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STUDENT ARTISTS COLLABORATE WITH COMPOSER By Mary K. VanGieson, Number: Inc.
Photo By: Lauren Flynn
Date: 11/9/12The exhibition currently on view at the Germantown Performing Arts Center is a collaboration between composer/musician Anna Clyne and 26 Houston high school Advanced Placement and Art IV visual arts students. The works are based on Clyne's written text, snippets of music from her website and the student /teacher discussions held in class and reference Clyne's most recent composition entitled, Prince of Clouds. Clyne states on her website that while composing the piece she "was contemplating the presence of musical linage – a family-tree of sorts that passes from generation to generation."
Working under the direction of arts instructors Amanda McKnight and Bobby Spillman, students created paintings and sculptures based on their impressions of Clyne's written thoughts and previous compositions. The works in the show range from a black & white ink drawing of a nest of hornets to a layered cloak-like garment to a ribbon painted violin. All demonstrate great imagination in giving a visual interpretation to creative musical thoughts.
IRIS ORCHESTRA'S PLANTING ROOTS By Kim Brukardt, Jewish Scene
Photo By: Kim Brukardt
Date: 11/8/12In October, IRIS Artistic Director and Principal Conductor Michael Stern, IRIS musicians and staff braved the elements as the rain stopped just in time for the first iris bulb planting at Germantown Performing Arts Centre (GPAC) in Germantown, Tenn. The group moved on to the Germantown Charity Horse Arena and had to forgo the last planting at Hutchison School due to the weather, which delayed the first planting.
Now in its 13th season in residence at Germantown Performing Arts Centre (GPAC), IRIS Orchestra takes time to celebrate the roots it has put down in the Germantown/Memphis community not only through music but also through its host-family program and its extensive involvement in area schools. Michael Stern and members of IRIS Orchestra, alongside volunteers and supporters of IRIS, will spend the day planting iris bulbs purchased from the West Tennessee Iris Society during its recent fundraiser. In addition, the host families who house IRIS musicians during concert weeks will receive IRIS rhizomes for their own gardens as a token of the orchestra's appreciation of unfailing generosity.
STRINGS EXCEL IN IRIS PERFORMANCE IN GERMANTOWN By Jon W. Sparks, The Commercial Appeal
Photo By: Janette Beckman
Date: 11/4/12It's enough for some orchestras to simply perform familiar and comforting tunes, taking no chances and sending audiences home with fading satisfaction.
Not so the IRIS Orchestra, which aims to cultivate a sense of excitement not only in fine performances but in bold programming. Maestro Michael Stern pulled it together again Saturday night in a concert that premiered a work by versatile rising composer Anna Clyne, showed the virtuosity of two of the world's top violinists and showcased a robust string section.
The Clyne composition — "Prince of Clouds" — was co-commissioned by IRIS and is part of a remarkable program initiated by the evening's guest performers, Jaime Laredo and Jennifer Koh.
The project titled Two x Four features the two violinists performing four double violin pieces. Two of the works were performed Saturday at the Germantown Performing Arts Centre — Clyne's "Prince of Clouds" and Bach's well-loved Double Concerto for Two Violins. (The other works are Philip Glass's "Echorus" and a new piece by David Ludwig first performed in May).
REVIEW: GERMANTOWN'S IRIS OPENS SEASON WITH GORGEOUS VIVALDI CONCERTO By Jon W. Sparks, The Commercial Appeal
Date: 10/14/12The IRIS Orchestra opened its season Saturday night with a slightly different bit of programming. There was no guest artist as such, but there were four featured soloists from the ranks of the orchestra itself.
It proved to be an inspired decision with Vivaldi's Concerto for Four Violins in B minor, Op. 3, No. 10, providing a spotlight for four regulars. The violinists — Carolyn Huebl, Stephen Miahky, Miho Saegusa and Jonathan Swartz — are each exceptional and all have served as concertmaster at various times for IRIS.
The concert, playing to a full house at the Germantown Performing Arts Centre, was what listeners have come to expect from maestro Michael Stern and his merry band of players from all over the country. The performances were consistently excellent in technique and expressiveness.
Stern actually was not on stage for the Vivaldi, a work done without conductor and the four fiddlers setting the pace. Vivaldi and violins are somewhat like grits and gravy — a natural and sometimes supernatural match. The performers brought different styles while fully exploiting the eloquence of Vivaldi in the piece, the only flaw of which that it was too short.
IRIS WINDS UP SEASON WITH CLASS By Jon W. Sparks, The Commercial Appeal
Photo By: Steve J. Sherman
Date: 05/07/12IRIS Orchestra ended its season Saturday night with what has become its usual mix of intriguing programming and stellar talent.
The guest performer was pianist Andre Watts, who has been a highly regarded artist in the 45 years since he burst on the scene as a 16-year-old prodigy, impressing the likes of Leonard Bernstein and wowing orchestras around the world with his virtuosity.
That skill was beautifully on display at the Germantown Performing Arts Centre in his performance of Beethoven's Piano Concerto No. 5 ("Emperor"), a piece grand and soaring in itself, but given a particularly sensitive emotive interpretation by Watts.
SHORTER SEASON FOR IRIS By Jon W. Sparks, The Commercial Appeal
Date: 04/30/12The 13th season of IRIS Orchestra promises to be bold and beautiful, but it's also going to be the shortest one ever.
The four-concert 2012-2013 schedule is down from six this season, but the guest artists and programming are alluring.
In November, Jaime Laredo and Jennifer Koh perform Bach's Double Violin Concerto as well as the premiere of a work written for the two acclaimed violinists by American composer Anna Clyne.
In February, violinist Gil Shaham returns to IRIS for the third time to perform the Brahms Violin Concerto. Shaham's popularity continues to grow, particularly in Memphis where he has made numerous appearances since his prodigy days two decades ago.
Pianist Jeffrey Kahane stars in May 2013, performing several pieces, including Beethoven's Fourth Piano Concerto.
The first concert of the season in October puts the spotlight on violinists in the orchestra, setting a theme for the season that will highlight various musicians in the group each concert.
Since its inception in 2000, IRIS musicians selected by artistic director and principal conductor Michael Stern have come from around the country to perform at the concerts, usually held at the Germantown Performing Arts Centre.
The four-concert schedule is the shortest IRIS has offered. In the early years it offered as many as eight concerts annually. As the economy waned, it cut back, having only five events in the 2009-2010 season but has had six concerts in the two seasons since.
But the economy is still taking a toll on performing groups, so the cutback in number of performances was necessary, said executive director and percussionist David DePeters.
"We always look at how to present the best concerts we can in an affordable way," he said. "We've cut back before based on how we anticipate things will go in the next year. That's one of our strengths, that we can have a flexible schedule and still provide great performances and guest artists as well as continuing our community outreach efforts."
IRIS, GUEST CELLIST LEAD PLEASANTRIES By redric Koeppel, The Commercial Appeal
Date: 04/23/12In Saturday night's concert at Germantown Performing Arts Centre, IRIS Orchestra didn't stray far from the confines of the 19th century.
Led with panache and commitment by artistic director and principal conductor Michael Stern, the group rendered three well-known crowd-pleasers with which the crowd was indeed well-pleased, and for good reason: Whether the required mood was merry wit or anguished introspection or folkloric exuberance, the orchestra -- and guest artist, Israeli cellist Amit Peled -- delivered the goods.
Merry wit came in the form of Gioachino Rossini's Overture to "La Cenerentola" ("Cinderella"), a sort of bonbon tossed to the audience before the more serious works. Rossini composed the fairy-tale-based opera early in 1817, just before it premiered in Rome at the end of January. He was 24, and already had the huge successes of "Tancredi" and "The Barber of Seville" behind him. The buoyantly melodic and diverting Overture is froth of the highest order, as is the opera it precedes, and IRIS Orchestra gave the piece its full measure of good cheer and vitality.
To turn to Edward Elgar's Cello Concerto in E minor, Op. 85, called on a completely different setting of intention and mood. Composed in 1918-19, the four-movement work's solemn and passionate character reflects the psychological and historical devastation of World War I, the passing of the old order of European culture and the ill health of Elgar and his wife, who died in 1920. One would have to possess a heart of stone not to be moved by the sweeping, introspective theme of its opening section or by the sense of elegiac renunciation that dominates the Adagio.
Peled's approach produced a notably muscular attack and a deeply supple, even majestic sound, though slightly roughened; when he swayed into the notes, when he plucked the strings, you felt the vibration in your bones. Local audiences are far too prone to jump to their feet in ovation, even at the most standard renditions, but this performance from orchestra and soloist deserved the approbation.
After intermission, the orchestra returned with Tchaikovsky's Symphony No. 2 in C minor, Op. 17, "Little Russian," composed in 1872-73 and revised in 1879-80. Stern elicited and commanded the collective power of IRIS for this metamorphic, heavily rhythmic and frequently exhilarating symphony.
IRIS ORCHESTRA'S 'TASTE OF HEAVEN' ELEVATES SPIRIT By Jon W. Sparks, The Commercial Appeal
Photo By: Jennifer Gasparian
Date: 01/09/12When Heidi Grant Murphy starts singing, you marvel at how a human voice can do what it does.
Murphy's sweet, subtle, crystalline vocals elevated the luminously performed works in Saturday night's IRIS Orchestra concert at the Germantown Performing Arts Centre.
Maestro Michael Stern programmed the evening, titled "A Taste of Heaven," around Mahler's "Symphony No. 4 in G major," a stunning work that culminates with a child's view of heaven in the song "Das himmlische Leben" ("Heaven's Life").
This is the first time IRIS performed a Mahler symphony, and there's no question that Stern chose well. Mahler's symphonies range from big to gargantuan, but the Fourth is not unwieldy. Yet it is both cerebral and transcendent, beautifully blending the human and the spiritual, and the orchestra played with exquisite passion.
The final movement featured Murphy's singing, her lustrous soprano layering on another dimension of gorgeousness to the piece that enthralled the audience.
IRIS PLUCKS RIGHT STRINGS AT GPAC CONCERT By Jon W. Sparks
Date: 12/05/11Saturday night's IRIS Orchestra concert was an all-strings triumph of programming and performance, again showing the deft touch maestro Michael Stern has in creating a presentation that is both familiar and adventurous.
Guest performer Elizabeth Hainen brought virtuoso harp skills in two remarkable performances to the Germantown Performing Arts Centre. The first was Caplet's "Conte fantastique," a tone poem based on Edgar Allen Poe's "Masque of the Red Death." The 1919 work is thrilling and terrifying, sounding today like the soundtrack from a horror film, but all the more interesting for how it set a standard for aural chills.
MARTIN SHORT - IRIS ORCHESTRA By WREG NEWS CHANNEL 3
Date: 09/30/11Martin Short is best known as a comedic genius. But he is also a talented singer and musician and has received a Tony Award. He's combining his love of both acting and music on stage in Memphis this weekend for a special performance with IRIS Orchestra.
MARTIN SHORT PERFORMS WITH IRIS ORCHESTRA By Kacky Walton
Date: 09/28/2011Kacky Walton speaks with Martin Short about his upcoming performance in IRIS Orchestra's twelfth season inaugural concert, coming up Saturday, October 1st, at GPAC.
Comic genius Martin Short brings his unbridled energy and improvisational talent to Prokofiev's masterful musical parable, "Peter and the Wolf," and to the chansonnier role in H. K. Gruber's ingeniously surreal reworking of Frankenstein as a "pan-demonium" scored for orchestra and a cabinet of toy instruments.
IRIS SHOW PUSHES ENVELOPE By Jon W. Sparks
Date: 10/03/2011Not everybody loved Saturday night's IRIS Orchestra's season opening concert.
But nobody will forget it.
The first number to open the 12th season at the Germantown Performing Arts Centre, Copland's "Latin American Sketches," was deceptive, promising a standard program. The lush, precise performance was the caliber we've come to expect from IRIS.
And then it changed.
The departure was not a move away from quality, however, but rather in the direction of adventurous musical work. On top of that was the live-wire performance of actor and comedian Martin Short, who seized the evening with two separate compositions.
IRIS MATCHES WORKS IN DEVOTED FINALE By Fredric Koeppel, The Commercial Appeal
Date: 04/18/11Perhaps it was because Saturday night's performance at the Germantown Performing Arts Center was the last concert in its 2010-11 season, but IRIS Orchestra, under the baton of founder and artistic director Michael Stern, seemed unusually deeply involved in and committed, both technically and emotionally, to its program.
That program could have been called "Romantic, Late-Romantic and Neo-Romantic" to encompass Robert Schumann's "Overture, Scherzo and Finale in E major" from 1841, revised in 1845; the Saint-Saëns "Piano Concerto No. 2 in G minor," from 1868; and Edward Elgar's "Enigma Variations," written in 1898-99.
Not only was the progress chronological, but each piece revealed increasing emotional and psychological depth.
IRIS MIXES IN A HELPING OF SHAKESPEARE By Jon W. Sparks, The Commercial Appeal
Date: 02/28/11 Always inventive IRIS has never been a staid classical presence, but the concert at the Germantown Performing Arts Centre energetically broke new ground in a collaboration with the Tennessee Shakespeare Company.
It was a concert, yes, but there was also a theatrical event integrating Michael Gandolfi's brisk and lovely "Themes from a Midsummer Night," with a performance of scenes from Shakespeare's "A Midsummer Night's Dream."
It was a visual and sonic romp as players from Germantown-based Tennessee Shakespeare Company bounded across the stage -- and even the musicians got to add some ham to the feast.
BRAVOS ALL AROUND FOR IRIS PERFORMANCE By Jon W. Sparks, GO Memphis
Date: 02/24/11IRIS Orchestra's concert Saturday night did what it does best: push the creative envelope while providing an exciting — even explosive — musical experience.
The big draw was one of the most energetic works maestro Michael Stern has offered -- Chris Brubeck's "Travels in Time for Three," commissioned by a consortium of orchestras that includes IRIS and given its Mid-South premiere at the Germantown Performing Arts Centre.
STRING TRIO TIME FOR THREE PUT ITS STAMP ON COMMISIONED WORK By Jon W. Sparks, GO Memphis
Date: 02/21/11IRIS Orchestra blooms with activity this weekend. Saturday's concert caps a series of events that includes school tours, a fundraiser tonight and an expanded dress rehearsal aimed at young people.
The main event is the Mid-South premiere of a commissioned piece written for the high-energy string trio Time for Three, which wowed IRIS concertgoers in its 2006 appearance.
SHORT TO BRING COMEDIC TOUCH TO SEASON-OPENING IRIS SHOW By Jon W. Sparks, GO Memphis
Date: 02/20/11IRIS Orchestra's 12th season promises plenty of wit and virtuosity.Emmy Award-winning actor Martin Short starts off the season Oct. 1 narrating Prokofiev's popular "Peter and the Wolf" and playing the chansonnier role in a performance of H.K. Gruber's "Frankenstein!!" scored for orchestra and toy instruments.
Michael Stern, IRIS' artistic director and conductor, said Short -- known since his "Saturday Night Live" days for his comic characters -- will bring that comedic sensibility to the performance. The actor has performed with other orchestras in addition to many acting roles that include a recent serious stint on the FX drama "Damages."
IRIS, which performs at the Germantown Performing Arts Centre, will have six concerts in the coming season. Other guest artists include harpist Elizabeth Hainen, soprano Heidi Grant Murphy, violinist Vadim Gluzman, cellist Amit Peled and pianist Andrè Watts.
IRIS BLOOMS IN WINTER Fundraiser + Silent Auction Feature Auction:
Items from Anthropologie and Mednikow
Michael Stern and IRIS Orchestra
Memphis College of Art
Time for Three
Jill Wissimiller
Downtown Campus - 477 South Main
Valet Parking Available
To RSVP please contact:
Kara Craig
E-mail: karacraig@irisorchestra.org
$40 for reservations made in advance
$50 at the door
Tim and Ellie Bakelaar
John and Weetie Whittemore
Alex and Shea Wellford
Biggs and Neely Powell
Robert and Bradley Fogelman
Mark and Leanne Sykes
Alan and Margaret Everett
Nick and Amanda Goetze
Mike and Anne Keeney
FORGOTTEN CHANTS & REFRAINS By By Bob McQuiston, Classical Lost and Found
Date: 01/06/11Not too long ago we told you about up-and-coming American composer Jonathan Leshnoff (b. 1973, see the newsletter of ), and here are three more symphonic pieces on this second volume from Naxos devoted to him. An associate professor of music at in Maryland and composer-in-residence with the Baltimore Chamber Orchestra, he's a contemporary composer who writes intellectually stimulating music with immediate appeal.
THE BEST CLASSICAL CDS OF 2010 By Rich Fisher, Public Radio Tulsa
