text:
The Nauru Files haven't gone anywhere: a chat with All We Can't See curator Arielle Gamble
by Tom Cameron
This article appears in print in Happy Mag Issue 9. Grab your copy here.
All We Can't See: Illustrating the Nauru Files is an initiative and exhibition conceived and curated by Arielle Gamble. It's a powerful depiction of The Nauru Files, a charter of leaked documents pertaining to inmates of Australia's offshore detention centre.
The files are a stark encyclopaedia of human trauma; a collection of entries describing self-harm, child abuse, and mass suicide. Arielle's mission statement has become the translation of these files into the visual, helped by a handful of Australia's most talented artists.
After meeting an overwhelming first response in Sydney, her exhibition now has its sights set on Melbourne Art Week on July 31st. Additionally, musicians such as Paul Kelly, Kate Miller-Heidke, Lisa Mitchell and more are throwing in their voices – see below for a series of self-shot videos in which they narrate the files themselves.
Moreover, today marks exactly five years since the Australian government ruled in favour of indefinite detention for refugees. In light of it all, we sat down with Arielle.
WARNING: The content of this article may distress some readers.
Arielle Gamble. Photo by Isabella Moore
These are the documents nobody wanted you to see. Two years after their release, Arielle Gamble will stop at nothing to place The Nauru Files into the public eye.
HAPPY: Hey Arielle, thanks for your time. Can you tell us about how All We Can't See started?
ARIELLE: It started by reading the Nauru files after they were published by the Guardian in August 2016. There has been extreme censorship placed around offshore detention from the get-go – workers speaking out about what they witnessed could face criminal charges and two years in jail. So I knew it was bad, and that we were flouting international laws and obligations, but nothing prepared me for what I would read.
What the files revealed was horrific; children self-harming with razor blades, men stitching their lips together, women being raped. People swallowing bleach, rat poison, screws, rocks. Nooses made out of tent ropes. Children made up only one fifth of the population on the island but were over-represented in more than half the files.
CSO's guarding the SAA were doing a routing check on UAM [REDACTED] at approx. 1am. CSO noticed UAM was attempting to conceal her right wrist. When CSO's entered the room and investigated more closely, they noticed blood on UAM's right wrist. She then surrendered a small razor blade. UAM agreed to go to IHMS. Artwork: Abdullah M I Syed
I was devastated, I can still remember the hollowness of that realisation; these incidents weren't the result of a foreign warlord or a faraway militia, they were the results of the policies of my own government, they were happening in my name. 88% of people vetted on Nauru have been determined to be legitimate refugees, unable to return home for fear of persecution or death, and legally entitled to our protection. I realised I was accountable.
Though many people heard about the files, the clinical language and the overwhelming number of them seemed to make them impenetrable to many. Countless conversations revealed lots of people had heard of them – few had actually read them.
The Liberals senator charged with responding to the files on behalf of the Coalition – former senator Ian Macdonald – described them as "hype, trifling at best", while admitting he hadn't read them. I could not believe that those in charge could dismiss primary evidence with such ease and get away with it, I was appalled that our processes could have become so corrupted.
Around that time, I read an essay by Richard Flanagan called Does Writing Matter. He wrote about the files as "the most extraordinary trove of short stories" and said that if there was just one picture – of a woman just raped, of the bloodied back of murdered Reza Berati's head, that we would face "a national crisis of honour, of meaning, of identity".
My background is in books and illustration, so I am well versed in using imagery to connect people with stories, sometimes dark and difficult ones. What was missing from these conversations was an understanding of shared humanity. It had been deliberately and carefully stamped out by successive governments, so how could we reintroduce it?
Well, here were 2,116 stories defining modern Australian history. We need to read them in order to understand what is happening, not just on Manus and Nauru, but also what is happening to us, who we are becoming as a nation. How do you connect people with these stories when words aren't working? When language has become too seeped in prejudice to cut through? You use imagery. It can slice through all of that and speak directly to the heart. That is the power of art.
HE THEN SAID "DO I HAVE TO KILL MYSELF TO GO TO AUSTRALIA". Artist: Angela Brennan
I took this idea to an old friend and colleague, Daniel New, with him it solidified, Human Rights Watch came on board, an amazing woman called Morna Seres helped give the concept shape and authority, and it started to take off.
Underpinning this project is a belief that Australians are at heart decent and compassionate people who, if they knew just how horrific – if they empathised with the kid who is self-harming, the man who has lost all hope and tries to hang himself from his mouldy tent, the woman who reports being told she can have a longer shower in return for sexual favours with the guards – would demand change. In darker hours I waver but I do still have faith in this. I believe most people want to be good, to be kind. Sometimes we need a wake-up call though.
HAPPY: What's your artistic background?
ARIELLE: Book designer, illustrator, artist. I did begin studying different degrees in law and social enquiry years ago, and though I've always been interested in those fields, I didn't connect with the methodologies of either. I was drawn more to creative practices, and became more interested in design-led research and social intervention. I think it has the potential to draw out responses or foster insights in ways that more conventional practices can't. In some ways I feel there's a greater capacity for nuance and emotion – accessing the intangible.
WHILST DISCUSSING THE HEALTH OF [REDACTED] ON THE IMPACT THE LAST FEW WEEKS HAVE HAD ON HER, SHE REVEALED THAT ONE A/S IS TRYING TO ORGANISE A MASS SUICIDE. SHE STATED THAT AT LAST COUNT THERE ARE AT LEAST 30 PEOPLE WHO ARE WILLING TO TAKE PART. Artist: Janet Laurence
HAPPY: What were some of the challenges involved in moving to a curatorial position for this project?
ARIELLE: Well I'm not a curator by trade, so quite a few. I have project managed many a large and curly endeavour in the past, but a lot has been learnt on the go. I try to seek out as much advice from as broad a range of people as I can, to question myself and welcome criticism, and I've been lucky to be supported by a broad and multi-skilled community in doing so. Naivety isn't always such a bad thing, I don't think. It allows you to bite off a lot, and forces you to work it out.
HAPPY: Who has helped you bring All We Can't See together?
ARIELLE: So many people. The first Sydney show I worked with Daniel New, Georgie Bright from Human Rights Watch, Morna Seres and Heidi Forbes. Daniel was my old art director at Penguin books and came on at the beginning to develop the idea, Georgie saw the potential in a partnership with HRW, Morna who has a prolific background in the arts signed up as a volunteer because she believed in the idea and took the project to another level, and Heidi came to the project later on to support us also.
This time around it has been myself and Clare Herschell. The tour would have been dead in the water without her support. She is a philanthropist and the director of Atelier at the AGNSW. When she came to the Sydney show her response was "How can we fix it?", and she meant that in all seriousness. She is a powerhouse of knowledge and heart, has taught me a huge amount and connected me with many of the phenomenal people involved in this next wave.
ON THE 3RD OF FEBRUARY DURING AN INFORMAL ENGAGEMENT WITH [REDACTED] AND HIS BROTHER [REDACTED], [REDACTED] DISCLOSED THAT HE HAD THOUGHT ABOUT CAUSING HARM TO HIMSELF. [REDACTED] STATED THAT HE HAS HAD FEELING OF SELF-HARM OVER THE PAST SEVERAL MONTHS HOWEVER, HAS BEEN RELUCTANT TO DISCLOSE DUE TO WANTING TO SAFE GUARD HIS OTHER FAMILY MEMBERS. [REDACTED] STATED THAT LAST NIGHT HE WAS UNABLE TO SLEEP. [REDACTED] STATED THAT HE STARED AT THE CEILING OF HIS LIVING AREA AND BEGUN TO HAVE THOUGHTS OF ENDING HIS LIFE. [REDACTED] STATED THAT HE HAS FEELING OF HOPELESSNESS. [REDACTED] STATED THAT HE LEFT [REDACTED], HIS HOME COUNTRY TO FLEE FROM PHYSICAL TORTURE AND BY COMING TO AUSTRALIA BELIEVED HE WOULD BE SAFE. [REDACTED] STATED HE BELIEVES THAT AUSTRALIA IS UTILIZING PSYCHOLOGICAL MEANS (I.E. SEPARATING HIM FROM HIS IMMEDIATE FAMILY) TO CAUSE HARM TO HIM AND HIS FAMILY. [REDACTED] STATED THAT THERE IS NO DIFFERENCE BETWEEN HIM DYING IN [REDACTED] THAN IN AUSTRALIA OR NAURU. NB: RISK RATING AND INCIDENT TYPE CHANGED BY WILSONS. Artist: Abdul Abdullah
Artist Joshua Yeldham heard I was trying to fundraise and instantly offered two of his exquisite hand carved artworks to auction off to help me raise money. He had also hand illustrated special editions of his book for us. Another pal Andrew Kaineder is a filmmaker, and after watching me clunking around in iMovie with naff cross-fades took the project over entirely and made our Kickstarter video, even while juggling deadlines for his own feature film. Angus McDonald, another artist in the show as well as filmmaker and activist has constantly shown up with support in all sorts of generous ways. A lovely lady called Anna Marinovich down in Melbourne I've never even met has been helping out with logistics in her spare time, more friends will be loaning me equipment, helping me install, taking photos for free, there are so many people who have helped, the list goes on and on.
Client advised that All the single females met to discuss mass suicide. Artist: Adrienne Gaha
HAPPY: What was the response like to the first exhibition?
ARIELLE: Much larger than I anticipated, we were happy it gained a lot of media traction, that these stories made their way into major news channels, and that people in the show who had lived this experience first-hand had a platform to speak about them too.
At the show itself, people mostly walked slowly from work to work, reading the file each work related to in full, and then onto the next. It took time. We all witnessed people leaving in tears. Everyone looked shaken, like they needed a hug. One immaculate looking older woman walked up to us, her face wet and distraught, and said "I just didn't know". But I think that's good. It means that it woke people up, and made them hold themselves accountable. That's what we all need to do.
HAPPY: Do you remember the first file you read?
ARIELLE: A young boy who had sewn a heart in his hand and said he didn't know why (below).
On morning bus run [REDACTED] showed me a heart he had sewn into his hand using a needle and thread. I asked why and he said "I don't know". I notified [REDACTED] as soon as I got off the bus at OPC1 and she proceeded to take [REDACTED] to IHMS. [REDACTED] is [REDACTED] yrs of age. Artwork: Annabelle Hale
HAPPY: Is your goal to illustrate all 2,116 files?
ARIELLE: We have built a website capable of hosting that. I hope the camps will close before we get to that though.
HAPPY: These videos are a new aspect, can you talk about their place in the exhibition and how they came together?
ARIELLE: Down in Melbourne a couple of months ago I was talking to the lovely singer Lisa Mitchell about getting involved in some way, thinking about musicians, how the project could grow beyond visual arts. We were thinking maybe a song but couldn't see it clearly, and then this simple idea emerged a while later – why not just ask folk to film themselves reading files aloud – by doing so bringing them into the light, and asking other Australians to face them too. I think once again, the number of folk who signed up testifies to how many Australians are appalled about what people are suffering on Manus and Nauru because of us, and want to speak out about it.
Writer walks/runs on crushed coral. Knee ligaments are deteriorating due to surface. Has been given various supports which do not help. Experiencing back pain. Artwork: Aida Tomescu
HAPPY: What about the written word inspires you?
ARIELLE: Storytelling is one of our oldest human traditions. It fosters empathy and understanding. Helps us not to repeat the mistakes of history. Most classic literature reinforces basic principles of morality; compassion, humility, solidarity, kindness. It also warns us against the dangers of power; hubris, prejudice, greed. It can reflect our own societies back to us, even when we don't want to see.
HAPPY: These files aren't written by professionals or artists, they're almost scientific. What does this add to the exhibition?
ARIELLE: Well, it's not a device. It starts and ends with the stories, the Nauru files. They're not fiction, they're incident reports written by staff on the island, transcribed and sorted into incident types and risk ratings by Wilsons Security, and then the names were redacted in order to be published by The Guardian.
However, though written in the stark official language of a corrupt system, names redacted, humanity still makes its way in, and we empathise.
[REDACTED] HAD INFORMED THE STAFF THAT HE WILL NOT EAT OR DRINK ANYTHING UNTIL HE GETS TO AUSTRALIA. Artwork: Sam Harrison
HAPPY: What would be the biggest win for you to come from this?
ARIELLE: Our project serving as a platform for the increasing number of Australians outraged at what's happening in our name to demand concrete policy change to close the camps and bring the people to immediate safety here or in NZ or America.
I see this happening through 3 tiers: transparency, accountability and compassion.
I think we can tear at the veil of secrecy that's been placed over offshore detention and bring the brutal and unacceptable realities of it into light.
We can arm people with this knowledge to inspire personal and public accountability.
We can serve as a proud reassertion of the value of compassion. I utterly reject Dutton's absurd and demeaning claim that one act of compassion would destabilise our national security. History has taught us that a nation without compassion is a broken and dangerous one. The equation that you must cause the slow death of one innocent group of people in order to stop the death of a larger, hypothetical group of people is utterly false, and it is obscene that we as a nation have digested this baseless rhetoric for so long.
I ATTENDED THE TENT OF [REDACTED] WITH PERSIAN INTERPRETER [REDACTED]. I SPOKE TO [REDACTED] AROUND TAKING HER MEDICATION. SHE HAS STATED THIS WAS OUT OF PROTEST AND THAT SHE FEELS LIKE SHE IS UNABLE TO GO ON AND IS TIRED. SHE USED THE METAPHOR THAT THEY" WERE CUTTING OF HER HEAD WITH A PLASTIC SWORD AND KILLING HER SLOWLY. SHE STATED THAT SHE WOULD TAKE ""THIS"" INTO HER OWN HANDS. THAT SHE WOULD NOT DO ANYTHING LIKE TAKE SHAMPOO TO END HER LIFE BUT WOULD STOP TAKING HER MEDICATION. [REDACTED] STATED THAT HER SON [REDACTED] WOULD BE BETTER OFF OWN HIS OWN. I ASKED [REDACTED] IF SHE WOULD LIKE IHMS MENTAL HEALTH. Artwork: Laura Jones
HAPPY: In what ways will the Melbourne exhibition be different to the first?
ARIELLE: Many new amazing artists have signed up to take part so it's quite a different roster, and it will also include works from the website and works from school students from around Australia who've also come on board and produced some very moving artworks. Melbourne is the next step in what's becoming a growing visual petition by our nation's communities and leading creatives calling for an end to offshore detention and the reinstatement of compassion in immigration policy.
HAPPY: Are there plans to take the exhibition further?
ARIELLE: Yes, we have plans to take it to Adelaide at the end of the year, all we can say for now, but will be able to share details soon.
HAPPY: How can members of the public help your cause?
ARIELLE: Please donate to our Kickstarter! It's not for profit and relying on support from our community. Sales from the show will go to support Human Rights Law Centre.
We're giving away 6 copies of 'Tom Clancy's Rainbow Six Extraction'!
The Nobel Prize for Literature: prizes, protests, and prestige
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Are you on a quest to find a worth vent hood? Today, market of kitchen appliances provides a huge variety of devices that differ with sizes, styles, and types. Such leading brand names as Bosch, GE, KitchenAid, Cobe, Broan, Baumatic, Asko, Whirlpool, and many others offer models that perfectly meet everyone's budget and kitchen interior. With a vent hood you will forget about steam and odors at your kitchen as well as get rid of grease spots on the walls.
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a/ How economic power is advancing over all aspects of civilization.
economic field is trying to take over entirely the political system".
d/ A study of Founding Father Alexander Hamilton.
experience to the Occupy endeavor.
h/ Consciousness about the economically powerful Rockefeller clan.


