text:
Julia Roberts's Geni Profile
California Counties, Cities and Towns
Georgia with Counties, Cities, and Towns Project
Cobb County, Georgia
Friends (and Their Friends)
Photo by David Shankbone. Licensed under the Creative Commons Attribution 3.0 Unported license. Via Wikimedia Commons at https://en.wikipedia.org/wiki/File:Julia_Roberts_2011_Shankbone_3.JPG
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Julia Fiona Roberts
Birthdate: October 28, 1967
Birthplace: Smyrna, Cobb County, Georgia, United States
Daughter of Walter Grady Roberts and Betty Lou Bredemus
Wife of Daniel Richard Moder
Ex-wife of Private
Ex-partner of Benjamin Bratt
Mother of Private; Private and Private
Sister of Eric Roberts and Private
Half sister of Nancy Motes
Occupation: Film Producer, Actor, Voice Actor, Television producer
Managed by: Simon Magnus Härdh
Historical records matching Julia Roberts
Julia Roberts in Biographical Summaries of Notable People
Added 2021-11-01 21:23:58 -0700 by Private User
Biographical Summaries of Notable People
Oct 28 1967 - Smyrna
Walter Grady Roberts, Betty Lou Motes
Lisa Roberts Gillan, Eric Roberts, Nancy Motes
Husband:
Lyle Lovett, Daniel Moder
Hazel Moder, Phinnaeus Moder, Henry Daniel Moder
Residences:
Atlanta, Malibu, And 2 more addresses
Julia Fiona Roberts in MyHeritage family trees (Moder - Peters Web Site)
Moder - Peters Web Site
Rachel Longbottom
Oct 28 1967 - Smyrna, Cobb County, Georgia, USA
Walter Grady Roberts, Betty Lou Roberts (born Bredemus)
Eric Anthony Roberts, Lisa Roberts Gillan, Nancy Motes
Daniel "danny" Richard Moder
Ex-husband:
Lyle Pearce Lovett
Hazel Patricia Moder, Phinnaeus "finn" Walter Moder, Henry Daniel Moder
Julia Fiona Moder (born Roberts) in MyHeritage family trees (stephenson Web Site)
Julia Fiona Moder (born Roberts)
stephenson Web Site
Catherine Acton
Eric Roberts, <Private> Roberts
Ex-partner:
<Private> Lovett
Daniel Richard Moder
<Private> Moder, <Private> Moder, <Private> Moder
Julia Moder (born Roberts) in MyHeritage family trees (Roberts Web Site)
Julia Moder (born Roberts)
Roberts Web Site
Walter Grady Roberts, Betty Lou Roberts (geboren Bredemus)
Daniel Moder
Julia Moder (born Roberts) in MyHeritage family trees (Ксения Web Site)
Ксения Web Site
Oct 28 1967 - Smyrna,Georgia,theUSA
Walter Grady Roberts, Betty Lou Bredemus
Eric Roberts, Nancy Motes, <Private> Gillian (born Roberts)
<Private> Moder
Julia Fiona Railer (born Roberts) in MyHeritage family trees (Byers Torres Web Site)
Julia Fiona Railer (born Roberts)
Byers Torres Web Site
Nicole Byers Torres
Oct 28 1967 - United States
<Private> Railer
Julia Fiona Čajkovskij (born Roberts) in MyHeritage family trees (Waldum Web Site)
Julia Fiona Čajkovskij (born Roberts)
Waldum Web Site
Berit Elise Waldum
Walter Grady Roberts, Betty Lou Roberts (født Bredemus)
Eric Anthony Roberts, <Private> Roberts Gillan
<Private> Čajkovskij
<Private> Holopainen (født Olzon), <Private> Moder
Julia Roberts in MyHeritage family trees (Vitkus Web Site)
Vitkus Web Site
Steve Vitkus
Oct 28 1967 - Smyrna, GA
Walter Grady Roberts, Betty Lou Roberts (born Bredemus (Roberts) (Motes))
Eric Anthony Roberts, Nancy Dabbs Motes
Julia Roberts in MyHeritage family trees (Marks Web Site)
Marks Web Site
Richard Marks
Walter Grady Roberts
Eric Anthony Roberts, Nancy Motes, <Private> Gillan
Julia Čajkovskij (born Roberts) in MyHeritage family trees (Roberts Web Site)
Julia Čajkovskij (born Roberts)
Walter Grady Roberts, <Private> Roberts (née Bredemus)
Peter Iľjič Čajkovskij
Daughter:
Anette Holopainen (née Olzon)
Julia Fiona Roberts in MyHeritage family trees (Peter Lövgren Web Site)
Peter Lövgren Web Site
Peter Lövgren
Oct 28 1967 - Atlanta, Fulton, Georgia, USA
Walter Grady Roberts, Betty Lou Roberts (född Bredemus)
Julia Fiona Lovett (born Roberts) in MyHeritage family trees (arbre Web Site)
Julia Fiona Lovett (born Roberts)
arbre Web Site
dom pavie
Walter Grady Roberts, Betty Lou Roberts (née Bredemus)
Eric Anthony Roberts, Lisa Roberts Gillan
ex-spouse
Betty Lou Bredemus
ex-partner's child
About Julia Roberts
https://en.wikipedia.org/wiki/Julia_Roberts
She is an American actress. She is known for starring in the romantic comedy Pretty Woman, which grossed $463 million worldwide. After receiving Academy Award nominations for Steel Magnolias in 1990 and Pretty Woman in 1991, she won the Academy Award for Best Actress in 2001 for her performance in Erin Brockovich. Her films, which also include romantic comedies such as My Best Friend's Wedding, Mystic Pizza, Notting Hill, Runaway Bride, Valentine's Day and crime films such as The Pelican Brief and Ocean's Eleven and Twelve have collectively brought box office receipts of over $2 billion, making her the most successful actress in terms of box office receipts.
Roberts had become one of the highest-paid actresses in the world, topping the Hollywood Reporter's annual "power list" of top-earning female stars from 2002 to 2006. Her fee for 1990's Pretty Woman was $300,000; in 2003, she was paid an unprecedented $25 million for her role in Mona Lisa Smile. As of 2007, Roberts's net worth was estimated to be $140 million.
Roberts was the first actress to appear on the cover of Vogue. GQ once erroneously claimed she was the first woman to appear on their cover, but later retracted the statement (Carol Channing appeared on a GQ cover in 1964). She has been named one of People magazine's "50 Most Beautiful People in the World" eleven times, tied with Halle Berry. In 2001 Ladies Home Journal ranked her as the 11th most powerful woman in America, beating out then national security advisor Condoleezza Rice and first lady Laura Bush. Roberts has a production company called Red Om Films, formerly Shoelace Productions ("Moder" spelled backwards, after her husband's last name).
Roberts was born in Atlanta, Georgia at Crawford Long Hospital (now Emory University Hospital Midtown), the daughter of Betty Lou (née Bredemus) and Walter Grady Roberts. Her older brother, Eric Roberts (from whom she was once estranged, but reconciled with in 2004), and sister, Lisa Roberts Gillan, are also actors. Roberts' parents, one-time actors and playwrights, met while performing theatrical productions for the armed forces and later co-founded the Atlanta Actors and Writers Workshop in Atlanta, Georgia, off Juniper Street in Midtown. While her mother was pregnant with Roberts, she and her husband ran an acting school for children in Decatur, Georgia. The children of Martin Luther King, Jr. and Coretta Scott King attended the school. As a thank-you for their service, Mrs. King paid the hospital bill when Roberts' mother gave birth to Julia.
Roberts' mother filed for divorce in 1971, with the divorce being finalized early in 1972.The family moved to Smyrna, Georgia (a suburb of Atlanta) in 1972, where Roberts attended Fitzhugh Lee Elementary School, Griffin Middle School and Campbell High School. Her mother re-married to Michael Motes and had another daughter, Nancy Motes, who was born in 1976. Roberts' father died of cancer when she was ten.
In school, Roberts played clarinet in the band. She wanted to be a veterinarian as a child, but soon after graduating from Smyrna's Campbell High School, she headed to New York to join her brother and sister Lisa Roberts Gillan and pursue a career in acting. Once there, she signed with the Click modeling agency and enrolled in acting classes. She reverted to her original name "Julia Roberts" when she discovered that a "Julie Roberts" was already registered with the Screen Actors Guild. Her niece Emma Roberts, whom Julia used to take to movie sets when she was a young girl, has joined her father and aunts in the acting business.
Roberts's personal life has often been in the spotlight. She has had widely reported romantic relationships with numerous famous men, including Liam Neeson, Dylan McDermott, Kiefer Sutherland, Lyle Lovett, Matthew Perry, and Benjamin Bratt. She was briefly engaged to McDermott, her Steel Magnolias co-star. She met Sutherland in 1990, when he was her co-star in Flatliners. In August 1990, Roberts and Sutherland announced their engagement, with an elaborate studio-planned wedding scheduled for June 14, 1991. Roberts broke the engagement three days before the wedding. Roberts subsequently went to Ireland with Jason Patric, a friend of Sutherland's. On June 27, 1993, she married country singer Lyle Lovett. The wedding took place at St. James Lutheran Church in Marion, Indiana, near where Lovett was appearing on tour with his band. In March 1995, the couple separated, and subsequently divorced.
In 1998, Roberts began dating Law & Order star Benjamin Bratt, and he was her escort for the March 25, 2001 Academy Awards ceremony at which she won her Oscar. Three months later, in June 2001, Roberts and Bratt announced that they were no longer a couple. "It's come to a kind and tenderhearted end," she said of their relationship.
Roberts met her current husband, cameraman Daniel Moder, on the set of her movie The Mexican in 2000. At the time, Moder was married to Vera Steimberg Moder. He filed for divorce a little over a year later, and after it was finalized, he and Roberts wed on July 4, 2002, at her ranch in Taos, New Mexico. On November 28, 2004, they became the parents of fraternal twins, daughter Hazel Patricia and son Phinnaeus "Finn" Walter. Their third child, son Henry Daniel Moder, was born on June 18, 2007, in Los Angeles.
Filmoography:
- Larry Crowne (2011) (post-production)
- Eat Pray Love (2010) .... Elizabeth Gilbert
- Valentine's Day (2010) .... Captain Kate Hazeltine
- Duplicity (2009) .... Claire Stenwick
- Fireflies in the Garden (2008) .... Lisa Waechter
- Charlie Wilson's War (2007) .... Joanne Herring
- Charlotte's Web (2006) (voice) .... Charlotte the Spider
- The Ant Bully (2006) (voice) .... Hova
- Ocean's Twelve (2004) .... Tess Ocean
- Closer (2004/I) .... Anna
- Mona Lisa Smile (2003) .... Katherine Ann Watson
- "Freedom: A History of Us" .... Appleton;s Journal / ... (2 episodes, 2003)
- What Is Freedom? (2003) TV episode .... Virginia Eyewitness
- Yearning to Breathe Free (2003) TV episode .... Appleton;s Journal
- Full Frontal (2002) .... Francesca / Catherine
- Confessions of a Dangerous Mind (2002) .... Patricia Watson
... aka "Confession" - Japan (English title)
- Grand Champion (2002) .... Jolene
- Ocean's Eleven (2001) .... Tess Ocean
... aka "11" - USA (promotional abbreviation)
... aka "O11" - USA (informal short title)
- America's Sweethearts (2001) .... Kathleen "Kiki" Harrison
... aka "American Sweetheart" - Japan (English title)
- The Mexican (2001) .... Samantha Barzel
- Erin Brockovich (2000) .... Erin Brockovich
- Runaway Bride (1999) .... Maggie Carpenter
... aka "Pretty Bride" - Japan (English title)
- Notting Hill (1999) .... Anna Scott
- "Law & Order" .... Katrina Ludlow (1 episode, 1999)
... aka "Law & Order Prime" - USA (informal title)
- Empire (1999) TV episode .... Katrina Ludlow
- Stepmom (1998) .... Isabel Kelly
... aka "Good Night Moon" - Japan (English title)
- Conspiracy Theory (1997) .... Alice Sutton
- My Best Friend's Wedding (1997) .... Julianne Potter
... aka "Best Friend's Wedding" - Japan (English title)
- Everyone Says I Love You (1996) .... Von Sidell
- Michael Collins (1996) .... Kitty Kiernan
- Mary Reilly (1996) .... Mary Reilly
- "Friends" .... Susie Moss (1 episode, 1996)
- The One After the Superbowl: Part 2 (1996) TV episode .... Susie Moss
- Something to Talk About (1995) .... Grace King Bichon
- Prêt-à-Porter (1994) .... Anne Eisenhower
... aka "Prêt-à-Porter: Ready to Wear" - Canada (English title)
- I Love Trouble (1994) .... Sabrina Peterson
- The Pelican Brief (1993) .... Darby Shaw
- Hook (1991) .... Tinkerbell
- Dying Young (1991) .... Hilary O'Neil
... aka "The Choice of Love" - Europe (English title)
- Sleeping with the Enemy (1991) .... Laura Burney
- Flatliners (1990) .... Dr. Rachel Mannus
- Pretty Woman (1990) .... Vivian Ward
- Steel Magnolias (1989) .... Shelby Eatenton Latcherie
- Blood Red (1989) .... Maria Collogero
- Mystic Pizza (1988) .... Daisy Arujo
- "Miami Vice" .... Polly Wheeler (1 episode, 1988)
- Mirror Image (1988) TV episode .... Polly Wheeler
- Baja Oklahoma (1988) (TV) .... Candy Hutchins
- Satisfaction (1988) .... Daryle
... aka "Girls of Summer" - Canada (English title)
- Firehouse (1987) (uncredited) .... Babs
- "Crime Story" .... Tracy (1 episode, 1987)
- The Survivor (1987) TV episode .... Tracy
1. Our Wild Life
2. Happiness Sold Separately
3. Mallory
4. Youngblood
5. Hothouse Flowers
6. In the Neighborhood
7. A Flowering Evil
8. The Friday Night Knitting Club
9. Birds in Fall
Wikipedia: http://en.wikipedia.org/wiki/Julia_Roberts
IMDb: http://www.imdb.com/name/nm0000210/
IBDB: http://www.ibdb.com/person.php?id=403590
TV.com: http://www.tv.com/person/4035/summary.html.
Julia Fiona Roberts MyHeritage släktträd Moder - Peters Web Site, administrerad av Rachel Longbottom (Kontakt) Födelse:	28 okt 1967 - Smyrna, Cobb County, Georgia, USA Föräldrar:	Walter Grady Roberts, Betty Lou Roberts (born Bredemus) Syskon:	Eric Anthony Roberts, Lisa Roberts Gillan, Nancy Motes Make:	Daniel "danny" Richard Moder Ex-man:	Lyle Pearce Lovett Barn:	Hazel Patricia Moder, Phinnaeus "finn" Walter Moder, Henry Daniel Moder
Religion: Hinduism
Residence: Atlanta
Residence: Malibu
Residence: Taos
Residence: New York City
Reference: Biographical Summaries of Notable People - SmartCopy: Jun 7 2020, 22:05:08 UTC
Julia Roberts's Timeline
Birth of Julia Roberts
Smyrna, Cobb County, Georgia, United States


