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South Korea-Japan trade feud engulfs tech giant Samsung
Arabs have the power to change how world views us
Ray Hanania
(Said Khatib/AFP/File)
It is easy for activists to blame all of the turmoil in the Arab community on US President Donald Trump, Israel or on the American public's absolute lack of knowledge — I might even say "ignorance."
All have brought some form of pain to the Arab world: Trump through his narrowly focused policies and undelivered promises, Israel through its brutal war crimes, and the American public through support of discriminatory laws like the anti-BDS legislation that restricts criticism of Israel's human rights violations.
Sadly, the truth might be even more painful.
I have always wondered why the Arab League doesn't, for example, spend money to launch a strategic communications campaign to counter the propaganda lies emanating from Israel. Why doesn't the Arab world buy an American newspaper and force it to become objective, publishing accurate information about the Arab world, its people and also the Middle East's Muslims and Christians?
What is stopping the Palestinians from hiring a major American author to write a novel that counters the lies spread by "Exodus," the classic American work of fiction on Israel's creation? Fiction, by definition, means made-up, creatively fabricated, and an entertaining lie. What stops Arab-Americans from pooling their talent to produce Hollywood movies that convey the truth about the beauty of Arab heritage, culture and history?
These simple ideas could change how the world views Arabs, and yet we don't take them seriously at all.
What is stopping all this and preventing Arabs from using the powerful tools of communication to reverse the negative stereotypes that plague our people? A lack of money? No. What is stopping it is the Arab tendency to divide itself. What is stopping all this is the fact that Arab-Americans are like the Arab world — they are divided. They are divided religiously, nationally, ethnically, and politically.
In fact, the word "Arab" is vanishing from the world's lexicon and is being replaced by the word "Muslim." It's not our choice, of course. It is the choice of our foes in the West, in much of the mainstream news media and in countries like Israel, where the word "Muslim" is used to demonize our righteous Arab history, culture and causes.
The problem in America is easy to diagnose. Arabs live in America physically, but mentally their focus is back home. When we focus on businesses, we are very successful. But when we focus on ourselves, we find ourselves divided and contentious. Arab-Americans are more critical of each other than they are of Israel, something that is apparent among Arabs in the Middle East too.
I have always wondered why the Arab League doesn't, for example, spend money to launch a strategic communications campaign to counter the propaganda lies emanating from Israel
All you have to do is read the vitriolic rhetoric from Arab-American activists who attack besieged Palestinian President Mahmoud Abbas. Abbas is no Yasser Arafat, but he also is not the tyrant he is made out to be. Why do we often criticize each other more than we criticize the oppressor, the Israelis? Because it is easier to do so. It is easier to fight among ourselves and feel a false sense of success, while we continue to be pushed down by Israel's government. But that just undermines our ability to overcome our challenges.
Americans can easily be influenced, but we don't try. They are among the most educated people in the world and yet they are, amazingly, the least-educated about the world, especially the Arab world. Where Arabs see differences — Palestinians, Jordanians, Saudis, Egyptians, Lebanese, etc. — Americans only see one image of one negative stereotype: Arab and, lately, Muslim.
It's not just that way in America. The Arab world is divided and the Palestinians who live in Israel are divided too. Last month, Ahmad Tibi, one of the leading Palestinian voices in the Israeli Knesset, broke from the Arab Joint List, which had consolidated Arab voting power for the first time in Arab-Israeli history.
The Palestinian population of Israel is slightly more than 20 percent, but the Arab Joint List, even as successful as it was in the 2015 elections, only managed to elect 13 members to the Knesset. That means 20 percent of the population only managed to capture just under 11 percent of the Knesset's seats. That shows how the Palestinians in Israel are not only divided, but they are also not actively engaged in changing their situation.
With the Arab Joint List collapsing, the Israeli elections in April could be the worst ever for Palestinian representation in Israel.
Arabs — be they Palestinian, Jordanian, Saudi, Lebanese, Syrian or any of the 22 national groups — can change things themselves. We don't have to rely on others.
The first step is to refocus on the real challenges. The second step is to stop speaking as individuals from different Arab countries and religions. The final step is to use our wealth and resources to creatively reconstruct the Arab image for the rest of the world.
If we can't respect ourselves, how can we expect anyone else to respect us?
Ray Hanania is an award-winning former Chicago City Hall political reporter and columnist Twitter: @RayHanania
Disclaimer: Views expressed by writers in this section are their own and do not necessarily reflect Arab News' point-of-view
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AB de Villiers - South African Men, Life Achievements and Life
Home › South African › AB de VilliersFebruary 17, 1984207 views
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AB de Villiers's Personal Details
AB de Villiers is a popular South African cricketer
Nationality South African
Famous South African Men, Sportspersons, Cricketers
Nick names Mr. 360, ABD
Spouses Danielle de Villiers
Known as Abraham Benjamin de Villiers, AB
Afrikaanse Hoër Seunskool
Birth Place Bela-Bela, South Africa
Father Abraham B de Villiers
Mother Millie De Villiers
Sun Sign Aquarius
Born in Bela-Bela, South Africa
Famous as Cricketer
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// Famous South African Men
AB de Villiers's photo
Who is AB de Villiers?
AB de Villiers is a former South African cricketer who captained the South Africa team in all formats of the game. Known to be one of the best batsmen of his generation, de Villiers was born in Warmbad in South Africa. He used to play cricket from an early age, and also excelled in other sports such as golf, rugby, and tennis. He first came to popularity in April 2008, after he scored a double century in a match against India, becoming the first South African to have ever done so. He scored a total of 217 runs, which has been the highest so far in his career. He holds many other records as well including the fastest Test century by a South African and also the fastest T20 50 by a South African. He plays in the Indian Premier League (IPL), a popular T20 cricket league contested in India. He has played for Delhi Daredevils and currently plays for Royal Challengers Bangalore in IPL. Besides being a cricketer, he is also a proficient singer and guitarist. He has released a bilingual pop album named 'Maak Jou Drome Waar'. He is also a football enthusiast and an avid supporter of Manchester United. De Villiers has been involved in charity works as well.
// Famous Sportspersons
Abraham Benjamin de Villiers was born on 17th February 1984, in Warmbad which is situated in the Limpopo region of South Africa. His father's name is Abraham B de Villiers and his mother's is Millie de Villiers. He is the youngest of three brothers.
Although his father is a doctor, he was very enthusiastic about sports and therefore he used to encourage his sons to take part in sports as well. De Villiers did his schooling from Afrikaans Boys' High School, in Pretoria, South Africa. Along with cricket, he used to excel in golf, rugby, swimming and tennis as well.
Despite being skilled in several sports, AB de Villiers finally made up his mind to pursue a career in cricket. He started playing for the Titans in 2003 and played for Carrickfergus Cricket Club in Northern Ireland as an overseas player from the next year.
In December 2004, he made his test debut against England. Although he was just twenty years of age, his performance was well appreciated. Over the years, he gained a reputation as an outstanding fielder as well.
He came to attention after taking part in the 2007 World Cup. However, his performance in the tournament wasn't very remarkable and even received criticism. Still his team managed to enter the semi-finals where they lost to Australia.
AB de Villiers gained a lot of fame and reputation the following year, after he scored a double century in a match against India, becoming the first South African to have ever done so. He managed to make 217 runs and yet remain not out.
In 2008-09, he played his first test series in Perth, Australia, where he helped his team achieve victory. This was also South Africa's first win in Australia after fifteen years.
His performance in the 2011 World Cup was also remarkable. He scored two centuries during the tournament, becoming the first South African to have achieved this feat. Despite his brilliant performance, South Africa was beaten at the quarterfinals by New Zealand.
Later in 2011, he was appointed captain of the One Day International team. After leading his team to several test as well as ODI victories, AB de Villiers again showed a brilliant performance during the 2015 World Cup. He became the highest run scorer for the South African team. Under his captaincy, his team managed to enter the semi-finals. However, like the previous World Cup, his team was once again beaten by New Zealand.
After leading his team to several victories, in January 2017, he chose to rule himself out of most of the test matches that South Africa would take part in the year. He resumed playing in early 2018 and participated in the Indian tour to South Africa.
In the second match of the ensuing test series against Australia, he scored his 22nd test century and helped his team win the match by six wickets.
AB de Villiers announced his retirement from all forms of international cricket on 23 May 2018, while he was still at the top of his game.
Throughout his career, AB de Villiers has won numerous 'Player of the series' and 'Man of the Match' Awards.
Some of the most significant records he has made in his career are the fastest half century and century in an ODI, fastest 150 in an ODI, most sixes in an ODI, and fastest player to reach 9000 runs in ODI.
He is the first South African to score two centuries in a single World Cup, and also the first South African to score a double century against India.
AB de Villiers married Danielle Swart in 2013. The couple has one son named Abraham who was born in 2015.
He is a devout Christian, and has spoken about how his faith in Jesus is crucial to his life and career. He has also described the Bible as his favorite book.
He is also known for his musical talents; his album 'Maak Jou Drome Waar' did quite well, and hit the national music charts.
He is a football enthusiast and a huge fan of the Manchester United Football Club.
He has been nicknamed as Mr. 360 because of his versatile batting style.
// Famous Cricketers
AB de Villiers biography timelines
// 17th Feb 1984
// 2004
// 23rd May 2018
// Famous South African
AB de Villiers's FAQ
What is AB de Villiers birthday?
AB de Villiers was born at 1984-02-17
Where is AB de Villiers's birth place?
AB de Villiers was born in Bela-Bela, South Africa
What is AB de Villiers nationalities?
AB de Villiers's nationalities is South African
What is AB de Villiers nick names?
AB de Villiers's nickNames is Mr. 360, ABD
Who is AB de Villiers spouses?
AB de Villiers's spouses is Danielle de Villiers
What was AB de Villiers universities?
AB de Villiers studied at Afrikaanse Hoër Seunskool
How tall is AB de Villiers?
AB de Villiers's height is 180
Who is AB de Villiers's father?
AB de Villiers's father is Abraham B de Villiers
Who is AB de Villiers's mother?
AB de Villiers's mother is Millie De Villiers
What is AB de Villiers's sun sign?
AB de Villiers is Aquarius
How famous is AB de Villiers?
AB de Villiers is famouse as Cricketer
What is AB de Villiers's facebook?
AB de Villiers's facebook is https://www.facebook.com/ABdeVilliers17
What is AB de Villiers's twitter?
AB de Villiers's twitter is https://twitter.com/abdevilliers17
What is AB de Villiers's instagram?
AB de Villiers's instagram is https://www.instagram.com/abdevilliers17/