Date: 12/21/10On today's show, we speak by phone with Tim Smith, the classical music and drama critic for The Baltimore Sun. Smith has also written for The Washington Post, The New York Times, BBC Music Magazine, Opera News, and other publications. His book from 2002, "The NPR Curious Listener's Guide to Classical Music," can now be found (as Smith himself puts it, in the "bio" section of his fun-to-read blog) "on the most discerning remainder racks." Here are some of Smith's faves from 2010 — as discussed on today's StudioTulsa, yet otherwise in no particular order:
IRIS RIDES MOMENTUM INTO HOLIDAYS By Jonathan Devin, The Memphis News
Date: 11/29/10Halfway into its 10th anniversary concert season, IRIS Orchestra is still riding a wave of excitement generated by soloists Yo-Yo Ma and Yefim Bronfman in its first two concerts.
IRIS ORCHESTRA ADDS PASSION TO BARTOK CONCERTOS By Jon Sparks, The Commercial Appeal
Date: 11/15/10Killer B's were loose Saturday as IRIS Orchestra played Beethoven and Bartok with a guest performance by pianist Yefim Bronfman.
Oboist Richard Dallessio mused before the concert at the Germantown Performing Arts Centre: "I wonder how often people have ever heard two Bartoks in one night."
YO-YO MA DELIVERS AS USUAL, AGAIN WOWS GPAC CROWD By Jon Sparks, The Commercial Appeal
Date: 10/03/10Friday night, Yo-Yo Ma reaffirmed why we love superstars.
As much as we know of his illustrious history and as many recordings as we may have heard, the brilliance of the cello virtuoso's live artistry still managed to surpass expectations and gave the audience at the Cannon Center for the Performing Arts a night to remember.
SUMPTUOUS 'NEW WORLD' CLOSES 10TH FINE YEAR FOR IRIS By Jon W. Sparks, GO Memphis
Date: 03/21/10The 10th season of IRIS Orchestra came to a triumphant close Saturday night with a robust blend of brilliance.
It has been a remarkable decade of well-crafted performances by top musicians from around the country (local players included) who are joined by stellar guest artists to dish up some great classical music.
IRIS STRING QUARTET PROGRAM SPARKLES By Jon W. Sparks, The Commercial Appeal
Photo by Mike Brown
Date: 03/01/10IRIS Orchestra routinely has a guest artist to show off, but Saturday night's performance departed from that formula.
It featured, rather, a superlative string ensemble of IRIS musicians performing pieces that all had origins as string quartets but were later upgraded to symphonic size.
Leading off the program was Verdi's String Quartet in E minor, scored for orchestra by Arturo Toscanini, a lush and handsome piece that embodied the essence of poetry.
IRIS PERFORMANCE BLOOMS AS DELICACY DRIVES WORKS By Jon W. Sparks, The Commercial Appeal
Date: 01/11/10Saturday night's IRIS Orchestra performance was a triumph of freshness.
Guest artist Dawn Upshaw brought her crystal soprano voice to works by Stravinsky and Golijov, pieces of aching beauty that showed the power of delicacy.
Upshaw, who has won four Grammy Awards, displayed with her seemingly effortless prowess how the voice can become as one of the instruments, and the brilliant compositions allowed IRIS instrumentalists to sing.
CAPTURES ESSENCE OF SCHUMANN By Jon W. Sparks, The Commercial Appeal
Date: 11/16/09"Schumann was a nut," cracked pianist Jeremy Denk, an accurate assessment, but offered with true affection.
Denk, after all, knows a thing or two about the German composer, as splendidly evidenced by Saturday night's performance of Schumann's Piano Concerto with IRIS Orchestra.
The brilliant, rolling and poetic composition was thrillingly rendered by Denk who played with shimmering fluidity. Sometimes performers need to prove something -- but not the expressive Denk, whose intent was purely to immerse the audience in Schumann's gorgeousness. Nothing nuts about that.
VIOLINIST MIDORI TO CRITIQUES STUDENTS ON CAMPUS TODAY By Joseph Walz, The Daily Helmsman
Photo by Dan Borris
Date: 10/02/09World famous violinist Midori will be on campus today critiquing music students in a two-hour class at the Rudi E. Scheidt School of Music.
Midori's class will be today from 10 a.m. to noon in Harris Concert Hall. Students will perform for the artist, after which they will be critiqued and given feedback.
Midori is part of the concert and masterclass series sponsored by IRIS Orchestra and The Rudi E. Scheidt School of Music. The classes are free and open to those who want to observe at Harris Concert Hall, however participation in the classes is exclusively for selected students in the music school.
GERMANTOWN FINDS FUNDS FOR CIVIC AID By Lela Garlington, The Commercial Appeal
Date: 04/19/09During a lean budget year when Germantown laid off a city planner and cut back other workers' salaries and hours, the city is proposing to almost double its civic support to local groups in next year's budget.
Of the city's $36.7 million in general fund expenses, Germantown is proposing just more than $768,000 for grants to various local organizations.
IRIS ANNOUNCES SEASON OF 'UNCOMPROMISING QUALITY' By Jon W. Sparks, The Commercial Appeal
Date: 03/16/09IRIS Orchestra continues a strong lineup of selections and guest artists in the just-announced 2009-2010 season.
Among the acclaimed performers will be violinist Midori and soprano Dawn Upshaw on stage at the Germantown Performing Arts Centre.
IRIS Chamber Orchestra musical director Michael Stern leads the orchestra during a rehearsal at GPAC in this file photo.Maestro Michael Stern has programmed a typically diverse array of compositions to fill the five concerts, down by one from the current season.
BLESSED TO RECEIVE By Cathryn Stout, The Commercial Appeal
Date: 10/09/08It was not the delivery Carrington Wise anticipated, but it came at the perfect time. The music teacher at St. George's Independent School Memphis campus stopped by her classroom one recent evening to open what she thought was a new desk. Instead, she found meticulously
packed boxes from Germany containing two xylophones and three metalaphones.
IRIS GUEST URI CAINE BOOGIES TO BRAHMS By Jon W. Sparks, The Commercial Appeal
Date: 10/05/08The opener of the ninth season of IRIS was a wild ride, from the traditional (a solid Beethoven's "Eroica" Symphony) to the roller-coaster boogie-woogie of Brahms.
Actually the boogie-woogie -- and blues, and stride piano, and a rich mix of other jazz forms and invention -- were courtesy guest soloist Uri Caine. The pianist took Brahms' "Variations and Fugue on a Theme by Handel" and gave it an expression that would have stunned the old composers.
Handel got the ball rolling in 1733 with his Suite in B-flat major. Brahms, in 1861, created his 25 spectacular variations on that theme. Taking it another giant step further, Caine re-orchestrated the Brahms (in 2004) and improvises his own piano performance on each gig.
SMILES BLOOM AT IRIS PERFORMANCE By Jon W. Sparks, The Commercial Appeal
Date: 01/27/08Watch how an audience reacts to a performance. They might cheer or hurl raspberries or applaud politely. But Iíve never seen a crowd smile as much as the audience did when cellist Lynn Harrell finished his glorious performance of Saint-Saensí Cello Concerto No. 1.
It happened Saturday night during IRIS Orchestraís performance at the Germantown Performing Arts Centre, an evening where sublime performances even beyond Harrellís thrilled the crowd.
IRIS REHEARSES WITH STAX MUSIC ACADEMY STUDENTS By Christopher Blank, The Commercial Appeal
Date: 01/26/08Back in 2000, when conductor Michael Stern first knocked on the door of the Germantown Performing Arts Centre, he used the Symphony No. 5 as a calling card.
That musical phrase launched IRIS Orchestra into existence with romantic fervor.
Eight years since, Stern's hand-picked chamber orchestra has recorded several critically acclaimed albums, commissioned new works of music and created a national reputation.
BREAKING FREE By Christopher Blank, The Commercial Appeal
Photo by Mark Weber
Date: 04/21/07Opportunities, obligations await IRIS next year in its first season as an independent orchestra. IRIS conductor Michael Stern is ready for the orchestra's independence: "It allows IRIS to do things in this community and elsewhere that we couldn't do before"
IRIS PERFORMANCE NEARLY FLAWLESS By Jon W. Sparks, The Commercial Appeal
Date: 12/02/07IRIS Orchestra is frequently inspiring, but Saturday nightís performance was as close to flawless as itís ever been. Maestro Michael Stern presented a program of overlooked works that are superb compositions, yet for various reasons are infrequently performed.
THE BRILLIANCE OF AMADEUS: IRIS CELEBRATES GENIUS' MUSICAL PERFECTION By Jon W. Sparks, The Commercial Appeal
Date: 05/08/06Music hasn't been the same since Wolfgang Mozart came into the world 250 years ago. In honor of his genius, Saturday night's concert by IRIS Chamber Music Orchestra ended its season with a triumphant run of three symphonies and a piano concerto, all revealing different sides of the master, all gloriously performed and all challenging how we regard the concept of perfection.
Rigid philosophers may insist that perfection is unattainable, but there's no stopping the use of the word when it comes to Mozart. Performers, conductors and listeners fall back on the term, spurred by the transcendent qualities of form, harmonies, intelligence and the gut feeling that each moment could be no other way.
IRIS SERVES UP ANOTHER WINNER By Jon W. Sparks, The Commercial Appeal
Date: 03/06/06The power, precision and beauty of the string sections reverberated through the
Germantown Performing Arts Centre at Saturday night's IRIS Chamber Music Orchestra
concert.
For sheer emotional potency, not much beats Bartok's Music for Strings, Percussion and
Celesta. It's a masterpiece, soaring with intelligence while being greatly admired by
musicians who love the challenge. The audience, not universally fond of 20th Century
music, stood and gave the orchestra and Maestro Michael Stern an enthusiastic thumbs up
for a performance that showed IRIS at its best. There were moments exquisitely sad and
others insanely frenzied. The musicians would fade to impossible softness or wield
aggressive blankets of sound -- and it was one of the finest performances of the season.
GPAC'S BEST PLAYS VIENNA'S FINEST: IRIS IN A GLORIOUS WALTZ By Jon W. Sparks, The Commercial Appeal
Date: 01/16/06Maestro Michael Stern delivered the best of the best Saturday night.
He imported some of the finest Viennese tunes imaginable and got IRIS Chamber Music Orchestra to give one of its best realized performances at the Germantown Performing Arts Centre.
Topping it off was guest soloist Jonathan Biss, whose serene confidence possessed his performance of the Mozart Piano Concerto No. 21.
GLITTERING RECEPTION OPENS IRIS'S SIXTH SEASON By Jon W. Sparks, The Commercial Appeal
Date: 10/18/05IRIS Chamber Orchestra with Conductor Michael Stern opened its sixth season Saturday
night, October 8 at the Germantown Performing Arts Center, with featured soprano Kallen
Esperian in what was a glittering gala.
World renowned soprano and Memphian Esperian with IRIS Chamber Orchestra gave a
stunning season opening concert featuring Berlioz's Overture to Beatrice and Benedict,
Chausson's Poème de l'amour et la mer for soprano and orchestra, Richard Strauss' String
Sextet from Capriccio, Selections from the Gershwin songbook and Liszt's Hungarian
Rhapsody No. 2.
PLAYING OUT OF TOWN By Chester Lane, Symphony
Date: 09/10/05In the southwest corner of Tennessee, just outside the I-240 "Loop" that circles Memphis, lies the city of Germantown. Located in Shelby County, where the average household income exceeds that of any other county in the state except three in the Nashville area, Germantown is a largely residential community with a population pegged officially, and with quaint precision, at 40,203. It prides itself on its AAA credit rating from Standard & Poor's, its superior public services, and a government that, in the words of City Administrator Patrick Lawton, "places a high value on things that add value to the lives of its citizens." A visitor to the city's web site will find Germantown's amenities described in the usual language of civic boosterism, but with an eye-opening difference: This is a community that offers "award-winning schools, acres of parkland, a comprehensive fitness and recreation complex, an extensive sports program, and IRIS, the city's chamber orchestra" (emphasis added).
MIDORI'S PASSION, GRACE MAKE PERFECT MOMENTS AT IRIS By Jon W. Sparks, The Commercial Appeal
Date: 05/09/05Midori conquered Beethoven and the sellout IRIS Chamber Music Orchestra audience with
such seeming ease.
Of course it wasn't all that simple. But when the violinist came onstage at the Germantown
Performing Arts Centre on Sunday afternoon and cranked up the Beethoven Violin Concerto
in D major, it was such a silken performance that it seemed effortless.
Maestro Michael Stern had earlier referred to the work as a "perfect moment of grace and
purity and nobility." Midori provided the passion with a wonderfully physical performance
that took no note for granted, yet allowed the piece to appear lighter than air.
'BLACKBIRD,' IRIS PLAYERS TAKE WING By Jon W. Sparks, The Commercial Appeal
Date: 02/14/05Amazing musical adventures just keep on coming with IRIS. Maestro Michael Sternprogrammed and executed yet another sterling concert with the chamber music orchestra Saturday night at the Germantown Performing Arts Centre, one that was rich, diverse, sexy and surprising.
Featured guest group eighth blackbird --- the name taken from a Wallace Stevens poem -- is
a stunning sextet of exceptional ability. The six musicians performed "Split Horizon," a 2003
composition by the young Minnesota-born David Schober, who was present and introduced
the piece.
IRIS SWELLS INTO ODE TO JOY By Jon W. Sparks, The Commercial Appeal
Date: 12/06/04IRIS Chamber Orchestra delivered a stunning holiday gift over the weekend.
Maestro Michael Stern's program at the Germantown Performing Arts Centre was an even bigger, grander manifestation of IRIS's mission to combine old favorites and contemporary challenges, including, as he put it at Sunday afternoon's performance, "music we helped to create."
The blowout work was Beethoven's Ninth Symphony with a larger than usual orchestra plus the local Gary Beard Chorale plus four world class soloists crowding the stage and staggering the crowd with a vigorous, heartfelt performance.
'ODE TO JOY' ERUPTING AT GPAC By Jon W. Sparks, The Commercial Appeal
Date: 12/03/04After 16 years The Gary Beard Chorale has a lot of music under its collective robe. From Handel to Hoagie Carmichael, the group has sung the gamut of secular and spiritual music.
So when Germantown's renowned IRIS Chamber Orchestra asked the ensemble to sing one of the most spiritually secular choral works ever written, Gary Beard leapt at the chance.
In the weeks since rehearsals began for Beethoven's famous Ninth Symphony -- a.k.a. the "Ode to Joy" -- Beard has been learning just how deep that spiritual energy runs.
IRIS BLOOMED AGAIN ON SATURDAY NIGHT By Jon W. Sparks, The Commercial Appeal
Date: 11/15/04Maestro Michael Stern, again showing consistency, presented a memorable program by the
chamber orchestra that informed, delighted and astonished.
The evening's guest artist at the Germantown Performing Arts Centre was pianist Stanislav
Ioudenitch, the brilliant winner of the 2001 gold medal at the Van Cliburn competition. In two
19th Century pieces, Ioudenitch displayed an exquisite touch with those spring-loaded fingers
running up and down the keyboard with an easy confidence.
IRIS ENDS SEASON ON HIGH NOTE FOR GPAC AUDIENCE By Jon W. Sparks, The Commercial Appeal
Date: 05/10/04IRIS Chamber Orchestra's exclamatory season ended with bravos! ooohs! whoops! and hollers!
There was nothing staid about Saturday night's concert at the Germantown Performing Arts Centre. blasted off with Copland's energetic "Music for the Theater," moved into higher drama with Mozart's Symphony No. 25 in G minor and ended with soloist Gil Shaham breathing fire into the Brahms Violin Concerto in D major.
THE BEST CLASSICAL CD'S OF 2003; HARTKE: CLARINET CONCERTO; OTHER WORKS By Anthony Tommasini,The New York Times
Date: 12/21/03Most of the musical energy of the Mid-South was aimed at downtown Memphis and the Beale Street Music festival Saturday night, but no small amount of power emanated from the Germantown Performing Arts Center far to the east, where soloist Yefim Bronfman thundered through Brahms's monumental Second Piano Concerto with IRIS orchestra.
Michael Stern, musical director and conductor of IRIS, concocted an interesting group of works for the orchestra's last performance of the season.
Robert Schumann's Overture to Manfred, Op. 115 is a vigorous and brooding homage to the grandeur and isolation of Byron's tortured hero. It's not difficult to see Schumann, 38 at the time, looking at his own life of struggle and fitful success as he descended into depression and madness.
BRONFMAN AND IRIS OFFER BRILLIANT CLOSE TO THE SEASON By Bill Ellis, The Commercial Appeal
CHAMBER ORCHESTRA SCORES AGAIN WITH STELLAR PERFORMANCE By Bill Ellis, The Commercial Appeal
Date: 01/14/01If consistency were a crime, IRIS stands accused. In its inaugural season, the Germantown chamber orchestra has been consistent four times over - in its performances, programs, leadership and guest soloists.
Saturday at the Germantown Performing Arts Centre, the ensemble, under director Michael Stern, gave more of the stellar same to 826 in attendance. And you wondered why tickets have sold so fast?
MA, STERN RESONATE FAR BEYOND THE MUSICAL SCORE By Bill Ellis, The Commercial Appeal
Date: 09/20/00Given that Tuesday was the debut splash of Germantown's new chamber orchestra, IRIS, it was an odd evening to label a reunion.
Yet that's exactly what the concert was for its two leading men - cellist Yo-Yo Ma and conductor Michael Stern - who together visited the Germantown Performing Arts Centre in 1998 for GPAC's fifthanniversary gala.


