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10 Latino Photographers Documenting Underrepresented Communities
Culture 08.30.18 at 12:02 pm
By Christina Noriega
Lead Photo: Collage by Alan López for Remezcla
Collage by Alan López for Remezcla
The average, US journalist can be described as white and male, according to a 2016 study that surveyed 737 news organizations. Studies and personal accounts seem to indicate the same can be said for the average photojournalist. While a growing chorus of minority visual reporters and editors are calling for more diversity in newsrooms and in the field, the photojournalism industry is responding to these demands for changes at a frustratingly slow rate. As The New York Times' Lens Blog has consistently reported, much debate on the topic has been generated, but much less has been done to address the outrage.
Fortunately, new platforms such as Women Photograph, Natives Photograph, Diversity Photo, Native Agency, and Foto Féminas are elevating the work of minority and female photojournalists through interviews, databases, mentorship programs, and scholarships – all in an attempt to break through the photojournalism industry's homogenous makeup. When editors incorporate intersectional perspectives into the newsrooms, these projects argue, the public, which turns to photojournalism to widen their worldview, benefits.
With Latino photojournalists also underrepresented in the industry, we've selected 10 Latino documentary photographers – established and emergent – who are breaking ground in the field and, despite the hurdles of the profession, shining a light on meaningful, yet often underreported stories. Many have turned their lens toward the people and sights they grew up with such as Adeline Lulo and Dakota Santiago, who report on the Dominican diaspora and the New York City working class, respectively. In doing so, these photographers offer a nuanced, insider's view to a story that may otherwise be simplified or overlooked. Still, documentary photographers such as Joseph Rodriguez while reporting on issues close to him, also defies assumptions of what Latinos are expected to report.
Ultimately, what the rise of these 10 photojournalists suggests is that Latino photographers are diverse, inspired, and here to stay.
Erika P. Rodriguez
A home on the storm-battered southeastern coast. The words on the sign, "Yo voy a ti PR," translate roughly to "I'm rooting for you, Puerto Rico!" | In the summer issue of the @smithsonianmagazine | #TheOldestColony
A post shared by Erika P. Rodríguez (@erikaprodriguez) on Jun 28, 2018 at 11:53am PDT
After Hurricane María swept through Puerto Rico, journalists parachuted onto the island to capture the aftermath of the Category 5 hurricane. Boricua photographer Erika P. Rodriguez had to take only one look at her apartment and family to understand the level of devastation of the storm. As she and her family dealt with the effects, Rodriguez also reported for The New York Times on the disaster that had affected the 3.3 million people living on the island. "It was a very different experience seeing it on the ground," Rodriguez told Remezcla. "And seeing your backyard and your family home destroyed."
Officers walk through tear gas in San Juan, P.R., during the National Strike in protest against austerity on May 1, 2018. | For the @nytimes | #TheOldestColony #paronacional #everyday_puertorico
A post shared by Erika P. Rodríguez (@erikaprodriguez) on May 3, 2018 at 9:14am PDT
Most of Rodriguez's journalistic work feeds into The Oldest Colony, her long-term project on Puerto Rico that raises questions over the US territory's identity, autonomy, and future after 500 years of colonization. Rodriguez's series is a comprehensive study of the Puerto Rican people in flux as they contend with racial identity, the tourism industry, religion, the influence of US mainland culture, nationalism, the Puerto Rican liberation movement, and migration.
Karen Miranda-Rivadeneira
Fa.bula. Cyanotypes focusing on old wisdom stories and their relation to the microbial realm. 1. Detail of portal/installation 2. Detail of portail/installation 3. Detail of portail/installation 4. Near the island of Themis 5. The scales of Maat #photography #cyanotypes #colorphotography #taos #titicaca #wombwisdom #storiesaremedicine #totezcatlipoka #collage #magikoftaos
A post shared by Karen Miranda-Rivadeneira (@karenmirandarivadeneira) on Aug 24, 2018 at 2:23pm PDT
Born in Queens to an Ecuadorian family, Karen Miranda-Rivadeneira has often meditated on ancestral tradition and how it can be incorporated into contemporary life. This line of inquiry led the Ecuadorian-American photographer to document how native populations across the world grapple with the same issue. In the multimedia project Omeede, nominated for a Greenpeace Photo Award in 2016, Miranda-Rivadeneira weaves together a story on the survival efforts of the Waorani people, native to an Amazonian region of eastern Ecuador that today is threatened by state-sponsored, oil extraction projects.
New Mexicans, it is my pleasure to share with you that my work is in the cover of THE/Magazine and in the portfolio section for this month with a thoughtful text by Angie Rizzo. @rizzyrizzrizz Check it out! @miyako_yoshinaga_gallery #santafe #photography #newmexico #mountainjaguar #color #themagsantafe
A post shared by Karen Miranda-Rivadeneira (@karenmirandarivadeneira) on Jul 2, 2018 at 10:41am PDT
In Omeede, Miranda-Rivadeneira presents a stream of dreamy, black-and-white photographs that take the viewer through quotidian life for the Waorani amidst the Amazon rainforest's dense jungles and pristine rivers. Heard throughout the video is a woman's seemingly otherworldly chant, which is, in fact, performed during very common occurrences, whilst at home or tending animals, according to Miranda-Rivadeneira. Currently based in New Mexico, Miranda-Rivadeneira assures in an interview she will return to the Yasuní National Park, home of the Waorani, to start Omeede Part II, expected to be a collaborative, documentary project with the Waorani women.
Adeline Lulo
Images from the "Si Dios Quiere" series will be on view today at the opening reception of "Through A Feminine Lens" from 5:30pm – 8:30 pm at Longwood Art Gallery @ Hostos. This exhibition features seven perspectives on gender equity, race and immigration by photo and photo based women of color living and working in the Bronx.
A post shared by A 📸 🎞🇩🇴 (@adelinelulo) on Jun 27, 2018 at 1:48pm PDT
At a young age, Washington Heights native Adeline Lulo learned to cherish her summers in the Dominican Republic. There, she chased roosters and lizards, and ate mangos from her grandfather's tree. When she could no longer return during the summers because of work, Lulo's longing to reconnect to the island channeled into Si Dios Quiere (God Willing), a stunning portrayal of Dominicans in the homeland and abroad.
Alessa works at a restaurant along the beach of Boca Chica, Santo Domingo. February, 2017. • There was something about her warm smile and large, gold, "te amo" chain that laid on top of her Cavaliers shirt that I really loved. #sidiosquiereproject
A post shared by A 📸 🎞🇩🇴 (@adelinelulo) on Jan 23, 2018 at 5:31pm PST
Photographed using saturated color film, the series Si Dios Quiere betrays a tint of nostalgia that is reflected in some of her subjects. While her project started as an exploration of the people and places of the Dominican Republic, in 2015, she decided to include the Dominican diaspora in New York City, a common destination for Dominican immigrants. The Dominican people's affinity for family, culture, and tradition are evident in her photographs as well as a yearning for home, which as Lulo explains is "partly here and partly there."
Joseph Rodriguez Peter drinks a beer with a friend as his children watch TV, Spanish Harlem, NY 1987 Cibachrome print Edition of 5 plus 2 AP 50,8 x 60,9 cm (20 x 24 inches)#josephrodriguez #spanishharlem #nyc #ny #galeriebenetaschen #cologne #cibachrome
A post shared by Galerie Bene Taschen (@galeriebenetaschen) on Aug 26, 2018 at 3:54am PDT
Joseph Rodriguez started his decades-long career after a stint at Rikers Island in New York City. "Photography became a way for me to change my life," Rodriguez told American Suburb X in 2011. He photographed what he knew: mostly his Nuyorican family and his barrio. Some years later, as a student at the International Center for Photography, Rodriguez embarked on his first major project, an insider's look at Spanish Harlem that bypassed stereotypes and generalizations. His series of images contrasted with news reports at the time that focused on crime in Spanish Harlem. Instead, he photographed a family enjoying an afternoon together, children playing street games, and friends huddled on a stoop while never shirking his responsibility to cover the social problems affecting the neighborhood, such as gentrification, police brutality, poverty, drug addiction, and teenage pregnancy.
MIGRANTES project, homeboys from Mexico. They are chilling out at home after a week of working on farms and warehouses. St. Louis, Mo 1997 #portait #migrantes #hardhittagallery #zonezero #mexicoborder #lafrontera #laraza #cunyjschool #brownpride #immigration #eastlosangeles #mexicanamerican #photojournalism #documentary #gallerystock #california #losangeles #arizona #nogales #leica #familia #sociology #sonora #humanrightswatch #opensocietyfoundations #michoacán #puebla #watsonville #unitedfarmworkers #cheran
A post shared by Joseph Rodriguez (@rollie6x6) on May 5, 2017 at 7:41am PDT
Rodriguez went on to photograph the "gangsta" lifestyle of East Los Angeles, survivors of Hurricane Katrina, the juvenile justice system, sex workers in Mexico City, and many other marginalized peoples. His work has been published in six photo books and in the National Geographic, The New York Times Magazine, Mothers Jones, and other news outlets.
Members of the Lev Tahor ultra orthodox jewish community walk by a Guatemalan flag in the building in Guatemala City where many of them are living after leaving San Juan La Laguna due to a conflict with the local Tz'utujil Mayan community. Roughly 200 members of Lev Tahor arrived in Guatemala in April 2014 after leaving Canada in search of a place where they can practice their beliefs. The community spent 6 months in the Tz'utujil Mayan community of San Juan la Laguna on the shores of Lake Atitlan after joining with the Toires Jesed sect, a group of Guatemalan and Mexican people who seek to convert and practice haredi, or ultra orthodox, judaism. The local Mayan Elders Council of San Juan la Laguna asked both Lev Tahor and Toires Jesed to leave due to numerous non-violent conflicts and misunderstanding that arose during their time in the Mayan town. Guatemala City, Guatemala. September 11, 2014. #DigginTheArchives Work for @plazapublicagt #Guatemala #LevTahor #JewishCommunity #Canon5DMark2
A post shared by James Rodríguez (@mimundo_org) on Apr 25, 2018 at 11:25am PDT
For most of his career, Mexican-American photographer James Rodriguez has documented the aftermath of the Guatemalan civil war. In 1996, the Guatemalan government signed a peace agreement with leftist rebels, putting an end to 36 years of armed conflict that left 200,000 dead. Rodriguez arrived in the Central American country in 2004 when he started to work for Peace Brigades International, an accompaniment program for human rights defenders. After completing his time with the NGO, Rodriguez initiated an online media project that documented human rights issues, violence, social mobilizations, and the after-effects of the war.
Homes in the community of Barrio La Revolucion are burned and destroyed. On January 8th and 9th, 2007, the Guatemalan Nickel Company, local subsidiary of Canadian Skye Resources, ordered the forced eviction of five Q'eqchi' Mayan communities around Lake Izabal in El Estor, Guatemala. Over 800 State security forces carried out the forced eviction, while allowing dozens of hired men to burn several huts in the indigenous communities who claim the territory as ancestral land. El Estor, Izabal, Guatemala. January 9, 2007. From the project #ThisLandIsOurs which will be featured in this year's #ForoCAP (Central American Journalism Forum) in San Salvador in mid May. #guatemala #eviction #desalojo #mining #mineria #elestor
A post shared by James Rodríguez (@mimundo_org) on Mar 19, 2018 at 10:03am PDT
With the help of his mentor and neighbor, Rodrigo Abd, Rodriguez homed his photography skills and became one of Latin America's most recognizable photojournalists. In his photo essay "Guatemala, Life After Genocide," Rodriguez accompanies families — many of them Indigenous campesinos — on their search for their disappeared loved ones, some of which have finally come to a close after recent exhumations of mass graves. Rodriguez's camera doesn't shrink away from the difficult moments; it keeps steady as families and community dig up skeletal remains, hold funeral ceremonies and memorials for war victims, and bury loved ones.
