text:
in: Weapons, M.I.L.K.
Executioner's Ride ZX
A ZX
Rage Move Hell Ride — Run the enemy over with the bike.
Guard Power C
Faction M.I.L.K.
This is an event-exclusive Motorcycle weapon that could be obtained as part of the Into The Pit event.
Thunder Road ★★★★
Motorcycle + Motocross armor bonus.
Equip 1 piece: Motorcycle Attack Power +10%. Equip 2: +20%. Equip 3: +30%.
Full set: Attack Power for Motorcycle Rage Moves +20%.
Motorcycle Addict ★★★★
Attack Power +30% for Motorcycles.
1 Executioner's Ride ZX
2 Executioner's Ride A ZX
3 Executioner's Ride A ZX Uncapped
Executioner's Ride ZX[]
Executioner's Ride ZX ★★★★★ (Faction: M.I.L.K.)
Base STM 245 1698 Pure Aluminum x1, Mineral Oil x3, Pure Copper x2,
M.I.L.K. Red Metal x1 25000 001:20 1400 16230 000:08
+1 STM 249 1833 Pure Aluminum x1, Mineral Oil x3, Pure Copper x2,
M.I.L.K. Red Metal x3, Aluminum Alloy 7075 x2 28940 002:20 1620 18788 000:23
100% Blunt
Pure Aluminum x11, Mineral Oil x15, Pure Copper x10, M.I.L.K. Red Metal x11, Aluminum Alloy 7075 x6
138139 SPLithium
Executioner's Ride A ZX[]
Executioner's Ride A ZX ★★★★★★ (Faction: M.I.L.K.)
Base STM 245 4242 Ultra-pure Iron x1, Aluminum Alloy 9048 x3, Beryllium Copper x1, M.I.L.K. 44CE Metal x2 79000 003:00 1400 18810 001:00
+1 STM 249 4454 Ultra-pure Iron x1, Aluminum Alloy 9048 x3, Beryllium Copper x1, M.I.L.K. 44CE Metal x2 82950 004:00 1470 19750 001:10
+2 STM 254 4676 Ultra-pure Iron x1, Aluminum Alloy 9048 x3, Beryllium Copper x1, M.I.L.K. Purple Metal x1,
M.I.L.K. 44CE Metal x2 87097 005:00 1543 20738 001:20
100% Slash
Ultra-pure Iron x5, Aluminum Alloy 9048 x15, Beryllium Copper x5, M.I.L.K. Purple Metal x6, M.I.L.K. 44CE Metal x10
Executioner's Ride A ZX Uncapped[]
+5 STM 245 5303 M.I.L.K. Purple Metal x2 100825 003:00 7000 56430 002:00
+8 STM 252 5794 Aluminum Alloy 9050 x1, M.I.L.K. Purple Metal x2, M.I.L.K. Orange Metal x1 103880 006:00 7428 59883 002:15
+10 STM 257 6147 Aluminum Alloy 9050 x1, M.I.L.K. Purple Metal x2, M.I.L.K. Orange Metal x1 105968 008:00 7728 62303 002:25
+12 STM 262 6522 Aluminum Alloy 9050 x2, Lignum Vitae x1, M.I.L.K. Purple Metal x2, M.I.L.K. Orange Metal x2,
M.I.L.K. Platinum Metal x1 108098 010:00 8040 64820 002:35
Aluminum Alloy 9050 x24, Lignum Vitae x8, M.I.L.K. Purple Metal x30, M.I.L.K. Orange Metal x24, M.I.L.K. Platinum Metal x8
This weapon's blueprint was only obtainable from the Event "Into the Pit". The last event was July 2019.
When uncapped, this weapon has a degradation rate of 42%. This means that it will lose up to 42% of its attack value from durability loss.
MOST FUN RAGE MOVE EVER. VROOM VROOM.
The attack on this move CAN duck some weapons attacks, I wouldn't rely on it, but beware vs opponents with this weapon when using something like the Pork Chopper or Longsword.
Wheelspin Hell, unlocked at mastery level 10, hits multiple times but doesn't have a lot of range, and you lose durability for each hit. Seems to only be good for hitting a stunned enemy for a lot of damage.
Biker Rage
The Motorcycle Weapon! It's something of a joke, really. Takes a while to attack, but strong. You can also go on a rampage with the Rage Move and plow through a mass of enemies. Reminds me of my delinquent days. I used a bicycle, though...
6 400 Atk 1: Charge Atk Unlocked New Move!
Cyclone Attack - Charge and use with L2 or R2.
10 1050 Atk 2: Skill Unlocked New Move! Wheelspin Hell - L1 or R1.
Charge attack: Cyclone Attack.
L1/R1 move: Wheelspin Hell. You kneel down and throw out sparks.
M.I.L.K.


text:
Prince Estate Claims Legal Victory in Battle Over Unreleased Music
In the latest episode in the never-ending saga regarding Prince's music the late icon's estate says it won a legal battle with the sound engineer who's fighting to put out unreleased music, according to TMZ.
Documents filed by the estate say that sound engineer George Boxill failed to respond to the estate's lawsuit and is now asking a court to declare them the winner's of the battle.
Back in April 2017, Prince's estate and Paisley Park filed a federal lawsuit against sound engineer George Ian Boxill for control of the six Deliverance tracks featured on Prince's then unreleased Deliverance EP. The lawsuit reportedly estimated the value of the recordings at over $75,000. The six-song EP included tracks recorded between 2006-2008.
Boxill had until Jan. 23 to respond to the estate's lawsuit, which aimed to keep him from releasing the music. The estate says he failed to respond. If the court signs off the estate's request, he won't be able to release the music.
In other Prince news, the estate has its own plans to drop new, previously unreleased music soon. Additionally, the Prince Estate is planning to celebrate the Purple One with a four-day memorial extravaganza in his native hometown of Minneapolis in April. The highlight of the festivities is a live concert presentation titled Prince: Live on the Big Screen at the Target Center on April 21.
Source: Prince Estate Claims Legal Victory in Battle Over Unreleased Music
Filed Under: Prince
Underrated Prince: The Most Overlooked Song From Each Album
Eddie Murphy Jokes That Prince Sabotaged Their Basketball Game
Prince's Guitar, 'Purple Rain' Shirt and More Up for Auction
When Phil Collins Was Accused of Plagiarizing Prince
Prince's 'Partyman' Character to Appear in 'Batman '89' Comic Book
Did Prince Get Away with Swearing on 'Saturday Night Live?'
Lil Uzi Vert Claims Jay-Z Compared Uzi to Prince
New Artist Lizzo Is Someone To Be On The Lookout For
Prince Estate & Sony Release 23 Previously Unavailable Albums Digitally

redpajama_set_name: RedPajamaCommonCrawl


text: Visualizing and Extracting Keywords from reviews using Distributed Representation