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The Adventist Singles claims to be the leading Adventist dating site catering to thousands of members who share the same Christian faith. It is a religious-themed paid dating service operated by the Sparks Networks, which has already brought into the table some of the biggest dating service providers in the world.
The platform provides matchmaking services with messaging, photo, privacy, and other special features but unlike other dating services, it wants to put Adventists faith and values deeply into its community. Was it successful in delivering this goal, or did it fall short of expectation? Find out about these important details in this review.
Members are actively responding to messages, likes, and other activities.
Its main target populations are Adventist and Christian singles who are looking to build a relationship with someone of the same faith.
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In comparison to other providers Adventist Singles is inexpensive.
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Adventist Singles has finally created a safe dating space for religious singles. It is proven to have been successful in blocking unwanted fake accounts. Safety is their main priority as reflected in their continuous efforts in launching online dating guidelines every now and then about safety and privacy. Their verification process is also one tough nut to crack as fake profiles are detected in a matter of hours. It wants to focus more on bringing a quality pool of Adventists rather than filling it in with a lot of people. The site offers simple functionalities suitable for people of all ages. Both the app and desktop version has smooth navigation interfaces, perfect for tech-beginners. Interested? Sign up and try Adventist Singles for yourself!
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From the "LookBook" page you'll see the member's profile photo, display name, age, location, "Match Percentage," and "Essay."
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If you've received inappropriate or abusive communication, you may report them. While viewing the profile for the member you'd like to report, click on the horizontal three-dot menu underneath a member's profile picture. Select "Report" then click Send.
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"Messaging+" is a premium subscription feature that enables you to communicate directly with any member in the Adventist Singles community, whether they are a paid member or not.
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All Adventist Singles subscribers can see if other members have read their messages. When viewing your messages with another member, you can look to see if there is text that says "read" below the most recent message. This indicator will appear in bright green.
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text:
Q: Primefaces ejecutar effect por metodo Buenas tengo una duda y es si es posible hacer lo siguiente, tengo un formulario el cual ya tiene un "p:effect"

