text:
1st Ever Devils Army Road Trip
By Colin226, January 12, 2012 in Hell
Colin226 118
Location:Flemington, NJ
Sat. March 10th @ NY Islanders - 7pm
Only a Few Spots Remaining
The Devils Army Generals would like to extend an invitation to the greatest fans in the NHL as we head out to Long Island to see our New Jersey Devils take on the New York Islanders at the Coliseum.
The game is scheduled for Saturday, March 10, 2012, game time is 7pm. We have a handful of tickets remaining on a first come, first serve basis. We have 50 fans already confirmed for the trip. The seats will be in Section 325, where the Devils shoot twice. Tickets are $42/person.
There WILL BE bus transportation from the Prudential Center out to Long Island at a cost of $20/person. Plan on the bus leaving around 1pm - 2pm. Yes, you will be allowed to enjoy all types of beverages on the ride. We are also looking into a tailgating type event once we get out to Nassau Coliseum and updates regarding food and beverages will be available at a later date.
If you are interested in attending this game or would like payment information, please send an email to devilsroadtrips@gmail.com. Please include your name, address, telephone number, and the number of tickets you would like to purchase. Any questions can be directed to this email as well. We are looking for at least half of the deposit for the tickets and the bus ($31/person) by February 14th, if you want to pay in full, that is fine as well. If you are not taking the bus, the deposit total would just be $21/person.
ALSO - While the best experience for this will be to take the bus with us and sit with us at the game, we understand that some people have tickets and only want to take the bus, and some people only need tickets and not the bus. You may purchase the bus ride or tickets individually, just specify that when emailing us.
Here's the breakdown:
New Jersey Devils @ New York Islanders
Ticket: $42/person
Transportation: $20/person
Deposit due: February 14th ($21/person – just a ticket, $31/person for ticket and transportation)
BTW - I realize we already had a thread for this, but the info wasn't fully updated and the thread was from August so I felt it was better to just start a new one.. Thanks!
Edited January 25, 2012 by Colin226
cj241 0
Albany Devil
We are down to 11 tickets remaining!
ChilltownDevs2673 2
Rookie Devil
Location:Jersey City, NJ
Interests:Baseball, basketball, hockey, history, music, working out, living life!
9 tickets left and there's still seats available on the bus!
Edited January 12, 2012 by cj241
devs82fan 2
Location:Sussex County, NJ
my brother and i are going!
Ill be there with who I dont know yet. This is the only way I would ever go watch that pathetic excuse of a NHL team called the Icelanders. Cant wait till they leave this area and move out of that fire trap. Useless hockey team.
Edited January 13, 2012 by ChilltownDevs2673
TheMazz 43
Both me and my girlfriend will be going. Can't wait to meet up with some of my fellow board members because this sounds like it will be a blast!
Tickets on Stubhub in section 325 for $13.99.....lol
GoArmySports 61
Yep, I snagged seats in 323 for $13 each.
Yeah we know, BUT if you do buy your own ticket you can still take the bus with us
If we end up having a tailgate for all Devils fans attending the game then I'll let you know
Nice, keep us updated!
We realize tickets are going to be cheaper elsewhere, but there's not much we can do about that. We're pretty close to selling our 50 tickets so I'm excited about this and the possibility of a huge tailgate party.
bpcdev 0
Location:Manhattan (Battery Park City)
Interests:Devils Hockey, 80s Metal, Golf, Ice/Roller Hockey, Equities and Options Trading.
3 of us got tix in 325 already and will be going as well! Looking forward to the tailgate! LGD!
Keep in mind that you can still pay to take the bus with us even if you have your own tickets to the game.. It'll cover you for tolls and parking, and will be a rowdy time with everyone enjoying beverages and getting pumped up for the game..
You are also welcome to sit with us since there will most likely be room
ohms law 2
Senior Devil
Location:Edison, NJ
Interests:New Jersey Devils (of course!), New York Yankees, Computer programming (C++, C#), Computer hardware, Strategy gaming, history, chemistry (I'm currently attending MCC in order to finally get a degree), writing.
I'll be looking/listening for y'all while watching the game.
Quick update - We have sold 47 tickets and will most likely be sold out of the original 50 by Thursday. But, if you're still interested, you can contact the email address listed above in the original post as we may be getting more tickets.
There are still 10 seats left on the bus if you would like to buy your own tickets but save on gas, tolls, and parking by coming with us (and having an awesome time drinking (optional) and getting rowdy and pumped up (not optional)).. Reserve your spot ASAP as we will not be getting another bus once this one fills up
There are still tickets available for this and there's seats available on the bus as well!
If you already purchased tickets and don't want to drive, feel free to join us. $20/person for the bus whether you bought tickets with us or not! There's approximately 15 seats still available.
Yeah guys you definitely want to get in on this.. The bus ride is going to be a crazy time and a great experience
Just a nice bump with about a month to go before this Road Trip...we still have a few tickets available if anyone is interested. We have already sold 48 tickets!!
We also have seats available on the bus, approximately 8-11 seats. You don't have to buy a ticket from us to go on the bus.
If you're interested in either send an email to devilsroadtrips@gmail.com
If you are going on the trip and haven't paid in full yet, FINAL payment is due today, please. If you're still interested, please contact me as we do have a few tickets and seats on the bus available.
We're all actually driving out of NYC. What time will the bus be arriving at the Nassau Mausoleum? Is the tailgate still on?
The bus is leaving at 3pm, so I'm hoping we'll be there between 4-5 (depending on the traffic). Still trying to figure out tailgate details.
Cool, we should be there at around the same time. We'll be pregaming in the parking lot (I'll be sporting my Claude Lemieux jersey) and will look for the bus!
Sounds good! We're taking a Lakeland Bus and we'll be pregaming on the bus and in the parking lot. There's going to be a ton of people there.
I will meet you guys tomorrow at the site. I have a question would it be acceptable to bring a vuvuzela to the Coliseum? Looking forward to this and can't wait!!


text:
Day of Appointment
Dr. Adhami
Dr. Adhami earned his medical degree from Albany Medical College in Albany, New York.
He completed his residency training in internal medicine and fellowship training in gastroenterology at Beth Israel Medical Center in New York City.
He is board certified in gastroenterology. He is a member of several professional organizations including the American College of Gastroenterology and the American Society for Gastrointestinal Endoscopy.
Please click CONTACT BUTTON LINK on the main page to schedule an appointment with one of our physicians
Contact us to schedule an appointment
471 Montauk Highway
West Islip, NY 11795
Email: contact@idhcli.com
Island Digestive Health Center
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redpajama_set_name: RedPajamaCommonCrawl


With the right company and in the right place, even the least experienced wine drinkers can bring out the stories of a good glass. This lesson quickly revealed itself when my friends Small and Tall and I traveled to Lisbon and sampled Portuguese wines. As inexperienced tasters, the questions we asked ourselves while sipping— and our answers— are not your typical wine descriptors. But we hoped we could make up for what we lacked in proper tasting notes with creative questions and stories inspired by the wine and the night we enjoyed it.
Let me begin with brief introductions.
When not sipping wine, the ToGTA immersed themselves in Lisbon's art and culture.
Tall is a sharp, dashing native of Canberra, Australia, and physics major at the Australian National University. He knows more than most of us do about how to operate lasers, and has touched nearly every fertility relic on the island of Ireland. In his spare time, he enjoys knitting and climbing monastic ruins.
And I am The Daughter. In addition to being a daughter, I am also a full time student in New York and a part time advocate for manatee rights. In my spare time, I enjoy eating meat, drinking wine, running, and photographing my cats (but rarely in that order). The three of us became friends while studying for a semester in Dublin.
Over the course of our four-day visit, Lisbon treated us well. We adored the winding, stone-paved streets lined with local artists selling their work, views of the river Tagus from the overlook of the Castle of São Jorge, and, several times a day, the famous pastries of the nearby city of Belém— the Pastéis de Nata — bite-sized egg custard tarts served warm with powdered sugar and cinnamon. But for our final night in the city, we had saved the best for last: a tasting of Portuguese wines.
Though none of us had ever participated in a true tasting, we were inspired by the impressive offerings around us, and decided to visit Fábulas, a neighborhood café in the Chiado, a bustling area of Lisbon known for its elegant theaters and shops, as well as its nightlife. Tucked away in a quiet alley and up a long flight of stairs, the café is a retreat from the bustle below, and offers a variety of small plates and fresh mains to pair with their menu of local wines. Our server, Vitor, brought us to a table in the café's garden terrace, where we enjoyed a plate of fresh bread, hummus, and olive tapenade as we sampled three wines: the house red, "Alveirão" Alentejo; the 2012 Pousio Alentejo; and the 2011 Red Altano Douro.
What did the wine smell like?
After a long silence, we decided it would be necessary to enjoy this glass without wine-related discussion to give us creative courage for our later tasting notes. We found this method quite effective.
A blend of Syrah with Portuguese grapes Trincadeira and Aragonez. Incidentally, Aragonez is more familiarly known as Tempranillo, which many will recognize as a popular, often value-priced Spanish wine.
What did this wine remind us of when we sipped?
Down to our last few sips, I suggested we move on to the next wine.
We waited what we felt was an appropriate amount of time, then did the only thing we knew to do: ordered another glass.
Vitor informed us that our last glass of the evening was an organic wine from northern Portugal, and is his personal favorite on the menu, as it is excellent both with food and on its own. Swirling our glasses, we immediately noticed that this wine was more intense than the previous two.
Later that night, long after leaving the café, we found ourselves at A Tasca do Chico, a bar and restaurant known to be one of the best places in Lisbon to enjoy a glass of port while listening to local singers performing authentic Portuguese fado music. Accompanied by classical guitar, fado is known for its lamenting, melancholy subject matter and style, and songs often explore themes of loss, the sea, and destiny. One by one, as the hours drew later, musicians emerged from the audience, pausing from their drinks and dinners with friends to sing.
As we listened, sipping our port, we couldn't help but think of the woman in the long blue skirt.
To read more of Sara's writing, visit sarachapmanheegaard.com.
Thanks so much, Spot! Cheers to you and Stretch!
Thanks, Camille! We find this type of tasting note much more helpful, as well! Cheers!
Ahh, you flatter us, Lynne! We definitely lived vicariously on this post. It took us back to the charms of first journeys abroad. Cheers!