redpajama_set_name: RedPajamaGithub


text:
Fugitive sound: The phonotext and critical practice, part I
Michael Nardone
The poetry phonotext is at least as old as the earliest mechanical reproductions of sound.[1] In 1860, Édouard-Léon Scott de Martinville's attempts to capture the human voice with his phonautograph – a machine meant to record sounds visually, yet not to play them back – offer up two instances of poetic recitation: the first – "Au clair de la lune / mon ami Pierrot / prête moi—" – from the French folk song, "Au Clair de la Lune;" and the second – "S'il faut qu'à ce rival Hédelmone infidèle / Ait remis ce bandeau! Dans leur rage cruelle / Nos lions du désert, sous leur antre brûlant" – from Jean-François Ducis's translations of Shakespeare's Othello.[2] In 1877, the first words Thomas Edison uttered into and then resounded from his tinfoil phonograph were lines from "Mary Had a Little Lamb," a poem originally composed by Sarah Josepha Hale. Then, one of the initial recipients of a cylinder phonograph was Alfred Lord Tennyson – a gift from George Gouraud, Edison's representative in London – which, at the end of his life, Tennyson used to commit many of his famous works to wax. As John Picker writes, the phonograph allowed the poet of the divided mind – consider, for example, his poem "The Two Voices" – "the opportunity to perform a kind of self-fragmentation, literally to etch in an ostensibly permanent manner the different voices of the self."[3] The voice of Robert Browning is arguably the first voice to resound after the death of its speaker. During a gathering in April 1889, Gouraud persuaded Browning to read two poems to become part of Gouraud's "Library of Voices," despite the poet's "most decided objection to public speaking." The recording would take on a special significance in December 1890, exactly one year after Browning's death, when Browning's friends convened to celebrate his life by playing the recording of Browning reading his poems – an event described in the Times as an "unique in the history of science and . . . [an] extraordinary séance. [4] I bring up these instances here to simply acknowledge that the technologies and techniques of sonic reproduction share an extensive interrelated history with poetry.
Since the late 19th century, poets have recorded upon and worked with an array of sonic media. In beginning to sketch out this history, a number of examples spring to mind: the aluminum plate records of Gertrude Stein, Harriet Monroe and James Weldon Johnson; the "Dylan Thomas Reading" LP published by Caedmon that became a staple of 1950s' record collections; the "New Jazz Poets" LP curated by Walter Lowenfels; the figure of Paul Blackburn and his Wollensak reel-to-reel that was infamously hauled all over New York city in order to record readings; the Giorno Poetry Systems records, his Dial-A-Poem project, as well as his Electronic Sensory Poetry Environments; the "Tape Poems" poets; Charles Bernstein's homemade tapes from the mid 1970s; Lyn Hejinian and Kit Robinson's "In the American Tree" radio broadcasts; the outstanding Underwhich Audiographics tape cassettes. This is only to begin listing works in non-digital audio formats.
Presently, I see a considerable interest in and engagement with the poetry phonotext, which Steve Evans defines as "a threefold braid of timbre, text, and technology."[5] I understand this interest as a factor of the format in which the majority of poetry phonotexts now circulate, the MP3, and to specific digital collections that curate – perhaps the better word is publish? – these phonotexts, such as UbuWeb, PennSound, and SpokenWeb. In addition to these collections, and preceding their formations, there have been various scholars who have argued for the importance of critically engaging the phonemic aspects of poetic works, as well as the social and technological infrastructures that support the performance of poetry and its media. Here, Charles Bernstein, Michael Davidson, Marjorie Perloff, Aldon Lynn Nielsen, and Maria Damon are a few of the first names that come to mind. Yet, despite the present interest in the poetry phonotext, despite the digital collections and the contributions of the scholars mentioned, critical practices for engaging the sonic aspects of poetic works remain limited.
For example, I've recently completed researching and writing an essay on the American poet, composer, and multimedia artist Jackson Mac Low (now published on Amodern). The essay focuses on a specific 1971 reading by Mac Low in Montreal. During the reading, Mac Low collaborates with up to a dozen people at once on his improvised, constraint-based score-poems. Mac Low is well-known for these kinds of multivocal and participatory performances, but what makes this performance remarkable is his other "collaborators": 4 reel-to-reel players that he constantly manipulates throughout the performance. He directly refers to them as collaborators several times during the performance. In reading one of his "Simultaneities," as eight performers read from the text with him, Mac Low plays four distinct prior performances of the poem from his personal archive of recordings. In the sounded aspect of this performance, Mac Low is not simply aiming to produce a certain palimpsestual or palimtextual noise – though, throughout, there are many moments of cacophony. Instead, his practice is a way to open up the site of the performance to other collaborators, to extend and tune the acts of listening in that space and time to other spaces, other times, and to develop ways to relate and respond to those sounds in the present performance of the poem.
Examining the breadth of criticism on Mac Low's works, one can find exceptional passages thinking through the pluriformity of Mac Low's poems, recognizing them as multimodal: the poems exist simultaneously as instructions for performance, as performance, and, often, as some kind of text-document that is produced out of performance. Here, the sonic aspects of Mac Low's works are always acknowledged as being a crucial part of the performances, yet the sounds are not in and of themselves directly addressed. Two exceptions are found in the writings of Tyrus Miller and Hélène Aji, who detail specific performances and the concept of sound present in the those works.[6] Yet, despite the great care with which Miller and Aji attend to the sonic aspects of Mac Low's repertoire, neither writer listens to the works. When they discuss the sounded elements of Mac Low's works, they rely solely upon the scores for performance: either the poem-text or the instructions for performance. This is to say that each time Aji and Miller discuss sound in Mac Low's works, they are writing about an abstraction of sound based upon what Mac Low intended as author and composer, and not the sounds produced in the performance itself. This is also to say that for all of the attention that Aji and Miller give to the specificity of Mac Low's instructions for performance, they willfully ignore the imperative that Mac Low pronounced on several occasions to be his primary admonition for performance: "Listen! Listen! Listen!"
The omission of the phonotext exposes a certain critical limit in textual scholarship as being on its own insufficient for engaging the pluriformity of poetic works. Even media-centered analyses like the ones of Mac Low's poetic repertoire insist upon the centrality of the graphemic document and substrate of paper. This omission makes a certain degree of sense: scholars of literature are, after all, trained to closely read and interpret written texts. Yet the reliance upon a conception of the poetic work as primarily a graphemic text, especially when considering the expanded field of poetic practice, is an inadequate endeavor at its very outset.
In my contributions to the Clipping commentary, I will focus on two phonopoetical questions: What are ways to critically listen to the poetry phonotext? How might one engage the performance of a poem as well as the techniques and technologies that allow for a poem to resound?
In these contributions, via a concept of fugitivity, I plan to trace out various practices of listening to poetic works and to consider the production of sounds and their migration across formats. I route – as opposed to its homonym root[7] – this notion of the fugitive back through the early history of sound recording technologies. Thomas Edison, in his initial reflection on the phonograph entitled "The Phonograph and Its Future" (1878), writes these opening sentences: "Of all the writer's inventions, none has commanded such profound and earnest attention throughout the civilized world as has the phonograph;" he then notes the "almost universal applicability" of the instrument's "foundational principle," which is "the gathering up and retaining of sounds hitherto fugitive." Shortly thereafter, Edison lists his five "essential features of the phonograph":
. The captivity of all manner of sound-waves heretofore designated as "fugitive," and their permanent retention.
. Their reproduction with all their original characteristics at will, without the presence and consent of the original source, and after the lapse of any period of time.
. The transmission of such captive sounds through the ordinary channels of commercial intercourse and trade in material form, for purposes of communication or as merchantable goods.
. Indefinite multiplication and preservation of such sounds, without regard to the existence or non-existence of the original source.
. The captivation of sounds, with or without the knowledge or consent of the source of their origin.[8]
Counter to this idealized captivation, against the rhetoric of commodification in which Edison steeps his dream of the phonograph's future, Fred Moten – in his lecture "Black Kant (Pronounced Chant)" – describes a "lawless phonography," a trajectory of sound moving with "dispossesed and dispossessing fugitivity in its very anticipation of the regulative and disciplinary powers to which it responds." Here, Moten theorizes, via Foucault, how sound is not "totally integrated into techniques that govern and administer it, it constantly escapes them. [9] In other words, aspects of sound always exceeds its inscription. Thus, to critically engage the production of sounds and their resonations, one must focus upon the contexts and means by which such excesses occur.
Edison's and Moten's articulations of the fugitive provide the limit conditions for considering the reception, regulation, and migration of sounds. Embedded in Edison's techno-fantasy are actual inscriptions, though they are impermanent and format-specific retentions of not "all," but specific and contingent characteristics of a performance's sonic aspects. The sound recording instrument itself is a part – in certain instances, a collaborator, in others, a warden – of a performance's reiterations. Yet Edison's statements point toward a certain Kittleresque machine-centered analysis of the phonotextual object, one that is important for its scrutiny of how and what machines actually inscribe, yet fraught for its notable absence of considering the political economy and the cultural practices in which the machines are produced and used. At the core of Moten's notion of fugitive sound is an acknowledgment of differential inscriptions, inscriptions that are technological, but also affective, embodied. Yet, there are inscriptions; there is a capture, or an attempt to capture: there needs to be a mark, a marking, a marked body for sounds to resound. For Moten, this negotiation between captivation and fugitivity that sounding out entails is always embedded within a political economy and always indexed to relations of power.
In the remaining space of this initial contribution, I want to begin to sketch out how this notion of the fugitive relates to a phonocritical approach that considers modes of listening to a phonotext and also the contexts or milieus in which a phonotext resounds.
In her book Listening in Detail: Performances of Cuban Music, Alexandra T. Vazquez echoes Moten's sense of the fugitive to develop a methodology of close listening focused on the detail.[10] "Details are those fugitive and essential living components," she writes, "that contribute, in very specific ways, to an event and its aftermath" (15). They "effect in flashes and refuse analytical capture" (21). Rather than an account of, listening to the fugitive detail offers an experience with. It is a method "not invested in possession or clarification" (24). Listeners risk responding in the midst of listening: to allow themselves to be affected, to think with or alongside of that which they hear, and to respond from the situation, from their situatedness. Here, a listener is always in movement, allowing the resonances to carry one off on the various lines of flight the sounds induce – toward other sounds and sound-making, into the mesh where one registers and attempts to comprehend how such sounds leave their mark – then back again to the event itself of listening. One listens for tones and textures, for the breath or underlying hum or grunt of a speaker, for the non-lexical acknowledgment from an audience, for their participation or lack there of within the space of a work, for the architectural acoustics of a space, for the grain, glitch, or hiss of machinic sound that becomes a part of the work by the various technologies involved in it's reproduction. Not only are there an array of details to listen to in the phonotext but also an array of ways to engage these details.
Moving to the exterior of the phonotextual object, I want to pursue an ethnography of inscriptive and archival practices in order to study the extended history of a phonotext's production. One begins by asking: What is inscribed? How is it inscribed? What is the recording's relationship to the event it documents, meaning: what of the event exceeds a specific inscription, how is it exceeded? Has the recording migrated through other formats and, if so, how? Where is the recording collected? What are the means by which it was collected? With what other recordings is it collected? Who has access to the recording and how is it accessed? Here, I want to keep in mind in all situations that the phonotext is a record of – and a record produced by – dynamic living agents, and to perform a work is, as Vazquez writes, not simply "to ossify one's voice to the record, but to lay down your voice in the hopes of being revisited, or being revised" (20). Therefore, I want to include in a phonocritical approach the contexts and agents of these revisitations and revisions. In Moten's emphasis to depict the cultural techniques by which sound-waves are captured – how they are "governed and administered," to use his own terms, in some occasions "without consent," to use Edison's repeated phrasing – one confronts a politics of recording and recorded sound that ought to be a point of reflection for any critical engagement with the phonotextual object. Who is recorded? How is it recorded? What is the subject of the recording's relationship to those who are recording and the technologies they are using to record? Again, to bring this back to the poetry phonotext, this is an interesting point to think about institutions that produce, collect and let others replay sound recordings. There are major differences, for example, between Harvard's Woodberry Poetry Room and PennSound on the one hand, and there are perhaps even greater differences between these two resources and, for instance, Andrew Kenower's A Voicebox, a collection of recordings that are not financially supported by any institution and which emerges out of a specific locale of poetry. This is something that needs to be considered further in a phonocritical approach, one of many points to think about in terms of the reception and regulation of sounds.
[1] I say "at least" so as to leave open space to consider other forms of inscription, transcription, and techniques of sonic notation within the frame of the reproduction of sound, since, in this writing, I focus on mechanical reproduction from the phonautogram to the MP3.
[2] See Jody Rosen, "Researchers Play Tune Recorded Before Edison,"New York Times, March 27, 2008, as well as "Édouard-Léon Scott de Martinville's Phonautograms" on First Sounds for details about how researchers would develop methods to play back these phonautograms. Many thanks to Chris Mustazza for bringing the digitization of these recordings to my attention.
[3] John Picker, Victorian Soundscapes(Oxford: Oxford University Press, 2003), 126.
[4] Picker, Victorian Soundscapes, 122-3.
[5] Steve Evans, "The Phonotextual Braid," Jacket2, 25 March 2012.
[6] See: Tyrus Miller, Singular Examples: Artistic Politics and the Neo-Avant-Garde (Evanston: Northwestern University Press, 2009); and Hélene Aji, "Impossible Reversibilities: Jackson Mac Low" in The Sound of Poetry / The Poetry of Sound, ed. Marjorie Perloff and Craig Dworkin (Chicago: University of Chicago Press, 2009).
[7] See Paul Gilroy in The Black Atlantic: Modernity and Double Consciousness (Cambridge, Mass: Harvard University Press, 1993), 19.
[8] Thomas Edison, "The Phonograph and Its Future" in Timothy D. Taylor, Mark Katz, Tony Grajeda, eds., Music, Sound and Technology in America: A Documentary History of Early Phonograph, Cinema and Radio (Durham: Duke University Press, 2012), 29-32.
[9] As no version of this talk has been published in written form, all transcriptions from it – and therefore any errors – are my own.
[10] Alexandra T. Vazquez, Listening in Detail: Performances of Cuban Music (Durham: Duke University Press, 2013).
Clipping is a series on experimental digital analyses of poetry audio. Our intent is to set forth propositions — presenting clippings of ambitious and inchoate working ideas that have yet to have their levels set. To this end, we post brief working essays by scholars in the field of poetry audio and phonotextual analysis. We hope that Clipping will serve as an incubator for ideas that will eventually develop into full articles. The editor of Clipping is Chris Mustazza.
The banner image used here is based on a visual digitization of the grooves of a damaged record and was created using the IRENE machine, created by the NEDCC. For more information on the use of IRENE at the Woodberry Poetry Room, see here. Photo used courtesy of the NEDCC.
HiPSTAS Project
Experiments with poetry audio: Data as an extension of form and content
Chris Mustazza
The noise is the content: Toward computationally determining the provenance of poetry recordings
Distanced sounding: ARLO as a tool for the analysis and visualization of versioning phenomena within poetry audio
Kenneth Sherwood
Hearing the Audience
Eric Rettberg
Visualizing applause in the PennSound archive
Tanya E. Clement and Stephen McLaughlin
"La parole au timbre juste": Apollinaire, poetry audio, and experimental French phonetics
New at PennSound: Previously unreleased Robert Frost
Introducing simple open-source tools for performative speech analysis: Gentle and Drift
Marit MacArthur
Olson, tape, noise
Remixing the sound archive: Cut-up poetry recordings
The reading series
Orchid Tierney
Clipping the Poetry Series: Selections from the Sir George Williams Poetry Series, 1965–1974
Jason Camlot, Deanna Fong, and Katherine McLeod
digital methods
sound archive
phonotextuality
Speech Lab Recordings
HiPSTAS
Jerome Rothenberg
Contemporary Poets Series


