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Grant Recipients
COVID-19 Emergency SHARP Grants
In November 2021, Oregon Humanities awarded $717,000 in grants to sixty nonprofit organizations and federally recognized Native American tribes in Oregon. This funding is a part of the $1.9 trillion American Rescue Plan Act of 2021, distributed by the National Endowment for the Humanities. It is intended to help the humanities community recover from the economic burdens of the pandemic and to enable the reopening of humanities institutions and programs.
Albany Regional Museum (Albany)
$20,000 to support making current exhibits more inclusive and accessible. This includes highlighting underrepresented voices, using technology and translation to assist visitors, and revising layout to incorporate multiple learning styles.
Arts Council of Pendleton (Pendleton)
$8,000 to support events, including the planning and marketing associated with First Draft, a free monthly community discussion forum during which authors working in a variety of humanities disciplines read from their works and then conduct question and answer sessions.
Baker Heritage Museum (Baker City)
$10,000 to support general operations
Barnstormers Theatre (Grants Pass)
$5,000 to support general operations
Beaverton Downtown Association (Beaverton)
Bridgeworks Oregon (Portland)
$20,000 to support providing meaningful content and interactive study materials for an in-prison television channel. This outreach program engages adults in custody in critical thinking through film viewing, supplementary written material, collected written responses, and opportunities for reflective discussion.
Brooks Historical Society (Gervais)
Burns Paiute Tribe (Burns)
$19,800 to support an audio-editing project to help advance language revitalization efforts for the endangered Northern Paiute language by creating digital deliverables that can be used for in-person and distance learning. This project will help the Tribe recover from the loss of intergenerational transmission due to COVID-19 and also prepare the Tribe to face future situations requiring distance learning.
Campus Compact of Oregon (Portland)
XRAY.FM (Portland)
$4,500 to support the 2022 International Women's Day teach-in, "Amplify Women," which will consist of twelve hours of community radio conversation. Funding will support planning, outreach, writing, recording, editing, marketing, and participant compensation for the event.
Chehalem Cultural Center (Newberg)
Comunidad y Herencia Cultural (Springfield)
$20,000 to support Noche Cultural, Hispanic Heritage, and Cultural Heritage projects. Funding will be used in support of culture bearers of color, who pass down cultural knowledge and traditions to younger generations. It will also help to cover costs associated with online programming until in-person activities can resume.
Coos History Museum (Coos Bay)
Curry Coast Community Radio (Brookings)
Disability Art and Culture Project (Portland)
Drexel H. Foundation (Vale)
Art Center East (La Grande)
$19,800 to support online, outdoor, or otherwise socially distant public humanities activities that maintain conversations about shared culture, enhance quality of life, and strengthen communities. Activities include literary readings, youth story time, gallery talks, a Día de los Muertos exhibit and ofrenda, performances by Oregon Culture Keepers, and a storytelling project.
Fishtrap (Enterprise)
$10,000 to support the transition back to in-person and hybrid events. Funding will support staff until program revenue picks up in 2022 and help the organization to relocate without draining reserve funds.
Friends of the Cascade Locks Historical Museum (Cascade Locks)
Friends of Tryon Creek (Portland)
$4,500 to support Indigenous Culture Day, a free all-ages event that celebrates and reclaims traditional lands for Indigenous peoples and provides an accurate cultural experience for the community.
Future Prairie (Portland)
Garibaldi Maritime Museum (Garibaldi)
Harney County Library Foundation (Burns)
$14,100 to support work describing and cataloging the collections of the library and the neighboring museum in a shared online database, which will make the collections accessible to a wider audience.
Hood River County Heritage Council (Hood River)
Japanese American Museum of Oregon (Portland)
Jim Pepper Native Arts Council (Portland)
Josephine County Historical Society (Grants Pass)
Juneteenth OR (Gresham)
KXCR Community Radio Partners (Florence)
Lincoln City Cultural Center (Lincoln City)
Maxville Heritage Interpretive Center (Joseph)
MediaRites (Portland)
Mid-Valley Literacy Center (Salem)
Milton-Freewater Neighborhood Senior Center (Milton-Freewater)
Milagro (Portland)
$20,000 to support Milagro's pivot toward being an epicenter for arts, culture, and heritage through the expansion of projects to include more humanities-related programming, including the Oregon Latino Oral History Project.
Natives of One Wind Indigenous Alliance/Red Earth Descendant (Ashland)
NW Documentary (Portland)
$13,500 to support youth programming, in partnership with Elevate Oregon, for conversations about filmmaking and media production led by at-risk youth. Funding will support the first phase of the project, which will be four months of weekly in-person conversations with BIPOC media makers from Portland.
O'Brien Memorial Library (Blue River)
Oregon Black Pioneers (Salem)
Oregon Jewish Museum and Center for Holocaust Education (Portland)
Polk County Historical Society (Rickreall)
Portland Indigenous Marketplace (Portland)
Profile Theatre (Portland)
$15,000 to support In Dialogue, a program of guest lectures, panel discussions, presentations, and salons designed to help audiences delve deeper into the issues and ideas presented on stage.
Rural Organizing Project (Cottage Grove)
Salem Art Association (Salem)
Santiam Heritage Foundation (Stayton)
Singing Creek Educational Center (Cottage Grove)
St. Vincent de Paul Dual Immersion School (Salem)
$20,000 to support the after-school program. Funding will support assistance with linguistics homework, the purchase of educational supplies, and the development of the Cultural Heritage & Arts Club. These activities establish a sense of identity and a greater understanding of culture among students.
The Hearth (Ashland)
The Immigrant Story (Portland)
$17,000 to support work related to community-building, storytelling, and effective technology use during the pandemic.
The Josephy Center for Arts and Culture (Enterprise)
The Red Door Project (Portland)
The Skanner Foundation (Portland)
$20,000 to support the reestablishment of community events such as the MLK Breakfast Live and presentations of The Wake of Vanport.
Tillamook County Pioneer Museum (Tillamook)
triangle productions (Portland)
$20,000 to support staff needs related to the Umbrella Project, which seeks to engage others in the preservation of LGBTQ history in Oregon from the beginning of the territory (Native American community) until the present day.
UC-VEG (Roseburg)
Vanport Mosaic (Portland)
Wallowa Band Nez Perce Trail Interpretive Center (Wallowa)
Women's Civic Improvement League - KPOV High Desert Community Radio (Bend)
$6,250 to support the launch of Critical Conversations, a radio program, podcast, and website featuring sixteen years of recorded conversations with community advocates, racial justice organizers, social justice leaders, elected officials, and more. Funding will also support the creation of new content, including town-hall style shows that will educate listeners on critical local and national issues.
World Arts Foundation (Portland)
Responsive Program Grants
In September 2021, Oregon Humanities awarded $5,925 in grants to three nonprofit organizations in Oregon. These grants will support programs that address urgent or timely issues in Oregon communities.
Anita (Astoria, OR)
$2,000 to support public discussions of BorderXer, an exhibition focused on the experiences of people who cross borders to survive economic and other catastrophes. BorderXer compiles five years of research by curator Patricia Vázquez Gómez in the Sonoran Desert exploring the stories of those attempting to cross north into the US from Mexico. Programming includes artist talks and presentations by No More Deaths, a humanitarian organization based in Southern Arizona dedicated to stepping up efforts to stop the deaths of migrants in the desert, and Causa, an Oregon immigrant rights organization.
KXCJ (Cave Junction, OR)
$1,925 to support daily 5:00 p.m. broadcasts throughout the fire season in the Illinois Valley, which has a population of 13,000 residents who are at high risk from wildfires. KXCJ sees this program as an important role to help reduce misinformation, increase local community power, and deliver timely and responsive information when both social media and newspapers are falling short.
Beyond Boom & Bust (Cave Junction, OR)
$2,000 to support a partnership between Beyond Boom & Bust and the Illinois Valley Soil & Water Conservation District, for a series of town halls focused on the history, present, and future of the Illinois River Basin and the people for whom it has been a life-giving source. These town halls will seek to document the concerns of the community in order to translate concerns into responsive action and change.
Public Program Grants
In February 2021, the Oregon Humanities Board of Directors awarded $100,000 in grants to 17 nonprofit organizations from around the state. These grants will support programs that bring people together to think and talk about challenging issues and ideas and support communities to adapt to new ways of doing public programs during and beyond the COVID-19 pandemic.
Architectural Heritage Center (Portland, OR)
$5,075 to support "Black Portland: Architecture, Culture, and Diversity Dialogues" —The launch of a timely series of recorded, intergenerational dialogues with members of Portland's black community that probe issues of the built environment, diversity, and race through personal stories and experiences. The dialogues will accompany a forthcoming exhibit at the Architectural Heritage Center of black environmental portraiture, taken by artist and photographer Intisar Abioto.
Ascension School Camp and Conference Center (Cove, OR)
$8,695 to support "Xmaash Tamaycht - Camas Bake" —This funding will support an on-going effort led by Cayuse, Umatilla, Walla Walla, and Nez Perce People to revitalize the connection to Camas in Northeast Oregon through camps focused on gathering, processing, baking, monitoring and restoring this culturally significant First Food.
Astoria Visual Arts (Astoria, OR)
$4,750 to support "Visions of the Past Moon: Historic Chinook Tansy Creek Project" —Funding will support the creation of an interpretive exhibit that raises public awareness of the historic Tansy Creek Site and contemporary issues facing Chinook people, exploring an era straddled between lost tradition and new found meaning.
BASE Southern Oregon (Medford, OR)
$7,500 to support "Black Alliance & Social Empowerment" —The building of an included Black community through education, networking and workshops within Southern Oregon.
Bridgeworks Oregon (Portland, OR)
$2,500 to support "Voices from the Inside" —Oregon Humanities funding will support travel to rural Oregon prisons and the surrounding communities in order for the artist/mentors to present "Voices from the Inside," a video project produced by Oregon State Penitentiary adults in custody (AICs); in addition, artist/mentors will lead public conversations about the men in the video and their lives inside.
Casa Latinos Unidos (Corvallis, OR)
$5,100 to support "Nuestras Historias" —This funding will support the implementation of a permanent virtual exhibit of oral histories of the Latinx community of Benton and Linn Counties.
Japanese American Museum of Oregon (Portland, OR)
$7,500 to support "INAKA-Back to the Land and Legacy" —In Oregon, prior to World War II, 60% of fruits and vegetables were produced by Japanese American farms. This history includes Portland's inner and outer southeast, Hood River, Odell, Pine Grove, Dee, Parkdale, Gresham- Troutdale, Hillsboro, Ontario, and the Willamette Valley. INAKA Back to the Land and Legacies focuses on historic loss and generational stories of survival and resilience. The Japanese American Museum of Oregon will research, document and design programs to "unearth" the diversity of farming histories in our state. INAKA will build relationships with communities of color to heal from the traumatic histories of racism in Oregon.
Juniper Pine Project (McKenzie Bridge, OR)
$2,500 to support "McKenzie River Recovery Project" —The grant will fund a series of interviews with Holiday Farm Fire survivors who live within the fifty mile area of the frontier rural, unincorporated towns on the McKenzie River, and these interviews will seed a community conversations at the end of a three and a half month period about the current relief effort but also the boom or bust nature of our area, and we will do this in hopes to begin community healing as well as documenting this historic time for generations to come. This three month interview process will repeat with another community conversation.
KXCJ-LP (Cave Junction, OR)
$7,500 to support "Keep it Local - KXCJ Community Radio Programming" —We are a community-powered radio station in Cave Junction, Oregon and are seeking funding to support the production and coordination of locally produced weekly radio programming during 2021: five radio programs that focus on holding local officials accountable, centering news about nature and Native issues, creating a platform for local musicians, highlighting local stories, and engaging youth in radio drama production.
Next Up (Portland, OR)
$7,500 to support "2021 Youth Organizing and Popular Education Cohorts" —This funding will support our year-round youth leadership development cohorts that build community organizing skills and an anti-racist social justice analysis for Portland Metro's high school aged, college aged and other young adults.
On the Inside (Portland, OR)
$5,000 to support "On the Inside" —The funding will support the hiring of project managers and the purchasing of materials for the creation of a book composed of responses to prompts, written by female inmates in the Coffee Creek Correctional Facility, and published alongside responses from women on the outside who partake in our class series.
PassinArt: A Theatre Company (Portland, OR)
$4,500 to support "Hear Me: I Am Here" - A Conversation By & With Youth of Color —This funding will support monthly youth-led dialogues that explore often overlooked stories of resiliency, hope, wisdom and joy among youth of color in Oregon. By decentralizing adult voices and centering the voices of youth, this project hopes to empower and inspire other young people around the state to know their voice matters, too, and their stories and perspectives are worth hearing by adults.
Portland Chinatown History Foundation/Portland Chinatown Museum (Portland, OR)
$7,500 to support "Portland Chinatown Museum Community Roundtables" —This funding will support a series of 9-10 virtual roundtables, which will share the stories of Oregon's early rural and urban Chinese settlements, in partnership with curators, historians, archaeologists, archivists, planners and preservationists, and Chinese descendents in 8 locations -- Portland, Jacksonville/Ashland, Salem, Astoria, the Dalles, John Day and Grant County, Pendleton, and Bend. This series aims to provide a better understanding of early Chinese immigrant history and culture and its importance to Oregon's growing Asian American population.
Portland Playhouse (Portland, OR)
$6,000 to support "Joy (Comes) In the Mourning: A Conversation Series" —This project will support online conversations and creative exploration for three affinity groups: highschool age youth; BIPOC who have lost loved ones; and BIPOC facing loss of land / displacement. Over two weeks in May, groups (capped at 15) will reflect on their experiences of loss, build altars, and explore the role of mourning rituals and altars, in diasporic and Indigenous cultures, as tools for collectively processing grief and building resistance. Each affinity group will be paired with an artist who will build a large altar that celebrates the group's resilience at a public site in the King Neighborhood.
Rural Development Initiatives (Coburg, OR)
$5,000 to support "Understanding Rural Leadership Development and Systems Change" —This funding will support a series of statewide interactive webinars to facilitate discussion related to the impacts of 2020 events in rural Oregon communities, with the goal of encouraging reflection, considering future trends, and taking action towards systems change.
Signal Fire (Portland, OR)
$2,500 to support "BIPOC Virtual Programming" —This funding will support two virtual workshops designed to center coalition building among intergenerational Black and Indigenous artists, activists, farmers, and environmentalists.
The Vanport Mosaic (Portland, OR)
$7,238 to support "Vanport Mosaic Festival 2021" —This funding will support the 6th Vanport Mosaic Festival, a month of "memory activism" to amplify Oregon's silenced histories through art performances, oral history screenings, exhibits, tours and dialogues.
COVID-19 Vaccine and Me (The Rosewood Initiative, Portland)
$2,000 to co-create vaccine information in partnership with local care providers to share with their diverse community. This information will be shared in conversational English classes that are already offered, and can be reused in the future. Materials may be videos, comics, poems, or songs. The goal is to create a safe space for community members to learn more about the vaccine and have a trusted source of information.
