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The Catholic Defender: You Can Vote In Socialism, To Rid yourselves would be Civil War.
Recently, I've had several people warn me that "America can vote in Socialism" (based on the current Democrats seeking to defeat President Trump), but to reverse Socialism would cause a civil war?
The concern for many is that our higher places of learning have been pushing a Socialistic agenda for years.
As a result, 43% of Americans believe Socialism would be a good thing for the country. This is largely due to those being taught Socialism in American colleges across the United States. I remember the 1984 movie "Red Dawn" that focused on an invasion by the Cubans. Americans were forced into these "Concentration - reeducation camps" to reprogram people. Today, these camps came from no external enemy but from within.
About 51% believe socialism would be a bad thing for the country, primarily those of the older community. How has America shifted on Socialism:
In 1942, about 25% of Americans viewed Socialism as a good thing, today that has grown to the 43% number. College Professors today many were part of the 1970's protesting the Vietnam War and many of the norms of American life.
According to recent Gallup polling since 2010, Democrats today are more positive about Socialism finding 57% of Democrats put their faith in Government over the free market. This has become for many Democrats a world outlook wanting to vote in these kind of beliefs on our economy as well as morals.
Politically speaking, American Conservatives and Independent voters prefer the free market as the principle means that delivers freedoms for America values given by our Constitution. 47% of Democrats have no problem voting for a presidential candidate who is pushing a Socialist Agenda.
The real danger that Socialism is presenting itself in gaining support for Government intervention as opposed to the free market concerns personal freedom given in the U.S. Constitution.
Americans voting in Socialism will surrender American Sovereignty to a ruling class. When the Government becomes the main authority, the people sacrifice freedom. We see this in the area of Religion, the right to practice faith in America. We see Socialism in conflict with the U.S Constitution especially the 1st and 2nd Amendments covering free speech and the right to bear arms.
Family life is greatly affected, even the developing arguments of what a family is. In the Democrat Socialism being promoted today, there are no moral absolutes, the Supreme Court has been used buy the Democrats to further their agendas even when they lose the major elections.
When you take a quick look into the world of politics in the United States, there are strong disagreements in just about every corner at the kitchen table. The family traditions in basic American culture is under attack from celebrating Christmas to Thanksgiving, from going to the Church to honoring our Military, Flag, and National Anthem.
Sanctuary cities, open boarders, free health care for illegal Aliens are among the majority of Democrats talking points to include Health Care for all also known as "Single Payer" insurance, Gay Marriage, the liberal courts, on and on it goes.
In truth, Socialism where ever it has been tried has failed each and every society where imposed. Venezuela is a typical recent example. In 1962 Venezuela was among OPEC and one of the richest nations in the world. When Socialism was forced on the people, today they are literally eating their pets. They are very poor, and because the Government took all the peoples guns, there is no resistance.
Mark J. Perry, a noted scholar on this subject, from his article "Why Socialism Failed" appearing in the publication "The Freeman", gave four reasons why:
1. Socialism is the Big Lie of the twentieth century. While it promised prosperity, equality, and security, it delivered poverty, misery, and tyranny. Equality was achieved only in the sense that everyone was equal in his or her misery.
In the same way that a Ponzi scheme or chain letter initially succeeds but eventually collapses, socialism may show early signs of success. But any accomplishments quickly fade as the fundamental deficiencies of central planning emerge. It is the initial illusion of success that gives government intervention its pernicious, seductive appeal. In the long run, socialism has always proven to be a formula for tyranny and misery.
A pyramid scheme is ultimately unsustainable because it is based on faulty principles. Likewise, collectivism is unsustainable in the long run because it is a flawed theory. Socialism does not work because it is not consistent with fundamental principles of human behavior. The failure of socialism in countries around the world can be traced to one critical defect: it is a system that ignores incentives.
In a capitalist economy, incentives are of the utmost importance. Market prices, the profit-and-loss system of accounting, and private property rights provide an efficient, interrelated system of incentives to guide and direct economic behavior. Capitalism is based on the theory that incentives matter!
Under socialism, incentives either play a minimal role or are ignored totally. A centrally planned economy without market prices or profits, where property is owned by the state, is a system without an effective incentive mechanism to direct economic activity. By failing to emphasize incentives, socialism is a theory inconsistent with human nature and is therefore doomed to fail. Socialism is based on the theory that incentives don't matter!
2. The strength of capitalism can be attributed to an incentive structure based upon the three Ps: (1) prices determined by market forces, (2) a profit-and-loss system of accounting and (3) private property rights. The failure of socialism can be traced to its neglect of these three incentive-enhancing components.
3. By their failure to foster, promote, and nurture the potential of their people through incentive-enhancing institutions, centrally planned economies deprive the human spirit of full development. Socialism fails because it kills and destroys the human spirit–just ask the people leaving Cuba in homemade rafts and boats [and those waiting in long lines today in Venezuela struggling, and often failing, to buy food].
4. The temptress of socialism is constantly luring us with the offer: "give up a little of your freedom and I will give you a little more security." As the experience of this century has demonstrated, the bargain is tempting but never pays off. We end up losing both our freedom and our security.
Socialism will remain a constant temptation. We must be vigilant in our fight against socialism not only around the globe but also here in the United States.
The failure of socialism inspired a worldwide renaissance of freedom and liberty. For the first time in the history of the world, the day is coming very soon when a majority of the people in the world will live in free societies or societies rapidly moving toward freedom.
Capitalism will play a major role in the global revival of liberty and prosperity because it nurtures the human spirit, inspires human creativity, and promotes the spirit of enterprise. By providing a powerful system of incentives that promote thrift, hard work, and efficiency, capitalism creates wealth.
The main difference between capitalism and socialism is this: Capitalism works.
It is important that when we consider this years vote, to consider all these details defending freedom. If America falls, where else will the bastion of freedom ring?
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This is an archive of some of the radio shows on which Mary has been a guest.
Living Energy Day 2010 took place on the longest day of the year. We hosted the world's first 24-hour tele-seminar (that we know of!) to promote energy healing.
Are you blocked? Tried of being so? Listen as Mary shares how to release blocks, fears, additions and runaway emotions. Mary shares exercises we can do to shift our energy to a positive state regardless of the energy state we are currently swimming in.
Host Carol Look interviews Mary Sise about the "The Effects of Trauma on the Brain." Carol and Mary discuss trauma and the brain and the exciting potential Energy Psychology holds for helping people recover from the effects of trauma.


