against financial or reputation loss. PRé and partner Finch & Beak can show you how.
INTERVIEW | Research scientist Peter Kershaw, specialised in marine plastic pollution, talks to PRé about the causes of plastic soup and how LCA can contribute to the solution.
EVENT | Join Lifecycles and PRé at the ALCAS Conference 2019 on March 4 for a SimaPro workshop, and a morning session about new developments in the LCA world in general and in the SimaPro world in particular.


Ravensburger introduces a first-of-its-kind Escape Puzzle series. This brand-new jigsaw puzzle category combines the fun of puzzling and thrill of an "escape the room"-style game. After solving a 759-piece puzzle, players race to find the hidden riddles, solve the mystery and plot their escape piece-by-piece.
The Escape Puzzles are perfect for social gatherings where you can work together with friends or family to puzzle your way out. Choose from four fun themes: Space Observatory, Vampire's Castle, Submarine or Witch's Kitchen.


text:
COFFEE WITH LOVE
Around a cup
1.Information on the controller for processing of the data housed on the official website of ALTERNATIVA 3, SCCL on the social network
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Effect of the composite temperature and humidity test on the sound absorption coefficient of fibrous materials used in automotive applications
Piotr Białkowski 1
, Bogusław Krężel 1
, Łukasz Zapart
BOSMAL Automotive Research & Development Institute Ltd
PIMOT-AM81-Krezel-PL.pdf
In this article an attempt to determine the effect of composite temperature and humidity test on the sound absorption coefficient for commonly used materials in vehicles is described. Three types of fibrous materials were selected. The absorption coefficient was determined for material samples and then the materials were tested with composite temperature and humidity test. After the test, the sound absorption coefficient was measured again. The difference between the absorption coefficients before and after the test shows the actual effect on the sound absorption. An impedance tube was used to determine the absorption coefficient. Results are presented in graphs and tables for three types of fibrous materials. The method of measurement is described and conclusions are drawn.
Patton H W. Smart Acoustic Material for Automotive Applications, Center for Engineering Education and Practice Annual Progress Report, March 2005.
ISO 10534-2:1998, Acoustic. Determination of sound absorption coefficient and impedance in impedances tubes – Part 2: Transfer-function method.
Liu J, Herrin D. Effect of Contamination on Acoustic Performance of Microperforated Panels, SAE Int. J. Passeng. Cars – Mech. Syst. 4(2):1156-1161, 2011, doi:10.4271/2011-01-1627.
Wertel S J. Experimental analysis of noise reduction properties of sound absorbing foam, A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Science Degree With a Major in Risk Control.
Krivanek V, Pavkova A, Togel M, Jedlicka J, Cholava R. Cleaning Low-Noise Surfaces as a Basic Condition for Improving Pavement's Acoustic Absorption Capability.
Firkowicz-Pogorzelska K. Metodyka określania wartości obliczeniowej współczynnika przewodzenia ciepła materiałów budowlanych, Prace instytutu techniki budowlanej - kwartalnik nr 3 (119) 2001.
Chrisler V L. Effect of paint on the sound absorption of acoustic materials, U.S. Department of commerce national bureau of standards research paper RP1298, Part of Journal of Research of the National Bureau of Standards, Volume 24, May 1940.


It is perfect for some graphic design for children, and some lovely letters or a work for the typical old teacher who doesn't notice it's a digital letter!
It has a lot of special characters, overall Spanish ones. For example, á, é, í, ó and ú, ñ, ç, ¿, & and more!
It is one of the most complete handwriting fonts for free on the internet and the most realistic child (male) handwriting for sure.


I've seen a lot of beautiful places in the past six months. I've visited more than 60 cities in six countries.
I've hiked to lakes. I've taken 8-hour trains for a view. I've paid way too much money to go up cable cars and funiculars, taken buses and planes. I've spent countless hours learning hiking routes, planning my transportation for the day, stalking travel blogs, planning out my outfits and my pictures. I've met countless kind and thoughtful people along the way: People who stop to give me directions, who volunteer to take my picture, who don't laugh at my French but smile when I have a stupid touristy question.
But one particular day, in the middle of my fall break, was like never before. I've truly never seen anything so beautiful in my entire life.
When I was 12, I visited New Zealand for two weeks with my grandparents. There, I saw some of the most beautiful landscapes, mesmerizing views. I even visited where the Lord of the Rings and parts of the Chronicles of Narnia were filmed. I've always told people that New Zealand is the most beautiful place I've ever visited and definitely will ever visit.
But this particular day– about two weeks ago– was more beautiful.
And not just because of the breathtaking views, but also because of the spontaneity of those views.
You see, I've pretty much known what to expect before arriving in each city I've traveled. I've seen pictures, organized the trips, and heard incredible commentaries, all before arriving in each city. Before going to New Zealand, I knew where all the best views were on the North and South islands. And before this summer, I had read a travel book on every city I visited. Though absolutely stunning places, and though I've learned and grown so much in the past six months, the views were often predictable. What made those trips incredible was the spontaneity of the little moments. And you all know that: I've written two blog posts on that spontaneity, on the importance of slowing down and realizing how amazing the people are around you.
But this day was like none other because this time the VIEW was the spontaneity.
In the middle of our fall break, we were taking a 3-hour train from Milan to Cinque Terre. Cinque Terre has been on my travel list for far too long and I was bursting with excitement to get there. I planned to nap on the train because we had been running on very little sleep. I slept for the first hour, but somehow randomly woke up. Looking out the window, I saw the Alps in the background and a small lake reflecting one of the mountains. I was shocked that I was seeing such a good view before I even got the Cinque Terre views, so I glued my face to the window and kept watching.
The next two hours of this train became the most beautiful views I have ever seen in my entire life. I truly believe I will never see anything more stunning until I get to Heaven. It was so beautiful that my friend took a video of me crying at the sight of it. I was so overwhelmed by the spontaneity, by the pure beauty, that I started crying. I immediately put in my ear buds and started listening to worship music, overcome by God's power and glory in creating our natural world. It was a surreal, almost out of body experience. I've attached the video and some pictures. It's a bummer that you can see the glass reflected in some of them, but you can still tell how stunning the views are.
I've now added "Kayak in Chur, Switzerland" to my bucket list, because I absolutely must return there, where I believe I saw the most stunning views of the two hours, though it was all incredible.
I love this digital age of being able to surf pictures and touristy options before arriving in a city, but it can decrease the spontaneity sometimes. I thought I had done a great job of being present and spontaneous regarding the people with whom I interacted and the activities in which I participated, but until today's stunning train it hadn't occurred to me that I wasn't being spontaneous with seeing beautiful views. I expected where the views would be, and I focused on other things when I wasn't around my "planned scenic views." Today taught me to look for the NATURAL beauty all around me, not just the beauty of the people around me.
I challenge you all not to expect what you're going to see. Maybe you're on a hike to the top of a mountain you've seen all over Google images. But don't forget to stop and look at the trees and trails on the way up. Because those are beautiful too. The spontaneity will make it beautiful.
I wish you all could have been there with me, but enjoy the pictures and the silly video.


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Q: react router - Redirection after login Could you please help me in understanding  the redirection mechanism I could use with latest version of react router ( v1.1.0 ) . I would like to redirect to a url depending on the success or failure of user login .
I have tried to do the following
First created a history using.
let history = createBrowserHistory();

then tried to push the state using
history.pushState(null, 'abc')

Nothing is happening. Could you please let me know the correct way to do transitions .From the docs I understood that transitionTo() API is not present in the latest versions.
It will be great If you could point to a simple working example.

