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Avant Premiere Stock Photos and Images
Jan. 01, 1955 - At ''Joan of Arch'' Rehearsal: The ''Avant Premiere'' of Joan of Arch from Charles Peguy, Yesterday night on the scene of the Odeon Theater was the consecration of young actress Claude Winter. Photo shows Prince Ali Khan and Well known cover girl Bettina arriving at the theater.
Jan. 01, 1955 - At ''Joan of Arch'' Rehearsal: The ''Avant Premiere'' of Joan of Arch from Charles Peguy, Yesterday night on the scene of the Odeon Theater was the consecration of young actress Claude Winter. Photo shows Prince Ali Khan and Well known cover girl Bettina arriving at the theater.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-01-1955-at-joan-of-arch-rehearsal-the-avant-premiere-of-joan-of-image69291634.html
Johnny Depp Avant première à Paris du film Pirates des Caraïbes le secret du coffre maudit le jeudi 06 juillet
Johnny Depp Avant première à Paris du film Pirates des Caraïbes le secret du coffre maudit le jeudi 06 juillethttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johnny-depp-avant-premire-paris-du-film-pirates-des-carabes-le-secret-22150558.html
Acessoires, Six chargeurs pour PM Marlin U.D.M 42, calibre 9mm, en acier bronzé avec marquages estampés sur la face avant. Première catégorie., ,
Acessoires, Six chargeurs pour PM Marlin U.D.M 42, calibre 9mm, en acier bronzé avec marquages estampés sur la face avant. Première catégorie., ,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-acessoires-six-chargeurs-pour-pm-marlin-udm-42-calibre-9mm-en-acier-31679192.html
EXCLUSIF : Avant Premiere du film Very Bad Trip 3 lors du Warner Day au Rex en presence de Zach Galifianakis , le 26 mai 2013 a Paris, France. Where: Paris, Grand Rex, France When: 26 May 2013
EXCLUSIF : Avant Premiere du film Very Bad Trip 3 lors du Warner Day au Rex en presence de Zach Galifianakis , le 26 mai 2013 a Paris, France. Where: Paris, Grand Rex, France When: 26 May 2013https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-exclusif-avant-premiere-du-film-very-bad-trip-3-lors-du-warner-day-70752939.html
Avant premiere du film -La vie de Michel Muller est plus belle que la votre - de Michel Muller avec Michel Muller au cinema Pathe Vepler. Paris-France 24/01/2005 - Michel Muller Giancarlo Gorassini/ABACA
Avant premiere du film -La vie de Michel Muller est plus belle que la votre - de Michel Muller avec Michel Muller au cinema Pathe Vepler. Paris-France 24/01/2005 - Michel Muller Giancarlo Gorassini/ABACAhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/avant-premiere-du-film-la-vie-de-michel-muller-est-plus-belle-que-la-votre-de-michel-muller-avec-michel-muller-au-cinema-pathe-vepler-paris-france-24012005-michel-muller-giancarlo-gorassiniabaca-image401982481.html
Dancers pose in the installation 'Test Room' by US artist Mike Kelley during the avant-premiere of the exhibition 'MOVE - Arts and dance since the 60's' at the Museum Kunstpalast in Duesseldorf, Germany, 15 July 2011. The exhibition is the first to present an overview of the connections between visual arts, choreography and dance in the past 50 years. The exhibition is open from 19
Dancers pose in the installation 'Test Room' by US artist Mike Kelley during the avant-premiere of the exhibition 'MOVE - Arts and dance since the 60's' at the Museum Kunstpalast in Duesseldorf, Germany, 15 July 2011. The exhibition is the first to present an overview of the connections between visual arts, choreography and dance in the past 50 years. The exhibition is open from 19https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dancers-pose-in-the-installation-test-room-by-us-artist-mike-kelley-58260353.html
Caterina Murino sign autographs during the avant premiere of the movie ' Et mon coeur transparent '
Caterina Murino sign autographs during the avant premiere of the movie ' Et mon coeur transparent 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caterina-murino-sign-autographs-during-the-avant-premiere-of-the-movie-et-mon-coeur-transparent-image181257233.html
Jornal Avant Premiere
Jornal Avant Premierehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jornal-avant-premiere-170352974.html
The Ford Mustang 2018 models are displayed during their avant-premiere in Sao Paulo, Brazil November 29, 2017. Picture taken November 29, 2017. REUTERS/Paulo Whitaker
The Ford Mustang 2018 models are displayed during their avant-premiere in Sao Paulo, Brazil November 29, 2017. Picture taken November 29, 2017. REUTERS/Paulo Whitakerhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ford-mustang-2018-models-are-displayed-during-their-avant-premiere-in-sao-paulo-brazil-november-29-2017-picture-taken-november-29-2017-reuterspaulo-whitaker-image373819346.html
. Bulletin Societe D'Histoire Naturelle de Toulouse (et de Midi Pyrenees).. MYRIOPODES DE LA MONTAGNE NOIRE 149 Mâle. — Joues presque planes, anguleuses en avant. Première pâlie, 4-articulée. Article terminal beaucoup. PLANCHE II. Trichoblaniulus gracilis. — Fig. 1. Un somite vu de profil. — FiG. 2. Partie médiane d'un somite. — Fig. 3. Gonopode postérieur gauche (face antero-externe). — Fig. 4. Gonopode postérieur droit (face antérieure). L'extrémité du flagellum est restée engagée dans la patte. — Fig. 5. Première paire de pattes du mâle. plus grêle que les autres, dépourvu d'ongle et termin
. Bulletin Societe D'Histoire Naturelle de Toulouse (et de Midi Pyrenees).. MYRIOPODES DE LA MONTAGNE NOIRE 149 Mâle. — Joues presque planes, anguleuses en avant. Première pâlie, 4-articulée. Article terminal beaucoup. PLANCHE II. Trichoblaniulus gracilis. — Fig. 1. Un somite vu de profil. — FiG. 2. Partie médiane d'un somite. — Fig. 3. Gonopode postérieur gauche (face antero-externe). — Fig. 4. Gonopode postérieur droit (face antérieure). L'extrémité du flagellum est restée engagée dans la patte. — Fig. 5. Première paire de pattes du mâle. plus grêle que les autres, dépourvu d'ongle et terminhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-societe-dhistoire-naturelle-de-toulouse-et-de-midi-pyrenees-myriopodes-de-la-montagne-noire-149-mle-joues-presque-planes-anguleuses-en-avant-premire-plie-4-articule-article-terminal-beaucoup-planche-ii-trichoblaniulus-gracilis-fig-1-un-somite-vu-de-profil-fig-2-partie-mdiane-dun-somite-fig-3-gonopode-postrieur-gauche-face-antero-externe-fig-4-gonopode-postrieur-droit-face-antrieure-lextrmit-du-flagellum-est-reste-engage-dans-la-patte-fig-5-premire-paire-de-pattes-du-mle-plus-grle-que-les-autres-dpourvu-dongle-et-termin-image233803695.html
June 8, 2011 - 55436062 Date 07 06 2011 Copyright Imago Panoramic Avant Premiere de beginners UN Film de Mike Mills Au Cinema MK2 Bibliotheque Mike Mills REALISATEUR Et Melanie Laurent Comedienne GerardRoussel Panoramic PUBLICATIONxNOTxINxFRAxITAxBEL Entertainment Celebrities Film Film premiere Pre
June 8, 2011 - 55436062 Date 07 06 2011 Copyright Imago Panoramic Avant Premiere de beginners UN Film de Mike Mills Au Cinema MK2 Bibliotheque Mike Mills REALISATEUR Et Melanie Laurent Comedienne GerardRoussel Panoramic PUBLICATIONxNOTxINxFRAxITAxBEL Entertainment Celebrities Film Film premiere Prehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-june-8-2011-55436062-date-07-06-2011-copyright-imago-panoramic-avant-42955765.html
Avant-premiere for Black fri-yay during Black Friday sign on the showcase of fashion store
Avant-premiere for Black fri-yay during Black Friday sign on the showcase of fashion storehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/avant-premiere-for-black-fri-yay-during-black-friday-sign-on-the-showcase-of-fashion-store-image334477693.html
PARIS, FRANCE - JUN 6, 2015: Avant Premiere in the Galeries Lafayette city mall. It was open in 1912
PARIS, FRANCE - JUN 6, 2015: Avant Premiere in the Galeries Lafayette city mall. It was open in 1912https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paris-france-jun-6-2015-avant-premiere-in-the-galeries-lafayette-city-mall-it-was-open-in-1912-image213816778.html
Clarence Avant 07/09/2019 "The Lion King" Premiere held at Dolby Theatre in Hollywood, CA Photo: Cronos/Hollywood News
Clarence Avant 07/09/2019 "The Lion King" Premiere held at Dolby Theatre in Hollywood, CA Photo: Cronos/Hollywood Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clarence-avant-07092019-the-lion-king-premiere-held-at-dolby-theatre-in-hollywood-ca-photo-cronoshollywood-news-image260217514.html
Los Angeles, USA. 03rd June, 2019. LOS ANGELES, USA. June 03, 2019: Clarence Avant at the premiere for 'The Black Godfather' at Paramount Theatre. Picture Credit: Paul Smith/Alamy Live News
Los Angeles, USA. 03rd June, 2019. LOS ANGELES, USA. June 03, 2019: Clarence Avant at the premiere for 'The Black Godfather' at Paramount Theatre. Picture Credit: Paul Smith/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-usa-03rd-june-2019-los-angeles-usa-june-03-2019-clarence-avant-at-the-premiere-for-the-black-godfather-at-paramount-theatre-picture-credit-paul-smithalamy-live-news-image248304606.html
Paris, France. May 8 2019. Mena Massoud, Paris. Premiere of Aladdin, Grand Rex.
Paris, France. May 8 2019. Mena Massoud, Paris. Premiere of Aladdin, Grand Rex.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paris-france-may-8-2019-mena-massoud-paris-premiere-of-aladdin-grand-rex-image245843570.html
FRANKFURT - SEP 2017: blue Audi RS4 quattro Avant - car world premiere at 67th IAA Frankfurt Motor Show
FRANKFURT - SEP 2017: blue Audi RS4 quattro Avant - car world premiere at 67th IAA Frankfurt Motor Showhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frankfurt-sep-2017-blue-audi-rs4-quattro-avant-car-world-premiere-at-67th-iaa-frankfurt-motor-show-image228810444.html
Los Angeles, CA - October 24, 2019: Ted Sarandos and Nicole Avant arrive for the Premiere Of Netflix's 'The Irishman' held at TCL Chinese Theatre
Los Angeles, CA - October 24, 2019: Ted Sarandos and Nicole Avant arrive for the Premiere Of Netflix's 'The Irishman' held at TCL Chinese Theatrehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-ca-october-24-2019-ted-sarandos-and-nicole-avant-arrive-for-the-premiere-of-netflixs-the-irishman-held-at-tcl-chinese-theatre-image330975495.html
CANTOR THE BLIND - H 35II Francisco Goya (1746-1828). 'El cantor ciego - H 35 II'. Eau-forte, aquatinte et lavis d'aquatinte, pointe sèche et burin - épreuve d'essai posthume avant la première édition. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
CANTOR THE BLIND - H 35II Francisco Goya (1746-1828). 'El cantor ciego - H 35 II'. Eau-forte, aquatinte et lavis d'aquatinte, pointe sèche et burin - épreuve d'essai posthume avant la première édition. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cantor-the-blind-h-35ii-francisco-goya-1746-1828-el-cantor-ciego-h-35-ii-eau-forte-aquatinte-et-lavis-daquatinte-pointe-sche-et-burin-preuve-dessai-posthume-avant-la-premire-dition-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350216595.html
Actor Fernandel plays the trumpet at a film premiere
Actor Fernandel plays the trumpet at a film premierehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/actor-fernandel-plays-the-trumpet-at-a-film-premiere-image69368767.html
EXCLUSIF : Avant Premiere du film Very Bad Trip 3 lors du Warner Day au Rex en presence de Ken Jeong , le 26 mai 2013 a Paris, France. Where: Paris, Grand Rex, France When: 26 May 2013
EXCLUSIF : Avant Premiere du film Very Bad Trip 3 lors du Warner Day au Rex en presence de Ken Jeong , le 26 mai 2013 a Paris, France. Where: Paris, Grand Rex, France When: 26 May 2013https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-exclusif-avant-premiere-du-film-very-bad-trip-3-lors-du-warner-day-70752937.html
© Serge Arnal/ABACA. 57593-2. Paris-France, 23 mars 2004. Le realisateur Enki Bilal entoure de ses actrices Linda Hardy et Charlotte Rampling a l' avant-premiere du film Immortel de Enki Bilal a l'UGC Normandie.
© Serge Arnal/ABACA. 57593-2. Paris-France, 23 mars 2004. Le realisateur Enki Bilal entoure de ses actrices Linda Hardy et Charlotte Rampling a l' avant-premiere du film Immortel de Enki Bilal a l'UGC Normandie.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/serge-arnalabaca-57593-2-paris-france-23-mars-2004-le-realisateur-enki-bilal-entoure-de-ses-actrices-linda-hardy-et-charlotte-rampling-a-l-avant-premiere-du-film-immortel-de-enki-bilal-a-lugc-normandie-image402157397.html
Dancers pose in front of the painting 'Number 32 1950' by US artist Jackson Pollock during the avant-premiere of the exhibition 'MOVE - Arts and dance since the 60's' at the Museum Kunstpalast in Duesseldorf, Germany, 15 July 2011. The exhibition is the first to present an overview of the connections between visual arts, choreography and dance in the past 50 years. The exhibition i
Dancers pose in front of the painting 'Number 32 1950' by US artist Jackson Pollock during the avant-premiere of the exhibition 'MOVE - Arts and dance since the 60's' at the Museum Kunstpalast in Duesseldorf, Germany, 15 July 2011. The exhibition is the first to present an overview of the connections between visual arts, choreography and dance in the past 50 years. The exhibition ihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dancers-pose-in-front-of-the-painting-number-32-1950-by-us-artist-58260352.html
Los Angeles, CA, USA. 3rd June, 2019. Nicole Avant at arrivals for THE BLACK GODFATHER Premiere, Paramount Theater at Paramount Studios Lot, Los Angeles, CA June 3, 2019. Credit: Adrian Cabrero/Everett Collection/Alamy Live News
Los Angeles, CA, USA. 3rd June, 2019. Nicole Avant at arrivals for THE BLACK GODFATHER Premiere, Paramount Theater at Paramount Studios Lot, Los Angeles, CA June 3, 2019. Credit: Adrian Cabrero/Everett Collection/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-ca-usa-3rd-june-2019-nicole-avant-at-arrivals-for-the-black-godfather-premiere-paramount-theater-at-paramount-studios-lot-los-angeles-ca-june-3-2019-credit-adrian-cabreroeverett-collectionalamy-live-news-image248306287.html
The Ford Mustang 2018 model is displayed during their avant-premiere in Sao Paulo, Brazil November 29, 2017. Picture taken November 29, 2017. REUTERS/Paulo Whitaker
The Ford Mustang 2018 model is displayed during their avant-premiere in Sao Paulo, Brazil November 29, 2017. Picture taken November 29, 2017. REUTERS/Paulo Whitakerhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ford-mustang-2018-model-is-displayed-during-their-avant-premiere-in-sao-paulo-brazil-november-29-2017-picture-taken-november-29-2017-reuterspaulo-whitaker-image373598966.html
Brussels, Belgium, Jan 09, 2020: Audi A4 Avant 35 TFSI at Brussels Motor Show, Fifth generation, B9, Typ 8W, car produced by Audi AG
Brussels, Belgium, Jan 09, 2020: Audi A4 Avant 35 TFSI at Brussels Motor Show, Fifth generation, B9, Typ 8W, car produced by Audi AGhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brussels-belgium-jan-09-2020-audi-a4-avant-35-tfsi-at-brussels-motor-show-fifth-generation-b9-typ-8w-car-produced-by-audi-ag-image354466143.html
June 8, 2011 - 55436056 Date 07 06 2011 Copyright Imago Panoramic Avant Premiere de beginners UN Film de Mike Mills Au Cinema MK2 Bibliotheque Melanie Laurent Comedienne GerardRoussel Panoramic PUBLICATIONxNOTxINxFRAxITAxBEL Entertainment Celebrities Film Film premiere Premiere Paris Portrait xng 2
June 8, 2011 - 55436056 Date 07 06 2011 Copyright Imago Panoramic Avant Premiere de beginners UN Film de Mike Mills Au Cinema MK2 Bibliotheque Melanie Laurent Comedienne GerardRoussel Panoramic PUBLICATIONxNOTxINxFRAxITAxBEL Entertainment Celebrities Film Film premiere Premiere Paris Portrait xng 2https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-june-8-2011-55436056-date-07-06-2011-copyright-imago-panoramic-avant-42955759.html
Los Angeles, USA. 4th September, 2018. Viktoria Modesta poses on red carpet at Los Angeles premiere of Susanne Bartsch: On Top. ©Vladimir Yazev/Alamy Live News
Los Angeles, USA. 4th September, 2018. Viktoria Modesta poses on red carpet at Los Angeles premiere of Susanne Bartsch: On Top. ©Vladimir Yazev/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-usa-4th-september-2018-viktoria-modesta-poses-on-red-carpet-at-los-angeles-premiere-of-susanne-bartsch-on-top-vladimir-yazevalamy-live-news-image217733680.html
