Further information - HOTEL LENAS DONAU - SO GÜNSTIG, DA LEGST DICH NIEDER!
A child under the age of 6 years is free in the double bedroom of the parents.
Baby cribs (up to 2 years) are also for free.
The provision for an extra bed for a child up to 12 years costs 10,- Euro per night.
From the age of 13 the normal hotel rate has to be paid.
An additional bed for adults will cost 25,- Euro per night.
A child receives breakfast (buffet) for free if the parents have booked a room for 2 persons.
Any types of extra beds or cribs need to be confirmed by the hotel.
We try to provide special arrangements for your booking.
Please contact our reservations at Tel No. +43 1 20 40000-806.


The engineers at Samscreen are highly experienced in the aggregate field, so you know that when you order Blowbars / Hammers / Impeller Bars/ Impact Bars/ Impact Hammers from us for your Powerscreen crushing machine, it will be of the highest quality and made to fit perfectly. We proudly manufacture Blowbars / Hammers / Impeller Bars/ Impact Bars/ Impact Hammers compatible for a wide variety of machine types and brands, including Powerscreen crushing machines. We will deliver customized solutions so that your Powerscreen machines stay up and running at maximum production – and profit.


text:
Overland Park police looking for suspects who vandalized SM North with graffiti
Juliana Garcia Jul 17, 2020 - SM North
Three people wrote "BLM," "ACAB" and "Lucier" — which may have been an attempt at "Lucifer" — on a stadium wall at Shawnee Mission North.
The Overland Park Police Department is looking for three suspects who vandalized the football stadium wall at Shawnee Mission North.
Public Information Officer John Lacy said he received information about the vandalism on Tuesday, July 14 and the incident is believed to have happened on Sunday, July 12. The police department has video of three people exiting the vehicle and writing "BLM," "ACAB" and "Lucier" on a stadium wall, he said.
"We're asking the Shawnee Mission North community, and also the people who live in the area, that if they see anything suspicious in the area to contact the police department as soon as possible," Lacy said. "We want to get these vandals charged, obviously. The kids don't want that on the school, nor does the Shawnee Mission School District."
Lacy said it's unclear if the suspects were trying to write "Lucifer" or not. No arrests have been made at this time, but the police department knows the suspects were in a black or charcoal gray sedan, he said.
Officers are driving through parking lots to make sure the suspects don't come back at this time, Lacy said. He said he encourages the public to be vigilant, to send in tips — anonymous or not — and "if you see something, say something."
Shawnee Mission Faces: Brittney Hunter, pediatric nurse and marathon runner
Shawnee OKs $7M in bonds for downtown mixed-use project set to break ground soon
Prairie Village's annual arts competition got 450 submissions this year — here are the winners
Shawnee Sen. Mike Thompson says his concerns over election security 'allayed'

redpajama_set_name: RedPajamaCommonCrawl


phosphate-buffered saline at pH 7.2. Mix thoroughly. Tween 20, 2 mL Solution of 25% Tween 20 and 75% PBS. Add entire bottle to 1 liter PBS to prepare Wash Buffer. Wash Buffer may be stored at room temperature. Warnings The control sera have been screened for infectious agents by FDA required testing. Since no testing can assure the absence of infectious agents, however, these reagents, as …... This protocol describes the preparation of phosphate-buffered saline adapted from Sambrook & Rusell. Note: Typical stock solution is 10x concentrated.
PBS (Phosphate Buffered Saline) (1X, pH 7.4) recipe and preparation PBS is a buffer frequently used in biological applications, such as washing cells, transportation of tissues, and dilutions. PBS closely mimics the pH, osmolarity, and ion concentrations of the human body.


The developer confirmed that the next Halo will run on Xbox 360.
Rumors persist that Microsoft is gearing up to reveal a new console soon. Some people "in the know" are whispering that we'll see something in January at the annual Consumer Electronics Show in Las Vegas, although why Microsoft would choose that show over E3 is anybody's guess. Such rumor-mongers even cited the fact that the house developing the next Halo omitted which engine the game would use to demo the game as evidence that it would run on the new console. Thankfully, the franchise director at 343 Industries Frank O'Connor sounded off on the NeoGAF forums, clearly stating that Halo 4 is an Xbox 360 game.
"Halo 4 will be on Xbox 360 and use a modified core of the Halo engine(s)," he posted this weekend.
O'Connor said that they are working on the game code all the time, so that's why there was no disclosure on which engine would used. "[It's] not really a singular engine since it goes through fairly radical evolutions all the time," he continued.
Of course, O'Connor's statement doesn't confirm that no Xbox 720 will be announced in January, or that the new Halo won't run on that in addition to the Xbox 360. So, forum-goers, keep the rumor mill gristing!


The age of CV is over. Recruiters don't spend as much time on them as they used to in the past. They want to get an overall impression of a candidate, based not only on a list of education experiences and professional achievements, but also on their personality, visibility and non professional traits.
That is why online reputation comes into play. With a huge amount of personal content shared online, job seekers should pay careful attention to what they post, who they interact with and what causes they support. This will directly influence hiring decisions related to them. Here 5 things they may not know about how to handle their digital presence.
Famous is the saying: "You never get a second chance to make a good first impression". This is especially true in the online world, where online profiles and public content can be easily accessed by anyone capable of using a search engine. If you shared publicly a video of you getting drunk at a party, this will not benefit your reputation and may even prevent some people from interacting with you at all.
It sounds very orwellian to say this, but nowadays cameras are always on! If you do something strange, crazy or illegal in public, you may end up being the subject of an online image, YouTube video or any other type of digital content. So it's better to assume you are always under control. Otherwise, the next time you'll have a job interview you may have to justify something you did in the past.
You should be very careful about who you friend online. Although you could think a simple online connection does not mean much, recruiters may actually form an opinion based on the people you are connected to. So think twice before sending a friend request (or accept one), and never mass follow people on Twitter.
The last thing you may not know is that any social media update, be it a picture, a status, a link etc. is forever. Records are kept of any type of activity, so you should really consider the long term consequences of the things you say online.


The offer is valid only for the bookings made before 22nd Nov 2014.
Travel Period - 17th November 2014 - 31st March 2015.
Taxes and applicable surcharges will apply to the companion ticket.
Offer valid on Booking Class "I" on Qatar Airways operated flights only.
The offer is only applicable for 2- 8 pax, all passengers must travel together on all sectors of the journey.
Offer is not valid for flights operated in Saturday and Sunday.
Minimum stay would be 05 days whilst maximum stay is 01 month for the booking.
Qatar Airways reserves the right to amend/withdraw this offer at its sole discretion.


(HealthDay)—For patients with rheumatoid arthritis (RA) who have clinical response to treatment, active synovitis with osteitis is associated with subsequent residual synovitis (R-synovitis), according to a study published online Feb. 3 in the International Journal of Rheumatic Diseases.
Jun Fukae, M.D., Ph.D., from the Hokkaido Medical Center for Rheumatic Diseases in Sapporo, Japan, and colleagues examined the correlation between active synovitis/osteitis and R-synovitis in patients with RA. The authors analyzed 320 finger joints of 16 patients with active RA at baseline who subsequently achieved clinical low disease activity or remission. A semi-quantitative ultrasound score was used to assess synovial vascularity (SV). The presence of grade >2 SV at the 24th week was used to define R-synovitis.
The researchers detected active synovitis in 116 joints at baseline using ultrasonography. At the 24th week, 47 joints had R-synovitis. Osteitis was detected with magnetic resonance imaging in 12 joints at baseline. There was a significant correlation for the presence of active synovitis with osteitis at baseline with R-synovitis at the 24th week.
"Active synovitis in the presence of osteitis predicted R-synovitis regardless of whether there was a clinical improvement in RA," the authors write.


text:
Q: Responsive arrow between two tables edited as per the comments
Need to display an arrow (responsively) in between two tables on click of each row from left side table
Got this link while searching
http://jsfiddle.net/43dmvvto/3/
so using that made small changes as shown below

  <link rel="stylesheet" href="https://maxcdn.bootstrapcdn.com/bootstrap/3.4.0/css/bootstrap.min.css">

Name	Department

              #emp_namefirst#
          #dept_name#

              #emp_namefirst#
          #dept_name#

              #emp_namefirst#
          #dept_name#

Name	Department

            #emp_namefirst#
        #dept_name#

            #emp_namefirst#
        #dept_name#

            #emp_namefirst#
        #dept_name#

Everything is as expected except the responsiveness, Arrow is getting displayed on click of tr, how to make arrow responsive? as of now its position is fixed
Bigger screen result
Smaller screen result

A: You can use CSS Pseudo-classes to display the arrow on each row on click.

