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On April 9, 2019, the independent Bureau of Governmental Research (BGR) released a report on the May 4 tax proposal that would replace three existing property taxes for parks and recreation with a single property tax at the same rate.
A vote approving the millage would not result in a tax increase for residents. Instead, the BGR found that the 20-year replacement tax would provide funding for more parks and balance the way that money for parks is distributed to the city's four park agencies. While the Audubon Commission would receive $4.4 million less in yearly tax revenue, it would have more freedom to apply that revenue to any of its facilities. NORDC's share would increase by $1.4 million, and Parks and Parkways share would increase by $1 million.
The measure would also provide City Park with its first-ever property tax funding in the amount of $2 million. This would help the park stabilize its budget and enhance its facilities.
The proposed change is the result of a 2017 study which found that park management agencies in New Orleans are not coordinating well with each other and that they are receiving inadequate funding to sustain and grow the number of playgrounds, parks, and recreation facilities in the city. If approved, not only would the measure rebalance how property tax revenue is distributed to the park management agencies, it would create a 20-year cooperative endeavor agreement between them. This would pave the way for enhanced cooperation as well as more public accountability for how each agency is spending its tax revenue.
New Orleans' parks and recreation facilities support citizens' quality of life. They also draw many visitors from around the region and beyond. But the existing property taxes fund too narrow a range of entities and purposes. The proposition gives voters a chance to rebalance the tax revenue. It emerged from a process that evaluated and prioritized agency needs. Without increasing taxes, the millage would provide greater funding to New Orleans Recreation Development Commission and the City's Department of Parks and Parkways, helping them to improve their services and programs. It would provide City Park with its first-ever property tax revenue, helping to stabilize its budget and enhance park amenities. And it would enable the Audubon Commission to retain a smaller but more flexible source of revenue for its Zoo, Aquarium, and other facilities. In addition to rebalancing tax revenue, voter approval of the proposition would put into effect an agreement among the park agencies and the City intended to foster greater planning, coordination, and public accountability.
Early voting for the millage runs from April 20 to April 27, with the regular vote taking place on Saturday, May 4.


text:
The Opinion Paige
Figuring out life in New York. Writing along the way.
"Brooklyn" and Reinvention
In keeping with my previously stated goal of keeping better track of all that inspires me in 2016, I'm sitting here to meditate on a beautiful piece of writing I encountered today: "Bronx, Brooklyn, Broadway: Saoirse Ronan's New York," by Colm Tóibín, who also authored Brooklyn, the novel upon which the Ronan-starring film is based. The piece is the cover story for the current issue of New York magazine, its annual spring fashion issue. I love Saoirse Ronan, but it wasn't her as the subject that made me love this; it was Tóibín's turns of phrase, his perfect articulation of what it's like to reinvent yourself, and his understanding of why you'd want to in the first place.
One of my favorite elements of the movie Brooklyn, which I saw a couple weekends ago, was that it understood homesickness in a very real way. I have not moved between countries, but I moved from Oregon to New York at a key transitional point in life – right after I graduated from college and entered the quote-unquote real world – and I identified so strongly with Ronan's character, Eilis, as she left Ireland for Brooklyn and began a new life. I have cried like Eilis cried in the movie, felt the same hopelessness and wondered why I ever did this. But I've also made friends, started a career and built a life in this new place, and felt with unshakeable certainty that this is where I am meant to exist right now.
In the article, Tóibín describes Ronan (in comparison with her Brooklyn character) "as someone familiar with rural Ireland who was also intensely glamorous and ready to be transformed." That phrase "ready to be transformed" leapt out at me. My transformation has been less a physical transformation than one of attitude, one of thought. I have changed since moving to New York in ways I did not expect, but the more I thought about Tóibín's words, the more they rang true. The expectation of some kind of transformation was inherent in my longstanding desire to move to New York.
The strangest parts of being home are those subtle moments when I realize how much I've changed. I'll notice moments when I say something, or react to a comment, or take an action that makes so much perfect sense to me now, that I only realize later how out-of-character that would have been for the pre-New York me.
I left the theater after Brooklyn concentrated on one shot: Eilis, briefly back in Ireland following a family tragedy, running errands around her sleepy town in a bright dress and sunglasses. It embodied the transformation she'd undergone in Brooklyn; not just that she now wore sunglasses, but that it was only natural for her to wear them in public, even in rural Ireland.
I've thought about that shot for days. In the context of the film, it says more about homesickness and reinvention than I ever could with words, and I grinned when I got to the end of Tóibín's New York magazine story and saw he referenced it:
Sometimes she tries to fit in, to pretend that she has not changed at all and that being away is no big deal; other times she flaunts her new self. There is one moment when she walks through the small Irish town wearing sunglasses and a brightly colored dress when she seems like a returned Yank…ready to gather the poor natives around her to show them the style she has acquired.
I'm still working on the literal style part of my transformation (I do think I dress better than I did in college, though when I made this observation to some friends I visited at home over Christmas, I realized I was wearing a plaid Gap button-down technically made for men) but in the broader sense, this is exactly what I experience any time I'm home, or when I'm in New York and stop to think about how I am different because of this city.
The Tóibín piece can be enjoyed apart from deep reflection on self-reinvention, though. His turns of phrase alone are a joy to read. A few of my favorite parts:
On observing people like a childhood neighbor in Ireland, who emigrated to America but would come back to visit: "They had white teeth and good suntans. They thought life was short."
On the specific childhood neighbor, compared with her sister who moved from Ireland to England: "The American sister, on the other hand, was all glitter and fascinating talk."
On the realization Irish immigrants to America had when fully understanding their freedom in the new country – no family members to bump into on the street, etc.: "You could invent yourself here, even if the term self-invention was not yet understood by you."
On Saoirse Ronan in this moment: "She has come home to a place that is neither Brooklyn nor Ireland but rather a place that she herself has imagined and embodies."
And more on Saoirse: "She invites envy, she lives in light, she loves glamour, but she also moves easily into the shadows."
Read the whole thing yourself, and enjoy. And see Brooklyn while you're at it.
Tagged: 2016, 2016 reads, acting, actors, Brooklyn, Brooklyn movie, Colm Tóibín, favorite shots, film, homesickness, Ireland, movies, moving, New York, New York City, New York magazine, Oscars, reinvention, Saoirse Ronan
A Few Items for Sunday and the Start of 2016
I won the Hamilton lottery! Here is the story.
@plandsem's tweets
Nora. 1 week ago
"Fleabag, yay!" 1 week ago
Feel like the Succession cast is going up to the stage as their characters 1 week ago
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Good Movie Redeems Bad Week
Movie Meditations from a TIFF Newbie
Whole30 So Far (or, "Eight Days Away From a Chocolate Chip Cookie")
Italy, Part I: Rome Recap

