The series will air on a limited number of PBS stations over the next three years. Consult your local listings for the PBS scheduled airings of Why Quilts Matter: History, Art & Politics.
from April 11, 2013 to August 8, 2013.
Special events and previews of Why Quilts Matter: History, Art & Politics are being scheduled nationwide.
If an event listed below is in your area, please join us! If you would like to schedule an event in your area, please contact us at [email protected]. Your support to spread the word and to contact screening venues in your communities will be most appreciated.
The Executive Producer and Host of the documentary, Shelly Zegart, also can do programs for your group. She enjoys speaking in front of a crowd, large or small. Her lectures are interesting, informative, as well as entertaining. Take a look at the programs that Shelly has already done around Why Quilts Matter: History, Art & Politics and pick one that could work for your audience. Lecture fees, travel, and expenses vary depending on the program and location. Contact us for more information at [email protected].
Admission to the program is FREE for Textile Arts Council Members, $10 General Admission, $5 Students and FAMSF members.
Quilts, as Shelly will discuss in her presentation, are the tangible expressions of ideas about art, self, and community that range across a wide spectrum. As the quiltmakers of Gee's Bend, Alabama, will tell you, the consideration of their work as art is new to their way of thinking. It is not a question of the ability to create and appreciate the aesthetics of their work, but one of how the contemporary art world receives and values that work. Shelly Zegart continues to demolish the divisions that inhibit the reception of the quilt as art—both in the minds of makers and viewers. This is a rare opportunity to learn about the evolution of her career with quilts as she shares both favorite quilt images as well as uses some key clips from her nine episode documentary Why Quilts Matter: History, Art & Politics to illustrate her presentation. She will talk about the goals she had from the outset when deciding to create the documentary and its Discussion Guide – who she was trying to reach and why and what she learned along the way.
Shelly Zegart has spent more than three decades researching, documenting and showcasing the rich heritage of quilting in America. Garnering national and international recognition, her work transcends stereotype and myth, combining rigorous academic scholarship with a deep respect and personal connection to the craft. Her lectures, essays, and books epitomized by her 2008 article Myth and Methodology: Shelly Zegart Unpicks African-American Quilt Scholarship in the British art journal Selvedge embrace concerns that engage collectors, curators, historians, folklorists, and others. From collector, scholar, dealer, author, to filmmaker- Shelly is always looking at the role and impact of quilts at the center of American culture. The task is far from complete.
As part of its monthly 'Arts on the Move' program, the Phillips Public Library is sponsoring two events on Saturday, September 21. Starting at 1:00 PM, the documentary, 'Why Quilts Matter: History, Art & Politics', will be featured.
Also, that afternoon, in the main building, will be an art exhibition of quilts offered by the Narrow Gauge Quilters. The afternoon events, which will end at 5:30 PM, are free to the public.
Visit http://www.phillips.lib.me.us for more information.
Guild Meeting begins at 7:00 pm.
Join Shelly Zegart and the members of the Heritage Quilters of Huntsville to view and discuss Episode 7 "Empowering Women One Quilt at a Time." The event is open to the public.
There is a $5.00 guest fee for non-members.
Visit http://www.hsvquilters.org for more information.
"Why Quilts Matter: History, Art & Politics," is an exciting and relevant nine-part documentary series that is changing the way people think about quilts. If you haven't seen it yet, by all means do! Meantime, join Executive Producer and series host, Shelly Zegart, for the behind-the-scenes "scoop" on all things WQM. Where did it come from? Who did it and how was it done? Who paid the bill? And—most importantly—why should "Why Quilts Matter" matter to you? You'll want to be there when Shelly "tells all" in this informative and entertaining multimedia presentation.
For more information visit http://www.saqa.com/news.php?ID=2103.
passion for quilts led her to create the nine-part landmark documentary, "Why Quilts Matter: History, Art & Politics". Shelly will bring many quilts to illustrate the messages quilts hold.
Join Shelly as she gives us insights into why quilts have been and continue to be at the center of American culture. How might you be able to share this documentary that spreads the word about the importance of quilting to America?
Join The Sheerar Museum of Stillwater History as they present the first two episodes of "Why Quilts Matter" followed by a discussion led by local quilt experts from the Cimarron Quilt Group.
For more information, visit http://www.sheerarmuseum.org/.
Episode 8: Quilt Nation: 20,000,000 and Counting!
For more information visit http://www.figgeartmuseum.org.
Shelly Zegart, Executive Producer and Host for the series Why Quilts Matter: History, Art & Politics, is coming to the San Jose Museum of Quilts & Textiles for a special Art of Collecting program on Saturday, January 5th. Zegart, co-founder of The Kentucky Quilt Project, Inc., The Alliance for American Quilts, and an expert at the forefront of quilt study for over three decades will be interviewed by SJMQT Executive Director Christine Jeffers, and an episode of her groundbreaking series "Why Quilts Matter" will be presented titled "What is Art?. Please join us for this exciting event at 2pm followed by a reception at 4pm.
Members $20.00, Non-Members $30.00, Students and seniors $15.00.
For more information visit http://www.sjquiltmuseum.org/.
"Why Quilts Matter: History, Art & Politics" was accepted into the 2012 River's Edge International Film Festival. Join Shelly Zegart in Paducah to view the series and other nominated films on November 1st through the 4th.
The River's Edge International Film Festival brings independent film to the smart, arts-oriented, mid-American river town of Paducah, Kentucky. Paducah already has a burgeoning visual and performing arts scene, and the film festival is right in the center of this cultural hub.
Celebrating the 8th year, the River's Edge International Film Festival is a four day event built around the showing of quality independent film from around the world. Our focus is both on the film lover, providing multiple venues in which to experience the best the world of cinema has to offer, and on the film maker, offering opportunities for exhibition, education, and networking with contemporaries.
The River's Edge International Film Festival is soon to be at the apex of the festival circuit. It is dedicated to the serious film maker, the serious film lover, and the art of the cinema.
Visit http://www.riversedgefilmfestival.com for more information.
