text:
use std::fmt::{self, Display, Formatter};

use num_bigint::BigUint;

#[derive(Debug, PartialEq, Eq, Clone, Hash)]
pub enum Rcst {
    EqualsSign,         // =
    Comma,              // ,
    Dot,                // .
    Colon,              // :
    ColonEqualsSign,    // :=
    Bar,                // |
    OpeningParenthesis, // (
    ClosingParenthesis, // )
    OpeningBracket,     // [
    ClosingBracket,     // ]
    OpeningCurlyBrace,  // {
    ClosingCurlyBrace,  // }
    Arrow,              // ->
    DoubleQuote,        // "
    Octothorpe,         // #
    Whitespace(String), // contains only non-multiline whitespace
    Newline(String), // the associated `String` because some systems (such as Windows) have weird newlines
    Comment {
        octothorpe: Box<Rcst>,
        comment: String,
    },
    TrailingWhitespace {
        child: Box<Rcst>,
        whitespace: Vec<Rcst>,
    },
    Identifier(String),
    Symbol(String),
    Int {
        value: BigUint,
        string: String,
    },
    Text {
        opening_quote: Box<Rcst>,
        parts: Vec<Rcst>,
        closing_quote: Box<Rcst>,
    },
    TextPart(String),
    Pipe {
        receiver: Box<Rcst>,
        bar: Box<Rcst>,
        call: Box<Rcst>,
    },
    Parenthesized {
        opening_parenthesis: Box<Rcst>,
        inner: Box<Rcst>,
        closing_parenthesis: Box<Rcst>,
    },
    Call {
        receiver: Box<Rcst>,
        arguments: Vec<Rcst>,
    },
    List {
        opening_parenthesis: Box<Rcst>,
        items: Vec<Rcst>,
        closing_parenthesis: Box<Rcst>,
    },
    ListItem {
        value: Box<Rcst>,
        comma: Option<Box<Rcst>>,
    },
    Struct {
        opening_bracket: Box<Rcst>,
        fields: Vec<Rcst>,
        closing_bracket: Box<Rcst>,
    },
    StructField {
        key: Box<Rcst>,
        colon: Box<Rcst>,
        value: Box<Rcst>,
        comma: Option<Box<Rcst>>,
    },
    StructAccess {
        struct_: Box<Rcst>,
        dot: Box<Rcst>,
        key: Box<Rcst>,
    },
    Lambda {
        opening_curly_brace: Box<Rcst>,
        parameters_and_arrow: Option<(Vec<Rcst>, Box<Rcst>)>,
        body: Vec<Rcst>,
        closing_curly_brace: Box<Rcst>,
    },
    Assignment {
        name: Box<Rcst>,
        parameters: Vec<Rcst>,
        assignment_sign: Box<Rcst>,
        body: Vec<Rcst>,
    },
    Error {
        unparsable_input: String,
        error: RcstError,
    },
}

#[derive(Debug, PartialEq, Eq, Clone, Hash)]
pub enum RcstError {
    CurlyBraceNotClosed,
    IdentifierContainsNonAlphanumericAscii,
    IntContainsNonDigits,
    ListItemMissesValue,
    ListNotClosed,
    OpeningParenthesisWithoutExpression,
    ParenthesisNotClosed,
    PipeMissesCall,
    StructFieldMissesColon,
    StructFieldMissesKey,
    StructFieldMissesValue,
    StructNotClosed,
    SymbolContainsNonAlphanumericAscii,
    TextNotClosed,
    TextNotSufficientlyIndented,
    TooMuchWhitespace,
    UnexpectedCharacters,
    UnparsedRest,
    WeirdWhitespace,
    WeirdWhitespaceInIndentation,
}

impl Display for Rcst {
    fn fmt(&self, f: &mut Formatter<'_>) -> fmt::Result {
        match self {
            Rcst::EqualsSign => "=".fmt(f),
            Rcst::Comma => ",".fmt(f),
            Rcst::Dot => ".".fmt(f),
            Rcst::Colon => ":".fmt(f),
            Rcst::ColonEqualsSign => ":=".fmt(f),
            Rcst::Bar => "|".fmt(f),
            Rcst::OpeningParenthesis => "(".fmt(f),
            Rcst::ClosingParenthesis => ")".fmt(f),
            Rcst::OpeningBracket => "[".fmt(f),
            Rcst::ClosingBracket => "]".fmt(f),
            Rcst::OpeningCurlyBrace => "{".fmt(f),
            Rcst::ClosingCurlyBrace => "}".fmt(f),
            Rcst::Arrow => "->".fmt(f),
            Rcst::DoubleQuote => '"'.fmt(f),
            Rcst::Octothorpe => "#".fmt(f),
            Rcst::Whitespace(whitespace) => whitespace.fmt(f),
            Rcst::Newline(newline) => newline.fmt(f),
            Rcst::Comment {
                octothorpe,
                comment,
            } => {
                octothorpe.fmt(f)?;
                comment.fmt(f)
            }
            Rcst::TrailingWhitespace { child, whitespace } => {
                child.fmt(f)?;
                for w in whitespace {
                    w.fmt(f)?;
                }
                Ok(())
            }
            Rcst::Identifier(identifier) => identifier.fmt(f),
            Rcst::Symbol(symbol) => symbol.fmt(f),
            Rcst::Int { string, .. } => string.fmt(f),
            Rcst::Text {
                opening_quote,
                parts,
                closing_quote,
            } => {
                opening_quote.fmt(f)?;
                for part in parts {
                    part.fmt(f)?;
                }
                closing_quote.fmt(f)
            }
            Rcst::TextPart(literal) => literal.fmt(f),
            Rcst::Pipe {
                receiver,
                bar,
                call,
            } => {
                receiver.fmt(f)?;
                bar.fmt(f)?;
                call.fmt(f)
            }
            Rcst::Parenthesized {
                opening_parenthesis,
                inner,
                closing_parenthesis,
            } => {
                opening_parenthesis.fmt(f)?;
                inner.fmt(f)?;
                closing_parenthesis.fmt(f)
            }
            Rcst::Call {
                receiver,
                arguments,
            } => {
                receiver.fmt(f)?;
                for argument in arguments {
                    argument.fmt(f)?;
                }
                Ok(())
            }
            Rcst::List {
                opening_parenthesis,
                items,
                closing_parenthesis,
            } => {
                opening_parenthesis.fmt(f)?;
                for item in items {
                    item.fmt(f)?;
                }
                closing_parenthesis.fmt(f)
            }
            Rcst::ListItem { value, comma } => {
                value.fmt(f)?;
                if let Some(comma) = comma {
                    comma.fmt(f)?;
                }
                Ok(())
            }
            Rcst::Struct {
                opening_bracket,
                fields,
                closing_bracket,
            } => {
                opening_bracket.fmt(f)?;
                for field in fields {
                    field.fmt(f)?;
                }
                closing_bracket.fmt(f)
            }
            Rcst::StructField {
                key,
                colon,
                value,
                comma,
            } => {
                key.fmt(f)?;
                colon.fmt(f)?;
                value.fmt(f)?;
                if let Some(comma) = comma {
                    comma.fmt(f)?;
                }
                Ok(())
            }
            Rcst::StructAccess { struct_, dot, key } => {
                struct_.fmt(f)?;
                dot.fmt(f)?;
                key.fmt(f)
            }
            Rcst::Lambda {
                opening_curly_brace,
                parameters_and_arrow,
                body,
                closing_curly_brace,
            } => {
                opening_curly_brace.fmt(f)?;
                if let Some((parameters, arrow)) = parameters_and_arrow {
                    for parameter in parameters {
                        parameter.fmt(f)?;
                    }
                    arrow.fmt(f)?;
                }
                for expression in body {
                    expression.fmt(f)?;
                }
                closing_curly_brace.fmt(f)
            }
            Rcst::Assignment {
                name,
                parameters,
                assignment_sign,
                body,
            } => {
                name.fmt(f)?;
                for parameter in parameters {
                    parameter.fmt(f)?;
                }
                assignment_sign.fmt(f)?;
                for expression in body {
                    expression.fmt(f)?;
                }
                Ok(())
            }
            Rcst::Error {
                unparsable_input, ..
            } => unparsable_input.fmt(f),
        }
    }
}

pub trait IsMultiline {
    fn is_multiline(&self) -> bool;
}

impl IsMultiline for Rcst {
    fn is_multiline(&self) -> bool {
        match self {
            Rcst::EqualsSign => false,
            Rcst::Comma => false,
            Rcst::Dot => false,
            Rcst::Colon => false,
            Rcst::ColonEqualsSign => false,
            Rcst::Bar => false,
            Rcst::OpeningParenthesis => false,
            Rcst::ClosingParenthesis => false,
            Rcst::OpeningBracket => false,
            Rcst::ClosingBracket => false,
            Rcst::OpeningCurlyBrace => false,
            Rcst::ClosingCurlyBrace => false,
            Rcst::Arrow => false,
            Rcst::DoubleQuote => false,
            Rcst::Octothorpe => false,
            Rcst::Whitespace(_) => false,
            Rcst::Newline(_) => true,
            Rcst::Comment { .. } => false,
            Rcst::TrailingWhitespace { child, whitespace } => {
                child.is_multiline() || whitespace.is_multiline()
            }
            Rcst::Identifier(_) => false,
            Rcst::Symbol(_) => false,
            Rcst::Int { .. } => false,
            Rcst::Text {
                opening_quote,
                parts,
                closing_quote,
            } => {
                opening_quote.is_multiline() || parts.is_multiline() || closing_quote.is_multiline()
            }
            Rcst::TextPart(_) => false,
            Rcst::Pipe {
                receiver,
                bar,
                call,
            } => receiver.is_multiline() || bar.is_multiline() || call.is_multiline(),
            Rcst::Parenthesized {
                opening_parenthesis,
                inner,
                closing_parenthesis,
            } => {
                opening_parenthesis.is_multiline()
                    || inner.is_multiline()
                    || closing_parenthesis.is_multiline()
            }
            Rcst::Call {
                receiver,
                arguments,
            } => receiver.is_multiline() || arguments.is_multiline(),
            Rcst::List {
                opening_parenthesis,
                items,
                closing_parenthesis,
            } => {
                opening_parenthesis.is_multiline()
                    || items.is_multiline()
                    || closing_parenthesis.is_multiline()
            }
            Rcst::ListItem { value, comma } => {
                value.is_multiline()
                    || comma
                        .as_ref()
                        .map(|comma| comma.is_multiline())
                        .unwrap_or(false)
            }
            Rcst::Struct {
                opening_bracket,
                fields,
                closing_bracket,
            } => {
                opening_bracket.is_multiline()
                    || fields.is_multiline()
                    || closing_bracket.is_multiline()
            }
            Rcst::StructField {
                key,
                colon,
                value,
                comma,
            } => {
                key.is_multiline()
                    || colon.is_multiline()
                    || value.is_multiline()
                    || comma
                        .as_ref()
                        .map(|comma| comma.is_multiline())
                        .unwrap_or(false)
            }
            Rcst::StructAccess { struct_, dot, key } => {
                struct_.is_multiline() || dot.is_multiline() || key.is_multiline()
            }
            Rcst::Lambda {
                opening_curly_brace,
                parameters_and_arrow,
                body,
                closing_curly_brace,
            } => {
                opening_curly_brace.is_multiline()
                    || parameters_and_arrow
                        .as_ref()
                        .map(|(parameters, arrow)| {
                            parameters.is_multiline() || arrow.is_multiline()
                        })
                        .unwrap_or(false)
                    || body.is_multiline()
                    || closing_curly_brace.is_multiline()
            }
            Rcst::Assignment {
                name,
                parameters,
                assignment_sign,
                body,
            } => {
                name.is_multiline()
                    || parameters.is_multiline()
                    || assignment_sign.is_multiline()
                    || body.is_multiline()
            }
            Rcst::Error {
                unparsable_input, ..
            } => unparsable_input.is_multiline(),
        }
    }
}

