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package tv.rocketbeans.supermafiosi.screens;

import com.badlogic.gdx.Gdx;
import com.badlogic.gdx.InputAdapter;
import com.badlogic.gdx.scenes.scene2d.Stage;
import com.badlogic.gdx.scenes.scene2d.ui.Label;
import com.badlogic.gdx.utils.Align;

import aurelienribon.tweenengine.Tween;
import aurelienribon.tweenengine.TweenEquations;
import de.bitbrain.braingdx.audio.AudioManager;
import de.bitbrain.braingdx.graphics.pipeline.RenderPipe;
import de.bitbrain.braingdx.graphics.pipeline.layers.RenderPipeIds;
import de.bitbrain.braingdx.postprocessing.effects.Bloom;
import de.bitbrain.braingdx.postprocessing.effects.Vignette;
import de.bitbrain.braingdx.screens.AbstractScreen;
import de.bitbrain.braingdx.tweens.ActorTween;
import tv.rocketbeans.supermafiosi.Colors;
import tv.rocketbeans.supermafiosi.SuperMafiosiGame;
import tv.rocketbeans.supermafiosi.assets.Asset;
import tv.rocketbeans.supermafiosi.ui.Styles;

public class CongratulationsScreen extends AbstractScreen<SuperMafiosiGame> {

	private boolean isFadingOut = false;

	public CongratulationsScreen(SuperMafiosiGame game) {
		super(game);
	}

	@Override
	protected void onCreateStage(Stage stage, int width, int height) {
		super.onCreateStage(stage, width, height);
		AudioManager.getInstance().fadeInMusic(Asset.Music.GAME_WIN_MAIN);
		setBackgroundColor(Colors.BACKGROUND);
		getScreenTransitions().in(1f);
		Label congratulations = new Label("CONGRATULATIONS!\nYOU ARE THE NEW DON!", Styles.LABEL_TOAST);
		congratulations.setSize(Gdx.graphics.getWidth(), Gdx.graphics.getHeight());
		congratulations.setAlignment(Align.center);
		stage.addActor(congratulations);
		Tween.to(congratulations, ActorTween.SCALE, 0.66f)
		     .target(1.3f)
		     .ease(TweenEquations.easeInCubic)
		     .repeatYoyo(Tween.INFINITY, 0)
		     .start(getTweenManager());

		getInput().addProcessor(new InputAdapter() {
			public boolean keyDown(int keycode) {
				isFadingOut = true;
				AudioManager.getInstance().fadeOutMusic(Asset.Music.GAME_WIN_MAIN);
				AudioManager.getInstance().fadeInMusic(Asset.Music.MENU_CHAR_SELECT_INTRO);
				getScreenTransitions().out(new MenuScreen(getGame()), 1f);
				return true;
			};
		});
		setupShaders();
	}

	@Override
	protected void onUpdate(float delta) {
		if (Gdx.input.isTouched() && !isFadingOut) {
			isFadingOut = true;
			getScreenTransitions().out(new MenuScreen(getGame()), 1f);
		}
	}

	private void setupShaders() {
	      Bloom bloom = new Bloom(Math.round(Gdx.graphics.getWidth() * 0.7f), Math.round(Gdx.graphics.getHeight() * 0.7f));

	      bloom.setBaseIntesity(1f);
	      bloom.setBaseSaturation(1.2f);
	      bloom.setBlurAmount(1.0f);
	      bloom.setBloomSaturation(1f);
	      bloom.setBloomIntesity(1.2f);
	      bloom.setBlurPasses(4);
	      Vignette vignette = new Vignette(Math.round(Gdx.graphics.getWidth() / 2f),
	            Math.round(Gdx.graphics.getHeight() / 2f), false);
	      vignette.setIntensity(0.45f);
	      RenderPipe uiPipe = getRenderPipeline().getPipe(RenderPipeIds.UI);
	      uiPipe.addEffects(vignette, bloom);
	}
}

redpajama_set_name: RedPajamaGithub


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Home News Pope Benedict in critical condition
Pope Benedict in critical condition
Former Pope Benedict is suffering from a disease of the nervous system which puts him on a wheelchair regularly.
Hide quoted text
His brother, George Ratzinger, on Thursday said his condition was critical and added that he feared the paralysis could spread to Benedict's heart.
Benedict, a German, who in 2013 became the first Pope in six centuries to resign, said earlier in the month that he was in the last phase of life and on a "pilgrimage toward home". He is 90 years old.
Ratzinger, 94, told the Neue Post that his brother was mentally fit but tired easily.
"The greatest fear is that the paralysis could at some point spread to his heart.
"Then, it could be over quickly," he said, adding that he was praying daily for a "good" death for himself and his brother.
He disclosed that they spoke every day on the telephone, saying "that is a great gift; in this way, no one is alone".
"I very much hope that I can travel one more time to Rome to celebrate the 91st birthday of my brother on April 16.
"But that is a long time away; who knows what will happen by then," Ratzinger said.
Since resigning, Benedict has been living in a former convent in the Vatican gardens and makes only rare public appearances.
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redpajama_set_name: RedPajamaCommonCrawl


text:
Posts Tagged "mental illness"
Why the Mix of Disabilities is Changing
The mix of disabilities for people receiving federal disability insurance has changed in important ways that often reflect trends in the health of the population as a whole.
Two disabling conditions that have become a growing share of Social Security's benefit awards in recent decades are mood disorders and various musculoskeletal problems, which include arthritis and back pain.
First, consider mood disorders. They range from depression and bipolar disorder to irritability and seasonal affective disorder, and they can hamper someone's ability to work. Mirroring the rising share of awards for mood disorders, their prevalence in the population has edged up from 54.6 percent of adults in 1997 to 56.2 percent in 2017, according to a study by Mathematica, a research organization.
Second, disability awards to people with musculoskeletal problems like arthritis and back pain have increased dramatically. These conditions are often aggravated by carrying excess weight, so the rise in cases aligns with the researchers' estimate that the adult obesity rate has surged from about 20 percent to 31 percent.
But a related finding about musculoskeletal conditions is more difficult to explain. Despite the growth in disability awards involving these conditions, the share of the population afflicted by them – about a third – hasn't changed much, according to the study, which was conducted for the Retirement and Disability Research Consortium.
The researchers found one clue to this apparent contradiction in a separate analysis indicating that this population's ability to work may be deteriorating over time. …Learn More
tags arthritis|bipolar disorder|cognitive decline|depression|disability benefits|disability insurance|health|loneliness|lonely|mental health|mental illness|mood disorders|musculoskeletal|obesity|SAD|seasonal affective disorder|social isolation|Social Security
Some with Severe Mental Disability Work
People with intellectual disabilities, autism, or schizophrenia have high rates of unemployment. But a new study finds that some can find part-time or even full-time jobs with the help of coaches funded by the government.
Having a coach doesn't guarantee that a person with a disability will get a job. But in a 2019 study, the people who received this support "were significantly more likely to become employed" than those who did not get the help, according to researchers for the Retirement and Disability Research Consortium.
To get and keep these jobs requires a lot of personal attention. The federal-state Vocational Rehabilitation program provides coaches – often at non-profits – who find the right jobs for their clients and then act as a liaison to smooth out the bumps and guide the employer-employee relationship.
Because the cognitive disabilities of the individuals in the study varied so much, the researchers broke them out into nine groups, based on their specific disabilities, education levels, and likelihood of benefitting from the program. In all but one of the nine groups, the people who received support had significantly higher employment rates than those who did not receive the help.
Between a third and half of the people with coaching support had a job, the researchers found. Among the people who did not receive any support, employment rates were as low as one in four. …Learn More
tags autism|disability|employment|intellectual disability|jobs|mental illness|schizophrenia|Social Security|Vocational Rehabilitation program
Recessions Hit Depressed Workers Hard
Anyone who's suffered through depression knows it can be difficult to get out of bed, much less find the energy to go to work. Mental illness has been on the rise, and depression and myriad other symptoms get in the way of being a productive employee.
So it's not surprising that men and women with mental illness are much less likely to be employed than people who have no symptoms. But the problem gets worse in a recession.
In 2008, the first year of the Great Recession, the economy slowed sharply as 2.6 million workers lost their jobs. During that time, people who suffered from mental illness left the labor force at a much faster pace than everyone else, according to a new study from the Retirement and Disability Research Consortium.
The researchers compared average labor force participation, as reported in the National Health Interview Survey, for three periods. Two periods of consistent economic growth bracketed a period that included the onset of the Great Recession: 1997-1999, 2006-2008, and 2015-2017.
Labor force participation for people with no mental illness dipped less than 1 percent between the late 1990s and the period that included the recession. By 2015-2017, roughly three out of four of them were still in the labor force – only slightly below pre-recession levels.
Contrast this relative stability to large declines in activity for people with mental illness – the more severe the condition, the steeper the drop. Participation fell 17 percent among people with the most severe forms of mental illness between the late 1990s and the period that included the recession. By 2015-2017, only 38 percent of them remained in the labor force – well below pre-recession levels. …Learn More
tags anxiety|bipolar disorder|COVID-19|depression|Great Recession|jobs|labor force participation|layoffs|mental illness|pandemic|panic attack|psychology|recession|unemployment
Financial Survival of Low-Income Disabled
A monthly disability check from the federal government is a lifeline for poor and low-income persons with disabilities, but they still face a daily struggle to meet their basic needs and cover their expenses.
In in-depth interviews, 35 low-income people in Worcester, Massachusetts, described how they make ends meet on the disability benefit they get from Social Security, which averages $912 a month and is their largest source of income. Another $300 comes from other forms of public assistance, family support, or minimum-wage jobs, according to a new issue brief by Mathematica's Center for Studying Disability Policy.
The daily struggles that each individual faces are as unique as they are. Here are a few excerpts from the study:
"My rent is subsidized. Plus I work 20 hours a week which is pretty good. I bring home more than one hundred something dollars a week and I get a few dollars in food stamps. So it's okay."
"I'm stringing it, managing it, and just barely staying above water. I've been treading that water for a long time."
"My situation is challenging. I sometimes just don't have enough coming in to make what's going out."
Three out of four people in the study told interviewers that they find it very difficult to pay for their housing, food and other basic expenses. A bright spot is that people on federal disability insurance (DI) are also covered by Medicare and/or Medicaid and spend very little on medical care. "I'm getting everything I need," one individual said about her healthcare. …Learn More
tags disability|food insecure|homeless|low income|Medicaid|mental illness|poor|Social Security