Karen Alexander writes, "Zegart doesn't so much present answers as raise more questions and the breadth of her coverage is quite daring and exciting. Here is your chance to learn the behind the scenes story." Join Karen as she interviews Shelly and learn first-hand the process behind the series, followed by questions and discussion.
Contact [email protected] or (402) 477-1181 for registration information.
You must register prior to the event to participate.
Visit www.americanquiltstudygroup.org for more information.
This annual Antiques Market features professional dealers from the South and Midwest displaying their wares on the lawn at Historic Locust Grove. In addition to American country antiques, the show features formal furniture, books and emphemera, ceramics, jewelry and silver.
Added feature this year: at 2:30 in the auditorium, quilt expert Shelly Zegart shows Episode 3:The Quilt Marketplace and answers your questions about collecting quilts.
Admission is $6 ($3 for children 6-12). Admission includes tours of the historic house museum. Concessions are available.
Proceeds support the continued operation and preservation of Historic Locust Grove.
For more information visit www.locustgrove.org.
Join Shelly Zegart for an episode screening and discussion.
Dessert and coffee are served at 1:00 pm with the lecture immediately following at 1:15 PM.
Admission is $5, $3 for Friends of Historic Locust Grove. Reservations are not required.
Visit http://www.locustgrove.org/ for more information.
All admissions include free parking.
Get a special chance to view a part of the "Why Quilts Matter" during the lunch hour each day of the Festival.
Visit http://www.vqf.org for more information.
The National Quilting Association is excited to welcome its 43rd Annual Show! As one of the largest non-juried national quilt shows, the NQA is proud to be the longest running quilt exhibition in the country. Enjoy countless vendors, special guest, events, classes, and a special screening of four "Why Quilts Matter" episodes. Times and episodes listed below.
Saturday, June 16, 3:00 PM — What is Art?
For more information, visit http://nqaquilts.org/2012show/.
Admission is free. Attendees are encouraged to make a $25 donation in honor of the museum's 25th anniversary.
Join Shelly Zegart during a "Garden Party" to show the museum's appreciation to over one hundred guilds throughout New England who support the museum. Just for fun, ladies are encouraged to wear their hats & gloves. The first two episodes will play on a continuous loop throughout the afternoon followed by a talk with Shelly about her experiences with the project.
NEQM is celebrating their Silver Anniversary in 2012. They are offering free admission on the 25th of each month (on regularly scheduled opened days). On those "free" days they will be showing episodes of the series. The series includes images of eleven quilts from the permanent collection of the New England Quilt Museum.
For more information, visit http://nequiltmuseum.org/home.html.
See two episodes, 'Quilt Nation: 20,000,000 and Counting' and 'Empowering Women One Quilt at a Time' of this documentary that explores quilts in fresh new ways. Executive Producer and Host Shelly Zegart will be on hand to discuss the documentary and to autograph copies of the DVD which will be available at the showing.
The 28th Annual AQS Paducah Quilt Show will take place from April 25 – 28.
All showings will start on time!
For more information, visit www.maidenalleycinema.com or call 270.442.7723.
Join Shelly Zegart for a showing of the first 2 episodes of the series, "Quilts 101: Antique and Contemporary Quilts" and "Quilts Bring History Alive", followed by a question and answer session. The remaining episodes in the series will be shown at Locust Grove in subsequent weeks, schedule to be announced.
In conjunction with "Rooted in the Earth," a panel discussion called "Quilts as Cultural Metaphors" will be held at Spalding University in Louisville, Kentucky. This event will include a preview of Episode Seven, "Empowering Women One Quilt at a Time," of Shelly Zegart's new nine-part documentary, "Why Quilts Matter: History, Art and Politics" followed by a roundtable discussion.
"Rooted in Earth" is an art exhibit featuring textiles and fiber art by Pat DaRif, Joanne Weis and Valerie White. It will be exhibited at Spalding University's Huff Gallery from February 26 – April 8, 2012.
Guest speakers for the panel include: Shelly Zegart, Executive Producer and Host, distinguished quilt expert, collector and co-founder of the Alliance for American Quilts, one of the founders of the Quilt Index and a founding director of the The Kentucky Quilt Project, Inc.
Linda Beattie, author and professor of Communication at Spalding University is currently working on her forthcoming book about Kentucky quilts and quilt makers for the University Press of Kentucky.
Patricia Dillon, is a professor of History at Spalding University. Her research interest focuses on the connections between race, gender, and religion during the Civil War and Reconstruction era.
Pat DaRif is a fiber artist whose work has been exhibited in many local and national venues.
Joanne Weis is a mixed media textile artist whose work can be found in numerous private collections around the country.
Valerie C. White, an award winning fiber artist, has been creating quilts for almost twenty years.
On February 20th, at 4PM EST tune in for Pat Sloan's conversation with the series Executive Producer and Host, Shelly Zegart, on the American Patchwork and Quilting Radio Show, at 4PM EST.
Daily $10 admission includes all exhibits and illustrated lectures.
Heart of Country is the "grand-daddy" of American antiques shows, where the finest antiques and decorative arts from every region migrate to Nashville — the crossroads of America. The show includes quality dealers, exclusive exhibits, special guest speakers, popular walking tour, and more! It's where friends meet friends, dealers meet dealers, and everyone "captures the glory of "America's Favorite Antiques Show" – the one and only, original Heart of Country held just once a year!
The Heart of Country Antiques Show is proud to be prominently featured in "Why Quilts Matter". DVDs will be available for purchase at the show. Shelly Zegart, Executive Produce and Host, will be available to sign DVDs on Preview night and Friday morning.
Pre-registration is required; call 973.596.6613 or purchase tickets online at newarkmuseum.com.
Preview Episode Two, "Quilts Bring History Alive," of the new nine-part documentary, "Why Quilts Matter: History, Art & Politics" followed by a roundtable discussion with quilt experts, collectors and artists who will share their stories.
Tours of the exhibition, Patchwork from Folk Art to Fine Art and a coffee reception will follow each program.
