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Series of mergers that led to the creation of JPMorgan
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I believe that this plugin solves a lot of problems of resorting Custom Post Types.
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Help ! ! ! ! ! ! ! !
there is some practiceing the dark art on me! what do i do to quietly resolve this. i can't say his name for fear that he may be on this site. if any one can help me please i need help. i'm desparite.
First, never panic. It gives them a way to edge in. Second, keep your grounding and shielding exercises going. Third, if you work with protective/guardian type spirits, call them close, keep them close. Fourth, if you can go on something like Meetup and search for a local group that might help, or see if there is a local spiritual or pagan related shop around that might have groups you can get involved with, it would be helpful to you at times like these.
The main thin you need to understand is that they prey on your fears. Manage your fears and you already have them mostly licked. The rest is covered by what I mentioned above.
I would suggest that you plan well for your project. And do not strive for absolute perfection. These books are beautiful because they are personal, not perfect. Many blessings, M'Lady, and good fortune in your Arte!


In this workshop, we will learn the fundamentals of Fertility Awareness charting for natural birth control. This involves three daily observations, which are basil body temperature, cervical fluid and cervical position.
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Yann Boussand Larcher is a Paris based freelance make-up artist, who has worked on numerous fashion shoots and contributed to runway shows. He has also been in charge of make-up teams for Balmain Homme and young designers such as Cedric Jaquemyn, Y Project and Mads Dinesen.
After studying Art History, his career started in 2009 as an assistant to well established make-up artists, amongst them Lloyd Simmonds and Christophe Danchaud.
Make-up for Yann Boussand Larcher is a real passion - always on the lookout to create something new, working on innovative products, fabrics and collages.


text:
Art group Riskilä: Yhteyksiä (Connections)
4.1.–6.3.2023
Turunlinnantie 1, 00900 Helsinki
The exhibition examines our joint struggle to keep our planet liveable, both at the concrete street level and more widely, through myths, history and stories.
The effects of our destructive lifestyle go beyond the boundaries of generations and species, and the actions of individuals are not enough to bring about a change. The ecological crisis requires us to unify our perspective and to work together.
The art group Riskilä, established on the steps of the Parliament House and named after the endangered shorebird black guillemot, is a community of two artists practicing art and activism. The works feature climate and environmental themes with the help of different techniques.
Olavi Fellman is an Espoo-based visual artist who has graduated as a Master of Art Philosophy. In recent years, he has focused on the climate theme in his art.
Satu Söderholm is an Espoo-based social worker and photographer who has graduated as a Master of Social Sciences. She focuses on societal and environmental themes.
#young people
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#concrete art

