text:
package org.onosproject.openstacknetworking.web;

import org.glassfish.jersey.server.ResourceConfig;
import org.junit.Before;
import org.junit.Test;
import org.onlab.osgi.ServiceDirectory;
import org.onlab.osgi.TestServiceDirectory;
import org.onosproject.openstacknetworking.api.OpenstackHaService;
import org.onosproject.openstacknetworking.api.OpenstackNetworkAdminService;
import org.onosproject.rest.resources.ResourceTest;

import javax.ws.rs.client.Entity;
import javax.ws.rs.client.WebTarget;
import javax.ws.rs.core.MediaType;
import javax.ws.rs.core.Response;
import java.io.InputStream;

import static org.easymock.EasyMock.anyObject;
import static org.easymock.EasyMock.anyString;
import static org.easymock.EasyMock.createMock;
import static org.easymock.EasyMock.expect;
import static org.easymock.EasyMock.expectLastCall;
import static org.easymock.EasyMock.replay;
import static org.easymock.EasyMock.verify;
import static org.hamcrest.Matchers.is;
import static org.junit.Assert.assertThat;

/**
 * Unit test for openstack network REST API.
 */
public class OpenstackNetworkWebResourceTest extends ResourceTest {

    final OpenstackNetworkAdminService mockOpenstackNetworkAdminService =
            createMock(OpenstackNetworkAdminService.class);
    final OpenstackHaService mockOpenstackHaService = createMock(OpenstackHaService.class);
    private static final String PATH = "networks";

    /**
     * Constructs an openstack network test instance.
     */
    public OpenstackNetworkWebResourceTest() {
        super(ResourceConfig.forApplicationClass(OpenstackNetworkingWebApplication.class));
    }

    /**
     * Sets up the global values for all tests.
     */
    @Before
    public void setUpTest() {
        ServiceDirectory testDirectory =
                new TestServiceDirectory()
                        .add(OpenstackNetworkAdminService.class,
                                mockOpenstackNetworkAdminService)
                        .add(OpenstackHaService.class, mockOpenstackHaService);
        setServiceDirectory(testDirectory);
    }

    /**
     * Tests the results of the REST API POST with creation operation.
     */
    @Test
    public void testCreateNetworkWithCreationOperation() {
        mockOpenstackNetworkAdminService.createNetwork(anyObject());
        replay(mockOpenstackNetworkAdminService);
        expect(mockOpenstackHaService.isActive()).andReturn(true).anyTimes();
        replay(mockOpenstackHaService);

        final WebTarget wt = target();
        InputStream jsonStream = OpenstackNetworkWebResourceTest.class
                .getResourceAsStream("openstack-network.json");

        Response response = wt.path(PATH).request(MediaType.APPLICATION_JSON_TYPE)
                .post(Entity.json(jsonStream));
        final int status = response.getStatus();

        assertThat(status, is(201));

        verify(mockOpenstackNetworkAdminService);
    }

    /**
     * Tests the results of the REST API POST with incorrect input.
     */
    @Test
    public void testCreateNetworkWithIncorrectInput() {
        expect(mockOpenstackHaService.isActive()).andReturn(true).anyTimes();
        replay(mockOpenstackHaService);

        final WebTarget wt = target();
        InputStream jsonStream = OpenstackNetworkWebResourceTest.class
                .getResourceAsStream("dummy.json");

        Response response = wt.path(PATH).request(MediaType.APPLICATION_JSON_TYPE)
                .post(Entity.json(jsonStream));
        final int status = response.getStatus();

        assertThat(status, is(400));
    }

    /**
     * Tests the results of the REST API POST with duplicated network ID.
     */
    @Test
    public void testCreateNetworkWithDuplicatedId() {
        mockOpenstackNetworkAdminService.createNetwork(anyObject());
        expectLastCall().andThrow(new IllegalArgumentException());
        replay(mockOpenstackNetworkAdminService);
        expect(mockOpenstackHaService.isActive()).andReturn(true).anyTimes();
        replay(mockOpenstackHaService);

        final WebTarget wt = target();
        InputStream jsonStream = OpenstackNetworkWebResourceTest.class
                .getResourceAsStream("openstack-network.json");

        Response response = wt.path(PATH).request(MediaType.APPLICATION_JSON_TYPE)
                .post(Entity.json(jsonStream));
        final int status = response.getStatus();

        assertThat(status, is(400));

        verify(mockOpenstackNetworkAdminService);
    }

    /**
     * Tests the results of the REST API PUT with updating operation.
     */
    @Test
    public void testUpdateNetworkWithUpdatingOperation() {
        mockOpenstackNetworkAdminService.updateNetwork(anyObject());
        replay(mockOpenstackNetworkAdminService);
        expect(mockOpenstackHaService.isActive()).andReturn(true).anyTimes();
        replay(mockOpenstackHaService);

        final WebTarget wt = target();
        InputStream jsonStream = OpenstackNetworkWebResourceTest.class
                .getResourceAsStream("openstack-network.json");

        Response response = wt.path(PATH + "/396f12f8-521e-4b91-8e21-2e003500433a")
                .request(MediaType.APPLICATION_JSON_TYPE)
                .put(Entity.json(jsonStream));
        final int status = response.getStatus();

        assertThat(status, is(200));

        verify(mockOpenstackNetworkAdminService);
    }

    /**
     * Tests the results of the REST API PUT with incorrect input.
     */
    @Test
    public void testUpdateNetworkWithIncorrectInput() {
        expect(mockOpenstackHaService.isActive()).andReturn(true).anyTimes();
        replay(mockOpenstackHaService);

        final WebTarget wt = target();
        InputStream jsonStream = OpenstackNetworkWebResourceTest.class
                .getResourceAsStream("dummy.json");

        Response response = wt.path(PATH + "/396f12f8-521e-4b91-8e21-2e003500433a")
                .request(MediaType.APPLICATION_JSON_TYPE)
                .put(Entity.json(jsonStream));
        final int status = response.getStatus();

        assertThat(status, is(400));
    }

    /**
     * Tests the results of the REST API PUT with non-existing network ID.
     */
    @Test
    public void testUpdateNetworkWithNonexistId() {
        expect(mockOpenstackHaService.isActive()).andReturn(true).anyTimes();
        replay(mockOpenstackHaService);
        mockOpenstackNetworkAdminService.updateNetwork(anyObject());
        expectLastCall().andThrow(new IllegalArgumentException());
        replay(mockOpenstackNetworkAdminService);

        final WebTarget wt = target();
        InputStream jsonStream = OpenstackNetworkWebResourceTest.class
                .getResourceAsStream("openstack-network.json");

        Response response = wt.path(PATH + "/396f12f8-521e-4b91-8e21-2e003500433a")
                .request(MediaType.APPLICATION_JSON_TYPE)
                .put(Entity.json(jsonStream));
        final int status = response.getStatus();

        assertThat(status, is(400));

        verify(mockOpenstackNetworkAdminService);
    }

    /**
     * Tests the results of the REST API DELETE with deletion operation.
     */
    @Test
    public void testDeleteNetworkWithDeletionOperation() {
        expect(mockOpenstackHaService.isActive()).andReturn(true).anyTimes();
        replay(mockOpenstackHaService);
        mockOpenstackNetworkAdminService.removeNetwork(anyString());
        replay(mockOpenstackNetworkAdminService);

        final WebTarget wt = target();

        Response response = wt.path(PATH + "/396f12f8-521e-4b91-8e21-2e003500433a")
                .request(MediaType.APPLICATION_JSON_TYPE)
                .delete();
        final int status = response.getStatus();

        assertThat(status, is(204));

        verify(mockOpenstackNetworkAdminService);
    }

    /**
     * Tests the results of the REST API DELETE with non-existing network ID.
     */
    @Test
    public void testDeleteNetworkWithNonexistId() {
        expect(mockOpenstackHaService.isActive()).andReturn(true).anyTimes();
        replay(mockOpenstackHaService);
        mockOpenstackNetworkAdminService.removeNetwork(anyString());
        expectLastCall().andThrow(new IllegalArgumentException());
        replay(mockOpenstackNetworkAdminService);

        final WebTarget wt = target();