A state employee will go to court in November over claims that she was stripped of duties after a social media comment criticizing Democratic gubernatorial candidate Benjamin T. Jealous.
Candus Thomson, who most recently worked as a spokesperson for the Department of Natural Resources Police, alleges that she was removed from media duties after a post from her personal Facebook account referred to Jealous as an "assclown," following reports that he'd vetoed a reporter as a panelist for a gubernatorial debate.
Thomson filed a lawsuit Tuesday in U.S. District Court in Baltimore against Natural Resources Secretary Mark Belton alleging a violation of her First and Fourteenth Amendment rights.
She has been assigned other duties at the department, according to the complaint.
"She was demoted and stripped of her media-related duties solely because she exercised her First Amendment rights on the personal Facebook page of a news-reporter friend in response to his posting about gubernatorial candidate Ben Jealous," the complaint states, noting that the post was made at 5 a.m. Sept. 17 from Thomson's personal iPad in her living room, before her working hours.
Thomson was responding to a conversation on the Facebook page of Daily Record reporter Bryan P. Sears about the Jealous campaign's veto of Hagerstown Herald-Mail reporter Tamela Baker as a debate panelist.
The Jealous campaign subsequently withdrew the veto and accused the reelection campaign of Gov. Lawrence J. Hogan Jr. (R) of having "severely limited" the debate negotiations. Thomson's post was intended "to describe her belief that the exclusion of Ms. Baker from the debate by Mr. Jealous was inappropriate and wrong," the complaint states. "… Ms. Thomson, a former reporter, was commenting in her capacity as a citizen and not an employee of the DNR or the State of Maryland, on a matter of public concern," the complaint states.
Thomson has worked for DNR as a public information officer for about five years. She previously worked as a newspaper reporter for four decades, including 25 years at The Baltimore Sun. The complaint details a week of communications between Thomson and DNR officials about her status at work.
The complaint says that Thomson was contacted by DNR Police Colonel Robert Ziegler on Sept. 18 about the Facebook post a day earlier.
At that time, Thomson was surprised by the call, offered to remove her post and did so later that day. Later in the week, two DNR police commanders were instructed by the director of the Office of Communications to take over Thomson's media duties, according to the complaint.
The complaint says Thomson learned at the end of the week that she had been stripped of her media duties.
On Monday, Sept. 24, Thomson wrote to Deputy Secretary Joanne Throwe for more clarification about her new assignment.
"Because it's management's prerogative," Throwe responded, in part.
An attorney for Thomson began communicating with DNR officials on Sept. 27, but her duties had not been restored as of this week.
On Wednesday, Stephen Schatz, director of the office of communications for DNR, said the department could not comment on pending litigation or personnel matters per state law and department policy.
State officials, however, confirmed that Thomson put in retirement papers earlier this year and said there has been no reduction in her salary.
U.S. District Court Judge Ellen Lipton Hollander held a teleconference with attorneys in the case on Wednesday afternoon.
An evidentiary hearing was scheduled for Nov. 1, according to James Astrachan, Thomson's lawyer.


text:
Global Montreal: The McGill varsity team and Kahnawake Survival School recreate 'old time' lacrosse game ( By Dan Spector Global News) Lacrosse is celebrating 150 years and to mark the occasion, a special game between the McGill varsity team, and the team from the Kahnawake Survival School took place on the lower field of McGill University. The teams were dressed the way players would have dressed to play in 1867.Players wore long underwear while referees sported full suits and top hats.
CTV Montreal: Lacrosse at 150 (clip features traditional stick making)
USLacrosse Magazine: Medicine Game, Montreal-Mohawk Reenactment Mark 150th Anniversary of Lax in Canada
Vision Wear Lacrosse - Youtube video "150 Year Anniversary of Lacrosse | Sights and Sounds"
Canadian Press: http://www.ctvnews.ca/sports/canadian-lacrosse-celebrates-first-nations-origins-as-sport-turns-150-1.3486990
Quotations:
"This is what kept me connected to my past," Tewenhni'tátshon Louis Delisle said through tears holding his wooden stick above his head. "Through the language of my elders, that's the only thing that you could say kept our identity at those times."
"I feel proud to be part of the sport of lacrosse and not just as a Native," Delisle said. "This all-encompassing game was given to us by the Creator so that the whole world should enjoy it. It's extremely important that we're looking at the roots of the game, it was a Native pastime and sport and culture to train young men to have endurance, strength and toughness."
"It's so important that we educate the lacrosse world on the history, the First Nations' contribution to the history of the game, and how it turned into the modern game in 1867," said Jim Calder, who played for Canada in 1978 and 1982. "Kahnawake and the Montreal Lacrosse Club traveled to England three times and spread the game through the British empire through those three trips, so it was a cooperative effort to get the sport worldwide. … It's a good time for everyone to remember where this thing came from."
"It helps to show people that we're not gone, we're still very much alive," said Stick maker Travis Gabriel from the Mohawk community of Kanesatake "Just that thought alone makes me happy."
"I go around and talk about how the sticks are made to a lot of people all over the country in the United States and some in Canada, and I see that everybody wants to know," Alf Jacques from Onondaga said. "They want a taste of that, the mystique, that spiritual game that the Natives play. They want a taste of that. They want a piece of that. They want wooden sticks, and want to know more about that traditional game all over the country."


text:
Q: Changing Textbox from the cpp file What I'm trying to do is change a textbox from the form1 from within the main '.cpp' file.
Basically, I want the text field to change on load. (Later it will be another reason).
Sorry if this is a dumb question. I'm a newbie.
I added the 2 lines in the Header file and changed the textbox from private to public. (guessing this isn't a good idea?)
Then I tried calling the change in the main function of the .cpp file.
Thank you so much for your help
.cpp file
// help.cpp : main project file.

#include "stdafx.h"
#include "Form1.h"

using namespace help;

[STAThreadAttribute]
int main(array<System::String ^> ^args)
{
    // Enabling Windows XP visual effects before any controls are created
    Application::EnableVisualStyles();
    Application::SetCompatibleTextRenderingDefault(false);

    // Create the main window and run it
    Application::Run(gcnew Form1());

    //Added this.
    Form1^ myform1 = gcnew Form1();
    Form1::myForm1->MyBox->Text = L" ShowME! ";

    return 0;
}

form1.h file
#pragma once

namespace help {
    using namespace System;
    using namespace System::ComponentModel;
    using namespace System::Collections;
    using namespace System::Windows::Forms;
    using namespace System::Data;
    using namespace System::Drawing;

    /// <summary>
    /// Summary for Form1
    /// </summary>
    public ref class Form1 : public System::Windows::Forms::Form
    {
    public:
        static Form1^ myForm1; //Add this...
        Form1(void)
        {
            InitializeComponent();
            myForm1 = this; //added this...
            //
            //TODO: Add the constructor code here
            //
        }

    protected:
        /// <summary>
        /// Clean up any resources being used.
        /// </summary>
        ~Form1()
        {
            if (components)
            {
                delete components;
            }
        }
    public: System::Windows::Forms::TextBox^  MyBox; //Changed To Public..
    protected:

    private:
        /// <summary>
        /// Required designer variable.
        /// </summary>
        System::ComponentModel::Container ^components;

