1st period – 1, PU, Susan Hobson/9 (Gretchen Anderson/5) 13:45. Penalties – Jeanne Chapple, OSU (HOOKING) 14:39.
2nd period – 2, OSU, Erin O'Grady/1 (Lindsey Ogren/1, Heather Farrell/8) 01:52. Penalties – Heather Farrell, OSU (ELBOWING) 04:15, Jessica Fedderly, PU (SLASHING) 06:59, Angela Gooldy, PU (TRIPPING) 13:33, Heather Farrell, OSU (SLASHING) 14:10.
3rd period – Penalties – Shana Frost, OSU (SLASHING) 16:39, Angela Gooldy, PU (ROUGHING) 16:39, Meaghan Mulvaney, OSU (ROUGHING) 18:07.
Shots on goal – PU 6-10-9-4-29, OSU 6-14-9-2-31.
Power plays – PU 0 of 4, OSU 0 of 2.
Goalies – PU, Sarah Ahlquist 3-3-2 (31 shots-29 saves), OSU, Melissa Glaser 7-3-2 (29-28).
6-6 [00:00] Sarah Ahlquist at goalie for PU. 6-6 [00:00] Melissa Glaser at goalie for OSU. 6-6 Shot by OSU Meaghan Mulvaney MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Lindsey Ogren MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Jeni Creary WIDE. 6-6 Shot by OSU Erin O'Grady MISSED, save Sarah Ahlquist. 6-6 Shot by PU Nikola Homes MISSED, save Melissa Glaser. 6-6 Shot by PU Aviva Grumet-Morris WIDE. 6-6 Shot by OSU Jennifer Desson MISSED, save Sarah Ahlquist. 6-6 Shot by PU Lisa Rasmussen MISSED, save Melissa Glaser. 6-6 Shot by PU Katherine Maglione WIDE. 6-6 Shot by OSU Emily Hudak WIDE. 6-6 Shot by PU Lisa Rasmussen MISSED, save Melissa Glaser. 6-6 Shot by OSU Emily Hudak WIDE. 6-6 Shot by PU Susan Hobson MISSED, save Melissa Glaser. 6-6 Shot by PU Angela Gooldy BLOCKED. 6-6 Shot by PU Gretchen Anderson MISSED, save Melissa Glaser. 6-6 Shot by OSU Jeanne Chapple WIDE. 6-6 Shot by OSU Christine Patno BLOCKED. 6-6 [13:45] GOAL by PU Susan Hobson (FIRST GOAL), Assist by Gretchen Anderson, On ice for OSU: Lindsey Steblen, Erin O'Grady, Shana Frost, Heather Farrell, Katie Frohreich, goal number 9 for season.
6-6 Shot by PU Gretchen Anderson BLOCKED. 6-5 [14:39] Penalty on Jeanne Chapple OSU 2 minutes for HOOKING, (power play opp). 6-5 PP PU [14:39] Start power play for PU. 6-5 PP PU Shot by PU Aviva Grumet-Morris WIDE. 6-5 PP PU Shot by PU Aviva Grumet-Morris BLOCKED. 6-5 PP PU Shot by PU Nikola Homes BLOCKED. 6-5 PP PU Shot by PU Angela Gooldy WIDE. 6-5 PP PU Shot by PU Aviva Grumet-Morris WIDE. 6-6 PP PU [16:39] Jeanne Chapple (OSU) penalty complete. 6-6 [16:39] End power play for PU. 6-6 Shot by OSU Jayne Bucksa MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Jeanne Chapple MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Emily Hudak BLOCKED. 6-6 End of period [20:00].
6-6 Start of 2nd period [00:00]. 6-6 Shot by OSU Katie Frohreich BLOCKED. 6-6 Shot by OSU Jeni Creary MISSED, save Sarah Ahlquist. 6-6 [01:52] GOAL by OSU Erin O'Grady, Assist by Lindsey Ogren and Heather Farrell, On ice for PU: Aviva Grumet-Morris, Wanda Mason, Susan Hobson, Nikola Homes, Gretchen Anderson, goal number 1 for season.
