EXCLUSIVE: Fox has closed a deal with The Fault In Our Stars director Josh Boone to co-write and direct The New Mutants, a standalone spinoff that expands its X-Men movie universe. The series, already part of the X-Men Comics universe, introduces a new crop of mutant characters born with special powers. Boone will co-write with Knate Gwaltney. Simon Kinberg will produce with Lauren Shuler Donner.
It is not surprising that the studio would want Boone to grow into bigger things. He came out of nowhere to direct The Fault In Our Stars, an adaptation of the John Green novel The Fault In Our Stars. The book had a rabid youthful fan base, but Boone showed a strong feel in bringing youthful pathos to the screen, and while Shailene Woodley was already an emerging star, both Ansel Elgort and Nat Wolff broke through as new stars on that film. The result was a $12 million budget Fox 2000 film that grossed $307 million worldwide. Boone became a hot director right away off that success, and among the projects he has been linked to are adaptations of the Stephen King novels The Stand and Lisey's Story. He's also been mentioned as one of the directors Marvel and Sony have been sweet on for the live action Spider-Man franchise reboot. Next up for him is The Vampire Chronicles at Universal, a reboot based on the Anne Rice novels that were turned into Interview With The Vampire: The Vampire Chronicles with Tom Cruise and Brad Pitt. The Stand would go after, so The New Mutants is a couple years away.
Fox has done well mining its X-Men franchise. Ryan Reynolds is playing Deadpool with Tim Miller directing, and Bryan Singer is directing X-Men: Apocalypse for 2016. James Mangold and Hugh Jackman are also doing another Wolverine installment with Hugh Jackman. Behind those is Gambit, a movie that has Channing Tatum attached to star. Those are the current X-Men priorities but it is proactive of Fox to keep new films in the pipeline and to re-engage Boone, who's repped by CAA and attorney Gregory Slewett. Gwaltney is also CAA.


Thank you for your franchise enquiry. Herewith please find the enclosed information regarding the E-tel Express Postal, Courier, Telegram, Business & Communication Franchise opportunity.
Communications and connectivity remains the core of any business, along with the need for personal usage when e-shopping, using e-commerce or simply staying in touch with a valued friend or client.
E-tel Express provides fast and cost effective methods of communication and communication products to its Store customers, as well as offering a range of communication services that a customer can even access and use from home.
It is this global focus and dedication that has helped the team behind the E-tel Express franchise concept, to grow the group worldwide.
postal courier services (telegram delivery, local and international courier, mail box rentals, etc).
E-tel Express is part of the Network Telex Group of Companies established in the UK in 1991 and celebrating is 25TH Year in 2015.
The Group has a global footprint and continues to grow from strength to strength. Communications technologies have changed dramatically over the years, but the E-tel Express brand has continued to evolve in order to make state of the art electronic communication available to its customers worldwide.
E-tel Express is a full member of the Franchise Association of South Africa.
Franchisees are carefully selected and the E-tel Express ideology is transferred through face to face, personal, in-depth and onsite training.
We offer guaranteed support and assistance with new premises site location, store set up, printing and design enabling a full turnkey opening and we provide a wide variety of marketing materials to increase your sales.
Instant income is achieved by the handling of telegrams and documents as part of the existing Network Telex global network.
The total set up cost will vary slightly, depending on the size of the proposed location and excludes landlord, Telkom and working capital (we recommend R100 000 or 6 months operating expenses).


North Dorset District Council, West Dorset District Council and Weymouth & Portland Borough Council have been successful in bids to unlock the development of 2700 homes.
The councils have been successful in bringing in over £8m worth of funding for Housing Infrastructure projects in Chickerell, Portland and Gillingham.
The funding boost is a result of the housing infrastructure fund, a government capital grant programme which aims to help the delivery of over 200,000 homes in England.
North Dorset District Council, West Dorset District Council and Weymouth & Portland Borough Council have recently launched 'Opening Doors', an ambitious programme to tackle the housing crisis in the area with a target of 20,000 new homes by 2033.
The 'Opening Doors' programme includes the targeting of more Government grants to bring housing schemes forward.
"It's fantastic news that £4,064,250 has been awarded for the Gillingham Southern Area Extension. The funding will go towards significant infrastructure such as utilities and improved road networks.
"This funding will aid the delivery of over 1800 homes in an extremely important development site allocated in our local plan.
Previous articleA Blur between Independent and Establishment Sectors?


A house fire on Courtland Avenue in Columbus has been declared a total loss.
Black Enterprise has announced its 50 most powerful women in corporate America. Making the list this year is Aflac president Teresa White and Aflac senior vice president Laree Daniel.
Auburn Police have reported the passing of retired Chief Frank M. DeGrafenried also known as Buddy. DeGrafenried started his career in 1977 and served the citizens of Auburn for over 33 years.
The remains, found in 2005 were finally been identified as Latasha Lashelle Smith. Muscogee County Coroner Buddy Bryan and Chief Deputy Coroner Freeman Worely said police have located her parents in California, Smith's home state.
For the second year in a row, the Shaw High School academic decathlon team placed as a top finisher in the state completion.
Columbus Mayor Teresa Tomlinson gave a statement on Wednesday regarding the closure of her alma mater, Sweet Briar College.
The Columbus Parks and Recreation are hosting an event to fight against hunger on Saturday March 8 starting at 11 a.m. until 3 p.m.


Thank you for sharing news of This nap isn't gonna take it self shirt. We sometimes forget all the positives around us. Seems News is mostly focused.
Thank you for sharing news of This nap isn't gonna take it self shirt. We sometimes forget all the positives around us. Seems News is mostly focused on violence &negativity. Good people enter our lives daily, let us stop & acknowledge them all. We in California have seen the depth & goodness of fireman this summer, we thank them every day for their sacrifices. Everywhere we turned there were helpful people – when we were lost, when we needed restaurant recommendations, when we were buying souvenirs. Thank you for sharing your experience. It really made me feel extra hopeful today. She went with her grandpa to the Trump rally in Indy. After leaving, she realized she lost her wristlet. We immediately canceled bank cards and called authorities just in case it showed up.
Before she got home, This nap isn't gonna take it self shirt and had found it In the parking lot. They mailed it back to her intact with everything still in it! There are still good people in this world! He just left a beautiful message in this thread. What a beautiful end to this story that has sent ripples of kindness out into the world! He just left a comment in the thread! Thank you so much for your willingness to help! This community is incredible. My brother from another mother. He has become a colleague, adviser and a sounding board but most importantly, a friend. This is no surprise. I'm sure we will find out who this wonderful person is. I think this should be put in the papers and the mayor know about his kindness. I will get on it today.


Thank you for the comment on my blog. I really enjoyed reading your blog. Love the scripture you posted. Thank you for sharing the story about your Pastor. Bad things truly do happen to good people. My brothers wife passed away a sudden death (autopsy later revealed cardiomyopathy) 7 years ago at 32 years of age. Survivors also included their two children: son age 7 and daughter 11 months old. My husband and I are raising our niece and have full custody of her. My brother is still grieving and coping and is unable to raise both children because he is still dealing with so much. I am happy to be on this journey with you. God Bless!


August 9 – In Concert Saturday, August 9 at 6 p.m.: Popular local vocal impersonator & comedian TJ Smith is back at The Cailloux with his special guest Maria Smith to celebrate his Birthday along with you.
It's going to be a great big party, and you don't want to miss it. Make your plans today!


Certain conditions have not been accomplished in the bible of the NT including the rebuilding of the Temple. That is one of the main conditions to be accomplished before the supposed return of your Jesus. As well as the word of god being preached to all the corners of the earth and that has not been done. As there are plenty of indigenous tribes in the Amazon and other places where they have never heard the word of your god. Also the rise of the antichrist and other acts that are supposed to occur before all is accomplished.
Soon to be normal if the Socialists take over.
He edited out the first two definitions!
You won't want to see this in those shorts.
It's a pretty literal presentation in all 4 gospels.
It's pretty easy to follow too.
Dude lay off the drugs.
The skeptic is ignorant whereas the extremist is arrogant.
The loser is doing what?
These are the nominees for November.
He was an early prototype for a Millennial.
umm, aren't all of us dying anyway?


eMage is committed to promoting sustainability. We recognize that all companies and individuals have an important role to play in reducing negative environmental impacts. As such, concern for the environment and the promotion of a broader sustainability agenda are integral to our activities and the management of the organization.
We aim to follow and promote good sustainability practice, to reduce the environmental impacts of all our activities and to help our clients and suppliers to do the same.
This Environmental Policy comprises a set of principles, operating procedures and business targets.
Comply with all applicable environmental legal requirements, and other relevant requirements to which we subscribe.
Achieve the highest available environmental standards in all of our activities, including the storage and disposal of waste.
Use all resources as efficiently as possible, in particular making the most economic use of all materials, energy and water, and to minimize waste in all parts of the business.
Prepare contingency plans to deal with foreseeable environmental accidents including environmental considerations in investment decisions.
Whenever possible, liaise with our suppliers and customers to persuade them to adopt similar environmental standards.
Assess regularly the environmental impact resulting from our operations and keep ourselves fully informed of recognized best practices.
Single source supplies and bulk order to reduce the number of delivery vehicles visiting our premises.
Purchase ink in sealed cartridges and return them for refilling to ensure no waste ink enters the environment.
Observe energy conservation, by turning off lights in unoccupied rooms and only turning on machinery and manufacturing equipment when it is required. Fit power saving devices where possible.
Only use low energy lighting throughout the premises.


