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beckycarman.com
stuff i wrote.
robert ellis
Lone Star State of Mind: Songwriter Robert Ellis stakes out his corner of Texas' music legacy
for The Oklahoman / NewsOK
by Alexandra Valenti
For his new album "Texas Piano Man," songwriter Robert Ellis dons a white tuxedo and an uncharacteristically Texas-sized pop swagger.
Ellis, known for his intricate guitar playing and what he accurately described as "not lowest-common-denominator" songwriting, put down the six-string and instead picked up 88 keys for writing and tracking his latest effort. But he didn't just make a piano record: Robert Ellis transformed into the Texas Piano Man, with yellow lapel rose and pristine white cowboy hat to boot.
Or boots, in this case.
"Texas Piano Man" is a poppy, wry masterpiece channeling Elton John, Harry Nilsson and whoever the first guy is to start playing piano uninvited at a house party. The bluntly funny singles "F***ing Crazy" and "Nobody Smokes Anymore"—"Guess I'll be the only one who looks good in pictures," Ellis deadpans — give way to the heartrending "Aren't We Supposed to Be in Love?" while the album closer is an unsubtle ode to everyone's favorite Mexican mineral water, "Topo Chico."
If that all sounds weird, that's because it is. While such a statement album might have given Ellis pause, the Texas Piano Man dives in tails first, to entertaining effect. He'll kick off his "Texas Piano Man" tour with a Saturday performance at VZD's, along with Ian O'Neil of Deer Tick. Black tie optional.
Q: At what point in the songwriting for "Texas Piano Man" did you decide you weren't going to pick up a guitar?
Ellis: The first song I wrote for the new record was probably "Passive Aggressive." Right around the time that I started working on the nuts and bolts of figuring that song out, it was like, 'This needs to be a piano record.' That song gave me a lot of cues as to the disposition and humor…like the whole record needs to have some levity to it, and it can be a little more fun. If you have a song like that, and then you have nine other really serious ones, it just doesn't, like, prime you for the punchline.
Q: It's interesting you'd say that, because I think on your last two records, you just had a couple moments of lightness in the midst of really sad songs.
Ellis: You're right. It's the exact inverse of what I've normally done, and I think it's more effective in some ways. It's a little easier to get somebody to hear something serious when they're smiling than it is to get them to laugh when they're sad. That's a taller order, I think.
Q: When did the character of Texas Piano Man start to take shape?
Ellis: I tend to always like grasp at an overall prompt or a concept because it helps me as a writer organize things in a way that makes sense. Whether that's something as simple as, "I'm going to write this on piano," or, "This character has a lot of confidence and is maybe a little sarcastic and has a really good sense of humor." The Texas Piano Man came pretty early on, definitely well before recording.
Q: What is he allowed to do that Robert Ellis isn't?
Ellis: It's more fun. I've been thinking of it like a live-action role playing. When I put on the tuxedo and go onstage, and even when I write, I have this sense of like refinement and ease. In my mind, this character is extremely confident and doesn't need validation to find his power, if that makes sense. He's really sure of what he';s doing and feels like if you don't like this, then you're wrong. I've never really had that feeling. I feel like a lot of what I've had to do has been to convince people to listen hard enough to get what I think is good about my music, which is interesting little stories that if you don't really pay attention, you'd probably miss altogether. They're not immediate. My previous songwriting is really just not lowest common denominator stuff, and I feel like there's a lot with this Texas Piano Man thing where it is. Anybody can enjoy this. I also think there's depth to it, but you might like it for one reason, and if you show it to your mom, she might like it for a totally different reason.
Q: I won't call what you've done before "precious," maybe heartfelt and sad, but here, even when your protagonist is kind of a s***head, the song is still pretty happy and fun for the people who are listening to it. I'm guessing that's more like your real personality.
Ellis: Yeah totally. That's something I've always kind of toyed with, these extreme versions of myself in songs, really making the characters kind of foul and worse than I really see myself, which I guess is some sort of form of therapy, creating these characters that kind of underscore parts of my personality that I really don't like. You feel a safety in doing it to characters that you don't feel if you're just writing confessional, diary music.
In my past material, the protagonist in the songs is often struggling with why he does the things he does, why things have ended up the way they did. This character doesn't have that same apprehension, and maybe I don't right now either. I'm definitely sort of hitting a stride, where I'm just like, you know what? This is f***ing great. I just had a kid, and he's awesome. I get to play music for a living. Things are really good. And maybe I get a little carried away and party a little too much and act a little crazy, but I'm just sick of having guilt about all of that stuff. I want to take ownership of all of it.
Q: Between your last solo record and this one, you've done two records with other people: "Dear John" with Courtney Hartman and "Western Movies" as Traveller, your band with Cory Chisel and Jonny Fritz. Did those collaborations influence how you made "Texas Piano Man"?
Ellis: The Courtney record was really interesting because we sat down and recorded that in two days' time. I had never really done a record like that, and listening back to it, I was like, "Man, this is my favorite thing I've ever done." There's a level of like anxiety that usually you have when you make a record where you want to smooth out all the rough edges and just make sure everything's perfect, and with that record, we just did it. I love the way it sounds. And at the core of all of those Traveller songs is a really solid, early, one- or two-take band performance where we all just played and improvised. That informed this most recent record. There's a guitar, piano, bass, and drums on every song, and I would say 95 percent of that was all done live off the floor. We really just made performances kind of be at the heart of this.