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NYU will offer a full ride to all medical students
Published Thu, Aug 16 20182:58 PM EDT Updated Thu, Aug 16 20182:58 PM EDT
Christine Wang@christiiineeee
The NYU School of Medicine is offering full-tuition scholarships to all students, regardless of their financial situation.
The top 10 medical school said it aims to address the growing debt burden of graduates.
With high medical education costs, some graduates choose to pursue more lucrative specialties, creating a shortage in lower-paying fields.
Robert Daly | Getty Images
Every student at the New York University School of Medicine is getting a full ride.
The university announced Thursday that it will cover annual tuition costs of $55,018 for current and future students, regardless of need or merit.
Morgan Stanley sees this gene therapy stock doubling from here
NYU's announcement comes amid ballooning costs for medical education.
For the class of 2017, about 72 percent of students graduated with a median of $180,000 in medical education debt, according to the Association of American Medical Colleges.
For some, those high costs are an insurmountable financial barrier to entering the field. Those who do graduate, saddled with thousands in debt, are often drawn to more lucrative specialties, creating a shortage of professionals in lower-paying fields like primary care and pediatrics.
Robert Grossman, dean of the NYU School of Medicine, said the decision is an attempt to tackle debt burden on aspiring physicians.
"A population as diverse as ours is best served by doctors from all walks of life, we believe, and aspiring physicians and surgeons should not be prevented from pursuing a career in medicine because of the prospect of overwhelming financial debt," he said in a statement.
NYU said this initiative had numerous supporters including Home Depot co-founder Ken Langone, billionaire investor Stanley Druckenmiller and BlackRock Chairman and CEO Larry Fink. The NYU Medical Center is named after Langone and his wife, Elaine.


