text:
Willem de Boodt (ca. 1535 - 22 oktober 1601) was burgemeester van Brugge.

Levensloop
Willem de Boodt behoorde tot de notabele Brugse familie De Boodt. Hij was een zoon van Anselmus de Boodt (1519-1586) en Joanna Voet. Hij was een broer van de humanist Anselmus Boëtius de Boodt. Hij trouwde met Adrienne Vogaerts en trad in tweede huwelijk met Catherine Wynckelman. Zijn dochter, Maria, trouwde met Frans de Boodt, die na hem burgemeester van schepenen werd.

Hij werd in 1559 lid van de Edele Confrérie van het Heilig Bloed en was er proost in 1579 en 1584. In 1584 werd hij lid van de Sint-Jorisgilde.

Stadsbestuur
Zoals heel wat leden van de familie De Boodt voor hem, werd Willem actief in het Brugse stadsbestuur.

Hij volgde een curriculum als volgt:
 raadslid in 1596,
 thesaurier in 1593,
 schepen in 1585, 1591, 1594 en 1595 en eerste schepen in 1597,
 burgemeester van de schepenen in 1599, 1600 en 1601.

Nadat zijn burgemeesterschap in september 1601 pas was verlengd, overleed hij en werd hij opgevolgd door Jan de Beer.

Bron
 Stadsarchief Brugge, Lijst van wetsvernieuwingen van 1358 tot 1794.

Literatuur
 J. GAILLIARD, Bruges et le Franc, Brugge, 1847.

deBoodt, W
Persoon in de Nederlanden in de 16e eeuw
Zuid-Nederlands burgemeester (voor 1830)

redpajama_set_name: RedPajamaWikipedia


Whiskey Obsession presents four days of classes, tastings, lunch and dinner pairings, interactive panel discussions, VIP pours, a fabulous grand tasting with hundreds of whiskies and cocktails, plus free closing night party with live music.
Last year, Whiskey Obsession attracted 3,500 attendees from 20 states and Canada and is one of the nation's largest festivals. Take your friends and take a cab!
The Hyatt Regency Sarasota is our exclusive hotel partner. Click here for discounted rooms. Or, for reservations by phone contact Hyatt at 877-803-7534.


After the first round of group matches mid-week the big leagues are back in action.
Chelsea and Junventus won their respective leagues last season and have gotten off to very bad starts this season. Manchester City has started the season on fire and they may be tested this weekend facing a West Ham squad that has won their last two matches.
Dortmund and Inter Milan are in first place in Italy and Germany respectively, and while Inter faces a surprising Chevio club Dortmund faces a Bayer Leverkusen side that has struggled out of the gates.
Can the Blues get back on track facing an in-form Gunners squad?
Chelsea won the EPL last season, but after five matches they are in 17th place with only one win. Yeah, they won their recent Champions League match easily, but while at home they face a Arsenal squad that is in fourth place in the league table and has won two straight matches and three of their last four. The Blues' defense has struggled this season conceding 12 goals in five league matches.
Bet365 has Chelsea as the home betting favorite posted at +130 with Arsenal at +200 and a draw line at +240.
Manchester City looks to keep their perfect record intact facing surprising West Ham.
To say City's defense has been impressive would be an understatement, as they have yet to concede a goal in five league matches. They are already four points clear of second place Leicester in EPL play and they are at home this weekend. West Ham is in fifth place in the league table and they have won their last two matches including beating Liverpool on the road.
City is the huge favorite at Bet365 at -400 with West Ham at +900 and a draw line at +500.
Dortmund has been impressive on the young season while Leverkusen has not.
Leverkusen got off to a great start to the Bundesliga season with two straight wins, but they have lost their last two matches. No shock that Bayern Munich leads the league table, but what is a shock is that Dortmund is tied with them with 12 points after four matches. Their offense has scored the most goals in the league while Leverkusen has only scored three goals in four matches.
Dortmund is at -163 at Bet365 with Leverkusen at +400 and a draw line at +300.
The two top teams in Serie A face off this weekend.
Inter won the big derby match facing AC Milan last week and they are in first place in the Serie A table two points clear of Chevio. After a less than impressive loss to start the league season Chevio was at home in their second match beating Lazio 4-0 and then they were on the road in their last one playing to a 1-1 draw against Juventus. In three league matches Inter has only scored three goals, but they have only conceded one.
At Bet365 Inter Milan is the road betting favorite with posted odds of +110 with Chevio at +250 and a draw line at +230.
Which Juventus squad will show up in this match? The one that won on the road facing Manchester City in their most recent match, in the Champions League, or the one that is winless in three Serie A matches? Genoa has won their only matches on the young season at home beating Verona 2-0.
Bet365 has Juventus as the road betting favorite at -125 with Genoa at +375 and a draw line at +240.


text:
raceroster.com
Under Armour Spring Run-Off 2020
Event navigation Current page Event details
Register Packet Pickup Buy as a gift Transfer Donate now
Sat., April 4, 2020
10:00 a.m. EDT
High Park, Toronto, ON, Canada
Follow @RunCRS
Established in 1978, the Spring Run-Off is Toronto's oldest, continuously-held road race. Traditionally the first big running event of the season in the GTA, the Spring Run-Off is the yearly kick-off event of the Canada Running Series.
The family-friendly event features strong traditions – a bagpiper leading runners to start line, maple syrup prizing & a pancake breakfast.
The race features an infamously challenging course through High Park including the Kill The Hill Challenge, a consistently strong elite presence, beautiful medals, souvenir race shirts, cheering stations, live entertainment, and the opportunity to support any area of cancer research at the Princess Margaret Cancer Centre - one of the top 5 cancer research centres in the world!
Raise $250 and RUN FOR FREE! Learn more here.
Block pricing
Price block includes all distances
Now registering 1001 – 2000
Registrants 2001 – 3000
Registrants 3001 – Unlimited
Children's Run
For children 2-10 years of age. Parents of children under 6 years old should accompany their kids (and do not need to register). See event info on our website for more information.
April 4 10:00 a.m. EDT - 8K Start
April 4 11:15 a.m. EDT - 5K with Baby Stroller Start
April 4 11:45 a.m. EDT - Children's Run Start
April 4 11:50 a.m. EDT - 8K and 5K Awards and Fundraising Ceremony
Canada Running Series / Circuit du Canada
support@raceroster.com
The Princess Margaret Cancer Foundation
Tweets by RunCRS

redpajama_set_name: RedPajamaCommonCrawl


Jamison Steel is a practicing in Denver, Colorado. This Contractor is listed on All contractors & builders with a speciality in Builders & Contractors.
Jamison Steel is listed under Builders & Contractors in Denver, Colorado .
There's currently no information available about fees or price range charged by Jamison Steel.
The information below about Jamison Steel is optional and only visible if provided by the owner. Call (303) 980-4880 to learn more.
Contact Jamison Steel to find out about hours of operation / office hours / business hours.
Listed hours are general only. Call (303) 980-4880 to learn about office hours.