New A/C unit, shingles and rubber roof installed in 2011.
This is a 2 bedroom 2 bath home. The kitchen has plenty of cabinets and counter top space. This home has an open living and dining room, inside laundry, and a breakfast nook. There is a screen room under the carport.


If you're looking for high quality horses and personal service, you've come to the right place. At Luton Training Center we offer a wide range of services for the horse and rider and we'll give you the attention you'll come to expect and enjoy. We offer horseback riding lessons for the beginner to the advanced rider . Luton Training Center has been located in Williamston since 2003 and in business for over 20 yrs. Let us put our experience to work for you.


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Miejscowości i ich części w Polsce
 Wg TERYT jest ich 3, w tym 2 podstawowe
 Kietlice – przysiółek wsi Owiesno w woj. dolnośląskim, w pow. dzierżoniowskim, w gminie Dzierżoniów
 Kietlice – wieś w woj. opolskim, w pow. głubczyckim, w gminie Głubczyce
 Kietlice – osada w woj. warmińsko-mazurskim, w pow. węgorzewskim, w gminie Węgorzewo

redpajama_set_name: RedPajamaWikipedia


text:
DAY TWO of six week road closure sees highway crews continue huge task of urgent resurfacing work
Crews removed over 500 metres of old road surface on day one
Matthew Calderbank
Road crews are braving the elements as they continue the mammoth task of resurfacing the A4173 this morning, as the road closes for day two of the six-week upgrade.
Day two of 42 will see road crews continue urgent resurfacing works on the busy commuter route, between Gloucester and Stroud.
The road is now closed to all through traffic
Moan about potholes, moan about roadworks: Your reaction to SIX WEEKS of resurfacing work
Yesterday, the Highways team removed 500 metres of old road surface, whilst the road was closed to traffic between 7.30am and 5.30pm.
Road crews removed 500 metres of old surface yesterday
More than five miles of the A4173, between Whaddon and the A46, will be closed for six weeks to allow urgent surface repairs to be made to the busy route.
The A4173, a major commuter route between Gloucester and Stroud, was identified by the Department of Transport (DfT) as one of the county's major roads in urgent need of investment to improve safety and road conditions.
Mobile speed locations for Gloucestershire in April
Highways teams have been working on the road since January as part of Gloucestershire County Council's £150 million promise to upgrade the county's highways.
Extensive repairs to drainage and vegetation clearance has already been carried out.
Rush-hour collision between car and motorcyclist causing heavy traffic on major road
For the next six weeks, the county council's highway maintenance teams will be using 6,425 tonnes of hard-wearing asphalt, with high skid resistance, to improve the safety of the essential route.
Improvements will also be made to signage and road lining, as well as two existing mini-roundabouts in Brookthorpe.
40 potholes in 150 yards in 'Gloucestershire's worst road"
When will work take place?
Work begins today, Tuesday, April 10 and will continue until Wednesday, May 23.
Know the law on leaving kids in the car at petrol stations
Will the road be closed?
The road will be closed between the A46 junction and Whaddon (Grange Road junction) from 7.30am to 5.30pm daily for the duration of the scheme.
But the road will be open to traffic on weekends and the early May bank holiday.
A417 stories
Backing for £500m superhighway
'We don't want Cotswold motorway'
A417 as you've never seen it
When work begins
There will be no through-traffic access during working hours and a signed diversion suitable for HGVs will be in place.
The road closure will be lifted each evening at 5.30pm.
Gloucester City Centre


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Gazing... Unseeing
© Mohamed Abdelkarim
Gazing... Unseeing by Mohamed Abdelkarim
NLD, EGY 2021, Forum Expanded
Gazing… Unseeing speculatively envisions a dystopian future scenario of an Egyptian city post-disaster. Floods have taken over the West Sahara, setting off a string of corporate and governmental measures to control the rioting population. The film is based on an interview with an imagined fugitive. Through different positions, ideological turns, and questions on economic sovereignty, the interview imagines the future of the greens', governments', and private sectors' relations to infrastructure, privatization, ecology, surveillance, and migration.
by Mohamed Abdelkarim
with Mohamed Ali Bakr Netherlands / Egypt 2021 Arabic 8' Colour
Mohamed Ali Bakr
Written and Directed by Mohamed Abdelkarim
Cinematography Mohamed Abdelkarim
Music Mohamed Abdelkarim
Casting Mohamed Ali Bakr
Producer Mohamed Abdelkarim
Mohamed Abdelkarim
The director was also in charge of script, camera, music and production of his film.
Gazing... Unseeing · Forum Expanded · Feb 11, 2022
Mohamed Abdelkarim is a performance-oriented artist and researcher. He produces texts and images that embody the forms of poetry, scripts, sound, and video. Employing and reflecting on performative acts like narrating, singing, dancing, detecting, and doing, his work is concerned with the performance of renegades in a time of crisis, complicating the relationship between geography, landscape, and speculation.
2007 Gulf Daytime; 6 min. 2010 Virtual Conflict; 8 min. 2012 Conspiracy Exceeds; 5 min. 2013 External Rotation; video installation, 7 min. · Comparison Of Appearance; 17 min. 2014 His Highness' History; 6 min. 2021 I Almost Forgot The Roving Body...Let's Call It The Future; 7 min. · Gazing... Unseeing