$(document).ready(function() {
  $('a.datalink').click(function() {
$(this).closest('tr').addClass('active').siblings('tr').removeClass('active');
  });
});
tr.active:after {
  content: '';
  position: absolute;
  border-top: 14px solid transparent;
  border-bottom: 14px solid transparent;
  border-left: 14px solid red;
}
<link rel="stylesheet" href="https://maxcdn.bootstrapcdn.com/bootstrap/3.4.0/css/bootstrap.min.css">

        Name
        Department

          #emp_namefirst#
          #dept_name#

          #emp_namefirst#
          #dept_name#

              #emp_namefirst#
          #dept_name#

        Phone Number
        Grade

           123456789
          A

           123456789
          B

           123456789
          C

redpajama_set_name: RedPajamaStackExchange


BRUSSELS (Reuters) - Brussels has long been defined by trade. Once it was a crossroads where silk and tapestries changed hands. Now it's the capital of Europe for the exchange of ideas and extremely tough negotiations, especially of late.
Forty-eight hours is barely time to scratch the surface of past and present identities, but correspondents with local knowledge offer tips on how to make the best of a short stay.
9 a.m. - Brussels divides into an upper and a lower town. The upper part is home to the European institutions and a huge expatriate community of politicians and lobbyists, energetically promoting competing causes.
You can get there on a short Metro ride from the Eurostar terminal if you've arrived from London or Paris.
Get off at Troon/Trone, a walk away from place du Luxembourg, home to the European Parliament.
Its glass and steel architecture, admired by some and hated by others, sums up the mixed emotions the European Union inspires.
Like it or loathe it, the European Union is fundamentally well-intentioned and visitors are warmly welcomed in the bloc's 23 official languages. Brussels itself operates in at least two, Flemish and French, and street and place signs are bilingual.
Before having a dose of politics, you would do well to begin with a hearty breakfast at Karsmakers at 20, rue de Treves.
Bagels, with lashings of cream cheese, and granola, generously dosed with chocolate, are specialities.
They should give you the stamina to attend a parliamentary sitting and have the history and EU processes explained.
You may find yourself gripped, in which case you could brave the ugliness of rue Beillard/Beillardstraat, usually snarled with traffic, and make your way to place Schuman to check out the EU administrative buildings.
Place Schuman is named after one of the founding fathers of the bloc.
Crossing from one side of it to the other involves negotiating the underground labyrinth of a metro station that has been a building site for years, and once again, the work-in-progress of European legislation, with its wrong turns, poor sign-posting and dead ends, springs to mind.
On either side of it loom the towers, where EU Commissioners, the EU equivalent of ministers, and national governments thrash out legislative proposals in a warren of offices and meeting rooms.
The choice of eateries include British-style pubs and Casa Italiana for very hearty, no-nonsense Italian.
2 p.m. - Staying in the upper town, you now have time to check out the neighborhoods of Ixelles and St Gilles, where many of the expats live.
From Schuman, take a Metro to Avenue Louise and then either walk down it or talk a tram.
If you walk, you can peer through the glass door panels of number 224.
Tucked away between the shop fronts, restaurants and modern hotels, Hotel Solvay is an example of the glorious art nouveau buildings designed by Victor Horta, one of Europe's prime exponents of the art nouveau movement.
It was commissioned by Armand Solvay, the son of the wealthy Belgian chemist and industrialist Ernest Solvay, and no expense or attention to the last, curling detail was spared.
Visits are by appointment only, but the Horta Museum at 25, rue Americaine, in nearby St Gilles, is open to the public between 2 and 5:30 pm, except on Mondays.
You might have to queue, but it's worth a wait to experience one of the most perfect examples of art deco. Swirling iron-work, twisting candelabras and light fittings harmonize with plain concrete, light wood, polished to a silky sheen, and oriental treasures.
4:30 pm. Enjoy the village-like atmosphere around Rue du Page. Mooch through the independent shops. Stop for afternoon tea or maybe a beer, but be careful, it's deceptively strong.
7:00 pm. Dinner at La Quincaillerie, the French word for ironmongers, which is what it was before it became one of Brussels' best-loved brasseries.
8:00 pm. You could linger, or you could ask the restaurant to order you a taxi to whisk you off to Flagey for one of the range of jazz and classical concerts Brussels has on offer, once again in an art deco setting.
As alternative pre- and post-concert options, the uber-trendy Place Eugene Flagey also has a wealth of restaurants.
10 a.m. - Choose between two of Belgium's most famous sons: Herge, creator of fictional boy journalist Tintin, or Magritte, exponent of surrealism, best known for men in bowler hats and his pipe, which is not a pipe.
The world's most extensive collection of Magritte is housed in the Musees Royaux des Beaux Arts, Rue de la Regence/Regentschaps.
Minor Tintin outlets can be found all over Brussels, but the mecca for the true enthusiast is a new museum at Louvain-la-Neuve, one of Europe's newest cities, a 40 minute train journey from Gare Centrale.
Opened in 2009, it's a huge prism with glass bays through which you can stare out at the surrounding woodland if you need a reality break from cartoon-land.
You also might find three floors of heroic adventures give you an appetite, in which case Le Petit Vingtieme, named after the supplement in which Tintin was first published, offers unexpectedly sophisticated dining for grown-up fans.
The Tintin experience could take up most of your day.
Magritte, however, will leave you with plenty of time for lunch in place du Grand Sablon, a kind of stepping stone between the upper and lower towns, round the corner from the royal museums.
12:30 pm. The Sablon is lined with shops selling the finest and most expensive Belgian chocolates and cafes and restaurants for lunch/coffee.
You might also visit Notre Dame du Sablon, one of the best surviving examples of Brabant Gothic architecture, with its huge stained glass windows and an impressive, carved pulpit.
Outside the church at weekends antique sellers ply their wares, often including art deco treasures and some of the many African artifacts that find their way to Brussels.
2:30 pm. - If you're still hungry for Brabant Gothic and spectacular carved pulpits, Brussels' cathedral, just down the hill from the Grand Sablon, awaits.
4 p.m. - Time for tea or maybe hot chocolate in the nearby Grand Place, a square so unabashedly elaborate it is a UNESCO world heritage site.
It's packed with former guildhouses, outdoing each other in ornate decoration, and a town hall, which behind the fairy-tale façade is still operational. Its 15th-century spire is 96 meters (yards) high.
Reuters has its own claim on this grandest of Grand Places.
From 1850, the founder of the Reuters News Agency Julius Reuter, conducted a three-way service for businessmen and newspapers from Aachen, delivering news and prices to and from Berlin, Vienna and Paris, via such telegraph lines as existed and railways and postal services elsewhere.
Between Brussels and Aachen there was a gap and pigeons, released from one of the fabulous guildhouses, bridged it.
7 p.m. - Holding that thought, meander through the nearby streets to the narrow, medieval Rue des Bouchers (Butchers' Street).
Every address is a restaurant and virtually every one sells mussels.
As the restaurateurs, who stand in their doorways to lure in passing custom will explain, mussels became the national dish as they were cheaper than oysters.
The prime source of Brussels mussels is Zeeland in the Netherlands, where a mix of sea water and fresh water is said to give them a unique flavor.
Rue des Bouchers serves mussels in various guises, with cheese, with tomato or marinated in a pot and with abundant frites.
After dinner, round off your trip with a digestif in the rich art deco surroundings of jazz bar L'Archiduc in rue Antoine Dansaert.


Many thanks are due to Shannan Riemer, a fantastic—so good at both what she does and what she doesn't do; your basic all-star—realtor in Austin, who'd suggested I organize my cookbooks (and closet) by color.
Already looks staged and nice.
Love your kitchen, just wish there was more color. A bright red mixer, a bowl of citrus or apples, a fun colored cookie jar, flowers (not white), a plant, etc. Or maybe I am missing the mark and potential buyers all want cream and beige.
I love the kitchen, it as fine as is.. BUT, I would definitely get some peonies or other flowers in there to brighten it up!!
Take everything off the counters including the toaster and the espresso station. Buyers want to see tons of counter space and the appliances hog up valuable real estate. Glad you took the couch out of the kitchen, but the replacement is no better. Get a bench and make it a window seat if you must put something there. Shelving is all good.
Why don't you just hire a professional to do this 'staging' for you? Cut to the chase. This 'serialized' staging is annoying I missed the old GT blog! This is boring. It's like I knew I was a grown up when i went to parties where people whinged about remodeling and refinancing. *shoots self, not before emptying the host's last wine bottle*.
Flowers or a bowl of lemons and limes or some other pop of color would be good in rest of kitchen. Are you no longer living there?
We will not be living in it, so I cannot have live fruits or flowers for staging. Basically, come July 1, we will be in Florida. So, now it is up to me to set uP each room–which is time consuming in such a short time (plus packing!). But we just sent in our security deposits and membership dues, so it's becoming more real… With more to do, for real.
You must be exhausted!! Best of Luck with the staging/ packing/move/swimming lessons/ multiple arrangements!! Hopefully your writing can be on hold for a while.
I would add a small rug on one side of the island. If you don't want to invest in a nice one, you could get a throw rug or a fake oriental.
Also, I agree with Jennifer, in that the counters are too cluttered. The cookbook and the pepper grinder is kind of randomly pretentious. Get rid of both.
Wow, the claws are out in the comment section! "Randomly pretentious?" Really? Because it's a nice quality pepper grinder and a gourmet recipe? Because, uh, if I'm not mistaken here, this is a pretty high-end house overall. She's not trying to pander to first-time home buyers fresh out of the trailer park or anything. The kind of people who would be looking at this house would not, I assume, find a gourmet cookbook and a nice pepper grinder out of place in a KITCHEN, where, you know, you COOK.
This room looks great, Stephanie. Those who think the counters are "cluttered" (huh?) or that the nook doesn't look perfect need to chill out and realize that you are staging a house for SALE, not for a magazine shoot! Even so, it looks pretty darn close to magazine shoot-ready, anyway. Leave the chairs and little table, I think it gives the right idea! Although I'm actually a person who would put something like the loveseat you had in that same kind of spot–maybe more of a settee, but same idea. Because there's a big dining room right next door, and I'd love a spot for people to settle in comfortably near where I'm cooking.
Have you thought about fake fruits? I'm not a big fan of fake flowers, but I've seen fake fruit so real I almost bit into it.
That shelving around the fridge makes it one hell of a dream kitchen! My only suggestion is that the shelving on the left looks "heavier" than the shelving on the right, so I might play around with the order of the shelving to make it more visually pleasing – I see the built-ins aren't equal in size but would see if where books are on the left, they can also be on the right?
I know you're leaving for good, but is there a neighbor who could come buy once or twice a week to water an orchid or something? I think that table with the book & pepper mill might be better if it's free of Stuff save for one small plant.
I think the people who say your counters are too cluttered are insane. The kitchen needs to look like part of a home, which means there has to be some indication that it is lived in. I like the espresso machine and the cook book with pepper grinder. I also like the little coffee corner you set up, but I agree that there is too much on the table. I would take the book off, since it doesn't fit. Just leave the french press and pastry basket.