<p:panel id="FormularioUsuario">
        <h:form id="ConfiguracionUsuario">

            <p:commandButton styleClass="BotonFullSiguiente" value="Siguiente" update=":growl ConfiguracionUsuario">
                <p:effect type="blind" event="click" for="FormularioUsuario">
                    <f:param name="direction" value="'horizontal'" />
                    <f:param name="mode" value="'hide'" />
                </p:effect>
            </p:commandButton>
    </h:form>
</p:panel>

El efecto funciona pero necesito que se ejecute cuando el formulario esta perfecto y obiamente esta configurado para ejecutarse con cualquier click, hay manera de controlar la propiedad "event" desde java o que reconosca los eventos del DOM form ya los probe pero no funcionaron o los puse mal.

A: Respondiendo tu pregunta.
Paso 1 :
/**
*  Crear Clase para Manejar Effectos
*
*/
@Named //o @ManagedBeans
@SessionScoped // o ViewScoped
public class ManagerEffects{
    //Create una lista String con todos los efectos

    //Ejemplo
    List<String> effects = new ArrayList<>();
    //Efecto que sera capturado por el input tipo select
    String effect;

    @PostConstruct  /* al cargar la pagina la clase ManagerEffects llena automaticamente la lista */
    public void init(){
        effect = "pulsate";
        effects.add("pulsate");
        effects.add("shake");
        //......
    }

    public List<String> getEffects(){
        return this.effects;
    }

    public void setEffects(List<String> effects ) {
        this.effects = effects;
    }

    public String getEffect() {
        return this.effect;
    }

    public void setEffect(String effect ) {
        this.effect = effect;
    }
} //fin de mi beans

Paso 2:
Vista de usuario
<b>
    <h:form>
        <h:panelGrid colunm="2">
            <h:outputText value="Seleccionar Efecto : " />
            <p:p:selectOneMenu value="#{managerEffects.effect}">
                <f:selectItems value="#{managerEffects.effects}" var="e" itemValue="#{e}" itemLabel="#{e}" />
                <p:ajax process="@this" update="@form" />
            </p:p:selectOneMenu>
        </h:panelGrid>
        <p:panel header="Presentacion de Efecto">
            <p:commandButton   value="Mi botton 1"   />
            <p:commandButton   value="Mi botton 2"   />
            <h:outputText value="Efecto #{bean.effect}" />
            <p:effect type="#{managerEffects.effect}" event="load" />
        </p:panel>
    </h:form>
</b>