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Baudenkmäler nach Ortsteilen

Stöttwang

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Reichenbach

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Thalhofen an der Gennach

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Siehe auch
 Liste der Bodendenkmäler in Stöttwang

Anmerkungen

Literatur

Weblinks

Stottwang
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artdoesmatter
Conceptual musings about art and fine craft
All articles filed in jewelry
Craft working and process December 6, 2018
Reimagining a Gemstone: Both Virtual and Real
Quirky humor — that's often how others interpret my newest Upcycled body of work. Originally when I was told this about a different piece in an informal critique years ago, I was naturally taken aback. I thought that if work was to be deemed humorous, no one would take it seriously. Jump to current times…
contemporary art Craft working and process April 6, 2017
Instagram killed the blogging star… well, not yet.
Instagram, the social media photo-sharing app, is where I'm posting all of my studio work quite in-depth lately. My new Upcycled Brooch No. 1 and its Adobe Illustrator drawings occupy at least six of my last Instagram posts. While I am far from any kind of "blogging star" – I can't help but make a…
contemporary art Craft working and process September 12, 2016 January 11, 2017
New Upcycled Artworks: a Peak Inside my Studio
Ever since I began metalsmithing and making artwork, I've enjoyed spending every summer experimenting in my studio with new materials or ideas. As with other artists who share via the Instagram app what we are creating in our studios, I post work-in-progress shots of my latest pieces regularly. Of my summer experiments, the upcycled materials that…
Art Criticism contemporary art March 18, 2016 March 22, 2016
Bell Jar II: Art Under Glass Shelter Opens at Ghost Gallery, Seattle
Ghost Gallery in the Capitol Hill neighborhood of downtown Seattle opened its 2nd Annual Bell Jar Group Exhibition last Thursday evening, March 10th to an excited group of art-opening attendees. This group show features twenty-eight local and national artists who display interior worlds of their own creation, but all placed under the sheltering environment of…
contemporary art Craft September 24, 2015
Metalsmith Magazine's "Exhibition in Print" Jump-starts Fall Season with Essays on Beauty
The newest issue of Metalsmith magazine hit newsstands across North America this month with its "Exhibition in Print 2015 – Moved by Metal: On Beauty as Interaction." Imagine how stoked I am to be included in the company of some of the finest talents in our field of metalsmithing, jewelry and sculpture. Guest curated by…
Art Criticism Craft Design January 20, 2015
Evolution of the Necklace: Why Is There So Much Blackened Jewelry?
Last month I attended the opening preview for the Wayne Art Center's prestigious Craft Forms, an international juried exhibition of contemporary craft, located on Philadelphia's Main Line suburbs. As one of the artists selected for this stellar exhibit, I feel extremely fortunate to show one-of-a-kind jewelry in the midst of "this multi-generational conversation" of artists,…
Craft Design December 3, 2014
Craft Forms: 20th Anniversary Juried Exhibition to Open This Friday
Friday evening December 5th, the Wayne Art Center located on Philadelphia's prestigious Main Line will host a Gala Preview event and opening for the 20th anniversary of the Craft Forms 2014 international juried exhibition. I am thrilled to be one of the chosen artists to show my metalwork. This year's exhibit will showcase the artwork…
Art Criticism contemporary art Craft September 2, 2014 May 23, 2016
"Fragments": Text and Iconography Spearhead Art Exhibit in Upstate New York Gallery
The Lower Adirondack Regional Arts Council (LARAC) opened its Fragments art exhibition last month in the architecturally beautiful Lapham Gallery in downtown Glens Falls, New York, showcasing substantial artworks juried and envisioned by Gallery Curator Jenny Hutchinson. As one of four artists selected for this exhibit, I traveled over 250 miles each way from my…
Art Criticism contemporary art Craft July 1, 2014
Soulcology: An Exhibition in Metal – How Personal Lives Affect the Artist's Process
Earlier last month, I drove through what seemed like the most dramatic driving flood rains the Northeast U.S. corridor had seen this spring to attend the opening of Guilford Art Center's Soulcology in Metal, a national juried exhibition of artwork created mostly in metal; one of my recent Widget Lockets was chosen to be exhibited.…
contemporary art Craft working and process May 27, 2014
Widget Locket No. 5: Homage to Vanity (Selfie)
If you own a smartphone, most likely you've either taken a "selfie" – a current-day self-portrait photo, or a quick snap while out with a group of friends. This new-found obsession with narcissism AND technology has prodded at my thoughts and become a product of intense analyzing, while observing my peers' behavior over every type…
"Philly's Freedom" Exhibit Opens a New Portal into Freedom Defined
Upcycled Reimagined Gemstone Object No. 2
"Tiny But Mighty II" Exhibit Thrives Despite a Pandemic
Crafting Narratives: Philadelphia Emerges as a "Craft Capital" City
"Articulating Craft" – When Geometric Personas Emerge from their Makers
Artist issues
working and process
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Patricia Sullivan
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Complications of surgical procedures or medical ca...
The Effect of Fibrinogen on Blood Loss After Lumba...
The Effect of Fibrinogen on Blood Loss After Lumbar Surgery: A Double-Blind Randomized Clinical Trial.
Published:1st Jun 2019
Author: Javaherforoosh Zadeh F, Janatmakan F, Shafaee Tonekaboni M, Soltanzadeh M.
Source: Anesthesiology and Pain Medicine
Ref.:Anesth Pain Med. 2019;9(3):e91199.
DOI:10.5812/aapm.91199
Background: Spinal surgeries often have a high risk of hemorrhage during and after surgery, thus most patients require blood transfusions and blood products. Fibrinogen is used in different forms to control hemorrhage.
Objectives: The present study aimed to evaluate the outcomes of prophylactic fibrinogen administration in reducing hemorrhage after lumbar surgery.
Methods: This was a randomized clinical trial conducted on 30 patients undergoing lumbar surgery. The levels of fibrinogen, as well as hemoglobin (HB), hematocrit (HCT), prothrombin time (PT), partial thromboplastin time (PTT), and INR, were assessed preoperatively as the baseline values. The patients were divided into two groups: intervention (N = 15) and control (N = 15) groups. The intervention group received 1 g fibrinogen dissolved in 50 cc distilled water with surgical incision and the control group received 50 cc distilled water with the surgical incision. At the end of the operation, the volume of hemorrhage transfused blood products (fresh frozen plasma, packed cell, and platelet) was measured. In addition, at 0, 6, and 24 hours after the end of surgery and transfer to recovery, serum levels of fibrinogen, HB, HCT, INR, PT, PTT, and hemovac drain volume were measured.
Results: The hemorrhage during and after the operation in the control group was significantly higher than that of the intervention group (P < 0.05). There were no significant differences between hemoglobin and serum level of fibrinogen before and after surgery between the two groups. The postoperative hypotension showed no significant difference between the two groups.
Conclusions: The findings showed the effectiveness of fibrinogen in reducing acute hemorrhage. Considering the adverse consequences of hemorrhage and coagulopathy in patients undergoing surgery, using fibrinogen as prophylaxis is recommended in surgeries with high risks of hemorrhage.


