text:
Robert Pursell
Rob Pursell is a freelance writer and journalist based in Washington, D.C by way of the University of Miami. Having been published by Thrillist, SLAM Magazine, The PBS NewsHour, Watchdog.org, The Daily Caller, and Bleacher Report, among others, Rob spends his time trying to report on the unique and eccentric stories within society. Outside of reporting he likes to drink beer, listen to music, and plan his next getaway from the district. He has the annoying habit of petting strangers' dogs, and most of his jokes aren't funny. You can follow him at @robert_pursell if you'd like.
Articles by Robert Pursell:
All the Coolest Things to Do in San Diego This Weekend
Published: July 11, 2019 at 6:32pm EST
Here are a bunch of can't-miss things to do in San Diego to make your weekend great. more
San Diego's Greatest Hikes for Every Skill Level
Published: June 11, 2019 at 12:04am EST
We've compiled the best hikes in San Diego into one comprehensive guide, with options for every skill level. more
Searching for Craic: Finding the Best, Most Fun Irish Pubs in San Diego
Published: March 16, 2017 at 4:58pm EST
You'd be forgiven if Irish culture isn't exactly the first thing that comes to your… more
San Diego's Best Seasonal Beers for Winter
Published: February 27, 2017 at 12:01am EST
Winter in San Diego is the perfect excuse to drink some heavy-ass dark beers. Here's what you should be drinking until spring. more
How Modern Times Conquered San Diego's Hyper-Competitive Beer Scene
Published: March 9, 2016 at 12:05am EST
While each of the city's 118 breweries certainly deserve their own shine, some deserve it a little more than others (that's a… more
San Diego's Best Beer Events This Year
Everyone in America knows San Diego is one of the best and most exciting beer cities in the country. While the beer scene might… more
The 10 Craigslist Guys You'll Live With in DC
Published: October 21, 2015 at 12:05am EST
Be careful on DC Craigslist. You could end up with one of these guys. more
Legend of the Fall: DC Seasons, Ranked
What's the best season to live in DC? An unscientific investigation. more
The Fun-Loving Case for DC Statehood
Not having DC as a state isn't just unfair. It's also no fun! more
11 Texts Every Washingtonian Has Received
Published: September 8, 2015 at 12:05am EST
If you're in DC, and you have a phone, then you've gotten these. more
Load Moreing


text:
KIAA0586 () – білок, який кодується однойменним геном, розташованим у людей на 14-й хромосомі. Довжина поліпептидного ланцюга білка становить 1 533 амінокислот, а молекулярна маса — 169 307.

Кодований геном білок за функцією належить до фосфопротеїнів.
Задіяний у таких біологічних процесах, як біогенез та деградація війок, альтернативний сплайсинг.
Локалізований у цитоплазмі, цитоскелеті, клітинних відростках.

Література

Примітки

Див. також
 Хромосома 14

Некатегоризовані білки

redpajama_set_name: RedPajamaWikipedia


text:
Okręty US Navy o nazwie USS "Lehigh":
 Pierwszy  został zwodowany w 1863 i wycofany ze służby w 1898.
 Drugi  został zwodowany w 1944 i wycofany ze służby w 1945.

Lehigh


A clothing boutique with a mission, to give back to those who bring peace & grace to women and children.
413 Court St. | 573-826-3030.
1canoe2 Paperie stocks fine stationery and home goods.
Most of our products are designed just upstairs from the shop. This is the flagship location for larger company, 1canoe2.
Click on red markers to see more.


Welcome to Forces Reunited the place where you can find information and friends from HMS Salisbury.
We can reunite you with your friends who served at HMS Salisbury and we have a wealth of information on different units, bases and ships in the site.
Below are just some of our members who have served at HMS Salisbury.


text:
Bijan Pakzad Net Worth, Career, Biography, Facts, Age, Life Story
Bijan Pakzad is an Iranian designer of menswear and fragrances who has a net worth of $50 million. Bijan Pakzad, who became known to the public as simply 'Bijan', was born April 4, 1944 in Tehran, Iran. Bijan migrated to Los Angeles in 1973, where he established his exclusive boutique on Rodeo Drive in Beverly Hills, California in 1976.
His boutique has been described as "the most expensive store in the world". A connoisseur of quality, perfection and universal design excellence, Bijan is considered a genius marketer of perception and image for his men's couture, haute and multi-billion-dollar empire as a peerless purveyor of elegance and affluence. He forged his way to Rodeo Drive in Beverly Hills, California by virtue of just three simple words- By Appointment Only-offering him unprecedented access to the some of the wealthiest clients in the world. Bijan has also drawn attention to himself through his renowned automobiles; most notably in his car collection were a yellow Bentley Azure with black interior and a Black Bentley Azure with yellow interior. He was also known to have owned a black Mercedes-Benz SLR McLaren with a customized paint scheme, a yellow Ferrari 430 Spider, a yellow Rolls-Royce Phantom Drophead Coupé and a Bugatti Veyron, all of which he often parked outside of his Rodeo Drive boutique. In 2000, Bijan flirted with controversy when an advertisement featuring Bijan and a "rotund (nude) model named Bella" was first rejected by many New York magazines before it was finally accepted by Tina Brown's Talk magazine (an American publication that was moderately popular between 1999 and 2001).
Date of Birth: Apr 4, 1944 – Apr 16, 2011 (67 years old)
Profession: Fashion designer, Designer
Nationality: Iran

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Get value of variable that contains a variable I have a variable $path with a value of "/home".
The variable $path is stored in a text file like this:
$path/programs

In my script, I am getting the line from the text file and setting it to a variable $ful_path
Problem: The variable $full_path is not getting the value of $path
echo $full_path

Result:
$path/programs

When I echo $path/programs from the command line, I do get /home/programs, it's only in the script as a variable it's being treated as a string.

A: You are probably doing something like :
export path=/home
echo '$path/programs' > test-file

full_path="$(cat test-file)"
echo "$full_path"

You can substitute variables with envsubst :
export path=/home
echo '$path/programs' > test-file

full_path="$(cat test-file | envsubst)"
echo "$full_path"

redpajama_set_name: RedPajamaStackExchange


Zeejah Fazli is an entrepreneur, producer, cultural programs director and an educationist in the field for the last 25 years. Besides being the founder and president of FACE, Zeejah has a wide exposure as a Project Director and Artistic director and is spearheading flagship projects of FACE such as FACE Mela, annual cultural festival of Pakistan showcasing music, food, artistes and artisans.
Founding and setting up "The Rock Musicarium", an amphitheater facility in collaboration with CDA Islamabad.
Annually Presenting Pakistan Showcase at SXSW, Austin Texas, U.S.A., since 2015 due to which the Mayor of Austin proclaimed March 14th as the Music of Pakistan day.
Setting up FACE Factory which is a cafe presenting various artists every weekend in Islamabad. and various other national and international training programs in arts and craft.
Zeejah presented hundreds of artists and artisans from a variety of disciplines and premiered numerous new works in programs attracting thousands of audience annually. Zeejah connected art and people in joyous, creative, and popular programs. His commitment to public engagement and community connections promises to make FACE a hub of cultural activity for Pakistan.
FACE is a platform that encourages artists and artisans to create relevant and socially viable works in their communities, while providing avenues to engage and connect with wider audiences and build revenue streams. Through publicly accessible programs and collaborative multimedia productions FACE provides a platform for the generation and exchange of ideas leading to positive social change.
FACE, Foundation for Arts Culture and Education, is an organization whose mission is to strengthen, empower and educate communities through the universal language of music, arts and cultural interaction. FACE plays an important role in ensuring education at all levels to empower men and women to create stronger, more humane, creative and sustainable communities.
Pakistan has historically been a cultural hub situated on the crossroads of the Indian Subcontinent, Central Asia and Persia, and has a diverse and vibrant culture. FACE has actively been promoting inter-cultural exchange of artists on both a national and international level and introducing contemporary forms of music (fusion/experimental) while celebrating the diverse musical traditions of the region. FACE has also been holding seminars, conferences and workshops in collaboration with partner organizations for the promotion of inter-cultural harmony on both micro and macro level.
To design, organize and coordinate cultural festivals and concerts, making them viable for artists and sponsors and brining positive change in the industry.


text:
Unexpected gold: on the Moon
The Gold Standard summarized
Unexpected gold: in the oceans
119 VIEWS 2 MIN READ
The moon is Earth's only satellite. It sits 384,400 km from the earth and is roughly 27% the size of our planet and is also being considered as a destination for mining rare earth and precious metals (including gold and silver), water and helium.
In February 2014, NASA announced that it was accepting applications from U.S. companies to build robots for lunar prospecting and exploration, which would be used to undertake research exploring the composition of the moon's surface. Satellite imaging has shown that the top 10 centimetres of regolith (moon soil) at the south pole of the moon appear to hold about 100 times more gold than the richest mines on earth.
Only a few years ago, most geologists would have laughed at the idea of mining anything from our moon. You see, space travel is both extremely expensive and technically challenging. In fact, it would cost about $250,000 to put a single 1 liter water bottle on the moon. However, in recent years, companies like SpaceX, among others, have helped improve technology and lowered the costs and risks to a point where lunar mining is becoming an achievable goal. In fact, billionaire and co-founder of private space-exploration company Moon Express, Naveen Jain expressed his confidence that they will land a small robotic spacecraft on the moon by the end of 2017. Moon Express hopes eventually to undertake mining on the moon for valuable resources including gold, platinum group metals and water, despite the several technical and economical challenges they face.
But not all problems that face lunar mining are scientific. International Space treaties postulate that no one person or country can lay claim or ownership of anything beyond earth which means that if lunar resource extraction becomes a reality, there may be conflict over who owns the gold.
Source1, Source2
7 Votes with an average with 1
The future of gold mining
How exposed is gold to climate-related risks?
Understanding the significance of gold in Middle Eastern countries
This is how gold nanobricks helped in making invisibility cloaks
What goes behind making weavable, wearable, and washable gold?
Gold-glass sandwich: a glassmaking technique
What makes gold edible and how is it used?
5 Ways technology is helping the gold market prosper
Unknown ways in which gold exists around us


text:
Q: Python binary data reading A urllib2 request receives binary response as below:
00 00 00 01 00 04 41 4D 54 44 00 00 00 00 02 41
97 33 33 41 99 5C 29 41 90 3D 71 41 91 D7 0A 47
0F C6 14 00 00 01 16 6A E0 68 80 41 93 B4 05 41
97 1E B8 41 90 7A E1 41 96 8F 57 46 E6 2E 80 00
00 01 16 7A 53 7C 80 FF FF

