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U.S. investors buy Que. frozen produce firm
September 9, 2010 Crops
StatsCan canola stocks top expectations, provide buffer
Alliance Grain buys further into S. Australia
Sask. ethanol grant program extended into 2012
Sask. seeks review of potential PotashCorp takeover
Canada's biggest marketer of imported and domestic frozen vegetables and fruits has a new majority owner.
Catterton Partners, a private equity firm out of Greenwich, Conn., on Wednesday confirmed it's bought controlling interest in Montreal-based Alasko Foods for an undisclosed sum.
Alasko sources frozen produce from as far away as China, Egypt and Argentina as well as from the U.S., Mexico and Canada, and supplies retail, private-label and institutional markets across Canada. Its brands include Moov, Alasko and Y!pi Fruit.
Alasko is billed as a "leading" distributor in the Canadian market with the "broadest product offering" including over 230 different stock-keeping units (SKUs) in all distribution channels.
The company "works with leading suppliers from across the world to plant the best varietals for freezing, select the best crops at harvest, and implement leading-edge individual quick freeze (IQF) technology to ensure consistent product quality."
Alasko, which has operated for over 20 years, moved to a new 70,000-square foot federally inspected plant in 2003. The company said it handled over 80 million pounds of product last year and "this tonnage is increasing yearly."
"We look forward to partnering with the Alasko team and leveraging our consumer expertise to capitalize on the significant expansion opportunities we see in Canada as well as in the U.S., which has a large and growing frozen fruit and vegetable market," Marc-David Bismuth, an operating partner at Catterton Partners, said in the company's release Wednesday.
Catterton's investment portfolio includes bottled water firm Naya Inc. of Montreal, yogurt maker Breyers, beverage firm Odwalla, snack food maker Kettle Foods, frozen waffle maker Van's Natural Foods and Nature's Variety, a dog and cat food processor.
The company also holds stakes in the U.S. casual dining chains Outback Steakhouse and Cheddar's.
"Together with Catterton, Alasko will be well positioned to capitalize on exciting opportunities to further expand our business and enhance our market position in North America," Alasko chairman Platon Gavrielatos said in the same release.
"I am very proud of what our team has accomplished and equally excited about our future with the strategic and financial support from Catterton."
ICE weekly outlook: Choppy canola trade likely
U.S. grains: Wheat, soybeans slightly lower after midday rise
Stories from our other publications
Manitoba Co-operator
Young grasshoppers' patience rewarded
Grainews
Two-thirds of Saskatchewan crops at normal pace of growth
The Western Producer
Fertilizer delivery made quickly
New villains appear on Alberta's most-wanted weed list


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"LIQUID DANCe"
from Corinna Rosteck
Vernissage on 22.03.2012
Rödermark, February 2012. The art- and cultural initiative of the
Videor E. Hartig GmbH opens the exhibition "LIQUID DANCE" with works of Corinna Rosteck at March 22, 2011 at 6.30 pm.
»Movement is the fundamental theme in the works of Corinna Rosteck. Thereby, a central focus of her creative output reflects a fascination with water. Her gaze concentrates upon the fluid, other states of aggregation, characteristic wave-like movements, and the multifarious refractions and reflections of light. Surfaces that undermine a perspectival vision are also found within the urban environment, the desert landscape and the undulations of humans in dance. The artistic intention of Corinna Rosteck engenders a unification of photography and painting, expanding both through spatial- and/or context-related installations. The artist has developed special printing techniques utilizing unique, photometric materials and surfaces. The reflective picture surfaces take up this thematic aspect and enable the viewers, through their own movement in face of the image, an experience of chatoyant sensation within both the internal and external sphere.
»The viewer experiences movement in the image and simultaneously, one's own movement within the environment. This arises due to the constantly changing in-sights. The body, picture surface and environment enter a dialog. The large-format photographs of light-saturated and reflective water oscillate between objective reproduction and abstract structure. The impression of the painterly dynamic surface areas is effectively enhanced by the metallic reverberation of the image surface, which changes depending on the natural fall of the light within the exhibition space and thus corresponds to the ever-modulating appearance of water. Of concern here is the expansion of the photographic eye.
Corinna Rosteck (born 1968 in Hameln and raised on Ibiza) is a freelance artist active in the spheres of photography, video art and installation. Following scholarships to London, Paris, New York and Japan, she now lives and works in Berlin. She is a member of the DGPh (German Society of Photography), Cologne and the German artist confederation. She has executed well-received public art on site projects for renowned companies such as B. Braun AG, Airbus AG and Accenture GmbH. Her work is regularly featured in exhibitions in Germany and abroad as well as at art fairs in, for example, the Arabian region.
Attendants can visit the exhibition from March 23, 2012 until June 08, 2012 from 09.00 a.m. to 5.30 p.m. Monday to Thursday and 09.00 a.m. to 5.00 p.m. on Fridays.
Videor Art Foundation
Kirstin Trefz-Herd, Management
Carl-Zeiss-Straße 8 ● 63322 Rödermark
Fax: + 49 6074 888 10
www.videor-art-foundation.com
Mo–Fr: 9 a.m. – 5.30 p.m.
Fr: 9 a.m. – 5 p.m.
Data protection© 2012 VIDEOR ART FOUNDATION

redpajama_set_name: RedPajamaCommonCrawl


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The Demise of Toys 'R' Us Is a Warning
First, please let's get this thing right.
The Atlantic was rescued twice by private equity. It would be folded if not for PE.
Second, journalists choose their words deliberately but often don't have a clue as to what they are talking about. All venture capital startup funding (responsible for Google, Facebook, Apple, Netflix, Amazon) was private equity.
If you look back at this previous The Atlantic article, "The Demise of Toys R Us," you will see the current one above is pure hypocrisy.
Here is the earlier article from the same publication in a slightly different (2012) political era:
Private Equity Is a Force for Good
There is little dispute that private equity firms, on average, provide good returns, although the evidence is not…
www.theatlantic.com
Here is the conclusion from the article:
"Private equity provides attractive returns for their investors. Second, the effect of private equity buyouts on employment in target firms is, on average, quite small. The venture capital side of private equity almost certainly has a positive effect on employment. Third, private equity buyouts accelerate the process of creative destruction: old jobs disappear more rapidly, new jobs get created more rapidly, and productivity growth increases as a result. In this respect, private equity looks like a potent form of capitalism.
