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Tag Archives: Anne BArnhart
WESTWARD HOT! EVERGREEN JAZZ FESTIVAL (July 27-29) and a BARN DANCE PARTY with the CARL SONNY LEYLAND TRIO (July 26)
I am a failure as a well-trained tourist, because I shun guidebook attractions such as churches and museums in favor of second-hand stores, outdoor markets, and restaurants. But I am not yet at the stage where I want to stay at home all the time. What makes me happy is going to a place (ideally, a beautiful one) where good friends play and sing the music that makes me even more glad to be alive. And I know I am not alone in this desire.
Double rainbow, Evergreen, Colorado, 2014. Photograph by Michael Steinman
Such opportunities for musical joy and fulfillment still exist, and one of them is the double boon of the Evergreen Jazz Festival in Colorado, and the barn dance concert that Dorothy Bradford Vernon and friends put on in Longmont, in the same state — they coincide most happily.
For those who want to go directly to the source(s), here you can learn all about the barn dance — featuring the Carl Sonny Leyland Trio — and here is the official site for the Evergreen Jazz Festival, a long weekend of beautiful music.
The EJF rotates its out-of-state attractions, so although I have twenty posts (with video evidence!) from my trips there in 2014 and 2016, I don't feel it's right to use videos from bands that won't be there in 2018 to promote the current festival. However, by typing EVERGREEN into this blog's search engine, you can enjoy the evidence for many hours. More about the 2018 band lineup below.
But since Carl's Trio is more or less intact with the splendid Jeff Hamilton on drums (I believe Marty Eggers is playing string bass instead of our friend Clint Baker) I have no qualms about sharing this 2016 post with you. My videos cannot convey the great warm welcome that Dorothy and friends extend to anyone walking through the barn doors. The music and the dancers were truly memorable.
The Evergreen Jazz Festival offers ten bands, which means that the main problem most guests will have can be expressed by "I can't decide between seeing X, Y , or Z," rather than by "There's nothing to do."
Here is the schedule: eleven hours on Friday, twelve hours on Saturday, seven hours on Sunday. You can sleep on Monday, or on the plane.
A few words about the bands (you can read full descriptions on the EJF site). Since I am an out-of-towner, I have no problem putting my fellow o-o-t women and men first — a kind of upside-down local pride.
Carl Sonny Leyland will be rocking the house once again (even the elk were doing splendid rhythmic gyrations in the parking lot).
The Holland-Coots Jazz Quintet — a band I succumbed to instantly last year in Nashville, where they recorded their debut CD, a tribute to Fats Waller that brought happiness and swing. They are Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet and vocal; Evan Arntzen, reeds and vocal; Steve Pikal, string bass.
World-travelers Ivory&Gold — that's Jeff Barnhart, piano and vocals; Anne Barnhart, flute and vocals — who offer musical world tours that always surprise.
The frolicsome Rock Island Roustabouts — co-led by Hal Smith, drums, and Jeff Barnhart, with Dave Kosmyna, cornet; Doug Finke, trombone; Jonathan Doyle, reeds; Bob Leary, banjo/guitar; Ryan Gould, string bass. The names alone will tell you that hot music is assured.
Multi-instrumentalist Dennis Lichtman's Brain Cloud (yes, the name is strange — from a Bob Wills song — but the music is intoxicating) featuring Dennis on clarinet, fiddle, mandolin, and more, also with the phenomenal vocalist Tamar Korn and our man in swing Kevin Dorn, drums.
Pianists Brian Holland, Carl Sonny Leyland, and Jeff Barnhart will perform three trio sets on two pianos in the wonderful Evergreen church: beware of flying black and white ivories!
There will be a jam session set by the "EJF All-Stars": Marc Caparone, cornet; Eric Staffeldt, trombone; Roger Campbell, clarinet; Rory Thomas, banjo; Jeff Barnhart, piano; Ryan Gould, string bass; Kevin Dorn, drums.
Two sets by the Sweet and Hot Quartet: Jeff Barnhart, Bob Leary, Anne Barnhart, and Steve Pikal (Friday) and Hal Smith (Sunday).
If that were not enough . . . Denver's own After Midnight, which fashions itself after the Goodman Sextet with vibraphone; Felonius Smith Trio, which pays tribute to venerable guitar blues; the Gypsy Swing Revue, which lives up to its billing; Joe Smith and the Spicy Pickles, a young energized swing band; the Queen City Jazz Band, celebrating its 65th anniversary and featuring Wende Harston on vocals; youth bands from the University of Colorado, the Denver Claim Jumpers, and the Denver Jazz Club Youth All-Stars.
The EJF features lovely small venues . . . so you need to consider purchasing tickets sooner rather than later. I'll be there, but I only take up one seat. Hope you can make it also! It's been a great deal of fun and with this schedule, I know it's going to continue.
And just in case you say, "What! No music?" here is RUSSIAN RAG by the Holland-Coots Jazz Quintet, recorded informally in Nashville in July 2017:
Tagged After Midnight, Anne BArnhart, Bob Leary, Brian Holland, Carl Sonny Leyland, Danny Coots, Dave Kosmyna, Dennis Lichtman, Dorothy Bradford Vernon, Doug Finke, Evan Arntzen, Evergreen Jazz Festival, Felonius Smith Trio, Hal Smith, Holland-Coots Jazz Quintet, IVORY&GOLD, Jazz Lives, Jeff Barnhart, Jeff Hamilton, Joe Smith and the Spicy Pickles, Jonathan Doyle, Kevin Dorn, Marc Caparone, Marty Eggers, Michael Steinman, Queen City Jazz Band, Ryan Gould, Steve PIkal, Tamar Korn, The BRAIN CLOUD, Wende Harston
SWING STORIES FROM NEW ORLEANS: LARRY SCALA BAND
I know that every person's taste in art is as singular as the viewer or hearer. But some music immediately feels good and makes us feel deeply comfortable.
This new CD made me feel right at home in its first minutes. The subtitle on the cover is a quotation from Steve Elmer, "Play the melody, improvise, tell a story and make it swing." The Larry Scala Band does those things with style, as natural as breathing.
I didn't ever find the session imitative, but it reminded me of a 1957 Verve recording — that same easy feel, with touches of Tal Farlow and Herb Ellis guiding a small band of individualists. The players are mature improvisers — not a comment on their age, but on their deep intuitive awareness.
The band is a New Orleans ensemble (hear the Second Line beat on DREAMBOAT and the rocking FUNGII MAMA) but there is no hackneyed tourist music here. And the very instrumentation is a defense against cliche and formula — a versatile quartet with Fischer's bright, never shrill clarinet and Moore's warm tenor forming a front line with Scala's gleaming, twining single-note lines and pulsing chords. The two horns don't fight for dominance, and there are no easy plagiarisms from the Goodman Sextets.
It has a very warm momentum: music too vivid to be "smooth jazz" or background murmurings. Although there are only five players pictured above, listeners get good value. Larry is not only a superb soloist but someone who understands the need for rhythm, so he has unobtrusively overdubbed a quiet rhythm guitar line. It's welcome, not a trick, and it works. (The combined rhythmic pulse pushes TEA FOR TWO along from the first four bars.)
There are slight variations on RICHARD'S MOTEN SWING and FLAMINGO — the changes made me take notice when I was listening for the first time, the paper sleeve out of reach — but they only add spice and variety. As I write this, my favorites are a tender ISFAHAN, a rollicking TEA FOR TWO, a trotting MORNING GLORY — but I could easily list all eleven tracks.
Here's the band's Facebook page, where you can hear sound samples from the disc. And Larry has his own page as well. For online purchases, visit the Louisiana Music Factory page. Best yet: Larry will be a guest artist from October 23-26 at the Pismo, California Jubilee By The Sea, where you can hear him and buy CDs directly. I found a list of the bands and guest artists — including High Sierra, Gordon Au and his brothers, Carl Sonny Leyland, Jeff and Anne Barnhart, and more here.
But don't get distracted from SWING STORIES FROM NEW ORLEANS — accurately titled, satisfying music.
Posted in "Thanks A Million", Bliss!, Generosities, Jazz Titans, Pay Attention!, Swing You Cats!, That Was Fun!, The Heroes Among Us, The Real Thing, The Things We Love
Tagged Anne BArnhart, Carl Sonny Leyland, Charlie Kholmeyer, Gordon Au, High Sierra, Jazz Lives, Jeff Barnhart, Jubilee by the Sea, Larry Scala, Larry Scala Band, Michael Steinman, New Orleans jazz, Ray Moore, Richard Moten, SWING STORIES FROM NEW ORLEANS, Tom Fischer
EVER GREEN! (July 25-27, 2014)
I know I am a very fortunate mortal, and am reminded of this every moment. One of the more tangible reminders for me is the Evergreen Jazz Festival in the Colorado city of the same name, happening very soon — July 25-27, in fact. Here is the link which tells you all the exciting necessary details. Tickets are still available. Plane flights are still possible. There is going to be so much lovely hot and sweet music that I know I won't get to more than a small percentage of it.
The Festival is arranged so that each band plays eight sets over three days in five venues (is there a math major in the house?) ranging from intimate to large, with room for energetic swing dancing.
I'm looking forward to seeing and hearing artists whose music I admire greatly:
JAMES DAPOGNY'S CHICAGO JAZZ BAND (with Jon-Erik Kellso, Kim Cusack, Russ Whitman, Chris Smith, Rod McDonald, Pete Siers)
"IVORY & GOLD": JEFF and ANNE BARNHART
BIG MAMA SUE (I know her as Sue Kroninger, and she'll be joined by Eddie Erickson,, and Chris Calabrese)
PETER ECKLUND TRIO
and some bands new to me that come highly recommended:
AFTER MIDNIGHT (reminiscent of the Goodman Sextet)
QUEEN CITY JAZZ BAND with Wende Harston
BOGALUSA STRUTTERS
JONI JANAK and CENTERPIECE JAZZ
HOT TOMATOES DANCE ORCHESTRA
YOUR FATHER'S MUSTACHE BAND
If we've never met or if we have, come say hello! I love meeting my readers in person. I will be wearing brightly colored clothing; I will be intent and silent and beaming behind a video camera . . . while the music is playing. Otherwise I admit to a great deal of speech. Anyway, it would be lovely to meet more JAZZ LIVES friends in the mountains of Colorado.