Its structure is:
DATA, TYPE, DESCRIPTION

00 00 00 01, 4 bytes, Symbol Count =1

00 04, 2 bytes, Symbol Length = 4

41 4D 54 44, 6 bytes, Symbol = AMTD

00, 1 byte, Error code = 0 (OK)

00 00 00 02, 4 bytes, Bar Count =  2

FIRST BAR

41 97 33 33, 4 bytes, Close = 18.90

41 99 5C 29, 4 bytes, High = 19.17

41 90 3D 71, 4 bytes, Low = 18.03

41 91 D7 0A, 4 bytes, Open = 18.23

47 0F C6 14, 4 bytes, Volume = 3,680,608

00 00 01 16 6A E0 68 80, 8 bytes, Timestamp = November 23,2007

SECOND BAR

41 93 B4 05, 4 bytes, Close = 18.4629

41 97 1E B8, 4 bytes, High = 18.89

41 90 7A E1, 4 bytes, Low = 18.06

41 96 8F 57, 4 bytes, Open = 18.82

46 E6 2E 80, 4 bytes, Volume = 2,946,325

00 00 01 16 7A 53 7C 80, 8 bytes, Timestamp = November 26,2007

TERMINATOR

FF FF, 2 bytes,

How to read binary data like this?
Thanks in advance.
Update:
I tried struct module on first 6 bytes with following code:
struct.unpack('ih', response.read(6))

(16777216, 1024)
But it should output (1, 4). I take a look at the manual but have no clue what was wrong.

A: >>> data
'\x00\x00\x00\x01\x00\x04AMTD\x00\x00\x00\x00\x02A\x9733A\x99\\)A\x90=qA\x91\xd7\nG\x0f\xc6\x14\x00\x00\x01\x16j\xe0h\x80A\x93\xb4\x05A\x97\x1e\xb8A\x90z\xe1A\x96\x8fWF\xe6.\x80\x00\x00\x01\x16zS|\x80\xff\xff'
>>> from struct import unpack, calcsize
>>> scount, slength = unpack("!IH", data[:6])
>>> assert scount == 1
>>> symbol, error_code = unpack("!%dsb" % slength, data[6:6+slength+1])
>>> assert error_code == 0
>>> symbol
'AMTD'
>>> bar_count = unpack("!I", data[6+slength+1:6+slength+1+4])
>>> bar_count
(2,)
>>> bar_format = "!5fQ"
>>> from collections import namedtuple
>>> Bar = namedtuple("Bar", "Close High Low Open Volume Timestamp")
>>> b = Bar(*unpack(bar_format, data[6+slength+1+4:6+slength+1+4+calcsize(bar_format)]))
>>> b
Bar(Close=18.899999618530273, High=19.170000076293945, Low=18.030000686645508, Open=18.229999542236328, Volume=36806.078125, Timestamp=1195794000000L)
>>> import time
>>> time.ctime(b.Timestamp//1000)
'Fri Nov 23 08:00:00 2007'
>>> int(b.Volume*100 + 0.5)
3680608

A:
>>> struct.unpack('ih', response.read(6))
(16777216, 1024)

You are unpacking big-endian data on a little-endian machine. Try this instead:
>>> struct.unpack('!IH', response.read(6))
(1L, 4)

This tells unpack to consider the data in network-order (big-endian). Also, the values of counts and lengths can not be negative, so you should should use the unsigned variants in your format string.

A: Take a look at the struct.unpack in the struct module.

A: So here's my best shot at interpreting the data you're giving...:
import datetime
import struct

class Printable(object):
  specials = ()
  def __str__(self):
    resultlines = []
    for pair in self.__dict__.items():
      if pair[0] in self.specials: continue
      resultlines.append('%10s %s' % pair)
    return '\n'.join(resultlines)

head_fmt = '>IH6sBH'
head_struct = struct.Struct(head_fmt)
class Header(Printable):
  specials = ('bars',)
  def __init__(self, symbol_count, symbol_length,
               symbol, error_code, bar_count):
    self.__dict__.update(locals())
    self.bars = []
    del self.self

bar_fmt = '>5fQ'
bar_struct = struct.Struct(bar_fmt)
class Bar(Printable):
  specials = ('header',)
  def __init__(self, header, close, high, low,
               open, volume, timestamp):
    self.__dict__.update(locals())
    self.header.bars.append(self)
    del self.self
    self.timestamp /= 1000.0
    self.timestamp = datetime.date.fromtimestamp(self.timestamp)

def showdata(data):
  terminator = '\xff' * 2
  assert data[-2:] == terminator
  head_data = head_struct.unpack(data[:head_struct.size])
  try:
    assert head_data[4] * bar_struct.size + head_struct.size == \
           len(data) - len(terminator)
  except AssertionError:
    print 'data length is %d' % len(data)
    print 'head struct size is %d' % head_struct.size
    print 'bar struct size is %d' % bar_struct.size
    print 'number of bars is %d' % head_data[4]
    print 'head data:', head_data
    print 'terminator:', terminator
    print 'so, something is wrong, since',
    print head_data[4] * bar_struct.size + head_struct.size, '!=',
    print len(data) - len(terminator)
    raise

  head = Header(*head_data)
  for i in range(head.bar_count):
    bar_substr = data[head_struct.size + i * bar_struct.size:
                      head_struct.size + (i+1) * bar_struct.size]
    bar_data = bar_struct.unpack(bar_substr)
    Bar(head, *bar_data)
  assert len(head.bars) == head.bar_count
  print head
  for i, x in enumerate(head.bars):
    print 'Bar #%s' % i
    print x

datas = '''
00 00 00 01 00 04 41 4D 54 44 00 00 00 00 02 41
97 33 33 41 99 5C 29 41 90 3D 71 41 91 D7 0A 47
0F C6 14 00 00 01 16 6A E0 68 80 41 93 B4 05 41
97 1E B8 41 90 7A E1 41 96 8F 57 46 E6 2E 80 00
00 01 16 7A 53 7C 80 FF FF
'''

data = ''.join(chr(int(x, 16)) for x in datas.split())
showdata(data)

this emits:
symbol_count 1
 bar_count 2
    symbol AMTD
error_code 0
symbol_length 4
Bar #0
    volume 36806.078125
 timestamp 2007-11-22
      high 19.1700000763
       low 18.0300006866
     close 18.8999996185
      open 18.2299995422
Bar #1
    volume 29463.25
 timestamp 2007-11-25
      high 18.8899993896
       low 18.0599994659
     close 18.4629001617
      open 18.8199901581

...which seems to be pretty close to what you want, net of some output formatting details.  Hope this helps!-)

A: Use pack/unpack functions from "struct" package. More info here http://docs.python.org/library/struct.html
Bye!

A: As it was already mentioned, struct is the module you need to use.
Please read its documentation to learn about byte ordering, etc.
In your example you need to do the following (as your data is big-endian and unsigned):
>>> import struct
>>> x = '\x00\x00\x00\x01\x00\x04'
>>> struct.unpack('>IH', x)
(1, 4)


text:
Jan Berchmans, född 13 mars 1599 i Diest, död 13 augusti 1621 i Rom, var en belgisk jesuit och präststuderande. Tillsammans med Stanislaus Kostka och Aloysius Gonzaga betraktas Jan Berchmans inom Romersk-katolska kyrkan som skyddshelgon för studerande ungdom. Jan Berchmans minnesdag firas inom Romersk-katolska kyrkan den 13 augusti.

Biografi
Jan Berchmans var son till en skomakare i Diest. Han studerade i Malines, där han kom i kontakt med Jesuitorden. Han hade bestämt sig för att bli jesuit efter att ha läst om den helige Aloysius Gonzagas liv. Vid sjutton års ålder skickades han till Rom för sitt novitiat. I Rom studerade han bland annat filosofi och flera av Europas språk. Han hade en önskan att få verka i Kina efter sin prästvigning.

Efter en offentlig debatt, vid vilken Jan Berchmans med emfas försvarade den katolska tron, drabbades han av svår feber och avled, 22 år gammal. Han har fått sitt sista vilorum i vänster tvärskepp i barockkyrkan Sant'Ignazio i Rom.

Bilder

Referenser

Webbkällor

Tryckta källor
 The Book of Saints: A Dictionary of Servants of God. 6th ed. London: Cassell 1994.