Howard University's tradition of providing a first-class education for people of diverse backgrounds dates back to its founding in 1867 when the institution began to prepare leaders to address some of the most urgent needs of our nation and beyond. Today, as Howard works to compete for, attract and graduate the best and the brightest students of all backgrounds, we understand the need to offer competitive programs that meet and exceed national and global standards.
You have an important role to play as we continue on this journey. You can help secure an extraordinary future for our beloved institution by supporting the priorities that are aligned with our goals. As Howard grows and changes, our priorities for giving are adapted to meet current needs or in anticipation of future needs.
1. Close to 60% of all Howard students are Pell Grant eligible and depend on financial aid from the University.
While Howard provided over $100 million in institutional aid last year, many talented students are still unable to afford to continue their education.
2. Howard's endowment covers only about 5% of the university's budget.
While Howard has the largest endowment of all HBCU's, a larger endowment will ensure that the University is able to meet the needs of future scholars for generations to come.
3. Federal funding has declined.
Federal support accounts for approximately 25% of Howard's operating budget, but it is declining in real dollars. The current budget environment makes diversifying revenue streams even more important.
4. Every gift makes a difference!
Most gifts made to Howard are under $500. But together they add up to millions for financial aid, academics, research, and other programs.


Smartphones are getting bigger and bigger and thus it becomes quite hard to reach menu items in the upper-left corner. Thus, I made an wrapper around the menu list and set it to position: fixed (yes, this is dangerous on some devices but with the CTM technique above this only applies to browsers where support is good enough). Next, I set the menu list to position: absolute and position it down in the right corner. This way all the items are reachable quite easily with one thumb.
While all the items are now aligned at the bottom, the most important items (usually first in order) are still at the top. To change it, I used this technique to reverse the order of the items and, therefore, show the most important item at the very bottom.
Here is the demo and you can find all the demo files on Github.
If you find any bug please open an issue on Github.


text:
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$context = Timber::get_context();
$context['dataDeposits'] = Timber::get_posts('post_type=data_deposit');

Timber::render('templates/data-deposits/single-data.twig', $context);

redpajama_set_name: RedPajamaGithub


delicious, but without the baking.
CRUST: 1.	Cut the pastry into two equal sheets and place onto baking paper. Prick the pastry a few times. 2.	Chill the pastry and then bake it in a very hot oven (230ºC) for 10 minutes. 3.	Leave to cool before filling.
FILLING: 1.	Mix the cornflour with a little of the milk. 2.	Heat the rest of the milk, sugar and salt to boiling point. Add the cornflour mixture, stir well and cook until thick. 3.	Add the hot mixture to the beaten eggs, stir and heat together until the mixture just reaches boiling point. Remove from the heat and add the butter and flavouring. 4.	Leave until well cooled and spread the filling on one crust, placing the other on top.


After much furore, the Government is to u turn on intended proposals for limiting the amount of tax relief a person can claim on charitable giving. Initially mooted as a limit to either £50,000 or 25% of gross income, whichever was the lower, Chancellor George Osborne is set to reverse his 2012 Budget decision. The Government set motion talks with charities straight after the Budget to take in their views, but received protests due to concerns of a significant reduction in the income received by Charities. The Charities Aid Foundation is delighted with the decision, stating it understands that tough calls on public finances are to be made but tax reliefs on charity donations should be exempt from any measures taken.


Las Palmas is the capital, together with Santa Cruz, and the most populous city in the Canary Islands. It enjoys a subtropical climate, with mild to warm temperatures predominating throughout the year. The Port of Las Palmas is not only the largest port of the Canary Islands, but also the most important port in the Mid-Atlantic, with the most traffic at the crossroads between Europe, Africa and America. It is one of the main ports of Spain. The city has great beaches, including Las Canteras, Las Alcaravaneras, la Laja, and Confital.
The city was founded in 1478 by Juan Rejón, head of the invading Castilian army, before engaging in war with the local aboriginal people of the Canary Islands, known as Guanches. In 1492, Christopher Columbus anchored in the Port of Las Palmas, spending time on the island before sailing to America, and stopped there again on the way back to Spain. Today, a museum is named after him - Casa Colón - in the Vegueta area of the city.
The historic district of Vegueta has regained great popularity as the meeting place of choice for young people on weekends, who fill its bars and discos. In the port area there are also many bars and nightclubs, particularly in the vicinity of Santa Catalina. During the Carnival of Las Palmas de Gran Canaria, usually between January and February, you can enjoy popular Mogollon (dances) and galas of Franco and the drag queen.


text:
Coming of Age in 'ATL' Over the last decade Atlanta has become a mecca for black Americans and it serves as the backdrop for a new movie, ATL. Director Chris Robinson tells Ed Gordon about the coming-of-age tale, and why he set his first feature film in the city known as "Hotlanta."
Coming of Age in 'ATL'
Embed <iframe src="https://www.npr.org/player/embed/5314605/5314606" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
< Coming of Age in 'ATL'
March 31, 20068:33 AM ET
FARAI CHIDEYA, host:
I'm Farai Chideya, and this is NEWS AND NOTES. You may not know his name, but if you've ever watched hip-hop videos, you've seen his work. Director Chris Robinson is the man behind the lens for some of hip-hop's lushest music videos, including ones for Ludacris, Jay-Z, and Beyonce. Now he's gone Hollywood, Robinson's first feature film, ATL, opens in theaters nation wide today. The film is about four friends growing up in Atlanta. They're high school seniors trying to escape their South Atlanta neighborhood.
Robinson spoke to NPR's Ed Gordon about the film.
Mr. CHRIS ROBINSON (Director, ATL): You know like these kids have complicated lives. You might be a young man, but you have grown man problems and grown man issues. The one place where they kind of are free is this place called Cascade and it's a roller rink. And I just kind of equate that to American Graffiti when they used to go to Mels': it's the place where they hang out. And in the middle of it is Rashad, played by T.I. Not only is he trying to figure out what he wants to do with his future, he's trying to protect his younger brother from going out there doing something that might be off of his path, and at the same time he may be falling in love. He is a very closed-in young man, but there's a girl that is making him open up.
GORDON: Black America knew, but America is starting to discover that really the Mecca for black American movement now is the city of Atlanta. Talk to me about what you wanted to show not only in the storyline that obviously the writer put together, but the idea of illustrating what Atlanta is today for black America.
Mr. ROBINSON: The more that I stayed in Atlanta, I just understood that it is the cradle of so many things, of the civil rights movement, Martin Luther King, of black people running a city, and how it makes you feel when you see people with businesses different from the rest of the United States. So it became a character into my film.
GORDON: And Chris, talk to me about--certainly something that I know that you've dealt with, not only through your career with music videos, but the imagery of black America, and that is a concern of particularly older generations in terms of what we're seeing push forward, that the landscape isn't as all encompassing as it should be. What do you tell people who are concerned about that?
Mr. ROBINSON: I think it is a concern. I think that we should be able to tell all the kind of different stories that we want to. I think that this film in particular, tells a few different stories, on a few different levels. And I think that all those stories--a lot of the stories we see are valid, and as a fan, I want to see them all. I want to see everything from 'Boys in the Hood' to 'She's Got to Have It'. I want to see all of these different stories, and I think that's what our audience wants to see as well.
But we also have to look at ourselves, and we need to show up at the Antoine Fisher story, because that's an amazing movie, and we didn't show up to see it. And Hollywood is a business. And I think that what we have to do artistically is not be afraid. Show what's diverse in our community, and when our community reacts to it because it's real and because it touches home, and because it shows the world us in a different way, then Hollywood goes, okay, that worked. Let's make another one.
GORDON: When you grew up as black kids off and unfortunately find the dreams are limited in the sense of we always look at certain avenues that we go down, and certainly when you were growing up, the idea of being a film director, a TV director one of that I would suspect was a distant dream, who helped kick you into believing that this could be real for you?
Mr. ROBINSON: Truthfully, it definitely was one of those things that because no one did it around my way, people were like, are you crazy? Like what is that? Why do you watch BET all day? Why are you watching Donnie Simpson? Because I had in my head what I wanted to do. And my mother kept telling me to go to the post office and get that application. But what really made me feel like there was something more that I could this was there was a guy around my way named Jerome Carter, and he was a high jumper, and he went all around the world. He went to Europe. And he is from my little town in Edgewood. I'm from Baltimore.
He kept telling me, it's more out there. And eventually, I got to see more. I got to go to California. I went to Belgium and shot a music video with him. And then once I discovered Spike Lee and read his book, then the dots really got connected and I was like, this is what I want to do.
GORDON: You seem to be a student of the game. You didn't just pick this up. You talk about going to the movie houses as a kid, and obviously, you've studied film, filmmaking, love movies. Most people like that have the one story they've been longing to tell. Do you have one of those?
Mr. ROBINSON: Yeah. I think my problem is I have about 10 of those. So I'm from Baltimore, and I have a story that encompasses Baltimore and a lot of things that happened that I know about through the history of Baltimore. And hopefully, that's something that I can bring to the screen once I pay my dues in this game
It's like in the music video game, I'm right there, but here I'm a freshman. So as I come into the game, more people start listening to you has you as you create a body of work.
GORDON: We hope that ATL will just be the beginning and hope it's a big opening for you. Chris Robinson, big fan, and listen, man, congratulations.
Mr. ROBINSON: Thank you, sir. Appreciate it.
FARAI CHIDEYA: Chris Robinson is the director of the film ATL which opens today.


