text:
Discussion about troid.ca
Paradise and Hellfire WILL NOT come to an end
Abu Ubaidah
Jadīd Boarder
6 years 5 months ago	- 5 years 1 month ago	#2238 by Abu Ubaidah
Paradise and Hellfire WILL NOT come to an end was created by Abu Ubaidah
IBN AL QAYYIM ERRED IN REGARDS TO HELLFIRE COMING TO AN END
I asked Our brother Abūl-'Abbas Mūsá Richardson about the issue of Jannah and Naar being created and if that means that they will come to an end...
Abū Ubaidah: if everything which created is going to come to an end, how about Jannah and Naar since they are Created ?
Mūsá Richardson: " Allaah is al-Aakhir with none after Him and He made the jannah and fire as everlasting rewards for the jinn and mankind. STOP
Ibn al-Qayyim erred in this issue however ijmaa preceded him, Ibn Hazm said the whole ummah has agreed that there is no end to paradise or hell, except for Jahm ibn safwaan. Ibn Hazm was 300 years before ibn al Qayyim, Scholars who came after ibn al Qayyim rejected his claim and refuted him. Imam Aḥmad considered anyone who said they ended to be a mubtadi'.[See correction in reply post]
But its from some of ibn al qayyims works, In contradiction to other clear places where he spoke correctly. Similarly its attributed to ibn taymiyyah, also as San'aanee has a book refuting ibn al qayyim and ibn taymiyyah, Al-Albaanee produced it from manuscript form and put a 50 page intro to the topic and endnotes throughout (the book).
The book is Called..
"رفع الأستار لإبطال أدلة القائلين بفناء النار"
Excellent resource on the topic (of) The issue of hellfire coming to an end. "
Abū Ubaidah Muneeb: So is it that ibn al Qayyim rahimuhullaah fell into a bid'ah ?
Mūsá Richardson: " Error, Bid'ah, Wrong...It seems he may have believed that some reports from the companion were authentic and they weren't. He erred in a way that agreed with the Jahmiyyah, And the scholars rejected it and refuted him for it and still do till this day. " [See correction in reply post]
Also our brother Abū Iyaḍh Amjad Rafīq mentioned to us:
"From the many lies against Ibn Taymiyyah is that he does not believe in the eternity of the Hellfire. The reason for this doubt is that his student Ibn al-Qayyim (raḥimahullāh) inclined towards this view, outlining it's evidences, and showing the strength of this position, without actually indicating explicitly that he holds it out of firm conviction. When he mentioned the evidences for this view in his books such as Haadi al-Arwaah,and Shifaa al-Aleel, he made reference to the fact that Ibn Taymiyyah has mentioned a number of views regarding the matter, from which was the saying that the Hellfire is not eternal and will expire. However, the Innovators took this to mean that Ibn Taymiyyah actually held this view, when in reality, Ibn Taymiyyah simply mentioned the views of various factions, and then proceeded to refute what is incorrect and establish what agrees with the Book and the Sunnah as is his habit. As for Ibn al-Qayyim, upon study of this subject in his numerous books it appears that he was not committed fully to the view, but considered the arguments for it to be very strong and inclined towards it. One can find him expressing another opinion as occurs in his other books such al-Waabil al-Sayyib and Tariq al-Hijratayn, which is that Hellfire is eternal. In any case, Ibn al-Qayyim supported the view of Hellfire not being eternal and coming to an end partially because of the presence of narrations from the Companions that indicate this, and he was not the first to express this view, with our knowledge that his writings only indicate his belief in the strength of argument for this view, not that he wholeheartedly believed it to be actually true."
Source: Ibn Taymiyyah on the Eternity of Paradise and Hellfire - www.ibntaymiyyah.com/articles/bcudc-ibn-...ise-and-hellfire.cfm
Last edit: 5 years 1 month ago by troid.org admin.
The following user(s) said Thank You: ummsufyaan
moosaa.richardson
5 years 1 month ago	#2396 by moosaa.richardson
Replied by moosaa.richardson on topic Paradise and Hellfire WILL NOT come to an end
After considering what my brother Abū Iyaḍ Amjad Rafiq has written (quoted above): "Ibn al-Qayyim (raḥimahullāh) inclined towards this view, outlining it's evidences, and showing the strength of this position, without actually indicating explicitly that he holds it out of firm conviction."
After considering it and reviewing the issue carefully, I believe what Amjad has said is correct (may Allaah bless him), and what I previously understood (that Ibn al-Qayyim actually held the position that the Hellfire will come to an end) was wrong (may Allaah excuse me). This is since Ibn al-Qayyim's words in his book "al-Waabil as-Sayyib" are explicitly clear in saying that Paradise and Hellfire will NOT come to an end. This is his position that he expressed and held to, while there are some other passages within his books that could lead people to assuming the opposite. Yet, upon close inspection, it is clear that he only mentioned it as a position held by others and never explicitly adopted it for himself.
Based on this, I need to make the following matters clear:
1. I openly retract attributing this position to the great scholar Imām Ibn al-Qayyim.
2. Saying "He erred in a way that agreed with the Jahmiyyah" has no place in any discussion about Imām Ibn Qayyim al-Jowziyyah, and I openly retract it. I further remind myself and my brothers of the great status of this mountain of knowledge, this warrior in the path of the Salafī Creed and Manhaj, author of As-Sawaa'iq al-Mursalah in refutation of the Jahmiyyah Cult and other works against the people of desires and innovation. May Allaah have Mercy on him and increase me and you in our love and admiration of him.
3. My statement, "Error, Bid'ah, Wrong..." was not intended to magnify what I understood to be an error. Rather, I was asked if we could say he fell into bid'ah, and I meant: "Yes, no matter what you call it - error, bid'ah, wrong..." My intention was to stress the Salafī Methodology of refusing mistakes even when they come from our own great scholars. Again, this was based on my error in understanding Ibn al-Qayyim's position on the issue.
4. It does not matter that these words were said in a private message. So long as they have reached the public, a public retraction is necessary.
5. Regarding the following statement written by our brother Abū Iyaḍ:
"One should note that Ibn al-Qayyim's position in the first of his two views has no connection with the doctrine of the Jahmiyyah regarding the expiration of Paradise and Hellfire. Since the origin of the saying of al-Jahm bin Safwaan in this regard is based upon the principle of "the impossibility of an endless chain of events" in both the past and the future and "whatever is not devoid of hawaadith is itself haadith (originated)". Upon this, the Jahmiyyah denied Allaah's chosen actions, and this led them to many corrupt statements in belief, including the statemennt of the Qur'an being created and the claim of the non-eternity of Paradise and Hellfire. As for the view that Ibn al-Qayyim tended to, then the origin of that is either a general text (in the Qur'an) or narrations (from numerous Companions) that are not authentic. Hence, Ibn al-Qayyim (in the first view he inclined towards) simply spoke with a view that is marjooh, daeef (weak) as Imām Ibn Baz explained, and his position has nothing to do with the Jahmiyyah. Far from it. On the contrary, Ibn al-Qayyim demolished the particular foundation of the Jahmiyyah upon which their corrupt doctrines are built..."
www.ibntaymiyyah.com/articles/bcudc-ibn-...ise-and-hellfire.cfm
If this was said in response to my error, then this is a great example of how Ahl al-Sunnah support each other. It is not permissible for us to have hizbiyyah between us, where we defend each other in falsehood. Mistakes connected to the Deen of Allaah are rejected, corrected, and clarified. This is what our great scholars teach us, and as students of knowledge, not scholars, you should expect to see us often retracting errors and clarifying the correct position regarding our mistakes. May Allaah bless us all and keep us far away from blameworthy loyalties that prevent us to recognizing the truth.
Please assist your brother in conveying these words to anyone who read the original mistake. May Allaah reward you well.
The following user(s) said Thank You: troid.org admin
Board Categories Discussion about troid.ca - What's New? - Articles - Audios and Transcriptions - General Discussion - Arabic Learning Points - Readings - Islam & Technology The Centre (TROID - Masjid al-Furqān & Islamic Daʿwah Centre) - News and Events - Classes - - al-Qawā'id al-Arbaʿah - - Kitāb al-Tawḥīd - - al-Usūl al-Thalāthah - - Masāʾil al-Jāhiliyyah - - al-Usūl as-Sittah - - Kashf al-Shubahāt - - Salafī Creed & Methodology - Daʿwah Pamphlets - Inmate Assistance Programme - Islamic Summer Courses - - 2008 Islamic Summer Course - - 2007 Islamic Summer Course - - 2010 Islamic Summer Courses - TROID Umrah Group - - TROID Umrah Group 2011 - - TROID Umrah Group 2012 - - TROID Umrah Group 2014 - Kids Club troid.store - New Books @ troid.ca/store - New MP3s @ troid.ca/store - TROID Publications - Clothing - Wish List


Someone asked what was the best thing you could do to honour a recently departed.
You don't honour a person after they die. They're gone. They won't care.
Say the person who died was part-way through a wonderful project to build a school for little girls in a remote Namibian village. That person poured themselves into this project, devoting their best resources to it.
The project is now 75 per cent done. But if nobody steps in to finish the work the now-dead person won't be able to do, the whole project will collapse and in two years nothing will remain of the dream.
You cared deeply about your friend. The school in Namibia is something you've helped by contributing a few hundred dollars. You kept up with progress reports and said the appropriate things when your friend talked to you about it. You shared fundraising campaigns on your social networks and got a few friends to donate, too. You weren't by any means instrumental to the thing, but you did your bit to help. Not because you have a personal connection to girls in Namibia's back of beyond, but because your friend was so dashed passionate about this project you figured you'd chip in.
Now the friend is dead and unless someone steps up, the dream will be, too.
You still don't have a particularly strong connection to any of the people who will benefit from your friend's project. But you'd really hate to see the dream disappear. You think it over carefully and decide to take the plunge. You'll raise funds, go to Namibia for six months, finish building the school and get it going properly. You will also find a reliable person to look after it once you're back home, and who knows, maybe you'll go back once or twice a year to see how it's going.
You think you do it because that's a great way to honour your departed friend. But it's not. It's a way to honour the glory.
Your friend wasn't working on this project for personal gain, or fame, or advancement, or any of that. They didn't do it for honour. They did it because they saw an urgent need and figured they could help. That's how most remarkable things are created in this world. By someone who sees a need and figures out a way to help.
Your friend didn't take on this project to be honoured. But their passion, dedication, hard work and commitment inspired you.
That's what you honour. The inspiration they gave you. And then you'll pass it on by inspiring others… who may do nothing at all for school girls in remote Namibia but might hear about your story and decide to volunteer for their local school's breakfast club.
And on, and on. Until we're all dead.


text:
Home/News/Man Stabbed to Death During Domestic Dispute At Luxury Miami High-Rise, Girlfriend Currently Not Facing Charges
Man Stabbed to Death During Domestic Dispute At Luxury Miami High-Rise, Girlfriend Currently Not Facing Charges
Regan April 7, 2022 News Leave a comment
Police in Miami is investigating after a man was stabbed to death at a luxury high-rise apartment over the weekend in what authorities described as a domestic dispute.
Police officers responded to a report of a man stabbed at a building in Miami's Edgewater neighborhood.
Authorities did not release his identity. However, friends identified the victim as 27-year-old Christian Toby Obumseli, who was pronounced dead after being rushed to a local hospital.
Obumseli's friends said he lived in the building with his girlfriend, who they identified as 25-year-old Courtney Clenney— who goes by Courtney Tailor, an OnlyFans model and Instagram influencer.
Friends of the couple told Local 10 they've never seen Obumseli hit Clenney but have witnessed her hit him. However, a neighbor told the news station he witnessed Obumseli swing at Clenney just a week before the stabbing.
Miami police said they've responded to multiple disturbance calls at the couple's apartment in the past three months.
After the stabbing, Clenney was detained and, while at the police station, threatened to kill herself.
She is currently being hospitalized under the Baker Act and, at the moment, does not face charges.
About Regan
Blogging since 2006, Regan has written for numerous online publications including YoRaps.com, BallerAlert.com and her own online labor of love Honeygrip.com. In 2010, as her alter-ego Honeygrip, Regan was the gossip correspondent for controversial radio personalities Star & Bucwild. Each experience not only thickened her skin but it introduced her to a new passion, the new realm of 'social media'.
Previous Serena Williams Says Nurse Told Her Meds Were Making Her Crazy When She Raised Concerns About Her Health
Next August Alsina Says He's Abstaining From Sex To Harness His Energy
DJ Jazzy Jeff Defends Will Smith, Calls Slap "A Lapse Of Judgment" [Video]
Texas Man Attacked Roommate With A Stick After Argument About What Mosquitoes Look Like
Serena Williams May Be Ready For Wimbledon Return: "I've Got to Play"

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Mouseover event timeout Here you find the csv file https://www.dropbox.com/s/0ekwalkwqahl806/PeriodicTable.csv?dl=0

<!DOCTYPE html>
<meta charset="utf-8">

I created a periodic table from a csv.file. I ploted all element in a svg and each element has group whith its own id. Now i'm trying to display a bigger element when the mouse stay on the atomic symbol. But this bigger element is unstable, it's blinking(going and coming back). I think a good way to fix that is to add a duration to mouseover but i have no idea how i can do that. If you think this is not the problem and there is another way, i'm open!