deprecate, be modest, be quiet.
babble, gab, gas, prattle, waffle, run off at the mouth, talk through your hat.
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bs, chatter, gab, palaver, prate, prattle, schmooze, yap, chew the fat, shoot the bull, run off at the mouth.
bawl out, berate, Bos Grunniens, cackle, call down, chaffer, chat, chatter, chattering, chew, chew out, chew up, chide, chitchat, claver, confab, confabulate, dress down, gossip, have words, jaw, lambast, lambaste, lecture, manducate, masticate, natter, rag, rattle on, rebuke, remonstrate, reprimand, reproof, scold, trounce, visit, yack away, yak, yakety-yak, yap away, call on the carpet, chew the fat, shoot the breeze.
" Yack, he take up the trail of a coyote," Swan explained, " but it's got the four legs, and Yack, he don't understand me when I don't follow. - "Sawtooth Ranch", B. M. Bower.
" And I follow Yack. - "Sawtooth Ranch", B. M. Bower.


The Greek island of Lemnos lies on the northern part of the Aegean Sea and stays away from mass tourism, due to its long distance from Athens, greekcitytimes.com notes in the following travel report and adds that the island is a destination for peaceful holidays and for alternative experiences.
The article focuses on "Taste Lemnos" which is more than a typical online travel agency. Besides finding hotel accommodation, plane and ferry tickets and car rentals, guests will find a variety of activities; they will taste Lemnos in many and different ways.
The agency organizes Wine and Cheese tastings since Lemnos is popular for its wine and its delicious local cheeses. Guests try different Lemnian wine varieties, along with four different cheeses, they learn about their unique characteristics and how to pair these products.
Taste Lemnos also offers is the Sunset Picnic. People will visit the Chapel of St. Marina, a peaceful location, from where they will enjoy breathtaking views of Moudros Gulf. Then, they will be treated to local delicacies, cheese, cold cuts and various mezes along with local wine.
Furthermore, the agency offers Pottery Classes as well, Horseback Riding and Trekking adventures. Staying true to its name, it's all about 'tasting' Lemnos, it's all about experiencing unique activities with the locals.
Consequently, if you are looking for peaceful holidays, away from mass tourism and if you are curious to discover untouched places and authentic people, then Lemnos is the island for you.


