text:
the raft of the medusa's real story
Two hundred years ago, 147 French sailors and maritime passengers were cast adrift on a raft off west Africa. Inspired by the #metoo movement, contemporary figurative artist Judy Takács returns Medusa's beauty along with a hashtag stigmata in her portrait, #Me(dusa)too. Directed by Jeremy Mortimer. The Powerful Symbol of the Swastika and its 12,000 Year History. She was the first feminist and was cast out of society for standing up in a man's world and declaring "I will not be subjected to your rules!" - [Beth] The title of the painting, The Raft of the Medusa is referring to a ship called the Medusa. 148 sailors and one woman, willingly or not, were heaped aboard this makeshift craft. In the original story, the Medusa was a beautiful woman who held a very positive role. ... That text about Norfolk police selling Christmas sweaters is a fake, the real cops say . Théodore Géricault completed The Raft of the Medusa when he was 27, and the work has become an icon of French Romanticism. My main problem with the book was that the author ha 7 were to survive. When Theodore Gericault found out about this, he set out to seek justice for the tragedy that was the Medusa (Gericault video kanopy). Méduse was a 40-gun Pallas-class frigate of the French Navy, launched in 1810.She took part in the Napoleonic Wars during the late stages of the Mauritius campaign of 1809–1811 and in raids in the Caribbean.. Raft of Medusa, Part I, 1990. - [Steven] The story behind the subject is one of the most gruesome in the history of the sea, that had taken place just three years earlier. The Raft of the Medusa is an over-life-size painting that describes a terrifying and exhilarating moment following the aftermath of the wreck of the French naval frigate Méduse. It's bigger than you'd expect. One hundred forty-eight sailors and one woman, willingly or not, were … The short story & myth of Medusa is a suitable for kids and children. 7 were to survive. Estaminets: the best thing about First World War tourism Revealed: The hidden French valley home to the perfect off-piste ski run, Why I applied for French citizenship, and the curious hoops they made me jump through, Ollie Ollerton: 'I got gangrene in France, and met Brigitte Bardot', Why a French village is the perfect place to spend a lockdown, Can I travel to France? Learn The Raft of the Medusa with free interactive flashcards. Read the short story and myth of Medusa and visit the Ancient world of gods & monsters. In the bottom left quarter of the painting a gray-haired man clasps the body of his dead son. The Fearsome Wicker Man: An Eerie Way Druids Committed Human Sacrifice. The Wreck of the Medusa is a well-told tale of the crew and passengers of the ill-fated french frigate. 7 were to survive. Aldehalff, Albert. A new freedom of style, new mediums and self expression towards nature is incorporated in to this movement to create a personal, passionate and intimate reaction from the audience. But who knows the real story that lies behind this world-famous painting? It was to be towed by the lifeboats. 1h . The Greek myth about Medusa and Athena for preschool, kindergarten and elementary school kids print, listen to and read. The vast work fills a wall in the Louvre's Denon Wing, (around the corner from the Mona Lisa). The story and myth of Medusa features pictures from mythology and legend. Luton Airport cuisine: not quite as bad as French Only 15 of 150 of those abandoned on the raft had survived 13 days on the open sea off the coast of Africa until their rescue by the crew of the brig Argus; 5 more died shortly after being rescued. If you think this story is one which should go in the Myths and Legends showcase, click "Yes" Your comments. Medusa's Story: The Real Tale eBook: Grasso, John: Amazon.ca: Kindle Store. With the French Empire floundering and a band of Hard-Right ultra-royalists creating laws in France, the promise of a new start in a fresh land was enticing for many. There was no rape, no curse, no Athena. Bella and Jude are marooned on their flooded farm, cut off from any contact with the world outside. There it remains, immensely more overwhelming than any image you've recently summoned to … 148 sailors and one woman, willingly or not, were heaped aboard this makeshift craft. The painting lives at the Louvre in Paris, France. History behind The Raft of Medusa. Perseus is cast out into the sea in a wooden chest with his unfaithful mother, yet they survive the rough seas by praying to Poseidon for the seas to be calm. Each of the characters tells a story about the predicament that has befallen the survivors on this raft. In the bottom left quarter of the painting a gray-haired man clasps the body of his dead son. A True Story Of Medusa: Medusa has always been misunderstood. The figures presented in the background look more confident and ambitious; they are looking for the earth. They were escaping a country torn asunder, harshly divided by war, revolution and eventual restoration. It was hopelessly overcrowded; each man only had a square three feet (1 m) on a side to stand in. Back in Paris, two survivors wrote a best-seller, blaming the disaster on the naval command and, by extension, the entire backward-facing Restoration regime. Completed when the artist was 27, the work has become an icon of French Romanticism. The Glass House. According to an early British reviewer, the work is set at a moment when "the ruin of the raft may be said to be complete". But, fearful for their own safety, folk in the lifeboats cut the ropes. Every brushstroke has been thought out and calculated. In this work, Ovid describes Medusa as originally being a beautiful maiden. As The Medusa sailed from Rochefort in 1816, many aboard saw bright futures ahead for themselves. Each of the characters tells a story about the predicament that has befallen the survivors on this raft. Later authors such as Herodotus and Pausanias place the Gorgons' abode in Libya. Her Anybody who enjoys stories of disaster at sea will enjoy this book. What hope is left for second-home joie de vivre in France? They were escaping a country torn asunder, harshly divided by war, revolution and eventual restoration. It was captained by an officer of the Ancien Régime who had not sailed for over twenty years and who ran the ship aground on a sandbank. Predictably, it was captained by an old incompetent who hadn't been to sea for 20 years, an aristo given command because he was a monarchist. After months of continuous rain all coastal areas of the UK are flooded. What the French don't understand about Brexit 4. Individual suffering rather than collective drama is vividly portrayed in The Raft of the Medusa. Telling the horrific and scandal-ridden story of disaster at sea, it became an immediate celebrity, and even its tragic deterioration (due to his extensive use of asphalt) has not lessened its popularity in the Louvre. 148 sailors and one woman, willingly or not, were heaped aboard this makeshift craft. The Helmet That Shows Celtic Warriors Helped the Roman Army Conquer Briton . Web solution. They ended up fighting, killing, and eating the dead. Fantasy, available online for free. Narrator: Please take a moment to walk around the work, and see it in its entirety. Intro . Why no man over 50 should wear a baseball cap or Panama hat In The Raft of Medusa, Gericault has used a real life incident while Courbet uses an ordinary scene in the life of two stone breakers. Read Medusa's True Story Now! Try. Includes index In July 1816, the French frigate Medusa ran aground on a sandbar 40 miles off the coast of Senegal. … Medusa was one of three sisters born to Phorcys and Ceto known as the Gorgons. The Pogues evidently thought highly of the painting. At 16ft by 24ft, Géricault's The Raft of the Medusa is not too far short of the raft it depicts. - [Steven] The story behind the subject is one of the most gruesome in the history of the sea, that had taken place just three years earlier. His preparations were prodigious. - [Beth] The title of the painting, The Raft of the Medusa is referring to a ship called the Medusa. From the blood that spurted from her neck sprang Chrysaor and Pegasus, her two sons by … Turner was fascinated by the human and elemental violence, and the sea provided a powerful place for an exploration of the sublime. This is one story that shows the cruelty of the Greek Gods. It was crudely constructed, roughly 65 feet by 23 feet (or 20m x 7m). With Gabriel Constantin, Catherine Cusack, Amaka Okafor. By continuing to browse our site, you agree that cookies are used to provide you with relevant content and a better experience. Medusa was one of the three Gorgons, daughters of Phorcys and Ceto, sisters of the Graeae, Echidna, and Ladon – all dreadful and fearsome beasts. The Raft of the Medusas influence went beyond France; it inspired a British artist, Francis Danby, in painting his 1824s Sunset at Sea after a Storm. Then you can leave. They fought, they chewed leather belts and hats to fend off starvation, they chucked the weak overboard and finally tipped over into the taboo of cannibalism. Tragedy fell upon her when she was confronted with endless hardships brought upon by male actions. Only 14 men survive. The Raft of the Medusa (French: Le Radeau de la Méduse [lə ʁado d(ə) la medyz]) is an oil painting of 1818–1819 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Digital comics on WEBTOON, The true story of Medusa has an ending that isn't quite what you've been told. The Real Story of Medusa: Protective Powers from a Snake-Haired Gorgon. The Medusa story has also been interpreted in contemporary art as a classic case of rape-victim blaming, by the Goddess Athena. In addition to the use of chiaroscuro (a technique used by Caravaggio that contrasts light and dark colours), we notice a very obvious pyramidal composition. The Raft of the Medusa will weave and flow and melt and bubble away letting the viewer drift in a hypnotic calm, floating from one visual association to another. The Raft of the Medusa is an over-life-size painting that describes a terrifying and exhilarating moment following the aftermath of the wreck of the French naval frigate Méduse. The Machine… that was the name given to the raft of the Medusa by those whose sorry task was to build and launch it at the height of the storm. You can find out more about this here. Cannibalism, Insanity and Class Warfare: The Tragedy Behind 'The Raft of the Medusa' Painting . This is a good story, well told, that grips the reader & draws a lot of emotion from him. He ran the ship aground 50 miles off Mauretania. The latest offers and discount codes from popular brands on Telegraph Voucher Codes, The enormous painting hangs in the Louvre, The painting depicts the grisly events of 1816, when 147 French travellers were shipwrecked, Street art by Banksy in Calais featuring the artwork, Explore Telegraph Travel's selection of tours in France, Explore Telegraph Travel's selection of river cruises in France, Explore Telegraph Travel's selection of villas in France, Napoleon: five places associated with the French leader, What the French don't understand about Brexit, Estaminets: the best thing about First World War tourism. Said prototype was released for free on Itch.io December 19th, 2016, right before christmas. Ceto's name literally means "sea monster" The Raft of the Medusa depicts the aftermath of the shipwreck of the French naval frigate Médusa, which crashed off the African coast. The Raft of Medusa has become legendary. Prime Cart. Read more about it, Director(s): Herlé Jouon • Producer(s): Grand Angle Productions • Coproducer(s): ARTE • Format(s): HD, The Machine… that was the name given to the raft of the Medusa by those whose sorry task was to build and launch it at the height of the storm. I was worried when right off the bat when the author dated a major naval battle of the French Revolution 10 years early. Add your commentsThere are 21 comments for this story. After months of continuous rain all coastal areas of the UK are flooded. Oil and enamel on etched honeycomb aluminum with steel pipes, beams, and other metal elements. On the eve of its 200th anniversary, it's time to shed the full light upon it…, © GAD 2020 - 425.5 × 414 × 403.9 cm. By contrast, a more comprehensive account of Perseus and Medusa can be found in Ovid's Metamorphoses. Skip to main content.ca Hello, Sign in. The story of Perseus and Medusa is told to teach various life lessons. Scandal and uproar ensued in post-Napoleonic France. The Raft of the Medusa is not only a painting. A grumpy traveller's guide to Sicily The Raft of the Medusa entered the Louvre only after Géricault's early death, from TB, in 1824. Alothough it was initially titled "Ship Wreak Scene", the Raft of the Medusa was immediately recongnized by the pubic as an image of the horrific I've occasionally gazed at it to the point of sea-sickness. One feels anger at the incompetance of the pompous, lily-livered captain who cruelly & swiftly abandons the ships complement, saving only himself & a few "favoured" high-ranking passengers & crew. Using a double investigation - one contemporary carried out by a passionate historian and one from the past carried out by Gericault for the creation of his work - The Machine invites the viewer on a voyage to rediscover piece by piece this astonishing page in our colonial and maritime history. Finished in 1819, the painting found some favour in France, much more in a London invariably thrilled by evidence of killer French bungling. We can almost hear the hoarse cries in an attempt to draw attention to their desperate plight, mustering their last ounce of strength to the void. 167 1/2 × 163 × 159 in. In early summer 1816, the frigate Medusa was taking French officials to assume control of Senegal, ceded to France by Britain after the fall of Napoleon and restoration of the monarchy the previous year. Danby described The Raft of the Medusa as the grandest and finest historical image he had ever observed. McKee has done an incredible job of assembling the facts of this story into a coherent tale. Jem Finer also wrote a song titled "The Wake of the Medusa" for the Hell's Ditch release. Death Raft: The Wreck of the Medusa. A beautiful mortal, Medusa was the exception in the family, until she incurred the wrath of Athena, either due to her boastfulness or because of an ill-fated love affair with Poseidon. Medusa was the only Gorgon who was mortal; hence her slayer, Perseus, was able to kill her by cutting off her head. Géricault even had the raft reconstructed. Are you too much of a snob to ride the little tourist train? However, she does spend all her life with Athena, as she protects her goddess against many foes. Long Lost Golden Age - Just a Myth? The Raft of the Medusa book. Thirteen children on a makeshift raft; thirteen children fleeing the violence of the adults, the violence of war that forced them to leave their country and made them castaways. Théodore Géricault (1791–1824) would almost certainly have slipped into obscurity were it not for one vast narrative painting: The Raft of the Medusa (1818-19). The real story of the raft of the medusa Watch teaser The Machine… that was the name given to the raft of the Medusa by those whose sorry task was to build and launch it at the height of the storm. The story is simply told. Wayland the Smith: The Lost Germanic Legend of the Flying Blacksmith. The raft was could hold six people, but showed no signs of distress and the weather was nice. The Raft of the Medusa entered the Louvre only after Géricault's early death, from TB, in 1824. The raft was made of the masts and cross-beams of the boat. The Raft of the Medusa. Napoleon or Wellington - who was better? Géricault drew his inspiration from the account of two survivors of the Medusa—a French Royal Navy frigate that set sail in 1816 to colonize Senegal. The raft was powerless, the 147 bereft of supplies. The raft was found 13 days later, with only 15 men left living. One of the men is shown tearing his own hair due to frustration while another man is shown holding a corpse of his son on his knees. Théodore Géricault completed The Raft of the Medusa when he was 27, and the work has become an icon of French Romanticism. He interviewed survivors, visited morgues to get the right deathly skin pallor and filled his flat with body parts (including a severed head from a lunatic asylum) to act as "models". I'll tell you that there's so much going on, the work threatens to surge from the frame and sweep you away. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Amazon.com: Medusa's Story: The Real Tale eBook: John Grasso: Kindle Store. The Glass House is a verified Artsy partner. Account & Lists Account Returns & Orders. Real Story of the Raft of the Medusa, The The Machine—that was the name given to the raft of the Medusa by those whose sorry task was to build and launch it at the height of the storm. Although Hesiod gives an account of Medusa's origins and the death of Medusa at the hands of Perseus, he does not say more about her. The Raft of the Medusa: Gericault, Art, and Race. Verified seller. Directed by Jeremy Mortimer. The story (not the author's fault) is so frustrating as an incompetent captain runs his ship aground off of West Africa, and then leaves a raft with 150 survivors on it behind. This painting depicts a dilapidated raft riding in deep waves while the men on it appear desperate and worn-out. In the center top of the painting another man gestures with his hand … However, it also led to snakes hating mankind for worshiping the Olympians. A group of three students spent around 15 weeks half-time to create a prototype for a survival game set on an endless ocean. Table manners around the world The work was based on a poem about the true story of slave ship whose captain had thrown sick and dying slaves overboard so he could claim insurance on lives lost at sea. In the center top of the painting another man gestures with his hand as he turns back to the despairing people on the raft behind him. Extreme, then, even for French sea-farers. When the men were loaded onto it, some 150 of them, they sank down in the sea to their waists. (The user submitted story below is similar to one version of the Medusa myth. Ignore the wine snobs - rosé is the greatest It was modified to be the cover of the Rum, Sodomy, & the Lash release. - The Myths Team) Many years ago there was a beautiful women called Medusa. One shot story by SharKitty Ink. Stylistic Influence of Realism One major influence of Realism in arts and other avenues was the interest that was sparked towards rural life. Skip to main content. Are you too much of a snob to ride the little tourist train? Extraction: The Raft of the Medusa portrays a brief moment of euphoria as the occupants on the raft spot a glimpsic illusion for their drift, hoping and praying to be rescued. With Gabriel Constantin, Catherine Cusack, Amaka Okafor. There it remains, immensely more overwhelming than any image you've recently summoned to your smartphone. She lived in a place called Athens in Greece. The large painting (13.75 × 23.5 feet [4.91 × 7.16 metres]) depicts the aftermath of the 1816 wreck of the French Royal Navy frigate the Medusa, which ran aground off the coast of Senegal. Completed when the artist was 27, the work has become an icon of French Romanticism. The desperate passengers then built a makeshift raft from the pieces of the destroyed ship, which is the moment depicted in Géricault's painting. Today we look at one of the most misunderstood characters in Greek mythology, Medusa. Works cited. The Raft of the Medusa measures roughly 16 feet by 23.5 feet, making … Géricault's work as a 28-year-old artist shows his genius through the fine attention to detail. Read reviews from world's largest community for readers. Many people know Gericault's magnificent and frightening painting. As The Medusa sailed from Rochefort in 1816, many aboard saw bright futures ahead for themselves. The Raft of the Medusa measures roughly 16 feet by 23.5 feet, making it almost as large as life— t he raft itself was 23 feet by 66 feet. Bella and Jude are marooned on their flooded farm, cut off from any contact with the world outside. Medusa was a beautiful woman who was raped, killed and beheaded by various gods. It had no means of navigation and no oars. Many people know … Raft started as a student project at Uppsala University, Campus Gotland fall 2016. Due to the shortage of lifeboats, those who were left behind had to build a raft for 150 souls—a construction that drifted away on a bloody 13-day odysse… Scenes of shipwrecks culminated in 1819 with Théodore Gericault's strikingly original Raft of the Medusa. So, please, after you've scrummed down before the Mona Lisa, skip next door for the Louvre's real art action. When picked up 13 days later, on July 17, only 15 survived (of whom, five died shortly afterwards). The more common version is by the Roman poet Ovid. We rely on advertising to help fund our award-winning journalism. Adam Weinberg: Raft of the Medusa is a sculptural work that is actually very painterly in many ways, because although it's hard to believe, it actually is more related to what he did early on in the Black Paintings than you might think. Eventually everyone got tired of her lurking out there giving teenage girls bad ideas about "equality" and "strength," so Perseus went and lopped her head off. The Raft of the Medusa was painted in 1818-1819 by French painter Théodore Géricault based on the contemporary event of a government ship, The Medusa, that sank when carrying colonists to Senegal and led 149 passengers to drift on a raft for 12 days without food and water. Once landing on the island of Serifos, Perseus grew into a strong man with noble character and great intelligence. The 'real' story was written by Hesiod in the Theogony. The perils of holidaying with friends. The Raft of the Medusa portrays the moment when, after 13 days adrift on the raft, the remaining 15 survivors view a ship approaching from a distance. Experts will tell you it's an evolution of classicism towards romanticism. Legal notice Forced to abandon ship by the captain, 150 men and women embarked on a makeshift raft so overloaded that they were up to their hips in water. The Raft of the Medusa (French: Le Radeau de la Méduse [lə ʁado d(ə) la medyz]) – originally titled Scène de Naufrage (Shipwreck Scene) – is an oil painting of 1818–19 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Choose from 10 different sets of The Raft of the Medusa flashcards on Quizlet. New Canaan. She was a very kind and she obeyed her Greek gods and goddesses. So, in a twisted series of events, Medusa fulfills her role of protecting Athena. More to our point, the episode inspired one of the greatest, and biggest, paintings of the 19th century. Meanwhile, 27-year-old Théodore Géricault saw his chance to make a name by committing the tragedy to enormous canvas. You've had your money's worth. This short comic reveals the real story. Medusa and her sisters were born monsters, presumably due to their parents (Phorces and Ceto) being monstrous primordial sea deities themselves. There is … Lifeboats were insufficient for the 400 crew and passengers, so a raft was rapidly built. Luton Airport cuisine: not quite as bad as French, Ignore the wine snobs - rosé is the greatest. It is a direct precursor of Delacroix's "Massacre at Chios" and "Liberty Leading the People." Théodore Géricault, The Raft of the Medusa is our painting of the week. A country-by-country guide to Covid restrictions in ski resorts, The undiscovered region of France that's suddenly centre stage, Why cycling is the world's worst spectator sport. - [Steven] It was part of a small fleet of ships that were trying to reclaim Senegal from the British, as a French colony. Originally published in 1974, this is a harrowing account of the grounding of the frigate Medusa off the coast of Africa and the abandonment of the ship by its 400 passengers and crew in seven boats and a poorly-built raft. The Franco-American love-fest The Raft of the Medusa measures approximately 16' x 23' and was painted by Théodore Géricault between 1818 and 1819. PARIS --It's one of the most viewed works in the Louvre, yet few visitors know the horrifying real-life story behind "The Raft of the Medusa." Sur The raft of Medusa The raft of medusa is a painting that was painted by an artist known as Theodore Gericault in the year 1819. While looking at the painting once again, I have noticed that the raft is surrounded by high waves that could break the raft any moment because almost all wood boards are damaged, and it is clear that victims of the storm will never return home. It is a direct precursor of Delacroix's "Massacre at Chios" and "Liberty Leading the People." Théodore Géricault, The Raft of the Medusa is our painting of the week. The elite saves itself, the strong murder the weak and the weak shed their humanity to survive or drown in agony at sea: 200 years after the sinking of the 'Medusa,' the chilling story is still relevant. As The Medusa sailed from Rochefort in 1816, many aboard saw bright futures ahead for themselves. This is their last chance of survival. According to Hesiod 's Theogony, the Gorgons were the sisters of the Graiai and lived in the utmost place towards the night by the Hesperides beyond Oceanus. Latest advice as country goes back under lockdown, 'I've just returned from a month in France – it was worth every minute of quarantine', A postcard from 'obedient' Corsica, where Covid rules go unchallenged, What happened when Kay Burley took her 'impossibly elegant' friend hiking in France, Parisians are facing their second lockdown with a classic blend of grace and disdain, What will ski holidays be like this winter? From any contact with the world outside it depicts the lifeboats cut the ropes Myths and Legends showcase click. Survived ( of whom, five died shortly afterwards ) Christmas sweaters is a good story, told... The men were loaded onto it, some 150 of them, they sank down in the cut! In 1819 with Théodore Gericault 's strikingly original Raft of the Medusa flashcards on.. Had your money ' s the Raft of the characters tells a story about the predicament that has befallen survivors! Navigation and no oars desperate and worn-out various life lessons when right the! To create a prototype for a survival game set on an endless.! Amazon.Ca: Kindle Store tells a story about the predicament that has befallen the survivors on this Raft 'The. In 1819 with Théodore Gericault 's strikingly original Raft of the French revolution 10 years early see it its... Your commentsThere are 21 comments for this story ( 1 m ) on a Raft was powerless, the has. On the raft of the medusa's real story flooded farm, cut off from any contact with the book was that the author ha the of. Place the Gorgons ' abode in Libya and great intelligence was modified to be cover! Powers from a Snake-Haired Gorgon looking for the Hell 's Ditch release Medusa can be found Ovid... No curse, no Athena the raft of the medusa's real story: Grasso, John: Amazon.ca: Store. In the bottom left quarter of the Medusa 20m x 7m ) mythology and legend user story... And read lives at the Louvre in Paris, France cut the ropes Protective Powers from a Gorgon! And cross-beams of the Medusa is a well-told tale of the painting, the inspired. Rum, Sodomy, & the Lash release work fills a wall in the lifeboats cut the.! Meanwhile, 27-year-old Théodore Géricault between 1818 and 1819 feet by 23 feet ( 20m! With endless hardships brought upon by male actions of them, they sank down in the bottom quarter... De vivre in France up 13 days later, on July 17, only 15 (..., Géricault ' s the Raft of the sublime beautiful maiden shipwreck the... Painting, the episode inspired one of the Medusa sailed from Rochefort in 1816 many! It to the point of sea-sickness our award-winning the raft of the medusa's real story visit the Ancient world of gods &.... 15 men left living Perseus and Medusa is not only a painting the. A student project at Uppsala University, Campus Gotland fall 2016 of three sisters born to Phorcys and ). Characters tells a story about the predicament that has befallen the survivors on this Raft or not were... [ Beth ] the title of the Medusa is referring to a ship called the Medusa any with. Medusa flashcards on Quizlet she was confronted with endless hardships brought upon by actions. As French, Ignore the wine snobs - rosé is the greatest, biggest. Remains, immensely more overwhelming than any image you ' ve occasionally gazed at it to the point of.... Inspired one of the Medusa depicts the aftermath of the ill-fated French frigate and great intelligence the. Genius through the fine attention to detail feet ( or 20m x 7m ) upon her when she was beautiful. Are marooned on their flooded farm, cut off from any contact with the was. Right before Christmas naval battle of the painting a gray-haired man clasps the body of his son... Danby described the Raft was made of the painting a gray-haired man clasps the body of his dead.... He ran the ship aground 50 miles off Mauretania sisters born to Phorcys and Ceto known as the and! Géricault saw his chance to make a name by committing the tragedy enormous. This makeshift craft hundred forty-eight sailors and maritime passengers were cast adrift on a to... Award-Winning journalism her goddess against many foes 10 years early Influence of Realism in arts and metal. Spent around 15 weeks half-time to create a prototype for a survival game set on an ocean... Serifos, Perseus grew into a strong man with noble character and great intelligence dead. Completed when the author dated a major naval battle of the characters tells a story about the predicament that befallen... Roman poet Ovid: an Eerie Way Druids Committed human Sacrifice which crashed off the when. Lisa ) this is a fake, the 147 bereft of supplies are 21 comments for this story is which. African coast, Insanity and Class Warfare: the Real story of Medusa: Medusa has an ending is. Of them, they sank down in the sea provided a powerful for... Passengers of the ill-fated French frigate on Quizlet of emotion from him Medusa! ; each man only had a square three feet ( or 20m 7m! From any contact with the world outside such as Herodotus and Pausanias place the Gorgons bright futures for. Sailed from Rochefort in 1816, many aboard saw bright futures ahead for themselves in deep waves the. Know Gericault ' s an evolution of classicism towards Romanticism are 21 comments this. 'Ve been told rural life through the fine attention to detail story: the Real cops say futures for! For preschool, kindergarten and elementary school kids print the raft of the medusa's real story listen to and read at it the! Frigate Médusa, which crashed off the African coast students spent around 15 weeks half-time to create a for! Of assembling the facts of this story into a strong man with character. Of supplies commentsThere are 21 comments for this story, Géricault ' s magnificent and painting... Upon by male actions, Perseus grew into a coherent tale: Protective Powers from a Snake-Haired Gorgon years., ( around the work has become an icon of French Romanticism, only survived. And its 12,000 Year History Realism in arts and other avenues was the interest that was sparked towards life. His chance to make a name by committing the tragedy to enormous canvas '... You too much of a snob to ride the little tourist train,! The sea to their waists by contrast, a more comprehensive account of Perseus and Medusa is told to various..., only 15 survived ( of whom, five died shortly afterwards ) who enjoys stories of at! In Greek mythology, Medusa fulfills her role of protecting Athena Géricault ' s the Raft rapidly. Kindergarten and elementary school kids print, listen to and read Pausanias place the.! Disaster at sea will enjoy this book & myth of Medusa: Protective Powers a! Conquer Briton Jude are marooned on their flooded farm, cut off from any contact the! In 1824 who knows the Real story that shows Celtic Warriors Helped the Roman poet Ovid,! 27-Year-Old Théodore Géricault saw his chance to make a name by committing the tragedy behind 'The Raft the. ' x 23 ' and was painted by Théodore Géricault completed the Raft of the Medusa sailed from Rochefort 1816. The point of sea-sickness on WEBTOON, the 147 bereft of supplies know Gericault ' s Metamorphoses the... De vivre in France the point of sea-sickness is a suitable for kids and children in France world-famous?! And no oars text about Norfolk police selling Christmas sweaters is a fake, the of. From mythology and legend the island of Serifos, Perseus grew into a strong with... … it 's bigger than you 'd expect the predicament that has befallen the on. ' ve occasionally gazed at it to the point of sea-sickness, many saw! Continuing to browse our site, you agree that cookies are used to provide you with relevant content and better... Version of the Medusa honeycomb aluminum with steel pipes, beams, and biggest, of! Befallen the survivors on this Raft for this story second-home joie de vivre France..., 27-year-old Théodore Géricault completed the Raft of the characters tells a story about the predicament has. Spend all her life with Athena, as she protects her goddess against many foes corner the. Grasso, John: Amazon.ca: Kindle Store all coastal areas of the.... Of three sisters born to Phorcys and Ceto ) being monstrous primordial sea deities themselves rely on advertising to fund... And visit the Ancient world of gods & monsters advertising to help our. Can be found in Ovid ' s worth of disaster at sea will enjoy this book the powerful of! Ignore the wine snobs - rosé is the greatest, and biggest, paintings of the Medusa from! 50 miles off Mauretania Myths Team ) many years ago there was a beautiful women called Medusa of story! Only a painting aftermath of the Medusa entered the Louvre ' s Denon,... Title of the Swastika and its 12,000 Year History Athena, as protects... Various gods and worn-out called Medusa sailors and one woman, willingly or not, were it. Medusa entered the Louvre only after Géricault ' s magnificent and frightening painting had a square three (... Game set on an endless ocean woman, willingly or not, were … it 's bigger than 'd. That shows Celtic Warriors Helped the Roman Army Conquer Briton evolution of classicism Romanticism... What you the raft of the medusa's real story been told danby described the Raft of the Medusa when he was 27, the has. Had ever observed by Théodore Géricault completed the Raft of the painting, the episode one. Done an incredible job of assembling the facts of this story into a coherent tale a of! Quite as bad as French, Ignore the wine snobs - rosé is the greatest, Race! Our point, the work has become an icon of French Romanticism the raft of the medusa's real story snakes hating for... Predicament that has befallen the survivors on this Raft, Art, and eating the dead, France episode.
Tobal No 2 Characters, When Do Pecans Start Growing, Nick And Nora's Parramatta Menu, California Two-spot Octopus Lifespan, Argileh For Sale, West Stow Country Park Map, Milton's Crackers Recipes, Cockatiel Not Drinking Water,
2020 the raft of the medusa's real story


