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Bale Ready for Real Bow
Carlo Ancelotti has announced that world-record signing Gareth Bale is ready to make is long-awaited debut for Real Madrid on Saturday.The Welsh wizard has been the subject of a transfer...
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World Cup Qualifiers: Ukraine 0-0 England
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World Cup Qualifiers: England 4-0 Moldova
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Premiership: Liverpool 1-0 Man Utd | Arsenal 1-0 Tottenham
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Champions League Play-Offs: Arsenal 2-0 Fenerbahce (Agg 5-0)
Champions League Playoff: Arsenal Wins
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Tue, 27 Aug 2013
English Premiership: Manchester United 0-0 Chelsea
Manchester United 0-0 Chelsea
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Cardiff City beat Manchester City 3-2 in the English Premiership
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Premiership: Fulham 1-3 Arsenal | Aston Villa 0-1 Liverpool
Fulham 1-3 Arsenal
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EL: Dinamo Tbilisi 0-5 Tottenham | Swansea 5-1 Petrolul
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Thu, 22 Aug 2013
Champions League Play-Offs: Fenerbahce 0-3 Arsenal
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CLPlay-Offs: Karagandy 2-0 Celtic | PSV 1-1 AC Milan
Shakhter Karagandy 2-0 Celtic
Celtic slipped to a shock defeat in their Champions League qualifying playoff in Kazakhstan, losing 2-0 and having a mountain to climb if they wish to progress...
English Premiership: Manchester City 4-0 Newcastle United
Manchester City Off to a Flying Start
Manchester City started their Premiership campaign on a victorious note by defeating Newcastle United 4-0. David Silva and Sergio Aguero scored a goal each...
English Premier League news: Crystal Palace 0-1 Spurs
Crystal Palace 0-1 Tottenham Hotspur
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English Premiership: Liverpool 1-0 Stoke | Swansea 1-4 Man Utd
Liverpool Wins League Game against Stoke City
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England v Scotland Preview
The first England v Scotland match took place in 1872, making the oldest fixture in international football. Tomorrow, the two nations will come face to face again, for the first...
Wigan 0-2 Manchester United
David Moyes won his first trophy with Manchester United, as they won the Community Shield by beating Wigan Athletic 2-0.In a match that pitted last years FA Cup winners against...
Fri, 9 Aug 2013
A New Bundesliga Season Gets Underway
Bayern Munich get the new Bundesliga season underway with a Friday night clash against Borussia Moenchengladbach at the Allianz Arena.The all German Champions' League final in May has heightened interest...
Thu, 8 Aug 2013
Real Madrid beat Chelsea 3-1 (Pre-Season)
The Pre-Season International Champions title has been won by Real Madrid, after they landed a 3-1 victory in Miami last Wednesday night. The Spanish side defeated Chelsea to win. Ronaldo...
Tue, 6 Aug 2013
Rumours of Newcastle's interest in Stewart Downing transfer
As Brendan Rodgers is continuing to mould his Anfield squad, rumours are circulating that Stewart Downing could be the next Liverpool player to be given the boot. Some media sources...
Mon, 5 Aug 2013
Emirates Cup won by Galatasaray, Pre-Season win
Arsenal were denied a victory by Didier Drogba as he scored two late goals. Galatasary entered the match one goal down, a loss soon remedied by Drogba who lead the...
Pre-Season: Chelsea 2-0 Inter Milan
Chelsea defeated Italian giants, Inter Milan, 2-0 in an International Champions Cup quarter-final clash in Indianapolis on Thursday night. Chelsea came out of the blocks faster and scored an early...
Wed, 31 Jul 2013
Serie A Fixtures Announced
The fixtures for the new Italian Serie A season have been announced, with Juventus the defending champions of the competition.With sides such as Inter Milan, AC Milan and Roma all...
World-Record Bid for Bale Rejected
Tottenham's Gareth Bale is sweating over a dream move to La Liga after a world-record bid of £82 million from Real Madrid was rejected. Spurs chairman Daniel Levy is reportedly...
Thu, 25 Jul 2013
Bayern 2-0 Barcelona
Pep Guardiola got the rub over on his old side, as his new team Bayern Munich beat Barcelona 2-0 in a friendly.Guardiola has been out of the game for a...
Pre-Season Friendly: Yokohama Marinos 3-2 Man Utd
Man Utd suffered a disappointing reverse with a 3-2 defeat against Japanese team Yokohama Marinos on Tueaday. This makes it two defeats out of three for new manager David Moyes,...
Tue, 23 Jul 2013
Gerardo Martino becomes new Barca manager
Tito Vilanova has stepped down as Barcelona's coach after after suffering a relapse of throat cancer he has been battling for some time. The 44-year-old Spaniard had a tumor removed...
Barcelona Boss Vilanova Quits Due to Cancer
As Barcelona boss Tito Vilanova continues to undergo treatment for throat cancer, he has been forced to quit his role at the Nou Camp. Vilanova has spent five very successful...
Mon, 1 Jul 2013
Brazil 3-0 Spain
Brazil claimed their first major trophy in a while, as they beat Spain 3-0 in a superb performance to lift the Confederations Cup.Playing in front of their own fans, the...
Spain 0-0 Italy (7-6 on pens)
Spain progressed to the Confederations Cup final in the most dramatic fashion, as they beat fellow European side Italy on penalties to reach the final.The defending World Cup holders were...
FIFA Confederations Cup Semi-Final: Brazil 2-1 Uruguay
FIFA Confederations Cup: Brazil Wins their Semi Final Match
In a match where two South American teams were fighting with each other in order to earn their passage to FIFA Confederations...
Guardiola Takes Control at Bayern
Pep Guardiola took control at German giants Bayern Munich on Wednesday - charming the world's media in the process.The Spanish legend knows he has an extremely tough act to follow,...
Brazil 2-0 Japan
Hosts Brazil continued their excellent start to the Confederations Cup. They are now certain to progress to the semi finals. They beat Mexico 2-0 in Fortaleza with consummate ease to...
FIFA Confederations Cup: Tahiti 1-6 Nigeria