text:
Q: How to make wall like Facebook? I want to use (div) as a (textarea) element in html. Because when I used (textarea), it's width and height was not fixed. I want that when some one open my website they can write something on (div) like what peoples do in Facebook wall. In simple words I want to make wall like Facebook.

A: Using HTML5, you can use the contenteditable attribute, e.g.
HTML

  bla bla bla

This would work how it is, but it should probably have a style, to look and behave nicer. For example:
CSS
div.editor {
  width: 200px;
  min-height: 50px;
  max-height: 100px;
  overflow-x: hidden;
  overflow-y: auto;
  border: 1px solid #303030;
}

This is what Facebook actually does.
min-height is how big it will start off. Then it will extend up to 100px high, then it will start using a scroll bar, because of overflow-y: auto;.

A: You could nest the textarea inside a div with fixed size give your textarea a fixed size.

    <textarea style="width:100%; height:100%;"></textarea>

<textarea style="width:200px; height:400px;"></textarea>

A: With plain html you can only do a static representation of a wall. You'll need a server side language (e.g PHP) and some sort of storage for the wall comments such as files, database (e.g MySQL) etc


text:
package edu.pitt.apollo.libraryservice.methods;

import edu.pitt.apollo.db.LibraryDbUtils;
import edu.pitt.apollo.db.LibraryUserRoleTypeEnum;
import edu.pitt.apollo.db.exceptions.ApolloDatabaseException;
import edu.pitt.apollo.library_service_types.v3_0_2.GetLibraryItemURNsMessage;
import edu.pitt.apollo.library_service_types.v3_0_2.GetLibraryItemURNsResult;
import edu.pitt.apollo.services_common.v3_0_2.Authentication;
import edu.pitt.apollo.services_common.v3_0_2.MethodCallStatus;
import edu.pitt.apollo.services_common.v3_0_2.MethodCallStatusEnum;

public class GetLibraryItemURNsMethod {

	public static GetLibraryItemURNsResult getLibraryItemURIs(LibraryDbUtils dbUtils,
															  String itemType, Authentication authentication) {

		//execute query
		GetLibraryItemURNsResult result = new GetLibraryItemURNsResult();
		MethodCallStatus status = new MethodCallStatus();
		result.setStatus(status);

		try {
			boolean userAuthorized = dbUtils.authorizeUser(authentication, LibraryUserRoleTypeEnum.READONLY);
			if (userAuthorized) {
				result.getURNs().addAll(dbUtils.getURNs(itemType));
				status.setMessage("");
				status.setStatus(MethodCallStatusEnum.COMPLETED);
			} else {
				status.setStatus(MethodCallStatusEnum.AUTHENTICATION_FAILURE);
				status.setMessage("You are not authorized to get item URIs from the library.");
			}
		} catch (ApolloDatabaseException ex) {
			status.setStatus(MethodCallStatusEnum.FAILED);
			status.setMessage(ex.getMessage());
		}

		return result;
	}

}


text:
using System;
using System.Linq;
using System.Windows;
using System.Windows.Forms;
using TrayKit.ViewModels;
using System.Diagnostics;
using TrayKit.Base;
using System.Collections.Specialized;

namespace TrayKit.Views
{
  /// <summary>
  /// Interaction logic for MainWindow.xaml
  /// </summary>
  public partial class MainWindow : Window
  {
    private IMainWindowViewModel viewModel;

    // Had to use the Windows.Forms ContextMenu because WPF does not have a NotifyIcon
    // and the Windows.Forms NotifyIcon does not accept the WPF ContextMenu.
    private Controls.TrayKitContextMenu ctmNotifyIcon;
    private NotifyIcon notifyIcon;

    public MainWindow()
    {
      InitializeComponent();
      try
      {
        InitViewModel();
        InitWindowEvents();

        InitializeContextMenu();
        InitializeNotifyIcon();
      }
      catch (Exception ex)
      {
        Debug.WriteLine(ex.ToString());
        System.Windows.MessageBox.Show(ex.ToString());
      }
    }

    private void InitWindowEvents()
    {
      Closing += viewModel.OnWindowClosing;
    }

    private void InitViewModel()
    {
      viewModel = (IMainWindowViewModel)Resources[nameof(MainWindowViewModel)];
      if (viewModel == null)
      {
        throw new Exception("ViewModel could not be found.");
      }
      viewModel.PluginsLoaded += ViewModel_PluginsLoaded;
      AddPluginEventHandlers();
    }

    private void ViewModel_PluginsLoaded(object sender, EventArgs e)
    {
      ctmNotifyIcon.Reset();
      AddPluginsToContextMenu();
      AddPluginEventHandlers();
    }

    private void AddPluginEventHandlers()
    {
      foreach (var plugin in viewModel.PluginController.Plugins)
      {
        plugin.EnabledChanged -= Plugin_EnabledChanged;
        plugin.EnabledChanged += Plugin_EnabledChanged;

        plugin.CommandCollectionChanged -= Plugin_CommandCollectionChanged;
        plugin.CommandCollectionChanged += Plugin_CommandCollectionChanged;

      }
    }

    private void Plugin_CommandCollectionChanged(object sender, NotifyCollectionChangedEventArgs e)
    {
      var plugin = (Models.Plugin)sender;

      /* This is kind of a hack. Instead of checking what changed and only do an update
       * on the plugin in the contextmenu, I reimport the whole plugin.
       * I chose not to implement new functions for updating because it would take time I currently don't have
       * and reimporting the plugins shouldn't take much resources.
       */
      ctmNotifyIcon.RemovePlugin(plugin.TrayKitPlugin);
      ctmNotifyIcon.ImportPlugin(plugin.TrayKitPlugin);
    }

    private void Plugin_EnabledChanged(object sender, EventArgs e)
    {
      var plugin = (Models.Plugin)sender;
      if (plugin.Enabled)
      {
        ctmNotifyIcon.ImportPlugin(plugin.TrayKitPlugin);
      }
      else
      {
        ctmNotifyIcon.RemovePlugin(plugin.TrayKitPlugin);
      }
    }

    protected override void OnStateChanged(EventArgs e)
    {
      if (WindowState == WindowState.Minimized)
      {
        Hide();
      }

      base.OnStateChanged(e);
    }

    private void InitializeNotifyIcon()
    {
      notifyIcon = new System.Windows.Forms.NotifyIcon
      {
        Icon = System.Drawing.SystemIcons.Information,
        Visible = true,
        ContextMenuStrip = ctmNotifyIcon
      };

      notifyIcon.DoubleClick +=
          delegate
          {
            Show();
            WindowState = WindowState.Normal;
          };
    }

    #region ctmNotifyIcon

    private void InitializeContextMenu()
    {
      ctmNotifyIcon = new Controls.TrayKitContextMenu();
      AddPluginsToContextMenu();
      ctmNotifyIcon.MenuItemClicked += CtmNotifyIcon_MenuItemClicked;
    }

    private void CtmNotifyIcon_MenuItemClicked(object sender, Controls.MenuItemClickedEventArgs e)
    {
      try
      {

        if (e.Tag == Controls.TrayKitContextMenu.BASE_ITEM_TAG)
        {
          if (e.Name == Controls.ContextMenuBaseItem.OpenTrayKit.ToString())
          {
            Show();
            WindowState = WindowState.Normal;
          }
          else if (e.Name == Controls.ContextMenuBaseItem.ExitTrayKit.ToString())
          {
            Close();
          }
        }
        else
        {
          var command = (from p in viewModel.PluginController.Plugins
                         from cmd in p.TrayKitPlugin.Commands
                         where cmd.GetFullCommandKey() == e.Tag
                         select cmd).FirstOrDefault();
          if (command == null)
          {
            throw new Exception($"Command not found: {e.Tag}");
          }
          command.Execute();
        }
      }
      catch (Exception ex)
      {
        System.Windows.MessageBox.Show(ex.ToString());
      }
    }

    private void AddPluginsToContextMenu()
    {
      foreach (var plugin in viewModel.PluginController.Plugins)
      {
        ctmNotifyIcon.ImportPlugin(plugin.TrayKitPlugin);
      }
    }
    #endregion
  }
}