Los Angeles, USA. 09th July, 2019. Jacqueline Avant 07/09/2019 "The Lion King" Premiere held at Dolby Theatre in Hollywood, CA Credit: Cronos/Alamy Live News
Los Angeles, USA. 09th July, 2019. Jacqueline Avant 07/09/2019 "The Lion King" Premiere held at Dolby Theatre in Hollywood, CA Credit: Cronos/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-usa-09th-july-2019-jacqueline-avant-07092019-the-lion-king-premiere-held-at-dolby-theatre-in-hollywood-ca-credit-cronosalamy-live-news-image260217533.html
LOS ANGELES - AUG 8: Clarence Avant at the 'Hitsville: The Making Of Motown' Premiere at the Harmony Gold Theater on August 8, 2019 in Los Angeles, CA
LOS ANGELES - AUG 8: Clarence Avant at the 'Hitsville: The Making Of Motown' Premiere at the Harmony Gold Theater on August 8, 2019 in Los Angeles, CAhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-aug-8-clarence-avant-at-the-hitsville-the-making-of-motown-premiere-at-the-harmony-gold-theater-on-august-8-2019-in-los-angeles-ca-image368193007.html
HOLLYWOOD, CA - OCTOBER 24: Nicole Avant and Ted Sarandos attend the premiere of Netflix's 'The Irishman' at TCL Chinese Theatre on October 24, 2019 in Hollywood, California.
HOLLYWOOD, CA - OCTOBER 24: Nicole Avant and Ted Sarandos attend the premiere of Netflix's 'The Irishman' at TCL Chinese Theatre on October 24, 2019 in Hollywood, California.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hollywood-ca-october-24-nicole-avant-and-ted-sarandos-attend-the-premiere-of-netflixs-the-irishman-at-tcl-chinese-theatre-on-october-24-2019-in-hollywood-california-image330966084.html
Hollywood, USA. 24th Oct, 2019. HOLLYWOOD, LOS ANGELES, CALIFORNIA, USA - OCTOBER 24: Nicole Avant and Ted Sarandos arrive at the Los Angeles Premiere Of Netflix's 'The Irishman' held at TCL Chinese Theatre IMAX on October 24, 2019 in Hollywood, Los Angeles, California, USA. (Photo by Xavier Collin/Image Press Agency) Credit: Image Press Agency/Alamy Live News
Hollywood, USA. 24th Oct, 2019. HOLLYWOOD, LOS ANGELES, CALIFORNIA, USA - OCTOBER 24: Nicole Avant and Ted Sarandos arrive at the Los Angeles Premiere Of Netflix's 'The Irishman' held at TCL Chinese Theatre IMAX on October 24, 2019 in Hollywood, Los Angeles, California, USA. (Photo by Xavier Collin/Image Press Agency) Credit: Image Press Agency/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hollywood-usa-24th-oct-2019-hollywood-los-angeles-california-usa-october-24-nicole-avant-and-ted-sarandos-arrive-at-the-los-angeles-premiere-of-netflixs-the-irishman-held-at-tcl-chinese-theatre-imax-on-october-24-2019-in-hollywood-los-angeles-california-usa-photo-by-xavier-collinimage-press-agency-credit-image-press-agencyalamy-live-news-image330948267.html
EXCLUSIF : Avant Premiere du film Very Bad Trip 3 lors du Warner Day au Rex en presence de Ken Jeong , le 26 mai 2013 a Paris, France. Where: Paris, Grand Rex, France When: 26 May 2013 **Not available for publication in France, Netherlands, Belgium, Spain and Italy. Available for the rest of the world.**
EXCLUSIF : Avant Premiere du film Very Bad Trip 3 lors du Warner Day au Rex en presence de Ken Jeong , le 26 mai 2013 a Paris, France. Where: Paris, Grand Rex, France When: 26 May 2013 **Not available for publication in France, Netherlands, Belgium, Spain and Italy. Available for the rest of the world.**https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-exclusif-avant-premiere-du-film-very-bad-trip-3-lors-du-warner-day-70752935.html
- AVANT-PREMIERE DU FILM 'AMIS PUBLICS' AU UGC NORMANDIE Photo by Nasser Berzane/ABACAPRESS.COM
- AVANT-PREMIERE DU FILM 'AMIS PUBLICS' AU UGC NORMANDIE Photo by Nasser Berzane/ABACAPRESS.COMhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/avant-premiere-du-film-amis-publics-au-ugc-normandie-photo-by-nasser-berzaneabacapresscom-image389609242.html
Clarence Avant with wife Jacqueline Avant at the world premiere of the movie 'The Lion King' at the Dolby Theater. Los Angeles, 09.07.2019 | usage worldwide
Clarence Avant with wife Jacqueline Avant at the world premiere of the movie 'The Lion King' at the Dolby Theater. Los Angeles, 09.07.2019 | usage worldwidehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clarence-avant-with-wife-jacqueline-avant-at-the-world-premiere-of-the-movie-the-lion-king-at-the-dolby-theater-los-angeles-09072019-usage-worldwide-image259980224.html
Belgian premiere of the movie Coco avant Chanel at the Bozar, Brussels (Belgium, 11/04/2009)
Belgian premiere of the movie Coco avant Chanel at the Bozar, Brussels (Belgium, 11/04/2009)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belgian-premiere-of-the-movie-coco-avant-chanel-at-the-bozar-brussels-belgium-11042009-image218112697.html
Paris, France. May 8 2019. Alan Menken, Paris. Premiere of Aladdin, Grand Rex.
Paris, France. May 8 2019. Alan Menken, Paris. Premiere of Aladdin, Grand Rex.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paris-france-may-8-2019-alan-menken-paris-premiere-of-aladdin-grand-rex-image245852281.html
LOS ANGELES - AUG 8: Clarence Avant, Jacqueline Avant at the 'Hitsville: The Making Of Motown' Premiere at the Harmony Gold Theater on August 8, 2019 in Los Angeles, CA
LOS ANGELES - AUG 8: Clarence Avant, Jacqueline Avant at the 'Hitsville: The Making Of Motown' Premiere at the Harmony Gold Theater on August 8, 2019 in Los Angeles, CAhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-aug-8-clarence-avant-jacqueline-avant-at-the-hitsville-the-making-of-motown-premiere-at-the-harmony-gold-theater-on-august-8-2019-in-los-angeles-ca-image368192946.html
U.S.A, Appareil photo à soufflets 'Autographie Eastman Kodak', pour poche de veste ('Vest Pocket') diffusé à Paris sous licence US avant la Première Guerre Mondiale, ,
U.S.A, Appareil photo à soufflets 'Autographie Eastman Kodak', pour poche de veste ('Vest Pocket') diffusé à Paris sous licence US avant la Première Guerre Mondiale, ,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-usa-appareil-photo-soufflets-autographie-eastman-kodak-pour-poche-31485503.html
Los Angeles, CA, USA. 3rd June, 2019. Clarence Avant at arrivals for THE BLACK GODFATHER Premiere, Paramount Theater at Paramount Studios Lot, Los Angeles, CA June 3, 2019. Credit: Adrian Cabrero/Everett Collection/Alamy Live News
Los Angeles, CA, USA. 3rd June, 2019. Clarence Avant at arrivals for THE BLACK GODFATHER Premiere, Paramount Theater at Paramount Studios Lot, Los Angeles, CA June 3, 2019. Credit: Adrian Cabrero/Everett Collection/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-ca-usa-3rd-june-2019-clarence-avant-at-arrivals-for-the-black-godfather-premiere-paramount-theater-at-paramount-studios-lot-los-angeles-ca-june-3-2019-credit-adrian-cabreroeverett-collectionalamy-live-news-image248306224.html
Los Angeles, USA. 03rd June, 2019. LOS ANGELES, USA. June 03, 2019: Alexander Devore Avant at the premiere for 'The Black Godfather' at Paramount Theatre. Picture Credit: Paul Smith/Alamy Live News
Los Angeles, USA. 03rd June, 2019. LOS ANGELES, USA. June 03, 2019: Alexander Devore Avant at the premiere for 'The Black Godfather' at Paramount Theatre. Picture Credit: Paul Smith/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-usa-03rd-june-2019-los-angeles-usa-june-03-2019-alexander-devore-avant-at-the-premiere-for-the-black-godfather-at-paramount-theatre-picture-credit-paul-smithalamy-live-news-image248304586.html
Armes à feu, Pistolet Mauser C96, calibre 9mm Parabellum, no. 108304, aigle impérial de réception sur la face avant du magasin. Arme entièrement rebronzée, y compris les pièces primitivement jaunies. Complet avec son étui crosse en noyer veiné, numéro 344, garnitures métalliques repeintes. Première catégorie. Erwerbsscheinpflichtig., ,
Armes à feu, Pistolet Mauser C96, calibre 9mm Parabellum, no. 108304, aigle impérial de réception sur la face avant du magasin. Arme entièrement rebronzée, y compris les pièces primitivement jaunies. Complet avec son étui crosse en noyer veiné, numéro 344, garnitures métalliques repeintes. Première catégorie. Erwerbsscheinpflichtig., ,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-armes-feu-pistolet-mauser-c96-calibre-9mm-parabellum-no-108304-aigle-31679832.html
Los Angeles, USA. 03rd June, 2019. LOS ANGELES, USA. June 03, 2019: Jamie Foxx & Nicole Avant at the premiere for 'The Black Godfather' at Paramount Theatre. Picture Credit: Paul Smith/Alamy Live News
Los Angeles, USA. 03rd June, 2019. LOS ANGELES, USA. June 03, 2019: Jamie Foxx & Nicole Avant at the premiere for 'The Black Godfather' at Paramount Theatre. Picture Credit: Paul Smith/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-usa-03rd-june-2019-los-angeles-usa-june-03-2019-jamie-foxx-nicole-avant-at-the-premiere-for-the-black-godfather-at-paramount-theatre-picture-credit-paul-smithalamy-live-news-image248304483.html
Paris, France. May 8 2019. Guy Ritchie, Paris. Premiere of Aladdin, Grand Rex.
Paris, France. May 8 2019. Guy Ritchie, Paris. Premiere of Aladdin, Grand Rex.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paris-france-may-8-2019-guy-ritchie-paris-premiere-of-aladdin-grand-rex-image245839145.html
Los Angeles, CA, USA. 3rd June, 2019. guest, Nicole Avant, guest at arrivals for THE BLACK GODFATHER Premiere, Paramount Theater at Paramount Studios Lot, Los Angeles, CA June 3, 2019. Credit: Adrian Cabrero/Everett Collection/Alamy Live News
Los Angeles, CA, USA. 3rd June, 2019. guest, Nicole Avant, guest at arrivals for THE BLACK GODFATHER Premiere, Paramount Theater at Paramount Studios Lot, Los Angeles, CA June 3, 2019. Credit: Adrian Cabrero/Everett Collection/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-ca-usa-3rd-june-2019-guest-nicole-avant-guest-at-arrivals-for-the-black-godfather-premiere-paramount-theater-at-paramount-studios-lot-los-angeles-ca-june-3-2019-credit-adrian-cabreroeverett-collectionalamy-live-news-image248306304.html
A logo of Ford Mustang 2018 is seen during their avant-premiere in Sao Paulo, Brazil November 29, 2017. Picture taken November 29, 2017. REUTERS/Paulo Whitaker
A logo of Ford Mustang 2018 is seen during their avant-premiere in Sao Paulo, Brazil November 29, 2017. Picture taken November 29, 2017. REUTERS/Paulo Whitakerhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-logo-of-ford-mustang-2018-is-seen-during-their-avant-premiere-in-sao-paulo-brazil-november-29-2017-picture-taken-november-29-2017-reuterspaulo-whitaker-image373658562.html
June 8, 2011 - 55436060 Date 07 06 2011 Copyright Imago Panoramic Avant Premiere de beginners UN Film de Mike Mills Au Cinema MK2 Bibliotheque Mike Mills REALISATEUR GerardRoussel Panoramic PUBLICATIONxNOTxINxFRAxITAxBEL Entertainment Celebrities Film Film premiere Premiere Paris Portrait xng 2011
June 8, 2011 - 55436060 Date 07 06 2011 Copyright Imago Panoramic Avant Premiere de beginners UN Film de Mike Mills Au Cinema MK2 Bibliotheque Mike Mills REALISATEUR GerardRoussel Panoramic PUBLICATIONxNOTxINxFRAxITAxBEL Entertainment Celebrities Film Film premiere Premiere Paris Portrait xng 2011 https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-june-8-2011-55436060-date-07-06-2011-copyright-imago-panoramic-avant-42955763.html
Los Angeles, USA. 03rd June, 2019. LOS ANGELES, USA. June 03, 2019: Ted Sarandos & Nicole Avant at the premiere for 'The Black Godfather' at Paramount Theatre. Picture Credit: Paul Smith/Alamy Live News
Los Angeles, USA. 03rd June, 2019. LOS ANGELES, USA. June 03, 2019: Ted Sarandos & Nicole Avant at the premiere for 'The Black Godfather' at Paramount Theatre. Picture Credit: Paul Smith/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-usa-03rd-june-2019-los-angeles-usa-june-03-2019-ted-sarandos-nicole-avant-at-the-premiere-for-the-black-godfather-at-paramount-theatre-picture-credit-paul-smithalamy-live-news-image248304587.html
Paris, France. May 8 2019. Naomi Scott, Paris. Premiere of Aladdin, Grand Rex.
Paris, France. May 8 2019. Naomi Scott, Paris. Premiere of Aladdin, Grand Rex.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paris-france-may-8-2019-naomi-scott-paris-premiere-of-aladdin-grand-rex-image245844720.html
YSEULT - AVANT-PREMIERE DU FILM 'CENDRILLON' AU GRAND REX Photo by Nasser Berzane/ABACAPRESS.COM
YSEULT - AVANT-PREMIERE DU FILM 'CENDRILLON' AU GRAND REX Photo by Nasser Berzane/ABACAPRESS.COMhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yseult-avant-premiere-du-film-cendrillon-au-grand-rex-photo-by-nasser-berzaneabacapresscom-image391843036.html
Los Angeles, CA, USA. 3rd June, 2019. Jamie Foxx, Nicole Avant at arrivals for THE BLACK GODFATHER Premiere, Paramount Theater at Paramount Studios Lot, Los Angeles, CA June 3, 2019. Credit: Adrian Cabrero/Everett Collection/Alamy Live News
Los Angeles, CA, USA. 3rd June, 2019. Jamie Foxx, Nicole Avant at arrivals for THE BLACK GODFATHER Premiere, Paramount Theater at Paramount Studios Lot, Los Angeles, CA June 3, 2019. Credit: Adrian Cabrero/Everett Collection/Alamy Live Newshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/los-angeles-ca-usa-3rd-june-2019-jamie-foxx-nicole-avant-at-arrivals-for-the-black-godfather-premiere-paramount-theater-at-paramount-studios-lot-los-angeles-ca-june-3-2019-credit-adrian-cabreroeverett-collectionalamy-live-news-image248306300.html
Jockeys ride their horses during the avant-premiere of Ford Mustang 2018 in Sao Paulo, Brazil November 29, 2017. Picture taken November 29, 2017. REUTERS/Paulo Whitaker
Jockeys ride their horses during the avant-premiere of Ford Mustang 2018 in Sao Paulo, Brazil November 29, 2017. Picture taken November 29, 2017. REUTERS/Paulo Whitakerhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jockeys-ride-their-horses-during-the-avant-premiere-of-ford-mustang-2018-in-sao-paulo-brazil-november-29-2017-picture-taken-november-29-2017-reuterspaulo-whitaker-image372377769.html
Frankfurt, Germany, Sep 2019 new Audi A4 allroad Avant 40 TDI quattro at IAA, Fifth generation, B9, Typ 8W, car produced by Audi AG
Frankfurt, Germany, Sep 2019 new Audi A4 allroad Avant 40 TDI quattro at IAA, Fifth generation, B9, Typ 8W, car produced by Audi AGhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frankfurt-germany-sep-2019-new-audi-a4-allroad-avant-40-tdi-quattro-at-iaa-fifth-generation-b9-typ-8w-car-produced-by-audi-ag-image327968336.html
August 8, 2019, Los Angeles, CA, USA: LOS ANGELES - AUG 8: Clarence Avant at the ''Hitsville: The Making Of Motown'' Premiere at the Harmony Gold Theater on August 8, 2019 in Los Angeles, CA (Credit Image: © Kay Blake/ZUMA Wire)
August 8, 2019, Los Angeles, CA, USA: LOS ANGELES - AUG 8: Clarence Avant at the ''Hitsville: The Making Of Motown'' Premiere at the Harmony Gold Theater on August 8, 2019 in Los Angeles, CA (Credit Image: © Kay Blake/ZUMA Wire)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/august-8-2019-los-angeles-ca-usa-los-angeles-aug-8-clarence-avant-at-the-hitsville-the-making-of-motown-premiere-at-the-harmony-gold-theater-on-august-8-2019-in-los-angeles-ca-credit-image-kay-blakezuma-wire-image263619681.html
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Treasury of Valid Reasoning (Tib. ཚད་མ་རིགས་གཏེར་, Wyl. tshad ma rigs gter) is a classic work on logic and epistemology (Skt. pramana) by the great Sakya Pandita. It was held to be of such importance that it was translated into Sanskrit and used by contemporary Indian logicians. The work was intended to refute the assertions of earlier Tibetan masters, especially Chapa Chökyi Sengé.
Zoltán Horváth, 'Structure and Content of the Chad-ma rigs-pa'i gter, An Epistemological Treatise of Saskya Pandita' in Louis Ligeti (ed.), Tibetan and Buddhist Studies Commemorating the 200th Anniversary of the Birth of Alexander Csoma de Korös. Budapest: Akadémiai Kiadó, 1984.
David P. Jackson, 'Commentaries on the Writings of Sa skya Pandita: A Bibliographical Sketch' in The Tibet Journal, Vol.VIII, No.3, Autumn 1983.
Leonard W. J. van der Kuijp, 'Tibetan Contributions to the 'Apoha' Theory: The Fourth Chapter of the Tshad-ma Rigs-pa'i gter' in Journal of the American Oriental Society, 1979, pp. 408-422.
Leonard W. J. van der Kuijp. Contributions to the Development of Tibetan Buddhist Epistemology from the Eleventh to the Thirteenth Century. Wiesbaden, Germany: Franz Steiner Verlag, 1983.
This page was last edited on 13 April 2018, at 18:43.