text:
Perlas ng Silangan, a Regional Collaborative Dance Drama at The CCP October 10
THE Cultural Center of the Philippines (CCP) through its Cultural Exchange Department (CED) presents a collaborative dance drama featuring four leading regional performing groups in "PERLAS NG SILANGAN" (Pearl of the Orient Sun) on October 10 at 3:00 pm and 7:00 pm at the CCP Tanghalang Aurelio Tolentino (Little Theater).
From 2014-2018, the CCP CED under its program entitled "Ugnayan sa Sining" successfully mounted and toured four collaborative productions which highlighted the cultural expressions and traditions of Luzon, Visayas and Mindanao. For 2019, the productions were presented at the CCP little theater starting February to October. The Mindanao collaborative production opened the series last February followed by the Visayas last July 25 and Luzon last September 25. Perlas ng Silangan is the last regional collaborative production that is presented for 2019.
Perlas performing groups include the Sinukwan Kapampangan Performing Arts of Angeles City, Pampanga; Maskara Theater Ensemble of the University of St. La Salle Bacolod City; the Philippine Barangay Folk Dance Troupe Rondalla from NCR; and the Integrated Performing Arts Guild (IPAG) of MSU-IIT Iligan City.
With concept, music and direction by Dr. Steven Patrick C. Fernandez and choreography by Melvin Pascubillo, this performance captures the centuries of history of the Filipino people encapsulating the spirits of the significant eras that shaped the Filipino and his nation. The production images the glitter of a storied history of the "Pearl of the Orient." The pearl — revered and desired, and through time aged in an oyster's shell — glows in iridescent splendour when struck by the sun. The audience will experience the Philippine story in music, dance and images in the collaborative production.
The 2019 Ugnayan sa Sining performances @the CCP are offerings of the center to commemorate its 50th Anniversary and the 40th Year of its Outreach Program and are intended for students and local communities who have limited or no access/means to experience live cultural engagements at the CCP. After the little theater run, the production will have an outreach move-over performance on October 12, 2:00 pm at the Nueva Vizcaya Convention Center in Bayombong, Nueva Vizcaya. This is presented in partnership with the Provincial Government of Nueva Vizcaya and St. Mary's University in Bayombong.
For more information, contact the CCP Cultural Exchange Department at telefax no. 832-3674 and 832-1125 locals 1708-1709 and email address ccp.ced2014@gmail.com.
Press Release from the Cultural Center of the Philippines PR
CCP Complex, Roxas Blvd, Malate, Pasay, 1307 Metro Manila, Philippines
ClariSays, Cultural Center of the Philippines, Filipino Blogger, Food Blogger, Food Review, FoodieViews Philippines, foodieviewsph


You can add a new element to the result tree by using one of two methods : literal text or the xsl:element instruction.
The simplest technique for creating a new element in your output is to simply create it in your stylesheet as literal text. Suppose, for example, that I want to add an online element as a child to the coffee element. This new element is used to indicate whether a particular type of coffee is available as an online purchase. In this example, all the coffees are defined the same, so I can define the elements content of Yes as literal text too.
The coffee template rule uses the reconstruction method I showed you earlierentering literal text to define the element tags and xsl:value-of to bring in the content of the matching child element from the source tree. The online element is simply added onto the end.
Tip The coffee template rule contains both literal text elements as well as XSLT instructions. A logical question you may be asking curiously is, "How does the XSLT processor know a literal element from an XSLT command?" The answer lies in the namespace: It treats all elements outside the xsl namespace as plain text and avoids trying to process them during transformations.
This stylesheet produces the exact same result tree as the previous example. It does so by defining two template rules. The coffee template rule focuses on recreating the coffee element tags and adding the new online element. These literal text nodes are added to the result tree using xsl:applytemplates .
The second template rule is a nifty catchall template that is used to copy everything else over into the result document. It allows you to ignore the children elements that dont change as you create the coffee template rule.


Fund raising in the village continued throughout the spring and summer with the highly successful Indian Evening and the May Ball together with the very popular and well supported monthly Film Club and quarterly Bingo. Our thanks to local businesses and to the village for supporting the Improvement Project Raffle at the Gala Weekend which raised an amazing profit of £700. Funds raised within the community have increased to well over £20,000. A big thank you to everyone for supporting your village hall.
Village Hall Committee Members & Supporters Our labours in seeking funding from Trusts were further rewarded by the news this month that we had secured a grant of £25,000 from the highly respected Fowler Smith and Jones Trust. This excellent news brings further credibility to the project for which we are very grateful. And thus our total funding to date has reached £90,000 thanks to the village community, local businesses, Trust Funds, Essex County Council and the Parish Council.
Meanwhile we have appointed our architect and structural engineer to develop the design to (and including) tender stage and appropriately sized local contractors with relevant experience are currently tendering.
This entry was posted in Improvement Project, News by admin. Bookmark the permalink.


How in the hell did we pull the #1 player in the nation!?
Tom Crean took an Indiana program in shambles and made them relevant again. Obviously easier to do at that School but recruiting is the key to everything in college sports. His class this year is outstanding for a bottom feeder basketball school.
Also, go read Rupp Rafters forum - they make Bama fans talking about Bama football look reasonable. How dare someone spurn them for Georgia.
How in the hell did we pull the #2 player in the nation!?
#1 on 247 sports but 2 on composite I believe.
Can't blame a kid for wanting to stay home.
Because the donors are shelling out all of that money they saved up for years when they weren't having to pay recruits to keep up with Bama.
It applies to basketball too.
#12 class in the country and after a highly rated JUCO pg - our biggest need.
We ain't going to become Duke or Kentucky but we have no business not being competitive in basketball being as close to Atlanta as we are.
Im not even sure thats true. Atlanta has a ton of talent, and getting IU to middle of the pack big 10 is much harder than than middle of the pack SEC.
I meant from a name brand perspective.
We also had a top 5 class last year before Fox was canned.


Eclectic indie rock in the first hour, and a synth pop perk up in the second.
Our show will feature the best new music from the indie pop/rock genre, as well as old favorites. Bryce will curate the first hour, and Morgan will produce the second. The first hour will heavily feature indie artists such as Bon Iver, MGMT, Son Little, St. Vincent, Mac Demarco, and The Drums. We keep a finger on the pulse of the current indie scene, without forgetting to pay homage to the songs and artists that paved the way in the genre. This season, the second hour will serve as a contrast to the typically slower, more relaxed tempo of the first. We plan to feature more underground pop artists with a synth or bubblegum sound, such as Kim Petras, Glass Animals, Boy Pablo and King Princess. We will talk about any relevant news and significant releases/performances in the film and music industry, as well as anything else that may pop into our heads!


text:
Q: Reboot on installation of .CAB WM On a Windows Mobile 6 or CE 5 device, I need to install a CAB file and then initiate a reboot.
I am aware of custom actions. You need to create a setup.dll for the CAB file in native C++.
So I have the following code already made
codeINSTALL_EXIT Install_Exit(HWND hwndParent,
                              LPCTSTR pszInstallDir,
                              WORD cFailedDirs,
                              WORD cFailedFiles,
                              WORD cFailedRegKeys,
                              WORD cFailedRegVals,
                              WORD cFailedShortcuts)
{
    MessageBox(hwndParent,
               _T("A reboot is required to complete installation, Press OK to reboot."),
               _T("Reboot required"),
               MB_OK);
    SetSystemPowerState(NULL, POWER_STATE_RESET, 0);
    return codeINSTALL_EXIT_DONE;
}

SetSystemPowerState will do a warm boot on the device. The problem is that since the installation does not finish (return code INSTALL_EXIT_DONE is not reached), it complains that is it unable to install the application when you attempt to remove it at a later time. Removal of the reboot is an instant cure to this problem.
I have seen on other .CAB installs a polite message appear saying "A restart is required to complete installation..." with no OK/Cancel button. Then the device reboots after two seconds of displaying the message. Furthermore this software can be uninstalled without a problem.
I am looking to achieve the same functionality seen in other CAB files like the above, a timeout system popup, followed by a reboot and the ability to uninstall the application from the remove programs option on the device.