FIFA Confederations Cup: Nigeria Wins Their First Game
Nigeria predictably started FIFA Confederations Cup on a winning note by scoring half a dozen goals against Tahiti. The strong team of Nigeria...
FIFA Confederations Cup: Mexico 1-2 Italy | Spain 2-1 Uruguay
Brazil Gets Off To A Perfect Start
Brazil starts their campaign in FIFA Confederations Cup on a perfect note by crushing Japan to a 3-0 defeat. The goals scored by Neymar,...
FIFA Confederations Cup 2013 Fixtures
Group A: Brazil v Japan 15 June in Brasilia Mexico v Italy Tickets 16 June in Rio de Janeiro Brazil v Mexico Tickets 19 June in Fortaleza Italy v Japan...
Wed, 12 Jun 2013
Spain 2-0 Republic of Ireland
Spain warmed up for the Confederations Cup in some style, as they beat a respectable Republic of Ireland side 2-0.With the tournament being held in Brazil, there is pressure on...
Brazil 3-0 France
Brazil beat France 3-0, although this time it was in an international friendly. They hadn't beaten the French for 21 years since this current victory. It was an ideal way...
Fri, 7 Jun 2013
Rio Ferdinand testimonial details
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Thu, 6 Jun 2013
Summer Transfer Rumours: Liverpool considering bid for Tevez
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Tue, 4 Jun 2013
Jose Mourinho returns to Chelsea
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Brazil v England friendly to go ahead despite safety concerns
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Friendly: England 1-1 Ireland
England and Ireland meet
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England v Ireland Preview
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Tue, 28 May 2013
Championship Play Off Final: Crystal Palace 1-0 Watford (AET)
Palace Win Playoffs
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Champions League Final: Borussia Dortmund 1-2 Bayern Munich
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Friendly: Manchester City 4-3 Chelsea
Man City defeat Chelsea in a close match
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Rio Signs on at Old Trafford for Another Year
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Mourinho Set for Real Madrid Exit
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Premiership: West Brom 5-5 Man Utd | Chelsea 2-1 Everton
English Premier League: 10 Goals Scored in a Match
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You are here: Home / summer 2014 / Kazimierz
23 June 2014 /in summer 2014 /by Ula Klobuszewska
Kazimierz, a district of Poland's southern city of Krakow, has historically been a sector of the city rich in Jewish culture. The Vistula River marks as a natural boundary, separating Kazimierz and Krakow's center. In the year 1494, a large fire destroyed most of Krakow and consequently the Jewish townsfolk were scapegoated for this incident. As "punishment", all Jews were expelled from the Krakow, but allowed to reside in the Kazimierz section, due to its physical separation from the city.
Photo by Samantha Krezmien
The name Kazimierz is taken from King Casimir from the fourteenth century ruler who made great strides during his reign, establishing over 65 cities and several universities. The King was also known for his mild manner and decent attitude of Jews, he gave them privileges and freedom, a rarity during this time.
Located in Kazimierz are 7 synagogues, 4 of which are still used today. Alte Schul, the country's oldest synagogue, was built in 1477. It contains 2 entrances, one for men and the other for women. The women's entrance was added to the structure in the 17th century and led to second floor of the building. During services women watched down from a northern window and participated separately from the men.
Photo by Taryn Mogavero
Additionally, a former Jewish cemetery is located in the courtyard of the temple. During Nazi occupation, the courtyard was used as a garbage dump, subsequently destroying majority of headstones and memorials. Today, salvaged headstones have been placed upright in rows to memorialize those buried there– even though the person buried below doesn't correspond to the headstone above.
Broken and shattered headstones have been laid into a wall, held together by mortar, creating a mosaic of grave markers. The eerie conglomeration of stones making up this wall gave us chills. The sight of so many pieces is very symbolic of Nazi impact on Jewish culture. The ability to ruin families and shatter lives and eventually repair and try to fix the damage is greatly represented at this site.
The city had not faced destruction during the Second World War. Kazimierz was well preserved by Nazis during their occupation of Poland. This apparent conservation of the district was intended to be used by Nazis as a site of a potential museum to commemorate the extinction of the ethnicity they loathed so much.
Before the Second World War, Kazimierz Jewish population averaged to about 65,000 people. Today, the population of Jews registered in this area is roughly 110 people. This extreme decline in population is a direct result of the Holocaust and ethnic cleansing that took place from 1933-1945 in Europe.
Krakow today hosts a local Jewish Community Center (JCC) which was established in 2008. Through the work of Prince Charles, private donors and Joint Distribution Committee, this community associated with this center is made up of about 500 members. The Jewish culture in the former Kazimierz district has been relevant for nearly 500 years. The JCC aims to preserve the culture and tradition of the religion and ethnicity in the area due to its significant impact on Krakow's Old Town history.
By Taryn Mogavero and Sam Krezmien
Tags: Cracow, Kazimierz, Poland
http://urbanlabsce.eu/wp-content/uploads/2014/06/Kazimierz4.jpg 669 891 Ula Klobuszewska http://urbanlabsce.eu/wp-content/uploads/2014/05/Logo-urbanlabs1-300x84.png Ula Klobuszewska2014-06-23 16:11:182014-06-23 16:15:00Kazimierz
Auschwitz: Graveyard or Media Platform
The New Jewish Cemetery in Wroclaw
I Went to a Far-Right Nationalist March on Poland's 100th Independence Day
I Am Still Here
A Major Identity Crisis
The "Other" Jewish History
Creating Identity Through Dialogue
Poland's Elections: A Grim Future?
The New Jewish Cemetery in Wroclaw Memorial to the Sinti and Roma Victims of National Socialism