Governor Romney's defenders have argued that critics of his role at Bain Capital are really attacking capitalism itself. Given the academic evidence, we would have to agree."
And now, my take.
I agree with the first Atlantic article, btw.
Private equity simply means funds used in a transaction that are not regulated by the SEC. There is nothing sinister or murky about private equity. If you and a friend pool your money and buy a small lemonade stand, that's private equity. If you choose to raise money by registering to sell shares to the public, that is public equity. That's the difference.
The part about Mitt Romney and Bain is misguided.
First, be careful not to parrot the politicians, who speak out of both sides of their mouths.
Private equity is among the largest donors to Democratic campaigns, so it's hypocrisy. Secondly, the capital that private equity raises to buy companies are from (primarily) large labor union pension funds. So the people that put them in business are the progressive unions sounding off the loudest.
In a private equity transaction, as in a private equity company takes over a business, one of two things have happened: 1) the debt holders own the company (meaning there is no value left) or 2) the shareholders have sold it out of impatience. Either way, the company wasn't going to survive in its current form.
As to the cutbacks and restructuring, remember that the private equity people answer to their shareholders who want a specified return in a short (maximum 10 year) period of time. Blaming private equity for tearing down a company and selling off the parts that have value is like blaming the demolition company for wrecking an unsafe building then selling the fixtures.
It's true, private equity makes a boatload of money. That's a fair target if you are into that sort of criticism. But take that up with the economists, because private equity makes money by taking risks no one else is willing to do. Otherwise, companies would just fix themselves.
If there's a side to private equity I don't agree with, it's the carried interest rule in which PE managers pay capital gains and not income tax on their income. This isn't a huge deal in terms of the American economy, just a fairness thing. Otherwise, full steam ahead. PE to the rescue.
How P&G Uses The Possibilities Method To Solve Big Problems
A Primer on World Revolutions
What The Titanic Teaches Us About The Pandemic
The George Floyd Revolution — Will It Last?
Don't Be Afraid To Disagree More
The Leadership Paradox
Extraordinary Lives: Jimmy Stewart
Extraordinary Lives: Grandma Moses


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Q: What is the difference between a CryptoKeyStore and a Wallet in Hyperledger Fabric Node SDK? Hyperledger Fabric Node SDK seems to have two classes that solves the same problem - Storing user identities. CryptoKeyStore and Wallet. Could you please explain the difference?

A: Cryptostore is a repository for storing private keys (ie eg. where the users' keys are kept) and can be backed by different KeyValueStore implementations.
Wallets hold identities that are used by applications on behalf of users to access Fabric (blockchain network) resources, such as invoking a smart contract transaction in that user's (identity) context. There are different types of wallets available depending on your application and security needs (eg Filesystem, Cloud, HSM etc). More info on Wallets can be found here -> https://hyperledger-fabric.readthedocs.io/en/release-1.4/developapps/wallet.html

redpajama_set_name: RedPajamaStackExchange


According to the Better Business Better World Report released by the Business and Sustainable Development Commission during the World Economic Forum in Davos 2017 pursuing the Sustainable Development Goals (SDGs or Grand Challenges) could create trillions in new market opportunities.
In order to tap into this potential, we would like to invite you to prototype a strategy tool for business based on the Gap Frame and Business Sustainability 3.0.
It will take more than Human Development to get the world to a safe space.


2000-12-23T22:09:08-05:00https://images.c-span.org/Files/7de/20001223221313002_hd.jpgBill Gilbert talked about his book Ship of Miracles: 14,000 Lives and One Miraculous Voyage, published by Triumph Books. The book is the crew members' account of how the merchant ship Meredith Victory rescued 14,000 Korean refugees from the flaming city of Hungnam in December of 1950. Mr. Gilbert also remarked on the state of historical remembrance of the Korean War. After his remarks, Mr. Gilbert answered questions from the audience.


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Legislation 113 (2013-2014) Org Subject : Department of Homeland Security House Committee : Foreign Affairs
1. H.R.5703 — 113th Congress (2013-2014) Protect and Preserve International Cultural Property Act Sponsor: Rep. Engel, Eliot L. [D-NY-16] (Introduced 11/13/2014) Cosponsors: (1) Committees: House - Foreign Affairs, Ways and Means, Armed Services, Judiciary Latest Action: House - 11/24/2014 Referred to the Subcommittee on the Constitution and Civil Justice. (All Actions) Tracker:
2. H.R.5316 — 113th Congress (2013-2014) Safely Exacting Cautious Useful Rules for Immigration This Year (SECURITY) Act Sponsor: Rep. Stockman, Steve [R-TX-36] (Introduced 07/31/2014) Cosponsors: (0) Committees: House - Judiciary, Homeland Security, Ways and Means, Armed Services, Foreign Affairs Latest Action: House - 09/26/2014 Referred to the Subcommittee on Immigration and Border Security. (All Actions) Tracker:
3. H.R.5143 — 113th Congress (2013-2014) Protection of Children Act of 2014 Sponsor: Rep. Carter, John R. [R-TX-31] (Introduced 07/17/2014) Cosponsors: (12) Committees: House - Judiciary, Foreign Affairs Latest Action: House - 09/02/2014 Referred to the Subcommittee on Immigration and Border Security. (All Actions) Tracker:
4. H.R.5137 — 113th Congress (2013-2014) Asylum Reform and Border Protection Act of 2014 Sponsor: Rep. Chaffetz, Jason [R-UT-3] (Introduced 07/17/2014) Cosponsors: (42) Committees: House - Judiciary, Foreign Affairs, Agriculture, Natural Resources, Homeland Security Latest Action: House - 09/02/2014 Referred to the Subcommittee on Immigration and Border Security. (All Actions) Tracker:
5. H.R.4586 — 113th Congress (2013-2014) Fraudulent Overseas Recruitment and Trafficking Elimination Act of 2014 Sponsor: Rep. Royce, Edward R. [R-CA-39] (Introduced 05/07/2014) Cosponsors: (0) Committees: House - Education and the Workforce, Foreign Affairs, Judiciary Latest Action: House - 07/21/2014 Referred to the Subcommittee on the Constitution and Civil Justice. (All Actions) Tracker:
6. H.R.4573 — 113th Congress (2013-2014) International Megan's Law to Prevent Demand for Child Sex Trafficking Sponsor: Rep. Smith, Christopher H. [R-NJ-4] (Introduced 05/06/2014) Cosponsors: (20) Committees: House - Foreign Affairs, Judiciary | Senate - Foreign Relations Latest Action: Senate - 12/11/2014 Placed on Senate Legislative Calendar under General Orders. Calendar No. 645. (All Actions) Tracker:
Array ( [actionDate] => 2014-12-11 [displayText] => Committee on Foreign Relations. Reported by Senator Menendez without amendment. Without written report. [externalActionCode] => 14000 [description] => Introduced )
7. H.R.4143 — 113th Congress (2013-2014) Children in Families First Act of 2014 Sponsor: Rep. Granger, Kay [R-TX-12] (Introduced 03/04/2014) Cosponsors: (66) Committees: House - Foreign Affairs, Judiciary Latest Action: House - 04/16/2014 Referred to the Subcommittee on Immigration and Border Security. (All Actions) Tracker:
8. H.R.4034 — 113th Congress (2013-2014) WMD Prevention and Preparedness Act of 2014 Sponsor: Rep. Pascrell, Bill, Jr. [D-NJ-9] (Introduced 02/11/2014) Cosponsors: (1) Committees: House - Homeland Security, Energy and Commerce, Transportation and Infrastructure, Foreign Affairs, Intelligence (Permanent Select) Latest Action: House - 02/27/2014 Referred to the Subcommittee on Emergency Preparedness, Response and Communications. (All Actions) Tracker:
9. H.R.3323 — 113th Congress (2013-2014) Children in Families First Act of 2013 Sponsor: Rep. Granger, Kay [R-TX-12] (Introduced 10/23/2013) Cosponsors: (31) Committees: House - Foreign Affairs, Judiciary Latest Action: House - 01/09/2014 Referred to the Subcommittee on Crime, Terrorism, Homeland Security, and Investigations. (All Actions) Tracker:
10. H.R.3163 — 113th Congress (2013-2014) CIR ASAP Act of 2013 Sponsor: Rep. Grijalva, Raul M. [D-AZ-3] (Introduced 09/20/2013) Cosponsors: (37) Committees: House - Judiciary, Homeland Security, Armed Services, Foreign Affairs, Natural Resources, Ways and Means, Education and the Workforce, Oversight and Government Reform, House Administration Latest Action: House - 10/15/2013 Referred to the Subcommittee on Immigration and Border Security. (All Actions) Tracker:
11. H.R.2872 — 113th Congress (2013-2014) BEST Act of 2013 Sponsor: Rep. Sanchez, Loretta [D-CA-46] (Introduced 07/31/2013) Cosponsors: (0) Committees: House - Homeland Security, Foreign Affairs, Judiciary, Ways and Means Latest Action: House - 09/13/2013 Referred to the Subcommittee on Immigration and Border Security. (All Actions) Tracker:
12. H.R.2624 — 113th Congress (2013-2014) Child Trafficking Victims Protection Act Sponsor: Rep. Roybal-Allard, Lucille [D-CA-40] (Introduced 07/08/2013) Cosponsors: (1) Committees: House - Judiciary, Homeland Security, Foreign Affairs, Appropriations Latest Action: House - 07/30/2013 Referred to the Subcommittee on Border and Maritime Security. (All Actions) Tracker:
13. H.R.651 — 113th Congress (2013-2014) Strengthening Refugee Resettlement Act Sponsor: Rep. Ellison, Keith [D-MN-5] (Introduced 02/13/2013) Cosponsors: (3) Committees: House - Judiciary, Foreign Affairs, Ways and Means Latest Action: House - 04/08/2013 Referred to the Subcommittee on Immigration And Border Security. (All Actions) Tracker:
14. H.R.548 — 113th Congress (2013-2014) Border Infrastructure and Jobs Act of 2013 Sponsor: Rep. Grijalva, Raul M. [D-AZ-3] (Introduced 02/06/2013) Cosponsors: (2) Committees: House - Homeland Security, Ways and Means, Transportation and Infrastructure, Small Business, Oversight and Government Reform, Foreign Affairs, Agriculture Latest Action: House - 03/15/2013 Referred to the Subcommittee on the Western Hemisphere. (All Actions) Tracker:
15. H.R.15 — 113th Congress (2013-2014) Border Security, Economic Opportunity, and Immigration Modernization Act Sponsor: Rep. Garcia, Joe [D-FL-26] (Introduced 10/02/2013) Cosponsors: (200) Committees: House - Judiciary, Foreign Affairs, Homeland Security, Ways and Means, Armed Services, Natural Resources, Agriculture, Education and the Workforce, Energy and Commerce, Oversight and Government Reform, Budget, Science, Space, and Technology, Financial Services, Transportation and Infrastructure Latest Action: House - 03/26/2014 Motion to Discharge Committee filed by Mr. Garcia. Petition No: 113-9. (All Actions) Notes: On 3/26/2014, a motion was filed to discharge the Committees on the Judiciary, Foreign Affairs, Homeland Security, Ways and Means, Armed Services, Natural Resources, Agriculture, Education and the Workforce, Energy and Commerce, Oversight and Government Reform, the Budget, Science... Tracker:
Horticulture, Research, Biotechnology, and Foreign Agriculture [1]
Commerce, Manufacturing, and Trade [1]
Western Hemisphere [1]
Border and Maritime Security [7]
Cybersecurity, Infrastructure Protection, and Security Technologies [1]
Emergency Preparedness, Response, and Communications [1]
Constitution and Civil Justice [2]
Crime, Terrorism, Homeland Security, and Investigations [2]
Immigration and Border Security [10]
Fisheries, Wildlife, Oceans, and Insular Affairs [2]
Indian and Alaska Native Affairs [1]
Public Lands and Environmental Regulation [3]
Research and Technology [1]
Economic Development, Public Buildings and Emergency Management [2]
Granger, Kay [R-TX] [2]
Carter, John R. [R-TX] [1]
Chaffetz, Jason [R-UT] [1]
Bass, Karen [D-CA] [4]
Doggett, Lloyd [D-TX] [4]
Jackson Lee, Sheila [D-TX] [4]
McGovern, James P. [D-MA] [4]
O'Rourke, Beto [D-TX] [4]


A new style of learning, AltSchool's ethos is fundamentally opposed to the paradigm of standardization that has dominated public education in recent decades, and reflects a growing shift in emphasis among theorists toward "personalized learning." This approach acknowledges and adapts to the differences among students: their abilities, their interests, their cultural backgrounds. To read more from Rebecca Mead, click here.