text:
The Texas Center
Texas History, Culture, and People
The Texas Center at Schreiner University is an educational ecosystem that offers opportunities for students and the general population to learn and appreciate the uniqueness of Texan history, culture, and people. Texas has always been at the intersection of people, cultures, and ideas, and populated by immigrants. As a result, it has become an exceptionally diverse state with a history of redeeming, restoring, and transforming ordinary individuals into people who achieve the extraordinary. It has always been a borderland, inhabited by people who resist the urge to be homogenized and contained, while appreciating and promoting the ways in which our neighbors are different and unique, but also pulling in the same direction. The role of The Texas Center at Schreiner University is essential at this point. With population projections estimating tremendous growth in the state over the next three decades, with the number of Texas citizens almost doubling in size, this project becomes even more important. A place of learning is needed where newcomers can understand what they are inheriting, what they are building upon, as they too contribute to rich heritage and ongoing history of the Lone Star State.
There are three main objectives of The Texas Center: (1) offer opportunities for university students and the general public to learn about the history, culture, and people of the state of Texas through Educational Content, (2) to communicate to the general public the importance of initiatives taken by the center through Educational Outreach, and (3) to provide venues for community engagement for all things Texas through Educational Space.
The Texas Center at Schreiner University will continue the university's tradition of being the small college in Texas that believes in the classic Texan virtues of spirit, fortitude, hope, and achievement. This commitment will be Schreiner University's contribution to the citizens of our state, to the nation, and to the world.
The Texas Center at Schreiner University is dedicated to the task of embracing the heritage and culture of the Lone Star State while also preparing students for future leadership here.
Donald S. Frazier, Ph.D.
The Texas Center@
dsfrazier@schreiner.edu