Guest speakers: Shelly Zegart, distinguished quilt expert, collector and co-founder of the Alliance for American Quilts, one of the founders of the Quilt Index and a founding director of the The Kentucky Quilt Project, Inc. She is the Executive Producer and Host of the nine-part documentary series "Why Quilts Matter: History, Art & Politics," Ann Berman, series writer, author, and journalist, Susan Ball Faeder, artist, teacher, designer and business owner of Quilters' Express to Japan, and Marilyn Henrion, quilt artist whose work is represented in the Smithsonian Institution's Archives of American Art as well as solo and group exhibitions in museums and galleries throughout the U.S. and abroad.
For more information please contact Linda Nettleton, Director of Programming, (973) 596-6553.
Don't miss this must-attend FREE event for local quilters and collectors!
Attendees will also enjoy savings of up to 40% on select Donna Sharp quilts, accessories and quilted handbags.
Join Exhibiting Artist Vadis Turner and Executive Producer Shelly Zegart for a discussion about Why Quilts Matter: History, Art & Politics on Saturday, Nov. 5 at 9:30 a.m. at The Green Building (732 E. Market St.). The recently released series executive produced and hosted by Zegart features Turner and her take on quilts and female empowerment, whether or not quilts are art and her own foray into the quilt world.
Video clips from the series will be shown and a discussion led by Zegart and Turner will be held. A light breakfast will be served and there will be an opportunity to see Turner's current exhibit "Bowhead Down," which re-imagines the beauty and energy of change and loss and celebrates the state of in between. This marks her third solo exhibition in Louisville.
"Bowhead Down" will run November 4 – December 16, 2011. Gallery Hours: Monday through Friday 9a–5p. For more information on Vadis Turner visit www.vadisturner.com.
The documentary will be shown in the museum's auditorium and is free with general museum admission ($10/adults, $5/children; members and kids under 3 free).
From October 21 through November 13 the Charleston Museum continues its historic textiles programming with a newly released nine-part documentary series in which numerous quilts from this museum's collection appear. "Why Quilts Matter: History, Art & Politics" takes a fresh look at quilts and their unique position at the center of a broad grid of topics, ranging from women's studies to the contemporary art market. For the quilter, collector or even casual observer, each episode explores the centrality of the quilt in American culture and reveals the unsuspected size, breadth, and depth of the current quilt phenomenon.
October 28 & 30 – The Quilt Marketplace and What is Art?
For more information, visit www.charlestonmuseum.org or call 722-2996 x235.
Preview episode 6, "How Quilts Have Been Viewed and Collected," followed by a discussion with executive producer and host Shelly Zegart. This episode traces the slow incursion of quilts into museum collections, making the leap from bed to gallery wall. It charts institutional attitudes toward quilts as objects, rationales for their selection, and the public response to their exhibition. It also explores the lure of quilts for the private collector—who has got to have them, and why.
Meetings are free for Guild members. Guests are welcome (guest fee: $10.00 at the door).
Screening of Episode 7, "Empowering Women One Quilt at a Time" from "Why Quilts Matter: History, Art & Politics" documentary series.
For information contact Guild President Paula Kenney at (212) 982-8043.
Don't miss this exciting opportunity to see a preview of Episode 8, "Quilt Nation: 20,000,000 and Counting" and to meet Shelly Zegart, Executive Producer and Host. Those people attending will have the opportunity to purchase the complete DVD set and have it signed by Zegart.
This event will be your first chance to see episode 8, a discussion of the economics and magnitude of the quilting industry. The continuing documentary runs on KET on Monday evenings at 7 P.M.
For more information on Bluegrass Quilt Festival go to www.bluegrassquiltfestival.com.
Directions to the conference center can be found at www.paroquetsprings.org.
$5.00 / Free for Members. Limited seating. Registration required by September 13.
Don't miss this exciting opportunity to preview Episode 4, "What is Art?" from the new documentary "Why Quilts Matter: History, Art & Politics," followed by a conversation with Executive Producer and Host Shelly Zegart. After the program, light refreshments will be served in the exhibition "Heartbeats: Art Quilts by Penny Sisto" and visitors will have the opportunity to purchase the DVD and have it signed by Zegart.
This event will be your first chance to see episode 4, a discussion of how the quilt fits into the art vs. craft debate. Episode 1 of the series will premier September 5 at 7pm on KET.
For more information, please contact the Carnegie Center at (812) 944-7336 or [email protected] or visit www.carnegiecenter.org.
Screening of Episode 2, "Quilts Bring History Alive" from "Why Quilts Matter: History, Art & Politics" documentary series. Light refreshments to follow the presentation.
For information, please email contact [email protected] or (502) 634-2700.


I've been using the Cinch wallet for a few months now, and it's easily the best wallet I've owned.
There are three different options, two wood and one steel. I have the darker wood wallet. I figured I'd like the steel backbone better as it's thinner, but I think I'd rather choose a wood one because I can keep it in the same front pocket with my phone and don't have to worry about the wood scratching the screen. Love that aspect.
Are you looking to trade in that overly stuffed and morbidly obese pain in the back wallet for an easy everyday carry? For all you minimalist lovers who believe less is more, we have the remedy! Birth out of a need (good-bye money clips, broccoli rubber bands and bulky wallets) we are proud to introduce you to CINCH; an American crafted, industrial style, minimalist wallet that simplifies your life and your pockets. Let the battle against the bulge begin!


The selection and buying of all these different type of bracelets is so easy now with the online shops that uses all the responsibility right from the presentation to the shipping of the items. Imitation of the first jewelry or the bracelets is always there but the sophistication can be well reflected through the primary sets. It is however always far better to go for the affordable bracelets than spending for the imitations. Creativity always gets its due respect no matter by which form it is presented. Traditional bracelets that you can wear in the evening for parties can be substantial and junk. Many women no longer liking wearing heavy jewelries. However , for those who can afford one of the diamond bracelets do not need to put on any other jewelry. But , wearing diamond stud bracelets may well not appeal much. In such cases, to the workingwomen designer necklace that suit the occasion, appearance and their apparel seems to be the very best bet.