text:
Cliniodes iopolia is a moth in the family Crambidae. It was described by James E. Hayden in 2011. It is found in Peru, Ecuador and Colombia.

The length of the forewings is 17–18 mm for males and about 18 mm for females. The forewing costa is grey with violet-brown scales. The basal and medial areas are grey with scattered violet-brown or ruby scales. The hindwings are translucent white with a black marginal band. Adults have been recorded on wing in January, September and November.

Etymology
The species name is derived from Greek íov (meaning violet) the Greek word for grey.

References

Moths described in 2011
Eurrhypini

redpajama_set_name: RedPajamaWikipedia


We all know that there are so many life insurance companies in this world. For some people the number of life insurance companies makes them difficult to choose one of them; especially for people who have no idea about getting life insurance, and how important getting life insurance quotes are. If you are looking for the best and the fastest way to get the best life insurance for you and your family, there are several tips that will be helpful for you.
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Thank you for sharing, this information is useful to me, good quality.


Last major update issued on January 3, 2011 at 04:40 UTC.
The geomagnetic field was quiet on January 2. Solar wind speed ranged between 295 and 361 km/s.
Solar flux measured at 20h UTC on 2.8 GHz was 91.1 (up 2.6 over the last solar rotation). The planetary A index was 3 (STAR Ap - based on the mean of three hour interval ap indices: 2.9). Three hour interval K indices: 11001101 (planetary), 11001101 (Boulder).
Region 11141 decayed further and lost penumbra on the trailing spots.
Region 11142 developed early in the day, then began to show signs of decay with the increasing separation of opposite polarity spots.
December 31 - January 2: No obviously Earth directed CMEs were observed in LASCO or STEREO images.


