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ALGONA — Two weeks ago Algona Area Chamber of Commerce Ambassador Rodney Davis admitted that he was a little nervous because ticket sales for the first-ever 'Achin for Bacon' event were slow.
The People's Choice winner for the evening was Johnny's from Wesley. Johnny's provided chicken wings and legs wrapped in bacon. Kristy Riggert and Yane Nielsen Elbert were serving the chicken wings and legs.


text:
Q: RedirectToAction not working in IE with jQuery I have a problem with the RedirectToAction method.
I call the DeleteTalent action from my jQuery code and DeleteTalent calls
RedirectToAction("MyBooks") action after deleting a talent to show refreshed content.
This works fine in Chrome and Firefox,  but MyBooks action is not called in Internet Explorer. Can anyone tell me why.
Thank you.
`<script type="text/javascript">
var controller = "/MyBooks";
var action = 'ModifyTalent';

var temp = [];

$('input[name=Validate]').click(function ()
{

    $('textarea[name=presentation]').each(function ()
    {
        var toPush;
        if ($(this).attr('id') == null)
        {
            toPush = { MyPresentationId: -1, Presentation: $(this).val() };
        }
        else
        {
            toPush = { MyPresentationId: $(this).attr('id').split('_')[1], Presentation: $(this).val() };
        }

        temp.push(toPush);
    });

    var presentations = JSON.stringify(temp);
    var talentId = $('[name=talent]').attr('id').split('_')[1];
    var talent = $('[name=talent]').val();
    var datas;

    if ($(this).attr('id') == -1)
    {
        action = 'CreateTalent';
        datas = 'id=' + $('#IdBook').val() + '&talent=' + talent + '&presentations=' + presentations;
    }
    else
    {
        datas = 'id=' + talentId + '&talent=' + talent + '&presentations=' + presentations;
    }

    $.ajax({
    url: controller + '/' + action,
    type: 'POST',
    dataType: 'html',
    data: datas,
    success: function (data) {
    $("#bodyPage").html(data.toString());
    }
    });
});

`

A: It looks like you are using an AJAX POST to call your controller/action.
RedirectToAction will not work when you use an AJAX post. I found this out when trying to do the same in JQuery Mobile which uses AJAX post.
RedirectToAction not working

redpajama_set_name: RedPajamaStackExchange


text:
autocommit off;

rename vclass employee_c as employees_v;
rollback work;
rollback;

