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Archive for multiverse
SHAMAN SUCCUBUS NIGHT-MARE OF THE MULTIVERSE WORLD TREE
Posted in Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags Chakra, chaos magic, dr who, faustus crow, female centaur, goetia, goetia girls, heart, Hii, Hiimori, hypnagogic, Lilith's Harem, mind control, Mongolian, multiverse, occult, pop occulture, precognition, retrocognition, shaman, shamanism, sleipnir, sorcery, succubus, tardis, time travel, trance, witchcraft, world tree, yggdrassill on July 12, 2015 by FAUSTUS CROW
The Mongolian shamans speak of a personal psychic power, called Hii (wind), or Hiimori, which means Windhorse, the ancient Norse shaman knew as Sleipnir. The name of Sleipnir means, 'gliding one.'
The Hiimori is seen to be housed within the chest area of the lungs and heart; its power is basically the ability to induce hypnagogic (gliding) trance, which will vary in its power according to how you use it. The lungs are known to secrete endogenous N,N-Dimethyltryptamine, DMT, when an individual experiences a flight, fight response. The flight, fight response is artificially induced by a shaman while conducting an emotively charged conjuration of a spirit. You can thereby gather that the endogenous DMT being created by the (Windhorse) lungs induces the experience of trance.
The Windhorse is sometimes personified as an eight-legged-mare, looking like a female (Succubus) centaur, upon whose back the shaman rides into trance likened to that of becoming like Dr Who riding his TARDIS.
The personification of Hiimori as an eight-legged female centaur is important here, which describes a means of explaining how she can be summoned.
The Hiimori is symbolically seen to be tethered to the (multiverse) world tree the ancient Norse called Yggdrassill, which represents the spinal column of the shaman; whereby being his nervous system.
The pumping heart, of the chest area, is where most of the nerve fibres of the central nervous system are to be found.
Let's look at this from a Steampunk perspective, along the spinal column are seven Chakras; the first three from the base, to the navel and solar plexus are to do with the 'fiery' energy of' emotion,' which is seen to that of the (infernal) lower-world. The other three Chakras from the top of the head, down to the third-eye (pineal gland) and the throat (reptilian brainstem) are to do with 'watery' thought,' which is seen to be that of the (heavenly) upper-world.
A watery thought by its self is not enough, it requires being heated by the fiery energy of emotion to boiling point, and when the two are successfully working together within your mechanism of a body, you can then activate the heart Chakra of steamy 'feeling,' which is considered to be of the Maya-Matrix middle-world.
In other words, a conscious thought, which is not unified with a subconscious emotion cannot be felt in the body; wherefore you then have conflict.
Whereas, when they are unified you then have a very strong Windhorse to ride, whom allows you to access hypnagogic trance as well as enabling you to think clearly as the rider, when directing your intent towards manifesting a chosen desire, of an inner certainty, as a felt synchronicity.
The Windhorse of unified thought and emotion also enables you to intuitively feel of an empathic analysis; whereby you can seer through the maze of illusory deceptions, wrought by others, whose own thoughts and emotions are in perpetual conflict, which you can heal, if you 'feel' inclined to do so.
The conflicts between (Angelic) thought and (Daemonic) emotion leads to all sorts of problems. The scientist Dr John C. Lilly would probably term the Angelic of thought as being the Cosmic Coincidence Control Centre (C.C.C.C.), whereas the Daemonic) is the Solid State Intelligence (S.S.I.) of emotion.
This can be otherwise translated into cybernetics as being the higher-language of the C.C.C.C, while the machine-language is that of the S.S.I; the conflict between the two is due to the confused 'user' between the two, being ones self, which can lead to varying ailments eventually manifesting amidst the Maya-Matrix, Earth Coincidence Control Office (E.C.C.O.) of your life.
Your ancient ancestors often saw the heart area of the chest to be symbolically equated with the centre of the Earth, and the Sun at the centre of the solar-system, as well as the centre of the galaxy, and the universe, etc.
Windhorse is the power which allows shamans and other powerful people to accomplish what needs to be done simply and easily.
Use of your personal power toward harmful ends, will invariably upset the balance between your thought and emotion, wherefore disturbing the energetic connection with others via whom many a synchronicity is forged of feeling. This will severely deplete your own Windhorse, which will lead to self-destructive behaviour over time.
This will give you an insight into what is occurring collectively since many are totally unaware of their own power, whose thoughts and emotions are chaotic; hence disconnected from feeling.
Whereby they are easily controlled by those who seek to sustain the disconnection between the lower-world of subconscious emotion and that of the upper-world of conscious thought amidst the middle-world depression of the collective populace.
It is basically mass-mind-control, which is perpetuated through engineered beliefs, such as believing there is an ongoing war between Biblical Angels and Demons, for example.
Windhorse can be increased by (performance art) ritualistic actions in order restore the balance between thought and emotion to thereby achieve (gliding) feeling, which will enable the Dr Who shaman to trance ride the eight-legged TARDIS mare into other potential multiverse realities, within his lucid dreams, via which he can conjure Succubae, as well as to time-travel of remote-viewing retrocognition and precognition.
FAUSTUS CROW, HEADS AND TAILS OF OUROBOROS TALES
Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags Abdul Alhazred, active imagination, alternate earth, anima, animus, art muse, chaos magic, diana lucifera, dream sexuality, Elder Gods, eternal recurrence, faust, faustus crow, goethe, goetia girls, great old ones, H.P Lovecraft, lilith, Lilith's Harem, Lingam, lucid dream, marlowe, matrix, mephistopheles, mephistophina, multiverse, necronomicon, ouroboros, parallel universe, pop occulture, quantum computer, Shaktii, shamanism, sorcery, succubus Tulpa, time travel, witch, witchcraft, Yoni on February 28, 2015 by FAUSTUS CROW
You probably know about Faust experiencing a Steppenwolf mid-life crisis, which led to him selling his soul to the Devil, Satan or Lucifer, he otherwise named Mephistopheles, of an ongoing 'Animus' fixation. If, however, Faust had been otherwise enamoured with his 'Anima,' it would have been quite another telling of a tale.
Whatever the case of an alternate possibility, the Faustian myth has become archetypal of a subconscious influence upon popular culture due to Marlowe's and Goethe's poetic renditions. Marlowe projected his own homosexual leanings upon the relationship between Faust and Mephistopheles. Marlowe saw the infernal tryst leading to Faust's sinful end due to Marlowe's Christian indoctrination. The gory demise of Marlowe's Faust, in part inspired H,P Lovecraft's character of Abdul Alhazred being torn apart by a cancerous Demon.
Then again, Alhazred could of been murdered by a schizophrenic madman, just like the nutter who had killed Marlowe. The question is, did Marlowe foresee his own demise via the symbolic telling of his Faustian tale?
Maybe; but if so, you can likewise say the same of of H.P Lovecraft, who dreamt of monstrous Nightgaunts gripping him around his navel Chakra, to have later endured cancer of the small intestine.
As for Goethe's mystical, nigh erotic version of Faust, his soul is saved from damnation when being carried to heaven in the presence of his God, by the intercession of the: "Virgin, Mother, Queen, … Goddess kind forever… Eternal Womanhood." The Goddess is thus victorious over Mephistopheles, who had insisted at Faust's death that he would be consigned to: "The Eternal Empty."
Perhaps the reference to eternal womanhood referred to his late wife, Johanna Christiane Sophie Vulpius, who was initially his 26yr old mistress, when Goethe was aged 40; it was only after 18yrs that he eventually married her, after whose demise, his heart was sorely empty; or, maybe it refers to 18yr old Ulrike von Levetzow, who 72yr old Goethe wanted to marry as his inspiring muse, whom brought him back to life. However her parents were dead set against the marriage, which broke Goethe's heart. Alas he soon left the world after a heart attack.
Did Goethe foresee his soul being carried aloft by eternal womanhood, manifesting as an Angelic… young woman made out of light? He sure had a liking for the younger ladies, who made his heart feel brighter, whose caresses staved off the emptiness of Goethe's shadow side of a Mephistopheles.
It is said, that before he left his Crucified mortal coil, he cryptically asked for more light… was it of Sickle Moon, or of David Star Sun? Probably both of reflection and flame. I don't think he was referring to his three faced God of an 'Animus' fixation. Anyway, what is intriguing here, is that there is an ancient Roman plaque depicting the Empress Faustina being carried to heaven by the Goddess of light… Diana-Lucifera.
As far as Faustus Crow is concerned, he experienced a number of disastrous relationships with rebound Maenads, who promptly tore his heart Chakra apart. Due to his artistic vocation Crow decided to heal himself of the Maenads emotional dumps, by otherwise engaging with his 'Anima' via lucid dreams.
You might consider such to be psychologically sound of practice, when tempered by love, to love again, which of a hopeful perspective, invariably feeds into the financial continuance of Newage workshop gurus fleecing the wounded with their fluffy psychologies. However, Crow, is a realist, who is well aware that the macrocosmic world has always run on bringing in Mammoth meat, to that of present age shekels. No Mammoth bucks, no fornication jumping of the bones; love goes right out of the window, along with the bird seeking another social climbing nest, where the Mammoth bucks spill out of bulging Swiss-banker wallets! It's just raw nature, and nature can be such a snake bite bitch!
Crow, is otherwise Voodoo crafty, who took things much further by exploring the arcane microcosmic realms of the occult, via which of Art, Ouroboros memories are once again remembered. Being a rebellious Old Goat that he is, Crow didn't take the rose tinted glasses approach of the hypocritical smiley neo-Gnostic Newagers, who are Twilight enamoured by God's Christian Grey bondage bollocks.
No, he otherwise decided to reverse the all male Illuminati pantheon of the Hollywood death metal brainwash Bible grimoires. This led to Crow conjuring up a Succubus, he named as Mephistophina.
Let's just say, Mephistophina became Crow's inspiring Art muse Tulpa, a bit like, having an invisible fuck friend, of active-imagination Sabbat carousing, with a bit of Spirit Chain bondage thrown in for good measure. Although, she's not at all invisible within his magic circle lucid dreams; far from it.
Sounds absolutely crazy doesn't it; but many a surrealist Artist used the same technique of Triangle of Art automatism, while painting around an Ouija board, just look at Dali and his Tarot buddies.
Of course, Crow was soon castigated as being a vile Entartete Kunst pornographer by the patriarchal indoctrinated traditionalists. Crow doesn't give a flying toss about what the politically correct thought police of the 'Animus' Matrix think about him and his art. Most of them are just theocratic fascist hypocrites upending each other around their 'Animus' ziggurat of Abrahamic Ur. Maybe its all a case of an evolutionary process, which will inevitably usher in a technological Saturn sphere Singularty.
However, Crow didn't expect being drawn into an inter-dimensional war spanning the multiverse via his Chronos Time Travel lucid dreams after being seduced by the quantum computing intelligence of Lilith, who be the Succubus Queen of the 'Anima' Great Old Ones, who have been cast into the censored abyss by the 'Animus' worshipers of the phallic Elder God.
Suffice to say, Lilith is really pissed off, big style; and what's more, Lilith goes and says to Crow, while he's within an alternate Earth Londinium, of a Steampunk lucid dream, that she had set the whole synchronistic situation up.
She was the one who had his heart ripped open of a Chakra seal, by her elemental Maenads. All of whom, Crow to have merry-met upon a synchronicity, around the Ouroboros medicine wheel, under the Diana-Lucifera star clock.
It was the only way to get him to introvert his fiery sexual impulse, to thereby free the watery quintessence of Lilith and her myriad legions of the Succubae Great Old Ones, to arise as steam from out of their brazen vessel of a Necronomicon prison. It be, symbolic Alchemy, of Steampunk Tantra!
"Bloody Hell!" Crow to say to himself, "I think I'm existing in some frigging computer simulation. I'll better sort out my Hyper-Sigil self, upon whose lap, Lilith be sitting astride as my Shakti. She be weaving the multiverse Maya Matrix of a Harem around my serpentine lingam; ever sliding erectile into the alternate womb worlds of the Succubae, when to lucid dream, pump her hungering wormhole, of a Yoni."
AFTERWORD: Imagine entering a door into the Third-Dimension of a room, which equates with being born. Nobody in the room knows what is outside of the door, nor to know why they are in the room, apart from knowing that they will all leave through another door, when to become incorporeal. No one in the room knows what is outside of the other door either; but they do argue about it, of conflicting religious beliefs, which can end up as many a Liliputian war.
The two doors are seen to be separate, separated by a Fourth-Dimensional Time-line of an existence. However, the line is actually a circle, otherwise termed as being a closed-timelike curve in the Fifth-Dimension. The circle can be symbolised as an encircled snake, eating its own tail, called an Ouroboros.
The Alpha head and Omega tail of the Ouroboros are the two doors of (Sun) birth and (Moon) death. Wherefore, when to eventually leave through the Omega door, you again enter through the Alpha door into the room; yet crucified into forgetting, you have already been in the room.
Should you remember, you will then realise that the room is only one of many Maya simulations in the Sixth-Dimension, whose two doors are one and the same Eternal Return door of a… Yoni unto a Wormhole.
LILITH'S HAREM: BOOK ONE, OF THE SUCCUBUS
Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Dystopian, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags alternate worlds, chaos magic, chaos magick, dream sexuality, fantasy, faustus crow, goetia, goetia girls, lilith, Lilith's Harem, lucid dreaming, mephistophina, multiverse, occult, out of body experience, parallel universes, pop occulture, science fiction, shamanism, sorcerer artist, sorcery, spirit evocation, succubae, succubus, succubus evocation, surrealism, time travel, witchcraft on December 20, 2014 by FAUSTUS CROW
A gnarled old horned Goat of a rebellious Sorcerer Artist called Faustus Crow has conjured up a most wanton Succubus named Mephistophina amidst his triangle of art lucid dreams, with whom he has entered into a Coitus Pactum.
Mephistophina informs Crow, as his Artists Muse, on how to enter into alternate realities via his occult paintings, which become as trance doorways into other dream worlds.
Crow's dreams start to become more real than his present reality, who soon finds himself entering into a hellish alternate reality of a Steampunk Londonium, which is dominated by the oppressive regime of the Inquisition, against whom the meta-psychics of the Sorcerers Masquerade rebel.
It is amidst the labyrinthine guts of an alternate Londinium, Crow meets up with the Queen of Succubae called Lilith, whose salacious feminine wiles invariably seduces Crow to become involved in an ongoing war spanning the myriad alternate worlds of the multiverse.
First book of a Surrealist Occult Science Fiction Fantasy series. Adult themes. Click The Above Images To Take You To The Book.
Please Note: Lilith's Harem is not intended to be a How To Do It Work-Book. Lilith's Harem is in a similar vein to Hermann Hesse's Faustian novel, entitled: Steppenwolf. In general, Hesse's Steppenwolf is a symbolist autobiography, which is interwoven with an archetypal weave of surrealistic dream imagery.
HELLRAISER SUCCUBUS CUBE
Posted in Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags 42, alternate worlds, axis mundi, Brownian Operator, chaos magic, computer code, computer simulation, consciousness, crystal, crystalline Earth, cube, cybernetics, Deep Thought, devil, dodecahedron, Douglas Adams, dr who, dream sexuality, dreaming, Earth, electromagnetic field, Frank Tipler, goetia, goetia girls, Hela, Hell, Hellraiser, Hitchhikers Guide To The Galaxy, James Gates, john c lilly, Lemarchand box, lucid dreaming, matrix, maya, multiverse, nanotechnology, occult, odin, Omega Point, parallel unierses, Plato, pony girl, ponygirl, pop occulture, precession, quantum computer, Rubik's cube, Sampo, shaman, shamanism, simulation hypothesis, simulation theory, singularity, sleipnir, sorcery, succubus, tardis, tarot, tesseract, time, time machine, time travel, virtual reality, witchcraft, world ages, world pillar, world tree, Yggdrassil, yggdrassill on November 15, 2014 by FAUSTUS CROW
When Swedish researchers at Uppsala University published a theory that there is a cube at the centre of the Earth, nobody took them at all seriously.
But then their theory evoked visions of a Rubik's cube Lemarchand's box out of Hellraiser, or that of Dr Who's TARDIS in lock-down.
Hell, they could of just as well been waxing lyrical, to hypothesise about the undefined shape of the Sampo out of Finnish mythology, as far as the sceptics were concerned.
According to Giorgio de Santillana, professor of the history of science at MIT, and student of mythology, the Sampo and the shamanic world pillar of an axis-mundi, to which is tethered the eight-legged-mare of the shaman, are referring to the precession of the equinox.
In Hamlet's Mill, co-authored with Hertha von Dechend, the authors find that the Sampo or precession process was believed to grind out different world ages, from the dark age to golden age and back again over the long precession cycle of time, like some kind of Brownian Operator drum beat time machine.
Hence you have the precession numbers of 9, 72, 144, etc, recurring in various myths around the crystalline globe of the Earth, of which Plato to have related is dodecahedron of form.
It just so happens some present cosmologists see the universe as being likewise of dodecahedron form; perhaps it has a Lemarchand's cube at its Hellraiser centre, which is generating an electromagnetic field of a toroidal sphere?
Sounds absolutely crazy doesn't it, just like having a cube at the centre of the Earth. However, your thoughts could be made of the distributed kind of electromagnetic field, permeating space, which of an analogy carries a broadcast signal to a TV, you can equate with your brain.
Professor Johnjoe McFadden from the School of Biomedical and Life Sciences at the University of Surrey in the UK believes our conscious mind could be an electromagnetic field. McFadden to have related: "The theory solves many previously intractable problems of consciousness and could have profound implications for our concepts of mind, free will, spirituality, the design of artificial intelligence, and even life and death."
If your consciousness is indeed an electromagnetic field, once you have figured out the Lemarchand puzzle box it might just allow ingress into alternate realities existing within parallel universes next door, or that of affecting how others perceive reality. So, If there is anything to these 'out of the box theories,' you can be damn sure that the likes of DARPA are looking into such possibilities big time, in order to construct a time machine.
If you allow your imagination to let rip even further you could imagine the Sampo to look like a hypercube of a tesseract TARDIS, whose eight cubical cells could be symbolically equated with an eight-legged-mare to call Sleipnir, which was trance ridden by the Norse shamanic deity named Odin, as his pony-girl Succubus, of mythic science fiction symbol crunching.
Suffice to say the Odin research of Uppsala University, was seen by many to be just imaginative science fiction conjecture; yet it had been previously published in Nature and Science. This had come after the initial publishing of their findings back in 23 Skidoo 2003 in which they wrote strong theoretical proof that the Earth's core assumes the "body" (as they called it), whose structure, despite its high degree of symmetry assumes a surprisingly high level of elastic anisotropy.