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text:
Q: http ping to restart service This tool checks if a website is offline or not.
http://www.coretechnologies.com/products/http-ping/
I'm trying to create an automated process to run that file and check domain.com, if pinging fails then stop --> start apache.
They have a sample code on their website witch i have slitly modified and looks like,
@echo off
REM This batch file is for use with AlwaysUp (http://www.coretechnologies.com/products/AlwaysUp/) or Service Protector (http://www.coretechnologies.com/products/ServiceProtector/)
REM Copyright � 2001-2012 Core Technologies Consulting, LLC. All rights reserved.

REM Ping your web server
REM *** Please change the location of http-ping.exe if necessary and adjust the URL to point to your web server ***
"C:\http-ping.exe" http://www.domain.com

REM http-ping returns the percentage of pings that succeed. With 4 attempts, this can be 0, 25, 50, 75, or 100.
REM Any of the 4 pings succeeds consider it a success ==> return 0 so that AlwaysUp doesn't restart
IF ERRORLEVEL 25 GOTO success
IF ERRORLEVEL 50 GOTO success
IF ERRORLEVEL 75 GOTO success
IF ERRORLEVEL 100 GOTO success

REM Exit code of 0 ==> all failed ==> return 1 to have AlwaysUp restart the application
IF ERRORLEVEL 0 GOTO failure

REM http-ping returned a code < 0 ==> there was some other kind of failure. Don't restart, but have AlwaysUp log the failure ==> return 2
echo http-ping failed!
net stop Apache2.4
net start Apache2.4
exit 2

:success
echo Succeeded!
exit 0

:failure
echo Failed!
net stop Apache2.4
net start Apache2.4
exit 1

But it doesn't work.
Using Windows, Apache, and i'm using the schedule feature in OS to automate it.
The regular windows ping utility can't do what i'm looking for.
Appreciate any help.

redpajama_set_name: RedPajamaStackExchange


text:
Sales down 8% at Safeway
By Andrew Oxlade
Updated: 19:00 EST, 3 June 2004
WM MORRISON has failed to turn around a decline at Safeway, the superstore chain it bought for £3bn in March.
Industry figures from market research firm TNS show Safeway's market share slipped from 8.2% to 8% in the 12 weeks to 25 April. A year earlier it was 9.1%. Sales were down 8% on a year ago.
Morrisons plans to rebrand most of the 427 Safeway stores in an attempt to stem the sales slide and has already slashed prices on 7,500 products. The move has pushed up sales volumes but failed to impact on total income. Last month it revealed that Safeway sales in from 8th March to 16th May were down 5.2%.
However, it said average weekly sales at the few stories that have already been converted were up between 19% and 88%, with an overall increase of 40%. 'Whilst these results are not necessarily typical indicators for future conversions they at least show the potential for the Safeway estate,' the company said.
Morrisons hopes to convert 50 stores by November. It must also sell 52 of its shops to meet terms laid down by the Competition Commission.
TNS' monthly research also showed Tesco had extended its lead over rivals, grabbing a 27.6% percent, up from 27.5% a month earlier and 26.4% a year before as sales grew 10% on the year.
Asda, owned by US giant Wal-Mart, had a 16.6% share, unchanged from a month earlier, as was Sainsbury's 15.5% slice of the market.

redpajama_set_name: RedPajamaCommonCrawl


text:
The "Block" Button on 'The Voice' Is Already John Legend's Worst Enemy
By Allison Cacich
The Voice is back for a 16th season, and newbie John Legend — who joins returning coaches Adam Levine, Blake Shelton, and Kelly Clarkson in the big red chairs — got an unwelcome introduction to the "block" button during the competition's first episode on Feb. 25.
The block first appeared in Season 14 and has made the fan-favorite blind auditions even more compelling to watch — though slightly more confusing, as well.
So, how does the block work on The Voice?
The block allows one coach to prevent another coach from adding a contestant to their team. However, a coach only discovers they've been blocked if they decide to turn around for that artist. If the coach who's been blocked doesn't hit their button, the block doesn't count.
For example, during the premiere, Blake used his "Block John" button on the very first audition. Without knowing he'd been blocked, the EGOT winner turned around, but was unable to fight for that artist to join his team.
Over the course of the night, John was also blocked by Kelly, who confessed that she's highly intimidated by the 40-year-old. "I've never been more terrified to be on this show with another coach than John Legend," she shared. "He's everyone's threat. If they don't know it yet, he's the threat."
After he was chastised for waiting too long to turn his chair, John admitted, "I just like to take my time. I proposed to my wife after five years of dating. But that doesn't make us any less in love and that doesn't make our marriage any less beautiful and perfect." Aww, we love a Chrissy Teigen shout-out.
But the 10-time Grammy recipient didn't stay downtrodden for long. By the end of the first episode, he had filled three slots on his team — and two of those artists had four-chair turnarounds. "Not a bad way to start night one of @NBCTheVoice," John wrote on Twitter. "I'd say I'm getting the hang of it, wouldn't you agree @adamlevine @blakeshelton @kelly_clarkson?"
When the block feature was first introduced in 2018, executive producer Audrey Morrissey explained, "We haven't ever really had a defensive move or an offensive-defensive move, so we came up with the block. It really sort of speaks to the real competition."
She added, "You have to do it based on voice alone, so [we] really kept the sanctity of the blind audition with that."
How many blocks do The Voice judges get?
The coaches only get one block during the blind auditions, so Blake and Kelly are out of luck for the rest of round 1. Thankfully, it worked in their favors since each of them secured the artists they used their blocks on.
The "save" button is also coming back into play this year. Coaches can use this feature once during the knockout round to save an artist they just eliminated. However, if another coach decides to use their "steal" on that same artist, the contestant has the power to either join a new team or stick with their original coach.
Here's hoping The Voice producers don't keep adding more buttons for us to keep track of!
Watch The Voice Mondays and Tuesdays at 8 p.m. EST on NBC.
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La Marinata is something truly delicious and surprisingly easy to prepare. By far the most appetising of antipasti, it is essentially raw fish which is safe to eat when prepared the Sicilian way.
When I first tasted la marinata at a fish market slash illegal restaurant a local friend took me to, I was a little hesitant.
'This is raw fish,' he said as he wolfed down fork-fulls of the stuff.
'But you can't eat raw fish!' I stupidly replied.
When we had finished the huge plate they had placed in the middle of the table, per condividere, I was converted. I had been blown away by the texture and delicate taste of items I would have only ever tasted well cooked in a sauce of some variety.
There were prawns, anchovies, octopus and perhaps best of all, thin slices of big fish such as tuna and swordfish.
The Italian confided that he had come here especially for la marinata and now I saw why. It was the freshest tasting food I had eaten in years and I wanted to know how to make it.
That, as it turned out, was the easy part.
The seafood is basically left to marinate for a few hours in lemon juice then served with parsley, a little chopped garlic, sometimes a sprinkling of peperoncino. There are other ingredients too however, and they remain a mystery, as the best places to eat this incredible starter pride themselves on its quality.
Neonate are tiny new born fish about the size of a matchstick which are sometimes included in marinata dishes. At 20 Euro per kilo they are expensive but 80-100 grams per person is adequate.
All in all when you're eating in Italy the message is: Don't be afraid of the antipasti! Ask for "Un antipasto misto" and they will bring you whatever is fresh. Eat all the raw fish you can find is my advice. Expect to pay about 10-15 Euros for a big plate which can be divided between two.
I had marinated seafood in Sicily and it was the best! Some say that Japan is the home for such unique tastes but Italy is number one to me.
I've never been to Japan but I know the first time I tasted proper marinated fish/seafood in Sicily I was amazed how good it was.


text:
package pop

import (
	"fmt"