Engaging At-Risk Youth in Disaster Preparedness (Umpqua Valley Habitat for Humanity, Roseburg)
$1,000 to host four outdoor, in-person disaster preparedness workshops for young people ages 13-25. The workshops will focus on: Basics of survival and disaster preparedness; Preparing a disaster plan for individuals and families; First Aid/CPR; creating a "Go Bag" of supplies to prepare for disaster events. The goal is to empower youth through gaining skills and knowledge given recent disasters such as wildfires and the current pandemic.
Future Prairie Radio (Future Prairie, Portland)
$2,000 in support of a weekly podcast that examines the future of art, design, and culture through the eyes of marginalized artists. This podcast seeks to promote the work of these artists by celebrating and amplifying their voices, centering the narratives of those who are often working from the fringes and periphery of our regional arts ecology. The goal is to directly assist queer Portland artists who are unemployed or underemployed and receiving little to no support for their vital contributions to our community.
Echo Mountain Fire Survivors Fun Night (Echo Mountain Fire Relief, Otis)
$2,000 to support "Fire Survivor Fun Night," a recurring event from May through November 2021. This event allows survivors of the 2020 Echo Mountain Fire to come together weekly to relax, breathe, and play, using art, storytelling, music, and other therapeutic media to create resilience in our community.
"Seeking Shelter- The Josephine County Housing Crisis" (Jo Co Equity, Selma)
$2,000 in support of a two-part workshop series in collaboration with the Rogue Community College Diversity Board, Foundry Village Transitional Housing, AllCare Community Foundation, Fair Housing Council of Oregon, Rogue Action Center, and other local stakeholders. The first workshop will explore the nature of Josephine County's housing crisis, discuss specific challenges, brainstorm solutions, and learn more about equitable housing practices. The second workshop will be instructional for housing advocates to support people who may be likely to face discrimination while looking for housing to learn about their rights and also to educate community members on effective policy advocacy techniques.
"Hidaya Women's Resource and Advocacy Project" (Muslimahs United, Beaverton)
$2,000 in support of three mini workshops with panel discussions, followed by a group discussion and/or breakout group discussions. There will be info zines distributed, and each workshop will end with a community meal. We are addressing incidents of anti-Blackness/mysogynoir within our local Muslim community, and we want to alleviate stress and support self determination for women and their families in our community who are impacted by these issues.
In February 2020, the Oregon Humanities Board of Directors awarded $60,000 in grants to 10 nonprofit organizations from around the state. These grants will support programs that bring people together to think and talk about challenging issues and ideas and support communities during the difficult transitions and circumstances created by the pandemic.
Lake County Resource Initiative (Lakeview, OR)
$7,356 in support of "Rural Voices on a Changing Land," a series of programs using arts and science to engage rural community members on the topic of climate change. Activities include environmental field trips, a photography show, and an interactive map website.
Maxville Heritage Interpretive Center (Joseph, OR)
$4,950 in support of Timber Story Workshops and Roots Music Project, initiatives to share stories about living in rural Oregon. Plans include collecting individuals' history narratives and photographs and student writers performing their work.
Warm Springs Community Action Team (Warm Springs, OR)
$7,125 in support of the opening event for the Old Commissary Project, an effort by Paiute, Warm Springs, and Wasco tribal members to renovate a 100-year-old government commissary into a reclaimed tribal space. The opening event includes performances, storytelling, and video and audio testimonials about the complexity of the commissary's history.
Division Midway Alliance (Portland, OR)
$2,800 in support of a community dialogue on Diplacement, Relocation and Placemaking for East Portland residents. Activities include inviting speakers and community members from low-income, immigrant, and refugee communities to engage the issues of diplacement and explore solutions.
World Stage Theatre (Troutdale, OR)
$7,500 in support of "Growing Up Black In Oregon," a series of conversations surrounding the challenges, traumas, and triumphs of Black Oregonians of various backgrounds. Discussions are themed by group, such as Black elders, Black LGBTQ community members, Black migrants, and more.
The Immigrant Story (Hillsboro, OR)
$3,000 in support of "The Immigrant Story Live," a series of musical performances and storytelling to share and celebrate the experience and contributions of immigrants of color in our communities.
Columbia River Creative Initiatives (Portland, OR)
$8,906 in support of "From the Inside Looking Out: A Prison Reform Symposium," which involves current incarcerated people and people from the public to hold conversation regarding personal experiences and ideas for prison reform.
Street Roots (Portland, OR)
$3,750 in support of the Vendor Voices Initiative, an effort to bring people together across various housing statuses. Activities include financially compensated workshops, poetry readings, and a Holiday zine project for vendors of the Street Roots newspaper.
Hood River County Heritage Council (Hood River, OR)
$4,050 in support of pop-up memory café programming taking place in Hood River, Cascade Locks, and the upper Hood River Valley. This project provides bilingual engagement opportunities for rural dementia patients and caregivers using museum artifacts.
Community Alliance of Lane County (Eugene, OR)
$7,500 in support of Back to Back programming, an initiative to shift the culture in a white-dominant area to be more livable and welcoming to members of color. Programming includes workshops, movie nights and facilitated discussion, art performances, anti-racist curriculum, and more.
Centro Cultural Del Condado De Washington (Centro Cultural, Cornelius)
$1,000 in support of Edad De Oro, a senior program that serves 100 low-income, primarily Spanish-speaking Latinx people who are over 60 years old.
COCC Afrocentric Studies Club- Red Door Project (Central Oregon Community College Foundation, Bend)
$1,000 in support of Central Oregon Community College's Afrocentric Studies club whose mission is to increase awareness of black culture amongst our student members and to also connect and respond to community issues that affect communities of color. For this reason we have embarked on this ambitious project to bring the Red Door Project "Evolve" production to Central Oregon.
We Are What We Eat: A Food & Race Workshop (Resolutions NW & Manar Alattar, Venue Barnes, and Maggie Michaels, Portland)
$1,000 in support of a food and race workshop centered around communities of color and how they are being most impacted by inequity in our national and global food systems. The training is developed through a partnership between a group of local food activists and Resolutions Northwest.
Oregon Native American Language Youth Fair Seminars (Celebrating Traditions; Native American Arts and Cultures, La Pine)
$1,000 in support of language Seminars in preparation for the First Annual Oregon Native American Language Youth Fair. These seminars are for the tribal Language Departments and their language instructors for each tribe.
Hmong Community Conversation on Violence and Healing (APANO, Portland)
$1,000 in support of an open and reflective dialogue in the Hmong community in response to tragic events including murder suicides, gang violence and the most recent shooting in Fresno, CA that took 4 Hmong men's lives.
Thursday Night Talks (Clatsop County Historical Society, Astoria)
$1,000 in support of exploring under-examined and often challenging components of area history, the Clatsop County Historical Society (CCHS) is proposing to generate programming that addresses how issues of racial inequity, poverty, policing, and addiction have manifested within Astoria and the broader Clatsop County as both historical and contemporary challenges.
Imagining Indigenous Resistance (Nightingale Gallery: Eastern Oregon Foundation, La Grande)
$1,000 in support of an exhibit on Indigenous perspectives. As a public art space in La Grande occupying former tribal lands, the Nightingale Gallery has a responsibility to serve as a platform for public discourse on issues facing Indigenous people. The exhibition centers the experiences of Indigenous people and Pacific Islanders.
Hiroshima Peace Tree Initiative: A reconciliation project (Klamath Falls City Schools, Klamath Falls)
$1,000 in support of an initiative as part of an evening that commemorates the end of WWII, the planting of two Hiroshima Peace trees, and the bringing together of our community, and its responses to the impact of WWII and its implications today as we search for common ground. May is also the National Asian American and Pacific Islander Heritage month.
Portland Through a Latinx Lens (Portland Through a Latinx Lens via SE Uplift, Portland)
$1,000 in support of the creation of opportunities that bring folks from diverse backgrounds together to learn about the intricacies of being Latinx in Portland, as well as to engage, connect and empower Latinx folks in our communities. We aim to encourage the engagement and connection of Latinx people and our broader community in meaningful conversations, and to celebrate and frame the culture and heritage of Latin Americans.
Miss Juneteenth Oregon Program (Juneteenth Oregon, Gresham)
$1,000 in support of workshops that provide education, tools, and resources to help youth build resilience, gain confidence and make positive life choices. We aim to empower black and brown youth in Oregon and SW Washington. Our leadership development curriculum helps youth develop skills to intentionally and positively influence the actions of others through a culturally-specific lens. We emphasize not only learning about leadership but practicing leadership through entrepreneurship and service learning opportunities in the community.
Capturing Conversation: Stakeholder Share about Summer Lake (PLAYA, Summer Lake)
$1,000 in support of micro-events in which participants previously tapped for their expertise in water-resource issues and Summer Lake area knowledge share additional perspectives for filming. The ideas and issues to be discussed will focus on how we can mutually and individually live and work in the Summer Lake basin and Lake County.
Community Rituals of Grief and Renewal (Ashland BIPOC Sanctuary via Rogue Valley Unitarian Universalist Fellowship, Ashland)
$1,000 in support of the BIPOC sanctuary to hold grief rituals to provide a healing space that is welcoming to communities of color in conjunction with trained WOC (Women of Color) grief facilitators from Tending the Threshold.
Immigration and Deportation - Lao Nationals (IU Mienh Association of Oregon via East Portland Neighbors, Portland)
$1,000 in support of the Iu Mienh Association of Oregon for community engagement and outreach, cultural preservation projects. The grant will support a community informational session and legal clinic concerning deportations for Lao nationals.
#HomeBoundBroadway (Tower Theatre Foundation, Bend)
$1,000 in support of the #HomeboundBroadway program that invites our theatre audiences to submit videos of their own performance of a favorite Broadway number. It allows individuals and families sequestered during this COVID-19 to be creative, and to share something they love with their neighbors through our online forum.
Muse Club Program (World Muse, Bend)
$1,000 in support of Muse Club Programs encourage and support youth to become social change leaders in their school and communities. With students now schooling from home, we will begin providing our Muse Club Programming to middle and high school students via online platforms.
In 2019, the Oregon Humanities Board of Directors awarded $60,000 in grants to eleven nonprofit organizations from around the state.
$4,500 in support of Engaging Youth Voices in Shaping Our Community, a project that will present film screenings and facilitated conversations about young people leaving rural communities, engage youth in creating films about their perspectives on the issues that cause young people to move away from those communities, and connect youth and adult participants to share perspectives.
Momentum Alliance (Portland)
$7,500 in support of Oregon Students of Color Conference and Youth Organizing Toolkit, a project at the 2019 Oregon Students of Color Conference to develop leadership by youth of color.
Multicultural Association of Southern Oregon/KSKQ Community Radio (Ashland)
$3,000 in support of Independent Media Week, a weeklong series of workshops, films, and panels for people making and consuming media in the Rogue Valley.
Oregon Rural Action (La Grande)
$5,000 in support of a series of community forums on the Oil-by-Rail Emergency Preparedness Campaign, taking place between April 2019 and March 2020 in baker City, La Grande, Mission, Ontario, and Pendleton.
PLAYA (Summer Lake)
$6,000 in support of Focus on Drought: How We Talk About Water Shortage in a Time of Change, a conversation about drought in Central Oregon.
Portland Meet Portland (Portland)
$3,500 in support of Stories from the Diaspora, a community-based storytelling project to create profiles immigrant and refugee community members and present a series of public dialogues on issues they face.
RiverStars Performing Arts (Cave Junction)
$8,000 in support of Backyard Cavetown: Beyond Boom and Bust, a project in which young people with perform interviews with community members in the Illinois Valley on economic boom and bust cycles in the region and use their perspectives to inform a theater performance about building a sustainable economy.
Sexual Assault Resource Center (Beaverton)
$7,500 in support of Moving Toward a Culture of Consent: Community Conversations Examining Sexual Violence, a three-session conversation series examinging the root causes of sexual violence using popular education techniques.
Skate Like a Girl (Portland)
$5,000 in support of AllySk8, a project that will use skateboarding to explore concepts such as social justice, allyship, microaggressions, and consent through facilitated workshops and experiential learning activities.
Southern Oregon Guild of Artists and Artisans (Kerby)
$3,000 in support of Connecting Threads, a series of intergenerational conversations focusing on belonging, connection, and crafts.
$7,000 in support of the 2019 Vanport Mosaic Festival, a community gathering that will use exhibits, documentary screenings, theater and spoken word performances, tours, and conversations to explore the resilience and resistance of historically oppressed communities.
Projects that received Responsive Program Grant funds from November 1, 2018 through September 30, 2019.
Airlie Poetry Night (Airlie Press, Hillsboro)
$1,000 in support of a free, open poetry event as part of the Association of Writers and Publishers (AWP) conference. This event explored some challenging topics, such as the disparity of incarceration rates amongst indigenous peoples in the justice system, the current state of the Latino community in the Portland metro area, and invisible communities within the city.
Improved Nez Perce Teaching Box (Josephy Center for Arts and Culture, Joseph)
$1,000 in support for updates to the Nez Perce Teaching Box, a toolkit to use in middle schools in Oregon and Washington to educate students on the rich history and culture of indigenous peoples, especially on the history of the Nez Perce people.
Understanding and Confronting White Nationalism (Community Alliance of Lane County, Eugene)
$1,000 in support of a four-part series of film screenings and community conversations with civic leaders, activists, and artists to enhance the local communities' understanding of and ability to confront white nationalism in Lane County.
Public Showing of Circles and Discussion (Resolutions Northwest, Portland)
$1,000 in support for a showing of Cassidy Friedman's film Circles followed by community conversations around restorative justice. The film showcases the restorative justice movement that is addressing the root causes of conflict, accountability and equity with youth in communities of color.
Stories my Mother and Father Told Me (Portland Chinatown Museum, Portland)
$1,000 in support of a multifaceted Asian American storytelling series that explores the intersections of race, generation, gender, and place in regard to immigrant life. Organized by the recently opened Portland Chinatown Museum, the series is a response to a desire among museum members, broader Asian American and white audiences, and the Chinatown community for more storytelling programs featuring Chinatown community elders.
Three Immigrant and Refugee Stories on Exclusion and Inclusion (MediaRites Productions, Portland)
$1,000 in support of an hourlong combination of three monologues followed by an audience conversation moderated by radio producer, writer, and MediaRites Executive Producer Dmae Roberts. The monologues are "See Her Strength" by writer/performer Samson Syharath, a story honoring the sacrifices of the writer's mother; "Carmelita" by Latina writer Yasmin Ruvalcaba, showing the desperation of a refugee risking her life to find safety but being met with fear and danger; and "Harvest," written by Dmae Roberts, covering four generations of an Asian American's family history in Oregon, including the long history of Oregon's exclusion laws and Robert's present-day reflections as an Asian American.