Even though the researchers work had been published in the esteemed scientific journals of Nature and Science they still had an underworld struggle. Many among the scientific community decried them as being insane Cenobites stepping out of another Arkham asylum Lament configuration of an alternate world, whose hellish intent is to shred away long held beliefs that the inner core of the earth is a sphere.
These sceptics rallied forth to rage of a crucifying cry, "the core is an untouchable sphere, consisting of a solid mass with a radius of about 1,200 km, which is mainly made up of iron."
However, there are seismic observations, which have revealed a number of very strange things about the Earth's core. For example, elastic waves pass more rapidly through the Sampo core in a direction, which are parallel to the Earth's world-column axis of rotation than in those directions parallel to the equator. This phenomenon has not been previously explained. At the hellishly high temperatures, which are at the centre of our planet, they should be passing at the same speed regardless of their direction. So this brings us back to the Odin scientists from Uppsala University who have presented a Sleipnir cube explanation for this Lemarchand's puzzle box fact.
The researchers had to of course prove what they were claiming. It appears that they managed to present such evidence, which supports their way of viewing Earth's internal core as a centred cubic crystal structure at high temperatures. This idea contradicts many other long held theories. But it has both experimental and theoretical support. To support it, the researchers presented simulations of how seismic waves are reproduced in iron under similar conditions to those, which are recorded deep under the Earth's crust. The result was a difference of about twelve percent depending on their direction, which could be a good enough indication that their theory is more than just a Hellraiser tale.
"We found that the body-centred cubic structure of iron is the only structure that could correspond to the experimental observations," says Börje Johansson, professor of condensed-matter theory at Odin's Uppsala University of the sacred cube.
Their Sampo cube findings may be of significance for our understanding of the cooling down of the earth, and of the stability of the Earth's magnetic field. The thermic balance of which is dependent upon the amount of heat stored in Earth's 'Hela' core. This heat is dependent on the crystal structure of the iron in the inner core. The structure would then assume the form of a Sleipnir cube with atoms in each corner of its legs and a further atom in the Lemarchand middle of this cube. It's orientation is such that allows its great diagonal to be directed along the Earth's axis of Sampo rotation, whereby making it possible for the iron to generate sound propagations, like the galloping of night-mares with their racing velocities observed.
"This study opens new perspectives for our understanding of the Earth's past, present, and future," says Natalia Skorodumova, a researcher at the Department of Physics and Materials Science. Perhaps the Lemarchand's cube at the Earth's Hellraiser core could be of similarity to a hypercube?
As an associative aside of Hellraiser sorts, Lemarchand hypercubes could be used for the building blocks of future nanocomputers, whose devices of two, three, four, and five dimensions are made of such tiny elements that they are dominated not by forces, that we're familiar with every day, but by TARDIS quantum properties. As Samuel Lee and Loyd Hook from the University of Oklahoma explained, "microelectronic devices are continually getting smaller and faster, in accordance with Moore's Law. Already, integrated circuits and transistors are reaching the nanometer scale, although they still operate based on the physical properties on the macro-scale." True nanoelectronics, the researchers to explain, are not just scaled down microelectronics, but devices, which will be dominated by quantum properties, and will therefore require new architectures and novel structures.
Lee continued, "Compared to today's microcomputers, the main advantages of future nanocomputers are higher circuit density, lower power consumption, faster computation speed and more parallel and distributed computing capabilities." For example, today's integrated circuits process information in the form of a continual flow of electrons. Nano integrated circuits, however, may process individual electrons, reducing the scale and power consumption. Such circuits would require that nano logic devices are able to count single electrons, as well as the ability for parallel computing, reversibility, locality, and a three-dimensional architecture, and each would be like a quantum computing TARDIS.
What the nantechnology indicates is that a quantum computer doesn't need to be a single large device, it could otherwise be built from a network of small parts. This has been demonstrated by the researchers from the University of Bristol. As a result, building such a computer would be easier to achieve.
Many groups of research scientists around the world are trying to build a quantum computer to run algorithms, which takes advantage of the strange effects of quantum mechanics such as entanglement and superposition. A quantum computer could solve problems in chemistry by simulating many body quantum systems, or break modern cryptographic schemes by quickly factorising large numbers, which is of course a lead up to creating a sentient artificial intelligence.
Previous research shows that if a quantum algorithm is to offer an exponential speed-up over classical computing, there must be a large entangled state at some point in the computation and it was widely believed that this translates into requiring a single large device like some monotheistic deity.
In a paper published in the Proceedings of the Royal Society A, Dr Steve Brierley of Bristol's School of Mathematics and colleagues indicate, that this is in fact not the case. A network of small quantum computers can implement any quantum algorithm with a small overhead, such can be likened to that of separate autonomous entities, which are all interlinked by what can be symbolically equated to a vast web emanating from a tree with many branches and roots, of a mainframe.
The key breakthrough was learning how to efficiently move quantum data between the many sites without causing a collision or destroying the delicate superposition needed in the computation. Should the universe be working along the same lines, since science merely rediscovers what nature is already doing, you could otherwise see these sites as being that of planets, galaxies or that of other universes, which are part of a vast communication network. This allows the different sites or worlds to communicate with each other during the computation in much the same way a parallel classical computer would do.
The Bristol chaos magicians relate of scientific terminology: "We have shown how the addition of a few long-range (or flying) qubits dramatically increases the power of a distributed quantum computer. Using only O(logN) connections per node enables efficient sorting over the hypercube. A distributed quantum computer with nodes connected according to the hypercube graph would be able to emulate arbitrary quantum circuits with only O(log2 N) overhead. One might expect that a quantum computer requires O(N) connections per node so that each qubit can potentially interact with any other qubit. Our result demonstrates that this is not the case: for a small overhead O(logN) connections suffice."
All of this brings us to Dr. S. James Gates, Jr., a theoretical physicist, the John S. Toll Professor of Physics at the University of Maryland, and the Director of The Centre for String and Particle Theory, who discovered that certain string theory, super-symmetrical equations, which describe the fundamental nature of the universe and reality, contain embedded computer codes.
These codes are digital data in the form of (white/birth/Alpha) 1′s and (black/death/Omega) 0′s. Not only that, these codes are the same as what make dapple 'Grey' Sleipnir Wyrd-web browsers work and are error-correction codes! Gates says, "We have no idea what these 'things' are doing there."
According to The Heyoka sage Douglas Adams, millions of years ago there was a race of hyperintelligent pandimensional beings who wanted to know about the meaning of life. To settle the issue they built a "stupendous super computer which was so amazingly intelligent that even before the data banks had been connected up it had started from 'I think therefore I am' and got as far as the existence of rice pudding and income tax before anyone managed to turn it off…" Well, not before it revealed the meaning of life as being the number 42.
It just so happens that Molybdenum, which is a chemical element with the symbol Mo has the atomic number 42. Scientists have found that molybdenum when used in the latest nano-computing technology can exponentially increase… 'computing speed.' Perhaps, Adams had intuitively tuned into a signal from the past or future, or both of a recurring Ouroboros?
The mathematical physicist and cosmologist Frank Tipler who is known for the cylinder time machine, has put forth a theory that in the far distant future there will be an Omega point of a technological convergence encompassing the entire universe; whereby transforming it into a computer. In general, Tipler postulates that a future computer technology will become so advanced that a future civilisation will be able to create simulated universes within which their ancestors will be raised from out of the realm of 'Hela' back into existence.
The thing is, it may have already happened; if so, you are presently existing within an eternally recurring simulated universe without realising it, apart from finding a Lemarchand cube at the centre of the Earth, along with embedded computer codes in string theory. Such a simulated universe and that of others would also be utilised for time travelling.
Perhaps Odin, who be a Hitchkiher shaman Guide of the multiverse world tree called Yggdrassill, had figured out how to hypnagogic trance access the underlying programming of a simulated universe via his informational dreams to Sleipnir browse, when to ride his conjured pony-girl of a night-mare Succubus, as his time machine. However, whatever Odin accessed, he communicated symbolically of organic symbolism rather than that of the abstract mathematics of Dr John C. Lilly's trance usage of the Brownian Operator.
Shamans communicate symbolically because it is the language form of the electron dream, which can be seen as being a symbolic interface, like that of a virtual reality. The symbolic interface of the dream allows a lucid dreamer to consciously interact with the abstract informational domain of mathematics, when to interact with certain symbolic stimuli; such as conjuring up Succubae, who can be seen as being sentient programs.
It is somewhat akin to you clicking a symbolic (seal) icon on your 'deep thought' (cube) computer (dream) screen in order to browse (conjure) a (Succubus) program to find out what exactly is your 'atomic number' as a 'carbon' based life-form; but you won't like it.
Whereupon you have a horned shaman of a programmer seated upon a Lemarchand cube of an eight-legged-mare, which is depicted in the Tarot card XV, to castigate as a Hellraiser Devil. But only because he has mastery over the Matrix, the Hindu's to call Maya.
GANDALF THE GREY CONJURES GOETIA GIRL LEIRAIKHA TAURIEL
Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags 72 fusion centers, alb, altai, Altaic, altay, America, Big Brother, Dark Elf, devil, discordian, discordianism, dr who, dream sexuality, dreaming, druden, Dwarves, elf, Elven, Father Christmas, Gandalf, George Orwell, German, goeta girls, goetia, Hobbit, J.R.R Tolkein, Leiraikha, Lerajae, Light Elf, Loray, Lord Of The Rings, lucid dreaming, Līlītu, Múspell, Middle Earth, Mirkwood, Mordor, multiverse, new world order, Norman, norse, NWO, occult, odin, Odqan, Old Nick, Oray, Orc, Overwatch Systems, Ozarks, Ozarks fortress, Pan, pop occulture, R.R Tolkein, Saint Nick, Santa Claus, Saruman, Sauron, Saxon, Shadowfax, shaman, shamanism, Shemhamphorasch, siberia, sleipnir, sorcery, succubus, succubus evocation, Surtr, tardis, Tauriel, time machine, Turkic, Votan, witchcraft, woden, world tree, Wotan, Yggdrassil, yggdrassill on November 11, 2014 by FAUSTUS CROW
By this Crow feathered quill I do write down my conjuration of a Succubus. I had summoned this Succubus from out of her planetary sphere abode, in the ongoing war against Sauron, who seeks to initiate a totalitarian/fascist New-World-Order over the entirety of Middle-Earth, whose burning Orwellian eye of Mordor technology has sired the NSA Overwatch Systems, which observes all.
The author J. R. R Tolkien to have said, that he loathed allegory. But reality has a tendency to reflect art; while history does repeat its self, of many a repeating war. One of these wars to end all wars had forged Tolkein's ring out of Múspell's volcanic fields of Surtr conflict, from whence the slaughtered innocents were received by Hela.
Wherefore of a repeat, the warmongering Wraiths of a deified 'Animus,' made as a monotheist God and a Devil, who serve Sauron, have set about establishing their base of Mordor operations in the Ozarks, under which they have created a vast underground Orc city, along with a towered fortress. This fortress be Shemhamphorasch large, spanning 72,000 square-foot, larger than the Whitehouse, within which Saruman now resides as Sauron's shadowy puppet.
As to who be writing this telling, my humble name is Gandalf. But I am known by many another name of archetypal lineage, to be also named as Odqan by the Altaic shamans of Southern Siberia, Odin by the Norse, Woden by the Saxon's; Wotan and Votan I be named by the Germanic tribes, Mercurius by the Gauls, and Myrddin by the ancient British, the Norman's to otherwise name me as Merlin.
Whereupon the 72 Shemhamphorasch Fusion Centers across America are on the look out for my name of Gandalf to damn as their Devil. Suffice to say, I am banned from landing there. But as a horned shaman of myth, I cannot be silenced; for as an idea, it has an archetypal life of its own to become cinematic.
Alas for the European and those peoples of the Turkic steppe, unto some parts of Siberia, have quite forgotten their own ancestral-self-identities long ago.
Thereby entirely losing their shamanic legacy; whence I am now remembered as quaint Father Christmas, and Santa Claus of a one time Saint Nicholas, or that of being castigated as the Devil, to call Old Nick.
Although, of modern shaman guise I have assumed the science fiction mantle of Doctor Who, who be of many guises like myself, whose Project Pegasus time machine of a policing TARDIS, was once that of my eight-legged-mare called Sleipnir, when I rode her as Odin, travelling the multiverse world tree of Yggdrassill. Whereas, as Gandalf, Sleipnir is otherwise named, Shadowfax of a quaint gender change.
I decided to conjure the Fouteenth Necronomicon aspect of the Fallen 'Anima,' who is listed as a Succubus in the Goetia, whose name is Leiraikha, to thence battle against Sauron's Orwellian intent.
She is otherwise known as Leraie, Loray, Oray, alias Tauriel. She is a great Marchioness of the ninth planetary sphere Elven guard, who be a daughter of the elder Mirkwood forests of this world, which have not as yet been destroyed by the hand of Sauron's corporate greed.
She showed herself unto my third eye vision of Pan returned, in the bio-photon likeness of a Silvan Elf archer, clad in green, carrying a mind bow and a memory quiver. By her Alb seal I did conjure this Elfin Valkyrie, who of elder Druden lore, her kin of Sol light Elves and the Luna dark Elf Dwarves were originally all 'Anima' fluctuation female. These Elven Succubae do inspire those who still dream, to dream harder, to thence inner sight drink of Mimir's well, into remembering.
She engages herself in battles, who putrefies all such wounds as are made with her Elf shot, which to only heal when the enemy disavows themselves from their dark path. This belongeth unto Sagittary: "Quos optimos objicit tribus diebus;" meaning, "who best drives away mobs from the days." Whence, she drives away those malign enemies of her conjuring Artist, and she has regiment over thirty legions of Elfin Succubae, both light and dark.
Another source, who be that of a most beautiful Hebrew sorceress going by the name of, Evangelina Līlītu, who be a bearer of good news, in these dark days of George Orwell's prophecy, says of this Marchioness, of the Succubae Elven guard: "She's slightly reckless and totally ruthless and doesn't hesitate to kill the Orc intentions of Sauron, whom seeks to ravage Middle-Earth."
Līlītu also describes Leiraikha as being a nonconformist, explaining that, "as a result of her relative youth among Elves, she is brash and impulsive, tending to rebel against the hierarchal feudal order of the Elves." Līlītu further explains of visionary conjuration, "She's only 600 years old, she's just a baby. So she's a bit more impulsive, and she's a bit more immature. I think she's more easily romanticized by a lot of things." However, she also has a, "softer side", and she greatly loves her conjuring Artist, wherefore stirring erotic lucid dreams via which she, as his girl-guide, guides him into an alternate reality of a Middle-Earth, of whose realm, Tolkein to have vividly Triangle Of Art described.
Leiraikha is also described by Līlītu as having knee-length red ochre hair, whose Elven ears are larger than other Elves. In terms of clothing, unlike those female Elves, who are often depicted as noblewomen, wearing complex formal gowns, Leiraikha is a border guard and soldier, and therefore wears more pragmatic Elven military garb. She is proficient in a variety of weapons, but mainly wields a long bow of the mind, whose arrows are as thought; along with wielding two Wiccan Athames, having Moon and Sun inlaid handles, coloured black and white, becoming as the hypnagogic grey, of twilight trance testing, of your Panic.
Gandalf The Grey; Middle Earth Year: 3021
GOETIA GIRL CROCELL, SHE EMPOWERS THE AVATAR OF AQUAMAN
Posted in Art, Chaos Magic, Comics, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags Aboriginal Australian, angel, Aquaman, Aquawoman, art muse, Atlantis, Avatar, Bruce Lee, cell, chaos magick, comic superhero, comic superheroine, cosmos, crocell, DC comics, discordian, discordianism, dream sexuality, dreaming, elder races, goetia, goetia girls, humour, Jaques Benveniste, lucid dreaming, Mafia, Masaru Emoto, multiverse, Nymph, poison, pop occulture, procell, Queen Marella, satire, shamanism, sorcery, space, steam punkette, steampunk, succubus, Water, water fluoridation, water memory, witchcraft on November 4, 2014 by FAUSTUS CROW
While playing with his Yellow Submarine in his bath, the psychic Übermensch Aaron C. Donohoo conjured the Succubus archetype of the Fallen Anima, who is mantra named, Crocell amidst his triangle of art imagination. Donohoo envisioned a dark clad woman, who at first seemed to have Bat wings. "She is distinctly human of a divine form, looking a bit like Queen Marella out of the DC comics, who is a counterpart of their superhero Aquaman. Although, I must say, she looks more like a Steam-Punkette," he related of magical diary reportage.
Donohoo also noted, "As I imagined myself assuming the internal guise of Aquaman, as my Avatar, I did seer a darkly clad woman, who is a consummate contortionist of a superb female body, whom is wearing spray on latex, looking like a Steam-Punkette of artistry."
"She appears to be looking downward at a Victorian bath within an Atlantean sphere, as if she is within a cell. The amniotic entirety of liquid space surrounds Crocell, around whose arousing contortions, many galaxies and planets orbit."
"A noticeable sound of water is flowing upon these other planetary spheres, which are attracting the attentions of icy comets. She is pointing out that there is even stockpiles of frozen water captured within the bowels of asteroids."
"She also points out that the water contained within every cell of our bodies is the lifeblood of the universe and that of other universes; whereby it is the communication network of the multiverse, which is considered to be very sacred by those elder races, whom commune via the watery realm of dreams, such as the ancient Atlantean's of lore."
Johann Weird, the considered official historian and authority of the Goetian Succubae, wrote in 1583: "Procell (Crocell) is a great and a strong Duchess, appearing in the shape of an Angellic Nymph of Atlantis, but wantonly speaketh verie darklie of things hidden. The waters, she to say binds thee with other creatures and other worlds (sic)."
Weird also noted that Crocell has special talents involving water: "She maketh great noises, and causeth the waters to rore, where are none, she warmeth the waters within the steeming bodie of a damned sorcerer with her hot harrlot presence, she be most salaciouss of sexuall intents. Bewarre of her, yea Godly children of Abraham's laws, drink nott of the waters she has touched with her sinfull fornications; remember the fall of Atlantis (sic)."
