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Jim Harrison: The Essential Poems
Jim Harrison (Author) Joseph Bednarik (Editor)
An untrammeled renegade genius... Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language.--Publishers Weekly
Starred Review in Booklist: "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."
Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.
The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.
Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.
In his essay Poetry as Survival, Jim Harrison wrote, Poetry, at its best, is the language your soul would speak if you could teach your soul to speak. The Essential Poems is proof positive that Jim Harrison taught his soul to speak.
In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death. --Dean Kuipers, LitHub
"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post
Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this.--New York Journal of Books
Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up.--John Freeman, Executive Editor, Recommended Reading from Lit Hub Staff
Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns.--Alta
It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all.--Harper's
The Heart's Work: Jim Harrison's Poetic Legacy: The Heart's Work is a multi-book, multi-year publishing project by Copper Canyon Press to secure and advance Jim Harrison's poetic legacy. To date, books published as part of the The Heart's Work include The Essential Poems, Collected Ghazals (with afterword by Denver Butson), Jim Harrison: Complete Poems (produced as both a single volume and a three-volume box set, with introductions by Terry Tempest Williams, Colum McCann, Joy Williams, and John Freeman), and the paperback printing of Dead Man's Float. New projects forthcoming!
Copper Canyon Press
Jim Harrison (1937-2016) was the author of over three dozen books, including Legends of the Fall and Dalva, and served as the food columnist for the magazines Brick and Esquire. He published fourteen volumes of poetry, the final being Dead Man's Float (2016). His work has been translated into two dozen languages and produced as four feature-length films. As a young poet he co-edited Sumac magazine, with fellow poet Dan Gerber, and earned a National Endowment for the Arts grant and a Guggenheim Fellowship. In 2007, he was elected into the Academy of American Arts and Letters. Regarding his most beloved art-form, he wrote: Poetry, at its best, is the language your soul would speak if you could teach your soul to speak. Jim Harrison certainly spoke the language.
"[Jim Harrison] is still close to the source...Dead Man's Float is, as its title would suggest, a flinty and psalmist look at mortality and wonder."--Los Angeles Times "Harrison sees the sacred in the world around him." --New York Times Book Review "The title of this volume, 'Dead Man's Float, ' refers to a way to stay alive in the water when one has grown tired while far from shore. As a poet, however, Mr. Harrison is not passively drifting. He remains committed to language, and to what pleasures he can catch."--Dwight Garner, The New York Times "Few enough are the books I decide to keep beyond a culling or two. Barring fire or flood, Dead Man's Float will be in my library for the rest of my life. If it's the last poetry collection we get from Harrison--and I hope it isn't--it is as fine an example of his efforts as any."--Missoula Independent "[H]is poems stun us simply, with the richness of the clarity, detail, and the immediacy of Harrison's voice." -Publishers Weekly "Songs of Unreason, Harrison's latest collection of poetry, is a wonderful defense of the possibilities of living."--The Industrial Worker Book Review "In the end, one comes to think that maybe Jim Harrison is a tiny bit closer to the heartbeat of the universe than most of us, so by a single degree of separation, we are better for it." -The Rumpus "Funny and tender beneath a wry and gruff seen-it-all veneer, Harrison contemplates death, discerns divinity in every stone and leaf, and nobility in ordinary lives, and laughs at our attempts to separate ourselves from the rest of nature."--Booklist "Noted novelist Harrison, also a fine poet, writes like a man reconciling the world at large with the natural world he knows well, one that still fascinates and inspires him... Harrison is heavily invested in narrative elements that range from the real to the surreal.... Highly recommended." --Library Journal, starred review
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Understanding Minds Psychological Services is a group of licensed mental health professionals located in St. Louis County. We are committed to providing a comfortable and supportive environment for people to discuss their thoughts and feelings, identify goals for treatment, and take steps to improve their lives. It is our belief that the mutual understanding that develops between our therapists and their clients makes it possible for people to achieve their goals.
We are accepting new clients! Early morning, daytime, evening, and weekend appointments available!