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Lewis, Deceased v. Brunswick Corporation
Kathryn Lewis was killed during a boating accident in which she fell into the water and was struck repeatedly by a... Continued
United States v. Ramirez
While in route to testify, Alan Shelby, a dangerous prisoner serving concurrent state and federal sentences, escaped... Continued
California v. Deep Sea Research, Inc.
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California Public Employees' Retirement System v. Felzen
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In 1997, Floyd J. Carter donned a ski mask and entered the Collective Federal Savings Bank unarmed. In the process... Continued
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In 1873, the Coeur d'Alene Tribe agreed to relinquish all claims to its aboriginal lands outside the bounds of a more... Continued
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The Madera Canal, a federal facility leased to the Madera Irrigation District (MID), flows through Central Green Co.'s... Continued
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The Farm Credit Act of 1933 created various lending institutions, including banks for cooperatives, which are... Continued
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A group of disabled people who travelled on Norwegian Cruise Line ships sued the company in federal district court and... Continued
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James Kirby hired International Cargo Control (ICC) as a shipping intermediary to arrange a shipment of goods from... Continued
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A group of peanut farmers in Texas threatened to sue Dow Agrosciences in state court for damages caused by one of... Continued
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Christophe and Juanita Roche leased an apartment in Virginia managed by Lincoln Property Company. The Roches sued... Continued
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The Security Litigation Uniform Standards Act (SLUSA) states that class action lawsuits involving more than 50... Continued
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Ideal Steel Supply Corporation filed a civil suit against its competitor, National Steel Supply, Inc. in federal court... Continued
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Shadi Dabit, formerly a stockbroker at Merrill Lynch, brought a class action suit against his former employer alleging... Continued
Watson v. Philip Morris Companies, Inc.
Lisa Watson filed a class action lawsuit against the tobacco company Philip Morris, claiming that the company had... Continued
Powerex Corp. v. Reliant Energy Services, Inc.
The state of California suffered an energy crisis in 2001. Citizens filed suit against energy company Reliant Energy... Continued
New Jersey v. Delaware
When British Petroleum (BP) wanted to build a natural gas transfer facility on the New Jersey side of the Delaware... Continued
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The Long family, members of the Sioux nation, owned a cattle company that had been doing business with the Plains... Continued
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Diana Levine filed this personal injury action against Wyeth, the drug manufacturer, in state court in Vermont. Ms... Continued
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Swiss Sculptor and Painter
Born: May 22, 1925 - Fribourg, Switzerland
Died: August 30, 1991 - Bern, Switzerland
Movements and Styles:
Nouveau Réalisme
Modern Sculpture
Important Art
Metamechanical Sculpture with Tripod (1954)
Metamatic, no. 17 (1959)
Homage to New York (1960)
Santana Bascule (1966)
Stravinsky Fountain (1983)
Cascade (1991)
Le Cyclop (1969-94)
Childhood and Education
Early Period
Mature Period
Later Period
Influences and Connections
Similar Art and Related Pages
"Currently, my machines are black and sometimes gentle, if not sexy or exuding a contained violence; I finally found the technical means for accomplishing this."
"You can't expect the end of the world to end the way you want it to."
"I am an artist educated by Duchamp."
"The world has been experiencing a whole pattern of auto-destruction. Whether in environmental disasters like Chernobyl or health disasters like AIDS."
"To an engineer, good enough means perfect. With an artist, there's no such thing as perfect."
"The freedom of every artist is essential."
Summary of Jean Tinguely
Jean Tinguely first began creating assemblages composed of found-objects, but soon thereafter, intrigued by the current debate regarding the effect of mechanization and industrial innovation on modern society, he completely altered these static works by putting them into motion. Tinguely was intrigued by the effect of these moving constructions on the spectator and devoted the rest of his career to its exploration. The resultant oeuvre, on both a small and large scale, in works that generated corollary works of art and those that self-destructed, instigated spectator reaction and forever challenged the concept of a static experience of viewing art.
Tinguely updated the Dada practice of creating sculptural assemblage composed of found-objects, most often scrap metal that might easily have been considered junk, by actually mechanizing them. The revolutionary step of putting a work of art into motion would become known as Kinetic Art.
Also following the lead of Dada artists, who used various means to make fun of society, Tinguely's mechanized creations were intended to mock the "improvements" of the industrial revolution and modern reliance on technology.
Tinguely challenged the assumption of the artist's monopoly on creation with his metamatics, mechanized assemblages fitted with a drawing stylus chosen by any given spectator. The works of art that resulted were given significance on their own, separate to that of the original construction.
The self-destructing assemblages took the concepts explored in his earlier mechanized sculptures to a new level. Providing an actual spectacle for the viewers, a one-off experience with a defined beginning and end intended not only to be seen but in addition, to evoke their reaction, these assemblages illustrate Tinguely branching out into more interactive art whose effect simulates a performance.
The Life of Jean Tinguely
Declaring, "The only stable thing is movement," Jean Tinguely pioneered Kinetic Art. He was also a leader of many other artistic directions in his powerfully prolific, creative life.
Read artistic legacy
Important Art by Jean Tinguely
Progression of Art
Artwork Images
Metamechanical Sculpture with Tripod
Tinguely used the term "Metamechanics" to describe how he set his assemblage sculptures into motion with some form of motor or system of mechanics. The artist's development of this field, otherwise known as Kinetic art, is exemplified by Metamechanical Sculpture with Tripod. In this early example the artist assembles simple, found objects of the type elevated to artistic status by the Dada artists by whom he was influenced earlier. Wire wheels, to which are connected organically-shaped flat cardboard pieces, painted white on one side and black on the other, are strategically intertwined with stick-straight elements in an interlocking system. The assemblage is balanced above an iron tripod, whose legs echo the linearity of the straight elements assembled above, and the whole fragile assemblage is set into motion. The piece stands nearly 7 feet tall, making its effect quite impressive.
The idea to put assemblages such as this into movement was significant as it evoked an interactive relationship between the spectator and the object. No longer looking at a static collection from a fixed point but instead, moving around in order to get a better look at which parts of the construction were moving, the spectator's experience was actually integrated into the overall effect of the work itself.
Interestingly enough, although the work seems to laud the overall effect of mechanization, by expanding its effect on the spectator, there is some suggestion that instead, it exhibits Dada skepticism regarding the potential of technology to improve human life. By taking on human aspects, simulating limbs that move, for example, the mechanized assemblage itself challenges the concept that machines are necessarily superior to human beings, questioning whether mechanization is actually progress.
Steel, plastic, cardboard, mechanical motor - Collection of the Tate, United Kingdom
Metamatic, no. 17
Metamatic, no. 17 was created especially for the 1959 Paris Biennale. It is a sculptural work composed of a number of differently-shaped found objects, primarily black metal wires, wheels, belts, cogs and crank-shafts - all driven by a small engine. When mechanized, the elements - irregular in nature - rotate in different directions and at varying speeds; their movement is bumpy and jagged.
This work is an excellent example of Tinguely's Kinetic artwork and pushes even further his interest in involving the spectator. The viewer is invited to choose a drawing tool (color, charcoal, or pencil) and place it in the special holder mounted on the assemblage. Paper can be seen cascading down the side of the structure, suspended from above an elevated section of the work. When put into motion, the turning wheels would activate the chosen drawing tool, moving it along a piece of paper. The result would be a work of art in itself. The artwork created was of a necessarily unforeseen nature, differing each and every time, and directly affected by the random movement of the asymmetrical mechanical device.
Tinguely's Metamatic, no. 17 altered the already challenging nature of his earlier metamechanical works by introducing a product directly affected by the spectator. No longer just watching a process, the viewer, by choosing an artistic instrument, plays a role in the creation of an entirely new work of art. In effect, the artist's work challenged the centuries-old tradition of artistic creation: taking part of the art-making out of the hands of the artist and placing it in those of the spectator. Beyond blurring the line of the role of the artist/viewer, here we see the beginnings of interactive art, a practice that is now highlighted by dozens of artists and takes center stage at many museums.
De Lairesse, Amsterdam
Homage to New York
On March 18, 1960, Tinguely unveiled what would later be considered his most famous work in the sculpture garden of the Museum of Modern Art in New York. A number of artists and engineers collaborated on the project, including Robert Rauschenberg. The massive sculpture stood twenty-seven feet tall, was twenty-three feet wide, and was painted primarily white. Built out of various pieces of metal, bicycle parts, self-operating motors, a go-cart, a bathtub, a piano, all jutting out into space at odd angles and creating an absolute tangle of abstract forms. The original idea was to set the mechanized elements into motion, allow the audience to watch and figure out its changing path of movement, and then set off an explosion that would destroy it. The work was to be a masterpiece of self-destructing Kinetic art. However, 27 minutes into the premiere, one of the processes within the moving parts misfired and sparked a flame that engulfed the entire machine in a blazing fire. The spectacle to which this esteemed audience (including the Governor of New York) was subjected became as much a part of the artistic experience as the original work itself.
The launch of this intricate, self-destructing sculpture changed the nature of Tinguely's art. Although he had already harnessed active viewer interaction in his Metamatics, this work's significance was to be even further enhanced by the experience of being present as it self-destructed. In total, the work was to assume an alternative symbolism, suggesting, for example the organic nature of New York City - known for both destruction and reconstruction, exhaustion and renewal.
A "fragment" of the original sculpture exists in the permanent collection of the MOMA.
Found objects, motorized elements - The Museum of Modern Art, New York
Santana Bascule
In Tinguely's Santana Bascule a thick, flat black wooden wheel attached at a point to a thin semi-circular metal piece take center stage. This sculpture is balanced by a special pedestal made of a compilation of concave metal strips that rocks from side-to-side while hurling around the central elements in an unpredictable fashion. This work differs from the artist's earlier assemblages by abandoning the more colorful found-objects, previously seen in works by Dada artists and restricting itself to an entirely black palette. The result is a far more austere, minimalistic work. The resultant movement is also more focused in nature, limited to the pivot beneath and the spinning wheel above. Like his other mechanized assemblages this one again serves as commentary on the debate regarding the effects of mechanization on modern society.
Metal, wood, mechanical motor - Bechtler Museum of Modern Art, Charlotte, NC
Stravinsky Fountain
The artistic cooperation between Jean Tinguely and Niki de Saint Phalle resulted in some of the most intriguing artworks of the modernist movement. Stravinsky Fountain is an example of their successful collaboration. Located directly above the archive of Igor Stravinsky's compositions, housed in the IRCAM offices (Research Center for Contemporary Music) underground beneath the fountain, the work necessitated a specifically lightweight construction. Devoted to the composer's musical compositions, this fountain praises the achievements of creativity outside of mechanization. Completed in 1983, it features sixteen sculptural works erected above a shallow basin. Tinguely's mechanized black iron elements, many squirting water, are placed alongside, under and between Saint Phalle's more light-hearted, brightly painted, organic elements in a manner that supports but never overwhelms. They work together to create a contrapuntal rhythm, like that found in musical compositions.