text:
Bradenton Practice Areas
Bradenton Speeding Truck Accident Lawyer
Home » Areas We Serve » Bradenton Personal Injury Lawyer » Truck Accidents » Speeding Truck Accidents
Truck accidents can often be one of the most dangerous and severe incidents to occur on the roads in Florida. The sheer size and heavyweight of the truck can often mean devastating damage and injury occur as a result of a collision, which can often have life-changing consequences. According to The Florida Department of Highway Safety and Motor Vehicles, around 400,000 truck accidents occur every year in Florida, with over 3000 of those leading to fatalities.
If you or a loved one has been involved in a truck accident in Bradenton, then it is likely that you will have sustained damage and injury, at least to a certain extent. As a result, you are likely to be entitled to compensation, and therefore it is strongly recommended to seek legal advice from an experienced truck accident attorney as soon as possible after the accident.
At The Law Place, we have a highly skilled team of personal injury lawyers with over 75 years of collective experience in successfully handling cases similar to yours. We understand how traumatic and life-changing a truck accident can be, which is why our adept Bradenton truck accident attorneys will be there to support you every step of the way and guide you through the legal process. Our Florida phone lines are open 24 hours a day, 7 days a week, so you can call us at a time that suits you best and relax in the knowledge that a competent truck accident attorney will be on hand to help. Call us today at (941) 444-4444, and arrange a free consultation today.
Florida Speeding Laws
Speed limits in Florida are set according to the type of road or highway. The exact speed limit of each individual road in Florida is signposted clearly at the side of the road. As a basic rule, speed limits are usually set at 70 miles per hour or less for a highway and 30 miles per hour or less for a residential or commercialized area.
Florida's Basic Speeding Law also highlights that drivers must use their best judgment when it comes to choosing a speed to drive at that is safe and reasonable. For example, in bad weather conditions, where visibility is poor, whilst the signposted speed limits will remain the same, more often than not, drivers will look to reduce their speed in accordance with the conditions of the road.
Speed limits may also be reduced when:
Approaching a blind corner.
Driving along a narrow or winding road.
Approaching a sharp bend in the road.
At a crossing or intersection.
For a free legal consultation with a speeding truck accidents lawyer serving Bradenton, call 941-444-4444
What Are the Most Common Causes for Truck Accidents in Bradenton, FL?
There are a number of reasons why truck accidents occur in Florida. The Federal Motor Carrier Safety Administration website lists some of the most common reasons for truck accidents. These reasons can be split into three categories:
Driver Related
Fatigued drivers.
Driving under the influence of alcohol or drugs (DUI)
Driving over the posted speed limit.
Driver negligence, such as not paying attention to the road and their surroundings or misjudging a situation, such as the braking speed.
Illegal maneuvering.
Vehicle-Related
Issues with the vehicle's brakes.
Tire problems such as worn tires.
Poorly loaded cargo, which can make a truck increasingly hard to maneuver.
The conditions of the road.
External hazards.
Contact The Law Place to get started with your case today. Our Bradenton truck accident attorneys have an abundance of experience in dealing with the Florida legal system. They will work their best to ensure you receive the compensation that you are entitled to.
Bradenton Speeding Truck Accident Lawyer Near Me 941-444-4444
What Should You Do Following a Truck Accident in Bradenton, FL?
If you are unfortunate enough to find yourself involved in a truck accident in Bradenton, then there are a number of steps you can take to ensure the safety of yourself and others. Steps can also be taken at the scene of the accident to help with the understanding of how the accident was caused, as well as establishing liability and gathering evidence that may be used to support you with your case.
Immediately after a truck accident, the most important first step to take is to make sure all those involved in the accident are as safe as possible. This may mean moving away from the scene of the accident, or away from oncoming traffic, or a damaged vehicle. It is also important to check yourself for any injuries before checking on any others that were involved in the collision. It is worthwhile noting that offering assistance to others following an accident is a legal requirement. Call the police and medical services if possible and await their arrival.
Once the authorities are at the scene and anyone that is injured is being cared for by the appropriate party, you can then begin gathering evidence from the scene of the accident. Such evidence may include:
Taking photos from the scene of the accident, including the vehicles involved, the weather and road conditions, as well as any skid markings.
Details of the truck's vehicle registration, make, and model.
Details of the truck driver, including their name, address, insurance provider, as well as the name of the trucking company that they work for.
Note down details of any witnesses to the scene of the accident, including their names and contact details.
Note down the name and badge number of the police officer that arrived at the scene of the accident. If you are in need of an accident report, the details of the police officer at the scene may be advantageous in helping you to locate it faster.
Anything else that can be used as evidence or that may indicate the cause of the accident.
After you have gathered evidence and have been treated for any injuries caused as a result of the accident, it is then strongly recommended to seek the expertise of an accident attorney as soon as possible. A highly skilled truck accident lawyer will be able to assess the evidence and will work to build a powerful claim that may increase the chances of you receiving compensation.
Click to contact our Bradenton Truck Accident Lawyers today
What Damages May You Be Able to Claim Following a Truck Accident?
As with every road collision, depending on the circumstances surrounding the incident, there are often a number of damages that you may be able to claim. Such damages may include:
Medical expenses from past, present, and future bills – This includes any expenses incurred from traveling to and from medical appointments.
Loss of income or any potential loss of income – If your injuries have prevented you from returning to work, then you may be eligible for compensation.
Property damage – This includes any damage to your vehicle as well as any personal belongings that were destroyed or damage as a result of the accident.
Wrongful death – If you are unfortunate to lose a loved one as a result of the truck accident, then you will be entitled to compensation that covers funeral expenses and loss of consortium.
In addition to economic damages, you may also be deserving of compensation if you have suffered emotional distress and trauma following the truck accident. This is also known as pain and suffering.
Establishing Liability for a Truck Accident in Bradenton, FL.
Establishing liability for a road collision is an important step in any legal case. However, establishing liability for truck accidents can often be increasingly complex as sometimes there is more than one party that can be held liable for the incident. Depending on the circumstances surrounding the truck accident, any of the following parties may be found to be liable:
The driver of the truck.
The trucking company.
The truck manufacturer.
The parts manufacturer.
Third-party providers.
It is also worthwhile noting that Florida operates under a comparative negligence scheme. This means that if there is more than one party found to be liable for the truck accident, then they will be liable to pay for the damages according to the percentage that they were found to be at fault. As an example, if the driver of the truck is found to be 40% liable, then they will be required to pay for 40% of the damages.
At The Law Place, we have a highly skilled team of Bradenton truck accident attorneys, who have an abundance of experience in handling cases similar to yours, and dealing with the Florida legal system. Call us today to arrange a free consultation with an adept personal injury lawyer.
Contact The Law Place Today!
If you or a loved one has been unfortunate enough to be involved in a truck accident that wasn't your fault, then it is highly likely that you may be deserving of compensation. At The Law Place, we have a team of adept accident lawyers with over 75 years of combined experience in handling a variety of cases.
We understand how traumatic and stressful a truck accident can be, which is why our team of attorneys will be there to support you every step of the way. At our law firm, we pride ourselves on developing trusting attorney-client relationships built on transparency and honesty. A competent Bradenton truck accident lawyer will be there to support you through the legal process and will work to ensure you receive the best possible outcome for your case. Many of our attorneys are AVVO rated 10.0, which is the best possible ranking. This rating is awarded based on trial skills, length of service, and awards, as well as client testimonials and reviews.
Our Bradenton phone lines are open 24 hours a day, 7 days a week, so you can call us at any time of day, and rest assured, an experienced personal injury lawyer will be on hand to help. Contact us at (941) 444-4444, and arrange a free consultation with a skilled personal injury lawyer today.
Truck Accidents Practice Areas
Amazon Truck Accidents
Blownout Tire Truck Accidents
Delivery Van Accidents
Fatigued Truck Driver Accidents
FedEx Truck Accidents
Fuel Truck Accidents
Garbage Truck Accidents
Improper Passing Truck Accidents
Moving Van Accidents
Oversized Loads Truck Accidents
Semi-Truck Accidents
Tailgating Truck Accidents
Tow Truck Accidents
Truck Accidents at Intersection
Truck Driver DUI Crashes
Truck T-Bone Crashes
Unsecured Loads Truck Accidents
UPS Truck Accidents
Tampa Speeding Truck Accident Lawyer
Clearwater Speeding Truck Accident Lawyer
Fort Myers Speeding Truck Accident Lawyer
North Port Speeding Truck Accident Lawyer
Venice Speeding Truck Accident Lawyer
Port Charlotte Speeding Truck Accident Lawyer
Englewood Speeding Truck Accident Lawyer
St. Petersburg Speeding Truck Accident Lawyer