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Amazon.com: All Products Books Popular Music Classical Music Video DVD Toys & Games Electronics Software Tools & Hardware Lawn & Patio Kitchen
Saxophone Discussion Forum Books, CD, Videos & Sheet Music Saxophone Links & Resources
Santy Runyon
Recommended Saxophone Books for Sale:
Buy this from amazon.co.uk
The Rough Guide to Saxophone:
The Essential Tipbook by Hugo Pinksterboer
An In-Depth Look at the Styles of the Masters with CD (Audio) by Dennis Taylor
The Cambridge Companion to the Saxophone by Richard Ingham
Technique of the Saxophone: Chord Studies by Viola, Joseph
Santy Runyon Discusses Reeds
the Latter Part
Part 2 (The reed and embouchure)
The afore mentioned cane reed that came with the C Melody sax is a good example of how too soft a reed can weaken your embouchure. The homemade hard rubber reed, on the other hand, is a great example of how you can maintain a consistent strength of the lips, since the reed didn't weaken appreciably over a period of time. The only drawback, however, was the tone quality, which left a lot to be desired. Gale Stout, Vic Bowen (also of the Chicago Theatre Orchestra), and I devised a practical way to sustain a good embouchure.
We each bought a bunch of reeds. I bought about 50. Then, a clarinet reed cost 10 cents---alto, 15 cents---tenor, 20 cents. It would be prohibitive at today's prices to do that. The object was to find five reeds of a good enough strength and quality to play the job in a satisfactory manner--strong enough to support the higher register, yet flexible enough to permit satisfactory attack on the low notes. We played those five reeds over and over until we were satisfied that any one of them would do this most important job. We would play one on the job for a week or ten days, depending on how the reed would hold up. Then start a reed session, playing those 4 remaining reeds. If, at the start of the reed session, that first reed seemed stiff--that was a dead giveaway. Sure enough the embouchure had weakened. After playing all four of the reserve reeds, the lips had gained their strength back. That really worked like a charm for us. We felt it necessary to always have four of the proper reeds in reserve. Most naturally, the discarded reed would always be replaced. The process served me well for eleven years.
Part 3 (Reed manufacturing)
It might be good to understand a little about how reeds are made. A gentleman by the name of Roy Maier and another named Tony Ciccone, both from Chicago, started the reed company presently known as the "Rico Company". Tony dropped out of the picture, which left Roy as sole owner. Roy brought reeds to me at the Chicago Theatre, for me to test. They were then called Symmetricut reeds. Maybe I didn't spell it right. The reeds were very good. Jimmy Dorsey heard me playing them and inquired about them. I gave him a couple and he liked them also. Maurie Berlin owned the Chicago Musical Instrument Company at that time, and to my knowledge he was the first distributor of Roy Maier's Rico reeds. I arranged for Jimmy Dorsey to give an endorsement on the reed for the Chicago Instrument Company.
Years later, because I knew Roy that well, I was able to go through the Rico factory, and observed the process in making the reeds. The vamp on the reed is extremely thin at the tip. First cut (leaving the reed the longest and the thinnest) makes the 1-1/2 (the softest). It is then cut a little shorter for a #2. Then it is cut shorter again for a 2-1/2. As the reed is cut shorter and shorter, it becomes thicker and thicker, and as it becomes thicker and thicker, it also becomes harder and harder to attack the low notes.
Band directors all over the country tell the students to use 3-1/2 reeds, many times not knowing whether the mouthpiece that the student is using is close, medium, or open. If the mouthpiece is close, the 3-1/2 reed will probably work O. K., but that still doesn't eliminate the fact that the reed is perhaps pretty thick at the tip. A 2-1/2 reed on a medium facing mouthpiece would produce better results for the average student.
Here is a kid with an open mouthpiece--he doesn't know that it's too open for him, and it's possible that his band director doesn't know it either. He is told to go and buy a 3-1/2 reed. What is he going to do now? If the band director knows mouthpieces, and has gauges (and a number of them are that well equipped) the kid is in good shape. The problem can be taken care of.
Roy Maier died a few years ago. Rico is now owned by Boosey & Hawkes, the same company that owns Buffet and Keilwerth.
Part 4 (From another letter, placing the reed on the mouthpiece)
Getting back to putting the reed on the mouthpiece in the right way--I had mentioned that the larger the facing the farther over the tip of the mouthpiece the reed should be placed to compensate for the shortening of the reed that occurs as the reed follows the curve of the mouthpiece facing. If the reed (when you press it down) covers the entire tip rail, you will observe that the tone becomes clearer and more solid--even a little darker. In turning the mouthpiece around (looking at the top of the mouthpiece), and pressing the reed down with the finger, you should see a miniscule hairline of the reed sticking out. It also tells you if the tip of the mouthpiece has been shaped to fit the contour of the reed properly. However, the tips of the reeds are not all the same, so it really doesn't matter as long as the reed covers the entire tip rail. If it only covers a tiny amount of the tip rail--result--squeaks, no doubt.
Santy...part 1 (and Intro)
Update: May 17, 2013
© 2002-2013 Harri Rautiainen
Post Scriptum: Santy Runyon passed away just days before his 96th Birthday in 2004.
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redpajama_set_name: RedPajamaCommonCrawl


The lights use low-powered, efficient LED elements so batteries last a long time, and outline the shapes of the wheels in decorative patterns and different attractive color arrangements.Browse through our picks of the best bike lights you can buy, with rechargeable bike lights, front and rear cycle lights, and mountain bike lights available from top brands.
Or light up the ice in your cooler with Cooler Brightz and customize your corn hole with one-of-a-kind Toss Brightz.
Meet the Balight: a customizable bike wheel lighting system that lets you put on a light show at night while riding your bike.Beautiful bike lights with 32 bright colored LEDs that create incredible lighting effects.
Like bicycle wheel light, there are car wheel LED lights, too.
Rechargeable bike lights are great for venturing off-road in the dark, especially when you need to light up dark tracks, and our selection of USB bike lights make for easy charging anywhere.Includes: 2 ULTRA-BRIGHT WHEEL LIGHTS Fits most 36, 68, and 140 fan spoke bicycle wheel hubs 3 Hyper-bright LED Lights Per Wheel: 1 red, 1 blue, 1 green.
Wrap your bike in our top-of-the-line LED Bike Lights AKA Wheel Brightz and blaze a trail all your own.
Bicycle Wheel Light 26-inch Bike Spoke Light DIY Programmable Pattern.
Our LED-based lights are the brightest and most durable on the market and provide 360 degree.Lights help cars and other cyclists see you in the dark so you stay safe.
Wheel lights are available from eBay for all different sizes and types of bike wheel, and also for different wheel sizes of car wheels.Here is a light from CandlePower Tech uniquely designed for all those other applications.
The companion app lets you customize what shows up on your wheels. Revolights, a set of wheel-mounted LEDs, now makes that dream a little closer to reality, and a new built-in version is helping that system.
Specially designed for the vocational rider or casual cyclist.Got a tween who loves to hit the pavement after school with the neighborhood kids.


A spicy Kerala style egg dish where boiled eggs are cooked in roasted onion and spice gravy. Egg roast is mainly served as an accomplishment with Appam, Dosa, Puttu..and so on. Now it has become a part of Kerala breakfast, a native dish of Kerala . This is one of the easiest and yummiest way to include eggs in our breakfast menu. Though there are lots and lots of dishes using egg like egg chili, egg masala, egg curry, egg in roasted coconut gravy etc..i prefer to make egg roast which turns out well with Dosa. Here is the recipe for the perfect kerala style egg roast. Enjoy!!
Heat oil in a pan and when hot splutter mustard seeds. When done, add sliced onion. Saute till onion becomes golden, in a medium flame only. More the onion is sauteed, more yummy the dish will be. Be careful, do not burn the onion by sauteing on high flame.
When done, add green chilies along with salt. Again saute for a while and now add tomatoes sliced . Cook till the tomatoes are well done. When tomatoes are done, add turmeric powder, ginger garlic paste, garam masala powder and chili powder.
Finally add the hard boiled eggs and gently mix. Cook for 2 minutes in a low flame. You can also toss the hard boiled eggs for 2 minutes in 1 tsp of oil before mixing it with the masala gravy.
apply here one of the easy way to panseva is through online,which is one of the easiest method.Looking for a new pan card then apply here in a easiest step.


