text:
Courthouses - A Waymarking.com Category
Search Criteria: All Waymarks [show search options]
All Categories > Buildings > Government and Services
Managed By: Court Jesters
Courthouses are buildings that are, or have been, primarily used to conduct judicial proceedings. American county courthouses are also sometimes used as the center of the county government.
Currently displaying Courthouses
sorted by: Alphabetical: A-Z Alphabetical: Z-A Newest (by date approved) Newest (by date created)
Total Records: 2308 Page: 4 of 93 prev<<<[12345678910]>>>next
Le tribunal de Paris - France
in Courthouses
Le palais de justice de Paris prend ses quartiers dans les Batignolles, après des siècles passés sur l'île de la Cité. The Paris courthouse is located in the Batignolles, north-west of the capital, after centuries spent on the Ile de la Cité.
posted by: Alfouine
location: Île-de-France, France
Supreme Administrative Court of Finland - Helsinki, Finland
Under the Constitution of Finland, the Supreme Administrative Court is the court of last resort in administrative cases. In criminal and civil cases, the highest judicial powers are vested in the Supreme Court. Both courts were established in 1918.
posted by: SMacB
Amtsgericht Montabaur - Rheinland-Pfalz / Germany
A court of ordinary jurisdiction in Rhineland-Palatinate
posted by: Iris & Harry
location: Rheinland-Pfalz, Germany
Douglas County Courthouse - Douglasville, GA
The "New county courthouse, out on Hospital Drive.
posted by: YoSam.
Justice Court - Scottsdale, AZ
During a small period, this building was the used as a courthouse.
posted by: bluesnote
Douglas County Courthouse - Waterville, WA
The present Douglas County Courthouse was the fourth to be built to serve as the county courthouse and the third to be built in the present county seat, Waterville.
posted by: BK-Hunters
Court House (former) - Koroit, Vic , Australia
The former Courthouse in a country town
posted by: blingg
Clark County Courthouse - Springfield, Ohio
The Clark County Courthouse was constructed from 1918 to 1924 after the previous courthouse, built in 1881, was damaged by fire.
posted by: buffalohiker
Champaign County Courthouse - Urbana, Ohio
The Champaign County Courthouse was built in 1956 and dedicated on June 8, 1957. It is the fourth courthouse to be built after a fire destroyed the previous structure in the 1940s.
Nueces 1914 County Courthouse - Corpus Christi, TX
The third county courthouse to sit on this block, this neoclassical building was designed in 1913 by Harvey L. Page.
posted by: WalksfarTX
Okfuskee County Courthouse - Okemah, OK
The Okfuskee County Courthouse serves a county population of a little over 12,000.
posted by: hamquilter
Pitkin County Courthouse - Aspen, CO, USA
Well preserved and still utilized county courthouse, it has hosted many trails of celebrities and serial killer Ted Bundy.
posted by: Outspoken1
Franklin County Courthouse - Columbus, Ohio
The Franklin County Courthouse in Columbus, Ohio was constructed in 2011. It is located at 345 S High Street.
Kay County Courthouse - Newkirk, OK
These county offices serve a county population of about 45,400.
Grant County Courthouse - Medford, OK
The Grant County courthouse handles county business for approximately 4550 county residents.
Blacktown Court House - Blacktown, NSW, Australia
This is a well presented modern Courthouse in Blacktown, western Sydney.
posted by: Grahame Cookie
location: New South Wales, Australia
Old Rio Blanco Courthouse - Meeker, CO
Built in 1935 as a WPA project, this building is now the Meeker Municipal Court, City Hall and Human Service building. The building is reputed to be haunted.
Madison County Courthouse - London, Ohio
Madison County Courthouse, 1 N Main St, London, Ohio
Court House - Kurri Kurri, NSW, Australia
Close to the centre of Kurri Kurri town is this county Court House.
Municipal Court (former) - Corvallis, OR
For fourteen years, this former church building was used for municipal court and city council sessions.
posted by: NW_history_buff
Moore County Courthouse - Lynchburg, TN
A two-story red courthouse in the center of Lynchburg
posted by: Max and 99
Courthouse - Nowra, NSW, Australia
This is the new, and modern designed Court House for the region of Nowra and Shoalhaven.
Former Courthouse - Nowra, NSW, Australia
Nowra old Courthouse is a very good and unusual example of a Federation Romanesque style public building on Plunkett Street.
(Former) Brazoria County Courthouse - Angleton, TX
Now home to the Brazoria County Museum, this building is on the National Register of Historic Places. It was the second courthouse built for Brazoria County. The first being in the town of Brazoria.
Brazoria County Courthouse - Angleton, TX
Erected in 1940. Architect: Lamar Q. Cato Contractor: Knutson Construction