Q: Texas country is kind of its own subgenre, and there are radio charts specific to Texas. Texas music in general seems like its own separate animal. What is Texan about the Texas Piano Man, and what do people expect from you, being from there?
Ellis: I think people get a little confused when they think of what it is to be Texan, because it's a really big place, and it has personalities that are just as big. Maybe Willie Nelson is like pinnacle, sort of cliche Texan, but also Texas country is this thing that can sound like Willie Nelson, or it can sound like Dave Matthews Band. At some point I realized like the only thing that these things have in common is that somebody who is from Texas took ownership of what they were doing and started saying, "I'm from Texas, so this is Texas music."
Anything that I do is Texas music, because I am from here. I've been here my whole life. I used to have some worry about fitting into that mold, and to be quite frank, a lot of those people that you're talking about, they don't f***ing give me the time of day. I'm not on the Texas music radio charts. They think of what I do as Americana or something outside. I guess I'm just feeling like it's time to kick that door down because it's not fair. They don't get to claim ownership of the state any more than Kinky Friedman does. Any weirdo who just says, "I'm from Texas," eventually becomes part of the ethos and part of what it is to be a Texan, and then after the fact, we take it for granted.
It's like a naturalist's argument. It kind of bums me out sometimes when people say that something is unnatural. How can anything be unnatural? How can machines be unnatural?
Q: That's kind of a heavy question.
Ellis: It is, and I guess in my in my humble approximation, anything that anyone does is an extension of existence. In terms of the larger spiritual discussion, how can anything be anything other than natural? How is Home Depot somehow less natural than the rainforest? It's all an extension of whatever this weird thing we call existence is. So I guess to draw a parallel, I don't see how if I'm from Texas and I make music, it's not Texas music, so leave me alone. [laughing]
john moreland
son volt
writer / editor / noticer / administrator/ singer / plating enthusiast / helicopter dog mom / avid indoorsman.
becky.carman[at]gmail.com
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Mix dry ingredients in a large bowl, then cut in the shortening/lard/ margarine (I used a combination of half lard, half shortening). Next add the warm water a little at a time until your dough is soft but not sticky.
Knead the dough for a few minutes, then form 12 small dough balls and let them rest for at least 10 minutes.
Heat a cast iron pan (I used our griddle) over medium high heat - you'll want it evenly hot before you cook the tortillas. Roll out the dough with a rolling pin (a pelote would be more authentic), adding flour when needed to keep it from sticking, and lifting and flipping every so often. Roll them out to very thin - that's the best way I can describe this - then lay them, one at a time, on the hot griddle, waiting only seconds before flipping, and again before removing. They are ready when flecks of brown begin to appear on the tops of bubbles. Wrap in a towel to keep warm and moist and serve warm. Reheat in oven if necessary. Yum!
To make tortilla chips I made a second batch of tortillas, then cut them into wedges and lay them out on a cookie sheet, sprinkled with salt and cumin, then baked at 350 for about 5 minutes per side (total 10 minutes per batch). Yum again!
Guacamole in our house is merely mashed avocados mixed with a dash of garlic, a pinch of salt, and the juice of about half a lime.
Combine lime juice, vinegar, Worcestershire sauce, oil, oregano, pepper and salt in a glass bowl. Add chicken and marinate, covered, for 2 hours, turning twice.
Remove from marinade and grill over hot coals, 4 inches from the heat for about 12-15 minutes, turning once and basting with marinade until chicken is cooked through. Do not over cook.
Remove chicken to a cutting board and allow to stand for ~5 minutes before slicing into strips.
In our house we top fajita with guacamole, sour cream, tomatoes, fresh cilantro and/or salsa, and a mixture of cheeses. Yum yum yum!
And last, but very definitely not least, Traditional Margaritas!
This is pretty straight forward, but here are some tips: to more efficiently extract juice from a lime, heat it for about 10 seconds in the microwave before cutting and squeezing. To dissolve the sugar add it to the lime juice while it is still a tad warm - if it isn't a tad warm and the sugar won't dissolve, microwave it for a few second then stir. Use a lime wedge to moisten the edge of the glass then tip it upside down in a plate of Kosher salt to coat the rim. Coat the rim before filling the glass, of course - if you've mixed up those two steps you've probably had too many already!
This is a recipe I got from my Healthy Cooking magazine (love that magazine!) a while back and have saved for the kind of night when a warm crock pot recipe was warranted. Tonight was that night - it's chilly, we're all tired, and I feel like I'm coming down with a cold. Unfortunately, this dish lacked the kick I was hoping for. The only real alteration I made was adding carrots to the crockpot for the last 20 minutes in order to make it an all in one meal.
Sprinkle chicken with salt and brown both sides in a large nonstick skillet. Place in a 5qt slow cooker.
Combine the coconut milk, curry, turmeric and cayenne; pour over chicken. Sprinkle with half of the onions. Cover and cook on low for 3 1/2 to 4 1/2 hours or until chicken in tender.
Combine cornstarch and water until smooth; stir into slow cooker. Cover and cook on high for 30 minutes or until sauce is thickened. Stir in lime juice. Serve chicken and sauce over rice. Sprinkle with remaining onions.