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eventsNational Office for Electricity, Drinking Water Joins Global Sustainable Electricity Partnership
04/06/2019 18:02	-
National Office for Electricity, Drinking Water Joins Global Sustainable Electricity Partnership
Rabat – Morocco's National Office for Electricity and Drinking Water (ONEE) has become a new member of the Global Sustainable Electricity Partnership (GSEP) during the organization's 28th annual Summit held in Osaka, Japan.
ONEE, which was represented at the summit by its director general, Abderrahim El Hafidi, becomes the only member from Africa and the Arab world at the GSEP, a CEO-led international organization composed of the world's leading electricity companies promoting sustainable electrification worldwide, the Office said in a press release.
On this occasion, El Hafidi highlighted the progress made by Morocco in the electricity sector, noting that the kingdom is willing to share its experience, particularly in the African continent, which is faced with enormous electrification challenges.
The summit was also an opportunity for El Hafidi to explore the possibility of sealing partnerships with member companies.
In this regard, ONEE's head had discussions with presidents of EDF (France) and Hydro-Québec.
The Global Sustainable Electricity Partnership's (GSEP) annual CEO Summit ended Tuesday in Osaka, Japan. This flagship event, hosted by the 2018-2019 Chair Company, Kansai Electric Power, brought together CEOs and senior executives of some of the world's largest electricity companies. These leaders agreed that progress in achieving climate and sustainable development goals can only be made if all energy providers, policymakers, customers, technology providers and other actors collaborate to strongly accelerate efficient electrification of our societies.
These actors will also need to respond together to the world's increasing demand for cleaner, affordable and reliable energy – both on the electricity company-side and in end-use sectors such as transport, buildings and industry. This can be achieved through large-scale financing, which will require a holistic restructuring of regulatory frameworks to foster long-term investment.
Discussions at the Summit centered on the 4Ds: decarbonization, decentralization, digitalization, and deregulation and changing market design (including investment and financing). These are megatrends that are structurally transforming the electricity sector.
The GSEP Chairmen concluded the event by issuing the Osaka Summit Statement, outlining GSEP members' commitment to accelerate efficient electrification and innovation along the full electricity value chain, which will deliver both economic and social benefits. The Chairmen also welcomed the two new companies to the group – ONEE from Morocco and PGE from Poland – reinforcing GSEP's position as a unique global information hub for innovative technologies, public policies, business models, and progress on electrification.
The group also publicly released its 2018-2019 Annual Report, which highlights its key achievements for the year.
Next year's Summit will be hosted in Italy by Enel, focusing on building an electrification alliance across different value chains.
UN: Morocco Reaffirms Strong Commitment to Sustainable Development
Secretary of State for Sustainable Development Meets with Executive Secretary of UN ...
Abu Dhabi: Morocco Participates in Preparatory Meeting of UN Climate Summit
CEO of Masen Meets with UN Special Envoy for Climate Action Summit
Secretary of State for Sustainable Development Meets with Executive Secretary of UN ECA
Unprecedented Wildfires in the Arctic Since Early June (WMO)
Morocco, U.S. Discuss in Washington D.C. Means to Develop Cooperation in Water Sector

redpajama_set_name: RedPajamaCommonCrawl


Srinagar: The Mehbooba Mufti government tried to bring 18 public sector undertakings (PSUs) in Jammu and Kashmir back on track but these firms continue to bleed, according to a report in The Economic Times. Data released by the government showed that 18 firms suffered losses to the tune of Rs 191 crore in the past two years. J&K Cements Ltd tops the list with a loss of Rs 46.74 crore-Rs 31.73 crore in 2016-17 and Rs 15.01 crore in 2017-18. JK State Road Transport Corporation and JK State Financial Corporation are other PSUs suffering huge losses with the latter posting losses of Rs 1.02 crore in 2016-17, way more than its losses of Rs 45.73 lakh in the year before. The state government had to intervene a few years ago to provide support to the PSUs when a major share was in financial trouble and could not even pay salaries. Having said that, a number of PSUs saw improvement in their performance and restricted their losses to the minimum. The JK Handloom Corporation, State Industrial Development Corporation, JK Handicrafts Corporation and the Horticultural Produce Marketing and Processing Corporation are few of the well-performing firms. Also, add to the list the SC, ST and Backward Class development corporations. An official from the finance department of the government said that financial engineering in PSUs has been successfully initiated as part of institutional reforms, in the last two years. He said, 'The process to clean up the balance sheets and improve bottom lines of the PSUs, prior to bringing them under a new holding company structure, is underway.' The handful of profit-making firms in the state are JK Police housing Corporation, JK Cabe Car Corporation, JK Small Scale Industries Development Corporation and JK Women's Development Corporation. JK Minerals and JK Projects Construction Corporation are two PSUs who joined the profit-making PSUs, rising from their losses in the previous financial year. The ruling PDP-BJP alliance had appointed 16 top party officials as vice chairpersons of 16 PSUs and the move drew a lot of criticism from the Opposition and many experts. Haseeb Drabu, the then finance minister had pitched for restructuring of PSUs to make them more organised.


Funding Partners are the core supporter of the South Shore Youth Foundation. Not only their very generous contributions to the foundation but their continuing support they provide.
The South Shore Youth Foundation will make a $50.00 donation to the organization of your choice on your behalf.
The South Shore Youth Foundation will make a $250.00 donation to the organization of your choice on your behalf .
The South Shore Youth Foundation will make a $500.00 donation to the organization of your choice on your behalf .


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Bombing batteries —
Mountain Lion having mysterious effect on battery life for some users
The cause is unclear, but Apple appears to be investigating the issue.
Chris Foresman - Aug 3, 2012 5:15 pm UTC
A large number of Mac users are reporting that installing OS X 10.8 (Mountain Lion) is causing a major drop in battery life on MacBook Pros and Airs. Those users have been posting about battery life problems in Apple's support forums ever since Mountain Lion's launch on July 25, but it appears that Apple is now actively investigating the issue.
Users claim that battery life reported by their systems is significantly lower after installing Mountain Lion—in some cases, it's nearly half of what was reported under Lion. The batteries themselves also seem to drain noticeably faster, with more than one user claiming that it was possible to watch the battery indicator drop in capacity.
