1777 #| msgid "quickly add a new user-id"
1778 msgid "quickly revoke a user-id"
1781 msgid "full featured key pair generation"
1784 msgid "generate a revocation certificate"
1793 msgid "quickly sign a key"
1796 msgid "quickly sign a key locally"
1799 msgid "sign a key"
1802 msgid "sign a key locally"
1808 msgid "change a passphrase"
1814 msgid "export keys to a keyserver"
1817 msgid "import keys from a keyserver"
1820 msgid "search for keys on a keyserver"
1823 msgid "update all keys from a keyserver"
1829 msgid "print the card status"
1832 msgid "change data on a card"
1835 msgid "change a card's PIN"
1838 msgid "update the trust database"
1841 msgid "print message digests"
1844 msgid "run in server mode"
1847 msgid "|VALUE|set the TOFU policy for a key"
1853 msgid "|USER-ID|encrypt for USER-ID"
1856 msgid "|USER-ID|use USER-ID to sign or decrypt"
1859 msgid "|N|set compress level to N (0 disables)"
1868 msgid "do not make any changes"
1871 msgid "prompt before overwriting"
1874 msgid "use strict OpenPGP behavior"
1879 "(See the man page for a complete listing of all commands and options)\n"
1897 " -se -r Bob [ファイル] ユーザBobへ署名と暗号化\n"
1898 " --clearsign [ファイル] クリア・テクスト署名を作成\n"
1899 " --detach-sign [ファイル] 分遣署名を作成\n"
1900 " --list-keys [名前] 鍵を表示\n"
1901 " --fingerprint [名前] フィンガープリントを表示\n"
1903 msgid "Usage: @GPG@ [options] [files] (-h for help)"
1904 msgstr "使い方: @GPG@ [オプション] [ファイル] (ヘルプは -h)"
1907 "Syntax: @GPG@ [options] [files]\n"
1908 "Sign, check, encrypt or decrypt\n"
1909 "Default operation depends on the input data\n"
1911 "形式: @GPG@ [オプション] [ファイル]\n"
1935 msgid "usage: %s [options] %s\n"
1936 msgstr "使い方: %s [オプション] %s\n"
1942 msgid "no = sign found in group definition '%s'\n"
1946 msgid "WARNING: unsafe ownership on homedir '%s'\n"
1947 msgstr "*警告*: homedir '%s'の安全でない所有\n"
1954 msgid "WARNING: unsafe ownership on extension '%s'\n"
1958 msgid "WARNING: unsafe permissions on homedir '%s'\n"
1959 msgstr "*警告*: homedir '%s'の安全でない許可\n"
1962 msgid "WARNING: unsafe permissions on configuration file '%s'\n"
1966 msgid "WARNING: unsafe permissions on extension '%s'\n"
1970 msgid "WARNING: unsafe enclosing directory ownership on homedir '%s'\n"
1971 msgstr "*警告*: homedir '%s'の安全でない上位ディレクトリ所有\n"
1975 "WARNING: unsafe enclosing directory ownership on configuration file '%s'\n"
1985 msgstr "*警告*: homedir '%s'の安全でない上位ディレクトリ許可\n"
2037 msgid "available TOFU policies:\n"
2041 msgid "unknown TOFU policy '%s'\n"
2044 msgid "(use \"help\" to list choices)\n"
2048 msgid "unknown TOFU DB format '%s'\n"
2052 msgid "Note: old default options file '%s' ignored\n"
2056 msgid "libgcrypt is too old (need %s, have %s)\n"
2057 msgstr "libgcrypt が古すぎます (必要 %s, 現在 %s)\n"
2068 msgid "invalid pinentry mode '%s'\n"
2069 msgstr "無効な pinentry mode '%s'です\n"
2072 msgid "'%s' is not a valid character set\n"
2075 msgid "could not parse keyserver URL\n"
2079 msgid "%s:%d: invalid keyserver options\n"
2082 msgid "invalid keyserver options\n"
2086 msgid "%s:%d: invalid import options\n"
2089 msgid "invalid import options\n"
2093 #| msgid "invalid list options\n"
2094 msgid "invalid filter option: %s\n"
2098 msgid "%s:%d: invalid export options\n"
2101 msgid "invalid export options\n"
2105 msgid "%s:%d: invalid list options\n"
2108 msgid "invalid list options\n"
2111 msgid "display photo IDs during signature verification"
2114 msgid "show policy URLs during signature verification"
2117 msgid "show all notations during signature verification"
2120 msgid "show IETF standard notations during signature verification"
2123 msgid "show user-supplied notations during signature verification"
2126 msgid "show preferred keyserver URLs during signature verification"
2129 msgid "show user ID validity during signature verification"
2132 msgid "show revoked and expired user IDs in signature verification"
2157 msgstr "%s:%d: 無効な auto-key-locate リストです\n"
2160 msgstr "無効な auto-key-locate リストです\n"
2178 msgstr "*警告*: ニセモノのシステム時刻で実行しています: "
2250 msgstr "*警告*: 公開鍵暗号を使わずに、受取人 (-r) を指定しています\n"
2259 msgid "symmetric encryption of '%s' failed: %s\n"
2266 msgstr "--symmetric --encrypt [ファイル名]"
2268 msgid "you cannot use --symmetric --encrypt with --s2k-mode 0\n"
2269 msgstr "--symmetric --encryptを--s2k-mode 0で使うことはできません\n"
2272 msgid "you cannot use --symmetric --encrypt while in %s mode\n"
2278 msgid "--sign --encrypt [filename]"
2279 msgstr "--sign --encrypt [ファイル名]"
2281 msgid "--symmetric --sign --encrypt [filename]"
2282 msgstr "--symmetric --sign --encrypt [ファイル名]"
2285 msgstr "--symmetric --sign --encryptを--s2k-mode 0で使うことはできません\n"
2288 msgid "you cannot use --symmetric --sign --encrypt while in %s mode\n"
2289 msgstr "--symmetric --sign --encryptを%sモードで使うことはできません\n"
2291 msgid "--sign --symmetric [filename]"
2292 msgstr "--sign --symmetric [ファイル名]"
2306 msgid "--edit-key user-id [commands]"
2307 msgstr "--edit-key ユーザid [コマンド]"
2317 msgid "keyserver receive failed: %s\n"
2321 msgid "key export failed: %s\n"
2325 msgid "export as ssh key failed: %s\n"
2329 msgid "keyserver search failed: %s\n"
2337 msgid "dearmoring failed: %s\n"
2341 msgid "enarmoring failed: %s\n"
2345 msgid "invalid hash algorithm '%s'\n"
2349 msgid "error parsing key specification '%s': %s\n"
2353 msgid "'%s' does not appear to be a valid key ID, fingerprint or keygrip\n"
2359 msgid "Go ahead and type your message ...\n"
2362 msgid "the given certification policy URL is invalid\n"
2365 msgid "the given signature policy URL is invalid\n"
2368 msgid "the given preferred keyserver URL is invalid\n"
2371 msgid "|FILE|take the keys from the keyring FILE"
2380 msgid "|ALGO|reject signatures made with ALGO"
2384 msgstr "使い方: gpgv [オプション] [ファイル] (ヘルプは -h)"
2390 "形式: gpgv [オプション] [ファイル]\n"
2413 #| msgid "show key fingerprint"
2414 msgid "show key during import"
2417 msgid "only accept updates to existing keys"
2420 msgid "remove unusable parts from key after import"
2423 msgid "remove as much as possible from key after import"
2426 msgid "run import filters and export key immediately"
2439 msgstr " 処理数の合計: %lu\n"
2443 msgstr " スキップしたPGP-2鍵: %lu\n"
2447 msgstr " スキップした新しい鍵: %lu\n"
2451 msgstr " ユーザIDなし: %lu\n"
2455 msgstr " インポート: %lu"
2459 msgstr " 変更なし: %lu\n"
2463 msgstr " 新しいユーザID: %lu\n"
2467 msgstr " 新しい副鍵: %lu\n"
2471 msgstr " 新しい署名: %lu\n"
2475 msgstr " 新しい鍵の失効: %lu\n"
2479 msgstr " 秘密鍵の読み込み: %lu\n"
2483 msgstr " 秘密鍵のインポート: %lu\n"
2487 msgstr " 無変更の秘密鍵: %lu\n"
2491 msgstr " 未インポート: %lu\n"
2495 msgstr " 掃除された署名: %lu\n"
2499 msgstr " 掃除されたユーザID: %lu\n"
2511 msgstr " \"%s\": 暗号アルゴリズムの優先指定 %s\n"
2515 msgstr " \"%s\": ダイジェスト・アルゴリズムの優先指定 %s\n"
2519 msgstr " \"%s\": 圧縮アルゴリズムの優先指定 %s\n"
2528 msgid "you can update your preferences with: gpg --edit-key %s updpref save\n"
2529 msgstr "以下で、優先指定を更新できます: gpg --edit-key %s updpref save\n"
2532 msgid "key %s: no user ID\n"
2536 msgid "key %s: %s\n"
2537 msgstr "鍵 %s: %s\n"
2539 msgid "rejected by import screener"
2543 msgid "key %s: PKS subkey corruption repaired\n"
2547 msgid "key %s: accepted non self-signed user ID \"%s\"\n"
2551 msgid "key %s: no valid user IDs\n"
2554 msgid "this may be caused by a missing self-signature\n"
2558 msgid "key %s: public key not found: %s\n"
2559 msgstr "鍵%s: 公開鍵が見つかりません: %s\n"
2562 msgid "key %s: new key - skipped\n"
2563 msgstr "鍵%s: 新しい鍵です - スキップします\n"
2566 msgid "no writable keyring found: %s\n"
2570 msgid "error writing keyring '%s': %s\n"
2574 msgid "key %s: public key \"%s\" imported\n"
2578 msgid "key %s: doesn't match our copy\n"
2582 msgid "key %s: can't locate original keyblock: %s\n"
2583 msgstr "鍵%s: 元の鍵ブロックに位置づけできません: %s\n"
2586 msgid "key %s: can't read original keyblock: %s\n"
2587 msgstr "鍵%s: 元の鍵ブロックを読み込めません: %s\n"
2590 msgid "key %s: \"%s\" 1 new user ID\n"
2591 msgstr "鍵%s: \"%s\" 新しいユーザIDを1個\n"
2594 msgid "key %s: \"%s\" %d new user IDs\n"
2595 msgstr "鍵%s: \"%s\" 新しいユーザIDを%d個\n"
2598 msgid "key %s: \"%s\" 1 new signature\n"
2599 msgstr "鍵%s: \"%s\" 新しい署名を1個\n"
2602 msgid "key %s: \"%s\" %d new signatures\n"
2603 msgstr "鍵%s: \"%s\" 新しい署名を%d個\n"
2606 msgid "key %s: \"%s\" 1 new subkey\n"
2607 msgstr "鍵%s: \"%s\" 新しい副鍵を1個\n"
2610 msgid "key %s: \"%s\" %d new subkeys\n"
2611 msgstr "鍵%s: \"%s\" 新しい副鍵を%d個\n"
2614 msgid "key %s: \"%s\" %d signature cleaned\n"
2615 msgstr "鍵%s: \"%s\" %d個の署名をきれいにしました\n"
2618 msgid "key %s: \"%s\" %d signatures cleaned\n"
2619 msgstr "鍵%s: \"%s\" %d個の署名をきれいにしました\n"
2622 msgid "key %s: \"%s\" %d user ID cleaned\n"
2623 msgstr "鍵%s: \"%s\" %d個のユーザIDをきれいにしました\n"
2626 msgid "key %s: \"%s\" %d user IDs cleaned\n"
2627 msgstr "鍵%s: \"%s\" %d個のユーザIDをきれいにしました\n"
2634 msgid "key %s: secret key imported\n"
2638 msgid "key %s: secret key already exists\n"
2639 msgstr "鍵 %s: 秘密鍵はもうあります\n"
2642 msgid "key %s: error sending to agent: %s\n"
2643 msgstr "鍵 %s: エージェントへの送信エラー: %s\n"
2646 msgid "secret key %s: %s\n"
2647 msgstr "秘密鍵 %s: %s\n"
2649 msgid "importing secret keys not allowed\n"
2653 msgid "key %s: secret key with invalid cipher %d - skipped\n"
2654 msgstr "鍵%s: 無効な暗号方式%dの秘密鍵です - スキップします\n"
2667 msgid "To migrate '%s', with each smartcard, run: %s\n"
2671 msgid "key %s: no public key - can't apply revocation certificate\n"
2672 msgstr "鍵%s: 公開鍵がありません - 失効証明書を適用できません\n"
2676 msgstr "鍵%s: 無効な失効証明書: %s - 拒否\n"
2736 msgstr "鍵%s: エクスポート不可な署名 (クラス0x%02X) - スキップします\n"
2740 msgstr "鍵%s: 失効証明書が誤って設定されています - スキップします\n"
2744 msgstr "鍵%s: 無効な失効証明書: %s - スキップします\n"
2748 msgstr "鍵%s: 副鍵署名の場所が、誤っています - スキップします\n"
2752 msgstr "鍵%s: 予期せぬ署名クラス (0x%02X) - スキップします\n"
2756 msgstr "鍵%s: 重複したユーザIDの検出 - マージ\n"
2760 msgstr "*警告*: 鍵%sは失効されたかもしれません: 失効鍵%sを取ってきます\n"
2764 msgstr "*警告*: 鍵%sは失効されたかもしれません: 失効鍵%sが存在しません。\n"
2792 msgstr "keyblock リソース'%s': %s\n"
2809 msgid "can't check signature with unsupported public-key algorithm (%d): %s.\n"
2818 msgid " (reordered signatures follow)"
2826 msgid "%d duplicate signature removed\n"
2827 msgid_plural "%d duplicate signatures removed\n"
2831 msgid "%d signature not checked due to a missing key\n"
2832 msgid_plural "%d signatures not checked due to missing keys\n"
2836 msgid "%d bad signature\n"
2837 msgid_plural "%d bad signatures\n"
2847 "Warning: errors found and only checked self-signatures, run '%s' to check "
2854 "Please decide how far you trust this user to correctly verify other users' "
2856 "(by looking at passports, checking fingerprints from different sources, "
2864 msgid " %d = I trust marginally\n"
2865 msgstr " %d = まぁまぁ信用する\n"
2868 msgid " %d = I trust fully\n"
2869 msgstr " %d = 充分に信用する\n"
2872 "Please enter the depth of this trust signature.\n"
2873 "A depth greater than 1 allows the key you are signing to make\n"
2874 "trust signatures on your behalf.\n"
2879 msgid "Please enter a domain to restrict this signature, or enter for none.\n"
2891 msgstr "それでもこの鍵に署名したいですか? (y/N) "
2906 msgstr "ユーザID \"%s\"は署名可能です。 "
2909 msgstr "署名しますか? (y/N) "
2920 msgstr "OpenPGPの自己署名に格上げしたいですか? (y/N) "
2931 msgstr "新しい署名を発行し、期限切れ署名と置き換えたいですか? (y/N) "
2942 msgstr "エクスポート可能な署名に格上げしたいですか? (y/N) "
2953 msgstr "それでも再署名したいですか? (y/N) "
2967 msgstr "同時に署名も期限切れとしたいですか? (Y/n) "
2970 "How carefully have you verified the key you are about to sign actually "
2972 "to the person named above? If you don't know what to answer, enter \"0\".\n"
2978 msgid " (0) I will not answer.%s\n"
2979 msgstr " (0) 答えません。%s\n"
2982 msgid " (1) I have not checked at all.%s\n"
2983 msgstr " (1) 全然、検査していません。%s\n"
2986 msgid " (2) I have done casual checking.%s\n"
2987 msgstr " (2) 一応、検査しました。%s\n"
2990 msgid " (3) I have done very careful checking.%s\n"
2991 msgstr " (3) かなり注意して検査しました。%s\n"
2993 msgid "Your selection? (enter '?' for more information): "
2994 msgstr "選択は? (詳細は '?'): "
2998 "Are you sure that you want to sign this key with your\n"
3004 msgid "This will be a self-signature.\n"
3007 msgid "WARNING: the signature will not be marked as non-exportable.\n"
3010 msgid "WARNING: the signature will not be marked as non-revocable.\n"
3013 msgid "The signature will be marked as non-exportable.\n"
3016 msgid "The signature will be marked as non-revocable.\n"
3019 msgid "I have not checked this key at all.\n"
3025 msgid "I have checked this key very carefully.\n"
3028 msgid "Really sign? (y/N) "
3029 msgstr "本当に署名しますか? (y/N) "
3035 msgid "Key has only stub or on-card key items - no passphrase to change.\n"
3041 msgid "key %s: error changing passphrase: %s\n"
3042 msgstr "鍵 %s: パスフレーズの変更エラー: %s\n"
3044 msgid "save and quit"
3047 msgid "show key fingerprint"