The story has just begun . #standingstrong #waterislife
A post shared by Josué Rivas (@josue_foto) on Apr 25, 2018 at 8:05am PDT
In 2016, Indigenous activists and allies arrived in North Dakota to support the Standing Rock Sioux tribe in their resistance to the construction of the Dakota Access pipeline. At the beckoning of his uncle who is from the reservation, so did Josue Rivas, with a camera in hand. The Mexica and Otomi photographer stayed at the Standing Rock reservation for the next seven months. Instead of photographing the violent clashes between police and water protectors, Rivas found inspiration in the hope and resilience of a burgeoning Indigenous movement. "To me this is a personal story so I tend to focus less in the obvious, and I try to dig a little deeper," Rivas told PDN.
During the months I spent at Standing Rock, I witnessed the lack of Indigenous narratives about the movement in mainstream media. . I recall one of my conversations with a photo editor for a big publication, she wanted me to put protestors in the caption and I refused. I explain over and over why I used water protector. . I ended up not been able to publish the work but that was ok with me. . I also remember the hundreds of photographers and filmmakers seeking a piece of the story, often with self helping intentions. . Standing Rock was an awakening, and the seed that urges us to water ourselves and our relations . One of my goals for this year is to do two more visual storytelling workshops for Indigenous youth. Proceeds from my photobook will go towards buying 10 mirrorless cameras and facilitating the workshops for the youth. . I'm currently looking to facilitate some in the Pacific North West, Southern California and the Bay Area. . Westernized narratives in visual storytelling are often praised with awards and grants. I want Indigenous peoples to tell their own story, not because there is a prize to win but because by doing so we are reclaiming our narrative. . If you would like to support this project please click on the link in my bio. . Everything counts in the quest for decolonization. 🙌🏽
A post shared by Josué Rivas (@josue_foto) on Jul 26, 2018 at 4:41pm PDT
This months-long study resulted in Standing Strong, an intimate, black-and-white portrayal of the Standing Rock Sioux Tribe's resistance to the construction of a 1,172-mile pipeline that crosses through sacred lands and threatens their water supply. With the Standing Rock camp closed down, Standing Strong, today an award-winning book, is an enduring record of one of the most important gatherings of Indigenous peoples from across the world. As an advocate of Indigenous storytelling, Rivas also co-founded Natives Photograph, a database of Indigenous visual journalists to increase representation in the media industry.
Cassandra Giraldo
🦋
A post shared by cassandra giraldo (@cassandragiraldo) on Aug 19, 2018 at 4:39pm PDT
Cassandra Giraldo's eye tends to linger on the soft, often overlooked moments in our daily lives. While she studied at the International Center of Photography, Giraldo befriended two girls, April and Desire, who she photographed as they navigated their middle school years. This first set of images inspired Giraldo to take a closer look at the secret lives of teenagers during after school hours. The After School Project sees what the rest of us may miss: the tender gaze of a teenage couple, the unconditional friendship of an emo clique, the beaming confidence of a 16-year-old high schooler.
Peter's art students #redhook #brooklyn 🎨
"With photojournalism, the assumption is that it has to be issue-based or hard-hitting or news-oriented, but I feel that often the best stories are born from some of these lighter moments," Giraldo, an associate producer at Vice News Tonight on HBO, said in 2015. In the After School Project, Giraldo manages to capture these lighter moments, and convey a world that feels carefree and authentic. This feel-good vibe is also present in other works of Giraldo such as The Gentle Punks and Crazy 'Fur' Obama.
Dakota Santiago
"The City's Disregard" Bronx Coalition for a Community Vision members march past Tremont Ave. underneath the IRT Jerome Ave. El in a show of public dissent against Mayor Bill DeBlasio's plans for rezoning the corridor. The march, the second of two actions planned that summer, was put together to demand more community input for a rezoning activist alleged included little to no input from the local community. Bronx, N.Y. (Aug. 19, 2017) On March 21st, 2018, the City Council, after being interrupted by a burst of protest from the second deck that resulted in the removal of all activist/tenants, voted unanimously to approve the 92 block rezoning. In response, according to the Amsterdam News, the activist put out a statement that read, "After almost three years of advocacy around the rezoning, we were devastated to see that the plan presented in the Draft Environmental Impact Statement in no way reflects the community's plans or goals. If anything, the city has moved yet further from the community's priorities by developing an alternative that would further imperil the neighborhood's auto industry, while bringing in almost 1,000 additional units of housing that would not be affordable to most current residents. The city's disregard for the ideas we have presented throughout this process is so complete that many of us are now forced to conclude that the city's professed desire for community participation is both cynical and hollow." #bronx #bronxtale #everydaybronx @everydaybronx #documentary #marching #protest #nyc #deblasio #kodak #trix #kodaktrix #olympus #zuiko #blackandwhite #filmisnotdead #nyccitycouncil #vanessagibson #fernandocabrera @fcabrerany @msvanessa77 @nycmayor
A post shared by @ metrospecial on Apr 10, 2018 at 3:44am PDT
While much has been said of the US manufacturing industry's decline, much less is known about the blue collar workers facing the economic fallout. Photographer Dakota Santiago, who grew up in a working-class family in Bayonne, New Jersey, knows firsthand the people and places behind the headlines. His father delivered newspapers for the New York Daily News for more than 50 years while his uncle drove a waste management truck. Santiago, who still resides in New Jersey, also works for the mailers and deliveries department for the Daily News, and covers stories in the City on his days off.
Taf Sourob of Local 79 leads the mic on the Concourse as the combined efforts of the Bronx Coalition for a Community Vision marched to keep a visible presence and pressure on Mayor Bill DeBlasio and the City Council to incorporate their demands into the controversial Jerome Ave. Rezoning bill. Their demands; true affordable housing, increased tenant protection against predatory landlords, and local hire when construction finally begins. Bronx, N.Y. (June, 2017) #olympus #kodakalaris #filmsnotdead #kodaktrix #rodinal #everydaybronx #microphone #b&w #nyc #bronx #tenantpower #local79 #journalism #photojournalism @nytimes #nycmayoraloffice #billdeblasio
A post shared by @ metrospecial on Aug 20, 2017 at 11:59am PDT
While a photography student at the New Jersey City University, Santiago studied urban decay in local neighborhoods in one of his first photo essays. Later, he returned to the manufacturing districts he remembered from his childhood. There, he started "Working Class New York," his debut work on the New Yorkers that built the city and keep it operating. Shot on medium format film, this series of portraits take us to New York City's scrap yards, warehouses, construction sites, auto shops, and MTA rail lines. While these workers may be the foundation of the city, they usually get little press or appreciation. "When you're in Manhattan you see it all, but where did it come from? And nobody really asks and nobody really cares. I wanted to bring that out, I just wanted to put a face of the workers that keep this city running," Santiago told Time.
September 5, 2018 at 11:45 a.m. ET: This entry has been updated. It originally misstated that Santiago grew up in New York City.
Carlos Javier Ortiz
Students rally in March for Our Lives events in San Francisco and across the US. Photo by @carlosjavierortiz #marchforourlives #sf #march #blacklivesmatter #vii
A post shared by Carlos Javier Ortiz (@carlosjavierortiz) on Mar 24, 2018 at 6:56pm PDT
How does one photograph violence without descending into sensationalism? Carlos Javier Ortiz offers a way. Born in San Juan and raised in Chicago, the multimedia journalist has spent more than a decade documenting violence and the scars it leaves in its wake. In Too Young to Die and We All We Got, his award-winning series on youth violence and gun violence respectively, Ortiz connected with families and communities across the United States and in Guatemala. His subjects were both victims and perpetrators of violence, people who Ortiz considers are often overlooked.
Young people protest election fraud in a small town out side Guatemala City 2007. El Sueño During the 36 years of Guatemalan civil war, more than 200,000 people had died before the
government and leftist rebels made peace in 1996. Since then Guatemala has been rocked by
violent drug traffickers and street gangs. With almost 6,000 Guatemalans slain last year, nearly
same the number that occurred in a single year of the civil war, the Guatemalan murder rate is
one of the highest in the world. The violence Guatemalans faced in their post-civil war lives
drove many of them to flee the country in search of a better life. During the past ten years,
thousands of Guatemalans have migrated north, some to Mexico and many more to the United
States, to find jobs, stability, and a peaceful existence. Unfortunately, many of them found their
way to neighborhoods plagued by violence, poverty, and crime. Guatemala is not the only
country facing this problem. Guatemala's neighbor to the north, Mexico, faces similar crises.
Many Mexicans are drawn to the United States to escape poverty and lack of opportunity in
their own country. These images document Guatemalans in their countries. Their journeys are
filled with hope, desperation, and most importantly, humanity. #elsuño
A post shared by Carlos Javier Ortiz (@carlosjavierortiz) on Oct 23, 2017 at 1:14pm PDT
While embedded in the communities he documented, Ortiz witnessed the cycle of violence close up: the children he photographed grew up and adopted problematic behaviors from other teens while subjects who became friends were murdered. Some of the images Ortiz takes are hard to look at, such as those of a wailing mother at a crime scene or a funeral for an 11-year-old. However, others, such as an image of teens playing at a block party or of a family cooling off at the lake offer a more hopeful perspective on a multifaceted community.
Ortiz has also reported on migrant labor, the American Dream, and the Great Migration.
Sebastian Hidalgo
Yesterday, protesters shut down Lake Shore Drive and walked to a pending Cubs game outside wriggly field to demand an end to gun violence in Chicago. . . #morelatinosinnews #photojournalism #streetphoto_blackandwhite #magnumphotos #hikaricreative #noorimages #VIIphotoagency #documentaryphotography #VIIphotoagency #chicago #lensculture
A post shared by Sebastián Hidalgo (@sebastianhidalgo_photo) on Aug 3, 2018 at 10:40am PDT
With rising housing prices and displacement threatening the identity and makeup of Chicago's Pilsen neighborhood, visual journalist Sebastian Hidalgo set out to document the predominantly Mexican-American neighborhood before it changes forever. A Pilsen native and trained photojournalist, Hidalgo takes a stance against gentrification in his long-term project, The Quietest Form of Displacement in a Barrio.
Dezmon Richardson—a freshman at Michael Clark High School—waits for a bus bound to Washington DC to participants in a national effort to demand action for gun control along with 55 other west side students, Friday, March 23, 2018. (On assignment for @austinweeklynews) . . #everydayeverywhere #morelatinosinnews #photojournalism #chicago #citybureau #civicengagement #civicjournalism #civicmedia #journalism #southside #blackandwhite #streetphoto_bw #magnumphotos #hikaricreative #noorimages #VIIphotoagency #documentaryphotography #portraitphotography #lenscultureportrait #chicago #lensculture #lensculturestreets #streetphoto_bw
A post shared by Sebastián Hidalgo (@sebastianhidalgo_photo) on Mar 23, 2018 at 9:02pm PDT
In his series, he photographs moments similar to those he experienced as a child: One image shows a girl floating in a stream of water formed from an open fire hydrant, another a group of girls playing with inflated toys. These tender moments feel fragile juxtaposed to images that reveal social problems the neighborhood faces, such as gun violence and gentrification. Hidalgo hopes his essay on gentrification in Pilsen can galvanize viewers "to demand and scream for change," he told The New York Times' Lens Blog.