        Response response = wt.path(PATH + "/non-exist-id")
                .request(MediaType.APPLICATION_JSON_TYPE)
                .delete();
        final int status = response.getStatus();

        assertThat(status, is(400));

        verify(mockOpenstackNetworkAdminService);
    }
}


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text:
Home Titles list Gelsolin mediates calcium-dependent disassembly of Listeria actin tails
unige:7399
Gelsolin mediates calcium-dependent disassembly of Listeria actin tails
Larson, Laura
Arnaudeau, Serge
Gibson, Bruce
Li, Wei
Miyazaki-Krause, Ryoko
Hao, Binghua
Bamburg, J. R.
Lew, Daniel Pablo
Demaurex, Nicolas
Southwick, Frédérick
Published in	 Proceedings of the National Academy of Sciences. 2005, vol. 102, no. 6, p. 1921-1926
Abstract The role of intracellular Ca2+ in the regulation of actin filament assembly and disassembly has not been clearly defined. We show that reduction of intracellular free Ca2+ concentration ([Ca2+]i) to <40 nM in Listeria monocytogenes-infected, EGFP-actin-transfected Madin-Darby canine kidney cells results in a 3-fold lengthening of actin filament tails. This increase in tail length is the consequence of marked slowing of the actin filament disassembly rate, without a significant change in assembly rate. The Ca2+-sensitive actin-severing protein gelsolin concentrates in the Listeria rocket tails at normal resting [Ca2+]i and disassociates from the tails when [Ca2+]i is lowered. Reduction in [Ca2+]i also blocks the severing activity of gelsolin, but not actin-depolymerizing factor (ADF)/cofilin microinjected into Listeria-infected cells. In Xenopus extracts, Listeria tail lengths are also calcium-sensitive, markedly shortening on addition of calcium. Immunodepletion of gelsolin, but not Xenopus ADF/cofilin, eliminates calcium-sensitive actin-filament shortening. Listeria tail length is also calcium-insensitive in gelsolin-null mouse embryo fibroblasts. We conclude that gelsolin is the primary Ca2+-sensitive actin filament recycling protein in the cell and is capable of enhancing Listeria actin tail disassembly at normal resting [Ca2+]i (145 nM). These experiments illustrate the unique and complementary functions of gelsolin and ADF/cofilin in the recycling of actin filaments.
Keywords	 Actin Depolymerizing Factors — Actins/genetics/ metabolism — Animals — Calcium/ metabolism — Cells, Cultured — Chelating Agents/metabolism — Egtazic Acid/ analogs & derivatives/metabolism — Focal Adhesion Kinase 1 — Focal Adhesion Protein-Tyrosine Kinases — Gelsolin/ metabolism — Listeria monocytogenes/cytology/ metabolism — Mice — Mice, Knockout — Microfilament Proteins/metabolism — Protein-Tyrosine Kinases/genetics/metabolism — Recombinant Fusion Proteins/genetics/metabolism — Xenopus laevis
DOI: 10.1073/pnas.0409062102
Article - Limited access to UNIGE
Other version: http://www.ncbi.nlm.nih.gov/pmc/articles/PMC548556/pdf/pnas-0409062102.pdf
Faculté de médecine / Section de médecine clinique / Département de médecine
(ISO format) LARSON, Laura et al. Gelsolin mediates calcium-dependent disassembly of Listeria actin tails. In: Proceedings of the National Academy of Sciences, 2005, vol. 102, n° 6, p. 1921-1926. doi: 10.1073/pnas.0409062102 https://archive-ouverte.unige.ch/unige:7399

redpajama_set_name: RedPajamaCommonCrawl


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Apologetics Press - Question and Answer: Should Jesus Be Called "Yeshua"?
The Hebrew word transliterated "Joshua" in our English versions of the Old Testament (pronounced yeah-HO-shoo-ah) is equivalent to the Greek term "Jesus" (pronounced ee-ay-SOOS). Though God Himself miraculously instigated several new languages at Babel (Genesis 11), we do not know what those languages were nor do we know what single language was spoken prior to that event. God has given no indication whatsoever that Hebrew, Aramaic, and Greek are "sacred" languages that must be emulated. Instead, what we learn from the Bible is that God fully expected His Word to be translated into the multitude of languages that He knew would come about gradually as societies, ethnic groups, and nations developed. There is no evidence in Scripture that God assigns special reverence to, or expects verbal exclusivity for, the names "God" or "Jesus" in a particular language. The Jews refused to pronounce the divine name (approximated by English words like "Jehovah" and "Yahweh") and so historically did not know how to pronounce it. The claims of pagans and occultists are irrelevant. One must produce the evidence from Scripture that God commands a specific spelling or pronunciation. Hispanics have the same word, "Jesus," which they name their children, pronounced "hay-SOOS." It has the same spelling in both English and Spanish. By the reasoning of those cited, differing pronunciations of the same word are unacceptable. Their theory shows a woeful lack of understanding regarding the functioning of human language.
Regarding the second question, there are well over 5,000 Greek manuscripts of the New Testament, some dating back close to the first century. There is a mountain of evidence from historical and religious writers in the early centuries of Christianity that record the linguistic state of affairs at the time. Once again, where is the evidence that the New Testament was originally written in a language other than Koine Greek? The evidence does not exist. It is true that Jesus probably spoke Aramaic while He was on Earth. But God the Holy Spirit chose to communicate the divine will via the most common, prominent language of the day: Koine Greek. A host of Hellenistic Jews at the time spoke Greek and relied on the Greek translation of the Old Testament (the Septuagint; cf. Acts 6). In fact, most of the quotes of the Old Testament found in the New Testament are from that version. When people postulate an imaginary Aramaic New Testament that lies behind the Greek New Testament that we have, they are merely speculating without solid, sufficient evidence—which they are under obligation to produce.
However, let's suppose that those who make such claims are right, that the New Testament was originally written in Aramaic. Why did God not see to it that it was preserved and passed down to us? Answer: we must not need it! We can confidently say that we have God's Word intact in our 21st century based on the variety of proofs that exist by which the New Testament text has been recovered/ascertained (see the DVD Has the Bible Been Corrupted? available through AP).


Do paintings react to us? What happens to them after we move on and look at something else? These portraits are part of an ongoing series that depicts characters living in LA and searching for emotional communication through language. Their layered experiences are reflected in these paintings, as their disposition survives translation upon adaptation upon cultural differentiation.
Margarita is a great-grandmother whose engraved number renders her undeniably specific. Her moving life story is part of the context of history.
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text:
Things We Didn't Say
By Amy Lynn Green
Read by Leah Horowitz
Amy Lynn Green Recorded Books, Inc. 9780764237164
Headstrong Johanna Berglund, a linguistics student at the University of Minnesota, has very definite plans for her future . . . plans that do not include returning to her hometown and the secrets and heartaches she left behind there. But the US Army wants her to work as a translator at a nearby camp for German POWs. Johanna arrives to find the once-sleepy town exploding with hostility. Most patriotic citizens want nothing to do with German soldiers laboring in their fields, and they're not afraid to criticize those who work at the camp as well. When Johanna describes the trouble to her friend Peter Ito, a language instructor at a school for military intelligence officers, he encourages her to give the town that rejected her a second chance. As Johanna interacts with the men of the camp and censors their letters home, she begins to see the prisoners in a more sympathetic light. But advocating for better treatment makes her enemies in the community, especially when charismatic German spokesman Stefan Werner begins to show interest in Johanna and her work. The longer Johanna wages her home-front battle, the more the lines between compassion and treason become blurred--and it's no longer clear whom she can trust.
Author Bio: Amy Lynn Green
Publisher: Recorded Books, Inc.


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text:
Morrison & Foerster Secures Victory for Target in "Made in USA" Case
SAN FRANCISCO (November 3, 2010) – Morrison & Foerster recently secured a victory for Target Corporation in a class action case brought by consumer Raymundo Sevidal, who alleged fraud and violation of unfair competition and false advertising laws after purchasing three clothing items from Target's website that were misidentified as made in the United States. On October 28, 2010, the California Court of Appeal agreed with the trial court's refusal to certify the class based on its finding that the proposed class was not ascertainable.
Sevidal had argued that under the California Supreme Court's decision in In re Tobacco II Cases (2009), class could be certified on unfair competition claim even if most of the proposed class members never relied on the "Made in the USA" designation in making their online purchases. In 2006, the California Supreme Court held that Proposition 64's requirement of actual injury and reliance applied only to named class representatives and suggested that courts could certify class actions under Cal. Bus. Prof. Code § 17200, et seq., without individualized showing of deception, reliance, or injury.
The Fourth District Court of Appeal found that substantial evidence supports the Superior Court's conclusion the absent class members could not be reasonably identified by reference to records or by common characteristics that would allow the class members to identify themselves. The Court of Appeal also determined the trial court properly found the class was overbroad because the evidence shows the vast majority of absent class members never saw the web page containing the alleged misrepresentation, and thus, were never exposed to the alleged wrongful conduct.
Morrison & Foerster partner David McDowell, who was the lead attorney for Target in this case, said, "We are pleased the court agrees with Target's opposition to the class certification motion and with its interpretation of the Supreme Court's language."
Along with Mr. McDowell, the Morrison & Foerster team included Senior of Counsel Miriam Vogel and associate Samantha Goodman.
David F. McDowell
Miriam A. Vogel
Senior Of Counsel


Alarmist are an instrumental four-piece band from Dublin, Ireland. I've been working closely with them developing their visuals ongoing since they started back in 2010.
The design for debut album 'Popular Demain' is a fusion cross over of digital and biological elements. The deluxe 8 track LP was pressed with a gatefold sleeve. I also created a digipack version.
For the second EP 'Pal Magnet' I generated all art, taking inspiration from the 'cavernous' production quality of the recordings while also keeping it light and colourful.
The first self titled EP was a collaboration with artist David Lunney. I designed the artwork from stitching and tweening various images created by David to create a wrap around illustration for the face of the digipak. I also rolled out tshirts/posters for their first release.