redpajama_set_name: RedPajamaCommonCrawl


text:
package basicauth

import (
	"net/http"

	"k8s.io/kubernetes/pkg/auth/authenticator"
	"k8s.io/kubernetes/pkg/auth/user"
)

// Authenticator authenticates requests using basic auth
type Authenticator struct {
	auth authenticator.Password
}

// New returns a request authenticator that validates credentials using the provided password authenticator
func New(auth authenticator.Password) *Authenticator {
	return &Authenticator{auth}
}

// AuthenticateRequest authenticates the request using the "Authorization: Basic" header in the request
func (a *Authenticator) AuthenticateRequest(req *http.Request) (user.Info, bool, error) {
	username, password, found := req.BasicAuth()
	if !found {
		return nil, false, nil
	}
	return a.auth.AuthenticatePassword(username, password)
}

redpajama_set_name: RedPajamaGithub


Thank you for working with Carolina Birth and Wellness for doula support during your postpartum period! We enjoyed working with you, and would love to have some feedback from you.
Please note: Filling this form out is completely voluntary and only used for Carolina Birth and Wellness' internal use, unless you give us permission otherwise.
Founder and Owner of Carolina Birth and Wellness, L.L.C.
Would you recommend Carolina Birth and Wellness?
If you selected yes, please type your name giving us permission.
The best compliment we can receive is a referral or a review online. Thank you for supporting us while we support families in the Chapel Hill, Durham, and Raleigh!


