text:
Q: How to use \MakeUppercase in \sectionlinesformat together with hyperref? Is it possible to use \MakeUppercase in KOMA-Script's \sectionlineformat to get uppercase section headers without breaking hyperef's PDF bookmarks? The following example shows the problem. The \addsec headline in the bookmarks points to the firs page (i.e. what hyperref/TeX thinks is a "a fixed one").
\documentclass{scrartcl}

\usepackage{hyperref}

\makeatletter
\renewcommand\sectionlinesformat[4]{%
   \ifstr{#1}{section}{%
      \@hangfrom{\hskip#2\relax #3}{\MakeUppercase{#4}}%
%      \@hangfrom{\hskip#2\relax #3}{\texorpdfstring{\MakeUppercase{#4}}{#4}}% doesn't work
   }{%
      \@hangfrom{\hskip#2\relax #3}{#4}%
   }%
}
\renewcommand{\sectionformat}{\MakeUppercase}
\makeatother

\begin{document}
Test
\clearpage
\addsec{Addsec on page 2}
Text
\end{document}

The \texorpdfstring trick doesn't work. I already found out that hypperref seems to "inject" something in the #4 argument of \sectionlinesformat where the \MakeUppercase happens to break the "injection".
Is it possible to use \MakeUppercase here at all, or is there another way of getting upper case section headers?

A: You're missing \phantomsection:
\documentclass{scrartcl}

\usepackage{hyperref,bookmark}

\makeatletter
\renewcommand\sectionlinesformat[4]{%
   \ifstr{#1}{section}{%
      \@hangfrom{\hskip#2\relax #3}{\phantomsection\MakeUppercase{#4}}%
   }{%
      \@hangfrom{\hskip#2\relax #3}{#4}%
   }%
}
\makeatother

\begin{document}
Test
\clearpage
\addsec{Addsec on page 2}
Text
\clearpage
\addsec{Addsec on page 3}
Text
\end{document}

Loading bookmark is usually recommended, but it's not essential for the solution.

redpajama_set_name: RedPajamaStackExchange


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text:
How I'm Learning to Love IsoBall, and other Villanova Basketball notes
Why Villanova's offensive changes are working, and other statistical notes on the first third of an undefeated season.
By Will Schreefer Dec 16, 2016, 8:00am EST
Share All sharing options for: How I'm Learning to Love IsoBall, and other Villanova Basketball notes
"I thought I said no 2 point jumpers"
Eric Hartline-USA TODAY Sports
Well, it's finals time – and Villanova's still undefeated. What a team, and what a time to be a fan. Before the calendar flips to 2017 – and Villanova's schedule to conference play – figured I'd take advantage of the week in which stats won't change to write up some thoughts on Villanova's season thus far, and talk about some of the things I (and the good folks at kenpom, hoop-math, and hooplens) have been tracking this season.
Here's a short – for me – piece on some early trends on offense, and some small notes on the defense. Will likely post one, maybe two more pieces before the American game next week.
Who Needs Passing?
The most obvious change on 'O' is the lack of ball movement this year, at least compared to the last few. The Villanova of the championship season was a beautiful, whirring ball movement machine built around a team full of smart perimeter passers and the post presence of Ochefu, finishing with an assist percentage in the top 15% of the country (58.7% of its made baskets come on assists, for 44th highest in the country).
This had been a trend since Villanova's rise back to the (regular season) elites of the country – they finished with the 24th highest rate in 2013-2014, and the 15th highest in 2014-2015. While there were obvious exceptions in particular games in the tournament – with Kansas and North Carolina coming to mind – where iso ball ruled, little in the past few years indicated a coming shift in offensive philosophy.
To put it mildly, this has not been the same type of offense. While there are a few glimmers each game of the 'passing-up-good-for-great' shot philosophy of the last few years, the offense this year has been littered with ball stopping post-ups, isos, and (at times) Ginger Jesus pull-ups. The current assist percentage (at 52.6% of made baskets) is 167th in the country, and would be the lowest for Villanova since the doldrums of the 2012 campaign. While some of this is certainly related to Phil Booth's extended absence – and the necessity of playing long stretches without a (remotely) true point guard on the floor – it's a bit of a weird trend. But really – it hasn't mattered. At all.
Villanova's adjusted offensive rating in 2017 so far sits at 121.3 points per 100 possessions, just a tick off the pace (which includes the greatest tournament run in the history of college basketball) of 121.7 per 100 from last year. The unadjusted efficiencies are also very comparable – 120 points/100 this year, vs. 116 points/100 last year.
Turnovers are down (a common side effect of a more iso-heavy approach), 3 point attempts and field goal percentage are way up, and there's honestly little to complain about (besides aesthetically) about the way the team is currently doing business on the offensive end.
What's making it possible is two of the best high volume isolation scorers in the country – Josh Hart and Kri-just kidding, Jalen Brunson. Since Josh will have his own write-up later this week, I'll spend a bit of time talking up JB.
Despite being assisted on just 28.40% of his made baskets, Jalen is currently on-pace for a 50/40/90 season (50% from the field, 40% from 3, and 90% from the line) and is scoring at a rate good for 154th in the country (124.3 points per 100 possessions). Just to give you a read on how rare that is – since 1993-1994, only 38 players have hit the 50/40/90 line. Further, only 16 of those players had more field goal attempts in their entire season than Jalen has right now (99 FGA's). That's…pretty incredible. And, after some early season issues with turnovers, he's been able to drop his turnover rate to 14.5 – in line with the heralded point guard play of the last few years. Love it.
And Jenkins, while he's still working himself into a groove after the highs of last season, remains one of the most skilled isolation players I've seen in my relatively short time as a fan of Villanova. While I'd love to see (quite) a bit more ball movement incorporated into the offense, they can probably keep this pace up without it. If they can get to a point where they're extremely comfortable with either - watch out, NCAA.
Running Down (My) Dreams
Villanova has also been really successful on the break this year, on both ends of the floor. For all possessions in which the first shot (or loss of possession) is within 10 seconds, Villanova is currently scoring 137 points per 100 possessions, up about 20 points per 100 from the same bracket in 2015-2016. They've also slightly increased their volume on the same – about 26.10% of all Villanova's possessions last 10 seconds or less, up from 24.10% last year. Per hoop-math, they are currently top 60 in the country in terms of transition eFG% - sitting at 63.20% so far this year. Villanova is certainly a team built to run with the glut of athletic wings – something certainly seen in their efficiency. I think we could all stand to see more 1 on 4 Hart transition breaks, in any case.
One place Villanova has really fallen off this year is from… the dreaded mid-range (it's not actually dreaded). Last year's team hit the 12th best percentage in the country on all long 2's (if you really haven't seen me use this before, it's all shots not classified as dunks, layups, or tip-ins): a cool 42.40%. The average in D-I usually hovers around 35-36%, for reference. This year, they're sitting at 36.40% - quite a large drop.
While this category certainly included many of Chief's hook shots and was therefore somewhat inflated, most of the returning players have also hit a significantly lower percentage on these long 2's. Kris (51.2% to 30.30%), Jalen (40.30% to 37.80%), and even tha GOD Josh (41.80% to 38.90%) are all contributing to the decline here – something best demonstrated by overall possession stats. In the two tables below, you can see the typical offensive rating for a possession split up by 'first shot' type (perhaps obvious, but I feel strangely obligated to explain things in parentheses – this means that if a 3 is the first shot taken on a possession, the entire possession is classified as 'Three'). While 'Nova managed a quite respectable mark per possession taking long twos last year, it's fallen quite a bit this year.
While they're taking about the same amount of long 2's as they were last year, efficiency has fallen way off – while the efficiency of the other two types has increased significantly. Down with the mid-range!
Yes, More Shot Charts
And now, a quick discussion of the shot chart:
Villanova's Offensive and Defensive Shot Charts for 2016-2017
Really though – what they're doing on offense so far this year has been incredible. The field goal percentage from 3 is hovering around 40%, and the 3 highest volume shooters on the team are all hitting over 43% (get it together, Donte and Mikal). And look at the rim! In 'holy shit' stats for the day, Mikal Bridges has missed just 3 of his 30 layups/dunks so far this year. Three.
Not to short the other guys - Darryl Reynolds has missed just 4 of 25 in close, and Josh only 8 of 47.
The team continues to focus on the 'Moreyball' zones of each side: 3's and layups. It's especially stark on the defensive side – while teams have kind of carved up Villanova from the mid-range, hitting well above average from the short (outside 5 feet, and outside the paint) and long (outside 13 feet, not a 3) mid-range areas, they're below D-I average at the rim and (especially) from 3. I mean – that's literally 30% from three on the chart – and their overall mark is even better, as KenPom currently has their defensive 3FG% at 28.9%.
The most impressive part is likely around the rim, for me. While it's intuitive that a team playing Eric Paschall as its center for major minutes will be able to extend to the perimeter on defense, it was always less obvious that they'd be able to replicate the interior presence of Ochefu from last year's championship team. And, while there have been hiccups, the eye test has certainly told me they've done a solid job putting in the effort to contest shots as a team. The numbers are starting to show it's bearing fruit – while it's a far cry from last season, 58.05% remains above league average (in terms of defense), and the number has been trending downward over the last few games. Hope it's something they can continue as the day-to-day competition level rises in Big East play.
I do have plenty more I'd love to talk about in one gigantic article, but I have to figure my tolerance for writing too much is higher than yours for reading too much. Hope to publish a bit more later this week. I have earlier suggestions from everyone for what to look at, and I'll continue to try and incorporate. Thanks for reading.

redpajama_set_name: RedPajamaCommonCrawl


text:
namespace OrbitEngine { namespace UI {
	/// Text UI element
	class Text : public Element {
	public:
		Text();
		virtual ~Text();

		// this should be moved to styles
		void setFont(Graphics::Font* font);

		void setText(const std::string& text);

	private:
		Graphics::Font* m_Font;
		std::string m_Text;

		void paintContent(Painter* painter) override;
		Math::Vec2f measureContent(float width, MeasureMode widthMode, float height, MeasureMode heightMode) override;

		// TextLayout cache
		// make sure you don't hold the reference after calling flushTextLayoutCache
		const Graphics::TextLayout& getTextLayout(const Graphics::TextSettings& settings, bool skip_glyphs);
		void flushTextLayoutCache();
		std::vector<Graphics::TextLayout> m_TextLayoutCache;
	};
} }

#endif

redpajama_set_name: RedPajamaGithub


Rachel and Kyle came all the way from Ohio and chose the beautiful Hilton Clearwater Beach as the Venue for their destination wedding ceremony in early September. While the weather did not cooperate, the wedding was still a beautiful representation of their love. Rachel looked amazing as she was escorted down the aisle by father and mother to join Kyle under their wedding arch. In front of their family and friends, the couple shared their vows, exchanged rings, and were pronounced husband and wife by Rev. Rick Lackore of Sensational Ceremonies. DJ Services were provided by Eric with Grant Hemond and Associates, flowers and décor provided by For Better For Less, and videography provided by Hearts Video. Venue Coordination provided by Brooke and the rest of the wonderful staff at the Hilton and wedding event coordination provided by Megan and her team with Confetti Events. Special thanks to Wedding Photographer Tammy with True Love Photography for providing this beautiful photo as Kyle shared his ring vows with Rachel.
Congratulations to the new Mr. and Mrs. Kyle Girton!


