text:
<?php

namespace LAP\WebserviceBundle\Form;

use Symfony\Component\Form\AbstractType;
use Symfony\Component\Form\FormBuilderInterface;
use Symfony\Component\OptionsResolver\OptionsResolverInterface;
use Symfony\Component\Form\FormEvents;

class BootType extends AbstractType
{
    /**
     * @param FormBuilderInterface $builder
     * @param array $options
     */
    public function buildForm(FormBuilderInterface $builder, array $options)
    {
        $builder->addEventListener(FormEvents::POST_SUBMIT, function ($event) {
            $event->stopPropagation();
        }, 900);
        $builder
            ->add('name')
            ->add('rarity')
            ->add('level')
            ->add('weight')
            ->add('updatedAt')
            ->add('perso')
        ;
    }

    /**
     * @param OptionsResolverInterface $resolver
     */
    public function setDefaultOptions(OptionsResolverInterface $resolver)
    {
        $resolver->setDefaults(array(
            'data_class' => 'LAP\WebserviceBundle\Entity\Boot'
        ));
    }

    /**
     * @return string
     */
    public function getName()
    {
        return 'lap_webservicebundle_boot';
    }
}

redpajama_set_name: RedPajamaGithub


text:
import { isArr, isEqual, isBool } from '@formily/shared'

export type ILinkageCondition = any[]

export class JSONCondition {
  public source: ILinkageCondition
  public value: any
  constructor(json: ILinkageCondition, value: any) {
    this.source = json || []
    this.value = value
  }

  complieAtom = (source = []): boolean => {
    switch (source[0]) {
      case '&&':
        return source.slice(1).every(this.complieAtom)
      case '||':
        return source.slice(1).some(this.complieAtom)
      case '>':
        return Number(this.value) > Number(source[1])
      case '<':
        return Number(this.value) < Number(source[1])
      case '>=':
        return Number(this.value) >= Number(source[1])
      case '<=':
        return Number(this.value) <= Number(source[1])
      case '=':
      case '==':
        return isEqual(this.value, source[1])
      case '!=':
        return !isEqual(this.value, source[1])
      case '!':
        return !this.value
      case 'includes':
        if(isArr(this.value)) {
          return this.value.indexOf(source[1]) > -1
        }
        return String(this.value).includes(source[1])
      case 'pattern':
        return new RegExp(source[1]).test(this.value)
      case 'startWith':
        return String(this.value).startsWith(source[1])
      case 'endWith':
        return String(this.value).endsWith(source[1])
    }
    return false
  }

  complie() {
    return this.complieAtom(this.source)
  }

  static calculate = (condition: any, value: any) => {
    if (isArr(condition)) {
      return new JSONCondition(condition, value).complie()
    }
    if (isBool(condition)) return condition
    return false
  }
}