Espero que esto responda tu pregunta.
En este sentido, la seleccion actualiza el formulario completo puedes agregar un Id al panel si deseas. y en update agregar el id del panel sin el @form.
Tambien puedes crear mas listas ejemplo: Lista  por eventos, Listas por parametros, y agregar mas selecciones u opciones. Si quieres en vez de usar seleccion puedes usar botones. lo importante es mandar el parametro y actualizar el componente que deceas.

redpajama_set_name: RedPajamaStackExchange


What Does Eminent Domain Mean? It is the power of the government to take private property and convert it into public use. The Fifth Amendment provides that the government may only exercise this power if they provide just compensation to the property owners. Federal, State and Local governments may take private property through their power of eminent domain or may regulate it by exercising their power. A variety of property rights are subject to eminent domain, such as air, water and land rights.
So the meaning of eminent domain goes to the power that was created to authorize the Government or the condemning authority, called the condemnor, to conduct a sale of property for common public good. To exercise the power of eminent domain, the government must prove that the four elements from the 5th Amendment are present: 1) private property, 2) must be take, 3) for public use, 4) and with just compensation.
Sometimes confused with eminent domain, the term "condemnation" is used to describe the formal act of the exercise of the power of eminent domain to transfer title to the property from its private owner to the government. This use of the word should not be confused with its sense of a declaration that property is uninhabitable due to defects. Condemnation via eminent domain indicates the government is taking ownership of the property or some lesser interest in it, such as an easement. After the condemnation action is filed the amount of just compensation is determined in trial. However, in some cases, the property owner challenges the right to take because the proposed taking is not for "public use", or the condemnor is not legislatively authorized to take the subject property, or has not followed the proper substantive or procedural steps as required by law.
If your property is impacted by eminent domain, you should be getting "just compensation". American courts have held that the preferred measure of "just compensation" is "fair market value," i.e., the price that a willing but unpressured buyer would pay a willing but unpressured seller in a voluntary transaction, with both parties fully informed of the property's good and bad features. Also, this approach takes into account the property's highest and best use (i.e., its most profitable use) which is not necessarily its current use or the use mandated by current zoning if there is a reasonable probability of zone change.
Eminent domain means the same nationwide, although each state has a different set of laws that the government must work from. If you have any questions regarding what eminent domain means or the meaning of eminent domain in general, please give us a call at 866-339-7242 to discuss further.


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Improving Cellular Signal Reception in IoT Applications
Mark Costard January 15, 2019 March 1st, 2020
0 LovesLove Antenna Application Notes No Comments
Many design engineers are wishing to improve signal performance when designing, testing or rolling out telemetry products fitted with 2G / GSM, 3G / UMTS or 4G / LTE wireless systems and maximising the working range of thier cellular solution. To do this we first select a suitable antenna and cable configuration for the soluiton which has already been selected and qualified for the end application.
When concentrating on the improvements in cellular signal transmission and reception in embedded design applications, similar transmission and reception rules are valid for the majority of today's wireless systems. These include ISM bands such as 433, 868 and 2400MHz and other technologies such as WiFi, Sigfox and Zigbee / IEEE802.15.4 standards.
A cellular antenna can propagate on 700, 800, 850, 900, 1700, 1800, 1900, 2100 & 2600 frequencies. The propagation of these signal radiate in a straight line, operating in a line of sight basis. Although radio signals do bounce off and travel through certain materials, using the line of sight practice should be the first observation to make to improve signla integrity. There needs to be particular emphasis on the fact that the antenna receives or transmits the signal and not the wireless module.
Obstructions
Obstructions placed between the base station and antenna will absorb or bounce the signal to varying degrees. For instance a sheet of paper between a transmitting cell tower and a receiving antenna in a cellular environment would have virtually no effect, however if an antenna was inside a building or metallic enclosure, it would have a more dramatic effect. Likewise, geographic obstacles such as a hill or building between a cell tower and receiving station could block a cellular radio signal entirely.
One simple way of overcoming obstructions in a line of sight communications environment is to elevate the radiating antenna. Many of Siretta's Wall/Mount Outdoor antennas are supplied with different lengths of cable and using a loss loss cable solution it is possible to accommodate cable runs of up to 20 metres. This will give the installer a greater scope for installing the antenna as high above the ground as possible and preferably outside of a building focussing towards an area with the best cell site coverage. It is worth noting that less cable length equals less RF loss so this should be considered when specifying cable lengths for antennas.
When specifying an office or base station antenna, the engineer needs to ensure that the antenna, cable and connector configuration is of 50 Ohm impedance and the cable length is optimised for the site. Co-axial cable has differing levels of RF loss depending on the type of cable selected so it is advisable to have enough for the installation without too much surplus. Although installations vary from site to site, this can be overcome in the field by ensuring installers have carried out site surveys and have extension leads to allow for routing. These can be added or taken off at the discretion of the installing engineer. Similarly, care should be taken when fitting inter series RF adapters or link cables in line. Each adapter fitted inline to a cable increases the RF losses and reduces the overall system performance.
Regarding RF loss, the higher the operating frequency, the greater the loss per metre. In the United Kingdom, there are a number of bands available for use in cellular communication and as a result it can be possible to improve the enitre system performance by simply moving to a lower frequency. On the 2G / GSM network operating on the 900MHz band it is possible to transmit at 2 Watts whilst on the 1800MHz frequency it is possible to operate at 1 Watt. With a 2 Watt 900MHz system operating on twice the power, the working range will be significantly enhanced over an 1800MHz operating at 1 Watt.
Lower frequencies have longer wavelengths and as such distances between sequential crests of a sine wave are further apart, which mean that they are able to travel further. Therefore network operators who transmit on low frequcnies benefit the end user by being able to transmit over a greater distance and provide network coverage to more rural areas with less infrastructure. Higher frequency cellular bands are good in an urban environment with multiple cell sites as they are able to offer a higher transmission bandwidth to the connected devices within the same environment.
With most businesses designing and installing cellular equipment in to the field, the last factor to be considered is the cost of airtime and this is usually selected based on a commercial decision largely influenced by price. It is at this point where careful consideration should be given to the network operator and their service offering. Depending on the end application it may be necessary to consider looking at an alternative airtime provider which operates on a lower frequency band if reliable communication is required in remote rural areas.
Whilst each of these individual criteria is an important factor on its own, to ensure a reliable communication platform that operates effectively, you must consider all of these factors together and ensure that each element is chosen for the end application. This will ensure that you have a system which out performs expectations and operates reliably in the field with reduced downtime and costs whilst improving system performance.