Tinguely intended for the multiple elements to stick up above the surface of the water and "perform" like figures in a circus. Throughout his later years, Tinguely continued to design assemblages that specifically interacted with sources of water. Saint Phalle's use of extremely bold colors and a charismatic sense of levity on inflated anatomical elements and animal motifs characterizes her mature works.
Metal, fiberglass and various mechanical elements - Public work in Place Stravinsky, Paris, France
Cascade is a massive 40-foot mixed media sculpture, suspended above an inlaid fountain in the main lobby of the Carillon office tower in Charlotte, NC. This motorized mobile is obviously influenced by those made famous earlier by Alexander Calder. Tinguely encountered his work first in Paris and was delighted to exhibit alongside him at the Galerie Denise Rene in 1955. Calder provided inspiration for a generation of sculptors interested in Kinetic art.
Cascade features an array of found objects that slowly rotate around one another. Included are antlers, a car hood, various light bulbs, planks of wood and metal pieces. The variety, color, and haphazard nature of the collected objects suggest a return to the artist's original interest in the Dada aesthetic. Here he abandons the more subdued and minimalistic assemblage which characterized his works mid-career.
The use of numerous, interlaid mechanisms creates a busy experience for the viewer. Affecting both those who've come specifically to view the project or those walking through the corporate office building on their way to work, the assemblage reaches different strata of society. This work was commissioned by Tinguely's loyal patron, the Bechtler family, and was the last created before his death in 1991.
Various found objects, metal, wood and mechanical motors - Carillon Office Tower, Charlotte, NC
Le Cyclop
Tinguely began construction on Le Cyclop in 1969 at the Milly-la-Forêt (Milly Forest) in France. Although it's nominally a one-eyed cyclop of the kind found in Greek mythology, it's actually composed of multiple whimsical elements which negate any lingering feeling of the horror associated with its name. Included are staircases, mezzanines, and passageways; its tongue is a sliding board (almost a children's slide), which ends in a pool of water.
In the beginning, the idea was that there would be no architect or blueprint for the work other than a small model Tinguely had created in 1970. The completed structure, which eventually stood 74 feet high and weighed 350 tons, was to be an example of aesthetic collaboration by a number of artists. Like other of Tinguely's projects, its realization stretched out over the course of years, 25 to be precise, and combined the creative genius of more than ten of artists, including Arman, Cesar, Daniel Spoerri, Bernhard Luginbuhl, and Niki de Saint Phalle. Their contributions, enhancing and altering quite significantly Tinguely's original idea, include a mirrored mosaic by Saint Phalle, a huge flipper (whose activation demands two spectators) by Bernhard Luginbuhl, and a sculptural work devoted to the subject of the deportation by XXX.
Le Cyclop invites viewers to experience its numerous nooks and crannies, whether visiting the theater where the brain of the cyclop's head should be, exploring the machinery of scrap iron gears or simply making their way through the maze-like interior. The experience of the viewer is not limited to an assessment of the parts assembled but instead, includes his journey through, around and inside of the large sculpture as a whole.
Concrete, iron and a mirrored mosaic facade - Public work in Milly-la-Forêt, France
Biography of Jean Tinguely
Tinguely was born on May 22, 1925 in Fribourg, Switzerland but his family moved to Basel shortly thereafter. Being the only child of two working class parents, Tinguely spent a considerable amount of time in solitude, exploring his bucolic surroundings. In 1940, at age fifteen, he began designing storefront window displays as an apprentice. The following year he began his studies at the Kunstgewerbeschule (Arts and Crafts School), where he stayed until 1945.
Tinguely was initially influenced by artists such as Kurt Schwitters and Marcel Duchamp. In particular, he was attracted to their use of "found objects" (or objet trouves), a key component of the Dada movement. He was intrigued by the tendency to rebel against societal structures and formalities that had long existed in the art world and society at-large. Tinguely combined found- objects, of the type noted in Dada works, with the new emphasis on installation then developed within the Bauhaus Design School by artists such as Paul Klee, creating his own personal aesthetic.
In 1951, having recently married Swiss painter and sculptor Eva Aeppli and intent on forwarding his career, Tinguely moved to Paris. He enjoyed great success there with his first solo exhibition in 1954 at the Galerie Arnaux. During this period he also participated in a number of exhibitions organized around cutting edge groups. The first was in 1951 when he showed with International Happenings. Soon thereafter he began to exhibit with a group known as ZERO that was founded by Otto Piene in Germany and aesthetically favored the notion of Minimalism. ZERO artists sought to distance themselves from the events of WWII and instead to find a context for their art based on modern society. During this period Tinguely also exhibited with Nouveaux Realisme, a group formed by Pierre Restany and Yves Klein that included works of other modern artists such as Christo, Raymond Haines, Martial Raysse and Niki de Saint Phalle.
Gradually Tinguely began incorporating self-operating and self-destructing elements into his work, making it a type of performance art. One example of this was a machine that mass-produced abstract paintings that debuted at the 1959 Biennale of Paris. Based on their autonomous functionality, these machines were known as "Metamatic." Tinguely's goal was to reflect the tension that existed within industrialized society regarding creativity and human expression. Critics and contemporary abstract expressionists considered these works sardonic.
Influenced by his passion for motorcar racing, Tinguely began to incorporate the idea of high risk, unpredictability into his works. Homage to New York, premiering on March 18, 1960 at the Museum of Modern Art, is the most prominent example of this interest. This set the stage for other self-destructing works like Study for an End of the World (1962) and La Vittoria (1970). Although they were composed of seemingly random found objects, oddly configured mechanisms and cacophonous sound effects, these works exhibited a sense of humor and irony. The artist viewed each piece as a living, breathing entity - speaking and moving of its own accord. Tinguely took pride in knowing that viewers could be amused by the forthright humor and playful elements he used to mask his dark commentary on mass production and the greater industrialization of society.
In keeping with his playful antics and spirit of rebellion, Tinguely participated in the Kuttlebutzer, a collective of artists that acted as the unofficial creative committee for the largest annual "Fasnacht" carnival in Basel, Switzerland. This committee of artists, known for being anti-establishment, took it upon themselves to solidify the creative direction of the festivities. Tinguely's participation, first in 1974, lasted almost twenty years.
The wit and charm of his personality manifested in his artwork helped him foster significant relationships with dignitaries and socialites that led to generous commissions and patronage opportunities. A lasting example of this is his friendship with the Bechtler family, a wealthy Swiss family whose vast art collection is on display at the Bechtler Museum of Modern Art in Charlotte, North Carolina. Many of the found objects that later appeared in his works, including a set of antlers, were originally seen on display at the Bechtler home.
Tinguely initially met Niki de Saint Phalle through common artistic circles. At the time they were both married to different people. Despite the significant generational gap between them and differences in social background, he was from a working-class background and she a French aristocratic family, their friendship eventually developed and led to marriage. Comparable to other artist couples of the era, they each had a strong sense of individuality, which came through on the occasions they collaborated. This was quite different from the male dominated collaborations among most of the artist couples at the time such as Diego Rivera and Frida Kahlo, Christo and Jean-Claude, Jackson Pollock and Lee Krasner. They are known as the "Bonnie and Clyde" of modern art.
The foundation of their relationship, rooted in their shared interest in creating art, inspired many collaborative works over their decades together. One of the first major collaborations, exhibited at the Moderna Museet, consisted of a massive reclining figure of a woman - one of the several works of the theme known as 'Nanas' that Saint Phalle produced - with legs splayed enough to allow the entry of visitors. Inside the figure was a kinetic sculpture designed by Tinguely which he described as the "orgasm machine." The couple also collaborated on several other monumental sculpture installations such as the Stravinsky Fountain in Paris and Le Paradis Fantastique in Stockholm. When they weren't collaborating, the two artists helped one another with the production and installation of their respective works.
In the 1970s, Tinguely moved back to Switzerland alone while Saint Phalle stayed in France. They would get together at her house in France when working on a collaborative project. During this period, and up until his death in 1991, he continued to produce self-destructing works as well as large public projects. In 1970, Tinguely built a gigantic phallus which he exploded outside of Milan Cathedral. Among these later works are a number of collaborations with Saint Phalle and others. As he and his wife had supported one another throughout their respective careers, it was no surprise that the same held true after his death. Niki de Saint Phalle oversaw the completion of his Le Cyclops, a massive collaborative work whose construction spanned twenty-five years, and was also responsible for donating several of his works to major museums and collections, continuing the legacy of one of the most revolutionary sculpture artists of the modern art movement.
The Legacy of Jean Tinguely
Jean Tinguely's work was part of the movement of New Realism that emerged in the 1960s and sought an alternative expression of the new world order. They tended to take bits and pieces from life and combine them in new ways in order to infuse art with new significance. They stood in opposition of figurative art and abstraction and influenced the Fluxus movement noted for synthesizing a number of media in new, innovative, and consistently energized, ways.
Tinguely's mechanization of found objects greatly influenced the British artist Arthur Ganson. Ganson's oeuvre, primarily machines created from parts put into motion, provoke viewer participation of the type noted in Tinguely's earlier works. British artist Michael Landy has taken Tinguely's self-destructing works one step further. His Break Down (2001), in which he destroyed all of his possessions, was the ultimate reflection of what Tinguely had begun to explore in his self-destructing works. Both of these artists' works embody the interaction of the viewer which Tinguely's works insisted upon, taking performance art of the nature explored by the Swiss artist to another plane.
Museum Tinguely, located in Basel, Switzerland, commemorates his legacy.
Influences on Artist
Influenced by Artist
Friends & Personal Connections
Eva Aeppli
Movements & Ideas
Michael Landy
Neo-Dada
Open Influences
Close Influences
Useful Resources on Jean Tinguely
The books and articles below constitute a bibliography of the sources used in the writing of this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.
Jean Tinguely: A Magic Stronger Than DeathOur Pick
By Pontus Hulten, Karl Gunnar
The bride and the bachelors: five masters of the avant garde, Duchamp, Tinguely, Cage, Rauschenberg, Cunningham
By Calvin Tompkins
Jean Tinguely: Art & Design
By Heide E. Violand-Hobi
Robert Rauschenberg & Jean Tinguely: CollaborationsOur Pick
By Roland Wetzel and Mari Dumett
Museum Tinguely Basel- The Collection
By Andres Pardey and Jean Tinguely
View more books
Bechtler Collection
Details on Tinguely's last sculpture
Jean Tinguely, Official SiteOur Pick
Biography and artist information
VisualArtsCork.com
Overview of biography/career
Jean Tinguely, Playful Sculptor of Scrap Contraptions, Dies at 66
By Nick Ravo / The New York Times / September 1, 1991
For Tinguely and Saint Phalle, a Show is a Posthumous Reunion
By Alan Riding / The New York Times / September 2, 2006
Details on Tinguely's last sculptureOur Pick
Video of Le Cyclop Tinguely/de Saint Phalle collaborative piece (French)Our Pick
Fountain (1917)
Merzpicture 46A. The Skittle Picture (1921)
Overview, Artworks, and Biography
Related Movements & Topics
Summary, History, Artworks
Cite article
Correct article
Content compiled and written by The Art Story Contributors
Edited and revised, with Summary and Accomplishments added by Caroline Igra
"Jean Tinguely Artist Overview and Analysis". [Internet]. . TheArtStory.org
First published on 22 Jun 2016. Updated and modified regularly
[Accessed ]
Related Movements


