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The Interlopers, first published in 1969, was the twelfth novel in the Matt Helm spy series by Donald Hamilton, which began in 1960.  It represents a middle period in the Helm novels, being about 80,000 words in length, somewhat longer than the first four or five in the series, but considerably shorter than most of the Helm books of the eighties and nineties, which were generally well over 100,000 words in length.  At this intermediate length, the action moved swiftly while still allowing for plot complications, but avoided the occasional padded-out-by-dialogue tedium of the later books.

Plot summary
The book was apparently written after the troubled year of 1968, which saw the assassination of Martin Luther King Jr. and of Robert F. Kennedy a few weeks later, as well as political turmoil and anti-Vietnam demonstrations in the United States.  Mac, the director of Helm's secret government agency, learns that a dangerous enemy operative, Hans Holz, also known as the Woodman, has been contracted, presumably by the Soviets, to kill whichever candidate is elected in the upcoming elections in November 1968.  The Woodman, it appears, has also recently been responsible for the death of Michael Kingston, an agent with whom Helm has just worked in an earlier book.  Helm, the veteran counter-assassin, is ordered by Mac to get into position to remove the Woodman—permanently.  Not to avenge Kingston — Mac's agents are supposed to be able to take care of themselves — but to forestall any more political chaos.

As frequently happens in Hamilton's books, however, Helm is not sent to stalk Holz directly.  He is inserted into an operation currently being carried out by a rival government agency, one that is trying to thwart Communist plans to obtain secret information about a major American-Canadian security project called the Northwest Coastal System.  A man named Grant Nystrom has been recruited by the Communists to take delivery at five different points of microfilms of the project as he travels through the Northwest and into Alaska playing the role of a dedicated fisherman.  Both Nystrom and his trained Labrador dog have recently been murdered, however, and Helm resembles Nystrom enough to enable him to take his place.

A standard plot device in Helm stories is to have a second government agency working either at complete cross-purposes to Mac's agency, or at least at semi-cross-purposes.  Helm is recruited to apparently carry out the instructions of the second agency but actually has his own mission to accomplish, regardless of how this may finally thwart the wishes of the other agency.  In The Interlopers this tension runs throughout the book—and is complicated by the fact that a mysterious third party, the so-called interlopers, appears with a Grant Nystrom lookalike of their own, complete with his own black Labrador, in an apparent attempt to accumulate the secret microfilm for their own purposes.

There are, as in all Helm books, at least two beautiful, and somewhat mysterious, women, whose patriotic affiliations are questionable right to the end of the story, and who cause both complications and murderous attacks on Helm.  He survives the attacks, however, in the course of which he kills, mostly by guns, but occasionally by knife, at least six or seven enemy operatives of various loyalties.  On page 89, in a motel cabin surrounded by dead bodies, he is obliged to set the scene for the forthcoming policemen by leaving behind the small four-inch-bladed knife that has been featured in most of the books since the very first — "it had been given to me by a woman, now dead, who'd once meant a good deal to me — but this was no time for sentimentality."

Other standard features in many of the Helm books play their roles here.  Hamilton likes to carry an occasional character from one story to the next.  One of the numerous conflicting groups interested in obtaining the secret microfilm is apparently directed by an unseen Chinese agent named Mr. Soo.  Although he himself makes no appearance in The Interlopers, he had come to Helm's aid in the previous book, The Menacers, and will show up again in a future book.

Another feature is the last page or so of Hamilton's books, after the action has been completed.  A minor (but beautiful) female character unexpectedly reappears, either in need of physical and spiritual recuperation herself or there to offer it to the severely tested Helm.  As usual, there is a two- or three-word final paragraph:

"It was Mac's idea of a safe rest and rehabilitation for both of us — simpler, cheaper, and less obvious than turning the wigpickers loose on us; and more effective if it worked.

"It worked."

And as in many of the books, Helm also finds time to reflect on the deficiencies of Detroit automakers: "Even commercial vehicles are encumbered with a lot of Mickey Mouse gadgets these days — that big, rugged, powerful truck engine was decorated with a cute little automatic choke, for God's sake!  Apparently modern-day truck drivers are considered too stupid and feeble to pull a knob out of a dashboard."

One feature in The Interlopers that is not a standard Hamilton plot device occurs on page 175 when, for one of the very few times in the series, the super-competent and super-foresighted Helm falls into an enemy ambush that he had not planned for or anticipated.  After waking up bound hand and foot, he reflects "grimly" that "knowing that the critical moment of the mission had to be close at hand, I'd let the frantic howling of a year-old pup send me rushing blindly into an ambush any first-year trainee could have avoided in his sleep."

In spite of this single moment of weakness, however, Helm, with a little help from various female characters as well as his "year-old pup", manages to carry out his mission successfully.

External links
MacBorden Synopsis and summary

1969 American novels
Matt Helm novels
Novels by Donald Hamilton


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Top Rated 8 Monique Samuels Net Worth 2023: Full Guide
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redpajama_set_name: RedPajamaCommonCrawl


Let's make web and native apps work together.
Every company that have web and native app should promote native. Safari smart banner is perfect tool.
Tumblr mobile web site goes further. This is the best practice. Don't just point the user to your native app. Keep your user in a flow by transfering data alongside.
Still, this is not good enough. By tapping link in web app you should transfer not just a link to a specific data to open this data in native app. Web app should transfer the progress that already was made. For example, list from a shopping cart.


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Those relying on seasonal employment this summer will take major hit -MacSharry
There's a warning that those relying on seasonal employment and business in the North West this summer will take a major hit. Serious concern has been raised over the viability of the tourism and…
North Leitrim community continue to battle against threat of mining
We may only be three weeks into a New Year, but in the north Leitrim the community is still feeling under siege with the threat of mining for gold and silver a real and…
Gardaí seek information on missing Westport man
Gardaí in Mayo are seeking the public's assistance in tracing the whereabouts of 58-year-man who went missing from his home in Westport, Co. Mayo in the early hours of yesterday morning. Martin Phillips is…
OCEAN FM launch Irish Music Month for 2023
OceanFM has joined with 24 other radio stations to promote Irish artists and bands. Irish Music Month aims to showcase the talent Ireland has to offer in the music scene which is supported by Independent…
New survey shows learner drivers don't practice enough before test
A new survey by Aviva shows a quarter of applicants say they failed their driving test because they hadn't practiced enough. The survey also shows 23 per cent blamed nerves for not passing their…
Irish Solider dies after convoy comes under attack in Lebanon
The Defence Forces have confirmed the death of an Irish soldier who was on peacekeeping duties in Lebanon following a serious incident overnight. In a statement President Higgins, who is also Supreme Commander of…
Councillor calls for more Garda resources in Sligo
A Sligo Councillor says the opening of a state of the art Garda facility in Kilmainham over the weekend is another prime example of the lack of balanced development that currently exists between the north…


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Theatre Review: 'The Ripple, The Wave That Carried Me Home'
The 10 Best Movies Added To Netflix In January 2023 (Updated)
Netflix's 'Your Place Or Mine' Is Rom-Com Gold
Best New Movies And Shows On Netflix Today: January 27, 2023
Rajkumar Santoshi Interview: Why The Indian Director Made 'Gandhi Godse Ek Yudh'
New 'Seinfeld' Collectible Toy Set Introduced By Fisher-Price
ForbesBusinessHollywood & Entertainment
Taylor Swift Could Make U.K. History With Every Single One Of Her Re-Recorded Albums
Hugh McIntyre
Aug 18, 2021, 08:30am EDT |
TORONTO, ON - SEPTEMBER 09: Actress Taylor Swift of 'One Chance' poses at the Guess Portrait Studio ... [+] during 2013 Toronto International Film Festival on September 9, 2013 in Toronto, Canada. (Photo by Larry Busacca/Getty Images)
Earlier this year, Taylor Swift returned to the No. 1 spot on the U.K. albums chart with her reworked collection Fearless (Taylor's Version), which debuted in first place in April. The set was the first in an ongoing effort that will see the superstar re-recording her first six full-lengths in an effort to regain control over the material that made her a star. Swift is one of the most popular musicians in the world right now, so she had no issue sending the title to the summit on rankings almost everywhere, and chances are she'll repeat the feat with her other five forthcoming re-releases.
With each new re-recorded album Swift releases, there's a good chance the singer-songwriter will make history in the U.K., rewriting some all-time records perhaps every few months.
Swift's next re-recorded project will be Red (Taylor's Version), which is slated to arrive in November. Fans everywhere are still very excited about this series, and they seem eager to support the musician they love, so Red (Taylor's Version) could easily become another No. 1 in the U.K. If it does rise to the peak, Swift will collect her eighth leader, and if that happens, the "All Too Well" songwriter will tie with Kylie Minogue for the second-most No. 1s in the country among women.
MORE FROM FORBES'Folklore' At One: Looking Back At Taylor Swift's Year As A Rock StarBy Hugh McIntyre
After Red (Taylor's Version) comes and goes, Swift still has four more albums she's planning on re-recording and re-releasing, and they may all work their way to No. 1 in the U.K. If that does come true, the country/alternative/pop superstar will tie Madonna for the most chart-topping full-lengths among women in U.K. history. 12 leaders on the ranking will also put her in third place (alongside both Madonna and Bruce Springsteen) for the most leaders among solo acts in the country's history.
If all of Swift's re-recorded albums hit No. 1 in the U.K., which at the moment doesn't seem like a far-off prediction, Swift will be tied for the fourth-most champions ever, including both solo artists and bands. At that point, she'll be behind just The Beatles with 15 No. 1s and both Elvis Presley and Robbie Williams with 13 apiece.
The 'Backsies' Billionaire: Texan Builds Second Fortune From Wreckage Of Real Estate Empire He'd Sold
These Haunted Hotels Dare Travelers To Spend The Night in Fright
Of course, these numbers are only taking into account Swift's re-recordings and not any brand new material. The Grammy winner demonstrated that she is still at her creative peak last year with full-lengths Folklore and Evermore, and she is surely hard at work on her next album of all original songs as well, which will likely hit the top spot when it's ready. This ranking could change due to new music coming from the other stars who factor into this ranking (only some of whom are still active), but for the moment, it looks like Swift is one her way to making history many times over with her ongoing stretch of re-recording projects.
MORE FROM FORBESBillie Eilish Ties Taylor Swift For The Most No. 1 Hits On The Rock Chart Among WomenBy Hugh McIntyre


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O Tour da Indonésia é uma carreira ciclista profissional por etapas da Indonésia.

A sua primeira edição em 2004 foi amador mas já desde a criação dos Circuitos Continentais da UCI em 2005 começou a fazer parte do UCI Asia Tour, dentro da categoria 2.2 (última categoria do profissionalismo).

Depois de não disputar entre os anos 2012 ao 2017, a carreira regressou ao calendário UCI Asia Tour de 2018 baixo a categoria 2.1.