redpajama_set_name: RedPajamaCommonCrawl


text:
CYBERPUNK 2077 Released a New Gameplay Trailer and Behind-the-Scenes Videos
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If you signed up for Ally Premier Protection when you financed your vehicle, you've secured protection that goes above and beyond your vehicle's warranty.
Your Ally Premier Protection vehicle service contract covers the cost of most vehicle repairs and may also include additional benefits that your manufacturer warranty doesn't cover, such as towing, roadside assistance, rental car compensation and trip interruption reimbursement.
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Need repair work done? Bring your vehicle to any licensed repair shop in the U.S. or Canada and tell the service advisor what level of Ally Premier Protection you have. Our representatives will work with the service advisor to determine whether the repairs are covered under your plan.
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text:
Saturday, January 29, 2022 - Time in Greece: 02:48 - Working Hours - World Time
Luxury Planes / Jets
Luxury Helicopters
Xero Defy Gravity...
What happens when gravity is suddenly switched off.
The xero experience will present you with an entirely new perspective. In weightlessness things no longer behave that way you would expect. There is no more up and down. Objects are no longer heavy or light. There is a whole new world of sensations to experience. Get ready to experience your body like you could never have imagined.
Be the first to experience xero gravity in style.
The xero mission is to deliver a once in a lifetime experience,!!!!! an experience of weightlessness in the comfort, style and convenience of Sweden. Xero will take its clients out of the normal laws of physics and will plunge them into another world, a world where no gravity exists. Xero is a space where the environment is designed to let clients explore weightlessness in a physical, artistic and social way.
The xero experience how we create weightlessness.
Xero employs the same proven method to create weightlessness that is used by space agencies to train astronauts and cosmonauts for the zero gravity in space. Xero operates a modern aircraft that is specifically built to fly a special parabolic flight profile that creates periods of weightlessness.
More Information about Xero Defy Gravity
Technology platform.
Xero is a specially designed environment located inside the cavernous in their IL 76 MDK parabolic flight aircraft. The IL-76 MDK is only 1 of 3 specially equipped aircrafts in the world that routinely trains astronauts and cosmonauts in their preparation for the zero gravity they will feel in space.
Over 120 000 parabolas have been flown by NASA, the Russian Space Agency and the European Space Agency without a single incident.
Experience curve.
The Xero experience spans much more than a modified aircraft. In fact, the interaction starts when the client first becomes aware of the opportunity. Xero is a once-in-a lifetime adventure that allows people to experience weightlessness in the comfort and style.
Inflatable.
The interior concept is based on a self-supporting inflatable structure that is lightweight, flexible and easily installed. The flooring is covered in an inflatable drop-stitch mattress ensuring a soft surface for safety and support.
A light scheme ensures a calm atmosphere in the cabin, yet at the same time enhances the experience. An image inspired by the world famous northern lights.
Sound.
The sound scheme marks the aircraft noise. It removes the experience from that of a conventional flight and helps the passengers to focus on the adventure. The xero habit Integrated lightning
The interior concept integrates all senses, strengthening the overall experience through moodlightning, sound scope and scent design.
France / Rhone Alpes / Courchevel
Greece / Attica / Athens City