Printvoice is print+invoice! Printvoice.com is a great brandable domain for a software invoicing product. Other possible uses include a product in the voice-operated tech realm or 3D printing industry. Own Printvoice.com today!


IN Sligo there is a well called Tober-na-alt, beautifully shadowed by trees, the branches of which are thickly hung with all sorts of votive offerings from those who have been cured by the water; and miracle-men attended, who professed to heal diseases by charms, prayers, and incantations.
A man who had been born blind once recited his experiences there. "Oh, Christians, look on me! I was blind from my birth and saw no light till I came to the blessed well; now I see the water and the speckled trout down at the bottom, with the white cross on his back. Glory be to God for the cure." And when the people heard that he could really see the speckled trout, of course they all believed in the miracle. For a tradition exists that a sacred trout has lived there from time immemorial, placed in the well by the saint who first. sanctified the water. Now there was an adventurous man who desired much to get possession of this trout, and he watched it till at last he caught it asleep. Then he carried it off and put it on this gridiron. The trout bore the grilling of one side very patiently; but when the man tried to turn it on the fire, the trout suddenly jumped up and made off as hard as it could back to the well, where it still lives, and can be seen at times by those who have done proper penance and paid their dues to the priest, with one side all streaked and marked brown by the bars of the gridiron, which can never be effaced.


The coil car first appeared in the 1960s as a safer way to trans port coiled sheet metal, usually steel, to manufacturers of stamped metal items from car parts to appliances. Prior to that, steel mills had often shipped out coiled metal in open gondolas, exposed to the elements and other sources of potential damage. Coil cars generally have wooden linings to cushion the load, restraints to prevent shifting en route, and a cover for protection. The covers, which can weigh a ton or more by themselves, usually have a central handle for lifting and a pair of brackets to allow the covers to be stacked during unloading or when not in use. Since the covers on many cars are interchangeable, it is not unusual to see cars with mismatched covers.
The most common interior arrangement, as represented in our model, is a single longitudinal trough that can hold coils of varying sizes, each held in place by crossbars or other bracing during shipping. A more recent innovation is the transverse coil car, with a series of troughs that run widthwise across the car, thus eliminating the need for blocking or bracing each coil. Most carriers today offer both longitudinal and transverse coil cars to meet a variety of shippers' needs.
Unit Measures:13" x 2 1/2" x 3 3/4"


Posted on January 4, 2016 at 1:19 pm.
Gwen Ware, a young woman in her early twenties, enrolled as a V.A.D (Voluntary Aid Detachment) nurse and started Red Cross work on her birthday at The Highlands Hospital in Shortheath, Farnham. 'It was only a small Auxiliary place, 45 beds, but I had plenty of work to do and learnt a certain amount.' (see her book 'A Rose in Picardy' the diaries of Gwen Ware – 1916-1918, published by Farnham and District Museum Society). After an appeal for more V.A.Ds, necessary because a rush of wounded was expected from some great push on the Western Front, she transferred to a much larger hospital, the Bramshott Military Hospital.
The Highlands Military Hospital was opened with 40 beds on March 8th 1915 as an auxiliary to the Military Hospital, Frensham Hill. Thanks to the generosity of the neighbourhood and substantial support from the Lord Lieutenant's County Fund and the Farnham War Relief Fund, the expenses of equipment were kept to a minimum. It was staffed entirely by the Bourne V.A.D. (No. 74), one medical officer, Dr Rubens Wade, a Lady Superintendent, Miss M.A. Peddie, and two trained nurses. The commandant was Miss A Miller. Four masseuses were also employed. By 31 December 1915 400 patients had passed through the hospital.
This is the Index card for Highlands Hospital. It was obviously started in 1915, possibly when the hospital was first opened but was not continued until 1919, the date of closure. It contains some useful information, i.e. the address, the name of the Commandant and the number of beds, but, unfortunately there is nothing to put the entries in context. There were many more workers at the hospital than shown here.
1916 was reported to be 'successful in every way'. The hospital continued to grow and in September 1916 it was registered under the War Charities' Act. A Finance Committee under the Chairmanship of Mr Ernest Crundwell was appointed. The number of beds was increased to 46 by the conversion of a small garden house into a ward and 600 patients were treated that year. A permanent Sister-in-Charge, was appointed. At first she undertook most of the massage work but, in November, a full-time qualified masseur, Mr D. Hill-Cook, was appointed. His wife helped him with his work. Massage was recognised as important in the treatment of injured nerves, muscles and joints to help regain the use of limbs. As it said in the Surrey Branch Annual Report, 1917, the treatment could mean 'all the difference between sending a man out into the world a cripple for life, or restoring to him – wholly or partly – the use of limbs by which he may gain a living, or at any rate become less of a burden to himself and to others'.
The accommodation at the hospital was increased early in the year by the erection of a hut. The cost of building and furnishing was met by generous subscriptions from friends and neighbours. It was intended to use the hut for recreation, but, owing to the high demand for beds it was very soon turned into a ward. This increased the number of beds to 51. At the same time, the largest ward in the hospital was taken over as a day and recreation Room. Dr Rubens Wade served as medical officer until June 1917 when he was replaced by Dr F Hancock of Bentley. Mr D Wallis, a dental surgeon from Farnham offered free treatment to the patients. His offer was 'largely taken care of'. 492 men passed through the hospital during 1917.
The difficult problem of shortage of food was tackled cheerfully. The 3-acre garden in which the hospital stood was cultivated, and a 20-rod allotment was used to grow potatoes. Some of the patients helped to trench the new ground which yielded about 1 ton of potatoes. It was hoped that a second allotment could be cultivated in the next season.
More beds were needed and in 1918 the number was increased to 71. Two marquees and the extra beds were provided by Aldershot. Miss Miller continued to act as Commandant and in 1918 she received the M.B.E. Two of her staff also received honours.
The hospital was closed early in 1919 and a Curative Post under the Surrey Red Cross was set up in the Hospital Hut, which was moved to a more central position (in the town?) for the benefit of War Pensioners in the district. The post was opened to patients in June 1919, and between June and the end of the year 44 War Pensioners attended and 2,962 treatments were given.
Sale catalogue held at the Rural Life Centre, Tilford.
This, and the other information in this section, is taken from the Annual Reports (1914 – 1919) of the Surrey Branch of the Red Cross. These are held at the British Red Cross Museum Archives, British Red Cross, UK Office, 44 Moorfields, London EC2 9AL. refs. RCB/2/3/2/1-5.
British Red Cross Museum Archives, British Red Cross, UK Office, 44 Moorfields, London EC2 9AL.


Join us during Spring Barrel for a fun filled weekend with the latest barrel sample that has been aged to perfection.
Sage + Rose will be bringing their mobile clothing boutique to add to the celebrations! They will be showcasing fun, stylish, and chic clothing collections that will be available for purchase.
Hot Tamales was such a fun addition to Spring Barrel last year that we decided to bring them back for Round 2!
Come out and purchase some of these delicious, authentic tamales before they run out!
Educated Cigar returns again this year as well! They will have their pop up shop open on Saturday, April 28th, from 11am-5pm selling authentic cigars!
when visiting the Tasting Room!
Stop in Memorial Day Weekend to enjoy some fun in the sun!
Join us for a fun afternoon of wine features and pizza available for purchase that is served from a cool old vintage truck with its own wood fire stove!
Time for our Wine Club Members to kick up their feet this weekend in Prosser!
Join us at this fun day long event celebrating amazing food, local craft beer, and local wine!
All proceeds from this event go to Prosser Memorial Health Foundation.


It is no secret that well-kept, fresh and tidy office environment improves morale and performance of the employees. Our well-trained professional cleaning teams, fully equipped and insured, can handle all kinds of office spaces, from small professional offices to entire office floors and retail spaces. Additionally, all of our employees are educated on issues of workplace security and confidentiality. Dedicated account managers and office personnel will provide professional, detailed estimates, invoices, management of chemicals, and follow-ups. Shift supervisors will ensure quality control and timely communication. Give us a call for a FREE estimate and enjoy our simple pricing and extended hours of service. Let us take care of your workspace, put in on autopilot and make every day of work that much more enjoyable!
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Our newest service and the fastest growing yet. No project is too big for our lads. Exterior and interior panting projects, with thorough cleaning, surface preparation and restoration, tinting, and detailing is what we do. We use only the best professional grade equipment and supplies and partner with the best paint manufacturers. You can expect the utmost attention to details, uncompromising quality, best materials, and absolutely transparent, well documented, "zero-surprises" communication and project management from our crews and administration.
We see every house as a temple, and every temple should be clean. New Morning cleans windows and gutters in Boulder, Lyons, Broomfield, Superior, Louisville, Lafayette, Lyons, and Longmont areas in Colorado. We approach each project with child-like enthusiasm and an open heart, putting forth great attention to detail and care for every phase of our work. We like to call the men who work with us "the lads". It's a way of respecting the great energy they put out and the beautiful environment they leave behind. You can call them that too. I believe they like it. They're all highly skilled in window cleaning or in training and getting there. Jonathan Swanson is in charge of training and making sure each and every project is completed properly down to minute details. He is by far the best window cleaner I've ever seen. He can cover a lot of ground in a day and he's also a great trainer for new comers to the profession. Our window cleaners are delighted that they get to clean windows of some very modest dwellings all the way to some of the most exquisitely designed and constructed homes in Colorado with very particular owners.
No streaks! Spotlessly clean! You'll feel a refreshed sense of lightness. In addition to more natural light passing through your now-clean windows, but because the dirt and mess of the past has been washed away. Your space is transformed, freshened, and airy. You'll be ready to greet whatever life brings you next. This is the philosophy of New Morning.
A very necessary service indeed. It is essential for proper maintenance of a house, drive ways, walls and decks and in preparation for painting projects.
This is professionalism at its finest. Jonathan bids fairly and works with the client to ensure a beautiful finished project. I had to fire 2 previous painters. Jonathan was 1 of 6 that I chose from to complete the large interior entire house painting and exterior. Not only did he complete the work, but he "fixed" a lot of problems from the previous 2 painters, and we couldn't be happier with the results. He uses good quality products. He and his crew are detailed, reliable, and hardworking (they were often there from 8 until well past 5).
New Morning did a great job cleaning all our windows from the outside. The crew was friendly and professional and they completed the job quickly without causing any damage to the outside of the house or the yard. Nice job!
We were so happy with the service we received. They worked hard to get our windows finished quickly and did an amazing job! We should have done it sooner!