Another possible solution I found yesterday was to return CONFIG_S_REBOOTREQUIRED instead. However, this is not defined and as such will not compile. The defined returns for codeINSTALL_EXIT are as below.
Using typedef enum
{
    codeINSTALL_EXIT_DONE       = 0,    // @comm Exit the installation successfully
    codeINSTALL_EXIT_UNINSTALL          // @comm Uninstall the application before exiting the installation
}
codeINSTALL_EXIT;

A: From this thread I understand that one needs to inform the installing process that a reboot is required after installing the CAB package.
So instead of codeINSTALL_EXIT_DONE just return CONFIG_S_REBOOTREQUIRED (without SetSystemPowerState).
I usually restart windows with ExitWindowsEx instead of SetSystemPowerState.ExitWindowsEx(EWX_REBOOT | EWX_DEFER, 0); should restart asynchronously, giving time to the setup process to finish.

redpajama_set_name: RedPajamaStackExchange


text:
Sports | Pro
Former star receiver Ahmad Rashad calls Vikings' firings 'good moves'
By Chris Tomasson / St. Paul Pioneer Press
Former Minnesota Vikings star receiver Ahmad Rashad attended the team's 31-17 victory over Chicago in Sunday's season finale. He sat in a suite at U.S Bank Stadium, where his name is on display for being inducted into the franchise's Ring of Honor in 2017.
Rashad was reminded that exactly 45 years prior to Sunday, on Jan. 9, 1977, the Vikings made their last Super Bowl appearance. Rashad caught three passes for 53 yards that day in a 32-14 loss to the Oakland Raiders in Super Bowl XI.
"Well, 45 years, that's a long time," Rashad said in a phone interview from his home in Jupiter, Fla. "Holy smokes. It's been 45 years since we've been back to a Super Bowl, and that's not right."
With that in mind, Rashad said he is supportive of the moves the Vikings made Monday. They fired head coach Mike Zimmer after eight seasons and Rick Spielman after 16 years with the team, including the past 10 as general manager.
"I think they were good moves," Rashad said. "There needs to be change. They're both quality people but they were there long enough to make a difference. When you have somebody there, you get a period of time to make something happen, but once it goes that long, you've got to make a change. You've got to go in another direction, and I think the Wilfs (ownership group) gave them enough time. They've been more than fair. They gave them a chance to really do something, and it just didn't happen."
Minnesota did make the playoffs four times with Spielman as general manager and three times with Zimmer as coach, and reached the NFC Championship Game after the 2017 season. But the Vikings failed to make the playoffs in either of the past two seasons, finishing with records of 7-9 in 2020 and 8-9 in 2021.
"It's one of the greatest franchises in the NFL," said Rashad, who played for the Vikings from 1976-82 and then became a successful broadcaster. "When you look at it, it's got the greatest practice facility, and you've got a brand-new stadium. They've got everything but a winning team. And I think the Wilfs are like, 'Hey, man, we want a winning team.' "
Rashad has been to the TCO Performance Center in Eagan, which opened in 2018, as well as several times to U.S. Bank Stadium, which opened in 2016. He said he didn't get to know Spielman that well but met Zimmer "a bunch of times" and developed a good relationship with him.
"He's a solid, solid guy," Rashad said of Zimmer. "He's a guy a lot of guys would like to play for. … But (eight) years was enough time to sort of give you a chance to cement yourself. In a lot of places, you might get three years and you're out of here… He's a great coach and the Vikings did very well by him by giving him a chance to win over those eight years, but once it comes to that point, you've got to make a change. You got to shake stuff up."
Rashad said he made a point of not visiting with Zimmer or any other coaches or team officials when he was in the Twin Cities last weekend.
"That was really on purpose not to talk to or see anybody because you knew something was coming up the next day," Rashad said.
Rashad attended the game against the Bears because he had made plans to be in the Twin Cities to shoot an NFL Films segment with hall of fame quarterback Peyton Manning at the Mall of America in Bloomington. The shoot was postponed to late January but Rashad decided to come to Minnesota anyhow as a stopover before he a business engagement in New York.
For the expected shoot, Rashad said the plan is to go with Manning to the Mall of America, the former site of Metropolitan Stadium, and find the exact spot where he caught a dramatic Hail Mary pass from Tommy Kramer on Dec. 14. 1980. The 46-yard grab on the last play gave the Vikings a 28-23 win over the Cleveland Browns and clinched the Central Division title.
"It'll be interesting," Rashad said. "it will be very, very weird saying, 'I caught the pass in like a drugstore or in some kind of department story.' I think it will be different but it'll be a lot of fun."
Rashad said he has been to Mall of America about five times and once tried to find the spot where he caught the ball, but had difficulty locating it.
Rashad has something else planned for his expected return later this month to Minnesota. He caught passes from then-New Orleans quarterback Archie Manning, Peyton's father, in the January 1979 Pro Bowl in Los Angeles when Rashad was named MVP. And he filmed a segment in which he caught a pass from then-New York Giants quarterback Eli Manning, Peyton's brother, days before Super Bowl LII at U.S. Bank Stadium in February 2018.
"I told Eli that I was the only person to catch a ball from you and your father — and now I have to get one from Peyton," Rashad said.
Related Topics: MINNESOTA VIKINGSFOOTBALL
Patrick Mahomes, Chiefs smash Steelers in Big Ben's likely finale
The loss likely will be the last NFL game for the Steelers' Ben Roethlisberger, who is expected to announce his retirement.
By Field Level Media
Bench erupts in second half as Timberwolves down short-handed Warriors
Karl-Anthony Towns did a lot of the heavy lifting for Minnesota (21-22) through the first three frames. The center finished with 26 points and 11 rebounds in 30 minutes.
By Jace Frederick / St. Paul Pioneer Press
Timberwolves' coaching staff had COVID-19 related absences, too
Minnesota was without defensive coordinator Elston Turner and strategy guru Micah Nori for a stretch of games, and is currently sans offensive coordinator Pablo Prigioni.
49ers hold off late push, eliminate Cowboys
San Francisco will travel to top-seeded Green Bay next weekend for the NFC semifinals
Questions remain for businesses as mask mandate ramps up


One of the biggest martial art center in Indonesia, 650 m2 facility, and many more..
Established since the year 2010, TEAM ELITE has become the best martial art academy and fitness studio in Indonesia. Our professional trainers, premium facilities and friendly atmosphere have been our greatest strong points. Our true goals are to help you get into the best shape of your life; teach you self-defense; and be a place you call home. We are not just a regular fitness gym, we are a community with a strong camaraderie between members.
Liburan? Takut Berat Badan Naik?
http://elitemma.co.id/wp-content/uploads/2019/03/makan.jpg 183 275 Team Elite http://elitemma.co.id/wp-content/uploads/2017/12/logo-new-elite-mma.png Team Elite2019-03-18 09:35:102019-03-18 09:35:10Liburan? Takut Berat Badan Naik?
TEAM ELITE leads the martial art and fitness industry when it comes to helping people reach their fitness goals.
We have a boxing ring, a MMA training cage, a functional gym, showers, saunas, multiple martial art and fitness classes, personal training programs and more!!