redpajama_set_name: RedPajamaGithub


text:
How To Sell On Mercari
Whether you're looking to sell your Funko Pop collection or just make some extra money, we've provided a step-by-step guide on how to sell on Mercari.
Gary Darna
Although new in comparison to eBay, Japan-based online marketplace operator Mercari has actually been in business since 2013. If you reside outside of Asia, you might not have heard of the Mercari app until recently. Mercari expanded to the United States and United Kingdom in 2014 and 2016 respectively. Since then, this predominately mobile marketplace has grown rapidly and its apps have been downloaded more than 100 million times.
I've bought and sold thousands of collectibles on online marketplaces over the past 20 years. I've been an avid eBay user since 2007 and joined Mercari shortly after the app became available to download in the United States. To date, I've sold more than 60 items using Mercari including collectibles such as Funko Pop vinyl figures, Star Wars action figures, and more. I can say from personal experience that Mercari works really well to sell all sorts of things.
If you've grown tired of the complexity and antiquated experience of selling on eBay's 25-year-old marketplace, then Mercari may be a great option for you. Compared to eBay, Mercari is a very simple buying and selling experience. Unlike eBay which has multiple buying formats, dozens of listing options, and a dizzying array of features that often aren't relevant for collectors, Mercari offers a laser-focused experience for buyers and sellers alike.
In this article, I'll walk through a real example of how to sell on Mercari to demonstrate just how simple it is. For the purpose of this tutorial, we will be selling a Funko Pop vinyl figure which are among the most popular collectibles sold on Mercari according to their recent in-app and email marketing campaigns. I'll be using the Mercari iPhone app, but they also offer a Google Android app and a full-featured website if that's best for you.
Before we begin, we recommend using the Mercari mobile app to sell because it makes it much easier to upload photos of the item you're selling. Click one of links below to download the free Mercari mobile apps for your iPhone or Android device. You can also search the Apple App Store or Google Play Store for Mercari and their app should be the first result.
Mercari: The Selling App
NOT USING IT? SELL IT. SHIP IT. GET PAID.This is Mercari. The fast and easy way to sell (or buy) almost anything. Fashion to toys. Sporting goods to electronics. All the brands you know and love. Got stuff you don't use, never used or simply outgrew? Sell it. SELLING IS FAST & EASY.* List in minu…
Mercari, Inc.App Store
Mercari: The Selling App - Apps on Google Play
NOT USING IT? SELL IT. SHIP IT. GET PAID. This is Mercari. The fast and easy way to sell (or buy) almost anything. Fashion to toys. Sporting goods to electronics. All the brands you know and love. Got stuff you don't use, never used or simply outgrew? Sell it. SELLING IS FAST & EASY.* List in min…
Mercari, Inc.Apps on Google Play
If you're on a computer, you can visit the Mercari website at www.Mercari.com. While the user experience varies slightly across the three platforms, you'll find that the primary functionality is generally the same.
Create An Account (or Log In)
In order to sell on Mercari, you'll need to create a free account. If you already have a Mercari account, simply log in. Mercari offers several convenient options to create or log in to your account including Facebook, Apple, email, and even your phone number via SMS.
Tap The Orange "Sell" Button
Once you've created your Mercari account and logged in, next you'll want to click the orange "Sell" button. Whether you're using the Mercari mobile app or website, the button should be orange with a "Sell" label on it. Tap or click on that!
Take Photos of the Item You're Selling
Once you're on the sell screen, it's time to get to work. If you don't have an experience taking photos, don't worry. Smartphone cameras are so good these days, you don't need to be a professional photographer to get some good photos of an item you want to sell.
Using your smartphone, take some photos of the item you're selling. Once you've captured the photos, select each of the photos you want to use for your listing and upload them. You can add up to 12 photos on a single listing and we recommend that you do, especially if you're selling a valuable collectible.
Remember, good photos help sell stuff online! Your photos should be well-lit with multiple angles of the item you're offering for sale. When a seller uses stock photos, uploads a single image, or tries to use photos that are hard to see, it makes it difficult to earn a buyer's trust and confidence to purchase the item.
Provide Detailed Product Information
In adding to high quality photos, when selling a collectible or other product online, it's important to provide detailed information about the product you want to sell on Mercari.
On Mercari this includes a relevant title, description, tags, category, brand, condition, and color which you can see in the screenshot below. While some of these details are optional, we recommend using them all for three reasons.
First, by providing a listing with an accurate category and thorough description of its condition, your item is more likely to sell. Think about it. As a buyer, would you want to purchase an item with minimal information? Probably not.
Second, information added to your listing helps potential buyers find what you're selling on Mercari. Buyers can browse by category and has a reliable search engine, both of which rely on information entered by you – the seller.
Finally, a listing with detailed information protects you as the seller from returns and other frustrating debates with a buyer. When you disclose issues with the item's condition, for example, it's less likely someone can demand a refund.
This is where things get tricky when you sell stuff online. What should I charge for shipping? Which shipping carrier should I use? Should I offer free shipping? How long will it take to reach my buyer?
It's difficult to answer these common questions without knowing what it will cost to ship the item you're selling first. Fortunately, Mercari makes this easier than pretty much any online marketplace I've ever used.
Mercari requires just a few pieces of information to provide an accurate shipping cost estimate before your item is listed for sale.
Where you're shipping from based on ZIP code
Who is paying for shipping (buyer or seller)
What the item weighs (an estimate is OK but a scale is best)
What shipping methods you'd like to offer (i.e. USPS, FexEx, UPS)
When you sell on Mercari, as a seller you have the convenient option to generate a prepaid shipping label that you simply print out at home when your item sells. They even allow you to schedule a pickup with some carriers from the app. For simplicity, I recommend that you use their prepaid labels.
Ship The Item
Congratulations! Your item sold. Now what? Once you've been notified that your item has sold on Mercari, you'll need to ship the item to your buyer. It's important to pack the item well so it doesn't bounce around, use a sturdy box that's less likely to be smashed, and get it shipped quickly. Although you have three business days to ship an item sold on Mercari, it's good practice to ship as quickly as possible to ensure a good experience for your buyer.
Rate The Buyer
Thanks to Mercari's integration with each of the carriers like USPS, they will automatically notify you and the buyer when the item has been delivered. After the buyer has received the item, they will have three calendar days to rate the transaction. Mercari uses a star rating system of one to five stars.
A key difference between eBay and Mercari is how money is handled. When using Mercari, there is no PayPal. Mercari holds funds until the transaction has been rated by the buyer and the seller. It's both polite and self-serving to rate buyers quickly once they've rated you, because doing so enables you to transfer the proceeds from the sale to your bank account when you're ready to do so.
If the buyer does not rate your transaction, you will automatically receive a five star rating after three days have passed. Additionally, the proceeds from the sale will be available to transfer with no further action required on your part. That's happened to me a few times.
Transfer Funds
The last step is pay day! To transfer funds from Mercari, navigate to your profile, tap the "Balance" button, then tap the "Transfer" button. From this screen, you have the option to select an Instant Pay or Direct Deposit transfer. Both require that you have a bank account securely connected with Mercari.
While Instant Pay is faster, you will incur a $2 fee for this method. It also requires that you have a government issued ID on file. Direct Deposit is what I typically use because it's free as long as you transfer at least $10. The minimum amount you can transfer from Mercari is $2, likely due to the fee if you use Instant Pay.
I hope that this article was a helpful guide for how to sell on Mercari. As a disclaimer, this article is a general how to guide for how to sell on Mercari and we are in no way associated with Mercari. It's also important to note that not everything will sell quickly or easily on Mercari, which is true of any online marketplace. In my experience, the Mercari app has been great for selling Funko Pop vinyl figures, graphic t-shirts, Star Wars action figures, and a few household items. Mercari may be less effective for other categories.
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These 100% Soft Dumpster Fire Toys Are Hot Garbage
If there was a trophy for surviving the year 2020, it would be these 100% Soft Dumpster Fire toys.
Gary Darna 3 Nov 2020 • 7 min read
There's Something In The Cupcake Mix
In this article, we look back at some of our favorite memories and products from There's Something In The Cupcake Mix, an annual release of Halloween-themed goods from Johnny Cupcakes.
Gary Darna 30 Oct 2020 • 7 min read