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text:
Josef Raboy
October 17, 1941 April 3, 2015
There are condolences waiting approval on Josef's Tribute wall
Celebrating the life of Josef Raboy
Be the first to share your favorite memory, photo or story of Josef. This memorial page is dedicated for family, friends and future generations to celebrate the life of their loved one.
Obituary for Josef Raboy
Josef Raboy, of Sanibel, FL, passed away April 3, 2015 at the age of 73. A long -time resident of Westchester County, NY, Josef was born in Manhattan to Ervin and Esther. He is survived by brothers Edward (Yvonne, Pam and Ervin) and Mark (Keith). Joe graduated Horace Mann High School and Columbia University. After many years running his family businesses in the hotel and insurance industries, Josef found his true calling in the non-profit world as Executive Director of two Synagogues: Westchester Jewish Center in Mamaroneck, NY and Temple Israel Center in White Plains, NY. Joe was devoted to his community and synagogue. He served as Presidents of the Rotary Club and Westchester Jewish Center. After retiring, Joe had time to pursue his life long love of golfing. He finally achieved a golfer's dream and scored a hole in one at the Dunes Golf course where he lived in Sanibel, Florida. Josef is survived by his loving wife Paula, and his loving children Sharon (Bob) Smith, Alan (Laurie) as well as his former son in law Stephen Leistinger. He is the cherished grandfather of Kim (John), Nicole, Lindsey, Griffin, Michael, Matthew, Katie, Julia, Jonah, and Jesse, and the proud great-grandfather of Jack and Brody. A Funeral Service will take place at (12:30) pm Monday April 6th at Westchester Jewish Center, Mamaroneck, NY. Entombment will immediately follow at Cedar Park Cemetery in Westwood, NJ.
12:30 PM 4/6/2015 12:30:00 PM
Westchester Jewish Center (WJC)
175 Rockland Ave
Mamaroneck , NY 10543
175 Rockland Ave Mamaroneck 10543 NY
Cedar Park Cemetery Final Resting Place
735 Forest Ave
735 Forest Ave Paramus 07652 NJ
Welcome to Josef's Memorial Wall
Share Josef Raboy's life celebration
"Email Address" would like to share the life celebration of Josef Raboy. Click on the "link" to go to share a favorite memory or leave a condolence message for the family.

