Local detailed plans are needed where building is dense. They regulate building and other future land use. The local detailed plan is a map with explanations and regulations. The size of the area varies.
Every year, there are some two hundred local detailed plans and plan revisions pending. When there is a local detailed plan in force for your area, you can apply for a building permit based on this local detailed plan at the Building Control Department.
espoo.fi/hankkeet. There you will also find information on the current stage of a pending plan, when pending plans are on display for public inspection and how you can comment on pending plans.
You can also easily find a local detailed plan (town plan) in your area on Espoo map service. Click on the map on the plan of your choice for more information. New pending land use plans are announced on Kaavakuulutukset and all pending land use plans are announced yearly in the city's zoning review (Kaavoituskatsaus).
A new centre will be constructed around the upcoming metro station in Kaitaa. In the future, it will become the home of some 1,000 new residents. The eight-story-high apartment blocks in the new centre will be located next to the Iivisniemi neighbourhood, between Kaitaantie and Iivisniementie.
Planned for the area between Nöykkiö and Latokaski in Espoo, the sports park project is progressing. In addition to the sports park, the Latokaskenniitty area is intended to host a new day-care centre and homes for approx. 500 residents.


Valentine's Day Is Creepy. Let's Write Flash Together This Weekend Instead.
Stop and think about it for a second: The line between healthy love and boiling-bunnies crazy is mighty mighty thin.
Take the Ponds from Doctor Who.
Take the number of times (at least twice) where they quite literally pull a Romeo & Juliet suicide pact. Oh, sure it's not really. But they have no reason to think that going into it. It sounds an awful lot like the way manipulative people sound when they threaten self-harm to keep someone in an emotionally abusive relationship.
So this Saturday (yes, tomorrow), join me and others for Shock Totem's bi-weekly one hour flash fiction challenge at 8pm EST.
You'll need to make an account on their message board (free); that way the work you post isn't "previously published". The rules are pretty straightforward.
You post your story, and everyone reads, critiques, and votes.
The official rules are right here.
That's it! I really enjoy it – it forces me to put my brain in a different writing space than normal, and that helps jar it out of whatever problems I'm running into at the time.


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TOP > Mouse of the Month archive > October 2014 A model mouse strain for Dravet syndrome
October 2014 A model mouse strain for Dravet syndrome
A model mouse strain for Dravet syndrome
B6.129P2-Scn1a<tm1.1Kzy>/KzyRbrc (RBRC06358)
Convulsive seizure in a mouse with an introduced nonsense mutation
in the Scn1a gene.
(Photos courtesy of Kazuhiro Yamakawa, Ph.D.)
Dravet syndrome, or severe myoclonic epilepsy of infancy, is a severe form of epileptic encephalopathy. Patients exhibit recurrent intractable seizures in the first year of life. A major cause of this syndrome is heterozygous mutation of the SCN1A gene that encodes the voltage-gated sodium channel αI subunit Nav1.1, which is required for the proper function of brain cells. A team of researchers led by Kazuhiro Yamakawa generated a knock-in mouse line carrying a premature stop codon (R1407X) in the mouse Scn1a gene [1]. The group demonstrated that Nav1.1 was clustered at the axon initial segments of parvalbumin-positive interneurons in the neocortex and hippocampus. They also showed that Nav1.1 haploinsufficiency causes epileptic seizure, learning/memory impairment, and abnormal social behavior in mice [2-4]. This mouse strain will stimulate further research identifying the mechanisms and pathways involved in Dravet syndrome.
Depositor : Kazuhiro Yamakawa, Ph.D.
Laboratory for Neurogenetics, RIKEN Brain Science Institute
Strain name : B6.129P2-Scn1a<tm1.1Kzy>/KzyRbrc
Model to human diseases : Dravet syndrome
OMIM ID: 607208
Epilepsy, generalized, with febrile seizures plus, type 2
Febrile seizures, familial, 3A
Migraine, familial hemiplegic, 3
References : [1] Ogiwara I, Miyamoto H, Morita N, Atapour N, Mazaki E, Inoue I, Takeuchi T, Itohara S, Yanagawa Y, Obata K, Furuichi T, Hensch TK, Yamakawa K. Nav1.1 localizes to axons of parvalbumin-positive inhibitory interneurons: a circuit basis for epileptic seizures in mice carrying an Scn1a gene mutation. J Neurosci.; 27(22):5903-14, 2007.
[2] Cao D, Ohtani H, Ogiwara I, Ohtani S, Takahashi Y, Yamakawa K, Inoue Y. Efficacy of stiripentol in hyperthermia-induced seizures in a mouse model of Dravet syndrome. Epilepsia; 53(7):1140-5, 2012.
[3] Ito S, Ogiwara I, Yamada K, Miyamoto H, Hensch TK, Osawa M, Yamakawa K. Mouse with Nav1.1 haploinsufficiency, a model for Dravet syndrome, exhibits lowered sociability and learning impairment. Neurobiol Dis.; 49:29-40, 2013.
[4] Ogiwara I, Iwasato T, Miyamoto H, Iwata R, Yamagata T, Mazaki E, Yanagawa Y, Tamamaki N, Hensch TK, Itohara S, Yamakawa K. Nav1.1 haploinsufficiency in excitatory neurons ameliorates seizure-associated sudden death in a mouse model of Dravet syndrome. Hum Mol Genet.; 22(23):4784-804, 2013.
Contact: Shinya Ayabe, Ph.D.
Experimental Animal Division, RIKEN BioResource Center

redpajama_set_name: RedPajamaCommonCrawl


BREAST CANCER AWARENESS — alpha Kappa Delta Phi International Sorority, Inc.
alpha Kappa Delta Phi's national philanthropy is Breast Cancer Awareness. While we spend the entire year working on our efforts to do service, raise funds, and give back, October is national Breast Cancer Awareness month, and during this month, our sisters nationwide make sure to dedicate at least one Service event to Breast Cancer Awareness.
In 1998, alpha Kappa Delta Phi launched its first-ever National Service project. Through our 22 chapter effort, we dedicated the year of 1998-99 to Breast Cancer Awareness by educating ourselves, our college campuses, and our communities. Through the efforts of our active sisters and alumnae, we have raised over $250,000 throughout the years for breast cancer research. In addition to raising funds, awareness is spread on all our campus communities through service projects, workshops, informational booths, or forums.
BCA Resources by the National Breast Cancer Foundation.


Thomas H. Lee, MD, interviews Lee Sacks, MD, Executive Vice President and Chief Medical Officer for Advocate Health Care.
Tom Lee: This is Tom Lee from NEJM Catalyst, and we're talking today with my good friend, and someone who I think is one of the best leaders in health care today, Lee Sacks, a physician who is the Executive Vice President and Chief Medical Officer for Advocate Health Care. Lee, I've been following Advocate's safety journey for years now, and I gather that you have some good news to share. How's it going?
Lee Sacks: Tom, it's going very well. As you know, our goal is to get to zero serious safety events by 2020. In 2017, we passed the halfway mark, which gave us a chance to stop and celebrate and help generate more momentum, because the second half of the journey is probably going to be more difficult. But we ended the year with about a 54–55% reduction from our baseline in serious safety events.
Lee: It is one of my favorite stories in health care, and I know a good part of it already, but not everyone in our audience will know it. Can you describe for them how you and the Advocate management team decided to set your audacious goal in safety? How many years ago was it?
Sacks: I think we set the goal back in 2013, but as I think back and reflect on it, we've been on a safety journey since To Err is Human came out in 1999. But the reality is, we struggled. We tried flavors of the month and different tactics, and we had some short-term success, but in 2013 we stepped back and said, we need to give some thought to how do we make a difference. And we spent a year creating a safety strategic plan trying to counter to my instincts of, do things as soon as you learn a best practice somewhere else and try to steal it and implement it.
But we were very deliberate, and at the time we set the audacious goal that by 2020 we wanted to get to zero serious safety events. The first part was really starting to be transparent and identifying events. We looked worse before we got better, but starting in 2015, we've seen a steady decrease leading to what I just mentioned, passing the halfway mark in 2017.
Lee: How did you get started? I know that it's one thing to set a goal, but then you had to get to work. What were your first major steps?
Sacks: The first step was to look back at the things that we had tried since 1999, and it was following some of the IHI playbook, looking at other high-reliability industries — we had nuclear engineers come in, we had astronauts come in and gave inspiring keynote talks — but it really didn't change what we were doing. So, we stepped back and put together a leadership group that included both front line and executives to put together a safety strategic plan.
We consulted with other industries, we tried to identify some best practices within health care, made some site visits, and put together a four-step safety strategic plan that was very deliberate and needed to be executed in sequence. At the same time, we got buy-in from the board and our CEO, who began to say that first and foremost we're a safe clinical enterprise. He used to say we're a clinical enterprise, but adding "safe" ahead of that started to capture the attention of the organization. It certainly resonated with our clinicians.
Lee: I started paying attention when Advocate made 8 to 8:30 a.m. a meeting-free zone so that every unit of care could have safety huddles. Are you still doing that?
Sacks: We are still doing it. The huddle varies from 8 or 8:30 depending upon which site. I'm out at one of our hospitals today, and the rest of the team is in their safety huddle, which started a few minutes ago. That was one of the first steps, but it paralleled leadership training.
Our senior leadership teams spent about 18 months going through a series of 2-hour modules related to high reliability, reading books and articles about it, and one of the first lessons was the value of a daily safety huddle. A chance where we start off with, we want to review all the events that occurred in the previous 24 hours, anticipate and plan for the same in the next 24 hours, and review and get updated on open items from previous huddles. In a hospital, it brings together the leaders of all the care units and the support services.
We started doing this 5 days a week and knowing that we would eventually expand it to 7 days, but after a month several of the sites said this is so valuable we're starting to move to 7 days before you even tell us. We also do a system-wide huddle once a week on Wednesday to capture things that occur at more than one site and make sure that we're transferring knowledge and solving problems — especially in the support services — that impact all of our sites. If we get into a special situation, like a couple years ago with Ebola or more recently with influenza, we'll do the system huddle more than once a week if things need to be tended to more frequently.
Going back to your comment about the meeting-free zone: to support the huddle we put a ban on meetings between 8 and 9 a.m., the only exception being when there were physician meetings, recognizing that physicians need to start their days seeing patients. Most of those meetings are in the 7 a.m. hour but sometimes spill over past 8. But no meetings across the system except for the safety huddle, so we get 100% attendance and then can have a few minutes to debrief and follow up on items that need immediate action, and solve problems right then in real time.
Lee: I know it's tough to come down to three things that account for most of your progress, but because most people have trouble remembering more than three things, what would you say are the most critical three that account for your progress?
Sacks: I'd start with our leadership buy-in — the board, the CEO, and everybody knowing that first and foremost we're a safe clinical enterprise. Second would be the leadership training, because not only did we go through the didactics, but each of the leaders then was responsible for training the leadership team at their operating unit. If I'm a hospital president I needed to do the training for my senior team, and one of the things that I learned very quickly is when you have to teach something, you have to master the topic, and it makes it much more meaningful. The third is the a.m. huddle. Everybody in our organization would say that that's played a huge role in transforming us and helping us reduce serious safety events.
Lee: Any predictions on how low you can go? I know it's been difficult to get to where you are, but you do have a real goal. Do you think it's feasible to get to zero?
Sacks: We're going to get to zero. What that might mean is that a hospital or a medical group is at zero for a year or two. Will the stars align, and will we be able to say that the whole system is at zero for a year? I hope so. I look at commercial aviation, and in 2017 there were no fatalities anywhere in the world, and yet there probably was a little bit of luck, and just I think yesterday there was a fatal commercial crash in Russia. They're not going to have the same streak in 2018. But if we can get close to that, we will have made a huge difference for the patients we serve. You can already count in the hundreds the lives saved that wouldn't have been if we hadn't started on this journey, and that's what makes it so meaningful.
Lee: You're doing great work at Advocate, not just in safety, and I hope we'll be talking to you sometime soon about some of the other remarkable things you're doing around the value of care. Thanks for sharing your progress, and I know we'll be talking to you about this and other things again soon. Thanks so much, Lee.
Sacks: You're welcome, Tom. Always look forward to talking with you.