redpajama_set_name: RedPajamaCommonCrawl


If all you do is land in a foreign country, snap a few pictures of kids in worn out clothes, and then fly back home, did you really go on a mission trip? Or was it more of a tourist expedition? While getting excited about traveling and taking lots of pictures can certainly be part of a mission trip, there's more to it than this. By avoiding these 4 snobby things, you'll help ensure that you keep the "mission" part of your trip the primary focus (instead of just getting a lot of new profile pictures).
1) Avoid the "poor them" attitude.
Tourists tend to see hurting people and say, "Poor them." Missionaries see hurting people and ask, "What can we do to help?" Realizing that people are hurting, poor (in the monetary sense at least), or "less fortunate" is not a bad thing. However, if that's where our thought process stops, we're not on a mission trip, we're sightseeing. On your mission trip it's important to not only see the needs of the community you're visiting, but to also ask the question, "What can we do to help?" The "poor them" mindset is paralyzing; we see the overwhelming need and throw up our hands. By asking, "What can we do to help," we're putting our hands to work.
2) Avoid taking too many pictures.
As juvenile as it sounds, we all want a good profile picture. But taking too many pictures on your trip can be a real barrier to connecting and serving the community you're visiting. This has been a huge weakness for me personally. I love taking pictures. However, I realized that with a camera constantly in one hand and my mind focused on the next great shot, I wasn't serving anyone except my own desire to have a lot of cool pictures. Yes, take pictures to share with family and friends, and get that next great profile picture. But take some pictures, and then put your camera away. And go serve.
TIP: If you're a trip leader, try designating one person as the "day's photographer." One person can be snapping all the action while everyone else focuses on serving. The next day, switch photographers.
3) Avoid being too picky (or making fun of the food).
Often times one of the biggest challenges on a mission trip is adjusting to the food. It takes time for our bodies to get used to the way food is prepared in other countries. If you're a picky eater, this issue is magnified. Will they have vegetarian options? Is the meat USDA certified organic? If food doesn't agree with us (either mentally or physically), we have a choice to make; we can either politely eat what we can and move on, or make a big deal about it.
When we make a big deal about it, the food of the country we're visiting becomes a topic to complain about or make jokes about. However, in my personal experience nothing hurts the locals' feelings quicker than making fun of their cuisine. When we complain or make jokes, we can come across as if we think we're "too good" for the locals' food (snobby). Of course, we don't mean to come across this way. To avoid this we need to be considerate and conscientious of our words, focusing on what we do enjoy about the local cuisine. Try to lean on the side of being appreciative and thankful.
4) Avoid being too group-focused.
This may sound a bit odd, but don't become so focused on your mission trip team that you neglect to interact with the community. Nothing seems to grow friendships faster than traveling to a new country and experiencing a new culture together. This makes for some great mission trip camaraderie (and future team reunions). However, when your team is out on the mission field, the camaraderie can be a barrier to interacting with locals if we're not careful.
What happens is that we get so comfortable with our team members that interacting with the community puts us out of our comfort zone. So, when left with the choice between having a conversation with a local or chatting with a fellow team member, we gravitate towards the latter. We need to be intentional about connecting with the people we are serving, and not just others on our trip.
It really all boils down to putting others first and ourselves second. Will we put others' needs before our own desires? Will I put serving a community before my desire to have lots of cool pictures? Putting ourselves second is a challenge that we all face at home, and it doesn't go away just because we're on a mission trip. However, do your best to be intentional about putting others before yourself, and you'll avoid being a mission trip snob.


This segment of The Weekend Vigilante show features a dynamic & powerful melding of the economic minds. V, The Guerrilla Economist and renowned economist Ken Schortgen.
Readers may know V as the economist who has worked for some of the top commodity trading firms and investment banks; contributing to private think tanks shaping investment policy. His track record & predictions are uncannily accurate and well documented on his appearances with Steve Quayle.
Ken Schortgen, prominent and well respected economist with a remarkable thumb on the pulse of the global and U.S. economy; giving us their hard hitting take on what's really going on, what's really coming this year and why it's so imperative that people understand this.


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Home వార్తలు Hyderabad Film Club Guatemala Film Festival
Hyderabad Film Club Guatemala Film Festival
HYDERABAD FILM CLUB
DECEMBER 2019 – PROGRAMME
At Sri Sarathi Studios Preview Theatre, Ameerpet
10-12-2019 6.00 p.m. PRICE OF THE …………….
Tuesday (a documentary film won award in Sundance Film Festival)
JHALKI
(Hindi/2019/104 mins.) (a film based on child abuse,child trafficking)
KAILASH SATYARTHI CHILDREN'S FOUNDATION, NEW DELHI &
FEDERATION OF FILM SOCIETIES OF INDIA
(Glimpse)(Hindi/2019/104 mins)
Jhalki (Glimpse) is a 2019 Indian Hindi-language drama film directed by Brahmanand S. Siingh, produced by Brahmanand S. Siingh and Annand Chavan, co-produced by Vinayak Gawande and Jayesh Parekh and co-directed by Tanvi Jain. The film featuring Boman Irani, Tannishtha Chatterjee, Divya Dutta and Sanjay Suri, follows a 9-year-old street girl Jhalki, setting out to find her 7-year-old brother against the backdrop of the child slavery trade. The trailer of the film was released at the Cannes Film Festival in May 2019.
The film has been premiered at various national and international film festivals and won 13 awards so far. It is scheduled to be theatrically released in India on 14 November 2019.
A life-altering disappearance of her 7-year old brother sets Jhalki off on a mission to find him at all costs. Armed with an intimate folk-tale and her own sharp mind, is Jhalki's journey the start of a spiral that will change the lives of thousands for good? What price must she pay to get what she wants? Inspired by true events, with a backdrop of human-trafficking and child-labour, Jhalki becomes an atypical thriller of hope, courage, self-belief and perseverance, seen through the eyes of a 9-year-old girl, who will not stop anywhere short of a triumph.
Guatemala Film Festival
(Screening Republic of Guatemala country's films first time by HFC)
26 -12-2019 6.00 p.m. CAPSULES
27 -12-2019 5.30 p.m. WHERE THE ROADS END
Friday 7.00 p.m. WHERE THE SON IS BORN
28 -12-2019 5.30 p.m. GERARDI
Saturday 7.00 p.m. POL
Republic of Guatemala, a Central American country south of Mexico, is home to volcanoes, rainforests and ancient Mayan sites. The capital, Guatemala City, features the stately National Palace of Culture and the National Museum of Archaeology and Ethnology. Antigua, west of the capital, contains preserved Spanish colonial buildings. Lake Atitlán, formed in a massive volcanic crater, is surrounded by coffee fields and villages.
Capital: Guatemala City, Currency: Guatemalan quetzal
(Capsulas) (2011/103 mins./with EST)
Written,Directed by : Veronica Riedel
Cast : Sofía Arévalo, Giacomo Buonafina, Carolina Cuervo
FONSI is an apparently privileged 12 year old boy. As we get to know his dysfunctional family, his world begins to crumble in a matter of hours. Due to a series of unexpected events, each character changes drastically, facing a crude reality.
Seemingly more fortunate than many of his mates, schoolboy Fonsi (Sebastian Gereda) likes making paintball videos and listening to rap, but he's surrounded by vipers. To his left is his mom's drug-dealing b.f. Simon (Jose Penalonso), who makes the lad swallow capsules of heroin to smuggle into the U.S., where the family is headed. To his right is a group of bad youths led by Nena (Sofia Arevalo, in a ludicrous evil-bitch-from-hell perf). His long-absent father, Giaco (Giacomo Buonafina), manages to get Fonsi away from the bad guys for some quality time.
WHERE THE ROADS END
(Donde Acaban Los Caminos)
(2004/82 mins./with EST)
Director : Carlos Garcia Agraz
Writers : Reynaldo Leon,
Mario onteforte Toledo
Cast : Giacomo Buonafina, Herbert Ignacio,
Domingo Lemus
Donde acaban los caminos (Where the roads end) it's the encounter of two different worlds that live together but remains separated at the same time, since ancestral times. The doctor Raul Zamora goes on a trip from the city to a remote town in the lake Atitlán where this two parallel worlds converge between the "Naturals" and the "Ladinos". Zamora won't take long before falling in love with Maria Xahil, a "Natural", causing in the rest of the town and the villages a dilemma between the different communities. It's a panoramic vision of the abuse of power, repression and racism that collide in this diverse society surrounded by the calm of nature. The adventure of Zamora and Maria will have a turning point marked by the personal interest and conflicts of each separated worlds.
WHERE THE SON IS BORN
(Donde Nace El Sol) (2013/85 mins./with EST)
Director : Elías Jiménez
Writers : Edgar Sajcabún
Cast : Felipe Gómez, Candelaria Hernández, Walter Paz Joj
Language : Maya
Where the Sun is Born tells the story of the Maya People through four stories which allude to important moments in the in its history over the course of the last half millenium. The central protagonist in all these stories is young woman named Maya who witnesses the invasion of her homeland and must run away to survive. Then living a nomadic existence as a refugee across the centuries she experiences the sufferings of her people resulting from the loss of her ancestral lands and increasingly her cultural traditions.
Festivals Sao Paulo Latino American Film Festival.
New York Latin Film Festival.
Chicago Latino Film Festival
Director : Rodolfo Espinosa
Writers : Rodolfo Espinosa
Cast : José Mariano Díaz Duarte, Chloe Figueroa, Fernando Martínez
Pol and Flaco hide from a bully and his gang on a college campus while searching for a lost document.
Director : Sammy Morales, Jimmy Morales
This film describes how the man named Monsenor Gerardi raised people's hope and defended human right in Guatemala war, and becomes a famous leader in the history.