text:
layout: page
title: Weeks Family Reunion
date: 2016-05-24
author: Sean Malone
tags: weekly links, java
status: published
summary: Sed sed mi eu urna suscipit.
banner: images/banner/leisure-01.jpg
booking:
  startDate: 01/10/2018
  endDate: 01/11/2018
  ctyhocn: DSINEHX
  groupCode: WFR
published: true
---
Maecenas eu tincidunt felis. Mauris interdum urna vitae libero facilisis, ac euismod nisl tristique. In vehicula accumsan nisl. Suspendisse massa arcu, euismod sit amet semper nec, sollicitudin sit amet nulla. Aenean egestas efficitur dui, eu sollicitudin mi. Sed viverra imperdiet accumsan. Sed pretium elit eu arcu porttitor, vel fermentum lacus elementum. Quisque et ultrices ex, vitae porttitor ligula.

* Proin mollis elit ac lectus consequat, sit amet elementum erat sollicitudin
* Fusce accumsan magna non massa aliquam tincidunt
* Aenean vulputate metus eget est scelerisque tempor
* Morbi nec ligula fermentum, aliquam nisi et, aliquet nisl.

Ut magna odio, pellentesque cursus nunc ullamcorper, dictum maximus sapien. Nulla vestibulum velit et diam ornare pretium. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nulla elementum justo quis quam placerat vestibulum. Sed id urna nisl. In eleifend, eros non dignissim condimentum, odio diam malesuada elit, ac varius urna quam nec felis. Suspendisse non neque turpis. Fusce finibus laoreet ex tincidunt tincidunt. Cras tempor erat non sem dictum sodales. Vivamus blandit gravida pharetra. Pellentesque sed mi ac turpis iaculis rhoncus et in ipsum. In non lobortis nibh, eu hendrerit mauris. Donec molestie massa id justo tempor, scelerisque malesuada elit mattis. Mauris ac enim massa. Integer vitae magna lacus. Vestibulum eu massa odio.

redpajama_set_name: RedPajamaGithub


The Bahamas Dream Body Lotion of Balea will take you to the beaches of Bahamas. Its mild formula leaves an exotic delicate Coconut and Frangipani fragrance on your skin. The light emulsion is absorbed quickly and provides dry skin with valuable moisture. Enjoy Caribbean life!
Application: Massage gently with circular movements every day.


text:
package goparser

import (
	"go/types"
	"strings"
)

type Param struct {
	Name       string
	IsVariadic bool
	Type       types.Type
}

func (param Param) Print(ctx *PrintContext) string {
	return PrintType(ctx, param.Type, param.IsVariadic)
}

func (param Param) TypeName() string {
	var sb strings.Builder
	printTypename(&sb, param.Type, param.IsVariadic)
	return sb.String()
}

type Params struct {
	Method *Method      `json:"-"`
	Tuple  *types.Tuple `json:"-"`
	List   []Param
}

func NewParams(method *Method, tuple *types.Tuple, isVariadic bool) *Params {
	ps := &Params{
		Method: method,
		Tuple:  tuple,
		List:   make([]Param, tuple.Len()),
	}

	for i := 0; i < tuple.Len(); i++ {
		v := tuple.At(i)
		ps.List[i] = Param{
			Name: v.Name(),
			Type: v.Type(),
		}
	}

	if tuple.Len() > 0 {
		ps.List[tuple.Len()-1].IsVariadic = isVariadic
	}
	return ps
}

func (ps *Params) Print(ctx *PrintContext, sb *strings.Builder) {
	for idx := range ps.List {
		if idx != 0 {
			sb.WriteString(", ")
		}
		sb.WriteString(ps.List[idx].Name)
		sb.WriteString(" ")
		printType(ctx, sb, ps.List[idx].Type, ps.List[idx].IsVariadic)
	}
}

func (ps *Params) Len() int {
	return len(ps.List)
}


text:
Movie Forums
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Today's Posts The Shoutbox Register Log In
← Back to Reviews
by Citizen Rules
Close Encounters of the Third Kind (1977)
Writer: Steven Spielberg
Cast: Richard Dreyfuss, François Truffaut, Teri Garr
Genre: Drama, Sci-Fi
About: A series of unexplained encounters with U.F.O.s sets in motion a global search for answers...Whilst a family man, Richard Dreyfuss seeks answers to his own close encounter with an unknown object.
Review: I first watched Steven Spielberg's opus to extraterrestrial first contact back in the early 80s. I was blown away by what I saw. After all these years I rewatched this classic sci fi...and yes I was still blown away by it! Thanks to Spielberg's mastery of film making.
You know usually the director gets all the credit for the movie, but it's the intelligently written, multi story layering of the script that impressed me most of all. And guess what? Steven Spielberg wrote the movie! That's probably why his movie comes close to perfection as it's his unified vision...and according to him based on a childhood experience.
But of course Spielberg is also skilled as a director. I love how he imparts us with the emotion of the scene by cutting to a reaction shot as he does in the above photo. It's the tears welling up in the son's eyes that tells us how deeply affected the father is by the UFO encounter.
Nothing makes us feel the pain or joy of the moment more than by seeing the emotions in the other character's eyes. Spielberg works magic here with his reaction shots.
Bob Balban foreground, Francois Truffaut background.
I love how the movie interweaves the different stories of those who had extraterrestrial encounters of the 1st kind. Especially powerful was the story line of the international team investigating the re-appearance of long missing planes and ships in the deserts. It gives an all important and serious feel to the context of the movie. Very cool that the renowned French director François Truffaut, leads the investigation team.
Another secondary story that's hauntingly effective, is due to the mother's fear of losing her son. Both mom (Melinda Dillion) and the little kid are instrumental in building the story arc that questions: what the aliens real intentions are?...And her little son (Cary Guffy) was so good an actor that Stanley Kubrick decided to use him in The Shining.
I think of Richard Dreyfus as a comic actor but he's so good here. I instantly believed he was an average family guy with kids and with the charmingTeri Garr for a wife. The way he descends into his obsession after his close encounter is powerful. The scene where he's in the shower having a mental break down and the son is screaming at the top of his lungs, while slamming the bathroom door in anger, is some of the most realistic family crisis drama I've seen put on film. All thanks to Dreyfus and Spielberg.
And Teri Garr was great as the loving suburbia wife, who's pushed to the edge by her troubled husband. She was great in this...and I realize she looks a lot like Blake Lively, or is that the other way around?
Gosh, there's so many well done scenes that each moment in this movie is a real treat. I loved the setting at Devil's Tower, which in itself is more amazing than any modern CG effect. And the alien ships!...with all of those beautiful lights and the way they moved and rolled over before landing, so very cool.
» More about Close Encounters of the Third Kind
» More reviews of Close Encounters of the Third Kind
» More reviews by Citizen Rules
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text:
package fortuna

import (
	"hash"
	"log"
	"strconv"
	"time"
)

var _DEBUG bool = false
var _DEBUGLEVEL = 4

func logTrace(msg string) {
	if _DEBUG && _DEBUGLEVEL > 5 {
		logLog("TRACE", msg)
	}
}

func logDebug(msg string) {
	if _DEBUG && _DEBUGLEVEL > 4 {
		logLog("DEBUG", msg)
	}
}

func logInfo(msg string) {
	if _DEBUG && _DEBUGLEVEL > 3 {
		logLog("INFO ", msg)
	}
}

func logWarn(msg string) {
	if _DEBUG && _DEBUGLEVEL > 2 {
		logLog("WARN ", msg)
	}
}

func logError(msg string) {
	if _DEBUG && _DEBUGLEVEL > 1 {
		logLog("ERROR", msg)
	}
}

func logFatal(msg string) {
	if _DEBUG && _DEBUGLEVEL > 0 {
		logLog("FATAL", msg)
	}
}

func logLog(cat, msg string) {
	if _DEBUG {
		log.Print(cat + " - " + msg)
	}
}

type SeedingError struct {
	Msg string
}

func (e SeedingError) String() string { return "crypto/fortuna: " + e.Msg }

// currentTimeMillis returns the current time in milliseconds since the Unix
// epoch.
func currentTimeMillis() int64 {
	result := time.Nanoseconds()
	return result / 1e6
}

// isZero returns false if any of the bytes in buffer is not 0. It returns
// true otherwise.
func isZero(buffer []byte) bool {
	for i := range buffer {
		if buffer[i] != 0 {
			return false
		}
	}
	return true
}