Intracommunity Healing Conversations (Untangled, Tigard)
$1,000 in support of four dialogues addressing large gaps in, and laying the groundwork for comprehensive community-based dialogue within refugee communities around identity, integration, belonging, and the future. Dialogues were cofacilitated by a psychiatrist, an expert on trauma, and a former asylum-seeker.
St. Johns Village: A Series of Living Room Discussions (St. Johns Center for Opportunity, Portland)
$1,000 in support of community-driven, living-room-style discussions led by the St. Johns Center for Opportunity (SJCO) and the St. Johns Welcomes the Village Coalition to discuss the relocation of a tiny house village, Hazelnut Grove, from Portland's Overlook neighborhood to St. Johns. The discussions' goals are to begin the process of integrating village members into the community.
Training on Anti-Blackness (Impact NW, Portland)
$1,000 in support of a workshop to provide education, improve awareness, and provide a focused space to address racism, ostracization, inequities, and lack of retention of black employees, facilitated by Tashia Harris, a black transfemme, writer, educator, trainer, and professor.
Alegria Joy (Baker County Community Literacy Coalition, Baker City)
$1,000 in support of the Alegría program, a series of events to celebrate and support Latino culture and heritage at South Baker Intermediate School.
Know Your Legal Rights Outreach (El Programa Hispano Católico, Gresham)
$1,000 in support of a bilingual English/Spanish information and leadership program addressing access to information in the Latino community. The program included a Know Your Rights workshop to provide information related to immigration rights and housing discrimination.
Art Reflecting Life: A Response to the Homelessness Crisis in Eugene-Springfield (Eugene Opera, Eugene)
$1,000 in support of educational opportunities and performances by the Eugene Opera, community partners, and teaching artists to bring forward issues of homelessness and support youth creating monologues and dialogues to be presented to the community.
Native Artists and Storyteller Symposium (Wisdom of the Elders, Inc., Portland)
$1,000 in support of a program responding to the lack of Native American visibility regarding representation of voice and culture in the Portland urban area. The program brought artists, storytellers, and the community at large to participate in talks, panels, and film screenings to discuss topics around Native artists and storytellers.
The Modoc War Documentary Screening and Conversation with Don Gentry, Chair of Klamath Tribes (Ross Ragland Theatre, Klamath Falls)
$1,000 in support of a community screening of the OPB documentary The Modoc War accompanied by a panel and community discussion with Klamath Tribal Chairman Don Gentry. This program brought together people to discuss historical misconceptions and to appreciate local history and culture.
Radical Dharma: Talking Race, Love and Liberation (Presence Collective, Portland)
$1,000 in support of conversations facilitated by Zen Reverend Angel Kyodo Williams discussing radical dharma as a tool to address barriers to dismantling white supremacy. This was a deeply immersive introduction to encountering race and racism where it lives in our lives. It supported awareness and the practices of dismantling the negative impacts of racialization on our collective minds, hearts and bodies.
In 2018, the Oregon Humanities Board of Directors awarded $59,980 in grants to thirteen nonprofit organizations from around the state.
Chinese American Benevolent Association (Eugene)
$5,246 in support of DisOrient Asian American Film Festival of Oregon, a four-day series of film screenings, panel discussions, and Q&As April 19–22, 2018, in Eugene
Clackamas County Arts Alliance (Oregon City)
$5,000 in support of the Ask the Question Project, an exhibit of photos and narratives that aims to break down stigmas and stereotypes relating to suicide and mental illness
Columbia Center for the Arts (Hood River)
$5,000 in support of Activism as Art, a series of performances and community conversations in April 2018
$3,750 in support of Winter Fishtrap, a series of community conversations about timely issues facing the West, taking place in early 2019
Kitchen Commons (Portland)
$3,500 in support of Kitchen Conversations, two gatherings addressing healthy relationships to food and other eaters
Kitchen Table Democracy (Portland)
$5,000 in support of Educated in Oregon, an audio project that will explore how storytelling creates space for productive conversations about the future of education in Oregon
Know Your City (Portland)
$3,200 in support of Know Your City Walking Tours, accessible tours of the city that focus on untold stories of oppressed people
The Museum at Warm Springs (Warm Springs)
$7,500 in support of "Memory of the Land: Treaty of the Middle Columbia River Tribes and Bands," an exhibit featuring the 1855 treaty that defined the area of the Warm Springs Indian Reservation and affirmed the sovereignty of the Confederated Tribes of Warm Springs
OPAL Environmental Justice Oregon (Portland)
$5,000 in support of the Oregon Just Transit Alliance Community Conversation Project, an effort to include communities that are disporportionately affected by environmental injustices in making decisions around environmental and economic issues
Oregon Nikkei Endowment (Portland)
$5,500 in support of Gamanfest: Reclaiming Identity through Art & Activism, a two-day event to engage young Asian Pacific American people in examining intergenerational impacts of racism, May 11–12, 2018, at Portland Community College
The Resilience Project (Corvallis)
$4,554 in support of the Latino Youth Digital Storytelling Project, an ongoing effort to train Latino youth in writing, editing, and filmmaking skills to help them produce digital stories with their families and share those stories with the community
Sitka Center for Art and Ecology (Otis)
$2,250 in support of Mingle and Muse, a free lecture series focused on issues of race, culture, and art in the summer of 2018
The Vanport Mosaic (Portland)
$4,500 in support of The Vanport Mosaic Festival 2018, a four-day multidisciplinary festival commemorating the seventieth anniversary of the flood that destroyed the city of Vanport and celebrating the fiftieth anniversary of the passage of the Fair Housing Act, May 23–28, 2018, in Portland
Astoria Call to Life: An Earth Day Ingathering (Clatsop Community College Foundation, Astoria)
$1,000 in support of a performance by pianist Rachelle McCabe and writer Kathleen Dean Moore that uses music and words to address the global climate crisis and mass extinctions.
Beyond the Bars (Champion Team of Yamhill County, McMinnville)
$1,000 in support of peer support groups and a job fair for people coming out of jail or prison.
Bridging Our Divide Community Dialogue Events (Bridging Our Divide, Salem)
$1,000 in support of community conversations focused on fostering understanding across political and ideological divides
First Draft Gatherings (Arts Council of Pendleton, Pendleton)
$1,000 in support of free monthly gatherings featuring author readings and Q&A sessions
Black History Month Film Series: I Am Not Your Negro (Self Enhancement, Inc., Portland)
$1,000 in support of a screening of Raoul Peck's documentary I Am Not Your Negro followed by a panel discussion and Q&A with Aisha Karefa-Smart, a niece of James Baldwin, and Darrais Carter, assistant professor of Black studies at Portland State University.
Little Stone Project (Bend)
$880 in support of Little Stone Project, a four-day art and education event to encourage participants to reflect on their individual contributions to larger social movements
Love You Madly (Eugene/Springfield NAACP, Eugene)
$1,000 in support of a series of performances and conversations with eight local Black artists at the Mims House in Eugene
PICA World AIDS Day Program (Portland Institute for Contemporary Art, Portland)
$1,000 in support of a three-day series of video screenings, readings, and panel discussions relating to the work of Sarah Schulman, an AIDS historian and journalist
Season of Nonviolence: Julissa Arce (Central Oregon Community College, Bend)
$1,000 in support of a lecture and community conversations with immigration and education rights advocate Julissa Arce
SHINE Program Intervention Programming (Impact NW, Beaverton)
$1,000 in support of a program providing bilingual legal information regarding immigration, bystander intervention and self-empowerment curriculum for young girls, and self-defense classes for young parents and families
This Land (High Desert Museum, Bend)
$1,000 in support of a series of film screenings, panel discussions, and community conversations about the role of public lands in Oregon.
In 2017, the Oregon Humanities board of directors awarded $60,000 in grants to thirteen nonprofit organizations from around the state. These grants supported programs that brought people together to think and talk about challenging issues and ideas.
$6,000 for In Our Valley...
RiverStars Performing Arts' project will engage youth in interviewing community members using a comic book format to ask how change happens and how people see their own role in making change. Participants will interview their families, church communities, and peers and use the resulting information to create text and scores for a performance and public dialogue to invite community reflection.
Boom Arts (Portland)
$5,625 for post-show discussions and humanities programming
Boom Arts will foster public dialogue on social issues among diverse Portland audiences through post-show discussions offered in conjunction with six upcoming theater presentations. Dialogues will feature visiting artists, local scholars, and community leaders.
The City Repair Project (Portland)
$5,025 for Making a Place for Everyone: A series of community conversations about place, equity, diversity, and sustainability
The City Repair Project will present a series of three conversation cafes exploring the question, "What makes a place inclusive, equitable, and sustainable for marginalized communities?" Community leaders from organizations such as APANO, R2D2, Don't Shoot PDX, and Groundworks PDX will offer brief stories from their work, then pose a question to attendees to discuss in small groups. Themes of houselessness, equity, and diversity will weave through all three events.
Columbia Slough Watershed Council and Historic Parkrose Neighborhood Prosperity Initiative (Portland)
$9,100 for Sloughtown Listening Sessions
Columbia Slough Watershed Council and Historic Parkrose will present six listening sessions to build a shared vision for how homeless camps, habitat restoration, public safety, and public access can coexist along the Columbia Slough. Stakeholders in this discussion include residents, businesses, environmental interests, homeless people, and the Police Bureau.
National Alliance for Mental Illness Multnomah (Portland)
$3,000 for Evening with the Expert
National Alliance for Mental Illness Multnomah's Evening with the Expert will be a series of panel discussions led by activists working in the mental health field in Multnomah County. The series will generate discussion around the ways religion, language, race, and sexuality impact our approach to mental and emotional well-being.
Newspace Center for Photography (Portland)
$2,000 for Migration Stories
In conjunction with Northern Triangle, an exhibit on the Central American refugee crisis along the US/Mexico border, Newspace Center for Photography will present a free public storytelling program, Migration Stories, providing a space for individuals to share their experiences of migration.
Oregon Jewish Museum & Center for Holocaust Education (Portland)
$4,750 for History, Justice, and Civic Engagement
OJMCHE will present three public programs that explore issues of prejudice using the lens of Jewish identity, building on the museum's three new permanent exhibits on Jewish identity, the Holocaust, and discrimination in Oregon.
Portland Playhouse (Portland)
$3,000 for 2017–18 community engagement series
Portland Playhouse will present three interactive dialogues on race, gentrification, and life in North/Northeast Portland during its 2017–18 season with the goal of strengthening the community through sharing, listening, breaking down barriers, and building relationships that extend beyond the events.
Resolutions Northwest (Portland)
$3,000 for Undersanding Racism Dialogues
Resolutions Northwest will conduct five Understanding Racism Dialogues and one facilitator training to support personal reflection and activation of participants of all races regarding their own implicit racial biases. All discussion will be contextualized and rooted in the history of systemic racial oppression in the US and in Oregon specifically. Participants will develop individual and community strategies for interpersonal racial reconciliation and become change agents for racial justice in their workplaces, neighborhoods, and larger civic community. Participants will become more knowledgeable, effective, and impactful contributors to the movement for equity and justice.
Crook County Foundation (Prineville)
$3,500 for What's Brewing?
Crook County Foundation will present a gathering to promote community conversations about local, regional, and global issues.
$5,000 for Racing to Change: Oregon's Civil Rights Years
Oregon Black Pioneers' groundbreaking new interactive exhibit will engage visitors of all ages and backgrounds as it traces how discrimination practices affected Oregon's Black populations and spurred the civil rights movement across Oregon. Through personal photos and artifacts, text, and interactive experiences, this project will illuminate Oregon's vibrant Black communities during the civil rights era amongst a larger context of discrimination and displacement. The exhibit will be at the Oregon Historical Society from January 15 to June 28, 2018, then travel to other venues around Oregon.
Willamette Heritage Center (Salem)
$4,000 for History in the News
Willamette Heritage Center's History in the News series provides a public forum that puts current events in historical context. The monthly series begins with a roundtable of historians, political scientists, and other experts providing historical background and insights into a "hot" item in the news—for example, health hazards in schools. The audience then engages in Q&A and discussion about the topic, leaving with a better understanding of the topic's history and prepared to continue the conversation and make informed decisions. History in the News will expand on the enormous success of the 2016 pilot program, sponsored in part by a Responsive Program Grant from Oregon Humanities.
$6,000 for Art, Science, and Community Collaborations for Creative Place Making
PLAYA's residents will engage Lake County community members through free programs, workshops, and educational activities by hosting a minimum of twelve gatherings where artists/scientists and the public discuss questions related to place, identity, and community.
Projects that received Responsive Program Grant funds from November 1, 2016 through October 31, 2017.
Coordinated Care Organization Forum (We Can Do Better, Portland)
$1,000 in support of a convention of community members, policy makers, government agencies, and advocates for community helath in Oregon to work towards better health care for all
Dry Years, Wet Years, Tradition and Change: An Evening with Patricia Nelson Limerick (Hollywood Theatre and Hare in the Gate Productions, Burns)
$1,000 in support of a conversation about Burns's role in the evolving West with Professor Patricia Nelson Limerick, a scholar of the American West
Fall Prevention in the Home (Age-Friendly Innovators, Jacksonville)
$950 in support of an interactive discussion between the public and community leaders in housing and human service arenas
Indigenous People's Day 2017 (Natives of One Wind Indigenous Alliance — Red Earth Descendants, Ashland)
$500 in support of events during the 2017 Columbus Day holiday weekend that elevate conversations about the historic, cultural, and contemporary significance of Indigenous people and their contributions
Muse Clubs in Schools (World Muse, Bend)
$1,000 in support of the creation of a social awareness campaign for middle and high school students designed to bring attention to the negative effects of intolerance in order to develop a culture of compassion in Central Oregon
Race and Domestic Violence: A Conversation (Adelante Mujeres, Portland)
$750 in support of a community conversation about the intersection of race and domestic violence, focusing on aspects of immigration, policing, culture, and gender
Race and Place: Old Town's Chinatown and Japantown through Chinese American and Nikkei Eyes (Portland Chinatown History Foundation, Portland)
$800 in support of a series of conversations exploring Old Town's multiethnic past, featuring Chinese and Nikkei panelists who grew up in those quarters
Race Toolkit Project (Racial Equity Coalition, Rogue Valley)
$1,000 in support of a program providing resources and entry points to conversations about race
Social Justice Film Series (Four Rivers Cultural Center, Ontario)
$1,000 in support of an eight-week film series providing education and conversation on social justice topics impacting the Malheur County community
Return to Grants
Also in Grants
Consider This Mini Grant for Rural Libraries
COVID-19 SHARP Grants
Resources for SHARP Grantees
Resources for 2021–2022 Public Program Grantees
Resources for 2021–2022 Responsive Program Grantees
COVID-19 Relief CARES Act Grants (2020)