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The Masonic Society, the Masonic Library and Museum Association, and the Masonic Information Center, a branch of the Masonic Service Association, are pleased to announce that Phase II of The Quarry Project will be held September 18-20, 2015 in Indianapolis, IN. The conference will be held in a downtown Indianapolis hotel. As this goes to print, we are ready to sign a contract with a hotel and the registration page will be up by the time you receive this issue of the magazine.
The Quarry Project is a continuing effort designed to promote Masonic research and preservation by providing instruction and guidance to Masonic writers, researchers, and editors both within and without the fraternity and also to Masonic librarians and museum curators on the display, preservation, and cataloging of Masonic archives. Phase II will feature a third track on Masonic public relations sponsored by the Masonic Information Center, an arm of the Masonic Service Association. The public relations track will address topics such as effective use of social media, publications, and best practices.
The format for Phase II will remain basically the same with a few tweaks based on feedback from Phase I attendees. Friday, Saturday, and Sunday will begin with a general session featuring a keynote speaker. Attendees will then break out to the instructional sessions of their choice on Friday and Saturday with both days adjourning at approximately 5:00 P.M. Lunch on Friday and Saturday will be included in the registration fee. A banquet will be held on Saturday evening. Sunday will feature a roundtable discussion immediately after the morning keynote address and the conference will adjourn by noon.
We invite anyone, Freemason or not, with an interest in these topics to attend the conference. The programs are currently being developed and will be made available as soon as they are complete. Further information will be released as it becomes available. Registration will be begin on March 1, 2015. The Quarry Project website is www.thequarryproject.com .
In conjunction with The Quarry Project, The Masonic Library and Museum Association will hold their annual meeting prior to this event on Thursday, September 17. Please contact the MLMA for further details on their meeting. Their website is located at www.masoniclibraries.org .
One of the presentations offered during Phase I of The Quarry Project addressed a proposed style sheet for Masonic organizations and publications who have never adopted one. The response to the proposal was positive. Kenneth Davis, a member of the TMS Board of Directors, and Brent Morris, Editor of the Scottish Rite Journal, have completed the first draft of the style sheet, which was introduced at Masonic Week 2015. The style sheet is now available on The Quarry Project website, which is linked above. We are encouraging the organizations and editors of Masonic publications to officially adopt the style sheet. A list of adoptees will available on the website as well. We wish to thank all of those who contributed to the style sheet with your comments and recommendations.
The Annual Meeting of The Masonic Society was held on Friday, January 30 at Masonic Week in Reston, VA. Approximately fifty-five guests enjoyed a very nice evening of food and fellowship. M. Wor. Bro. Michael Halleran, Editor of The Journal of The Masonic Society and current Grand Master of Kansas, gave an informative presentation on changes implemented in his jurisdiction during his year in the Grand East. As usual, we were pleased to welcome dozens of visitors to our hospitality suite. It is always a pleasure to renew acquaintances with so many TMS members and friends that we only see at this event. We also enjoy meeting many first-time attendees.
Masonic Week 2016 will move to an area known as Crystal City in Arlington, VA. This location is near Reagan National Airport. There are plenty of restaurants and shopping venues nearby. This location will also offer quicker and easier access to Washington, D.C. for those who wish to sightsee. My understanding is that there will be significant program changes next year that spread the various events out over the course of the week and also allow more time for other activities. We look forward to seeing you there next year.
We are constantly looking for ways to grow The Masonic Society as well as to enhance the value of membership in TMS. At the Board of Directors meeting during Masonic Week, we discussed a variety of topics. One of the principal areas of discussion concerned how we will deliver The Journal of the Masonic Society. More and more publications are going strictly digital. We do not anticipate that happening anytime in the near future, but we do have to consider the increasing costs that accompany a high quality paper magazine and increased postage, particularly overseas. One of the major concerns associated with going digital is protecting our material. We will be investigating one potential solution to that problem in the near future. We have yet to reach a consensus on precisely how to proceed, but it is unquestionable that a digital version of The Journal of The Masonic Society will be available in the not too distant future for those who prefer to receive their magazine in that format.
We want TMS to be more than just a magazine and, as such, we are looking at various methods of providing content above and beyond what you get in The Journal. This would include video and podcasts. We will be consulting with professionals in the field in order to determine the best path forward. As always, I welcome any comments or suggestions you may have concerning the future of the organization. Please send them to president@themasonicsociety.com .
We live in a world that seems to become more dangerous and divided every day. Wherever you live, please pray for your country's leaders as well as for those in uniform protecting our freedom. As Freemasons, we can remain proud of our long history of friendship and brotherly love and especially our record of tolerance, which we find so lacking in the profane world. Thank the Grand Architect for the opportunity to be part of the world's greatest fraternity.


Lincoln Park Academy graduate Taneria Wilson is shooting 50.9 percent from the floor, seventh-best in the Peach Belt Conference.
Lincoln Park Academy graduate Taneria Wilson leads the Clayton State University women's basketball team in scoring with 13.6 points per game. The junior guard is also averaging 4.6 rebounds per game and leads the team with 28 steals.
Wilson, who played two years at St. Petersburg College before moving on to Clayton State, had a season-high 26 points in a loss to Carson-Newman in November. Wilson is shooting 50.9 percent from the floor, seventh-best in the Peach Belt Conference. She is 10th in scoring in the PBC.
Former St. Lucie West Centennial standout Justin James, who played for the Eagles before spending his senior season at Oldsmar Christian, led Wyoming (5-14) with 20 points in a 59-46 win over San Jose State on Wednesday.
The senior also led Wyoming with five assists and a career-high four steals. James, who leads the team with 20.5 points per game, has 1,745 points in his career, as he passed Charles Bradley (1,744 from 1978-81) for seventh in school history. James has scored in double-figures in 80 games in his career.
James leads the Mountain West in scoring.
Martin County graduate Sara Lucusky won the 100-yard breaststroke (1:06.80) and the 200-yard IM (2:15.43) in the Savannah College of Art and Design's win over Keiser and Thomas on senior day. Lacusky is a senior. SCAD is idle until the Bluegrass Mountain Conference Championships in February.
Martin County graduate Hannah Burdge placed second in the 100-freestyle (51.72) and third in the 200 free (1:53.53) in Florida Gulf Coast's 126-116 loss to Miami. Burdge was one of 10 FGCU seniors honored before the meet for Senior Night.
Burdge also swam with the winning 200 freestyle relay team.
St. Edward's graduate Coleman Kramer took sixth in the 1,000-yard freestyle in South Carolina's win over Georgia Tech, the final dual meet of the season. The freshman touched the wall in 9:41.82. It was his fastest swim of the season in the event. Kramer has swum a variety of freestyle events for the Gamecocks, including the 100, 200, 500 and 1,650.
Fort Pierce Central graduate Carl Elliott III won the 60-meter hurdles in a personal-best 7.89 at the Arkansas Invitational in the first meet of the year for Arkansas. It was the first meet for Elliot as a Razorback after transferring from Edward Waters College, where he set the school record in the 110-meter hurdles and was named a two-time All-American.
Elliott currently has the 27th-fastest time in NCAA Division I this season.