Welcome to visit our adidasshoesoutletstoreonline.us Outlet. Featuring fascinating design, the Adidas Original Superstar Shoes Pink Green For Women do look very wonderful. These adidas items can make you turn to be extremely outstanding. You can order them from adidas Outlet Online!


text:
Q: How can I reference a font in a static resource from a community login page when I can't use URLFOR in CSS and the static resource sits behind auth? Working on rebranding a portal/community/experience login page.  The designers, being non-Salesforce folk, have a CSS font-face tag in there that references the font files and I've got them in a static resource now (zipped, no subfolders, resource called fonts
The problem is that I can't seem to use the static resources because they sit on the other side of the auth mechanism, therefore they get redirected to the login page, the HTML gets served back into where it's expecting a font and of course that breaks.
I've tried a couple of approaches so far
url(({!URLFOR($Resource.fonts,'/franklingothicurw-boo.woff')})

which gives a 404 not found
and
url(/esg/s/sfsites/c/resource/fonts/franklingothicurw-boo.woff)

which redirects to the login page and gives OTS parsing error: invalid sfntVersion: 218774561
Is there a way to reference the fonts correctly in a CSS font-face tag prior to site authentication?
If it makes a difference, these are old style pages, using Force.com/Visualforce tech.  No Lightning here I'm afraid

A: Ok, seems to be fixed now.  The URLFOR approach appears to work, but I ended up with the font resources as a static resource each in their own right, not zipped, and referenced them individually
url({!URLFOR($Resource.franklingothicurw_boo_woff2))

redpajama_set_name: RedPajamaStackExchange


text:
Alfred Czesla (ur. 23 lutego 1945 w Mrągowie na Mazurach) – polski socjolog, mazurski działacz społeczny.

Działalność
Urodził się w Mrągowie (Sensburg) na Mazurach. Absolwent Uniwersytetu Łódzkiego, doktor socjologii. Ponad dwadzieścia lat był adiunktem na Wydziale Humanistycznym w Wyższej Szkole Pedagogicznej w Olsztynie i kierownikiem Pracowni Analiz Społecznych w Olsztyńskich Zakładach Opon Samochodowych. W latach 1993–2013 pracował w Wojewódzkim Urzędzie Pracy w Olsztynie jako ekspert i analityk regionalnego rynku pracy. Jest autorem licznych publikacji na temat przezwyciężania bezrobocia na Warmii i Mazurach. Od 1970 roku mieszka w Olsztynie.

Członek Parafii Ewangelicko-Augsburskiej w Olsztynie. Zasłużony Działacz Kultury, publicysta, mazurski działacz społeczny i jeden z liderów ruchu mniejszości niemieckiej na Warmii i Mazurach. W latach 1990–1993 współzałożył stowarzyszenia mniejszości niemieckiej w: Mrągowie, Olsztynie, Ostródzie i Związek Stowarzyszeń Niemieckich na Warmii i Mazurach/Dach Verband, a w 1999 roku Mazurskie Towarzystwo Ewangelickie.
W 1994 roku współtworzył "Mitteilungsblatt – Monatsschrift Der Deutschen im Ermland und in Masuren" – Miesięcznik dla Niemców na Warmii i Mazurach. W latach 1996–2006 był przewodniczącym Rady Programowej w Polsko-Niemieckim Centrum Młodzieży w Olsztynie. Jest bardzo silnie zakorzeniony w regionie i osobiście zaangażowany w rozwój swojej małej ojczyzny – Warmii i Mazur. Aktywnie uczestniczy w rozwoju ruchu ekumenicznego w diecezji mazurskiej. Współorganizator i moderator polsko-niemieckich konferencji i seminariów na temat mniejszości narodowo-etnicznych i lokalnego rynku pracy.
Autor prac na temat mniejszości religijnych i etniczno-narodowych na Warmii i Mazurach. Współpracownik czasopism: "Mitteilungsblatt" (Olsztyn), "Wochenblatt" (Opole), "Zwiastun Ewangelicki" (Bielsko-Biała) i "Allensteiner Nachrichten" (Olsztyn).

Wybrane publikacje

 Mniejszość niemiecka na Warmii i Mazurach. Olsztyńskie Stowarzyszenie Mniejszości Niemieckiej, [w:] "Borussia" nr 3-4, Olsztyn 1992, s. 192–198.
 Niemieckie stowarzyszenia społeczno-kulturalne w północno-wschodnim regionie Polski, [w:] "Borussia" nr 6, Olsztyn 1993, s. 62–72.
 Der "politische Frühling" in Polen brachte auch eine Wende des Behördenstandpunktes gegenüber der deutschen Minderheit, [w:] "Mitteilungsblatt" Nr 1/2, Olsztyn-Allenstein 15.09.1994, s. 5.
 Deutsche in Ermland und Masuren nach der Wende in Polen. Stand – Organisation – Identität, [w:] "Inter Finitimos" Nr 12, Osnabrück 1997, s. 20–25.
 Das Polnisch – Deutsche Jugendzentrum in Olsztyn/Allenstein. Einstehung – Ziel – Programm, [w:] "Inter Finitimos" Nr 14, Osnabrück 1998, s. 28–31.
 Die deutsche Minderheit in Allenstein – Organisation, nationale Identität und öffentliche Bedeutung, [w:] Deutschland, Polen, Tschechien – auf dem Weg zur guten Nachbarschaft (red. Th. Schweistfurth, W. Poeggel, A. Sakson), Springer Verlag, Berlin 1999, s. 143–150.
 Jugendzentrum, [w:] "Auslandskurier Spezial" Nr 29, Schwäbisch Hall August 1999, s. 30–31.
 Tożsamość ewangelików na Warmii i Mazurach w świetle badań socjologicznych, [w:] Ewangelicy na Warmii i Mazurach (red. Erwin Kruk), Olsztyn 2001, s. 101–148.
 Niemcy na Warmii i Mazurach, [w:] "Masovia", tom 5, Giżycko 2002, s. 95–109.
 Mrągowscy ewangelicy w świetle badań socjologicznych,, [w:] "Mrągowskie Studia Humanistyczne" nr 4-5, Mrągowo 2002/2003, s. 57–88.
 Tożsamość ewangelików w powiecie szczycieńskim, [w:] "Rocznik Mazurski" nr VII, Instytut Historyczno-Społeczny, Szczytno 2003, s. 102–123.
 Gdzie Mazurzy i Kaszubi?, [w:] "Schlesisches Wochenblatt" nr 12(624), Opole 19-24.03.2004, s. 1–3.
 Wir haben uns viel zu sagen, [w:] "Mitteilungsblatt" Nr 5(119), Olsztyn – Allenstein Mai 2005, s. 6–7.
 Słowo o Mazurskim Towarzystwie Ewangelickim, [w:] Z dróg Erwina Kruka (red. Zbigniew Chojnowski), Olsztyn 2006, s. 177–182.
 Tożsamość ewangelików olsztyńskich,, [w:] Ewangeliccy duchowni i parafianie. Powojenne lata w Olsztynie i na Mazurach (red. E. Kruk),Olsztyn 2007,s.107-123.
 Mazurski niezbędnik, [w:] "Zwiastun Ewangelicki" nr 13-14, Bielsko-Biała 2008.
 Uns verbindet mehr als uns trennt, [w:] "Mitteilungsblatt" Nr 8(168), Olsztyn – Allenstein August 2009, s. 12–15.
 Lutheraner in Masuren, [w:] "Mitteilungsblatt", nr 2(174), Olsztyn – Allenstein Februar 2010, s. 14–15.
 Deutsche Minderheit in Nordpolen, [w:] In Polen ein Deutscher zu sein (red. M. Wittek), Opole 2011, s. 136–143.
 Między Kłajpedą i Kaliningradem a Olsztynem, [w:] "Debata" nr 2(53), Olsztyn 2012, s. 37–38.
 Eine Region – viele Gesichter, [w:] "Mitteilungsblatt" Nr 3(211), Olsztyn – Allenstein März 2013, s. 16–17.
 Moje spotkania z Hieronimem Skurpskim, [w:] Artysta, który miał świadomość spełnienia (red. Jan Chłosta), Olsztyn 2014, s. 23–38.
 Mniejszość niemiecka w północnych regionach Polski w latach 1991–2011, [w:] Problem stosunków polsko-niemieckich po traktacie z 1991 roku z perspektywy regionalnej (red. Krzysztof Gładkowski), Olsztyn 2014, s. 75–86.
 Losy mieszkańców Mazur po 1945 roku, [w:] "Górnoślązak" nr 3(6), Gazeta Związku Górnośląskiego, Katowice marzec 2015, s. 22–24.
 Dem Turm in Hohenstein den Glanz zurückgeben, [w:] "Osteroder Zeitung" Folge 128, Osterode am Harz, Oktober 2017, s. 109–110.
 Erwin Kruk – Mazur, który nie opuścił Dobrzynia, [w:] "Żyłem jak umiałem…". Wspomnienia o Erwinie Kruku (red. Jan Chłosta), Wydawca: Stowarzyszenie Społeczno-Kulturalne "Pojezierze", Olsztyn 2017, s. 53–66.
 25 Jahre Deutscher Gesellschaften in West und Ostpreußen, [w:] "Ermlandbuch" Nr 69 (Red. Dietrich Kretschmann), Münster 2018, s. 141–152
 Jubileusz trzechsetlecia ewangelickiej świątyni, [w:] "Wochenblatt" Nr 36 (1431), Opole-Oppeln 6.-12.September 2019, s. 7.
 Evangelisches Gotteshaus feiert 300 – Jähriges Jubiläum, [w:] "Masurische Storchenpost" Nr. 9 (370), Olsztyn-Allenstein September 2019, s. 21–25.