Usually the more attractive girls make no effort in writing a profile and simply leave a large list of DON'Ts on their page, threatening aggressively to bin messages from all but the most exclusive and deserving candidates, who must have immaculate spelling and grammar. I never really understood the emphasis placed on such things by females looking for a suitor. Of course, as a bear of relatively modest accomplishment in other fields, you might permit me to remark with the slightest tone of tongue-in-cheek smugness that this has never been an issue.
How refreshing to find a list of what you can do for "us" men (I use that word in the loosest sense and wouldn't presume to consider myself an appropriate choice for a response out of the many messages you have surely received). Please let me comment on the most entertaining and welcome vows that you are willing to make at such an early stage. Please don't think that I intentionally set out to critique your points although inadvertently I seem to have done so. Perhaps you will appreciate my thoughts or at least that they prove that I didn't just want to read your profile but to understand it.
1) The term "pointless" is highly subjective, especially since it could probably be argued that everything has a point.
2) I'm impressed that you would never moan about the toilet seat although I'm sure it wouldn't be too much to ask. I personally always leave it down.
3) It's reasonable to want to spend time with one's friends on occasion so I'm glad that you're highlighting that. Of course it should never be implied that a person would rather hang out with their friends, merely that they sometimes feel duty-bound to do so, an admirably sociable quality that one would be pleased to find in their suitor.
4) Why would you ask for advice when you didn't really want to know my opinion? I would suggest that this could be replaced with a wider vow not to feign inferiority under any circumstance, with a possible exception being the necessity to deceive an unwanted third party presence. Note that I said "necessity". My mother would not count. I think I'm just joking by this point.
So you're from Bromley huh?


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AmericanSwan Offer Flat 70% Off on Home Accessories.A painter in visualization and a creator in reality – make your house your palette and paint your imagination by bringing together elements from across the home accessories online segment at American Swan. As the brand offers a range of products pan home & décor segment, home products shopping in India becomes easy and enjoyable. The segment boasts of three major categories – bedroom, bathroom and kitchen. Accoutrements like bed linens – Sunset strip, Philadelphia Star, duvet covers – Sedona Stripe, Boston Blue, pillow covers – Philly Star, the Ashmont, ac quilts – Blue Bakersfield, the Flag Print and bed side rugs – Lincoln, Star Struck are available to bedeck the bedroom. Bold and preppy render its impact on the linen and cushions. Gallant colors of the American flag and 'Americana' inspired stripes, imprints and patterns find placement on an assortment of products. No AmericanSwan coupon code required get this offer.


SouthEast rave of the moment and GSS music act – Will, starts 2018 on a high with the release of the much anticipated refix of the club banger "Manya" by Wizkid. On this, he serves us some hot lyrics with juicy melody. You can follow him on Instagram via @callmee_will.