6-6 Shot by PU Lisa Rasmussen MISSED, save Melissa Glaser. 6-6 Shot by OSU Heather Farrell MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Heather Farrell MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Jaclyn Haines WIDE. 6-6 Shot by OSU Emily Hudak BLOCKED. 6-5 [04:15] Penalty on Heather Farrell OSU 2 minutes for ELBOWING, (power play opp). 6-5 PP PU [04:15] Start power play for PU. 6-5 PP PU Shot by PU Gretchen Anderson MISSED, save Melissa Glaser. 6-5 PP PU Shot by PU Katherine Maglione BLOCKED. 6-6 PP PU [06:15] Heather Farrell (OSU) penalty complete. 6-6 [06:15] End power play for PU. 6-6 Shot by PU Lisa Rasmussen MISSED, save Melissa Glaser. 5-6 [06:59] Penalty on Jessica Fedderly PU 2 minutes for SLASHING, (power play opp). 5-6 PP OSU [06:59] Start power play for OSU. 5-6 PP OSU Shot by OSU Katie Frohreich BLOCKED. 5-6 PP OSU Shot by OSU Katie Frohreich WIDE. 5-6 PP OSU Shot by OSU Emily Hudak MISSED, save Sarah Ahlquist. 5-6 PP OSU Shot by OSU Emily Hudak BLOCKED. 5-6 PP OSU Shot by OSU Erin O'Grady MISSED, save Sarah Ahlquist. 6-6 PP OSU [08:59] Jessica Fedderly (PU) penalty complete. 6-6 [08:59] End power play for OSU. 6-6 Shot by PU Sarah Fox MISSED, save Melissa Glaser. 6-6 Shot by PU Aviva Grumet-Morris BLOCKED. 6-6 Shot by OSU Jeanne Chapple MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Jeni Creary MISSED, save Sarah Ahlquist. 6-6 Shot by PU Sarah Fox MISSED, save Melissa Glaser. 6-6 Shot by PU Gretchen Anderson MISSED, save Melissa Glaser. 6-6 Shot by PU Wanda Mason WIDE. 6-6 Shot by OSU Katie Frohreich MISSED, save Sarah Ahlquist. 5-6 [13:33] Penalty on Angela Gooldy PU 2 minutes for TRIPPING, (power play opp). 5-6 PP OSU [13:33] Start power play for OSU. 5-6 PP OSU Shot by OSU Emily Hudak MISSED, save Sarah Ahlquist. 5-6 PP OSU Shot by OSU Katie Frohreich WIDE. 5-5 PP OSU [14:10] Penalty on Heather Farrell OSU 2 minutes for SLASHING, (power play opp). 5-5 [14:10] End power play for OSU. 5-5 Shot by OSU Lindsey Steblen MISSED, save Sarah Ahlquist. 5-5 Shot by PU Lisa Rasmussen MISSED, save Melissa Glaser. 5-5 Shot by PU Lisa Rasmussen MISSED, save Melissa Glaser. 6-5 [15:33] Angela Gooldy (PU) penalty complete. 6-5 PP PU [15:33] Start power play for PU. 6-5 PP PU Shot by PU Lisa Rasmussen BLOCKED. 6-5 PP PU Shot by PU Katherine Maglione MISSED, save Melissa Glaser. 6-6 PP PU [16:10] Heather Farrell (OSU) penalty complete. 6-6 [16:10] End power play for PU. 6-6 Shot by PU Nikola Homes MISSED, save Melissa Glaser. 6-6 Shot by OSU Jennifer Desson MISSED, save Sarah Ahlquist. 6-6 . 6-6 [17:33] PENALTY SHOT by OSU Shana Frost MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Jeni Creary WIDE. 6-6 Shot by OSU Jaclyn Haines MISSED, save Sarah Ahlquist. 6-6 End of period [20:00].