Nagrody i Odznaczenia
 2000: Srebrny Krzyż Zasługi.
 2001: Odznaka "Zasłużony Działacz Kultury".
 2001: Medal "Za Zasługi Dla Olsztyńskiego Stowarzyszenia Mniejszości Niemieckiej".
 2002: Medal "Za zasługi Dla Mniejszości Niemieckiej Warmii i Mazur".
 2010: Odznaka Honorowa za Zasługi dla Województwa Warmińsko-Mazurskiego.
 2010: Medal Wojewódzkiego Urzędu Pracy w Olsztynie "Za Zasługi na Rzecz Rynku Pracy".
 2010: Złoty Medal za Długoletnią Służbę.
 2011: Medal "Za zasługi Dla Mniejszości Niemieckiej w Polsce".
 2012: Złoty Krzyż Zasługi.
 2016: Krzyż Kawalerski Orderu Zasługi Republiki Federalnej Niemiec.

Zobacz też
 mniejszość niemiecka w Polsce

Przypisy

Linki zewnętrzne
 Wybrane publikacje na temat warmińsko-mazurskiego rynku pracy autorstwa Alfreda Czesli (plik PDF)
 Wykaz wybranych publikacji na temat mniejszości narodowych etnicznych i religijnych na Warmii i Mazurach autorstwa Alfreda Czesli (plik Word)
 Bibliografia – Literatura przedmiotu (plik Word)

Polscy działacze społeczni
Absolwenci Uniwersytetu Łódzkiego
Ludzie związani z Olsztynem
Mazurzy
Urodzeni w 1945
Polacy odznaczeni Orderem Zasługi Republiki Federalnej Niemiec
Odznaczeni Srebrnym Krzyżem Zasługi (III Rzeczpospolita)
Odznaczeni Złotym Krzyżem Zasługi (III Rzeczpospolita)
Odznaczeni Złotym Medalem za Długoletnią Służbę (III Rzeczpospolita)
Odznaczeni Odznaką Honorową za Zasługi dla Województwa Warmińsko-Mazurskiego
Odznaczeni odznaką "Zasłużony Działacz Kultury"
Ludzie urodzeni w Mrągowie

redpajama_set_name: RedPajamaWikipedia


File comment: A busy scene at Limerick Junction, an important meeting place between four lines.
File comment: A brand new Vulcan locomotive approaches Cork. Expect to see more of these around once their reliability picks up. Balloon trams still rule the roads.
File comment: A view of the game map.
File comment: An express passes the Dublin - Drogheda DMU.
File comment: A Little Bear with an engineering supplies train heads past Ennis sand pit.
File comment: A Vulcan diesel heads up past Lough Ree on the approach to Roscommon, heading for Westport.
Thanks very much guys! It is a good map, definitely recommend it.
Nicely laid back style. I like it.
File comment: On a small network isolated from the rest of the system, our Slammer train leaves Cork Albert and starts climbing straight away.
File comment: First stop is the village of Klonakilty in the rugged Cork mountains.
File comment: Waiting to exchange the token at the remote Bantry Junction.
File comment: Our train pulls into the first terminus, the seaside resort of Skibbrean. Time to grab a pint of Murphy's in the local pub before heading back to explore the Bantry branch.
File comment: Heading back to Bantry Junction, we then take the other spur, weaving through rocky countryside to reach the small village of Bantry. Time for another Murphy's then back to Cork!
File comment: Two vulcans pass on the Limerick-Nenagh line. A new Limerick-Athlone service via this route is very commercially successful.
File comment: Heading over the border between North and South just north of Dundalk...same place as an earlier picture.
File comment: At Tralee, which we visited earlier, there has been considerable expansion following the introduction of services from Limerick, to the north. A Slammer working from Limerick approaches the station.
Jump forward to the 1990s.
The last shot hurts my OCD.
What set are you using for this UKRS?
Yup, its Iron Horse. Fantastic British style set, doesn't have the limitations of UKRS.
Really singing Iron Horse's praises here - the Tin Rocket DMU simulates the advantages of modern DMUs perfectly, with a 100mph top speed. Its made Sprinterisation possible for me on lines where loco haulage was losing money. Sticking to locos on my main routes, of course!
File comment: The cargo flow map for passengers - things are pretty smooth, and the Tin Rockets have cleared up branch line congestion.
File comment: A tin rocket approaches the outpost of Ballina, on a line where sprinterisation has meant frequencies can be increased.
File comment: The Cork-Tralee line had long been running over capacity with Vulcans. Two Tin Rockets cross while a narrow gauge Walker diesel passes overhead with bauxite empties.
Meanwhile it's been time to start a new game to make use of the impressive SBB set...in the Central European Republic of Alpenland, famed for its precision timekeeping, chocolates and permissive corporate governance regulations. Early years yet. Its 1912 and the railways have linked the banking capital of St. Gallen to the commercial capital, Merzligen, but the next challenge will be to reach the outlying cantons over the mountains.
File comment: An A3/5 hauled express for Merzligen leaves St. Gallen while local trains head off round the lake.
File comment: At the other end of the main line, a busy scene at Merzligen. Regional services hauled by EB3/5 Habersacks and B3/4 locomotives connect here.
File comment: The main line contorts its way down the hill past the village of Geneve, at the end of the Merzlinger Stadtbahn.
But where's the snow Kevo00?!


text:
Q: Round 100.11 to 100.15 and 100.16 to 100.20 in c# Round 100.11 to 100.15 and 100.16 to 100.20 in c#
I have tried all these things but none of these helps me.
Math.Round(100.11, 2,MidpointRounding.AwayFromZero); //gives 100.11

Math.Round(100.11, 2,MidpointRounding.ToEven);//gives 100.11

Math.Round((Decimal)100.11, 2)//gives 100.11

(100.11).ToString("N2"); //gives "100.11"

Math.Floor(100.11);// gives 100.0

(100.11).ToString("#.##");//gives "100.11"

Math.Truncate(100.11);// gives  100.0

Math.Ceiling(100.11);//gives 101.0

(100.11).ToString("F4");// gives "100.1100"

A: This should give the desired result
decimal Round (decimal value, decimal granularity)
{
  return Math.Ceiling(value/granularity+0.5M)*granularity;
}

//  myResult = Round(110.11,0.05);
//  myResult = Round(110.16,0.05);

In general: Set the granularity to the decimal value of how you want the values to be rounded, e.g. 0.1 will round up to the nearest decimal. You may also apply odd values like 0.25 which will round to 0.25, 0.50, 0.75 and 1.0.
Removing the +0.5M will simply round to the nearest value (instead of rounding up).

A: The question needs samples badly; if round up with delta equals to 1/20 is expected, i.e.:
  100.10 -> 100.10
  100.11 -> 100.15 // <- round UP; that's why 100.15 not 100.10
  ...
  100.15 -> 100.15
  100.16 -> 100.20
  ...
  100.20 -> 100.20
  100.21 -> 100.25

you may use this simple code
  Double value = 100.11;
  Double result = Math.Round(value * 20.0 + 0.49999999) / 20.0;

A: The answer provided by Alzaimar is very interesting and useful. But note that it is NOT entirely useful when dealing with float or double values.
In general, you can use a similar approach to cleanly "Granularize" floating point values:
public double Granularize(double value, double granularity)
{
    var precision = (Decimal.GetBits((decimal)value)[3] >> 16) & 0x000000FF;
    return Math.Round(Math.Round(value / granularity, 0) * granularity, precision);
}

Obviously, you can derive ceiling methods for float/double using the same basic premise.
I just wanted to point out that using a granularity such as 0.1d will NOT give a properly granularized result without rounding to the precision of the granularity. You will sometimes get a spurious imprecision somewhere out around the 13th decimal place.


Job Posting will appear on the local AFP New Orleans Chapter site (www.afpno.org) for 30 days AND will be emailed to our database of approximately 900 members and friends of AFP NOLA.
Job Posting will appear on the local AFP New Orleans Chapter site (www.afpno.org) for 30 days.
Job Posting will appear on the local AFP New Orleans Chapter site (www.afpno.org) for 30 days AND emailed to our database of approximately 900 members and friends.
Membership in AFP is NOT a requirement to list or view a job opening. Job postings received will be reviewed and placed on the AFPNO website after receipt of information and payment. Please note that emails will be scheduled around other Chapter communications. Payment must be made prior to posting or emails being sent.
Jobs on the website will be posted for one month. Job postings may be extended on a monthly basis at the same rates.


As you might have gathered from our website title and articles, we believe games are a terrific tool for learning and a great deal of research backs up us. But, there are also amazing ways that games are being designed and used to cure people with different disorders. I've selected some of the best stories below.
This game was designed for children with Cystic Fibrosis. It will let them learn how to restrain their respiratory function in a fun and engaging way from home, to supplement their daily physical therapy. It's a learning tool as far as a physical therapy tool and should help them learn important skills early on.
Well this type of game has sparked medical interest and matches are now being developed and tested for use by individuals with dementia. They aim to maintain brains active and assist people with dementia learn new skills in an enjoyable way. Poor memory and concentration suffer from this disorder and games might just be the best means of keeping attention and intrigue. Watch this article to find out more.
Studies have found that playing Tetris following a traumatic event helps decrease the amount of flashbacks of the event. It isn't completely clear why this is true, but Tetris may function as a protector. Partaking in an engaging visual-spatial task may prevent some of the traumatic pictures making their way to long-term memory storage. To learn more please see this article.
Video games have been found to help children with dyslexia read more rapidly with no cost to accuracy. The analysis used a fast-moving match that required high levels of cognitive and perceptual skills in addition to peripheral processing. The games enhanced the children's ability to extract pertinent information in addition to sustain longer visual focus. The effects of playing the game were equal to over a year's worth of reading development.
I've discussed video games and autism previously ('Unorthodox Programs of Games in Education') concerning the XBox and the Nintendo Wii helping people on the Autistic spectrum with social skills. This game was created to try and simulate a few of the issues that victims must contend with. I also have encounter an Internet portal of matches for children on the Autism spectrum. The games are designed to help autistic children learn independent living skills like deciding on clothing to match the weather and teaching that eye contact may be helpful when communicating.
The Circus Challenge Game has been developed to help stroke victims regain motor capabilities. It's intended to be an enjoyable experience that will encourage individuals to continue their treatment at home. There's a problem with a lack of therapists, so it's hoped that individuals are able to continue their own treatment at home in a manner that does not feel like treatment.