A: @terranmoccasin 's answer is correct. However there is a common need very few examples address.
Let's say you need to secure several routes (dashboard1, dashboard2, ...).  How do you redirect back to the original page once you log in successfully? In other words, what do you do with {nextPathname: nextState.location.pathname}?
Here's what I do in ./containers/LoginContainer.js:
import { push } from 'react-router-redux';
const mapStateToProps = (state) => ({
  nextPathname: state.routing.locationBeforeTransitions.state.nextPathname,
});
const mapDispatchToProps = (dispatch) => ({
  changeLocationOnSignIn: (nextPathname) => {
    dispatch(push(nextPathname));
  },
});

and in ./components/Login.js
componentWillReceiveProps(nextProps) {
  // user signed in or signed up, assuming redux. you may use this elsewhere.
  if (nextProps.user.status === 'authenticated' && nextProps.user.user &&
     !nextProps.user.error) {
       this.props.changeLocationOnSignIn(this.props.nextPathname);
  }

React-router 2.4.0 (April 2016) introduced withRouter which creates a HOC. However it wraps React.createClass, not a JS class. I haven't been able to get it working with redux-form, etc. Besides I think the above code is easier to comprehend.

A: i want just share the actual answer at 2020 year.
The main way for storing previous location in state is the same. But onEnter was removed from library. Now we can use AuthRoute as in the documentation:
<AuthRoute exact path="/food">
  <Food />
</AuthRoute>
<Route exact path="/login">
  <Login />
</Route>

const AuthRoute = ({ children, isAuthorized, ...rest }) => {
  const loginLink = usePrepareLink({
    to: "/login",
    isRelativePath: true
  });

  return (
    <Route {...rest} render={({ location }) =>
      isAuthorized ? (
        children
      ) : (
        <Redirect to={{
          ...loginLink,
          state: { from: location }
        }} />
      )
    } />
  );
};

and we can use the state to restore previouse URL after login
const onSignIn = useCallback(() => {
  setIsAuthorized(value);
  const link = (state && state.from) || "/restore-prevented-route";
  history.replace(link);
}, [setIsAuthorized, value, history, state]);

The details you can find here (or RU)

A: Wanted to update this thread because I spent a good amount of time digging around on this. In React Router 2.0.x, replaceState is deprecated in favor of replace. See here for details: https://github.com/ReactTraining/react-router/blob/v2.0.0/upgrade-guides/v2.0.0.md#link-to-onenter-and-isactive-use-location-descriptors
The correct way to do this would be something like this:
function requireAuth(nextState, replace) {
  if (!userExists()) {
    replace({
      pathname: '/signin',
      state: { nextPathname: nextState.location.pathname }
    })
  }
}

export const renderRoutes = () => (
  <Router history={browserHistory}>
      <Route path="protectedRoute" component={Protected} onEnter={requireAuth} />
      <Route path="signin" component={SignIn} />
    </Route>
  </Router>
);

Then, in the SignIn component, you can redirect after a successful sign in like this:
signInFunction({params}, (err, res) => {
  // Now in the sign in callback
  if (err)
    alert("Please try again")
  else {
    const location = this.props.location
    if (location.state && location.state.nextPathname) {
      browserHistory.push(location.state.nextPathname)
    } else {
      browserHistory.push('/')
    }
  }
})

A: This helps me.
Redirect to Login After Logout

*

*import { useHistory } from "react-router-dom";

*const history = useHistory();

*history.push("/login");

A: You can register "hooks" on your routes that get triggered when you enter and leave the routes. Check out the documentation for onEnter and onLeave hooks.
There is also an example of requiring auth on a route and redirecting to a different path if the user is not logged in.
Here's a snippet taken from the require auth example within app.js:
function requireAuth(nextState, replaceState) {
  if (!auth.loggedIn())
    replaceState({ nextPathname: nextState.location.pathname }, '/login')
}

// And from the route configuration, use the requireAuth function in onEnter...
<Router history={history}>
  <Route path="/" component={App}>
    <Route path="login" component={Login} />
    <Route path="logout" component={Logout} />
    <Route path="about" component={About} />
    <Route path="dashboard" component={Dashboard} onEnter={requireAuth} />
  </Route>
</Router>

The nextState and replaceState arguments are objects from rackt/history and get injected into the method you pass into onEnter.

A:
React Router v4.2

I am using React-16.2 & React-router-4.2
and I get solution by this
 this.props.history.push("/");
My working code:
    .then(response => response.json())
        .then(data => {
            if(data.status == 200){
                this.props.history.push("/");
                console.log('Successfully Login');
          }
        })

I was following this document redirect-on-login-and-logout

A: onEnter no longer exists on react-router-4, You can make use of <Route render={ ... } /> to achieve the same functionality.
Here is an example of the same.
<React.Fragment>
    <Switch>
      <Route path="/dashboard" render={() => (isAuth() ? <Redirect to="/login" /> : <DashboardRoutes />)} />
      <Route path="/login" component={Login} />
    </Switch>
</React.Fragment>

isAuth() in my case is a function that basically check whether we have the auth token or not and returns true/false based on that.
function isLoggedIn() {
  if (!localStorage.getItem('token')) {
    return true;
  }
  return false;
}

A: As @JohnSz mentions I too had issues with using withRouter. Instead I did it as instructed here:
https://github.com/reactjs/react-router/blob/master/upgrade-guides/v2.0.0.md#programmatic-navigation
const RouteComponent = React.createClass({
  contextTypes: {
    router: React.PropTypes.object.isRequired
  },
  someHandler() {
    this.context.router.push(...)
  }
})

Basically:

*

*Define contextType

*Use this.context.router.push(...)

Cheers.

A: You can set a condition for the success and failure. Then use the useNavigate hook.
import { useNavigate } from "react-router-dom";

function useLogoutTimer() {
  const userIsInactive = useFakeInactiveUser();
  const navigate = useNavigate();

  useEffect(() => {
    if (userIsInactive) {
      fake.logout();
      navigate("/url");
    }
  }, [userIsInactive]);
}

Read more: https://reactrouter.com/en/main/hooks/use-navigate

A: After login Success Message,Just One line Code Just Add your page Link to redirect
alert("Login  Successfully");
window.location.replace("/PageLink");

redpajama_set_name: RedPajamaStackExchange


It is in the busy 5th district, that you can relish the most incredibly delicious versions of the two most popular staples of french dining; Coq au vin and Boeuf Bourgignon. Chez René is a well known institution for these staples as well as other incredible bistro style fare. The influence is Lyonnaise style dishes with a "Belle epoque" décor that exemplifies the original owners Beaujolais heritage and fascination with all things epicurean. The new owners have embraced the same quality of feasting and taking it even to another level. These might even be the best frites in Paris and the chocolate mousse should really be the dictionary definition of one of the most notorious of the deadly sins; gluttony.


