FIFA 17 is an amazing game, it's so real that gives you the impression you're actually on the field, playing the most important match of your life. Xbox games have always been more stable and reliable than their PC counterparts. However, life isn't always fair and FIFA 17 is not a bug-free game, not even on the Xbox One. Recent user reports revealed that FIFA 17 is affected by various errors on the Xbox One console, ranging from installation fails to player customization issues.
1. Gamers can't access the transfer market on the Web app. Some players also revealed they received a notification informing them that an investigation was being carried out to detect eventual system cheat attempts. However, all the affected gamers confirmed they didn't use any dishonest methods.
EA has yet to issue any comments on this annoying situation. No workaround is yet available for this bug.
Whenever I log onto the web app, I get the keep playing FUT 17 to unlock transfer market. I want to be able to see and pick up players when I'm not on the game. […] I should be able to get new players and bid on them.
2. The Journey crashes after a few scenes. Shortly after Alex Hunter reaches his new club and Danny Williams is showing him around, the game exits and the Xbox home screen appears.
An EA community manager replied to this thread, but he wasn't able to offer a solution for this issue. However, he did confirmed that many gamers who had previously played The Journey through the EA Access trial were now getting these crashing issues. EA has officially acknowledged the Journey crashes, and is actively looking for a fix.
when i get to the part in the journey when Alex hunter reaches his new (on loan club) and Danny Williams is showing him around, i cannot get to the next part and it goes to the Xbox home screen […] i should be able to play the next part of the journey. Can we please sort this out i want to play the journey and ive spent alot of money on the game , so it should be working. It is an offline feature so i dont know why it would keep crashing.
3. Players looks different from what you selected. When gamers create a player and choose his traits, the end result is different from what they initially selected. The player's face doesn't look like it did in the menu. The face is completely defaulted while on the pitch. The hair, facial hair and skin colour change but the physical properties remain the same.
Go to create a player or career- player career and create a player. Then proceed to play a game with said player in the team sheet.
On the pitch the player looks different from what you made originally. The player should look how you made it.
4. FUT login fails with the following error message: "An error occurred downloading the FUT Squad Update. Please try again." Gamers can't access the FUT feature and are quickly sent back to the menu screen. This is a major issue because it prevents gamers from actually playing FIFA 17. For the time being, EA has yet to issue any comments on this situation, and unfortunately, there is no workaround available.
5. Gamers can't access FIFA 17 via the Web app.
Game access is denied, allegedly because the invitation is missing. The problem is that all the gamers who encountered this issue have already played FIFA 17 on their Xbox One.
6. Button delay and lag make the online sessions unplayable. Actions such as passing, shooting, clearing headers are behind, and the outcome is sometimes contrary to the expected result because the players do the opposite of what gamers are doing. EA is currently investigating this problem, and the company has suggested a few quick workarounds to alleviate this bug: clear the alternate MAC adress, persistent storage and powercycle Xbox One, and change the privacy settings.
Button delay and lag is absolutely horrendous. Passing, shooting, clearing headers are all completely behind resulting in ridiculous outcomes such as a defender chesting the ball on his own line instead of heading the ball clear, a mindless jog of 5 to 8 yards before playing a pass or shooting. Not a single header has been won defending a corner due to this lag.
7. The club's creation date is wrong. This bug affects the gaming experience, preventing gamers from getting various rewards and bonuses, such as loyalty packs. EA Support said that it is a common issue and that their experts are working to fix this bug as soon as possible. However, no information is available yet as to when this bug will be fixed.
My club shows est. Sept. 2016, but should be est. in 2011. […] I did not receive any loyalty packs, yet when I first logged into Fifa it told me I would receive them. […] I still haven't received them and the established date is still wrong in Ultimate Team.
8. Gamers can't connect to the EA servers. If you've already tried all the standard workarounds to fix this blocking issue, you can also contact your Internet Service Provider and ask for a new IP. For unknown reasons, your IP may be banned from accessing the EA servers and changing your IP is the quickest solution to fix this bug.
I have recently purchased FIFA 17 but whenever i try to go on I get the error message:Unable to connect to the EA servers at this time. Please check your network connection or try again later. […] Support suggested me talking my IPS for changing my IP. I told IPS and they change IP. After that I can connect EA servers without any problem.
9. The multiplayer mode is unavailable. When gamers try to join FUT, access is simply refused with the following error message: "Your profile does not have the permissions to access this feature." Judging by the user feedback, it appears this issue is prevalent for Xbox Gold members. EA's Support team hasn't offer any quick fix for this issue yet.
10. Purchases made from the EASFC Catalogue are not visible in the players' accounts. When gamers buy various items from the Catalogue, the transfer and trade piles in UT don't change, but points are taken away. When gamers want to purchase the items affected by this bug again, they appear as ticked. Players are informed they already bought the respective items and cannot purchase them again.
EA has acknowledged this bug, and is looking into it to get the upgraded added. Unfortunately, it's not possible to just untick the purchase again.
Im not too bothered about the points, there easy to come by but all the items I want for Ultimate Team being unavailable to me is very unfair. My transfer list and trade lists should be at maximum now so I can trade but there at minimum 🙁 I am not using any more EASFC point though until this is fixed.
These are the most common FIFA 17 issues on the Xbox One console. As you noticed, for the majority of these bugs there isn't any workaround available yet. The good news is that EA has already acknowledged most of the issues and is searching for a fix.
This list of bugs is not an exhaustive one, we are aware that there are other FIFA 17 issues affecting Xbox One gamers. You can tell us more about your gaming experience in the comment section below.