Palmarés

Palmarés por países

Ligações externas
 Página oficial
 Tour da Indonésia (sitiodeciclismo.net)
 Tour da Indonésia (cqranking.com)

Indonésia
Indonésia
Indonésia

redpajama_set_name: RedPajamaWikipedia


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Mexico City, Mexico – May 5, 2014 – Mobility and the state of its application eco-system are hot-topics in today's world of computing, so when the sumptuous Casino Español hosted the unveiling of Four Js' 'best kept secret' – Genero Mobile – on April 11th, there was naturally a great deal of interest from the local developer community.
Event organisers were overwhelmed by demand – 350 people confirmed their presence on the eve of the show for an already high-capacity venue fit for 200 people. A second event is being planned to cater for those unable to attend.
Genero Mobile is the first developer framework to let developers 'kill two birds with one stone' combining cross-platform and native operating system benefits for both iOS and Android platforms, all from a single code base. Rivals typically rely on HTML5 for cross-platform development at the expense of a native user experience or alternatively force developers to learn hundreds of proprietary system calls at the expense of cross-platform compatibility.
After an opening speech laying out Four J's vision for the application development market, a live demontsration showed how easy it is to create business applications at the same time for the world's leading mobile platforms.
A spontaneous question and answer session from developers sparked further interest for 40 minutes as they began to realise Genero Mobile's potential. Those accustomed to developing twice for both iOS and Android struggled at first to believe that it was possible to develop native applications for both systems at the same time.
The morning ended with a gripping account of Tramontina's Genero experience and how its longstanding relationship with Four Js has saved them $50M USD by averting an SAP implementation with a bespoke in-house development and 17 staff.
A broad cross-section of Mexican industry attended including CIOs from Pemex, ISSSTE, CFE – Instituto de Investigaciones Eléctricas, BANAMEX, GRUPO SALINAS, ISSEMYM, SAGARPA, BANXICO, GALENO and Secretaría de Educación Pública (SEP). The event provided a good opportunity to meet new faces – over 60% of the delegates were unfamiliar with Four Js.
Four Js Development Tools Inc.
Four Js Development Tools, Inc.
© 1995-2019, Four Js Development Tools Europe Ltd.


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Memorial de Aires é o último romance de Machado de Assis,  escrito em 1907 e publicado em livro em julho do mesmo ano de sua morte, 1908. Está organizado como uma série de entradas em um diário, com escritos entre 1888 e 1889, de um conselheiro que volta a viver no Brasil após sua aposentadoria. Assim como Memórias Póstumas de Brás Cubas, não tem um enredo único, mas compõe-se de vários episódios e anedotas que se interpermeiam.

Aires era um conselheiro que sempre acompanhou Machado em suas histórias, geralmente como um amigo dos personagens.  Reportava à figura do próprio Machado. Nesta obra, idolatra uma mulher, D. Carmo, que possivelmente possa ser inspirada em Carolina Augusta Xavier de Novais, o que é sugerido talvez pela coincidência dos nomes Aguiar e Assis, D. Carmo e Carolina, e também pelo fato do casal não ter filhos.

Diz-se que se trata da obra machadiana de maior caráter autobiográfico.

Trecho

9 de janeiro

Ora bem, faz hoje um ano que voltei definitivamente da Europa. O que me lembrou esta data foi, estando a beber café, o pregão de um vendedor de vassouras e espanadores: "Vai vassouras! vai espanadores!"

Costumo ouvi-lo outras manhãs, mas desta vez trouxe-me à memória o dia do desembarque, quando cheguei aposentado à minha terra, ao meu Catete, à minha língua. Era o mesmo que ouvi há um ano, em 1887, e talvez fosse a mesma boca.

Características da Obra
Memorial de Aires, o último livro escrito por Machado de Assis, é uma possível continuação do livro Esaú e Jacó, pois o personagem Aires participa da história, anotando em seu caderno, tudo que se passa em sua vida, dando continuidade em Memorial de Aires em que o próprio personagem relata seu dia-a-dia em um caderno.

Ligações externas
 Livro completo. A Escola do Futuro da Universidade de São Paulo

Livros de Machado de Assis
Livros de 1908


No-Bake Chocolate Chip Cookie Dough Bites – Olive For Greens.
I seriously love these no-bake bites! They are so easy to make and take away my sweet tooth with no guilt. I don't know about you, but I was the kid who would eat the cookie dough right from the package and licked the cake batter out of the bowl! Later in life, you find out that eating raw cookie dough is not such a good idea because of the raw eggs in it & your world is turn upside down. Yikes! Until now. Here is a completely plant based version of cookie dough that you can eat without the worry. These Chocolate Chip Cookie Dough Bites are such a convenient, healthy mid-day snack. I also like these as an after dinner snack with a cup of tea.
If you like these & love cinnamon, you must also try my other recipe for No Bake Crunchy Cinnamon Protein Balls!
Add all of the ingredients to a food processor and pulse until finely chopped.
With a teaspoon, scoop up the mixture and with moist hands roll into a ball.
Next, roll in coconut to coat outside of the balls, if using.
Store in an airtight container in the refrigerator for at least 30 minutes to harden. Or 15 minutes in the freezer (but don't forget about them!).


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Q: Adobe flex copy paste htmlText into a text area I've a textArea1, i'm copying htmlText from a different textArea2 to the current text area, it bring the formatting of the textArea2, that is ok, when I clear the textArea1 text, when I start typing, i still get the same format of the textArea2, how do i know what was pasted into the textArea? I've tried paste event, it did not trigger any thing.
What i'm trying to acheive is, try to find out what was pasted here, if the style of the text that is pasted is different, then try to update the styles to the original. How to achieve this?
Thanks.

A: I had to reset the htmlText property of the control. This has done the trick. Thanks.

A: IF you want to check the current style of the textfield you could simply use
textfield.getTextFormat()

and then compare it to your initial one. And if you want to check on paste, try using the Event.CHANGE event.

redpajama_set_name: RedPajamaStackExchange


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Sebastián Apesteguía (Buenos Aires, 27 de mayo de 1969) es un paleontólogo argentino. Apodado como "El Ninja". Se desempeña como Investigador Independiente de CONICET, en el Área de Paleontología de la Fundación Azara - Universidad Maimónides.

Biografía
En 1988 a los 18 años, comenzó a colaborar en el Museo de Ciencias Naturales de Buenos Aires. Es licenciado en Ciencias Biológicas con orientación en Paleontología de la Universidad Nacional de La Plata y Doctor en Ciencias Naturales con Orientación en Paleontología por la misma institución académica. Como paleontólogo se formó bajo la dirección de José Fernando Bonaparte, Fernando Novas, Zulma Brandoni de Gasparini y Marta Fernández.

Fue técnico preparador de fósiles en el equipo de J. Bonaparte (1988-1993), estudiante de F. Novas (1995-2002), investigador adscripto del Museo Argentino de Ciencias Naturales (2003-2007) y primer director del Museo Patagónico de Ciencias Naturales (General Roca/Fisque Menuco)(2007), en la provincia argentina de Río Negro.

En 1999 a los 30 años lideró la investigación para investigar los restos de Priosphenodon avelasi.
Apesteguía fue el principal paleontólogo argentino a cargo de la recolección de los fósiles y estudio de Gualicho shinyae, así como también del Leinkupal laticauda. Fue el principal descriptor de la serpiente basal Najash rionegrina. Trabajó también para dar con los restos fósiles de Bonitasaura salgadoi en la localidad de "La Bonita". Dirigió la investigación de Buitreraptor gonzalezorum en el yacimiento paleontológico La Buitrera, Río Negro, llamada por algunos "El Gobi Sudamericano", que proveyó una enorme cantidad de nuevos vertebrados fósiles para la provincia de Río Negro Lideró la exploración para la investigación de Cathartesaura anaerobica. Lideró en 2012 la investigación y exploración del Alnashetri cerropoliciensis.

En el CONICET es Investigador Independiente en el CEBBAD - Universidad Maimónides. Allí dirige el Área de Paleontología de la Fundación de Historia Natural Félix de Azara. Es también profesor titular de Herpetología y Paleontología en la Universidad CAECE y dirigió el proyecto del Parque Cretácico Sucre, en Bolivia.

Su principal línea de investigación está dirigida al estudio de los reptiles cretácicos de la Patagonia Argentina y las relaciones de las faunas cretácicas sudamericanas y norteamericanas.

Ha sido convocado como docente para dictar cursos de Paleontología en Bolivia, Ecuador y Argentina, y realizado trabajos de Evaluación de Impacto Paleontológico en proyectos mineros e hidroeléctricos. Encabeza un proyecto de cooperación científica con Hungría (SECyT-NKTH, 2006) y Francia (2009).

Ha escrito unos 62 trabajos científicos, la mayoría en publicaciones internacionales, como Nature (4), Naturwissenschaften (1), Cretaceous Research (4), Comptes Rendus Palevol (2), Journal of Vertebrate Paleontology (2), Proceedings of the Royal Society, PLOS ONE, Zoological Journal of the Linnean Society y otros, de entre los cuales quizás los más famosos sean las descripciones originales del primer rapaz o "raptor" completo del hemisferio sur (Buitreraptor gonzalezorum), el alvarezsáurido más basal (Alnashetri cerropoliciensis), el primer esfenodonte del Cretácico superior (Priosphenodon o Priosphenodon avelasi), la serpiente más primitiva conocida (Najash rionegrina), las serpientes más antiguas del mundo (Diablophis gilmorei), un dinosaurio saurópodo con guillotinas en las mandíbulas (Bonitasaura salgadoi), tres titanosaurios basales, un esfenodonte de fines del Cretácico (Kawasphenodon expectatus) y un mamífero driolestoideo (Cronopio dentiacutus).

Ha realizado más de 60 campañas paleontológicas, principalmente en la Patagonia, pero también en el norte argentino, Bolivia, Ecuador, el norte de los Estados Unidos de América, Hungría y Francia, para lo que recibió varios subsidios de "The Jurassic Foundation" y de la National Geographic Society en las que descubrió 13 nuevas localidades fosilíferas, incluyendo La Buitrera y Campo de Violante, en Río Negro.
Realizó obras de difusión de las ciencias, entre las que se encuentran el libro "Dinosaurios de la Argentina", "Vida en Evolución" y la serie de 3 "Nuestros Dinosaurios", así como la traducción y actualización de la Enciclopedia de los Animales Prehistóricos de La Nación.
Participó como columnista en el programa Científicos Industria Argentina y como conductor del programa Dicciosaurio emitido en 2009 y 2010 por Canal 7.

Fuera de la Argentina, dirigió el trabajo de campo que llevó al descubrimiento de huellas de dinosaurios en el Parque nacional Toro Toro de Potosí, Bolivia.
También estudió restos de dinosaurios de Cuba y publicó el primer dinosaurio de Ecuador.

Aportes científicos
Se especializa sobre reptiles del Cretácico de la Patagonia, incluyendo dinosaurios, lagartos, esfenodontes y otros. Ha descubierto y publicado varias especies fósiles como los dinosaurios Bonitasaura salgadoi, Ligabuesaurus leanzai, Cathartesaura anaeróbica, Buitreraptor gonzalezorum, Pneumatoraptor fodori, Amargatitanis macni, Nopcsaspondylus alarconensis, Alnashetri cerropoliciensis, Leinkupal laticauda, Gualicho shinyae, Bajadasaurus pronuspinax y Yamanasaurus lojaensis. También el cocodrilo Araripesuchus buitreraensis, los esfenodontes Priosphenodon avelasi, Priosphenodon minimus, Lamarquesaurus cabazai, Sphenocondor gracilis, Kawasphenodon expectatus y Kawasphenodon peligrensis, las serpientes Najash rionegrina, Portugalophis lignites, Eophis underwoodi y Diablophis gilmorei, el lagarto Jeddaherdan aleadonta, la tortuga Prochelidella buitreraensis, el mamífero Cronopio dentiacutus y los peces Ameghinoceratodus iheringi, Chaoceratodus portezuelensis, Ceratodus argentinus, Ceratodus kaopen, Ptychoceratodus cionei y Ptychoceratodus wichmanni. También la cidadal Zamuneria amylum.