redpajama_set_name: RedPajamaCommonCrawl


Soave Enterprises is a privately held, Detroit-based company with holdings in dozens of companies. It is a diversified management and investment company founded by Detroit businessman Anthony Soave that provides strategic planning, financial and other management resources to its affiliated business ventures in the real estate, automotive retailing, beer distribution, scrap metal, industrial services and transportation industries, among others.
Since its founding, it has been shaped and defined by its entrepreneurial culture. This vision consistency of spirit is this company's ever-present beacon of light, guiding the company as it navigates an ever-changing business landscape. Their leaders assess opportunity, as well as communicate their customer-first commitment.


So stay hearty, be loving - not a louse!
USA Today 05/03/06: Couples who routinely trade nasty or controlling remarks during marital spats might be harming their hearts — and not just emotionally. A study suggests that hostile and domineering men and women are at risk of developing heart disease, the No. 1 killer in the USA.
But then they say he is heartless!


Trade Summit (AGTS). On its opening day, October 5, industry specialists from the public and private sector led interactive discussions on key issues and emerging trends in the grain trade sector on the continent.
integration and drive business growth. One hundred traders and farmer group representatives participated in the linkage event. The traders were keen to learn more from their counterparts in neighboring states on the opportunities available to them in the product and service sectors. Tanzanian traders were pleased to learn that they had a readily available market for soya beans with Ugandan poultry farmers who was seeking feed for their businesses in Kampala.
In the past two years, the Hub has facilitated $200 million worth of grain trade in the region, and hopes to achieve higher impact through such initiatives as the AGTS B2B session.
The Eastern Africa Grain Council (EAGC), a Hub partner, organizes the AGTS every other year to facilitate agricultural stakeholder discussion of the issues and challenges facing the grain sector with a view to creating frameworks and policies necessary to boosting food security and trade in the region.