Natchaug offers partial hospital and intensive outpatient day treatment programs for children and adolescents through its network of Joshua Centers.
Family, group, and individual therapy.
Occupational and creative rehabilitation therapy.
Natchaug Hospital provides transportation from school to the Joshua Center Program, and then to the student's home.
Please contact the Joshua Center closest to your school or home (see list at on below) to learn more about Natchaug Hospital's Joshua Programs and to schedule an intake appointment.
Contact the Joshua Center closest to your school or home to learn more about substance abuse treatment for adolescents at Natchaug Hospital's Joshua Programs and to schedule an intake appointment. If you are unsure which program to contact, call the number above.


Kennedale residents are invited to drop off brush and bulky Items at the landfill for free on this date. Proof of residency is required. Please bring your current Kennedale utility (water) bill and a valid state-issued ID (like a driver's license). Safety vests are required to drop off trailer loads and may be brought from home or purchased on-site for $5.00.
*Have Hazardous Household Waste? Dispose of it at the Environmental Collection Center at 6400 Bridge Street, in Fort Worth. You must obtain a voucher from the City of Kennedale Utility Billing Department prior to dropping off any items.
The second half of the Big Spring Clean is the City-Wide Garage Sale on Friday, June 1 and Saturday, June 2. Visit www.cityofkennedale.com/spring to find out more!