Posted in "Thanks A Million", Bliss!, Generosities, Ideal Places, Irreplaceable, It's All True, Jazz Titans, Jazz Worth Reading, Pay Attention!, Swing You Cats!, The Heroes Among Us, The Real Thing, The Things We Love, Wow!
Tagged After Midnight, Anne BArnhart, Benny Goodman Sextet, Big Mama Sue, Bogalusa Strutters, Chris Calabrese, Chris Smith, Eddie Erickson, Evergreen Jazz Festival, Franklin Clay, Hot Tomatoes Dance Orchestra, IVORY&GOLD, James Dapogny, Jazz Lives, Jeff Barnhart, Jon-Erik Kellso, Joni Janak, Kim Cusack, Michael Steinman, Pete Siers, Peter Ecklund Trio, Queen City Jazz Band, Ralph Sutton, Rod McDonald, Russ Whitman, Sue Kroninger, Sunnie Sutton, Wende Harston, Your Father's Mustache
MOUNTAIN AIRS: THE 2014 EVERGREEN JAZZ FESTIVAL (July 25-27, 2014)
I'm very excited to be going to the 2014 Evergreen Jazz Festival — that's Evergreen, Colorado, near the end of July. The last time I visited that state was also for rewarding jazz — I have fond memories of Sunnie Sutton's Rocky Mountain Jazz Party — so my mind automatically associates Colorado with good music and new friends.
The Festival is arranged so that each band plays eight sets over three days in five venues (I can't do the math; perhaps some of you can) ranging from intimate to large, with room for energetic swing dancing.
I'm looking forward to seeing and hearing some artists whose music I admire greatly:
BIG MAMA SUE (I know her as Sue Kroninger, and she'll be joined by Eddie Erickson, Chris Calabrese, and Clint Baker)
Filmmaker Franklin Clay made a very expert video of the 2012 Festival that you can see here. Although the 2014 lineup is different, the video shows what the Festival feels like better than ten thousand words would.
And here's Jenney Coberly's film of the 2011 festival:
Elsewhere on the Festival site, there is appealing news for those people trying to hold on to their dollars until the eagle grins: discounts apply to tickets ordered before May 31, so the race is indeed to the swift. (You need not be swift to attend the Festival: I see there is a shuttle between venues.)
I will say more about this as the calendar pages fall off the wall, but I wanted to tell JAZZ LIVES readers about good times sure to come.
Posted in "Thanks A Million", Bliss!, Generosities, Hotter Than That, Ideal Places, Irreplaceable, It's All True, Jazz Titans, Jazz Worth Reading, Pay Attention!, Swing You Cats!, The Heroes Among Us, The Real Thing, The Things We Love
Tagged After Midnight, Anne BArnhart, Benny Goodman Sextet, Big Mama Sue, Bogalusa Strutters, Chris Calabrese, Chris Smith, Clint Baker, Eddie Erickson, Evergreen Jazz Festival, Franklin Clay, Hot Tomatoes Dance Orchestra, IVORY&GOLD, James Dapogny, Jazz Lives, Jeff Barnhart, Jon-Erik Kellso, Joni Janak, Kim Cusack, Michael Steinman, Pete Siers, Peter Ecklund Trio, Ralph Sutton, Rod McDonald, Russ Whitman, Sue Kroninger, Sunnie Sutton, Wende Harston, Wueen City Jazz Band, Your Father's Mustache
LESSONS FROM MR. RUSSELL
Back by popular demand, as promised — solos played by Charles Ellsworth "Pee Wee" Russell. Several reed players found the previous Russell post intriguing and there has been an enthusiastic reaction to the most recent Eddie Miller interlude. So here are the complete Russell solos: consider them well. And then go for yourselves! As he always did.
Slow. Don't rush.
Slow Swing!
Fast Swing!
At the end of the day, consider this:
Stick around, why don't you?
A classic. Fast!
The Spanish tinge:
For the Barnharts, especially Anne:
When whip-poor-wills call:
These are for Jeff in the UK, Stan, Ben, Hal, Andrew, and myself in the US. Anyone who can play these convincingly is encouraged to make a little video — we might like to hear them come to life.
Posted in "Thanks A Million", Irreplaceable, Jazz Titans, Jazz Worth Reading, Pay Attention!, Swing You Cats!, The Heroes Among Us, The Real Thing, The Things We Love
Tagged Andrew Jon Sammut, Anne BArnhart, Ben Flood, clarinet, Eddie Miller, Hal Smith, Jazz Lives, Michael Steinman, Pee Wee Russell, Stan Zenkov
THEY'RE THE TALK OF THE TOWN: THE BARNHARTS, JEFF AND ANNE, COME OUT TO PLAY at MONTEREY 2013 (as IVORY&GOLD)
It might take a village to raise a child. But it only takes Jeff and Anne Barnhart to entertain an audience for an hour. Jeff (piano, vocals, puns) and wife Anne (flute, voice, comedy and organization) held a group in thrall at the 2013 Dixieland Monterey / Jazz Bash by the Bay — with a delightfully varied program, mixing stride piano, sweet and raucous singing, vaudeville, old songs and new, sentimental melodies (that's a compliment), Broadway and film songs. It all swung; it was all expertly done and masterfully improvised.
Ladies and gentlemen and children of all ages, I present IVORY& GOLD (named after aspects of their respective instruments), Jeff and Anne Barnhart!
BLESS THE BEASTS AND CHILDREN / PINEAPPLE RAG:
A wild and woolly version of THERE WILL NEVER BE ANOTHER YOU:
WATER FROM AN ANCIENT WELL:
EXACTLY LIKE YOU:
ALICE IN WONDERLAND:
IT'S THE TALK OF THE TOWN:
For the felines among us, MEMORY:
Bob Barta's I'M IN HEAVEN:
'S'WONDERFUL:
TENDER IS THE NIGHT / I GOT RHYTHM:
You can follow IVORY&GOLD here — Jeff and Anne are always on the move, which means you have a better-than-average chance of seeing and hearing them in person someday soon. Jeff's singular website can be found here.
Posted in "Thanks A Million", Bliss!, Jazz Titans, Pay Attention!, Swing You Cats!, That Was Fun!, The Heroes Among Us, The Real Thing, The Things We Love, Wow!
Tagged Andrew Lloyd Webber, Anne BArnhart, Bob Barta, cats, classical flute, Dixieland Monterey, Fats Waller, George Gershwin, HArlem stride piano, IVORY&GOLD, JAzz Bash by the Bay, Jazz Lives, Jeff Barnhart, Michael Steinman, Stride piano, voice
EXTREMELY HEALTHY FATS! (THANKS TO JEFF BARNHART and FRIENDS)
No, not these.
They are certainly good for you. But I mean this.
It's a recent CD on the Lake Records label, under the leadership of the irresistibly talented pianist / singer / arranger Jeff Barnhart, with the assistance of four wonderful players, who summon up all the many sides and angles of Thomas "Fats" Waller with love rather than caricature.
By "caricature" I mean that Fats Waller was — by definition — a powerful personality, but someone who could be reduced to a series of outlandish gestures by musicians who didn't understand him very well: rapid-fire showy stride piano, high-power clowning and singing, all the "let's have a party in three minutes" we hear on many of his recordings. Those "tributes," and I've heard them, begin with the derby cocked over one eve, the same four or five songs, and they end at high volume. To quote Chubby Jackson on a satirical record circa 1945, "Wasn't that swell?"
But the essence of Fats Waller is more subtle and more varied than any clownish portrait in broad strokes, and Jeff Barnhart — an improviser / entertainer who gets beneath the obvious surfaces — has long understood that Waller was equal parts stride virtuoso and soulful musician — singer, pianist, composer. . . someone with a heart as large as his famous girth. This isn't to say that REFLECTIONS OF FATS doesn't swing — but that it shows a deep awareness of Fats Waller's depths. Jeff hasn't devoted himself entirely to the esoteric: the disc offers AIN'T MISBEHAVIN', HONEYSUCKLE ROSE, KEEPIN' OUT OF MISCHIEF NOW, YOUR FEET'S TOO BIG, BLUE TURNING GREY OVER YOU, THE JOINT IS JUMPIN', and TWELFTH STREET RAG — but it also gives us the lesser-known compositions: a meaty RUMP STEAK SERENADE, KEEP A SONG IN YOUR SOUL, HOLD MY HAND, MOPPIN' AND BOPPIN', MY FATE IS IN YOUR HANDS. Three great delights of this disc are YOU MUST BE LOSING YOUR MIND (by Fats and Ed Kirkeby), AT TWILIGHT, and DO YOU HAVE TO GO? (both composed by Fats and his wife Anita). AT TWILIGHT alone is sweetly memorable.
Jeff Barnhart is a splendid stride pianist, swing pianist, and bandleader — his ensemble playing, his support of soloists, is both uplifting and delicious. And his singing is both original and Waller-imbued: he has some of the Master's insinuating nasal croon that makes a Barnhart vocal both compelling theatre and a great deal of fun. He doesn't need the derby, in short. On this CD he has assembled a neat band (shades of Fats' Bluebird / Victor "Rhythm" but even more compact) of UK swing stars: John Hallam, reeds; Jamie Brownfield, trumpet; Bruce Rollo, string bass; Nick Ward, drums. The latter two are a better rhythm team than you'd hear on some Thirties recordings — having seen them in tandem and individually at Whitley Bay, I know they are solid senders. Nick Ward is sometimes pigeonholed as a "vintage drummer," someone restricted by law and decency to his temple blocks, but he can swing out in the best style: Slick Jones would be proud. John Hallam can boot things along in the appropriately vehement manner, but I was most impressed by his tender, quiet playing (I thought of Harold Ashby) on the slower numbers. And Jamie Brownfield was only nineteen when this CD was made. He is a great player now, and I hope to hear more from him. And — as an aside — no one copies Autrey or Sedric here.
It's a wonderful CD, full of surprises — with lovely annotations by Ray Smith and delightful recorded sound. You can obtain a copy here — I gather it is also available on iTunes, if this little band can fit in your earbuds. Consult with your audiologist first.