Distinciones
 2010ː Premio: Premio Especial Bicentenario(compartido).Por: "Sitios de Interés Geológico de la República Argentina-Los geólogos nos cuentan "Institución otorgante: GAEA, Sociedad Argentina de Estudios Geográficos.<ref name="maimoncv" />
 2010ː Premio: Martín Fierro (compartido).Por: "Científicos Industria Argentina "Institución otorgante: APTRA (Asociación de Periodistas de la Televisión y Radiofonía Argentinas).
 2011ː Premio: Martín Fierro (compartido, en la terna).Por: "Científicos Industria Argentina "Institución otorgante: APTRA (Asociación de Periodistas de la Televisión y Radiofonía Argentinas).
 2013ː Premio: Huésped Distinguido de la ciudad de Sucre "Institución otorgante: Gobierno Municipal de Sucre, por Ordenanza Municipal 131/13.
 2017ː Premio: Escudo de Armas de la ciudad de Sucre" mediante Ordenanza Municipal del Gobierno Municipal de Sucre
 2018ː Visitante ilustre a la Universidad Nacional de Piura, Perú.
 2021ː Se publicó el dinosaurio  Ninjatitan zapatai  en honor a su apodo, "El Ninja".

Publicaciones

Listado de algunas de las publicaciones científicas de Sebastián Apesteguíaː

2021
Riguetti, F., Citton, P., Apesteguía, S., Zacarías, G. G. y Pereda-Suberbiola, X. 2021. New ankylosaurian trackways (cf. Tetrapodosaurus) from an uppermost Cretaceous level of the El Molino Formation of Bolivia. Cretaceous Research 124: https://doi.org/10.1016/ j.cretres.2021. 104810

2020
Maniel, I.J., de la Fuente, M.S:, Apesteguía, S., Pérez Mayoral, J., Sánchez, M.L., Veiga, G.D., Smales, I. 2020. Cranial and postcranial remains of a new species of Prochelidella (Testudines: Pleurodira: Chelidae) from 'La Buitrera' (Cenomanian of Patagonia, Argentina), with comments on the monophyly of this extinct chelid genus from southern Gondwana. Journal of Systematic Palaeontology. http://dx.doi.org/10.1080/14772019.2020.1721579

Apesteguía, S., Riguetti, F., Citton, P., Veiga, G. D., Poiré, D. G., de Valais, S., y Zacarías, G. G. 2020. The Ruditayoj-Tunasniyoj fossil area (Chuquisaca, Bolivia): a Triassic chirotheriid megatracksite and reinterpretation of purported thyreophoran tracks. Historical Biology. https://doi.org/10.1080/08912963.2020.1833328

Pérez Mayoral, J., Argüello Scotti, A., Apesteguía, S., Veiga, G.D. 2021. High-resolution analysis of an erg-margin system from the Cretaceous Candeleros Formation (La Buitrera Paleontological Area, Río Negro Province, Argentina): An approach to different scales fluvial-aeolian interactions. Latin American Journal of Sedimentology and Basin Analysis. Accepted date: 18-11-2020. Available online: 18-11-2020.

LeBlanc, A.R.H., Apesteguía, S., Larsson, H.C.E., Caldwell, M.C. 2020. Unique Tooth Morphology and Prismatic Enamel in Late Cretaceous Sphenodontians from Argentina. Current Biology 30, 1755–1761. https://doi.org/10.1016/j.cub.2020.02.071

Fernández Dumont, M.L., Bona, P., Pol, D. Apesteguía, S. 2020. New Anatomical Information on Araripesuchus buitreraensis with implications for the systematics of Uruguaysuchidae (Crocodyliforms, Notosuchia). Cretaceous Research 113: https://doi.org/10.1016/j.cretres.2020. 104494

Apesteguía, S., Soto Luzuriaga, J. E., Gallina, P. A., Granda, J. T. y Guamán Jaramillo, G. A. 2019. The first dinosaur remains from the Cretaceous of Ecuador. Cretaceous Research, 104345. doi:10.1016/j.cretres.2019.104345

Soria de Caro, G.R., del Valle Cejas, R. (Vimma) y Caro, F.A. (Oshuko). 2020. "Katrén illám ananái. Las serpientes del principio". COLECCIÓN VOCES ANCESTRALES DE LOS VALLES CALCHAQUÍES. Libros ilustrados para colorear. Producción por: Apesteguía, S., Bixio, B., Espina, G., Escobar, M.C., Giordanengo, G., Pastor, S., Peralta, M. Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional.

Soria de Caro, G.R., del Valle Cejas, R. (Vimma) y Caro, F.A. (Oshuko). 2020. "Ñaunau selek. El regalo del tejido". COLECCIÓN VOCES ANCESTRALES DE LOS VALLES CALCHAQUÍES. Libros ilustrados para colorear. Producción por: Apesteguía, S., Bixio, B., Espina, G., Escobar, M.C., Giordanengo, G., Pastor, S., Peralta, M. Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional.

del Valle Cejas, R. (Vimma), Caro, F.A. (Oshuko), Soria de Caro, G.R. 2020. "Tiri Kakán: Recuerda nuestra lengua ancestral". Material de apoyo y difusión a la enseñanza de la lengua kakán para niñas y niños. Producción por: Bixio, B., Giordanengo, G., Stancanelli, Apesteguía, S., Pastor, S., Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional.

2019
Apesteguía, S., Ceballos Izquierdo Y., Iturralde-Vinent, M. 2019. New taxonomic assignment for a dinosaur sauropod bone from Cuba. Historical Biology, DOI: 10.1080/08912963.2019. 1661406

Garberoglio, Fernando F., Sebastián Apesteguía, Tiago R. Simões, A. Palci, Raúl O. Gómez, R. Nydam, Hans C. Larsson, Michael S. Y. Lee y Michael W. Caldwell. 2019. New skulls and skeletons ofthe Cretaceous legged snake Najash, and the evolution ofthe modern snake body plan. Science Advances. 5 : eaax5833 20 November 2019 (https://advances.sciencemag.org/content/advances/5/11/eaax5833.full.pdf)

Gallina, P. Apesteguia, S., Canale, J. y Haluza, A. 2019. A new long-spined dinosaur from Patagonia sheds light on sauropod defense system. Scientific Reports. volume 9, Article number: 1392 https://doi.org/10.1038/s41598-018-37943-3

Garberoglio, Fernando F., Raúl O. Gómez, Sebastián Apesteguía, Michael W. Caldwell, María L. Sánchez y Gonzalo Veiga. 2019. A new specimen with skull and vertebrae of Najash rionegrina (Lepidosauria: Ophidia) from the early Late Cretaceous of Patagonia. Journal of Systematic Palaeontology. https://doi.org/10.1080/14772019.2018.1534288

Garberoglio, Fernando F., Raúl O. Gómez, Tiago R. Simões, Michael W. Caldwell y Sebastián Apesteguía. 2019. The evolution of the axial skeleton intercentrum system in snakes revealed by new data from the Cretaceous snakes Dinilysia and Najash. Scientific Reports 9:1276. https://doi.org/10.1038/s41598-018-36979-9

2018
Candia Halupczok, D.J.,  M. L. Sánchez, G. Veiga y S. Apesteguía. 2018. Dinosaur tracks in the Kokorkom desert, Candeleros Formation (Cenomanian, Upper Cretaceous), Patagonia Argentina: Implications for deformation structures in dune fields. Cretaceous Research. https://doi.org/ 10.1016/j.cretres.2017.10.017

Gianechini, F. A., P. J. Makovicky, S. Apesteguía e I. Cerda. 2018. Postcranial skeletal anatomy of the holotype and referred specimens of Buitreraptor gonzalezorum Makovicky, Apesteguía and Agnolín 2005 (Theropoda, Dromaeosauridae), from the Late Cretaceous of Patagonia. PeerJ 6:e4558; DOI 10.7717/peerj.4558

2017
Canale, J. I., Apesteguía, S., Gallina, P. A., Gianechini, F. y Haluza, A. 2017. The oldest theropods from the Neuquén Basin: Predatory dinosaur diversity from the Bajada Colorada Formation (Lower Cretaceous: Berriasian–Valanginian), Neuquén, Argentina. Cretaceous Research. Available online 19 November 2016. http://dx.doi.org/10.1016/j.cretres.2016.11.010

Gianechini, F. A., P. J. Makovicky y S. Apesteguía. 2017. The cranial osteology of Buitreraptor gonzalezorum Makovicky, Apesteguía, and Agnolín, 2005 (Theropoda, Dromaeosauridae), from the Late Cretaceous of Patagonia, Argentina. Journal of Vertebrate Paleontology. DOI: 10. 10.1080/02724634.2017.1255639.

Martinez L.C.A., Iglesias, A., Artabe, A.E., Varela, A.N. y Apesteguía, S. 2017. A new Encephalarteae trunk (Cycadales) from the Cretaceous of Patagonia (Mata Amarilla Formation, Austral Basin), Argentina.  Cretaceous Research. DOI: 10. 10.1016/j.cretres.2016.12.008.

Simões, T., Apesteguía, S., Schmaltz Hsiou, Annie, Daza, J.D. 2017. Lepidosaurs from Gondwana: An Introduction. Journal of Herpetology 51(3): 297-299. https://doi.org/10.1670/17-053

Apesteguía Sebastián. 2017. Joseph Redhead. A 250 años de su nacimiento. En Hombros De Gigantes. AZARA N°5: 3-6.

Apesteguía Sebastián y Cecilia Díminich, 2017. Billetes para mostrar a los argentinos. AZARA N°5: 8-17.

2016
Apesteguía S. 2016. Rhynchocephalians: The least known South American Lepidosaurs. En Historia Evolutiva y Paleobiogeográfica de los vertebrados de América del Sur (F. Agnolín, G. Lío, F. Brisson Egly, N. Chimento y F. Novas, Eds.). Contribuciones del MACN N.º6: 7-19. ISSN 1666-5503.

Apesteguía S., Smith N.D., Juárez Valieri R., Makovicky P.J. 2016. An unusual new theropod with a didactyl manus from the Upper Cretaceous of Patagonia, Argentina. PLos ONE 11 (7): e0157793.doi:10.1371/journal.pone.0157793

Apesteguía S, Daza JD, Simões TR, Rage JC. 2016. The first iguanian lizard from the Mesozoic of Africa. Royal Society Open Science 3: 160462. http://dx.doi.org/10.1098/rsos.160462

2015
Apesteguía,S. y Díminich, C. 2015. ¡Ojo con la evolución! Dificultades y errores frecuentes en los comunicadores de Ciencias Naturales. Revista de la Asociación de Docentes en Ciencias Biológicas de la Argentina (ADBiA) 18 (1) (en prensa). ISSN 2344-9225

Apesteguía,S., Gallina, P. A., Gianechini, F. A., Soto, M. y Perea, D. 2015. Dinosaurios cretácicos del Triángulo Minero (Grupo Baurú, Brasil), el Grupo Paysandú (Uruguay Occidental) y la Cuenca Neuquina (Grupo Neuquén, Argentina). En Fósseis de Vertebrados e Plantas do Período dos Dinossauros da Região do Triângulo Mineiro (C. R. A. Candeiro y L. S. Avilla, Eds.). LetraCapital: 185-241.

Caldwell, M.W., Nydam, R.L., Palci, A. y Apesteguía, S. 2015. The oldest known snakes from the Middle Jurassic-Lower Cretaceous provide insights on snake evolution. Nature Communications 6, 5996. doi:10.1038/ncomms6996

Gallina, P.A. y Apesteguía, S. 2015. Postcranial anatomy of Bonitasaura salgadoi (Sauropoda, Titanosauria) from the Late Cretaceous of Patagonia. Journal of Vertebrate Paleontology e924957 (22 pp) DOI: 10.1080/02724634.2014.924957

Gianechini, F.A., Apesteguía, S., Landini, W., Finotti, F., Juárez Valieri, R. y Zandonai, F. 2015. New abelisaurid remains from the Anacleto Formation (Upper Cretaceous), Patagonia, Argentina. Cretaceous Research 54 (2015) 1-16.