Some potential explanations include file permission errors, increased CPU use while applications are idling, and network access issues. But despite these theories, no clear fix has been identified yet.
This week, however, Apple began contacting users who have reported the problem in its support forums. Support representatives from Cupertino have been asking users to log activity monitor data and gather system information in order to determine a cause for the problem. (Apple did not respond to our request for comment on the issue.)
My own unscientific tests on Friday morning suggest that battery life may indeed be lower under Mountain Lion on a 2010 MacBook Air. Previously, while running Lion, the system would typically report about 4.5 hours of battery life with my usual set of applications open. With Mountain Lion installed, it now reports just under 3.5 hours under the same conditions, a roughly 20 percent reduction. The battery also appears to lose 1 percent charge every 2 minutes, which is roughly equivalent to the expected run time of just under 3.5 hours.
More tests are needed to prove conclusively that Mountain Lion does drain batteries faster, however, and hopefully Apple's investigation will turn something up. Have you noticed a decline in battery life since installing Mountain Lion? Let us know in the comments.
Chris Foresman Chris is an Associate Writer at Ars Technica, where he has spent the last five years writing about Apple, smartphones, digital photography, and patent litigation, among other topics.
Email chris.foresman@arstechnica.com // Twitter @foresmac


Heimatec's new line of live and static tools for Swiss-type CNC automatic lathes are designed for most Citizen lathes.
Heimatec's goal during the development of this line was to construct tools that would offer great processing quality and a long service life.
Heimatec's Citizen tool line includes both live and static tools for most Citizen lathes. Designed to optimize the machine's parameters, these precision tools are said to be efficient and cost effective.
The company's goal during the development of this line was to construct a series of tools that offer high-processing quality and long service life. To achieve this, it incorporates high-quality bearings, ground gear components, spindles and housings to produce tools with maximum rigidity.


Around the world, a growing number of businesses are taking steps to reduce their climate impact by managing their greenhouse gas emissions. At the same time, these businesses are discovering that effective greenhouse gas management can enhance their brands, motivate employees, increase operational efficiencies, and save money. This guide walks readers through the key activities that make up a greenhouse gas management program, including measuring, reducing, and offsetting emissions and developing a communications strategy around the program.
The David Suzuki Foundation is committed to protecting the diversity of nature and our quality of life, now and for the future.
Paul Lingl has been developing climate change solutions at the David Suzuki Foundation since 2001, and has advised businesses, governments, and major event organizers. He has also worked for a number of leading green businesses in Canada.
Deborah Carlson has worked at the David Suzuki Foundation since 2006 developing greenhouse gas management strategies for businesses and other organizations. Previously she practiced law in Vancouver and Geneva.
Lingl and Carlson have also co-authored "Meeting the Challenge, A Carbon Neutral 2010 Winter Games Discussion Paper", which was commissioned by the organizers of the 2010 Vancouver Olympics.


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Never Let Me Down Again
"Never Let Me Down Again" is Depeche Mode's nineteenth UK single, released on 24 August 1987, and the second single for the then upcoming album Music for the Masses. A relatively moderate hit in the UK at number 22, it was a smash in West Germany where it hit number 2, and a Top 10 success in several other European countries (Sweden, Switzerland, etc.). The cover art features fragments of a Soviet map of Russia and Europe, with different fragments used for the different editions of the single.
[hide] *1 Live performances
2 Remixes
3 Music videos
4 B-sides
5 Track listings
5.1 7": Mute / Bong14 (UK)
5.2 12": Mute / 12Bong14 (UK)
5.3 12": Mute / L12Bong14 (UK)
5.4 CD: Mute / CDBong14 (UK)
6 Notable covers
Live performances[edit] Edit
The song became a favourite among fans, especially live. Shows during Depeche Mode's 1988 tour were often closed with this song. Notable in the 101 video is when Dave Gahan waves his arms in the air toward the end of the song, and the sold out crowd of 60,000 mimicked Gahan's movements. It is now a tradition at Depeche Mode shows for fans to wave their arms in the air during the end of "Never Let Me Down Again."
On 8 November 2001, shortly after their final Exciter Tour concert in Mannheim, Germany, the band played "Never Let Me Down Again" during the MTV Europe Music Awards in Frankfurt, which aired in the US on MTV2.
Remixes[edit] Edit
The main 12" remix of "Never Let Me Down Again" is the "Split Mix", a nine-minute track which features the regular song, an added intro plus a techno arrangement appended at the end. The arrangement was expanded to the "Aggro Mix" on the 12" B-side, also available as a bonus track on the CD/Cassette version of Music for the Masses. The "Split Mix" appears on Remixes 81 - 04.
Another remix of the track, by German group Digitalism was released in 2006 as one of the Digital Deluxe Bonus Tracks of The Best Of, Volume 1 (also released as a limited double vinyl 12") and appears also on band's remix compilation Remixes 2: 81–11; Eric Prydz remixed the song also for this album.
Music videos[edit] Edit
There are two music videos for "Never Let Me Down Again". The original version, from Strange uses the "Split Mix", minus the intro and outro, and during the EBM portion, Gahan's pair of dancing shoes are shown walking without anyone wearing them, before someone puts them on and wears them to dance. There is also a shortened one with just the Single version of the song, without the dancing shoes. It appears on The Videos 86>98. They are directed by Anton Corbijn.
B-sides[edit] Edit
There are two b-sides. "Pleasure, Little Treasure" is a short dance track. An extended version called the "Glitter Mix" ends with fragments of vocal recordings that have been reversed and treated with delay effects. Notably, some of these sounds can be heard in the track "Mothers Talk" from the 1985 Tears for Fears album Songs from the Big Chair, which was engineered by Dave Bascombe. The "Glitter Mix" showed up as a bonus track on the CD/Cassette versions ofMusic for the Masses and in remastered form on the 2006 CD/DVD release.
The rarer b-side is "To Have and To Hold (Spanish Taster)". Martin Gore's original plan for the song sounded a lot like upbeat electropop, but Alan Wilder turned it into the dark wave track it eventually became. While Alan's version was always set to be the final version, Martin wanted his version to be recorded as well. However, not all of the lyrics are sung in the song. It shows up as one of the bonus tracks on the CD/Cassette version of Music for the Masses and is on the CD versions of "Never Let Me Down Again". The regular version of "To Have and To Hold" is one of the main tracks on the Music for the Masses LP.