Externa länkar

Födda 1599
Avlidna 1621
Belgiska jesuiter
Belgiska helgon
Flamländare
Män
Jesuithelgon
Gravsatta i Sant'Ignazio


text:
'I had open-heart surgery last year - but it won't stop me running the Robin Hood half marathon'
Andrews Briggs will be running in the Ikano Bank Robin Hood Half Marathon in September
Jon PritchardDeputy digital news editor
Sign up to FREE daily email alerts from NottinghamshireLive - Daily
Andrew Briggs was training for the Ikano Bank Robin Hood Half Marathon when he was given the news he needed open-heart surgery.
It meant the 34-year-old had to forego his chance to complete the 13.1-mile circuit last year - but is already back in training for this year's event.
The electrical project manager, of Calverton, was born with a hole in his heart and just two years later, doctors discovered his heart valve was leaking.
He lived with the issue ever since, and despite often struggling to breathe after relatively simple activities, he managed to play rugby and even complete the half marathon back in 2006.
Police launch investigation minibus and van fire on Mansfield Town's car park
His latest attempt at the course, which takes in the city's landmarks such as Nottingham Castle and Wollaton Hall, comes as he is feeling the effects of having a perfectly working ticker.
"I always knew I would have to have an operation at some point but it came a bit sooner than I expected," he said.
"They called me up in March last year and said I had to have the operation then so I had to stop running.
Andrew Briggs from Calverton Nottingham is running the Ikano Bank Robin Hood Half Marathon to raise money for the British Heart Foundation (Image: Nottingham Post)
"I would have had some issues with my heart if I didn't have the operation, which could have led to heart failure.
"I had open heart surgery and they stopped my heart for 10 minutes. I had to have my pulmonary artery replaced and they repaired the hole."
Mr Briggs was sent to Glenfield Hospital in Leicestershire, a specialist heart hospital, and underwent rehab at the City Hospital in Nottingham.
Dad-of-two loses five-and-a-half stone in five months after entering Man V Fat football league
Throughout his week in Glenfield and 12-week rehab, he was supported by the British Heart Foundation (BHF), who he is now raising money for.
"They were amazing," he added. "They had a number I could call with any concerns about what was going on. It's not nice to think about having your heart stopped so any worries I had I went to them.
"At Glenfield, they also have nurses who are funded by the BHF so I have seen the work that they do."
Having completed the half marathon in 2006, he is hoping to beat his previous best of two hours and 12 minutes this time around.
Arnold residents say 'enough is enough' as they plan march in wake of stabbings
"Twelve years on and with a fully working heart - I'd like to think I could beat that time," he added.
The operation came with the added pressure of a newborn baby, with his wife Emma, 34, giving daughter to their daughter Florence, who is now 18 months old, just four months before the operation. He is also dad to four-year-old Freyja.
His wife added: "I was there through it all, watching him get wheeled in and out of the operating theatre. It was terrifying.
"He is back to his former self now which is fantastic and he misses his rugby, so being able to pick up running again has been great. I'm really proud of him."
To sign up to the Robin Hood Half Marathon, or any of the other event, visit www.robinhoodhalfmarathon.co.uk.
To donate to Mr Briggs' cause, visit www.justgiving.com/Andrew-Briggs6.
Robin Hood Marathon and Half Marathon
Wollaton Park
food&drinkWoman 'heartbroken' after eating vegan KFC burger which turned out to be chicken'We got it wrong on this occasion,' admitted the company
DerbyshireDisgruntled workman leaves huge message on front of building he'd been paintingDean Reeves claims he is owed money for work he has done
Armed ForcesDaughters' tributes to heroic Nottingham D-Day veteran who died aged 94Mr Mellors received the Legion d'honneur - the highest French order of merit for military


I have a little problem: since I currrently don't have a teacher, I only have my own ears to verify whether I am playing right or not (which, given that I'm a beginner, isn't every much). Since last Saturday, I'm the proud owner of my first own violin (she's a real beauty but I don't have a name for her yet). I still keep renting Josie and am planning to buy her one day but she's too expensive for me at the moment and I wanted an instrument which I can modify. While I'm not really allowed to play Nameless until April since she's part birthday present from my parents and part self-reward for handing in my thesis, my parents made an exception this weekend.
Since it occurs in all combinations and also happens when I play empty strings, I figured that it probably has something to do with me and the bow. Does anybody know if that could happen if I apply too much or too little pressure or if it has something to do with how much rosin I put on the bow?
I've had rosin build up on the strings to make an unpleasant fuzzy sound, but not something I'd call a buzz (and just a quick wipe down with a microfiber cloth fixes it). If it's as annoying as you are saying, it sounds more like something on the violin is buzzing, not that you're doing anything wrong.
Can you tell what area of the violin the buzz is coming from? (for example yesterday a button on my shirt kept touching the violin and making a buzz, but I could hear right where the buzz was coming from).
Things that I've had buzz on mine have been the fine tuner (if the little nut that touches the tail piece is a little loose, it buzzes like crazy, so only if they are not built in) and then when the end of a string in the peg box is touching the peg box, I've had that do a little buzzing.
"Check that the tailpiece is not touching the chinrest.
Hit the instrument with your knuckles hard enough to get it to vibrate on all edges and corners to see if there is something loose inside."
I checked Josie according to the list (sadly, I don't have Nameless with me at the moment but I hope that my parents will let me play on her again this weekend). I tried everything (only the peg box was not checked that thorough because I didn't dare touching anything in there) but nothing seems to be loose or touching. I also noticed that it doesn't seem to buzz when I pluck the string instead of bowing. From what I can tell, the buzz seems to come from somewhere near the bridge but then again I am not that sure since I am not very experienced yet.
This might not be the case for your violin, but chances are, it might be your fine tuners rattling. Try using your fine tuners to tune next time and that should correct it. When my non-violin instrument had that issue, it helped to turn the fine tuners in a little.
I think, it might have something to do with the fine-tuners after all. When I first checked them, they seemed alright and not loose. But when I randomly wound them for testing purposes, the buzzing seemed to get a little less but it's still there. The tuners look totally fine to me though and I have no idea why they buzz in certain positions.
Here's the possible reason. Tap your tailpiece and see what note is closest to the pitch it makes. That note is the general reasonating frequency, that will cause the tailpiece to vibrate a bit more, and if your fine tuners are loose, that will cause a rattle.
How do I battle a 'loose fine-tuner'-Problem? I never had that happen before.
If it's the type that screw on, usually you just have to tighten the nut down to the tail piece.
They look like the ones on this violin.
Ok, those are the built in kind. I have those on one of my violins.
Do any of the screws feel wobbly?
Also, if you look under the tailpiece, do you see anything touching the body of the violin? When you tighten the fine tuners, there is an arm under each that lowers more, depending on how your violin is set up it's possible one could be touching the violin.
If it's not any of those things, I'd have your luthier take a look at it, there could be one with something else coming loose on it.
I'm sure there are other things that could maybe go wrong with them, but I'm blanking on what else to check at the moment.
If the problem is pretty unsolvable at home, you might want to consider taking it to a shop to have them look at it.
Let me know if I can help out. You can always give us a call at Fiddlershop.
No one talked about the string being too close to the fingerboard. The string can be close for several reasons. The bridge might be too low, the nut can be too low and the fingerboard can be shaped the wrong way.
Is the problem worse when you play hard and open strings?
It was worst when I tired using the fingers. Earlier, the violin maker responded and told me that they changed the D string since it was faulty for some reason. I hope that it doesn't happen again because I don't want to drive to the workshop whenever something is wrong and I am still too scared to change strings on my own even though there are plenty of tutorials.


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Choice of Ziti or Spaghetti. Available pasta toppings: Meatball, Sausage, Chicken Cutlet, Veal, Mushrooms, Onions, Roasted Peppers, Broccoli, Eggplant.
Choice of Dressings: House Italian, Creamy Italian, Lite Italian, 1000 Island, Greek, French, Parmesan Peppercorn, Zinfandel Vinaigrette, Fat-Free Ranch, Ranch, Bleu Cheese, Caesar, Balsamic Vinaigrette, Honey Mustard.
NHOP'S PARTY SHEET PIZZA $24.93 (cheese) Additional topping each $3.50.
Our pizzas & calzones are made with homemade fresh pizza dough, our tasty pizza sauce, the finest ingredients & a special mozzarella & cheddar cheese blend shredded in house! They are cooked in our state of the art conveyor belt oven for a delicious taste that will have you coming back for more!!
**GLUTEN FREE ADVISORY: We are not a gluten free environment and some toppings may contain wheat. if you have a gluten allergy, please consult with a manager prior to ordering.
Small 10" -- Medium 12" -- Large 15"
Grilled marinated chicken, bacon & ranch dressing. Sauce added upon request.
Every burger starts with ½ lb 100% Certified Angus Beef. Our Burger Baskets include fries & a pickle spear.
We use only 100% Certified Angus Beef.
All dinners serviced with fries, cole slaw & roll.