	"github.com/gobuffalo/fizz"
)

func newSchemaMigrations(name string) fizz.Table {
	return fizz.Table{
		Name: name,
		Columns: []fizz.Column{
			{
				Name:    "version",
				ColType: "string",
				Options: map[string]interface{}{
					"size": 14, // len(YYYYMMDDhhmmss)
				},
			},
		},
		Indexes: []fizz.Index{
			{Name: fmt.Sprintf("%s_version_idx", name), Columns: []string{"version"}, Unique: true},
		},
	}
}

redpajama_set_name: RedPajamaGithub


text:
What to do with all these healthy bodies?
in General Topic
by Jeff Bilbrey February 15, 2011, 1:44 am updated July 20, 2011, 6:42 pm 150 Views 25 Votes 1 Comment
Very soon, the Red Wings will have to deal with a problem they've barely had to think about for two full seasons. When Brad Stuart, Valtteri Filppula and Mike Modano all return sometime this month (hopefully) the Red Wings will have…*gasp* too many healthy players!
Starting last season, the Wings never really played a game with a fully healthy lineup. Darren Helm injured his shoulder in training camp in 2009, and the slew of injuries that followed that didn't ever really stop. Franzen, Williams, Filppula, Zetterberg, Kronwall, Paul MacLean's moustache and the beer guy from section 217B all went down with one injury or another. By the time nearly everyone was back in the lineup, Kirk Maltby left for his career-ending shoulder surgery.
This season, we were missing Kris Draper until December after a pulled groin kept him out of the lineup initially, and then hernia surgery followed. By the time he was back in the rotation, we'd lost Mike Modano. We then lost Datsyuk, Cleary, Stuart and Holmstrom long-term, and players like Filppula and Eaves also missed some time. Oh yeah, and at one point we were down to 4th stringer Thomas McCollum backing up 3rd string Joey MacDonald, and for one game 5th string Jordan Pearce backed up Jimmy. Fun times, December, January and February have been.
But with Stuart expecting to be back on Thursday, Modano shooting for the 24th vs. Dallas, and Filppula expected back in that same time frame, the Wings will have the interesting problem of having too many healthy players for the amount of roster spots available.
So what to do with our 14 forwards and 7 defensemen?
The easiest decision comes along the blue line. Brad Stuart subs right back in as Nicklas Lidstrom's right hand man. Jakub Kindl goes back to playing NHL11 in the press box, and working on his cross-crease one timer, or whatever it is they do up there. The only guy he could possibly have taken a job from was Ericsson, and he has been leaps and bounds better than he was last year, and really cemented a position on this team. For as much as Kindl has improved from early in the season, he is still the #7 guy in Detroit.
Not so fast though. If Stuart does indeed return on Thursday as planned, Kindl may still get to see the ice. How, you ask?
Well, Ruslan Salei and his wife are expecting their third child literally any minute now. I'll be sure to let you know when he calls me with the news. In any event, the team has let him go home to California to be with his family. I'd imagine if Stuart is cleared by doctors on Tuesday, as he expects to be, then the Wings will let Salei stick around in Cali for a few more days. They play in Tampa Bay on the 17th, Florida the 18th and Minnesota the 20th before returning home for a game against San Jo on the 22nd. Detroit could let Salei stay in California for a week, then have him return to the lineup on the 21st in time to play the Sharks.
At that point, the pairings would be likely be set and remain the same unless someone needs a one-day breather (likely Rafalski and his wonky back). Lidstrom-Stuart, Ericsson-Rafalski, Kronwall-Salei.
The forward rotation is much, much trickier. I have a feeling that it might come down to situational play determining who sits and who plays. I'll explain what I mean by that in a second.
First, it is worth mentioning that there are a handful of players that are completely, 100% safe from being scratched. Those are Datsyuk, Zetterberg, Franzen, Cleary, Bertuzzi, Filppula, Holmstrom, Helm, Eaves and Abdelkader. Jiri Hudler, if he keeps playing the way he is, could find himself in that group as well, but for now, we'll include him among the others.
The list of players who will make up the final two forward spots are Hudler, Drew Miller, Kris Draper and Mike Modano. This is where we get into the situational part I referred to earlier.
What I mean by that is when we play on the road, and have last change and a tougher face-off assignment (road team has to put their stick down first in the face-off dot), Babcock may elect to go with a center-heavy lineup, and play Modano and Draper over Miller and Hudler. That way, we could have two guys who can take a face-off on the ice almost all of the time, so we'd be less likely to get caught in a bad spot in that sense.
Also, when playing a big, physical team, you may not want a guy like Hudler in the lineup over a Draper or a Miller, because he does have a tendency to shy away from physical play. That being said, I am really hoping he keeps up his current play and makes it a three man race for the final spot.
I think what will happen for the remainder of the regular season is that Modano, Miller and Draper will all rotate in and out of the lineup on a game to game basis (unless an injury situation requires more than one of them to play).
Then, in the playoffs, I have to think that Modano will be getting more games than Miller and Draper. They didn't bring him here to sit on the bench.
That would give you a playoff game day line up of…
Bertuzzi-Zetterberg-Franzen
Cleary-Datsyuk-Hudler
Modano-Filppula-Eaves
Abdelkader-Helm-Holmstrom
Lidstrom-Stuart
Ericsson-Rafalski
Kronwall-Salei
Osgood (hopefully?)
I also don't see the Red Wings moving any of their forwards (or D for that matter) in order to solve the problem of having capable players sitting in the press box. They really like the roster they've assembled, and they feel like they have enough depth where if one player goes down, they have plenty of willing and able guys who will be ready to get the job done, without much drop off in production. We've seen that all the pieces can fit and be productive, it's just a matter of going out and doing it.
Detroit Red Wings for the Cup. Believe.
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UNICEF/Aylar Rezayee | Young women in Sharak e Muhajireen village in Nili district of the Daikundi province in Afghanistan, 2018.
"Gender inequality continues to prevail in Afghanistan with regard to women's participation in peace processes, despite the fact that women are as affected by the conflict as men," said Tadamichi Yamamoto, the UN's Special Representative and head of its mission in the country (UNAMA), on 4 December 2018, during a series of nationwide meetings focused on women, peace and security.
At the final meeting of the provincial Open Days consultations in Kabul, hosted by UNAMA and UN Women, participants highlighted challenges for women's meaningful input in peace processes – as peacebuilders, activists, advocates, mediators and negotiators – as well as opportunities to amplify women's voices and ensure they are at the negotiating table.
"Not only does peace last longer when women lead and participate in peace processes, but also women have a right to participate in negotiating peace in Afghanistan," said Aleta Miller, the UN Women Country Representative for Afghanistan.


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Wheee! How goes it? Busy day today but I got a majority of stuff done! Woo hoo! Still haven't started that book gig though. I've got to do something about that soon. There's just a lot of other stuff I want to draw though and that book doesn't have a deadline...or a deadline that's soon. I'll get onto it for sure, this weekend though!
I drew this ages ago for Kookyrabbit. I also want to buy a book of mushrooms. I think that would be very very cool....and I love drawing mushrooms so it will be useful. Need to find a reference book for trees too. Maybe I'll go to the library tomorrow!


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Recipes to Make Tasty Korean Kimichi and Practical -Korea, in addition to well-known to be a girl band and boybandnya beautiful and handsome: D, it also has a food menu that is well-known and much liked by many people in the world, namely kimchi. Hmm..mungkin many of you who are less familiar with the name of the food and do not know what the hell kimichi it ?. Kimchi is one of cypress traditional Korean food, which can be categorized as pickled vegetables which are fermented by the spicy flavor. Where in the treatment process, salted and washed, then mixed vegetables with seasoning made from krill shrimp, garlic, fish sauce, ginger and red chili powder.
Usually general types of vegetables used in making the Korean traditional food is radish and chicory. Manufacturing process was not was not too difficult, and if you are the one that includes food connoisseurs kimichi from Korean and intending to know the recipe to make kimichi, then the following is a recipe how to make kimichi we have described briefly be easily understood and practiced at home you.
The first step, dry mustard until clean sheet once to the most in mustard, without cut and leave it intact as it is. Then pour ½ cup of sea salt with water into a container, then soak the mustard in water solution for about 6 hours. After that wash more mustard to clean up to the deepest folds and if you want, cut, can be cut into two parts.
Next, mix the sugar along with chili powder, ginger, onion onions, radish, fish sauce, chives and a little salt. All of the material is then smeared with mustard evenly on to the sidelines during the inmost while somewhat squeezed so that seasoning can seep into the mustard. Then place it in a sealed container, airtight and meetings (such as glass jars) and let stand for approximately two days, so that seasoning can permeate the sawinya.
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The Cicero Prep Centurions stayed in it until the end, but Trivium Academy pulled away late in a 12-8 victory on Thursday.
Cicero collected five hits and Trivium Academy had six in the high-scoring affair.
In the first inning, Cicero got their offense started when Ava Jazwin homered on the first pitch of the at bat, scoring three runs.
Lily Allen led things off in the circle for the Centurions. She allowed four hits and seven runs over two innings, striking out one. Jazwin threw one and two-thirds innings in relief out of the bullpen. Cicero tallied one home run on the day when Jazwin put one out in the first inning. Ava Caggiano led Cicero Prep Centurions with two hits in two at bats.
The Lady Centurions ended the season with the most wins in school history.