A: It looks like you are attaching the mouse event handlers to the <text> element for each chemical symbol.  That's not the best idea because you will get mouseover firing when you over the solid parts of the letters, and mouseleave will fire when you are over the gaps between and inside letters.  That will be the reason for your flickering issues I think.
What you should do instead is attach the events to the rectangular background of each chemical element.
You will find then that mouseleave will fire when you are over the text.
To fix that, add pointer-events: none to the CSS for all the text elements that are inside the rectangles.  Or add the attribute pointer-events="none" if you prefer to do it that way.

A: The problem is that the element that handles the mouseenter/mouseleave events is one of the elements that is being repositioned due to the transformation. So once it starts moving away from the mouse it triggers the mouseleave event and comes back.
They way i solved it is to add the initial positioning on the outer g element as well as the mouse events handling. You will also need to add a transparent rectangle inside that so that it has contents once you start moving the inner g element.
So the changed part is
     var gg = cards.enter()
                   .append('g')
                   .attr("id", function(d){return d.Type}),
           g = gg.append('g')
                   .attr("id",function(d) {return "element"+(d.AtomicNumber)})
                   .on("click", function(d) { if (d.Symbole!="Hg") { return window.open("http://en.wikipedia.org/wiki/"+word(d), '_blank')}
                                              else  { return window.open("http://en.wikipedia.org/wiki/"+word(d)+"_(element)", '_blank') };
                                                               });

          gg.attr("transform", function(d){
                             var x = (d.DisplayColumn - 1) * (gridSize + espacecases),
                                 y = (d.DisplayRow - 1) * (gridSize + 10 + espacecases);
                    return "translate(" + x + "," + y + ")";
                    })
            .append('rect')
            .attr("width", gridSize) //largeur des cases d elements
            .attr("height", gridSize+10) //Hauteur...       //+10 pour faire rectangle
            .style("fill","transparent");

          g.append("rect")
           .attr("rx", 4) // arrondir les cases des elements
           .attr("ry", 4) // arrondir les cases des element
           .attr("class", "xpos bordered") // class=style definit dans le head
           .attr("width", gridSize) //largeur des cases d elements
           .attr("height", gridSize+10) //Hauteur...       //+10 pour faire rectangle
           .transition()
           .duration(2000)
           .style("fill", function(d) {
                 if (d.Type =="Transition Metal") {return "LightSkyBlue"}
                 else if (d.Type =="Alkali Metal")   { return "royalblue" }
                 else if (d.Type =="Noble Gas")   { return "Salmon" }
                 else if (d.Type =="Metalloid")   { return "grey" }
                 else if (d.Type =="Metal")   { return "Peru" }
                 else if (d.Type =="Nonmetal")   { return "gold" }
                 else if (d.Type =="Halogen")   { return "orange" }
                 else if (d.Type =="Alkaline Earth Metal")   { return "hotpink" }
                 else if (d.Type =="Lanthanide")   { return "YellowGreen" }
                 else if (d.Type =="Actinide")   { return "PapayaWhip" }
                 else if (d.AtomicNumber <= 112)   { return "LightSkyBlue" }
                 else if (d.AtomicNumber <= 116)   { return "Peru" }
                 else if (d.AtomicNumber <= 117)   { return "orange" }
            ;}) ;

          g.append("text")
           .text(function(d){
              return (d.AtomicNumber);
            })
           .style("font-size",10)
           .attr("x", +10)
           .attr("y", +10)
           .style("text-anchor", "middle");

           g.append("text")
            .text(function(d) {
              return (d.Symbole);
            })
            .style("font-size",30)
            .attr("x", +25)
            .attr("y", 40)
            .style("text-anchor", "middle");

          gg.on("mouseover", function(d){
              var x = (d.DisplayColumn - 1) * (gridSize + espacecases),
                  y = (d.DisplayRow - 1) * (gridSize + 10 + espacecases);
                     d3.select("body")
                       .select("#element"+(d.AtomicNumber))
                       .transition()
                       .ease("quad")
                       .duration("500")
                       .attr("transform", "translate(" + (200-x) +"," + (20-y)+ ") scale( 2.5 )")
            })
            .on("mouseleave", function(d){
              var x = (d.DisplayColumn - 1) * (gridSize + espacecases),
                  y = (d.DisplayRow - 1) * (gridSize + 10 + espacecases);
                     d3.select("body")
                       .select("#element"+(d.AtomicNumber))
                       .transition()
                       .ease("quad")
                       .duration("300")
                       .attr("transform", "scale( 1 )")
            });

Demo at http://plnkr.co/edit/4jyRLSVuVMv3rfnwbJc5?p=preview

redpajama_set_name: RedPajamaStackExchange


text:
Drunk pensioner conducts train in sing-a-long and everyone loves it
Oliver McAteerMonday 2 Jun 2014 2:38 pm
There's something very heart-warming about a drunken pensioner singing with gusto.
And those aboard a Southeastern train service on Friday night thought so too.
Passengers travelling in silence from London Victoria to Ashford were suddenly treated to a sing-a-long after a jolly 60-something man got to his feet and started warbling his way through the call-and-response Scout song Kumala Vista.
Dressed in a suit, and possibly wearing his best Dutch courage overcoat, our hero leapt up and bellowed out the catchy tune – though his take on the lyrics was a bit shady to say the least.
His fellow passengers got into the spirit straight away and joined in, before rewarding the lengthy number with an eruption of laughter and applause.
The episode was captured by Maidstone man George Haswell.
Drunken pensioner bursts into sing-a-long (Picture: SWNS)
George Haswell captured the moment, and he appears to be enjoying it (Picture: SWNS)


June 8, 2012 Leonard F. Gheesling, 78, of Waipahu, a master carpenter and a Navy veteran, died in Wahiawa General Hospital. He was born in Norwood, Ga. He is survived by brothers Bill and Alvin. Visitation: 10 a.m. Wednesday at Borthwick Mortuary. Services: 10:30 a.m. Burial: 1 p.m. at Hawaiian Memorial Park. Online condolences: borthwickoahu.com.


text:
Barry Altschul
In the early '70s, Barry Altschul was the drummer for Circle — a band that (with a membership that also included Chick Corea, Dave Holland, and Anthony Braxton) might possibly have been the most technically adept free jazz ensemble ever. Altschul's drumming with that band was stylistically all-encompassing — in his own words, "from ragtime to no time" — thanks to his background in traditional jazz styles, which gave him a solid grounding on which to build his free playing. From his days with Circle to his more recent work as a leader of his own ensembles and collaborator with other notable artists on the avant jazz scene, Altschul has demonstrated a notable consistency, especially in the way he inevitably manages to generate an enormous momentum without overpowering the ensemble. Much of his power as a rhythm player stems from the subtlety of his touch; Altschul's sound is very tight and exceedingly well-defined. A strict attention to rhythmic and tonal detail has always characterized his playing.
Altschul was largely self-taught until 1960, when he began study with Charlie Persip. From 1964 until 1970, Altschul played regularly with pianist Paul Bley; their relationship continued intermittently through the '70s and '80s. In 1969, he studied with Sam Ulano. Altschul was a member of the Jazz Composer's Guild and the Jazz Composer's Orchestra Association from 1964-1968. He spent a portion of the '60s playing mainstream jazz in Europe. In the '70s, he recorded with the individual members of Circle. In 1972, under Holland's leadership, Altschul recorded the classic album Conference of the Birds with Braxton and saxophonist Sam Rivers. Around this time, he also made records with Bley, bassist Alan Silva, and pianist Andrew Hill, among others. In the '80s, Altschul made records of his own for Soul Note and continued his sideman work with such musicians as the Russian-born pianist Simon Nabatov and Kenny Drew. Altschul's 1985 album, That's Nice, revealed him to be an exciting and good-humored bandleader in a rather modern-mainstream vein. Into the new millennium, Altschul has proven to be as innovative as ever as a member of the FAB Trio with violinist Billy Bang and bassist Joe Fonda (up until the violinist's death in April 2011) and other collaborative outfits such as the Gebhard Ullmann-Steve Swell Quartet (also featuring bassist Hilliard Greene, with whom Altschul has demonstrated remarkable rhythm-section rapport).
Reunion: Live in New York
Sam Rivers
Dedicated to the Innovative.
Brooklyn, New York, U.S.A.
info@pirecordings.com
Subscribe for Pi Updates
Enter your email address to join our mailing list.
about | catalog | artists | apparel | scores | videos | cart | privacy
©2017-2020 Pi Recordings All rights reserved.
Site by Figureground


He may have looked beautiful, but it was important to remember that Alex Winslow was not, in fact, boyfriend material. Or anything-material. What he definitely was was: rude, impatient, a bully, and a recovering drug addict.
And here I was thinking L.J. Shen couldn't possibly outdo the reading experience she gave me with her Sinners of Saint series, which just happened to be one of my top series of 2017. This novel! Gah! If the previously mentioned series took a piece of my heart one book at at a time, until each guy had a quarter of it to do with it what they wanted, all it took for Alex Winthrop and Indigo Bellamy was a little over three hundred pages to eviscerate it before eventually gluing it back together. A barely living legend in the music world who seems to be lock in for the mythical 27 Club and a somewhat innocent yet wary twenty-one-year-old tasked to be his sobriety companion slash unwilling keeper slash unwitting target of blatant sexual planning and plotting by the filthy-mouthed rock star. This is the stuff the best kind of rock romances are made of, even if I only figured it out while reading this fab book.
Globetrotting with an infamous rock god and his band and manager while earning an exorbitant amount of money may not seem like too much of a hardship for most people, but then they probably never had to watch over someone like Alex Winthrop. The man is a prince among pricks, and he makes no apologies for it, choosing instead to poke and prod at his agent's latest selection to be his proverbial ball and chain for three months during a world tour. But if Alex thought Indigo Bellamy, the girl with the icy blue hair and big blue eyes, was going to be a pushover that would be scurrying back to wherever she came from, he had another thing coming. Soon, he finds himself making midnight meetings along hotel hallways with her, using her as his muse while reminding her that he intends to take her to bed once she realizes she can't resist him. This isn't love. It's nothing more than lust. Right?
With Indie and Alex, I've finally found an M/F book couple that I couldn't get enough of. These two were as entertaining as ever. There were times I desperately wanted to shake Indie and beg her not to give in to Alex and all his rock hotness, while other times I wanted to glare at her and ask why they hell she was resisting him. And then there was Alex, who was every bit an entitled asshat. Yes, the guy was an unbelievably gifted musician and artist, but goodness, how he grated on my nerves at times. And then... the layers started to fall to the wayside, one at a time, and not always all the way, but the wait? Damn, he made it worthwhile because the real Alex? The one that isn't onstage and under the spotlight, pressured to perform and live up to the expectations of his fans and give the finger to his critics? He had a beautiful and generous soul that Indie recognized deserved to be loved forever.
Purchase Midnight Blue on Amazon.