When it comes to landing a good job, many people focus on the role. Although finding the right title, position and salary is important, there's another consideration that matters just as much: culture. The culture of a workplace — an organization's values, norms and practices — has a huge impact on our happiness and success. Click here to read more.
Emotions reinforce kindness. Over a century of behavioral research demonstrates that people repeat actions that have rewarded them in the past. Giving also expresses our values and binds our communities. If we leave room for more everyday, instinctive forms of kindness, we're actually doing ourselves a favor, too. To read more on this article by Jamil Zaki, click here.


Smyths Jack Murphy Margot Ladies Tweed Jacket is a complete winner. The MARGOT Ladies Tweed Blazer in the Outdoor Teal colour, is the smartest , most stylish, Tweed jacket we have sold in years, Just look at the superb Photographs. See the elegant sash collar with contrast navy piping and trims and the fabulous red flower pin. ideal for both formal and casual wear, comfortable and classy, this Jack Murphy Margot jacket truly is a classic. The tailoring, fit, style, colours and quality really are first class.


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BR Home Page > Players > Trevor Rosenthal > 2017 Pitching Game Logs
Trevor Rosenthal
Born: May 29, 1990 in Lee's Summit, MO us
Draft: Drafted by the St. Louis Cardinals in the 21st round of the 2009 MLB June Amateur Draft from Cowley County Community College (Arkansas City, KS).
High School: Lee's Summit West HS (Lee's Summit, MO)
School: Cowley County Community College (Arkansas City, KS)
Debut: July 18, 2012 (Age 22-050d, 20,260th in major league history)
vs. MIL 1.0 IP, 1 H, 2 SO, 2 BB, 0 ER
2022 Contract Status: Free Agent
Service Time (01/2022): 8.001 • Free Agent: 2022
Agents: Boras Corporation
Full Name: Trevor Jordan Rosenthal
Nicknames: Big T or Rosey
1x All-Star
Trevor Rosenthal Overview
More Rosenthal Pages
More Trevor Rosenthal Pages at Baseball Reference
Trevor Rosenthal page at the Bullpen Wiki
Days of Rest
Inning/Score Appearance Matrix
2017 Pitching Game Log
Team Record in Appearances: 31-19
Multiple inning appearances: 4, Entered with runners on base: 5
Click pitches for details from BrooksBaseball.net
279 7 Apr 10 STL @ WSN L,6-14 7-7 99 1.0 0 0 0 0 3 0 0 0.00 3 14 10 4 4 0 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .34 0.026 .28 0.01% 0.54 7b --- 0 out d2 7b 3 out d2
280 9 Apr 12 STL @ WSN W,6-1 8-8 H(1) 1 0.1 3 1 1 0 1 0 0 6.75 4 13 10 2 1 0 3 3 0 0 0 0 0 0 0 4 0 0 0 0 0 0 1.52 -0.170 1.13 -0.08% -1.41 8b --- 0 out a3 8b 12- 1 out a2
281 13 Apr 17 STL PIT W,2-1 8-8 H(2) 4 1.0 0 0 0 0 1 0 0 3.86 3 15 12 3 1 1 1 1 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .99 0.075 .72 0.03% 0.51 8t --- 0 out a2 8t 3 out a2
282 15 Apr 19 STL PIT W,2-1 9-GF S(1) 1 1.0 1 0 0 0 2 0 0 2.70 4 23 15 5 0 2 0 0 0 0 0 0 0 0 0 4 0 0 0 0 0 0 2.93 0.164 2.41 0.08% 0.51 9t --- 0 out a1 9t end a 1
283 17 Apr 21 STL @ MIL W,6-3 8-8 1 1.0 2 1 1 0 2 1 0 4.15 5 22 14 3 4 1 2 2 0 0 0 0 0 0 0 5 0 0 0 0 0 0 .70 0.011 .61 0.01% -0.48 8b --- 0 out a4 8b 3 out a3
284 19 Apr 23 STL @ MIL W,6-4 8-8 1 1.0 1 0 0 0 2 0 0 3.38 4 18 11 1 4 0 2 1 0 0 0 0 0 0 0 4 0 0 0 0 0 0 .54 0.030 .54 0.02% 0.52 8b --- 0 out a4 8b 3 out a4
285 22 Apr 27(2) STL TOR W,6-4 9-GF S(2) 3 1.0 0 0 0 0 2 0 0 2.84 3 13 12 5 3 1 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .97 0.075 .89 0.04% 0.51 9t --- 0 out a2 9t end a 2
286 24 Apr 30 STL CIN L,4-5 8-8 L(0-1) 2 1.0 2 1 1 2 2 0 0 3.68 7 32 17 6 1 1 2 1 1 0 0 0 0 0 0 5 0 0 0 0 0 0 2.97 -0.194 3.40 -0.13% -0.49 8t --- 0 out tie 8t 3 out d1
287 26 May 2 STL MIL W,2-1 9-GF S(3) 1 1.0 0 0 0 0 2 0 0 3.24 3 14 9 3 2 0 1 1 0 0 0 0 0 0 0 3 0 0 0 0 0 0 2.14 0.164 2.40 0.11% 0.51 9t --- 0 out a1 9t end a 1