text:
'Head Over Heels,' 'King Kong' to perform on CBS Thanksgiving broadcast
The cast of 'Head Over Heels.' (Photo: Joan Marcus)
"Head Over Heels," will join "Dear Evan Hansen" and "King Kong" to perform on CBS broadcast of the Thanksgiving Day Parade.
Ricky Kirshner and Glenn Weiss, who have also produced The Tony Awards, will be the executive producers of the broadcast, which begins at 9 a.m. on Nov. 22. Weiss will also direct.
"Mean Girls," "My Fair Lady," "The Prom" and "Summer" will perform in the Thanksgiving Day Parade, broadcast on NBC.

redpajama_set_name: RedPajamaCommonCrawl


The Gifted Music School Preparatory Division offers private and group music lessons to students of all ages. Learning and performing music helps improve an individual's cognitive skills, even in non-musical activities. Participation in music also boasts social benefits for students. Music is a great way to make friends. Studies have shown that students who participate in the arts are generally more cooperative, self-confident, and better able to communicate with others.
The Gifted Music School focuses on inspiring well-rounded individuals and artist citizens who are ready to become future leaders.
Lessons and classes are all taught by top level teachers. Students enjoy the unparalled benefits of the tightly organized curriculum, faculty, and opportunities offered only by a world-class Conservatory.
The Suzuki School is becoming one of the strongest programs in the country, offering its own orchestra and ensemble training.
The Young Artists Program creates a pathway for the aspiring artist towards even a higher level of achievement.
Private lessons and group classes for all skill levels, and all ages 2 years to adult.
Sign up now to study with the world renowned artists who teach at the Gifted Music School!
Piano, Violin, Viola, Cello, Bass, Flute, Oboe, Bassoon, Clarinet, Guitar, Voice, Trumpet, and Ukulele.
Early Childhood track classes are designed for students younger than 6 years old. The Suzuki track classes are for children 3 years of age and older who want to learn a stringed instrument (violin, viola, cello). The Young Artists track is for preparatory students of all age who excel in the performance of their instruments and would like to learn and perform with like-minded students.


Brown sausages in skillet, pour off extra fat, and place in bottom of 8 inch pyrex baking pan.
Cover with cranberry sauce or sweet tomato relish.
Prepare cornbread batter with buttermilk, eggs and melted butter.
Pour batter over all and bake 25 minutes at 350 degrees.


Partnership Building Activity for Youth workers on involvement for access of young people with physical or mental disabilities in Erasmus Plus Youth in Action Programme.
This seminar aims at helping youth workers to organize projects taking into consideration the barriers they can face.
A focus will be done on youth exchanges as a possible tool. It is expected that participants would develop international partnerships and start building Youth Exchange projects with young people with disabilities or mixed ability groups.
This project is financed by the Erasmus+: Youth in Action Programme in the frame of Transnational Cooperation Activities. Being selected for this course, all costs for your accommodation and the programme of the activity will be covered by the National Agencies hosting it (France and Belgium-FR), and your travel and visa (if any needed) costs will be covered by the sending NA in your country, except a participation fee which varies from call to call and country to country. Please contact your Erasmus+: Youth in Action NA to know if they participate in this TCA activity and to learn more about the financial details, and how to arrange the booking of your travel tickets and the reimbursement of your travel expenses.


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Near fell off my bike today. Like too close a call.
Piano Tuning with a head cold?
What a day to ride a bike..
Industrial TX disaster Not news worthy ? WTF?
Anyone try slotting a hub?
Car's computer's idea of oil change interval..


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SS304 frame anticorrosive 750LPH RO drinking water purification plant
Low cost and hight quality 750LPH RO magnetic water treatment device plant
water Filtration System from Water Treatment Supplier or Manufacturer-Guangzhou
Reverse osmosis seawater desalination plant for boat use
reverse osmosis water filter system MARIN COUNTY / Desalination viable for drinking water, engineers report / But plant would be expensive -- at least $111 million
According to the engineering report of the Marin County seawater desalination pilot project, remove salt and filter the sticky things in San Francisco Bay, and the water is perfect for drinking.According to the study, the problem is that the cost of building a large plant to dilute water is between $0.111 billion and $0.173 billion.The report, which will be submitted to the Marin City Water Authority on Thursday, analyzed a small reportThe area's scale desalination plant, built as a pilot project, has been operating for 11 months since June 2005.The study is part of the information required by the regional commission later this year to decide whether or not to fully implement itMarin should set up a scale plant that provides up to 10 million gallons of drinking water per day, about 20% of its daily use.This is not only an important issue for Marin, but also an important issue for the entire state as the threat of water supply decreases and catastrophic drought increases with global warming.In fact, there is not enough water in the water area.-Seven reservoirs mainly from the local area-Supply all of its customers during the drought.If completed, the Marin desalination facility will be the largest desalination facility in the Bay Area and the only desalination facility in the state that has access to a closed Bay and estuary.The system will use a reverse osmosis filtration system to remove salt from water taken from the Bay.The pilot plant was built in San Rafael, near Richmond-The San Rafael Bridge is probably a location for a larger facility.The current plan is to mix the salt water extracted during the desalination process with the treated wastewater from the Marin central sanitation area, which experts believe will be a more natural by-product for disposal to the Bay.The study found that a desalination plant that produces 5 million gallons a day costs $111.2 million construction, including upgrade of distribution system, $4.Annual operating costs of 1 million.A factory that supplies 10 million gallons a day costs $173.$3 million and $12.Annual operating costs of 7 million.Despite the high cost, it concludes that "desalination can be feasible, reliable and dry --Drinking water source."Given the increase in construction costs over the past five years, these figures are in line with what we expected," said Paul Helliker, managing director of the water district, with 190,000 customers in southern and central Marin.Helliker said that even now, the water supply capacity in the area has reached 75%, below the average level at this time of year.He said: "Just pointing out that our water supply is not safe."The area is currently delivering some supplemental water from Russian rivers to its customers, but the only pipeline available has reached capacity.The plan is to build another pipeline to meet the needs of drought conditions, however, Water Authority officials are now concerned that due to disputes over water rights in Sonoma County, degradation of the aquifer and regulatory action on endangered fish, the Russian River may be completely cut off.Helliker said the National Oceanic Fisheries Agency will soon issue a report outlining how the water supply system of the Sonoma County Water Authority is hurting the endangered coho salmon."This is definitely a worrying situation," Helliker said ." Marin water district is preparing an environmental impact report on the desalination plant, which is expected to be released in the spring.The board hopes to make a decision later this year on whether to continue.
Water purifier UF system ultrafiltration filter for sale
Cheap refillable 10inch water filter cartridges in water treatment
Reverse osmosis(RO) membrane FRP pressure Vessel
6000L drinking machine reverse osmosis drinking machine