redpajama_set_name: RedPajamaCommonCrawl


text:
Alerts & Closures+
Ready Cary
Shearon Harris Nuclear Power Plant
Cary Community Plan+
Eastern Cary Gateway
Maps+
Interactive Development Map
Project Updates+
Bicycle Projects
Facilities Projects
General Government Projects
Greenway Projects
Reclaimed Water Projects
Sidewalk Projects
Wastewater Projects
Sustainable & Resilient Cary+
Recycling/Composting
Sustainable Community
Cary Green Neighborhood Project
Strategic Energy Action Plan
Creating Sustainable Neighborhoods Technical Assistance Grant
Town of Cary Awarded Grant to Test No-Idling Technologies in Fleet
Public-Private Photovoltaic Partnership
LED Streetlights
Since the 1980s, Cary has used voter-approved bonds as one of several financial strategies to help create and maintain the community. The most recent referendum was approved by voters in 2012 for fire, transportation, and parks initiatives. All of the funded projects are either complete or well underway.
As part of its annual budget discussion on May 9, 2019, Council and Town staff explored a number of projects that could qualify for funding with debt financing via general obligation bonds. There was agreement for a "not to exceed" total of $225 million for Cary's next referendum: Up to $113 million going toward transportation needs and the remaining $112 million for parks and recreation needs, including preserving open space. Council directed staff to begin the legal process to hold a general obligation bond referendum on October 8, 2019.
The referendum, which will comprise two separate questions, will ask voters whether they approve of the Town's use of general obligation bond financing to pay for qualifying transportation projects and qualifying parks projects.
While the referendum sets maximum limits for borrowing in each of the two categories, the Town is not required to borrow the full authorized amounts. If the debt financing is approved by voters, projects would be initiated, designed, constructed and initially financed over as many as 10 years.
The Cary Town Council voted unanimously to offer citizens the opportunity to vote on two general obligation bond initiatives for Parks ($112 million) and Transportation ($113 million). Registered voters will have the opportunity to voice their opinions about each bond initiative individually during the Oct. 8 general election.
Projects in both the Parks and Transportation Bonds are located throughout Cary and will begin over the next 10 years.
The Transportation Bond consists of $113 million for traffic improvement, resurfacing, intersection improvements, streetscape improvements, new traffic signal system software, sidewalks, and road widening.
The Parks Bond consists of $112 million for new parks including Phase 2 of the Downtown Park; two new parks in western Cary; a nine-acre park on Tryon Road; playground upgrades; historic properties preservation; open space preservation; and improvements to existing parks.
There is no contingency finance plan for these projects. If voters do not approve the authority to finance them, they will likely not move forward in the next five to ten years.
Recent Action
May 23, 2019: Town Council voted unanimously to adopt the 2019 Bond Referendum Preliminary Findings Resolution. This action documents Council's conclusions about using debt and authorizes staff to seek approval of the proposed referendum with the NC Local Government Commission.
June 27: Town Council introduced the bond orders and set a public hearing for July 18, 2019.
July 18: A public hearing was held at the regular Town Council meeting where the bond orders were considered for adoption and approved. They will be publicized in legal notices during July and August. Council also considered and passed a resolution calling for the bond referendum.
Sept. 13: Last day to register to vote: Wake County Board of Elections; Chatham County Board of Elections
Sept. 18: Early voting begins.
Oct. 8: Election Day
Visit CaryBonds.org for a detailed list of projects, FAQs, and more.
Preliminary Resolution
Proposed Bond Referendum Calendar
Jennifer Warner
Senior Marketing Manager


text:
New Information Content Glossary Relatedness (ICGR) approach for Short Text Similarity (STS) tasks
Ali Muftah BenOmran, Mohd Juzaiddin Ab Aziz
Center for Artificial Intelligence and Technology (CAIT)
The measurement of the relatedness of word semantics based on complementary Wikipedia and WordNet-based methods takes two forms, combined and integrative, which are aimed at increasing the semantic space between related words. However, each form has its own set of issues regarding its components and the strategy that is used to combine and integrate corpus-based and knowledge-based methods. In the integrative strategy, a large corpus, such as Wikipedia, is used to extract a set of related words for a particular concept as a basis for searching the WordNet space. The drawback to this strategy is in its use of a fixed scaling parameter, which only fits an implemented dataset that is near to a human score. Other corpusbased methods use a cut-off threshold that is determined experimentally to reduce the semantic space and to increase the search for a more accurate semantic space. Such methods merely take into account the frequency of bigrams, while ignoring the frequency of individual terms. Knowledge-based methods using a gloss overlap have a similar limitation to the corpus-based methods, where they lead to the loss of many valuable relatedness features that determine a more accurate measurement. Thus, in this paper, a new Information Content Glossary Relatedness (ICGR) approach was proposed in two steps, namely, an Extended-PMI based on a cut-off density threshold was proposed to extract a Robust Relatedness Vector set (RVS) of a large Wikipedia dataset. Then, a Semantic Structural Information (SSI) method was presented to use the RVS as a fulcrum to define the most relatedness gloss in the WordNet of each gloss and to select the top 5 glosses related to each RVS. The results showed that the proposed approach outperformed the state-of-the-art set, where the Extended-PMI achieved a Spearman's correlation of 0.89 to the human score and the ICGR approach achieved a Spearman's correlation of 0.8 to the human score.
Journal of Computer Science
https://doi.org/10.3844/jcssp.2019.769.784
BenOmran, A. M., & Ab Aziz, M. J. (2019). New Information Content Glossary Relatedness (ICGR) approach for Short Text Similarity (STS) tasks. Journal of Computer Science, 15(6), 769-784. https://doi.org/10.3844/jcssp.2019.769.784
New Information Content Glossary Relatedness (ICGR) approach for Short Text Similarity (STS) tasks. / BenOmran, Ali Muftah; Ab Aziz, Mohd Juzaiddin.
In: Journal of Computer Science, Vol. 15, No. 6, 01.01.2019, p. 769-784.
BenOmran, AM & Ab Aziz, MJ 2019, 'New Information Content Glossary Relatedness (ICGR) approach for Short Text Similarity (STS) tasks', Journal of Computer Science, vol. 15, no. 6, pp. 769-784. https://doi.org/10.3844/jcssp.2019.769.784
BenOmran AM, Ab Aziz MJ. New Information Content Glossary Relatedness (ICGR) approach for Short Text Similarity (STS) tasks. Journal of Computer Science. 2019 Jan 1;15(6):769-784. https://doi.org/10.3844/jcssp.2019.769.784
BenOmran, Ali Muftah ; Ab Aziz, Mohd Juzaiddin. / New Information Content Glossary Relatedness (ICGR) approach for Short Text Similarity (STS) tasks. In: Journal of Computer Science. 2019 ; Vol. 15, No. 6. pp. 769-784.
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title = "New Information Content Glossary Relatedness (ICGR) approach for Short Text Similarity (STS) tasks",
abstract = "The measurement of the relatedness of word semantics based on complementary Wikipedia and WordNet-based methods takes two forms, combined and integrative, which are aimed at increasing the semantic space between related words. However, each form has its own set of issues regarding its components and the strategy that is used to combine and integrate corpus-based and knowledge-based methods. In the integrative strategy, a large corpus, such as Wikipedia, is used to extract a set of related words for a particular concept as a basis for searching the WordNet space. The drawback to this strategy is in its use of a fixed scaling parameter, which only fits an implemented dataset that is near to a human score. Other corpusbased methods use a cut-off threshold that is determined experimentally to reduce the semantic space and to increase the search for a more accurate semantic space. Such methods merely take into account the frequency of bigrams, while ignoring the frequency of individual terms. Knowledge-based methods using a gloss overlap have a similar limitation to the corpus-based methods, where they lead to the loss of many valuable relatedness features that determine a more accurate measurement. Thus, in this paper, a new Information Content Glossary Relatedness (ICGR) approach was proposed in two steps, namely, an Extended-PMI based on a cut-off density threshold was proposed to extract a Robust Relatedness Vector set (RVS) of a large Wikipedia dataset. Then, a Semantic Structural Information (SSI) method was presented to use the RVS as a fulcrum to define the most relatedness gloss in the WordNet of each gloss and to select the top 5 glosses related to each RVS. The results showed that the proposed approach outperformed the state-of-the-art set, where the Extended-PMI achieved a Spearman's correlation of 0.89 to the human score and the ICGR approach achieved a Spearman's correlation of 0.8 to the human score.",
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JO - Journal of Computer Science
JF - Journal of Computer Science
10.3844/jcssp.2019.769.784