The Master of Arts (Geography) is the logical progression for graduates from a Bachelor of Arts program.
Students with an honours degree or equivalent (including a 4-year advanced degree) in Geography (human geography specialization) or from an allied discipline will be considered. All Master's applicants must have a minimum GPA of 3.25 in the last 60 credit hours of study.
The Ph.D. option consists of coursework and a substantial research component.
A candidate must normally complete a Master's degree before entering the Ph.D. program. A 3.5 GPA (or equivalent) in the previous 60 credit hours of course work is normally required.


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20 people could face corruption trial over Roma stadium
Twenty people risk being ordered to stand trial for alleged corruption in the long-delayed plans to build a new stadium for Roma
20 people could face corruption trial over Roma stadium Twenty people risk being ordered to stand trial for alleged corruption in the long-delayed plans to build a new stadium for Roma Check out this story on USATODAY.com: https://www.usatoday.com/story/sports/soccer/2018/10/30/20-people-could-face-corruption-trial-over-roma-stadium/38333103/
AP Published 3:06 p.m. ET Oct. 30, 2018 | Updated 4:53 p.m. ET Oct. 30, 2018
FILE - This March 26, 2014 artist rendering provided by Italian Serie A soccer club Roma, shows the new stadium to be build on the outskirts of Rome. Prosecutors in Rome wrapped up their investigation on Tuesday, Oct. 30, 2018 nearly five months after the stadium's main constructor, Luca Parnasi, and eight other people were arrested for alleged wrongdoing linked to bureaucratic matters involving the proposed venue. (Curtesy of AS Roma via AP )(Photo: The Associated Press)
ROME (AP) — Twenty people risk being ordered to stand trial for alleged corruption in the long-delayed plans to build a new stadium for Roma.
However, the ANSA news agency reports that neither Roma nor any of its management members are implicated in the scandal.
Prosecutors in Rome wrapped up their investigation on Tuesday, nearly five months after the stadium's main constructor, Luca Parnasi, and eight other people were arrested for alleged wrongdoing linked to bureaucratic matters involving the proposed venue.
Prosecutors allege that Parnasi led a network that committed a "series of felonies against public governance in order to maintain decisions favorable to the building of Roma's stadium and other projects."
Others at risk include Luca Lanzalone, the former president of Rome's energy supplier ACEA; Andrea Palozzi, a former vice president of the Lazio region encompassing Rome; Michele Civita, the region's official charged with local development; and Francesco Prosperetti, Rome's top cultural official.
All of the accused deny wrongdoing.
Prosecutors also allege that payments were made illegally in cash, along with bills for non-existent job hires and counseling.
Other likely charges include criminal association and illegal financing.
Roma's American president, James Pallotta, first presented the stadium plan in March 2014, saying that it would be ready for the 2016-17 season — yet construction has still not started.
The massive project — set to include a training center, entertainment complex, office space and extensive transportation works — has been delayed by environmental concerns, bureaucracy and criticism over public funding.
The project's cost was originally estimated at 1.6 billion euros ($1.8 billion), including more than 200 million euros in public financing.
The proposed stadium site in Tor di Valle is about halfway between downtown and Leonardo Da Vinci Airport.
With a design inspired by the Colosseum, the stadium is slated to seat 52,500 and be expandable to 60,000 for major matches.
Roma currently shares the 72,000-seat Stadio Olimpico with city rival Lazio.
More AP soccer: https://apnews.com/tag/apf-Soccer and https://twitter.com/AP_Sports


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The Sydbank Esbjerg Challenge was a golf tournament on the Challenge Tour held at Esbjerg Golf Club, Esbjerg, Denmark.

The inaugural tournament in 2021 was the second of the Challenge Tour's Danish Swing in August, following the Made in Esbjerg Challenge, both co-sanctioned by the Nordic Golf League.

Norway's Espen Kofstad shot a final round of 67 to join Ewen Ferguson on −11 after the Scot shot a final round 69. Kofstad won the sudden death playoff as he birdied the first extra hole to claim his first win in five years.

