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yami shibai 6
Yami Shibai 6 Review
October 20, 2018 April 19, 2022 fiddletwix Anime Reviews anime, anthology, horror, review, yami shibai 6
Plot: The sixth installment of the horror anthology series, Yami Shibai.
Breakdown: This certainly was an interesting, but somewhat tame, season of Yami Shibai. There was definitely more of a focus on happier endings and sadder, tragic stories than there were actual horror, but that doesn't mean they slipped too much in the horror department.
Like I've mentioned before, part of horror is creating a connection with the main characters and caring for them to the point where you worry for their safety, heightening the sense of horror that you get from the danger at hand. Problem is, some of these stories didn't amount to much as horror as they did tragedy. I'm not sure how much of a problem that is because Yami Shibai is a theater of darkness, and tragedy and sadness are indeed dark feelings. I would say I come here for the horror, but I moreso come for the stories as a whole.
The good news is that, even when the stories were more sad or tragic than usual, and even if they had happy endings, the twists and horror elements were usually well-done, and I can't think of any story this season that was notably bad.
Episode 1: Thunderous Visitor Starting off a little sad, but definitely creepy with some great pacing, Thunderous Visitor has a great twist and a lot of suspense.
Episode 2: Tomonashi Cave While the story is alright, the episode as a whole is very cliché, and you only really care about one of the characters. Some of the visuals were creepy, but it's nothing to write home about.
Episode 3: The Wind's Warning The story manages to be creepy while having both a happy ending and a sad but sweet twist.
Episode 4: Swamp Offering Confusing ending, and I still don't quite understand it even with several theories surrounding it. However, it's a decent enough horror story with a cathartic ending.
Episode 5: The Dripping A really chilling and legitimately frightening tale that is only hindered by the setup that I can't make heads or tails of.
Episode 6: Sakura I really love this story, and it does have several creepy and eerie elements, but it could be dinged off for being more tragic and sad with a happy ending than providing full horror. That doesn't really bother me, though. Also, how and why the tree was suddenly cut down is a bit too convenient and confusing.
Episode 7: Frog Eggs The more I think about this episode, the creepier it gets. The story doesn't make much sense to me no matter how I look at it, but I can't deny that those damn dot eyes and the very ending make for very effective scares.
Episode 8: Sea Fortunes Weakest episode of the season by far. It's not necessarily all that bad, it's just boring and not scary to me. Not to mention that the story doesn't even make much sense.
Episode 9: Mud Games Second of two episodes of Yami Shibai that I would say are damn near perfect. I would dock it off for being so ridiculously sad, but I can't, in all good conscience, do that because it did emit a fairly strong emotional response in me. Plus, it does have a very good horror element to it amidst the sadness, so it's not faltering in that area for the sake of tragedy.
Episode 10: Tree of Innocence I mentioned that this episode was sadder than Mud Games due to the current circumstances of one of the boys, but Mud Games still created a stronger emotional response in me as a whole, and the true sadness of his situation doesn't sink in until you've either watched the episode a couple of times or you've sat and ruminated over it, and the horror element in this one is pretty lackluster.
Episode 11: Frozen Memories Still going strong with the sadness, like the happy ending, but very very light on the horror and creepiness. I kinda liked that the…whatever that was outside the door was an unseen threat, but it just didn't work very well.
Episode 12: Waterfall Drop One of the creepiest Yami Shibai entries, marred only by a slightly predictable setup and some craggy artwork.
Episode 13: Echoes Definitely a creepy and legitimately disorienting episode with a decent enough twist at the end, but nothing that horrifying, and slightly disappointing because this is the season finale so I expected more spice.
Here's the thing, this is definitely the most consistent season of Yami Shibai yet in terms of quality in writing. There was only one 'bad' episode, and it wasn't even really all that bad so much as uninteresting and confusing. I really enjoyed season six, but it did skimp on the horror several times.
I'm not against them going a different route when it comes to the 'darkness' aspect of the 'Theater of Darkness' Afterall, sadness and tragedy are two dark things, but after five seasons and a distinct theme of horror, you come to expect more in the actual horror department from Yami Shibai. Over half of the entries are aimed more towards sadness than scares. They can sometimes meld the two quite well, but it's so strange that they decided to go down this route.
I can't really mark them down for this, though, because I still think the quality of the stories was enough, and they always made an effort to include horror so it's not like it was an afterthought.
Additional Information and Notes: Yami Shibai 6 was produced by ILCA and is currently licensed in the US by Sentai Filmworks.
Recommended Audience: There is some gore, most notably in Frog Eggs, and even then you can't see too much. While the season is slanted more towards sadness and tragedy, there are still plenty of scares and creepiness here. 12+
Animating Halloween: Yami Shibai 6 Episodes 11, 12 & 13 (FINALE)
October 16, 2018 April 20, 2022 fiddletwix Anime Reviews animating Halloween, anime, anthology, Halloween, horror, review, yami shibai, yami shibai 6
Episode 11: Frozen Memories
Plot: A man is caught in a snowstorm on a mountain, mourning the death of his only child. He promised that, when he was well, he and his son would climb a mountain together, and now he's doing so on his own in his son's memory. He seeks shelter in a mountainside cabin meant for travelers and meets a man who won't communicate with him, only shiver. When he finally does talk, the only thing he'll say is that something has returned and begs him not to open the door no matter what until the blizzard passes. What lies beyond the door in the frigid mountain snow?
Breakdown: Sticking pretty fiercely to the tragic story theme, this one actually has a happy ending. While I liked the story, it truly wasn't anything horrifying. We never learn what happened to the other people that strange man was with nor do we see what's out there.
Truthfully, I think the latter is for the best because sometimes the best horror comes from the mystery of what's in the darkness, and the tension of wondering whether or not he'll open the door is decent enough, but it still wasn't anything really scary at all.
I'm glad at the end, but also a bit confused. I have nothing against Yami Shibai trying new things, but they've been skimping on the horror for a while now. Also, the art in this episode is fairly subpar.
Episode 12: Waterfall Drop
Plot: A group of teenagers head to a waterfall for some fun. They tease each other about how the spot is supposedly haunted by people who have committed suicide on the cliff before tricking one of the girls into following a path to the top of the waterfall.
Breakdown: Slow start but definitely one of the creepiest Yami Shibai entries. The kids were creepy, the way they kinda fake you out with the scare is well-done and when the shit finally goes down it is fantastic. The lighting, the reveal, it was all great.
It was a teeny, tiny bit predictable because you know her friends are trying to warn her of something, and the actual design of the creatures could be better, but it's still very creepy and impacting.
Also, the art could be a little better for this one. The lines are really craggy, even for this show.
Episode 13: Echoes
Plot: Two girls enjoy a hiking trip in the mountains when one of them decides to have some fun with the echoes. They hear a man's voice responding to them, but get creeped out when he asks where they are. They decide to leave, but a sudden onset of fog traps them. It's so bad that they can't see each other despite being a few feet away. One of the girls is unable to hear her friend either, and all she hears are the echoes getting closer and closer.
Breakdown: Strangely, despite being the season finale, there's nothing that special about this episode. The narrator whispers in the start of this episode, for some reason, but that's about it. Someone said that the figure in the fog at the end was the narrator, considering the intros for this season have been in a foggy area, but I'm not sure how much I buy that. If that's what they were going for, they didn't do a good job of conveying it.
As for the episode itself, I found it to be frightening in a disorienting way. There's a strange, unseen figure in the fog, and it suddenly becomes numerous people, and they're warning her about something else unseen. It's a nice change of pace from the typical 'Ahhh there are things in the dark!' shtick.
This all culminates in a jump scare that seemingly leads into a happy ending, but then there's a twist that legitimately took me off guard, and the voice acting for that one line made it very creepy.
A bit of an odd story to leave off on as it's not terribly notable nor does it try to bookend the series as a whole, but it's a good episode.
And that's it for Yami Shibai 6! The full review of the entire season will be coming up soon!
Animating Halloween: Yami Shibai 6 Episodes 9 and 10
Episode 9: Mud Games
Plot: A mother picks up her daughter from daycare in a rain storm when she starts telling her a strange story of what happened when she was playing in the sand box.
Breakdown: Well, we're back to incredibly sad again.
I didn't see the twist of this one coming, and it did have one or two very unsettling moments, but the whole story is a bomb of sadness. I won't spoil it for you, but it's like they came up with the bare-bones plot and asked themselves 'Hm, what's the most depressing route we could take this story?'
It's not a bad story by any means, in fact it's very good, it's just incredibly sad.
Episode 10: Tree of Innocence
Plot: Twin boys, Satoshi and Takeshi, decide to climb a big tree. When Takeshi steps on a rickety tree branch and begs his brother for help, their mother arrives and pleads for them to come down….Well…one of them anyway.
Breakdown: This is so similar to episode nine it's weird. Starts off normally, leads into creepy, revelation that one of the characters is dead, leads to the death of the loved one of the initial person who died.
The only major differences are the situation and the absolute ending, and it somehow makes the entire situation even more tragic than episode nine.
Spoilers! When Satoshi tries to save Takeshi, his mother begs Satoshi to get out of the tree because Takeshi recently died from falling out of that same tree. Satoshi was lured into the tree by Takeshi's restless spirit. He caused Satoshi to fall, and when he did, Takeshi took over his body and walked home with their mother.
Dying is one thing, but having your dead brother take your body and leave you as a spirit in a tree with no one mourning you because they believe you're still alive is heartbreaking.
I have no clue why the comments were so lenient on this one when they weren't on episode nine. Tons of people were saying 'Finally a good episode!' when every other episode has been either mixed or littered with 'This isn't scary.' This one's even sadder, and, in my opinion, it's less frightening. Ghost Takeshi is a little unsettling, but he's a lot easier to watch than that scene with the toddler in the previous episode.
Animating Halloween: Yami Shibai 6 Episodes 7 and 8
October 10, 2018 April 19, 2022 fiddletwix Anime Reviews animating Halloween, anime, anthology, Halloween, horror, review, short stories, yami shibai, yami shibai 6
Episode 7: Frog Eggs
What's wrong with your face!?
Plot: A boy was terrified of having too many eyes on him back in the city, so his parents moved them to the country. He finds himself still having trouble adjusting and being terrified of the eyes of the townsfolk. When he finds a pile of frog eggs in the nearby stream, will his troubles be over?
Breakdown:…..What the hell is up with the art in this episode? It's both bad, but also a million times creepier because it's bad. The scratchiness of the line art and those small dead eyes are just haunting. Look at this wall of paintings and tell me this isn't horrifying.
This is a very good and unsettling episode, certainly creepy, but the story doesn't make much sense to me.
A boy is so frightened by being around too many people or 'having too many eyes on him' that his parents are forced to relocate to the country where there are less people, instead of, ya know, getting him therapy or something.
The boy finds a weird pile of frog eggs in the stream and suffers from another panic attack after seeing the eyes of the townsfolk. In the middle of the night, he once again panics, this time believing the eyes of the paintings on the walls are staring at him.
He, for some reason, runs out to the stream to see the eggs and is happy they're safe. He decides to move them so some rude kids from earlier won't hurt them, and when he goes to do so one of them moves like an eyeball.
Cut to later where the boy is seemingly back to normal. He's no longer scared of eyes on him, he's willing to go out and do things, and he is happily watching something in a fish tank. When we see him from the front, he has the pile of eyeballs or eggs or whatever in the tank and we see that he has either gouged his own eyes out or the egg/eyeball thing has taken them from him.
This story is so weird and nonsensical. Does this mean this…thing has been tormenting the kid from afar all this time, or was it the worst coincidence ever that he came to a village with a weird eyeball/egg monster thing when he has a paralyzing fear of eyes? What is this thing? Is it taking eyeballs? Why?
I almost feel like this story is a horrific narrative on mental illness and none of this is paranormal. The kid is so terrified of eyes that he believes the frog eggs are eyes then he gouged out his eyes in fright.
It's also kinda strange that you can't get a lock on if the ending is a bad one. Yes, it's horrible that the kid lost his eyes, but he's also oddly happy and is no longer living in fear of eyes on him.
Seriously, I truly believe this whole situation would've been avoided had his parents taken him to a counselor or something.
Episode 8: Sea Fortunes
Plot: A woman and her husband visit a small island for a vacation when she mysteriously disappears. She winds up on the beach in terrible shock, but all she did was a pull a fortune on the beach. Good luck can only be granted if something is sacrificed in return….
Breakdown: This story's just lame. It's very cut and dry (opposite pun?) while also being confusing. These fortunes grant good luck for fishermen but only if the person pulling the fortune is sacrificed? What? We've seen sacrifice plotlines before, but what's the point of getting good luck if you have to die to get it?
Strangely, the woman didn't die. Why, I don't know. She tries to run after she's chosen to be a sacrifice. Then she's teleported onto a boat in the middle of the ocean, some weird monster baby attacks her then…nothing and she somehow arrives on shore. Then she passes on the sacrifice duty to someone else by carving the mark of the good luck fortune onto her arm and having some random guy grab her arm as she falls over.
Usually stories this milquetoast can be saved with creepy imagery, but outside of the slightly creepy baby, which is just a regular baby malformed a tiny bit, there was none.
Animating Halloween: Yami Shibai 6 Episode 5 and 6
October 7, 2018 April 18, 2022 fiddletwix Anime Reviews animating Halloween, anime, anthology, Halloween, horror, review, yami shibai, yami shibai 6
Episode 5: The Dripping
Plot: A man spends too much time reading at a mini-mart after work. When he decides to walk home, he sees that it has started to rain. He spots an umbrella in a stand outside of the mini-mart and realizes it probably belongs to the creepy man who was reading next to him. He decides to take it anyway and starts to walk home. No matter the circumstances, you shouldn't steal anything from others….
Breakdown: This has been one of the more chilling and legitimate scary entries of Yami Shibai in quite a while. There are no jump scares, but there's a great deal of build up, creepy moments and great horror shots. You sympathize with the protagonist enough to worry about his safety, but you also realize a tiny bit that he stole an umbrella, and that's wrong….Not 'you should die' wrong, but still.
Only thing about this story is that I'm a little confused as to what's happening. The creepy guy definitely seems to be the owner of the umbrella and he seems to know what happens to the people who steal it. Is he setting up this trap on purpose? For what reason? Who is this girl whose soul seems to be attached to the umbrella?
Despite that, this is certainly one of the scarier episodes of the series.
Episode 6: Sakura
Plot: A man is hospitalized after a car accident. He hears children talking to him through the wall, asking to be his friend. He agrees and is happy to have some kind company as he recovers, but what happens when they want to meet him as the cherry blossoms fall outside?
Breakdown: This was certainly an eerie one. Starting off on an uncomfortable note is merely the fact that the man is hospitalized. He has a broken leg hung up in a sling, so he can't really move to escape danger should it appear.
A majority of the episode goes on quite pleasantly. He's just talking to these kids, enjoying the company, and then, one night, more voices join and they want to see him. Though some of the voices, particularly the children, aren't so keen on the idea.
Spoilers! The big twist of this episode is a strange one, but explains why it's called Sakura. Apparently, the big bad of the episode was the cherry tree outside. It was, I guess, demonic and lured many patients into hanging themselves from the branches over the years. It was about to do the same to the man, but the nurse stopped him getting up in the middle of the night. The next day, the tree was mysteriously cut down.
And thus, the day was saved by a nameless, faceless lumberjack. And, possibly, the nurse because she seemed like she kinda knew what was going on.
This twist certainly caught me off guard, and, while it is weird, it was also creative and creepy. Some people in the comments were complaining about another story ending with a happy ending, but not all horror needs death. It just needs suspense, atmosphere, tension and a feeling of personal concern. Plus, it's not like it's all that happy – tons of people were lured to their death by a tree, and they possibly still haunt the stump. They found death in a horrible way and can't seem to rest.
October 5, 2018 April 18, 2022 fiddletwix Anime Reviews animating Halloween, anime, anthology, Halloween, horror, review, short stories, yami shibai, yami shibai 6
Episode 3: The Wind's Warning
Plot: A man comes home to his empty house and finds the side door open. He shuts it and goes on with his night, but the door keeps inexplicably opening on its own. Who or what won't let him shut the door?
Breakdown: Sometimes, Yami Shibai truly surprises me by having sad and even touching entries in their lineup. This is one of those entries.
I won't spoil the story for you, but it was a really sad and sweet story that actually has a happy ending for a change. Some stories can bring you chills and make you concerned for the characters without needing to kill everyone off, and this was a great example of that.
Episode 4: Swamp Offering
Plot: A pair of newlyweds move to the country to be with the groom's family. The bride's mother-in-law is very strict and cruel towards the bride, but she takes it in stride in order to be a fitting wife. The village has a custom where you throw your most precious item into the nearby swamp in order to protect yourself from harm in times of disaster. If you throw in worthless junk, a creature called 'the muddy' will emerge and take what is truly precious to you. How will this year's offering go?
Breakdown: This one's a little confusing, but also cathartic in a very Hell Girl sense.
A woman moved to the country to be with her husband and his mother. The mother-in-law was very strict and treated the woman poorly, even taking her deceased mother's ring off her hands and keeping it because wearing the ring in respect to her mother was viewed as an affront to her 'new' mother.
The swamp offering was that night, and the mother-in-law threw in the woman's ring for her, against her wishes of course, because that was what was most precious to her. The woman was distraught, but decided to accept it in order to be a good wife.
Now, here's where things get odd. That night, the husband follows a trail of gross water to his wife, who is sitting in their room babbling about losing her 'mother' and desperately apologizing for not being a good wife. She's shown to have her ring back on her hand, which is muddy, and the mother-in-law is mysteriously missing.
From what I could gather in the comments, since the woman herself threw in something that wasn't precious to her (an old pen from school) the muddy took what was most precious to her. She had convinced herself that her 'new' mother was most important, so the muddy took her, I guess?
That didn't mesh entirely with me, but there was another theory. Since the mother-in-law only threw in the ring and not something precious to her, the muddy came and took what was most precious to her, which was her life. However, that doesn't explain how the woman got her ring back, unless the muddy returned it for some reason.
It was also theorized that the woman went back to the swamp and got the ring back herself, which angered the muddy. As a sacrifice to the muddy, the woman killed her mother-in-law and threw her in the swamp or killed her by throwing her in the swamp.
I'm not sure the mother-in-law deserved to die here, but, hey, if we're giving all these terrible fates to innocent people, why not have this shrill harpy take a dip in a swamp?
October 1, 2018 April 18, 2022 fiddletwix Anime Reviews animating Halloween, anime, anthology, Halloween, horror, short stories, yami shibai 6
Episode 1: Thunderous Visitor
Plot: A teenage boy reminisces about his mother comforting him as a child during a thunderstorm. She mysteriously abandoned her father and him when he was five, but now she's back to comfort her child during another thunderstorm.
Breakdown: Whoo! Animating Halloween starts now! Another year, another October and another season of Yami Shibai to give us even more chills this Halloween season.
This year's Yami Shibai intros are done in a very foggy swamp-like area with the narrator being a floating mask with a shadowy body before he turns into the regular narrator. A changeup from the norm, which adds to the ambiance, but where is this?
This episode is extremely well-paced and creepy. At first, you think the mother is coming after her son for whatever reason, but the story takes a big left turn right at the end and gives us a twist I never saw coming. There are no jump scares (except maybe thunder) and it slowly rolls you towards the truth.
The artwork this time around was nice. It was washed out, which fit with the stormy theme, and was drawn in a rough combination of pens and crayons. It also had more slight animations like arm movements and flashlight movement than YS typically has.
I liked this episode. It has a great feeling of suspense. And if it's any indication as to the quality of the rest of this season, I think we got some good ones ahead of us.
As for the ED this year, it's jazzy and fun to listen to, though, like some other YS ending themes, it clashes a little with the tone of the series.
Episode 2: Tomonashi Cave
Plot: A group of teenagers are on a field trip to a cave when four girls decide to go off to a different part of the cave on their own. One of the girls, Tomoko, suddenly gets bullied by two of the girls, having been betrayed by her supposed actual friend, Akane. The girls push her to the ground and decide to investigate some strange noises deep within the cave. When Tomoko suddenly hears them screaming, she has to decide whether she should save them.
Breakdown: By media mandate, all teenagers are stupid and terrible.
Anyone disagree? No? Cool.
Teenagers in horror shows are particularly stupid and terrible, meaning you never root for them to survive. Poor Tomoko is the only one here you hope survives, and horror stories hate having any semblance of happy ending in recent years.
The story, while being alright, is also nothing to write home about. It's one of a million 'stupid terrible teenagers go somewhere scary they're not supposed to go and they end up getting screwed because of it.' stories. There was a predictable jump scare and some kinda creepy imagery, though it also wasn't really anything most people haven't seen before.
All in all, it's middle of the road material.
Yu-Gi-Oh GX Episode 3 Sub/Dub Comparison: Etoile Cyber