2014
Apesteguía,S., Carballido, J. L. 2014. A new eilenodontine (Lepidosauria, Sphenodontidae) from the Lower Cretaceous of Central Patagonia. Journal of Vertebrate Paleontology 34(2): 303-317.

Apesteguía,S., Gómez, R. O. y Rougier, G. W. 2014. The youngest South American rhynchocephalian, a survivor of the K/Pg extinction. Proc. R. Soc. B 2014 vol. 281, N° 1792, 20140811. http://dx.doi.org/10.1098/rspb.2014.0811

Gallina, P.A., Apesteguía, S., Haluza, A. y Canale, J. I. 2014. A Diplodocid Sauropod Survivor from the Early Cretaceous of South America. PLoS One 9(5): e97128. doi:10.1371/journal.pone.0097128. 9 pp.

Apesteguía, S. 2014. Extinción + IVA: Las cinco grandes. Si muove: Revista de divulgación del Planetario de la Ciudad de Buenos Aires 9 (Primavera 2014):13-18.

Apesteguia Sebastián. 2014. Alcide Desalignes d'Orbigny. A 180 años del final de su periplo por seis países sudamericanos y a 160 años de su nombramiento como titular de paleontología en París. En Hombros de Gigantes. AZARA N°2: 3-5.

Apesteguía Sebastián. 2014. Entrevista a Carlos Díez Fernández Lomana y Aurora Martín Nájera en la Argentina. Tiene la Palabra. AZARA N°2: 19-23.

Apesteguía Sebastián. 2014. Paleontologia en Cerro Policia. AZARA N°2: 44.

Apesteguía Sebastián y Pablo Gallina, 2014. Área de paleontología. En: Valeria Bauni y Marina Homberg (eds.), Las ciencias naturales y antropológicas en la Fundación Azara, páginas 11-41. Fundación de Historia Natural Félix de Azara, Buenos Aires. Argentina. [Capítulo de libro].

Garrafa Leda Áurea y Sebastián Apesteguía. 2014. Rodolfo Magin Casamiquela (1932-2008). Bienes para la eternidad recordando a quienes nos precedieron. AZARA N°2: 82-88.

Giacchino Adrián y Sebastián Apesteguía. 2014. El llamado de la vocación, Horacio Homero camacho. Homenaje a naturalistas contemporáneos. AZARA N°2: 66-67.

2013
Apesteguía, S. 2013. Extinctum. Si muove: Revista de divulgación del Planetario de la Ciudad de Buenos Aires 6 (Primavera 2013): 29-36.

Apesteguía Sebastián. 2013. Félix de Azara. A 270 años de su nacimiento y a 230 años de su arribo a Sudamérica. En Hombros De Gigantes. AZARA N°1: 3-5.

Apesteguía Sebastián, 2013. ¿De dónde venimos? Exploración y Ciencia, 2: 4-7. Fundación de Historia Natural Félix de Azara. Buenos Aires, Argentina. [Artículo de divulgación].

Apesteguía Sebastián y Pablo Gallina, 2013. Los dinosaurios están entre nosotros. Exploración y Ciencia, 2: 14-18. Fundación de Historia Natural Félix de Azara. Buenos Aires, Argentina. [Artículo de divulgación].

2012
Apesteguía, S. 2012. The youngest European sphenodontian? A possible Late Campanian eilenodontine from the Baske Country. En (Royo Torres, R., Gascó, F. y Alcalá, L., Eds.) Libro de Abstracts del 10th Annual Meeting of the European Association of Vertebrate Paleontologists. Teruel (2012). ¡Fundamental! 20: 11-14.

Apesteguía, S.; Cambiaso, A.V. y Agnolín, F. Vertebrados de la Formación Paso del Sapo (Campaniano-Maastrichtiano), provincia de Chubut, Argentina. Ameghiniana 49(3): 395-400 (IF: 0,862).

Apesteguía, S., Gómez, R. O. y Rougier, G. W. 2012. A basal sphenodontian (Lepidosauria) from the Jurassic of Patagonia: new insights on the phylogeny and biogeography of Gondwanan rhynchocephalians. Zoological Journal of the Linnean Society 166: 342-360 (FI: 2,031).

Apesteguía, S., Jones, M.C. 2012. A Late Cretaceous "tuatara" (Lepidosauria: Sphenodontinae) from South America. Cretaceous Research 34: 154-160 (IF: 1,221).

De Valais, S., Apesteguía, S. y Garrido, A. 2012. Cretaceous small scavengers: feeding traces in tetrapod remains from Patagonia, Argentina. Plos One 7(1): e29841.doi:10.1371/journal. pone. 0029841. (FI: 4,351).

Makovicky, P. J., Apesteguía, S. y Gianechini, F.A. 2012. A new coelurosaurian theropod from the La Buitrera fossil locality of Río Negro, Argentina. Fieldiana Life and Earth Sciences 5: 90-98.

Rougier, G. W., Wible, J., Beck, R. y Apesteguía, S. 2012. The Miocene mammal Necrolestes demonstrates the survival of a Mesozoic nontherian lineage into the late Cenozoic of South America. PNAS 109(49): 19871-19872; doi:10.1073/iti4912109 (FI: 9,681).

Apesteguía, S. 2012. Una visión desde la Paleontología. En (J. Athor, Ed.), "Buenos Aires, la historia de su paisaje natural" (p. 30-52). Fundación de Historia Natural Félix de Azara. Buenos Aires. 496 pp.

Apesteguía, S. 2012.Extinciones en tiempos geológicos. En Especies Amenazadas (G. Porini, Ed.). PP: 29-44

Maniel, I. y Apesteguía, S. 2012. Esquivando grandotes: las tortugas que caminaban entre los dinosaurios. Desde la Patagonia: Revista del Centro Regional Universitario de Bariloche 9(13): 8-15.

2011
Apesteguía, S., De Valais, S., Ríos Cordero, G. y Medina Ramírez, O. 2011. New ichnological record from the Late Campanian Toro Toro Formation at Toro Toro, Potosí (Bolivia): first probable dromaeosaurid tracks from South America. Ameghiniana 48(4): 662-667 (IF: 0,862).

Apesteguía, S., Gallina, P.A. 2011. Tunasniyoj, a dinosaur tracksite from the Jurassic-Cretaceous boundary of Bolivia. Anais do Academia Brasileira de Ciencias 83(1): 1-11 (IF: 1,07).

Gallina, P.A. y Apesteguía, S. 2011. Cranial anatomy and phylogenetic position of the titanosaurian sauropod Bonitasaura salgadoi. Acta Palaeontologica Polonica 56 (1): 45-60 (IF: 1,491).

Gianechini, F.A. y Apesteguía, S. Unenlagiinae revisited: dromaeosaurid theropods from South America. 2011. Anais do Academia Brasileira de Ciencias 83(1): 163-195 (IF: 1,07).

Gianechini, F.A., Lio, G. y Apesteguía, S. 2011. Isolated archosaurian teeth from "La Bonita" locality (Late Cretaceous, Santonian-Campanian), Río Negro Province, Argentina. Historia Natural 3 (1): 5-16.

Gianechini, F.A., Makovicky, P. J. y Apesteguía, S. 2011. The teeth of the unenlagiine theropod Buitreraptor from the Cretaceous of Patagonia, Argentina, and the unusual dentition of the Gondwanan dromaeosaurids. Acta Palaeontologica Polonica 56(2): 279-290 (IF: 1,491).

Rougier, G. W., Apesteguía, S. y Gaetano, L. C. 2011. Highly specialized mammalian skulls from the Late Cretaceous of South America. Nature 479: 97-102. (FI: 4,351).

2010
Apesteguía S., Gallina, P.A. y Haluza, A. 2010. Not just a pretty face: Anatomical peculiarities in the postcranium of rebbachisaurids (Sauropoda: Diplodocoidea). Historical Biology 22: 1-10.

Ősi, A., Apesteguía, S. y Kowalewski, M. 2010. Non-avian theropod dinosaurs from the Early Late Cretaceous of central Europe. Cretaceous Research 31(3): 304-320.

. 2010. Vida en evolución: la historia natural vista desde Sudamérica. Ed. Vázquez Mazzini, 382 pp. ISBN 9879132254, ISBN 9789879132258

2009
Pérez, L. M., Otero, A., Apesteguía, S. y Gallina, P. A. 2009. Estratigrafía y análisis tafonómico de Bonitasaura salgadoi Apesteguía, en el sitio "La Bonita" (Cretácico superior, Río Negro, Argentina). Rev. Mus. Argentino Cs. Nat., n.s. 11(1): 39-48.

Zaher, H., Apesteguía, S. y Scanferla, C. A. 2009. The anatomy of the Upper Cretaceous snake Najash rionegrina Apesteguía y Zaher, 2006, and the evolution of limblessness in snakes. Zoological Journal of the Linnean Society, pp. 1-26.

2008
Candeiro, C. R. A., Santos, A. R., Bergqvist, L. P., Ribeiro, L. C. B., and Apesteguía, S. 2008. The Late Cretaceous fauna and flora of the Uberaba area (Minas Gerais State, Brazil. Journal of South American Earth Sciences 25: 203-216.

Leanza, H. A., Apesteguía, S. y Garrido, A. 2008. El Anfiteatro de Rentería En Sitios de Interés Geológico de la República Argentina. CSIGA (Ed.) Instituto de Geología y Recursos Minerales. Servicio Geológico Minero, Anales 46, II: 593-602. Buenos Aires.

Apesteguía, S. 2008. Esfenodontes (Reptilia, Lepidosauria) del Cretácico Superior de Patagonia: Anatomía y filogenia. Tesis Doctoral inédita. 535 pp.

Apesteguía, S. 2008. Charles Darwin, un gigante con dimensión humana. Prólogo a la Autobiografía de Charles Darwin. Ediciones Continente, ISBN: 978-950-754-266-4. Buenos Aires, Argentina.

2007
Apesteguía, S. 2007. The sauropod diversity of the La Amarga Formation (Barremian), Neuquén (Argentina). Gondwana Research 12(4): 533-546.

Apesteguía, S. 2007. Dinosaurios y otros vertebrados terrestres. En: Hoja Geológica 3969-II, Neuquén, provincias del Neuquén, Río Negro y La Pampa. Instituto del Geología y Recursos Minerales. Servicio Geológico Minero Argentino, Boletín 370:89-99, 165 pp. Buenos Aires.

Apesteguía, S. 2007. Los saurópodos (Dinosauria, Reptilia) de la Sierra del Portezuelo (Coniaciano-Santoniano), Neuquén, Argentina. Las Ciencias, Revista del CEBBAD – Universidad Maimónides N° 1: 25-36.

Apesteguía, S.; Agnolin, F. L. y Claeson, K. 2007. Review of Cretaceous dipnoans from Argentina (Sarcopterygii: Dipnoi) with descriptions of new species. Rev. Mus. Arg. de Cienc. Nat., n.s. 9(1): 27-40.

Apesteguía, S. y Rougier, G. W. 2007. A Late Campanian Sphenodontid Maxilla from Northern Patagonia. American Museum Novitates 3581: 1-11.

Salgado, L.; Coria, R. A.; Magalhaes Ribeiro, C. M.; Garrido, A.; Rogers, R.; Simón, M. E.; Arcucci, A. B.; Curry Rogers, K.; Paulina Carabajal, A.; Apesteguía, S.; Fernández, M.; García, R. A. and Talevi, M. 2007. Upper Cretaceous dinosaur nesting sites of Río Negro (Salitral Ojo de Agua and Salinas de Trapalcó-Salitral de Santa Rosa), northern Patagonia, Argentina. Cretaceous Research 28 (3): 392-404.