Here's something for those who appreciate good music. While not everyone is into Johnny Cash – I can actually count the people I know personally who listen to him with one hand – you can't really deny his genius. This man has been called the one of the most influential musicians of the 20th century, and rightly so! He's probably known by most as a country singer, but his fans know very well that his music spans a whole lot of other genres.
So what is The Johnny Cash Project all about? Does the name Chris Milk ring a bell? He's the music video director behind some of the greatest videos of our time. He has worked with artists such as U2, Kanye West, Green Day, and Audioslave, among others.
This year, he embarked on this project, which one can very well call "music video crowdsourcing." What he did was to take the last song that the "Man in Black" recorded in the studio: Ain't No Grave. Anyone who has heard this song will probably agree with me in saying that it is one of most haunting songs you'll ever hear. The song, by the way, is part of the posthumous album, American VI: Ain't No Grave, which was released in February 23 of this year.
More than merely creating a music video, though, Chris Milk decided to call upon the resources of the countless Johnny Cash fans out there. He created the web site and encouraged (encourages) people to share their own rendition of a Johnny Cash portrait. These portraits are then put together to create the video. As the project is a continuous one, you can imagine that the video is an ever changing work of art.
I have to tell you – this is one moving piece of work! I won't even dare to describe it – you can watch it for yourself below. Trust me, it is the perfect video to watch on All Saints'/All Souls' Day.
Eli: It doesn't have to make sense. It's faith, it's faith. It's the flower of light in the field of darkness that's giving me the strength to carry on. You understand?
Solara: Is that from your book?
Eli: No, it's, uh, Johnny Cash, Live at Folsom Prison.
Yeah, Johnny Cash can inspire you like that, and Chris Milk did a pretty good job with this project as well!
For more information on the project, or if you want to join in, visit the official web site of The Johnny Cash Project.


text:
President Obama Reacts to Ferguson Grand Jury Decision
Obama responds to grand jury's decision not to indict officer Darren Wilson.
ByDEVIN DWYER and MEGHAN KENEALLY
President Barack Obama speaks at a press conference following the announcement of a grand jury verdict in Ferguson, Mo., Nov. 24, 2014.
— -- President Obama tonight urged the public to accept the grand jury's decision not to indict the Ferguson, Missouri, police officer who fatally shot an unarmed teenager this past summer, saying that "it's an outcome that, either way, was going to be subject to intense disagreement."
"We are a nation built on the rule of law, so we need to accept that this decision was the grand jury's to make," he said.
Obama's statement came less than an hour after it was revealed that the St. Louis grand jury decided not to indict police officer Darren Wilson in the fatal shooting of Michael Brown.
Ferguson Grand Jury Does Not Indict Officer Darren Wilson in Death of Michael Brown
What's Happened in Ferguson Since Michael Brown's Death: A Timeline
Obama also appealed to protesters to be peaceful, invoking Michael Brown's parents' desire.
"Hurting others or destroying property is not the answer," he said.
At the same time, the president also appealed to law enforcement officials in Ferguson to "show care and restraint."
"The situation in Ferguson speaks to the broader challenges we still face as a nation," Obama said, noting that "a deep distrust exists between law enforcement and communities of color."
Man firing AR-15-style rifle inside Target fatally shot by officers: Police


We have the following information for the number 9097420773 : country : United states , telephone operator : Tw Telecom Of California Lp . This issue belongs to the operator : Tw Telecom Of California Lp from 05/18/1998 . Check below if we have the identity of the person using that number .


Printer Reviews– The Labor drive AL-M300DTN moreover gives always fast printing around 35ppm, with a first-page-out time of 5.5 secs, alongside top quality results as much as,200 dpi determination. Inside memory could in like manner be upgraded to 1152Mb, to help refine all organization printing requests. The honesty of the Labor drive AL-M300DTN licenses administrations to concentrate on their employment without the disturbance of downtime, boosting proficiency and also giving better solace. Proposed at little workgroups that are searching for high effectiveness, this outline supplies trustworthy, superior printing and additionally Gigabit Ethernet and brisk, twofold sided printing as necessity.
In upgrade, people could distribute and also share from anyplace in the work environment an abundance of thanks to Epson's portable printing application, Epson iPrint. The Labor constrain AL-M300DTN is only one of Epson's most committed and furthermore trustworthy A4 grayscale printer, much obliged to its 100,000-page commitment cycle – the most elevated conceivable in its course. This form has a versatile effect that matches little workgroups and in addition includes as much as 550-sheet paper capacity as rule. This model offers quick and standard twofold sided printing and Gigabit Ethernet. High return toners and overwhelming obligation yield give a fantastic degree of profitability.
This printer empowers portable inviting background due to Epson iPrint and Epson versatile printing application, so it makes printing from mobiles and cell phones advantageous. The unwavering quality of this item gives an awesome true serenity without the strain of downtime. Print determination of this printer is 1,200 x 1,200 DPI with Acubrite Toner framework. This printer offers quick printing velocity of 35 pages/min for monochrome single-sided and 21 pages/min for monochrome twofold sided. Initially page out time is the main 6second. Most extreme obligation cycle is 10,000pages/month which is god news for private companies. This model has three paper plate, and most extreme paper information is 550.


text:
The continuous clashes at the outskirts of Aleppo city cause casualties, factions advance in the northern countryside at the expense of the "Islamic State"
Aleppo province, the Syrian Observatory for Human Rights :
Clashes continue south and southwest of Aleppo city between the rebel and Islamic factions, Fath al-Sham Front, Uzbek fighters and the Islamic Turkestan Party against the regime forces backed by members of the Lebanese Hezbollah and the gunmen loyal to them of Syrian, Arab and Asian nationalities, amid continued intensified shelling by the regime forces at the area, along with continued firearm monitoring of the corridor which the factions managed to open between the faculties area and the eastern neighborhoods of Aleppo through Ramouseh area at the 6th of August 2016, while the factions targeted vehicles belong to the regime forces in the vicinity of the area, and the clashes resulted in confirmed casualties in the ranks of the regime forces, also fighters were killed -including non-Syrian fighters- in these clashes, where the commander of the artillery School the Brigadier Asif Kheir Bek died yesterday affected by injuries he had in the clashes against the factions in the south and southwest of Aleppo city, while violent clashes continue between the rebel and Islamic factions against the "Islamic State" in the countryside of al-Rai strategic town which is adjacent to the Syrian – Turkish border, which enabled the factions to advance to 2 villages and control them both, and information about more advancement for the fighters of the factions in the area, and confirmed information about casualties in the ranks of both parties during these clashes which were accompanied by shelling exchange between both of them, also helicopters dropped barrel bombs on areas in the town of Hayan in the northern countryside of Aleppo, no information about casualties.
More casualties in the ranks of the regime in attempts to regain control of the strategic town of Kabani
Aerial bombardment on Al-Ghantu town kills a man and his wife and clashes in Palmyra desert and in the vicinity of an oilfield


U.S. Secretary of State Hillary Clinton heads to Turkey Thursday to discuss the situation in Libya, a day after warning Libyan leader Moammar Gadhafi that his days in power "are numbered" and that the international community will soon increase the pressure on him to leave. Clinton departs Washington for Istanbul, where she will attend a meeting with representatives from more than 40 nations that are backing NATO's operations in Libya. Meanwhile, rebels are planning their next moves after retaking a strategic village Wednesday about 100 kilometers south of the capital, Tripoli. The recent success boosts rebel plans for a march on the capital, which is a stronghold of Gadhafi. The retaking of the village of Al-Qawalish came after bitter clashes that killed at least two opposition fighters and wounded 15 others. Rebel forces want to use Al-Qawalish as a staging post to take the nearby town of Garyan, which controls access to the main highway heading north to Tripoli. Also Wednesday, rebels in western Libya faced criticism from a U.S.-based rights group that accused them of damaging property, looting hospitals and homes and assaulting Gadhafi loyalists in opposition-held towns. Human Rights Watch called on the rebels to protect civilians and hold their fighters accountable for the alleged abuses. It said a rebel commander confirmed that abuses had taken place and that some people were punished for the incidents. The rights group said it also has documented "repeated" attacks by Libyan government forces on civilians in some western areas in the past two months.


text:
The Musée Dapper in Paris
The Musée Dapper in Paris, located in the Embassy neighborhood in the 16th arrondissement, at 35 rue Paul Valery, is a wonderful hidden gem, mainly known to specialists of art from Africa and its diaspora, including the Caribbean.
The difference between the Musée Dapper and many other French museums is that the Musée Dapper is a nonprofit organization, whereas many French museums are run by the French government. In the United States, it is the opposite: most museums are nonprofits/public-private partnerships, including the Smithsonian Institution, which I thought was a Federal institution. Samir Bitar, Director of the Office of Visitor Services, provided explanations on this subject. (however, Smithsonian museums are housed in GSA buildings.)
The museum opened in 1986, after the Olfert Dapper Foundation was created in 1983 in Amsterdam by Michel Leveau (1930-2012). Why Olfert Dapper? He had written a "Description of Africa" in 1668, an encyclopedia-style book, whereas he had never left Holland!
Permanent collections include mostly objects from Gabon: Kota, Mahongue and some Fang. The Museum holds one major exhibition every year, and has also started initiatives in Senegal. The current exhibitions, on view through July 6, 2014, are:
- a small contemporary exhibit: Masques by Romuald Hazoumé, who is an artist from Benin, of Yoruba ethnicity, and who lives in Dahomey. He repurposed petroleum-industry related items, such as jerrycans, to create superficially traditional-African style masks, and the results are rather whimsical, even though the premise is a protest against the oil industry's negative consequences on Sub-Saharan Africa.
Gabin Bonny, the Musee Dapper Cultural Attaché, told us that Mr. Hazoumé makes a point of never leaving Benin for too long, no matter his work overseas.
- the main current exhibition is Initiés, Bassin du Congo (Initiates, Congo Basin). The Dapper Museum received, on loan, a large trove of objects from the Belgian Royal Museum for Central Africa in Tervuren. The Royal Museum is undergoing renovations, and the objects were in need of a temporary home; the Musée Dapper was happy to oblige.
The exhibit's theme is initiation. Initiation was an important stage in the life of young Sub-Saharan Africans; pain and even the danger of death made this period very difficult, and thus ritual was important in order to sustain the initiates' willpower and even provide them with a sentiment of being superior to the non-initiates.
Additional photos are shown below. (All photos except first one courtesy Gabin Bonny/Dapper Museum.)
Hazoumé
Statuette, Initiés du Bassin du Congo
Masks, Initiés du Bassin du Congo
Initiés du Bassin du Congo
Hazoumé mask
Africa African art Congo Basin culture Dapper Gabin Bonny initiation Michel Leveau museum Paris


text:
//
//  ZXNavigationBarTableViewController.h
//  ZXNavigationBar
//
//  Created by 李兆祥 on 2020/12/31.
//  Copyright © 2020 ZXLee. All rights reserved.
//  https://github.com/SmileZXLee/ZXNavigationBar
//  V1.4.1