redpajama_set_name: RedPajamaCommonCrawl


«Litosil» - effective concentrated microbiological preservative designed for the preparation of quality hay and silage from all kinds of grasses, corn, beet pulp, leaves, crushed grain with high humidity and crop residues grubostebelchatyh.
The preparation is a synergistic association of well-matched living cultures of two species of lactobacills and lactic streptococcs. «Litosil» - homogeneous, powder-dry mass, which contains 1 g to 50-55 billion. Of viable cells of lactic acid bacteria.
The preparation is readily and completely soluble in water and sap of plants. The use of a preservative Litos through targeted regulation of lactic acid fermentation promotes high preservation of feed nutrients, uniform distribution of lactic acid in the thickness of the pledged mass oppression butyric acid, acetic acid, putrefactive bacteria and fungi, which have a negative impact on the animal as a whole and to feed in the process storage and use. Antagonistic effect of lactic acid bacteria on the putrid microflora provides better preservation of protein (10-15%), helping to reduce the loss of dry matter in the 2-8 times and improve its digestibility by 5-10%, better preservation of vitamins B12 and C, an increase in the biosynthesis of vitamin B12 improves the quality of canned feed composition of organic acids and amino acids, reduced waste feed in the surface layers of 3 - 5 times. Cooked with leaven food is better eaten by animals and positively influences their productivity. When fed silage made with leaven, increased average daily liveweight gain of young 5.7 - 12%, milk yield by 5 - 7% fat milk - by 0.1%, decreases the acidity of milk (1°T).
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excludes accumulation in a senazha and a silo of dangerous concentration of oleic acid.
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Fire hazards resolved in historic Downtown El Paso building; Fallas Discount Store reopens
The Fallas discount store, housed in one of Downtown El Paso's historic gems, reopens after being closed five months to correct fire hazards
Fire hazards resolved in historic Downtown El Paso building; Fallas Discount Store reopens The Fallas discount store, housed in one of Downtown El Paso's historic gems, reopens after being closed five months to correct fire hazards Check out this story on ElPasoTimes.com: https://www.elpasotimes.com/story/money/business/2019/03/02/fallas-store-reopens-in-historic-downtown-el-paso-building-deemed-fire-hazard-in-2018/3034209002/
Vic Kolenc, El Paso Times Published 6:00 a.m. MT March 2, 2019 | Updated 11:34 a.m. MT March 4, 2019
The Fallas Discount Store, inside one of Downtown's historic landmark buildings, reopened Friday afternoon after being closed five months ago as a fire danger by the El Paso Fire Marshal's office.
City officials Friday notified the Los Angeles-area company that owns the Fallas store and the building in which it's located, at 301 E. San Antonio Ave., that the store could reopen because fire safety problems were corrected on the four floors occupied by the store, said Tony De La Cruz, assistant director of the city Planning and Inspections Department.
The Fallas Discount Store inside the 100-year-old Henry Trost-designed building at 301 E. San Antonio Ave., in Downtown El Paso, reopened March 1. It was closed five months after city officials determined the building was a fire hazard. The safety problems were corrected, a city official said. (Photo: VIC KOLENC/EL PASO TIMES)
The building was declared an "imminent danger" and closed Sept. 11 by the Fire Marshal's office after inspectors reported finding evidence of an electrical fire in the building.
The store, which reopened at 1 p.m. Friday, was bustling with shoppers by late afternoon.
The Fallas discount store, closed five months for fire safety problems to be resolved, reopened Friday in the historic building at 301 E San Antonio Ave. (Photo: VIC KOLENC/EL PASO TIMES)
Mario Lozano, a Juárez resident who frequently shops in Downtown El Paso, said he's happy the store is open again.
"They have good offers (prices) here. I like this store," said Lozano, who, along with his wife, were walking by the store when they noticed it had reopened. They had frequently shopped at the store before it closed last year, he said. They purchased clothes and other items from the store Friday.
De La Cruz said city inspectors and Fire Marshal officers inspected the building Feb. 28 and determined the corrections necessary to reopen the store had been completed.
Work had to be done on the fire sprinkler system and fire alarm system for the basement and three floors housing the store, De La Cruz said. Additional exit lights also had to be installed in the store areas, he said.
Electricity had to be disconnected to the unoccupied upper floors of the 10-story building to reduce the fire risk, De La Cruz said.
More: Building owners ordered to fix code violations in 4 historic Downtown El Paso properties
The city Building and Standards Commission in 2018 determined the building had many city code violations that needed fixed. An update on the building's condition and the owner's corrective actions are to be taken up by the commission at its March 27 meeting, De La Cruz said.
KEEP UP with Downtown redevelopment. Click here to subscribe to elpasotimes.com
Michael Fallas, owner and chief executive officer of Los Angeles area-based National Stores, which operates the Fallas discount clothing and home furnishing stores, in 2008 bought the 200,000 square-foot building, which once housed The Popular department store.
In 2016, Fallas told the El Paso Times that he planned to restore the 100-year-old building, designed by the late, iconic El Paso architect Henry Trost, and possibly put loft apartments on the upper floors. However, that plan never materialized.
The Fallas Discount Store in Downtown El Paso reopened March 1 after being closed five months to correct fire hazards. (Photo: VIC KOLENC/EL PASO TIMES)
Fallas and the El Paso lawyer representing his company in its dealings with city officials were not available Friday for comments about the Fallas store reopening.
National Stores has fallen on hard times. It filed for Chapter 11 bankruptcy reorganization last year, and has closed most of its 344 stores, which operated under several different brand names. The Fallas chain now has 85 stores nationally, according to its website. Most of the El Paso Fallas' stores were closed last year.
Sergio Velazquez, loss prevention manager at the Downtown Fallas store, said the store's operations were back to normal, with the store scheduled to be open daily 9 a.m.-7 p.m., including Sundays.
Vic Kolenc may be reached at 546-6421; vkolenc@elpasotimes.com; @vickolenc on Twitter.
Read or Share this story: https://www.elpasotimes.com/story/money/business/2019/03/02/fallas-store-reopens-in-historic-downtown-el-paso-building-deemed-fire-hazard-in-2018/3034209002/
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The Early Details on the Boston Music Venue Headed for North Station Area
Big Night Entertainment and Live Nation are teaming up on a luxury music hall in the redeveloping West End.
By Jacqueline Cain·	 11/15/2018, 12:13 p.m.
Devoted foodies and restaurant newbies love The Feed. Sign-up now for our twice weekly newsletter.
Big Night Live rendering provided by Big Night Entertainment
When your favorite artist performs in Boston next year, you could enjoy the show from the comfort of a VIP table with bottle service: A luxury music venue called Big Night Live lands in early fall 2019, adjacent to the TD Garden. In a press release today, Big Night Entertainment Group shares more details about this previously reported music hall and nightclub headed for the development called Hub on Causeway. BNEG also announces plans for a Latin-inspired restaurant there called Poco Diablo.
Big Night Entertainment—led by brothers Ed and Joe Kane, and their business partner Randy Greenstein—is Boston's premier nightlife group, behind a dozen Massachusetts clubs, restaurants, and bars including the Grand, Explorateur, Empire, Red Lantern, Scorpion Bar, and the new arcade bar, Versus. It also operates venues at Foxwoods and Patriot Place, and is developing a luxury nightclub and a sushi restaurant for the Encore Boston resort casino. As writer Tori Bedford noted in the October issue of Boston magazine, BNEG's business model of attracting internationally known acts and charging premium prices is "explicitly exclusive."
For Big Night Live, BNEG is partnering with mega-promoter Live Nation to raise the standard of live music entertainment in Boston, per today's announcement. The new, multi-level venue will have 30 VIP tables offering high-end bottle service, plus three bars and "luxurious" private suites overlooking the stage. The space will also allow for large, private events. Picture Venetian-style curtains, oversized red crystal chandeliers, and wood-finished walls, plus art galleries and LED lighting. For the musically minded, it also promises state-of-the-art sound, and opportunities for "exclusive access" to visiting artists.
There's not too much to report yet on the "Latin-inspired restaurant" headed for the Hub on Causeway, but Poco Diablo has claimed its space on the web and Instagram so you can stay in the loop about that project.
Both new venues are part of the Hub on Causeway, a joint venture from Delaware North and Boston Properties which is redeveloping more than 1.5 million square feet atop the site of the old Boston Garden. It's bringing new mixed-use residential and hotel, retail, and office space to the West End, and also encompasses the $100 million expansion of the TD Garden. Those plans, and others, are also fueling area dining upgrades like Tom Schlesinger-Guidelli's new restaurant, Alcove; a Night Shift brewpub and a Jack's Abby taproom; and more.
"Live Nation and Big Night Entertainment have developed an exciting concept that only enhances what will surely be the top entertainment district within the city of Boston," Delaware North's local projects CEO Charlie Jacobs said about Big Night Live.
Both BNEG venues are slated for an early fall 2019 arrival. In the meantime, Big Night Live is also online and on Instagram.
Poco Diablo rendering provided by Big Night Entertainment
Jacqueline Cain	Contributor
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The Walter H. Shorenstein Asia-Pacific Research Center is part of the Freeman Spogli Institute for International Studies
Fellowships and Training Opportunities
Courses Taught by APARC Scholars
High School and Community College Outreach
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Global Affiliates Program
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Striking the Right Balance: What South Korea Can Do to Enhance Deterrence in the Taiwan Strait
Despite obstacles and risks, there are good reasons why South Korea should want to increase deterrence against China. In a new article, Center Fellow Oriana Skylar Mastro and co-author Sungmin Cho chart an optimal strategy for Seoul to navigate the U.S.-China rivalry and support efforts to defend Taiwan.
Noa Ronkin
South Korean soldiers participate in a river crossing exercise with U.S. soldiers in Yeoju, South Korea, October 19, 2022. Chung Sung-Jun/ Getty Images
Taiwan is currently the single biggest point of contention in U.S.-China relations, and U.S. allies have a crucial role to play in efforts to prevent a great-power war over the island. South Korea, however, has remained relatively ambiguous about its willingness to support U.S. efforts to push back against China's growing influence in the region, including in the Taiwan Strait. As the Yoon administration is now creating an opening for a more proactive approach, what can South Korea do in a Taiwan contingency?
A new article in The Washington Quarterly provides a framework for analyzing South Korea's potential role in this era of strategic competition through the lens of war over Taiwan. The authors — Oriana Skylar Mastro, a Center Fellow at APARC, and Sungmin Cho, a professor at the Daniel K. Inouye Asia-Pacific Center for Security Studies — build upon traditional concepts of balancing to create a nuanced, operationally relevant strategy for South Korea to contribute to the defense of Taiwan.
They explain South Korea's approach to the Taiwan issue to date; evaluate South Korea's strategic importance and what it can do to support U.S.-led efforts to compete with China; explore how China and North Korea may respond to increased South Korean cooperation with the United States, along with the potential obstacles this cooperation could create; and recommend ways to leverage the US-ROK alliance to enhance deterrence against China with respect to Taiwan.
Subscribe to APARC newsletters to receive our scholars' updates.
There are politically feasible options for South Korea to greatly contribute to US-integrated deterrence in the Taiwan Strait.
Oriana Skylar Mastro and Sungmin Cho
Mastro and Cho recognize that it is operationally and politically infeasible for South Korea to fight side-by-side with U.S. forces against China in a Taiwan scenario or to build its military sufficiently to deter Chinese aggression against Taipei. South Korean strategists must also consider the costs of China's and North Korea's potential responses to greater South Korean involvement in defending Taiwan. Still, Seoul can play a significant role in deterring Chinese aggression.
According to Mastro and Cho, South Korea's optimal strategy to navigate the U.S.-China rivalry should meet two conditions. First, it should contribute to the vision of a free and open Indo-Pacific, including deterring Chinese aggression against Taiwan. Second, it should be able to make China hesitate to take punitive actions against South Korea. Thus, South Korea can provide rear-area support to the United States, such as intelligence gathering, ammunition supplies, or noncombatant evacuation. It can also support the strategic flexibility of US Forces Korea (USFK) and be more proactive in deterring North Korean aggression and provocation to free up U.S. resources to focus on China in a contingency scenario.
Moreover, South Korea could contribute toward forms of "collective resilience" against China's economic statecraft, such as collective economic sanctions, and leverage its position as one of the world's leading producers of advanced semiconductors to complicate China's calculus. Finally, Seoul's diplomatic support of U.S.-led efforts to defend Taiwan can influence Beijing to take seriously the international community's potential united response against any attempt to invade Taiwan.
"Given the heightened urgency over tensions in the Taiwan Strait, Washington and Seoul should pursue these options immediately to maintain peace and stability in the region before it is too late," the authors conclude.
Get The Washington Quarterly article
Deterrence and Defense Across the Taiwan Strait
View project page
New Essay Collection Examines Minilateral Deterrence in the Indo-Pacific
A new Asia Policy roundtable considers whether and how minilateral groupings, such as the Quad and AUKUS, can deter coercion and aggression in the Indo-Pacific. The roundtable co-editor is APARC South Asia Research Scholar Arzan Tarapore, and it opens with an essay by Center Fellow Oriana Skylar Mastro.
In China, Xi Jinping Is Getting an Unprecedented Third Term. What Should the World Expect?
Xi's plans are long term and unlikely to shift, but he can now be more aggressive than before in their pursuit.
Shorenstein Journalism Award Winner Emily Feng Examines the Consequences of China's Information Void and the Future of China Reporting
The challenges facing foreign correspondents in China are forcing the West to reconfigure its understanding of the country, creating opacity that breeds suspicion and mistrust, says Emily Feng, NPR's Beijing correspondent and recipient of the 2022 Shorenstein Journalism Award. But China seems to want the appearance of foreign media coverage without getting to the heart of what happens in the country.
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Q: How to call upon a variable from another object of the same class import java.util.Random;
public class Character
{
    // instance variables - vervang deze door jouw variabelen
    private String _name;
    private double _level;
    private double _strenght;
    private double _speed;
    private double _defense;
    private double _currenthp;
    private double _maxhp;