Jillian Obermeier works with new OSA director Heather Morris to plan SEB calendar for the 2012-2013 academic year. Morris returns to Maryland, where she grew up, to begin her role at Washington College.
College students cannot live on intellectual sustenance alone. Someone has to host the parties. Fortunately for students here, Washington College puts the Office of Student Activities (OSA) in charge of fostering a lively social scene. The new Director of Student Activities, Heather Morris, started work in the OSA on Aug 13.
Born near Lynchburg, Va., Morris's family moved to Maryland when she was seven. She attended Lynchburg College, majoring in sociology and minoring in human development and learning. In 2011, she completed her Master of Education in Educational Leadership at the same school.
Involvement in student activities helped shape Morris's own college experience. As a freshman, she felt alienated at first.
Morris comes to WC from a position at Presbyterian College in South Carolina, where she was the assistant director of community life and student programs for one year.
The OSA, located on the first floor of Hodson Hall Commons, operates the Student Center and advises and funds the Student Events Board (SEB). It offers programming support to all clubs and organizations on campus.
Morris notes that the OSA and the SEB have planned a full week of events to greet new and returning students alike. Welcome Back Week, which runs Aug. 27 through 31, will include a day of free Rita's, an interactive game show called "Think Fast," a toga party, and a Back to School Blowout on the Hodson Green. The OSA will also hold an SEB interest meeting.
Morris says she loves Chestertown so far and looks forward to becoming familiar with both the town and the college community.


Is it possible to increase the memory from 16G to 32Gb without having to buy the 32Gb version?
Nope, it's all part of the logic board, if it was possible, the 32GB model would be cheaper or the cost of upgrading would be roughly equal to the price difference.
It is possible by replacing the logic board to a logic board with a higher capacity!
I couldnt find logic boards but when avalible buy a higher capacity one and use the guide above!
By the way this is NOT WORTH THE MONEY!


text:
Q: ShrinkWrap - NoSuchMethodError: org.apache.maven.artifact.repository.metadata.Versioning.getSnapshotVersions()Ljava/util/List; I have been trying to solve the dependencies of maven using ShrinkWrap on my JUnit test but I got a problem that I couldn't fix.
Follow my test:
PomEquippedResolveStage pom = Maven.resolver().loadPomFromFile("pom.xml")
.importDependencies(ScopeType.PROVIDED, ScopeType.RUNTIME, ScopeType.COMPILE, ScopeType.TEST);

//This error ocurred when I tried to execute the using method
pom.resolve().using(TransitiveStrategy.INSTANCE).asFile()