text:
Pan-American Championships
Adult Team News
HPP
Seven Americans Enter Egyptian Open by the Pyramids
Seven Americans will represent Team USA at the iconic CIB Egyptian Open--a PSA Platinum event--staged next to the Pyramids of Giza, September 10-17, in Egypt. Todd Harrity, Shahjahan Khan and Faraz Khan--all boasting career high rankings this month--are set for first round action on the side courts Friday. Live stream side court action on cibegyptiansquashopen.net/watch-2021. Glass court play by the Pyramids begins with select third round matches from Sunday, September 12, on SquashTV and PSA...
World No. 1 El Sherbini Tops Sobhy in Black Ball Open Final
World No. 1 Nour El Sherbini captured her first Black Ball Open title in her third final appearance, topping Team USA's Amanda Sobhy in a four-game final Thursday, March 18, in Cairo, Egypt. The final marked El Sherbini and Sobhy's second Black Ball Open encounter this season, following December's quarterfinal when Sobhy upset El Sherbini in the Gold edition of the event. In her third career Platinum final appearance--and first since rupturing her Achilles in 2016--it...
US Squash Announces 2020 World Juniors Roster
US Squash has named the roster that would have represented Team USA on the world stage in Australia at the 2020 WSF World Junior Championships, following the recent announcement of the formal cancellation of the event that was previously postponed due to the COVID-19 pandemic. The 2020 World Juniors would have staged the biennial Men's World Junior Team Championship and annual Men's and Women's World Junior Individual Championships. Due to the cancellation of the 2020...
Amanda Sobhy Progresses to Manchester Open Second Round
Team USA's Amanda Sobhy marked her return to the PSA World Tour with a first round win at the Manchester Open, Thursday, September 17. The PSA World Tour makes its return with the PSA Silver event as the six-month suspension of professional squash due to the global COVID-19 pandemic comes to an end. The tournament, originally scheduled for May 2020, is staged behind closed doors and following strict COVID-19 protocols to ensure the health and...
American Trio Set for PSA Return in Manchester
Team USA's Amanda Sobhy, Sabrina Sobhy and Haley Mendez are all set to make their return to the PSA World Tour in the first round of the Manchester Open Wednesday and Thursday, September 16-17. The PSA World Tour makes its return with the PSA Silver event as the six-month suspension of professional squash due to the global COVID-19 pandemic comes to an end. The tournament, originally scheduled for May 2020, will be held behind closed...
World Masters Championships Rescheduled for August 2021
Report courtesy of WSF The World Squash Federation (WSF) can confirm that the World Masters Squash Championships - originally postponed from August 2020 due to the global COVID-19 pandemic - has been rescheduled to 15-21 August 2021. Additionally, the WSF has approved the qualifying age for the postponed event, which will remain as per the original start date of the event on 23 August 2020. This ensures that those who entered this year's event still qualify for...


An eventful bank holiday weekend at our demonstration smallholding.
Thank you to all who came down to our open days, the weather was in our favour on Friday making it a busy day for demonstrations and some of our customers even braved the rain on Thursday.
The little Yanmar was also a hit with some of our first time tractor drivers!
This entry was posted in Open Days, Spring. Bookmark the permalink.


Every time I've taken a trip down i78 through Pennsylvania whether my last road trip to Florida or the trips to Alabama and Virginia before it, I thought: "Wouldn't it be cool to organize a Yuengling Brewery Tour Miata Cruise?" Yes! Yes, it would… Today we made it happen. My buddy Bill and I headed out first thing in the morning, on this freezing cold day where my whole car was covered in frost. But the weather warmed up, and we had a blast.
I wanted to invite as many Miata people as would come, but realizing that this is potentially a "Drinking & Driving" event, I didn't want to open the door for any irresponsible behavior. So neither Bill nor I really drink alcohol, it was reasonable to have a small sampling of beer paired with fine Pennsylvania Dutch food before and after the brewery visit.
First stop was Dutch Kitchen in Frackville, PA off of I81 for some Gingerbread Hotcakes… Mmmm yummm!
It was soooo delicious! Now we were ready for the tour. I've done the Yuengling Brewery visit before a couple of years ago, and since then there's been some changes. For one, the building across the street has been turned into the Gift Shop and the starting point of the tour. It's the old Yuengling Ice Cream building, which looks really neat. But the actual brewery place rocks. Very educational experience and I enjoyed it very much. Could really appreciate how such a small operation can have such a big reach along the Eastern Seaboard.
Of course the sampling of beer on tap was outstanding.
I asked for the medicinal option since I am once again fighting the flu. Not sure if it worked, but it was delicious.
My favorite experience was the photo op with the Miatas.
Not sure what part of the day was my favorite… everything we did had it's awesome highlights! We actually planned on doing much more but unfortunately ran out of day light. Next time perhaps we'll incorporate a visit to the Pocono's on this trip, checking out Jim Thorpe Twp called the Switzerland of the US, or maybe checking out Amish country and sampling some of their delicious hoke-cooked food. Not sure but I definitely want to do this trip again! Summer time would be ideal, but Fall Foliage season would be even better.
We took the scenic route to get there via Hawk Mountain. Miata people may remember Hawk Mountain especially from the Lehigh Valley Miata Club January 1st tradition called the "Polar Bear Run" where they spend about two hours zig zagging and zoom zooming along to Hawk Mountain… taking the more direct route we arrived there in minutes. And I have to say even the main roads were plenty twisty and scenic!
I loved seeing all the Christmas Tree fields… especially now in December just before Christmas it's big business. There were evergreen fields all over, and I really wanted to check them out because of my little Colorado Blue Spruce project where I've planted about 100 trees from seed (they're not trees yet, but I'm hoping in 10 years they will be nice and tall).
This place must look amazing in the summer time or during fall foliage season… but I bet it gets super crowded too being such a close driving distance to Philadelphia.
Our plan was to continue the tour northward to Jim Thorpe, PA for a scenic tour of the gateway to the Poconos… Wikipedia calls it the Switzerland of the US… and then follow the Pocono route to i80 to go into New Jersey through the Delaware Water Gap… but with only 1 hour of daylight left, we decided to call it a day and head home.
Bright and early in the morning, checking out the brand spanking new "Welcome!" sign on i78 across the Delaware River from NJ.
Looks like a normal building form the outside, but within it's your typical Diner train cart with counter seating… perfect!
wasn't feeling so well so first order of business Crab Bisque!
however, breakfast proper was my favorite: Gingerbread Hotcakes!


To frighten, terrify, or horrify someone. While rather impractical and ineffective in combat, the use of flamethrowers in World War II was very effective at striking terror into civilians and enemy soldiers alike. The recent epidemic has struck terror into countries around the world.


text:
Q: Throwing Authorization Failed error while access through svn+ssh after enabling path-based authorization I have setup an SVN server on RHEL 7.2 machine with in-built RPM. After I have created a repository.
After the creation of the repository demorepo, I was successful in accessing the repository in one client through 'svn+ssh' protocol using 'root' user.
But later I enabled path-based authorization and configured the svnserve.conf, passwd and authz files of the repository as below:
svnserve.conf file
anon-access = none
auth-access = write
password-db = passwd
authz-db = authz

passwd file
rouser1 = pswd1
rouser2 = pswd2
rwuser1 = pswd3
rwuser2 = pswd4
spluser = pswd5

authz file
[groups]
readgrp = rouser1,rouser2,spluser
writegrp = rwuser1,rwuser2

[demorepo:/]
@readgrp = r
@writegrp = rw

[demorepo:/proj1]
spluser = rw

[demorepo:/proj2]
spluser =

Now, after the configuration of the above files, I am successful in accessing the repository through the "svn" protocol (not through the ssh tunnel) but I lost the access through the "svn+ssh" protocol.
So, is there any way to access the repository with the both the protocols simultaneously while path-based authorization is enabled? Or please let me know if I had done any mistake in my configuration?

A: mostly it is path issue .
if you are using same path for svn and 'svn+ssh' then that the issue as ssh will take full path so if we assume /proj1 is located in
/home/user/project1
the svn+ssh path will be yoursite.com/home/user/project1
while the svn path is yoursite.com/project1


text:
Juniperus lutchuensis or  (syn. Juniperus taxifolia var. lutchuensis (Koidz.) Satake) is a species of juniper native to the Ryūkyū Islands, Izu Islands, Izu Peninsula, and Bōsō Peninsula, Japan.