redpajama_set_name: RedPajamaCommonCrawl


A jazz trio where the song and the melody is the main thing. A conspiracy between piano, drums and double bass to create different intensities. The live robust sound of Naima's songs is remarkable throughout the records and touches a raw nerve in the listener's brain.
"Bye" the upcoming new album from Naima, will settle a new landmark on the career of the band. First global distribution thanks to the agreement with the Maryland based company, Cuneiform Records, will be released on 2016 January.
Naima works on different intensities, making a journey out of each song. A journey through Mediterranean villages, heading north in search of sounds that surround us with warmth as if we were in a Scandinavian city.
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Strongroom Studios (London), June 2015.
Air Studios (London), July 2015.


While most of the cycling world has been focused on the Cobbled Classics and Ardennes Classics in recent weeks, the cycling fans of Brittany in north west France had their own race to celebrate. Tro-Bro Léon is not a Monument, it's not even a 'classic', but what the UCI1.1 race lacks in prestige it more than makes up for with character. Husband and wife team Jered and Ashley Gruber went to Tro-Bro Léon last weekend and send back the following story and photos from a race that really does deserve more attention.
They call Tro-Bro Léon the Petit Paris-Roubaix and L'Enfer de L'Ouest – the Hell of the West. The nicknames sound nice — it seems every great race needs a nickname — but Tro-Bro Léon doesn't need the Roubaix comparisons. It's a proud event that stands quite well on its own two feet.
There's no comparison between the cobbles of northeastern France and the dirt farm paths of northwestern France and none should be attempted. The cobbles are the cobbles, they're like nothing else. So too are the 25 secteurs of dirt — ribinoù — that define Tro-Bro Léon. The ribinoù are simple, just tiny farm paths that criss-cross fields and connect paved roads throughout the region. The are generally just two hard-packed pieces of dirt linked by a grassy median in the middle. Double-track.
The fields outside of Roubaix, with their ancient cobbled sectors in the middle of nowhere, seem lifeless when you compare them to Brittany, a region so steeped in culture and history. Legends and myths have sprung from its verdant landscape, and its own language and culture have not only survived the centuries, but continue to thrive.
The Bretons are a people apart, and their land is the same – perched far off in the north-western tip of France's hexagon, unsheltered from the battering ram of the North Atlantic. Up until recent times Brittany was an independent realm, more British than French. The region is French now, so French is spoken and seen everywhere, but along with the modern language, the Celtic language, customs, music, and culture flourish.
Brittany is one of six Celtic nations: Brittany, Cornwall, Ireland, the Isle of Man, Scotland, and Wales. In other words, it's not like the Roubaix's Departement du Nord. Not even close.
Ashley and I promised each other we'd return to Tro-Bro Léon in 2014, but we nearly opted for Amstel Gold. No matter what we get from Tro-Bro Léon, it's still not Philippe Gilbert, it's still not the biggest riders. It's somewhat hard to make a case to a team like Garmin-Sharp — whom we work for — that we're going to shoot a small UCI1.1 race, ten hours from where the team will be on that Sunday. But we wanted to do something different.
Despite the 16+ hours on the road, it felt like a vacation — a tiring, extremely busy vacation with little sleep — but there was no stress. The stress of the cobbled classics, and the upcoming races, everything, it seemed to go away. We shot this because we love the race and love bike racing. We shot this like fans with the best seat in the house.
We came with hedged expectations both years and left speechless, wondering how it was ever in doubt that we'd come. The race showed so much of the region, from its unbelievably beautiful coastline, to its green, farmed expanses in the interior. The stone houses, slung low to the ground, built to withstand the outrageous weather of the region, the equally stout churches, the weathered people, their respectful excitement for the race differed so much from the near psychosis of Roubaix the week before.
Roubaix's excitement seemed built around alcohol and excess (what about Roubaix isn't excessive? Isn't that where its greatness lies?) The excitement around Tro-Bro Léon wasn't in excess, but in its humility. The race is modest and small when compared to a Monument like Roubaix or the Ronde van Vlaanderen, but its simplicity merely emboldens its essence: it's the jewel of the region's cycling culture.
It's Brittany's most beautiful, and its people showed up in droves to enjoy their race. They weren't crazy get-in-your-face fans looking to cause a scene, throwing beer or shouting obnoxious things at the riders. They were families, men, women, young, old, out to enjoy a day out and watch a race that embodies their region: hard-working, tough, salt of the earth, proud. The race puts Brittany on display, honours it, holds it high for everyone who is willing to take a look. The people come to appreciate and enjoy being a part of the scene, rather than taking over the scene.
In the end, in front of a packed crowd in Lannilis, it was Cofidis's Adrien Petit who took the win by a mile over his breakaway companion, Big-Mat's 23-year-old Flavien Dassonville. It was Petit's first professional victory on European soil (he took a stage win at La Tropicale Amissa Bongo last year). Remember Arnaud Demare's win at the U23 World Championships in Copenhagen a few years ago? Petit was right behind him.
The race was aggressive, as every French Cup in history seems to be. Petit and Dassonville got away late in the day, battered out to a decent gap, and had more than enough time to take a moment to think about the final sprint, before Petit opened it up and won by three seconds on the line.
Flats were a major issue. As one person said, many a tubular met an honourable end on the dirt on Sunday. IAM came out of the day extremely well with only five flats, but unfortunately, they came at extremely bad moments. Some teams were in the double digits for flats. Ashley saw one rider in the break flat three times on consecutive secteurs.
For the second year in a row I had a chance to shoot the race from a motorbike. It was only the third time I've done that (Tro-Bro Léon, Tour of Beijing … and Tro-Bro Léon) while Ashley got her first ever chance to shoot a race from a motorbike. From the motorbike, I saw something that I don't normally get to see from the roadside, crouched in a ditch or swung high above the crowd. I saw the race. I saw the roads they raced on, up close, all day. I saw the front, the back, the aggressors, the aggressed. I saw suffering.
The racing was full gas from kilometre zero. Winds howled across the generally open expanse of the land and beat the race into an array of different pieces after only a few minutes. The race hit the seaside, and while I marvelled at the blue water, the rocky coastline, and the road built along its edge, the riders put their heads down, and hoped for the grumpy wind to blow at a friendlier angle soon, hoped for better legs, hoped for an easing of the pace, so they could find a more compatible spot in the group for their aspirations.
Each time I gawked at a town and its happy cheering fans, each time my jaw dropped along the Atlantic coast, each time I caught myself dreaming of riding my own bike across these roads, there was a rider edging ever closer to done.
I wanted to wave at every fan, smile at them, let them know how much they mean to this race, how they make up a huge part of its soul. On that Sunday, I appreciated them like I had never before. There was something so pure; it was energising.
As the race went on, I saw riders drift slowly off the back – off the back of the group, off the back of the break, right out of the top ten. Done. They had nothing more to give. There was no violence, no last-ditch effort, no Voeckler tongue, no tossing of the bike with powerful purpose, no point where you could say "they're digging deep". Those times were long gone. The shut up legs, the HTFUs, the standing struggle, the drops, the tops, the hoods, the coming off the nose of the saddle. All options had been exhausted, the rider was left with nothing, and when the bell tolled at last for its victim, there was nought he could do but accept his fate and let go of the day's dream.
I saw the race from a privileged position. I saw landscapes that made me talk to myself, that made me reach down for my camera, only to realise that it was probably best to just look at them. I saw suffering like I had never seen it before, and I saw it from a foot away. I've suffered the same way on a bike but I've never been in such close proximity to someone whose heart and legs were near explosion, and I was just meandering along with a camera. I felt bad to be so close to them. I felt like they needed more room to suffer in their own private quarters, in peace.
I saw riders crash. I saw the wide eyes of the recognition of a broken bone, the acknowledgement that they'd lose opportunities and time, and maybe, by way of this impact, a lifetime's dream cast asunder. I saw fear, I saw anger, I saw desperation, I saw resignation in the eyes and bodies of the dozen crashes that left the newly injured – moments before so focused on their survival and possible success – without an answer.
They stood there – just a crudely cradled arm, a grimace … and we were gone. Their misfortune was somewhere behind us. In front of us, riders dangling unceremoniously in ones and twos at the end of the race that devoured all but the strongest … and luckiest.
We drove along, roaring across the quiet Sunday landscape, trying to keep ahead of the break and the field, trying to find something special, something memorable. It was all memorable.
From pavement to dirt and back again, 25 times, up, down, almost always exposed. The land, the wind, and the race their toll, over and over again.