And this is the problem I got:
java.lang.RuntimeException: Could not invoke deployment method: public static org.jboss.shrinkwrap.api.spec.WebArchive br.com.sulamerica.susis.autorizador.ws.resource.BeneficiarioResourceTest.createDeployment()  at
org.jboss.arquillian.container.test.impl.client.deployment.AnnotationDeploymentScenarioGenerator.invoke(AnnotationDeploymentScenarioGenerator.java:177)     at
org.jboss.arquillian.container.test.impl.client.deployment.AnnotationDeploymentScenarioGenerator.generateDeployment(AnnotationDeploymentScenarioGenerator.java:99)  at
org.jboss.arquillian.container.test.impl.client.deployment.AnnotationDeploymentScenarioGenerator.generate(AnnotationDeploymentScenarioGenerator.java:62)    at
org.jboss.arquillian.container.test.impl.client.deployment.DeploymentGenerator.generateDeployment(DeploymentGenerator.java:79)  at
sun.reflect.NativeMethodAccessorImpl.invoke0(Native Method)     at sun.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:39)    at
sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:25)   at java.lang.reflect.Method.invoke(Method.java:597)     at
org.jboss.arquillian.core.impl.ObserverImpl.invoke(ObserverImpl.java:94)    at org.jboss.arquillian.core.impl.EventContextImpl.invokeObservers(EventContextImpl.java:99)    at
org.jboss.arquillian.core.impl.EventContextImpl.proceed(EventContextImpl.java:81)   at org.jboss.arquillian.core.impl.ManagerImpl.fire(ManagerImpl.java:135)    at
org.jboss.arquillian.core.impl.ManagerImpl.fire(ManagerImpl.java:115)   at org.jboss.arquillian.core.impl.EventImpl.fire(EventImpl.java:67)     at
org.jboss.arquillian.container.test.impl.client.ContainerEventController.execute(ContainerEventController.java:100)     at
sun.reflect.NativeMethodAccessorImpl.invoke0(Native Method)     at sun.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:39)    at
sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:25)   at java.lang.reflect.Method.invoke(Method.java:597)     at
org.jboss.arquillian.core.impl.ObserverImpl.invoke(ObserverImpl.java:94)    at org.jboss.arquillian.core.impl.EventContextImpl.invokeObservers(EventContextImpl.java:99)    at
org.jboss.arquillian.core.impl.EventContextImpl.proceed(EventContextImpl.java:81)   at
org.jboss.arquillian.test.impl.TestContextHandler.createClassContext(TestContextHandler.java:75)    at
sun.reflect.NativeMethodAccessorImpl.invoke0(Native Method)     at
sun.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:39)   at
sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:25)   at
java.lang.reflect.Method.invoke(Method.java:597)    at
org.jboss.arquillian.core.impl.ObserverImpl.invoke(ObserverImpl.java:94)    at
org.jboss.arquillian.core.impl.EventContextImpl.proceed(EventContextImpl.java:88)   at
org.jboss.arquillian.test.impl.TestContextHandler.createSuiteContext(TestContextHandler.java:60)    at
sun.reflect.NativeMethodAccessorImpl.invoke0(Native Method)     at
sun.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:39)   at
sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:25)   at
java.lang.reflect.Method.invoke(Method.java:597)    at
org.jboss.arquillian.core.impl.ObserverImpl.invoke(ObserverImpl.java:94)    at
org.jboss.arquillian.core.impl.EventContextImpl.proceed(EventContextImpl.java:88)   at
org.jboss.arquillian.core.impl.ManagerImpl.fire(ManagerImpl.java:135)   at