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Video Premiere: Dirty Fences, & Judy (Don't Go)
OBEY has been sponsoring the West Coast Worship Tour with The Shrine and Dirty Fences and today, Nylon Magazine premiered the video for Dirty Fences "Judy (don't go)", a cheeky cross between a vintage Ed Sullivan Show performance and a John Waters movie that features the boys hamming it up in drag. Director Brayden Olson had this to say about the clip: "Heavily inspired by the Shangri-Las and cross dressing, I wanted to really do my inspiration justice. Mischa G killed it on the hair, which is all their own except the platinum blonde!" Check it out below :
Video courtesy of NYLON Magazine
Mon, Apr 20 2015


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Posted by Taney Roniger at Monday, April 25, 2011 0 comments
Posted by Taney Roniger at Saturday, April 09, 2011 1 comments
First, I want to thank everyone who attended last night's screening of Grahame Weinbren's wonderful film Kandinsky: A Close Look, hosted by the filmmaker for the occasion of the closing of our symposium. Even more, I want to thank Grahame himself, whose generous contribution to our project could not have been surpassed as a way of bringing things to a close. Not only were many of us given the opportunity to meet in person for the first time, but, by way of Grahame's piece, the man whose work and life inspired this symposium was made a living presence among us for the entire evening. Sitting in the darkness of the theater with Kandinsky, I felt the desire to thank him for all he's given us and inspired in me, but I also wanted him to understand that in many ways it is indeed time for us to move beyond him. I think I heard him say that he understood.
The last ten days have been exciting for me, and I find myself emerging from them with a renewed sense of the vitality and vigor of the spiritual, of the strength of its pulse that is far from fading. I've learned about new perspectives on and approaches to it that I did not know existed, and I feel positively infused with a whole new set of questions to begin pursuing. I've no doubt that for all of us similarly infused, the dialogue will continue.
None of this would have been possible without the enthusiastic and generous contributions of everyone who participated—panelists and readers alike. I'm deeply grateful to all of you for taking the time out of your busy schedules to give us so much of yourselves.
I also want to thank my project partner, Eric Zechman, whose commitment to our subject is deep and abiding. Eric's longstanding involvement with the film work of Nathaniel Dorsky has brought new dimensions to my understanding of the spiritual—and indeed to our project as well. I want to especially thank Eric for his heroic efforts in the coordination of our hugely successful film screening of Nathaniel's work on April 5th.
And I want to reiterate my thanks to Suzanne Anker, Chair of BFA Fine Arts at SVA, for her continued support of our project. We're very grateful to have had her sponsorship.
Last but certainly not least, I want to thank my husband, Colin Selleck, for his tireless work on our web site over the course of the last year. Colin has been the invisible force behind the scenes without whom there would have been no scenes. If I didn't know it before, I certainly know it now: he truly has the patience of Job. Thank you, Laz!
Final Thoughts from Barbara Braathen
Barbara Braathen, a reader who submitted an eloquent statement early on in the symposium, has offered some final thoughts on our project. I'm deeply grateful for her contributions. Here's what she said:
Interest in the Spiritual in Art has risen and fallen a number of times over the last hundred years, and is treated differently and in varying intensities in different circles. It was exciting to hear about the techno-garde lingo of the 90s… spirituality peeps over the horizon again!
My belief is that the spiritual is what provides art with value. This would be the loosest possible appraisal of the spiritual, viz., that it is pleasurable, it stimulates the imagination, and it is expansive. The art realm, the entire realm, and all works of art participate in the spiritual in this manner.
I disagree with Alex Grey that in order for an artist to deal with mysticism in art, the artist must have a mystical experience. After 50 years of interest in this subject, perhaps my mystical experiences (not counting those regarding art) might add up to five seconds. The mystical experience is in the making of the art, not exactly in purveying the content of spirituality. One artist referred to the "numinosity" of the making experience, a sort of bond between self and other…. When ordinary time does not pertain as one is lost in the process of creation. This unity, this placement of self within the whole, can be felt as well when apprehending the work of art. It's a mystical process… not the conscientious engagement of mysticism as a topic.
My belief is that, until recently, artists have always known that their enterprise was on spiritual, and valuable, ground. All the cheeky inventions of the avant-garde—for which we must be humbly grateful—were made because the artist worked with total confidence that whatever was produced was for "higher" purposes. The spiritual content of art might be left unsaid, unexamined, and unacknowledged, but it existed as an unquestioned given. Even the turn to machine aesthetics was for a utopian, harmonious society, a visionary quest; this was not non-spiritual.
The nervousness, uncertainty, and doubt about much of today's art production is, I believe, because that lifeline, the spiritual in art, is ignored, even disparaged. The teachers of art and art history listened too hard and ultimately believed hook, line and sinker, in the party line of nihilism. Yes, Duchamp broke open the field of materials in art, bringing in the realm of the ordinary. But Duchamp was an occultist. If, as an art student, you learn only that he took any object and claimed it as art, voila… and you can do it too…. This is only part of the truth.
When did it become forbidden to mention the word spiritual regarding art? The interesting formalist trajectory, begun with Manet in the 1860s, terminated in the 1970s with body, process, installation, and new media art. Coming off the decade of the 60s, where Pop, in joke form, and Minimal, in silent mode, reacted to the passions of Abstract Expressionism… we had already by the 70s almost a decade of marginalizing the spiritual in art. Cool prevailed, and still does. Since then, there have been other major developments to absorb. In the 80s, the cult of the personality, of social circles, and entertainment columns became more important than talking about the work itself. Then, in the 90s and 00s, the extraordinary expansion of the once-tiny art market into the global and corporate player it now is. Art is participating in the larger culture of the spectacle on a scale unheard of previously. There is now so much art and so much art activity, there is no way to know everything, there is no way to go to all the art fairs. We are not only overwhelmed with data, but the contemporary art world is now a large social circle of interdependents who don't want to offend each other… so there is no judgment. Coolness is reinforced by the era of political correctness. But I view this cynicism as skin deep… not even beginning to penetrate the value of the spiritual.
In this large circle, there is no "high art". Because the "spiritual" rests upon values determining "higher" realms, perhaps this is why the spiritual is not addressed. Or perhaps nothing much is being expressed… better silent than wrong? I paraphrase here a statement made some years ago by Philippe de Montebello in Art Newspaper as an aside during an interview: "It seems that in the field of contemporary art, people do not feel free to comment." Curious, because as far as I know, the spiritual is about achieving ultimate freedom…. And so is art.
Posted by Pawel Wojtasik at Saturday, April 09, 2011 3 comments
At the end of the Symposium these somewhat random thoughts occurred to me:
The value of silence—what was not said was as important as that which was.
We use the word "spiritual"—it is so painfully inadequate, even after so much clarifying. I am reminded of a Zen master who said one needs to wash their mouth every time one utters the word "Zen" or "Buddha".
What was the purpose and effect of the symposium? Was it to re-affirm the presence of spirituality in art in the forum of ideas? It certainly could accomplish that. But perhaps another objective could be to bring about a spiritual state within individuals and society at large. For that, a kind of "via negativa," a way of unlearning might be necessary
Finally, for no particular reason, here is a quote from Bruce Nauman, a real Zen master:
I HAVE QUICK HANDS MY MIND IS ALERT
I HOLD MY BODY READY FOR INSPIRATION
ANTICIPATION ANY SIGN RESPIRATION
ANY SIGH I THINK NEITHER AHEAD NOR
BEHIND READY BUT NOT WAITING NOT
ON GUARD NOT PREPARED
Thank you Taney and Eric.
Pawel Wojtasik Images and Video
Posted by Pawel Wojtasik at Friday, April 08, 2011 0 comments
Pigs (2010) still from video
Dark Sun Squeeze (2008) still from 3-channel video
Nascentes Morimur (2008-9) still from video
At the Still Point (2010) still from 5-channel video
Video: Pigs
Final Day: Acknowledgments
Posted by Eric Zechman at Friday, April 08, 2011 0 comments
On this the last day of the Beyond Kandinsky: Revisiting the Spiritual in Art symposium, I'd like to express my appreciation for everyone who contributed to the project.
Most important, I want to commend Taney Roniger for her initial inspiration for the project and for providing the critical guidance necessary to shape the material into something that would get to the heart of many of issues relevant to the spiritual in contemporary art. I know that her commitment to this inquiry began long before we ever talked about the symposium and will continue long after, as it is central to her deep commitment to her own creative work and view.
I would also like to thank Suzanne Anker, Chair of the BFA Fine Arts Department at the School of Visual Arts, for recognizing the value of hosting such a discussion at this point in time. While the centennial of Kandinsky's 1911 book provided an inspiration and point of departure, the interest and response the project has received underscore the continued relevance of this subject for artists today.
In addition, I'd like to thank everyone who participated in the ongoing dialogues over the past 10 days, including the discussions that occurred at the Nathaniel Dorsky screening on Tuesday, April 5th. I've been struck by the incredible range of views expressed by the participants in the symposium, views that mirror the infinite variations of feeling and thought aroused by any earnest investigation of the deep mystery embodied in the spiritual.
I hope that the dialogues and conversations started here will continue.
Some examples of my work (Max Gimblett)
Posted by Anonymous at Friday, April 08, 2011 0 comments
Gesso, Acrylic & Vinyl Polymers, Epoxy, Oil Size, Swiss Gold Leaf & Japanese Champagne Pink Colored Silver Leaf, Clear Acrylic Overcoat / Canvas
25.00 x 25.00 x 2.00 in
Such Bamboo's Will Be The Hardest To Find, 2010
Gesso, Acrylic & Vinyl Polymers, Epoxy, Aquasize, Swiss Gold Leaf / Canvas
Kandinsky and the Red Corners
Posted by Anney at Friday, April 08, 2011 1 comments
Many thanks to Taney and Eric for their initiative and enthusiastic follow-through on a subject that while taboo and invisible in many circles seems like the elephant in the room to me.
I especially appreciated the generous contributions of Joseph, Jeff and Charlene and loved reading Barbara Braathen's lively recollection.
Some thoughts researched, some imagined referencing the nature of spirit and icon painting, unfortunately written before I read Dan's post. I am indebted to the scholarship of Peg Weiss, Carol McKay and Hans Belting.
CIRCLING BACK TO THE RED CORNERS
Kandinsky was often teaching, telling stories, but he was secretive about the deeper content. To echo Charlene…
He was the first artist extensively trained as an ethnographer. And that partially set the terms of the recurring theme that has been reviewed several times in the symposium, but here again: the art and science dichotomy. When scientists admitted the atom was not, after all, the ultimate indivisible unit of life, Kandinsky seemed to take it as a personal/cataclysmic betrayal, saying:
The crumbling of the atom was to my soul like the crumbling of the whole world... Everything became uncertain… Science seemed to me destroyed; its most important basis was only a delusion, an error of the learned, who did not build their godly structures stone by stone with a steady hand in transfigured light, but groped at random in the darkness for truth and blindly mistook one object for another.
For him, science was analogous to positivism, materialism and later representational painting. He redirected his scientific aptitude in the service of a more systematic defense/canon of his artistic intuitions. That practice may have been seeded in 1889 when he discovered the shamanic tradition, possibly reclaiming his own heritage, almost by accident. Submitting a paper on "The Beliefs of the Permians and Zyrians" to a competition at the Russian Imperial Society, he won sponsorship for an expedition to the Vologda Province. The project would require a synthesis of scientific analysis and subjective insights that focused on the nature of spirit.
Kandinsky wrote in Reminiscences that:
Apart from my chosen specialization (economics…), I was strongly attracted…by various other disciplines…criminal law... the history of Russian law…peasant law…[and] ethnography… which, I promised myself initially, would reveal to me the soul of the people.
He had to probe deeply just to uncover Zyrian beliefs about the soul. He noted their concept of "Ort" (spirit) in the Ethnographic Review, defining it in a series of apparent self-contradictions. On one hand "Ort" could mean spirit (dukh) or soul (loi), but on the other hand Ort shouldn't be regarded in the Christian sense as opposed to matter. Part of the Zyrian paradox centered on the substance of deities, the fact that they had specific elemental compositions. "All [Zyrian] Forest and Water Deities, etc. have a substantial form. All these beings can be seen and they can incur physical injury." There simultaneously coexisted the natural, the supernatural and its darker side, sorcery.
Some believed that Orts were materialized tutelary spirits that accompanied people throughout their lives. Most agreed that Orts came to announce death whose arrival might be negotiated, that is–delayed. Orts could also leave physical marks, like bruises, on the bodies of those they were warning.
Zyrians believed shamans could occupy their material bodies after death and wander in the world. They shackled dead shamans' bodies during burials in order to restrain them. Kandinsky included the belief that Shamans could predict and transcend death in his report. He had to make sense of the Zyrians more fluid interpretation of matter and spirit. Ethnography challenged him to extend his own objectivity towards intuition.
And something happened to Kandinsky in Vologda that lay outside ethnography's academic grasp. The red corners at the heart of every Zyrian home introduced him to the syncretic practice of double faith, known as "dvoeverie".
I entered the living room for the first time and …stopped… on the threshold before the unexpected vision… every object [was]… covered with brightly coloured and elaborate decorations… the 'red' corner ('red 'is old Russian for 'beautiful') [was] thickly, completely covered with painted and printed pictures of the saints… I felt surrounded on all sides by the painting, into which I had thus penetrated.
Kandinsky experienced the medieval Christian icons contemporaneously with the rich residue of the shamanic, pagan beliefs that had preceded them. When he later borrowed the style and outer forms of the Finno-Ugric folk traditions, he tried to incorporate the sense of transformed space/time embedded in their cult images and the rituals that lay behind them, but in private. The Shamanic and the Christian influences were equally absorbed. His work would allude to their stories.
In his essay "The Storyteller" Walter Benjamin focused on Russian author Nikolai Leskov—not to bring him closer to the reading public, but to increase critical distance. Benjamin felt people were forfeiting their ability to tell stories: the art of exchanging experiences. And what was at stake specifically in Leskov's tale of "The Sealed Angel" (1873) was not only the power of story, but also the redemptive capacity of the medieval Russian icon as the venerated image and the fact that in their history East met West.
Leskov's novel was published thirteen years before Kandinsky went to Vologda. Its message that "the icons of the Old Believers… [were] an authentic [religious] tradition… symbols of their oppressed faith" reached a wide audience. Besides emphasizing the original image as the authentic one, the book promoted a populist re-identification with Russia's past, something very much on Kandinsky's mind as well.
The saint's image could trigger the memory of the saint's story-the miracle communicated without being seen, without blaspheming the invisible reality of the sacred. Its "reduced but universally valid canon of forms reflected in the icon a super-ordinate canon of values…" The fusion of icon as spiritual image filtered through the displacement of story to thread Kandinsky's early Munich paintings to his later non-objective abstraction. And this was the breakthrough period, the time of Concerning the Spiritual in Art's publication that occasioned this symposium.
Atta Kim Images and Video
Posted by Taney Roniger at Friday, April 08, 2011 0 comments
Atta Kim has submitted the following images and a link to a video showing a project he's been working on for the past year.
The first set of images (images 1 and 2) are from his ON AIR Project, and the second set (images 3 and 4) are from his Artist Indala Series, in which Kim superimposes all the paintings of artists he admires to form a single composite image. Image 3 is Artist Indala: Kandinsky (109 Paintings), and Image 4 is Artist Indala: William Turner (155 Paintings). The final image (image 5) is from Kim's The Museum Project (#149). (Click on images to enlarge.) To see the video of Kim's current project, please visit Atta Kim's video.
Laura Battle Images
Laura Battle has submitted the following images: Landscape, 2010, ink on paper, 22" x 72" (image 1), and Spell, 2010, ink on paper, 24" x 72". (Click on images to enlarge.)