Winners

Notes

References

External links
Coverage on the Challenge Tour's official site

Former Challenge Tour events
Golf tournaments in Denmark

redpajama_set_name: RedPajamaWikipedia


Ariana Grande - thank u, next (album) OUT NOW!!
Ariana Grande seems to have sampled Mac Miller's song "2009" on "ghostin".
"break up with your girlfriend, i'm bored" has reached #1 on the US iTunes Music Video Chart.
thank u, next勇奪香港iTunes album #1 !!!!
It achieved this milestone in only 21 days, surpassing her own previous "thank u, next" record of 27 days!
Ariana Grande's "break up with your girlfriend, i'm bored" was filmed in the same location as Selena Gomez's "Hands To Myself".


filling the shop with everything you'll ever need to create your own Venetian piece of jewellery as well as a selection of wearable glass art in the form of pendants, bracelets, earrings and necklaces.
Sicily is world-famous for both its sea and, naturally, for its beaches. But which are the most beautiful? We've got the answer for you!


So what's the difference at GreenStones? Well, for a start, you'll find we don't just crunch your numbers but we explore and explain to them so you can really reap the benefits in your business. Then there are our exciting fixed fee packages to help you move confidently towards your goals. And the way we want you to enjoy working with us – so you can say goodbye to boring accountancy and hello to innovative, motivating, practical accountancy.
Inspire – all businesses are in a state of change. We want to inspire you with ways to enhance and improve yours – and we won't recommend anything that we haven't proved for ourselves already.
Challenge: Sometimes we know it can take a different approach to help you move forward or make that change when you need to. So if we need to challenge you, we will.
Support: We want to be your biggest supporter. We'll be there by your side when you need us to be – whether you're changing processes or your approach or moving onwards and upwards.
What we discuss with you may be serious, but it doesn't mean the way we do business has to be. We think you'll find the way we work makes us more enjoyable to deal with. Just imagine looking forward to a meeting because you know it won't be interminably boring. If you visit us at our offices, you'll find they offer a fun environment too.
How many accountants do this?
We think these KPIs (Key Performance Indicators) give you a real sense of whether we're living up to the promises we make. We update them regularly so you can see how our performance affects you.
Customer happiness – The result from our customer survey machine in reception and our customer survey which is emailed to customers with their annual accounts. For the month of March 2019, our score was 9.70 out of 10.
Turnaround times – This is how fast you get your accounts and tax calculations after you've let us have your records. The March 2019 average was 26 calendar days. This was from start to finish. Most accountants don't tell you and those that do, only tell you the how long it takes to produce draft accounts.
Proactive calls – You'll have heard professionals talk about being proactive but when you ask them what that means, they have little idea. We do! Each month, we have unsolicited meaningful conversations with our customers to add value and provide useful information. Our monthly target is 64 and in March 2019 we did 114.


ArchivaLock can be custom branded with your seal or logo and is accessible from any web browser, smart phone or tablet. In addition, ArchivaLock can integrate with your own website and offers you many tools and services. Your imagination is the limit as to what ArchivaLock can do for you.
There is no need to buy or lease special equipment from ArchivaLock, LLC. Any computer and operating system with a class — A web browser can access ArchivaLock. In addition, iOS — based smart phones and tablets can access ArchivaLock through a custom written administrative application available through Apple's App Store at no additional charge.
ArchivaLock provides an iOS & based administrative application that allows your organization to have quick and constant access to your organization's records.
No other vendor is offering a system with applications to access it available on the iPhone, iPod Touch or iPad.
Sometimes your records are too large to deliver over an email system to your constituents. E-Courier allows your organization to deliver an email with a download link that expires at a specified time. Once the requestor receives the email, they can simply click the link and the record downloads directly to their machine, effectively bypassing common email system's size limitations.
Additionally, ArchivaLock will record a received receipt when the requestor downloads the records providing proof of delivery for your organization.
Get a Lock on Your Records.
Sign up for ArchivaLock and start enjoying the benefits of a full-featured digital archiving solution.
ArchivaLock, LLC is a software company specializing in records management and retention through our online services. We strive to provide organizations with products that utilize state of the art technology and scale at an affordable price. ArchivaLock, LLC prides itself on employing best practices in the records management industry while maintaing integrity and honesty above reproach.
ArchivaLock has changed the way we serve our constituents forever.
Copyright © 2008 - 2019 ArchivaLock, LLC. All Rights Reserved.


text:
Relationships are complicated,
whether they take place in a roadside diner, driving down Route 66, or competing on a tropical island.
Mothers and daughters, husbands and wives, friends and family...
I write stories which intertwine serious themes with laugh-out-loud situations. Because life is a journey
that's meant to be enjoyed.
Finding Joy in the Journey
Be among the first to find out about new books, giveaways, and special events.
© 2023 by My site name. Proudly created with Wix.com
Jennifer AlLee
Best-selling author, pop-culture enthusiast, lover of chocolate, proud Mom, and all around nice gal.


Smart Pots create prolific root structures that promote healthier plants and superior yields. Made in the USA, durable Smart Pots are the industry leader in design, innovation and quality control. Put our containers in your garden, and watch your plants thrive.
<--!-->Make growing easier with Smart Pots. -Made in the USA -Air Pruning -Prevents Overwatering -Oxygenates Root Zone -Resistant to Heat Stress thanks to air flow and moisture wicking.
Smart Pot 15 Gallon, 18"


hanging gutters and thermal screens are used to help to control the climate in the glasshouse.
In 2009 fans to promote air circulation in the glasshouse and to avoid 'cold' areas were installed.
Tom Rybka is the Crop Supervisor and has been at Hornsfield since it was built.
Aerial view of Hornsfield Nurseries.


Tuggerah Lakes Cycleway is an off-road, scenic 12 kilometre shared pathway from The Entrance, which hugs the lakes foreshore to Chittaway Bay, or heads north across The Entrance Bridge to Magenta for approximately four kilometres.
Parks, playgrounds, toilets, picnic and barbecue areas are located along the path, making it a family friendly activity. The route is mostly flat and suits a range of fitness levels.
Self serve bike hire is available in the waterfront mall (near the Pelican Feed) or outside of the Visitor Information Centre, Marine Parade, The Entrance.


