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Home > News > The Impact of MovieRulz and Tamilrockers on the Film Industry
The Impact of MovieRulz and Tamilrockers on the Film Industry
3viewsdm, 6 days ago 3 min read 7
MovieRulz is a website that provides free streaming and downloading of copyrighted movies and TV shows. It is considered illegal in many countries, as it violates copyright laws by reproducing and distributing copyrighted material without permission from the copyright holder. The website has been known to change its domain name and hosting frequently, making it difficult for authorities to shut it down. Despite efforts by law enforcement and movie studios to shut down the site, it continues to operate and attract a large number of visitors.
The use of MovieRulz and other illegal streaming sites is not only illegal, but it also harms the film industry in a number of ways. For one, it causes financial losses for movie studios and filmmakers. When people are able to watch movies for free on MovieRulz, Tamilrockers, and Tamilmv, tamilyogi, Ibomma they are less likely to pay for tickets or purchase legitimate copies of the films. This results in a decrease in revenue for the movie industry and can make it difficult for studios to recoup the costs of producing and marketing a film.
Illegal streaming sites like MovieRulz can also hurt the careers of emerging filmmakers. When a film is available for free on an illegal streaming site, it may not attract as large of an audience as it would if people had to pay to see it. This can make it difficult for independent filmmakers to gain recognition and build a following, and can discourage them from continuing to make films. MovieRulz also discourage the production of new films. When movie studios and filmmakers are not able to make a profit from their films, they are less likely to invest in new projects. This can lead to a decrease in the number of films being made, and can have a negative impact on the film industry as a whole.
In addition to the financial and career-related impacts, illegal streaming sites like MovieRulz can also have a negative impact on the quality of films. When studios are not able to make a profit from their films, they may not have as much money to invest in high-quality special effects, costumes, and other elements that contribute to the overall experience of watching a film. This can result in lower-quality films that do not meet the expectations of movie-goers.
Furthermore, illegal streaming sites can also introduce the risk of malware and viruses, as they are often hosted on unofficial domains, which are more vulnerable to hacking and other cyber-attacks. Some streaming sites contain pop-up ads, hidden spyware and malware that can infect users' devices and steal personal information. In conclusion, MovieRulz is a website that provides free streaming and downloading of copyrighted movies and TV shows. It is considered illegal in many countries and harms the film industry by causing financial losses for movie studios and filmmakers. It also hurts the careers of emerging filmmakers, discourages the production of new films and can negatively impact the quality of films. Additionally, it poses a risk of malware and viruses to users. It is recommended to use legal streaming services to watch movies and TV shows.
3viewsdm


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Inverse Recommends
You need to watch the most exhilarating robot sci-fi movie on HBO Max ASAP
The best modern Saturday Morning Cartoon turned into a movie.
Rafael Motamayor
8.2.2021 11:30 AM
Style over substance is a common way of saying a movie uses visuals to distract the audience from a poorly written story or lousy filmmaking.
In animation, that conversation becomes intertwined with the debate of 3D versus 2D animation, wherein 3D animation is seen as choosing style over the substance of 2D. More often than not, 3D animation is seen as a shortcut or lazy attempt to achieve grandiose visuals when it cannot achieve the same result with 2D animation.
But certain movies show how style can be the whole point of the experience, even serving as substance. That's the case with Hiroyuki Imaishi's first film with Studio Trigger, now streaming on HBO Max. Let's cue the music and get in a giant robot because we're talking Promare.
In the world of Promare, a part of the population has developed mutant powers. Called the "Burnish," they can manipulate flames, which led to the Great World Blaze, a worldwide catastrophe that killed half the global population. A firefighter force called Burning Rescue works to put out the fires created by a group of radical Burnish calling themselves the Mad Burnish.
The anime film plays off the X-Men dynamic of a group of superpowered people being persecuted despite representing humanity's next evolutionary step. Despite its exhilarating action sequences and overall upbeat tone, Promare also explores serious themes of oppression and prejudice in the most unsubtle ways imaginable.
The Burnish wear a pink triangle as a symbol, which is also what the Nazis used to identify gay men at concentration camps. At the same time, the militarization of police is a big part of the plot, culminating in police raids heavily reminiscent of ICE raids.