text:
Home » Vacation Home Owners Embrace Remote System Control
Vacation Home Owners Embrace Remote System Control
Residential development on the North Fork of Long Island, N.Y., has provided a good market for Paul Romanelli, owner of Suffolk Security Systems. He sells Honeywell's Total Connect system which gives vacation home owners remote connection capabilities and doesn't require a traditional phone line.
PHOTO COURTESY OF HONEYWELL
The North Fork of Long Island is an unspoiled beachfront area just a few hours' drive from New York City – and a prime location for upscale weekend homes and vacation homes. Suffolk Security Systems of Southold, N.Y., has been serving the North Fork since 1972 and has installed burglar and fire alarm systems in many of the area's residences.
More and more of Suffolk Security Systems' clients are opting for systems that enable them to remotely control system functionality via the Internet and to receive e-mail alerts when a potential problem, such as a power outage, is detected. To serve those customers, Suffolk Security installs the Total Connect system from Honeywell, which has the added advantage of not requiring a traditional phone line — a type of connectivity that many part-time residents are lacking.
"When we first looked at Total Connect, I thought we were going to be selling this to younger people and only younger people," recalled Suffolk Security Systems owner Paul Romanelli. Instead, Romanelli found that the system's capabilities appealed to a wide range of clients.
"When we talk to them about all the features and how they [will] have more access to their home, they get excited about it," Romanelli said. "We've sold it to customers of every age and that was really eye-opening for us."
He cited the example of a grandmother with a "part-time" home on nearby Shelter Island, which has been in her family for years. The woman and her sister, who lives with her, were concerned about false alarms and how to disarm the system.
"We talked to them about Total Connect and I really didn't think they were going to buy it," recalled Romanelli, who initially assumed — incorrectly — that the women would not be familiar with text messaging.
"One of the women got extremely excited and I said, 'Why, you know how to text message?' and she said, 'Yeah, I text message my granddaughter all the time. I think that's really neat.'"
The women wasted no time in making the decision to purchase the Total Connect system. Today, they regularly use the Internet and text messaging to arm and disarm the system.
Other clients use their systems to remotely control heating and to use a computer in New York City or elsewhere to let maintenance people into the home, then rearm it when the people leave. Premium features such as those help Suffolk Security maintain its price points.
"We've never really sold on price," Romanelli commented. "We always sell on value. And when we can show something like this to a customer, almost every time they buy it."
Romanelli recounted another customer who bought a Total Connect system for his vacation and weekend home from Suffolk Security even though the price was higher than another bid he had gotten. The higher price, Romanelli explained, wasn't just because of Total Connect, but also because of some other capabilities that Suffolk Security had added to the system. "Once we went through all those, he looked at the contract again and realized that with Total Connect, he really didn't have to worry," Romanelli said.
An important concern was that the client frequently travels between New York City and Washington, D.C., as well as to his Long Island home. "One day when we had a massive power failure in his town that was out for quite some time, he got signals on his Blackberry and was a little concerned because there's been some burglaries in his area," Romanelli said. "He immediately contacted us and we told him what was going on and made sure to check out that everything was safe at his home." After Suffolk Security personnel were able to assure the client that everything was fine, the client was able to reset his system remotely and keep an eye on it.
"He came back two days later from his trip and contacted us," Romanelli said. "He was really grateful how well everything worked. He was really impressed with it."
The man's endorsement was particularly powerful, considering that he sells technology for a living. "It was nice to see him get excited about something that no one else was offering," Romanelli said.
Like many areas on the outskirts of major metropolitan areas, the eastern end of Long Island has experienced ongoing development and that, too, has provided a good market for Total Connect. "Another big area for us has been new construction," notes Romanelli. "We work with roughly 40 different homebuilders — custom homebuilders — out here on the East End."
One feature that appeals strongly to clients in general and homebuilders, in particular, is the fact that Total Connect does not require a traditional phone line. "One of the biggest challenges we've always had is when a home is completed, all the work is done and the alarm system is in — we're typically waiting for phone lines to be installed," Romanelli said. By using a Honeywell GSM radio in conjunction with Total Connect, Suffolk Security is no longer dependent on the homeowner to call to order the phone line before the system can be up and monitored.
Total Connect also can address the requirement from some insurance companies for an alarm system to be operational during construction. "Some insurance companies are requiring alarm systems during construction, depending on the value of the home," Romanelli explained. "Total Connect and GSM alarm communications has solved all that for us. On most of our new construction jobs, we include it in our pricing. Nobody's ever balked about it, and it allows us to get an alarm system up and running immediately, as soon as our work is done, without having to wait for telephone lines."
Moving forward, Romanelli anticipates that Total Connect will help in retaining customers because it increases the value of the security system to the customer and increases the frequency with which customers interact with the system. "Now you won't get those phone calls saying, 'Listen, I'm dropping my monthly fees. I'm not using my system,'" predicted Gary Thornhill, district manager for Honeywell Security & Communications. "Once they're tied into that system and they have that connectivity, they're not going anywhere, and you're going to have a customer for life."
CEDIA Expo 2018 Recap: Mass Market Embraces Technologies – Make Money with Services
Partnership Brings ZigBee to Home Control
Broadband Connections, Home Systems Offer Sales Advantage
Security Company Owner Runs for L.A. City Council


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The Rose Garden ceremony for Amy Coney Barrett was supposed to define the rest of the campaign. It did. Just not how Trump hoped
By James Pindell Globe Staff,Updated October 5, 2020, 4:21 p.m.
In this Sept. 26, 2020, photo President Donald Trump, center, stood with Judge Amy Coney Barrett as they arrived for a news conference to announce Barrett as his nominee to the Supreme Court, in the Rose Garden at the White House in Washington.Alex Brandon/Associated Press
A little over a week ago, Republicans gathered at the White House Rose Garden as President Trump officially nominated Amy Coney Barrett to the Supreme Court.
The moment gave Republicans momentum and potentially a much-needed campaign reset. Instead of Americans thinking about how badly Trump had handled the coronavirus crisis, which polls show they believe, maybe a rushed, even high-drama fight over a court nomination would change the subject.
Trump, in particular, may have felt that the late Saturday afternoon event in the Rose Garden would define the last month of the campaign.
It has, just not in the way that he hoped.
Beginning with his announcement early Friday morning that he had tested positive for the coronavirus along with his wife, First Lady Melania Trump, the Barrett nomination has been back-burner news.
Well, except for this part: a lot of people who were at the Rose Garden nomination ceremony have now tested positive for COVID-19. Among them: White House press secretary Kayleigh McEnany, University of Notre Dame President Rev. John Jenkins, Senators Thom Tillis and Mike Lee, former New Jersey governor Chris Christie, former Trump adviser Kellyanne Conway and three journalists.
We don't know the total number of people who tested positive after attending the 150-person event, where most did not wear masks. (The Washington Post reported Monday that two other White House communications staff have tested positive, but didn't list their names; it was unclear if they were at the Rose Garden event.)
To be clear, we don't know if the people who have tested positive picked up the virus at the Rose Garden event. The White House has reportedly been slow in conducting basic contact tracing that could illuminate how transmission happened.
But it's clear that event hasn't been the political pivot point Republicans had hoped.
Less than a week after the event, the president took a helicopter to Walter Reed Medical Center where he checked in as a patient. He left Monday evening.
Far from changing the subject away from coronavirus, now it is the only thing that matters in American politics, especially as it relates specifically to Trump's health. Is he OK? Do the experimental drugs he is taking leave him able to perform his duties as president? When will he leave the hospital? Will he ever campaign again before the election? Does he benefit politically when this health scare is over?
These are the questions that are more relevant right now. It's not: What does the new Supreme Court nominee believe about abortion?
Also relevant are the latest poll numbers showing Democrat Joe Biden's lead over Trump growing nationally and in swing states like Pennsylvania, Florida, and Arizona.
Trump needs something to change the subject away from the coronavirus and to do it soon. But how many October surprises can there really be?
James Pindell can be reached at james.pindell@globe.com. Follow him on Twitter @jamespindell.


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HAVANA, January 16, 2021 - Given the appearance on the island of the first cases of COVID-19 in the month of March last year, the Cuban government attempted to purchase ventilators from the Swiss companies IMT Medial AG and Acutronic, as part of plans adopted to guarantee the resources needed to confront the epidemic.
Countries Cuba
GEORGETOWN, Guyana, January 13, 2021 - The Caribbean Community (CARICOM) has denounced the unilateral declaration by the outgoing United States administration to designate Cuba as a state sponsor of terrorism.
CUBA is not a sponsor of state terrorism says Gov't
HAVANA, Cuba, January 12, 2021 -The government of the Republic of Cuba has reacted to a statement by US Secretary of State Mike Pompeo intending to include Cuba again on the United States unilateral list of countries that sponsor terrorism, calling the charac terization, Fraudulent, cynical and hypocritical.
Published in Caribbean
CUBA | POMPEO to include Cuba among State sponsors of Terrorism again
Washington, Jan 11 (Prensa Latina) US Secretary of State Mike Pompeo still plans to include Cuba again in the unilateral list of countries that sponsor terrorism, according to Washington.
CUBA and Iran sign an agreement on COVID-19 vaccine Sovereign 02
Havana, Jan 9 (Prensa Latina) Cuban Finlay Vaccines Institute and the Pasteur Institute of Iran signed a collaboration agreement here to complement the clinical evidence of the anti-Covid-19 vaccine candidate from the Caribbean island, Soberana02.
CUBA | Abdala vaccine clinical trial is going well in Cuba
Santiago de Cuba, Jan 9 (Prensa Latina) The clinical trial of the vaccine candidate Abdala, one of the four underway in Cuba, is going well today at the Saturnino Lora Hospital in this eastern city, where it has been taking place for the last month.
FRANCE | Cuba's resistance against blockade, aggressions acknowledged
Paris, Jan 1 (Prensa Latina) The French 'Cuba Linda' association congratulated Cuba on Friday on the 62nd anniversary of the Revolution, and welcomed the resistance of its people against the blockade and aggressions by the United States.
Published in Latin America
Hard currencies and the monetary overhaul in Cuba which begins Jan. 1, 2021
Havana (Prensa Latina) As the beginning of the monetary overhaul in Cuba takes place on January 1, many wonder how the exchange of hard currencies will take place and what the situation of bank accounts in freely convertible currencies (MLC, in Spanish) will be, among other questions.


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Obituary: Monica Olive Taylor
Montclair Local Published: March 16, 2022
Monica Olive Taylor of Glen Burnie, Maryland, formerly of Montclair, died peacefully at home on Sunday, March 6, 2022. She was 73.
Born in 1948 in New York City, she was the daughter of Olive (nee Charles) Taylor and William H. Taylor.
Ms. Taylor was raised in Montclair and attended Immaculate Conception elementary and high school.
She received her doctorate from Capella University in Minneapolis, her M.A. from Xavier University of Louisiana and her B.A. from Louisiana State University.
She retired from the Prince George's County (Maryland) School District as a guidance counselor at Bowie High School.
Ms. Taylor was an avid reader, world traveler and lifelong student. She most recently was taking classes in Spanish and writing at Anne Arundel Community College in Maryland.
She was a member of the Unity Center of Light church in Bowie, Maryland.
She is survived by her sister, Sue Ann Singletary (Leroy); her brothers, William Taylor, Charles Taylor (Valerie) and Kevin Taylor (Chyrise); her nieces and nephews, Joseph McGhee, Rhea McGhee, Julian Taylor, Alexandria Carr, Kevin Taylor, Elizabeth Taylor, Jessica Isenhart, Cheyenne Taylor and Eric McGhee; her grand-niece, Emery Isenhart, and grand-nephews, George R. Carr IV and Malcolm Isenhart.
A private service of remembrance will be held by the family at a future date.
In lieu of flowers, the family requests donations in Ms. Taylor's name to Xavier University of Louisiana, in New Orleans.
Arrangements were by Simplicity Cremation & Funeral Services of Glen Burnie.
Filed Under: Monica Olive Taylor