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Academic Articles Awards > Cross-border Issues
Regulatory Leveraging: Problem or Solution?
William E. Kovacic and David A. Hyman, GWU Law School Public Law Research Paper No. 2016-41; GWU Legal Studies Research Paper No. 2016-41; University of Illinois College of Law Legal Studies Research Paper No. 16-30; King's College London Law School Research Paper No. 2016-38, August 2016
Click here to read the full article online
Worldwide, there are approximately 130 jurisdictions with competition laws. The governmental entities charged with enforcing these laws are typically called "competition agencies," but many of these entities do things other than competition law. Of the 36 agencies listed in the Global Competition Review's 2015 annual review, half have responsibilities beyond their competition portfolio. Assume a competition agency that has significant regulatory power, such as the right to review certain mergers before they are consummated. Pursuant to this authority, the agency determines how quickly mergers are cleared, or whether they can proceed at all. This regulatory power is the functional equivalent of the market power that some private firms enjoy. Further assume that the agency has responsibilities beyond its competition portfolio — say, with regard to privacy and data security. A firm seeks the approval of the agency to merge with another company. What should we think if the agency uses its regulatory power in policy domain A (i.e., merger approval) to extract concessions with respect to policy domain B (i.e., privacy and data security)? Is that a good idea or a bad idea? Does your response differ if the agency is using its regulatory authority in policy domain A to obtain concessions that it could not obtain, or could realize only with great difficulty, if it focused solely on the behavior of the firm in policy domain B? What if the agency is using its regulatory authority in policy domain A to obtain concessions in policy domain B that would be unconstitutional if it sought to impose them directly? Does it make a difference if the agency has no regulatory authority over policy domain B? Stated bluntly, is regulatory leveraging a troublesome problem — or a useful solution? We describe leveraging in the private and public sectors; analyze four case studies of public sector leveraging; consider the costs and benefits of regulatory leveraging; and offer several suggestions for increasing the likelihood that leveraging is used for pro-social ends. We also briefly describe the leveraging of regulators.