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Enter the name of the CSS class within a CSS file, and provide the CSS file name in the CSSName property. The CSS file must be included in the project during the development process and assigned to a web server when deployed.
For more information, see the CSSName property.


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I am a...VERB
A continuing journey with Donald Archer
6. MY UNIVERSITY ART EXPERIENCE (PART 1) (my first instructors)
There were two groups of thought within the U.C.S.B. studio arts faculty: those who approached painting as abstract design and those who approached painting figuratively. I appreciated both.
Neither group treated painting superficially…in a realist, photographic, surface appearance way. Both were looking for something deeper.
Two professors who best expressed these divergent directions were William Rohrbach (abstract) and Howard Warshaw (figurative)...and each had a profound influence on my future work and ideas. Both were serious and committed to their schools of thought, and each taught in a no-nonsense way. When the class started, the doors were locked. Too bad if you arrived late.
TWO VERY DIFFERENT APPROACHES TO THE VISUAL ARTS
BILL ROHRBACH
William Rohrbach was my basic drawing instructor for the first semester.
As composition and design were my strengths, I excelled in his abstract assignments...using various types of charcoal media, chalk, graphite, and conte crayon.
He added a new element for me...an aesthetic approach to drawing. He emphasized the sensuality of the media and materials...and urged us to bring out their unique qualities to the utmost.
Vine charcoal was delicate...light and flaky...while compressed charcoal was dense and created very dark velvety black lines and shapes. Graphite was greasy and shiny, gliding along a surface. Different colored and textured papers created different visual and tactile sensations. I made the most of it.
Rohrbach often assigned compositional problems that involved 2-dimensional geometric shapes, lines, textures and values that, when imaginatively combined, became 3-dimensional in space and appearance.
It was amazing how challenging and yet how expansive such exercises could be...
ABSTRACT DRAWING EXERCISES
As I worked on these problems, it became obvious to me that less was more.
THE WORLD OF HOWARD WARSHAW:
'The invisible made visible'
"We do not draw in order to record what we have already seen---but rather to teach us to see what we otherwise would not see. Drawing is revelation." ---Howard Warshaw
HOWARD WARSHAW
Howard Warshaw was my instructor for the second semester of basic drawing. His course could have been called 'The Language of Drawing.'
Many students avoided his class because he was considered a hard taskmaster and difficult to comprehend. That he was. Students would leave his classes in tears.
Warshaw grew up in New York City and the toughness of his having been a prizefighter stayed with him.
He was an extraordinary draftsman and set high standards for his students. He didn't tolerate mediocrity...or lack of passion. When Howard Warshaw walked into the classroom, the room immediately brimmed with gravitas.
The ideas and concepts he presented were not easy to grasp...they were challenging, but that made them all the more appealing. His seriousness matched my own earnestness.
He combined great facility in drawing with depth of thought and a probing intelligence.
Warshaw approached the visual arts as a science. Like Leonardo da Vinci, he didn't make a distinction between the two disciplines: they both aimed at truth.
We were required to keep a notebook of the lectures and assignments. It helped make his dense presentations more digestible.
Our first assignment was to draw our hand...using two colors of opaque tape to reveal the hand's three-dimensional structure.
We 'constructed' form; we didn't 'render' it. This appealed to my delight in building things. I learned that a drawing, or a painting, can itself have a tangible physicality.
1. MY HAND / 2. TAPE STUDY / 3. LINE STUDY / 4. OVERLAPPING A LINE DRAWING
When I overlayed a line study over that tape 'drawing', the drawing became three-dimensional and solid. I was thrilled.
As the semester progressed, directing light using conte crayon was added to the line drawing---what Warshaw referred to as 'cage volume'---to further reveal form...
FROM MY NOTEBOOK: STUDY OF ERODED SEA ROCK WITH SWEEPING LIGHT
He presented basic drawing as if it were physics or some other scientific discipline, and showed that drawing makes the invisible visible...analogous to the way an X-ray reveals density and interior structure of an object...
CONCH SHELL PHOTO & X-RAY
In his paintings and drawings, and in what he taught, Warshaw penetrated the surface of things and probed deeper...revealing the structure underneath, and making visible what had been invisible.
Warshaw enlivened the world for me...through drawing and painting...and the physical world became more graspable, more real. And I came to see that both drawing and painting can have a palpable presence of their own.
Copyright (c) Donald Archer 2020 All rights reserved.
24. DRAFTED (what next?)
A ONE-IN-A-MILLION CHANCE My draft issues that had been brewing for several years were now coming to a head. My appeals to be recognized as a conscientious objector (CO) to war had been unanimously denied at the local and state levels and had now gotten as far as the Selective Service Presidential Appeal Board in Washington, D.C. I had little hope that the prior unanimous decisions would be reversed. In the spring of 1970...my second semester at Happy Valley...I received the remarkable news that the Presidential Appeal Board had reversed the prior unanimous decisions and that my claim as a conscientious objector was approved. My lawyer told me that this was a one-in-a-million chance and he was as surprised as I was. THANKFUL FOR A GRACEFUL WAY OUT Just weeks after I had received official notice of my status, I was drafted to serve my two years. My time at Happy Valley came to an abrupt end. In certain respects, this came as a relief. While there was much I liked at
3. MOSTLY MUSIC (high school)
HIGH SCHOOL MUSIC I was blossoming creatively when I reached high school. In junior high I had taken up the guitar and began singing with friends. 'Folk music' became my passion. My early favorites were Jimmie Rodgers and the Kingston Trio, and I patterned myself after them. Later came Pete Seeger, the Weavers, Ian & Sylvia, the New Lost City Ramblers and finally Bob Dylan...along with a host of others. I grew up with music. My mom loved musicals...Rodgers and Hammerstein, Lerner and Loewe, etc....and comic operas, especially Gilbert and Sullivan. She knew the clever lyrics and catchy tunes to almost everyone and sang them to us from the time we were in the cradle. Now, for the first time, I was focused almost entirely on music and the performing arts. MR. MORTON I was lucky to have had a fabulous music teacher and choral director, Bob Morton, with whom I had a great rapport and who encouraged me to stretch myself and perform. He 'di
1. IN THE BEGINNING... (early childhood)
INTRODUCTION Suppose there were a world that only could be described by verbs...not nouns: a world of continual flux with no static, permanent things...or permanent 'persons'; a world of 'tabling ', but no 'tables'; a world of 'Donalding,' but no 'Donalds'. I perceive that world, and it is that world physicists, along with great spiritual teachers, describe. We are blinded by our ability to name, to insist on seeing things as nouns . We attempt to 'freeze' a liquid world. We conceive as motionless what, in fact, is constantly in motion . Our ability to perceive reality is extremely limited. The convention of language distorts our perception . We and the world go through countless manifestations without our noticing it. We are verbs...not nouns. I speak from experience... BEING A KID ME (1948) I was born and grew up in Whittier...then a relatively small southern California town with a lively and viable downtown of
Donald Archer
Donald Archer is a visual philosopher/writer born in Whittier, California, February 2, 1945. He has BA and MFA degrees in art from the University of California, Santa Barbara. He was an instructor in fine art at the Academy of Art College in San Francisco. He has devoted his career exclusively to painting since 1979. He lives in Cambria, California.
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text:
FBI warns of coronavirus cyber scams
New Yorkers filed fewer jobless claims last week
Marcella's to raze, rebuild Schenectady appliance outlet
Watch out for the other kind of virus, too: computer infections
Robert Gavin
March 18, 2020 Updated: April 3, 2020 10:41 a.m.
Special Agent Eric Lurie, who supervises a cybercrime task force for the FBI in Albany, speaks to reporters in Albany about uptick in cyber attacks nationwide amid coronavirus outbreak.By Robert Gavin
ALBANY – Cyber-thieves are exploiting the coronavirus outbreak to try to lure new victims into logging onto websites where they can infect computer networks with their own viruses, an FBI agent warned Wednesday.
Special Agent Eric Lurie, who supervises a cybercrime task force for the FBI in Albany, said the bureau has seen a recent nationwide increase in cyberattacks and attempted cyberattacks related to the COVID-19 outbreak.
While such cyberattacks are not new, the scammers' use of coronavirus to further the illicit schemes are, the agent explained during a news conference outside the FBI's office on McCarty Avenue.
"We've seen false websites, false documents, maps related to the outbreak that the bad actors are attempting to get victims to go to, click on those links, visit those websites and then of course, infect their computer networks with a virus," Lurie told reporters.
"What these individuals are trying to do is gain access to your computer or your computer network -- and once they have that they can launch any type attack," Lurie said. "Ultimately what they're trying to do is make money off of victims."
He said cyber crooks, often working for sophisticated criminal organizations in Nigeria or eastern European countries, will at times mask their attack under the guise of an email about a large sporting event or taxes during during tax season or anything to draw a person's attention. In recent weeks it has been about coronavirus, he said.
Lurie said scammers may call victims and try to leverage any information they hear to try to guess their password, learn more about their password or just ask them for the password outright.
Lurie said computer users should not log onto websites that appear unfamiliar, that they have not vetted or that do not appear legitimate. He said people seeking information on the coronavirus outbreak can log onto the websites of the Centers for Disease Control and Prevention or the World Health Organization.
"Don't click on a link that comes into your email that's telling you they have information. Go and find the information yourself," Lurie said. "If you're looking for a news outlet, use a bookmarked website or type in the URL of the website yourself."
Lurie said in addition to cyberscams, he expects to see illegitimate fundraising efforts by criminals who hope to make money off people's generosity. Such scams, he said, often target the elderly. He said people should not give personal information over the phone or via email or communicate with someone online that they would not communicate with in person.
Reach Robert on
Robert Gavin covers state and federal courts, criminal justice issues and legal affairs for the Times Union. Contact him at rgavin@timesunion.com or (518) 434-2403.