Now, I don't have something that directly pertains to REFLECTIONS OF FATS to share with you . . . . but I can offer this. Jeff and his wife Anne (a splendid flautist and singer) who bill themselves as IVORY AND GOLD, have recently posted some performance videos on Jeff's brand-new YouTube channel. With their playful seriousness and serious playfulness, they make music that Mr. Waller would have liked.
Here's their version — too short! — of AIN'T MISBEHAVIN':
Tagged Anita Waller, Anne BArnhart, Bruce Rollo, Chubby Jackson, Ed Kirkeby, Fats Waller, Gene Sedric, good fats, Harold Ashby, healthy fats, Herman Autrey, Ivory and Gold, Jamie Brownfield, Jazz Lives, Jeff Barnhart, John Hallam, Lake Records, Michael Steinman, Nick Ward, olive oil, Ray Smith, REFLECTIONS OF FATS, Slick Jones, swing
MIGHTY GOOD at MONTEREY 2013 / THE CASE OF THE YEARNING DAMSELS
I am back home and back at the computer one day after the 2013 Jazz Bash by the Bay (or Dixieland Monterey for those who like alternatives): it was quite fine on many levels. I didn't video quite as much as I have done in past years, but this was because I had made a conscious decision to behave with greater rationality . . . rather than seeing how many sets I could cram into the weekend and arriving home with a cold or a cough that would take two weeks to shake off. But there will be videos, I promise.
I heard splendid music from Carl Sonny Leyland in a solo set full of his originals; I encountered Ivory and Gold for the first time, although I have known Jeff and Anne Barnhart — wonderful variety of sounds; their characteristic wit; a great presentation. The Allan Vache – John Cocuzzi – John Sheridan – Paul Keller – Ed Metz group rocked (a highlight was an extended IN A MELLOTONE); the splendid singer Dawn Lambeth appeared with a number of bands and made us feel better and better as she sang; Marc Caparone appeared as a guest star with High Sierra — his teamwork with Bryan Shaw is astonishing; Jim Fryer had a rare and delightful solo set; the Reynolds Brothers with Clint Baker caused seismic shifts of the most rewarding kind. Howard Miyata was crowned Musician of the Year 2013 in a ceremony both goofy and touching, and his nephews Gordon, Justin, and Brandon swung out with the noble help of Katie Cavera and Danny Coots.
And I know other attendees had their own version of an exquisite weekend while listening to all the other bands and soloists on the program.
Did you miss it? Were you being wisely frugal? Did it pass you by? Don't despair: a 2014 Jazz Bash by the Bay is solidly in the works, with these artists and more — Becky Kilgore, Dan Barrett, Paolo Alderighi, the Reynolds Brothers, Eddie Erickson, Bob Draga, the Au Brothers, High Sierra, Bob Schulz' Frisco Jazz Band, Danny Coots, Phil Flanigan, Stephanie Trick, Sue Kroninger, Carl Sonny Leyland, High Sierra, Crown Syncopators, and more. (And without being too didactic, I will point out that these enterprises rely on your tangible support — financial / physical — or they evaporate. Look around for the sad evidence.)
It will be held March 7-8-9, 2014. You may call 831.675.0298 or visit here for more information. I will provide updates as I know them.
On to a related subject. You are encountering JAZZ LIVES through a computer, an iPad, a phone or some other electronic gizmo. And probably you think nothing of it. But for other members of the jazz community, this is a terrifying kind of esoterica.
I met several charming ladies of a certain age (one doesn't ask) at the Bash who told me that they were pining away for want of gallant male swains with whom to dance. In each case, the ladies had been happily married for a long time; their husbands had died. And unattached men seem not only fragile but in short supply. So — if you are a single fellow out there, with or without two-tone shoes, and you can dance, there are willing partners a-plenty at these festivals.
The second part of my thinking goes back to our easy reliance on technology. Since I have had a life-changing experience on Craigslist (of the best sort), I said to each of the damsels, "Do you have a computer?" No. One had a computer but her son used it and she had no idea how to on her own. In each case, it was as if I had asked, "Do you know how to speak Sanskrit?" I was all ready to say, "I know there are music-loving men of your generation who would be happy to dance with you — you could go to STRICTLY PLATONIC or ACTIVITY PARTNERS (whatever it is now called) on Craigslist — and gratifying things would happen." But no.
So, I propose this as a generous act for a segment of the JAZZ LIVES readership. If you know someone, Auntie or Grandma or the Lady Two Houses Down, and she loves to dance . . . either help her out on your computer OR show her how to operate one. I think this would be an act of deep swinging charity. I know that people say, "Oh, no! I don't go on the computer! I could get killed! I could get my identity stolen!" These fears have some basis in reality, I admit . . . but going to your grave without a partner is, to me, a sorrowful idea.
Posted in "Thanks A Million", Bliss!, Generosities, Hotter Than That, Ideal Places, Irreplaceable, Jazz Titans, Pay Attention!, Swing You Cats!, That Was Fun!, The Heroes Among Us, The Real Thing, The Things We Love
Tagged Allan Vache, Anne BArnhart, Auntie, Becky Kilgore, Bob Draga, Bob Schulz Frisco Jazz Band, Carl Sonny Leyland, Clint Baker, Craigslist, Crown Syncopators, Dan Barrett, Danny Coots, Dawn Lambeth, Dixieland Monterey, Ed Metz, Eddie Erickson, Grandma, High Sierra, Howard Miyata, identity theft, Ivory and Gold, JAzz Bash by the Bay, Jazz Lives, Jeff Barnhart, Jim Fryer, John Cocuzzi, John Sheridan, Katie Cavera, Marc Caparone, Michael Steinman, Paolo Alderighi, Paul Keller, Phil Flanigan, Stephanie Trick, Sue Kroninger, swing dance, the Au Brothers, The Reynolds Brothers
FEEL LIKE A (JAZZ) BASH? (MARCH 1-2-3, 2013, MONTEREY, CALIFORNIA)
The music doesn't start for another ten days, give or take — but we're excited about the 2013 Jazz Bash by the Bay (or you can call it Dixieland Monterey . . . call it what you will as long as you support it by your presence!).
The Beloved and I will be there for as much of it as possible. The music begins on Thursday night (Feb. 28, if my dates are right) with a special benefit concert by "We3" — Jeff Barnhart, Danny Coots, and Bob Draga — and runs like an express train until Sunday, March 3, late in the afternoon.
Here's the schedule. And although my counting skills are imperfect, I see 149 or so sets in that weekend — because of simultaneous action in a variety of rooms. What this means to me: Marc Caparone, Dawn Lambeth, Jeff Barnhart, Anne Barhart, Bryan Shaw, Howard Miyata, John Reynolds, Clint Baker, Ralf Reynolds, Katie Cavera, Carl Sonny Leyland, Banu Gibson, John Sheridan, John Cocuzzi, Allan Vache, Ed Metz, Paul Keller, Sue Kroninger, Eddie Erickson, Chris Calabrese, Jim Fryer, Danny Coots, Jeff Hamilton, Virginia Tichenor, Marty Eggers, Gordon Au, Justin Au, Brandon Au, David Boeddinghaus, Jason Wanner, Ray Templin . . . and you can add your own favorites, heroes, heroines, and heartthrobs.
Here's ticket information. Few people I know are moved to take positive action because of fear and dread, but the evidence speaks for itself: many jazz festivals have vanished or morphed unrecognizably before vanishing: join us at the Jazz Bash by the Bay!
And for those readers who say, "I'm not convinced. I need evidence before I get in the car, find someone to walk the dog, and unstrap my wallet," will this do? Recorded on March 2, 2012 — something to provoke SMILES:
Tagged Allan Vache, Anne Barhart, Anne BArnhart, Banu Gibson, Bob Draga, Brandon Au, Bryan Shaw, Carl Sonny Leyland, Chris Calabrese, Clint Baker, Danny Coots, David Boeddinghaus, Dawn Lambeth, Dixieland Monterey, Ed Metz, Eddie Erickson, Gordon Au, Howard Miyata, Jason Wanner, JAzz Bash by the Bay, Jazz Lives, Jeff Barnhart, Jeff Hamilton, Jim Fryer, John Cocuzzi, John Reynolds, John Sheridan, Justin Au, Katie Cavera, Marc Caparone, Marty Eggers, Michael Steinman, Paul Keller, Ralf Reynolds, Ray Skjelbred, Ray Templin, Reynolds Brothers, Sue Kroninger, Virginia Tichenor, We3
THE MANY (BEAMING) FACES OF JEFF BARNHART
The more I hear Jeff Barnhart — pianist, singer, improviser — the more I admire him. He has an ebullient spirit, whether he is striding or playing a rag, but there's a soulful vein of sweet melancholy that underlies his work — a tenderness that never disappears in the humor and hot music. See and hear for yourself.
HONEY, THAT REMINDS ME (from the 2010 Whitley Bay Classic Jazz Party — with Michel Bastide, Paul Munnery, Jean-Francois Bonnel, Jacob Ullberger, Josh Duffee, with leader Bent Persson standing off to the side, admiring) comes from a Red Allen tribute, and it is notable for those of us who revere Vic Dickenson as his first real appearance on record — as a singer — with a song that is a little unpredictable. Thus, Jeff's looking at the lyrics is the act of a wise man, not an unprepared one. And you'll hear, fore and aft, his glistening piano coming through the ensemble in a wonderful Hines manner:
Let's move things up a little bit — a video created by Tom Warner — something I adore, for its dancing comedy and incredible swing. Ladies and gentlemen, the duo of Messrs. Barnhart and Danny Coots, performing Uncle Fred Coots' A BEAUTIFUL LADY IN BLUE — a small theatrical romp, whatever the tempo.
But first! You need to hear the song as originally performed — with absolute mastery — by Jan Peerce in a 1935 radio airshot (wait for the final cymbal crash!) . . . to get the full flavor of the Barnhart-Coots spectacular.
Jan Peerce:
Jeff and Danny:
(I can't comment on Jan Peerce's showmanship — it's all there in his passionate voice — but Jeff wins the prize for me for one gesture, the way he lifts his right hand while playing at a violent tempo to point to his heart. That's the best old-school stride piano Method acting you'll ever see.)