288 29 May 6 STL @ ATL W,5-3 8-8 H(3) 3 1.0 1 0 0 0 1 0 0 2.89 4 17 10 2 4 0 3 1 1 0 0 0 0 0 0 4 0 0 0 0 0 0 1.27 0.091 1.27 0.06% 0.52 8b --- 0 out a2 8b 3 out a2
289 30 May 7 STL @ ATL W,6-4 9-9 0 1.0 0 0 0 0 2 0 0 2.61 3 10 9 2 2 1 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 1.84 0.141 1.97 0.09% 0.52 9b --- 0 out tie 9b 3 out tie
290 32 May 9 STL @ MIA W,6-5 8-8 W(1-1) 1 1.0 0 0 0 1 0 0 0 2.38 4 14 8 0 3 1 2 0 1 0 0 0 0 0 0 3 0 0 0 0 0 0 2.16 0.102 2.47 0.07% 0.47 8b --- 0 out tie 8b 3 out tie
291 33 May 10 STL @ MIA W,7-5 8-8 H(4) 0 1.0 0 0 0 0 1 0 0 2.19 3 16 13 4 0 1 1 1 0 0 0 0 0 0 0 3 0 0 0 0 0 0 1.11 0.083 1.30 0.06% 0.47 8b --- 0 out a2 8b 3 out a2
292 35 May 13 STL CHC W,5-3 8-8 H(5) 2 1.0 0 0 0 0 2 0 0 2.03 3 11 8 2 4 0 1 1 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .99 0.075 1.38 0.06% 0.51 8t --- 0 out a2 8t 3 out a2
293 36 May 14 STL CHC W,5-0 8-8 0 1.0 0 0 0 0 2 0 0 1.88 3 16 12 2 3 0 1 0 1 0 0 0 0 0 0 3 0 0 0 0 0 0 .30 0.024 .42 0.02% 0.51 8t --- 0 out a4 8t 3 out a4
294 38 May 17 STL BOS L,4-5 8-8 BS(1) 2 1.0 1 2 2 1 2 0 0 2.93 5 21 14 4 4 0 2 1 0 0 0 0 0 0 0 3 0 1 0 0 1 0 1.75 -0.257 2.12 -0.19% -1.49 8t --- 0 out a2 8t 3 out tie
295 40 May 20 STL SFG L,1-3 10-10 2 1.0 0 0 0 0 1 0 0 2.76 3 10 7 2 2 1 1 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 1.82 0.139 2.11 0.10% 0.51 10t --- 0 out tie 10t 3 out tie
296 42 May 23 STL @ LAD L,1-2 9-9 2 1.0 0 0 0 0 1 0 0 2.60 3 14 8 3 2 1 1 1 0 0 0 0 0 0 0 3 0 0 0 0 0 0 1.81 0.136 2.21 0.10% 0.50 9b --- 0 out tie 9b 3 out tie
297 46 May 27 STL @ COL W,3-0 8-8 H(6) 3 1.0 0 0 0 2 2 0 0 2.45 6 33 19 6 2 2 0 0 0 0 0 0 0 0 0 4 0 0 0 0 0 1 2.62 0.066 2.97 0.05% 0.60 8b --- 0 out a3 8b 3 out a3
298 51 Jun 1 STL LAD W,2-0 8-8 H(7) 4 1.0 0 0 0 1 0 0 0 2.33 3 19 11 0 3 1 1 0 1 0 0 0 0 0 0 2 0 0 0 1 0 0 1.53 0.075 1.74 0.05% 0.51 8t --- 0 out a2 8t 3 out a2
299 52 Jun 2 STL @ CHC L,2-3 8-GF(8) L(1-2) 0 1.0 1 1 1 0 1 0 0 2.66 4 13 10 4 1 1 2 1 0 0 0 0 0 0 0 3 1 0 0 0 1 0 1.87 -0.220 2.43 -0.17% -0.47 8b --- 0 out tie 8b end d 1
300 54 Jun 4 STL @ CHC L,6-7 8-GF(8) 1 1.0 0 0 0 1 3 0 0 2.53 4 24 13 0 8 0 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .46 0.033 .59 0.03% 0.53 8b --- 0 out d1 8b end d 1
301 57 Jun 7 STL @ CIN L,4-6 7-7 2 0.1 1 1 1 0 1 1 0 2.91 2 5 4 2 1 0 1 1 0 0 1 1 0 0 0 2 0 0 0 0 0 0 1.23 -0.297 1.16 -0.17% -1.67 7b -2- 2 out tie 7b 3 out d2
302 59 Jun 9 STL PHI W,3-2 8-8 H(8) 1 1.0 1 0 0 0 2 0 0 2.78 3 14 10 2 3 0 1 1 0 0 0 0 0 1 0 3 0 0 0 0 0 0 2.85 0.121 1.96 0.05% 0.51 8t --- 0 out a1 8t 3 out a1
303 61 Jun 11 STL PHI W,6-5 8-8 H(9) 1 1.0 0 0 0 0 3 0 0 2.66 3 15 12 3 4 0 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .99 0.075 .89 0.04% 0.51 8t --- 0 out a2 8t 3 out a2
304 63 Jun 13(2) STL MIL L,5-8 8-8 L(1-3) 1 0.0 2 3 3 2 0 0 0 3.80 4 25 11 3 4 1 1 1 0 0 0 0 0 0 0 2 0 0 0 0 0 0 2.37 -0.390 3.07 -0.30% -2.84 8t --- 0 out tie 8t 123 0 out d1
305 65 Jun 15 STL MIL L,4-6 8-8 1 1.0 1 0 0 0 0 0 0 3.65 4 14 11 3 1 3 1 0 0 0 0 0 0 0 0 4 0 0 0 0 0 0 2.23 0.108 2.51 0.07% 0.51 8t --- 0 out tie 8t 3 out tie
306 68 Jun 18 STL @ BAL L,5-8 7-7 2 1.0 0 0 0 0 2 0 0 3.51 3 13 10 3 3 0 1 0 1 0 0 0 0 0 0 3 0 0 0 0 0 0 .02 0.002 .02 0.00% 0.51 7b --- 0 out d6 7b 3 out d6
307 69 Jun 20 STL @ PHI W,8-1 8-8 1 1.0 2 0 0 0 1 0 0 3.38 5 23 17 2 4 2 2 1 1 0 0 0 0 0 0 5 0 0 0 0 0 0 1.98 0.108 1.31 0.04% 0.51 8b --- 0 out tie 8b 3 out tie
308 72 Jun 23 STL PIT L,3-4 8-8 BS(2) 2 0.2 2 1 1 1 1 0 0 3.62 5 23 13 1 5 2 1 1 0 0 0 0 0 0 0 4 0 0 0 0 0 0 3.13 -0.247 2.51 -0.12% -1.00 8t --- 0 out a1 8t 1-3 2 out tie
309 74 Jun 25 STL PIT W,8-4 7-7 W(2-3) 1 0.1 0 0 0 0 1 0 0 3.58 1 3 3 0 2 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 2.58 0.071 1.67 0.03% 0.37 7t --3 2 out tie 7t 3 out tie
310 76 Jun 27 STL @ ARI L,5-6 8-8 H(10) 1 1.0 2 2 2 1 1 0 1 4.08 7 26 15 3 3 3 1 1 0 0 0 0 0 0 0 4 0 0 0 0 1 0 3.12 -0.078 2.30 -0.03% -1.44 8b --- 0 out a3 8b 3 out a1
