Kamol Tassananchalee's art presentation at the Los Angeles Artcore Center in Little Tokyo from May to June is a close-up to his expressive practices with his two recent series of water colors on paper, Under the Western Sky and his spiritual cosmic large paintings on canvas titled The Four Elements.
Tassananchalee's or Kamol as he is mostly known by friends is involved in organizing student cultural art exchanges between his native country Thailand and the Unites States. He has taught at UC Berkeley and has given lectures at Lamare University in Texas. He has participated in international art biennials. Kamol's travels between his studio in the United States and Thailand have enriched his subject matter and exposed his process of creating to a wide range of diverse landscapes. With Under the Western Sky Series, Tassananchalee explores the great natural landscapes in Arizona, California, Utah, New Mexico, Colorado and Texas. Tassananchalee describes his water color series as a moment to capture before an escaping impression. He feels such moments deserve to be immortalized. In this series horses are seen grazing in endless sea of terracotta's while others gallop with graceful gestures to spontaneous strokes of water colors. The merge between colors is a borderless fusion. His sporadic scenic watercolors drip and move with an unbound sense of energy to create the depth of nature's natural beauty. There is a Native American free spirited flow in this series. The space is boundless with a topography that can be seen and felt. Tassananchalee draws in-timid encounters with majestic moments.
With his series, The Four Elements Tassananchalee amplifies his spiritual and cosmic philosophy. It is personal to his way of being. The reds, blues, and bright colors resemble a universal cosmic spectrum. Each engaging color used by Tassananchalee is a result of an exchange of energies in the midst of fusing and un-fusing. The making of patterns is a dance of meditation with drips and layers in between. It is a mapping of paths and journeys. There is an indefinite journey that merges with deep emerald greens that graduate in all directions. It is the key to the higher spirit and his homage to the four elements: wind, fire, water, and air. A series of four circles represents Buddha's journey. The zig zagging reds with white embryo like shapes and circles seem to carry the path finding foot prints of Buddha's life. His paintings share the fiery orange glow resembling hot ambers. He creates an environment of comfort that contemplates moments of mediation. The eye is allowed to travel in all directions with no confinements. Tassananchalee achieves a cultural exchange between diverse philosophies and ways of seeing art. His work invites you to explore the many ways he is inspired to create from the puppet wooden mixed media frames used in Thailand to the Valleys of California and deserts of Arizona, all share Tassananchalee's spectrum of life. His colors are no doubt those so often seen through the lens of a telescope millions of years away. The traveling might seem far yet it is the same road that has given birth to all that we know, see, and experience. His work brings us closer to the many bridges that facilitate and extend the humanities journey. Unconstrained and undefined the paintings on canvas are full of action and simulate the workings of the four elements in motion. This process is unique to Tassananchalee's technique and creativity.
In his first solo exhibit at L.A. Artcore Center for the Arts in little Tokyo January 2018, Kio Griffith's body of work is an interdisciplinary display of paper collage, sculptures, and a video installation. He was born in Kanagawa, Japan and is based in Los Angeles as well as in Japan. Griffith is an independent curator, writer and producer. He studied at Otis/ Parson School of Design and has exhibited in the United Kingdom, Japan, U.S, Croatia, Belgium, China, Germany and several other countries. His artistic projects include the creation of over 300 hundred music covers designs. Griffith participated in the Aichi Triennale 2016 in Nagoya, Japan. He also writes for art publications in the U.S. and Japan. In 2017 Griffith was presented with the Emerging Curators Award by the Los Angeles Contemporary Exhibitions (LACE).
Griffith's In(Poetry)2dexed was inspired when he and his family discovered a series of diaries. He realized then the incapacity to read all 50 years of dairies written by his father. The cryptic title of this display of work makes reference to the process of shuffling information to find meaning. Since his father's death, a decade ago, the quest to make sense of his father's attempt at reinventing himself in a foreign country recorded in his daily journal entries, became Griffith's point of departure for this body of work. The inherited literature would lead to a minimalist yet profound interpretation of the physicality of reading and the exteriority of memory as a lived experience shaped by chance and surprise.
Material of choice for the collage works is collected newspapers from different countries: cut, layered, and indexed with a steel pipe acting as a pressing tool that joins approximately the one inch thick paper together. The practical use and versatility of newspaper is a close up on the everyday exchange of local, regional, and international narratives. Unlike the techniques of dada and cubism of deconstructing, Griffith does the opposite, he is re-contextualizing how information is gathered, assembled and structured to create content, memory and communication. Multiple prints in each of the newspaper sheets crypt together turn into a barrage of diverse languages, all speaking at once. The residue of this integration for Griffith becomes a question of how to integrate this new language that coincides with random creations of meaning. Impoverished materials are revived with the aesthetic virtues of simplicity and selflessness. There is a concern to rescue materials discarded as no longer useful by today's modern society. Discolored and wrinkled this body work is tapped with conversations that extend from the faded edges. In one of his Algorithm's a random image of Chinese dissident artist Ai Weiwei is captured dropping an ancient urn to the ground. Another Algorithm titled, One Billion Dollar Embassy 2007, contains words like chance and choice. Algorithm: Frequency Retrofit/White 2017 seems to be suggesting the shoring up of structures with frequencies tuned to whiteness. There is an invitation to figure out what to make sense of, what remains and what leaves us, a la Wittgenstein with titles that can be associated with absurdity, politics and identity.
His salvaged book sculpture series, the visceral affect of sculpting is re-associated by space that occupies the sculpture. For Griffith, the modern masters of modernity work of art entail the act of much reading. In An American Tragedy 2017, a paperback with tape sculpture is structured as a literal statement with the cover's original title as an instant message. Unlike the masters, it is a sculpture that embodies today's post modern era of text messaging without the body of literature in the book as its vertebra. The instant text-like charge of the title carries a deep political reflection of today's means of communication and current political circumstances in American politics. The original titles with minimal words nevertheless are strong and bold enough to stand on their own. It is a sculpture series that preserves some of its originality that accompanies the process of re-inventing while pushing the viscosity of the message in ones direction. Offshore Drilling Technology, 2017 is one of Griffith's high viscosity book cover and tape sculpture that drills right into the core of environmental concerns.
Several incised orange book covers in the exhibition have been converted into open pockets. The openings seem to be gashing out for air allowing life to precede its venture into this new born cavity. It is a susurro! (A Spanish word that means a deep breath of air that most often expresses what words cannot).
The video installation titled Algorithm Counter is a visual monochrome composition that spins like a casino slot machine; it is driven by chance and random. It is a rotation that involves the timing of letters engaged with past and present to re-associate new hidden possibilities. It is the work of shuffling new combinations of letters that challenge fixed ways of knowing that Griffith brings to light: conservative social and political values that infringe on the process of creativity. He describes, "If you go too conservative you lose the opportunity of taking chances." He further elaborates, "Conservatism to be the antithesis for creativity." In this video letters rotate and stop simultaneously to birth and register meaning as marking and forming.
Griffith's multidisciplinary approach gathers all his art disciplines; music, installations, performances, video and traditional methods of creating that emphasize the human spiritual frequencies that help readjust our relationships amongst one another. They are playful and welcoming. He squeezes the juice out of letters and meaning, pressing together multiple languages to coincide with random interpretations layered over existing social and political concerns of the artist. Griffith questions the ownership of words and meaning with chance as his interceptor. The reviving that follows this series is his attempt to jump start hope in the era of texting.
He rescues history by re-sculpting the process of words and literature by depositing layers of ideas that act as sediment that upon excavation can be an archeological treasure. This exhibit brings for Griffith the opportunity to pay tribute to his father and the teachings of chance that coincided with selflessness and creativity. It is an exhibition that opposes the hegemony of assembling one-dimensional thinking.
The political connotation in these paintings reflects the tension between the colonizer and the colonized, oppression from within and the political imposition of western countries. Battle of Algiers is a group of paintings that superimpose the fight for self determination by Arab nations in the likeness of an artist who struggles to find a path to un-constraint every stroke dashed onto a canvas. For Peterson, "There is no war here in Pasadena, but still you read the newspaper, you watch the news, and those things affect you. I start with an image or an idea that has some personal meaning and use, that is a beginning." The compositions in Battle of Algiers are asymmetrical. There is an aggressive gesture not in the drawing, but in the content of the drawing. There is an absence of despair and a presence of struggle in Battle of Algiers that consolidates with the hopes of a colonized people. The presences of ghostly silhouettes are obscure, undefined and faceless. In Battle of Algiers XIV, 2016 a sunflower yellow with hidden taps of gold become the skyline above what seems to be a gray pale lifeless battlefield. In the forefront of this scene two standing figures in green gather around a dark murky outline on the ground, surrounded by strokes of red. In Springtime 2011, with short wiggling strokes Peterson camouflages a lifeless soul amongst a promising spring.
Bogdan Dumitrica's series Fearful Symmetries is an inviting collection of oil paintings renditions on paper of natural organic remains. Exhibiting at Los Angeles Artcore Center for the Arts, his series consists of fifteen 44"x 30" artworks. Dumitrica received his Master of Fine Arts degree from California State University, Los Angeles in 2001. In 1995 he was awarded the Art Matters Foundation Grant. He has exhibited at international art biennials in Egypt and Korea with his ceramic works. His art has traveled across the United States and Europe exhibiting his creative endeavors.
An admirer of classical contemporary music and literature, Dumitrica draws inspiration for his most recent artwork from composer John C. Adams's 1988 animated and expressive musical with the same title of the exhibition; Fearful Symmetries.
Pinned directly to the exhibiting walls with no interlocutor in between, Dumitrica's organic depictions of decomposed cactus leaves, branches and fibrous natural objects spatially navigate between negative space and the projection of weightlessness.The void surrounding the organic images allow him to develop a three-dimensional illusion on a two dimensional flat plain. His chosen color scheme are desert warm subtle off-whites, ochre, light greens and grays with gentle strokes of amber. The minuscule details of the crevasses and contours enhance the aging state of each painted. The journey of decay and weathering are for Dumitrica, the documentation of accumulated time recycling itself through an organic process.
In Dumitrica's work, the organic found objects have acquired a binary connection with the inorganic manmade objects. His Pistolero series one through five, paintings of dried wood branches can be seen as inorganic renditions of antique pistols. A second painting of a dried out, long extensive curled leaf simulates a propeller. The same can be said of a decomposing desert flower titled Stellar Regions that resembles the mapping of a star constellation.
With Egyptian Forms Dumitrica captures the beautiful cylindrical forms of Egyptian rural bird houses build of mud. The use of natural elements in the construction of the birdhouses releases, at first sight, a mystery and wonder. There is a scene of pleasure in viewing the birdhouses in a most natural state.
The idea of appearing, disappearing and recycling reveal a process of existence in a world that is constantly fusing and un-fusing. His low profile double play with organic and inorganic materials and forms unveil a connection between cultural symbols and daily use objects. Time is of the essence in this series, it is the main character that gives identity and meaning to his work. Dumitrica brings out the beauty in decay. He also poses a question between finite and the infinite. The endlessness of time dissipates with coming of erosion and the cycles of all the weathering elements.
The sense of suspension in his paintings can be compared to that our planet suspended in a universe constantly remaking itself, while the negative space questions natural weathering vs. the unnatural and manmade decomposing ways of destruction.
John C, Adams's composition Fearful Symmetries is a revealing musical that ties in very well with Dumitrica's paintings. Both question life. Both reveal the mechanical material objects and the impact it has on our daily lives. Dumitrica exposes our time as a minute moment of existence with the hopes it can reflect a more harmonic revelation of what we produce and what we become.
At Any Cost is the title of artist Carla Viparelli exhibition at the L.A Artcore Brewery Annex. The electrifying and provocative title puts the perils faced by migrants from the global south who seek refuge and a better life in rich countries situate in the global north. This exhibition at the Brewery Annex ends her four month residency in Los Angeles California. Viparelli's multidisciplinary career extends from a Master in philosophy from Naples University in Italy to international art workshops around the world.
At Any Cost originally began as a video Installation which later turned into painted canvases. The exodus and departure from the global south is best depicted by Viparelli's archeological approach of unearthing to rediscover and reveal an old and ancient practice by all prior cultures and civilizations; migration.
Viparelli' series touches on three aspects of her exhibition, The Myth, The History and The Present by simulating ancient fragments of Roman clay pottery as her springboard to an open conversation on today's migration. The juxtaposition between pottery fragments decorated with ancient pictorial patterns along silhouettes of children, men and women exposes the search and journey of migrants in a state of uncertainty. There is an ambiguity as to how migrants will be viewed either with suspicion or apprehensiveness or with benevolent eyes from the north can reveal embedded myths and stereotypes. Through this metaphor Viparelli draws a closer examination via the arts on a heated subject that is often demonized and misunderstood.
Her animated video installation projects a shadow of a voyaging ship onto the bottom surface of what simulates the base of an ocean floor. The shadows cast rowing arms thrusting across a body of water with fragments of scattered clay pottery. The faceless images of unknown people are stamped by the magnifying sun at the bottom of an ocean. Viparelli brings to light the concealed and invisible faces in search of a landing they can call home.
Viparelli's work is active and an engaging philosophical dialogue that attempts to piece together a fragmented narrative between western perceptions of otherness and the contributing colonial factors that have more than often impeded the global south its own self determination. This exhibition is an interdisciplinary act that questions current world affairs and its collective responsibility to bring to evidence the push and pull factors that have forced thousands to flee their home.
It is a timely exhibition during xenophobic reactions in Europe with the arrival of migrants and refuges from the Middle East and Africa, and anti-immigrant legislation in the United States with the building of a wall along the border between The United States and Mexico. Viparelli's art is a sensitive response to an urgent historical moment that seeks to make sense of it all.
Artist Wakana Kimura is an MFA graduate of Otis College of Art and Design and has a BFA from Tokyo University of Fine Arts. Her Exhibition at the L.A Artcore Center in Little Tokyo presents her most recent mixed media visual narrative series: Heavenly Maiden and Daily Practices on paper. Originally from Japan, Kimura now resides in Los Angeles CA. She's recently been awarded the Cultural Trailblazers Fellowship Award by The Department of Cultural Affair of Los Angeles and is currently exhibiting artwork at the Los Angeles Union Station Metro public art program: Through the Eyes of Artists.
Her daily art ritual begins with a series of what she calls Daily Practice consisting of small intimate drawings. This series is a meditation of spontaneous practices of short washes consisting of multiple colors brushed and dotted abstract patterns on 4"x6" paper. For Kimura, such practice is a way to keep the hand rhythmically tuned and exercised for larger pieces that measure up to 35 feet long. Daily Practices are instant flashes of interactions between simple and beautiful unforeseen shapes with a fluidity that radiates a sense of tranquility and inner peace. This practice is the birth that inspires her larger calligraphy style paintings.
The main centerpiece of her Heavenly Maiden series is a large 77"x98" mixed media painting on washi paper roll Titled: Nirvana/The death of Buddha, 2017. This piece commemorates the passing of Buddha's life on earth to the ultimate afterlife goal of an enlightenment being also known as nirvana. The spiritual leader's death took place 2500 hundred years ago on February 15 under a silvery moon which is depicted in the painting. Buddha is seen in a state of serenity no longer living the negation of desires that bring much suffering. It is a scene surrounded by mourners, men, woman, elders, and animals in grief witnessing the departure of Buddha to nirvana. The spiritual leader left behind all privileges of royalty while seeking the true purpose of life. It is done with watercolors, markers, and Sumi ink, in midnight blues layered between reds, pinks, violets and small hints of gold. Kimura is very much interested in looking at the different interpretations of Buddha's Nirvana departure by other artists beginning in India spreading through diverse regions of Asia and other places across the world. In this particular piece Kimura shares the translucent overlap process that reveals her approach and technique. She assembles the narrative of Buddha's death with expressive imagery and patterns done with quick short and longs wide brushstrokes of paints that swim in every possible direction.
Kimura brings a refreshing Japanese heritage in this body of work. It is a combination between contemporary styles and traditional methods. It is here were she reveals the magic at the end of every brushstroke she performs on paper. Kimura captures in her art a spontaneous process between beauty and the mystery behind the constant change of life. She adds energy to the visual experience that can center at any given point without losing sight of the total sum of lines, curves, and shapes invested in every artwork she creates.
Inspired by the making of nature and its millennial contribution in creating what we know as the biodiversity that lives and breathes amongst us all is the point of inspiration for Hiroko Yoshimoto. She was born and raised in Japan before moving to Los Angeles. She studied in the University of California, Los Angeles (UCLA) graduating with a BA and MA in Art. She has exhibited throughout the state of California and Japan.
Her most recent exhibit series, Biodiversity presented at L.A. Artcore in Downtown Los Angeles brings forth the unseen relevance of nature to our existence. Yoshimoto's work draws from reading American Biologist E.O. Wilson who emphasizes the importance of diversity amongst the species and how through a mutually-inclusive understanding of the role each species plays, and its importance to preserve humanity. To save the natural diversity for Wilson is a fight for life.
Yoshimoto experiments her intuitive creativity on canvas. Her abstract paintings explore the multiple dimensions and layers found in the organic world. She is intrigued by the individual's sensorial response to the concept of her paintings. The paintings are organic shapes in the process of unfolding in flight and movement. Her expressive input in this series done with kindness and reflection is a conversation with the biodiversity as a landscape of life. She selects a palate of colors that are soft and loud simultaneously. Her chosen medium is mostly oil on canvas. Yoshimoto's canvases are detail-oriented and multilayered with no hard edges. At times, her lines and curves interact in ways that draw patterns associated with nature: plants, birds, and butterflies. Yoshimoto's emphasis pictures the micro inter-related activities of life growing and stretching its boundaries and limits.
Her process starts with doodling, intuition, and memory on paper then transitions and maps onto the canvas. One can find no center nor a point of perception to win our attention to a specific area, instead she invites the viewer to explore in any direction. This body of work is unstructured expressions of micro-life amplified, from its concealment to visibility. Each brush stroke in her work is a response to the one before and the one after.
Yoshimoto's watercolor on paper with Japanese ink merges in space, blending a dance of multiple encounters. They are sound waves that move to the flow of her imagination, like a Sonata resonates with every pitch of color. Different shades of gray fuse creative tints and highlights. One stroke of ink by her hand allows the ink to take shape in any unpremeditated way. It is her means of sharing the spontaneity of life and imagination.
This body of work is playful and serious. It invites the viewer to celebrate all that we cannot imagine which is crucial to the biodiversity of our existence. The extinction of one creature or a plant by man's destructive actions withers away our humanity. In this series with all its dimensions of communication bring the future in view in hopes that we come to understand what is at peril.
Renée Amitai's September Exhibit "Fly & Bloom"
Architect and French Artist Renee Amitai exhibiting artwork at L.A. Artcore Brewery Annex in Downtown Los Angeles is an exciting culmination of oil on glass, canvas, and mono prints on Mylar. Amitai is a graduate from l'Ecole des Beaux Arts de Paris, France. She gained professional experience in design and architecture in France, Israel, Italy and America. She is an international artist whose exhibited all over the world since the mid-1990's.
Her abstract oil series on glass Fly and Bloom recalls golden sunrises and deep blue hued dusks that are welcoming pauses of inspiration. Amitai's paintings act borderless and timeless on glass that have no end but only beginnings. They inspire to imagine what it might mean to bloom and fly. This series touches on subjects of growth, discovery and challenge prescribed notions of happiness. Her paintings unfold the mystery behind all acts of nature. She brings color to speak and engage with the spectator through a color combination that never ceases to share her most profound sentiments of hope, liberty and harmony. Her blue hues remind one of a Paris dusk performing the welcome ritual of a new start that comes with every sunrise. Her technique spreads across the canvas with the moving delicacy of a Ginkgo leaf engaging dancing the wind. Amitai's work transmits sensitivity, simplicity and warmth.
She is playful, yet willing to challenge any obstacle that impedes blooming and flying. Her titles are poetic assemblages that gathered together become Haiku's like her paintings; Gingko in the Wind, Gingko and a Bird, A Glorious Morning can be a New Beginning.
Barbara Kolo's paintings on display at LA Artcore Gallery are made of movements and spaces. The style is uncluttered, but don't mistake the spread of solid colors on either side of the canvas for any minimalist layout. At this point, the natural reaction of the viewer is to step forward, beckoned by lines that could be curved by some countryside zephyr. Slowly, it becomes clear that the frayed lines are in fact small, aligned dots, reminiscent of traditional designs of Native Australians, though the artist uses them her own different way.
Kolo's work is rife with contrasts: utilizing both between modern and traditional techniques, she creates artwork standing on the edge of paradoxes. Blurring the limits between abstraction and figuration, dynamism and stillness, black and white, doted lines offers any number of distinct impressions.
Some of the abstract pieces can transport the viewer to a wild, unkempt grassland, beneath a chaotic horizon sketched by a raving seismograph, the ground and sky inverted like a photo negative. A closer look, with the painting occupying a viewer's entire field of vision, reveals the artist's patient and precise technique. It's not a minimal two-color process at all, but rather an almost pointillist application of numerous colored dots, some plotted with rigorous exactitude and others spattered on the canvas with seeming spontaneity: all these multiple and varied spots working together in harmonic rhythm.
Kolo's work is about distance and the movement it requires to be traversed. Put a point at the end of a sentence and it ends the sentence. Now put three points at the end of the same sentence to suggest continuity… She puts a thousand, a million points providing the dynamism it needs to blur the boundaries between things, like a landscape seen by a passenger through the window of a speeding train, or the twilight fading in and out in by the movement of the Earth.
When the artist utilizes her distinctive technique for more figurative expression, flowers grow from a Rorschach action painting burst with saturated colors, depicting a life that would never be still. Points, dots, and spots in a multitude of sizes and colors, are so vibrant you could drown in their "farandole".