text:
Liquidity Events
Early-Stage
Dealmakers
Subscribe to Smart Business Dealmakers
McCarthy Lebit's Kenneth B. Liffman
By Mark Scott on August 17, 2018
Cleveland Selling
Dealmaking can often force you to make difficult decisions. Kenneth B. Liffman falls back on a saying from his mother when he encounters tough trade winds on the M&A landscape.
"As my mother told me a long time ago, 'Don't fall in love with anything that doesn't love you back,'" says Liffman, chairman and president at McCarthy, Lebit, Crystal & Liffman Co. "One of the toughest things is to decide when a deal is not worth doing, when it's hurting too much, when it keeps kicking you."
Liffman joined the firm in 1979 and served as managing principal from 1993 through December 2017. He's spent a lot of time shepherding clients through the process of negotiating transactions.
In this week's Dealmakers Live, we spoke with Liffman about the difficulties that often arise when you're looking to sell your business and three critical questions that can help inform your decision. What follows is a transcript of the above video, edited for readability.
The complexity of selling your business
People often ask me, 'What do I do if I want to sell my business down the road? What do I do now if I want to get the best price for the business and have the best chance to achieve my goals?' The answer is extremely difficult. The principles that made your company successful, it was watching cash flow. It was not necessarily going for top line, meaning gross, but going for net income. We have folks who do $75 million to $100 million a year in sales and barely break even. And we have folks who do $20 million in sales and make $3 million or $4 million a year. It's how you choose to run your business.
The problem with skinnying down your business, which is generally the right way to get ready to sell your business. What do I mean by that? If you weren't already doing this, if you know the people in your industry are going to be looking for top line [income], you start to go out and reach for sales that you wouldn't normally have gone for that may have a higher chance of creating an account receivable that won't get paid. You do things that you may not have been doing before. I have a client right now that refuses to do that, even though he knows it would maximize the sale. He just has too much pride.
And I don't disagree with him. He just has too much pride in the way he runs his business. It is in the construction business. It's in the concrete business and he builds a lot of big projects. He can go after a project that he knows he can nail and do really well, but it doesn't bring in as much revenue, but it leaves him more money on the bottom line. Or if he is going to try to sell his business to a company that is rolling up concrete businesses, then he would need to pump his revenue so he looks bigger than he is. But if while he is pumping his revenue, he runs into a bad project because he didn't follow his business principles and that creates a $2 million loss, he's lost on both ends.
So the answer to the question is extremely difficult and not necessarily generic in terms of its answer. It depends on the business.
Three critical questions
Sometimes, you have to make a very tough decision. As my mother told me a long time ago, 'Don't fall in love with anything that doesn't love you back.' One of the toughest things is to decide when a deal is not worth doing, when it's hurting too much, when it keeps kicking you. Every deal is going to have its ebb and flow and be tough. But if it keeps kicking you, if bad things keep happening even though you're doing your very best. It might be telling you there is no way to get the rate of return that you think you're going to get. You should not be disrupting your family life over this.
Whatever the issue is, you have to decide. The easiest way to look at a deal or pretty much any decision is what do you really need to make this happen? That's No. 1. If you don't get that, get out of Dodge. No. 2, what would you like to have? That's pretty cool. If you get that, so much the better. And No. 3, what do you have to give up to get one and two? If you break it down like that, pretty much any decision becomes a little bit easier. The problem usually happens when folks can't put those into the three silos.
I beat on them, in my own sweet way, to try to make sure they fully understand. If they do, under the rules of professional responsibility, I have to make a decision there. I either go with the flow and try to achieve everything they want to achieve. Or I say, 'You know what, maybe you ought to move on down the road.'
835 Sharon Drive, Suite 200
© 2021 Smart Business Dealmakers. All rights reserved.


text:
A 2014–2015-ös tipp-3 Bundesliga (szponzorált nevén T-Mobile Bundesliga) az osztrák labdarúgó-bajnokság legmagasabb osztályának 104. alkalommal megrendezett bajnoki éve volt. A pontvadászat 10 csapat részvételével, 2014. július 19-én indult és 2015. május 31-én ért véget.

A bajnoki címet a Red Bull Salzburg szerezte meg, mely a klub történetének 9. bajnoki címe. A Wiener Neustadt kiesett az élvonalból.

A bajnokság rendszere
A pontvadászat 10 csapat részvételével zajlott, a csapatok a őszi-tavaszi lebonyolításban oda-visszavágós, körmérkőzéses rendszerben mérkőztek meg egymással. Minden csapat minden csapattal négy alkalommal játszott, kétszer pályaválasztóként, kétszer pedig idegenben.

A pontvadászat végső sorrendjét a 36 bajnoki forduló mérkőzéseinek eredményei határozták meg a szerzett összpontszám alapján kialakított rangsor szerint. A mérkőzések győztes csapatai 3 pontot, döntetlen esetén mindkét csapat 1-1 pontot kapott. Vereség esetén nem járt pont.

Változások a 2013–2014-es szezont követően
 Búcsúzott az élvonaltól
 Wacker Innsbruck 10. helyezettként

 Feljutott az élvonalba
 Rheindorf Altach, a másodosztály győzteseként

Részt vevő csapatok

A bajnokság végeredménye

 A Red Bull Salzburg a 2014–15-ös szezon bajnoka.
 A Wiener Neustadt kiesett a másodosztályba (Erste Liga).

Eredmények

A góllövőlista élmezőnye

Jegyzetek

Források
 Hivatalos honlap
 Táblázatok és eredmények az RSSSF-en
 Táblázatok és eredmények az Austriasoccer.at honlapján.
 Eredmények, tabella és góllövőlista az Európai Labdarúgó-szövetség (UEFA) oldalán
 Eredmények, tabella és góllövőlista a Soccerway.com honlapján.
 Eredmények, tabella, góllövőlista és az aktuális keretek a Transfermarkt.de honlapján.

Osztrák labdarúgó-bajnokságok
osztrák 1

redpajama_set_name: RedPajamaWikipedia


Together Microsoft SharePoint, K2 and emediaIT can help you Improve, Grow and Evolve.
Microsoft SharePoint is an integrated suite of server capabilities that can help improve organizational effectiveness by providing comprehensive content management and enterprise search, accelerating shared business processes, and facilitating information-sharing across boundaries for better business insight. SharePoint 2010 facilitates business collaboration in the broadest sense and helps colleagues, partners, and customers to work together in new and effective ways.
K2 (Blackpoint, Blackpearl and Connect) is a complete software platform for automating business processes, building SharePoint workflow solutions and integrating with third party systems including direct support for integrating Microsoft solutions into SAP.
10. Who is using SharePoint? • Currently using SharePoint – WSS/MOSS? – Project Server? – Types of applications? • Document Management? • Search? • Collaboration? • Workflow? • SharePoint 2010 – Thinking of upgrading? – When?
13. Question What version of SharePoint 2010 replaces Windows SharePoint Services 3.0?
21. Question What is the biggest change in terms of server system requirements for SharePoint 2010?
27. Question Who here is using Silverlight and what version are you using?
41. Some items not covered in detail today • Quite a bit - Not just for SharePoint, but also Office • Document & Content Management – Document Sets – New Content Types (Audio & Video) • Streaming on pages • Office 2010 – Office Web Apps • Web based Editing and Collaboration on documents!
45. Question What licensing costs are there for SharePoint Foundation 2010?