6-6 Start of 3rd period [00:00]. 6-6 Shot by OSU Jennifer Desson MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Jeni Creary MISSED, save Sarah Ahlquist. 6-6 Shot by PU Aviva Grumet-Morris BLOCKED. 6-6 Shot by OSU Christine Patno BLOCKED. 6-6 Shot by OSU Emily Hudak MISSED, save Sarah Ahlquist. 6-6 Shot by PU Nikola Homes MISSED, save Melissa Glaser. 6-6 Shot by OSU Jeni Creary WIDE. 6-6 Shot by OSU Erin O'Grady MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Jaclyn Haines WIDE. 6-6 Shot by OSU Shana Frost MISSED, save Sarah Ahlquist. 6-6 Shot by PU Aviva Grumet-Morris WIDE. 6-6 Shot by PU Wanda Mason BLOCKED. 6-6 Shot by PU April Brown WIDE. 6-6 Shot by OSU Heather Farrell WIDE. 6-6 Shot by PU Jessica Fedderly MISSED, save Melissa Glaser. 6-6 Shot by PU Jessica Fedderly MISSED, save Melissa Glaser. 6-6 Shot by OSU Jennifer Desson MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Lindsey Steblen BLOCKED. 6-6 Shot by PU Melissa Deland MISSED, save Melissa Glaser. 6-6 Shot by OSU Jeanne Chapple BLOCKED. 6-6 Shot by OSU Jeni Creary BLOCKED. 6-6 Shot by OSU Lindsey Ogren MISSED, save Sarah Ahlquist. 6-6 Shot by OSU Jennifer Desson MISSED, save Sarah Ahlquist. 6-6 Shot by PU Aviva Grumet-Morris MISSED, save Melissa Glaser. 6-6 Shot by OSU Heather Farrell MISSED, save Sarah Ahlquist. 6-6 [16:39] Penalty on Shana Frost OSU 2 minutes for SLASHING, [16:39] Penalty on Angela Gooldy PU 2 minutes for ROUGHING, coincidental penalties Shana Frost, Angela Gooldy. 6-6 Shot by PU Melissa Deland MISSED, save Melissa Glaser. 5-5 On ice for PU 5, for OSU 5. 5-5 Shot by PU Lisa Rasmussen BLOCKED. 6-5 [18:07] Penalty on Meaghan Mulvaney OSU 2 minutes for ROUGHING, (power play opp). 6-5 PP PU [18:07] Start power play for PU. 5-4 PP PU On ice for PU 5, for OSU 4. 5-4 PP PU Shot by PU Katherine Maglione MISSED, save Melissa Glaser. 5-4 PP PU Shot by PU Nikola Homes MISSED, save Melissa Glaser. 5-4 PP PU Shot by PU Gretchen Anderson MISSED, save Melissa Glaser. 5-4 PP PU Shot by PU Aviva Grumet-Morris WIDE. 6-5 PP PU On ice for PU 6, for OSU 5. 6-5 PP PU End of period [20:00].
6-5 PP PU Start of OT period [00:00]. 6-6 PP PU [00:07] Meaghan Mulvaney (OSU) penalty complete. 6-6 [00:07] End power play for PU. 6-6 Shot by PU Lisa Rasmussen MISSED, save Melissa Glaser. 6-6 Shot by PU Angela Gooldy BLOCKED. 6-6 Shot by OSU Lindsey Ogren MISSED, save Sarah Ahlquist. 6-6 Shot by PU Gretchen Anderson MISSED, save Melissa Glaser. 6-6 Shot by PU Lisa Rasmussen MISSED, save Melissa Glaser. 6-6 Shot by PU Nikola Homes MISSED, save Melissa Glaser. 6-6 Shot by PU Aviva Grumet-Morris BLOCKED. 6-6 [04:22] GOAL by OSU Heather Farrell, On ice for PU: Melissa Deland, Katherine Maglione, Lisa Rasmussen, Aviva Grumet-Morris, Jessica Fedderly, goal number 5 for season.
6-6 End of period [04:22].


There are some locations for house living that can influence the interior or exterior, including penthouse visualization that almost all of house living have it. Some people prefer to choose penthouse as their house living. The model of penthouse itself seems like apartment. Because of that, there are some categories related with that classification of penthouse. There is luxury design, where the penthouse has many complete facilities, and also luxury furniture. There is also simple penthouse which is only design simple set of room, and simple furniture. The luxury penthouse tends to make its interior and exterior more appeared with some luxury models. The setting of room will influence to the nuance inside of that house living. Usually, people prefer to choose penthouse on top floor, around third floor above. Then, they will seek best view or angle, where they can see entire of land. The special location of penthouse like near from natural area, for example beach, it become most favorite place for people too. They can see entire of city with the background of beach.