. 2007. A Late Campanian Sphenodontid Maxilla from Northern Patagonia. Am. Museum novitates 3581. Ed. Am. Museum of Natural History, 11 pp.

Apesteguía, S. 2007. La evolución de los lepidosaurios. Investigación y Ciencia 367:54-63.

Apesteguía, S. 2007. Lepidosaurios en movimiento: de los lagartos a las serpientes. Investigación y Ciencia 371:55-61.

2006
Apesteguía, S. y Zaher, H. 2006. A Cretaceous terrestrial snake with robust hindlimbs and a sacrum. Nature 440: 1037-1040.

Bonaparte, J. F.; González Riga, B. J. and Apesteguía, S. 2006. Ligabuesaurus leanzai gen. et sp nov. (Dinosauria, Sauropoda), a new titanosaur from the Lohan Cura Formation (Aptian, Lower Cretaceous) of Neuquén, Patagonia, Argentina. Cretaceous Research 27 (3): 364-376.

Apesteguía, S. 2006. "Interacción entre plantas vasculares y vertebrados en ambientes continentales de Gondwana Occidental a lo largo del Mesozoico". Para 'Dinosaurios de Gondwana' C.Papolio (Ed.).

2005
Apesteguía, S. 2005. A Late Campanian sphenodontid (Reptilia, Diapsida) from northern Patagonia. Comptes Rendus Palevol 4(8): 663-669.

Apesteguía, S. 2005. Evolution of the hyposphene-hypantrum complex within Sauropoda En Thunder-Lizards: the Sauropodomorph Dinosaurs. (V. Tidwell and K. Carpenter, Eds.): 248-267.

Apesteguía, S. 2005. Evolution of the titanosaur metacarpus En Thunder-Lizards: the Sauropodomorph Dinosaurs. (V. Tidwell and K. Carpenter, Eds.): 321-345.

Apesteguía, S.; Agnolin, F. L. y Lio, G. L. 2005. An early Late Cretaceous lizard from Patagonia, Argentina. Comptes Rendus Palevol, Volume 4, Issue 4, June 2005, Pages 311-315

Gallina, P. A. y Apesteguía, S. 2005. Cathartesaura anaerobica, un nuevo saurópodo rebaquisáurido de 'La Buitrera'. Rev. Mus. Argentino de Cienc. Nat., n.s. 7(2): 153-166.

Makovicky, P. J.; Apesteguía, S. y Agnolín, F. L. 2005. The earliest dromaeosaurid theropod from South America. Nature 437: 1007-1011.

Pol, D. y Apesteguía, S. 2005. New Araripesuchus Remains from the Early Late Cretaceous (Cenomanian–Turonian) of Patagonia. American Museum Novitates 3490, 38 pp.

Salgado, L.; Apesteguía, S. y Heredia, S. E. 2005. A new specimen of Neuquensaurus australis, a Late Cretaceous saltasaurine titanosaur from North Patagonia. Journal of Vertebrate Paleontology 25(3):623–634.

Apesteguía, S. 2005. "Dinosaurios: sur, meteorito y después" En Hoy las ciencias adelantan que es una barbaridad. (D. Golombek y M. De Ambrosio, Eds.): 58-73. Libros del Rojas, 222 pp. Buenos Aires.

Apesteguía, S. 2005. "El tiempo está a favor de los pequeños: La Buitrera, un yacimiento del norte patagónico". Encrucijadas 30: 74-81.

2004
Apesteguía, S. 2004. Bonitasaura salgadoi: A beaked sauropod in the Late Cretaceous of Gondwana. Naturwissenschaften 91(10): 493-497.

Corbella, H., Novas, F. E., Apesteguía, S. y Leanza, H. A. 2004. First fission-track age for the dinosaur-bearing Neuquén Group (Upper Cretaceous), Neuquén basin, Argentina. Rev. Mus. Arg. de Cienc. Nat., n.s. 6(2): 227-232.

Leanza, H. A.; Apesteguía, S.; Novas, F.E. y De la Fuente, M. S. 2004. Cretaceous terrestrial beds from the Neuquén basin (Argentina) and their tetrapod assemblages. Cretaceous Research Volume 25, Issue 1, Pages 1-96.

2003
Apesteguía, S. y Novas, F. E. 2003. Large Cretaceous sphenodontian from Patagonia provides insight into lepidosaur evolution in Gondwana. Nature 425: 609-612.

De Valais, S.; Apesteguía, S. y Udrizar Sauthier, D. 2003. Nuevas evidencias de dinosaurios en la Formación Puerto Yeruá (Cretácico), Provincia de Entre Ríos, Argentina. Ameghiniana 40(4):631-635.

Enciclopedia de los dinosaurios y otros animales prehistóricos. 2003. La Nación. Traducción, corrección y adición de la fauna argentina.

2002
Apesteguía, S. 2002. Successional structure in continental tetrapod faunas from Argentina along the Cretaceous. Boletim do 6º Simpósio sobre o Cretáceo do Brasil / 2º Simposio sobre el Cretácico de América del Sur. Sao Pedro, Brasil: 135-141.

Apesteguía, S. 2002. Greater Gondwana and the Kawas Sea coastal tetrapod fauna (Campanian - Maastrichtian). Boletim do 6º Simpósio sobre o Cretáceo do Brasil / 2º Simposio sobre el Cretácico de América del Sur. Sao Pedro, Brasil: 143-147.

Apesteguía, S. 2002. "Nuestros Dinosaurios, II: Saurópodos", parte de una serie de 3 volúmenes, Ed. Lumen Buenos Aires.

2001
Apesteguía, S. 2001 (Nov). 'Neuquensaurus australis', para la sección Retro-fauna, revista Aire Libre. Tomo I (7): 108.

2000
De la Vega, S. y Apesteguía, S. 2000 (Ene). 'La Argentina de los Dinosaurios' (III) para la revista 'Aire y Sol'. Tomo 266: 110-115.

De la Vega, S. y Apesteguía, S. 2000 (Feb). 'La Argentina de los Dinosaurios' (IV) para la revista 'Aire y Sol'. Tomo 267: 110-115.

1999
De la Vega, S. y Apesteguía, S. 1999 (Nov). 'La Argentina de los Dinosaurios' (I) para la revista 'Aire y Sol'. Tomo 264: 110-115.

De la Vega, S. y Apesteguía, S.1999 (Dic). 'La Argentina de los Dinosaurios' (II) para la revista 'Aire y Sol'. Tomo 265: 110-115.

1998
Apesteguía, S. 1998. "Nuestros Dinosaurios, I: Ornitisquios", parte de una serie de 3 volúmenes, Ed. Lumen, Buenos Aires.

1993
Apesteguía, S. 1993. "Dinosaurios de la Argentina", Ed.Lumen, Buenos Aires.

Referencias

Enlaces externos
 El autor en Youtube. 8 min
 https://www.youtube.com/watch?v=xspTzY2cmJ0
 https://www.youtube.com/watch?v=xbm6KzCi9Ss
 https://www.youtube.com/watch?v=YKJarBjZyNg
 https://www.youtube.com/watch?v=ibPVK4Qn_Ec
 https://www.youtube.com/watch?v=XTMqw-Bqfn0

Exploradores de Argentina
Paleontólogos de Argentina
Alumnado de la Facultad de Ciencias Naturales y Museo de la Universidad Nacional de La Plata
Nacidos en Buenos Aires
Investigadores del CONICET
Zoólogos de Argentina


Mateo Kovacic to Tottenham, would it take them one step closer?
Rather abruptly moved on from Inter Milan to an already well equipped and talented Real Madrid midfield, it was always going to be tough for the youngster to adapt and excel. Kovacic possesses a rare blend of brute strength and raw creative talent. Predominately a creative attacking midfielder, at a stretch he can play in front of the defense, a similar player to the likes of Michael Carrick, David Silva, Luka Modric, Toni Kroos and others of that ilk.
Having managed to eek out 21 games for Real Madrid, it's clear that he is looked upon well, but is down the pecking order in the midfield stakes. Sitting behind the likes of Ronaldo, Bale, Kroos, James and Modric, he is not going to get the consistency of games any player looks for. Such a predicament is what makes a mooted move to Tottenham so appealing.
Now, I'm not trying to say the Spurs midfield is not talented, but it's not at the same level as the Madrid midfield. At the spurs, he is competing with players such as Nacer Chadli, Clinton N'jie and Moussa Dembele; three players which he would usurp in a starting line-up.
Should the rumours pan out, the Spurs, who are enjoying their best ever season could line-up like this: Lloris, Walker, Vertonghen, Alderweireld, Trippier, Bentaleb, Dier, Kovacic, Eriksen, Lamela, Kane. The addition of Kovacic, who at his best is level with the performances of Eriksen and Lamela of this season would no doubt make them a better team, as he did when he was regularly playing for Inter Milan.
Now of course, one man does not always equate to a title, but, the addition on Kovacic would certainly aid the Spurs in sustaining the performances they have produced this season. On the brink of something special, Tottenham look as if they will be beaten to the title by Leicester, but, under the guidance of Mauricio Ponchetinno, they will look to go one further next year, and there is little doubt Kovacic could help that happen.


Learn to card and spin wool at the regular Wool Gathering meetings held at Tarset Village Hall on the 2nd and 4th Thursday of the month from 5-7pm. Dates are included on the community events page. We charge £3 to cover expenses. Tuition is available and there is spare equipment if people want to try this wonderful and addictive craft.
There are some drop spindles and a couple of spinning wheels available but if you already have your own equipment then please do bring it along with you – and any extras would be most welcome.
If you have any queries, please contact Lizzie at lizzie.thepeel@btinternet.com or on telephone 01434 240939.


text:
Q: How to change button text javascript I have a javascript button created dynamically into a dynamically created table, I want the button to toggle "read/not read" on click but it only changes from one to the other only after a refresh and it does it once, so for example i have a book and i click the status it goes from "read" to "not read" but when i click again it does not react or when i click another book in the table.

let books = [];

const $name = document.querySelector("#name");
const $author = document.querySelector("#author");
const $status = document.querySelector("#status");
const $pages = document.querySelector("#pages");
const $tableBody = document.querySelector("#book-table-body");

function addBookToTable() {
    // checkLocalStorage();
    $tableBody.innerHTML = "";
    books.forEach((book) => {
      const htmlBook = `

          ${book.title}
          ${book.author}
          ${book.pages}
          <button class="status-button">${book.status}</button>
          <button class="delete">delete</button>

        `;
      $tableBody.insertAdjacentHTML("afterbegin", htmlBook);
    });
  }

const addBook = (event) => {
    event.preventDefault();
    let book = {
        title: $("#title").val(),
        author: $("#author").val(),
        pages: $("#pages").val(),
        status: $("#status").val(),
    };
    const cb = document.querySelector("#status");

    if (cb.checked === true) {
        book.status = "read";
    } else {
        book.status = "not read";
    }
    books.push(book);
    document.forms[0].reset();
    // Update DOM
    addBookToTable(book);

    const deleteBtn = document.querySelector(".delete");
    deleteBtn.addEventListener("click", function deleteBook(){
        books.splice(books.indexOf(book), 1);
        console.log(books);
    })

    const myBtn = document.querySelector(".status-button");
    myBtn.addEventListener('click', function changeStatus(){
        if (book.status === "read"){
            myBtn.innerHTML="not read"
        }
        else if(book.status === "not read"){
            myBtn.innerHTML = "read";
        }
    }
    );

    localStorage.setItem("myMangaList", JSON.stringify(books));
};

function popForm() {
    $("#popup").removeClass("hide");
}

function minimizeForm(){
    $("#popup").addClass("hide");
}

function hideForm() {
    $("#popup").addClass("hide");
    $("#main-page").removeClass("hide");
}

function toggle() {
    $("#main-page").addClass("hide");