// int63 returns a non-negative pseudo-random 63-bit integer as an int64.
func int63(prng PRNG) int64 {
	buffer := make([]byte, 8)
	n, _ := prng.Read(buffer)
	if n != 8 {
		logError("int63(): Was expecting 8 bytes but got " + strconv.Itoa(n))
		panic("oops: not enough random bytes are available\n")
	}
	result := int64((buffer[0] & 0x7F) << 56)
	for i := 0; i < 7; i++ {
		result |= int64(buffer[1+i]) << uint(48-8*i)
	}
	return result
}

// increment increments in-situ the unpacked integer assumed to be in network
// byte order.
func increment(counter []byte) {
	for i := len(counter) - 1; i >= 0; i-- {
		counter[i]++
		if counter[i] != 0 {
			break
		}
	}
}

// toBytes unpacks and returns an 8-byte array from the given integer n.  The
// returned bytes are arranged in network (Big endian) order with the Most
// Significant Byte at index 0.
func toBytes(n int64) []byte {
	result := make([]byte, 8)
	for i := 0; i < 8; i++ {
		result[i] = byte(n >> uint(56-(8*i)))
	}
	return result
}

func toString(es entropySource) string { return "source #" + strconv.Itoa(es.getID()) }

func updateHash(b byte, md hash.Hash) {
	buffer := make([]byte, 1)
	buffer[0] = b
	md.Write(buffer)
}


This version of FilesFetcher allows users to download this professional search engine for Tv shows and video streaming. This is a free trial of 1 week completely ad free!
If you do not maintain your PC on regular basis, many PC errors may occur such as windows crashes, slow performance and error messages. Users can download and install this Easy PC Optimizer tool.
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text:
//Sorting an array means to arrange its elements in increasing order. Write a program to sort an array.
//Use the Selection sort algorithm: Find the smallest element, move it at the first position, find the
//smallest from the rest, move it at the second position, etc.

using System;

class SelectionSort
{
    static void Main()
    {
        string[] input = Console.ReadLine().Split(',');
        int[] numbers = new int[input.Length];

        for (int i = 0; i < input.Length; i++)
        {
            numbers[i] = int.Parse(input[i]);
        }

        int minIndex;
        int temp;

        for (int i = 0; i < numbers.Length; i++)
        {
            minIndex = i;
            for (int j = i; j < numbers.Length; j++)
            {
                if (numbers[j] < numbers[minIndex])
                {
                    minIndex = j;
                }
            }
            temp = numbers[minIndex];
            numbers[minIndex] = numbers[i];
            numbers[i] = temp;
        }
        for (int i = 0; i < numbers.Length; i++)
        {
            if (i == numbers.Length - 1)
            {
                Console.WriteLine("{0}", numbers[i]);
            }
            else
            {
                Console.Write("{0},", numbers[i]);
            }
        }
    }
}


<audio controls loop autoplay preload="none"
preload can take the values none, metadata or auto. The default is auto. It can be good to set it to none on pages where you include multiple audio elements, preventing the browser from downloading all the audio data.
Can I Use audio? Data on support for the audio feature across the major browsers from caniuse.com.


Bad credit loans online in Kentucky. Even if you have no we may still be able to get you approved. Installment payments every month until paid in full. In most cases you can complete everything right from your computer and have the cash loan in your bank account by the next business day. WireLend wants you to feel comfortable with the lending process.
If approved, loan that works for your life and your finances. Get a Kentucky loan up to $2500. From Bowling Green to Lexington to Louisville we got your covered in Kentucky. Our lenders can be as fast as thoroughbred race horses.
No collateral installment loans offer you a fixed payment schedule that you can plan on and budget for. Each payment consists of principal and interest so your loan is being paid down on each payment.
Alternative goods are products that are the same as typical brand-name products but with a less famous brand. In addition, it is an option that is typically cheaper. In a world full of brands, it is a usual mindset that famous brands are more advantageous and more reliable yet the truth is that it is not applicable to every good. For example, when it comes to medicines, there are generic options that are affordable. Spaghetti pasta may differ in names but they have the same quality no matter what brand you choose. The choice for alternative goods is always great for your budget.
Water is the ultimate drink for everyone. You will always find it no matter where you are. For people who prioritize saving, having a water bottle with you is practical and it avoids forcing you into going to the grocery store just to get H2O. It saves money and time after a while. It keeps you out of sweetened liquids as well.
The internet world of loans can be a difficult puzzle to put together. We have been in business over ten years because we get people what they want. Money in their bank accounts faster than most other lenders on the web.
Must be 18 to apply. All Terms are between you and the direct lender. WireLend is not a lender.


Business Manager, Country Manager, Territory Manager, Growth Manager; the title is flexible. The mission is to lead and grow an ambitious business growth consultancy with a strong global network. They're urgently seeking a proven international business developer and future leader with fluent French and English to take ownership of the UK HQ, lead their team of consultants and to create clear strategy and direction for the future of the business.
You'll be identifying opportunities to expand and extend that network, bringing new partners on board as well as cultivating relationships and working closely with key partners across Europe, North Africa, the Middle East and Asia to open up opportunities for them.
The specialist services delivered here are opening up new sales and distribution channels globally as well as maximising revenue for major B2B event partners. Regular international travel will also be a must as you'll be the face of the business.
You'll need to be an outstanding communicator in native level English and fluent French, be able to demonstrate success in international B2B sales. It would be perfect if you've been involved in import/export or events.
It's a sales role; you're generating revenue for partners and helping them grow so the ability to work to targets and deadlines successfully is also a must. You'll also be generating revenue and therefore profit for your business unit and will be rewarded with a share that will rise incrementally as you progress.
This is a unique opportunity to join a fast-growth business with a thriving global network, take ownership of the P&L and evolve into a genuine business partner for the founder. They have big plans and a sky's the limit mentality; you'll need to be a real entrepreneur. Get in touch and prove it; they'd like to interview and appoint fast.


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We Are You
Gaza/Palestine
Mavi Marmarna
Endangered Archaeology
CV/Teaching Portfolio
Jordan in Art
ARTSPR INTERNATIONAL BROCHURE
http://westviewnews.org/2017/12/needle-and-thread-as-weapon/
Dr. Jacqueline Casale Taylor Basker
Cevdet Kiliclar, 38
A journalist and web editor for the IHH charity that organized the Freedom Flotilla, Cevdet Kiliclar was the technical coordinator of the pressroom on its flagship, the Mavi Marmara. An experienced humanitarian aid worker, he was killed by a single bullet that hit him between the eyebrows on his forehead while he was taking photographs of the incident.
Born in Kayersi he studied Media and Communications at Marmara University, Istanbul and obtained his Masters degree in Germany. He worked for newspapers in Turkey before joining IHH in 2008. Married with 2 children, he travelled much as a volunteer documenting the needs of the countries in the region and the charity work of the Foundation.
Witnesses reported that he ran to the upper deck saying, "We should not let this go unrecorded". He was shot in the forehead while recording the attack with his camera. However his efforts were not in vain. A Greek activist onboard, Dimitris Pilonis, noted "Despite the electronic attack and transmission blackout by the Israeli navy, Mavi Marmara was able to send pictures until about half an hour after the attack thanks to the efforts and equipment of a Turkish activist onboard." This was Cevdet Kiliclar. A rarely used type of bullet penetrated his forehead and remained inside his skull without scattering. Forensic scientists report that the specific type of bullet is used in certain shotguns that are mainly employed by the military for ballistic breaching of doors and crowd control. This "bean bag round" is only fatal if shot to the head as what happened to Cevdet.
Jacqueline Casale Taylor Basker © ALL RIGHTS RESERVED | Privacy Policy