Newest Member of the Family is the first book in the Turner Family series. The Turners live on M & C Ranch. Rhonda's birthday is coming up, and her wish is granted. This book is filled with caring, loving, and bonding.


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With over 10 years experience in the corporate events industry, Nathan specialises in marquee events across Australia, NZ and parts of Asia including all major sporting events, concerts and cultural events. He started with eventpod in early 2016 as National Sales Manager after having worked closely with Adam in previous roles. Nathan has a collaborative approach and will tailor solutions for each client based upon their individual needs.
Philip is a founding member of eventpod and a former British Army officer who ran his own corporate events company in the UK which developed a range of participation based team development and leadership programmes using former British Special Forces operatives. The company expanded into product launches, roadshows, incentive programmes and corporate hospitality. Having sold the company in 2001, Philip moved to Australia and introduced the same participation programmes to the Australian market. With his team, he organises over 200 corporate hospitality, participation, live communication and team development events annually throughout Australasia.
Lorelei's background is from the land of large advertising agencies where she was P.A. to some of the countries best Creative Directors. After settling down with a family the natural instinct to keep her creativity alive inspired her to start a blog as a business initiative. Today she uses the knowledge born out of the digital and social media landscape to help guide eventpod and its clients through the world of corporate hospitality.
Tracey is an industry veteran. With a career spanning over 20 years, having worked internationally on film premieres, and also has an incredible portfolio in live events, roadshows and activations. Recently Tracey produced a huge national roadshow for the Australian Federal Government (ASQA) delivering 26 events in 28 days! Other projects Tracey has produced include Crown Blockbuster, Cartoon Network at the A.F.L Grand Final Week, TRIPLE M and FOX Activations at the Australian Open Tennis.


text:
Das namibische Heer () bildet die bei weitem größte Teilstreitkraft der Namibian Defence Force. Kommandeur ist seit Juli 2019 Generalmajor Mathew Alueendo.

Es besteht eine enge Zusammenarbeit mit der deutschen Bundeswehr im Rahmen einer in Namibia stationierten Beratergruppe.

Aufbau
Die Armee gliedert sich in folgende Einheiten:
 Luftverteidigungsbrigade (Air Defence Brigade)
 12 Luftverteidigungsregiment (12 Air Defence Regiment)
 21 Luftverteidigungsregiment (21 Air Defence Regiment)
 26 Luftverteidigungsregiment (26 Air Defence Regiment)
 4 Artillerie-Brigade (4 Artillery Brigade)
 12 Artillerie-Regiment (12 Artillery Regiment)
 21 Artillerie-Regiment (21 Artillery Regiment)
 26 Artillerie-Regiment (26 Artillery Regiment)
 44 Artillerie-Regiment (12 Artillery Regiment)
 46 Artillerie-Regiment (12 Artillery Regiment)
 Infanterie-Korps (Infantry Corps)
 21 Verteidigungsbattalion (21 Guard Battalion)
 211 Battalion
 212 Battalion
 213 Mechanisiertes Infanterie-Battalion (213 Mechanized Infantry Battalion)
 12 Motorisierte Infanterie-Brigade (12 Motorised Infantry Brigade) – in Windhoek
 124 Battalion
 125 Battalion
 126 Battalion – in Walvis Bay
 26 Motorisierte Infanterie-Brigade (26 Motorised Infantry Brigade) – in Gobabis
 261 Motorisiertes Infanterie-Battalion (261 Motorized Infantry Battalion)
 262 Motorisiertes Infanterie-Battalion (261 Motorized Infantry Battalion) – in Rundu
 263 Motorisiertes Infanterie-Battalion (263 Motorized Infantry Battalion) – in Katima Mulilo
 Ingenieur-Regiment (Engineer Regiment) – in Otavi
 Logistisches Unterstützungsbattalion (Logistics Support Battalion)
 Militärisches Polizeibattalion (Military Police Battalion)
 Aufklärungsregiment (Recce Regiment)
 Fernmelderegiment (Signal Regiment)
 Ausbildungskorps (Army Battle School Corps)

Ausrüstung

Einzelwaffen
 AK-47
 Type 56
 AK-74
 M4
 RPG-7
 Browning M2
 Makarow
 Ruger P series
 ČZ 75
 AT-14 Spriggan

Fahrzeuge
Ein Großteil des Fahrzeugbestandes stammt aus der ehemaligen Sowjetunion, wobei gepanzerte Fahrzeuge auch in Namibia konstruiert und gebaut werden. Hierfür ist vor allem die Windhoeker Maschinenfabrik verantwortlich. Neueste Anschaffung sind die 2015 in Dienst gestellten Agrale Marruá. Im Januar 2017 wurde bekanntgegeben, das bis Ende März  acht RG-32M mit Self Defence Remotely Operated Weapon  (SDROW) vom südafrikanischen Unternehmen Denel Vehicle Systems geliefert werden sollen.