redpajama_set_name: RedPajamaCommonCrawl


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Free Shipping on many items across the worlds largest range of Corona Grain Mills. Find the perfect Christmas gift ideas with eBay. Skip to main content. eBay: Shop by category. ... Corona Corn Mill Wheat,Grain,Beans Grinder Hand Crank Flour Mill . C $66.09 +C $31.74 shipping. Make Offer.
The Corona ® hand grinder turns any dry grain or bean into the freshest meal or flour for cooking and baking. Whole food at its best. Whole food at its best. Vary the coarseness and texture of the flour by adjusting the grinding plates.
Mar 10, 2013· this is a basic budget model 500 hand mill for grain milling it needed some simple tidying of the casting and slight mods to improve usability.
The grain mill I received was not the same as the grain mill pictured for sale. The mill pictured for sale was a Corona mill. The mill i received was a crude knock-off made in Columbia by Victoria. The grinding plates did not fit together very well, and it was coated with a shiny metal coating that came off in the ground grain.
Description Marcato's Marga Grain Mill Flake Maker mills fresh flours and cereal flakes at home for the freshest flavor and nutritional value. Easily process 6-different textures, from 0 (for finely ground flour) to 1, 1.5, 2, 2.5, or 3 for medium to coarse cereal flakes.
Dec 11, 2017· A Corona style mill is a hand-cranked device that looks like a sausage maker. It works by forcing the grain through two rotating plates. The Electric Brewery recommends the Corona style for budget-conscious extract brewers, as well as those individuals using smaller amounts of grain (the funnel holds 1 to 2 pounds of grain at a time).
Jun 02, 2014· I'm not sure, but those both look like Corona style grain mills. Those grind with a shredding motion rather than crushing like a parallel roller mill. Given the design and the goal, I personally wouldn't use a corona mill for brewing, but I know others may swear by them.
Jul 01, 2015· Victoria (Corona Style) Grain Mill. Polished cast iron with a hand crank. The perfect choice for the malt extract brewer who prefer to mill their grains fresh fro brew day. Freshly cracked grains result in fresher flavours in your beer. OBK Canada.
Aug 02, 2010· The Corona mill isn't a grain mill, it's a corn mill. Got that? Catalog page circa 1929. ... The Corona Mill and Tortillas. August 2, 2010 - 2:39pm. Crider. ... Shipping is a killer for these heavy cast-iron mills. I found a used Corona for $24.50 with $8.99 shipping.
Find great deals on eBay for corona grain mill. Shop with confidence.
Aug 02, 2010· Shipping is a killer for these heavy cast-iron mills. I found a used Corona for $24.50 with $8.99 shipping. I later found the all-time best deal at Amazon for a new Victoria Corn Grinder at $34.99 with free shipping (I had been searching for 'grain mill' and missed it). My dirty and scuffed Corona mill of unknown vintage.
Jun 06, 2010· Corona grinders are the banana republican version of the chi-com copy of the venerable Universal grinders made in the U.S.A. decades ago. I`ve got numerous Universal Food Choppers and a Meat Chopper. They are all useable and have only a few main parts. I`d like to lay hands on a grain grinder of that period.
The wheat seems to be a harder grain and it tends to pack in tighet than barly. By loosening it up a bit I get a better crush and less powder. For every milling session, I fill the hopper and start cranking. I give the crushed grain a quick check after I have a cup or so in by catch bucket. If I need to I just tighten or loosen the side wing nuts.
Grain mills and flakers from hand powered to electric, steel burs to stones, plastic cases to wood. We have what you need to quickly and easily grind your grain.
Grind grain with ease with this table top grinder, made in Italy. Clamps on to any surface with an overhang. Adjustable gap allows you to control the crush.