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Welcome back Matt Holliday, indeed! And Starlin Castro as well! The song "The Boys Are Back in Town" keeps going through my head. This team is finally starting to feel like the team it was back before the decline started mid-June and that makes sense since most of the parts are once again in place. It's too bad about Aaron Hicks but Ellsbury has been so hot lately it's worked out just as well. At one point there was a question about what the Yankees would do with all their outfielders but injuries have resulted in their having just enough.
Our starting pitching has been top notch, the bullpen has been doing its job and the offense keeps coming through. Even better, Boston is on another losing streak. Most of the ESPN announcers on Sunday night listed the top three teams in the AL in order as Cleveland, Houston and Boston with one contrarian placing Boston second. I do not see Boston going far in the post-season. They have been inconsistent all year and it may be time for a collective slump.
Speaking of Boston and slumping, how satisfying it has been for Chris Sale to been held win-less against the Yankees this year. I noticed in all their fawning adoration it took the ESPN announcers till mid-game to mention this important piece of information. Had it been the other way around you know they would have lead with it. I don't want to be peevish but the bias in favor of Boston and Chris Sales on that network really gets old. Fortunately even they had to give the Yankees and Luis Severino some kudos Sunday night.
So let Boston fight it out with Minnesota and the others for the Wild Card – we want the division!
Yes, the division, Audrey! And I agree about beating Chris Sale – how satisfying! Yesterday's game in Baltimore was great too. The O's are usually a scoring machine, but we outhit them and D-Rob's Houdini act, which drives me nuts, elicited a cheer in my house. I really love when he gets big strikeouts. I hope we don't miss Sanchez during this series and others step up, but a three-game suspension is better than four so we'll have to get along without him.


