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100,000 Nigeria Police Recruitment Based On Local Governments And The $30billion Loan
The attention of Igbo Ekunie Initiative (IEI) comprising individuals in Nigeria and the Diaspora has been drawn to attempts by the Buhari administration to carry out recruitment exercise in the police force using local governments instead of states as provided for in the constitution under the federal character clause. Having used successive Northern military regimes to disproportionately create more local governments in the North; this can only be interpreted as a further scheme to marginalise the south and consolidate Northern domination. Whereas imbalance in the number of states between the zones has remained contentious, using local governments for the purposes of police recruitment will only further increase the growing sense of exclusion, resentment, injustice and anger that currently pervades the nation particularly in light of Buhari's manifest double standards and sectional administration. Using the local government is not only illegal it is also unconstitutional.
Section 14 (3) of the 1999 Constitution of the Federal Republic of Nigeria (as amended) provides that: "The composition of the Government of the Federation or any of its agencies and the conduct of its affairs shall be carried out in such a manner as to reflect the federal character of Nigeria and the need to promote national unity, and also to command national loyalty, thereby ensuring that there shall be no predominance of persons from a few states or from a few ethnic or other sectional groups in that Government or in any of its agencies."
Against a backdrop of the proposed $30 billion loans by the federal government which also totally excludes the Southeast in listed projects; we warn that the monumental policies of marginalisation, double standards, sectionalism and criminal breach of the constitution that has since become a hallmark of the Buhari administration is now on a scale that threatens the very survival of the nation. Being the first president to win an incumbent in Nigeria's history on the mantra of change, it's a disappointment of historical proportions that this current administration is turning out to be the greatest facilitator of marginalisation, tribalism, sectionalism, hate, the abdication of the rule of law, mass killings, constitutional breaches, injustice and historic double standards. We submit that no nation afflicted by such divisions/injustice can prosper or survive in the long term. In opting for a change in 2015, Nigerians wanted a new deal away from the injustices, marginalisation, human rights violations, bigotry and disharmony that has long haunted, hobbled and arrested the nation's development.
The need for unity, harmony and nation-building is even more necessary in the face of realignments and changing order in the global scene. Intolerance, isolationist and separatist sentiments are notably growing across the world. This we believe has led to the Brexit vote in the United Kingdom, and now to the emergence of Trump as the president-elect of the United States. The world is becoming increasingly unpredictable. In this regards the best way to cushion ourselves from the winds of disaffection blowing across the world is for the president to engage in proper nation building so as to build a nation that can stand against the destabilising interests of emerging global actors. Except this is done, the same disconnect, resentment, intolerance and anger that led to Brexit will one day lead to the balkanization of Nigeria and other such nations that through the omissions of failed leadership allowed such conditions to fester.
The overriding desire for a united Nigeria as often declared by Buhari must at all times be paramount in making decisions of national significance. We hereby call on Buhari to adhere to the fundamental need for national unity by making sure that projects for the proposed loan cover all geopolitical zones and that recruitment into the police force is done only on the basis of equality of states/federal character in line with section (14)3 and (4) of the Nigerian constitution.
Maazi Tochukwu Ezeoke
President Igbo Ekunie Initiative
Email: president@igboekunie.org
Lawrence Nwobu
Secretary Igbo Ekunie Initiative
secretary@igboekunie.org
$30billion Loan
Igbo Ekunie Initiative
Nigeria Police Recruitment
« Oct Mar »

redpajama_set_name: RedPajamaCommonCrawl


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BrandArena
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Yearlong 75th Birthday Commemorative Plans For Legendary Icon Bob Marley Announced
The Marley family, UMe and Island Records have begun to roll out their yearlong MARLEY75 commemorative plans in celebration of the legendary cultural icon, Bob Marley's 75th birthday and 40th anniversary of the timeless classic "Redemption Song."
In honor of Black History Month, now underway, and to mark the beginning of all MARLEY75 celebrations in 2020, the official music video for "Redemption Song" premieres today on Bob Marley's YouTube channel. Created by French artists Octave Marsal & Theo De Gueltz, the breathtaking animation, featuring 2,747 original drawings, uses powerful symbols to amplify the magnitude of the song's timeless lyrics and importance in today's world. The video highlights Bob's contribution to the empowerment of black civilization, as well as his manifestation of hope and recovery for all mankind.
Inspired by Bob's homeland of Jamaica, as well as insights received from his family, the artistic approach was to illustrate the imaginary world of Bob Marley in a way that highly stimulates self-reflection. "From the history of Slavery and Jamaica, Rastafarian culture, legacy of prophets (Haile Selassie the 1st, Marcus Garvey, Malcolm X), as well as Bob's personal life, we take the audience on a journey through allegories and representations." Marsal reveals. The opening sequence invites the viewer into Bob's guitar, a visual metaphor to Bob's mind, and our own, in a quest for Redemption. Also, drawing from Rastafarian philosophy, another vital element of the video's narrative is about valuing nature, our Earth and the Mother Land.
The MARLEY75 celebrations will encompass all things music, fashion, art, photography, technology, sport and film, providing fans unprecedented access to archives from the legendary artist's estate in new, thoughtful and innovative ways. Together with YouTube, new and exciting content is set to be released over the course of the year.
The inaugural MARLEY75 music festivities kick off this Spring, the first of many celebrations to come. Ziggy Marley and Stephen Marley's Bob Marley Celebration will headline The BeachLife Festival. This special, collaborative appearance will feature Ziggy Marley and Stephen Marley performing an extensive catalog of Bob Marley tunes in celebration of their father's 75th birthday at the three-day immersive music, art, and culinary oceanside event.
In this digital era, Bob Marley remains one of the most followed posthumous artists on social media, and MARLEY75 will serve to bring his music and message to the digital foreground, reaching new audiences and perspectives with innovative content and groundbreaking technology. Special live events, exclusive digital content, recordings, exhibitions, plus rare and unearthed treasures will also be revealed throughout the year.
Bob Marley's music continues to inspire generation upon generation, as his legacy lives on through his message of love, justice and unity, a sentiment needed more than ever in 2020. In conjunction with Tuff Gong and UMe, a division of the Universal Music Group, the Marley family will continue to ensure the highest quality, integrity and care is taken to honor Bob's legacy and to celebrate one of the 20th century's most important and influential figures.
One-quarter of all the Reggae listened to in the United States, is Bob Marley. Bob Marley's Legend is the nineteenth-biggest selling album of all time and the fifth-biggest selling Greatest Hits package in United States history.
Throughout history, no artist has dominated the world of music quite like Bob Marley. A musical, political and spiritual icon of mythical proportions, both poet and prophet, Marley was the first Jamaican artist to give voice to the struggles of his people and the Rastafarian culture, and the first to gain worldwide fame. October 2020 will see the 40th anniversary of Bob Marley's "Redemption Song." Released in October 1980 and taken from his ninth album Uprising (Island Records), the song was inspired by a speech from Pan-Africanist Marcus Garvey's "The Work That Has Been Done" and is considered by many as one of the greatest songs ever written in popular culture. In a time when political unrest and oppression feels more prevalent than ever, "Redemption Song" maintains a poignancy and power and acts as a long-standing testament to Bob Marley's brilliance and voice for the people. Bob Marley's music catalog has amassed billions of streams and sold millions of albums worldwide, while his hits compilation, Legend, remains the world's best-selling reggae album and longest-charting album in the history of Billboard's Catalog Albums chart.
Additional information on MARLEY75 events will be revealed soon.
Watch the powerful visual for 'Redemption Song' HERE
Stanbic IBTC Mutual Fund
Zimvest Unveiling
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NiRA
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P&G Sponsors Women in Marketing Conference & Awards (WIMCA) Organised by BRAND Communicator Magazine
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A video summary of the findings is above.
It's highly likely that all seven planets are tidally locked to the star, meaning the same face always points towards it. This means that, if water does exist on some of the worlds, it may be liquid on just the star-facing side, with the other being ice.
All seven of the planets are also thought to have migrated from further out in the system to their inner positions, where ice on their surfaces has melted.
If there is life on any of the worlds, conditions likely wouldn't be that similar to here. For one thing, the star itself would appear salmon-like in color, according to the researchers, with most of the solar radiation being infrared – which would still warm the planets, but would not be visible to creatures like us.
"The amount of light in your eye would be about 200 times less than the Sun," Triaud said in the press briefing. "So think of the amount of light you receive at the end of sunset. It's still much brighter than the Moon, but dimmer than the Sun.
This amount of infrared light makes the planets an especially good target for upcoming telescopes like NASA's James Webb Space Telescope (JWST), due to launch in October 2018, which will observe the cosmos in infrared wavelengths. It could work out their atmospheric compositions by looking at the star's light passing through, and hunt for signs of life.
Exactly how habitable these planets might be is up for debate. Recent studies have suggested that cool, dim stars like this undergo frequent and powerful solar flares, which could be detrimental to life.
But the researchers say this particular star is fairly quiet, especially compared to a star such as Proxima Centauri, the closest star to Earth around which the potentially habitable world Proxima b orbits. And it's thought that solar activity could also help replenish an atmosphere, rather than destroying it.
This star is 10 times further away than Proxima, however, so we don't have much hope of sending a spacecraft to this system through a project like Breakthrough Starshot. "I think we are far from being able to send a robotic probe to TRAPPIST-1," Triaud told IFLScience. But the potential for further astronomical study is huge.
Being able to discover life on one of the planets will depend on a number of factors, particularly whether they have atmospheres, and if these atmospheres allow water to remain as liquid. Any life would also have to be producing enough gas to alter the chemical composition of one of the planets' atmospheres.
It's easy to get excited, though, and rightly so. This is the most number of Earth-sized planets we've ever found in one system, and while this may turn out to be common around other stars, TRAPPIST-1 is certainly one of the closest for us to study.
Being so close to their star, it will be almost impossible to directly image these worlds. But the transit method, used to find them, will prove vital in studying them as we watch light come through their atmospheres. Keep your eyes peeled, because you can be sure there'll be plenty more news about TRAPPIST-1 in the coming months and years.
"We've made a crucial step towards finding if there is life out there," Triaud said in the briefing.