Russell Westbrook was about as good as you could ask him to be Thursday, but the Thunder still fell to the Pelicans 131-122 and New Orleans didn't even have star Anthony Davis in the second half.
Westbrook scored a season-high 44 points on 18-of-30 shooting while adding 14 rebounds and 11 assists in his NBA-record 11th straight triple-double. He's now averaging 21.2 points, 11.2 assists and 11.1 rebounds this season.
The Thunder, though, trailed by three points at the half and didn't come out of the locker room very well as New Orleans opened up a 12-point lead going into the fourth quarter.
Westbrook scored 11 points in the fourth quarter as the Thunder outscored the Pelicans in the frame, but the deficit after the third was simply too much to overcome.
The Thunder will go into the All-Star break with a 37-20 record and a three-game lead over the Trail Blazers for the No. 3 seed in the West. The Pelicans are now 26-33 and will have to wait to hear about the condition of Davis, who left the game after halftime with a shoulder injury.
Magic guard Terrence Ross scored a game-high 21 points off the bench in Orlando's 127-89 shellacking of the Hornets.
Knicks guard Dennis Smith Jr. scored 19 points and added seven assists as New York broke its 17-game losing streak with a 106-91 win over the Hawks.
Kemba Walker scored 10 points on 4-of-20 shooting in the loss to the Magic.
Jrue Holiday scored 32 points while adding seven assists, five rebounds, three blocks and two steals. He impressed with this nice finish at the rim.
Team LeBron vs. Team Giannis, 8 p.m. ET Sunday — The NBA All-Star Game will feature teams led by LeBron James and Giannis Antetokounmpo on Sunday. The next regular-season games will be played Thursday.