text:
Aegeus
For the Spartan hero, see Aegeus (hero).
Theseus Recognized by his Father by Hippolyte Flandrin (1832)
In Greek mythology, Aegeus (/ˈɛdʒˌjuːs/; Ancient Greek: Αἰγεύς, romanized: Aigeús) was an archaic figure in the founding myth of Athens. The "goat-man" who gave his name to the Aegean Sea was, next to Poseidon, the father of Theseus, the founder of Athenian institutions and one of the kings of Athens.
2.1 Reign
2.2 Heirless king
2.3 Conflict with Crete
2.4 Theseus and the Minotaur
Family[edit]
Aegeus was the son of Pandion II, king of Athens and Pylia, daughter of King Pylas of Megara and thus, brother to Pallas, Nysus and Lykos. But, in some accounts, he was regarded as the son of Scyrius or Phemius and was not of the stock of the Erechtheids, since he was only an adopted son of Pandion.[1]
Aegeus' first wife was Meta[2], daughter of Hoples and his second wife was Chalciope, daughter of Rhexenor, neither of whom bore him any children.[3]
Mythology[edit]
Themis and Aegeus. Attic red-figure kylix, 440–430 BC
Reign[edit]
Aegeus was born in Megara where his father Pandion had settled after being expelled from Athens by the sons of Metion who seized the throne.[4] After the death of Pandion, now king of Megara, Aegeus in conjunction with his three brothers successfully attacked Athens, took control over the government and expelled the usurpers, the Metionids. Then, they divide the power among themselves but Aegeus obtained the sovereignty of Attica, succeeding Pandion to the throne.[3][5] It has been said that Megara was at the time a part of Attica, and that Nisus received his part when he became king of that city.[6] Lycus became king of Euboea whereas Pallas received the southern part of the territory. Aegeus, being the eldest of the brothers, received what they all regarded as the best part: Athens.[7]
The division of the land was explained further in the following text by the geographer Strabo[8]:
". . when Attica was divided into four parts, Nisus obtained Megaris as his portion and founded Nisaea. Now, according to Philochorus, his rule extended from the Isthmus to the Pythium[9], but according to Andron, only as far as Eleusis and the Thriasian Plain. Although different writers have stated the division into four parts in different ways, it suffices to take the following from Sophocles: Aegeus says that his father ordered him to depart to the shorelands, assigning to him as the eldest the best portion of this land; then to Lycus ""he assigns Euboea's garden that lies side by side therewith; and for Nisus he selects the neighboring land of Sceiron's shore; and the southerly part of the land fell to this rugged Pallas, breeder of giants."
Later on, Lycus was driven from the territory by Aegeus himself, and had to seek refuge in Arene, Messenia. Pallas and his fifty sons revolted at a later time, being crushed by Aegeus' son Theseus.[10]
Heirless king[edit]
Thésée reconnu par son père by Antoine-Placide Gibert (1832)
Still without a male heir with his previous marriages, Aegeus asked the oracle at Delphi for advice. According to Pausanias, Aegeus ascribed this misfortune to the anger of Aphrodite and in order to conciliate her introduced her worship as Aphrodite Urania (Heavenly) in Athens.[11]
The cryptic words of the oracle were "Do not loosen the bulging mouth of the wineskin until you have reached the height of Athens, lest you die of grief."[12] Aegeus did not understand the prophecy and was disappointed. This puzzling oracle forced Aegeus to visit Pittheus, king of Troezen, who was famous for his wisdom and skill at expounding oracles. Pittheus understood the prophecy and introduced Aegeus to his daughter, Aethra, when Aegeus was drunk.[13] They lay with each other, and then in some versions, Aethra waded to the island of Sphairia (a.k.a. Calauria) and bedded Poseidon. When Aethra became pregnant, Aegeus decided to return to Athens. Before leaving, he buried his sandal, shield, and sword under a huge rock and told her that, when their son grew up, he should move the rock and bring the weapons to his father, who would acknowledge him. Upon his return to Athens, Aegeus married Medea, who had fled from Corinth and the wrath of Jason. Aegeus and Medea had one son named Medus.
Conflict with Crete[edit]
While visiting in Athens, King Minos' son, Androgeus managed to defeat Aegeus in every contest during the Panathenaic Games. Out of envy, Aegeus sent him to conquer the Marathonian Bull, which killed him.[14] Minos was angry and declared war on Athens. He offered the Athenians peace, however, under the condition that Athens would send seven young men and seven young women every nine years to Crete to be fed to the Minotaur, a vicious monster. This continued until Theseus killed the Minotaur with the help of Ariadne, Minos' daughter.
Arrival or departure of a young warrior or hero, maybe Theseus arriving at Athens and being recognized because of his sword by Aegeus. Apulian red-figured volute-krater, ca. 410–400 BC, from Ruvo (South Italy).
Theseus and the Minotaur[edit]
Main article: Theseus
In Troezen, Theseus grew up and became a brave young man. He managed to move the rock and took his father's weapons. His mother then told him the identity of his father and that he should take the weapons back to him at Athens and be acknowledged. Theseus decided to go to Athens and had the choice of going by sea, which was the safe way, or by land, following a dangerous path with thieves and bandits all the way. Young, brave and ambitious, Theseus decided to go to Athens by land.
When Theseus arrived, he did not reveal his true identity. He was welcomed by Aegeus, who was suspicious about the stranger who came to Athens. Medea tried to have Theseus killed by encouraging Aegeus to ask him to capture the Marathonian Bull, but Theseus succeeded. She tried to poison him, but at the last second, Aegeus recognized his son and knocked the poisoned cup out of Theseus' hand. Father and son were thus reunited, and Medea was sent away to Asia.[15]
Theseus departed for Crete. Upon his departure, Aegeus told him to put up white sails when returning if he was successful in killing the Minotaur. However, when Theseus returned, he forgot these instructions. When Aegeus saw the black sails coming into Athens, mistaken in his belief that his son had been slain, he killed himself by jumping from a height : according to some, from the Acropolis or another unnamed rock[16]; according to some Latin authors, into the sea which was therefore known as the Aegean Sea.[17]
Sophocles' tragedy Aegeus has been lost, but Aegeus features in Euripides' Medea.
At Athens, the traveller Pausanias was informed in the second-century CE that the cult of Aphrodite Urania above the Kerameikos was so ancient that it had been established by Aegeus, whose sisters were barren, and he still childless himself.[18]
Catullus, LXIV.
Plutarch, Theseus.
^ Compare Pseudo-Apollodorus. Bibliotheca, 3.15.5; John Tzetzes, ad Lycophron, 494 & Plutarch. Theseus, 13
^ Compare Metis.
^ a b Pseudo-Apollodorus. Bibliotheca, 3.15.6
^ Pausanias. Description of Greece, 1.5.3
^ Pausanias. Description of Greece, 1.39.4
^ Scholiast on Aristophanes. Lysistrata, 58 & on Wasps, 1223
^ Strabo. Geographica, 9.16
^ "To what Pythium Philochorus refers is uncertain, but he seems to mean the temple of Pythian Apollo in the deme of Oenoe, about twelve miles northwest of Eleusis; or possibly the temple of Apollo which was situated between Eleusis and Athens on the site of the present monastery of Daphne." - Footnote 2 from Strabo. Geographica, 9.1.6
^ Plutarch, Vita of Theseus; Pseudo-Apollodorus, Bibliotheke 3,15.6.
^ Scholion on Euripides' Hippolytus, noted by Karl Kerenyi, The Heroes of the Greeks (1959) p 218 note 407.
^ Pseudo-Apollodorus, Bibliotheke 3.15.7. The identification of the festival as the Panathenaia is an interpolated anachronism.
^ Pseudo-Apollodorus, Epitome of the Bibliotheke, 1.5–7; First Vatican Mythographer, 48.
^ Diodorus Siculus 4.61.4; Plutarch, Vita of Theseus 17 and 22; Pausanias 1.22.5; Catullus 64.215–245
^ Hyginus, Fabula 41, 43; Servius on the Aeneid 3.74.
^ Pausanias, 1.14.6.
Wikimedia Commons has media related to Aegeus.
Chisholm, Hugh, ed. (1911). "Aegeus" . Encyclopædia Britannica (11th ed.). Cambridge University Press.
Theoi Project - Aegeus
Regnal titles
Pandion II King of Athens Succeeded by
Aeëtes (father)
Chalciope (sister)
Circe (aunt)
Apsyrtus (brother)
Jason (1st husband)
Aegeus (2nd husband)
Mermerus and Pheres (sons)
Alcimenes and Tisander (sons)
Medus (son)
Thessalus (son)
Achilles (3rd husband)
A Dream of Passion (1978)
Medea (1969)
Medea Miracle (2007)
Médée (1693, Charpentier)
Medea (1775, Benda)
Médée (1797, Cherubini)
Medea in Corinto (1813, Mayr)
Medea (1843, Pacini)
Medea (2010, Reimann)
Medea (431 BC)
The Hungry Woman (1995)
Ballets
Jason et Médée (1763)
La hija de Cólquide (1944)
Medea, the Musical (1994)
Marie Christine (1999)
Medea's Dance of Vengeance (1956)
Medea (painting)
Jason and Medea (painting)
Medea statue
Other depictions
Medea (character)
"Medea Culpa"
Retrieved from "https://en.wikipedia.org/w/index.php?title=Aegeus&oldid=902956625"
Attic mythology
Kings of Athens
Deaths in the Aegean Sea
Characters in Greek mythology