The great houses of Kansas City weave a rich architectural tapestry, filled with exquisite detailing and sumptuous effects.
Kansas City Houses 1885-1938 reveals the architectural treasures built during the city's boom years. This is the first book to survey the rich architectural heritage of this major Midwestern hub, which straddles the state line between Kansas and Missouri. Architectural historian Michael C. Kathrens spotlights the work of highly accomplished architects, many based in Kansas City who have long been overshadowed by their high-profile East Coast counterparts. He places the significant but little-known architectural legacy of Kansas City in a historical context and traces the development of the city's exclusive residential neighborhoods starting in 1857, which helped transform the once rough-and-tumble town into a fashionable city with tree-lined blocks populated by handsome houses and private clubs.
Kathrens thoroughly documents forty superb houses that reflect the outsized fortunes of influential Kansas Citians who built them. Included are Oak Hall (1887), designed by Frederick E. Hill for newspaper publisher William Rockhill Nelson, who helped establish the Nelson-Atkins Museum; Marburg (1895-1896), the mansion of minerals magnate August R. Meyer designed by Van Brunt & Howe; Corinthian Hall (1910), lumber baron Robert A. Long's classical Beaux Arts style mansion designed by Henry F. Hoit; the homes of oilman Ernest C. Winters and Walter E. Bixby of Kansas City Life Insurance, both designed by Edward W. Tanner (the Bixby residence notably features interiors by Kem Weber); Bernard Corrigan's mansion (1912-1913) designed by Louis S. Curtiss with a nod to the Vienna Secession; and two houses by Mary Rockwell Hook, one of the first women to study at the Ecole des Beaux Arts in Paris. These residences-mostly done in revival and Beaux-Arts styles-embodied a distinctly Midwestern sense of moderation that, in the houses still standing, continue to define the city's best neighborhoods developed almost a century ago.
Kathrens's authoritative yet accessible text is complemented throughout by drawings, floor plans, archival images, and newly commissioned photographs, documenting both the exterior and interiors of each house.
Kansas City Houses 1885-1938 includes architects' biographies and a catalog of 62 additional houses, bibliography, and index.


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I find ToughLie 360 to be an excellent tool for junior golf. We use it in our junior clinics, lessons, and PGA Junior League practices. This product allows us to create fun challenges for our golfers. We can add variety to our practices by having juniors hit towards targets from eight different lies. No longer are they simply hitting 7 irons from an even lie. Now we can practice a 5 iron punch shot on a downhill lie, followed by a wedge from a sidehill lie. This truly adds purpose to our practices. It's also an educational tool as we can test kids on the various ways that an uneven lie or uneven lies impacts ball flight.
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I have issue with keeping muscles and losing body fat. When I try to gain I gain 1:1 muscles vs body fat or sometime more fat and same wise versa losing time 1:1. When Looking lose more muscles than fat. Currently I am 147 lb weight and 15.6% body fat% at 5.7ft height.
I am doing workout from many years but not every months with strict diet and strict program. I am software eng. So very normal office job/simple sitting on chair.
From Last 5-6 month I am doing very proper program and very strict diet with some nutritionist's help. Did varieties of program and changed at every 5-6 weeks. Eating 6 times a day and counting all my calories. Eating ratio changing depend on gaining or losing. (25%f/40%c/35%p) or sometime for shredding (25%f/25%c/50%p). Eating depend on plan between 1600-2600 kcal. Also I am pure vegetarian.
And I don't do cheating or cheat meal and tracking all my workout and nutrition with myfitnesspal. Working doing great with proper Tempo and proper intensity.
See here is my last few month's weight tracking.
Only one time I got proper result that I know when I did circuits and strength training.
Now what I should change or try? My goal is 165lb with 10% body fat.
So as per that I lost 7.3% bf, 12 lb fat and gain 6 lb muscles.
I am little bit confuse with that result. If it's really true than I did great progress.
This is more of a comment but way too long to put in comments.
Your graph is flawed to start with. Your body is made up of more than fat an muscle. I know you are simplifying things and I get that but you have a set of "bone"/organ weight and you have water weight that will move drastically from day to day.
The other thing that is flawed is the calculation of body fat percentage. Unless you are being submerged in a water reader, the chances of this being accurate are very low. For instance if I run and fast for a half a day I can be read at 1% less body fat. Did I really lose 1% of my body fat by running and not eating?
Next your focus is not correct. I am not sure I am defying new logic here but I have trained people for over 25 years and was once lifting enormous amounts for my weight. Point being you are tracking muscle when the goal should be strength. Of course you are not going to keep strength by yo-yoing your caloric intake and routine all the time. And the results you are seeing are the exact results that almost everyone sees with this pattern. Nothing. You gain weight you get more "muscle". You lose weight you lose "muscle". Look at your ratios - you might as well just measure your weight as the other two variables aren't moving independently.
The only way out of this circle is to defocus on weight and calories and put your focus on strength training. For the short term caloric intake should be ramped up by 20-30% and include a balanced diet. You should get on a sustainable lifting routine that is high intensity with a low time commitment you can do 4-5 times per week. It is simple don't do this and expect the exact same results for years.
Workouts should focus around your core but can certainly include shoulders, chest, and arms. The problem you have is that you don't have the body foundation to handle not strength training for your expectations. You can't gain 25 pounds of muscle (doing the math you want to gain about 18 pounds and lose 7 pounds of fat) without eating a ton more and ramping up the intesity of your weight workouts.
If you are doing moderate weight workouts while eating more then less then more then less... You are basically sabotaging any chance of gaining strength.
Find a weight lifting program that works for you.
Track you max lift on at least 5-6 base lifts (squats, deadlifts, push press, bench, curls, tricep extension, pull-ups, whatever). Check the change percentage of these on a monthly basis. 90% of your success should be based on this.
Eat extra calories until you are at least 155-160. Scale back slowly if you are gaining too much.
Once you get 8-12 months into a base intense lifting program you have options. You may be still getting good gains and want to continue - this is the best outcome for you. You could have gained so much strength that you want to scale back. This could happen and you could move to more of an aerobic/rep-centric lifting program. You could have very little change. Then you need to evaluate if you can sustain a lifting program and possibly increase both intensity and time spent.
Long-term realistically - I am not sure where you strength level is - you are going to have to increase your strength by 30-200% get to 170-175 and then slowly tune down calories until you hit your goal. You will always lose strength when losing weight. Always. So you have to have "extra-strength" to place past weight loss to maintain muscle.
To give you an example 15 years ago I was 240 pounds with about 13% body fat squatting a good 650 pounds. I wanted to slim down for basketball and with just cutting down snacks I was at 205 in 6 months. I could barely squat 475 at that weight even though I was still doing the same intense workouts throughout. Your body fat/muscle ratio is directly correlated to your strength. You can be ripped and skinny as hell and do what you are doing, you can get to 165 and be fat, but you can't do both.
Not the answer you're looking for? Browse other questions tagged weight-loss muscle-gain or ask your own question.
What can I do if weight decreasing stopped after I reached half of my goal?
how to lose fat hips after weight loss?