The listing and trading of Afreximbanks DR on SEM confirms the SEMs successful positioning as an attractive capital-raising, listing and trading platform for well-established African issuers and niche international products.
He said that the business leaders on his delegation were interested in investing in the country and in partnering with local businesses, in line with Afreximbanks new strategic plan, IMPACT 2021, which focuses on boosting intra-African trade and investment flows, accelerating Africas industrialisation, developing the continents export capacity and increasing its access to trade finance.
President Oramah said that following the visit, the Bank would send a technical team to develop tailor-made financing solutions to support Burundis key growth sectors as part of a country programme which would also look into deploying Afreximbanks guarantee products to generate investments.


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Bushmaster Charter School
Another awesome and reformy portrait in courage:
Gov. Rick Snyder vetoed a bill this afternoon that would have allowed gun owners with extra training to carry their concealed weapons in schools, day care centers, churches and stadiums.
In his veto letter sent to the Legislature shortly before 4 p.m., Snyder said the bill had a fatal loophole that didn't allow for those institutions to opt out of the new legislation and prohibit weapons from their buildings.
"I believe that it is important that these public institutions have clear legal authority to ban weapons from their premises," he said. "Each is entrusted with the care of a vulnerable population and should have the authority to determine whether its mission would be enhanced by the addition of concealed weapons." [emphasis mine]
Now, understand that old Rick is on the reformy edge when it comes to educational "choice": he's basically for dissolving the entire Michigan public school system and letting a slew of privatizers into the state to fight it out for voucher money. It's just like buying bananas: shop around for the best deal! If you get a bad one, don't go back to that bodega, and they'll go out of business. Let the market decide!
And if bunches of kids wind up in a badly run, unaccountable school, well... hey, at least their teachers won't be in a union! So there's that...
But here's what I'm really excited about: if Snyder can get this "loophole" closed, he'll be creating reforminess of a whole new caliber. Think about it: Michigan parents will have the "choice" to send their kids to schools that don't just allow concealed weapons; they can actively encourage them! Parents who believe that a school's "mission would be enhanced" by copious numbers of firearms will finally be able to use taxpayer dollars to give their children the double-barreled education they've always wanted!
Imagine a charter school where every teacher is required to pack heat! Forget discipline plans and classroom meetings! No more trips to the principal's office (except maybe to get more ammo) - we'll solve our differences right here, little fella. That's right, you'd better damn well raise your hand instead of calling out next time!
And think what the parent-teacher conferences will be like...
Of course, a fully-armed charter can't just rely on its faculty: let's get the kids involved, too. After all, the biggest problem facing our children today is that they lack "grit." Well, I say every parent has the right to send their child to a school that demands its students man up and load up!
Can't get "grittier" than that, am I right?
Over the last year, I think the people of Michigan have seen exactly the sort of man they elected in Rick Snyder. Sure, the cynical among you might think that Rick backed off of his scheme to let potential vigilantes roam our schools because it would look insane not to veto this bill in the wake of the Newtown massacre.
But that's just more liberal spin. Clearly, Rick Snyder is a man of vision. He sees a Michigan - indeed, an America - where public school systems are dissolved and replaced by privately-run schools that will have the option to allow guns in the classroom.
I predict Michigan will appropriately reward Snyder for his dream in the next election. I think he's going to get everything that he deserves.
Show and Tell!
ADDING: Well, what a coincidence: on the same day that Snyder vetoed SB59, Michelle Rhee came out against it. After StudentsFirst had no comment on Monday.
Golly, what are the odds?
MORE: Looks like the good people of Michigan are letting their feelings about Snyder known right now:
In the span of six weeks, Republican Gov. Rick Snyder's approval rating has dropped substantially and his odds of re-election - if held today - would be low, according to a new poll released Tuesday.
The survey, conducted Thursday through Sunday - days after Snyder's signing of controversial right-to-work legislation - found that Snyder would lose to any of four Democratic candidates listed in hypothetical match-ups, including the man he beat in 2010: Lansing Mayor Virg Bernero.
"Just last month we were talking about how much Rick Snyder's popularity had improved over the last year," said Dean Debnam, president of Public Policy Polling, a Democratic-leaning firm in North Carolina. "In the last week he's thrown that all away and now ranks as one of the most unpopular governors in the country."
Snyder is up for re-election in 2014, and it remains to be seen if anger over the right-to-work law will subside in two years.
A majority of voters - 51 percent - say they oppose the right-to-work law, which would prohibit requiring workers to pay union dues or fees as a condition of employment. Forty-one percent support it, and 8 percent are unsure.
In a PPP poll released in early November, Snyder had a 47 percent "job performance" approval rating among registered voters and a 37 percent disapproval mark. Sixteen percent were unsure.
Now 38 percent of voters approve, 56 percent disapprove - a 19-point swing - and 6 percent are unsure.
Forty-four percent support recalling Snyder, 48 percent oppose it and 8 percent are unsure.
Posted by Duke at 7:55 PM
There is a school in TX which has the staff armed. They won't say how many of the staff are actually carrying guns on their person. If this isn't the definition of insanity, I don't know what is. What's even more discouraging is in the comments section of scores of web sites. They are full of pro-gun people who say that more gun laws are not the answer, blah, blah, blah, cars kill more people, it's really a mental health problem, so don't touch my guns. There are plenty of pro gun control comments but it's still a bummer to see so many gun lover rantings. As Michael Moore said, I don't want to live in a country like this (mass killings galore) but I'm not leaving.
December 19, 2012 at 12:39:00 PM PST
HARROLD, Texas -- There's at least one school that welcome firearms to class.
It believes nothing makes a school safer than teachers who are armed,
The Harrold Independent School District is one building with 103 students. It's 20 minutes away from the nearest sheriff's station. Superintendent David Thweatt created what he calls a "guardian plan" after the attack at Virginia Tech.
"These people that go in and do these horrible acts, they're evil. But they're not that crazy -- they always know where they are going to get resistance," Thweatt said.
Link: http://www.cbsnews.com/8301-18563_162-57559912/texas-school-district-encourages-armed-teachers-for-protection/
Kids Pay For Christie's Incompetence
The Selling Out of Newark's Schools: Part II
Donate to CAP? Are You Serious?
Rocketship: Poor Kids Don't Deserve Music & Art!
Blog Recommendation: NYC Educator
The Selling Out of Newark's Schools: Part I
A Vested Interest In Selling Our Kids As Failures
The Lawsuit That Might Change Everything
Have An Un-Reformy Christmas!
See? Tenure Cases CAN Be Easy!
God Bless the Education Law Center
Closing Schools: NOT a White People Thing
Campbell Brown: Queen of the Pearl Clutchers
Reformy Pearl Clutchers
Reprehensibility
Marooned In a Blizzard of Lies
Why Do Teachers Hate America?
"It's Politicizing If You Disagree With Me!"
StudentsFirst On Concealed Guns in Schools: "No Co...
A Bet For the Star-Ledger: Will Charters Take ALL ...
What Has StudentsFirst Ever Done To Improve School...
Bill Bennett's $10 Billion School Safety Plan
Do We Remember Heroes For Their Test Scores?
UPDATED: Obama & Romney: Bad Schools Cause Gun Vio...
Proud To Teach
His Majesty Eli Broad, King of New Jersey
International Test Score Freak Out!
Great News for Newark and Neptune, NJ!
The Tall Tales of Wendy Kopp
The Most Obvious Thing In The World
Put Up The Proof, TFA
Great Moments in Reformy Tantrum Throwing
Do "No Excuses" Charters Really Prepare Kids for C...
What You Need To Know About the NJ Charter School ...
KIPP: The New "Old Boys Network"
Chris Christie: Divisive Hypocrite
Joel Klein: Shameless
StudentsFirst: Wrong About Newark AND Chicago!
Hiring Mercenaries to Police Schools Teaches Compl...
Chris Christie and The Death of Hope in Newark
Corporate "Reformers" Make Teaching a Temp Job
Triumph Of the Incompetent
CORRECTION: A New Generation of Mendacity
George Carlin on Education
Wimpy, Hypocritical Rep Govs Scared of Teachers
Charter Schools: Normalizing Segregation?
Atrios Nails It: Teachers Are Sick Of Being Dumped On
How Do Voucher Cheerleaders Keep Their Heads From ...
Reformy Maniac Ben Chavis Update


Eggplant Knight 2.3 Grown from Eggplant Knight seeds.
Garlic Jester 2.3 Grown from Garlic Jester seeds.
Mandragora Queen 2.3 Grown from Mandragora Queen seeds.
Onion Prince 2.3 Grown from Onion Prince seeds.
Tomato King 2.3 Grown from King Tomato seeds.


text:
Q: Event Sourcing without eventual consistency? We're about to abandon ES because we need consistent read models for processes, and while trying to figure out how we could save ES we were thinking of a consistent read side. Basically a command would be run by an AR, generating the list of events. Those events would be first saved to the event store, then (through some extra coding) exclusively to the read model (in a transactional way, i.a. all projections for all events from a single command would be wrapped in a transaction). Only after that would the events be published. So basically my code would be like:
void ExecuteCommand(Command cmd) {
   // validate and stuff...
   var events = GenerateEvents(cmd);
   PersistAllSync(events);
   ApplyProjectionsSync(events);
   PublishAsync(events)
}

Apart from obvious performance problems (kind of distributed transactions, bascially serializing all commands)... why is nobody doing that?