org.jboss.arquillian.core.impl.ManagerImpl.fire(ManagerImpl.java:115)   at
org.jboss.arquillian.test.impl.EventTestRunnerAdaptor.beforeClass(EventTestRunnerAdaptor.java:80)   at
org.jboss.arquillian.junit.Arquillian$2.evaluate(Arquillian.java:182)   at
org.jboss.arquillian.junit.Arquillian.multiExecute(Arquillian.java:314)     at
org.jboss.arquillian.junit.Arquillian.access$100(Arquillian.java:46)    at
org.jboss.arquillian.junit.Arquillian$3.evaluate(Arquillian.java:199)   at
org.junit.runners.ParentRunner.run(ParentRunner.java:309)   at
org.jboss.arquillian.junit.Arquillian.run(Arquillian.java:147)  at
org.eclipse.jdt.internal.junit4.runner.JUnit4TestReference.run(JUnit4TestReference.java:50)     at
org.eclipse.jdt.internal.junit.runner.TestExecution.run(TestExecution.java:38)  at
org.eclipse.jdt.internal.junit.runner.RemoteTestRunner.runTests(RemoteTestRunner.java:467)  at
org.eclipse.jdt.internal.junit.runner.RemoteTestRunner.runTests(RemoteTestRunner.java:683)  at
org.eclipse.jdt.internal.junit.runner.RemoteTestRunner.run(RemoteTestRunner.java:390)   at
org.eclipse.jdt.internal.junit.runner.RemoteTestRunner.main(RemoteTestRunner.java:197) Caused by: java.lang.reflect.InvocationTargetException   at
sun.reflect.NativeMethodAccessorImpl.invoke0(Native Method)     at sun.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:39)    at
sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:25)   at java.lang.reflect.Method.invoke(Method.java:597)     at
org.jboss.arquillian.container.test.impl.client.deployment.AnnotationDeploymentScenarioGenerator.invoke(AnnotationDeploymentScenarioGenerator.java:173)     ... 50 more
Caused by: java.lang.NoSuchMethodError: org.apache.maven.artifact.repository.metadata.Versioning.getSnapshotVersions()Ljava/util/List;  at
org.apache.maven.repository.internal.DefaultVersionResolver.merge(DefaultVersionResolver.java:399)  at
org.apache.maven.repository.internal.DefaultVersionResolver.resolveVersion(DefaultVersionResolver.java:240)     at
org.apache.maven.repository.internal.DefaultArtifactDescriptorReader.loadPom(DefaultArtifactDescriptorReader.java:250)  at
org.apache.maven.repository.internal.DefaultArtifactDescriptorReader.readArtifactDescriptor(DefaultArtifactDescriptorReader.java:186)   at
org.sonatype.aether.impl.internal.DefaultDependencyCollector.process(DefaultDependencyCollector.java:412)   at
org.sonatype.aether.impl.internal.DefaultDependencyCollector.collectDependencies(DefaultDependencyCollector.java:240)   at
org.sonatype.aether.impl.internal.DefaultRepositorySystem.resolveDependencies(DefaultRepositorySystem.java:333)     at
org.jboss.shrinkwrap.resolver.impl.maven.bootstrap.MavenRepositorySystem.resolveDependencies(MavenRepositorySystem.java:122)    at
org.jboss.shrinkwrap.resolver.impl.maven.MavenWorkingSessionImpl.resolveDependencies(MavenWorkingSessionImpl.java:251)  at
org.jboss.shrinkwrap.resolver.impl.maven.MavenStrategyStageBaseImpl.using(MavenStrategyStageBaseImpl.java:67)   at
org.jboss.shrinkwrap.resolver.impl.maven.MavenStrategyStageBaseImpl.withoutTransitivity(MavenStrategyStageBaseImpl.java:54)     at
org.jboss.shrinkwrap.resolver.impl.maven.MavenStrategyStageBaseImpl.withoutTransitivity(MavenStrategyStageBaseImpl.java:38)     at
br.com.sulamerica.susis.autorizador.ws.resource.BeneficiarioResourceTest.createDeployment(BeneficiarioResourceTest.java:102)    ... 55 more