The Swiss Business Hub Turkey (SBH Turkey) is the Istanbul based representative of the official international trade and investment promotion agency Switzerland Global Enterprise (S-GE). Part of the Consulate General of Switzerland in Turkey, it is responsible for implementing Swiss export strategies in Turkey and for promoting Switzerland as a business location.
We support small and medium sized enterprises from Switzerland and Liechtenstein expanding their market presence in Turkey. We also provide free advice to Turkish organisations looking to create a subsidiary or establish partnerships in Switzerland. As part of the Consulate General of Switzerland and with close relationships to Swiss business and academic stakeholders, the SBH Turkey can draw on selected networks in both Switzerland and Turkey. With a client-centred attitude and the flexibility to offer bespoke services, the SBH Turkey is uniquely positioned to meet and support your business requirements.
The SBH Turkey provides support to most industries. Our specific areas of interest include, but are not limited to, life science (e.g., biotech, medtech, healthcare, cosmetics), luxury goods & food and infrastructure (e.g., construction, ICT, technoparks).
The SBH Turkey is the point of contact for Swiss and Liechtenstein companies, which want to develop their business in Turkey.
The SBH Turkey is the first point of contact for local companies, managers, advisers and other interested parties wanting make investments in Switzerland.
As part of our mandate on behalf of the Swiss Government (State Secretariat for Economic Affairs SECO), we work closely with the regional and cantonal business promotion agencies in Switzerland.


My last session of ISTE2015 (no! I don't want it to be over!) is 1-in-3 Round 2. 1-in-3 is much like an Ignite talk, but only 3 minutes and not as restrictive on what can be on the slides (can have video and sound and don't have to autoforward).
I unfortunately showed up a couple minutes late, so didn't see the first couple. I like the format though. It's quicker, but not quite as rigid as Ignite. Interesting.
I enjoyed hearing about Alissa DeVito's (@alissa_devito) student "Genius Bar." She gave a quick background on how her's started and a couple of key pointers for starting your own. The one that resonated with me most clearly was that you need a clear system for students to be able to notify the teacher when there is an issue they can't fix.
The next 1-in-3 I enjoyed was by Jordan Garrett (@jg_jgarrett). She talked about her ISWAT group (I am a Student Willing to Assist with Technology). She gave some great steps to setting up a student group that helps with not only technology issues, but also with students potentially running Professional Development for staff. I LOVE this idea! One of the big things I will be doing in my new roll is developing PD for our staff. Having some of those PD run by students is a fascinating concept, and one I will be trying next year.
Hadley Ferguson (@hadleyjf) gave another fascinating presentation about EdCamp. The basic idea, as I understand it, is a conference where anyone can present, and the presentations are developed at the conference. No pretense, no titles, just discussion and coffee (her words). It sounds really interesting, and they now have a grant application to get an "EdCamp-In-A-Box" kit. You can apply here.
I'll be posting a final reflection on ISTE 2015 sometime tonight or tomorrow.


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Avesnes-sur-Helpe (in piccardo Avinne-su-Helpe) è un comune francese di 5.251 abitanti situato nel dipartimento del Nord nella regione dell'Alta Francia.

Nel suo territorio comunale scorre il fiume Helpe Majeure.

Società

Evoluzione demografica

Note

Altri progetti

Collegamenti esterni

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redpajama_set_name: RedPajamaWikipedia


Cedar Road Primary School are looking for a Deputy Headteacher to support our school on its journey to Outstanding. (September 2019 start date). If you can be an excellent role model, exemplify a high standard of teaching and promote high expectations for all members of the school community then we would like to hear from you.
We are committed to creating an inclusive culture where all children will be challenged in their thinking to achieve the best of their abilities and strive to become lifelong learners.
We aim to give children a really good start in life by developing their skills in literacy and numeracy while also giving them the chance to apply these skills in real life situations. We want children to leave our school as individuals who are able to get on well with each other and with memories they will keep for the rest of their lives.
The role of Deputy Headteacher will involve teaching for 2 days per week. At this point in time it could be in either KS1 or KS2, we will be flexible for the right candidate.
The David Ross Education Trust (DRET) has grown to a network of 34 academies, incorporating primary, secondary and grammar, and special schools. We employ over 2000 people with the primary focus of raising the standards of education for 13,000 young people.
Whatever your role, you should know you are contributing to achieving our vision of inspiring the next generation of young people to be the best they can in whatever they choose. Our aim is to be the country's leading academy chain, committed to delivering the highest educational standards alongside an unrivalled package of sporting and cultural enrichment.
While each academy is unique, we share common goals, aspirations, values and methods that enable us to work collaboratively and collectively to achieve our mission. We operate regional hubs, whereby academies work with other schools who are part of the Trust so we can share skills and knowledge, allowing them to benefit and learn from each other. We offer high quality programmes for CPD and Leadership Development to support our practitioners to deliver high quality teaching and learning across our academies.
Visits to the school are welcome. If you would like a tour of our school, please contact the school office on 01604 405042 and we will be happy to arrange this for you.
Cedar Road Primary Academy is committed to equality, safeguarding and promoting the welfare of children and young people and expects all staff and volunteers to share this commitment. An enhanced DBS check is required for all successful applicants.


Not a lot of crafting was going on over the weekend because I paid my parents a long overdue visit in Germany. But I took the opportunity to take my Neutral Hexi quilt quilt with me and stitched on the train journey and some in the evenings.
So what better then to show you how far I am. You can see it is taking shape and I envisage it to be a baby quilt in the region of 1 m x 1.30m or so.
I started the quilt at this year's fabulous fat quarter retreat in London and hope to have it finished for the next retreat in 2013 for which tickets just have gone on sale !!
That is looking so calm and nice. I have bought a ticket, I just have to figure out how to swing the trip to London this time.
the hexagons are looking great. I've just booked my ticket for the retreat, have you?
Oh it is beautiful Judith - see you in July!!!
I love a neutral color palette. I have an UFO I am trying to finish up in neutral color palette hopefully I complete it soon.