#pragma region Windows Form Designer generated code
        /// <summary>
        /// Required method for Designer support - do not modify
        /// the contents of this method with the code editor.
        /// </summary>
        void InitializeComponent(void)
        {
            this->MyBox = (gcnew System::Windows::Forms::TextBox());
            this->SuspendLayout();
            //
            // MyBox
            //
            this->MyBox->Location = System::Drawing::Point(20, 57);
            this->MyBox->Name = L"MyBox";
            this->MyBox->Size = System::Drawing::Size(247, 20);
            this->MyBox->TabIndex = 0;
            this->MyBox->TextChanged += gcnew System::EventHandler(this, &Form1::MyBox_TextChanged);
            //
            // Form1
            //
            this->AutoScaleDimensions = System::Drawing::SizeF(6, 13);
            this->AutoScaleMode = System::Windows::Forms::AutoScaleMode::Font;
            this->ClientSize = System::Drawing::Size(284, 261);
            this->Controls->Add(this->MyBox);
            this->Name = L"Form1";
            this->Text = L"Form1";
            this->ResumeLayout(false);
            this->PerformLayout();

        }
#pragma endregion
    private: System::Void MyBox_TextChanged(System::Object^  sender, System::EventArgs^  e) {
             }
    };
}

Update....
I'm still trying to figure it out. Today I woke up early to try again and I can't seem to get it to work.
I tried making a function called "go" on From1.h and then running the function from the cpp to see if it changes the box and nothing.
So then I decided to see if the function is running at all... Then I wrote a file and put hello in that file using the same function that suppose to update the textbox. It wrote the file no problem but the textbox is still unchanged Please Help!
cpp file
#include "stdafx.h"
#include "Form1.h"

using namespace test6;

[STAThreadAttribute]
int main(array<System::String ^> ^args)
{

    // Enabling Windows XP visual effects before any controls are created
    Application::EnableVisualStyles();
    Application::SetCompatibleTextRenderingDefault(false);

    Form1 peaches;
    peaches.go();

    // Create the main window and run it
    Application::Run(gcnew Form1());

    return 0;
}

Form1.h
#include <iostream>
#include <sstream>
#include <String>
#pragma once

namespace test6 {

    using namespace System;
    using namespace System::ComponentModel;
    using namespace System::Collections;
    using namespace System::Windows::Forms;
    using namespace System::Data;
    using namespace System::Drawing;

    /// <summary>
    /// Summary for Form1
    /// </summary>
    public ref class Form1 : public System::Windows::Forms::Form
    {
    public:
        Form1(void)
        {
            InitializeComponent();

            //
            //TODO: Add the constructor code here
            //

        }

        void go() {

            //This doesn't update the Box?
            MyBox->Text = ("Hello");

            //This does make a file with hello in it.
            FILE * fname = fopen("text.txt","w");
            fprintf(fname, "Hello");
            fclose(fname);

        }

    protected:
        /// <summary>
        /// Clean up any resources being used.
        /// </summary>
        ~Form1()
        {
            if (components)
            {
                delete components;
            }
        }
    private: System::Windows::Forms::TextBox^  MyBox;
    private: System::Windows::Forms::Button^  button1;
    protected:

    private:
        /// <summary>
        /// Required designer variable.
        /// </summary>
        System::ComponentModel::Container ^components;

#pragma region Windows Form Designer generated code
        /// <summary>
        /// Required method for Designer support - do not modify
        /// the contents of this method with the code editor.
        /// </summary>
        void InitializeComponent(void)
        {
            this->MyBox = (gcnew System::Windows::Forms::TextBox());
            this->button1 = (gcnew System::Windows::Forms::Button());
            this->SuspendLayout();
            //
            // MyBox
            //
            this->MyBox->Location = System::Drawing::Point(99, 112);
            this->MyBox->Name = L"MyBox";
            this->MyBox->Size = System::Drawing::Size(100, 20);
            this->MyBox->TabIndex = 0;
            this->MyBox->TextChanged += gcnew System::EventHandler(this, &Form1::MyBox_TextChanged);
            //
            // button1
            //
            this->button1->Location = System::Drawing::Point(110, 178);
            this->button1->Name = L"button1";
            this->button1->Size = System::Drawing::Size(75, 23);
            this->button1->TabIndex = 1;
            this->button1->Text = L"button1";
            this->button1->UseVisualStyleBackColor = true;
            //
            // Form1
            //
            this->AutoScaleDimensions = System::Drawing::SizeF(6, 13);
            this->AutoScaleMode = System::Windows::Forms::AutoScaleMode::Font;
            this->ClientSize = System::Drawing::Size(284, 261);
            this->Controls->Add(this->button1);
            this->Controls->Add(this->MyBox);
            this->Name = L"Form1";
            this->Text = L"Form1";
            this->ResumeLayout(false);
            this->PerformLayout();

        }
#pragma endregion
    private: System::Void MyBox_TextChanged(System::Object^  sender, System::EventArgs^  e) {
             }
    };
}

A: you can do this my setting the textbox text on the constructor of the form.
Form1(void)
        {
            InitializeComponent();
            myForm1 = this; //added this... (?? no need)
            //
            //TODO: Add the constructor code here
            MyBox.Text = "Result is 22"; //where MyBox is your text box object.
        }

Note that :
No need to make text box public, as private members can be access within the class without any issue. (text box is defined inside the 'Form class' )
Update to your second question:
Form1 peaches; // obj1
peaches.go();

// Create the main window and run it
Application::Run(gcnew Form1());     // obj2

Look at your code, carefully. You have two distinct Form1 objects.
1. At peaches (obj1) you call go) function. Nothing happen because your UI not running at that moment.

*Then you create another object with gcnew Form1() and lunching the UI. No change in UI, because you call go() in the other object.

Try this,
Form1 ^peaches = gcnew Form1();
// Create the main window and run it
Application::Run(peaches);
peaches->go();

redpajama_set_name: RedPajamaStackExchange


Todd Thoughts | Intermittent ramblings of a random nature….
So, yes, as you can imagine, I've been accused of hubris before – which is pretty much the definition of "putting up a web page to tell the world what you think about things", right?
But, on the other hand there are some topics that I've spent some time studying and "thinking through" (largely the menu choices above), and if only for my own sake – so I don't have to think them through again – it's good to have a place to put them.
And that place is here.
Warning. I like to "do the math" on things. I'm a policy dweeb – it's not all about "what I like", it's all about what works.
For me, that tends to define "what I like", but I know that's not the case for everyone. Some people choose to think a particular path to a solution is acceptable whether it actually works or not. To me, that's more of a "belief" than a true solution – and I have to say if that's you, your starting point is wrong to begin with – but there's nothing I can do about that except lay out the logical fact-based path to solutions.
If you're not interested in beating an issue to death – starting at the beginning, working your way through the middle and ending in the end – you're just going to be bored with this.
Suggest you go back to the latest celebrities, whack-o politicians, or your favorite sports team. Something that doesn't require at last a few minutes of concentrated logical thought.
If you're not into the details, that's fine. But it would be nice if you recognize you have no interest in actually working through those details to come up with a workable solution, so perhaps you should limit your participation in the discussion to "things you actually choose to know something about…"?
And, I know this will go nowhere, but if, for instance, you're not willing to spend the time to understand how your tax dollars are currently spent, maybe you should not vote on proposals or candidates that affect that?
Just like if you don't want to spend the time to go to Med school that's fine, but maybe those who have not gone to med school are not the best positioned to make decisions on treatment options for whatever disease you might be attempting to beat?
Being interested enough in politics, solutions, and the details behind them is not a pre-requisite for being a great person. Nor does it make you "stupid" in any way – you just have different interests.
That's totally fine. There are a lot of great people who don't care to think about….
…or how our entire political system is designed to make sure the key benefits flow to the participants in that system – first and foremost – and to "the people" only as a side effect of that.
I would like to think issues like that are important to us all – important enough to be well worth everyone's time to think them through – and particularly important to those who have kids. But if you simply "trust everyone else" to make the right decisions for you I can understand that – even if I do disagree.
You may disagree – and of course you're welcome to do that.
I don't know everything – I've just spent perhaps a bit more time than the average bear trying to think of everything (at least on the topics near and dear to me) – but that doesn't mean I've nailed it all down.
Yes, you can also find me on Facebook, LinkedIn, or the occasional editorial letter in the San Diego Union Tribune.