Fla.Stats. §605.0304(1) provides for the limited liability of LLC members - it provides: "A debt, obligation, or other liability of a limited liability company is solely the debt, obligation, or other liability of the company. A member or manager is not personally liable, directly or indirectly, by way of contribution or otherwise, for a debt, obligation, or other liability of the company solely by reason of being or acting as a member or manager."
A member's written obligation to make future contributions. Sometimes, these are not obvious to unsophisticated members - for example, a provision in an operating agreement requiring members to be responsible for deficit capital account balances.
Provisions in an agreement for an LLC to be formed prior to organization.
The 2 year clawback for improper distributions, which can be imposed on the transferee, and members and managers consenting to the distribution (Fla.Stats. §§605.0405 and .0406). Thus, this liability can be imposed on members and managers who did not receive the distribution.
Responsible person liability for U.S. taxes (Code §6672), and for Florida sales or use taxes.
Tortious conduct individually committed by a member or manager.
Theories expanding fiduciary duties to persons affiliated with owning entities, based on expansive case law, such as In re USACafes, L.P. Litigation, 600 A.2d 43 (Del. Ch. 1991) (expanded fiduciary duties of directors of general partner of limited partnership towards a limited partnership) and Beaubien v. Cambridge Consol., 652 So.2d 936, (Fla. 5th DCA 1995) (individual managers of corporate trustee owed fiduciary duties individually to the beneficiaries of the trust), and similar expansion of control person liability as applied in context of tortious conduct (Quail Cruises Ship Mgmt., 2011 U.S. Dist. LEXIS 122830 (S.D. Fla. Oct. 24, 2011).
Potential for expanded duty of loyalty under Fla.Stats. §605.04091(2) which has a nonexclusive list of bad acts.


The Delhi government has to augment the city bus fleet to 11,000 buses in accordance with the directions of the Supreme Court and the Delhi High Court.
The Delhi government has approved a proposal to procure 1,000 low-floor air-conditioned buses under the cluster scheme, Deputy Chief Minister Manish Sisodia said. The decision was taken at a cabinet meeting chaired by Chief Minister Arvind Kejriwal.
"The cabinet has given its nod to the procurement of 1,000 low-floor air-conditioned buses. These buses will start hitting the city roads in July (next year)... These will be run under the kilometer scheme," Sisodia told reporters.
The government said prospective bidders will be asked to install CCTV and AVTS (automated vehicles tracking systems) in the buses, as per the specification finalized by the Transport department.
Later, in a statement, it said the Delhi Integrated Multi-Modal Transit System (DIMTS) may be appointed as the bidding process manager. The DIMTS was asked to conduct a study on "route rationalization". Hence, some of the 657 approved routes are likely to be changed, it said.
"Both the courts are regularly monitoring the augmentation of the bus fleet. As on date, the overall fleet of DTC and cluster buses stands at 5,460," the statement read. This is the first time that low-floor AC buses will be procured under the cluster scheme.


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Pandemic lifts sales of wearable gadgets
While worldwide sales of smartphones slumped last year, a record 527 million wearables were sold in 2020, up from 384 million in 2019, according to research firm Strategy Analytics.
Barcelona: Earphones embedded in pearl earrings, a smartwatch that measures body temperature, a diamond ring that monitors sleep patterns: The wearable gadgets market has boomed as the pandemic boosts interest in health monitoring and working from home.
It was the first time that global wearable sales topped half a billion and analysts expect the trend to continue, with the firm forecasting the devices will overtake smartphone sales by the end of the decade.
The surge in wearables sales was in focus at the four-day Mobile World Congress, the telecom industry's biggest annual gathering, which wraps up Thursday in Barcelona.
Ear-worn devices such as earbuds, which can be used to make calls and listen to music, accounted for nearly two-thirds of global wearable sales last year as people working from home upgraded their headphones for video calling.
Wristwear such as fitness trackers and smartwatches, which can monitor steps, the heart rate and even oxygen levels, accounted for 36 percent of worldwide wearable sales, as people paid more attention to their health during the pandemic and exercise moved outdoors since gyms were closed in many places.
"Everybody is becoming much more health focused and wearables are a good device to assist with that," said Neil Mawston, an executive director at Strategy Analytics.
Falling prices and new features and shapes for wearables were also helping to deliver stronger sales, analysts said.
Chinese tech giant Huawei for example launched a new flaghsip smartwatch ahead of the congress which for the first time includes a high-precision sensor to detect skin temperature.
"We expect device makers to keep adding more sensors to devices," said Leo Gebbie, senior wearables analyst at consultancy CCS Inight, which expects 1.2 billion devices to be in use worldwide by the end of 2025.
"It will be interesting to see what else can be added to smartwaches because I think people will want to see more features."
While the wearables market is dominated by big firms such as Apple and Samsung, smaller companies that focus on specific markets are "fuelling growth", said Ramon Llamas, wearables research director at market research firm IDC.
Indian consumer electronics firm boAt for example has become the world's fifth biggest wearables supplier by focusing solely on the Indian market with its budget wireless earbuds, he said.
But with companies releasing new devices at a faster rate, Gebbie warned there often appears to be little to separate them out, especially at the lower end of the market where "wearable devices increasingly seem to be much of a muchness".
'Sea change'
Better design is also helping to boost the appeal of wearables. The tumbling size of components and batteries has made it possible to make smaller and sleeker wearables that often do not look like an electronic device.
German firm NOVA for example displayed at the congress its wireless earphones which are embedded in clip-on pearl earrings that allow users to listen to music and make calls.
The device uses patented technology than can send sound from your earlobe directly to your ear canal without any sound leakage.
Finnish health technology firm Oura has put out a wedding-band sized ring that tracks the wearer's activity -- including sleep, steps, heart rate and body temperature.
The device, which comes in different metals including a top-end diamond studded one, caught the attention of major sports teams in the United States as well as Britain's Prince Harry who was been spotted wearing it.
But Gebbie of CCS Insight said consumers have gotten used to the look of wearables and the need "for them to blend in" has "disappeared a bit".
"When smartwatches were still fairly new, there was a certain stigma around wearing one, it was seen maybe as a bit geeky or a bit nerdy. I think there has been a bit of a sea change in terms of how people feel about them," he added.
wearable gadgets market
global wearable sales
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On 31st August, and in the framework of the Sabadell Festival, the exhibition "Magem incandescente" will be inaugurated on the figure of Josep Maria Magem, a Sabadellian decorator who evolved towards interior design and industrial design in an incipient context of this discipline. In the local area, the figure of Magem is recognized, above all, by its establishment of furniture and objects for the decoration of the house of high design.
The exhibition is curated by the alumni Guillem Celada, design historian, and has a strong thesis load on the production of Magem, highlighting key aspects, conditioning its production. It is not a chronological account of its production but a discourse that helps to understand the aspects of a projection with arguments, beyond random forms.


Nowadays a good gift is the best way to express the love. Therefore gift baskets are emerging like very popular modes, and the tendency is the prevalent practice in the culture of western countries. Various kinds of the gifts baskets are available in the market for sale in the different alluring packages and fruit strawberry candy with chocolate gift basket are the variant of the different kind of the baskets that are available for sale.
How Many Types Of Gift Baskets Available?
There are various kinds of the fruit strawberry candy and chocolate gift baskets, which are currently available, in the market. The gift baskets are often wrapped in the golden wrappers or golden mash boxes and covered with the glittering decoration. These gift baskets may contain different kind of biscuit immersed in the dark strawberry candy and chocolate varieties, chocolate covered on the top of the basket with creamy caramel pecan cluster toppings. Most often these are adorned with the exquisitely crafted fruit strawberries made up of the dark chocolates or white depending on the choice of the consumer and these are beautifully curved and look like elegant.
What is the Price range of these gift baskets is very often the question. It is extremely important to mention that the gifts baskets are available at the various price ranges from the 25$ to most expensive price tags. That is why it is possible for the one to make choices according to one's budget. Fruit strawberry candy and chocolate gift basket are usually filled with the different varieties of the assorted strawberry according to one's choice.
What Are The Ingredients Which Makes A Gift Basket Popular?
Fruit strawberry, candy, white chocolate shavings, swizzle and the chips are the most popular ingredients that compose of the gift basket. Various types of Chocolate and the candy are most commonly used ingredients in almost all the baskets which are made for the gift. At times, the baskets containing the strawberry and chocolate items are designed specifically for the holiday purpose. These include the content like the mocha chocolate truffles and brownies. Apart from the strawberry, chocolate and other items, chips are to be found in almost all the fruit strawberry candy and chocolate gift basket. Fruit strawberry and chocolate gift baskets are often made of the delicious and alluring chocolate dipped cookies. One can add some other fruits or dried fruits and nuts as per the choice in the basket to make your gift basket more attractive and contents more delicious.
The popularity of the fruit strawberry candy and chocolate gift basket are now a day increases rapidly. One can present these beautiful baskets as a gift to the birthday party, especially in the children birthday. In the case of the children birthday party, apart from the multifarious kinds of the assorted strawberries, candies, chocolate and the stuffed toys are also attached to appeal to the young children.
This can be a perfect gift for everyone.
Dry Fruit Basket is great gift for any occassion.
Dry Fruit and Nut Basket is also a great gift for any occassion.
Delicious with chocolate covered strawberries.