Taxonomy
Juniperus lutchuensis was first described by Gen'ichi Koidzumi in 1918, with Okinawa Island the type locality. In 1962,  treated it as a variety of Juniperus taxifolia. Some authors treat it as a synonym of Juniperus taxifolia from the Bonin Islands, while others treat it as a variety of it, Juniperus taxifolia var. lutchuensis. It is probably best considered a separate species as it has a distinct DNA profile clearly different from J. taxifolia.

Description
Juniperus lutchuensis is an evergreen coniferous shrub growing to a height of . Its many branches may spread some . The leaves are needle-like, in whorls of three, light green,  long and 1–1.5 mm broad, with a double white stomatal band (split by a green midrib) on the inner surface. It is dioecious, with separate male and female plants.

The seed cones are berry-like, green ripening in 18 months to purple-brown; they are spherical, 8–9 mm diameter, and have three or six fused scales in one or two whorls of three; the three larger scales each bear a single seed. The seeds are dispersed when birds eat the cones, digesting the fleshy scales and passing the hard seeds in their droppings. The pollen cones are yellow, 5 mm long.

Distribution and habitat
Endemic to Japan, it may be found growing in coastal areas, on cliffs and in sunny spots, on the Izu Peninsula and Bōsō Peninsula of Honshū, the Izu Islands, Tanegashima (Ōsumi Islands), Tokara Islands, Amami Ōshima and Tokunoshima (Amami Islands), and, within Okinawa Prefecture, on Okinawa Island and , Iheya Island, Izena Island, and Aka Island, Tokashiki Island, and Zamami Island (Kerama Islands).

Conservation
Much of its habitat has been lost due to coastal development and revetments, and it has also often been taken from the wild for use in gardens and bonsai. Its conservation status is uncertain, but it is rare and may become threatened. In the 2018 Okinawa Red Data Book, Juniperus taxifolia var. lutchuensis is assessed as Endangered.

References

lutchuensis
Endemic flora of Japan
Flora of the Ryukyu Islands
Trees of Japan
Dioecious plants
Taxa named by Gen-ichi Koidzumi
Plants described in 1918

redpajama_set_name: RedPajamaWikipedia


Almost all croquet balls made today (including all tournament quality balls) are of a solid plastic construction, these are often called composite balls. These are far more durable than the traditional wooden balls. The balls differ in the type of plastic used, which affects weight, bounce and durability. Some of the less expensive sets are supplied with wooden balls which come with the proviso that the paint will chip from first use and will deteriorate.
All balls supplied in our Croquet Sets (with the exception of some balls in children's sets) are of approximate regulation size, and have a 'milling' pattern on them. This is a pattern of grooves on the surface of the ball which affects how well they grip each other on impact.
Balls listed in this category are tournament approved and have been tested by the Croquet Association, and meet the CA tournament regulations for balls. If you want to buy balls for frequent use (e.g. club use) then we strongly recommend you opt for tournament quality balls as they are also more durable.


A dark morning sky of indigo color.
Dark indigo to pitch dark.
A black eyes that even indigo can see.
Changing from blue to indigo.
It seems that indigo will stain in my hand.
Indigo dyeing every one piece.
Cloth used for indigo dyeing.
How to dyed indigo live leaves.
How to drop indigo dye.


Functional Fun. skip to main | skip to sidebar.Samuel Jack's light-hearted take on software development.
Pages.Blog.Hire Me.Contact Me.Simon Squared.Friday, 28 September 2012.A quick guide to Registration-Free COM in .Net–and how to Unit Test it.
A couple of times recently I've needed to set up a .Net application to use Registration-Free COM, and each time I've had to hunt around to recall the details. Further, just this week I needed to write some unit tests that involve instantiating these un-registered COM objects, and that wasn't straight forward. So, as much for the benefit of my future self as for you, my loyal reader, I'm going to summarise my know-how in quick blog post before it becomes used-to-know-how. What is Registration-Free COM?


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Karega Kofi Moyo, Untitled, 1968. Image courtesy of Rootwork Gallery.
Martin Luther King Jr. would have been ninety this year. It is hard to believe that the pensive and seemingly ageless face of the man who graced handheld fans at every church I ever attended would, had he lived, now be marked by time. Dr. King was a seer who dreamed what he saw into action. I know he would have had an important message for those of us called to art and cultural work today. This man that believed that silence and indifference to wrongdoing was equal to causing the injury, this young preacher who asserted that social justice was not ancillary to his ministry, but at its core—would have refuted the unfortunate and enduring idea that representation of a thing or an experience or a people is the same thing as empathy. King would have challenged creative (or any other) practice that fosters and maintains distance. He would say that it's time to come closer.
I almost know that quote by heart. My mother had heard and internalized it. And once, after waking my brother and I at 5 am to stand at the window to watch garbagemen fastidiously emptying can after can without one errant piece of trash escaping, she announced, "I don't care what job you do, just do it that good." That morning has stayed with me because it was the first time I internalized the construct of integrity and its generativity. I observed firsthand that a community's benefit could be tied to one person's decision to chase down a piece of paper or another's willingness to pick up, by hand, refuse scattered from an upturned can.
To be called above all else to do right by others is a persistent theme in King's activist theology. "An individual has not started living fully until they can rise above the narrow confines of individualistic concerns to the broader concerns of humanity," the 28-year-old pastor preached to his Dexter Avenue congregation. "Life's most persistent and urgent question is: 'What are you doing for others?'" Given his ardent belief in the power inherent to what he termed "creative altruism" and the council of artists he kept as confidantes (and as a life partner), it's clear that King had especially high expectations of the cultural community.
It is this deep conviction that justice is a prerequisite for beauty and art that shapes my work. When I was still deputy commissioner at Chicago's Department of Cultural Affairs and Special Events, I opened Rootwork Gallery, a small community-art space where I purposed to examine the capacity of art as a vehicle for community healing and restoration. Now, nearly three years and eleven exhibitions later, Rootwork has been fortunate to showcase artists and makers whose work rests at the intersection of beauty and justice that King envisioned.
Last January the gallery mounted Monuments, an exhibition featuring photographs by 79-year-old Karega Kofi Moyo, then a young art teacher who, after hearing about confrontations with the National Guard during post-King assassination unrest, rushed over to Chicago's West Side to check on the welfare of students in the neighborhood surrounding the high school where he taught. An amateur—but already tremendously talented—photographer, Moyo took eight shots before being stopped by tear gas. Rootwork printed and showed those photographs for the first time ever, giving Moyo a long-overdue first exhibition. Four of those images are shown here.
Karega Kofi Moyo, Mental, 1968. Image courtesy of Rootwork Gallery.
As director of The Joyce Foundation's Culture Program, I have the opportunity to support an entire sector of artists and cultural organizations dedicated to fostering inclusion and strengthening community. Administered by the Chicago Artists Coalition, the Joyce Foundation provides funding for the SPARK Microgrant program, an annual, unrestricted award open to Chicago-based visual artists who identify as ALAANA (African, Latinx, Asian, Arab, and Native American), an artist with a disability, a self-taught/informally trained artist, or an artist with acute financial need.
For artists, arts administrators, and cultural organizers inspired by King's clarion call to action, the Joyce Foundation has teamed with Arts Alliance Illinois and Fractured Atlas to provide free tuition for selected applicants to the Artist Campaign School to be held in Chicago late spring. Participants will gain practical skills to support them in becoming more actively engaged in civic policy and leadership. Applications are due by January 30.
Next month the foundation opens up letters of inquiry for the sixteenth cycle of the Joyce Awards, the only program of its kind focusing on artists of color across six major Great Lakes cities. To date, the program has awarded nearly $3.5 million to commission 65 new community-based works. Together awardees and host organizations have taken on issues of food access, environmental and spatial justice, neighborhood disinvestment, racial and economic segregation, and used commissions to center immigrant narratives and foster cross-generational dialogue.
These are just some of the opportunities to use creativity in the service of justice. There are so many more places right here in Chicago where a creative, dedicated minority is all that is needed to change history.
If you are reading this, Dr. King is talking to you and me. It's time to come closer.