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Category - Car Reviews
Car Reviews • Coffee Break
Brake Light Blacklist – 6 Things to Avoid When Buying a Car
Buying a car can be both exciting and terrifying. We all know people who have horror stories about buying a car that turns out to be a dud, just in time for the original owner to mysteriously disappear. Ideally, we would all like to be able to buy a...
Getting Into The Business Of Vehicle Recovery
In five years, the tow truck business has grown and for five years in the future, it's expected to continue growing even further. As our society relies hugely on cars, there will always be a need for the emergency services to help drivers when they...
Could You Be Breaking The Law On The Road?
The responsibility of car ownership can be exhausting at times. You've most likely come across bumps in the road, both literally and figuratively, but perhaps these were only small incidents. Perhaps you're efficient when it comes to maintaining...
Cool Improvements To Get More Out Of Your Motorcycle
Pixabay Image Cars aren't the only way to get around! In fact, there are many motorcycle lovers out there. It gives you more freedom, it's cheaper than a car, and it's just a lot more fun. Perhaps you're already a motorbike enthusiast, or maybe...
How Young Drivers Can Cut the Costs Associated with Hitting the Road
As a young person, getting on the road and driving can be costly. Ideally, you won't want to be spending too much on this. Most young people don't have a huge amount of money at their disposal in the first place. So, every penny that is saved has...
Car Developers Are Now Favouring Tech Over Performance
Image Source You probably think of your car as a machine or maybe just a vehicle. But actually, if you investigate it a little more closely you'll see it's more like a computer. After all, there's a lot of tech under the hood and even on the dash...
Pricing And Specification For New Mercedes-Benz C-Class Cabriolet Revealed
The new Mercedes-Benz C-Class Cabriolet is now available to order, priced from £36,200 OTR. First UK deliveries will arrive in September. The C-Class Cabriolet comes in two trim lines, Sport and AMG Line, and with a choice of six engines.
BUDD-e Fascinates China
BUDD-e, the 2016 CES show car, is touring China as an ambassador for e-mobility. With the concept car Volkswagen is presenting the next generation of electrically powered vehicles to Chinese motorists live in their own locality. The zero-emission...
BMW Continues Its Winning Streak
The BMW 5 Series has once again trumped its competition and been named Most Popular Large Premium Car at 2016 Honest John Awards. Despite having been on sale for longer than many of its competitors, it has generated more page views than any other...
McLaren Special Operations Creates Limited Edition MSO Carbon Series LT
McLaren Special Operations, the bespoke division of McLaren Automotive, has announced the creation of the MSO Carbon Series LT. Strictly limited to 25 units globally – all already sold – and based on the 675LT Spider, the Carbon Series LT has been...