    /**
     * Voorbeeld van een method - schrijf hier jouw comment
     *
     * @param  y    deze method krijgt deze parameter mee in de aanroep
     * @return    deze method geeft de som van x en y terug
     */
    public Character()
    {
    }

    public Character(String name,double level)
    {
        // schrijf hier jouw code
        _name = name;
        _level = level;
        Random rand = new Random();
        //level voor het berekenen van skills
        int lvl = (int)level;
        //stenght en speed parameter voor random
        int stsplvl = 12*lvl - 8*lvl;
        //defense parameter voor random
        int deflvl = 6*lvl - 4*lvl;
        //hp parameter voor random
        int hplvl = 30*lvl - 20*lvl;
        //Strenght berekenen
        double st = (double)rand.nextInt(stsplvl);
        st = st + 8*lvl;
        _strenght = st;
        //Speed berekenen
        double sp = (double)rand.nextInt(stsplvl);
        sp = sp + 8*lvl;
        _speed = sp;
        //Defense berekenen
        double def = (double)rand.nextInt(deflvl);
        def = def + 4*lvl;
        _defense = def;
        //Hp berekenen
        double hp = (double)rand.nextInt(hplvl);
        hp = hp + 20*lvl;
        _currenthp = hp;
        _maxhp = hp;
    }
    public void Character(String name,double level)
    {
        _name = name;
        _level = level;
    }
    public void ploth()
    {
        System.out.println(_name + ": " + _currenthp + " / " + _maxhp + " HP");
    }
    public int attack(Character _other)
    {
        int defe = super (double._other _defense);
        Random rando = new Random();
        //_strenght is een double
        int damcalc = (int)(1.2 * _strenght - 0.8 * _strenght);
        int netdam = rando.nextInt(damcalc);
        int totdam = (int)(netdam + 0.8*_strenght);
        int enddam = totdam - defe;
    }
}

So in the last return statement I am trying to get the defense variable of the other object (character that is being attacked). I am trying to take a random number based on the strength stat of this character and then to create a damage stat. After that I'd do damage - defense (from the other character). Does anyone know what code I use for this? PS:Please don't cringe this is the stuff we learn at school these days.

A: From your description you want your method attack return enddam like below:
public int attack(Character _other)
{
    int defe = (int)_other._defense;
    Random rando = new Random();
    //_strenght is een double
    int damcalc = (int)(1.2 * _strenght - 0.8 * _strenght);
    int netdam = rando.nextInt(damcalc);
    int totdam = (int)(netdam + 0.8*_strenght);
    int enddam = totdam - defe;
    return enddam;
}

Delete the void method Character, if it is a constructor you already have one with the same signature.

redpajama_set_name: RedPajamaStackExchange


Added on March 25, 2013 by jerry shevick.
If you're up in Santa Barbara, check out the Jane Deering Gallery. I'm one of the artists selected for their Flat File Project. It's a way to expose people to more than just is what is on the walls. I've six pieces, hand picked by Jane. There's also a monthly gathering to look at and discuss the work. My work will be there through May, 2013.


text:
Green: evolution is key to survival
By Katie Kilgallen2008-04-10T09:07:30+01:00
Speaking at the World Retail Congress in Barcelona, Arcadia and Bhs chief executive Sir Philip Green warned that the tough economic conditions would expose who the good and bad retailers are.
Green said: "You don't have to be Einstein to have made money over the past ten years. Now we'll see who can keep it. It's pretty dark out there, now we'll see who's got the lights."
He said it was not a case of cost cutting or job losses, but a question of who could keep the business model evolving. He added that it has been too easy for people to get money to fund deals in recent years, but it has been a case of "the blind leading the blind".
Green commented that one of the big problems with the retail industry at present is that not enough of the people running the companies have a financial interest in the company. He said the corporate culture had "taken away visionary people" and that was the next bread of people that need to come into the industry. He added that in public companies people often spend too much time trying to please the crowd and too little running the business.
Green said he admired fellow speaker J Crew chairman and chief executive Millard Drexler because, despite there being other shareholders in the business, he talks as if he is the private owner of the business.
Both Green and Drexler have a very hands-on approach to managing their businesses. He said you need "feel and touch for the people and merchandise and most important you need constant contact with the customer". Drexler holds open office hours every week. "It's amazing what you learn when there are no barriers," he said.
Drexler said he also attends many interviews, even for younger and junior staff. He hires for attitude not qualifications. He looks for "high energy and passion" and hires "the people that I admire". Sir Philip interviews many of the buyers himself, but rather than trawl through CVs he gets out a wad of cash and instructs them to go out and buy "what's missing in my shops". Although, "Some of them I don't see again," he joked.
Talking about retailers they admire, Sir Philip said Zara was an example of a business he would like to own, although said he had no plans to buy it. He said: "If you go to different countries and their shops do look the same – with 3,600 stores you have to admire that." Drexler said: "I admire people who over the last 10 or 15 years have continued to build a good business, improved earnings and have happy people working for them."
Analysis: Has Asos fallen out of fashion?
Once a darling of the stock market, struggling fashion retailer Asos issued another profit warning alongside its third-quarter trading update this week.
Move of the Week: M&S hopes Evans will give its fashion spark
On the face of it, Maddy Evans has executed an astute escape plan by swapping her role as fashion director at Topshop for the task of revitalising Marks Spencer's clothing offer.
Asos issues profit warning due to 'operational issues'
Asos has lowered its full-year expectations for the second time this year after its US and European arms suffered ongoing "operational issues".