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While outright ownership may not need be proven, the person or entity that has been the victim of actions prohibited by Miss. § should have a colorable claim to the property in question. Colorable claim of error" means claim that party may reasonably assert under current law and that is plausible given facts and given current law or reasonable extension or modifica tion of current law. New Coordination of Benefits ( COB) Claim Error Codes - Update. Definition of claim in the Legal Dictionary. claimed use, claims ex delicto, colorable claim, common law claim. Claim Adjustment Reason Code; claim advanced by. · Colorable claim of error Hola foreros, Tengo una duda acerca de la frase más arriba. He encontrado una traducción de " colorable claim" de " reclamo. 4 Error Report Rejection Conditions – Error Codes. Claim submitted as Pay Patient. 4 Error Report Rejection Conditions – Error Codes ( continued). appendix 1 edit codes, carcs/ rarcs, and resolutions. ub claim: diagnosis code.
NOT FOR PUBLICATION IN WEST' S HAWAI ' I REPORTS AND PACIFIC REPORTER by deception of more than $ 20, 000 in public assistance benefits, in violation of Hawaii Revised Statutes ( HRS) §. Medicare information is all inclusive or error- free. Most of the following claim submission errors will have a Group/ reason Code Co- 16 ( Claim/. colorable claim" of ineffective assistance of appellate counsel. Ineffective assistance of appellate counsel means more than failing to communicate with you or failing to raise the issues that you. If you have been injured or suffered other damages because of a product you used, you may have a defective product liability claim. Though the range of defective product cases is broad, the claims typically fall into three categories of product liability: ( 1) defective manufacture; ( 2) defective. Claims Error Explanatory Codes. ESH If a claim is submitted by a Mental Health Sessional Group for a code other than K400A, reject the claim to the error report. CLAIMS REJECTED AS ERRORS. Below each claim is one or more Error Codes with error messages that. The second claim would error. ( 29) OTHER SOURCE CODE AND.
2 LUBA Procedures/ Rules – Stays – Colorable Claim of Error. comprehensive plan and code provisions demonstrates a colorable claim of error, if. OHIP Billing - Error Report Rejection Conditions. OHIP Billing - Error Report Rejection. VH4 — Invalid Version Code. VH5 — Claim Header. Justice Haller declared that Family Code section 1101 provides no remedy whatsoever for nondisclosure of separate property during the course of dissolution proceedings - in this case, under these facts given the very short marriage, Tracy evidently had no colorable claim that the Wells Fargo monies had a CP origin. CIMOR Batch Provider Error Codes Department Of Mental Health. Type Code Description Error E19 REJECT,. First Medicare Part A claim. Error ICM9 ICM ACCEPT,. The legislature has not defined the phrase " colorable claim of error" in ORS 419A. a) or any of the other three statutes in which the phrase is used. 6 The key word in the phrase is " colorable, " the dictionary definition for which is " seemingly valid and genuine: having an appearance of truth, right, or justice: plausible.
RelayHealth Reports Medisoft and Lytec. • E/ F column documents that the claim receive errors Code will. CLAIM ID: N/ A ERROR 01. Colorable claim of innocence required to vacate plea Judge in off- the- record plea discussions during trial Counsel' s mistaken belief about the existence of a plea agreement with the prosecutor. ELECTRONIC CLAIM STATUS INQUIRIES. IK304 Implementation Segment Syntax Error Code- Code indicating the error found based on the syntax editing of a segment. A claim also means an interest in, as in a possessory claim, or right to possession, or a claim of title to land. to make a demand for money, for property, or for enforcement of a right provided by law. July 8, ) where the court held that insureds stated a colorable claim for negligence against adjusters. The insureds argued that adjusters affirmatively misrepresented and concealed material facts from them to delay the resolution of their claims.
· GitHub is home to over 28 million developers working together to host and review code,. SenseColorableSankey. Qlik Sense Colorable. A " colorable claim of error" is a claim that the trial court got some legal question wrong, which made a decisive difference in the outcome of the case. You must have at least one such claim in order to bring an appeal. Internal Revenue Code; News. Failure to Assert ' Colorable' Claim Isn' t. The supreme court' s rejection of the " colorable claim" standard— and. A plausible legal claim. In other words, a claim strong enough to have a reasonable chance of being valid if the legal basis is generally correct and the facts can be. the claim as an adjustment. The billed rate on the adjustment is the same as the original claim,. A complete list of error codes is available in eMBS User Guides. SSHSP CNY - Remittance Report - Error Codes Remittance Report. ( ICD- 9) code on the claim.
255 Invalid Additional Diagnosis Invalid additional ICD- 9 code( s). The supreme court' s rejection of the " colorable claim" standard— and reaffirmation of the " viable claim" standard— was a victory not only for the lawyer- defendants but also the Professional Liability Fund, which serves as the mandatory provider of primary malpractice insurance coverage for members of the Oregon bar. Sectionof the Procedure Code ( 735 ILCS 5/ West 1994) ), provides that, after a dismissal for want of prosecution, the petitioner " may commence a new action within one year or within the remaining period of limitation,. EDI Acknowledgment Error Codes. 06/ 08/ ; 2 minutes to read Contributors. This sections contains reference topics describing the error codes. claim entered and error any subsequent duplicates. ( 29) OTHER SOURCE CODE AND PAYMENT AMOUNT DISAGREE. Whether a motion states a colorable claim for correction of an illegal sentence under Tennessee Rule of Criminal Procedure 36. 1 is a question of lawso de novo review applies. 18 However, the county relies on provisions in the Ordinance for the county code 19 enforcement administrator to provide a " Compliance Plan" as defined in the 20 Ordinance, that includes " a written strategy" to " help a property owner rectify.
A more sensible reading of the statute is that the defendant has a right to appeal to present a claim of legal error, or at least a colorable claim. The balance of the statute bears out this reading. It says that the court on review shall determine whether there was such a legal error, shall remand if there was such an error, and if not " shall. · What does the word " colorable" mean when used by a lawyer? claim, statement. in the veil of popularising uniform civil code and uniform. A colorable claim is a claim, in a petition for post- conviction relief, that, if taken as true, in the light most favorable to petitioner, would entitle petitioner to relief under the Post- Conviction Procedure Act. AA recovery, constitution. claim is " a claim that, if taken as true and viewed in a light most favorable to themoving party, would entitle the moving party to relief under Rule 36. This error indicates that the claim submitted is. Bankruptcy Code, 11 U. On May 18,, Home Loan Services, Inc. filed a proof of claim in its capacity as servicer for First Franklin Financial Corp, in which it claims that.
1 does not define " colorable claim, " we have adopted the definition of a colorable claim used in the context of post- conviction proceedings from Tennessee Supreme Court Rule 28 § 2( H) : " A colorable claim is a claim. that, if taken as true, in the light most favorable to the [ appellant], would entitle [ appellant] to relief. NCPDP Reject Error Codes This page contains NCPDP Reject Error Codes and descriptions as well as the corresponding PROMISe Internal Error Status Codes. Whether a motion states a colorable claim for correction of an illegal sentence under Rule 36. 1 is a question of law, which this court reviews de novo. at 589 ( citing Summers v. Rardin, 338 Or 399, 406- 08, 110 P3dconstruing the nearly identical " colorable claim of error" standard as used in ORS 419A. a) ( A) to mean " a claim that a party reasonably may assert under current law and that is plausible given the facts and the current law ( or a reasonable extension or modification of current law. Nevertheless, in his ruling denying CBS an injunction last week, Bouchard called out Redstone' s behavior, saying the allegations against her were " sufficient to state a colorable claim for. It is we who must claim and defend our God- given. Uniform Commercial Code.
This " colorable" jurisdiction under the. is a reversible error for the. · A " colorable claim of error" is a claim that the trial court got some legal question wrong, which made a decisive difference in the outcome of the case.
GENERAL APPENDIX 5 ERROR CODE EXPLANATIONS Error Code Message Explanation A10 Payee Code Not Equal To Payee # 1 ( LEA) The Payee Code received on the claim must. This entry about Colorable has been published under the terms of the Creative Commons Attribution 3. 0) licence, which permits unrestricted use and reproduction, provided the author or authors of the Colorable entry and the Encyclopedia of Law are in each case credited as the source of the Colorable entry.
miscellaneous error). registration forms, mobile phones, or entries, or for telephonic, human or computer failures, problems or errors, interruptions in service due to system upgrades. · Error message text.
BPError code and label % 1 % 2 not used. For more information, see the following topics: Best Practices for Methods. ( refer to section - Error Codes) for each claim.
Error codes appear on the right side of the report under the heading: ERROR CODE. 1) A party with a colorable claim or interest in the subject property may answer the complaint by appearing in court on the date and time stated on the summons or by filing a written pleading in Tribal Court. Medicare Claims Processing Manual. and error codes, used by the.