Promare brings you the same joy as watching your favorite cartoons on Saturday mornings with a bowl of cereal. Studio Trigger
Promare employs a blend of 2D and CG-3D animation that seamlessly blends the world of cartoony flesh with the world of giant metal robots. The CGI is used to produce intricate camera work or complex mechanical constructions that otherwise could not be replicated in 2D, resulting in sweeping and dynamic action scenes rivaling any modern blockbuster.
This is complemented by a unique and eye-popping visual style that resembles pop art. Vibrant, neon and pastel colors bring the world of the film to life in a way only animation can achieve, especially when it comes to the flames. In animation, fire can be one of the hardest things to pull off. Still, Promare finds a workaround by turning the Burnish fire into astonishing bright geometric patterns in pastel colors that bring to mind that scene in Avatar: The Last Airbender where Zuko and Aang discover the beauty of fire bending.
Like most of Imaishi's work, Promare is a fantastic throwback to Saturday Morning Cartoons (or Super Robot action series of the late '70s and late '80s), filling every moment in the film with utter joy. It has an increasingly ludicrous plot and boneheaded, shirtless heroes with big hearts and not an ounce of common sense. There is no nuance of deeper meaning, but Promare does feature big explosions and an even bigger heart that it wears on its sleeve.
Style is substance in Promare. Studio Trigger
What starts as an X-Men analogy quickly explodes into a balls-to-the-wall adventure where everyone has cool one-liners, and dudes use the power of friendship and their inner fire to reach the stars. Even the Deux ex Machina is a robot literally named Deus X Machina. While anime has a dicey history of queer representation, the entire runtime of Promare is lit in bisexual light.
Adding to the feelings of over-the-top action and joy is the grandiose soundtrack by Hiroyuki Sawano. Their use of the "Sawano Drop" and epic insert songs make every plot development feel like a Shyamalan plot twist. Every fight scene feels like the "Avengers assemble" moment in Avengers: Endgame, making the movie feel like a catchy, almost operatic music video with much better visuals.
By the time the main theme song plays over the ending scene, tears are shed, fists bump the air, and cheers erupt because this is a movie that knows how to play into theatrics and radiate pure emotion. Promare employs the best of traditional 2D and cutting-edge CG-3D animation to deliver a non-stop roller coaster of joy — showing that sometimes style can also be substance.
Promare is now streaming on HBO Max.

redpajama_set_name: RedPajamaCommonCrawl


Gold standard of USA sheep books. Owning this book is well worth the high $ if you raise sheep!
Much improved 2015 Edition, Vol. 8. (Includes a thumb drive.) Hardcover. 1164 pp.
Listed below are recommended optional components or related items. Your particular situation may require alternative recommendations. Please call and talk to our consultants if there are any questions at 800-282-6631.
The best modern guide we've seen by far. Highly recommended for all Midwest shepherds who pasture sheep.
Provides a detailed schedule based on your lambing date. By Pipestone Sheep School.
Number of reviews: 2 customers reviewed this product.
Recommended: 2 out of 2 said they would recommend this product to a friend.
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A must have for anyone that really is a shepherd and not just a sheep haver. The price is low compared to the vast amount of info that it contains. A real text-book.
Solid sheep production handbook with lots of good info. not a must have for the back yard flock. but it is nice to turn to when you have a question.
Conductivity measures the amount of electrical current a material can carry. The opposite measure is known as resistance.
Many of Premier's nets feature a green and white superconductor that has both stainless steel and tinned copper filaments for optimal conductivity. These "premium" nets are 10 times more conductive (38 ohms per 1000') than our "basic" nets. This enables the electric pulse to travel much farther and be less affected by weed contact.
Customers who are unhappy with netting are often those who've chosen one of these or their farmstore equivalents. Why do we offer them? Because they are similar in design and conductivity (380 ohms) to nets from our competitors—and comparisons make decisions easier.
The best choice, unless your soils are always soft or very hard.
Posts allow you to push in the spikes with your foot. When soil is hard or rocky, double spikes are more difficult to install and remove.
Allows use of a mallet or dead blow hammer for installing posts in dry, hard or rocky soil. Features a "spike stop" for extra support and internal fiberglass ribs for added strength.
Tip: To insert a line post into frozen or hard soil, use a power tool to drill pilot holes.
* Not all fences have all line post options.
Conventional electrified fence systems rely on soil moisture to be effective. However, not all areas have the required moisture.
Dry soil increases resistance—a weaker, less effective pulse occurs that does not deter animals.