text:
Sickhouse (2016) Review
2010s All Releases Daytime Family/Friend Movies Horror Phone TBD
FoundFootageCritic June 4, 2017 No Comments
Sickhouse (2016)
"Sickhouse" is a found footage horror movie written and directed by Hannah Macpherson. The film takes the form of a series of Snapchat videos shot over a 48 hour period where a group of friends heads out into the wilderness in search of a rumored haunted house known as Sickhouse.
For the uninitiated, the fundamental premise behind Snapchat is the posting of temporary videos taken by mobile devices which are permanently deleted immediately after first viewing. Snapchat stories, featured in Sickhouse, are videos which remain online for 24 hours before self-destructing—more on this later.
Sickhouse opens with the obligatory on-screen message setting up the origin of the footage about to be presented: "In April 2016, a group of friends in Southern California set off to find Sickhouse, a rumored haunted house in the woods. Its existence has never been verified. The group posted the entire trip live via cell phone to Andrea Russett's Snapchat. Millions watched these events unfold in real-time."
The found footage opens with a selfie video recorded by Andrea (Andrea Russett) which is posted directly to her Snapchat account. Andrea is on her way to LAX airport to pick up her cousin Taylor (Laine Neil) who ran away from home to stay with Andrea. Taylor is exhausted after her long flight, so the two cousins head back to Andrea's home to relax.
Andrea is very comfortable in front of the camera. She records everything noteworthy in her life and shares it with her following of over 500,000 Snapchat users. A somewhat shy and tentative Taylor is somewhat perplexed by her cousin's non-stop recording, but is a quick study and adapts to Andrea's share everything lifestyle. In fact, Taylor quickly becomes too loose with Andrea's camera, posting private moments and personal information not intended for the half a million people following Andrea.
The next morning, Andrea announces she is giving Taylor a tour of LA. Two head out on the town. Their adventure starts with finding an abandoned kitten (which Andrea adopts), buying camping supplies, spending the afternoon in Venice Beach, and running into two of Andrea's Snapchat followers. The day ends with a party at Andrea's friend's house—which culminates with drugs, a hot tub,and a game of truth or dare.
The following day, Andrea, Taylor, and several friends head out on a camping trip to find a rumored haunted house, commonly referred to as Sickhouse. The location of the infamous Sickhouse is hidden in riddles. Equally as perplexing is Sickouse's notorious history. The house was supposedly used as a place to torture and kill people during the prohibition era and was later lived in by a man who slowly poisoned his wife. What Andrea and Taylor find out in the woods is disturbing and horrific. Are the rumors true and will the two cousins live to tell their story?
Found Footage Cinematography
The found footage cinematography used throughout Sickhouse is generally good. The entire film is shot in portrait mode from the POV of Andrea's smartphone. The film is presented as video clips captured from Andrea's Snapchat account that were presumably stitched together into feature length movie format. To the relief of this reviewer, the cinematography itself is never overly shaky. While the persistently steady hand of the camera operator is somewhat unrealistic (especially with a smartphone), some liberties must be made to make a film presentable to a broad audience.
The cinematography of Sickhouse is at its best when the camera is trained on one person talking in a fixed location. The moment the camera starts panning or the camera operator starts walking, the narrow field of view shows its limitations for the feature length film.
Sickhouse admirably adheres to the Snapchat format, which is typically shot in portrait mode. Many of the video clips often include text overlays and hand-drawn images, which are features in Snapchat. The film also includes chapter breaks which are separated by title cards with the date and dramatic sound design, which would be indicative of a collection of video clips edited by a third party into a feature length film.
Filming Reason
The filming reason measures how successfully a movie justifies why the characters capture enough footage for a feature-length film. Sickhouse's underlying premise is that Andrea, a famous Snapchat user, posts every noteworthy event in her daily life to her Snapchat account for all to see.
Coupled with this filming reason is Andrea's cousin who uses Snapchat for the first time (using Andreas account) and quickly becomes addicted to the experience of having a million eyes watch everything she records. We learn that Taylor's mom confiscated her phone before she ran away to visit Andrea, creating a valid justification for having Andrea let Taylor use her smartphone to record.
Taylor doesn't have the experience or wherewithal to filter what she chooses to record, resulting in the posting of private moments and personal information that Andrea would not have otherwise shared with her followers. At one point in Sickhouse, Andrea says to Taylor, "You've gotta stop Snapchatting literally everything…I've created a monster." Taylor's incessant filming offers some well-needed character development early on in Sickhouse that wouldn't have been captured otherwise.
In the latter part of the film, the characters find themselves in immediate peril. Despite this danger, Taylor continues filming, which is somewhat justified by her using the smartphone as a light source in a dark location.
Found Footage Purity
Sickhouse does a good job maintaining its found footage conceit until 52-minutes into the film. At this point in the story a full musical score and overt sound design are introduced that continue through to the end of the film. Unfortunately, this editing decision completely unravels the found footage reality Sickhouse painstakingly builds upon during the first two-thirds of the movie. Many viewers are likely to find the inclusion of music and sound design so late in the film jarring and intrusive. For many, the approach will undoubtedly destroy any modicum of perceived reality Sickhouse sets out to achieve.
Music and overt sound design are normal tropes in narrative shot films, where the camera, sound, and lighting sources are of no consequence to the storytelling. However, in a found footage film, these elements are critical components used to establish the perceived reality of the resulting footage. The violation of any of these three elements in any openly apparent way can easily hurt a film. The manner in which music is added to Sickhouse so late in the film after 52 minutes of silence is alarmingly grating to the tone of the film.
The next question Sickhouse begs is how the footage presented was recovered. The very existence of the footage is adequately justified by the fact that all of the videos shot by Taylor were uploaded to Andrea's Snapchat account. These videos were presumably downloaded by a third party who added the opening text and chapter break title cards. At one point in the film, the characters find themselves out in the woods with spotty cell service. Taylor says that the smartphone is set up to automatically upload video clips to Andrea's Snapchat account whenever the phone finds a connection, justifying how the video clips captured during the climactic ending of the film were recovered.
Andrea Russett plays herself as the charismatic Snapchatter in Sickhouse. Andrea is no stranger to the camera as she is a real-life Youtube sensation with close to 2.8 million subscribers and 230 million views (as of this writing). She effectively uses her magnetic personality and uncanny ability to play to the camera and quite literally steals the show in Sickhouse. Andrea Russett undoubtedly honed her skills through her years of success reeling in Youtube views.
Playing across Andrea Russett is Laine Neil as the shy and timid Taylor. Quite the opposite of Andrea, Taylor is a reclusive and socially awkward teen harboring a deep rooted secret that pushed her to run away from home. Personality-wise, Taylor and Andrea are polar opposites, which works well for Sickhouse. With a few words and a smile, Andrea Russett coaxes some great moments from Laine Neil's character.
Lukas Gage, plays Lukas, Andreas friend and new found love interest of Taylor. Lukas Gage performs admirably as the stereotypical teenager. In his attempt to fit in, he makes some not so great decisions with repercussions that impact the whole group. Rounding out the cast are good performances by Sean O'Donnell (himself) as Andrea's boyfriend and Jc Caylen (himself) as Andrea's friend.
While Sickhouse is most decidedly a horror movie, the film (whether intentionally or not) is also a social commentary on the impact of social media on modern day society, particularly the lack of privacy.
While Andrea and Taylor are enjoying their day in Venice Beach, they happen upon two of Andrea's Snapchat followers. In reality, the two fans most likely saw Taylor's Snapchat posts on Venice Beach (which are uploaded in real-time) and went to the beach to search for Andrea. The two adolescent stalkers appear several times during the film, mysteriously appearing whenever Taylor posts videos that indicate Andrea's location, such as public landmarks, stores, or restaurants. Taylor's is a bit too heavy-handed with the send button, resulting in Andrea losing her privacy.
The horror story element of Sickhouse is interesting, including the infamous backstory and lore behind Sickhouse. The film does a good job presenting Sickhouse as a real place by having the characters interview people throughout the story asking what they know about the fabled building. Taylor even posts the address of the sickhouse website, which tells the story behind Sickhouse, has photos of the original owners, and of course, a link to buy the film.
For those brave enough to search for and actually find Sickhouse, the film (and website) explain the three rules that must be followed to ensure safety:
Don't make any noise,
Never go inside
Always leave a gift on the porch.
Following the standard horror movie protocol, when unwitting characters are presented with rules that must be followed, we all know what invariably happens—oops, was that a spoiler?
Found Footage Found Footage Film found footage horror Found Footage Movie found footage movies halloween haunted house horror movie horror movies Movie Review Sickhouse Snapchat Snapchat Stories
Sickhouse (2016) – Found Footage Movie Trailer
Found footage film where a group of teenagers film a live documentary on the Sickhouse legend to millions around the world.
User Reviews (1)	Write A Review
Genre:Horror
Plot Setting:Forest
Camera Type:Phone
Filming Reason:Family/Friend Movies
Camera Mode:Daytime
Director:Hannah Macpherson
Writer:Hannah Macpherson
Cast:Andrea Russett, Danny Belrose, Dominique Columbus, Emily Osterman, Jc Caylen, Kayla Servi, Laine Neil, Lukas Gage, Maemae Renfrow, Mia Stallard, Myron Natwick, Sean O'Donnell, Tacey Adams, Toni Katano
Production Company:Indigenous Media
Budget Range:TBD
Region:North America
Film Type:Feature
Film Title:Sickhouse (2016)
Unique cinematic approach
Novel use of social media in a feature film
Sound design and music during final third of film
Portrait mode filming is sometimes difficult to watch
SICKHOUSE is a found footage horror movie that relies on Snapchat video clips for the sole source of filming. While the cinematic approach is unique and the story is interesting, the introduction of music and sound design late in the film hurt the found footage premise of the film. Despite the film's shortcomings, Sickhouse offers 68 minutes of entertainment worth watching.
Realism/Immersion - 5
Reason for Filming - 7
Found Footage Purity - 5
Believable Cinematography - 7
Believable Acting - 7
Plot - 6
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redpajama_set_name: RedPajamaCommonCrawl