To take any of the CGFM examinations, you must have a bachelor's degree from an accredited college or university.
Your degree must be from a U.S. college or university, accredited by one of the regional or national accrediting agencies recognized by the U.S. Department of Education. The college or university must have been accredited at the time your degree was conferred. If you have a foreign degree, you must provide an evaluation report stating your degree is equivalent to a U.S. degree (bachelor's or higher) from an accredited college or university (please see additional details below).
A copy of your official transcript from an accredited college or university is required before any CGFM Examinations can be taken. The official transcript must clearly state your name, the name of college or university, the fact that a degree (bachelor's or higher) was conferred, and the date the degree was awarded. Unofficial transcripts and transcripts printed from the college/university website are not accepted. Please note: CPA license or other professional certifications held are not acceptable as proof of degree.
An evaluation report is required for foreign degrees. The evaluation report must be prepared by an organization that performs foreign educational credential evaluation services and is a member of either National Association of Credential Evaluation Services or the Association of International Credentials Evaluators. A course-by-course evaluation is not necessary.
Please upload your transcript in My Path to CGFM. You must login with your My AGA username and password to upload your transcript. Transcripts can also be mailed to AGA, 2208 Mount Vernon Avenue, Alexandria, VA 22301. The transcript must be received by AGA within six months of the date of the CGFM application. If the transcript is received after six months, a new CGFM application with an application fee is required.
Within One Year of Graduation?
If you are currently enrolled and are within one year of graduation with a bachelor's degree, you may be able to apply for the CGFM Program and start taking the CGFM Examinations before your degree is conferred. (Proof of the degree and work verification will be required before the CGFM can be awarded.) Contact the Office of Professional Certification at 800.AGA.7211 (703.684.6931) for more information. Please indicate the number of college credits completed and your expected graduation date.


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Client: Children First/USAID
Background: The Children First Project (CF) was an initiative of World Education Incorporated (WEI) to improve the welfare of Orphans and Vulnerable Children in Zimbabwe in partnership with other like-minded community-based and national organizations, thanks to financial and technical support from the United States Agency for International Development (USAID).
Children First's current operations in Zimbabwe primarily focused on supporting highly vulnerable children in Zimbabwe, notably street children and HIV-infected children through its partners. In order to develop effective strategies to address the needs of these children, the project resolved to build the capacity of its partners in financial systems management. A number CF partners requested capacity building support in finance and monitoring and evaluation.
Objectives: The main objectives of the capacity building programme were to:
conduct a financial management capacity assessment in seven targeted partners
recruit, train and manage finance and accounting technical assistants to build the capacity of partner finance sections
conduct a finance and administration job audit of Children First
monitor implementation of the capacity building activities; and
report on progress in capacity building.
Activities: Activities included:
Desk review; recruitment of seven finance and accounting technical assistants, prepare monthly monitoring reports.
Special Recognition:


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Home » Articles » Patronize the Arts
Patronize the Arts
A local theater company offers lively and affordable entertainment.
By Brian Cornelius Posted in Long Island, Your Community
Founded in 1972 as a touring company, the BroadHollow Theatre Company has since grown into a not-for-profit, subscription-based organization with three performance locations. The BayWay Arts Center in East Islip, Studio Theatre in Lindenhurst and BroadHollow Theatre at Elmont offer year-round main stage entertainment, as well as children's theater, educational productions and classes. In the past, BroadHollow has resided in several other locations, including McGuire Theatre in Old Westbury, Center Stage in Rockville Center and the original BroadHollow location on Route 110 in Farmingdale.
The main stage programs consist of musicals, comedies, thrillers and dramas. Productions have ranged from the ridiculous to the sublime, from classics to contemporary works. The quality and integrity of BroadHollow's performances have helped the company to grow and prosper for more than 30 years. It has provided patrons with critically acclaimed productions of classics such as Death of a Salesman, The King and I, Driving Miss Daisy and Little Women, along with newer works like Lobby Hero, Five Women Wearing the Same Dress and The Producers.
Children's theater flourishes at all three theaters every Saturday afternoon from September to May, creating a whole new generation of theater go-ers. BroadHollow stages children's favorites, including Cinderella, Snow White and the Seven Dwarves, Aladdin and The Wizard of Oz. Special attention is paid to performances during holidays, ensuring that audiences can enjoy renditions of classics like Frosty the Snowman, Rudolph the Red-Nosed Reindeer and The Nutcracker in the winter and other relevant plays throughout subsequent seasons.
The cost of tickets to experience BroadHollow's live children's theater is less than a family trip to the movies. After performances, families are invited to a Princess Tea Party, in which tea and sandwiches are served and cherished characters like Cinderella, Dorothy, Alice or Sleeping Beauty grace the festivities.
In the early 80s, BroadHollow began offering educational performances for children in grades nursery through high school. As a result, more than 10,000 schoolchildren every year are exposed to live theater— some for the very first time. Performances range from Charlotte's Web to Aesop's Fables for younger audience members and The Diary of Anne Frank to 1776 for older students. For educational performances, teachers receive study guides and children may ask questions after the shows. Younger children may even get the chance to meet Winnie the Pooh, Dorothy or Aesop.
BroadHollow also offers classes and summer programs for children as young as age 4 through teenagers. The Tiny Tots program encourages children's creativity and imagination through theater games and exercises, storytelling and role playing. As children get older, their classes become more performance-based, with the opportunity to actually showcase work for an audience. The theater has been affiliated with successful school productions of shows, such as Les Miserables School Edition and Into the Woods. Many of BroadHollow's instructors are professionals actively working in the field or elementary school teachers with experience in the arts.
By continually adapting to the times and the wishes of audiences, BroadHollow has managed to survive for more than three decades. With the support of its many patrons, the theater company should continue to thrive and provide quality entertainment for the next 30 years.
Posted in Long Island, Your Community Tagged with Arts, Community, Creativity, Experience, Family, Imagination, School, Students, Theater, Theatre
About the author Brian Cornelius
Read more from this author »
Brian Cornelius is assistant to the artistic director at the BroadHollow Theatre Company. He is a graduate of Washington College, where he studied theater and creative writing. His experience in theater ranges from acting and technical work to playwriting.
A Helping Hand By Saskia Monteiro Thomson Good childcare can be hard to come by, but one organization on Long Island has been aiding families in attaining just that for a generation.
Are You Aware of CMV? By Lynn Pickus, Psy. D. How this dangerous virus can affect babies.
Classic Children's Theater By Louise Pedinoff A local stage serves as a creative outlet for kids
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Wilhelmina Geddes HRUA (25 May 1887 – 10 August 1955) was an Irish stained glass artist who was an important figure within the Irish Arts and Crafts movement and also the twentieth century British stained glass revival. Notable works include windows at St Bartholomew's (Ottawa, Canada), St Peter's Church (Lampeter, Wales), and the King Albert Memorial Window, St Martin's Cathedral (Ypres, Belgium).