text:
Gina McIntyre
Stranger Things: Worlds Turned Upside Down
The Official Behind-the-Scenes Companion
Buch (gebundene Ausgabe, Englisch)
NEW YORK TIMES BESTSELLER • The official behind-the-scenes companion guide to the first two seasons and beyond, featuring exclusive color photos and stunning concept art.
Note: This book has been designed to mimic a used book. The marks, scuffs, and tears on the cover and pages are an intentional design element.
Stranger things have happened. . . .
When the first season of
Stranger Things debuted on Netflix in the summer of 2016, the show struck a nerve with millions of viewers worldwide and received broad critical acclaim. The series has gone on to win six Emmy Awards, but its success was driven more than anything by word of mouth, resonating across generations. Viewers feel personal connections to the characters. Now fans can immerse themselves in the world—or worlds—of Hawkins, Indiana, like never before. Inside you'll find
• original commentary and a foreword from creators Matt and Ross Duffer
• exclusive interviews with the stars of the show, including Millie Bobby Brown, Finn Wolfhard, and David Harbour
• the show's earliest drafts, pitches to Netflix, and casting calls
• insights into the Duffers' creative process from the entire crew—from costume and set designers to composers and visual-effects specialists
• deep dives into the cultural artifacts and references that inspired the look and feel of the show
• a map of everyday Hawkins—with clues charting the network of the Upside Down
• the Morse code disk Eleven uses, so you can decipher secret messages embedded throughout the text
• a look into the future of the series—including a sneak preview of season three!
Adding whole new layers to enrich the viewing experience, this keepsake is essential reading for anyone and everyone who loves
Stranger Things.
Gina McIntyre is a veteran entertainment journalist who has covered movies, TV, and music for the
Los Angeles Times,
The Hollywood Reporter, and
Entertainment Weekly. She is the author of
Guillermo del Toro's The Shape of Water: Creating a Fairy Tale for Troubled Times and
The Art of Ready Player One. Her writing has also appeared in
Rolling Stone online. She lives with her husband and daughter in Riverside, Illinois.
Matt Duffer and
Ross Duffer are film and television writers, directors, and producers, as well as twin brothers. They are the creators of
Stranger Things, which has won five Emmys as well as awards from the Producers Guild of America and the American Film Institute.
It's one of the most eye-popping displays of Eleven's amazing powers: as the young heroes are pursued by Brenner and his "bad men" through the streets of Hawkins, the gifted girl stares down a white van coming straight toward Mike and her and sends it soaring overhead. The vehicle crashes to the street below, blocking the pursuers' path and allowing the kids to escape. Special effects coordinator Caius Man explains how he helped Eleven make the van fly:
"From our standpoint, it really wasn't that supremely complicated. A flying car is a flying car. There were some unusual aspects to that because of the unnatural way they wanted it to fly, where it lifted sort of straight up and then tipped forward, so it took a little engineering. But it worked when we did it.
"We actually physically fired a van. We towed one down the street, and the van had in it two nitrogen cannons, two nitrogen sleeves that fired a high-density plastic slug out of the bottom of them to push it up into the air. One was just hitting a little harder than the other, which is what resulted in it going end over end the way it was supposed to.
"We built a small test in our shop. Basically, we built a plywood van with a couple of pneumatic cylinders, and we hopped it around the shop a bunch of times and were satisfied that it was going to function. [The Duffers]
wanted to see a full-size version of it to make sure that we could get it sufficiently high [so that they] could composite the children on the bicycles underneath it. What we did is, we shot it in the air, and then we had the kids ride down the street with the camera in the same position. Then we just cropped the two images together. We didn't shoot the van over kids. That would be insane.
"We took it to a parking lot—a similar van, not exactly the same van—to a parking lot at Screen Gems, at our studio, and shot it. It launched, and everybody was excited. It landed exactly where I told them it was going to land, and pretty much everything was as it should be. On the day, we pointed three cameras at it, and we had a camera in the middle of the street that was aimed straight at it. It was the POV of the kids, and we fired it up over the camera. The first time we did it, we had a mechanical flaw. Instead of jumping up in the air, the front end jumped up and not the back, and it shark-attacked the camera in the middle of the street and destroyed it. So that didn't work as well as we would've liked.
"It turned out to be a mechanical failure in a part that we replaced. The body shop fixed up the bumper in a couple of days, and we shot it again two weeks later. It was flawless and beautiful. As Shawn [Levy] described it, the gag's so nice, we did it twice."
26.1/18.7/3 cm
farbige Abbildungen
Versandfertig innert 1 - 2 Werktagen Versandkostenfrei
von einer Kundin/einem Kunden aus Zürich am 17.11.2018
Ich liebe dieses Buch!! Ich kann es an jedem empfehlen, der Stranger Things mag/liebt. Es hat so viele Bilder und spannende Geschichten! Ich bewerte es von 100/100 ! weniger


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Screaming crowds as Love Island star visits Cambridgeshire nightclub
The reality star made sure to pay a visit to the Nando's first
Nicola Gwyer
A Love Island star was greeted by a crowd of screaming fans as he made an appearance in a Cambridgeshire nightclub last night.
Jordan Hames, who caused a stir in the villa this year during his relationship and break up with girlfriend Anna Vakili, did a PA in Red Room, Peterborough, last night (August 15).
Jordan visited the RnB nightclub on A-level results night and shouted to crowds "give me some noise if you're going to uni next year".
It was his first ever visit to the city, but he made sure to stop off at the Nando's before he went to the club.
On his Instagram story he said: "Yo I'm just on my way to Red Room Peterborough.
"Never been to Peterborough in my life to be fair but if you're about, pull up."
Jordan Hames was in the Love Island villa this year (Image: ITV)
He then posted a video of his meal in Nando's before he posed in front of a poster of himself in the RnB club with the caption "ready for Peterborough".
Screaming crowds then greeted the reality star as he stood on stage in Redroom.
He shouted out to fans: "Give me some noise if you're going to uni next year.
"Okay give me some noise if you've just come here to get absolutely steaming".
County braces for sub-zero temps
Shock after friend 'never came home'
Manhunt for 'burglars'
Woman's food poisoning hell


If this program was the least bit complicated I don't think I could handle it (data overload!).
But, this program, adCause, simply hooks up advertisers with Twitter users (called Publishers).
It looks to me like "the more influence you have on Twitter, the more money you will make".
I found the FAQ link on adCause to be particularly helpful and all I needed to know was covered.
What is 30 + 19 ?