Looking for something to do, that doesn't cost anything?! Join us for our monthly movie night Saturday, May 19 at 7:00. We will be showing All Saints.
Everyone is welcome – this is free for our community. Free popcorn!
Stop by with your kids on Halloween night starting at 5:30 for trunk or treat!
Potluck: Sunday, Oct. 23 – Dress Your Dogs!
Join us for church Sunday morning at 10:30, then a potluck afterward! We are having hotdogs with all of the fixins'! Bring your favorite toppings (cheese, chili, peppers, onions, jalapenos, bacon, lettuce — whatever you can imagine — you get the picture! Or , bring a dessert or side dish. Just make sure to join us — EVERYONE is welcome!
Join us after church on Sunday, April 2 for sloppy joes and ice cream sundaes!
It is with great sadness I tell you that Sunday night around 6:15, our beloved friend and leader, Dr. John Seaman, transitioned to eternity. I like to think that Dr. Seaman joined the heavenly choir and is singing and laughing and rejoicing.
Please keep the Seaman family in your prayers. There will be memorial service in April, those dates and times will be sent to you as soon as they are scheduled.
Again, my heart is torn as yours as Dr. John was my good friend.


Himachal Pradesh Chief Minister Virbhadra Singh on Tuesday honoured India women's cricket team wicketkeeper Sushma Verma with a cash award of Rs 5 lakh and a job of Deputy Superintendent of Police (DSP) for her exploits in the ICC Women's World Cup held in London in July.
The CM lauded Sushma for bringing laurels to the state and said that it was duty of the state government to honour and encourage such achievers in field of sports.
However, according to a report on The Indian Express, this news became a bitter pill to swallow for Olympic silver medallist Vijay Kumar, who expressed his displeasure over being ignored by the state government time and again .
"I am shocked and feel sad as how all medals and confers which came to me, have become meaningless in my own state. I feel discriminated," says Kumar, who hails from Hamirpur district.
Kumar, who won the silver medal in the 2012 Olympics for the 25 metres rapid fire pistol, has won competitions both in the national and international levels including the Commonwealth and Asian games.
The Rajiv Gandhi Khel Ratna and Arjuna awardee is still hoping for a government job for his achievements. While other Olympians like Mary Kom, PV Sindhu and Sushil Kumar have been given government appointments, he has been waiting for response from his state's sports department since his retirement from the army in February.
Meanwhile, Verma, the first cricketer to represent Himachal Pradesh in the Indian national women's cricket team, expressed her gratitude to the CM for giving her the cash prize and offering her the job of DSP.
Verma, who was part of the Indian squad that reached the final of the 2017 Women's Cricket World Cup before losing to hosts England by nine runs, is from the Himri panchayat in Shimla(Rural). Incidentally, the chief minister represents the Shimla (Rural) assembly constituency.
"After fulfilling my dream as a woman cricketer of international ranking, my second dream of joining the police has come true. I really feel privileged and honoured by the state government's offer," said Verma.


This Argyle Residential mixed-use project sits at the critical and highly visible intersection of North Broadway and Austin Highway, the symbolic gateway into the center of Alamo Heights, TX. 5,000 GSF of ground floor restaurant/retail space and 149 luxury apartment units will face onto Ausway Park. Some units have unobstructed views toward downtown San Antonio. An elevated amenity courtyard with a swimming pool faces the park and is paired with a more serene courtyard facing north into Alamo Heights. A business center, fitness center and club room round out the resident amenity package. Parking for residents and retail is tucked below grade.


Zoie Anderson-Horecny was unsure of what to do with her life as an undergraduate student at USC. After graduating in only three years, she is now taking part in a long-term historical debate in pursuit of her Ph.D. in history.
On Wednesday, the first-year Ph.D. candidate presented her research on enslaved agency in the antebellum South, focusing in particular on the South Carolina midlands. She defines enslaved agency as the idea that an enslaved person could possibly act as an agent of change in spite of their captive state.
Anderson-Horecny said her presented research only represents of a fraction of her research interests at the university as she begins to pursue teaching.
"I just really fell in love with the impact you can make with someone who is a college age and how much classes can make an impact on the student," Anderson-Horecny said. "I remember not really caring. I was five different majors, and I took a really amazing class on Southern studies, and it was sort of like everything opened up."
Anderson-Horecny used her undergraduate experience to explore varying interests but eventually settled on history for her major. She spent time studying magic, science and religion in the pre-Civil War South and became intrigued by enslaved culture and what it meant to make choices as a slave under white oppression. She has used her first post-graduate year to explore the debate surrounding enslaved agency.
Historians debate the extent that slaves could act in independence in their environment, and new information on slave movement within captivity is surfacing, constantly changing and improving the intellectual playing field. Anderson-Horecny uses her research confined to the midlands of South Carolina to argue that slaves could enact change in family life, religion and labor.
Anderson-Horecny began her research in antebellum Southern history as an undergraduate in Mark Smith's upper division history class. Smith, Anderson-Horecny's mentor, said her "diligence and keen eye for historical detail" made her a good candidate for a Ph.D. at USC.
Anderson-Horecny talked about the prevalence of Hush Harbors: sacred groves where slaves would practice forms of African Christianity, quieting their worship by speaking into pots or baskets. She characterized the religious lives of enslaved people through experiences of white observers at the time and explained a failed insurrection in Camden, South Carolina.
Anderson-Horecny used findings from the South Caroliniana Library for her presentation. Her fellow graduate students said they were surprised and intrigued by enslaved women's use of cotton root as a contraceptive.
Caitlin White, a graduate theatre education student, said she found the small autonomy among enslaved women through contraceptives to be important.
As Anderson-Horecny continues her research, she said she hopes to delve deeper into the history of South Carolina, particularly pursuing her interests in magic, science and religion. She said she hopes to influence her fellow students in pursuing their passions as she furthers her education.
"Once I figured out what I wanted to do, I wanted to go, because you have that option. And that's kind of what I think is important about college," Anderson-Horecny said. "You see students and you can see it among your friends. When they figure out what they want to do, there's nothing that can stop them."


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The Bears for Lunch (CD)
Of the six and a half albums released since the resurrection of Guided By Voices in 2011, The Bears for Lunch is arguably the strongest (with 2014's Cool Planet a close second). There is an energy and playfulness in a lot of these tunes that's lacking in the other albums. "Dome Rust" and "Finger Gang" are prime examples of the kind of oddball hookiness Robert Pollard, GBV's lead songwriter, has mastered for decades. "Amorphous Surprise" continues in this giddy, surrealist vein. This is Pollard in an especially exuberant mood, throwing fragments of lyric and melody your way until something sticks, and fortunately for listeners the majority of material here does. Pollard is in top form: "Hangover Child" and "The Challenge is Much More" are easy standouts, combining a pop-rock crunch and melodicism with Pollard's trademark rough-hewn strangeness. The rest of band sound in top form as well, with Tobin Sprout's contributions on the whole strong, especially "Waking up the Stars."
This is the sound of a band on a never-ending quest for the perfect song, which has been the group's mission since their inception in the early 1980s. It's no secret that Pollard's affinity for The Beatles, Wire and The Who (among other classic rock heroes) informs a lot of his songwriting. What I love most about his work is his reluctance to merely imitate. He injects whatever he does with spontaneous energy and a willingness to fail utterly (witness "Military School Dance Dismissal") and then move on. Could he use an editor? Sure. But if that means sacrificing the dizzyingly short masterpiece "Smoggy Boy" for the sake of consistency, I'll take the unedited version, musical warts and all.
rock music pop rock
Written by Bryan V.
Saturday, June 28, 2014 - 10:00 am