3050 msgid "show the keygrip"
3053 msgid "list key and user IDs"
3056 msgid "select user ID N"
3059 msgid "select subkey N"
3065 msgid "sign selected user IDs [* see below for related commands]"
3066 msgstr "選択したユーザIDに署名する [* 以下の関連コマンドを参照 ]"
3068 msgid "sign selected user IDs locally"
3071 msgid "sign selected user IDs with a trust signature"
3074 msgid "sign selected user IDs with a non-revocable signature"
3077 msgid "add a user ID"
3080 msgid "add a photo ID"
3086 msgid "add a subkey"
3089 msgid "add a key to a smartcard"
3092 msgid "move a key to a smartcard"
3095 msgid "move a backup key to a smartcard"
3101 msgid "add a revocation key"
3104 msgid "delete signatures from the selected user IDs"
3107 msgid "change the expiration date for the key or selected subkeys"
3113 msgid "list preferences (expert)"
3116 msgid "list preferences (verbose)"
3119 msgid "set preference list for the selected user IDs"
3125 msgid "set a notation for the selected user IDs"
3128 msgid "change the passphrase"
3134 msgid "revoke signatures on the selected user IDs"
3137 msgid "revoke selected user IDs"
3140 msgid "revoke key or selected subkeys"
3149 msgid "show selected photo IDs"
3152 msgid "compact unusable user IDs and remove unusable signatures from key"
3158 msgid "Secret key is available.\n"
3161 msgid "Need the secret key to do this.\n"
3165 "* The 'sign' command may be prefixed with an 'l' for local signatures "
3167 " a 't' for trust signatures (tsign), an 'nr' for non-revocable signatures\n"
3168 " (nrsign), or any combination thereof (ltsign, tnrsign, etc.).\n"
3170 "* 'sign' コマンドは 'l' で始まると、ローカルの署名で (lsign)、\n"
3171 " 't' で始まると信用署名 (tsign)、'nr' で始まると失効不可署名\n"
3172 " (nrsign)、もしくはこれらの組み合わせ (ltsign, tnrsign, など)となります。\n"
3177 msgid "Really sign all user IDs? (y/N) "
3178 msgstr "本当に全ユーザIDに署名しますか? (y/N) "
3180 msgid "Really sign all text user IDs? (y/N) "
3181 msgstr "本当に全てのテキストユーザIDに署名しますか? (y/N) "
3187 msgid "Unknown signature type '%s'\n"
3191 msgid "This command is not allowed while in %s mode.\n"
3194 msgid "You must select at least one user ID.\n"
3198 msgid "(Use the '%s' command.)\n"
3204 msgid "Really remove all selected user IDs? (y/N) "
3205 msgstr "選択した全ユーザIDを本当に削除しますか? (y/N) "
3207 msgid "Really remove this user ID? (y/N) "
3208 msgstr "このユーザIDを本当に削除しますか? (y/N) "
3211 #. moving the key and not about removing it.
3212 msgid "Really move the primary key? (y/N) "
3213 msgstr "この主鍵を本当に移動しますか? (y/N) "
3215 msgid "You must select exactly one key.\n"
3218 msgid "Command expects a filename argument\n"
3222 msgid "Can't open '%s': %s\n"
3226 msgid "Error reading backup key from '%s': %s\n"
3232 msgid "Do you really want to delete the selected keys? (y/N) "
3233 msgstr "選択した鍵を本当に削除しますか? (y/N) "
3235 msgid "Do you really want to delete this key? (y/N) "
3236 msgstr "この鍵を本当に削除しますか? (y/N) "
3239 msgstr "選択した全ユーザIDを本当に失効しますか? (y/N) "
3241 msgid "Really revoke this user ID? (y/N) "
3242 msgstr "このユーザIDを本当に失効しますか? (y/N) "
3244 msgid "Do you really want to revoke the entire key? (y/N) "
3245 msgstr "この鍵全体を本当に失効しますか? (y/N) "
3247 msgid "Do you really want to revoke the selected subkeys? (y/N) "
3248 msgstr "選択した副鍵を本当に失効しますか? (y/N) "
3250 msgid "Do you really want to revoke this subkey? (y/N) "
3251 msgstr "この副鍵を本当に失効しますか? (y/N) "
3253 msgid "Owner trust may not be set while using a user provided trust database\n"
3257 msgid "Set preference list to:\n"
3260 msgid "Really update the preferences for the selected user IDs? (y/N) "
3261 msgstr "選択したユーザIDの優先指定を本当に更新しますか? (y/N) "
3263 msgid "Really update the preferences? (y/N) "
3264 msgstr "優先指定を本当に更新しますか? (y/N) "
3266 msgid "Save changes? (y/N) "
3267 msgstr "変更を保存しますか? (y/N) "
3270 msgstr "保存せずに終了しますか? (y/N) "
3276 msgid "Key not changed so no update needed.\n"
3280 #| msgid "Key generation failed: %s\n"
3281 msgid "User ID revocation failed: %s\n"
3285 msgid "\"%s\" is not a fingerprint\n"
3289 msgid "\"%s\" is not the primary fingerprint\n"
3293 msgid "Invalid user ID '%s': %s\n"
3294 msgstr "無効なユーザID '%s': %s\n"
3296 msgid "No matching user IDs."
3299 msgid "Nothing to sign.\n"
3311 msgid "Preferred keyserver: "
3317 msgid "There are no preferences on a PGP 2.x-style user ID.\n"
3321 msgid "The following key was revoked on %s by %s key %s\n"
3325 msgid "This key may be revoked by %s key %s"
3362 msgid "This key has been disabled"
3366 "Please note that the shown key validity is not necessarily correct\n"
3367 "unless you restart the program.\n"
3379 "WARNING: no user ID has been marked as primary. This command may\n"
3380 " cause a different user ID to become the assumed primary.\n"
3385 msgid "WARNING: Your encryption subkey expires soon.\n"
3388 msgid "You may want to change its expiration date too.\n"
3392 "WARNING: This is a PGP2-style key. Adding a photo ID may cause some "
3394 " of PGP to reject this key.\n"
3401 msgstr "それでも追加したいですか? (y/N) "
3403 msgid "You may not add a photo ID to a PGP2-style key.\n"
3406 msgid "Such a user ID already exists on this key!\n"
3409 msgid "Delete this good signature? (y/N/q)"
3415 msgid "Delete this unknown signature? (y/N/q)"
3418 msgid "Really delete this self-signature? (y/N)"
3423 msgid_plural "Deleted %d signatures.\n"
3433 msgid "User ID \"%s\" compacted: %s\n"
3434 msgstr "ユーザID \"%s\" は、コンパクトになりました: %s\n"
3437 msgid "User ID \"%s\": %d signature removed\n"
3438 msgid_plural "User ID \"%s\": %d signatures removed\n"
3439 msgstr "ユーザID \"%s\": %d の署名が除去されました\n"
3442 msgid "User ID \"%s\": already minimized\n"
3443 msgstr "ユーザID \"%s\": 既に最小化されています\n"
3446 msgid "User ID \"%s\": already clean\n"
3447 msgstr "ユーザID \"%s\": 既にクリーンとなっています\n"
3450 "WARNING: This is a PGP 2.x-style key. Adding a designated revoker may "
3452 " some versions of PGP to reject this key.\n"
3458 msgid "You may not add a designated revoker to a PGP 2.x-style key.\n"
3461 msgid "Enter the user ID of the designated revoker: "
3464 msgid "cannot appoint a PGP 2.x style key as a designated revoker\n"
3467 msgid "you cannot appoint a key as its own designated revoker\n"
3470 msgid "this key has already been designated as a revoker\n"
3473 msgid "WARNING: appointing a key as a designated revoker cannot be undone!\n"
3478 msgstr "本当にこの鍵を指名失効者に任命しますか? (y/N) "
3481 "Are you sure you want to change the expiration time for multiple subkeys? (y/"
3483 msgstr "本当に複数の副鍵の失効期限を変更しますか? (y/N) "
3485 msgid "Changing expiration time for a subkey.\n"
3488 msgid "Changing expiration time for the primary key.\n"
3495 msgid "signing subkey %s is already cross-certified\n"
3499 msgid "subkey %s does not sign and so does not need to be cross-certified\n"
3500 msgstr "副鍵 %s は署名をしないので、相互証明の必要はありません\n"
3502 msgid "Please select exactly one user ID.\n"
3506 msgid "skipping v3 self-signature on user ID \"%s\"\n"
3512 msgid "Are you sure you want to replace it? (y/N) "
3513 msgstr "本当に置き換えたいですか? (y/N) "
3516 msgstr "本当に削除したいですか? (y/N) "
3518 msgid "Enter the notation: "
3521 msgid "Proceed? (y/N) "
3522 msgstr "進みますか? (y/N) "
3525 msgid "No user ID with index %d\n"
3529 msgid "No user ID with hash %s\n"
3533 msgid "No subkey with key ID '%s'.\n"
3541 msgid "user ID: \"%s\"\n"
3545 msgid "signed by your key %s on %s%s%s\n"
3555 msgid "Are you sure you still want to revoke it? (y/N) "
3556 msgstr "それでも本当に失効したいですか? (y/N) "
3559 msgstr "この署名に対する失効証明書を作成しますか? (y/N) "
3561 msgid "Not signed by you.\n"
3565 msgid "You have signed these user IDs on key %s:\n"
3575 msgid "You are about to revoke these signatures:\n"
3578 msgid "Really create the revocation certificates? (y/N) "
3579 msgstr "失効証明書を本当に作成しますか? (y/N) "
3581 msgid "no secret key\n"
3585 msgid "tried to revoke a non-user ID: %s\n"
3598 msgstr "鍵 %s は、もう失効されています。\n"
3602 msgstr "副鍵 %s は、もう失効されています。\n"
3606 msgstr "%s (大きさ%ld) の鍵%s (uid %d) のフォトIDとして表示\n"
3609 msgid "preference '%s' duplicated\n"
3615 msgid "too many digest preferences\n"
3618 msgid "too many compression preferences\n"
3622 msgid "invalid item '%s' in preference string\n"
3625 msgid "writing direct signature\n"
3628 msgid "writing self signature\n"
3635 msgid "keysize invalid; using %u bits\n"
3639 msgid "keysize rounded up to %u bits\n"
3643 "WARNING: some OpenPGP programs can't handle a DSA key with this digest size\n"
3677 msgid "Current allowed actions: "
3682 msgstr " (%c) 署名機能を反転する\n"
3686 msgstr " (%c) 暗号機能を反転する\n"
3689 msgid " (%c) Toggle the authenticate capability\n"
3690 msgstr " (%c) 認証機能を反転する\n"
3693 msgid " (%c) Finished\n"
3694 msgstr " (%c) 完了\n"
3696 msgid "Please select what kind of key you want:\n"
3700 msgid " (%d) RSA and RSA (default)\n"
3701 msgstr " (%d) RSA と RSA (デフォルト)\n"
3704 msgid " (%d) DSA and Elgamal\n"
3705 msgstr " (%d) DSA と Elgamal\n"
3708 msgid " (%d) DSA (sign only)\n"
3709 msgstr " (%d) DSA (署名のみ)\n"
3712 msgid " (%d) RSA (sign only)\n"
3713 msgstr " (%d) RSA (署名のみ)\n"
3716 msgid " (%d) Elgamal (encrypt only)\n"
3717 msgstr " (%d) Elgamal (暗号化のみ)\n"
3721 msgstr " (%d) RSA (暗号化のみ)\n"
3725 msgstr " (%d) DSA (機能をあなた自身で設定)\n"
3728 msgid " (%d) RSA (set your own capabilities)\n"
3729 msgstr " (%d) RSA (機能をあなた自身で設定)\n"
3732 msgid " (%d) ECC and ECC\n"
3733 msgstr " (%d) ECC と ECC\n"
3736 msgid " (%d) ECC (sign only)\n"
3737 msgstr " (%d) ECC (署名のみ)\n"
3740 msgid " (%d) ECC (set your own capabilities)\n"
3741 msgstr " (%d) ECC (機能をあなた自身で設定)\n"
3744 msgid " (%d) ECC (encrypt only)\n"
3745 msgstr " (%d) ECC (暗号化のみ)\n"
3748 msgid " (%d) Existing key\n"
3749 msgstr " (%d) 既存の鍵\n"
3751 msgid "Enter the keygrip: "
3754 msgid "Not a valid keygrip (expecting 40 hex digits)\n"
3757 msgid "No key with this keygrip\n"
3761 msgid "rounded to %u bits\n"
3765 msgid "%s keys may be between %u and %u bits long.\n"
3766 msgstr "%s 鍵は %u から %u ビットの長さで可能です。\n"
3769 msgid "What keysize do you want for the subkey? (%u) "
3770 msgstr "副鍵の鍵長は? (%u) "
3774 msgstr "鍵長は? (%u) "
3777 msgid "Requested keysize is %u bits\n"
3780 msgid "Please select which elliptic curve you want:\n"
3792 " 0 = 鍵は無期限\n"
3793 " <n> = 鍵は n 日間で期限切れ\n"
3794 " <n>w = 鍵は n 週間で期限切れ\n"
3795 " <n>m = 鍵は n か月間で期限切れ\n"
3796 " <n>y = 鍵は n 年間で期限切れ\n"
3799 "Please specify how long the signature should be valid.\n"
3800 " 0 = signature does not expire\n"
3801 " <n> = signature expires in n days\n"
3802 " <n>w = signature expires in n weeks\n"
3803 " <n>m = signature expires in n months\n"
3804 " <n>y = signature expires in n years\n"
3807 " 0 = 署名は無期限\n"
3808 " <n> = 署名は n 日間で期限切れ\n"
3809 " <n>w = 署名は n 週間で期限切れ\n"
3810 " <n>m = 署名は n か月間で期限切れ\n"
3811 " <n>y = 署名は n 年間で期限切れ\n"
3817 msgid "Signature is valid for? (%s) "
3823 msgid "Key does not expire at all\n"
3826 msgid "Signature does not expire at all\n"
3830 msgid "Key expires at %s\n"
3834 msgid "Signature expires at %s\n"
3838 "Your system can't display dates beyond 2038.\n"
3839 "However, it will be correctly handled up to 2106.\n"
3844 msgid "Is this correct? (y/N) "
3845 msgstr "これで正しいですか? (y/N) "
3849 "GnuPG needs to construct a user ID to identify your key.\n"
3862 "You need a user ID to identify your key; the software constructs the user "
3864 "from the Real Name, Comment and Email Address in this form:\n"
3865 " \"Heinrich Heine (Der Dichter) <heinrichh@duesseldorf.de>\"\n"
3875 msgid "Real name: "
3882 msgid "The characters '%s' and '%s' may not appear in name\n"
3885 msgid "Name may not start with a digit\n"
3888 msgid "Name must be at least 5 characters long\n"
3891 msgid "Email address: "
3900 msgid "Invalid character in comment\n"
3904 msgid "You are using the '%s' character set.\n"
3909 "You selected this USER-ID:\n"
3917 msgid "Please don't put the email address into the real name or the comment\n"
3923 #. letter changed to match the one in the answer string.
3934 msgid "Change (N)ame, (C)omment, (E)mail or (Q)uit? "
3937 msgid "Change (N)ame, (C)omment, (E)mail or (O)kay/(Q)uit? "
3940 msgid "Change (N)ame, (E)mail, or (Q)uit? "
3943 msgid "Change (N)ame, (E)mail, or (O)kay/(Q)uit? "
3960 msgid "Key generation failed: %s\n"
3965 "About to create a key for:\n"
3973 msgid "Continue? (Y/n) "
3974 msgstr "続けますか? (Y/n) "
3977 msgid "A key for \"%s\" already exists\n"
3980 msgid "Create anyway? (y/N) "
3981 msgstr "それでも鍵を作成しますか? (y/N) "
3987 msgid "Note: Use \"%s %s\" for a full featured key generation dialog.\n"
3988 msgstr "注意: 全機能の鍵生成には \"%s %s\" を使います。\n"
3990 msgid "Key generation canceled.\n"
3994 msgid "can't create backup file '%s': %s\n"
3998 msgid "Note: backup of card key saved to '%s'\n"