The characteristic of this kind of house living is almost same with others. However, actually this penthouse little bit tends to the model of apartment which prior the view of around that land to become their attractive thing. Penthouse visualization design influenced by character of people, nuance around of place, or it can be because of hobby or favorite from the owner. People usually design their house living with something comfortable according to their mind. The combination of colors for visualization also great. It also combined with nuance of land or natural theme which nowadays becomes favorite for almost all of people. The visualization itself including some properties and main foundation of room. There are like wall design, and including the coloring, furniture design with its model and color, also some additional hanging art on wall.
The example from appearance of penthouse itself can be seen from main room which has special characteristic. There is a penthouse which has quite natural characteristic. This characteristic represents the comfortable thing from coloring of wall design, and also represents the natural environment around that land, which is beach that becomes main view. The character for furniture itself also follows that main theme of visualization. With open model of visualization, where each of public room like living room, dining room, and family room without boundary, it makes those penthouse seems like have large space of room. It also more adorable where those room lead to the main view which is beach and small city.
The trend for that penthouse is already hits for these modern years. Several years' people only know about apartment model which become their favorite house living in the middle of big city. Then, penthouse model itself come and become alternative for people beside apartment design. Penthouse visualization performance also becomes one of good thing that can realized by people with combination from some ideas.


GBS Gearbox Services international is the fastest, full service, worldwide specialist in gearbox repair of Conrad Stork gearboxes. Taking the latest innovations of our gearbox service experts, our goal is to get, often mission critical, gearboxes back into production at the shortest timespan possible. We have a winning track record in Conrad Stork servicing! Having experience with a wide variaty of brands, we know the weakspots and strengths of any brand and can not only repair but often improve the reliability of any gearbox system.
As a (dredging) shipyard Conrad was found in 1883 and was focused on the construction of maritime vessels and barges with a specialization in floating installations for tin and gold mining.
Gears and gearboxes were initially used for CONRAD's own use in shipbuilding and construction cranes.
With the close cooperation between Conrad and five other Dutch shipyards (later they formed IHC) during and after the war, the demand for CONRAD's special dredging gearboxes increased.
- producers of valves, pumps and steel.
Overhaul on two pieces gearbox CONRAD STORK 3R 560/3 onsite. Our engineers inspected this gearbox onsite, so they inmediatly could performe an overhaul. We performed some repairing work on the gears.
Performing a visual inspection and vibration measurement on gearbox STORK 3R 355 S/3 (Conrad-Stork). We did repair the damage on the gears.
- Disassembling and cleaning gearboxes Conrad Stork 2 RO 160S/3.
- Setting up an inspection report for our client.
- Performing the proceedings according to the inspection report.
For more than 20 years, GBS Gearbox Services has gained extensive knowledge of gear technology through new gearbox design and manufacture. Today, GBS is supplying service to Conrad Stork gearboxes in marine and industrial markets.
Our Services team is qualified to inspect, maintain and repair any make or type of industrial or marine gearbox. Many working examples exist of improvements we have made to non-Conrad Stork gearboxes, that have extended the life of the gearbox.


Saturday 10th November. FREE admission. FREE tea and coffee before 11am.
Friday 21st September at St Bridget's Centre, St Bridget's Lane, West Kirby. Doors open 7.00 pm for 7.30 pm start. "Yesterday's West Kirby - a nostalgic film tour of 20th century West Kirby" by Angus Tilston. Admission £3.
This year's Wirral's Heritage Open Days Programme once again features West Kirby.
On both Saturday 8th and Saturday 15th September (10 am - 4pm) visitors can see inside St Bridget's Church, with its wonderful Kempe stained glass windows and the pre-Norman 'hogback' or visit the Museum (located in the Parish Centre), currently housing a special display on '140 years since the coming of the Railway'.
They can also join Guided Walks round Ashton Park (8th Sept) or West Kirby Old Village (16th Sept). Elsewhere in Wirral the Open Days programme offers the opportunity to see inside scores of heritage buildings or join guided walks round a wide range of historic landscapes. See: www.wirralhistoryandheritage.org.uk.
"Exploring the Flintshire Coast" – an illustrated talk by Lorna Jenner. Doors open 7.00 pm for 7.30 pm start.
With Heather Chapman. Meet at the lych gate of St Bridget's Church at 10.30am. Booking is essential as numbers are limited. See Wirral History and Heritage Association booklet.
Museum open 10am – 4pm for Earthfest at St Bridget's Centre. Refreshments available.
