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text:
TV Land Nov. 24, 2009
More on Art Smith's Craving Comfort: Donuts, Burgers, Mac 'n Cheese, and More
By Helen Rosner
Photo: chefartsmith.com
As is easily deduced from the show's title, Art Smith's new series deals with comfort food. The foods on the docket include apple pie, donuts (which a Grub Street commenter noted includes a visit to New York's Donut Plant), chocolate, burgers, fried chicken, mac 'n' cheese, and breakfast, a rep of the network told the Sun-Times.
"To me, food without a story is not that interesting," Smith told the S-T. "I wanted to search out stuff that wasn't overly produced but also that, when I taste it, it's like, 'Wow.' " And yes, there's going to be a hometown segment: "I said I wouldn't be able to go back home if we didn't have [a Chicago stop]." We're guessing we get the breakfast episode — Mitchell's Original and Ann Sather, maybe?
Art Smith to host TLC show on comfort food [Digging In/S-T]
Earlier: At Last, Art Smith Lands a TV Show
ann sather
art smith
craving comfort
mitchell's original
the donut plant
More on Art Smith's Craving Comfort: Donuts, Burgers, Mac 'n Cheese, and

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: What are best practices for maintaining a Mysql database schema in a cross platform way? We have two software stacks, Ruby on Rails and Java, that share a single Mysql database.  We're using the Jooq Java database abstraction layer, which works by reading an existing database schema and generating code.
We have been relying on Rails migrations to keep track of schema changes, but our Java developers are unfamiliar with this, and our Rails devs have had to dig us out of problems more than once.  It's also a rather cumbersome process, making a schema change can take 5-10 minutes, whereas it would take seconds if modifying the schema directly through a tool like MySql Workbench.
It would be preferable to have a solution for modifying our DB schema that wasn't tied to Rails, can anyone recommend a suitable approach?

A: I guess you could take a look at Liquibase. It's a Java-based tool, but as I understand it would suit some of your requirements. Using that tool you are able to express the database content (both structure and data), then run such a tool against a running database and the tool will tell you what changes are missing and will apply them.

redpajama_set_name: RedPajamaStackExchange


text: Q: qemu-system-x64_86 high CPU comsumption, much higher than the processes inside the guest I have an Ubuntu 18.04 with several virtual machines running in it using kvm. Using top inside the VM it never goes CPU consumption over 30%, however, if I check the qemu-system-x86_64 processes in the host I usually have over 100%. Why is this happening? Can I improve this? and the last one, is there a known relationship between CPU consumption inside the guest and the host?


Aere Store is an online and offline retailer selling carefully selected women's apparel, accessories and footwear.
Based in the heart of Milan on Via Lanzone 7, Aere Store is focused on four key elements: independent designer labels, high quality of apparel and accessories, freedom from trends and a continuous and attentive selection.
Aere Store offers discreet and high in quality apparel and accessories, conceived to be appreciated by an experienced and demanding customer. Distancing away from the maximalist style that has largely influenced recent seasons, Aere Store has constructed its idea of woman around three words "Pure. Authentic. Divergent." preferring neutrals and minimalist lines to eccentric patterns, slow fashion to unnecessarily extravagant fashion. With a unique ability to serve the luxury customer, the exclusive business concept of Aere Store unites the e-boutique and its customers in achieving a common goal – "to wear a new perspective". This original perspective is made of craftsmanship, quality, luxury, converging into carefully selected garments that gracefully personifies calmness, coolness and charm. Aere Store is set to propose timeless yet innovative pieces with an effortless understated appeal for an immediately unrecognizable mix.


The boy nodded his understanding. "Can I ask you something?" The Jedi Master nodded. "What are midi-chlorians?"
Wind whipped at Qui-Gon's long hair, blowing strands of it across his strong face. "Midi-chlorians are microscopic life-forms that reside within the cells of all living things and communicate with the Force."
"They live inside of me?" the boy asked.
"In your cells." Qui-Gon paused. "We are symbionts with the midi-chlorians."
"Symbionts. Life-forms living together for mutual advantage. Without the midi-chlorians, life could not exist, and we would have no knowledge of the Force. Our midi-chlorians continually speak to us, Annie, telling us the will of the Force."
Qui-Gon cocked one eyebrow. "When you learn to quiet your mind, you will hear them speaking to you."
Anakin thought about it for a moment, then frowned. "I don't understand."
Qui-Gon smiled, and his eyes were warm and secretive. "With time and training, Annie, you will."
When George Lucas released The Phantom Menace in the spring of 1999, he took the Star Wars saga to its beginning: to a time when Obi-Wan Kenobi was a brash young Jedi about to encounter a little boy, strong in the Force. His name was Anakin Skywalker, and his life would change the Force forever.
And then, in TPM Lucas introduced midi-chlorians into the fray. Qui-Gon Jinn told Anakin that they were microbes, inhabiting all living cells, that acted as the "receptors" to the Force. It was further alluded that Anakin's mysterious conception was caused by the midi-chlorians, hence his having the highest amount of the microbes known to the Jedi.
What was a new aspect of the Force instantly became, perhaps, the most hotly-debated issue among Star Wars fans since the question of Luke's father all the way back in 1980. "The Force should be all-mystical," some argued. Introducing a physical component "cheapened" the mystique, they said. Others countered that having a physical connection to the spiritual hearkened back to real religions throughout our own history, that the Force had not been robbed of its mythic power at all but instead had been enhanced. Similar arguments broke out over Anakin's parentage.
That is not the subject of this inquiry. Nor is this meant to nail-down the Force in anything remotely like scientific terminology. Star Wars is, after all, a fantasy/fairy tale, not science-fiction. It borrows from all the great traditions of mythology and classical storytelling, with many elements of our real-life faiths and philosophies that add to the rich tapestry. To seek out the Force in order to define it would cheapen its meaning, and far more than anything the midi-chlorians might have done.
However, we will examine some characteristics of the Force, because without that we could not consider and conjecture about our primary focus: the midi-chlorians. What are they? Why are they part of all living cells? Would life really be nonexistant without them? What is their connection with the Force? Why does having them in abundance allow for greater ability with the Force? Can you get more of them?