text:
Wielka rozróba (oryg. tytuł The Big Brawl) – amerykańsko–hongkoński komediowy film akcji, komedia z elementami sztuk walki z 1980 roku w reżyserii Roberta Clouse.

W pierwszy weekend otwarcia film zarobił 1 108 025 dolarów amerykańskich, film zarobił łącznie 8 527 743 dolarów amerykańskich w Stanach Zjednoczonych.

Fabuła
Koreańczyk szuka sławy i fortuny w latach 30 w Ameryce.

Obsada
Źródło: Filmweb

Przypisy

Linki zewnętrzne

Amerykańskie filmy z 1980 roku
Hongkońskie filmy z 1980 roku
Amerykańskie filmy akcji
Amerykańskie filmy komediowe
Hongkońskie filmy akcji
Hongkońskie filmy komediowe
Filmy w reżyserii Roberta Clouse'a
Filmy kręcone w Stanach Zjednoczonych

redpajama_set_name: RedPajamaWikipedia


text:
Driving out west in a rusted sedan, our thoughts slowed with each passing state. My Indian wife wore her wrist-watch with the broken strap. She was dialing up the radio.
"This used to be cowboy country," she said, "a long time ago."
There wasn't much in the way of hazards for miles until we picked up a clean-shaven man by a dusty cliff. He was squatting with his head in his hands.
"I lost the tour bus behind a chimney rock," he said.
Dusk was seeping into the sky and I said we'd take him as far as town. He lay across the back seats.
"All by your lonesome?" My wife said.
She flashed the man a smile and then he sat up and blurted out the whole story: how his three hissing kids, full of important solitude, had dropped themselves into the dark crack of the cliff.
"They did it to spite me," he said. "Their own father!"
"Am I supposed to turn around now?" I asked.
I was still driving on. The father frowned and sadly clicked his camera at passing objects.
"We'll wait until daylight," my wife said. "Missing boys always return in daylight."
But just then another unpleasant surprise: a pack of dogs running past our car with the swishing limbs of children in their jaws.
I didn't know what to do except keep driving.
There was a growing darkness in the clouds. My wife turned the radio down then back up again. The father didn't pay anything any mind. He just growled and snapped all the way until all our mouths were struck with thunder.
Lincoln Michel is a co-editor of Gigantic and the Books Editor of The Faster Times. His work appears in NOON, The Believer, Unsaid, The Oxford American and elsewhere.
Chloé Cooper Jones August 28, 2010 at 7:52 PM
Wow. I love this.


text:
Q: Spring Boot Redis: Distributed Caching of Objects from Backend Services for parallel consumer requests for the same Object i didn't know how to explain my challenge better in the title.
The current setup is, that I'm using Spring Rest Service as a "middleware layer" in order to transform the backend's data, which is a huge response, in a more "friendly" way.
This is the for example the structure of the backend:
public class Customer
{
   private String id;
   private String bankAccount;
   private String customerName;
}

The middleware is currently caching the response from the backend in redis.
It also has following endpoints:
public class ServiceController
{
   getBankAccountById(String id);
   getCustomerNameById(String id);
   getCustomerObjectById(String id);
}

All of the requests are producing a backend call for the customer object and cache it in redis, if no object is already present.
But in a multi-threaded environment and especially in an "cloud" / multi-instance environment if the consumer is doing n-requests (#1 getBankAccountById() #2 getCustomerNameById(), etc. in a parallel manner - exact same millisecond), that only one single request is fired against the "real" backend?
My Goal is something like putting a marker into redis that there will be an object of the type customer for a given id is in the cache in the near future, which results in blocking all other threads / threads of other instances in order to reduce backend calls.
My question, is there a simple or maybe an out of the box solution for that?
The only thing I found was the docs of Spring Boot and @Cacheable, which is not feasible, since it synchronizes the calls for a given Id within the same application, not service wide in a clustered environment.
And in addition to this, the backend is really slow (5-10 seconds per call), that the @Cacheable annotation is already passed by since it's starts writing to cache when the actual @Cachable Object is returned.
Thanks in advance,
Cheers Alex
//Edit:
I meant that @Cachable(sync=true) is only affecting the instance level and not a distributed level. Therefore it doesn't really make sense here from my understanding.