Some marketers hear "big data" and their heads spin. They know it can be valuable, but it also can be a mess of multiple databases with divergent fields, formulas, and more. They see data as their marketing kryptonite.
To see this kind of data as a treasure chest – as a means to be more effective in your content marketing – I suggest you use the word "personalization" when you talk big data.
Big data affords you the opportunity to customize content for your target audiences (far beyond "Dear Jane"). It enables you to deliver the most relevant content to your audience members the way they want it, when they want it.
Now, put on your mining helmet. We're going to hunt for treasure by looking at three types of personalization information and find out how to get the most from the one you (probably) know the least about.
First-party personalization is the information about your customers that you own.
How much data your brand owns likely depends on your type of business. Direct B2C and B2B companies like IBM, Akamai, IKEA, and the Gap can usually learn a lot from information provided by their customers – what they buy, how they buy it, how they followed the buying cycle, etc.
Companies that don't sell directly to the retail customer have less first-party information available. Consider Procter & Gamble's Clorox brand. The company can access information about its consumers directly from rebate cards or redeemed coupons. It also has information from its social media sites as well as its customer service centers. What it doesn't have is a transactional relationship with its customers.
It's free – you already gathered the data as part of your business operations.
It doesn't hit privacy land mines – your customers already consented to share their data.
It provides high-quality data – you can learn from customer-browsing patterns, point-of-sale transactions, and more.
You also can use the information to build profiles of your ideal customer and use those profiles or personas to create content that resonates with potential customers, too.
Second-party personalization information comes from your partners.
For example, Clorox obtains information from its distribution partners – the retail outlets such as Target or Costco that sell the product directly to the consumer. Clorox can gather data from the retailer related to points of sale, credit cards, etc. Think Apple and their worldwide sales network, direct and indirect, and all the data mining that can happen there.
It comes from partners who usually are connected to your customers in more ways than a direct transaction.
Third-party personalization is information that your company acquires (buys) to better identify and understand your target audience.
Data-collection companies (third parties) can be great sources for information about your target audience. But third-party information is a different beast. You have to purchase it, so it can take up a significant chunk of your content marketing budget. It can, however, provide richer insights into markets than first-party data can because it brings together information from a wide variety of data sources.
In the old days – before localization and visualization – manufacturers could buy information based on ZIP codes – and later the four-digit extension to narrow it to 10 households or less. Now, you can get information down to the individual. You can find out what car a person owns, what memberships they have, what magazines they subscribe to – you can get really personal with information from third parties.
With that information, you can create and distribute content on a much more personal level. You can target the individual, giving him the content you know will help him when he needs it on the channel he most frequently uses.
It enables you to overlay market data with your own data.
It allows you to create more robust personalization because you have more information about your audience than your direct or indirect transactional data provides.
When I worked as a marketer for a solar-panel company, my dream was to have the budget to buy a list of Toyota Prius owners. It was a natural fit – Prius owners typically are more environmentally concerned and more likely to pay for a product that helps the environment.
While we couldn't afford to find out who owned Priuses and target them, we still tailored our outreach. We invested in radio advertising in targeted geographic markets and mailed postcards to promote free personal assessments. In conjunction with the advertising, we developed screening criteria (personalization) based on our own and third-party information to qualify the prospects who called for free evaluations.
Through publicly available data from the electric company, we knew prospects who spent more than $150 a month on their electric bills were most likely to benefit from our solar panels. We also input the prospect's address in Google Earth so we could see whether their roof was visible (if not, they likely didn't have enough sun to use our product). We would see whether they earned at least $100,000 a year because even with the rebates available, solar panels are expensive. We also could use other third-party information to learn whether they belonged to Greenpeace, Nature Conservancy or Sierra Club – all environmentally focused groups.
With that information, we were able to have a better conversation and go deeper with the prospects.
If the prospect lives on a tree-covered property, you could deliver content that educates the person about how to trim their trees to allow more sunlight.
If the prospect is spending at least $150 on their monthly electric bill, you could deliver content that shares the story of someone who went through an energy audit and found long-term savings by making changes to their utilities – including the addition of solar panels.
If the prospect earns at least $100,000, you could deliver content that highlights the experiences of influencers who opted for and benefited from a green lifestyle.
While achieving 100% one-to-one marketing is the ideal personalization goal, don't strive for the ideal. Set a manageable goal that's more achievable.
How can you make progress to pull all the information your company has from first-, second-, and third-party sources into an effective content personalization strategy? Don't make the C-suite your first stop.
Just ask a room of marketers if they have their content marketing experiments blessed from the higher-ups and you'll see only a few hands go up. The C-suite typically doesn't have the stomach to delve into personalized content marketing. They aren't willing to accept that ROI could take two to 18 months or that the company will need to invest resources and commit to the change required.
Instead, create a pilot personalized content marketing program. Start by documenting your personalization strategy. Initially, focus on first-party data and other low-hanging fruit. Gather input from whichever department in your company is experiencing the biggest pain around personalization and/or data integration. Work with that group so they become your internal evangelists. As others hear about the success, they will want to get involved (and the C-suite will take notice of the successes). Eventually, so many people will want to participate that a systematic approach is realized.
Use individuals' purchasing habits and behaviors to trigger the delivery of one-to-one personalized content.
Easy-to-implement example: You go online and buy two warm coats in children's sizes 8 and 10. A week later, you receive an email from the retailer that includes an article about how cold is too cold to let your children play outdoors.
Think regionally (or another niche of your target audience) and deliver content relevant to people in that group.
Easy-to-implement example: You go online and purchase towels from a home-goods store. The retailer hasn't learned that much about you – except that you need to dry something. However, the retailer knows from your ZIP code that you live in a cold-weather climate. In November, the retailer sends you and all its other customers in your region an e-newsletter that includes an article about preparing your home to survive the winter.
By pulling together all the data into a single source of truth across all systems, you can know your audience on that in-depth level. Thus, your content can be personalized – relevant to the individual customer, delivered on the most appropriate channel, at the time the customer wants or needs it.
A single source of truth for your data also enables you to evaluate what content is most effective with your audience members. For example, if 10,000 people download your white paper and three people convert, is that content achieving what you want it to? Now that you have access to all the information, you can make the proper evaluation.
When you can integrate your personalization data, including getting your marketing technology systems talking to each other, that's when you can get truly personal, and your content marketing success will be greater.
Sign up for our Content Strategy for Marketers newsletter, featuring exclusive insights from CMI's Chief Strategy Officer, Robert Rose. If you are like many other marketers we meet, you'll come to look forward to his weekly thoughts.
Editor's note: IO Integration is a Content Marketing Institute benefactor, which is a paid supporter of our website and content creation activities.
Jill Talvensaari is marketing vice president at IO Integration, a leading marketing technology provider that helps the world's top brands automate and personalize customer experiences. She lives in the Santa Cruz Mountains above Silicon Valley with her family, two dogs and two cats. Jill holds degrees in Econometrics and Cognitive Science from UCSD, and an MBA from Seattle University. Follow Jill on Twitter @moxiemktg.


