Is Blockchain the future of food stored in supermarkets?
Today's market being extremely competitive, more and more retailers are hoping to boost their numbers by offering a smooth shopping experience and automating their back-end operations. Old-line mega chains, e-commerce giants and technology start-ups are working on minimizing the possibility that the customers will procrastinate, forget about the need to make the purchase, go elsewhere or refuse to shop due to poor quality food and services.
With the rapid development of blockchain technology, consumers will be able to buy everyday products at lower prices direct from manufacturers. Blockchain technology can, therefore, shift the grocery industry from a push into a pull-based system. Supermarkets currently follow a 'push-based' approach where they 'push' the supply of products which consumers see and purchase. A 'pull system,' on the other hand, is where supply follows consumer demand. In a decentralized ecosystem, every manufacturer controls their products, pricing, and listings. Manufacturers then receive aggregated customer requests. Afterwards, manufacturers deliver orders to smart distribution centers and couriers deliver orders to customers. One such example is Moscow-based INS, a blockchain-based startup in the grocery world. They recently raised 60,000 Ether (USD 41.5 million) in a public token sale in 2017.
In the meantime, large retailers like Walmart and Kroger are working with IBM and their blockchain network to strengthen food safety in the supply chain. They are testing blockchain technology to trace foodborne illnesses to their source. This process usually takes weeks with traditional record keeping but now takes seconds with blockchain technology. Walmart has already run two successful blockchain pilots with IBM: one tracing Chinese and pork and the other tracing Mexican Mangoes. While it may take years before manufacturers sell direct to consumers, supermarkets are currently taking advantage of the benefits of blockchain technology. Whether or not blockchain will wholly disrupt supermarkets, though, is currently dependent on blockchain's ability to scale and grow.
Various robotic technologies such as delivery drones and droids, explore shelf monitoring and waste management, plus highlight key opportunities for the adoption of blockchain all these areas of retail, food and grocery industry management. Today, retailers, grocery chains and Internet-based companies deploy high-end technology that offers new ways to shop, receive orders and optimise logistics. Some businesses even go so far as to unlock customers' to put the packages safely inside. This requires the use of smart locks, keys and cameras to monitor customers' homes around the clock. Although the technology allows for in-home delivery and scheduled access to recurring visitors, however, it also raises questions of trust and security. Same-day delivery is another area of intense innovation. Here, businesses 'hire' pavement droids and areal drones to transport packages. Thanks to technology originally designed to monitor cryptocurrency, Yiannas' vision is closer to becoming a reality—something that could put a significant dent in the number of foodborne illnesses that occur every year. It's part of a new program in which IBM is partnering with Walmart, Nestlé, Dole, Tyson Foods, Kroger, and others, to use blockchain technology to track food throughout the complex global supply chain.
Walmart has been using a pilot version of the technology, showing how blockchain can be expanded beyond the financial, health care, and natural resources sectors to be applied to the foods that consumers interact with every single day. Coupled with companies' efforts to stopfood-borne illnesses early on, this could signal a major moment in how humans keep the food system in check.
In all seriousness, the supermarket has always gone through notable changes, right from inception. Blockchain technology will make sure that owners and customers industry will come together into a single, transparent platform with the evolutions. Blockchain will revolutionize the supermarket industry and take it to greater heights.


The Liberty High School football team raised $1,100 in its fundraiser for Ride2Survive. The team collected donations within the school and during games. The boys are proud to use athletics as a platform to raise awareness and would like to extend thanks to Melanie Bendy who played a large role in helping raise funds.


In our previous post, Get Found on Social Media – Part 4, we continued our series on how you can make it easier for people to find your social media efforts. In this post, we take a look at how to deal with negative comments.
When dealing with this question, it's helpful to recognize that if you act in the world, you probably have detractors. People have more than likely been talking negatively about you offline for some time. You've never been privy to their conversations, and you've had limited or no ability to address them directly or to know their concerns. Now that social media has brought these negative conversations out in the open, not only are they spread more widely, but you get the chance to do something about the root causes. That's fantastic! You can find and address negativity, in real-time, for the first time in history.
The natural inclination of most enterprises is to try to suppress, delete, or otherwise eliminate dissent. In a world where access to broadcast media was expensive, restricted, and guarded by gatekeepers, this type of approach was effective. Enterprises could use libel laws or lawsuits, could pressure media outlets, and could use the media to confront and refute naysayers. Many enterprises employ these techniques in social media as well.
Often, however, the old tools for dealing with negatives not only don't work online, but can result in generating even more negativity.
This post breaks a cardinal rule about running online communities: Govern your community with a light hand. Your community members expect to be involved in major community decisions, and they certainly do not expect to be arbitrarily censored.
This was a good move. It does three things: It acknowledges the mistakes; it pledges to stop deleting the logos; and it humanizes the company by taking personal responsibility for the action. Remember, our first rule for using social media is to Be a Person, not an organization.


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Dressed in traditional regalia, various children got a taste of their heritage Saturday when they accompanied their elders in performing intricate dances and singing as part of a daylong event to celebrate women in Native American society.
"It's great seeing the kids get pride and satisfaction in participating and observing their culture," said Michael Orena, 27, an SF State cinema major.
Around 500 people crowded Jack Adams Hall March 12 to witness the SF State Student Kouncil of Intertribal Nations' 36th annual "Time to Honor Women" powwow. The gathering featured traditional dances and music, including an all-women drum circle, and representatives from tribal nations across the western United States and Mexico.
The event also recognized four women who have contributed to the strengthening of indigenous culture and knowledge. One of the women who was recognized, Gabriela Segovia-McGahan, oversees operations for SF State's American Indian studies and Raza studies programs.
The decision to focus on women at this year's powwow was made last year when tribal artist and activist L. Frank Manriquez attended several SKINS meetings and suggested the 2011 event take a different approach.
Manriquez is a member of the Tongva and Acjachemen nations of Southern California.
"We don't need applause, but we don't need to be invisible either," Manriquez said.
While Manriquez admitted to playing a large role in organizing the event, she ultimately concluded that the majority of the responsibility was in the hands of students.
The day was not without its serious observances. An impromptu dance and tribal chant was performed in memory of the victims of the deadly earthquake and tsunami that struck Japan March 11.
Nonetheless, the overall festive mood of the gathering did not lose its momentum as varying dance and singing contests carried on throughout the day in all age groups.
Many of the attendees at the powwow had strong feelings toward the importance of the women-centric themes on display.


Secret World Legends :: The Golden Week is here with new items!
The Golden Week is here with new items!
Golden Week is here! Enjoy great bonuses, new outfits, double ability points, and more! The Gilded Rage event also returns, so get out there and hunt some golems while the event lasts until April 1st!


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I must warn you. The material I am about to describe would be forbidden by today's Congress.
Here's how I came upon it. I traveled not far from home, to Simi Valley, to visit the Ronald Reagan Presidential Library to research solar policy in the 1980s for my current book, Let It Shine: The 6000-Story of Solar Energy. It surprised me to uncover there probably the best single collection of solar material, especially the pieces critical of Reagan's war against the sun, dating to those times. But that's another story.
Following Koomanoff's affirmation of the joint executive and congressional commitment in resolving climate change, James C. Greene, Science Consultant to the Congress' Committee on Science and Technology, provided the attending scientists with the urgency of their topic.
After reading this document, I wondered, why, with more than 30 years of even greater scientific evidence having been accumulated supporting the global warming carbon dioxide connection, have so many regressed to the earlier skepticism level?
Sometimes you have to go back in time to discover the truth.
About the Author: John Perlin is author of four books: "A Golden Thread: 2500 Years of Solar Architecture and Technology;" "A Forest Journey: Wood and Civilization;" "From Space to Earth: The Story of Solar Electricity;" and his latest book, "Let It Shine: The 6000-Year Story of Solar Energy." Harvard University Press Chose "A Forest Journey" as one of its "One-Hundred Great Books" published by the press, as well as a "Classic in Science and World History." The Geographic Society and the Sierra Club chose the book as their "Publication of the Year." "Power of the Sun" and "Sunrise" are two documentaries for which I did the screenplays. "Power of the Sun" was done in collaboration with two Nobel Laureates at University of California, Santa Barbara, where I am now a member of the Department of Physics.


text:
Southeastern Wisconsin deserves leaders in Congress who will keep our families safe, rebuild our local economy, and protect our Wisconsin values.
That's what Scott Fitzgerald will do in Congress.
Scott Fitzgerald will fight liberal efforts in Congress to defund the police and ensure public safety programs are fully funded — providing families with the stability to live, work and raise a family.
In Congress, Scott Fitzgerald will continue working to help Wisconsin's small businesses recover, and fight for lower taxes and fewer burdensome regulations to get government out of the way of job creators.
Fitzgerald graduated from Hustisford High School in 1981 and earned his Bachelor of Science degree from the University of Wisconsin-Oshkosh in 1985. He purchased and ran the Dodge County Independent News in Juneau, WI, in 1990 and sold it in 1996 to the Watertown Daily Times where he remained as an associate publisher for a number of years.
Fitzgerald joined the US Army Reserve in 1981 and served his country for 27 years, rising to the rank of Lieutenant Colonel.
Fitzgerald and his wife, Lisa, own a small horse farm in rural Clyman. They have three sons: Scott, Brennan, and Connor.
In Congress, Scott Fitzgerald will take the fight to Nancy Pelosi and the radical liberals pushing socialism.
Scott Fitzgerald will work in Congress to grow our economy and help small businesses recover.
Scott Fitzgerald will work to deliver high-quality, affordable healthcare for Wisconsin families and seniors.
Scott Fitzgerald is a proud and loyal supporter of Wisconsin law enforcement – always.
Scott Fitzgerald served 27 years in the Army Reserve, rising to the rank of Lieutenant Colonel. He'll fight to defend our country and honor those who served.
Scott Fitzgerald will defend Wisconsin values like the right to life and the 2nd Amendment.
To mail a contribution, please send to:
Scott Fitzgerald for Congress, PO Box 102
Juneau, WI 53039
PAID FOR BY SCOTT FITZGERALD FOR CONGRESS
Use of military images or rank does not imply endorsement by the U.S. Dept. of Defense or the U.S. Army.