Artillerie
Die namibische Artillerie kommt ebenfalls vor allem aus der Sowjetunion und wurde durch einige südafrikanische Modelle modernisiert.

Flugabwehr

Weblinks

 Offizielle Webseite des Heeres (englisch)
 Weitere offizielle Website (englisch)

Einzelnachweise

Heer

Gegründet 1990

redpajama_set_name: RedPajamaWikipedia


Section 3915.01 - Company Defined.
Section 3915.02 - Application Of Law.
Section 3915.03 - Unauthorized Policies Not To Be Issued.
Section 3915.04 - Preliminary Term Insurance.
Section 3915.05 - Policy Provisions To Be Included.
Section 3915.051 - Policy Loan Interest Rates.
Section 3915.052 - Interest Payable On Policy Proceeds.
Section 3915.053 - Policy Of Military Reservist Not To Lapse For Nonpayment Of Premiums.
Section 3915.06 - Nonforfeiture Benefit And Cash Value.
Section 3915.07 - Standard Nonforfeiture Law.
Section 3915.071 - Paid-up Nonforfeiture Benefit Or Alternative Nonforfeiture Benefit.
Section 3915.072 - Cash Surrender Value - Nonforfeiture Factors.
Section 3915.073 - Standard Nonforfeiture Law For Individual Deferred Annuities.
Section 3915.08 - Loan, Reserve, And Cash Surrender Value.
Section 3915.09 - Provisions Prohibited.
Section 3915.10 - Time Extension For Premium Payments.
Section 3915.11 - Interest Added To Principal Debt.
Section 3915.12 - Exchange, Alteration, Or Conversion Of Policy.
Section 3915.13 - Back-dating Policies.
Section 3915.14 - Filing Of Forms Of Policies.
Section 3915.141 - Filing Of Form Of Indorsement Or Rider Providing Accelerated Benefits.
Section 3915.15 - Provisions Of Policies Of Foreign Companies.
Section 3915.16 - Interstate Insurance Product Regulation Code Adopted.
Section 3915.21 - Accelerated Benefits Definitions.
Section 3915.22 - Application Of Chapter.
Section 3915.23 - Accelerated Benefits Calculated On Mortality Risks.


Newton, Mass.-based GotVMail has a virtual PBX product that adds voice mail and a whole lot more to the basic business features of a corporate phone service without requiring any CPE.
The company is targeting businesses that are not too large and not too small. "The market we're after is businesses with under 20 employees down to 10 employees and even all the way down to the SOHO space," Feldman says.
So far, he claims, the company has 10,000 business customers on pricing that starts at $9.95 per month.
The service offers a virtual toll free or local phone number without busy signals, voice mail, music on hold, and sophisticated premium features such as automatic call distribution (ACD) in which incoming calls are evenly divided between employees in a call center or sales team.
Messages in voice mail can be delivered to computer in MP3 format, and the mailbox can be managed through the web or by phone through voice activated scripting. For example, the system could request a caller's name and a subject for the call before connecting the caller. Companies can set call groups and can also enable employees to continue to receive office calls no matter where they are.
"We see demand for this from businesses, such as consultants, whose only phone number is a cell phone," says David Powers, GotVMail director of communications.
"This enables ISPs and webhosts to make their resellers and customers look more professional," adds Siamak Tagaddos, CEO and co-founder of GotVMail.
GotVMail is reaching out to ISPs and webhosts because the company is interested in reaching a large number of businesses of its target size. The company is particularly interested in webhosts that are acquiring new customers at a rapid pace.
The product is available now. Retail pricing plans are listed here.
For ISPs and webhosts, the company offers a simple referral fee relationship, but is willing to offer a recurring revenue stream to companies that will commit to delivering specific quantities of new customers.


OTTAWA, December 19, 2017 – In late November, the federal government's Standing Committee on Industry, Science and Technology (INDU) released a report reviewing intellectual property policies and practices, while also identifying ways to incentivize the creation of intellectual property. The Canadian Alliance of Student Associations (CASA) is pleased to see the committee pushing for more data collection around intellectual property policies at post-secondary institutions.
In July 2017, CASA sent a submission on student intellectual property to the INDU committee, hoping to see more protection of students' intellectual property rights. One of the shortcomings CASA noted in this submission was the lack of up-to-date information on intellectual property policies at post-secondary institutions, following the discontinuation of Statistics Canada's Survey of Intellectual Property Commercialization in the Higher Education Sector. Without this information, it is difficult to analyze how post-secondary institutions are handling intellectual property and commercializing it, which leaves students, policy-makers, and stakeholders in the dark.
Within INDU's report, the committee recommends that Statistics Canada develop a new survey on the technology transfer between post-secondary institutions and the private sector, in order to fill this gap in information.
Additionally, CASA was pleased to see the committee recommend continued support for educational initiatives that inform students and researchers about their intellectual property rights. CASA believes it is critical that all students know what their rights are while working within a post-secondary environment.
CASA continues to call on the government to do all it can to protect, develop and clarify students' and early career researchers' intellectual property rights.


text:
Q: Get words around a position in a string I would like to get the words that are around a certain position in a string. For example two words after and two words before.
For example consider the string:
String str = "Hello my name is John and I like to go fishing and hiking I have two sisters and one brother.";
String find = "I";

for (int index = str.indexOf("I"); index >= 0; index = str.indexOf("I", index + 1))
{
    System.out.println(index);
}

This writes out the index of where the word "I" is. But I want to be able to get a substring of the words around these positions.
I want to be able to print out "John and I like to" and "and hiking I have two".
Not only single word strings should be able to be selected. Search for "John and" will return " name is John and I like".
Is there any neat, smart way of doing this?

A: Here is another way I found out using Regex:
        String str = "Hello my name is John and I like to go fishing and hiking I have two    sisters and one brother.";

        String find = "I";

        Pattern pattern = Pattern.compile("([^\\s]+\\s+[^\\s]+)\\s+"+find+"\\s+([^\\s]+\\s[^\\s]+\\s+)");
        Matcher matcher = pattern.matcher(str);

        while (matcher.find())
        {
            System.out.println(matcher.group(1));
            System.out.println(matcher.group(2));
        }

Output:
John and
like to
and hiking
have two

A: Single word:
You can achiveve that using String's split() method. This solution is O(n).
public static void main(String[] args) {
    String str = "Hello my name is John and I like to go fishing and "+
                         "hiking I have two sisters and one brother.";
    String find = "I";

    String[] sp = str.split(" +"); // "+" for multiple spaces
    for (int i = 2; i < sp.length; i++) {
        if (sp[i].equals(find)) {
            // have to check for ArrayIndexOutOfBoundsException
            String surr = (i-2 > 0 ? sp[i-2]+" " : "") +
                          (i-1 > 0 ? sp[i-1]+" " : "") +
                          sp[i] +
                          (i+1 < sp.length ? " "+sp[i+1] : "") +
                          (i+2 < sp.length ? " "+sp[i+2] : "");
            System.out.println(surr);
        }
    }
}

Output:
John and I like to
and hiking I have two

Multi-word:
Regex is a great and clean solution for case when find is a multi-word. Due to its nature, though, it misses the cases when the the words around also match find (see the an example of this below).
The algorithm below takes care of all cases (all solutions' space). Bear in mind that, due to the nature of the problem, this solution in the worst case is O(n*m) (with n being str's length and m being find's length).
public static void main(String[] args) {
    String str = "Hello my name is John and John and I like to go...";
    String find = "John and";

    String[] sp = str.split(" +"); // "+" for multiple spaces

    String[] spMulti = find.split(" +"); // "+" for multiple spaces
    for (int i = 2; i < sp.length; i++) {
        int j = 0;
        while (j < spMulti.length && i+j < sp.length
                                  && sp[i+j].equals(spMulti[j])) {
            j++;
        }
        if (j == spMulti.length) { // found spMulti entirely
            StringBuilder surr = new StringBuilder();
            if (i-2 > 0){ surr.append(sp[i-2]); surr.append(" "); }
            if (i-1 > 0){ surr.append(sp[i-1]); surr.append(" "); }
            for (int k = 0; k < spMulti.length; k++) {
                if (k > 0){ surr.append(" "); }
                surr.append(sp[i+k]);
            }
            if (i+spMulti.length < sp.length) {
                surr.append(" ");
                surr.append(sp[i+spMulti.length]);
            }
            if (i+spMulti.length+1 < sp.length) {
                surr.append(" ");
                surr.append(sp[i+spMulti.length+1]);
            }
            System.out.println(surr.toString());
        }
    }
}

Output:
name is John and John and
John and John and I like

A: Use String.split() to split the text into words. Then search for "I" and concatenate the words back together:
String[] parts=str.split(" ");

for (int i=0; i< parts.length; i++){
   if(parts[i].equals("I")){
     String out= parts[i-2]+" "+parts[i-1]+ " "+ parts[i]+ " "+parts[i+1] etc..
   }
}

Ofcourse you need to check if i-2 is a valid index, and using a StringBuffer would be handy performance wise, if you have a lot of data ...