Today's decision by Listowel Writers' Week Festival to refuse funding from the Israeli Embassy in Ireland has been welcomed by artists, human rights campaigners and Palestine solidarity activists in Ireland, and is being hailed as victory for the growing Palestinian-led global Boycott, Divestment and Sanction (BDS) movement.
The festival's courageous and principled decision came after festival orgainsers were informed that the acceptance of any such funding would be in breach of the Palestinian civil society call for a cultural boycott of Israel, and after being contacted by concerned members of the public, several of them artists who are due to take part in the festival.
The issue initially came to light on Sunday morning when members of Ireland's artistic community began highlighting on social media that the Listowel Writers' Week brochure listed an event in which the Israeli Embassy in Ireland was explicitly thanked for its support, along with the embassy's logo.
After having seemingly been contacted by a vast number of people expressing their concern and dismay at this acceptance of funding from the Foreign Ministry of Apartheid Israel by one of Ireland's leading literary festivals, the organisers posted a clarificationon their Facebook page stating that "No monetary exchange has taken place between Listowel Writers' Week and the Embassy of Israel in Ireland. The Embassy's support is in the form of supporting the author's travel to Ireland". However, this form of support is still a violation of the cultural boycott guidelines issued by the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI).
The IPSC undertook to write to the festival informing them of the Palestinian cultural boycott call, explaining its rationale, how Israel abuses cultural sponsorship to whitewash its crimes against Palestinian people, and why the moral imperative was to refuse to accept such funding.
Happily, the festival announced this morning that it was honoring its commitment to bring over the Israeli writer Savyon Liebrecht to speak about her work, but was rejecting the Israel Embassy funding – a move in line with the cultural boycott guidelines which does not seek to boycott individuals but Israeli state institutions.
You may not be aware of the fact that in 2005, in response to decades of occupation, oppression and colonisation a call was issued by a broad spectrum of over 170 Palestinian civil society organisations for a campaign of Boycott, Divestment and Sanctions (BDS) against the Israeli state "until Israel meets its obligation to recognize the Palestinian people's inalienable right to self-determination and fully complies with the precepts of international law".
A year previous, in 2004, the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) – which includes the Palestinian Writers' Federation and Palestinian League of Artists – issued a call specifically asking for cultural boycotts of the Israel state and its institutions. PACBI issued guidelines for this boycott; these guidelines include asking artists, cultural foundations and promotions companies to refuse any sponsorship, funding or payment-in-kind (including funding for artists to travel abroad) offered by the Israeli state.
In your statement on this issue, you say that the Israeli Embassy in Ireland is "supporting the author's travel to Ireland". This clearly constitutes a form of sponsorship – whether or not a monetary exchange has taken place, the Embassy is funding the author's appearance at the festival – and travel funding is the most common form of sponsorship for many arts events, and it is therefore in breach of the PACBI cultural boycott guidelines.
We believe that these calls for nonviolent solidarity from the oppressed Palestinian people, similar to those that came from South Africa during the apartheid era, must be both listened to, and crucially, adhered to. Accepting financial support, in any form, from the Israeli Foreign Ministry most certainly breaches this call for a boycott.
The Director-General of Israeli Foreign Ministry, Nissim Ben-Shitrit, was quite frank about the overtly political and diplomatic role such state funding of cultural tours plays, saying that Israel sees "culture as a hasbara [propaganda] tool of the first rank, and [does] not differentiate between hasbara and culture". Indeed, according to Israeli poet Yitzhak Laor, the contract that the state requires artists availing of its travel funding to sign explicitly stipulates that the "service provider [ie, the artist] is aware that the purpose of ordering services from him is to promote the policy interests of the State of Israel via culture and art, including contributing to creating a positive image for Israel … The service provider will not present himself as an agent, emissary and/or representative of the Ministry".
We wish to be very clear that the BDS campaign is not aimed at individuals, and we are not raising any issue whatsoever with the attendance at the festival of the writer herself, rather solely with the support of the Israeli Embassy, the official representative of that state in Ireland, for the event.
The Palestinian civil society call for a cultural boycott has correctly identified the Israeli state's abuse of the arts as an exercise in 'culture-washing', a means to distract from Israel's atrocious human rights record and to present itself as a liberal and culturally tolerant state, when it is anything but.
Israel is in constant breach of multiple international laws and 2016 marks the 68th year of its ongoing colonisation of Palestine and oppression of the indigenous people. The Palestinian people are subjected to occupation, apartheid, siege, internment, and war crimes by the Israeli state; among its numerous crimes, in the past 15 years Israeli occupation forces have killed over 2,000 Palestinian children, wounded 13,000 and jailed 12,000.
Israel's oppression of Palestinian cultural workers is continuous and most recently poet Dareen Tatour was imprisoned and is now held under house arrest for the content of her poetry. On May 21st Israel denied Palestinian writer Ahmed Masoud entry to the West Bank where he was to participate in the 9th annual Palestinian Festival of Literature (Palfest), and read from his novel 'Vanished'. Other similar examples include the following: in 2002 Israel prevented the Palestinian poets Zakaria Mohammed and Ghassan Zaqtan from travelling to Ireland to read their work. In May 2009, Israeli soldiers prevented the opening of the Palestine Festival of Literature in Jerusalem. In April 2011, the venue hosting the final event of that year's Festival was attacked with tear gas by the Israeli army. In 2011 Israeli occupation forces assaulted the Freedom Theatre in Jenin. In July last year, award-winning Palestinian-American author Susan Abulhawa was denied entry to Palestine.
Furthermore, the Israeli state will soon be implementing the so-called 'loyalty in culture' in law that will cut funding for any cultural activities that the state does not deem 'loyal' enough, including "denying the existence of the State of Israel as a Jewish and democratic state" and "marking Independence Day as a day of mourning". In other words, Palestinian citizens of Israel, 20% of the population, are being denied the ability to artistically express their desire to live in a state of all its citizens or to commemorate and mourn the ethnic cleansing of the Nakba (Arabic for 'Catastrophe') that led to the exile of over 750,000 indigenous people to facilitate the creation of the state of Israel.
Such attacks on Palestinian literature, culture and historical commemoration make the acceptance of any support for any aspect of a literary festival in Ireland from the Israeli Foreign Ministry (via the Israeli Embassy) utterly unacceptable and we sincerely hope that you will refuse to take it.
Since 2010 more than 500 creative and performing artists in Ireland have signed the IPSC's 'Irish Artists' Pledge to Boycott Israel', the text of which reads: "In response to the call from Palestinian civil society for a cultural boycott of Israel, we pledge not to avail of any invitation to perform or exhibit in Israel, nor to accept any funding from any institution linked to the government of Israel, until such time as Israel complies with international law and universal principles of human rights".
Among the signatories are novelists, poets, painters, sculptors, film-makers, dancers, composers, performing musicians and others, including many members of Aosdána. Of the writers featuring at Listowel Writers' Week, six have signed the Pledge and we will be contacting them to inform them that the festival is accepting sponsorship from the Israeli Embassy. We feel sure that the involvement of official support from Israel for the festival will prove problematic for them as signatories of the Artists' Boycott Pledge.
There is precedent in Ireland for rejecting such Israeli state sponsorship. In August 2006 the Dún Laoghaire Festival of World Cultures declined an offer of funding from the Israeli Embassy for the Toy Vivo Duo to attend the Festival, itself providing the €1500 that enabled the Duo's participation. The IPSC welcomed this principled decision, and did not protest the Duo's presence, given that no Israeli government sponsorship was involved. That same year the Irish Film Institute cancelled the Israeli Embassy's partial sponsorship of its Gay and Lesbian Film Festival in the wake of Israel's murderous onslaught on Lebanon. We strongly urge you to follow such examples and refuse to take this funding.
All over the world people, among them writers, are increasingly aware of Israel's crimes against the Palestinian people and support for the cultural boycott is growing exponentially. Just last month, more than 100 writers, including Pulitzer Prize winners Alice Walker, Richard Ford and Junot Díaz, called on the PEN American Center "to reject support from the embassy of Israel" in an open letter. "It is deeply regrettable that the festival has chosen to accept sponsorship from the Israeli government, even as it intensifies its decades-long denial of basic rights to the Palestinian people, including the frequent targeting of Palestinian writers and journalists," says the letter, also signed by former president and vice president of English PEN, Gillian Slovo and Kamila Shamsie; poet Eileen Myles; authors Louise Erdrich and Ahdaf Soueif; and the Palestinian writer Ahmad Qatamesh, whose imprisonment without charge by the Israeli government was criticised by PEN International.
During her time in Ireland Ms Ziadah had an official meeting with President Higgins, and was interviewed on the Arena arts show and Pat Kenny's radio programme. She also led the Afri Famine walk with Cathryn O'Reilly, a leading member of the Dunnes Stores strikers who were suspended by management for refusing to handle the "fruits of apartheid" in 1984 during the anti-South African apartheid era.
As we commemorate the centenary of the 1916 Rising and honour those artists who strove to end injustice, we ask that you not besmirch their legacy by ignoring the Palestinian struggle for freedom, justice, and equality by accepting funding from the Israeli Embassy. Ireland's proud history of solidarity with the oppressed, not to mention our invention of the word 'Boycott' in a struggle for indigenous land rights, demands that we listen to the oppressed, stand against injustice and refuse to be complicit with those states who perpetrate it.
UPDATE: PalFest Ireland have issued the following statement in support of the festival's decision.
PalFest Ireland (Irish Artists Supporting Palestine) warmly welcome and applaud the decision of Listowel Writers' Week to reject support from the Israeli Embassy in Ireland with immediate effect. We also welcome the fact that writer Savyon Liebrect's event will still take place at this year's festival.
Following on from poet and boycott-advocate Rafeef Ziadah's sellout performance "We Teach Life" in the Abbey Theatre two days ago, this shows that Ireland is indeed the beaconlight for the international boycott movement against Israel.
The Irish Land League of Davitt and Parnell lit the flame in 1880. They called the strategy of isolation "Boycott" after landlord's agent Captain Charles Boycott.
The Dunnes Stores strikers fanned it in the 1980s to help bring down South African apartheid. Nelson Mandela came to Ireland to personally thank them.
Today Ireland stands firm with the people of Palestine, and against any attempt elsewhere to crimininalise the strategy of boycott against Israel. We invented the word "boycott" to decribe a non-violent mass movement of isolation. We will not allow it to be commandeered or misrepresented.
PalFest Ireland congratulates Listowel Writers' Week on their decision and look forward to the event being part of a fantastic festival of literature.
To quote James Connolly close to the centenary of his execution, "Ireland can be as a beaconlight for the oppressed of all nations". Events such as Rafeef Ziadahs' tour and Listowel Writers' Week's principled decision, show that Ireland has indeed become the beaconlight for the BDS movement – Boycott, Divestment and Sanctions against Israel.


(HealthDay News) — A little jogging is good for your health, researchers say, but too much might not be.
"In this study, the dose of running that was most favorable for reducing mortality was jogging 1 to 2.4 hours per week, with no more than three running days per week," said study researcher Jacob Marott of the Frederiksberg Hospital in Copenhagen, Denmark. The best pace was slow or average — about 5 miles per hour, he added.
The strenuous joggers, the investigators found, were as likely to die during that time period as the sedentary non-joggers. Light joggers and moderate joggers fared better, in that order, Marott's team found.
In Lee's own study of 55,000 adults, including more than 13,000 runners, he found a lower risk of death over the follow-up period in joggers with the highest running time and frequency — nearly three hours a week and at least six times a week — compared with non-runners. It was published in 2014, also in the Journal of the American College of Cardiology.
"The reported pace was not an absolute pace in miles per hours, but the subjects' own perception of pace as slow, average or fast," Marott said. He said that's more appropriate than an absolute scale when the age range is as wide as it was in their study (ages 20 to 95). In general, however, the slow or average pace was about 5 miles per hour or a 12-minute mile, and the fast pace was 7 miles per hour or about an 8-minute mile, he said.
Also, the researchers didn't look at more than 3,500 active non-joggers who exercised in other ways, Lee said. The researchers looked only at death from all causes, he said, instead of looking to see if high jogging miles and times affected certain causes of death, which could have given more specific information about potential harms.
"More [running] may be worse only in cardiovascular disease," he said. In another assessments on the effects of running and death rates, Lee's group found that death from all causes was lower in runners compared with non-runners, regardless of how much they ran, but there was a slight trend for less benefit from higher doses when compared with lower doses.
The study's good news, Lee said, is that the researchers found benefit even in jogging less than an hour a week, or even once a week, compared to not jogging at all. Perhaps this will motivate sedentary people to get moving, he said.
"Basically, the study still shows it's a much better option to prescribe some form of running as a part of a healthy lifestyle and that sedentary behavior is not a prescription for long-term health and mortality," said Dave Watt, executive director of the American Running Association and the American Medical Athletic Association.
For tips on starting to exercise, see the American Heart Association.
Copyright © 2015 HealthDay. All rights reserved. Photo by By Mike Baird via Wikimedia Commons.