Kitulgala is a pretty little town located in western Sri Lanka. The climate is humid throughout the year which makes it an ideal destination for whitewater rafting and other water-based adventure sports.
Kitulgala attracts outdoor enthusiasts to its beautiful setting, used in 1956 for the filming of the Academy Award-winning 'The Bridge on the River Kwai', but it is also one of the most important holdings of the country's biodiversity and endemic bird species. Trek along the nature trails and forests ideal for bird watching, or go canyoneering through rocky gorges. From breathtaking sceneries to the dazzling array of wildlife, Kitulgala has it all for the most thrilling outdoor activities!


text:
Classic Bike History
By Eddys Cycle City on January 25, 2018 • ( Leave a comment )
Over the years we've completed many restorations, in particular we have become well known for Schwinn Sting Ray and Krate Restorations. Today our shop has restored more Schwinn Krates, Sting Rays, Manta Rays and other variants, then we sold in the 60's & 70's.
(Gallery at the bottom, just a few photos from some project we did in the late 90's to early 2000's our cameras, lighting, and general photo skills have improved since, we promise!)
How did the Iconic Sting ray come to be?
In 1963 a Schwinn engineer named Al Fritz traveled to California after receiving a phone call from Schwinn Field Manager Sig Mork. Mork reported that local kids were customizing their bikes like motorcycles. Fritz saw firsthand the new style, emulating the hot rod and motorcycle culture of the day. The bikes had long custom forks and seats. When Fritz returned to the Schwinn warehouse he built his own version of what he had seen in California. Al was met with criticism at first but after several employees tired the bike, they were in agreement that this bike rode well. From 1963 to 1979 the sting ray ruled the market with the muscle cars of the day, dare devils like Evel Knievel helped to fuel the craze. Many other companies would follow the trend with such names as the: Sears Screamer, Huffy Slingshot, Ross Apollo, and many others.
The Sting Ray started out as the J-38, it was made using a mixture of already made Schwinn parts. The bike would become a production model of what Fritz had seen in California. The iconic bike with ape hangers, sissy bar and banana seat would go through a few changes over the next decade..
The seat which later would be known as the banana seat had been around since 1959, produced by Persons Majestics, they called them Solo Polos. Samples of the Solo Polo had been sent to Schwinn with the hope that they could be used on their tandems. Schwinn did not have an interest in the seat, Persons dumped their inventory on local California parts distributor who was selling the seat for around a dollar. Soon the muscle bike craze took hold, the seats were sold out in 1963. With a call to Persons the seat's mold was retooled to become the iconic Banana Seat.
Part 2 will be released on 2/1/18. We will discuss the first sales and Sting Ray variants such as Deluxe, Rams Horn, Manta Ray, and Krates.
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Categories: Classic Bike History, classic bikes, classic schwinns, feature, Product Reviews, Restorations
Tagged as: Bayonne NJ, bike history, jersey city, Schwinn, Schwinn apple krate, Schwinn Grey Ghost, schwinn krate, schwinn lemon peeler, schwinn manta ray, Schwinn orange krate, schwinn sting ray, vintage schwinns