text:
Showing love for slum communities on Valentine's Day
By Margaret Bayoh, Yirah Oryanks Conteh and Sally Theobald
Valentine's Day – a day to express love! For the Federation of the Urban and Rural Poor (FEDURP-SL) in Sierra Leone Women's Supporting Wing, this is a day of action, activism, experiential sharing and showing love for slum communities.
This year women who are linked to the Federation are invited from across Freetown to come together, dialogue, share learning and adapt best practice from different slum communities. The meeting includes a review of progress in FEDRUP-SL's five main committees in Sierra Leone:
Group mobilisation
Data – alive, owned and updated within communities – is key to Slum Dweller's International's way of working. Information is power and data collected in "Know Your City" process include settlement profiles, household-level censuses and mapping. The Federations Women's Wing is very active in educating girls in slum communities about savings groups. Savings groups can encourage trust and support opportunities for dialogue with the government about the realities of slum communities. Savings are also seen as key way to support girl's education another strong aim of Sierra Leonean Federations' women's wing.
We are together in Kenya, in the inception meeting for the ARISE hub, and have also been privileged to dialogue with inspiring organisations within Kororgocho informal settlement in Nairobi which are working in partnership with girls and young women.
Through the DREAMS project (Determined, Resilient, Empowered, AIDS-free, Mentored and Safe) LVCT Health has spearheaded HIV prevention for adolescent girls and young women in Kenya. Across Kenya 30,880 adolescent girls and women were enrolled in 359 safe spaced to receive various interventions and 154 mentors have been trained. Girls and young women receive cash transfers and education subsidies and are supported in a range of income generating activities.
At the Consortium Advisory Group of the Korogocho informal settlement, which guides and supports research work linked to African and Population and Health Research Center (APHRC), another Arise hub partner, we also met with representative from Emmie Erondanga from Miss Koch Kenya. Emmie explained how with support from APHRC, the organisation has been able to support more girls – and latterly boys – to enrol in school. Miss Koch has also been addressing gender-based violence and providing safe spaces and support to those affected. She has started the process of addressing insecurity within Korogocho, "talking to violent gang members with love" and encouraging them to take different paths in life.
So, love, passion and innovation are alive and well in many of Kenya and Sierra Leone's informal urban settlements, but challenges abound and people are marginalised in multiple ways. Within ARISE we are looking forward to working in partnership and learning together with people living in informal settlements in Kenya, Sierra Leone, Bangladesh and India to promote health, well-being, equity and accountability.
Happy Valentines Day from the ARISE consortium!
Margaret Bayoh Federation Women's Supporting Wing in Sierra Leone Yirah Oryanks Conteh, National Chairperson, Federation of the Urban and Rural Poor (FEDURP-SL) and Sally Theobald, LSTM
ARISE: A new project to improve accountability for health in urban informal settlements	ARISE-ing to the challenge


text:
Płaczkowo (prononciation : ) est une localité polonaise de la gmina de Gostyń dans le powiat de Gostyń de la voïvodie de Grande-Pologne dans le centre-ouest de la Pologne.

Elle se situe à environ  à l'ouest de Gostyń (siège de la gmina et du powiat) et à  au sud de Poznań (capitale régionale).

La localité possédait une population de  en 2010.

Histoire
De 1975 à 1998, la localité faisait partie du territoire de la voïvodie de Leszno.
Depuis 1999, Płaczkowo est situé dans la voïvodie de Grande-Pologne.

Références

Village dans la voïvodie de Grande-Pologne
Powiat de Gostyń


Dealing with asthma is not the end of the world. You are going to have an easier time managing it with the right tools. Smart Peak Flow is an app enhanced gadget with a little propeller that moves as you blow into it. Just attach the device to your smartphone's audio jack and use the iOS / Android app to track your condition.
The app lets you monitor your lung function and access readings and history on your smartphone. It also reminds you to take your medication and perform tests on a regular basis. This project is getting funded on Kickstarter at this time.


text:
Port Hueneme's beaches are eroding; dredging set for this fall
Anne Kallas
Contributor for the Ventura County Star
CHUCK KIRMAN/THE STAR Sand is eroding off Port Hueneme beaches, and dredging is scheduled for October. This spot is between the Hueneme Pier and the Port of Hueneme. (Photo: Chuck Kirman)
CHUCK KIRMAN/THE STAR Surf crashes against an eroded part of the beach near the Port of Hueneme. Dredging is scheduled for October, which will replenish some of the sand. (Photo: Chuck Kirman)
CHUCK KIRMAN/THE STAR Sofia Avalos (left) and her children Audrey Villa, Nathan Garcia and Vanessa Villa, play at an eroded area of Port Hueneme's beaches. Dredging is scheduled for October. This location is between the Hueneme Pier and the Port of Hueneme. (Photo: Chuck Kirman)
CHUCK KIRMAN/THE STAR Surf crashes against the rocks near the Port of Hueneme. The beaches in that area are eroding, a cyclical phenomenon caused by the Port of Hueneme. Dredging is scheduled for October. This location is between the Hueneme Pier and the Port of Hueneme. (Photo: Chuck Kirman)
CHUCK KIRMAN/THE STAR The sand again is eroding off Port Hueneme beaches, which it will always do because of the Port of Hueneme. Dredging is scheduled for October. This location is between the Hueneme Pier and the Port of Hueneme. (Photo: Chuck Kirman)
Once again, the sand on Port Hueneme's beaches is slowly washing away, a cyclical phenomenon that has plagued the area for more than 70 years.
And once again, dredging equipment is on the way.
Channel Islands Harbor Director Lyn Krieger said the equipment will be moved into place in October or early November to pump about 1 million cubic yards of sand from the Channel Islands Harbor sand trap, which currently holds twice that much.
The condition of Port Hueneme's beaches has been an issue ever since the deep-water Port of Hueneme was constructed in the late 1930s by a group of local businessmen led by Richard Bard. The port interrupted the natural flow of sand southward along the California coast. Beaches south of the new port were stripped of sand.
The Navy took over the port during World War II, and after two buildings at the air station at Naval Base Ventura County were lost to the ocean in the 1940s, the problem was addressed. Accepting responsibility, Congress had the U.S. Army Corps of Engineers built a sand trap north of the Channel Islands Harbor.
Every two years since the early 1960s, sand has been dredged from the sand trap and funneled down the coast to Silver Strand Beach, Naval Base Ventura County, Port Hueneme's beach and Ormond Beach.
But the dredging isn't required, Krieger noted, and the amount of sand dredged is contingent on federal funding.
'It all depends on what is in the budget,' Krieger said.
She said that said getting a full authorization for dredging cuts into allocations for other cities and agencies.
'Ventura Harbor is significantly under-dredged,' she said. 'It's only fair that this evens out over time.'
In 2014, 2.2 million cubic yards of sand were dredged, which went a long way toward making up the shortages of previous cycles. But now the sand is once again moving down the coast, and residents have expressed concern at Port Hueneme City Council meetings.
Krieger said sand replenishment has become such an issue over the past 10 years that she starts to work on funding negotiations for the next cycle even as the current dredging is taking place.
Interim Port Hueneme Public Works Director Butch Britt said the beaches have lost a great deal of the sand that was pumped during the last replenishment, but he is optimistic the problem will be short-lived.
'If we get the replenishment, which we're scheduled to get, we should be in good shape,' said Britt, who has toured the beachfront. 'There didn't look to be anything our staff and Public Works Department need to be doing right now. (Erosion) is obviously taking place, but we're in contact with the county, which is the sponsor of the project.'
Port Hueneme City Councilman Tom Figg has said the city needs to do more to address the situation.
'My recommendations remain the same as when I was elected in 2014: Institute proactive monitoring of sand replenishment with preemptive political and legislative intervention to prevent recurrence of severe beach erosion,' he said.
Figg said he believes such monitoring will prevent losses to the city.
'We must be strategic as opposed to dealing with problems after the fact,' he said. 'That kind of strategy cost this city more than $2 million in the last erosion event and contributed to the depletion of our general fund reserves.'
Port Hueneme Mayor Doug Breeze said monitoring alone isn't enough.
'The problem is we can't force Congress to approve funding. I don't care how hard we work. We can't get it,' Breeze said, adding that it was a collaborative effort among all of those affected by the erosion, along with support from area lawmakers, that led to increased sand being pumped during the last cycle.
Breeze said that city staff and council have worked diligently to get more sand on the beaches, but because Port Hueneme is not the lead agency on the project, there's only so much that can be done.
'The county is the lead agency,' he said. 'We have agreement with the county that city representatives will attend local meetings and be involved in talks with the Army Corps. But the city helps, it's not the lead.'