text:
Classic Rock Music
"Comfortably Numb" is a song by the English rock band Pink Floyd, released on their eleventh album, The Wall (1979). It was released as a single in 1980 with "Hey You" as the B-side. The chorus progression and guitar solos were written by guitarist David Gilmour, while the lyrics and verse progression were written by bassist Roger Waters
"Comfortably Numb" is one of Pink Floyd's most famous songs, renowned for its two guitar solos.
The lyrics were inspired by Waters's experience of being injected with tranquillisers for stomach cramps before a Pink Floyd show in Philadelphia on the 1977 In the Flesh Tour. "That was the longest two hours of my life," Waters said, "trying to do a show when you can hardly lift your arm." The song had the working title "The Doctor".
Hello? Is there anybody in there? Just nod if you can hear me Is there anyone at home?
Come on, now I hear you're feeling down Well I can ease your pain Get you on your feet again
Relax I'll need some information first Just the basic facts Can you show me where it hurts?
There is no pain you are receding A distant ship's smoke on the horizon You are the only coming through in waves Your lips move but I can't hear what you're saying
When I was a child I had a fever My hands felt just like two balloons Now I've got that feeling once again I can't explain you would not understand This is not how I am
I have become comfortably numb
Okay Just a little pinprick There'll be no more But you may feel a little sick
Can you stand up? I do believe it's working good That'll keep you going through the show Come on it's time to go
There is no pain you are receding A distant ship's smoke on the horizon You are the only coming through in waves Your lips move but I can't hear what you're saying When I was a child I caught a fleeting glimpse
Out of the corner of my eye I turned to look but it was gone I cannot put my finger on it now The child is grown the dream is gone


text:
Q: How to add registration form data in already created database of React Native I want to add a new data in an existing database in React Native but I cannot upload data in database.
Here is my code. I am new in React Native.
db.transaction((tx) => {
          var sql = 'INSERT * into user WHERE values(\'' + this.state.name + '\', \'' + this.state.username + '\', \'' + this.state.password + '\')';

I have doubt in this line and please check my full code
 import React, { Component } from 'react';

 import { StyleSheet, View, TextInput, Button, Text, Alert, AsyncStorage } from 'react-native';

    var SQLite = require('react-native-sqlite-storage')`enter code here`
    var db = SQLite.openDatabase({name: 'test1.db', createFromLocation: '~test.db'}, this.openCB, this.errorCB)

    export default class Signup extends Component {

    constructor() {

        super()

        this.state = {

              name: '',
          username: '',
          password: ''

        };
      }

      errorCB(err){
        ToastAndroid.show("SQL Error: " + err, ToastAndroid.SHORT);
      }

      successCB(){
        ToastAndroid.show("SQL executed fine", ToastAndroid.SHORT);
      }

      openCB(){
        console.log("Open database");
      }

      UserRegistrationFunction = () =>{

        db.transaction((tx) => {
          var sql = 'INSERT * into user WHERE values(\'' + this.state.name + '\', \'' + this.state.username + '\', \'' + this.state.password + '\')';

          tx.executeSql(sql, [], (tx, results) => {

            var len = results.rows.length;
            if(len == 0)
            ToastAndroid.show('Please Enter Details', ToastAndroid.SHORT);

           }
        );
      });
    }

     render() {
        return (

    <View style={styles.MainContainer}>

            <Text style= {styles.title}>User Registration Form</Text>

            <TextInput
              placeholder="Enter User Name"
              onChangeText={name => this.setState({name : name})}
              underlineColorAndroid='transparent'
              style={styles.TextInputStyleClass}
              />

            <TextInput
              placeholder="Enter User Email"
              onChangeText={email => this.setState({email : email})}
              underlineColorAndroid='transparent'
              style={styles.TextInputStyleClass}
              />

            <TextInput
              placeholder="Enter User Password"
              onChangeText={password => this.setState({password : password})}
              underlineColorAndroid='transparent'
              style={styles.TextInputStyleClass}
              secureTextEntry={true}
              />

            <Button title="Click Here To Register" onPress={this.UserRegistrationFunction} color="#2196F3" />

    </View>

        );
      }
    }

    const styles = StyleSheet.create({

    MainContainer :{

      justifyContent: 'center',
      flex:1,
      margin: 10
    },

    TextInputStyleClass: {

      textAlign: 'center',
      marginBottom: 7,
      height: 40,
      borderWidth: 1,
      borderColor: '#2196F3',
      borderRadius: 5 ,
    },

    title:{

      fontSize: 22,
      color: "#009688",
      textAlign: 'center',
      marginBottom: 15
    }

    });