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Steven G. Krone
Home > ORGANIZATION > CONTRIBUTING AUTHORS > Steven G. Krone
Mitchell Silberberg & Knupp LLP
www.msk.com
Organization Profile Full Profile
Representation of entertainment, media and convergence companies, financial institutions, investors and financiers, and individual creative artists and executives in connection with all aspects of the financing, development, production, acquisition, distribution and other exploitation of motion pictures, television programming, video games, music, online and other content, and related products and services. Intellectual property, copyright, non-copyright protection of ideas, privacy and celebrity publicity rights, defamation, and royalty and participation accounting.
In final stages of negotiation on a major co-financing deal between an existing media company and multiple film distributors to co-finance and co-market a slate of theatrical films.
Regularly handle single and multi-title co-financing deals on behalf of film financiers.
Structuring, negotiation and day-to-day management of $1.5 billion film production and P&A fund, and multi-picture co-financing arrangements with three major studios, on behalf of preeminent independent film production company.
Lead negotiation and day-to-day management of business and legal affairs team responsible for literary rights options and acquisitions; writing, producing and directing agreements; production, distribution and finance arrangements; and other transactions in connection with over 50 major studio and independent film projects.
Representation of film director/producer in connection with multi-picture overall deal with major studio valued in excess of $20 million.
Negotiation of executive employment agreement valued in excess of $10 million on behalf of CEO of entertainment company.
Articles in the National Law Review database by Steven G. Krone
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This is an off-the-record luncheon discussion with The Honorable David P. Pekoske, Administrator, Transportation Security Administration.
Hosted by Rapiscan. Additional hosting opportunities are available.
David Pekoske was confirmed by the U.S. Senate as the Transportation Security Administration's seventh administrator in August 2017. He leads a workforce of approximately 60,000 employees, including the Federal Air Marshal Service, and is responsible for security operations at nearly 450 airports throughout the United States and shared security for highways, railroads, ports, mass transit systems and pipelines. Under Mr. Pekoske's leadership, TSA is working continuously to raise the security baseline for both aviation and surface transportation through close partnerships and alliances, and a robust homeland security network.
Before joining TSA, Mr. Pekoske was an executive in the government services industry where he led teams that provided counterterrorism, security and intelligence support services to government agencies. Most notably, Mr. Pekoske served as the 26th Vice Commandant of the U.S. Coast Guard culminating a Coast Guard career that included extensive operational and command experience. As the Vice Commandant, Mr. Pekoske was second in command, also serving as Chief Operating Officer and Component Acquisition Executive of the U.S. Coast Guard. He is a recognized expert in crisis management, strategic planning, innovation and port and maritime security.
Mr. Pekoske holds a Master of Public Administration degree from Columbia University and a Master of Business Administration degree from the Massachusetts Institute of Technology. He earned his Bachelor of Science degree in ocean engineering from the U.S. Coast Guard Academy. His awards include the Homeland Security Distinguished Service Medal, Coast Guard Distinguished Service Medal, the Meritorious Service Medal, Coast Guard Commendation and Achievement Medals.


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Lifco
ABOUT LIFCO
DEMOLITION & TOOLS
SYSTEMS SOLUTIONS
ABOUT THE LISTING
BOND LOANS
GROUP MANAGEMENT TEAM
Financial reports &
Lifco publishes its year-end report 2018 on 6 February
Lifco publishes its year-end report 2018 on Wednesday 6 February at 11.30 a.m. CET. On the same day at 03.00 p.m. CET you are invited to a conference call with Fredrik Karlsson, CEO, Per Waldemarson, deputy CEO and head of business area Dental and Therése Hoffman, CFO.
Investors, analysts and media are welcome to take part in the conference call at 03.00 p.m. CET on 6 February.
Link to presentation:
https://tv.streamfabriken.com/lifco-q4-2018
Call-in numbers:
Sweden +46 8 505 583 50
UK +44 3333 009 266
The presentation is followed by a Q&A-session.
Åse Lindskog
Media and investor relations manager
Phone +46 730 244 872, e-mail ir@lifco.se
Lifco offers a safe haven for small and medium-sized businesses. Lifco's business concept is to acquire and develop market-leading niche businesses with the potential to deliver sustainable earnings growth and robust cash flows. Lifco is guided by a clear philosophy implying that the company has a long-term view on its holdings, a focus on profitability and a strongly decentralised organisation. The Group has three business areas: Dental, Demolition & Tools and Systems Solutions. At the end of 2017 the Lifco Group consisted of 138 operating companies in 29 countries. In 2017 Lifco reported EBITA of SEK 1,732 million on net sales of SEK 10.0 billion. The EBITA margin was 17.3 per cent. Read more at www.lifco.se
wkr0006.pdf
Interim report January – June…
Interim Report January-September 2019
Lifco acquires Ergopack Deutschland GmbH
Lifco offers a safe haven for small and medium-sized businesses. Lifco's business concept is to acquire and develop market-leading niche businesses with the potential to deliver sustainable earnings growth and robust cash flows. Lifco is guided by a clear philosophy implying that the company has a long-term view on its holdings, a focus on profitability and a strongly decentralised organisation. The Group has three business areas: Dental, Demolition & Tools and Systems Solutions. At the end of 2017 the Lifco Group consisted of 146 operating companies in 29 countries. In 2018 Lifco reported an EBITA margin of 18.1 per cent on net sales of SEK 12.0 billion.
When visiting www.lifco.se and associated subpages Lifco AB warrants that this personal data will be processed in accordance with (the from time to time) applicable data protection laws and Lifco AB's privacy policy.
LIFCO AB
Verkmästaregatan 1
745 85 Enköping, Sweden
ir@lifco.se
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Yesterday, HERE announced it would be removing its map applications from the Windows Store and will be killing the existing apps in June. That leaves many Windows Phone and Windows 10 Mobile users without their favorite mapping solution. Luckily, Microsoft says it's stepping in and improving its own offering.
Luckily, since that original partnership with HERE, Microsoft has continued to improve its location solution in the form of Bing Maps. Indeed, the platform has received numerous refinements and Microsoft says that its app will see even more improvements soon.
In a post on Reddit, a Microsoft employee from the Maps team said Insiders will see new features showing up for the Maps app in upcoming insider builds. These include improvements for the app's driving mode, searching and so on.
Indeed, Microsoft has been continuously improving Maps with better data, and new features. Some of these have only been available on the web, while others were restricted to the desktop. However, as times goes on, the company is bound to integrate and unify its location solutions.
The upcoming update will include an improved driving mode, which is one part of Microsoft's maps app that has fallen behind the Here version. Microsoft is planning to release the update to Windows 10 testers first, before rolling it out to existing devices. Dave_MSFT appears to be very active in collecting feedback for Microsoft's maps app on Reddit, so it's clear the company is listening to how it can improve its maps experience now that Here is disappearing.


Finally all the issues in my spyker are gone!!! Except for one! They key wont work at all, I can open the doors with it or lock the car. Anyone knows how to reprogram it to the car? And what about the receiver is there anyway to check if its working properly? And which clifford model is it?
If you can open the doors, and lock them, the key works properly, and does not have to be reprogrammed.