redpajama_set_name: RedPajamaCommonCrawl


text:
One semester course
Open to grades 10, 11, 12
Range of difficulty: 1-4
The purpose of the course is to study narrative forms, genres, and techniques in both literature and film. Because today's students at Lincoln-Sudbury are often sophisticated viewers who access information and narratives through "screens," we think it is important for students to have an opportunity to think about and discuss the relative merits and differences between digital and print media. We also feel that an informed study of the many lenses through which we view the world can help our students understand and appreciate the way the media — both print and digital — influence and often manipulate our perceptions.
We use movies and works of fiction based on common subject matter and themes. We often read a novel or story and watch the movie derived from that novel or story. We may also read and view several works focused around a similar theme, but with differing settings or viewpoints.
The course reinforces critical thinking about literature and film. Students are encouraged to note the differences and similarities inherent in telling a story using verbal imagery and visual imagery. One goal of this course is to make students more aware of what they are being told by the movies they see. For that reason, we are careful in selecting a wide range of authors, directors, and titles. Special attention paid to how ideas are treated in literature and movies, and how narratives can change from one medium to another.
The class explores the different approaches, tools, and techniques used across a variety of film and literature.
Which medium works best to tell a specific story? What aspects of storytelling are universal, and what opportunities and limitations are particular to literature and film? How are stories told differently in print and film? Are there specific formulas used to tell a narrative? In what ways can movies alter a narrative arc? What specific effects (black-and-white/color, music, voice-overs, flashbacks, in medias res) are used effectively in film? What are the narrative limits of movies? What can a novel or story do that a movie cannot?
Some themes addressed in this class:
Power – as seen in government, in relationships and society
Identity – how forces such as class, race, and gender influence identity
Coming-of-age stories – differences from one decade to another, and from place to place
Genre — traditions and conventions.
Membership and outsiders
Technology and humanity
Students work on developing a critical vocabulary, emphasizing the literary terms and cinematic terminology necessary to explore, understand, and analyze narratives. We read reviews and commentaries to help expand students' working vocabulary to discuss literature and film.
Students work as a class, in small groups, and individually. There are close reading and close viewing assignments, film screenings, and discussions. Students are responsible for individual note-taking as well as homework assignments (reading, writing, viewing).
Writing assignments, both creative and analytical, are used to improve critical thinking and to hone writing skills. There are objective and subjective writing assignments. Some are relatively short, perhaps extemporaneous in-class responses to a reading or viewing of a scene. Others are longer, assigned in stages, and subject to peer edits, revisions, and final drafts.
Sample writing assignments may include:
Analytic review of a written story or film
Comparison between written and film versions of one story
Character studies; how does the character change over the course of the story?
Discussion of one particular element (voice/viewpoint) in a story
Portraying values in nonverbal ways (fear, suspense, peace, etc.)
Finding "the message" – an author's/cinematographer's goal
Ways in which a "message" can be presented/changed by author/director
Non-written assignments may include:
Storyboarding scenes or a short story
Video collage of similar scenes
Video collage of similar character nuances
Original 5-10 minute narrative film
Use of music/camera angle/other techniques to change the mood of a scene
Reading and Viewing: Reading assignments are typically 20-30 pages per night. The readings and topics vary, but includes poetry, short stories, articles, and novels. Assigned films are generally shown in class; in the case of an absence, a student should make arrangements to access class content.
Writing and Creative Assessments: There will be a variety of short and long writing assignments, both creative and analytical. These may include reading/viewing quizzes, "think pieces" consisting of a paragraph or two, one-page reflections, papers based on study units, storyboarding, skits, screenwriting, and short fiction. Students may be asked to keep a non-graded reading/viewing journal.
5. Materials Used
"An Occurrence at Owl Creek Bridge" (Bierce)
Brave New World (Huxley)
Goodbye, Columbus (Roth)
On The Beach (Kramer)
Regeneration (Barker)
That Night (McDermott)
The Circle (Eggers)
All Quiet on the Western Front (Remarque)
Adaptations:
2001: A Space Odyssey (Clarke, Kubrick adaptation)
Barker, Regeneration (film adaptation: Behind the Lines, MacKinnon)
House of Sand and Fog (Dubus, Perelman adaptation)
Marathon Man (Goldman, Schlesinger adaptation)
Rear Window, (Woolrich, Hitchcock adaptation)
Rosemary's Baby (Levin, Polanski adaptation)
Snow Falling on Cedars (Guterson, Hicks adaptation)
True Grit (Portis, Coen Brothers adaptation)
No Country for Old Men (McCarthy, Coen Brothers adaptation)
Amelie (Jeunet)
Arrival (Villeneuve)
Blade Runner (Scott)
Bowling for Columbine (Moore)
Cinema Paradiso (Tornatore)
Dr. Strangelove (Kubrick)
Dunkirk (Nolan)
Jaws (Speilberg)
Juno (Reitman)
Lost in Translation (Coppola)
Rear Window, Vertigo (Hitchcock)
Rushmore (Anderson)
Say Anything (Crowe)
Sunset Boulevard (Wilder)
Supersize Me (Spurlock)
The Eternal Sunshine of the Spotless Mind (Gondry)
The Graduate (Nichols)
The Last Picture Show (Bogdanovich)
The Matrix (Wachowski brothers)
The Player (Altman)
The Royal Tenenbaums (Anderson)
The Social Network (Fincher)
The Spanish Prisoner (Mamet)
The Truman Show (Weir)
rev. 10/17


text:
Property launches worth RM571m planned in H2
extracted www.thestar.com.my
GEORGE TOWN: The second half of this year will see the commencement of property launches in Seberang Prai for 1,981 landed and high-rise property units with an estimated gross sales value (GSV) of RM571mil.
Asas Dunia Bhd, Tambun Indah Development Sdn Bhd, and Island LandCap Properties Group are among the developers launching the projects.
Of the 1,981 units, some 664 are high-rise properties developed by Tambun Indah Development Sdn Bhd and Island LandCap Properties.
The highlight of the high-rise projects is the 38-storey RM100mil Palma Laguna Water Park Condo, touted as the tallest building in the mainland, by Island LandCap Properties.
"The 382 condominiums, measuring 1040 sq ft and 1,100sq ft in built-up areas, are priced between RM228,000 and RM265,000, depending on whether the units are facing the sea or the facilities.
"There are four penthouses, with built-up areas of 1,600sq ft and 1,970sq ft, priced between RM400,000 and RM490,000.
"We have already sold 20% of the units during a preview recently," said Island LandCap executive chairman Oon Weng Boon.
The official launch of the project is on October 23.
Also scheduled for launching in the fourth quarter are Tambun Indah's RM40mil Dahlia Park and the RM41mil Tanjung Heights high-rise condominium project, comprising 282 units.
"The Dahlia Park in Butterworth town comprises 134 condominiums with built-up areas ranging between 1,395sq ft and 1,689sq ft, priced from RM209,800 onwards.
"The Tanjung Heights project in Butterworth town comprises 148 condominiums of 1,300sq ft units, priced at around RM200,000," Tambun Indah general manager Teh Theng Theng said.
"The recent launches of Carissa Park werepriced at RM182,000, compared with RM160,000 when the project was introduced early this year," she said.
Teh added that the group's Carissa Park condominium project, comprising 144 units in Butterworth town, had sold about 70% of its units since the launch early this year.
Tambun Indah is also launching, in the fourth quarter, 467 units of landed residential properties in Simpang Ampat, South Seberang Prai, and in Alma, central Seberang Prai, with an approximate GSV of RM160mil.
"Some 335 units are for the group's Pearl Villa gated project in Simpang Ampat.
"The terrace and semi-detached properties are priced respectively from RM270,000 and RM398,000 onwards.
"The Impian Residence, comprising 132 terrace and semi-detached units, is in Alma.
"The selling price starts from RM260,000 for terrace units and RM350,000 for semi-detached types," she said.
Asas Dunia will launch soon 850 units of landed properties planned for central and southern Seberang Prai.
The 850 units of landed properties have an estimated GSV of RM230mil.
They comprise 500 single-storey semi-detached houses, and 350 double-storey terrace, double-storey semi-detached, and light industrial units.
Group managing director Datuk Jerry Chan said the single-storey semi-detached unit, with built-up and land areas of 1,200 sq ft and 2,660sq ft respectively, was priced between RM150,000 and RM290,000.
The double-storey semi-detached unit, with built-up and land areas of 2,557sq ft and 2,724sq ft, is priced from RM358,888.