redpajama_set_name: RedPajamaCommonCrawl


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Leonardo, Homosexuality, and Sublimation
By Neel Burton | January 5, 2012 February 14, 2012
The Italian renaissance polymath Leonardo da Vinci, who is currently the focus of the art world, arguably sublimed his homosexuality into his art.
Leonardo never showed any interest in women and even wrote that heterosexual intercourse disgusted him. Perhaps unsurprisingly, he never married, and chose instead to surround himself with beautiful young men, in particular Salai (a nickname meaning 'little devil') and Melzi, both of whom Leonardo included in his last will. In 1476, at the age of 24, Leonardo was twice charged with sodomy, even though the charges were dropped for want of witnesses.
As in his life so in his art: Leonardo drew many more male than female nudes, and gave much more careful attention to the male sexual organs. Many of the figures in his paintings appear androgynous, especially the John the Baptist (pictured) who, complete with the fine curls of Salai, looks nothing like the biblical cousin of Jesus and everything like Salai or, indeed, Mona Lisa. There is also a drawing entitled The Incarnate Angel from the school of Leonardo that appears to be a humorous take on the John the Baptist, depicting John (and therefore Salai) with an erect phallus. Salai's name is even inscribed – and has at some point been crossed out – on the back of the picture.
Then, in the famous Last Supper, Leonardo painted a female figure, often interpreted as Mary Magdalen, in the privileged position to the immediate right of Jesus. However, it is generally understood that it is in fact St John who occupied this position. In the Bible, John 13:23, it is written (presumably by John himself), 'Now there was leaning on Jesus' bosom one of his disciples, whom Jesus loved.' And again at 21:20, 'Then Peter, turning about, seeth the disciple whom Jesus loved following; which also leaned on his breast at supper, and said, Lord, which is he that betrayeth thee?' In his Spritual Friendship, St Aelred, Abbot of Rievaulx in the 12th century, contrasts St John with St Peter. To Peter, he says, Jesus gave the keys to his kingdom, but to John 'he revealed the secrets of his heart'. 'Peter … was exposed to action, John was reserved for love.' Whatever the relationship between Jesus and St John, for Leonardo to have placed a female figure in the place of St John, all the more in a painting of the Last Supper designed for the dining hall of a monastery[1], might be thought of as rather more than just a mistake.
Adapted from Hide and Seek: The Psychology of Self-Deception.
[1] The monastery of Santa Maria delle Grazie in Milan.
Posted in Psychiatry/psychology and tagged as At Aelred, ego defenses, homosexuality, John the Baptist, Leonard de Vinci, Leonardo, Leonardo da Vinci, Leonardo da Vinci exhibition, Leonardo exhibition, mature ego defenses, Melzi, Mona Lisa, painter at the court of Milan, Salai, Santa Maria delle Grazie, Spiritual Friendship, St John, St Peter, sublimation, The Incarnate Angel.
Duane Powers says:
What an interesting article! I've always felt myself at ease around gays and drawn to their artistic sensibilities and hunger for spiritual connection, for the eyes of a father who sets them at ease with love and blessing and affection. Having a gay brother, I use to think there must be a gay gene. That was until I came across the writings of Leanne Payne and Jeffrey Satinover. The two help me to see the symbolic and scientific explanations in ways that have liberated me to love more deeply, because I can love with more understanding now.
I look forward to reading more of your articles as I find the time.
Forgot to mention you might try the Chilean Cab-merlot blend by Vina Maipo. Inexpensive and sublime. 🙂


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IFP ExclusivePoliticsForeign PolicyWorldMiddle EastSelected
Iran Hails Syria's Successful Parliamentary Elections
'Iran, Syria discussed activating strategic economic cooperation deal'
Minister: Iran, Syria to establish joint free zone
Iran calls for implementation of agreements with Syria
Iranian Foreign Ministry Spokesman Seyyed Abbas Mousavi has expressed the Islamic Republic's pleasure with the successful holding of parliamentary elections in Syria.
In a statement on Monday, Mousavi said the elections were held at a time when Syrian people have suffered many pains and hardships because of the conflicts and damages imposed on them by the acts of terrorist groups, the presence of foreign occupying forces, and cruel unilateral sanctions.
"The Islamic Republic of Iran is hopeful that the parliamentary elections in Syria would be a positive step towards peace, stability, and progress of Syrian-Syrian political talks, and a relief for the pains of Syrian people," he added.
On Sunday, Syrians voted to elect a new parliament, including, for the first time in years, in former rebel bastions.
More than 7,400 polling stations opened at 7:30 a.m. local time (0430 GMT) on Sunday, including in former militant strongholds of Eastern Ghouta, east of central Damascus, and the southern countryside of the northwestern Idlib province.
President Bashar al-Assad's Baath party and his allies are expected to win most of the parliament's 250 seats in the third such polls to be held in Syria ever since foreign-sponsored militancy broke out in March 2011. The two previous polls were staged in May 2012 and April 2016 respectively. In the last legislative elections in 2016, turnout stood at 57.56 percent.
Iran-Syria Relations Relations
Seyyed Abbas Mousavi
Syria Peace Talks
Previous article240,000 COVID-19 Patients Released from Hospital after Full Recovery: Iran
Next articleA Look at Iranian Newspaper Front Pages on July 20


Emerging from the depths of a two year hiatus, LA noise-rock trio Froth return with a new album, and a new fuzzed-out track, Laurel. The music video was created by Courtney Garvin of the Courtneys, and appropriates a proper '90s feel; with VHS cuts, and zany cartoons, it coalesces with the dazed track to create a muzzy 3 minutes.
The trio have spent their time engaging in a pragmatic studio vision, with their new album 'Duress' due for release June 7th. The new record forays psychedelia, shoegaze, and post-punk influences to create a spaced-out and blown-out sound. The guitars in Laurel, for example, sound like they've been ran through a struggling 20 year old speaker. This more autonomous and old-school approach renders the band a scuzzy project of outright cool musicianship. Needless to say, 'Duress' will be their way back in.
Head over to Froth's website to pre-order 'Duress', out June 7th.