This song is the first song (the first listed thing in the album is the introduction) in Fefe's second studio album, Joy that was released in November of 2010. The song as well as the album was a success and sold as many as 350,000 copies worldwide.
In the song, Fefe is talking to her ex-lover (because they had cheated on her) and saying that she's like a ghost; she's going to haunt them and make sure that he doesn't forget about her and ruin the relationship he has and with the girl he cheated on her with.


text:
Speech Language Interview Series No. 2
Hello and welcome to this issue of The Language Dispatch, which features the second of my interview series.
The second interview was conducted with Lyn Cottee. Lyn Cottee is a linguist and literacy expert who runs a clinic called the The Learning Centre in Victoria, Australia.
The interview was transcribed and is available as an adobe pdf file, and can be accessed on the speechlanguage-resources.com website.
In the interview Lyn reveals her experiences as a young child growing up in 3 vastly different cultures, learning 4 different languages before the age of 5, and the affect that had on her formative years.
Also, Lyn affirms, among other things, her beliefs about the importance of grammar to literacy and modern culture, and gives an up close and personal account of the literacy computer program, Fast ForWord.
It's a great interview, and not to be missed.
When you click on the link, just scroll down the page to the interview.
Lyn Cottee Interview
Speak to you again soon
speechlanguage-resources.com
© David Newmonic Language Resources
2009 - 2011. All Rights Reserved.
Some of you Colonials (U.S & Canadian citizens)
may notice that some of the spelling is a
little er...'odd at times. That's because
I spell using the Queen's english, old chap. i.e., 'favor' becomes 'favour.

redpajama_set_name: RedPajamaCommonCrawl


text:
La saison 2011-2012 du Racing Club de Lens, qui a débuté officiellement le  et s'est terminé le , était la première saison du club au sein de la deuxième division après sa remontée dans l'élite en 2009. Lens était en effet assuré de jouer en Ligue 2 depuis le , occupant alors depuis de nombreuses semaines la dix-neuvième place du classement.

Les joueurs ont repris l'entraînement le 22 juin au centre technique et sportif de la Gaillette, puis ont effectué un stage d'avant-saison au Touquet, comme les saisons précédentes, du 1 au 10 juillet.

Histoire

Pré-saison

Un mercato d'été très animé à la suite de l'arrivée d'un nouvel entraîneur
Après la descente en Ligue 2, plusieurs cadres possédant de gros salaires verront leurs contrats ne pas être renouvelés, la politique du club étant de s'appuyer sur les jeunes du centre de formation et de les entourer de cadres confirmés. Gervais Martel annonce en effet l'arrivée future de sept ou huit nouveaux joueurs, d'un nouveau directeur sportif en la personne de Jocelyn Blanchard et après être entré en contact avec Jean-Louis Garcia du SCO Angers, le remplacement de Boloni pour le poste d'entraîneur après avoir négocié une rupture de contrat à l'amiable avec ce dernier. De plus, Jean-Louis Garcia sera accompagné de son adjoint Manuel Nogueira ainsi que de l'ancien préparateur physique d'Angers Pascal Faure. Tandis que Jean-Pierre Lauricella est assuré d'être toujours responsable des gardiens, Georges Tournay devrait quant à lui garder son poste de directeur du centre de formation.

Alors que le staff se met en place petit à petit, Ali Mathlouthi annonce qu'il a signé un contrat de deux ans avec une option d'un an supplémentaire en cas de remontée et sa venue est officialisée en même temps que l'organigramme. Le lendemain, un départ est annoncé, celui de l'ancien capitaine Éric Chelle qui n'entrait pas dans les plans de l'ancien entraîneur la saison précédente. Le , Henri Bedimo rejoint Montpellier où il signe un contrat de quatre ans. Il est immédiatement remplacé par un autre latéral gauche en la personne de Ludovic Baal, en provenance du Mans et qui signe un contrat de quatre ans. La semaine suivante, c'est Sébastien Roudet, en fin de contrat, qui quitte le club et poursuit sa carrière en Ligue 1 au sein du FC Sochaux où il paraphe un contrat l'engageant pour les trois prochaines saisons. Le , Gervais Martel officialise l'arrivée pour trois ans de Pierre Ducasse, en fin de contrat avec les Girondins de Bordeaux. Le lendemain, le RC Lens annonce le départ de ses deux derniers capitaines : Adil Hermach s'engage au Al-Hilal FC en Arabie saoudite, alors que le jeune Raphaël Varane, révélation lensoise de l'année dont le départ ne faisait plus le moindre doute, signe un contrat de six ans au sein du Real Madrid, pour un transfert de dix millions d'euros hors bonus. Le , le RC Lens officialise l'arrivée d'un ancien coéquipier de Mathlouthi, le jeune espoir Marco Rosenfelder, en provenance du RC Strasbourg, qui intéressait notamment le  Bayern Munich. Initialement recruté pour renforcer la CFA Lensoise, il est l'auteur de performances convaincantes lors des matchs de préparation et intègre donc le groupe professionnel.

Le  juillet, le RC Lens enregistre trois mouvements au sein de son effectif. Après cinq années à Lens, Issam Jemâa rejoint l'AJ Auxerre pour deux millions d'euros. Steven Joseph-Monrose, au cœur d'un imbroglio juridique entre le RC Lens et le KV Courtrai, rejoint finalement ce dernier pour trois ans. Lens garde 50 % des parts du joueur et valide par la même occasion un partenariat sportif avec le club belge. Dans ce même temps, Lens accueille Julien Toudic, auteur de seize buts la saison passée, en provenance du SM Caen.

Le , Nenad Kovacevic, à Lens depuis cinq ans, résilie à l'amiable son contrat et rejoint son ancien club, l'Étoile rouge de Belgrade.

Le , le RC Lens officialise l'arrivée sous forme de prêt avec option d'achat de Michaël Fabre, gardien de  en provenance de Clermont Foot, qui jouera le rôle de doublure d'Hamdi Kasraoui. Dans le même temps, le jeune Samuel Atrous qui souhaite obtenir du temps de jeu pour sa progression devrait être également prêté.

Le , le Racing officialise l'arrivée du défenseur international vénézuélien, Gabriel Cichero, sous forme d'un prêt d'un an avec deux années supplémentaires en option.

Une préparation plutôt satisfaisante
Une semaine après la reprise de l'entraînement, le RC Lens joue son premier match amical contre une sélection UNFP. Ce match est le premier pour Jean-Louis Garcia à la tête de l'équipe. Le groupe étant encore loin d'être complet, de nombreux jeunes font leur apparition dans l'équipe première. C'est également le premier match sous les couleurs lensoises pour les quatre nouvelles recrues, Pierre Ducasse, Ludovic Baal, Ali Mathlouthi et Marco Rosenfelder, ainsi que pour Sebastian Szałachowski, joueur polonais mis à l'essai par le RC Lens. Ce premier match se solde par une défaite des lensois, l'UNFP marquant l'unique but du match juste avant la mi-temps grâce à Geoffrey Adjet.