text:
(CHANGE) Your home city is
keep connected to the great talent around you
*Search results based on 100km radius
Loreena McKennitt is well known as a composer and singer. In a recording career spanning more than two decades, Ms. McKennitt's 'eclectic Celtic' music has received critical acclaim world-wide, and gold, platinum and multi-platinum sales awards in 15 countries across four continents. To date, she has sold over 14 million albums with a catalogue that includes seven studio recordings, three seasonal recordings, a live in-concert DVD and two DVD documentaries. She's won two Junos, Canada's premiere music award, garnered two GRAMMY® nominations and has performed for Her Majesty Queen Elizabeth II.
Less well known is the fact that Ms McKennitt is a highly successful businesswoman who has created an independent record label with celebrated international success.
Roy Thomson Hall and Rubin Fogel Productions present: Loreena McKennitt "Lost Souls Tour" at Roy Thomson Hall
Multi-award-winning Canadian singer-songwriter and musician Loreena McKennitt returns to Toronto as a part of her 2019 Lost Souls Tour.
Loreena McKennitt's eclectic Celtic blend of pop, folk and world music has sold over 14 million albums worldwide. Her recordings have achieved Gold, Platinum and multi-Platinum status in 15 countries on four continents. She has twice been nominated for a Grammy Award and has won two JUNO Awards, as well as a Billboard International Achievement Award.
Loreena will be accompanied by fellow musicians Brian Hughes on guitars, oud and Celtic bouzouki, Caroline Lavelle on cello, Hugh Marsh on violin, Dudley Philips on double bass and Robert Brian on drums.
At Roy Thomson Hall, each ticket holder will receive a CD copy of the unreleased Loreena McKennitt Live at The Royal Albert Hall.
https://www.roythomsonhall.com/tickets/loreena-mckennitt/
Loreena McKennitt "Lost Souls" Grand Théâtre de Québec, à Salle Louis-Fréchette COMPLET
Avec, entre autres, ses 14 millions d'albums vendus à travers le monde, ses 2 prix Juno et ses 2 nominations aux prix Grammy, l'artiste canadienne n'a plus besoin de présentation!
Le 29 octobre prochain, elle renouera avec son cher public de Québec alors que sa tournée Lost Souls fera un arrêt dans la capitale nationale.
Laissez-vous séduire par sa magnifique musique celtique aux rythmes pop, folk et des musiques du monde. Réservez sans tarder!
Lors de l'entrée au Grand Théâtre, chaque détenteur de billet recevra une copie du nouveau disque inédit, Loreena McKennitt Live at The Royal Albert Hall.
Loreena McKennitt at Southam Hall (NAC)
Upon arrival at Southam Hall, each ticket holder will receive a CD copy of the unreleased Loreena McKennitt Live at The Royal Albert Hall
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http://www.theaterjones.com/images/large/l_770629115154.jpg~!~James Ijames~!~Courtesy NNPN~~~http://www.theaterjones.com/images/large/l_770629115144.jpg~!~Lisa Langford~!~Courtesy NNPN~~~http://www.theaterjones.com/images/large/l_770629115136.jpg~!~Jonathan Norton~!~Courtesy NNPN
Kitchen Dog to Cross Pollinate
In a National New Play Network pilot program, KDT and two other theaters will send a local play to another city for development. Jonathan Norton will go to Philly; we get Cleveland's Lisa Langford.
by Mark Lowry
published Thursday, January 11, 2018
Photo: Courtesy NNPN
Lisa Langford
Jonathan Norton
James Ijames
Dallas — As the new play game heats up in Dallas-Fort Worth, Kitchen Dog Theater—which has been invested in new plays for two decades—is taking it to another level. Specifically through a National New Play Network pilot program called Cross-Pollination. For the first year, three NNPN Core Member theaters will send an unproduced play by a local playwright for development in another city. For the first year, the companies are Kitchen Dog Theater, Cleveland Public Theatre, and Philadelphia's InterAct Theatre Company.
It may not have been by design, but it's fantastic that the three playwrights in the first year—Jonathan Norton of Dallas, Lisa Langford of Cleveland, and James Ijames of Philadelphia—are writers of color. The developmental readings/workshops will happen in 2018; Kitchen Dog gets Lisa Langford's Rastus & Hattie, to be read in KDT's 20th New Works Festival. Norton's A Love Offering is in Philadelphia in May; and Ijames' history of walking will be in Cleveland this month.
Below is the complete news release:
Funded by a National New Play Network (NNPN) Collaboration Fund Grant, Core Member Theaters Cleveland Public Theatre, InterAct Theatre Company (Philadelphia, PA) and Kitchen Dog Theater (Dallas, TX) have embarked on a groundbreaking playwright exchange project called Cross-Pollination. Through Cross-Pollination, theaters with shared aesthetics and missions identify plays grown in their own backyards poised for larger prominence, pairing their local playwrights with a theater sharing their artistic values. Each theater works with a playwright outside its sphere of influence; each playwright develops a relationship with a producing organization to which they otherwise wouldn't have been able to connect. The result is an immediate, meaningful artistic connection between theaters and artists that transcend state lines and logistical limits. For the pilot year of the program, the following pairings have been arranged: James Ijames and his play history of walking (from InterAct Theatre Company) will go to Cleveland Public Theatre in January; Jonathan Norton and his play A Love Offering (from Kitchen Dog Theater) will go to InterAct Theatre Company in May; and Lisa Langford and her play Rastus & Hattie (from Cleveland Public Theatre) will go to Kitchen Dog Theater in June.
"NNPN was founded twenty years ago to create a pipeline that would enable new play theaters to share the works of the writers they knew and loved with each other across markets," says NNPN Executive Director Nan Barnett. "It seems perfectly wonderful to me that as we celebrate the creation of this organization that has radically altered the way that new plays are discovered, developed, produced, and propagated in America, we are supporting in a new way the very thing that brought us together in the beginning – the desire to collaborate and introduce new play theater-makers to new communities across the country."
CPT Executive Artistic Director Raymond Bobgan says, "The Cross-Pollination initiative is providing a rare and valuable opportunity for CPT to deepen our relationships with sister theatres – organizations and artists sharing a lot of the same values as CPT. It is not only helping us develop our own work, but the initiative is also introducing us to playwrights, and new ways of approaching play development. So much can be learned from intersections of artistic communities – and we can't wait to see how this program will impact our work and the work of playwrights we serve."
"As a founding member of NNPN, we are thrilled to be piloting a new program dedicated to creating opportunities for local playwrights," says InterAct Producing Artistic Director Seth Rozin. "InterAct has long been committed to nurturing local talent through our Core Playwrights program. With Cross-Pollination, we're fostering an exciting exchange with like-minded theaters in other cities, so that we can begin to get to know playwrights in other communities, and vice versa."
Kitchen Dog Co-Artistic Director Tina Parker adds, "The potential of this collaboration project is extraordinary. Kitchen Dog is not only able to launch one of our talented local writers into a new market, but we are also able to personally learn new ways to develop/support/share new work within our own organization, as we observe first-hand our NNPN brothers and sisters at work in the rehearsal room. It's so easy to get siloed into a pattern of working - it will be exciting for us to shake things up and expand the possibilities we can create, both in our own houses and together across state lines."
ABOUT THE PLAYWRIGHTS
James Ijames - James Ijames is a Philadelphia based performer and playwright. James' plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon, The National Black Theatre, and Ally Theatre. James is the 2011 F. Otto Haas Award for an Emerging Artist recipient, a 2011 Independence Foundation Fellow, a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHATE and a 2017 recipient of the Whiting Award. James is a founding member of Orbiter 3, Philadelphia's first playwright producing collective. James is Assistant Professor of Theatre at Villanova University and resides in South Philadelphia.
Lisa Langford - A graduate of Harvard University, Lisa Langford is an actress and playwright. Her plays have appeared at Cleveland Public Theatre (The Art of Longing, InCogNegro, and The Bomb) and convergence-continuum (Outside/In: The Fattening House and The Split Show). Lisa has also been a copywriter, a journalist, and a member of the creative team that launched the late Dr. Maya Angelou's greeting card line. She is a member of Zeta Phi Beta Sorority, Inc.
Jonathan Norton -Jonathan's work has been produced or developed by Dallas Theater Center, PlayPenn, Pyramid Theatre Company, Black and Latino Playwrights Conference, Bishop Arts Theatre Center, Castillo Theatre, Soul Rep Theater Company, African American Repertory Theater, and South Dallas Cultural Center. Jonathan's play Mississippi Goddamn was a Finalist for the Harold and Mimi Steinberg/ATCA New Play Award and won the 2016 M. Elizabeth Osborn Award given by the American Theatre Critics Association. Other awards include: Artistic Innovations Grant from the Mid-America Arts Alliance, SDCC Diaspora Performing Arts Commission, and the TACA Donna Wilhelm Family New Works Fund. His play, penny candy, will receive its world premiere at the Dallas Theater Center in Fall 2018. http://www.nortonscriptworks.com
ABOUT THE PLAYS
As part of the Cross-Pollination process, these yet-to-be produced new plays will have developmental workshops and, in some instances, a public staged reading at their host theater, with both the playwright and an artistic leader from their local theater present. Exact dates and times for these events are TBD.
history of walking by James Ijames: A presidential election. Terrorists falling in love. The water's rising. How are we gonna live with it? A play about violence and compassion at the end of the world. Workshop scheduled for January 2018 at Cleveland Public Theatre
A Love Offering by Jonathan Norton: T'Wana Jepson has been knocked around. Scratched. Kicked. Punched. Bitten. And called every dirty word in the book. It comes with the territory as a minimum-wage earning nurse's aide caring for patients with Alzheimer's and dementia. Nothing new. But when T'Wana is attacked by the resident in E 204, something happens that threatens the world she's tried very hard to rebuild. Workshop scheduled for May 2018 at InterAct Theatre Company
Rastus and Hattie by Lisa Langford: Needra and Marlene enjoy a perfect post-racial friendship until two problematic Black robots make them confront their ideas about race. Workshop scheduled for June 2018 at Kitchen Dog Theater
ABOUT THE THEATERS
Cleveland Public Theatre - Cleveland Public Theatre's mission is to raise consciousness and nurture compassion through groundbreaking performance and life-changing education programs. CPT develops new, adventurous work, and nurtures Northeastern Ohio artists — particularly those whose work is inventive, intelligent, and socially conscious. CPT's acclaimed education programs engage underserved youth and adults in creating new works that speak to contemporary issues, and empower participants to work for positive change in the community. cptonline.org
InterAct Theatre Company - Celebrating its 30th Anniversary, InterAct Theatre Company is a theatre for today's world, producing new and contemporary plays that explore the social, political, and cultural issues of our time. Founded in 1988 by Producing Artistic Director Seth Rozin, InterAct seeks to entertain audiences by producing world-class, thought-provoking productions, and to use theatre as a tool to foster civic discourse. Interacttheatre.org
Kitchen Dog Theater – Now in its 27th season, Kitchen Dog Theater (KDT) has established itself as one of the leading theaters in the region, boasting a 40-member artistic company of top local talent. A place where questions of justice, morality, and human freedom can be explored, KDT's mission is to challenge moral and social consciences, and invite audiences to be provoked, challenged, and amazed through its critically-acclaimed productions. A staunch champion of new work, KDT is a founding member of the NNPN, producing timely, exciting plays that may have otherwise never been seen in Dallas. kitchendogtheater.org
About the National New Play Network (NNPN)
National New Play Network (NNPN) is the country's alliance of non-profit professional theaters dedicated to the development, production, and continued life of new plays. Since its founding in 1998, NNPN has supported more than 250 productions nationwide through its innovative National New Play Network Rolling World Premiere program, which provides playwright and production support for new works at its Member theaters. Additional programs - its annual National Conference, National Showcase of New Plays, and MFA Playwrights Workshop; the NNPN Annual and Smith Prize commissions; its residencies for playwrights, producers and directors; and the organization's member accessed Collaboration, Festival, and Travel banks and online information sessions - have helped cement the Network's position as a vital force in the new play landscape. NNPN also strives to pioneer, implement, and disseminate ideas and programs that revolutionize the way theaters collaborate to support new plays and playwrights. Its most recent project, the New Play Exchange, is changing the way playwrights share their work and others discover it by providing immediate access to information on more than 16,500 new plays by living writers. NNPN's 30 Core and 75 Associate Members - along with the more than 250 affiliated artists who are its alumni, the thousands of artists and artisans employed annually by its member theaters, and the hundreds of thousands of audience members who see its supported works each year - are creating the new American theater. nnpn.org | newplayexchange.org