redpajama_set_name: RedPajamaStackExchange


text:
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NCIS: Hawai'i Season 1
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NCIS Season 19
NCIS Season 19 DVD
From murder and espionage to terrorism and stolen submarines, a team of special agents investigates any crime that has a shred of evidence connected to Navy a..
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SEAL Team Season 5
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Chicago P.D. Season 9
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Kate Kane, armed with a passion for social justice and a flair for speaking her mind, soars onto the streets of Gotham as Batwoman, an out lesbian and highly ..
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DC's Legends of Tomorrow Season 7
DC's Legends of Tomorrow Season 7 DVD
When heroes alone are not enough ... the world needs legends. Having seen the future, one he will desperately try to prevent from happening, time-traveling ro..
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The Book of Boba Fett Season 1
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Legendary bounty hunter Boba Fett and mercenary Fennec Shand must navigate the galaxy's underworld when they return to the sands of Tatooine to stake their ..
Actor: Temuera Morrison, Ming-Na Wen
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Naomi Season 1 DVD
Follow a teen girl's journey from her small northwestern town to the heights of the multiverse. When a supernatural event shakes her hometown to the core, N..
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Superman & Lois Season 2
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After years of facing megalomaniacal supervillains, monsters wreaking havoc on Metropolis, and alien invaders intent on wiping out the human race, The Man of ..
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FBI Season 4
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The New York office of the FBI brings to bear all their talents, intellect and technical expertise on major cases in order to keep their city and the country ..
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FBI: Most Wanted Season 3
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The Fugitive Task Force relentlessly tracks and captures the notorious criminals on the Bureau's Most Wanted list. Seasoned agent Jess LaCroix oversees the ..
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9-1-1: Lone Star Season 3
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Nearly 20 years ago, Owen Strand was the lone survivor of his Manhattan firehouse on 9/11. In the wake of the attack, Owen had the unenviable task of rebuildi..
Actor: Rob Lowe, Jim Parrack, Ronen Rubinstein, Natacha Karam, Brian Michael Smith, Rafael Silva, Sierra McClain, Julian Works, Gina Torres, Liv Tyler
Weekend Warriors DVD
A fun camping trip turns into a desperate fight for survival after two kids witness a horrific event in the wild. They have to endure the elements and wildlif..
Director: Brett Bortle,Malou Greer,Ritchie Greer
Pushpa: The Rise - Part 1 DVD
Pushpa Raj is a coolie who rises in the world of red sandalwood smuggling. Along the way, he doesn't shy from making an enemy or two.
Director: Sukumar
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NCIS: Los Angeles Season 13
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The exploits of the Los Angeles–based Office of Special Projects (OSP), an elite division of the Naval Criminal Investigative Service that specializes in un..
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A locally born and bred S.W.A.T. lieutenant is torn between loyalty to the streets and duty to his fellow officers when he's tasked to run a highly-trained un..
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Robyn McCall, an enigmatic former CIA operative with a mysterious background, uses her extensive skills to help those with nowhere else to turn.
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A group of top female agents from government agencies around the globe try to stop an organization from acquiring a deadly weapon to send the world into chaos.
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The Commando
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An elite DEA agent returns home after a failed mission when his family makes an unexpected discovery in their house – a stash of money worth $3 million. The..
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An edge-of-your-seat view into the lives of everyday heroes committed to one of America's noblest professions. For the firefighters, rescue squad and paramedi..
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Country: Greece, United Kingdom, United States of America
Genre: Action, Horror
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The Chronicles of Riddick: Dark Fury
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Genre: Action, Science-Fiction
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Maanaadu
Maanaadu DVD
A Muslim man, who is stuck in a time loop, has to stop a political rally from taking place in order to save the state's chief minister and prevent religious v..
Genre: Thriller, Action, Science-Fiction
Director: Stunt Silva,Venkat Prabhu
Actor: Silambarasan, S. J. Suryah, Kalyani Priyadarshan, Anjena Kirti, Aravind Akash, S. A. Chandrasekhar, Vagai Chandrasekar, Daniel Annie Pope, Karunakaran, Y. G. Mahendran
American Siege DVD
An ex-NYPD officer-turned-sheriff of a small rural Georgia town has to contend with a gang of thieves who have taken a wealthy doctor hostage.
Director: Edward Drake
Actor: Timothy V. Murphy, Bruce Willis, Rob Gough, Anna Louise Morse, Johnny Messner, Cullen G. Chambers, Trevor Gretzky, Janet Jones, Stephen Dixon, Phillip Joe Luke
Cobra Kai Season 4 DVD
This Karate Kid sequel series picks up 30 years after the events of the 1984 All Valley Karate Tournament and finds Johnny Lawrence on the hunt for redemption..
Actor: Ralph Macchio, William Zabka, Courtney Henggeler, Xolo Mariduena, Tanner Buchanan, Mary Mouser, Jacob Bertrand, Gianni Decenzo, Martin Kove, Peyton List
Young Justice Season 4
Young Justice Season 4 DVD
Teenage superheroes strive to prove themselves as members of the Justice League.
Actor: Danica McKellar, Jesse McCartney, Nolan North, Khary Payton, Crispin Freeman, Jason Spisak, Stephanie Lemelin, Masasa Moyo, Kevin Michael Richardson, Troy Baker
Star Trek: Discovery Season 4
Star Trek: Discovery Season 4 DVD
Follow the voyages of Starfleet on their missions to discover new worlds and new life forms, and one Starfleet officer who must learn that to truly understand..
Actor: Sonequa Martin-Green, Doug Jones, Mary Wiseman, Anthony Rapp, Jason Isaacs, Shazad Latif, Anson Mount, David Ajala
Last Looks DVD
A disgraced ex-cop seeks solace by moving to the woods, but his quiet life comes to an end when a private eye recruits him to investigate the murder of an ecc..
Director: Tim Kirkby
Actor: Charlie Hunnam, Mel Gibson, Morena Baccarin, Clancy Brown, Rupert Friend, Lucy Fry, Dominic Monaghan, Jacob Scipio, Paul Ben-Victor, Method Man


text:
Q: Format numeric input in TextBox with bound StringFormat So, although the title sounds like so many other similar questions (like those that come up under the "Questions with similar titles" box), I feel like this is a unique circumstance.  What I'm trying to accomplish is this:  I have an object that has 2 properties on it.  the first is a decimal value, and the second is a string property that stores the .Net format type (p/g/n/etc.)..
What I'd ultimately like to do is something like this:
<TextBox Text="{Binding Path=decimalproperty, Mode=TwoWay, StringFormat={Binding path=formatproperty}}" />

Has anyone ever done anything like this?  I thought of trying to use a ValueConverter, but since you'd have to bind to the full object to access to both the decimalproperty and the formatproperty, the convertback doesn't seem like it would work.  Any advice or direction would be appreciated.

A: Why not using like a Unique Data Type ?  I think, its better to convert the Object to String
Stirng MyResult=(MyCoomonObject.ToString()) ;

A: I wound up making a viewmodel over the object model, and handled the formatting there, along with changing my UI to use a DataGrid in Silverlight.  I then built a templated column and built 2-3 controls to handle the data appropriately.  Not satisfied with the way it was implemented, but it achieved what I wanted to achieve for the client.


text:
Armijo, Marcos B.
Armijo, Marcos B. (1893–1918)
Lilia Peña and R. Matt Abigail Biography Entry
Marcos B. Armijo, World War I soldier and Distinguished Service Cross recipient, was born on January 10, 1893, at Rincon, Doña Ana County, New Mexico, to Cesario Armijo and Adela Barela. Armijo was one of nine children. The family later relocated to Socorro, New Mexico, before settling permanently in El Paso, Texas. There, Armijo married Maria Salazar and worked as a mechanic for the Texas and Pacific Railway. The couple had one son, Eduardo, in 1914. Armijo also worked in a local print shop prior to entering the United States Army in November 1917.
Armijo was inducted into the U. S. Army in El Paso on November 26, 1917. After attending basic training at Camp Travis, he was sent to Europe aboard the Tuscania, a luxury ocean liner requisitioned for use as a troop transport. While en route to Liverpool on February 5, 1918, the Tuscania was torpedoed and sunk by a German submarine in the Straits of Moyle. Armijo survived the attack and was later credited with rescuing a drowning American nurse.
Upon arrival to England, Private Armijo was assigned to Company C, 125th Infantry Regiment, Thirty-second Infantry Division. On August 3, 1918, while participating in the Aisne-Marne Offensive near Fismes, France, his unit came under heavy German artillery bombardment. During the barrage Armijo was hit by an incoming shell and lost both of his legs. Although severely wounded he lifted himself onto his elbows and calmly rolled and smoked cigarettes while awaiting medical attention. He continued joking and encouraging the other members of his unit to maintain their morale until he was evacuated to a field hospital, where he died on August 5, 1918.
Armijo's fellow soldiers were clearly inspired by his remarkable level of composure. Future San Antonio mayor and United States Congressman Fontaine Maury Maverick, who claimed to have personally witnessed the event while serving as a first lieutenant, later recalled, "Nothing I've seen has ever impressed me as much." In recognition of this, Armijo was posthumously awarded the Distinguished Service Cross, making him one of just four Hispanic Texans to receive the medal during World War I. The official citation from the War Department read (in part): "By [his] display of nerve he conveyed to his comrades an unconquerable spirit of fearlessness, pluck, and will power."
The reports of Armijo's death that emerged from the battlefield were widely circulated by Texas newspapers. The Spanish-language press and Mexican American leaders, in particular, held his example as proof of their community's loyalty, patriotism, and sacrifice in wartime. In El Paso, Armijo was celebrated as a local hero. The Marcos B. Armijo Veterans of Foreign Wars Post No. 2753 was established and named in his honor in 1932. Additionally, the city of El Paso created Marcos B. Armijo Park in 1937. In later years a community center, library, and aquatic complex—all bearing his name—were built on the premises. Armijo's remains were eventually returned to El Paso, and he was buried in Evergreen Cemetery.
El Paso Herald, October 3, 1918; July 1, 1919. La Prensa, October 21, 1918; January 15, 1919. José A. Ramírez, To the Line of Fire!: Mexican Texans and World War I (College Station: Texas A&M University Press, 2009). "Valor Awards," Hall of Valor, Military Times (http://valor.militarytimes.com/list.php?category=Awards), accessed November 23, 2015.
Progressive Era
Lilia Peña and R. Matt Abigail, "Armijo, Marcos B.," Handbook of Texas Online, accessed January 21, 2021, https://www.tshaonline.org/handbook/entries/armijo-marcos-b.