En stage au Touquet, Lens y dispute le 2 juillet son deuxième match contre un club de  belge, le KV Courtrai. Pour l'anecdote, Steven Joseph-Monrose, néo-Courtraisien, dispute son premier match sous ses nouvelles couleurs contre son club formateur. Jean-Louis Garcia décide de faire tourner l'effectif et tous les Lensois présents disputent donc ce match à l'exception du jeune gardien Nicolas Carraux. Sur un centre de Szałachowski – qui ne sera finalement pas conservé – Ali Mathlouthi, entré en cours de jeu, inscrit le seul but de la rencontre, son premier avec la tunique sang et or et le premier du RC Lens pour cette nouvelle saison.

Le troisième match de préparation des Sang et Or les oppose à leurs voisins Boulonnais qu'ils retrouveront cette saison en Ligue 2. Lens ouvre rapidement la marque dès la  de jeu par son milieu de terrain, Ludovic Baal, mais Boulogne égalise au retour des vestiaires grâce à Yannis Salibur, qui réussit à battre le jeune Samuel Atrous. Le match est néanmoins très tendu. Une première altercation éclate entre Eduardo et Bakary Soumare, qui en viennent aux mains et sont logiquement avertis par l'arbitre, avant qu'Alaeddine Yahia ne reçoive un carton rouge pour avoir irrégulièrement taclé en position de dernier défenseur un adversaire qui filait vers le but lensois. À dix contre onze, les Sang et Or encaissent finalement un but par Alexis Allart à la  de jeu. Ce match se finit donc par une deuxième défaite en trois matchs, que Jean-Louis Garcia justifie par un manque de fraîcheur dû à des entraînements intensifs.

Une semaine avant la reprise de la compétition officielle, le RC Lens est invité au Tournoi Jacques-Braconnier de Saint-Quentin, où il est opposé en demi-finale à un pensionnaire de Ligue 1 : l'AJ Auxerre. Samuel Atrous à l'essai au FC Martigues et Thorgan Hazard parti disputer l'Euro -19ans avec sa sélection sont les seuls absents du groupe de 24 joueurs convoqué par Jean-Louis Garcia, qui annonce par ailleurs qu'il aligne son "onze-type" qui entamera la saison. À noter également la présence dans le groupe de deux joueurs mis à l'essai : Andréa Mbuyi-Mutombo, jeune attaquant congolais de 21 ans en provenance du Standard, et Michaël Fabre, gardien clermontois en négociation avec le RC Lens pour le poste de gardien remplaçant. Le match est très disputé, les deux équipes se crée de nombreuses occasions et mettent donc à contributions les deux portiers. Ali Mathlouthi, entré en cours de jeu, inscrit l'unique but du match dans les arrêts de jeu grâce à une reprise de volée des seize mètres, sur un centre de Serge Aurier. Cette victoire permet donc au RC Lens de se qualifier pour la finale, où il sera opposé au club belge de Lierse, victorieux de Troyes.

Pour cette finale, l'entraîneur lensois décide de faire jouer les remplaçants et de titulariser d'entrée les deux joueurs mis à l'essai. Grâce à sa technique supérieure aux belges et à un bloc défensif solide, les Lensois possèdent la mainmise sur le match, et concrétisent cette domination par un but de Julien Toudic -son premier sous les couleurs lensoises- grâce à un service de Mathlouthi. Juste avant la pause, Franck Queudrue se blesse aux adducteurs, et laisse donc sa place et son brassard de capitaine à Alassane Touré à la mi-temps. Au retour des vestiaires, les lensois se créèrent de nombreuses occasions sans réussir pour autant à trouver le chemin des filets, les Belges ne se montrant guère dangereux. Le match se finit donc sur le score de 1-0 pour les Artésiens, et le Racing obtient donc le trophée Jacques-Braconnier, trophée certes anecdotique sur le plan sportif mais qui fait un bien fou au moral des sang et or, et les remplit de confiance à une semaine de la reprise de la compétition officielle.

Lens clôture donc son avant-saison avec un bilan de trois victoires -toutes contre des équipes de  division- pour deux défaites et quatre buts marqués pour trois encaissés, ce qui est plutôt satisfaisant quand on sait que l'équipe est en pleine construction. Jean-Louis Garcia est d'ailleurs satisfait de cette avant-saison, notamment sur le plan collectif et individuel, mais également sur le projet d'équipe.

Les joueurs et le club

Effectif professionnel

L'effectif professionnel de la saison 2011-2012 du Racing Club de Lens, entraîné par Jean-Louis Garcia et son adjoint Manuel Nogueira, comporte au total et à ce jour vingt-deux joueurs, dont trois internationaux séniors et neuf formés au club. Jean-Pierre Lauricella, ancien gardien de but du LOSC notamment, peut compter lors de ses séances d'entraînement sur deux portiers expérimentés, Hamdi Kasraoui et Michaël Fabre, et sur deux jeunes nordistes, Samuel Atrous et Nicolas Caraux.

Yohan Demont est le joueur le plus ancien de l'effectif professionnel, présent depuis la saison 2005-2006. Au contraire, Julien Toudic, prêté au Stade de Reims lors de la saison 2010-2011 mais appartenant au Stade Malherbe de Caen, a intégré le plus récemment l'équipe, le .

Note : Les numéros 12 et 17 ont été retirés par le club. En effet, le 12 représente le public lensois et le 17 le numéro que portait Marc-Vivien Foé, mort subitement le .

Encadrement technique

Annoncé avant tout le monde, Jocelyn Blanchard, ancien capitaine du Racing, se lance dans la fonction de directeur sportif en remplacement de Daniel Leclercq qui prend se retraite. Arrivé d'Angers, Jean-Louis Garcia refonde l'encadrement technique du Racing Club de Lens en profondeur, en amenant avec lui pas moins de trois nouvelles personnes. Ainsi, c'est Manuel Nogueira qui le seconde, Pascal Faure qui s'occupe de la préparation physique et Jean-Louis Lima qui est chargé de superviser les adversaires. Présent au club depuis treize ans, Jean-Pierre Lauricella est maintenu au poste d'entraîneur des gardiens.

Georges Tournay, nommé entraîneur-adjoint la saison précédente pour seconder László Bölöni, retrouve son poste de directeur du centre de formation, alors que Christophe Delmotte, en poste depuis la saison 2008-2009, s'est vu proposer le poste d'adjoint de la CFA mais a refusé la proposition et rejoint son ancien club, l'Olympique lyonnais, où il sera responsable des -19ans.

Dans le domaine médical, le médecin et responsable médical du club, Jean-Marc Laborderie, et le kinésithérapeute, Frédéric Mankowski, quittent tous les deux le Racing pour rejoindre le club dubaïote d'Al-Ahli.

Transferts

Mercato d'été

Mercato d'hiver

Statistiques

Joueurs
Mis à jour le

Équipe

Équipementier et sponsors
Reebok, bien que s'étant engagé avec Lens en 2009 pour cinq ans, décide de quitter le monde du football et est remplacé par sa maison-mère, l'équipementier allemand Adidas, qui avait déjà habillé les Sang et Or de 1974 à 1994. La firme s'occupe également de trois autres équipes françaises, Marseille, Lyon et Saint-Étienne, et « accompagne désormais au quotidien quatre des cinq clubs préférés des Français ».

Cette saison, le partenaire principal du RC Lens reste Invicta, entreprise française spécialisée dans le chauffage au bois et présente sur le maillot depuis 2007. Elle est aussi le sponsor d'autres clubs français, l'AJ Auxerre et l'AS Saint-Étienne. Sur le maillot lensois sont également présents Simply Market, supermarché filiale du groupe Auchan, McCain France, société alimentaire dont le président est également membre de la GM Finances du président Martel, Optex (société d'électronique) et Allianz, compagnie d'assurances.

Le conseil régional du Nord-Pas-de-Calais, également partenaire des autres équipes de la région, figure sur le manche de la tunique lensoise.

Détails des matches

Rencontres amicales

Coupe de la Ligue

Coupe de France

Championnat de Ligue 2

Affluences
Pour cette saison 2011-2012, le Racing Club de Lens peut compter sur  abonnés.

Notes et références

Notes

Références

Liens externes
 Résultats du club lors de la saison 2011-2012 sur le site officiel du RC Lens.

Lens
Saison du Racing Club de Lens
Lens

redpajama_set_name: RedPajamaWikipedia


text:
Q: How does Vue introduce the JS module compiled by browserify? Here is a JS module compiled using browserify: repo
It can be introduced in the browser through the script tag. After introduction, it will add an object named 'ENCOM' to the global object.
I try to import directly in Vue project through 'import' & 'require'.As a result, npm run serve/build/lint will get stuck. (can be cancelled by Ctrl + C)
This is how I import:
/* main.ts */
import { createApp } from 'vue'
import App from './App.vue'
import router from './router'
import store from './store'
import 'boxicons'

// Delete this line and the project can start normally
import './assets/globe/index'

createApp(App).use(store).use(router).mount('body')

I noticed that there is a configuration file of browse, which is as follows:
/* browserify.js */
window.ENCOM = (window.ENCOM || {});
window.ENCOM.Globe = require('./src/Globe.js');

I tried to change it to this, but I couldn't compile it:
const Globe = require('./src/Globe.js')
export default Globe /* report errors */
export { Globe } /* report errors */
export default require('./src/Globe.js') /* report errors */
export { require('./src/Globe.js') } /* report errors */

So how can I modify it so that it can become a JS module that can be imported through import?

redpajama_set_name: RedPajamaStackExchange


FORT FRANCES, ON — A letter from Resolute Forest Products late Monday derailed consideration by Fort Frances town council of a resolution concerning the company's idled paper mill.
The resolution would have been forwarded to provincial and regional elected leaders.
According to a report by TBnewswatch, it was drawn up after Resolute informed the town it had signed a "backstop" agreement to sell the mill to a company which, it said, specializes in "the integrated revitalization of distressed industrial properties." The buyer would remove salvageable items before demolishing the mill, leaving the property available for other uses.
The transaction could close by May, but Resolute said it would still consider binding offers submitted by other parties by March 15.
According to Kursman, the resolution contained numerous false, misleading and defamatory statements about Resolute.
"It was important for Resolute to be on record disagreeing with the general content and spirit of the resolution," he said.
The only other party publicly expressing interest in the mill is Repap Resources, a private six-member investment group that wants to convert the plant to produce the kind of heavy paper used for sugar bags and cement bags.