#import <UIKit/UIKit.h>
#import "UINavigationController+ZXNavBarAllHiddenExtension.h"
#import "ZXNavigationBarController+ZXNavSystemBarPopHandle.h"
#import "ZXNavigationBar.h"
#import "ZXNavigationBarNavigationController.h"
#import "ZXNavHistoryStackContentView.h"
NS_ASSUME_NONNULL_BEGIN
typedef void(^leftBtnClickedBlock) (ZXNavItemBtn *btn);
typedef void(^subLeftBtnClickedBlock) (ZXNavItemBtn *btn);
typedef void(^rightBtnClickedBlock) (ZXNavItemBtn *btn);
typedef void(^subRightBtnClickedBlock) (ZXNavItemBtn *btn);
typedef void(^foldingOffsetBlock) (CGFloat offset);
typedef void(^foldCompletionBlock) (void);

typedef void(^__nullable transparentGradientsChangingBlock) (CGFloat alpha);
typedef void(^transparentGradientsTransparentBlock) (void);
typedef void(^transparentGradientsOpaqueBlock) (void);

@interface ZXNavigationBarTableViewController : UITableViewController
/**
 设置左右Button的大小(宽高相等)
 */
@property (assign, nonatomic)CGFloat zx_navItemSize;

/**
 设置Item之间的间距
 */
@property (assign, nonatomic)CGFloat zx_navItemMargin;

/**
 状态栏颜色
 */
@property(assign, nonatomic)ZXNavStatusBarStyle zx_navStatusBarStyle;

/**
 是否禁止根据zx_navStatusBarStyle自动调整状态栏颜色,默认为否
 */
@property(assign, nonatomic)BOOL zx_disableAutoSetStatusBarStyle;

/**
 是否隐藏ZXNavigationBar导航栏,默认为否
 */
@property (assign, nonatomic)BOOL zx_hideBaseNavBar;

/**
 是否显示系统导航栏,默认为否
 */
@property (assign, nonatomic)BOOL zx_showSystemNavBar;

/**
 是否开启系统导航栏与自定义导航栏平滑过渡(务必仅当存在系统导航栏与自定义导航栏过渡时启用,非必要请勿启用,否则可能造成自定义导航栏跳动,若当前控制器显示了系统导航栏,请于当前控制器pop的上一个控制器中使用self.zx_navEnableSmoothFromSystemNavBar = YES)
 */
@property (assign, nonatomic)BOOL zx_navEnableSmoothFromSystemNavBar;

/**
 是否禁止Xib加载控制器情况下自动将顶部View约束下移导航栏高度,默认为否(使用Xib加载控制器时生效)
 */
@property (assign, nonatomic)BOOL zx_disableNavAutoSafeLayout;

/**
 是否启用了SafeArea,默认为是,若取消了SafeArea,则必须将此项设置为NO(使用Xib加载控制器时生效)
 */
@property (assign, nonatomic)BOOL zx_isEnableSafeArea ZXNavigationBarDeprecated("从版本1.3.1起,此属性无效,是否启用了SafeArea交由ZXNavigationBar内部自行判断");

/**
 禁止自动设置自定义导航栏与其相关配置,保留原有的系统导航栏(需要设置在[super viewDidLoad]之前)
 */
@property (assign, nonatomic)BOOL zx_disableAutoSetCustomNavBar;

/**
 设置导航栏的TintColor,此属性可以将导航栏的title颜色、左右Button的文字和图片颜色修改为TintColor
 */
@property (strong, nonatomic, nullable)UIColor *zx_navTintColor;

/**
 设置导航栏标题,使用self.title亦可
 */
@property (copy, nonatomic)NSString *zx_navTitle;

/**
 titleView,显示在正中间的标题View,请不要在titleView直接添加自定义的titleView,如需设置自定义导航栏请使用-zx_addCustomTitleView方法
 */
@property (weak, nonatomic, readonly)ZXNavTitleView *zx_navTitleView;

/**
 titleLabel,显示在正中间的标题Label
 */
@property (weak, nonatomic)ZXNavTitleLabel *zx_navTitleLabel;

/**
 设置导航栏标题颜色
 */
@property (strong, nonatomic)UIColor *zx_navTitleColor;

/**
 设置导航栏标题字体大小
 */
@property (assign, nonatomic)CGFloat zx_navTitleFontSize;

/**
 设置导航栏标题字体
 */
@property (strong, nonatomic)UIFont *zx_navTitleFont;

/**
 返回按钮的图片名,若不设置则使用默认的返回按钮图片
 */
@property (copy, nonatomic)NSString *zx_backBtnImageName;

/**
 导航栏分割线View
 */
@property (weak, nonatomic)UIView *zx_navLineView;

/**
 导航栏分割线View背景颜色
 */
@property (strong, nonatomic)UIColor *zx_navLineViewBackgroundColor;

/**
 导航栏分割线的高度,默认为0.5
 */
@property (assign, nonatomic)CGFloat zx_navLineViewHeight;

/**
 最左侧Button
 */
@property (weak, nonatomic)ZXNavItemBtn *zx_navLeftBtn;

/**
 左侧第二个Button
 */
@property (weak, nonatomic)ZXNavItemBtn *zx_navSubLeftBtn;

/**
 最右侧Button
 */
@property (weak, nonatomic)ZXNavItemBtn *zx_navRightBtn;

/**
 右侧第二个Button
 */
@property (weak, nonatomic)ZXNavItemBtn *zx_navSubRightBtn;

/**
 ZXNavigationBar导航栏对象
 */
@property (weak, nonatomic)ZXNavigationBar *zx_navBar;

/**
 设置导航栏背景颜色
 */
@property (strong, nonatomic)UIColor *zx_navBarBackgroundColor;

/**
 设置导航栏背景颜色透明度(与设置为导航栏不同,此设置仅会改变导航栏背景色RGBA中的Alpha值)
 */
@property (assign, nonatomic)CGFloat zx_navBarBackgroundColorAlpha;

/**
 导航栏背景ImageView
 */
@property (weak, nonatomic)ZXNavBacImageView *zx_navBacImageView;

/**
 设置导航栏背景图片
 */
@property (strong, nonatomic, nullable)UIImage *zx_navBarBackgroundImage;

/**
 自定义的导航栏View,是ZXNavigationBar的SubView,如需设置自定义导航栏请使用-zx_addCustomNavBar方法
 */
@property (weak, nonatomic, readonly)UIView *zx_navCustomNavBar;

/**
 自定义的titleView,是TitleView的SubView,如需设置自定义导航栏请使用-zx_addCustomTitleView方法
 */
@property (weak, nonatomic, readonly)UIView *zx_navCustomTitleView;

/**
 导航栏是否已被折叠,默认为否
 */
@property (assign, nonatomic, readonly)BOOL zx_navIsFolded;

/**
 导航栏折叠动画速度
 */
@property (assign, nonatomic, readonly)int zx_navFoldingSpeed;

/**
 是否禁用全屏pop手势,若禁用,则pop触发范围为屏幕宽度的十分之一(导航控制器需为ZXNavigationBarNavigationController或继承于ZXNavigationBarNavigationController)
 */
@property (assign, nonatomic)BOOL zx_disableFullScreenGesture;

/**
 pop手势的触发范围比例,0-1,默认为1,即代表全屏触发(导航控制器需为ZXNavigationBarNavigationController或继承于ZXNavigationBarNavigationController)
 注意:因设置全屏返回手势响应范围与禁用全屏pop手势属于同一导航控制器,为避免此属性被其他子控制器修改,以下代码建议写在子控制器的-viewWillAppear或-viewDidAppear中
 */
@property (assign, nonatomic) CGFloat zx_popGestureCoverRatio;
/**
 将所有约束为top且secondItem为控制器view或safeArea的子view约束constant设置为原始长度+导航栏高度,默认为NO,若设置为YES,将会遍历控制器view中的所有约束,对性能有一点影响(需要设置在[super viewDidLoad]之前)
 */
@property (assign, nonatomic) BOOL zx_enableAdjustNavContainerAll;
/**
 自动将顶部View约束下移导航栏高度时的回调,可拦截并自定义下移距离(xib加载控制器view时生效)
 oldNavOffset:视图在xib中所设置的约束与顶部距离
 currentNavOffset:即将设置的视图与顶部的距离
 */
@property(copy, nonatomic)CGFloat(^zx_handleAdjustNavContainerOffsetBlock)(CGFloat oldNavOffset,CGFloat currentNavOffset);