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Vassar College held its 153rd commencement ceremony at the college in Poughkeepsie, May 28, 2017. Video by Adam McIe for The Poughkeepsie Journal.
Last October, Vassar College erupted into a heated political conflict regarding a conservative speaker, a Cornell Law School professor named William Jacobson, who came to speak on the subject of hate speech in relation to the First Amendment.
Some progressive leaders in a student organization called H2A (Healing 2 Action) went so far as to accuse Jacobson of being a white supremacist based on some of the articles on his website Legal Insurrection. This is a charge he and the Vassar Conservative Libertarian Union – the organization that hosted him – vehemently reject.
Furthermore, H2A, without providing evidence to back up their claims, alleged that white supremacists from the local area would be storming Vassar's campus in an effort to cause trouble on campus and possibly even harm black, Latino and gay students among others.
Simply put, this assertion was absurd. For one, there are no established hate groups in Poughkeepsie, Dutchess County or even the Hudson Valley, according to the Southern Poverty Law Center's hate map. Compare that to Charlottesville, which saw a significant white supremacist campaign last August, which has several hate groups in its vicinity and you can suddenly understand why KKK members and white supremacists from both Virginia and across the U.S. were able to so effectively organize on their campus. Without existing networks in or near Poughkeepsie, the prospect of white supremacists organizing any sort of united takeover of Vassar's campus was pretty unlikely.
So, then, how did these students come to the conclusion that white supremacists would be arriving at our campus to wreak havoc? Put simply, the "Vassar Bubble" is to blame. It may be a cliche, but the Vassar Bubble – the idea that Vassar students are shut off from the outside world and its politics – is all too true. To Vassar students, the surrounding community from Beacon to Red Hook and everything in between is a mystery. Its residents are a great other.
This lack of awareness goes both ways. Visiting friends at Bard College, I found that people in the Red Hook/Rhinebeck area, just forty minutes north of Vassar, had little to no idea of Vassar's existence. The same was true with many of the residents of Wappingers Falls, whose mayor I had the privilege of working for. That town is just a 15- minute drive from Vassar. That my history professor won a seat in the county legislature last election was a shock to many, simply because she teaches at Vassar and therefore nobody thought she had a chance to win office in Poughkeepsie.
The reason for this divide is simple; Vassar students and Poughkeepsie residents diverged a long time ago from shared experience, values and politics. Vassar now takes the bulk of its students from New York City, California, Massachusetts and other such locales. Many of us are not familiar with the small town life of Dutchess County and are, on average, much more progressive or liberal than the average Poughkeepsie voter. This creates significant divides. Meanwhile, colleges like Marist, which provides a ridiculous amount of the Dutchess County's professional, business and political classes (including three of its mayors and two county legislators), and Bard, which blends well with the artsy, laid back ethos of its local area, don't share Vassar's issues.
Despite these divergent identities, it is important for Vassar students to expose themselves to the local residents for their own sake. I, an ardent Hillary supporter and proud Democrat, worked alongside and met many Trump supporters while working in Wappingers Falls, and while I still despise Trump, it gave me an appreciation for the polities that felt Trump would do good for them. It is important to learn to empathize with those you disagree with if you are to get anywhere in life, and that is one lesson you're unlikely to learn at Vassar.
Andrew Solender is a sophomore at Vassar College, a former columnist for the Miscellany News and the editor-in-chief of the Vassar Political Review.