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September 18, 2017 /Industry
The London Design Festival celebrates London as the design capital of the world. Founded in 2003, the Festival hosts some of the country's top creatives, retailers and educators, featuring exhibitions, product launches and seminars to explore the latest trends and insights shaping the industry. With more than 400 events across London, there is enough going on that a week isn't enough to see them all, but here are a few of the installations we are most excited about:
London Design Festival at the V&A
16th – 24nd September
V&A Museum, Cromwell Road, London, SW7 2RL
The V&A Museum is hosting this year's Global Design Forum, featuring talks with exciting titles like 'How to use graphic design to save the world' – a talk on the 16th of September by Michael Bierut – and speakers such as Paul Priestman and Camille Walala. A full list of talks is available on their website. The Museum is also home this week to a number of installations from designers around the world. We are especially looking forward to Flynn Talbot's Reflection Room, an immersive light experience that was conceived based on the architecture of the V&A's Prince Consort Gallery. It's such great inspiration for us to explore how an installation can affect a space, and how a space can be influenced by architecture.
21st-24th September
Granary Square, King's Cross, N1C 4AA
Designjunction is a curated show of innovative interior design. The two-day event features more than 200 leading brands and retailers across the industry, with talks, workshops, interactive sculptures and pop-up shops. We will be heading to 'Gateways' in Granary Square – a fully immersive exhibition of bold tiled gates by Adam Nathaniel Furman and Turkishceramics that explore the history of ceramics in Turkey, and 'Beautiful Life', a pastel canopy of flowers in Granary Square from flower delivery service Bloomon. At The Crossing, you can find winners of The Rado Star Prize UK, a competition for young designers with the theme 'Design meets Time'. The winning concepts span all areas of design, from interior, industry and technology, and focus on the design's longevity and sustainability. We will, of course be stopping off for refreshments at the Campari Barge!
Design Frontiers
18th – 24th September
Somerset House, The Strand, WC2R 1LA
Design Frontiers will take over Somerset House for the week, with works from more than 30 of leading international designers who are changing the face of their fields. We are looking forward to a behind-the-scenes view of the work from Paul Priestman – who is creating a new kind of train for London Underground trains – and futuristic car designs from Jaguar's Ian Callum (both great examples of the Cities of Tomorrow theme we explored on our blog last month, which will, in turn, influence retail design). Reflecting a recent focus on sustainability, we are also excited to see designs made from recycled materials, and even mycelium fungus from designers Sebastian Cox and Ninela Ivanova. Launching at the Design Frontiers exhibition is new menswear brand, Jijibaba, created by Jaser Morrison and Jaime Hayon, focusing on timeless, functional designs.
London Design Fair
Old Truman Brewery, 26 Hanbury Street, E1 6QR
The London Design Fair is a four-day trade show with 500 exhibitors from 28 countries. The industry event features established brands, independent designers and international guest pavilions – this year's guest country is America, and their pavilion will focus on a 'resurgent US design scene', with the theme 'Assembly'. The British Craft Pavilion will see the launch of "Zero Waste Calligraphy" pens by Tom's Studio, and we are looking forward to learning more about the metamorphosing Material of the Year, Jesmonite, which can mimic almost any texture.
Villa Walala
16th-24th September
Exchange Square London EC2A 2BQ
We can't wait to explore textile designer Camille Walala's take on a bouncy castle (alongside her installation in Greenwich). Created through collaboration with Go Visual, Villa Walala is inspired by the 'breakout space' feel of Exchange Square, and offers city workers a cathartic space to unwind on their lunch breaks. The inflatable castle is decorated in the designer's signature 'Tribal Pop' aesthetic, while the building-block style promotes childlike play. For further relaxation, the castle is filled with stress balls and other surprises.
Letterform Archive: Graphic Design Process
Devonshire House, 68 Union St, SE1 1TD
The first UK exhibition from the San Francisco collective, the Letterform Archive 's Graphic Design Process: Analog Artifacts of Experimentation, Development, & Production explores the work and the strategy behind final designs. Focusing on typography and lettering, the collection features type foundry Emigre Inc, London Underground designer Edward Johnson, and typographer and industrial designer Piet Swart.
London Design Festival at Selfridges
16th – 24th September 17
400 Oxford Street, W1A 1AB
Just around the corner from our London office, and home to some of the most exciting new brands, we couldn't miss out Selfridges! Their events for the London Design Festival include an exclusive range of home design products, new stores (like the Muji concept store and the UK's first HAY kitchen store) and talks, as well as an event on the 20th of September for technology lovers to experience the season's best new releases.


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Arden company recognized for environmental achievements
State environmental officials today recognized Eaton, located in Arden, for its outstanding environmental performance.
Michael S. Regan, Secretary of the N.C. Department of Environmental Quality, presented company officials with a plaque recognizing the facility as a 2019 Environmental Steward – one of only 31 facilities in North Carolina to earn the coveted designation for a commitment to superior environmental performance.
"Eaton joins an elite number of organizations in our state who recognize that it is possible to protect North Carolina's natural resources while remaining globally competitive," said Regan. "The commitment to environmental standards and going above and beyond what is required exemplifies Eaton's role as an environmental leader that recognizes the economic benefits of stewardship."
To become an environmental steward, organizations and businesses like Eaton Arden must demonstrate environmental leadership through a commitment to exemplary environmental performance beyond what is required by regulations. Stewards represent the highest of three levels of recognition for environmental performance in the state's Environmental Stewardship Initiative.
Eaton Arden manufactures electrical equipment. The Arden facility was recommended for recognition because the site achieved zero-waste-to-landfill in December of 2017 and continues to maintain that status. Beginning in 2013, they also established a goal of reducing greenhouse gas emissions three percent each year. Between 2017 to 2018, the greenhouse gas reduction was 4.7 percent. Additionally, Eaton Arden uses 35 percent less water than the industrial average. The facility also works locally to provide environmental leadership and community support.
"We are truly honored to be recognized as "Environmental Steward" by North Carolina Department of Environmental Quality" said Ichaya Dhungel, Environment Health and Safety manager at Eaton Arden. "This achievement wouldn't have been possible without the active participation of our employees and the support of our leadership team. We are very proud of this achievement and will continue to embrace Eaton's vision of improving the quality of life and environment. Congratulations to our entire workforce and we really appreciate North Carolina Department of Environmental Quality for their partnership and support."
Recommendations for stewards are provided to Secretary Regan following a rigorous review of environmental performance by DEQ staff and an external advisory board. This voluntary program was established in 2002 to stimulate the development and implementation of programs that use pollution prevention and innovative approaches to meet and exceed regulatory requirements.
For more information, visit the Environmental Stewardship Initiative's website, www.ncesi.org, or contact Angela Barger, Environmental Stewardship Initiative manager, at 877-623-6748 or esi@ncdenr.gov.
Laura Leonard
Laura.Leonard@ncdenr.gov


New Delhi: When was the last time you witnessed an array of 12 non-vegetarian dishes on the same platter? Well, Veda is currently offering a specially-curated mouth-watering non-vegetarian thali — from starters to the dessert — which will never fail to end your craving for meat.
Located in the heart of the national capital in the outer circle of bustling Rajiv Chowk (or Connaught Place), this fine diner, with huge chandeliers and large mirrors, boasts of a royal touch, what with it being crafted by ace fashion designer Rohit Bal.
Veda, which otherwise is known for its scrumptious menu of Indian culinary specialties, has come up with the Raavana thali for a special purpose.
"During Navratri, non-vegetarians cannot enjoy meat delicacies and we wanted to offer plenty of them on a single plate. It's a customised menu where one gets a taste of authentic Indian flavours," Veda owner Alok Aggarwal SAID.
As I occupied my seat, a huge bronze plate with 12 small bowls was placed on the table — the Raavana thali. A single glance left me clueless about where to begin! As the name of the thali suggests, the menu has been given interesting twists — inspired by characters from the Hindu epic Ramayana Hindu epic. I picked Mandorari fish fry — a starter with which I began my journey to explore the cuisine.
However, it was Kuber raan — shredded leg of lamb marinated overnight and cooked in tandoor — which stood apart. A perfect melody of spices and flavour, the tangy taste of the dish will make you ask for more.
As I was done relishing the last bite of the crispy fish fry, it was the turn to gobble Kumbakarna chicken — chicken stuffed with keema roasted on a mild fire in a clay oven. Then came hot keema nan which blended perfectly with a lamb dish — Narantaka mutton. There is also Atikaya chicken — boneless chicken mixed in brown onion sauce and green cardamom to dig in with the nan.
There's also Surpanakha biryani — an authentic dum-cooked mutton biryani full of flavour which goes well with Lanka fish masala prepared with rich spices, coconut and onion. And to accompany these main course delicacies, there's Sumali papad — fried small papad topped with keema; Maricha raita — yoghurt garnished with keema and onion; Thataka salad — roasted prawn mingled with cucumber and bell pepper with lime dressing.
Since this thali is for a limited period, hurry up and head to Veda to satisfy your hunger for these non-vegetarian delicacies.


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Q: How do I add emoticons to textview and edittext in android studio? I have tried the methods posted online, but they use external libraries. Is there a way to do it natively?