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Universal's 'Emma' Available for Purchase in May
John Latchem
Universal Pictures Home Entertainment will release the latest remake of Emma. for digital purchase May 5, and on Blu-ray Disc and DVD May 19. The film is available now for premium digital rental.
Jane Austen's 19th-century comedy on misguided matchmaking and romantic mishaps chronicles the privileged but well-meaning young Emma Woodhouse (Anya Taylor-Joy), a restless "queen bee" without rivals in her sleepy little English town. In this glittering satire of social class, Emma must navigate her way through the challenges of growing up, misguided matches and romantic missteps to realize the love that has been there all along.
The cast includes Johnny Flynn, Bill Nighy, Mia Goth, Josh O'Connor, Miranda Hart, Callum Turner, Tanya Reynolds, Connor Swindells, Rupert Graves and Gemma Whelan.
Extras include deleted scenes; a gag reel; commentary with director Autumn de Wilde, screenwriter Eleanor Catton and cinematographer Christopher Blauvelt; and the behind-the-scenes featurette "A Playful Tease."
Extras exclusive to the Blu-ray and digital versions include the featurette "Crafting a Colorful World," in which the cast and crew discuss the gorgeously preserved locations, extravagant set dressing, and authentic Regency costumes featured in the film; and "The Autumn Gaze," an intimate look at director Autumn de Wilde's filmmaking process and her photographic eye.
Latest 'Tremors' Sequel Due May 1
The next chapter of the cult-hit "Tremors" franchise, Tremors: A Cold Day in Hell, arrives on Blu-ray, DVD, Digital HD and on demand May 1 from Universal Pictures Home Entertainment. Michael Gross ("Family Ties," "Suits") returns as Burt Gummer, along…
Unrated 'Fifty Shades Freed' Coming to Digital April 24, Disc May 8
Universal Pictures Home Entertainment will release Fifty Shades Freed through digital retailers April 24, and on Blu-ray, DVD and 4K Ultra HD Blu-ray May 8. The conclusion to the "Fifty Shades" trilogy stars Jamie Dornan and Dakota Johnson as newlyweds…
'Greta' Coming to Digital May 14, Disc May 28 From Universal
The psychological thriller Greta will arrive on digital (including Movies Anywhere) May 14 and Blu-ray, DVD and on demand May 28 from Universal Pictures Home Entertainment. The film follows a caring young woman who befriends a widow with a dark…
HBO's 'Paterno' Available on Digital May 7
The HBO Film Paterno, starring Al Pacino as the legendary Penn State football coach, will be available for digital download May 7. The film follows events surrounding Paterno and the aftermath of his assistant coach Jerry Sandusky's sexual abuse scandal. After becoming…


I am not a "go with the flow" kind of woman. Allow me to illustrate.
So to say I like to organize and plan is really an understatement.
But after being pregnant for 16 weeks (today!) I am beginning to realize that NOTHING is going to go according to plan, and we can plan all we want to.. but in observing my very organized friends who are parents (you know who you are!) I watch them have to "flex" and "change" all the time.. so I guess I need to think about that being something to adopt.
As you can see, in looking back at all those events, some "going with the flow" was required and it's important to note, the planning was NOT infallible so I suppose "flow" is not all bad and in anticipation of becoming a parent, the adoption of some "flow" wouldn't be the worst thing in the world.
Next postFrench fries and other highs..


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Author Archives: jose
About jose
José Arnulfo Cabrera is one of two NETWORK Government Relations Associates. He works with NETWORK's Lobby team and coalitions to advocate to advance federal policies inspired by Catholic Social Justice. José graduated from Xavier University May of 2018 with a degree in Entrepreneurship and a Minor in Justice and Peace Studies. While at Xavier, he worked at Intercommunity Justice and Peace Center as the Immigration Program Organizer where he organized the Youth Educating Society, YES, group. Where he finds inspiration for his work: •	Rallies •	Listening to the stories of those affected by the issues NETWORK advocates for •	Learning and hearing about past movements that fought for justice and liberation What he enjoys doing outside of work: •	Watching movies •	Going to museums •	Hiking Originally from: José was born in Veracruz, Mexico but grew up in Cincinnati, Ohio Why he likes being in DC: To be an Associate at NETWORK! Oh, and I guess chase after my dream? ¯\_(ツ)_/¯ Follow him on Twitter: @josecabrera95
Funding the First Step Act: Critical Programs for Criminal Justice Reform
Invitation to Congress: Marriage of TPS and DREAM
Two Shutdowns Over Immigration Policies
Our System of Mass Incarceration: Seeing the Parallels between Black Americans and Immigrants
Respecting Creation: How to Navigate the NAFTA Renegotiation


What Is Velocidad and Why Did We Create It?
Velocidad is a media accelerator program for Latin America. Its goal is to promote the sustainability and growth of local journalism projects that are either digital native media or have a growth strategy focused on digital media. All candidates must have high journalistic integrity and editorial independence, and must cover topics that serve the public interest. The International Center for Journalists (ICFJ) and SembraMedia will conduct an exhaustive four-stage selection process through which we will choose up to 10 media outlets that meet the application criteria.
These 10 news organizations will receive grants, plus six months of intensive mentoring and training. Depending on the results, up to six of these news projects will receive additional funding as well as strategic and tactical support for another year. The entire program will provide 18 months of acceleration.
What Does It Mean to Accelerate Media?
The main purpose of this accelerator program is to promote business models so that independent media outlets are able to generate new sources of income and achieve a level of sustainability that will allow them to continue producing journalism that makes an impact on society.
The selected media outlets will receive an initial investment to strengthen their sustainability. They will also receive strategic and tactical consulting services from more than 30 experts to help them develop action plans, gain access to new technologies, and help them develop more innovative and successful businesses.
How Does the Latin American Digital Media Ecosystem Benefit?
Velocidad is not the end of media acceleration—it is just the beginning. Our main focus is to strengthen the emerging journalism community in Latin America. To contribute to a more dynamic and collaborative ecosystem, we will establish strategic networks between the accelerated digital media and other independent media outlets in the region.
Thanks to Velocidad, we hope to learn valuable lessons that we will then share with the community. Velocidad is also designed to capture the attention of organizations and investors, and redirect them to the region's newest. Our goal is to inspire and promote news outlets/projects that produce quality, sustainable journalism.


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UFC denies Jeff Molina release after he was removed from rankings, provides clarification
UFC flyweight contender Jeff Molina is said to have had 'significant involvement' in a betting organization that is the subject of federal investigations.
At a Tuesday hearing of the Nevada State Athletic Commission, Nevada deputy attorney general Joel Bekker spoke in detail about Molina's potential role in the betting scam.
❌ Fighter removed: Jeff Molina
— UFC Roster Watch (@UFCRosterWatch) January 17, 2023
The NSAC temporarily suspended Molina last month without giving a reason. Suspicions that Molina has been released from the company have grown because the suspension was extended on Tuesday until the completion of current investigations. According to Marc Raimondi's most recent research for ESPN MMA, Molina hasn't yet been released by the UFC.
The Nevada State Athletic Commission's investigation is ongoing. According to the most recent reports, the results will decide Jeff Molina's future with the UFC:
"Jeff Molina has not been released by the UFC, contrary to reports earlier Tuesday. The UFC told ESPN in a statement that the promotion "will not schedule [Molina] for any bouts, whether in Nevada or elsewhere, pending the outcome of the commission's investigation."
Jeff Molina has not been released by the UFC, contrary to reports earlier Tuesday. The UFC told ESPN in a statement that the promotion "will not schedule [Molina] for any bouts, whether in Nevada or elsewhere, pending the outcome of the commission's investigation."
— Marc Raimondi (@marcraimondi) January 18, 2023
The statement that was released to ESPN MMA also stated:
"More from the UFC statement: "UFC's Athlete Code of Conduct strictly prohibits fighters and members of their teams from wagering on UFC events, and the UFC will take all necessary action to enforce that policy."
As the company works to enforce and uphold its policy prohibiting fighters and members of their teams from betting on UFC events, the UFC is committed to providing full support to the investigating authorities.
The Nevada Athletic Commission suspended MMA fighter-turned-coach James Krause and two of his athletes, Darrick Minner and Jeff Molina. The Nevada Athletic Commission had earlier banned Molina for an undisclosed cause. Minner was suspended for "failure to notify (the commission) of an injury in connection with his bout on November 5, 2022."
The role of Jeff Molina in the betting syndicate run by James Krause is being looked into by the Nevada State Athletic Commission. Molina won't be able to fight while the investigation is ongoing, but the UFC is committed to working with the commission.
Sean O'Malley roasts Paddy Pimblett after massive weight gain: "Bro, this blew my mind, how fat he looked"


A Brief Introduction to the Core Purpose and Principles of An Organization Dedicated to Fighting the Failed War on Drugs and the Opioid Crisis on The Eastern Shore.
Maybe you heard, saw, or read the news? Adam has rented a house in Salisbury, Maryland to help unseat tyrant Rep. Andy Harris (R-MD). The photograph above was taken at the Wicomico County Board of Elections and shows Adam and his housemate Kris registering to vote in Maryland.


text:
Bobărești falu Romániában, Fehér megyében. Közigazgatásilag Aranyosszohodol községhez tartozik.

1956-tól a népesség alábbiak szerint alakult:

Korábban Aranyosponor része volt.

Jegyzetek

Források

Fehér megye települései

redpajama_set_name: RedPajamaWikipedia


The Enforcement Directorate had provisionally attached the immovable asset, located on a 12-bigha in south Delhi's Bijwasan area, last September under the Prevention of Money Laundering Act. The farmhouse was purchased 'using Rs 1.2 crore involved in money laundering in 2008-09', according to the ED.
A designated PMLA authority has held that a Delhi farmhouse, attached by the Enforcement Directorate in the name of RJD chief Lalu Prasad's daughter Misa Bharti and her husband, is "involved" in money laundering and ordered that the attachment of the asset should continue.
The central probe agency had provisionally attached the immovable asset, located on a 12-bigha in south Delhi's Bijwasan area, in September last yearunder the Prevention of Money Laundering Act (PMLA).
"Considering the material (filed) in the original complaint (by the Enforcement Directorate)... I find the property provisionally attached is involved in money laundering.
"I, therefore, hereby confirm the attachment of the property... and order that the said attachment shall continue during the pendency of the proceedings related to the offence under the PMLA before a court and become final after an order of confiscation is passed by the special court," therecent order issued by Member (Law) of the Adjudicating Authority of the PMLA, Tushar V Shah, said.
The property belongs to Misa Bharti and husband Shailesh Kumar and is held in the name of Ms Mishail Packers and Printers Pvt Ltd, the central probe agency had said.
It had also arrested an accountant, Rajesh Agrawal, who mediated and provided a cash amount of Rs 90 lakh to the Jain brothers in advance so as to invest in Ms Mishail Packers and Printers Pvt Ltd as share premium".
The company, Mishail Packers and Printers, was registered at the address 25, Tughlak Road, New Delhi till the shares were bought by Misa Bharti.
It was only during the year 2009-10 that the address was changed to farm no 26 Palam Farms, VPO Bijwasan, New Delhi. Bharti and Kumar were the directors of the company during the relevant period, the ED had claimed.
The agency said the Jain brothers, accountant Agrawal and the daughter and the son-in-law of the former Bihar chief minister were the key persons behind the money laundering of Rs 1.20 crore.