Dhaka University authorities have postponed the "Gha" unit admission test results following an allegation of question paper leak.
We will take further decision regarding the admission test after receiving the report from the probe committee, Dhaka University Vice-Chancellor Professor Akhtaruzzaman said while talking to our correspondent over phone.
Around 10:00am today, the authorities issued a press release saying that the results will be published tomorrow.
But hours later, another press release was issued with the correction.
Admission tests for "Gha" unit were held last Friday amid allegations of question leak.
Law enforcers have found evidence that the hand-written question paper of DU `Gha' unit admission test, which was leaked around 45 minutes prior to the exam, was circulated from two admission information centres in Bogura to an applicant's guardian.
Six people, including the admission seeker and his father, were arrested on Saturday in connection with the incident. Each of them was taken on a two-day remand yesterday.
On Saturday, DU's Chief Security Officer SM Kamrul Ahsan filed a case with Shahbagh Police Station accusing the six and some others, under sections 22 and 33 of the Digital Security Act, and the Public Examination Act. It was mentioned in the case statement that the questions were leaked through digital devices prior to the exam.
Allegations of question paper leak in "Gha" Unit admission test also surfaced last year after e-mails containing questions of the English part of the exam were sent to some admission seekers around eight hours before the exam.
Meanwhile, some students of Dhaka University demonstrated on the campus in condemnation of the question leak and demanding a retake of the admission test.


text:
Browse Vermont Catholic News:
About VTC
E-News Report
Quarterly Print Magazine
Browse Vermont Catholic NewsAbout VTC All News E-News Report Quarterly Print Magazine
Photo Credit: CNS file photo/Jon L. Hendricks - A groom and bride hold hands on their wedding day. In the Diocese of Burlington, as part of preparing to get married in the Catholic Church, couples participate in a Pre-Cana program of preparation so that they can be equipped with the tools to live a sacramental marriage.
Cori Urban
According to the Gospel of John, Jesus performed His first miracle at a wedding in Cana that He attended with His mother, Mary, so it is fitting that a marriage preparation program be called "Pre Cana."
In the Diocese of Burlington, as part of preparing to get married in the Catholic Church, couples participate in a Pre-Cana program of preparation so that they can be equipped with the tools to live a sacramental marriage.
There are approximately 300 couples who are married every year in the Diocese. Of those weddings, about 100 are destination weddings in which the couple has family in Vermont.
"Pre Cana is such a privileged opportunity for us in the Church to walk with these engaged couples, share in their joy, impart our experiences and help them lay a foundation in Christ for the marriage they desire," said Deacon Phil Lawson, executive director of evangelization, catechesis, divine worship, marriage and family and respect life.
In light of Pope Francis' document, "The Joy of Love," which calls for a renewed marriage preparation initiative, the Diocese has updated its Pre-Cana program with changes implemented last fall.
"Given the challenges to marriage today, the Church and the past few popes have called for a new 'marriage catechumenate,'" Deacon Lawson explained. "This would include a re-presentation of the Gospel, teaching couples how Christ desires to be part of their life and their marriage, helping couples to learn to pray, equipping them the basic human skills necessary for marriage, and with the help of experienced couples, mentoring them as they embark on the journey of marriage."
The "marriage catechumenate" teaches not just about marriage but also the basics of Catholicism, noted Father Henry Furman, pastor of St. Luke Church in Fairfield and Ascension Church in Georgia.
"The mentor couples have been great, generously opening up their homes," he added. "What a blessing when engaged couples not only learn the Catholic faith but see it faithfully lived."
The biggest change was moving from a single weekend formation program to a series of components including online formation or a mentor couple, an online course in Natural Family Planning and a separate retreat day where the couple has the opportunity together to invite Christ into their preparation as they embark on their life together.
"The Church has 2,000 years of wisdom to share and amongst her members has countless living examples of what marriage can be. Pre-Cana is in place to help facilitate that," Deacon Lawson said.
For more information, go to vermontcatholic.org.
—Originally published in the Spring 2018 issue of Vermont Catholic magazine.
Deacon Phil Lawson, Marriage and Family, Catechesis and Evangelization, Pre-Cana
Sharing smiles and sandwiches
Adult confirmations
Back to Vermont Catholic Magazine
More From: Vermont
St. Mark's meal service program
Knights of Columbus continue giving 'gift of life'
Made Possible by Donations to Bishop's Annual Appeal


DTX 401 is an investigational AAV gene therapy being developed for the potential treatment of patients with Glycogen Storage Disease Type 1a (GSDIa). DTX 401 is designed to address the defective gene for the enzyme glucose-6-phosphatase-α, a defect that results in the inability to regulate blood sugar (glucose).
GSD1a is the most common genetically inherited glycogen storage disease. Hypoglycemia in GSDIa patients can be life-threatening, while the accumulation of the complex sugar glycogen in certain organs and tissues can impair the ability of these tissues to function normally. If chronically untreated, patients develop severe lactic acidosis, can progress to renal failure, and die in infancy or childhood. There are no approved pharmacological therapies. An estimated 6,000 or more patients are affected by GSDIa worldwide.
GSD1a has completed preclinical studies.
Glycogen Storage Disease Type Ia (GSDIa).


Fiorentina captain Cristiano Biraghi has been given permission to continue wearing an armband in remembrance of the late Davide Astori after a request by the Serie A club was accepted.
The Lega Serie A ordered the captains of all 20 Serie A clubs to wear the same armband produced by them this season.
Roma captain Daniele De Rossi and Atalanta's Alejandru Gomez were, together with Biraghi, among those who chose not to adhere to the new rules and continued wearing their own armbands over the first few weeks of the season.
The Lega Serie A decided at an assembly on Wednesday to permit Fiorentina's captain to continue wearing the armband in remembrance of Astori, who passed away in March, although that will be an exception with all other clubs facing fines if their captains continue to wear their own armbands.
"The president, after having underlined that this regulation was decided upon by the clubs in 2017 and successively approved to come in force from the current season, has authorised by means of special dispensation to Fiorentina, the use of the commemorative armband for Davide Astori, given the exceptional nature of the case and as requested by the club," read a statement on the Lega Serie A's website.
Fiorentina welcomed the decision with a tweet saying "Sempre con noi" ("always with us").


Symantec's Security Technology and Response team reports on a couple of especially interesting recent threats. One can blow through all of your printer's paper printing nonsense; the other can serve up every detail of your computer's use to a government agency.
In late summer I always get a visit from Symantec, so they can fill me in on details of their fall product updates. This time I met with VP Patrick Gardner of the Security Technology and Response team and with Gerry Egan, senior director of product management. Of course, much of the product information is under embargo until the actual release date, but Gardner also presented the STAR team's findings on several recent high-profile threats. "We have to give you something you can write about now," gibed Gardner.
First up was the threat Symantec calls Printlove. As Security Watch reported in June, when this threat hits some systems they begin spewing pages and pages of gibberish from the printer. It turns out that there's more to the story.
Printlove exploits a vulnerability in the Windows print spooler, a vulnerability that Microsoft patched in 2010. The infamous Stuxnet used this same vulnerability as one of its seven infection vectors. Printlove typically gets a toehold on a network when a hapless user plugs in an infected USB drive. Once active, it spreads across the network by dropping a carefully crafted payload into the print spooler folder.
On an unpatched system, this payload causes the spooler process to execute malicious code. If you've kept your system properly updated, the spooler just sees the payload as a print job and tries to print the binary file, with unpleasant results. That's right; only the security-wise users who keep abreast of the latest patches will suffer the "printer bomb" effect!
Gamma International, a British firm, bills its Finfisher tool as a "governmental IT intrusion and remote monitoring solution." We don't really know what agencies are using Finfisher, but its presence has been reported in countries all over the world. Symantec's STAR team analyzed an actual working sample and determined that it really live up to its promised feature list.
Among other things, it can record your Skype calls, instant messages, email, and VOIP conversations. In addition to an advanced keylogger, it has the ability to snoop using the victim PC's webcam and microphone. It can exfiltrate sensitive files from your hard drive. It communicates covertly with the owning agency's headquarters and can bypass over 40 antivirus systems.
Gardner reported that Finfisher typically arrives buried in an email with a .rar-compressed collection of images attached. One of the images is actually an executable file, but its filename uses a peculiar feature of Unicode, the right-to-left override character, to make the extension display as .jpg. When the victim opens this wolf in sheep's clothing, it infects the Master Boot Record. At the next reboot, the victim system is totally pwned.
Is the FBI watching you with Finfisher? How about the KGB? Chances are good you're not a Person of Interest, but that doesn't mean you're safe. It's only a matter of time before cyber crooks start using this technology, if they haven't already. Unless your antivirus detects it, you just won't know. Naturally Symantec's antivirus products detect it, calling it Backdoor.Finfish, along with a similar Mac-specific tool they call OSX.Crisis.


text:
Review faults inaction by DHS
Of 36 recommendations after child deaths, no progress was made on 17. Others were only discussed, the agency said.
by John Sullivan, Inquirer Staff Writer, Posted: May 1, 2007
When a child dies under the care of the city's Department of Human Services, a team of experts within the agency investigates, pinpointing failings in the system and suggesting improvements.
But more than half the time, those suggestions are ignored.
DHS failed to act on many of the staff recommendations its child-fatality-review teams made after examining 52 child deaths over the last six years, according to an internal DHS review released yesterday.
DHS examines all child deaths in which the agency was providing services to the child's family or had done so in the previous 16 months.
But of the 36 recommendations that resulted from the death investigations, the agency had not made any progress on 17, the report said. Many others were only discussed. A handful just recently resulted in policy changes.
And four of six high-priority reforms were never acted upon, the report said.
It concludes that DHS must overhaul the way it investigates child deaths.
"After six years of following the existing method, changes are needed in order to implement a higher level of systemic change," it says.
Acting DHS Commissioner Arthur C. Evans said those changes were now under way.
He recently introduced a child-risk-assessment tool, he said, that helps workers decide when a child is unsafe - as opposed to relying on personal judgments.
"The feeling was that there was a lot of variability," he said, "and one way to make sure we are covering all the bases is to use a formal assessment tool."
Another example, he said, is a recent alert he sent to social workers, telling them to pay close attention to high-risk cases where a child's parents had been abused or neglected themselves or where other children in the family had been abused.
"It's one thing that really popped out at me," Evans said. "These are related to increased risk around fatalities."
An Inquirer investigation last year found as many as 25 children had died in the last three years after they or their families had come to the attention of the agency.
In the aftermath of the investigation, Mayor Street ousted the agency's two highest officials, appointed Evans, and demanded reforms.
Evans asked a committee to review all past fatality-review recommendations and see if the agency ever acted on them. That committee met a dozen times in the last year.
Several of the failings addressed by prior DHS death investigations can be seen in one case The Inquirer highlighted.
Fourteen-year-old Danieal Kelly was found dead from heat exhaustion during an August heat wave. She was bedridden with cerebral palsy. She weighed just 46 pounds and had bedsores festering with maggots.
A city-paid social worker was supposed to have been checking on her each week.
Despite opening seven neglect investigations into Danieal's case, DHS never noticed that she was not enrolled in school and had missed recent medical checkups.
Federal and city officials are investigating the case.
The report released yesterday said that DHS at one time recommended a consistent and routine follow-up on the medical and educational status of children under its care, including contacting non-relatives who knew the child. It also said the agency recommended hiring workers with more expertise in behavioral health or physical health problems.
Evans said the agency had since hired two nurses to review cases for medical problems.
In some cases, The Inquirer found, the agency had contact with the family before its child was born.
The Inquirer reported numerous deaths in homes where DHS had previously investigated abuse or neglect allegations and had closed the case.
The child-fatality-review team noticed the same problem and had recommended that DHS check in with the families in those homes upon the birth of another child. No progress was made on the recommendation, but yesterday's report said it required immediate attention. Evans said that this had been done and that DHS social workers have been told.
In March, the newspaper wrote about 10-week-old Ciani Davis, who died in a squalid, freezing basement after her mother had refused to cooperate with DHS. Ciani was severely malnourished, having not gained a pound since her birth. Police charged the mother with endangering the baby.
Yesterday's report found that prior reviews had suggested that DHS figure out when avoidance was becoming a lack of cooperation and to assess how many visits should be attempted before taking a family to court. It's impossible to say whether the warning came before the Davis case, or because of it.
Evans released the report yesterday in response to an Inquirer request. He said future reports and the findings of death-review teams should be made public.
"We are going to be open and transparent," he said.
The newspaper has been fighting since November to obtain copies of the full child-fatality reviews, which detail how each child under the agency's care died. When that request was denied, the newspaper asked for the recommendations made in the death reviews, but the city declined to release them, citing state privacy laws.
Meanwhile, a panel convened by Mayor Street is conducting its own review of all 52 child deaths. That report is due out by the end of this month. Panel members have declined to discuss their findings, saying they will disclose the results to the mayor first.
Among the other findings in yesterday's report:
Services to children in the home, intensive services aimed at protecting children to teaching parents how to parent better, must be provided to all children in the home, not just the child identified as in need.
In high-risk cases, social workers and supervisors should meet more often, at least quarterly, to discuss a case.
Findings from death reviews should be used to develop new training around the issues of child safety and child fatalities.
Evans said the agency was now in the second phase of its reform action plan. The undertaking is enormous. The agency provides services for nearly 38,000 children. It saves many children from abuse and death, he said, but must go further.
"We just can't be focused on protecting a child," Evans said. "We have to intervene to break the cycle of abuse and neglect. We have to think about the next generation."
Since October, The Inquirer has been writing about children who have been harmed or killed after coming to the attention of the Department of Human Services. To read previous stories, visit http://go.philly.com/dhs
EndText
Contact staff writer John Sullivan
at 215-854-2473 or johnsullivan@phillynews.com.
Posted: May 1, 2007 - 3:01 AM
John Sullivan, Inquirer Staff Writer