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SXSW 2022: The Bumpy Road to Building a Metaverse UtopiaSXSW 2022: The Bumpy Road to Building a Metaverse Utopia
More than 80% of Americans have concerns about this virtual world
Deborah Yao
Great hype has surrounded the announcement by Meta CEO Mark Zuckerberg on the creation of the metaverse, which is a virtual reality world the company is creating that it hopes will become an extension of people's lives in the real world.
Yet most Americans do not know what it is. According to a NortonLifeLock and Harris Poll survey, 64% of Americans are not familiar with the concept.
The idea of a virtual world is not new: Second Life, started in 2003, is a predecessor of the metaverse that is still running today. Metaverse promises to roll out AI-enabled advanced tech capabilities using platforms such as blockchain, as it aims to bridge real and virtual lives.
As AI-enhanced digital technology becomes even more embedded into people's lives, the metaverse, whether Zuckerberg's or someone else's iteration, could be here to stay.
As such, it is crucial to build ideal social norms into its design from the start, according to panelists at the SXSW conference in Austin, Texas.
"It's important to look at where we are today, and what's possible, and what we want to be true about the metaverse," said Aleatha Parker-Wood, principal privacy engineer at AWS. "How do we help people be their best selves? … How do we make it (easier) to be a good human being and hard to be a bad one?"
Added Darren Shou, chief technology officer of NortonLifeLock: "What can we do to create more empathy, more equity, through the actions we take today?"
It starts by making sure that a diversity of voices and viewpoints are included in the metaverse, said Taj Reid, global chief experience officer of Edelman.
That means devices that enable the metaverse has to be low cost and broadly available, Reid added.
This could open up new experiences for seniors, the disabled and other disadvantaged groups. For example, an elderly woman in a nursing home could dive in the Great Barrier Reef in the metaverse.
But there also should be protections, accountability and security. For example, users should have confidence that claims being made in this virtual world are actually true, Parker-Wood said. For example, someone who claims to be a doctor in the metaverse actually is a doctor.
Creating veracity can be difficult in a decentralized environment, where there is no single authority, Shou said. Instead, there needs to be "trust anchors," or "oracles" that users can depend on for truth.
What's also troubling is that there is an "unseen hand" – or algorithm – working behind the scenes in a virtual world to curate what the user is seeing, Shou said.
The NortonLifeLock-Harris survey said 84% of Americans surveyed have at least some concerns about the metaverse. More than half are worried about data breaches and lack of privacy.
Today, consumers' searches, purchases and other web behavior are scrupulously tracked online. The metaverse opens up new ways to track, such as how long an avatar stares at a product, panelists said.
"We are going to be observed," Shou said.
Another challenge with decentralized systems is more uncertainty about how to regulate bad behavior, Parker-Wood said. "Think about who owns the consequences of what happens in the metaverse."
Shou said one way to mitigate such harms is to call it out. He noted that just revealing the potential issues with AI was enough for governments to craft regulations. "There will be governance and guardrails."
This article first appeared in IoT World Today's sister publication AI Business.
See more from Deborah Yao


Hybrid modalities give hospitals more bang for the buck.
Philips GEMINI TF Big Bore is a PET/CT system combined with a big bore CT.
In these challenging economic times, hospitals are seeking to maximize their investment in technology. To justify purchasing any imaging modality, such as computed tomography (CT), positron emission tomography (PET) or single photon emission computed tomography (SPECT), a facility has to have sufficient patient volume to pay for the investment.
One way to assure patient throughput covers the cost of technology to optimize the use of a modality by applying it to several clinical indications. This strategy is driving the trend toward multipurpose hybrid imaging systems with full capacity in both modalities.
Nuclear medicine has made a compelling case in favor of multipurpose modalities, in particular with PET/CT and SPECT/CT technologies. The argument is that hybrid imaging benefits patient management and actually lowers health care costs.
One strategy to getting the most out of a hybrid system is to expand its clinical applications.
Philips Healthcare took the approach to expand clinical applications when it consolidated its Gemini TF time-of-flight PET imaging technologies with its Brilliance Big Bore CT. The new model, Gemini TF Big Bore PET/CT Tomograph, was designed with a large 85-cm bore. This allows patients to be positioned in the same manner for both simulation and therapy. These additional applications expanded the PET/CT's capabilities beyond diagnosis, staging and follow-up to include therapy planning.
By consolidating procedures, hybrid modalities can serve multiple clinical purposes.
Until recently, the CT part of the hybrid system was used just for mapping out the location of the tumor or disease. Subsequently, the CT system could only be used as an adjunct to the PET or SPECT, not as a standalone system.
The fields of radiology and oncology have emerged as optimal testing grounds for a hybrid system with full-capacity modalities.
Last year, Siemens Healthcare introduced the Biograph mCT, a molecular CT that enables health care facilities to serve both the nuclear medicine and radiology departments with one system. It achieves this duality through the integration of powerful PET and CT technologies, offering a compact system with high-definition PET, time-of-flight technology and CT configurations from 64 slices to 128 slices.
This game-changing technology allows clinicians to use a hybrid system as either a dedicated CT or as a PET/CT.
Last year, Memorial Medical Center (MMC) in Springfield, Ill., installed a Siemens Biograph mCT. The hospital replaced a PET/CT it used as a diagnostic tool for oncology management and sought to add a dedicated CT in an outpatient setting. The initial plan was to buy two separate pieces of equipment. However, when Siemens presented the Biograph mCT, the hospital decided it was more economical to buy the hybrid system.
A new PET/CT system runs in the $2 million range and a high-end CT system costs at least $1 million. "It cost $600,000-$700,000 less to buy Biograph mCT compared to buying two separate high-end systems, and we could put them both in the same room," said Charles E. Neal, M.D., radiologist, president of Clinical Radiologists, and a physician at Memorial Medical Center, Springfield, Ill.
Similarly, GE Healthcare launched last year the Discovery NM/CT 670, which combines SPECT technology with multislice CT. The system is pending 510(k) clearance in the United States, but it is designed to enable clinicians to perform hybrid and standalone diagnostic CT scans on a single system.
"With the combination of advanced CT and SPECT technology available on the Discovery NM/CT 670, we will be able to optimize both our SPECT and standalone CT protocols," said professor Ora Israel, director of nuclear medicine and PET/CT at Rambam Medical Center in Israel.
One of the key advantages of the hybrid model is its value proposition.
"The overall outlay of the cost is less to buy the highest end of both the PET and the CT. You can buy used PET/CT's for less money, but the hospital wanted to offer the best available so that people wouldn't have to drive to another location. The hospital also wanted to produce higher resolution images with the high-definition PET," said Neal.
Another benefit of a hybrid system used for multiple applications is it rarely stands idle.
No clinician wants to compromise image quality for efficiency, but it is important to shorten exam times. By using two high-end imagers for a single scan, not only are scan times shorter, but image quality is superior.
The mCT at MMC is a 128-slice system that, according to Neal, performs faster than the previous CT [systems] at the hospital. Thanks to its faster scanning speed, patients do not have to hold their breath as long as they did. Less patient movement results in fewer artifacts, decreased repeat scans, and subsequently, reduces the amount of intravenous contrast agent used.
The Discovery NM/CT 670 also is designed to shorten acquisition times and improve dose management, compared to using separate, conventional SPECT and CT exams.
This full-featured SPECT/CT, system is engineered to reduce scan time. Bone imaging protocols, including planar whole body, 3-D SPECT and CT attenuation correction/localization, are among the most frequently performed nuclear medicine procedures. With conventional nuclear hybrid imaging, a traditional bone imaging protocol can take up to 55 minutes. With the Discovery NM/CT 670, the imaging time is reduced to as little as 16 minutes. Shorter scan times result in less patient movement, which minimizes artifacts in the images.
The faster acquisition times on both the mCT and NM/CT 670 are designed to improve image quality and clinical diagnosis.
With hybrid imaging, a scan on one of the modalities may be more accurate than one acquired simultaneously on the other system. For example, the CT image may show a tumor is shrinking, while the PET exam indicates it is expanding.
In a recent case, Neal treated a patient who had lymphoma. On the CT, all of the tumor sites showed the tumor had reduced in size, which told the oncologist the patient was responding well. But two sites on the PET scan appeared worse.
Ora concurs that the hybrid does a better job of characterizing the state of the tumor.
"The technology has the ability to improve localization and overall clinical confidence in routine scans and research applications," said Ora.
As economic pressures drive down capital expenditures in heath care, hospitals will increasingly seek hybrid solutions to get more bang for the buck.


Big cylinders rough and porous, ruled on the outside.
If you have walked in the woods of the Appennino in the marche region, you surely notice the resemblance with the cut tree-trunks: the stumps of the oak and maple trees, each with its own caracter. It is an homage to the woods where we grew up and where we love to spend our moments of pause and reflection.


Indyref Postal Vote Sampling: 9 things we know & 1 we don't.
Why was the Electoral Commission report so uncritical of the conduct of the Referendum?
Humza Yousaf Implies that Yes Scotland were also counting postal votes ahead of the count.
The Defamation of Ruth Davidson?