A: It's easy. Look at this implementation. There's a function which converts the unicode emoji into char so you can append it to the string being displayed in your textview/edittext.
Source: https://www.youtube.com/watch?v=UHzhWbmdkWM
        # This is in oncreate

          int unicode=0x1F600;
          String emoji= getEmoji(unicode);

        # Our new function

          public String getEmoji(int uni)
          {
              return new String(Character.toChars(uni));
          }


There are many different approaches to show some kind of superiority in video games these days, without an individual having to have the best abilities and/or be the best player in the whole community. Of course, practicing the abilities continues to be important to get good at what you carry out, but you can still intimidate some other players simply by the way the character seems. And yes, you can change your physical appearance with items that are free or even that you have to pay out with the fictional currency that is used in the game, yet, if you want to be noticeable of the group and be unique, you may have to pay real life money for the most rarified and more specific items in the game, those that its not all person is capable of acquiring or is simply not prepared to pay money for, resulting in fewer odds of finding folks using the same things as you, meaning you and your persona will have a a lot more defined identity and individuality, and won't ever be confused with somebody else.
There are many game titles that apply a vgo case method, which is a method that gives you the opportunity of purchasing crates together with several of these products, and, in principle, that should be less expensive buying the products separately.However the thing is always that, in most websites, the prices that you must pay to be able to buy one of those cases is not really different from getting those items separately, making these packages useless, since they offer you random items for the same cost that you would buy buying your best items.
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A study by economists at the consultancy Deloitte seeks to shed new light on the relationship between jobs and the rise of technology by trawling through census data for England and Wales going back to 1871.
Their conclusion is unremittingly cheerful: rather than destroying jobs, technology has been a "great job-creating machine". Findings by Deloitte such as a fourfold rise in bar staff since the 1950s or a surge in the number of hairdressers this century suggest to the authors that technology has increased spending power, therefore creating new demand and new jobs.
I wonder if the author of this article, and the Deloitte economists, would be so "unremittingly cheerful," if technology had pushed them out of their current roles, and into bar staff or hairdressing careers?


A day after announcing earnings for the second quarter of fiscal year 2017, Apple's Tim Cook will appear tonight on CNBC's "Mad Money." The show airs at 6 p.m. ET.
For the third straight spring, the Apple CEO is appearing on the popular show and talk with host Jim Cramer about the company and its stock.
In the most recent quarter, Apple recorded revenue of $52.9 billion and a profit of $11 billion. To no surprise, iPhone sales once again compromised the largest portion of Apple's revenue. Apple sold 50.8 million handsets during the quarter. That's down slightly from the 51.1 million sold in the second quarter of FY 2016.
While iPad sales continued to slide, the Mac business was up slightly. Both services and the "other products" section that includes the Apple Watch saw a nice increase in revenue compared to the quarter in 2016.
During the call, Cook noted that Apple Watch sales nearly doubled compared to the same quarter in 2016.
Cramer, in an appearance earlier today, said that Main Street investors shouldn't listen to Wall Street regarding Apple stock.
We'll definitely let you know if Cook announces any major news during the appearance.


text:
Trio arrested after robbing Liberty Twp. restaurant workers
Wallet taken at gunpoint
Updated: 10:47 AM EST Nov 3, 2014
Jalen Mathis and James Bankston II
Three people are in custody after an early-morning armed robbery in Liberty Township on Monday.The Butler County sheriff's office said Jalen Mathis, 19, from Michigan, James Bankston II, 20, of Liberty Township and a juvenile approached two workers leaving a Burger King and took a wallet at gunpoint.Witnesses stated they observed the suspects get into a vehicle and were able to pass the description to deputies.West Chester Township and Mason police located a vehicle fitting the description on U.S. 42 in Mason at a gas station and arrested the three.All three are facing aggravated robbery charges.
LIBERTY TOWNSHIP —
Three people are in custody after an early-morning armed robbery in Liberty Township on Monday.
The Butler County sheriff's office said Jalen Mathis, 19, from Michigan, James Bankston II, 20, of Liberty Township and a juvenile approached two workers leaving a Burger King and took a wallet at gunpoint.
Witnesses stated they observed the suspects get into a vehicle and were able to pass the description to deputies.
West Chester Township and Mason police located a vehicle fitting the description on U.S. 42 in Mason at a gas station and arrested the three.
All three are facing aggravated robbery charges.


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													Tipo de identificación*:

															<select class="form-control" name="txtTipIdentificacionnew" id="txtTipIdentificacionnew" tabindex="5">
															  <option value="0" selected>Seleccióne....</option>
															</select>

													Número de dependientes:

														<input type="text" id="txtDependientesnew" maxlength="2"tabindex="11"/>

													Número de identificación*:

															<input type="text" class="form-control" id="txtNumIdentificanew" placeholder="Número de identificación" name="txtNumIdentificanew" tabindex="6" maxlength="20">

													Sexo*:

															Hombre

															  <input type="checkbox" id="chksexosolicitante" name="chksexosolicitante" tabindex="11">

														  Mujer

(2) Domicilio

													Calle*:

															<input type="text" class="form-control" id="txtCalleSolicitantenew" placeholder="Calle del solicitante." name="txtCalleSolicitantenew" tabindex="14" maxlength="50">

													Tiempo de residencia (años)*:

															<input type="text" id="txtTiempoResidencianew" maxlength="2" tabindex="21"/>

													No. Exterior*:

															<input type="text" class="form-control" id="txtNumExteriornew" placeholder="No. Exterior." name="txtNumExteriornew" tabindex="15" maxlength="50">

													Estatus de residencia*:

															<select class="form-control" name="lisEstatusResidencianew" id="lisEstatusResidencianew" tabindex="22">
															  <option value="0">Seleccióne...</option>
															</select>

													No. Interior:

															<input type="text" class="form-control" id="txtNumInteriornew" placeholder="No. Interior." name="txtNumInteriornew" tabindex="16" maxlength="50">

													Monto de vivienda*:

															<input type="text" class="form-control" id="txtMontoViviendanew"  name="txtMontoViviendanew"  data-thousands="," data-decimal="." data-prefix="$ " value="$ 0.00" tabindex="23" maxlength="16"/>

													CP*:

															<input type="text" class="form-control" id="txtCpSolicitantenew" placeholder="Código postal." name="txtCpSolicitantenew" tabindex="17" maxlength="5">

													Correo eléctronico*:

															<input type="email" class="form-control" id="txtCorreonew" placeholder="correo@dominio.com" name="txtCorreonew" tabindex="24" maxlength="50">

													Estado*:

															<select class="form-control" name="lisEstadoSolicitantenew" id="lisEstadoSolicitantenew" tabindex="18">
															  <option value="0">Seleccione...</option>

															</select>

															<select class="form-control" name="lisEstadotem" id="lisEstadotem" style="display:none;">
															  <option value="0">Seleccione...</option>

															</select>

													Teléfono de casa*:

															<input type="tel" class="form-control" id="txtTelefonoCasanew" placeholder="(XX)XXXX-XXXX" name="txtTelefonoCasanew" maxlength="10" pattern="[0-9]{10}" tabindex="25">

													Delegación / Municipio*:

															<select class="form-control" name="lisDelMuniSolicitantenew" id="lisDelMuniSolicitantenew" tabindex="19">
															  <option value="0">Seleccióne...</option>

															</select>

													Teléfono celular*:

															<input type="tel" class="form-control" id="txtTelefonoCelularnew" placeholder="(XX)XXXX-XXXX" name="txtTelefonoCelularnew" maxlength="10" tabindex="26">

													Colonia*:

															<select class="form-control" name="lisColoniaSolicitantenew" id="lisColoniaSolicitantenew" tabindex="20" maxlength="50">
																<option value="0">Seleccióne...</option>

															</select>

													Compañía movil*:

															<select class="form-control" name="lisCompaniaMovilnew" id="lisCompaniaMovilnew" tabindex="27">
															  <option value="0">Seleccióne...</option>

															</select>

(3) Datos Económicos

													Nombre de empresa*:

															<input type="text" class="form-control" id="txtNombreEmpresanew" placeholder="Nombre de empresa." name="txtNombreEmpresanew" tabindex="30" maxlength="50">

													Calle*:

															<input type="text" class="form-control" id="txtCalleEmpresanew" placeholder="Calle." name="txtCalleEmpresanew" tabindex="38" maxlength="50">

													Antiguedad de empleo (años)*:

															<input type="text" id="txtantiguedadnew" maxlength="2" tabindex="31"/>

														No. Ext.*:

																<input type="text" class="form-control" id="txtNumeroExteriorEmpresa" placeholder="Exterior." name="txtNumeroExteriorEmpresa" tabindex="39" maxlength="50">

													No. Int.:

														<input type="text" class="form-control" id="txtNumeroInteriorempnew" placeholder="Interior." name="txtNumeroExteriorEmpresa" tabindex="40" style="width: 85px;" maxlength="50">

													Giro*:

															<input type="text" class="form-control" id="txtGironew" placeholder="Giro." name="txtGironew" tabindex="32" maxlength="50">

													CP*:

															<input type="text" class="form-control" id="txtCpEmpresanew" placeholder="C.P." name="txtCpEmpresanew" tabindex="41" maxlength="5">

													Tipo de contrato*:

															<select class="form-control" name="lisTipoContratonew" id="lisTipoContratonew" tabindex="33">
															  <option value="0">Seleccióne...</option>

															</select>

													Estado*:

															<select class="form-control" name="lisEstadoEmpresanew" id="lisEstadoEmpresanew" tabindex="42">
															  <option value="0">Seleccióne..</option>