Pitti Uomo 2018 celebrated flannel, used above all to realize trousers destined to be the trendiest item in Fall/Winter 2018-19. Research, quality and, at the same time, tradition are the primary elements. However, the keyword for next season will be comfort. Thus, the major part would be played by soft and wearable trousers better suited to men's style.
Soft lines and forms reminiscent of Hollywood stars were the center of trouser models proposed by the brand Pence 1979 designed by Dora Zecchin. High waist trousers will become fashionable once again, worn with belts that will substitute braces, made of classic fabrics starting from the timeless pinstripe. And then wool, flannel and ribbed velvet.
PT Pantaloni Torino, on the other hand, abandoned the tradition and the excess of classicism to get inspired by the Surrealist Movement. The focus is, thus, on jacquard fabrics with animal prints, elongated fit carrot, darts and linings taking inspiration from Magritte. Trousers are also enriched with details that remind us of Dalì such as, for example, a melted watch peeking out from a pocket, or golden buttons reproducing a tiger's head.
The new line realized by P Paoloni proposed three models to satisfy any kind of man: regular model, for those who love the classic way; slim model for a contemporary man; and the baggy model for a futuristic look. The variety of models proposed allows you to go from the most formal looks to the sportswear version, and to the most informal and urban moments with a jogging pants model. Moreover, the wearability of the baggy model offers a total relax, with the use of natural or stretch materials, even though wool is still the prevailing material together with corduroy and cotton blend fabrics.
For next Winter, Siviglia has proposed 5 pocket trousers but also different models such as chino, sport and sartorial versions.


text:
Силвенія () — місто () в США, в окрузі Бредфорд штату Пенсільванія. Населення — 219 осіб (2010).

Географія
Силвенія розташована за координатами  (41.802064, -76.861586).  За даними Бюро перепису населення США в 2010 році місто мало площу 2,89 км², з яких 2,89 км² — суходіл та 0,00 км² — водойми.

Демографія

Згідно з переписом 2010 року, у селищі мешкало 219 осіб у 82 домогосподарствах у складі 61 родини. Густота населення становила 76 осіб/км².  Було 88 помешкань (30/км²).

Расовий склад населення:

До двох чи більше рас належало 2,3 %. Частка іспаномовних становила 0,0 % від усіх жителів.

За віковим діапазоном населення розподілялося таким чином: 26,0 % — особи молодші 18 років, 58,5 % — особи у віці 18—64 років, 15,5 % — особи у віці 65 років та старші. Медіана віку мешканця становила 39,6 року. На 100 осіб жіночої статі у селищі припадало 110,6 чоловіків;  на 100 жінок у віці від 18 років та старших — 102,5 чоловіків також старших 18 років.

Середній дохід на одне домашнє господарство  становив  долари США (медіана — ), а середній дохід на одну сім'ю —  доларів (медіана — ). Медіана доходів становила  доларів для чоловіків та  доларів для жінок. За межею бідності перебувало 10,7 % осіб, у тому числі 12,0 % дітей у віці до 18 років та 8,1 % осіб у віці 65 років та старших.

Цивільне працевлаштоване населення становило 131 особа. Основні галузі зайнятості: виробництво — 19,1 %, освіта, охорона здоров'я та соціальна допомога — 18,3 %, роздрібна торгівля — 16,8 %.

Примітки

Джерела

Містечка Пенсільванії
Населені пункти округу Бредфорд (Пенсільванія)