Contact the office during normal business hours (Mon.-Fri., 7:30 a.m.-4:30 p.m.) to obtain a membership application.
Complete the online membership application below (scroll down). Some tips for making sure the form is properly submitted can be found here.
Download a PDF of the Membership Application and submit to the Co-op.
Once the application is complete, the member is responsible for following up with St. Croix Electric Cooperative to make sure the application and any additional required paperwork/payments have been received and completed. St. Croix Electric accepts credit card payments in the office and over the phone (Visa, MasterCard, Discover cards).
1. The applicant will purchase from the Cooperative - when energy becomes available - electric energy used on the applicant's premises, and will pay monthly rates approved by the St. Croix Electric Cooperative Board of Directors. Production or use of electric energy on these premises - regardless of the source - by means of facilities which are interconnected with the Cooperative facilities, are subject to appropriate regulations.
2. The applicant will comply with and be bound by the provisions of the Charter and the Bylaws of St. Croix Electric Cooperative and the rules and regulations as adopted.
3. St. Croix Electric Cooperative is authorized to enter a subscription in the Applicant's name to the Cooperative's monthly newsletter to be paid as part of the Cooperative's monthly expenses.
If electric service at the existing home has been idle, there will be a $20 reconnect charge added to the account set-up charge.
St. Croix Electric Cooperative accepts credit card payments (Visa, MasterCard, Discover Card). Call 715-796-7000 for details or to make a payment.
THIS FIELD HAS BEEN DISABLED. In an effort to help protect members' personal information, we ask that you call St. Croix Electric Cooperative at 715-796-7000 during normal business hours (M-F, 7:30a-4:30p) and speak to an employee over the phone. Your application CANNOT be processed without this information. Thank you.
In the event St. Croix Electric must contact you, which phone number do you prefer the Co-op to call?
If you or a designated representative cannot be reached at the preferred phone number listed, the Co-op has permission to try to reach you on this additional number.
Our experience is that supplying an email address helps ensure a smooth start with St. Croix Electric Cooperative because we can better reach you with questions or information about setting up your electric service. If you do not have an email address, please supply a phone number that you regularly check messages on.
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text:
Q: Exception: LogStash::ConfigurationError Am trying to connect Oracle database via logstash and am getting below error.
  Error: oracle.jdbc.OracleDriver not loaded. Are you sure you've included the correct jdbc driver in :jdbc_driver_library?
  Exception: LogStash::ConfigurationError
  Stack: D:/softwares/logstash-6.2.4/logstash-6.2.4/vendor/bundle/jruby/2.3.0/gems/logstash-input-jdbc-4.3.9/lib/logstash/plugin_mixins/jdbc.rb:162:in `open_jdbc_connection'

Please find my logstash config file :
input {
  jdbc {
    jdbc_driver_library => "D:\data\ojdbc14.jar"
    jdbc_driver_class => "oracle.jdbc.OracleDriver"
    jdbc_connection_string => "jdbc:oracle:thin:@localhost:1521:xe"
    jdbc_user => "user_0ne"
    jdbc_password => "xxxyyyzzz"
    statement => "SELECT * FROM PRODUCT"
  }
}

output {
  elasticsearch {
    hosts => ["localhost:9200"]
    index => "my_index"
  }
}

A: logstash config file : (corrected)
input {
  jdbc {
    jdbc_driver_library => "D:\Karthikeyan\data\ojdbc14.jar"
    jdbc_driver_class => "Java::oracle.jdbc.OracleDriver"  // problem in this line is corrected
    jdbc_connection_string => "jdbc:oracle:thin:@localhost:1521:xe"
    jdbc_user => "vb"
    jdbc_password => "123456"
    statement => "SELECT * FROM VB_PRODUCT"
  }
}

output {
  elasticsearch {
    hosts => ["localhost:9200"]
    index => "my_index"
  }
}

A: You can validate the configuration file using,
./user/share/logstash/bin/logstash -f etc/logstash/conf.d/sample.conf --config.test_and_exit


Fitment: Chrysler 300, Dodge Charger, Challenger and Magnum.
Dress up under your hood with this fantastic 8 piece strut cover kit.
**Hellcat owners order is half one side only.*** Input Hellcat in Checkout Notes, $64 will be reduced from your order before charged!
Machined from certified domestic, solid 6061-T6 aircraft grade aluminum. The center cover is machined from 3 inch diameter solid aluminum and the matching satellites are machined from 1 inch diameter solid aluminum.
You will not find a better looking finish off the machine anywhere in the industry today! Installs in minutes just simply screw into the existing threads already there.
If you are using a strut brace you may have to use a small amount of clear silicone for the small covers. All strut braces are different therefore, there may not be enough threading left to apply a secure fit (satellite pieces only).
Each piece is threaded at the bottom where an "o" ring is pre-inserted to prevent these covers from vibrating loose.
Using KW coilovers or another brand? Indicate During Checkout what coilovers you have, there will be a manual charge of $25 to your order to make your covers compatible.


We experienced the first snow of 2012 last night and it was the perfect opportunity to shoot some photos wearing my new neon knit! It really stands out against the white snow and kept me super toasty. After my last outfit post featuring some patterned pants, it made me want to wear another pair I have that have never ventured out of my wardrobe.. This jumper was instantly what I wanted to pair with it and I must say. I love it. What do you think?
Awesome outfit!!!! Love the patterns!!!
I am now following you too, you have a great site!
I want it in like an electric blue too.
wow, fun pics! Another snow day outfit today perhaps? ;-) Great blog.
I wish but it only snowed a little where I am last night.


text:
Fri.20.Dec.19
Date: Fri 20th December 2019
Supported By: GRAVEYARD + KAMCHATKA
On Sale: Sold Out
* Sorry, this event is sold out
CLUTCH – Neil Fallon (Vocals/Guitar), Tim Sult (Guitar), Dan Maines (Bass) and Jean-Paul Gaster (Drums/Percussion)
Maryland rockers Clutch have been pushing the boundaries of heavy rock music since the 4 original members got together in high school. Having been tagged hard rock, blues rock, southern stoner rock and alternative metal by media and fans across the world it is safe to say one thing… "What you see is what you get" and what you get is a musical force that has been best described as the quintessential American Rock Band. Clutch quickly became known for their relentless touring schedules, playing shows from whiskey stained 2 door venues in the hills of West Virginia to the iconic Brixton Academy in the UK. Whatever the venue, and wherever rock fans congregate Clutch has played there. The band has shared stages with Lamb of God to Iron Maiden, Primus to Thin Lizzy, Mastodon to Motörhead. What has come of it is a cult-like International fan base, not to mention praise from all corners of the music world.
"Few bands exude such cool and confidence, such adept musicality, and above all else, an ability to entertain to the extent that every performance feels like an historic event." – Alex Milas
Clutch's "The Regulator" was the first outside, original song by a band to be featured in the AMC series "The Walking Dead" (S2/ mid season finale). Country music megastar Eric Church uses Clutch's "Electric Worry" to open his live set. "Psychic Warfare", Clutch's latest studio album, released via their own label Weathermaker Music debuted #1 on the Billboard Hard Rock chart and #1 on the Billboard Rock chart.
As we start 2018, Clutch has just wrapped up the tracking of their new album with producer Vance Powell at Sputnik Sound in Nashville TN. The new record will come out later in 2018.
"Clutch are a sound and hearty bunch of fellows that everybody should pay attention to NOW." Lemmy Kilmister, Motörhead
"I want to tour with them just so our audience, if they've never seen them, can see them, and so I can see them every fucking night." Corey Taylor, Stone Sour
"Clutch make me wanna get up in the morning!!" Ricky Warwick, Black Star Riders
"Clutch is infectious…..the kind of band that gets your head moving and your feet tapping uncontrollably!" Rob Caggiano, Volbeat
"Clutch is the only true-to-form, straight-up, pure rock 'n' roll band around." Gary Susalis, Sen. Mgr. of Programming/PD of All Things Rock for Music Choice
"They're a THC-propelled collision of Bad Brains and Captain Beyond, the sound of ZZ Top colliding with Fugazi." Scott Rowley, Editor in Chief, Classic Rock, UK
"At the risk of sounding hyperbolic, there really aren't any rock acts better than Clutch out there right now." Jeff Treppel, Outburn Magazine
CLUTCH ON SPOTIFY
GET IN THE MOOD WITH OUR SPOTIFY PLAYLIST
WHATS HAPPENING THIS MONTH…
KREPT AND KONAN
Fri.24.Jan.20
BEAT THE STREETS 2020
Sun.26.Jan.20
BLACKOUT PROBLEMS (Club show)
Sat.01.Feb.20
CARAMELLO: LOST CITY OF ATLANTIS
Mon.03.Feb.20
discover our gig guide