text:
Ken Lum
Necrology, Royale Projects, Los Angeles, September 16 to December 16
The Wattis Institute for Contemporary Arts, San Francisco, March 15 – May 12
Royale Projects at Expo Chicago, September 13 – 17
Art Gallery of Mississauga, Mississauga, Ontario, March 2 – April 17
L.A. Galerie (Lothar Albrecht), Frankfurt, November 26 – March 11, 2017
Richard Rhodes Dupont Projects, Toronto, September 10 – October 1
Window, Artspace, Winnipeg, Manitoba, August 1 – 30
BASE/Progetti per l'arte, Florence, Italy, June 10 – September 10
Espacios Revalados/Changing Places: Torres de tajamar, Siemens Stiftung/Chilean Cultural Council for the Arts, Santiago, Chile, April 7 – 17
Royale Projects, Los Angeles, September 19 – November 14
Vienna Kunsthalle Karlsplatz Public Space, Vienna, March 20 – October 27
Vancouver Especially (A Vancouver Special scaled to its property value in 1973, then increased by 8 fold), 221A Semi Public, 271 Union Street, Vancouver, February 21 – February 20, 2016
Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, January 17 – February 28
Galerie Marc Jancou, New York City, March 9 – May 4
Galerie Jancou, Geneva, May 4 – June 9
L.A. Galerie Lothar Albrecht, Frankfurt April 7 – June 30
Galerie Nelson-Freeman, Paris, April 6 – June 23
Misa Shin Gallery, Tokyo, December 15 – March 3
Vancouver Art Gallery, Vancouver, Feb 12 – July 3 (catalog)
From shangri la to shangri la, Vancouver Art Gallery Off-Site, Vancouver, January 23 to September 6
I said no, Audain Gallery (windows), SFU Woodward's, Vancouver, January 1 – February 4
L.A. Galerie (Lothar Albrecht), Frankfurt, November 6 – December 31
Galerie Christian Nagel, Berlin, January 31 – February 28
Arrow Factory Gallery, Beijing
Galeria Llucia Homs, Barcelona, June 12 – July 31
Galerie Grita Insam, Vienna, June 6 to July 12
Galerie Nelson-Freeman, Paris, March 8 – April 25
Galerie Lothar Albrecht, Frankfurt, October 26 – December 31
Tang Contemporary Art, Beijing, June 30 – August 30 (catalog)
Centro de Arte Contemporáneo De Huarte, Navarro, Spain, April 21 to June 10 (catalog)
Pi, permanent public art installation, Vienna, opened December 1, West Passage, Karlsplatz, Vienna
Galerie Grita Insam, Vienna, Aug 08 – Sep 09, 2006.
City of Vancouver National Works Yard Commission, Vancouver, September 1 inauguration, permanent installation.
Galerie Grita Insam, Vienna, December 16 – February 12, 2005
The Power Plant Contemporary Art Centre, Toronto, December 11 – March 6, 2005 (catalog)
Xpo September, Stockholm, September 10 – October 10
Schnitzel Company, Museum in Progress/ Arbeiterkammer Wien, Vienna, June 1 – August 1
LA Galerie (Lothar Albrecht), Frankfurt, January 24 – March 20
Galerie Nelson, Paris, November – December 30
Art Gallery of Windsor, August 20 – October 26
I don't know whether to laugh or cry, Contact Photo/ Art Gallery of Ontario, May 1 – 31
Art Gallery of Calgary, April 18 – June 15
Galerie Art & Public, Geneva, February
Canadian Museum of Contemporary Photography, Ottawa, September 21 – January 12, 2003 (catalog)
LA Galerie (Lothar Albrecht), Frankfurt, June 1 – July 20
Centre Culturel Canadien, Paris, March 7 to June 1 (catalog)
Galerie Grita Insam, Vienna, December 7 – January 26, 2002
Galeria Espacio Electico, Buenos Aires, Argentina, November 7 – December 7 (brochure)
There is No Place Like Home, Haus der Kulturen der Welt, Berlin, October 4 – December 23
The Agency Contemporary Art, London, September 8 – October 20
Andrea Rosen Gallery, New York, May 25 – June 30
Centre for Contemporary Art, Kitakyushu, Japan, May 26 – June 15 (artist's book)
Contemporary Art Gallery, Vancouver, May 4 – July 21 (catalog)
Galerie im Taxispalais, Innsbruck, Austria, March 1 – 31 (brochure)
There is no place like home, Museum in Progress, Vienna, December 1 – February 28, 2001
LA Galerie Lothar Albrecht, Frankfurt, November 18 – January 27, 2001
The Gate Foundation, Amsterdam, May 12 – June 30
Plug-In Gallery, Winnipeg, Canada, December 2 – January 8
Mendel Art Gallery, Saskatoon, Canada, September 17 – November 5
Walter Phillips Gallery, The Banff Centre, Banff, Canada, January 16 – February 14
XXIV Sao Paulo Bienal, Sao Paulo, October 4 – December 13 (catalog)
The Agency Contemporary Art, London, September 19 – October 31
Galerie Drantmann, Brussels, January 15 – March 5
Camera Oscura, San Casciano dei Bagni, Italy, April 4 – May 30
FRAC de Haute-Normandie, Galerie Duchamp, Yvetot, France, March 26 – May 9 (catalog)
Galerie Art & Public, Geneva, February 6 – March 15
Andrea Rosen Gallery, New York, January 31 – March 8
Stills Gallery, Edinburgh, January 12 – February 17
Galerie Drantmann, Brussels, November 9 – December 16
Camden Arts Centre, London, October 12 – November 26 (catalog)
San Francisco Art Institute, San Francisco, July 20 – August 20
Galerie Nelson, Paris, April 29 – June 3
l'Aquarium—Galerie de l'Ecole des Beaux Arts, Valenciennes, France, April 5 – May 13
Salle d'Expositions, Ecole Nationale des Beaux Arts, Nancy, France, March 2 – March 24
Andrea Rosen Gallery, New York, December 2 – January 14
Catriona Jeffries Gallery, Vancouver, November 28 – January 14
Oakville Galleries, Oakville, Canada, September 17 – November 13 (catalog)
Galerie Daniel Buchholz, Cologne, November 5 – December 4
Galerie Johnen & Schöttle, Cologne, November 5 – December 4
Städtische Galerie im Lenbachhaus, Munich, January 20 – March 7 (catalog)
Badischer Kunstverein, Karlsruhe, Germany, June 19 – July 25
Stadtgalerie Saarbrücken, Saarbrücken, Germany, May 9 – June 12
Neue Galerie am Landesmuseum Joanneum, Graz, Austria, March 26 – April 25
Galleria Massimo De Carlo, Milan November 4 -December 31
Galerie Rüdiger Schöttle, Paris, October 22 – November 30
Galerie Daniel Buchholz, Cologne, October 11 – November 9
Fine Arts Gallery, UBC, Vancouver, September 19 – October 12
Galerie Rüdiger Schöttle, Munich, April 16 – May 19
Kunstmuseum Luzern, Lucerne, Switzerland, February 2 – April 7 (catalog)
Witte de With Center for Contemporary Art, Rotterdam, December 15 – January 27 (catalog)
Galerie Meert Rihoux, Brussels, December 5 – January 20
Galleri Nordanstad-Skarstedt, Stockholm, November 3 – 30
Andrea Rosen Gallery, New York, September 11 – October 13
Vancouver Art Gallery, Vancouver, August 15 – October 8
Winnipeg Art Gallery, Winnipeg, Canada, February 24 – April 29
Artspeak Gallery, Vancouver, February 17 – March 17
Galerie Johnen & Schöttle, Cologne, September 8 – October 7
Galerie Daniel Buchholz, Cologne, September 8 – October 7
Galleria Massimo De Carlo, Milan, January 11 – February 8
Cold City Gallery, Toronto, October 8 – November 2
Galerie Ralph Wernicke, Stüttgart, September 9 – October 7
Musée d'Art Contemporain, Montréal, February 28 – May 22 (catalog)
Galerie Nelson, Lyon, France, January 16 – February 27
Nature Morte Gallery, New York, January 3 – January 31
Galerie Daniel Buchholz, Cologne, November 13 – December 10
Robbin Lockett Gallery, Chicago, May 7 – June 6
The Ydessa Gallery, Toronto, March 29 – April 26
Convertible Showroom Gallery, Vancouver, January 22 – February 8
Youth Portraits, Plug-In Inc., Winnipeg, Canada, September 25 – October 13
Coburg Gallery, Vancouver, September 4 – 8
YYZ Gallery, Toronto, January 7 – 26
Partially Buried Sofa, SFU Downtown Studio Gallery, Vancouver December 27 – January 3
Portrait/Logos, Coburg Gallery, Vancouver, April 18 – May 5
World Portraits, OR Gallery, Vancouver, October 3 – 15
Artists Space, New York, November 6 – December 6
SFU Downtown Studio Gallery, Vancouver, January 10 – 22
Sculpture for Dream Home, 505 Hamilton Street Studio, Vancouver, July 23 – 30
Two Floorplan Paintings, Vancouver
Architectural Digest Presents, Ian Wallace Studio, 303 Abbott Street, Vancouver
Sculpture for Livingroom/Public Lounge, Ian Wallace Studio, 303 Abbott Street, Vancouver
Walk Piece, outdoor performance, Simon Fraser University campus, October
Entertainment for Surrey, B.C., outdoor performance in Surrey, B.C., July 5 – 10
Anonymous, outdoor project, downtown streets of Vancouver, April
Tell me about yesterday tomorrow, Munich Documentation Centre for the History of National Socialism, Munich, November 28, 2019 – August 30, 2020
Form, Class & Beauty, Galerie Klemm's Berlin, September 13 – October 26
Collection(s), Musée d'Art Moderne et Contemporain, Geneva, Switzerland, May 19 – August 9
Photography in Canada: 1960 – 2000, Judith & Norman Alix Art Gallery, Sarnia, Ontario, May 3 – September 8
Views from the Collection: The Street, Vancouver Art Gallery, Vancouver, April 19 – November 17
On Melly Shum, Witte de With Center for Contemporary Art, Rotterdam, April 7 – January 5, 2020.
Displacement, Vancouver Art Gallery, March 9 – June 9
Come Together, Royale Projects, Los Angeles, January 13 –
Schengen Baroque Pasolini, Church of San Paolo Converso, Milan, Italy, January 10 – February 16
Days of Reading, Plug In Institute of Contemporary Art, Winnipeg, Manitoba, September 30 – December 30
The 80s Image, Winnipeg Art Gallery, Winnipeg, Manitoba, September 29 – Spring 2019
International Dumpling Festival, Nuit Blanche, Toronto, September 29
L, Fonds régional d'art contemporain, Ile-de-France, Le Chateau Rentilly, September 22 – October 2, 2019
Serpentine Path, Terminal Creek Contemporary, August 25 – September 16, Bowen Island, British Columbia, Canada
Readymades Belong to Everyone, Swiss Institute Contemporary Art, New York, June 22 – August 19
Then and Now, Art Asian Initiative, Philadelphia, May 4 – August 17
Note to Self, Royale Projects, Los Angeles, April 8 – December 16
Brand New: Art and Commodity in the 1980s, Hirshhorn Museum, Washington, D.C., February 14 – May 13
Photography in Canada: 1960 – 2000, The Rooms, St. John's, Newfoundland, January 27, 2018 – April 22
Sites of Assembly, Walter C. Koerner Library, University of British Columbia, April 11 – August 13
Transcending Signs: Ken Lum and Panchal Mansaram, Art Gallery of Mississauga, Ontario, September 7 – October 22
150 Years/150 Artworks: Art in Canada as a Historical Act, Galerie UQAM, Montreal, December – March 2018
Wall to Wall: Carpets by Artists, Katonah Museum of Art, Katonah, New York, July 9 – October 1
Coquitlam, Canada, Art Gallery at Evergreen, Coquitlam, BC, May 20 – August 22
Art School High, Gordon Smith Gallery of Canadian Art, North Vancouver, BC, May 13 – August 26
The Carpet Kartell, Tanja Grunert Gallery, New York City, April 27 – May 31
Photography in Canada: 1960 – 2000, National Gallery of Canada, Ottawa, April 6 – September 17, 2016
Oh…Museum Moderner Kunst Stiftung Ludwig, Vienna, March 17 – October 22
Construction_Reflection: Works from the Collection Gertraud & Dieter Bogner at Mumok, Museum Moderner Kunst Stiftung Ludwig, Vienna, November 25, 2016 – April 17, 2017
Behold the Man: 100 years, 100 faces, Museum de Fundatie, Zwolle, The Netherlands, October 1 – January 15, 2017
Wall to Wall: Carpets by Artists, Museum of Contemporary Art, Cleveland, September 23, 2016 – January 1, 2017 (catalog)
Past/Present/Future, Grand Rapids Art Gallery, Grand Rapids, Michigan, September 1 – October 30
Staff, Charles Addams Fine Arts Gallery, Philadelphia, September 1 – 26
Do you, Ms Jones? Rosenwald-Wolf Gallery, Philadelphia, June 24 – July 29
Were it as if, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands, May 27 – August 21
Portraits d'espace: David Coste, Axel Hütte, Ken Lum, Sophie Ristelhueber, Galerie Porte 10 CHU – Hôpitaux de Rouen, Rouen, France, May 11 – August 26
Objects May Appear: Lustre and the Monochrome in Contemporary Art, Royale Projects: Palm Desert, March 19 – May 2
Masterworks from the Audain Art Museum, Audain Art Museum, Whistler, BC, Canada, March 12 – June 30 (catalog)
Hello my name is… Los Angeles, Royale Projects: Contemporary Art, Los Angeles, January 30 – March 26
The Road Not Taken: Ai Weiwei, Ken Lum, Ozawa Tsuyoshi, Tomatsu Shomei, Misa Shin Gallery, Tokyo, November 27, 2015 – January 30, 2016
Regarding Spectatorship: Revolt and the Distant Observer, Kunstraum Kreuzberg/Bethanien, Berlin, November 21 – January 17, 2016 (catalog)
Fascination Photography, Essl Museum Contemporary Art, Vienna, November 13, 2015 – January 31, 2016
Foro Arte Cáceres, Fundación Mercedes Calles y Carlos Ballesteros, Cáceres, Spain, October 23 – 25
Inventory, Vol.5: Acquisitions from 1992 to 1996, FRAC Haute-Normandie, Sotteville-lès-Rouen, France, September 19 – December 6
Recollection, The Print Center, Philadelphia, September 18 – December 19 (catalog)
Through a Window: Visual Art and SFU 1965-2015, SFU Gallery, Burnaby, BC, Canada, June 3 – July 31
In An Absolut World True Taste Comes Naturally, Camberwell Space Gallery, University of the Arts, London, April 29 – June 10, (catalog)
Views From the Southbank II: Moments, Reflections, Intervals, Surrey Art Gallery, Surrey, BC, Canada, April 11 – June 14
Persons of Interest, Mackenzie Art Gallery, Regina, Saskatchewan, February 28 – May 3
Verortungen, Galerie Steinek, Vienna, January 24 – March 4
Sign, sign, everywhere a sign, Justina M Barnicke Gallery, University of Toronto, Toronto, January 15 – March 7
La Colección ARCO, CA2M, Centro de Arte Dos de Mayo, Madrid, October 08 – February 1, 2015
Gwen MacGregor, Roula Partheniou, Ken Lum, MKG127 Gallery, Toronto, September 13 – October 11
People's Biennial, Museum of Contemporary Art Detroit, Detroit, Michigan, September 12 – January 4, 2015 (catalog)
You've Really Got a Hold on Me, Oakville Galleries, Oakville, Ontario, June 30 – August 30
On Stage: Recent Acquisitions, Vancouver Art Gallery, Vancouver, June 28 – October 19
Punctum, Kunstverein Salzburg, Salzburg, Austria, July 26 – September 21 (catalog)
Sympathetic Magic, Mendel Art Gallery, Saskatoon, Canada, June 27 – September 14
Nouvelle Generation, FRAC Nord-Pas de Calais, May 17 – December 31
Attention Economy, Kunsthalle Vienna, Vienna, Austria, May 16 – September 6
Ruptures in Arrival: Art in the Wake of the Komagata Maru, Surrey Art Gallery, Surrey, BC, April 12 – June 15
Whitney Biennial, Whitney Museum of American Art, New York City, March 7 – May 25 (catalog)
Border Cultures: Part two (Work, Labour), Art Gallery of Windsor, Windsor, Ontario, Canada, January 25 – April 13 (catalog)
Neue Ware, Galerie Christian Nagel, Cologne, Germany, January 11 – March 2
Where I live and What I live for, Oakville Galleries, Oakville, Ontario, December 9 – February 17, 2013
Data Trash, I-20 Gallery, New York City, May 24 – July 20
Street Life, Museum of Contemporary Art, Calgary, Alberta, March 8 – September 25
Topografias de la Memoria: a traves de grandes fotografos contemporaneos, AlHondiga-Bilbao, Bilbao, Spain, February 1 – April 15
Spelling the Image, Marc Jancou Gallery, New York, January 26 – March 3
Who told you so? The collective sotry vs. the individual narrative, Onomatopee Office and Project Space, Rotterdam, The Netherlands, January 4, 2012 – January 1, 2013
One Suitcase Per Person: David Diao, Ken Lum, Hiram To, 1A Space, Hong Kong, November 24 – January 31, 2012
In the End was the Word: Language as a Medium of the Contemporary Visual Arts, Ursula Blickle Foundation, Kraichtal-Unteröwisheim, Germany, November 12 – December 18
Shore, Forest and Beyond: Art from the Audain Collection, October 29 – January 29, 2012
The 4th Moscow Biennale of Contemporary Art, Moscow, September 22 – October 30
In Deed: Certificates of Authenticity in Art, De Vleeshal, Middelburg, The Netherlands, September 10 – October 9;
Fondazione Bevilacqua La Masa, Venice, Italy, October 14 – November 4; Khoj International Artists' Association, Delhi, India, November 18 – December 16
Through the Looking Brain: A Swiss Collection of Conceptual Photography, Kunstmuseum Bonn, Bonn, Germany, June 30 – September 25; Kunstmuseum St Gallen, St Gallen, Switzerland, October 15 – January 29, 2012