I have the studio kit with real heads. When the bass beaters hits the head it is so loud, sounds like it's hitting a wall. I can barely hear the bass through the headphones, I just hear the beater hitting the head. Also, there is no recoil at all, again it's like hitting a wall. Can I switch it to a mesh head, or is there a way to makget the impact less noisy and make it recoil like hitting a real bass drum?
I've tried using a drum mute pad, but with the extra padding on top, the trigger won't activate properly.
New Mesh Kits from Alesis, Will a conversion for oldr kits be offered?
Additionally, please keep in mind that electronic kits are a little more fragile than acoustic drums. That being said, you will likely need to dial back your playing style and intensity a little when playing electronic drums.
I bought some silent stroke bass beaters. They don't create nearly as much noise when hitting the head, however they are softer so the bass drum isn't triggering very well. How can I fix this?


text:
Name or call 416-730-9744 (mobile: 647-701-9744)
Headlight Consulting Inc.
Human Factors & Road Safety
Labanowicz v Fort Erie (Town), 2017 ONSC 630 (CanLII) – Human Factors Case Brief
January 27, 2017 August 21, 2018 By mmasliah
mmasliah
Labanowicz v Fort Erie (Town), 2017 ONSC 630 (CanLII)
Labanowicz v Fort Erie (Town), 2017 ONSC 2072 (CanLII)
The plaintiff, Ms. Wanda Labanowicz, was riding as a cyclist on a paved trail in Fort Erie (the Defendant) when she ran into the unmarked sleeve of a bollard. The approximately four foot tall bollard post had been removed and only the 4 inch high sleeve was in place. Ms. Labanowicz was not wearing a helmet and suffered brain injuries.
It was unknown who removed the bollard. Fort Erie did not appear to have a consistent system in place for securing the bollards.
Fort Erie built the trail and due to safety concerns commissioned a report to address the use of bollards at intersections of the trail and local roads. The report stated that it was necessary to implement trail safety measures. These safety measures should include painted diamonds around bollards to mark their location. The Town did paint diamonds around 8 bollards at 9 intersections. Years later, 6 additional bollards were installed but they were not marked with pavement marking diamonds. The Town was unable to explain why different bollards were maintained differently.
Judgment was found in favour of the Plaintiff.
Plaintiff's Human Factors Position
Mr. Tom Smahel presented human factors evidence that the luminosity and conspicuity of the sleeve was low and that a typical cyclist reaction time would not have been sufficient to avoid a collision
Mr. Smahel opined that a cyclist would not have been expecting an unmarked hazard and therefore would not have been looking at the pavement in search of such a hazard.
Defendant's Human Factors Position
Mr. Hart Solomon, a traffic engineer, provided testimony about his experience riding on the trail. When Mr. Solomon rode, he stayed to the right side and did not ride down the middle of the trail, and he maintained a proper lookout for the sleeve.
Judge's Rationale
The judge stated that Mr. Solomon, as a traffic engineer, had only a passing knowledge on human factors and did not have the training, work experience, and education to offer an opinion on some of the human factors issues to which Mr. Smahel directed his testimony. The judge stated that the human factors evidence provided by Mr. Solomon was most unhelpful.
The judge stated that the defence erred by not calling upon a human factors expert.
The judge stated that the defence did not submit any admissible evidence on the issue of the impact the plaintiff's lack of a helmet. The judge also stated that the defense would have been well advised to call upon a bio-mechanical engineer to testify as to the perils of not wearing a bicycle helmet.
Case BriefTagged bollard, collision, cyclist
Anjum v John Doe and State Farm, 2016 ONSC 7784 (CanLII) – Human Factors Case Brief
R. v. Wong, 2017 BCSC 646 (CanLII) – Human Factors Case Brief
Copyright Headlight Consulting Inc. 2017-2020