To overcome this, Pos/Neg nets* are wired to allow the use of every other horizontal strand as an extension of the ground terminal. Because half the strands are connected to the ground terminal or ground rod, reliance on soil moisture is reduced. A PowerLink must be purchased separately to make the secondary ground connection.
In order to receive a shock, the animal must touch both a positive (hot) and negative (grounded) strand at the same time. This will deliver more pain to the animal than an all hot net (Pos/Pos) because moisture in the soil is not required to complete the circuit.
Pos/Neg fences can be converted to Pos/Pos in moist conditions. Remember, all fences must be kept free of vegetation.
* Not all fences have Pos/Neg options.
Buy a larger energizer than necessary. When the fence pleases, most folks will buy more fence—and need additional output.
Use a low-impedance intermittent pulse energizer.
Use a fence tester to check the voltage often.
Use enough ground rod(s)—included with our energizer kits.
Don't allow your lead acid battery to discharge below 40%.
Use insulated wire that is designed for electric fences.
Always connect the fence to an energizer, not an outlet.
Visit this link for answers to other common energizer questions.
Solar units are very portable.
Because they need a battery, these units are more costly to purchase and operate than plug-in units.
Batteries are less effective in cold temperatures (deplete faster).
Most farmstore solar units are too weak, in joules of output, to properly energize netting. That's why we designed our own.
Least cost to purchase and operate per joule of output.
Best for fences exposed to heavy vegetation.
Cold temperatures do not affect performance.
Recommended for whole-farm systems, but can be complex to install. Higher output requires more ground rods, underground cables, multiple output terminals, etc.
Dan Morrical joined the Iowa State University staff in 1984 as Extension Sheep Specialist after completing his doctorate degree at New Mexico State University. He held the rank of Full Professor as of July 1, 1995 and retired from full-time teaching in 2017.
While at Iowa State University, Dr. Dan Morrical was responsible for educational programs in all areas of sheep production, ranging from nutrition, genetics, marketing and management. Research areas focused on applied projects in the areas of nutrition, forage utilization, genetics, out-of-season breeding and lamb survival.
Dr. Morrical has been heavily involved in providing educational resources to the sheep industry. He has authored over 30 extension fact sheets, ration balancing software programs, grazing videos and co-authored the nutrition chapter of the SID Handbook with Dr. Margaret Benson from Washington State University.
Dr. Morrical now serves as Premier's on-staff small ruminant nutritionist and sheep production advisor. Most recently, he's introduced a line of "GOLD FORMULA" mineral premixes under The Shepherd's Choice® brand, aimed to maximize hoof health and immunity.


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My Glory Years [Seattle Mariner Days – Jack's Journal]
by Jack Perconte | Oct 15, 2016 | Diary, Jack's Corner | 0 comments
Following was an interview conducted by Arne Christensen, which talked about my glory years with the Seattle Mariners. Of course, it was not all glorious, but in my career, they were the days I cherish the most since my playing days ended.
My Glory Years with the Seattle Mariners
I know Mark Langston was the Mariners' emerging headline pitcher when you were with the team. Was he someone you could identify right away as a major talent? If so, was that mainly because of his fastball?
I was new to the Mariner organization in 1984, so I didn't know much about any of the players. It was evident from the start of spring training that Mark had everything it would take to be very successful. Along with the great arm, he had the poise, class, and demeanor of a major league pitcher. I don't believe it was a tough call to keep him on the big club that year. It was a joy to play behind him, and I believe everyone got a little more "jacked up" on the days he pitched.
I grew up watching the late '80s A's, and of course, Mike Moore and Dave Henderson were key parts of those teams. What are your memories of the two of them as Mariners? I remember Hendu's ebullience and his gap-toothed smile as much as I remember his skills as a player.
Two more great guys to be around and play with –Hendu had such a joy of playing that was contagious and Mike Moore I remember as real professional with great talent.
What position were you in coming into spring training in '84? You hadn't played much in '83 with Cleveland. Were you confident you'd succeed, nervous, eager to have the chance to prove yourself in a starting role?
The Mariners had traded for me that off-season, I am sure that was because of manager Del Crandall's suggestion – because I had played for Del in the minors. I was always a little short of confidence my whole career, but I felt assured that I would be given a good opportunity to make the club because of Del's presence. Always a little nervous but that is a good thing and extremely eager to put the memory of my 1982 Cleveland Indians play behind me.