impl IsMultiline for str {
    fn is_multiline(&self) -> bool {
        self.contains('\n')
    }
}

impl IsMultiline for Vec<Rcst> {
    fn is_multiline(&self) -> bool {
        self.iter().any(|cst| cst.is_multiline())
    }
}

impl<T: IsMultiline> IsMultiline for Option<T> {
    fn is_multiline(&self) -> bool {
        match self {
            Some(it) => it.is_multiline(),
            None => false,
        }
    }
}

impl<A: IsMultiline, B: IsMultiline> IsMultiline for (A, B) {
    fn is_multiline(&self) -> bool {
        self.0.is_multiline() || self.1.is_multiline()
    }
}

pub trait SplitOuterTrailingWhitespace {
    fn split_outer_trailing_whitespace(self) -> (Vec<Rcst>, Self);
}
impl SplitOuterTrailingWhitespace for Rcst {
    fn split_outer_trailing_whitespace(self) -> (Vec<Rcst>, Self) {
        match self {
            Rcst::TrailingWhitespace { child, whitespace } => (whitespace, *child),
            _ => (vec![], self),
        }
    }
}

impl<A: SplitOuterTrailingWhitespace> SplitOuterTrailingWhitespace for Vec<A> {
    fn split_outer_trailing_whitespace(mut self) -> (Vec<Rcst>, Self) {
        match self.pop() {
            Some(last) => {
                let (whitespace, last) = last.split_outer_trailing_whitespace();
                self.push(last);
                (whitespace, self)
            }
            None => (vec![], vec![]),
        }
    }
}

impl<T: SplitOuterTrailingWhitespace> SplitOuterTrailingWhitespace for Option<T> {
    fn split_outer_trailing_whitespace(self) -> (Vec<Rcst>, Self) {
        match self {
            Some(it) => {
                let (whitespace, it) = it.split_outer_trailing_whitespace();
                (whitespace, Some(it))
            }
            None => (vec![], None),
        }
    }
}

impl<A: SplitOuterTrailingWhitespace, B: SplitOuterTrailingWhitespace> SplitOuterTrailingWhitespace
    for (A, Vec<B>)
{
    fn split_outer_trailing_whitespace(self) -> (Vec<Rcst>, Self) {
        let (left, right) = self;
        if right.is_empty() {
            let (whitespace, first) = left.split_outer_trailing_whitespace();
            (whitespace, (first, right))
        } else {
            let (whitespace, second) = right.split_outer_trailing_whitespace();
            (whitespace, (left, second))
        }
    }
}

redpajama_set_name: RedPajamaGithub


..In conclusion, TCDD inhibited [(3)H]-thymidine incorporation and alpha-MG uptake, and E(2) blocked TCDDs effects in primary cultured renal proximal tubule cells. ..
..A 23187 (Ca2+ ionophore) increased 2-DG uptake and nifedifine (L-type Ca2+ channel blocker) blocked it. In conclusion, ANG II increased 2-DG uptake by PKC activation via AT1 receptor in mouse ES cells. ..
..Abbreviations. EGF:epidermal growth factor PD:protopanaxadiol PT:protopanaxatriol PTCs:primary cultured renal proximal tubule cells ..
..VEGF siRNA also significantly inhibited E(2)-induced cell proliferation. In conclusion, E(2) partially stimulated hMSC proliferation via HIF-1alpha activation and VEGF expression through PKC, PI3K/Akt, and MAPK pathways. ..


The spinalis is just next to the spine, and to work on this muscle fingertips or thumbs can be used easily. The longissimus forms the main meat of the erector group, and is palpated as a taught rope half an inch lateral to the spine. The attachment of the iliocostalis is to the ilium and ribs. Because of it's lateral position, a tight iliocostalis can bring a hip up, or bring the ribcage down toward the hip.
Each of these have 3 parts further.


text:
(Feb. 17, 2018) WARNING! hd4fun(dot)com is the only official domain we are using. Please check the url of the website you are exploring to avoid fakes or hacks. (Jun. 08, 2012) Having problems with our site? Check out the TIPS4U page.
TIPS4U
Topsy-Turvy (1999) Criterion Collection 720p BluRay x264 AC3-WiKi
Biography • Comedy • Drama • History • Movie • Music • Musical • Western
Topsy-Turvy (1999)
Biography | Comedy | Drama | History | Music | Musical
In 1884, as a London heat wave cuts into the theater trade, Gilbert and Sullivan's latest work, "Princess Ida," receives lukewarm press. Sullivan rejects Gilbert's next idea as "topsy-turvy" and unbelievable, and although Gilbert tries to accomodate him, they cannot agree. Mired at a creative impasse, Gilbert and Sullivan can barely converse. Then, Gilbert's wife, Lucy "Kitty" Gilbert, drags him along to a Japanese exhibition–exposure to the very different culture begins inspiration to embark on the production of "The Mikado."
Starring: Jim Broadbent, Allan Corduner, Lesley Manville, Eleanor David, Ron Cook, Timothy Spall
TechInfo:
Topsy-Turvy.1999.Criterion.Collection.720p.BluRay.x264-WiKi
.Plot
TAGLINE……………….: Topsy-Turvy
GENRE…………………: Biography | Comedy | Drama | History | Music | Musical
IMDb LINK……………..: http://www.imdb.com/title/tt0151568/
.Release.Info
ENCODER……………….: YiFan @ WiKi
RELEASE DATE…………..: 2016-07-11
RELEASE SIZE…………..: 8.84 G
SOURCE………………..: CC 1080p Blu-ray AVC DTS-HD MA5.1
.Media.Info
RUNTIME……………….: 2h:40m:57s
VIDEO CODEC……………: x264 @ crf 18 (7153 Kbps)
RESOLUTION…………….: 1280×720
DISPLAY ASPECT RATIO……: 1.778:1
FRAME RATE…………….: 23.976 fps
AUDIO CODEC……………: English DD 5.1 @ 640 Kbps
AUDIO CODEC……………: English AAC 2.0 @ 66 Kbps (Commentary)
CHAPTERS………………: 21 Chapters (Titled)
.Note
me tesa, subme 11, bframes 12, merange 32, psy-rd 1.1:0.1, qcomp 0.7, aq-strength 0.6, no-mbtree
.x264.Info
x264 [info]: profile High, level 4.1
x264 [info]: frame I:1702 Avg QP:17.47 size:127179
x264 [info]: frame P:39854 Avg QP:18.77 size: 54648
x264 [info]: frame B:190002 Avg QP:19.70 size: 32848
x264 [info]: consecutive B-frames: 1.0% 0.4% 2.3% 5.7% 12.7% 56.5% 8.8% 3.1% 3.0% 2.4% 2.0% 1.0% 0.9%
.Comparisons
Source vs. WiKi
ExtMatrix:
20160712TT1999CCW.part01.ra
Tags: Allan Corduner, Eleanor David, Jim Broadbent, Lesley Manville, Mike Leigh, Ron Cook, Timothy Spall
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redpajama_set_name: RedPajamaCommonCrawl


For health and growth of houseplants and garden vegetables. A higher nitrogen and potassium ratio for all-around growth made from bat and seabird guano, plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight: 8.8 lbs. Package D..
For health and growth of houseplants and garden vegetables. A higher nitrogen and potassium ratio for all-around growth made from bat and seabird guano, plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight: 11.6 lbs. ..
For health and growth of houseplants and garden vegetables. A higher nitrogen and potassium ratio for all-around growth made from bat and seabird guano, plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight: 2.0 lbs. ..
For health and growth of houseplants and garden vegetables. A higher nitrogen and potassium ratio for all-around growth made from bat and seabird guano, plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight: 42.4 lbs. ..
For health and growth of houseplants and garden vegetables. A higher nitrogen and potassium ratio for all-around growth made from bat and seabird guano, plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight: 46.1 lbs. Package ..
For strong, multiple blooms in fruiting and flowering plants. A high phosphorous mix of bat and seabird guano plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight:8.9 lbs.Package Dimensions:5.9L x 6.0W x 11.5HNitrogen (N):.01Phosphorus (P):.1..
For strong, multiple blooms in fruiting and flowering plants. A high phosphorous mix of bat and seabird guano plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight: 12.1 lbs. ..
For strong, multiple blooms in fruiting and flowering plants. A high phosphorous mix of bat and seabird guano plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight: 2.0 lbs. Package Dimensions: ..
For strong, multiple blooms in fruiting and flowering plants. A high phosphorous mix of bat and seabird guano plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight: 45.0 lbs. Package Dimensions: ..
For strong, multiple blooms in fruiting and flowering plants. A high phosphorous mix of bat and seabird guano plus earthworm castings. Use in soil or hydroponic applications. All organic materials; no synthetics used. Specifications Weight: 46.5 lbs. Package Dimensions: 10.2L ..