/**
 拦截点击返回事件和侧滑返回手势,若返回NO,则禁止pop;
 viewController:当前控制器
 popBlockFrom:通过什么方式(点击返回按钮或侧滑返回手势)触发pop操作
 */
@property(copy, nonatomic)BOOL(^zx_handlePopBlock)(ZXNavigationBarTableViewController *viewController,ZXNavPopBlockFrom popBlockFrom);

/**
 监听自定义pop手势进度(导航控制器需为ZXNavigationBarNavigationController或继承于ZXNavigationBarNavigationController)。popOffsetProgress范围为0-1,0代表即将开始pop,1代表完成pop
 注意:因手势进度监听的block属于同一导航控制器,为避免block被子控制器覆盖后失效,以下代码建议写在子控制器的-viewWillAppear或-viewDidAppear中
 */
@property(copy, nonatomic)void(^zx_handleCustomPopGesture)(CGFloat popOffsetProgress);

/**
pop手势是否支持多层级的手势同时触发,默认为否。若设置了此block,zx_setPopGestureCompatibleScrollView与zx_setPopGestureCompatibleScrollViews方法将失效
注意:因判断是否支持多层级的手势同时触发的block属于同一导航控制器,为避免block被子控制器覆盖后失效,以下代码建议写在子控制器的-viewWillAppear或-viewDidAppear中
*/
@property(copy, nonatomic)BOOL(^zx_popGestureShouldRecognizeSimultaneously)(UIGestureRecognizer *otherGestureRecognizer);

/**
 导航栏固定高度
 */
@property (assign, nonatomic)int zx_navFixHeight;

/**
 自定义导航栏固定frame
 */
@property (assign, nonatomic)CGRect zx_navFixFrame;

/**
 导航栏frame发生改变时的回调,可在这个block中return修改后的frame
 */
@property(copy, nonatomic)CGRect(^zx_navHandleFrameBlock)(CGRect oldFrame);

/**
 导航栏历史堆栈视图
 */
@property(weak, nonatomic)ZXNavHistoryStackContentView *zx_navHistoryStackContentView;

/**
 是否显示导航栏历史堆栈视图,默认为NO
 */
@property(assign, nonatomic)BOOL zx_showNavHistoryStackContentView;

/**
 导航栏历史堆栈视图偏离的x值,默认为0(导航栏历史堆栈视图与屏幕左侧距离默认等于leftBtn与屏幕左侧距离,此属性用于自定义在此基础上增加或减少的水平位移)
 */
@property(assign, nonatomic)CGFloat zx_navHistoryStackContentViewOffsetX;

/**
 导航栏历史堆栈视图Item展示最多的数量,默认为6个,超过6个显示由栈顶往下的6个
 */
@property(assign, nonatomic)long zx_navHistoryStackContentViewItemMaxLength;

/**
 导航栏历史堆栈视图显示样式
 */
@property (assign, nonatomic) ZXNavHistoryStackViewStyle zx_navHistoryStackViewStyle;

/**
 设置最左侧Button的图片和点击回调

 @param imgName 图片名字
 @param clickBlock 点击回调
 */
- (void)zx_setLeftBtnWithImgName:(NSString *)imgName clickedBlock:(nullable leftBtnClickedBlock)clickBlock;

/**
 设置左侧第二个Button的图片和点击回调

 @param imgName 图片名字
 @param clickBlock 点击回调
 */
- (void)zx_setSubLeftBtnWithImgName:(NSString *)imgName clickedBlock:(nullable subLeftBtnClickedBlock)clickBlock;

/**
 设置最右侧Button的图片和点击回调

 @param imgName 图片名字
 @param clickBlock 点击回调
 */
- (void)zx_setRightBtnWithImgName:(NSString *)imgName clickedBlock:(nullable rightBtnClickedBlock)clickBlock;

/**
 设置右侧第二个Button的图片和点击回调(此按钮您支持设置图片)

 @param imgName 图片名字
 @param clickBlock 点击回调
 */
- (void)zx_setSubRightBtnWithImgName:(NSString *)imgName clickedBlock:(nullable subRightBtnClickedBlock)clickBlock;

/**
 设置最左侧Button的文字和点击回调

 @param btnText 按钮文字
 @param clickBlock 点击回调
 */
- (void)zx_setLeftBtnWithText:(NSString *)btnText clickedBlock:(nullable leftBtnClickedBlock)clickBlock;

/**
 设置左侧第二个Button的文字和点击回调

 @param btnText 按钮文字
 @param clickBlock 点击回调
 */
- (void)zx_setSubLeftBtnWithText:(NSString *)btnText clickedBlock:(nullable subLeftBtnClickedBlock)clickBlock;

/**
 设置右侧第二个Button的文字和点击回调

 @param btnText 按钮文字
 @param clickBlock 点击回调
 */
- (void)zx_setSubRightBtnWithText:(NSString *)btnText clickedBlock:(nullable subRightBtnClickedBlock)clickBlock;

/**
 设置最右侧Button的文字和点击回调

 @param btnText 按钮文字
 @param clickBlock 点击回调
 */
- (void)zx_setRightBtnWithText:(NSString *)btnText clickedBlock:(nullable rightBtnClickedBlock)clickBlock;

/**
 设置最左侧Button的图片Url和点击回调

 @param imgUrlStr 图片Url
 @param placeholderImgName 占位图名称
 @param clickBlock 点击回调
 */
- (void)zx_setLeftBtnWithImgUrl:(NSString *)imgUrlStr placeholderImgName:(NSString *)placeholderImgName clickedBlock:(nullable leftBtnClickedBlock)clickBlock;

/**
 设置左侧第二个Button的图片Url和点击回调

 @param imgUrlStr 图片Url
 @param placeholderImgName 占位图名称
 @param clickBlock 点击回调
 */
- (void)zx_setSubLeftBtnWithImgUrl:(NSString *)imgUrlStr placeholderImgName:(NSString *)placeholderImgName clickedBlock:(nullable subLeftBtnClickedBlock)clickBlock;

/**
 设置最右侧Button的图片Url和点击回调

 @param imgUrlStr 图片Url
 @param placeholderImgName 占位图名称
 @param clickBlock 点击回调
 */
- (void)zx_setRightBtnWithImgUrl:(NSString *)imgUrlStr placeholderImgName:(NSString *)placeholderImgName clickedBlock:(nullable rightBtnClickedBlock)clickBlock;

/**
 设置右侧第二个Button的图片Url和点击回调

 @param imgUrlStr 图片Url
 @param placeholderImgName 占位图名称
 @param clickBlock 点击回调
 */
- (void)zx_setSubRightBtnWithImgUrl:(NSString *)imgUrlStr placeholderImgName:(NSString *)placeholderImgName clickedBlock:(nullable leftBtnClickedBlock)clickBlock;

/**
 设置最左侧按钮图片和点击回调

 @param img 图片
 @param clickBlock 点击回调
 */
- (void)zx_setLeftBtnWithImg:(UIImage *)img clickedBlock:(nullable leftBtnClickedBlock)clickBlock;

/**
 设置右侧按钮图片和点击回调

 @param img 图片
 @param clickBlock 点击回调
 */
- (void)zx_setRightBtnWithImg:(UIImage *)img clickedBlock:(nullable leftBtnClickedBlock)clickBlock;

/**
 设置右侧按钮图片和点击回调

 @param img 图片
 @param clickBlock 点击回调
 */
- (void)zx_setSubRightBtnWithImg:(UIImage *)img clickedBlock:(nullable leftBtnClickedBlock)clickBlock;

/**
 最左侧Button的点击回调

 @param clickBlock 点击回调
 */
- (void)zx_leftClickedBlock:(leftBtnClickedBlock)clickBlock;

/**
 左侧第二个Button的点击回调

 @param clickBlock 点击回调
 */
- (void)zx_subLeftClickedBlock:(subLeftBtnClickedBlock)clickBlock;

/**
 最右侧Button的点击回调

 @param clickBlock 点击回调
 */
- (void)zx_rightClickedBlock:(rightBtnClickedBlock)clickBlock;

/**
 右侧第二个Button的点击回调

 @param clickBlock 点击回调
 */
- (void)zx_subRightClickedBlock:(subRightBtnClickedBlock)clickBlock;

/**
 添加自定义导航栏

 @param navBar 自定义导航栏View
 */
- (void)zx_addCustomNavBar:(UIView *)navBar;

/**
 设置大小标题效果

 @param title 大标题
 @param subTitle 小标题
 */
- (void)zx_setMultiTitle:(NSString *)title subTitle:(NSString *)subTitle;

/**
 设置大小标题效果

 @param title 大标题
 @param subTitle 小标题
 @param subTitleFont 小标题字体
 @param subTitleColor 小标题颜色
 */
- (void)zx_setMultiTitle:(NSString *)title subTitle:(NSString *)subTitle subTitleFont:(UIFont *)subTitleFont subTitleTextColor:(UIColor *)subTitleColor;

/**
 设置导航栏背景渐变(颜色渐变从fromColor到toColor)

 @param fromColor 起止颜色
 @param toColor 终止颜色
 */
- (void)zx_setNavGradientBacFrom:(UIColor *)fromColor to:(UIColor *)toColor;

/**
 移除导航栏渐变背景
 */
- (void)zx_removeNavGradientBac;

/**
 添加自定义的TitleView

 @param customTitleView 自定义的TitleView
 */
- (void)zx_addCustomTitleView:(UIView *)customTitleView;