This parish is situated in the south-eastern corner of the county (Lancashire). Ashton itself is a small but populous town, which has received a great increase of late years, and now consists of several streets of well-built commodious houses. It stands on a rising situation on the north side of the Tame. There was formerly a market hear held every Wednesday, at a place where an ancient cross is still standing, but has been discontinued avove thirty years, though such a convenience is now particularly wanted from the augmented population. (not neccessarily true, the Court Leet papers for this period still indicate some revenues from a market, perhaps it was a smaller affair at a different venue).
The Earl of Stamford, to whom the town and the principal part of the parish belongs, holds a court leet here yearly, where his agent presides as a judge, and all disputes, breaches of trust, rights of tenants, together with actions of debt under forty shillings, are cognizable. It appears from a very ancient manuscript, now in the possesion of Joseph Pickford Esq. of Royton, containing the rent-roll and several very curious particulars concerning the estate, drawn at a very remote period, to have been a borough; but why the charter was withdrawn, or by what means the privilege was lost, there is no account; yet the custom of yearly nomination, and the insignia of office, are still kept up by the inhabitants.
Ashton has a large and ancient church, furnished with a fine ring of ten bells, and a large organ erected by the subscription of the inhabitants. Under the seats of some of the pews are rude carvings on wood, relating to different families in the neighbourhood, of a very old date. Several of these are preserved, though the church has been newly pewed. A popular tale is current concerning a supposed ace of spades cut upon the south side of the steeple. This has been found by Mr. Barritt to be an old triangular shield charged with a mullet, the arms of Ashton, impaling the arms of Stealey , of Stealey (Stayley or Staveleigh), in that neighbourhood, which seems to denote that a lady of that family married to an Ashton was a liberal contributor towards the building. The living is a valuable rectory in the gift of The Earl of Stamford, now in the possession of the Rev. Sir George Booth, Bart. Near the church is a building of great antiquity, called the Old Hall, which is supposes to have been built in theyear 1483, at present occupied by Mr Brooke. Adjioning to this is an edifice which had the appearance of a prison, and till of later years has been used as such; it was formerley regarded by the inhabitants as a sort of Bastille to the place. It is a strong rather small building, with two round towers overgrown with ivy, called the dungeons, but which appear to have been only conveniences for the prisoners a they have door places, a flag for the feet, and a rail to prevent them from falling backwards, with the drains from the bottom; and they are not large enough for a person to live in. The prison is now occupied by different poor families. It has two courtyards, an inner and an outer, with strong walls. Over the outer gate was a square room ascended to from the inside by a flight of stone steps, and very ancient. It has always gone by the name of the Gaolor's Chapel, as it was supposed that prayers were occasionally read in it to the prisoners. The house of the inner court is still standing, and in a tolerable repair. It is inhabited by a venarable and very aged man, who remembers the gate being open through the house about sixty years ago. At a short distance from the hall is a meadow well known by the name Gallows-field, doubtless the place of execution when the Lord of Ashton had power of life and death.
Ashton is joined by two very considerable hamlets of houses, built in the beginning of the American war, and called Boston and Charlestown, after the places of that name in New England. It also extends in every direction towards the neighbouring towns. It is well supplied with water, except for two months in the summer, when the inhabitants are obliged to fetch their soft water in carts from the Tame. this river abounds with trout. It is also of the highest utility to the machinery of the woollen and cotton factories of the neighbourhood; it being reckoned that within the space of ten miles from Ashton there are near 100 mills upon this stream and its tributory branches.
Coals are got at the very edge of town in abundance, whence they will be conveyed to Manchester by the canal which is now nearly finished. Its advantages to the town and neighbourhood will be inestimable, particualrly in the improvement of the soil by lime and other manures. At a short distance from Ashton, on the Manchester Road, is an extensive moss, from the edges of which the surrounding poor cut turf, which supplies them with fuel. The turf is cut away till the diggers come, at about ten feet depth, to a tolerable soil of loam, which on proper improvement becomes good meadow land. The moss itself is a shaking bog, which nevertheless can be crossed in any season, and probably might be solid ground by means of judicious draining. Red fir trees are frequently found in it, which, being fresh and full of turpentine, serve, when split, the purpose of candles to the poor; also numbers of large oak trees perfectly found and as black as ebony.
It is certain, however, that this is very short of the real number, as evidently appears by comparison with the return of houses in the town of 775, since which period it had manifestly received a great increase.
The town of Ashton, including Boston, Charlestown, Botany Bay, Hurst, and the adjoining buildings on the Manchester, Mossley,. Staley-Bridge roads, with the new street etc., near the church, cannot be much short of 1,600 houses. In this town five inhabitants may safely be reckoned to a house, making in all 8000 souls. Staley-bridge, Oldham, Dukinfield, Hooley Hill, Audenshaw, Openshaw with other towns and villages in this neighbourhood, have increased nearly in the same proportion as Ashton.
With respect to the school, the appointment of a master is jointly betwixt the Earl of Stamford and the Rev. George Booth, Rector. The inscription is as follows:- "Given by the Right Hon. George, Earl of Warrington, and rebuilt by the parish anno Domini, 1721." The salary is three pounds per annum with a small house over the school; three pounds paid from the Crime estate.


I am a babe and I know it!
Baba talking here. Now, you may have recently heard that Maman thinks of herself as a mummy blogger. She decided to share ma petite existence with the whole world (or at least whoever is happy to read her rants). She hasn't even asked for my permission.
You see, I am quite a shy petit garçon. I am not an attention seeker, neither a diva (unlike Maman). This blogging stuff is really leaving me perplexed, to be honest… All I want is discovering the world around me and drinking as much milk as possible. End of story.
Seriously, Maman is impossible sometimes… The thing is, she thinks that I am one of the 7 merveilles du monde.
Here is an example of her being totally out of order last weekend. Nice family pub lunch. We are having a whale of a time with Papa. I am on her lap (I am very curious you see. And I really don't like when I am not involved in the conversation). Suddenly, 'Mwah!!!' she kisses me. 'Donne moi un bisou'. Trop tard! I don't have the time to escape that she's already kissed me.
The truth is, she loves me so much, even when I start screaming without any good reason. She might explode sometimes 'J'en ai marre! He would not stop crying…What is le problème?!', but deep down she can't have enough of me.
Anyway, I am exhausted so I am off now. Trying to escape les bisous de Maman is hard-work.
The Frenchie Babe, aka Baba.
Il est tout mimi le neuveux avec son sourir ?
I love that your blog is written by him!
You've always got to wonder what the little ones are thinking! I bet you're not far wrong!
Your little man is clearly a superstar in the making! I think these babies really do have us sussed!
Aw bless he is a very cute baba! Thanks for sharing him with #chucklemums!
First off, how adorable is your son! Such a cutie. And I love the idea behind the series, it's so much fun to know what's really going on in the photo, and babies have the darnedest facial expressions sometimes!
thank you for stopping by! i think he starts knowing that he is cute as well, which is very dangerous, especially with women.
Thanks for commenting, I could not access other pictures so I didn't comment on anything myself.
Love how you wrote this like it was coming from his perspective. Being a new mommy/mummy is such an exciting experience. Enjoy it! Thanks for linking with #momsterslink and hope to see you tomorrow!
Thanks, I bet he was really thinking that!
I am sure he wouldn't mind or maybe not… He is not always a fan of bisous. He has his moments. Thanks for reading.
l'exploration et le lait est tout ce que vous avez besoin!
How wonderful? Where about will you move to?
Absolutely love how its written. Would love to know what they really think.