This table has served us well since we were cute little newlyweds, but it does have a few issues and we decided after almost 6 years it was time for an upgrade. Yeah, almost 6 years. Sometimes I forget I'm getting older until I write things like that. :) We loved this one because, for one thing it was free, but also because with the leaves folded down it was tiny (which was especially a big deal in our first teeny house).
But now that B runs like a wild man we weren't too crazy about the table being open (and we needed it open for all of us to eat there and I was tired of opening and closing it for every meal). For one thing these corners were terrible at catching a little head when it ran past. Plus with the legs being so close to the middle it was way to easy to tip over just by leaning on the leaves so B probably could have pulled it right over if he had the chance.
The other thing was that no chair on earth could fit between these legs, which means the chairs were pulled out all the time taking up our precious floor space! And B's chair on the side couldn't go under either when the leaf was down.
I seriously begged N for months to get this new table. And then I was pregnant and BOOM - it was mine.
We normally would try building things before buying them to save some big $$$, but because we have such tight space for this we decided to buy so we would have more options. Because this guy has hidden leaves! Right now it's the perfect size for our family (almost exactly the size of our old table with one leaf up) but if we have company we can pull the leaves out to almost double the size!
Oh, and plenty of room for the chairs! Yay!
So this is where were at with the dining nook. I'm loving the mix of dark and light and these curtains still make me drool. But I think I'm ready to try something new with the light. And I'm still looking for another pair of chairs or benches to paint white & finish out the seating. I'll keep you posted.
So let's hear it... what piece of furniture have you been stalking?
Love it! I have been trying to find the perfect light for over by my piano. I have an idea of what I want but haven't found the perfect light at the perfect price yet.
My 2 x 4 craft table is a similar size & shape as the base of this table, but I haven't found a way yet to make a table with leaves.
So seriously.... talking about stalking... I am working my way through the 30 days of 2x4's lol. I don't know how you came up with the idea but Ive been reworking several areas in our too small, outdated home.I kid you not, we have had the same table issues. Hearing about someone else going through the same issues makes me feel much better. Thanks so much, great job!
Ha ha, I didn't know of anyone else having these problems either! Nice to have someone to commiserate with. ;) I'm glad you're enjoying the 2x4 series, it's some of my favorite projects so far!


text:
First Look: Henry Cavill as Superman in Batman v Superman: Dawn of Justice
The film is currently slated for a May 2016 release date
By Alex Heigl
Updated July 03, 2014 09:00 AM
Credit: Warner Bros
Holy biceps, Batman.
Henry Cavill hasn't lost an ounce of his Man of Steel-ness, judging from this first look of him as Superman in the upcoming Zack Snyder crossover/fanboy dream-come-true, Batman v Superman: Dawn of Justice.
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Fans have already been given glimpses of Ben Affleck as Batman alongside the Batmobile, and casting rumors have been swirling around Jason Momoa, long-rumored to be playing Aquaman.
Jesse Eisenberg is also reportedly confirmed to play Lex Luthor, while Jeremy Irons is taking over the Michael Caine role of Bruce Wayne's loyal butler, Alfred.
The film has been shooting in Detroit and is slated to hit theaters May 6, 2016, so there's plenty of still plenty of time for the traditional emotional arc of Tentpole Picture Anticipation: Disappointment, rage, acceptance and ecstatic glee.
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text:
Q: Producing markdown slides and article with the same source I'm trying markdown/knitr/pandoc for producing documentation and slides as an alternative to LaTeX/Beamer.
One funcionality I miss is the possibility to use the same source for both types of output (slides and articles), while being able to mark content which is specific to either format.
Unmarked content will appear in both presentation and article modes.
I understand I can produce both types of output with the same source with Pandoc-markdown by specifying several *output*s in the YAML header.
However, I can't figure out how to prevent paragraphs to appear in the slides, or bullet lists to appear in the article.
Is this possible?

A: This is not natively supported by Pandoc, however you can use a preprocessor. Basically he uses GPP and then writes stuff like:
<#ifdef SLIDES>
     slide text
<#endif>
<#ifdef ARTICLE>
     article text
<#endif>

If you know some Python or only a bit of Haskell, you can avoid installing GPP and write a simple script instead that changes the Markdown AST, see Pandoc scripting. Then you'd probably do something like:

  slide text

  article text


text:
Home/ Women's Cross Country/ Graceland Uses 19-Point Swing in the 2nd Half to Advance to Final
Graceland Uses 19-Point Swing in the 2nd Half to Advance to Final
Yellowjackets out-score LSU Shreveport 53-34 in the game's final 20 minutes
Story By Chad Waller | NAIA National Office
Photos courtesy of Referee Photo
KANSAS CITY, Mo. – (Box Score) No. 5-seeded Graceland (Iowa) continued it's underdog journey, coming back from a 12-point halftime deficit to defeat top-seeded LSU Shreveport (La.), 87-80, in the first semifinal of the 81st Annual NAIA Division I Men's Basketball National Championship, Monday evening inside Municipal Auditorium. Appearing in their first-ever national championship, the Yellowjackets shot 57.1 percent (16-of-28) and held a 53-34 second-half scoring advantage. Graceland will play the winner of the second semifinal between No. 1 William Penn (Iowa) and No. 4 LSU Alexandria (La.), on Tuesday, March 20 at 7:00 p.m. CDT, broadcast live on ESPN3.
Graceland moved its record to 28-10 on the year.
LSU Shreveport concluded its season with a record of 30-5
Higher seeds are 15-14 through 29 games, while 23 games have been decided by 10 points or fewer including 14 by six points or less
STANDOUT PERFORMERS
LT Davis notched his third 20-point effort of the championship (in four games) with 28 points to lead Graceland. Davis shot 7-of-16 from the floor and connected on 12-for-14 free throw attempts. He has now averaged 24.0 points in four tournament games.
Will Nelson added 22 points for the Yellowjackets, while Jeremy Deemer ended with 13 points and 13 rebounds.
Benajamin Batts led all scorers with 29 points as the Pilot star nailed 9-of-15 from long range. He was one 3-pointer shy of tying the all-time single-game tournament record.
LSU Shreveport's Stevie Clark came away with 22 points, but needed 11 points from the free throw line as she shot just 5-of-20 from the field.
Trailing by as many as 15 minutes late in the first half, Graceland started to chip away heading into the locker room. A trio of free throws by Will Nelson put the deficit at 46-34 at intermission.
Beginning with a 3-pointer by Graceland's Dalton Payton, the Yellowjackets went on a 20-4 run to take its first lead of the game at 9:31 mark of the second half (57-55).
The Yellowjackets would not trail after that point and went up by as much as 11 (74-63) with just over four minutes to play.
The Pilots trimmed it down to three on two occasions, the last on a 3-pointer by Benjamin Batts with :26 seconds remaining.
Graceland sealed the win by making 4-of-4 free throws in the final :25 seconds.
HOW THEY SAW IT
Graceland head coach Craig Doty– "Our players have such high character. They care about each other, they love each other and are so disciplined. We actually felt good going into halftime even though we were down because we felt like we were getting better shots than they were. We thought there was no way they'd hit 11 3-pointers in the second half. We felt if we could just keep doing what we were doing and keep it together down the stretch, we'd win. (The run to the finals) is bigger than basketball for Graceland University. This is about the university, the community, the alumni base and our alumni base is strong. Right now the excitement on campus is being generated by basketball and this is really special. We probably had 3,000 people from a town of 2,200 here tonight."
LSU Shreveport head coach Kyle Blankenship – "In the first half, we played like we have all year; we shot the ball extremely well. The second half, our shots weren't falling and Graceland played the kind of ball they needed to in order to win tonight. They made things tough for us. I'm proud of our guys for the season they had. They found a way to come together. I am grateful to be able to coach these young men.
INSIDE THE BOX SCORE
Both teams relied on their starters for a bulk of the scoring – LSU Shreveport got just three points from its bench, while the Yellowjackets received six.
It was a tale of two halves from the shooting perspective. LSU Shreveport was 48.5 percent in the first half, while the club was just 25.7 percent in the second half. Graceland swung the other way, going 31.0 percent in the first 20 minutes and heating up to 57.1 percent in the second stanza.
LSU Shreveport used 49 percent (16-of-33) shooting in the first 20 minutes and 11 three-pointers to take a 46-34 halftime advantage.
Benjamin Batts compiled 23 points by halftime. He would eventually pile in 29 points to lead all scorers.
GAME NOTES:
LSU Shreveport (La.)
Appearing at their 14th NAIA National Championship for 14-consecutive years since 2005... Falls to 11-14 in the postseason and 0-2 all-time in the semifinals... One of four teams participating in the tournament from the Red River Athletic Conference... This was LSUS's second time in school history appearing in the semifinals since 2013 when the team fell to Georgetown (Ky.)... The Pilots finished their regular season winning 10 out of their last 12 games... Pilots ranked 13th in the NAIA with 9.5 three-pointers made per game – tonight they finished with 14.
Graceland (Iowa)
The Yellowjackets are playing in their first NAIA Division I Men's Basketball National Championship and are 4-0 all-time in the national tournament...Graceland is one of four Heart of America Athletic Conference teams in this year's tournament field and one of two (along with William Penn (Iowa)) to advance to the semifinals...Heart teams are 8-2 at the national tournament thus far...Graceland is 9-4 against national tournament teams this season... Graceland has won its last 10 straight games, 11 of its last 12 and are 18-2 since Jan. 17... LT Davis is averaging 24.0 points per game for the Yellowjackets in the national tournament so far (in four games)... Jeremy Deemer's 13 points and 13 rebounds gave him his 15th double-double of the season; Deemer is averaging 12.5 rebounds per game in the tournament.
40th ANNUAL WOMEN'S CROSS COUNTRY
Championship News Archive