Early life
Wilhelmina Margaret Geddes was born on her maternal grandparent's farm at Drumreilly Cottage in Leitrim on 25 May 1887. She was the eldest of four children, three girls and a boy, of William Geddes (c.1852-1916) and his wife Eliza Jane Stafford (1863-1955). The family, who migrated to Ireland from Scotland, had mainly been farmers. Her father, a Methodist, who was born near his father's farm at Tandragee, County Armagh, emigrated to America as a young man, working as a labourer for the railway construction business. This served a useful purpose as he had worked as a site engineer at the Cavan, Leitrim and Roscommon Railway Company. When she was still an infant her parents moved to their native home in Belfast, so her father could set up in business as a building contractor.

Education
Geddes began drawing subjects from life and nature from the age of four. She learnt first how to draw from the school mistress in Ayrshire, where her father occasionally went shooting. She began her studies at Methodist College Belfast along with her three younger sisters. She later moved to the Belfast School of Art. Geddes was encouraged by Rosamond Praeger, a sculptor from County Down, to continue with her studies. Geddes was accepted as a student to study at the Belfast School of Art, Ulster University. This is where Geddes adapted and improved her style and was introduced to a professional standard of art work.

Whilst still studying at the Belfast School of Art, Geddes took part in the Arts and Crafts Society of Ireland's fourth exhibition. For this exhibition, Geddes contributed a glowingly coloured illustration of the book Cinderella Dressing the Ugly Sister (Dublin City Gallery), which she had created. It was at this exhibition that Geddes' work was spotted by Sarah Purser, a well established painter seeking newly trained students to introduce to stained glass artistry. Purser, who went on to be Geddes' lifelong mentor, invited the young Geddes to join her in Dublin, working under the established stained glass artist William Orpen.

Geddes contributed a watercolour illustration of a Ballad Seller with the Belfast Art Society in 1907. She was elected as an Associate of the Belfast Art Society's successor, the Ulster Academy of Arts, in 1933 before promotion to Honorary Academician in 1935. Geddes showed five illustrations in the 1911 Oireachtas Exhibition. It was some twenty-one years before she returned to the Oireachtas when she exhibited three cartoons and three sketches for stained glass in 1932.

Career
Geddes joined Purser at the acclaimed stained glass workshop called An Túr Gloine in 1910. The workshop was held in Dublin's Metropolitan School of Art. It was here that Geddes discovered her passion for the craftsmanship of stained glass artistry and created her most important works.

During her early years at An Túr Gloine, "Geddes's originality shone out, and important commissions came from St Ann's Church in Dawson Street and the Presbyterian Church in Rathgar. Dogged by illness, she returned to Belfast before 1916 and lived between there and Dublin until moving in 1925 (as she had long wanted) to work in London at the Glass House in Fulham."Her work was considered pioneering and represented a rejection of the Late Victorian approach. She created a new view of men in stained glass windows, portraying them with close-shaven crew cuts. "The muscularity and tension of her portraiture is matched by the radical design of her constructions. Ambitious large-scale projects, as at the cathedral in Ypres, are equalled by the drama of smaller-scale work at Wallasey (Lancashire) and Wallsend (Northumberland), or war memorial windows in obscure country churches."

War Memorial Window, St. Bartholomew's Church, Canada 1919
This window was unveiled at St. Bartholomew's by  HRH the Prince of Wales. The window itself was commissioned by Prince Arthur, Duke of Connaught, in 1916. This piece is located in Ontario, Canada. The window is a memorial piece, depicting images of mourning men and women. Geddes uses primitive colours in her Ottawa Window, the most prominent being yellow and black. It is said by a critic that the colours used in this piece "give the window power and drama while strong, expressive drawing brings out the sense of action and facial expression." An article in Irish Life featured the window on the cover of its Christmas edition in 1919. The writer of the article considered this window to be "one of the artistic triumphs of this century". Geddes completed the entire window in Purser's glass works, Upper Pembroke Street in Dublin, Ireland.

St. Gabriel Window, All Saints Church, Dublin 1925
This window was commissioned by Canon Henry Dobbs, who was Chaplain to the Armed Forces. This piece was given by parishioners to commemorate World War I casualties from the congregation, as were two other windows, St. Michael and St. Raphael. Gabriel stands hard and solid displaying a warrior like, rugged face. He wears a blue and white mantle, which he wraps around himself. In St. Gabriel's hands he holds a branch given to him in Paradise and a mirror inscribed with an 'x', which signifies Christ in Greek. Geddes depicts the angel with a red halo and a stony-faced expression. The church in which this window remains is All Saints' Church, Blackrock, County Dublin. In 1996, St. Gabriel and St. Raphael were reunited in the church's south wall.

Lampeter Window, St. Peter's Church, Lampeter, Wales 1943
This piece was Geddes' last monumental work in stained glass and is located in the parish church of St. Peter's Lampeter. It measures: 20 ft and 4ins high by 11 ft 6 ins wide. It was commissioned in 1937 by Sir George Arthur Harford as a memorial to his father, Sir John Charles Harford, although Geddes' declining health and the interruptions of the war delayed its completion until 1943, and its installation until 1946. She painted the figures on glass with an incredible clarity and rich use of colour. The three dominant figures portrayed in this piece are: Christ, St. Peter and St. Andrew. These characters are portrayed to be occupied with thoughts beyond "mortal cares". Geddes herself declared that the window's subject was 'The Prophecy of Esaias' and the 'Calling of Peter and Andrew'. Christ is the central figure and stands taller than St. Peter and St. Andrew. Christ holds within his hands a pink and gold stone Byzantine church sat upon a rock. This church-on-a-rock symbolism refers to a Bible verse, in Matthew 16:16-19.