This may be repeating the previous question, but what happened in '84 to enable you to win the starting job at second and elevate your play that year?
I was obsessed with proving I could play in the bigs. I was able to concentrate through my lack of confidence, and it helped to have Crandall, who believed in me, putting my name in the line-up every day no matter my previous day's performance.
From looking through the archives, it looks like your departure from Seattle was pretty bitter. Looking beyond your release, what was wrong with how the Mariners' management operated in those years?
I was very fond of everything about my Seattle experience so when I was released, great disappointment set in. My words may have come across as bitter, but it was mainly disappointment and some immaturity on my part.
I don't believe the organization was any different than most teams – trying to make it all work – but of course they had not won much over the years, so they were still trying to figure it all out. I didn't believe then or now that they were out to hurt me with my release – just trying to put the best team on the field that they could. Of course, all players feel like they can help a team, so it is always hurtful when released.
I saw a 1992 letter to the Seattle Times that said, "What this team needs is a steady, inspirational leader (and producer) such as Seattle had a few years ago in Jack Perconte." It sounds like you were a popular player: a lot of the Seattle fans had a particular appreciation for you, and I guess some of them still do. Where do you think that came from?
I only knew one way to play, and that was all out. I believe my teammates and the fans appreciated that. Of course, part of my "hustle" was due to feeling insecurity over whether I could succeed in the majors. Give the person who wrote that about me a huge hug from me. It is nice to be remembered.
Was it more satisfying to start the two years for the Mariners and play pretty well for mediocre teams or to be a backup/late-season call-up on the '81 Dodgers and win a World Series?
Personally, by far to play for the Mariners because I was a much more integral part of them – however, I am proud of my Dodger contributions, although they were quite minor ones. Having received a World Series ring and trophy from the Dodgers I have a great fondness for being part of that team success.
My Glory Years on different ground?
Seattle Kingdome
What was the Kingdome turf like? Did it give true bounces, did it have nasty seams, or was it essentially just standard, predictable Astroturf?
I would say standard and predictable. Because of the true bounces of turf, it helped my fielding percentage immensely. I did not possess great major league hands so the true hops helped – I could get used to the speed with concentration, so not having to adjust to inconsistent hops like on natural outdoor fields helped my defensive game.
As a second baseman, how did you adjust to playing balls off turf instead of dirt and grass? Was it something fairly easy to get used to?
As mentioned above, great concentration can overcome most anything so if one stays focused and has good fundamentals; fielding is manageable on any surface. My defensive weakness showed up more on turning double plays than fielding the ball.
How did the turf affect you as a base stealer and running the bases? I noticed that you had very good steal numbers in 1984 and '85, and wonder if the Kingdome had anything to do with that.
I believe it did – not having to worry about wet turf helped. It also had a lot to do with batters behind me in the order. I came to understand how they would pitch them and that would help me pick the best pitches to run on.
Could you describe the atmosphere of playing in the Kingdome, not so much the field, but in terms of the fans, having air conditioning and a roof over your head, things like that. I see attendance in '84 was only about 10,000 per game, so I imagine the team had to motivate itself much of the time.
Playing in the big leagues was motivation enough, not to say that playing in front of larger crowds wasn't desired and a little more exciting. My goal was to concentrate on what needed to be done so that often, I was oblivious as to the size of the crowd. The fans always seemed knowledgeable and appreciative of our efforts as far as I can remember.
What were the benefits of playing in a dome? I talked with Mike Pagliarulo about going to Minnesota in 1991, and he said the dome helped him get a productive routine established.
I would agree with that. Also, indoors took out some of the elements (wind, rain, snow, dusk, shadows, sun, etc…) that can make playing outdoors a little more difficult.
What was your reaction to the Kingdome's demolition? Had you been back in the place since your playing career ended?
I watched the demolition at home and I was surprised with how sad I felt. I was back the year after I retired, maybe 1989 or so, but never since.
What's your basic memory of the Kingdome? Is there nostalgia for it, or is it just too hard to have fond memories of a dome?
In general, ballplayers (at least me) judge ballparks not by their fans, looks, location, etc… but by how well we played in a park. With that as the standard, the Kingdome was my "Field of Dreams."