text:
Mosh Pit And Grinding Type Dancing
The video was a huge hit on MTV. The concept was "Pep Rally from Hell," and it was shot at Culver City Studios in California on August 17, 1991, directed by Samuel Bayer, who was a 1987 graduate of the New York City School of Visual Arts. Little Brother. Cory Doctorow. [email protected] READ THIS FIRST. …
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Illinois Voids Loan Because Lender Was Unlicensed By Tom McCurnin Leasing News Legal Editor. Lender Failed to Procure Mortgage License, Therefore, Illinois Court of Appeas Voided Mortgage. W. E. B. Griffin is the author of seven bestselling series: The Corps, Brotherhood of War, Badge of Honor, Men at War, Honor Bound, Presidential Agent, and Clandestine …
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People of all ages can experience the music and culture of the Andes, the longest mountain range in the world. Attendees will enjoy South American dance and musical performances. Dozens of popular. Gangham style: Gerry and the Pacemakers – Ferry cross the Mersey: Good Charlotte – I just wanna live: Good Charlotte – Lifestyles of …
Denver Choreographer Pop Music
This Sunday and next, The Denver Post's cultural critics will. s ".. smile with my heart" and a world premiere by choreographer Matthew Neenan. And stay tuned for the ever-popular "Dracula,". Since leaving their 12-year careers as principal dancers with London's Royal Ballet, the tight friends have developed their own distinct brand of dance performance, …
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Stillness in movement. The paradox of Argentine tango You have to be Argentine to understand tango music! Right? Wrong! If you´re looking for an expert for. Set to the same score that Balanchine used for his Concerto Barocco — Bach's Concerto for Two Violins in D Minor — Being revealed Wood's similar sensitivity to structure …
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The cabasa, similar to the shekere, is a percussion instrument that is constructed with loops of steel ball chain wrapped around a wide cylinder. The cylinder is fixed to a long, narrow wooden or plastic handle. The cabasa of gourd was originally of African origin. The African original version of the Cabasa is called, agbe, …
Singer Sonoma County Gravel Voice
Maroon 5 frontman Adam Levine and his model wife Behati Prinsloo stopped in Sonoma County over the weekend for the Ferrari. We should probably get out of the way now though," the singer and "The. Commissioners decline Orange Park Country Club purchase (FL) March 13, 2019 Clay County commissioners decided Tuesday not to purchase the …
Chicago Singing After Game
When a bunch of NBA rookies went in front of the camera and put their singing chops on display earlier this. It's probably good practice, too. Playing in Chicago, after all, takes some thick skin. Head Coach Hue Jackson addressed the media following a loss to the Chicago Bears in the Browns final preseason. Donte …
Nyc Live Music Clubs
Rockwood Music Hall Recordings. Communion NYC Presents: Tim Baker (Buy Tickets) May 9 – 7:00pm – Stage 2. Dan Mills w/TBD (Buy Tickets) May 10 – 7:00pm – Stage 2. Lee DeWyze w/Elizabeth and the Catapult (Buy Tickets/VIP) May 11 – 7:00pm – Stage 2. Rose Cousins New York scored highly thanks to its diversity …
Gina Taylor Davis Singer
James Pickens Jr. is married to Gina Pickens (nee Taylor). There is no record of him having a girlfriend in past life. Pickens' dad James Pickens Sr. worked for the City of Cleveland. I had a great experience with these other actresses, who are extraordinary human beings. And I could not ask for a better …
Classic Funk Mastercuts Vol 2
Find Tom Dowd credit information on AllMusic. A staff engineer at Atlantic Records for over 25 years, Dowd's exploits on behalf of R&B, soul and rock groups are well known, but he also engineered numerous jazz dates by Ornette Coleman, Charles Mingus,… Various Artists – Mastercuts: Classic Jazz-Funk V.1 – Amazon.com Music. Editorial Reviews. Classic …
Guillaume Tell Opera Download
Slow Blues Backing Track I N E Freddie King is one of the blues guitar greats that inspired generations of guitarists with his music. While there is no relation to Albert King or B.B. King, he is definitely considered to be a "King of the blues." So I was going to do my own lesson …
Blues On The Green Time 2019
According to Associated Press reporter Andrew Dalton, the director "was visibly angry when 'Green Book' was announced as the winner. "I'm snake-bit. I mean, every time somebody's driving somebody, Live Music Montreal February 28th Classical music, opera, ballet and dance in Montreal, QC, Canada. Use Bachtrack's. Centaur Theatre, Mar 23 19:30, Mar 24 14:00, Mar …
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Classical music, opera, ballet and dance in Montreal, QC, Canada. Use Bachtrack's. Centaur Theatre, Mar 23 19:30, Mar 24 14:00, Mar 26 19:30, Mar 28 19:30, Mar 30 19:30, Mar 31 14:00. Gordon:. Rebecca Galloway, 21 Feb. There's a. Click here for La Fanciulla del West live at the Bavarian Opera House on the 30. …
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redpajama_set_name: RedPajamaCommonCrawl