My boys have hit the wall. With four weeks to go until the end of the school term, and a million tests, concerts, grading days, swimming lessons, parties, activities and other essentials to get through, they're both so tired they can't cope. They can fight though. Oh yes, always enough energy for that.
In an effort to make the mornings more pleasant for all of us, I have decided to give them both a rostered day off. An old-fashioned mental health day. A day at home to hang out with me, loll about on the sofa unmolested by their brother (yes, separate days or we'd all go mad), watch a dvd, read a book, get horribly bored and, hopefully, feel all refreshed for school the next day.
I will work around them. It will be just like the not-so-good old days.
This is the plan, anyway.
I tried to give Mr5 an RDO last week, when I was having to wake him at 7.45am for school, and he was particularly ornery about the house. He thought it was a good idea, until he remembered that he was on compost duty that day.
I tried to remember a time in my life when the notion of getting a sticker would win out over a day at home in my pyjamas. Couldn't.
I tried not to feel a little put out that he would choose compost over hanging out with me. Couldn't.
So we'll try again tomorrow.
If the compost wins again, all bets are off.
Do you ever give your kids a day off school just because?


text:
Review Board 4.0 alpha 0 (dev)
Add "Last Update By" to Dashboard & ReviewRequest Dashboard
Review Request #3159 — Created June 23, 2012 and discarded April 23, 2014, 3:38 p.m. — Latest diff uploaded June 23, 2012, 11:54 p.m.
CrystalLokKoo
reviewboard
I thought the "Last Updated By" column would be a useful feature to ReviewBoard and turns there was already an issue opened for it. (http://code.google.com/p/reviewboard/issues/detail?id=739)
I originally added the "Last Updated By" to dashboard but I thought it would be useful for the Review Request Dashboard as well.
Please let me know if there is a better implementation to this.
Ran the ReviewBoard test suite and did a lot of manual testing.
Expand changes
Hide extra whitespace
Show extra whitespace


text:
Munster Express Online
Living Abroad Series
Article tools:
Bookmark, Email, Print or Share
Little Red Splendour…
By Dermot Keyes. Published on Wednesday, August 8th, 2018 at 12:58 pm
Lusmore, Lily, Doire and the Ollpheistha returns to the Royal
"An apprentice sword-maker to Fionn MacCumhaill, a blind piper on the run in 1600s Penal Ireland, a young writer from Waterford in 2017, a 2000-year-old tree, a three-headed sea-serpent and the Goddess of the Earth…an incredible adventure across time…"
The rehearsal room at St Paul's Boys School was buzzing on Friday morning last, just hours before the Ben Hennessy-created stage for Little Red Kettle's (LRK) latest production was disassembled and destined for the Theatre Royal. The company's latest fantastical offering, 'Lusmore, Lily, Doire and the Ollpheistha', created by Ben Hennessy and Liam Meagher and first staged back in 1999, will take up residence on The Mall from Wednesday through to Saturday, and the 50-plus cast cannot wait for the run to kick off.
"This is my third year," said cast member Charlie Maher, as he and fellow performer Alison Hutchinson excitedly spoke about the production and the theatre group they're so pleased to be party to.
"I just keep coming back! I can't seem to stop. It's ridiculous, but in the most fun way possible. I love it so much I just have to come back." Charlie's interest in LRK was piqued by "a crazy bearded guy named Ben came into my class and said: 'Hey guys, do you want to do some acting and have a pizza party and a water fight' and that's what happened. I was sold straight away."
Alison, who is in her second year with LRK, added: "It's just so much fun. I had to come back. We've rehearsed from 10am to 5pm for the last four or five weeks, and it's going really well, I think! But it's gone by so fast – you just want to have more time here because it's so much fun."
As for the production itself, Alison explained: "This play is all about keeping stories alive, and the three main characters, Lusmore, Lily and Doire, tell the Fionn MacCumhaill story to the Gods in different ways, writing poems and songs and making sculptures, and it's all very exciting and enjoyable." Getting direction from both Bens (Hennessy and Quinlan) on the set during rehearsals has been enormous helpful, according to Charlie. "It's brilliant to have it before we go down to the theatre. If we didn't have it before we go there, it wouldn't have felt like we were on the stage at all, but being on the set makes us all feel like we're actually there and you get to experience what your character is doing and who they are, in that moment in time."
Ben Quinlan, who first entered the LRK universe at the age of nine, described youth theatre as "sport for those who never got to play it – it's a different type of team sport composed of different individuals who take responsibility for the bit that they have to carry – and for me, as a drama facilitator, that's pretty much the most important element of it for me. They're all coming on board here to do a play but more than that, it's all about each of them taking their own responsibility and then creating something together…and this one of the really good ones. It's become a different thing, a being of its own, with a different cast and the lads have injected their own personality and energy into this production. It's become theirs and that's the most important and magical thing about seeing a mad bunch of kids from Waterford, aged between 9 and 13, coming together and making something – and it's just theirs. And after today (Friday), our last day of rehearsals, it's completely in their hands and I'll take a step back, head for the Gods and start pulling my beard out! Being involved in something like this, having looked up to both Ben (Hennessy) and Liam (Meagher) and deciding that what they were doing was what I wanted to do when I grew up, well it's just dream come true stuff for me. I'm exactly where I want to be right now, and that feels pretty good."
This wonderfully devised production will run at the Theatre Royal from Wednesday, August 8th to Saturday, August 11th. Tickets are priced €16 (Thursday to Saturday; Concession: €14, Family of four: €40 while the Wednesday preview is €10). For bookings, visit www.theatreroyal.ie.
For full story see The Munster Express newspaper or
subscribe to our Electronic edition.
Other articles in 'Entertainment'
Comedy comes to Curraghmore for All Together Now
The Red Iron: From the page to the stage
Comeraghs Wild 2019 breaks all records
CAT at the Theatre Royal
The Red Iron at Garter Lane
Many international acts for 2019 Spraoi festival
Are you the next Barony of Gaultier Rose?
Flying High: Cork Airport wins ACI Europe Best Airport Award
New 4D experience brings history of glassmaking to life
Waterford Greenway book relaunched for tourist market
» Munster Express News
©2019 Munster Express Ltd.
» Advertise with us


When it all started, in 1999, we had a vision for the factory of the future. The concept: to use information technology to seamlessly integrate all the different elements of the manufacturing process, including, machines, materials, people and enterprise systems. Our objective was to optimize the electronic assembly process with the intent to eliminate, or effectively reduce, all types of human errors along with the associated waste and potential product failures. Fast forward to the present and this vision is now widely shared by the manufacturing industry under such programs as Industry 4.0, IIoT, Big Data/Analytics.
Our manufacturing engineering background makes us focus on creating applications that result in a strong and immediate impact for manufacturers. We develop Track, Trace and Control (TTC) solutions, because these are the most critical applications for electronics assembly. They truly deliver the greatest cost reduction and productivity gain. The Cogiscan suite of TTC solutions includes world-class Material Control, Traceability and TTC Analytics to achieve significant improvements in visibility, quality and productivity.
We believe that no company can be the best at everything and, the factory of the future will not be achieved with one huge enterprise system but rather through a series of best of breed applications that can integrate seamlessly. Our leadership in TTC technology, along with our open collaborative approach, enables us to form strong partnerships with leading industry equipment and software vendors. This means that you can count on a solution that will seamlessly integrate with your operations now and in the future.
When the electronic industry produces more consciously, reducing waste, and insuring product reliability and safety, we all benefit from a better world through smarter manufacturing.


• The total test caps for the Springbok starting line-up is 490. There are 180 caps in the backline with 310 caps amongst the forwards. On the bench there are a further 181 caps.
• The average caps per player in the backline are 26, the forwards 39 while the players on the bench average 23. The average age of the starting 15 is 26.
• Tendai Mtawarira is the most experienced Springboks against New Zealand with 17 Test matches. The following players have not played against the All Blacks before: Sikhumbuzo Notshe, Embrose Papier and Damian Willemse.
• Willie le Roux will play in his 50th Test match for South Africa.
• South Africa could score their 150th try against New Zealand if they score two tries in this Test match, and New Zealand need 21 points to reach 2 000 points in Test matches against South Africa.
• Eben Etzebeth will play in his record 38th consecutive Castle Lager Rugby Championship Test match.
• The ground on which Loftus Versfeld is situated today was established in 1906 and was then known as the Eastern Sports Ground. The first International rugby match at this venue was played on 24 July, 1928 when the visiting All Blacks played against Pretoria. The first Test match at Loftus Versfeld was against the 1955 British & Irish Lions team, captained by Robin Thompson of Ireland.
• Saturday's Test match against New Zealand will be the 36th Test match at Loftus. The stadium has a seating capacity of 49 861.
• South Africa's Test match record at Loftus Versfeld – P: 35; W: 27; L: 8; PF: 1 140; PA: 680; TF: 135; TA: 68; Average score: 33-19; Win%: 77%.
• Notwithstanding the good overall Springbok record at this ground, New Zealand's record against South Africa at Loftus Versfeld is impressive. The All Blacks have played five Test matches, winning four and losing only one, in 1970.
• The Springbok Test record at Loftus against New Zealand – P: 5; W: 1; L: 4; PF: 103; PA: 170; TF: 11; TA: 18; Average score: 21-34; Win%: 20%.
• Top Springbok scorers at this stadium are: Percy Montgomery, 105 (10 Tests), Morné Steyn, 62 (5 Tests) and Naas Botha, 56 (4 Tests).
• Match records are held by Percy Montgomery (31 points, 9 conversions), Danie Gerber, Pieter Rossouw and Bryan Habana (3 tries), Gerald Bosch and Braam van Straaten (6 penalty goals) and Morné Steyn (2 drop goals).
• The most points scored by South Africa against New Zealand at Loftus were 26 on two occasions (1996 and 2006), while New Zealand racked up 52 points in 2003.
• South Africa's overall record in the Castle Lager Rugby Championship against New Zealand is: P: 48; W: 13; L: 35; PF: 917; PA: 1 392; TF: 85; TA: 148; Average score: 19-29. Win%: 27%.
• South Africa's overall record against New Zealand is: P: 96; W: 36; L: 57; D: 3; PF: 1 518; PA: 1 979; TF: 148; TA: 218; Average score: 16-21. Win%: 38%.
• South Africa's biggest win against New Zealand was 90 years ago in 1928 in Durban when the Springboks won 17-0.
Match officials: • The referee is Angus Gardner of Australia. Angus was born in Sydney, Australia on 24 August, 1984. His first Test match was in November, 2011 in a match between Papua New Guinea and Vanuatu. To date, Gardner has refereed in 16 Test matches with four Tests matches involving South Africa. The Springboks have lost two and won two with him in charge.
• The two assistant referees are Jérôme Garcès of France and Matt Carley of England, while Graham Hughes of England will be the TMO.