Over the past few years, art has been a powerful medium for driving social change in the U.S. and globally. This event will explore art and social impact in Boston through a panel discussion featuring perspectives from both the public and private sectors. We'll explore current trends, opportunities for collaboration, and predictions for the future. Hosted at Impact Hub Boston, a co-working community made up of social businesses addressing challenges both locally and globally, and moderated by Natalie Lemle, Founder of art_works, a Boston-based art strategy consultancy.
Sorry, you missed Art for Social Impact Panel at CIC Boston.
You missed Art for Social Impact Panel at CIC Boston.
We're generating custom event recommendations for you based on Art for Social Impact Panel right now!


This thesis investigates space-vector modulation and one-dimensional modulation applied to the cascaded H-bridge multi-level converter as a model for one port of the UNIFLEX-PM power converter system. The UNIFLEX-PM converter is a modular system including galvanic isolation at medium frequency intended to replace transformers in future distribution and transmission systems. Power converters in this application must produce good quality voltage waveforms with low power loss.
In this work, modulation methods are developed using theoretical analyses and simulation studies, before being verified experimentally using a low voltage, laboratory-based power converter operating at the low switching frequencies applicable to high-power applications.
Using space-vector modulation, the relationship between the phase of the sampling process and the distortion of the line voltages is used to reduce the harmonic distortion of the output voltages. Different loads are attached to the cells of the cascaded H-bridge converter and limits are derived determining the range of loads for which it is possible to equalize the capacitor voltages. An algorithm which uses redundant states to balance the capacitor voltages without increasing the switching frequency is applied to space-vector modulation and one-dimensional modulation and its performance is compared to the derived limits.
The geometrical effect of capacitor voltage ripple on the space-vector diagram is used to derive the influence on the spectrum of the line-voltages. It is identified that second and fourth harmonics of the capacitor voltages contribute to fifth and seventh harmonics of the line voltages. A feed-forward scheme to compensate for the ripple of the capacitor voltage is derived and is shown to reduce the magnitude of un-wanted harmonics.
All the methods developed in this thesis can be applied to converters with any number of cells.


text:
CHARLES S. FAMULARO
HAMPTON — Charles S. Famularo, 80, passed away Thursday, March 28, at Sentara Care Center.
A native of Lawrence, Mass., Charles had been a Peninsula resident since 1997 and formerly of Arlington. He was an Air Force veteran of World War II and Korea, and retired as Staff Sgt. He also retired from George Washington University as an accountant in 1992, after 10 years of service. Charles was a member of St. Paul's Lutheran Church, Hampton.
Mr. Famularo is survived by his beloved wife of 44 years, Sabiha "GiGi" Famularo; three sisters, Peggy, Mary and Ann; his mother-in-law, Johanna Osmay; his sister- in-law, Sevin Osmay; and a nephew, Ali Gure.
A funeral service will be conducted 10 a.m. Monday, April 1, at St. Paul's Lutheran Church, with the Rev. Christine Farrow officiating. Interment will follow in Parklawn Memorial Park with full Military Honors.
Memorials may take the form of contributions to St. Paul's Lutheran Church, 807 W. Mercury Blvd., Hampton, 23666.
Arrangements are in the care of Parklawn-Wood Funeral Home, 2551 North Armistead Avenue, Hampton.


text:
Filing deadline for St. Louis special elections is April 20
By Abbey Smith
In Local
St. Louis, Missouri, is holding special elections for two of the city's 29 board of aldermen seats on May 19, 2020. The filing deadline is April 20. Winners of the special elections will serve until the next regularly-scheduled general election on April 6, 2021. The two seats are up for special election due to the resignation of one board member and the death of another.
The Ward 4 seat was previously held by Democrat Samuel Moore. He was first elected to the seat in 2007 and held it until his death on February 25, 2020. When Moore was last up for election in 2019, he defeated three challengers in the Democratic primary with 53.5% of the vote. He won the general election unopposed.
The Ward 12 seat was previously held by Democrat Larry Arnowitz. He was first elected to the seat in 2011 and held it until his resignation on March 3, 2020. When Arnowitz was last up for election in 2019, he defeated two challengers in the Democratic primary with 74.3% of the vote. He went on to win the general election unopposed.
St. Louis is the second-largest city in Missouri and the 57th-largest city in the U.S. by population.
Largest cities in the United States by population
City elections in St. Louis, Missouri (2019)
Missouri elections, 2020
Larry Arnowitz
Abbey Smith
Abbey Smith is a staff writer at Ballotpedia. Contact us at editor@ballotpedia.org.


At last! Batwoman's new series begins, from the multiple award-winning creative team of J.H. Williams III and W. Haden Blackman!In "Hydrology," part 1 of 5, Batwoman faces deadly new challenges in her war against Gotham City's underworld – and new trials in her life as Kate Kane.Who or what is stealing children from the barrio, and for what vile purpose?


text: Mr. F. having produced these two scriptures from the old testament, now proceeds to the new; and here expresses himself very positively, thus, "In the new testament we find true saving faith enjoined upon unregenerate sinners, as plain as words can possibly express it" (p. 40). The first words which are to him so very plain are in John 12:36, "While ye have the light, believe in the light, that ye may be the children of light." But I think a little examination into the context, will shew these are not to the purpose, and demonstrate that Mr. F.'s misunderstanding and misapplication of these words, is owing to his not observing the distinct modes of speech made use of in holy writ. These are evidently words of direction to enquiring people. Our Lord is here speaking not as a lawgiver, but in a ministerial way. He had just entered Jerusalem: many attended him both Jews and Greeks: they made enquiries respecting his doctrine, and person. He had been speaking of his death: they were stumbled at it, and they said, v. 34, "we have heard out of the law that Christ abideth for ever," referring, I suppose, to such passages that speak of the perpetuity of his priesthood, and the eternal duration of his kingdom; and so they ask; how sayest thou, the son of man must be lifted up? This seems inconsistent with scripture, and they further ask, "Who is this son of man?" In reply to the last question, he tells them, this son of man was the light of the world; and then goes on to shew them the importance of believing and walking in him. This light (says he) is for a little while with you, and this is what I have to say, and wish you to notice it, who are thus inquisitive for knowledge: that if ye would wish to be children of light, and to give evidence ye are so, it is absolutely necessary that ye believe in the light, and walk while ye have the light, otherwise darkness will certainly come upon you. Or if we consider it as an address to the audience in general, then viewing him as speaking in a ministerial way, his words were (as one expresses it) "persuasive, by way of admonition; to move his audience to make the best improvement in their power, of the opportunity they were favoured with. For they did enjoy his preference with them, who is the true light; and had the light of the gospel published amongst them. And then the admonition was, to receive Christ and his gospel, according to that light in which he had revealed himself to them: And not to believe in a light which God had not afforded them: or to receive Christ internally, while he had only been revealed externally. It was to believe in that light which they actually had; and had the Jewish nation taken that advice, they had (in a national way) continued to be the children of light. For God did not root them out of their habitation, because they were not blessed with saving faith; but because they rejected the Messiah, and despised the record which God gave of his Son" (Johnson's Faith of God's Elect, p. 145). If we take the words in the former sense, they appear to contain a ministerial admonition, and not a compulsive precept; a direction to enquiring persons, and not a command to the multitude in general; an information of what is essentially necessary to evidence them children of light, and not a command to make themselves so. If we take them in the latter sense, they only contain an exhortation to act agreeable to the light they had. View them in either way, they will not prove what Mr. F. wishes them to prove, the duty of all to believe with a special faith.—At present shall only add