In my new book, Ally-saurus & the Very Bossy Monster, I illustrate Ally's love of all things dinosaur by drawing imaginary dinosaur spikes, claws, and tail over Ally's black and white image using pink crayon (just as I did in the first book, Ally-saurus & the First Day of School).
In this new story, Ally and her friends must contend with a rather bossy girl named Maddie who insists Ally and company play monsters with her. As with Ally's dino-persona, I illustrate Maddie's imaginary monster persona using a crayon line around her image-in this case, green .
While still writing the book-long before my first sketch-I pictured Maddie's imaginary monster looking like one of the Wild Things in Maurice Sendak's classic, Where the Wild Things Are.
As a self-taught illustrator, my formal training consisted of buying a lot of books and staring at the illustrations until I unlocked their secrets. Included in that collection was a used copy of The Art of Maurice Sendak. I read that book over and over again, finding the chapter on Where the Wild Things Are particularly insightful. Among other things, it contains a pop-out copy of the original book dummy, titled, Where the Wild Horses Are. Sendak only changed it to "wild things" after he realized he couldn't draw horses (thank God!).
As I began my preliminary sketches for the second Ally-saurus adventure, I decided to stick with my original idea of Maddie's imaginary monster echoing Sendak's Wild Things as a silent homage to the children's book legend. After dozens of sketches I finally hit on a combination of Wild Thing characteristics that seemed to suit Maddie perfectly.
Like many of the Wild Things, Maddie's imaginary monster would have horns. It would also have long hair like the duck-footed Wild Thing, the fur, feet, and paws of the bear/gnome Wild Thing, with a tail as long as the striped Wild Thing but shaped like the bull-faced Wild Thing. To top it all off, Maddie's imaginary monster would have a crown-like Max's!
In studying The Art of Maurice Sendak, I also learned that Sendak gradually expanded the size of the illustrations in Where the Wild Things Are to symbolize Max's deeper absorption into his own imagination. The illustrations then reverse course, gradually growing smaller as Max begins to miss his home. This symbolizes the fading of Max's imaginary world as he returns to the real one.
As part of my homage to Sendak, I worked this technique into Ally-saurus & the Very Bossy Monster, once again through Maddie. As her bossy behavior continues unchecked, I illustrate Maddie's growing self-absorption by expanding her imaginary monster world, including bubbling pools of ooze, haunted trees, and slugs. At the same time, I greatly increase the size of her crown and horns.
Then, when Ally-saurus finally finds her voice and stands up for her friends (and herself), Maddie's imaginary monster world quickly shrinks, as do her crown and horns.
Both the look of Maddie's monster persona, as well as the technique of manipulating the size of her crown, etc. worked perfectly for the story. Had they not, my silent tribute to Mr. Sendak would have had to wait for another book. This isn't the first time I have honored someone who has influenced my work. I'll talk about that in an upcoming post.
School Library Journal calls ALLY-SAURUS & THE VERY BOSSY MONSTER whimsical, clever, and effective!
PreS-Gr 1 –Ally-saurus is back—"ROAR!" Ally, Kai, and his little brother Petey love playing together. Ally stomps and roars like a dinosaur. Kai dances across the porch stage, and Petey says "Bear!" while holding his teddy bear. Much fun and laughter is had until new neighbor Maddie intercedes.
When Maddie comes back during their "super, amazing monster dance," she takes one look at the fun and decides to join without a word about her rules. Later at the bus stop when Maddie start ruling, one "Roar!" from Ally-saurus reminds her that fun can be had without being bossy.
Torrey matches his spot-on text with even better illustrations. Using the same technique he employed in Ally-saurus & the First Day of School, Torrey uses pencil drawings with colorful crayon-like additions (dinosaur spikes and tail, tux and top hat for dancing, etc.) to deftly make the alter egos visible to readers.
See the review at School Library Journal by clicking here.
I find this fascinating. James Castle was born September 25, 1899, in the small mountain town of Garden Valley, Idaho to Francis J. Castle and Mary Nora Scanlon. Profoundly deaf from birth and did not attend school until he was ten years old, when he was enrolled at the Gooding School for the Deaf and Blind in southeastern Idaho.
At a very early age Castle began drawing and making things with found materials. Throughout Castle's lifetime, nearly everything that crossed his path inspired or influenced him. His daily ritual included checking all the trash containers in the home and throughout the immediate neighborhood.
Depending entirely on his ingenuity, Castle fashioned materials such as sticks, apricot pits and broken fountain-pen nibs into tools he could use to create. He discovered he could scrape soot from the wood-burning stove and spit into the powdery substance to mix a black ink suited for his diverse imagery. He often derived color by squeezing pigment from saturated crepe paper. Family members gave him store-bought art materials such as oil sticks and watercolors, and he incorporated these new materials into his own self-made concoctions to produce the many subtle textures and colors found in his work.
On paper scraps, he captured even the details of doorknobs, windowsills, washbasins and framed portraits of ancestors. Over the years, he tucked batches of his drawings into crannies around the house and the outbuildings.
In the 1950s, Castle's nephew, Bob Beach, came home on a break from the Museum Art School in Portland, Oregon. Beach suggested to family members that Castle's drawings, handmade books and constructions could be called "art." Beach was allowed to take some of his uncle's drawings back to the Portland art school to show his professors. This introduction launched the beginning of Castle's recognition as an artist in regional museums and art galleries.
Throughout history, how many other James Castles have come and gone without ever having been "discovered"?
To read more and find links to his archives click here.
I've now written/illustrated 15 books and have been reviewed hundred's of times. That said, I can't remember a reviewer "getting me" in a way that Tonja Drecker did in her wonderful Bookworm for Kids review this week of ALLY-SAURUS & THE VERY BOSSY MONSTER.
I know that doesn't mean much to those who may be reading this, but as someone who spends a year or more thinking nonstop about a story-the writing, the illustrations, the cover, the end pages, and even after that continues to tweak it until it's finally ripped out of my hands because of deadlines-it means everything.
"The power of imagination combines with an enthusiastic heroine to tame even the fiercest monsters of reality.
Ally and her friends love to pretend, and each has a favorite role they slip into--dinosaurs, a performer, and a bear. . .kind of. The three have so much fun until the new girl in the neighborhood, Maddie, steps in and wants to lay down tons of rules. All of which serve her purposes, of course. Ally and her friends want to be nice and try to play along, but at one point, things get out of hand.
Imagination flows from every page, letting its magic unfold as Ally and her friends are swallowed up in their own delightful worlds..."
Continue to read the review by clicking here.
I highly recommend this article in THE ATLANTIC by Jean M. Twenge.
Those mall trips are infrequent—about once a month. More often, Athena and her friends spend time together on their phones, unchaperoned. Unlike the teens of my generation, who might have spent an evening tying up the family landline with gossip, they talk on Snapchat, the smartphone app that allows users to send pictures and videos that quickly disappear. They make sure to keep up their Snapstreaks, which show how many days in a row they have Snapchatted with each other. Sometimes they save screenshots of particularly ridiculous pictures of friends. "It's good blackmail," Athena said. (Because she's a minor, I'm not using her real name.) She told me she'd spent most of the summer hanging out alone in her room with her phone. That's just the way her generation is, she said. "We didn't have a choice to know any life without iPads or iPhones. I think we like our phones more than we like actual people."...Continue reading by clicking here.
I recently unearthed what may be my earliest surviving drawing…at least that I'm willing to show. Ironically, it's a dinosaur. Apparently I drew this at age 3 and a half, while watching my older brother draw dinosaurs for a school project.
With my next book being about a girl who sees herself as a dinosaur, I thought it was fitting that I share it.