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B-BBEE Strategy & Transformation
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Israel L. Noko
Founder and Chief Executive Officer
Israel is the Founder & CEO of NPI Governance Consulting (a leading BEE Advisory & ISO9001 accredited company). He is passionate about the intentions behind Broad-Based Black Economic Empowerment ("BEE"), including the economic transformation of South Africa. Israel's experience has focussed on developing and executing strategies which would enable companies to better position themselves in the market and develop partnerships with companies and organizations that want to implement "business-sense" transformational strategies. With a proven track record of transformation in a variety of industries, in April 2018, NPI Governance Consulting was nominated at the Top Empowerment Awards as the "Fastest Growth SME of the Year".
Israel has been involved in various mergers and acquisitions other general corporate / commercial transactions. He has also advised on BEE joint-venture structure, company formations and re-organisations. Israel has extensive experience in business entity formation and governance matters, M&A, and BEE financing transactions in a wide variety of sectors.
Furthermore, Israel also served on the Boards of a variety of different organisations/ companies and provides management with strategic input on compliance, risk management and corporate governance. In March 2018, national Minister of Higher Education & Training, Naledi Pandor appointed Israel to the Board of the BankSETA, the national training authority for the Banking and micro-lending industry and and supports people development through partnerships, skills development, alleviating unemployment, creating a brighter future and enabling change.
With over 10 years of relationship management experience within the Public sector in South Africa and aboard, Israel has worked at the United Nations Environmental Program, the Canadian High Commission Trade Office (as Trade Commissioner) in South Africa, the Industrial Development Corporation of South Africa (as B-BBEE Advisor) bring a wealth of knowledge around government operations and programmes.
Israel studied Law and Social Sciences Diploma at the University of Warwick and a LL. B in Business Law at Coventry University, UK, and subsequently completed three Post-Graduate certificates with the Mandela School of Law (University of the Witwatersrand). Israel is a commentator in the press and business sector regarding transformation and sustainable development-related topics and has been invited to speak at several conferences on topics relating to transformation and sustainable development.
Current Directorships & Committee Members
BankSETA: Non-Executive Director
Hydro Power Equipment (Pty) Ltd: Non-Executive Director
Micro Finance South Africa (MFSA): Non-Executive Director
Inyathelo: The South African Institute for Advancement Trustee
WorleyParsons: Employee Share Trust Independent Chairman
Khethimpilo Aids for life: Deputy Chairperson
Atlas Finance (Pty) Ltd: Social & Ethics Committee Chairman
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Postgraduate Certificate in Risk, Compliance & Governance Law, University of the Witwatersrand
Postgraduate Certificate in Court Annexed Mediation, University of the Witwatersrand
Bachelor of Laws (LL. B) in Business Law, Coventry University, UK
Management Development Programme in B-BBEE (NQF 7), University of the Witwatersrand
Certificate in Strategic Mergers & Acquisitions, Gordon Institute for Business Science
Certificate in Law & Social Sciences, University of Warwick, UK
Associate Certified Sustainable Assurance Practitioner (AS1000AA), UK
Certificate in Financial Valuations, BETA Finance
Merger and acquisition advisory as pertaining the BEE ownership
Tender BEE Bid submission advisory
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NPI Release SMME Funding Report
25 Years of Nation Building to Transformation
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University of Turku and CD3 Sign Strategic Cancer Drug Development Agreement
The University of Turku and the Centre for Drug Design and Discovery (CD3) of the University of Leuven in Belgium announced the signing of a collaboration agreement for the development of a new type of cancer drug.
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Despite progress in the development of therapies for different types of cancer, in many cases efficient treatments are still lacking. The University of Turku research group led by Finnish Cancer Institute Research Professor Jukka Westermarck has identified a promising novel therapeutic target for the treatment of cancer, CIP2A, which is a protein that promotes the malignancy of several different types of cancer.
Since the mechanism by which CIP2A promotes cancer development is fundamentally different from any mechanism targeted by currently available cancer drugs or drugs in development, inhibition of CIP2A is a promising area for killing several cancers and circumventing resistance against existing therapies. In addition, the inhibition of CIP2A is not anticipated to cause any severe side-effects. As such, therapeutic targeting of CIP2A holds great promise for the development of novel cancer cures.
Based on their recent results around the mechanism by which CIP2A exerts its pro-tumorigenic role, the Westermarck laboratory has paved the way for an innovative strategy permitting the development of small molecule inhibitors of CIP2A, which is believed to act as the starting point for the development of new anti-cancer agents. To achieve this goal, the University of Turku has signed a strategic research collaboration agreement with CD3 to further investigate this interesting target and develop small molecule inhibitors of CIP2A.
CD3 contains a vast amount of expertise and capabilities in this field, and during the last few years, CD3 has already delivered many new lead compounds forming the basis for potential new medicines for various diseases.
– We are very pleased with this strategic collaboration that enables us to bridge the gap between our innovative biomedical research with the drug development expertise available at CD3, says Business Development Manager Anne Marjamäki from the University of Turku.
– I am very excited that by partnering with CD3 we are able to translate our basic research findings to hopefully benefit cancer patients in the future. As Finland lacks the proper resources for academic drug development, this collaboration will also teach us more advanced drug development practices from Belgium, notes Professor Jukka Westermarck from the University of Turku.
– We are excited to collaborate with Professor Jukka Westermarck and his research group at the University of Turku on the development of small molecule inhibitors of CIP2A. The target itself, as well as the different types of expertise that are brought together in this collaboration create unique potential for the development of novel anti-cancer drugs. We anticipate that these drugs will be of great interest to many pharma companies and a large group of cancer patients, says Director of Business Development Stefaan Allemeersch from CD3.
Sam Parwar
Published date 8/14/2015 12:20 AM , Modified date 8/14/2015 12:26 PM
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Introduce your child to Pull-Ups® and start training together.
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Back to Potty Training for Girls
Potty Training Girls -- Easier or Harder than Boys?
Rumor has it that girls are easier and faster to potty train than boys. Experts attribute this to the fact that little girls tend to be more advanced in physical and language development -- both skills that help move the potty training process forward.
However, this doesn't mean that boys are destined to take longer when potty training. What really impacts your child's potty learning journey is their unique personality and behaviors.
So relax! If you're the parent of a toddler boy, there's no need to worry that it will be a long haul. And to those parents of girls, don't assume it will necessarily happen fast. The secret to success is matching your potty training method to your child's personality. Some girls – especially Bear Cubs, Turtles and Squirrels – often take a little longer than boys the same age. Remember, with all children, potty training takes lots of patience and positive encouragement. So buckle up for the ride.
The ease of training primarily depends on the child and their level of readiness, says parenting expert Michelle LaRowe, an author, professional nanny and editor in chief of eNannySource.com. Yet, she's found girls are often ready to train earlier. Boys, she notes, "have to learn to stand and sit," plus, they "generally mature later than girls." Other experts suggest that boys start training by sitting since standing to pee is a more advanced skill. Dads or big brothers can help train boys by demonstrating both of these ways to go potty.
Gary Cave, father of both a boy and a girl, admittedly did have an easier time training his girl, but he's not convinced it has to do with gender.
"As a parent of a 3 year old girl and a recently-turned 2 year old boy, I have had my fair share of experience with all things potty! Our oldest, Saffron, was relatively easy to train, although it did take around 4 months. Our younger boy, Lucas, is just starting his potty training journey and we have already noticed that he is reacting very differently to it. It looks as though we will be in for a far tougher time with him. I have friends with boys and girls who have told me that their boy was easier to potty train so I personally do not believe that any gender is easier than the other. There are many other factors at play."
It all comes down to the individual child, agrees Maria Velasquez who has both a son and a daughter. While it's not common, her 2 ½ year old son trained in just a few days.
Because her son was so easy, she falsely believed it would be even easier with her daughter. Not so! "My strong-willed daughter took much longer and multiple failed attempts where we took week-long breaks in between," she recalls. "Once she decided SHE wanted to learn, it took about two weeks to be accident free. I wish I had known that every child is different, and these differences play a big role in potty training."
While there is no shortage of rules of thumbs when it comes to parenting, when it comes down to it, the only guarantee is that your own experience will be as unique as your child.
See All Related Topics See All
All About Girls: What the Experts Say About Potty Training Girls
Potty Training Shopping Adventure with Your Daughter
How Pull-Ups® Designed Training Pants for Your Daughter's Needs
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Franciszek Bohomolec (*19 de enero de 1720 – † 24 de abril de 1784) fue un escritor y publicista polaco, considerado un significativo divulgador de las ideas ilustradas en su país. Tras finalizar sus estudios en Roma con los jesuitas, enseñó en Varsovia, y adaptó las comedias de Goldoni y Molière para las representaciones de sus alumnos. En sus primeras obras satirizó la ignorancia y presunción de la nobleza polaca. Su obra Małżeństwo z kalendarza (1766, Matrimonio por el calendario), ridiculiza la superstición y falta de cultura, y se considera habitualmente su obra más lograda junto a Czary (1775, Hechicería), que pone en evidencia las supersticiones. Durante los últimos veinte años de su vida, Bohomolec editó la revista Monitor, que propagó los conceptos de la Ilustración en Polonia, tomando como modelos a las revistas inglesas The Tatler y The Spectator, siendo uno de los primeras publicaciones periódicas polacas. También escribió una obra en latín sobre coloquialismos en lengua polaca.