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Q: moduleId should be a string in "Ng2SliderComponent" my angularcli.json is
 "scripts": [
         "../node_modules/ng2-slider-component/ng2-slider.component.js",
        "../node_modules/ng2-slideable-directive/slideable.directive.js",
        "../node_modules/ng2-styled-directive/ng2-styled.directive.js"
      ],

its also in package.json.
my app.module.ts is like below.i imported all the component here.
import { BrowserModule } from '@angular/platform-browser';
import { NgModule } from '@angular/core';
import { FormsModule } from '@angular/forms';
import { HttpModule } from '@angular/http';
import { Ng2SliderComponent } from 'ng2-slider-component/ng2-slider.component';
import { SlideAbleDirective } from 'ng2-slideable-directive/slideable.directive';
import { Ng2StyledDirective } from 'ng2-styled-directive/ng2-styled.directive';

import { AppComponent } from './app.component';

    @NgModule({
      declarations: [
        AppComponent,
        SlideAbleDirective,
        Ng2StyledDirective,
        Ng2SliderComponent
      ],
      imports: [
        BrowserModule,
        FormsModule,
        HttpModule
      ],
      providers: [],
      bootstrap: [AppComponent]
    })
    export class AppModule { }

But it is showing the error like below.please give me some solution.i am using angular cli.what to do.any idea.thanks in advance.please give the solution very fastly,i am stucking by these for a long tym. thanks in advance.ok

A: You don't need to put those codes into the scripts array in your angular-cli.json if you are already importing it in your module.
Remove those lines from the scripts array in your angular-cli.json and you are probably good to go.
Also, you probably don't need to use full paths in your import, you could use this
import { Ng2SliderComponent } from 'ng2-slider-component';
import { SlideAbleDirective } from 'ng2-slideable-directive';
import { Ng2StyledDirective } from 'ng2-styled-directive';

A: Changing the line 404 (approximately) in ng2-slider.component.js to:
moduleId: module.id + "", fixes the problem.
Source:  Github issue link

redpajama_set_name: RedPajamaStackExchange


Australia's $9.23 billion horticulture industry and interested stakeholders will have an opportunity to have their say on regulation within the sector with the upcoming independent review of the mandatory Horticulture Code of Conduct over the coming months.
Minister for Agriculture, Barnaby Joyce, and Minister for Small Business, Bruce Billson, have initiated a review of the mandatory code, which regulates trade in horticultural produce between Australia's fresh fruit and vegetables growers and traders.
"The Horticulture Code of Conduct was established in 2007 and while some degree of regulation is necessary, best practice shows that regulation must be periodically reviewed to ensure its continuing relevance. It's been nine years, so it's timely to review and examine how the code can be improved," Minister Joyce said.
"Stakeholders have raised a range of issues concerning the Horticulture Code of Conduct, most recently in submissions to the Competition Policy Review and the Agricultural Competitiveness White Paper process.
"It is my hope we're able to address these concerns about the appropriate regulatory burden on the horticulture sector and ensuring fair returns to the farmgate."
Minister Billson said it was important that Australian horticulture businesses remain efficient and profitable.
"Part of the government's commitment to improving the competitive environment for all industries involves reviewing the rules and regulations that affect them," Minister Billson said.
"We will be seeking advice from the independent review on how the horticulture code can be improved to balance both the needs of growers with those of traders."
The review will prepare a draft issues paper, and after receiving stakeholder feedback, will provide a report and make recommendations for the Australian Government to consider.
"With more than 59,500 people employed in Australia to grow fruit, vegetables and nuts for the domestic and export markets it's important that we hear their views and those interested in the future of Australia's horticulture industry," Minister Billson said.
Mr Mark Napper and Mr Alan Wein have agreed to undertake the independent review on behalf of the government. Mr Napper is an accountant and horticulturalist, while Mr Wein undertook the review of the franchising code. It is expected that the review will be delivered in 2015.
The terms of reference are online at: www.agriculture.gov.au/horticulturecodereview.
The draft issues paper will be available for comment shortly.
For more information about the Horticulture Code of Conduct and the review visit www.agriculture.gov.au/horticulturecodereview.


Camden Town Market was something to experience, that is for sure. There is just so much going on it was hard for me to take it all in let alone take a good picture. Stuff everywhere, people everywhere, food everywhere, music everywhere. Whoa.


text:
package com.netflix.metacat.main.services;

import lombok.Builder;
import lombok.Value;

/**
 * Getable Parameters.
 *
 * @author zhenl
 * @since 1.2.0
 */
@Value
@Builder
public class GetTableServiceParameters {
    private final boolean includeInfo;
    private final boolean includeDefinitionMetadata;
    private final boolean includeDataMetadata;
    private final boolean disableOnReadMetadataIntercetor;
    private final boolean useCache;
    private final boolean includeMetadataFromConnector;
}

redpajama_set_name: RedPajamaGithub


text:
Q: What role does this 'preposition plus relative pronoun' take?
While the direction was being executed, the lady consulted moved
  slowly up the room.  I suppose I have a considerable organ of
  veneration, for I retain yet the sense of admiring awe with which my
  eyes traced her steps. (Jane Eyre)

Does 'with which' plays a role of adverb phrase in its relative clause, and the relative clause (with which my eyes trace her steps) make an adjective clause for the NP before of it?

A: You got it.
The basic form of the final clause, in traditional grammar, is:

[SubjectMy eyes] [Verbtraced] [Direct Objecther steps] [prepositional phrase[prepositionwith] [objecta sense of admiring awe].

The prepositional phrase (which has another prepositional phrase 'embedded') modifies the verb traced.
In order to focus on sense as the object of the previous verb retain, we

*

*move the sense &c to the object position ...

I retain yet [the sense of admiring awe]

*replace the sense &c with the relative pronoun which (which is therefore now the object of the preposition with), and 'front' it ...

which [my eyes traced her steps with.]

*then, since with is a true preposition, not a component of a phrasal verb, we move it to its natural position ahead of its object.

with which [my eyes traced her steps]

Note that step 3 can only be carried out with a WH- relative, not with that. The technical term for it is 'pied piping', after the old German story of the 'Pied Piper of Hamelin', the subject of a charming poem by Robert Browning.


text:
This article is a list of stadiums in North America.