When speaking to groups, I often point out that young children- when drawing, singing, dancing, or doing whatever floats their boat-don't care whether what they're doing is worthy of publication or slot on America's Got Talent.
At that age we all draw, sing, dance, etc. simply because it's fun…it feels good. Somewhere along the way, we begin to pay attention to criticism from others and start to become critical of ourselves.
There is nothing wrong with this, as it tests our love of a particular activity, and helps to spur growth in a talent.
At the same time, it signals the end of doing something (bad or good) purely out of the joy of doing it.
As an exercise, try tapping into to that mindset, when you were 3 and a half-completely free from any critical thinking-and create something simply because it's fun…because it feels good.
As with all books-oodles of concept sketches and experiments with color preceded the final cover art for ALLY-SAURUS & THE VERY BOSSY MONSTER.
Thomas Oppong's Medium Post: "Genius Takes Time And Extraordinary Effort"
Once again, Thomas Oppong has written a fantastic piece for Medium, entitled: Genius Takes Time And Extraordinary Effort. Those in a creative field who are unfamiliar with Oppong's writing, I can't recommend him strongly enough.
This is one of the best articles I have read in a long time on creativity and the pursuit of excellence. Anyone in business for themselves or in a creative endeavor will find this useful.
A reoccurring theme-in this and many other articles like it- is the importance of maintaining a robust curiosity in the world around us.
"...Hungarian photographer Brassaï once asked Picasso whether his ideas come to him "by chance or by design," and Picasso responded: "I don't have a clue. Ideas are simply starting points. I can rarely set them down as they come to my mind. As soon as I start to work, others well up in my pen. To know what you're going to draw, you have to begin drawing… When I find myself facing a blank page, that's always going through my head. What I capture in spite of myself interests me more than my own ideas."...."
"...it's a story that advocates for defending one's passions and running wild with them..."
I first posted this picture on my Facebook page in May of 2016 with the caption, "staring at a blank page, beginning the long-sometimes painful-but always exhilarating-process of turning a spark into a story..."
I then struggled for two months only to create a hash of a story which I subsequently buried next to the many other "misses".
Having gone through this process many times, I know the best thing you can do sometimes is to put the story away in order to let it "ripen"...for a month...a year...sometimes ten. I probably have a hundred stories, or pieces of stories that I worked on for days, months, or in some cases years. Sometimes when I pull them out again, they will have indeed ripened. Other times...not so much-still rotten.
If there is one thing that separates an amateur from a professional, it is the massive amounts of time invested-with absolutely no guarantee of a positive outcome. It is understood going in that it often won't end well. iIt's a tightrope walk without a net.
That said, if you put in the work, learn from the gazillion mistakes you will make, and stay with it, you get better at generating ideas. You get better at fleshing them out. You get better at sensing whether you have something that is worth the investment of your time. You also start to love that tightrope.
So, the story I posted about last May-and buried last July...well, I dug it up last month, ripped out much of what was rotten (most of the story), and just put the finishing touches on a new version-and Sue likes it!!!! (which is always the first test). Time to send it off to my agent. I'll let you know if anything happens.
FIRST LOOK AT MY NEW BOOK!
Arriving home late Tuesday night, I was greeted with a package containing an advance copy of ALLY-SAURUS & THE VERY BOSSY MONSTER. Having started the process of brainstorming ideas for this book 18 months ago, the feeling of holding the finished product in my hands is indescribable.
On Monday, the book trailer for Ally-saurus & the Very Bossy Monster premiered on KidLitTV along with a wonderful writeup.
KidLit TV is proud to premiere the book trailer for ALLY-SAURUS & THE VERY BOSSY MONSTER by Richard Torrey, the sequel to the award winning ALLY-SAURUS & THE FIRST DAY OF SCHOOL! Your kids will love the humor and fun in this book as well as the unique characters and illustrations!
WONDERFUL FIRST REVIEW FOR ALLY-SAURUS & THE VERY BOSSY MONSTER!
The tiny tot–turned-dinosaur (in her imagination) is back, this time facing a new challenge: a domineering friend.
Yesterday marked the passing of a legend, Frank Deford.
He was a brilliant writer and editor, a visionary, and a showman.
In 1989, I ended my first comic strip, Hartland and began doing editorial cartoons and story illustrations for the brand new sports daily-The National. Frank Deford was the editor.
It was great exposure, wonderfully challenging work, insane deadlines...but they paid VERY well...which is why they only lasted two years. To this day, it was the most fun I've ever had doing what I do.
Toward the end of The National's run, Deford asked me to create an exclusive sports comic strip-which I did. Days after getting editorial approval for the strip (called Benchwarmers), The National went belly up.
I subsequently changed the name of the strip to Pete & Clete and sold it to Creators Syndicate in LA.
RIP Mr. Deford. Thank you for the wild ride.
Read more about Frank Deford in the NY Times by clicking here.
Below is the brand new book trailer I have created for my book, THE ALMOST TERRIBLE PLAYDATE. It is the first trailer I've ever done for any of my 14 books.
My aim was to produce something simple and straightforward, allowing the children's expressions to help tell the story, precisely as I had done in the creation of the book.
The book trailer debuted last week on the Mundie Kids blog, which included a wonderful review of the book and has since been featured on KidlitTV.
Recently I was interviewed by Sara Grochowski for her wonderful blog, The Hiding Spot (a blog dedicated to books...the best hiding spot I've ever found).
I'm thrilled to share an interview with talented and very kind Richard Torrey, whose newest picture book, The Almost Terrible Playdate, is in stores now!
Hiding Spot: I feel the plot of the The Almost Terrible Playdate is one that everyone, no matter their age, can relate to. Was there a specific experience that inspired the concept of this book?
RT: The original idea for this book can be traced back to a day I watched my children and their friends draw with chalk on our driveway. It suddenly dawned on me that child's play is really a series of negotiations-proposals and counterproposals.
"THIS KID REVIEWS BOOKS" Gives The Almost Terrible Playdate Five out of Five Bookworms!
What I Thought- I loved the story. The dialogue between the two characters are funny, and extremely realistic – Mr. Torrey really captures the sense of two very different kids playing together. The illustrations are unique as most of the page is taken up by a thought bubble, and the image inside the bubble looks as if it were drawn by a little kid – reflecting the imagination of a child. I also like the book because it is all conversation – there is no narration.
The Website AS THEY GROW UP calls THE ALMOST TERRIBLE PLAYDATE "Adorable"!
The Almost Terrible Playdate is an adorable little book about two children that can't seem to get a long, which is very much how my boys can be some days. They are the best of friends, but let's face it. They are two different people and obviously they want to play different things. Luckily in the end, it all works out and they compromise which is what happens in this adorable book....Read the rest of the review by clicking here.
Booklist Calls THE ALMOST TERRIBLE PLAYDATE "A Playful and Accessible Introduction to Cooperation."
14 days until the release of my next book, THE ALMOST TERRIBLE PLAYDATE. Yesterday it was selected as one of Amazon's Best Books of the Month of February. Today, Booklist published it's review, using words like charming, valuable, entertaining, and playful to describe the book!
THE ALMOST TERRIBLE PLAYDATE Torrey, Richard (Author) , Torrey, Richard (Illustrator) Feb 2016. 40 p. Doubleday, hardcover, $16.99. (9780553510997).
Today I received word that my new book, THE ALMOST TERRIBLE PLAYDATE has been selected as one of Amazon's Best Books of the Month for February. Exactly one year ago today, my brother-in-law Phil Harnick suffered a devastating heart attack. The completion of my book coincided with his passing.
I have dedicated the book to Phil's memory. It is a small gesture, but done with deep love and admiration, not only for Phil, but for his wife Janet, for their two beautiful children Cole and Ty, for his parents Yvonne and Jack, for my brother-in-law Jack and his family, and last but never least for his sister-my wife, Sue.
We all miss you Phil.