text:
Engineering design beyond the equations
Collaboration between the humanities, arts, and STEM can lead to innovative and creative solutions to issues. What's stopping it?
Courtesy of CWRU
The Engineering Peer Advisors consists of 12 advisors in 8 disciplines, with 5 double majoring.
Kevin Pataroque, Staff Reporter
Recently, the Engineering Peer Advisors hosted a series of discussions focusing on engineering beyond a set of equations and spreadsheets, towards real, concrete challenges. On Oct. 31, five students, majoring in both engineering fields and in the College of Arts and Sciences, led "Engineering and the Arts," a discussion focusing on the interdisciplinary connections between distinct and opposing fields. While many perceive engineering and humanities to be separate areas, these peer advisors subvert these expectations through their work, motivating future engineers to employ creative, human-oriented approaches in modern problem-solving.
Joel Linebach, a fourth-year student double majoring in polymer science and dance, came up with the idea last summer, motivated by the wave of social reform across the country. Events such as Breonna Taylor's murder and the ensuing national protests, the formation of the "CWRU Survivors" Instagram page and the resurgance of COVID-19 prompted Linebach to create spaces for discussion within the Engineering Peer Advisors, a multidisciplinary group of engineering students that provides resources, advice and support for all undergraduate engineers.
"Coming back to campus, the peer advisors wanted to create something the students can gauge, and we wanted to bring students together to talk about these topics," Linebach noted.
In September, Linebach worked with Aparna Paul, a fourth-year student double majoring in chemical engineering and English, to develop the event. When both noted the lack of dialogue among the engineering student body, the two used their backgrounds as double majors to emphasize the importance of humanities within the engineering discipline.
"Every day, I feel like I need to choose between chemical engineering and English, and I say to myself, 'what is my future going to look like, and how am I going to incorporate these things?'" Paul noted. "When I heard about this dialogue series in the beginning of September, I thought, 'Oh, this is a good platform to have this discussion on a larger scale and to help students struggling with these larger questions.'"
Though the discussion served to help engineering students with double majoring, "Engineering and the Arts" marked one of the first dialogues within a larger series hosted by the Engineering Peer Advisors. The discussion also benefited pure engineering students by demonstrating the necessity for intersectionality between engineering and the arts.
As Paul noted, the technicality within engineering must be balanced by real, concrete issues. She used the example of liquid flow in pipes within chemical engineering; certain equations can be used to both characterize the flow of liquids within pipes and analyze mixing. Paul considered, "How is it going to affect people? How do these pipes deliver water to their homes?"
Both students noted that at Case Western Reserve University, a STEM-focused school, majors outside of science, technology, engineering and mathematics are often ridiculed and mislabelled as easier.
The most elegant and creative solutions for societal plans come from the collaboration of a multidisciplinary team. However, the segregation of STEM, humanities, social science and business majors in academic environments prevents these students from coming together.
Using her English major, Paul is able to listen and empathize with people of different backgrounds, a skill she utilizes in her everyday engineering work. "Reading literature and discussing and hearing, makes me a more empathetic person. And that carries over into engineering and into all aspects of your life. When you can do that and connect with other people, not just the numbers and data you're generating, you're able to move problems forward and come up with solutions that help everyone," Paul noted.
For Linebach, his interest in and study of dance has developed the philosophy behind his engineering approach. Linebach relates technicality within engineering to dance, using the analogy of mastering individual spins or movements.
"When you tell someone in the class to do something, you get technical. You see a deadness in someone in their eyes. And it looks dull. You don't want to see that person perform. They look like a robot," Linebach stated. "Once you have that human aspect, performers come alive. That human part of it, I feel is still lacking in engineering."
So what's preventing engineering students from interacting more with humanities and arts? Engineering concentrations are notorious for having heavier course loads; science, math and engineering courses prevent the average engineering student from dipping their toes in other disciplines, preventing multidisciplinary collaboration. However, Paul and Linebach both point to societal perceptions of both humanities and STEM.
"Even today, it's always STEM. Humanities majors are always swept under the rug," Linebach stated.
STEM disciplines are perceived to be higher-paying and more realistic professionally than humanities majors, while also being held up as more difficult and prestigious. CWRU is seen as a STEM-focused research institution, but the university has equal strengths within the humanities and social sciences as well.
"Our English department is so powerful, we have multiple Guggenheim Scholars, we have a Pulitzer Prize winner," Paul said. "I never knew about this until I came to [CWRU] and joined the English department. That's so true for so many of our humanities department. It never gets broadcasted at the same level as our engineering school. We market ourselves by saying, 'we do cutting edge research in STEM,' but we don't highlight that with humanities."
That isn't to say that CWRU should pit the accomplishments of its departments against one another. Rather, Linebach and Paul argue that the university should encourage more interdisciplinary work, allowing for a range of perspectives on similar issues.
Linebach concluded by paraphrasing Venkataramanan "Ragu" Balakrishnan, the Charles H. Phipps Dean of the Case School of Engineering. Linebach noted, "When you have all these different perspectives and ideas coming to the same problem, that's when you have the most creative, the best, the most effective solution for anything. To create a device, to create social change, to bring people together."
New Dream Fund allows students to more easily pursue experiential learning
CWRU Office for Inclusion, Diversity and Equal Opportunity releases survey to assist in Diversity Strategic Action Plan
CCEL announces new volunteer opportunities
The OMA: A place that feels like home
U.S. Deputy Secretary of State meets with CWRU students
New apartments headed to Hessler, construction to start this summer
New semester, new residence hall?
What to expect for closing: tips, tricks and guidelines for leaving your residence hall for break
RHA forum brings transparency and information about housing situation on campus
Kaler's email puts CWRU and USG in national spotlight, bringing risk to students


text:
dbm.registerClass("dbm.workspace.gui.parts.curves.EditableCurvePart", "dbm.workspace.gui.parts.BaseWorkspacePart", function(objectFunctions, staticFunctions, ClassReference) {
	//console.log("dbm.workspace.gui.parts.curves.EditableCurvePart");
	//"use strict";

	var EditableCurvePart = dbm.importClass("dbm.workspace.gui.parts.curves.EditableCurvePart");

	var CurveDrawer2d = dbm.importClass("dbm.utils.canvas.CurveDrawer2d");

	var VariableAliases = dbm.importClass("dbm.utils.data.VariableAliases");

	objectFunctions._init = function() {
		//console.log("dbm.workspace.gui.parts.curves.EditableCurvePart::_init");

		this.superCall();
		this._canvasLayer = null;
		this._curve = null;
		this._curveDrawer = null;
		this._visiblePoints = null;

		return this;
	};

	objectFunctions.setup = function(aCanvasLayer, aCurve) {
		this._canvasLayer = aCanvasLayer;
		this._canvasLayer.setStrokeStyle(0, "#FF0000");
		this._curve = aCurve;
		this._curveDrawer = this._canvasLayer.drawCurve(aCurve);

		return this;
	};

	objectFunctions.showPoint = function() {

	};

	objectFunctions.showAllPoints = function() {

	};

	objectFunctions.setAllReferencesToNull = function() {

		this.superCall();
	};

	staticFunctions.create = function(aCanvasLayer, aCurve) {
		var newEditableCurvePart = (new ClassReference()).init();

		newEditableCurvePart.setup(aCanvasLayer, aCurve);

		return newEditableCurvePart;

	};
});


Shooting quality video in dimly-lit environments may soon be getting a lot easier, thanks to a new 35mm full-frame CMOS sensor developed by Canon. The video-specific sensor can reportedly capture Full-HD images under as little as 0.03 lux of illumination – about as much light as is produced by a crescent moon.
The sensor's pixels each measure 19 microns square. According to Canon, this is 7.5 times larger than the pixels used in the company's high-end EOS-1D X and other premium DSLRs. Usually, larger pixels result in increased noise – to remedy this, Canon has implemented new pixel and readout circuitry technologies. The result is a highly-sensitive, low-noise video sensor.
When used in a prototype camera designed to showcase the new technology, the sensor was able to capture images such as a person's face lit only by incense sticks (see video in the link below).
Besides conventional videography, Canon is also looking towards applications such as medical research, surveillance, and astronomical imaging. While a conventional electron-multiplying CCD is able to image stars down to a brightness of magnitude-6, the CMOS sensor can reportedly manage magnitudes of 8.5 and higher – keeping in mind that a star's brightness decreases 2.5 times with each 1-magnitude numerical increase.


text:
Alexander Karasik, Esq.
Alexander Karasik the founder of Karasik Law Group, P.C. Mr. Karasik is a trial lawyer. His practice concentrates on the prosecution of personal injury, medical malpractice and wrongful death actions, as well as business, contractual and commercial disputes including construction litigation.
Additional Practice Areas
include Banking Law Services and Mortgage Relief Services.
Mr. Karasik was born in Riga, Latvia from where he immigrated to the US with his family in 1983. Prior to law school, Mr. Karasik enjoyed an illustrious sales career in the areas of business and technology services, having negotiated several million dollars in business, achieving great success. But since law was always his calling in life, he decided to pursue his passion in 2002 when he enrolled in law school at the Sheppard Broad Law Center at Nova Southeastern University ("NSU").
Mr. Karasik earned his Juris Doctor degree from NSU and has studied international law at the Moscow State University, Moscow Russia ("MGU"). In law school, Mr. Karasik was soon recognized for his scholastic performance being a multiple recipient of the "Book Award" in Bankruptcy and Uniform Commercial Transaction courses, and having completed the international law program at MGU with honors.
Legal Experience
Recognized for his outstanding litigation skills by both peers and adversaries, Mr. Karasik has obtained large trial verdicts and million dollar settlements in the areas of personal injury and medical malpractice. Driven by a fierce desire to achieve the best results for his clients, Mr. Karasik has fought for each dollar in compensation for his clients and is very proud of his achievement rate. His clients have called him "compassionate and accessible." He recently obtained a $1.2 Million settlement against the City of New York in a slip and fall matter. He considers his clients his friends, and treats them as such and in return gets the same warm treatment from his clients. Mr. Karasik subscribes to the motto: "being a good lawyer means living your client's plight as if it were your own." Mr. Karasik is a member of the New York Trial Lawyers' Association.
Honors and Affiliations
New York State Bar Association
Member, Association of Trial Lawyers of America
United States Bankruptcy Court Eastern and Southern District of New York
United States District Court Eastern and Southern District of New York
Alexander Karasik, Esq. – NY
Yelena Kozlova, Esq. – NY
Edward J. Anthony, Esq.
Julia Pendorak, Paralegal – NY
104 N Broadway, Suite A, South Amboy, NJ 08879
1810 Voorhies Ave #9, Brooklyn, NY 11235
Tweets by Karasik Law Group


text:
Jacobus Adriaanse, conhecido no meio esportivo como Co Adriaanse (Amsterdã, 21 de julho de 1947), é um treinador de futebol holandês.