A: I'm no expert but I can try to answer this anyway.
To get transactional consistency I group produced events (within the same aggregate/transaction scope) and apply them all atomically to my read models. And I also publish events grouped into transactions as well. It works fine for me so it's certainly possible.
To avoid eventual consistency in local read models (so that I can return new and consistent state in the command-response) I also apply events locally within the transaction. As long as you don't have too many read models to update I guess this shouldn't be a problem. You can have this for some read models that need to be non-eventually updated and consistens and handle the rest in the "normal" way if you want.

redpajama_set_name: RedPajamaStackExchange


text:
Q: laravel Error 419 PAGE EXPIRED Sorry, your session has expired. Please refresh and try again I have tried to try login into my system. but I got always the same error. The full website is run goods but when I try to login then shows the problem "Error 419 PAGE EXPIRED Sorry, your session has expired. Please refresh and try again". my website link is https://atozwp.xyz
My login form Code is here-
  <form class="ui large form" action="{{ route('login', ['redirect' => request()->redirect ?? '/']) }}" method="post">
    @csrf

      Email
      <input type="email" placeholder="..." name="email" value="{{ old('email', session('email')) }}" required autocomplete="email" autofocus>

      @error('email')

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        <input type="checkbox" name="remember" id="remember">
        {{ __('Remember me') }}

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*Price for gotU services is $77 including GST for Jump Starts, Flat Tyre Changes and Vehicle Unlock, and $95 including GST for Top Up Fuel and Tow Truck Services up to 10 km in incident locations within a 20 kilometre radius of the Brisbane, Sydney and Melbourne CBDs.... Inside Australia: Sydney to Melbourne coastal drive. - Before you visit Australia, visit TripAdvisor for the latest info and advice, written for travellers by travellers. - Before you visit Australia, visit TripAdvisor for the latest info and advice, written for travellers by travellers.
Whether your car is a sedan, van or a 4WD, we specialise in getting them from Melbourne to Perth or Perth to Melbourne in a reliable and hassle free way. Our unique selling feature is our price, that is - cheapest car transport service due to our depot to depot network facility.... Whether your car is a sedan, van or a 4WD, we specialise in getting them from Melbourne to Perth or Perth to Melbourne in a reliable and hassle free way. Our unique selling feature is our price, that is - cheapest car transport service due to our depot to depot network facility.
*Price for gotU services is $77 including GST for Jump Starts, Flat Tyre Changes and Vehicle Unlock, and $95 including GST for Top Up Fuel and Tow Truck Services up to 10 km in incident locations within a 20 kilometre radius of the Brisbane, Sydney and Melbourne CBDs.
Whether your car is a sedan, van or a 4WD, we specialise in getting them from Melbourne to Perth or Perth to Melbourne in a reliable and hassle free way. Our unique selling feature is our price, that is - cheapest car transport service due to our depot to depot network facility.
3/09/2010�� Re: melbourne to sydney how long dose it take to drive. Sep 4, 2010, 9:36 PM going to austraila in july and booking it in december for 4/5weeks not sure where to start melbourne or cairns as thats the cost i want to do. i dont mind driving or what is the best way of getting around. what yee think is the best sights too do when where there and how long should we spend in each place.


To ensure our patients' convenience, we offer multiple payment options at Alegre Dental @ Petroglyphs. Below, you'll find a quick overview of all the different methods of payment available at our Albuquerque, New Mexico, office.
We accept the majority of credit cards, but we suggest advising your credit card company in advance to ensure there aren't any issues.
We offer cash as a form of payment because it is often quicker and more convenient than other payment methods. If you would like to split the payment, our business assistant can help you with that.
If you would like to use a personal check to pay for services, our staff will help you write the check by providing all the necessary information.
We accept dental insurance, but we suggest that you call us to verify that we work with your insurance company. You may also want to speak with your insurance provider to review the types of treatments they cover.
If you have any questions regarding the payment options at Alegre Dental @ Petroglyphs, contact our Albuquerque, New Mexico, office directly by calling 505-836-1076. Our team is happy to answer your questions as well as verify your preferred payment method before your appointment.


text:
namespace SoftwareAcademy
{
    public interface ICourseFactory
    {
        ITeacher CreateTeacher(string name);

        ILocalCourse CreateLocalCourse(string name, ITeacher teacher, string lab);

        IOffsiteCourse CreateOffsiteCourse(string name, ITeacher teacher, string town);
    }
}

redpajama_set_name: RedPajamaGithub


text:
What to do with Whitehurst, Jackson
The St. Louis Rams have formally ruled out Sam Bradford for Sunday, as expected, leaving the Seattle Seahawks with the only unsettled quarterback situation heading into Week 8.
Tarvaris Jackson practiced well enough for the team to list him as questionable nearly three weeks after Jackson suffered a pectoral injury on a quarterback option play.
Thoughts on potential options:
Starting Jackson: Seattle is 2-4 and needs to win its home game against Cincinnati to keep alive realistic hopes within the division, assuming San Francisco generally stays on course. Jackson is the starter if healthy, and Whitehurst showed why during a dreadful performance at Cleveland. If Jackson gives the Seahawks their best chance at winning and he's healthy enough to practice, the team needs to play him, right? Naming Jackson the starter under these circumstances would stand more as a reflection of Jackson's availability than as a repudiation of Whitehurst.
Starting Whitehurst: Whitehurst still has only three starts on his resume, one this season. He had previously shown at least marginal improvement each time he played. Jackson is not yet 100 percent, so why risk losing him for a longer period? Besides, with key players returning from injury, including tight end Zach Miller, Whitehurst figures to play better this week, particularly at home. The team could always let Whitehurst start this game, then reassess based on how the game plays out. Jackson could come off the bench if needed. Under that scenario, making an in-game quarterback change away from Whitehurst would carry a sense of finality. That's OK, however. The team needed to learn more about Whitehurst this season, anyway.
The Seahawks have made available coach Pete Carroll's post-practice video.
"Tarvaris had his best day in the last couple weeks and threw the ball well," Carroll said. "We'll take it to the next couple days and see where we are, but that is a very good sign. He felt the best. He got the most work. Charlie had all of the lead work and he is ready to start the game."


text:
Marcella Doherty
Marcella Doherty was only 24 years old when she died of Arrhythmogenic Right Ventricular Cardiomyopathy or ARVC. Despite her untimely death being as a result of this undiagnosed killer, Marcella had symptoms in the week prior to her death. Sadly, diagnosis proved inadequate and Marcella was unable to convince the medical establishment about the seriousness of her illness in that difficult final week of her short life. This is her story.
Marcella was born in May 1981, the youngest daughter of Peter and Brigid Doherty of Bellaghy, County Derry, Northern Ireland. A loving and infectious child, she brought great joy to not only her close family, but to her large family circle – all could call her a real friend.
She attended St Mary's Primary School in the village before going to St Patrick's college, Maghera. It was in secondary school that she first developed her love of hair and beauty and instinctively knew that her future career was in this field.
After her apprenticeship she opened her own salon on Main Street in Bellaghy – a time in her life which brought with it great stress but ultimately the freedom and delight of being her own boss. She quickly established her reputation and built up a huge customer base – attracted not only by her skills as a hairdresser but by the sheer joy of her as a person. She had tremendous humour, backed up by the most infectious laugh – and people invariably sought her out because being with Marcella was always fun.
In early 2005, Marcella had talked to her mum about moving in to larger premises and branching out into beauty therapy and had already identified a suitable space in the village to pursue this dream.
She talked excitedly about buying her dream car – a red Audi A4 – and was excitedly pursuing both ventures at the time of her death.
On Saturday 17th September 2005, Marcella had agreed to attend her cousin Siobhan's hen night in Newry city. Marcella enjoyed a good night out and all had a great time with Marcella as the life and soul of the party!
She had confided that evening of experiencing strange symptoms in recent days – irregular heartbeat, strange vibrations in her chest and back – but it was on the way home the next afternoon that she collapsed in a shop in Armagh city.
She was taken to the doctor on call who admitted her immediately to hospital where she was given the usual tests – ECG, blood pressure etc. – which showed nothing for concern.
She was discharged that afternoon despite earlier indications that she was to be admitted for further tests.
This confusion and failure to admit Marcella that Sunday prior to her death continues to haunt Marcella's family and friends.
Over the next week, Marcella continued to experience these worrying and increasingly odd symptoms and had once again visited casualty and sought medical help, without success.
She confided in her cousin Fidelma in her salon on the morning of Saturday 24th September that she was 'scared' of these increasingly frequent chest vibrations and feelings of dizziness.
That day, some close friends invited Marcella for a night out in Downings in County Donegal. She had admitted to her mum that she had serious concerns about her state of health, but being the person she was, she couldn't let the side down.
That night, the group partied before returning to the holiday park in the village. On Sunday morning Marcella, characteristically, was up first and bustling around preparing to go shopping in Letterkenny. She went to the small bathroom in the mobile home; she did not return.
Her friends realised that something was amiss when they couldn't get Marcella's attention but had to look in through the window of the small bathroom to find Marcella sitting on the seat of the toilet with her watch in hand, obviously taking a reading of her pulse.
Unfortunately, Marcella had died. It was Sunday 25th September 2005 – one week exactly after her collapse.
Marcella's immediate family, her family circle, her huge circle of friends and acquaintances were left stunned by her death. Sadly, diagnosis proved inadequate and Marcella was unable to convince the medical establishment about the seriousness of her illness in that difficult final week of her short life. This is her story.
In early 2005, Marcella had talked to her mum about moving in to larger premises and branching out into beauty therapy and had already identified a suitable space in the village to pursue this dream. She talked excitedly about buying her dream car – a red Audi A4 – and was excitedly pursuing both ventures at the time of her death.
On Saturday 17th September 2005, Marcella had agreed to attend her cousin Siobhan's hen night in Newry city. Marcella enjoyed a good night out and all had a great time with Marcella as the life and soul of the party! She had confided that evening of experiencing strange symptoms in recent days – irregular heartbeat, strange vibrations in her chest and back – but it was on the way home the next afternoon that she collapsed in a shop in Armagh city. She was taken to the doctor on call who admitted her immediately to hospital where she was given the usual tests – ECG, blood pressure etc. – which showed nothing for concern. She was discharged that afternoon despite earlier indications that she was to be admitted for further tests. This confusion and failure to admit Marcella that Sunday prior to her death continues to haunt Marcella's family and friends.
Over the next week, Marcella continued to experience these worrying and increasingly odd symptoms and had once again visited casualty and sought medical help, without success. She confided in her cousin Fidelma in her salon on the morning of Saturday 24th September that she was 'scared' of these increasingly frequent chest vibrations and feelings of dizziness. That day, some close friends invited Marcella for a night out in Downings in County Donegal. She had admitted to her mum that she had serious concerns about her state of health, but being the person she was, she couldn't let the side down. That night, the group partied before returning to the holiday park in the village. On Sunday morning Marcella, characteristically, was up first and bustling around preparing to go shopping in Letterkenny. She went to the small bathroom in the mobile home; she did not return. Her friends realised that something was amiss when they couldn't get Marcella's attention but had to look in through the window of the small bathroom to find Marcella sitting on the seat of the toilet with her watch in hand, obviously taking a reading of her pulse.
Marcella's immediate family, her family circle, her huge circle of friends and acquaintances were left stunned by her death – even to this day those who speak of her do so with a look of tremendous sadness and deep pain, as though such a thing is impossible and cannot be true – even years after her passing.
Bubbly, infectious, larger than life Marcella had suddenly and cruelly been taken by a hidden killer. All of us who called her a daughter, a sister, a friend, a cousin, a niece, miss her terribly every single day. But still young people continue to die of this awful disease. If there is any legacy from Marcella's untimely death, let it be a better system of detection for young people and screening for young, active people. Those of us left to mourn Marcella can only reflect on those unrealised dreams, her name still above the door of her little salon in the village and on our individual, precious memories of a beautiful light, cruelly extinguished.
This narrative was prepared by Fergal Kearney, a first cousin, on behalf and with the consent of Marcella's family and friends.
In tribute to Marcella, we supply the words to this poem by Mary Fry:
Do Not Stand at My Grave
Do not stand at my grave and weep
I am not there; I do not sleep.
I am a thousand winds that blow,
I am the diamond glints on snow,
I am the sun on ripened grain,
I am the gentle autumn rain.
When you awaken in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry,
I am not there; I did not die.