}
* {
  font-family: 'Lato', sans-serif;
  text-align: center;
  /* background-image: url(./images/image.jpg);
  background-position: bottom;
  background-size: cover; */
}

.hide {
  display: none;
}

.hide-form {
  background-color: transparent;
  color: white;
  border: none;
  cursor: pointer;
  font-size: 1.5rem;
  margin-top: 20px;
  margin-right: 15px;
  position: absolute;
  top: 0;
  right: 0;
}

h1 {
  font-size: 2.5rem;
  font-weight: 900;
  font-family: 'Work Sans', sans-serif;
}

h1 span {
  color: #48abe0;
}

table {
  border-collapse: collapse;
  width: 100%;
}

td,
th {
  /* border: 1px solid #dddddd; */
  text-align: center;
  padding: 8px;
}

#main-page {
  margin-right: 80px;
  margin-left: 80px;

}

#addBook {
  border-radius: 70%;
  background-color: #48abe0;
  color: white;
  border: none;
  padding: 5px;
  font-size: 31px;
  height: 65px;
  width: 65px;
  box-shadow: 0 2px 4px darkslategray;
  cursor: pointer;
  transition: all 0.2s ease;
  position: fixed;
  bottom: 25px;
  right: 25px;
}

#popup {
  /* display: flex; */
  justify-content: center;
  align-items: center;
  flex-direction: column;
  gap: 30px;
  padding-top: 50px;
  padding-bottom: 50px;
  position: absolute;
  top: 50%;
  left: 50%;
  transform: translate(-50%, -50%);
  width: 300px;
  background: #48abe0;
  border-radius: 10px;
}

#popup input {
  width: 80%;
  padding: 15px;
  margin-top: 25px;
  border: 1px solid;
  border-radius: 5px;
  outline: none;
  color: white;
  font-weight: bold;
  font-size: 1em;
  background: #48abe0;

}

.status-box {
  margin-top: 25px;
}
<!DOCTYPE html>

    <meta charset="UTF-8">
    <meta http-equiv="X-UA-Compatible" content="IE=edge">
    <meta name="viewport" content="width=device-width, initial-scale=1.0">

    <link rel="stylesheet" href="style.css">

    <link rel="preconnect" href="https://fonts.googleapis.com">
    <link rel="preconnect" href="https://fonts.gstatic.com" crossorigin>
    <link rel="preconnect" href="https://fonts.googleapis.com">
    <link rel="preconnect" href="https://fonts.gstatic.com" crossorigin>
    <link rel="preconnect" href="https://fonts.googleapis.com">
    <link rel="preconnect" href="https://fonts.gstatic.com" crossorigin>
    <link
        href="https://fonts.googleapis.com/css2?family=Edu+NSW+ACT+Foundation:wght@500&family=Edu+QLD+Beginner:wght@400;600;700&family=Edu+TAS+Beginner:wght@700&family=Josefin+Sans:wght@300&family=Lato&family=Montserrat:wght@100;600&family=Mouse+Memoirs&family=Poppins:ital,wght@0,500;1,200&family=Quicksand:wght@300&family=Ubuntu:wght@300&family=Work+Sans:wght@200&display=swap"
        rel="stylesheet">

    <title>Library</title>

My Manga Library

        <form>
            <button class="hide-form" onclick=" minimizeForm()">X</button>

            <input type="text" id="title" placeholder="Title eg: One Piece">

            <input type="text" id="author" placeholder="Author eg: Eichiro Oda">

            <input type="text" id="pages" placeholder="Pages eg: 2000">

                Read the book
                <input type="checkbox" id="status" name="status" value="">

            <button type="submit" id="submit" onclick="addBook(event); hideForm()">Submit</button>

        </form>

list

                    Name
                    Author
                    Pages
                    Status

        <button id="addBook" onclick="popForm(); toggle()">+</button>


North Coast Music has permanently discontinued the production of all Vox swivel trolleys and rigid stands. Many are already sold out. All of the models that are still available are offered below and are in short supply.
The AC-15 and AC-30 rigid stands are sold out. Many of the swivel trolleys are sold out as well, including AC-30, Buckingham, 715, 730, 760, Defiant, T.60, T.100, AC-100, Super Beatle, small box AC-50 "Australia" stand. The Vox "Z" leg organ stands have also already sold out. I have none of any of these left, neither first quality or blems. I have no other source to suggest as these were all uniquely produced by North Coast Music. I'd be surprised if anyone will ever make these again.
Please don't beg if I will make "just one more" for you, the firm that built our stands required a minimum order of at least 100 stands per style. There is no "sign up" list.


Tailor-made multiplex ADF scanners, providing a much higher quality and speed for ECM, document capture and the management of workgroup and enterprise documents.
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Cure for the messy desk.


Guohao Business Hotel Luoyang is a three-star foreign related hotel, located on the Nanchang Road-the bustling area of Luoyang Henan. Neighboring attractions include large-scale shopping square, restaurant, Delis Street and parks. Along with central air conditioning, we also offer 24 hours hot water, DDD, local call, multi-channel of digital TV, high-speed internet access. The business room is equipped with LCD computer. The hotel has multi-function room of 50 to 100 people with advanced hi-fi equipment, screen and projector, ideally for meetings, negotiation, news press, product show, sodality and party. The bathing city of our hotel, featured by bathing, amusement and performance, will make your more relaxed, as well as foot massage, beauty salon, tea, chess and card, bar, snooker and fitness center. It is an ideal choice for business and tour guests.


Warner Bros. has debuted the first official poster of Harry Potter And The Deathly Hallows Part 2, the final installment of the Harry Potter franchise.
The poster features two main characters – Harry (Daniel Radcliffe) and Lord Voldemort (Ralph Fiennes) – facing each other with a magic wand between them.
Two weeks ago the studio also debuted the first official trailer of Harry Potter And The Deathly Hallows Part 2 as a part of the ABC's Harry Potter marathon.
What do you guys think about the poster? Does it make you excited about the premiere of the movie on July 15th?
Harry Potter And The Deathly Hallows Part 2 is directed by David Yates and stars Daniel Radcliffe, Rupert Grint, Emma Watson, Ralph Fiennes, Helena Bonham Carter, Tom Felton, Bonnie Wright, and others.


To be honest, I reckon it's a total nightmare to navigate what's good and what's not. Why? Because you just can't tell what they are going to be like until you buy them. You can't get any better experience than a real world test. Usually this means parting with a few hundred bucks. Ouch. And I keep doing that, over and over, in search of the right one for me. Here is a list of action cams I've parted money for over the last five years, my thoughts and why I still haven't found what I'm looking for.
As time went on SD Cards got better, battery life improved and so did the overall look of action cams.
I got a Flip Mino HD. Remember those? They were the bomb for a while but completely impractical for moto-cam work. Here is an attempt I had at making a video of that ADR adventure, still using the STK 3 but some hand held Flip footage woven in.
I'd probably still have that cam today if I hadn't left it with a young bloke I stayed with in Scotland, for letting me bunk in his room.
Contour have gotten a lot better since then too with updates to frame rates capabilities, bluetooth and GPS but I have heard rumour that they (as a biz) went under?
So apparently they are back and I have just started seeing the first promo stuff surrounding their latest camera - Contour ROAM3 Waterproof HD .
For easy peasy not so squeasy staright forward filming, this little camera does the job, packs a decent battery life and a slim profile. But I've been there, done that and got the video to prove it.
I didn't like the sound of my own voice and I never did another one, but watching that back now I am reminded of just how awesome that Ducati Hypermotard was. Good times. The DRIFT was good, it has a smaller profile than a GoPro but not as small as a Contour, and it does everything and never really failed me. Again not a great UI but at least it has an LCD that shows you the most important bits. It has an external mic input which was great but I still felt like it was too big for helmet mounting and eventually stopped using it much at all.
Well they are up to their fourth gen camera now, the XD Prime X and I gotta say the spec is impressive, as is the size, the weight and the battery life.
You can crank out 3.5hrs of battery life on one of these babies. That's amazing and up there with Contour but a better spec camera.
You can film up to 120fps at 720p and 60fps at 1080p. It's waterproof up to 3mtrs so no problem stuck on a helmet but by far the best thing is how small and light it is. 99 grams. The GoPro alone is lighter than that at 85grams, but one you encase it, bolt bits to it and extend it etc it becomes a much 'bigger' thing. I always appreciated the streamline-edness of the Contour which means the Replay is even more appealing with its basic bullet style.
This is why I call it a nightmare, because you can never really know how happy you are going to be with a cam until you get it out in the wild, film with it over a period of time, see how it feels to turn on and off, wear or mount etc etc.
Should I fork out for cash for the RePlay XD Prime X ? Probably not. But knowing me, I probably will because search for the (better, better) best, never ends.


text:
The Trinity Methodist Church
Historic Churches of Savannah
Nestled in the corner of West President and Barnard Streets is the grand Trinity Methodist Church, also known as the Mother Church of Savannah Methodism.
The city of Savannah, Georgia is significant within the Methodist community due to its close ties to John Wesley, from whom the denomination derived. Trinity Church stands out as an inclusive sanctuary, embracing modern-day social changes while still preserving tradition.
History of Trinity Methodist Church
The first Methodist congregation in Savannah consisted of 65 members who attended Wesley Chapel for worship. Wesley Chapel was established in 1812, on the corner of Oglethorpe Avenue and Lincoln Street.
By the early 1840s, the congregation quadrupled in size, forcing its members to seek a place to build a new sanctuary. In 1847, the ideal location was found; a large garden adjacent to the Telfair Family home.
The lot was purchased that same year for $8,500.00 and planning for the new Methodist church began. The building foundations were laid on February 14, 1848. Two years later, the church, along with a small educational building opened its doors.
The erection of the Trinity Methodist Church cost $20,000.00, a staggering amount at the time. Several years later, Wesley Chapel closed and the two churches merged.
Trinity Church is famously known for remaining open from 1861 to 1865, during the American Civil War, refusing to close its doors even as Union soldiers camped across the street in Telfair Square. They were committed to their congregation.
Restoring Trinity Methodist Church
A century after its construction, the church had suffered somewhat of a decline. The interior was in desperate need of restoration while time and weather had taken a toll on the exterior. This led to several restoration efforts during the 1960s that brought back the old charm of the sanctuary.
The church stood tall and beautifully preserved until October 7th, 1991 when a fire rendered it unusable due to extensive water damage. While the building was out of commission, services were held at Sipple's Mortuary and Crematory, located in the nearby Abercorn Street.
Repairs were extensive - taking almost two years and costing an estimated 2 million dollars. In 1993, Trinity Methodist Church was reopened although it was still in need of additional renovations. In 2005, several fundraisers and charitable donations took place, funding restoration projects that returned the building to its former glory. That same year, the Trinity Methodist was granted a preservation award by the Historic Savannah Foundation.
Today, Trinity Methodist Church stands beautifully preserved and untouched. Its appeal not only stems from its antique façade but also the principles therein contained. Trinity Church is a thriving congregation that promotes inclusivity and welcomes diversity, art, and self-expression.
What is Methodism?
Methodism is a movement within Protestantism that derives its principles from the life and teachings of John Wesley. The movement arose within the Anglican Church yet it did not become a separate denomination until Wesley's death in 1791.
After the founding of the Georgia colony in 1732, General James Oglethorpe assigned John Wesley as a minister in the colony. Wesley, who was a respected religious leader in England, journeyed to Savannah to fulfill his new duties.
Wesley embarked from Gravesend, England to the Americas. During the voyage, however, a powerful storm hit and lightning broke their ship's mast. Wesley immediately noticed that while the English were scrambling to repair the ship, the Moravians - members of a religious movement that originated in Bohemia (now the Czech Republic) - remained calm, praying and singing hymns.
That occurrence proved to be a major turning point in Wesley's life as he realized he was missing a deep connection with God. From that moment forward, John Wesley was motivated in seeking that profoundly spiritual way of life, a goal that influenced his preachings.
Methodism rejects the Calvinist principle that man is predestined for either salvation or damnation, believing salvation is attainable by all through faith. The Methodist movement also believes in practicing what John Wesley referred to as "practical divinity" through social and personal acts of kindness.
Wesley's life in Savannah did not go as he intended. Following a series of legal and romantic controversies, he was forced to return to England, passing on his role to George Whitefield in 1738. Thankfully, Whitefield admired Wesley and continued to preach his doctrine.
George Whitefield became an incredibly successful minister in the United States. He traveled extensively, preaching and disseminating Methodism across the country; making him an important figure in the Methodist movement.
Methodist LGBTQ Movement
In 2018, Trinity Methodist Church was selected to become an official member of the Reconciling Ministries Network (RMN) in an effort to further highlight their inclusivity practices. RMN seeks to assist Methodist churches in the battle against injustice and discrimination, promoting equality regardless of sexual orientation or gender identity.
Savannah Stopover Music Festival
The Savannah Stopover Music Festival is held annually in different venues, bringing musicians from all over the country to Savannah's Historic District. Trinity Methodist Church opens its doors every year as one of the festival's venues, where everyone can enjoy jazz, folk, and other genres in a beautiful historic setting.
Architectural Design and Interior
The Trinity Church building, designed by architect John B. Hogg, is considered an excellent example of Corinthian Architecture.
The acclaimed Corinthian style is a form of Ancient Greek Architecture - first described in Marcus Vitruvius' manuscript "De architectura" (30 B.C.) - that focuses on ornate columns. Columns of this style are usually plastered before being carved in the shape of leaves.
John B. Hogg designed the church with two large Corinthian columns, a recessed front entrance, and a large central pediment. The exterior walls are stucco over Savannah grey brick. The bricks were handmade by enslaved African-Americans living in the Hermitage Plantation while the estate operated a brick factory.
The interior of the church was inspired by Wesley's Chapel in London. It features stark white walls with delicate trims and moldings, multiple pedestal columns, and vibrant red carpeting. Behind the altar we find the colossal Möller pipe organ installed in 1949.
Where is the Trinity Church?
The past and present come together in this magnificent sanctuary. Visit Trinity Methodist Church for an inclusive religious experience: "Male, female, black, white, rich, poor, gay, straight, God welcomes all here!"
(Sunday Service at 11:00 a.m.)
225 W. President Street
Temple Mickve Israel