text:
Bad day on Wall Street erases year's gains
NewsBusiness
Trader Peter Tuchman works on the floor of the New York Stock Exchange, Monday, Feb. 5, 2018. The Dow Jones industrial average plunged more than 1,100 points Monday as stocks took their worst loss in six and a half years. (AP Photo/Richard Drew)
A board above the trading floor of the New York Stock Exchange shows the closing number for the Dow Jones industrial average, Monday, Feb. 5, 2018. The Dow Jones industrial average plunged more than 1,100 points Monday as stocks took their worst loss in six and a half years. (AP Photo/Richard Drew)
A trio of traders watch their screens in a booth on the floor of the New York Stock Exchange, Monday, Feb. 5, 2018. The Dow Jones industrial average plunged more than 1,100 points Monday as stocks took their worst loss in six and a half years. (AP Photo/Richard Drew)
Specialists Charles Boeddinghaus works on the floor of the New York Stock Exchange, Monday, Feb. 5, 2018. The Dow Jones industrial average plunged more than 1,100 points Monday as stocks took their worst loss in six and a half years. (AP Photo/Richard Drew)
ON THE FLOOR: Specialists John Parisi, left, and Michael Gagliano work on the floor of the New York Stock Exchange yesterday. The Dow plunged more than 1,175 points in a brutal day for investors.
By Bob McGovern |
PUBLISHED: February 6, 2018 at 12:00 am | UPDATED: November 17, 2018 at 12:00 am
All eyes are on Wall Street today as investors hope for a rebound after a brutal day that saw stocks take their worst loss in more than six years, erasing pie-in-the-sky gains from the start of the year.
The Dow Jones industrial average finished down 1,175.21 points, or 4.6 percent, at 24,345.75. Health care, technology and industrial companies all took massive losses. At its worst yesterday, the Dow was down 1,597 points from Friday's close.
Some experts had been predicting the fall, noting that wild swings can come during particularly bullish markets.
"It's like a kid at a child's party who, after an afternoon of cake and ice cream, eats one more cookie and that puts them over the edge," said David Kelly, the chief global strategist for JPMorgan Asset Management.
Kelly said the signs of inflation and rising rates are not as bad as they look, but after the market's big gains in 2017 and early 2018, stocks were overdue for a drop.
Jeffrey Pontiff, a finance professor at Boston College, said that there is no one glaring reason why the Dow took a sudden and drastic downturn.
"There wasn't any kind of news that caused this," he said. "Certainly there is long-run concerns in what is going to happen to interest rates and how long the economy is going to continue to grow. I think this is something where the market is adjusting."
There are growing concerns about inflation, which could push the Federal Reserve to more quickly raise interest rates. That could slow economic growth by making it more expensive for people and businesses to borrow money.
"We all know interest rates are going to go up. The real question is: How quickly are they going to go up?" Pontiff said. "Some people believe they are going to go up more quickly than we thought, and that could be the case."
Before opening bell yesterday, Jerome Powell was sworn as the 16th chairman of the Federal Reserve. In a pre-recorded video message, Powell did not mention the recent turbulence in financial markets.
Diane Swonk, chief economist at Grant Thornton in Chicago, said she was sticking with her forecast that the Fed will raise rates four times this year, with the first hike under Powell coming in March. But if stocks keep falling, she said she might trim that estimate.
"Today was a hard welcome for Jay Powell," Swonk said. "But this adjustment in stock prices may make the Fed's job easier because it could relieve concerns that asset bubbles are developing."
The Standard & Poor's 500 index dropped 113.19 points, or 4.1 percent, to 2,648.94. That was its biggest loss since August 2011.
Meanwhile, the Nasdaq composite fell 273.42 points, or 3.8 percent, to 6,967.53. The Russell 2000 index of smaller-company stocks sank 56.18 points, or 3.6 percent, to 1,491.09.
Stocks hadn't sustained a 5 percent drop since the two days after Britain voted to leave the European Union in June 2016. They recovered those losses within days.
The last 10 percent drop for markets came in early 2016, when oil prices were plunging as investors worried about a drop in global growth, which could have sharply reduced demand.
Bob McGovern

redpajama_set_name: RedPajamaCommonCrawl


A large wood picture frame suitable for mounting mini prints and art prints from the National Gallery collection. This ash picture frame, glazed with durable plastic, is also available in a smaller size (perfect for framing postcards) and in gold.
This picture frame is designed to fit images measuring 11 x 14 inches, 280 x 356mm.


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text:
package com.github.hexx.gaeds

import scala.collection.JavaConverters._
import scala.reflect.ClassTag
import com.google.appengine.api.datastore.{ Cursor, FetchOptions, Index, Transaction }
import com.google.appengine.api.datastore.{ Query => LLQuery }
import com.google.appengine.api.datastore.Query.{ FilterOperator, SortDirection }

class Query[T <: Mapper[T]: ClassTag, U <: Mapper[U]](
    txn: Option[Transaction],
    mapper: T,
    ancestorKey: Option[Key[U]],
    fetchOptions: FetchOptions = FetchOptions.Builder.withDefaults,
    _reverse: Boolean = false,
    _filter: Option[Filter] = None,
    sortPredicate: List[SortPredicate] = List()) {
  def filter(f: T => Filter) = {
    val newFilter = Some(_filter map (_ and f(mapper)) getOrElse f(mapper))
    new Query(txn, mapper, ancestorKey, fetchOptions, _reverse, newFilter, sortPredicate)
  }

  def addSort(f: T => SortPredicate) =
    new Query(txn, mapper, ancestorKey, fetchOptions, _reverse, _filter, sortPredicate :+ f(mapper))
  def sort(f: T => SortPredicate) = addSort(f)

  def asEntityIterator(keysOnly: Boolean) = prepare(keysOnly).asIterator(fetchOptions).asScala
  def asQueryResultIterator(keysOnly: Boolean) = prepare(keysOnly).asQueryResultIterator(fetchOptions)

  def asIterator(): Iterator[T] = asEntityIterator(false).map(mapper.fromEntity(_))
  def asKeyIterator(): Iterator[Key[T]] = asEntityIterator(true).map(e => Key(e.getKey))

  def asIteratorWithCursorAndIndex(): Iterator[(T, () => Cursor, () => Seq[Index])] = {
    val iterator = asQueryResultIterator(false)
    iterator.asScala.map(entity => (mapper.fromEntity(entity), iterator.getCursor _, () => iterator.getIndexList.asScala.toSeq))
  }
  def asKeyIteratorWithCursorAndIndex(): Iterator[(Key[T], () => Cursor, () => Seq[Index])] = {
    val iterator = asQueryResultIterator(true)
    iterator.asScala.map(entity => (Key(entity.getKey), iterator.getCursor _, () => iterator.getIndexList.asScala.toSeq))
  }

  def asSingleEntity(keysOnly: Boolean) = prepare(keysOnly).asSingleEntity
  def asSingle(): T = mapper.fromEntity(asSingleEntity(false))
  def asSingleKey(): Key[T] = Key(asSingleEntity(true).getKey)

  def count() = prepare(false).countEntities(fetchOptions)

  def prepare(keysOnly: Boolean) = txn match {
    case Some(t) => Datastore.service.prepare(t, toQuery(keysOnly))
    case None => Datastore.service.prepare(toQuery(keysOnly))
  }

  def reverse() = new Query(txn, mapper, ancestorKey, fetchOptions, !_reverse, _filter, sortPredicate)

  def toQuery(keysOnly: Boolean) = {
    val query = ancestorKey match {
      case Some(k) => new LLQuery(mapper.kind, k.key)
      case None => new LLQuery(mapper.kind)
    }
    _filter foreach (query setFilter _.toFilter)
    for (p <- sortPredicate) {
      query.addSort(p.property.__nameOfProperty, p.direction)
    }
    if (_reverse) {
      query.reverse()
    }
    if (keysOnly) {
      query.setKeysOnly()
    }
    query
  }

  // wrapping FetchOptions
  def startCursor(cursor: Cursor) =
    new Query(txn, mapper, ancestorKey, fetchOptions.startCursor(cursor), _reverse, _filter, sortPredicate)
  def endCursor(cursor: Cursor) =
    new Query(txn, mapper, ancestorKey, fetchOptions.endCursor(cursor), _reverse, _filter, sortPredicate)
  def chunkSize(size: Int) =
    new Query(txn, mapper, ancestorKey, fetchOptions.chunkSize(size), _reverse, _filter, sortPredicate)
  def limit(limit: Int) =
    new Query(txn, mapper, ancestorKey, fetchOptions.limit(limit), _reverse, _filter, sortPredicate)
  def offset(offset: Int) =
    new Query(txn, mapper, ancestorKey, fetchOptions.offset(offset), _reverse, _filter, sortPredicate)
  def prefetchSize(size: Int) =
    new Query(txn, mapper, ancestorKey, fetchOptions.prefetchSize(size), _reverse, _filter, sortPredicate)
}

redpajama_set_name: RedPajamaGithub


text:
Q: How to redirect Sub domain as attribute in page with .htaccess I want like this Ex:
http://user1.mysite.com or http://user2.mysite.com if anyone enter URL Like these on browsers it should go as bellow
http://mysite.com/user.php?userName=user1

How can i solve this with .htaccess
With help of Prix i solved this Issue
RewriteEngine On
RewriteCond %{HTTP_HOST} !^www\.mysite\.com [NC]
RewriteCond %{HTTP_HOST} ^(.*)\.mysite\.com
RewriteRule ^(.*)$ http://mysite.com/user.php?userName=%1 [R=301]

Its working fine :)
http://user1.mysite.com
http://mysite.com/user.php?userName=user1 -> This one is working fine with Prix Code

Now i want Like Bellow. I have tried lot but not working. So again i don't have anyway rather than ask here.
I want like this
http://user1.mysite.com/inbox/
http://mysite.com/inbox.php?userName=user1

FIXED
RewriteEngine On
RewriteCond %{HTTP_HOST} !^www\.mysite\.com [NC]
RewriteCond %{HTTP_HOST} ^(.*)\.mysite\.com
RewriteRule ^inbox/$ http://mysite.com/inbox.php?userName=%1

And also Like this
http://user1.mysite.com/message/1
http://mysite.com/view-message.php?userName=user1&messageID=1

FIXED
RewriteEngine On
RewriteCond %{HTTP_HOST} !^www\.mysite\.com [NC]
RewriteCond %{HTTP_HOST} ^(.*)\.mysite\.com
RewriteRule ^message/(.*)$ http://mysite.com/view-message.php?userName=%1&messageID=$1 [R=301]

A: Using condition like this should do it:
RewriteEngine On
RewriteCond %{HTTP_HOST} !^www\.mysite\.com [NC]
RewriteCond %{HTTP_HOST} ^(.*)\.mysite\.com
RewriteRule ^(.*)$ http://mysite.com/user.php?userName=%1 [R=301]

Keep in mind it will redirect all the sub-domains.