Choose from 2921 Taskers in Portland of all trades to handle your minor home repairs.
Siobhan has been working for a professional contractor doing home improvement for a year now. She treats her work as she would in her own home and leaves houses clean and in a timely manner. She has hung many a frame, worked with all kinds of wall patching products and knows how to use a level! She has also done base electrical, molding, extensive painting, grouting and caulking. She has a power drill, hammer, level, screw set, utility knife, and an assortment of other tools available for projects.
I've spent the majority of my life building or fixing the world that surrounds me. I own a remodeling business that focuses on the meticulous details and nuances that result in a space done to exemplary standards. 9 years experience framing residential and commercial spaces. 7 years in the finishing aspects of construction, involving custom tile and carpentry. I'm fully equipped with the tools, truck, trailer, and experience to make your project a smooth and seamless one. I AM a licensed, bonded, and insured General Contractor. I am not a licensed plumber, or electrician.
I have 20+ years in the construction/carpentry industry, this is where my strengths lie. When needing small home repairs done I will ensure you get a quality, clean and nicely done job. I am a perfectionist in my work, but it doesn't stop me from getting the job done efficiently.
Owned a few construction companies can handle or facilitate most things.
Growing up helping my family remodeling one house after another has taught me the skills necessary to work on most any aspect of a home. Past professional experience includes HVAC, electrcal and general maintenance.
With an education in architecture and a lifelong enjoyment of fixing things, I am fully capable of a range of non-structural home repairs.
Blacksmith, Leather Worker, Wood Turner, Strong, Reliable, Punctual.
I can complete tasks quickly and efficiently. I have worked in construction and find most household projects a breeze. I recently completed finishing tasks like mounting artwork and mirrors and painting for a short-term rental unit I manage.
From working at a lodge in the heart of Sequoia National Park, CA, to crawling into industrial iceboxes on the docks of a small Washington fishing town, my maintenance career has provided me with a wide range of skills.
It was a pleasure working with Eric. He was thorough, had great suggestions re positioning of plants and bushes. He also explained the benefits of an alternative to a material that I had planned to use. He worked past daylight to ensure that the task was completed. I highly recommend Eric.
Brian was excellent patching large holes in my drywall. Would definitely hire him again.
Adam is a very nice and honest guy. He worked hard to fix a difficult fence post removal/replacement. He showed up on time and even helped me out on a couple of other small tasks. I would definitely hire him again.
Cory did a great job repairing my fence!
Matt is professional, friendly and really easy to work with. We already signed him up for another job.
Bryce was great! Communicative and in a great mood. He helped dig out my dryer vent from my exterior wall, caulk the new one in place, and do a few heavy lifting tasks too.
Brian is a find. He's done a variety of tasks for me and all have turned out great. Will continue to hire him, for sure.
Alex was very responsive and did a great job on my job. I would definitley recommend him.
Thoughtful, neat and tidy. Did a great job on a roof repair.
Richelle was awesome! She was super helpful and very pleasant to speak with. She was also great with our dog (golden retriever) who was so excited for a new person and just kept licking her! Would definitely hire her again!
Steve's attention to detail was excellent!
He has the skill set and the tools. I will hire again.
Matt is great. Very can do. Professional. Friendly. Able to do the work and a good communicator. I have hired him a few times and will continue to do so.
This is the second time I've used Dans services. I highly recommend him!
Great job, thanks so much Noel!
Matt was great. Easy to communicate with And he got several things done in a short time frame. We will use him again.
Awesome job! Would definitely recommend!
Wow. Noel showed up with a super great attitude & was fully ready to work! Noel went right down my list, completing each task with a ton of skill & even more patience! Thanks again, Noel. With those mega tasks out of my way, I am excited to keep at the rest of my tasks... with such a pep in my step!
Todd is knowledgeable and very efficient in a full range of home improvement tasks. He is very thorough, thoughtful and organized! Hope I am fortunate enough to connect with him again in the future.
Bryce can take care of all kinds of issues from repairing cabinet hinges to moving heavy stuff. Very personable and skilled.
Was able to fix our garage door, took care of everything completely!
Donald is very professional and efficient. He knows what he's doing and did the job perfectly. Would highly recommend.
Thanks for considering me for your task! I have a lot of experience working on my own home doing a variety of construction type improvements, as well as some of my neighbor's houses- I seem to be the neighborhood handyman!
I've been taking care of Facility maintenance issues for roughly 5+ years at my previous, and current job. From mounting shelves to repairing and painting walls. Plus, I've had experience painting multiple houses (interior&exterior).
I've been a homeowner for almost 20 years. I have always been good working with my hands. I have experience in everything from hanging picture frames to repairing dryers.
I am a full time carpenter minor home repairs are a breeze. I have almost any tool needed to get the job done on hand and if I don't have the tool it's a phone call away.
Retired handyman with forty years experience.
I have experience in all-around handyman jobs and own essential tools.
I have experience in home repair. I worked in the trade for three years as a general contractor before going into the HVAC trade to learn another skill. I have eight years experience as a Maint Tech at OMSI. I create solutions for the tasks at hand.
Have had experience minimal home repairs. Let me know the job and I'm sure we can do it.
Professional, reliable help around your house. I have many years of experience in this category. I'm currently managing commercial and residential property. I also built my last house.
I will provide honest hard work and I promise to work diligently to complete the task. I will respect your home or office while being careful not to damage floors, walls, doors, etc. I am a friendly and efficient person.


Signed by D-backs as a Minor League free agent (July 3, 2013)...He and his wife, Jordan, welcomed their first child, Sofia, on Aug. 14, 2017, also David's 30th birthday...Has a cat named Maximus…named after a character from his favorite movie, "Gladiator."
Earned his first Louisville Slugger® Silver Slugger Award™ after setting career highs in hits (164), home runs (30), RBI (87) and walks (48)... Ranked among NL outfielders in home runs (4th, 30), OBP (4th, .518), RBI (5th, 86), OPS (6th, .869) and average (8th, .292) [stats as OF only]...Was the sixth D-backs outfielder to reach the 30-homer milestone (stats at OF only) along with Luis Gonzalez (2000-01), Steve Finley (1999-2000), Reggie Sanders (2001), Chris Young (2007) and Justin Upton (2011)...His 6 games of 4+ hits set a single-season club record and tied for second in the Majors with Giancarlo Stanton/NYY behind Mookie Betts/BOS (7)...Reached base in a career-high 25 consecutive games from Sept. 18, 2017-April 20, 2018...Hit his first walk-off homer on Aug. 6 vs. Phillies, a solo shot in the 14th inning (second walk-off plate appearance: walk on Sept. 27, 2017 vs. Giants).
Hit .293 AVG/.352 OBP/.444 SLG with 31 doubles, 14 home runs and 57 RBI in 140 games for Arizona in 2017...set career highs in runs (82) and doubles...His 17 games of 3+ hits were tied for seventh in the NL...his 4 games of 4+ hits were tied for second in the NL with Bryce Harper and Ender Inciarte (5; DJ LeMahieu)...Hit .302/.357 OBP/.468 SLG with 27 doubles, 12 home runs and 44 RBI vs. right-handers...Batted .323 with 37 extra-base hits, 36 RBI & 26 walks in D-backs wins...Named the D-backs' 2017 Marvin Miller Man of the Year. POSTSEASON: Batted .222 with 1 walk and 2 runs in 4 games.
Limited to 48 games due to 3 stints on the disabled list…hit .251 (43-for-171) with 9 doubles, 5 triples, 4 homers and 15 RBI...On the 15-day disabled list from May 15-June 6 (right wrist infl ammation), June 20-July 29 (lower back sprain) and Aug. 7-end of season (right wrist infl ammation)…underwent surgery to stabilize a tendon in his right wrist on Aug. 11 by Dr. Don Sheridan in Phoenix...Made 36 starts in right fi eld and 4 starts in center...Before being placed on the disabled list for the fi rst time on May 15, led the team in games (33) and triples (3), tied for the team lead in runs (18), ranked second in hits (32) and third in doubles (7) and extra-base hits (13)...Totaled a career-high 3 extra-base hits (2 doubles & 1 triple) on April 7 vs. Cubs.
Hit .312 (144-for-462) with 26 doubles, 10 triples, 17 home runs and 78 RBI in his first full Major League season with Arizona...Is one of three D-backs with 10+ triples and 10+ home runs in a season, joining Steve Finley (1999, 2003) and Stephen Drew (2008-10)...was the only NL player to accomplish the feat in 2015...Ranked among NL leaders in triples (1st, 10), slugging pct. (sixth, .522), OPS (sixth, .893) and average (eighth, .312)...His .903 OPS was second to the Nationals' Bryce Harper (1.116) for NL outfielders...Compiled a .991 fielding pct. (2 E in 232 TC) in left field, second best in the NL behind the Pirates' Starling Marte (.995)...Finished second on the team and 12th in the NL in win probability added (3.49) [source: fangraphs.com]...His .360 average (80-for-222) after the All-Star Break ranked second by a D-back all-time and was third in the NL in 2015...Batted .349 (61-for-175) with two outs, the fourth-best NL average... only the Marlins' Dee Gordon (.417), Giants' Buster Posey (.377) and Paul Goldschmidt (.355) were better....also was third in the NL with a .400 average (28-for-70) with runners in scoring position/two outs behind the Giants' Nori Aoki (.472) and Brewers' Adam Lind (.426)...Reached base safely in a career-high 20 consecutive games from June 23-July 18 (.338; 25-for-74)...Set a career-high and tied a club record (19th time) with five hits on Aug. 9 vs. Reds...Had a RBI in a career-high five consecutive games from Aug. 7-11 (10 total)...Boasted a career-high 13-game hitting streak from Sept. 1-16 (.306; 15-for-49).
Hit .286 (94-for-329) with 12 doubles, 9 triples, 8 home runs and 36 RBI in 88 games in his first Major League season with the D-backs...Selected as the D-backs' Rookie of Year by the Arizona Chapter of the BBWAA...Ranked among NL rookies in slugging percentage (1st, .450), OPS (1st, .770), triples (1st), average (2nd), multi-hit games (2nd, 30), extra-base hits (T-3rd, 29), hits (4th), RBI (4th) and total bases (5th, 148)...His 9 triples ranked second on the club's all-time rookie leaderboard, behind David Dellucci's 12 in 1998…were the most since Bryce Harper in 2012 (also 9)...Played in 40 games in right field, 36 in left and 14 in center, combining for 6 outfield assists...Recorded his first Major League hit on June 1 vs. Reds (single off Alfredo Simon) after having his contract selected from Double-A Mobile earlier in the day...Became sixth D-back with a multi-hit game in his debut and first since Adam Eaton on Sept. 4, 2012 @ Giants...Recorded a hit in his first 7 games, the longest hit streak by a D-back to start his Major League career...Hit his first homer on June 8 vs. Braves (off Aaron Harang)...Steal of home on Aug. 8 vs. Rockies marked the sixth D-back to do so (last: Chris Young on Aug. 19, 2007 @ Braves)...Hit first grand slam on Aug. 9 vs. Rockies…also became the first D-backs rookie with at least 5 RBI in a game since Mark Reynolds on Aug. 30, 2007 (also 5)...Season-high 9-game hitting streak from June 29-July 9 (.429; 15-for-35)…batted .314 (27-for-86) in July, the second highest average among all rookies (.374 by Jose Abreu)...Did not play from Sept. 6-18 due to back discomfort...Visited the MLB Urban Youth Academy in Compton, Calif. on June 14...Hit .297 (60-for-202) with 6 home runs and 46 RBI in 53 games with Mobile…at the time of his promotion, ranked among SL leaders in doubles (T-1st, 17), RBI (T-1st), total bases (3rd), hits (4th), runs (4th), extra-base hits (5th, 24)...Appeared in 55 games with Margaritea in the Venezuelan Winter League and batted .319 (67-for-210) with 14 doubles, 2 home runs and 32 RBI…tied for fourth in the league in doubles and tied for ninth in RBI and hits.
Played in 51 games with Single-A Visalia and hit .346 (72-for-208) with 15 doubles, 8 home runs and 42 RBI…signed by Arizona as a Minor League free agent on July 3...Ranked among Single-A players from July 3-end of the season in average (8th) and RBI (12th)...Began the season with Amarillo in the independent American Association and batted .352 (64-for-182) with 8 home runs and 38 RBI.
Played with Wichita of the IAA, and hit .332 (125-for-377) with 30 doubles, 3 homers, 70 RBI and 25 stolen bases.
Hit .392 (133-for-339) with 30 doubles, 5 triples, 17 home runs and 81 RBI in 85 games with Rio Grande Valley in the independent North American Baseball League....Made 1 relief appearance (0 ER in 1.0 IP).
Began the season in St. Louis' organization but was released on May 5.
Missed the entire season following his second surgery on his left shoulder.
Appeared in 15 games (8 starts) with Short-Season A Johnson City and went 1-5 with a 5.81 ERA (34 ER in 52.2 IP) and 56 strikeouts.
Was 1-1 with a 5.00 ERA (5 ER in 9.0 IP) in 3 games (2 starts) with Johnson City...Placed on the 15-day DL on July 20 after undergoing left shoulder surgery and missed the remainder of the season.
Made his professional debut with Dominican Summer League Cardinals, going 3-2 with a 2.70 ERA (12 ER in 40.0 IP) in 9 games (8 starts).
August 17, 2017 Arizona Diamondbacks activated LF David Peralta from the paternity list.
August 14, 2017 Arizona Diamondbacks placed RF David Peralta on the paternity list.
November 3, 2016 Arizona Diamondbacks activated RF David Peralta from the 60-day disabled list.
August 26, 2016 Arizona Diamondbacks transferred RF David Peralta from the 15-day disabled list to the 60-day disabled list. Right wrist inflamation.
August 7, 2016 Arizona Diamondbacks placed RF David Peralta on the 15-day disabled list retroactive to August 6, 2016. Right wrist inflamation.
July 29, 2016 Arizona Diamondbacks activated RF David Peralta from the 15-day disabled list.
July 20, 2016 Arizona Diamondbacks sent RF David Peralta on a rehab assignment to Reno Aces.
July 17, 2016 Arizona Diamondbacks sent RF David Peralta on a rehab assignment to Mobile BayBears.
July 13, 2016 Arizona Diamondbacks sent RF David Peralta on a rehab assignment to AZL D-backs.
June 6, 2016 Arizona Diamondbacks activated RF David Peralta.
June 4, 2016 Arizona Diamondbacks sent RF David Peralta on a rehab assignment to Reno Aces.
May 9, 2016 Arizona Diamondbacks placed RF David Peralta on the 15-day disabled list.
June 1, 2014 Arizona Diamondbacks selected the contract of LF David Peralta from Mobile BayBears.
March 31, 2014 OF David Peralta assigned to Mobile BayBears from Visalia Rawhide.
March 8, 2014 OF David Peralta assigned to Arizona Diamondbacks.
July 3, 2013 OF David Peralta assigned to Visalia Rawhide.
October 13, 2011 1B David Peralta assigned to Bravos de Margarita.