text:
Tag Archives: synagogue
Michigan synagogue member sues anti-Israel protesters, city
December 26, 2019 Sexual Health
A member of a Michigan synagogue is suing anti-Israel protesters and Ann Arbor city leaders over 16 years of protests outside the Beth Israel Congregation, arguing the protesters have been uniquely provocative and that some restrictions on them would not violate free-speech protections in the U.S. Constitution. The regular Saturday protests of up to a dozen people outside the synagogue, with signs the lawsuit describes as hateful and anti-Semitic, amount to harassment of worshipers, so don't qualify for full First Amendment protections, according to the 85-page filing in U.S. District Court for Eastern Michigan. "The First Amendment right of free speech does not entitle a speaker to use that right repeatedly to bludgeon, for weeks and years at a time, in the same location," the lawsuit said.
My Mom Warned Me About Anti-Semitism. I Didn't Fully Understand Until Last Year's Synagogue Shooting
October 27, 2019 Sexual Health
Rabbi Hara Person didn't fully understand the violent threat of anti-Semitism until last year's shooting at Tree of Life synagogue in Pittsburgh. Now she fears for her children and the future in a way she never imagined.
Israel envoy demands probe after effigy of Jewish tycoon left at Ukraine synagogue
The Israeli ambassador to Ukraine asked police on Thursday to find and punish people who left a red paint-spattered effigy of tycoon Ihor Kolomoisky, who holds a Ukrainian Jewish community leadership post, on the steps of the main synagogue in Kiev. Kolomoisky, one of Ukraine's richest men, is in the public eye over his business ties to President Volodymyr Zelenskiy, who came to fame as the star of TV show on a channel Kolomoisky owns. Kolomoisky is president of the United Jewish Community of Ukraine, one of several Jewish community bodies in the country.
German police investigate bitcoin transfer to synagogue killer
German police are investigating a bitcoin transfer made to the far-Right extremist behind Wednesday's terror attack in Halle to determine if the man possessed a broader support network. German media outlet Spiegel reports that a transfer of 0.1 bitcoin – approximately €750 (£660) – was made to alleged attacker Stephan Balliet in the lead up to the attack. Police said the transfer came from an unknown source. Balliet told police interrogators that he had received the money from someone whom he had communicated with on the internet, but that he did not know who they were. Questions were raised as to how Balliet, who had been unemployed for a significant period of time in the lead up to the attack, was able to fund the attack, including buying the materials for his home-made weapons. As reported by Spiegel, the man told investigators that the weapons were cheap to manufacture, primarily as he constructed them from basic raw materials. He told police he bought steel worth €50, cartridge cases for €25 and a telescope for €20 to manufacture the weapons, which he based on designs released online by British pro-gun activist Philip Luty "The further investigations will deal in particular with the question of whether other persons were involved in the act or its preparation alongside Stephan Balliet", said a spokesman for the Federal Criminal Police Office. The 27-year-old Balliet was active in far-Right chatrooms, with police suspecting he was radicalised online. Balliet uploaded a manifesto outlining his motives, details of his weapons and indications as to the nature of his plans in the lead up to the attack.
Germany's far-right AfD loses support after synagogue shooting: report
Germany's far-right Alternative for Germany (AfD) party has dropped in public opinion polls after an anti-Semitic gun attack near a synagogue in Halle on Wednesday, broadcaster RTL/n-tv reported on Saturday. A survey of 2,500 Germans by research institute forsa showed 11% support for AfD on Thursday, down from 13% at the beginning of the week, RTL/n-tv reported. Prosecutors said a man accused of killing two people in the gun attack in Halle, eastern Germany, had confessed to the crime and to a far-right, anti-Semitic motivation.
Germany probes synagogue suspect, pledges better security
German investigators puzzled Thursday over how the suspect in a botched attack on a synagogue on Judaism's holiest day managed to amass at least 4 kilograms (nearly 9 pounds) of explosives and acquire four firearms, an arsenal they said he planned to use in a massacre. While many questions remain about the suspect, German officials sought to reassure a shaken Jewish community after Wednesday's attack in the eastern city of Halle. The attacker, a German identified by prosecutors as Stephan B., tried but failed to force his way into the synagogue as up to 80 people were inside.
2 dead in attack targeting German synagogue on Yom Kippur
A heavily armed assailant ranting about Jews tried to force his way into a synagogue in Germany on Yom Kippur, Judaism's holiest day, then shot two people to death nearby in an attack Wednesday that was livestreamed on a popular gaming site. The attacker shot at the door of the synagogue in the eastern city of Halle but did not get in as 70 to 80 people inside were observing the holy day. It said a roughly 36-minute video posted online featured the assailant, who spoke a combination of English and German, denying the Holocaust before he shot a woman in the street after failing to enter the synagogue.
Gunman kills two in livestreamed attack at German synagogue
BERLIN/HALLE, Germany (Reuters) – A gunman who denounced Jews opened fire outside a German synagogue on Yom Kippur, the holiest day of the Jewish year, and killed two people as he livestreamed his attack. Several German media outlets said the perpetrator acted alone on Wednesday in the eastern German city of Halle. Video broadcast on Amazon's gaming subsidiary Twitch showed a young man with a shaven head first reciting a short statement in broken English while sitting in a parked car.
UAE's first official synagogue to open in multi-faith complex in 2022
September 22, 2019 Sexual Health
Construction on the United Arab Emirates' first official synagogue will begin next year and be completed by 2022, according to local media reports. The synagogue will be part of the multi-faith "Abrahamic Family House" complex in Abu Dhabi, which will also feature a mosque and church of which full construction will be completed in 2022, Abu Dhabi newspaper the National reported on Sunday. The complex was announced in February following a visit by Pope Francis to the UAE, the first by a pontiff to the Arabian Peninsula.
Las Vegas man faces weapons charge in synagogue, other plots
A former security guard accused of compiling bomb components and guns to kill people at a Las Vegas synagogue and of drawing up plans to attack a bar catering to LGBTQ customers or a fast-food restaurant has been indicted on a federal firearm charge, court records show. Conor Climo's court-appointed attorney, Paul Riddle, said Tuesday that Climo plans to plead not guilty at his arraignment Wednesday on the one-count indictment filed Sept. 11 in U.S. District Court in Nevada. Climo, 23, was arrested Aug. 8 and remains in federal custody pending arraignment Wednesday in Las Vegas on a charge of possessing "firearms, specifically destructive devices" found at his home.
Irish PM Gets Apology for Autistic Jibe From Former Running Mate


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The machine runs at much lower noise levels, particularly in low speed applications.
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Under the ideal working state, Power consumption is 40% less than that of variable displacement pump and 70% less than that of fixed displacement pump, save the cost effectively.t saves power by 30%~60%.A motor with same power may be fitted with an oil pump of bigger displacement and thus accelerates the speed of machine.Besides, the low oil temperature will prolong the service life of sealing elements.