redpajama_set_name: RedPajamaCommonCrawl


text:
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L'Atelier De Joël Robuchon & Le Jardinier To Open In MDD This Month
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Photo Credit: Michael Pisarri
At last, we can finally count down the days until the highly-anticipated two-part concept, Le Jardinier & L'Atelier De Joël Robuchon, will make their grand debut in Miami's illustrious Design District. Both restaurants are set to open to the public on August 16th and 28th (respectively) in the Miami Design District's Paradise Plaza.
The concepts are brought forth by two protégeés of the late, world-renowned chef: Chef Christophe Bellanca, who serves as the Culinary Director for Joël Robuchon USA and is responsible for carrying out Robuchon's legacy and bringing in the next generation of culinary talent; and Chef Alain Verzeroli, who worked with Robuchon for 21 years and most recently served as the Director of Culinary Operations at the three-Michelin-starred Château Restaurant Joël Robuchon in Tokyo.
Indicative of its name, Le Jardinier is the pair's modern, vegetable-driven restaurant. Joining Verzeroli will be Regional Chef Leo Pablo, who will helm the kitchen on a daily basis. Keeping in theme, the gorgeous restaurant—located on the first floor—will be decked out in lush greenery with an expansive outdoor dining area and rooftop garden, which the culinary and beverage teams will utilize for fresh ingredients.
Signature dishes include the Bass with fennel, tomato, confit and Meyer lemon; and the refreshing Watermelon Salad with heirloom tomatoes, ginger and mint. Executive Pastry Chef Salvatore Martone and Pastry Chef Yara Mege will work together to bring forth decadent dessert menus. The restaurant will feature 108 seats inside and 64 seats on the outdoor patio, with a 17-seat black marble bar for cocktail and bar service.
Photo Credit: L'Atelier
Upstairs, L'Atelier will serve as the dual-concepts' fine dining restaurant, serving Robuchon's award-winning, revolutionary French cuisine found in sister restaurants located in Paris, Tokyo and New York. More intimate than the downstairs restaurant, the eatery will offer only 34 seats with its dining counter that boasts views of the open kitchen. Similar to an omakase experience, the counter is designed to give guests an interactive experience upon arrival until departure, granting them the opportunity to see what goes on behind the kitchen, learn about each dish presented to them and each wine pairing—together, creating an all-encompassing, fine dining experience.
Culinary Director Christophe Bellanca will oversee the Miami restaurant from New York, working closely with Chef de Cuisine Nancy Dominguez—who hails from the brand's Michelin starred restaurants in Las Vegas. The menu will feature a handful of L'Atelier's most iconic dishes, as well new, seasonal creations that utilize local ingredients. The dining format features both a la carte and tasting menu options, allowing guests to be able to pick and choose what type of experience they want. The tasting menus range from a four-course seasonal tasting menu to a 10-course "Menu Evolution" and even a five-course "Menu Végétarien."
L'Atelier and Le Jardinier will serve dinner upon opening, with lunch service at Le Jardinier to follow. Le Jardinier will be closed on Mondays, open from 6 p.m. until 10 p.m. on Sunday, and Tuesday through Thursday; and 6 p.m. until 11 p.m. Friday and Saturday. L'Atelier will serve dinner from 6 pm until 10 p.m. Tuesday through Saturday. For more information, please visit www.Lejardinier-miami.com; www.LAtelier-miami.com.
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The best online casinos will support a huge variety of top notch game titles. Each online casino will vary in what games are offered. Since casinos are powered by different software providers, casinos will support a wide selection of games. Even when playing at sites that are powered by the same software, players may find a different selection of games. This is done so that players can enjoy a large assortment if they are registered at more than one online casino. When choosing the best online casinos, players will often take time to review the games that are being offered. There are many ways to do this. First, the players can sign up at the casino and access the game list and even play a few of the flash games for free to see if they like how the games work and what is being offered. Another way to find games is to read the casino reviews online. These reviews will often contain detailed information on the types of games that are supported and will also provide a list of the most popular game titles available.
Almost every online casino will support a great variety of slot games. Since these games are among the most popular in the industry, casinos make sure to offer a superb variety to players. At Crazy Luck Casino, a site that is powered by Rival Gaming, players can finds a great array of slots, including traditional three reel games, video slots with awesome bonuses rounds and some amazing progressive slots that can create instant millionaires with a single spin. Most of the best online casinos will focus on offering slots since so many players enjoy these games. It is not uncommon for top rated online casinos to support more than 200 slot games.
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Ashley Kahn on the story behind John Coltrane's "lost" 1963 album, and the context into which it has emerged.
"If you look at the headlines today, there's a hell of a big reason for it to be back on the rise," says Ashley Kahn, musing on the return of so-called spiritual jazz. It's the eve of the release of John Coltrane's "lost" album Both Directions At Once, and a few days since Kamasi Washington unleashed Heaven & Earth when we speak, and two stars from very different generations and contexts have aligned.
The devotional frenzy, the spiritual release, the social commentary inherent in the radical simplicity of each note, played with fervour and heart, blowing for freedom and taking everyone along with him, Coltrane imbued his sound with an urgency that transcended jazz. The same could be said of Kamasi Washington, who has built his sound on the foundations laid by John Coltrane and his quartet. When Kahn says Coltrane "brought the energy of the church into the jazz club," he could just as well be referring to Kamasi.
Of course, these are very different musicians, operating in very different contexts, brought into focus together in 2018 by virtue of forces beyond their influence. Both however appear meticulous about the way their music was (or is) presented.
Coltrane liked to come across as modest. In a famous 1961 interview with jazz writer Ralph Gleason, he appears almost frustratingly so, unsure of his place beside the like Miles Davis and Horace Silver, and unable to quite articulate where he's going next.
On 6th March, 1963, Coltrane and his band go into the studio and lay down 14 tracks. They'd just come off a two week stint at NYC jazz club Birdland, and, to all intents and purposes were ready to record an album. "I didn't hang out in the club between sets, but I'd be back stage and I heard Coltrane playing 'Vilia', again and again and again," Wayne Shorter told Kahn of that second week, where he played opposite Coltrane with Art Blakey & The Jazz Messengers. The suspicion is that they were working out material for the session.
The official reels from #BothDirectionsAtOnce: The Lost Album.
Fast forward fifty-five years and Kahn is listening to the tapes with John Coltrane's son Ravi Coltrane and a few others. The reels had been discovered in the possession of Syeeda (who now goes by the name Antonia), the daughter of Coltrane and Naima, and namesake of the famous 'Syeeda's Song Flute' track on Giant Steps, and have finally been readied for release.
Here were a set of sermons, perfectly crafted for the form on which they would be delivered, honed in a live context and captured – like "lightning in a bottle" – on a set of tape reels that were never released.
"Coltrane was very sensitive to the idea that, as his music changed, and as his music was released into the marketplace, there was this incredible delay," says Kahn. Albums Coltrane had cut with Prestige and Atlantic were still being released four or more years after they had been recorded. My Favourite Things released in tandem with Lush Life in March 1961 – two albums worlds apart in Coltrane's musical trajectory.
"It irked him to no end that people would get confused and think, "Oh, this is the latest Coltrane album,"" says Kahn, suggesting this goes some way to explaining what may have happened to Both Directions And Once. "The assumption is that he felt his music had moved on before this album came out, and he went up to Bob Thiele, his producer at Impulse!, and said "could you rather put this out, rather than this, it's more indicative of where I am." The four versions of 'Impressions' – at that point still referred to on the tapes in Coltrane's own hand-writing as the tune which inspired it 'So What' – didn't appear until later that year as a live Village Vanguard take on the LP Impressions.
For his second major release, Kamasi Washington's Heaven & Earth sprawls across four 12" records, containing over two and a half hours of music, and is accompanied by a secret additional EP, which adds another forty minutes to the playing time – alone closer to the length which Coltrane would have envisaged for his 1963 album.
Unlike Both Directions At Once, shelved for missing the moment, Heaven & Earth is decidedly totemic, an opus delivered in a form that demands, and to some extent precedes, its historical impact. Not so much a line in the sand, it's built like a pyramid in the desert (note that Sonny Rollins called this Coltrane discovery "a new room in the Great Pyramid" in the album's press release) – an album not made to fit neatly onto two sides of vinyl, but to soundtrack an afternoon of continuous streaming – gushing forth a generation's worth of social, racial and spiritual shortfall in America.
But like the title ultimately given to Coltrane's "lost" album, there's a sense of a relationship here that goes both ways. Whereas Kamasi has forged his own sound on a history left by Coltrane and his acolytes Archie Shepp, Albert Ayler and Pharoah Sanders (Kahn calls Kamasi "the right player at the right time"), so perhaps we wouldn't necessarily have been treated to Both Directions At Once, had Washington not thrust this music back into the limelight.
In that sense, few musicians have done as much as Kamasi in tearing down arcane definitions of high and low culture, colliding jazz influences with Kendrick Lamar collaborations and Street Fighter references.
"To call [Both Directions At Once] pivotal, which you might be tempted to do, is redundant, because almost every stop along the path for Coltrane was pivotal," says Kahn. It remains to be seen which direction Kamasi will take next.


Dry roast curry leaves for few seconds on low flame till it turns crispy. Remove from the heat and keep aside.
Dry roast red chilies till it changes its color a bit. Remove from the heat. Dry roast coriander seeds, fenugreek seeds, fennel seeds, cumin seeds, black cumin seeds and peppercorn together till nice aroma comes.


knowledge for business fulfillment. Statistics : Statistical Analysis enables to validate the assumptions, hypothesis and test those using standard statistical models. Predictive Modeling : Predictive modeling uses regression model and statistics to predict the probability of outcome and it can be applied to any unknown event predictive modeling is often used in the field. R, an open source descendent of the S language developed by Bell Labs, was written by statisticians for statisticians. Provides forecasting, classification, regression and clustering tools in one package. And unlike many math oriented software gmdh Shell is delightfully easy to use thanks to predefined analysis templates and overall transparency of the user interface. One word answer to this will be, to solve difficult problems and uncover new opportunities. Why is getting more important now as these techniques are available from decades and decades ago? Application of Predictive Analytics It can be used in many applications below are two examples of predictive analytics: llection Analytics : Predictive analytics help by optimizing the allocation of resources by identifying below issues/fact : Effective collection agencies Contact strategies Legal actions increase recovery Reducing. Predictive modeling pursues the goal of building a plausible mathematical model that would not only describe certain process or object, but would also give a reliable prediction. Model Monitoring: Models are managed and monitored to review the model performance to ensure that it is providing the results expected. Suite 11, Second Floor, Sound Vision House, Francis Rachel Str.
Introduction to Microsoft R, r is the worlds most powerful, and preferred, programming language for statistical computing and machine learning which fits perfectly with algorithmic trading, this blog explains how Microsoft has embraced the R-Statistical language in their enterprise level applications. By using multi-modal evolution it provides a number of options to choose best. Atistics: To confirm the prediction by using statistics tool relation between variables in the data can be shown.
For instance, gmdh Shell builds a predictive high-precision model based on a 200k rows dataset in merely 37 seconds a result hardly achievable with competing solutions. Data Analysis/Transformation For normalization data need to be transformed for efficient processing. Types of Model Category: Predictive Model, Descriptive Model, and decision Model. One of possible methods to carry out predictive modeling is group method of data handling, or shortly gmdh. Raise Forecast Accuracy with Powerful Predictive Modeling Software.
Predictive modeling is important in financial and marketing analysis, business forecasting, forex. One of possible methods to carry out predictive modeling is group method of data handling,. Predictive modeling is the process of using known results to create, process and validate a model that can be used to forecast future outcomes. It is a tool used in predictive analytics, a data mining.


I am the Senior Faculty member of my college and a task has been assigned to me to organize a workshop on effective communication. How can I make this task fruitful? Also suggest some good corporate games for the same as I have seen the workshop are generally very boring for the members.
Information about the Shannon-Weaver transmission model of communication? What does it mean and how it helps in effective communication?
How to increase the network in the business world?
Re: Corporate games for Effective Communication? How to make task fruitful?
this kind of problems i genrally faced.
then we used to play a housee. that brings so much fun.
its easy and announced some gift for winners so excitment will increase.
or only disscussion so it helps you a lot.
Effective communication is the most essential key to success for an individual.
As you are designated to organize a workshop for the same, the key task for you would be making the workshop interesting for the students.
This workshop should be designed in a way so that the workshop should not include the conventional model it should have modern methodology and emphasize on TRAINING not TEACHING, students should find it as a fun activity and should give their maximum participation, this way your workshop would be more fruitful.
As you have discussed about Corporate games in your query, I would try to suggest you the best of the games and activities which would surely leave an impact on the students.
For the procedure of these games you can refer to the below mentioned link.
Innovative Management games for Soft Skills Session?


Lyle Bunn is an independent analyst, advisor and educator in the digital media industry, who has been focused on dynamic place-based media for the past 13 years of his 39-year career in information technologies and telecommunications. He has assisted over 300 firms in their planning, execution and optimization of location-based digital media and has helped to train over 10,000 professionals.
Lyle has received 6 major industry recognitions including an Honorary Doctorate for his contributions to industry education and he was named as one of the 11 Most Influential People in the industry by DigitalSignageToday and one of the industry Innovators and Influencers by Sign & Digital Graphics Magazine.
He has published over 280 articles, whitepapers and guidebooks on related subjects and has served as editor of dynamic Media supplements in USA Today, The Wall Street Journal and The National Post. He serves on the advisory boards of the industry's primary events and on the judging panel of several digital signage awards programs.