Naturais de Amsterdã
Futebolistas dos Países Baixos
Futebolistas do FC Utrecht
Treinadores de futebol dos Países Baixos
Treinadores do ADO Den Haag
Treinadores do AFC Ajax
Treinadores do AZ Alkmaar
Treinadores do Futebol Clube do Porto
Treinadores do Al-Sadd Sports Club
Neerlandeses expatriados em Portugal


Public service advisories about drinking and driving – and road safety in general – have. Stories of the Week. Toon of the Week. Quote of the Week. Graphic.
How many low-wage employees are held to under 30 hours a week, or 130 hours in a month, so no health insurance is offered. and yummy food and drink remain at the core of this beloved cultural organ.
Having no other option, I took some acetaminophen, and praised myself for.
With less than a month until the doors open, Jukebox International Film Festival (JIFF), the only festival to feature films with music as a central driving theme. what would become an annual bi-sta.


Manchester City Council appointed Lateral Technologies & Solutions as an energy consultant to assist in the review of existing building stock to determine areas of possible energy savings.
This review was to look at how the building was being operated, the current status of plant and equipment, and control strategies. From this review a list of "quick wins", control strategy revisions, plant maintenance requirements, operational considerations, and capital investment opportunities were agreed.
Savings between 10% and 30% were identified on various building types.


Get ready for High School Prom, Mother's Day, Graduation, Wedding, Vacation, or any occasion.
How long does this patented process take and what are the results?
How often should I use the maintenance product, KeepWhitePen?
Who may benefit from the BleachBright system?
I have a crown on my anterior or front teeth. Will your product whiten my crown?
Is this procedure done by a dentist?
How long before I can eat or drink after my treatment?
Using our patented one size fits all double sided mouthpiece/lens, you will receive foam strips that are impregnated with a special whitening gel and other essential ingredients. A patented spectrum blue LED (ADT-1500SP), with precise settings, is positioned between the upper and lower teeth. This formulation forces activation. Hydrogen peroxide and oxygen will break into water molecules and free oxygen radicals. The oxygen radicals combined with carbon-based molecules in the stained teeth proceed to make all stains clear. This process will penetrate the tooth enamel but will not damage the enamel. Once the stains are removed, they will then attach themselves to the form strips. This is referred to as a physical stain removal at the speed of light.
Two to four years is not unusual, but we do recommend that you now care for your newly bleached teeth with our new era formulated KeepWhite Pen. Typically, we recommend pursuing another treatment in about six months.
Results can vary as everyone is different. The grade of your teeth and your age can affect the process, but we recommend a 15 minute treatment.
We would recommend it as a daily maintenance and to use it especially for special events, dates, and/or engagements; anytime you are meeting with the public.
Research has shown that if the teeth and gums are normal and healthy there are no adverse effects to bleaching one's teeth. You must make sure the dosage is of legal limits and not excessive and administered in a professional manor. People with tooth decay and with any type of gum disease should avoid this treatment. Never treat a pregnant woman; no know side effects are affirmed but it is simply a precaution.
Almost everyone can enjoy the benefit to the bleaching process if their teeth and gums are healthy. Remember, teeth can not be bleached whiter then genetically possible. Tetracycline stains can not be removed. Also any stains resulting from excessive fluorides or if the teeth are porous, one can expect little result. Excluding the above, about 95% of our clients experience success.
No, but the standard procedure is to first whiten all adjacent teeth, wait two weeks for the color to stabilize, then go to your dentist and have him match the crown to the new shade of your teeth. On the contrary, if a crown is already been in place for many years, the whitening process can return the rest of the teeth to the original shade prior to the crown placement. The same goes for composites, bridges, and veneers.
Absolutely. Our partner in dentistry actually supplies a great deal of product to dentist offices throughout the nation. Our carbamide peroxide, although at legal limits, are in many cases more potent than what your dentist will supply. The key to the success of our whitening system is our patent blue light technology which increases the potency of whitening in fraction of the time and cost.
This bleaching process is provided by professionals in the teeth whitening business and are not necessarily a dentist.
Some teeth are naturally pigmented or stained as they develop. Typically, stains come from exposure to tea, coffee, smoking, juices, colas, wine, age, or just about anything that would stain a white tee shirt. This is why we highly recommend the KeepWhite Pen to stay bright.
Some people may feel a little tingling sensation, white gum line, or sensitivity, all of which are normal and hold no real danger. Typically, this will only last from a couple of hours not to exceed 24 hours.
The first 24 hours we would recommend to avoid coffee, tea, dark colored sodas, red wines, berries, candy, red sauces, beets, or any foods that have the propensity to stain. Remember if it leaves a tee shirt stained it will stain your teeth.


We are so excited to share that Coastal Kitchen & Bath Designs was recently acquired by long-time employee Robin Childs. Robin purchased the business after founder Mark Ergmann decided to retire. She will be switching up designs in the showroom, but continuing with the devoted customer service we have been known for for so many years.
Stop in to the showroom to see our new design changes!


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Philadelphia 76ers vs Indiana Pacers Pick – Aug 1, 2020
By Ian Cameron Aug 1, 2020
Let's get started on my Philadelphia 76ers vs Indiana Pacers Pick breakdown. The Indiana Pacers enter this game with significant question marks surrounding the status of two of their best players. Victor Oladipo is a game-time decision to suit up for the Indiana Pacers and of even greater concern in this particular matchup, Damontas Sabonis one of the better big men in the NBA is listed as doubtful to play as he battles through plantar fasciitis. The loss of Sabonis would be a big one for the Pacers here against the Philadelphia 76ers who rely heavily on their twin towers Joel Embiid and Ben Simmons.
It means more will be asked of Myles Turner, Doug McDermott, and T.J. Warren to try and contain the strength of the Sixers squad which is their strength low post depth which actually goes beyond Embiid and Simmons if you include Al Horford and Tobias Harris. Indiana is only ranked middle of the pack 15th in the NBA in points in the paint allowed which tells me they could have some defensive issues containing that Philly frontcourt. Indiana had no problems scoring against Philadelphia in the three previous regular-season meetings averaging 110 points per game in those head-to-head matchups so while the 76ers have made some strides of improvement at the defensive end of the court, they have struggled to get stops when facing the Pacers.
The 76ers journey toward meeting the hype begins
Philadelphia has been hyped for the last few seasons as one of the future dominant teams in the NBA for many years to come thanks to their young core of players they have assembled following years of being one of the worst teams in the NBA but the 76ers have not been able to achieve consistency or hit the ground running at any point during this period. Philadelphia has some pressure on them to finally perform when the pressure is its greatest and to do it, they need Embiid and Simmons to be great every night and show a much better level of consistency.
There have been some positive developments for the 76ers this season namely the emergence of Shake Milton who has been running the point guard position for them ever since Simmons missed time due to a back injury earlier in the season. Milton had seven straight games of double digits in points scored before the hiatus of the NBA season. Josh Richardson is also having a solid campaign as part of the Sixers backcourt averaging 13.8 points per game.
Philadelphia 76ers vs. Indiana Pacers Pick
(AP Photo/Matt Slocum)
It's worth noting as this NBA restart in Orlando gets going for the Philadelphia 76ers that they had a porous ATS record away from home this season going 10-24 SU, 9-23-2 ATS in their 34 road games this season and these games have to be considered more like road games for all of these teams even though it is a neutral court environment.
I can't lay points with that kind of brutal track record on the highway. There are major personnel worries for Indiana in this game but when push comes to shove, I would still prefer taking the points with the Pacers than laying them with the 76ers in this game. I think the strongest bet for this game is the total. I like this game to go Over 216 as the 76ers could be able to get to the rim and score at will inside especially with the absence of Sabonis for the Pacers. On the flip side, Indiana will likely play a bit faster and head coach Nate McMillan has hinted at using a smaller lineup for this game which could increase the pace and number of possessions.
Problem Gambling: Bet with your head, not over it. If you have a gambling problem call the National Council On Problem Gambling 1-800-522-4700.
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2017 Single Slam
Single Slam – You Are We by While She Sleeps (You Are We)
23/01/2017 18/03/2017 Brendan Fisher
While She Sleeps have released their 3rd single and title track from their upcoming album, You Are We. The new album is due out on the 21st of April and will be immediately supported by a UK tour which you can read about here. You Are We is a big album for While She Sleeps and the title is a nod to the fans of this band who have supported them through their relatively short but inspirational career so far meaning that the band and the fans are as one – are the collective we. This close relationship has been even more clear and important after the band took the decision to release this 3rd album independently. Instead they chose to run a Pledge Music campaign and I am sure they were thrilled to see that they had no problems at all reaching their target.
An independent release is always a slight risk, of course, but it seems to be going well so far and the quality of the music released since the decision is certainly not suffering and is still of the highest standard. Following up a debut like This Is The Six was always going to be tough but they managed to not only do it, but to release arguably an even better album in Brainwashed. They are a band that raise the bar with every release so far and the first two singles from You Are We – Civil Isolation and Hurricane – are exceptional and poignant slabs of heavy metal. Can they do it again?
The title track of the new album, You Are We, is 4 minutes and 46 seconds long. It leads in with a small acoustic melody over an accordion. This band are not afraid to try out different things. It works well and kind of lulls you into a false sense of security because after this nice melody, you expect maybe a softer song, or one packed with clean vocals like Hurricane but instead, after around 25 seconds, Lawrence Taylor (Loz) roars out the title, the heavy riff kicks in with thumping drums, heavy bass and higher toned guitar lines and the song explodes into life and refuses to give you a breather for the rest of the track.
The verses are heavy and fast paced, their is a building pre chorus that leads you directly into an absolutely massive chorus with all instruments and all singers melding together into perfect heavy metal harmony. It may be the best chorus they have ever written which is saying a lot. Another furious verse leads into a breakdown with a drawn out guitar and drum fill as Loz shouts at a slower pace. Then, musically and vocally, it starts to build, and build and then explodes into a wonderfully heavy riff before the song switches into a cleaner sung section with the band's wonderful singing harmonising over huge sounding guitars for a verse that is nothing short of beautiful and, as that leads straight back into the wonderful chorus, it can leave you feeling quite emotional. The huge music continues until the end from here while Loz screams out the title a few times.
This song is nothing short of breathtaking. This isn't just a song, it's a sign of love and respect from a band to their fans – like a pact that we are in this together, all of us. It is a powerful track that will have the hairs on your arms standing on end and will become an absolute anthem of While She Sleeps fans thanks to the equal measures of pure heaviness and deep meaning. To everyone else releasing albums this year, this is what you have to measure yourself against. Good luck.
There are points in the song where I felt it didn't necessarily have all the signature groove and rhythm I would normally expect to hear from these guys but that is more of an observation than a complaint. I love the heaviness of the verses and can already imagine how brutal the pit is going to be for these sections and I think the chorus and that verse leading into a final chorus are nothing short of beautiful. This song is up there with the best the band have ever written.
Check it out for yourself on their Facebook page here and why not follow or like them on Instagram, Facebook or Twitter to keep up to date with information on the band, their tours and the new album. More importantly, if you like what you hear, then head over to their pledge campaign and pre order the new album. Maybe pick yourself up some of the excellent items available for purchase? Finally, if you think this is good, well, you need to see them live and can pick up tickets for their upcoming tours from here.
You Are We by While She Sleeps (You Are We)
10/10 (1 vote)
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Lean full mirror with its solid English walnut frame against wall for a minimalist look. Features: Natural oil finish Solid English walnut 30? W x 1.5? D x 72? H Cleaning: Condition wood surfaces periodically as needed with boiled linseed oil, first applying evenly to all wood surfaces with a clean, dry, cloth, and wiping off any excess after roughly 15 minutes of curing using a second, clean dry MASHstudios brand item.