text:
Regions | Alphabetically | Nationality | Timelines | Topics | Glossary
Edward (the Confessor)
God's Peace and King's Peace: The Laws of Edward the Confessor
(Bruce R. O'Brien)
Middle Ages Series
The Life of Saint Edward, King and Confessor
(Aelred, Jerome Bertram (Translator))
When Henry II came to the throne of England, he was hailed as the one who brought to an end the divisions caused by the Norman conquest, for both the Saxon and Norman royal lines met in him. To promote this newfound unity, the cult of King Edward the Confessor was promoted, culminating in his canonization in 1161. Shortly afterwards, on October 13, 1163, the new saint's body was solemnly enshrined in Westminster Abbey. On this occasion the honor of preparing the sermon was given to Aelred, the revered Abbot of Rievaulx. On the same occasion, Aelred undertook to write the life of St. Edward, and this is the text now first presented in English.
Witenagemot in the Reign of Edward the Confessor
(Tryggvi J. Oleson)
A Study in the Constitutional History of Eleventh Century England
Yale English Monarchs - Edward the Confessor
(Frank Barlow, J.J. Scarisbrick (Editor))


War of the Rebellion: Serial 012 Page 0463 Chapter XXIII. BATTLE OF WILLIAMSBURG,VA.
1st. That the ravine at C was impracticable for artillery designated to be put into position on the enemy's plateau at this point, and that it would be difficult to get a battery into position on our side of the ravine in consequence of the large number of trees we would be obliged to fell to unmask it; besides, I had serious doubts whether the battery so placed would prove sufficient, in consequence of the crest of the ravine toward the enemy being higher than the one on our side.
2nd. That our troops had better be passed to the front either up the road or around through the woods, instead of through the entanglement.
The last conclusion or supposition I communicated to the brigadier- general commanding on his arrival. At about 2 p.m. the directed me to pass around to the enemy's right and see what chances existed of turning his position. I retreated the Hampton road to E, passed Averell's cavalry at F (his pickets were some distance in advance),and went far enough up the road on Allen's estate to derive the conclusion that the opening where the enemy's works were and that on Allen's estate were either continuous or very near together, and that a movement around them might be decisive. This conclusion proves to have been partly erroneous (see sketch), the two openings being separated by woods more than a mile across, and two small streams, branches of the Achershape, and connected by a good straight road, G H (see sketch), unobstructed, passing through the woods and crossing the two streams upon mill-dams in perfect order. This conclusion I immediately reported to the general.


Following Nvidia's launch of the new GP108-based Geforce GT 1030 graphics card, EVGA has unveiled its offering in the form of three versions, all of which come with 2GB of GDDR5 memory.
Scheduled to launch tomorrow, on May 17th, the Geforce GT 1030 will be a 35W TDP graphics card aimed at the entry-level market.
Nvidia's response to Radeon RX 550 is launching soon and the picture of the new GP108-300 Pascal GPU has already come up online with the Geforce GT 1030 benchmark in tow.
According to the latest reports, Nvidia is apparently working on an entry-level SKU, named the GT 1030, which should be based on a new 14nm GP108 Pascal GPU.


text:
namespace content {

class BrowserAccessibilityAndroid : public BrowserAccessibility {
 public:
  // Overrides from BrowserAccessibility.
  virtual void PostInitialize() OVERRIDE;
  virtual bool IsNative() const OVERRIDE;

  bool IsLeaf() const;

  bool IsCheckable() const;
  bool IsChecked() const;
  bool IsClickable() const;
  bool IsEnabled() const;
  bool IsFocusable() const;
  bool IsFocused() const;
  bool IsPassword() const;
  bool IsScrollable() const;
  bool IsSelected() const;
  bool IsVisibleToUser() const;

  const char* GetClassName() const;
  string16 GetText() const;

  int GetItemIndex() const;
  int GetItemCount() const;

  int GetScrollX() const;
  int GetScrollY() const;
  int GetMaxScrollX() const;
  int GetMaxScrollY() const;

  int GetTextChangeFromIndex() const;
  int GetTextChangeAddedCount() const;
  int GetTextChangeRemovedCount() const;
  string16 GetTextChangeBeforeText() const;

  int GetSelectionStart() const;
  int GetSelectionEnd() const;
  int GetEditableTextLength() const;

 private:
  // This gives BrowserAccessibility::Create access to the class constructor.
  friend class BrowserAccessibility;

  BrowserAccessibilityAndroid();

  bool HasFocusableChild() const;
  bool HasOnlyStaticTextChildren() const;
  bool IsIframe() const;

  void NotifyLiveRegionUpdate(string16& aria_live);

  string16 cached_text_;
  bool first_time_;
  string16 old_value_;
  string16 new_value_;

  DISALLOW_COPY_AND_ASSIGN(BrowserAccessibilityAndroid);
};

}  // namespace content

#endif // CONTENT_BROWSER_ACCESSIBILITY_BROWSER_ACCESSIBILITY_ANDROID_H_

redpajama_set_name: RedPajamaGithub


Before they became a writing team, Darren Ruddell and Seamus Hilley individually won the prestigious Laughing Horse stand-up comedy (Darren), and The Channel Four sitcom competition (Seamus). Since joining forces they have had a short film produced by Channel Four and had a number of scripts optioned by Talkback and CPL Productions. Their innovative work for Serious Comedy has brought them commissions from numerous organisations, everyone from Lewisham Council to Virgin Media and school children all over the country have grown to love their funny, irreverent take on topics ranging from scooter safety to ecological education. They are based in London.


I know you posted this months ago but was wondering if you had any left.
Hello people I'm back ;) its been 5 years or something and I've traveled half way around Australia. I think its time to get a serious collection again I've still got some going couldn't give it up all together but now its time for more again.
Hi its been awhile but im keen to try n find a bush doof crew round broome could anyone point me in the direction of a good crew?


Whether you're interested in using our resources, becoming a Digital Schoolhouse Lead Teacher or booking a workshop for your school, we invite you to explore the many ways in which you can get involved in the programme.
Digital Schoolhouse couldn't exist without the passion, commitment and talent of it's Digital Schoolhouse Lead teachers.
The heart of Digital Schoolhouse lies within its workshops. This is the frontline for delivering the programme's mission and for realising its values. We'd love for you to join us.
Digital Schoolhouse has developed free adaptable resources, written in a cross-curricular, creative approach, for primary school teachers to use.
All Digital Schoolhouse Lead Teachers provide personalised support after a workshop, to help visiting teachers embed computing into their own school curriculum.


Buying a car as a single woman can be scary, but with the right apps, you'll know what to do!
Avoid mistakes and embarrassment. Know what you can afford, what you should pay and how to negotiate the car of your dreams.
If you need to Finance a car, pay close attention to your credit score. Lenders use it to determine the rate you'll get on a loan or whether you'll be able to get a loan at all. Those with higher scores generally receive a better rate.
Once you know your credit score you'll be able to decide ahead of time what you can actually afford. Maybe you'll buy a new car, maybe it will be a used car. These apps for loan calculators make it super easy.
One important factor many drivers don't consider when buying a car is the insurance rates. Don't forget it's important to think about car insurance rates before you make your purchase.
It's usually better to sell rather than trade in. Dealers never pay top dollar, they pay well below market value for your trade. It's smart to try to sell your own used car at the market price, and it's really easy to check out what your car is worth. You can check out used car prices online and with a Used Car Finder app. Knowing used car values and used car prices near you will make selling your car that much easier.
It's always smart to decide what you want before you go shopping. Go online or read an auto magazine and to help you decide what car you want. Think about your driving habits, financial situation, lifestyle and then narrow down your search for a car that fits your needs. Check out new and used car values carefully with a car buying app before deciding.
Once you know the car, start scouting out dealerships. Did you know you can check out reviews for new and used car dealerships with an app to help you decide which dealership best will meet your needs.
Haggle tough and be a strong negotiator. Many women might not be familiar or even comfortable with the negotiating process. In fact some women aren't even aware that negotiating is possible. So keep this in mind, to get the best price possible you must negotiate! And never assume that the price quoted to you is the lowest price the dealer will accept.
A smart negotiator always knows how much time to spend negotiating. And a smarter negotiator is always prepared to walk away when the negotiation isn't progressing.
You've done the homework and you're prepared. Make your car buying experience a good one. Take the first step now.
Our unique algorithm scoured the App Store and Google Play Store by searching . From there, we retrieved a total of 0 unique apps as potential candidates.
We then selected the highest quality apps from the 0 apps listed. We compared the number of stars, downloads, and reviews along with the velocity of these apps to create a list of the .
Finally, our editorial team spent tens of hours checking every single listed app on our Best 10 list, comparing these apps and their features, to come up with the Buying a Car Without a Man! 5 Apps for Smart Women just for you!


text:
Q: Pygame 2 problem with collisions in first portfolio game I have created this account only to ask this question :D I am learning python and for my portfolio I am trying to create some game in OOP approach in python.
I have a problem with collisions and I don't even know how to check where the mistake is.
When player's bullets go offscreen, they disappear as they should and there is a limiter for max of 3 bullets. So I guess this part is good for sure.
But when bullet's rect meets green alien's rect, it doesn't disappear nor reduce alien's hp, because alien doesn't disappear...
I am already so frustrated, because this bug stopped me for 2 days... I have my game in 2 files: main.py and static.py for images, classes etc.
I think there is a problem in section #PLAYER'S BULLET BEHAVIOR in Main.py
Please, help :)
Ps. I use VSC if it matters
THIS IS MY Main.py:
import pygame as pg
from static import *

pg.init()

# ------------- BACKGROUND AND LVL SETTINGS ------------- #
bg1 = Background(bg_img1scaled)
lvl = 1
red_enemies_count = 5
green_enemies_count = 5

# ------------- ENEMIES SETTINGS ------------- #
redEnemyList = [RedEnemy() for _ in range(red_enemies_count)]
greenEnemyList = [GreenEnemy() for _ in range(green_enemies_count)]

# ------------- GAME LOOP ------------- #
clock = pg.time.Clock()
run = True
while run:
    # FPS HANDLER
    clock.tick(FPS)

    # EVENT HANDLER
    for event in pg.event.get():
        if event.type == pg.QUIT:
            run = False
        if event.type == pg.KEYDOWN:
            if event.key == pg.K_SPACE and len(p_bulletList) < 3:
                p_bulletList.append(P_Bullet())

        # ENEMY BEHAVIOR
    for red_enemy in redEnemyList:
        if red_enemy.x > 0 and red_enemy.x + red_enemy.img_width < WIDTH:
            red_enemy.x += red_enemy.speed
        if red_enemy.x + red_enemy.img_width >= WIDTH or red_enemy.x <= 0:
            red_enemy.speed = -red_enemy.speed
            red_enemy.x += red_enemy.speed

    for green_enemy in greenEnemyList:
        if green_enemy.x > 0 and green_enemy.x + green_enemy.img_width < WIDTH:
            green_enemy.x += green_enemy.speed
        if green_enemy.x + green_enemy.img_width >= WIDTH or green_enemy.x <= 0:
            green_enemy.speed = -green_enemy.speed
            green_enemy.x += green_enemy.speed
        if green_enemy.hp == 0:
            greenEnemyList.remove(green_enemy)