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Goth Talk with Scary Lady Sarah
By Kathy Nichols	- Jul 6th, 2010 10:03 am
Image of Scary Lady Sarah copyright by theta_sigma on Flickr
Step in to the realm of all things gothic lead by world-renowned d.j. Scary Lady Sarah with her guest William Faith of Faith and the Muse at Club Anything, 807 South 5th Street, Tuesday night for the bargain price of…nothing.
Sarah's musical selections typically include "classic bands like Siouxsie and the Banshees, the Cure, Joy Division, Sisters of Mercy, and Bauhaus along with newer ones like Faith and the Muse, Frank the Baptist, and Pretentious, Moi?," she says. "Most of the newer things are definitely considered more underground; they don't have major label releases like the classic bands did."
William Faith, one half of Los Angeles-based Faith and the Muse, has performed with Christian Death, Shadow Project, Mephisto Walz, and the Sex Gang Children. He and Sarah are embarking on a d.j. tour across the U.S. in September. The two have been friends since she went on tour with Faith and the Muse in 1999.
Sarah started her event, Nocturna, 22 years ago at Neo, a nightclub in Chicago. Nocturna is an 18+ event featuring d.j.s spinning a mixture of current and classic goth, post-punk, industrial, new wave, ebm, and other music of the same realm. Moving to the Smart Bar in 1997 and then the Metro (which is just upstairs from the Smart Bar and allowed her to change the event from being 21 and over to being 18+), the event has featured bands (such as Faith and the Muse in April), a fashion show (the 2010 Valentines' Day "New Loves and Broken Hearts Valentines' Ball featured a fashion show at 1 a.m.), and chances to win tickets for upcoming local performances (patrons at 2009's Nocturna won passes for the October performance of the Damned, September's The Cult show, and The Psychadelic Furs, who performed in September of that year at the House of Blues).
Sarah has djed at Convergence 5 times since its inception in 1995. Lasting between 2 and 4 days, Convergence is a unique event that has taken place in cities throughout North America. Including live bands (past performers have included Peter Murphy, Skinny Puppy, Switchblade Symphony, Combichrist, Frontline Assembly, the Cruxshadows, Voltaire, Bella Morte, Boole, More Machine Than Man, Stromkern, Rasputina, Imperative Reaction, and countless others), art shows, club nights, bazaars, fashion shows, and tours of goth-themed attractions in the host city, Convergence is a place for all things goth.
She's also traveled across the U.S. twice coast to coast, in both 1999 and again this year "6 weeks back and forth and then up and down across the country," says Sarah. She d.j.s the yearly Wave Gothic Treffen festival, one of the largest gothic events in the world, held in Leipzig Germany (past performers have included Peter Murphy – solo artist and vocalist of Bauhaus, Steven Severin – bassist from and founding member of Siouxsie and the Banshees, Tyske Ludder, VNV Nation, My Dying Bride, Scandy – solo project of Norwegian Andy LaPlegua of Combichrist and Icon of Coil, and Nosferatu, along with many others).
Also to Sarah's credit is the Chicago Goth Meetup Group. The group holds gatherings for members, typically at an art gallery or coffeehouse or another all-ages venue. Sarah leads things, including handing out nametags and making 'goody' bags which include a compilation cd of newer 'dark' music along with Halloween toys or coupons or fliers for bands or other events going on in and around Chicago. "I orchestrate it so that even if someone is shy, they don't really have to initiate the conversation–I'll do that," says Sarah. "I've been doing it for over 4 years and it's proven to be a really good, useful tool. It's just a way for people with similar interests to meet and socialize without trying to strike up a conversation in a nightclub or at a concert, where it's usually a little harder to do because usually people have already come with someone and it's loud and dark and can be a little intimidating," she continues.
American Gothic Productions is Sarah's company which promotes bands and d.j. events of the "gothic, Ethereal, dark alternative, darkwave, electro, and industrial music" nature, according to their website, americangothicprod.com. She's also co-owner of SpaceTime Tanks in Chicago, a 'floatation and relaxation center' where one can 'float in secluded tranquility of warm salt water' and/or enjoy a massage given by certified (massage) therapists.
Young Art Entrepreneur Thinks Big
Jul 15th, 2019 by Catherine Jozwik
Fine Arts Quartet Opens New Season
Jul 12th, 2019 by Michael Barndt
The Circus Is In Town
Categories: Fan-belt Feature 2, Interviews, Preview, Rock
3 thoughts on "Goth Talk with Scary Lady Sarah"
Ive been visiting your site for a long time now and i also always get a gem with your new posts. Appreciate your sharing.
I guess William spent all his profits from Faith and the Muse on Liposuction and Facelift xD
So Scary Sarah is girlfriend 2.0 (?)
Monica finally had enough of William's chatting up and snogging pretty young swedish goth girls at after parties?
Nickolaus Pacione says:
I remember when Sarah took me back to the Orange Line in middle of January of 2003; it was 22 degrees below zero and it was with her then husband at the time. What happened with the falling out between me and Sarah [Rose] shouldn't really had happened because I challenged Carrie Monster to try my career as a publsiher; what had her in a sense that she will not even have anything to do with me is when I pointed out that Delamancha who she praised was a childhood friend. She had a missed opportunity to learn about me or about Billy Porras if she and JV read The Cabbie Homicide. I created a conversation piece with the one project you have linked as I am in touch with Gitane Demone and got my buddy in Chicago, Leper discovered by Mick Mercer after he handled the introduction duties for my second namesake project.


art and physical education lesson plans is a sample doc that shows the process of designing art and physical education lesson plans. A well designed art and physical education lesson plans can help design a professional document with unified style and design. When designing art and physical education lesson plans, you may add related information such as elementary art curriculum lesson plans, art unit plans for elementary, physical education as an art, lesson plan for art.


WATCH ABOVE: The decadent doughnut was crafted for the grand reopening of a long-time bakery in Kelowna in its new location.
WEST KELOWNA — What goes into one of the province's priciest doughnuts? The owners of Dolicious Donuts will tell you it's gold, diamonds and of course, lots of chocolate.
For $100 apiece, the sweet treat is made up of 24 carat gold, diamonds, chocolate aged balsamic vinegar, ice wine. The remaining ingredients are top secret.
And yes, it's all edible.
Co-owner Christopher Cruz says he wanted to produce a doughnut that's unique.
"The reason behind it is I don't think it's been done — not that we know of. So it's most likely B.C.'s only $100 doughnut, possibly Canada's only $100 doughnut," he says.
Cruz says customers wanting to buy the doughnut must place an order 24 hours in advance.
The decadent doughnut was unveiled Saturday at the grand re-opening of the longtime bakery.
For 40 years it had been known as Vineyard Bakery and Deli, but got their new name this weekend.


Yosemite? Mammoth? Estes? Nope, backyard.
Just stand around at take pictures after the mile and a half hike. The dogs all take a cooling swim.
These beauties are in the yard of some CSU college students. I've never seen them actually working on their garden, but it always looks stunning.


The Holiday Inn Express Hotel & Suites is located in North Conway. This property offers access for travelers with disabilities. An additional description has been posted by the hotel titled "We Have Polar Express Packages." Based on your dates of travel, you can check room rates and availability online for the Holiday Inn Express Hotel & Suites.
Complimentary Breakfast. Game Room/Arcade. Golf Course. Pool, Indoor. Whirlpool/Hot Tub.