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in: Unleashed, Pets (The Sims 2), Pets (The Sims 3),
A stray is a cat or dog that does not belong to any Sim. Strays are very much like townies, except that they are animals. However, strays who enter a residential lot will usually stay a while, instead of just walking by as townies do.
Strays were first introduced in The Sims: Unleashed, and reappeared in The Sims 2: Pets, The Sims 3: Pets and The Sims 4: Cats & Dogs. In all four games, Sims can befriend and adopt strays, though they must be on their home lots in order to adopt. Any pets in the family may also autonomously interact with strays, and develop a relationship with them.
Strays that are invited into the house will behave like guests. They will use objects that belong to the household, e.g. eating from the food dish and sleeping on the couch.
1 The Sims: Unleashed
1.1 Dogs
1.2 Cats
2 The Sims 2: Pets
4 The Sims 4: Cats & Dogs
4.1 Pre-made strays
4.1.1 Dogs
4.1.2 Cats
4.2 Gallery strays
The Sims: Unleashed[]
The strays in The Sims: Unleashed. Left to right: Spike, Buzz, Fifi, Cher, Cali, Spork, Aristotle, Fluffly.
Dogs[]
Spike Strays
Buzz Strays
Fifi Strays
Cher Strays
Cats[]
Cali Strays
Spork Strays
Aristotle Strays
Fluffly Strays
Unlike Townies in other expansion packs of The Sims, the game does not randomly generate the Strays: they are the same in every neighborhood, and in all games. All the default strays in Unleashed have zero personality points and no skills. They can learn skills, but their lack of personality points can only be changed if the player uses a third-party program or hacked object.
The game will not replace strays who are adopted; however, a cat or dog owned by player-controlled Sims will join the Strays family if it is neglected. The easiest way to force a pet to become a stray is to wall up the pet in a room with nothing but a food bowl. Keep the food bowl full, wait until the pet's Fun and Social become totally red, then take away the food bowl. As the pet's hunger declines, with its Fun and Social in the red already, its overall mood should drop sufficiently that it will run away before it starves.
Pets belonging to playable Sims will also visit lots in the same way that strays do, without their owners. Both strays and playable pets can be told not to stay on a lot by placing the The Stray Away Pet prevention System sign on the lot.
The warning that appears if a pet's mood drops too low.
The message that appears if a playable pet joins the strays.
An example of the method above in action. A runaway pet will disappear regardless of any obstructions in its way.
A neglected pet's relationship with its master will decline.
The Sims 2: Pets[]
Hatbox
Unlike dogs and cats living in households, strays have no last name. The pre-made strays are the same in all neighborhoods and all games, but if a stray is adopted, the game will generate a random replacement with a random name. The Pack leader and other wolves have random names.
In general, strays will visit less frequently than in Unleashed, and fewer of them will visit at any one time. Usually, only one will visit at any given time. Unlike Unleashed, players cannot purchase a sign to tell strays to stay away, although in The Sims 2: Pets for console, the Stray Away! sign can be used to fulfill the same purpose.
Usually, a stray will have partially learned one or more behaviors, though not always in a positive direction. In addition, some strays will have learned some commands.
When the Pets patch or a later expansion pack is installed, strays will no longer visit community lots unless a player-controlled Sim is on that lot with one of his or her pets. This can be fixed by using this mod.
Here is a list of strays who appear in every neighborhood.
Strays reappeared in The Sims 3: Pets. Strays can be found on both community and residential lots, and like the previous games, Sims must build a relationship with them before they are able to adopt them. Having certain objects inside the home may attract strays. Pets are attracted to full food bowls and pet houses. Stray gnomes may also attract them. Stray pets do not have pre-made names and are only known to the player as "Stray Cat", "Stray Dog", or "Wild Horse".
Each stray species is more likely to be found at their respective lot assignment: cats at the cat jungle, dogs at the dog park, and horses at the horse ranch.
Players can immediately add strays to the household with the use of testingcheatsenabled. Once said cheat is enabled, Shift-clicking on a stray will provide an option to add it to the family.
This section is in need of additional information. You can help The Sims Wiki by expanding this section.
The Sims 4: Cats & Dogs[]
Strays return in The Sims 4: Cats & Dogs. They can be found anywhere in Brindleton Bay, on both community and residential lots. To have strays appear in other worlds, the player can use either the "Cat Hangout" or "Dog Hangout" lot trait. Just like in previous games, Sims can build relationships with strays and possibly adopt them, if the Sim has a high enough relationship.
Similarly to townies, strays are randomly generated, but unlike townies, they are not accessible in the households menu of Manage Worlds. There are however, two pre-made stray pets who are viewable in Manage Worlds called Mayor Whiskers, who is the cat mayor of Brindleton Bay; and Captain Whitaker, who is a ghost dog. There are also a few strays that can be downloaded from the Maxis Gallery profile, but they are not in the game by default.
Like in The Sims 3, players can use testing cheats to immediately add strays to their current household. After enabling the cheat, they can Shift-click on a stray and select "Add to Family".
Pre-made strays[]
Captain Whitaker
Mayor Whiskers
Gallery strays[]
Ruby (Bear outfit, Dinosaur outfit, Grilled cheese outfit, Unicorn outfit)
Pets (The Sims 2)


Copyright © Meei Ling Ng. All rights reserved.
Mission driven, Singapore ‐ born artist, Meei‐Ling Ng is both a multi‐media installation artist and a graphic designer. Art with a purpose is her focus when selecting her venue for art installation and exhibition. Her main goal is to use her art installations as a tool to learn about preserving nature, sustainable living and organic farming in an urban environment. To draw people's attention and look closely at these issues. These are the factors that inspire and motivate her to continue creating art. Besides painting, Meei‐Ling mainly uses found, recycled and reclaimed materials to create her art.


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Woman said 'you've killed me' to ex-girlfriend after being stabbed in neck, court hears
was told her life was only saved by swift treatment from ambulance staff and a doctor at the scene, followed by emergency surgery at hospital. Giving evidence from behind a screen, the alleged victim said: "I put my hand up to my neck and the blood was just pouring out; it was like a film, very surreal.


When you see something that needs to change in your community what do you do?Shout at the tv that 'someone should do something about it'? Rant online about how broken the system is and how people just don't 'get it'?What if instead of doing that, we all put up our hand to do something – big or small.All around the world, there are millions of people who already do just that. We built Chuffed.org for them. To make it incredibly simple for them to fundraise. To make it easy for them to find a community of people who wanted to support them. And to give the rest of us a more transparent and effective way of making the world we want to see.


Preparing your nonprofit for a crowdfunding campaign is like training for a marathon. It is the activities leading up to the campaign that make all the difference during the race to the finish line. RAISE guides our clients to reach and exceed aspirational goals, utilizing the tips and tools we've learned and developed with time.
Our crowdfunding philosophy is that crowdfunding should set nonprofits up for long-term development success. We leverage the power of online fundraising to strengthen and revitalize your organization's overall development program and deepen relationships with donors.
Our team will conduct targeted research to find new private and corporate foundations and government prospects.
As experts in private foundation and government grants, our team provides strategic messaging and meticulous attention to detail and technical accuracy to best position your organization to win grants. We provide support throughout the entire grant process, from establishing relationships with foundations to developing letters of inquiry and proposals.
Your organization's image should be commensurate with its mission. RAISE will create attractive, memorable, donor-centric messaging to call attention to your organization's strengths and achievements and well as chart an inspirational vision that will captivate prospective donors.
RAISE engages talented and experienced graphic designers to develop beautiful and compelling marketing materials, both online and print. Our team will manage the design process, resulting in beautiful and memorable collateral materials.


Safran is an international hi-technology group with three core businesses: Aerospace propulsion, Aerospace equipment and Defense & Security . The group has workforce of 60,000 spread over approximately a hundred sites worldwide. Safran Engineering Services India, a dedicated Indian subsidiary has its Design and Development center in Bangalore. It is currently 550 employees strong and is involved in activities related to engine components, aircraft equipment and onboard software.
Creation of drawings and 3D Model.
Drawing reading skills, GD&T, Stack up.


Delta Air Lines is a global airline based in the USA that manages a portfolio of global airline partners to expand its route network and generate incremental income. Some partnerships, such as China Eastern Airlines, China Southern Airlines, Aeromexico and Gol needed to expand, while others, such as Korean Air needed to be recalibrated in 2012 and 2013.
We increased presence of Delta Air Lines in China, Mexico and Brazil through code-share expansion and redirected passenger traffic from Korean Air onto the network of Delta Air Lines to create a well-balanced benefit for the partnership.
The Detroit-Seoul market gained a 20% profit margin because of the Delta-Korean recalibration. The market presence for Delta improved to more than 95% of industry demand in Mexico and Brazil and Delta's presence in the interior of China doubled. The total Delta revenue produced by the partners exceeded $1.5B.
The transatlantic joint venture between the three airlines showed a declining profit margin in 2009, even below levels that would justify a joint venture. To improve this, a separate EMEA division was created with a strategic market development department.
The market development unit undertook several actions, including improvement plans for specific markets, such as Sales and Marketing actions for the North America - North Italy routes, the North America - London routes and an implementation of the 'Winning in New York' corporate strategy in Europe.
The North America – North Italy routes improved through joint actions with (then) partner Alitalia. The New York routes transformed from loss-making to close to break-even. Overall, the transatlantic joint venture profit margin increased 6% between 2010 and 2011.