Grilling time doesn't have to end! Not yet anyway! So here's a simple veggie marinade that will turn any of your garden harvest into a mouth watering side dish you certainly won't scrunch your nose at!
Place the zucchini, red bell pepper, yellow bell pepper, squash, red onion, mushrooms, and tomatoes in a large bowl.
In a small bowl, mix together olive oil, soy sauce, lemon juice, and garlic. Pour over the vegetables. Cover bowl, and marinate in the refrigerator for 30 minutes.
Lightly oil grate. Remove vegetables from marinade, and place on preheated grill. Cook for 12 to 15 minutes, or until tender.


text:
15 May 2019 / SF News / Joe Kukura
San Francisco is Getting an 'Office of Racial Equity'
Supervisors Sandra Lee Fewer and Vallie Brown already have the votes lined up to approve their proposed Office of Racial Equity, an equality-based arm of the Human Rights Commission.
Recent discussions of the term "equity" at City Hall have generally centered around the San Francisco Office of Cannabis' Equity Program, which that department is quick to point out is a "color blind" program meant to specifically promote victims of the war on drugs and makes no race-based decisions. But Supervisors Vallie Brown and Sandra Lee Fewer have proposed an Office of Racial Equity, according to the San Francisco Examiner, which is very pointedly proposed to "advance a racial equity framework within city government." The office was proposed, though not voted upon, at Tuesday's Board of Supervisors meeting.
But Fewer and Brown's Office of Racial Equity looks certain to pass. The bill has four co-sponsors (Sups. Mandelman, Mar, Ronen, and Walton), which right there gives you six 'Yes' votes on an eleven-member body.
"We need meaningful and tangible action now to close the racial gap in San Francisco," said Sup. Vallie Brown said in a release. "This is not just the prerogative of social movements past, but the moral, social and economic imperative of our present. Doing so means holding ourselves accountable to dismantle unjust systems and recognizing our harmful history."
The office would analyze the Board's legislation to ensure it promoted racial equality, and root out any City Hall hiring and service delivery practices "where one racial group systematically and disproportionately experiences worse outcomes in comparison to another racial group or groups."
San Francisco would not be the first city to create such an office, as a Budget and Legislative Analyst's Office analysis says that 33 other municipalities nationwide also have a similar racial equity body. The office would have five employees, and will cost about $640,000 a year.
Related: Map: Race and Ethnicity, San Francisco, Oakland, Berkeley [SFist]
City Is Spending $2.5 Million On Traffic Cops To Tell You Not To Drive To The Chase Center
For everyone who doesn't get the memo about how slow and annoying it will be to drive to the new Chase Center for events — and how impossible it will be to park close by — a brigade of new parking control officers is being hired to make their lives more difficult.
Pedestrian Death In Tenderloin Prompts Vigil, Renewed Calls For Safety
With 10 deaths so far this year in SF involving motor vehicles striking bicyclists and pedestrians, advocates are asking for increased safety improvements.


Recording of a radio broadcast of a studio concert by Julian Bream in 1986.
This time, it's an archive of Julian Bream on Desert Island Discs first broadcast: Sat 09 Jul 1983 on BBC Radio 4.
Julian Bream first played the guitar on radio in Children's Hour when he was only 13. This led to guest appearances in a series on the Light Programme, and so his career took off. Before long he also took up the lute and played his part in the revival of interest in early music. In conversation with Roy Plomley, he talks about his long career and chooses the eight records he would take to the mythical island.
Julian Bream's eclectic choice (including Purcell, Dowland, Benny Goodman, the Beatles, Django Reinhardt and Schubert) is particularly revealing about his musical character as are his comments on the music and his early life.
Another gem from the archive, well worth a half hour of your time and featuring the series creator, Roy Plomley.
Importantly, there seems to be no time or geographic limit on the download.
I know there has been rather a lot of Bream on telly recently (just look at the related links below), but if you live in the UK, you owe it to yourself to watch this marvellous programme if you are one of the two or three guitarists who didn't see it tonight.
The programme consisted mainly of complete performances of music played by Julian Bream on BBC TV over the last 40 years or so and shows his wide influence on the acceptance of the guitar as well as the revival of the renaissance lute. Also, his playing on live TV is magical.
Highlights for me were the 3rd movement of Malcolm Arnold's concerto conducted by the composer, the Bream consort playing Byrd, Bream and George Malcolm, Bream and Williams playing Albeniz and Bream and Yussef Allie playing Nuages.
There is also a sense of a passing age seeing the two retired maestros Bream and Williams knocking the spots off most modern duos.
The link to playback is still active until 31stJanuary, so go get it if you haven't seen it already!
I hope the BBC make this more widely available.
Other archive programmes so far include Menuhin at the BBC and Tortelier at the BBC.
Petroc Trelawney presents the last in his series exploring the great classical stars through the BBC film archive. He spotlights the legendary British guitarist Julian Bream. Now 80 years old, Bream's life and music were richly documented through regular appearances on television from the 1960s to the 1980s. Performances include Malcolm Arnold's Guitar Concerto conducted by the composer, duets with John Williams, hot jazz, classical transcriptions and lute music performed with Bream's own Early Music Consort.
Here is a guide to Julian Bream's broadcast master classes recorded in 1978 in his home, featuring music by Albeniz, Villa Lobos, Bach and Britten.
Available on BBC iPlayer for the whole of next year. Thank you, Auntie!
This live interview is available until 31st December for those of you who can access BBC iPlayer.
Fascinating the difference between this and the previous post!
The legendary guitarist is announced as the winner of the Lifetime Achievement Award ahead of the star-studded ceremony at LSO St Luke's, London, this evening.
Born in London in 1933, Julian was inspired to pick up the guitar by his jazz-loving father. He's gone on to become an advocate for lute, bringing the instrument into public consciousness, as well as the classical guitar.
During his long career Bream's devoted commitment to championing the guitar enhanced its reputation as a concert hall instrument immeasurably, and his encouragement of composers has left the repertoire so much richer, something he continues to do today thorough his Trust. Gramophone editor Martin Cullingford met him at his home to talk about his musical life and career.
Two years ago Julian Bream was walking with his retriever, Django, in the fields around his Dorset home, when a neighbour's dog knocked him to the ground, breaking both hips and injuring his left hand. For several years, Britain's greatest virtuoso of guitar and lute had played through the pain of arthritis, but these new injuries compelled him to renounce making music seriously. He had retired in 2002 after 55 years of professional performing, but still liked to give the occasional recital at churches or halls near his home.
Thus ended his longest affair, one that started when nine-year-old Julian put on one of his dad's Quintette du Hot Club de France LPs and was seduced by what he calls the "burning anguish" of Django Reinhardt's playing.


- I'm a designer currently based in San Francisco. I'm passionate about product, branding and motion graphics. Always looking to collaborate on new projects. Currently building cool things at YML.
Series of micro-interactions designed to enhance the purchase experience.


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Oncopera är ett släkte av fjärilar. Oncopera ingår i familjen rotfjärilar.

Kladogram enligt Catalogue of Life:

Bildgalleri

Källor

Externa länkar

Rotfjärilar
Oncopera

redpajama_set_name: RedPajamaWikipedia


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How Mediation in the Health and Community Service Sector Saves Time, Money and Relationships
By: Sumner and Lang | Winter 2021
This productive, positive and cost-effective process leaves stress and conflict behind.
Small conflicts between people generally require simple solutions that can easily be found through dialogue and active listening. But there are times when grievances grow, or communication breaks down and disputes escalate. This is when mediation and conflict coaching offered by Cortree Mediation Services, a social venture powered by Spinal Cord Injury Ontario, can help both parties find an agreeable solution.
Cortree mediators are experts in resolving conflicts between recipients and providers in the health and community service sector. Their goal is to empower all parties to shape agreements according to their own needs and preferences, rather than provide a solution or "ruling" on the issue. In addition, Cortree offers conflict coaching, which helps people build the skills involved in finding a shared resolution.
"Given our experience and expertise, we specialize in working with service providers for people with disabilities," says Sharol Cordner, Manager of Mediation and Training Services at Cortree. "When there is a breakdown in communication between a provider and recipient of services, a mediator can guide both parties through a constructive dialogue that leads to a cooperative solution."
A resident in supportive housing is receiving 15 hours of attendant care every week, rather than the 21 hours he needs. After numerous complaints, management has not responded to his satisfaction. He has begun a social media campaign to draw attention to his situation.
Mediation is an efficient and cost-effective path to agreement and resolution. It avoids or ends a protracted and often heated conflict where each party has come to view the other as an adversary. By focusing on building and preserving constructive relationships, participants are able to shape their own agreement together.
"These can be delicate relationships," says Cortree mediator Nouma Hammash. "When they break down, everyone is stressed and unhappy. Ideally, a service provider contacts us before that point. But whenever we become engaged, the important factor to hold in mind is that neither participant has to sacrifice their interests or values. The goal is to achieve a Memorandum of Understanding, which contains terms that work for everyone. That's a win-win."
Ongoing conflict is both time-consuming and energy-consuming, says Nouma. Rather than looping through the same frustrating interactions again and again, mediation frees managers and clients to spend their time on more fruitful activities. Both participants are motivated to follow through on the Memorandum of Understanding because it is made by them and reflects their own interests.
An attendant scheduled to arrive at 9 am is berated daily for not coming at an earlier time the client prefers. Not available earlier, the attendant asks the client every morning to contact the manager. Instead, she contacts her local MPP office to complain about service.
Mediation is not a legal process. It is voluntary and confidential and the information discussed cannot be shared or used in any other process, including court. It is faster and less expensive than legal action, gives participants control over the outcome and focuses on relationships.
Cortree Mediation and Conflict Coaching services are provided on an hourly basis. In addition, as a social venture, Cortree reinvests its proceeds in SCIO to support programs, services, education and advocacy by and for people with disabilities.
"At SCIO, we understand disability better than other mediation services," says Nouma. "We understand the issues, the available resources, the client experience and the provider experience. That positions us as ideal facilitators when disputes arise. We don't take sides or deliver decisions. We guide participants toward a mutual agreement that provides satisfaction and maintains relationships."
For more information about Cortree Mediation & Conflict Coaching, visit www.cortree.com
New Stars on CortreeTV
A Generous Community