Find the Best Remove APK Mobile Android Apps and Games Below!
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The goal of this classic Marble Solitaire strategy game is to remove as many marbles as possible.


Berne Men's Flame Resistant Deluxe Unlined Coverall at Tractor Supply Co.
The Berne Men's Flame Resistant Deluxe Unlined Coverall is made durable for hard work.
Berne Men's Flame Resistant Deluxe Unlined Coverall is rated 5.0 out of 5 by 1.


text:
package service

import (
	"testing"

	grpc "google.golang.org/grpc"
)

const (
	testAddress1 = "test_address_1"
	testAddress2 = "test_address_2"
)

func TestDial(t *testing.T) {
	defer func() func() {
		temp := hsDialer
		hsDialer = func(target string, opts ...grpc.DialOption) (*grpc.ClientConn, error) {
			return &grpc.ClientConn{}, nil
		}
		return func() {
			hsDialer = temp
		}
	}()

	// First call to Dial, it should create a connection to the server running
	// at the given address.
	conn1, err := Dial(testAddress1)
	if err != nil {
		t.Fatalf("first call to Dial(%v) failed: %v", testAddress1, err)
	}
	if conn1 == nil {
		t.Fatalf("first call to Dial(%v)=(nil, _), want not nil", testAddress1)
	}
	if got, want := hsConnMap[testAddress1], conn1; got != want {
		t.Fatalf("hsConnMap[%v] = %v, want %v", testAddress1, got, want)
	}

	// Second call to Dial should return conn1 above.
	conn2, err := Dial(testAddress1)
	if err != nil {
		t.Fatalf("second call to Dial(%v) failed: %v", testAddress1, err)
	}
	if got, want := conn2, conn1; got != want {
		t.Fatalf("second call to Dial(%v)=(%v, _), want (%v, _)", testAddress1, got, want)
	}
	if got, want := hsConnMap[testAddress1], conn1; got != want {
		t.Fatalf("hsConnMap[%v] = %v, want %v", testAddress1, got, want)
	}

	// Third call to Dial using a different address should create a new
	// connection.
	conn3, err := Dial(testAddress2)
	if err != nil {
		t.Fatalf("third call to Dial(%v) failed: %v", testAddress2, err)
	}
	if conn3 == nil {
		t.Fatalf("third call to Dial(%v)=(nil, _), want not nil", testAddress2)
	}
	if got, want := hsConnMap[testAddress2], conn3; got != want {
		t.Fatalf("hsConnMap[%v] = %v, want %v", testAddress2, got, want)
	}
	if got, want := conn2 == conn3, false; got != want {
		t.Fatalf("(conn2 == conn3) = %v, want %v", got, want)
	}
}

redpajama_set_name: RedPajamaGithub


Dr. Musikant will be presenting on: "How and why the SafeSider approach to endodontics will allow you to do more with endodontics, making it safer, quicker and less expensive." He is a graduate of the University of Pennsylvania School of Dental Medicine. He is a member of the American Academy of Endodontists, the Academy of General Dentistry, and the American Society of Dental Aesthetics, and is a member of the board of the First Madison Group. In addition, he is the President and Co-Director of Dental Research at Essential Dental Systems. He has lectured throughout the world and is the author or co-author of more than 185 published articles.