															</select>

													Puesto*:

															<input type="text" class="form-control" id="txtPuestonew" placeholder="Puesto." name="txtPuestonew" tabindex="34" maxlength="50">

													Delegación / Municipio*:

															<select class="form-control" name="lisDelMuniEmpresanew" id="lisDelMuniEmpresanew" tabindex="43">
															  <option value="0">Seleccióne...</option>

															</select>

													Ingreso*:

															<input type="text" class="form-control" id="txtIngresonew" name="txtIngresonew" data-thousands="," data-decimal="." data-prefix="$ " value="$ 0.00" tabindex="35" maxlength="16"/>

													Colonia*:

															<select class="form-control" name="lisColoniaEmpresanew" id="lisColoniaEmpresanew"tabindex="44">
																<option value="0">Seleccióne...</option>

															</select>

													Años de casado:

														<input type="text" id="txtAosCasadonew" maxlength="2" tabindex="36"/>

													Teléfono de oficina*:

															<input type="text" class="form-control" id="txtTelOficinanew" placeholder="(XX)XXXX-XXXX" name="txtTelOficinanew" maxlength="10" tabindex="45">

													Fuente otros ingresos:

														<input type="text" class="form-control" id="txtFuenteOtrosIngrenew" placeholder="Fuente otros ingresos." name="txtFuenteOtrosIngrenew" tabindex="37" maxlength="50">

													Otros ingresos:

														<input type="text" class="form-control" id="txtOtrosIngresosnew" name="txtOtrosIngresosnew" data-thousands="," data-decimal="." data-prefix="$ " value="$ 0.00" tabindex="46" maxlength="16"/>

(4) Persona Política

												¿Usted es o ha sido una persona políticamente expuesta?

													No

													  <input type="checkbox" id="optpersonapoliticonew" >

													Si

													¿Que función desempeña o ha desempeñado?*

														<input type="text" class="form-control" id="txfuncionpoliticoSolicitantenew" placeholder="Función." name="txfuncionpoliticoSolicitantenew" maxlength="50" tabindex="50">

												¿Tiene parentesco con alguien que haya sido una persona políticamente expuesta?

													No

													  <input type="checkbox" name="optparenpoliticonew" id="optparenpoliticonew">

													Si

														¿Que función desempeña o ha desempeñado?

														<input type="text" class="form-control" id="txparentescofuncionpoliticoSolicitantenew" placeholder="Función." name="txparentescofuncionpoliticoSolicitantenew" maxlength="50" tabindex="52">

													¿Que parentesco?

														<input type="text" class="form-control" id="txqueparenfuncionpoliticoSolicitantenew" placeholder="Parentesco." name="txqueparenfuncionpoliticoSolicitantenew" maxlength="50" tabindex="53">

(5) Referencias Familiares

1a. Referencia

2a. Referencia

3a. Referencia

												Nombre*:

														<input type="text" class="form-control" id="txtNombreRef1new" placeholder="Nombre." name="txtNombreRef1new" tabindex="56" maxlength="50">

														<input type="text" class="form-control" id="txtNombreRef2new" placeholder="Nombre." name="txtNombreRef2new" tabindex="61" maxlength="50">

<input type="text" class="form-control" id="txtNombreRef3new" placeholder="Nombre." name="txtNombreRef3new" tabindex="67" maxlength="50">

												Apellido paterno*:

														<input type="text" class="form-control" id="txtApellidoPaternoRef1new" placeholder="Apellido paterno." name="txtApellidoPaternoRef1new" tabindex="57" maxlength="50">

														<input type="text" class="form-control" id="txtApellidoPaternoRef2new" placeholder="Apellido paterno." name="txtApellidoPaternoRef2new" tabindex="62" maxlength="50">

<input type="text" class="form-control" id="txtApellidoPaternoRef3new" placeholder="Apellido paterno." name="txtApellidoPaternoRef3new" tabindex="68" maxlength="50">

												Apellido materno*:

														<input type="text" class="form-control" id="txtApellidoMaternoRef1new" placeholder="Apellido materno." name="txtApellidoMaternoRef1new" tabindex="58" maxlength="50">

														<input type="text" class="form-control" id="txtApellidoMaternoRef2new" placeholder="Apellido materno." name="txtApellidoMaternoRef2new" tabindex="63" maxlength="50">

<input type="text" class="form-control" id="txtApellidoMaternoRef3new" placeholder="Apellido materno." name="txtApellidoMaternoRef3new" tabindex="69" maxlength="50">

												Nacionalidad*:

															<select class="form-control" name="lisNacionalidadRef1new" id="lisNacionalidadRef1new" tabindex="59">
															  <option value="0">Seleccióne...</option>

															</select>

															<select class="form-control" name="lisNacionalidadRef2new" id="lisNacionalidadRef2new" tabindex="64">
															  <option value="0">Seleccióne...</option>

															</select>

														<select class="form-control" name="lisNacionalidadRef3new" id="lisNacionalidadRef3new" tabindex="69">
														  <option value="0">Seleccióne...</option>

														</select>

												Teléfono de casa*:

														<input type="text" class="form-control" id="txtTelCasaRef1new" placeholder="(XX)XXXX-XXXX" name="txtTelCasaRef1new" maxlength="10" tabindex="60" maxlength="50">

														<input type="text" class="form-control" id="txtTelCasaRef2new" placeholder="(XX)XXXX-XXXX" name="txtTelCasaRef2new" maxlength="10" tabindex="65" maxlength="50">

<input type="text" class="form-control" id="txtTelCasaRef3new" placeholder="(XX)XXXX-XXXX" name="txtTelCasaRef3new" maxlength="10" tabindex="70" maxlength="50">

(6) Documentos

INE(Frente)

															Frente

																<button type="button" class="close" data-dismiss="modal">×Close</button>

INE(Frente)

INE(Atras)

															Atras

																<button type="button" class="close" data-dismiss="modal">×Close</button>

 INE(Atras)

Firma

													 Agregar firma

																<button type="button" class="close" data-dismiss="modal">×Close</button>

Firma

																							<canvas id="firma-canvas" class="pad" width="830" height="315px"></canvas>

																					    <button onclick="signToImage()" id="validarCliente" class="btn btnfirmaaceptar">

Aceptar

																						</button>
																						<button onclick="clearCanvasSign()"  id="clear-canvas" class="clearButton btn btnfirmalimpiar">

Limpiar

																						</button>

Extra 1

															Ver Extra

													<input style="width:0px;" type="file" accept="image/*" capture="camera" name="inputextra[]" id="inputextra" class="inputfile inputfile-1" data-multiple-caption="{count} files selected" multiple=""/>
													Agregar

																<button type="button" class="close" data-dismiss="modal">×Close</button>

Extra

Extra 2

															Ver extra

													<input style="width:0px;" type="file" accept="image/*" capture="camera" name="inputextra2[]" id="inputextra2" class="inputfile inputfile-1" data-multiple-caption="{count} files selected" multiple=""/>

													Agregar

																<button type="button" class="close" data-dismiss="modal">×Close</button>

Extra

Extra 3

															Extra 3

													<input style="width:0px;" type="file" accept="image/*" capture="camera" name="inputextra3[]" id="inputextra3" class="inputfile inputfile-1" data-multiple-caption="{count} files selected" multiple=""/>
													Agregar

																<button type="button" class="close" data-dismiss="modal">×Close</button>

Extra

Extra 4

															Extra 4

													<input style="width:0px;" type="file" accept="image/*" capture="camera" name="inputextra4[]" id="inputextra4" class="inputfile inputfile-1" data-multiple-caption="{count} files selected" multiple=""/>
													Agregar

																<button type="button" class="close" data-dismiss="modal">×Close</button>

Extra

Extra 5

															Extra 5

													<input style="width:0px;" type="file" accept="image/*" capture="camera" name="inputextra5[]" id="inputextra5" class="inputfile inputfile-1" data-multiple-caption="{count} files selected" multiple=""/>
													Agregar

																<button type="button" class="close" data-dismiss="modal">×Close</button>

Extra

							</form>

								<button type="button" data-type="prev" class="btn btn-left tsf-wizard-btn" style="position: absolute;left: 16px;" id="btnanterior">

								</button>

								<button type="button" data-type="next" class="btn btn-right tsf-wizard-btn" style="display: none;" id="btnsiguiente">

								</button>

								<button type="button" data-type="finish" id="terminar" class="btn btn-right tsf-wizard-btn" data-toggle="tooltip" data-placement="top" title="Enviar!"></button>

   Todas

  Nuevas

Aceptadas

 Reenviadas

Rechazadas

											        Sin solicitudes para mostrar

			<input type="hidden"  id="recreasolicitudinput" name="recreasolicitudinput" value="NO">