A: You can try with @Cacheable(sync = true), which ensures that only Single thread is building cache and all the other threads can access the Cache instead of making a backend call.

redpajama_set_name: RedPajamaStackExchange


Since 2009, teams have been facing-off the weekend after Halloween in the Blackhawk "Candy Bowl". It's a for-fun scrimmage amongst boys and girls teams of all-ages. Kids bring some of their Halloween candy to ante-up for a winning team takes all show-down!
Blackhawks' own winter festival featuring snow-boot soccer, medallion search, sled racing, hot chocolate and marshmallow roasting.
Winter tournament—a two-day tournament for 9–16 year old players, and sometimes adults! Each division completes its tournament within a half day, making this a family-friendly event.
Club anniversary celebration featuring family soccer games, raffles, door prizes, face painting, dunk tank, food, special guests, Nicholas Janzen Spirit Award presentation.
June tournament competition on tennis courts. Bring your soccer mojo; leave your cleats at home!
Mid-July and late October—Fun summer and fall league season wrap-up events dedicated to U9s and U10s!


text:
Charles John Cornish (28 September 1858 – 30 January 1906) was an English naturalist and author.

Life
Born on 28 September 1858 at Salcombe House, near Sidmouth, the residence of his grandfather, Charles John Cornish, J.P., D.L., was eldest son of Charles John Cornish, then curate of Sidbury, Devon, by his first wife, Anne Charlotte Western (died 1887). He was brought up at Debenham, Suffolk, where his father became vicar in 1859. In 1872 he entered Charterhouse School as a gownboy, and left in 1876. After time as a private tutor, he entered Hertford College, Oxford, as a commoner in 1881, was elected Brunsell exhibitioner in 1882 and Lusby scholar in 1883. In the same year he obtained a blue in association football, a second class in classical moderations in 1883, and a second class in literae humaniores in 1885.

In 1885, Cornish was appointed assistant classical master at St Paul's School, London, a position he held for the rest of his life. Soon after coming to London he began to write articles on natural history and country life, and in 1890 became a regular contributor to The Spectator, and later to Country Life.

Cornish lived at Orford House, Chiswick Mall, beside the river Thames, when he wrote The Naturalist on the Thames in 1902.

Cornish died at Worthing on 30 January 1906, the cause originating in a shooting accident many years before. After cremation his ashes were interred at Salcombe Regis, near Sidmouth, and a mural tablet to his memory was placed in the parish church.

Works
Many of Cornish's articles re-appeared in book form. He wrote:

 The New Forest, 1894.
 The Isle of Wight, 1895.
 Life at the Zoo, A work which made him widely known,1895
 Wild England of To-day, and the Wild Life in it, 1895.
 Animals at Work and Play, 1896. 2nd edition, 1897
 Nights with an Old Gunner, 1897.

 The Naturalist on the Thames, 1902.
 Sir William Henry Flower, a Personal Memoir, 1904.

He collaborated with others in Living Animals of the World (2 vols. 1901-2). Animal Artisans and other Studies of Birds and Beasts, with a memoir by his widow, was published in 1907.

Family
Cornish married in 1893 Edith, eldest daughter of John Isaac Thornycroft, by whom he had one daughter.

Notes

Attribution

External links

1858 births
1906 deaths
Schoolteachers from Devon
English naturalists
19th-century English non-fiction writers
20th-century English non-fiction writers
English nature writers
People from Sidmouth
People from Mid Suffolk District
People educated at Charterhouse School
Alumni of Hertford College, Oxford
The Spectator people