An illustrated talk by Martin Harrison Tickets £3.
7 for 7.30pm at St Bridget's Centre, West Kirby.
St Bridget's Centre 10am – 4pm.
An Open Day with free talks and numerous exhibitions about West Kirby in WW1, Animals at War, The Somme etc. The Wirral Home Front Society, The Cheshire Home Guard and the Red Cross will be in attendance. There will be access to a database about the local casualties of WW1 and displays.
Throughout the day there will be a series of free short talks about WW1 (numbers limited, book your free ticket on the day).
Entry is £5 for adults, £2 for children & seniors.
An illustrated talk by Carol Hunter. 7pm for 7.30 at St. Bridget's Centre.
West Kirby Museum Research Group have been busy finding out all about the old district of West Kirby and Hoylake.
From 18th April to 30th April there will be an exhibition in West Kirby Library showcasing our many projects.
Some of the displays will include – West Kirby Shops in times gone by, West Kirby Remembers WW1, West Kirby men at the Somme, Early transport, Victoria Road and surrounds, Hoylake Baths, The Dale Estate and Sandhey Estate.
This is a free event and everybody is welcome. If you have any memories or photographs to share please bring them along. A member of our team will be attending the display between 10 and 12 daily.
Heather Chapman will be giving an illustrated talk titled "West Kirby Shops in Times Gone By" at West Kirby Library on Thursday 21 April at 2.30 pm. Book your free ticket (limited numbers) at West Kirby Library.
We are pleased to announce that West Kirby Museum is to be the recipient of the Merseyside Civic Society's Rita Cheesman Award for Heritage Interpretation, 2015.
This biennial Award is given in memory of Mrs Cheesman (1918-2011), who was a pioneer Merseyguide and later a Blue Badge Guide and thus practically involved for many years in interpreting Merseyside's Heritage to local residents and visitors alike. The award was made possible through generous donations made by Mrs Cheesman's family and friends.
An illustrated talk by Gavin Hunter.
The Museum will be represented at Birkenhead Town Hall. Admission free. 10.00 - 4.00 pm.
7 for 7.30 pm at St Bridget's Centre.
St Bridget's Centre 10-4. The exhibition is all about West Kirby during World War 1. This is an opportunity for local people to share their stories, photos and memorabilia about West Kirby service men and their families during the Great War.
Friends of West Kirby Museum. Informal 1st Birthday Party /"Annual General Meeting" (no long speeches, no voting !), to hear reports on progress and events during the year (and, perhaps, hints of things to come). A celebratory social event, with nibbles and some liquid refreshments, plus live music.
Museum open from 10-4. Hands on activities for all the family. Learn how to be an archaeologist and take part in the Time Team experience. Hands on activities for all the family.
Popular local historian, Gavin Hunter, will give an illustrated talk about "The historic villages of Wirral's Dee coastline". The talk covers the history of the ports and villages of Wirral's Dee coastline from Chester to West Kirby following the decline and fall as the river silted up and changed it's course.
Sep 6	2014 -	Heritage Day at St Bridget's Centre 10-4.
THE BIG HISTORY BOOK SALE. Hundreds of local history books for sale at discounted prices.
VISIT OUR MUSEUM, Church open all day, morning guided tour of the church (booking essential Menai Dillon 07778391919), see the Hogback Stone, hands on activities for all the family, displays of old West Kirby, West Kirby Remembers World War One Exhibition.
The first three months of the Museum have been more successful than we could have hoped, with over a thousand visitors across the different events and days we have been open. Our initial Friday slot was only available during the summer holidays and after the resumption of the school term the museum's committee was anxious to arrange new regular opening times.
We are extremely happy to announce that St Bridget's Centre Management Committee has approved our application to open the museum every Saturday from 10am to 1pm and this arrangement will begin on 23rd November 2013.
This regular day every week will be memorable for publicity purposes and bring a stability to the perception of the Museum's existence. We hope that people continue to spread the word about the Museum and tell friends and family that there is fascinating local history on their doorstep.
15th July 2013 - Successful Opening Weekend!
Following our Official Opening on Friday night, an incredible 862 visitors attended our weekend of celebrations.