A: // Convert sentence to ArrayList
String[] stringArray = sentence.split(" ");
List<String> stringList = Arrays.asList(stringArray);

// Which word should be matched?
String toMatch = "I";

// How much words before and after do you want?
int before = 2;
int after = 2;

for (int i = 0; i < stringList.size(); ++i) {
    if (toMatch.equals(stringList.get(i))) {
        int index = i;
        if (0 <= index - before && index + after <= stringList.size()) {
            StringBuilder sb = new StringBuilder();

            for (int i = index - before; i <= index + after; ++i) {
                sb.append(stringList.get(i));
                sb.append(" ");
            }
            String result = sb.toString().trim();
            //Do something with result
        }
    }
}

This extracts the two words before and after the match. Could be extended to print at most two words before and after and not exactly two words.
EDIT Damn.. way to slow and no fancy ternary operators :/

A: public static void main(String[] args) {
    String str = "Hello my name is John and I like to go fishing and hiking I have two    sisters and one brother.";
    String find = "I";
    int countWords = 3;
    List<String> strings = countWordsBeforeAndAfter(str, find, countWords);
    strings.stream().forEach(System.out::println);
}

public static List<String> countWordsBeforeAndAfter(String paragraph, String search, int countWordsBeforeAndAfter){
    List<String> searchList = new ArrayList<>();
    String str = paragraph;
    String find = search;
    int countWords = countWordsBeforeAndAfter;
    String[] sp = str.split(" +"); // "+" for multiple spaces
    for (int i = 0; i < sp.length; i++) {
        if (sp[i].equals(find)) {

            String before = "";
            for (int j = countWords; j > 0; j--) {
                if(i-j >= 0) before += sp[i-j]+" ";
            }

            String after = "";
            for (int j = 1; j <= countWords; j++) {
                if(i+j < sp.length) after += " " + sp[i+j];
            }
            String searhResult = before + find + after;
           searchList.add(searhResult);
        }
    }
    return searchList;
}

redpajama_set_name: RedPajamaStackExchange


On Friday 4th March, all of the Year 4 children participated in Victorian Day. We dressed up in Victorian clothes and took part in a variety of Victorian themed activities. Our classrooms were set out in rows, much like they did in the Victorian times! We had to work in silence and recite our times tables correctly, if not, we had to wear the dreaded Dunce's hat! We played Victorian games such as Oranges and Lemons, Tiddly Winks and Marbles.
Get you tables wrong and that, means you'll get the dunces hat! Hehe!


To respect the natural balance of your skin, Skintifique products are made with natural ingredients. One of our flagship products, the Hydrating Gel Plus HS, contains 98,9 % of natural ingredients! But what is the meaning of "natural ingredients"?
A natural ingredient is different from a synthetic ingredient which is entirely made industrially. For its products, Skintifique prefers natural ingredients over synthetic ones.
For instance, the glycerin contained in the Protective Cream HPS, the Moisturizing Lotion HP, and the Hydrating Gel Plus HS, is a natural ingredient which comes directly from "Mother Nature".
Nature is an endless source of wisdom. It gives a great variety of raw ingredients. Our team of scientists choose to include only the purest ingredients possible in our products. That is why, each ingredient is tested to verify its molecular composition. For instance, the Ricinus communis seed oil contained in the Protective Cream HPS, the Moisturizing Lotion HP and the Hydrating Gel Plus HS is very pure and is only made of Ricinus communis seed oil ! This is crucial to have very pure ingredients and, of course, products with the purest formulations.
Following this principle, Skintifique's products are aimed to perfectly suit precise needs: exceptional moisturising, skin protection and skin purifying.
Next PostInterview: Elise takes care of her tattoos with Skintifique!


text:
Q: Android Studio META-INF malformed error I am getting the following error when uploading the APK to Google Play Store even though the signed APK is generated successfully in Android Studio 3.1.3
Upload failed
You uploaded an APK with an invalid signature (learn more about signing). Error from apksigner: ERROR: JAR_SIG_MISSING_ZIP_ENTRY_REFERENCED_IN_MANIFEST: assets/www/images/appicon/Icon entry referenced by META-INF/MANIFEST.MF not found in the APK ERROR: JAR_SIG_UNNNAMED_MANIFEST_SECTION: Malformed META-INF/MANIFEST.MF: invidual section #47 does not have a name
Can anyone tell me where I can locate this or how to fix this error?
Many thanks
    <?xml version='1.0' encoding='utf-8'?>
<manifest android:hardwareAccelerated="true" android:versionCode="127" android:versionName="0.1.997" package="fyt.cordova.app" xmlns:android="http://schemas.android.com/apk/res/android">
    <supports-screens android:anyDensity="true" android:largeScreens="true" android:normalScreens="true" android:resizeable="true" android:smallScreens="true" android:xlargeScreens="true" />
    <uses-permission android:name="android.permission.INTERNET" />
    <application android:hardwareAccelerated="true" android:icon="@mipmap/icon" android:label="@string/app_name" android:supportsRtl="true">
        <activity android:configChanges="orientation|keyboardHidden|keyboard|screenSize|locale" android:label="@string/activity_name" android:launchMode="singleTop" android:name="MainActivity" android:screenOrientation="portrait" android:theme="@android:style/Theme.DeviceDefault.NoActionBar" android:windowSoftInputMode="adjustResize">
            <intent-filter android:label="@string/launcher_name">
                <action android:name="android.intent.action.MAIN" />
                <category android:name="android.intent.category.LAUNCHER" />
            </intent-filter>
            <intent-filter>
                <action android:name="android.intent.action.VIEW" />
                <category android:name="android.intent.category.DEFAULT" />
                <category android:name="android.intent.category.BROWSABLE" />
                <data android:scheme="flavoryt" />
            </intent-filter>
            <intent-filter>
                <action android:name="android.intent.action.VIEW" />
                <category android:name="android.intent.category.DEFAULT" />
                <category android:name="android.intent.category.BROWSABLE" />
                <data android:host=" " android:pathPrefix="/" android:scheme=" " />
            </intent-filter>
        </activity>
        <service android:name="com.google.android.gms.analytics.CampaignTrackingService" />
        <receiver android:exported="true" android:name="com.google.android.gms.analytics.CampaignTrackingReceiver">
            <intent-filter>
                <action android:name="com.android.vending.INSTALL_REFERRER" />
            </intent-filter>
        </receiver>
        <provider android:authorities="${applicationId}.provider" android:exported="false" android:grantUriPermissions="true" android:name="org.apache.cordova.camera.FileProvider">
            <meta-data android:name="android.support.FILE_PROVIDER_PATHS" android:resource="@xml/camera_provider_paths" />
        </provider>
        <activity android:label="@string/multi_app_name" android:name="com.synconset.MultiImageChooserActivity" android:theme="@android:style/Theme.Holo.Light" />
        <provider android:authorities="${applicationId}.sharing.provider" android:exported="false" android:grantUriPermissions="true" android:name="nl.xservices.plugins.FileProvider">
            <meta-data android:name="android.support.FILE_PROVIDER_PATHS" android:resource="@xml/sharing_paths" />
        </provider>
        <amazon:enable-feature android:name="com.amazon.device.messaging" android:required="false" xmlns:amazon="http://schemas.amazon.com/apk/res/android" />
        <service android:exported="false" android:name="com.onesignal.ADMMessageHandler" />
        <receiver android:name="com.onesignal.ADMMessageHandler$Receiver" android:permission="com.amazon.device.messaging.permission.SEND">
            <intent-filter>
                <action android:name="com.amazon.device.messaging.intent.REGISTRATION" />
                <action android:name="com.amazon.device.messaging.intent.RECEIVE" />
                <category android:name="fyt.cordova.app" />
            </intent-filter>
        </receiver>
    </application>
    <uses-sdk android:minSdkVersion="16" android:targetSdkVersion="26" />
    <uses-permission android:name="android.permission.ACCESS_NETWORK_STATE" />
    <uses-permission android:name="android.permission.WRITE_EXTERNAL_STORAGE" />
    <uses-permission android:name="android.permission.ACCESS_COARSE_LOCATION" />
    <uses-permission android:name="android.permission.ACCESS_FINE_LOCATION" />
    <uses-feature android:name="android.hardware.location.gps" />
    <uses-permission android:name="com.amazon.device.messaging.permission.RECEIVE" />
    <permission android:name="fyt.cordova.app.permission.RECEIVE_ADM_MESSAGE" android:protectionLevel="signature" />
    <uses-permission android:name="fyt.cordova.app.permission.RECEIVE_ADM_MESSAGE" />
</manifest>

A: As Your error suggest correctly and clearly that Your manifest is referencing some file which You have deleted but entry in manifest is still persist.

JAR_SIG_MISSING_ZIP_ENTRY_REFERENCED_IN_MANIFEST
JAR manifest references an entry which is not there in the APK.

Follwoing seems to be an icon file whose reference still exist in Your manifest.

assets/www/images/appicon/Icon

You can use tools like ApkVerifier to test before You upload on Play Store.
Additionally here is a list of all such errors

A: Ok I found out what the problem was.
It was a link to an icon file outside of the android folder itself that the grunt process failed to pull from. I added the file in manually and it worked out.
Thanks for all your input.


text:
var app = angular.module("routes", []);

app.config(function($routeProvider, $locationProvider, config) {
	$routeProvider

		// Login
		.when("/", {
			templateUrl: "js/templates/login.html",
			controller: "loginController"
		})
		// Login by document
		.when("/documents/:document_id/login", {
			templateUrl: "js/templates/login_by_document.html",
			controller: "loginByDocumentController"
		})

		// Recovery
		.when("/recovery", {
			templateUrl: "js/templates/recovery.html",
			controller: "recoveryController"
		})
		// Reset password
		.when("/reset/:token", {
			templateUrl: "js/templates/reset.html",
			controller: "resetController"
		})

		// Account
		.when("/account/edit", {
			templateUrl: "js/templates/account/edit.html",
			controller: "accountEditController",
			resolve: {
                factory: checkAuthentication
            }
		})

		// Documents
		.when("/documents", {
			templateUrl: "js/templates/document/list.html",
			controller: "documentListController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/documents/:document_id", {
			templateUrl: "js/templates/document/details.html",
			controller: "documentDetailsController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/documents/:document_id/overview", {
			templateUrl: "js/templates/document/overview.html",
			controller: "documentOverviewController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/documents/:document_id/review", {
			templateUrl: "js/templates/document/review.html",
			controller: "documentReviewController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/documents/:document_id/settings", {
			templateUrl: "js/templates/document/edit_settings.html",
			controller: "documentEditSettingsController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/documents/:document_id/delete", {
			templateUrl: "js/templates/document/delete.html",
			controller: "documentDeleteController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/documents/:document_id/id", {
			templateUrl: "js/templates/document/show_id.html",
			controller: "documentShowIdController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/documents/:document_id/files", {
			templateUrl: "js/templates/document/show_files.html",
			controller: "documentShowFilesController",
			resolve: {
                factory: checkAuthentication
            }
		})

		// Members
		.when("/new/member", {
			templateUrl: "js/templates/member/create.html",
			controller: "memberCreateController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/members", {
			templateUrl: "js/templates/member/list.html",
			controller: "memberListController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/members/:member_id", {
			templateUrl: "js/templates/member/details.html",
			controller: "memberDetailsController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/members/:member_id/edit", {
			templateUrl: "js/templates/member/edit.html",
			controller: "memberEditController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/members/:member_id/delete", {
			templateUrl: "js/templates/member/delete.html",
			controller: "memberDeleteController",
			resolve: {
                factory: checkAuthentication
            }
		})