List

Bermuda
Bermuda National Stadium – Hamilton

Canada

Greenland
Nuuk Stadium – Nuuk

Mexico

Professional sports

Football

Liga MX
Estadio Akron – Zapopan, Jalisco
Estadio Alfonso Lastras – San Luis Potosí City, San Luis Potosí
Estadio Azteca – Tlalpan, Mexico City
Estadio BBVA – Guadalupe, Nuevo León
Estadio Caliente – Tijuana, Baja California
Estadio Corona – Torreón, Coahuila
Estadio Corregidora – Querétaro City, Querétaro
Estadio Cuauhtémoc – Puebla City, Puebla
Estadio Hidalgo – Pachuca, Hidalgo
Estadio Jalisco – Guadalajara, Jalisco
Estadio León – León, Guanajuato
Estadio de Mazatlán – Mazatlán, Sinaloa
Estadio Nemesio Díez – Toluca, State of Mexico
Estadio Olímpico Benito Juárez – Ciudad Juárez, Chihuahua
Estadio Olímpico Universitario – Coyoacán, Mexico City
Estadio Universitario – San Nicolás de los Garza, Nuevo León
Estadio Victoria – Aguascalientes City, Aguascalientes

Liga de Expansión MX
Estadio Andrés Quintana Roo – Cancún, Quintana Roo
Estadio Azul – Benito Juárez, Mexico City
Estadio Banorte – Culiacán, Sinaloa
Estadio Carlos Iturralde – Mérida, Yucatán
Estadio Carlos Vega Villalba – Zacatecas City, Zacatecas
Estadio Gregorio "Tepa" Gómez – Tepatitlán de Morelos, Jalisco
Estadio Héroe de Nacozari – Hermosillo, Sonora
Estadio Jalisco – Guadalajara, Jalisco
Estadio Marte R. Gómez – Ciudad Victoria, Tamaulipas
Estadio Miguel Alemán Valdés – Celaya, Guanajuato
Estadio Morelos – Morelia, Michoacán
Estadio Olímpico de Villahermosa – Villahermosa, Tabasco
Estadio Tamaulipas – Tampico/Ciudad Madero, Tamaulipas
Estadio Tecnológico de Oaxaca – Oaxaca City, Oaxaca
Estadio Tlahuicole – Tlaxcala City, Tlaxcala

Baseball

LMB
Estadio Alberto Romo Chávez – Aguascalientes City, Aguascalientes
Estadio Alfredo Harp Helú – Iztacalco, Mexico City
Estadio Beto Ávila – Cancún, Quintana Roo
Estadio Centenario 27 de Febrero – Villahermosa, Tabasco
Estadio Chevron – Tijuana, Baja California
Estadio Domingo Santana – León, Guanajuato
Estadio Eduardo Vasconcelos – Oaxaca City, Oaxaca
Estadio Francisco I. Madero – Saltillo, Coahuila
Estadio Francisco Villa – Durango City, Durango
Estadio Hermanos Serdán – Puebla City, Puebla
Estadio Mobil Super – Monterrey, Nuevo León
Estadio Monclova – Monclova, Coahuila
Estadio Nelson Barrera – Campeche City, Campeche
Estadio Revolución – Torreón, Coahuila
Parque Kukulcán Alamo – Mérida, Yucatán
Parque la Junta – Nuevo Laredo, Tamaulipas
Uni-Trade Stadium – Laredo, Texas

LMP
Estadio B'Air – Mexicali, Baja California
Estadio Emilio Ibarra Almada – Los Mochis, Sinaloa
Estadio Francisco Carranza Limón – Guasave, Sinaloa
Estadio Mobil Super – Monterrey, Nuevo León
Estadio Manuel "Ciclón" Echeverría – Navojoa, Sonora
Estadio Panamericano – Guadalajara, Jalisco
Estadio Sonora – Hermosillo, Sonora
Estadio Teodoro Mariscal – Mazatlán, Sinaloa
Estadio Tomateros – Culiacán, Sinaloa
Estadio Yaquis – Ciudad Obregón, Sonora

American football

LFA
Estadio Borregos – Monterrey, Nuevo León
Estadio José Ortega Martínez – Naucalpan de Juárez, State of Mexico
Estadio Olímpico Francisco I. Madero – Saltillo, Coahuila
Estadio Universitario BUAP – Puebla City, Puebla

ONEFA
Estadio Borregos – Monterrey, Nuevo León
Estadio Coliseo Maya – Cancún, Quintana Roo
Estadio Corral de Plástico – Atizapán, State of Mexico
Estadio Gaspar Mass – San Nicolás de los Garza, Nuevo León
Estadio José Ortega Martínez – Naucalpan de Juárez, State of Mexico
Estadio Juan Josafat Pichardo – Toluca, State of Mexico
Estadio La Congeladora – Toluca, State of Mexico
Estadio La Cueva del León – Huixquilucan, State of Mexico
Estadio Marte R. Gómez – Ciudad Victoria, Tamaulipas
Estadio Olímpico Universitario – Coyoacán, Mexico City
Estadio Olímpico Universitario José Reyes Baeza – Chihuahua City, Chihuahua
Estadio P. R. Tapia – Chapingo, State of Mexico
Estadio Templo del Dolor – Cholula, Puebla
Estadio Tres de Marzo – Zapopan, Jalisco
Estadio Universitario BUAP – Puebla City, Puebla
Estadio USBI – Xalapa, Veracruz
Estadio Wilfrido Massieu – Miguel Hidalgo, Mexico City

Bullfighting
Coliseo Centenario – Torreón, Coahuila
Plaza de Toros México – Benito Juárez, Mexico City
Plaza de Toros Monumental de Aguascalientes – Aguascalientes City Aguascalientes
Plaza de Toros Monumental de Tijuana – Tijuana, Baja California
Plaza Monumental de Morelia – Morelia, Michoacán
Plaza Nuevo Progreso – Guadalajara, Jalisco

Saint-Pierre and Miquelon
Stade John Girardin – Saint-Pierre

United States

Professional sports

Baseball

Major leagues

American Family Field – Milwaukee, Wisconsin (formerly Miller Park)
Angel Stadium of Anaheim – Anaheim, California (formerly Anaheim Stadium and Edison International Field at Anaheim)
Busch Stadium – St. Louis, Missouri
Chase Field – Phoenix, Arizona (formerly Bank One Ballpark)
Citi Field – Flushing, New York
Citizens Bank Park – Philadelphia
Comerica Park – Detroit
Coors Field – Denver
Dodger Stadium – Los Angeles
Fenway Park – Boston
Globe Life Field – Arlington, Texas
Great American Ball Park – Cincinnati
Guaranteed Rate Field – Chicago (formerly "New" Comiskey Park and U.S. Cellular Field)
Kauffman Stadium – Kansas City, Missouri (formerly Royals Stadium)
Marlins Park – Miami
Minute Maid Park – Houston (formerly The Ballpark at Union Station, Enron Field and Astros Field)
Nationals Park – Washington, D.C.
Oakland Coliseum – Oakland, California (formerly Network Associates Coliseum and McAfee Coliseum)
Oracle Park – San Francisco, California (formerly China Basin Ballpark, Pacific Bell Park, SBC Park, and AT&T Park)
Oriole Park at Camden Yards – Baltimore
Petco Park – San Diego
PNC Park – Pittsburgh
Progressive Field – Cleveland (formerly Jacobs Field)
T-Mobile Park – Seattle (formerly Safeco Field)
Target Field – Minneapolis
Tropicana Field – St. Petersburg, Florida (formerly Florida Suncoast Dome and the Thunder Dome)
Truist Park – Cumberland, Georgia (formerly SunTrust Park)
Wrigley Field – Chicago (formerly Weeghman Park and Cubs Park)
Yankee Stadium – The Bronx, New York

Minor leagues
121 Financial Ballpark – Jacksonville, Florida
Appalachian Power Park – Charleston, West Virginia
Arm & Hammer Park – Trenton, New Jersey (formerly Mercer County Waterfront Park)
AT&T Field – Chattanooga, Tennessee (formerly BellSouth Park)
AutoZone Park – Memphis, Tennessee
The Ballpark at Jackson – Jackson, Tennessee (formerly Pringles Park)
Bears & Eagles Riverfront Stadium – Newark, New Jersey
Bill Meyer Stadium – Knoxville, Tennessee (formerly Evans–Collins Field)
Bosse Field – Evansville, Indiana
Bowen Field – Bluefield, Virginia
Bowman Field – Williamsport, Pennsylvania
Campbell's Field – Camden, New Jersey
Canal Park – Akron, Ohio
Cheney Stadium – Tacoma, Washington
Chickasaw Bricktown Ballpark – Oklahoma City
Chukchansi Park – Fresno, California
Civic Stadium – Eugene, Oregon
Classic Park – Eastlake, Ohio
Coca-Cola Park – Allentown, Pennsylvania
Day Air Ballpark – Dayton, Ohio
Dell Diamond – Round Rock, Texas
Delta Dental Stadium – Manchester, New Hampshire (formerly Merchantsauto.com Stadium and Northeast Delta Dental Stadium)
The Diamond – Richmond, Virginia
Dickey-Stephens Park – Little Rock, Arkansas
Doubleday Field – Cooperstown, New York
Dunkin' Park – Hartford, Connecticut
Durham Bulls Athletic Park – Durham, North Carolina
Engel Stadium – Chattanooga, Tennessee
Fifth Third Field – Toledo, Ohio
Fluor Field at the West End – Greenville, South Carolina
FNB Field – Harrisburg, Pennsylvania (formerly Metro Bank Park)
Frontier Field – Rochester, New York
Grainger Stadium – Kinston, North Carolina
Hadlock Field – Portland, Maine
Hammons Field – Springfield, Missouri
Harbor Park – Norfolk, Virginia
Herschel Greer Stadium – Nashville, Tennessee
Holman Stadium – Nashua, New Hampshire
Holman Stadium – Vero Beach, Florida
Joe W. Davis Stadium – Huntsville, Alabama
Joker Marchant Stadium – Lakeland, Florida
Joseph P. Riley Jr. Park – Charleston, South Carolina
LaGrave Field – Fort Worth, Texas
Lawrence–Dumont Stadium – Wichita, Kansas
LoanMart Field – Rancho Cucamonga, California (formerly the Epicenter)
Louisville Slugger Field – Louisville, Kentucky
Maimonides Park – Brooklyn, New York (formerly KeySpan Park and MCU Park)
McCoy Stadium – Pawtucket, Rhode Island
Medlar Field at Lubrano Park – State College, Pennsylvania
Midway Stadium – St. Paul, Minnesota
Modern Woodmen Park – Davenport, Iowa
Montgomery Riverwalk Stadium – Montgomery, Alabama
NBT Bank Stadium – Syracuse, New York (formerly Alliance Bank Stadium)
Nelson W. Wolff Municipal Stadium – San Antonio, Texas
Ogren Park at Allegiance Field – Missoula, Montana
ONEOK Field – Tulsa, Oklahoma
Parkview Field – Fort Wayne, Indiana
Paul Eames Sports Complex – Albany, Georgia
Peoples Natural Gas Field – Altoona, Pennsylvania
Pioneer Park – Greeneville, Tennessee
PNC Field – Moosic, Pennsylvania (formerly Lackawanna County Stadium)
Point Stadium – Johnstown, Pennsylvania
Principal Park – Des Moines, Iowa (formerly Sec Taylor Stadium)
Rio Grande Credit Union Field at Isotopes Park – Albuquerque, New Mexico
Sahlen Field – Buffalo, New York
San Jose Municipal Stadium – San Jose, California
San Manuel Stadium – San Bernardino, California
Schaumburg Baseball Stadium – Schaumburg, Illinois (formerly Alexian Field)
Security Service Field – Colorado Springs, Colorado
Shrine on Airline – Metairie, Louisiana (formerly Zephyr Field)
Sioux Falls Stadium – Sioux Falls, South Dakota
Skylands Stadium – Augusta, New Jersey
Smith's Ballpark – Salt Lake City, Utah
Sutter Health Park – West Sacramento, California (formerly Raley Field)
Truist Field – Charlotte, North Carolina
Trustmark Park – Pearl, Mississippi
UCCU Ballpark – Orem, Utah
Veterans Memorial Stadium – Cedar Rapids, Iowa
Vince Genna Stadium – Bend, Oregon
Volcanoes Stadium – Keizer, Oregon
Wade Stadium – Duluth, Minnesota
WellSpan Park – York, Pennsylvania
Whataburger Field – Corpus Christi, Texas
Whitaker Bank Ballpark – Lexington, Kentucky (formerly Applebees Park)
Yogi Berra Stadium – Little Falls, New Jersey