text:
Kaguya Nobuko
nobuko
IS OFFLINE
hey guys what's going on in this thread
STAT PAGE
43 POSTS & 4 LIKES
Kaguya Nobuko Nov 15, 2018 0:15:58 GMT -5
Post by nobuko on Nov 15, 2018 0:15:58 GMT -5
Rank: C
Appearance: Nobuko stands tall at six feet, with an average build for her height. She has a straight, prominent nose and tired-looking eyes, a trait that she doesn't usually hide with makeup. Her skin is a deep tan, and her hair is dyed a fiery orange, partially tied up into a small bun atop her head and the rest falling around her head in a cheek-length cascade save for blunt bangs atop her shaved-to-a-dot eyebrows. Her choice of eyebrow colour and eyeliner ranges but usually tends towards either warm tones or muted greens, usually joined by a heart drawn on to her lips. Her hands range from soft to tough and flaky-looking from frostbite scars, and she is missing her ring and pinkie fingers on her right hand. She is also missing a toe on her right foot, less obviously visible due to her not really ever going barefoot or open-toe.
Nobuko dresses very colourfully in casual wear, preferring loose and comfortable clothing that stands out with primarily warm colours and cool accents. Her base layers in her shinobi outfit tend to be similar unless the situation calls specifically for stealth. She got pushed off a cliff wearing her flak jacket and it shows, the material frayed and torn and nicked and generally well-loved all over, with a naked lady lovingly and tastefully handpainted by her on the back panel for good measure. Nobuko usually wears her forehead protector backwards on her head, tying it up top between her bangs and her bun.
Village: Chuseki
Clan: Kaguya
Bloodline: Shikotsumyaku, Stoic, May I have this dance?
Specialty: Taijutsu
Personality: Nobuko's life is primarily ruled by frustration that she cannot place. She is polite and respectful but has an unfortunate tendency to antagonize people out of boredom and latent anger when she can get away with it. More productively, she sinks that energy into a wide smattering of shallow hobbies like painting or music, but much like refining her taijutsu they bring little satisfaction outside of a brief rush when she's praised for it. Much of her less sociable behaviour is submerged under a vague self-awareness that this behaviour is immature, and Nobuko is perfectly capable of acting with the poise and professionalism required of a chuunin of Chusekigakure.
Above all she has a very exuberant sense of camaraderie, seeming to hold vanishingly little resentment towards the Uchiha or Yuki for their victory in the civil war. Although she seems to hold higher expectations for her own self-fulfillment, compared to the last few years of her life shinobi work is a godsend in just giving her anything to do, and she's jumping back into it with a fervour to find something about it that she can truly enjoy and sink the rest of her life into. It's not like there's anything else for her!
History: Nobuko was born in a small Kaguya enclave in Hakkinkawa, a medium-sized and wealthy city in the mineral-rich eastern hills of the Mountain Country. She left the city at the age of six after her first demonstration of the Shikotsumyaku, when she fell out of a tree and instinctively retracted the protruding broken bone back into her body out of fright. As soon as she healed she was shipped off to Chusekigakure, sent to live with the clan residents who dedicate themselves to the village as shinobi.
A curious and self-motivated student, Nobuko showed strong potential even before entering the academy. Although the transition to a lonely mountainside with a much bitterer climate was rough for her, as with many Chuseki shinobi, she did not show much homesickness. This was aided by her parents being a touch warmer than many of the Kaguya clan, sending gifts frequently and bringing her home for visits whenever her strict studies and village officials would permit. To this day, her room in the Chusekigakure barracks is filled with keepsakes from home.
She graduated on time with her class and was promoted to chuunin just before the death of the Second Yamakage. Quicker than she could really think about it, the teenage girl was swept up in the fervor of war her fellow Kaguya and the Akimichi drummed up against the competing Uchiha and Yuki. Nobuko, although a talented shinobi, was faltering in her conviction and hesitated to fight her comrades - and what this mercy won her was a dizzying genjutsu and a kick down the side of one of the village's treacherous cliffs. The fall was enough to break her spine, even with her tough genetics, and she was only able to survive by attempting to heal and secure it with highly limited medical expertise. When she was recovered a day later it was clear that she was going to be out of commission for quite a while. She'd lost fingers and toes to frostbite, and parts of her broken spine were melded awkwardly together in a way that would have to be dealt with very slowly and carefully lest she risk much more permanent nerve damage than she'd already sustained.
Uncommitted to lingering secessionist sentiments floating around the Kaguya, Nobuko was quickly cleared of any potential charges after her side's defeat and allowed to receive rehabilitative treatment. She was paired up with a medical ninja specializing in the nervous system and quickly gained an interest in the field, having previously simply assumed herself physically invincible like her clan boasted. Once her skeleton was properly reconfigured she spent years regaining her former aptitude, first in physical therapy and then in training proper. For two years after she was deemed fit to return to service, the village consistently postponed, due to an effort to keep the reunification of the village's forces gradual and a general air of mistrust towards the Kaguya specifically. During this time she was also barred from leaving the village, leaving her bored and unhappy, her only saving grace being other shinobi she'd befriended. She has not heard a word from her family since a brief correspondence where she filled them in on her injuries.
Nobuko recently recieved the all-clear to return to shinobi work, and as she begins her story on this forum she's just getting back into the swing of things.
Total Stats: 150
Strength: 30
Durability: 35 (+30 from Kaguya bloodline)
Chakra: 20
Reserves: 25
Alts?: N/A
RP Sample: If you were one of the cliff-dwelling birds nesting in Chusekigakure's outer face, you'd see the sun setting over hazy mountains in the distance. If you looked closer, just across a deep gulf of cool mist, you might see a large building build into one of the sturdier karsts rising out of the grey. If you flew across to investigate, you would find the wide round windows of the village's Chuunin barracks, and through one of those one moderately disappointed young woman.
For a brief moment Nobuko thought the letter might actually be from her clan.
Mail isn't very common for her. Anybody who wants to talk to her are close enough to come say hello on foot. After a brief glimpse at the wax seal it's obvious that this one is addressed from the village. Just across the bridge! Close enough to come talk to her too, really. Nobuko stares blearily at it, not really caring to read another update of 'stay where you are and do nothing for another three months'.
In the background, her boxy yellow 'portable' radio crackles indistinctly. She'd briefly managed to find a station from outside the village that was reaching this far, but it'd cut out… a while ago, now. So she's just been listening to static. Better than what the village's stations have to offer! Such wonderful selections as 'monotone news updates for shinobi', 'slightly less monotone news updates for families of shinobi', 'string instruments but not really fun', 'love advice from a silky-voiced and always wrong old guy', and 'spirited advice about mountain goat care' (the only good one).
God, she's so bored.
Nobuko gently tears the end of the envelope bit by bit and draws out the letter. She looks at it, squints, reaches over to flick on the lights. She looks again. She twists her face into… some kind of expression, surely.
"Fun," she says to herself dully. A mission. She's going on a mission after five years of being in shinobi purgatory. Hip hip hooray. Maybe she can finally get promoted and get better digs. Or get clearance to leave the village again so she can go tell her clan that if they want to die in battle so bad they can do it their damn selves… well, that'd be a little unfair. A pang of instinctive guilt runs through her chest.
Nobuko doesn't understand why she's not excited. Well, it'll come with time! Maybe she just doesn't quite believe it yet. That must be it. She glances to the rotary dial phone installed into the wall by her door and gets up, shuffling to her little kitchenette. On the counter is a phone pad with several names and numbers recorded, many numbers scratched out and rewritten, and alongside it are a small stack of delivery menus. She grazes her fingers over the pad first… and then hovers them over the menus…
She's got one phone call left for the week, and she's already used all but one on ordering food… she should really…
"Hullo. May I get something for delivery please. Your couriers go across to the karsts, right? ...Alright, good…"
Last Edit: Nov 15, 2018 12:17:16 GMT -5 by nobuko
USER IS OFFLINE
PM Me
No-Lifer
335 POSTS & 8 LIKES
Post by Oliver on Nov 15, 2018 8:19:20 GMT -5
Hi, I'll be your staffer today~
History, appearance, personality, and RP sample look good.
Please remember to add your starting element, below the 'Specialty' part of the template.
And for bloodline, please list all clan traits they might have- including 'Sturdy', 'May I have this dance?', etc- unless of course you don't want your character to have those.
After that, I'll give you my approval~
Kaguya Nobuko Nov 15, 2018 12:17:34 GMT -5
Post by nobuko on Nov 15, 2018 12:17:34 GMT -5
Post by Oliver on Nov 15, 2018 12:23:37 GMT -5
Approved! Remember to make a character log and link to it in your signature.~