At the Ritchie School, we've built a diverse, high-achieving student body, and we're always working to strengthen our community by bringing in new voices and perspectives. That means maintaining a straightforward application and admission process, as well as a wide variety of opportunities for financial assistance. Explore scholarships and get all the information you need to join us as part of the Ritchie School community.
Denver is the third-best city to start a tech career.
Go do things. Winter Carnival. Join the Alpine Club. Join a small club. Create your own group... It's kind of one of those things you've just got to do.
Apply directly to DU through either the Pioneer App or the Common App.
Application requirements vary by program, and you'll be applying directly to your program of choice.
Undergraduates are eligible for both merit- and need-based aid delivered through the central financial aid office. Graduate financial aid varies by program, so be sure to reach out if you have any questions.
All students are automatically considered for our merit-based scholarships. No separate application necessary!
Established in 1995 by Robert L. Alldredge, BSCHE '42, the Robert L. Alldredge Endowed Scholarship Fund supports undergraduate students majoring in engineering. Recipients are selected by both engineering department chairs based on academic merit and financial need, and must have and maintain a cumulative GPA of 3.0 or better on a 4.0 scale. Recipients are designated as Alldredge Scholars.
Established in 1991 by Leonard G. Anderson '41, and Irene P. Anderson, the Leonard G. and Irene P. Anderson Endowed Scholarship Fund supports young women majoring in engineering. Recipients shall be selected by Financial Aid on the basis of academic merit and demonstrated financial need, and must have and maintain a cumulative grade point average of 3.2 or better on a 4.0 scale. Recipients shall be designated as Leonard G. and Irene P. Anderson Scholars.
Established in 2000 by Mary Jane Creutz Whitcomb, BS '50, this endowed scholarship supports deserving women pursuing an undergraduate degree in both engineering departments.
Established in 2011 by Robert L. Jones, BFA, '52, and Dixie L. Savio-Jones, the Robert L. Jones and Dixie L. Savio-Jones Endowed Scholarship Fund for Engineering and Computer Science provides scholarship support to undergraduate students enrolled in The Ritchie School of Engineering and Computer Science at DU. Scholarship recipients shall be selected on the basis of academic merit and demonstrated financial need. Scholarship recipients shall be designated as Jones/Savio-Jones Scholars.
Established in 1989 by the family of John Paul Kammer, BS '87, the John Paul Kammer Endowed Memorial Scholarship Fund supports deserving undergraduate engineering students who are active in campus organizations.
Established in 1997 by William J. Kunzman, BSCH '54, MSCH '61, the William J. Kunzman Endowed Scholarship Fund supports undergraduate students majoring in engineering. Recipients are selected by both engineering department chairs on the basis of academic merit and financial need, and must have and maintain a cumulative GPA of 3.0 or better on a 4.0 scale. Recipients are designated as Kunzman Scholars.
Established in 1996 by K. Lee Nelson '50, and Shirley C. Nelson '52, the Lee and Shirley Nelson Scholarship Fund supports undergraduate students majoring in engineering. Recipients are selected by Financial Aid on the basis of academic merit and demonstrated financial need, and must have and maintain a cumulative GPA of 3.0 or better on a 4.0 scale. Recipients shall be designated as Nelson Scholars.
Established in 2012 by John Parkinson, M.D., the Parkinson Family Endowed Scholarship Fund provides support to undergraduate students enrolled in The Ritchie School of Engineering and Computer Science. Recipients shall be selected by the Office of Financial Aid on the basis of academic merit and/or demonstrated financial need. Recipients shall be designated as Parkinson Scholars.
Established in 1990 by the Jane and Lloyd Pettit Foundation, in honor of Homer G. Thomson '19 for his service as a research engineer for the Allen-Bradley Company, the Homer G. Thomson Endowed Scholarship Fund supports undergraduate students majoring in engineering. Recipients shall be selected by Financial Aid.
Established in 1997 by Margaret M. Walker, BS '61, and Merrick and Company of Denver, in memory of Bruce A. Walker, BS '60, MBA '61, the Bruce A. Walker Scholarship Fund supports undergraduate students majoring in engineering. Recipients shall be selected by both engineering department chairs on the basis of academic merit and demonstrated financial need, and must have and maintain a cumulative GPA average of 2.8 or better on a 4.0 scale. Scholarship funds will support students up to a maximum award per student of full tuition per student. Scholarship recipients shall be designated as Walker Scholars.
Discretionary scholarships determined by the Office of the Dean, usually given to undergraduate students or applicants in a less represented demographic, who are ineligible for another scholarship.


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Home / Team News / Report: Cavs agree to deal with Thon Maker
Report: Cavs agree to deal with Thon Maker
The Cleveland Cavaliers have agreed to a training camp deal with big man Thon Maker.
#Cavs have agreed to a training camp deal with Thon Maker, sources tell @clevelanddotcom.
— Chris Fedor (@ChrisFedor) November 28, 2020
Maker, 23, was the No. 10 pick in the 2016 NBA Draft. He has struggled to find his role in the league through his first few seasons.
Last season, Maker appeared in 60 games for the Detroit Pistons, starting 14 of them.
He averaged 4.7 points and 2.8 rebounds in 12. 9 minutes per game last season.
The Cavs are in rebuild mode after finishing in last place in the Eastern Conference during the 2019-20 campaign.
While Maker isn't a flashy signing, he could turn his career around in Cleveland.
Maker is a 7-footer and shot 34.4 percent from 3-point range last season. That and his age give him some upside on a low-risk deal.
The 2020-21 NBA season is set to begin on Dec. 22.
cleveland cavaliersfeaturednews tickerThon Maker
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Strange and Clea - 1973 Signed pencils by Jim Starlin and inks by Frank Giacoia and David Hunt. This item was uploaded by Bobby. If you have any specific questions or requests, please ask us prior to ordering and we'll get back to you as soon as we can.
The image pictured is original art unless otherwise described. Can you issue a COA? Please make sure you leave us a note while checking out and shoot us a message immediately after requesting one, just to be sure.
Multiple art pages can easily be combined because they are light and thin. For instance, two statues require a much bigger box. Same goes for CGCs, as the package gets bigger and heavier as you go. I've had some bad experiences.. You needn't worry; we are professionals who value your business and want your item to arrive safely as much as you do. I have been collecting for over 30 years. I send out items the way I would like to receive them. This is normal for our Post Office and will not impact you receiving your item in a timely matter. Have these CGCs had any previous owners? I see the word STAT when describing the art page I'm interested in. A STAT is essentially a photocopy glued on to one or more of the panels by the artist done during production of the piece and is not original artwork. We will do our best to clearly identify what's a STAT or what isn't on your page, if indeed it contains one. Pictured left to right, my employees: Chris, Connelly, Bobby, & Shannon alongside my family: Sharon, Myself (Anthony), Cameron, AJ, and Jamison Snyder. This # is text enabled as well.
The item "Marvel Premiere #8 p. Strange and Clea 1973 art by Jim Starlin" is in sale since Wednesday, May 03, 2017.


Mr. Chairman, Secretary General, Excellencies, Brothers & Sisters!
On behalf of the people and Government of Pakistan, I convey our deep appreciation to President Erdogan for convening this timely and important Summit.
Our gathering is important both for its key messages and a response strategy in the face of injustice, illegality and impunity against our Palestinian brothers and sisters.
Pakistan joins the OIC countries in conveying our strong condemnation of the massacre and maiming of innocent Palestinians by Israeli forces earlier this week.
Today we in Pakistan commemorated a day of solidarity with the Palestinian people and special prayers were held in our mosques.
These killings represent yet another brazen chapter in the seventy years of injustice to the people of Palestine.
This year also marks the 70th anniversary of deliberate Israeli defiance of international law and norms.
It is deeply regrettable that the US did not heed to universal calls for rescinding its decisions about recognizing Jerusalem as the so-called capital of Israel, and relocation of its Embassy to the Holy City.
Pakistan stands in full solidarity with the Palestinian people in the face of unbridled tyranny.
It is therefore in the fitness of things that our conference resolutely condemns and rejects unilateral decisions and recurrent violations of international legality. Concurrently, it is heartening to note the strong message of solidarity and support by the OIC for their Palestinian brothers and sisters in these turbulent times.
We also see this Summit as an occasion for introspection and charting a path for justice and equity for the people of Palestine. We must unify our ranks and evolve an effective response strategy.
We are at an important juncture in history. It is no longer a question of choice but of necessity - to rise above our differences, demonstrate solidarity and support for the people of Palestine and above all ensure that international law is upheld without exception.
I would like to recall two questions that I had placed before our previous extraordinary summit here last December.
Firstly, how have we come to this pass? The fact is that we have not given concrete shape to our expressions of solidarity and unity. This has been true not only for Palestine but for other common causes also.
The world is witness to a similar pattern of tragedy, both in scope and scale. For seven decades, the people of Jammu and Kashmir have been subjected to illegal Indian occupation and blatant violation of their fundamental rights including their right to self-determination. As in the case of Palestine, the UN Security Council resolutions continue to be defied and the just struggle for freedom conveniently branded as terrorism.
Without rectifying our political, economic, communication and technological weaknesses we will not be able to mount a sustained defense of our brethren whether in Palestine or Kashmir.
The second key question is what should be our response? Should we accept defiance of international law and the reign of state terrorism as fait accompli? It is clear that only a demonstration of rage will not be sufficient to alter the status quo.
Our response should therefore be multi-pronged and well-considered.
On the one hand, it is essential to reaffirm and renew our full solidarity and unity among and between our countries and people. We must also set aside our political differences. Even more important is to faithfully implement the OIC plans of action that are already in place in diverse areas.
Only by taking these actions can we resist external pressures, reverse the losses and take our destinies in our own hands.
Our response strategy must also include all possible options.
On the diplomatic front, we must continue to demand that the UN Security Council fulfill its key responsibility for implementation of its existing resolutions.
The OIC must demand accountability for defiance of its decisions. We must underscore that the Council's credibility will be questioned if it does not deliver on its duty to ensure implementation of its resolutions. We must reject double standards in the enforcement of Council resolutions.
And if the UN Security Council is unable or unwilling to act, we should mobilize support in the UN General Assembly for rejection of revisionist decisions and ensuring accountability of violators of international law.
We must also follow up on OIC decisions for economic and other appropriate actions to change the behavior of the occupying forces.
We should also consider the possibility of seeking the ICJ's advisory opinion on the illegality of recent actions.
We need to reach out to other states and groupings to sustain support for the just cause of the Palestinians, put an end to continued killings and state terrorism and build an independent and contiguous State of Palestine, on the basis of internationally agreed parameters, the pre-1967 borders, and with Al-Quds Al-Sharif as its capital.