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EFL Move Your Freight
We strive to maintain quality throughout our organisation and with our trained staff, we will meet or exceed the expected standards of performance placed on us by our clientsInterests:Domestic and International Freight transport. Import and export customs clearance in Ireland. Airfreight consolidation with door to airport and door to door services. Ocean Freight services, handling packages and full container movements. Bonded warehouse operations for speed of handling and clearance.
Container Market in brief.
Freight rates in the Asia to Europe container trades have seen spot rates more than triple since late last year, and look set to rise further as lines impose more increases in the coming weeks.
Most lines have announced their intention of seeking another $400 per teu on May 1, but APL and OOCL will be asking for $450 more. Shanghai's container throughput also reached 7.5m teu in the first three months of this year, based on year on year growth of 3.5%.
Container imports to Europe increased 4 percent in February, while exports grew 8.89 percent, according to the latest analysis from Container Trade Statistics. Rotterdam posted a 4% decline in volumes in the first quarter to 2.8m teu, despite a 1% rise in total box weights to 30m tonnes.
In Asia, Singapore handled 7.5m teu in the January-March period, up 6.6% on year. Inactive capacity now stands at 274 ships with a total intake of 492,000 teu, equivalent to 3.15% of the total fully cellular fleet, according to Lloyds List latest idle containership survey as of the 11th April 2012.
Braemar Seascope have reported that scrapping activity is picking up, with 35 ships sent to the breakers in the first quarter of the year, and almost a half coming from the 2,000 - 3,000 teu range. Braemar estimates that 120 ships of just over 193,000 teu will be removed this year, representing 1.2 per cent of the fleet.
That compares with 58 ship deletions of 83,900 teu in 2011, and a projected 65 ships of 134,500 teu are likely to be sold for scrap in 2013.
Source: IMDO
Posted by EFL International at 9:31 AM No comments:
TIACA slams Frankfurt night-flight ban
The decision by the Federal Administrative Court in Leipzig to uphold a night-flight ban at Frankfurt Airport will damage one of the world's premier gateways for international trade and harm the local and national economy, said the Chairman of The International Air Cargo Association's (TIACA) Industry Affairs Committee.
Despite strong industry protests, the court's decision means the ban on flights at Frankfurt between 11pm and 5am will remain in force. The court also reduced the number of flights allowed in the hour before and hour after the night period.
TIACA has previously warned of the potential economic and environmental damage that would result from the night-time flight ban, a prime time for freighter movements that support fast deliveries of essential products throughout the day once they leave the airport.
The association said restricting freighter movements would reduce future investment by companies at Frankfurt Airport and could lead to job losses. It also warned of a negative impact on the environment from greater trucking operations if all-cargo airlines were forced to use other airports.
Consumers can also expect higher prices for everyday items due to higher supply chain costs, TIACA said.
Oliver Evans, Chair of the Industry Affairs Committee, said: "We are extremely disappointed by the decision.
"Slots are a major battle ground for airlines at major airports across the globe and in recent years to satisfy the requirements of passengers, all-cargo operations have been pushed into the hours of the day, and the night, when passengers don't want to fly. The air cargo industry has adapted to this and made it work.
"Today, night-time cargo flights are part of a seamless supply chain that means consumers and businesses can plan their stock levels and production schedules with confidence. This is now at risk.
"Until courts, businesses, industry and members of the public start to understand how much they rely on air cargo, the danger is that the decision made in Frankfurt could be repeated at other major gateways.
"If this happens, it's not only the air cargo that will suffer: local communities around those airports and national economies will also pay a higher price, both financially and environmentally."
Source: IFW
EFL International
Santry,, Dublin 9, Ireland
Hi there and welcome, We are probably one of the last remaining, wholly Irish owned indigenous freight companies, still operating in the Republic of Ireland. IATA Accreditation IIFA Membership ISO Certification NSAI Member


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New Play Programs
The Lab@SCR is South Coast Repertory's nine-initiative investment in new works for the American theatre. The Lab@SCR expands and deepens SCR's already-ambitious and nationally renowned new-play development program. The Lab@SCR includes a commitment to a more rigorous development of new American musicals, commissions for playwrights at various stages of their careers, playwright residencies and additional in-house readings and workshops.
"South Coast Repertory must continuously develop voices for the American theatre," says Artistic Director David Ivers. "Doubling down on all aspects of our existing new-play development programs is essential to our mission. It is a natural progression as we recommit to the vision of our founders, expand how we support playwrights, and get creative about activating our new work, aiming for productions at our theatre and beyond."
Watch Artistic Director David Ivers talks about expanding new play development in The Lab@SCR.
Nick Waaland, Daniel Chung, Kyle T. Hester, Aaron Blakely, Larry Powell and Linda Gehringer in rehearsal for a 2019 NewSCRipts reading of The Canadians by Adam Bock. World premiere production given during SCR's 2019-20 season.
All About The Lab@SCR
The Lab@SCR is a comprehensive play-development infrastructure that provides resources with which artists can imagine, create and develop new work for SCR and for the American theatre. These expanded and new initiatives are all housed in The Lab@SCR.
Pacific Playwrights Festival: This annual, three-day festival showcases the best in new American plays and musicals. Founded in 1998, it serves as a meeting-ground for national theatre professionals and avid local new-play fans by presenting seven new plays—in readings, workshops and productions. Going forward, it will provide a forum for sharing work emerging from The Lab@SCR and as a means to advance the development of that work. PPF aims to promote co-productions, multiple productions and new opportunities for America's finest playwrights, and to foster a sense of community among artists and audiences devoted to new American theatre. Information about our play submission procedures.
Musicals: Beginning in 2020, SCR commits to the goal of including one musical or music-theatre piece in each Pacific Playwrights' Festival and to presenting an evening of "Lab Samples"—excerpts from musicals and plays currently in development in The Lab@SCR.
Pinnacle Commissions: On its own, or in partnership with a like-minded theatre, SCR will periodically offer a large, "pinnacle commission" to a major American playwright. The inaugural commission of $60,000, granted in 2020, is in partnership with Playwrights Horizons.
Mid-Career Commissions: SCR commissions exceptional mid-career playwrights, offering higher compensation, with an eye toward encouraging their continued contributions to the American theatre in the face of lucrative opportunities in other media.
Emerging Commissions: SCR places a special emphasis on investing in early-career playwrights, for whom a commission serves as both financial support—at a time when it's particularly needed—and a vote of confidence.
CrossRoads Commissions: SCR's CrossRoads Initiative provides commissions to writers, or other generative artists, whom the theatre brings to Orange County for immersive, community-engagement residencies at the beginning of and at key moments in their creative process. CrossRoads promotes a shared sense that new projects are being created for this community, inspired by this community and with the active engagement of people who live in Orange County neighborhoods.
NewSCRipts: SCR's first new-play development program, NewSCRipts, was created in 1985 and opened a window on the development process for interested audience members. It allows playwrights the chance to hear their developing plays read and to receive audience feedback. Under The Lab@SCR, NewSCRipts will continue presenting three public play-readings on Monday nights throughout the season, which provide playwrights and SCR's artistic staff with a way to test drive a work-in-progress and receive feedback from the audience. In addition, selected readings will be taken on the road for public presentations at local colleges and universities to give writers the benefit of readings in front of demographically different audiences. Information about our play submission procedures.
Lab/Work: These in-house readings and workshops will take place when a writer wants to work with actors and/or other collaborators without having a public audience at the end of the process. The Lab@SCR will provide any manner of in-house reading or workshop, ranging from a one-day table reading to a long-term exploration. By tailoring the collaborative experience to the needs of the individual writer and project, Lab/Work puts the emphasis on process and discovery.
Lab Residencies: Sometimes for a creative artist, it's just about retreating from the demands of everyday life and being given a place and the time to write, away from the usual distractions. SCR playwrights always know they can find that retreat, now funded by The Lab@SCR.
About Commissions
Since 1983, SCR has awarded 339 commissions to 231 playwrights, composers and lyricists, with more than 50 active commissions. These are the theatre's most effective means of supporting and developing long-term relationships with writers. Vietgone by Qui Nguyen, Cambodian Rock Band by Lauren Yee, Three Days of Rain by Richard Greenberg, Brooklyn Boy by Donald Margulies, Golden Child by David Henry Hwang, The Beard of Avon by Amy Freed and A Doll's House, Part 2 by Lucas Hnath were all successful products of SCR commissions.
New commissions given in 2019-20 as part of The Lab@SCR include a musical project from Jane Bruce (singer/songwriter/actor; Elf: The Musical, Jagged Little Pill), a collaboration between playwright Kate Hamill (The Scarlet Letter, SCR world premiere, March 28-April 25, 2020) and composer-performers, The Bengsons (The Lucky Ones; Hundred Days), and plays from Kate Cortesi (Love) and Ana Nogueira (Mask Only). SCR's commitment to emerging writers continues with three commissions awarded to Spenser Davis (Plainclothes), Shayan Lotfi (Park-e Laleh) and Charly Evon Simpson (Behind the Sheet).
The theatre is also currently developing Threshold by Amy Brenneman; Beatrice by Lauren Gunderson, Dory Fantasmagory (a theatre for young audiences play) by John Glore; and Prelude to a Kiss (musical adaptation) with book by Craig Lucas, music by Daniel Messé and lyrics by Sean Hartley.
The theatre has produced 155 world premieres; and, since its founding in 1998, the Pacific Playwrights Festival (PPF), an annual, national showcase of new work, has presented 141 new plays. Ninety percent of PPF works have gone on to productions at SCR and/or other theatres.
Writers With Current Commissions
Luis Alfaro • Jane Bruce • Bekah Brunstetter • Julia Cho • Mia Chung • Kate Cortesi • Evelina Fernandez • Lindsey Ferrentino • Selina Fillinger • Amy Freed • Michael Golamco • Isaac Gomez • Richard Greenberg • Dipika Guha • Lauren Gunderson • Adam Gwon • Jennifer Haley • Kate Hamill and The Bengsons • Ike Holter • Chisa Hutchinson • Naomi Iizuka • David Jacobi • Rajiv Joseph • Claire Kiechel • Kimber Lee • Mike Lew • Matthew Lopez • Alex Lubischer • Martyna Majok • Laura Marks • Dan Messé & Sean Hartley • Molly Smith Metzler • Michael Mitnick • Dominique Morisseau • Jessica Moss • Ana Nogueira • liliana padilla • Jonathan Payne • Brendon Pelsue • Max Posner • Kemp Powers • Heidi Schreck • Madhuri Shekar • Jen Silverman • Charise Castro Smith • Octavio Solis • Jonathan Spector • Susan Soon-He Stanton • Sanaz Toossi • Sarah Treem • Mfoniso Udofia • Caroline V. McGraw • Lauren Yee • Karen Zacarías