Country Gospel Radio is an internet radio station based in Essex UK. It was formerly known as Rapture Radio, and we do use the names interchangeably.
Country Gospel Radio is part of the ministry of The Southend Full Gospel Church in Essex UK and Pastor Keith Brown is featured in our 'Sermon Time' on the radio.
We play great Country, Southern and Bluegrass Gospel Music from days gone by and now. We have a great range from well known current artists and artists from the past such as Elvis Presley and Johnny Cash.
We also play songs from less known artists and it is a joy to promote these on our Station.


text:
Der Schweizerische Innovationspark (SIP, ) ist ein Wissenschaftspark mit fünf Standorten in der Schweiz. Die privatwirtschaftliche Stiftung Switzerland Innovation als Dachorganisation mit Sitz in Bern will für nationale und internationale Unternehmen eine Plattform für universitär/hochschulnahe Forschung und Entwicklung schaffen und damit Vorgaben der schweizerischen Forschungs- und Innovationsförderungspolitik umsetzen.

Geschichte
Aufgrund des starken Anteils der Privatwirtschaft im Bereich der Wirtschafts- und Forschungsförderung gab es immer wieder Bestrebungen, auch ein staatliches Instrument zu haben, das über reine Finanzierung hinaus konkrete Standortpolitik betreibt.
Schon 2006 wurde über eine Stiftung Forschung Schweiz nachgedacht. In Folge gab es die Motion Einrichtung eines Parc d'innovation suisse (NR 07.3582) durch die FDP-Liberale Fraktion, die per 19. September 2007 angenommen wurde.

Mit der Totalrevision des Forschungs- und Innovationsförderungsgesetzes wurde 2012 die gesetzlichen Grundlagen für die Unterstützung des Bundes geschaffen (32–34 FIFG). Dabei waren wegen der föderalen Struktur der Schweiz mehrere Standorte vorgesehen. Auf Basis der offen gelassenen Umsetzung erarbeitete die Konferenz kantonaler Volkswirtschaftsdirektoren (VDK) eine Startkonfiguration, die 2014 vom Bundesrat gutgeheissen wurde.
Diese umfasste, nachdem insgesamt acht kantonale Vorschläge geprüft worden waren, zwei Standorte im Umfeld der beiden Eidgenössischen technischen Hochschulen (ETH) in Zürich und in Lausanne, und wurde anfangs unter der Bezeichnung Nationaler Innovationspark (NIP, ) geführt.
Im Mai 2015 beschloss der Bundesrat einen weiteren Standort in Biel-Bienne.
Mit 6. März 2015 wurde von Privaten die privatrechtliche Stiftung Swiss Innovation Park als Dachorganisation und für die Entwicklung weiterer Standorte geschaffen, die seit 2016 als Switzerland Innovation firmiert.

Im Zuge der Begründung wurde der Innovationspark auch als  bezeichnet,  es gab aber auch kritische Stimmen, die von einem  und der Gefahr eines reinen  sprachen. Auch die Verteilung auf mehrere Standorte wurde als Problemfeld der  gesehen.

Am 18. Januar 2016 wurde der Schweizerische Innovationspark im Umfang von fünf Standorten (mit Basel-Allschwil und Villingen) formell eröffnet.

Organisation

Finanzierung und öffentlich-private Kompetenzregelung
Im Sinne einer Zweckgesellschaft der öffentlich-privaten Partnerschaft (ÖPP, Public-private-Partnership PPP) ist der Schweizerische Innovationspark in privater Trägerschaft und wird vom Staatssekretariat für Bildung, Forschung und Innovation ohne operative Beeinflussung gefördert. Das umfasst die Bereitstellung eines Rahmenkredits von 350 Millionen Franken zur Verbürgung zweckgebundener Darlehen, sowie die Abgabe von Grundstücken im Eigentum des Bundes, jedoch prinzipiell ohne Verzicht auf Baurechtszinsen.

Die Stiftung soll als Netzwerk- und Marketingorganisation für einen gemeinsamen Auftritt dienen. Sie trifft aber keine Ansiedlungsentscheide. Diese liegen in der Autonomie der lokalen Standortträger. Die Stiftung wird durch etliche Schweizer Wirtschaftsverbände und Unternehmen finanziert. Dazu gehören der schweizerische Wirtschaftsdachverband economiesuisse, der Fachverband Maschinen-, Elektro- und Metallindustrie swissmem, Finanzinstitute wie Swiss Re, Credit Suisse, UBS, und Firmen primär aus dem Chemiesektor.

Die Standorte selbst sind eigenständige Rechtspersonen. Die baurechtlichen Verträge vor Ort werden zwischen den Bau- und Liegenschaftsorganen des Bundes und den einzelnen Standortkantonen abgeschlossen.

Kontroll- und Leitungsorgane der Stiftung Switzerland Innovation
Die wichtigsten Stiftungsorgane sind:
 Stiftungsrat als oberster Organ der Stiftung: Sorgt für Wahrung des Stiftungszwecks, übt die Oberaufsicht über die Tätigkeiten der Organe der Stiftung aus, trifft Entscheidungen. Er wird mit Vertretern des Bundes, der Kantone und der Privatwirtschaft besetzt
 Stiftungsratsausschuss: Rechtlicher und geschäftlicher Vertreter.
 Geschäftsstelle:: Für die operative Tätigkeit.
 Revisionsstelle: Für die Finanzkontrolle; in Absprache mit der Eidgenössischen Finanzkontrolle bestimmt.
Weiters besteht:
 Wirtschaftsbeirat als beratendes Gremium: aus je einem Mitglied der Gönnerfirmen; nominiert die Vertreter der Privatwirtschaft im Stiftungsrat; kann zu einzelnen Geschäften Stellung beziehen.