Out of Storage: Provisoire & Definitif, Marres Centre for Contemporary Culture, Maastricht, June 25, 2011 – March 25, 2012
Traffic: Conceptual Art in Canada 1965 – 1980, Art Gallery of Alberta, Edmonton, Alberta, June 25 – September 25
Destello, The Jumex Collection Art Museum, Ecatepec, Mexico, April 6 – November 22
ConText – Bild und Text, L.A. Galerie Lothar Albrecht, Frankfurt, April 2 – May 28
Bob and Breakfast – Robert Filliou et ses invites, Galerie Nelson-Freeman, Paris, March 12 – April 9
FACES: Works from the Permanent Collection, Helen and Morris Belkin Art Gallery, University of British Columbia, Vancouver, January 14 — April 10
It is what it is: Recent Acquisitions of New Canadian Art, National Gallery of Canada, Ottawa, November 6 – January 23, 2011
Construction Sites: Identity and Place, Kamloops Art Gallery, October 18 – December 31
Art Moves Festival, Torun, Poland, September 17 – October 17
Traffic: Conceptual Art in Canada 1965 – 1980, University of Toronto Galleries, Toronto, September 5 – December 5 (catalog)
Jeux de Rôles, La Garenne Lemot, Gétigné, France, July 9 – October 31
Checking in with your hotspots, Surrey Art Gallery, Surrey, B.C., July 3 – September 12
Through the Looking Brain: the Photographic Collection of Swiss Collectors Rudolf, Christine and Thomas Bechtler, Kunstmuseum Bonn, June 30 – September 25, 2011
Nether Land, Dutch Cultural Center, Shanghai, June 18 – July 11
Hold Still Wild Youth: GINA Show, OR Gallery, Vancouver, June 4 – July 10
Li Ming, Shirley Tse, Adrian Wong, Ken Lum, Wang Xiaopeng, Osage Gallery, Hong Kong, 24 May to 20 June 2010
Volando hacia la tierra/Flying Down to Earth, Museo de Arte Contemporáneo de Vigo (MARCO), Vigo, Spain, May 21 – August 29,
Wandering Position: Selections from the inSite Archive, Museum of Contemporary Art of the National University of Mexico, May 20 – August 31
I don't know whether to laugh of cry, Museum London, London, Ontario, Canada, January 16 – April 18
Gagarin: The Artists in their Own Words, Stedelijk Museum voor Actuele Kunst S.M.A.K. (Museum of Contemporary Art), Ghent, Belgium, December 4 — March 14
Uneasy Pieces, Oakville Galleries, Oakville, Ontario, Canada, December 5 — 31
The Jerusalem Syndrome, Al Ma'mal Foundation for Contemporary Art, Jerusalem, Israel, October 11 — 20
Just Around the Corner, Arrow Factory, Beijing, August 15 – November 11
Accrochage, Galerie Grita Insam, Vienna, August 14 – September 10
DZ BANK Collection, Art Foyer, Platz der Republik, Frankfurt, August 8 – October 10
Mapping and Marking Vancouver 2010: Artist Initiated Public Art Projects, Pendulum Gallery of the HSBC Building, Vancouver, July 6 – July 18
Common History and its Private Stories: Geschichte und Geschichten, MUSA Museum auf Abruf, June 25 – October 3
Les Uns et les Autres:Le portrait dans tous ses états, Musée d'art et d'histoire de Saint Brieuc, France, June 20 – September 27
Ironies du presque-rien, Galerie Art & Essai, Universite de Rennes, Rennes, France, September 27 – October 19
Pleinairism, i8 Gallery, Reykjavik, Iceland, September 12 – October 26
7th Gwangju Biennale, Gwangju, South Korea, September 5 to November 9 (catalog)
Let Me Be Your Mirror, Mackenzie Art Gallery, Regina, Saskatchewan, February 9 – May 25 (catalog)
Beautiful People, Centre d'Art La Panera, Lérida, Spain, February 7 – April 13
2007 10th Istanbul Biennial, Istanbul, September 8 – November 4 (catalog)
Beautiful People et la Blessure Secrète, June 13 – August 26, Crac Centre Rhenan d'Art Contemporain, Alsace, Altkirch, France; February 2 – April 13, 2008, Centre d'Art La Plenara, Lérida, Spain
The Shadow Cabinet, De Appel, Amsterdam, February 17 – April 15, curated by Petra Heck
Real Life 1979 – 1990, January 30 – May 12, Artists Space, New York
Anniversaire des 25 ans de la Galerie Nelson, Galerie Nelson-Freeman, Paris, January 13 – February 23
Paint, Vancouver Art Gallery, September 30 – February 27
Liverpool Biennial, Liverpool, England, September 16 – November 26 (catalog)
Habiter: Evenement d'Art Public, Quebec City, August 25 – October 1, (catalog)
Sound and Vision, Photographic and Video Images in Contemporary Canadian Art – A Selection of Works from the Montreal Museum of Fine Arts, National Gallery of Canada and Art Gallery of Ontario, Montreal Museum of Fine Arts, July 11 to October 22, 2006 (catalog)
Projekt'80 + 25 = 2005 (#1), Galerie Witteveen, Amsterdam, The Netherlands, February 18 – March 25 (catalog)
75 Years of Collecting, Vancouver Art Gallery, February 4 – May 14, Vancouver
An Image Bank for Everyday Revolutionary Life, Redcat Gallery, Los Angeles, February 2 – April 2
Monuments for the USA, White Columns Gallery, New York, December 13 – February 7, 2006 (catalog)
Word and Object, Fleisch, Berlin, September 17 – October 16,
Private View 1980 2000, Collection Pierre Huber, Musee Cantonal des Beaux-arts, Lausanne, June 14 to September 11 (catalog)
Photographies, Galerie Nelson, Paris, May 28 – July 23
Arbeithaus: einatmen. ausatmen. (House of Work: inhale. exhale.), Kunsthaus Dresden, Dresden, May 1 – July 17 (catalog)
CCA Artist's Book Show, Galerie Christophe Daviet-Thery, Paris, April 16 – May 21
Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, April 7 – May 14 (catalog)
Morir de Amor, Museo Nacional de Ciencias y Artes, Mexico City, March 3 – May 22 (catalog)
I don't know what's right or wrong, Blackwood Gallery (outdoor installation), University of Toronto at Mississauga, February 9 to September 30
Contemporary Visions: Photographs and videos from the Helga de Alvear Collection, Wäinö Aaltonen Museum, Turku, Finland, January 10 – February 1
Aufruhr der Gefühle. Leidenschaften in der zeitgenössischen Fotografie, Kunsthalle Göppingen, Germany, November 21 – January 23, 2005
Social Strategies: Redefining Social Realism, Richard E. Peeler Art Center, DePauw University, Greencastle, Indiana, November 15 – February 15 (catalog)
_____Newcomb Art Gallery, Tulane University, New Orleans, August 21 – October 10
_____Schick Art Gallery, Skidmore College, Saratoga Springs, New York, March 9 – April 11
Science + Fiction, Deutsches Museum, Munich, October 9 – January 9 (catalog)
Accrochage de groupe, Galerie Nelson, Paris, September 7 to October 2
Aufruhr der Gefuhle. Leidenschaften in der zeitgenossischen Fotografie, Museum fur Photographie, Braunschweig, Germany, August 15 – October 31
Not Done! Het Kunsttenaarsboek (The Artists' Book), Muhka:Museum Van Hedendaagse Kunst, Antwerp, June 19 – August 29 (catalog)
Between Nano-World and Global Culture, science + fiction, Nobel Museum, Stockholm, Sweden, June 18 – September 19
Out of Place, Galerie Nordenhake, Berlin, June 8 – July 24
Landscapes, National Gallery of Canada, Ottawa, June 4 – September 30
Flirts. Art e pubblicita, Museion: Museum fur moderne und zeitgenossische Kunst, Bolzano, Italy, May 28 – August 29
Art Nature Grandeur, Parc de La Courneuve, St. Denis, France, May 15 – October 17 (catalog)
Support, Neue Galerie Graz am Landesmuseum Joanneum, Graz, May 14 to August 29
Schriftbilder Bilderschrift, Galerie Von Bartha, Basel, May 13 – August 31 (catalog)
Walk Me: Die Kunstzeile an der Wienzelle, Architekturzentrum, Vienna, April 15 – May 10
Identities: Canadian Portraits, McMichael Gallery, Toronto, February 28 – June 13
Baja to Vancouver: The West Coast and Contemporary Art, Seattle Art Museum, October 9 – January 4 (catalog)
Gegenlicht, Buwog-Kundenzentrum, Vienna, September 30 – December 31
Contact Photo, Toronto Festival of Photography, Toronto, May 1 – 31
Der Rest der Welt, Neuffer am Park, Pirmasens, Germany, April 5 – June 22 (catalog)
Social Strategies: Redefining Social Realism, University Art Museum, University of California at Santa Barbara, March – (catalog)
Micropolitics: Everyday Life and Art, Espai d'Art Contemporani de Castelló, Castelló, Spain, January 31 – March 30 (catalog)
Sight.Seeing: 4th Austrian Triennale on Photography, Graz, Austria, January 10 – February 28 (catalog)
M_ARS. Kunst und Krieg, Neue Galerie Graz am Landesmuseum Joanneum, Graz, January 11 – March 26 (catalog)
Faiseurs d'Histoire, Galerie du Théâtre de Bretagne, Rennes, France, January 7 – February 23
Science and Fiction, Sprengel Museum, Hannover, December 15 – March 9 (catalog)
_____Zentrum für Kunst und Medientechnologie, Karlruhe, April – June 2003
_____Kulturforum, Berlin, July – August 2003
_____Deutsches Hygiene Museum, Dresden, November – January 2004
Sans Commune Mesure, Centre National Photographie, Paris, September 11 – November 18 (catalog)
To Whom It May Concern, CCAC Wattis Institute for Contemporary Arts, San Francisco, September 4 – October 26
This Place, Vancouver Art Gallery, Vancouver, June 29 – January 12, 2003
Documenta 11, Kassel, Germany, June 8 – September 15 (catalog)
26th Duisburger Akzente: Das Eigene und Das Fremde Globalisierung der Kulturen, Galeria Kaufhof, Duisburg, Germany, June 8 – July 7 (catalog)
Le Regard de l'Autre, Musée des Beaux-Arts, Rouen, France, April 27 – September 2
Mega: manifeste der amaßung—forum für experimentelle architektur, Kunstlerhaus, Vienna, April 10 – June 2 (catalog)
Unpacking Europe, Museum Boijmans Van Beuningen, Rotterdam, December – March 2002 (catalog)
______House of World Cultures, Berlin, September 14 – November
Kommunicative Röhren, OK Centrum für Gengenwartskunst,
Linz, Austria, December 6, 2001 – February 10, 2002 (catalog)
______Casino-Forum d'Art Contemporain, Luxembourg, March 8 – May 5, 2002
Mutations, TN Probe Gallery, Tokyo, November 10 – January 26, 2002, (catalog)
______Raffinerie, Brussels, October 25 – January 6, 2002
Text Message, Galeria Helga de Alvear, Madrid, November 8 – January 4
There is No Place Like Home, Galerie Brotfabrik, Berlin, October 4 – December 16
Le Pouvoir de la Réflection, Galerie Liane et Danny Taran, Centre des Arts Saidye Bronfman, Montreal, September 13 – November 4 (catalog)
There Is No Place Like Home, Le Mois de la Photo, Montreal, September 7 – October 21 (catalog)
Shoes or No Shoes, Museum Voor Schoene Kunsten, Gent, Belgium, July 13 – August 26
Affinités, Le Quartier, Centre d'Art Contemporain, Quimper, France, July 1 – October 7
Plateau of Humankind, 49th Biennale of Venice, (Arsenale), Venice, June 10 – November 4 (catalog)
Lofoten Island Summer Festival of the Arts, Lofoten Island, Norway, June 9 – July 15 (catalog)
Neue Welt, Frankfurter Kunstverein, Frankfurt, June 1 – September 23 (catalog)
Archives: Le Printemps, Le Centre Création de Bazouges la Pérouse, France, April 6 – June 4
Group Show with Trans Editions, Chac Mool Gallery, Los Angeles, April 3 – 17
Talk the Talk, Atelier Gallery, Vancouver, March 15 – April 3
Contemporary Photography II: Anti-Memory, Yokohama Museum of Art, Yokohama, Japan, November 23 – January 21, 2001 (catalog)
Bienal de Havane, November 16 – December 31 (catalog)
Shanghai Spirit: Shanghai Biennale 2000, Shanghai Art Museum Shanghai, November 6 – December 14 (catalog)
Babel, Ikon Gallery, September 11 – November 7 (catalog)
Life Cycles, Galerie für Zeitgenössische Kunst, Leipzig, October 24 – December 5 (catalog)
Venus's Window, Centro Civico per l'Arte Contemporanea La Grancia, Serre di Rapolano, Italy, July 31 – August 8
Laboratorium, Antwerpen Open, Provinciaal Museum voor Fotografie, June 27 – October 3 (catalog)
Face to Face: Four Centuries of Portraits, Vancouver Art Gallery, Vancouver, June 19 – September 26
In the City, FRAC de Haute-Normandie, Rouen, France, May 18 – July 31 (catalog)
Cities on the Move, Hayward Gallery, Royal Festival Hall, London, May 13 – June 27 (catalog)
Sweet & Sour, Galerie Art & Public, Geneva, Switzerland, April 22 – May 22
Visions Urbaines, Galerie du Rnb, FRAC de Bretagne, Rennes, France, January 11 – 31
Photography as Concept, 4th International Foto-Triennale Esslingen, Esslingen, Germany, June 28 – September 6 (catalog)
John Currin, Felix Gonzalez-Torres, Sean Landers, Ken Lum, Dan Peterman, Andrea Rosen Gallery, New York, June 23 – July 16
Between Earth and Sky, University of Hong Kong Art Gallery, Hong Kong, China (catalog), June 23 – August 1
Recent Acquisitions to the Photography Collection, Morris and Helen Belkin Art Gallery, Vancouver, June 29 – September 27
Cities On The Move, CAPC Musée d'Art Contemporain de Bordeaux, Bordeaux, June 4 – August 30 (catalog)
_____PS1 Center for Contemporary Art, New York,
Travel and Leisure, Paula Cooper Gallery, New York, May 2 – June 30
Ken Lum, Chen Zhen, Catriona Jeffries Gallery, Vancouver, March 19 – April 25
The Art of Memory: Ken Lum, Liisa Roberts, Bill Viola, Judi Werthein, The Center for Curatorial Studies Museum, Bard
College, Annandale-on-Hudson, New York, March 8 – 22 (catalog)
Arrêt Sur Image, Galerie Art & Public, Geneva, March 5 – 31
Cities On The Move, Vienna Secession, Vienna, November 25 – January 18 (catalog)
Repeated Gestures, Vancouver Art Gallery, Vancouver, November 22 – February 15, 1998
Heaven – Private View, P.S.1 Contemporary Art Center, New York, October 26 – January 30, 1998 (catalog)
Browser: Artropolis '97, Roundhouse Community Centre, Vancouver, October 25 – November 23 (catalog)
The Exquisite Corpse, Presentation House Gallery, North Vancouver, October 15 – 19
2nd Johannesburg Biennale, Johannesburg, South Africa, October 12 – January 18 (catalog)
inSITE 97: Artists' Concepts, Athenaeum Music and Arts Library, La Jolla, California, September 27 – November 29
inSITE 97, various public sites in San Diego/Tijuana, September 26 – November 30 (catalog)
Hotel on Fire, Okanagan Art Gallery, Kelowna, B.C., Canada, August 16 – October 13 (catalog)
One Minute Scenario, Printemps de Cahors, Cahors, France, June 6 – 21 (catalog)
Foto Text Text Foto, Fotomuseum Winterthur, Winterthur, Switzerland, April – June (catalog)
In Visible Light: Photography & Classification in Art, Science and The Everyday, Museum of Modern Art, Oxford, England, March 5, 20125, 201216 – June 22 (catalog)
_____Inverleith House, Botanic Gardens, Edinburgh, Scotland, December 13, 1997 – February 15, 1998
_____Harris Museum and Art Gallery, Preston,
_____Moderna Museet, Stockholm, Sweden, October 10 – January 10, 1999
_____Museum of Photography, Helsinki, Finland, January 30 – March 31, 1999
The 20th: 1977 – 1997, The Bartlett Exhibition and Peformance Space, Vancouver, February 12 – 28
Synthese von Fotografie und Text in der Gengenwartskunst, Frankfurter Kunstverein, Frankfurt, January 27 – March 10 (catalog)
a/drift, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York, October 20 – January 5, 1997 (catalog)
Synthese von Fotografie und Text in der Gegenwartskunst, Museum of Modern Art, Bolzano, Italy, September 7 – November 17 (catalog)
Fact or fiction? Four Canadian artists, Museum of Contemporary Art, Sydney, August 27 – December 1 (catalog)
Shopping: New York, project organized by Jerome Sans and Deitch Projects, New York (catalog)
Surfing Systems, Kasseler Kunstverein, Kassel, Germany, June 19 – August 4 (catalog)
Reading and Re-reading: Selections from the Permanent Collection, Oakville Galleries, Oakville, Ontario, April 20 to June 9 (brochure with essay)
The OH! Canada Project, Art Gallery of Ontario, Toronto, February 16 – May 5
Der zweite Blick, Haus der Kunst, Munich, November 4 – December 3 (catalog)
Infra-sound: a city project, various sites in Hamburg, sponsored by Woche die Bildenden Kunst, Hamburg, October 12 – November 30 (catalog)
Shopping, various sites in Bordeaux, sponsored by CAPC, Museum of Contemporary Art, Bordeaux, September 9 – October (catalog)
Album: The Photographic Collection of the Museum, Museum Boymans-van Beuningen, August 19 – November 19 (catalog)
Untitled (Reading Room), Margo Leavin Gallery, Los Angeles, July 15 – August 15
On Board, Riva San Biagio, Venice Biennale, Venice, June 6 – 13 (catalog)