        # PLAYER'S BULLETS BEHAVIOR
    for bullet in p_bulletList:
        bullet.y -= P_BULLET_SPEED
        if bullet.y <= 0:
            p_bulletList.remove(bullet)

        if bullet.rect.colliderect(green_enemy.rect):
            green_enemy.hp -= 1
            p_bulletList.remove(bullet)

        # PLAYER MOVEMENT
    key_pressed = pg.key.get_pressed()
    if key_pressed[pg.K_UP] and (player_rect.y > 0):
        dy = -P_SPEED
        player_rect.y += dy
    if key_pressed[pg.K_DOWN] and (player_rect.y < HEIGHT - player_rect.height):
        dy = P_SPEED
        player_rect.y += dy
    if key_pressed[pg.K_LEFT] and (player_rect.x > 0):
        dx = -P_SPEED
        player_rect.x += dx
    if key_pressed[pg.K_RIGHT] and (player_rect.x < WIDTH - player_rect.width):
        dx = P_SPEED
        player_rect.x += dx

    # DISPLAY HANDLER
    window.fill(BLACK)
    bg1.draw_bg(window)

    for red_enemy in redEnemyList:
        red_enemy.draw_enemy(window)

    for green_enemy in greenEnemyList:
        green_enemy.draw_enemy(window)

    draw(window, player_scaled, player_rect)
    for bullet in p_bulletList:
        bullet.draw_bullet(window)

    pg.display.update()

pg.quit()

THIS IS MY Static.py:
import pygame as pg
import random

# ------------- COLORS ------------- #
BLACK = 0, 0, 0
WHITE = 255, 255, 255
RED = 255, 0, 0
GREEN = 0, 255, 0
BLUE = 0, 0, 255

# ------------- SCREEN SETTINGS ------------- #
WIDTH = 1200
HEIGHT = 800
window = pg.display.set_mode((WIDTH, HEIGHT))
FPS = 60

# ------------- IMAGES ------------- #
bg_img1 = pg.image.load('images/backgrounds/background_0.png')
bg_img1scaled = pg.transform.scale(bg_img1, (WIDTH, HEIGHT)).convert_alpha()

player_img = pg.image.load('images/player/player_ship.png')
player_scaled = pg.transform.scale(player_img,
                                   (player_img.get_width() * 0.5, player_img.get_height() * 0.5)).convert_alpha()

# ------------- PLAYER SETTINGS ------------- #
player_rect = player_scaled.get_rect()
player_rect.center = (WIDTH // 2, HEIGHT - player_rect.height // 2)
p_width = player_rect.width
p_heigh = player_rect.height
P_SPEED = 6
dx = 0
dy = 0
P_BULLET_SPEED = 10
max_p_bullets = 3
p_bulletList = []

# ------------- CLASSES ------------- #
class Background():
    def __init__(self, image):
        self.img = image
        self.x = 0
        self.y = 0

    def draw_bg(self, screen_var_name):
        screen_var_name.blit(self.img, (self.x, self.y))

class P_Bullet():
    def __init__(self):
        self.img = pg.image.load(
            'images/player/player_bullet2.png').convert_alpha()
        self.img_width = self.img.get_width()
        self.img_height = self.img.get_height()

        self.rect = self.img.get_rect()
        self.rect.x = player_rect.x + player_rect.width // 2 - self.img_width // 2
        self.rect.y = player_rect.y - self.img_height

        self.x = self.rect.x
        self.y = self.rect.y

    def draw_bullet(self, screen_var_name):
        screen_var_name.blit(self.img, (self.x, self.y))

class RedEnemy():
    def __init__(self):
        self.img = pg.image.load('images/enemies/red_alien.png')
        self.img_scaled = pg.transform.scale(self.img,
                                             (player_rect.width, player_rect.height)).convert_alpha()
        self.img_width = self.img_scaled.get_width()
        self.img_height = self.img_scaled.get_height()

        self.rect = self.img_scaled.get_rect()
        self.rect.x = random.randint(1, WIDTH - self.img_width)
        self.rect.y = random.randint(0, 170)

        self.x = self.rect.x
        self.y = self.rect.y

        self.speed = random.randint(3, 6)
        self.hp = 3

    def draw_enemy(self, screen_var_name):
        screen_var_name.blit(self.img_scaled, (self.x, self.y))

class GreenEnemy(RedEnemy):
    def __init__(self):
        self.img = pg.image.load('images/enemies/green_alien.png')
        self.img_scaled = pg.transform.scale(self.img,
                                             (player_rect.width, player_rect.height)).convert_alpha()
        self.img_width = self.img_scaled.get_width()
        self.img_height = self.img_scaled.get_height()

        self.rect = self.img_scaled.get_rect()
        self.rect.x = random.randint(1, WIDTH - self.img_width)
        self.rect.y = random.randint(270, 370)

        self.x = self.rect.x
        self.y = self.rect.y

        self.speed = random.randint(2, 4)
        self.hp = 2

# ------------- DEFs ------------- #
def draw(screen_var_name, img, rect: pg.Rect):
    screen_var_name.blit(img, rect)

A: Why do you need the .x and .y attributes? You have rect.x and rect.y. Anyway, when you change x, and y you also need to change rect.x, and rect.y. Note, bullet.rect.colliderect(green_enemy.rect): uses green_enemy.rect, but green_enemy.x and green_enemy.y. rect is not tied to x and y, rect.x and rect.y don't magically update when you change x and y.
Update the rect attribute before the collision test:
while run:
   # [...]

   for bullet in p_bulletList:
        bullet.y -= P_BULLET_SPEED
        if bullet.y <= 0:
            p_bulletList.remove(bullet)

        else:

            # update bullet.rect and green_enemy.rect
            bullet.rect.topleft = bullet.x, bullet.y
            green_enemy.rect.topleft = green_enemy.x, green_enemy.y

            if bullet.rect.colliderect(green_enemy.rect):
                green_enemy.hp -= 1
                p_bulletList.remove(bullet)

See also How do I detect collision in pygame?.

redpajama_set_name: RedPajamaStackExchange


If you are looking for a grooming suit or you are going to attend a special event, choose the Ralph Ceremony, a crew jacket with lapel and silk details, assorted with a stylish black pant.
The fabric of the jacket is 100% Super 120 's wool. With a weight of 280g, this fabric is ultra-fine, light and very durable.


Shady Acres welcomes you with chocolates and fresh flowers with our compliments.
Join us for your complimentary breakfast in our dining room or at the bistro tables on the porch while you listen to the fountain and the windchimes and take in the refreshing country air and scenery.
Your comfort is our priority in our most popular room. Enjoy the luxury of an extended length, king size, SleepNumber bed, fireplace, 42 inch HDTV, wireless internet access and private bath.


Born and raised in a small town in Maine, Jenna has a passion for the outdoors and the mountain living lifestyle. After graduating from the University of Maine at Orono, where she studied Business Management, Jenna moved to Breckenridge, Colorado where she fostered a passion for the ski industry and the tourism that comes along with it.
Jenna's passion for the ski industry ultimately landed her in Tahoe where she spends her free time hiking with her dog, boating, camping and skiing- if it's outdoors, she's doing it! Having found a winter and summer paradise, the fellow New Englander now calls Truckee her forever home. With year-round outdoor entertainment, incredible scenery, and a laid-back mountain lifestyle, it's hard not to love Truckee/Tahoe.
Jenna found her interest in real estate at a young age when she helped her Dad build their family cabin; that and countless HGTV episodes harbored her passion in real estate and she knew that's where she would pursue her career. Helping clients find their Tahoe home is her biggest motivation. New to the industry, she is hard working, determined, and eager to start her real estate career as a member of the TMR team.


In a former post I covered already my enthusiasm for Puppet support in Solaris 11.2. But what does it really mean? Is Puppet now the strategic systems management framework for all the Solaris stuff? In my opinion this is definitely not the case. The Solaris developers invested many years into good base technologies for systems management like the "Service Management Facility" (SMF). And with new Solaris releases, more and more systems configuration moves into SMF, into so called "SMF properties". For example since Solaris 11 the DNS servers need to be configured in SMF properties and no longer in /etc/resolv.conf.
So if Puppet can talk to SMF the full power of SMF is also available in Puppet. In this post I will show how the managing of SMF in Puppet is possible in Solaris 11.2.


text:
Re-evaluating conservation priorities of New World tarantulas (Araneae: Theraphosidae) in a molecular framework indicates non-monophyly of the genera, Aphonopelma and Brachypelma
Administrator on August 9, 2017 in Online Arachnid Publications, Recent News, Spider News in North America
We present a mtDNA gene tree of tarantula spiders (Araneae: Mygalomorphae: Theraphosidae) based on the mitochondrial 16S-tRNA (leu)-ND1 gene region as a promising initial molecular hypothesis to clarify the taxonomy of the largest subfamily, Theraphosinae. Many species of this New World subfamily are traded widely as exotic pets, yet few scientific studies on them exist, and the robustness of many supposed taxonomic groupings is debatable. Yet the validity of taxon names and knowledge of their distinctiveness is vital for trade regulation, most notably for the Neotropical genus Brachypelma Simon 1891, which is listed under CITES (Appendix II, see online supplemental material, which is available from the article's Taylor & Francis Online page at https://doi.org/10.1080/14772000.2017.1346719). The use of molecular markers for tarantula taxonomy has been limited until recently, with most previous studies relying on morphological methods. Our findings, from newly collected molecular data, have several nomenclatural implications, suggesting a need for a rigorous overhaul of Theraphosinae classification at multiple hierarchical levels. Here, we take steps toward a revised classification, favouring division of Theraphosinae into three tribes: the Theraphosini trib. nov., the Hapalopini trib. nov., and the Grammostolini trib. nov. We also make conservation recommendations for two non-monophyletic genera. Firstly, we recover Aphonopelma Pocock 1901 as polyphyletic, finding that the large radiation into the USA and Mexico is taxonomically distinct from at least three other lineages distributed throughout Central America, one of which includes the type species of the genus. Secondly, and importantly for conservation, we find diphyly in the CITES listed genus Brachypelma Simon 1891, where our data strongly favour a division into two distinct smaller genera. We consider only the lineage with endemics in the Pacific coastal zone of Mexico to be of conservation concern. Finally, we also make suggestions on the future direction of revisionary research for the Theraphosidae as a whole.
http://zoobank.org/urn:lsid:zoobank.org:pub:B37F7795-3F92-4334-A0C7-65C8026EE1FB
Scorpions (Arachnida) of the high plains and adjacent canyonlands of Northwestern Texas. Texas Journal of Science. 2017;67(1):3-38.
Genus name change : Soleglad ME, Ayrey RF, Graham MR, Fet V. Catalinia, a new scorpion genus from southern California, USA and northern Baja California, Mexico


3730 Hanover Circle A prime location in a gated equestrian subdivision. Ability to build a cove.. . . .
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3080 Gator Pond Lane 11. 4 acre lot in gated equestrian community just minutes to all of welling.. . . .
3060 Gator Pond Lane Prime 10. 15 acre lot to build your equestrian estate. Covered arenas allow.. . . .