Standorte des Schweizerischen Innovationsparks
Der Schweizerische Innovationspark umfasst folgende Standorte (Stand April 2016):
 Switzerland Innovation Park Basel Area in Allschwil BL
Switzerland Innovation Park innovaare  in Villigen AG (beim Paul Scherrer Institut)
Switzerland Innovation Park Zurich in Dübendorf ZH  (im Umfeld der ETH Zürich)
Switzerland Innovation Park Network West EPFL in Lausanne (im Umfeld der EPF/ETH Lausanne)
Switzerland Innovation Park Biel/Bienne in Biel/Bienne BE

Aufgaben und Agenden

Ziele des Schweizerischen Innovationsparks
 die Realisierung erfolgreicher Forschungs- und Entwicklungskooperationen zwischen privaten Unternehmen, den Schweizer Hochschulen sowie weiteren Forschungspartnern;
 die Generierung von Forschungs- und Entwicklungsinvestitionen aus dem In- und Ausland; die Ansiedlung von Firmen und Forschungspartnern aus dem In- und Ausland, welche Arbeitsplätze schaffen und neue marktfähige Produkte, Dienstleistungen und Prozesse entwickeln;
 die Schaffung einer Plattform zur beschleunigten Umsetzung von Forschungsresultaten in marktfähige Lösungen;
 die Schaffung von attraktiven Rahmenbedingungen für Forschungsgruppen und Start-Ups als Katalysatoren für die Ansiedlung etablierter Firmen;
 die Sicherung der Attraktivität und Wettbewerbsfähigkeit durch klare Kompetenzprofile an den Standorten sowie durch exzellente Rahmenbedingungen und Dienstleistungen.

Innovationsbereiche
Switzerland Innovation beschäftigt sich mit folgenden Innovationsbereichen: Life Sciences, Energie, Industrie 4.0, Materialwissenschaft, Informations- und Kommunikationstechnologie (ICT), Transports and Mobility, Enabling Technologies.

Aufgaben der Stiftung Switzerland Innovation
Switzerland Innovation soll folgende Aufgaben wahrnehmen:
 Die internationale Positionierung und Vermarktung von Switzerland Innovation auf der Basis von attraktiven Angeboten, die durch die Standorte nach einheitlicher Systematik definiert werden;
 Die Unterstützung der Standorte mit Finanzierungslösungen; durch den Einsatz der Bundesbürgschaft sowie durch die Schaffung von Finanzierungsinstrumenten in Zusammenarbeit mit der Finanzindustrie;
 Die Koordination und Vernetzung der Standorte und die Sicherstellung einer effizienten Zusammenarbeit mit den Bundesstellen sowie die Gewährleistung einer kohärenten Dachmarke;
 Die Sicherstellung einheitlicher Qualitätsstandards an den Standorten auf der Basis des VDK-Kriterienkatalogs und deren Weiterentwicklung im Rahmen kontinuierlicher Verbesserungsprozesse.

Literatur
 Botschaft zur Ausgestaltung und Unterstützung des Schweizerischen Innovationsparks vom 6. März 2015, Bundesblatt 15.031, S. 2943–2996; inkl. Anhang Statuten der Stiftung «Swiss Innovation Park», Bereinigte Schlussfassung vom 9. Februar 2015, Version 5.0  (pdf, admin.ch; Statuten dort ab S. 44).

Weblinks
 Offizielle Webseite (switzerland-innovation.com)

Einzelnachweise

Forschungsinfrastruktur
Wissenschaft und Forschung in der Schweiz
Wirtschaftsförderung
Wirtschaftspolitik (Schweiz)
Gegründet 2016
Allschwil
Biel/Bienne
Dübendorf
ETH Zürich
École polytechnique fédérale de Lausanne
Villigen
Paul Scherrer Institut


Markki Stroem also reveals the real reason he was recently replaced in an indie movie.
As a young thespian at six years old then, Markki Stroem already took the stage in his Repertory Philippines theater workshop's production of Charlie and the Chocolate Factory. But it was a Broadway play in Manila that really instilled his love for theater. "When I was 14 years old when I watched Miss Saigon with Lea Salonga as Kim. I was blown away. But even when I was young, my parents already took me to watch plays. The first one I remember was in Germany called Up with People and it was kind of a youth show," he told PUSH.
In his seventh year on stage, Markki joins REP again as part of the cast of the Broadway musical Hair which opens this month. "This is an interesting show. it's something new. It's something different. The first time I actually heard of it was in Glee. They did a mash-up of songs from Hair and I found it so catchy. And then I found out one of the biggest songs in this show is my mom's favorite song 'Age of Aquarius' so I said it was destiny and I am doing this," he explained.
One of the highlights of Markki's year was celebrating his 30th birthday abroad. "I went on an Eastern Europe trip on a bus with Vietnamese people. I was supposed to do another indie movie but because of one day that I wasn't able to be there, they removed me from the show. But the reason I wasn't able to be there was because it was my brother's graduation. This is on the record because people are saying other things which aren't true. But I went to the graduation of my brother and I went alone on this trip. Because my brother went to my graduation and I planned it a year in advance. I went to see my parents. And that particular day they needed me to be on set was the same day of the graduation in Newcastle in the UK," he said.
Markki said up to this day he has no regrets about the sacrifice he made for his family. "It's an awesome film but my brother comes first. Family comes first. For me, if you say you're going to do something already, you do it. I have two brothers and he just graduated college and I promised him two years ago pa that I would go. Imagine telling him, 'Oh I can't go to your graduation because I have a film pa to shoot.' I'd feel really bad. And the time kept changing from when they needed me. Mine was set," he added.
His unplanned three-week trip ended up becoming a blessing because of all the new experiences he had by traveling solo. "After my brother's graduation, instead of coming home… because I was supposed to come home but I found out from my management (I was replaced) so I joined a bus trip with people who don't speak a word of English, Vietnamese, and a couple of Malaysians. So we went from Frankfurt to Prague to Bakislava and Budapest and then Salzburg, Vienna. And then I went to Belgium to see my friend. Eat, Pray, Love talaga ito. And then from Belgium, I flew back to the UK for a bit and then I went to Norway for a week to see my family and my grandparents and stuff like that. Then I flew home," he said.
The Hair actor admitted his birthday trip was definitely a life-changing adventure for him. "It was in a lot of different ways. I got to drink with a bunch of Vietnamese who did not speak a word of English. And I learned Vietnamese words. It was an amazing experience. I met so many different people. You just get to meet people from different walks of life," he added.
Watch Markki in Hair, the first-ever tribal love-rock musical on Broadway which will be the year-end grand musicale of Repertory Philippines' (REP) 2017 season, running from November 17 to December 17 at the Onstage Theater, Greenbelt 1, Makati City.