The Aubrey Rules To Live By, Rule #1: Never, ever, be late for anything.
I sprint toward the elevator in complete panic mode. This is not happening. I must be having one of those nightmares, and any second I'll wake up.
Because if I'm not dreaming, I'm awake. Obviously. Which also means I overslept this morning. I couldn't sleep last night due to anxiety, and I accidentally turned the alarm off on my phone instead of hitting snooze this morning. Which began a domino effect: I overslept. I didn't have time to get my red curly locks under control with a flat iron, and I'm not going to arrive on time for a job interview with one of the chicest social media firms in Chicago.
I frantically jab the elevator button. This is my first professional interview since I graduated from the University of Washington last month. I have to get this job. I need this job.
I press the button again. "Come on, come on!" I begin pacing. I feel as if I want to throw up. I'm never late. I'm the girl who is ten minutes early to everything. Even for meeting a friend at Starbucks. So the fact that I'm late to the most important interview ever makes me absolutely sick to my stomach.
The doors open and I run in, but my boot heel catches in the crack. I fly forward, and my purse swings over my shoulder in a loop. I land flat on my face, and the entire contents rain down on the floor. Then I hear a clink. Like something falling down the crack between the hallway floor and the elevator.
I immediately push myself up to my hands and knees. My curly hair is blocking my vision, and I shove it out of the way so I can see. There is a stranger kneeling in front of me.
One with dark-brown hair and the loveliest chocolate-brown eyes I've ever seen.
Who has just seen me trip, fall flat on my face, and—oh my God—is his shoe on top of one of my tampons?
"Are you sure? You hit the floor really hard," he says.
"Here, let me help you," he says, reaching for my lipstick case.
"Yes," I say, willing him to move his foot.
Okay, so mental telepathy only works on TV because it sure as hell isn't working now.
I go back to scooping up the millions of receipts I had squirreled away in my purse, along with my huge collection of drugstore mascaras, lipsticks, and Tic Tacs.
"Why?" he asks, a bewildered expression on his face.
I glance up at him as I toss my wallet back into my bag. Oh, wow, he's super cute. I'd have to say he's in his mid-twenties, and I can't get over how expressive his handsome face is.
I pause. He's Canadian. I know he's Canadian from the way he said "out," with a sort of lilt at the end of the word.
"You write rules for your love life?" he interrupts.
I stop speaking. I realize he's staring at me like I'm a puzzle he's trying to figure out.
Oooooooooh my. He has a gorgeous smile.
GAAAAAAAAH! All of a sudden my face is burning hot.
I have a feeling it matches my hair.
I gulp. "Um, thanks," I say, wishing I could fall down the crack in between the hallway and the elevator.
"Oh my God!" I cry, standing straight up in a panic. "My keys! My keys fell down there!" I point frantically.
"Are you sure?" he asks, standing up and peering down the gap.
And before I can stop myself, I kick the side of the elevator wall in frustration, leaving a huge scuff on my boot. Perfect.
"And now I've ruined my boot and this is the worst day ever!" I yell.
I glance over at him. Now his brow is creased. Oh, this keeps getting worse and worse. Now I've blown up, kicked a wall, and told him my only form of employment is moving from condo to condo out of a suitcase.
And I'm sure the cute Canadian is desperate for this elevator to hit the lobby so he can run out the doors as fast as he can to get away from the lunatic hothead otherwise known as Aubrey.
"You think I'm a serial killer?" he asks, an amused tone in his voice.
"Why should I? I don't know you. Just because you're cute and say 'trust me' doesn't mean I should," I say.
Then I realize I told him he was cute.
The elevator doors open, and I flee, praying the cute Canadian goes on his way. I don't even look backward. I hurry to the front desk of the luxury high-rise.
"You what?" the girl asks, wrinkling her brow.
"Hold on, Ms. Paige. I need to call maintenance to see what we need to do. Now you say they fell down the elevator shaft?" she asks as she picks up the phone and punches a button.
Hold? I don't have time to hold! I'm about to say more when suddenly the Canadian steps forward.
"Um, could you verify who I am for this lady, please?" he asks, nodding in my direction.
I know my mouth is hanging open. This cute Canadian is a professional hockey player?
"I told you I wasn't a serial killer," he says, cocking an eyebrow at me.
For once, I don't ramble. I keep my stupid mouth shut.