With the liquidity squeeze showing no signs of disappearing there are strong fears this will lead to an arrears crisis.
Lenders need to restore confidence and start expanding their product ranges again. An article published recently showed that 23000 mortgage products have been withdrawn by lenders in the last 6 months from mortgage sourcing software programmes. This shows the extent of the problems mortgage and remortgage clients are facing at present.
However, there are two sides to every coin and lenders would like nothing better than to lend but neither affordable funding nor the means to sell on specialist (sub prime) assets exist in the current market. Lenders can not conjure up a market for mortgage assets out of thin air.
As borrowers 2 & 3 year fixed rates expire in 2008 and early 2009 they will revert to their lenders standard variable rate which is much higher. If they cannot refinance, the higher mortgage payments could lead to arrears.
Unless the market opens up again and lenders can expand their products ranges, clients will struggle. Where this will lead is hard to predict, but if asset performance worsens it will only serve to further delay the recovery of the securitisation market as liquidity-shy investors will be in no rush to invest in poorly performing assets.
However the game unfolds it is difficult to see a way out of the current situation without fresh liquidity being injected into the industry.


text:
The Multiply Mediated Voice of the America's Next Top Model All Star
Kim A. Knight
This post was collaboratively produced by members of Fashioning Circuits, a research group led by Kim Knight in the Emerging Media and Communication program at the University of Texas, Dallas. In addition to Knight, the contributors are Brianni Nelson, Amy Pickup, Tameka Reeves, and Mattie Tanner.
Cycle 17 of America's Next Top Model tasks each contestant with using multiple media platforms to develop a brand centered on an assigned personal adjective. Descriptors range from persistence (Angelea Preston) to daring (Lisa D'Amato) to unique (Allison Harvard). However, the deployment of a consistent brand identity is less important than the contestants' ability to use media to reveal what is presumed to be their authentic personality, their "voice."
The concept of "voice" is revealed in multiple episodes. In "Game," contestants are asked to make a "viral" video and are provided music that aligns with their brand. The music constrains the subsequent lyrics and performance, though these allow some expression of identity. Tyra further detracts from the contestants' creativity by imposing her own lyrics and inserting segments in each video. Despite this, Harvard's video is most successful because it conveys a sense of authentic voice.
In "Tyson Beckford," contestants are challenged to write a blog post describing their personal perspective on Grecian fashion. Preston succeeds by focusing on fashion and utilizing a strong personal voice in her comparison of Greece to her hometown, Brooklyn. The judges repeatedly respond more positively to the expression of a model's voice than to a consistent brand message.
However, the judges' preference for individual voice does not coincide with the overall social media strategy of ANTM. The social media strategy focuses almost exclusively on the show, while ignoring the contestants' personal brands. For example, the Facebook stream consists of material touting upcoming episodes or brief judging recaps. The voices of the individual contestants are conspicuously absent.
Compare this to a fashion reality show that uses social media differently: Project Runway. Both programs extol personalized identity creation. Runway supports these claims by allowing contestants to flourish through individual blogs and video. The designer's identity, or "brand," emerges through these uses of media. Fans are able to engage in dialogue with their favorite designers, giving the show a more participatory feel. ANTM makes an attempt to promote authenticity on the show but lacks any veritable online presence by the contestants or fans.
This cycle's focus on multi-media literacy aligns with the performance of identity through multiple platforms in today's media ecology. We see an interesting tension between the contrived, pre-assigned brand and the contestants' ability to express something deemed "authentic." Ultimately, the show fails to take full advantage of social media to augment these performances.
By Rachel Silverman
Embry Riddle Aeronautical University
Monday, January 9, 2012 — 9:59 pm
Media scholars focusing of Reality TV have been particularly critical of how shows often construct women as "authentic" and "feminine" based on their willingness to cry or even become hysterical on camera. Considering this idea, what do you make of Harvard's "authenticity" in her music video? Do you think the scene of her crying about the making of the video combined with her big eyed, emo-sounding video about her family create the exact type of " authentic femininity" producers want?
re: the construction of "authentic femininity"
By Kim A. Knight
Tuesday, January 10, 2012 — 5:38 pm
Definitely. I would contrast this to the judge's treatment of Preston and what they see as her instability because she can be aggressive. We had to cut this scene from our video clip, but just after Nigel Barker praises Preston's blog post, he warns Franca Sozzani about Preston's temper. This is just as "authentic" as when she cries during the motion editorial but because this does not align with their portrayal of docile femininity, it is criticized.
~kk
re: authenticity
Wednesday, January 11, 2012 — 2:59 pm
I think we also need to add race and class to the construction of authenticity. In episode 17.3, in which the contestants compete by interviewing with Extra, Barker encourages everyone to be authentic. Mario Lopez asks Preston if she might be hurt by having "a little too much flavor" and after the interview, Barker critiques her for being "quite conservative, quite straight." Preston's confusion over this is understandable as she saw herself as acting appropriately in a situation that required professionalism. She interprets Barker's criticism, I think rightly so, as requesting that she be "this hood, ghetto bitch" and expresses frustration at being critiqued for "being me." Barker's critique seems to deny that Preston can be multi-dimensional and indicates that the judges' notion of the "authentic" Preston is raced and classed in ways that are qualitatively different from their conception of Harvard.
Who really branded the contestants?
By Julie Snyder-Yuly
Cycle 17 advertised itself as the "All Star" cycle bringing back favorites from the past and helping them to create a brand for themselves. One of the major problems with this cycle is that someone else identified the contestants' brand and the judges essentially defined the meaning of the brand.
Unfortunately, as the authors alluded to, the branding was frequently impeded by the challenges of the show itself. For example, the models had no say in what their video would look like, no say in their makeovers, and were even assigned to portray other branded individuals such as Snooki and Nene Leaks. In addition, the contestants were penalized on occasion when trying to portray their brand.
One of the best examples of this was the focus on contestant Angelea Preston. During their first photo shoot they were given personalities that corresponded with their original appearance on the show. Angelea was to embody "girl from the hood." During their second episode they were given their branding word, for Angelea this was "persistence." However, it seemed that throughout the duration of the show, the judges and editors focused more on the idea of girl from the hood, instead of persistence.
In one segment, Angelea was to serve as an interviewer. She came across very professional and articulate, yet she was told by the judges she didn't show her true personality. During her video she was told she didn't come across as angry enough to convey the message in her song. In contrast, she seemed to be rewarded when she performed the "girl from the hood." Her angry outbursts, her angry and mean commentary about the other contestants, and her breakdowns were extensively focused on during each episode. She was also rewarded for her blog referring back to her hood in comparisons to what she was seeing in Greece.
This leads to the question, what brand did the show intentionally or unintenionally ascribe to the contestants and what impact does this brand have on the viewers?
Adding on to the discussion
By Dara Persis Murray
I tease out the meanings of personal branding in Top Model in my post, which is live tomorrow. Looking forward to hearing your thoughts!
In regards to the discussion about authenticity, I think it's important to acknowledge Tyra's role in shaping the show as its producer and creator. In interviews, she's asserted that she's hands-on in the production of the text (editing it and so forth). Her own desires for Top Model's meanings of authenticity (as relates to gender, race, sexuality, class), then, are carefully constructed for audience consumption to benefit her brand attachment.
~ Dara
identity construction
Friday, January 13, 2012 — 12:53 am
Excellent point, Dara. I find myself really intrigued by Tyra Banks as one who both produces and is produced by the show. This is literally embodied in the opening sequence of the entire cycle, in which Tyra portrays multiple contestants in her dream sequence.
Julie, I think we must have been writing at the same time. I agree that the show's treatment of Preston sends a very clear message about the ways in which race and class are constructed on the show. From the very first episode in which Angelea is labeled "Girl from the Hood," Bre is labeled "Ghetto Fabulous," and Sheena is told she is "Harlem but not Hoochie," there is a definite pattern of framing women of color. (and we haven't started on Kayla as the "proud lesbian" who is assigned the brand identity "free")
And as we mention above, the show really does not let the women speak for themselves. Most of the creative decisions in the music video are made for them and we don't ever see the blog posts they wrote for episode 12. We discussed this in contrast to social media use on Project Runway. It is as though the model contestants are treated as blank slates, waiting for someone to assign identity to them (as Julie alludes to above) vs. the Runway contestants whose use of social media plays into the cult of the designer.
From: America's Next Top Model
I Like 'Em All Shapes and Sizes: "Transgressive" Beauty in America's Next Top Model
By Chris Tokuhama
Re-envisioning Bakhtin's Carnivalesque through America's Next Top Model
Working for the Fairy Tale
The Invisible Model


have you ever thought "Ugh, this bus is too long to negotiate this tight street!"
well, this mod solves that issue quite directly, by simply removing around 5 metres from the middle of the bus.
too use this mod, open the part selector, and choose "stubby frame" under the frame option.
All that's left is to make a stubby version of the stubby bus.
Either that, or a stubby pigeon. Otherwise, I like it.
It's cool, but, make it a bit longer please!
I have always wanted this, thank you!
(short trunk, 2 doors, shorter frame & body & no rear seats).


A few weeks ago I stumbled across an article in the german computer mag c't about a small embedded MIPS based board called Carambola manufatured from the company 8devices. The device is equipped with a Ralink RT3050 MIPS CPU that runs at 320 Mbit/s, it has two ethernet interfaces and one Wi-Fi interface, a USB and a serial port, 8MByte Flash and 32MByte RAM. Since the 35x45mm board comes at an affordable price of 22,-EUR per module and for 67,-EUR the module, a breakout board, a housing and the shipping costs was included.
Last week the module arrived on my desk and today there was time for the first contact. After hitting nearly every wall on the way from Power on, finally a Radiofaro board and a Raven RZUSB stick gets enumerated. Even if the 8devices Wiki is a good ressource for information, the information for OpenWRT novices is quite sprinkled over the net. In the following sections I summarize the todays lessons learned.
The power up of Carambola requires basically a 9 to 24V DC power source. In my case it was the power supply of an old mobile CD Player, which comes at 9V, 500mA. I also own a prehistoric PC with a real RS232 interface, which was a great help bringing up the board.
Now you can type Enter and a Linux prompt is displayed. (My first lesson learned was that the flow control has to be off, otherwise you will not get to the Linux prompt).
At the serial terminal messages from the syslog appears, so you will see e.g. events from plugging and unplugging USB devices. It allows you also to issue some basic commands, for instance ifconfig to see the boards network configuration.
Thats because of the firewall on Carambola blocks port 22.
Host '172.16.1.124' is not in the trusted hosts file.
The steps how to compile a new firmware image are described pretty good in the Carambola-Wiki. After installing the prerequisite Linux tools, cloning the git repository and before doing the first make I would recommend to modify the banner file in order to see, that the new image is active after the firmware update. The source banner file is located in carambola/package/base-files/files/etc/.
Do not modify the banner that is located somewhere below build_dir, this one gets overwritten during the make run.
The firmware image that is going to be flashed is the file carambola/bin/ramips/openwrt-ramips-rt305x-carambola-squashfs-sysupgrade.bin.
In order to abbreviate the typing in the serial terminal, copy this file to a location with a shorter path name, e.g.