Today, a poem titled "The Comet." Enjoy!
The night sky shines beautifully.
The moon glimmers and brings light to the dark.
But, while the stars clash, blasting their light at one another, somebody else arrives.
Like a dance through cluttered terrain of the clashing stars, in comes the comet.
This rare specimen makes its presence known, gallantly gliding into the center of attention.
The comet sticks around only for a little bit, then retreats.
Just as quickly as it came in it leaves, with the stars and the moon all having felt its presence.
Sometimes, I wish I could be a lot more like the comet.
What do you guys think of this one? I know my poems have been a little bit shorter lately, but that's largely because of a lack of inspiration. Let me know in the comments below. Also, if you want to support the Aniwriter through donations or are just feeling generous, consider buying me a coffee on Ko-Fi. Otherwise, thanks for reading and bye for now, Friendos!


Please note, deliveries of this lens are expected to begin in early 2018. Quantities are very limited, and we will contact all customers with pre-orders when updates are available.
To commemorate the International Leica Society's 50th Anniversary, Leica Camera is pleased to announce a special anniversary edition lens: the Leica APO-Summicron-M 50mm f/2 ASPH "LHSA Edition". This special edition lens will be available in two classic finishes, silver chrome and black paint and is limited to a total of 500 units worldwide (300 black paint finish and 200 silver chrome finish).
Combining the design cues of the original classic M lens with the top performance of the state-of-the-art Leica APO Summicron-M 50mm f/2 ASPH, this special edition lens offers the Leica enthusiast the best of both worlds. The Leica APO Summicron-M 50mm f/2 ASPH "LHSA Edition" offers the look and feel of the classic Leica Summicron lens with cutting edge performance. It is the first lens to optimize the capabilities of modern, high resolution camera systems, making no compromise in image sharpness, achieving previously unattainable values in all technical performance characteristics. The barrel of this special edition lens is constructed from brass.
The APO Summicron-M 50mm f/2 ASPH "LHSA Edition" has the feet scale engraved in red, while all other engravings are inlaid either in white on the black paint finish model and black on the silver chrome finish model. The special edition serial numbers are on the aperture ring, while the LHSA logo is inscribed (without inlay) on the bayonet rings, just above the "Made in Germany" lettering. The APO Summicron-M 50mm f/2 ASPH "LHSA Edition" lens comes with a separate lens and a lens cap, both machined of solid brass, and has the same technical features as the regular APO-Summicron-M 50mm f/2 ASPH lens.


Aggression can mean a multitude of different things when it comes to defense. The obvious answer is to blitz, but defenses can manipulate the secondary to be aggressive in their pass distributions and against certain receiving threats. Every offense has counters built into their scheme to take advantage of a defense vacating zones or spinning to single-high. Not every problem can be fixed through blitzing. Sometimes you have to play your base. Below are three ways a split-field Quarters team can tweak their coverage while staying sound and aggressive in nature. You know, Cautious Aggression.
Playing Four-Press (Sky) to 20 personnel can be a great deterrent to offenses that utilize RPOs in their scheme. The pressing corners eliminate much of the route tree for the outside WRs and force the offense into low percentage throws outside (Fades). In a typical split-field Quarters coverage, the boundary safety acts as a catch-all and plus-one versus the weak side run (alley). In Sky, the safety can "rob" the underneath of #1's route ("post hole") and will drive on any slant. To the field, the Sam can cover down to the slot (full cover down), essentially deterring bubbles routes while the field safety fits off the Sam.
Read Coverage allows the Sam to work back to the box while alleviating the pressure of the field safety to make a play on an out route. In the diagram, below, the CS works to a slight outside leverage of the slot while the Sam works closer to the box. Many times teams will bracket the slot by placing the Sam outside of the #2 WR. This tips the offense off about the scheme a defense is trying to do. By allowing the Sam to creep near the box, the defense has given the illusion of a soft flat and pressure from the field overhang. This can give Spread QBs the illusion of pressure and bait them into throwing the RPO screen, right to a robbing safety. This scheme in particular meshes well with a press Quarters alignment.
Against the run, the DS will work back to the boundary or run the alley to the field (much like Solo). The Sam takes the flat if #3 releases. This allows the Mike to essentially play all of the run because he now has no pass responsibility (and he can add in versus drop back five-man rush). In the diagram below, the Mike is shown "clamping" the H-back with the Sam. If a team is prone to arc the H-back or utilizes a pop pass, this technique can be used as a base when teaching Read.
One offense that has grown along with the proliferation of the Spread is the Air Raid offense. The key to any Air Raid offense is the use of a "triangle" and simple high-low reads. The offense has been used to rewrite many record books and its concepts are present in almost all modern spread offenses. The main way Air Raid teams attack a defense is the soft middle of the field left by vertically pushing routes with the outside wide receivers.
This vertical push forces the safeties in a two-high Quarters scheme to climb with the outside WRs. The zone dropping linebackers are left to defend WRs coming from opposite ends or behind their field of vision (and usually better athletes). These simple crossing routes are deadly to a defense that cannot get support from the backside safety or use simple spot dropping to combat the pass. One way a defense can counteract the Air Raids propensity to attack the soft middle vacated by the boundary safety is to run "Steal" coverage.
Unlike "Read" Coverage that takes advantage of the offense attacking the front side triangle, "Steal" coverage uses the boundary safety as a "robber" for the crossing routes. Many Air Raid offenses will use a fade route to clear the zone opposite the crossing route. This puts the safety in conflict and forces his vision away from the incoming route. If utilizing a 2-Read scheme, the safety will work to "top" the fade leaving a void in the middle of the field if the front side safety is beat to the inside.
Cover 2 (Tampa) defensive coaches will be familiar with the term of "cutting the CBs." In traditional Cover 2 (Tampa), the CBs will "cut" to the slot if it appears there will be an out route or "pop" pass. Some defenses will even give a "trap" call to get the CB to work inside the #1 WR and key the slot. The safety will stack him and work as though he is a Cover 3 CB (splitting the "unit" and staying deep"). The issue with "trapping" the two WR side is the exposure of the defense to deep inside cuts (especially versus play-action — No pole runner).
The use of trap coverages can help a defense disguise its calls and muddy reads for RPO teams. Trapping or cutting isn't only for the CBs. The safeties can get involved by using tags like "Invert" or "Sink" to get the safety to drop near the box on the snap of the ball. These "trap" techniques and tags work because they don't change the overall structure of the defense. In Sky, the safeties sit in the "post hole" or the intermediate zone. Dropping the safety near the box only changes his alignment and not his responsibility in the pass (CB still has the top in Sky). Changing run fits and giving the illusion of blitzing from the secondary puts an unblocked man near the box and also changes the run fits, keeping the offense confused. Take another look at an example of trap coverage to the boundary. If the QB would have kept the ball (pull) the trapping CB would have been there to collect.


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Protein in a 3-Ounce Grilled Flounder
By Erin Coleman, R.D., L.D. Updated December 19, 2018
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Eating grilled flounder is a heart-healthy way to incorporate essential nutrients into your diet. The American Heart Association recommends eating baked or grilled fish at least two times each week, or about 7 ounces per week. Flounder is an excellent source of dietary protein, important for growth and development in children and maintenance and repair of skin, organ and muscle tissue. According to the U.S. Department of Agriculture National Nutrient Database, a 3-ounce portion of grilled flounder cooked using dry heat contains about 13 grams of protein, 2 grams of fat and no carbohydrates.
Protein Requirements
The Institute of Medicine has established recommended dietary allowances for protein that are considered minimum requirements estimated to meet the needs of the majority of people in each age and gender group. Protein RDAs are 46 grams for women, 56 grams for men and 71 grams per day for pregnant and nursing women.
The way you prepare your flounder can affect its nutrition but doesn't change the protein content. Grilling flounder is a heart-healthy way to cook it. Frying flounder instead of grilling it will add fat and calories, and breaded flounder contains additional carbohydrates.
Quality of Protein
The protein in flounder is classified as a high-quality, complete protein because it contains all of the essential amino acids. Although your body can make some amino acids, it can't synthesize the essential amino acids; therefore, you must consume those from dietary sources.
Beneficial omega-3s found in flounder and other fish are associated with lower triglyceride levels and a reduced risk for heart disease, according to the American Heart Association. Flounder is also a good source of B-vitamins and vitamin D. A 2008 review conducted by "Current Opinion in Endocrinology, Diabetes and Obesity" found that high-protein diets are effective for weight loss, preservation of lean body mass and a reduced risk for heart disease.
Flounder does contain small amounts of mercury, which can cause problems for pregnant women and small children if consumed in high doses. The American Pregnancy Association recommends that pregnant women, women trying to become pregnant and children limit consumption of flounder and other low-mercury fish to 12 ounces per week. In addition to flounder, other low-mercury fish include salmon, tilapia, catfish and crab.
Erin Coleman is a registered and licensed dietitian. She also holds a Bachelor of Science in dietetics and has extensive experience working as a health writer and health educator. Her articles are published on various health, nutrition and fitness websites.
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China and Russia, whose relations are at their best time in history, are expected to cooperate in aerospace industry as well. Therefore, there is much attention towards whether the cooperation between the two countries will provide a foothold to surpass that of the United States, which boasts the world's most powerful aerospace industry. In addition, China-Russia ties are expected to be strengthened further.
This is quite reasonable considering the fact that China and Russia are set to sign a milestone agreement on joint space exploration from 2018 to 2022, which is expected to be signed in October. According to well-informed source in Beijing on Thursday, the bilateral agreement will cover lunar and deep space exploration and landing. Considering the collaboration expected in developing manned spacecrafts, satellite navigation system and telecommunication, it's not an exaggeration to say that the two countries are practically forming something that goes beyond the blood alliance.
There are clear reasons why the two countries are trying to establish a close relationship in the aerospace sector. Above all, both countries believe that a stronger strategic alliance is necessary in order to win the competition against the U.S., the potential common enemy. We must also mention the fact that China has a lot of capital, and Russia has technological power equal to that of the United States. It seems that through complementary cooperation, both agree with the idea of minimizing weak points and maximizing strength. Besides, the belief in synergy has also led to an active partnership between the two. Zou Yubo, an aerospace expert, revealed that China and Russia's cooperation is an excellent decision, saying, "If China and Russia try to catch up with the United States on their own, it's hard to tell when they will reach their goals. But if both countries team up, the results can be clear. At least in the next 10 years, the three countries will be able to compete at the same level."
In view of the recent international situation, China and Russia's move will have a significant effect on other areas in the future. This means that Beijing-Moscow relations could strengthen further. Obviously, their close relations will play a considerable burden on the U.S.. The analysis that the new Cold War era where the Chinese-Russian alliance and the United States are confronted seems to have hit right at the spot.