The Port of Tilbury is the gateway to London for deep-sea cruising vessels, and it is located within the Greater London metropolitan area. Tilbury proper has few tourist attractions, but visitors will not want to miss these historic must-sees.
Built by Henry VIII, Tilbury Fort is one of Britain's best-preserved bastioned fortifications. Excluding a few 19th Century changes, it is the same today as it was in the late 1600s. Its anti-aircraft guns shot down a German zeppelin during World War I, and a World War II bomb destroyed the soldier's barracks on the property. Partially restored, the fort is operated by English Heritage and is open most every day of the year.
Coalhouse Fort was originally the site of a battery also built by Henry VIII. The modern fort built on that site was completed in 1874 and continued to serve a defensive function through both World Wars. The Coahouse Fort in the Port of Tilbury is considered one of the best examples of an armored casement fort in the United Kingdom.
Travelers who want to visit London and/or the Port of Tilbury by sea can find a list of scheduled cruises on the Choosing Cruising website.


A man died when the sugar beet truck he was driving collided with a semi trailer in a horrific truck accident. The beet truck was going eastbound on the highway when it collided in a T-bone fashion with a westbound truck that had jackknifed on the highway. The man died upon impact in the truck accident. The beet truck driver's name was not being released but it is confirmed that the other driver did not sustain any personal injuries. The Department of Transportation responded to the scene to clean up the spilled sugar beets and debris from the collision. At this time, no personal injury law suits have been filed. To read the full story, click here.


Fresh style and modern form combine in this gorgeous four-piece bedroom collection from celebrity chef Rachael Ray. The set includes a gorgeous queen canopy bed, nightstand with four drawers, beveled glass mirror and dresser with nine drawers, one lined in felt and another in cedar. English dovetail construction, nickel hardware and a soft greige hue make this a versatile collection for any contemporary space.


Jiang Cheng and Nie Huaisang hear something they shouldn't have about Wei Wuxian and the Second Jade in the Library Pavillion.
there is no protocol for what they have.
В Облачных Глубинах в это время всегда очень тихо – ни единого звука. Складывается ощущение, что даже природа и вся живность засыпают с адептами ордена Гусу Лань по их строгому режиму.
Wei Wuxian has been interested in the paranormal for a while. And now he has the opportunity to experiment. Too bad Lan Wangji ruins it every time.
Everything is peaceful despite many still fear the return of Yiling Patriarch; the sects work in peace and Yiling Patriarch himself, ever since he's married into Gusu Lan Sect, had been keeping his toes behind the lines.
But this peace came to an end when a hand was found in Meng Mansion, right at the same time when Wei WuXian returned to the world after having disappeared for five years.
When Jiang Cheng has nowhere to go, and no revenge to fulfill, he turns to whom he once loved hoping he's waiting for him.
The frosty-faced Lan Wangji had his first taste of heartbreak at the end of high school, but it was his own fault for being prickly with Wei Wuxian for most of it. For some time, he resigned himself to pining for someone he thought had disappeared from his life forever, until he found Wei Wuxian working in a cafe with Jiang Yanli and Jin Zixuan... as a waiter... playing an anime character archetype!
No matter. Even if Lan Wangji is a fuddy-duddy who hasn't watched a single anime all his life, reconnecting with Wei Ying is more important! And that's how he got hired as a waiter playing... the sadistic guy archetype?!
Love blooms one night, and Jiang Cheng doesn't know what to do.
"You took the wrong case," he said before he flung Wei Wuxian off the wall.
After their end, a plea and a wish for things to have been different by Lan Xichen sends Nie Mingjue and Jin GuangYao back in time and gives them a chance to do better. With their knowledge of the 'future' they came from, they have to figure out how to deal with each other.
Every day, Wei Wuxian looks into the mirror in the dingy bathroom of his cheap rental apartment. The face that stares back at him is his own. He goes to class, sometimes hungover from the previous night's festivities, sometimes tired from rushing assignments. The people around him were happy. That made him happy.
It all starts with that one small voice at the back of everyone's head. It nudges soundlessly first, then slowly growing in size and volume and courage, then makes its ugly head known. It grows and grows and grows as loud as the tolls of bells marking a death, and finally, it crescendoes into a sempiternal ring that drowns the silence and light. The screaming distorts all. It rips. It hurts.
It doesn't take long for the reflection in the mirror to be one that Wei Wuxian disassociates with. Facial muscles frozen like rigor mortis in a smile, eyes glassy and staring straight ahead. That was his every day. It had become the norm. Empty pill and alcohol bottles became the norm. Much needed silence.
As if things couldn't already get worse, a series of misfortunate incidents like quickly fired shots made him snap past the point of no return.