text:
Cumbres & Toltec Scenic Railroad
Non-Profit OrganizationsTrain Ride
500 Terrace Chama NM 87520
2014 Season Dates
May 24 - Oct 19
Chama, N.M. & Antonito, Colo. -- As the U.S. gears up for the Oscars, the Cumbres & Toltec Scenic Railroad, a star in many Academy Award winning films, announces its 2014 season: Saturday, May 24, through Sunday, October 19. The Cumbres & Toltec Scenic Railroad is the highest narrow-gauge steam railroad in the U.S. In its 64-mile route between Chama and Antonito, the train crosses the New Mexico & Colorado state line 11 times, traversing some of the most beautiful and remote areas in the southern Rocky Mountains, including the 10,015-foot Cumbres Pass and the 800-foot-deep Toltec Gorge, from both of which the railroad takes its name.
Remember Robert Redford, Paul Newman, Harrison Ford, Candice Bergen, Gregory Peck, Robert Mitchum, James Coburn, Kevin Costner, Dennis Quaid, Gene Hackman, or Sean Connery on the Cumbres & Toltec Scenic Railroad? All graced the silver screen with their hardest-working costar, the Cumbres & Toltec Scenic Railroad, in such films as ''Indiana Jones and the Last Crusade,'' ''The Legend of the Lone Ranger,'' ''Bite the Bullet,'' ''Wyatt Earp,'' ''Butch & Sundance: The Early Days,'' ''The Good Guys and the Bad Guys,'' and the soon-to-be-released ''A Million Ways to Die in the West,'' directed by and starring Seth MacFarlane.
Riders can experience the authentic West every day, May through October, on the train showcased and beloved by so many filmmakers. The train winds through tunnels and over trestles, and snakes along the Toltec Gorge past waterfalls, mountain forests, and alpine meadows.
© 2023 Española Valley Chamber of Commerce | Site by GrowthZone
1 Calle De Las Espanolas, Suites F & G
Española, NM 87532
© Española Valley Chamber of Commerce. All Rights Reserved | Site by GrowthZone


About Hönle: Dr. Hönle AG, head of Hönle Group, is one of the world's leading suppliers for industrial UV technology. The UV specialist, who is noted on the stock exchange, develops, manufactures and distributes UV systems, UV lamps and UV measurement equipment worldwide. The systems are used in the cross-linking of photo-reactive substances, for surface sterilisation and solar simulation.
Hönle products are used in manufacturing processes in electronics, microelectronics, precision engineering and the optical industry. They are applied in the printing, automotive, aerospace and pharmaceutical sectors.
For years, UV specialist Hönle has been very successful in the curing of inks and coatings. The innovative Hönle UV systems can be integrated easily into particular manufacturing processes where they achieve excellent results.
Hönle is ISO 9001 and ISO 14001 certified. Our products have the CE marking.
About the Hönle Group: The whole spectrum of irradiation, curing, bonding and sterilization ‒ profit from Hönle Group's 40-years-experience in developing industrial UV technology. Use our specialists' know-how for your success.
Besides the parent company Dr. Hönle AG (UV units and systems) the Hönle Group consists of the printing specialists Eltosch Grafix (UV and IR/hotair dryers, peripheral equipment for the printing industry, e.g. ink fixation and cooling) as well as the expert for web-offset printing PrintConcept.
Professionals at glass and lamp production are Raesch (custom-made quartz glass components), UV-Technik Speziallampen (lamp manufacturing, e.g. for sterilization) and Aladin (UV lamp manufacturing).
Further group members are the specialist for industrial adhesives Panacol, Panacol-USA and Eleco.
In addition to subsidiaries in China, France, Korea and the USA as well as a sales office in Italy and a sales & service office in Spain the Hönle Group relies on a dense network of sales and service partners worldwide.
Hönle acquires a majority stake in Raesch Quarz (Germany) GmbH, Ilmenau / OT Langewiesen, and in Raesch Quarz (Malta) Ltd.


text:
Afusipa Taumoepeau
Afusipa Taumoepeau FAQs: Facts, Rumors, Birthdate, Net Worth, Sexual Orientation and much more!
Who is Afusipa Taumoepeau? Biography, gossip, facts?
Afusipa Taumoepeau Taumoepeau is an Australian rugby union player. Taumoepeau can play at centre or on the wing. He played for the Brumbies 2008-2010 and the Melbourne Rebels in 2011.
How does Afusipa Taumoepeau look like? How did Afusipa Taumoepeau look like young?
This is how Afusipa Taumoepeau looks like. The photo hopefully gives you an impression of Afusipa Taumoepeau's look, life and work.
Photo by: paddynapper, License: CC-BY-SA-2.0, http://commons.wikimedia.org/wiki/File:Afusipa_Taumoepeau.jpg
Is Afusipa Taumoepeau still alive? Are there any death rumors?
Yes, as far as we know, Afusipa Taumoepeau is still alive. We don't have any current information about Afusipa Taumoepeau's health. However, being younger than 50, we hope that everything is ok.
How tall is Afusipa Taumoepeau?
Afusipa Taumoepeau is 1.84m tall, which is equivalent to 6feet and 0inches.
Are there any books, DVDs or other memorabilia of Afusipa Taumoepeau? Is there a Afusipa Taumoepeau action figure?
We would think so. You can find a collection of items related to Afusipa Taumoepeau right here.
How heavy is Afusipa Taumoepeau? What is Afusipa Taumoepeau's weight?
Afusipa Taumoepeau does weigh 95kg, which is equivalent to 209.4lbs.
Is Afusipa Taumoepeau gay or straight?
Many people enjoy sharing rumors about the sexuality and sexual orientation of celebrities. We don't know for a fact whether Afusipa Taumoepeau is gay, bisexual or straight. However, feel free to tell us what you think! Vote by clicking below.
0% of all voters think that Afusipa Taumoepeau is gay (homosexual), 0% voted for straight (heterosexual), and 0% like to think that Afusipa Taumoepeau is actually bisexual.
Does Afusipa Taumoepeau have a nickname?
Yes, Afusipa Taumoepeau's nickname is Sipa.
Who are similar rugby players to Afusipa Taumoepeau?
Adrian Purtell, Alun Pugh (rugby player), Basil Richards, Bernie Lowther and Carl Dooler are rugby players that are similar to Afusipa Taumoepeau. Click on their names to check out their FAQs.
What is Afusipa Taumoepeau doing now?
Supposedly, 2023 has been a busy year for Afusipa Taumoepeau. However, we do not have any detailed information on what Afusipa Taumoepeau is doing these days. Maybe you know more. Feel free to add the latest news, gossip, official contact information such as mangement phone number, cell phone number or email address, and your questions below.
Is Afusipa Taumoepeau hot or not?
Well, that is up to you to decide! Click the "HOT"-Button if you think that Afusipa Taumoepeau is hot, or click "NOT" if you don't think so.
0% of all voters think that Afusipa Taumoepeau is hot, 0% voted for "Not Hot".
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The Design Studio allows young aviators to build and fly planes out of their imagination. With over 35 parts (balsa wood wings, rudders, propellers, rubber band motors, wheels, etc), contained in a travel case so that you can design and fly from anywhere.. Design it. Build it. Fly it.
Our Design Studio let's you be creative...you are the designer. Kit comes with over 35 parts (balsa wood, plastic parts, rubber motors, etc) to let you build your own unique toy designs over and over again. Simple to build, easy to fly and hours of fun.