And one more. Why not? It's a favorite of mine, one of the half-dozen videos I would self-prescribe if I got up feeling gloomy. A proven spiritual panacea — variations on the 1933 Crosby hit YOUNG AND HEALTHY, with a true Cast of Characters: John Reynolds (guitar); Ralf Reynolds (washboard); Katie Cavera (bass); Marc Caparone (cornet); Dan Barrett (trombone); Bryan Shaw (trumpet). I recorded this at Dixieland Monterey — the Jazz Bash by the Bay, nearly two years ago — March 5, 2011 — and it still delights me. Jeff does honor to Fats and to Putney Dandridge while remaining himself.
Convinced? I should think so.
But experiencing Jeff and his music in person is even better. He travels the country with wife Anne, a classically trained flautist, in their own duo or trio IVORY AND GOLD (with Danny Coots), and he shows up everywhere, spreading joy and mirth and swing.
I am happily going to see him at least three times this year — at the March 1-2-3 Jazz Bash, at the April 20-21 Jeff and Joel's House Party, and at the 2013 Whitley Bay Classic Jazz Party, turning the corner from October into November).
You can find out more about his peregrinations and recordings here. And you can hear samples of his music as well — I've picked out a particular favorite, an excerpt from a CD I love, called THUMP! FIRST WHACK — Down in Honky Tonk Town.
The title of that recording should say something about its delightful individuality. The performers are Jeff (piano, vocal, co-leader); SherriLynn Colby (vocal, co-leader); Clint Baker (trumpet, trombone, vocal); Matty Bottel (banjo, tenor guitar); Otis Mourning (clarinet, soprano, alto sax); Marty Eggers (string bass); Lauri Lyster (drums); Simon Stribling (cornet, trombone). JAZZ LIVES readers will know how much I admire Clint, Marty, Simon, and now Jeff — but the other musicians are quite wonderful as well.
The scope of this recording comes through in its repertoire: GOT NO TIME / TANK TOWN BUMP / AM I BLUE? / LINA BLUES / KITCHEN MAN / I WOULD DO MOST ANYTHING FOR YOU / A KISS TO BUILD A DREAM ON / DOWN WHERE THE SUN GOES DOWN / EGYPTIAN FANTASY / DOWN IN HONKY TONK TOWN / DADDY DO / CHATTANOOGA STOMP / DELTA BOUND / EXACTLY LIKE YOU.
Its character can best explained metaphorically. THUMP sounds the way the food of our childhood tasted: succulent, multi-layered, perhaps a little drippy (the tomato eaten in the garden) or a bit greasy (real chicken on the barbecue), rather than the sanitized modern version — neat but flavorless. After you listen to THUMP, you might have to wipe your hands on a napkin, but your ears will be full of savory large musical flavors. Hot horn solos, beautiful interplay in the ensembles, a rocking rhythm section, and delightful vocals — this is my first introduction to SherriLynn Colby, whose sweet-tart approach to her material suggests that she is really a Thirties film star who Warner Brothers never had the sense to hire — and that is a very large compliment.
And Jeff has recorded many other CDs — while keeping a busy traveling schedule. We are very lucky to have him, whichever of his many joyous visages he turns to the audience.
Posted in "Thanks A Million", Bliss!, Generosities, Hotter Than That, Ideal Places, Irreplaceable, Jazz Titans, Mmmmmmmmmmmmm!, Pay Attention!, Swing You Cats!, That Was Fun!, The Heroes Among Us, The Real Thing, The Things We Love, Wow!
Tagged "traditional jazz", Anne BArnhart, Bent Persson, big flavors, Bing Crosby, Bryan Shaw, Clint Baker, Dan Barrett, Danny Coots, Earl Hines, Fats Waller, Henry "Red" Allen, Ivory & Gold, J. Fred Coots, Jacob Ullberger, Jazz Lives, Jean-Francois Bonnel, John Reynolds, Josh Duffee, Katie Cavera, Lauri Lyster, Marc Caparone, Matty Bottel, Michael Steinman, Michel Bastide, Otis Mourning, Paul Munnery, Putney Dandridge, Ralf Reynolds, SherriLynn Colby, Simon Stribling, Vic Dickenson, Whitley Bay Classic Jazz Party
"LET'S PLAY BALL!" or STILL SPINNING WITH PLEASURE-VERTIGO: A REPORT FROM JEFF AND JOEL'S HOUSE PARTY (October 13-14, 2012)
Before I go on, here's the very first song of the party, AFTER YOU'VE GONE, recorded by Eric Devine, master videographer:
Last weekend, in an 1804 farmhouse in Guilford, Connecticut (home of Joel and Donna Schiavone), hot music filled the air from noon – 10 PM Saturday, from noon to late afternoon Sunday. And it wasn't in sets with breaks: twelve hours or so of fairly continuous and certainly inspired music.
The creators were pianist / singer / philosopher Jeff Barnhart, pianist Ross Petot; reed wizards John Clark, Noel Kaletsky; Renaissance man Vince Giordano; trombonist / singer / euphonist Jim Fryer, trombonist Craig Grant; trumpeter / tubaist Paul Monat, trumpeter Fred Vigorito, banjoist / singer Bob Barta, string bassist Genevieve Rose, banjoist / singer Joel Schiavone, drummers Sal Ranniello, C.H. "Pam" Pameijer.
They performed one hundred selections in those three sets (yes, I was counting). The repertoire went all the way from sweet solo piano serenades to set-this-house-on-fire incendiary ensembles. Two trombones, two sopranos, two trumpets; many banjos, much cheerful momentum. Paul Monat played fours with himself on tuba and trumpet, stopping the show. Jim Fryer sweetly sang THE GYPSY (with verse) and soloed fore and aft on euphonium. Genevieve Rose gave a pensive yet swinging rendition of JADA as her solo feature.
Pam Pameijer switched from drums to washboard and kept things moving. Bob Barta cooled us off with a heartfelt DARKNESS ON THE DELTA; John Clark and Noel Kaletsky had a wailing two=clarinet discussion on APEX BLUES; Fred Vigorito increased the temperature of the room (we were peeling off layers of clothing) every time he stepped forward and began to play.
Craig Grant, new to me, played beautifully in ensembles and as a soloist; Sal Ranniello (whom I'd heard on recordings) kept the ship on a straight course. Joel sang and played many nifty old songs that I'd nearly forgotten, delighting us all — a very generous man.
More? Unlike some "jazz parties," where the musicians are far away on a stage, this was as informal as could be. There was a trotting parade of players through rooms — not exactly second-lining with parasols, although that did happen once. The barriers between Musicians and Audience were broken down early and stayed down. (This accessibility might have been exhausting for the musicians, but I didn't see anyone complaining.)
The music was blissfully wide-ranging, from Hot Five and two-trumpet King Oliver to Twenties New Orleans and early Ellington, an interlude of Joplin as it might have been played in "Disneyland for adults" (a bordello circa 1904), a good deal of Bix-related music, evocations of early Bennie Moten and Willie the Lion Smith ensembles, a Chopin waltz turned into Don Lambert ecstasy.
Joel treated us to I ONLY WANT A BUDDY, NOT A GAL and THAT LUCKY OLD SUN. Jeff, for his part, sang / played / embodied DAPPER DAN FROM DIXIELAND as well as his tour de force on YOUNG AND HEALTHY (more about that in a future post).
A fourteen-year old piano wizard brought the blues to the room — in the nicest of ways: his name is ANDREW FERMO and you will be hearing from him, I predict. The musicians tried to terrify us with THE YAMA YAMA MAN but Bob Barta told us it was all going to be fine with YOU MADE ME LOVE YOU. Ross Petot, not well-enough known outside his neighborhood, hit home runs with LIMEHOUSE BLUES and GONE WIH THE WIND. Leonard "Red" Balaban, who made so many good things happen with his bands, sat in for a gracious version of A PORTER'S LOVE SONG and followed with a sweet I COULD WRITE A BOOK. (We hope he does.) Paul Monat impersonated Wild Bill Davison on BLUE AND BROKENHEARTED . . . but he sounded (impious as it is to write these words) better. Yes, better. You'd have to hear it to believe it.
There was a good deal of unforced wit in the air. Jeff Barnhart is a hilarious force of nature; luckily for us, he can't help it. After his opening invocation, "Let's play ball!" he headed the musicians into what is ordinarily the closing song, AFTER YOU'VE GONE. Someone's cell phone rang, and he turned from the piano and said, "If you have a cell phone, please turn it off or make sure it rings in the key we're playing in." If he weren't such an extraordinary pianist, singer, raconteur, he could certainly make a living by making us laugh . . .
Here's the second treat — BREEZE (BLOW MY BABY BACK TO ME):
In addition to the lovely music, I had the opportunity to meet and talk with sweet people: Joel and Donna foremost among them, an assortment of Jazz Spouses — Anne Barnhart, Carol Hughes, and Micki Balaban, Sherrie Barta; Sherral Devine, Maureen Cunningham, Judy Postemsky, Marce Enright, Rutj Miller, Mairi Bryan (and her mother), Irene Cowen, my pal Nancie Beaven, the well-met Bill Bunter, and many others. Lovely food (generously available) and an enlivening air of joy throughout the weekend.
Because Joel is the guiding spirit behind YOUR FATHER'S MUSTACHE (where "the time of your life is under your nose," for sure) — bringing together banjos in profusion and gleeful audience participation, there were several extended medleys of songs familiar and obscure. Had you asked me my opinion of such frolics before this party, I would have extended my nose skyward and done my best to imitate patrician hauteur. But something surprising happened (it happened once before, when John Gill called SHINE ON HARVEST MOON, sang the first chorus, and then led us in the second — I was in the presence of something sweetly spiritual and the room vibrated with good feeling).