text:
Weichert Makes Case for OPM Reorganization
Civilian Agencies
The Trump administration will propose legislation by Friday to move the Office of Personnel Management (OPM) under the General Services Administration (GSA) due to a severe need for structural changes and IT modernization, Acting OPM Director Margaret Weichert told reporters on Tuesday, May 14.
The need for the OPM reorganization is driven by four key areas, according to Weichert: technological challenges; a financial shortfall driven by the transfer of the National Background Investigations Bureau (NBIB) to the Department of Defense; operational challenges; and an inability to take a true, whole-of-government approach to Federal workforce issues.
Weichert made the case for changes at OPM with a strong sense of urgency in her proposal, emphasizing the role of outdated tech in the need for reorganization.
"Given where we are today, we're at a point of real sustainability questions going forward, and without the contributions from NBIB to retiring that technology debt, it really is critical that we seek a new path forward," she said.
Join MeriTalk for the FITARA Awards to honor Federal IT excellence. Register
Throughout the roundtable session, Weichert highlighted the Office of Federal Procurement Policy (OFPP) as a model of what a reorganized OPM would look like under GSA.
"A lot of innovation and strategy activity happens in OFPP's office in [the Office of Management and Budget], and then works seamlessly with GSA around implementation. That's how I would envision this working over time, and I think when you see the legislative language, it's going to look very similar to how OFPP is structured," she said.
Expanding on the agency's IT challenges, Weichert noted that decades-old IT systems are holding back OPM's mission.
"One question I've been asked is, 'Well why don't we just put more money into technology?' The challenge that we have is the way that IT has been structured at OPM. Only about $100 million of the $450 million of the annual IT spend is under the control of the CIO. Most of the spend is represented in contracts that are directly leveraged by the program offices, which is very hard to manage in an integrated fashion," she said.
With NBIB's move to DoD, OPM will see a funding shortfall of $70 million in its revolving fund, digging the hole for technical debt even deeper. According to OPM's estimates, the agency could save between $11 million and $37 million by moving to GSA and adopting their best practices, as well as replacing some contracts with GSA's in-house services.
"At the end of the day, all of [our] programs still come to this bottleneck in IT that cannot handle new volume. If we do not reengineer and rearchitect a solution that has grown up and is siloed through programmatic direct expenditures, we cannot keep it secure," she said.
"Fundamentally, this is not a place where we can buy our way out. We have to structurally change, and look at an entirely new architecture for the future," she said.
Weichert made it clear that the issues with OPM are structural and technological, but not related to personnel, who she called "fundamentally dedicated to the mission."
"OPM's workforce already knows they don't have the modern tools they'd like to serve Federal employees," she added.
Weichert also painted the picture of what a reorganized OPM could do with more capacity under GSA, such as expand its mission beyond Title 5 employees – the current focus of OPM's mission.
"The mission around what OPM is doing today is not going away. Over time, it may expand further under the new organizational construct, but frankly today, OPM can't take on anything else, because we have operational backlogs, IT challenges – real challenges doing what we're tasked with today."
OPM's reorganization will likely face an uphill battle in Congress, especially in front of the House Oversight and Reform Committee's Subcommittee on Government Operations. Subcommittee Chairman Rep. Gerry Connolly, D-Va., has expressed his cynicism, calling the plan a move to "dismantle" OPM.
Weichert offered her view that the move would empower OPM's mission instead of harming it.
"I fundamentally believe that if we focus on the mission and we elevate the mission, people will understand that's what we're trying to do, and that is the imperative that's driving all of this," she said.
If Congress decides not to authorize the move, OPM will look to existing authorities to remedy its problems. Weichert shared the potential for interagency agreements, like hiring GSA's Technology and Transformation Services, delegating some of OPM's authorities, and joint ventures with other agencies to handle some of the tasks.
With Weichert set to testify in front of Connolly's subcommittee next week, the battle over whether to reorganize OPM is far from over.
Tags: Gerry Connolly, GSA, Margaret Weichert, NBIB, OFPP, OPM


A week before The Walking Dead is set to return to the small screen for the second half of its ninth season, AMC said today it's bringing the series based on Robert Kirkman's comics back for Season 10.
Having gone through a hard reset and the loss of Andrew Lincoln and fellow lead Lauren Cohan in the first part of Season 9, the now Angela Kang-showrun series has leaped a few years into the future of its own timeline.
Now toplined by Norman Reedus, Danai Gurira, Melissa McBride and Jeffery Dean Morgan, the zombie apocalypse series played around with some TV timelines itself this month with the Season 9 midseason return actually premiering a week early on the AMC Premiere service for subscribers.
This builds on the the Season 9 premiere experiment in October, where if one signed up for the cabler's $5-a-month AMC Premiere service, one got access to "A New Beginning" a full day before it aired on AMC proper at 9 PM ET.
That cash-in in the fall saw a new premiere low in traditional ratings at the time for TWD but a big touchdown in signups for AMC Premiere, which is available on Comcast, YouTube TV, Amazon Fire TV, Apple TV and Apple iOS. In fact it was the best day ever for AMC's digital lea.
Expect more of it now there's going to be more of The Walking Dead, Whisperers and all.