text:
import * as path from 'path';
import * as ts from 'typescript';

export function getCompilerOptions(tsconfigPath: string): ts.CompilerOptions {
  const readResult = ts.readConfigFile(tsconfigPath, ts.sys.readFile);
  if (readResult.error) {
    throw new Error(getDiagnosticsMessage([readResult.error]));
  }

  const parseResult = ts.parseJsonConfigFileContent(
    readResult.config,
    ts.sys,
    path.dirname(tsconfigPath)
  );
  if (parseResult.errors.length) {
    throw new Error(getDiagnosticsMessage(parseResult.errors));
  }

  return parseResult.options;
}

export function getDiagnosticsMessage(diagnostics: ts.Diagnostic[]): string {
  return ts.formatDiagnosticsWithColorAndContext(diagnostics, {
    getCanonicalFileName: path => path,
    getCurrentDirectory: ts.sys.getCurrentDirectory,
    getNewLine: () => ts.sys.newLine
  });
}


Starbucks jumped on the unicorn bandwagon this week with the announcement of its new Unicorn Frappuccino. This drink plays on the new social media food trend that idolizes the mythological creature in the form of sparkly rainbow sweets. But this strange new addition to the frappuccino family isn't here to stay, as it is only going to be available between April 19 and April 23. This announcement came as a shock to many customers since there was so little advertising done to publicize the new drink. Nevertheless, caffeine addicts and mythology lovers are already mesmerized by its vibrant colors and mystical flavors.
The Unicorn Frappuccino is made by blending pink powder into a mango-flavored Frappuccino, which is then layered with whipped cream and pink powder on top. A swirl of blue syrup circles the sides of the cup and adds an extra hint of tanginess. There are a few magical elements that set this drink apart from the other overpriced, caffeine-laced drinks that Starbucks has to offer. Upon stirring, this drink will begin to change color from purple to a vibrant pink. It will also change flavor while you're drinking it, going from fruity to tarty to sour in a matter of seconds.
It's no secret that I'm an avid Starbucks drinker, and I jumped at the opportunity to try this unique concoction. However, I was worried that someone I know would see me sipping this as I strolled down Pardall. This anxiety stemmed from the Unicorn Frappuccino looking like something that is exclusively made for 13-year-olds. Its bright colors reminded me of every notebook I used in middle school, of every embarrassing moment I had as a preteen and every half-used lip gloss that I owned before the age of 16. The aesthetic of this drink, while pretty, is not one of unicorns but rather that of Instagram accounts and beauty gurus. Upon drinking it, I felt like I had suddenly turned into that obnoxious person who cannot go an entire meal without snapping a picture of their food.
How the drink actually tastes is a completely different matter. The first sips were sweet and airy, like a combination of cotton candy and watered-down fruit. It barely tasted like anything more than flavored water, and I was struck by a thought: If you're going to sell something that looks like a rainbow, shouldn't it at least taste unique? I was eating my words a few minutes later. After stirring, the drink changed into a pink color and became much tangier tasting, reminiscent of sour Jolly Ranchers. It was an interesting experience, to say the least, but hard to accurately describe since the flavor changed constantly and often in mid-sip. One gulp may taste like cotton candy while the next is sour and cringe-inducing. I made the mistake of having some whipped cream off the top and it tasted like the barista dumped an entire bag of sour skittles into my frappuccino. Even with these criticisms it was still an interesting experience to drink something so innovative that it actually transforms while you're enjoying it. The drink is disappearing into legend on April 23, so you have a limited time to enjoy this mystical wonder.


Live Point is a production house based in Dubai that offers a complete end-to-end content production solution and post-production service. Its massive studios, cameras, lighting, edit and in-house post facilities are supported by a dedicated team of production, video production and post-production specialists.
Two state-of-the-art studios were planned for Live Point's large facility in Jebel Ali Free Zone (Jafza) on the far-western outskirts of Dubai. One would be for live news and the other available for productions. Live Point wanted a flexible space that could be easily customised to fit a wide range of productions.
While Live Point would oversee the gallery and audio construction, it required an experienced international partner that could deliver the installation and system integrations on the project in just 13 weeks.
Having been recommended to Live Point by a former employee, Gearhouse Broadcast was tasked with completing the design, build and implementation of the studio into the Jafza facility.
The fast-turnaround nature of the project required precise project management, as well as an in-depth knowledge of the latest production technologies, and access to the manufacturers of those cutting-edge solutions. Gearhouse's SI team worked closely with SAM (now Grass Valley), which provided extensive local support on the project.
One of the standout innovations within the studio was the implementation of the new Grass Valley MV-820 multiviewer and Vega router with embedding and debedding capabilities. The build also included the deployment of five Ikegami HDK-97A HD/3G multi-format cameras, along with super wide-angle lenses, a Grass Valley Kula production switcher, Vizrt graphics system and ARRI SkyPanel lighting.


text:
Q: Error: Undefined reference to WinMain Tengo que hacer un programa que solicite escribir una cadena alfanumérica que tiene que ser almacenada en un arreglo y  tiene que identificar y escribir si es letra numero o espacio.
Por ejemplo:
h letra
espacio
1 numero