		// Users
		.when("/new/user", {
			templateUrl: "js/templates/user/create.html",
			controller: "userCreateController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/users", {
			templateUrl: "js/templates/user/list.html",
			controller: "userListController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/users/:user_id", {
			templateUrl: "js/templates/user/details.html",
			controller: "userDetailsController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/users/:user_id/edit", {
			templateUrl: "js/templates/user/edit.html",
			controller: "userEditController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/users/:user_id/delete", {
			templateUrl: "js/templates/user/delete.html",
			controller: "userDeleteController",
			resolve: {
                factory: checkAuthentication
            }
		})

		// Universities
		.when("/new/university", {
			templateUrl: "js/templates/university/create.html",
			controller: "universityCreateController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/universities", {
			templateUrl: "js/templates/university/list.html",
			controller: "universityListController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/universities/:university_id", {
			templateUrl: "js/templates/university/details.html",
			controller: "universityDetailsController",
			resolve: {
                factory: checkAuthentication
            }
		})
		.when("/universities/:university_id/edit", {
			templateUrl: "js/templates/university/edit.html",
			controller: "universityEditController",
			resolve: {
                factory: checkAuthentication
            }
		})
        .when("/universities/:university_id/delete", {
            templateUrl: "js/templates/university/delete.html",
            controller: "universityDeleteController",
            resolve: {
                factory: checkAuthentication
            }
        })

		// Institutes
		.when("/new/institute", {
			templateUrl: "js/templates/institute/create.html",
			controller: "instituteCreateController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/institutes", {
			templateUrl: "js/templates/institute/list.html",
			controller: "instituteListController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/institutes/:institute_id", {
			templateUrl: "js/templates/institute/details.html",
			controller: "instituteDetailsController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/institutes/:institute_id/edit", {
			templateUrl: "js/templates/institute/edit.html",
			controller: "instituteEditController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/institutes/:institute_id/delete", {
			templateUrl: "js/templates/institute/delete.html",
			controller: "instituteDeleteController",
			resolve: {
				factory: checkAuthentication
			}
		})

		// Working groups
		.when("/new/working_group", {
			templateUrl: "js/templates/working_group/create.html",
			controller: "workingGroupCreateController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/working_groups", {
			templateUrl: "js/templates/working_group/list.html",
			controller: "workingGroupListController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/working_groups/:working_group_id", {
			templateUrl: "js/templates/working_group/details.html",
			controller: "workingGroupDetailsController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/working_groups/:working_group_id/edit", {
			templateUrl: "js/templates/working_group/edit.html",
			controller: "workingGroupEditController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/working_groups/:working_group_id/delete", {
			templateUrl: "js/templates/working_group/delete.html",
			controller: "workingGroupDeleteController",
			resolve: {
				factory: checkAuthentication
			}
		})

		// Courses
		.when("/new/course", {
			templateUrl: "js/templates/course/create.html",
			controller: "courseCreateController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/courses", {
			templateUrl: "js/templates/course/list.html",
			controller: "courseListController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/courses/:course_id", {
			templateUrl: "js/templates/course/details.html",
			controller: "courseDetailsController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/courses/:course_id/edit", {
			templateUrl: "js/templates/course/edit.html",
			controller: "courseEditController",
			resolve: {
				factory: checkAuthentication
			}
		})
		.when("/courses/:course_id/delete", {
			templateUrl: "js/templates/course/delete.html",
			controller: "courseDeleteController",
			resolve: {
				factory: checkAuthentication
			}
		})

		// Manual
		.when("/manual", {
			templateUrl: "js/templates/manual.html",
			controller: "manualController",
			resolve: {
				factory: checkAuthentication
			}
		})

		// Help
		.when("/help", {
			templateUrl: "js/templates/help.html",
			controller: "helpController"
		})

		// Unknown route
		.otherwise({
			redirectTo: "/"
		});

	// Enable HTML-5-mode
	$locationProvider.html5Mode(config.html5Mode);
});

/**
 * [checkAuthentication description]
 * @param  {[type]} $q                     [description]
 * @param  {[type]} $location              [description]
 * @param  {[type]} $authenticationService [description]
 * @return {[type]}                        [description]
 */
var checkAuthentication = function ($q, $location, $authenticationService) {
	if($authenticationService.isAuthenticated()) {
		return true;
	} else {
		return $location.url("/");
	}
};

redpajama_set_name: RedPajamaGithub


text:
namespace ColladaDOM150 {
daeElementRef
domImage_mips::create(DAE& dae)
{
	domImage_mipsRef ref = new domImage_mips(dae);
	return ref;
}

daeMetaElement *
domImage_mips::registerElement(DAE& dae)
{
	daeMetaElement* meta = dae.getMeta(ID());
	if ( meta != NULL ) return meta;

	meta = new daeMetaElement(dae);
	dae.setMeta(ID(), *meta);
	meta->setName( "image_mips" );
	meta->registerClass(domImage_mips::create);

	//	Add attribute: levels
	{
		daeMetaAttribute *ma = new daeMetaAttribute;
		ma->setName( "levels" );
		ma->setType( dae.getAtomicTypes().get("xsUnsignedInt"));
		ma->setOffset( daeOffsetOf( domImage_mips , attrLevels ));
		ma->setContainer( meta );
		ma->setIsRequired( true );

		meta->appendAttribute(ma);
	}

	//	Add attribute: auto_generate
	{
		daeMetaAttribute *ma = new daeMetaAttribute;
		ma->setName( "auto_generate" );
		ma->setType( dae.getAtomicTypes().get("xsBoolean"));
		ma->setOffset( daeOffsetOf( domImage_mips , attrAuto_generate ));
		ma->setContainer( meta );
		ma->setIsRequired( true );

		meta->appendAttribute(ma);
	}

	meta->setElementSize(sizeof(domImage_mips));
	meta->validate();

	return meta;
}

} // ColladaDOM150


Method:Â Mix orange juice and honey together and apply it on the face, leave for 20 minutes and wash off with cold water.
Benefit– With regular use, you would be able to see skin tan clearing up.
Method: Mix all the three ingredients together, apply it on the face and leave for 30 minutes, and rinse off with cold water.
Method:Â Mix all the three together and apply on to the face and leave for 30 minutes and rinse off with cold water.
Benefit-Â You would be able to feel smooth skin and see that your pores have tightened up.
Method: Ground the almonds to make a paste. Mix the almond paste with honey and apply it on face and neck. Rinse it off after 20 minutes to get glowing and soft skin.
Method: It is the easiest of all the face packs, very easy to prepare. Just add in both the ingredients and apply all over face and neck, rinse it off after 20 minutes.
Benefit- Basically for clearing your complexion and can be used on regular basis to keep all skin problems at bay.
Do you use honey for your skin?
So many easy DIYs with honey…awesome Shivangi!
Thanks neha 😀 would you try some of them?
Easy peasy ones! Thanks Shivangi.
So easy and effective as well.


text:
Альпо Куллерво Марттинен (; 4 ноября 1908, Алаторнио, Великое княжество Финляндское — 20 декабря 1975, США) — финский военный деятель, полковник. Во время Второй мировой войны служил в финской армии. После войны эмигрировал в Соединённые Штаты Америки и служил офицером в армии США.

Ранняя жизнь
Родился в семье кондуктора. Получив патриотическое и христианское воспитание, долго колебался между церковной и военной карьерой, но после окончания в 1927 году университета всё же решил стать офицером; его братья Эйнар и Олли стали, соответственно, егерем и викарием. Марттинен состоял членом Академического общества Карелии.

Участие во Второй мировой войне
В 1942 году Марттинен командовал 61-м пехотным полком. В 1944 году он руководил обороной Тинхаара к северо-западу от Выборга, одержав в сражении под этим населённым пунктом победу над советскими войсками, что замедлило их продвижение. Вскоре после этого он был произведён в полковники, а 4 декабря 1944 года был награждён Крестом Маннергейма 2-го класса.

Марттинен был одной из ключевых фигур в устройстве тайников с оружием, когда по всей стране на случай советского вторжения финской армией было спрятано большое количество оружия. Солдаты, участвующие в этой акции, были вынуждены покинуть Финляндию, так как после заключения в 1944 году Московского перемирия сокрытие оружия становилось уголовным преступлением. Эти солдаты, которые в основном бежали в США и стали служить в армии этой страны, впоследствии были названы «люди Марттинена».

Последующая жизнь
Марттинен сначала бежал в Швецию — в 1945 году с помощью своего бывшего подчинённого, офицера Гарри Ярва. Через год Марттинен и его семья переехали в США. Он служил в армии США с 1947 по 1968 год, сначала в качестве специалиста и инструктора по ведению боевых действий зимой, а затем сотрудника Генштаба в США, Западной Германии и Южной Корее. При этом формально он был в 1947 году зачислен в американскую армию рядовым, в 1948 году получил звание капрала, в 1951 году старшего лейтенанта, в 1961 году полковника. Последние три года своей военной карьеры Марттинен занимал должность военного советника в Иране. Он был выпускником Командно-штабного колледжа армии США (1950) и Военного колледжа армии США (1963). Мартиннен получил американское гражданство в 1951 году, в 1968 году вышел в отставку. Существует информация, что после выхода Марттинена в отставку президент Финляндии Урхо Кекконен хотел пригласить его вернуться на родину, но, чтобы не портить отношения с СССР, не стал делать этого, а в 1974 году Марттинен даже был официально объявлен персоной нон грата в Финляндии.

Марттинен умер 20 декабря 1975 года в Фоллс-Чёрч, штат Вирджиния, и был похоронен на национальном кладбище Форт-Ливенворт. У него было три сына. Его старший сын, Пекка Марттинен (1933—1958), служил лейтенантом во 2-м атакующем кавалерийском полку. Он был убит в результате случайного артиллерийского выстрела в Графенвёре, Германия.

В 2008 году в одной из казарм военного округа Вааса, которым Марттинен руководил в 1945—1946 годах, была открыта мемориальная доска в его честь.