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High-tech workshops, replica industrial facilities, large classrooms and state-of-the-art equipment come together to form our brand new £5.6m Science, Technology, Engineering and Maths (STEM) Innovation Centre.
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The course provides opportunities not only for education, but for your future life and career. There are also amazing tutors who have vast knowledge and experience.Seb Magar Course: Mechanical Engineering Progressed from: Tabor Academy
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In a small saucepan combine pineapple juice, BBQ sauce and habanero peppers.
Bring to boiling and reduce heat to a gentle boil, stirring occasionally for about 15 minutes.
Season wings with salt and pepper to taste.
Spray baking pan with cooking spray to prevent wings from sticking.
Bake wings until cooked thoroughly, approx. 20-25 minutes. When done let cool.
Heat grill to medium/high setting.
Throw wings on grill and brush generously with BBQ sauce.
Turn wings over and brush underside with BBQ Sauce and let cook for 2 minutes.
Repeat these steps just a couple times to let BBQ Sauce caramelize on your wings, being careful not to overcook your chicken. When wings are cooked to your liking, remove from grill and serve with a nice cold Kona Brewing Company Longboard Island Lager.


text:
Donna Maguire (born  in Newry, County Down, Northern Ireland) is a former volunteer in the Provisional Irish Republican Army (IRA) once described as Europe's most dangerous woman.