text:
Q: Adding two objects that belong to two different models with similar attribute names in one form using Thymeleaf and Spring MVC I have a Student class with fields (firstName, lastName, mobile, and email among others) and a Guardian class with some fields haveing the same name (firstName, lastName, and email among others).
In the add student view, the user is supposed to enter the student's details and their guardian's as so for the student's:
...

Enter team member information

                            Project
                            <input th:field="*{project}" th:value="${project}"/>

                        First Name
                        <input type="text" th:field="*{firstName}"/>

                        Last Name
                        <input type="text" th:field="*{lastName}"/>

                        Email Address
                        <input type="text" name="email" th:field="*{email}"/>

                        Mobile Number
                        <input type="text" name="mobile" th:field="*{mobile}"/>

...

and for the guardian's:

Enter guardian's information

                            First Name
                            <input type="text" th:field="*{firstName}"/>

                            Last Name
                            <input type="text" th:field="*{lastName}"/>

                            Mobile Number
                            <input type="text" name="mobile" th:field="*{mobile}"/>

The controller is adding both objects properly to the view:
@RequestMapping(value = "/add", method = RequestMethod.GET)
    public ModelAndView addStudent(@RequestParam(value = "projectId") Integer projectId,
                                   HttpServletRequest request) {

        String lang = (String) request.getSession().getAttribute("lang");
        ModelAndView modelAndView = new ModelAndView();
        if(lang.equals("en")) {
            modelAndView.setViewName("student-form");
        }
        else {
            modelAndView.setViewName("arabic/student-form-ar");
        }

        Student student = new Student();
        student.setProject(projectService.findOneById(projectId));

        modelAndView.addObject("student", student);
        modelAndView.addObject("guardian", new Guardian());
        modelAndView.addObject("project", projectService.findOneById(projectId));

        return modelAndView;
    }

Then saving both objects:
@RequestMapping(value = "/save", method = RequestMethod.POST, params = {"next"})
    public ModelAndView saveStudent(Student student, Guardian guardian,
                                    Project project) {

        // first student
        if(studentService.findAllByProject(project).isEmpty()) // the first student
            student.setLeader(true);

        else // not the first student
            student.setLeader(false);

        guardianService.save(guardian);
        student.setGuardian(guardian);

        studentService.save(student);

        ModelAndView modelAndView = new ModelAndView("redirect:/supervisor/add?projectId="+project.getId().toString());

        return modelAndView;

    }

The values are getting concatenated and added for each object; for example:
If I enter this for student:
First Name: Student FN
Student First Name Image
And this for guardian:
First Name: Guardian FN
Guardian First Name Image
I get the following record in the database for both student and guardian tables:
Student FN,Guardian FN
Is there any way to make Thymeleaf distinguish between the two? Apart from changing the models obviously.

A: I believe it is possible that you are not refering to the data in thymeleaf properly. Looks like when you use th:field=*{} you are doing it outside of the div where you define your th:object=${}. Try to do this inside the same div. Another thing I would try is to refer to the fields in this manner directly using the . notation: th:field=${student.firstName}.

redpajama_set_name: RedPajamaStackExchange


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Spring has arrived in New England and so it must be time for CraftBoston Spring at the Cyclorama in the South End. Lots of new work is coming to this show. The latest piece out of the studio is Krazy Kat.
I found these two Krazy Kat teacups at a flea market and loved the graphics. A little research and I learned all about Krazy Kat.
The Krazy Kat comic strip focuses on the curious relationship between a guileless, carefree, simple-minded cat named Krazy of indeterminate gender and a grumpy mouse named Ignatz. Krazy nurses an unrequited love for the mouse, but Ignatz despises Krazy and constantly schemes to throw bricks at Krazy's head. Krazy interprets this as a sign of Ignatz's affection.
If you are in Boston's South End this weekend, drop by Booth 511 at CraftBoston Spring and say hi.
This entry was posted in Carving, shows. Bookmark the permalink.