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Join Victoria Price for an Exclusive Online Event October 08 2016, 0 Comments
Victoria Price has followed in her father's footsteps, becoming a popular public speaker on inspirational topics such as Living Your Legacy; The Legacy of Yes; Creating a Daily Practice of Joy; The Adventure of Art Collecting; Listen, Learn, Laugh, Love: Designing for Live, and Explore Savor Celebrate!
But perhaps her most popular talk is about her father -- Vincent Price: Master of Menace, Lover of Life! Victoria has spoken all over the world about her father, but she still gets so many requests that she has decided to create an exclusive online event for fans who would love to hear and see this wonderful and heartfelt presentation.
If you would like to sign up to be a part of a special evening with Victoria Price, including a Virtual Q&A, please sign up below.
And thank you SO much for your love and support of the Vincent Price Family Legacy!
Vincent Price Inspires Victoria's Daily Practice of Joy October 08 2016, 0 Comments
Since April 2016, Victoria Price has been writing a weekly blog called Daily Practice of Joy. Her inspiration for this blog came from her father, Vincent Price, who was one of the most joyful people on the planet. Inspiring joy and saying yes, encouraging young people to pursue their passions and acting as a lifelong philanthropist for the arts.
Although Victoria writes about many topics, quite a few of her blogs and podcasts have been inspired by her father. Click on the links below to read some of the blogs and podcasts inspired by Vincent Price.
Beach Treasures
The Art of Conversation
The Geranium Thief
To read more, please visit www.dailypracticeofjoy.com.
Let our Freak Flags Fly! June 29 2015, 0 Comments
"The comment read: 'Loved Vincent Price but factually he did not support his daughter's 'lifestyle'.'
All kinds of feelings flew to the surface — hurt, anger, fear, resentment, shame, even humor. Next came the desire to respond. I sat with that for a while, and then realized that the title that had come to me on Sunday IS my response."
The Highest Compliment June 12 2015, 0 Comments
"Toward the end of the talk I give about my father, there is a slide with this quote: 'I have come to believe that the highest compliment is not remembering someone; it is missing them.'"
A Love Letter: to all the Vincent Price Fans I have Met at Horror Conventions June 12 2015, 0 Comments
"I have just spent probably the most extraordinary week of my life on a spiritual retreat with an amazing group of my soulmates — none of whom I had ever met face to face until this past Tuesday."
The Daily Practice of Joy April 03 2015, 0 Comments
I was on quite a roll there for a while last year with blogging, and then I stopped. I got so busy with work, and the busier I got, the less energy I had for anything than work. Then I ran out of steam altogether.
Now I've brought on someone to help me keep up with all the social media for my dad and me — and when I asked her how often I should blog, her answer was NOT once or twice a year. . .or whenever you get around to it.
That was a month ago.
To read more, please continue here. . .http://www.cookingvincent.com/blog/2015/4/3/my-daily-practice-of-joy
Victoria Price answers fan questions on the Cragg Live Show! September 15 2014, 0 Comments
Terry and Tiffany DuFoe host a lively radio show from an old abandoned Drive-In Movie theater with Wicked Kitty and Fritz the studio cats and CRAGG The Gargoyle. This week they hosted Victoria Price for a one-hour interview and got to ask lots of fan questions about her legendary father. Have a listen below!
Road Trip 2014: At Monster Mania March 08 2014, 3 Comments
I am here at Monster Mania in Cherry Hills, New Jersey, which is just over the bridge from Philadelphia. In fact, I can see the Philly skyline from my hotel room--not that I get much time in my hotel room. . . because this is a very busy show.
Yesterday, I arrived at 1PM and, after checking in, I began my booth set up. I am the only person in the "celebrity" room who brought lots of stuff to sell, so it took me a while to get it looking the way I wanted. I was particularly excited because we have something new just for this show--Vincent Price Gothic rings! I plan to post some good pictures of them and get them up for sale on this site very soon! But they are really amazing, and I was thrilled to see them when I picked up the Fedex box at the hotel front desk.
While everyone's "handlers" were settng up their booths, I got mine in shape and then went up to change. I got back down to the room at 4PM, and for the next six hours, the steady flow of fans never stopped. It was amazing!
The people at this show are true classic horror fans--and there are fans of all ages. . .the youngest being age four! I LOVE that! Whenever I go to shows, I never charge for photos or autographs. Everyone seems astonished and grateful for that, because all the other guests charge fees for both of those things. I spent my childhood watching my dad sign autographs and have his picture taken with anyone and everyone! He did this because he believed that--as Helen Hayes told him when he began his career on Broadway in 1935--"actors are public servants". What that meant to him was that, without their audiences and fans, actors don't have a career. And so, his job as an actor was to be there for his public. And he always was! At least ten people came up to me last night and shared their stories of my father's correspondence with them: They sent him letters or photos, and he always responded!
If my father didn't charge for a photo or autograph, how on earth can I--who am merely here to represent the Price legacy! Whenever I come to these shows, I feel like my job is to channel my dad. It's a tall order (pun relating to my 6'4" father fully intended). As I am always told, no one has ever met anyone who didn't like Vincent Price. (I'm afraid the same cannot be said of me--though I generally do try to move through the world as an open-hearted and kind person.) Truly, my father was an extraordinary man, especially since he worked in a business built on ego. He loved loved loved people--loved meeting them, hearing their stories, encouraging their dreams, and being with them.
I am a sort of odd mix between my mom and dad--social to a point, but someone who has to shut the doors and be home to recharge. At the end of six hours last night of chatting with fans, hearing their stories, signing autographs and having my photo taken, I was both grateful and uplifted, but also exhausted. I have come to realize that that wasn't true of my dad at all. For him, all human interaction was his fuel for living. He thrived on the energy of other people.
Where we are completely alike is in our need to travel and see the world. This road trip has been an amazing opportunity to see the world and its inhabitants and extraordinary treasures through new eyes.
Yesterday, before coming here, I had a chance to take a whirlwind tour of the Barnes Foundation--a collection I had long been wanting to see. The most striking aspect of the collection is the way that it is hung--not chronologically in any way, but according to Mr. Barnes' view of how each piece related to another. What that means is that you can have an early Renaissance annunciation in the same room as a Matisse, along with a grouping of Native American jewelry, with a few African masks thrown in for good measure. Since this is exactly how I grew up, I immediately loved it. I didn't have time for a tour, so I asked a museum worker for an explanation of Mr. Barnes' approach. She told me that he saw a flow between the pieces and everything in the room was aimed toward helping the viewer understand that flow. From the ornate metal door latches and other architectural details that guide the eyes to what Mr. Barnes hoped we would see in that particular piece, to the chairs that relate to the subjects of the paintings (a large chair for a large lady--as though she might step right out of the frame and sit down to have a nice chat)--the hanging is clever and thought provoking.
My favorite room was probably one filled with drawings, some of which were by artists that most people have forgotten, but about whom my father often spoke--most notably William Glackens. Mr Barnes managed to create an unlikely flow between the fluid drawings Glackens did of New Yorkers and the colorful drawings by Sisley of marine scenes. It was an unexpected but delightful juxtaposition. And, of course, the great Matisse paintings and murals, the phenomenal Van Gogh of the postman, the Picassos, Native American textiles and pottery were all more than worth the price of admission. But my personal favorite may have a large painting by Honore Daumier. I most know Daumier's work through his drawings and cartoons, and so I was surprised by the fluidity and abstraction of this piece. . .and so interested to see how his drawing style translated into painting. It's always a joy to discover something new!
My father was certainly there in spirit. For all his reverence for the visual arts, his ever-present sense of humor never left him--even in the hallowed halls of a museum. And so, yesterday, as I was taking in a wonderful Frans Hals portrait of a bearded man, I turned to my left and caught a glimpse of a rather typically garish Chaim Soutine portrait of what looked--on my initial glance--to be a clown. "Oh look," I swear I heard my father say right in my ear, "the Barnes Foundation has an original Red Skelton."
Today promises to be a busy day here in New Jersey. I will be giving my talk at noon, which is always lots of fun. And my nephew, Jody, is coming down from Northern New Jersey to spend part of the day with me. Two generations of Prices--and yet we are only six months apart! My father always used to say that he was the perfect example of planned parenthood: "Get one kid through college and then have the next one!" I will also be having dinner with the always wonderful Bryan Hewitt, a fan who has come all the way from England to hear my talk and have dinner with me! What fun!
I have been posting regular entries on my Road Trip blog, which you can find by clicking on Cooking Vincent at the top of this page. Or you can just click here: The Road Trip Blog
But I just wanted to write this as a kind of "postcard" from Monster Mania. My dad always loved sending postcards to his family, friends, and fans. I am so grateful for all the Vincent Price fans who have visited this site! We are hard at work to add some of the features you have been asking for. But mostly we are just really grateful to you for keeping the Vincent Price legacy alive!
More soon, I promise!
It's Time for a Road Trip--Whetting Our Appetites for Joy February 28 2014, 0 Comments
Today, February 28, we are kicking off a new blog. You can find it by clicking on the Cooking with Vincent tab on the top of this page. It will take you to our new website celebrating the 50th anniversary edition of my parents' famous cookbook, A Treasury of Great Recipes.
This month, I will be hitting to road on the kind of adventure that I loved as a kid. You can follow my exploits on the Road Trip blog.
Or just click here and it will take you there: http://www.cookingvincent.com/blog/
Thanks for following along. It promises to be a lot of fun!
Social Media Vincent Price Style: The Sequel February 16 2014, 5 Comments
Almost as soon as I could read, my dad would hand me the instructions to anything mechanical and have me explain how to "make it work". It was the same on our road trips: Neither of my parents ever bothered to look at a map, knowing that I loved being tasked as the navigator, and that I was good at it. I loved it, too! My parents were both so incredibly gifted at so many things that it felt good to be better than they were at simple little life chores like finding our way from Point A to Point B or knowing which wire went where in the new stereo.
Now that I'm exactly my dad's age when I was born, I wonder whether they were really so bad at both of those things, or whether it's just easier to have someone younger figure it out. Because that's how I feel about social media. I just know that learning this would be a lot easier if I was 12. And the more I think about my dad trying to figure it out, I realize that I probably would have had to do all his social media for him. He would have handwritten his "tweets" on spare envelopes or paper placemats in that beautiful penmanship of his and handed them to me to type. And the thought of my dad trying to wrangle an iPhone is purely hilarious! But if he had, I'm pretty sure that his Instagram photos would have been a lot like mine—taken in museums around the world.
The good news is that I grew up with my dad's two aphorisms: "A man who limits his interests limits his life." "If you are always curious, you will never be bored." And certainly learning social media, the digital world, and how to connect through the digital ether is always interesting.
In a few weeks, I will take off on a wonderful road trip—driving around the country revisiting the restaurants in my parents' famous cookbook in preparation for our 50th anniversary reissue of A Treasury of Great Recipes. And I will also be appearing and #MonsterMania in Cherry Hill, New Jersey. I have two special treats in store for me in New Jersey: My nephew, Jody Price, will sit in with me one day to sign autographs and meet fans. Jody is a terrific musician who has been putting on some great Vincent Price-themed events in the Jersey area. And super-fan Bryan Hewitt from England will be flying over for a visit! How cool is that! One other treat awaits me: A long-awaited visit to the #BarnesFoundation in Philadelphia. For me, walking through a museum is like spending a few hours with my dad. Art was always our common ground and I still love "chatting" with him about art!
Then it's up to New York for a special #VincentPrice screening—more to be announced soon!
I will be launching a new website that you can find here on vincentprice.com dedicated to the 50th anniversary of my parents' cookbook. So keep checking back.
In fact, we have lots more Internet ventures that will be launching in the next six months—and even an opportunity to take a Vincent Price-inspired trip to Europe this summer. All this news is coming soon!!!
But, just so I know you all are out there listening, can you please weigh in whatever way suits you best? Please let me know the best way for us to reach you with our news, events, product launches, appearances, blogs, photos, etc. Is it via this website, Facebook, Twitter, Google +. Would you like a newsletter, a fan meeting place? What do you fans want from us? Please tell us! We're eager to hear from you, because you are the ones keeping the Vincent Price legacy alive.
Last but not least, to keep my SEO (search engine optimization--I just learned that) gurus happy, here is the paragraph they asked me to write. It's like a bad exercise from English class. Please find a way to include the following three phrases in a paragraph: thriller movies, classic horror movies, horror movie posters--and keep it interesting. All this so that, #Vincent Price fans can find us better through Google.
My dad loved making thriller movies and classic horror movies. He loved being grouped in the same category with such classic horror movie stars as his dear friend #BorisKarloff. He loved that his thriller movies scared audiences. And, of course, as someone who loved art, he always got a kick out of seeing the horror movie posters of his films. Geez. This is tougher than I thought.
Wait!! I've got an idea: I'll make it a contest. By Friday, February 21, please send a paragraph or two about Vincent Price that uses the three phrases--thriller movies, classic horror movies, and horror movie posters--in interesting and fun ways. My brother and I will pick the winner, and the winner will get the signed Vincent Price tshirt of their choice. This will be way more fun for me! I can't wait to see what you write! Game on, horror fans!!!
On the lighter side: I hope you enjoy this little Vincent Price tribute to social media that we created.
And I hope to see you soon somewhere out there on the road.
Social Media Vincent Price Style January 09 2014, 1 Comment
Vincent Price often said that his favorite song was "People" sung by @Barbra Streisand in Funny Girl. He said it when he felt his wives became too possessive of his time; he said it when asked what he wanted sung at his funeral. But mostly he said it and then quoted the line from the song--"People who need people are the luckiest people in the world."
Vincent Price genuinely loved people. He was an extrovert, who enjoyed meeting and talking with almost anyone, anywhere, at any time. He maintained lifelong correspondences with family, friends, and fans--with a steady stream of postcards from the many places he visited. He enjoyed meeting people, not for the sake of self-aggrandizement but rather because he loved hearing their stories, and seeing the world through their eyes. He replied to his own fan mail and was not the kind of star who sat down in an airplane seat and tried to pretend his seatmate did not exist. In fact, some of his most interesting encounters happened on airplanes--like the first time he flew on a jet (after twenty-plus years on prop planes) and expressed his panic at not seeing the propellers to his seatmate, which prompted the gentleman to give Vincent and long and reassuring lecture on airplanes and aerodynamics, and why planes are built to stay UP in the air. When, at the end of the flight, Vincent did as he always did and introduced himself by saying, "My name's Vincent Price"--as if most people wouldn't have recognized his distinctive voice, face, or 6'4" frame--his seatmate replied, "Pleasure to meet you. My name's @Eddie Rickenbacker." To have been the recipient of a lecture on flying by the most famous American World War I flying ace was just one more proof for Vincent of why people who need people are the luckiest people in the world.
And so, it is fun to think about what Vincent would have thought about social media, and how he would have participated. Now, the first thing that needs to be said is that he was technologically challenged. He loathed reading instructions to anything, and as soon as he figured out--as we all do--that his daughter at age eight was more technologically adept than he, he quickly enlisted her to read all instructions, road maps, etc. He never owned a computer, and handwrote everything--eschewing even typewriters. So, getting him computer savvy would have been a challenge. And a smartphone--given the size of his 6'4" hands--would have given him fits. That said, once he did master something technical--his dear friend industrial designer @Henry Dreyfuss, who designed the #Polaroid camera (as well as the thermostat, telephone, and #John Deere tractor, to name a few of his many groundbreaking designs), gave him one of the early Polaroids--and Vincent was enamored with it and quickly become a devotee. So, IF he could have overcome his innate aversion to all things technical--I think Vincent would have been a fool for Facebook, a Twitter junkie, a #Pinterest pinner, an #Instagram photographer, and mostly an inveterate blogger.
Imagine a Vincent day on social media. As he boarded a flight from one city to the next on one of his lecture tours on which he spent 60 days traveling around the country speaking about the visual arts, instead of writing one of his countless essays on the back of the in-flight menu or magazine, he would have pulled out his laptop and written a blog post about what he had seen or done the day before--a visit to the #Albright-Knox in #Buffalo, perhaps, or a wonderful chat with a young sculptor about his passion for the visual arts. And had he lucked out on an interesting seatmate, he might have shot a photo of the two of them together to be posted later on his #Facebook feed. Upon landing in #Kansas City, he would have requested a trip to the #Nelson Atkins Museum, where he would have posted a few pictures on Instagram of one of the iconic @Claes Oldenburg Shuttlecocks in the Sculpture Garden, or waxed rhapsodic on #Twitter about their extraordinary Native American art collection. Any opportunity to promote an American museum would have been welcome! Back in his hotel, instead of sending postcards, Vincent would have taken to Facebook to message one on one with his fans, and post a few photos of the day of the art he had seen--and used the opportunity to exhort his readers to become more involved in the visual arts. "Checking in" on Facebook at dinner at one of Kansas City's famous steakhouses would have prompted commentary on the quality of the meal or the fun of discussing the best ways to chop garlic with the chef. And both he and fans would have posted photos of him chatting and signing autographs after the lecture. And oh how he would have loved Pinterest! Instead of collecting countless postcards at museum shops, Vincent would have posted his own photos and comments about his favorite drawings, paintings, and other works of art he was fortunate to see on his journeys around the world.
In short, as one of the most social of actors, Vincent Price would have been a monster on social media! Early on in his career, @Helen Hayes, the first lady of the American theatre, gave him a piece of advice he heeded until the end of his 60-plus year career. "An actor," she told the 24-year-old Vincent, "is a public servant. Without your audience, you are nothing." Vincent knew this to be true. He was grateful for everyone of his fans, cognizant that his ability to live what he saw as the extraordinary life of an actor was utterly dependent on the love and loyalty of his fans.
Living up to Vincent's legacy in this regard is a challenge. But I'm trying. I'm devoting the first half of this year to learning everything I can about social media and how to use it to promote and preserve Vincent Price's extraordinary legacy. So, please bear with me as get better at answering all of your emails and Facebook messages and Tweets, at posting on Facebook, and posting photos on what I hope will be my next project--a new @Vincent Price Pinterest page. I have so many ideas of how to reach out to Vincent Price fans, but finding the time and getting the know-how on top of having a job that consumes 60-plus hours of my time a week is my current challenge. But it's a blast "meeting" all of you and hearing your wonderful Vincent Price stories--so please be patient as I learn!
Vincent's second wife (of 23 years), designer @Mary Grant, was often confounded by her husband's social enthusiasms. She loved a party as much as anyone, but thought of a party as she did a Broadway show--as something requiring planning and forethought and preparation. For her gregarious husband, meeting an interesting person at the dentist's office was an opportunity to socialize, and might elicit a phone call telling her he was bringing someone home for dinner. Any resistance on her part could often evoke the line, "People who need people. . ." with a wink and a smile.
As the child of Mary and Vincent, I like to think I fall somewhere in between the two of them--social when I have signed up to be and an intensely private person when left to my own devices. Finding my own place of peace with my father's fame and its legacy is a lifelong challenge--but one that is a wonderful personal journey. The next year and a half will see four book project chronicling this journey: A reprint with an updated introduction of my 1999 biography of my father--#Vincent Price: A Daughter's Biography; a 50th anniversary edition of my parents famous cookbook--#A Treasury of Great Recipes; a commemorative book of photos and essays about Vincent Price, including essays by @Richard Matheson, @Bill Hader, and my brother, @VB Price; and most personal to me, a memoir about growing up as I did called Taking My Mother to China. I'm also figuring out how to get out more and meet fans at various events--and so far have quite a few scheduled for the first half of 2014. So, check out our News and Events page as well as our Facebook feed. And, what is most fun, we are designing some great new Vincent Price products. One of my current favorites is our Vincent Price phone case! So, check them out on our products page and in our Facebook shop! (Can't you just imagine Vincent Price standing in front of a painting he loved in a museum with his iPhone in a Vincent Price phone case Instagramming his thoughts about why art matters?)
So, thank you for joining us on this journey. We're excited to be on it with you. Stay tuned for more and send us your comments and suggestions for what you want to see from vincentprice.com!
Victoria Price: To Horror Fans Everywhere! December 04 2013, 2 Comments
I need to make a confession that may not endear me to some of you: I am NOT a horror fan. I know. . .It seems at best a bit ironic for the daughter of Vincent Price to say she doesn't like horror movies--and at worst, perhaps a kind of sacrilege. But here's why. Imagine you're a little kid who absolutely adores your dad. You think he's the kindest, gentlest, sweetest, most loving person you know. And then imagine that you see him doing horrible things to people--like really horrible--killing them and dipping them in vats of wax! And even worse, you have to watch horrible things happen to him--being burned, boiled alive, hacked to death by angry mobs, just to name a few. How would that make you feel?
The reason I'm confessing this to you is because I want to be honest: Most horror fans know more about my dad's horror movies than I do. So, I never want to claim to know something I don't. . .But in one very significant way, I have become a horror fan--or more accurately, I have become a fan of horror fans. Because without you, my dad's legacy would not be what it is. You are the ones that keep him alive. So many of his fellow actors who were much more famous than he was at the beginning of his career are barely remembered. Think of people like Robert Taylor, Tyrone Power, or Ronald Coleman. All three were way bigger stars than my dad during the 1930s and 40s. But now they are mostly remembered by classic movie buffs. Not Vincent Price, though. Quite a few people have suggested that my dad may be more famous now than he was twenty years ago at the end of his life and career. And that's because of his scary movies; because of people like Tim Burton and Michael Jackson, who loved those scary movies; and because of fans like you. Thanks to you, my dad not only has never been forgotten, but he has been introduced to new generations of fans. And, for a daughter who loved him, that makes me happier than you can imagine.
I am fortunate to get to travel the world meeting my dad's fans, and hearing all your stories about how much he meant to you. I love seeing your Vincent Price tattoos, discovering your favorite films or recipes from my parents' cookbook. I love it, not only because it keeps my dad alive in my heart and mind, but because he is so alive in yours!
But the truth is, I think about my dad all the time. I think about him because, to this day, he remains one of the most interesting, loving, nice, generous, joyful, fun, funny clever, interested, interesting, curious, wonderful people I have ever met. And I have the good fortune of having extraordinary friends--people who have invented life-saving medical devices, who have won Wimbledon, who have climbed Mount Everest, who have written award-winning books and plays and movies. And I'm not alone in my assessment of my dad. When I wrote his biography, I interviewed well over 200 people, and not one had a negative thing to say about him. Now that's pretty extraordinary--to work in Hollywood for over 60 years and still remain a genuinely nice man who always found time for his fans. I can't tell you the number of people over the years who have told me about their lengthy correspondences with my dad, or how he took time to encourage them in their artistic careers, or how he always spent time after a show or lecture taking one on one with the people who waited to see him.
Was he perfect? No, of course not. In fact, my dad was so notably absent during my childhood that, as a little girl, I actually thought he worked at the airport--because we spent so much time dropping him off and picking him up there. And he would be the first person to sell you he wasn't perfect. But all of the good things people say about him--all true!
And so, as the years have passed and people have continued to share their stores with me about him--about his great sense of humor, his many kindnesses, about the way he found time to write them postcards or mentor them or spend time with them--I've come to realize that Vincent Price as not extraordinary because he was famous, because he had one of the longest careers in hollywood, because he had an amazing voice, because he epitomized a genre, or because he contributed to so many other fields in the arts besides acting. No. Vincent Price was extraordinary because he lived his live WELL. He lived it with gusto, joy, kindness, love, humor, and generosity--and he shared those qualities with everyone he med. And it was infectious--he made you believe that life was an incredible adventure, and all you had to do was dive in wholeheartedly. He made you believe in the power of good--which is pretty ironic, don't you think, for one of the most famous bad guys in movie history?
And so, it is with great pleasure that we are finally launching vincentprice.com as a place where Vincent Price fans can come to connect, gather information, pass on their stories, and learn about what we're doing to promote the Vincent Price legacy. Bear with us as we begin to put this website together--and please tell us what you want to see here. We have some great ideas--including creating official Vincent Price fan clubs in various countries, as well as some cool new memorabilia. But first, in time for the holidays, we are pleased just to have this site up. Please be sure to check out our new shop, where you'll find some gifts for the Vincent Price fan in your family. And Happy Holidays from our family to yours!