A: Intenta con el siguiente código:
#include <iostream>

using namespace std;

int main()
{
    int max = 15;               //definimos el largo maximo de la cadena
    char a[max];                //definimos la variable "a" para almacenar el dato ingresado
    cout << "Dime una palabra (Puedes usar números, letras y espacios):"; //muestra mensaje
    cin.getline(a, max);        //lee la linea ingresada y la almacena en a

    for(int i=0;i<max;i++){     //iniciamos un ciclo recorriendo toda la palabra

        if(a[i] == ' ')         //preguntamos si es espacio
            cout << a[i] << " Espacio"<<'\n';
                                //ahora preguntamos si es numero
        else if ((a[i] == '1') || (a[i] == '2')|| (a[i] == '3')|| (a[i] == '4')|| (a[i] == '5')|| (a[i] == '6')|| (a[i] == '7')|| (a[i] == '8')|| (a[i] == '9')|| (a[i] == '0'))
            cout << a[i] << " Numero"<<'\n';
        //ahora preguntamos si caracter especial
        else if ((a[i] == '*') || (a[i] == '+')|| (a[i] == '-')|| (a[i] == '#')|| (a[i] == '$')|| (a[i] == '(')|| (a[i] == ')')|| (a[i] == '@')|| (a[i] == '/')|| (a[i] == '.'))
            cout << a[i] << " Caracter especial"<<'\n';
        else if (a[i]==NULL)    //preguntamos si no es nulo
            cout << "";
        else                    //Finalmente si no es espacio, ni numero, ni nulo asumimos que es letra
            cout << a[i] << " Letra"<<'\n';
    }

    cout << "Texto ingresado: " << a; //como verificacion imprimimos todo el texto ingresado
    return 0;
}

Prueba de salida:

redpajama_set_name: RedPajamaStackExchange


If you've had your eye on industry social media or recent industry news, you may have read about the pending launch of a new membership-funded industry lobbying group. I've been tracking the comments of dozens of engaged industry professionals supporting PPAI's legislative and advocacy efforts and have had dozens more direct emails and calls looking for an official PPAI response.
It is unlikely I will gather the thoughts and opinions of our 11,000+ member companies (representing more than 500,000 industry practitioners) in a timely enough manner to respond to the "I want an answer now" social media climate. Rather, I will offer what I know to be true about PPAI's efforts in this area, and I welcome your comments and suggestions in this broader, interactive format.
For longer than I've been associated with PPAI, we've had a strong, industry-driven and collaborative lobbying presence in Washington, D.C. From the beginning, PPAI's lobbying efforts have focused on the core issues related to independent contractors, tax reform and small business, as well as industry-critical issues we identify as we monitor thousands of bills on a day-to-day basis. We continue to invest heavily in this strategic initiative. This is in addition to our ongoing and significant efforts to increase understanding and acknowledgement of promotional products as key branding tools that help advance brands, and to position promotional consultants as strategic partners and trusted advisors.
As a result of our reputation and long-standing presence in D.C., we are a sought-after coalition partner. As an industry that represents advertising, media and marketing, as well as manufacturers, importers, resellers and decorators, we are able to strategically align with partners who focus on specific issues, including the Small Business Legislative Council, the American Advertising Federation, the Association of National Advertisers, the American Alliance for Innovation, the Partnership to Protect Workplace Opportunity, the Coalition to Save Local Businesses, the National Association of Manufacturers, and many more.
Our government relations work is built upon a firm foundation of industry engagement from the smallest to the largest members—including engagement by the Advertising Specialty Institute's (ASI) senior management on PPAI's Government Relations Action Council and our Legislative Action and Education Day (L.E.A.D.). I mention ASI here because they have been an increasingly engaged colleague in our legislative efforts and, in my view, seem to be receiving some undeserved scrutiny for running the recent story.
Thanks to these engaged stakeholders, PPAI has a well-oiled machine in place. From our D.C.-based lobbyist's boots on the ground, to L.E.A.D. at the federal, state and local level, to the 'virtual fly-in' digital advocacy (more than 7500 industry emails to legislators) as part of our Promotional Products Work! Week efforts, to our dedicated government relations team—we make sure federal and state lawmakers understand the value, economic contributions and employment opportunities offered by this vital and growing industry. As part of our mission to grow and protect the industry, we—PPAI, together with its expansive and engaged constituency—continuously educate members of Congress—at their D.C. and home offices—and other government entities on the value of the industry.
I will continue to respond to individual member inquiries regarding the potential launch of a new legislative advocacy group, letting them know that while I am pleased to see that the prospective group's agenda is consistent with PPAI's long-standing efforts in this arena, it would be unfortunate if any industry effort was divided or diluted as a result of two separate efforts.
The irony isn't lost on me that I am posting this blog as I sit in the Small Business Legislative Council (SBLC) board of directors meeting in Washington, D.C. This group influences legislative and federal policy issues related to the small business community, and thus directly impacts our industry. PPAI's standing seat on the SBLC board assures us a driving force on the relevant legislative agenda.
To learn more about PPAI's advocacy efforts, I encourage everyone to visit the PPAI LAW website and take the opportunity to become more engaged in these efforts so that we can all protect and grow this industry to which we owe so much.
Want to talk about it? You can call our Director of Public Affairs, Anne Stone, at 972.258.3041, or me directly at 972.258.3050.


Come eat chocolate with me!
Chocolate lovers are invited to join me for a chocolate cooking class at Household China & Gifts cooking school in Waterloo on Thursday, Feb. 5th.
I'll be demonstrating sweet and savoury recipes with the help of cooking school co-ordinator Donna-Marie Pye. There will be lots of chocolatey samples as well as tips on working with chocolate. We'll be doing some chocolate tasting and, if we can fit it in, an easy hands-on chocolate "craft", just in time for Valentine's Day.
The class runs from 6:30 until 9 p.m. and costs $70.00.
Sign up for Chocoholics Rejoice by calling 519-884-2792 or visiting Household China at 300 King Street North in Waterloo.
Be sure to check out the other cooking classes in Household China's Winter Cooking class schedule.
Another blustery wintery day in southwestern Ontario!
A perfect afternoon to stay indoors, curled up with a book and a steaming mug of spiced hot chocolate. To complement the beverage choice, and in honour of this sweet month of February, I picked out JoAnna Carl's chocoholic mystery, The Chocolate Cat Caper, from my library of culinary mysteries.
Before filling my mug with hot chocolate, I dipped the rim in a mixture of cocoa powder, sugar and ground cinnamon. Hardly essential, but it made for a pretty presentation – and an extra bit of spice and sweetness with every sip!
In a medium saucepan, combine chocolate, water, sugar, cinnamon, allspice and salt. Place saucepan over low heat and stir until chocolate is melted and ingredients are blended together. Remove from heat. Add milk. Return to stove. Over medium heat, stir frequently until milk is not, but not boiling. Remove from heat. Whisk until frothy or use a frother to froth. Pour into mugs and serve.
Optional: To decorate mug rims, combine about 2 tablespoons each (about 30 mL) sugar and cocoa powder with about 1 teaspoon (5 mL) ground cinnamon; stir to blend. Pour mixture into a plate; give plate a shake to spread mixture out evenly, about 1/4 inch (5 mm) thick. Dip rims of mugs in water, then into the cocoa powder/sugar mixture. Fill mugs with hot chocolate and serve.