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Twinkle Trees
Tree lightings are always fun to attend, as much for the smiles on children's faces as for the visual feast itself. Entertainment is always part of the picture, and there's no need to leave Fido at home or in the hotel during these fairly brief events taking place at dusk. Among the big ones: A 45-foot tree at Embarcadero Center will be lit, along with lights outlining the buildings, on Nov. 18. The Pier 39 tree lights up at 5:30 p.m. on Nov. 20, while Macy's Union Square tree will be illuminated on Nov. 25. Ghirardelli Square lights its tree that same evening after a day of free family entertainment. The Castro Holiday Tree lighting on Nov. 28 will be accompanied by chorus and band music, while the Ritz-Carlton version of a tree-lighting ceremony includes costumed carolers and holiday confections on Nov. 29. Be sure to bring a treat for Fido so he doesn't feel left out!
lights christmas holiday macys castro "pier 39"


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Interzone Magazine
in Other Interests ... Science Fiction
If you would like to receive every new cover of Interzone Magazine by email as it is released in the UK, please insert email below. We will not send you any other emails and you can stop them at any time.
... Science Fiction
NO 281, released 17/05/2019
Next Issue: NO 282, Due:19/07/2019 £7.66
Britain's leading science-fiction and fantasy magazine, founded in 1982, has now published more than 200 issues. Shortlisted for the Hugo Award many years running, and a Hugo winner in 1995, it has a high reputation around the world. Interzone magazine appears bimonthly, perfect bound and, now, full colour throughout.
Buy a single copy of INTERZONE or a subscription of your desired length, delivered worldwide. Current issues sent same day up to 3pm! All magazines sent by 1st Class Mail UK & by Airmail worldwide (bar UK over 750g which may go 2nd Class).
Be as highbrow or as literary as you like, what man doesn't have a lightsabre concealed under his bed at home? Between George Lucas and Arthur C. Clarke, science fiction has always been a groundbreaking way to view the world. Everyone loves a dystopia: Ray Bradbury's Farenheit 451 predicts the disappearance and eventual vilification of literature, and in this era of the 10-second attention span with screens blaring sensationalist soap operas constantly in our eyes and ears, it's easy to see it happening, and happening soon. Farenheit 451 is a book that explores the demise of books: a warning to literature lovers of what is to come.
Magazines like Interzone strike a blow against the culture warned against by Bradbury – and is a must for anyone who wants to stay abreast of the latest and best in modern science fiction writing. Science Fiction keeps us on our toes: a look at what might happen in our future shows us, subtly or not so subtly, what is happening now. Science Fiction explores big themes and current issues couched in a fantasy format: it can be a social or political warning, or a subversive challenger of the current status quo. The first black/white kiss aired on television was between Uhura and Captain Kirk, and prompted not a few letters of complaint.
Printed in full colour, with book and DVD reviews and new stories, Interzone will keep you not only entertained but engaged with everything modern Science Fiction is trying to tell us about ourselves, the world we currently inhabit, and the world of the future.
Create your very own INTERZONE subscription using the slider below to select how many issues you would like.
Start with ... Current NO 281 NO 282
Buy single issues of Interzone magazine
Use the arrows to view and buy single issues of Interzone Magazine currently in stock, as well as pre-order future issues. WORLDWIDE DELIVERY!
Due: 19 Jul 19
Issue: SUMMER
£8.10 inc p&p (10 in stock)
IMAGINE FX
Issue: SEP 19
£8.28 inc p&p (6 in stock)
ANALOG SCI FI & FACT
Issue: JUL-AUG
Issue: NO 20
SCI FI NOW
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SCREAM MAGAZINE
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Issue: NO 2139


Robust luxury lodge tents with a beautiful natural look. Ecofriendly, the materials are 100% recyclable.
All the furniture is made in aged-wood which gives you real safari ambience on the French Riviera.
A unique, exquisite and chic accommodation!


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AlzWell Social Club
Café y Algo Más
Music Socials
Purple Sunday
Something for Alz Art Programs
Something for Alz: Musical Moments
Join us for Subzero Heroes 10th Anniversary
Jump set for Feb. 8 at Berean Lake in Highland
Hudson Valley Chapter
Check out our calendar
The Hudson Valley Chapter has a variety of ongoing educational programs and support groups -- as well as fundraisers -- happening in all seven of our counties. Find out what's coming up near you.
Bloggers share their thoughts on advocacy, living with Alzheimer's, Hudson Valley fundraisers and more.
Go purple with your church
Purple Sunday aims to increase awareness of Alzheimer's disease in the African-American and Hispanic communities in the Hudson Valley.
Alzheimer's Association Hudson Valley Chapter
The Alzheimer's Association Hudson Valley Chapter serves seven counties in New York, including Dutchess, Orange, Putnam, Rockland, Sullivan, Ulster and Westchester. We have four offices in Poughkeepsie, Purchase, New City and Middletown.
The Hudson Valley Chapter has a wide range of programs to help families and caregivers of people with Alzheimer's disease.
The Alzheimer's Association Hudson Valley Chapter offers educational programs on a variety of dementia-related topics.
Free interactive Music Socials for people with Alzheimer's disease and their family caregivers are offered in Orange County.
The Hudson Valley Chapter offers support groups for caregivers by phone and in-person in all seven of our counties.
The AlzWell Social Club is held in White Plains. It includes lunch and fun activities for people with Alzheimer's and their family caregivers.
Saugerties, Ulster County, NY : Caregiver Support Group First Saturday of Every Month
Meals on Wheels Caregiver Support Group Nanuet 1st Monday of the month
CANCELED: Liberty, Sullivan County, NY - Achieve Liberty Caregiver Support Group 1st Tues of the month -Program on hiatus January through March - Resumes in April
The Hudson Valley Chapter has four offices in New City, Middletown, Poughkeepsie and Purchase.


white and there were too many people beneath it.
restaurant across the street from our apartment.
sandpapering my fear until it was red and bleeding.
the same indigo as the shrinking sky.
First published in Now Then Manchester and Losing interest in the sound of petrichor (Black Light Engine Room Press, 2018).
squeeze into an old dress.
the edges of this moth-gnawed relic.
I hate throwing anything away.
First published in The names of things unseen (in Caboodle, Prolebooks, 2015).
Kate Garrett is the founding editor of Three Drops from a Cauldron, Picaroon Poetry, and Bonnie's Crew, and her own work is widely published. Her first full-length collection, The saint of milk and flames (Rhythm & Bones Press), and a seventh chapbook, To Feed My Woodland Bones [A changeling's tale] (Animal Heart Press) are forthcoming in April and September 2019. Born in rural southern Ohio, Kate moved to the UK in 1999, where she still lives in Sheffield with her husband, five children, and a sleepy cat.
I'll be on the way.
It is not a metaphor.
Ben is currently studying mathematics as a graduate student in Madison, Wisconsin. He loves cats, books, anti-depressants, and revolutionary political theories and practices which strive for nothing less than the total liberation of all beings.
Emma Jones has spent much of her life navigating chronic illness, which inspired her curiosity about how others make space for their illness, create tools for resilience, and, most importantly, make meaning of their illness experiences. Through her project, The Nightstand Collective, she explores the lives of the chronically ill through the intimate space of the bedroom nightstand, and the items we keep close in times of vulnerability.
When I first became sick, I took my symptoms to bed, imagining that I could treat them with rest. I had to stop the life that I had so carefully dreamed of, arranged, and created for myself. I did not bounce back to my old self and slowly realized I had to organize a different way of living. In the beginning, there was a certain novelty to being in bed; as an incredibly active person, giving in to the resting medicine was not easy. I had no name for my symptoms. By the time that I was handed them, my life had become very small and I felt unrecognizable.
For a long time, I was unable to read, watch TV, or follow narratives of any kind. My world became my bedroom and the items on my bedroom nightstand. The things that I kept close were very carefully curated for specific purposes; some were medical, but most were possessions that I just enjoyed looking at, that brought me comfort. My nightstand was a way that I could strategize my energy use by keeping the things that I would need for a whole day close by. It was also practical, held some art, some magic, items from friends, items from my old life, bits of the natural world; some things were to encourage and to inspire.
My nightstand was my nest, and while it was small compared to my old life, it reflected my growing inner world. I would look at my nightstand and wonder about all the other people out there struggling with the "unnamed" disorders that had taken their life down, and I would think about their nightstands. I spent a great deal of time imagining nightstands around the world, and I was curious as to what tools people were using to help them create a bigger life. And what did a bigger life mean to them? Folks who are dancing with chronic illness are remarkably adaptable, incredibly strong, and creative, yet they are never recognized as such; and it was these misconceptions that became the seed that led to the creation of The Nightstand Collective. I wanted a quiet space where the items could speak for themselves and show the life behind them.
I have been working on The Nightstand Collective for two years now and have had submissions from people from all over the world. I have had the most incredible communications with some of the most resilient and fascinating people I have ever had the pleasure to chat with. Many of us are canaries of the world, and I am curious about how they make their life, adapt to their symptoms, what tools they use to lead a nourishing life. I am still learning about how people are managing their illness and what are the things that support them. I have a yearly book list of all the nightstand books and it gives us a window into some of the inner work that people are doing; people are diving into some intense and transformative topics.
I have had folks tell me that my website is depressing; I don't find it so. It is a matter of fact that we will all have to dance with illness at some point in our lives, and others can be our guides into all of the ways that a life can become full. There are many people out there creating art, leading vibrant relationships, having spiritual experiences, and finding beauty all from the small space of their bedroom nightstand. It is true that some of the nightstands reveal a frightening reality of some awful diseases; some are stark and some are taken over with medical equipment, but somewhere there will always be one little item that tells a story of that person beyond their disease. I do hope to keep collecting nightstands and at some point start compiling the data on the objects that can reveal some patterns. It has been a great honor to peak into these very intimate spaces.
Emma has a background in theatre and film both in front of and behind the camera, and has recently started working in audio featuring narratives about healing from traumatic injuries. You can hear her work at www.sistersoftheroguewave.com. Her project, The Nightstand Collective, has been featured in Huffington Post UK, Mashable Social Good, The Mighty, West Journal, and The Italian Endometriosis Foundation.