Directed by Mark Pellington (COLD CASE TV series), comedy HENRY POOLE IS HERE is a drama about a man in his mid 30's who is faced with the nightmare dilemma of discovering he only has weeks to live.
Deciding to retreat from life, Henry Poole (Luke Wilson) returns to his hometown quitting his job and leaving his fiancee and domineering mother behind. But quiet solitude seems the last thing on the cards as inquisitive neighbors increasingly disrupt his attempt to find harmony and solace.


The Killians Boutique hotel is an exemplification of elegance, ecstasy and comfort. Set along the shores of Arabian Sea at Fort Cochin, this lively hotel is known for its ambience, electrifying menu and great customer service!
Stepping into Brunton Boatyard is like stepping into the distillery of history. The hotel imbibes the many influences that have made Fort Cochin what it is today and takes you back to another time, another space.
Fragrant Nature, Kochi—a boutique 5 star hotel—features contemporary styled rooms with magnificent views of the harbour. Located in the erstwhile office of East India Company, the majestic facade with a clock tower is a landmark.


text:
Deathbed Requests
It plays out like a scene from The Godfather. The aged king is passing along final instructions to the son who is to succeed him on the throne. He starts off well, admonishing him to be God-fearing and of noble character. So far, so good. But then he gets personal. He instructs his son to "deal wisely" with two specific men who had wronged him. It doesn't take much reading between the lines to know what the king means. "Do not let his gray head go down to the grave in peace," the king says of both men. In other words, kill these guys. These are the king's final words, and then he dies. It's the stuff of movies. Cue the climactic music. Get one last close-up of the characters in this scene, who are none other than King David and his son Solomon.
If you aren't familiar with David's last words, check out 1 Kings 2:1-12 to refresh your memory. He tells Solomon, "So be strong, act like a man, and observe what the Lord your God requires: Walk in obedience to him, and keep his decrees and commands, his laws and regulations, as written in the Law of Moses" (v 2-3). And then in the next breath he tells Solomon to kill Joab, who had wrongfully killed Abner and Amasa in a time of peace. There's a brief instruction to deal kindly with the sons of Barzillai the Gileadite, and then David brings up Shimei, who had cursed him with "bitter curses." David had sworn to Shimei that he wouldn't put him to death, but now he instructs Solomon to deal with him instead. Hmm. And this is the person the Bible calls "a man after God's own heart"?
From a purely human standpoint, David's instructions may seem justified. We like the sense of closure. These guys are going to get what they deserve. They were both blatantly guilty. One might even argue that his instructions regarding Joab could be reconciled with the law of Moses, removing bloodguilt from the land. (See, for example, Numbers 35:31.) But whether his actions are justified or not, it can't be denied that his deathbed instructions included murder. And Solomon carried out David's requests. (See 1 Kings 2:28-46 for the full story. Solomon was actually sort of clever in the way he took care of Shimei.)
Contrast David's last request with that of his greatest descendant: Jesus. While hanging on the cross, He pleaded, "Father, forgive them, for they do not know what they are doing" (Luke 23:34). He asked God to forgive the very men who were murdering Him. Now, if anyone was justified in seeking vengeance on His enemies, it was Jesus. He was innocent of all charges brought against Him. Those who crucified Him were shedding innocent blood. Jesus had every right to seek "a life for a life." But He didn't. While David sought the death of his enemies, Jesus sought the life of His. And that's really good news for us, because we were His enemies as well.
"For if while we were enemies we were reconciled to God by the death of His Son, much more now that we are reconciled, shall we be saved by His life," Paul says in Romans 5:10. Similarly, in Colossians 1:21-22, he says, "And you, who once were alienated and hostile in mind, doing evil deeds, He has now reconciled in His body of flesh by His death, in order to present you holy and blameless and above reproach before Him." Enemies. Hostile. Evil. Those aren't words we like to use to describe ourselves, are they? But they're true. And despite our unquestionable guilt, Jesus has reconciled us to Himself. He has made us right with God.
Just as Solomon honored David's dying request, so did God honor Jesus'. He forgave us all our sins. We are declared innocent and made members of His family forever. Now, that's a true "God Father."
(Special thanks to my father and brother, whose insights sparked the idea for this blog!)
Deathbed, Forgiveness, Godfather, Instructions, Jesus, King David
One thought on "Deathbed Requests"
I liked the final insight, that "Just as Solomon honored David's dying request, so did God honor Jesus'. He forgave us all our sins."


A coroner is an independent judicial officer, they are assisted by coroner's officers and secretarial staff.
The coroner investigates and records the causes and circumstances of all deaths where the cause is unknown, or that was violent or unnatural, or occurred whilst the deceased was in lawful custody.
This information is only about our local coroner, you can find out more about the role of a coroner.
The Senior Coroner for Dorset is Mrs Rachael Griffin. The Assistant Coroners are Mr Brendan Allen, Mr Richard Middleton, Mr Stephen Nicholls, Mr Grant Davies, Mrs Victoria Cook and Mrs Deborah Rookes. You can contact them at the Coroner's Court Office.
The Senior Coroner for Dorset covers deaths that occur in the administrative county of Dorset or where the body of a deceased person is found in Dorset, even if they died elsewhere.
The Assistant Coroners act when the Senior Coroner is not available. They have the full powers of the Senior Coroner.
You can find all publicly available information here. Please don't contact the Coroner's Court office, staff or police press office as they cannot give you any further information.
If you are researching past cases you have to apply to the Coroner in writing first before you can be given the information you're requesting.
For more detailed information and/or copies of documents, you need to explain your relationship to the deceased and why you want the information.
Complaints about a Coroner's decision or the outcome of an Inquest can only be dealt with through proceedings in the High Court. The Coroner's office can explain the procedure, but can't give legal advice.
All complaints about the administration of the Dorset Coroner Service, or the conduct of individual coroners or their officers should first be raised by writing to the senior Coroner.
The Coroner cannot normally discuss cases which she is or has been involved with, but comments and suggestions on improving the Coroner Service are always welcome.