Jack Perconte has dedicated his post-major league baseball career to helping youth. He has taught baseball and softball for the past 27 years. His playing, coaching and parenting stories create better experiences for athletes and parents. Jack has written over a thousand articles on coaching baseball and youth sports. Jack is the author of "The Making of a Hitter" now $5 and "Raising an Athlete." His third book "Creating a Season to Remember" is in the works. Jack is a featured writer for Baseball the Magazine. You can also find Jack Perconte on YouTube with over 80 fun and innovative baseball instructional videos.


Obama, Libya, and the dubious ethics of modern air wars.
The episode jibes neatly with photos from the intervention in Libya, depicting a shabbily outfitted African mercenary lying dead by the side of road, presumably felled by a fusillade of American military technology—cruise missiles that all but stop and take left-turns—whose prowess lay beyond his imagination. Given this latest display, how many times must the Battle of Omdurman be replayed before we begin to argue about the lopsidedness of America's wars, the asymmetry that permits and even encourages these wars, and the truth that, absent such capabilities, we would enjoy far less room to maneuver on the international scene?
The assault on Libya, after all, provides the clearest illustration of the role that the United States currently assigns its military strength and, more than that, the ease with which it does so. Given that weapons launched from a distant remove—and, therefore, with minimal risk (to our side, at least)—may increase the propensity of political leaders to resort to violent means casually and without due reflection, does their use not count as an act of war? Does it not impose certain ethical obligations on the American politicians who, over the past two decades alone, have launched aerial strikes against targets in Sudan, Yemen, Kosovo, Bosnia, Iraq, Afghanistan, Pakistan, and now Libya? If the point of the exercise is to send a "message," as indeed the Obama team claims to be the point in Libya, how many people may one justly kill in the process? To judge by the substance and tenor of deliberation that preceded this week's attacks, the answer to these urgent questions would seem to be: whatever.
In practical and ethical terms, the air campaign in Libya, just days old, has already been tested and found wanting. We have been here before. Most sloppily in Kosovo, where we bombarded the enemy (and the population) for months, without losing a single American life and to the point that even Henry Kissinger began to despair of the steep moral price. Uncharacteristically (this from the architect of the massive Christmas bombing of North Vietnam) and rightly (Kissinger learned his realism from Hans Morgenthau, not Stephen Walt), the former secretary of state objected to the notion that "our moral principles stop at 15,000 feet," while John Cardinal O'Connor of New York—a former Marine chaplain in Vietnam—wondered if "we can say with integrity that this kind of bombing includes only 'surgical strikes,' without serious danger of indiscriminate destruction, including the deaths of innocent human beings." The obvious answer was no. A war fought in the name of humanitarian principles had been engaged with less than full regard to humanitarian principles. Missiles fired from afar struck convoys of innocent civilians, demolished houses, blasted a hole in the Chinese Embassy, and even landed in the wrong country (Macedonia).
We have been here before and, after a decade of low-tech ground war in Iraq and Afghanistan, we are here again. Even as the Libya buildup proceeded—with everything ostentatiously revealed except H-hour and the actual target plan—an Obama paradigm began to assert itself. In order to ensure the safety of the Libyan opposition, would the administration use ground forces? Absolutely not. Even with precision weapons, could air power alone actually defeat Qaddafi's entire army? Probably not. Would the administration consider targeting those elements, such as Qaddafi family members, that sustained the dictator's hold on power? Not really, given the likelihood of U.S. losses. Instead, the Obama team would hand off command of the war "in days, not weeks," assured National Security Adviser Thomas Donilon. Thus, the administration argued itself into a "surgical" campaign of a few days and whose exact purpose remains unclear.
In case we didn't get the point, Donilon added, "This-is-a-limited-in-scope-duration-and-task-operation." Which is to say, limited in scope, duration, purpose, and effect. (When the Clinton administration readily conceded the initiative to its adversary in Kosovo, it elicited howls. When the Obama administration does the same thing, it's offered up as proof of reasonableness.) By the description of its architects, the Libya campaign aims to minimize the risk of casualties, intends to avoid collateral damage, attempts to preclude any possibility of meaningful retaliation or the danger of a quagmire skirts moral ambiguities, and looks to achieve its desired effect through suasion rather than brute strength. This episode, members of the Obama team keep assuring us, is not to be confused with waging war, a concept that is antiquated and obsolete. Never mind that the administration's insistence upon such distinctions could point either to embarrassing failure or unwanted escalation. The aim is to send a "message," which the president summarizes as this: "The writ of the international community must be enforced." Here, military force is not merely an extension of diplomacy. Instead, force has become all but indistinguishable from diplomacy.