Peinture, Photo et Compagnie, Espaces des Nouvelles Galeries, Arles, July 7 – August 15 (catalog)
Notion of Conflict: A selection of contemporary Canadian art, Stedelijk Museum, Amsterdam, May 11 – June 11 (catalog)
Pièces – Meublés, Galerie Jousse Seguin, Paris, May 6 – July 31
Crash Pad, Postmasters Gallery, New York, April 29 – May 27
Works from the Permanent Collection, Oakville Galleries, Oakville, Canada, April 8 – May 3
GEWALT/Geschäfte, Neue Gesellschaft für bildende Kunst, Berlin, December 8 – February 19 (catalog)
Collection Modern Art, Museum Boymans-van Beuningen, Rotterdam, December (catalog)
Prospect/Retrospect, Kunstmuseum Luzern, October 14 – November 27 (catalog)
Das Archiv/The Archive, Forum Stadtpark, Graz, Austria, October 13 – November 2 (catalog)
Practice Ground, Ottawa Art Gallery, Ottawa, September 8 – October 23 (catalog)
Die Orte der Kunst: Der Kunstbetrieb als Kunstwerk, Sprengel Museum, Hannover, May 29 – September 11 (catalog)
don't look now, Thread Waxing Space, New York, January 22 – February 26 (catalog)
Collections, Musée Municipal de La Roche-sur-Yon, France, December 17 – January 31
Viennese Story, Vienna Secession, December 15 – January 23 (catalog)
Space of Time, Americas Society, New York, September 23 – (catalog)
_____Museo del Oeste, Caracas, Venezuela
_____Centro Cultural Recoleta, Buenos Aires, Argentina
_____Center for the Fine Arts, Miami
Konstruktion Zitat: Kollective Bilder in der Fotografie, Sprengel Museum Hannover, August 28 – October 31 (catalog)
Die Sprache Der Kunst: Die Beziehung von Bild und Text in der Kunst des 20. Jahrhunderts, Kunsthalle Vienna, September 3 – October 17 (catalog)
_____Frankfurter Kunstverein, Frankfurt, December 4 – February 20
Before the sound of the beep, various galleries of the Marais, Paris, August 1 – 31 (catalog)
Guelph Spring Festival, MacDonald Stewart Art Gallery, Guelph, Ontario, May 6 – June 13
Canada, une nouvelle génération, FRAC des Pays de la Loire; Musée de La Roche-sur-Yon; Musée des Sables d'Olonne, April 3 – May 30 (catalog)
Drawing Ideas, Atelier Gallery, Vancouver, March 27 – April 17
Working Documents: Vancouver Drawings, Artspeak Gallery, Vancouver, January 16 – February 6
Live in your head, Heilgenkreuzerhof, Hochschule fur Angewandte Kunst & Galerie Metropol, Vienna, January 8 – February 12 (catalog)
Sydney Biennale, Art Gallery of New South Wales, Sydney, Australia, December 15 – March 14, 1993 (catalog)
C. Eckart, G. Kuitca, J. Lasker, K. Lum, McDermot & McGough, D. Moylan, Galleria Galliani, Genoa, Italy, December – January
Proiezioni, Buchholz & Buchholz, Cologne, October 22 – November 18 (catalog)
1968, Le Consortium, Dijon, France, October 17 – December 31 (catalog)
One & One, La Galerie Du Mois, Paris, October 3 – 31
Avantgarde & Kampagne, Städtische Kunsthalle Düsseldorf, September 18 – 27 (catalog)
Moltiplici culture: Arte Critica 1992, Casa Della Citta, Rome, May 19 – July 19 (catalog)
_____The Speaker Project, Institute of Contemporary Art, London, September – December
30 11", Galerie des Archives, Paris, May 13 – July 11
C'est pas la fin du monde, Galerie Art & Essai, La Criée, Halle d'art contemporain, FRAC Bretagne – Galerie du TNB, Rennes, France, May 12 – June 27 (catalog)
Sporting Type, S.L. Simpson Gallery, Toronto, May 7 – June 2
Neuerwerbungen 1990/1991, Städtische Galerie im Lenbachhaus, Munich, April 7 – May 10
Rodney Graham, Ken Lum, Galerie Nelson, Lyon, France, March 17 – May 16
Cameres Indiscretas, Centre d'Art Santa Monica, Barcelona, March 12 – April 12; Circulo de Bellas Aries, Madrid, May 27 – June 28 (catalog)
Internationale Künstlerplakate Saarbrücken, Saarbrücken, Germany, March 5 – 22 (catalog)
J. S. Bernard, Ken Lum, Joan Wallace, Pat Hearn Gallery, New York, February 15 – March 21
The Wealth of Nations, Centre for Contemporary Art (Ujazdowski Castle), Warsaw, Poland, December 6 – January 12 (catalog)
Lieux communs – Figures singulières, Musée d'Art Moderne, Paris, October 24 – January 5 (catalog)
Carnegie International, Carnegie Museum of Art, Pittsburgh, PA, October 19 – February 16 (catalog)
As Yet Untitled, Gallery 400, University of Illinois at Chicago, October 2 – November 1
Projections, Castello di Rivara (Torino), September 21 – November 3
Jessica Diamond, Jeanne Dunning, Felix Gonzalez-Torres, Hirsch Perlman, Ken Lum, Michel Zumpf, The Archives, Art Information Center, Rotterdam, September
Just what is it that Makes Today's Homes so Different, so Appealing?, The Hyde Collection, Glen Falls, New York, September 7 – November 17 (catalog)
Van, Wilkie Fine Arts, Seattle, Washington, July 2 – August 18
Art Conceptuel des Années 70 A Aujourd'hui, Galerie Rüdiger Schöttle, Paris, May 4 – June 15
Goya to Beijing, Vancouver Art Gallery, Vancouver, May 4 – June 17
Bildlicht: Malerei Zwischen Material Und Immaterialität, Museum Des 20. Jahrhunderts, Vienna, May 3 – July 7 (catalog)
The Museum of Natural History, Galerie Barbara Farber, Amsterdam, April 27 – June 15
Daniel Buren, Stephen Prina, Ken Lum, Rudolf Stingel, Home: for Contemporary Theatre and Art, New York, April 26 – May 19
La Revanche De L'Image. Galerie Pierre Huber, Geneva, March 14 – April 13 (catalog)
Echoes After the Storm: Tiananmen Memorial Art Exhibition, Asian Centre, University of British Columbia, Vancouver, January 12 – 26
Telekinesis, Mincher/Wilcox Gallery, San Francisco, January 10 – February 2
(not so) Simple Pleasures, MIT List Visual Arts Center, Boston, December 8 – February 3 (catalog)
No, Not That One, It's Not A Chair, Galerie 1900 – 2000, Paris, December 3 – January 12 (catalog)
Total Metal, Simon Watson , New York, November 3 -December 1 (catalog)
150 Ans de Photographie, Museé des Beaux Art, Nantes, November 16 – January 14, 1991
Art et Publicité, Centre Georges Pompidou, Paris, October 30 – February 25 (catalog)
Op-positions, Fotographie Biennale Rotterdam II, Rotterdam, September 1 – October 14 (catalog)
The Thing Itself, Feature Gallery, New York, July 10 – August 10
Red, Galerie Isy Brachot, Brussels June 27 – September 29 (catalog)
Goya To Beijing, Centre International d'Art Contemporain, Montréal, June 1-July 29
Ausstellungraum, Galerie Johnen & Schöttle, Cologne, April 27 – June 2
Disconnections, Galleri Nordanstad-Skarstedt, Stockholm, March 26 – April 21
Information, Terrain Gallery, San Francisco, January 4 – February 3
Gallery Artists, Galerie Daniel Buchholz, Cologne, January
Foto-Kunst, Stuttgarter Staatsgalerie, Stuttgart, November 11 – January 14 (catalog)
Selections from the Ann and Marshall Webb Collection, Art Gallery of York University, Toronto, November 1 – December 17 (catalog)
D & S Austellung, Kunstverein in Hamburg and Kunsthaus Hamburg, October 13- November 26 (catalog)
Prospect Photographie, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt, October 10- November 4 (catalog)
Jennifer Bolande, Tim Ebner, Mike Kelley, Ken Lum, Robbin Lockett Gallery, Chicago, October 6 – November 4
Fictions, Montréal International Airport and Galerie Aubes 3935, September 30 – December 31 (catalog)
Internationale Foto-Triennale 1989, Villa Merkel, Esslingen, Germany, September 17 – November 5 (catalog)
The Play of the Unsayable: Ludwig Wittgenstein and the Art of the 20th Century, Vienna Secession, Vienna, September 13- October 29 (catalog)
_____Palais des Beaux Arts, Brussels, December 15 – January 28
Oppningsutstallning, Galleri Nordanstad-Skarstedt, Stockholm, September 9 – 30
Vis a Vis Der Kamera: Aspekte Der Actuellen Portrait Fotografie, Galerie Grita Insam, Vienna, July 9 – September 9; Museum of Contemporary Art, s'Hertogenbosch, The Netherlands, September 22 – October 29 (catalog)
Problems with Reading/Rereading, Rhona Hoffman Gallery, Chicago, March 24 – April 22
Prospect 89, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt, March 21 – May 21 (catalog)
Ken Lum, Jeff Wall, Galerie Rudiger Schöttle, Munich, February 8 – March 18
John Hilliard, Barbara Kruger, Ken Lum, Richard Prince, Jeff Wall, Galleri Contur, Stockholm, November 19 – December 12
Democracy: Cultural Participation, an exhibition by Group Material, Dia Art Foundation, 77 Wooster Street, New York, November 19 – December 20
Selected Photo-Editions of the 80's, Galerie Wilma Tolksdorf, Hamburg
(W)orte, Galerie der Künstler, Munich, October 28 – November 24
Gallery Artists, Galerie Crousel-Robelin/Bama, Paris, October 15 – November 26
Carl Andre, Daniel Buren, Ericson & Ziegler, Ronald Jones, Ken Lum, Julian Opie, Hirsch Perlman, Wolff Gallery, New York, September 15 – October 8
Yellow Peril:, Chisenhale Gallery, London, September 26 – October 16
New York Now, Esbo Museum of Art, Helsinki, Finland, August 28 – September 25 (catalog)
_____Norrköping Museum of Art, Norrköping, Sweden, October 9 Nov 11
_____Göteborg, Museum of Art, Göteborg, Sweden, November 26 – Jan. 29
_____Sundsvall Museum of Art, Sundsvall, Sweden, February 11 – March 27
_____Södertälje Museum of Art, Södertälje, Sweden, April 8 – May 28
Presi X Incantamento: L'Immagine Fotografica nelle Nuove Tendenze Internationali, Museo Padiglione d'Arte Contemporanea, Milan, June 7 – August 18 (catalog)
Art et Langage: Annees 80, œuvres choisies, Centres d'Histoire de l'Art Contemporain, Rennes, France (catalog)
Furniture as Art: Recent Tendencies in Sculpture, Museum Boymans-Van Beuningen, Rotterdam, April 24 – June 6 (catalog)
The Discursive Field of Recent Photography, ARC, Toronto, April 2 – 23 (catalog)
Christoph Andres, Larry Johnson, Ken Lum, Hans-Jorg Mayer, Harald F.Muller, David Robbins, Galerie Daniel Buchholz, Cologne, February 5 – March 12
Striving for Ideal Resolution, Nickle Arts Museum, Calgary, January 22 – March 13 (catalog)
Nightfire, De Appel Foundation, Amsterdam, December 20 – January 31 (catalog)
Galerie De Lege Ruimte, Brugge, Belgium, December 6 – January 24
Logos, Anne Plumb Gallery, New York, December
Signes des Temps, Ghislaine Hussenot, Paris, November 28 – January 1
For Collectors, Cleveland Centre for Contemporary Art, Cleveland, Ohio
John M. Armleder, Klaus Vom Bruch, Ken Lum, Hans-Jorg Mayer, Otto Mecky, Galerie Daniel Buchholz, Cologne, December
Jenny Holzer, Louise Lawler, Ken Lum, Galerie Crousel- Robelin/Bama, Paris, October 17 – November 17
Material Fictions, The 49th Parallel Centre for Contemporary Canadian Art, New York, September 12 – 16 (catalog)
_____State University of New York, Binghampton Gallery, October 9- November 8
Multiples, Galerie Daniel Buchholz, Cologne, September 11 – October 17
Alan Belcher, Ken Lum, Coburg Gallery, Vancouver, April 8 – May 2
Kunst Mit Fotographie, Galerie Ralph Wernicke, Stüttgart, April 4 – May 7 (catalog)
Der Reine Alltag, Galerie Christophe Dürr, Munich, March 13 – April 25 (catalog)
Foto Cliché, Victoria Miro Gallery, London, December 15 – January 27 (catalog)
_____The Orchard Gallery, Derry, Northern Ireland
James Casebere, Clegg & Guttmann, Ken Lum, Galerie Daniel Buchholz (Rudolf Zwirner) Cologne, November 13 – December 6
Au Coeur du Maelström, Palais des Beaux Arts, Brussels, September 19 – October 19 (catalog)
Caravelles: General Idea, Sol LeWitt, Ken Lum, Centre National d'Art Contemporain, Grenoble, June 22 – September 25 (catalog)
Damaged Goods: Desire and the Economy of the Object, The New Museum of Contemporary Art, New York, June 21 – August 10 (catalog)
Transitional Objects: An Exhibition Organized by Joseph Kosuth, Galerie Philip Nelson, Lyon, October 18 – December 21
Ex-Academe, Contemporary Art Gallery, Vancouver, November 1 – 30
The Public Art Show, Nexus Centre for Contemporary Art, Atlanta, November
_____C.W. Woods Gallery, University of Southern Mississippi, Hattiesburg, Mississippi
_____Carolina Program Union, University of South Carolina, Columbia, South Carolina
_____Austin Peay State University, Clarksville, Tennessee; Valencia Community College, Orlando, Florida
_____North Carolina Museum of Art, Raleigh, North Carolina, August 16 – October 19, 1986
_____University of the South, Sewanee, Tennessee
Barbara Ess, Rodney Graham, Ken Lum, Galerie Rudiger Schottle, München, July 17 – August 31 (catalog)
Rodney Graham, Ken Lum, Jeff Wall, Ian Wallace, The 49th Parallel Center for Contemporary Canadian Art, New York, February 9 – March 9
Poco Rococo, Coquitlam Mall, Coquitlam, British Columbia, June 2 – 15
Miyagi Biennale, Miyagi Museum of Art, Sendai, Japan, April 24 – May 6 (catalog)
Contact II, Walter Phillips Gallery, Banff, Alberta, January 9 – 29
Real Life Magazine Presents, White Columns Gallery, New York, May 11 – 26
Living Art Performance Festival, Firehall Theatre, Vancouver, September 21 – October 21 (catalog)
Writings by the Artist
Revisiting 1984 China, essay contribution for "Beautiful China" book, http://kenlumart.com/revisiting-1984-china-2019/
On Monument Lab, http://magazine.art21.org/2018/01/26/on-monument-lab/#.Wmuvaa2ZNBw, Winter 2018 Issue, January 26, 2018
Monument Lab: Memorializing Philadelphia as a Place of Crisis and Boundless Hope. http://penniur.upenn.edu/publications/monument lab-memorializing-philadelphia
The Other in the Carpet. Catalogue essay for the Museum of Contemporary Art, Cleveland exhibition: "Carpets by Artists"
Living in America: The differences in the Canadian and American Art Scenes, Canadian Art, Winter, 2016
Some Reflections on Urban Public Art Today. Urban Link Penn IUR on-line magazine http://penniur.upenn.edu/publications/some-reflections-on-urban-public art-today
From Chalk Circle to Full Circle: The Art of Ian Wilson. Dia Art Foundation, New York City.
Looking Up: Art and the Image, M+ Museum of Visual Culture Publications, texts from M+ Matters: ARTWORKDOCUMENTATION symposium, Hong Kong.
Canadian Identity Debates are Broken. Let's Fix them. Canadian Art, May 9, http://www.canadianart.ca/features/2013/05/09/ken-lum-who-speaks-for-canadian-culture/
Past & Present, Art & Labour Meet, Canadian Art, December 4, http://www.canadianart.ca/features/2012/12/04/ken-lum-art-labour/
The City of Brotherly Love, Canadian Art, August 5, http://www.canadianart.ca/features/2012/08/16/the-city-of-brotherly-love/
W/Here: Contesting Knowledge in the 21st Century, European League of Institutes of the Arts Annual Symposium, Vancouver
Yishu, Archives and China-West exchanges in museology to date, CIMAM: The International Council of Museums, Barcelona, Spain
Melly Shum hates her job, but not the Witte de With, Witte de With Press, Rotterdam, The Netherlands (catalog essay for the 20th anniversary of the Witte de With Center for Contemporary Art
Dear Steven, (chapter essay) Art School: Propositions for the 21st Century, The MIT Press, Cambridge, Massachusetts, Ed: Steven Henry Madoff
To Say or Not to Say: Art and the Real, Emily Carr University Press, Vancouver. Ed: Sadira Rodrigues and Melanie O'Brian
The Art of Liu Wei, In Production Mode: Contemporary Art in China, Timezone 8 Books, Beijing Ed: Pauline Yao
Ultimo Bagagio, Hubert Damisch and Ken Lum, One Star Press, Paris
Encountering Chen Zhen, Exhibition Catalogue essay, Kunsthalle Vienna, Vienna
Gentle Indifference: the Art of Rhonda Weppler and Trevor Mahovsky, Rhonda Weppler and Trevor Mahovsky, Southern Alberta Art Gallery, Lethbridge, Alberta, ISBN: 1-894699-36-X / 978-1-894699-36-5
Surprising Sharjah, Canadian Art, Vol. 22, Pt. 3, Fall 2005, pages 98 – 103
Contemporary Art within and without Institutions, Siting International Exhibitions: Biennales and the South, Constitution Club, Delhi (conference anthology)
Desire and Nomadicity: the life of the artist, (catalog essay), 7th Sharjah Biennial exhibition catalog, Sharjah Art Museum, Sharjah, United Arab Emirates
Aesthetic Education in Republican China, (catalog essay), Shanghai Modern: 1919 – 1945, (exhibition catalog), Museum Villa Stuck, Munich, Germany
Editorial Comment, Yishu Journal of Contemporary Chinese Art, Vol. 1, No. 1, May, pages 4 – 8