redpajama_set_name: RedPajamaStackExchange


Czech cinema has a long and celebrated tradition of dramatic comedies based on village life. Director Miroslav Krobot has added the dark, apathetic, and enjoyable Nowhere in Moravia (Dira u Hanusovic) to this canon, with a cast taken primarily from Prague's award-winning Dejvice Theater.
Set in the Jesenik Mountains in Northern Moravia, the film centres on thirty-something Maruna (Tatjana Vilhelmová), who has returned to Hanušovice, her native village, after a career as a German teacher. While the audience never learns the specific reason for Maruna's homecoming, the film finds her entrenched in village life. She runs the small local pub – home to the town's only television – and shares her family home with her sister Jaruna (Lenka Krobortová, the director's daughter), a nurse, and her overbearing, sickly, and single mother (Johanna Tesařová).
Maruna's disenchantment is enhanced by the lack of eligible bachelors in the area. Possessed of a healthy and matter of fact libido, and without a sexual outlet, she finds temporary comfort in the beds of the hunting-obsessed and addled mayor Jura (Ivan Trojan), and roofer and local ladies' man Kodl (Lukáš Latinák). She also allows the simple-minded gravedigger Olin (Jaroslav Plesl), apparently the only person in the village who works, an occasional fondle or two, providing he paints her pantry.
Elsewhere in the village, brothers Ladin (Hynek Čermák) and Balin (David Novotný) live in a run-down shack and each sleep with "Lad'a's Old Lady" (Simona Babčáková), whose major character traits are unapologetic hard drinking and sexual availability, and whose real name is never learned. Lacking even the derelict comforts of a shed, the hobo Stinky (Martin Myšička) survives with two other vagrants in the village in the open air.
The film is anchored by death: it begins with a funeral, and ends with a heart attack and a murder, with each demise pushing the town closer to "nowhere" than ever before. Although life is hard, the locals seem resigned to their place in the world, with little interest in events outside of the village or any form of morality other than their own. The eccentric characters interact in a loose narrative, where pálenka (plum brandy) and black humour are the main comforts in a life with little opportunity and fewer people. For Maruna, the pressing boredom of life in Hanušovice is eventually brought to a head when she befriends a German man who reminds her of the possibilities of life elsewhere.
Non-Czech audiences may find the film lacking in structure, as it relies largely on the eccentricities of its characters and vignettes of village life to drive itself. The ramshackle village and its surrounding countryside, with the slow pace of life, collapsing buildings, and almost total isolation is meant to explain the decisions and mindsets of the villagers. While the three deaths in rapid succession seem like they should cause upheaval to the audience, to the characters they are simply more disappointments in a village overflowing with them. The audience may be left wondering when something is going to happen, but so too are the villagers. The monotony is the point.
Vilhelmovná's pitch-perfect performance as Maruna is highly enjoyable, and she exudes resigned ennui and a frustrated, earthy sexuality. The prolific Trojan's Jura is also noteworthy, and refreshingly against type. Babčáková's turn as Lad'a's Old Lady, in particular is a grotesque delight, and she steals each scene she features in.
Those who enjoyed My Sweet Little Village (Vestnicko má stredisková) or, more recently, The Wild Bees (Divokévcely), will also like Nowhere in Moravia and its dark, character-driven storyline. For those with little experience of Czech cinema, the film is an excellent introduction to a distinctly Czech genre. While Krobot and co-writer Lubomír Smékal's plot may not be ground-breaking, they nevertheless bring an instantly recognisable picture of frustrated rural Czech life to the screen. The characters are flawed, and in some cases intensely unlikable, but that is who they are. For better or worse, this is life in Hanušovice. It's best if you can laugh at it.
Nowhere in Moravia (Krobot, 2014) was part of the 'Made in Prague' Festival, organised by the Czech Centre, London.
Eleanor Janega is a medieval historian specialising in Bohemia, and a lover of all things Czech. In between trips to the Czech Republic she lives and writes in London.


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Add Worker

Register a new worker for your business

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							Full Name
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							Contact Number
							<input formControlName="num" type="text" class="form-control" id="num" required>

							Email address
							<input formControlName="email" type="email" class="form-control" id="email" required>

							Password
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							Job role
							<input formControlName="pos" type="text" class="form-control" id="posn">

							Experience in years
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City advisers must be rubbing their hands with glee at business prospects for 2011.
European companies are sitting on massive amounts of cash after cutting costs, reducing dividend payments and halting share buy backs over the last year.
Many have cut back on deal making, resulting in 2010 being a "lost year" for merger and acquisition (M&A) activity.
Next year, shareholders look likely to see the benefit of recent caution, with more cash returned to shareholders by dividends and buybacks – but M&A is also likely to make a dramatic return.
"2011 will be an M&A year and a year of share buybacks and increased dividends," according to Claudia Panseri, head of equity strategy at Société Générale.
A recent analysis by Bloomberg showed that Europe's biggest companies sitting on £445bn cash. This is 16pc higher that the position at the end of 2007, before the credit crunch hit.
The analysts did not include the major banks, which have been supported by government bailouts, so the analysis was on 466 companies from the Stoxx Europe 600 index.
As a result of rising cash in the bank, the third-quarter borrowing of the entire Stoxx 600 index hit its lowest level since the last three months of 2005, as a percentage of profits, according to Bloomberg.
A recent survey conducted by UBS and The Boston Consulting Group, also showed the European companies are very keen on M&A next year.
The survey questioned 179 chief executives and senior managers and concluded that one in six companies is expecting to make a large-scale acquisition in 2011.
Large companies in particular are twice as likely to do so. One-third of respondents believed that the next 12 months was the best time to go ahead with a major deal. However, 39pc remained sceptical about a recovery in M&A by private equity groups, some of which remain heavily indebted.
Where will Britain's manufacturing revival come from?


Any member of the site can contact another user by clicking the Contact link at the top of their profile. This will send a message to the user that will appear in their creative space on the site, and also send a copy of the message to them by email. You can also add a user to your list of creative contacts by clicking the Add Contact link. You can also read messages you have been sent, view messages you have sent to others, or send a message to one of your creative contacts by clicking My Messenger from the navigation menu in your account area. Please note you will need to be logged in in order to use the messenger.
Each profile and listing on the site contains a link to the user's own website (if they have added the link when they created the listing). You'll also find links to users' Twitter accounts in the My Tweets tab at the bottom of some profiles.
Contact telephone number and email address are shown in the Location tab at the bottom of a profile/listing, where a user has chosen to list them.


With nearly 50 percent of the category serviced by its collection of cruise brands, including Costa Cruises, Cunard, Holland America Line, P&O Cruises and Seabourn, Carnival Corporation was looking to leverage its scale to exceed guest expectations more consistently across digital experiences.
Individual brands operated, at times, more like separate businesses. So we needed to help connect these brands through shared technology and experience principles while still allowing each brand to express itself uniquely.
We bridged these gaps by introducing a shared digital platform. The platform pools together data, learnings and investment strategies and enables the creation of differentiated online and onboard experiences.
Carnival is on a journey to transform their business. Hear it from them in their own words.
Carnival transformed not only what they do but how they do it. Economies of scale realized in build, deployment and maintenance enabled the redesign and replatform of multiple brand sites for an engaging booking experience that eliminated long forms, uninspired content and dead ends. Today, more direct bookings are made via brand websites, the most cost-effective booking channels.
In addition, cross-brand analytics implemented across the platform improve business intelligence and spread learnings across brands to bring new guest experiences to market faster.
An innovative approach to a guest experience is creating new revenue.
Buyers are weary of loyalty programs that reward them with points and discounts. What they value are relationships that conveniently mesh with their digital and physical lifestyles.
Our Anthony Yell, Chief Creative Officer, North America, weighs in via CMO.
© 2019 Publicis Sapient. All rights reserved.


WILMINGTON, Ohio - Baldwin Wallace University scored seven goals in the first 10 minutes en route to a 21-3 victory over the Wilmington College women's lacrosse team in Ohio Athletic Conference (OAC) action on Friday afternoon.
The Yellow Jackets scored the game's first nine goals before Rachel Reinhart got the Fightin' Quakers on the board with a goal a player down at the 16:19 mark of the first half. Baldwin Wallace closed out the half with six goals to take the 15-1 lead into halftime.
Three more goals to open the second half but the Yellow Jackets ahead 18-1 until Becca Petra scored on a free position shot with 18:05 to play. Baldwin Wallace scored three of the game's final four goals with Rachel Brown netting the other goal for Wilmington.
Baldwin Wallace held a 52-13 edge in shots as well as a 42-16 advantage in ground balls. Wilmington successful cleared 9-of-25 attempts compared to 10-of-12 for the Yellow Jackets.
Individually, Caitlin Wheeler led the way with five goals and two assists for Baldwin Wallace. Hannah Albrechta added four goals and four assists. Petra, Reinhart and Rachel Brown scored goals for Wilmington.
Megan Wieloch took the loss for the Quakers in net despite making 26 saves on 47 shots.
Wilmington (2-7, 0-2 OAC) travels to Ohio Northern University on April 4.


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Q: How to deploy gRPC on App engine standard? I'm wondering if a gRPC server can be deployed on AppEngine Standard? There are a few old threads mentioned it only works on AppEngine Flexible. Does anyone know if this is still the case?
The app is in NodeJS if that makes a difference...
Cheers!

A: As mentioned in the official documentation, the way you use gRPC, will depend in your environment. The official ones, supported in gRPC are listed in this documentation here, in which, unfortunately, App Engine Standard is not mentioned, confirming that it's not supported and doesn't work
I have found that they have a Feature Request opened for this to be checked, that you can access here - confirming the expectations of not being supported: Features for gRPC Support.
I would recommend you to leave a comment there and click to star the issue, so you receive updates on it.
Besides that, the framework available for Cloud Endpoints control of API in App Engine can be accessed here (in case you want to check it): Cloud Endpoints Frameworks
Let me know if the information helped you!