text:
Home and Heritage
Rural areas and small town, day-time activities and historical events
A more mature group that is generally conservative in their tastes
Large proportion are National Trust members
Classical music and amateur dramatics are comparatively popular
While this is not a highly engaged group – partly because they are largely to be found in rural areas and small towns – they do engage with local cultural activity
Likely to look for activities to match their needs and interests, such as accessible day-time activities or content exploring historical events
COVID-19 Home and Heritage Profile
Health and Wellbeing: Relatively older (nearly all over 60 and 69% are 70+), so have been more at risk (some perhaps shielding) and likely to have been
taking lockdown particularly seriously.. May be conscious of less capacity in local medical facilities.
Income and Employment: Most are retired, so risk is to retirement income, rather than jobs.
Family and Relationships: Quite community minded. Don't have children at home, though may be missing grandchildren. Given that almost half are widowed, new rules re bubbles for single person households could make a big difference to this group.
Location and Environment: Often in rural areas and small towns. Neighbourhood support groups may have been helpful. Generally 'home-lovers'.
Arts and Culture: National Trust garden reopening may be a positive for this group, though may initially be being cautious about going out. English Heritage sites also important. Not very connected with much arts activity and less likely to engage online.
Digital and Streaming: Generally a bit technophobic and less likely to use social networking sites. Will have been using email, phone and text mainly to keep in contact with people.
Importance of Arts: Prefer activities like reading, gardening and DIY, which are more likely to have been a big part of their lockdown experience. Email lists from organisations can be a good way to keep them engaged.
Risk: More likely to attend outdoor sites, re heritage and gardens, than indoor cultural events, given they are in a higher risk group. Some may take a more risk-tolerant view that 'it's important to enjoy the time we've got', especially if mitigated by staying relatively local. Others to be more risk averse re. returning to theatres, museums and other venues.
Other: May have reinforced their preference for staying locally, rather than travelling too far.
More about the impact of COVID-19 on audiences
More about Home and Heritage
Older people, living outside of major towns and cities and in rural areas across the UK with the lowest proportion found in London.
This is a not a highly engaged group, limited by physical access to an appropriate arts and cultural offer and the means to get there. However they represent key prospects for relationship development for day trip or day-time offers that are traditional and participatory in nature.
Cultural preferences
They have clear preferences for familiar, mainstream programme offers and a leaning towards classical content across a range of artforms. They are most likely to make a visit to a heritage site with 47% making 3-4 visits in the last 12 months and are slightly more likely than average to go to the theatre. Like most segments, they are broadly positive about arts and culture, do see themselves as arts-attenders and value the arts in general. Limited access locally and a reluctance to travel, especially in the evening, probably mitigates against more active engagement.
Other leisure interests
This group spend more time than average doing things like reading, gardening and DIY but generally doing less "outdoor" pursuits than others, and are what might be thought of as home-lovers. Television features heavily with a preference for costume drama and nature programmes. They also enjoy local and social participatory activities like singing in a choir and Amateur Dramatics.
Distribution of Home & Heritage
Living outside of major towns and cities and in rural areas across the UK with the lowest proportion found in London.
Visit our Audience Mapping tool in the Audience Finder dashboard to investigate the location of this segment
Creative participation
Involvement in such activities adds a social dimension with 33% of this group comprising elderly females, they may use these activities as a way of coming into contact with like minded individuals.
Lifestage & location
As their name suggests, this segment are homebodies, with low car usage, and are among the least likely to participate in the evening economy. Around a quarter have higher education or professional qualifications. Although generally comfortable, the large majority are retired, living on a household income of less than £20,000 per year.
Digital habits
Light internet users, they are generally technophobic and the least likely segment to use any social networking sites.
Broadsheet and tabloid readers, they have the highest index for The Daily Mail, at 28%. Suspicious of advertising they prefer a more personalised approach – direct mail, telephone (email and face to face) – although home-based (low car usage) so remote options are more effective.
A relatively community minded group, a quarter of all Home & Heritage have done some form of voluntary work in the last 12 months. The most popular kinds of volunteering are event organising, being a committee member for local societies, parish councils and church committees etc
Mostly located in dormitory villages, outer suburbs/edges of cities, small towns and rural areas across England. Higher proportions can be found in the East and South East and South West of England. Generally homeowners, living in comfortable accommodation, often in bungalows.
97% Aged 60+
Within this group 97% are aged 60+, half are in couples and half are widowed with no children at home. There is a bias towards single females.
Diversity in segment
This is a homogenous group, with 99% from a White British ethnic background and 98% do not have children at home.
Segment best match
Arts Audiences Insight – Retired Arts & Crafts and Mature Explorers Mosaic 2014 – Senior Security
How to engage
Nearly half feel that they have plenty of opportunity to get involved in the arts, and only 26% feel that "the arts is not for them". They feel that heritage is an important contributor to sense of place and believe in the conservation of local heritage sites. About 70% have been to an arts event in the last year, and about 50% have attended a museum or gallery. They have a low reception to broadcast advertising, and respond to tailored/targeted communications, like plain speaking and face to face contact. Home & Heritage are open to persuasion if appealed to directly with tailored communications that meet their tastes and access needs and offer a complete package, which may involve provision of transport. Opportunities to engage them could include participatory events through U3A and local rural touring schemes.
With a strong leaning toward the traditional and mainstream, Home & Heritage may be looking for both traditional forms as well as traditional content and subject matter. Local history, memorabilia and nostalgia, dying traditions and crafts, historically based narratives, period re-creation are all likely to appeal. Many in this group also share an interest in the natural world – from gardening to programmes such as Springwatch and Countryfile on TV. A regular programme of classical music, opera and ballet, as well as more mainstream theatre may not be readily accessible within their travel distance but would be welcomed, e.g. classical recitals in churches or village halls. They are not inclined to be risk-taking so familiar pieces, names and stories, adaptations of known works and plenty of local media coverage are important ways of connecting and overcoming concerns and a natural inertia.
NADFAS or University of the 3rd Age
Working closely alongside heritage organisations, history associations, or community networks supporting older single people would create good entry or starting points.
Place: Environment
Safe, pleasant and formally welcoming environments are highly valued. A quality café or restaurant may form a key part of the appeal.
Place: Access & distance
This group are not travellers, with low car use and limited access to public transport. Reliable transport may be a key issue. Day-time offers are much more likely to have traction if there are access constraints. This group is almost exclusively retired or semi-retired so are time rich. Level access, large-print, captioning and other disability access facilities are enormously important, with just over half this group declaring a disability.
Although living on modest incomes, Home & Heritage are comfortable – neither bargain discounting nor premium pricing are likely to appeal. They appreciate unfussy transparency to which they can apply rational decision-making: this preference should inform pricing. Value, all-in pricing or senior packages/offers may have a particular appeal.
Up Our Street Home and Heritage Trips and Treats
Audience Spectrum Pen Portraits Home and Heritage Statistical Appendix
Engagement rank:
10% of English households