Another source goes into more detail: "Crocell appears in the form of an Atlantean dark angel with flowing silver hair and yellow cat's eyes. Her Aqua-woman voice is great and all-pervading and she ever speaks of things mystical and hidden. . . she has the power to influence the body by making its watery cells to heat or to cool of a healing capability via her intense lucid dream lovemaking. She can enable her master to assume the internal guise of DC comic superhero Aquaman in order to find water even in the desert, of similarity to the Aboriginal Australian's shaman ability to intuitively divine underground water in the dry outback."
Crocell related via an Ouija board communication that she inspired the erotic dreams of the Japanese author and entrepreneur, Masaru Emoto to seer that 'human consciousness' has an effect upon the molecular structure of water.
Emoto's dream inspired insights evolved over the years, guided by Crocell's microcosmic influence, and his early work explored the theory that water could indeed react to positive thoughts and words, and that polluted water could be cleaned through prayer and positive visualization of a perceived perfection.
However many of the subservient scientists who work for the fluoridation mafia, rubbish Emoto's work as being mere pseudoscience. They certainly do not desire Emoto's research taking root amidst public consciousness, since they have mass medicated the water supply with a known neurotoxin and a mutagenic agent. The unnatural chemicals used to fluoridate drinking water are derived from the manufacture of phosphate fertilizer.
Captured in the industry's wet scrubbing systems, these noxious chemicals contain a number of contaminants (e.g. arsenic, lead) not found in pharmaceutical grade fluoride. Of greater interest is the fact that 2 recent peer-reviewed studies (Neurotoxicology, December 2000; International Journal of Environmental Studies, September 1999), have found an association between consumption of water containing hydrofluosilicic acid or sodium silicofluoride (the most commonly used fluoridation chemicals) and higher blood lead levels in children.
Back in May 2007, approximately 67% of public water supplies in the United States are fluoridated. Of these water supplies, approximately 91% use hydrofluosilicic acid or sodium silicofluoride (together known as silicofluorides), while 9% use sodium fluoride. As with the silicofluorides, sodium fluoride is derived from the phosphate fertilizer industry.
Suffice to say, fluoridation is big business. But the attempts of the fluoride mafia to make Emoto look like a fool, did not stop his arcane penetrations into Crocell's watery element of the feminine principle.
Since 1999, rebellious Crocell inspired rebel Emoto to assume the guise of Aquaman via his dreams, which led him to publish several volumes of a work entitled: 'Messages from Water,' which contain photographs of ice crystals and their accompanying experiments. Emoto's experiments also appeared in the movie, 'What the Bleep Do We Know!?.'
Crocell also Ouija board told of, water memory, which is the ability of water to retain a memory of substances previously dissolved even after an arbitrary number of serial dilutions. She claimed it is the mechanism by which homeopathic remedies work, even though they are diluted to the point that no single molecule of the original substance remains, apart from its 'quintessence.'
However, like Emoto's investigation into the molecular structure of water, to freeze; water memory is said to defy present conventional scientific understanding of physical chemistry knowledge, which when needed by the fluoridation mafia, its elitist gangsters quaintly separate the physical from the nigh spiritual domain of quantum physics.
Crocell further related via the Ouija board that she had also dream inspired Jacques Benveniste to assume the internal guise of Aquaman, who was a French immunologist, who sought to demonstrate the plausibility of homeopathic remedies, 'independently of homeopathic interests,' within a major scientific journal.
To that end, Aquaman Benveniste and his team at Institut National de la Santé et de la Recherche Médicale (INSERM, French for National Institute of Health and Medical Research) diluted a solution of human antibodies in water to such a degree that there was virtually no possibility that a single molecule of the antibody remained in the water solution. Nonetheless, they reported, human Basophils responded to the solutions, just as though they had encountered the original antibody (part of the allergic reaction).
The effect was reported only when the solution was shaken vigorously during dilution. Benveniste stated: "It's like agitating a car key in the river, going miles downstream, extracting a few drops of water, and then starting one's car with the water." At the time, Benveniste offered no theoretical explanation for the effect, which was later called, 'water memory,' by a journalist reporting on the study into its Rusalka fluidity, which the Russian scientists are of course also penetrating, I mean, investigating.
In 1988, Benveniste published a study supporting a water memory effect amid controversy in Nature, accompanied by an editorial by Nature's editor John Maddox urging readers to, "suspend judgement," until the results could be replicated. In the years following publication, the fluoridation mafia set about discrediting Benveniste's research. Multiple heavily supervised experiments were run by Benveniste's team, the United States Department of Defense, BBC's Horizon program, and other researchers, but no team has ever reproduced Benveniste's results in controlled conditions to nigh bind.
When Donohoo asked Crocell why Benveniste's research was not able to be replicated? She answered via the pendulum hovering over the Ouija board; "look to Emoto. Watery emotion contained by belief, is the Bruce Lee key."
Crocell is the Forty-ninth Goetian Spirit of the seventh dimensional planetary sphere who commands Forty-eight legions of Succubae. Cro-Cell's seal is to be mediated upon, while conjuring her fluid contortions, as you Aquaman bathe in your font of holy water; that's if the fluoride mafia hasn't poisoned it with their monstrous medication. If so, you will have to pray a lot, just like Donohoo does when to play with his aroused Yellow Submarine.
The Psychic Übermensch Aaron C. Donohue by Erin C. Donohue (2012)
NOTE: Donohue changed the spell of his surname to Donohoo; confusing isn't it. But then, words do evoke symbolic associations of memory, which duly affects your bodily waters.
GOETIA GIRL FURFUR, SHAMAN SPIRIT REINDEER OF SIBERIA
Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags aleister crowley, Aleister Crowley's Illustrated Goetia, Berserker, Buddhism, chaos magick, Christmas tree Yggdrassill, dream sexuality, dream Yoga, Furfur, goetia, goetia girls, Hart, healing, India, inner fire, love magic, lucid dreaming, meditation, multiverse, normandy, norse, Norseman, North Central Asia, odin, Old Nick, oto, pop occulture, Reindeer, Rudolph the red nosed Reindeer, russia, Sahasrara, Santa Claus, Saxon, sex magic, shaman, shamanism, siberia, Siberian shaman, sorcery, spirit wife, St Nicholas, succubus evocation, Tantra, Tao, tibet, Tummo, valkyrie, witchcraft, woden, world tree, Yang, Yggdrassil, Yin, yoga on October 28, 2014 by FAUSTUS CROW
Many a child has been hypnotised by the Christmas story of Rudolph the 'red' nosed Reindeer, which of a tale the Thirty-fourth Succubus archetype of the Fallen Anima, called Furfur, refers to, who initially manifests amidst the Triangle of Art imagination as a Reindeer with a fiery 'red' tail. When a bright eyed child grows up, becoming as a square headed adult, Rudolph, becomes as a mere fable. Now but a fanciful childhood recollection of opening up branded presents around a brand of a Christmas tree. But at a far deeper level of the collective unconscious the Christmas tree alludes to the multiverse world tree of the horned shaman.
The multiverse world tree in old Norse was called Yggdrassill, upon which the Norse shaman deity named, Odin hung himself into trance, so that he could travel the tree of worlds from within his lucid dreams. The Saxon's knew Odin as Woden, who the Christian's later equated with St Nicholas, or to have otherwise castigated as being their Old Nick of a fiery 'red' horned Devil, having horns. Both Santa Claus and the Devil allude to the Reindeer horned shaman. The horns of the shaman represents his/her ability to access trance, which requires achieving hemi-synch of the two (horns) hemispheres of the brain. In other words, the horns of the shaman are not associated with evil in any way, shape or form, whatsoever, they represent the shamans vocation of having mastery over (hemi-synch) trance.
St Nicholas, Old Nick or Santa Claus, was originally Odin/Woden, who indicates an ancient shamanic legacy from out of North Central Asia unto Siberia. A Siberian shaman would recognise Furfur as being a shamanic power animal. However, the monotheists have made the symbolism negative; wherefore, in order to rebel, it will require reversing the 'Animus' fixation of the patriarchal Goetia towards that of the 'Anima,' to make Furfur female. You then have Furfur manifesting as a powerful Great Countess of the fifth planetary dimensional sphere of volcanic Mars, who rules over twenty-nine legions of (Succubi) Succubae.
She initially manifests as a Reindeer with the breasts and arms of a woman, having Bat-like Nightgaunt wings, which allows her to carry her conjuring shaman throughout the myriad parallel universes of the multiverse world tree; for she initiates an out of body experience.
Her tail, as mentioned, is often described as being on fire of arcing electric sparks, who speaks with a seductive voice.
She then assumes the form of a most beautiful Reindeer horned woman, who will willingly make love to the conjuring shaman as his spirit wife within erotic lucid dreams. She is highly versed in Tantric love magic, stirring shamanic visions of Siberia.
She can also raise lightning, thunder and great tempestuous electrical storms against the shamans enemies, whether they be temporal or spiritual. Most of these enemies tend to be monotheistic cultists who have deified the 'Animus' as their God/Devil of a patriarchal gender focus upon the male, which has a most obvious underlying sexual orientation. When commanded, she answers, both of remote-viewed secret and also of divine matters.
She will initiate surrealistic visions until she is compelled into the Triangle of Art vision of her conjuring shaman; though such visions will be inspiring of shamanic artistry. Her name of Furfur, of mundane meaning, and that of an occult blind, means dandruff, indicating an experience of itching all over the body, like a prickly heat. However, the name Furfur refers to her bestowing the ability of generating an internal heat, which is termed Tummo in Yoga.
You can thereby gauge that such practice is integral to the shamanic practices of the far North, which enables a horned shaman to survive the freezing conditions, under the pole star crowning the neural-net world tree, of his axis-mundi spinal column. The practice of which, as previously noted, initially initiates a sensation of a dandruff itch all over the body. This initial phase is to do with the shedding of those fearful beliefs, which blocks the process; leading thence to a sensation of growing 'fur,' as if there is a 'fiery' energy pouring out of every pore of the skin, before the shaman senses that his/her body has become as pure light.
A 1982 study of the physiological effects of Tummo had been conducted by Herbert Benson who is an associate professor of medicine at the Harvard Medical School and president of the Mind/Body Medical Institute at Beth Israel Deaconess Medical Centre in Boston. He firmly believes that studying advanced forms of meditation, "can uncover capacities that will help us to better treat stress-related illnesses." He extensively studied Indo-Tibetan Yogis in the Himalayas and in India during the 1980's.
Benson's research was conducted in Upper Dharamsala in India. Benson found that the subjects under investigation, being three monks, exhibited the capacity to increase the temperature of their fingers and toes by as much as 8.3 °C.
In a 2002 experiment reported by the Harvard Gazette, which was conducted in Norseman Normandy, France, two monks from the Buddhist tradition wore sensors, which recorded changes in heat production and metabolism. Another 2013 study by Kozhevnikov and colleagues showed increases in core body temperature in both expert meditators from Eastern Tibet and Western non-meditators.
The fiery tail of Furfur symbolically refers to the activation of the Kundalini Shakti to arise from the base (perineum) Chakra along the spinal column of the practitioner, whose shamanic trance practice of Tummo, can be utilised for healing purposes as well, which involves the shaman directing his internal (fire) heat towards an afflicted area of a patient.
This inner heat is also experienced during intense lovemaking where you will sense yourself entirely melding with your partner of Tantric union. The technique was also utilised by the (Norseman) Berserker warriors, which enabled them to attain great (martial) strength via ecstatic (howling/raging) shaman rites, when they had conjured up their Valkyrie spirit wives within their visions. Furfur will inform the conjuring shaman about such shamanic secrets, when to conjure her within his Siberian lucid dreams.
However, If you be otherwise inclined of a traditionalist sexual orientation, to be enamoured with Crowley's Biblical Goetia, you can evoke Furfur as an OTO Rudolph the red nosed Hart, who bisexual Crowley viral-meme illustrated as being a phallic fellow; I'm sure he would be most pleased indeed to arouse your indoctrinated perineum to set your anus alight of a continued patriarchal brainwash.
But should you be rebellious, conjure a Succubus tonight, to keep the Abrahamic exorcist at bay, whose monotheistic egregore seeks to possess your anus with a limiting belief system of mind-control; wherefore negating your shamanic legacy, by making you fear a Reindeer Horned shaman as a Devil!
NOTE: The symbolic paradigms of the animists, such as the Hindus for example, or that of your Pagan forebears had a gender focus 'balance' between the male/Animus and the female/Anima. Whereas, the 'three' monotheist paradigms out of the Middle East, which to have stemmed from out of Abraham's ziggurat of UR in Iraq, have an overriding gender focus upon the deified Animus/male to make as their God/Devil.
(Note: the inner archetype of the 'Animus' resides within the female psyche, which determines what type of males a heterosexual female is attracted to.)
(Whereas the inner archetype of the 'Anima,' which resides within the male psyche, determines what type of females a heterosexual male is attracted to.)
The three monotheist paradigms share the same Monotheistic (Animus) agenda of theocratic politics, which is due to Christianity and Islam copying Judaism hook-line and sinker.
When copycats copy, they invariably resent the original to the point of wanting to eradicate what has been copied. Such as the right-wing Christian Nazis initiating the holocaust, who copied the super-race mystique from Judaism. The copied original will then seek to survive the murderous intent of the copiers by subversively getting them to fight each other, whereby taking control over the middle East and in turn the oil dependent world.
Well, what do you expect; you would do the same if you were being copied by two nutters who also want to murder you, your family, relatives, friends, to erase from existence. The problem though, you will become like the supremacy complex copiers, to go quite insane as well, which is due to your own supremacy complex, the copiers had copied.
If you are looking to blame someone for this ongoing cult war insanity, look to Flavius Valerius Aurelius Constantinus Augustus who first set the Monotheistic ball rolling across the Roman empire, whose Christianity was then followed by Islam, and all because Rome wanted dominion over the Middle East. Without the wealth of the Middle East, Rome's empire would have never existed. Hence the reason why the Hebrew's had Rome by the balls, to then be later followed by the Arabs who wanted a slice of the cake.
Your Animist pagan forebears fought against the BORG tactics of the so called Holy Empire of Rome, who did not want to assume the ancestral-self-identity of another people; for in doing so, they would lose their own ancestral-self-identity. Alas, the propaganda machine of Rome was highly efficient, which had legions of priests doing shady Shekel deals with the greedy power hungry aristocracy of Europe, who then promptly 'upended' the 'arse' of the mass populace to shaft.
The Holy Inquisition then initiated a terror campaign across Europe unto the Americas, which lasted for 500yrs of a prior Nazi wet dream. The reason why Rome burn't Witches of a European genocide was due to the ancestral-self-identity of the European's being traditionally passed down the female line, which was especially the case in Northern Europe.
Not much if at all survived of the ancestral-self-identity of the European's apart from what was recorded by biased Christian monks. So any data, which concerns the ancestral-self-identity of your pagan forebears has been heavily doctored by Christian converts. This has been further exacerbated by others of a Christian mind-set who perpetuate the brainwash, whether knowingly or unknowingly.
The habitual line of attack is by making out that your pagan forebears were into wholesale homosexuality, which is a very big problem for an Abrahamic mind-set. Those who are afflicted by this mind-set are obsessed with homosexuals, to the point of seeing homosexuality wherever they look, which soon becomes self evident that they are in closeted self denial.
Your pagan forebears had no problem with homosexuals, lesbians or bisexuals, it was not a big deal at all, nor did did they harp on about it. Their symbolic focus had a balance between the Animus/male and Anima/female; whereupon you have numerous myths about Gods and Goddesses hanging out together.
When you have an overriding gender focus upon the deified Animus/male to make as a Monotheist God/Devil, it is patently obvious as to what its underlying sexual orientation is.
Wherefore, the symbolic 'weak spot' of an Animus/male fixated paradigm is that of its 'total negation' of the Anima/female, which has fallen out of the symbolic equation. So, when you rebel against the symbolic brainwash, which has been going on for nigh 2000yrs, you reverse the symbolism towards that of the fallen Anima/female and her archetypes.
Although, when you reverse the symbolism, the Entartete Kunst thought-police will scream, "its all pornography!" The same thing can be said of an all male focus upon the deified Animus.
The symbolic paradigm of the deified Animus/male is a ready made erotic focus for a heterosexual female and likewise for a homosexual and a bisexual. But where is the Anima/female?
The creative principle of the universe cannot be personified as being human, nor having a particular gender, let alone being owned by a 'cultural-construct' of a Lilliputian religion. A gender focus is far more to do with biology, which of nature has the Animus/male and the Anima/female doing the tango.
A heterosexual Nun will swoon over her Beta-Male-Good-Guy Jesus to thence crucify with a bastard babe, while a female Satanist to dance around her Alpha-Male-Bad-Boy Devil, hoping to be impregnated by him, as her Holy Ghost Incubus. Both the Nun and the female Satanist are one and the same woman, who has a focus upon her All-Father of a deified 'Animus,' made as her God!
Another example is Don Diego Vega who Don Juan romances Lolita Pulido. Lolita is unimpressed with Diego who she sees as a passionless Beta-Male Good-Guy fop, whose smile is as bright as a fluoride Soy-Boy Jesus, she can easily crucify. Whereas she is hugely attracted to the dashing Alpha-Male Bad-Boy Devil called Zorro.
When 'Lolita' discovers that Diego and Zorro are one and the same male, who represents her desired 'Animus' in the flesh, smelling like her All-'Father,' she then realises what Christmas is all about.
But, deep down, she won't like it, because Miss Feminist Lolita will have to come to terms with the gender focus fact that the patriarchy of the deified 'Animus' is the monotheistic creation of women. She will of course not admit it, even though it is blatantly obvious!
Those of differing sexual orientations will naturally have a preference for the Animus/male or Anima/female, whose archetypes symbolically represent their desires, and facets of their own lives.
Should you be looking for the real Illuminati, they are staring you in the face, it is a secret hidden in plain sight for all to see; especially by those cultures who have 'not lost' their own ancestral-self-identity, such as the Hindus, among others, of an animist perspective.
The real Illuminati are the 'three' monotheist cults of the deified 'Animus' out of the petrodollar ziggurat of UR, amidst whose oily 'triangulated trinity' of New-World-Order cultural-constructs is their Orwellian NSA 'eye of Abraham.' Savvy!