text:
Italian bank group starts digital euro experiment
The Italian Banking Association (ABI) announced it's started experimentation with the digital euro along with banks and ABI Lab, its fintech arm. The aim of the initiative is to contribute to public debate and support banks operating in Italy as they prepare for the future, as well as demonstrate the technical feasibility of a digital euro based on blockchain Distributed Ledger Technology (DLT).
The experimentation project is divided into two work areas: one involving the infrastructure and distribution model to analyse technical feasibility, and the second focusing on programmability to experiment with use cases that can differentiate the central bank's digital euro from the electronic payments already available.
The first work area will be carried out with SIA and the ABI Lab Chain banking infrastructure which already has 100 active nodes distributed throughout Italy, as well as with the banks that operate within it.
The second work area will be divided into several working groups that will focus on use cases and will work in collaboration with the banks and NTT Data, PWC and Reply, which have made their resources available to the project. The initiative is open to all interested banks.
In 2020, many central banks have stepped up their study and consideration of issuing a central bank digital currency, an electronic form of central bank money distributed to citizens. The European Central Bank (ECB) is actively working on this topic.
The ECB considers it appropriate to prepare for the possible launch of a digital euro for three strategic reasons: to support the digitization of the European economy; to respond to the move away from the use of cash as a means of payment; and to respond effectively to a scenario of increased use of digital currencies issued by private entities or by central banks in other countries.
NY Fed blog: digital currency can be token- and account-based
Reuters: US proposes bigtech ban for financial services, digital currencies