Referencias

Nacidos en 1720
Fallecidos en 1784
Escritores de Polonia del siglo XVIII
Escritores en polaco
Escritores en latín
Jesuitas de Polonia
Fallecidos en Varsovia

redpajama_set_name: RedPajamaWikipedia


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articles Film Music
Mark Mothersbaugh on shaping Wes Anderson's sound
The Devo frontman discusses the pair's collaborations and plans for a Wes Anderson theme park.
Paul Weedon
Dan Pritchard
As the co-founder, lead singer and keyboard player of pioneering new wave band Devo, Mark Mothersbaugh carved a reputation as one of the most distinctive frontmen in rock music, with the band's striking dome hats, unique sound and satirical, often surreal, live shows garnering a cult following. As a composer, he has scored a number of TV series, notably including all nine seasons of Rugrats, while his film work has straddled multiple genres including regular collaborations with Phil Lord and Chris Miller on the likes of Cloudy with a Chance of Meatballs, the Jump Street series and The Lego Movie.
Yet it's Mothersbaugh's work with Wes Anderson that remains among his most memorably and well known. Having first met in the mid-'90s, the pair have since gone on to develop a fruitful partnership over four films. With the Criterion Collection releasing The Royal Tenenbaums on Blu-ray in the UK for the first time, we sat down with Mothersbaugh to reflect on his work with Wes, the duo's plans for a theme park and everything in between.
On seeing Bottle Rocket for the first time
"There was a woman, Pam Lillig, who worked at Sony in the music department and she said, 'I know you've never heard of the guy, but you should come and check this film out. He needs a composer and any of the suggestions that his producers or the film company are giving him, he doesn't want to use any of those people.' So I went to a screening out in Santa Monica and it was one of those things where kids got to go for free. They ate their free food and they left right in the middle of the movie. I remember him telling me a couple of days later, 'You know, Mark, they told me that that was the biggest walkout that they've ever had for any of their films.' It's kind of the way they do their focus groups. People were writing things like, 'We didn't see any tits,' or whatever. Those were the comments that were coming back, but I saw this film with the temp music and knew right away that this guy had an original voice and an interesting take on our times."
On meeting Wes
"Wes was fresh out of college and had done a smaller version Bottle Rocket while he was at school, but he was telling me that the producers were kind of panicked. They'd go, 'How come it looks like your student film?' and he'd say, 'Well, what did you think I was making?'… And we talked about music and he said, 'They don't get my music ideas at all.' But he was very articulate and he was a passionate artist. You don't meet people like that every day. I'm in a business where you read a script and you go, 'How are they gonna mess this up?' And then you sign on, they give you a copy of the film and you go, 'Oh, that's how they're gonna mess it up.' There are so many things that can go wrong. At first I thought, 'How can there be so many bad films?' After I worked in Hollywood for a while, I went, 'How can anybody make a good film?"
On musical preferences
"In Bottle Rocket, Wes wanted all these very high-pitched sounds. By the end of the first day, I understood that he didn't like bass sounds. He didn't like brass. He liked plucky instruments and bells and flutes and piccolos. He developed a palette over the course of those first four films to the point where he became comfortable enough to use an orchestra and to even record outside of my studio. For a while he would just want to sit in here with me. We couldn't go to a soundstage. And because I didn't have a big enough room to bring in a 40-piece orchestra, we'd bring in six to eight people at a time and they'd leave and something that would have taken one afternoon on a soundstage would take us a week."
On scoring Rushmore
"Wes had something that he played me, some Italian opera. It sounds hard to believe when you listen to that score for Rushmore, but he was playing opera and when we would listen to Vince Guaraldi in the first film, by the second film we were listening to other things, including going a little more jazzy, like at the beginning with [the musical cue] 'Hardest Geometry Problem in the World'. That one we still recorded it in an empty bedroom at my house, so we were still recording up in the hills in Hollywood at that point."
On scoring The Royal Tenenbaums
"Wes loves harpsichords. There was this grumpy old lady on Larchmont Boulevard, who does harpsichord rentals for the orchestras in town, and he enjoyed going with me there and playing all the clavichords and harpsichords and trying them all out to find which one of them was going to be used in the film. By the time we got to that film we had worked together long enough that I was already sending him music while he was still shooting. So he would have music to play through headphones while he was directing; a number of the themes for that film were written already by the time he was shooting."
On covering The Beatles and George Harrison's death
"I remember recording 'Hey Jude' at my studio and him coming out and singing and I put together singers for it. Wes even does some Michael Jackson yells in it. He was getting so excited that he went and grabbed the mic and started doing some little yells while we recorded it. It was right after George Harrison passed away. We knew he was ill and we heard about it and, just, it was kind of a really sad coincidence."
On scoring The Life Aquatic
"Wes was living at, I think, the Chateau Marmont; my studio is on Sunset Boulevard, just a quarter mile walk away, so he would come over and sit on the couch and work on his script. One day he came over and I was writing some music for him. He said to me, 'You know, Mark, this boat, these guys – they're kind of like loser Jacques Cousteaus. They haven't had the same financial success that Jacques Cousteau had but they've been doing this since the '70s, so while other people would have gotten new equipment by the '80s, they're still using the same old stuff that they bought when they first bought the boat. I was just wondering, what kind of synthesiser would they be using if they started out somewhere in the early '70s?' I said, 'Well, let's go downstairs and look in storage, because it would be all the early Devo stuff that I used to use. It would be the same synths.' So we went downstairs and pulled some things out and pulled out an old Oberheim called a TVS1 and it had just a little eight-step sequencer in it, and that became an integral instrument. Thinking about what kind of instruments he would have on the boat was really fun."
On turning down Spielberg and Zemeckis
"Wes scared me for a minute on The Life Aquatic. He said, 'Would you want to be in the film?" And I said, 'No way.' I hate acting. I remember, I got offered film parts before. Steven Spielberg and Bob Zemeckis, I thought they wanted me to score a film and I came in and they said, 'Well, we have this movie that we're making where there's this mad scientist and it's called Back to the Future and we think you'd be perfect for it. We saw you on stage last week and we thought you'd be great for it." I just went, 'Oh, no, no. I don't know how to act.' And they go, 'Come on. We saw your films that you've made.' And I go, 'Yeah, but I made that stuff up. I can't do what you want me to do. I have to do what I do.' I just remember leaving thinking, 'Man, I thought they were gonna ask me to score it,' and being kind of bummed out."
On plans for a Wes Anderson theme park
"The blueprints are being put down for it. After my catalogue, 'Beautiful Mutants', came out, I got quite a few resumes from people who all wanted to work on it. It was kind of interesting to get all these things from people who were like, 'Yes, I've worked on theme parks in Japan and I would love to work on your theme park.' We talk about it now and then and there are some people who are very serious about pushing us along on it. You never know…"
The Royal Tenenbaums is now available to buy on Blu-ray courtesy of the Criterion Collection.
Published 10 Dec 2016
Tags: Mark Mothersbaugh Wes Anderson
Bill Murray is playing a dog in Wes Anderson's next film
By Little White Lies
The longtime collaborators will team up on a stop-motion animation in the vein of Fantastic Mr Fox.
Composer Hanan Townshend on knowing Terrence Malick
By Paul Weedon
The man behind the scores for The Tree of Life and Knight of Cups reveals what it's like working with the enigmatic director.
The films of Wes Anderson – ranked
From Bottle Rocket to The Grand Budapest Hotel, we rank the American director's nine features.
articles Top Ranking