text:
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Literature & Criticism (7)
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Tony Tanner
Was Huck Black? Mark Twain and African-American Voices
by Shelley Fishkin.
Black Legacy: America's Hidden Heritage
by William Piersen.
Massachusetts, 264 pp., £36, August 1993, 9780870238543Show More
Black and White Strangers: Race and American Literary Realism
by Kenneth Warren.
Chicago, 178 pp., £21.95, August 1993, 0 226 87384 6Show More
"... whatever American culture is, it is a blending, a blending in which the Afro is an essential part.' But in stressing only 'black to white acculturation', he risks gravely weakening his case. KennethWarren's Black and White Strangers is an altogether subtler exercise. The motivating question of his inquiry is 'the story of African Americans from emancipation through the turn of the century ..."
Psychodisney
Peter Robins: Gary Indiana
Depraved Indifference
by Gary Indiana.
HarperCollins, 336 pp., $24.95, January 2002, 0 06 019726 9Show More
"... you are rarely more than a paragraph from some recognisable detail of the trial it was based on, and hardly ever in the presence of a fact that is incontestably made up. If you think that Evangeline, Warren and Devin Slote are silly names for a family of villains, you must remember that their originals are the even less plausible-sounding Sante, Kenneth and Kenny Kimes. If you think it a bit much to ..."
Skating Charm
James Wolcott: Kenneth Tynan
The Diaries of Kenneth Tynan
edited by John Lahr.
Bloomsbury, 439 pp., £25, October 2001, 0 7475 5418 8Show More
"... Kenneth Tynan smoked like a maestro, an aficionado of his own smooth technique. As the stripper sings in Gypsy, 'Ya gotta have a gimmick,' and photograph after photograph shows Tynan squiring a cigarette ..."
Modern Shakespeare
Graham Bradshaw
edited by H.J. Oliver.
Oxford, 248 pp., £9.50, September 1982, 0 19 812907 6Show More
edited by Gary Taylor.
edited by Kenneth Muir.
edited by Kenneth Palmer.
Methuen, 337 pp., £12.50, October 1982, 0 416 47680 5Show More
"... keep our aunt. Is she worth keeping? – Why, she is a pearl Whose price hath launch'd above a thousand ships, and it is perfectly clear that 'her' and 'she' refer to Helen throughout. If Kenneth Palmer had retained the Folio colon after 'aunt', it would be necessary to explain in a note that the first 'she' does not refer to Aunty Hesione. It may be argued that this is what notes are ..."
At Pallant House
Eleanor Birne: Pauline Boty
"... going and – Frida Kahlo-like – painted and sketched sitting up in bed. The last work she made was called BUM, a brightly coloured painting of exactly that, under a proscenium arch, created for Kenneth Tynan's revue Oh! Calcutta! (or 'O quel cul t'as!'). Her daughter was born in February 1966 and Boty died five months later. Clive Goodwin died in 1978 in LA of a cerebral haemorrhage. He ..."
Empty Cookie Jar
Donald MacKenzie: Ethnoaccountancy
Pipe Dreams: Greed, Ego and the Death of Enron
by Robert Bryce.
PublicAffairs, 394 pp., £9.99, November 2002, 1 903985 54 4Show More
Enron: The Rise and Fall
by Loren Fox.
Wiley, 384 pp., £18.50, October 2002, 0 471 23760 4Show More
"... with deep roots in Houston's local politics, and went beyond financial contributions: in 1986, Enron was involved in joint drilling with Bush's company, Spectrum 7. Enron's chairman, Kenneth Lay, seems to have developed a joshing intimacy with Bush. Loren Fox reproduces Bush's 1997 birthday letter to Lay: '55 years old. Wow! That is really old. Thank goodness you have such a young ..."
Change at MoMA
"... from the late David Rockefeller, longtime chairman of the board (his mother, Abby, was a co-founder of the museum), and the other half from just four people: the hedge fund billionaires Leon Black, Kenneth Griffin and Steven Cohen, and the media mogul David Geffen (a new centre is named after Cohen and his wife, and an entire wing after Geffen). They responded to the call of MoMA's director, Glenn ..."
Hi, Louise!
Stephanie Burt: Frank O'Hara
In Memory of My Feelings: Frank O'Hara and American Art
by Russell Ferguson.
California, 160 pp., £24.50, October 1999, 0 520 22243 1Show More
The Last Avant-Garde: The Making of the New York School of Poets
by David Lehman.
Anchor, 448 pp., $16.95, November 1999, 0 385 49533 1Show More
Frank O'Hara: Poet among Painters
by Marjorie Perloff.
Chicago, 266 pp., £13.50, March 1998, 0 226 66059 1Show More
"... his classmate, John Ashbery. After a year (1950-51) in Michigan writing and translating poetry, he moved to New York, where he rejoined his Harvard friends and their friends – among them the poets Kenneth Koch, James Schuyler and Barbara Guest – becoming part of a social circle that was soon dominated by painters. In 1951 and again from 1955 until his death, O'Hara worked at the Museum of Modern ..."
Sid after a hamster, Vicious because he wasn't
Jenny Turner
England's dreaming: The Sex Pistols and Punk Rock
by Jon Savage.
Faber, 602 pp., £17.50, October 1991, 0 571 13975 2Show More
"... Sex Pistols (1978), a snapshot album with trashy, knowing captions and Tony Parsons and Julie Burchill's The boy looked at Johnny (also 1978), a book of scurrilous mythologies adapted from Kenneth Anger's Hollywood Babylon, are elegantly tacky and anti-intellectual exercises in mimetic form. Greil Marcus's much-admired and equally mocked Lipstick Traces (1989), on the other hand, is a ..."
Ashamed of the Planet
No Other Book: Selected Essays
by Randall Jarrell, edited by Brad Leithauser.
HarperCollins, 376 pp., $27.50, June 1999, 0 06 118012 2Show More
Remembering Randall: A Memoir of Poet, Critic and Teacher Randall Jarrell
by Mary von Schrader Jarrell.
HarperCollins, 173 pp., $22, June 1999, 0 06 118011 4Show More
"... Not that Jarrell ever felt inclined to gratitude: another of his famous, and most joyous, thrusts as a reviewer was aimed at the vitals of his early Agrarian mentors: 'To expect Tate's and Warren's poems to be most influenced by Ransom's is like expecting two nightmares to be influenced by a daydream.' To 'get' most of Jarrell's reviewing jokes you had to be well in the know, and ..."
Bush's Useful Idiots
Tony Judt: Whatever happened to American liberalism?
"... intellectuals, writers and businessmen: among them Daniel Bell, J.K. Galbraith, Felix Rohatyn, Arthur Schlesinger Jr, Irving Howe and Eudora Welty. These and other signatories – the economist Kenneth Arrow, the poet Robert Penn Warren – were the critical intellectual core, the steady moral centre of American public life. But who, now, would sign such a protest? Liberalism in the United States ..."
Squealing to Survive
John Lahr: Clancy was here
Black Sunset: Hollywood Sex, Lies, Glamour, Betrayal and Raging Egos
by Clancy Sigal.
Icon, 352 pp., £12.99, May 2018, 978 1 78578 439 2Show More
The London Lover: My Weekend that Lasted Thirty Years
Bloomsbury, 274 pp., £20, May 2018, 978 1 4088 8580 2Show More
"... the head of Clancy's Hollywood agency observed. He moved sharpish up the literary food chain, becoming part of the talentocracy he was drawn to. Laurence Olivier commissioned him (along with Kenneth Tynan) to write a musical on nuclear war; the Spectator appointed him film critic, and his friend David Astor got him permanent residence and made him a regular reporter on the Observer. Lessing and ..."
Patrick Wright
Creating excellence: Managing corporate culture, strategy and change in the New Age
by Craig Hickman and Michael Silva.
Allen and Unwin, 305 pp., £12.50, April 1985, 0 04 658252 5Show More
Intrapreneuring: Why you don't have to leave the corporation to become an entrepreneur
by Gifford Pinchot.
Harper and Row, 368 pp., £15.95, August 1985, 0 06 015305 9Show More
The IBM Way: Insights into the World's Most Successful Marketing Organisation
by Buck Rodgers.
Harper and Row, 224 pp., £12.95, April 1986, 0 06 015522 1Show More
Innovation: The Attacker's Advantage
by Richard Foster.
Macmillan, 316 pp., £14.95, September 1986, 0 333 43511 7Show More
by Robert Lacey.
Heinemann, 778 pp., £15, July 1986, 0 434 40192 7Show More
Company of Adventurers: The Story of the Hudson's Bay Company
by Peter Newman.
Viking, 413 pp., £14.95, March 1986, 0 670 80379 0Show More
Augustine's Laws
by Norman Augustine.
Viking, 380 pp., £12.95, July 1986, 9780670809424Show More
Peak Performers: The New Heroes in Business
by Charles Garfield.
Hutchinson, 333 pp., £12.95, October 1986, 0 09 167391 7Show More
Going for it: How to Succeed as an Entrepreneur
by Victor Kiam.
Collins, 223 pp., £9.95, May 1986, 0 00 217603 3Show More
Take a chance to be first: The Secrets of Entrepreneurial Success
by Warren Avis.
Macmillan, 222 pp., £9.95, October 1986, 0 02 504410 9Show More
The Winning Streak
by Walter Goldsmith and David Clutterbuck.
Weidenfeld/Penguin, 224 pp., £9.95, September 1984, 0 297 78469 2Show More
The Roots of Excellence
by Ronnie Lessem.
Fontana, 318 pp., £3.95, December 1985, 0 00 636874 3Show More
The New Management of Local Government
by John Stewart.
Allen and Unwin, 208 pp., £20, October 1986, 0 00 435232 7Show More
"... Word of Truth writ clear. There will be Morality, Adventure, Speculation, Judgment, Outcome and Reward. Stories of personal and corporate triumph abound, but narrative is put to other uses too. Kenneth Blanchard's best-selling 'One Minute Manager' series combines the barely worded zen fable with the idiom of the children's story. Other books use narrative to bring large-scale history back ..."
O brambles, chain me too
Tom Paulin: Life and Vowels of Andrew Marvell
World Enough and Time: The Life of Andrew Marvell
by Nicholas Murray.
Little, Brown, 294 pp., £20, September 1999, 0 316 64863 9Show More
Marvell and Liberty
edited by Warren Chernaik and Martin Dzelzainis.
Macmillan, 365 pp., £47.50, July 1999, 0 333 72585 9Show More
edited by Thomas Healy.
Longman, 212 pp., £12.99, September 1998, 0 582 21910 8Show More
"... trails, Me licks, and clasps, and curls, and hales. Under this antic cope I move Like some great prelate of the grove. I can never read the last couplet without imagining how Frankie Howerd or Kenneth Williams would have delivered it – this is quite deliciously camp, and that word 'antic' is also theatrical, for it inescapably carries a memory of Hamlet's 'antic disposition'. However ..."
Last Exit
Murray Sayle
The Last Governor: Chris Patten and the Handover of Hong Kong
by Jonathan Dimbleby.
Little, Brown, 461 pp., £22.50, July 1997, 0 316 64018 2Show More
In Pursuit of British Interests: Reflections on Foreign Policy under Margaret Thatcher and John Major
by Percy Cradock.
Murray, 228 pp., £18.99, September 1997, 0 7195 5464 0Show More
Hong Kong Under Chinese Rule: The Economic and Political Implications of Reversion
edited by Warren Cohen and Li Zhao.
Cambridge, 255 pp., £45, August 1997, 0 521 62158 5Show More
The Hong Kong Advantage
by Michael Enright, Edith Scott and David Dodwell.
Oxford, 369 pp., £20, July 1997, 0 19 590322 6Show More
"... and Wus living on both sides of the border – is the likeliest, indeed the only possible explanation. Does it still hold? Will the Chinese Communist Party now be permitted to operate in Hong Kong? Kenneth Lieberthal raises this interesting question in his contribution to Hong Kong under Chinese Rule, but has no ready answer. Hong Kong's British governors were all appointed by, and solely responsible ..."


text:
Saeed Al-Hajri (born 11 November 1950), called The King of Dunes is a Qatari rally driver.

Biography
Al-Harji was born on 14 April in Doha, Qatar.

Al Hajri is the winner of the first two editions of the Middle East Rally Championship, he won 18 international victories in rallies (MERC 11), and is also the first Arab to win points in the European and worldwide championships of Rally.

His team was the Rothmans Porsche Rally Team from 1983 to 1986, 1987 with Audi Quattro and the Rothmans Ford Team from 1989 to 1990.

History
 Double champion of the Middle East Rally FIA (MORC) in 1984 and 1985 in the Porsche 911 SC RS;
 Double champion of the Persian Gulf rallies in 1983 and 1984, in a Porsche 911 SC RS;
 Champion of the Middle East Rally in 1984, in a Porsche 911 SC RS;
 1983, 1984, 1985, 1987, 1989 and 1992: Rally of Qatar;
 1983, 1985 and 1986: Jordan Rally;
 1984: Rally of Dubai;
 1985: winner of Pharaoh's Rally in Egypt in a Porsche 959
 1993: Rally of Tunisia on Mitsubishi with his French co-driver Henri Magne);
 2007: Rally Transsibérie;
 2nd of the MERC Rally of Lebanon in 1988, in a Ford Sierra Cosworth with his copilot and brother Mubarak Al-Hajri;
 4th of the ERC Cyprus Rally in 1983 on Opel Ascona 400 with his copilot John Spiller;
 4th of the WRC Acropolis Rally in 1986 in a Porsche 911 SC RS with his copilot J. Spiller;
 5th of the WRC Acropolis Rally in 1985 in a Porsche 911 SC RS with his copilot J. Spiller;
 6th of Paris-Dakar rally in 2002, at age 52, on Mitsubishi with his co-driver Matthew Stevenson;
 8th of the 1989 WRC Rally of New Zealand in a Ford Sierra MK1 with his co-driver Steve Bond.