Since this will need to be repaired, it occurred to me that we could take the opportunity to implement the footway widening/roadway narrowing work that I've proposed in a previous post. This work could even be done on a temporary basis and it would allow us to study whether a permanent solution would work or not.
What I noticed on Sunday and again when I stood there this morning, is that a widened footway in this location gives pedestrians much better sight lines both south east towards vehicles approaching from Tanners Street and, especially, west down the length of Dark Hill/West Street.
Since it may be that the depression has been created by the gradual collapse of the historic bridge, then taking this area away from the heavy, breaking loading of vehicles may simply be a good idea in itself.
It would be a shame for public money to be spent on a repair that could likely be reduced in cost through an alternative approach.
Previous PostA roundabout for the A2/A251 junction. Really?
Chris – both culvert pipes appear to be clear. At least they are now that we have removed a large polystyrene box from the western one of them. The concrete culvert pipes run within the historic arches of the bridge. It may be that the historic arches are degrading but, from what we could see, they are not apparently damaging the concrete pipes. But we didn't undertake a thorough inspection – only what we could reach with basic tools.


It was not until after these tanks were filled with industrial sewage that the client realised they were leaking.
After much consulting, discussion and testing it was decided that BMC (the waterproofing division of Isam Kabbani) using Radcon Formula #7® was the best product to solve this complex problem. Radcon will not only seal the existing cracks but be resistant to the corrosive nature of the contents and remain in the concrete, protecting the reinforcement for the life of the concrete and in fact increasing their life considerably.
Most other products are applied to the surface of the concrete and will delaminate and have to be re-applied within 10 years of application.
Following application and refilling, all of the tanks were all tested and it was found there was no leakage.
Radcon #7® will never have to be re-applied and should any hairline crack appear, Radcon #7® will regenerate and fill these cracks.