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Do Bryan Singer allegations hurt Bohemian Rhapsody's Oscar chances?https://indianexpress.com/article/entertainment/hollywood/do-bryan-singer-allegations-hurt-bohemian-rhapsody-oscar-chances-5577112/
Do Bryan Singer allegations hurt Bohemian Rhapsody's Oscar chances?
Despite everything working against Bohemian Rhapsody — from Bryan Singer's surprise firing mid-production for absences and clashes with the cast, to the negative reviews right before its release — it seems to have come out of the fires unscathed.
By AP |Los Angeles | Updated: February 10, 2019 12:40:54 pm
Jill Soloway replaces Bryan Singer as Red Sonja director
Working with Bryan Singer was unpleasant: Sophie Turner
Bryan Singer's Red Sonja on hold amid renewed allegations of sexual harassment
Bryan Singer was fired from Bohemian Rhapsody mid-production. (Source: Matt Sayles/Invision/AP, File)
Director Bryan Singer hasn't been involved with the Queen biopic Bohemian Rhapsody for over a year, but with a fresh exposé alleging that he sexually assaulted minors and the British Academy of Film and Television Arts "suspending" his nomination, will he be the film's Oscars Achilles heel?
Bohemian Rhapsody has had a lifetime's worth of trials and setbacks on its 10-year journey to the big screen. And yet despite everything working against it — from Singer's surprise firing mid-production for absences and clashes with the cast, to the negative reviews right before its release — it seems to have come out of the fires unscathed. The 50 million dollar production became a global box-office phenomenon, grossing over 209 million dollars in North America alone and over 834 million dollars worldwide to become the most successful musical biopic of all time. It developed into a top awards contender too, winning the best drama and best actor for Rami Malek at the Golden Globes, while also receiving two key Screen Actors Guild nominations, a Producers Guild nod and five Oscar nominations, including best actor and best picture.
But then on January 23, almost exactly a month before the Oscars and one day after its nominations, The Atlantic magazine published an article in which four men claim they were sexually abused by Singer while underage. Singer has denied the allegations. A representative for Singer declined to comment further for this article.
The next day, the advocacy group GLAAD removed the film from its Media Awards nominees, and four days later, Bohemian Rhapsody lost the coveted SAG ensemble award to Black Panther.
"I think that it would have won SAG ensemble if it hadn't been embroiled in controversy," said Sasha Stone, founder of the blog Awards Daily.
The SAG voting period ended on January 25, two days after The Atlantic article published. As if a precursor to what might happen at the Academy Awards, Malek walked away with his own acting prize.
This week, just days before the British Academy film awards, BAFTA announced that Singer's nomination has been suspended because the alleged behavior was "completely unacceptable and incompatible" with its values. The film, however, will still compete Sunday for the Outstanding British film award, among others.
Those involved with the film have, in general, opted not to talk about their ousted director. Singer was kept far away from the publicity tour but retained his directing credit and could stand to make 40 million dollars, according to The Hollywood Reporter. Producer Graham King became the public face of the production along with Malek. And their messaging stayed laser-focused on Freddie Mercury and doing right by him and the band. How could voters argue with that?
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Malek, on the day of his Oscar nomination, said that he was "not aware" of the allegations against Singer. He's since presented a more informed stance and said that his "heart goes out to anyone who has to live through anything like what I've heard and what is out there." When pressed, he's has often gone back to the refrain that audiences can take solace in the fact that Singer was fired.
The Atlantic article didn't exactly light Hollywood on fire, either. Singer is still lined up to direct another movie for a 10 million dollar payday . And people still like Bohemian Rhapsody.
"I don't see too many people even upset about the controversy. That Atlantic piece came out after nominations. I still think the movie would be nominated if it had run before. It's not like it contained anything surprising. Everybody has heard these whispers and these stories," said Glenn Whipp, the awards columnist for the Los Angeles Times. "It's just a movie that people really enjoy and they're not going to let anyone get in the way of their enjoyment."
A still from Bohemian Rhapsody. (Source: Alex Bailey/Twentieth Century Fox via AP, File)
With just a few weeks to go before the Academy Awards, hardly anyone is predicting a Bohemian Rhapsody best picture win. New York Times Carpetbagger columnist Kyle Buchanan called it, "practically inconceivable." But the general sentiment is that a loss won't be because of Singer.
Malek, on the other hand, seems to be a lock for best actor in spite of everything.
"There's a real divide between what Academy members seem to think about the movie and what they think about Rami Malek and his work in the movie," Whipp said. "People praise him for his commitment, his transformative turn. People are overlooking the film's flaws and still voting for Malek. And they're able to separate any qualms about Bryan Singer and this latest investigation from his work. It's a complete compartmentalization.
"An actor told me that if Bohemian Rhapsody won best picture he would quit the academy," Whipp added. "But he's voting for Rami Malek for best actor."
Do Bryan Singer allegations hurt Bohemian Rhapsody's Oscar chances?
1 UMG pre-Grammy showcase features Post Malone, BLACKPINK, YG
2 The Kapil Sharma Show: Super Dancer 3 judges have a blast on the sets
3 Priyanka Chopra and Nick Jonas celebrate Grammy weekend


text:
Home » Family Assistance Guide » 1 Key terms & principles » 1.1 Definition of key terms » 1.1.R Key terms beginning with the letter R » 1.1.R.05 Receiving income support
A recipient to whom an income support payment is payable is to be taken as receiving an income support payment. Unless the following exceptions apply, this does not include a period when the rate is nil.
Exception 1: A recipient who is qualified for an employment income nil rate period is taken to be receiving a social security pension or benefit for the purposes of being paid CCS at the non-income tested rate:
Exception 2: A person:
may have a nil rate of payment of social security pension or benefit due to the inclusion of ADP received by the person or the person's partner, in assessable income, and
would have a rate of social security pension or benefit greater than nil if the above ADP was excluded from assessable income except when calculating RA.
Such a person is taken to be a person:
to whom that social security pension or benefit is payable, and
who is also receiving that social security pension or benefit
as a result of SSAct section 23(1D), and the inclusion of a reference to that section in the definition of 'receiving' in FAAct section 3(1).
Act reference: FAAct section 3(1)-'receiving'
SSAct section 23(1D) If, on a day that is on or after 20 September 2004…, section 23(2) For the purposes of this Act (other than section 735)…, section 23(4) For the purposes of this Act, a person is taken to be receiving a social security payment…, section 23(4A) Despite subsection (4)…, section 23(4AA) For the purposes of subsection (4A)…
Policy reference: FA Guide 3.5 CCS Entitlement
SS Guide 3.1.12 Employment Income Nil Rate Period
Last reviewed: 2 July 2018