Does anyone knows what can I do to solve this problem?
Thanks

redpajama_set_name: RedPajamaStackExchange


text:
ArtMarketInsight
Art, in augmented reality
"I must not hurt humans"… The repeated written sentence as punishment… for a robot! The installation Punishment (2017) by Filipe Vilas-Boas and Paul Coudamy features a large articulated arm "sitting" at a desk, busy copying the first fundamental law of robotics, as formulated by science fiction writer Isaac Asimov. However, artificial 'intelligence' in the field of art – and life in general for that matter – has long since overstepped the boundaries of Sci-Fi. From Nicolas SCHÖFFER (1912-1992)'s first creative machines (CYSP 1) in 1956 to Takashi MURAKAMI (1962)'s humanoid self-portrait Robot Arhats in 2016, art history already has 60 years of experience with robotised phenomena that challenge the traditional definition of art, the artwork and the artist. Last spring's exhibition Artists and Robots at the Grand Palais in Paris provided an excellent overview of the role of new technologies in contemporary creation… so far.
The advent of digital art
Artists have always been on the lookout for technical innovations to open the field of creative possibilities. The arrival of photography and video allowed the creation of new works using new media. At the International Exhibition of 1937 Raoul Dufy celebrated the major technological advance of the 19th century – electricity – in his painting La Fée électricité. Dufy was given just 10 months to paint 110 figures on a surface covering 600 m². The artist innovated by using a 'magic lantern' to project his preparatory drawings to scale onto the canvas surface. In 1989, Nam June PAIK (1932-2006) paid tribute to Dufy's work with his audio-visual installation La Fée électronique consisting of 200 television monitors and 5 video robots each representing a figure of the French Revolution, including the famous Olympe de Gouges. The world of Contemporary art is in fact highly porous to virtual reality. Some artists use digital tools in their creations… some set up totally dematerialized creations like Ai WeiWei and Oliafur Eliasson's moonmoonmoonmoon.com website in 2013 allowing people to draw or write something on a virtual moon and thus interact with each other. Others use digital codes to create works with traditional media. Aram Bartholl examines the relationship between the digital world and the physical world: his project Map is a large format installation of Google Map's red pointer at the exact centres of cities like Kassel and Taipei, giving 'material reality' to Google's GPS calculations. In short… the digital era raises serious questions about the place of humans in the world, and artists have quickly found themselves at the heart of this question.
Artist and AI
'New media artist', 'multi-media artist', 'digital artist'… certain artists have escaped the standard appellations of sculptor, printmaker, painter etc.. The appearance of digital applications in practically all areas of human activity has changed the relationship between artists and their creations. By opening the field of 'virtual' possibilities, the artist gains autonomy and discovers new models. It makes non-adherence to the processes imposed by tradition and institutions a lot easier. With computer programs, the importance of manual techniques is receding in favour of digitally generated shapes and forms. Colours and materials are nowadays just series of numbers. The creative process can be infinitely faster. The artist delegates to the machine a part of his power, and what it produces can be infinitely and constantly modified. With Deep Learning, the machine instructs itself and becomes independent… until it is creating more or less on its own: the artist Leonel MOURA (1948) makes robots able to paint and draw independently. This is the idea behind his RAP (Robotic Action Painter, 2006), a permanent installation at the American Museum of Natural History in New York. The result is impossible to determine because the robot runs algorithms. It decides for itself when the work is finished and then signs it.
The relationship between the artist and his audience also changes. Digital tools have become a universal medium: everyone has access to know-how and culture; everyone can express themselves and create works of art. Digital art is above all a participative and collaborative art. The artist / public relationship is much flatter. The public takes an active part in contemplating the artwork and even becomes a participant and/or an integral part of the creative process. This idea is at the heart of the work of Miguel Chevalier, a French artists born in Mexico in 1959 and considered a pioneer of virtual art. The movements of visitors to his video installations actually modify them in real time, as in Liquid pixels (2009). The movement of each visitor is converted into a brush stroke creating a trail of colour that gets blended with the backdrop, using a technique described as electronic dripping.
Redefining the 'artwork'
What defines a work of art in the digital age? Since the advent of abstraction in art, artworks can no longer be defined by their subject. The lawsuit that Constantin BRANCUSI (1876-1957) filed (and won) in 1928 against the United States Customs Service to have his Oiseau dans l'espace recognized as a work of art put a definitive end to the need for a subject in art. Since the advent of printing and then photography (not to mention sculpture and manufacturing) a work of art can no longer be defined by its unicity, since many artworks are produced in series and editions. Now that an artwork can be created by a collaborative process or a team or as a result of a number of different production layers, the work is no longer defined by its author. Perhaps we should define an artwork by its audience, the persons for whom it is destined? After all, as many have observed (including famously Oscar Wilde), beauty is in the eyes of the beholder. An artwork may be defined first and foremost by its idea, i.e. by the work of personal imagination in its conception rather than by its realisation that can be delegated or even automated. Nicolas Schöffer anticipated this vision of art by stating that "the role of the artist will no longer be to create a work, but to create creation" (1956). Yes… but… digital creations – processes that are open and often collaborative, monumental and/or deliberately ephemeral – are struggling to get accepted within the art market's traditional economic circuits.
A market for digital art?
In recent years, the art market has moved massively into the 'online' sphere and, since 2010, Internet sales have exploded. But ownership of a digital artwork is still a rare thing and there are very few places where one can actually buy one. In effect, digital art poses problems of conservation, maintenance and reproducibility since the bulk of the works started life as computer code. Then there is the problem of pricing: what values can/should be attributed to artists who only do digital art? Is this type of art destined to be sold uniquely via the secondary market? The models and networks of the Contemporary art market are not necessarily applicable or relevant to digital art. Back in the day, photography, then video, started by mimicking the commercial codes of the Contemporary art (certificates of authenticity, limited editions, etc.). On 29 January 2014, anniversary of the death of Nam June Paik, the first video art auction was held at Hôtel Drouot organised by auctioneer Vincent Wappler. All the lots proposed had digital or online versions. Buyers were offered the 'originals'. But even if digital art follows the same road, it must overcome technical and legal problems related to the specific media required for a multimedia work. In fact the very sale of a digital work raises questions right from the start… What exactly is being sold? The software, the computer, the microphone, the screen… or everything. The Paddles on! sale organised by Phillips in New York in October 2013 and curated by Lindsay Howard was the first digital art sale. It featured websites, YouTube videos, software and animated GIFs. Most of the pieces sold, some up to $16,000. The following year, Phillips reiterated the experience in London but the proceeds fell short of expectations and since then no auction house has taken the risk of trying to sell digital art for the lack of a clearer economic model. However, but some ideas are beginning to emerge, such as a 'exhibition rights' (fees paid to an artist when his/her work is shown in public) and the establishment of dedicated streaming services, connected to screens already in place.
Encountering difficulties in finding its place within the existing spaces, the digital art community is organising itself in a parallel and autonomous fashion around dedicated fairs like the NEMO Biennale (4th edition in 2018) and the ELEKTRA festival and via websites or online magazines like Digitalarti created in 2009. To avoid the risk of ghettoising digital art, further collaboration is needed between the art world, economic platforms and the tech world in order to find sustainable models for these new forms of creation.