text:
Donald Trump inauguration watched by 31m – MORE than Barack Obama in 2013
A combined audience of 30.6million people watched the live coverage between 10am and 6pm (EST) across 12 broadcast and cable networks, according to official Nielsen figures.
The figure is 11m more than the audience that watched Mr Obama's second inauguration four years ago when 20.6m in 2013.
Donald Trump is sworn in as the 45th US President
The audience for Trump was bigger than either of his Republican predecessors George Bush and George W Bush.
Bill Clinton's inauguration in 1993 was watched by a TV audience of 29.7m.
Donald Trump becomes 45th U.S. PRESIDENT
The inauguration of Donald Trump as the 45th President of the United States will mark the commencement of the four-year term of Donald Trump as President and Mike Pence as Vice President. A public ceremony will be held on Friday, January 20, 2017, on the West Front of the United States Capitol Building in Washington, D.C.
US President Donald Trump points to the stands as he walks with his wife Melania during the Inaugural Parade.
Mr Trump's audience is the fifth biggest TV audience ever for an presidential inauguration.
The largest ever recorded was for Ronald Reagan's ceremony in 1981 which was watched by 41.8m even
The audience for Mr Obama's first inauguration in 2009 gained the highest TV audience in recent years with 37.7m.
Donald Trump during his inauguration as he is sworn in
Other notable inaugurations include Jimmy Carter in 1977 which drew an audience of 34.1m and Richard Nixon in 1973 which pulled in 33m.
Mr Trump fully aware of the importance of TV ratings, having had a previous career as a reality TV star.
Earlier this month he launched an attack on the new version of The Apprentice where he serves as an executive producer because the ratings of the premiere edition of the new series fell short of the standards set by the programme when Mr Trump appeared as the host.
Crowds watch on as Donald Trump is sworn in as the US President
The then president-elect tweeted: "Wow, the ratings are in and Arnold Schwarzenegger got 'swamped' (or destroyed) by comparison to the ratings machine, DJT.
"So much for being a movie star — and that was season 1 compared to season 14. Now compare him to my season 1."
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Views:16 The state of Maharashtra wants to remove references in its school textbooks to the Mughal dynasty, which ruled parts of India for 300 years. It means it can focus on an empire established by a Hindu ruler. But the move has sparked debate. Produced by Sameer Hashmi. Filmed and edited by...
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Views:16 The footage shows Alex Wubbels being arrested in Utah in July, after refusing to hand over a vial of a patient's blood to the police. Salt Lake City's mayor, Jackie Biskupski, said the footage was "unacceptable" and that she has called Miss Wubbels to offer a "personal apology". Related
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A BurbankBus arrives on Empire Avenue at Buena Vista Avenue. Officials this week discussed cutting bus services for BurbankBus Senior and Disabled Transit.
Transportation commissioners this week discussed the possibility of cutting bus service for seniors and the disabled on weekends, or perhaps confining the schedule to either Saturday or Sunday.
The options emerged Monday as commissioners continued looking for ways to make the service more efficient, bring in additional revenue or cut down on the schedule, moves under consideration because of dwindling financial reserves. Dipping into reserve funds has been necessary because the tax dollars that make up a significant portion of the revenue for the service have declined amid the weak economy.
BurbankBus Senior and Disabled Transit is a door-to-door service that runs daily, with appointments scheduled within the operating hours.
Buses generally run from Monday through Friday 7:15 a.m. to 5 p.m.; Saturday 8:15 a.m. to 6 p.m.; and Sunday 8:15 a.m. to 4 p.m.
Adam Emmer, transit services manager, said the high quality of service provided is the draw of the program, but noted it is also expensive to maintain.
Ridership is not diminishing, with more than 56,000 trips to date for the current fiscal year, he said.
"We're on pace for an 85,000-ride level, in excess of the work goals for each year," Emmer said.
From July to December 2011, about $7,400 in donations were collected. A 50-cent donation is requested of riders.
If the 50-cent donation were to be made mandatory, Emmer estimated, $24,000 could be brought in each year, assuming there was not a drop in ridership if the rule was instituted.
Commissioner Janet Diel cautioned against that option, saying the riders are often on fixed incomes and receiving housing and utility bill assistance.
"These are not the people going to Starbucks every day; they don't have that luxury," Diel said.
In fiscal year 2010-11, among the reasons riders said they used the service were: medical purposes, about 6% of trips; nutrition, an estimated 9%; and social outings, about 23%.
Reducing the operating hours or the number of buses, or both, also was discussed.
The option of keeping weekend hours but creating a mandatory weekend fare was another idea that was considered.
Commission Chairman Paul Dyson said his colleagues needed to make a recommendation to the City Council, since it is the council's responsibility to examine how funds are spent.
Dyson said the commission should plan to examine bus advertising and the additional revenue it could bring, along with possible recommendations for cuts in service, at its next meeting.