Collective Design opened today for its fifth fair focused on 20th- and 21st-century design with 28 exhibitors. Founded by architect and interior designer Steven Learner specifically for the design and architectural community, the fair will host galleries, designers, and commercial brands from May 3 to May 7. The design world continues to be enraptured by surrealism and, as a result, bright colors and fantastical forms reigned throughout. Paris-based Swiss designer, Mattia Bonetti's work was highlighted as the Collective Influence installation that included Bonetti's riotous sofa and Seussical-style lamp and side table. Just around the corner, R & Company touted the new generation of maximal whimsy with pieces by the Haas Brothers, Katie Stout, and Porky Hefer. More and more, companies are integrating technology to take the possibility of designs to new heights. At Collective, Othr's 3-D printed works and Flavor Paper's use of water-based conductive ink make a strong showing. Othr's Vanguard Series took advantage of 3-D printing (Othr 3-D prints all of its wares, partnering with designers to create its pieces) by having Murray Moss, Annabelle Selldorf, Felix Burrichter, Christian Larsen, and India Mahdavi each nominate an emerging designer to create a piece for Othr. As a result, Egg Collective, GT2P, Ania Jaworska, Marie-Victoire Winckler, and Chen Chen and Kai Williams all created stunning vessels in a variety of 3-D printed porcelain, steel, and bronze. Flavor Paper presented Conduct, a playful immersive installation that demonstrated the ability of wallpaper to transfer energy. Flavor Paper founder Jon Sherman discovered water-based conductive ink two years ago and partnered with UM Project to help display its potential. By pressing dots on the wallpaper, one can activate lights, sound, and movement in the installation. Other highlights included new iterations of Apparatus's, Stickbulb's, and Calico Wallpaper's offerings from Milan Design Week, as well as the Noguchi Museum's Waiting Room installation of Robert Stadler and Isamu Noguchi's works, which coincides with an exhibition at the museum (far, far away in Queens). Thanks to Collective Design's manageable size (one can easily navigate the entire show in under two hours), and fresh offerings, it will undoubtedly be a popular stop on this month's design circuit.
To most, "accessorizing with Noguchi" means adding that famous coffee table or a paper lamp to the living room. Unlike regular people, though, designer Robert Stadler had the famous sculptor's whole catalogue on hand, choosing, among others, Big Id—a phallic marble sculpture—to complement his own work in an exuberant new show at the Noguchi Museum. Solid Doubts: Robert Stadler at The Noguchi Museum is the museum's first exhibition to feature another designer's work in such close dialogue with Isamu Noguchi. It's an opportunity, said Executive Director Jenny Dixon, to "layer contemporary voices into the museum." But it's also a high-stakes conversation—in addition to being one of the most peaceful places in New York, Noguchi designed the original galleries himself. How to create a space of your own and respect Noguchi? As its title suggests, Solid Doubts complicates the artists' work down to its very definitions. The first impulse is to pick out Noguchi from Stadler, Where's Waldo? style, but that's not the point. The actual fun is in the adjacencies across four installations that fold work from Stadler and Noguchi into each other. Stadler, who's based in Paris, and curator Dakin Hart arranged these tableaus in an intense collaboration they jokingly referred to as a "long-distance date." In the main gallery, Stadler's Cut_Paste #4 hosts two Noguchi sculptures, one in chunky slate and the other, a delicate gold anodized aluminum piece clinging to a marble shelf. The arrangements resist easy categories: Can you put a drink on it? Sit on it? Well—in the Cut_Paste series, these everyday distinctions don't really matter. "It's all designed to be used," Stadler said. "It's not meant to be sculpture." "They play with the typology of furniture but doesn't sit evenly or comfortably in any category," Hart added, noting that Stadler's confusing and borderline gaudy assemblages are supposed to recall leftovers from a bad 1980s luxury condo development. Two other galleries are reserved for more elaborate tableaus. In one, two fictional scenarios join together: Noguchi's set pieces for Martha Graham's ballets are placed among Stadler's digitally-milled PDT furniture in a meeting of fantasy and function. The room is organized, loosely, around Stadler's Anywhere #2, a moveable ceiling lamp which the artist guided around the room to illuminate Noguchi's props and his own ashlar table, bench, and mirror. In the other gallery, a deconstructed Chesterfield sofa melts against one wall, like tar, guarded by a pouf in the same material and flanked by sit-upons that would be at home at a Girl Scout meeting. The "biomorphic assault," as the museum calls it, underscores the subtly of Noguchi's lighting: two of his Akari lanterns anchor the walls, while one of the rarest Noguchi lamps, on loan from a private collector, surveys the room from above. The unencumbered layout—developed collaboratively with Stadler and the museum—lets visitors move in and around the works as they please (the accident-prone should note that this arrangement is easy to trip over). Outside, in Noguchi's garden, Stadler installed two works, playful riffs on cheap plastic garden furniture. Cast aluminum mockups of the white table and chair, looking sturdy in spite of their mottled surfaces and missing pieces, are placed apart from each other, a deliberate break from the table→chair→sit progression as well as a comment on the long-term sustainability of these familiar but flimsy items. For those reluctant to make the trek to Queens, Solid Doubts coincides with two upcoming opportunities to see Stadler's work in New York: He will have another Noguchi pairing at the Collective Design Fair next month, and at Weight Class, a solo exhibition at Carpenters Workshop Gallery that begins April 27. But really, why not go to the museum first? Solid Doubts: Robert Stadler at The Noguchi Museum opens April 26 and runs through September 3, 2017.
"I had seen this film by Tony Richardson about a monastery in the mountains. It was really beautiful watching Zen Buddhist monks meditating and practicing martial arts," John Pawson told me. "I went to the monastery and they let me in. I spent one night there and that was quite enough." Pawson is an architect from Britain. This month he was named as one of the winners of the 2017 Isamu Noguchi Award, alongside Japanese painter Hiroshi Senju. The prize is issued by the Noguchi Museum, which can be found in Long Island City, Queens, and was set up by Japanese-American sculptor, Isamu Noguchi. According to a press release, the award is given to individuals "who share Noguchi's spirit of innovation, global consciousness, and commitment to East/West cultural exchange." The Architect's Newspaper spoke to Pawson who discussed his influences and what the award means to him. "For me, Japan was a defining experience. I went when I was 24 and only started practicing when I was in my early 30s, which is quite late to become an architect," Pawson said. He went to school at Eton but didn't get the results he wanted. "I left and went on what you would now call on a gap year, traveling around Asia. I was never going to go to university or college. Then my father got a bit fed up with me wandering around the world and said there wouldn't be any place for me in the company if I didn't come back." Pawson's father was in the textile industry and his parents' taste influences his work. "Texture is a very important thing for me when designing, as well as, of course, key things such as quality of light, space, and proportion," he said. "The texture of the materials you use are really important because they comprise the detail in which physical space is realized. My parents had a contradictory attitude towards things: Dad was always interested in identifying what was the best of everything, whether it be the finest wine or the best breed of dog or car. For my mother, however, modesty was very important and she enjoyed the simple and well made; representations of what was necessary but nothing more. I suppose I am a bit of both of those." Working with his father, however, didn't work out. Pawson wanted to travel again, wooed by a certain Tony Richardson film on monks. "I thought, being rather childish, oh well, I will go out to Japan and I'll be one of those guys. It was just that schoolboy thing where you thought you could be James Bond... or a Buddhist Monk." Pawson lasted barely half a day at the monastery. "I had come straight from London in the beginning of January and it was cold... and they never explain anything! I was polishing floor for about three or four hours after which I was given a bowl of rice. The way you learn there, and indeed in Japan, is by example. Here, I would have been polishing the floor for a year and this didn't square with my immediate path to enlightenment." Despite the setback to his goals of enlightenment, Pawson stayed in Japan, spending time in Nagoya in the Chūbu region of the country. There he met the esteemed late designer, Shiro Kuramata through renowned Japanese architect Masayuki Kurokawa, who acted as a translator. "The one thing I learned from Kuramata was how serious design is and what hard work it is and that you just have to keep going, banging away at it until you've cracked it." Pawson's Japanese wasn't the best and Kuramata's English was even worse. As a result, dialogue occurred through other means, such as sketching. "He loved touching and looking at things. I showed him a drawing and without commenting he took it over and started sketching." After four years, though, Pawson's time in Japan had come to an end. "I didn't learn Japanese properly, four years was the limit. Unless I was going to learn the language properly I was never going to settle down there... Kuramata told me to stop hanging around his studio and go and learn architecture myself. He thought I should be designing and doing my own architecture and not just studying his." Pawson then went to study at the Architectural Association in London upon Kuramata's recommendation. This, too, didn't go to plan and Pawson, 30, quit after two years. His design ethos, however, was beginning to flourish. "At the beginning, people always thought I would go mad," he said. "For me, the underlying approach and way of thinking hasn't changed, only the vocabulary has changed. In every project you learn something new and that colors how you approach your next work." Nineteen years after his first encounter with monks, Pawson found work with a group of Cistercian monks who were interested in him designing a monastery in the Czech Republic. "The Abbot of the monastery and three monks came to visit me in the office," Pawson recounted. "It was quite tense as they were hoping that I would agree to do the monastery for them and I was tense thinking about if they would offer it to me or not. We both wanted the same thing!" To quell the scenario, Pawson invited them to his London home for a cup of tea, only to end up offering them some Chablis, which he recalls, "they were very relieved to have." More relaxed, the monks were intrigued by Pawson's style, noting his stone floors and lack of soft furnishings. One of the monks asked: "don't you think it's a bit austere for us?" "I don't know whether I laughed or cried," Pawson said. "You can't get more minimal than monks, they're the perfect client." Pawson recognizes the cross-cultural impact in his life, particularly in the realm of design, something which falls between the crosshairs of the Noguchi Museum's mission. "What was so extraordinary about Noguchi is that he covered everything," he said. "[Noguchi] was an architect, artist, designer, landscaper, and for somebody that bridged the American/Japanese gap, I think it's extraordinary to be in any way associated with him." The Noguchi Award will be presented at the Noguchi Museum's Annual Benefit on May 16, 2017.
In an upcoming exhibition, the Noguchi Museum is presenting its namesake's work alongside Paris-based designer Robert Stadler's to explore the "whatness" of various objects. The musuem, which is based in Long Island City, Queens, will juxtapose the two mens' art and furniture in Solid Doubts: Robert Stadler at The Noguchi Museum to reveal tensions between "material" and "space," "functional" and "aesthetic," and "art" and "design," not-so-neat categories that nevertheless shape our understanding of object and environment. "This exhibition, the Museum's first to feature a contemporary designer's work in dialogue with Noguchi's sculptures and designs, is a powerful demonstration of Noguchi's lasting relevance," said Noguchi Museum director Jenny Dixon, in a prepared statement. "Beyond that, in pairing his work with that of the exceptional Robert Stadler, Solid Doubts opens new ways of looking at the practice of both, which is exactly what an exhibition should do." Stadler is collaborating with Noguchi senior curator Dakin Hart on four installations that feature home furnishing, lighting, sculpture, and lawn seating. Solid Doubts opens April 26 and runs through September 3, and more information on this exhibition can be found on the museum's website. In the meantime, visitors can take in the museum's latest exhibition, on displacement and belonging, which is on view through January 7, 2018.
A timely exhibition at a Queens museum shows how art reacted to state-sanctioned racism, even before Trump promised to ban all Muslims. In 1942 sculptor Isamu Noguchi left his thriving practice in New York to voluntarily imprison himself in the Arizona desert. Noguchi, who was born in Los Angeles, asked the United States government to intern him at a relocation camp in Poston, Arizona, one of ten sites where tens of thousands of Japanese-Americans were sent, against their will, during World War II. The sculptor's activism—informed by his Japanese-American identity—was ignited by the Japanese bombing of Pear Harbor. In 1942, he founded a group, Nisei Writers and Artists Mobilization for Democracy, to boost awareness of Japanese-Americans' patriotism (Nisei translates to "second generation"). Noguchi intended to humanize Poston by building swimming pools, ball fields, and creating art to showcase the patriotism of its forcibly displaced residents. Although the government was fully behind his ideas at first, it quickly became clear to Noguchi that his projects would not be realized. He initially planned to stay for two months, but it took seven months before he was released. The Noguchi Museum's Self-Interned, 1942: Noguchi in Poston War Relocation Center features over two dozen works from 1941 to 1944, pre- and post-internment. While works in the first gallery like Lily Zietz (1941) are straightforward portraiture, Yellow Landscape (1943) depicts the whole world awash in the poisonous racial animus that conditioned the camps. When interned, the sculptor worked in mostly in wood, one of the only available materials at the camp. In the final gallery, sculpture from the 1950s through the 1980s, including his signature voids and doorways, express the lasting impression Poston had on the artist. In particular, Double Red Mountain (1969) plays on the expansiveness and isolation of the Arizona desert—Poston was so remote, officials didn't think guard towers were necessary to secure the perimeter. In between the galleries, archival documents—maps of the camp, an unpublished Reader's Digest editorial detailing the camp's conditions, and Noguchi's despondent letters to officials, asking for release—contextualize the fear, hope, and despair that emerged in his work thereafter. Self-Interned was timed for the 75th anniversary of Executive Order 9066, the directive that authorized the imprisonment of Japanese citizens and Japanese-Americans living on the West Coast. Today, when a presidential candidate can question the patriotism of a Gold Star family and still win the election, it's also an incredibly important exhibition—though curator Dakin Hart said Self-Interned was in the works long before anyone entertained the reality of President Trump. The overtly political work expresses soft fury, the product of belonging in a country which still stupidly doubts the loyalty of citizens just like Noguchi. Self-Interned, 1942: Noguchi in Poston War Relocation Center is on view through January 28, 2018.