We wish to express our thanks to everyone who supported us, especially: Dean Paton of Big Heritage for the Viking boat and coin striking, Gina Couch of National Museums Liverpool for the hand-axe polishing and for being a Viking along with Diane Goodier, and Nathan and Katherine for helping as demonstrators.
We couldn't have done it without members of the Research Group who manned exhibition tables for varying periods: Val Frost, Carol Boshell, Keith Hatton, Susan Bunni, Judy Hall, Christian Minett. We are grateful to Diane & Eryn Morris, Sarah Marshall, Suzanne Abberley and Gillian Ingram who helped with the Time Team Experience. Well done everyone!
19th June 2013 - Less Than One Month To Go!
We are pleased to announce that the Museum will have an opening weekend of celebrations on Saturday 13th and Sunday 14th July after which it will be open every Friday afternoon throughout the summer, plus one Saturday a month.
The opening will form part of the Festival of Archaeology which is a national event coordinated by the Council for British Archaeology to provide opportunities to investigate the field and meet experts.
Monday 4th saw a fundraising talk by Heather Chapman on St Bridget's School in the Victorian Age. It was extremely well attended and boosted our membership by another 18 people to a total of nearly 100 "Friends". The event raised a grand total after expenses of £348.50.
On Twitter we now have 630 followers and 70 Likes on Facebook and we would like to thank everyone who has followed, re-tweeted, shared and most of all donated. Everything helps.
On Friday 8th we will be having our first Friends Meeting where there will be discussions on all aspects of the museum and research.
2013 will be an exciting year for the Charles Dawson Brown Museum, when the newly refurbished museum will open to the public on a regular basis.
The Museum is making good progress. The stones are now all mounted in the original old museum. The bier, sun dial and two display cabinets are in the second room and we are presently working on labels and wall display boards. We have not yet decided on the opening date and are hoping it will be close to Easter.
We now have 72 members in our Friends Group and we will be having a meeting of volunteers in the near future to discuss opening hours and the work of the research group.
Our next event is on Monday 4th February at St Bridget's Centre. See information left.
Heather is researching the history of St Bridget's School, which began in 1825. Please will any former pupils with memories or photographs to share please contact Heather on 0151 625 7013 or thechappies@btinternet.com. Any photographs will be copied and returned immediately.
Many thanks for your continued support and very best wishes for 2013.
We have started mounting the exhibits in the museum with the help of a professional museum exhibition team. Some pieces have required conservation work before mounting, including the funeral bier and most of the stone items. There is a small team preparing the text for the information labels and this research is continuing.


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title: Main website
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This is just my personal blog, if you want to view the main website with links
to all my other stuff click [here](https://lolei.github.io/) or press the image
below.

[<img src="{{ site.baseurl }}/images/website_hub_banner.png" alt="website_hub_banner" style="width: 66%;"/>](https://lolei.github.io/)

redpajama_set_name: RedPajamaGithub


The Play Outside map from Delaware State Parks will help you find the right park, preserve, trail or playground so you can head out and play outside.
Play Outside offers a convenient and detailed map with information about public parks and recreational facilities in Delaware. Find nearby public outdoor recreation areas such as municipal, county and state parks. Find wildlife areas. Find playgrounds, ball fields, fishing piers, trails, and more. And find the things like parking lots and bathrooms that you'll need as well.
Play Outside is an online mapping tool designed to be useful on any size screen. Plan your adventures on a desktop. Share your plans with the kids on a tablet. Carry your map and information with you on your smartphone on your adventures.
The application can show you where you are in a park or on a trail, using your smartphone's location information. So you can adjust your plans as you go.
Play Outside was developed by the Division of Parks & Recreation in partnership with the Department of Technology and Information. It uses Geographic Information System (GIS) software to present information from the Delaware Outdoor Recreation Inventory combined with data such as road information from DelDOT.
The information can be viewed over a standard road map or over the latest Delaware aerial photography. Users can browse the map to find information, or use a search function to find the nearest outdoor recreation opportunity. The data in the system is updated on an ongoing basis by state agencies and others. Much of the data is also available through the Delaware FirstMap geospatial data website.
The information provided by the Play Outside website is for graphical representation only. Data is reviewed and updated periodically. However the DNREC, Division of Parks & Recreation provides no guarantee, expressed or implied, as to the accuracy and/or completeness of the information herein. The State of Delaware and any of its employees can not be held accountable for any and all claims arising from any and all claims for loss, damage or injury to persons or property of whatever kind or nature arising from the operation or use of this data. Contact the managing agency for park rules and other information.