Later life and death
Despite the hardships of living in London during World War II, poverty, and ill health, Geddes "designed seventeen full-scale stained glass masterpieces, sixteen of which she completed"

Geddes died on 10 August 1955 in London of a pulmonary embolism. She was buried in Carnmoney Cemetery, County Antrim, along with her mother and sister Ethel.  Even after moving to London, Geddes claimed that her native identity never wavered as she says she was always "a Belfast woman".

Stained Glass Windows

 Angel of Resurrection, St Ninnidh Church, County Fermanagh, Northern Ireland, 1912

 Seaman Memorial Window, St. Molaise Church, Monea, Northern Ireland, 1913
 Faith, Hope and Charity Window, Presbyterian Church, Belfast, Northern Ireland, 1913-1914
 Dooner Memorial Windows, St. Ann's Church, Dublin, Ireland, 1913
 Margaret Horridge Memorial Window, Holy Trinity Church, Southport, Lancashire, 1914
 Moorehouse Memorial Window, Karori Cemetery, Karori, New Zealand, 1914
 Stewart Memorial Window, Presbyterian Christ Church, Dublin, Ireland, 1914-1916
 Reed Memorial Window, St. Anne's Church, Dublin, Ireland 1916
 Cuthbert Memorial Window, Presbyterian Assembly Hall, Belfast, 1916
 War Memorial Window, St. Bartholomew's Church, Ottawa, Canada 1919
 Crucifixion Window, St Luke's Church, Wallsend, Tyne & Wear, 1922
 St Patrick's and Colomba, Larne, County Antrim, Northern Ireland, 1923
 St. Brendan Window, Currane Church, Achill, Co. Mayo, Ireland, 1924
 Belfour Memorial Window, All Saints Church, Laleham, Middlesex, England, 1925
 The Fate of the Children of Lir, Ulster Museum, Belfast, 1929–30
 Sargent Memorial Window, St Michael Church, Northchapel, West Sussex, 1930
 Wheeler Memorial Window, St Lawrence Church, Otterden, Kent, England, 1933
 Crichton Memorial Window, Egremont Presbyterian Church, Wallasey, Lancashire, 1934
 King Albert Memorial Window, Cathedral of St. Martin, Ypres, Belgium, 1938
 Harford Memorial Window, St Peter's Church, Lampeter, Wales, 1943
 Madonna and Child, All Hallows, Greenford, London, 1953-1954

Further reading
 Nicola Gordon Bowe. "Wilhelmina Geddes 1887-1955: Her Life and Work – A Reappraisal". Journal of Stained Glass. Vol XVIII, 1988
 Nicola Gordon Bowe. "Wilhelmina Geddes : Life and Work. Four Courts Press. Pub 2015.

References

1887 births
1955 deaths
Irish people of Scottish descent
Alumni of Belfast School of Art
Arts and Crafts movement artists
Irish stained glass artists and manufacturers
People educated at Methodist College Belfast
Irish women artists
Members of the Royal Ulster Academy


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Gold Beret Boutique is co-owned by Monica & Cecelia Nenni. This mother-daughter duo has a passion for repurposing and the sustainable fashion movement. Monica has always admired her mother's style. Cecelia is one of 13 children. As a kid and an adolescent, she and her sisters found ways to turn hammy downs into couture. They dressed garments up with accessories, mixed & matched until the original pieces were unrecognizable. Cecelia is an artist when it comes to scouring garage sales, antique malls, and thrift stores. She leaves with an armful of gems, full of potential.
The designers of the pieces inside Gold Beret Boutique put an immense amount of love and intention into each stitch. The end goal being that the piece will live on; adorning its wearers and making them feel fabulous for years to come. Trends ebb and flow, and resurface years down the line, but personal style is timeless. It's part of how you present yourself to the world.
Monica and Cecelia are always collecting consignment items and sourcing high-end vintage styles from clothing connoisseurs of all kinds. They also offer personal and event styling. Find a vintage-inspired outfit for your next holiday party.


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A Venetian mirror not only has the practical purpose of the reflective mirror, but it is a true piece of art with the intricate glass work on the frame. Whether it is a cut and etched glass frame, or hand blown glass adorning it, these mirrors are stunning. They add glamor and style to a home and can be a focal point in any room.
Venetian mirrors have their history as far back as the 16th century. With the famed practice of Venetian glass blowing, these two arts were combined to create beautiful works of art. The glass for the mirror was often made of sheets of blown glass, an art in and of itself, and then it was either decorated with more blown glass, sometimes very elaborate and intricate; other times it was etched through a careful process to create these beautiful pieces.
The most common types of Venetian mirrors are the etched glass and the blown glass pieces. The etched glass ones are a bit more common and are stunning with the different shapes and adornments. The mirrors are hand etched, cut, beveled and polished to create stunning filigrees and borders on the piece. Sometimes the pieces remain fairly simple with a delicate etched border, sometimes they can be quite elaborate incorporating colors and attachments of etched and beveled glass.
With the glass blowing, pieces of glass are blown and then attached to the mirrors. These pieces can be flowers, tubes, trumpet shapes, rosettes or other fantastical designs that when grouped together make an awe-inspiring piece. Often colors are used whether in subtle or bright tones. The artistic value of these mirrors is quite high.
Of course, Venice would be a perfect spot to buy a Venetian mirror, but that is not possible for most people. The mirrors are available at many retailers, even online stores. Make sure they are a reputable dealer; even buying a re-creation is a big purchase. If the mirror is being shipped, find out the process and make sure the mirror is guaranteed if it breaks or is damaged. find vertical and landscape mirror for on the wall.
Once the mirror is purchased, the placement becomes the important decision. No matter the size, the piece will be stunning and needs to be somewhere it can have the attention it deserves. Remember, when hanging a mirror, it should reflect something pretty, perhaps a nice view out a window or a favorite piece of art. It will also reflect light to add to the ambiance of the room.
A Venetian mirror will work in almost any style, either adding to the romantic feel of the decor or adding an ornate, whimsical touch to a traditional or modern room. This will be a piece that is sure to a favorite.