311 77 Jun 28 STL @ ARI W,4-3 9-GF S(4) 0 1.0 1 1 1 2 0 0 0 4.25 6 29 14 2 2 2 2 1 0 0 0 0 0 0 0 4 0 0 0 0 0 0 4.37 0.104 3.19 0.05% -0.44 9b --- 0 out a2 9b end a 1
312 80 Jul 1 STL WSN W,2-1 9-9 H(11) 2 0.2 2 1 1 2 1 0 0 4.45 6 27 17 3 3 2 1 1 0 0 0 0 0 0 0 4 0 0 0 0 0 0 3.12 -0.158 2.84 -0.09% -1.27 9t --- 0 out a2 9t 123 2 out a1
313 83 Jul 4 STL MIA L,2-5 8-8 2 1.0 0 0 0 0 0 0 0 4.31 3 11 8 2 2 1 2 1 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .20 0.015 .20 0.01% 0.51 8t --- 0 out d3 8t 3 out d3
314 86 Jul 7 STL NYM L,5-6 9-GF 2 1.0 0 0 0 0 2 0 0 4.18 3 15 9 3 2 0 1 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .51 0.039 .41 0.02% 0.51 9t --- 0 out d1 9t end d 1
315 88 Jul 9 STL NYM W,6-0 8-8 1 1.0 0 0 0 0 3 0 0 4.05 3 16 10 5 2 0 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .08 0.006 .06 0.00% 0.51 8t --- 0 out a6 8t 3 out a6
316 89 Jul 14 STL @ PIT L,2-5 8-8 4 1.0 0 0 0 0 2 0 0 3.93 3 11 9 4 3 1 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 1.41 0.107 1.31 0.06% 0.50 8b --- 0 out tie 8b 3 out tie
317 90 Jul 15 STL @ PIT W,4-0 8-8 0 1.0 0 0 0 0 2 0 0 3.82 3 14 10 2 4 1 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 .37 0.028 .28 0.01% 0.50 8b --- 0 out a4 8b 3 out a4
318 91 Jul 16 STL @ PIT L,3-4 8-8 H(12) 0 1.0 0 0 0 0 1 0 1 3.72 4 18 11 3 3 0 2 1 1 0 0 0 0 0 0 3 0 0 0 0 0 0 3.05 0.142 2.56 0.07% 0.50 8b --- 0 out a1 8b 3 out a1
319 95 Jul 20 STL @ NYM L,2-3 9-GF L(2-4) 3 0.2 2 1 1 1 0 0 0 3.89 5 14 9 3 2 2 2 1 0 0 0 0 0 0 0 4 0 0 0 0 0 0 3.11 -0.366 2.43 -0.17% -0.94 9b --- 0 out tie 9b end d 1
320 100 Jul 25 STL COL W,3-2 8-GF W(3-4) 4 2.0 2 0 0 0 2 0 0 3.69 8 34 23 3 4 1 5 2 0 0 1 0 0 0 0 7 0 0 0 0 0 0 2.55 0.314 1.91 0.14% 1.40 8t 1-- 0 out tie 9t end tie
321 103 Jul 28 STL ARI W,1-0 8-GF S(5) 2 2.0 0 0 0 0 4 0 0 3.51 6 20 15 6 4 1 1 0 0 0 2 0 0 0 0 6 0 0 0 0 0 0 2.96 0.622 2.52 0.32% 2.50 8t -23 0 out a1 9t end a 1
322 105 Jul 30 STL ARI W,3-2 9-GF S(6) 1 1.0 0 0 0 0 3 0 0 3.43 3 12 10 4 4 0 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 2.14 0.164 1.77 0.08% 0.51 9t --- 0 out a1 9t end a 1
323 107 Aug 2 STL @ MIL W,5-4 8-GF S(7) 2 1.1 1 0 0 0 3 0 0 3.32 5 21 14 3 6 1 1 0 1 0 0 0 0 0 0 5 0 0 0 0 0 0 2.36 0.241 2.15 0.13% 0.63 8b --- 2 out a1 9b end a 1
324 110 Aug 5 STL @ CIN W,4-1 9-GF S(8) 2 1.0 1 0 0 1 1 0 0 3.25 5 23 14 2 1 2 1 0 0 0 0 0 0 0 0 4 0 0 0 0 0 0 .98 0.044 .68 0.02% 0.52 9b --- 0 out a3 9b end a 3
325 114 Aug 9 STL KCR W,8-5 9-GF S(9) 3 1.0 1 0 0 0 2 0 0 3.18 4 17 12 3 3 1 1 1 0 0 0 0 0 0 0 4 0 0 0 0 0 0 .59 0.034 .72 0.02% 0.51 9t --- 0 out a3 9t end a 3
326 115 Aug 10 STL KCR W,8-6 8-GF S(10) 0 1.1 1 0 0 0 1 0 0 3.09 5 18 14 3 3 0 4 2 0 0 1 0 0 0 0 5 0 0 0 0 0 0 1.50 0.167 2.09 0.14% 0.87 8t --3 2 out a1 9t end a 2
327 117 Aug 12 STL ATL W,6-5 9-GF S(11) 1 1.0 2 2 0 1 2 0 0 3.02 7 32 19 5 4 1 3 2 0 0 0 0 1 0 0 6 0 0 0 0 0 1 2.68 0.034 4.34 0.03% -1.49 9t --- 0 out a3 9t end a 1
328 120 Aug 16 STL @ BOS L,4-5 9-9 3 0.0 1 2 2 1 0 1 0 3.40 2 8 3 2 0 0 1 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 2.79 -0.251 4.46 -0.24% -1.40 9b --- 0 out a2 9b 1-- 0 out a1
31-19 W-L:3-4,Sv:11,BSv:2,Hld:12 1.6 47.2 37 20 18 20 76 3 2 3.40 202 883 66% 16% 16% 0.68 32% 9% 0 6 17% 1 1 0 176 1 1 0 1 3 2 1.96 1.428 1.91 0.63% 4.75
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"Yes, i'll be signing them :)"
Some good news - I've decided I will be signing all copies of Megatokyo Volume 6 pre-ordered from the MegaGear store. This includes all pre-orders already placed as well as new orders. I don't like charging for signatures, so there is no cost for the scribbling of my name on the title page of your book :P It's the least I can do for your patronage, and my way of saying thank you for getting your copy of MT volume 6 from us.