Other baseball venues
Howard J. Lamade Stadium – South Williamsport, Pennsylvania
Little League Volunteer Stadium – South Williamsport, Pennsylvania

American football

National Football League

Allegiant Stadium – Las Vegas, Nevada
Arrowhead Stadium – Kansas City, Missouri
AT&T Stadium – Arlington, Texas (formerly Cowboys Stadium)
Bank of America Stadium – Charlotte, North Carolina (formerly Ericsson Stadium)
Bills Stadium – Orchard Park, New York (formerly Ralph Wilson Stadium, Rich Stadium, and New Era Field)
Empower Field at Mile High – Denver (formerly Invesco Field at Mile High, Sports Authority Field at Mile High, and Broncos Stadium at Mile High)
FedExField – Landover, Maryland (formerly Jack Kent Cooke Stadium and Redskins Stadium)
FirstEnergy Stadium – Cleveland (formerly Cleveland Browns Stadium)
Ford Field – Detroit
Gillette Stadium – Foxborough, Massachusetts (formerly CMGI Field)
Hard Rock Stadium – Miami Gardens, Florida (formerly Joe Robbie Stadium, Pro Player Park, Pro Player Stadium, Dolphin Stadium, Dolphins Stadium, LandShark Stadium, and Sun Life Stadium)
Heinz Field – Pittsburgh
Lambeau Field – Green Bay, Wisconsin (formerly City Stadium)
Levi's Stadium – Santa Clara, California
Lincoln Financial Field – Philadelphia
Lucas Oil Stadium – Indianapolis
Lumen Field – Seattle (formerly Seahawks Stadium, Qwest Field, and CenturyLink Field)
M&T Bank Stadium – Baltimore (formerly Ravens Stadium at Camden Yards, PSINet Stadium and Ravens Stadium)
Mercedes-Benz Stadium – Atlanta
Mercedes-Benz Superdome – New Orleans (formerly Louisiana Superdome)
MetLife Stadium – East Rutherford, New Jersey
Nissan Stadium – Nashville, Tennessee (formerly Adelphia Coliseum, The Coliseum and LP Field)
NRG Stadium – Houston, Texas (formerly Reliant Stadium)
Paul Brown Stadium – Cincinnati
Raymond James Stadium – Tampa, Florida
SoFi Stadium – Inglewood, California
Soldier Field – Chicago
State Farm Stadium – Glendale, Arizona (formerly Cardinals Stadium and University of Phoenix Stadium)
TIAA Bank Field – Jacksonville, Florida (formerly the Gator Bowl, Alltel Stadium/Jacksonville Municipal Stadium, and EverBank Field)
U.S. Bank Stadium – Minneapolis

Other American football venues
Aloha Stadium – Honolulu, Hawaii
Tom Benson Hall of Fame Stadium – Canton, Ohio

Auto racing

Atlanta Motor Speedway – Hampton, Georgia
Auto Club Speedway – Fontana, California (formerly California Speedway)
Baton Rouge Raceway – Baker, Louisiana
Beech Ridge Motor Speedway – Scarborough, Maine
Bristol Motor Speedway – Bristol, Tennessee
Charlotte Motor Speedway – Concord, North Carolina
Chicagoland Speedway – Joliet, Illinois
Darlington Raceway – Darlington, South Carolina
Daytona International Speedway – Daytona Beach, Florida
Dover International Speedway – Dover, Delaware
Gainesville Raceway – Gainesville, Florida
Gateway International Raceway – Madison, Illinois
Homestead-Miami Speedway – Homestead, Florida
Indianapolis Motor Speedway – Speedway, Indiana
Infineon Raceway – Sonoma, California (formerly known as Sears Point Raceway)
Kansas Speedway – Kansas City, Kansas
Kentucky Speedway – Sparta, Kentucky
Lake Geneva Raceway – Lake Geneva, Wisconsin
Las Vegas Motor Speedway – Clark County, Nevada
Mansfield Motorsports Park – Mansfield, Ohio
Martinsville Speedway – Martinsville, Virginia
Mazda Raceway Laguna Seca – Monterey, California
Memphis Motorsports Park – Millington, Tennessee
Michigan International Speedway – Brooklyn, Michigan
Milwaukee Mile – West Allis, Wisconsin
Nashville Superspeedway – Lebanon, Tennessee
Nazareth Speedway – Nazareth, Pennsylvania (now closed)
New Egypt Speedway – New Egypt, New Jersey
New Hampshire Motor Speedway – Loudon, New Hampshire
Old Bridge Township Raceway Park – Old Bridge, New Jersey
O'Reilly Raceway Park at Indianapolis – Indianapolis, Indiana
Oxford Plains Speedway – Oxford, Maine
Phoenix International Raceway – Avondale, Arizona
Pikes Peak International Raceway – Fountain, Colorado (now closed)
Pocono Raceway – Long Pond, Pennsylvania
Portland International Raceway – Portland, Oregon
Richmond International Raceway – Richmond, Virginia
Road America – Elkhart Lake, Wisconsin
Rockingham Speedway – Rockingham, North Carolina (formerly North Carolina Speedway)
Seekonk Speedway – Seekonk, Massachusetts
Stafford Motor Speedway – Stafford Springs, Connecticut
Talladega Superspeedway – Talladega, Alabama
Texas Motor Speedway – Justin, Texas
Thompson International Speedway – Thompson, Connecticut
Thunder Road International SpeedBowl – Barre, Vermont
Toyota Speedway at Irwindale – Irwindale, California
Wall Township Speedway – Wall Township, New Jersey
Waterford Speedbowl – Waterford, Connecticut
Watkins Glen International – Watkins Glen, New York

Soccer

Major League Soccer

Audi Field – Washington, D.C.
Banc of California Stadium – Los Angeles, California
Children's Mercy Park – Kansas City, Kansas
Dick's Sporting Goods Park – Commerce City, Colorado
Dignity Health Sports Park – Carson, California
Exploria Stadium – Orlando, Florida
Gillette Stadium – Foxborough, Massachusetts
Historic Crew Stadium – Columbus, Ohio
PayPal Park – San Jose, California
Providence Park – Portland, Oregon
Qwest Field – Seattle, Washington
Rio Tinto Stadium – Sandy, Utah
Red Bull Arena – Harrison, New Jersey
Shell Energy Stadium – Houston, Texas
Soldier Field – Chicago, Illinois
Subaru Park – Chester, Pennsylvania
Toyota Stadium – Frisco, Texas

United Soccer Leagues
Blackbaud Stadium – Charleston, South Carolina
City Stadium – Richmond, Virginia
DeKalb Memorial Stadium – Clarkston, Georgia
James Griffin Stadium – Saint Paul, Minnesota
Juan Ramón Loubriel Stadium – Bayamón, Puerto Rico
Marina Auto Stadium – Rochester, New York (formerly PAETEC Park)
Uihlein Soccer Park – Milwaukee, Wisconsin
Virginia Beach Sportsplex – Virginia Beach, Virginia
Zions Bank Stadium – Herriman, Utah

Tennis
Arthur Ashe Stadium – Flushing, New York, New York
Connecticut Tennis Center – New Haven, Connecticut
Delray Beach Tennis Center – Delray Beach, Florida
Dignity Health Sports Park – Carson, California
Family Circle Tennis Center – Charleston, South Carolina
Indianapolis Tennis Center – Indianapolis, Indiana
Lindner Family Tennis Center – Mason, Ohio
Louis Armstrong Stadium – Flushing, New York, New York
Newport Casino – Newport, Rhode Island
River Oaks Country Club – Houston, Texas
Stone Mountain Tennis Center – Atlanta
Tennis Center at Crandon Park – Key Biscayne, Florida
West Side Tennis Club – Forest Hills, New York, New York

Track & Field (Outdoor)
Audrey J. Walton Stadium – Columbia, Missouri
Bernie Moore Track Stadium – Baton Rouge, Louisiana
Cessna Stadium – Wichita, Kansas
Cobb Track & Angell Field, Stanford University – Palo Alto, California
Drake Stadium – Des Moines, Iowa
Edwards Stadium – Berkeley, California
Franklin Field – Philadelphia
Hayward Field – Eugene, Oregon
Hilmer Lodge Stadium – Walnut, California
Hornet Stadium, California State University  – Sacramento, California
Icahn Stadium – New York City
IU Michael A. Carroll Track & Soccer Stadium – Indianapolis, Indiana
Lindenwood Hunter Stadium – Saint Charles, Missouri
Memorial Stadium – Lawrence, Kansas
Mike A. Myers Stadium – Austin, Texas
Tad Gormley Stadium – New Orleans, Louisiana