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The Inner Journey to Becoming an Entrepreneur
Both physically and inwardly, the themes of journey, adventure and discovery have been surfacing in Griet Bouwen's life over the past two years as she's sought to realize her dream of becoming a generative news entrepreneur.
It takes time to find your own voice: Griet Bouwen
Wednesday April 29, 2015 -- Michelle Strutzenberger
Since Griet Bouwen chose to leave a stable job to work on her own more than two years ago, she's been struck with how challenging the inner journey has been for her. More than figuring out business plans or branding, the main struggle has been finding her own voice. But this spring, she feels she's finally come into her own. In this story she shares what's worked for her, as well as what she's still dreaming about.
The Outer Journey Begins
It was in 2012 that Griet, a resident of Belgium, began a transition from working with a team and organization to self-employment.
She had been inspired to merge two passions of her life — a love for words and writing, and an enthusiasm for organizational and community development — when she stumbled across the work of Axiom News. "I was already working in organizational and neighbourhood development," she recalls. "But seeing (Axiom News) writing about these things and, by writing, creating these developments, that is what I wanted to do," Griet says. "That's where my journey began."
Griet also strongly desired to create an environment in which she could develop herself in an authentic way, which she felt would happen through working as an entrepreneur. That, in fact, was her greater aspiration at the time. It has also been her greatest challenge, her says.
The Challenge of Finding Her own Voice
Griet was intrigued to discover how little has been written about the inner journey of making the move from working with a team to self-employment.
"There is a lot of reading about making a business plan, making marketing tools, personal branding," Griet says. "But there is much less reading about what is happening inside of you when you are making the step from being employed in an organization, with a team, with a leader who is making some decisions on which you can rely, to the step of making this goal come true for yourself. That is an inner (process), and I have found it a difficult inner process."
It is only now, more than two years later, that she finally feels she is able to rest inwardly with the change.
It's no coincidence that spring was in the air, she says, when she finally felt energized to begin writing content for her new website which showcases her work as a generative news producer.
When she was done, Griet felt she had created something that was deeply aligned with who she truly is and what she wants to share with the world. She felt she had found her voice.
So what worked for her?
Time, Support and Waiting to Co-create
Simply giving the transition time has helped, Griet says. It's also made a difference to have a friend on the sidelines, in her case, her friend and partner Arno Vansichen. "Arno gave me confidence and also invited me to have patience and be proud of what I was already establishing," Griet says.
She also discovered that jumping into a kind of co-creative arrangement around her new venture too early did not work for her. "I tried to establish this kind of co-ownership team," she says. "But it was too soon for myself; I couldn't give it away at that point in time and it was also too soon for the others. They were already changing my concepts before we had tested them.
"I decided I am just going to create something as clear and aligned as possible with what I want to bring to the world."
"So I decided I am just going to create something as clear and aligned as possible with what I want to bring to the world. And now I feel I have that — the tone of voice is right, the images are right, the vision is right."
Based on what now exists, she says, this could be the point to begin co-creating with others.
Making the Work an Adventure
Another big learning for Griet over the past year has been discovering how much energy she derives from getting out into the community and meeting her clients face to face. Much of her work can be done just as easily, if not more easily, over the phone.
But Griet has always been an avid outdoors person who loves to pull on her backpack and head out with no plans for a destination. She is now translating that passion into her work where possible.
She leaves her car at home and either hops on her bike or takes public transit. Her assignments become an adventure of discovery, both with respect to the stories and concepts she collects and the new parts of her country she is able to see.
Griet takes great pleasure in seeing firsthand the happiness on the faces of those she listens to as she gathers material for her stories. And her stories are stronger, people are telling her.
"If I would count my turnover per hour, it's much less than if I write stories through telephone interviews, but this feels so much better. This is pure, pure fun," she says.
Griet's current work includes producing a generative news service for a social housing organization as well as a tourism centre department with a mission to make holidays possible for people who are disadvantaged.
Additional projects are in the works, including a news service within the organization she left to become an entrepreneur.
She has also co-ordinated some "pop-up" news teams — groups of professional newsmakers as well as members of a client organization — who come together to create generative news content around a single event, such as a conference.
Her organization — currently housed within the enterprise she and Arno launched several years ago — is called Newmakers (or Nieuwmakers in Dutch). The "s" is intentionally missing. "That is what we are doing, we are making something new, story by story," Griet says.
Still Dreaming
Looking ahead, Griet dreams of creating more space to use her gift for connecting the stories of what people are doing right now with her sense of how they relate to what could be possible in terms of making the world a better place.
She envisions exchanging learnings with others, such as the Axiom News team in Canada, to further explore how to bring that gift to full fruition.
"In every story there is a spark, at least a small spark, of how the world could be..."
"In every story there is a spark, at least a small spark, of how the world could be, where these basic values of sustainability and sharing and social connectivity (exist)," Griet says. It's knowing how to draw out that spark in a meaningful way, so that those possibilities are clearly seen and then hopefully acted upon — that's the challenge and opportunity.
To help make use of that gift more fully, Griet suggests one question she needs to keep answering is "How do I create the time and inner space to think and experience more deeply?"
In some ways, that is her life question. "It's all about creating simplicity in life and work — the best level of simplicity, in which our heart and mind have the time and opportunity to talk to us," Griet says.
The Bigger Room
Griet is one of a growing number of people who are exploring the possibilities in generative media making for themselves, organizations and communities. It's intriguing to see that the journey, dream and even business approach is very different for each person or group of people. We'll be telling more of those stories in the coming days and weeks.
Click here to visit Griet's Nieuwmakers site.
You can comment on this story below, or e-mail michelle(at)axiomnews.com.
Comment on, share or print this story:
Michelle Strutzenberger
Generative Journalist
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Axiom News content is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Stories may be reprinted in their entirety with permission and when appropriately credited.
Please contact Axiom News at
1-800-294-0051 for more information.
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Tiny Home Initiative Underway in Response to Housing Crisis
Catalyzing a Democracy Gestalt – From Critical Mess to Critical Mass: Oliver Escobar
Reclaiming Our Capacity to Produce Our Own Wellbeing: Peter Block
Seeking the Source of Regenerative Culture: Jenny Finn
Engage with Axiom News


text:
A Promotion for Miya Lee
An essential partner in the recent expansion of Modern Love, Miya has been promoted to editor of Modern Love projects. Read more in this note from Choire Sicha and Daniel Jones.
We're excited to announce that Miya Lee has been promoted to an editor on the Styles desk, working on Modern Love projects. Miya has been instrumental in the growth of Modern Love both as an editor of the new weekly column Tiny Love Stories, and as a co-host of the in-house rebirth of the "Modern Love" podcast. Her work also encompasses books, television and an array of special projects, including the pandemic-focused "Alone" and "Together."
Miya's work with Modern Love began six years ago when, as a freshman in college, she outperformed every upperclass applicant to earn a spot evaluating our college essay contest. She went on to work as a submission reader, joining The Times after graduation as the Modern Love projects assistant. Recently, her editorial work on Tiny Love Stories led to that feature being published as a book in December. The "Modern Love" scripted series streaming on Amazon Prime Video is entering its second season; Miya received a Publisher's Award for her teamwork on The Times's end of that project.
We are thrilled with how Miya has helped propel the success and reach of Modern Love and look forward to her thriving in her new role.
Choire and Dan
Innovations, News, Staff Updates
A Promotion for Tracy Ma
Sandra E. Garcia Joins Styles
New Fashion Reporter in Styles


I'm not a big Evanescence fan, but I've given their first two albums a spin or two, so I'm familiar with the content. I always thought it was rather ballsy of Amy Lee to name one of their tunes "Lithium". There's another "Lithium" in the rock world that you might be more familiar with and it sorta means a mega crapload to dudes my age.
Evanescence's "Lithium" is rather forgettable, but it's an awesome segue into one of my favourite songs of all-time.
FYI, going by this list you're not much of an electronic/dance music fan, but it might be of interest to you that The Real Lithium had somewhat of a renaissance last year, and featured in quite a few massive dance sets. If you don't check out any of the others, I highly, highly recommend the promo that Diplo put together - one of my favourite mash-up sets of all time. Completely flawless. And with added Lithium.
What's this Real Lithium you speak of?
I thought there was this electronic / dance song called "The Real Lithium" that I completely missed.


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News / Utah / Sub-sections: More sections »EducationKSL InvestigatesYour Life - Your HealthStaying SafeHomeless in Utah
Utah adoption organization gets creative to increase adoptions
By Sean Moody, KSL TV | Posted - Nov 11th, 2018 @ 8:59pm
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10PM: Utah adoption organization gets creative to increase adoptions
Sean Moody, KSL TV
SALT LAKE CITY — A Utah adoption organization hopes to get more children in permanent homes by helping potential parents see the kids in a different light.
The Utah Adoption Exchange unveiled 31 portraits of children who are available for adoption. The portraits were created by 20 photographers who volunteered their services.
The program is called the Utah Heart Gallery. The gallery of portraits will travel around Utah over the next year.
"These kids look like rock stars, really. These portraits are amazing. That's what they really are. These kids have been through hard times, but they deserve a family just like everyone else," said Kathy Searle, director of programs for Utah Adoption Exchange. "Being able to look into the face of a child and, if you see your son, your daughter, a relative of yours, then you believe that, 'Wow! This child could be a part of my family' and it's more real. It's more than just a number."
(Photo: KSL TV)
The portraits were unveiled at an event Wednesday evening in the rotunda of the Utah State Capitol. Each child received an 8″ x 10″ copy of his or her portrait. There were also six portraits of children who had been recently adopted — including siblings Nichole and Ray, who were featured in a Wednesday's Child segment on KSL in 2017.
"I honestly don't think we're going to find a home. I just feel like it's not in the cards for us," Nichole said during that story.
Wednesday evening, the two celebrated their adoption with their new parents. As they settle into a permanent home, Ray wanted to send some encouragement to other children still waiting to be adopted.
"Keep hope, because everything happens for a reason," he said.
The portraits will be on display in the Hall of Governors for the next week. They will then move to the Health and Human Service building until January. Starting in 2019, the portraits will travel across the state.
Wednesday's Child - Siblings in foster care don't believe they'll be adopted
Sean Moody
6-year-old Utah girl dies after being hit by golf ball on Orem course
DWR warns hikers about 'aggressive' bear seen in Big Cottonwood Canyon
Utahn suspected in girlfriend's death released from jail
Utah County Sheriff's Office mourns loss of K-9
Man arrested in connection to Utah garage fire
Recently fired man made bomb threats at Utah Lowe's, police say
Man charged in student's death appears in court as friends wonder, 'Why Mackenzie?'
Wildfire updates: Fires in Box Elder, Utah counties grow
KSL Weather Forecast