The isolation of graphene sheets from its parent crystal graphites has given the kick to experimental research on its prototypical 2D elemental cousin, silicene . Unlike graphene, silicene lacks a layered parent material from which it could be derived by exfoliation. Hence, the efforts of making the silicene dream a reality were focused on epitaxial growth of silicene on substrates. The first synthesis of epitaxial silicene on silver (111) [27, 46] and zirconium diboride templates  and next on an iridium (111) surface , has boosted research on other elemental group IV graphene-like materials, namely, germanene and stanene [30, 48]. The boom is motivated by several new possibilities envisaged for future electronics, typically because of the anticipated very high mobilities for silicene and germanene , as well as potential optical applications . It is also fuelled by their predicted robust 2D topological insulator characters [14, 28] and potential high temperature superconductor character [5, 50]. One of the most promising candidates as a substrate is Ag because from the studies of the reverse system, where Ag atoms were deposited on silicon substrate, it was known that Ag and silicon make sharp interfaces without making silicide compounds . Indeed, studies on synthesiz and characterization of silicene is mainly focused on using Ag(111) as substrates and hence we think it is important to understand this particular system. In this Chapter, we present a theoretical perspective on the studies investigating the atomic and electronic structure of silicene on Ag substrates.


 The Five Major Themes Of The Pharmaceutical Industry In The United States - Sinoway Industrial Co., Ltd.
The brilliant listing of 46 new drugs in the United States in 2017 is over and the promising 2018 is coming. With the emergence of new technologies, the near-limit of payment capacity and the unmet medical needs, the development of the pharmaceutical industry in the United States will still be ups and downs and exciting in 2018. Here are some of the main themes of the U.S. pharmaceutical industry in 2018.
In 2017, the U.S. Food and Drug Administration (FDA) approved a total of 46 new drugs to be listed on the market with a 20-year update record. The reason, one of the most central factor is the development of new drugs more accurate. The development of precision medicine has been more developed, increasing the success rate of listing new drugs and also making the disease more subdivided and increasing the number of drug indications. Together, the two are "engines" for new drug production. Coupled with the "friendly attitude" of the FDA, the number of new drugs will remain high in 2018 and an estimated 35 to 40 new molecular drugs will be listed.
In addition, the United States has been the voice of the drug control has been high, but the United States because of cultural support for innovation, so the introduction of drug prices less likely to control. Drug expenditures will be controlled primarily through faster drug approval, the use of generic drugs and the encouragement of competition from similar products.
The industry's expectation of immunotherapy is becoming more rational. 2018 there will be more small molecule IO drug phase III clinical results disclosed. Combination therapy, which is highly anticipated by the industry, has not yet passed the rigorous clinical trials. The much anticipated IDO inhibitor may be the most disappointing drug of 2018. Therefore, targeted therapies may once again become the focus of cancer drug development.
RNA drugs are mainstreamed in 2016, 2017 is the first year of CAR-T and gene therapy, and it is clear that these technologies will continue to grow in 2018. With the arrival of mRNA drugs in the clinic, RNA drugs are on the way to market, and RNA drugs are expected to further compete with traditional drugs. SMA and hemophilia gene therapy are also expected to complete late-stage clinical trials. Another major breakthrough in technology transformation in 2018 may be gene editing technology. Today, Sangamo's ZFN Editorial Technical Drug is the first to enter human trials, while CRISPR Therapeutic's Thalassemia drugs have been approved for clinical trials. In 2017, a number of technologies such as pre-antibody, DEL, and antibody subcutaneous injection technology are supported by major pharmaceutical companies. This trend is expected to continue this year.
Although drug prices will not be limited for the time being, the space for increasing drug prices will be severely restricted and the competition for finding new products will be even more fierce. As the transformation of basic research is increasingly valued by scientists, venture capital in biotechnology remains strong, so early projects are well supplied. The development of pharmaceutical companies speed and experience is the new project to complete proof of concept high-speed, to the market a shortcut. Therefore, the cooperation between big pharmaceutical companies and small biotech companies will continue to deepen. The tax reform in the United States has led pharmaceutical companies to return huge amounts of cash, greatly boosting their spending power. It is also likely that the acquisition of major pharmaceutical companies such as Squibb, which possess "overweight pounds" drugs, will also surge.
Traditional small molecule drugs face a variety of new technologies to squeeze, want to continue based on the need for more in-depth innovation. DNA coding technology significantly expands the space for small molecule chemistry. PROTAC makes therapies theoretically effective at catalysis, but these techniques are similar to football's inverted hooks and, although they may play an extraordinary role in exceptional circumstances, can not subvert the entire field . Small molecule drugs to continue to survive Need for small intracellular targets for more in-depth study, in selective, cell, animal evaluation of the efficacy of high-tech to be introduced.


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Top 15 Landmarks in London
by Mick Murray
Awesome Animal Attractions in London
The Best Fantasy Destinations in the UK & Ireland
The Game of Thrones attractions you don't know about
by Judd Elterman
Get the best out of St. Patrick's Day in Dublin
Medieval Battles, Legends, and Political Intrigue: the Best Historical Sites in the UK & Ireland
A look inside… The Royal Collection
by Ryan Millar
The best British cities for a 'staycation'


Brian Eccles Hearing Centre, formerly County Hearing, is a family owned and run hearing healthcare Practice that provides the best and latest hearing aids and clinical hearing care combined with a true commitment to customer service. With over 30 years' experience in hearing aid audiology, and now into their third generation of hearing care professionals, they offer the best hearing aids from the world's best hearing aid manufacturers backed up with outstanding aftercare. As an independently owned hearing aid centre, they are able to give completely impartial advice.
We have worked with Brian, Lorraine and Kayleigh closely for some time now and we have been cosistently impressed with their empathy, compassion and commitment to offering outstanding service, products and customer care. It is obvious from the words of their customers that they deliver exactly what they promise in a friendly and warm environment.
Brian and his sister Lorraine followed the footsteps of their mother into hearing healthcare and took over the Practice after their Mum retired. Now Brian's daughter Kayleigh has entered the business and is studying for her qualification. As a family business they are committed to offering the very best service and aftercare to their customers.
Brian Eccles at Brian Eccles Hearing Centre in Kettering was recommended to me through a friend who had been a client of Brian's for many years. It is a very ethical family run business and he makes you feel at ease and welcome as soon as you walk through their front door. I have suffered from hearing loss for over 10 years and have been to several audiologists in various countries I have lived. I did not realize how bad my old hearing aids were until I had an audiogram from Brian Eccles Hearing Centre. Brian also provided me with information about my hearing loss that no other audiologist had ever taken the time to explain. The service and care Brian provides is above par and absolutely first class! I enjoy going in for a visit and having my quality of life back! Thank you to Brian and his Team at Brian Eccles Hearing Centre!