The Montessori Preschool provides a prepared environment through which the child develops independence, concentration and self confidence through individual self-teaching activities in the areas of sensory development, motor co-ordination, language, maths, nature, art and music. The Montessori method fosters holistically the intellectual, social, emotional and spiritual development of the child.
8.50am – 10.30am The children choose individual exercises which have already been presented to them by the teachers. During this period, teachers present new activities to the children, either individually or in small groups. The children also engage in art and craft activities.
11.30am -12.00pm Circle Time with Nature Study, Religion, Singing, Language Development, P.E.


Brian Elliott made 22 saves for his second shutout in four games, and Alexandre Picard and Mike Fisher scored in the Ottawa Senators' 2-0 victory over the Buffalo Sabres on Wednesday night.
Alexander Ovechkin expresses his frustration and disappointment with the Capitals Game 7 double-overtime loss to the Hurricanes.
Out of gas and out of answers, the defending champion Capitals could only look back at a series of missed chances after falling to the Hurricanes in Game 7 on Tuesday.


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July 17, 2011 March 5, 2012
Go Ahead – Make My Wine
Nicole Rolet is living the dream. Specifically, she's living my dream.
Owning a vineyard in a gorgeous, sunny location. Living in a centuries-old stunning house. Producing beautiful award-winning wines.
But hearing Nicole tell the story of getting Chêne Bleu wines up and running, it's clear this hasn't all been rainbows and unicorns.
Nicole and her husband Xavier didn't set out to make wine at La Verrière, the run-down medieval priory in Provence Xavier bought in the 1990s. At most, they thought they'd revitalise the old vines surrounding the property and sell the grapes to one of the local wine co-ops.
However, after calling in top soil experts Claude and Lydia Bourguignon, who told them of the " incredible potential" for vines, they changed their minds. Plans to kick back a little were put on hold as Xavier went back to work in order to raise more money for the venture (he is now CEO of the London Stock Exchange Group). Nicole – also a former banker – went to study wine.
Oak Couture
Today, they are producing what they describe as "couture" wines under the label Chêne Bleu – named after a gnarly old oak in the grounds which has been sculpted and treated with a blue solution to protect it.
They roped in Xavier's sister Bénédicte Gallucci, a viticulturalist, and her husband Jean-Louis who makes the wines. They also secured advice from renowned oenologists such as Zelma Long, winemaker at Robert Mondavi for many years, Philippe Cambie and Doug Margerum.
Listening to Nicole talking at a Château Boundary event I was invited to, it would easy to dismiss all this as a vanity project by people who'd made their fortune in finance. For example, Chêne Bleu produces around 14-22 hectolitres of wine per hectare which Nicole says is "not very productive, but in exchange, we think the quality is quite exciting."
They hand-sort individual grapes (not just bunches); use Medieval harvesting techniques in the vineyard; and divide vineyards into blocks, vinifying the grapes from each in separate tanks. "It's a luxury to have as many tanks as we do," admits Nicole.
But Xavier comes from a lineage of wine producers, and Nicole and team appear to be putting in a lot of hard graft to produce the very best wines they can, and promote them. You can see Nicole depicted in the beautifully-designed wine labels as the "chief plate spinner".
Their big decisions over what wine to produce was primarily down to geology. The vineyard is 600 metres above sea level in the foothills of Mount Ventoux.
"Geology was really important to decide what we are doing," says Nicole, adding that despite there being no topsoil, it's a treasure trove of garrigue, schist and clay. "This gives a mineral signature throughout the wines which is why we think we can do something a bit different."
Rhône Alone
Different is key here. Lying between four appellations (Côtes du Ventoux, Côtes du Rhône, Gigondas and Séguret), the natural assumption would be for a high-end wine producer like Chêne Bleu to make a product that follows strict French appellation rules for that added cachet. But the team was of the firm belief that this would produce an inferior product given the uniqueness of the natural resources.
"We were making better wine outside the appellation, so we opted for the Clint Eastwood approach to winemaking," explains Nicole. Which means despite all the biodynamic, handcrafted principles, wines made by Chêne Bleu are classified as Vin de Pays.
Does this matter? To me, no. It's all about the producer. Not everyone thinks this way though, particularly when your top wines retail for around £65.
These are the voluptuous, seductive Syrah-driven Héloïse and the spicy, brooding Grenache-dominated Abélard. We tried the 2006 vintage, the first release, which both won silver at the IWC in 2009. Chêne Bleu is calling these "super Rhônes", after the super Tuscans of the 1990s – great wines that fell outside the Chianti classification rules.
Chêne Bleu also makes a very good Roussane, White Grenache and Marsanne blend called Aliot. The 2008 tasted of pears and jasmine with a lovely mineral streak. This won gold at the 2009 IWC.
We also tried the Viognier 2007, which had a wonderful heady smell of waxy, pungent honeysuckle but was aggressively oaked, stifling some of the stonefruit flavours underneath, though good with a pissaladière canapé.
Finally, there was the strawberry and slightly orangey-tasting rosé, made from Grenache and Syrah grown specifically for making rosé (rather than for red wine). According to Nicole, this wine appeals to the anti-rosé brigade. As someone who shies away from most of the tasteless, acidic offerings in the UK, I thought she was right. Especially when matched with cold pistou soup later at dinner later that evening.
Chêne Bleu wines are not cheap. They start at around £24 for the rosé. But we're talking Jermyn Street here, not high street – a completely hand-crafted approach to making wine. Would I buy one of the reds at £65? Yes. Not for everyday drinking, but for an occasion or a present. Let's face it, I can pay more for an inferior wine in a restaurant.
Despite Nicole's assertion that they don't have a particular market in mind I'm sure the reds will prove popular in two regions: the US and Asia. And among wine geeks like me who appreciate the care and attention that has gone into producing these wines.
Footnote: You can buy Chêne Bleu wines direct from the vineyard or via Justerini & Brooks wine merchants. Chêne Bleu lists other London stockists on its website, but as it's in Flash, I cannot provide a link to any specific wine page…
Posted in FeatureTagged Abélard 2005, Aliot 2008, Chateau Boundary, Chêne Bleu, Grenache, Héloïse 2006, Marsanne, Nicole Rolet, Rhone, Rose, Roussane, Syrah, Viognier, Xavier RoletBy PaolaLeave a comment
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For the sauce: Set a Dutch oven or large pot over high heat and heat the olive oil. Add the tomatoes, wine, chile flakes and oregano and stir. Bring to a boil, reduce to a simmer, cover and let cook while you make the meatballs.
For the meatballs: Add the bread to a shallow container, cover with the milk and allow the bread to fully absorb it.
Add the beef, parsley, salt, pepper, cumin, egg and garlic to a separate bowl and mix to combine. Break the soaked bread into small pieces, add the pieces to the meat mixture and mix lightly; do not over-mix. Form the mixture into 1-inch ovals.
Add the olive oil to a skillet and set over medium-high heat. Add the meatballs in batches and gently sear on all sides, about 1 minute on each side. Transfer the meatballs from the skillet right into the tomato sauce. When all the meatballs are in the sauce, cover and simmer until the meatballs are cooked through, 15 to 20 minutes.