How long have you been calling in to AM 1050 WLIP radio shows?
For over 14 years now and I have no intention of slowing down.
How has being the Queen of WLIP changed your life?
Are you the Irene Buri-Nelson of today's WLIP?
No Way! She was one of a kind. I'm just a fan and listener.
Is it true you woke up at 3AM every day just to call in to a radio show?
Yes, to call in to Dr. Destruction's show and I did not need an alarm.
When is the last time you went an entire weekday and did not call in to WLIP?
It has been many, many years. I can't really even remember.
Any strange encounters with people when they found out who you are?
Is there a downside of being the Queen of WLIP?
What do you say to your detractors?
If you don't like it, change that station.
What more would you like to accomplish at WLIP?
Do they invite you to the company Christmas Party?
No, do you think they should?
Any parting words for all of the Shirley Swank-Pitts fans out there?


The Popcorn Muncher Podcast: Episode 72 – Is Patti Cake$ the next great musical underdog story?
There's a packed and varied array of films on this week's Popcorn Muncher Podcast, hosted by Patrick Wilson with Luke Stevenson and Tom Beasley – editor of The Popcorn Muncher.
Tom talks about his love for British romance God's Own Country and the Gothic Victorian mystery thriller The Limehouse Golem. We also discuss American Made, in which Tom Cruise is a pilot playing both sides of the war on drugs, and underdog music tale Patti Cake$ about an aspiring rapper working her way up through the hip-hop scene in New Jersey.
Director shake-ups are the topic of the news section, where we chat about Colin Trevorrow's departure from the Star Wars franchise and Gavin O'Connor's hiring as the director of superhero sequel Suicide Squad 2. We debate whether adaptations can ever match their original source material and Tom leads a genre-based quiz.
If you like the podcast, subscribe and rate us on iTunes. It really helps.
Did you enjoy the new episode of The Popcorn Muncher Podcast? Let us know in the comments section.


Spring CraftMorristown, March 15, 16, 17, 2019, marks its 29th year at the Morristown Armory as New Jersey's most unique spring art and shopping experience. This three-day curated event brings winter-weary craft and design lovers the opportunity to get "first dibs" on the year's newest creations from 165 top American fine craftspeople who will be traveling from across the country to exhibit and sell their handmade creations. These makers infuse a distinctive creative vision into one-of-a-kind and limited edition jewelry; apparel and accessories; and furniture and home décor.
Shoppers can find functional and sculptural works in ceramics, glass, metal, fiber, wood and mixed media as well as fine art painting, printmaking, drawing and photography. Visitors should also make sure to bring their sweet tooth and plan to visit the gourmet specialty food boutique to fully experience handcrafted delights.
Show hours for Spring CraftMorristown are Friday from 4 p.m. to 8 p.m.; Saturday from 10 a.m. to 6 p.m.; and Sunday from 10 a.m. to 5 p.m. General admission is $9 (includes unlimited re-entry all weekend); seniors and veterans are $8; children under 6 are free. The Morristown Armory is located at 430 Western Ave. in Morristown, NJ. It is most accessible by car from Route 287 and is less than an hour train ride from Penn Station in Manhattan. Visit www.artrider.com or call 845-331-7900 for more information.


With all of the recent advancements in orthodontics, wearing braces has never been easier. State-of-the-art appliances and treatments are now available, from traditional metal braces, to clear and tooth colored brackets, to NASA type wires that are heat activated and require fewer adjustments! Some patients may even be candidates for treatment with Invisalign or Essix, a revolutionary way to straighten teeth using clear, retainer type aligners that require no braces or wires!
Panoramic x-ray showing extra or missing teeth.
2. Active Phase – Active treatment involves visiting your dentist on a regular basis, usually every 4 - 6 weeks, for adjustments and following specific treatment requirements to ensure successful treatment.
3. Retention Phase – When treatment is completed, the braces and/or appliances are removed and a new appliance is made. Usually these retainers are removable and will maintain the changes made to your teeth if worn continuously until the teeth and bone are stabilized in their new positions. Occasionally, a wire is bonded behind the lower anterior teeth to keep these teeth from relapsing.