redpajama_set_name: RedPajamaCommonCrawl


Websites in the List of blocked addresses will not be accessible unless they are also included in the List of allowed addresses. Websites in the List of addresses excluded from checking are not scanned for malicious code when accessed.
Enable SSL/TLS protocol filtering must be selected if you want to filter HTTPS addresses in addition to HTTP web pages. Otherwise only the domains of HTTPS sites that you have visited will be added, the full URL will not be.
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If you want to block all HTTP addresses except addresses present in the active List of allowed addresses, add * to the active List of blocked addresses.
The special symbols * (asterisk) and ? (question mark) can be used in lists. The asterisk substitutes any character string, and the question mark substitutes any symbol. Particular care should be taken when specifying excluded addresses, because the list should only contain trusted and safe addresses. Similarly, it is necessary to ensure that the symbols * and ? are used correctly in this list. See Add HTTP address / domain mask for how a whole domain including all subdomains can be matched safely. To activate a list, select List active. If you want to be notified when entering an address from the current list, select Notify when applying.
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There's nothing wrong with laid back and casual. Actually we condone it. The Cynthia has kicked-back comforts, like a stretch performance fabric with no-itch seams, making for a killer choice for wherever the next stop on the road may be.


text:
New Massive Attack!
I'm on the 3rd track of the new MA album, 100th Window. Just as that short review says, it's Mezzanine plus. Fantastic! Check your local file-sharing listings.
The Guardian wrote a juicier review:
The[re are] recordings of polka medleys that have more in common with Blue Lines than 100th Window does. (!)
Every recognisable element of their debut has been stripped away: the breakbeats, scratches and funk samples are replaced by softly bleeping electronics, spectral guitar figures and clattering drum machines.
One recent interview trumpeted Del Naja as a "cerebral hedonist", claiming he preferred to write and record at the end of a lengthy bender. That sounds like a risky technique. [...] plunging into a chemically heightened heart of darkness in pursuit of uncomfortable truths --
It's hard to think of a recent album this vague. The tempo never varies from a listless crawl; the vocals, rhythms and arrangements all struggle to stay in the background. Sometimes this oblique approach works wonderfully.


Summer desserts to me mean blueberry pies, peach buckles, strawberry rhubarb crumbles and drippy vanilla ice cream melting over the top. I'm always looking for a way to change up my recipes. What better way than to add chocolate?
Chocolate covered strawberries are a classic combination. I've never seen such a pie, so when I found a recipe for one I knew it couldn't be bad. This recipe actually calls for very little sugar (only a bit more than 1/4 cup in the whole thing) and no butter. Coconut oil holds the crisp topping together, and coco powder gives the chocolatey flavor.
I'd recommend eating this warm. Try adding some fresh whipped cream. Maybe some more chocolate. And whatever you do, don't lose this recipe so you can make it again and again.