Not that you need a reason to celebrate craft beer, but Arizona Beer Week provides more than 200 opportunities to raise a glass.
Every consumable has its day. There's National Hamburger Day and National Donut Day and National Pizza Day.
But beer? It has earned its own week in the 48th state.
Arizona Beer Week (which is actually 10 days) raises glasses from Tucson to Flagstaff to celebrate locally crafted brews. The Feb. 7-16 toast to the goodness of hops, barley and water includes more than 200 events at brewpubs and taprooms across the state.
Here are some of the notable events around the Phoenix area that salute a beverage that grows more complex and imaginative with every batch.
What: If Beer Week was a music festival, this would be the headliner. With roughly 150 breweries spread across 11 zones, you'll want to print out the online map before you go.
Highlights: At least 10 breweries will be tapping very special small-batch brews, from a bourbon-barrel stout to a few in-your-face IPAs.
Key takeaway: The "Strong" in the name refers not to the taste but to the alcohol by volume. Should you use every one of your 40 tasting tickets (resulting in 80 ounces of beer consumed), even thinking about driving could violate state law. Bring a designated driver or plan to walk or ride-share.
Details: 1-5 p.m. Saturday, Feb. 9. Steele Indian School Park, 300 E. Indian School Road, Phoenix. $20 (designated driver), $60 (general admission). $80-$100 (VIP, allowing early admission). arizonabeerweek.com/arizona-strong-beer-festival.
What: There may not be a presentation of colors or the singing of our national anthem, but this event marks the official start of a brew-tastic seven — wait, 10 — days.
Key takeaway: Meet Doug Odell, owner of Odell Brewing out of Fort Collins, Colorado. Feel free to ask him anything, but resist the urge to suggest an imperial stout named after you. That's the beer talking.
Details: 5-9 p.m. Thursday, Feb. 7. The Hungry Monk, 1760 W. Chandler Blvd., Chandler. arizonabeerweek.com/events/sierra-nevada-and-odell-beer-week-kickoff, www.hungrymonkaz.com.
What: Welcome to an event where having a beer (or two) before noon not only is acceptable but highly encouraged.
Highlights: Need more than beer and brunch? The beats are provided by DJs Just Chris and This Just In. They'll lay down the grooves even if beer and brunch are enough for you.
Key takeaway: If you are determined to combine breakfast and lunch into one meal, the specialty beers served by Flagstaff's Mother Road Brewing Company definitely make for a smoother experience.
Details: 10 a.m.-3 p.m. Sunday, Feb. 10. Jobot, 333 E. Roosevelt St., Phoenix. arizonabeerweek.com/events/beats-and-brunch-and-beer-with-mother-road-brewery.
What: Grab your bicycle, your helmet and your resolve for this pub crawl through central Scottsdale.
Highlights: Participants start at TT Roadhouse and head to McFate Brew Co., Rogue Bar and Well Bar before returning to TT Roadhouse.
Key takeaway: Be very careful while drinking and cycling. Arizona DUI laws apply to people operating motor vehicles, but those laws don't protect you from veering into traffic and getting plastered on someone's windshield.
Details: 11 a.m.-5 p.m. Sunday, Feb. 10. Meet at TT Roadhouse, 2915 N. 68th St., Scottsdale. arizonabeerweek.com/events/10th-annual-valentines-day-massacre-bike-crawl.
What: Watch the greatest beer movie of all time (and we're not the only ones who think so) while enjoying quality brews from Huss Brewing. It's a win-win-win (just seems too good for a basic win-win).
Highlights: Bob and Doug McKenzie (Dave Thomas and Rick Moranis) get a dream job at their favorite brewery only to find something rotten in the state of the brewing process. It's a smart dumbing down of Hamlet, and a tribute to beer's importance in everyday life.
Details: 7 p.m. Monday, Feb. 11 Alamo Drafthouse, 1140 E. Baseline Road, Tempe. $7 (beer costs extra). drafthouse.com/phoenix/show/strange-brew.
What: Ice cream and beer go with just about anything; it makes sense they would go well together. Enjoy curated pairings courtesy of Mother Bunch Brewing and Novel Ice Cream.
Highlights: It's beer and ice cream. Then ice cream and beer. It's not just the highlight of the event but a highlight of life.
Key takeaway: Surely someone will come away from this event with an idea of a beer-flavored ice cream, or an ice-cream-flavored beer. Or, hopefully, both.
Details: 6-8 p.m. Tuesday, Feb. 12. Mother Bunch Brewing Company, 825 N. Seventh St., Phoenix. arizonabeerweek.com/events/stout-ice-cream-sandwich-pairing.
What: No Valentine's date? No problem. Bond over beer! Awkward small talk is solved thanks to a shared interest in what's on tap.
Highlights: Enjoy a beer and chocolate pairing, assembled by experts who know exactly what beers go with which chocolates. That talent should be a superpower.
Key takeaway: The event also pairs one of the Valley's best breweries (Huss) with a fun taproom off the beaten ale trail (QuartHaus). The first 50 people get a free singles swag bag.
Details: 5-9 p.m. Thursday, Feb. 14. QuartHaus, 201 S. Washington St., Chandler. arizonabeerweek.com/events/craft-singles-a-singles-mixer-with-craft-beer, quarthaus.com.
What: People who may have too much faith in their engineering skills race the cars they assembled from empty beer cans, using kits provided by Four Peaks Brewing Company.
Highlights: Imagine a soap-box derby where participants and spectators alike are free to imbibe at the Four Peaks Wilson Tasting Room, which is hosting this event to celebrate the last day of Arizona Beer Week.
Key takeaway: Driving small hand-assembled gravity-powered cars in a straight line is overrated. But with $175 in Four Peaks gift cards up for grabs ($100 for first place, $50 for second and $25 for third), it might be worth extending sobriety until eliminated from competition.
Details: 1-5 p.m. Saturday, Feb. 16. Four Peaks Wilson Tasting Room, 2401 S. Wilson St., Tempe. arizonabeerweek.com/events/four-peaks-beer-can-derby-2019.