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Mielikki is the Faerunian God of the Deep Forest. She is also known as Our Lady of the Forest, or The Forest Queen.
People rarely speak of Mielikki except in quiet forest spaces. Woodlands that evoke wonder are where she reigns supreme, but she is said to keep watch over good folk in any forest, no matter how dark or cruel. When children are lost in the woods, people beseech Mielikki to protect them until they are found.
Mielikki is the goddess of the forest and teh creatures that live within it. She is seen as a remote and spiritual deity - less human-like than many other gods. She's not unmindful of people, but her attention and favour are difficult to attract. She is the patron of rangers in the same way that Milil is the patron of bards, but even rangers rarely pray to her directly. They instead pray to Gwaeron Windstrom, who they believe will carry their words to the goddess by tracking her to whichever forest she hides in.
Mielikki's symbol is a unicorn, which prompts some to think of her as such and conflate her with Lurue, Queen of the Unicorns and the actual goddess of their kind. But most tales depict Mielikki as a beautiful woman whom Lurue allows upon her back as a rider, and the two are thought to be boon companions. Mielikki's relationships with other deitities of the natural world are more complex. Silvanus is sometimes thought of as her father and Eldath is considered her sister, but Mielikki walks her own path through the wilds.
She has many shrines, particularly in the Savage Frontier. Most consist of a dead tree trunk into which has been carved a likeness of her holy symbol, a unicorn's head. Alternatively, the likeness might be carved on a separate piece of wood and tacked to a living tree. These shrines typically mark the point in a forest beyond which locals know not to cut timber or hunt. Often these tributes are created by loggers at the end of a logging excursion as a mark of thanks to the goddess for providing the wood and for keeping the timber cutters safe during their work.
The Emerald Enclave numbers worshipers of Mielikki among their number. Shrines to Mielikki are common in the Quivering Forest.


text:
CREATE TABLE updates (
    id bigserial NOT NULL,
    action json NOT NULL
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CREATE FUNCTION updates_notify() RETURNS trigger
    LANGUAGE plpgsql
    AS $$
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$$;

CREATE TRIGGER updates_insert_notify AFTER INSERT ON updates FOR EACH STATEMENT EXECUTE PROCEDURE updates_notify();

redpajama_set_name: RedPajamaGithub


Sindhu Darshan Festival is held every year on Guru Purnima (full moon day) in the month of June. It is held at Leh, in Ladakh District of Jammu & Kashmir. It continues for three days. It was first started in October 1997 and is being held every year since then. It is here that Lord Jhulelal was born. Sindhu Darshan Festival is an assimilation or religions, enthusiasm and adventure. It attracts large number of foreign as well domestic tourists.


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Rose Theatre, Kingston/St James Theatre, London (****/***)
© Mark Douet
Peter Hall and John Barton's The Wars of the Roses in 1963 was a defining moment, one of many for the RSC in the 1960s. Peter Brook's Marat/Sade and A Midsummer Night's Dream, The Cherry Orchard with Peggy Ashcroft, John Gielgud and a young Judi Dench – these were just some of the highlights during a first decade of the company's life when productions at the RSC were indeed events and happenings putting them at the forefront of British cultural life.But The Wars of the Roses was special. For one thing, it was long; Shakespeare's three Henry VI plays and Richard III reshaped into three plays – Henry VI, Edward IV and Richard III, played consecutively in a day to get their full impact. Together they made an epic retelling of the family blood-letting and war-torn rampage that marked 15th British history in the battle between the houses of Lancaster and York.
The Henry Vis were early Shakespeare, written in rhyme, and in recent times, easily parodied or as now copied in its internecine battles and violence for mass production by HBO's Games of Thrones, ironically stuffed to the gunnels with the best of British acting talent (Stephen Dillane, Iain Glen, Charles Dance to name a few).
But for Hall and his colleague, John Barton – Cambridge men both – Shakespeare's `apprentice' plays told an immense story about power, politics and cycles of revenge that spoke immediately to them and that era of cultural and social turbulence.
Fortunate enough to see that original production, they made thrillingly alive – and clear – the machinations of political ambition and manipulation, the ebb and flow of history and vacillating fortunes of the powerful as of the populace – its personalities, Margaret of Anjou, Suffolk, Warwick, the Yorkists forever alive in the imagination.
Trevor Nunn was then a fledgling student, watching the pageants unfold before him. His revival 50 years on of his mentors' iconic collaboration, at Kingston's Rose Theatre, itself created by Hall as a replica of the Rose Theatre on Bankside where the Henry Vis were first staged, is an act of homage as well as considerable chutzpah.
The history marathon of the '60s – as subsequent revivals by Hall and Nunn's successors, particularly Michael Boyd – were built on an ensemble of actors working together over a number of months if not years. Nunn's current ensemble will have been brought together just for this one event. To be running them together takes stamina as well as a shared sense of working together. That it succeeds as well as it does is a fantastic achievement and is due in no small part to the sheer momentum created by the plays' hurtling action and psychological portraits so cunningly edited, rewritten and reworked by Barton with Hall.
The Rose too proves a perfect setting, a wide open stage dominated by John Napier's two tiers of wooden platforms, embellished with worn and battered shields.
Nunn with associate director Cordelia Monsey dispenses generally with other props: a table, chairs, a throne, a medieval bath-chair for ailing monarchs and bishops suffice apart from – and these are crucial – heavy metallic swords.
John Bury's original design made much of the sound of leather and clanking armoury; so too Michael Boyd's stagings in Stratford and at the RoundHouse in 2007/8. One of the best things of this Nunn revival are the fights – of which there are many, expertly choreographed by Malcolm Ranson – swords flashing, smoke billowing, and cast dressed to the nines – including Joely Richardson's Queen Margaret in dashing silver chain-mail.
And that perhaps is one of the minuses of Nunn's revival. It's as though these productions have come down to us, intact, from the 1950s. After all the innovations and changes in theatre fashion of the past half century, the productions boast an old fashioned style about them, especially in the verse speaking – the plus being almost every word is heard!
With one appalling exception – and unfortunately in a pivotal role – the acting standard too is remarkably high with stand-out performances from a large cast including Alexander Hanson as Richard Plantagenet (later Duke of York), Michael Xavier as Lancastrian supporting, self-serving Suffolk, wooing and winning Margaret of Anjou for Alex Waldman's saintly king, Henry VI (a sweet, sufficient performance) and Alexandra Gilbreath making much of the usually thankless role of Edward IV's wife, Elizabeth Grey.
But apart from the overall achievement, Nunn's revival is likely to be remembered for Robert Sheehan's Richard. Like Ben Whishaw, plucked by Nunn to play Hamlet as an unknown, catapulting him overnight into the first rank, Sheehan's Machiavellian hunchback is likely to be as career defining.
Leaving aside the whole notion of deformity as a stereotype for evil, never mind Shakespeare's Tudor propagandising character assassination of Richard III, Sheehan's is a wonderfully refreshing take – the words tripping off his tongue with assurance, cunning, petulance and ultimately fear and conscience.
Shakespeare's villains so often end up struck down by conscience. Sheehan makes his Richard rendered a quivering wreck by those malign ghostly visitors wishing him ill on the eve of battle in Bosworth Field.
All in all, definitely a trip worth making if you like your theatre stirring, educational with lessons for today as ripe as ever.
And finally, a thought to ponder on from seeing this and other history cycles. When men butcher in war they become warriors, war heroes; a female revenging her cub (as here with Queen Margaret) is seen as a monster.
Shakespeare is rife with stereotypes. Over the years, they've come to be challenged. Happily, the resuscitation of Richard's reputation is one of them. Women as warriors is maybe another whose time has come.
Imagination of another sort has also been abroad this week.
© Annabel Vere
On a completely different note, award-winning writer/composer/songwriter Leslie Bricusse is being celebrated in a musical entitled Pure Imagination – a compilation of his best-known and other songs.
Bricusse it is who has penned some of this country's most favourite songs – hits like Goldfinger, If I Ruled the World, What Kind of Fool Am I, Talk to the Animals, the Pink Panther – his name associated with artists as varied as Harry Secombe, Anthony Newley, Shirley Bassey, Julie Andrews and Sammy Davis Jnr with whom he had a long friendship. His compositions for film and stage are legion: Doctor Dolittle, Victor/Victoria, The Roar of the Greasepaint, Scrooge, Stop the World I Want to Get Off and many, many more.
From Pure Imagination, you get a sense of a composer whose foremost outlook was one of optimism and the possibility of goodness in life. Devised by Bricusse with director Christopher Renshaw and producer Danielle Tarento (the latter, one of the powerhouses behind the recent string of musical successes at Southwark Playhouse) – the cast of five and live band whiz through over 50 of his numbers with huge aplomb.
Siobhán McCarthy, an unforgettable Mrs Lovett in the Sweeney Todd revival that started out in a pie shop in Tooting before graduating to the West End is again in fine form. So too, Dave Willetts, a musical `veteran' whose delicate pointing of lines makes you realise all over again the skill of matching mood to meaning. Lovely work too from Giles Terera – a singer of real pathos whose remarkable resemblance to Sammy Davis makes his singing of Davis's What Kind of Fool Am I all the more poignant.
Best of all, the `coda' finale, an all-cast funky rendering of `Feeling Good'. I'd always associated this number as being a creation of the incomparable Nina Simone. But no, turns out Bricusse wrote it with Anthony Newley for the 1964 stage musical, The Roar of the Greasepaint – The Smell of the Crowd.
Sit back and enjoy.
Pure Imagination is at St James' Theatre, London to Oct 17, 2015
The Wars of the Roses at the Rose Theatre, Kingston-on-Thames, London to Oct 31 2015
First published in Londongrip, Oct 2015
This entry was posted in 2015, Reviews and tagged Anthony Newley, Christopher Renshaw, John Barton, John Bury, John Napier, Leslie Bricuse, Peter Hall, Sammy Davis Jnr, Shakespeare's Henry VI plays, Shirley Bassey, Trevor Nunn, Wars of the Roses, all day marathons on October 10, 2015 by Carole Woddis.
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This recipe was created by Cape Grim Beef – it is healthy, simple, fresh, delicious and perfect for a light summer meal. Let us know how your version turns out on our Facebook page or our VIP Facebook Group!
Preheat a barbecue grill on high heat. Lightly spray the capsicum, zucchini and sweet potato with oil.
Cook capsicum skin side down on grill for 15 minutes or until charred. At the same time, cook zucchini and sweet potato for 7 to 8 minutes or until golden and tender. Place capsicum in a snap-lock bag. Seal bag and stand for 5 minutes. Peel and discard charred skin. Cut capsicum flesh into strips. Put vegetables aside on a plate. Cover loosely with foil.
Spray both sides of steaks with oil. Season with freshly ground black pepper. Cook for 3 minutes each side (for medium) or until cooked to your liking. Put on a plate, cover with foil and stand for 5 minutes.
Combine vinegar, oil and salt and pepper in a jug.
Slice steak across the grain. Put vegetables on plates, top with steak, sprinkle with basil and drizzle with oil mixture.
Always rest beef after cooking, as this allows the meat juices to redistribute (which provides a more moist and tender result).
Best beef steaks for barbecuing: fillet/tenderloin, rib eye/scotch fillet, sirloin/porterhouse/New York, T-bone, rump, round, blade and oyster blade.
Ensure the barbecue is hot before you cook. Your steaks should sizzle when they make contact.