text:
About AJTEC
filter your search All ContentAll ProceedingsMultidisciplinaryAJTEC
ASME/JSME 2011 8th Thermal Engineering Joint Conference
Heat Transfer Division
Fluid Flow Characteristics in Microchannels With Rib-Patterned Surface
Toru Yamada,
Toru Yamada
The University of Rhode Island, Kingston, RI
Chungpyo Hong,
Chungpyo Hong
Tokyo University of Science, Noda, Chiba, Japan
Otto J. Gregory,
Otto J. Gregory
Mohammad Faghri
Paper No: AJTEC2011-44631, T10132; 9 pages
https://doi.org/10.1115/AJTEC2011-44631
Yamada, T, Hong, C, Gregory, OJ, & Faghri, M. "Fluid Flow Characteristics in Microchannels With Rib-Patterned Surface." Proceedings of the ASME/JSME 2011 8th Thermal Engineering Joint Conference. ASME/JSME 2011 8th Thermal Engineering Joint Conference. Honolulu, Hawaii, USA. March 13–17, 2011. T10132. ASME. https://doi.org/10.1115/AJTEC2011-44631
The effects of rib-patterned surfaces and surface wettability on liquid flow in microchannels were experimentally investigated in this study. Microchannels were fabricated on single-crystal silicon wafers by photolithographic and wet-etching techniques. Rib structures were patterned in the silicon microchannel, and the surface was chemically treated by trichlorosilane to create the hydrophobic condition. Experiments with water as the working fluid were performed with these microchannels over a wide range of Reynolds number between 110 and 1914. The results for the rib-patterned microchannels showed that the friction factor with the hydraulic diameter based on the rib-to-upper-wall height was lower than that for the incompressible theory with the same height. The friction factor-Reynolds number products for the hydrophobic condition increased as Reynolds number increased in the laminar flow regime. The experimental results were also compared with the predictive expressions from the literature, and it was found that the experimental data for the small rib/cavity geometry was in good agreement with those in the literature.
Fundamentals of Heat and Mass Transfer
Fluid dynamics, Microchannels, Friction, Reynolds number, Cavities, Chemical etching, Crystals, Flow (Dynamics), Fluids, Geometry, Laminar flow, Semiconductor wafers, Silicon, Water
Direct Comparison Between a Variety of Microchannels: Part 1 — Channel Manufacture and Measurement
ICMM2004
Fluid Flow and Heat Transfer in a Composite Trapezoidal Microchannel
Measurement of Near-Wall Liquid Temperatures in Single-Phase Flows Through Silicon Microchannels
Numerical Investigation of EDL Effects on the Flow Characters of Polar Fluids in Rectangular Microchannels
ICNMM2006
Transient Response of Microchannel Heat Sinks in a Silicon Wafer
Comparison of Interfacial Forces During Post-Chemical-Mechanical-Polishing Cleaning
J. Tribol (April,2008)
Friction Numbers and Viscous Dissipation Heating for Laminar Flows of Water in Microtubes
Insulating Properties of W-Doped Ga2O3 Films Grown on Si Substrate for Low-K Applications
Air Engines: The History, Science, and Reality of the Perfect Engine