While you are there, be sure to browse our wide selection of Megatokyo shirt designs. I'll be making your shirts while waiting for books to arrive so we can ship everything to you as soon as they get here.
If you are curious about how I print t-shirts with our DTG printer, I've uploaded a video showing a Ph33r t3h Cut3 0n3s shirt come to life before your eyes! (Uh, well, it's sorta like watching an inkjet printer print. No, it's exactly like watching a inkjet printer print, because that's what it is - a heavily modified large format inkjet printer). Yes, this beast is exactly the kind of thing largo would love.


Where EXACTLY in the Bible does it say that one can endure a firey hell? Not that we are surely to die, I just want an exact scripture stating that one can burn in hell.
I'm sure this is going to start a fire storm, not my intent.
Thank you for your reply Methodmatriarch, as you can see, never once on here was I "trowing" (who's the genius) stones. I simply asked a question and and got the responses that I was looking for. Do I believe in "hell fire," no! Do I believe that Jehovah would have made "hell fire" abundantly clear to Adam and Eve in the very beginning, absolutly! Do all animals go to either heaven or hell? Because in Ecclesiastes 3: 18-22 tells us that we all have the same eventuality. Ecclesiastes 9: 10 tells us that we are ALL going to She'ol. Please read Ecclesiastes 9: 5,6 &10, because in that chapter it says that the dead are conscious of nothing, so why would one who is not conscious be punished? Palmes 146: 4, when a man dies, his thoughts perish. Genisis 3:19 is a good one as well, states nothing of being tortured. Romans 5:12 is probably my favorite, the wages for sin is death. Again, sates NOTHING of being tortured. John 11:11, the dead are at risk, they do not suffer.
Asilas, you are either a Jehovah's (cult) Witness or a SDA of the same. Do you rate the observations of Ecclesiastes over the authoritative word of Christ in His parable mentioned in Luke 16...? Remember Ecclesiastes was o b s e r v i n g... and many things more was revealed by Christ concerning the afterlife. Do we not punish criminals here for crimes of murder, stealing, etc. Do you believe a just God won't punish for even greater sins done against humanity and His creation by the fallen angels and us?... Genius, hell wasn't mentioned to Adam and Eve because Hell was prepared afterwards when the angels fell. (Read Mathew 25:41• Revelation 19:20 • 20:10-15)... Genius.


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text:
Movie review: Deadpool
Welcome to a movie review of a film that, first of all, actually came out this year (and wasn't just a late 2015 release) and, secondly, was/is not an awards' nominee. Of course, I'm talking about Deadpool – a movie that I was really looking forward to and a film that had perfect timing and came out just when I needed something fun and easy, after watching a ton of depressing Oscar contenders. I am warning you – this review will be very biased and will look more like an extremely long praise for a film, which will land on my best movies of 2016 list if not take the top spot, than an actual objective criticism of a motion picture. If you are ready for that, let's GO!
IMDb summary: A former Special Forces operative turned mercenary is subjected to a rogue experiment that leaves him with accelerated healing powers, adopting the alter-ego Deadpool.
!SPOILER ALERT!
Comic book movies and 20th Century Fox
Deadpool was the first comic book movie of 2016 and it raised the bar pretty high. It was completely unique and unapologetically different. It was made by a studio that can make really great superhero films (X-Men: Days of Future Past) as well amazingly bad ones (Fantastic Four) – 20th Century Fox. My faith in this particular studio was restored after the DOFP and then completely destroyed after the FF. Let's hope that this trend won't continue and that the amazingness of Deadpool won't be overshadowed by the terribleness of X-Men: Apocalypse.
Deadpool had one of the best marketing and advertising campaigns I have seen for not just a superhero movie, but for any movie ever. The trailers and the TV spots gave away just enough to get the viewers hooked, but didn't spoil anything. The posters and other promotional photos were also completely appropriate for the film and something that we have not seen before.
The opening credit sequence of the film was the coolest action movie opening I have ever seen. The slow motion, the long take and Juice Newton's 1967's song Angel of the Morning created an amazing background for the first joke of the film – the titles/names of the opening credits. That whole sequence set up the whole tone of the film just perfectly. I also really liked the fact that the opening action sequence, which continued into the second act of the film, closely resembled/was based on that leaked test footage that actually helped to get this film made in the first place. It was not only a nice fan service, (since the fans were the ones who positively responded to the leaked footage and demanded to see more), but a nice visual homage to the hardships of all the people who have spent a decade working on this project.
Story and Writing
The screenwriters of the film – Paul Wernick and Rhett Reese (they have previously co-written the scripts for Zombieland and G.I. Joe: Retaliation) – were definitely the real heroes of this movie, as the opening credits suggested. They managed to blend action, humor, and romance perfectly. They managed to add a ton of Easter Eggs. They wrote amazing jokes which landed all the time. And even if the joke wasn't really sticking, the actors would make that awkward moment work. I also loved all the references to other movies (Pool, Deadpool! and that rant about Liam Neeson) and to pop culture in general. Of course, the way they made fun of Green Lantern and X-Men Origins: Wolverine was just perfect. That Hugh Jackman's paper cameo was also pretty neat. However, my favorite references were the ones about the actual making of this film and the inner workings of 20th Century Fox (where did we get the money for this film? Well, we only got enough to put two X-Men in a film).