text:
Fonterra launches ambitious plan to improve waterways
Fonterra today launched an ambitious plan to help improve the quality of New Zealand's waterways.
Based around six strategic commitments, the plan will underpin Fonterra's efforts to promote healthy streams and rivers, including a strong focus on sustainable farming and manufacturing.
The release of the plan signals Fonterra's desire to play an active role in delivering healthy waterways for New Zealanders and builds on the Co-operative's previous efforts in this space. Recent examples include Fonterra's commitment to restore 50 key freshwater catchments, its membership the Farming Leaders' Pledge and work with the Department of Conservation on the Living Water initiative.
Miles Hurrell, Chief Operating Officer, Fonterra, says the Co-operative and its farmers had been working hard to address water quality but were ready and willing to do even more.
"Like all Kiwis, we want healthy rivers. Our farmers have spent over $1 billion on environmental initiatives over the past five years and fenced more than 98% of significant waterways on the farm. That's a major undertaking but it highlights our commitment to getting this right and we're already seeing that in some regions these actions are having a positive impact on water quality.
"All intensive land uses have had an impact on water quality in this country. That's why we have to work together to address the issue. Today, we're putting up our hands and promising to work with communities to promote healthy waterways for Kiwis to enjoy. Importantly, we're backing up our words with action and making tangible commitments that we believe will make a real difference," says Mr Hurrell.
Fonterra's six water commitments are as follows:
Farm within regional environmental limits
Encourage strong environmental farming practices
Reduce water use and improve wastewater quality at manufacturing plants
Build partnerships to improve waterway health
Invest in science and innovation to find new solutions
Make the products people value most
Each of Fonterra's commitments is underpinned by a set of clear actions. These range from supporting regional councils to set environmental limits for water use, investing $250 million to drive a 20 percent reduction in water use across its 26 manufacturing sites and almost doubling the Co-operative's network of Sustainable Dairy Advisors.
Why this Friday the 13th isn't black


text:
On linear non-local thermo-viscoelastic waves in fluids
Joe D. Goddard
The following is an elaboration on the linear non-local model of viscoelastic fluids proposed in a previous work (Int. J. Eng. Sci. 48 (2010), 1279–1288). As a recapitulation of that work, the basic theory is presented in terms of the temporal frequency and spatial wave number in the Laplace–Fourier domain. Taylor-series expansions in these variables provides a weakly non-local theory in spatio-temporal gradients that is more comprehensive than the "bi-velocity" model of Brenner. The linearized Chapman–Enskog kinetic theory is shown to provide a confirmation of the more general theory, from which one can reconstruct a fully non-local integral model.
Following the work of Davis and Brenner (J. Acoust. Soc. Am. 132 (2012), 2963–2969), the general theory is employed to derive dispersion relations for acoustic, thermal and shear-wave propagation in compressible viscoelastic fluids. At Burnett order the Chapman–Enskog theory gives a cubic polynomial in wave number squared which reduces in the dissipative quasi-static limit to a quadratic like that given by the classical Navier–Stokes–Fourier model and the bi-velocity modification of that model.
With minor modification, the present analysis applies to viscoelastic shear and dilatational wave propagation in solids with higher-gradient and Cosserat effects, where it may, for example, find application to the field of rotational seismology.
non-locality, thermo-viscoelastic waves, bivelocity fluid mechanics, Maxwell–Cattaneo relaxation, Chapman–Enskog kinetic theory
Physics and Astronomy Classification Scheme 2010
Primary: 02.30.Nw, 05.20.Dd
Secondary: 02.30.Uu, 43.20.+g, 47.10.-g, 47.10.ab
Primary: 35Q72, 44A30, 74JXX
Received: 11 March 2018
Accepted: 24 July 2018
9500 Gilman Drive


text:
O Screen Actors Guild (SAG) é um sindicato que representa mais de 120 mil actores dos Estados Unidos da América. O sindicato garante aos seus membros condições de trabalho seguras, um salário mínimo nas produções da União (aproximadamente 1620 dólares por semana), e trata dos pagamentos residuais. Desde 1995, o sindicato nomeia membros para os Prémios Screen Actors Guild.

História
Em 1925, um grupo de atores descontentes com a quantidade de horas de trabalho que os estúdios exigiam, formou o Masquers Club. Aderiram especialmente atores que devido à Grande Depressão ficaram sem emprego.

Esta foi uma das maiores preocupações que levou à criação do Screen Actors Guild em 1933. Outra preocupação foi o fato de a Academy of Motion Picture Arts and Sciences, só aceitar atores e produtores que fossem convidados por membros.

Uma reunião em Março de 1933 entre seis atores começou com isto tudo: Berton Churchill,  Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, e Kenneth Thomson.  Três meses mais tarde, três dos seis e dezoito outros tornaram-se nos primeiros diretores do Conselho: Ralph Morgan (o primeiro presidente), Alden Gay, Kenneth Thomson, Alan Mowbray (que financiou a organização no início pessoalmente), Leon Ames,  Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King,  Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, and Morgan Wallace.

Entre os atores conhecidos por apoiarem logo de início o SAG contam-se Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Franchot Tone, Warren William, e Robert Young.

Jóias/tarifas
A tarifa para se filiar no SAG é de 1 432,00 dólares e os primeiros pagamentos semi-anuais (semestrais) de 50 dólares. Fora da Califórnia as jóias (taxas de filiação) podem ser menores. Os pagamentos iniciais são de 100 dólares, pagos em duas prestações de 50 dólares, mais 1,85% do salário do actor, desde que seja de até 200 000 dólares americanos. Se o salário do actor for acima dessa quantia então a percentagem é baseada no escalão (nível) do seu salário. Os actores que pararem de pagar sem terem tirado uma licença terão de entrar de novo para o SAG fazendo um novo pedido de filiação e pagar as jóias iniciais.

Prémios Screen Actors Guild

Presidentes do Screen Actors Guild
 (1933, 1938-1940) Ralph Morgan
 (1933-1935) Eddie Cantor
 (1935-1938, 1946-1947) Robert Montgomery
 (1940-1942) Edward Arnold
 (1942-1944) James Cagney
 (1944-1946) George Murphy
 (1947-1952, 1959-1960) Ronald Reagan
 (1952-1957) Walter Pidgeon
 (1957-1958) Leon Ames
 (1958-1959) Howard Keel
 (1960-1963) George Chandler
 (1963-1965) Dana Andrews
 (1965-1971) Charlton Heston
 (1971-1973) John Gavin
 (1973-1975) Dennis Weaver
 (1975-1979) Kathleen Nolan
 (1979-1981) William Schallert
 (1981-1985) Edward Asner
 (1985-1988) Patty Duke
 (1988-1995) Barry Gordon
 (1995-1999) Richard Masur
 (1999-2001) William Daniels
 (2001-2005) Melissa Gilbert
 (2005-) Alan Rosenberg