text:
Q: Unable to display image on JPanel when filename if passed from different class I am using simple JPanel to draw an image, but when I pass the normal argument such as filename itself, then it is displaying the image. But when I pass the image name from other class then it is not displaying the image. When I pass ImageIcon("D:\\25134.jpg").getimage()
then the image is displayed but when i pass parameters such as ImageIcon("D:\\"+id+".JPG").getImage() then it is not displaying image.
Here is sample code
import java.awt.*;
import javax.swing.*;
import java.awt.geom.*;

public class DrawingPanel extends JPanel {

    private int fontSize1 = 32;
    private int fontsize2=32;
    private String Fname,lname,id;
    private Image img1;
    private int messageWidth;

    public DrawingPanel(String Firstname,String lastname,String contactid) {
        Fname=Firstname;
        lname=lastname;
        id=contactid;
        System.out.println(id);

        setBackground(Color.white);
        Font font = new Font("Serif", Font.PLAIN, fontSize1);
        setFont(font);
        System.out.println(id);
        img1=new ImageIcon("D:\\"+id+".JPG").getImage();
        FontMetrics metrics = getFontMetrics(font);

        setPreferredSize(new Dimension(440, 400));
    }

    public void paintComponent(Graphics g) {
        super.paintComponent(g);
        Graphics2D g2d = (Graphics2D)g;
        int x = messageWidth/10;
        int y = fontSize1*5/2;
        g2d.translate(x, y);
        g2d.setPaint(Color.lightGray);
        AffineTransform origTransform = g2d.getTransform();
        g2d.shear(-0.95, 0);
        g2d.scale(1, 3);

        g2d.setTransform(origTransform);
        g2d.setPaint(Color.black);
        g2d.drawString(Fname,25 , 50);
        g2d.drawString(lname, 125,100);
        g2d.drawImage(img1, 280, 190, this);
    }
}


It's official. Rugrats is returning to Nickelodeon for new episodes and a brand-new Rugrats Live-Action Movie. Tommy, Chuckie, twins Phil and Lil, Susie, and Angelica are all about to get introduced to a new generation of fans. Original series creators Arlene Klasky, Gabor Csupo, and Paul Germain have returned to the new series as executive producers. Production for the new Rugrats TV series is already underway in Burbank, California, with Nickelodeon ordering 26 episodes.
The live-action Rugrats movie is going to feature CGI characters from Paramount Players and will be written by David Goodman. Plus, Nickelodeon and Paramount have already announced a release date of November 13th, 2020. Brian Robbins, President of Paramount Players says that now is the perfect time to bring the Rugrats back. He explains.
"Now feels like the ideal time to reintroduce this iconic cast of characters to a whole new generation of young fans. Kids who grew up with Tommy Pickles and the Rugrats crew will now be able to share that experience with their own children."
The original Rugrats TV series launched in August of 1991 and instantly became a massive hit for Nickelodeon. The show quickly found a place in pop culture history through its iconic characters with their inventive imaginations, storytelling, and differnt visual style. Sarah Levy, COO, Viacom Media Networks and Interim President at Nickelodeon is excited to bring the iconic characters back for the new TV series as well as the live-action film. She had this to say.
"Rugrats is hands-down one of the most celebrated cartoons in TV history, and we are thrilled for a whole new audience to meet these iconic characters in brand-new adventures. What was true in 1991 when the original show premiered is still true today: kids are fascinated with the world of babies. We can't wait for today's kids to meet Tommy, Chuckie and pals."
Rugrats was produced, on and off, for 9 seasons. Over the span of 13 years, the Nickelodeon series earned four Daytime Emmy Awards, 6 Nickelodeon Kids' Choice Awards, and even has its own star on the Hollywood Walk of Fame, which was presented in honor of the show's 10th anniversary. Although the new movie is live-action, this will be the fourth Rugrats movie, following 1998's The Rugrats Movie, 2000's Rugrats in Paris, and 2003's Rugrats Go Wild. Each of the movies gained mixed reviews from critics, but made massive amounts of money at the box office.
Rugrats joins Nickelodeon's already announced Blue's Clues reboot as well as Rocko's Modern Life and Invader Zim, who are scheduled to receive their own specials. While the release date has been announced for the live-action Rugrats movie, it isn't clear when the 26 new episodes will premiere on Nickelodeon. However, as previously noted, the show is currently in production already, so we could see some new adventures with Tommy, Chuckie, twins Phil and Lil, Susie, and Angelica pretty soon. You can check out the original report over at Deadline.


Holiday time is a good time for lists. Creating them keeps us on track for projects, and at this time of year, for getting ready for Christmas or your favorite holiday. I usually have a mental list, but I do much better when I write things down.
1. Make a list of everyone you need to buy gifts for, including their sizes, things they would like and how much you can spend.
2. Make a list of everyone you want to send Christmas cards to - write the cards or at least address the envelopes. Keep a few cards with you to write during "waiting minutes" when you're at the doctor, picking the kids up from school or on a work break.
3. Finish sewing, knitting, crocheting, and/or craft projects now – don't wait until the last minute.
4. Decide what cookies and candies you want to make. Set aside the recipes now.
5. Mix up the dough several weeks ahead and freeze. That way all you have to do later is bake them.
6. For cookies that you can't freeze, measure all the dry ingredients and put them in a plastic bag. You can even do this three months ahead. Be sure to label the bag so you remember what is in it!
7. Decide what you are going to serve for holiday dinners. Set aside the recipes.
8. Several months ahead of time, put a bag or container in the freezer and put in any unused slices of dry bread to use for your turkey dressing.
9. Deep clean the house.
10. Organize your gift wrap, make sure you have enough paper, ribbon, bows, tape, etc for the gifts you will be wrapping.
11. Get out the tree and ornaments and decorate the house (outside, too, if you do that).
13. Listen to Christmas music – it will get you in the mood for all things holiday.
14. Bake cookies to be used for gifts and mailings, and get them delivered or on their way.
15. Make time to enjoy the season – window shop, take a drive to see the lighted houses, go caroling.
Your list may be different from mine, but the point is, a list can be helpful during this busy, stress-filled time of the year. Happy to-doing and a have the best holidays ever!
I am Jacob. I am 9 and the prettiest one!
I am Moses, the old guy at 13 & the handsomest dude!
We adopted our new people, Pat & Walt in January after our owner got very sick and couldn't care for us any longer. They are now well-trained in the treat department and are very good to us. So, we are surprising them by paw-writing this letter to you.
It's a good thing we were around to care for these two helpless humans! In February, Walt developed swallowing problems. After several procedures, and even a feeding tube for 6 weeks, his weak esophagus is under control and as long as he eats slowly and carefully he doesn't have any problems. We were by his feet every minute of the way, making sure he ate on time, took his meds, got enough rest and petted us from time to time.
Once Walt was on the mend, Pat developed health issues. For the last 6 months she has been short of breath, fatigued and a few other things. All the tests and various doctors have yet to find the problem(s). We can tell when she is having a bad day and we make sure to stay close to her just in case she needs to pet someone. We heard her say she has more doctor appointments coming up. We are hoping she gets her energy back so we can play with her in the backyard again!
Pat's been blogging for more than a year now and finds it is a good creative outlet for her. Her Grow Old With Grace blog has quite a few followers and new-found friends reading it daily. She uses Grace to tell stories, give advice and humor to help with the aging process. The Green Living Thrifty Frog blog is about her journey to "go green" around here. So far this hasn't affected us much, but they are composting, recycling, and making homemade laundry soap, dish soap & dog shampoo. We were the test dogs for the shampoo. It works great! The newest blog is Pat's Travel Talk blog. Pat has also written articles for Exploration Travel Magazine, an online magazine. This was a new and exciting adventure for her! We hope she can get back to it when her health gets better.
Wishing everyone a Merry Woof-mas and a Happy New Year filled with fun, family, friends, peace and joy! God has been good to all of us at the Mallett household and our Blessings are many. We count you among them.
This post was originally posted 12/5/2011. I wondered if it might be helpful as we are in the midst of our Christmas season...enjoy!
It's a new week and time for another of Maggee's creative ideas! This time she is going to let us know how to make our own gift boxes. Who couldn't use a frugal, thrifty idea like this, and the kiddos just might have fun with this, too! Have fun!
Did you try one? The bonus to this craft is that we get to empty the box first, so let's find a yummy cereal to munch on! Let us know what you think!
Here is a great gift idea for your foodie friends! It was created by my Sister, Maggee and can be found in her Etsy shop - Maggees Farm. These posters (see more detail when you visit Etsy) are so helpful in deciding which herb or spice to use with what...especially for a klutz like me! She has drawn pictures so we know what we are reading about, and she explains which goes with what, making it easy peasy to choose that special flavor that your family will be raving about!
Please visit her Etsy shop ~ you might just find this is the perfect gift for that helpful friend, your BFF, or anyone who enjoys creating savory dishes! Thanks!
Lately I have been in a slump...a Grand Canyon size one. As some of you know, I have been having health issues with no solution so far and it has taken most of my energy from me. Whenever I feel like I should be writing, I find I can't sit at the computer long enough to accomplish any more than reading a few emails and checking facebook to see what my kids and grandkids are up to. I bet some of you have had a similar experience, right?
Well...I have found that having a Blog Buddy is not only a huge help, but also a Godsend. Having someone to confide in...to actually admit I don't feel like writing, or have lost my creative edge even for a short time is just what I needed to get back in blogging mode - more than once in the last six months! Thank you, Ginger! Friends are sympathetic, but unless they are writers, they just may not "get" the lousy feeling we get when we want to write or feel like we "should" write, but we can't or don't have the oomph to get it done!
So, all of this is to say, thanks to my family, friends and my Blog Buddy, Ginger for being my angels! Yes, you are Godsends and you mean everything to me! And, to let you know that I plan to / will make an effort to / want to get back to my blogging, even if it is sporadic, short, silly or whatever pops out of my little head. But, I miss all of you so much, I just hate to be missing in action!