text:
Teresa Mei Chuc
Study Guide - Red Thread
Keeper of the Winds
How One Loses Notes and Sounds
Poetry Alive!
Libraries & Bookstores
First recording of me playing on my electric violin and reading my poem. It was fun and I'm getting out of my violin playing cave. This means so much to me.
Music by Groakers
Featuring Teresa Mei Chuc on Violin
"I admire this sheep" Poem by Teresa Mei Chuc
i admire this sheep
its intestines wound
up, catgut
i am thinking of
mozart's symphonies
papa john creach
don "sugarcane" harris
violinists playing
on this string, organ
stripped and twisted
once in the stomach
of a sheep
warm and surrounded
by the pumping
of blood
and the beautiful
music it makes
what part
could make
such sounds
the way it
beats on a
my leg bones
for drumming
what sound
could my hair
not strong enough
to be strung
on a bow
By Teresa Mei Chuc
"Cockroaches" by Teresa Mei Chuc (audio)
This poem is based on a true story of Teresa and her brother after the American war in Vietnam.
COCKROACHES
A proposal by someone to my mom
after the Vietnam war: Why don't
you sell your baby, you don't have
anything to eat?
A response by my four-year-old brother:
No, don't sell my sister! There are lots
of cockroaches for us to eat!
When I returned to the country
eighteen years later, I saw them--
large, brown shiny tanks on the wall,
evidence of my brother's love for me.
Pasadena Rose Poets at the City Council Chambers
in 2017 and 2018
Pasadena Rose Poets at the Huntington Library, Art Collections
and Botanical Gardens in December 2017
Teresa Mei Chuc, as a Pasadena Rose Poet, reads two poems about houselessness during the Pasadena City Council meeting at Pasadena City Hall on Monday, November 13, 2017. https://coloradoboulevard.net/pacific-oaks-polytechnic-and-land-use/
Out of Bounds Radio Show - WEOS 89.7 FM & 90.3 FM (Geneva, NY)
& WSKG 89.3 FM (Binghamton, NY)/90.9 FM (Ithaca, NY)
features an interview and poetry reading
with Teresa Mei Chuc
Archive link:
http://outofboundsradioshow.com/shows/teresa-mei-chuc/
Press Release
The Out of Bounds Radio Show with Tish Pearlman
http://outofboundsradioshow.com/
we feature poet/publisher and educator
Chuc was born in Saigon and immigrated to the US under political asylum
with her mother and brother after the Vietnam war. She is a graduate of Goddard
College and is author of two full-length collections of poetry, Red Thread and
Keeper of the Winds. Her most recent collection, and what we'll be
discussing, is a chapbook called How One Loses Notes and Sounds. This beautiful
and powerful collection continues Chuc's exploration of the lasting legacy of
the Vietnam war for her and her family.
Broadcast Dates and Times:
Sat., July 30, 2016 at 3:30 pm: WEOS-FM ( 90.3 & 89.5 Geneva region)
Live Stream: WEOS.org Live Stream
Sun., August 7, 2016 at 11:30 am: WSKG-FM 89.3 Binghamton, 90.9 Ithaca 91.7 Cooperstown/Oneonta, 91.1 Corning/Elmira, 88.7 Hornell/Alfred) WSKG.org Live Stream
Teresa Mei Chuc, Carol J. Painter and Out of Bounds Radio Show host Tish Pearlman
Sound Engineer Nate and Teresa Mei Chuc at the radio station in Ithaca, NY recording for the show Out of Bounds.
Poet E. Ethelbert Miller's Radio Show
ON THE MARGIN (WPFW 89.3 FM)
airing on Thursday, April 21, 2016 at 9 a.m. Eastern
http://wpfwfm.org/radio/
WPFW 89.3 FM
1990 K St NW; Suite 14R Washington, DC 20006
Teresa Mei Chuc and E. Ethelbert Miller (2016)
tricycle: The Buddhist Review
features Teresa Mei Chuc's poems
and her talk on the connection between the creative process
and Buddhism for National Poetry Month
http://tricycle.org/trikedaily/poetry-month-week-2-using-poetry-to-work-through-difficult-subjects/
AWP 2016 Panel - The Asian Face of War,
Teresa Mei Chuc reads her poem, "Agent Blue"
Thursday, March 31, 2016
Teresa Mei Chuc reads her poem, "Agent Orange"
Los Angeles Convention Center
La Palabra at Avenue 50 Studio, Open Mic, Sun., March 20, 2016
Teresa Mei Chuc reads her poem,
"Quan Am on a Dragon"
USC Pacific Asia Museum, Pasadena, California,
Sunday, November 1, 2015 at 2 p.m.
drawn to the light: 2015 So. Cal. Haiku Anthology
Teresa Mei Chuc reads her haiku/senryu
from the anthology.
Teresa Mei Chuc's poem, "Agent Blue," is the featured
Poem of the Month for the month of October 2015
at the Sunland-Tujunga Branch Library Bookstore
in Sunland-Tujunga, California
Teresa Mei Chuc's SoundCloud - Audio Recordings of Poems
https://soundcloud.com/teresa-mei-chuc
Teresa Mei Chuc - Poetry Reading
Center for East-West Cultures and Languages,
Dong Tay Cultural Center
June 12, 2015 at 6 p.m., Hanoi, Vietnam
Teresa Mei Chuc reads from her poetry collections, Red Thread and Keeper of the Winds, as well as new poems at East and West Languages and Cultures Center, Dong Tay Cultural Center, June 12, 2015 at 7 p.m., Thư viện – Cafe Đông Tây, Nhà 11A, Trần Quý Kiên, Cầu Giấy, Hà Nội, Viet Nam.
Literary critic and emcee Phạm Xuân Nguyên introduces Teresa Mei Chuc and Poet Dang Than reads the Vietnamese translations of Teresa Mei Chuc's poems.
https://www.youtube.com/watch?v=KasAKwWL0to
https://youtu.be/F0y3bz888R0
https://www.youtube.com/watch?v=jcwP36iMlFE
2015 San Gabriel Valley Poetry Festival,
Saturday, April 18, 2015 at 3:30 p.m.,
Santa Catalina Branch Library, Pasadena, CA.
Kellogg Writers Series, University of Indianapolis
March 16, 2015, 7:30 p.m. in SC 10
Featuring Teresa Mei Chuc
Youtube link: https://www.youtube.com/watch?v=bNGjIygtW8o
Five poems by Teresa Mei Chuc were translated into Japanese.
Five poems by Teresa Mei Chuc, "Cockroaches," "When I First Saw Daddy," "Grandma (A Hologram)," "The Road," and "Ocean in a Conch Shell," were translated into Japanese by brilliant Japanese Tanka Poet, Mariko Kitakubo.
Listen to the poems in Japanese:
Poetry Film featuring Teresa Mei Chuc's poem, "I took nothing"
Video / animation / digital images by Jutta Pryor.
Written and read by Teresa Mei Chuc.
Soundscape by Masonik.
"I took nothing'' was selected for showing with other Poetry Films in the city of Gijon, Spain
by filmmaker Eduardo Yagüe. The Festival in Gijón (March 19, 20 and 21) is called "Deletréame poesía."
"I took nothing" was selected to be presented in FILE Video Art, part of FILE 2015 -
Electronic Language International Festival. The exhibition was held from June 15 to July 19
at Fiesp Cultural Center - Ruth Cardoso, located at Paulista Avenue, 1313, Sao Paulo, Brazil.
http://file.org.br/videoarte_sp_2015/file-sao-paulo-2015-video-art-5/
LIGHT after DARK - Experimental Film Poetry
Link to film: https://vimeopro.com/pryorart/light-after-dark-experimental-film-poetry-and-sound/video/116822175
La vídeo-poesía llena la capilla del Museo Barjola http://www.elcomercio.es/culturas/libros/201503/20/video-poesia-llena-capilla-20150320001756-v.html
Teresa Mei Chuc reads three poems in Vietnamese:
"Những cái tên" / "Names"
"Trong sự ngợi ca cái không"
"In Praise of Emptiness"
"Khi tôi gặp ba lần đầu"
"When I First Saw Daddy"
www.Poetry.LA - February 8, 2015
http://www.poetry.la/page419.html
Teresa Mei Chuc reads her poetry
at Beyond Baroque in Venice, California
on LA Artstream
Poets Cafe on KPFK 90.7 FM Los Angeles
Poets Cafe KPFK FM 90.7 FM Los Angeles features Poems on Immigration. Two of Teresa Mei Chuc's poems, "Immigration" and "accents," are featured on July 14, 2014. Please click on these links to listen to the poems:
"Immigration"
http://poetscafe.podomatic.com/entry/2014-07-14T10_15_22-07_00
"accents"
KUSP 88.9: Central Coast Public Radio
June 23rd, 2014. Host Dennis Morton reads poems from issues #43 and #44 of Rattle magazine,
including the poem "I Took Nothing" by Teresa Mei Chuc (Rattle #44).
The show also features selections from a CD of Hayden Carruth reading his own poetry.
The CD is titled Hayden Carruth: A Listener's Guide (Copper Canyon Listener's Guides).
Here is the link to the radio show:
http://blogs.kusp.org/poetryshow/2014/06/23/rattle-43-44-carruth-on-cd/
Wake Up and Smell the Poetry, HCAM Television, Hopkinton, MA,
Saturday, June 21, 2014, 10:30 a.m.
Featured poets Teresa Mei Chuc, Elijah Imlay and music duo Ergo Canto. The poems, stories and songs performed are available for viewing on http://www.hcam.tv/wakeup2014 as well as local cable television. The programs can also be accessed on any cable station via Pegmedia through your local cable station director.
Please click this link for a video recording of Teresa Mei Chuc reading poems
from her poetry collections Red Thread and Keeper of the Winds
on June 21, 2014, Wake Up and Smell the Poetry:
http://www.hcam.tv/wakeup2014
COLLEGE OF SOUTHERN MARYLAND, APRIL 4, 2014, 7:30 PM: ROOM BI 103, LA PLATA CAMPUS, CONNECTIONS PRESENTATION:
TERESA MEI CHUC DISCUSSES AND READS FROM HER POETRY COLLECTION RED THREAD.
Video recording of Teresa Mei Chuc's Connections reading at the College of Southern Maryland
http://www.youtube.com/watch?v=qSNMJWb6W4k
Teresa Mei Chuc reads her translation from the Russian of "Giraffe" by Nikolai Gumilev at the open mic portion of the Rattle Reading Series at the Flintridge Bookstore, June 2, 2013.
The poem first appeared in the Spring 2013 issue of Aldus Journal of Translation:
http://www.theartmovement.info/aldus/
Rattle #36 Reading & Release Party on January 15, 2012 at The Church in Ocean Park,
Teresa Mei Chuc reads "Playground" from issue #36 of Rattle and another poem, "Eternity in Gaza."
(click on play button to listen)
On Sunday, January 15th, Rattle held a reading for issue #36 at the Church in Ocean Park, in Santa Monica, CA. Eight poets from the issue read samples of their work. (Click on the link below to hear the reading.):
Teresa Chuc
Alan Fox
Sonia Greenfield
Bruce McBirney
Peg Quinn
Diana M. Raab
Ephraim Scott Sommers
Craig van Rooyen
_http://rattle.com/blog/2012/01/rattle-36-winter-reading/
Teresa Mei Chuc - Goddard College Graduating Student Reading,
January 6, 2012, Plainfield, Vermont
Beyond Baroque: New Poets of the American West Anthology reading, Saturday, March 26, 2011 - Teresa Mei Chuc reads her poems "Names" and "Newton's First Law of Motion" and a poem by Corrinne Clegg Hales titled "Covenant: Atomic Energy Commission, 1950s."
Barnes & Noble Bookstore at Grossmont Ctr in La Mesa, Saturday, November 20, 2010:
New Poets of the American West Anthology Reading
Sandra Alcosser is author of Except by Nature (Greywolf Press, 1988) and A Fish to Feed All Hunger (University of Virginia Press, 1986). She is Montana's first poet laureate and currently teaches in the graduate programs of San Diego State and Pacific University.
Karen An-hwei Lee is author of Ardor (Tupelo Press, 2008) and In Medias Res (Sarabande Books, 2004). She is the recipient of the Kathryn A. Morton Prize and the Norma Farber First Book Award.
Following are various poetry reading recordings of contributing poets of New Poets of the American West Anthology:


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Home Africa Group for Justice and Accountability Africa Group Members Tiyanjana Maluwa
Tiyanjana Maluwa holds the H. Laddie Montague Chair in Law at Pennsylvania State University School of Law. He previously worked as the Legal Counsel of the OAU (later African Union) and, subsequently, as the Legal Adviser to the Office of the United Nations High Commissioner for Human Rights in Geneva, Switzerland.
Prior to joining the African Union, he was Professor of Law at the University of Cape Town and Extraordinary Professor of Law at the University of Pretoria. He has also taught in a full time capacity and as a visiting professor at other universities in Africa and North America, and spent a year (1989) as a Visiting Research Fellow at the Max Planck Institute for Comparative Public Law and International Law in Heidelberg, Germany.
In 1997, he was asked by the United Nations to serve as the Special Rapporteur for Human Rights in Nigeria following the execution of the famed poet-activist Ken Saro Wiwa.
He is the author, editor or co-editor of a number
of books and has published extensively on various aspects of public international law and international organisations. His most recent book is Law, Politics and Rights: Essays in Memory of Kader Asmal (2013).
Since 2005, has been a member of the International Jury of the Stockholm Prize in Criminology. In 2008 and 2009 he served as technical expert to the African Union High-Level Panel on Darfur, chaired by former South African President Thabo Mbeki, and co-edited the Panel's report, Darfur: The Quest for Peace, Justice and Reconciliation.
In July 2015 he stepped down, after eight years in the position, as the founding director of the Penn State School of International Affairs, and as the Associate Dean for International Affairs of the Penn State Law School, a position he had occupied concurrently since 2005, to return to return to full-time faculty.
His teaching and research interests are in the elds of public international law, international human rights law, international criminal justice and international organisations.
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