Ligações externas
 Site oficial


Chinese New Year, also known as the Spring Festival, is the most important traditional Chinese festival in China, during which the Chinese people paste couplets on doors, make dumplings and watch the Spring Festival Gala. But in centuries past, how did the Qing Dynasty (1644-1911) emperors celebrate this major festival? Held in the Palace Museum (also known as the Forbidden City), the exhibition "Celebrating Spring Festival in the Forbidden City" provides some insight with 900 pieces (or sets) of cultural relics on display to fully illuminate celebration customs for Chinese New Year during the Qing Dynasty. Imbued with festive atmosphere and offering extensive interactions, the exhibition provides a feast for visitors' eyes and noses as well.
"Just like today, the central theme of Chinese New Year in ancient times involved royal families and ordinary people alike bidding farewell to the past year and welcoming the new one," explains Shan Jixiang, director of the Palace Museum. "In ancient times, emperors were representative figures of the nation. So, the celebration of Chinese New Year in the imperial palace carried dual meaning for both the family and the nation." Shan believes that patrons will find items and scenes similar to their own lives, but also plenty of totally new discoveries.
During the Spring Festival, each Chinese household posts a piece of paper with Chinese character fu (blessing) on the door. The royal family was no exception. On the first day of the 12th lunar month, emperors would use a brush specially made for the occasion called "Cifu Cangsheng" (literally "bestow blessings on common people") to write the Chinese character fu on paper referred to as "dragon letter." It would be posted in the Palace of Heavenly Purity, where emperors lived and dealt with daily political affairs. Then emperors would write another dozen fu to be posted in other palaces. This exhibition showcases the versions of fu brushed by Emperors Kangxi, Yongzheng, Qianlong, Jiaqing and Daoguang, which are expected to bring abundant blessings to spectators.
In addition to the fu posters, patrons can see various couplets and pictures of door gods as well as palace lanterns made of varied materials in different patterns, shapes and colors. In front of the Palace of Heavenly Purity stand a pair of "heavenly lamps" and a pair of "longevity lamps," a tradition that disappeared 200 years ago. Lighting "heavenly lamps" and "longevity lamps" used to be a major event in the early and mid-Qing Dynasty to celebrate Chinese New Year. It took a considerable amount of labor to light and extinguish all the lamps. In 1840, the event was canceled by Emperor Daoguang, causing the grand ceremony to be lost in history and related relics to be scattered sporadically around the world. Fortunately, after reading relevant literature, researchers at the Palace Museum located historical records on the custom and methods and even noted the detailed dimensions of the special lamps. In the storehouse, they found the model for the lamps' bodies, samples of their links and their original poles. Using these parts, they restored the lamps to enable the special event from the height of the Qing Dynasty to return.
The royal family also hosted dinners for Chinese New Year. Following a record about imperial meals dating back to 1783, the exhibition arranged over 200 relics to recreate the settings for family reunion dinners during the Spring Festival. A New Year concert was also held in the imperial palace to mark the occasion. The exhibition features musical instruments used to play the highest-class court music, which would be performed when ministers, senior officials and royal families visited emperors during the festival. Full court music required 18 categories of musical instruments, but only six are exhibited including the bell and drum.
In ancient times, an emperor's every move could influence state affairs. Although emperors would hold a stamp-sealing ceremony to herald the beginning of the holidays, they couldn't really stop working. The exhibition restored a scene of an emperor beginning his first writing of the new year. The emperor would use a special brush to write some auspicious words on paper to wish blessings for his compatriots. The paper would then be placed in a yellow box which no one was allowed to open. Not until today have people been able to see them.
Chinese New Year is not only a family-gathering holiday but also a carnival. Powerful emperors also seized the chance to have fun. The painting Games on Ice depicts skating entertainers performing on the iced Taiye Pond on the eighth day of the 12th lunar month. Watching opera was another major entertainment activity for the royal family. Eight exquisite opera costumes are on display accompanied by musical instruments, scripts, opera paintings and a stage, from which visitors can easily imagine the lively and jubilant scene.
In addition to traditional methods, the exhibition also adopts new media such as video, animation, music, projectors, incense and infrared induction as well as many interactive offerings to enrich the visitor experience. With new technologies like virtual images and motion capture, a digitalized pavilion featuring immersive experience is open to whisk people back to the festive Forbidden City hundreds of years ago.
Thanks to modern technologies, the exhibition has reproduced imperial celebration activities during the Spring Festival to provide a unique glimpse into imperial life. In this exhibition, cultural relics are no longer removed from their environment but placed in their original historical context. This enables the audience to feel the "life" of the relics and better understand Chinese wishes for the New Year, blessings for the motherland and hopes for life.


text:
National geographics mega structures
Megastructures. Megastructures is a documentary television series appearing on the National Geographic Channel in the United States and the United Kingdom, Channel 5 in the United Kingdom, France 5 in France, and 7mate in Australia. Each episode is an educational look of varying depth into the construction, operation, Original network: National Geographic Channel, Channel 5, France 5, 7mate. wonderfull National Geographic - Mega Structures Collection National Geographic - Mega Structures Collection National Geographic - Mega Structures Collection bouy this. Read more. One person found this helpful. Helpful. Comment Report abuse. Satrianifan. out of 5 stars Five Stars. August 4, /5(17). Megastructures. This documentary series focuses on extreme construction projects -- be they the biggest, tallest, longest or deepest in the world -- and the machines used to create extraordinary structures/10().
wonderfull National Geographic - Mega Structures Collection National Geographic - Mega Structures Collection National Geographic - Mega Structures Collection bouy this. Read more. One person found this helpful. Helpful. Comment Report abuse. Satrianifan. out of 5 stars Five Stars. August 4, /5(17). Megastructures: Louvre Abu Dhabi. Floating on the shores of the Arabian Gulf, is the Louvre Abu Dhabi. Designed by star architect Jean Nouvel, this Arabic-inspired museum is built is association with the Louvre Paris to house over priceless masterpieces. Shading the gallery buildings is . Technology has enabled man made structures to stand against nature's fury and testing times. Cast into the making of the biggest engineering marvels as we unravel the art and science that goes behind it. From the people who designed them to those who built, comes a . Megastructures. Take a look inside the most ingenious and awe-inspiring structures of all time. From architectural triumphs of ancient times to the cutting edge science and technology behind marvels being built around the world today, MEGASTRUCTURES reveals the methods used and the challenges faced at every stage of design and construction. Megastructures. This documentary series focuses on extreme construction projects -- be they the biggest, tallest, longest or deepest in the world -- and the machines used to create extraordinary structures/10().Take an eye-popping look at some of the greatest structures and machines ever created. Get inside these architectural achievements and uncover the cogs. See all videos from Megastructures on National Geographic Channel. Take a look inside the most ingenious and awe-inspiring structures of all time. From architectural triumphs of ancient times to the cutting edge science and. Megastructures is a documentary television series appearing on the National Geographic Channel in the United States and the United Kingdom, Channel 5 in . Megastructures on National Geographic Channel. MEGASTRUCTURES reveals the methods used and the challenges faced at every stage.
National Geographic Megastructures MRT Malaysia Urban Diggers, time: 44:02
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text:
Q: Wordpress Numeric Pagination with Query String So I have a dynamic loop which is affected by a query sting in the URL..
For example I have 3 categories and when they click the category it just adds a query to the URL:
Dogs
Cats
Other

and then my custom loop will pull the query values to show relative posts
$args = array('post_type' => 'animals', 'posts_per_page' => 4, 'category' => $queryString);
$paged = (get_query_var('paged')) ? get_query_var('paged') : 1;
$wp_query = new WP_Query($args);

I then have my pagination code which is working as expected but it doesn't change the posts.. I have a feeling its because of the url structure.. http://example.com/animals/page/2/?view=cats
any help from you awesome people!

A: It looks like the paged variable isn't being added to the query arguments. This should work:
$paged = ( get_query_var('paged') ) ? get_query_var( 'paged' ) : 1;
$args = array(
    'post_type' => 'animals',
    'posts_per_page' => 4,
    'category' => $queryString,
    'paged' => $paged
);
$wp_query = new WP_Query( $args );

Also, as a note, $wp_query is a WordPress global variable. It would be safer to use a different name like $my_query, $custom_query, $steve, etc.


text:
Q: Python math accuracy I have try this simple math operation in python
>>> math.floor(8.2-0.21)
7.0
>>> math.floor(8.21-0.2)
8.0
>>> math.floor(8.2-0.2)
7.0

The third one should return 8 but it is return 7?!
UPDATE
i have try it in PHP, ruby and JAVA and i have got the same results.
Update 2
i don't know why the question get many votes down !!