Hasta donde vives la macrobiótica??
In the end it is not about the food and it never was - it is about living your dreams and changing your life to realize them even if it means changing what you eat, if necessary.
Sí, qué bueno! Claro que sí, no se trata tanto de la comida como del proyecto vital, de nuestro viaje individual del que muchas veces nos desconectamos.


Simply Silhouette: I need some"Bloglovin"
it will ask you to set up an account...very easy to do..
my blog real soon and don't want you to miss it!
See you over on Bloglovin!
It still working, I am still getting everyone's updated post and I can even still follow new people. I also got a new follower today with the google one. Hope yours keeps working to.
I have a new follower as well with google. but I also follow you on bloglovin..
already getting all your posts...hope you'll reciprocate.


Run over 25 miles of class III, IV and V whitewater all in one day. You will journey into a completely road-less portion of the San Juan National Forest, with stunning scenery and 14,000 foot peaks nearby. You will hit class V Tenmile rapid, No Name rapid and Broken Bridge rapid in one exhausting day! Are you really crazy? Add on the Rockwood Box for an Ultra-Marathon (flow dependent)!


text:
Нижні Липки () — хутір у Фроловському районі Волгоградської області Російської Федерації.

Населення становить 48 осіб. Входить до складу муніципального утворення Писарівське сільське поселення.

Історія

Хутір розташований у межах українського історичного та культурного регіону Жовтий Клин.

Згідно із законом від 14 лютого 2005 року № 1002-ОД органом місцевого самоврядування є Писарівське сільське поселення.

Населення

Примітки

Населені пункти Фроловського району
Хутори Волгоградської області

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text:
Q: Installing openjdk in docker removes basic linux commands I aim to make a docker image that contains qt-android and android-studio tool. I took like base for dockerfile this one, and, instead of installing software-properties-common, I've put to install build-essential and libgl1-mesa-dev. Both Java and theses libraries were installed with success, but, then, basic commands like mkdir, ls, cd turned to be unrecognizable, making docker build process return with code 127 (command not found).
Why does this occurs?