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Business / Jefferson Park / Miscellaneous / Neighborhoods
Plan to eliminate free meters on Sundays in 45th dropped
by nadignewspapers@aol.com · May 1, 2014
by BRIAN NADIG
A plan to eliminate free metered parking on Sundays in the 45th Ward has been dropped, while a free public parking lot at 6739 N. Northwest Highway will remain open after the Edison Park Chamber of Commerce purchased the property.
Alderman John Arena (45th) was one of several aldermen who were seeking to have paid Sunday parking in their ward reinstated in an effort to encourage turnover of parking spaces in front of stores and restaurants. Last year Mayor Rahm Emanuel's administration negotiated a change in the city's contract with Chicago Parking Meters LLC to allow free Sunday parking in neighborhood commercial districts.
Arena's request was contingent on the hourly parking rate in the ward being reduced from $2 to $1.75 seven days a week to give the area's commercial districts a competitive advantage over those in nearby ward's, where the rate was to remain $2 per hour.
Arena's chief of staff Owen Brugh said that the 45th ward will be removed from an ordinance which would bring back paid metered parking on Sundays in five wards because a rate reduction could not be negotiated. Brugh said that the contact with Chicago Parking was a "horrible" deal for Chicago taxpayers and that Arena did not want to add to the company's windfall by allowing paid parking on Sundays without a rate reduction.
The Edison Park Chamber recently purchased a 25-space parking lot at the northeast corner of Northwest Highway and Oshkosh Avenue. The chamber had been leasing the lot from the Chicago Board of Education since 1997, but the future of the 6,200-square-foot parcel became uncertain a year ago when the school board decided to seek buyers for the site and for other surplus properties.
Chamber executive director Melissa McIntyre-Panizzi said that the need for free parking was evident during a 6-week period earlier this year when parking enforcement workers patrolled the area around the clock and issued tickets minutes after drivers left their parked cars. "It's free, so people should use it instead of paying the meters," McIntyre-Panizzi said.
The lot has a 2-hour parking limit until 6 p.m., and no overnight parking is allowed. Employees of area stores are not allowed to use the lot, McIntyre-Panizzi said.
The chamber, which was the only bidder for the parcel, paid $174,233 for the property after it secured a 5-year loan for the project, McIntyre-Panizzi said. The chamber, which purchased a 16-space parking lot at 6718 N. Oliphant Ave. in 2003, was in good financial position to obtain a loan because of its successful fund-raisers, including the "Edison Park Fest" which it sponsors each August, she said.
Possible roadblock in sale of UP land for Weber trail, but talks continue
Landmark status could be coming to Old Irving Park house on Tripp Ave
Officials answer community safety questions
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Our Annual General Meeting took place on Tuesday 21st November at the University Social Club, Mill Lane, Cambridge.
All present stood and raised a glass to our absent friends.
Will expressed concern over the number of pubs nationally closing each week, and how our beer duty and VAT are amongst the highest in Europe. Will updated us about the branch magazine, Ale, that we produce and distribute to pubs in our branch area. We need more deliverers so if you can help by delivering to some pubs in your area please contact us, or come along to the next ALE deliverers' meeting at 8pm on Wednesday 10th January at the Maypole.
In his report membership secretary Paul Treadaway informed us that branch membership stands at 4792 showing a steady increase over the last few years.
Our young members officer Dan Maycock is also the regional young members contact for East Anglia. He continues work to recruit young members and arranges meetings and social events.
Beer festival organiser Bert Kenward updated us about our beer festivals. We had a record attendance at the summer festival this year, over 44,000 people. We didn't run an Octoberfest, and will move to a new model next year where we run the summer festival as normal, and then a second smaller festival in November. The chairman thanked Bert, who has stood down as beer festival organiser after eight very successful years, and the 400+ volunteers without whom we could not operate. Our next festival is the winter beer festival, open for an extra day this time from Wednesday 17th to Saturday 20th January.
Jerry Ladell is our cider officer and he updated us on the many pubs selling real cider, often locally produced. Swavesey village held its second annual cider and perry festival in July and plans are already afoot for the 2018 festival.
Ali Cook reported on Pubs, Planning, and Politics. During the year branch members lobbied some candidates prior to the General Election using CAMRA's Manifesto to protect pubs, brewers and cider makers. Members also lobbied some of our MPs in the run-up to the autumn budget using CAMRA's Keep Pubs Afloat e-mails. We have seen some pubs re-open, and some new pubs open during the year. The Hare & Hounds, Harlton has re-opened its doors after a community group formed to raise finances, buy the pub, renovate it and reopen it. The former Back Street Bistro (before that the White Hart) re-opened as the Petersfield. A new pub, the Station Tavern opened on Station Square. We have made representations on the proposed redevelopments of the Jenny Wren, and the Five Bells on Newmarket Road as we feel neither offer sufficient accommodation for potential licensees.
Want to find out more? Why not come along to an open branch meeting? All members are welcome, you can find out what is happening in our branch area and have a pint. The next meetings are Tuesday 12th December 8pm at the Haymakers, Chesterton and Tuesday 9th January 8pm at the Waterman, Chesterton Road.


Steak Maker feedlot supplements have high nutrient density that your cattle need to efficiently meet their genetic potential. Research-proven, Steak Maker products are supplements that have different levels of nutrients to fit specific situations. Products are made with a variety of protein and NPN levels, mineral and vitamin fortification, as well as feed additive options to fit different feeding rates, grain and roughage sources, and stage of growth.
Accuration products effectively control cattle eating behavior resulting in snack eating. This allows the removal of most or all of the roughage from the diet, optimizing efficiency and dramatically reducing manure output. This improves pen conditions and cattle comfort, while reducing labor and other cost of manure removal. Accuration is a great way to increase performance and profitability on your farm by using a self-feeder.


1. The www.briquettes4u.co.uk website is operated by Kirriemuir Briquette & Boutique Log Company and the purchase of goods from this website is governed by these Terms and Conditions. From time to time we may amend these Terms and Conditions; this will be reflected in the date indicated at the end of these terms. Orders placed after this date will be bound by the changes made.
2.1. To place an order on our website you must be eighteen years old or over and agree to the terms for payment set out by our online payment service provider.
2.2. We will confirm acceptance of your order. We will do this either by email to the email address you have provided us with or by displaying a message on the website immediately after you have submitted your order. We may do both, in which case acceptance will deem to be whichever arrived the soonest. In certain cases, and if you have provided a telephone number, we may call you to confirm the details of your order before processing it.
3.1. The price you will pay will be the website price at the time you placed your order, subject only to any clerical or technical error for which we will not be liable. In such situations, we will try to correct any errors if possible, and will contact you informing you of the correct order details for you to accept or decline.
3.2. The prices stated on the website will be inclusive of any VAT payable.
3.3. The price of the goods includes a charge for delivery if you have entered a valid postcode. Otherwise, the delivery charge may vary depending on your area, and your delivery time. No delivery charge is made for collection of the goods from our address.
5.2. The debit and credit cards accepted by us are those of our payment service provider at the time of your order. We endeavour to reflect the information about the types of cards accepted by our provider on our website, however, we will not be able to accept payment online from cards, which are not accepted by our provider even if our website indicates otherwise (we will update our information as soon as we become aware of any changes).
6.2. We will always try to supply you with the full quantity that you have ordered. In the event that the goods delivered to you are incomplete or include incorrect goods, you must notify us promptly.
6.3. We will deliver your order to the delivery address that you selected when you placed your order. We reserve the right to restrict deliveries in certain areas, and this includes the right to eliminate certain areas from our delivery schedule altogether.
6.4. The delivery day and time is agreed with you when you submit your order. Whilst we make every effort to deliver your order in the agreed time we will not be liable if we fail to do so in part or in full due to circumstances beyond our control. If we fail to deliver to the agreed time then we will endeavour to contact you as soon as we are able to reschedule your delivery time and date.
6.5. If we are unable to supply any of the items in your order we will contact you to agree appropriate substitutions or actions. If we have difficulty contacting you this may delay dispatch of your order.
7.1. You can amend your order or cancel it until the time it is dispatched. Orders can be amended by telephone or email before dispatch.
7.2. You may cancel your order up to seven (7) days after delivery. If you are unable to inspect the goods and notify us of your cancellation at the time of delivery, we will require that you return the goods to us at your expense. If you cancel at the time of delivery we will uplift the goods and cancel your order, providing you with a full refund. If you cancel your order after delivery, we require that you return the goods to our address at your own cost, undamaged, and in the best possible condition, making an allowance for inspection purposes. If you have collected the goods from our address the cancellation period does not apply.
8.1. We guarantee the quality of our goods. You must inspect the goods and notify us promptly by either informing the delivery person, telephone or email of any dissatisfaction with your order. For the goods that are deemed to be defective or not as described we will arrange with you for them to be collected and at your discretion we will either fully refund you for them or replace them.
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10.2. Your card payment details are stored by our payment service provider.
11.1. These Terms and Conditions shall be governed and construed in accordance with the laws of Scotland and any disputes will be decided only by the Scottish Courts.
11.2. If any of these Terms and Conditions are held by any court of competent authority to be unlawful, invalid or unenforceable, in whole or in part, this will not affect the validity of the remaining Terms and Conditions which will continue to be valid and enforceable to the fullest extent permitted by law.
11.3. The content of the www.briquettes4u.co.uk website is protected by copyright, trademarks, and other intellectual rights. You are only permitted to use this material for your personal use in placing orders through www.briquettes4u.co.uk. You may not otherwise reproduce, copy, modify, distribute or use for commercial purposes any of the content of www.briquettes4u.co.uk without written permission from us.