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Background vocalist/original "Beatlemania" cast member recalls his contributions to Gene Simmons' 1978 solo album and his work with Paul Stanley and Gene Simmons on albums such as "Animalize" and "Crazy Nights," plus a potpourri of KISS stories and tangents.
Producer details his work on "KISS Symphony: Alive IV"
Grammy-nominated musician discusses working with KISS and playing piano on "Nothin' To Lose"
Grammy- and Emmy-nominated producer recalls working with Peter Criss on his first post-KISS solo album, 1980's "Out Of Control"
Recalling KISS' early days with the co-producer of "KISS" and "Hotter Than Hell"
KISS' original Spaceman details his first studio album in 20 years, "Anomaly"
Non-makeup-era axeman discusses KISS tenure and latest album, "BK3"
KISS' favorite "ghost" guitarist discusses his guitar playing on "Destroyer" and "Revenge"
KISS fan and former rhythm guitarist in Ace Frehley's band recalls his stint with the Spaceman on tour and recording "Anomaly"
Guitarist/vocalist discusses working with a pre-KISS Eric Carr in the cover band trio Flasher.
Songwriter/collaborator recalls working with KISS, Vinnie Vincent and writing songs on "Killers," "Creatures Of The Night," "Crazy Nights," and more.
Powerhouse drummer recalls his wild ride with the Vinnie Vincent Invasion.
Lead singer discusses working with Ace Frehley in pre-KISS band Honey.
Uncle Joe drummer discusses working with Paul Stanley in pre-KISS band formed in 1966 and assistant engineering "Alive!"
A detailed conversation with the author of "Gene Simmons: A Rock 'N Roll Journey In The Shadow Of The Holocaust."
Yahoo Chart Watch blogger and certified chart expert provides a current breakdown and analysis of KISS' Nielsen SoundScan totals.
Former Casablanca executive dishes on his must-read book, "And Party Every Day: The Inside Story Of Casablanca Records."
Artist discusses designing the album cover for Peter Criss' first post-KISS solo effort, 1980's "Out Of Control."
Brother of Ace Frehley discusses his sibling and his own musical career.
While doing a bit of web surfing for any possible information about Ace Frehley's family for my KISS Album Focus "Pre-KISStory" article, particularly about his brother Charley who had, according to Dale Sherman's Black Diamond book, musical connections with his brother, I came across a site for "The Bridge Band". The brief bio of the band caught my attention, "Charley grew up in a family in which music was always encouraged, especially singing in his church choir. Charley chose music as his major and was part of the 60's college folk scene. As a teen he played in bands with his brother Paul, now known as 'Ace' Frehley of KISS fame" (TheBridgeBand.com). I let Mike, at KISSONLINE know, because it made a very interesting piece of KISS Konnectivity - something which would interest fans.
[Introductions] Charlie briefly discussed his current job and some recent promotions that are going to lead to interesting and challenging developments in his working (non-music) life.
Charles Frehley: ... I still find time for music.
KissFAQ: I hope so, you've got to!
CF: I spoke with Michael when he first emailed us and we discussed the link into KISSONLINE and that's been going very well. We've been getting a lot of activity as a result. It's a really nice thing.
KF: I hope the activity you're getting isn't the result of people expecting you to be the mirror image of your brother?
CF: Yeah, but that's the thing, I'm 'the other side of the coin'. That's how I always described it. You know, Paul [Ed. Ace's real name is Paul Frehley] and me, we're two sides of the coin: He does the hard stuff and I do the easy stuff! However, I'm getting more into up-beat. I've been a songwriter, trying to go professional - haven't had a lot of luck. Haven't really pushed it as much as I should have. In fact I've just finished a recording for a song that's going to be in the hand's of Marc Anthony by the weekend. I've got a friend who knows one of his relatives and he's facilitating that.
And I wrote my first Spanish ballad with Flamenco guitar and Spanish lead. It came out so great. It starts off in English. My wife is Puerto Rican, so she translated the verse and chorus into Spanish, and we wrote another little Spanish verse. It starts out in English, starts out with a slow section, nice easy flowing, you know, finger picking. And then it goes into a Flamenco strum with Spanish lead and the singing is very powerful and punchy. It's about the games people play with each other. That's the subject in terms of where they argue and such. You know, every time you can see the song in your head, you ain't sure that it's going to sound that good or that way when it gets onto tape. And when it does, it's really cool... and it's going to get to Marc by the weekend. And if he doesn't want it, that's OK. He's my first pick for the song, but there's a lot of Spanish artists looking for music. A lot of guys trying to cross over the way he did. So there'll be a lot of people I'll shop it around to. That's a great song.
KF: Well good luck to you with that.
CF: I have a 27 year old daughter, and she's been writing poetry and short stories since her early teens. She showed me her poem yesterday, called "Growing Pains", it's going to appear in a published collection of poems that's coming out this spring. The poem was an experience for me. It was a relatively short poem, maybe ten or twelve lines, but each line was rather lengthy. But it had a flow to it and the only way I can describe it was that I felt like I was on a swing in the backyard, hooked to a tree branch, and I was just swinging back and forth. And the rhymes came out of nowhere. The way she constructed the ideas, it's an amazing poem. And she has like 75 or 80 of them. That she's written, and I was like show me more of these please!
But talent all over the place. And my son, he got a major share. He's just all music - 21 year's old. The world is his oyster, he's just ready to go, and he's just got it all. I'm going to start working on some projects with him soon. I have an Ovation guitar that I bought in 1968 that I still play and it's a deep body Ovation guitar. You know how all Ovation guitars have a plastic back, originally they had a smooth surface on them, and then sometime in the 70's they switched to a roughened surface. But my guitar is a deep bodied Ovation and it's like a classical styled guitar. It's called the Josh White model.
KF: I'd like to congratulate you on your Bridge CD, and I read a review that said that the bridge, "give you a collection of twelve songs that can be described as music, as pure as you can get. The notes come out of your speakers, crisp and clear as a summer breeze". Is that the aim of your music, an artistic purity, or it simply a fortunate expression of yourself?
CF: We write from the heart. We write very slowly and methodically, and over the years we have developed a relationship in terms of our music, the way our guitars sound. You know, for example, in "Julie Y", Jerry plays the first part of the recurring sequence, and then I come in with the other half. It "breathes", we have a very similar finger style, but we always try and create a diversity in what we do in terms of the arrangements. He'll capo up high and catch the high notes, and I'll play open or capo down low, so we broaden the range of what we're doing. But we're always looking to do something inventive and interesting, and something that's going to sound nice musically between our guitars and voices.
We're both old ex-Choir boys, Jerry almost got chosen for the Vienna Boy's Choir, and from the time I was 8 or 9 years old I was singing solos in the junior choir in church, and then in the senior. And I sang solos in my college course, so we both have a good solid musical background, but we both have a great feeling for harmony. And those are the elements that we put into out music.
KF: That really came across. I gave the CD a couple of listens so far, and was thinking Peter, Paul, and Mary, very similar in the harmonizing, and of course Simon and Garfunkel.
CF: I learned how to play guitar listening to those people. Mid 60's, by 1965, I was 15 years old, and I was sitting and listening to Paul Simon's stuff and figuring out the songs. The first song I ever figured out for myself was a Peter, Paul and Mary song, one of their old traditional folk songs. And that's how I got my chops, I just started working. I never took lessons. I had played piano and understood something about music, and I just wanted to do it on my own. I just took the music of the day and used it as a basis for teaching myself how to play. And I just grew with it. And then I studied classical guitar for like four years, and studied music. Jerry and I both have families and kids, and we both did music back in the 60's, and kind of lost our way with it, and just got into working and taking care of our families and just playing on our own. And then we stumbled upon each other in '94 and the rest we made happen.
KF: And before '94 were you just not doing much music or was it just around the house pick up the guitar?
CF: I was working with a guy in the early 80's and he was a copy-writer for a big ad agency, a rich guy. He had his own personal problems, but we tried to work together. He was doing the lyrics with me doing the music. But it was just such a weird situation. He got involved in drugs and stuff. He was one of these guys involved in things he shouldn't be doing and I was kind of caught in the middle of it and I just ended up bailing out. That was the only attempt that might have generated some type of activity for songwriting for me.
Other than that, I'm a working man. I take care of my family, spend time with my wife. I've got a good relationship with her. Everything's nice and solid in my life and now I'm addressing the music. And I have the self-confidence just to go out there and just do it. I've got a lot of songs that I've written as much as ten years ago which I'm going to start recording and try to get published and get to people. All different types of music.
KF: Now the material on the Bridge CD, how long had that been in the works? Was that strictly just you and Jerry, since '94?
CF: That's me and Jerry. He writes a song and then brings it to me, and then we work out the arrangement. I work out my guitar part and harmony and vice-versa. Occasionally we have worked on songs and written songs together, but we don't do that as a general rule. But we develop the songs slowly and we just make sure that they are a style that is uniquely ours. And also that the songs say something. Like the song "I Can Only Hope It's So", he wrote that about children and the questions that they ask.
I wrote the song "All Around" about the environment as we should all have concerns about the environment. I have fantasies about one day playing that song at the Rain Forest concert 'cause it would fit perfectly with the theme of that, but who am I? I'm not James Taylor and all the big names that play there... If you listen to the words it touches on everything from the rain forest, the ozone depletion, and all those things, but it's done in a nice musical format. I love music and I love writing, and I love making my own stuff sound beautiful, but also have a relevance. Which you don't always find in a lot of popular music. It seems to work for us.
KF: And is that the aim of your music, to have a "message", but to be very musical, very pure?
CF: Many of our songs are exactly that. We're trying to express an idea and make a comment on something. That is important to us. Others are just observational kinds of things. Like "Millstones, Barrows, and Porch Swings", observations of life compared to visuals. Jerry got the idea for that when we were driving up to the All Folks Festival in Kingston, Ontario, that we played at in 1997. We were driving through upstate New York and he would see a house, and in front of the house would be a wheel-barrow. And it's been converted into a planter. That wheel-barrow used to have a job, used to have a function. But now it has a new function, which is different, but not necessarily any better or worse. And the same thing happens to people, as they get older what they do changes.
CF: That's a wonderful song, and we named the CD after that. That cover art was done by Jerry's sister who's a professional artist, I'm sure there's a credit on the cover [Ed. There is: Cover art by Lucy Taylor]. She teaches at local colleges, and also does shows at art galleries, and she did that as a mock up. Just a quick idea of what we wanted. When she actually did the final rendition, we liked the mock up better, so that's what we stayed with.
KF: A lot of them may be in for a shock!
CF: A lot of these people who were diehard KISS fans when they were 15 in the 70's are now maybe 40. And a lot of people's musical taste does mellow a bit. The nostalgia connected to the KISS music of the 70's is something they still strongly relate to, but maybe these days their tastes in general have changed. As a matter of fact a few emails I got made reference to exactly that. Our music doesn't speak to a teenage crowd. It speaks to people who are more thoughtful and have some sort of life experience because I'm 51 and Jerry's a few years younger, and we draw from our life experience in these songs and if you don't have that there's not a lot you can connect with. We're just doing the best we can, but we're getting noticed in some ways and it may end up opening up some doors.
KF: So, where were you born [Ed. I've read Bronx and Brooklyn, so wanted clarification]?
CF: Paul and I were both born and raised in the Bronx. My mother just moved to  because she's elderly. My father passed away last March, and she stayed until the end of July when we found and assisted living place very close to my sister. Out there the assisted living places are much more reasonably priced than they are in New York City and it just worked out better. She's living out there and she's doing wonderfully. I'm so happy for her, because she took care of my father in his declining years. The past four or five years where he ended up becoming a total invalid.
KF: That would have been tough.
CF: That was very stressful for her, for anybody, to spend 24 hours a day, 365 days a year, taking care of him. And having home help aids come in. It was hard for her, very hard for her. And I was there all the time helping her and supporting her. And then he finally passed, very quietly and calmly, he just stopped breathing, one Tuesday afternoon back in March. But she's very happy now. She's got activities to be involved in. She has friends at this assisted living place. She loves it there. And interestingly enough, one of the kitchen helpers noticed her name, Esther Frehley, and being a diehard KISS fan this woman inquired and when she found out that Ace's mother had just moved in to this facility she went ballistic! First of all my mother invited her in, because my mother's the sweetest, dearest person you'd ever want to meet. And she had all the pictures on the walls. The family shots from their 50th wedding anniversary with Paul and his wife and all of these family things.