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To cause; to make; -- with an infinitive.
To bring to an end by action; to perform completely; to finish; to accomplish; -- a sense conveyed by the construction, which is that of the past participle done.
To act or behave in any manner; to fare, or to be in a state with regard to sickness or health; to succeed or accomplish a purpose; to fit, beadapted, or answer the design in view. To have to do with, to have concern or business with; to deal with; to have carnal commerce with. Do is used for a verb, to save the repetition of it; in the imperative, to express an urgent request or command; as an auxiliary, in asking questions; and also to express emphasis.
To bring about; to produce, as an effect or result; to effect; to achieve.
To perform, as an action; to execute; to transact to carry out in action; as, to do a good or a bad act; do our duty; to do what I can.
To make ready for an object, purpose, or use, as food by cooking; to cook completely or sufficiently; as, the meat is done on one side only.
To cheat; to gull; to overreach.
To see or inspect; to explore; as, to do all the points of interest.
To cash or to advance money for, as a bill or note.
To cause; to make; - with an infinitive.
To bring to an end by action; to perform completely; to finish; to accomplish; - a sense conveyed by the construction, which is that of the past participle done.
To perform work upon, about, for, or at, by way of caring for, looking after, preparing, cleaning, keeping in order, or the like.
To deal with for good and all; to finish up; to undo; to ruin; to do for.
To perform; achieve; bring about; make ready for some object or purpose; colloquially, to cheat.
To perform any action: to bring about or effect: to accomplish or finish: to prepare: to put or bring into any form or state. - TO DO ON, to don or put on; TO DO OFF, to doff or put off; TO DO AWAY, to remove or destroy; TO BE DONE FOR, to be defeated or ruined.
To act; perform; effect; finish.
To bring to accomplishment; perform; execute; effect; transact; finish.
To act or behave in any manner; to conduct one's self.
To fare; to be, as regards health; as, they asked him how he did; how do you do to- day?
To succeed; to avail; to answer the purpose; to serve; as, if no better plan can be found, he will make this do.
To act or behave:- pr. p. doing; pa. t did; pa. p. done ( dun).
To fare or get on, as to health: to succeed: to suit or avail.
To act; be about; fare; succeed; answer a purpose.
To conduct oneself; fare, as in health.
To answer the purpose; suffice.
Or auxiliary, to perform; to execute; to practise; to perform for the benefit or injury of another; to observe; to exert; to transact; to finish; to execute and bring to a conclusion; to take a step or measure; to answer the purpose; to make or cause. To have to do, to have concern with. To do with, to dispose of; to make use of; to employ; to gain; to effect by influence; to have business; to deal. To do away, to remove; to destroy.
To act; to practise; to perform; to achieve; to succeed; to fulfil a purpose; to finish or end, as, " I have done with the book;" to cease to be concerned, as, " I have done with him;" in Scrip., to make, as, " we do you to wit," that is, " we make you to know;" put into the form of, as, " done into verse;" to fare; to be in a state in regard to health.
Ado; bustle; stir; to do.
The first of the syllables used in the musical scale; the tone C.
The first or C note in the scale.
In music, the Italian name for the first or C note in the scale.
Pronounced as if written, an abbreviation of ditto, which see.


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Woman Killed in Huntington Beach Motorcycle Accident
Meghan Wautlet, 22, was killed in a motorcycle accident in Huntington Beach after officials say the motorcycle on which she was a passenger collided with another vehicle.
According to a City News Service report, the crash occurred the night of Sept. 11 on Pacific Coast Highway between Warner Avenue and the entrance to the Bolsa Chica State Beach. Wautlet was pronounced dead at the scene.
A preliminary investigation shows Wautlet was a passenger on a 2019 Harley Davidson Street Bob driven by 21-year-old John Murray III when it collided with a 2015 Mazda CX-5. Murray sustained significant injuries was transported to a hospital, police said. Investigators said the motorcycle was going south on PCH when it struck the Mazda as it was completing a legal U-turn from the northbound side of PCH to the southbound lanes.
Based on their preliminary investigation, police say the motorcycle may have been traveling at a high rate of speed. The driver of the Mazda, a 41-year-old Beaumont woman, remained at the scene. Drugs or alcohol were not factors in the crash, police said. Anyone who witnessed this fatal crash is asked to call Huntington Beach police at 714-536-5670 or 714-536-5231.
We offer our deepest condolences to the family members of Meghan Wautlet for their tragic and heartbreaking loss. Please keep them in your thoughts and prayers.
Based on this news report, this fatal crash is still under investigation and a number of details remain unclear. A number of such crashes involving motorcycles and vehicles occur when other drivers are making left turns or U-turns at intersections because they fail to see the oncoming motorcycle. In such cases, the drivers can be held liable for injuries caused to the motorcyclists and their passengers.
If the accident was the motorcyclist's fault, his or her passenger can seek compensation from the motorcyclist's insurance company. In the case of a fatal crash, the family members of the deceased victims can file what is known as a wrongful death lawsuit seeking compensation for damages such as medical expenses, funeral costs, lost future income, pain and suffering, and loss of love, care and companionship. An experienced Huntington Beach motorcycle accident attorney will stay on top of the official investigation and make sure victims' and their families' rights are protected.
Source: https://www.latimes.com/socal/daily-pilot/news/story/2021-09-13/coroner-identifies-woman-killed-in-huntington-beach-motorcycle-crash
Updated: October 25, 2021 1:25 pm


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New details call into question the state of the nearly-new Lion Air aircraft that crashed into the sea, killing all 189 people on board.
One day before Monday's Lion Air aircraft crash, the plane's pilot had made a so-called Pan-Pan call, an alert signal just one step below a Mayday.
The aircraft was reportedly flying erratically, with unreliable airspeed and altitude readings.