External links
 Saeed Al-Hajri on rallyebase.nl
 Saeed Al-Hajri of rally-info.com
 Biography of Saeed Al-Hajri 1
 Biography of Saeed Al-Hajri 2

1950 births
Living people
People from Doha
Qatari rally drivers

redpajama_set_name: RedPajamaWikipedia


The winners for both 2012 and 2013 will be announced at the award ceremony at Rainfurrest in September.
This entry was posted in Uncategorized and tagged announcements, awards, coyotl awards, guild news. Bookmark the permalink.


Hello. I am a mother of 2 sweet little boys. My oldest, Evan (almost 5) and my youngest, Zachary (2). We have recently had Evan evaluated by an Occupational Therapist, finally, and have confirmed that Evan has tactile (sensory seeking), oral defensive, emotional, and some auditory defensive and visual defensive (minor) SPD.
It has been a long frustrating road to get this diagnosis. We first started thinking about the possibility that Evan may have SPD several months ago. Evan started having behavioral problems in his preschool and they had asked if Evan did any other "corky things" like getting very upset if his shoelaces touched his leg when you tied his shoe.
After thinking more about it it I though, "Yeah! He does a lot of corky things!" Anyway, I have quite a few friends with children that have Aspergers and various degrees of Autism, and a couple of them gave me some information on SPD. After reading up on it just a little bit (on this site as well as others), I knew Evan most likely had some issues with sensory processing.
My first step, I went to my pediatrician and described what I thought was going on with Evan and why, and they gave me a referral to Childrens Hospital for an evaluation. I quickly filled that paperwork out and returned it to Childrens Hospital and called for an appointment. I was told that it would be 9 months to a year before I could get an evaluation. UNACCEPTABLE!!! I needed help now! They in turn sent me to some private institutions that can evaluate young children for these types of issues.
avoid! So I turned to the list of private institutions.
Well, as you can probably guess, I called them and realized that I did not have the money to pay the fees for the evaluation so I set up an appointment with an Occupational Therapist (OT) to meet with Evan and I for an hour. With in the first few minutes of speaking with her on the phone she thought that Evan was having issues with sensory processing. She then confirmed it in our session.
I finally found a place that specializes in SPD and treating young children that is covered by my insurance, but was forced again to pay out of pocket for another session with the OT that had evaluated Evan at his preschool. Evan's behavior is a big problem at his preschool, but after talking with the OT about it, I now know why. They are constantly sending him over the edge and into fight or flight. We are currently working with them and they with us to help avoid some of the triggers.
I am also looking into preschools with experience working with SPD kids (Montessori, Waldorf, and Goddard) and hopefully will be able to put Evan in an environment and with teachers more educated on SPD.
I am having Evan evaluated this week by the place that accepts my insurance and will hopefully begin OT shortly after that, but it has been a pretty painful process. A bunch of my family, as well as my husband (which I think had SPD as a child as well),has been telling me I am crazy and that there is nothing going on with Evan. I am happy to be able to say I told you so! On one hand, I am relieved that we now have a reason for Evan's unacceptable behavior and corky issues, but on the other, no one ever wants to hear that there is something wrong with their child.
Good luck to all fighting for their children. Stay strong and hang in there.... for your children will only benefit.


Current models of language development commonly assume that there are few changes in linguistic ability across the adult years (Menyuk, 1977). This assumption, however, is not based on actual research; as Cohen (1979) observed, 'Geriatric psycholinguistics is virtually an unexplored territory' (p. 412). Some information about adults' linguistic abilities is provided by aphasia test norms.
1979; Belmore, 1981; Cohen and Faulkner, 1981). Age-related effects have not typically been observed in sentence production tasks (Nebes and Andrews-Kulis, 1976; Yorkston and Beukelman, 1980; Walker et 01., 1981) although only a limited set of variables, e.g. speed, fluency and clarity, have been investigated.
The following research was undertaken as a detailed investigation of the spontaneous speech of active, healthy adults between the ages of 50 and 90 years. This age range was chosen to compare the performance of middle-aged (50 and 60 year olds) and elderly (70 and 80 year olds) adults (Kausler, 1982). Sixteen different measures of syntactic structure, verb tense, form class, lexical use and disfluency were examined. These variables were chosen to represent a range of linguistic skills and to provide a comprehensive profile of the adults' spoken language. Performance on the lexical and disfluency measures was not expected to vary with age (Schaie, 1980).Performance on the syntactic, tense and form class measures was expected to decline with age, reflecting attentional and memory limitations (Craik, 1977; Kausler, 1982).
Participants in the Healthy Old People in Edinburgh (HOPE) study (N = 398) were assessed on Raven's Progressive Matrices and Logical Memory on up to three occasions. Covariates included education, social class, disease and medication status, blood pressure and study outcome. Raven's score declined linearly with age, whereas decline in Logical Memory was accelerating. There was significant variation in individuals' rates of decline for Ravens but not Logical Memory. Slope–intercept covariances were not significant. Those who later developed dementia already exhibited lower scores, more so for Logical Memory than Raven's. Death and study attrition were related to performance, again greater for Logical Memory. Conclusions: The HOPE approach of progressive screening is a feasible and practical method for studying healthy cognitive ageing. As predicted for an initially healthy sample, rates of decline were relatively homogeneous. The hypothesis of differential decline was not supported, nor was a strict interpretation of the hypothesis that cognitive ageing is entirely pathology driven.


Oldgringo get well soon, prayers up.
That is a pretty serious issue. You should consider transferring to a University hospital in a major city.
Prayers for your healing OldGringo. Hope your recovery is as quick and painless as possible and you can go home sooner than expected.
Thanks, but I don't think I'd get better treatment anywhere than I'm receiving here at Christus Trinity Mother Francis in Jacksonville. We're all home folk here in our little part of the Pineywoods.
Prayers sent for a speedy recovery.
Very scary. In my prayers.
Get well soon good Sir.
Thursday, we were to be in our modest RV in Loyd Park, Friday was to be a shopping trip to a nearby Costco, Saturday was to be the Texas Air Gun Show, Sunday a day of R&R and go home Monday.
Alas, all of that, along with our July RV trip to Lake Tawakoni has been cancelled as I try to recover from bacterial meningitis contracted during an unfortunate/botched Spiral Cord Stimulator trial.
With a little luck and a lot of prayer, I shall recover and be out of the hospital in mid-July and we'll be in the high country NM and CO Mountains in August and September.
Thanks to all for your concern and prayers.