A: I found that I couldn't even get your Dockerfile to display the issue without making some changes earlier in the image. The bit that was actually your problem though is:
ENV JAVA_HOME /usr/lib/jvm/java-8-openjdk-amd64/
ENV PATH JAVA_HOME/bin
ENV CLASSPATH JAVA_HOME/lib/tools.jar
ENV MANPATH JAVA_HOME/man
RUN export JAVA_HOME PATH CLASSPATH MANPATH

Should become:
ENV JAVA_HOME /usr/lib/jvm/java-8-openjdk-amd64/
ENV PATH $PATH:$JAVA_HOME/bin
ENV CLASSPATH $JAVA_HOME/lib/tools.jar
ENV MANPATH $JAVA_HOME/man

This is because when you set the PATH you shouldn't remove the current contents of it (hence $PATH:) and you want to add the value of the JAVA_HOME variable rather than the literal string JAVA_HOME (hence $JAVA_HOME/bin).
Also, anything you set with ENV you will not need to export as it will be available for every process in your image.
I also had to install some packages to make add-apt-repository available but I'm not 100% sure if this is because ubuntu:latest refers to a different image on my system (possibly you should consider using a tag for the specific version you wish to use like ubuntu:xenial).
I also had to install wget & I corrected a number of places where you were using wget -O - where you didn't mean to (as you clearly wanted to write the files to disk).
The full Dockerfile which I used & was able to get to successfully build (I didn't test running it as I'm not sure on expected behaviour & don't speak your language) is:
 # BASED ON : https://hub.docker.com/r/picoded/ubuntu-openjdk-8-jdk/~/dockerfile/

FROM ubuntu:latest
MAINTAINER Inacio Medeiros <inaciogmedeiros@gmail.com>
USER root

# Install the python script required for "add-apt-repository"
RUN apt-get update
RUN apt-get install build-essential libgl1-mesa-dev -y --force-yes

# Sets language to UTF8 : this works in pretty much all cases
ENV LANG pt_BR.UTF-8
RUN locale-gen $LANG

# Install add-apt-repository
RUN apt-get install software-properties-common python-software-properties wget -y --force-yes

# INSTALL JAVA
# ==============================================================
# Setup the openjdk 8 repo
RUN add-apt-repository ppa:openjdk-r/ppa

# Install java8
RUN apt-get update && apt-get install openjdk-8-jdk -y --force-yes

# Setup JAVA_HOME and other environment variables, this is useful for docker commandline
ENV JAVA_HOME /usr/lib/jvm/java-8-openjdk-amd64/
ENV PATH $PATH:$JAVA_HOME/bin
ENV CLASSPATH $JAVA_HOME/lib/tools.jar
ENV MANPATH $JAVA_HOME/man
# ==============================================================

# Install QT Android
# ==============================================================
RUN mkdir /var/tmp/qt-android \
      && cd /var/tmp/qt-android \
      && wget "http://download.qt.io/official_releases/qt/5.5/5.5.0/qt-opensource-linux-x64-android-5.5.0-2.run" \
      && chmod 777 qt-opensource-linux-x64-android-5.5.0-2.run

CMD /var/tmp/qt-android/qt-opensource-linux-x64-android-5.5.0-2.run

RUN cd /var/tmp/qt-android \
      && cd .. \
      && rm -rf /var/tmp/qt-android
# ==============================================================

# Install Ant
RUN apt-get install ant -y --force-yes

# Install SDK
RUN mkdir /opt/android-sdk \
      && cd /opt/android-sdk \
      && wget -O - "http://dl.google.com/android/android-sdk_r24.3.4-linux.tgz" \
      | tar --strip-components=1 -zxf -

#Install NDK
RUN mkdir /var/tmp/ndk \
      && cd /var/tmp/ndk \
      && wget "http://dl.google.com/android/ndk/android-ndk-r10e-linux-x86_64.bin" \
      && chmod 777 android-ndk-r10e-linux-x86_64.bin

CMD /var/tmp/ndk/android-ndk-r10e-linux-x86_64.bin

RUN cd /var/tmp/ndk \
      && cd .. \
      && rm -rf ndk

# Run SDK Update
RUN cd /opt/android-sdk/tools \
       && chmod 777 android

CMD /opt/android-sdk/tools/android update sdk

# Update libraries
RUN apt-get update && apt-get upgrade -y --force-yes

# Install libraries
RUN apt-get install -y --force-yes libstdc++6 libgcc1 zlib1g libncurses5
RUN apt-get install -y --force-yes libsdl1.2debian

# Install Android studio
# Source: https://github.com/wolfitem/docker/blob/master/Dockerfiles/android-studio/Dockerfile
RUN apt-get install unzip -y --force-yes
RUN wget 'https://dl.google.com/dl/android/studio/ide-zips/2.1.0.9/android-studio-ide-143.2790544-linux.zip' -O /tmp/studio.zip && unzip -d /opt /tmp/studio.zip && rm /tmp/studio.zip

#clean up
RUN apt-get clean
RUN apt-get purge

USER developer

CMD /opt/android-studio/bin/studio.sh

The thing which I did notice is there are a number of places where you do something like CMD /var/tmp/qt-android/qt-opensource-linux-x64-android-5.5.0-2.run where it looks like you are wanting to run /var/tmp/qt-android/qt-opensource-linux-x64-android-5.5.0-2.run. I think you have possibly misunderstood what CMD does - it doesn't actually run that command, it sets it up so that when you run a container from the image with docker run that will be the default command.
If I had to refactor the Dockerfile I would make it look more like the one below. But this currently fails to build because I changed it to actually call the things mentioned above. Currently qt-opensource-linux-x64-android-5.5.0-2.run fails because it can't find a display to connect to.
FROM ubuntu:latest
MAINTAINER Inacio Medeiros <inaciogmedeiros@gmail.com>

# Install the python script required for "add-apt-repository"
RUN apt-get update \
    && apt-get install -y --force-yes \
        build-essential \
        libgl1-mesa-dev \
        python-software-properties \
        software-properties-common \
        wget \
    && apt-get clean \
    && rm -rf /var/lib/apt/lists/* /tmp/* /var/tmp/*

# Sets language to UTF8 : this works in pretty much all cases
ENV LANG pt_BR.UTF-8
RUN locale-gen $LANG

# INSTALL JAVA
# ==============================================================
# Setup the openjdk 8 repo
RUN add-apt-repository ppa:openjdk-r/ppa

# Install java8
RUN apt-get update \
    && apt-get install -y --force-yes \
        openjdk-8-jdk \
    && apt-get clean \
    && rm -rf /var/lib/apt/lists/* /tmp/* /var/tmp/*

# Setup JAVA_HOME and other environment variables, this is useful for docker commandline
ENV JAVA_HOME /usr/lib/jvm/java-8-openjdk-amd64/
ENV PATH $PATH:$JAVA_HOME/bin
ENV CLASSPATH $JAVA_HOME/lib/tools.jar
ENV MANPATH $JAVA_HOME/man
# ==============================================================

# Install QT Android
# ==============================================================
RUN mkdir -p /var/tmp/qt-android \
    && cd /var/tmp/qt-android \
    && wget "http://download.qt.io/official_releases/qt/5.5/5.5.0/qt-opensource-linux-x64-android-5.5.0-2.run" \
    && chmod 777 qt-opensource-linux-x64-android-5.5.0-2.run \
    && /var/tmp/qt-android/qt-opensource-linux-x64-android-5.5.0-2.run \
    && cd / \
    && rm -rf /var/tmp/qt-android
# ==============================================================

# Install Ant
RUN apt-get update \
    && apt-get install -y --force-yes \
        ant \
    && apt-get clean \
    && rm -rf /var/lib/apt/lists/* /tmp/* /var/tmp/*

# Install SDK
RUN mkdir -p /opt/android-sdk \
    && cd /opt/android-sdk \
    && wget -O - "http://dl.google.com/android/android-sdk_r24.3.4-linux.tgz" \
        | tar --strip-components=1 -zxf -

#Install NDK
RUN mkdir /var/tmp/ndk \
      && cd /var/tmp/ndk \
      && wget "http://dl.google.com/android/ndk/android-ndk-r10e-linux-x86_64.bin" \
      && chmod 777 android-ndk-r10e-linux-x86_64.bin \
      && /var/tmp/ndk/android-ndk-r10e-linux-x86_64.bin \
      && cd / \
      && rm -rf /var/tmp/ndk

# Run SDK Update
RUN cd /opt/android-sdk/tools \
    && chmod 777 android \
    && /opt/android-sdk/tools/android update sdk

# Update libraries
RUN apt-get update \
    && apt-get upgrade -y --force-yes \
    && apt-get clean \
    && rm -rf /var/lib/apt/lists/* /tmp/* /var/tmp/*

# Install libraries
RUN apt-get update \
    && apt-get install -y --force-yes \
        libstdc++6 \
        libgcc1 \
        libsdl1.2debian \
        zlib1g \
        libncurses5 \
    && apt-get clean \
    && rm -rf /var/lib/apt/lists/* /tmp/* /var/tmp/*

# Install Android studio
# Source: https://github.com/wolfitem/docker/blob/master/Dockerfiles/android-studio/Dockerfile
RUN apt-get update \
    && apt-get install -y --force-yes \
        unzip \
    && apt-get clean \
    && rm -rf /var/lib/apt/lists/* /tmp/* /var/tmp/*

RUN wget 'https://dl.google.com/dl/android/studio/ide-zips/2.1.0.9/android-studio-ide-143.2790544-linux.zip' -O /tmp/studio.zip \
    && unzip -d /opt /tmp/studio.zip \
    && rm /tmp/studio.zip

USER developer

CMD /opt/android-studio/bin/studio.sh

Let me know if you have any further questions and I will do my best to answer them.

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