Later topic: Flat chipboard boxes (no seam) !?
I have a client interested in a copper foil with the appearance of patina. I know a couple suppliers have faux-finish metallics. Does anyone know one who does this with copper?
"Crown Roll Leaf" has a brochure they could send you, "Special Effects" foils.
FYI - Crown Roll Leaf has a 300 dollar minimum.
You can try Great Western Foils.
you could order the brochure, and if you like something, i could attach it to one of my orders.
Ture, I'm pretty done with crown roll after they squeezed smaller printers out.
ericm, that process sounds incredibly involved. This is a client's "if it's easy" wish; not worth turning into a very big production.
If the following is *out of order or stupid* sincere apologies, but could it even be considered as a Thermography Job, they do not come much more Eye-catching or Stand out than that.!!!
O.K. appreciated that the Clients, If easy wish, etc, possibly as a one off, >Farm it Out,< treated as a *Lost Leader*???
Again apologies.??? for potential rubbish.
Sometimes a second pass of foil stamping set to a higher temperature can create a marbled/mottled/aged look. I've done it once before to fulfill this kind of request.
To be clear, I'm specificically looking for the look of verdigris - green copper - mixed in with regular copper.
Perhaps Key in to Google, etc. *Metalic Flake Ink for letterpress*, 21 replies/responses, so far, and counting, May NOT be of any constructive use immediately, but must carry some pointers, even which Route(s) to avoid.
Again my usual apologies for potential Rubbish,!
Woah, is this something new the Royal Crown Leaf minimum of $300?
I was notified of this a few months ago.
Kurtz tried this a few years ago, but has since canceled this minimum. API has gone into bizz with General Roll Leaf to handle small orders. If there happens to be an API product you like, be sure to specify that.
The big manufacturers realize the needs of small shops, but the bean counters don't want to deal with small accounts. Infinity still works well with small orders.
most require a 24" long roll but will deal in 200' lengths. cheap foil cutters on Ebay can handle these lengths up to about 600'. after that, get a powered cutter.
if there is anyone out there that does want a specific "Crown" product, contact me directly. I am always looking for "That last item", to meet the minimum. I am only an hour north of their Chicago office, so your shipping would just be from me to you. I can cut rolls to size, understanding that, once cut, unless i think i can use them, they are yours.
That's kind of you Eric. I'll keep you in mind, because that's one of my favorite brands.


Stratford and the surrounding area of East London is fast becoming one of the most attractive places to live in London. Since playing host to the London Olympics it has seen thousands of new jobs and homes created and has quickly become a vibrant culture with growing and varied community.
For a long time, Stratford was an industrial surburb of London linked by the railway. But when the landmark London Olympic Park was built to host the London Olympic, a new, pioneering history was made for Stratford.
There's so much to see and do around Stratford, you'll never be short of places to go. The incredible Westfield Stratford City is Europe's largest retail centre and boasts a wide range of high street and high end shops from New Look to Louis Vuitton – you can even get your own personal stylist. There are over 60 bars, restaurants and cafés including Jamie's Italian, Waháca and the sensational World Food Court.
In Stratford Town Centre and Hackney Wick you can browse the market stalls, try Lebanese or Caribbean cuisine, tour places like Crate Brewery or grab an authentic stone baked pizza with friends over at Ifratelli. If you want to try something a bit different you could visit the All Star Lanes Bowling Alley, go to the 24hr Aspers Casino or get a breath of fresh air at the Queen Elizabeth Olympic Park, home to BT Sport and an incredible community mobile garden.
The art scene is thriving in East London so expect to watch a dance, play or performance at Stratford Circus, or the historic Theatre Royal. The Stratford Picturehouse is a popular cinema hangout, Hackney WickED Art Festival grows every year and music production companies like Urban Development are thriving. There are also plans to open a new £4.5m 'eco-theatre' called The Red Crate in the coming years.
There are many new apartment developments being built in the Stratford area but there are also Victorian terraced houses and family neighbourhoods such as around West Ham Park. The Unex Tower is a 26 floor mixed-use office and residential developement that has recently completed, with luxurious apartments with amenities and views stretching from the Olympic Park to Canary Wharf and beyond. There are various other developments with apartments and penthouses offering high specification finishes and cityscape views such as Stratford Riverside, Stratford Central and Stratosphere ranging at around £680,000.
If you're looking to rent around Stratford, studios and one bedroom flats start from around £900 per month with small 2 bed flats from as little as £1300 a month. Luxury apartments go from around £1,500 to £5000 for a three bedroom penthouse. There are still many affordable homes to buy and rent here, but house prices are predicted to grow nearly 50% between 2015 and 2020, so now is the time to invest.
Stratford and the surrounding area are very well connected on the DLR, TFL Rail and the Central and Jubilee lines. Stratford Station and Stratford International makes getting around easy, from Canary Wharf to London City Airport. Stratford International is soon hoping to become connected to Brussels, Amsterdam and Cologne as well as developing direct trains to Birmingham, Manchester and Scotland.
Crossrail, due in 2019, will connect Stratford to fast routes across the east and west of the city, from Heathrow to Kent.
There are many state and independent schools across the area including the Chobham Academy. Universities are also nearby with University Square Stratford and the University of East London. Significant investments have been made in education with more universities expanding here and schools being created as the area develops.
The East Village with a mixture of rental homes and affordable housing. It is still expanding to include 2000 more apartments.
'Olympicopolis' - a cultural complex on Stratford Waterfront involving the V&A Museum and Sadler's Wells.
New campuses from UEL, Birkbeck and Loughborough universities.
Capital Towers - a 14-level City West Tower and 34-level Sky View Tower of luxury residencies.
The International Quarter (TIQ) with new homes, commercial spaces, hotels, retailers and community facilities.