There Is No Place like Home, Le Mois de La Photo, Montreal, published by Vox: Centre de Diffusion de la Photographie, September, pages 92 – 97
In Search of Wabi-Sabi, Center For Contemporary Art, Kitakyushu, Japan (Artist's book project), 84 pages
An Interview with Ken Lum, by Cathy Busby, National Gallery of Canada Review, Vol. 2, 89 – 104
Special Project Consultant, The Short Century: Post Colonial African Art, Museum Villa Stuck, Munich
Of Chinese Contemporary Art and Continued International Engagement, Art & Collection (Taiwan)
Homage a Chen Zhen, Point d'Ironie, Agnes B Boutiques, Paris
Contradiction and Future Synthesis in the Model of the Shanghai Biennale, Art & Collection (Taiwan), 12, No. 99, pages 70 – 71
The Artist as Travelling Minstrel, Art & Collection, 9, No. 96, pages 114 – 117
Canadian Cultural Policy: A Problem of Metaphysics, Inside Out: Reassessing International Cultural Influence Conference, BWA Gallery, Wroclaw, Poland
Window onto Venus Conference Reportage, Centro Civico, Serre di Rapolano, Italy, July 31 – August 8. www.zerynthia.it
Considerations of Race, Sex and Multiple Identities aboard the Raft of the Medusa, Nka: Journal of Contemporary African Art, Spring/Summer 1999, No. 10
Shanghai Biennale, Art & Text, No. 65, May-July, pages 88-89
Dak'Art 98, Nka: Journal of Contemporary African Art, Fall/Winter 1998, No. 9, page 71
Blame it on Conceptual Art, La Pala: A non-objectual art virtual magazine, (Mexico)
Dak'Art 98, Art & Text, No. 63, November-January, pages. 89-90
Windows into Germany's Soul: The Ambivalent Gaze of Photographer Thomas Ruff, National Post, (Canada) Friday, November 20, Arts & Life, pages B6-B7
Review of 6 New Vancouver Modern, Canadian Art, Vol. 15, No. 2, Summer/June, pages 46-51
Beauty, Textuality, and Allusion in Photo-Media Art: Strategies of Canadian Artists as Producers, Universities Art Association of Canada Conference, Emily Carr Institute of Art and Design and the University of British Columbia, panel discussion moderated by James L. Gillespie, Vancouver, Canada (November 8)
Opening Remarks and Plenary Speaker: The Parable of the Young Artist, Universities Art Association of Canada Conference, Emily Carr Institute of Art and Design, Vancouver, Canada (November 6)
Low, William and Lum Ken: "Dialogue with Contemporary Asian Artists", (video discussion) Asia Pacific Arts Festival, Asian Centre, University of British Columbia, October 23
Lemieux, Lyse, and Lum, Ken: "Dialogue on the exhibition of the Gordon Smith Exhibition at the Vancouver Art Gallery", le Monde a l'Enver, French Radio-Canada (Vancouver), Sunday, October 27
Photography/text pages for catalog Parisien(ne)s, an exhibition sponsored by the Institute of International Visual Arts held at Camden Arts Centre, London, February 7 – March 23
Frisinghelli, Christine, ed., "Ken Lum", Camera Austria, No. 51 – 52, pages 88-98
Zalm, Olivier, and Fleiss, Elein, eds. "Liquid Science Fiction: Interview with William Gibson by Bernard Joisten and Ken Lum, Purple Prose, (Paris), No. 9, Summer, pages 10-16
Perrin, Frank, ed. Bloc Notes, (Paris), No. 8, Winter, pages 58-59
"Ten Widely Played Stories on Local Television and Newspaper in One August Week in Vancouver, Canada 1994", catalog essay for exhibiton by Alexander Timtschenko at Galerie Wittenbrink, Munich, Germany
Brooks, Sharon, and White, Carolyn, eds. "Pull-out poster project",
Work, (Toronto), edition 1, Summer: centerfold
Brayer, Marie-Ange, ed. "Byron Nelson Chang", Exposé, (Orléans, France), No. 1, Spring: pages 74-77
Nixon, John, ed. Kerb Your Dog, (Sydney, Australia), No. 13
Imschoot, Uitgevers, publishers, Speculations, Ken Lum, (Gent, Belgium)
coordinated by Cornelia Lauf, IL Series of books.
Snodgrass, Susan, ed., "Carnegie Library Project", Whitewalls (Chicago), No. 29, pages 15-21
Public Access. "Untitled Language Paintings, 1987", Public (Toronto), Vol. 1, Winter: pages 44-51
"Advertisements by Artists: Alan Belcher, Ken Lum, Jana Sterbak", C Magazine, Canadian Art, File Megazine, Parachute, Parallelogramme, Parkette, Vanguard, Winter – Spring issues
Ess, Barbara & Branca, Glenn. eds. "Thought Objects", Just Another Asshole, (New York), No. 7, pages 30
General Idea, ed., File Megazine (Toronto), No. 26, December
Lawson, Thomas, ed., Real Life Magazine (New York), No.12, pages 13-14
Legris, Peter, ed. Rubicon (Montreal), No. 3, pages 212-213
Lawson, Thomas, ed., Real Life Magazine, (New York), No. 8, pages 14-15
RT4: City Art Institute Student News, (Sydney, Australia). Cover.
Performance Art Magazine, (Los Angeles) 2, June, page 41
Museum moderner Kunst stiftung ludwig, Vienna
Helga de Alvear Collection, Madrid
Musée d'art Moderne et Contemporain, Geneva
Lilac Milne, Vancouver
FRAC Nord Pas de Calais, Dunkirk, France
Centro Galego de Arte Contemporanea, Santiago de Campostela, Spain
FRAC Haute Normandie, Rouen
BMO Collection, Toronto
Arco Foundation Collection Madrid
M+ Museum of Visual Culture, Hong Kong
National Gallery of Canada, Ottawa
Fundación AMMA Amparo y Manuel, Mexico City
Winnipeg Art Gallery
Joanneumsviertel Neue Galerie, Graz, Austria
Stadtische Galerie im Lenbachhaus und Kunstbau, Munich
Kunstmuseum Luzern, Lucerne
Walter A Bechtler Foundation, Zurich
Museum Boijmans van-Beuningen, Rotterdam
Witte de With Center for Contemporary Art, Rotterdam
Museum Volkenkunde, Leiden
Musée d'Art Contemporain, Montreal
Daniel Friedman, Winnipeg
Elaine Cohen Collection, New York
Ralph Wernicke Collection, Berlin
Simon Fraser University, Burnaby, BC
Pierre Huber Collection, Geneva
Centro de Arte Contemporáneo De Huarte, Navarro, Spain
Laumeier Sculpture Park, St Louis
Long March Space, Beijing
FRAC Ile de France, le Plateau, Paris
Tang Contemporary Art, Beijing
Drake Hotel Permanent Collection, Toronto
Annie Wong Art Foundation, Hong Kong
Collection of Library and Archives Canada, Ottawa
RBC Collection, Toronto
Anders Pilm Collection, London
Collection of Musee Municipal, La Roche-sur-Yon, France
Paul Bain, Toronto
DZ Bank Collection, Frankfurt
Schulich School of Business Collection, York University, Toronto
City of Utrecht Collection, The Netherlands
Vienna Secession, Vienna
Joanne Cohen, Cleveland
Klaus Nordenhake, Berlin
Eleanor and Francis Shen, San Francisco
Joe Friday, Ottawa
Sandra Antelo-Suarez, New York
Remai Modern, Saskatoon
David Knaus, Palm Springs
Wiener Linien, Vienna
Art Gallery of Ontario, Toronto
Tim Newton, Milford, CT
Collection of Hart House at the University of Toronto, Toronto
Helen and Morris Belkin Art Gallery, Vancouver
Oakville Galleries, Oakville, Ontario
Paris Bar, Berlin
Belinda Stronach Collection, Toronto
Surrey Art Gallery, Surrey, BC
Gerd Metzdorff, Vancouver
District of North Vancouver's Public Art Collection
Ann and Marshall Webb, Toronto
Mackenzie Art Gallery, Regina
Kelowna Art Gallery, Kelowna, Canada
Private Collection, New York
Private Collection, Stockholm
Private Collection, Vancouver
Private Collection, Chicago
Private Collection, London
Private Collection Vienna
Private Collection, Beijing
Private Collection, Toronto
Documentation Centre for the History of National Socialism, Munich, Germany, January 29
Witte de With Center for Contemporary Art, Rotterdam, January 17
Monument Lab: Public Think Tank on the High Line, New York, October 12
Future prospects and restorative strategies: How can we commemorate together? Bibliothèque et Archives nationales du Québec Auditorium, Montréal, Canada, October 7
VanCity Theatre, Vancouver, September 10
Madison Square Park Conservancy Symposium: Innovating Public Art, Sony Square, New York City, June 21
Theory X, The Bentway, Toronto, June 16
Artexte, Montreal, May 25
Concordia University, Montreal, May 24
Monuments Summit, The Bentway, Toronto, May 11
Monuments and Memory, Wolf Humanities, Penn Museum, Philadelphia, April 17
American Social History Project, City University of New York Graduate Center, New York City, February 6
Design Advocacy Group, Philadelphia, January 3
PASTFORWARD: A conference of the National Trust for Historic Preservation, Hyatt Regency, San Francisco, November 15
Winnipeg Art Gallery, Winnipeg, Manitoba, Canada, November 1
University of Manitoba, Winnipeg, Manitoba, Canada, November 1
Yale University, New Haven, CT, October 17
Alliance of Artists Communities, Loews Philadelphia Hotel, Philadelphia, October 13
Bryn Mawr College, Bryn Mawr, PA, October 10
2018 MAS Summit for New York City, Municipal Art Society of New York, St. Bartholomew's Church, New York City, October 9
Nuit Blanche 2018, Toronto, Ontario, September 27
Front Trienniale, Case Western University, Cleveland, Ohio, September 13, 14
"Enduring Legacies of Public Art, Memorials, and Monuments." American for the Arts Annual Convention, Hyatt Regency Hotel, Denver, CO, June 14
Colby College, Waterville, ME, April 24
Hirshhorn Museum, Washington, D.C., March 29
Wattis Institute for Contemporary Arts, San Francisco, CA, March 15
California College of the Arts, Oakland, CA, March 13
Talk with Doreen Garner and Ken Lum, Art21, Liberty Hall at Ace Hotel, New York City, February 5
Visibility Conference, Art Gallery of Ontario, Toronto, December 4
University of Toronto, Toronto, October 19, 20
Monumental Exchange: Paul Farber, Tyree Guyton and Ken Lum, University of the Arts, Philadelphia, October 11
Art Canada Institute, Toronto, June 16
University of the Arts, Philadelphia, March 23
Art Gallery of Mississauga, Mississauga, Ontario, Canada, March 2
Concordia University, Montreal, Canada, October 27 to 28
Barcelona English Radio, Barcelona, Spain, July 13
Peace through Valour memorial unveiling, Nathan Phillips Square, City Hall, Toronto, Canada, June 24
BASE: Progetti per l'arte, Florence, Italy, June 9
Micro-Monuments Panel Discussion, Harvard University Center for Hellenic Studies, Washington, DC, May 26 to 27
Praxis Dialogue II: Arts and Culture, FringeArts Performing Arts Theater, Philadelphia, April 11
Making Home in the City: University-Community Partnerships in the Arts, Culture, and Humanities, Panel Moderator: Ken Lum, October 23
Art in the Service of Future Generations: a Dialogue between Veit Stratmann, Bethany Wiggin, Amze Emmons, Ken Lum and Aaron Levy, Slought Foundation, Philadelphia, October 6
Monument Lab: Ken Lum and Paul Farber, Philadelphia Center for Architecture, Philadelphia, May 8
Why do Humanities Matter? Trustees Council of Penn Women Annual Conference, Philadelphia, April 16
Designing for Collective Action: Krzysztof Wodiczko, Sergio Araya, Ken Lum, Aaron Levy and Orkan Telhan, Slought Foundation, Philadelphia, March 27
Activism, Evangelism, Art Panel with Pepon Osorio, Amy Sadao and Ken lum, Slought Foundation, Philadelphia, March 23
Vienna Kunsthalle Karlsplatz, Vienna, March 20
Art and the Activation of Public Space, Universitat für Angewandte Kunst, Vienna, Austria, March 17 to 19
Artist as Curator, Rhode Island School of Design, Providence, Rhode Island, March 5
In Conversation: Mark C Martinez and Ken Lum, The Galleries At Moore, Moore College of Art and Design, March 3
Department of Art, University of Oregon, Eugene, Oregon, January 28-29
Alberta Public Art Summit, Canmore, Alberta, October 30
Department of Visual Arts, University of Chicago, October 27
Parsons School of Design, New York, October 15
Canada Remix, McGill Institute for the Study of Canada, McGill University, Montreal, September 23
Transart, Vienna, Austria, May 23
Universität für Angewandte Kunst (University of Applied Arts), Vienna, Austria, May 22
Artblog Radio Interview with Roberta Fallon and Libby Rosof, www.theartblog.org, February 4
Yale Radio WYBC Interview by Brainard Carey, podcast archived at www.museumofnonvisibleart.com/interviews/ken-lum/, December 12
From Chalk Circle to Full Circle: The Art of Ian Wilson, Dia Art Foundation, New York, December 9
Asia Art Archive, Hong Kong, November 25
M+ Museum of Visual Culture, Hong Kong, November 23
Maryland Institute College of Art, Baltimore, Maryland, November 6 – 7
Centre for Dialogue, Simon Fraser University, Vancouver, Canada, October 23
Tyler School of Art at Temple University, Philadelphia, Pennsylvania, September 25
Song Dong and Yin Xiuzhen, Terra Hall, University of The Arts, Philadelphia, September 14
Art Institute of Boston at Lesley University, Boston, Massachusetts, June 26 – 27
Philadelphia Museum of Art, Philadelphia, Pennsylvania, January 4
Geneva University of Art and Design (Haute Ecole d'Art et de Design Geneve), Geneva, Switzerland, May 2
Department of Fine Arts, York University, Toronto, April 24,25
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, February 20
From Analog to Digital Photography, Banff Centre, Banff, Alberta February 7
Banff Centre, Banff, Alberta, January 10
Arts Initiative Tokyo, Tokyo, Japan, November 26
1A Space, Hong Kong, November 23
British Higher School of Art and Design, Moscow, Russia, September 21
Art Moves Festival, Torun, Poland, September 16
Simon Fraser University and Portland Housing Society Community Services Society, Inter-Urban Gallery, Vancouver, June 28
Henry Art Gallery, Seattle, Washington, June 26
Art Gallery of Alberta, Edmonton, Alberta, Canada May 26
Nieuw Welgelegen, Utrecht, The Netherlands, May 19
Rijksakademie van Beeldende Kunsten, Amsterdam, The Netherlands, May 17
"World Voices, Canadian Voices," American Comparative Literature Association World Conference, Hyatt Hotel, Vancouver April 2,
February 10, Vancouver Art Gallery, Vancouver
"Ghost Walk in Chinatown," Vancouver, December 10
Conversations about Contemporary Canadian Art, National Gallery of Canada, Ottawa, November 19
"Yishu, archives, and China-West Exchanges in Museology to Date," International Committee of ICOM for Museums and Collections of Modern Art Conference 2010 annual conference: "Common ground for museums in a global society", Shanghai Art Museum, Shanghai, November 9
"Literatures and Public Spaces," Musee d'art contemporain, Montreal, October 15 – 16
Public Salon: Vancouver Global Civic Society, The Playhouse Theatre, Vancouver, September 23
"Public Art and the Unsayable," Department of Art History and Visual Art, University of British Columbia, Vancouver, September 22
Xi'an Art Museum, Xi'an, China, September 10
Pecha Kucha, Queen Elizabeth Theatre, Vancouver, June 23
Centre for Art in Public Spaces, Langara College, Vancouver, March 3
"To say or not to say," Speaking Truth to Reconcilation Symposium, Emily Carr University of Art and Design, October 23
"On a Redefinition of the Art School," Manufactura's Studio Gallery, Wuhan, China, September 19
Maine College of Art, Portland, Maine, July 20
Emily Carr University of Art and Design, July 7
On biennials/Tutto sulle biennali, C Festival Arte Contemporanea, Faenza, Italy, April 17 – 19
Banff Centre, Banff, Alberta, January 6
Rijksakademie van beeldende kunsten, Amsterdam, June 18
University of California, Berkeley, March 27
California College of the Arts, San Francisco, January 29
"Encountering Chen Zhen," China and Canada, interconnected Conference, McCord Museum, Montreal, November 2
C6: The Art World is Flat, Pritzker Pavilion, Millenium Park, Chicago, April 27
Graduating Exhibition Keynote, Whitman College, Walla Walla, Washington, April 20
10th Annual Canadian Arts Summit, Sofitel Hotel Convention Centre, March 23, Montreal
University of Toronto Scarborough Campus, Scarborough, Ontario, March 6
CAC, Vilnius, Lithuania, November 8
Meduse Centre d'Art, Quebec City, August 25
Sydney Biennale, Center of Fine Art, University of New South Wales, Sydney, August 10
National Gallery of Australia, Canberra, August 9
Australian National University School of Art, August 8
International Sculpture Center Conference, Crossroads Cincinnati, Cintas Center, Cincinnati, June 22
Asian Maps II, ARCO, Madrid, February 3