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VII. INFORMATION ABOUT LEGAL SERVICES
Rule 7.01. Firm Names and Letterheads
(a) A lawyer in private practice shall not practice under a trade name, a name that is misleading as to the identity of the lawyer or lawyers practicing under such name, or a firm name containing names other than those of one or more of the lawyers in the firm, except that the names of a professional corporation, professional association, limited liability partner-ship, or professional limited liability company may contain 'T.C .,""P.J.L.," "L.L.P.," "P.L.L.C.," or similar symbols indicating the nature of the organization, and if otherwise lawful a firm may use as, or continue to include in, its name the name or names of one or more deceased or retired members of the firm or of a predecessor firm in a continuing line of succession. Nothing herein shall prohibit a married woman from practicing under her maiden name.
(b) A firm with offices in more than one jurisdiction may use the same name in each jurisdiction, but identification of the lawyers in an office of that firm shall indicate the jurisdictional limitations on those not licensed to practice in the jurisdiction where the office is located.
(c) The name of a lawyer occupying a judicial, legislative, or public executive or administrative position shall not be used in the name of a firm, or in communications on its behalf, during any substantial period in which the lawyer is not actively and regularly practicing with the firm.
(d) A lawyer shall not hold himself or herself out as being a partner, shareholder, or associate with one or more other lawyers unless they are in fact partners, shareholders, or associates.
(e) A lawyer shall not advertise in the public or media or seek professional employment by written communication under a trade or fictitious name, except that a lawyer who practices under a trade name as authorized by paragraph (a) of this Rule may use that name in such advertisement or such written communication hut only if that name is the firm name that appears on the lawyer's letterhead, business cards, office sign, fee contracts, and with the lawyers signature on pleadings and other legal documents.
(f) A lawyer shall not use a firm name, letterhead, or other professional designation that violates Rule 7.02(a).
Comment - Rule 7.01
1. A lawyer or law firm may not practice law using a name that is misleading as to the identity of the lawyers practicing under such name, but the continued use of the name. of a deceased or retired member of the firm or of a predecessor firm is not considered to be misleading. Trade names are generally considered inherently misleading. Other types of firm names can be misleading as well, such- as a firm name that creates the appearance that lawyers are partners or employees of a single law firm when in fact they are merely associated for the purpose of sharing expenses. In such cases, the lawyers involved may not denominate themselves in any manner suggesting such an on-going professional relationship as, for example "Smith and Jones" or "Smith and Jones Associates" or "Smith and Associates." Such titles create the false impression that the lawyers named have assumed a joint professional responsibility for clients' legal affairs. See paragraph (d).
2. The practice of law firms having offices in more than one state is commonplace. Although it is not necessary that the name of an interstate firm include Texas lawyers, a letterhead including the name of any lawyer not licensed in Texas must indicate the lawyer is not licensed in Texas.
3. Paragraph (c) is designed to prevent the exploitation of a lawyer's public position for the benefit of the lawyers firm. Likewise, because it may be misleading under paragraph (a), a lawyer who occupies a judicial, legislative, or public executive or administrative position should not indicate that fact on a letterhead which identifies that person as an attorney in the private practice of law. However, a firm name any include the name of a public official who is actively and regularly practicing law with the firm. But see Rule 7.02(a)(4).
4. With certain limited exceptions, paragraph (a) forbids a lawyer from using a trade name or fictitious name. Paragraph (e) sets out this same prohibition with respect to advertising in public media or written communications seeking professional employment and contains additional restrictions on the use of trade names or fictitious names in those contexts. In a largely overlapping measure, paragraph (f) forbids the use of any such name or designation if it would amount to a "false misleading communication "under Rule 7.02(a).
A lawyer's letterhead is a "communication" within meaning of disciplinary rule providing that lawyer shall not make any false or misleading communication about his services. State Bar Texas v. Faubion, 821 S.W.2d 203 (App. 14 Dist 1991), error denied.
A lawyer who is a municipal judge should not use his law firm's letterhead to communicate with litigants in municipal court matters. Ethics Committee Opinion 451.
3. Retired members
Agreement entered into between retiring attorney and firm which bore his name, whereby attorney received periodic payments from firm in return for his agreement not to represent any current or former clients of firm, to assist firm in collection of accounts receivable, and not to take any action that would prevent firm from continuing to use attorney's name in the firm name, was not in violation of Disciplinary Rules. Ethics Committee Opinion 466.
4. Partnership status
Lawyers who share office space, represent to the public that the attorney is a member of a firm through the use of pleadings, business cards and letterheads, recognize vicarious liability for the other attorneys' professional acts, maintain an autonomous practice with independent bank and trust accounts, separately bill for services rendered, maintain their own clientele but seek advice from other members of the firm, pay a pro rata-share of the premium for a common professional malpractice insurance policy, and do not pool their income or share in the net profits, "hold out" to a reasonable prudent person the existence of a partnership without assuming joint professional responsibility for the clients' legal services and should disclaim partnership status pursuant to
Rule 7.04(d). Ethics Opinion 478 (June 1991).
8. Fees and costs
Attorney's letter of solicitation which mentioned fees but did not mention how amount of fee would be arrived at and whether client would be responsible for costs, violated Disciplinary Rules of Professional Conduct, even though attorney's practice was to charge no legal fees or costs to his clients unless he won an award or settlement in connection with their case. Gonzalez v. State Bar of Texas, 904 S.W.2d 828 (App. 4 Dist. 1995), rehearing denied, error denied.


text:
Pete Davidson wows critics with 'excellent' performance in heartfelt Sundance comedy
PARK CITY, Utah – Ariana Grande and Pete Davidson are out here thriving.
The same day Grande scored her second No. 1 single with "7 Rings," Davidson made his splashy Sundance Film Festival debut in the coming-of-age comedy "Big Time Adolescence," which premiered Monday afternoon.
It has been a rocky past few months for the famous exes, who called off their whirlwind engagement in October. Davidson worried fans in December when he posted a seemingly suicidal note to Instagram, prompting police to conduct a "wellness check" on the "Saturday Night Live" cast member. He has since performed a slew of sold-out stand-up shows around the country, in which he has made light of his high-profile breakup.
An audience member mentioned Davidson's recent troubles during a post-screening Q&A Monday, thanking the comedian for showing up and wishing him well.
"Oh, thank you. That means a lot," said Davidson, who was visibly nervous but cracking jokes throughout the panel. "And now I'll go back to just staring at the floor."
If his "Adolescence" performance is indicative of work to come, this won't be Davidson's last trip to the Park City fest. In the surprisingly nuanced comedy, he plays affable college dropout Zeke, whose best friend is an impressionable 16-year-old named Mo (Griffin Gluck) who's seven years his junior. Mo's parents (Jon Cryer and Julia Murney) aren't crazy about Zeke – he's an unemployed pothead who once dated their daughter – but they also trust their son to be responsible, even if he does show up stoned to the occasional family dinner.
First-time writer/director Jason Orley describes "Adolescence" as "John Hughes behind a cloud of weed smoke," but it's also a deeply relatable movie about what it's like to grow up and grow apart from the people you love most. As Mo and Zeke spend night after night pounding beers and playing video games, the friends start to realize they're moving in opposite directions: While Mo is trying to get a girlfriend and graduate high school, Zeke is content just to sit on his couch and reminisce about the glory days when he "invented" themed house parties.
Davidson is characteristically droll and self-deprecating in the role, playing a very loose version of himself (Zeke compares himself to an ugly-hot Steve Buscemi and boasts about his Hillary Clinton tattoo). But Davidson also shows flashes of a promising dramatic actor, creating a character who's equal parts boorish and broken and tearfully staves off adulthood with a lit joint.
Critics were certainly impressed by the comedian's performance, even when they didn't dig the film itself.
"Huh," Vanity Fair critic Richard Lawson tweeted. "BIG TIME ADOLESCENCE is great and Pete Davidson is wonderful in it."
He's "def playing some version of whoever you think the real Pete Davidson is in #BigTimeAdolescence but that's probably exactly why it works," Entertainment Weekly critic Leah Greenblatt wrote.
Uproxx writer Mike Ryan tweeted that Davidson "is great at playing the charming loser whose friendship will ruin your life."
"Big Time Adolescence" is seeking theatrical distribution.