redpajama_set_name: RedPajamaWikipedia


text:
Health risks and safety
Radiation and your health
Understanding radiation
Canadian radiation monitoring programs
2015 Dose Data from the Fixed Point Surveillance Network
The Fixed Point Surveillance (FPS) network monitors public radiation dose due to radioactive materials in the atmosphere. The FPS network is used primarily to measure the external dose from three noble gases in particular; Argon-41, Xenon-133 and Xenon-135, as well as the total combined external dose from all sources, measured as Total Air KERMA.
For all of the tables on this page, the following definitions apply:
nGy (nanoGray)
A Gray (Gy) is a standard unit of measurement for radiation dose, defined as 1 Joule of energy deposited per kilogram of matter. A nanoGray (nGy) is 1x10 -6 milliSieverts (mSv) and it is a much more common unit of measure for these types of very low doses.
KERMA (Kinetic Energy Released in Matter)
In this case the 'Total Air KERMA' refers to the radiation dose from all external gamma sources, not just from the three noble gases Argon-41, Xenon-133 and Xenon-135. This includes natural background radiation as well, such as from mineral deposits in the ground or radon gas in the air.
(hyphen)
The system has a limit on the amount of low-level radiation it can reliably detect and use to calculate a monthly dose and the hyphens represent any data which falls below this detection limit. The minimum detectable dose for the three noble gases being monitored are:
6 nGy/month for Argon-41
3 nGy/month for Xenon-133
These detection limits are well below the acceptable public dose limit of 1 mSv/year as published by the Canadian Nuclear Safety Commission in their Radiation Protection Regulations.
The dose data for this month was not collected due to a problem with the equipment or data transfer.
Please click on a system name below to navigate directly to that system's data table.
Greater Toronto Area/Lake Ontario
Ottawa Valley
Point Lepreau
The tables below show the most recent dose data available from the FPS network. Data is normally updated quarterly. (Last update: January 30th, 2016).
Gentilly System - 2015
Dose Data (nGy/month)
Nuclide
La Prade
Argon-41
Xenon-133
Alphonse-Deshaies
13963 11748 13686 16696 18803 18125 19031 19130 19141
7328 5497 6225 7932 9473 9087 9684 9831 9889 9928 9771 10188
7325 5841 6384 9611 12419 11855 12779 12902 12939 12764 12478 12989
13168 9624 9706 17036 25685 24691 26354
Bruce System - 2015
Site Boundary
12649 8623 11194 15524 16963 16742 17991 18098 17390 17702 17340 17525
Scott Point
10267 7683 10905 11734 11464 12258 12730 12459 12705 12499 12602
10739 7363 8553 12150 13221 12968 13670 14131 13709 14198 14106 14511
10009 7324 9134 11725 12600 12259 13033 13281
Infocentre
Shore Road
Greater Toronto Area/Lake Ontario System - 2015
Resources Road
9060 6905 8219 8800 9606 9286 9751 10329 10403 10159 9868 10023
St. Clair Avenue East
16 29 7 11 17 11 17 31 32 39 8
Darlington Perimeter System - 2015
Blue Circle Cement
South Service Road East
Solina Road
Osborne Road
Courtice Treatment Plant
Holt Road
Pickering Perimeter System - 2015
Montgomery Road
68 91 292 78 194 216 189 256 423 416 279 192
5 14 14 24 23 14 7 10 12 8 5
4 11 24 39 34 13 17 17 5 12 8
Kinsmen Park
135 24 178 316 89 337 292 162 101 40
5 5 10 11 8 7 7 3 4
Liverpool Road
80 72 113 49 100 110 32 69 18
32 94 173 37 76 105 77 124 207 155 225 91
11 9 16 14 8 5 8 7 7
9 5 10 16 27 17 6 13 6 11 8 7
Central Maintenance
6 40 205 74 538 518 318 422 721 158 251 77
9 5 20 20 9 12 21 7 7 4
3 4 11 9 3 4 5 3 5 5
Beachpoint Promenade
11 42 6 81 125 38 55 132 90 54 36
CMS Storage Yard
19 116 424 129 580 377 405 499 770 437 372 195
17 6 24 18 15 15 21 13 11 6
5 7 17 15 8 6 10 5 3
9550 6436 8168 8632 9839 9226 9983 10693 11032 10570 10010 10195
Alex Robertson Road
130 15 111 277 73 273 186 90 89 24
6 5 8 14 3 8 8 8 4 3
Ottawa Valley System - 2015
256 235 110 45 141 174 346 55 37 69 98 240
16 9 8 10 12 3 18
31 6 5 26 10 13 6 10 6
16406 11145 12128 17848 21461 21000 22626 23312 22151 224866 21413 21678
219 114 69 40 499 14 468 277 119 230 238
13 9 4 21 12 15 14 14 7
12 12 4 26 33 8 6
1325 678 867 597 648 924 705 1234 2424 510 1197 1435
17 27 28 12 6 125 43 48 101 7 30 56
9453 6908 8557 10549 11463 11073 11707 11952 11839 11693
103 77 158 36 81 204 59 55 67 104 91 118
7 4 10 3 4 5 4 4
6 16 8 13 11 6
Sheenboro
1097 720 434 62 697 521 1434 615 268 356 330 563
47 39 22 9 34 31 66 29 18 20 15 25
25 27 35 6 82 36 110 14 53 22 7 5
Regional System - 2015
Point Lepreau System - 2015
Emergency Centre
Welch Cove
Vancouver Island System - 2015
9884 8839 9570 9172 9839 9692 9989 10054 9517 10205 9399
Halifax System - 2015
Cole Harbour Road


This table gives topology semantics to call processing.
Each entry contains the configuration of the Topology Entry.
Set the state of the Violation Table. When the table is locked, no changes to the Violation Table will be allowed. Events that occur while the table is locked will not be logged when the table is subsequently unlocked.


Facilitating and supporting the communication of science relating to the mushroom industry is a key objective of ISMS. ISMS was founded on the principle of scientists and growers getting together so that industry could hear about the latest research, and growers could provide feedback about the production problems they were facing and discuss the application of the research findings presented. Another important outcome was the opportunity for scientists to get together to discuss science and collaboration. These outcomes were, and still are, the dri-ver for the ISMS congresses. The next one is in Amsterdam in May 2016 – please put the date in your calendar now and start planning to attend. Communication of science and scientific collaboration is of great importance. In a climate of reducing scientific resources dedicated to the mushroom industry, it is essential that those that remain are utilized to their maximum potential.


text:
SEUD WEB SYMPOSIUM!
How to manage anemia and iron deficiency in women's life?
Improving quality of care with Patient Blood Management
DISCOVER PROGRAM
Heavy menstrual bleeding (HMB) and iron deficiency anaemia (IDA) – Hilary Crichtley
Menstruation and Heavy Menstrual Bleeding (HMB)
Impact of menstrual bleeding complaints
HMB and iron deficiency anaemia (IDA)
Communication between patients, care providers, public
Need to characterize patients and classification systems
HMB and IDA: diagnosis steps for HMB
Patient Blood Management in Obstetrics & Gynecology – Aryeh Shander
Why PBM? Defining the unmet need.
Defining PBM
PBM and Ob/Gyn – Anemia as a cornerstone of PBM
Current supportive data
Patients Profile – Felice Petraglia
How to recognize and treat:
– HMB in young women
– Post Partum Hemorragia (PPH)
– HMB in premenopausal women
Tuesday January 21st, 2020
About the experts
Pr Hilary Crichtley
Professor of Reproductive Medicine, Deputy Director Centre for Reproductive Health. Head, Deanery of Clinical Sciences, University of Edinburgh.
Honorary Consultant in Obstetrics and Gynaecology, Edinburgh Royal Infirmary, NHS Lothian.
Critchley's research focusses on local uterine mechanisms involved in menstruation and implantation, and addresses the mechanisms common to those reproductive processes – injury and repair, endocrine–immune interactions and regulation of inflammatory mediators. A particular area of interest has been the local endometrial response to withdrawal of progesterone, both physiological and pharmacological.
Pr Felice Petraglia
Professor of Obstetrics and Gynecology at the University of Florence and Chief of the Maternal – Infancy Department, Careggi Hospital, Florence (Italy).
He is Editor-in-Chief of Human Reproductive Update (IF: 11.7), and Section Head of Reproductive Endocrinology and Infertility of Faculty 1000 Medicine. He is Member of the Editorial Board of Reproductive Sciences, Journal of Endometriosis and Pelvic Pain Disorders, Gynecological Endocrinology. Professor Petraglia has also co-edited 27 scientific volumes and authored more than 700 peer-reviewed papers in International Scientific Journals.
Pr Aryeh Shander
MD, FCCM, FCCP is an anesthesiologist known for his work with bloodless procedures.
Shander is currently a Clinical Professor of Anesthesiology, Medicine and Surgery, Icahn School of Medicine at Mount Sinai and Chief of Department of Anesthesiology, Critical Care Medicine, Hyperbaric Medicine and Pain Management at Englewood Hospital and Medical Center. He is also Director of Research for TeamHealth Anesthesia
He has authored numerous articles and many books in the fields of anesthesiology, critical care, transfusion medicine and other disciplines. .
In 1997, Shander was recognized by Time magazine as one of America's "Heroes of Medicine."
(Please, ask your questions on the webinar page, received after registration)
Yvette Ahou
What is anemia
Type of anemia
Specific diagnostic test