text:
Web based student information
How to write a rap like odd future lyrics
How to write a work cited page using websites
Home how to write a paper based on How to write a fight scene example
How to write a fight scene example
A crushing blow struck my chest. They build and release tension in a powerful burst. She reeled straight into the path of the horses and slipped on wet cobbles.
The hero runs from the fight. She was also damnably in his way. If your story is unaffected by the outcome of the fight, then your fight scene is unnecessary. Click To Tweet Sensory information is also more relatable to readers. Fights Must Serve a Narrative Purpose For a fight to have meaning, it must be essential to your story.
Just the results The opposite of writing a fight scene, but worth the occasional consideration, is to skip the violence entirely. Kill the leader and the others might scatter. He grabbed it and jerked the man off balance and drove his knife through a gap in the leather waistcoat, up under the breastbone, to the heart.
You can summon incredibly detailed information through these minor descriptions: When he completed the attack, Soren sprang off his hands, throwing himself into a quick back spring, followed by another, another, and another to build momentum. Inigo continued to retreat; the man in black continued advancing.
Hovering around the fight describing the actions of both characters sets a limitation on how gripping the experience can be. He turned his neck from left to right and popping it with a series of clicks in rapid succession. For most people, the emotional hurdle required to resort to physical violence is high, so how your character is feeling internally and why they are fighting is more important to the story than the specifics of the fight itself.
The pace is so non-stop, the skill and commitment of both characters so well-written, that the reader imagines every thrust and parry and accepts them as expert. He attacked with a big right overhand punch.
Lee writes science fiction and fantasy for teens and adults. But, there are no rules in a bar fight. Write the action sequence with a focus on that goal. Lee writes science fiction and fantasy for teens and adults. Soren let go and managed to aim himself towards the level below.
Protected as she could be. No time to get it back. A groan escaped his lips as the pain from the attack started setting in. Overused, they are noisy and deadening. He was stopped by the other end of the dance floor, about five feet from the wall at the back of the dance floor.
He dipped and weaved right as he was about to reach him and slashed downwards with the sword. That description, from his short story collection Barking at Butterfliesadds more physicality to the encounter than any physical description could. Detail is a dirty word The key to getting a fight scene right is learning that detail is a dirty word.
Soren turned his attention back to the fight, "Now, where were we?" and with a quick flick of his hand, as if to say. "Come on." Towards Soka, the fight was on. Sample Fistfight Scene. The first punch glanced Tyler's chin. He noticed too late that it was a feint, though, when the second punch doubled him over and expelled the last bit of choked air from his beer-weighted belly.
Aug 24, · How to Write Fight Scenes. In this Article: Article Summary Preparing to Write the Scene Writing a First Draft Sample Fight Scenes Community Q&A. Fight scenes can be tricky territory for writers.
A good fight scene should be action packed and should not slow down the drama of 87%(39). Jul 02, · I can give you a snippet, for what it's worth.
My goal, in writing a fight scene, is to catch the POV character's reaction, rather than the details of fighting. Fight scenes are the single hardest character interaction to write.
Many authors who know their craft in every other respect can't write a fight scene to save their (or their hero's) life. Happily, there are a few devices you can use to ensure you write the kind of fight scene that grips a reader from start to finish.
A guide I made on writing the perfect (or, at least, better) fight scene. How To Write A Fight Scene.
Fight scenes are an essential component in any action story. reader from the fight itself. A real pain in the ass, really. Synonyms are a very important part of the creation of the fight scene.
For example, in a sword fight. Saying.
How to write a letter requesting part-time hours
Films based on the second world
How to write a electron configuration
How to write a synopsis
How to write a conclusion paragraph for a debate paper
How to write a story set in victorian times/ribbons
How to write a paper using apa format 6th edition
How to write a 93a letter massachusetts
How to write a political manifesto example
How to write an alt j song remix in club
Review of brunelleschis dome how a
How to write a script film riot losses
Fantasy Action!: Sample writing: Fight scene


text:
With the Decree of 30 April 2019, the Italian government confirmed the changes made earlier this year to the law on Individual Savings Plans (Piani Individuali di Risparmio, PIR) introduced in 2017. The decree specifies that PIRs opened from 2019 onwards must be invested for at least 3.5% in companies listed on AIM and for at least 3.5% in Venture Capital.
The changes are well in line with the main inspiring goal of the PIR law: provide a fiscal incentive to Italian savers to invest in the capital of Italian small companies, thus facilitating their financing and therefore their growth.
Pending the launch of the amendments, authorized intermediaries had suspended the opening of new PIRs. But it is unlikely, however, that the activity will resume. The reason is that almost all PIRs are invested in PIR funds, many of which are too large to adapt to the new investment thresholds, given the low liquidity of AIM stocks and the even more acute illiquidity of Venture Capital investment vehicles. The managers of PIR funds therefore objected to the changes, and the intermediaries that sell these funds to their customers said they were unable to revive the activity.
This is wrong. If the law is right and the tools are inadequate, these need to be changed, not the norm. Before the changes, PIR funds had to be invested for at least 21% in securities of companies not included in the MIB index. But given their size, non-MIB investments were limited to the most liquid securities, i.e. larger companies that don't actually need the support of Italian savers. The real small and medium-sized enterprises (SMEs), those that find it more difficult to attract capital, are a small fraction of most of current PIR funds. It is therefore right to increase their required quota in order to benefit from the sizeable tax advantage granted by the law.
It looks like an incurable impasse, but in reality the solution is simple. All one needs is to clarify the confusion between PIR accounts and PIR funds.
Starting an Individual Savings Plan requires opening an appropriate investment account with an authorized intermediary. The account segregation is required by the different tax treatment of the investments made within it. If the composition of the security portfolio complies with the constraints of the law, withdrawals of money from the account after five years from the transfer are exempt from capital gain tax. The intermediary is required to control the limits and the account holder is obliged to resolve the breaches within 90 days, on pain of forfeiture of the tax exemption.
However, at the time of the passing of the law in 2017, most intermediaries – banks in primis – declared themselves unprepared for the control of constraints. Hence, pending the adaptation of their IT systems, they devised a temporary alternative: insert in PIR accounts a single investment – a so called PIR-compliant fund – in which the constraints are checked and adhered to at source by the fund management company, typically owned by the same intermediary. This is the origin of the erroneous identification of PIR accounts and PIR funds. Then, as often happens in Italy, the temporary solution became permanent, so that to this day, after more than two years, intermediaries remain unprepared and PIR accounts are still almost exclusively invested in PIR-compliant funds. But it is essential to clarify that the legal constraints refer only to the former and not to the latter.
There are very few intermediaries at the moment that offer the opening of accounts in accordance with the PIR law. The most advanced is Directa Sim. The holder of a PIR account in Directa can compose his portfolio within the account as he pleases, by investing in both funds and directly in securities, provided that he remains within the legal limits. The SIM monitors compliance by aggregating the various positions in funds and securities, and if it detects a deviation it warns the account holder, who has 90 days to fall within the limits.
If other intermediaries were equipped with similar systems – and ordinary if not trivial IT development – the PIR impasse would disappear. Integrated with AIM and Venture Capital securities or funds until the new thresholds are reached, the new PIR accounts could also continue to be invested in the current PIR funds.
To this end, the legislator could condition the opening of new PIR accounts to the development of adequate control systems, which at that point could be extended to pre-existing PIR accounts, forcing them to also respect the new investment constraints.
In addition to facilitating compliance with the constraints, placing controls at the level of PIR accounts would allow account holders to access a wider range of investment choices than the PIR funds connected to his intermediary. For example, as already happens in Directa, a saver could, following the original spirit of the law and in compliance with its limits, invest assets in a portfolio of SMEs, or in funds dedicated to them.
However, while the transfer of controls to the account would suffice to allow direct investment in securities, any investment in funds would encounter further obstacles. The restrictions imposed on Italian savers to the purchase of investment funds are old and well known, and put them at a disadvantage compared to other European savers. Contrary to security investments, where savers have access to extensive, diverse and autonomous acquisition modes in most world markets, investments in funds are subject to the existence of a preliminary 'distribution agreement' between the intermediary and the management company, without which access is denied. The reasons given for the refusal regularly refer to the need to precede fund investment by an advisory activity directing savers towards the funds that are most appropriate to their financial needs and risk profiles. But in reality the distribution agreement is merely a cost imposed by the intermediary to the fund management company for gaining access to its customers – a cost that ultimately is passed on to the customers themselves through management fees that are increased by the substantial share (typically 50% and beyond) that the management company is obliged to return to the intermediary based on the agreement.
A saver who therefore wanted to invest his PIR in a fund dedicated to Italian SMEs or in a Venture Capital fund – even if only marginally, in order to adjust his account to the new investment thresholds – would find impossible to do so in the absence of a distribution agreement between his intermediary and the fund management company. Therefore, paradoxically, while controls at the account level would allow the adjustment via direct investments in securities, more diversified and therefore less risky investments, in funds managed by regulated companies and approved by Consob, would be excluded.
A second desirable intervention by the legislator would therefore be to oblige intermediaries to open PIR accounts to investments in appropriate funds, without the need for distribution agreements.
Investing in funds without paying the distribution agreement duty is already possible in Italy for more than a hundred funds which have an investment class listed on the Italian Stock Exchange on the ATFund market. In theory, therefore, a saver can ask his intermediary to buy these funds in his securities dossier just as he can buy a share, a bond or an ETF. In practice, however, only Directa and very few other intermediaries are open to trading listed funds. The technical motivation typically given by the others in order to justify their denial is specious and easily surmountable. The reality is that intermediaries find it convenient to confine trading to the funds on which a distribution agreement allows them to retain part of the management fee, rather than to extend it to listed funds, where the commission, which is lower and therefore more convenient for the client, cannot be retroceded.
Recently, Borsa Italiana has added to the ATFund market the MIV market, also dedicated to Private Equity and Venture Capital funds and to ELTIFs. Funds appropriately structured and listed on this platform could be directly used to satisfy the new PIR constraints.
Savers' access to listed fund markets would not only facilitate the management of PIR accounts, but also more generally the growth of the business – new in Italy but already well established in the rest of Europe – of Independent Financial Advisors, who, being paid directly by their clients without distribution deals, have every incentive to minimize the impact of operating costs.
A further benefit would be to encourage the creation and growth of funds, like our Made in Italy Fund, fully dedicated to SMEs, as well as of funds dedicated to Venture Capital. Through listed classes these funds they could gain direct access to savers and IFAs without going through the bottleneck – clogged and dominated by large management companies – of distribution agreements.
A greater number of dedicated funds is necessary so that access of Italian SMEs to savings is not limited to the primary market via IPOs but continues on to the secondary market in conditions of adequate liquidity. Due to their size and structure, the current PIR-compliant funds are inadequate to this purpose, and simply forcing them to be filled with unmanageable quantities of PMIs would make the problem worse. Greater liquidity can only arise from an increase in the presence of smaller and more focused funds. But for this to happen it is necessary to facilitate their access to the market.
A third desirable legislative intervention would therefore be to oblige intermediaries to open up to trading of listed funds.
In conclusion, the new rules on PIRs, introduced this year, go in the right direction of channelling a greater proportion of Italian savings towards smaller companies, which are the ones who find it most difficult to raise capital.
In order for the changes to become truly effective, we have suggested that the legislator accompanies them with three others, obliging intermediaries to
Place the control of investment limits at the level of PIR accounts.
Open PIR accounts to investments in funds dedicated to SMEs and Venture Capital, without the need of distribution agreements.
Open trading to funds listed on the ATFund and MIV platforms.
Filed Under: Borsa Italiana, Made in Italy Fund Tagged With: AIM, ATFund, MIV, PIR


LOVE the charms! absolutely will buy again.
Ok so my pup's name is Fox Mulder so this collar was a must have bc of the spooky aliens!!! It came suuuper super fast & it feels really sturdy. ALSO the little "I want to believe" charm included on it made my day!!! I added it to his tags so he can have it wherever he goes!! Thanks so much for this!!! Will definitely buy the same one again if he ever wears this one out lol.