/**
 设置可伸缩折叠式导航栏

 @param folded 是否折叠,为否时即为展开
 @param speed 折叠效果动画速度,1-6,建议3
 @param offsetBlock 折叠动画导航栏位移回调,当控制器使用frame布局时,用于在导航栏高度更改时,同时设置导航栏下方视图的frame,此时获取到的offset就是导航栏实时相较自身位移距离
 @param completionBlock 折叠动画结束回调
 */
- (void)zx_setNavFolded:(BOOL)folded speed:(int)speed foldingOffsetBlock:(nullable foldingOffsetBlock)offsetBlock foldCompletionBlock:(nullable foldCompletionBlock)completionBlock;

/// 通过ScrollView滚动自动控制导航栏透明效果(类似微博热搜页面)
/// @param scrollView 滚动控制的scrollView,tableView或collectionView
/// @param fullChangeHeight scrollView.contentOffset.y达到fullChangeHeight时,导航栏变为完全不透明
/// @param changeLimitNavAlphe 当导航栏透明度达到changeLimitNavAlphe时,将触发opaqueBlock,通知控制器设置导航栏不透明时的效果
/// @param transparentBlock 导航栏切换到透明状态时的回调(默认透明度0.7为临界点)
/// @param opaqueBlock 导航栏切换到不透明状态时的回调(默认透明度0.7为临界点)
- (void)zx_setNavTransparentGradientsWithScrollView:(UIScrollView *)scrollView fullChangeHeight:(CGFloat)fullChangeHeight changeLimitNavAlphe:(CGFloat)changeLimitNavAlphe transparentGradientsTransparentBlock:(transparentGradientsTransparentBlock)transparentBlock transparentGradientsOpaqueBlock:(transparentGradientsOpaqueBlock)opaqueBlock;

/// 通过ScrollView滚动自动控制导航栏透明效果(类似微博热搜页面)
/// @param scrollView 滚动控制的scrollView,tableView或collectionView
/// @param fullChangeHeight scrollView.contentOffset.y达到fullChangeHeight时,导航栏变为完全不透明
/// @param changeLimitNavAlphe 当导航栏透明度达到changeLimitNavAlphe时,将触发opaqueBlock,通知控制器设置导航栏不透明时的效果
/// @param changeBlock 导航栏透明度正在改变回调
/// @param transparentBlock 导航栏切换到透明状态时的回调(默认透明度0.7为临界点)
/// @param opaqueBlock 导航栏切换到不透明状态时的回调(默认透明度0.7为临界点)
- (void)zx_setNavTransparentGradientsWithScrollView:(UIScrollView *)scrollView fullChangeHeight:(CGFloat)fullChangeHeight changeLimitNavAlphe:(CGFloat)changeLimitNavAlphe transparentGradientsChangingBlock:(transparentGradientsChangingBlock)changeBlock transparentGradientsTransparentBlock:(transparentGradientsTransparentBlock)transparentBlock transparentGradientsOpaqueBlock:(transparentGradientsOpaqueBlock)opaqueBlock;

/// 设置与pop手势冲突的scrollView数组以兼容pop手势与scrollView手势
/// @param scrollViewArr scrollView数组
/// 注意:因判断是否支持多层级的手势同时触发的block属于同一导航控制器,为避免block被子控制器覆盖后失效,以下代码建议写在子控制器的-viewWillAppear或-viewDidAppear中
- (void)zx_setPopGestureCompatibleScrollViews:(NSArray <UIScrollView *>*)scrollViewArr;

/// 设置与pop手势冲突的scrollView以兼容pop手势与scrollView手势
/// @param scrollView scrollView
/// 注意:因判断是否支持多层级的手势同时触发的block属于同一导航控制器,为避免block被子控制器覆盖后失效,以下代码建议写在子控制器的-viewWillAppear或-viewDidAppear中
- (void)zx_setPopGestureCompatibleScrollView:(UIScrollView *)scrollView;

/// 手动显示导航栏历史堆栈view
- (void)zx_showNavHistoryStackView;

///scrollView滚动,如需使用scrollViewDidScroll请重写此方法
- (void)zx_scrollViewDidScroll:(UIScrollView *)scrollView;
@end

NS_ASSUME_NONNULL_END

redpajama_set_name: RedPajamaGithub


text:
using namespace std;

class BIoT{

};

#endif


Where would we be without cardboard layer pads?
Layer Pads in Action: Notice how the shelving is mainly pallets with layer pads. Lidl, Nottingham. Image by Besijollen (Creative Commons License: Attribution-Share Alike).
Cardboard layer pads are the unsung heroes of the cardboard manufacturing industry. They come into their own for palletised loads, especially the storage of bagged wares. Instead of wooden shelving, they offer a lightweight yet robust solution for stacking products on top of each other.
Take for example a pallet load of self-raising flour. After the lorry has unloaded at your superstore's warehouse, the pallet load of flour is moved to the main trading floor. The forklift truck driver moves the palletised load into the store, usually towards at the foot of a shelf, designed to lure impulse purchasers. Layer pads stop the items from falling over. When coupled with shrink-wrapped film, the items are untainted and unblemished.
In most cases, layer pads are used to stack heavy items on top of each other. Especially bagged products or large boxes. If you go to, say a medium sized or large supermarket, they are commonly used for the sale of self-raising flour, soft drinks, and sugar. The ephemeral and rudimentary nature of the shelving means that changes can made at short notice. Hence the reason why they top or tail permanent shelves thus meaning, s/he may be attracted to the special offer on low price breakfast cereal.
In some supermarkets, layer pads form part of the shelving. If you call into a branch of ALDI (or remember a 1980s Kwik Save store), layer pads are used for the storage of many items. A wire basket upper shelf is used for smaller items. Larger wire baskets are used for storing some products, but they too can be manoeuvred for pallet space.
As well as plain cardboard, they can be used to advertise certain brands. Instead of the usual brown cardboard colours, yellow may be used for Weetabix. Turquoise for Heinz Baked Beans.
Whether you prefer coloured or uncoloured versions, we at Romiley Board Mill can service your needs with great efficiency. Call us on 0161 430 6061, or send an email to info@romileyboard.co.uk for a free no-obligation quote. We'll be delighted to help you.
Romiley Board Mill, 01 November 2016.


Situated between the forks of the San Gabriel River, The City of Liberty Hills offers a relaxing small town atmosphere with easy access to all the amenities one might find in a larger city. Liberty Hill ISD is the cornerstone of the community and is dedicated to excellence in all student programs. K-12 is spread between 5 campuses with a student-teacher ratio being one of the lowest in the state.
The city of Liberty Hill is in the midst of some rather dynamic growth and continued growth for the next 5 to 10 years. Liberty Hill is not only among the fastest growing cities in Central Texas but one of the fastest in the Nation. The city's leadership is dedicated to creating an atmosphere that will encourage entrepreneurs and innovative people to locate their businesses in Liberty Hill. Newcomers will find Liberty Hill to be charming, friendly, and beautiful. Liberty Hill is a great place to play, to work, to live and to grow in.
P & R Butane Inc.


The following rosters, courtesy of John Spalding, from his book Sacramento Senators and Solons, list every player who appeared in a game for Sacramento during the years 1934 through 1960. The statistics show the number of games the player came to bat in the season, number of home runs, batting average and highlights for each player. For pitchers, the wins, losses and earned run averages, where available, are shown. An asterisk (*) means the player also appeared with another Pacific Coast League team that year. A player whose last name appears in CAPITAL LETTERS either played, managed or umpired in the major leagues at some time in his career.
-LILLARD (29-.340), Mel Serafini (47-.202); OF - Mickey Bumett (3-.500).
Estrada (4-.313), Danny LITWHILER, (28-. 177*), Mike McCORMICK (94.
Menill COMBS (135-.245*), George VICO (57-.226*); OF -Jim Deyo (l-.OOO).
HOME Copyright 2003, William B. Shubb.


These Realistic Furry Figurines are handmade with rabbit fur to appear just like a Real Wolf or Fox Figurine! They make great gifts for your Cabin or Kids who love Wolves & Foxes!
Moose Buffalo Panda Bears and more!