Track listings[edit] Edit
All songs written by Martin L. Gore.
7": Mute / Bong14 (UK)[edit] Edit
"Never Let Me Down Again" – 4:20
"Pleasure, Little Treasure" – 2:52
12": Mute / 12Bong14 (UK)[edit] Edit
"Never Let Me Down Again (Split Mix)" – 9:34
"Pleasure, Little Treasure (Glitter Mix)" – 5:34
"Never Let Me Down Again (Aggro Mix)" – 4:53
12": Mute / L12Bong14 (UK)[edit] Edit
"Never Let Me Down Again (Tsangarides Mix)" – 4:22 (Remixed by Chris Tsangarides)
"Pleasure, Little Treasure (Join Mix)" – 4:53 (Remixed by John Fryer & Paul Kendall)
"To Have and to Hold (Spanish Taster)" – 2:33
CD: Mute / CDBong14 (UK)[edit] Edit
"Pleasure, Little Treasure (Join Mix)" – 4:53
Originally released in Cardsleeve [1987]
Rereleased as 4track CD Single in Slim Jewel Case in 1991.
"Never Let Me Down Again (Tsangarides Mix)" – 4:22
The second CD is the 1992 re-release.
Notable covers[edit] Edit
The Smashing Pumpkins recorded a cover of the song and released it as a b-side on their 1994 CD single "Rocket". Frontman Billy Corgan was introduced to the band by bassist D'arcy Wretzky, who is a longtime fan of Depeche Mode and requested the band cover the song. During their 1998 concert in Los Angeles, Depeche Mode invited Corgan, their opening act, onstage to perform the song together. This version of the song is also featured on the soundtrack for Not Another Teen Movie (in the soundtrack of the movie, another cover of a Depeche Mode song appears: "But Not Tonight", this one covered by Stone Temple Pilots's Scott Weiland). When discussing the tribute album For the Masses, which the Smashing Pumpkins cover appears on, Martin Gore said he'd "always liked" the Pumpkins cover, while Dave Gahan said he "particularly liked it", and even thought it was "a lot better" than the Depeche Mode original.[1]
Farmer boys, featuring Anneke van Giersbergen (Ex-The Gathering) (Countrified, 1996)
Berlin (4Play, 2005)
And One (Live, 2008)
Tre Lux (A Strange Gathering, 2006)
The Mission have recorded a cover version of this song which is available on a compilation album Aural Delight.
Sylvain Chauveau covered the song for 'Down to the Bone - An Acoustic Tribute to Depeche Mode' with Ensemble Nocturne.
Retrieved from "https://rock.fandom.com/wiki/Never_Let_Me_Down_Again?oldid=8950"


text:
Turkish fashion designer seeks escape in Brussels after attack, imprisonment
By Gülsüm Alan & Alice Cuddy • Updated: 10/10/2018
Turkish fashion designer Barbaros Sansal says he needs "a break" from his home country.
He made the decision to start a new life in Belgium after being attacked and imprisoned last year for posting a critical video on social media.
In the video, he hit out at people celebrating the New Year, saying: "While scores of journalists are in prison, while children are sexually harassed, raped, while corruption and bribes are everywhere, while extremists are distributing shit to you in the streets, are you still celebrating the New Year? I am not."
"Carry on your celebration in disgrace, misery and dirt. Drown in your shit, Turkey," he added.
Authorities in the Turkish Cypriot-controlled northern Cyprus deported Şansal in January 2017 and as he descended the steps of the passenger plane at Istanbul's main airport, he was set upon by a waiting mob, who punched and kicked him, shouting "traitor".
Police then arrested him for "inciting the public to hatred or hostility".
After spending 56 days in an isolation cell, Sansal was released from prison.
However, the 61-year-old still faces the charges and another count of "insulting the Turkish nation" for which he could be jailed for up to three years.
He is just one of many entrepreneurs and intellectuals who has opted to leave the country in the wake of the 2016 failed coup attempt, which they say led to a crackdown on critical voices.
Like others, Sansal, who has not sought asylum, divides opinion among the Turkish community in Brussels.
One man described him to Euronews as a traitor of the nation, while another said his treatment was an effort by the Turkish government to send a message to others to stop dissent.
But while he is not welcomed by everyone in Belgium, the fashion designer says he has no plans to return to Turkey.
"I need a break from my country like I did in 1980 for nine years. I've got to stay away."
Update: A previous version of this story referred to the "Turkish Republic of Northern Cyprus". It has been updated to "Turkish Cypriot-controlled northern Cyprus".
European carmakers urge EU leaders to match ambitions with other regions
Battle over food labels looms as Brussels prepares to make EU-wide decision
Corruption scandal: Two more socialist MEPs set to have immunity lifted
RECEP TAYYIP ERDOGAN TURKIYE (TURKEY) PRISONER POLITICS


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I remember several years ago someone made something that was simply brilliant. Sliced tomatoes, sliced avocado, pepper, and lemon juice.
And that was it - not cooked or anything? Sounds like it's within the scope of my abilities!
For mine, I will not need tomato or avocado, because fortunately I started a batch of fenugreek sprouts five days ago. The fenugreek sprouts are 3-4" long at this time, so I will spread them on a plate and use scissors to cut them into bits.
This time year, when there is still a foot of snow on the ground, and tomatoes and avocadoes are expensive here, it is economical to substitute homegrown sprouts.
That sounds like what I eat on toast a lot of days tennessee. I sprinkle a good blend called "everything but the bagel" on top of it. Somedays I go wild and add some fresh bacon to it.
Yes that's a recipe that can't be messed up and can be improvised to suit your taste.
Some cilantro, chopped purple onion, lime instead of lemon.


text:
Politics of Grammar Column
My Scholarly Works
Study in America
Use and Misuse of "Penultimate" in Nigerian and Native English
Farooq A. Kperogi Sunday, February 10, 2013 Sunday Trust
By Farooq A. Kperogi, Ph.D. A few weeks ago, Malam Mohammed Haruna, eminent journalist, syndicated newspaper columnist , and former ...