Martha of Martha's Favorites and myself. Thank you so much for coming by and also for showing us your beautiful tea cups.
and it is amazing how fast the time has flown since we began.
Today I am showing you my two commemorative tea cups from England. I have only just began collecting this type of cup, and I think it is going to become one of my favorite collections.
I found this cup on my trip this past summer, you know, the trip I said I found 7 new tea cups!
The shop I found this one in had bars on the doors and you had to knock so someone would come and let you in! It was so worth it. I found 4 of my new cups in there. The shop was piled high with all kinds of wonderful antiques and vintage items. Tea cups were stacked up on each other, tucked just about everywhere in the tiny shop. I went around at least 3 times and I still think I missed some. This is one of the cups and saucers I was really happy to find. My very first commemorative china!
I really enjoy drinking tea from this cup.
As you can see from the backstamp, it is a Tuscan cup. I did not have any luck researching on the internet for a date for this pattern. I did find that this stamp first was in use in 1947 and Queen Elizabeth's coronation (going by the plate above) was in 1953. I am pretty sure that the plate was made after her coronation!
This cup and saucer are also still bearing the shops sticker that it retailed in.
I found my second commemorative cup in my hometown at a local antique market. I was delighted to find it.
This cup also commemorates the Queen's coronation.
This is the back of the cup. Does anyone know why the R is there? I know that the Queen does not have a last name. Her family changed their "last name" around 1917, because it sounded quite German (to avoid the anti German sentiment of the first World War), to Windsor (or being from the House of Windsor).
This mark was used by Crown Staffordshire after the 1930s.
I hope to find older commemorative china when I visit England this fall...or at least in the spring.
We look forward to visiting you and seeing your tea cup today!
I love visiting your blog and looking at your lovely tea cups; I am a collector of tea cups as well and cannot wait until next Tuesday!
What wonderful information! How could you resist that GORGEOUS cake!! So professional looking too!
Can I please have your piece of cake? It looked heavenly! Thank you for sharing a lovely tea party with us today!
Oh, what beautiful teacups!! I especially love the first one!
Regina is Latin for "Queen"
I believe the "R" is for regina meaning reigning queen; used following a name.
This is very interesting, and I did not know that about the Queen not having a last name and changing their name. It is actually educational collecting and playing teacups ~ oh, lovely teacups too. I can see why you're so excited about this new collection.
Those kind of teacups are always fun to have.
Going around antique store is so fun. It's like treasure hunting isn't it? LOL!
Have a blessed Teacup Tuesday!
Hello Terri- How fun that we have the same set. When I found my two coronation teacups I also decided to collect them. They are a piece of history. Take care.
Terri dear, now you made my heart beat skips many many beats! love your latest English Monarchy's teacups.. they are truly beautiful! Now you make me want to have one too! I have only the Queen Mother.. have a good week!
I do not know anything about this type of cup however I have an interest in the Queen and I really like the first cup.
your a better person than me, I could never resist that cake, Yum it looks sooo good.
gotta get busy trying to catch up.
Terri...I absolutely adore these..gorgeous !! What a wonderful spotlight..yay! Happy tea!!
Your trip to England sounds like lots of fun...and then to find another piece for your new collection right in your own backyard is just like it was meant to find you.
Thank you for hosting, I am so excited to join you ladies this week.
Queen Elizabeth was here in Canada not that long ago. My mother simply adores her! The Queen's last name I believe is Windsor. There is quite a history behind her name. Your cake looks delicious and very fattening! Thanks for having us for tea.
These are beautiful and I imagine very, very difficult to find!
Your coronation´s Queen Elisabeth cups are really pretty,your collection is fantastic!
I have a mug too about her Silver Jubilee,I bought it in Portobello market in London and I love it.
Wishing you a lovely Tea tuesday!!
Terri you have started a wonderful collection. I love the first one. The Queen looks very beautiful. The cake looks so amazing my blood sugar is going up just looking at it. LOL have a wonderful day!
Hi Terri being in England I new the R was for Ragina forgoat the translation though ha ha so basically it means queen yay! beautiful cups I have seen a few of these in charty shops in UK but never had any interest although I do love hiistory so if see a corination one I will be sure to pick one up we have lots of Diana & Charles stuff too if I see a marage one I will buy that too lol so thank you for the historical nudge I should be proud of our royal family however when you see what they get upto half the time I do wonder why it is we have them if they can't even be a good example?
I collect coronation bits and pieces too. I think yours were probably made the year of the coronation-it is a very popular souvenir item. When we were there at the time of Prince Andrew's wedding, even the milk bottles that were delivered that day had "royal wedding" caps! (I wish I had saved one). Someone mentioned the Queen's last name. They took the family name "Windsor" when she married Philip, as it was inappropiate for her to take her husband's name. They are Known as the "House of Windsor", but the primary royals do not use a last name.
Hi Hun - you would have a ball in the shops here in the UK. WE have many second hand shops in the village next to where I live. I actually feel like going hunting for a cup and saucer for you.
I Absolutely LOVE your Queen cups!!! I have a very small, but growing QEII collection... And I have my eye on some queen teacups on e-bay. Stop by sometime. I'm having a giveaway.
Terri, I adore your tea cup with the photo of Queen Elizabeth. It's fabulous! The cake is really beautiful, too. You have a talented cook in the family!
I've missed you, Terri. I missed Teacup Tuesday last week...and it seems that I didn't even visit all my favorite blogs, because I KNOW I didn't see your chintz. I will have to read that post after leaving this comment.
Your commemorative teacups are lovely. It would be fabulous to have the entire collection.
I do not know what the "R" is for. From studying English history with my kids (since I homeschooled them), I know that the British crown was from the Hanover line for most of the 1700's and the 1800's, after which it became Saxe-Coburg. I think it was that name that was changed to Windsor in 1917.
Although I'm American, my family ancestors are British, so it's always been fun studying British history. It would be equally fun having your lovely teacup collection.
Oh, and that cake... WOW!! The girls did an amazing job. It looks delish!!
What lovely tea cups in honor of Queen Elizabeth! So very stunning and regal!!
I really enjoyed seeing them. Thanks so much for sharing them with all of us today!!
I cannot stop thinking about having some of the cake...it is gorgeous and I'm sure tasted as good as it looked!
Oh Honey! Your queenie teacups are regal!! I adore them!! The cake looks soo yummy, too!! Why didn't you have a teeny bite??
Terri, this cup is beautiful. All of your cups are beautiful. I love the story of how you found this treasure.
How in the world did you pass on the yummy cake? I think I need your will power.
Tea with the queen...realy cool!
Wonderful cups as always, Terri!
This cake looks so YUMMY...my mouth is watering.
Have a wonderful upcoming wekend!
Check out my Blog, when you have a sec..
Ahhh the chintz, the chintz, adore the chintz! Silly, that is me, sorry for the gushing but sooo lovely. I had forgotten how much I loved it! My aunt had a teapot of it and it made me feel sunny! I wonder whatever happened to it? Thanks dear wonderful gal for the beauty. Take care and blessings.
I know it's been a while, but I'm back visiting everyone again and have finally posted, so please stop for a visit.
I love visiting your blog, you have a wonderful collection of teacups to share. These seem exceptionally special since they are coronation items. How lucky you are to have them in your collection!
By the way, that gorgeous cake just made my mouth water.
That is a lovely tea cup Missy - and I love it. Yes, it is Regina the R .... I read some of the other comments. I've missed us getting together - seems both our lives are a little busy. Also love your second tea cup you found. I loved London when I was there a number of years ago. Yes, my dear one, your blog is loverly! Hugs!


hey guys, i have a question for you iphone photographer, do you use some aplication on your iphone to take a great picture ? and do you buy some accesorris,, ?
I generally use my DSLR for the best photography, but you can use something like this; Luxsure iPhone Camera Lens Kit. I has the best rating out of any of the other lens kits right now.
There are quite a few apps you can use, too. Finding one that suits your needs, you'll need to install different ones and test them yourself.
How About Mount case for iphone 5, mount case to Lens canon and nikon, can you find for me ? i looking for under 100$ in amazon !


Procrastination is an interesting topic, particularly in the context of the online world. Right now, as you read this, are you putting off something else? That next task at work, that paper you have to write, that tricky phone call you know you have to make? Did you somehow end up on this post on your way somewhere else? In which case, ok, indulge yourself just this once, and please do read on.
If you can accept that suffering is inevitable, putting it off starts to make much less sense.
But just consider: maybe one of the reasons that the internet has become so ubiquitous is that, as an enabler of procrastination, it knows no equal. It almost seems to mirror the behavior of a distracted mind. It's constantly updated with lists, articles and facts all designed for your mind to quickly snack on before you move on to something else.
Of course, procrastination existed long before the internet. It's hard to measure, (maybe they never got around to the research), but I think that from looking at our minds we can see that it's pretty universal throughout the world and throughout history. Although the manner in which we waste time may have changed, the underlying impulse to do so is just as true as it ever was. Because it relates to a very fundamental idea – the desire to avoid suffering.
When I first joined the monastery we were invited to spend a month reflecting on the idea of suffering. Now, that might not be a very appetizing prospect, but one of the things that emerges from this practice is the sense that suffering is inevitable. It makes sense: no matter how happy our lives are, we are bound to encounter suffering sooner or later. It might sound like a rather gloomy thought, but actually it's very liberating.
I'll give you a small-scale example. Think about the physical discomfort you may experience from time-to-time when you meditate. There's a tendency to shift around, looking for the most comfortable position. But, if you're always moving around trying to avoid these feelings, you won't ever get to experience real ease and rest. And if you're always on the move, you'll never learn that very often, if you just sit still a little longer, those feelings of discomfort will subside.
Fundamentally, that is the nature of thought and feeling. They are impossible to touch and sometimes hard to even locate. This is a roundabout route (as befits an article on procrastination) of saying that putting stuff off stems from this same desire to move away from suffering. But if you can accept that suffering is inevitable, putting it off starts to make much less sense. Of course, it's one thing to think this, but another to actually experience it for yourself.
So I would urge you just to give it a try. Procrastination can come in so many forms: making a cup of coffee, checking social media, tidying up your house before you can start work. But if you can catch yourself at that moment, the split-second when you think of opening your browser, and just sit for a moment longer, you'll often find the need to do so really subsides. This is one of the things that a meditation practice can help with, giving you enough perspective on your thoughts that, from time to time, you can try something new, rather than just operating on autopilot. Not acting on the impulse to procrastinate is relatively easy.You don't need to exert effort, in fact, all you need to do is nothing.


Being a father of two lovely daughters means that my reading nowadays involves anything that will help them get to sleep. I have always preferred a physical book. I did spend my younger years reading the classics and read at least one book a year. The last book I finished reading was The Associate by John Grisham. I've been working in a serious job for many years. And after having kids am trying to recapture my fun side and the joy of my creative spirit. Also keen to use digital media to highlight serious matters at the same time. I hope this movie leads to much thought and discussion. All the best!


text:
Owning with Gallop
ALL HORSES
AVAILABLE HORSES
FIRMAMENT IN DUBAI
Firmament is currently enjoying a successful spell in Dubai at the 2020 carnival. He justified the decision to send the 8yr old out there with an excellent 2nd in his first run, picking up 20k in prize money. Second time out he was luckless in running, turning for...
C-MAC delivers Gallop August treble
Apprentice Connor McGovern is fast making a name for himself in Northern Racing circles. Luckily for us, he is based with David O'Meara so we have no trouble securing his services. Over the first week in August, 'C-MAC' or 'The McGoverner' as we like to call him,...
And They're Off……………..
I know the weather feels like the middle of the jump season but the flat season is at last fully under way. The Gallop team are off to a flying start and despite the fact last week we had 3 seconds all horses are running well and look promising for the rest of the...
GALLOP OPEN DAY – 10th MARCH
We are pleased to announce our 2nd Gallop Racing Open Day on the 10th March 11am start at Willow Farm {David O'Meara's yard}. A chance to view the Gallop string as they work on the gallops, meet other owners and the O'Meara team. Please contact Richard on 07710 010643...
Faith in Firmament
Saturday's Qipco British Champions Day will see the return of the Gallop Racing team to Ascot as Firmament has been declared to run in the 4:30 Balmoral Handicap. Across the same distance at last years QIPCO Champions Day, a late effort from Yuften squeezed...
Ascot F-Bombs
We are hoping to cause a stir at Ascot this Saturday by dropping a couple of F-Bombs!! First up, Firmament. Yes, we are aiming high in the Group 2 summer mile, but its a course he loves, he's in great form and it's worth a shot. Our second F-Bomb of the...
Well done to racing manager, Richard Walker and co-owner of Muscika, Stu Graham with their York winner, Jacbequick. Could it be a magic Monday with Muscika up at Ayr and Me Before You making her much anticipated debut at Ripon! Hoping Dandyleekie will come back to...
Muscika on Song at Ayr
Muscika took on older horses for the first time and continued his development with an impressive victory at Ayr in the 0-85 Class 4 6F. The front two pulled well clear, and despite still showing his greenness, Muscika is a horse of much potential. Assistant trainer...
Brewing up a Storm
Flat racing is back in York and the Dante Festival did not disappoint. The first day proved to be a soggy one, but no amount of rain would dampen the Gallop Racing spirits. Al Qahwa would be first out over the Knavesmire and his first for Gallop - and...
Farewell Fattsota
We are sorry to announce the death of Fattsota who passed away after a short illness. Fattsota was a top class flat horse for both Marco Botti and David O'Meara reaching a rating of 112 and winning over £150,000 in prize money. He excelled when jumping...
Richard@gallopracing.com
West End Farm, West End, Balne, Goole East Riding. DN140EH
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