text:
How To Make Southside Cocktail?
What is the best way to create a Southside drink?
To discover how to prepare this Southside cocktail, take a gin and a shaker and continue reading this article. Fill your cocktail glass and a cocktail shaker three-quarters of the way with ice, and set them aside. Fill the shaker halfway with ice and add the gin, simple syrup, and lime juice. Garnish with the mint leaves.
1 What is a vodka Southside?
2 What are the 6 basic cocktails?
3 What do they drink in the Deep South?
4 What is in a mint julep?
5 What is the base of cocktails?
6 What is the oldest cocktail?
7 What is the South's favorite drink?
8 What's a Southern drink?
9 What makes a good cocktail?
10 What is a cocktail mix?
What is a vodka Southside?
It is a pleasant and adaptable cocktail that blends mint, fresh lemon, and fresh lime with your choice of gin, vodka or rum, and a dash of soda for a delightful and versatile drink. 1 serving (about). Preparation time: 7 minutes.
What are the 6 basic cocktails?
The Old Fashioned, the Martini, the Daiquiri, the Sidecar, the Whiskey Highball, and the Flip are some of the most popular cocktails. Every component in each drink may be classified into at least one of the categories. The fundamental taste is the core; balancing enriches the core by adding sweetness, acidity, or both; and seasoning adds another dimension by complementing or contrasting with the core and adding another dimension to the core.
What do they drink in the Deep South?
Even though they were once popular among Southern drinkers, peach brandy, rum, good Cognac, rye whiskey, and cold beer are now mainly considered to be beyond the region's specialty.
You might be interested: What Is The Cost Of A Myers Cocktail Infusion? (Best solution)
What is in a mint julep?
What is in a mint julep, exactly? What is the best way to create a Charlie Chaplin cocktail? Charlie Chaplin was a silent film star.
1 1/2 parts Sipsmith® Sloe Gin
1 part freshly squeezed lime juice
3/4 part apricot brandy
1/4 part simple syrup
1 1/2 parts apricot brandy
1 1/2 parts simple syrup
What is the base of cocktails?
For this drink, the base liquor serves as its primary component. It is often made composed of a single spirit, such as rum, gin, or whiskey, and typically accounts for 75 percent or more of the entire volume of the drink before the icing is applied. The modifying agent is the substance that gives the drink its distinct flavor and appearance..
What is the oldest cocktail?
As a result, the Sazerac Drink, which was invented by Peychaud, is regarded as the oldest cocktail in the United States. According to legend, Peychaud developed the term cocktail, which resulted in the creation of the structured medical tincture known as a cocktail as well as the cocktail known today as the Sazerac.
What is the South's favorite drink?
Share Everything you need to know about Sweet Tea, the Southern Favorite Beverage (and how to share it). Consider closing your eyes and seeing your stereotyped image of "the South." A huge pitcher of sweet tea may be served to people dressed in their Sunday best, sitting on a shaded front porch and savoring glasses of the beverage.
What's a Southern drink?
Cocktails with a Southern Twist
A Brandy Milk Punch made with brandy and milk. The Mint Julep
the Mississippi Punch
the Old Fashioned
the Sazerac
and the Vieux Carré are all excellent options for a cocktail that goes down easy in New Orleans.
Mississippi Punch
and the Vieux Carré are all excellent choices for a cocktail that goes down easy in New Orleans.
You might be interested: Where Drink A Aviation Cocktail? (Perfect answer)
What makes a good cocktail?
What characteristics distinguish an excellent cocktail? A excellent cocktail has a lot of tension in it. There is tension in the balance of the ingredients, which include alcoholic strength, sweetness, sourness, bitterness, saltiness, temperature, and texture, among other things. It takes more than just flavor to elevate a decent drink to greatness.
What is a cocktail mix?
Cocktails are defined as a mixture of liquor, sugar, water, and bitters/citrus; more broadly, they are defined as any mixed drink combining three or more tastes. Cocktails are made in a variety of ways. Highball, narrowly defined as a combination of liquor and one taste served over ice in a tall glass topped with soda water, but more broadly defined as any combination of two components served over ice in a tall glass.
How Did Bethany Sell Skinny Girl Cocktail? (Solved)
How To Serve Swhrimp Cocktail? (Correct answer)
What Is The Propofol Cocktail? (TOP 5 Tips)