You are not authorized to use or access the Guohua Soft web site without acceptance of these terms and conditions. Use of this web site constitutes your acceptance of these terms and conditions, as well as your waiver of any and all claims against Guohua Soft, its subsidiaries, affiliates, contractors, agents, officers, directors or employees arising out of your use of this Web Site or any materials information, opinions or recommendations contained therein.
1. The document(s) may be used for informational purposes only.
2. The document(s) may be used only for non-commercial purposes.
3. Any copy of the document(s) or portion(s) thereof must include either the Guohua Soft copyright notice or a link to the copyrights page of this web site.
This web site and the information, names, images, pictures, logos and icons concerning, regarding or relating to Guohua Soft and its affiliates, products and services are provided "as is" and on an "as available" basis, without any representation or endorsement made, and without warranty of any kind, whether expressed or implied, including, but not limited to, an implied warranty of merchantability, fitness for a particular purpose, or non-infringement of others' intellectual property rights. In no event shall Guohua Soft or any of its subsidiaries, affiliates, contractors, employees, directors or officers be liable for any damages, including without limitation special, indirect, or consequential damages (INCLUDING, WITHOUT LIMITATION, DAMAGES FOR LOSS OF PROFITS, BUSINESS INTERRUPTION, OR LOSS OF INFORMATION) resulting from access or use, or inability to access or use, this web site or arising out of any materials, information, qualifications, opinions or recommendations on this web site.
This web site may include publications with technical inaccuracies or typographical errors that will be corrected as they are discovered, at the sole discretion of Guohua Soft. Also, changes are periodically added to the information contained herein. These corrections and changes may be incorporated into this Web Site at a later date. Guohua Soft may at any time make modifications, improvements and/or changes to these terms and conditions, the information, names, images, pictures, logos and icons displayed on this web site, or the products and services referred to within, and may do so with or without notice.
This web site may contain links or references to other web sites. As the internet is maintained independently at thousands of sites around the world, the information, names, images, pictures, logos and icons that may be accessed may originate outside the boundaries of this web site, and Guohua Soft has no control over such information. Therefore, Guohua Soft has no obligation or responsibility regarding any content derived, obtained, accessed within, through or outside the Guohua Soft web site. You agree not to add, alter, substitute or amend, partially or in whole, any information displayed by Guohua Soft on this web site.
Performance tests and ratings are measured using specific computer systems and/or components and reflect the approximate performance of Guohua Soft's products as measured by those tests. Any difference in system hardware or software design or configuration may affect actual performance. Buyers should consult other sources of information to evaluate the performance of systems or components they are considering purchasing.
Guohua Soft does not want to receive confidential or proprietary information from you through our web site. Please note that any information or material sent to Guohua Soft will be deemed NOT to be confidential. By sending Guohua Soft any information or material, you grant Guohua Soft an unrestricted, irrevocable license to use, reproduce, display, perform, modify, transmit and distribute those materials or information, and you also agree that Guohua Soft is free to use any ideas, concepts, know-how or techniques that you send us for any purposes. However, we will not release your name or otherwise publicize the fact that you submitted materials or other information to use unless: (a) we ask your permission to use your name; or (b) we first notify you that the materials or other information you submit to a particular part of this site will be published or otherwise used with your name on it; or (c) we are required to do so by law.
The materials displayed on this web site, including without limitation all editorial materials, informational text, photographs, illustrations, artwork and other graphic materials, and names, logos, trademarks, and service marks, are the property of Guohua Soft or licensors thereof and are protected by copyright, trademark and other intellectual property laws. Any such content may be displayed and printed solely for your personal, non-commercial use. You agree not to reproduce, retransmit, distribute, disseminate, sell, publish, broadcast or circulate any such material to any third party without the express prior written consent of Guohua Soft.
Nothing contained herein shall be construed as conferring by implication, estoppel or otherwise any license or right under any patent or trademark of Guohua Soft or any third party. Except as expressly provided above, nothing contained herein shall be construed as conferring any license or right to any copyright or other intellectual property rights in relation to any such information, data, products or services.
The names, images, logos and pictures identifying Guohua Soft products and services are proprietary marks of Guohua Soft and/or its subsidiaries or affiliates, and the products themselves are proprietary to Guohua Soft.
Microsoft, Windows, Windows NT, and/or other Microsoft products referenced herein are either trademarks or registered trademarks of Microsoft.
Guohua Soft assumes no responsibility for customer product design and assumes no responsibility for infringement of patents or rights of others that may result from Guohua Soft assistance, and no product licenses are granted or implied.


he who sat on it had the name Death; and Hades was following with him.
later I was in Egypt and heard the Devil to speak to me.
personifications of God and the Devil.
and of course the crown would be about Jesus Christ.
in the dualism of life, the monism.
also is (-) negative creative forces.
… And they are Messiah ben Joseph and Messiah ben David.
figures who generated different aspects of happenings.
course all those deities come from (+) positive and (-) negative.
because I is that, and that is I.
… Or did you think that this reality is "*real*"?


text:
The measurement of structure-borne sound transmission using impulsive sources
R. J M Craik
A simple method to measure structure-borne sound transmission is described. Measurement is made of the level difference in the acceleration between two structural elements using a plastic headed hammer as a noise source. The method is at least as accurate as conventional measurements made under steady-state conditions using continuous noise sources and can be carried out with less instrumentation on site and in about a tenth of the time. The portability of the source greatly simplifies the measurements as a hammer can be used to hit structures in a wide variety of positions whereas shakers can only be used in limited situations. In addition, attaching a shaker to a wall can damage the wall surface whereas, with care, a hammer hit will not. © 1982.
Dive into the research topics of 'The measurement of structure-borne sound transmission using impulsive sources'. Together they form a unique fingerprint.
Measurement Engineering 100%
Noise Source Engineering 50%
Borne Sound Engineering 50%
Sound Transmission Physics 50%
Simplifies Engineering 25%
Instrumentation Engineering 25%
State Condition Engineering 25%
Structural Element Engineering 25%
Craik, R. J. M. (1982). The measurement of structure-borne sound transmission using impulsive sources. Applied Acoustics, 15(5), 355-361.
Craik, R. J M. / The measurement of structure-borne sound transmission using impulsive sources. In: Applied Acoustics. 1982 ; Vol. 15, No. 5. pp. 355-361.
@article{82b5827539ec4721902874d6eb7073f2,
title = "The measurement of structure-borne sound transmission using impulsive sources",
abstract = "A simple method to measure structure-borne sound transmission is described. Measurement is made of the level difference in the acceleration between two structural elements using a plastic headed hammer as a noise source. The method is at least as accurate as conventional measurements made under steady-state conditions using continuous noise sources and can be carried out with less instrumentation on site and in about a tenth of the time. The portability of the source greatly simplifies the measurements as a hammer can be used to hit structures in a wide variety of positions whereas shakers can only be used in limited situations. In addition, attaching a shaker to a wall can damage the wall surface whereas, with care, a hammer hit will not. {\textcopyright} 1982.",
author = "Craik, {R. J M}",
journal = "Applied Acoustics",
Craik, RJM 1982, 'The measurement of structure-borne sound transmission using impulsive sources', Applied Acoustics, vol. 15, no. 5, pp. 355-361.
The measurement of structure-borne sound transmission using impulsive sources. / Craik, R. J M.
In: Applied Acoustics, Vol. 15, No. 5, 09.1982, p. 355-361.
T1 - The measurement of structure-borne sound transmission using impulsive sources
AU - Craik, R. J M
N2 - A simple method to measure structure-borne sound transmission is described. Measurement is made of the level difference in the acceleration between two structural elements using a plastic headed hammer as a noise source. The method is at least as accurate as conventional measurements made under steady-state conditions using continuous noise sources and can be carried out with less instrumentation on site and in about a tenth of the time. The portability of the source greatly simplifies the measurements as a hammer can be used to hit structures in a wide variety of positions whereas shakers can only be used in limited situations. In addition, attaching a shaker to a wall can damage the wall surface whereas, with care, a hammer hit will not. © 1982.
AB - A simple method to measure structure-borne sound transmission is described. Measurement is made of the level difference in the acceleration between two structural elements using a plastic headed hammer as a noise source. The method is at least as accurate as conventional measurements made under steady-state conditions using continuous noise sources and can be carried out with less instrumentation on site and in about a tenth of the time. The portability of the source greatly simplifies the measurements as a hammer can be used to hit structures in a wide variety of positions whereas shakers can only be used in limited situations. In addition, attaching a shaker to a wall can damage the wall surface whereas, with care, a hammer hit will not. © 1982.
JO - Applied Acoustics
JF - Applied Acoustics
Craik RJM. The measurement of structure-borne sound transmission using impulsive sources. Applied Acoustics. 1982 Sep;15(5):355-361.