On this week's episode of the Jukebox Official Top 10 Video Chart, we have a lot of mouth watering visuals dished out from top African artistes and videos like, Sweet Boy by The Bahd Guy Falz, All My Life which is a collaborative effort from Major Lazer & Burna Boy and many more..
The colorful visuals was directed by Stanz..
On the number 9 spot, Award-winning South-African rapper eMTee hits his fans with the visuals to his single "Lesson" which is a track off his upcoming album titled DIY2..
Aiye which has been one of the most breakout songs this from the streets this year finally has a visuals to it's pronounced name..
Due to popular demand, Aiye crooner Barry Jhay drops a sensational visual to this hit street jam and it was directed by Director K.
The visuals was directed by Director Q and shot in Lagos, Nigeria..
The back to back king is here again for the 3rd consecutive week with the visuals to Logba Logba which is somewhat a thanksgiving and appreciative song..
The video was directed by famous Unlimited L.A..
Just maybe, Why was so much a hit that the Neptune Records boss, DJ Neptune had to put out an alternative video to the track which was a bonus off his 2017 album "Greatness". The song features Self-acclaimed sound god, Runtown and the video was directed by Adasa Cookey for Square Ball Media..
On the number 4 spot, South-African rapper, AKA links up with Nigerian producer and singer Kiddominant on their collaborative effort, "Fela In Versace" which is a track off his upcoming album "Touch My Blood".
AKA served a suiting visuals with a Versace theme which goes handy with the song title..
The Shaku Shaku Mogul, Mr. Real comes hard with the remix to his rise to stardom single, Legbegbe which features South African DJ & producer DJ Maphorisa, Maradona crooner Niniola, Vista & DJ Catzico and that makes it to the number 3 spot..
The remix to Legbegbe proves that Mr. Real sure is a rare gem and talented street king..
The video was directed by the baddest cinematographer, Sesan..
On the number 2 spot this week, Major Lazer comes hard on African fans with an all African Themed project titled Afrobeats Mix..
"All My Life" is the first song off the album and features top Nigerian Afro-fusion star Burna Boy..
A befitting video was finally dished out to honor the blessed Burna Boy vocals..
The Sweet Boys Association (SBA) president, Falz The Bahd Guy finally drops the visuals to the Sweet Boys anthem which is arguably the theme of most Nigerians and fans at large..
The popularity even before the visuals was dropped, makes it top the chart this week..


Register for Summer Art Camp, here.
Downtown: Listen to the music of the traffic in the city and linger on the sidewalk where the neon signs are pretty! Join us for a multi-media exploration of our city to discover that art is all around. Once back in the studio with sketches and ideas campers will create their own city using a multitude of art materials.
Oh Canada! celebrates Canada's 150th birthday with artmaking and games focused on the wonders of Canada's luscious landscapes, many of which can be seen in the Gallery. This session is topped off with a big birthday party that the campers plan for friends and family to enjoy.
Painting with the Master: This summer, Picasso is in the house! Campers will create their own masterpieces inspired by one of the greatest artists of all time, Pablo Picasso.
Week 1, July 4-7 • Ages: 9-12 • Theme: Downtown!
Week 2, July 10-14 • Ages: 6-8 • Theme: Oh Canada!
Week 3, July 17-21 • Ages: 9-12 • Theme: Oh Canada!
Week 6, Aug 8-11 • Ages: 6-8 • Theme: Downtown!


Sri called to ask if we needed any help.
Ginny thought Tarmi wouldn't want to buy such a small car.
What's up with you and Lester?
Amedeo wants so much to make Danny happy.
Could you tell Lenny, please?
Have I told you where I first met Loyd?
I was distressed to see Janice so unhappy.
I've already talked to Izumi.
I need to take Gregg to the hospital.
Geoffrey had never had time to read anything other than textbooks when he was a student.
Indra sat alone on the couch.
Hazel knows how to help people.
Gerald did what he had been told to do.
Nicolas leaned down to smell the flower.
Russell showed us his new car.
Darren begged me to stay.
Ole was put into a chokehold that he couldn't escape, so he tapped out.
I'm going to stay with Ofer.
Henry thought it wasn't a good idea to leave Lonhyn at home without a babysitter.
Stephanie is busy running an errand for his father.
Dawn may leave any minute.
Reid is a respectable businessman.
Kate goes to that restaurant for lunch every other day.
Vaughn managed a small bar near Boston for quite a long time.
Emma reached into his bag and pulled out a deck of playing cards.
Tell us what happened to Sam.


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Word Junkie
A.S. Youngless
How to make it better–Transparent review
Welcome to a television review. I would prefer to only review books, but I feel when you find a good, even great, story–it's worth a watch.
If you are unfamiliar with TRANSPARENT, here is the synopsis from IMDB:
"An L.A. family with serious boundary issues have their past and future unravel when a dramatic admission causes everyone's secrets to spill out."
Honestly, this doesn't clear much up, so I'll tell you this. After living a lifetime in confines of a mans world, Mort Pfefferman comes out as a transsexual named Maura. Set here in Los Angeles, the Pfefferman's live in a world that most would be envious of. They have the house, the bank account, the two cat in the yard–but no one is happy.
TRANSPARENT first aired on Amazon Prime in 2014, and let me tell you, season one wowed me. This is a topic you don't see on television. Maybe more now, but not when it first touched the airwaves. As a writer I love how complex the roles are. The cast of characters are all slightly crazy, living lie after lie. One by one the socially acceptable words they built around themselves crumble leaving each character in a hot mess of their own making.
I like this show, BUT I actually didn't care for season 2. Firstly, I didn't hate it–but the story lines for each character turned me against them. What feeling I had build for them in season 1 dwindled away by the season finale of season 2.
Season 3 is what brings me here today. Turning a reader or viewer around is hard as a writer/creator. A lot of times the reader/viewer will simply walk away. There are thousands of books to read and thousands of television shows to watch–but I went back, and I'm glad I did.
My contempt for Ali–the youngest and possibly the most messed up Pfefferman–transformed into compassion. That actually happened for all of the children of Mort/Maura. Their selfish nature's that forced me to condemn them last season turned me on my heels this season and turned me into a total mom.
"It'll be okay, honey. Just eat this and come sit for a while."
As a writer, what I learned from TRANSPARENT Season 3, is forgiveness. Humans are fallible, we all know this–but displaying true navel deep vulnerability will bring your characters to life. This makes them relatable–even when they're life is nothing like yours, because deep down inside all of us is that flicker of insecurity we have to master, daily.
If you haven't had a chance to see TRANSPARENT, all three season are available on Amazon Prime for your streaming pleasure. Created by Jill Soloway and staring Jeffery Tambor, Gabby Hoffman, Amy Landecker, Jay Duplass, and Judith Light–it's the best 24 minutes you'll treat yourself.
PS–Judith Light really should get a nomination for her role as Shelly Pfefferman this year. If my two cents counts, please make that a thing.
Happy watching! xxoo-A
October 21, 2016 October 16, 2016 by AS Youngless Categories: Friday in ReviewTags: amazon prime, amwatching, amwriting, friday in review, jill soloway, Transparent, writing	Leave a comment
Wednesday Words–Angels & Demons
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UTAH UTES BASKETBALL
Basketball /
NCAA Basketball /
Utah Utes Basketball Tickets
ThuJan 23
Washington Huskies at Utah Utes Basketball
6:00 PM - Jon M. Huntsman Center, Salt Lake City, UT, US
SatJan 25
Washington State Cougars at Utah Utes Basketball
Utah Utes at USC Trojans Basketball
6:30 PM - Galen Center, Los Angeles, CA, US
SunFeb 2
Utah Utes at UCLA Bruins Basketball
12:00 PM - Pauley Pavilion, Los Angeles, CA, US
ThuFeb 6
Stanford Cardinal at Utah Utes Basketball
SatFeb 8
Cal Bears at Utah Utes Basketball
ThuFeb 13
Utah Utes at Oregon State Beavers Basketball
6:00 PM - Gill Coliseum, Corvallis, OR, US
SunFeb 16
Utah Utes at Oregon Ducks Basketball
6:00 PM - Matthew Knight Arena, Eugene, OR, US
UCLA Bruins at Utah Utes Basketball
USC Trojans at Utah Utes Basketball
WedFeb 26
Utah Utes at Stanford Cardinal Basketball
7:00 PM - Maples Pavilion, Stanford, CA, US
Utah Utes at Cal Bears Basketball
3:00 PM - Haas Pavilion, Berkeley, CA, US
SatMar 7
Colorado Buffaloes at Utah Utes Basketball
12:30 PM - Jon M. Huntsman Center, Salt Lake City, UT, US
Oregon Ducks Basketball
Washington Huskies Basketball
Arizona State Sun Devils Basketball
Arizona Wildcats Basketball
Colorado Buffaloes Basketball
Oregon State Beavers Basketball
USC Trojans Basketball
UCLA Bruins Basketball
Cal Bears Basketball
Stanford Cardinal Basketball
Team: Utah Utes
Sport: NCAA Division I Men's Basketball
Home Games: Jon M. Huntsman Center
Final Four Appearences: 4 (1944, 1961, 1966, 1998)
All-Time Greats: Delon Wright, Jerry Chambers, Andrew Bogut
In 1972, the University of Utah took the nickname of the "Utes" to pay respect to the Native American tribe indigenous to the region. The school received permission from the Ute Tribal Council to use the name. Since then, the program has steadily rebuilt its basketball team into a Pac-12 power. While the rivalry between the University of Utah and Brigham Young University has always existed, the two colleges notified fans that they were developing an official rivalry series. Known as the Deseret First Duel, the series was named for the Deseret First Credit Union, its sponsor. The rivalry between the two schools is one of the country's oldest and strongest. In fact, The Wall Street Journal rated the rivalry as the fourth-best in the category of college athletics in 2005. The University of Utah's Student Fan Club is fervent and vocal. With almost 6,000 members, the club is a force to be reckoned with. To show their support, fans participate in the "U of U Chop," which involves fans making a U using their hands and "chopping" when the band plays a certain percussion tune. Get your University of Utah basketball tickets at StubHub.
What conference do the Utes play in?
The Utah Utes' basketball team plays for the University of Utah. The team is in the NCAA Division I program, and it plays in the Pac-12 Conference.
How big is the Utes' arena?
The Utes host their home games at the Jon M. Huntsman Center. It has 15,000 chair seats that offer amazing views of the games. The Huntsman Center is the biggest venue available in the Pac-12 Conference. Recently, the center added a video display system that hangs from the ceiling in addition to four new corner boards that hang on the walls of the center's lower bowl.
Have the Utes won a national title?
Throughout its history, the team has performed well. In 1944, Utah won the NCAA Tournament, and in 1998, the team was the runner-up. The Utes have made 16 appearances in the NCAA Sweet Sixteen and is one of seven different programs that have made it to the regional semifinals at least once a decade since the '50s.
Who is the head coach for the Utah Utes?
Larry Krystkowiak is the head coach of the Utah Utes basketball team. This will be his ninth season, and he has led the Utes to postseason appearances for five of the last six seasons. He has also racked up 155 wins during his first eight seasons as the team's coach. Krystkowiak has rebuilt the program to the successful one that it is today. Under his guidance, Utah became the only Pac-12 school to have a player chosen during the first round of the NBA Draft from 2015 to 2017.
Do the Utes have any historical rivalries?
While the Utah-BYU rivalry is now a bigger deal on the football field than it is on the basketball court, there was a time when it was the other way around. The rivalry cooled when BYU joined the West Coast Conference, and Utah went to the Pac-12 Conference, which means that they don't compete as much as they used to. However, the battle memories show up when the two meet. For instance, in February 2002, BYU was down 47-26 while playing against the Utes at the Marriott Center. BYU made a comeback reaching 63-61 with Eric Nielsen hitting an 8-foot basket with only 25 seconds remaining. Greg Wrubell, the Voice of the Cougars, shouted, "This shall be known as the comeback!"Back to Top