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Awesome: 40%
Worth A Look: 46.67%
Just Average: 0%
Sucks: 13.33%
2 reviews, 3 user ratings
See another review of this film:brianorndorf (Worth A Look)
by Peter Sobczynski
"Another One From The Heart"
If there is one thing that Francis Ford Coppola has conclusively demonstrated throughout his long and varied career, it is that he has two wildly different filmmakers within him battling for control. One is an expert craftsman who can tell strong and engrossing stories in a straightforward and compelling manner with little muss and fuss�this is the Coppola that gave us such films as �The Godfather,� �The Outsiders,� �Peggy Sue Got Married� and �John Grisham�s The Rainmaker.� The other is a bold visionary that thrives on using every available means, or simply inventing them if they aren�t currently available, to attempt to reinvent the entire process of creating and telling a story in cinematic terms�this is the Coppola behind such controversial works as �The Godfather Part II,� �The Conversation� �Apocalypse Now,� �One From The Heart,� �Rumble Fish� and �Bram Stoker�s Dracula.� (Of course, there is a third Coppola, the one behind such inexplicable disasters as the �Life With Zoe� segment of �New York Stories� and �Jack,� but we shall be polite and not mention this one any further.) With all due respect to the former Coppola, it is the latter one whose works I prefer�I feel that Coppola is at his best when he is swinging for the fences with the kind of ambitious works that no one else would dare attempt. (If I had to make a list of my favorite Coppola films, it would be topped with those same unconventional titles that I cited above.)
Alas, that experimental Coppola has largely been absent for more than twenty-odd years�he essentially retired from active filmmaking after the release of 1997's �The Rainmaker� to build up his winemaking empire and work on new versions of �Apocalypse Now,� �One From the Heart� and �The Outsiders� and spent the decade-and-change before that making relatively ordinary films (with the exceptions of his art-house take on S.E. Hinton�s �Rumble Fish� and his wildly operatic �Bram Stoker�s Dracula�) in an attempt to wipe out the debts he accumulated in financing �One From the Heart��but he has returned with a vengeance with his latest film, the bizarre mind-bender �Youth Without Youth.� Instead of simply resting on his laurels with a rehashing of familiar themes that would offer him an easy commercial payday, he has instead given us the kind of unconventional and defiantly uncommercial work that a filmmaker ordinarily offers up at the beginning of a career, not at an age when they about ready to hit the Lifetime Achievement Award circuit. It is a choice that probably won�t win him any new fans and will presumably befuddle the old ones but to these eyes, it is a bold achievement that is as wildly ambitious in terms of scope and narrative structure as �The Rainmaker� was ordinary.
The film opens in Bucharest on Easter Sunday, 1938 as 70-year-old Dominic Matei (Tim Roth) arrives with the plan of committing suicide by ingesting strychnine. Before he can do so, however, a freak thunderstorm comes up and Matei is struck by lightning and burned almost beyond recognition. Encased from head to toe in bandages in a hospital bed and unable to communicate, Matei reflects on the personal and professional failures that led him to want to kill himself in the first place. A brilliant scholar with a specialty in linguistics, Matei has devoted his life to studying the origin of language and its effect on human consciousness with the hopes of creating a magnum opus that will last long after he has shuffled off this mortal coil�a task that cost him the one true love of his life, his fiancee Laura (Alexandra Maria Lara), and which, despite his best efforts, is nowhere near completion because of its vast scope and the limitations brought on by age. Despite being near death when brought in to the hospital, Matei surprises everyone, especially Professor Stanciulescu (Bruno Ganz), the doctor in charge of his case, by not only recovering from his grave injuries but by now appearing to be a man in his late 30's in every way imaginable�when his teeth all fall out, it is because a brand new set of choppers are pushing their way up. Somehow, the bolt of lightning has literally given Matei a new lease on both his life and his life�s work as his new-found youth means that he now has the time to possibly finish his work after all with no after-effects to speak of. Okay, there is one small after effect�he now has an exact double that appears from time to time to offer advice on the problems at hand. Alas, the beginning of World War II is not the best time to be a walking medical oddity who seems to have somehow conquered death and after the professor publishes a series of articles on Matei in medical journals, his case piques the interest of those in the Nazi high command who are keenly interested in his condition and will do anything to obtain him, including deploying the sexy wiles of a spy known only as The Woman in Room 6 (Alexandra Pirici) in order to seduce him.
As the Nazis draw closer, Matei, with the help of the professor, slips out of Romania into neutral Switzerland and spends the next 15 years keeping to himself, working on his book and ignoring the entreaties of those who are familiar with his strange circumstances. What jolts him out of this reverie is a fateful encounter with Veronica, a beautiful young woman who is the spitting image of Laura (and portrayed once again by Lara) who, after her own encounter with a freak storm, is discovered hiding in a cave and speaking a mysterious language that Matei determines to be Sanskrit. It seems that her body may be housing the spirit of Rupini, a follower of the 7th-century Buddhist scholar Chandrakirti and when this revelation is announced, it gives her unwanted public notoriety and to avoid the limelight, she and Matei, who have become lovers, depart for the relative isolation of Malta. Once there, Veronica begins undergoing a series of episodes in which she appears to be regressing further and further back into time and begins speaking in increasingly older and rarer languages. For Matei, who is diligently recording these episodes, these regressions are a godsend for his work and if she continues to go further back into time, she may come across the very origins of language and allow him to finally complete his work. The problem, though, is that these episodes quickly begin to take a huge physical toll on Veronica and Matei is forced to choose between abandoning his life�s work or his last chance at personal happiness.
Although �Youth Without Youth� is not an original Coppola creation�it is loosely based on a novella from Romanian author Mircea Eliade�the ideas and themes that are present so closely parallel key events and interests in his own life and work that it feels as personal as anything that he has done before. On an artistic level, the notion of people who find themselves living outside of their times and at odds with the aging process is a concept that he has explored in the past in such varied films as �Peggy Sue Got Married,� �Bram Stoker�s Dracula,� �Jack� and even the long-unseen French Plantation sequence that finally came to light in �Apocalypse Now Redux.� (With its unique time structure that blends the past and present together, one could theoretically add �The Godfather Part II� to that list as well.) On a more personal level, those familiar with Coppola�s career are well aware that for the last couple of decades, he has been obsessed with the idea of making a film entitled �Megalopolis,� a sprawling science-fiction epic about the future remaking of New York City and its effect on the populace. After years of struggling to wrest the idea into a workable cinematic concept and even shooting some second-unit footage on his own, he was finally forced to abandon it because of a combination of budgetary problems and the unavoidable fact that the realities of the post-9/11 world would have required a major reworking of the screenplay. Therefore, it isn�t too far-fetched to assume that the notion of a person who has magically been given a second chance at creating the magnum opus that time and circumstance had forced him to abandon must have had an immediate resonance with Coppola when he read Eliade�s story.
I suppose that these basic elements could have be pulled together into a fairly conventional bit of nonsensical romantic fluff in the vein of �Somewhere in Time� and its ilk but with �Youth Without Youth,� Coppola has defiantly gone in the other direction by serving up a rich and heady stew of metaphysical musings on the nature of time, love, philosophy and man�s capacity for good and evil with the enthusiasm and excitement of a late-night college bull session. Of course, these are subjects that inspire many thoughts and ideas but few concrete answers and to his credit, Coppola doesn�t try to wrench them into something simple and simple-minded. Instead, he has created a work whose ideas are meant to inspire hours of thoughtful debate among those who have viewed it. If you enjoyed such head-spinners as �Mulholland Drive,� �Inland Empire� and �Southland Tales,� my guess is that you will also find yourself sparking to what Coppola has wrought this time around. That said, to be perfectly honest, the basic narrative of the film isn�t all that hard to follow along with as long as you are paying attention�it certainly made more sense than anything in that �The Golden Compass� boondoggle�though I will admit that things do become much clearer upon a second viewing.
Sadly, at a time when even the most seemingly obvious things have to be spelled out for audiences these days in order to lessen the risk of confusing and alienating them, Coppola�s belief that audiences are still willing to actively engage with a film as they did in the past with the works of Bergman, Godard and Antonioni is touching but perhaps a bit misguided as even many critics, the very people who are theoretically supposed to explore films like this for their meanings and messages, have largely reacted with hostility to this film. Personally, I found Coppola�s narrative experimentation to be largely successful despite a couple of hiccups here and there, the chief one being the unavoidable fact that the grand romantic tragedy that forms the film�s climax does not come off as the overwhelmingly powerful emotional experience that it wants to be. Frankly, Coppola�s willingness to grapple with Big Ideas at a time when small ones have dominated the current cinema makes for an invigorating night at the movies by itself and the fact that he has done so in such a clever and intriguing manner is a cause for further celebration.
�Youth Without Youth� is also a fascinating film to watch simply in terms of cinematic craft. Over the years, Coppola, like so many other successful filmmakers, has expressed an idea to turn away from the jumbo-sized epics that made him famous in order to make smaller and more experimental works that aren�t necessarily designed to be blockbusters. In most cases, this talk usually lasts until said filmmaker signs up for that latest blockbuster (George Lucas has been spinning that line ever since the release of �Star Wars� 30 years ago) but Coppola has finally put his money where his mouth is (literally since he financed the film himself with as much money as he could afford to lose) and has come up with a work that combines the consummate skill as a filmmaker that he has achieved after five decades in the business with the giddy excitement of a newcomer getting his first (and possibly only) chance to make a film on his own terms with nothing standing in the way of capturing his own distinct vision. (In this regard, Coppola has joined the ranks of such filmmakers as David Lynch and Brian De Palma, veteran directors who have chosen to go the truly independent route in order to get the directorial freedom that the studio system now tends to deny any filmmaker not named Spielberg or Scorsese.) Working in Romania with a crew composed mostly of first-timers, Coppola has given us a film that is both as agreeably rough and tumble as any small-scale indie production and beautifully put together as anything that he has made since �One From the Heart.� Instead of simply being able to spend whatever money was required in order to bring his vision to fruition, Coppola has been forced, like so many other emerging filmmakers, to rely more on ingenuity to get his vision across and his efforts in that regard seems to have reinvigorated something within him as this is the most inspired and alive work that he has given us in a long time.
Look, I am perfectly aware that very few of you are going to rush out to see �Youth Without Youth� in the next few weeks (that is, if you even get the opportunity to do so) and I would further wager that the majority of those of you that do are going to walk away from the film feeling confused and/or angry. (At Rotten Tomatoes, it currently has a 30% recommended rate from critics, which puts it squarely between the 43% achieved by �The Golden Compass� and the 25% eked out by �Alvin and the Chipmunks.) This is kind of a bummer for now, though I guess not totally unexpected, but even if it does go down for the time being as a failure, I suspect that it will be registered as one of those fascinating follies that retains its mystique and allure long after the memory of the more successful films of the season has faded into nothing. Ironically, considering the hoops that it makes its characters jump thorough throughout, I believe that time will be very kind to this film.
12/16/10 PAUL SHORTT TALKY AND UNSATISFACTORY
5/08/10 millersxing Alexandra Maria Lara excels in a nuanced role just as she did in Downfall.
12/31/07 PJHDVM This movie was Awful Without Rest. It was terrible, long, disorganized, boring, foolish, et
DVD: 13-May-2008
Alexandra Maria Lara
Andr� Hennicke
Marcel Iures
Adrian Pintea