For the past few years, the National Film and Sound Archive have been collating a register of the Sounds of Australia.
It's a diverse list which covers songs, speeches, and a man impersonating a chicken.
In fact, that recording is officially recognised as Australia's oldest suriving sound recording, and it was made in Warrnambool.
In 1896, Warrnambool shoe salesman Thomas Rome bought one of the first Edison Phonographs and also got hold of some blank cylinders which he used for his own recordings, drawing on the talented bunch of people who were living locally at the time.
Luckily for us, some of the cylinders Thomas recorded have survived and they're in the process of being added to the Sounds of Australia website so you can enjoy them again today.
The earliest of his recordings is believed to be a performance of a popular tune from the late 1890's called 'The Hen Convention', and the performer was a local crockery store owner called John James Villiers.
The recording begins with an announcement of what's about to be performed, followed by the song itself which features long breaks of chicken impersonations. The song itself isn't terribly easy to interpret through the crackle of the cylinder, but the chook noises ring out loud and clear.
Thomas also used his blank cylinders as a kind of forerunner to the cinematic newsreel by recording his own version of a big local news events.
On the 11th of March, 1897, a train running between Warrnambool and Allansford derailed, and Thomas recorded a re-staging of the accident complete with sound effects.
As Maryanne Doyle, recorded sound archivisit with the National Film and Sound Archive notes, he also used the talents of a visiting drum virtuoso called Herr Schoot (real name George Twentyman) to recreate the sound of the train.
The recording was exhibited as a part of the Warrnambool Industrial and Art exhibition which was running at the time, although its impact must have been minimal because Thomas didn't continue with his recording adventures, instead he started a family and got on with his business.
The recordings were discovered after his death by his son and were donated to the Performing Arts Collection at the Melbourne Arts Centre before being passed on to the National Film and Sound Archive about ten years ago.
Now that recording, along with many of the other sounds on the register, is a part of a travelling show called the Cooee Cabaret.
As the show's writer and pianist Nigel Ubrihien explains, it wasn't an easy task putting together a show which manages to cover the diverse range of sounds on the register, but the show approaches those sounds in many different ways, including using local performers to help bring things to life.
The Cooee Cabaret is a free event which will be at the Warrnambool Entertainment Centre on Friday the 12th of November, starting at 7:30pm.


text:
All countries Switzerland Bern Bern-Mittelland Bern / Liebefeld
Weather in Bern / Liebefeld
Weather archive at the airport ( 7 km, -5 °C+23 °F )
3 hours ago at the weather station it was -1.6 °C+29 °F, very high air pressure, high humidity (80%), light breeze (2 m/s) (7 km/h) (4 mph) (4 knots) (2 Bft) blowing from the south.
Today we expect -5..+5 °C°F, +23..+41 °C°F, without precipitation, light breeze. Tomorrow: -2..+4 °C°F, +28..+39 °C°F, without precipitation, light breeze.
Local time 07 13 19 01 07 13 19 01 07 13 19 01 07 13 19 01 07 13 19 01 07 13
direction S SW SW S SE S SE SE S SW S S S SW SW SW SW SW SW SW SW SW
11:46 00:10 12:05 01:13 12:27 02:17 12:52 03:21 13:23 04:26
Local time 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 00 01 02 03 04 05 06 07 08 09 10 11 12 13 16 19 22 01 04 07 10 13 16 19 22 01 04 07 10 13 16 19 22 01 04 07 10 13 16 19 22 01 04 07 10 13 Local time
direction S S S S S SW SW SW SW SW SW SW SW SW S S S S S S S S S S SE SE SE SE SE SE S S SE S SE S S S SW SW S S S S S SW SW W SW SW SW SW SW SW SW SW SW SW SW SW SW SW SW direction
86 84 79 75 68 63 61 58 55 62 74 80 84 84 83 84 80 81 83 81 83 83 84 88 85 85 82 75 70 68 68 80 86 86 84 83 87 76 71 100 88 100 76 76 75 76 76 78 80 83 85 83 81 70 58 65 72 76 79 83 86 81 75 Humidity,
08:08 17:14 08:07 17:15 08:06 17:16 08:05 17:18 08:04 17:19 08:03 17:21 Sun:
3 hours ago, the minimum air temperature ( -11 oC +12 oF ) was observed in Bernese Jura in Courtelary.
3 hours ago, the maximum air temperature ( -2 oC +28 oF ) was observed in Emmental in Koppigen.
Bern / Belp (airport)


text:
WELCOME TO MILFORD BROOK SCHOOL!
In order to meet the needs of a growing community, Milford Brook School was built in 1972. The school was named after the Milford Brook, which gave waterpower for local grist, flour, & sawmills, including Lafayette Mills, in the late 1800's.
Milford Brook School is one of five elementary schools in the Manalapan-Englishtown Regional School District; it provides educational services to students in kindergarten through grade five. The school is a "home-away-from-home" for approximately five hundred and forty kindergarten, first, second, third, fourth, and fifth grade students for six and a half hours per day. Milford Brook School is one of two elementary schools in the district that houses the ELL program in grades K-5. Over fifty teachers work collaboratively to provide an engaging learning experience in classes that typically range in size from twenty to twenty-five students. The children learn to function in a cooperative and respectful environment very early in the year, and they then branchout to explore interesting and challenging units of study. Support and enrichment services are provided by supplemental staff which includes an RTI teacher and two intervention teachers who support student learning in language arts literacy and mathematics; ELL teachers; and Title I teachers and provides push-in and pull-out support.
As the children progress through each grade, the classroom program escalates to provide new learning opportunities. The staff takes a great deal of pride in offering an outstanding academic program through commitment, dedication, and enthusiasm. The teachers consistently differentiate instruction and modify/adapt curriculum units to provide an interdisciplinary program. By utilizing a multi-faceted approach to language arts instructions, teachers provide students with a balanced literacy program that integrates the use of myriad resources. Such resources include the use of leveled, multi-genre texts, coupled with the adaptation of authentic texts to strengthen reading skills. In addition, language arts instruction is also focused on enhancing the learners' skills as related to academic vocabulary, writing, and differentiated spelling and word patterns. Throughout the year, students acquire and develop decoding skills, fluency, and extensive comprehension strategies through participation in author studies; book talks; Teachers College, Project Read and Making Meaning supported lessons; the Daily 5; guided reading sessions; and strategy groups. Mathematics skills and concepts are supported with a hands-on approach to foster understanding and an appreciation for the world of numbers. In addition, mathematics instruction is supported through the adaptation of the Pearson Envision 2.0 Math program and through the implementation of centers through the implementation of the Daily 3 structure in most classrooms. Smart Boards, classroom computers, communicators, document cameras, iPads, Google Classroom, Google Expedition virtual reality headsets, and Chrome Books are utilized to engage learners and enhance learning.
A focus on academic learning highlights our full-day kindergarten program, where students are exposed to the same balanced literacy approach as their grades 1-5 counterparts. Highlighting their achievement is the successful implementation of a reading and writing workshop model using the Teachers College Units of Study to support instruction.
Units of study covered by the science program include environment, weather, forces & motion, and planet Earth. United States history, geography, and the local community are important components of the social studies curriculum.
Learning is supported for all learners at Milford Brook School as the Problem Solving Team members collaborate with each other and classroom teachers to screen and pre-identify students who are in need of supportive services. Pre-identified students are assigned to one of the three tiers outlined in the Response to Intervention model implemented within the school. During the school year, the Problem Solving Team continues to collaborate with each other and classroom teachers to discuss the progress and effectiveness of interventions for these pre-identified students; the team also seeks to assist teachers who refer struggling students for Tier I, Tier II, and/or Tier III interventions. The goal of the Problem Solving Team is to identify the underlying problem which may be hindering a child's growth and to develop an effective intervention plan to support this area. Student learning is progress monitored weekly to determine if growth is evident or to support a new set of interventions which may be needed.
The special subjects provide the children with a variety of motivating and interesting learning experiences. Art classes study the products of the masters and engage students in activities of individual artistic expression. During physical education, children stretch, run, twist, and jump with their classmates to help develop young bones and muscles. Vocal and instrumental music classes provide the opportunity for students to learn about each family of instruments and to develop a love of music. A highlight of our general music program is the use of a full class piano lab where all students apply knowledge of musical theory to musical practice. The Media Center is a treasure of printed materials to interest and excite readers of all talents. Students participate in weekly Rosetta Stone sessions to acquire World Language skills.
Of special focus is our commitment towards developing good character traits within our students. Particular attention is given to the six pillars of character, which consist of the traits of caring, fairness, citizenship, trustworthiness, respect and self-control. Through the monthly selection of "Citizens of the Month" from each homeroom class, students are recognized for exceptional behavior and for their extraordinary focus on showcasing the six pillars of character through their everyday choices. The school counselor works with each classroom across the grade levels to teach and reinforce concepts of Social Thinking and to help students understand appropriate social cues and to foster positive interactions between their peers. Additionally, other positive behavior intervention supports (PBIS) are implemented throughout our school to help motivate our learners to be ready and to "do the right thing." Students can earn gold Paw Print slips as recognition for going above and beyond to show their character and are then rewarded through a lottery of monthly prizes. Supporting the social and emotional learning of our students is just as essential. Classrooms have established calming corners to help reinforce important concepts of self-regulation and understanding our feelings and emotions; brain breaks are built in throughout the day; and a sensory hallway is available.
Furthermore, the Milford Brook Student Council meets monthly and continues to make contributions to the school and the local community. In addition to collaborating with the school counselor to sponsor a Thanksgiving Food Drive, students involved in the Student Council assisted with the school's annual Giving Tree gift-giving drive to help support local families during the holiday season.
The help of volunteers in the classrooms and a very active Parent Teachers Organization (PTO) are two of the school's greatest assets; their support is integral to the success of our school. Our highly competent staff and involved parents, who together value the importance of education, help us build self-confident, independent, and well-educated children. Milford Brook School is a strong, cohesive learning community that puts children's needs first and which strives to maintain a vision of "Excellence in Education," so that our students successfully learn, grow, and succeed.
DIRECTIONS TO MILFORD BROOK SCHOOL
FROM THE NORTH: Proceed south on either the Garden State Parkway or New Jersey Turnpike. From Parkway exit 123, take Route 9 south. From Turnpike exit #11, also take Route 9 south. If you take the parkway, be careful to keep to the right at the Raritan toll Plaza after crossing the big bridge. Exit 123 is the second exit after the toll and comes up very quickly. Proceed on "9" for approximately 12-15 miles. When you see a development called "Covered Bridge", look for signs indicating "Gordons Corner Road", "Englishtown". Take this exit and keep to the right onto Gordons Corner Road. Stay on this road for approximately three miles. When you pass the Clark Mills School on the right, make first right onto Pension Road (Approx. 1/4 mile). Turn right onto Pension and take the 2nd right after that, which is Globar Terrace. This will take you right into the school driveway.
FROM THE SOUTH: Take Route 9 north. After passing Freehold Raceway, look for a sign indicating Gordons Corner Road (approx. 7 miles). This will come up after passing a Mobile Gas Station, followed by a WAWA. Pass under the overpass and take the first right. Turn right again and pass over Route 9. Follow the Gordons Corner sign. When you are on Gordons Corner Road, follow the directions from that point above. FROM N.J. TURNPIKE SOUTH: Exit 8 to Route 33 East. Take Route 33 for approximately 9 miles. Take the second Englishtown jughandle. Cross over Route 33 and proceed approximately three miles on Iron Ore Rd. to the end. At fork bear left onto High Bridge Rd. to S. Main St., which turns into N Main St ( Rt. 527). Bear right at Exxon Station onto Gordons Corner Road and make the first quick left onto Pension Rd. and then make the 2nd right, which is Globar Terrace. This will lead into our school driveway.
FROM ROUTE 18 NORTH: Exit "Morganville, Tennent" (This is shortly after the exits for Freehold) Turn right at the exit (Tennent Rd.) Follow Tennent Rd. As you go over Route 9, vere to the right and make a quick left onto Gordon's Corner Road. Stay on this road for approximately three miles. When you pass the Clark Mills School on the right, make first right onto Pension Road (Approx. 1/4 mile). Turn right onto Pension and take the 2nd right after that, which is Globar Terrace. This will take you right into the school driveway.