All our products are custom made to order, printed on High Tack LSE vinyl laminated with a thick glossy hard wearing PVC.
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On August 14, 2008, ;The Consumer Product Safety Improvement Act (CPSIA/HR4040) was officially signed and enacted as law by the United States Congress. This Act is the most important and influential Consumer Protection Act since the establishment of the Consumer Product Safety Commission (CPSC) in 1972. In the new bill, there are more stringent requirements on lead content in children's products, and also new requirements on harmful substances, such as a ban of certain phthalates in toys and childcare articles. In addition, the bill also requires the establishment of a common consumer product safety database.
CPSIA affects all U.S. production, imports, distribution of toys, clothing, and other children's products and childcare-related industries. Before all products are released for commerce to the U.S. market, safety testing by an approved third-party testing laboratory recognized by U.S. Consumer Product Safety Commission CPSC, is required or one must face hefty fines and disruption to product sales.
Under the new bill, third-party testing and certification of children's products has been gradually introduced and reinforced. The Bill also requires the U.S. Consumer Product Safety Commission to announce different types of accreditation scopes for testing different children's products. Once the Commission publishes the testing requirements for a category of children's product, that category must then be tested in accordance with the current requirements within 90 days after the effective publication date.
Eurofins is one of the accredited third-party testing laboratories approved by the U.S. Consumer Product Safety Commission, under the CPSIA. We provide in-depth consultation, training, and support to clients in analyzing their products and production to develop compliant procurement specifications. With the new certification requirements, we help clients adjust to assessment of the production line, develop labeling tracking system, monitor production and risk assessment, etc.


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Tickets Sports Tickets Football Tickets NCAA Football Tickets Georgia Tech Yellow Jackets Tickets
Georgia Tech Tickets
Georgia Tech Yellow Jackets Tickets
Grab Georgia Tech Yellow Jackets tickets with TicketSmarter and be in the stands for a top-tier collegiate athletics experience. The Yellow Jackets are a member of the Atlantic Coast Conference and their varsity athletic teams are routinely ranked among the best in the nation.
Georgia Tech is located in the heart of Atlanta and has a storied history of top-tier athletic competition. The Yellow Jackets own five national championships, with four coming from their football team. They also routinely compete for ACC championships in baseball, softball and men's basketball.
More than 150 Tech student-athletes have gone on to play professionally in Major League Baseball, the National Football League, or the National Basketball Association. Notable names include Detroit Lions great Calvin Johnson and Boston Red Sox legend Nomar Garciaparra.
Lock up your Georgia Tech Yellow Jackets tickets with TicketSmarter and never miss another moment of great college sports.
Georgia Tech Yellow Jackets Ticket Prices
A variety of factors affect Georgia Tech Yellow Jackets ticket prices. The opponent and date of the game will play a major role, with high-quality matchups usually coming in at a higher cost. Seats for sold-out games will also usually be more expensive.
How much are Georgia Tech Yellow Jackets tickets?
Tickets to see the Yellow Jackets football team take on the UCF Knights at Bobby Dodd Stadium range between about $53 and $73. Second-level end zone seats are the cheapest spots in the building, with an average cost of about $57, while seats on the sideline can come in closer to $73. Tickets for Georgia Tech's showdown with Clemson can cost between $46 and $191 with the most expensive seats located close to the 50-yard line.
Georgia Tech Yellow Jackets ticket prices for the current college sports season are starting as low as $17.00 and the more expensive seating options are available at prices ranging up to $7746.00. The average price to attend an upcoming Georgia Tech Yellow Jackets athletics event is around $81.93. The Louisville Cardinals vs. Georgia Tech Yellow Jackets will take place on February 1st, 2023 at 7:00pm. This Georgia Tech Yellow Jackets sporting event will take place at KFC Yum! Center, 1 Arena Plaza, Louisville, KY. Fans searching on TicketSmarter will find 1363 ticket listings currently available for this exciting NCAA sporting event with prices in the range of $11.00 to $307.00.
Georgia Tech Yellow Jackets Schedule
As a member of the Atlantic Coast Conference, Georgia Tech plays host to some of the best football, basketball and baseball teams in the country. Make sure you're in the stands when the Yellow Jacket football team takes on perennial powers like Clemson and Florida State. You'll also want to be there for the annual rivalry showdown against the Georgia Bulldogs, which is colloquially known as "Clean Old Fashioned Hate."
For basketball, you will definitely want to be there in person when the Georgia Tech men's basketball team takes on Duke and North Carolina. The women's team also has some incredible games on their schedule against ACC foes like Wake Forest and North Carolina State.
The Georgia Tech Yellow Jackets have 79 events remaining on their athletics schedule for the current school year. Georgia Tech Yellow Jackets vs. Bowling Green Falcons will be held at Bobby Dodd Stadium, 177 North Avenue NW, Atlanta, GA on September 30th, 2023 at TBD. 16 Georgia Tech Yellow Jackets vs. Bowling Green Falcons tickets are available on TicketSmarter with starting prices currently set at $73.00 and reaching prices up to $98.00.
When do Georgia Tech Yellow Jackets tickets go on sale?
TicketSmarter will have Georgia Tech Yellow Jackets tickets on sale as soon as the school releases season schedules or individual games. Bookmark this page and continue to check in for all of the upcoming games and events.
Georgia Tech Yellow Jackets Seating Chart
Georgia Tech plays its home football games in historic Bobby Dodd Stadium in Atlanta, GA. The stadium is the oldest stadium of any Football Bowl Subdivision (FBS) team and recent renovations have ensured that it remains one of the top home facilities in college football. Fans usually search for seats on the press box-side of the field in sections 101-111, while end zone seats can be found in sections 112-120 and 131-136.
The Yellow Jackets' basketball and volleyball teams play their home games in the Hank McCamish Pavilion, nicknamed The Thrillerdome. The on-campus venue has been home to several NCAA Tournament games, as well as the NBA's Atlanta Hawks. Seats at the half-court stripe are available in sections 101 and 109, while spots behind the basket can be found in section 105. Upper-level seats are located in section 200-216. TicketSmarter's interactive seating chart will help you navigate through your options at any of Georgia Tech's athletic facilities to find a seat that works for you.
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Georgia Tech Yellow Jackets Average Ticket Prices
Barnhill Arena
Bobby Dodd Stadium
FBC Mortgage Stadium
L&N Federal Credit Union Arena
Doak Campbell Stadium
Lane Stadium
O'Keefe Gymnasium
Kenan Memorial Stadium
Fitzgerald Field House
Georgia Tech Yellow Jackets Upcoming Events
KFC Yum! Center
The Watsco Center At UM
McCamish Pavilion
Clemson, SC
Littlejohn Coliseum
Lawrence Joel Veterans Memorial Coliseum
Russ Chandler Stadium
Donald L. Tucker Civic Center
Petersen Events Center
Notre Dame, IN
Purcell Pavilion At Joyce Center