A former convent girl from Newry, Maguire joined the IRA and, according to The Independent newspaper, was trained by Dessie Grew. In early 1989 she travelled to Europe as part of an IRA active service unit based in The Hague and Hanover. On 12 July 1989 Maguire and Leonard Hardy were arrested at Rosslare, County Wexford after arriving on a ferry from Cherbourg, and mercury switches, explosives and photographs of British Army bases in Germany were seized. At their trial at the Special Criminal Court in Dublin in February 1990 Maguire was acquitted of possession of explosives, but Hardy was sentenced to five years imprisonment. German authorities had requested Maguire's extradition in relation to a bombing at a British Army barracks at Osnabrück on 19 June 1989 and the killing of a British soldier in a car bomb attack in Hanover several days later, but she was not re-arrested when she left court and she immediately returned to Europe.

Maguire was arrested in Belgium near the border with the Netherlands on 16 June 1990, after a farmer reported hearing gunshots in the woods and two handguns, a machine gun and explosives were found nearby. A second IRA member was arrested with Maguire but escaped across the border before being captured by Dutch police, who also arrested a second man who had been travelling with Maguire. Maguire was extradited to the Netherlands on 6 December 1990. In March 1991 she was acquitted of the murder of two Australian tourists mistaken for off-duty British soldiers in Roermond in May 1990, a decision which was upheld at an appeal in July of the same year. On 7 October 1991 Maguire was extradited to Germany.

While on trial in Düsseldorf on charges relating to the June 1990 murder of a British soldier in Dortmund, German authorities announced on 16 November 1992 she was also being charged with attempted murder over the 1989 Osnabrück bombing. On 9 June 1994 Maguire and three other IRA members were acquitted of the Dortmund murder although the judge said it was "clear they are members of the IRA and trained as IRA volunteers", and also acquitted of involvement in the May 1990 bombing of a British Army base in Hanover. She was remanded into custody to await trial on other charges relating to the 1989 Osnabrück bombing, and in June 1995 received a nine-year prison sentence after being found guilty of attempted murder, explosives offences and spying on British Army bases in Germany with intent to sabotage. Due to the length of time spent in custody on remand—during the trial she became the longest-serving remand prisoner in German legal history—Maguire walked free from the court.

On 17 January 1996 Maguire received £13,500 compensation due to a 1985 accident in Newry, when she tripped due to a broken paving stone. She told the court "I have had to give up dancing, jogging and swimming because the ankle swells up. I can't wear high heels and the ankle is not very stable when I walk on rough ground or gravel". The compensation award was described as a disgrace by Ulster Unionist Party MP Ken Maginnis, and Conservative Party MP David Wilshire said it was shocking and obscene and called for the law to be changed. Colin Parry, who received £7,500 after the death of his 12-year-old son in the Warrington bomb attacks, called for a review of the compensation system saying "It's a kick in the teeth. Every time these judgments come along, it reminds us how little society appears to value a child's life".

Maguire married Hardy in County Louth in July 1996, and she has three children. Hardy was arrested in August 2005 while on a family holiday in Torremolinos, Spain and extradited to Germany in January 2006 to face charges over his role in the 1989 Osnabrück bombing. In April 2006 Hardy was found guilty of attempted murder and deliberately causing an explosion and was sentenced to six years imprisonment. It later transpired Hardy was not sent to prison and had left the court via a side door with Maguire, and a spokesperson for the Federal Ministry of Justice issued a statement saying that "Leonard Hardy is not in detention".

In January 2015, It was announced that Leonard Hardy and Maguire had been arrested by Spanish police in Lanzarote as part of an investigation into money laundering and smuggling. Five other people were also arrested and 11 searches were carried out in the provinces of Las Palmas, Alicante, Málaga and Murcia. They said it involved properties with an estimated value of 10.5 million euros.

References

1967 births
Irish republicans imprisoned on charges of terrorism
Living people
Irish people convicted of attempted murder
People from Newry
Provisional Irish Republican Army members
Women in war in Ireland
Women in warfare post-1945

redpajama_set_name: RedPajamaWikipedia


Rick has more than 30 years of professional experience in financial services and consumer products. His professional career has focused in the areas of technology and business management. He has been involved with the startup of several companies as well as a new technology venture. His primary focus is delivering client expectations and financial goals. Rick's engineering background and rigorous fact finding skill set routinely exceeded expectations to world class companies in the fields of Insurance, Financial Services, Retail Banking, and Consumer Products. He has managed technical teams of over 160 highly skilled international professionals and annual operation budgets over $24 M.
When not engaged in business initiatives Rick enjoys outdoor activities that include mountain biking, hiking, fly fishing, downhill skiing, and hunting. He moved to Arizona in 1997 from Iowa. Rick is a graduate of Iowa State University with a Bachelors of Science degree in Electrical Engineering. Rick is a full time licensed and accredited REALTOR® in the state of Arizona and leveraging his talents in commercial real estate sales.


text:
Home Business Tech
COP27 conference approves historic climate damage fund for developing nations
in Business Tech
Following two weeks of negotiations that felt doomed to go nowhere, the COP27 climate conference delivered a breakthrough deal to help developing nations cope with the often catastrophic effects of climate change. dignitaries agreed to create a "loss and damage fund" in the early hours of Sunday morning after two extra days of negotiations. The Alliance of Small Island States, an organization that includes countries whose , called the agreement "historic." However, as with the Glasgow Climate Pact that came out of last year's , the consensus is that COP27 failed to deliver the action that is desperately needed to meet the demands of the current moment.
For one, the conference failed to see nations agree to new and stronger commitments to reduce their carbon emissions. According to The Post, China and Saudi Arabia were strongly against language calling for a phaseout of all fossil fuels, as were many African nations. Alok Sharma, the chair of COP26, said (via ) a clause on energy was "weakened, in the final minutes."
The conference also left many of the most important details related to the loss and damage fund to be sorted out by a committee that will need to answer some difficult questions in the coming months. Among the issues that need to be decided on is how much the United States, historically the , should pay out to vulnerable countries. The conference also ended without a clear commitment from China to pay into the fund.
The committee now has a year to draft recommendations for next year's climate meeting in Dubai. UN Secretary-General António Guterres said governments took "an important step towards justice," but fell short in pushing for the commitments that would ultimately protect the world's most vulnerable people from the worst effects of climate change. "Our planet is still in the emergency room," Guterres said. "We need to drastically reduce emissions now and this is an issue this COP did not address."
How a Pomodoro timer app helped me regain my focus
Series C is the new venture-startup bottleneck • TechCrunch
Top Tech 2023: A Special Report
Propel@YH Boot Camp announces Nordic cohorts
Hi-fi, Radio, and Retro: The DIY Projects Spectrum Readers Love
How To Turn On Mastodon's Hidden Dark Mode


Is the IECEx Scheme mandatory?
No. It is a voluntary scheme, but the end results are such that manufacturers with the capabilities of international trade should seriously consider the advantages of such a scheme.
What if I am in a country that does not have an IEC national committee?
Manufacturers are free to choose any IECEx-accepted certification body for Assessment & Test Reports for their products.
I already have ATEX certification for my Ex Equipment. What do I do to comply to IECEx?
As the product has already been tested, most certification bodies will use the ATEX data they have collected to prepare an ExTR.
What is the cost for approval under IECEx if I already have ATEX certification?
Every project will be different, as the complexity of design will dictate the scope of work. Where possible Sira will use assessments in the ATEX report for IECEx approval.
Since CQST is a ExTL under CQM, only CQM can issue fixed price quotations for IECEx compliance. Please contact us for more information.
What do I have to do to satisfy the quality requirements of the IECEx scheme if I currently hold ATEX certification?
In order that an IECEx product certificate can be issued, the manufacturer or authorised representative must satisfy the requirements of an IECEx Quality Assessment Report (QAR).
If an ATEX Quality Assurance Notification (QAN) with the correct scope is already held, only a minor amount of additional work is usually needed. A small charge exists for this work to be undertaken.
For more details about IECEx Quality Assessment Reports, please contact CQST.
Can I use my IECEx Certificate to place products on the market in Europe?
No, you must comply with the ATEX Drective (94/9/EC). It is likely that CQST would accept much of the work carried out and reported in the ExTR.
To ask CQST a specific question please contact us directly.