What is included from The Logan for my wedding?
In addition to your wedding menu, The Logan provides all necessary set-up items; such as, silverware, china, glassware, charger plates, tables and chairs. We offer a choice of floor length linens in the colors of chocolate brown pin tuck, white, ivory, or black cotton. We also provide a dancefloor and staging for your entertainment, both in various sizes to meet your entertainment needs. To enhance your event, we include votive candles, table numbers, a card catcher, a cake knife and toasting flutes.
Am I required to have a wedding planner?
While you are not required to hire a wedding planner, we do highly recommend it. Our list of recommended wedding planners offers a wide range of services, pricing, and can customize their time dedicated to planning your wedding.
Your on-site wedding specialist will be there to guide you through menu planning, event set-up and hotel guest room reservations at The Logan. A wedding planner can guide you through all of the external details, as well as the overall event coordination. This can help take any additional stress off you and allows you to enjoy every moment of the process with your friends and family.
What other services may The Logan provide to enhance my wedding weekend?
For your wedding weekend, we assist with other memorable events; such as your rehearsal dinner, after party and farewell brunch. We can also enhance your guests' arrival experience with a customized welcome cocktail or hospitality suite. To ensure a smooth wedding day, we also have special menus for the wedding party to enjoy while getting ready.
We also have an on-site spa, which is an ideal location to relax and prepare for your big day. Available services include on-site make-up, nail services, facials and body treatments. We recommend reserving in advance, please ask your on-site wedding specialist for details.
Finally, to enhance the style of your wedding reception, your on-site wedding specialist can assist with recommendations for décor rentals; such as specialty linens, chairs, and furniture.
Do you provide a reduced rate for our overnight guests?
Your onsite wedding specialist will be able to assist with confirming a rate available for your guests to obtain sleeping rooms. Once your contract is signed, and we are approximately eleven months prior to your event, we will provide you with a dedicated web-link for your guest to make their reservations at your reduced rate.
Does the couple get a complimentary room for the wedding night?
Yes, the couple will receive a complimentary suite for the wedding night, this is based on a food and beverage minimum which will be discussed at the time of contract. We also extend a reduced rate for the suite for the night prior to the wedding.
When do I meet with my on-site wedding specialist to finalize details?
You will be in contact with your on-site wedding specialist throughout the planning process. We recommend coming in for a final detailing appointment and walk-through about one month prior to your wedding.
When do I need to confirm my final guest count for my wedding?
We work with you on any updates throughout the planning process but will need confirmation with your final guest count three business days prior to your wedding.
What options are available to host our ceremony at The Logan?
We have several indoor and outdoor options available, depending on the size and season of your wedding. A back-up space is always confirmed for any outdoor ceremony options.
If I need a ceremony officiant, do you have any recommendations?
Absolutely. Your on-site wedding specialist will be able to assist you with a list of officiants, catered to accommodate any faith and religious preference.
What does the hotel provide for a ceremony set-up?
The rental fee for an on-site ceremony includes set-up and breakdown. We provide chairs and staging for an indoor ceremony. Outdoor rental chairs are required when hosting your ceremony outside in the courtyard. We recommend using our on-site audio-visual company or your preferred entertainment professional for microphones and sound.
What time can our ceremony start?
Typically, our wedding ceremonies start at 6PM for Friday and Saturday evening weddings. We offer flexibility for alternate days or daytime affairs.
I am planning to host my reception at another location, can I still have my ceremony at The Logan?
Yes! There are certain times of the year and specific dates when we are able to accommodate your ceremony. Please contact us for more details.
What is the process of selecting my menu?
Just like every wedding is unique, every wedding menu is unique. We will ensure that your menu perfectly complements your wedding and your tastes. You will work closely with your on-site wedding specialist throughout the wedding planning process to design the wedding menu of your dreams.
Can I customize my menu with items that are not included in your standard wedding menus?
Yes, we welcome the opportunity to customize your menu to ensure the wedding reflects your distinctive wedding style.
Will I be able to taste the food prior to day-of?
Yes, your on-site wedding specialist will coordinate a private menu tasting with you. This tasting is offered for up to 4 guests and typically takes place two to five months prior to your wedding. The primary focus of the wedding tasting is the dinner menu.
Absolutely! We can accommodate any dietary restriction that your guests may have. We encourage you to provide us with these restrictions in advance so our culinary team can be prepared.
Does the Logan provide my wedding cake?
You are welcome to work with a bakery of your choice to create your dream wedding cake or browse through our preferred wedding cake bakery vendors. We just ask for the bakery to provide a certificate of insurance.
Do you permit the use of an outside caterer?
All food and beverage for your wedding is provided by The Logan's exceptional culinary team. However, if there is a religious or cultural reason, we are happy to work with a preferred, external caterer, such as a Kosher caterer. We are happy to work with you to accommodate an entire wedding, or to accommodate needs of specific guests. Please speak with your on-site wedding specialist to discuss your needs as our pricing may vary.
Can you provide us with recommendations for vendors?
Yes, your on-site wedding specialist will provide you a list of our preferred event professionals.
How do you select your preferred vendors?
We select our preferred event professionals through long-term relationships with professionals who have consistently delivered high quality service and events.
Can I use another outside vendor?
Yes, you may bring in an event professional of your choice. All outside professionals are required to sign and follow the hotel's Vendor Code of Conduct and provide a certificate of insurance.
Do you have any restrictions for our musical entertainment?
You are welcome to use a band, DJ or classical instruments for your musical accompaniment for the evening. Your on-site wedding specialist will work directly with the entertainment event professional of your choice for details to determine their needs.
Does the hotel have any restrictions on my event décor?
We do permit open flames; however, we do ask that all candles are enclosed in a vessel or has a base. Outside lighting can be provided by our in-house audio-visual team, or from an event professional of your choice. The Ballroom features ceiling rigging points which allows specialty event lighting to be hung overhead. Your on-site event specialist can provide additional guidelines for décor.
What time can my vendors arrive to begin set-up?
The exact time is often confirmed closer to your event date. Your on-site wedding specialist will work directly with your event professionals to coordinate timing and details of the set-up and break-down of your event.
Should we include a meal for our vendors?
Absolutely! It is customary to provide a meal for those that are working hard to make your day special. Typically, the vendor meals are provided for those just working during the time of your reception. We provide a hot dinner buffet for your vendors at a reduced price point.


As a world leader in drive technology and a pioneer in drive-based automation, SEW-EURODRIVE has established a reputation for quickly solving the most difficult power transmission and motion control challenges. We introduced the gearmotor in 1931. In the 80 years since then, we have been bringing the best in drive technology to our customers. That commitment has led to a history of innovations — the first variable speed gearmotor, early development of electronic drives, some of the first successful efforts to decentralize control, and the first motor with energy-efficient copper rotors.