text:
(Clutching) Why Kassia Missed Her Party atten: Foreth/Truenoth/Talith/Mendl #clutching Part 8
"I guess it's right what they say about a mother's love," Mendl said, then grabbed her opportunity. "Are you pregnant?" If she was, it would explain a lot of things.
"Huh?" Kassia was watching Foreth and it took a minute for her to follow the change in subject. She smiled and laid her hand over her slight baby bump. "I am. From around the time of Foreth's flight. So I've been having some sympathetic memories of what it's like to be pregnant to feel towards Foreth."
"I'll bet. It's got to be hard on you, to not only have to be here in this heat, but be here while you're pregnant." She smiled. "Not that I know what that's like. Does it happen often? Pregnancy after a flight?"
And more importantly, would she be able to handle that? She wasn't ignorant, but she hadn't found anyone worth having sex with. Granted, she'd been introduced to it at an early age, but that's why she didn't want it now.
But if she Impressed, well, she'd just lose herself in her dragon.
"It does when your dragon is injured and can't take you between for a while," Kassia said with a shrug. "The teas help, but aren't foolproof. As you can see. But I'm not unhappy, I was just not planning for it."
She glanced back at Foreth who was showing signs of nearly laying the next egg.
"You should slow down if you can, love," she called.
((They come when they come,)) Foreth said, clearly still irritated but not as bad as before.
"Can we see now? Please?"
The gold didn't appear to answer her at first, then she straightened up and nudged two new eggs forward.
One looked like spiders had been spending days creating spider webs all over it (Kassia shook her hand and shuddered in memories of cobwebs). The other looked like a forest sky under a storm.
"They're beautiful," Kassia said hastily.