text:
Education Faith Health Money Politics U.S. WorldMATTERS OF LIFE AND DEATH
Psychologist claims unborn babies can give permission for abortion
'Will telepathically communicate to the mother that they agree to be aborted'
By WND News Services
Published February 20, 2022 at 12:30pm
[Editor's note: This story originally was published by Live Action News.]
By Sarah Terzo
In the article "Conscious Abortion: Engaging the Fetus in a Compassionate Dialogue" in the Journal of Prenatal and Perinatal Psychology and Health, psychologist Claudette Nantel encourages women to communicate with their baby before an abortion, tell them how much they love them, say goodbye, and even get their child's permission for the abortion.
Nantel admits the baby's humanity, defining "fetus" as "an unborn baby in its mother's womb, at any time from conception to birth."1
"A heart-to-heart conversation"
"Conscious abortion" hinges on the belief that the baby in the womb can "hear" and understand the woman's thoughts and even telepathically communicate back. Family doctor G McGarey suggested2 that someone having an abortion should have "a heart-to-heart conversation with her baby in the womb, explaining how this is not a good time for her to raise a child, reassuring them that they are deeply loved."3
According to McGarey, it's important for women to make sure their babies know they love them… before they have them dismembered or poisoned. McGarey has guided women through the process and says many of her colleagues use it.
Can unborn babies give permission for abortion?
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Several other counselors tell women with unwanted pregnancies to ask their baby to leave the womb. PH Fairfield instructs the following: "With deep love and concern, ask [the baby] to leave. Let yourself feel the divine love and connection with them, then tell them that it is not time for them to come in, or that you would like them to come back at a later time."4 It is hoped, then, the baby will choose to leave, and the woman will miscarry. If not, then they believe abortion is needed to complete the process.
Another practitioner, M Axness, says women having abortions should communicate with the baby "through prayer, imagination, art, letter, dance, song – a level of communication with the newly arrived being in their wombs through which they explain to the baby that it isn't the right time for him or her to come and that it is necessary to separate."5
Ask for consent and wait for "a response of agreement"
HH Watkins has women with unwanted pregnancies ask the baby to consent to the abortion. The child, according to Watkins and Nantel, will then telepathically communicate to the mother that they agree to be aborted. Watkins instructs women to:
visualize the fetus, express their conflict about the pregnancy, then wait for a response (feeling, hearing, and seeing). The women were encouraged to repeat this exercise at home, and when/if they felt a response of agreement from the fetus, to visualize the fetus leaving their body.6
She says this leads the women to have "a deeper sense of self, more respect for life, and positive feelings about a better-timed future pregnancy through the process of dialogue with their baby."7 Presumably, all these blessings will come after the abortion.
Nearly every time Watkins did this exercise, the mother allegedly "heard" the baby agree to be aborted. Obviously, this was what they wanted to "hear." Under Watkins' influence, the women convinced themselves their babies accepted being aborted. All of the babies "consented" to their violent deaths – except one.
One woman "heard" the child say no.
After getting this "answer," the woman responded, "You don't mean that?"
Watkins recalls what happened next:
[She] continued the process of weeping and talking to the fetus at home until there was only silence in response. She concluded the fetus accepted her intended surgical intervention. She began the abortion visualization, but no miscarriage occurred.
The surgical intervention was accomplished without complication, healing was rapid, and the client felt little or no remorse. She knew at all levels she had made the appropriate decision for herself.8
So apparently the baby, by his or her silence, consented to be aborted after all.
Twisting reality
One woman had three abortions. Of the first child, she said, "I was young and much more centered on myself and my life circumstances than on the baby. I was not really in contact with this baby."9
But with the other two, "I was able to go inside myself and have an intimate relationship with these two babies."10
She thinks her children existed for the purpose of telling her to leave the man she was with, and says:
I never felt I was doing them harm. Just before the abortion for each of them, I asked the lady who showed me the ultrasound screen to give me five minutes alone with the baby, before the intervention.
I spoke to each of them in a fluid, soft manner, more like saying, 'Thank you, see you later…' The ultrasound screen conversations were way of recognizing the relationship, expressing my gratitude…
It was so clear for me that these two children had not come to me saying, 'Let me be born.'11
In this woman's mind, her babies existed solely for her – to give her a life lesson. She says, "These babies helped me, and I acted on what they helped me with. I honored them. And they had a tremendous healing effect on the guilt and angst which I carried a long time during and after my first abortion."12
After they gave her that lesson, they could be discarded. To avoid guilt, she convinced herself that her children were content to be discarded. After all, they had served their purpose.
According to her, her aborted babies were "beings who were my equals, partners in learning."13
The possibility that these "equals" could have a right to life of their own never occurred to her.
Note also the euphemism being used in these cases — "intervention" rather than abortion.
The phenomenon of "conscious abortion" is about twisting reality to make abortion acceptable, even while admitting it's killing babies. If doctors, counselors, and women having abortions believe the baby has no objections, they don't have to feel guilty.
The article isn't clear on how widespread the practice of "conscious abortion" is, but quotes multiple practitioners of it, some of whom reveal that their colleagues are doing it as well. The article even quotes a French woman who works in an abortion facility and does this exercise with women before their abortions.
Claudette Nantel "Conscious Abortion: Engaging the Fetus in a Compassionate Dialogue" Journal of Prenatal and Perinatal Psychology and Health 35 (2) Summer 2021: 2
G McGarey Born to Live (Inkwell Productions 2008) 59 – 60
Claudette Nantel "Conscious Abortion…" 10
PH Fairfield "Conscious Abortion" and the Idea of Abortion Itself" Journal of Prenatal and Perinatal Psychology and Health, 20 (4): 2006:346
M Axness "To Be or Not to Be: Prenatal Origins of the Existential "Yes" v. The Self Struggle" Journal of Prenatal and Perinatal Psychology and Health 31 (2): 155
HH Watkins "Treating the Trauma of Abortion" Journal of Pre-and Perinatal Psychology and Health 1 (2) 1986: 136
HH Watkins "Treating the Trauma of Abortion" 137
Ibid., 14
These reports are produced by another news agency, and the editors of WND believe you'll find it of interest.
Mike Pence says classified docs 'should not have been' at his home
Failed senate candidate tells Bill Maher the Democrats' brand is 'toxic'


text:
A jet aircraft (or simply jet) is an aircraft (nearly always a fixed-wing aircraft) propelled by jet engines.

Whereas the engines in propeller-powered aircraft generally achieve their maximum efficiency at much lower speeds and altitudes, jet engines achieve maximum efficiency at speeds close to or even well above the speed of sound. Jet aircraft generally cruise most efficiently at about Mach 0.8 () and at altitudes around  or more.

The idea of the jet engine was not new, but the technical problems involved could not begin to be solved until the 1930s.
Frank Whittle, an English inventor and RAF officer, began development of a viable jet engine in 1928, and Hans von Ohain in Germany began work independently in the early 1930s. In August 1939 the turbojet powered Heinkel He 178, the world's first jet aircraft, made its first flight. A wide range of different types of jet aircraft exist, both for civilian and military purposes.

History

After the first instance of powered flight, a large number of jet engine designs were suggested. René Lorin, Morize, Harris proposed systems for creating a jet efflux.

After other jet engines had been run, Romanian inventor Henri Coandă claimed to have built a jet-powered aircraft in 1910, the Coandă-1910. However, to support this claim, he had to make substantial alterations to the drawings which he used to support his subsequently debunked claims. In fact the ducted-fan engine backfired, setting the aircraft on fire before any flights were ever made, and it lacked nearly all of the features necessary for a jet engine - including a lack of fuel injection, and any concern about hot jet efflux being directed at a highly flammable fabric surface.

During the 1920s and 1930s a number of approaches were tried. A variety of motorjet, turboprop, pulsejet and rocket powered aircraft were designed. Rocket-engine research was being carried out in Germany and the first aircraft to fly under rocket power was the Lippisch Ente, in 1928. The Ente had previously been flown as a glider. The next year, in 1929, the Opel RAK.1 became the first purpose-built rocket aircraft to fly.

The turbojet was invented in the 1930s, independently by Frank Whittle and later Hans von Ohain. The first turbojet aircraft to fly was the Heinkel He 178, on August 27, 1939 in Rostock (Germany), powered by von Ohain's design. This was largely a proof of concept, as the problem of "creep" (metal fatigue caused by the high temperatures within the engine) had not been solved, and the engine quickly burned out. Von Ohain's design, an axial-flow engine, as opposed to Whittle's centrifugal flow engine, was eventually adopted by most manufacturers by the 1950s.

The first flight of a jet-propelled aircraft to come to public attention was the Italian Caproni Campini N.1 motorjet prototype which flew on August 27, 1940. It was the first jet aircraft recognised by the Fédération Aéronautique Internationale (at the time the German He 178 program was still kept secret). Campini began development of the motorjet in 1932; it differed from a true turbojet in that the air was driven through by a piston engine, instead of the exhaust gas, a much more complex solution.

The British experimental Gloster E.28/39 first flew on May 15, 1941, powered by Sir Frank Whittle's turbojet. The United States Bell XP-59A flew on October 1, 1942, using two examples of a version of the Whittle engine built by General Electric. The Meteor was the first production jet, with the first orders for production examples being made on 8 August 1941, the prototype first flying on 5 March 1943 and the first production aircraft flying on 12 January 1944, while the first orders for production Me 262 aircraft were not issued until 25 May 1943, and the first production Me 262 did not fly until 28 March 1944 despite the Me 262 program having started earlier than that of the Meteor, as Projekt 1065, with initial plans drawn up by Waldemar Voigt's design team in April 1939.

The Messerschmitt Me 262 was the first operational jet fighter, manufactured by Germany during World War II and entering service on 19 April 1944 with Erprobungskommando 262 at Lechfeld just south of Augsburg. An Me 262 scored the first combat victory for a jet fighter on 26 July 1944. The Me 262 had first flown on April 18, 1941, but mass production did not start until early 1944, with the first squadrons operational that year, too late for any effect on the outcome of the World War II. While only around 15 Meteors were operational during WW2, up to 1,400 Me 262 were produced, with 300 entering combat. Only the rocket-propelled Messerschmitt Me 163 Komet was a faster operational aircraft during the war.

Around this time, mid 1944, the United Kingdom's Gloster Meteor was being used for defence of the UK against the V-1 flying bomb – itself a pulsejet-powered aircraft and direct ancestor of the cruise missile – and then ground-attack operations over Europe in the last months of the war. In 1944 Germany introduced the Arado Ar 234 jet reconnaissance and bomber aircraft into service, though chiefly used in the former role, with the Heinkel He 162 Spatz single-jet light fighter appearing at the end of 1944. USSR tested its own Bereznyak-Isayev BI-1 in 1942, but the project was scrapped by leader Joseph Stalin in 1945. The Imperial Japanese Navy also developed jet aircraft in 1945, including the Nakajima J9Y Kikka, a modified, and slightly smaller version of the Me 262 that had folding wings. By the end of 1945, the US had introduced their first jet fighter, the Lockheed P-80 Shooting Star into service and the UK its second fighter design, the de Havilland Vampire.

The US introduced the North American B-45 Tornado, their first jet bomber, into service in 1948. It was capable of carrying nuclear weapons, but was used for reconnaissance over Korea. On November 8, 1950, during the Korean War, United States Air Force Lt. Russell J. Brown, flying in an F-80, intercepted two North Korean MiG-15s near the Yalu River and shot them down in the first jet-to-jet dogfight in history. The UK put the English Electric Canberra into service in 1951 as a light bomber. It was designed to fly higher and faster than any interceptor.

BOAC operated the first commercial jet service, from London to Johannesburg, in 1952 with the de Havilland Comet jetliner. This highly innovative aircraft travelled far faster and higher than propeller aircraft, was much quieter, smoother, and had stylish blended wings containing hidden jet engines. However, due to a design defect, and use of aluminium alloys, the aircraft suffered catastrophic metal fatigue which led to several crashes, which gave time for the Boeing 707 to enter service in 1958 and thus to dominate the market for civilian airliners. The underslung engines were found to be advantageous in the event of a propellant leak, and so the 707 looked rather different from the Comet: the 707 has a shape that is effectively the same as that of contemporary aircraft, with marked commonality still evident today for example with the 737 (fuselage) and A340 (single deck, swept wing, four below-wing engines).