And she ended up telling people about it and bringing people knocking on my mothers door. In a very nice way, and they didn't stay long, and I said, "Mom, be careful", because it could get completely out of control. She would just bring people in and they would meet her and they would look at the pictures and just be awed and fascinated. She had lived in New York, her whole life, since the age of 21 and she was relocated at the age of 80, to a place that was totally unfamiliar to her. And this process of this woman doing this in fact made her feel so comfortable, because everyone then knew her, and everyone knew about her, and everyone would say "hello" to her. And she would say to me, "Charlie, everyone's so friendly and nice to me", and it just allowed her to make the transition in an effortless kind of way. So I really thank Paul for that, that his fame was able get her feeling comfortable in this new environment. My sister's just five minutes away, and is there every day, and her daughter just gave birth, so she has a great-grandson to watch grow up. She's very happy.
KF: What's the alleged 'German' connection with your family? Did your parents emigrate to the US or was it an earlier generation?
CF: Well, my father was born in Bethlehem, Pennsylvania. His family was Dutch. My Mother's father moved here around the turn of the century and there is a book that outlines the entire history of the town that my mother grew up in. It's a town called Norlina, North Carolina, and about ten years ago someone put together the entire history of the town which included my Grandfather Robert Hecht, who came over here with his brother. My grandfather, his family in Germany were so rich that there was a special word in German to describe them, and I don't know what the German word is.
But that's how rich that Hecht family was. And the deal was that my Grandfather was supposed to marry a woman for political or economic reasons, was not interested in doing that, so he just left and came to America with his brother. My mother was the youngest of, I believe, seven children, and there was a book that has photographs and the entire history of the town... We used to go there every summer for two weeks and stay at different Aunt and Uncle's houses. I'd just feel like a farm boy for two weeks. Paul and I would do that. We'd cut corn and I'd throw bales of hay on the truck. It was just totally relaxed farm life of the late 1950's and early 60's, totally different from living in the Bronx.
KF: You are Ace's older brother, and have a sister Nancy, what's the age split?
CF: I'm a year older than Paul, and Nancy is six years older than him.
KF: It's often been said that your parents had a musical household, in what way, and how was music a part of your family life growing up?
CF: My father played piano all the time. He had studied classical music for many years. He had planned on being a professional musician, but the depression hit and his mother got ill and he was a student at Lehigh University in Pennsylvania, and I believe he had to drop out of school to come home to take care of his ailing mother. He never finished graduating and he was never able to pursue his musical dream. But he was also an incredible mathematician and engineer and he was just great with numbers.
He ended up making a living as an engineer winding various types of motors and designing transformers and motors for various companies. He worked for elevator companies for many years doing all their work. An elevator motor burns out, bring it to Carl, he fixes it, and it runs forever. He was just very very good at what he did and he worked until he was 84 years old winding elevator motors... The only reason he stopped doing it was that the company moved out of the city - they moved from the Bronx up to Pelham, which is right across the northern border of New York City and the building they were moving into did not allow for space for a mechanic's shop, so he was just out of the picture. So he needed a job. One of the customers of this company offered an 84 year old engineer a job, unfortunately they could only find a space in the basement, and he was unwilling to work all day in a place that had no windows or ventilation and he ended up retiring.
And gradually, within a few years, his health began to decline, and then one hospital stay led to another, and then he had a minor stroke. And then he was in his upper 80's. We had a snowstorm and he lived a good 2 miles from where he worked and he walked there, in the snow to get to work, and he was 83, because you don't miss a day of work. He was born in 1903... there was only one way to do it, he'd tell me, the right way.
Jerry and I are on top of things, we try to be good husbands and good parents and good workers, and everything works out. We don't find many obstacles. The only real obstacle we've had has been trying to promote ourselves in a way that's going to get us some attention. I've never thought of utilizing my brother for that. He's never approached me with really wanting to do that or been receptive to the idea. He does what he does, and I do what I do.
KF: I guess it's nice when the 'other side' come knocking wanting to talk to you and hear about you and your music because it's been well known for a while that you played guitar, that there's a rumor that you used to give Paul some lessons early on?
CF: We learned how to play guitar together. Right around 1964/5, when the Beatles were just doing everything, just turning music around. Everyone wanted to grow their hair long and play guitar so Paul and I both did that around the same time. It's just my orientation was to learn chords and learn how to strum, and he right away, he didn't want to deal with chords, he just wanted to pick out the notes and turn the volume on the amp all the way up to the top. That's all he wanted to do. Even before he could really play, that's all he wanted to do!
We all went through some growing pains, my ears are still a little sore from that! But he learned quick and within a year he was so, without lessons, proficient. It was just amazing. There was this one song we played by this group The Blues Magoos, they had a song, "We Ain't Got Nothing Yet", and there was this little guitar instrumental part [raising scale], and after one year, self-taught, he nailed that perfectly. He was like 15 years old and he was playing with that kind of dexterity. Just natural talent. And then between Eric Clapton and Jimmy Page, and all those guys that became so popular in the late sixties... He was in bands playing all their music and he just developed his chops using them as a baseline and then he just developed his own style. He had great music to learn from and it was just a great time in music when there was a lot of great stuff being produced.
CF: He was covering all of them, just playing in bands with 17/18 year old guys, playing at high school dances. He was playing Clapton music, stuff from Cream, and Zeppelin stuff. It was all covers. But it taught him the subtleties of rhythm and was a good school to go to!
KF: Now, were you ever in bands with him?
CF: Yeah, a couple, very early on when we were still in high school together. We were in a band called the Micro Organism, what can I tell you! That's what it was called. And we didn't gig much, we just actually practiced for a while and then it just kind of fell apart. We were just young kids. I was like 16, Paul was 15. I brought him in to play lead, and a drummer, a friend I knew from my school. It was just kid's stuff. But I'd already seen that Paul was really on his way to being a great great guitar player. That's all he wanted to do. He said, "I'm gonna make it, I'm gonna make it".
And he just stuck with it. I stuck with it in the sense that I was going to school, I went to college, and I ended up switching my major from physics to music. And I took a full time music curriculum for two years at Bronx Community College, and I graduated with a two year associate degree in music. I studied classical guitar and had to do frequent recitals. I passed the curriculum with no problem because music was just easy for me. And then I went to City College and I got almost up to the end of my senior year but financial pressures and my daughter was a couple of years old, it was 1975 when I dropped out before I finished. I got up within 12 credits of a BA. But a lot of responsibilities and it was a hard time for money, and I just couldn't handle the workload.
KF: In the early days, did you ever run into Larry and Sue Kelly?
CF: I knew him and he was Paul's lead singer for a good long time... I can't really remember the name of the band [Ed. Some of Ace's early bands included The Exterminators, The Four Roses, Muff Divers, Honey & The Magic People]. But I remember going to many gigs and hanging out with Larry.
KF: Now, once Ace got into bands like Molimo, did you ever get to hear any of that material?
CF: I went to see him at the Village Gate play with Molimo one time and it was a soft sort of band, kind of reminiscent of Spanky & Our Gang with a female lead singer. That poppy kind of sound. Paul would play lead on some songs, he would play acoustic on other songs. He was always into ballsey heavy metal. Zeppelin was the ultimate. That kind of thing you see with KISS, the punchy strong rock rhythms that he could play his wailing lead guitar to. So Molimo really didn't cut it for him. It was just something to do until the opportunity came along. And that was when he saw the ad in the paper... He went to the loft on 23rd Street and the rest was history.
KF: Did you ever see KISS?
CF: Oh yeah, sure, over the years many times. Back in the 70's the limo would pick us up and we'd be treated like royalty. And we'd go to the pre-concert catered gig, and afterwards there was always a party. We had one party in a health club on East 56th Street - they rented out the whole health club for the party and we were sitting around the pool. They once rented out a ballet school somewhere off 5th Avenue somewhere in the 70's between 5th and Madison. This really post, beautiful building, with high ceilings, so we had the KISS after-concert party there. It was a lot of fun.
CF: I guess that would be that Zimgar starburst that he had. It had terrible action, it was awful. I think the first real good guitar he got was a knock-off on a Stratocaster, that wasn't a Fender, but another brand. Ultimately, it was Les Paul all the way. When he saw Jimmy Page playing a Les Paul and Eric Clapton playing a Les Paul, that was it. He would always get his guitars and take them a part, he would d take out the pickups and look at everything, and understand how everything worked, and then he'd put them back together again. Then he'd take day glow paint. He was an artist. He told me in the 80's that he was thinking about publishing some of his computer graphics stuff. But he would always take his guitars, and using day glow paint, he would just paint them. And we'd have black lights and the guitars would glow. He was always into art.
KF: How often do you gig with 'The Bridge'?
CF: We play locally in Borders Books and Barnes & Noble frequently. We've been recently working on material and we're starting to schedule gigs. April's all filled up. We have one showcase in March. Right now we're spending time contacting new venues in our area. There's a place called the Minstrel Coffee House in New Jersey which is a very nice venue, which some big names play out of on a regular basis. It's a well run organization. We've approached them and we're going to be trying to at least start as an opening act there. And maybe there's some KISS fans in New Jersey interested in coming to see us.
KF: Since I don't want to take up your whole day, what are your plans for the Bridge?
CF: We want people to hear our music, because we think that there's lot to offer in our music. My partner's trying to get us noticed . Through the KISS website, and generating some activity. This might translate into some KISS fans coming to our shows. We're doing a showcase at Sam Goody's Store in Roosevelt Field on Long Island on March 17th. We're looking to make some appearances on some local Television shows. Ace has a brother who plays a totally different sort of music. There's this connection, that might be a point of interest.
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Can I design & animate a video in Microsoft PowerPoint?
With Microsoft PowerPoint Version 2016, PowerPoint is a POWERFUL tool for social media video animations or even video presentation pitch!
A practical workshop on how you can create a presentation pitch deck that will involve infographics and animations in Microsoft PowerPoint to tell a story.
By the end of the workshop, you will craft a story that you would like to tell, and storyboard it in Microsoft PowerPoint with the graphics and infographic resources that the trainer will share with you during the course.
We will animate the different components and storyboard together with audio or voice over (optional), and export the final video animation into a movie/video file.
Whether we have a new policy in the company, or a Human Resource department new claim process we hope to launch throughout the whole company, we all have a story to tell, and this can be achieved with Microsoft PowerPoint!
Top marketers today, have been moving away from the traditional selling tactics of TV commercials, as it is no longer as effective to tell our customers that our products are great and that they should buy it. One of the buzzwords that characterises the shift away from hard selling is 'storytelling'.
Human Resource, Policy and Admin Executives, Event Managers, Digital Marketers, Entrepreneurs, PR Agency, Adult Educators, Lecturers, Trainers, and anyone who would like to tell a story and communicate this story visually into a simple animation with Microsoft PowerPoint.
2. You will need Microsoft PowerPoint (preferably version 2016 or newer) installed in your computer. Office 365 versions are also good for the course.
2. The course can also be shorten to a 3.5 Hr Course, with Microsoft PowerPoint Storyboarding and Animation, exported to a video. We look forward to hear about your video course requirements for your company or orgnaization!
Portfolios will be updated soon. Meanwhile you can email us for portfolios.
2. The course can also be shorten to a 3.5 Hr Course, where we introduce video editing through clipchamp.com (Free fo 480p videos) or mobile apps that will allow you to export high resolution videos for FREE. We look forward to hear about your video course requirements for your company or orgnaization!