This page presents the geographical name data for Hageman Peak in Antarctica, as supplied by the US military intelligence in electronic format, including the geographic coordinates and place name in various forms, latin, roman and native characters, and its location in its respective country's administrative division.
Description (see definition): Peak rising to c. 940 m at the NW end of Staccato Peaks, Alexander Island. The peak was photographed from the air by Lincoln Ellsworth in 1935. Named by Advisory Committee on Antarctic Names (US-ACAN) for Lieutenant Commander Roger H. Hageman, USN, LC-130 aircraft commander, U.S. Navy (USN) Operation Deep Freeze (OpDFrz), 1969.
NOTE: The information regarding Hageman Peak in Antarctica on this page is published from the data supplied by the National Geospatial-Intelligence Agency, a member of the Intelligence community of the Antarctica, and a Department of Defense (DoD) Combat Support Agency. No claims are made regarding the accuracy of information contained here. All suggestions for corrections of any errors about Hageman Peak should be addressed to the National Geospatial-Intelligence Agency.


Our biggest fundraiser for the year – the No Breakfast, Breakfast – is on Thursday 29th November 2018, at the Hilton Adelaide from 7:30am-8:45am.
Come along to the Hilton Adelaide and experience what it's like for thousands of South Australian children who go to school with no breakfast, at our annual signature event.
Read about last year's event.


text:
KIDDING Exclusive Interview creator Dave Holstein Season 1
©2018 Showtime
KIDDING - Season 1 Key Art
KIDDING: Creator Dave Holstein on Season 1 of the Jim Carrey TV series – Exclusive Interview
The writer/exec producer talks bringing Jim Carrey back to scripted television
By ABBIE BERNSTEIN / Staff Writer
Posted: October 9th, 2018 / 12:51 AM
KIDDING – Season 1 Key Art | ©2018 Showtime
In Showtime's new Sunday-night series KIDDING, Jim Carrey returns to episodic television. Carrey plays Jeff, a beloved children's TV host who interacts on his show with a multitude of puppets. Jeff has gone through a tragic loss, and wants to be honest about it with his audience – to the horror of his producers, who just want the profits to flow as they always have.
KIDDING creator Dave Holstein is on a Q&A panel for the show with a group that includes his fellow executive producers Carrey and Michel Gondry. Gondry previously directed Carrey in the feature ETERNAL SUNSHINE OF THE SPOTLESS MIND and has helmed the majority of the episodes of KIDDING.
On the panel, Holstein talks KIDDING with reporters and his colleagues. Afterwards, the writer/producer takes time for some one-on-one follow-up discussion.
First off, Holstein acknowledges that the premise of KIDDING is not unlike what would happen if MR. ROGERS and SESAME STREET had a nervous breakdown together. However, "To me, it was less about finding a character whose journey was a nervous breakdown, and more about coming off a show like WEEDS [on which Holstein was a writer/co-producer] that was full of antiheroes and having a sort of fatigue of characters who existed because they were f***ing hookers or doing drugs or killing people, and actually trying to find the journey of somebody who didn't want to break bad, but wanted to stay good. So to me, it was about finding someone who had a crisis of faith, but really wanted to preserve their goodness in a world that was populated by all the dark edges of premium cable, but not the character himself.
"To us, it wasn't about crafting an arc about, here is someone having a nervous breakdown, or psycho Mr. Rogers. It was about finding someone who, in an age of darkness that we currently live in, with lies and bullying and all that, to find a character who doesn't curse, who doesn't lie, who just wants to be good and to stay good against the struggle of everything around him, felt more of what would give us a trajectory."
Something Holstein enjoys about KIDDING is that it lends itself to multiple points of view. "I think the really fun challenge of this show is that it was really easy to write from the perspective of any character in the cast, Frank [Langella as Jeff's father Seb]'s perspective, or Catherine [Keener as Jeff's protective puppet-making sister Deirdre]'s perspective, where there's this creepy weirdo at the center of it that believes in all these naïve optimistic things, and it's very easy to look down on that person and not empathize with him. Because on paper, he's buying a house next door to his ex-wife [played by Judy Greer], and there are a lot of things that wouldn't be normal. But if you take that and apply it to someone with the moral caliber of Mr. Rogers, maybe, just maybe, you could empathize with that person."
Holstein says he wrote the role of Jeff with Jim Carrey in mind, but never expected the actor to actually do it. "It is kind of weird and ironic. I was looking at my computer on the first date of the file I had in this folder, and it was from 2010. I wrote this [KIDDING] completely on spec, right around the time WEEDS was down just to write the coolest thing that no one's ever going to make. And I wrote, 'Jeff Pickles, think Jim Carrey.' I really did that. And then I told my agent. I said, 'That's the plan. That's what I really want to do.' And they were like, 'Who else do you really want to be in this? He'll never do television.' And I'm like, 'All right. A boy can dream.' And then I don't know how I'm sitting on this stage, frankly. Eight years later, Jim finally god hold of it and wanted to do it. It was so crazy to think we had gone out, treated it as a regular television show, and then when someone stepped in and made it, it was actually Jim, so it's crazy."
ASSIGNMENT X: When you first wrote KIDDING, did you give any thought as to how it would be made, and how it would look, what the puppets would be like, or …?
DAVE HOLSTEIN: I just wanted the freedom to be really inventive with it. I didn't want rules. I think that having Michel around gives you a lot of freedom to break rules, and to not follow a visual style that you've seen before, but I don't know. All I knew was that we were going to try to be as different from what else is out there as possible.
AX: What came first, the idea of the children's puppet show or the idea of someone trying to get out of severe depression?
HOLSTEIN: It came from thinking about the worst thing that could happen to a very good person, and I think we all think of ourselves as having an innate sense of good somewhere. For me, it was just channeling, what would it take to crush my spirit, and also, what would it take to crush Jeff's? And how to fight through that? And it's the fighting through that that gives us our story, and our momentum.
AX: Does having Jim Carrey give KIDDING an extra layer?
HOLSTEIN: God, I hope so. Jim is really brilliant, and he has such a warm core as a person. He's very generous, and I can't think of anybody else in this role. And what he's been able to do is take it and make it something that is comedic in a way I did not think it could be comedic, and dramatic in a way I did not know it could be dramatic. He has a wonderful way of establishing a tone about himself that he's done in some of my favorite movies, and he really brought it to this.
AX: Is there anything political in KIDDING, like maybe one of Jim Carrey's cartoons as graffiti in the background?
HOLSTEIN: There's nothing overtly political about the show. We don't lean into Jim's politics or my politics. But I think what we do lean into is an overall theme of struggling to find light in the dark, and struggling to be good in a world full of bad, and struggling to be honest people in a world where everybody lies. And you can take that as what you will.
AX: How big is the KIDDING writers' room?
HOLSTEIN: We have eight writers and two assistants who contribute.
AX: Was it difficult to get all the writers on the same wavelength, because it's such an idiosyncratic wavelength?
HOLSTEIN: We interviewed a lot of writers, and I picked the ones who I knew would understand we're going to do something weird, we're going to do something different. I picked writers who came from theatre, who came from features, who had a visual style, or who had a desire to be idiosyncratic. I think we started with people who didn't have so much of a seasoned television background, so we didn't have to beat anything out of them. They all came ready to play.
AX: And are you finding that the puppet characters are taking on actual character?
HOLSTEIN: Oh, yeah. We have some of the best puppeteers who voice the puppets, and give them a lot of life. And all of them have a lot of back story and a lot of thought put into them, and we use them throughout the season.
AX: Do you have any other projects going on that we should know about?
HOLSTEIN: Well, I have a pilot at Showtime called MOONSHINE that I'm really excited about that I'm working on right now.
AX: And what would you most like people to know about KIDDING?
HOLSTEIN: That it's really something different.
This interview was conducted during Showtime Networks's portion of the Summer 2018 Television Critics Association (TCA) press tour.
AGREE? DISAGREE? LET YOUR VOICE BE HEARD – COMMENT BELOW
Follow us on Twitter at ASSIGNMENT X
Like us on Facebook at ASSIGNMENT X
Article Source: Assignment X
Article: Exclusive Interview with KIDDING creator Dave Holstein on Season 1
CD Review: FABLE III original soundtrack
CD review: BENEATH and WE STEAL SECRETS
Exclusive Interview: Shane West on SALEM and the end of NIKITA
TRUTH BE TOLD: Bresha Webb on her new NBC comedy - Exclusive Interview
Tags: Catherine Keener, Dave Holstein, Exclusive, exclusive interview, Frank Langella, Jim Carrey, Judy Greer, Kidding, Michel Gondry, Mr. Rogers, Sesame Street, Showtime Networks, TCA, Television Critics Association, Weeds