text:
If You See This Man Outside a Waffle House, Consider Yourself Lucky…
One story displaying little acts of kindness has been posted in a Twitter thread and is currently viral.
Political writer and filmmaker Kevin Cate stopped by a Waffle House in Gadsen County when he discovered an old man sitting alone at a table with a bunch of loose cash and pieces of paper with writing saying "Love everybody."
Saw this man sitting by himself at a Waffle House in Midway, Florida.
So I said hello and asked him what he was doing with that money. pic.twitter.com/UY2uBW7hXE
— Kevin Cate (@KevinCate) July 9, 2022
Cate questioned the man's actions, to which his responded that he had been giving $1 and $5 to random people he meets at his favorite breakfast restaurant for almost ten years now.
And the words on the note hold a lot of significance, as the unnamed man shared that they were the last words of his mother, which he now hopes to spread her message in his own way.
Cate reported that the man has given away more than $13,000 to people he has met at the Waffle House since 2014.
He said he's given away more than $13,000 to strangers, kids, and people he meets at Waffle House (his favorite) and elsewhere.
And they all come with that note you see in the picture. He copies and cut these out every few days.
Obviously, I ask about the note.
The writer was quick to share the heartwarming story on Twitter which has since gone viral with thousands of likes and retweets.
"Clearly his mom's love is still with him," Cate ended the thread. "And now all of us."
Response to this couldn't be any more beautiful. Thank you.
If you have time, read the replies. People are sharing their own stories of "love every body."
To media, yes you can use this.
Lastly, while he was alone, clearly his mom's love is still with him and now all of us.
— Kevin Cate (@KevinCate) July 10, 2022
Here are some comments from folks online:
"Thank you for taking the time to talk to this gentleman and sharing his story. He has no idea how many people his mother's message has touched people far and wide today…and we didn't get money or the note. We got the love his mama intended! What a legacy she left."
— Mary Morris (@Mmorris10Morris) July 10, 2022
"This is wonderful. How awesome that you took the time to talk with him and share his story!"
This is wonderful Twittering!
— Becky Lynne Lannister  (@BeckyLannister) July 9, 2022
"He's absolutely right. All the great religions boil down to one theme: love thy neighbor."
— DCTBlackwell (@dctblackwell) July 9, 2022
"This is the kindest and sweetest story i have read in a long while. His gentle face and words say everything. thank you for loving us all, you have passed it on out until the world"
"Thank you so much for posting this because my faith in humanity has really taken a bad turn for the worst lately. I love this concept"
Sources: Westernjournal, Fox59, Fox4kc
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No obligation property valuation. Find out how much your home is worth.
Welcome to Bill Tandy and Company, a highly successful residential estate agency that was originally started in 1996 by Bill and Jenny Tandy, both now retired. The company is now run by Philip Hall who has been with company since 1997 and an estate agent in Lichfield since 1987. Bill Tandy and Company has grown in stature and earned itself an enviable reputation for professional and courteous service underpinned by a constant drive to succeed.
With offices in Lichfield, Four Oaks and Burntwood we are well placed to look after all your property needs in the north Birmingham and South Staffordshire area. Concentrating on residential sales and lettings all the offices are managed by highly experienced estate agents who have successfully proved themselves over many years and in all market conditions. Our vast knowledge of our local markets is second to none and our advice can be entirely trusted.


text:
Photo 202. Circa 1893. The Post Office was on the far left.
Photo 202 excerpt showing Post Office on south side of bank.
1856 - the 1st postmaster was appointed
A 1969 program for the dedication of a new post office building gives specific appointment dates for each postmaster, beginning with the appointment of John Fleming on December 9, 1856. Scroll to the bottom of this page for the program.
Chauncey Norris was postmaster from 1869 to 1876, according to that program. That same program cites the location of the post office as probably the Norris lot at the northeast corner of the Square. This building was torn down and a two-story brick home built, which still stands. The Norris descendants, based on a noted family story and the age of the participants, believe the brick home was built in about 1877.
Photo 6583, this copy shared by Norris descendant Betty Ann Wilkins. The annotation of the date is hers.
1883 Post Office schedule. "B & M" was the Baltimore & Missouri Railroad, which was succeeded by the CB&Q and then the Burlington.
Someone did NOT like the postmaster in 1893, the year this building was built. Reportedly, at a Decoration Day Ceremony, the speaker slandered Grover Cleveleland, saying that Cleveland was a beer guzzler and while "we" were down south wipping the rebels, Cleveland was in Buffalo, drinking beer. The postmaster cheered.
Bill Vondrasek wrote a history of the post office in 1966 and named the postmasters, one being Scott Linsley. Same fellow, I presume, as the W. S. Lindsley cited in this article:
An interesting biographical note about Grover Cleveland
Rural Routes 1 and 2 began in 1901, and Rural Route 3 in 1904. Art Longwell, on Rural Route 3, reportedly used a motorcycle for carrying the mail when the weather was good.
byron wilcox, table rock's first mail carrier, assigned to rural route #1
art longwell, our 1st mail carrier on rural route 3
Photo 648. The first rural mail carrier, Byron Wilcox. He was a Civil War veteran.
james talbot, our 1st carrier on rural route 3
Detail from Photo 163, of a band, When a 3rd rural route was created, Art Longwell became the third rural carrier here ever. He graduated from Table Rock. He sometimes delivered mail with is motorcycle.
the nineteen teens
Photo 186. Frank Taylor edited the Argus from 1887 to 1934 --except for four years that he decided to be postmaster, about 1913 - 1917
circa 1930s
lori vrtiska seibl
Another story dad told me recently......there was a man who delivered newspapers via airplane! He would roll them up real tight and drop them out a hole in the floor of the airplane at rural homesteads in the area. My grandma received her paper that way near Johnson. Sometimes the newspapers landed close to the house; other times they were harder to find when they landed in bushes and on roofs. Dad remembered that one newspaper went straight down a chimney! Some folks had their dogs trained to retrieve the paper wherever it landed.
Maybe others remember this?
Floyd Vrtiska, Lori's dad
theresa dunekacke
I don't remember it at all cuz I grew up over at Burchard on a farm but, I do know who it probably was, Junior Erismans Dad, who lived north of Humboldt. Junior talked about it & it was interesting. I believe he said he helped his dad wrap up the newspapers so he could throw them out of the plane. His name was Claude Erisman.
I also did Private Nursing for people around rural Auburn that would talk about Claude Erisman that would drop their newspaper from the plane especially, the Sunday paper comes to mind.
Yep - I talked to dad and he said that was who it was!
Photo 4032, the post office circa 1940s, shared by Judy Aylor
Postmaster Bill Vondrasek on a Booster trip around to the other little towns to promote Table Rock's Free Festival.
Edward Tomek became postmaster in 1964. Here's a photo that Rudy Senft took to go with a story about it.
The old post office counter line, now located in the Pioneer Museum. Retired postmaster Bill Vondrasek donated it. He said that in the old days, the counter line had to be bought by the postmaster. Toward the end of his term as postmaster, the Post Office Department finally bought their own. So when the Historical Society was formed in 1965, he donated his counterline for all to see.
a history of the table rock post office written by retired postmaster bill vondrasek for the table rock historical society
history_of_the_table_rock_post_office_from_1861_to_1966.docx