text:
Robinson Jeffers Association
The RJA
Join, Renew
Travel & Study Grants
Lawrence Clark Powell Award
RJA Leadership
Jeffers Country
Works by Jeffers
Jeffers Studies
Editorial and Advisory Boards
Robinson Jeffers Newsletter
Hesse, Eva. Vorwort. Robinson Jeffers Dramen: Die Quelle, Medea, die Frau aus Kreta. Reinbek Bei Hamburg: Rowohlt Verlag, 1960. 6–15. [Introductory remarks also inside front and back covers.]
Highet, Gilbert. "Jeffers: The Pessimist." The Powers of Poetry. New York: Oxford UP, 1960. 129–34. B74. [Reprinted from Highet's 1953 essay, which had the title "An American Poet."]
Honig, Edwin. "American Poetry and the Rationalist Critic." Virginia Quarterly Review 36 (Summer 1960): 416–27. [RJ, an anti-rationalist, was opposed to the humanism of Whitman and Stevens, yet would equally oppose the dehumanizers, modern rationalist industrialization and war.]
Howard, Leon. Literature and the American Tradition. New York: Doubleday, 1960. 271–74.
Lutyens, David. "Robinson Jeffers: The Inhumanist at Grips with the Dilemma of Values." Creative Encounter. London: Secker and Warburg, 1960. 37–65. [Compares his Inhumanism with ideas of Yeats and Brecht; not a pessimist, he holds a realistic, tenable view of reality.]
Nyren, Dorothy, ed. "Robinson Jeffers." A Library of Literary Criticism. New York: Ungar, 1960. 257–61. [Excerpts from critics on RJ's canon, his Carmel narratives, and his Greek adaptations.]
Powell, Lawrence Clark. "Making of a Poet." Books in My Baggage. Cleveland: World Publishing, 1960. 139–47. B119.
Reynolds, Tim. "The Stone-Mason." Poetry 97 (Nov. 1960): 81–82. [Reprinted in Critic 20 (June-July): 16. A poem tribute.]
Rosenthal, M. L. "Rival Idioms: The Great Generation: Moore, Cummings, Sandburg, Jeffers." The Modern Poets. New York: Oxford UP, 1960. 155–59. [New Critic sees didacticism; rejects hackneyed diction in weed patches; many bland profundities.]
Rutman, Anita, Lucy Clark, and Marjorie Carter. Robinson Jeffers: A Checklist of Printed & Manuscript Works of Robinson Jeffers in the Library of the University of Virginia. Charlottesville: U of Virginia P, 1960. [Meant to supplement Alberts, but now long since outdated.]
Shapiro, Karl, ed. American Poetry. New York: Thomas Crowell, 1960. 7. [RJ follows fads of Freud and Spengler with sexual and historical pessimism; nihilist vision.]
Thorp, Willard. American Writing in the Twentieth Century. Cambridge: Harvard UP, 1960. 220–21. B145. [Nihilism, violence, parallels with Nietzsche; isolation from critics, schools.]
Wilder, A. N. "The Cross: Social Trauma or Redemption." Symbolism in Religion and Literature. Ed. Rollo May. New York: Braziller, 1960. 99–117. B158.
Burtis, Mary Elizabeth, and Paul Spencer Wood. Recent American Literature. Paterson, NJ: Littlefield, Adams, 1961. 199–202. [Lyrically lovely, sonorous; best at descriptions.]
Goodman, Randolph. "Medea." Drama On Stage. New York: Holt, 1961. [Chapters contain "Euripides: Introduction," "The Production Record," "Broadway Producer: An Interview with Robert Whitehead," "Gielgud Rehearses Medea," "The Scenery: An Interview with Ben Edwards," "The Costumes: An Interview with Antonio del Castillo," and "Televising Medea: An Interview with Wesley Kenney."]
Gregory, Horace. "Poet Without Critics: A Note on Robinson Jeffers." The Dying Gladiators and Other Essays. New York: Grove Press, 1961. 3–20. [From New World Writing 7 (Apr. 1955): 40–52.]
Harmsen, Tyrus G. "Jeffers Collection—Occidental College." Book Club of California Quarterly News Letter 27 (Winter 1961): 3–9.
Jeffers, Robinson. "First Book." My First Publication. San Francisco: Book Club of California, 1961. 89–92.
Middlebrook, Samuel. "A Free Warrior's Opinions." New York Times Book Review 19 Sept. 1961: 46.
Antoninus, Brother (William Everson). "A Tribute to Robinson Jeffers." Critic 20 (June– July 1962): 14–15. B10.
Bukowski, Charles. "It Catches My Heart in Its Hands." New and Selected Poems: 1955– 63. New Orleans: Loujon P, 1962. [Volume and title inspired by "Hellenistics."]
Carpenter, Frederic I. Robinson Jeffers. New York: Twayne Publishers, 1962. [Outstanding introduction to RJ's life and times, themes, philosophy, genres; offers selected annotated bibliography.]
Caughey, J. W. "Robinson Jeffers." Pacific Historical Review 31 (Feb. 1962): 105–06.
Caughey, La Ree. "For Robinson Jeffers, 1887–1962." Literary Frontier 13 (Mar. 1962): 17.
Czermak, Herbeth. "Robinson Jeffers: A Brief Survey of His Work in Subsequent Defense." Die Moderne Sprachen 6 (Oct. 1962): 22–27.
Herzberg, Max, and staff. "Robinson Jeffers." Readers Encyclopedia of American Literature. New York: Thomas Crowell, 1962. 539–40. [Also separate articles on five RJ volumes.]
Hogan, William. "Robinson Jeffers's Vision of Doom." San Francisco Chronicle 24 Jan. 1962: 31.
Jeffers, Robinson. Comment on "To the Stone-Cutters." Poet's Choice. Eds. Paul Engle and Joseph Langland. New York: Dell, 1962. 10. [Grass and human passions are the material for poetry which the poet must speak across the gap of a thousand years.]
Jorgensen, Virginia. "Hearing the Night Herons: A Lesson on Jeffers's 'Hurt Hawks.'" English Journal 51 (Sept. 1962): 440–42. B86.
Levy, William Turner. "Soundings." Churchman [St. Petersburg, FL] (Mar. 1962): 12.
____. "Speaking of Books." New York Times Book Review 3 June 1962: 2.
Lilienthal, Theodore, ed. Ave, Vale, Robinson Jeffers. San Francisco: Grabhorn P, 1962. [Gathering of tributes from friends.]
____. "In Memoriam—Robinson Jeffers, 1887–1962." Book Club of California Quarterly News Letter 27 (Spring 1962): 42.
____. "The Robinson Jeffers Committee." Book Club of California Quarterly News Letter 28 (Fall 1962): 81–82.
Littlejohn, David. "Cassandra Grown Tired." Commonweal 79 (7 Dec. 1962): 276–78.
"Rare Moment of Peace for Robinson Jeffers." Life 52 (2 Feb. 1962): 38. [Features Leigh Wiener photos of RJ and grandchildren and of RJ meditating.]
Stiehl, Harry. "Achievement in American Catholic Poetry." Ramparts 1 (Nov. 1962): 26– 38.
Van Doren, Mark. "Robinson Jeffers, 1887–1962." Proceedings of the American Academy of Arts and Letters Annual Meeting of the Academy (5 Dec. 1962): 293–97.
Waters, Edward. "Music." Library of Congress Quarterly Journal of Current Acquisitions 20 (Dec. 1962): 62–63.
Weales, G. C. "Poets and Novelists on the Stage." American Drama Since World War II. New York: Harcourt, Brace & World, 1962. 182–202. B155.
Weston, Edward, and Brett Weston. "A Robinson Jeffers Memorial" [photographs]. Ramparts 1 (Sept. 1962): 65–72.
Winters, Yvor. "Robinson Jeffers." Literary Opinion in America. Vol. 2. Ed. Morton D. Zabel. 3rd ed. New York: Harper & Brothers, 1962. 439–43.
Angoff, Charles. "Three Towering Figures: Reflections Upon the Passing of Robert Frost, Robinson Jeffers, William Carlos Williams." Literary Review 6 (Summer 1963): 423– 29. B10.
Antoninus, Brother (William Everson). Review of The Beginning and the End. Ramparts 2 (Christmas 1963): 95–96.
Bennett, Melba B. "Errors in The Beginning and the End." RJN 3 (Dec. 1963): 3.
Bewley, Marius. "New Poems." Partisan Review 30 (Spring 1963): 140–42.
Brown, John Mason. "Judith Anderson's Medea." Dramatis Personae. New York: Viking, 1963. 208–13. B31.
Deutsch, Babette. "A Look at the Worst." Poetry in Our Time. 2nd ed. Garden City: Doubleday, 1963. 1–29.
Dudek, Louis. "Art, Entertainment and Religion." Queens Quarterly 70 (Autumn 1963): 413–30.
"Homesick for Death." Time 82 (3 May 1963): 114.
Jarrell, Randall. "Fifty Years of American Poetry." Prairie Schooner 37 (Spring 1963): 1– 27.
Kiel, Fred O. "Robinson Jeffers's Prescription for Man." Ferment [Chapel Hill, NC] 3 (July–Sept. 1963): 8–18.
Lane, Lauriat, Jr. "The Greatness of Robinson Jeffers." Fiddlehead 58 (Fall 1963): 67– 68.
Langford, Roberta. "The Influence of Science on the Poetry of Robinson Jeffers." Duke University thesis, 1963. [Noted in RJN 25 (Feb. 1970):4.]
Levy, William Turner. "The Theme Is Always Man." New York Times Book Review 5 May 1963: 5.
Lilienthal, Theodore. "The Robinson Jeffers Committee." Book Club of California Quarterly News Letter 28 (Fall 1963): 81.
Milosz, Czeslaw. "Robinson Jeffers." Kult 192 (Oct. 1963): 21–24.
Morse, Samuel French. "Two Masters." Virginia Quarterly Review 39 (Summer 1963): 510–13. [The Beginning and the End poems remarkable; RJ's integrity, conviction, eloquence, and fierce imagination stand out.]
Powell, Lawrence Clark. "Robinson Jeffers, '05." Impromptu. [Los Angeles]: Occidental College, 1963. 41–43.
Roloff, Leland, scriptwriter, and Dave Bell, director. Son of the Sad Fall. Los Angeles: KNBC "College Report," 1963. [30-min. film.]
Scott, Winfield Townley. "Listening for the Different Voice." Saturday Review 46 (26 Oct. 1963): 10. [RJ's prophecies attain new relevance; his neglect a major scandal.]
____. "The Undeserved Neglect." New York Herald Tribune Books 16 June 1963: 10. [Dignity, honor, beauty, stern power; compared with Yeats; poems of strong old man.]
Smith, William Jay. "Titanic Stance." Harper's Magazine 227 (Sept. 1963): 112. [None equaled him in the natural scene; some poems marred by shrillness and self-pity.]
Spender, Stephen. "Rugged Poetry Imbued with the Spirit of the Hawk." Chicago Sunday Tribune Magazine of Books 12 May 1963: 3. [Disagrees with philosophy; praises technical and intellectual resources and ability to incorporate science into poetry; last poems very moving.]
Squires, Radcliffe. The Loyalties of Robinson Jeffers. Ann Arbor: U of Michigan P, 1963. [Paperback edition.]
Steuben Glass. "Birds and Fishes." Poetry in Crystal. New York: Spiral Press, 1963. 40– 41. [Volume of 31 poems by modern American poets translated into crystal. Design by Donald Pollard and interpretation by Robert Vickery.]
White, William. "Robinson Jeffers's Space." Personalist 44 (Apr. 1963): 175–79. [RJ soars into space; his cosmic view at odds with Whitman's.]
Winter, Ella. And Not to Yield: An Autobiography. New York: Harcourt, Brace & World, 1963. 129–32.
Antoninus, Brother (William Everson). The Poet Is Dead. San Francisco: Auerhahn P, 1964. [Famous elegy for RJ by fellow California poet; 250 copies printed.]
Bennett, Joseph. "The Moving Finger Writes." Hudson Review 16 (Winter 1963–64): 624–33. ["animal vigor . . . a bloody barbarian who can sing"]
Brophy, Robert. Letter to Melba Bennett describing RJ manuscript holdings of the Yale Beinecke Library and the Brooklyn Public Library. RJN 4 (Feb. 1964): 3.
Clapp, Frederick Mortimer. "Figures in a Coast-Range Dance of Death (For R.J.)." RJN 7 (June 1964): 2. [Poem reprinted from Said before Sunset. New York: Harper and Brothers, 1938. 54.]
Clough, Wilson. The Necessary Earth: Nature and Solitude in American Literature. Austin: U of Texas P, 1964. 192–97.
Cox, Mary Margaret. "The Role of Women in the Narrative Poetry of Robinson Jeffers." University of North Carolina thesis, 1964.
Dickey, James. "First and Last Things." Poetry 103 (Feb. 1964): 320–21. B49. [Reprinted in Babel to Byzantium. New York: Farrar, Straus & Giroux, 1968. 187–89.]
Flanner, Hildegarde. "Two Poets: Jeffers and Millay." After the Genteel Tradition: American Writers 1910–1930. Ed. Malcolm Cowley. Carbondale: Southern Illinois UP, 1964. 124–33. [Reprinted from New Republic 89 (27 Jan. 1937): 379–82.]
Gross, Harvey. Sound and Form in Modern Poetry: A Study in Prosody from Thomas Hardy to Robert Lowell. Ann Arbor: U of Michigan P, 1964. 88. B69. ["Shine, Perishing Republic" shows Whitman's method in incompetent hands; RJ distorts art.]
Gustafson, Richard. "The Other Side of Robinson Jeffers." Iowa English Yearbook 9 (Fall 1964): 75–80. B69.
Morse, Samuel French. "Poetry 1963." Wisconsin Studies in Contemporary Literature 5 (Autumn 1964): 237–49. [The Beginning and the End: RJ's brooding pessimism more compassionate than arrogant complaints against him.]
Powell, Lawrence Clark. The Little Package. Cleveland: World Publishing, 1964. 133, 136, 264, 302.
____. "The Lure of California." Book Club of California Quarterly News Letter 29 (Fall 1964): 75–78.
Quasimodo, Salvatore. "Medea." The Poet and the Politician and Other Essays. Carbondale: Southern Illinois P, 1964. 159–60.
Ramsey, Warren. "The Oresteia Since Hofmannsthal: Images and Emphasis." Revue de Litterature Comparee 38 (July–Sept. 1964): 359–75. B121.
Reeve, Nancy. "Robinson Jeffers: Three Poems of Humanity." Sacramento State College thesis, 1964. [Abstract in RJN 25 (Feb. 1970): 8.]
Schevill, James. "Eliot, Jeffers—Other Poets." San Francisco Chronicle: This World 8 Mar. 1964: 29. [Two many flat statements; didactic; the public needs reissue of RJ's narratives.]
Scott, Robert Ian. "Robinson Jeffers's Poetic Use of Post-Copernican Science." SUNY, Buffalo dissertation, 1964. B130–31. [Abstract in RJN 24 (Sept. 1969): 7. He faults Winters's and Waggoner's put-downs of RJ's science; analyzes post-Copernican poems that reflect astronomy, evolution, and nuclear and entropic systems made over into similes and metaphors.]
Scriba, Jay. "View from the Eagle's Nest." Milwaukee Journal 7 May 1964: sec. 1: 22.
Squires, James Radcliffe. Letter recommending the creation of RJ critical quarterly. RJN 6 (May 1964): 1.
Strickhausen, Harry. "Recent Criticism." Poetry 104 (July 1964): 264–65.
Swallow, Alan. "Poetry of the West." South Dakota Review 2 (Autumn 1964): 77–87.
Wells, Henry W. The American Way of Poetry. New York: Russell and Russell, 1964. B156. [Chapter on RJ, "Grander Canyons: Jeffers" reprinted from same book title, Columbia UP, 1943. 148–60.]
Note: 1965 brought a beautiful "coffee table" book made up of photos by leading California artists juxtaposed with the poetry of Jeffers (as noted in the second entry below). Listings of essays within the volume appear under the short title Not Man Apart.
Allen, Gay Wilson, Walter Rideout, and James K. Robinson, eds. American Poetry. New York: Harper and Row, 1965. 791.
Brower, David, ed. Preface. Not Man Apart: Lines from Robinson Jeffers, Photographs of the Big Sur Coast. San Francisco: Sierra Club, 1965. 25–26. [Reviewed in RJN 25 (Feb. 1970): 3–4.]
Carpenter, Frederic I. "Robinson Jeffers and Humanity—Some Anecdotes." RJN 10 (Apr. 1965): 2.
Champlin, Charles. "Judith Anderson's 'Medea': New Dimension in Theater." Los Angeles Times 14 Oct. 1965: sec. 5: 19.
____. "Nothing Like a Dame Judith." Los Angeles Times 10 Oct. 1965: 19–20. [Valley Music Theater's production of Medea.]
Coffin, Arthur. "Ideological Patterns in the Work of Robinson Jeffers." University of Wisconsin dissertation, 1965. [Abstract in RJN 24 (Sept. 1969): 6. [Discusses scholarship on RJ, concept of poet; divides work into 1920s, 1930s, and 1940s; considers influence of Schoepenhauer, Nietzsche, Spengler, and Lucretius.]
Donoghue, Denis. Connoisseurs of Chaos. New York: Macmillan, 1965. 14. [Influence of Poe.]
Eiseley, Loren. Foreword. Not Man Apart. 23–24. [Appears as "An Appreciation of Jeffers." Sierra Club Bulletin (Dec. 1965): 58–60.]
Hart, James D. "Robinson Jeffers." Oxford Companion to American Literature. 4th ed. New York: Oxford UP, 1965. 322–23. [Entries also cover nine individual poems.]
Jeffers, Robinson. "Sur Country." Not Man Apart. 30. [First appearance of part of RJ's preface to Horace Lyon's Jeffers Country: The Seed Plots of Robinson Jeffers' Poetry, Scrimshaw P, 1971.]
____. "The Tower Beyond Tragedy." American Playwrights on Drama. Ed. Horst Frenz. New York: Hill and Wang, 1965. 94–97. B61. [Reprint of article in New York Times 26 Nov. 1950: sec. 11: 1.]
Kirsch, Robert R. "Volume Speaks Eloquently of Poet Robinson Jeffers." Los Angeles Times 8 Oct. 1965: sec. 5: 4. [Review of Selected Poems.]
Klein, H. Arthur. "The Poet Who Spoke of It." RJN 11 (Aug. 1965): 2–6. [RJ's use of science, especially astronomy.]
Miller, Jim. "Jeffers: Oxy's Alienated Alum." Occidental (5 Nov. 1965): 6. [RJ's relation to his Alma Mater, Occidental College, Los Angeles.]
Miura, Tokohiro. "Ideas and Symbols in 'Give Your Heart to the Hawks.'" Studies in English Literature 8 (1965): 109–28. [Abstract in RJN 31 (May 1972): 2.]
Owings, Margaret Wentworth. Introduction. Not Man Apart. 28–29.
Ridgeway, Ann N. "The Letters of Robinson Jeffers—A Progress Report." RJN 12 (Nov. 1965): 2–5.
Stuhlmann, Gunther, ed. Henry Miller Letters to Anaïs Nin. New York: G. P. Putnam's Sons, 1965. [Many references to RJ.]
Untermeyer, Louis. Bygones: The Recollections of Louis Untermeyer. New York: Harcourt, 1965. 238. [Reports the Pulitzer Prize committee's repeated refusal of the award to RJ because they found his work anti-Christian, anti-American, and anti-human.]
Welland, Dennis. "The Dark Voice of the Sea." American Poetry. Ed. Irvin Ehrenpreis. New York: St. Martin's P, 1965. 197–219. [Various authors; RJ uses sea for disdain of human; the ocean reflects the vision of a hostile and desolate universe.]
White, William. "Robinson Jeffers: Poet of Black Despair." English Language and Literature [Seoul, Korea] 17 (Nov. 1965): 91–101.