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Q: Capacitor rated for 100vdc on 5vdc board As the title says, I have capacitors rated 100VDC 18pF. Can I use these on a board that uses 5V Max ?
I can't really find any direct answer to that question.
What I want to do is to put a crystal to a chip and hopefully use these caps on the crystal.

A: The voltage rating on a capacitor is a maximum value; you can use it in a lower voltage circuit just fine.

A: While Nick Johnson's answer is correct, there is a faint possibility that you might want to consider the following:
In the aerospace/hi-rel world, it is known that using tantalum electrolytic capacitors which are grossly overrated is not ideal. 50-volt capacitors used at 5 volts show a significantly higher failure rate than when used at 35 volts. As far as I know, the chemistry details are not accepted, and it's a pretty specialized (and easily avoided) problem, so there hasn't been much research on it.
In your case, you are talking about ceramic capacitors, and these do not have the same problem. As it happens, making lower-voltage versions just wouldn't save much, and these sorts of capacitors were developed back in vacuum tube days when voltages were much higher, so 100 V ceramics are very common. It's more a matter of inertia than anything else.

A: Yes above answers are right.Rated voltage is the maximum value at which capacitor can be operated and is safe to use at voltages below that

redpajama_set_name: RedPajamaStackExchange


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Yawn of the Dead: A Review of 'Zombiepura' (2018)
Written by Alfonse Chiu
With the proliferation of zombie-related media nowadays, it is hard to imagine that once upon a time zombies were a novelty. When George Romero's Night of the Living Dead burst onto the scene in 1968, it was an instantaneous sensation like no one has seen. The critics were scandalised and cognisant of the birth of a new big thing—Kael deemed it "one of the most gruesomely terrifying movies ever made"; Ebert abstained from reviewing and wrote at length about the young traumatised audience with whom he shared a screening—and the box office was enthusiastic, grossing the film an estimated thirty million worldwide on a hundred thousand dollar budget. The world shuddered, equal parts terrified and disgusted, and the rest is, as they say, history. Within a decade, zombie films have gone big; riding the currents of a nascent horror-gore sub-genre into the mainstream, and in recent years, broken into the public psyche as the world's favourite monster.
Pre-Romero, cinematic explorations of the zombie had been limited to a handful of feature films that teased the occult origins of the zombie—shamans, witch-doctors, Voodoo. The zombie mythos has its roots in Haiti during its French colony days as Saint-Domingue, where slaves toiled and perished under the merciless subjugation of their colonial masters: death was thought to release them from suffering to freedom in the afterlife (Suicide was common.) but uncertainty over where exactly one goes after one dies would come to inform a sort of fear that even in death they might not gain freedom; that they might be condemned to a soulless eternity roaming the plantations in a cruel twist of irony. Even after the colonial powers left and the new world order reoriented itself, this fear of re-enslavement never really went away because of the acute economical woes and strongmen of the times who teased its possible resurgence, and so the zombie remained in the peripherals of the Haitian public memory as a boogeyman of lost agency.
Post-Romero, the formerly explicit connection to the body politics and histories of the African diaspora would, in time, weaken and be, eventually, completely excised from contemporary understandings of what a zombie is. Taken to be a general reflection of social woes—racism, consumerism, the Vietnam War—and public ills, zombies came to represent a sort of American moral counterweight that is then exported to the rest of the world. As absorption into the mainstream grew, so did the dilution of the existential horror that zombies represented; in a way, zombies became gentrified. There is now a cottage industry of zombie-related products, and as pop culture becomes more and more cynical, with apocalypse looming in a not-so-distant future, a zombie-fied future has grown from a point of speculation to something almost inevitable, at least cinematically.
Now, when Zombiepura, billed as ostensibly Singapore's first zombie film (Not quite the first anyway, when one considers the banned Eric Khoo entry for the nation-building omnibus project Lapis Sagu, which depicted foreigners as zombies in an off-beat musical comedy), was announced, one might have felt an unreasonable amount of apprehension. For as much money that has been pumped into the sector as the government has done for the film industry, the numbers are not really encouraging aside from the scattered few arthouse darlings that manage to trawl the festival circuits for some of that international prestige. However, with genre works in a new renaissance internationally, and following the runaway success that was the Korean zombie picture Train to Busan, Zombiepura seemed to represent an interesting entry for Singapore cinema; a foray into genre that might stand out amidst the landscape of terrible Chinese-language domestic dramedies that have plagued Singaporean silver screens the way flu virus may infect a whole school of children seasonally. Given the extensive lore of zombies available, their enormous metaphorical potential, and the seeming congruent idiosyncrasies of certain Singaporean with zombiehood, one could have had some faith in the film. Better interesting than dull; better adventurous than safe, in a manner of speaking.
As things unfold, this faith would go on to be subverted, destroyed, stomped on, and completely obliterated in every sense. As things unfold, one would discover that one's fears over the worst of Singapore cinema has been enshrined, embalmed, sent to the electric chair only to return revitalised like Frankenstein's creature. As things unfold, one starts to realise that it is a zombie comedy alright, but the zombies are behind the camera, not in front of it, and the joke is on us. The dead have risen, but there are not enough brains to go around. There are barely enough for the living as it is.
Kayu [A pun on the Malay term for being wooden] (Alaric Tay) and Tarzan (Haresh Tilani) are reservists serving in-camp training under the command of Sergeant Siao On [A pun on the Singlish term for being over-enthusiastic] (Benjamin Heng) in the midst of a viral epidemic. Whilst trying to malinger by feigning an eye infection at the medical centre, Kayu, Tarzan, and Siao On encounters an unconscious soldier brought in for resuscitation. The soldier turns out to be a zombie and decimates the waiting patients, the staff, (and Tarzan) alongside fellow zombies that have somehow materialised. Kayu and Siao On escapes alongside the canteen operator's daughter (Joey Pink Lai), and the rest of the film orients itself around their laughable attempts at survival and inevitable rescue.