text:
Posts Tagged 'B&O motive power'
Early CSX Era Memory from Barberton
Baltimore & Ohio GP40 No. 6541 is eastbound in Barberton in July 1988 in the early CSX era. Barely visible on the right are cars on the Akron & Barberton Belt.
Tags:B&O color position light signals, B&O color position signals, B&O locomotives, B&O motive power, Barberton Ohio, CSX, early CSX, early CSX motive power, GP40, Robert Farkas photography
Passing Through Clinton
Baltimore & Ohio 6972 is westbound in Warwick on Sept. 2, 1972. The track branching off to the right is the now-removed ex-Pennsylvania Railroad to Orrville and on to Columbus.
Tags:B&O locomotives, B&O motive power, Baltimore & Ohio locomotives, Baltimore & Ohio Railroad, Clinton Ohio, Robert Farkas photography
B&O Two for Tuesday
Here are a pair of images of Baltimore & Ohio lGP40 locomotives in action. In the top image No. 4015 is in leading a trailer train at Ravenna on April 1, 1983. The unit was built in September 1971 and later was part of the CSX motive power roster.
In the bottom image B&O No. 3686 is shown in Shelby on July 26, 1980, leading a local. This locomotive was built in November 1966. It would later wind up working for the St. Louis Southwestern (Cotton Belt).
Tags:B&O locomotives, B&O motive power, Baltimore & Ohio locomotives, Baltimore & Ohio motive power, GP40, Ravenna Ohio, Robert Farkas photography, Shelby Ohio
When This was Still the B&O
I am standing on the Erie Lackawanna passenger station platform in Akron looking across the tracks to an eastbound Baltimore & Ohio train headed by B&O 4496 as it begins to go behind the boarding platform at Akron Union Depot. The image was made in the late 1960s/early 1970s.
Tags:Akron Union Depot, B&O locomotives, B&O motive power, Baltimore & Ohio in Akron Ohio, Baltimore & Ohio locomotives, Baltimore & Ohio motive power, Baltimore & Ohio Railroad, Photographs of Akron railroads, Railroads of Akron Ohio, Robert Farkas photography
When They Still Had a Pole Line, Double Track
Baltimore & Ohio SD40 No. 7591is westbound in Clinton. This was most likely photographed in the 1970s/early 1980s. I forgot to add the date when I scanned this years ago. Today this is a single track part of CSX from Warwick to Lambert. The pole line has been removed and a line of trees has taken its place.
Tags:B&O locomotives, B&O motive power, Baltimore & Ohio, Baltimore & Ohio locomotives, Baltimore & Ohio motive power, Clinton Ohio, Robert Farkas photography, SD40
EL Monday: Once a Common Sight
Erie Lackawanna Nos. 819 and 818 are on the point of the approaching Lake Cities while Baltimore & Ohio No. 1440 is on the point of the Diplomat, which is already at the Akron Union Depot. It is the late 1960s, and it was not uncommon to have both westbound trains at their respective stations at the same time.
Tags:B&O locomotives, B&O motive power, B&O passenger trains, B&O's Diplomat, Baltimore & Ohio, Baltimore & Ohio in Akron, Baltimore & Ohio passenger trains, Erie Lackawanna, Erie Lackawanna in Akron Ohio, Erie Lackawanna locomotives, Erie Lackawanna motive power, Erie Lackawanna passenger trains, Erie Lackawanna Railroad, Photographs of Akron railroads, Railroads of Akron Ohio, Robert Farkas photography
B&O GP30 in Akron
Baltimore & Ohio GP30 No. 6939 is in Akron on June 20, 1978. The unit was built in November 1962 and later was on the CSX motive power roster as a GP30M.
Tags:B&O locomotives, B&O motive power, Baltimore & Ohio, Baltimore & Ohio locomotives, GP30, Photographs of Akron railroads, Railroads of Akron Ohio, Robert Farkas photography
B&O F7A in Kent
Baltimore & Ohio F7A No. 4580 is eastbound in Kent in the late 1960s. On the left side, a small portion of the B&O passenger station can be seen.
Tags:B&O F7A locomotives, B&O in Kent, B&O locomotives, B&O motive power, Baltimore & Ohio in Kent, Baltimore & Ohio in Kent Ohio, Baltimore & Ohio locomotives, Baltimore & Ohio motive power, Baltimore & Ohio Railroad, F7A locomotives, Kent Ohio, Railfanning in Kent Ohio, Robert Farkas photography, trains in snow, winter railfanning, winter railroading
Back When Holloway Still a Railroad
Holloway, Ohio, was once home to a major Baltimore & Ohio terminal due to its proximity to the southeast Ohio coal fields. Steam power lasted here well into the 1950s and the last B&O steam operation was an excursion to Holloway from Cleveland on May 17, 1958.
B&O Steam locomotives were just a memory in late 1972 when this image was made of GP38 No. 3820 sitting at the engine service facility.
This photograph was made during the photographer's first year of mainly using slide film. That year he chose Agfachrome or High Speed Ektachrome for his color photography.
Today the yard and all of its service facilities in Holloway are gone.
Tags:B&O GP38, B&O locomotives, B&O motive power, Baltimore & Ohio, Baltimore & Ohio Railroad, GP38, Holloway Ohio, Robert Farkas photography
B&O GP30 Leading Through Akron
Baltimore & Ohio GP30 No. 6942 leads an eastbound through downtown Akron in the late 1960s. That the Erie Lackawanna passenger station off to the right and the Exchange Street bridge in the background.
Tags:Akron, B&O GP30, B&O locomotives, B&O motive power, Baltimore & Ohio, Baltimore & Ohio in Akron Ohio, Baltimore & Ohio locomotives, Baltimore & Ohio motive power, Baltimore & Ohio Railroad, Erie Lackawanna passenger stations, Photographs of Akron railroads, Railroads of Akron Ohio, Robert Farkas photography


text:
Q: Show hide multiple tables I was wondering if someone could help me out with a command;
If have the following script:

And it shows the tables just fine that I have, but now I want to use a command to open two tables at the same time, so with one click on the below reference link;
Table6

Is it possible to use it with a double onclick="" command? I would like to open as example table(6) and table(2). What should I write? By the way I can only use javascript, no PHP.
I tried something like this, but is does not do the job
Table6 and Table2

A: Try this version, which can take a number or an array:
function show_table(id) {
    var ix;

    for (ix = 1;  ix <= 6;  ++ix) {
        document.getElementById('table' + ix).style.display='none';
    }
    if (typeof id === "number") {
        document.getElementById('table'+id).style.display='block';
    } else if (id && id.length) {
        for (ix = 0;  ix < id.length;  ++ix) {
            document.getElementById('table'+ix).style.display='block';
        }
    }
}

Then you can say show_table([1, 2]) instead of just show_table(1).

A:     function show_table(ids) {
        var idArr = ids.split(",");
        document.getElementById('table1').style.display='none';
      document.getElementById('table2').style.display='none';
      document.getElementById('table3').style.display='none';
      document.getElementById('table4').style.display='none';
      document.getElementById('table6').style.display='none';

        for(var i = 0; i< idArr.length; i++) {
            document.getElementById('table'+idArr[i]).style.display='block';
        }
    }

A: If you prefer minimum force aproach, try this:
function hide_all_tables(){
    document.getElementById('table1').style.display='none';
    document.getElementById('table2').style.display='none';
    document.getElementById('table3').style.display='none';
    document.getElementById('table4').style.display='none';
    document.getElementById('table6').style.display='none';
}

function show_table(id){
    document.getElementById('table'+id).style.display='block';
}

And then use the code this way:
Table6 and Table2

A: I have never used a 'double onclick command' and to be honest don't think they work, or are good practice. Why don't you just house both show table comands in a javascript function and call the function onclick?
If i am understanding you correctly.

A: You can change them all at once without looping, if the tables have logical associations (they must, right?).
The idea is to assign them a class (or multiple classes) and change the whole class at once:

<button onclick="f('.hasPets', true)">Show Pets</button>
<button onclick="f('.hasCats', true)">Show Cats</button>
<button onclick="f('.hasPets', false)">Hide Pets</button>
<button onclick="f('.hasCats', false)">Hide Cats</button>

Pets

Cats

In this example, Show Pets shows both, Hide Cats hides only Cats. You can't show only Cats -- Pets overrides it.
Note: I've kept this short for clarity. In practice you'll have to add a few more lines because not all versions of IE support the .cssRules property, I think they called it .rules.

A: This function allows for any number of tables to show.
function show_table(){
    for(var i = 1; i  < 7; i++) // change 7 to the amount of tables
        if(document.getElementById('table'+i))
            document.getElementById('table'+i).style.display='none';

    for (var i = 0; i < arguments.length; i++)
        if(document.getElementById('table'+arguments[i]))
            document.getElementById('table'+arguments[i]).style.display='block';
}

To show tables with ids of table3 and table5 then:
show_table(3,5);


text:
Home » Goodyear re-elects 11 board members
Goodyear re-elects 11 board members
Goodyear Tire & Rubber Co. shareholders re-elected 11 members of its board of directors earlier today, April 8, at the company's annual shareholders meeting.
Re-elected were:
* James Boland, retired vice chairman, Cavaliers Operating Co. LLC.
* James Firestone, president, Xerox North America.
* Robert Keegan, chairman, chief executive officer and president, Goodyear.
* W. Alan McCollough, retired chairman and chief executive officer, Circuit City Stores Inc.
* Steven Minter, retired president and executive director, The Cleveland Foundation.
* Denise Morrison, senior vice president and president, North America Soup, Sauces and Beverages, Campbell Soup Co.
* Rodney O'Neal, chief executive officer and president, Delphi Corp.
* Shirley Peterson, retired partner, Steptoe & Johnson LLP.
* G. Craig Sullivan, retired chairman and chief executive officer, The Clorox Co.
* Thomas Weidemeyer, retired senior vice president and chief operating officer, United Parcel Service, Inc.
* Michael Wessel, president, The Wessel Group Inc.
John Breen, retired chairman, The Sherwin-Williams Co., and William Hudson Jr., retired president and chief operating officer, AMP Inc., did not stand for re-election. They have retired from Goodyear's board.
Also during the meeting, proposals to adopt the company's 2008 Performance Plan and Management Incentive Plan were approved by shareholders.
The appointment of PricewaterhouseCoopers LLP as the company's independent registered public accounting firm for 2008 also was approved by shareholders.


text:
Universal_Model_Converter
=========================
is a tool used for converting models from any particular format to any other particular format supported by it's scripts.

UMC is written entirely in Python 2.7.5 and distributed with it's own interpreters
which makes the development as Open Source as it can get.

[![Hack Universal-Model-Converter/UMC_dev4x on Nitrous.IO](https://d3o0mnbgv6k92a.cloudfront.net/assets/hack-s-v1-7475db0cf93fe5d1e29420c928ebc614.png)](https://www.nitrous.io/hack_button?source=embed&runtime=django&repo=Universal-Model-Converter%2FUMC_dev4x)