text:
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Police Policy Procedure Consultant Walter Signorelli
Walter P. Signorelli, Esq.
2020 Maple Hill St.
Yorktown Heights NY 10598
SUMMARY CV / LINKS BOOKS
Walter P. Signorelli, Esq., has over 30 years of experience in the field of Police Policy and Procedure and Police Liability.
Background - During his tenure in the NYPD, Mr. Signorelli held the ranks of Police Officer, Sergeant, Lieutenant, Captain, Deputy Inspector, and Inspector, and served in numerous capacities. In these positions, he conducted or supervised 1,000s of undercover and overt investigations, applications for warrants, the execution of warrants, and arrests. He has also been responsible for the supervision of undercover training, and oversaw activities at the High-Intensity-Drug-Trafficking-Area (HIDTA) training center.
Regarding vehicle-related issues, Mr. Signorelli conducted or supervised numerous investigations of vehicle accidents, police emergency vehicles accidents, police vehicle pursuits, and was a member of various Accident Review Boards. His experience also includes responding to hostage situations, barricaded suspect situations, emotionally disturbed persons, and any police-related shootings.
Mr. Signorelli is currently a practicing attorney, an adjunct professor of law and police science at John Jay College of Criminal Justice, and an author. He has published three books: The Crisis of Police Liability Lawsuits, 2006; The Constable Has Blundered, 2010 (Carolina Academic Press); Criminal Law, Procedure, and Evidence, 2011 (Taylor&Francis, CRC Press).
Litigation Support - Walter Signorelli has been retained as a consultant by both plaintiffs and defense in a number of police liability cases, and has testified as a police procedures expert in both State and Federal courts. He has been prociding expert witness services for over 17 years.
Mr. Signorelli has been retained as an expert approximately 150 times and testified before an arbitrator approximately 25 times. His areas of expertise include:
Deadly Force / Excessive Force
Drug Enforcement
Police Procedures
• Walter Signorelli's Curriculum Vitae
Criminal Law, Procedure, and Evidence
Walter P. Signorelli, JD
Constitutional principles are the foundation upon which substantive criminal law, criminal procedure law, and evidence laws rely. The concepts of due process, legality, specificity, notice, equality, and fairness are intrinsic to these three disciplines, and a firm understanding of their implications is necessary for a thorough comprehension of the topic. This book examines the tensions produced by balancing the ideals of individual liberty embodied in the Constitution against society's need to enforce criminal laws as a means of achieving social control, order, and safety.
The Constable Has Blundered: The Exclusionary Rule, Crime, and Corruption
This book examines and explains how the exclusionary rule undermines the purposes of the criminal justice system, increases crime rates, dispenses unequal justice, and encourages police corruption. Professor Signorelli uses concrete examples and cases to demonstrate the connections between the rule and its problematic consequences. The book explains how unequal treatment of defendants, denial of justice to crime victims, and perjury by police officers to circumvent the rule taint the criminal justice system, and how a tainted justice system spreads ill effects throughout society.
The Crisis of Police Liability Lawsuits: Prevention And Management
This book illustrates how and why attorneys are winning an increasing number of unwarranted lawsuits against the police. This concise and practical guide discusses how these lawsuits have negatively impacted police morale and effectiveness, and how police departments both small and large can work to reverse this dangerous trend.
Stewart Forensics Consultants
Global Forensic Services, LLC
Chief Forensic Scientist
793A E. Foothill Boulevard, #200
San Luis Obispo CA 93405
California Main Office:
793A East Foothill Blvd., #200
Global Forensic Services, LLC (GFS) is a Forensic Consulting, Laboratory and Investigative Firm offering over 37 years of experience and training in a wide range of forensic science and private investigation disciplines.
Larry Stewart has personally examined tens of thousands of individual items of evidence from sources such as state, local, and federal agencies (e.g. Federal Bureau of Investigation, Secret Service, Bureau of Alcohol, Tobacco and Firearms, Central Intelligence Agency, and others), and foreign governments. On several occasions he has examined cases involving international disputes between governments.
Mr. Stewart has testified as an Expert Witness in state, federal and military courts of law, as well as in foreign court systems to include; Austria, Australia, Canada, Germany, Sri Lanka and Thailand. He has also testified at The Hague in the Netherlands and three times as an expert before the U.S. Congress.
Questioned Documents
Crime Scene Evaluation
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Daubert and Cold Case (consultant) Investigations
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Striations
Erasures
• View Larry Stewart's Curriculum Vitae
• Read More About Stewart Consulting
Document Examination
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This book can be purchased directly from the author, It covers the Document Examination profession, tools of the trade, documents defined, interviewing, examination, handwriting analysis, covert and overt investigations, and other related areas.
This book can be purchased directly from the author, It discusses the Identity Theft problem we face, the victims, usual suspects, detecting loss and other related issues.
Skills & Knowledge of Cost...
Assignment Problems in Parallel and...
by Shahid H. Bokhari, PhD
Netter's Correlative Imaging:...
by Nancy M. Major, MD, et al


Difference between revisions of "Ker-Bloom!" - ZineWiki - the history and culture of zines, independent media and the small press.
Difference between revisions of "Ker-Bloom!"
'''Ker-bloom!''' is an bimonthly [[zine]] that has been letterpress printed by one [[Veganism|vegan]] [[Anarchism|anarchist]], known as [[Artnoose]], since 1996. ''Ker-bloom!'', published for ten years, is one of the longest running [[perzine]]s.
''Ker-bloom!'' is letterpressed and the typeset 4"x5" cover is card stock. Each run is limited to roughly 250. It stands out from other perzines for a number of reasons. A lot of zines will take you to a time or place in a persons life and show you what was there. Artnoose tends to take you to a place in personal ethics and ask you what you think. For this reason, every issue has the potential to be a new adventure and the reader may find it quite rewarding.
''Ker-bloom!'' was one of the zines selected for the 2003 tour of North America by [[Mobilivre-Bookmobile]], the travelling library of independent publications. It has been featured in ''The Utne Reader'' and The [[Zine Yearbook]], among other places, and is in the collection of several libraries as well as UCLA and New York's MOMA.
Ker-bloom! is an bimonthly zine that has been letterpress printed by one vegan anarchist, known as Artnoose, since 1996. Ker-bloom!, published for ten years, is one of the longest running perzines.
Ker-bloom! is letterpressed and the typeset 4"x5" cover is card stock. Each run is limited to roughly 250. It stands out from other perzines for a number of reasons. A lot of zines will take you to a time or place in a persons life and show you what was there. Artnoose tends to take you to a place in personal ethics and ask you what you think. For this reason, every issue has the potential to be a new adventure and the reader may find it quite rewarding.
Ker-bloom! was one of the zines selected for the 2003 tour of North America by Mobilivre-Bookmobile, the travelling library of independent publications. It has been featured in The Utne Reader and The Zine Yearbook, among other places, and is in the collection of several libraries as well as UCLA and New York's MOMA.
This page was last modified on 11 April 2009, at 17:18.


text:
La Coppa d'Asia (in inglese AFC Futsal Asian Cup) è la più importante competizione calcettistica per selezioni nazionali organizzato dalla Asian Football Confederation. Il torneo si svolge dal 1999 ogni due anni. Oltre a designare il campione continentale, la manifestazione vale anche come torneo di qualificazione alla fase finale della FIFA Futsal World Cup. Fino al 2021 la denominazione della competizione era "AFC Futsal Championship".

Storia
Il trofeo nelle prime edizioni ha ospitato tutte le nazionali iscritte, questa modalità si è protratta sino al 2005 compreso, quando il numero delle nazionali è diventato talmente elevato che a partire dall'edizione 2006 è stato introdotto un girone di qualificazione, facendo scendere le partecipanti alla fase finale a 16. La manifestazione nel corso degli ultimi anni una ha visto sempre più affluenza di partecipanti.

La nazione più titolata è l' che ha vinto 12 edizioni del torneo, di cui 7 consecutive, ed è l'unica nazionale ad essere presente nel podio di tutte le edizioni disputate. Lo segue il  con 4 successi. Il Giappone è anche la seconda squadra più presente all'atto conclusivo del campionato asiatico, avendo giocato 10 finali in totale di cui 6 consecutive tra il 2002 e il 2007.