Basketball only, with some minor league hockey
FTX Arena – Miami (formerly American Airlines Arena)
Amway Center – Orlando, Florida
AT&T Center – San Antonio (formerly SBC Center)
Gainbridge Fieldhouse – Indianapolis (formerly Conseco Fieldhouse and Bankers Life Fieldhouse)
Chase Center – San Francisco
Chesapeake Energy Arena – Oklahoma City (formerly Ford Center and Oklahoma City Arena)
FedExForum – Memphis, Tennessee
Fiserv Forum – Milwaukee
Golden 1 Center – Sacramento, California
Moda Center – Portland, Oregon (formerly Rose Garden)
Rocket Mortgage FieldHouse – Cleveland (formerly Gund Arena and Quicken Loans Arena)
Smoothie King Center – New Orleans (formerly New Orleans Arena)
Spectrum Center – Charlotte, North Carolina (formerly Charlotte Bobcats Arena and Time Warner Cable Arena)
Talking Stick Resort Arena – Phoenix, Arizona (formerly America West Arena and US Airways Center)
Target Center – Minneapolis
Toyota Center – Houston
Vivint Smart Home Arena – Salt Lake City (formerly Delta Center and EnergySolutions Arena)

Basketball and ice hockey
American Airlines Center – Dallas
Barclays Center – Brooklyn, New York
Little Caesars Arena – Detroit
Madison Square Garden – New York City
Pepsi Center – Denver
Staples Center – Los Angeles
TD Garden – Boston (formerly Shawmut Center, the FleetCenter, and TD Banknorth Garden)
United Center – Chicago
Capital One Arena – Washington, D.C. (formerly MCI Center and Verizon Center)
Wells Fargo Center – Philadelphia (formerly CoreStates Center, First Union Center, and Wachovia Center)

Ice hockey only, with some college basketball
BB&T Center – Sunrise, Florida (formerly Broward County Civic Arena, National Car Rental Center, Office Depot Center and BankAtlantic Center)
Bridgestone Arena – Nashville, Tennessee (formerly Nashville Arena, Gaylord Entertainment Center and Sommet Center)
Honda Center – Anaheim, California (formerly Anaheim Arena and Arrowhead Pond of Anaheim)
SAP Center at San Jose – San Jose, California (formerly San Jose Arena, Compaq Center at San Jose and HP Pavilion)
First Niagara Center – Buffalo, New York (formerly Marine Midland Arena and HSBC Arena)
Gila River Arena – Glendale, Arizona (formerly Glendale Arena and Jobing.com Arena)
PPG Paints Arena – Pittsburgh, Pennsylvania (formerly the Consol Energy Center)
Nassau Veterans Memorial Coliseum – Uniondale, New York
Nationwide Arena – Columbus, Ohio
PNC Arena – Raleigh, North Carolina (formerly Raleigh Entertainment & Sports Arena and RBC Center)
Prudential Center – Newark, New Jersey
Enterprise Center – St. Louis, Missouri (formerly the Kiel Center, the Savvis Center and ScotTrade Center)
Amalie Arena – Tampa, Florida (formerly Tampa Bay Times Forum and the Ice Palace)
Xcel Energy Center – Saint Paul, Minnesota
T-Mobile Arena – Las Vegas, Nevada

College sports
Other Sports
Mariucci Arena – University of Minnesota, Minneapolis, Minnesota Hockey
Williams Arena – University of Minnesota, Minneapolis, Minnesota Basketball
Ralph Engelstad Arena – University of North Dakota
Carl Maddox Field House – Louisiana State University, Baton Rouge, Louisiana Indoor Track and Field

All facilities are on-campus unless otherwise noted.

American football

Aggie Memorial Stadium – New Mexico State University, Las Cruces, New Mexico
Alamodome – San Antonio, Texas (not a campus facility)
Aloha Stadium – University of Hawaii, Honolulu, Hawaii (off campus)
Alerus Center – University of North Dakota, Grand Forks, North Dakota (off campus)
Alumni Stadium – Boston College, Newton, Massachusetts
Amon G. Carter Stadium – Texas Christian University, Fort Worth, Texas
Arizona Stadium – University of Arizona, Tucson, Arizona
Autzen Stadium – University of Oregon, Eugene, Oregon
Beaver Stadium – Penn State, State College, Pennsylvania
Ben Hill Griffin Stadium (Florida Field) – University of Florida, Gainesville, Florida
Benedum Field – Springfield College, Springfield, Massachusetts
Bill Snyder Family Football Stadium – Kansas State University, Manhattan, Kansas (formerly KSU Stadium)
Bobby Dodd Stadium (Grant Field) – Georgia Tech, Atlanta
Boone Pickens Stadium – Oklahoma State University, Stillwater, Oklahoma
Brigham Field at Huskie Stadium – Northern Illinois University, DeKalb, Illinois
Bright House Networks Stadium – University of Central Florida, Orlando, Florida
Bronco Stadium – Boise State University, Boise, Idaho
Bryant–Denny Stadium – University of Alabama, Tuscaloosa, Alabama
Bulldog Stadium – Fresno State, Fresno, California
Byrd Stadium – University of Maryland, College Park, Maryland
Cajun Field – a.k.a. "The Swamp" – University of Louisiana at Lafayette, Lafayette, Louisiana (on university-owned land, but off the main campus)
Camp Randall Stadium – University of Wisconsin, Madison, Wisconsin
Cardinal Stadium – University of Louisville, Louisville, Kentucky
Carrier Dome – Syracuse University, Syracuse, New York
Carter–Finley Stadium – North Carolina State University, Raleigh, North Carolina (on university-owned land, but off-campus)
Camping World Stadium – University of Central Florida, Orlando, Florida (off campus)
Commonwealth Stadium – University of Kentucky, Lexington, Kentucky
Cotton Bowl – Dallas, Texas (not a campus facility)
Coughlin–Alumni Stadium – South Dakota State University, Brookings, South Dakota
Cramton Bowl – Montgomery, Alabama
Darrell K Royal–Texas Memorial Stadium – University of Texas, Austin, Texas
Dix Stadium – Kent State University, Kent, Ohio
Doak Campbell Stadium (Bobby Bowden Field) – Florida State University, Tallahassee, Florida
Dowdy–Ficklen Stadium – East Carolina University, Greenville, North Carolina
Doyt Perry Stadium – Bowling Green State University, Bowling Green, Ohio
Drake Stadium – Drake University, Des Moines, Iowa
Estes Stadium – University of Central Arkansas, Conway, Arkansas
Falcon Stadium – United States Air Force Academy, Colorado Springs, Colorado
FIU Stadium – Florida International University, Miami, Florida
Floyd Casey Stadium – Baylor University, Waco, Texas
Folsom Field – University of Colorado, Boulder, Colorado
Fouts Field – University of North Texas, Denton, Texas
Franklin Field – University of Pennsylvania, Philadelphia
Fred Yager Stadium – Miami University, Oxford, Ohio
Gaylord Family Oklahoma Memorial Stadium (Owen Field) – University of Oklahoma, Norman, Oklahoma
Gerald J. Ford Stadium – Southern Methodist University, University Park, Texas
Glass Bowl – University of Toledo, Toledo, Ohio
Groves Stadium – Wake Forest University, Winston-Salem, North Carolina
Harvard Stadium – Harvard University, Boston, Massachusetts
Heinz Field – University of Pittsburgh, Pittsburgh, Pennsylvania (off campus)
Hubert Jack Stadium – Lock Haven University of Pennsylvania
Hubert H. Humphrey Metrodome – University of Minnesota, Minneapolis, Minnesota (off campus)
Hughes Stadium – Colorado State University, Fort Collins, Colorado (on university-owned land, but off-campus)
Husky Stadium – University of Washington, Seattle, Washington
Independence Stadium – Shreveport, Louisiana (not a campus facility)
Indian Stadium – Arkansas State University, Jonesboro, Arkansas
Jack Trice Stadium – Iowa State University, Ames, Iowa
Jeld-Wen Field – Portland State University, Portland, Oregon
Joan C. Edwards Stadium – Marshall University, Huntington, West Virginia
Joe Aillet Stadium – Louisiana Tech University, Ruston, Louisiana
Johnny Red Floyd Stadium – Middle Tennessee State University, Murfreesboro, Tennessee
Jones AT&T Stadium – Texas Tech University, Lubbock, Texas
Jordan–Hare Stadium – Auburn University, Auburn, Alabama
Kelly/Shorts Stadium – Central Michigan University, Mount Pleasant, Michigan
Kenan Memorial Stadium – University of North Carolina, Chapel Hill, North Carolina
Kibbie Dome – University of Idaho, Moscow, Idaho
Kimbrough Memorial Stadium – West Texas A&M University, Canyon, Texas
Kinnick Stadium – University of Iowa, Iowa City, Iowa
Kyle Field – Texas A&M University, College Station, Texas
Ladd–Peebles Stadium – Mobile, Alabama
Lane Stadium – Virginia Tech, Blacksburg, Virginia
LaVell Edwards Stadium – Brigham Young University, Provo, Utah
Legion Field – University of Alabama at Birmingham, Birmingham, Alabama (off campus)
Liberty Bowl Memorial Stadium – University of Memphis, Memphis, Tennessee (off campus)
Lincoln Financial Field – Temple University, Philadelphia (off campus)
Los Angeles Memorial Coliseum – University of Southern California, Los Angeles (off campus)
M. M. Roberts Stadium – University of Southern Mississippi, Hattiesburg, Mississippi
Mackay Stadium – University of Nevada, Reno, Nevada
Malone Stadium – University of Louisiana at Monroe, Monroe, Louisiana
Martin Stadium – Washington State University, Pullman, Washington
Memorial Stadium – University of California, Berkeley, Berkeley, California
Memorial Stadium – Clemson University, Clemson, South Carolina
Memorial Stadium (Zuppke Field) – University of Illinois, Champaign, Illinois
Memorial Stadium – Indiana University, Bloomington, Indiana
Memorial Stadium – University of Kansas, Lawrence, Kansas
Memorial Stadium (Faurot Field) – University of Missouri, Columbia, Missouri
Memorial Stadium – University of Nebraska, Lincoln, Nebraska
McCulloch Stadium – Willamette University, Salem, Oregon (off campus)
Miami Orange Bowl – University of Miami, Miami, Florida (off campus)
Michie Stadium – United States Military Academy, West Point, New York
Michigan Stadium – University of Michigan, Ann Arbor, Michigan
Milan Puskar Stadium – West Virginia University, Morgantown, West Virginia (formerly Mountaineer Field, which is still included in the complete name of the stadium)
Mississippi Veterans Memorial Stadium – Jackson State University, Jackson, Mississippi
Movie Gallery Stadium – Troy University, Troy, Alabama (formerly Troy Memorial Stadium)
Navy–Marine Corps Memorial Stadium – United States Naval Academy, Annapolis, Maryland
Neyland Stadium – University of Tennessee, Knoxville, Tennessee
Nippert Stadium – University of Cincinnati, Cincinnati
Notre Dame Stadium – University of Notre Dame, Notre Dame, Indiana
Ohio Stadium – Ohio State University, Columbus, Ohio
Peden Stadium – Ohio University, Athens, Ohio
Perkins Stadium – University of Wisconsin-Whitewater, Whitewater, Wisconsin
Princeton Stadium – Princeton University, Princeton, New Jersey
Qualcomm Stadium – San Diego State University, San Diego, California (off campus)
Raymond James Stadium – University of South Florida, Tampa, Florida (off campus)
Razorback Stadium – University of Arkansas, Fayetteville, Arkansas
Rentschler Field – University of Connecticut, East Hartford, Connecticut (off campus)
Reser Stadium – Oregon State University, Corvallis, Oregon
Rhodes Stadium – Elon University, Elon, North Carolina
Rice Stadium – Rice University, Houston, Texas
Rice-Eccles Stadium – University of Utah, Salt Lake City, Utah
Romney Stadium – Utah State University, Logan, Utah
Rose Bowl – UCLA, Pasadena, California (off campus)
Ross–Ade Stadium – Purdue University, West Lafayette, Indiana
Rubber Bowl – University of Akron, Akron, Ohio
Rutgers Stadium – Rutgers University, New Brunswick, New Jersey
Ryan Field – Northwestern University, Evanston, Illinois
Rynearson Stadium – Eastern Michigan University, Ypsilanti, Michigan
Sam Boyd Stadium – UNLV, Whitney, Nevada (off campus)
Sanford Stadium – University of Georgia, Athens, Georgia
Scheumann Stadium – Ball State University, Muncie, Indiana
Scott Field – Mississippi State University, Starkville, Mississippi
Scott Stadium – University of Virginia, Charlottesville, Virginia
Schoellkopf Field – Cornell University, Ithaca, New York
Skelly Stadium – University of Tulsa, Tulsa, Oklahoma
Spartan Stadium – Michigan State University, East Lansing, Michigan
Spartan Stadium – San Jose State University, San Jose, California (on university-owned land, but off the main campus)
Special Olympics Stadium – State University of New York at Brockport, Brockport, New York
Stanford Stadium – Stanford University, Palo Alto, California
Sun Bowl Stadium – University of Texas at El Paso, El Paso, Texas
Sun Devil Stadium – Arizona State University, Tempe, Arizona
Superior Dome – Northern Michigan University, Marquette, Michigan
Tiger Stadium – Louisiana State University, Baton Rouge, Louisiana
TCF Bank Stadium – University of Minnesota Minneapolis, Minnesota
TDECU Stadium – University of Houston, Houston, Texas
University at Buffalo Stadium – University at Buffalo, Buffalo, New York
University Stadium – University of New Mexico, Albuquerque, New Mexico
Vanderbilt Stadium – Vanderbilt University, Nashville, Tennessee
Vaught–Hemingway Stadium – University of Mississippi, Oxford, Mississippi
Waldo Stadium – Western Michigan University, Kalamazoo, Michigan
Wallace Wade Stadium – Duke University, Durham, North Carolina
War Memorial Stadium – University of Arkansas, Little Rock, Arkansas (occasional use; the school's main campus is in Fayetteville)
War Memorial Stadium – Kahului, Hawaii (not a campus facility)
War Memorial Stadium – University of Wyoming, Laramie, Wyoming
Williams-Brice Stadium – University of South Carolina, Columbia, South Carolina
Yale Bowl – Yale University, New Haven, Connecticut
Yulman Stadium – Tulane University, New Orleans