text:
DKTK Berlin and Heidelberg: New Biomarker for cancer immunotherapy?
No. 27 | 01/08/2016 | by AM
The Ligand PD-L1 is one of the most important targets for cancer immunotherapy with checkpoint inhibitors. But not all tumors have sufficient quantities of PD-L1 ligands on their surface. Scientists from the German Cancer Consortium (DKTK) have now shown that different types of cancer possess different quantities of PD-L1-Gen copies. Genetic analysis of the PD-L1 gene may in the future help to predict which patients will benefit from checkpoint inhibitors. In the German Cancer Consortium (DKTK), the German Cancer Research Center (DKFZ) is serving as a core center that joins up with university institutes and hospitals all over Germany that are specialized in research and treatment with a focus on oncological diseases.
Different number of PD-L1 gen copies (green) in the chromosoms (blue) from bladder tumor cells (Fluorescence in-situ hybridisation).
© J. Budczies, Charité/ A. Stenzinger, Uniklinikum Heidelberg
A hundred years ago, scientists had already put forward the hypothesis that the immune system recognizes cancer cells and eliminates them. But it was only recently that a major breakthrough was achieved with so-called checkpoint inhibitors. They act on the immune system's checkpoints. In a healthy person, these checkpoints prevent an exaggerated immune response. Tumors take advantage of the fact that these checkpoints suppress the immune response against them. And this is where the checkpoint inhibitors come in: They block the signaling pathway, effectively releasing the breaks of the immune system and thus giving the body's defenses the opportunity to attack the tumor.
PD-L1 can be used in diagnostic testing
The promising target structure to treat tumors with checkpoint inhibitors is the receptor for programmed cell death 1 (PD-1) which occurs on t-cells, and its ligand PD-L1, which occurs in most tumor cells. First, drugs canceling out the tumor-related break function in the immune defense via this checkpoint are already available on the market. "PD-L1 is also an interesting biomarker for diagnostic testing to predict the patients' response to the immunotherapy", explains Jan Budczies, bioinformatician at the DKTK partner institution Charité Berlin. "Current studies however show that the interrelationships are quite complex." Therefore, not all patients with PD-L1 in the tumor tissue responded to a therapy with PD-L1 blockers. On the other hand, treatment has been shown to be successful in patients where hardly any PD-L1 protein was detected in the tumors.
Tumors of different cancer types differ in the number of PD-L1 gene copies
In collaboration with scientists at DKTK sites in Berlin, München and Heidelberg, the team around bioinformatician Jan Budczies and pathologist Albrecht Stenzinger showed that tumors from many cancer types differ in the number of PD-L1 gene copies. In the tumor genomes of 9771 patients with 22 different cancer forms, including the most common such as lung, colon and breast cancer, the scientists found that quantities of copies of the PD-L1 gene and other neighboring genes were altered. The study showed that whenever gene copies were deleted or gained, the gene activity and the amount of PD-L1 protein in the tumor were frequently effected.
This study should help to optimize diagnostic tests for the deployment of checkpoint inhibitors, and to better understand tumor biology with regard to immunotherapy and other therapeutic methods. "We were able to show that the number of PD-L1 gene copies may be altered in different types of cancer", explains Albrecht Stenzinger from the Institute of Pathology of the University Hospital Heidelberg and the National Center for Tumor Diseases (NCT). "This affects not only PD-L1 itself, but also numerous neighboring genes, some of which are already known as driver genes for tumor diseases. Most tumors with increased quantities of PD-L1 gene copies also possess more copies of the gene for the JAK2 kinase, which plays a role in blood disorders and was recently identified as a target structure in a breast cancer subtype associated with a dismal prognosis."
PD-L1 gene copy number is a potential biomarker
Gene analyses can contribute to the identification of further target structures neighboring PD-L1. "Studies of this kind are extremely complex and can only be performed by an interdisciplinary team of medical experts and basic researchers. By combining the expertise of oncologists, bioinformaticians and pathologists, the DKTK offers ideal conditions", Albrecht Stenzinger enthuses. Jan Budczies, who is responsible for the bioinformatic part of the study points out that "big data analyses are an important tool of modern medicine. But for us to translate the results quickly into benefits for patients, scientists must collaborate on an interdisciplinary basis."
The analysis of PD-L1 Gen copy and PD-L1 Gen receptors may help to identify patients that will especially benefit from an immunotherapy with checkpoint inhibitors. Two recently published studies on the Hodgkin lymphoma have shown that PD-L1 Gen copy analysis is indeed relevant for clinical practice. Both, the progression of the disease and the success of the treatment with PD-1 signaling pathway inhibitors could be predicted on the basis of copy numbers of the PD-L1 gene. Budczies and Stenzinger's work suggests that this could also be the case for various other cancer types.
Budczies, J. et. al.: Pan-Cancer Analysis of Copy Number Changes in Programmed Death-Ligand 1 (PD-L1, CD274) – Associations with Gene Expression, Mutational Load, and Survival. In: Genes, Chromosomes & Cancer (22. April 2016) DOI: 10.1002/gcc.22365
A picture for this press release is available at:
www.dkfz.de/de/presse/pressemitteilungen/2016/bilder/Stenzinger_FISH_PDL1.jpg
Legend: Different number of PD-L1 gen copies (green) in the chromosoms (blue) from bladder tumor cells (Fluorescence in-situ hybridisation). (©J. Budczies, Charité/ A. Stenzinger, Uniklinikum Heidelberg)
The German Cancer Research Center (Deutsches Krebsforschungszentrum, DKFZ) with its more than 3,000 employees is the largest biomedical research institution in Germany. More than 1,300 scientists at the DKFZ investigate how cancer develops, identify cancer risk factors and search for new strategies to prevent people from developing cancer. They are developing new methods to diagnose tumors more precisely and treat cancer patients more successfully. The DKFZ's Cancer Information Service (KID) provides patients, interested citizens and experts with individual answers to all questions on cancer.
Jointly with partners from the university hospitals, the DKFZ operates the National Center for Tumor Diseases (NCT) in Heidelberg and Dresden, and the Hopp Children's Cancer Center KiTZ in Heidelberg. In the German Consortium for Translational Cancer Research (DKTK), one of the six German Centers for Health Research, the DKFZ maintains translational centers at seven university partner locations. NCT and DKTK sites combine excellent university medicine with the high-profile research of the DKFZ. They contribute to the endeavor of transferring promising approaches from cancer research to the clinic and thus improving the chances of cancer patients.
The DKFZ is 90 percent financed by the Federal Ministry of Education and Research and 10 percent by the state of Baden-Württemberg. The DKFZ is a member of the Helmholtz Association of German Research Centers.
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text:
Q: SQL Server UPDATE with WHERE spanning over 2 tables I have a SQL Server database and I need to manually do an update query. There for no solutions using any programming language can be used.(stored procedures can be used)
I have 4 tables affected (/used) in the query.