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Q: How do you solve this using only given values, logarithm rules and no calculator? Given that $\log12=1.0792$ and $\log4=0.6021$, solve $\log8$ without a calculator.
I am familiar with the following three rules:

*

*Product rule: $\log(a\cdot b)=\log a+\log b$

*Quotient rule: $\log(a/b)=\log a-\log b$

*Power rule: $\log(a^b)=b\cdot\log a$

But I honestly don't see how they help in this case. Any way you slice it, it seems like it's necessary to introduce $\log2$, which is not given. Am I missing something?

A: Hint: $8^2=4^3$.
Alternative hint: $2=\sqrt4\,$.

A: $\log 4 = \log 2^2 =2\log 2 =0.6021$
$\implies\log 2 =0.3010$
$\log 8 = \log 2^3 = 3\log 2 = 3*0.3010 = 0.9030$

A: $\log 8=\log(4^{3/2})$
Use the $3^{\text{rd}}$ rule.

A: Since you received the answers, let me be slightly more general and show you what you can do just knowing that $\log_{10}(12)=1.0792$ and $\log_{10}(4)=0.6021$. Since $4=2^2$, you then have $\log_{10}(2)=0.3010$. Since $3=\frac{12} {4}$, you then have $\log_{10}(3)=0.4771$. We could continue like that for quite many numbers.
But, by the end, wht this means is that, just based on this mimited information, you can compute the logarithm of any number which write $2^a3^b4^c6^d8^e9^f10^g$.


Today I am sharing another lemon flavored dessert. Lemon poppy seed muffins with a creamy lemon glaze. These muffins are full of fresh lemon flavor because you add both the zest and juice into the muffin batter. And of course, the poppy seeds add a nice texture and crunch to these muffins. You can find poppy seeds online or at the grocery store. If they are not available near where you live, you can always leave them out.
You can mix up the batter easily by hand in a large bowl. This recipe makes about 12 regular sized muffins. To top off the baked muffins, you can make an easy and creamy lemon glaze that is full of fresh lemon flavor as well. These muffins are a perfect treat for the summer and also make a nice breakfast accompaniment. If you love lemon flavored desserts, check out these lemon ricotta cookies. I would love to know your favorite lemon flavored desserts in the comments below!
Preparing the muffins: Preheat your oven to 425° F. Line a 12 count muffin pan with paper liners or you can grease the bottoms and sides of the pan lightly with butter.
In a large bowl, incorporate all of the dry ingredients well using a whisk, including the flour, both sugars, poppy seeds, baking powder and soda, and salt.
In another bowl, mix together the wet ingredients, including the fresh lemon juice, lemon zest, eggs, yogurt, and vanilla paste.
Add the wet ingredients into the dry and mix them together only until all the ingredients are well blended. TIP: It helps if you use a spatula at this point to get to the bottom of the bowl so no dry flour remains unmixed.
Take spoonfuls of the batter and add them into the muffin pan, filling all the way to the top.
Bake for 5 minutes first at 425° F. Then, lower the oven temperature to 375° F and bake for an additional 10-15 minutes or until the top of the muffins are a light golden color. Keep an eye on the muffins during the last five minutes. TIP: You can insert a toothpick in the center to check for doneness. If it comes out clean, they are done.
Take the muffins out from the oven and let them cool about 10 minutes before removing them from the pan.
Preparing the lemon glaze: Mix all the ingredients listed for the glaze in a small bowl. You can add more powdered sugar to make the glaze thicker or more cream/milk for a thinner glaze. Drizzle or spoon the glaze over the cooled muffins and let the glaze set for about 10 minutes. Enjoy!
Storage: You can store the muffins in an airtight container at room temperature for up to a week. You can freeze the muffins for up to 3 months.