The Zeus Living online platform is a new take on the $12 billion corporate housing industry, leasing unfurnished, privately-owned homes and convert them into 'expertly appointed, convenient, and full-service corporate housing units' for extended stay travelers. It feels like an Airbnb for extended stays, whether it's for business relocation or simply a new 'lighter' way to live.
The service is currently in 3 cities, San Francisco, Los Angeles, and Washington D.C. Zeus is funded by Initalized Capital, a venture capital fund co-founded by Reddit co-founder Alexis Ohanian.
We are noticing digital native millennials, they want to be a bit more asset light, they want more flexibility, and they want more mobility. So we are providing them a rental solution where they don't have to sign up for a 12-month lease, they don't have to sign up for an unfurnished place, and everything is tech-enabled and conveniently set up for them.
There are two facets to our business. The way we get our homes is we are positioned as a property manager for homeowners. The idea is we provide managed ownership. You get all of the benefits of owning a home without the headaches of managing a property. We will sign a two-year lease, then we will furnish the home and then market them to other people to live in. The homes come pretty beautifully designed so the expectation is that you probably don't want to do a ton of redecorating.
Since we have actually started the business the rental market has softened by about 15 percent in the San Francisco Bay area, which is where we started. What we found is that as prices actually come down the amount we pay to the homeowners reduces as well. It's on us to do the math as to what we think the market is going to do and then in the price that we are offering homeowners we factor all of those things in. We have a lot of people and businesses that use us for relocations and we are actually a lot more affordable than hotels, extended stay hotels, or traditional corporate housing.


text:
Q: Log4Net not working for console app I have a console app and I am trying to implement log4Net for it.
I did the following steps -

*

*added log4Net reference

*Created Log4Net.config -

*Created the LogHelper.cs class -

*Added the following to the AssemblyInfo.cs
[assembly: log4net.Config.XmlConfigurator(ConfigFile = "Log4net.config", Watch = true)]
But the logging doesnt seem to work? Can someone suggest what needs to be done for the logging to work in th console app?

A: *

*Make sure the config file is set to copy to the output directory.

*In the log4net documentation for assembly attributes it says:

".. if you use configuration attributes you must invoke log4net to
  allow it to read the attributes. A simple call to LogManager.GetLogger
  will cause the attributes on the calling assembly  to be read and
  processed. Therefore it is imperative to make a logging call as
  early as possible during the application start-up, and certainly
  before any external assemblies have been loaded and invoked."

*If it still doesn't work, enable log4net debugging as in this answer


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