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'You frequently have to sew them into the dress': secrets of the Hollywood stylist
From left: Gwyneth Paltrow; Demi Moore and Bruce Willis; Sandra Oh.
Gwyneth Paltrow's fashion guru Elizabeth Saltzman discusses the prep and panic of the red carpet
The night before the 2012 Academy Awards, Elizabeth Saltzman didn't sleep. The next day, she was going to be dressing the actor and wellness entrepreneur Gwyneth Paltrow, who was presenting an award at the ceremony with her Iron Man co-star, Robert Downey Jr.
In spite of having had only a fortnight's notice that Paltrow would be appearing, 53-year-old Saltzman, her longtime stylist, had found her client the perfect dress. "But I suddenly thought: how could I be so stupid? How could I not have a back-up?' she recalls. "What if someone drops lipstick on it or throws a cup of tea down it when she's getting ready?"
Then, she thought: wedding dresses. "Brides never have a back-up dress," she says. Neither, generally, does Saltzman. However, this dress was different: it was the now-iconic white cape dress by Tom Ford, a perennial on the lists of the best Oscar dresses of all time – and highly vulnerable to all manner of potential pre-award accidents. But Saltzman, a New York native who has lived in London for 18 years (but still works half her time in Los Angeles), stylist to A-listers including Saoirse Ronan, Uma Thurman and Lily Aldridge along with Paltrow, doesn't "do drama".
Elizabeth Saltzman with Uma Thurman.
"You frequently have to sew them back into a dress, or cut off the train because they've stepped through it, but there's always a fix, and the world will never know," she says. "I've had customs hold our clothes for [Anna Wintour-organised, New York charity event] the Met Ball and not give them back, so I just went shopping on the day."
Her calmness under pressure was very much required recently when, a week before Christmas, she found out that another client, Killing Eve star Sandra Oh, was not only nominated for a Golden Globe (which she would go on to win), but was co-hosting the ceremony, alongside Andy Samberg. "That's not just a red carpet," says Saltzman. "That's a red carpet, three changes, and holding the show together – and every fashion house is closed by 21 December.
"People think you have some magical closet that you go into and pull clothes out of," she says. "But there is a theory behind all of this, and I am old-school – I like to tell a story with my clothes."
In Oh's case, "it was also a wrangle because it was for someone who is incredibly talented but still not a household name. I'm sure if one had been calling clothes in for someone else, the doors would have been flung open."
Kim Basinger at the Oscars in 1990.
Saltzman put Oh in Versace, Stella McCartney and Gwyneth Paltrow's label G, and was universally proclaimed to have slayed it in the styling stakes. And these days that matters. The red carpet, once simply a frothy sideshow – where one could witness Demi Moore in a corset paired with Lycra shorts, or Kim Basinger in a white satin dress she'd designed herself as a tribute to Elvis, complete with a one-armed jacket – has, in the past 20 years, become almost as important as the ceremony itself, synonymous with glamour and big-brand impact.
"For the fashion brand, it's huge free publicity," says Saltzman. "And for the talent, a great dress keeps them relevant, and might get them a beauty contract or a fashion contract." Actors such as Michelle Williams and Jennifer Lawrence have scored enormously lucrative contracts with the likes of Dior and Louis Vuitton, brokered, in part, by their stylists, who have become power players in their own right.
A stylist's preparations for Oscar night can begin as early as six months in advance. "It all really starts in Venice," says Saltzman. The city's annual film festival, in late August, is when industry buzz about potential awards nominations begins in earnest, kicking off an exhausting schedule of events, interviews, lunches and awards show. "People think it's just about the big four – Globes, SAG, Baftas and Oscars – but once you're on that campaign trail, it's so many others: Toronto film festival, Berlin, the Critics' Choice awards – it doesn't stop for six months."
So, it's really no longer feasible for this year's best actress nominees Glenn Close or Olivia Colman to make a dash around Selfridges or Bloomingdales for a dress themselves – they would need several new looks, top to toe, each week.
However, with the growth of the red carpet styling business has also come an accompanying explosion in red carpet critique – the next morning's sometimes brutal best and worst dressed lists. "You can't please everyone," shrugs Saltzman. "All I care about is that my clients aren't getting criticised because of my choices. But I think their skins are a lot tougher than most people imagine."
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Halloween Daily News
All things Halloween – horror movie, costume, cosplay, mask, haunt, news, photos, reviews, interviews on Michael Myers, John Carpenter, Trick 'r Treat, and more!
[Interview] Rhian Rees on the Fear and Female Power of 'Halloween' 2018
November 8, 2018 November 8, 2018 Matt Artz 0 Comment H40: Fort Years of Terror 'Halloween' 40th Anniversary Convention, Halloween 2018, Michael Myers, Rhian Rees
Halloween 2018 is breaking box office records, already the highest grossing slasher of all time with over $200 million worldwide, and in the weeks leading up to the big screen return of Michael Myers, images of a terrified Rhian Rees screaming from a restroom stall were on TV during every commercial break on every network, and she says the horror was real for her in that now-iconic scene.
It is the scene that will probably ultimately be most identified with this film, as it was featured so prominently in the first trailer and all of the subsequent marketing buildup to the Oct. 19 release, and, in the context of the film, it is truly the return of Michael Myers, the killer and the trickster, and the donning of the mask.
At last month's historic H40: Forty Years of Terror Halloween anniversary event in Pasadena, CA., Rhian Rees, who plays "investigative journalist" Dana Haines in the new film, made her first ever convention appearance, meeting fans of all ages over two epic days alongside her co-star James Jude Courtney and the largest gathering of Michael Myers actors and franchise cast and crew ever assembled.
We had a chance to chat for a few minutes that weekend, just days before Rhian would attend the Hollywood premiere of Halloween, as neither of us had seen the new movie yet.
Read on for our interview with Rhian Rees, in which we discuss the very real terror she felt in that restroom stall, what she finds scariest about Michael Myers, and the uniquely female power of Halloween 2018.
Rhian Rees in Halloween 2018
So the commercial for the new movie is on every 20 minutes and it's your scream I'm hearing every time it comes on. What's that like for you?
No one can prepare you for screaming. It's not like I'm going to sit in my hotel room screaming at the top of my lungs giving it a good old practice.
I was literally and palpably terrified in that moment. I can't lie, I wasn't really acting. I was really scared.
I'm very sensitive to horror anyway, so that's why I didn't really watch it (the original Halloween prior to being cast in the new one). I was coming at it, for that specific scene, like, 'Oh, it's David (Gordon Green) and we're shooting a nice indie film where it's a drama and it's subtle and beautiful.' And then I just had to switch part of my brain off to do that scene.
The whole shoot was so quick for this movie, but I thought that was kind of fitting because they filmed the original about as quick.
(It was) 25 days. It felt like we just popped it out, and now I'm just starting to think about it.
This convention really solidifies that it's real and I did do it and it's happening.
What is your impression of this convention? It's your first one of these and we're all here celebrating the 40th anniversary of this franchise that you are now a part of.
It's wonderful really. It feels like being part of a very large, extended family. Everyone's so well mannered and polite, which is such a pleasant surprise. I thought everyone was going to say, 'Who's that girl from the trailer?', because you know, the movie's not out yet, but everyone has been really supportive and sweet.
I feel very happy and very blessed to be part of it. And I'm not going to lie, I don't know all of my second-cousins' names, but I'll get there I'm sure.
So you'll be at the big Hollywood premiere this week?
Yes, I'm bringing a big scarf to hide behind. I don't do well with blood. I'm very squeamish. (laughs)
HDN's Sue Artz with Rhian Rees at H40: Forty Years of Terror (photo by Matt Artz for Halloween Daily News)
Did you watch the previous films after you got this role?
Well we were told very specifically not to actually. Well I was told only to watch the first one, because obviously this is the sequel. I cheated a little bit and watched a little bit of H20.
Actually it was funny, David told me to watch Gorillas in the Mist. It's not a horror film at all. It has scary moments, but it was really to study and understand the mindset of Sigourney Weaver in Gorillas in the Mist, so that was my homework, that and listening to a lot of podcasts. I went through all of them. I ended up going through this whole true crime wormhole and I'm yet to come out the other end.
It's very timely how they've worked the true crime element into the new film as a way to reintroduce Michael to a new generation. This is going to be their introduction to this franchise for certain people.
It's an epidemic isn't it? The whole true crime thing has gone absolutely mental, in a great way because they're entertaining, but I suppose the flip side of that is that we have a lot of podcasts coming out – I mean anyone can make one. So you don't necessarily have the right training or skills, and let's just say that may be the case when it comes to Dana and Aaron in Halloween. They may be a little bit in over their heads, if you like.
I mean they're not psychologists. They have no experience with serial killers, with victims of trauma.
That's a great point that this could almost be a cautionary tale of be careful what you wish for investigating a killer.
Maybe it's not good to try and grab the exploitative angle, which we'll probably learn that lesson the hard way.
I love that some of that real world commentary is embedded into this film.
Absolutely, I think that the true crime element and the podcasting really sums up this millennial generation that we're very much a part of. And I know Jamie's talked a lot about trauma sufferers and of course there's that angle, but for me personally, I was really intrigued by the stalking angle of Michael, which no one really talks about.
The fact that he is a stalker, and again, everyone can be privy to stalking these days what with the interweb. You can probably Google my name and find out three little facts about me by now, and that's terrifying isn't it? So I think a lot about stalking and how that is omnipresent right now and it's deeply part of our culture, and how it's almost normalized, and that's an interesting perspective that I had on Michael.
Jamie has talked about how it is very much about the Me Too era in our culture right now and about a woman taking back her narrative.
I know the thing that drew me to the script was definitely that, three badass women. And also, there's no ditzy characters in the movie. That's a nice change, isn't it? In my limited experience with horror films, I think that's just wonderful. It's nice to be given our brains back. (laughs)
You can see more of our coverage from H40: Forty Years of Terror here.
[Read our interview with James Jude Courtney on playing Michael Myers in Halloween 2018 here.]
[Read our interview with Nick Castle on reprising Michael Myers in Halloween 2018 here.]
[Read our interview with Christopher Nelson on making Michael Myers' mask for Halloween 2018 here.]
HDN's Matt Artz with Rhian Rees at H40: Forty Years of Terror (photo by Sue Artz for Halloween Daily News)
For more Halloween news, follow @HalloweenDaily.
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[Interview] Douglas Tait on the Journey to Becoming Gruagach in 'Hellboy'
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A new Hellboy has arrived, and with him comes a new assembly of monsters and villains from the comic books,
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Copyright © 2019 Halloween Daily News. All rights reserved.
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AL expels 32 leaders
Ofiul Hasnat Ruhin
The ruling Awami League has expelled 32 leaders in two days on charges of contesting the municipal elections as rebel candidates in breach of party decision, sources in the party said.
The party also asked the presidents and general secretaries of Pabna, Rangpur, Kurigram, Khulna and Jessore district units to explain debacle in the municipal polls.
It also asked the president and general secretary of the Munshiganj district unit, Mohiuddin Ahmed and Lutfur Rahman, to explain why the district unit would not be disbanded on charges of working against the party-backed candidates, sources said.
Senior party leaders on Saturday afternoon made the decisions. They also requested the chief whip, Abdus Shahid, Rajbari lawmaker Zillul Hakim, Mymensingh lawmakers Matiur Rahman and Gias Uddin, Netrakona lawmaker Ashraf Ali Khan Khashru and Noakhali lawmaker Ekramul Kabir to work in favour of party-backed candidates.
The sources said the expulsion of some more leaders and activists was under way. They said punitive action would be taken against all the rebel candidates who either contested or are contesting the polls, in two days.
'The party has expelled the leaders and activists on charges of breaching party discipline,' the Awami League's joint general secretary Mahbubul Alam Hanif told New Age on Saturday, adding that action would gradually be taken against all such violators.
He said that the party decided to take punitive action based on the gravity of the offences but the leaders who contested the polls violating party decision would be expelled.
'Thirty-two leaders and activists have been expelled till Saturday and the decision on the expulsion of some others is under way,' a central AL leader told New Age, adding that the expelled leaders would not be allowed to join the party in future.
The Awami League's organising secretary Sayeed Al Mahmud Shawpon, who was responsible for coordination of the party's affairs regarding municipal polls in the Rajshahi division, told New Age that there were 49 municipalities in the division and it would take two more days to take action against the offenders.
The leaders expelled till Saturday are Abdul Wadud, Abdul Jabbar, Amirul Islam, Golam Kabir, Abdul Mannan, Mainul Hossain, Hamidul Islam, Abdul Hai, Younus Khan, Mohammad Faisal, Roman Ali, Badiuzzaman in the Dhaka division, Jasim Uddin, Akhtar Hossain, Abdul Wadud, Rezaul Karim, Mahbub Alam, Iqbal Patwari, Kamal Ahmed, Shahjahan Mallik, Fazlul Karim, Zakir Hossain, Yunus Bhuiyan, Rafiqul Haider and Babul Pathan in the Chittagong division and Sohel Ahmed, Nahid Ahmed and Abdun Noor in the Sylhet division.
The names of the five rebels expelled in the Rajshahi division could not be known immediately.
Earlier on Thursday, the AL president, Sheikh Hasina, also the prime minister, instructed the party's general secretary Syed Ashraful Islam to take action against the rebel candidates so that the party could perform better in the polls to remaining municipalities.
After the instruction had been made, the party leaders decided to expel the rebel candidates instantly and asked local leaders and activists not to work for rebel candidates.
AL-backed candidates won 42 mayoral posts in Rangpur, Rajshahi, Khulna and Barisal divisions while BNP-backed candidates won 47 posts in the four divisions.
newagebd
Posted in English, মহিউদ্দিন আহমেদ
শ্রীনগরে বিজয় দিবস উপলক্ষে ইয়সমিন দেলোয়ার হাসপাতালের ফ্রি মেডিকেল ক্যাম্প
সিরাজদিখানে ভোক্তা অধিকারারের বাজার তদারকি ৩ দোকানিকে জরিমানা
শ্রীনগরের শফিকুল নির্মাণ করলেন বঙ্গবন্ধুর কাঠের ভাস্কর্য
পকেট কমিটি ও বহিস্কার ভারে নুয়ে পড়েছে শ্রীনগর বিএনপি
হত্যা চেষ্টা: এনজিও ব্যবসায়ীকে গলাকেটে হত্যার চেষ্টা
ডিসি অফিসের পিয়নকে আটকের পর ছেড়ে দিল পুলিশ
সিরাজদিখানে পুলিশ ও চেয়ারম্যান প্রার্থীর সমর্থকদের সংঘর্ষ
যমুনা ব্যাংকের উদ্যোগে মুন্সিগঞ্জে বিনামূল্যে চিকিৎসা সেবা
চেতনায় একাত্তর প্রকাশিত স্মরনিকার মোড়ক উম্মোচন
একসাথে একাধিক ফসল চাষে আগ্রহ বাড়ছে সিরাজদিখানে
সিরাজদিখানে ভ্রাম্যমান আদালতের মাধ্যমে ৩ জনকে ৬ মাস করে কারাদন্ড
শ্রীনগরে আওয়ামী লীগের শোক সভা
Lack of consensus delaying Padma Bridge tender: Minister
38 spathes in a banana tree!
Picnic boat robbed, 10 people injured
Rapist, abettor placed on remand
Padma plant to supply 450M litres of water to Dhaka