text:
6460 Бассано (6460 Bassano) — астероїд головного поясу, відкритий 26 жовтня 1992 року.

Тіссеранів параметр щодо Юпітера — 3,612.

Примітки

Див. також
 Список астероїдів (6401-6500)

Посилання

Астрономічні об'єкти, відкриті 1992
Головний пояс астероїдів

redpajama_set_name: RedPajamaWikipedia


Whether you're playing for fun or more seriously, croquet is a competitive game. There are a number of competitions you can enter.
The club runs several internal competitions for members, covering all levels of experience and ability, including the very popular Golf Croquet Rainbow, recently renamed the Harry Goldsworthy Memorial Competition in honour of our much-missed former member.
The club enters a number of these, and members of all abilities are always welcome to play. They're a great way to get your first taste of competitive croquet. Whether officially designated as Friendlies or not, all croquet matches, whilst hard-fought, are played in a spirit of conviviality and sportsmanship.
There is a flourishing tournament schedule from March to October at clubs across the country (and overseas), run by the Croquet Association. Many players get bitten by the bug and become regulars on the circuit!
For internal competitions you'll need to become a member of Ealing Croquet Club. For more information about the benefits of membership visit our How to join page.


text:
classdef testModelFctMor < sssTest
%
% ------------------------------------------------------------------
%   This file is part of sssMOR, a Sparse State Space, Model Order
%   Reduction and System Analysis Toolbox developed at the Institute
%   of Automatic Control, Technische Universitaet Muenchen.
%   For updates and further information please visit www.rt.mw.tum.de
%   For any suggestions, submission and/or bug reports, mail us at
%                     -> morlab@rt.mw.tum.de <-
% ------------------------------------------------------------------
% Authors:      Alessandro Castagnotto
% Last Change:  22 Nov 2016
% Copyright (c) 2016 Chair of Automatic Control, TU Muenchen
% ------------------------------------------------------------------

    methods(Test)
        function generalFunctionality(testCase)
            warning('off','sssMOR:irka:maxiter')
            n = 2;
            s0 = zeros(1,n);

            redFct   = @(sys,s) irka(sys,s);
            redFctOut= @(sys,s) getDesiredOutput(redFct,[1,4],sys,s);

            for i=1:length(testCase.sysCell)
                %  test system
                sys=testCase.sysCell{i};
                sys= sys(1,1);

                [sysr, ~, sysm, relH2err] = modelFctMor(sys,redFctOut,s0);

                verifyClass(testCase,sysr,'ssRed')
                verifyTrue(testCase,isstable(sysm))
                verifyGreaterThanOrEqual(testCase,size(sysm.A,1),n);
                verifyEqual(testCase,norm(sysm-sysr)/norm(sysm),relH2err)
            end
            warning('on','sssMOR:irka:maxiter')
        end
    end
end

redpajama_set_name: RedPajamaGithub


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UK's largest online retailer of party supplies - balloons, fancy dress, and personalised cards.
Party Delights has decided to expand its services to include additional planning and buying options for its customers. To build a mini-site that will help people plan and manage their parties online.
The project was part of training at GA. It was completed in two weeks with key learnings being market study (by visiting various stores selling similar products), card-sorting and information architecture.
Started my process by understanding the market and users. Visited stores in London that sell similar items. Conducted interviews with 8 people who regularly organise parties. This helped build understanding of people and their behaviour.
People organising parties are: design conscious but on a budget, would spend a little extra for a better service, love interacting with people and making them comfortable, fascinated by new ideas & like to innovate, have other passions or hobbies, multi-taskers & pressed for time.
This led to understanding users tasks through a task analysis and user flow. To understand their process, their journey was broken in-to different steps and pain points.
Then moved on to analyse competition and other companies that are offering a comparative service, in the area that Party Delights wants to enter through their mini-site.
All the supplies that go into organising a party were put down on cards and they were then sorted with 10 people to understand how they organised information.
Card sorting helped in making the site-map for the new mini-site.
The design process began with Design Studio. It helped brainstorm further and understand what were the different paths to structure the same information.
Since the events section was a very important step of the process, why not add it to the home page instead of being in the accounts page?
Why not allow the themes to be shared through social media and saved to Wishlist?
Further refined the events section and included it as a category on the home page along with invites and checklists, to make it easier for the user to locate these important items. Also included the share buttons, so that users can share themes and save them to wishlist.