I was in the rear of the room when the medley turned to BYE BYE BLACKBIRD, a song I have heard musicians treat with some violence. At a nice easy tempo, surrounded by people obviously on the same sweet path, I found myself singing along to Maureen Cunningham who was standing near me, and — driven by what nostalgic version of Jung's collective unconscious — making the vaudeville gestures that point up the lyrics. "Make my bed" (putting thumb in mouth, cocking head, eyes closing = naptime) "and light the light" (pulling the imaginary lightbulb's chain), "I'll arrive late tonight" (pointing to our watches and tapping on them with index finger), "Blackbird, bye, bye!" (huge waving motions with right arm and hand). I wouldn't have believed it myself, and if Eric Devine, expert videographer, had caught this, he would be running for his life — but it was an unforgettable reminder of what music can do and does!
At times, when I needed a change of scenery, I walked outside and sat on a little porch. The sky was bright blue with wispy clouds; I looked up through the remaining orange-tan leaves on the trees and sunk into the music.
The party ended with a very sweet WE'LL MEET AGAIN.
And we will: April 20-21, 2013. Tickets on sale on December 1.
Watch this space, and subscribe to "CineDevine" on YouTube for more, more videos — beautifully done by Eric Devine! — from 2012 (and some from 2011).
And for more information on the party — and parties to come — click here.
Taa-daah! Simply wonderful!
Posted in "Thanks A Million", Bliss!, Generosities, Hotter Than That, Ideal Places, Irreplaceable, Jazz Titans, Jazz Worth Reading, Pay Attention!, Swing You Cats!, That Was Fun!, The Heroes Among Us, The Real Thing, The Things We Love, Wow!
Tagged Andrew Fermo, Anne BArnhart, banjo band, Bill Bunter, Bix Beiderbecke, Bob Barta, BYE BYE BLACKBIRD, C.H. "Pam" Pameijer, Carol Hughes, Chopin, CineDevine, Craig Grant, Don Lambert, Duke Ellington, Eric Devine, Fred Vigorito, Genevieve Rose, Irene Cowen, Jazz Lives, Jeff and Joel's House Party, Jeff Barnhart, Jim Fryer, Joel Schiavone, John Clark, John Gill, King Oliver, Leonard "Red" Ba;aban, Louis Armstrong, Mairi Bryan, Marce Enright, Maureen Cunningham, Michael Steinman, Micki Balaban, nancie Beaven, New Orleans, Noel Kaletsky, Paul Monat, Ross Petot, Ruth Miller, Sal Ranniello, Scott Joplin, Sherral Devine, Sherrie Barta, sing-along, Vince Giordano, Wild Bill Davison, Willie "the Lion" Smith
ONCE AGAIN, IT HAPPENS IN MONTEREY — the 2012 JAZZ BASH BY THE BAY is COMING!
I'm a late-adopter but a deep convert to California jazz. My first exposure to it in the flesh took place a year ago at the Jazz Bash by the Bay in Monterey, and — since tempus fugit at an alarming rate, the 2012 edition will be here in two months. Here's a link to the site:
Sue Kroninger, who not only runs the show but also sings and plays the washboard, tells me, "The theme of the year is variety, diversity, mix and match. We've got a whole bunch of exciting and unexpected pairings from within the core bands and it is my fondest wish that guests will have a tough time deciding among all the choices."
I know this is true from my one experience last year: I had a long session with the schedule and a highlighter, thinking, "I want to go here, but if I do that, I can't go there." We should all have such problems.
Between 11:30 AM Friday, March 2, and late afternoon Sunday, March 4, you'll have more than one hundred and sixty sets to choose from, from solo piano to the Royal Society Jazz Orchestra, and dance lessons from Dave & Linda Dance Company.
Some of the other players and bands are John Sheridan, Katie Cavera, Eddie Erickson, Bob Draga, Hal Smith, Bill Allred, Doug Finke, Bob Schulz and his Frisco Jazz Band, Take Two, Old Friends, Reynolds Brothers, High Sierra, Marc Caparone, Hal Smith, Carl Sonny Leyland, Josh Colazzo, Mary Eggers, Virginia Tichenor, Titan Hot Seven, John Cocuzzi, Allan Vache, Ed Metz, Side Street Strutters, The Barehanded Wolfchokers, Yve Evans, Gonzalo Bergara, Jeff Barnhart, Anne Barnhart, Jerry Krahn, Tom Hook, Bill Dendle, Shelley Burns, Westy Westenhofer, Jason Wanner, Howard Miyata, Bryan Shaw, Mark Allen Jones, Frederick Hodges, Crown Syncopators Ragtime Trio, Chris Calabrese, Dave Gannett, the Rhythm Hounds, Grant Somerville, Reedley River Rats, Crazy Eights, Bob Phillips, George Young, Saxaphobia, Danny Coots (Musician of the Year at the festival, with good reason), sets of gospel music for Sunday, tributes to Bix, Nat Cole, Fats Waller, Harold Arlen, the washboard, Scobey and Clancy . . . duo-piano sets, lots of solo and group ragtime, and many surprises, as people sit in and have a good time, on and off the bandstand. Most sets run an hour, giving us leisurely mini-concerts.
To purchase tickets, visit here.
Children under 12 are admitted free with an adult, as are high school students with an ID. Discounted tickets are also available for college students, so if you have a music major in the house or just someone glued to his or her iPod oriPhone, the discounted tickets make a meaningful gift — perhaps the beginnings of a conversion experience.
Dear grandparents who lament that the young people "aren't coming to hear our kind of music": now's the time to take steps to reverse the trend! Jazz, like charity, begins at home.
Here's some vivid evidence from 2011. First, A KISS TO BUILD A DREAM ON, featuring Marc Caparone, Bryan Shaw, Howard Miyata with High Sierra:
And another kind of romantic serenade, SENTIMENTAL GENTLEMAN FROM GEORGIA by the Reynolds Brothers:
And 2012 promises even more! So — to refer back to a song performed by Clarence Williams around 1933 — I hope you'll come over and say "Hello"! I'll be juggling a video camera and a notebook. And I'll be happy as the day is long.
Posted in "Thanks A Million", Ideal Places, Irreplaceable, Jazz Titans, Pay Attention!, Swing You Cats!, The Heroes Among Us, The Real Thing, The Things We Love, Wow!
Tagged Allan Vache, Anne BArnhart, Bill Allred, Bill Dendle, Bix Beiderbecke, Bob Draga, Bob Phillips, Bob Schulz and his Frisco Jazz Band, Bob Scobey, Bryan Shaw, Carl Sonny Leyland, Chris Calabrese, Clancy Hayes, Crazy Eights, Crown Syncopators Ragtime Trio, Danny Coots, Dave & Linda Dance Company, Dave Gannet, Doug Finke, Ed Metz, Eddie Erickson, Fats Waller, Frederick Hodges, George Young, Gonzalo Bergara, Grant Somerville, Hal Smith, High Sierra, Howard Miyata, Jason Wanner, JAzz Bash by the Bay, Jazz Lives, Jeff Barnhart, Jerry Krahn, John Cocuzzi, John Sheridan, Josh Colazzo, Katie Cavera, Marc Caparone, Mark Allen Jones, Mary Eggers, Michael Steinman, Nat Cole, Old Friends, Reedley River Rats, Reynolds Brothers, Royal Society Jazz Orchestra, Saxaphobia, Shelley Burns, Side Street Strutters, Take Two, The Barehanded Wolfchokers, the Rhythm Hounds, Titan Hot Seven, Tom Hook, Virginia Tichenor, Westy Westenhofer, Yve Evans
MAGGIE BLACK'S HOT JAZZ FOR A BRITISH SUMMER
Maggie Black, whom I met at the 2010 Whitley Bay International Jazz Festival, sends word of jazz gigs that will surely interest JAZZ LIVES readers holidaying in the UK.
Maggie Black Presents:
May 9: The Pheasantry, 152 King's Road, SW3 4UT.
JEFF BARNHART (stride/piano/singer), ANNE BARNHART (flute), DAN LEVINSON (clarinet), STEPHANE SEVA (washboard). £15: 8.30pm.
May 26: Bloomsbury Theatre, 15 Gordon Street. £20 £15-concs. 8pm. Bookings: 020 7388 8822.
DJANGO A LA CREOLE: EVAN CHRISTOPHER (clarinet), SEBASTIEN GIRADOT (bass), DAVE BLENKHORN, DAVE KELBIE (guitars).
FREE DAYTIME JAZZ at Neal's Uard (off Short's Gardens) Covent Garden WC2.
JEFF BARNHART and ANNE BARNHART: "IVORY and GOLD"
Oct. 28: Bloomsbury Theatre, 15 Gordon Street
PARIS WASHBOARD: £20 8pm Tickets 020 7388 8822
Wimbledon Music Festival presents:
CLAUDE BOLLING, Ellington's friend and disciple, his trio and THE Lebanese flautist, Wissam Boutany, playing the 'Suite for Piano and Flute' that Bolling co-composed with Rampal- which topped the charts every week for over a year!
Nov 14 @ Royal Wimbledon Golf Club £50.
For more information, contact Maggie Black at Maggie Black Presentations, Flat 6, Turner House, 2 Exchange Court, London WC2R 0PP. UK — or visit maggieblackjazz.co.uk, or www.travelsandjazz.co.uk. Phone 020 7240 8866 (home/work) or 07891 602 878 (mobile), 06 33 74 22 01(France)
Posted in "Thanks A Million", Pay Attention!, Swing You Cats!, The Heroes Among Us, The Real Thing, The Things We Love
Tagged Anne BArnhart, Claude Bolling, Dan Levinson, Dave Blenkhorn, Dave Kelbie, Django a la Creole, Duke Ellington, Evan Christopher, Ivory and Gold, Jazz Lives, Jean-Pierre Rampal, Jeff Barnhart, Maggie Black, Michael Steinman, Paris Washboard, Sebastien Giradot, Stephane Seva
AUGUST IN NEW YORK: FOUR DAYS WITH JIM FRYER
Photograph by Lorna Sass, 2008
(This is trombonist / euphonist / vocalist Jim Fryer's essay on life-as-a-hard-working-jazz-musician . . . as printed in the November 2010 edition of The American Rag and reprinted here with everyone's permission)
ME & NYC
6 gigs in 4 days: a life of slice
This is a somewhat random "Report From NYC," based on a few days of "feet on the sidewalk" activity. It's certainly not an exhaustive accounting of the activity around here, although it was a bit exhausting. There is so much great music, great jazz, and great trad jazz around here. This is just a slice, my little slice, of the scene. I think it was Hemingway who said you should write about what you know, and what you know best is your own life. It is also true, in my experience, that narcissism is one of the few skills that can improve with age, and I'm definitely on that bandwagon. So here goes. I hope someone else may find this interesting. I know I do.