We applied clearfix to the tab-content to rid of the gap between the tab and the content

We use css to change the background color of the content to be equal to the tab

redpajama_set_name: RedPajamaGithub


Such an exciting week to look forward to and the fun never stops may it be in the beginning or in the mid of the month. Last week, I received an update from Salad Box regarding their Special Edition Skin Food Salad Box and I'm more than happy to share it with you all, especially to my readers who are also Korean beauty product lovers.
Yes, you read it right! Korean beauty brand, Skin Food, has teamed up with local beauty box provider, Salad Box, to bring us more beauty goodness starting this month of March. And to start the partnership, Salad Box will be sampling the Black Pomegranate Line for all Salad Box subscribers and to-be subscribers. Also, in the box, will be the Black Sugar Perfect First Serum and cotton pads! Isn't it exciting?
And another thing that will excite you more is the video that Salad Box has released together with Beauty Vlogger and Youtube makeup guru, Ana Victorino, for the very first sneak peek preview of the Special Edition Skin Food Salad Box.
If you want to win a Skin Food Salad Box, all you have to do is subscribe and comment in Salad Box's Youtube Channel or you can purchase the box through: http://www.saladbox.com/join.
Tell me your thoughts about it. I'd be waiting!
I am not so crazy about these stuff but with how the products are presented, I know that this would surely click among the Filipinas.
ohhhh!! i love skinfood products i've never heard of saladbox i wonder if it's only in your country :( i'll have to check out this collab! hopefully i can find some products online :)!! thanks for letting us know about this collab!
Nice!! I'm already loving the packaging on those cuties :)) Would love to get my hands on those pretty soon!
I haven't tried any Skin Food products but I heard some of the skin care products work well. I'll check out their YT channel. Thanks!


A James Brown fan, I had great trepidation when the filming of "Get On Up" was announced last year. Who was directing again? Who would be in it? How much of Mr. Brown's womanizing, drug abuse and domestic violence would be shown? How much of the Godfather Of Soul's black pride, self-determination, political activism, confidence and independence would hit the big screen?
I can say that all of these are shown mostly in proportion in Tate "The Help" Taylor's biopic on the life of James Brown. The results? A dynamic, entertaining and dizzying portrait of Mr. Dynamite. The films speeds by like one of the hyperenergetic extravaganzas of the showman himself. Mr. Brown died in 2006 on Christmas Day, and Mr. Taylor and the Butterworth screenwriting brothers John-Henry and Jez resurrect him to the big screen respectfully, capturing the essence, dignity, confidence and heart of a true American legend and hero.
"Get On Up" is a kaleidoscopic look at key events shaping Mr. Brown's life, from his hardscrabble days as a child under the thumb of an abusive father and abandoning mother, to his emergence as a singular music genius who revolutionized soul, r&b and rock, to the iconic figure who set an unattainable standard the music world still struggles to grasp and emulate, to the relentless perfectionist who became imperfect.
Mr. Brown's deep, profound global influence on music as we fully appreciate it today endures, and "Get On Up", produced in part by the Brown-influenced Mick Jagger and Brian Grazer, grasps and conveys this and the intellectual, spiritual presence of an artist at the peak of invention. Mr. Taylor utilizes parts of James Brown's life as revolving, continuous, ever-present markers fueling his success and persona. This approach works for the ambitious undertaking the director embarks upon. Mr. Taylor succeeds more often than not, though there isn't the depth and soul on a consistent basis that a figure the magnitude of Mr. Brown requires.
Thankfully "Get On Up" doesn't succumb to an overemphasis on flamboyance and indulgence that other popular figures are often flummoxed by in biopic portrayals. Michael Mann's "Ali", for example, was drowned out by the title figure's womanizing and gift for gab, while his political stands in the film were tamed. Here Mr. Brown as an American treasure is given a little greater latitude, respect and standing by Mr. Taylor, who casts "Help" alumnae Viola Davis and Olivia Spencer in small but key roles.
On occasion "Get On Up", which was approved by Mr. Brown's estate, fails to pause appreciably enough to bask in its hero's triumphs and political activism but it never fails to remind us where James Brown came from and what made him who he was. We glimpse Mr. Brown's contemporaries and forerunners, including Little Richard. One of their interactions, at a diner, is one of the few weaknesses of Mr. Taylor's film, a scene that rings sensationalist and irrelevant.
A number of white directors have fallen afoul to tarnishing or compromising black musical powerhouses by disproportionately submerging them in their vices on film. Clint Eastwood did this in "Bird". To an extent this occurred in "Lady Sings The Blues". Taylor Hackford was a marginal exception to this vice-sinking with "Ray". Granted, an artist's peccadilloes and idiosyncratic signatures are easy big screen bait for curious and salacious-seeking if not unaware audiences. Some filmmakers however, underestimate the older viewing public's treasured (and sometimes sanctified) memories of their heroes, and do so at their own film's peril.
On the other hand, any film that fails to depict a revered legend's flaws and complexities runs the high risk of exalting a false, sanitized figure, making for a disingenuous, inauthentic portrayal. "Get On Up" straddles this balance well enough, making James Brown entirely human, even if some surface aspects surrounding him linger.
Admittedly, it's a challenge packing an entertaining film with the richness of character, experience and philosophy a real-life legendary icon commands. There's never consensus or universal satisfaction. "Get On Up" needed a little more depth and development in Mr. Brown's foundation and expounding on his ideas. The film is largely concerned with its feel-good determinism and music show reverie that at times the film is a concert rather than a chronicle.
Above all, "Get On Up" defines Mr. Brown through his music, calibrating its story with eras of his music monikers such as "The Hardest Working Man In Showbusiness" and "Soul Brother No. 1". The artist's political activism is promoted not as its own separate entity but through his music, with songs like "Say It Loud (I'm Black And I'm Proud)". "Get On Up" does probe the politics of a racially segregated 1960s America and exploitive white record company executives and managers who profited off many highly-acclaimed and beloved black music megastars. In the film Mr. Brown is his own best counter-response to this practice.
The performances in "Get On Up" are very good, notably Nelsan Ellis as Mr. Brown's front man vocalist and long-time close friend Bobby Byrd. Chadwick Boseman is superb as James Brown. He infuses the Hardest Working Man In Show Business with the certitude, charisma, industry and business acumen that cemented him as such a persistent, unmistakable force on the world stage. Mr. Boseman's performance isn't impersonation. He injects naturalism and a staggering ability to turn on a dime the way Mr. Brown himself did with boundless energy and a demand of second-to-none quality, uniqueness and originality. Mr. Boseman uses his character's individual status, revolutionizing it into positive can-do triumph and brand. It's audacious, assured acting.
Mr. Boseman, a rising star who starred as Brooklyn Dodgers baseball legend Jackie Robinson in last year's poor, underwhelming "42", has arrived as a bona fide presence who I hope gets to show off his acting talent in films beyond true-life-sized figures. He will flourish. There's a chance he'll be on the shortlist of consideration for an Oscar nomination in 2015. The memory of this film may have faded by then but his work in it will not. Watching "Get On Up" is pure foot-tapping, riveting, dance-in-the-aisles pleasure. I wish the film had been longer than its two hours and 20 minutes.
With: Jill Scott, Aunjanue Ellis, Dan Aykroyd, Craig Robinson, Tariq Trotter, Aloe Blacc, Allison Janney.
"Get On Up" is rated PG-13 by the Motion Picture Association Of America for sexual content, drug use, some strong language, and violent situations. The film's running time is two hours and 21 minutes.


New Years may be over, but champagne is timeless! Plus, cocktails featuring seasonal liquors are always a charming addition to dinner parties, as the signature drink at your wedding reception and even just a fun touch to a casual night in. This Champagne Apple Cider recipe incorporates the ever delicious Tennessee Cider that is a winter seasonal by Jack Daniels. Planning a rustic themed wedding? These champagne cocktails are for you!
Pour both ciders into a champagne glass, then top off with your champagne of choice. We suggest brut, as the ciders will be plenty sweet. Pair with your beautifully designed personalized cocktail napkin. Toast and enjoy!


Limit 1 option per person; additional purchases will not be honored. Tax not included and will be collected at time of first treatment. Valid only for select treatment areas. Results vary, depending on skin and hair type as well as any medical conditions. Laser hair removal is not effective on blond and grey hair and less effective on those with skin type V & VI. Shaving is required one day prior to service. New clients must fill out digital consent forms prior to the first appointment. Appointment required. Subject to availability. Must use all treatments on same area. Consultation required; non-candidates and other refund requests will be honored before service provided. Limit 1 per person. Limit 1 per visit. New customers only. Valid only for option purchased. All goods or services must be used by the same person. Merchant's standard cancellation policy applies (any fees not to exceed voucher price).