text:
HP drives open source with JBoss
Tom Venetis
In a bid to help win over IT departments concerned with a lack of clear Linux support, Hewlett-Packard Co. says it is now the point-person for any and all issues its customers may have with JBoss Inc. products.
The tighter partnership between HP and JBoss, a provider of middleware technology based on open source licences, should make it easier for corporate customers to develop and deploy open source-based solutions by making Hewlett-Packard the single point of contact.
"The most persistent message we get from customers and analysts was the concern about the support nature of the Linux environment," says Glenn Bontje, business development manager for Linux with Hewlett-Packard Canada in Calgary.
The feeling among some IT managers is that open source is difficult to manage because it lacks the kind of support traditionally offered by major software vendors.Because of this perceived lack of support many companies are reluctant to roll-out open source-based systems across the enterprise, or mission-critical business applications around open source.
This partnership allows developers and companies deploying JBoss products on Hewlett-Packard platforms, including as HP ProLiant and Integrity servers, to resolve issues around architecture and design, implementation, integration and migration.
The agreement builds on an earlier announcement in June where Hewlett-Packard said it would sell and support JBoss' open source software solutions on the company's hardware, and comes on the heels of the launch of Hewlett-Packard's Linux Reference Architectures, a set of integrated software stacks letting customers leverage open source technology. These Reference Architecture stacks include pre-tested hardware and software from various open-source vendors, including JBoss.
Pierre Fricke, vice-president of application and integration infrastructure at Idea International in Port Chester, N.Y. says the announcement makes perfect sense as Hewlett-Packard is responding to a need for greater open source support in the developer community. As well, JBoss has a large and established developer community using its J2EE solutions that would directly benefit from that added support.
The announcement also signals Hewlett-Packard's continuing commitment to the open source market, after its earlier foray into the market with Bluestone Software failed to catch on. Bluestone was a maker of Java application server software that Hewlett-Packard purchased in 2000.
Fricke says the problem was that Bluestone lacked the developer community that JBoss has and made it a less than appealing to work with.
"Bluestone was good technology but it did not have any real eco-system and application platforms without developer bases are pretty much dead," Fricke adds.
Marc Fleury, chairman and CEO of JBoss in Atlanta, Ga. says the response amongst developers to this and the earlier announcements with Hewlett-Packard has been strong.
"(When) we made the strategic partnership with HP (in June), we had not fleshed out such things as the mechanics of how it would work," Fleury adds. "Then what happened on the heels of that announcement was a lot of press uptake and then, in Japan for example, we had two large Japanese companies contact HP Japan saying that since HP was supporting JBoss they wanted to sign up."
PeopleSoft shareholders split vote on Oracle bid
Cisco to buy network unity mgmt. startup
Remote work is worrying infosec leaders: Survey
Rogers-Shaw deal goes to federal court; Competition Bureau says proposed sale of Freedom to Vidéotron is 'parasitic'
Federal court dismisses Competition Bureau's appeal to block Rogers-Shaw merger


text:
Nicefor Diogenes (gr. Νικηφόρος Διογένης, ur. 1070) – bizantyński współcesarz (1070-1071) za panowania swojego ojca Romana Diogenesa.

Życiorys
Był synem Romana Diogenesa i Eudoksja Makrembolitissy. Jako dziecko koronowany na cesarza. Po upadku ojca został zesłany do klasztoru. Powrócił z wygnania podczas rządów Aleksego I Komnena w 1081 roku. Był uczestnikiem kampanii Przeciwko Normanom i Pieczyngom. Był też gubernatorem Krety. Okarżony o spisek przeciw cesarzowi został oślepiony.

Bibliografia
 Michael Angold, Cesarstwo Bizantyńskie 1025-1204. Historia polityczna, przeł. Władysław Brodzki, Wrocław: Zakład Narodowy im. Ossolińskich 1993.