By Farooq A. Kperogi, Ph.D.
A few weeks ago, Malam Mohammed Haruna, eminent journalist, syndicated newspaper columnist, and former presidential spokesman, wrote to call my attention to a usage disagreement he had with his friend, Professor Femi Osofisan, over the word "penultimate." He wanted to know what my thoughts were on the issue.
Professor Osifisan sent him the following text: "Pls Mohammed, check the real meaning & use of 'penultimate'. Rather unsettling for a columnist of yr stature to keep falling into the common Nigerian error! Merry XMAS!"
Malam Mohammed's alleged errors occurred in the following sentences:
1. "Penultimate Monday, i.e. December 17, General Muhammadu Buhari, former military head of state and perennial presidential contender since 2003, turned 70."
2. "Penultimate Monday, a (presumably) regular reader of this column sent me an sms from 08025720606, in apparent anticipation of today's piece."
3. "The reader was, of course, referring to penultimate Sunday's massacre of Christian worshipers on the old campus of Bayero University, Kano (BUK).
In my hurried, preliminary response to Malam Mohammed, I wrote the following: "Your use of 'penultimate' in the sentences you quoted above is perfectly legitimate. I am mystified by Professor Osofisan's charge that your usage falls 'into the common Nigerian error!'
"Penultimate is just a grander, less familiar term for 'second to (the) last,' or 'last but one.' Contrary to Osofisan's claim, it is in fact native English speakers, not Nigerian English speakers, who tend to misuse 'penultimate.' Grammar enthusiasts here always rail against the tendency in native-speaker English, especially of the American variety, to use 'penultimate' as if it meant 'greater than the ultimate,' which is senseless because 'ultimate,' like 'unique,' 'absolute,' etc. are already superlative adjectives.
"The only sense I can make of Osofisan's criticism is that he is probably cautioning against the use of 'penultimate' in contexts where the endpoint isn't apparent. If the endpoint isn't clear, it would be hard to isolate the second or next to it. He would probably prefer an expression like 'the penultimate Monday in December' since 'December' helps us easily locate the Mondays being referenced. But that argument neither makes grammatical nor logical sense since the newspapers in which your columns appeared have [dates] that help the reader determine the days of the week you referred to.
"At any rate, many prestigious English-language newspapers habitually use 'penultimate' exactly the way you used it."
I then gave examples from the Economist, the New York Times, and other prestigious English-language publications. This week, I want to expand on what I wrote above and clarify a few points for the benefit of my readers. For instance, after a deeper look, I've realized that the examples I cited from the Economist, the New York Times, BBC and Reuters are different from Malam Mohammed Haruna's. But I still insist that his use of "penultimate" isn't grammatically wrong.
Use of "penultimate" in Nigerian English
Professor Osofisan's concern about how Mohammed Haruna (and many Nigerian journalists) used "penultimate" in the sentences quoted above is legitimate. But to call it an "error" is a stretch. And here is why.
Penultimate came to English by way of Latin in the 17th century. It is derived from "paene," which is Latin for "almost" and "ultimus," the Latin word for "last." So "penultimate" literally means "almost last."
The word has been used since 1677 to indicate the second to the last in a series. For instance, we can talk of the "penultimate episode of a soap opera," "the penultimate month of the year," which is November, the "penultimate day of December," which is December 30, etc. Basically, you can use "penultimate" anywhere you can use the expressions "second to the last," "next to the last," or "last but one."
An idiosyncratic Nigerian usage of "penultimate" (which Professor Osofisan has called a "common Nigerian error") is to use the word where there is no serialized set of programs or events or days. For instance, when Mohammed Haruna wrote about "penultimate Sunday's massacre of Christian worshipers," he could be misunderstood to mean that there was a series of Sundays that ended at some point and that from this series of Sundays we could identify the last and the second to the last.
Although there is no usage guide I know of that forbids the use of "penultimate" outside a finite sequence of events or days, it helps the cause of clarity to use it in a series. Nevertheless, to use "penultimate" outside a series isn't a grammatical error. It isn't even an error of logic. It is, instead, a literal use of the word.
After all, when people, for instance, write something like "last week's murder of innocents" we don't demand that they place the "last" in a finite sequence of weeks. We often determine what "last week" is from the present week. We create a notional sequence that ends at the present. We should also be able to determine the second to the last (or the "penultimate") week or day from the present week or day.
In the examples cited above, Mohammed Haruna actually helped the reader determine the "penultimate" days he mentioned by indicating the dates in parenthesis. That, for me, addresses the concerns for clarity that inspired the criticism of the use of the word.
Having said that, I should mention that when I searched the British National Corpus, the Corpus of Historical American English, and the Corpus of Contemporary American English, I couldn't locate expressions like "penultimate Monday's…," "penultimate Sunday's…," etc.
My own advice (and habitual practice) is to use dates in an attributive sense when referring back to an event that happened in the past, such as "the March 30, 2012 murder of innocents in…"
However, as I said earlier, many native English speakers misuse "penultimate" in ways Nigerian English speakers don't.
Native English Speakers' Misuse of "Penultimate"
Perhaps because "penultimate" is less commonly used in native-speaker conversational English than it is in Nigerian informal English, its meaning tends to be either entirely unknown or misrecognized. As I indicated earlier, a popular misunderstanding of "penultimate" in native-speaker varieties of English is to think that it means the absolute best, the ultimate of the ultimate.
For a recent notable misuse of "penultimate" in the Huffington Post, one of America's most prominent news sites, see the following sentence: "Mr. Spielberg curiously seemed determined to find an actor from across the pond to play this penultimate American president."
In response to this misuse of "penultimate," a grammar aficionado wrote: "I wonder if anyone has told the twenty-six other gentlemen who have lived in the White House since 1869 that they don't count."
A fiction writer by the name of Daniel Handler also recently narrated how he was bewildered when a literary critic described one of his works as "the penultimate novel from the penultimate novelist." I found few such misusages in the British National Corpus.