Edizioni

Medagliere

Note

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


text:
Up to 20 Percent of U.S. Trauma Deaths Could Be Prevented With Better Care;
Integration of Military and Civilian Trauma Care Systems Needed to Reach National Aim of Zero Preventable Deaths After Injury
WASHINGTON – Across the current military and civilian trauma care systems, the quality of trauma care varies greatly depending on when and where an individual is injured, placing lives unnecessarily at risk, says a new report from the National Academies of Sciences, Engineering, and Medicine. Mass casualty incidents and increasing foreign and domestic threats to homeland security lend urgency to the translation of wartime lessons to civilian trauma systems, said the committee that carried out the study and wrote the report. The White House should lead the integration of military and civilian trauma care to establish a national trauma care system and set an aim to achieve zero preventable deaths after injury. In addition, Congress, in consultation with the U.S. Department of Health and Human Services, should help ensure that prehospital care, such as emergency medical services, are included as a seamless component of health care delivery, rather than being viewed and paid as merely transportation providers.
The leading cause of death for Americans under the age of 46 is trauma — a disabling or life-threatening physical injury that results from an event such as a motor vehicle crash, gun violence, or fall. In 2013, trauma cost approximately $670 billion in medical care expenses and lost productivity. Recognizing that the best strategy to reduce the considerable burden associated with trauma is to prevent injuries from occurring in the first place, the delivery of optimal trauma care when injuries do occur is a critical means of preventing unnecessary death and disability. Of the 147,790 U.S. trauma deaths in 2014, as many as 20 percent — or about 30,000 — may have been preventable after injury with optimal trauma care, the committee said.
Significant advances in trauma care have developed over the last decade in response to the large number of U.S. casualties during the wars in Iraq and Afghanistan. The percentage of wounded service members who died of their injuries in Afghanistan decreased by nearly 50 percent between 2005 and 2013. Those successes are to be heralded but need to be improved upon and sustained, the committee said. Nearly 1,000 service members who lost their lives on the battlefield between 2001 and 2011 died of potentially survivable injuries.
"Both the military and civilian sectors have made impressive progress and important innovations in trauma care, but there are serious limitations in the diffusion of those gains from location to location," said committee chair Donald Berwick, president emeritus and senior fellow, Institute for Healthcare Improvement, Cambridge, Mass. "Even as the successes have saved many lives, the disparities have cost many lives. With the decrease in combat and the need to maintain readiness for trauma care between wars, a window of opportunity now exists to integrate military and civilian trauma systems and view them not separately, but as one."
Given the military's success in reducing trauma deaths after injury, the civilian sector stands to reap tremendous benefits if best practices can be reliably adapted from the military, the committee said. A joint effort is needed to ensure the delivery of optimal trauma care to save the lives of Americans injured within the U.S. and on the battlefield. The committee envisioned a national trauma care system grounded in sound learning health system principles applied across all phases of trauma care delivery — from prehospital care at the point of injury to hospitalization, rehabilitation, and beyond. This will require synergized military and civilian efforts, committed leadership from both sectors, and a strategy that aims to reduce variations in care and outcomes while supporting continuous learning and innovation.
The committee found that the current absence of any higher authority to encourage coordination, collaboration, standardization, and alignment in trauma care across and within the military and civilian sectors has resulted in variations in practice, suboptimal outcomes for injured patients, and a lack of national attention and funding directed at trauma care at a level commensurate with the importance of injury. For example, current trauma research funding falls below funding levels for other leading causes of death, such as cancer and heart disease. In addition, no single federal entity is accountable for trauma care capabilities in the U.S. The result is a patchwork of systems for trauma care and mortality rates that vary twofold between the best and worst trauma centers in the nation. No level of government below the White House has the leverage to achieve the necessary collaboration within and across military and civilian sectors, catalyze partnerships between governmental and nongovernmental leaders, and ensure accountability across many federal agencies, the committee said. Therefore, leadership from the White House will be required to optimize trauma care. The committee also recommended that the secretaries of the U.S. Department of Health and Human Services and the U.S. Department of Defense designate and fully support a locus of responsibility and authority within their respective agencies for leading a sustained effort to achieve the national aim of zero preventable deaths after injury and minimize disability.
The low volume of military trauma cases when combat decreases, especially between wars, makes it impossible for trauma teams to acquire and maintain the expertise necessary to deliver casualty care at the level of excellence that is both deserved and needed, the committee said. Military and civilian trauma centers should be integrated to help maintain military trauma training and transfer wartime lessons learned and best practices to the civilian sector. This should include embedding military trauma teams in the busiest and best civilian trauma centers across the nation. In addition, only three military hospitals are verified as trauma centers. More military hospitals should become trauma centers and participate fully in the existing civilian trauma system, caring for both military and civilian patients.
The collection and use of data is critical to generate new knowledge on best practices in trauma care, drive continuous improvement, and compare the performance of similar organizations. Leaders of the recommended national trauma care system should establish processes for real-time access to patient-level data across all phases of care and just-in-time access to high-quality knowledge for trauma care teams and those who support them. To facilitate use of those data, the secretary of HHS, secretary of defense, secretary of veterans affairs, and private-sector and professional society partners should apply appropriate incentives to ensure that all military and civilian trauma centers and VA hospitals participate in a risk-adjusted, evidence-based trauma quality improvement program.
The greatest opportunity to save lives after injury is in the prehospital setting, the committee said, and the integration of prehospital care, such as emergency medical services (EMS), into the broader trauma care system is needed to ensure the delivery of optimal trauma care. EMS is a disjointed set of systems across the nation with differing standards of care and few universal protocols. Additionally, the Centers for Medicare & Medicaid Services (CMS) reimburses EMS as a supplier of transportation to a medical facility, based on factors such as the miles traveled to an emergency department and the level of care provided while en route, rather than as a health care provider. Essentially, EMS agencies are discouraged from determining the need for transport to a hospital given that payers will deny reimbursement if such transport does not occur. Also, some EMS transports to emergency departments are medically unnecessary, adding costs to the health care system, burdening hospital-based providers, and limiting the ability to respond to disasters and other mass casualty incidents. This fee-for-transport model ignores the increasingly complex care and life-saving interventions performed by EMS providers at the point of injury and while en route and hinders the implementation of processes that would allow EMS providers to transport patients to a more appropriate setting or to treat and release them. The committee recommended that Congress, in consultation with HHS, ensure the integration of prehospital care as a seamless component of health care delivery, rather than being viewed and reimbursed as merely a patient transport mechanism. Possible ways to achieve this include amending the Social Security Act so EMS is designated as a provider type and modifying CMS's ambulance fee schedule to better link the quality of prehospital care to reimbursement and health care delivery reform efforts.
The study was sponsored by the American College of Emergency Physicians, American College of Surgeons, National Association of EMS Physicians, National Association of Emergency Medical Technicians, Trauma Center Association of America, U.S. Department of Defense, U.S. Department of Homeland Security, and U.S. Department of Transportation. The National Academies of Sciences, Engineering, and Medicine are private, nonprofit institutions that provide independent, objective analysis and advice to the nation to solve complex problems and inform public policy decisions related to science, technology, and medicine. The Academies operate under an 1863 congressional charter to the National Academy of Sciences, signed by President Lincoln. For more information, visit http://national-academies.org. A roster follows.
#NASEMTraumaCare
@theNASEM
http://nationalacademies.org/TraumaCare
Commissioned Paper - Military Trauma Care's Learning Health System: The Importance of Data Driven Decision Making
Commissioned Paper - Military–Civilian Exchange of Knowledge and Practices in Trauma Care
Report in brief
Report recommendations
Scrolling report in brief
Jennifer Walsh, Senior Media Relations Officer
Rebecca Ray, Media Relations Assistant
Office of News and Public Information
202-334-2138; e-mail news@nas.edu
Copies of A National Trauma Care System: Integrating Military and Civilian Trauma Systems to Achieve Zero Preventable Deaths After Injury are available from the National Academies Press at http://www.nap.edu or by calling 1-800-624-6242. Reporters may obtain a copy from the Office of News and Public Information (contacts listed above).
Health and Medicine Division
Board on Health Sciences Policy
Board on the Health of Select Populations
Committee on Military Trauma Care's Learning Health System
and its Translation to the Civilian Sector
Donald M. Berwick, M.D., M.P.P., FRCP1 (chair)
President Emeritus and Senior Fellow
Institute for Healthcare Improvement
Newton, Mass.
Ellen P. Embrey
Stratitia Inc. and 2c4 Technologies Inc.
Springfield, Va.
Sara F. Goldkind, M.D., M.A.
Research and Clinical Bioethics Consultant
Goldkind Consulting LLC
Potomac, Md.
Adil H. Haider, M.D., M.P.H., FACS
Center for Surgery and Public Health
Brigham and Women's Hospital, Harvard Medical School, and Harvard School of Public Health
John Bradley Holcomb, M.D., FACS
Center for Translational Injury Research, and
Professor and Vice Chair of Surgery
UT Health, University of Texas Health Science Center
Brent C. James, M.D., M.Stat.1
Chief Quality Officer and Executive Director
Institute for Health Care Delivery Research
Jorie Klein, R.N.
Director of the Trauma Program
Douglas F. Kupas, M.D.
Associate Chief Academic Officer for Simulation and Medical Education and Associate Professor of Emergency Medicine
Geisinger Health System
Danville, Pa.
Cato T. Laurencin, M.D., Ph.D.1, 2
University Professor, Albert and Wilda Van Dusen Distinguished Professor of Orthopaedic Surgery, and Professor of Chemical, Materials, and Biomedical Engineering;
The Raymond and Beverly Sackler Center for Biomedical, Biological, Physical, and Engineering Sciences;
Institute for Regenerative Engineering; and
Ellen MacKenzie, Ph.D.
Fred and Julie Soper Professor and Chair
Department of Health Policy and Management, and
Major Extremity Trauma Research Consortium Coordinating Center
David Marcozzi, M.D., MHS-CL, FACEP
Associate Professor and Director of Population Health
C. Joseph McCannon
The Billions Institute
Norman E. McSwain Jr., M.D., FACS (committee member until July 2015)
Trauma Director
Spirit of Charity Trauma Center, and
Tulane School of Medicine
John A. Parrish, M.D.1
Consortia for Improving Medicine with Innovation and Technology, and
Distinguished Professor of Dermatology
Rita Redberg, M.D., FACC, M.Sc.
Professor of Medicine
Uwe E. Reinhardt, Ph.D.1 (committee member until August 2015)
Professor of Economics and Public Affairs
Woodrow Wilson School of Public and International Affairs
James Robinson, MA(C), EMT-P
Assistant Chief
Denver Health EMS- Paramedic Division
Thomas M. Scalea, M.D.
Physician-in-Chief
R. Adams Cowley Shock Trauma Center
University of Maryland Department of Surgery
C. William Schwab, M.D., FACS, FRCS
Founding Chief
Division of Traumatology, Surgical Critical Care, and Emergency Surgery, and
Penn Medicine Professor of Surgery
Perelman School of Medicine
Philip Spinella, M.D., FCCM
Pediatric Critical Care Translational Research Program and Blood Research Program, and
Autumn Downey, Ph.D.
Study Director
1Member, National Academy of Medicine
2Member, National Academy of Engineering
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text:
Warriors respond after fireworks go off outside their hotel at 3 a.m.
by: KRON4 Staff
Posted: May 31, 2019 / 03:15 AM PDT / Updated: May 31, 2019 / 03:15 AM PDT
TORONTO (KRON) — Warriors are responding after some Raptors fans reportedly decided to set off fireworks right outside the team's hotel in the middle of the night.
According to KRON4's Jason Dumas, someone set off fireworks at 3 a.m. outside the team's hotel.
Twitter was quick to disclose a few more details about the reported incident, even indicating it was totally premeditated by a Raptors fan.
Well, according to Quinn Cook, he didn't hear anything.
Cook commented on an Instagram video of the fireworks.
"Weak a** fireworks…we ain't hear that sh*t," he posted.
Kevin Durant also commented on the Instagram post.
"Damn I think we were too high In The Sky to hear those," Durant said.
Raptors fans really set off a bunch of fireworks at 3am outside of the Warriors hotel last night in Toronto. 🤦🏽♂
A post shared by WarriorsTalk (@warriorstalk) on May 30, 2019 at 8:57am PDT
>>Click here for more stories on the Warriors & the NBA Finals
More Warriors Stories
Warriors sign free agent Alec Burks
by Tristi Rodriguez / Jul 12, 2019
After playing musical teams with the Utah Jazz, Cleveland Cavaliers and Sacramento Kings last season, free agent Alec Burks decided to join forces with the Golden State Warriors.
Burks was leaning towards being an asset to the Oklahoma City Thunder until Paul George went to the Los Angeles Clippers and Russell Westbrook departed to the Houston Rockets.
Reports: Warriors waive veteran guard Shaun Livingston
by KRON4 Staff / Jul 9, 2019
SAN FRANCISCO (KRON) - Bob Myers continues to make sweeping changes to the roster.
On Monday, Damian Jones was sent to Atlanta and on Tuesday, they've parted ways with veteran guard Shaun Livingston.