Note: Melba Bennett, Jeffers's friend and biographer, collected fragmentary notes by him that are valuable clarifications; some of these she included in her Stone Mason of Tor House; a few are gathered here under Jeffers.
Alberts, S. S. A Bibliography of the Works of Robinson Jeffers. Rye, NY: Cultural History Research, 1966. [1933 edition reissued.]
Bednárˆ, Kamil. "Robinson Jeffers in Czechoslovakia." RJN 13 (Feb. 1966): 2–3.
Bennett, Melba Berry. Stone Mason of Tor House: The Life and Work of Robinson Jeffers. [Pasadena, CA]: Ward Ritchie P, 1966. [Uncritical and incomplete biography; Una dominates; later chapters depend on long quotations of letters and essays; inexact truncated footnotes are exasperating; a labor of love by a friend.]
Brophy, Robert. "Structure, Symbol, and Myth in Selected Narratives of Robinson Jeffers." University of North Carolina, Chapel Hill dissertation, 1966. [Abstract in RJN 24 (Sept. 1969): 5. Examines five narratives and two dramatic works of RJ for the structures of ritual, the archetypes of scapegoat, Attis wound, stigmata and crucifixion, mountain top as axis mundi, cosmogonic figures, apocalyptic imagery of quake, deluge, whirlwind, and holocaust—as found in "Tamar," "Roan Stallion," "Cawdor," "The Tower Beyond Tragedy," and "At the Birth of an Age," concluding with a close reading of RJ's ars poetica, "Apology for Bad Dreams."]
____. "A Textual Note on Robinson Jeffers's The Beginning and the End." Papers of the Bibliographical Society of America 60 (July–Sept. 1966): 344–48.
Carpenter, Frederic I. "Robinson Jeffers and the Torches of Violence." The Twenties: Poetry and Prose: 20 Critical Essays. Eds. Richard Langford and William E. Taylor. Deland, FL: Everett/Edwards, 1966. 14–17. B37. [RJ writes prophecy not tragedy; violence meant to illuminate; his literary revolt foreshadowed the atomic age.]
Cerwin, Herbert. In Search of Something. Los Angeles: Sherbourne P, 1966. Passim. [A newspaper and advertising man's recollections of social life in Carmel and the Jefferses' sometimes involvement; includes famous 1940s Salvador Dali costume party.]
Chatfield, Hale. "Robinson Jeffers: His Philosophy and His Major Themes." Laurel Review 6 (Fall 1966): 56–71. B39.
Fairbanks, Jonathon. "The Impact of the Wild on H. D. Thoreau, Jack London, and Robinson Jeffers." University of Otago, New Zealand dissertation, 1966. [Abstract in RJN 24 (Sept. 1969): 2.]
Hesse, Eva. Letter on RJ's verse, whether free verse or other. RJN 14 (June 1966): 1–2.
Jeffers, Robinson. Comment on "At the Birth of an Age." Stone Mason. 157. [Phallic serpent repulsive and beautiful, lynx is Gudrun's body and sex.]
____. Comment on "Thurso's Landing" and on "Margrave." Stone Mason. 149–50. [Three ways of courage portrayed in "Thurso's Landing."]
____. Comment on "The Women At Point Sur." Stone Mason. 116–18.
____. Definition of poetry in note to Graham Bickley in 1932. Stone Mason. 151–52.
____. Note on hawk as symbol as in "Hurt Hawks." Stone Mason. 154.
____. Note on World War II. Stone Mason. 85–86. [This war as lucky for U.S. leaders, itself hate-purging, commercial, and sentimental.]
____. Unused preface for Tamar. Stone Mason. 106–08. [Also in Selected Letters, 45n.]
Klein, H. Arthur. "A Note on Jeffers and Modern Science." RJN 14 (June 1966): 2–3.
Lyon, Horace. "The Little People of the Santa Lucias." Words, Words, Words: Supplement of The Echos [Carmel Valley Manor] (2 May 1966): 1–4. [Recalls presence of earth spirits when photographing Jeffers Country.]
Miura, Tokuhiro. "Robinson Jeffers's Quest in The Double Axe." Studies in English Literature [Hosei University] 9 (1966): 85–129.
Nolte, William H. "Jeffers's 'Fog' and the Gulls in It." RJN 16 (Dec. 1966): 2–5. B113.
____. "Robinson Jeffers as Didactic Poet." Virginia Quarterly Review 42 (Spring 1966): 257–71. B112.
Ridgeway, Ann. "The Letters of Robinson Jeffers: A Record of Four Friendships: Correspondence with George Sterling, Albert Bender, Benjamin De Casseres, Mark Van Doren." Bowling Green State University dissertation, 1966. B122. [Abstract in RJN 24 (Sept. 1969): 7. RJ's format, style, tone, content—as revealing a kind, gentle, concerned, aware, respectful, affectionate person; some revelations on prosody, themes (incest), sense of tragedy.]
Sanderson, James, and Irwin Gopnik. Phaedra and Hippolytus: Myth and Dramatic Form. Boston: Houghton Mifflin, 1966.
Shields, Jerry A. "Robinson Jeffers and His Savior-Inhumanist Dilemma." Duke University thesis, 1966.
Spiese, Richard. "Robinson Jeffers's Aesthetic Theory and Practice." University of New Mexico dissertation, 1966. [Abstract in RJN 24 (Sept. 1969): 7. RJ's distrust of art, preoccupation with beauty, emphasis on statement, long line; intent to reclaim for poetry; his weakness in over-intellectualizing, heavy symbol use, unbelievable characters, and unlikely action.]
Walker, Franklin. The Seacoast of Bohemia: An Account of Early Carmel. San Francisco: Book Club of California, 1966. 127–29. [Background to the artists of the colony and their life of poetry.]
Weisstein, Judith. "The Greek Plays of Robinson Jeffers." Indiana University thesis, 1966. [Abstract in RJN 25 (Feb. 1970): 8.]
Weston, Edward. The Daybooks of Edward Weston. Vol. 2: California. Ed. Nancy Newhall. Rochester, NY: Horizon Press and Eastman House, 1966. Passim.
White, William. "Robinson Jeffers: A Checklist, 1959–1965." Serif 3.2 (1966), 36–39.
Adams, John H., "The Poetry of Robinson Jeffers: A Reinterpretation and Reevaluation." University of Denver dissertation, 1967. [Abstract in RJN 24 (Sept. 1969): 5. RJ's contradictory tensions; RJ's prosody (updating Klein): 5 and 10 stress lines; descriptive power, dramatic and lyric gifts; narrative power in the ironies and tragedies of existence.]
Adelman, Irving, and Rita Dworkin. Modern Drama—A Checklist of Critical Literature. Metuchen, NJ: Scarecrow P, 1967. 172–73.
Bennett, Melba, and Tyrus Harmsen. "Translations of Jeffers." RJN 19 (Nov. 1967): 2–4.
Benton, Johnny. "An Interpretative Analysis of Robinson Jeffers's 'The Women at Point Sur.'" University of Oklahoma dissertation, 1967. [Abstract in RJN 24 (Sept. 1969): 5. "The Tower Beyond Tragedy" an example of "Sublime" tradition of Longinus, Gothic, and Grand Style; the "I" voice especially in "Prelude" is the voice of RJ's God; RJ as a truth-and god-seeker; oracular.]
Brett, Dorothy. "Autobiography: My Long and Beautiful Journey." South Dakota Review 5.2 (Summer 1967): 11–71. [Very inaccurate in her memories of the Jefferses.]
Brophy, Robert. Robinson Jeffers: A Checklist. San Francisco: Gleeson Library Associates, 1967.
____. "Robinson Jeffers' 'Dear Judas.'" [Playbill for 14 March 1967 performance at University of San Francisco: notes on "Point of View," "The Noh Play," and "Robinson Jeffers on 'Dear Judas,'" enacted by the cast of the Labyrinth Theater Club.]
Coleman, Caryl. "Rhapsody and Requiem." San Francisco: KPIX TV, 1967. [Documentary film.]
French, Warren, ed. The Thirties: Fiction, Poetry, Drama. Deland, FL: Everett/Ed-wards, 1967. 119. [RJ continues to write haunting poems, but his reputation has not grown.]
Hahn, Emily. Romantic Rebels: An Informal History of Bohemianism in America. Boston: Houghton Mifflin, 1967. 220–21.
Koehring, Laus. "Die Formen Des 'Long Poem' in der Modernen Americkanischen Literature." Carl Winter Universitatsverlag, Heidelberg thesis. 1967. 192–200. [Compares "Tamar" with E. A. Robinson's Merlin for confronting modern problems.]
Lyon, Horace. "Jeffers as a Subject for Horace Lyon's Camera." RJN 18 (June 1967): 2–5.
Miura, Tokohiro. "A Vision of Robinson Jeffers's 'Tamar.'" Kiyo 11 (Apr. 1967): 115–29. [Abstract in RJN 31 (May 1972): 3.]
Rivers, James. "Astronomy and Physics in British and American Poetry, 1920–1960." University of South Carolina dissertation, 1967. B123. [Abstract in RJN 24 (Sept. 1969): 2.]
Rorty, James. "The Ecology of Robinson Jeffers." Book Club of California Quarterly News Letter 32 (Spring 1967): 32–36.
Saltzman, Jack, ed. Years of Protest: A Collection of American Writings of the 1930s. New York: Pegasus, 1967. 377, 387–88.
Stevenson, Elizabeth. Babbitts and Bohemians: The American 1920s. New York: Macmillan, 1967. 168.
Vaughn, Eric. "A Singular California Poet—His Star Rising Again." Daily Californian [UC Berkeley] 14 Feb. 1967: 9–10.
Weedin, Everett. "Robinson Jeffers: The Achievement of His Narrative Verse." Cornell University dissertation, 1967. [Abstract in RJN 24 (Sept. 1969): 8. RJ as realist in "Give Your Heart to the Hawks", tragedian in "The Tower Beyond Tragedy," epic writer in "At the Birth of an Age," myth-poet in "Roan Stallion," then mixing them all; critics err in judging by genres to which RJ's poems do not belong and thus faulting him.]
White, William. "Robinson Jeffers's The Beginning and the End: Another Error." Papers of the Bibliographical Association of America 61 (Second Quarter 1967): 126.
Abbey, Edward. Desert Solitaire: A Season in the Wilderness. New York: McGraw Hill, 1968. Passim.
Alberts, S. S. A Bibliography of the Works of Robinson Jeffers. New York: Burt Franklin, 1968. [Originally published in 1933, immeasurably enriching RJ scholarship.]
Antoninus, Brother (William Everson). Robinson Jeffers: Fragments of an Older Fury. Berkeley: Oyez, 1968. [Reviewed in RJN 23 (Apr. 1969): 3–4. Jungian interpretation; close reading; NB from 1969 Antoninus becomes William Everson.]
Dickey, James. "Robinson Jeffers." Babel to Byzantium: Poets and Poetry Now. New York: Farrar, Straus & Giroux, 1968. 187–89. [Reprinted from "First and Last Things." Poetry 103 (Feb. 1964): 316–24. Flawed but cast in a large mold; fills necessary place; vision, surprises, good poetry; events of atomic age come to resemble his poems.]
Drew, Fraser B. "Carmel and Cushendun: The Irish Influence on Robinson Jeffers." Eire-Ireland 3 (Summer 1968): 72–82. B51. [Abstract in RJN 31 (May 1972): 3.]
Gilbert, James B. Writers and Partisans. New York: Wiley, 1968. 169.
Hart, James D. "Robinson Jeffers: A Poet's Poet." Book Club of California Quarterly News Letter 33 (Spring 1968): 36–38.
Jeffers, Robinson. "First Book." Breaking into Print. Ed. Elmer Adler. Freeport, NY: Books for Libraries, 1968. 87–90. [Reprinted from Colophon (May 1932): 1–8. Book originally published by Simon & Schuster, 1937.]
Macsey, R. A. "The Old Poets." Johns Hopkins Magazine 19 (1968): 42–48.
Meyers, David. Give Your Heart to the Hawks. San Francisco: San Francisco State College/NET, 1968. [Documentary film.]
Norma, Sister Mary. "The Many Faces of Medea." Classical Bulletin 45 (Dec. 1968): 17– 20. B102.
Powell, Lawrence Clark. "California Classics Reread: Give Your Heart to the Hawks." Westways 60 (Nov. 1968): 18–21, 58. [Reprinted in Powell, California Classics, 1989.]
____. Fortune and Friendship: An Autobiography. New York: Bowker, 1968. 15, 27, 28, 30, 32–34, 41–43, 50, 59, 79, 163.
____. "Speaking of Books." New York Times Book Review 6 Oct. 1968: 2+.
Power, Sister Mary James. "Robinson Jeffers Takes God to Task." Poets at Prayer. Freeport, NY: Books for Libraries, 1968. 59–68. [Reprint of 1936 volume. Sectarian critical view; title inaccurate; sees RJ's characterization of God as a protest instead of acceptance. Collects fourteen modern American and British poets; asks their "religious attitudes"; reflects a Catholic scholarship that is far outdated; the poets are judged against Catholic dogma; half are now unidentifiable; RJ is judged pantheist and deist (merely from his determinism and Inhumanism); RJ's letter outstanding in the group.]
Ridgeway, Ann N., ed. The Selected Letters of Robinson Jeffers, 1897–1962. Baltimore: Johns Hopkins P, 1968. [Reviewed in RJN 23 (Apr. 1969): 3. Invaluable collection of RJ letters, which are many and reveal facts and facets of RJ's thought and personality.]
Steuding, Robert F. "Intensification of Meaning in 'Shine, Perishing Republic': A Linguistic Analysis." RJN 21 (Apr. 1968): 2–4.
Waggoner, Hyatt H. "Melodies of Chaos." American Poets: From the Puritans to the Present. Rev. ed. Baton Rouge: Louisiana State U, 1968. 469–77. B152–53. [Compares RJ and Emerson; sees not as memorable as Eliot; not musical like Pound and Stevens.]
White, William. "Some Notes on Jeffers." RJN 20 (Jan. 1968): 2–3. [Lists errors in Robinson Jeffers: Selected Poems, 1963.]
Barachi, Jack. "The Sexual Imagery in Robinson Jeffers's Narrative Poetry." New York University dissertation, 1969. B12. [Abstract in RJN 29 (Aug. 1971): 2. RJ's uniqueness not in ideas but psychological ramifications, in suffering that comes from erotic desire; characters relate to each other sexually; examines imagery of "The Tower Beyond Tragedy," "Dear Judas," and "Roan Stallion"; hawks represent non-sexual potency; Inhumanism is reaction against sexuality or sublimation of it, possibly the behavior of sons wanting to be seduced by their mothers but, too threatening, transferred to substitute mother—nature, death, darkness; RJ is an autobiographical writer.]
Bednárˆ, Kamil. The Life in Letters of Robinson Jeffers [A radio broadcast (14 December 1969) excerpting from Bednárˆ's selection and translation of RJ's letters from Ann Ridgeway, Selected Letters; reported in RJN 25 (Feb. 1970) : 1.]
Bennett, Melba. Robinson Jeffers and the Sea. Folcroft, PA: Folcroft P, 1969. [Reprint of Gelber, Lilienthal printing, 1936. Some biography and psychologizing; lists all of RJ's references to the sea.]
Boyers, Robert. "A Sovereign Voice: The Poetry of Robinson Jeffers." Sewanee Review 77 (Summer 1969): 487–507. B19.
Brophy, Robert. "From the [new RJN] Editor." RJN 23 (Apr. 1969): 2.
____. "Jeffers Research: Dissertations: A Summary and Reflection." RJN 24 (Sept. 1969): 4–9. [Note that the dissertations, all after 1950, are here entered at the year they were accepted.]
____. "A Reflection" [on wide opportunities in RJ scholarship and dissertation choice]. RJN 24 (Sept. 1969): 9.
____. "The Tor House Library: Jeffers's Books." RJN 23 (Apr. 1969): 4–11.
Bush, George, and Jeannie Welcher. "A Checklist of Modern Plays Based on Classical Mythic Themes." Bulletin of the New York Public Library 73 (Oct. 1969): 525–30.
Coffin, Arthur. "Robinson Jeffers." Encyclopedia of World Literature in the 20th Century. Vol. 2. New York: Ungar, 1969. 177–78.
Dickinson, Hugh. "Robinson Jeffers: The Twilight of Man." Myth on the Modern Stage. Urbana: U of Illinois P, 1969. 113–45. B49. [ Reviewed in RJN 29 (Aug. 1971): 3.]
Gilbert, Rudolph. Shine, Perishing Republic: Robinson Jeffers and the Tragic Sense in Modern Poetry. New York: Haskell House, 1969. [Reprint of 1936 volume; key quotes on uncentering.]
Hamburger, Kate. "Phaedra." From Sophocles to Sartre: Figures from Greek Tragedy, Classical and Modern. New York: Ungar, 1969. 117–23. B70. [Reviewed in RJN 31 (May 1972): 3–4.]
Hartshorne, Charles, and William Reese. "Jeffers: Tragic Pantheism." Philosophers Speak of God. Chicago: U of Chicago P, 1969. 208–10. [Reprint of 1953 volume.]
Jeffers, Donnan. "Robinson Jeffers in Foreign Translation." RJN 24 (Sept. 1969): 3–4.
Jerome, Judson. "Poetry: How and Why the Language of Robinson Jeffers." Revista de Lettras 1 (1969): 99–105.
Lehman, B. H. (Benjamin Harrison). "Recollections and Reminiscences of Life in the Bay Area from 1920 Onward." Berkeley: Regional Oral History Office, Bancroft Library, University of California, 1969. [Phonotapes and transcript.]
McHaney, Thomas L. "Robinson Jeffers's 'Tamar' and The Sound and the Fury." Mississippi Quarterly 22 (Summer 1969): 261–63. [Abstract in RJN 27 (Nov. 1970): 3.]
Milosz, Czeslaw. Visions from San Francisco Bay [Polish original, published in 1969, titled Widzenia nad Zatoka San Francisco]. New York: Farrar, Straus & Giroux, 1975. [Chapter titled "Carmel."]
Powell, Lawrence Clark. "Melba Berry Bennett." RJN 23 (Apr. 1969): 1. [On RJ's biographer's 1968 death.]
____. Robinson Jeffers: The Man and His Work. American Biography Series No. 32. New York: Haskell House, 1969. [Reprint of 1934 edition. Useful and timeless introduction.]
Redinger, Ellsworth. L. "An Interview with Judith Anderson." Drama and Theater 7 (Winter 1968–69): 93–101.
"A Sunday Afternoon with Robinson Jeffers." Official Bulletin of the Poetry Society of America (Feb. 1969): 25–31.
White, William. "Jeffers and Whitman Briefly." Serif 6 (June 1969): 32–33.
The Tor House Foundation
Message from the President ~ January 2021
RJA-THF Webinars ("The Purse-Seine" & Setting Jeffers to Music)
Message from the President ~ September 2020
News ~ September 2020
Read the RJA News
Hawk Tower and Tor House
Jeffers with briarwood can, Big Sur, 1930.
Donnan, Jeffers, Una with Haig, Garth and Mabel. "Los Gallos," Taos, New Mexico, July 1934.
Jeffers working with stones in Tor House yard, 1930s.
Robinson Jeffers with his parents, William Hamilton Jeffers and Annie Tuttle Jeffers, in 1893.