Following a big chunk of time and energy expended (along with Jeff & Anne Barnhart) in helping our 5 "International All Stars" from the UK have a swell time in Connecticut, New York, and California (including doing double duty at the Orange County Classic Jazz Festival with the Titan Hot 7, the band that most readers of this journal will know me from), I enjoyed a respite visiting my parents at their house in the Maine woods. A short time after my return to New York, I found myself back on the busy streets & subway trains: the Asphalt Jungle. A small flurry of local gigs helped reorient me to this place where I am trying to live the good – or at least, the interesting – life.
Sunday August 15: From our domicile in West Harlem, I drove south on the Henry Hudson Parkway and West Side Highway, down to the Fat Cat Café, just off Sheridan Square in the West Village. This is one of my favorite joints ever: down the stairs to a very large room that contains games such as ping pong, pool, scrabble, chess, and beer and wine drinking. And oh yes, a small music area off to the side, easy chairs and sofas, a grand piano and a sound system (with a sound engineer!). When I die, if I'm lucky enough to choose my personal heaven, it will look a lot like the Fat Cat. (Our younger daughter once came along to a gig there, and decided that was where she wanted to get married.)
The band at the Fat Cat was a classic: Terry Waldo leading his Gotham City Jazz Band from the piano, singing & striding along; Peter Ecklund (tpt), Chuck Wilson (clr/as), Brian Nelepka (sb), John Gill (dms),and me (with my euphonium along for the ride). Nice, relaxed, easy. Good IPA on tap. 2 sets, no muss, no fuss, just plain fun. Girls boogie to our music while playing foozball. I'm very thankful that there are bandleaders who hire me for such good times. John Gill sang a lovely rendition of Irving Berlin's When The Midnight Choo-Choo Leaves For Alabam'. John continues vocalizing (accompanying himself on guitar) later on Sunday nights over at the National Underground, where he, Brian, & drummer Kevin Dorn play good old rock and roll & country/western.
Normally, after the Fat Cat, I have the option to sit in with the Dixie Creole Cooking Jazz Band (led by cornetist Lee Lorenz) at Arthur's Tavern, right around the corner from the Fat Cat, on their weekly Sunday gig; and then travel a few blocks down to The Ear, New York's oldest saloon, for another fantastic session with the Ear-Regulars (led by Jon-Erik Kellso and Matt Munisteri). But today, it's back into the car and a scramble against heavy crosstown traffic and over the Williamsburg Bridge, to the Rose Café in Brooklyn. The gig thankfully started late anyhow! I played a duo set with Bliss Blood, the talented singer/songwriter/ukelele-ist from Texas via Brooklyn. We followed a young violinist/singer/synthesizer player who managed to sound like a rock band and symphony orchestra, all by herself. Playing old blues and Bliss's original songs, our music sounded simple in comparison (one of my goals, actually), but the 'elite' (small) audience seemed to enjoy it.
Monday August 16: Every Monday brings me a steady musical diet. I play with a rehearsal big band in the afternoon. Working jazz musos the world over know what that means: get together for a few hours every week and 'read' (play) big band 'charts' (arrangements) for no commercial purpose whatsoever. The opportunity to sight read new material (often written by someone in the band) and schmooze with friends is sufficient compensation. If you hang out at the American Federation of Musicians Local 802 building on West 48th Street for a week, you'll hear dozens of these bands, taking advantage of the very low room rental rates.
Next comes one of the musical highlights of my life for the last several years: Vince Giordano and The Nighthawks making their weekly Monday appearance at Club Cache, downstairs from Sofia's Restaurant in the famed Edison Hotel on West 46th Street, just a few feet west of Times Square. I'm not enough of a wordsmith to adequately bring to life the excitement and dynamism that Vince Giordano brings to each & every gig he plays. He is a one man tornado, playing hot string bass, tuba, and bass sax, singing, performing mc duties, meeting & greeting each customer who comes down the stairs into our subterranean cabaret, and setting up & breaking down equipment for hours each week. A characteristic touch is added by our technician & 'introducer,' John Landry (aka Sir Scratchy), and we couldn't do without our various 'Mikes' (Mike being the generic term to describe anyone who helps out on the gig, from moving equipment to playing music). Our steadiest Mike is Carol, Vince's partner, who [wo]mans the door and seats patrons; we also are lucky to have Earl, who in addition to schlepping equipment, spends his 'down' time translating Vince's antique arrangements into modern notation via Sibelius software – at an incredible clip (he will complete a full 13 piece arrangement during the course of the 3 hour gig, something that would take me weeks).
Vince's Monday night gig has become enormously popular since its debut in May of 2008. A great dance floor brings in the rugcutters (including many athletic young lindy hoppers), and the room is typically full of customers from the world over. The legendary 88 year old clarinetist Sol Yaged is featured on a tune each set. Vince is the Toscanini of the evening, conducting our journey through the sublime world of Fletcher Henderson, Paul Whiteman, Louis Armstrong, Bix Beiderbecke, Jelly Roll Morton, and a plethora of songwriters & arrangers: Bill Challis, Raymond Scott, Fats Waller, Irving Berlin. From the downbeat at precisely 8pm to the closing at 11pm, it is truly a world of amazing music & delight. We often have quite well known folks 'sitting in:' singers like Michael Feinstein, Nellie McKay, and Daryl Sherman; instrumentalists from around the world; the comedian Micky Freeman; and famous audience members such as cartoonist R. Crumb, a big classic jazz fan.
This particular Monday included all members of what I call the "A Team;" that is, all the first call musicians. (The band hardly suffers when subs come in: John Allred in the trombone chair could not be described as bringing the level down!). Many of these players are quite well known in a variety of genres. Here they are:
Reeds: Dan Block, Dan Levinson, Mark Lopeman
Trumpets: Mike Ponella, Jon-Erik Kellso
Trombone: your humble (ahem!) reporter
Violin/Sax: Andy Stein
Piano: Peter Yarin
Banjo/Guitar: Ken Salvo
Percussion: Arnie Kinsella
Basses/Everything: Vince Giordano
Tuesday August 17: Tuesday daytime may bring a few trombone students to me (in the summer, a handful; during the school year, a full day – if I'm lucky); or an occasional concert in a Connecticut school, with a band called the Cool Cats; then comes a reprise of Monday night. Vince has been working hard since this past June to get a second night established. It's still the quieter night, and I bet Vince is counting audience members as he's counting off tunes; but it also can work more as a rehearsal, Vince handing out charts on stage from his vast collection (60,000 in the archives).
At 11:40pm, I'm back on the train from Grand Central Station (busy place, that) to Rye, 25 miles NE of the city, where my wife (sometimes described as "long suffering") works at a private school, which offers on-campus housing as a benefit for her very hard work. I love the view walking east on 43rd Street, with the Chrysler Building looming over the majestic train terminal. By 12:30am I'm strolling down our very quiet and pretty suburban street, where Peter Cottontail may sometimes be seen munching lettuce in the garden. This particular night a local cop car slows to a stop as I'm walking up to our place. The cop looks me over (trombone, wheelie bag for mutes etc, garment bag with tux), and says, "Ya got everything?" Funny guy. It's good to know they're out on the beat. Sometimes I stay "in town," at the apartment we have in West Harlem (currently also the abode of our eldest daughter, a fervent New Yorker).
Wednesday August 18: Wednesday brings another doubleheader (paydirt for us musos; even better, the rare tripleheader; many years ago I played 4 gigs on the Fourth of July). First the late afternoon session at Birdland, the world famous club on West 44th: David Ostwald's Louis Armstrong Centennial Band. This long running (10+ years) weekly gig features a rotating roster of the finest trad players in town. Today, in addition to tuba player & leader Osti, I had the pleasure of being on stage with Jon-Erik Kellso (tpt), Anat Cohen (clr), Ehud Asherie (pn), & Marion Felder (dms). Yours truly was the old guy on stage. (I'm trying to get used to that.) David's bands are some of the most 'diverse' in the biz, in terms of not only age but also gender and race. The general lack of diversity can be a slightly touchy issue in the trad jazz arena, so it's nice to see Osti put together bands that 'look like America' – and also swing like crazy! This Wednesday session was a very special one: Dave Bennett, the young clarinet virtuoso from Michigan, sat in, along with a young also sax player (from Russia, I believe; I didn't catch his name); and in the audience, 91 year old George Avakian, one of the most esteemed figures in jazz history (George has produced hundreds of classic jazz albums).
Then to Brooklyn (by subway), to play again with Bliss Blood, this time with the Moonlighters (20s/30s swing, with a Hawaiian flavor). Bliss's vocals & uke are joined by Cindy Ball (guitar & impeccable vocal harmonies), Raphael McGregor (lap steel), Rus Wimbish (string bass), & the horn section: me! I love being the only horn player, it's nice & quiet, with no temptation to engage in technical battles: who can play faster, higher, or more cleverly. As I get older, I feel pleasure in knowing how to add a bit of value to the music, no pyrotechnics, please. I'm trying to play better by playing less. It's a thrill to learn brand new songs that Bliss and Cindy write. The art form continues to evolve. I also love this venue. The Radegast Beer Hall, a big open space, with fine beer (of course) and hearty German food, is in the heart of Williamsburg, a neighborhood that feels young and vibrant. It restores my faith in humanity when the band is fed so well on the gig! All kinds of bands play here, including several youthful units, such as Gordon Au's Grand Street Stompers, and the Baby Soda band (which includes trombonist Emily Asher of Mighty Aphrodite Jazz Band fame). Several times folks got up and danced around the bar area, in most cases to our music. Finishing after midnight means arriving back in Harlem close to 2am – fortunately, not driving, which reduces the danger and risk (seriously, everyone who's been in the music business knows musos who have fallen asleep at the wheel late at night); as long as I don't sleep through my subway stop and end up in Riverdale (a nice neighborhood, but miles north of my pad).