Turbofan aircraft with far greater fuel efficiency began entering service in the 1950s and 1960s, and became the most commonly used type of jet.

The Tu-144 supersonic transport was the fastest commercial jet aircraft at Mach 2.35 (). It went into service in 1975, but was withdrawn from commercial service shortly afterwards. The Mach 2 Concorde entered service in 1976 and flew for 27 years.

The fastest military jet aircraft was the SR-71 Blackbird at Mach 3.35 ().

Other jets

Most people use the term 'jet aircraft' to denote gas turbine based airbreathing jet engines, but rockets and scramjets are both also propelled by jet propulsion.

Cruise missiles are single-use unmanned jet aircraft, powered predominately by ramjets or turbojets or sometimes turbofans, but they will often have a rocket propulsion system for initial propulsion.

The fastest airbreathing jet aircraft is the unmanned X-43 scramjet at around Mach 9–10.

The fastest manned (rocket) aircraft is the X-15 at Mach 6.85.

The Space Shuttle, while far faster than the X-43 or X-15, was not regarded as an aircraft during ascent as it was carried ballistically by rocket thrust, rather than the air. During re-entry it was classed (like a glider) as an unpowered aircraft. The first flight was in 1981.

The Bell 533 (1964), Lockheed XH-51 (1965), and Sikorsky S-69 (1977-1981) are examples of compound helicopter designs where jet exhaust added to forward thrust. The Hiller YH-32 Hornet and Fairey Ultra-light Helicopter were among the many helicopters where the rotors were driven by tip jets.

Jet-powered wingsuits exist - powered by model aircraft jet engines - but of short duration and needing to be launched at height.

Aerodynamics
Because of the way they work, the typical exhaust speed of jet engines is transonic or faster, therefore most jet aircraft need to fly at high speeds, either supersonic or speeds just below the speed of sound ("transonic") so as to achieve efficient flight. Aerodynamics is therefore an important consideration.

Jet aircraft are usually designed using the Whitcomb area rule, which says that the total area of cross-section of the aircraft at any point along the aircraft from the nose must be approximately the same as that of a Sears-Haack body. A shape with that property minimises the production of shockwaves which would waste energy.

Jet engines

There are several types of engine which operate by expelling hot gas:

turbojet
turbofan (which come in two main forms low bypass turbofan and high bypass turbofan)
rocket

The different types are used for different purposes.

Rockets are the oldest type, and are mainly used when extremely high speeds are needed, or operation at extremely high altitudes where there is insufficient air to operate a jet engine. Due to the extreme, typically hypersonic, exhaust velocity and the necessity of oxidiser being carried on board, they consume propellant extremely quickly, making them impractical for routine transportation.

Turbojets are the second oldest type; they have a high, usually supersonic, exhaust speed and low frontal cross-section, and so are best suited to high-speed, usually supersonic, flight. Although once widely used, they are relatively inefficient compared to turboprop and turbofans for subsonic flight. The last major aircraft to use turbojets were Concorde and Tu-144 supersonic transports.

Low bypass turbofans have a lower exhaust speed than turbojets, and are mostly used for high sonic, transonic, and low supersonic speeds. High bypass turbofans are relatively efficient, and are used by subsonic aircraft such as airliners.

Flying characteristics
Jet aircraft fly considerably differently than propeller aircraft.

One difference is that jet engines respond relatively slowly. This complicates takeoff and landing maneuvers.
In particular, during takeoff, propeller aircraft engines blow air over their wings and that gives more lift and a shorter takeoff. These differences caught out some early BOAC Comet pilots.

Propulsive efficiency

In aircraft overall propulsive efficiency  is the efficiency, in percent, with which the energy contained in a vehicle's propellant is converted into useful energy, to replace losses due to air drag, gravity, and acceleration. It can also be stated as the proportion of the mechanical energy actually used to propel the aircraft. It is always less than 100% because of kinetic energy loss to the exhaust, and less-than-ideal efficiency of the propulsive mechanism, whether a propeller, a jet exhaust, or a fan. In addition, propulsive efficiency is greatly dependent on air density and airspeed.

Mathematically, it is represented as  where  is the cycle efficiency and  is the propulsive efficiency. The cycle efficiency, in percent, is the proportion of energy that can be derived from the energy source that is converted to mechanical energy by the engine.

For jet aircraft the propulsive efficiency (essentially energy efficiency) is highest when the engine emits an exhaust jet at a speed that is the same as, or nearly the same as, the vehicle velocity. The exact formula for air-breathing engines as given in the literature, is

where c is the exhaust speed, and v is the speed of the aircraft.

Range

For a long range jet operating in the stratosphere, the speed of sound is constant, hence flying at fixed angle of attack and constant Mach number causes the aircraft to climb, without changing the value of the local speed of sound. In this case:

where  is the cruise Mach number and  the local speed of sound. The range equation can be shown to be:

which is known as the Breguet range equation after the French aviation pioneer Louis Charles Breguet.

See also
 Coandă-1910
 Commercial aviation
 Contrail
 Jet airliner
 Jet noise
 Jumbo jet
 Very light jet
 List of jet aircraft of World War II

References

Citations

Bibliography

 Lutz Warsitz: The First Jet Pilot – The Story of German Test Pilot Erich Warsitz, Pen and Sword Books Ltd., England, 2009, , English Edition

External links

 The official Erich Warsitz website (the world's first jet pilot), inclusive rare videos (Heinkel He 178) and audio commentaries


Director David Lowery drew comparisons to Terrence Malick, and especially Days of Heaven, with his debut 2013 feature Ain't Them Bodies Saints, a sparse drama set in the fields of rural Texas.
He channels Malick once again in his latest feature, A Ghost Story, which recalls the more spiritual, meaning-of-life type ruminations in the director's 2010 film The Tree of Life - as well as that film's striking visual palette.
Introducing the film at this year's Karlovy Vary International Film Festival alongside star Casey Affleck and others from behind the camera, Lowery urged viewers to "cast aside all preconceptions" they might have of his movie.
I only knew the film starred Affleck as a bedsheet-wearing ghost a la a 1930s cartoon, but Lowery was right: this film defies any notions a viewer could reasonably have, and just generally defies description.
In sparse early scenes, Affleck and Rooney Mara star as a couple living in a modest suburban home in the southern US. We infer only the faintest hints about their relationship, which might be on the rocks, but in any event, he's soon dead.
But not out of the picture: no, Affleck crawls out of his bed at the morgue under a bedsheet, cuts a pair of eyeholes in it, and walks back home. He's a ghost now, in the spirit world, and while he can observe the living he cannot interact. Not much, in any event.
Soon Mara's character is out of the film, too, and A Ghost Story becomes a ghost movie as told from the point of view of the ghost. Think back to Poltergeist, or The Haunting, or Paranormal Activity, etc., and sympathize, or even shed a tear: ghosts are (or were) people, too.
As unlikely as this sounds, A Ghost Story becomes a hauntingly beautiful rumination on the nature and meaning of life and the significance of a human being, and a powerful and unique exploration of what it all adds up to.
Affleck's ghost lives so long he comes back to the beginning, only to witness the events of his own life all over again. We may not yet have reached the afterlife, but it's thematic device that we can all relate to.
Affleck isn't always under the bedsheet; he revealed to the Karlovy Vary audience in a Q&A following the film that stand-in occasionally filled in for him. Still, the character is a surprisingly strong one: for most of the movie we're watching a bedsheet with black eyes simply bear witness to the events that pass him by, and yet somehow it all works, and we even identify with this most unusual central character.
Beautifully shot in a boxy 4:3 aspect ratio by Andrew Droz Palermo, A Ghost Story looks like a work of art with every shot. The lethargic pacing of the film may divide audiences, but I think most will find a lot to like here.
And do cast away preconceptions, but imagine 1990's Ghost as remade by Terrence Malick and you're on the right track.
A Ghost Story will open in the US later this week, but it's still in search of a release date in the Czech Republic.