Baseball
Alex Box Stadium – Louisiana State University, Baton Rouge, Louisiana
Bob Wren Stadium – Ohio University, Athens, Ohio
Dan Law Field at Rip Griffin Park – Texas Tech University, Lubbock, Texas
Dick Howser Stadium – Florida State University, Tallahassee, Florida
Doug Kingsmore Stadium – Clemson University, Clemson, South Carolina
Evans Diamond – University of California at Berkeley, Berkeley, California
Goss Stadium at Coleman Field – Oregon State University, Corvallis, Oregon
Hammons Field – Missouri State University, Springfield, Missouri (off campus)
Johnny Rosenblatt Stadium – Omaha, Nebraska (not used by an individual school, but rather by the annual NCAA tournament, the College World Series)
Stanley G. McKie Field at Joseph P. Hayden Jr. Park – Miami University, Oxford, Ohio
Olsen Field – Texas A&M University, College Station, Texas
Packard Stadium – Arizona State University, Tempe, Arizona
Pete Beiden Field – Fresno State, Fresno, California
Pete Taylor Park – The University of Southern Mississippi, Hattiesburg, Mississippi
Pioneer Park – Tusculum College, Greeneville, Tennessee
Reckling Park – Rice University, Houston, Texas
Rio Grande Credit Union Field at Isotopes Park – University of New Mexico, Albuquerque, New Mexico (off campus)
Siebert Field – University of Minnesota, Minneapolis, Minnesota
Smith's Ballpark – University of Utah, Salt Lake City, Utah (off campus)
Stephen Schott Stadium – Santa Clara University, Santa Clara, California
Tony Gwynn Stadium – San Diego State University, San Diego
Turchin Stadium – Tulane University, New Orleans
UCCU Ballpark – Utah Valley University, Orem, Utah
World War Memorial Stadium – North Carolina A&T and Greensboro College, Greensboro, North Carolina (off campus for both)

Basketball
State Farm Center – University of Illinois, Champaign, Illinois
Assembly Hall – Indiana University, Bloomington, Indiana
Beard–Eaves–Memorial Coliseum – Auburn University, Auburn, Alabama
Fiserv Forum – Marquette University, Milwaukee, Wisconsin
Breslin Student Events Center – Michigan State University, East Lansing, Michigan
Bryce Jordan Center – State College, Pennsylvania
Bud Walton Arena – Fayetteville, Arkansas
Carver–Hawkeye Arena – University of Iowa, Iowa City, Iowa
Chaifetz Arena – St. Louis University (SLU), St. Louis, Missouri
Chiles Center – University of Portland, Portland, Oregon
Coleman Coliseum – University of Alabama, Tuscaloosa, Alabama
Convocation Center – Ohio University, Athens, Ohio
Crisler Arena – University of Michigan, Ann Arbor, Michigan
Donald L. Tucker Civic Center – Florida State University, Tallahassee, Florida
Frost Arena – South Dakota State University, Brookings, South Dakota
Gill Coliseum – Oregon State University, Corvallis, Oregon
John D. Millett Hall – Miami University, Oxford, Ohio
Joyce Center – University of Notre Dame, Notre Dame, Indiana
Kohl Center – University of Wisconsin, Madison, Wisconsin
Littlejohn Coliseum – Clemson University, Clemson, South Carolina
Mackey Arena – Purdue University, West Lafayette, Indiana
McArthur Court – University of Oregon, Eugene, Oregon
McKenzie Arena – University of Tennessee at Chattanooga, Chattanooga, Tennessee
Pete Maravich Assembly Center – Louisiana State University, Baton Rouge, Louisiana
Reed Green Coliseum – University of Southern Mississippi, Hattiesburg, Mississippi
Save Mart Center – Fresno State, Fresno, California
Shoemaker Center – University of Cincinnati, Cincinnati
Thompson–Boling Arena – University of Tennessee, Knoxville, Tennessee
Rupp Arena – University of Kentucky, Lexington, Kentucky
United Spirit Arena – Texas Tech University, Lubbock, Texas
Wells Fargo Arena – Arizona State University, Tempe, Arizona
Welsh-Ryan Arena – Northwestern University, Evanston, Illinois
Williams Arena – University of Minnesota, Minneapolis
Wolstein Center – Cleveland State University, Cleveland
Value City Arena – Ohio State University, Columbus, Ohio

Historical stadiums
Arlington Stadium – Arlington, Texas (1965–1993)
Astrodome – Houston, Texas (1965–1999)
Atlanta–Fulton County Stadium – Atlanta (1966–1996)
Baker Bowl – Philadelphia (1887–1938)
BMO Harris Bradley Center – Milwaukee (1988–2018)
Boston Garden – Boston (1928–1998)
Braves Field – Boston, Massachusetts (1915–1952)
Busch Memorial Stadium – St. Louis, Missouri (1966–2005)
Candlestick Park – San Francisco, California (1960–2014)
Chicago Stadium – Chicago (1929–1994)
Comiskey Park – Chicago (1910–1990)
Cinergy Field – Cincinnati (1970–2002)
Cleveland Arena – Cleveland (1937–1974)
Cleveland Municipal Stadium – Cleveland (1932–1996)
Coliseum at Richfield – Richfield, Ohio (1974–1994)
Corcoran Stadium – Cincinnati (1929–1973)
Crosley Field – Cincinnati (1912–1970)
Ebbets Field – Brooklyn, New York (1913–1957)
Exposition Park – Pittsburgh (1890–1909)
Forbes Field – Pittsburgh, Pennsylvania (1909–1970)
Foxboro Stadium – Foxborough, Massachusetts (1971–2001)
Griffith Stadium – Washington, D.C. (1891–1961)
Honolulu Stadium – Honolulu, Hawaii (1926–1976)
Hubert H. Humphrey Metrodome – Minneapolis (1982–2013)
John F. Kennedy Stadium – Philadelphia (1925?-1991?)
Kezar Stadium – San Francisco, California (1925–1988)
Kingdome – Seattle, Washington (1976–1999)
League Park – Cleveland (1891–1948)
Lockhart Stadium – Miami
Los Angeles Memorial Sports Arena – Los Angeles
Market Square Arena – Indianapolis (1974–1999)
Memorial Stadium – Baltimore (1954–2001)
Memorial Stadium (University of Minnesota) – Minneapolis, Minnesota (1924–1981)
Metropolitan Stadium – Bloomington, Minnesota (1956–1981)
Mile High Stadium – Denver, Colorado (1948–2000)
Milwaukee County Stadium – Milwaukee, Wisconsin (1953–2000)
Municipal Stadium – Kansas City, Missouri (1923–1976)
Northrop Field – Minneapolis (1899–1923)
Pitt Stadium – Pittsburgh (1925–1999)
Polo Grounds – New York City (1883–1963)
Portland Ice Arena – Portland, Oregon (1914–1950s)
RCA Dome – Indianapolis (1984–2008)
Shea Stadium – Queens, New York (1964–2008)
Shibe Park – Philadelphia (1909–1976)
Sicks' Stadium – Seattle (1938–1969)
Pontiac Silverdome – Pontiac, Michigan (1975–2001)
Sportsman's Park – St. Louis, Missouri (1902–1966)
Stagg Field – Chicago (1893–1957)
Tampa Stadium – Tampa, Florida (1967–1998)
Temple Stadium – Philadelphia (1928–1997)
The Dome at America's Center – St. Louis, Missouri (1995–2016)
Three Rivers Stadium – Pittsburgh (1970–2000)
Tiger Stadium – Detroit, Michigan (1912–1999)
Tulane Stadium – New Orleans (1926–1980)
Vaughn Street Park – Portland, Oregon (1901–1956)
Veterans Stadium – Philadelphia (1971–2003)
War Memorial Stadium – Buffalo, New York (1937–1988)
Waverly Fairgrounds – Elizabeth, New Jersey (1873)
Wrigley Field – Los Angeles (1925–1961)
Yankee Stadium – New York City (1923–2008)