Do you want to let your students practice maths in a fun way? The Math file game show is design to do that with the ancient mathematical hosts Hypatia and Pythagoras. The site is provided by BBC education and it includes on-line games as well as games available as printouts. The games are available in the following categories: numbers, data handling, algebra as well as shape, space and measure.
The on-line games are always available for three level of difficulty. The games use they Macromedia Showckwave technology, making they visually attractive. The printouts include games and exercises such as cross number, snap charts, writing cheques, budgeting and spending and sorting books based on the Dewey system.


Barry Angling for Obama Appointment?
The Wall Street Journal's James Taranto seems to think that Marion Barry's latest tax woes are really part of a plot to get him into the Obama Administration. Taranto notes that the top slot at the ONDCP is currently open, and might be a good fit for Barry, but I think he'd probably do just as well as maybe the FDA, or perhaps somewhere at Health & Human Services?
This entry was posted in: All Politics is Local, Life in the Capital, The Daily Feed, WTF?!
Is Barry where we draw the line? The DEA would be a good fit.


text:
Wrinkly Lil Baby Baboon Makes Video Debut And She's Just Too Precious
Tom Garruto
Instagram/@sandiegozoo
A tiny, and very wrinkly, female baby baboon has been born at San Diego Zoo in California.
The small addition to the monkey habitat was caught on film by keepers snuggling up with mum Daphne, exploring, and trying to play.
Posting the video to Facebook, San Diego Zoo said, "It's a girl! Mother Daphne and the rest of the Hamadryas baboon troop welcomed a new addition."
It's a girl! Mother Daphne and the rest of the Hamadryas baboon troop welcomed a new addition. Come see her monkey around in Conrad Prebys Africa Rocks.
The adorable video of the baby monkey now has more than 10,000 views.
On Instagram, the zoo writes,
"It's a girl! Mother Daphne and the rest of the Hamadryas baboon troop welcomed a new addition. Come see her monkey around in Conrad Prebys Africa Rocks. Once revered by Ancient Egyptians as representatives of the Egyptian god of learning, #hamadryasbaboons are also referred to as Sacred Baboons. These hardy Old World monkeys display complex social behaviors, and can live in troops of several hundred individuals."
Viewers couldn't help but comment on just how adorable it all was.
The baby female, who has not yet been named, is part of the Hamadryas baboon species, which is the northernmost of all baboon species.
Native to parts of eastern and northern Africa, the Hamadryas baboon is often nicknamed sacred baboon due to its roles in ancient Egyptian religion.
If you're an admirer of the adorable, the zoo's social media channels have plenty of other videos for you to "awww" at.
Like Tony the hippo.
San Diego Zoo on Instagram: "To love Tony but not care about conservation... now that's just hippo-critical. 💦🐴 #TonyTuesday #hippobirdietwoewe #hippos…"
Or these adorable meerkats.
San Diego Zoo on Instagram: "There's no such thing as too much meerkat, especially on Mondays. Enjoy a minute of mob munching madness and check out our IGTV and Story…"
Or Wu the panda.
San Diego Zoo on Instagram: "Ain't no party like a 🐼 party! To celebrate his 6th birthday, Wu was provided with a multitude of special items and decorations, including…"
And then there's this thing. Apparently, it's called a tapir. I just know it's too darn cute.
San Diego Zoo on Instagram: "It's watermelon season! Feast your eyes on the 1st endangered Baird's tapir calf born at the #sandiegozoo in 30 years. Keepers are hand-…"
No matter your animal fancy, The San Diego Zoo has got you covered.
A version of this article originally appeared on Press Association.


text:
Q: The ball does not bounce off the screen in pygame I am writing a pong game with 1 paddle in pygame. The ball is supposed to bounce off the wall and the paddle. But the ball only sometimes bounces off the wall. Here is the code that makes the ball bounce:
    elif ball_x == 785:
        dbx = -dbx
    elif ball_y == 585:
        dby = -dby
    elif ball_y == 15:
        dby = -dby
    elif ball_x == 60 and ball_y > rect1_y - 110 and ball_y < rect1_y + 110:
        dbx = -dbx

How do I fix this?

A: Instead of checking ball_x == 785, instead check ball_x >= 785.  As written, your code only makes the ball bounce when its x coordinate is exactly 785.  If your ball moves by more than one pixel per frame (which it probably does), then much of the time it will "hop" right over the 785 line and not bounce.

A: You have to invert dbx when the ball touches the left or right of the window. And you have to invert dby when the ball touches the top or bottom.
But if the axis aligned component of speed of the ball is n ot exactly 1, then the ball won't touch the border exactly. You have to evaluate if the coordinate is  <=, >= rather than ==.
My suggestion is:
radius = 15
width, height = 800, 600

if ball_x <= radius or ball_x >= width-radius:
    dbx = -dbx
if ball_y <= radius or ball_y >= height-radius:
    dby = -dby


text:
Alison Jennifer Korn (* 22. November 1970 in Ottawa) ist eine kanadische Ruderin, die zwei olympische Medaillen gewann.