text:
That Dress
Sandy Kundra Verma
That Dress https://i0.wp.com/barrenmagazine.com/wp-content/uploads/2019/07/Yarn.jpg?fit=1920%2C1440&ssl=1 1920 1440 Sandy Kundra Verma Sandy Kundra Verma https://i0.wp.com/barrenmagazine.com/wp-content/uploads/2019/07/sandykundraverma.jpg?fit=96%2C93&ssl=1 07/27/2019 07/29/2019
In advertising class, which is called mass communications so as not to appear frivolous, we discuss symbolism and brand metrics, consumer insights and aspirational products. But today the professor is a substitute, his name is Amir like the film star but he looks like a student. He grins at the class, which is arranged in ascending levels around him, a mountain in front of a man, and writes "ROLE MODELS"across the whiteboard.
Sundar Pichai is a favourite, Mukesh Ambani, Emma Watson, Robert Downey, Jr. even. Some say Sophia Vergara just to test him, but Amir knows who she is, he even knows Zoella which makes several people hiss anglophone and throw back a Sunny Leone. You can tell a lot about people from their role models.
Shoba and I are on the first bench, but we do not raise our hands, we never do—I don't like to talk about things, and Shoba doesn't do anything that doesn't result in higher marks.
Mayim Bialik, Shoba whispers, do you know she is Jewish?
Unlike other professors, Amir moves around the room, joking, smiling, trying too hard. I lose track of where he is until there is a collective gasp in the corner. Amir skips to the front, points to a girl and announces: her mother.
The class falls silent.
The girl tells us haltingly that her mother brought her up all by herself despite no formal education or qualifications. Then she adds with sudden fire: "If I can be half the person she is, I will be proud."I know then that I will never forget this girl, that years later, I will remember the way her face burnt when she talked about her mother.
"Unsung heroes,"Amir says, "can be a powerful cultural symbol."We discuss heroes and role models, real and make-believe, and Amir plays an old TV commercial featuring an overworked daughter-in-law. "Can no one hear Rama's cry of pain?"cries the family patriarch to dramatic music and a prominent product shot.
We don't discuss the class later, except when Shoba says with a smile that is slightly altered, "Your dad is, like, a real-life hero, nah. He looks like a pukka film star."
And I resist the urge to add: he only looks like one.
But we don't talk about our families. We have known each other since school, Shoba and I, but we never discuss what happens at home.
He is home. His suitcase is open, contents spilling out on the floor: grey socks, mangy underwear with corners of shiny shopping bags visible underneath like hidden love-letters. He is home.
Ma scuttles around, straightening shoes, picking up his backpack, muttering about his lack of consideration. I do not help her. She hurtles like a hurricane and I observe her. She glares at me, then at the suitcase and it shrinks under her inexorable gaze.
"Hey, gorgeous."His hair is reverse-swept to hide a balding patch, but he is still slim, still stylish. "Got ya something special from London."I catch a whiff of his familiar after-shave and something not that familiar.
He picks up an unwrapped box from the suitcase with an Amazon tape across it, ripped apart but pressed together. He discards the box, pulls out a zipped case with a Canon logo and I feel pinpricks rise up on my arms, of course he has gone and done it, of course he has, I know exactly what it means but you see it is not just any camera, it is the EOS 5D, 30 megapixels, 3.2-inch touchscreen. I had been checking its specs for months and of course he knew that.
The Amazon box has exposed a shopping bag underneath, bright yellow with "Selfridges"on its side. There is something black and lacy spilling out of it. Suddenly I want to take a picture of this scene: the open suitcase on the floor, the glossy yellow bag with a black lacy thing spilling out over his underwear, his hankies, the iPad with his electronic pen; I want to put the picture on Instagram and Facebook, I want to tag him and Ma, get a hundred likes and a thousand comments.
Ma closes the lid of the suitcase, snaps its locks shut and carries it out.
"Thanks, Dad,"I take my camera to my room.
The last few days of college. Some people have already got jobs, others are applying for postgrad degrees, mostly in business studies. When a big envelope arrives, people cheer and hoist their friends over their shoulders. Broken light from harem windows makes patterns of shadow and light on the faces on top, but the faces below are dark, they haven't got any big envelopes but they are still cheering. Loud and louder.
My camera captures it all.
"What about you?"Shoba asks. She has landed a consulting job in Singapore; everyone is jealous of her but of course no one admits it.
The Literary Society has a magazine called Colours. They take one look at my camera and appoint me as a photographer on the spot. I don't mind. I say that I would develop the snaps in my neighbourhood studio at a discount. They ask me where I have been hiding all these years.
"Here,"I reply."Right here."
At home, I play the images again. They mean something different at home from what they do in college.
A clinking startles me. He is home. Of course he is. He is home, he is at the bar, his turtleneck and jeans are slept in, the whisky bottle is open and he is pouring out a scotch. He raises his glass to me. I see a splintered image through the crystal and think: it's happening again.
"Oops, I forgot. I got yerrr something else also."
He takes me to his room where the yellow Selfridges bag is on the floor, the black lacy thing still spilling out of it. He pulls the bag and a knoll of black lace slinks out. He tries to gather it but it proves difficult to control, it slips from his grasp.He tugs, a thread snaps. Finally, he crumples it into a ball and chucks it into the bag.
"Another gift from London. Ta-dah!"
He shakes the bag and the lace hisses at me, impossibly black, impossibly smooth, a lover's breath in my ear.
Dad smiles like he knows what I'm thinking, so I pull the black thing out.
It opens like a negligee, but feels heavier. There is a "Diane Von Furstenberg"on its neck, a smooth satin belt and a deep neckline that I should not be wearing at my age.
"It's a wraparound,"Dad says, and I do not like the way he says it.
A strange fragrance emanates from the dress, a mixture of perfumes from London's high-end department stores, not exotic, I tell myself, just an unfamiliar mélange.
"Cost bloody 500 quid,"he coughs.
The dress slithers from one hand to the other, slippery, amorphous. I run to my room, crumple it and throw it on the floor of my cupboard.
Miss D'Silva was the drama teacher and I would always get the heroine's part. I was Alice, I was Sita. Miss D'Silva would plait my hair, soft fingers tingling the back of my neck. I stayed back for extra rehearsals, long long hours so that Dad had to come and pick me up. And the gentleman that he was, after he dropped me, he would drop her home too.
People began to whisper. Teachers would raise their eyebrows, friends would change the topic when I joined the group. But no one said anything to my face.
Jawaharlal Nehru once said that in this country only women are urged to have idols like Sita and Savitri, self-effacing and virtuous. Men had no equal idols like Harishchandra and Satyvavan. I do not know if Indian men, Nehru said, are supposed to be perfect, incapable of future improvement.
Ma is ironing when I come home. The television is on, an actress with garish makeup is wailing about her heartless husband. Did anyone hear Rama's cry of pain?
"Can I see your pictures?"There is an infinitesimal pause between Ma's asking and my moving, but I know she will pretend not to notice the pause.
Ma goes over the pictures again and again, asks me about lecture halls with ascending seats, how small the professor looks from the back. My mother has never been to college. Like that girl's mother from my advertising class, my mother too has no formal education or qualifications. She is half the person she could have been.
Sometimes I wonder if my going to college without a second thought means anything to Ma, but we do not talk about these things.
Ma says she loves the pics, especially Shoba's pic, her big bag of books, baby-face amidst a curly mop of hair. "But there are no pictures of you. You are so beautiful, just like your—"
"Yeah, Daddy's girl,"I switch the camera off.
"My girl too,"she says in a soft voice.
My eyes fall on the ironing board. On it is Dad's blue shirt. On the hanger are his black trousers. Ma pulls out a stray thread with a sharp snap.
This is what she does. She will iron his clothes. Polish his shoes. Dye his hair because even the parlour can miss a strand. Ma never misses anything. She will get him ready for the next one.
Only once did Dad bring a woman home. I was twelve and it wasn't what you think. Ma was there and she told me to call her Aunty, but the woman didn't look like an aunty. She wore a dress, her long legs were naked, her arms were smooth with clacking wooden bangles. Aunties were supposed to wear saris and mangalsutras, the mark of a married woman. This Aunty wore none of these things but she had a red bindi on her forehead, which was increasingly an amorphous symbol—it used to be worn only by married women but it was fashionable, so more and more unmarried women were wearing them nowadays.
Even now I sometimes wonder, was the Aunty married? The question burns inside me sometimes even now, on some days.
Ma brought out her best china. Four types of dishes, chicken and lamb and gulab jamun for dessert. Ma laid out the dishes on the table, told us that dessert was in the fridge, apologised for her headache and retired to her room.
My brother took one look at the aunty and slammed his door shut.
But I stayed. Daddy's little girl.
Aunty gave me a tagline, "Mummy, Daddy, Nahnie, everybody loves a Jazzy!" I tilted my head and they laughed, Aunty touched Dad's arm.
Afterwards, my brother got a job in another city. He told Ma that she could come and stay with him.
"Are you mad?" Ma said, "What will your father do?"
"Where did you learn photography?"Amir and I are arranging photographs under the Coloursmasthead.
"My dad, he's in advertising."
Amir nods. His hands brush against mine. They are not artistic hands; they are rough, abrasive hands. He places photos, asks for ideas, his Levis are tight, his legs long.
He catches me staring and smiles,"What are you planning to do after college?"
I turn away and tell him that I haven't got any big envelopes.
"If you need a job, call me. I run a small set-up, but the work is interesting."
I am about to laugh this bit of kindness away, but his hands are inches away from mine. I wonder what working next to him will be like, would our hands brush against each other, our arms, my foot against his…
"Are you coming to the farewell dance tomorrow?" he asks. "I'll be taking pictures."
I know Amir is married—the ring glinted at me when we met, a talisman against the devil. But does he have kids?
"Advertising," Lata aunty would say as Ma bustled around, angry at offending cushions and chairs. "Everyone in advertising is like this."
It is raining and a gaggle of denim is taking shelter under the bus stop. I concentrate on the rain, on cursing the weather gods, this mega-metropolis and its tiny busstop designed for sparsely populated Nordic countries.
Someone has etched two hearts on the back of a bus seat with the names: Hemu + Radha. Hemu and Radha have no civic sense. I scratch the hearts and green paint creeps under my nails till it hurts; blood leeches out of the wound, green turns purple.
When I reach home, no one is there. I will just try the dress on, I tell myself, it probably won't fit. But I'm already thinking of the black pumps and Ma's meenakari necklace that will go with it.
I grope around in my wardrobe, clutching at discarded denim and soft shirts. I pull my whole wardrobe out, throw it on my bed and the dress slinks to the floor.
My reflection is someone else, someone with taut hips, pert breasts, a delicate waist. How rough his hands will feel on my skin, fair hands on my dark skin.
I pull the dress up and it tugs at me as if it were doing the pulling. I tie the belt and it feels like it could fall at the slightest force of will. It falls into place and its hemline flutters around my knees.
I look older, sophisticated, something other than what I am.
"Kaamna."
Ma is behind me. I haven't heard her come in. I did not hear her open my door.
Ma's eyes travel over my dress, the hint of cleavage, the fluttering hemline. There is a redness in her eyes and a silence between us, a silence so deep that I can hear children playing in the garden downstairs.
Header photography © Marie-Louise Eyres.
Sandy Kundra Verma completed her MSt. in Creative Writing from Cambridge this year. Her first book, Burnt Toast, was published by Rupa and Co. in 2011. She has been published in the Bangalore Review and won the Michael Holroyd Prize for non fiction writing and the Louis de Bernieres prize for fiction writing. Her second book is tentatively titled Halfway Home and she is halfway through writing it.
In hospitals, they have small pink trays
Sandra Bland Said She Had Attempted Suicide Following A Miscarriage


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AETN > Engage > Pressroom > Booyah! Dad featured in concert as part of AETN Arts Fridays Nov. 22
Booyah! Dad featured in concert as part of AETN Arts Fridays Nov. 22
"AETN Presents: On the Front Row With Booyah! Dad" will premiere on the Arkansas Educational Television Network (AETN) Friday, Nov. 22, at 6:30 p.m.
"AETN Presents: On the Front Row" is part of AETN Arts Fridays, featuring world class arts and culture programming and locally produced series.
This episode features Booyah! Dad's energy infused dance rock and rollicking personality. With songs reflecting a freewheeling sense of humor, the band delivers an exuberant performance that encourages viewers to sing along and enjoy themselves.
Booyah! Dad was born in the back of a duplex in Little Rock and features J.R. Top on guitar, synthesizer and vocals; Andy Warr on bass and vocals; and Chad Condor on drums. The band calls itself a crossbreed of ZZ Top and the Talking Heads, with influences such as Blue Cheer and Buck Owens.
"AETN Presents: On the Front Row With Booyah! Dad repeats Sunday, Nov. 24, at 1 a.m. following "Austin City Limits."
Also airing Nov. 22 at 9 p.m. will be "Nashville 2.0." From Emmylou Harris to Mumford and Sons, Rosanne Cash to The Mavericks, "Nashville 2.0" celebrates the American musical melting pot while showcasing a variety of musical genres through the vibrancy of Nashville's Americana music scene.
AETN Arts Fridays delivers world class-arts and culture programming to viewers. The locally produced arts and culture series "AETN Presents," featuring Arkansas authors and bands, airs at 6:30 p.m., and the unprecedented PBS Arts Fall Festival airs at 9 p.m. More information about AETN Arts Fridays and the PBS Arts Fall Festival, including previews, is available at aetn.org/artsfridays.
"AETN Presents," which is celebrating its 10th anniversary season, features a variety of arts and cultural subjects. Previously included in the series have been the Arkansas Acoustic Festival; performances by the Cate Brothers, Trout Fishing in America, Dale Hawkins, Wayland Holyfield and Friends, Shannon Boshears Band and Epiphany; and "On the Same Page" with authors Buzz Bissinger, Billy Collins, John T. Edge and Kenneth L. Smith. A full listing of bands and more information is available at aetn.org/aetnpresents.
The Arkansas Educational Television Network (AETN) is Arkansas's statewide public television network that enhances lives by providing lifelong learning opportunities for people from all walks of life. AETN delivers local, award-winning productions and classic, trusted PBS programs aimed at sharing Arkansas and the world with viewers. AETN depends on the generosity of Arkansans and the State of Arkansas to continue offering quality programming. For more information, visit aetn.org, or follow the AETN blog at aetn.org/engage. AETN is broadcast on KETS (Little Rock), KEMV (Mountain View), KETG (Arkadelphia), KAFT (Fayetteville), KTEJ (Jonesboro), and KETZ (El Dorado).