text:
Q: Tailwind + Nuxt 3 SSR dynamic class to child component not working I'm facing an extrange behavior trying to implement dynamic class by props on child element when using Nuxt 3 SSR + Tailwind.
My parent component includes a child component

My child component tries to render columns based on columns property
<template>

Últimas noticias {{gridCols}}

  <div :class="`grid gap-5 md:grid-cols-${columns}`" >

      <post-card-image :post="post" />

</template>

For some reason, despite I correctly see the class md:grid-cols-3 in dev tools elements inspector, the class is not applied.
Please note that if I manually set the class without using backticks, the class works as expected, so it's not about CSS layout.
I'm guessing that is something related to SSR and lifecycle, but not sure how to fix it.

A: Actually, you cannot use dynamic classes with Tailwind: https://tailwindcss.com/docs/content-configuration#dynamic-class-names
Nothing related to Nuxt, interpolating a utility class is just not feasible since all the classes need to be known ahead of time (during the build): getting written in their full name in the code.
Here is how you can still achieve a similar result, but with more work of course.

redpajama_set_name: RedPajamaStackExchange


text:
Q: Is there anyway to delete browser history when that browser windows get close without using in incognito mode? If I open many chrome or brave or other browser windows with different tabs, And when I close any particular browser window .I need all the browser history for that window alone to be deleted and This should be optional.
without using incognito mode


At Peel Vets, we believe that certain complementary therapies can be used alongside conventional medicine to improve animal welfare. One of our vets, Heike Kopac, holds appointments for acupuncture and holistic medicine from our clinics. We are also able to refer to local practitioners of hydrotherapy and physiotherapy to assist with recovery from surgical procedures, for example. Please do not hesitate to contact us if you would like further information.


text:
Shahid Beheshti Teachers Training College is a college in Mashhad dedicated to training teachers for Iran education system. It has been named after Ayatollah Mohammad Beheshti, an Iranian clergyman who was very influential in Iran Revolution.

See also
Higher Education in Iran

References

External links
Shahid Beheshti TTC official website

Universities in Iran
Education in Razavi Khorasan Province


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Great service, he explained all processing easy understanding word. Highly recommend.
Nick was so helpful and so knowledgeable about the loan. Such a great attitude as well. Great guy to work with.
Ryan has been helpful, responsive, and has had great communication.
our experience has been smooth and seamless with attention to detail and products that fit our needs. Nick is courteous, diligent and straight-forward in his efforts.
Leandra was very relaxed & helpful in going through the loan process for me. I would recommend using her and her company for anyone needing a small business loan.
Not only did Scott Hoskin streamline the process of acquiring a loan, he really took the time to understand our vision and business model, as well as connect with us personally. He was very patient throughout the process, as our needs were a bit unique. I look forward to future business with Better Business Funding, and more specifically, working with Scott again.
Nick Alvarez did a fantastic job and I can imagine will be a valuable asset to your company in years to come.
Worked with Ryan to get my business deal done. Every aspect of these deal went great. Would call him first on my next deal.
Nick was very helpful during the entire funding process. He stayed on top of every aspect and worked very efficiently to secure the right funding for the company!
Thankyou, Scott and Joe for your for your professionalism your prompt service. i appreciate your ability to give my business prompt attention..i will remain loyal to your company and promote your business to other business owners...you are the Best!!!
Excellent company to work with. We have funded a few times with Ryan and they have made it a super fast and easy process.
This company is very efficient and works quickly to meet the clients needs!
Ryan Buckley was great. Helped us every step of the way. We were well informed and kept a part of the whole process and he also did an amazing job a explaining all possible options.
Ryan James took great care of us and got the job done!
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Hinckley Van Hire can provide you with a vehicle to suit your needs. At Hinckley Van Hire flexibility is our watchword, we do not try and pigeon hole our customers, you will find that we are completely flexible.
- Supply vehicles that are clean, reliable and suitable for the hire.
- Provide peace of mind in the event of an emergency.
- Deal with all customers in a courteous manner at all times and with clarity.
- Provide a service that gives value for money and creates a lasting impression.
We've become the local favourite by offering the widest selection of vans along with friendly, experienced staff. If you have you a specific need or request, please let us know about it. Our goal is to exceed your expectations.


We supply light rail, heavy rail, crane rail according to GB, ASTM, BS, UIC, JIS, EN standard. We keep inventories for most of the common types, so we can arrange shipments within one week after order is confirmed. We supply a range of types of concrete sleepers and steel sleepers to meet most track requirements.


Amount of data being produced and captured is ever increasing at an exponential rate. Big data is great opportunity to develop the next generation technologies to store, manage, analyze, share and understand the huge volume of data that is generated in business. Based on interaction with our esteemed industry partners, a unique perspective of the issues resulting due to big data is developed by NMIMS.
The enormous amount of data can be used by business enterprises to generate new insights, enable better decision making and improve process in organizations.
Business analytics refers to the analysis of data using statistical , machine learning and quantitative techniques with the purpose of understanding past performance of the business and generating new insights for the future.
According to a forecast made by IDC, the global spending on business analytics services is expected to rise US $51.6 billion to US $89.6 billion in 2018.Despite the growing significance of business analytics, the supply of trained analytics professionals is lagging far behind the demand. According to McKinsey Global Institute, by 2018, the United States alone will need about 140000 to 190000 data scientist with deep analytical skills and another 1.5 million managers and analysts who can utilize large data sets to make better decisions.
In India the analytics market is also expected to double between 2013 and 2018, accpording to a report published by NASSCOM recently. There will be a need of about 2 lakhs data scientists in India over the next few years, according to sources in Nalytics Special Interest Group set up by NASSCOM.
Hence, creation of trained industry –ready business analytics technocrat professionals is the need of the day.
The B.Tech Data Science program is a modern degree designed to meet the increasingly aggressive demand for qualified data scientists in virtually every sector of the economy. Also called data mining, competitive intelligence, data analysis, and data statistics, data science is one of the fastest growing career opportunities in the country as companies find themselves at a crossroads of having the technology to gather massive amounts of data but lacking the skilled scientists to tell them what the data means or how to use it to inform their business practices.


text:
module Sjekksum
  #
  # Module for calculation and validation of ISBN-10 (International Standard Book Number) checksums
  #
  # @see http://en.wikipedia.org/wiki/International_Standard_Book_Number#ISBN-13_check_digit_calculation ISBN-13 check digit calculation
  #
  # Its check digit is generated the same way as the {Sjekksum::UPC} except that the even digits are multiplied by 3 instead of the odd digits.
  #
  module ISBN13
    extend self
    extend Shared

    #
    # Calculates ISBN13 checksum
    #
    # @example
    #   Sjekksum::ISBN13.of("978-0-306-40615-") #=> 7
    #
    # @param  number [Integer, String] number for which the checksum should be calculated
    #
    # @return [Integer] calculated checksum
    def of number
      raise_on_type_mismatch number
      digits = convert_number_to_digits(number)

      sum    = digits.map.with_index do |digit, idx|
        idx.odd? ? (digit * 3) : digit
      end.reduce(&:+)

      (10 - sum % 10) % 10
    end
    alias_method :checksum, :of

    #
    # ISBN13 validation of provided number
    #
    # @example
    #   Sjekksum::ISBN13.valid?("978-0-306-40615-7") #=> true
    #
    # @param  number [Integer, String] number with included checksum
    #
    # @return [Boolean]
    def valid? number
      raise_on_type_mismatch number
      num, check = split_number(number)
      self.of(num) == check
    end
    alias_method :is_valid?, :valid?