text:
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Angelus Press is more than just a magazine. It's a global publishing house dedicated to spreading the Catholic Faith by printing books, magazines, and articles essential to the Catholic Faith and Family. Angelus Press is currently offering the following periodicals for subscription: The Angelus Magazine, The Foreign Mission Trust, The Regina Caeli Report, plus our blog, podcast, and so much more! For the first time in its history, The Angelus is now fully available online and, for this issue only, it's available entirely free. We've worked hard to make this a reality because we know if we aren't reaching the entire English-speaking world, we're falling short of our goal. Online access is the only way to reach everyone, everywhere, all the time!
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Welcome to the Angelus Online! The Angelus is now fully available online, optimized for mobile interactivity.
Use the arrows at the bottom of the page to move back and forth in the magazine. The up arrow allows you to get a quick overview of all the articles. The icons in the navigation bar allow you to share or to search content. This new format was designed to make browsing the magazine more enjoyable and the artwork even more beautiful!
Vatican Diplomate
Cardinal McCarrick
Removed from Ministry
German Bishops and Protestant Communion
Archbishop Sheen and New York vs. Peoria: The Saga Continues
News from Tradition
For over four years, the Archdiocese of New York and the Diocese of Peoria (Illinois) have been engaged in a civil court battle over the mortal remains of Archbishop Fulton Sheen. Sheen, who died in 1979, was buried in the crypt of St. Patrick's Cathedral in New York, (ostensibly at his own request) since he had spent most of his time as a bishop living, working and preaching in the Archdiocese, although he was ordained a priest for the Diocese of Peoria.
In 2002, the Diocese of Peoria officially opened the cause for his canonization. At that time, Edward Cardinal Egan, then the Archbishop of New York, agreed to allow Archbishop Sheen's remains to be moved to Peoria when the time came during the canonization process. Between 2012 and 2014, Sheen's cause had moved forward with the Congregation of Saints having declared that Sheen exhibited "heroic virtue" and recognizing a miraculous cure through Sheen's intercession. The next stage in the process would be the examination of the mortal remains and the taking of first class relics from the body—this is necessary before the Beatification of Archbishop Sheen could take place.
It was at this point, in 2014, that Timothy Cardinal Dolan refused to allow Sheen's body to be moved from St. Patrick's to Peoria for the official identification and the taking of relics. Dolan also stated that the Archdiocese of New York had no desire to pursue the canonization of Archbishop Sheen. Because of this deadlock, Sheen's cause for canonization has been suspended until the Diocese of Peoria could obtain his mortal remains. In 2016, the family of Archbishop Sheen officially petitioned, in the New York State court to have Archbishop Sheen's body removed from the crypt of St. Patrick's and brought to Peoria. Over the ensuing two years, courts have ruled in favor of New York rather than Peoria in an agonizing game of judicial ping pong. All the while, the Archdiocese of New York has maintained that its only reason for fighting the transfer is that Archbishop Sheen's request was to be buried in St. Patrick's Cathedral.
In the beginning of June of 2018, an Appellate Court in New York handed down what was hoped to be the final judgment in the case. The presiding judge ruled that although Sheen had requested to be buried in New York, the cause for his canonization overruled his final request (which, as the Diocese of Peoria argued in court, was somewhat vague in the first place). On June 15, 2018 the Archdiocese of New York announced that it would move to appeal this decision.
Of course, one is left wondering what would be the motivation of Cardinal Dolan and the Archdiocese of New York to continue to delay the continuation of Archbishop Sheen's cause for canonization (especially considering the cost of continuing litigation when the Archdiocese is struggling to keep parishes and schools open).
At the conclusion of their annual meeting earlier in 2018, of the German Bishops' Conference issued "pastoral guidelines" for allowing the Protestant spouses of Catholics to receive Holy Communion when attending Mass. Although this had been going on unofficially for years, this marked the first time the practice had received official acceptance. Only a few bishops objected to the issuance of the guidelines and, in a meeting with all the German bishops gathered in Rome, Pope Francis told them to find "unanimity" concerning the guidelines instead of clearly articulating true Catholic practice.
After considerable outcry, the Congregation for the Doctrine of the Faith made public a letter to the German Bishops' Conference forbidding the implementation of the guidelines. The Prefect, Cardinal Luis F. Ladaria wrote to Cardinal Marx (president of the German Episcopal Conference):
"At the end of our fraternal conversation on May 3, 2018 on the document "Mit Christus gehen…" ["Walking with Christ. On the path of unity. Interconfessional marriages and joint participation in the Eucharist. A pastoral guide from the German episcopal conference."] we determined together that I would inform the Holy Father about the meeting.
Already in our audience of May 11, 2018 I spoke with Pope Francis about our meeting and gave him a summary of the conversation. On May 24, 2018, I again discussed the question with the Holy Father. Following these meetings I would like to bring to your attention the following points, with the explicit approval of the pope.
1. The multiple ecumenical efforts of the German episcopal conference, in a particular way the intense collaboration with the council of the Evangelical Church of Germany, deserve recognition and appreciation. The joint commemoration of the Reformation in 2017 has shown that in recent years and decades a foundation has been found that allows bearing witness together to Jesus Christ, the Savior of all men, and working together in an effective and decisive way in many areas of public life. This encourages us to move forward with trust on the road of an ever deeper unity.
2. Our conversation of May 3, 2018 showed that the text of the guide raises a series of problems of noteworthy significance. The Holy Father has therefore reached the conclusion that the document is not ready for publication. The essential reasons for this decision can be summarized as follows:
a. The question of admission to communion for evangelical Christians in interconfessional marriages is an issue that touches on the Faith of the Church and has significance for the universal Church.
b. This question has effects on ecumenical relations with other Churches and other ecclesial communities that are not to be underestimated.
c. The issue concerns the law of the Church, above all the interpretation of Canon 844 CIC. Since in a few sectors of the Church there are open questions in this regard, the dicasteries of the Holy See concerned have already been instructed to produce a timely clarification of these questions at the level of the universal Church. In particular, it appears opportune to leave to the diocesan bishop the judgment on the existence of "grave and urgent necessity."
3. For the Holy Father it is of great concern that in the German episcopal conference the spirit of episcopal collegiality should remain alive. As Vatican Council II has emphasized, "the Episcopal bodies of today are in a position to render a manifold and fruitful assistance, so that this collegiate feeling may be put into practical application." (Dogmatic Constitution "Lumen Gentium" no. 23)."
Although this document prohibited the implementation of the guidelines, it is clear that it did not put an end to the possibility of the practice. Additionally, it praises two of the most detrimental innovations of Vatican II: ecumenism and collegiality. Some have pointed out that Pope Francis realized that the time was not ripe to foist intercommunion with Protestants upon the Church but that he is in favor of such. Given Pope Francis' admitted distaste for doctrine and traditional Church discipline, there can be little doubt that this latest work of sacrilege put forward by the German bishops will be spread to the universal Church when the "time is ripe."
Cardinal McCarrick Removed from Ministry
Cardinal Theodore McCarrick, Archbishop emeritus of Washington, D.C., has been forbidden by Pope Francis from exercising public ministry after allegations that he had abused a male minor while a priest in the Archdiocese of New York. McCarrick became an Auxiliary Bishop of New York in 1977, the first bishop of the newly established Diocese of Metuchen, N.J. in 1981, Archbishop of Newark, N.J. in 1986, Archbishop of Washington, D.C. in 2000 and was made of member of the College of Cardinals in 2001.
Because the abuse occurred in the Archdiocese of New York, Cardinal Timothy Dolan was asked by the Vatican to investigate the allegation. On June 19, Cardinal Dolan issued the following statement:
"The Archdiocese of New York, along with every other diocese in the country, has long encouraged those who, as minors, suffered sexual abuse by a priest, to come forward with such reports.
As he himself announced earlier this morning, a report has come to the archdiocese alleging abuse from over 45 years ago by the now retired Archbishop of Washington, Cardinal Theodore McCarrick, who, at the time of the reported offense was a priest here in the Archdiocese of New York. This was the first such report of a violation of the Charter for the Protection of Children and Young People ever made against him of which the Archdiocese was aware.
Carefully following the process detailed by the Charter of the American bishops, this allegation was turned over to law enforcement officials, and was then thoroughly investigated by an independent forensic agency. Cardinal McCarrick was advised of the charge, and, while maintaining his innocence, fully cooperated in the investigation. The Holy See was alerted as well, and encouraged us to continue the process.
Again according to our public protocol, the results of the investigation were then given to the Archdiocesan Review Board, a seasoned group of professionals including jurists, law enforcement experts, parents, psychologists, a priest, and a religious sister.
The review board found the allegations credible and substantiated.
The Vatican Secretary of State, Cardinal Pietro Parolin, at the direction of Pope Francis, has instructed Cardinal McCarrick that he is no longer to exercise publicly his priestly ministry.
Cardinal McCarrick, while maintaining his innocence, has accepted the decision.
This Archdiocese, while saddened and shocked, asks prayers for all involved, and renews its apology to all victims abused by priests. We also thank the victim for courage in coming forward and participating in our Independent Reconciliation and Compensation Program, as we hope this can bring a sense of resolution and fairness."
Cardinal McCarrick's statement was released at the same time as Dolan made the announcement in New York. He stated:
"Some months ago, I was advised by the Archbishop of New York, Cardinal Timothy Dolan, that an allegation of sexual abuse of a teenager from almost 50 years ago had been made against me. At that time I was a priest of the Archdiocese of New York.
While shocked by the report, and while maintaining my innocence, I considered it essential that the charges be reported to the police, thoroughly investigated by an independent agency, and given to the Review Board of the Archdiocese of New York. I fully cooperated in the process.
My sadness was deepened when I was informed that the allegations had been determined credible and substantiated.
In obedience I accept the decision of The Holy See, that I no longer exercise any public ministry.
I realize this painful development will shock my many friends, family members, and people I have been honored to serve in my 60 years as a priest.
While I have absolutely no recollection of this reported abuse, and believe in my innocence, I am sorry for the pain the person who brought the charges has gone through, as well as for the scandal such charges cause our people."
The same morning, the Bishop James Checchio of the Diocese of Metuchen, N.J. issued a statement saying, in part, that: "This very disturbing report has prompted me to direct that the records of our Diocese be re-examined, and I can report to you that there has never been any report or allegation that Cardinal McCarrick ever abused any minor during his time here in Metuchen. In the past, there have been allegations that he engaged in sexual behavior with adults. This Diocese and the Archdiocese of Newark received three allegations of sexual misconduct with adults decades ago; two of these allegations resulted in settlements."
Following suit, Cardinal Tobin, the current Archbishop of Newark, N.J. stated: "The Archdiocese of Newark has never received an accusation that Cardinal McCarrick abused a minor. In the past, there have been allegations that he engaged in sexual behavior with adults. This Archdiocese and the Diocese of Metuchen received three allegations of sexual misconduct with adults decades ago; two of these allegations resulted in settlements."
The entire situation is, of course, very disturbing. What is even worse, is that even though it was known both in the Diocese of Metuchen and the Archdiocese of Newark that Cardinal McCarrick had been involved in sexual behavior with adult males, he was still promoted to the Archdiocese of Washington, D.C. and made a Cardinal under the watch of Pope John Paul II.
Given that the statute of limitations for the sexual abuse of minors in New York has long ago run out, it is clear that Cardinal McCarrick will never face criminal prosecution. What his fate will be under Canon Law is still uncertain, but with Pope Francis' "who am I to judge" attitude toward homosexual activity even amongst the clergy, it would seem unlikely that there will be any ecclesiastical penalties forthcoming.
On Saturday, June 23, a Vatican Tribunal convicted Monsignor Carlo Capella of the possession of child pornography and sentenced him to five years in prison and a fine of 5,000 Euros. This was the first such civil trial of its kind in Vatican City.
Capella was the number four official in the Vatican embassy in Washington, D.C. and was recalled to the Vatican in August of 2017 after the United States State Department informed the Vatican of possible violations of child pornography laws by one of its diplomates. Soon after his recall, Canadian officials issued an arrest warrant for Capella stating that he had accessed child pornography while staying in a parish in Windsor, Ontario. At the time, many criticized the Vatican for recalling Capella as opposed to handing him over to civil authorities for prosecution.
Since his recall to the Vatican, Capella has been held in the Vatican barracks where he will serve out his five year sentence. He will still face a trial under Canon Law which could result in his being laicized. It is unlikely Canadian officials will seek his extradition to Canada to face trial there since the Vatican does not extradite its citizens.
Vatican Diplomate Convicted
In relations with the Society of Saint Pius X, Cardinal Castrillon was cordial and made it very clear that the SSPX was neither schismatic nor heretical. Additionally, it was under his Presidency that Rome stated unequivocally that Catholics fulfill their Sunday obligation by attending Holy Mass at any SSPX parish.
It is probably in his role as President of Ecclesia Dei that the Cardinal will be most well remembered by traditional Catholics. He often celebrated the Traditional Mass and it was during his tenure as President that Pope Benedict XVI issued his 2007 Motu Proprio Summorum Pontificum, which gave every priest the right to celebrate the Traditional Mass without having to seek permission from his superiors. At the time it was issued, the Cardinal made it clear that the desire of the Pope was that there be a Traditional Mass offered in every parish throughout the world. Needless to say, this desire was thwarted by many bishops who continued to persecute any priest who began to celebrate the Traditional Mass.