Skywalk on the Macau Tower by TimmyG Star this if you like it!
Macau has a 233 meter tall tower which is used for a variety of extreme activities, including walking the outside of the tower, as I'm doing in this picture. Check www.macautower.com.mo for more info.


We offer high quality Profile Backlink service to help you increase sales thereby enhancing your website's place in Google. Our support will considerably get more traffic and improve Google position. By using our support, you can rest confident that you're using best top quality & amazing support. Our expert team will find out and select the websites have high PR to build your links on profile pages, we do it all physically.


text:
Q: What happened to the "newest question" feeds? I'm pretty sure I used to have an RSS feed called the "top questions" feed, or maybe it was called the "newest question" feed.  But I can't seem to find a link to any feeds anymore when I click on the Questions tab.  It used to be at the bottom of the page.  Am I looking in the wrong place?
I do see a feed link at the bottom after I click on a tag, but I don't see any feed links when I'm looking at all questions sorted by newest, or votes, or popular, or featured.

A: There's a feed link at the bottom of the main page, to https://stackoverflow.com/feeds - which I suspect effectively works as a "newest questions" feed anyway.

redpajama_set_name: RedPajamaStackExchange


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text:
Q: Supress cross reference hyperlink using exclamation mark Prefixing the link with an ! suppresses the creation of a reference (e.g. :ref:`!no link` will be simply rendered as no link):

If you prefix the content with !, no reference/hyperlink will be created.

However, I can't think of any practical usage of this. Why should I first create a reference and then don't want to use it - it would be far easier to write plain text from the very beginning.
So - what is a typical use case of such a suppressed reference?
(Sphinx itself for instance doesn't use it in its docs.)

A:
I can't think of any practical usage of this.

The use I can think of is before a build if you wanted to "turn of" hyperlink generation for one given cross-reference (that appears multiple times) how would you do it?
Well, the simplest way might be using some text editor's "find and replace", and arguably the least invasive way would be to add or remove a single character !. That way the length and structure of the cross-reference is kept in the source (and the title is still rendered in place). This could be convenient in several places, like a table where removing the whole cross-reference could misalign the source.
The most economical change possible would be turning this:
:ref:`a very long title <an.extremely.long.link.target>`

into this:
:ref:`!a very long title <an.extremely.long.link.target>`

The same could possibly be achieved programmatically using the Sphinx API, but a lot of Sphinx users are likely to prefer a text editing solution over a programmatic one.


We are looking for a Car Sales Executive who is able to achieve targets and enjoys working within a modern car dealership selling new and used cars in the Canterbury area. As a Sales Executive you will receive training on both selling skills, processes and product knowledge.
Apply now or please contact Progress Recruitment Solutions (UK) Ltd and quote reference PRS20013 for more information about this role.


Home» Account» Community» VideoScribe ideas and feature requests» Background texture shows through on imported images.
Background texture shows through on imported images.
This seems to be a frustration experienced by several other users. Having the background texture show through an imported JPG is very annoying and I can't understand why this would be considered a desirable 'feature'. Importing a screen capture of a website for example will make the paper grain background show through on the white elements of the imported picture. This looks terrible.
Hi Mitchell, thanks for your feedback.
The texture represents the texture of the canvas so anything added to it will also have the same texture.
What you could do is create your scribe and then use your own Background by importing the desired image background, ensuring it covers all of your images.
You can then set the Animate, Pause and Transition times to 0 and move then set this image as the first element in the timeline.
I am sorry, I didn't get that part about the background that needs to be imported... I just need to put a picture without any grey background, so that we still see the canevas around it. Could you explain me ?
This question is about the text of the canvas which will also become the texture of an item that you add to the canvas.
Mitchell previously asked if he could just have a texture on a background and not on the items he was adding.
I advised this is possible if you have a textured image that you can import in and use as the background (by stretching it over the canvas area you have used.
Hello Joe, thank you for this clarification.
And thank you for your time !
Hi Joe, thanks for sharing your workaround.
The default background behaviour is perfect if images are drawn. In this case it gives a realistic touch to see the texture of the canvas. But it doesn't seem natural, if images are moved in and should lay on top of the canvas.
Unfortunately we have a combination of drawing and moving in our scribe so your workaround does not fit. The best solution would be a checkbox in the object properties to define if the background shows through or not. Maybe this can be implemented in a future VideoScribe release.
Do you have any idea to achieve our requirement until then?
Hi,whenever I import image from google and try to add to video scribe ,videoscribe after converting it into line drawing gives that image with grey background which never disappear even i try to change its background by going into properties. .so ,how to change the colour of the background of imported image?its really teasing me a lot .
Would you be able to attach here a copy of the image you are importing so I can take a look?
Thanks for the screenshot, I can see now what you mean. Are you able to attach the image that you are importing to your reply so I can take a look?


Carrying corrosive fluid with intent to cause injury carries a four-year prison sentence, rising to a life sentence if grievous bodily harm is caused.
By banning the sale of the most harmful corrosive substances to under 18s and introducing minimum custodial sentences to those who repeatedly carry corrosive substances to cause harm, we are sending a message that the cowards who use these as weapons will not escape the full force of the law.
Mr Das-Bhaumik, who works as an eye lid surgeon, outlined to OT that in his practice he saw how corrosive agent attacks affected the conjunctiva and lids.
Possession of acid or other corrosive substances with the intention to do harm can already be treated as possession of an offensive weapon, which carries a four-year maximum penalty, under the Prevention of Crime Act.
Possession of acid or other corrosive substances with the intention to do harm can be treated as possession of an offensive weapon under the Prevention of Crime Act, which carries a four-year maximum penalty.
The Poisons Act 1972 will be assessed to consider if it should cover more harmful substances, while retailers will be asked to agree to measures to restrict sales of acids and other corrosive substances.
Drinking a corrosive substance has been occurred in kitchen (70 %), bathroom (23.
Corrosive water, if left untreated, can leach metals like lead or copper from plumbing materials into the water supply of private wells.
They included 242 reports of violent crime which mentioned acid or other corrosive substanc es across 23 forces in 2014 and 2015, compared with 186 alleged offences in 2012 and 2013.
On endoscopic examination severe corrosive injuries were more frequent.
Cranes can play a crucial role in galvanising and finishing plants and STREET CRANE COMPANY, one of the UK's largest crane and hoist manufacturers, reports it has developed a range of modified hoists to address the corrosive environmental challenges.
Corrosion Services of Virginia, Inc.


text:
Rootless, "Docile Cobras"
Anthony D'Amico
Jeremy Hurewitz's intuitively original, transcendental work as rootless initially crossed our path through cosmic-yet-earthbound instrumental acoustic guitar tapes on two of our favorite labels, Cabin Floor Esoterica and Aural Canyon. Sensing a kinship in sound, we connected online and linked up for a joint rootless & Starbirthed tour across the northeastern US in summer 2019. It was between soundcheck and set on the second day of our tour together that Jeremy recounted to us the fascinating details of the rootless album he worked on before his recent move from Los Angeles to New York.
Recorded April 2019 in the LA studio of sculptor Michael Todd, the two-day session found Jeremy's double-tracked guitar compositions and improvisations meeting the inspired multi-instrumental expression of Mexican musician and folklorist Luís Pérez Ixoneztli. Overseer of a collection of priceless, one-of-a-kind, indigenous instruments from Mesoamerica (many of them pre-Colombian), Luís Pérez's deep understanding and reverence for these instruments is apparent in his approach to the music. The recording process for each track began with Jeremy's stunningly evocative widescreen fingerstyle acoustic guitar, after which Luís Pérez would listen, consider, and then visit his treasure trove of instruments, returning with several (or many) to contribute to the track. From ocarinas and small whistles that can resemble forest sounds ("peculiar travel suggestions") to dried cocoon shells strung together and used as shakers, to clay flutes that are possibly over a thousand years old ("silence has a sound"), Luís Pérez's contributions were as spiritual as they were grounded in musical technique. Befitting Jeremy's own experimental, avant-garde approach, some of these contributions moved beyond ancient folk instruments, such as simply pouring water in a tub (on "shared consciousness") or Shamanic breathing ("gorillas in the zoo").
Naturally, upon hearing Jeremy's account of the session we couldn't wait to hear the results. Still, pressing play on the private stream a few weeks later, we could hardly believe the songs and sounds that emerged - existing in form far beyond what our imaginations could conjure. Jeremy's instrumentals create entire worlds, lucid visualizations and emotions colored in perfect detail by the singular presence of Luís Pérez Ixoneztli. Here, rootless has produced an album in perfect harmony with the spiritual and sonic blueprint that Flower Room has articulated across 18+ releases, and this represents a monumental moment for an imprint created solely as a private press label for our own in-house work. For the first time, we welcome a new voice, vision, and source of expression to the Flower Room family, and are proud and ecstatic to present the wholly original melding music of this most high collaboration: rootless' vinyl debut, docile cobras.
More information can be found here.