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The Hermetic Library Blog
Faint gibbering heard from somewhere near the restricted stacks
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"Astral" Beings may thus be defined in the same way as "material objects"; they are the Unknown Causes of various observed effects. They may be of any order of existence. We give a physical form and name to a bell but not to its tone, though in each case we know nothing but our own impressions. But we record musical sounds by a special convention. We may therefore call a certain set of qualities "Ratziel", or describe an impression as "Saturnian" without pretending to know what anything is in itself. All we need is to know how to cast a bell that will please our ears, or how to evoke a "spirit" that will tell us things that are hidden from our intellectual faculties.
Aleister Crowley, Book 4, Notes for an Astral Atlas
Consider also:
"Charisma, the projection of an aura of self confidence, is based on a simple trick. After a short while there is no difference at all between the pretence and the actuality of self confidence. Anyone wishing to remedy a lack of confidence and charisma, and uncertain as to how to begin pretending to these qualities, may find that a day or two spent pretending to absolute zero self confidence will quickly reveal both the effectiveness of pretence and the specific thoughts, words, gestures and postures required to project either pretence."
"He strikes Eleven times upon the Bell 3 3 3–5 5 5 5 5–3 3 3 and places the Fire in the Thurible. I strike the Bell: I light the flame: I utter the mysterious Name. ABRAHADABRA He strikes Eleven times upon the Bell."
"the American version of representative government assures that such qualities of intellect and ethics as might equip a man to lead a powerful nation responsibly are precisely the qualities that would prevent him from subjecting himself to the debasing performances of vote begging and delegate swapping. It is a truism of American politics that no man who can win an election deserves to."
← The Mysteries of Algiers "But they were entirely free from the malignant envy, the panic born of prejudice and the perverse passions produced by hypocritically pretending to suppress natural instincts, which one associates with tradesmen in the West End of London and ministers of religion." →
More images of The Quake Enochian Temple of Michael Arndt
Vlčí Duše
Lunar and Sex Worship
"While I've been ruminating on the availability of trees, Peeta has been struggling with how to maintain his identity. His purity of self."
"It was a splendid discovery, and the clarity and purity of the solution was even more extraordinary in light of the confusion it had emerged from, as if I'd unearthed a shard of crystal from the floor of a dark cave."
Tetragrammaton
Condensed Chaos
Liber Sigil-A-IAF
The Cunning Man's Handbook
The Visionary and His World
"These misconceptions may be summed up as follows:—Firstly, that Buddhism is a 'heathen' doctrine, whose adherents worship idols and pray to stone and wood; Secondly, that it is a mysterious sort of affair, connected with miracle-mongering and 'esotericism'; and, Thirdly, that it is a backboneless, apathetic, pessimistic manner of philosophy, with annihilation as its goal and aim, tending to the subversion of all useful activities, well enough for 'the dreamy peoples of the Orient,'—as those who know them least delight in calling them,—but totally unsuited to the more active and energetic nations of the West."
"the prudent but strict curtailment of the freedom of the press; the minute police supervision of all teachers and professors; and the ferreting out Illuminism in its most secret recesses…. The result will be that henceforth no one will be able to corrupt the opinion of the people … and that the real happiness of the people will no longer be threatened by the destruction of religion and the subversion of society."
New and Collected Poems 1964-2006
"The radical magi encountered a world wherein one world-image was locked in place—not just the geocentric cosmos but the whole Christian orthodox value system that went with it. Their subversive purpose revolved around the project of a free circulation of imagery, a breaking-up of the stasis and the creation of a more responsive model. The single world-view of orthodoxy was seen as stifling, tyrannical, oppressive. Inasmuch as the self interiorized this view it reproduced the oppression on the level of the subjective. The hermeticists opposed the very singleness of this worldview with a contradictory multiplicity, a critical form of 'paganism' based on difference."
The Hermetic Library Anthology Album - Magick, Music and Ritual 15 by The Hermetic Library The Hermetic Library Anthology Album - Magick, Music and Ritual 14 by The Hermetic Library
Hermetic Library Tweets


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Альб́ерто Аквіл́ані (;  7 липня 1984 року, Рим, Італія) — італійський футболіст, півзахисник збірної Італії та «Спортінг» (Лісабон).

Кар'єра

«Рома»
Займався в школі «Спес Монтесакро», де був помічений скаутами «Роми». Виступав за «Рому» на юнацькому рівні. У березні 2001 року перспективного гравця намагалися придбати «Челсі» і «Арсенал», але він волів залишитися в «Ромі». 17 грудня 2002 Аквілані провів свій перший матч за основну команду «Роми» — у матчі-відповіді Кубка Італії проти «Трієстини» (1:1; 4:1 пен.). 10 травня 2003 дебютував в Серії A в матчі проти «Торіно» (3:1). Сезон 2003/04 Аквілані провів в оренді в «Трієстині», що була середняком Серії B, там він був гравцем основного складу (41 гра, 4 голи), і його гра за цю команду, було високо оцінено фахівцями. Після повернення в «Рому» він почав регулярно виходити на поле та показував непогану гру, проте пропустив чимало ігор через травми. Виграв із клубом два Кубки Італії, боровся за високі місця в Серії A, грав у єврокубках. Провів за команду 147 матчів (з них 102 в Серії A), забив 15 голів (9 у Серії A).

«Ліверпуль»
Влітку 2009 року в пресі з'явилися повідомлення про те, що Аквілані може перейти з «Роми» до «Ліверпуля», що шукав заміну Хабі Алонсо, який був близький до переходу в мадридський «Реал». 6 серпня було опубліковано офіційне повідомлення про те, що принципової згоди між клубами про трансфер досягнуто, після чого «червоні» отримали можливість вести переговори з самим Альберто. 7 серпня «Ліверпуль» підтвердив, що гравець успішно пройшов медогляд, і контракт з ним підписаний. 13 серпня було оголошено, що в новій команді Альберто отримав четвертий номер, який до нього носив Самі Хююпяя.

«Ювентус»
21 серпня 2010 «Ліверпуль» і «Ювентус» досягли угоди про річну оренду гравця. 25 серпня Аквілані підписав контракт з «бьянконері» на рік з можливістю пріоритетного права викупу футболіста після закінчення сезону 2010/11 за 16 млн євро.

24 червня 2011 року агент гравця заявив, що Аквілані повернеться в «Ліверпуль», тому що «Ювентус» не буде викупляти його контракт.

Збірна Італії
Має великий досвід виступів за юнацькі збірні Італії різних віків. У 2003 році виграв чемпіонат Європи до 19 років, провів всі п'ять матчів фінальної стадії турніру, забив один гол, був одним з провідних гравців команди. 15 листопада 2006 провів свій перший матч за дорослу збірну країни, проти Туреччини (1:1). Був гравцем основного складу молодіжної збірної на першості Європи для гравців віком до 21 років у 2007 р., забив 2 голи на турнірі. Брав участь у складі збірної Італії в чемпіонаті Європи 2008 року, провів два матчі з чотирьох. 15 жовтня 2008 відкрив рахунок своїм голам за національну збірну, зробивши дубль в матчі відбіркового турніру ЧС-2010 з чорногорцями (рахунок матчу 2:1).

Приватне життя
Одружений з італійською актркою Мікела Кваттрочокке. В пари двоє дітей.

Досягнення
«Рома»

 2-е місце в чемпіонаті Італії: 2005/06, 2006/07, 2007/08
 Володар Кубка Італії: 2006/07, 2007/08
 Фіналіст Кубка Італії: 2002/03, 2004/05, 2005/06
 Володар Суперкубка Італії: 2007

«Мілан»
 2-е місце в чемпіонаті Італії: 2011/12

«Фіорентіна»
 Фіналіст Кубка Італії: 2013/14

«Спортінг»
 Володар Суперкубка Португалії: 2015
 2-е місце в Прімейра-лізі: 2015/16

збірна Італії до 19 років
 Чемпіон Європи (U-19): 2003

Примітки

Посилання
 Профіль гравця на Liverbird.ru
 Профіль на офіційному сайті «Ліверпуля»
 Профіль на офіційному сайті «Роми»

Італійські футболісти
Гравці збірної Італії з футболу
Футболісти «Роми»
Футболісти «Трієстини»
Футболісти «Ліверпуля»
Футболісти «Ювентуса»
Футболісти «Мілана»
Футболісти «Фіорентини»