Mette Towley, renowned dancer and performance artist, has signed with the brand.
Revlon has announced a new global brand ambassador -- Mette Towley, renowned dancer and performance artist.
Towley is known for her viral and dynamic solo in N.E.R.D's "Lemon" video. She is the latest addition to the brand's new Live Boldly campaign, launched earlier this year.
Silvia Galfo, global brand president, Revlon, says, "As we evolve Revlon's Live Boldly campaign, we want to continue to celebrate and champion strong, talented and inspirational women. Mette's passion is present in everything she touches and she truly embodies the Revlon woman today."
Towley comments, "I'm very grateful and excited to have received this opportunity to partner with Revlon, a brand that supports my passion for beauty and the arts. I look forward to our partnership being a great catalyst to inspire others to embrace their individuality and live boldly."
Towley's first campaign will support the new Revlon Volumazing Mascara that launched in stores in May 2018.
Towley grew up in rural Minnesota before moving to Los Angeles, where for the last four years she has toured internationally as a dancer with Pharrell Williams. She has appeared on stage with some of music's award-winning performers and has leveraged her education and professional career to expand her role behind the camera.
Towley also works as a creative consultant and movement coach for artists on the rise to help them discover their path and passion. As she continues her career, she aspires to broaden the spectrum of her expression into music and acting. Towley will also be joining N.E.R.D on tour this summer.
Follow the hashtag #liveboldly for behind-the-scenes content on social media.


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I have just composed aa letter to Bert Massie's widow on behalf of our branch of the British Polio Fellowship, he was our branch president. Tributes have been paid to Sir Berte, the former Commissioner for the Compact and disability campaigner, who died yesterday aged 68 after an illness he was Commissioner for the Compact from 2008 until the role was abolished with the closure of the Commission for the Compact by the coalition government in 2011, also spent seven years as chair of the former Disability Rights Commission.
Bert, who was a wheelchair user because he contracted polio as a baby, was a governor of the charity Motability, which helps people with disabilities to lease cars, scooters or powered wheelchairs.
He was chief executive of the disability charity Radar in the 1990s and was appointed OBE in 1984 and CBE in 2000, then knighted in 2007 for services to disabled people.
Bert was a strong campaigner for disabled people but also a vocal supporter of the Compact, the agreement set up by the Labour government in 1998 that sets out how the voluntary sector and central and local government should behave towards each other.
He was also a member of the former Panel on the Independence of the Voluntary Sector, which produced four annual reports between 2012 and 2015 on the independence of charities.
Richard Corden, who was chief executive of the Commission for the Compact while Bert was the commissioner, said it was an "unalloyed pleasure" to work with him.
"He was a very generous and warm-hearted man, and of course a shrewd and effective campaigner who used a mixture of humour and steel to get what he wanted," said Corden, who is now director of the Southampton Hospital Charity.
"He believed passionately in the power of voluntary action to change people's lives for the better. He was a force for good in national life."
Declan O'Mahony, director of Motability, said today: "It was with deep sadness that we learned of the death of Sir Bert Massie yesterday morning after his recent illness.
"Bert had been a powerful campaigner for the rights of disabled people for more than four decades and a governor of Motability since 2002.
"We will miss his contribution and expertise in disability matters, as well as his warm manner and distinctive sense of humour."
Tom Levitt, the former Labour MP and chair of the All-Party Parliamentary Group on the Community and Voluntary Sector, said on Twitter that Bert was a "breath of fresh air, crap-cutter extraordinaire and a great champion of the possible".
Richard Hawkes, chief executive of the British Asian Trust and former chief executive of the disability charity Scope, said on Twitter that Bert was a "lovely man who made an enormous difference for the rights of disabled people".


The following is a basic four-step process for patching you cast stone product.
Damage that can be easily seen from 20 feet away should be patched. Corner chips that are �� or less in width do not normally require patching.
The air and stone temperature should be above 40°F during, and 24 hours after patching. Patch during the morning hours on hot days and avoid patching when the temperature is above 90°F.
White acrylic liquid bonding agent.
Test patch a piece of leftover stone and get approval before continuing on the rest of the job.
Mix a small amount of patching material (3 parts sand/1 part mix) with only enough water to make a zero slump mix.
Add a small amount (approx. 1 tablespoon) of the bonding agent. Do not use as a substitute for water. This mix should be as dry as possible. It should have just enough water so it can be compacted in your hand like a dirt clod. Mix for 4 or 5 minutes.
At this point, the color of the patch mix should be close to the color of the stone when wet.
Drench the patch area and surrounding stone surfaces with water in a spray bottle.
Spray some bonding agent on the patch area and let stand for 5 minutes.
Press the patching material into the damaged area with a wooden tool or trowel. For large holes, compress the patch material onto the wooden tool before applying. When the patching material is over 20 minutes old, replace with fresh mix.
Smooth the patch with a wooden tool. Use the least amount of strokes as possible. Too much tooling will create a slick surface. Leave a little extra material on the patch.
After initial set, burnish the patch with a sponge, sandpaper, piece of carpet or anything that will create a sugarcube finish. Some trial and error may be required.
Cover the patch with a damp cloth or piece of plastic for 24 hours.
Wait 5 days and wash down with a masonry stone cleaner.
A good patch will not match in color right away and will usually appear lighter. Over the next 3 to 12 months, depending on the climate, curing, weathering and ultraviolet bleaching will blend the color of the patch into the surrounding area.
For information about PROSOCO, Inc. and ChemProbe, Inc., contact the Stone Legends sales staff at 1-800-398-1199.