Now, that's a real usage error, not the Nigerian English tendency to use "penultimate" outside finite sequences.
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2. Why is "Sentiment" Such a Bad Word in Nigeria?
3. Ambassador Aminchi's Impossible Grammatical Logic
4. 10 Most Annoying Nigerian Media English Expressions
5. Sambawa and "Peasant Attitude to Governance"
6. Adverbial and Adjectival Abuse in Nigerian English
7. In Defense of "Flashing" and Other Nigerianisms
8. Weird Words We're Wedded to in Nigerian English
9. American English or British English?
10. Hypercorrection in Nigerian English
11. Nigerianisms, Americanisms, Briticisms and Communication Breakdown
12. Top 10 Irritating Errors in American English
13. Nigerian Editors Killing Macebuh Twice with Bad Grammar
14. On "Metaphors" and "Puns" in Nigerian English
15. Common Errors of Pluralization in Nigerian English
16. Q & A About Common Grammatical Problems
17. Semantic Change and the Politics of English Pronunciation
18. Common Errors of Reported Speech in Nigerian English
19. Broken English, Pidgin English and Nigerian English
20. Top Cutest and Strangest Nigerian English Idioms
21. Back-formation and Affixation in Nigerian English
22. The Politics of Usage and Meaning in English
23. When Food and Grammar Mix
24. Q and A on Grammar
25. The African Origins of Common English Words
26. Reader Feedback and My Responses
27. Top 10 Oxymoronic Expressions in English
28. The Grammar of Titles and Naming in International English
29. Q and A on Nigerian English Usage
30. Comparing the Vernaculars of American and British Universities
31. Neologisms and Ebonics in American English
32. Patience Jonathan's Peculiar Grammar
33. Top 10 Words Nigerians Commonly Misspell
34. Is American English Bastardized (British) English?
35. Top Election-Related Grammatical Errors in Nigerian English
36. Of Origins, American English and British English
37. When is "Nigerian English" Legitimate?
38. Top 10 Useless, Outdated English Grammar Rules
39. Superlative Expressions in American English
40. Americanisms I Can Do Without
41. Most Popular Mangled Expressions in Nigerian English
43. More Q and A on Grammar
44. Q and A on Usage, Articles, and Tenses
45. Top Hilarious Differences between American and Nigerian English
46. The Grammar and Vocabulary of "Fuel Subsidy Removal"
47. Top 10 Words That Are Changing Meaning
48. Q and A on African English and Common Usage Errors
49. Nigerian English as Excuse for Sloppy Scholarship
50. Reuben Abati's Violence Against Metaphors
51. Grammar of Reuben Abati's Semantic Violence
52. Top 10 Grammatical Errors Common to Americans and Nigerians
53. Q and A on Idioms, Nigerian Expressions and Punctuations
54. Q and A on Metaphors and Usage
55. The Arabic Origins of Common Yoruba Words
56. Idioms, Mistranslation, and Abati's Double Standards
57. Native English Speakers' Struggles with Grammar
58. Q and A on Nigerian English and Usage Rules
59. Of Yoruba, Arabic, and Origins of Nigerian Languages
60. Language Families in Nigeria
61. Are There Native English Speakers in Nigeria?
62. The English Nigerian Children Speak (I)
63. The English Nigerian Children Speak (II)
64. Reader Comments and My Responses to "The English Nigerian Children Speak"
65. Q and A on American English Grammar and General Usage
66. Q and A on Prepositions and Nigerian Media English
67. Americanisms Popularized by American Presidential Politics (I)
67. Americanisms Popularized by American Presidential Politics (II)
68. Top 10 Peculiar Salutations in Nigerian English (I)
69. Top 10 Peculiar Salutations in Nigerian English (II)
70. Q and A on English Salutation, Punctuation and Other Usage Problems
71. More Q and A on a Variety of Grammar Usage Issues
72. Top 10 Outdated and/or Made-up Words in Nigerian English
73. Q and A on Outdated Nigerian English Words and Expressions
74. 20 Obsolete English Words that Should Make a Comeback
75. Q and A About Jargon and Confusing Expressions
76. President Goodluck Jonathan's Grammatical Boo-boos
77. How Political Elite Influence English Grammar and Vocabulary
Sunday Trust
Farooq Kperogi Femi Osofisan Mohammed Haruna Penultimate Politics of Grammar Sunday Trust
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(1) Mar 06 (1) Feb 27 (1) Feb 20 (1) Feb 19 (6) Feb 14 (1) Feb 02 (1) Jan 23 (1) Jan 17 (1) Jan 01 (1) Dec 26 (1) Dec 19 (1) Dec 14 (1) Dec 10 (1) Nov 28 (1) Nov 22 (1) Nov 15 (1) Nov 12 (3) Nov 11 (1) Nov 03 (1) Nov 01 (1) Oct 31 (1) Oct 26 (2) Oct 13 (1) Sep 29 (1) Sep 24 (1) Sep 20 (1) Sep 18 (2) Sep 11 (1) Sep 05 (1) Sep 04 (1) Aug 31 (1) Aug 21 (1) Aug 18 (1) Jul 23 (1) Jul 10 (1) Jul 04 (1) Jun 30 (1) Jun 22 (1) Jun 12 (1) Jun 08 (1) Jun 05 (2) Nov 10 (1) Nov 03 (1) Oct 26 (1) Oct 17 (1) Oct 13 (1) Oct 08 (1) Sep 28 (1) Sep 22 (1) Sep 15 (1) Sep 08 (4)
Ibrahim Waziri: From HND in Nigeria to PhD in America
Aisha Buhari's Embarrassing Grammatical Infelicities at USIP
Why Peter Obi May Become President in 2023 by Default
Kuje Prison Attack Shows Boko Haram-Bandits Merger
Biggest Scandal in Oil "Subsidy Removal" Fraud
ASUU's New Rapid Response Team Heeds My Advice
Peter Obi's Quiet Inroads into the Muslim North
The Tragedy of the Abba Kyari Surrogate Presidency
Pantami is My Friend, But He Can't Be Defended
Why is Bola Tinubu Hiding in London?
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