March 11 - April 6, 2018 Beaver Creek will light up the spring-themed stage with performers, contests, music and more! SpringFest activities at Beaver Creek are free and fun for "kids" of all ages! Don't miss the 26th Annual Easter Egg Hunt, featuring over 3,000 eggs, on Saturday, March 31st in Creekside Park. Activities and events occur daily on the village plaza, next to the ice rink, during après ski hours (3pm - 6pm).
Enjoy spring in the Vail Valley!
Find the clue list at www.beavercreek.com/fotofriday or at the Info Center. Take photos of the clues and show them at the FotoFriday tent to collect your prize!
Enjoy the music from the disco era as you and your family dance and skate around the ice rink. Keep your eye out for some of the disco skaters who will join in as you skate the night away!
Join the world famous Beaver Creek Children's Theatre Company as they present a smorgasbord of theatrical delights for children of all ages featuring the animation of children's poetry, fractured fairy tales and folktales from around the world. All our stories are brought to life in a fast-moving, high-energy and engaging way. No matter whether our guests are 3 or 83, they'll be pulled right into the excitement.
Make memories that will last a lifetime with the #FotoFriday Scavenger Hunt! Find the clue list at beavercreek.com/fotofriday or at the Information Center.
4 - 5 p.m.: Stop by the #FotoFriday Booth, next to Beaver Creek Sports, to print your favorite photo, earn a souvenir picture frame, and be entered to win a $100 gift card!
The mountain is all the entertainment teens need during the day, but what happens when the sun goes down? That's why Beaver Creek is proud to present BC<3T2 – evening programming for teens only! Activities include a twilight snowshoe & pizza party, tubing at Vail's Adventure Ridge and a ski & snowboard trick class at the Anti-Gravity Center. It's easy to register at www.beavercreek.com/teens!
Peak Rhythms packs in their drums, but everyone has a chance to pound on these percussion instruments. Don't miss out on your chance to become a part of this drum ceremony!
The village comes alive with games, fun and prizes for kids of all ages! Get your caricature drawn, try your luck at our games of skill or just sit back and enjoy the activity during this free family event. There's sure to be something for everyone!
We take arts & crafts to a whole new level with fun and engaging projects for kids. They'll get to use their imagination and their hands to become "Maker's".
Join our SpringFest Characters as they bring the plaza to life, tell stories, hold fun contests and lead the Kids' Parade. Watch as they skate around the ice rink and delight the entire family with appearances throughout Beaver Creek plaza.
Kids can join Beaver Creek's SpringFest Characters in a parade from the plaza stage to the covered bridge in Beaver Creek plaza. Come join the fun!
A great performances of comedic charm for the whole family with juggling, magic and comedy - that has the kids brought right into the act. Features silly bits of magic, juggling, plate spinning and more.
Each week our science tent will feature wonderful science themed presentations that will excite and engage young minds. Subjects will include Birds of Prey, prehistoric fossils, winter weather and interactive science experiments for the kids to enjoy.
Enjoy the music of the Irish Isle as well as favorites from the classic rock, soul and disco eras as you and your family dance and skate around the ice rink. Come get your Irish on!
This is an amazing, comedy-filled trick pig show, featuring Bacon & Pork Chop, that is action-packed and fun for the entire family – you'll be amazed at Colorado's smartest swine! All animals are USDA certified and performances are conducted humanely. No Animal is harmed or in danger at any time. This act has been chosen to audition for the next season of "America's Got Talent". See them now before they're even bigger Pigs!


For a number of years now, the Post-War and Contemporary Department, under the direction of Hugues Sébilleau, has been returning outstanding results with its sales of works from 1945 to today.
With 15 years experience Hugues Sébilleau, who had been providing his expertise and knowledge of the contemporary art market to Artcurial since 2004, after having spent several years with Briest Auctioneers as well as working in the finance sector.
The department benefits not only from their respective experience but also from their dedication and focus on customer service; buyers and sellers of works of art today demand ever more knowledge and information and Karim and Hugues intend to provide this to the widest range of clients possible.
The department's aim is to promote and develop the market for French artists from different artistic movements (Abstraction, Narrative Figuration and the New Realists) alongside sales of works by significant international artists. Client focus, expertise and knowledge have meant many clients come to count on the invaluable advice the department can provide, a fact underlined by the various collections entrusted to the team - whether they be classic, such as the Jean Pollack, Claude and Micheline Renard, Jean Ferrero, Jacques and Madeleine Matarasso, Pierre Hebey or Jean Leymarie collections or those much more contemporary, such as 'Projet Minimal', Vincent Wapler or Michel Fedoroff.
After studies in the US and in France, Fabien decided to follow a career doing something he loved: firstly 10 years spent in the fashion business - starting with Paul Smith and then with APC, before his passion for contemporary furniture led him to create the Design Department at Artcurial.
By 2004, after only 2 years of activity, he was already the leader in his field in Europe. Among his successes are the sale 'Light is More - a century of lighting'; (November 2005), where the personal collection of the designer Ingo Maurer was sold and, confirming the place of the Design Department at a world level, setting four of the highest prices reached at auction for pieces by Jean Prouvé, including the world record for a piece of furniture with the Table Trapèze, selling for €1,241,800 (including commission) in May 2014.
Fabien was appointed Vice-president of Artcurial in 2013, and since oversees all the activities relating to the XXth century - from decorative arts to contemporary art. He has notably initiated new, transversal sales, aimed at a younger, urban clientele who are seeking works of art to decorate the interiors of their homes. This was particularly the case for the highly successful MORE and Limited Edition auctions.
Under his guidance, the XXth century departments saw growth of 16% in sales volume in 2016, driven mainly by auctions involving the sale of private collections (Collection Geneviève and Pierre Hebey, Collection Brollo, Collection Vincent Wapler, Collection Michel Fedoroff, Collection Jean Leymarie, etc.) and with several record prices being set, including a Marcel Duchamp painting (sold for €1.2m in June 2016) and a Marc Newson chest of drawers - Pod of Drawers (sold for €1m in October 2016).
After several years at the Étude Briest, from 1988 to 1992, during which he played an active part in the art market and then in finance, in 2003 Hugues Sébilleau again joined Francis Briest at Artcurial's Post-War & Contemporary department.
For 15 years, Hugues Sébilleau has developed several periods and movements, including Abstraction and the 70s, also expanding new markets and helping the department achieve remarkable results with artworks from 1945 to the present.
It is also worth noting that the oil on canvas painting 1.6.88 by Zao Wou-Ki sold for 3,518,600 € including buyer's premium, and the acrylic on canvas painting Tabula, done in 1980 by Simon Hantaï, which was acquired for 753,000 € last June.
His analysis of the contemporary art market and its participants has also allowed Artcurial to offer renowned collections such as that of the Paris art merchant Jean Pollak in October 2011, and more recently the Michel Fedoroff collection in 2017, which allowed Artcurial to obtain the world's record for a work by Martin Barré.


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HI Supreme Ct.
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Taiwan Industry Updates / Auto Parts & Accessories / Supplier News
Hiever Co., Ltd.
LED work lights, LED machine lights, LED lights for auto-repairs, mechanic's creepers and stools, LED warning lights, LED snake lights, LED lights for jacks, etc.
Sep 09, 2015 | By Quincy Liang | HIEVER CO., LTD.
Founded in 2002, Hiever Co., Ltd. is an ISO 9001-approved company specializing in designing, developing, and manufacturing wide-ranging quality and innovative LED work lights, as well as and garage equipment, such as mechanic's creepers and stools.
Tony Huang, president of Hiever, points out that his company has been supplying different kinds of high-quality, innovative, and patented LED work lights for various applications, especially auto repair and maintenance, machinery, trades, etc. Most of the firm's LED lights are patented in Taiwan and major export markets, such as the U.K., Germany, the U.S., Japan and China. In addition, all the lamps are certified to CE and RoHS standards.
Most Taiwanese LED lamp makers have moved production to China for lower costs, Huang says, and the few who have stayed on the island insist on fully made-in-Taiwan quality, with pricing that have to be strategically positioned to find niches for their products. "All our products are innovative, unique, patented items with state-of-the-art designs and functions, and they are widely popular among professional users worldwide."
Hiever invents, innovates, improves, or upgrades products, so as to enable professional users access to the most advanced and convenient products available on the market. "In many cases, we are a pioneer in the market, such as when Hiever launched its first LED work light before most people had even heard of LED. In recent years, we have been doing more work to learn regional customers' work habits, so as to upgrade new existing products for higher customer acceptance. Our experience tells us the majority of auto mechanics will choose what is familiar, rather than brand-new, revolutionary items," says Haung.
Quality and innovative LED work light developed by Hiever is the best choice for professional users.
Hiever offers wide-ranging LED lamp product lines for various applications. In addition to 30- and 60-LED work light models launched in recent years, the company has been gradually moving upmarket by making all the lighting items using the SMT (Surface-mount Technology) method for the highest quality and durability.
A good example of the firm's innovative products is a 30-LED work light with invention patents in six nations. The innovative product features many advantages over typical counterparts, including energy-efficiency, 360-degree-rotating S-hook, 120-degree swinging LED tube, magnetic base with 180-degree tilt-adjustment, convex-lens-magnified light intensity, extended operation (7-8 hours) per full charge (2000 mAh AA nickel-metal-hydride battery), etc.
A 60-LED work light made by Hiever for auto mechanics.
Auto Repair Equipment
Thanks to its strong R&D capability, Hiever in recent years has aggressively diversified its product lines into the auto-repair field, having launched another product category for automotive shop or mechanics.
Huang says that the company recently demonstrated an auto mechanic's creeper with six casters. The new creeper model has, like all other products designed by Hiever, many advantages over typical counterparts, including the built-in, battery-powered LED for better under-car illumination; adjustable into a mechanic's stool with four casters; 1-inch square steel tubing for solid structure and EVA foam for user comfort; a built-in hand tool tray for easy storage. The creeper comes in two load capacities of 330lb and 450lb.
Hiever's auto mechanic's repair creeper/stool features many innovative designs and functions.
Hiever has also developed a patented auto mechanic's stool featuring many outstanding functional designs, which, Huang says, make work easier, more efficient and more enjoyable for auto mechanics.
Division-of-labor Manufacturing
Hiever closely cooperates with a group of quality sub-contractors with their own expertise and know-how in tooling, metal stamping, plastic injection, electronic manufacturing, etc., coupled with its own in-house design, development, assembly, packaging under stringent quality-control standards, to make optimal use of division-of-labor production, Huang says, which results in the highest quality level thanks to each member's expertise, and more flexible and efficient production mode.
In addition to offering standard lighting assemblies in stock, Hiever says that it also offers OEM/ODM services backed by engineers adept in electronics/circuitry design and dedicated project planning. The firm is known for its motto that promises trustworthiness and consistent capacity to fully meet customers' specific demand.
No. 1138, Xinfu Rd., Taiping Dist., Taichung City, Taiwan 41175
E-Mail: hiever78@ms66.hinet.net
Website: www.hiever78.com


Our deliciously plenishing cashew m*lk is bursting with organic nutty goodness. It is a natural source of protein to maintain healthy muscles and bones, making it the perfect post-workout pick-me-up. With just three simple ingredients and no additives, preservatives or sweeteners, and a high nut content that means more nutrients for you. Plenish cashew milk is also a good source of copper, that means it helps protect your precious cells from oxidative stress and helps your immune system operate normally. Pack size: 1 Litre.