Cesarze bizantyńscy
Rodzina Diogenesów
Urodzeni w 1070

redpajama_set_name: RedPajamaWikipedia


text:
Intellectual Property Enforcement in Africa: Are Regional IP Organisations the Way to Go?
Hanani Hlomani
The book, Enforcement of Intellectual Property Rights in Africa (Oxford University Press, 2020), comes at a timely moment when the African continent is in a very critical stage of pursuing sustainable economic growth. Intellectual property rights have been prioritised continentally, regionally and at domestic levels as being a key part of this desired growth. The importance of IP rights has been magnified by the rapid advancements in technology and the 4th industrial revolution, a time when innovation and creativity are commonplace. At the time of publication of the book, very little has been done in terms of concerted efforts towards establishing an umbrella regulatory body that harmonizes how key intellectual property rights are recognised and enforced on a continental scale in Africa. Instead, most African countries have opted to either take regional or individual steps towards the protection and enforcement of intellectual property rights. In the sense of concerted efforts, most states adhere to exclusive multilateral agreements that run concurrent to other agreements of the same nature in different parts of the continent. In this sense, a disjointed approach to IP rights regulation and enforcement may be thought of as being a retardant to the overarching goal of concerted sustainable economic growth.
Presently, the continent is pressed with the agenda of achieving the African Continental Free Trade Area (AfCFTA) which seeks to create a single continental market for goods and services. This further entails the free movement of business persons and investments, and therefore intellectual property is bound to be exchanged or exploited in the process. Therefore, where a harmonised approach to IP rights cannot be achieved, the book can be seen as being instrumental for those who seek to understand how the various IP protectionist regimes operate in the African context as it goes into detail about the different approaches taken by individual countries on the continent as well as detailing the procedures and enacting provisions adopted by organisations such as the African Regional Intellectual Property Organization (ARIPO) and Organisation Africaine de la Propriete Intellectuelle (OAPI). ARIPO and OAPI are currently the two African regional organizations that are responsible for managing the different forms of intellectual property in the region. Therefore, of particular interest to me and for the purposes of this review, I have focused on the chapters on OAPI, ARIPO and South Africa.
The chapter on ARIPO starts off by giving a brief background on the foundations of ARIPO from the time it was proposed as the Industrial Property Organization for English-speaking Africa (ESARIPO) to what it is today and the underlying justifications for the lobbying for such an organisation. The chief justification being the potential advantage to be derived from the effective and continuous exchange of information and the harmonization and coordination of the laws, policies, and activities of Member States in respect of intellectual property matters. The chapter also highlights that despite ARIPO being an exclusive membership organisation, and in line with the Lusaka Agreement, ARIPO does cooperate with non- Member States, some of which have observer status in its meetings or ARIPO's main organs. The chapter also outlines the ways in which countries may join ARIPO under its current regulations and goes into detail about the various organs of ARIPO, their functions and who the current chairs of each organ are at the moment. An important aspect highlighted in this chapter is the registration process of industrial property under each of ARIPO's listed protocols including the costs and the effect of registration/extent of protection and the examination processes involved. It further details the processes involved where objections or oppositions are encountered in respect of ARIPO trade mark, patent, and industrial design applications. This is complemented by the enforcement procedures recognised under ARIPO, particularly that for enforcement, the organisation relies on each member to domestically enforce IP rights as ARIPO is not mandated to enforce IP rights amongst member states.
The chapter on OAPI, much like the one on ARIPO starts off by giving a factual background of the Organisation from the time it was referred to as the African and Malagasy Office of Industrial Property (OMAPI), the departure of Madagascar and how the attribution of new competences in the area of copyright, and the need to interlink intellectual property with development soon created a need for a revised agreement which gave rise to OAPI in Bangui in 1977. It highlights how under OAPI, which was initially meant to cater for the French-speaking African countries, all Member States apply a uniform law, the Bangui Agreement and its ten annexes, with a common administrative procedure giving rise to unitary intellectual property rights. There is no coexistence of a national protection system with the regional system as all countries, upon joining OAPI, waive their right to national filing.
The chapter also outlines how OAPI deals with the administrative matters pertaining to the registration, maintenance, and upkeep of unitary IP rights such as patents, trade marks, etc, the registration procedures, opposition procedures and the various enforcement mechanisms. I particularly liked the breakdown of the Bangui agreement, what it covers and all the other treaties which member states are expected to adhere to. This is in addition to the discussion on the search and seizure proceedings as well as customs detention with a key emphasis on counterfeit combatting and licensing. To this end, the chapter also outlines the remedies available, the available defences, criminal action, procedure, as well as the sanctions which are codified by OAPI.
The chapter on South Africa starts off with the helpful breakdown of the socio-economic makeup of the country e.g. population, bordering countries etc. and the relevant authorities that deal with the regulation and enforcement of IP rights. Of particular importance, the chapter discusses the publication of the 2018 draft Intellectual Property Policy of the Republic of South Africa, Phase 1 ('IP Policy'), as part of the National Development Plan 2030, which focuses on innovation, improved productivity, the intensive pursuit of a knowledge economy, and the better exploitation of comparative and competitive advantages. For one who is not knowledgeable about the current IP regime in South Africa, such a discussion is important in also shaping one's idea of the general direction in which the country wishes to develop its IP regime. For potential investors, this gives valuable insight and may ultimately influence the decision to invest or not within that kind of environment. The chapter further breaks down how individual IP rights are enforced, the requirements for protection as well as the remedies under civil and criminal law and the exceptions that apply. The chapter also discusses the Counterfeit Goods Act and explores the unfair competition angle as well as customs enforcement, procedures, and civil and criminal law proceedings.
The importance of looking at South Africa after having gone into and analysed the approaches adopted by ARIPO and OAPI cannot be understated. The same can be said for the rest of the countries that are not member states of either ARIPO or OAPI. For example, the absence of Africa's leading economies, South Africa and Nigeria, from the membership of the two sub-regional organizations is problematic. Therefore holistically, the chapters above are a good effort at informing and providing the approaches taken to protect and enforce IP rights from the lens of the two regional organisations as well as from the lens of one of the biggest economies on the continent. Therefore, although a harmonised African approach to regulation is lacking, from a South African point of view, an analysis of the three chapters gives enough insight on the current and future attitudes towards IP rights enforcement and is therefore applauded in this regard.
African Continental Free Trade Agreement
African Regional Intellectual Property Organization
Lusaka Agreement
Bangui Agreement
National Development Plan


text:
Cartersville Man Reportedly Stabbed Minnesota Bus Driver
September 10th, 2021 – 10:18 AM
WBHF Radio –
(Via WBHF Radio) The state of Minnesota charged a Cartersville man Thursday after authorities say he stabbed a Metro Transit driver repeatedly with a pen and screwdriver.
The Pioneer Press reports that 22-year-old Brandon Tyler Collins was charged with second-degree assault and obstructing transit operations.
Metro Transit and St. Paul police responded to Fifth and Minnesota streets in downtown St. Paul about 5 a.m. after a complainant reported that someone was assaulting a bus driver.
When officers arrived, they found Collins punching the 63-year-old driver with such violence that the officers had to wrestle him to the ground to get him to stop.
The driver had multiple puncture wounds on his body and had blood all over his clothing. The complaint states he was shaken and scared.
The driver told police that he parked at the intersection with the doors closed when Collins ran up to the bus screaming for help. He said he opened the bus door, and Collins entered but refused to pay the fare.
The driver told him to get off the bus. However, the complaint stated that Collins began punching the driver repeatedly and stabbing him multiple times with a pen and screwdriver while screaming "hateful words" at him.
First responders took the driver to the hospital. The complaint states that surveillance video confirmed the attack.
Collins is at the Ramsey County Jail. His next court appearance is October 21st.


Dan Webb's explosive revelations about his controversial Married At First Sight relationship with Jessika Power are showing no signs of slowing down.
After letting loose about their "toxic" romance yesterday and revealing they'd split up, the single dad has now spoken out about the bombshell allegations he cheated on his now ex.
Just two days before news broke the pair had split, a woman called into The Kyle & Jackie O Show on KIIS 106.5 claiming Jessika, who has moved to the Gold Coast from Perth to be with Dan, sent her a text asking if she'd hooked up with her boyfriend.
The caller, named Hannah, claimed she told Jessika "straight" that she'd rejected his advances when they met on a night out two months ago.
However Dan has now slammed the accusations, saying he was hosting his son's birthday party when the incident supposedly occurred.
"Those allegations are fabricated and false and I'll tell you why," he told Yahoo Lifestyle.
"I've got my son every second weekend and on that weekend I held his birthday party, so I was at home with him the whole way."
While Hannah said she "didn't want a bar of it" she said they shared a cheeky pash later in the evening.
"At the end of the night he kissed me," she said, admitting she kissed him back "in the moment" before pushing him away.
"Like, I did push him off. Obviously I thought he didn't get married because I was like, obviously he's not with anyone from the show."
Despite being known for her drama-fuelling antics on MAFS, Hannah said Jessika was "mature" in her response to the revelations, which Jackie O then read out.
"She said, 'Thank you babe. I need to recoup. My heart has been ripped out on national television. It's just a hard situation'."
Whether this was a reason for their sudden breakup isn't yet clear.
But last night, the 35-year-old told the same publication he broke up with Jess after their heated exchange on Talking Married on Monday night, following the MAFS finale.
During that episode, Dan discovered Jess' previous flirty proposition towards Nic Jovanovic, sending their relationship spiralling.
"Me and Jess have split, let's get that straight. We have broken up," he said on Friday.
"There's allegations coming out that we're still together. She's saying we're still together. We are not together."
Dan said the pair had "trust issues" throughout their relationship, adding he said he has feelings of "regret about ever meeting Jess".
Jess previously told news.com.au she and Dan had broken up briefly after filming the reunion episodes in January.


European stocks rose notably on Tuesday to hit nine-week highs despite weak data and mixed earnings updates.
Regional markets followed Asian peers higher after the financial services royal commission refrained from recommending harsher measures against Australian banks.
U.S. stock futures were trading flat after Google parent Alphabet reported higher costs in the last three months of 2018.
Closer home, the pan European Stoxx 600 was up 0.7 percent at 362.58 in opening deals after closing up 0.1 percent in the previous session.
The German DAX was climbing 0.9 percent, France's CAC 40 index was up 0.8 percent and the U.K.'s FTSE 100 was rallying 1.1 percent.
BP Plc soared 4.2 percent in London after it swung to a profit in the fourth quarter of 2018 and lifted dividend.
RhythmOne jumped 3.8 percent, a day after Taptica announced the acquisition of the company for $176 million in an all-stock deal.
Apple supplier AMS plunged over 12 percent. The company posted a sharp drop in its 2018 fourth-quarter adjusted net profit and flagged revenue drop in the first quarter of 2019 amid weak smartphone demand.
Danish jewelry manufacturer and retailer Pandora soared 14 percent after announcing a two-year transformation plan.
Indivior shares fell nearly 11 percent after an unfavorable U.S. court ruling in a case related to its best-selling opioid addiction drug Suboxone.
In economic releases, investors shrugged off data showing that growth in the euro zone almost stalled in January.
IHS Markit's composite final PMI dipped to 51.0 in the month from December's 51.1, its lowest reading since July 2013.
A measure of Euro zone retail sales also fell as expected in December amid declines in non-food sales and online purchases.
Elsewhere, U.K. service sector growth slowed more-than-expected in January, moving closer to stagnation, as new orders decreased for the first time in two-an-a-half years, preliminary data from IHS Markit showed.