It was a great little run of gigs. I feel quite lucky to be able to work with so many interesting people. And if sometimes being the oldest on stage is a bit of a bittersweet experience (I guess I ought to get used to it as "As Time Goes By"), it is certainly encouraging for the future of the music. From long time residents (like drummer Kevin Dorn, born in Manhattan about 30 years ago – his band, the Traditional Jazz Collective, gigs all over town) to those newly arrived, NYC is still, as ever, a magnet for young, ambitious, and hardworking people. A few of the young "immigrants:" trombonist Emily Asher, transplanted from Washington state for a couple of years to get her Masters degree; trumpeter Gordon Au, from California (I should mention Gordon's very musical family: brothers Justin and Brandon are fine players who have blown with the Titans in Pismo Beach CA, and Uncle Howard Miyata plays a mean tailgate trombone with High Sierra Jazz Band); young trombonist Matt Musselman from Maryland, a recent graduate of Manhattan School of Music, and one of my subs in the Nighthawks (his band is called Grandpa Musselman and His Syncopators); and trumpeter/vocalist Bria Skonberg, due to arrive any second now. There is most definitely a youth movement going on! I wouldn't know how to advise these young people about putting together an actual living in NYC: this is one tough town to pay your bills in – but somehow they are doing it. Perhaps I should ask them for advice! The total take from my 6 gigs (minus the expenses) will buy a few bags of groceries, pay back the loan for a couple of textbooks for my younger daughter's college degree, with about $1.13 left for my pension contribution. Guess I can't retire yet. I'll get up tomorrow and go off in search of more students and gigs. I know one musician who was heard to say: "Retire! How can I retire? I've never had a job!"
I would be remiss if I didn't also tip my cap to the folks around here who have been promoting the classic jazz scene for many years, such as: Bruce McNichols, musician, impresario, and radio OKOM producer; Jack Kleinsinger, whose "Highlghts In Jazz" series has run for 37 years; the Sidney Bechet Society, which puts on fine concerts in Manhattan; New Jersey folks like Bruce Gast & the New Jersey Jazz Society; Connecticut jazzers who put together the Hot Steamed Festival and the Great Connecticut Traditional Jazz Festival; & radio hosts such as Rich Conaty on WFUV-FM and Phil Schaap on WKCR-FM. Youth combined with Experience will carry the day for the music we love!
For more info: www.jfryer.com, www.terrywaldo.com, www.blissblood.com, www.myspace.com/vincegiordanothenighthawks, http://www.ostwaldjazz.com/., www.coolcatjazz.info,
Posted in "Thanks A Million", Ideal Places, Irreplaceable, Pay Attention!, Swing You Cats!, The Heroes Among Us, The Real Thing, The Things We Love
Tagged Anat Cohen, Andy Stein, Anne BArnhart, Arnie Kinsella, Baby Soda Jazz Band, Bill Challis, Bix Beiderbecke, Bliss Blood, Brandon Au, Bria Skonberg, Brian Nalepka, Bruce Gast, Bruce Mcnichols, Carol Hughes, Chuck Wilson, Cindy Ball, Creole Cookin' Jazz Band, Dan Block, Dan Levinson, Daryl Sherman, Dave Bennett, David Ostwald, Ehud Asherie, Emily Asher, Ernest Hemingway, Fats Waller, Fletcher Henderson, George Avakian, Gordon Au, Grand Street Stompers, Grandpa Musselman and his Syncopators, Great Traditional Jazz Festival, High Sierra Jazz Band, Hot Steamed Jazz Festival, Irving Berlin, Jack Kleinsinger, jazz blog, Jazz Lives, Jeff Banrhart, Jelly Roll Morton, Jim Fryer, John Allred, John Gill, John Landry, Jon-Erik Kellso, Justin Au, Ken Salvo, Kevin Dorn, Louis Armstrong, Marion Felder, Mark Lopeman, Matt Munisteri, Matt Musselman, Michael Feinstein, Michael Steinman, Micky Freeman, Mighty Aphrodite, Mike Ponella, Nellie McKay, New York City, Orange County Jazz Festival, Paul Whiteman, Peter Ecklund, Peter Yarin, Phil Schaap, R. Crumb, Radegast Beer Hall, Raphael McGregor, Raymond Scott, Rich Conaty, Rus Wimbish, Sidney Bechet Society, Sir Scratchy, Sol Yaged, Terry Waldo, The American Rag, The Ear Inn, The EarRegulars, Titan Hot 7, Vince Giordano, WKCR-FM


We love this time of year! If you haven't noticed yet we have gone Autumn Craft Mad!!! We particularly love Autumn Crafts for Preschoolers, that they can enjoy and take part in. There are sooo many beautiful shapes and textures and colours out there at the moment: from Horse Chestnuts (aka conkers) to pine cones to the wonderful colours of Autumn Leaves.
Beautiful! And these leaves came all from the same tree. It is a beautiful tree near our kids' school. And it is WONDERFUL watching it gradually change colour.
Clearly, you can have lots of fun, just playing with the leaves – arranging them by colour and seeing what shapes you can create. But they are also PERFECT for finishing off this year's Four Seasons Project. Those of you familiar with Red Ted Art, will know that each year we choose a "theme" and revisit that same theme throughout the four seasons… for some reason we always start with Winter and end with GLORIOUS AUTUMN!
This year's theme as been NATURE – letting my kids connect with nature on a very direct way: let's create tree pictures using nature to reflect what is happening. In Winter, we had sticks. In Spring, we had blossoms. In Summer, we had lush green leaves. And now… Autumn and our beautiful leaves.
Any one of these four seasons makes a lovely "stand alone" project, exploring nature and art. But of course, combined they look great too.
So, over to our Autumn trees. As with our previous projects, we collected sticks and leaves.
This time, I pressed the leaves A LITTLE, mainly because we collected them a week or so before we had a chance to do the art activity. And leaves do have a nature of curling up and getting brittle. If you make your Autumn Tree straight away, you will probably get away with NOT having to press them first.
1) As with our other Nature Trees, we started with the sticks to create our tree. To help, I squirt glue in a rough tree shape on the paper.
2) Then the children cut down the leaves, so that they could fit their trees and stuck these on too. Once done, added a little more PVA glue on the top, to help "seal" the leaves a little, so that the tree will keep better!
LOVELY. What do you think? And finally a set of four of them together!!
I hope you have fun with our nature autumn trees and have a go at all the four seasons!
It really is one of the simplest crafts going.. and yet VERY satisfying!! Have fun with it!
Love your trees, Maggy! We've been doing lots of tree crafts here too! It's the perfect time of year to celebrate all that colour! Love that you have a tree for all seasons!
Yes.. we have had to be SO PATIENT and wait 2-3 months for each new tree!!
How adorable! I love the idea of season crafts that all go together like you have done for 3 years now. I will definitely be joining you next go around with my 2 oldest littles (as my youngest is only 7 months she won't be joining in :)!
Great selection – the colours are stunning when you put them together like that, aren't they?


The American Bar Association Section of Taxation is pleased to announce that the application period for its Public Service Fellowship program for 2010-2012 is now open. Applications must be received by August 1,2009 to be considered. Applicants selected for interviews will be invited to attend the Section's meeting in Chicago on September 25-26, 2009, and asked to participate in interviews on September 26, 2009.
The Public Service Fellowship program, which began in 2008, reflects the Section's desire to advance public service efforts in tax law, and to foster a more fair and equitable tax system. Pro Bono service has been an integral part of the Section's activities for many years. The Section actively encourages member participation in various Pro Bono efforts, holds numerous training sessions to that end, and devotes many of its resources to providing legal services to those in need. The Section recognizes the need for funding and fostering recent law school graduates or judicial clerks who wish to dedicate some portion of their professional careers to public service in tax.
Categorized under: 3L Info, Alumni, Post-Graduate Opportunities, Public Interest Opportunities.


By now you've heard about the bankruptcy filing and woes that Detroit is facing. This article from the Wall Street Journal mentions that the city has worked out a plan to pay creditors back 75¢/$1. That's a 25% reduction, but I'd imagine that the various financial establishments can manage to cover some of their losses since they've been stockpiling money in the Federal Reserve anyway … well at least the larger banks. That is because the Federal reserve has been sending the banks some $85M/month to help their balance sheets and to help them be able to lend money, thanks to Uncle Ben.
I only intended to focus on one specific part of this article, and that is the fact that they are planning on paying creditors back $340M in debt, and the fact that there are about 700,000 people living in that city. That would mean that $485 from each of the people that work there would completely payoff that debt! That's fantastic, aside from the fact that 36% of the population is below the poverty level. Poverty level in 2011 according to the Bureau of Labor and Statistics is $22,811 for 2 adults and 2 children. Personally that's barely enough to scrape by on for 4 people IMHO. Then $485 / $22,811 = 2.1% of folks living in poverty in that city.
I don't believe that this once great city made this decision on a whim, and I am sure that it wasn't an easy decision to make for Governor Rick Snyder. The same can usually be said about personal bankruptcy for most people. Guess I'm a pessimist when it comes to people, at least I try to be.
Final thoughts: If the city is that desperate for monies, is this a viable option so that their bankruptcy filing is worth it? After all, it's a one time hit to bring the city back to $0 on this portion of their indebtedness. That still doesn't cover the ongoing costs for services that are necessary for the city as a whole, but even if it's $243 one year, and $242 the next year, they'd still be much more squarely on their feet within 24 months. This unfortunately doesn't address their total $18B in debt.
This entry was posted in bankruptcy, budget, Fees and tagged bankruptcy, budget, spending plan. Bookmark the permalink.
Im not sure how the bankruptcy is going to work but I do see Detroit bouncing back. Its a major city and a landmark to the US. Things should've and could've been done differently a long time ago but they weren't so they need to just try and start over. The math always seems simple but we know that its the simple things that the government and policy holder make harder to understand. I hope the city turns it around soon. If only everyone had the $485 but remember some people don't work and some of those people are kids.
Agreed that some of those are probably kids, much less people who don't work.
Thanks for the visit Thomas, and have a great day (or night)!