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David Bryant
Pianist/Composer/Multi-Instrumentalist David Bryant is a world-class artist. Few musicians today match the versatility, originality, and sensitivity that he brings to the music. He combines an extensive knowledge of the jazz tradition and other diverse musical idioms, as well an individualistic approach and sound; it is no surprise that he is quickly rising to the top of the international jazz scene.
David Bryant was born 1983 in Brooklyn, NY. As a member of a family that encouraged a strong musical upbringing, David started playing piano at age 4. By age 8, he was already competing and ranking in some of the New York area's most prestigious youth classical piano competitions, such as BACA and the Queens College Festival of Music Competition. Four years later, David also began playing cello and trumpet, performing with youth symphonies and chamber programs on all three instruments. As a result of his dedication, he was accepted to New York's prestigious LaGuardia High School of Music and Arts. It was here that David became interested in jazz.
While at LaGuardia, David quickly became an integral part of the Senior Jazz Band and combos as well as the All-City Jazz Band. He won the "Outstanding Soloist" award at Lincoln Center's Essentially Ellington competition, as well as being invited to participate in the Monterey Jazz Festival and the North Sea Jazz Festival. His senior year he was selected to the Grammy Foundation's All-American Jazz Combo. In 2001, he received a scholarship to study at the New England Conservatory. He made the most of this opportunity quickly becoming a rising star in Boston's jazz scene. As well as joining the Boston Jazz Reparatory Orchestra (BJRO), he performed weekly at Wally's Jazz Café and Jordan Hall while also performing at Ryles and the Regatta Bar. In 2005 he graduated with a degree in Jazz Performance and a distinction in music.
David currently resides in Manhattan. He is currently a regular member of the Steve Davis Quintet, Myron Walden/Darren Barrett Quintet, Jen Shyu's Jade Tongue and James "Jabbo" Ware's Orchestra. He has also played with the likes of Ravi Coltrane, Roy Haynes, Dave Holland, Jimmy Heath, Steve Coleman, Kenny Wheeler, Wynton Marsalis, Eddie Henderson, Bob Brookmeyer, George Garzone, Eric McPherson, Abraham Burton, and many others in the New York and international jazz scene. He has performed and can be seen in clubs such as Birdland, the Iridium, the Jazz Standard, the Jazz Gallery, Carnegie Hall, Alice Tully Hall, the 55 Bar, Barbes, the Knitting Factory, Zebulon, the Jazz Bakery, and the Cotton Club in Tokyo. He has currently recorded projects with Steve Davis, Myron Walden, and Abraham Burton as well as recording and performing with various projects of his own.
Synovial Joints
Dirt… And More Dirt
Henry Threadgill 14 or 15 Kestra: Agg
Double Up, Plays Double Up Plus
Henry Threadgill


Home / Posts Tagged "Quantitative Research"
In 2012, Cornell University researchers published a study that concluded that children between 8 and 11 years old would choose an apple over a cookie if the apple had a sticker of a popular cartoon character. Childhood obesity rates had skyrocketed across the United States, and this simple solution to help children make better food choices received a lot of buzz.
It turns out the findings were too good to be true. Last October, JAMA Pediatrics, the journal that published the study, was forced to retract the study's findings.
The problem? Faulty data and faulty conclusions.
The College of Education's Tiffany Whittaker wants students to learn to interpret data and statistics, so she designed a new educational psychology course: Statistical Literacy and Reasoning. Whittaker is an associate professor in the Department of Educational Psychology.
The course is open to undergraduates across the university and is taught by educational psychology doctoral students. It's designed to introduce students to statistical applications and their interpretations in daily life.
The course can replace a math requirement and introduces undergraduate students to coursework in educational psychology—which may have the extra benefit of enticing them to earn a minor in the subject.
Students often enter the course with a "blank slate related to statistical literacy," says Molly Cain, a doctoral student who taught the class last fall. The students don't have preconceived notions about statistics. But they also have no real facility with deciphering statistical data.
Whittaker says, "We want students to ask: What's going on behind the numbers?" Specific questions can help students think critically about what's going on behind those numbers: How were the data gathered? What methods were used? Who conducted the survey? Was bias introduced? What do you know about the sample—such as its size or population? Are there lurking or hidden variables that might explain an association?
"Psychology studies are difficult," Cain says. "Often, researchers will choose subjects who are convenient to study, like college freshmen, just because they are available." But samples should reflect the actual population that researchers want to draw conclusions about, she says, and college freshmen may not be representative of the population they actually want to understand.
That was one of the problems with the apple vs. cookie study. It was conducted with 3 to 5-year-old children, but the findings were applied to 8 to 11 year-olds—a population likely to be less motivated to choose an apple with a sticker of Elmo over a cookie.


The new stadium Tottenham are expected to spend 400 million to build is scheduled to used in the 2018-19 season officially. There is not only a large lawn in the middle of the event can take on NFL requirement, but also a large dressing room designed can be used for a NFL team of more than 70 simultaneously.
It now appears that the new home of Tottenham is likely to be used to host future NFL events. Tottenham's spokeswoman did not deny, said that they are to see what measures to make this golf timeless.
Allegedly NFL tournament will determine the permanent venue in London steadily within five years. Now they will be available at Wembley to test three games this fall, to see how long the players can be restored back to the US state.


Before announcing the official release, I need your help for proofreading the document and detecting possible errors. Of course, if you have any suggestions, or if you think something must be changed or improved, this is the moment. This is a large and complex document, so I understand if you don't want or can't help with it. We all have our own limits of time and work, after all, so I know this is asking for too much.
The idea with 11.5.3 is not to define a comprehensive list of astronomical image properties in a variety of specialties; there could be literally thousands of them. What we need is a dictionary of fundamental properties. More and more specialized properties can be standardized in the future through addendums to the core specification.
Any contribution to improve the XISF specification will be highly appreciated. Thank you in advance.
N.B.: If you don't like or don't care about the XISF project, this is not the thread to say that.
Excellent work - as usual!
I have given the whole document a 'speed-read', and will try and re-read this over the next few days.
I have to confess that I haven't kept up to speed since your first announced the XISF specification - but the whole document seems well constructed and well-organised.
Maybe review for properties that could change? For example, my setup's focuser position changes during the exposure.
Maybe change 'average' to 'typical'?
I checked the Observation namespace in more detail for obvious reasons and I have a minor question. There are two properties refering to equatorial coordinates : Observation:Object:RA/Dec and Observation:Center:RA/Dec. From an image acquisition point of view I am not sure how to ensure that both data are determined reliably if they do not coincide. An image can contain many objects so which Object:name or Object: ccordinates should be set? IMHO, only considerung the Center:RA/Dec properties should be sufficient for the first version.
A Float32 property. Measured position of the focuser in millimeters, with respect to a device-dependent origin.
In this way we are not claiming that the value is 'exact', be it an average or not.
From an image acquisition point of view I am not sure how to ensure that both data are determined reliably if they do not coincide.
The Observation:Object namespace is for informative purposes exclusively. It can be useful for metadata classification and search operations applied to data sets, but should not be used for anything else. Observation:Center is the reference position to be used where positional accuracy is required. For example, Observation:Center:RA/Dec are the appropriate initial coordinates for a plate solving routine like the ImageSolver script. So the answer to your question is, undoubtedly: always try to determine Observation:Center as accurately as possible, as the direction where the telescope is being aimed at the sky. Observation:Object is irrelevant in this regard.
These explanations should be included in the descriptions of these properties to remove any ambiguities, and to state clear the purposes of each of them. Thanks for pointing this out.
An image can contain many objects so which Object:name or Object: ccordinates should be set?
A property identifier must be unique for the object with which the property is associated.
(refresh your browser) is *the* final version that I'll release officially next week, unless somebody has something to say that stops me.
and will be publicly available tomorrow on our open-source GitHub repository. This reference implementation allows including XISF support very easily in any application, just by linking it against the PCL library. Of course, no running PixInsight application is required, since the XISF support classes are completely independent and self-contained components. There are no license issues either, since PCL is released under a BSD-like license.
So this is *really* your last opportunity to contribute to the XISF formal specification. As always, all comments, suggestions and error reports will be highly appreciated.
Like everything, there *must* come a time where you launch your creation into the big, wide, world amd see if it will survive.
I believe that the XISF specification has been very carefully thought out - not just by you as its creator, but by the many people who have taken the time to follow its development in detail.
The use of XISF may never replace the use of FITS for the archiving of astronomical (or general) imaging data, but it should give those who maintain the FITS standard 'food for thought'.
I say, "Publish, and be damned!"


Meet outside on the green space between Colletta and Oak Steakhouse or on the sidewalk across the street in the shade. Look for a friendly group of moms with strollers and workout gear.
This green space is at the intersection of 3rd Street and Avalon Blvd across from Crate & Barrel and near the residential end of Avalon.
Parking is available in the lot between Whole Foods and Flywheel by building 2000 & 4000 or in the deck off of 3rd Street behind Crate & Barrel and El Felix by building 1000 & 3000.
Do not parking in the Whole Food lot. They do enforce parking restrictions.
We are welcome to use the Pottery Barn Kids bathrooms. There are also public bathrooms in the main plaza space to the right of the Regal Cinema.
In the case of inclement weather, we will meet in THE URBAN OUTFITTERS TUNNEL.
Park in the public parking deck on 1st street, cross the street and walk thru the Veranda Resident Parking Deck to the Urban Outfitters tunnel.
Check Facebook or our website for location changes. You will received an email notification of the location change if you are enrolled in the class.