Many patients want to know if dental insurance covers sedation dentistry. Unfortunately, there's no easy answer for that. It depends on your insurance provider and the dental procedure you need done. Here are some of the cases when sedation dentistry is often covered by dental insurance.
Dental insurance will often cover sedation dentistry for procedures that just wouldn't be possible without it. Tooth extraction is one such procedure. Local anesthesia is often not enough for such a potentially painful or drawn out dental procedure. Inversely, insurance will often cover smaller, less expensive treatments that require lighter anesthesia like laughing gas.
Some dental procedures, like wisdom teeth removal and root planning, are completed in four steps on four separate dentist visits. That's no fun for you, or for your insurance company, believe it or not. They would rather pony up for your dental sedation and have all four procedures done at the same time versus paying for you to go into the dentist without sedation four separate times. In this case, your insurance provider wants you to get your trip to the dentist over just as quickly as you do.
If a child on your health insurance plan is under a certain age mandated by your provider, they're often eligible for sedation dentistry benefits. It's understood that many young children don't handle visits to the dentists well, so this option is often included in family insurance plans.
If you represent an adult with special needs or a disability, dental insurance plans will often offer sedation dentistry for the disabled individual. Certain conditions, like epilepsy, are also a cause for your insurance provider to pick up this tab.
Remember, even if your insurance plan covers sedation dentistry, your policy's annual maximum may not cover the full treatment, which means you could still owe money out of pocket. Read your insurance policy carefully beforehand so you don't get bit by unforeseen fees after the fact. Call your provider's customer service number to discuss your policy questions before going ahead with treatment plans.
Even if your insurance policy doesn't cover sedation dentistry, weigh your options. For some, this treatment is an absolute necessity. It can take away any pain and fear you feel about your dentists visit and put your mind at ease. If you're worried about footing the bill, many dentists offer very fair and affordable financing plans, or can steer you to a third party provider that they recommend for patients. However, be very careful with third party credit cards. Read the fine print as some of them have very high interest rates that start accumulating the moment you are approved, not 30 days after the procedure is performed.
If you feel like you can't do without sedation dentistry, it's always possible to work something out. You should not have to grin and bear it if you don't want to!


text:
Q: Redux TypeError: Cannot read property 'list' of undefined I have created a simple website where you can track currencies and add them to your favourite list. I use http://api.nbp.pl/ for that. I was told to use redux for state management. the idea is that you can click on "add to your favourites" button in the MainPage component where all the currencies render and the data is stored in the FavouriteCurrencyList redux store and it renders the chosen currencies (MainPageItem child component) in the Favourites component. I don't know why I keep on receiving the TypeError: Cannot read property 'list' of undefined error. The store works ok, when I click on "add to favourite list button" I can see that it passes the information to the list inside the FavouriteCurrencyList as it should (I use redux dev tool extension in chrome browser). However when I want to go to the Favourites tab I receive the aforementioned mistake.
This is the MainPage component where I render all the currencies as a div list:
import React, { useEffect, useState } from "react";
import MainPageItem from "./MainPageItem.js";
import "./MainPage.css";

function MainPage(props) {
  const [mids, setMids] = useState([]);
  const [codes, setCodes] = useState([]);

  useEffect(() => {
    fetch("http://api.nbp.pl/api/exchangerates/tables/A")
      .then((response) => {
        return response.json();
      })
      .then((data) => {
        const mid = data[0].rates.map((currency) => {
          return currency.mid;
        });
        setMids(mid);
      });
  }, []);

  console.log(mids);

  useEffect(() => {
    fetch("http://api.nbp.pl/api/exchangerates/tables/A")
      .then((response) => {
        return response.json();
      })
      .then((data) => {
        const code = data[0].rates.map((currency) => {
          return currency.code;
        });
        setCodes(code);
      });
  }, []);

  console.log(codes);

  const GetCurrencyRender = React.memo(({ currency, mid }) => {
    return <MainPageItem codes={currency} mids={mid} />;
  }, []);

  return (

          {codes.map((code, i) => (
            <MainPageItem key={i} currency={code} mid={mids[i]} />
          ))}

  );
}

export default MainPage;

This is the MainPageItem component where I use the dispatch method:
import React, { useCallback } from "react";
import "./MainPageItem.css";
import { useDispatch } from "react-redux";
import { saveCurrencies } from "../ducks/favouriteCurrencyList";

function MainPageItem(props) {
  const dispatch = useDispatch();

  const onClickAddToFavouritesButton = useCallback(() => {
    console.log();
    dispatch(saveCurrencies({ currency: props.currency, mid: props.mid }));
  }, [dispatch]);

  return (

{props.currency}

PLN

{props.mid}

      <button className="button" onClick={onClickAddToFavouritesButton}>
        Add Currency to Favourites!
      </button>

  );
}

export default MainPageItem;

This is the FavouriteCurrencyList redux store:
import { createSlice } from "@reduxjs/toolkit";

const currencySlice = createSlice({
  name: "list",
  initialState: {
    list: [],
  },
  reducers: {
    saveCurrencies(state, action) {
      const { currency, mid } = action.payload;
      state.list.push({ currency: currency, mid: mid });
    },
  },
});

export const { saveCurrencies } = currencySlice.actions;

export default currencySlice.reducer;

This is the FavouriteCurrencyItem component. The only difference between this one and the MainPageItem is the remove button. I have intentions of making a remove button where I give the user an option to delete the currency from the favourite list:
import React, { useCallback } from "react";
import "./FavouriteCurrencyItem.css";
import { useDispatch } from "react-redux";
import { saveCurrencies } from "../ducks/favouriteCurrencyList";

function FavouriteCurrencyItem(props) {
  const dispatch = useDispatch();

  const onClickRemoveFavouriteCurrencyButton = useCallback(() => {}, [
    dispatch,
  ]);

  return (

{props.currency}

PLN

{props.mid}

      <button className="button" onClick={onClickRemoveFavouriteCurrencyButton}>
        Remove currency from your favourites
      </button>

  );
}

export default FavouriteCurrencyItem;

And this is the Favourites component where the chosen curriencies should render:
import React from "react";
import MainPageItem from "../mainPage/MainPageItem";
import { useSelector } from "react-redux";
import "../mainPage/MainPage.css";
import { saveCurrencies } from "../ducks/favouriteCurrencyList";

function Favourites(props) {
  const currencyStore = useSelector((state) => state.list);

  const GetCurrencyRender = React.memo(({ currency, mid }) => {
    return <MainPageItem currency={currency} mid={mid} />;
  }, []);

  return (

      list of favourite currencies

          {currencyStore.list.map((currency, mid) => {
            return <GetCurrencyRender currency={currency} mid={mid} />;
          })}

  );
}

export default Favourites;

I will appreciate any help.

A: I got that ..
Replace your Reducer name in below line
  const currencyStore = useSelector((state) => state["yourReducerName"]);

you will get your reducer complete state in currencyStore variable ..and then you can use this store vaiable in dom like that

          {currencyStore.list.map((currency, mid) => {
            return <GetCurrencyRender currency={currency} mid={mid} />;
          })}


text:
Chinese desk
Pact for Youth in Ukraine – 2020
2P2 Scholarship
Cooperation With Universities
ADIT - The Advanced Diploma in International Taxation
Eterna Law launched ADIT Course in Ukraine
Kyiv, January 23rd - Eterna Law in cooperation with Tax Atelier Ltd and P.S. Institute of Accountancy Ltd are proud to announce the launch of ADIT Course (Advanced Diploma in International Taxation) in Ukraine - in partnership with the most prestigious training organizations in U.K. Tolley Exam Training, (part of LexisNexis) specializing in international taxation. Eterna Law becomes a local provider for the course in Ukraine for Chartered Institute of Taxation.
ADIT is a fantastic opportunity for tax professionals to prove their expertise in international tax and gain a specialist qualification from one of the world's most respected professional bodies. The Advanced Diploma in International Taxation (ADIT) is particularly relevant to qualified accountants with a tax background who are looking to specialize further in international taxation. ADIT unites affiliates in over 100 different countries and territories - every continent, major market center, and every business sector represented.
Course it is offered exclusively through CIOT.
To gain the ADIT, candidates need to be able to demonstrate:
knowledge of the principles of international taxation
in-depth knowledge of international tax issues for two jurisdictions or areas of international tax.
"The environment of international tax law is now undergoing such turbulent changes that were not previously in the history of international law, which is why in a close and interconnected world specialists must have in-depth knowledge of tax law and be able to apply them in practice," - commented Oksana Kneychuk, Partner and Head of International Taxation Practice in Ukraine.
The course will be launched starting from September 2018. Deadline for registration on the course is July 12th.
This year Paper 1 - Principles of International Taxation is available for the students in Ukraine. The Paper 1 gives the possibility to achieve stand-alone certificates. This paper is based on the OECD Model Convention and is compulsory for all candidates. The focus is on key issues such as principles of international tax law, residence, double taxation and treaty interpretation, transfer pricing, the work of the OECD and international tax avoidance.
Full information about the course
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Eterna Law in cooperation with Tax Atelier Ltd and P.S. Institute of Accountancy Ltd are proud to announce the launch of ADIT Course (Advanced Diploma in Taxation) - in partnership with the most prestigious training organizations in U.K. Tolley Exam Training, (part of LexisNexis) specializing…
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