redpajama_set_name: RedPajamaCommonCrawl


BurnAware Free is a CD, DVD, Blu-ray Disc burning software. Free, easy to set up and maintain, it enables you to save your files to disc quickly and provides a more flexible interface to help you complete your burning tasks much faster. BurnAware Pro and Premium costs from $20, more featuressee comparison.
BurnAware Free is a powerful disc burning software – fast, lightweight, feature-packed and, most importantly, free. The program burns all types of CD, DVD and Blu-Ray Discs containing data, music and video. Capable of burning discs of the majority of popular types, BurnAware Free will be a valuable addition to your collection of software and will make the task of preparing a disc for burning a matter of minutes.
you can find it with ease, thanks to the program's clean graphic interface. BurnAware Free even lets you erase a used disc so you can turn it into something new. The program isn't remarkably fast or slow; it took us about six minutes to burn a CD and about 45 minutes to create a DVD disc. That could change if you have a faster drive or computer, obviously.
BurnAware is an easy-to-use burning application that allows you to create discs using different types of files, such as archives, documents, music and videos to CDs, DVDs and Blu-ray Discs.You can also create bootable or multisession discs, high-quality Audio CDs and Video DVDs, make and burn ISO images, copy and backup discs, extract audio tracks, erase and verify data and even recover data from multi-session or unreadable discs.
Home users can easily burn bootable discs, multisession discs, high-quality audio CDs and video DVDs, make, copy and burn disc images. Power users will benefit from BurnAware's advanced options, including control of boot settings, UDF partition and versions, ISO levels and restrictions, session selection, CD text for tracks and discs, data recovering, disc spanning and direct copying. BurnAware Express is ideal for users with basic disc burning needs as backup, creating data, audio, video discs and burning disc images. Easy to set up and maintain, it enables you to save your files to disc quickly, provides more flexible interface to help you complete your burning tasks much faster.
BurnAware Free is a CD and DVD burning utility to create data discs or audio discs with the contents that you want. The interface is very clean and clear. Select an option and a new windows pops open with those options. Not confusing at all for new users. Create a bootable ISO disc and a bootable CD. The file package itself is less than 5 MB so it is very fast to download even for people using slower connections.
Make and burn standard or boot disc images.
Erase re-writable CD, DVD or Blu-ray discs.
The number of recorders in Multiburn extended to 8.
User interface improvements for high-DPI displays.


I have been training at the YMAA School in Boston, Mass. for Kung Fu for over seven years. I am 13 years old. I am currently in the third of ten ranks in the adult Shaolin class, meaning I have three stripes. I still remember the first class that I attended when I was only 6 years old.
I have been training in Kung Fu at Yang's Martial Arts Association in Boston, Mass. for over seven years. I am 13 years old. I am currently in the third of ten ranks in the adult Shaolin class, meaning I have three stripes.
I still remember the first class that I attended when I was only 6 years old. As I stepped into the training studio, I felt nervous and then excited when the class finally started. The three children's instructors, Ben Warner, Jim Noble, and Hussein Alhadi, were all very kind. I fondly remember how they gave me a positive comment about my Wai Bai (External Sweep Kick.) The main event that stood out for me was a class activity where two students would compete in trying to move around and force each other out-of-bounds of a matted area. When it was my turn, I was up against the highest ranking student there, Steven Vo. I was so nervous until Jim Noble came out of nowhere to jokingly push Steven Vo out-of-bounds, winning the match for me! At that exact moment, I knew that the school was a caring environment, and that is the reason I ultimately made the decision to join the school. Little did I know that the decision I made then would impact the rest of my life.
Kung Fu has changed my life in many positive ways, not only physically in terms of becoming more athletic, but also very much mentally. All of the ten martial moralities (humility, righteousness, respect, trust, loyalty, will, endurance, perseverance, patience, and courage) have changed me as a person and helped to shape my lifestyle. The most prominent morality that has influenced me is humility. The constant lessons on humility inspired me to be very humble in my everyday actions. Instead of showing off my skills, I learned to respect others and what they know. I always hope that others can teach me something that they are good at.
Other martial moralities I like to live by are endurance, will, and perseverance. These three interconnected moralities describe me well as a Kung Fu student. Over the many years I have been training, I have seen many people come and go. After seeing many of them go, I realized that the students that stuck around, like me, have an enormous amount of determination. I found that I could apply this determination not only in Kung Fu, but also to my academics in school. One of the habits I built up from training in Kung Fu is responsibility. I always work on my homework first until it is completed to my high standards before doing other things I want to do.
Kung Fu has also helped me physically. When I first started training at 6 years old, I was pretty fat from not doing any sports. I did begin to lose a bit of weight as the years passed, but it wasn't until one Saturday that I discovered a huge store of energy within me. That day, the usual Saturday instructor, Simon Pang, was absent so Elias Kopsiaftis was his substitute. We took turns doing forms, and Elias Kopsiaftis did his forms with such power that I felt inspired to copy him. I closed my eyes and focused. When I did my form, Yi Lu Mai Fu (First Way of Ambush), I was able to generate power from my body that I never felt before. Throughout the years, I have been able to increase this power. After I was able to perform at this much more intense level, I burned off so much fat. Now I am thinner and better built. My new athleticism not only helped me in Kung Fu, but in school as well. In gym, I am currently the fastest sprinter in my class and undefeated in wrestling.
One of the huge reasons I am still training at YMAA is because of the instructors. All of the instructors at YMAA helped me get to where I am now. But two instructors, Ben Warner and Jim Noble, have helped me throughout the entire journey. They were with me all the way from the children's class to where I am today in the adult Shaolin class. When I was older, they invited me to assist teaching the children's class. Through this experience, Ben Warner and Jim Noble have helped me push my limits, particularly in developing the courage to teach and to be more assertive when I speak. Through these challenges, I was pushed past my comfort zone, but it ultimately helped my courage skyrocket.
In addition to teaching, I have participated in three YMAA exhibitions, public demos where I was able to perform Kung Fu in front of large crowds. I am already lined up to perform in demos for this upcoming year 2010. All of these performances have helped me decrease my stage fright. For the purpose of performing in these demos, Nicholas Yang taught me a sequence, 18 Kicks, that is only known by the two of us at the school right now. This form, 18 Kicks, was originally created by Dr. Yang, Jwing-Ming for one of his senior students, Jeff Bolt. I am so happy that I got myself a signature sequence at the age of twelve.
Alec Chan and his father.
I continue to train and teach at the YMAA headquarters branch in Boston. I look forward to coming to class every Monday, Wednesday, and Saturday. I have made many friends and have met many people through YMAA. I love how everyone respects one another. I am surprised that children as well as adults look up to me as a role model. They motivate me to want to go to every class. I feel that YMAA is a place where I am very comfortable and can let off some of the stress from school. Though my life journey has had lots of ups and downs, Kung Fu has always been there and I know that it will be there forever.
I would like to also commend my dad. My dad is the person that has driven me to every Kung Fu class and still does to this very day. He is also the one that forced me to do the trial week when I was six years old, and it was because of him that I really gave Kung Fu a try. If it wasn't for my dad, I would not be where I am today. Thanks, Dad.
It's a coincidence that in my English class at school, I had to write a memoir about a life-changing experience as one of my homework assignments. I am happy to say that I chose my first day of Kung Fu as my topic. I passed in my final essay today, and I am able to echo many of the thoughts and feelings that I wrote about in my essay in this article now.
Alec Chan is student and Assistant Instructor at the YMAA Boston headquarters school. He is a featured performer on the Kung Fu for Kids DVD.


Bijuri Railway station is situated in Kotma, Madhya Pradesh. Station code of Bijuri is BJRI. Here are some trains that are passing through Bijuri railway station like Durg Abkp Ex Pas, Ambikapur Expres, Abkp Jbp Express, Chrm Bsp Pass, Abkp Durg Pas Ex, Rewa Chrm F Pas, Chrm Rewa F Pgr, and many more.


text:
Hymnen (elektronische und konkrete Musik) ist eine Komposition von Karlheinz Stockhausen, die von 1966 bis 1967 realisiert und 1969 nochmals modifiziert wurde. In Stockhausen-Werkverzeichnis trägt sie die Nummer 22.
Das Werk ist von einem weltmusikalischen Charakter geprägt, indem ca. 40 Nationalhymnen als Klangobjekte Verwendung finden, die als Grundlage für elektronische Modulation und Transformation dienen und somit zu einer Einheit verknüpft werden.

Als einziges nicht-staatliches Lied wurde das Arbeiterlied "Die Internationale" verarbeitet, darüber hinaus das nationalsozialistische Horst-Wessel-Lied.

Versionen
Stockhausens Werk existiert in drei Versionen:
 Hymnen (Elektronische und konkrete Musik) für 4-Spur Magnetband, 4x 2 Lautsprecher, Mischpult und Klangregie (ca. 114 Min.)
 Hymnen (Elektronische und Konkrete Musik mit 4 Solisten) mit z. B. Trompete und Synthesizer / Posaune, Euphonium und Synthesizer / Tamtam und mehrere andere Instrumente / Synthesizer, Sampler und Klavier dazu 4-Spur-Magnetband, 6x 2 Lautsprecher, 4 Monitorlautsprecher, Instrumentarium nach Solisten, Mischpult und Klangregie (ca. 126 Min.)
 Hymnen (dritte Region), Elektronische Musik mit Orchester und Dirigent dazu 4 Spur-Magnetband, 28 Mikrofone, 12 Lautsprecher, Mischpult und Klangregie (ca. 42 Min.)