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Long Term Problems from Traumatic Brain Injury
Traumatic brain injuries can cause problems that do not become obvious for days or months afterwards. They can sometimes take years to reach a level of difficulty that catches the notice of a doctor. Many of these long-term problems appear much earlier in life than would normally be expected. They may also manifest in more extreme forms than is common to those with no previous traumatic brain injury.
Alzheimer's disease typically affects older people, but a traumatic brain injury can bring on early symptoms. Alzheimer's causes short-term memory loss, confusion, and disjointed thinking. Patients lose short-term memory, while retaining much of their long-term experiences. They may not recognize loved ones, yet will clearly remember the day they graduated from high school.
Early Onset
Brain injuries make Alzheimer's more likely to occur and at a younger age. New England Patriots player Ted Johnson suffered several head injuries between 2002 and 2005. In 2007, at age 34, his doctors noted that he already showed signs of early Alzheimer's disease.[1]
The risk of early Alzheimer's grows with the severity and frequency of head injury. A 2009 NFL study reported that former NFL players are 19 times more likely than the average population to develop Alzheimer's disease between ages 30 and 49. Head injuries make this elderly disease a problem for younger people.
Parkinson's and similar diseases that impair motion also tend to follow traumatic brain injuries. Parkinson's disease causes uncontrollable movements. Mild cases may cause twitches and reduced ability to create facial expressions. Cases that are more serious can cause difficulty walking and talking normally, as was seen with world famous boxer Muhammad Ali. There is no cure for the disease. It worsens until the patient loses all motion control.
Post Traumatic Dementia
This problem can happen after severe traumatic brain injury, especially in a person who went into coma following the injury. People with post-traumatic dementia can have memory problems or difficulty controlling their muscle movements. The severity of the problem can be different for each person. Unlike most types of dementia that impair short-term memory, post-traumatic dementia can damage long-term memory.
Dementia Pugilistica usually happens to boxers who suffer repeated blows to the head for many years in a row. It is sometimes called Boxer's Syndrome because of the prevalence seen in athletes retired from the sport. The symptoms are very much like Post Traumatic Dementia, but they do not appear until years after the brain trauma. Memory loss and movement problems can last for many years, sometimes resulting in early death.
If you or someone you love suffered a traumatic brain injury due to the negligence of another, contact us. Our lawyers have experience in cases involving brain trauma and can look into your case free of charge.
[1] http://www.npr.org/2011/01/20/133053436/brain-injuries-haunt-football-players-years-later


MGM has released a teaser poster for the upcoming reboot of Child's Play, which will be arriving in theaters next summer on June 21, 2019, Variety has confirmed. The horror movie will be debuting alongside Disney•Pixar's Toy Story 4 and Sony's Grudge reboot. Check out the full poster now in the gallery below!


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"Wonderful World" is a song written by Guy Fletcher and Doug Flett and first recorded and released by British singer Cliff Richard.

Recording and release
"Wonderful World" was recorded by Richard as a potential song for the Eurovision Song Contest 1968. It was first performed on 5 March 1968 on A Song for Europe, the UK national selection television programme for the Contest. The song came third in the vote, losing out to "Congratulations" and "High 'n' Dry". "Congratulations" backed with "High 'n' Dry" was then released as a single in March 1968. "Wonderful World" was first released in May 1968 on the EP Congratulations: Cliff Sings 6 Songs for Europe, which included all six shortlisted songs sung by Richard for the Eurovision national selection process.

"Wonderful World" was only released as a single in Belgium and Japan. It was first released in Belgium in August 1968 with the B-side "I'll Love You Forever Today", which had been released as a single in the UK. It was released in Japan several months later with the B-side "Little Rag Doll", written by Mike Leander, and which was also recorded as a potential Eurovision song. "Wonderful World" was also released as the B-side to the French release of "I'll Love You Forever Tomorrow".

Richard also recorded a German-language version in October 1968, also titled "Wonderful World" (the song features the lyrics "Wonderful World", but the rest are in German). It was released in March 1969 as the B-side to "Zärtliche Sekunden", the German-language version of "Don't Forget to Catch Me".

Track listing
7": Columbia / DCB 121 (Belgium)
 "Wonderful World" – 2:35
 "I'll Love You Forever Today" – 3:02

7": Odeon / OR-2110 (Japan)
 "Wonderful World" – 2:35
 "Little Rag Doll" – 2:15

Personnel
 Cliff Richard – vocals
 John Paul Jones – bass guitar
 Bernard Ebbinghouse Orchestra – all other instrumentation
 Mike Sammes Singers – backing vocals

Charts

Elvis Presley version

"Wonderful World" was recorded by Elvis Presley in March 1968 for the film Live a Little, Love a Little, in which Presley also stars and which was released in October 1968. It was not released as a single and no soundtrack album or EP was released to promote the film. However, Presley's version of "Wonderful World" was released at the beginning of October (several weeks before the film's release) on the budget compilation album Singer Presents Elvis Singing Flaming Star and Others, which was a promotional release only available at certain stores. This album was given a full release in March 1969 under the title Elvis Sings Flaming Star.

"Wonderful World" became the first song by British writers to be recorded by Presley. However, the lyrics on Presley's version are completely different to the original version as Fletcher and Flett were ask to rewrite them for the film. After Presley recorded the song, Fletcher and Flett were ask to write another song for Presley. They wrote "The Fair's Moving On", which was released as the B-side to "Clean Up Your Own Backyard".

References

1968 singles
1968 songs
Elvis Presley songs
Songs written by Guy Fletcher (songwriter)
Songs written by Doug Flett
Cliff Richard songs
Columbia Graphophone Company singles
Song recordings produced by Norrie Paramor


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We take responsibility to work cost-effectively, ensuring that communication between businesses and developers is regular and transparent, and that your deadlines are met and your end users are satisfied.
Reaching the milestones is not all that we offer. You still need support when the software is in the hands of your customers. And we are here to help you. With our support package you will resolve any issue that blocks you from success.


text:
A formal approach to code optimization
Alfred V. Aho, Ravi Sethi, J. D. Ullman
We examine from a formal point of view some problems which arise in code optimization and present some of the results which can come from such an approach. Specifically, a set of transformations which characterize optimization algorithms for straight line code is presented. Then we present an algorithm which produces machine code for evaluating arithmetic expressions on machines with N ≥ 1 general purpose registers. We can prove that this algorithm produces optimal code when the cost criterion is the length of machine code generated.
ACM SIGPLAN Notices
https://doi.org/10.1145/390013.808486
10.1145/390013.808486
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Set theory Engineering & Materials Science 100%
Aho, A. V., Sethi, R., & Ullman, J. D. (1970). A formal approach to code optimization. ACM SIGPLAN Notices, 5(7), 86-100. https://doi.org/10.1145/390013.808486
A formal approach to code optimization. / Aho, Alfred V.; Sethi, Ravi; Ullman, J. D.
In: ACM SIGPLAN Notices, Vol. 5, No. 7, 01.07.1970, p. 86-100.
Aho, AV, Sethi, R & Ullman, JD 1970, 'A formal approach to code optimization', ACM SIGPLAN Notices, vol. 5, no. 7, pp. 86-100. https://doi.org/10.1145/390013.808486
Aho AV, Sethi R, Ullman JD. A formal approach to code optimization. ACM SIGPLAN Notices. 1970 Jul 1;5(7):86-100. https://doi.org/10.1145/390013.808486
Aho, Alfred V. ; Sethi, Ravi ; Ullman, J. D. / A formal approach to code optimization. In: ACM SIGPLAN Notices. 1970 ; Vol. 5, No. 7. pp. 86-100.
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title = "A formal approach to code optimization",
abstract = "We examine from a formal point of view some problems which arise in code optimization and present some of the results which can come from such an approach. Specifically, a set of transformations which characterize optimization algorithms for straight line code is presented. Then we present an algorithm which produces machine code for evaluating arithmetic expressions on machines with N ≥ 1 general purpose registers. We can prove that this algorithm produces optimal code when the cost criterion is the length of machine code generated.",
author = "Aho, {Alfred V.} and Ravi Sethi and Ullman, {J. D.}",
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AB - We examine from a formal point of view some problems which arise in code optimization and present some of the results which can come from such an approach. Specifically, a set of transformations which characterize optimization algorithms for straight line code is presented. Then we present an algorithm which produces machine code for evaluating arithmetic expressions on machines with N ≥ 1 general purpose registers. We can prove that this algorithm produces optimal code when the cost criterion is the length of machine code generated.
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JO - ACM SIGPLAN Notices
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Ray the Blind Dog: Hmmmm. What did she mean by that?
Hmmmm. What did she mean by that?
It was hot and steamy. A typical Northern Virginia day. Ray and I were dragging around the lake. A 20 something girl was approaching. As she neared, she got a smile on her face.
I started to swell with pride as I usually do when someone is complimenting my dog.
I deflated a bit but then realized I, myself, had just received a compliment from a YOUNG person.
I spent the rest of the walk wondering if she was being sarcastic.
I really don't want to be seen with her but she's holding the leash.
LOL! Before I even read the past I thought, "where did she get those"?
Never admit defeat? Why ever not?
Take it. Please. I insist.


text:
module AnalyticsExtension
  class Engine < ::Rails::Engine
    isolate_namespace AnalyticsExtension

    initializer "analytics.load_filters" do
      ActionController::Base.send(:include, ::AnalyticsExtension::BeforeFilter)
      ActionController::Base.send(:include, ::AnalyticsExtension::AfterFilter)
    end

  end
end


Derby is now a centre for advanced transport manufacturing and engineering, home to the world's second largest defence aero engine manufacturer, Rolls-Royce, and to the Bombardier rail vehicle production site.
London: Leading business representatives from Derby in the UK and Kolkata have signed an MoU agreeing to help 10 businesses from each city do business with each other and to build other links between the two cities.
The Indian Chamber of Commerce (ICC), Derby City Council and East Midlands Chamber of Commerce (EMCC) signed the MoU in Derby on Thursday agreeing to support 20 businesses, 10 from each region, with specific bilateral trade and investment opportunities over the next year and to start a series of activities to facilitate cultural, civic and tourism ties.
Through the MoU, Derby representatives and the Kolkata business delegation led by ICC director general Dr Rajeev Singh agreed to start and deepen trade and investment relationships in innovative engineering, automotive and industrial sectors.
Specifically, they agreed to assist 20 companies in any industry with bespoke consultancy and business support, to do business in the other's region. The signatories will now seek to identify the 20 companies in the coming two months and roll out the support in the following 10 months.
"This paves the way for an increased flow of international trade between our region and Kolkata and West Bengal," said David Pearson, director of partnerships and membership services, EMCC.
Derby is a city in the East Midlands that has a lot of similarities to Kolkata. It is one of the birthplaces of the industrial revolution and, similar to Kolkata, traditionally housed heavy industries such as engineering, rail and manufacturing. It is now a centre for advanced transport manufacturing and engineering, home to the world's second largest defence aero engine manufacturer, Rolls-Royce, and to the Bombardier rail vehicle production site.
"Companies in Derby used to do lots of heavy manufacturing but over the last 10 to 15 years they have been introducing technology to avoid mass unemployment. Kolkata is a decade or more behind Derby but hopefully it will follow the same growth trajectory and replace old practices with more advanced engineering," said Pratik Dattani, one of the Indian delegates.
Dr Rajeev Singh invited Derby City Council representatives to Kolkata for a joint event showcasing the shared industrial heritage and excellence of the two cities.