The message in this show provides evidence that the perpetuated narrative of PTSD being insurmountable is not the only outcome. It's a living story of hope and growth.
showHive, Inc. announces a new creative development partnership with Modern Warrior Live, a nonprofit organization focusing on raising awareness of Post Traumatic Stress (PTS), Post Traumatic Growth (PTG) and building a civilian culture of understanding through the theatrical show, Modern Warrior Live. The creative and design team is lead by showHive Director, Emmett Murphy and Lighting and Set Designer, Garrett Caine. Co-created by United States Army veteran Jaymes Poling and musician Dominick Farinacci, Modern Warrior Live is a theatrical music experience that explores the psychological weights of war, the challenges of reintegration as a civilian, and the potential for positive personal and communal experiences.
The production has undergone an extensive workshop process in 2017 at the Cleveland Playhouse complex, the second largest theater district in the US outside of New York. The show will tour performing arts centers starting with shows in Chicago, Cleveland, Washington-Baltimore Metro Area and New York City beginning in the fall of 2017.
Narrated by Staff Sergeant Poling, who spent three years in Afghanistan as an infantryman with the 82nd Airborne division, the show is complemented by dynamic musical performances led by Dominick Farinacci (Mack Avenue recording artist and former Global Ambassador to Jazz at Lincoln Center) and Musical Director Christian Tamburr. The show is accompanied by jazz artists such as international vocalist Shenel Johns, recording star Clint Holmes, gospel sensation Geoffrey Golden, spoken word artist Orlando Watson and features a world-class band, including percussionists Jamey Haddad and Salar Nader, among other notable musicians.
Modern Warrior is endorsed and supported by the United War Veterans Council, the producer of the New York City Veterans Day Parade.
For more information about showHive, contact connect(at)showHive(dot)com, call (212) 365-4154 or visit showHive.com.
showHive is a collective of visionary artists, craftsmen and designers. We focus on the creative development of entertainment and theatrical productions. Our team's productions have been seen on the stages of theaters and entertainment venues around the world. showHive delivers big, bold entertainment and production solutions.


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The Gun Club Albums Ranked
Posted on August 19, 2021 August 19, 2021 by James
The Gun Club was an American post-punk band from Los Angeles, California, United States, which existed from 1979 to 1996. Created and led by singer-songwriter and guitarist Jeffrey Lee Pierce, they were notable as one of the first bands in the punk rock subculture to incorporate influences from blues, rockabilly, and country music. The Gun Club has been called a "tribal psychobilly blues" band, as well as initiators of the punk blues, sound cowpunk – "He (Pierce) took Robert Johnson and pre-war acoustic blues and 'punkified' it. Up until then, bands were drawing on Iggy + The Stooges and the New York Dolls but he took it back so much further for inspiration." Here are all of The Gun Club's albums ranked.
Don't miss out on the great punk Music of The Gun Club! Click to experience the early influence of punk music.
10. Mother Berlin (2015)
"Limited edition release of early recordings of the Mother Juno album, recorded in Berlin. A nice thing to have for a Gun Club fan but only probably for those who are very familiar with their work."
9. Divinity (1991)
"Not an instant classic like Fire of Love or Miami, but pretty good in it's own right. Of the five studio tracks at the start only "Richard Speck" disappoints a bit, while the opener "Sorrow Knows" with it's hypnotic guitar riff is among the Gun Club's best songs ever. The three live tracks at the end round up this album perfectly."
8. Death Party [EP] (1983)
"This EP is from a brief period between 'Miami' and 'The Las Vegas Story' when the band had been reduced to a 3 piece. JL handles all guitar and some bass work, so it's leaner and less incendiary than previous/subsequent releases with the twin guitars. The songwriting is just as good as ever though, with a slightly poppier bent mostly evident on the 1st side. Side 2 has a grinder, slower Cramps-like feel that's explored further on 'The Las Vegas Story'."
See more: The Germs Albums Ranked
7. Death Party (1987)
"I absolutely love the song "Death Party" and "The House on Highland Ave", but it has all this silly chatter in between songs that makes them less serious. Also just some of the songs aren't up to par with other albums. It seems like the first four songs (which I guess this was a 5 song EP before) are the best. I suggest "Miami", "Las Vegas Story", or "Fire of Love." I really hate to not give this band any bad sub-par reviews on an album, but I really can't help feel this way. I'd still say buy this album though.. what the hell."
6. Lucky Jim (1983)
"Where Pierce used to be fierce in his haunted and manic vocal crusade against inner and outer demons on the earlier Gun Club releases, here he is more brittle than ever, fighting a battle that will end in inevitable defeat, but mustering up all he can just the same. This is a very touching swan song of a remarkable singer-songwriter."
5. Pastoral Hide And Seek (1990)
"The rest of the album is made up of mid-tempo rockers of varying intensity: 'Humanesque' is fairly subdued, 'Straits Of Love And Hate' seems to reach towards the more frantic moments of the Las Vegas Story album. The album's hampered by the lack of any emphasis in its production and the lack of any real musical diversity, but it's a nice glimpse of JLP's more placid musical side, showing old punks can grow old gracefully if that's what they want."
See more: Rancid Albums Ranked
4. Mother Juno (1987)
"The Gun Club is a band that doesn't get mentioned enough and were definitely underrated. Even in 1987 towards the end of their career TGC were still able to rock just as hard and keep it interesting. A few slow tracks on this especially "Yellow Eyes" one tend to drag on and could possibly bore the fuck outta you, but as soon as side B starts it's just kicks right back in. It's a keeper!"
3. The Las Vegas Story (1984)
"Another amazing Gun Club album, and the last in a run of must-have Blues/Punk records dating back to 1981. LVS see's the addition of ex Cramp and future Bad Seed Kid Congo Powers on guitar. Subsequently tempos are slower, the riffs swampier and the guitar hero quotient is upped significantly as Jeffrey Lee and Kid Congo duel it out solo by solo like burnt out versions of Verlaine and Lloyd. Still, the songs are great, the sound a marked improvement over 'Miami' and Jeffrey Lee Pierce is still in fine voice."
2. Miami (1982)
"Miami came as a blessing in disguise for me, it may sound stupid, but it did. I had Fire of Love, but I had never really listened to it. Then one day I came over Miami, I'd read some good stuff about it and decided to give it a shot. And man was I blown away, this is a masterpiece."
1. Fire Of Love (1981)
"Such wonderful brooding punky blues tracks with a quirky quality that brings it all back to the roots of rock. A band that every music lover gets to eventually and then punishes themselves for not learning about them earlier. I know I did. This is their masterpiece and the perfect place to start. Blues with a punk stance."
Alt Rock, Punk
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The Gun Club Songs Ranked
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redpajama_set_name: RedPajamaCommonCrawl


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Premier League: Manchester United 2 Fulham 0
There was no Grand National glory for Sir Alex Ferguson but Manchester United continue to power their own way towards the Premier League title.
First-half strikes from Dimitar Berbatov - his 22nd of the season - and Antonio Valencia with his first since August allowed United to surge 10 points clear of nearest challengers Arsenal.
And, if they can keep a steady course over the final six hurdles, United will achieve what Ferguson's Aintree hopeful What A Friend was unable to and finish ahead of the chasing pack.
In a football sense at least, it must be quite nice being Ferguson at the minute.
Robbed of Wayne Rooney's services for a couple of games thanks, in his eyes, to some unjust treatment from the Football Association, the United boss could just pluck another striker from his impressive roster.
In this instance it was the Premier League's top scorer and a man who bagged five in one game earlier this season.
Berbatov had only started one league game since that dismal defeat at Wolves over two months ago, the equally miserable loss at Liverpool.
On home soil at least though, the Bulgarian is a man to be trusted.
It did look like he was cursing when Nani ran into a crowd of Fulham defenders on the edge of the area instead of playing a simple pass to the flanks.
But, making a mockery of his absence from the seven-man shortlist for PFA player of the year, Nani squeezed a pass to Anderson, then flicked the return to his left for Berbatov.
TV replays indicated the striker was just offside. It was very tight though and Berbatov was not hanging around as he slotted his shot beyond Mark Schwarzer.
It was exactly what United were looking for so early in the contest and the points should have been wrapped up when Berbatov skipped past Carlos Salcido and Brede Hangeland by the touchline and burst into the box before rolling a pass back to Anderson.
Goalscoring, though, is not the returning Brazilian's forte.
Back after a nine-match absence with a knee injury, Anderson never looked like improving a return of two goals in 121 previous appearances and dribbled a terrible effort wide.
United did get their second though, just after the half-hour when Schwarzer inexplicably raced to the touchline to try and make a clearance he was never going to manage given Nani had the speed to get there first.
The Portugal winger showed his selfish streak by going for goal himself rather than present Valencia with a tap-in.
Aaron Hughes did it instead, turning Nani's shot away with his head but merely offering Valencia the chance to nod home from two yards as a consequence.
It was Valencia's first goal since the Community Shield, and his return to action from a major knee injury suffered one month later is another reason Ferguson has been rejoicing.
After an enterprising start, Fulham had been overwhelmed.
They retained enough spirit to bring an outstanding save from Tomasz Kuszczak, though, as substitute Eidur Gudjohnsen curled a shot goalwards from 25 yards.
It was a confusing piece of play all round as, from their angle, the Fulham fans thought it had gone in and referee Mike Jones awarded a goal-kick rather than the corner which would have been due reward for Kuszczak.
The game drifted onwards in such a mundane manner, Ferguson could have used the telephone installed in the directors' box to overcome communication problems during his five-match touchline ban to keep up with events at Liverpool.
He didn't though, limiting himself to a couple of conversations with coach Rene Meulensteen as he made the substitutions required to keep his players fresh for Tuesday's Champions League return.
Anderson and Berbatov were both denied by Schwarzer, the first after another uncharacteristic mistake from the veteran Australian.
By the end, even John O'Shea was trying his luck, advancing from his right-back role to let fly from the edge of the area.
Paul Scholes had a go as well. They were both out of luck - just as Ferguson had been - but as they approach a week that starts with that Champions League decider with Chelsea and ends at Wembley against Manchester City, the overall United picture is rosy indeed.
Manchester United FCManchester United set to run out of time in Harry Maguire pursuitLeicester City boss Brendan Rodgers says even if the Red Devils meet the Foxes' valuation, it may not be enough