    #
    # Transforms a number by appending the ISBN13 checksum digit
    #
    # It will preserve type (Integer/String) and therefore leading zeros.
    #
    # @example
    #   Sjekksum::ISBN13.convert("978-0-306-40615-") #=> "978-0-306-40615-7"
    #
    # @param  number [Integer, String] number without a checksum
    #
    # @return [Integer, String] final number including the checksum
    def convert number
      raise_on_type_mismatch number
      typed_conversion number
    end
    alias_method :transform, :convert

  end
end

redpajama_set_name: RedPajamaGithub


ARLINGTON, Va.--(BUSINESS WIRE)-- CACI International Inc (NYSE MKT: CACI) announced today that its U.S. Operations has successfully completed a multi-model appraisal under the CMMI Institute's Capability Maturity Model Integration (CMMI) criteria that revalidates its Maturity Level 3 (ML 3) for Development and adds an appraisal of Maturity Level 3 for Services. These appraisals confirm the strength of CACI's organizational commitment to providing its customers with reliable, predictable processes that deliver software and engineering solutions and services at industry-recognized levels of excellence.
Established by the CMMI Institute, CMMI is a framework used by the Department of Defense and civilian sectors of the federal government, among others, to evaluate the ability of prospective contractors to perform on systems and software engineering projects. The continuously evolving mission requirements of these customers demand predictable performance, which CMMI results validate. CACI's appraisals were performed by Process Improvement & Compliance LLC, a CMMI Institute partner organization.
CACI has made a commitment to operational excellence a cornerstone of its success since its founding. To support this excellence, it has maintained CMMI levels for several decades. By re-validating and expanding its CMMI appraisals, CACI assures its customers that solutions and services follow industry-standard processes to deliver high-quality results on time and within budget. An appraisal at maturity level 3 indicates the organization is performing at a "defined" level. At this level, processes are well characterized and understood, and are described in standards, procedures, tools, and methods. The organization's standard processes, the basis for maturity level 3, are established and improved over time.
CMMI is registered in the U.S. Patent and Trademark office by Carnegie Mellon University.


Job Description The applications should reach the University at the address given below within one month from the date of publication of this advertisement in the Employment News. The advertisement shall be published in the 25 April, 2015 issue of the Employment News. The last date for receipt of applications is 25 May, 2015.
Education : Ph.D. in the area of Science or Engineering or in any allied areas with specialization in any of the following Mathematics, Statistics, Physics, Computational Biology, Systems Biology, Complex Systems with emergentbehavior applied to biological, social and economic areas, Computational/Theoretical Biophysics, Large ScaleDatamining and Modeling, Machine Learning, Evolutionary Game Theory, Computational Neurosciences,Bioinformatics/ Chemoinformatics/ Computational Biology/Systems Biology, Disease Modeling and Networkscience.
Address : New Mehrauli Road, New Delhi 110067.
Categories of Scholarship nbsp The scholarships are available for Ph.D. study in India to the following categories of students Indian Nationals Nationals of other Asian countries Areas of Specializaton Subject nbsp .
Lower Division Clerk nbsp job opportunities in Jawaharlal Institute of Postgraduate Medical Education and Research JIPMER Post Code No. nbsp 201901 No. of Vacancies nbsp 10 UR 04 OBC 02 EWS 01 SC 02 ST 01 Qualifications.
No. of Posts 02 Qualifications Pass in Higher Secondary 10 2 with science subject Desirable Knowledge of computer application Pay Rs. 10 000 month consolidated Age Limit 35 years for men and 40 years for women.
No. of Post 01 Qualification B.Sc Ag Forestry Desirable Sufficient knowledge of Medicinal plants post harvest and value addition Knowledge of computer Pay Rs. 8 000 Per month fixed Age Limit Maximum age.
Lab Technician job vacancies in Jawaharlal Institute of Postgraduate Medical Education and Research JIPMER on purely temporary basis Project Title Neo AMR Global Neonatal Sepsis Observational Study NEO OBS No. of Post.


disk--and I still was having problems with the 5.x server serving webpages.
nothing. However, in my current 4.2.6 world, the perl process doesn't budge.
> Subject: [slim] 5.0 upgrade problem: can't access web server!
> the local IP and port, the browser times out.
>disk--and I still was having problems with the 5.x server serving webpages.
I have also been having problems since upgrading to 5.0.
> >disk--and I still was having problems with the 5.x server serving webpages.
enable it after starting) and see if the log gives any useful error messages?
> I have also been having problems since upgrading to 5.0.
>> >disk--and I still was having problems with the 5.x server serving webpages.
>enable it after starting) and see if the log gives any useful error messages?
This part was not from me. I quoted it.
>> I have also been having problems since upgrading to 5.0.
>What skin are you using?
> This part was not from me. I quoted it.
> >> I have also been having problems since upgrading to 5.0.
> >> Server 10.3.1 (Panther).
> >What skin are you using?
You might want to set the IP filters on in your settings.
still have the playlist information or is that gone too?
>>> What skin are you using?
> You might want to set the IP filters on in your settings.
> still have the playlist information or is that gone too?
information in the source displays in any of the browsers.
to the Browse Genres pop up menu is missing.
album is tagged as 1 of 1 it shows up twice in the list under artist.
down. Didja hear that too?
> >>> What skin are you using?
> > You might want to set the IP filters on in your settings.
> > still have the playlist information or is that gone too?
> information in the source displays in any of the browsers.
> to the Browse Genres pop up menu is missing.
> album is tagged as 1 of 1 it shows up twice in the list under artist.
with the box. Now, I have linked Browse Albums with Search for Albums, etc.
by song for that case. What do you think?
> Safari. Are you looking at the source for the correct frame?
source of the different frames.
>> to the Browse Genres pop up menu is missing.
>> album is tagged as 1 of 1 it shows up twice in the list under artist.
> by song for that case. What do you think?
was really fast and convenient.
IPs and masks from teh server settings, under security.
> > Safari. Are you looking at the source for the correct frame?
> source of the different frames.
thanks. that helps :) I'll look at it tonight and see what I can sort out.
> > by song for that case. What do you think?
> was really fast and convenient.
>down. Didja hear that too?
>IPs and masks from teh server settings, under security.
Locking that down would not allow you to even look at it wouldn't it?
Defeating the reason for the post. I am still learning this thing.
>>there seems to be no problem. Do those
 tags work for you?
>>up as raw text for me.
reformatted the table a bit. Makes it a lot easier for me to read.
> >>there seems to be no problem. Do those
 tags work for you?
> >>up as raw text for me.
> reformatted the table a bit. Makes it a lot easier for me to read.
install should not overwrite any custome skins.
> >IPs and masks from teh server settings, under security.
> Locking that down would not allow you to even look at it wouldn't it?
> Defeating the reason for the post. I am still learning this thing.
something you want to do later, if you leave port 9000 open to the world.
> > Locking that down would not allow you to even look at it wouldn't it?
>> Defeating the reason for the post. I am still learning this thing.
>something you want to do later, if you leave port 9000 open to the world.
>> >>there seems to be no problem. Do those
 tags work for you?
>> >>up as raw text for me.
>> reformatted the table a bit. Makes it a lot easier for me to read.
>install should not overwrite any custome skins.
>	2. Line 4, column 29: required attribute "TYPE" not specified (explain...).
>	3. Line 24, column 40: end tag for element "TITLE" which is not open (explain...).
>	4. Line 30, column 27: end tag for element "FRAMESET" which is not open (explain...).
>	5. Line 31, column 28: end tag for element "FRAMESET" which is not open (explain...).
>	6. Line 34, column 6: end tag for "HTML" which is not finished (explain...).
>>> Safari. Are you looking at the source for the correct frame?
>> source of the different frames.
That'll work a lot better for me. Thanks.