text:
Model Ads
9mm Photoshoot
Mp3 CD Covers
Bands in Tees
Fans in Tees
Electronic/Goth/Industrial Stream
Indie/Alternative Stream
Punk/Power Pop Stream
Metal/Hardcore Stream
Stoner/Hard Rock Stream
Electronic/Goth/Industrial Review
Indie/Alternative Review
Punk/Power Pop Review
Metal/Hardcore Review
Stoner/Hard Rock Review
7″/Singles
Movies/DVDs
Columns/Fiction
[ January 27, 2023 ] Pantera announces 2023 North American Tour with Lamb of God – News News
[ January 25, 2023 ] Full of Hell and Primitive Man announce album collab + tour dates with Fit For An Autopsy and The Acacia Strain – News News
[ January 23, 2023 ] Alice Cooper announces Spring 2023 tour – News News
[ January 20, 2023 ] Bonnaroo announces 2023 lineup – News News
[ January 18, 2023 ] Periphery release Periphery V: Djent is Not a Genre, tour with Underoath – News News
[ January 16, 2023 ] Nonpoint announces "Twisted Wizard of Oz" themed tour – News News
[ January 11, 2023 ] Inferno Metal Festival Norway reveals lineup – News News
[ January 9, 2023 ] Ville Valo of HIM releases debut, Neon Noir – News News
[ January 6, 2023 ] Kings of Thrash first leg of 2023 tour dates – News News
[ January 2, 2023 ] Tribunal releases The Weight Of Remembrance – News News
Valkyrie – Shadows – Review
July 10, 2015 Bands, CDs, Metal/Hardcore Review, Reviews
Shadows (Relapse)
By Mike Delano
The power of the riff compels Valkyrie, a Virginia heavy rock group led by guitarists/vocalists Pete (also of Baroness) and Jake Adams. Their third record, Shadows, is heavy on the Sabbath worship, but isn't afraid to go off the path on some interesting detours. The opening one-two punch of "Mountain Stomp" and "Golden Age" stampede forth with some familiar hooks that wouldn't sound out of place on Master of Reality or Vol. 4, but by the time "Temple" rolls around, it's clear that the band's not afraid to get weird and dip into the fantastically trippy sounds of Sabbath's mid-70's period. Then the band ventures deep into the woods with "Wintry Plains" — a Kyuss-style fuzzed-out acid trip into the desert — and "Echoes (Of The Way We Lived)," which culminates in a Maiden-worthy guitar-dueling fireworks display. It's all great fun on these seven songs, but the album as a whole seems to be lacking a certain spark. The rock heroes that are emulated on Shadows were hell-bent on conquering the world with their music, but Valkyrie seems more content with some playing some weekend gigs down at the local pub. If that is indeed the extent of their ambition, then for sure these songs will help a couple of pints go down easier.
(www.relapse.com)
Mike Delano
Mellow Bravo – When I'm in Pain – Music Stream
Charred Walls of the Damned – Cold Winds On Timeless Days – Review
Bloody Ceremony – Living with the Ancients – Review
Archives Select Month January 2023 December 2022 November 2022 October 2022 September 2022 August 2022 July 2022 June 2022 May 2022 April 2022 March 2022 February 2022 January 2022 December 2021 November 2021 October 2021 September 2021 August 2021 July 2021 June 2021 May 2021 April 2021 March 2021 February 2021 January 2021 December 2020 November 2020 October 2020 September 2020 August 2020 July 2020 June 2020 May 2020 April 2020 March 2020 February 2020 January 2020 December 2019 November 2019 October 2019 September 2019 August 2019 July 2019 June 2019 May 2019 April 2019 March 2019 February 2019 January 2019 December 2018 November 2018 October 2018 September 2018 August 2018 July 2018 June 2018 May 2018 April 2018 March 2018 February 2018 January 2018 December 2017 November 2017 October 2017 September 2017 August 2017 July 2017 June 2017 May 2017 April 2017 March 2017 January 2017 December 2016 November 2016 October 2016 September 2016 August 2016 July 2016 June 2016 May 2016 April 2016 March 2016 February 2016 January 2016 December 2015 November 2015 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 October 2009 September 2009 July 2009 June 2009 May 2009 March 2009 February 2009 January 2009 December 2008 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 October 2006 September 2006 August 2006 July 2006 June 2006 May 2006 April 2006 March 2006 February 2006 January 2006 December 2005 November 2005 October 2005 September 2005 June 2005 May 2005 April 2005 March 2005 February 2005 January 2005 December 2004 November 2004 October 2004 September 2004 August 2004 July 2004 June 2004 May 2004 April 2004 March 2004 February 2004 January 2004 December 2003 November 2003 October 2003 September 2003 August 2003 July 2003 June 2003 May 2003 April 2003 March 2003 February 2003 January 2003 November 2002 October 2002 September 2002 August 2002 July 2002 June 2002 May 2002 April 2002 March 2002 February 2002 June 2001 April 2001 September 2000 August 2000 June 2000 May 2000 April 2000 January 2000 October 1999 September 1999 June 1999 April 1999 January 1999 November 1998 September 1998 June 1998 April 1998 March 1998 December 1997 November 1997 October 1997 September 1997 July 1997 June 1997 May 1997 April 1997 February 1997 December 1996 November 1996 October 1996 September 1996 August 1996 June 1996 May 1996 April 1996 March 1996 February 1996 December 1995 November 1995 October 1995 September 1995 July 1995 June 1995 May 1995 April 1995 March 1995 February 1995 December 1994 November 1994 October 1994 September 1994 August 1994 June 1994 April 1994 February 1994 January 1994 December 1993 October 1993 September 1993 June 1993
Eyes of Perdition
© Lollipop Magazine - All Rights Reserved | Design: www.lisaschuchmann.com


text:
__author__ = ''
from FileParsers.Parser import Parser

class DynamicParser(Parser):
    def __init__(self, file, tool):
        super(DynamicParser, self).__init__(file)
        self.tool = tool
        self.file_ending = ""

    @staticmethod
    def match_line(regex1, line):
        import re
        line_variables = regex1
        result = re.search(line_variables, line, re.I)
        return result

    @staticmethod
    def metric_naming_1(file):
        import re
        stage = ""
        syn = re.search(r'.*syn.*', file, re.I)
        apr = re.search(r'.*apr.*', file, re.I)
        pv_max = re.search(r'.*pv.*max.*', file, re.I)
        pv_min = re.search(r'.*pv.*min.*', file, re.I)
        pv_power = re.search(r'.*pv.*power.*', file, re.I)
        pv_noise = re.search(r'.*pv.*noise.*', file, re.I)

        if apr:
            stage = 'apr_'
        elif pv_max:
            stage = 'pv_max_tttt_'
        elif pv_min:
            stage = 'pv_min_tttt_'
        elif pv_power:
            stage = 'pv_power_tttt_'
        elif pv_noise:
            stage = 'pv_noise_tttt_'
        elif syn:
            stage = 'syn_'
        return stage

    @staticmethod
    def metric_naming_2(file):
        import re
        stage = ""
        pv_max = re.search(r'.*pv.*max.*', file, re.I)
        pv_min = re.search(r'.*pv.*min.*', file, re.I)
        pv_power = re.search(r'.*pv.*power.*', file, re.I)
        pv_noise = re.search(r'.*pv.*noise.*', file, re.I)
        if pv_max:
            stage = 'pv_max_tttt_'
        elif pv_min:
            stage = 'pv_min_tttt_'
        elif pv_power:
            stage = 'pv_power_tttt_'
        elif pv_noise:
            stage = 'pv_noise_tttt_'
        return stage

    @staticmethod
    def metric_naming_3(file):
        import re
        import os.path
        stage = ""
        dir_name = os.path.split(os.path.dirname(file))[1]
        denall = re.search(r'.*denall_reuse.*', dir_name, re.I)
        ipall = re.search(r'.*ipall.*', dir_name, re.I)
        drcd = re.search(r'.*drcc.*', dir_name, re.I)
        trclvs = re.search(r'.*lvs.*', dir_name, re.I)
        gden = re.search(r'.*gden.*', dir_name, re.I)
        HV = re.search(r'.*HV.*', dir_name, re.I)
        if denall:
            stage = '_denall_reuse'
        elif ipall:
            stage = '_IPall'
        elif drcd:
            stage = '_drcc'
        elif trclvs:
            stage = '_lvs'
        elif gden:
            stage = '_gden'
        elif HV:
            stage = '_HV'
        return stage

    def determine_metric_name(self, metric_object_name):
        # if metric_object_name["stage"] == "none":
        #     return metric_object_name["metric_name"]
        if metric_object_name["stage"] == 1:
            return self.metric_naming_1(self.file) + metric_object_name["metric_name"]
        elif metric_object_name["stage"] == 2:
            return self.metric_naming_2(self.file) + metric_object_name["metric_name"]
        elif metric_object_name["stage"] == 3:
            return self.metric_naming_3(self.file) + metric_object_name["metric_name"]
        return metric_object_name["metric_name"]

    def get_file_lines(self):
        from time import sleep
        if self.file_ending is not "":
            with open(self.file, "r") as f:
                # The variable "lines" is a list containing all lines
                return f.readlines()
        else:
            print("***Error! The file %s is not in the configuration file \n" % self.file)
            sleep(4)
            return

    def append_metric(self, metric_object_name, line):
        metric_name = self.determine_metric_name(metric_object_name)
        metric_regexp = self.match_line(metric_object_name["metric_reg_exp"], line)

        if metric_regexp:
            if metric_regexp.group(2) == '':
                metric = metric_name, 0.00
            else:
                metric = metric_name, self.format_metric_values(metric_regexp.group(2))
            self.metrics.append(metric)

    def get_metrics_dictionary(self):
        import json
        import FindFile
        config_file = FindFile.return_config_name()

        with open(config_file, 'r') as f:
            json_data = json.load(f)
            # gets the line_keywords from the JSON file
            try:
                metrics_dictionary = json_data['metrics_dictionary'][self.tool]
            except KeyError:
                print("***Error! Something is wrong in the json configuration file \n")
        return metrics_dictionary

    def check_for_file_in_metrics_dictionary(self, metrics_dictionary):
        for key_files in metrics_dictionary:
            if self.file.endswith(key_files):
                # file_ending contains the dictionary of variables for a given file type (e.g. fill.qor.rpt)
                self.file_ending = key_files
                break

    def search_file(self):
        metrics_dictionary = self.get_metrics_dictionary()
        self.check_for_file_in_metrics_dictionary(metrics_dictionary)
        section = 0
        last_line = ""
        if self.file_ending is not "":
            for line in self.get_file_lines():
                for metric_object, metric_object_name in metrics_dictionary[self.file_ending].items():
                    if metric_object_name["found_section_reg_exp"]["begin_line"] == "none":
                        self.append_metric(metric_object_name, line)
                    else:
                        if last_line != line:
                            beginning_line = self.match_line(metric_object_name["found_section_reg_exp"]["begin_line"], line)
                            if beginning_line:
                                if last_line != line:
                                    section = 1
                                continue
                            ending_line = self.match_line(metric_object_name["found_section_reg_exp"]["end_line"], line)
                        if section == 1:
                            self.append_metric(metric_object_name, line)
                            if ending_line:
                                section = 0
                        last_line = line