The breaking of the 4th (or 16th) wall also worked wonderfully in this movie. Not only was this kind of behavior right in line with the character of Deadpool, it also somehow pulled the viewer into the movie even more rather than distracting him/her.
The film's story was told in a non-linear fashion. The plot of the film started in the middle of the story, showed the origin of the character in a flashback and then, when the plot caught up with the story, the third act was made into a cohesive and linear narrative.
The idea to tell the origin story in a short flashback was a really clever one because this way the movie was saved from dragging on or slowing down. The scene, where Deadpool gets his name (Captain Deadpool), was also a nice one as well as the quick montage sequence where Deadpool was going through a few fashion stages and costume changes.
While I am not a person who likes raunchy comedies or offensive jokes, I was completely fine with the humor in Deadpool. Moreover, I can definitely see why the film got an R rating – the nudity, violence and the jokes were surely not for the younger audiences.
Directing and Visuals
Deadpool was directed by Tim Miller and it was his directorial debut. He has previously worked as a creative director of a few sequences on The Girl with the Dragon Tattoo and Thor: The Dark World. I have already mentioned the opening credits sequence and the opening action sequence which I both loved. I also enjoyed the killing/looking for Francis montage. The final fight was also filmed in an exciting manner. The whole film was very fast paced and the CGI effects were also magnificent and as realistic as they could have been.
Deadpool had a lot of slow motion and this was probably the first film that made me notice the slow motion in a positive way. Usually, when slow motion is over-used, the film looks very cheesy, but this cheesiness worked for Deadpool and just plainly looked really cool.
Deadpool's soundtrack was created by Tom Holkenborg, better known as Junkie XL. He is the guy who remixed Elvis Presley's A Little Less Conversation back in the early 2000's. He has also composed soundtracks for animated films like Madagascar 3 and Kung Fu Panda 2 as well as live action pictures like The Dark Knight Rises, Man of Steel, Mad Max Fury Road, Black Mass, Point Break and he will even co-create the music for Batman v Superman. His Deadpool soundtrack was full of fun – it had a perfect amount of 1990s with Shoop by Salt-N-Pepa, a pinch of 2000s with X Gon' Give It To Ya by DMX and just enough of 1980s WHAM! magic with Careless Whisper.
Acting/Characters
Ryan Reynolds as Wade Wilson/Deadpool – Reynolds has had a lot of missteps in his career, but he more than redeemed himself with Deadpool. He was amazing in the action sequences as well as in more serious/romantic scenes. His comedic timing was on point. I finally want to see more of his films. I quite liked him in Self/Less, which came out last year. Reynolds will also be in action thriller Criminal, coming out this spring.
Morena Baccarin as Vanessa Carlysle – was a really nice love interest for Wade and had amazing chemistry with Reynolds. I really like Baccarin on Gotham and was happy to see her transitioning to the big screen.
Ed Skrein as Francis Freeman/Ajax – was quite a good villain. I liked his facial expressions and the evil British accent. He and Gina Carano's Angel Dust made a nice villainous pair. Last year, Skrein was in Transporter Refueled (which I skipped) and in Kill Your Friends (which I do want to watch). Gina Carano is a former mixed martial artist and she has starred in Fast & Furious 6 a couple of years ago.
T. J. Miller as Weasel – was a great sidekick/friend for Wade. Their conversations were really funny. I especially loved the ending of their last chat – 'I would come with you, but I don't want to'.
The two X-men that Fox could afford were Colossus and Negasonic Teenage Warhead played or voiced by Stefan Kapičić and Brianna Hildebrand. Colossus's hero monolog and politeness were great when contrasted with Deadpool's anti-heroism. I also liked Negasonic Teenage Warhead's COLORFUL costume because it was similar to the costumes in X-Men: First Class.
Other supporting characters were played by Leslie Uggams (as Blind Al) and Karan Soni (as Dopinder, a taxi driver). Their conversation with Wade was also amazing and amusing.
Stan Lee also had his most scandalous cameo appearance as an announcer in a strip club. It is always a pleasure seeing him pop up on screen.
End credits scene
There was an end credits sequence, so I suggest you wait a few minutes after the film has finished. It's not a teaser for a sequel or a teaser for X-Men: Apocalypse. It's just a perfect scene to end a perfect film, Ferris Bueller's style. Like a cherry on top of a chocolate cake.
In short, Deadpool left me speechless in the best way possible. It was extremely entertaining and exciting. I could not stop laughing and I did not want the movie to end ever. I highly recommend you go to see it – it's not just another superhero movie, it's THE superhero movie of 2016 (that might be an exaggeration, but I can't help it – I am just too enthusiastic about and delighted by this film).
Trailer: Deadpool trailer
February 10, 2016 May 2, 2016 Lou 31 Comments
31 thoughts on "Movie review: Deadpool"
Nice, can't wait to see it!
jasonkerin
Good review. Play on seeing the movie tonight.
Meant to say "Plan" instead of "Play"
lukneluna
February 11, 2016 at 6:25 pm Author
Thanks and don't worry – typos happen to everyone!;)
R.L. Terry
Excellent and thorough review! You highlight some things I I definitely thought about but did not include in my own posting.
Thanks! I'm sure you spotted some things that I've missed!;)
Finding Aime
This is one of the most thorough and accurate reviews I've read about this movie. I envy you and also agree with you on everything you said.
I don't think that I'm worth such praise but thank you nonetheless;)
miriamrburden
Thanks for the stellar review. I'll definitely have to check it out now.
macabreadore
Can't wait to see this movie! I love this snarky approach to superhero-dom.
matinee movie snob
I think one of my favorite parts of the whole film was the opening credits — it was too hilarious, and I completely agree with you! And, no wonder I loved the music so much, Holkenborg is amazing and his work in Mad Max was awesome. Thanks for the follow and keep up the good work!
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cathema
This is a great review and sums up all my thoughts about the film! My favorite thing about Deadpool is when he says "Maximum effort." (Especially when he mutters it before gathering courage to see his former fiancé – call me a romantic haha) It's just a really cool motto for him
Thanks for reading!! Yeah, I also loved that part!
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