A new multi-university study finds that up to one in 20 children were still being prescribed codeine to treat pain after tonsil and adenoid surgery, despite a "black box warning" being issued by the Food and Drug Administration (FDA) two years prior stating that opioid use after routine pediatric surgeries can be fatal.
A black box warning is the FDA's strictest warning regarding prescription drugs or drug products. In 2013, the FDA issued this warning against the use of codeine following tonsillectomies and adenoidectomies in children, due to an increasing number of reported deaths in such instances.
The study, conducted by researchers at the University of Chicago Medicine, the University of Michigan and Harvard University is published in the journal Pediatrics.
"We should not prescribe codeine to children, for any reason," said Kao-Ping Chua, M.D., Ph.D., lead author of the new study and assistant professor of pediatrics and communicable diseases at the University of Michigan.
According to Chua, who worked at University of Chicago Medicine while conducting the research, codeine has traditionally been one of the most common drugs used to treat pain in children after surgery.
For the study, Chua and co-authors Mark Shrime, M.D., MPH, Ph.D., of Harvard University, and Rena Conti, Ph.D., of University of Chicago Medicine, analyzed data of more than 300,000 privately-insured children who had the surgeries between 2010 to 2015. The five-year study period allowed researchers to look at at prescribing patterns before and after the FDA warning.
Their findings did show a decrease in codeine prescriptions from the 2013 black box warning. Still, the practice continued: one in 20 children undergoing these surgeries were prescribed codeine in December 2015, regardless of its well-documented safety and efficacy issues.
"The residual inappropriate codeine prescribing is consistent with other research showing that FDA black box warnings can make substantial, but incomplete, impact on clinical practice," said Conti, who studies the effect of FDA warnings.
The researchers assert that there are safer and more effective alternatives to helping children manage pain after having their tonsils or adenoids removed. Many patients rely on over-the-counter painkillers like acetaminophen (Tylenol), which has been proven to be an effective post-surgical analgesic. Ibuprofen, despite some early concerns, has also been shown to be effective and doesn't appear to increase the risk of post-tonsillectomy bleeding.
In severe cases, alternative opioids like oxycodone and hydrocodone may be effective. However, these drugs also have side effects and are prone to abuse, says Chua, so the best option is to start with over-the-counter painkillers and rely on opioids only when absolutely necessary.
In the future, the researchers believe that efforts should focus on eliminating all inappropriate codeine prescribing and encouraging the use of effective non-opioid medications such as acetaminophen and ibuprofen.


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A pink tourmaline stone on a 32 inch gold plated chain. Stone is approximately .75- 1.5 inches long.


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• The first photo shows gold.


Grant Enfinger celebrates his win in Las Vegas and secures his spot in the second round of the Playoffs. Photo by Rachel Myers for Speedway Media.
After a wild race with 5-wide passing, Grant Enfinger emerges on top to grab the win at Las Vegas Motor Speedway in the World of Westgate 200 in the NASCAR Camping World Truck Series.
Johnny Sauter was rarely in the top ten, but managed to get better throughout the night. The final stage and restarts had his truck fighting for the win.
Sauter explained more specific frustrations claiming some competitors had built motors.
Ben Rhodes and Matt Crafton completed the results of the top five finishers. The other three playoff contenders were Brett Moffit, Stewart Friesen and Noah Gragson, who finished 11th, 17th and 18th respectively.
As Haley made these statements, Sauter was nodding his head.
While running the second lap of competition, Tanner Thorson in the No. 20 GO Share Chevrolet swerved in the entry of Turn 4 to avoid a collision, causing his truck to drift outside of the preferred racing line and smacked the outside wall. His truck started to smoke from the damage along the front stretch, but before he could complete the third lap and enter pit road, his truck caught fire at the entrance of pit road, bringing out the first yellow of the race. He was evaluated and released from the infield care center.
At the end of the first stage, Noah Gragson not only led all 30 laps but ran in front to over a four second lead over John Hunter Nemechek, 52, 4, 51. This was Gragson's 10th stage win of the season.
As the field took the green flag for the second stage, Grant Enfinger was the dominant truck leading the most laps. On Lap 46, Bo LeMastus spun in Turn 3 to bring out the third yellow flag of the night. The second stage also saw more lead changes.
Gragson started to lead the opening laps, but was quickly passed by Friesen. Grant Enfinger put his truck out in front for one lap before Friesen reclaimed the top spot. The last 11 laps were led by Enfinger. The only yellow flag in the second stage was for the No. 17 Toyota of LeMastus.
Todd Gilliland was running in the top 10 for most of the race, but on lap 82, was battling with Friesen. On the front stretch, Gilliland tried to tuck in behind Friesen entering Turn 1, but Jesse Little was too close behind Friesen. Gilliland and Little made contact, sending Gilliland into the outside wall.
During pit stops, the various strategies between the teams began to unfold. Enfinger was the only truck that elected for fuel only. A small handful of drivers got right-side tires, and the rest of the field, including Gragson and Sauter, received full service.
With almost thirty laps to go, a four-wide pass on the backstretch caused contact with the outer two drivers. Gragson, the furthest to the outside, receive right front damage and a lap later, blew the left front tire. While he was able to keep it off the wall and enter pit road, he also received a commitment line violation as he entered pit road too late.
Friesen slipped out of Turn 4 and slid through the grass. Because of all the debris that got tossed onto the track, NASCAR through the yellow flag, trapping Noah Gragson a lap down. Gragson visited pit road multiple times after the right rear tire started to go flat.
With 13 laps to go, Cory Roper's truck stalled on the front stretch to bring out the yellow flag. Brandon Jones also brought his Toyota Tundra on pit road, and as the crew raised the hood, it appeared that his truck was done for the race.
Stewart Friesen spun again on lap 130 to bring out the caution with five laps to go.
The "Big One" erupts at Vegas during the second overtime finish attempt. Photo by Rachel Myers for Speedway Media.
On the first attempt to finish the race with a green-white-checkered, it all started on the restart. While Brett Moffit got a great start on the outside, Johnny Sauter slightly slipped on the restart, but was able to stay within a truck-length of Moffit. However, Ben Rhodes made a move to the inside on the apron going into Turn 1. That forced both drivers to back out of the throttle and cram the field behind them. Sauter played defense on the exit of Turn 2 and along the backstretch. Thinking he was clear, he tried to close the door on Enfinger, but contact between the two trucks caused Sauter to go sideways slightly on the backstretch, but towards the back of the field. Cody Caughlin ended up spinning out, making heavy contact with the inside wall. The yellow came out before the leaders took the white flag, forcing a second attempt to finish the race.
On this restart, the field seemed to have a better start as a whole. Moffit still had a strong restart, but as the field entered the backstretch, mayhem began to unfold. By the time they entered Turn 3, there were three different 3-wide battles, one 4-wide battle and one 5-wide battle. Before the leaders could get to the start/finish line, the No. 25 truck of Timothy Peters was sideways in the exit of Turn 4. Roughly nine trucks were involved, including John Hunter Nemechek, TJ Bell, Jordan Anderson and Austin Hill.
The race was red flagged for just over ten minutes to clean up debris and fluid from pit road entrance, in the grass and along the front stretch.
The final attempt was heartbreak for Moffit. When the green flag waved for the last restart, Moffit's truck appeared to not pick up fuel in time, as he barely got out of Sauter's way in the outside lane. Moffit would eventually get back up to speed, but not before most of the field got around him. He finished 11th.
Enfinger to his inside took full advantage and cleared the field going into Turn 1. He never looked back, leading the final two laps to claim the victory over Johnny Sauter.
The NASCAR Camping World Truck Series races again at Talladega Superspeedway on October 13. Visit the Talladega Superspeedway website to purchase tickets today!