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dates for the course are October 3rd - 7th.
>> 2nd edition", November 3-7, 2016.
>> and Sergio Llácer (Institut catalá de Paleotologia M.C., Spain).
>> models that are produced.
>> you consider it appropriate.
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text:
Watford vs. Liverpool Premier League Betting Tips and Preview
This weekend's late kick-off on Saturday comes from Vicarage Road, where Watford have the unenviable task of stopping the Liverpool juggernaut. Jurgen Klopp's Reds are cantering to their first ever Premier League title, and are on course to go the whole season unbeaten.
Where and when: Vicarage Road – 29 February, kick-off 17:30
Where you can see Watford vs. Liverpool: Sky Sports
Last time: Mohamed Salah notched both goals as Liverpool beat Watford 2-0 at Anfield in mid-December.
Watford v Liverpool Predictions and Preview
Twenty-six wins and no defeats from 27 games is some record, and Liverpool are aiming to protect their status as the only unbeaten team in all of Europe's top five leagues against a Watford side who are battling relegation. The Hornets are second from bottom of the Premier League, and surely have no chance of a result this weekend.
Nigel Pearson looked like he'd turned Watford's season right around in his early days in the job, inspiring his new team to a six-match unbeaten run in the league, which started in December and included four wins. The festive cheer has since subsided, and the Hornets are without a win in five, losing three.
It's been a tough run of games for the Hertfordshire club, but it's going to get worse before it gets better this weekend. Liverpool have the rest of the division in their back pocket as they cruise to a first league title in 30 years. West Ham gave them a game on Monday night, but the Reds showed their fighting spirit to record an excellent 3-2 comeback win.
Liverpool to win to nil
7/5 Offer
Liverpool to win 3-0
19/2 Offer
Salah to score first
Klopp may be missing the influential Jordan Henderson at the moment due to a hamstring injury, but even with Xherdan Shaqiri out and James Milner struggling, Liverpool surely have far too much in their locker for their hosts this weekend.
Watford, for their part, will only be missing Daryl Janmaat for this difficult assignment, with Kiko Femenia expected to return from injury. A fully-fit squad and home advantage won't give the majority of the fans inside Vicarage Road much hope on Saturday though.
Liverpool have only conceded 17 goals in 27 Premier League fixtures so far this term, rattling in 64 at the other end – only four fewer than top scorers Manchester City. The Blues are an incredible 22 points behind the team set to take their crown though, and the side who start as the 5/11 favourites for the win in this match. Watford are available at 7/1, with the draw priced at 4/1.
One to watch for Watford: If the hosts are going to get anything out of this game, they're going to need a big performance from goalkeeper Ben Foster. The former Manchester United man is certainly capable of one, and he is 7/1 to keep a clean sheet.
One to watch for Liverpool: Mohamed Salah is in the hunt for the Golden Boot this season, having scored 15 goals and laid on six assists so far this term. Only Kevin De Bruyne has a higher combined total, with Salah – who hit a brace against Watford earlier this season – priced at 18/5 to break the deadlock here.
Long shot: Liverpool have won seven of their last eight games against Watford, drawing the other 3-3. The Reds have scored 27 goals in those eight matches, at an average of 3.375 per game, keeping six clean sheets. Klopp's side put three past West Ham last time out, and are 19/2 to win this game 3-0.
Betting previews, Premier League
Juventus vs. Inter Serie A Betting Tips and Preview
Bournemouth vs. Chelsea Premier League Betting Tips and Preview


text:
Dorcas Norre, född 31 mars 1911 i Malmberget, död 15 november 1985 i Stockholm, var en svensk tonsättare och pianist.

Dorcas Norre studerade piano mellan 1932 och 1937 vid Kungliga Musikkonservatoriet. Hon debuterade i Malmberget 1937 och fortsatte sina pianostudier för Olof Wibergh och studerade instrumentation för Ivar Hellman och komposition för Melcher Melchers.
Hon jobbade också som pianolärare. En av eleverna var
Lena T. Hansson.

Verkförteckning
Bergtagen, skådespelsmusik för röster och instrument till text av Karl-Erik Forsslund (1934)
Pianokonsert (1946)
Tema med kromatiska variationer för piano (1948)
Visioner för piano (1951)
Sonatin för violin & piano (1960)
Profiler, 8 små pianostycken (1961)
Pastoraler för 2 klarinetter (1955)
Pastoraler för blåskvartett (1963)
I variationsstil för piano (1963)
Andantino och Alla marcia, två pianostycken för 4 händer (1967)
Sju små kulisser, stycken för 4-händigt piano (och valfria rytminstrument) (1970)
Ultevis duoddar, elektroakustisk musik (1970)
Preludium för piano (1973)
Aries ("Väduren") för piano (1973/1975)
Tre sånger för röst och piano till text av tonsättaren (1976)
"Nästan evig"
"Önskningen"
"Du ser, du ser"
Commozioni, sonat för solocello (1977)
Önskeparken för röst och piano till text av tonsättaren (1978)
Som ett spår för röst och piano till text av tonsättaren (1979)
Salongsstycke för piano (1979)
Improvisation för orgel (1979)
Cellosonat (1980)
Konsert för två pianon (1980–81)
Espressioni för violin/viola och piano (1981)
Burlesco e capriccio för gitarr (1982)
Ballata för piano (1983)
Pianosonat (1985)

Externa länkar
Verkförteckning och biografi på Svensk musik.

Svenska klassiska kompositörer under 1900-talet
Svenska klassiska pianister
Födda 1911
Avlidna 1985
Kvinnor
Personer från Malmberget