Примечания

Военачальники Финляндии
Иммигрировавшие в США из Финляндии
Кавалеры Креста Маннергейма 2-го класса
Выпускники Колледжа командования и Генерального штаба армии США
Участники Второй мировой войны (Финляндия)


text:
Big Island Hawaii
St. Louis High School
3142 Waialae Avenue
Roman Catholic, all male, religious
Associations: NCEA
180 school days per year
St. Louis High School website
A Roman Catholic learning institution, the Saint Louis School is a college preparatory school for boys run by the "Marianists" religious order of priests under the Society of Mary. The school was founded in 1846 and is located on Wai'alae Avenue in Kaimuki, Honolulu.
Saint Louis School services Grade 4 to 12 students. The institution is fully accredited by two respected accrediting institutions, the Western Catholic Education Association and the Western Association of Schools and Colleges. These accreditations serve as a basis for the quality education that Saint Louis School provides.
The school's academic curriculum consists of three distinct courses. The school offers a college preparatory program for the boys of all sect and denomination. It also has an accelerated college preparatory program for students who want to attend prestigious colleges or universities. For the young men who are planning to attend business or trade schools, or enter the military service, or even attend a two-year community college, Saint Louis offers a program for them.
Saint Louis School also boasts of its good athletics program. It is one of the most distinguishing features of the institution. Saint Louis students always excel in the inter-island sports competitions. The football team is the school's pride and is loved even by most of the residents of Hawaii.
Back to Hawaii Schools page.
Search Honolulu real estate listings.
Oahu Featured Properties
Maui Featured Properties
Kauai Featured Properties
Big Island Featured Properties
American Dream Realty
1051 Keolu Dr. #260 St, Kailua, HI 96734
Licensed in the State of Hawaii
© 2016 HawaiianRealEstate.com


text:
Zbory Boże na Wybrzeżu Kości Słoniowej (ang. Assemblies of God in Ivory Coast) – chrześcijański wolny kościół protestancki o charakterze ewangelikalnym nurtu zielonoświątkowego działający na Wybrzeżu Kości Słoniowej, wchodzący w skład Światowej Wspólnoty Zborów Bożych. Zbory Boże na Wybrzeżu Kości Słoniowej liczą ponad 1 milion wiernych zrzeszonych w 800 zborach, co czyni je największym wyznaniem protestanckim w kraju.

Kościół został zapoczątkowany przez misję Zborów Bożych we Francji (od 1958 roku) i Zborów Bożych USA (od 1962 roku). Kościół obchodził swoją pięćdziesiątą rocznicę 13-16 sierpnia 2009 roku. Zbory Boże na Wybrzeżu Kości Słoniowej prowadzą dwie szkoły: teologiczną i duszpasterską, w których uczestniczy ok. 100 studentów. Zbory Boże na Wybrzeżu Kości Słoniowej wysłały 12 misjonarzy do takich krajów jak: Francja, Stany Zjednoczone, Anglia, Włochy, Gwinea, Niger i Senegal.

Przypisy

Wybrzeże Kości Słoniowej
Chrześcijaństwo na Wybrzeżu Kości Słoniowej


The Panama-registered oil tanker Sanchi exploded and sank in the East China Sea on Sunday afternoon, eight days after it collided with a cargo vessel and burst into flames. China's ocean administration is busy monitoring its subsequent environmental impact.
Of the 32 crew members, just three bodies had been recovered by Sunday, officials said.
A large amount of oil from the spill continued to burn on the sea's surface, affecting the environment, the State Oceanic Administration said on Sunday evening.
The consistency of petroleum material in the seawater in the area was up to 25 micrograms per liter on Saturday before the ship sank, the administration said. It did not provide a context as to whether that was serious or not.
Officers planned to intensify monitoring and assess its environmental impact, the administration said.
The Iranian ship sank about 4:45 pm, 151 nautical miles from the collision site, according to the Ministry of Transport. A 10-square-kilometer oil belt could be observed visually, a report by China Central Television said.
The Sanchi, carrying 136,000 metric tons of highly flammable condensate oil, or natural gas liquids, collided with a Hong Kong-registered cargo ship about 8 pm on Jan 6 some 160 nautical miles east of Shanghai.
Zhang Yong, an engineer from the administration, told CCTV that the condensate, a type of ultralight oil, has comparatively less effect in damaging the ocean than other crude oil products because of its high volatility.
The Sanchi had 32 crew members — 30 Iranians and two Bangladeshis. As of Sunday, three bodies of the missing had been recovered — two were found by a salvage team on Saturday and one was discovered at the collision site on Jan 8, according to the ministry. The cargo ship's 21 crew members were rescued.
On Saturday, Foreign Minister Wang Yi told his Iranian counterpart Mohammad Javad Zarif over the phone that "China will continue to carry out 100 percent effort as long as 1 percent hope remains".
Zarif expressed gratitude for China's efforts on rescuing the Iranian sailors, and said Iran is willing to keep close communication and cooperation with China on the matter.
On Saturday morning, four rescuers were placed on the back of the Sanchi by a crane. They found two bodies on the deck of a lifeboat. The ship's "black box" had also been retrieved, according to the ministry release.
Thirteen vessels — 10 Chinese, two Japanese and one from South Korea — are participating in the search and rescue operation, including searching for victims, contamination control and putting out the fire.


text:
Bulldog Track & Field Challenge
Nebraska Championship Series
Meet Preview: 2021 Concordia Polar Dog
For the second time this indoor season, the Concordia Track & Field program is gearing up to host a home meet. The Concordia Polar Dog Invite will unfold on Friday inside the Fieldhouse.
Bulldogs produce 12 event titles at Nisely Memorial
In its second meet of the indoor season and first of 2021, Concordia produced 12 event titles. The Bulldogs were one of five Nebraska GPAC schools to compete at Doane on Saturday (Jan. 16).
Thursday, Jan. 14, 2021
Bulldogs set to resume indoor season at Nisely Classic
After waiting for nearly a month to get back to action, the Concordia track and field teams will compete on Saturday (Jan. 16) at the Scott Nisely Invite hosted by Doane.
Friday, Dec. 11, 2020
Baack to a national level
There have been moments of frustration and self-doubt, but senior Anna Baack overcame those struggles to return to a national qualifying level. Her story is one of perseverance with the help of a strong support system.
Thursday, Dec. 10, 2020
Alum Hinckfoot to make return as member of track coaching staff
Alum Benjamin Hinckfoot will make his return to Concordia University, Nebraska after previously serving as an assistant coach at Concordia University, Irvine. Hinckfoot is the newest member of the track staff.
Saturday, Dec. 5, 2020
Long awaited meet yields nine automatic national marks
It was a long time coming for a meet the Bulldogs waited 272 days to arrive. Concordia athletes combined to produce a total of 23 marks that landed on the NAIA national list.
Tuesday, Dec. 1, 2020
Meet preview: Concordia Early Bird
Track and field season has returned to Concordia. The Bulldogs will host the Early Bird meet inside the Fieldhouse on Friday and Saturday (Dec. 4-5). Athletes from nine teams will be on hand.
Chicago area native ready to take aim at school record
Xavier Ross enjoyed a breakthrough 2020 indoor season and now hopes for even better in 2021. The Chicago area native has his sights set on the school's 400 meter record.
Monday, Nov. 30, 2020
Season Preview: 2020-21 Concordia Track & Field
Concordia's storied track and field programs enter a new season thankful for the opportunity to compete. The Bulldogs will kick things off with the Early Bird Meet on Dec. 4-5.
Thursday, Jul. 16, 2020
Track programs top NAIA in All-Academic honors
The Concordia track and field programs combined for 31 All-Academic Athletes (most in the nation) and were recognized as All-Academic Teams by the USTFCCCA.
Natural leader Cornelio primed for big senior season
Jacob Cornelio enters his senior hopeful of adding his name to the long list of throws national champions at Concordia. However, the native of Elk Grove, Calif., is so much more than his credentials.
Monday, Jun. 3, 2019
The untold story of a national champ's struggles and eventual triumph
We call this an "untold story" because for quite some time, Samantha "Sam" Liermann chose to keep her struggles mostly between herself, her coach and those closest to her.
Friday, Jul. 20, 2018
Seifert's exceptional career fueled by dogged determination
Dr. Brandon Seifert is a prime example of what happens when a standout athlete combines focus and determination. In a defining moment, the now surgeon overcame significant injury and triumphed in impressive fashion.
Friday, Jun. 1, 2018
Shaw's rise to discus national champ
Adrianna Shaw hasn't always loved throwing the discus, but it's safe to say it's grown on her. The idea of being a national champion is still sinking in for the latest Bulldog to climb to the top of the podium.
Tuesday, Mar. 20, 2018
SEASON PREVIEW: 2018 outdoor track and field
Nearly three weeks after completing the indoor season, the Bulldog track and field teams are ready for outdoor competition. Most of the team's athletes will get started next week at the Fort Hays State Invite.
SEASON PREVIEW: 2018 Indoor Track & Field
The 2018 Concordia track and field roster has a different look with the loss of an accomplished senior class and the arrival of the program's largest ever recruiting class. Expectations remain high.
Liermann enters 2018 as program's headlining thrower
A returning national champion in the shot put, Samantha Liermann is one of the few holdovers from the past two years that saw Concordia throwers blow all reasonable expectations out of the water. She's back for more.
Saturday, Jul. 29, 2017
A pole vault pioneer
Stephanie Tietjen (maiden name Beberniss) blazed a trail for female pole vaulters at Concordia. She was utterly dominant in 2003, winning national and GPAC titles in both the indoor and outdoor pole vault.
Saturday, May. 20, 2017
Sunset looming on impeccable career of Bulldog thrower
It would be difficult to find an athlete with a more impressive résumé than senior Zach Lurz. Says Lurz, "I'm sure I'll look back in five years and think that this was amazing." Lurz has four national titles to his credit.
ACL injury fueled pole vault star with familiar last name
An ACL tear as a senior in high school helped Allie Brooks realize just how much the pole vault means to her. Now as a sophomore at Concordia, Allie has taken flight and is living up to the Brooks name.
Friday, Jan. 22 4:00 pm
Concordia Polar Dog Invite
Walz FieldhouseSeward, Neb.
Doane University Fred Beile Invitational (Multi Events)
Crete, Neb.
Doane University Fred Beile Invitational