This powder pink metallic dress from dress queen Diane Von Furstenberg will flatter your assets without revealing too much. Featuring a split neck and back zip fastening this simply elegant outfit is perfect for dancing the night away under a friend's roof. Pair with these jewel-encrusted Boden flats for ultimate at-home comfort. Complete your house party outfit with a Jane Gowans Hitch necklace and Galley earrings.
Brrr! It's cold outside! Brave the chill with this practical military-style jumpsuit from Somerset by Alice Temperley. Fight off the winter winds in style with this fitted black MICHAEL Michael Kors quilted jacket and a cosy cashmere beanie from Scottish accessories designer Rosie Sugden. This form-flattering jumpsuit is a sound investment and can be worn from desk to dinner with a selection of statement Jane Gowans jewellery including this Game ring for added festive elegance. Match with these Tory Burch calf hair high-top designer trainers to stay comfortable all the way into the early hours of 2015.
Invited to a black tie soiree? We think a strapless gown is the fool proof choice. This floral velvet design is pleated at the waist with a soft voluminous skirt that's practical enough for hours spent on the dancefloor. Look out your favourite black stilettos or treat yourself to this staple cut out suedette pair from Kurt Geiger with open toes and 11cm stiletto heels. Add a tailored black suit jacket like this Mango version featuring padded shoulders, button fastening, notched lapels and decorative flap pockets. Lastly to complete your black tie look, layer on a Jane Gowans Delta pendant, Oxbow earrings and Glacier ring.


text:
RR Ursae Minoris (RR UMi / HD 132813 / HR 5589 / HIP 73199) es una estrella variable en la constelación de la Osa Menor de magnitud aparente media +4,71, la octava estrella más brillante en su constelación pese a no tener denominación de Bayer ni de Flamsteed.

Situada a 398 años luz del sistema solar, RR Ursae Minoris es una fría gigante roja de tipo espectral M4.5III cuya temperatura efectiva es de sólo 3467 K. 1950 veces más luminosa que el Sol, su radio es 126 veces más grande que el radio solar.
Si estuviese en el lugar del Sol, la órbita de Mercurio quedaría englobada dentro de la propia estrella.
Tiene una masa de 1,6 ± 0,3 masas solares.
Es, además, una binaria espectroscópica con un período orbital de 748,9 días.

RR Ursae Minoris está catalogada como una variable semirregular de tipo SRB; éstas son gigantes de tipos espectrales tardíos —M, C o S— con una periodicidad poco definida.
Gorgonea Tertia (ρ Persei), L2 Puppis o W Bootis son variables de este tipo.
El brillo de RR Ursae Minoris fluctúa entre magnitud +4,53 y +4,73 en un período de 43,3 días.

Véase también
 Lista de estrellas variables

Referencias

Gigantes rojas
Estrellas variables
Variables semirregulares
Estrellas binarias
Constelación de la Osa Menor


You want to improve your English or learn a new language and travel the world? Then a language course abroad is the right choice for you! Eurocentres helps you to organise your language study stay in one of 38 language schools worldwide and make it an unforgettable experience!
Direct contact with native speakers: You can apply your language skills directly on site and develop them further in practice.
Intensive insights into the local culture: In the café around the corner or in your host family you get to know the everyday life and customs of the locals.
Quick learning success: Thanks to intensive language contact, you will quickly experience progress.
Increased motivation: Enjoyable learning in small groups and the positive experiences on site increase the motivation to learn.
Better career opportunities: Good language skills and language diplomas bring you a step closer to your dream job.
Personal development: A stay abroad helps you to get to know yourself better, gives you more self-confidence and cosmopolitan experience.
Friendships all over the world: You have the opportunity to make friends with people from all over the world in your language course or in your free time.
Petra W.: A really good language school that I can recommend in good conscience :-). Great and committed teachers, varied tasks and a friendly atmosphere and the right incentive. Organization and communication were also right. A really great time that I will never forget.
Stefan: Thanks to the good and competent training at Eurocentres Amboise (at Tours) I was able to improve my knowledge of French from A2 to B2 in just two weeks.
Save up to 30% with our special offers!


text:
The Swan 44 Mk I was designed by German Frers with styling input by Andrew Winch and built by Nautor's Swan and first launched in 1989. It shared many concepts with the Swan 36 developed at the same time. The modern styling was not to everyone taste and now to some looks dated so in 1996 the boat was relaunched as the Swan 44 MkII with more conservative in house styling.

External links
 Nautor Swan
 German Frers Official Website

References

Sailing yachts
Keelboats
1980s sailboat type designs
1990s sailboat type designs
Sailboat types built by Nautor Swan
Sailboat type designs by Germán Frers