Exhibition: A willing space? Panel discussion with Tadashi Kawamata, Director, Yokohama Triennale; Yusuke Nakahara, art critic; Jonathan Watkins, Director, Ikon Gallery, Birmingham; Alanna Heiss, Director, P.S.1 Contemporary Art Center/MOMA, New York, Yokohama Symposia, Yokohama, Japan, September 29
"Art and Ethnology", Bard College, Annandale-on-Hudson, New York, June 30
Multiculturalism in Vancouver: Panel Discussion, Sponsored by CBC Radio 1, UBC Robson Square, Vancouver, May 2 (panelist)
On Chinese Contemporary Photography, Seattle Art Museum and University of Washington, Seattle, April 16
Expo Centre, Emirate of Sharjah, United Arab Emirates, April 8 (moderator)
Interview with Ken Lum (part two, hour two) on Dubai Eye Radio, Dubai, United Arab Emirates, March 28
Interview with Ken Lum (part one, hours one) on Dubai Eye Radio, Dubai, United Arab Emirates, March 14
The Power Plant Contemporary Art Centre, Toronto, February 13
Trinity College, University of Toronto, February 11
University of Toronto at Mississauga, February 9
Microsoft Campus, Redmond, Washington, February 4
Southern Biennales: Locus and Curatorial Concepts, Constitution Club, Delhi, India, January 17
Contemporary Art within and without Institutions, Constitution Club, Delhi, India, January 16
Concordia University, Montreal, October 20, 21
CCA Wattis Institute for Contemporary Arts, San Francisco, September 22, 23
Nickle Art Museum, Calgary, Alberta, September 17
Kulturhuset, Stockholm, Sweden, September 10
Seattle Art Museum, Seattle, Washington, October 11
Wexner Center for Contemporary Art, Columbus, Ohio, January 30
l'Ecole des Beaux-Arts, Brest, France, January 13 – 17
l'Université du Quebec á Montréal, October 23, 24
Nova Scotia College of Art and Design, Halifax, October 21, 22
Canadian Museum of Contemporary Photography, Ottawa, October 20
"Conversation with Ken Lum," CBC FM Arts Report, Ottawa, September 20
"A dialogue between Lu Jie and Ken Lum," Zunyi International Symposium: Curating in the Chinese Context, Long March Foundation, Guiyang, China, August 10
Contemporary Chinese Art, Fairchild Chinese Radio (hosted by Shengtian Zheng and Grace Leong), Vancouver, July 5
Chair: "Locating Asia: Globalisation and Art," Morris Wosk Centre for Dialogue, Simon Fraser University, Vancouver, May 4
"Entrevue avec Ken Lum," In Situ (hosted by Christoph Domino), Radio France Culture, Paris, April 17
Department of Visual Art, University of Art and Design, Zurich, April 4
University College of the Fraser Valley, Department of Fine Arts, Abbotsford, B.C., March 28
Royal College of Art, Department of Graduate Photography, London, March 13
University of Regina, Regina, Saskatchewan, January 24, 25
The Success and Failure of Canadian Art, Contemporary Art Society, Vancouver, January 22
Art and Teaching: Fact or Fiction, Canadian Art Foundation symposium, SPIN Gallery, Toronto, November 14
Haus der Kulturen der Welt, Berlin, Germany, October 25
St. John's College, University of British Columbia, Vancouver, October 18
Royal College of Art, London, England, October 4
Lux Centre for Digital and Media Art, London, England, October 2
On Location, Vancouver Art Gallery, Vancouver, September 27
Green College, University of British Columbia, Vancouver, June 13
Center for Contemporary Art, Kitakyushu, Japan, May 16
Curatorial Practice and Criticism in Latin America: Trans-American Conversations on Art, (with Franis Alÿs, Bruce W. Ferguson, Ken Lum, Kitty Scott), Americas Society and Columbia University, New York, March 19
There is No Place like Home, Galerie im Taxispalais, Innsbruck, Austria, March 13
University of Victoria, Victoria, B.C., Canada, February 14 – 15 Institut für Experimentelles Gestalten und Raumkunst, Universität für Angewandte Kunst, Vienna, December 15 Command N Centre for Electronic Art, Tokyo, November 26
Yokohama Museum of Art, Yokohama, Japan, November 25
Teatro Nacional, Galeria René Portocarrero, Havana, Cuba, November 16
Department of Art, Yale University, New Haven, Connecticut, October 20
"A view from Goree Island and some thoughts on Gericault's The Raft of the Medusa," Departments of English, African Studies and French, Yale University, October 19
"The Role of the Artist," Comox Valley Art Conference, North Island College, Courtenay, August 25 – 27
National Museum of Ethnology of the Netherlands symposium, Leiden, The Netherlands, June 25 – 27
Inside Out: Reassessing International Cultural Influence, BWA Gallery, Wroclaw, Poland, June 12 – 16
State of the Art: Public Art in Vancouver, public forum discussion presented by Urbanarium, Robson Square Media Centre, Vancouver, February 3
The Banff Center for the Arts, Banff, Alberta, January 16
School of Architecture, University of British Columbia, November 27
Las letras del arte [Art and Textuality], VII FITAC conference (International Forum on Contemporary Art Theory), Guadalajara, Mexico, September 10 – 12.
Interview with Ken Lum, Radio Television Hong Kong: The Morning Show, Hong Kong (June 25),
A conversation on contemporary art with Serge Guilbaut, Yves Michaud, Ken Lum and Kitty Scott, CITR UBC Radio, Vancouver (April 6)
Onder Aula, Vrije Universiteit Brussel, Brussels, Belgium (January 14)
Speaker Series 97, Contemporary Art Society and Emily Carr Institute of Art and Design, Vancouver, Canada (December 5)
Opening Remarks and Plenary Speaker, Universities Art Association of Canada Conference, Emily Carr Institute of Art and Design, Vancouver, Canada (November 6)
l'Academie Francaise, Villa Medici Rome, Italy (April 29)
l'Ecole des Beaux-Arts du Havre, Yvetot, France (April 28)
l'Ecole Régionale d'Arts Plastiques de la Martinique, Fort-de- France, Martinique (April 14 – 23)
l'Ecole Nationale Supérieure des Beaux-Arts, Paris, France (October 10)
Australian Centre for Contemporary Art, Melbourne, Australia (September 6)
Canberra Contemporary Artspace, Canberra, Australia (September 5)
Museum of Contemporary Art, Sydney, Australia (September 4)
University of Westminster, London, England (February 20)
University of Staffordshire, Stoke-on-Trent, England (February 19)
Stills Gallery, Edinburgh, Scotland (February 17)
Grays School of Art, Robert Gordon University, Aberdeen, Scotland (February 16)
Napier University, Edinburgh, Scotland (February 14, 15)
Sheffield Hallam University, Sheffield, England (February 13)
Department of Fine Art, University of Leeds, England (February 13)
University of Derby, Derby, England (February 12)
Picturesque/Anti-Picturesque: Art at the Crossroads of Photography, Vancouver Art Gallery, Vancouver, Canada (February 1)
Panel Discussion: Sasha Craddock, Ken Lum, Gillian Wearing, Camden Arts Centre, London, England (October 14)
Art in Vancouver, Cubitt Street Studios, London, England (October 11)
Culture Matin: Interview with Ken Lum, Radio France Culture, Paris, France (June 13)
Universität Gesamthochschule Essen, Essen, Germany (June 1, 2))
Jan van Eyck Akademie, Maastricht, The Netherlands (May 10, 11)
l'Ecole des Beaux-Arts, Valenciennes, France (April 4)
l'Ecole des Beaux-Arts, Nancy, France (February 27 – March 2)
Franco-Canadienne Rencontre, Musée d'Art Contemporain, Marseille, France (February 20)
l'Ecole Nationale des Beaux-Arts, Bordeaux, France (February 13 – 16)
Goldsmith College, University of London, England, (February 7)
De Ateliers, Amsterdam, The Netherlands (January 17, 24, 30, April 2)
Symposium on Photography XV, Forum Stadtpark, Graz, Austria (October 14 – 16)
L'Ecole Nationale Supérieure des Beaux-Arts, Paris, France, (October 11)
University of Windsor, School of Visual Arts, Windsor, Ontario (September 22 – 23)
Ontario College of Art, Toronto, Ontario (September 19)
Ottawa Art Gallery, Ottawa, Ontario (September 17)
Walking Through the City: The Peripatetic in the Work of Dan Graham, Art Gallery of Ontario, Toronto, Ontario (August 17)
University of Graz, Department of Art History, Graz, Austria
Okanagan College, Department of Fine Arts, Kelowna, B.C.
Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia
Akademie der Bilden Kunsten, Stüttgart, Germany
Akademie der Bilden Kunsten, Munich, Germany
Goldsmith College, University of London, London, England
Jan van Eyck Academie, Maastricht, the Netherlands
Cameras Indiscretes, Centre d'Art Santa Monica, Barcelona, Spain
Public Radio interview, Warsaw, Poland
Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvania
Wilkie Fine Arts, Seattle, Washington
Vancouver Art Gallery, Vancouver, B.C
University of Western Washington, Bellingham, Washington
University of Toronto, Department of Architecture, Toronto, Ontario
Ontario College of Art, Toronto, Ontario
Musée d'Art Contemporain, Montréal, Quebec
University of Ottawa, Department of Visual Art, Ottawa, Ontario
University of Victoria, Canada
Office for Ability and Desire, Brussels, Belgium
University of Manitoba, School of Visual Arts, Winnipeg, Manitoba
YYZ Gallery, Toronto, Ontario
Plug-In Gallery, Winnipeg, Manitoba
Walter Phillips Gallery, Banff, Alberta
Awards and Public Commissions
Knight Prototype Fund (For Monument Lab), Knight Foundation
Surdna Foundation Grant
Pew Fellowship, Pew Center for Arts and Heritage
Officer of the Order of Canada
Honorary Doctorate in Fine Arts, Simon Fraser University, Burnaby, B.C., Canada
Finalist. 4601 Market Street, Public Safety Services Campus Project, Philadelphia
Kings Crossing, Vancouver, B.C.
Monument Lab, Pew Arts and Heritage Grant awarded to team of Will Brown, Paul Farber and Ken Lum
Fellow, Penn Institute for Urban Research
Canadian Campaign in Italy WWII Memorial, Nathan Phillips Square, City Hall, Toronto
Concord Park Development Project, Toronto, Canada
Marine Gateway Development Project, Vancouver, Canada
Artist member of Lions Gate Secondary Wastewater Treatment Plant engineering team, Vancouver, Canada
Laumeier Sculpture Park, St Louis, Missouri
Loeb Fellowship Harvard University (declined by the artist due to scheduling problems)
City of Torun (Poland) Artist Achievement Award
570 Bay Street Public Art
Utrecht, Nieuw Welgelegen Public Art Competition, Utrecht, The Netherlands,
City of Edmonton Walterdale Replacement Bridge Design Team
Monument to East Vancouver, Mapping and Marking Public Art Commission, City of Vancouver
Hnatynshyn Foundation Visual Arts Award
City of Vienna Westpassage Karlsplatz Public Art Competition Vienna, Austria
City of Vancouver National Works Yard Public Art Commission
Distinguished University Professor Award, University of British Columbia, Vancouver
Dorothy Somerset Award for Distinction in Fine and Performing Arts, Vancouver
Public Art Commission, La Plaiv, Engedines, Switzerland
On Location: Art for the New Millenium, Public Art
Commission, Vancouver Art Gallery
Killam Award for Outstanding Research, University of British Columbia, Vancouver
Public Art Commission, State of Siena, Italy
The Garden of Eden, Public Art Commission), National Museum of Ethnology, Leiden, The Netherlands
John Simon Guggenheim Memorial Fellowship, New York City
Non-Academic Appointments and Service
Member of Board of Adivsors, Toronto Biennial of Art, Toronto, Canada
Advisor, Socrates Sculpture Park, New York
GSA Art Jury, Harrisburg, PA
Committee Member, Madison Square Public Art Consortium, New York
Juror, King Salman Park Competition, Riyadh, Saudi Arabia
Advisor, Stenton House Museum and Gardens, Philadelphia
Juror, AIMIA Photography Prize, New York
Juror, Jerome Fellowship for Emerging Artists, Minneapolis College of Art and Design, Minneapolis
Citizen's Advisory Committee, Canada Post, Ottawa, Ontario
CACHET (Canadian Art Commons for History of Art Education and Training) board member, University College, University of Toronto, Toronto, Ontario
Juror, Lola Awards for Contemporary Dance, Vancouver
Juror, Urban Design Awards, Edmonton
Board of Directors, The Power Plant Contemporary Art Gallery, Toronto
Juror, 2011 Mayor's Arts Awards, City of Vancouver
Board of Directors, OR Gallery, Vancouver
Special Recognition Award, Centre A: Centre for Asian Art
Juror, Brink Award, Henry Art Gallery, Seattle
Advisor, Committee on Canadian Art and International Exchanges, Canada, Council for the Arts, Ottawa
Juror, Hnatyshyn Foundation Visual Arts Awards, Toronto
Juror, Hillcrest Public Art competition, City of Vancouver
Juror, 2009 Mayor's Arts Award, City of Vancouver
Juror, RBC Canadian Painting Competition, Toronto and Montréal
Juror, Bloomberg Young Contemporaries Exhibition, London, UK
Juror, Chinese Contemporary Art Award, Beijing, China
Advisory Board, The Fillip Review, Vancouver (to present)
Juror, SSHRC Creative and Performing Arts Committee, Ottawa, May 18 – 21
Committee member, Canada Council Advisory Board on Equity in the Arts
Co-curator, 7th Sharjah Biennial: Belonging, Sharjah Art Museum and Sharjah Expo Centre, Emirate of Sharjah, United Arab Emirates, April 6 – June 6
Co-curator, Shanghai Modern: 1919 – 1945, Museum Villa Stuck, Munich, October 14 – January 16, 2005
Curator, 14th Northwest Annual Exhibition, Center of Contemporary Art, Seattle, October 9 – November 20
Advisory Committee, Canada Council for the Arts, Ottawa, various dates, July, August, September, October
Vancouver Art Gallery Master Planning Committee (until 2004)
Juror, Prix de Rome competition for The Netherlands, Amsterdam, September 2002 to April 2003
Member of the board, Center A: Center for Asian Art, Vancouver, 2002 – 2007
Member of the advisory board, Tokyo Arts Initiative, Tokyo, Japan, 2001 – present
Co-Founder and Editor in Chief, Yishu: Journal of Contemporary Chinese Art, (Taipei and Vancouver), 2001 – 2005, Board of Advisors, 2005 – present
Project Manager, The Short Century: Independence and Liberation Movements in Africa, 1945 – 1994. Exhibition curated by Okwui Enwezor and organized for the Museum Villa Stuck, Munich, Germany and MoMA at PS1, New York Academic Appointments
Curator, Window Into Venus, (a conference on art in the midst of social ruin, with Israeli, Palestinian, Cuban, American, Italian and Canadian artists), Centro d'Arte Contemporaneo, Serre Di Rapolano, Italy, 2000
Member of the board, Annie Wong Art Foundation, Hong Kong, 1998 – 2002
Member, Public Art Committee For the City of Vancouver (to 1996)
Member of the board, OR Gallery, Vancouver (to 1994)
Director and Curator, OR Gallery, Vancouver (to 1984)
Marilyn Jordan Taylor Presidential Professor, University of Pennsylvania, Philadelphia, 2019 –
Chair, Department of Fine Arts, School of Design, University of Pennsylvania, Philadelphia, 2016 –
Professor, Director of Undergraduate Studies in Fine Arts, School of Design, University of Pennsylvania, Philadelphia, 2012 – 2016
Rijksademie van beeldende kunsten, Amsterdam, 2010 – 2011
Low Residence Program MFA Professor, Emily Carr University, Vancouver, 2010, 2011
Master Class Professor, Banff Centre, Banff, Alberta, 2009, 2010, 2012
Graduate Advisor, Maine College of Art, Portland, Maine, 2009, 2010
Invited Guest Professor, Maine College of Art, Portland, Maine, Summer 2009
Invited Guest Professor, California College of the Arts, San Francisco, 2007 – 2008
Graduate Professor, Milton Avery School of the Arts, Bard College, Annandale-on-Hudson, New York, 2005 – 2007
Professor, Department of Fine Arts, University of British Columbia, Vancouver, Canada, 2000 – 2006; Associate Professor, 1995 – 2000; Assistant Professor, 1990 – 1995
Guest Professor, China Art Academy, Hangzhou, China, Spring 2000
Professeur Invité, l'Ecole Nationale Supérieure des Beaux-Arts, Paris, France, October 1996 – June 1997
Invited Professor, Akademie der Bilden Kunsten, Munich, Germany, Summer Session, May to September 1992
Sessional Instructor, Center for The Arts, Simon Fraser University, Burnaby, Canada, 1989
Sessional Instructor, Department of Visual Arts, University of Ottawa, Ottawa, Canada, 1988
Ken Lum © 2020. All Rights Reserved.
ken@kenlumart.com