The Cleveland Travel Group is a global travel provider which has been delivering world class travel solutions for more than 20 years.
Owner-run and managed, each highly-specialised branch of the Group serves as an independent travel company offering the very best expertise and advice in their respective field. Each subsidiary comprises a team of travel experts who, in addition to having visited the destinations we offer, are also up-to-date on the latest local news, travel trends & deals.
Our travel advisors use their years of experience to make the best recommendations and to handcraft a holiday itinerary, business trip or flight reservation to your exact specifications. Personalised service through the same point of contact from a friendly, high skilled travel professional is always guaranteed - we do not follow the call centre model.
The success of the Cleveland Travel Group is due largely to our loyal base of repeat customers. We spend the time to get to know our clients and to develop a personal relationship with them, which allows us to offer assistance based on their individual needs. With almost 70% of our business derived from existing clients, we feel that this is a testament to our commitment to our customers through excellent in service, the best travel advice, the most specialised product offering and, most importantly of all, the best value for money in the market place.
The airlines we offer - we can confidently promise that we offer the best negotiated rates on airfares in any class of travel. This means no need to shop around because, as we hold the coveted status of Preferred Partner to both British Airways & Virgin Atlantic and are also appointed agents for all of the world's major airlines, we have access to preferential discounted air fares across all classes of travel.
The owners of the properties we sell - we can accommodate any requests from our clients to make their stay special. From a romantic surprise with that particular bottle of bubbly to a late check-out or an unusual dietary requirement, all it takes is a call from us and you will be looked after personally to ensure your stay is absolutely perfect.
The media - in addition to being regularly featured in the top luxury travel magazines and newspapers, we sponsor several high profile travel guides & awards each year. Our ability to spot trends in travel and the exclusive experiences we offer clients has earned us a long list of editors, journalists and celebrity clients that seek our advice as the authority in travel.
We are at the forefront of creativity and forward thinking, ensuring we provide the most cost effective solution for our needs. Experience the difference when you travel with the Cleveland Travel Group.


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Details of People
HMS Athenienne
William Napper
William Napper in Somerset
William Napper in South Australia
Margaret Wood
She married Israel Claringbole. Margaret died in 1709 in Deal?, Kent, England. She was buried on 22 June 1709 in Deal, Kent, England.
William Edward Elbeshausen
b. 1870, d. 22 May 1923
Father William Elbeshausen b. bt 1843 - 1844, d. 1890
Mother Eliza Christmas b. 8 Nov 1849, d. 1905
See my blog: Washed up near Luna Park.
William was born in Victoria, Australia, in 1870. He was the son of William Elbeshausen and Eliza Christmas. William made his will on 10 July 1919. He was living at the time at Prahran, Victoria, Australia. William died on 22 May 1923 in St Kilda, Victoria, Australia. He was buried on 26 May 1923 in grave 223, compartment A, Church of England section, St. Kilda Cemetery, St Kilda, Victoria, Australia. Probate of his will was granted at Victoria, Australia, on 5 July 1923.
Charts Descendants of George Christmas
Descendants of John Nolan and Eliza Kane
Charles George Elbeshausen
See my blog: A Nineteenth Century Hoon: Charlie Elbeshausen.
Charles was born in Melbourne, Victoria, Australia, in 1872. He was the son of William Elbeshausen and Eliza Christmas.
Elizabeth Elbeshausen
b. 1874, d. 23 August 1961
Elizabeth was born in Melbourne, Victoria, Australia, in 1874. She was the daughter of William Elbeshausen and Eliza Christmas. Elizabeth made her will on 16 January 1953. She was living at the time at 20 Closeburn Avenue, Windsor, Victoria, Australia. Elizabeth died on 23 August 1961 in Windsor, Victoria, Australia. She was buried on 25 August 1961 in grave 357A, compartment A, Church of England section, St. Kilda Cemetery, St Kilda, Victoria, Australia. Probate of her will was granted in Victoria, Australia, on 1 November 1961.
Agnes Elbeshausen
b. 1876, d. 12 November 1926
Agnes was born in Carlton, Victoria, Australia, in 1876. She was the daughter of William Elbeshausen and Eliza Christmas. She married Montague Egerton Smith at All Saints Church of England, East St Kilda, Victoria, Australia, on 9 April 1912. Agnes died on 12 November 1926 in 35 Murray Street, Elsternwick, Victoria, Australia. She was buried on 15 November 1926 in Brighton cemetery, Brighton, Victoria, Australia.
Montague Egerton Smith b. 1881, d. 13 Aug 1956
Keith Egerton Smith b. 10 Jun 1914, d. a Jul 1956
� Allen Evans 2019
Site updated on 27 Oct 2019; 6,388 people


Political analysis and outlook: The Cyprus problem is likely to remain in limbo for a while, as the UN has taken a step back. Rumours have resurfaced about Greek Cypriot plans for a two-state solution, while Turkey has been sending mixed messages about abandoning a federal settlement.
Structural reforms and natural gas: Initial results of the offshore natural gas drilling will be delivered to the government in September. The government has started the process of privatizing the state lottery.
Fiscal performance and forecast: Revenue growth continues to accelerate and pre-election spending has also started to rise. We continue to expect the debt/GDP ratio to fall below 100% in 2018.
Banking sector: BOC continues to cut NPLs aggressively but reported a loss of over €500m in the first half after a higher than usual increase in provisions. RCB has received a credit upgrade and banks have started lending again.
Macroeconomic trends and forecast: Real GDP grew by 3.6% in the first half of the year and we have revised up our forecast for 2017 to 3.5%. However, there are some potential signs of a slowdown from the second half of the year and Brexit will affect UK tourism in 2018.


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COROT-15 b – brązowy karzeł krążący wokół gwiazdy COROT-15 należącej do ciągu głównego i znajdującej się w gwiazdozbiorze Jednorożca w odległości ok. 4142 lat świetlnych od Ziemi. Jeden obieg wokół gwiazdy zajmuje mu tylko 3,06 dnia. Został odkryty w 2010 roku metodą tranzytu przez satelitę COROT. Jego masa jest około 63 razy większa niż masa Jowisza, a promień ok. 1,12 większy niż promień Jowisza, co oznacza, że ten obiekt jest około 40 razy bardziej gęsty niż Jowisz.

Przypisy

Linki zewnętrzne

 CoRoT family portrait

Brązowe karły
Gwiazdozbiór Jednorożca
Obiekty astronomiczne odkryte w 2010

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