Use the form below to search for alumni from Edison High School.
Ranks 1078th out of 1,325 high schools in TX.
I was one of the first graduates of the "new" Edison school on Santa Monica. I was in the class that completed all three years of high school (school was 10-12 when it was first built, graduating in 1962 with a whopping 525 graduates (I think that is right) and that was a lot for those days. This time was the best of my young life at the time, I then went to Mary Hardin Baylor on a 4 year scholarship. The teachers were great and very helpful to all of us. I miss the innocence of that era.
As a former student, I don not regret going to Edison. The teachers are willing to help any student graduate and proceed to the next level of education. There is not one person staffed that does not care about the well being of the students. If anything some of the teachers and coaches care to much. The athletic program is the schools pride and joy, sending student athletes on th the next level of competition. The coaches are very well prepared for any challenges handed to them to turn a decent athlete to a great person. Final word going to the number of students Edison sends to a prestigious University every year. The number of graduation seniors that attend college or a university is one of the highest in the city of San Antonio.
The Best High School in all of SAISD.This school has excllent teachers and staff,The princibal is verry postive and who is supportive to every student.Every student is treated the best at Edison.GO EDISON GOLDEN BEARS GO.
Join a discussion about Edison High School and talk to others in the community including students, parents, teachers, and administrators.


The director of The Atlantic, a new Brendan Gleeson-narrated documentary about the struggle for resources in three Atlantic communities, has been launched with screenings on piers in Irish fishing villages.
Director Risteárd Ó Domhnaill has been touring West Cork and Kerry in a mobile cinema to bring the documentary, which successfully raised nearly €50,000 in crowdfunding before the Irish Film Board agreed to match what he had raised, to the communities he feels are most affected by the issues in the film.
The film tells the story of fishermen from Ireland, Newfoundland, and Norway as they battle with falling fishing quotas, super-trawlers, oil explorations that jeopardise spawning grounds and indifferent politicians to preserve their way of life.
Gleeson got involved and agreed to narrate the documentary after playing the part of a Newfoundland fisherman in the 2014 Canadian comedy The Grand Seduction. So far, Mr Ó Domhnaill has had screenings in Union Hall and Castletownbere in Co Cork; and Caherciveen and Dingle in Co Kerry.
Mr Ó Domhnaill said the reception for his film had been outstanding, with four screenings at the event in Castletownbere, the largest whitefish port in Ireland, due to the demand. Fish was very much on the menu with local chefs dishing up paella for the occasion.
The Atlantic was Mr Ó Domhnaill's second feature documentary. He also directed The Pipe, the critically acclaimed film documenting the struggles of local people in Rossport, Co Mayo, against Shell.


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You are here: Home / Question and Answers
Anand Radhakrishnan has recently won the prestigious Will Eisner Award. The award is related to which field?
Comic Industry
Answer with explanation
Mumbai-based graphic artist Anand Radhakrishnan, 32, has won the prestigious Will Eisner Comic Industry Award, considered the Oscars equivalent of the comics world. The Eisner Awards are given out annually and the award won by Radhakrishnan — Best Painter/Multimedia Artist (interior art) — recognises the creator of a graphic novel's art and images.
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Camembert of choice and made according to French traditions, Le Connaisseur Camembert offers a soft ripened cheese with character. By ripening, Le Connaisseur gains in softness, which makes it creamier. Its creamy texture, rich rind, soft and creamy milk aroma will enchant fine cheese adepts!


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Opera farsa in two acts
The director offers a unique version of one of the most popular operas that invariably touches human hearts with its bright love drama.
Sung in Italian
Composer — R. Leoncavallo
Librettist — R. Leoncavallo
Directors — T. Karpacheva, N. Chernikova, D. Modzalevskaya
Lighting Designer — V. Lysyeva
Choreographer — V. Romanovsky
Musical Preparation — N. Zhukovskaya
World premiere — May 21, 1892, Teatro Dal Verme, Milan
Premiere — March 5, 2010
Canio
Alina Nikolaeva
Valentina Fedeneva
Tatiana Kalchenko
Evgenii Baev
Vladimir Tselebrovsky
"All the world's a stage..."
Only in the Theatre does the physical suffering of the Artist retreat before spiritual ecstasy, reviving, like a Phoenix bird from the ashes, spreading its wings over thousands of enthusiastic eyes...
In the Theatre, the Artist, living dozens, hundreds of roles, becomes a voluntary donor, giving his spiritual strength, which real life cannot fill...
Only the Theatre, killing monotonous everyday life with a terrible emptiness, can manifest a miracle and instantly become a dazzling altar, on which a jubilant Artist will enthuse his divine Talent and immortal Soul...
Finally, only in the Theatre wealth, fame, awards mean nothing, and only death reveals the real face of the Actor - lonely and defenseless...
"… and all the men and women merely players," W. Shakespear
The actors talk about the upcoming play. "Those tears and suffering that you will see now are genuine!" Exclaims Tonio. "After all, the actor loves and hates, like all people on earth, and under his buffoonish outfit a warm heart beats."
The performance will begin at eleven o'clock in the evening, but for now, everyone is happy to welcome the owner of the troupe Canio and his actors.
Canio and Beppe decide to go to the tavern and invite Tonio with them, but he refuses. While Canio and Beppe are gone, Tonio makes his way to Nedda, the wife of the jealous owner of the troupe. Canio's jealousy has reason – Nedda is not faithful to him.
Left alone, Nedda dreams of meeting her lover. Imperceptibly sneaking up, Tonio declares his love for her. On the confessions of the ugly clown, Nedda responds with a contemptuous laugh and chills his ardor with a blow of the whip. In a rage, Tonio leaves, threatening with brutal revenge.
Silvio comes to see Nedda. Their love meeting is interrupted by an angry exclamation of Canio, whom the offended Tonio hastened to call. However, Silvio manages to escape unrecognized.
Canio demands that Nedda give her lover's name, but to no avail. The start time of the performance is approaching...
The audience is looking forward to the performance. Tonio encourages the audience to take their seats.
The plot of the play, played out by the actors, is close to life's drama. Taddeo loves Columbine, who prefers the Harlequin.
Pagliacci interrupts the date. Jealousy flares up in Canio. Maddened, he stabs Nedda, and then Silvio, who has betrayed himself, with a knife.
The comedy is over...
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Live Nation Not Expensing an Estimated $36.9 Million in Ad Costs for Cancelled Concerts
Concert promoter won't expense marketing costs until events are rescheduled.
Live Nation Entertainment (LYV), a live entertainment and ticketing company, halted all concert tours and closed all of its venues for much of 2020 due to the pandemic. Revenue plunged 84% and resulted in an operating loss of $1.7 billion in 2020. The result would have been worse if not for an accounting change.
In its 2019 10-K, Live Nation disclosed that concert advertising costs are expensed in the year they occur:
"All advertising costs incurred during the year for shows in future years are expensed at the end of the year."
In its 2020 10-K, Live Nation keeps the prior year's language, then seemingly contradicts it by disclosing it's now pushing advertising costs for cancelled events into the future:
"All advertising costs incurred during the year for shows in future years are expensed at the end of the year. If a current year event is rescheduled into a future year, all advertising costs incurred to date are expensed in the period when the event is rescheduled."
It's not surprising Live Nation would want to match future concert revenue with associated expenses. But pushing ad expenses incurred in 2020 into future periods understates Live Nation's 2020 operating loss. The company acknowledges this when explaining the 89% decline in total fan count in 2020:
"Concerts had an operating loss for the year largely due to lost business resulting from the global COVID-19 pandemic and from sunk costs, such as advertising expenses, associated with shows cancelled or rescheduled to 2021."
How much was sunk but not recognized? Live Nation doesn't make it easy to determine. First, the company doesn't break out "general" advertising expenses, which are expensed when incurred, from "event-related" advertising, which is recognized when a show occurs. Second, Live Nation includes language that seems to conflict with its disclosure about pushing 2020 ad costs into the future:
"However, all advertising costs incurred during the year and not previously recognized are expensed at the end of the year."
Here's our estimate:
Live Nation accounts for refunds it issued for cancelled shows in accrued expenses. For the prior two years, accrued expenses were, on average, 11.75% of revenue. If we normalize the spike in accrued expenses as a percent of revenue in 2020 and subtract it from reported accrued expenses, we get a rough refund estimate of $674.8 million.
We are assuming that anyone receiving a refund initially purchases a ticket, in part, because the event was marketed to them. If we take the average advertising expense as a percent of concert revenue for the prior two years of 5.2% and multiply it by our refund estimate, we get $35.1 million.
Live Nation also includes $35 million in concerts that have been rescheduled after December 31, 2021 in long term liabilities, suggesting another $1.82 million in sunk but not yet recognized ad costs. In total, we estimate Live Nation spent $36.92 million advertising concerts that were cancelled in 2020 and will be recognized in 2021 and beyond. This is approximately 7.7% of Live Nation's total ad spend in each of the prior two years.
On one hand our estimate may be high, as you'll recall Live Nation lumps general and event-related ad costs together, meaning we've overstated ad costs as a percent of revenue used in our calculation. On the other hand, using only our estimate for refunds likely understates Live Nation's event-related ad expense as some customers elected to receive vouchers to future events rather than refunds.
DuDil has contacted Live Nation for more information. Specifically, we requested the company provide us the ad expenses incurred in 2020 that will be recognized in the future. We'll update subscribers when we receive new information.
Related: EDR, WMG, MSGE, ACEL, MANU, SIX


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Q: glGetIntegerv / glGetFloatv Android NDK I am currently porting a game using the NDK. I am using native OpenGL, and am having problems using the glGet* functions.
Here is a code snippet:
m_camera.SetViewMatrix(); //just to make sure nothings left from the last render

        int viewport[4];
        glGetIntegerv(GL_VIEWPORT, viewport);

        float proj[16];
        glGetFloatv(GL_PROJECTION_MATRIX, proj);

        float model[16];
        glGetFloatv(GL_MODELVIEW_MATRIX, model);

        m_currentRay.Create(x, y, 0.0f, 1.0f, model, proj, viewport);

Everything looks ok, but it seems like the glGet* functions are simply not working, and are not returning any values.
I have even tried initialising the variables to certain values, but when the glGet* functions are called, the variables are unchanged. For example:
int viewport[4];
viewport[0] = 1;
viewport[1] = 2;
viewport[2] = 3;
viewport[3] = 4;

and when glGetIntegerv(GL_VIEWPORT, viewport); is called, viewport is still the same. The same applies to all the variables.
A few notes:

*

*I am debugging on a HTC Wildfire

*Using GLES 1.0

*Android SDK version 2.2 (API version 8)

Any help would be appreciated.
Thanks!

A: AFAIK, the wildfire uses the PixelFlinger software GL implementation. I know for a fact that PixelFlinger 1.2 does not implement glGetFloat, but have no information if later versions have corrected this. Is there any logging info when you call make the call? On 1.2 at least, there's a non-specific "unimplemented function" warning.
As to a solution - you'll just have to create the matrices in your own code and then upload them to GL.

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