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Q: catch the text change in a input field I am using joomla calendar to pick a date. Below shows the html code of it. here when you click the image, calendar will pop up and there you can select a date and popup will close and date value show in input text field. What I want is I want to write a function to do a ajax post if the date is change.(input text change). I tried simple alert() but didn't work. I think it is due to lost focus on the text field because only the image that we click and no contact with input field with mouse or any key press. plz help me to solve this.
$("#select_date").change(function(){
   alert('Working');
});

HTML Code
<input id="select_date" type="text" value="2012-02-16" name="select_date" title="Thursday, 16 February 2012">
<img id="select_date_img" class="calendar" alt="Calendar" src="/eap_movies/media/system/images/calendar.png">

PHP Code
JHTML::_('behavior.calendar');
JHTML::calendar(date('Y-m-d'),'select_date', 'select_date', '%Y-%m-%d');

A: Change event will be triggered only when input loose focus (blur).
You could watch to keypress, keyup or keydown events if possible or trigger yourself an event when a date is picked.

A: Mihai Bazon's DHTML Calendar v1.0 (under /media/system/js/calendar.js) has a callback for onSelected and onClose events. So it should be possible to catch when the calendar closes or when the user selects a date.
Solution 1 - Editing Joomla
Step 1 - You need to override this file: libraries/joomla/html/html.php
// added $onSelected parameter
public static function calendar($value, $name, $id, $format = '%Y-%m-%d', $attribs = null, $onSelected)
{
  ...
$document->addScriptDeclaration('window.addEvent(\'domready\', function() {Calendar.setup({
            inputField: "'.$id.'",          // id of the input field
            ifFormat: "'.$format.'",        // format of the input field
            button: "'.$id.'_img",          // trigger for the calendar (button ID)
            align: "Tl",                            // alignment (defaults to "Bl")
            singleClick: true,
            onSelected: '.$onSelected.'
});});');
...
}

Step 2 - Defining a callback for onSelected
JHTML::_('behavior.calendar');
JHTML::calendar(date('Y-m-d'),'select_date', 'select_date', '%Y-%m-%d', null, 'userSelectedDate');

Step 3 - Implementing the callback
function userSelectedDate(calendar, date){ ... }

Note: I don't have an active install of Joomla so the code above might have syntax errors.
Solution 2 - Sara's easier solution
Add onchange definition to the $attribs parameter of JHTML::calendar:
JHTML::calendar(date('Y-m-d'),'select_date', 'select_date', '%Y-%m-%d','onchange="myfunction();"');
Visit DHTML Calendar Website as well.

A: Which version of jquery do you use ?
I had the same problem and I went with
$('elementName').on("input propertychange",function() {
 alert("detected");
});

Because working with keyup events will not work in your case because there is no user interaction with the field actually.