*

*[Orders]

*[StatusHistoryForOrder]

*[StatusHistory]

*[Statuses]

I need to update the field [Orders].[OrderStatusID] which is a foreign key to [Statuses]. (So actually changing the state of the order. The table [StatusHistoryForOrder] is a linking table to [StatusHistory] and only contains 2 colums.

*

*[StatusHistoryForOrder].[OrderId]

*[StatusHistoryForOrder].[OrderStatusHistoryid]

Don't say that this is not logically cause I already know that. The company who designed the database is a complete retarded company but the database is now too large to set things straight and there is neither the time or money to do it.
The [StatusHistory] table has multiple columns:

*

*[StatusHistory].[OrderStatusHistoryId]

*[StatusHistory].[OrderStatusId]

*[StatusHistory].[Date]

*[StatusHistory].[Message]

The [StatusHistory].[OrderStatusId] is also a foreign key to [Statuses].
In the update query I need to update the status of the order to status 16. But only on rows that now have status 1 and are older then 60 days. I know I can check the date by using the function
DATEDIFF(DD,[StatusHistory].[Date],GETDATE()) > 60

But how to implement this query if the date field is not in the orders. And to set the new [StatusHistory] a new row has to be made for that table and the [StatusHistoryForOrder] table also needs a new row and the ID of that row needs to be set in the [Orders] table row.
Does anyone know how to do this? I am fairly new to SQL Server (or SQL for that matter) and I have absolutly no clue where to begin.
Conclusion:
I need a stored procedure that first checks every row in [Orders] if the [StatusHistory].[Date] (which is linked to the order using foreign keys) of that order is older that 60. If it is older then a new StatusHistory row must be inserted with the current date and status 16. Then in [StatusHistoryForOrder] a new row must be inserted with the new ID of the statusHistory been set in [StatusHistoryForOrder].[OrderStatusHistoryid] and the order id set in [StatusHistoryForOrder].[OrderId]. And last but not least: The [Orders].[OrderStatusID] also needs to be set to 16.

A select query to select the date and status of the order:
SELECT     TOP (100) PERCENT
    dbo.Orders.OrderID,
    dbo.Statuses.Description AS Status,
    dbo.StatusHistory.Date
FROM
    dbo.Orders
INNER JOIN
    dbo.Statuses
ON
    dbo.Orders.OrderStatusID = dbo.Statuses.StatusId
INNER JOIN
    dbo.StatusHistoryForOrder
ON
    dbo.Orders.OrderID = dbo.StatusHistoryForOrder.OrderId
INNER JOIN
    dbo.StatusHistory
ON
    dbo.StatusHistoryForOrder.OrderStatusHistoryid = dbo.StatusHistory.OrderStatusHistoryId
WHERE
    (dbo.Statuses.StatusId = 1)
AND
    (DATEDIFF(DD, dbo.StatusHistory.Date, GETDATE()) > 60)

UPDATE
For @marc_s:

Can anyone help me with that?

A: Try this CTE (Common Table Expression) to find all those orders - does it work, are the results plausible? (this doesn't update anything just yet - just SELECTing for now):
USE (your database name here)
GO

DECLARE @OrdersToUpdate TABLE (OrderID INT, StatusHistoryID INT, StatusDate DATETIME)

;WITH RelevantOrders AS
(
    SELECT
       o.OrderId, sh.Date
    FROM dbo.Orders o
    INNER JOIN dbo.StatusHistoryForOrder ho ON ho.OrderId = o.OrderId
    INNER JOIN dbo.StatusHistory sh ON ho.OrderStatusHistoryid = sh.OrderStatusHistoryid
    WHERE
       sh.Date <= DATEADD(D, -60, GETDATE())   -- older than 60 days back from today
       AND o.OrderStatusID = 1                 -- status = 1
)
INSERT INTO @OrdersToUpdate(OrderID, StatusDate)
   SELECT OrderID, [Date]
   FROM RelevantOrders

BEGIN TRANSACTION
BEGIN TRY
    DECLARE @OrderIDToInsert INT,         -- OrderID to process
            @InsertedStatusHistoryID INT  -- new ID of the inserted row in StatusHistory

    -- grab the first OrderID that needs to be processed
    SELECT TOP 1 @OrderIDToInsert = OrderID
    FROM @OrdersToUpdate
    WHERE StatusHistoryID IS NULL
    ORDER BY OrderID

    -- as long as there are still more OrderID to be processed ....
    WHILE @OrderIDToInsert IS NOT NULL
    BEGIN
       PRINT 'Now inserting new StatusHistory entry for OrderID = ' + CAST(@OrderIDToInsert AS VARCHAR(10))

       INSERT INTO dbo.StatusHistory(OrderStatusID, [Date], [Message])
       VALUES(16, GETDATE(), 'Bulk Insert/Update operation')   -- enter here whatever you want to store

       SELECT @InsertedStatusHistoryID = SCOPE_IDENTITY();   -- grab newly inserted ID

       PRINT 'New StatusHistory entry inserted with ID = ' + CAST(@InsertedStatusHistoryID AS VARCHAR(10))

       UPDATE @OrdersToUpdate
       SET StatusHistoryID = @InsertedStatusHistoryID
       WHERE OrderID = @OrderIDToInsert

       -- safety - reset @OrderIDToInsert to NULL so that we'll know when we're done
       SET @OrderIDToInsert = NULL

       -- read next OrderID to be processed
       SELECT TOP 1 @OrderIDToInsert = OrderID
       FROM @OrdersToUpdate
       WHERE StatusHistoryID IS NULL
       ORDER BY OrderID
    END

    -- insert into the StatusHistoryForOrder table
    INSERT INTO dbo.StatusHistoryForOrder(OrderID, OrderStatusHistoryID)
        SELECT OrderID, StatusHistoryID
        FROM @OrdersToUpdate

    -- update your Orders to status ID = 16
    UPDATE dbo.Orders
    SET OrderStatusID = 16
    FROM @OrdersToUpdate upd
    WHERE dbo.Orders.OrderID = upd.OrderID

    COMMIT TRANSACTION
END TRY
BEGIN CATCH
   SELECT
       ERROR_NUMBER() AS ErrorNumber,
       ERROR_SEVERITY() AS ErrorSeverity,
       ERROR_STATE() AS ErrorState,
       ERROR_PROCEDURE() AS ErrorProcedure,
       ERROR_LINE() AS ErrorLine,
       ERROR_MESSAGE() AS ErrorMessage

   ROLLBACK TRANSACTION
END CATCH

This CTE basically joins your Orders table to the StatusHistory table (via the intermediate link table) and selects the values you're interested in (hopefully!).

A: This particular problem seems solvable with set operations only.
DECLARE @Orders TABLE (ID int, rownum int IDENTITY);
DECLARE @StatusHistory TABLE (ID int, rownum int IDENTITY);

/* get the list of orders with expired statuses */
INSERT INTO @Orders (ID)
SELECT o.OrderID
FROM Orders o
  INNER JOIN StatusHistoryForOrder shfo ON o.OrderID = shfo.OrderId
  INNER JOIN StatusHistory sh ON shfo.OrderStatusHistoryid = sh.OrderStatusHistoryId
GROUP BY o.OrderID
HAVING DATEDIFF(DD, MAX(sh.Date), GETDATE()) > 60

/* add so many new rows to StatusHistory and remember the new IDs */
INSERT INTO StatusHistory (OrderStatusId, Date, Message)
OUTPUT inserted.OrderStatusHistoryId INTO @StatusHistory (ID)
SELECT
  16,
  GETDATE(),
  'Auto-inserted as the previous status has expired'
FROM @Orders

/* join the two temp lists together and add rows to StatusHistoryForOrder */
INSERT INTO StatusHistoryForOrder (OrderId, OrderStatusHistoryid)
SELECT o.ID, sh.ID
FROM @Orders o
  INNER JOIN @StatusHistory sh ON o.rownum = sh.rownum

/* finally update the statuses in Orders */
UPDATE Orders
SET OrderStatusID = 16
FROM @Orders o
WHERE Orders.OrderID = o.ID

This should be the body of a single transaction, of course.

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