That the wider scope of action permitted by this loose definition of purpose is illusory remains beside the point. The haziness permits the president and his chief associates to offer assurances that any military action will be painless, cheap, and over before it even begins. "After the air is cleared of any threats," Senate Armed Services Committee Chairman Carl Levin assured Sunday TV viewers, "there's going to be a handoff to our allies, and this mission will then carried on by French, by British, and by Arab countries." Voila.
The practical danger here is that the Obama team may work itself into an untenable position. According to the administration's own scorecard, it's the not the integrity of the coalition formed to contain Qaddafi nor the safety of the coalition-established enclave that matters, but the hours until American participation draws to an end. Yet there is also a moral question on the table: Does launching missiles and bombs from a far-away remove provide an ethically persuasive basis for taking life? For the practice of statecraft through the (militarily advanced) West, this is an increasingly problematic issue, nowhere more than among Obama's constituents on the left. If a dead African mercenary doesn't make the point, recall the sensitivities aroused by the images of the so-called Highway of Death in the waning hours of Operation Desert Storm.
Perhaps those sensitivities are bogus. But, for now, this much at least is evident: By advancing the fiction that its military initiatives are distinct from war per se, the Obama team in some sense forfeits the state's traditional claim that it possesses the authority to kill. And, once the justification for force derives from some basis other than the prerogative of one sovereign state to wage war against another, principles such as proportionality and discrimination—among other things, the two bedrock principles of the U.S. Military Code of Conduct—lose some of their meaning. Put another way: Given the risk-free weapons on which we are relying today, how many people is it permissible to kill merely to send a message? To protect the life of one American pilot, how much collateral damage can one inflict?
Air wars—that is, wars that privilege American lives—comfort my American sensibilities, all the more after covering an American ground war. But they provide no adequate response to the cosmopolitan stand. The insistence on using force as a medium for negotiating between elites; the resort to military action as a surrogate for strategic coherence; the inflated expectations to be gained from "surgical" strikes—if it becomes grounded in fantasy, the air campaign over Libya could easily turn gray.


Finding Species contributes to the conservation of the Amazon and the Eastern Andes to strengthen environmental policies, programs and projects through local governments. Finding Species aims to document the use of water by human populations and how the habitat is changing and its threats. The study of the hydrological cycle in the Oriental Andes and the Amazon determines its effect on human life.
Finding Species seeks to accomplish this by documenting the origins of the Amazon River from its source in the Ecuadorian Andes to Alto Napo in the territory of Ecuador by means of pictures and videos. Thus, highlight in the importance of interconnection between ecosystems spanning the tributaries of the Ecuadorian Amazon and their connection to human activities and their environmental impact.
By encouraging local government decision makers to consider reducing the environmental impacts between the Andes and the Amazon in their policies and programs, Finding Species hopes to minimize impacts on the environment and protect these vital waterways. A key issue is to promote attitudinal changes among the inhabitants of the cities settled on the banks of the rivers of the eastern slope and to manage natural resources in an appropriate manner by means of awareness. Ecuador is already working with National Coordinators of the Initiative for Regional Infrastructure Integration, IIRSA, since they have started commercial travel along the Napo, and IIRSA could pose a serious threat to the Ecuadorian Amazon.


No better soup flavour and no better soup colour. When we were photographing this soup for the book, the team voted it the very best soup anyone had tasted for yonks! Serves 6.
Melt the butter in a large saucepan over a high heat. Add the onion and fry for about 5 minutes, stirring. Add the peas and fry for a further couple of minutes. Pour in the stock and bring to the boil.
Remove the leaves from the mint stalks and set them aside. Add the stalks to the pan and bring back to the boil. Cover and simmer for about s-8 minutes, or until the peas are tender.
Stir in the mint jelly, remove and discard the mint stalks and stir in the mint leaves. Spoon into a processor and whiz until smooth.
Return to the pan, season with salt and pepper and serve hot or cold, garnished with a swirl of crème fraiche, and some crusty bread.
TO PREPARE AHEAD: Can be made up to a day ahead and reheated in a pan. Freezes well.
TO COOK IN THE AGA: Cook on the boiling plate (not in the simmering oven otherwise the peas will lose their colour).