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The original design of this hand printed ship cushion has been beautifully created by print maker Jill Pargeter.
The design which includes the words "spirits rise as the sails fill" would be a familiar emotion to any sailor stuck in the doldrums for any length of time.
The feather filled cushions are made from quality natural linen and hand printed with indigo coloured ink. The backing is indigo coloured linen and the opening is closed with a simple zip fastening.
Jill has been a designer and print maker for over 30 years, since studying printed textiles at Manchester Polytechnic. Inspired by both folk art and the Arts & Crafts movement she combines her love of history, nature and poetic verse in her creations.
Each of her original designs is hand drawn before being screen printed onto fabrics and panels to produce a range of beautiful decorative objects for the home.
A lovely gift for someone special or as a wonderful treat to yourself.


text:
Q: Visual Basic RSA Encryption Think I got it right this time ;)
I got the following code:
Sub encrypt()
    'Use UTF8 to convert the text string into a byte array
    textbytes = encoder.GetBytes(TextToEncrypt)
    'encrypt the text
    encryptedtextbytes = rsa.Encrypt(textbytes, True)
    'Convert the encrypted byte array into a Base64 string for display purposes
    encrypted = Convert.ToBase64String(encryptedtextbytes)
End Sub

Sub decrypt()

    encryptedtextbytes = Convert.FromBase64String(TextToDecrypt)
    'get the decrypted clear text byte array
    textbytes = rsa.Decrypt(encryptedtextbytes, True)
    'convert the byte array to text using the same encoding format that was used for encryption
    decrypted = encoder.GetString(textbytes)
End Sub

But where can I use my public key for this encryption? Because every time I close the application, I cannot decrypt the text I encrypted earlier using this code. The thing I am trying to accomplish is to encrypt a file using my public key, send it to a server, and decrypt it over there with my private key.

redpajama_set_name: RedPajamaStackExchange


Enhance and enliven wedding and reception decor with Faceted Hanging Rhinestones. With six total gems on each strand, these elegant decor pieces can be hung and used in a plethora of ways. Hang them from pews at your ceremony, or use them to make a one-of-a-kind table centerpiece!


text:
Kuiken Brothers makes it official in Newark
Kuiken Brothers has officially opened its latest residential and commercial building materials location in Newark, N.J.
The location marks the ninth for the Fairlawn, N.J.-based pro dealer.
With convenient connectivity via road and rail and waterfront access on Port Newark's shipping channel, the facility will help Kuiken Brothers better serve its expanding marketplace in the New Jersey/New York metro region.
"For many years, we have supplied a wide range of residential and commercial projects in Essex, Hudson, and Union Counties," said Doug Kuiken, president of Kuiken Brothers. "The Newark location will provide us with even greater access, allow for faster delivery into these markets, and will open up opportunities for new relationships to be established with building professionals in the region, including Staten Island, Brooklyn, Manhattan, and coastal New Jersey markets."
The facility, located at 500 Doremus Avenue, is approximately one mile off Exit 15E on the New Jersey Turnpike and offers easy access to Route 78, Route 280, Routes 1 & 9, and the Garden State Parkway, with delivery capabilities including flatbeds, tractor trailers, truck mounted moffett forklifts, and 4, 6, and 8-story boom trucks.
"We had recognized a need in the Newark market due to the significant growth and redevelopment taking place here," Matt Kuiken, vice president of operations at Kuiken Brothers, told HBSDealer. "The city is in the midst of a renaissance, and it's an attractive and exciting place to be. From a distribution perspective, our site is ideally situated just off of the main transportation corridors."
The 10-acre site features covered storage, including a drive-through warehouse with nine loading docks, an automated racking system and exterior covered racking (storage sheds and cantilever systems). All of these structures were designed and built to provide covered storage for product categories to include lumber, windows, doors, moulding, drywall, steel studs, insulation, acoustical ceilings, hardware, plywood, panels, engineered lumber and decking.
Over a quarter mile of rail siding to the waterfront accommodates the direct shipment of lumber, plywood and drywall from premier lumber mills and manufacturing facilities in North America.
A video tour of the new Newark location, produced by Kuiken Brothers, can be viewed here.
Established in 1912, Kuiken Brothers has grown to be a leading supplier of quality residential and commercial building materials with a focus on serving the needs of professional builders, remodelers, developers, and property owners. The company has more than 300 employees.
HBSDealer first reported about the new yard last month as the project was being finalized.


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