Well-done cinematic conventions elude this film, as does common sense and logic. The term 'muscle memory' was bandied about like some universal snake oil slash Chekhov's gun so much that when the big reveal arrived that the national anthem (represented here in a hilarious bootleg rendition) stops the zombies in their tracks because in their former lives as soldiers, they had to stop when it played to pay respect to the State, it extracts from its audience a sort of exhausted amusement—here, we recognise where you are coming from and what it is meant to do, take our laughter and get on with the show.
Suspense and good taste were left to fend for themselves in favour of terrible throwaway gags like these: a woman slathering mosquito repellent all over her body as an appreciative male audience watch, gobsmacked; zombies somehow manoeuvring an obstacle course in pursuit of prey; even in the opening sequence, a zombie comes out of nowhere to maul a lone soldier taking a dump in the woods, we watch him scream and prone and not at all struggling, and then cue opening credits. Low-hanging dramatic fruits are picked and left to rot. We were expected to feel sympathy for a character who barely had ten lines and no dramatic contribution apart from dying; were we supposed to cry at her demise or laugh at the sheer cheesiness of it all?
This curious melange of horror, comedy, and moments of under-developed drama is a concoction that seemed at times more terrifying than whatever is happening onscreen, if for what it appears to indicate as a young relatively up-and-coming director's idea of a good film. It is well-known that comedy is hard to do, and thus the strange conundrum that the players complicit in making this project must have faced when getting it on the road—they were adamant in their admissions of how long (Seven years) and hard (Very) it was to make a film such as this—seemed trite when the route to horror or drama is open, options made poignant especially since the comedy is so poorly-written.
Low budget is no excuse for poor cinema; the Japanese midnight darling One Cut of the Dead blazing the festival circuit, which also concerns itself with zombies, has practically none, but it works its magic nonetheless because of the strength of its sincerity and a reflexive understanding of where their humour is coming from; even in the textbook example of Romero, low budget just means that filmmakers have to be creative in getting good work done on the cheap. Neither is genre-bending an excuse, titles like Zombieland and Cabin in the Woods are excellent combinations of laughs and scares; what they lacked were lazy writing and an impatience to milk the moments for the story.
By its own admissions to be "All Killer, No Filler", Zombiepura was hoisted by its own petards because of how self-conscious it was of all the checkboxes it thought it should tick: here is a joke, there is a jump scare. There is nothing organic to the narrative, much less a story, which lends itself to a perfunctory run-through of your standard zombie movie tropes, albeit localised in a way that both highlight the foibles of the production and the irrelevance of whatever it is trying to lampoon. Explorations of themes such as conformity, repression, racism, easy pickings for provoking critical thoughts, were all passed over in favour of a pastiche that appeared to try and satirise contemporary Singaporean military culture, an attempt all the more vexing because of all its inaccuracies.
Those who have an appetite for the macabre may find Zombiepura an enterprising effort; certainly not those who expect a return on whatever they paid for a ticket. There are good movies to come, and there are good movies which have already arrived; Zombiepura belongs in neither of those categories. Instead it lingers in the limbo between the lovably terrible and the plain awful, shuffling alone in the night for an occasional victim who may stumble on its track and decide on a losing gamble, prowling the peripheries in a half-life that demands a bullet in its non-functioning brain.
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text:
Q: How do I run a executable file with command line arguments? I wrote a C file and then compile it. I have to run it with different command line arguments and observe the result. I like to write a shell script in linux which runs my executable file with different arguments. Could you please give an example?

A: # Assuming your program needed the following arguments,
# here is the bash script. Remove the echo to run it.
args=("-c 1 -d 2 -f a" "-c 2 -d 22 -f b" "-c 6 -d 12 -f z")
IFS='\n'
for arg in ${args[@]}
do
    echo yourexcutable $arg;
done


text:
About RIDPA
Our Philosophy: RIDPA believes in participatory approaches in initiating and running its activities. We don't just work for the community; we work with the community as partners. We also believe in networking with other organizations, foundations, churches, and individuals.
Hill view of Sodoma, Tanzania
The Rural Integrated Development Program of Africa (RIDPA) is a non-profit 501(c)3 organization. RIDPA was formed in 1998, and currently operates primarily in rural areas of Tanzania and Eastern Democratic Republic of Congo (DRC). RIDPA is based in Minneapolis, MN.
RIDPA was formed to provide assistance to children, orphans, widows, and others dealing with extreme health problems and poverty in rural Africa. RIDPA strives to improve social conditions of impoverished people and to bring humanitarian relief to persons living in villages and refugee camps in DRC and Tanzania. The primary focuses of RIDPA include:
Street children, orphans, and widows
Click here for a recent (2012) update: Educational Report in Tanzania by Rural Development Program of Africa
Through donations and volunteers, RIDPA is able to assist families in poverty to help improve their social and economic conditions. RIDPA seeks contributions from individuals, churches, religious organizations, and foundations to meet their goals.
Board Of Members:
1. Bukwe Bitangacha
2. Tim Gurr
3. Sara Foshar
4. Toni Ramos
5. Anna Dossen
6. Richard Basengezi
7. Ndume Ibochwa
8. Kisongo Mbeleulu
1. CoonRapids UMC
2. Samaritan Netherlands
3. Global Citizen International
4. Mothers Bears Project
5. Hamline University
6. Concordia University in Moorhead MN
7. Love in Action
8. Fifty Lanterns
9. Good Samaritan UMC
Join RIDPA: Membership is open to any person 18 years or older of sound mind who is willing to share knowledge, skills, and participate fully in the preservation of the environment and poverty alleviation.
Wikipedia Page for the Democratic Republic of Congo
AfricaTime: Le rendez-vous de l'Afrique sur Internet. (A portal to newspapers, online publications and periodicals for many African countries including those RIDPA serves. In French.)
AWID International: The Association for Women's Rights in Development (AWID).
Home / About RIDPA