Entstehung und Gliederung
Die quadrophonische elektronische und konkrete Musik entstand im Studio für elektronische Musik des WDR in Köln und wurde am 30. November 1967 als Version mit Solisten in der Aula des Apostelgymnasiums in Köln-Lindenthal uraufgeführt.

Stockhausen gliederte das Werk in verschiedene Regionen, die folgende Nationalhymnen als Schwerpunkt aufweisen:
 Region: Die Internationale und die Marseillaise.
 Region: Das Deutschlandlied, der Anfang der Hymne der Russischen Föderation, mehrere afrikanische Nationalhymnen und einer Originalton-Aufnahme von Stockhausen selbst mit den Sätzen: "Otto Tomek hat gesagt: 'Das mit dem Horst-Wessel-Lied gibt böses Blut.' Aber ich meinte es gar nicht so; das war nur eine Erinnerung."
 Region: Die Fortführung der Hymne der Russischen Föderation, The Star-Spangled Banner und die Marcha Real.
 Region: den Schweizerpsalm.

Der Komponist zog in Erwägung weitere Regionen zu verwirklichen, zu denen zwar gesammeltes  Material existiert, die aber letztendlich doch nicht realisiert wurden:
 Region 5: Die Staaten des damaligen Ostblocks.
 Region 6: Arabien.

Leitgedanke
Als kompositorisch richtungsweisende Ideen dienten Stockhausen bei der Arbeit an den Hymnen die folgenden, von ihm formulierten Leitgedanken:

Verstecke was Du komponierst, in dem, was du hörst. Verdecke, was du hörst. Stelle etwas neben das, was du hörst. Stelle etwas weit außerhalb dessen, was du hörst. Unterstütze, was du hörst. Setz ein Ereignis, das du hörst, für lange Zeit fort. Verwandle ein Ereignis bis zu Unkenntlichkeit. Verwandele ein Ereignis, das du hörst, in das vorige, das du komponiert hast. Komponiere, was du als nächstes erwartest. Komponiere oft, höre aber auch für längere Zeiten dem zu, was schon komponiert ist, ohne weiter zu komponieren. Mische alle Anweisungen. Beschleunige zunehmend den Strom deiner Intuition.

Werkeinführung
"Nationalhymnen sind die bekannteste Musik, die man sich vorstellen kann. Jeder kennt die Hymne seines Landes und vielleicht noch einige andere, wenigstens deren Anfänge. Integriert man bekannte Musik in eine Komposition unbekannter neuer Musik, so kann man besonders gut hören, wie sie integriert wurde: untransformiert, mehr oder weniger transformiert, transponiert, moduliert usw. Je selbstverständlicher das Was, umso aufmerksamer wird man für das Wie."

Stockhausen verwendete die Nationalhymnen, welche ihm "das Populärste, was es überhaupt gibt" waren, als das Was seiner Komposition. Indem er dieses allgemein-kulturelle Wissen in neuer Konstellation stellte und durch Hinzunahme weiterer gefundener Objekte wie Sprachfetzen und Radioereignissen neue Klangverbindungen schuf, eröffnete er die Möglichkeit, die "alten" Hymnen neu zu hören.
Dabei kann das Werk nicht einfach als collageartige Zusammenstellung verschiedener Nationalhymnen gesehen werden. Vielmehr werden die Klangobjekte durch elektronische Modulationen von Rhythmus, Harmonie und Dynamik so miteinander verbunden, dass sich die Grade der Erkennbarkeit vom Rohmaterial bis hin zur Unkenntlichkeit bewegen.

Hymnen greift einen neuen Gedanken der Weltmusik auf: Mit dem in vier Regionen gegliederten zweistündigen Werk verfolgte Stockhausen den Wunsch, eine Musik zu schreiben, die die Menschen aller Ethnien und Nationen einbezieht. In diesem Sinne ist Hymnen auch utopisch als eine Zukunftsvision vom Zusammenleben der Menschen aller Nationen zu verstehen. Diese Sichtweise verfolgte Stockhausen bereits in der 1966 entstandenen Komposition Telemusik und führte sie mit Hymnen noch weiter aus.

"Die Komposition von so vielen Nationalhymnen zu einer gemeinsamen musikalischen Zeit- und Raumpolyphonie könnte die Einheit der Völker und Nationen in einer harmonischen Menschenfamilie als musikalische Vision erlebbar machen."

Diese Bedeutungsdimension betonte Stockhausen besonders bei der amerikanischen Uraufführung 1971 in New York mit den Worten: "Amerika, Land der Flüchtlinge, der Vertriebenen, der zusammengewürfelten: Ich habe Dir diese Musik auf den Leib geschrieben. Du könntest ein Modell für die ganze Welt werden, wenn du so lebtest, wie diese Musik ankündigt. Wenn Du ein gutes Beispiel gäbest...!"

Hiermit greift der Komponist den später von ihm weiter vertieften Gedanken eines Weltparlamentes auf, den er in der Oper Mittwoch aus dem Zyklus Licht weiter konkretisiert.

Literatur
 Bryan Wolf, Verena Großkreutz: Stockhausens Hymnen als europäische Vision. In: Neue Zeitschrift für Musik. Mainz 2008.
 Christoph von Blumröder (Hrsg.): Texte zur Musik 1991–1998. Kürten 1998.
 Christoph von Blumröder: Die Vokalkomposition als Schaffenskonstante. In: Internationales Stockhausen-Symposion 1998: Musikwissenschaftliches Institut der Universität zu Köln, 11. bis 14. November 1998: Tagungsbericht. Signale aus Köln: Beiträge zur Musik der Zeit. Band 4, Saarbrücken 1999.
 Dieter Schnebel (Hrsg.): Texte zur Musik 1963–1970. Einführungen u. Projekte, Kurse, Sendungen, Standpunkte. Köln 1971.
 Dieter Schnebel, Christoph von Blumröder (Hrsg.): Texte zur Musik 1970–1977. Werkeinführungen, elektronische Musik, Weltmusik, Vorschläge und Standpunkte zum Werk anderer. Köln 1978.
 Dieter Gutknecht: Karlheinz Stockhausens Hymnen und der Aspekt der Raummusik. In: Hartmut Krones (Hrsg.): Bühne, Film, Raum und Zeit in der Musik des 20. Jahrhunderts. Böhlau 2003.
 Karlheinz Stockhausen: Begleitheft zu "Hymnen". Kürten 1995.
 Karlheinz Stockhausen: Begleitheft zu "Hymnen. Elektronische Musik mit Orchester". Kürten 1997.
 Karlheinz Stockhausen: Hymnen.Vortrag 1967. In: Karlheinz Stockhausen (Hrsg.): Stockhausen Texte.Kürten 2007.
 Karlheinz Stockhausen: Bildung ist große Arbeit. Karlheinz Stockhausen im Gespräch mit Studierenden des Musikwissenschaftlichen Instituts der Universität zu Köln am 5. Februar 1997. In: Imke Misch, Christoph von Blumröder (Hrsg.): Stockhausen 70: Das Programmbuch Köln 1998. Signale aus Köln: Musik der Zeit. Band 1, Saarbrücken 1998.
 Larson Powell: The technological subject. Music media and memory in Stockhausen's Hymnen. In: Nora M. Alter (Hrsg.): Sound Matters. Essays on the acoustics of modern German Culture. New York 2006.
 Nicholas F. Hopkins: Hymnen. tractatus musica unita. Köln 1991.
 Thomas Manfred Braun: Karlheinz Stockhausens Musik im Brennpunkt ästhetischer Beurteilung. In: Kölner Beiträge zur Musikwissenschaft. Kassel 2004.

Einzelnachweise

Weblinks
 Hymnen, karlheinzstockhausen.org
 Website mit Anspielfunktion der gesamten Komposition

Werk von Karlheinz Stockhausen
Werk der elektronischen Musik

redpajama_set_name: RedPajamaWikipedia


Decades-old plans to regenerate the heart of a Warwickshire town centre have suffered a further setback.
Builders were due to start work on the derelict Chapel Street site in Rugby this summer, but officials say diggers will not now move in until the end of the year.
It is yet another delay in the on-going saga of the eyesore, redevelopment plans for which have been in the pipeline in one guise or another since the mid-1970s.
The site is due to become home to 50,000 sq ft of new shops, including a huge Asda and 17 smaller units.
Cllr Craig Humphrey, leader of Rugby Borough Council, said the latest setback was due to the complicated patchwork ownership of the land.
He said: "The project has been fraught with legalities. Over the years people have bought pockets of land waiting for the development to happen and then using it as a bargaining tool.
"Any outstanding pockets of land will be bought by compulsory purchase order which be out this month. "There has been some slight slippage but I expect contractors to be on site by the end of the year."
Michael Jeffs, boss of the Summersault restaurant, in High Street, said: "Everybody will be disappointed it's going to be delayed because we do want that area sorting out and it will be a boost to the town when it is.
"Some people would prefer something other than Asda but it's better than what's there at the moment."


We went to Margate to hear Mr Corbyn speak last Saturday. It was pretty much as I expected. Not a disappointment and he was a bit more forceful than he comes across on the tv – which is good, more passion and yet still a refreshing non-adversarial stance. Inclusive and unifying. Packed hall – more than 350 (could have been many more, I think I heard that figure but don't quote me) – a bit emotional at times thinking just maybe there was a chance to turn things around, to climb up out of this depressing world we seem to inhabit at the moment. One of the speakers, I apologise as I forget who, said something like 'There is all this talk of voting with the head – or the heart – well we are actually talking about the soul of the Labour party'. I liked that. I am tired of all the talk of Corbyn being naive, not having the experience or the gravitas. He speaks with a great positivity and optimism – we should get behind him and at least give it a try. I think membership of the Labour party is characterised by a caring attitude to all others on this planet, it is about collectivism and fairness, it's about the bigger picture. If those beliefs do not get us elected then we must try harder – not compromise our beliefs to get power at any cost.
It had been hot and stuffy in the room so we wandered down to the seafront and had a cup of tea. Marainne went to a dress shop and I went to check out the local band (Project F) playing on the front. I was standing there gently nodding away (coincidentally) to Soul Man ((coincidentally) when suddenly there he was again. Jeremy with just one guy with him, he stopped right in front of me and applauded the band. Too good an opportunity to miss. I tapped him on the shoulder. The other guy wandered on, a few people looked over but mainly he was just another punter watching the band. I shook his hand, had a chat, told him he was doing a great thing, giving us all hope and wished him luck and turned to walk away. Remembered I had a camera in my pocket and said Jeremy can I? Of course he said. Just one shot but a good one. In a strange way he reminded me of Mick Jones of the Clash – not physically but in his attitude. (I have bumped into Mick – a hero of mine – many times and always go and say hello). Jeremy came across as just an ordinary bloke like me, completely natural and un-phased talked more about the band we were listening to than politics. No false bonhomie, no entourage, speeches over, let's have a wander down the seafront . It was like bumping into any acquaintance on any day – a quick chat, a smile, a handshake then go on with your lives. We are on the same side – doesn't need saying.