Korn rückte 1996 zusammen mit Heather McDermid in den kanadischen Achter, der bei den Weltmeisterschaften 1995 als sechstes Boot ins Ziel gekommen war. Bei den Olympischen Spielen 1996 in Atlanta belegte das Boot den zweiten Platz hinter den Rumäninnen. Bei den Weltmeisterschaften 1997 siegten erneut die Rumäninnen vor den Kanadierinnen, zusätzlich trat Korn zusammen mit Emma Robinson im Zweier ohne Steuerfrau an und gewann den WM-Titel vor dem rumänischen Duo Veronica Cochela und Georgeta Damian. Während Korn und Robinson im Zweier 1998 ihren Titel verteidigen konnten, gewannen sie im Achter die Bronzemedaille hinter den Rumäninnen und den US-Amerikanerinnen. 1999 trat Korn nicht mehr im Zweier an, mit dem Achter belegten sie wie im Vorjahr den dritten Platz. Ihre zweite olympische Medaille gewann Korn 2000 in Sydney mit Bronze hinter den Rumäninnen und den Niederländerinnen.

Endkampfplatzierungen
(OS=Olympische Spiele, WM=Weltmeisterschaften)

 OS 1996: 2. Platz im Achter (Heather McDermid, Tosha Tsang, Maria Maunder, Alison Korn, Emma Robinson, Anna van der Kamp, Jessica Monroe, Theresa Luke und Lesley Thompson)
 WM 1997: 2. Platz im Achter (Buffy-Lynne Alexander, Laryssa Biesenthal, Jessica Gonin, Alison Korn, Emma Robinson, Dorota Urbaniak, Kristen Wall, Kubet Weston und Lesley Thompson)
 WM 1997: 1. Platz im Zweier ohne (Emma Robinson und Alison Korn)
 WM 1998: 3. Platz im Achter (Buffy-Lynne Alexander, Laryssa Biesenthal, Heather Davis, Alison Korn, Marnie McBean, Emma Robinson, Dorota Urbaniak, Kubet Weston und Lesley Thompson)
 WM 1998: 1. Platz im Zweier ohne (Emma Robinson und Alison Korn)
 WM 1999: 3. Platz im Achter (Buffy-Lynne Alexander, Laryssa Biesenthal, Alison Korn, Theresa Luke, Heather McDermid, Emma Robinson, Dorota Urbaniak, Kubet Weston und Lesley Thompson)
 OS 2000: 3. Platz im Achter (Heather McDermid, Heather Davis, Dorota Urbaniak, Theresa Luke, Emma Robinson, Alison Korn, Laryssa Biesenthal, Buffy-Lynne Alexander und Lesley Thompson)

Weblinks

Ruderer (Kanada)
Weltmeister (Rudern)
Olympiateilnehmer (Kanada)
Teilnehmer der Olympischen Sommerspiele 1996
Teilnehmer der Olympischen Sommerspiele 2000
Kanadier
Geboren 1970
Frau


Numerous times, works of fictions including books and films have irked politicians. The ideal freedom of expressions and speech that liberates an artist to create what he wants, is probably utopian. The recent Padmaavat controversy was a proof. Filmmaker Madhur Bhandarkar's Indu Sarkar which dealt with the emergency period initiated by then Prime Minister Indira Gandhi, too met with an absolutely negative response from Congress workers, leading to more violent protests at places. Bhandarkar now claims he sought help from Rahul Gandhi but he didn't receive any. This came after Rahul batted in favour of freedom of expression and speech.
Recently, Netflix India's original series Sacred Games that had a mention of the Bofors scam and had a dialogue apparently maligning Rajiv Gandhi, has come under the radar of Congress workers. A case has been lodged against the makers. But on the contrary to the workers, the Congress leader, Rahul Gandhi, has stated he believed in the fundamental freedom of expression and wouldn't oppose to Sacred Games.
This got director Anurag Kashyap hailing him but ended up irking Bhandarkar. The latter also shared a video of Congress workers threatening him.
Meanwhile, a legal complaint was also filed against the show for allegedly insulting Rajiv Gandhi using foul language. A plea claiming removal of the scene has been filed at Delhi High Court.
nextNora Fatehi roped in for a sizzling dance number in Salman Khan's Bharat!