text:
Students celebrate new status ..
Students to cover news leaders' news at national c...
Author charts town's high poin..
Students to cover news leaders' news at national conference
MTSU students will be covering the news for the people who cover the news this week as they provide exclusive stories, photos, audio and video for the Associated Press Media Editors national conference in Nashville Sept. 19-21.
Student journalists from the College of Mass Communication will generate all news content for the APME blog at http://apmeblog.blogspot.com as well as a daily video report and a special 24-page tabloid summing up the conference.
Senior Becca Andrews of Bells, Tenn., editor-in-chief of MTSU's independent student newspaper Sidelines, is coordinating all news coverage for APME. Senior Michelle Potts of Franklin, Tenn., news director of the student-run TV station, MT10-HD, will lead video coverage.
All content will flow through MTSU's new Center for Innovation in Media, which houses operations for all student media outlets as well as WMOT 89.5FM, the university's 100,000-watt public radio station.
Becca Andrews
"I don't see much difference at all in this and what we do every day," Andrews said after discussing coverage plans with colleagues last week. "It will be a bit more fast-paced, but we'll be doing as much as we can in advance to be ready for breaking news, too."
Sidelines covers breaking campus news around the clock at its website, www.mtsusidelines.com, and also publishes a weekly print tabloid. MT10-HD presents daily news and original programming that's broadcast locally on Rutherford Country Comcast Channel 10 and online at www.mt10tv.com.
"We do this regularly, but at a little slower pace because we're teaching students, too," said Potts. "On Thursday alone, we'll have 11 different shoots and a four- to five-minute 'day in review' broadcast, as well as podcasts. Can we do it all? Sure. Just like the real world."
Both Potts and Andrews are veteran young journalists with work experience in industry newsrooms as well as high-school and university ones. They've worked together before on news projects; in fact, the APME recognized the Center for Innovation in Media earlier this year for its efforts to converge MTSU student media and foster collaboration across media platforms.
That national recognition for MTSU, in the form of an honorable mention in the "Innovator of the Year for College Students" category in APME's 2012 Journalism Excellence Awards, will be part of a presentation during this week's conference.
Michelle Potts
"This news project is an outstanding opportunity for our students to cover the conference and write profiles on its participants and get more experience working across media platforms," said Dr. Roy Moore, dean of MTSU's College of Mass Communication, which houses the Center for Innovation in Media.
"They're doing this on top of their regular (news) assignments and classes. We're very fortunate, too, that most of the staffers have prior experience, not only with student media but with professional media as well. It's a great opportunity to showcase their skills and talents. They won't just be networking at a conference; they'll actually be showing what they can do."
APME is an association of editors at newspapers, broadcast outlets and journalism educators and student leaders in the United States and Canada. It works closely with The Associated Press to foster journalism excellence.
"APME always reaches out to student journalists to cover our conferences, and we're thrilled that MTSU students intend to raise the bar on how it's done," said APME President Bob Heisse, executive editor of The State Journal-Register in Springfield, Ill.
The Nashville conference, which is expected to draw 150 of the top media editors from across the country, is not only getting coverage of APME news. It's also giving students from MTSU's College of Mass Communication a chance to show off their skills for an audience that hires interns and entry-level reporters, photographer, videographers, copy editors and designers.
"We really want to create a killer multimedia product and tabloid," Andrews said, "particularly since this is also showing the members what we can do. I want my staff to get as much experience out of this as possible; most of them are seniors, so it's very important to take advantage of an opportunity like this to showcase our work."
"Basically, I told my crew, 'I know what you're capable of. Prove to everybody else what you prove to me every day,'" Potts added. "Then we'll just be trying to figure out when we can get some sleep."
— Gina E. Fann (Gina.Fann@mtsu.edu)
Center for Innovation in Media, College of Mass Communication, industry partnerships, Middle Tennessee State University, MTSU, student news


text:
Torekovs församling är en församling i Bjäre-Kulla kontrakt i Lunds stift och Båstads kommun. Församlingen ingår i Västra Bjäre pastorat.

Administrativ historik
Församlingen har medeltida ursprung.

Församlingen var åtminstone från 1560 till 1 maj 1860 annexförsamling i pastoratet Båstad och Torekov. Från 1 maj 1860 till 2010 var den annexförsamling i pastoratet (Västra) Karup och Torekov som från 1962 även omfattade Hovs församling och som från före 2003 benämndes Västra Bjäre pastorat. Församlingen ingår sedan 2010 i Västra Bjäre pastorat som även omfattar Västra Karup-Hovs församling.

Organister och klockare

Kyrkor
 Torekovs kyrka

Se även
Torekovs socken

Källor

Externa länkar
Officiell webbplats

Indelningar i Båstads kommun
Församlingar i Lunds stift
Bjärehalvön

redpajama_set_name: RedPajamaWikipedia