text:
Estelle Costanza
Frank Costanza
Helen Seinfeld
Morty Seinfeld
Uncle Leo
Mr. Steinbrenner
J. Peterman
Jackie Chiles
David Puddy
Newman Quotes Page 1 of 13
Quote from The Old Man
George: Let me ask you something. What do you do for a living, Newman?
Newman: I'm a United States postal worker.
George: Aren't those the guys that always go crazy and come back with a gun and shoot everybody?
Newman: Sometimes.
Jerry: Why is that?
Newman: Because the mail never stops. It just keeps coming and coming and coming, there's never a let-up. It's relentless. Every day it piles up more and more and more, and you gotta get it out but the more you get it out the more it keeps coming in. And then the bar code reader breaks and it's Publisher's Clearing House day!
Correct this quote
Quote from The Seven
Newman: Well, you've both presented very convincing arguments. On the one hand, Elaine, your promise was given in haste. But was it not still a promise? Hmm? And, Kramer, you did provide a service in exchange for compensation. But, does the fee, once paid, not entitle the buyer to some assurance Of reliability? Hmm? Huh? Ah. These were not easy questions to answer. Not for any man. But I have made a decision. We will... cut the bike down the middle, and give half to each of you.
Elaine: What?! This is your solution?! To ruin the bike?! All right, fine. Fine. Go ahead. [stands up] Cut the stupid thing in half.
Kramer: No, no, no. Give it to her. I'd rather it belonged to another than see it destroyed. Newman, give it to her, I beg you.
Elaine: Yeah, yeah, yeah.
Newman: Not so fast, Elaine! Only the bike's true owner would rather give it away than see it come to harm. Kramer, the bike is yours!
Quote from The Finale
Newman: Hello, Jerry.
Jerry: Hello, Newman. What gives?
Newman: I was speaking earlier with Kramer and he mentioned something about a private jet to Paris?
Jerry: Yeah, that's right.
Newman: Well, I hear it's quite beautiful there this time of year, and of course you know I'm one-quarter French.
Jerry: Really?
Newman: Oh, yes. In fact, I still have family there. This probably won't interest you, but I have a cousin there who's suffering very badly. She's lost all use of her muscles. She can only communicate by blinking. I would so love to see her, bring a ray of sunshine into her tragic life. But alas, I can't afford it, for I am, as you know, but a simple postal worker.
Jerry: That's a shame.
Newman: Take me! Take me!
Jerry: Oh, forget it. Pull yourself together. You're making me sick. Be a man!
Newman: All right! But hear me and hear me well. The day will come. Oh, yes. Mark my words, Seinfeld. Your day of reckoning is coming. When an evil wind will blow through your little play world, and wipe that smug smile off your face. And I'll be there, in all my glory, watching. Watching as it all comes crumbling down. [evil laugh]
Quote from The Soup Nazi
Newman: [panting] Jerry! Jerry! Jerry!
Jerry: What is it?
Newman: Something happened with the Soup Nazi!
Jerry: Wha- What's the matter?
Newman: Elaine's down there causing all kinds of commotion. Somehow she got a hold of his recipes and she says she's gonna drive him out of business! The Soup Nazi said that now that his recipes are out, he's not gonna make anymore soup! He's moving out of the country, moving to Argentina! No more soup, Jerry! No more soup for any of us!
Jerry: Well, where are you going?
Newman: He's giving away what's left! I got to go home and get a big pot!
Quote from The Package
Newman: Gentlemen, gentlemen. I am so happy to see you both. There is just some inconsistencies I'd like to straighten out.
Jerry: I'm clean and you know it.
Newman: Clean? Hardly. This doesn't like like a man that is happy with his stereo performance, now, does it?
Jerry: Where did you get that?
George: I think that's one of mine.
Newman: It looks like you're breaking into it like an otter breaks open a clam.
Jerry: Well, I don't know about that but I'm sure there is a explanation.
Newman: Yes, it's called mail fraud. Oh, how I've longed for this moment, Seinfeld. The day when I would have the proof I needed to hall you out of your cushy lair and expose to the light of justice as the monster that you are. A monster so vile!
Co-worker: Newman!
Newman: There will be a small fine.
Jerry: Okay.
Quote from The Millenium
Kramer: Well, what am I gonna do? I got over two hundred folding chairs, and quite a bit of ice.
Newman: What kind?
Kramer: Cubed.
Newman: That's good stuff, and you can never have too much ice. All right, I'll tell you what I'll do. You can co-host the party with me, under one condition. No Jerry. Jerry is not invited.
Kramer: I gotta invite Jerry. He's my buddy.
Newman: That he may be. But he's outta my life, starting in the year 2000. For me, the next millennium must be Jerry-free!
Quote from The Junk Mail
Newman: Oh, calm down, everyone. No one's cancelling any mail.
Kramer: [whispers] Oh, yes, I am.
Newman: What about your bills?
Kramer: The bank can pay them.
Newman: [scoffs] The bank. What about your cards and letters?
Kramer: E-mail, telephones, fax machines. Fedex, telex, telegrams. Holograms.
Newman: All right, it's true! Of course nobody needs mail. What do you think, you're so clever for figuring that out? But you don't know the half of what goes on here. So just walk away, Kramer. I beg of you.
Quote from The Cartoon
Newman: Excuse me, Miss Weaver? Oh, my God, it is you. I've seen your show six times.
Jerry: What a surprise.
Newman: You're great. It's great. It's so great to see a show that's about something. [looks at Jerry]
Quote from The Scofflaw
Kramer: All right. Now you listen, and you listen good. I know who you are. You're the scofflaw.
Newman: [defensive] What are you talking about...
Kramer: Ah, don't play dumb. It's me, Cosmo.
Newman: All right, so it's me. So what?
Kramer: You don't think I know how you're feeling, every second of the day? Looking over your shoulder to see if someone's coming up from behind. Sitting alone at night, knowing they could be closing in.
Newman: I can't sleep, I tell you! I can't sleep!
Kramer: Of course you can't, you poor sap! Now why didn't you tell me?
Newman: I couldn't. I couldn't tell anyone.
Kramer: So you been living this secret the whole time by yourself?
Newman: [sobbing] Yes, it's been awful. I wanted to tell somebody. [pleads] Help me Kramer! Help me!
Quote from The Calzone
Newman: I called in sick. I don't work in the rain.
George: You don't work in the rain? You're a mailman. "Neither rain nor sleet nor..." It's the first one.
Newman: I was never that big on creeds.
George: You were supposed to deliver my calzones. We had a deal!
Newman: I believe the deal was that I get the calzones on my mail route. Well, today I won't be going on my mail route, will I? Perhaps tomorrow.
George: But I'm paying you!
Newman: Yes, thank you. [closes door]
George: Newman!
Switch Character
© 2018 - 2020 TV Quotes


The Grovemade Pocket Knife is the knife refined to its true essentials, showcasing premium materials and advanced construction. Inspired by the classic Japanese Higonokami knife, the Grovemade Pocket Knife is held closed by friction, and held open by placing one's thumb on the end of the tang. It's a beautiful, elegant, and simple knife for the design conscious individual.
The vast majority of pocket knives are built with a sandwich style construction, stacking materials and then screwing them together surrounding the blade. This is the easiest and cheapest way to make a knife. We challenged this convention by building around a single-piece machined core which we call the "monobody". We pursued this single piece construction for cleaner lines, durability, and a fundamentally unique look.
For our blade, we chose 440C steel. 440C is specially formulated to be durable, wear resistant, and hard—ideal qualities in a knife blade. It produces a hard edge with excellent edge retention, making it an exceptionally capable blade.
The solid monobody is composed of 303 stainless steel. At almost three times the density of aluminum, it has a satisfying heft and is virtually indestructible. Also, unlike aluminum, it's not anodized or coated, so the appearance won't chip or wear away with time.
In order to fully realize the fine details of our design (the blade fitting flush with the handle when open or closed; the lack of gap between the blade and the surround) we were forced to get creative with our manufacturing partners. After the larger blade companies we reached out to couldn't promise the tolerances we needed, we decided to keep all manufacturing entirely in the Pacific Northwest.
The blade and monobody are machined by our friends in Oregon City, the blade is taken up to Kent, Washington for bevel grinding, and then returns to Portland for final sharpening. The wood is machined, sanded, and finished here in the Grovemade workshop where the knife is finally assembled.
These decisions were not taken lightly. A knife made entirely in the USA is significantly more expensive than outsourcing from overseas. But we wanted to create a beautiful and unique piece which contributes to the genre, not just make another knife.