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carnegiemoscow.org
No Emotions or Illusions: The Future of U.S.-Russian Relations
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Trenin
Three decades after the collapse of the USSR, the mindset of Soviet-American détente and "equal, mutually beneficial cooperation" is hopelessly outdated.
Following U.S. President Joe Biden's recent comment indicating that he considers his Russian counterpart a killer, Russia recalled its ambassador, Anatoly Antonov, back to Moscow for consultations: an unprecedented step in the history of Russian-American relations. But even before this, bilateral relations were in need of a reassessment, one free of the emotions and illusions stirred up by the presidential clash.
Emotions compel Russia to escalate the confrontation with the United States, or even turn the fight against U.S. global domination into the central idea of Russia's foreign—and to some extent domestic—policy. This positioning harks back to Cold War–era Soviet policy, but it's not practicable with Moscow's current shortage of resources.
Furthermore, overextension in foreign policy was one of the factors that led the Soviet Union into crisis in the 1980s. Letting off emotional steam through rhetoric—which is what we are seeing for now—is less dangerous, of course, but also entirely unproductive.
There is an illusion that Russia can still prove something to the United States, bring Washington to its senses, and force the United States to respect Russian national interests on the basis of a global Russian-American understanding: some sort of a grand bargain. These illusions have faded over the past four years, but the Russian elites still haven't completely let them go.
We need to recognize that three decades after the collapse of the USSR, the mindset of Soviet-American détente and "equal, mutually beneficial cooperation" is hopelessly outdated. Furthermore, Russia's foreign policy suffers from its fixation on relations with the United States.
Setting aside emotions and illusions, there are at least ten realistic objectives for Russia's foreign policy.
First, continue to ensure that any incidents involving Russian and U.S. or NATO troops, aircraft, or ships are avoided or quickly resolved. This is why lines of communication exist, and these lines appear to be in good order. The main goal in U.S.-Russian relations for the foreseeable future is to prevent an unintentional armed conflict.
Second, reinforce the combined nuclear and non-nuclear deterrence of the United States as the cornerstone of Moscow's independent position with respect to Washington. Deterrence—not arms control agreements—is the foundation for strategic stability and the guarantee of Russia's very existence. While a costly quantitative arms race should be avoided, in the current conditions, deterrence is not limited to nuclear weapons, but increasingly involves outer space and cyberspace.
Third, begin talks on strategic stability, bearing in mind that the subject of these talks is extremely complicated, and that Washington will try to negotiate from a position of strength. This means that Russia and the United States are unlikely to reach an agreement during the five years that the recently extended New START agreement will remain in effect. Russia must therefore be ready to uphold strategic stability without an international agreement framework.
Fourth, approach the Iranian and North Korean nuclear problems based on Russia's own assessment of the situation instead of trying to "sell" its assistance to Washington in promoting the U.S. agenda. Russia should partner with other players, such as China or European nations, to focus on an agenda that Moscow considers realistic and capable of reducing nuclear risks.
Fifth, develop cooperation on climate change and environmental protection, security in the Arctic, and the fights against pandemics and terrorism in a manner guided by Russian national interests and U.S. willingness to work together. To that end, Russia must outline a national agenda for all of these issues to promote in its dealings with the United States and other countries.
Sixth, cultivate relations with China in all sectors while maintaining an independent policy and avoiding getting drawn into the U.S.-China conflict, in the same way that Beijing steers clear of the conflict between Moscow and Washington.
Seventh, regard U.S. sanctions as a stimulus to work toward further economic, financial, technological, informational, and cultural independence amid global competition. Strengthen the sociopolitical foundation of the state by bolstering the primacy of the law, bringing the ruling elite under control, and amending economic policy so that it promotes the growth of an independent middle class. The confrontation with the United States compels Russia to implement policies favoring development.
Eighth, give up as futile any attempts to influence U.S. domestic policy. The costs of getting involved in the internal processes of another state—particularly a more powerful state—are much higher than the potential gains. There are no politicians in the United States who hold an amicable position toward Russia, and none are likely to appear in the foreseeable future. The degree of internal stability in the United States depends on domestic processes. Moscow should carefully monitor these processes, as they may have consequences for Russia; however, Moscow must be careful not to get involved.
Ninth, differentiate between the U.S. political class and media on the one hand, which hold a consistently adversarial position toward Russia overall, and other groups of U.S. society, such as the business, research, and technology communities; local governments; and public organizations. Moscow should promote the development of nonpolitical connections between Russian and U.S. society to any degree that it can.
Finally, shift away from the U.S.-centric nature of foreign policy. Russia and the United States are unlikely to achieve far-reaching and productive cooperation in the near future. Russian foreign policy also needs to target a number of other directions, from its closest neighbors to countries in East and Southeast Asia and the Middle East. Russia needs to reallocate its resources, albeit without undermining its capability to track Washington's policy and actions.
The scandal sparked by Biden's remark gives Russia the opportunity to take time to think and decide how to continue its relations with the United States. For the foreseeable future, Ambassador Antonov has more work to do in Moscow than in Washington.
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Laura Bell—drawer, painter, printmaker, and professor—deviates from her earlier work with her current exhibition at Whitespace Gallery, Gurgle and Seep [February 22-March 30, 2013]. While Bell explores similar themes in previous work—nature, growth, disruption, and disorder—her current use of stitching, embroidery, and three-dimensional forms has caused her organic shapes to multiply and grow in new ways.
Changing gears can be a risky proposition for artists. They can fail miserably or achieve a breakthrough that propels their career forward. Laura Bell took the gamble, and the results, on view at Whitespace gallery through March 30, are winning.
This entry was posted in News on March 13, 2013 by gallerymanager.


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Q: How can I get the Region Format in Android? I need to access the Region Format in my application and display the dates according to that.
In iPhone, we can get the Region Format in
Settings -> General -> International -> Region Format.
Is there any options to get the same, in Android?

A: try this
GregorianCalendar gc= new GregorianCalendar();
SimpleDateFormat sdf = new SimpleDateFormat("EEE yyyy-MM-dd");

String formatted = sdf.parse(gc.getTime());

when inizializing SimpleDateFormat you can add a custom Locale format otherwise it will pick default os, eg
SimpleDateFormat sdf = new SimpleDateFormat("EEE yyyy-MM-dd",Locale.ITALY);