As an Australian manufacturer of crop-protection products, Nufarm understands the importance of safety. An extensive network of Regional Service Centres in key agricultural areas means storage and delivery of chemical products is important to the success of their business. Doing all that safely, therefore, is vital. Having staff with a high level of First Aid training across the entire supply chain, from manufacturing to sales, storage and delivery, is very important to the company.
Why was HLTAID003 a great fit for Nufarm?
Their production plant is next to their corporate headquarters at Laverton North in Victoria. Staff work with chemicals every day, which presents high risks of burns, cuts, and chemical exposure. Provide First Aid Level 2 (HLTAID003) is known Australia-wide as the industry standard for learning medical emergency response skills. It is suited to Nufarm employees and covers the skills that are required to respond to and manage a range of emergencies they may face in their factory. They are skills that are also important for employees in their regional centres, and on the road, given their regular contact with farmers and those working on large, isolated properties. The flexibility of the Real Response delivery of Provide First Aid Level 2 (HLTAID003) means that even though Nufarm has a large number of staff, production was not disrupted and orders continued to be filled when training took place.
What First Aid skills were important for Nufarm employees to gain?
Potential exposure to chemicals, burns, and cuts meant Nufarm was keen to ensure its employees had the skills needed to respond to the type of medical emergencies they may encounter, which is where Provide First Aid Level 2 (HLTAID003) suited them perfectly. One of the important skillsets for Nufarm employees was CPR, both one and two-person CPR. The course also included understanding the basic principles of Automatic External Defibrillation (AED), as well as providing artificial respiration. Nufarm employees also learned how to respond to an unconscious person, how to manage airways and deal with a range of respiratory and cardiac emergencies. Responding to burns and cuts was also an important part of Provide First Aid Level 2 (HLTAID003) for Nufarm, with bleeding management, bandages and the treatment of eye, ear and nose injuries also given prominence. Not every injury is obvious, and that's where the ability to treat soft tissue injuries such as sprains and strains was also important.
How did First Aid simulation add an extra level of skills?
For Nufarm, given their dynamic factory, First Aid training that allowed them to simulate emergencies onsite was a key reason they chose Real Response. We delivered Provide First Aid Level 2 (HLTAID003) in situations that mimicked reality. We used props such as fake blood, fake wounds, smoke and emergency calls, with communication being an important part of any First Aid training. Simulation training allows employees to feel confident in their ability to be decisive, and make decisions that can save lives. First Aid simulations can be tailored to specific needs of any environment or organisation, as they were at Nufarm, which allowed employees to be immersed in realistic situations. This helped with teamwork, which can make a big difference in an emergency.


text:
// Copyright (c) Microsoft Corporation. All rights reserved.
// Licensed under the MIT License.

#nullable enable

using System;
using System.Collections.Generic;
using System.Threading;
using System.Threading.Tasks;

namespace Azure.ResourceManager.Core
{
    /// <summary>
    /// helper class
    /// </summary>
    internal static class SharedExtensions
    {
        /// <summary>
        /// An extension method for supporting replacing one dictionary content with another one.
        /// This is used to support resource tags.
        /// </summary>
        /// <param name="dest"> The destination dictionary in which the content will be replaced. </param>
        /// <param name="src"> The source dictionary from which the content is copied from. </param>
        /// <returns> The destination dictionary that has been altered. </returns>
        public static IDictionary<string, string> ReplaceWith(this IDictionary<string, string> dest, IDictionary<string, string> src)
        {
            dest.Clear();
            foreach (var kv in src)
            {
                dest.Add(kv);
            }

            return dest;
        }

        public static List<T> Trim<T>(this List<T> list, int numberToTrim)
        {
            if (list is null)
                throw new ArgumentNullException(nameof(list));
            if (numberToTrim < 0 || numberToTrim > list.Count)
                throw new ArgumentOutOfRangeException(nameof(numberToTrim));
            list.RemoveRange(0, numberToTrim);
            return list;
        }

        public static async Task<TSource?> FirstOrDefaultAsync<TSource>(
            this AsyncPageable<TSource> source,
            Func<TSource, bool> predicate,
            CancellationToken token = default)
            where TSource : notnull
        {
            if (source == null)
                throw new ArgumentNullException(nameof(source));
            if (predicate == null)
                throw new ArgumentNullException(nameof(predicate));

            token.ThrowIfCancellationRequested();

            await foreach (var item in source.ConfigureAwait(false))
            {
                token.ThrowIfCancellationRequested();

                if (predicate(item))
                {
                    return item;
                }
            }

            return default;
        }
    }
}


Great looking Gruen Curvex in rose gold filled case circa 1945. This watch has been serviced and is ready to ship. Photos are not actual size of watch, the case measures 22 mm across (not including crown) x 37 mm lug to lug and is fit as found with original expansion bracelet.


text:
Social Science What steps did the French revolutionaries take to create a sense of collective identity
What steps did the French revolutionaries take to create a sense of collective identity
by Nishant Kumar on July 04, 2015 in Class 10, History, Social Science
What steps did the French revolutionaries take to create a sense of collective identity among the French people?
Answer: The French revolutionaries took many steps to create a sense of collective identity among the French people. They took the recourse to romanticism. Romanticism was a cultural movement which sought to develop a particular form of nationalist sentiment. Romantic artists usually criticized the glorification of reason and science. They focused on emotions, intuition and mystical feelings. They tried to create a sense of collective heritage, a common cultural past, as the basis of a nation. They focused on promoting the local culture to connect to the masses. Language also played an important role in developing nationalist sentiments. French was promoted as the main language in France to create a sense of single nation. In Poland, the Polish language was used to show rebellion to the Russian dominance.
The French Revolution (French: Révolution française) was an influential period of social and political upheaval in France that lasted from 1789 until 1799, and was partially carried forward by Napoleon during the later expansion of the French Empire. The Revolution overthrew the monarchy, established a republic, experienced violent periods of political turmoil, and finally culminated in a dictatorship by Napoleon that rapidly brought many of its principles to Western Europe and beyond. Inspired by liberal and radical ideas, the Revolution profoundly altered the course of modern history, triggering the global decline of theocracies and absolute monarchies while replacing them with republics and democracies. Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history.
french revolution summary
french revolution leaders
french revolution slogan
french revolution apush
french revolution for kids
rench revolution definition
By Nishant Kumar at July 04, 2015
Labels: Class 10, History, Social Science


Closings and DelaysCheck the latest closings and delays for schools, business, and churches around Northern NY.
Dozens of fire departments from Long Island to Buffalo are taking part in some fun this weekend at the 14th Annual Winter Games.
Teams wear their full turnout gear in events like tubing, tug of war, and hose relays. The games are all about training and teamwork.
Organizers say it helps departments get to know each other outside the scene of a fire.
"There's a lot of high stress in the role that our emergency responders have. So any opportunity we can have to take the stress down a bit, have some fun and bring people together," said Doug VanEtten, organizer.
"It's been cold a little bit of snow, but It's a blast, guys are having a great time It's a good bonding experience," said St. James Fire Department Captain Daniel Keegan.
The first Winter Games were held in Lake Placid.


text:
Prunella Scales est une actrice britannique, née le  à Sutton Abinger, dans le Surrey.

Biographie

Prunella Scales commence sa carrière dans les années 1960 dans une série comique Marriage Lines avec Richard Briers, puis on la verra sur la BBC. Elle est mariée depuis 1963, avec l'acteur Timothy West et leur fils Samuel West est également acteur, avec son mari, elle dirige le Lace Market Theatre à Nottingham. De 1952 à aujourd'hui, elle a tourné dans plus de 100 films ou séries TV. Prunella Scales est aussi une femme très engagée, notamment en politique où elle est une supportrice du Parti travailliste ou pour l'association SOS Villages d'Enfants.

Filmographie
 1952 : Orgueil et Préjugés : Lydia Bennet
 1953 : Laxdale Hall : Morag McLeod
 1954 : Chaussure à son pied (Hobson's Choice): Vicky Hobson
 1962 : Les Femmes du général (Waltz of the Toreadors) : Estella Fitzjohn
 1975-1979 : L'Hôtel en folie (Fawlty Towers) (série télévisée) : Sybil Fawlty
 1978 : Ces garçons qui venaient du Brésil (The boys from Brazil) : Madame Harrington
 1981 : Bergerac (série télévisée) : Gloria Gibbins
 1983 : La Dépravée (The Wicked Lady) : Lady Kingsclere
 1989 : A Chorus of Disapproval de Michael Winner
 1992 : Retour à Howards End (Howards End) : Tante Juley
 1996 : Inspecteurs associés (Dalziel and Pascoe) (série télévisée) : Edith Disney
 1996 : Emma (téléfilm) : Madame Bates
 2003 : Johnny English : la reine Élisabeth II
 2004 : Casualty (série télévisée) : Jocelyn Anderson
 2008 : Miss Marple (série télévisée) : Madame Mackenzie

Notes et références

Liens externes

Actrice britannique de cinéma
Actrice britannique de télévision
Actrice britannique de doublage
Actrice ayant incarné la reine Victoria
Actrice ayant incarné Élisabeth II
Naissance dans le Surrey
Naissance en juin 1932
Commandeur de l'ordre de l'Empire britannique


text:
Dúnlaing mac Muiredaig (died 869) was a King of Leinster of the Uí Muiredaig sept of the Uí Dúnlainge branch of the Laigin. This sept had their royal seat at Maistiu (Mullaghmast) in South Kildare. He was the son of Muiredach mac Brain (died 818), a previous king. He ruled from 863 to 869.

There is much confusion in the king lists during this period for Leinster. Between 838-871 the title King of Leinster is not recorded in the Annals of Ulster. The death of Dúnlaing is not recorded in this annal but is recorded in other annals. Francis John Byrne suggests that the root of this apparent confusion lay in the fact that the Uí Dúnlainge kings exercised little real authority due to the aggressions of their western neighbour Cerball mac Dúnlainge (died 888), King of Osraige. Cerball, while unable to install himself as king of Leinster, was able to prevent any rival king exercising real power there.

In 868 the annals record that the Laigin participated with the Uí Néill of Brega and Norse at the Battle of Cell Ua nDaigri on the Boyne estuary. They were defeated by the high king Áed Findliath (died 879). Dúnlaing's name is not mentioned with connection to this event.

His son Ailill mac Dúnlainge (died 871) was also a King of Leinster. Another son Cairpre mac Dúnlainge (died 884) was King of Iarthair Liffey or western Liffey.

Notes

References

 Annals of Ulster at  at University College Cork
 Chronicum Scotorum at CELT: Corpus of Electronic Texts at University College Cork
 Byrne, Francis John (2001), Irish Kings and High-Kings, Dublin: Four Courts Press,

External links
CELT: Corpus of Electronic Texts at University College Cork

Kings of Leinster
Kings of Uí Dúnlainge
9th-century Irish monarchs
869 deaths
People from County Kildare
Year of birth unknown


text:
Q: How would one spell θæn? My four-year-old recently got a pet frog. When he named it, he said, "θæn" (note: that is IPA, "θæn" sounds just like the word "than" but it has an unvoiced first consonant). I'm not sure how to notate this into English though. My wife suggested we just go with "Than", but to me, that's the common, "ðæn". I was thinking perhaps "Thann", but that looks like it should be "θɑn". Is there already a word which is pronounced θæn? If not, what would an English spelling look like?

A: As requested:
thanh
It is one of the very common names in Vietnam. Usually for a girl. Actual meaning in Vietnamese: Blue, pure.  from here