text:
Brad Voyles
From Infogalactic: the planetary knowledge core
Born: (1976-12-30) December 30, 1976 (age 42)
September 8, 2001, for the Kansas City Royals
September 27, 2003, for the Kansas City Royals
Kansas City Royals (2001–2003)
Fukuoka Daiei Hawks (2004)
Bradley Roy Voyles (born December 30, 1976 in Green Bay, Wisconsin) is a former Major League Baseball pitcher who played for three seasons. He pitched in 40 games for the Kansas City Royals from 2001 to 2003.
Career statistics and player information from Baseball-Reference
This biographical article relating to an American baseball pitcher born in the 1970s is a stub. You can help Infogalactic by expanding it.
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Self-Absorbed Boomer: Get to know Andrew Olmsted.
Get to know Andrew Olmsted.
I recently did, if only by reading his words, and that's as much, unfortunately, as I ever will. He's dead. He was a blogger, like me, until a sniper's bullet found him a few days ago. A major in the U.S. Army, serving in Iraq, he had prepared a final message, which he entrusted to a friend to post to his blog in the event of his death. It's here, and I offer it without further comment on my part, which would be superfluous.
Well, OK, I will add this to the many good things being said about him: he was a Yankee fan who converted to the Red Sox. And, as he noted concerning the brevity of his life: "few of us are destined to make more than a tiny dent in history's Green Monster."
Kudos to Hilzoy of Obsidian Wings for being the caretaker and publisher of Andy's final post.
"Free Fouad" update: please sign the petition.
College football wrap-up: Tigers truimphant.


text:
Q: Modify code to export HTML table to Excel I'm using PHPExcel 1.8 in my application. What I want to do is to download my file generated.html and this is the content.
<!DOCTYPE html>

  <title>PHPExcel</title>

    Jill
    Smith
    50

    Jack
    Paper
    123

    Eve
    Jackson
    94

    John
    Doe
    80

For now, I have dl.php to perform the download but example.xls doesn't have the styles and colors applied to it.
<?php

require_once 'PHPExcel-1.8/Classes/PHPExcel.php';

$objReader = new PHPExcel_Reader_HTML();
$objPHPExcel = @$objReader->load($file_path.'generated.html');

header('Content-Type: application/vnd.ms-excel');
header('Content-Disposition: attachment;filename="example.xls"');
header('Cache-Control: max-age=0');

$objWriter = PHPExcel_IOFactory::createWriter($objPHPExcel, 'Excel5');
$objWriter->save('php://output');

What modifications should I do?

A: I think, PHPexcel is not supporting the css and styles. Here is a example code for doing it directly.
This is my excel.php file, gives download of table generated inside this file.
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">

<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
<meta http-equiv="X-UA-Compatible" content="IE=EmulateIE7">
<title>TESTING</title>

<?php
    $table = '

';
    $table .= '
test	';
    $table .= 'TEst	';
    $table .= 'teST	';
    $table .= 'Test
test	';
    $table .= '

Test	';
    $table .= 'test	';
    $table .= 'test	';
    $table .= 'test	';
    $table .= '

';

    header("Content-type: application/x-msdownload");
    header('Content-Disposition: attachment; filename="filename.xls"');
    header("Pragma: no-cache");
    header("Expires: 0");
    echo $table;
?>

redpajama_set_name: RedPajamaStackExchange


Both parents are financially responsible for raising their child, but that does not mean that they pay equal amounts of child support. The amount (if any) for each parent varies according to numerous factors, including the state guidelines.
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In New York, as well as in many other states, spousal support or alimony is also referred to as maintenance because the spouse who earns more wages may be responsible for helping the other spouse maintain their standard of living for a set amount of time during and/or after the divorce.
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