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David Ewers graduated from Texas A&M University at College Station with a Bachelor of Arts in Political Science and Management in 1975. He went on to receive his law degree from St. Mary's University in 1979.
Mr. Ewers has been practicing law for over forty years, being a partner at Ewers & Toothaker from 1979 to 1988, an attorney at-law at Ewers and Peisen from 1988 to 1990, and practicing through his own firm, Law Office of David A. Ewers, P.C., from 1990 forward, before joining Villeda Law Group of counsel in 2022.
Member, State Bar of Texas
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State Bar Grievance Committee Area 12B, 1996-2001
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McAllen United Methodist Church Board of Directors Trustee, 1987-1991
Bible Study Fellowship, 1993-1999
Bible Study Children's Leader, 1996-1999
Boy Scouts of America Troop Leader, 1990-1992
American Cancer Association Director
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Associate director to Jefferson Savings and Loan, 1980-1982
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What are the relative costs and outcomes of different food aid products or programs?
Webb, Patrick, Beatrice Lorge Rogers, Irwin Rosenberg, Nina Schlossman, Christine Wanke, Jack Bagriansky, Kate Sadler, Quentin Johnson, Jessica Tilahun, Amelia Reese Masterson, Anuradha Narayan. 2011. Improving the Nutritional Quality of U.S. Food Aid: Recommendations for Changes to Products and Programs. Boston, MA: Tufts University.
Suri, D., et al. (2013). "Protein Quality Workshop: Importance of Protein Quality in Prevention and Treatment of Child Malnutrition." Food & Nutrition Bulletin 34 (2): 223-223.
Shoham, Jeremy, et al. "Proceedings of the World Health Organization/UNICEF/World Food Programme/United Nations High Commissioner for Refugees Consultation on the management of moderate malnutrition in children under 5 years of age." Food and nutrition bulletin. Vol. 30. No. 3 (Supplement). United Nations University Press, 2009.
Stone-Jimenez, Maryanne. "Preventing Moderate Acute Malnutrition (MAM) Through Nutrition-Specific Interventions." (2014).
Webb, Patrick. "Standards of Evidence for Research on 'What Works' in the Management of MAM." (2014).
Annan, Reginald A., Patrick Webb, and Rebecca Brown. "Management of Moderate Acute Malnutrition (MAM): Current Knowledge and Practice."(2014).
Webb, Patrick, Erin Boyd, Saskia de Pee, Lindsey Lenters, Martin Bloem and Werner Schultink. "Nutrition in Emergencies: Do We Know What Works?" Food Policy 49, (2014): 33-40.
- Which products are the most effective at improving nutritional outcomes and cost the least?
Cost-effectiveness of the treatment of uncomplicated severe acute malnutrition by community health workers compared to treatment provided at an outpatient facility in rural Mali.
Read more about Cost-effectiveness of the treatment of uncomplicated severe acute malnutrition by community health workers compared to treatment provided at an outpatient facility in rural Mali.
Read more about The investment case for folic acid fortification in developing countries.
Read more about Evidence-based interventions for improvement of maternal and child nutrition: what can be done and at what cost?


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I've been having a hard time forgiving myself. I can't face looking and the mirror and not feeling like crying. I've told myself this year things would change and I would help myself get through this, why do I always lie to myself? My chest feels so heavy and it's really heard to breathe. I also have this feeling in my stomach like I'm really nervous but for no reason at all I've tried explaining this to my mother but she just gave me peptobismol. This is kind of like 2 years ago when I told her I thought I had depression and she said it was just a teenage thing and it'll pass in a week or so. I'm so alone. It's all my fault I isolate myself from everyone.
You should seek someone who can fully hear and listen your sentiments without judging you. I know that not everyone can understand you but I assure you, someone does – that someone can be a stranger, perhaps a friend of yours, your former classmate, etc.


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Here's Everything You Need to Know About Season Five of 'Lucifer'
The fifth and final season is going to be "crazy," say the show runners.
FOXGetty Images
You can't keep a fallen angel down. After being cancelled by Fox and picked up by Netflix, supernatural drama Lucifer was recently renewed for a fifth and final season, and filming is now underway. "We are so incredibly thankful to Netflix for resurrecting our show last season, and now letting us finish the story of Lucifer on our terms," said show runners Joe Henderson and Ildy Modrovich of the renewal. "Most importantly, we want to thank the fans for their incredible passion and support. The best is yet to come!"
Here's everything we know so far about Lucifer's upcoming final season.
When is the Lucifer Season 5 release date?
No date has been set for season 5 yet (we don't have a trailer yet, either), although a 2020 release is likely, with all episodes dropping simultaneously on Netflix.
And while fans are already mourning the end of the show, there is a little bit of good news— Netflix has extended the order for Lucifer season 5, and the show's final season will be 16 episodes, instead of the previously announced 10. We also know that the final season will be released in two separate parts, similar to the final season of fellow Netflix show BoJack Horseman.
"Season five of Lucifer is going to be split into two halves," Tom Ellis recently said during an appearance on The Kelly Clarkson Show. "Netflix is going to drop eight episodes, there's going to be a little break, and then they're going to drop another eight more episodes."
Hot of the press!!!! @LuciferNetflix final season will be 16 episodes!!!!!
😈#lucifer https://t.co/V1aT93QirA
— tom ellis (@tomellis17) July 26, 2019
Will the main cast be back for season 5?
Tom Ellis, who plays the titular character, will of course be returning. Ellis recently told Men's Health that he got into the best shape of his life ahead of filming season 4, so we can probably expect Lucifer to be ripped as hell when the show comes back from hiatus. Cast regulars Kevin Alejandro, Lauren German, D.B. Woodside, Scarlett Estevez and Lesley-Ann Brandt are all also coming back.
thanks to the lucifans, #lucifer's story will come to an end the way it should: the fifth and final season is coming to @netflix. pic.twitter.com/EvknS5AVHK
— Lucifer (@LuciferNetflix) June 6, 2019
Filming for the season has recently begun, and Tom Ellis posted a funny behind-the-scenes video from the set. The actor said that filming was "hot in more ways than one."
The first week on set of #lucifer #luciferseason5 @lucifernetflix was 'Hot' in more ways than one. Thank you @joshstyle for providing my industrial strength hand fan (and the video.) I think Kelsey @peggithepirate from our sound department appreciated it too! 😈💦
A post shared by Tom Ellis (@officialtomellis) on Sep 14, 2019 at 7:42pm PDT
It was also recently announced that Dennis Haysbert has been cast in a very important role. Haysbert will play God, and his role will see him spend time with his sons Lucifer and Amenadiel, who are played by Ellis and Woodside, respectively. This also marks the first time that God will appear on the series.
Are you guys looking forward to the upcoming fifth & final season of 'Lucifer'? Comment below! - #Lucifer #LuciferMorningstar #Constantine #God #Cain #Eve #ChloeDecker #Amenadiel #Mazikeen #CrisisOnInfiniteEarths #Arrowverse #DC #DCComics #WB #WarnerBros #Netflix #Sandman #VertigoComics #DCVertigo #TV #TVShow #ComicBooks
A post shared by TheNerdyStation (@thenerdystation) on Jan 6, 2020 at 1:45pm PST
What can we expect from Lucifer's final season?
Season 4 ended with Lucifer finally returning to the underworld and picking up his old mantle of King of Hell, although his experiences on Earth have definitely changed him. And while specific story details remain scarce, Lucifer season 5 promises to be wild. "We do have an idea," Modrovich told Entertainment Weekly. "It's an idea that when it came up in the room, we went, 'Oh god, that's crazy.' Then the more we talked about it, the more we went, 'And brilliant.'"
How can we watch season 5?
Season 5 of Lucifer will stream on Netflix, like the fourth season before it, with a run of sixteen episodes.
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Le Roald Dahl Museum and Story Centre est un musée situé dans le village de Great Missenden dans le Buckinghamshire. Consacré à l'auteur Roald Dahl, celui-ci y a vécu durant 36 ans jusqu'à sa mort.

Il a été inauguré le  par Cherie Blair.

Notes et références

Musée fondé en 2005
Musée dans le Buckinghamshire
Roald Dahl

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