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I was browsing through my collection and noticed something strange about one of my copies of excite bike.
It does not have the tabs at the top of the cart like every other official nes game i own. also the label colors are a little brighter than the non-strange copy i own, Also the screws are not the standard security screws (they can be unscrewed with a flat head screwdriver).
I have opened it up and it seems pretty standard as far as the board and components (I can take photos of the board if anyone requests).
I also noticed that neither the front or back label have a date, see uploaded pictures.
So does anyone have any clue? do i have a reproduction or a bootleg copy?
You can spot the differences. let me know if you have any ideas.
Also thanks Billy Miles for the copy of excite bike!
You have what is most likely a first-generation Excitebike cartridge that contains a Famicom-to-NES adapter inside of it (rephrased: the PCB/cart itself is a 60-pin Famicom cartridge, attached to a 60-to-72-pin adapter to make it work on the NES). These tend to sell for quite a lot of money (US$75 is common and what mine went for; it was of Stack-Up but that has no bearing). There are ways to tell this, but the easiest way is to simply open the cart up and look.
It's almost certainly not a bootleg (bootleg NES carts are much more uncommon than Famicom carts).
Nintendo also used different shells/cartridges for Excitebike and several other first-gen titles; some are 5-screw, some are 3-screw. Some (the very early originals) contained the Famicom 60-to-72-pin adapters I mentioned. There's no difference between the cartridges otherwise; they're the same game.
If you do have one that contains a Famicom 60-to-72-pin adapter in it: DO NOT disconnect the Famicom cartridge from the adapter without writing down which way/direction the cartridge was facing. You CAN insert these cartridges into the adapters backwards (or the adapter into the NES backwards!) which will will cause damage (IIRC, permanently). On the one I sold, I actually used sticky labels on the adapter to indicate what was pin 1 and which was "front" vs. "back", to make it easier for the buyer to know how to use it. I might have pictures from an old backup if you want to see them. -- Edit: I checked, and I don't. It was eBay Auction #152476364390.
Last edited by koitsu on Thu May 10, 2018 6:27 pm, edited 1 time in total.
Thank you for the quick reply, I also thought it might have been a famicom to nes adapter version but i opened it and it was the standard 72 pin board inside. I found it strange that ive owned it for maybe 5 plus years and never noticed it was different.
Ah I see. Yeah, it's not strange -- Nintendo used both "old style" (5-screw) and "newer style" (3-reverse-torx screw) shells for "older" games. It was during a transitional period during the tail end of first-generation launches. It's normal. Nothing unique there.
Ah i see. Well Thank You Kindly for the info. I'd buy you a beer if i could, Thanks Again! Have A good one.
edit : HaHa I just looked through all my games again and i have a copy of 1942 thats the same except it has the copyright nintendo 1985 on the back label and NES-NF-USA under the official seal of quality on the front.
By the way, apart from physical differences, there actually are a few games where even the game's code is different.
If the type of the game is listed as PRG1 instead of PRG0, then the code was revised from its original version.


text:
Q: What did i do wrong here? Uncaught ReferenceError: Invalid left-hand side in assignment function look() {
var desc = "";
    switch(currentLoc) {
        case 0 = name.Starting Room;
            break;
        case 1 = name.Forest;
            break;
        case 2 = name.Seagulls;
            break;
        case 3 = name.Ocean;
            break;
        case 4 = name.Resort;
            break;
        case 5 = name.Rock;
            break;
        case 6 = name.Wise Turtle;
            break;
        case 7 = name.Palm Tree;
            break;
        case 8 = name.Iglo;
            break;
        case 9 = name.sandBurrow;
            break;
        case 10 = name.End;
            break;
    default: desc = "You cannot go that way";
}
disable_btns();

}
this is for a project of mine. I dont know how to fix this problem.
If you want to see the full code cause this used to work till i added in a matrix and changed the locations format for my game so im pretty sure it has something to do with that but i dont know what. you can take a look at the full code here https://github.com/rileyjgr/Games if you have the time. Thanks for the help >.< i dont know what i fucked up with.

A: It should be a : after each case instead of a =.
I'm guessing you meant this:
case 2: desc = name.Seagulls;

However, it would seem that you could be better served by using an Array.
var data = [
    name.StartingRoom,
    name.Forest,
    name.Seagul,
    name.Resort
];

and then
var desc = data[currentLoc];

A: I think this is what your structure should probably look like, assuming you have a name Object. Note that switchArg must match 0-10 to return one of your name Object properties.
var name = {'Starting Room':'home', Forest:'trees', Seagulls:'birds', Ocean:'Pacific', Resort:'town', Rock:'and Roll', 'Wise Turtle':'slow', 'Palm Tree':'coconut', Iglo:'ice', sandBurrow:'What', End:'of Days'};
function returnFromSwitch(switchArg){
  switch(switchArg) {
    case 0:
      return name['Starting Room'];
    case 1:
      return name.Forest;
    case 2:
      return name.Seagulls;
    case 3:
      return name.Ocean;
    case 4:
      return name.Resort;
    case 5:
      return name.Rock;
    case 6:
      return name['Wise Turtle'];
    case 7:
      return name['Palm Tree'];
    case 8:
      return name.Iglo;
    case 9:
      return name.sandBurrow;
    case 10:
      return name.End;
    default:
      return 'Keep on Learning.';
  }
}
console.log(returnFromSwitch(5)); // 'and Roll'

Note, that if you used disable_btns() in this function, which I purposely left out, it would have to be executed before the function returns any value. When using a switch inside a function there may be no need to use break. If those are the only results you can just return the value.


text:
<?xml version="1.0" encoding="utf-8"?>
<doctrine-mapping xmlns="http://doctrine-project.org/schemas/orm/doctrine-mapping" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://doctrine-project.org/schemas/orm/doctrine-mapping http://doctrine-project.org/schemas/orm/doctrine-mapping.xsd">
  <entity name="EssentialTv\EtvBundle\Entity\PostReports" table="post_reports">
    <id name="prId" type="integer" column="pr_id">
      <generator strategy="IDENTITY"/>
    </id>
    <field name="prPostId" type="integer" column="pr_post_id" nullable="false"/>
    <field name="prType" type="text" column="pr_type" nullable="false"/>
    <field name="prDetails" type="text" column="pr_details" nullable="true"/>
    <field name="prReportedBy" type="integer" column="pr_reported_by" nullable="false"/>
    <field name="prReportedOn" type="datetime" column="pr_reported_on" nullable="false"/>
  </entity>
</doctrine-mapping>

redpajama_set_name: RedPajamaGithub


text:
OPINION: Melbourne Cup 2019: Beyond the suits and suites is a sport that terrorises its stars
An already bruised sport is falling from public interest and it can no longer presume its place in Australian culture will be or even is revered.
OPINION: By PATRICK SMITH - SPORTS COLUMNIST on NOV 5, 2019 | The views expressed in this opinion piece do not necessarily reflect the views of Animals Australia.
It is the dizziest time of the year, that last glass of bubbling hope can see you go from tippled to toppled. Rituals that have been 158 cups in the making demand jockey and galloper get back on the crystal even if it is only to topple back down.
The most deleterious day in sport is also the most disingenuous. Because the Melbourne Cup is the day of the big lie. It is a tradition or curse more than a century old.
The sport is a glorious one and the Cup, run over 3200 metres, leaves the strongest and fittest horses sucking for oxygen. The final clawing over the last few metres must have the horses feeling they have used their God-given share and more. Melbourne Cups are not won without limitless courage. For lesser or underprepared competitors, it can be a death march.
Everything else about Melbourne Cup Day is a fantasy. Clobber worth more than a family car. Enough grog to turn the track to a heavy 10. Taylor Swift is coming but the singer is gone before she comes. The Cup is worth $8 million and about that much again short of being the richest race in the country.
The controversy about the treatment of racehorses has made graphic news this spring. The scenes from a Queensland abattoir have revolted the nation. Retired, broken down or just slow horses are slaughtered heartily. No dignity or respect afforded the horses here. No dignity or respect, either, deserved for the humans who lunge at the panicked horses with poles or batter them with pieces of wood. Cheering them to their death.
Racing officials suddenly find a couple of lengths; prepared to take the neatest of gaps and treat the weight of the news of the cruel death of horses with grim looks and eyebrows that work overtime.
Last week Racing Victoria, which in its defence had been working on a proposal to improve both the image of the sport and the health of the horse, said it planned to spend $25m on a scheme to improve the welfare of Victorian thoroughbreds.
It is a plan of many parts: a statewide rehoming program; post-racing career options: statewide foster program; an advanced tracking system; an equine welfare taskforce; humane euthanasia, and responsible breeding. No mention of the bleeding obvious.
RV chairman Brian Kruger likes his board's plan.
"Victoria's vision is to be a leader in equine welfare practices. Whilst the industry has achieved many great outcomes over recent years and has a clear pathway for the future, it is clear we need to step up and do more," Kruger said.
But this was the critical point. "The horses are the stars of our sport and no one will argue that they must be treated as such."
Here is the shameful hypocrisy, worthy of an Australian politician. The horses are the stars of the show? Fantasy. The world stood about more than a decade ago when Australian jockeys went on strike so they could be allowed to whip their horses more often after strict whip rules were introduced. It was argued jockeys needed the whips for control. Good safety measure. Just don't smack the horses for an extra quid or two. Then we found out jockeys could not count when the rules limited the number of strikes in the final 100 metres. Next the bastards would ask them to walk and chew gum at the same time.
Australian racing sophisticated? No wonder abattoirs cared little for the horses if the nation's officials allowed them to be crashed time and again by a whip.
No, our racing has no heart. Officials allow horses to be whipped five times before the final 100 metres and at the jockey's discretion after that. Let's say that's the possibility of 15 strikes a horse after the 100m post.
So what effect does that have on the Melbourne Cup field? Well, let's agree on a kind figure that, combined, the horses in the Cup may be hit 24x15 times. That's 360 whacks between the 100m and the finish. Add the five before the 100 and we have another 120 lashes. Add that to the 360 in the final 100 and there is the potential for the field in today's Cup to be hit some 480 times.
Accept some horses will not be in contention so will be spared the thrashing whip, but accept too that since prizemoney goes down to 12th spot there will still be a whole lot of whipping going on. That's how Australian racing treats its "stars". How absurd.
It is simply impossible for the racing industry to convince the public that it cares dearly for its "stars" if they are allowed to be beaten by the whip with the ferocity of jockeys chasing big money.
And the argument that the whip doesn't hurt is rendered useless, not just by weight of scientific evidence, but by the urgency of jockeys to strike the horse. Hitting horses is not encouragement. It is a threatening demand.
Australian racing will never be as professional and sophisticated as it pretended to be this spring. Not until it operates as one body. Shouldn't be hard to find one.


A bear sticks to a balloon, and conversation is livened.The front page where it's sometimes black.... I'm laughing at a basis loosely.
I like strawberry too much.
I like Mr. Masato too much.
I like Mr. Kota too much.
I like Mr. Sota too much.
I like Mr. Aki too much.
I like Mr. Kou too much.
I like Mr. Yu too much.
I like Mr. Shinzi too much.


text:
Louis admits Witches face a tough start to the season as pundits tip Ipswich for the top
Mike Bacon
Published: 7:00 PM March 20, 2017
Ipswich Witches 2017. Clockwise from bottom left Kyle Newman, Connor Mountain, Rory Schlein, Nico Covatti, Cameron Heeps, Danyon Hume and in centre Danny King (captain), pictured at the Ipswich Speedway studio shoot at Ipswich Sports Club, Henley Road. Photo: STEVE WALLER - Credit: Picture: Steve Waller
Ipswich Witches director of speedway, Chris Louis admits his side faces a 'tough start to the season' when the tapes go up at Foxhall on Saturday night.
The Suffolk side entertain Sheffield Tigers in both side's opening Championship clash of the season.
The Yorkshire side are, along with the Witches, many pundits' favourites for success this season. Hitting the ground running with a solid victory would be a superb start to the 2017 season for Louis.
"We appear to be one of the favourites, according to many," Louis said.
"Yes, I can see why, this is certainly one of the best, if not the best, Witches septets we have put together since we moved into the Premier League, now Championship.
"Everyone is expecting us to do well, but it's a long season and much can happen."
The Suffolk side held their press day at Ipswich Sports Club today, but practice was cancelled with the weather inclement.
That allowed the riders to continue to bond, as they played squash during the afternoon. The team are hoping to get on track tomorrow and Thursday afternoon, ahead of Saturday night's opener.
"The back end of the season was good for us, but we can't afford to start as poorly as we did last year," Louis continued.
"It's a difficult start to the season for us, with two Championship clashes with Sheffield and a knock-out cup home and away clash with Berwick.
"But we've enjoyed a good get together today and had a good chat about the season ahead."
The Witches will be led once again by Danny King, British Champion and the team's No.1
He got his season up and running with a paid 12-point maximum against Peterborough on Sunday and was delighted with the way his opening meeting of the season went.
"It was a good afternoon for me at Peterborough," King, who was riding for Coventry at the weekend, said.
"I felt really good, it was a nice start."
King will lead the side in 2017, along with fellow heat leaders Rory Schlein and Nico Covatti. Covatti, who joined the Witches two seasons ago and saw his average leap from four to seven points, is hoping to have a more consistent 2017.
"I'm very focussed at Ipswich, so I was a bit disappointed I was not more consistent last year," he said.