Description: Fagundes & Son Inc is a business categorized under excavation work, nec, which is part of the larger category others miscellaneous retail. Fagundes & Son Inc is located at the address 650 Armstrong Way in Oakdale, California 95361-9304. The President is Don Fagundes who can be contacted at (209)847-8055.
Location & access map for "Fagundes & Son Inc"


text:
Navoi este un oraș situat în partea de est a Uzbekistanului. Este reședința regiunii Navoi.

Istoric
Inițial denumit Kermine (Karmana) în timpul Emiratului Buharei, orașul a fost refondat în 1958 sub numele actual care provine de la Alișer Navoi, poet și om de stat uzbec, care a scris în persană și chagatai la curtea emirului Husayn Bayqarah de la Herat.

Note

Orașe din Uzbekistan

redpajama_set_name: RedPajamaWikipedia


It's been a while since I've been able to say it, but it looks like we are going into a reasonable wet pattern for a while. The Thursday morning commute could be a soggy one as a low pressure system moves onshore, combining with a plume of moisture (including some from an old tropical storm) to give us a better than even chance of rain. With the amount of moisture overhead, it's possible some areas will get a substantial amount of rain. Temperatures will plunge into the 60s Thursday before things clear out and warm back to the 70s on Friday and Saturday. Another cold low pressure center will drop out of the north late in the weekend, dropping temperatures and possibly some more rain Sunday.
Even if we didn't have this forecast, this is still a good time to talk about cutting back on watering. Heidi Kratsch at the UNR Cooperative Extension suggests cutting back now to twice a week watering (instead of three), while still making sure the water penetrates 6 inches into the soil. By November, you should be able to shut it off altogether to allow your grass to go dormant. I'll have more on this tomorrow.


Employers across Lincolnshire held a summit in Lincoln on increasing the number of jobs for disabled people in the region.
The event was one of a number of conferences hosted across the country to promote the Disability Confident campaign.
Lincoln MP Karl McCartney chaired the event and took questions from employers about how to improve and increase the recruitment of disabled people.
The Disability Confident initiative was launched by the Department for Work and Pensions (DWP) in 2013 to encourage employers to become more confident about recruiting disabled people.
Businesses become Disability Confident employers by removing barriers in recruiting disabled people and hiring local disabled jobseekers.
Sponsored by employment, learning and skills charity, Shaw Trust, there was a presentation from Clare Gray, who spoke about how the charity helps employers eager to increase the diversity of their workforce.
Clare, Shaw Trust's Specialist Disability Co-ordinator, is a wheelchair user with spinal muscular atrophy and has been a passionate advocate for the disabled community for many years.
The DWP also discussed the Access to Work scheme which pays for practical support when disabled people need help to start and stay in work.
Karl McCartney said: "It was great to learn more about how Lincolnshire employers are working closely with the disabled community to offer them employment opportunities.
"I welcome the targeted specialist support offered to disabled people so they can find work. We should never be complacent about reducing unemployment and the support we offer disabled people to fulfil their career ambitions.
Roy O'Shaughnessy, chief executive of Shaw Trust, added: "Through our work with employers across the UK we are seeing an increasing number of businesses who are committed to recruiting more disabled workers.


text:
Q: Duda con listas ligadas (punteros) C++ El ejercicio en cuestión es este:

Tengo ya este código en el header:
#ifndef HEADER_H
#define HEADER_H7

//Tipo dato Nodo
struct Nodo
{
    int dato;
    Nodo* izq;
    Nodo* der;
};

//Tipo dato Estructura
struct Estructura
{
   Nodo* inicio;
   Nodo* fin;
};

void inicializarEstructura(Estructura& est);
//{PRE: 'est.inicio' es nullptr y 'est.fin' es nullptr}

#endif // HEADER_H

Y este es el código que tengo de momento del main:
//Tema 1. Ejercicios punteros.

#include <iostream>
#include <header.h>

using namespace std;

int main()
{

    return 0;
}

void inicializarEstructura(Estructura& est)
{
     //1º Aquí asigno memoria dinámica para cada nodo
     Nodo* p = new Nodo;
     Nodo* q = new Nodo;
     Nodo* h = new Nodo;

     //2º Asigno los punteros correspondientes
     //2.1º Primero los punteros de la Estructura "est" a nodo
     *est.inicio = *q->der;
     *est.fin = *h->izq;
     //2.2º Segundo los punteros de nodo a nodo
     *q->der = *est.fin;
     *p->izq = *est.inicio;
     est.fin->izq = p->dato;
}

Me salta este error:

Sólo me da el error cuando intento apuntar con la variable izq(de tipo nodo) del tercer nodo, a la variable dato(de tipo int) del 1er nodo.
¿Cómo lo soluciono?
Gracias de antemano.
PD: Recibir una respuesta me es importante, necesito entender el concepto de puntero correctamente, y creo que al ver este ejercicio resuelto entenderé bastante mejor este tema.

A: est.fin->izq = p->dato;

Si dato es un entero, no puedes asignarlo a un puntero.
Lo que quieres hacer, inicializar la lista, es muy simple
void inicializarEstructura( Estructura& est ) {
  nodo *izquierda = new Nodo;
  nodo *centro = new Nodo;
  nodo *derecha = new Nodo;

  izquierda->izq = nullptr;
  izquierda->dato = 2;
  izquierda->der = centro;

  centro->izq = izquierda;
  centro->dato = 1;
  dentro->der = nullptr;

  derecha->izq = centro;
  derecha->dato = 3;
  derecha->der = nullptr;

  est.inicio = izquierda;
  est.fin = derecha.
}

Preguntas sobre punteros hay unas cuantas en el sitio. Puedes consultarlas, para ver ejemplos varios y variados.

A: Intenta cambiando los puntos (.) que aparecen en los errores por flecha (->)

Para tener acceso a los miembros de una estructura, utilice el operador punto. Para tener acceso a los miembros de una estructura a través de un puntero, utilice el operador flecha.

Operador flecha
Arrows pagina en ingles
Operadores de punteros en español