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Ex-College Football Kicker Ethers NCAA With Scathing Diss Track Over XXXTentacion's "Look At Me"
I don't think we're breaking any news by saying the NCAA is one of the most archaic, out-of-touch organizations you could possibly imagine. The governing body of college athletics lords over a system in which universities make millions upon millions of dollars by exploiting free labor, using the talents of gifted athletes to build their brands.
But over the last two decades, the tide has turned against the NCAA, with players and fans alike finally deciding they're fed up with the whole operation. One student-athlete in particular, University of Central Florida kicker Donald De La Haye, rebelled against the idea that he couldn't profit off his own likeness, and he has become a bit of a YouTube star over the last year or so. Hovering around 53,000 followers on YouTube in June, the NCAA tried to stop De La Haye in his tracks, offering him the ability to continue creating content for his channel if he dropped all sports-related content in the process. They were seemingly upset with him for using his stature as a college athlete to turn a profit.
He refused to comply with their request, though, and his subsequent fight with the NCAA turned into quite a public spectacle. They eventually ruled him ineligible to play football moving forward and revoked his scholarship after he refused to sign a waiver. They also offered up a horseshit explanation for the decision.
In the process, they boosted De La Haye's fame far beyond previous levels, with the kicker currently sitting on around 175,000 subscribers on the very same YouTube page. And now, after mulling over the subject, De La Haye decided to drop a diss track on the matter. And to answer your question, yes, a diss track aimed exclusively at the NCAA is just as ridiculous as you'd think.
These are nobody's idea of "bars," but De La Haye does make a lot of serious allegations in his half-serious song. "I couldn't even pay for food, now I can go cop me a chain," he says at the beginning of the song, mocking the allocated resources available for college athletes. This is a fairly common complaint among critics of the NCAA system, as Shabazz Napier led UConn to an NCAA basketball title in 2014 but later revealed there were many nights when he went to bed starving during his time in college.
"We do have hungry nights that we don't have enough money to get food in," Napier said at the time. "Sometimes, there's hungry nights where I'm not able to eat, but I still gotta play up to my capabilities."
College scholarships are not a substitute for proper compensation, just like unpaid internships and "good experience" are not a substitute for paying an employee fair wages. So regardless of his skills on the mic, I'll be rooting for De La Haye and players like him to shake up a broken system.
In the meantime, you can listen to his diss track for yourself up top.


text: Q: Projective representation of braid group The representation theory of braid group $B_n$ is tough, not to mention the projective representation. But my problem is simpler: how to find out all the one-dimensional projective representations of braid group?

redpajama_set_name: RedPajamaStackExchange


text:
Experience science hands-on
By cAdmin on 5. September 2013 in links Spotlight, News-Archiv-2013
Mainz, September 5, 2013 – On September 14-15, more than 30 research institutes will present their work, scientific mission, and latest projects to the general public at the 12th Mainz Science Fair in downtown Mainz. With public lectures, hands-on activities and interactive games, visitors can explore the work of 300 scientists and scholars who will demonstrate their research.
The Mainz Science Fair demonstrates the exceptional density of scientific institutes and research organizations in the area, in fact, the highest concentration in Germany, says Mainz mayor Michael Ebling. "Here in Mainz and the region, we do not only have a research focus on biotechnology but we see that the universities and other research institutes are at the center of a dynamic education and business location".
The Mainz Science Fair is organized by the Mainz Research Alliance, of which TRON is a member, the city of Mainz and the state of Rhineland-Palatinate.
Click here for a detailed program.
TRON Seminar in Translational Oncology: Prof. Dr. Sjoerd H. van der Burg and Dr. Thorbald van Hall
Genomics Tailored Cancer Immunotherapy


text:
Interactive Data completes acquisition of FutureSource, LLC
September 7, 2004, 11:00 , 11:00
Interactive Data
Interactive Data Corporation (NYSE:IDC), a leading global provider of securities pricing, financial information and analytic tools to institutional and individual investors, today announced the closing of the company's acquisition of the assets of FutureSource, LLC and its subsidiaries for $18 million in cash.
FutureSource is a leader in the real-time futures, commodities and foreign exchange markets. Interactive Data plans to combine FutureSource's products and services into its eSignal division.
About Interactive Data Corporation
Interactive Data Corporation is a leading global provider of securities pricing, financial information, and analytic tools to institutional and individual investors. The company supplies time-sensitive pricing (including evaluated pricing), dividend, corporate action, and descriptive information for more than 3.5 million securities traded around the world, including hard-to-value instruments. Many of the world's best-known financial service and software companies subscribe to the company's services in support of their trading, analysis, portfolio management, and valuation activities.
Interactive Data Corporation is headquartered in Bedford, Massachusetts.. Through its branded businesses, FT Interactive Data, ComStock, CMS BondEdge, and eSignal, Interactive Data Corporation has approximately 1,700 employees in offices located throughout North America, Europe, Asia, and Australia. Pearson plc (NYSE: PSO), an international media company, whose businesses include the Financial Times Group, Pearson Education, and the Penguin Group, owns approximately 60 percent of the outstanding common stock of Interactive Data Corporation.
Andrew Kramer, 781-687-8306
Andrew.Kramer@ftid.com
Jeanne Murphy, 781-687-8548
jeanne.murphy@ftid.com


text:
Nicolas Fouquet [ejtsd: nikolá fuké] (Párizs, 1615. január 27. – Pinerolo, 1680. március 23.) francia pénzügyminiszter.

Élete
Pályája kezdetén Mazarint szolgálta, akit a Fronde ellen is támogatott. Ezért 1653-ban a pénzügy főintendánsává lett, és ebben az állásában a bíboros által folytatott háborúk költségeinek fedezéséről kellett gondoskodnia. Eközben azonban a saját vagyonát növelte tisztességtelen módon, a fényűzés és hatalom utáni vágytól hajtva, Mazarin bukására tört. Ezt a célt azonban nem érhette el, a bíboros halála után pedig nem ő, hanem Colbert lett XIV. Lajos pénzügyminisztere. Fouquet, bízván az özvegy királyné kegyében, most sem hagyott fel fondorlataival. A pénzben szűkölködő ifjú király felbőszült a miniszter mértéktelen és kirívó fényűzésén, és még abban az évben (1661 szeptemberében) utasítást adott Fouquet letartóztatására. Az őrizetbe vételt Lajos bizalmasa, Charles d'Artagnan testőrkapitány végezte. A kegyvesztett pénzügyminiszter helyére Lajos a hozzá feltétlenül lojális Colbert-t állította. Fouquet ellen vizsgálat indult, megvádolták állami pénzek hűtlen kezelésével, és királyi engedély nélkül végzett erődépítéssel. Ezt Lajos a saját személye elleni összeesküvésnek, tehát felségárulásnak minősítette. Három évig húzódó per után a törvényszék végül számkivetésre itélte, az ítéletet azonban a (halálos ítéletre számító) király élethossziglani fogságra változtatta. Fouquet a pinerolói fogházban halt meg.

Jegyzetek

Források

Franciaország miniszterei
Párizsiak
1615-ben született személyek
1680-ban elhunyt személyek


What I write doesn't seem like arts criticism as he defines it. To put it more baldly: I do not write enough strongly negative reviews.
The commenters provide great discussion points. Read them through. I think the key phrase is "enough strongly negative". She critiques but does destroy. Anyone who has read the flippantly derogatory comments in the Times' reviews understands.
Really?! I decided long ago to ignore any review of modern dance because of his absolute ignorance but this is appalling. One sugar plum too many? Is this germane to her dancing? Is it even within the realm of reason?
For further perspective on Jenifer Ringer there is a great article on her in Working Mother.
I'm not saying he had to know of her background but for god's sake can he really be unaware of eating disorders in women and, in particular, dancers?! And that his unnecessary, unprofessional, throwaway comment can have a devastating effect on the health of these and other women?
Act 2 has most of the dancing, and Jenifer Ringer was a Sugarplum Fairy crafted by an expert confectioner. She danced a sophisticated solo, during which she played with the music just enough and no more. You can also see she's the mother of a toddler herself in the warm way she smiled at the child angels shuffling about her.
Everyone is entitled to their opinion, right? Fine. Lets just know up front that he only prefers ballerinas that look a certain way so that we are clear when his bias colors his review. And NYCB? Ban him from your performances and get a reviewer in there who can review the dancing.
The New York Times chief dance critic, an import from London, has been holding down a position of outsized power that he never merited. When he first got here, I thought he'd bring a voice of passion, which I value. But, for the most part, I stopped reading his work when it became clear that his experience and sympathies mainly run to elite choreographers—Balanchine, Cunningham, Paul Taylor, Mark Morris–and a handful of other artists he deems masters of the craft. Ask Macaulay to stray beyond his comfy zone, and he loses it.
Come enjoy the Halloween-themed Performance Project concert at Dance New Amsterdam this weekend. I am amongst the choreographers for this show.
will be an Intermediate level workshop.
Rehearsal dates from October 5-30, 2008.
Times TBA but mostly Sundays and weekday evenings.
Performances October 31-November 2, 2008.


Creating a brand and packaging design for a mainstream meal replacement product.
Body Design is a meal replacement product that helps you achieve your body goals. We created a new brand from the ground up including: packaging, advertising, photography and a suite of marketing materials. We've even had the chance to sample some of the products and they're pretty tasty! All the hard work from both sides has paid off, as Body Design is now exclusively sold in Superdrug stores up and down the country!
For these new meal replacement products we wanted to leave all the seriousness of diets behind – gone are the days of calorie counting and feeling guilty after having a treat. We've given the shakes, crunchers, bars and pills names that are based on phrases and puns that give the products a light-hearted feel. Combining bright colours, layered typography and food images we've created fun packaging that definitely stands out on the shelves!
To support our idea of a product that is easy to implement into your lifestyle, we purposely stayed away from a scientific approach and explain matters in every day language to make it easily understandable. The design relies on quick understanding as well. Cutouts of real life photography for the different flavours scattered around the boxes, sachets and packs give you an idea of what your taste buds are in for.
Along with the packaging we created magazines ads for Heat and Closer as well as billboard advertising on the London underground. The key point here was to appeal to all women, regardless of shape and size. Key personas were picked out such as the busy mum and the avid gym goer with the idea that Body Design fits into everyone's lifestyle! To really capture what we were aiming for, we didn't want to rely on stock photography. A studio photoshoot was organised and appropriate models were chosen to fit the persona types. The photographs are now used on their social channels as well as on and offline advertising.
As Body Design continues to grow, we're there to support their team with marketing collateral, advertising and packaging design.