A: The languages you cite use either IEEE-754 64-bit binary floating-point or use the floating-point of the underlying hardware, which is likely IEEE-754 binary floating-point.
In IEEE-754 64-bit binary floating-point, the nearest representable value to 8.2 is 8.199999999999999289457264239899814128875732421875, and the nearest representable value to .2 is 0.200000000000000011102230246251565404236316680908203125.
So, when you write 8.2 - 0.2, what actually happens is that 0.200000000000000011102230246251565404236316680908203125 is subtracted from 8.199999999999999289457264239899814128875732421875. The result is a value slightly under 8, and the floor of a value slightly under 8 is 7.
The lesson here is that floating-point arithmetic is generally approximate, so you must be careful when evaluating functions with discontinuities (like floor) or steep slopes. You must either design your code to accept results that may cross the discontinuities or you must design your calculations to avoid errors that cross the discontinuities.

A: Your first two examples are to be expected:

*

*8.2 - 0.21 is 7.99. Floor of 7.99 is 7, and that's what is returned. Remember that floor(x) is the greatest integer less than or equal to x. 8 is greater than 7.99, so it can't possibly be returned. 7, on the other hand, meets this requirement.

*8.21 - 0.2 is 8.01. Floor of 8.01 is 8 -- no magic here.

>>> math.floor(8.2-0.2)
7.0

Now this is more interesting. It has to do with the fact that 8.2 and 0.2 cannot be exactly represented with floats, so the result of the computation is perhaps not what you might have thought:
>>> 8.2 - 0.2
7.999999999999999

Again, floor() is working as documented.
You can see this for yourself using decimal:
>> from decimal import Decimal
>>> Decimal(0.2)
Decimal('0.200000000000000011102230246251565404236316680908203125')
>>> Decimal(8.2)
Decimal('8.199999999999999289457264239899814128875732421875')

Relevant: What Every Computer Scientist Should Know About Floating-Point Arithmetic

A: Why should it be 8? Floor functions return the nearest integer rounded down, so those two examples are correct.
8.2 - 0.21 = 7.99, which rounded down is 7.
8.21 - 0.2 = 8.01, which rounded down is 8.

A: >>> a=0.2
>>> a
0.20000000000000001
>>> b = 8.2
>>> b
8.1999999999999993
>>> b-a
7.9999999999999991
>>> math.floor(b-a)
7.0

Due to floating point inaccuracies


mutations (H526D; D516V; S531L) revealed the same level of RMP-resistance see more in clinical strains and engineered H37Ra mutants. Introduction of other mutations identified in RMP-resistant M. tuberculosis clinical strains into the H37Ra host did not result in resistance to RMP or the level of MIC was very low in comparison with clinical strains. Mutation of codon 516 substituting D with V resulted in a high level of RMP resistance. This effect was not observed when D was substituted with Y or G, even when an extra mutation was present in codon 510, 512 or 515. Table 4 Rifampin resistance ASK1 of M. tuberculosis recombinant clones MIC of rifampin (μg/ml) of M. tuberculosis recombinant clones carrying mutated rpoB gene controlled by: mutated amino acid of RpoB PrpoB Phsp65 H 37 Ra KL1936 KL463 H37Ra H526D 50 50 50 50 D516V 25 25 25 25 Q510H; D516Y 1,5 6,2 6,2 6,2 S512I; D516G 6,2 6,2 6,2 6,2 Q513L 6,2 12,5 50 6,2 M515I; D516Y 6,2 6,2 6,2 6,2 D516Y 3,1 6,2 3,1 6,2 S531L 50 50 50 50 Some rpoB mutations are able to cause RMP resistance only in a particular M. tuberculosis host The observed different levels of resistance of M. tuberculosis clinical strains and H37Ra strain carrying rpoB genes mutated at the same positions lead to the conclusion that some mutations in the rpoB gene can reveal drug-resistant phenotype only in a specific genetic background of the host.


text:
Monday, September 27 12:00 AM ET
Blockbuster Launches Book Rental Division
By Cody James
Dallas, TX – Blockbuster Inc. announced the launch of Bookbuster, a new sub-brand of book-rental stores that brings the company's nearly 20-year expertise in video, DVD and game rentals to bear on the world of books.
"We're absolutely thrilled to offer our customers an innovative way to experience books, books on tape and a smattering of inoffensive mainstream CDs," said CEO John Antioco. "Bookbuster delivers the convenience, selection and affordability our customers have come to expect and finally makes books available to people who want to enjoy them without having to buy them."
A typical Bookbuster will divide the store into sections for easy browsing, such as Popular Fiction, Biographies, Literature, Entertainment and Science. There will also be a Reference section for dictionaries, encyclopedias and thesauri. For this section, customers may purchase blocks of time in five-minute increments. A wireless buzzer, similar to those used in restaurants, will go off when the time has expired and the customer will be asked to return the buzzer or add more time.
Some customers have expressed concerns about late fees, stating that many books may be difficult to complete within a seven-day period. Antioco is quick to allay such concerns. "Some customers either have hectic schedules or are slow readers. For them, we're pleased to offer the Bookbuster Unlimited™ program," he said. "For a low monthly fee of $19.99, members can rent as many books as they like and read at their own pace, with no late fees and no hassle. If you buy at least one new hardcover a month, the membership will pay for itself."
"'Paradise Lost' is due back Wednesday at midnight," said Julie Garrity, assistant manager at the flagship store in Dallas, to first-time customer Kevin Singer. She then handed the book to him on the other side of a security scanner.
Sony Unveils New Self-destructive DVD Player
Google Releases Print Edition
Tivo Debuts Get-A-Life Feature
"This is an idea whose time has come," said Singer. "I wanted to read 'The DaVinci Code' a few months ago but couldn't afford to buy it. Now I can just rent it and bring it back in a week. If I'm not done, I just write down which page I was on and rent it again later. It couldn't be easier."
"Books are hot right now," added Antioco. "My 13-year-old tells me they're the 'new movies.'"
A seven-day rental for a new title is $5.99, while older titles and children's books are available for as little as $1.99.


text:
#pragma once

#include "generator/gen_mwm_info.hpp"

#include "indexer/index.hpp"
#include "indexer/mwm_set.hpp"

#include "platform/local_country_file.hpp"

#include <string>

#include "coding/file_reader.hpp"
#include "coding/reader.hpp"

#include "base/logging.hpp"

#include <string>

namespace generator
{
/// \brief This class is wrapper around |Index| if only one mwm is registered in Index.
class SingleMwmIndex
{
public:
  /// \param mwmPath is a path to mwm which should be registerd in Index.
  explicit SingleMwmIndex(std::string const & mwmPath);

  Index & GetIndex() { return m_index; }
  std::string GetPath(MapOptions file) const { return m_countryFile.GetPath(file); }
  MwmSet::MwmId const & GetMwmId() const { return m_mwmId; }

private:
  Index m_index;
  platform::LocalCountryFile m_countryFile;
  MwmSet::MwmId m_mwmId;
};

void LoadIndex(Index & index);

template <typename ToDo>
bool ForEachOsmId2FeatureId(std::string const & path, ToDo && toDo)
{
  gen::OsmID2FeatureID mapping;
  try
  {
    FileReader reader(path);
    NonOwningReaderSource source(reader);
    mapping.Read(source);
  }
  catch (FileReader::Exception const & e)
  {
    LOG(LERROR, ("Exception while reading file:", path, ", message:", e.Msg()));
    return false;
  }

  mapping.ForEach([&](gen::OsmID2FeatureID::ValueT const & p) {
    toDo(p.first /* osm id */, p.second /* feature id */);
  });

  return true;
}
}  // namespace generator

redpajama_set_name: RedPajamaGithub