See also
List of stadiums in Africa
List of stadiums in Asia
List of stadiums in Central America and the Caribbean
List of stadiums in Europe
List of stadiums in Oceania
List of stadiums in South America
List of North American stadiums by capacity

External links
Atlas of worldwide soccer stadiums for GoogleEarth ***NEW***
cafe.daum.net/stade
worldstadiums
Football Stadiums
Football Temples of the World

Stadiums
North America

redpajama_set_name: RedPajamaWikipedia


text:
Burrow now ships with a web3 compliant RPC server to integrate with your favorite Ethereum tooling!
We've already tried a few tools to ensure they work correctly, but if you have any problems please
consider submitting a pull request.

## Blockscout

[Blockscout](https://github.com/poanetwork/blockscout) is a graphical blockchain explorer for
Ethereum based networks. Before deploying the application, ensure to set the following environment
variables so it can locate your local Burrow node.

```bash
export ETHEREUM_JSONRPC_VARIANT=ganache
export ETHEREUM_JSONRPC_HTTP_URL=http://localhost:26660
```

## Metamask

[Metamask](https://metamask.io/) is an open-source identity management application for Ethereum,
typically used as a browser extension. After creating or importing a supported `secp256k1` key pair,
you can simply add Burrow to the list of networks.

## Remix

[Remix](https://remix.ethereum.org/) is a web-based integrated development environment for Solidity.
To deploy and run transactions, select `Web3
Provider` as the `Environment` and enter your local RPC
address when prompted.

## Truffle

[Truffle](https://www.trufflesuite.com/docs/truffle/overview) makes it easy to develop smart contracts
with automatic compilation, linking and deployment. For a quick introduction, follow the official
[tutorial](https://www.trufflesuite.com/docs/truffle/quickstart) and edit the config `truffle-config.js`
to point to your local node. To ensure Truffle uses this configuration, simply suffix all commands with
the flag `--network burrow`.

```js
module.exports = {
  networks: {
   burrow: {
     host: "127.0.0.1",
     port: 26660,
     network_id: "*"
   },
  }
};
```


text:
Q: How to clear a select field when another select field changes with react-select So I have 2 select fields. Then first select field is for categories; The other one is for subcategories. When the first field changes, the second field changes the list of options to choose, but the selected value of the second select field is still there. So I was wondering if there's a way to deselect the second value, when the first value changes.
Code:
import { useEffect, useState } from 'react';
// import categoryOptions from './categoryOptions';
import subcategoryOptions from './subcategoryOptions.json';
import Select from 'react-select';

    const Info = ({
      register,
      errors,
      product,
      setValue,
      getValues,
      watchAllFields,
      formStep,
      unregister,
    }) => {
      const categories = [
        { value: 'chocolate', label: 'Chocolate' },
        { value: 'strawberry', label: 'Strawberry' },
        { value: 'vanilla', label: 'Vanilla' },
      ];

      const [selectedCategory, setSelectedCategory] = useState(null);
      const [selectedSubcategory, setSelectedSubcategory] = useState(null);
      const [subcategoryArray, setSubcategoryArray] = useState();
      const [isChanged, setIsChanged] = useState(false);

      useEffect(() => {
        setSelectedSubcategory(null);
        if (selectedCategory) {
          const foundSubcategory = subcategories.filter(
            (item) => item.category === selectedCategory.value
          );
          if (foundSubcategory) {
            console.log(foundSubcategory);
            setSubcategoryArray(foundSubcategory);
          }
        }
        setIsChanged(true);
      }, [selectedCategory]);

      const subcategories = [
        { value: '', label: '⠀' },
        { value: 'eee', label: 'Chocolate', category: 'chocolate' },
        { value: 'e', label: 'zre', category: 'chocolate' },
        { value: 'es', label: 'Chooo', category: 'chocolate' },
        { value: 'strawberry', label: 'Strawberry' },
        { value: 'vanilla', label: 'Vanilla' },
      ];

      return (

              Title

            <input
              type='text'
              name='title'
              className='text-white bg-indigo-900 border-indigo-900 input focus:bg-indigo-500'
              placeholder='Try something creative (Required)'
              maxLength={30}
              {...register('title', {
                required: {
                  value: true,
                  message: 'Title is required!',
                },
              })}
            />
            {errors.title && (

{errors.title.message}

            )}

Gig Requierments

            <textarea
              type='text'
              name='Requirements'
              className='h-56 text-white bg-indigo-900 border-indigo-900 input focus:bg-indigo-500'
              {...register('requirements')}
            ></textarea>

Category

            <Select
              defaultValue={selectedCategory}
              onChange={setSelectedCategory}
              options={categories}
            />
            <Select
              isClearable
              defaultValue={selectedSubcategory}
              onChange={setSelectedSubcategory}
              options={subcategoryArray}
            />

      );
    };

    export default Info;

Any help would be appreciated. Thanks.

A: Just pass a custom handler to the first Select that resets the second Select's value, if the currently selected subcategory is not in the new category:

const isSubcategory = (subcategory, category) => { /* returns true if subcategory is a subcategory of category */ }

const handleCategoryChange = useCallback(value => {
    if (!isSubcategory(selectedSubcategory, value)) {
        setSelectedSubcategory(null);
    }

    setSelectedCategory(value);
}, [selectedSubcategory])

<Select
    isClearable
    defaultValue={selectedCategory}
    onChange={handleCategoryChange}
    options={subcategoryArray}
/>

If the selected subcategory is never a subcategory of another category you can even skip the check.
The effect is not required. It all depends on local state changes.


Journey brokers aren't going the way in which of the eight-monitor tape just yet. When an company submits a bank card for a new reservation that's declined (i.e., a GDS booking), the system will maintain the reservation for quarter-hour allowing time for a new type of payment to be sent. Cary Travel Categorical was voted Northwest Herald's "Best of Fox" Journey Agency 12 instances.
Solely approved and registered travel agents could use this Web site for the only goal of promoting, advertising and selling Disney Holidays. Journey agents make their living from a small fee paid by the journey supplier (on this case, Disney) for the resort hotel rooms, theme park passes and trip packages they e-book.
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text:
'Treat people right,' police chief urges
Paul Srubas
A bunch of bankers just started work at the Green Bay Police Department.
Well, they're not really bankers. Two are police officers and two are civilian employees. And, of course, the police department is no bank.
The "bank of trust" phrase has been floating around a few years now and is tied to the Los Angeles Police Department, from whence Green Bay's new chief, Andrew Smith, hails.
The phrase may be considered a cliché nowadays, but Smith takes it seriously and hopes his officers do, too.
Related: Green Bay eyes new police headquarters
"Bank of trust" refers to a philosophy the LAPD has tried to employ for several years, based on the assumption that community outreach must not be put off until "a Ferguson" happens.
"In the police business, things happen that look unpleasant," Smith says. "Video happens. Officers use force. It doesn't look good. I have never seen force that looks good."
Even if the police officer involved in a shooting did everything right, people are going to react, and Smith believes it's the work that police do on all of the previous days that determines whether people storm the department "with torches and pitchforks."
That's where the bank of trust comes in. If the police department has conscientiously been making deposits, it has a savings account to get it through tough times.
Deposits consist of the simplest of things: Helping someone with their groceries, helping the elderly cross a busy street, helping a lost kid reunite with his parents, Smith says. If people come to like the cops, they might not automatically think the worst when something bad transpires. If someone gets pulled over for a ticket, that person might realize he or she is not getting picked on, that police have to do their jobs.
That's the message Smith passed on to new officers Britney Vanderbunt and Keith Rager, and new front desk people, Nikki Wollenberg and Tara Feurig.
Smith had two main commands for them on Monday, the day the officers were sworn in and they and the new desk people were introduced to the department.
"I want you to work hard and to treat people right," Smith told them. "That's it."
That's it? Are you kidding?
No, Smith isn't kidding. Every contact they make with members of the public will stick in those people's minds, he said.
And you can take that to the bank.
psrubas@pressgazettemedia.com and follow him on Twitter @PGpaulsrubas


A 30 minute grace period, for collecting luggage, is given for passengers on all arriving flights.
Wait time charges will apply after the 30 minute grace period.
Passengers on Diverted or Delayed flights are advised to call our offices as soon as possible.
No Shows are billed for the full charge.
For Sedans, there is no charge if cancelled six (6) hours prior. Less than six (6) hours, full charges apply.
For Stretch, SUV's or Vans, there is no charge if cancelled at least twenty four (24) hours in advance. Less than twenty four hours (24), full charges apply.
Inside pickup/Meet & Greets: Arriving passengers are subject to a $10.00 parking charge in addition to the parking fees.
Waiting Time: Passengers are billed at the hourly rate in 20 minute increments.
Extra Stops: Varies by location. Please call our office for further information.
Diverted Flights: Waiting time is billed at the regular rate for each vehical type.


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