If you've seen the number of posters around campus, then you probably know that the Gray Havens are coming to the University of Northwestern on April 3rd. And you may be thinking to yourself, "Why should I go? I don't even know their music." or "Is it really worth the $10?" I get it! Why would you go to a concert where you don't even know the music or whether or not it's gonna be a good show?
Well, I have 5 reasons from Dave Trout from UTR Media ("5 Reasons to see TGH's new tour" 2019) why you should spend that $10 and come listen to the Gray Havens that Wednesday night.
5. The Gray Havens make INCREDIBLE music. Not only are their albums masterfully produced, but their live performances are an unreal experience.
3. Even if you don't know the Gray Havens that well, they have the amazing indie artist Jess Ray as their opener. There isn't another female artist that has a voice like hers!
2. It's a concert right on campus (if a UNW student) and for those off-campus, it will be great night to meet other college-aged, music-lovers alike. So take a break from that studying and enjoy a night of encaptivating music and make new friends!
1.Don't get that fear of missing out! We've all been in that situation where we know something super amazing is going on and become sad because something prevented us from making that choice. Well, make the right choice and get your ticket to the Gray Havens! It will be a night full of incredible music memories!


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Enthalpy of vaporization
Energy to convert a liquid substance to a gas; a function of pressure
Temperature-dependency of the heats of vaporization for water, methanol, benzene, and acetone.
The enthalpy of vaporization, (symbol ∆Hvap) also known as the (latent) heat of vaporization or heat of evaporation, is the amount of energy (enthalpy) that must be added to a liquid substance, to transform a quantity of that substance into a gas. The enthalpy of vaporization is a function of the pressure at which that transformation takes place.
The enthalpy of vaporization is often quoted for the normal boiling temperature of the substance; although tabulated values are usually corrected to 298 K, that correction is often smaller than the uncertainty in the measured value.
The heat of vaporization is temperature-dependent, though a constant heat of vaporization can be assumed for small temperature ranges and for reduced temperature T r {\displaystyle T_{r}} ≪ 1 {\displaystyle \ll 1} . The heat of vaporization diminishes with increasing temperature and it vanishes completely at a certain point called the critical temperature ( T r = 1 {\displaystyle T_{r}=1} ). Above the critical temperature, the liquid and vapor phases are indistinguishable, and the substance is called a supercritical fluid.
Enthalpy of condensation
Thermodynamic background
Vaporization enthalpy of electrolyte solutions
Selected values
Other common substances
Values are usually quoted in J/mol or kJ/mol (molar enthalpy of vaporization), although kJ/kg or J/g (specific heat of vaporization), and older units like kcal/mol, cal/g and Btu/lb are sometimes still used, among others.
The enthalpy of condensation (or heat of condensation) is by definition equal to the enthalpy of vaporization with the opposite sign: enthalpy changes of vaporization are always positive (heat is absorbed by the substance), whereas enthalpy changes of condensation are always negative (heat is released by the substance).
The enthalpy of vaporization can be written as
Δ H v a p = Δ U v a p + p Δ V {\displaystyle \Delta {}H_{\mathrm {vap} }=\Delta {}U_{\mathrm {vap} }+p\Delta \,V}
It is equal to the increased internal energy of the vapor phase compared with the liquid phase, plus the work done against ambient pressure. The increase in the internal energy can be viewed as the energy required to overcome the intermolecular interactions in the liquid (or solid, in the case of sublimation). Hence helium has a particularly low enthalpy of vaporization, 0.0845 kJ/mol, as the van der Waals forces between helium atoms are particularly weak. On the other hand, the molecules in liquid water are held together by relatively strong hydrogen bonds, and its enthalpy of vaporization, 40.65 kJ/mol, is more than five times the energy required to heat the same quantity of water from 0 °C to 100 °C (cp = 75.3 J K−1 mol−1). Care must be taken, however, when using enthalpies of vaporization to measure the strength of intermolecular forces, as these forces may persist to an extent in the gas phase (as is the case with hydrogen fluoride), and so the calculated value of the bond strength will be too low. This is particularly true of metals, which often form covalently bonded molecules in the gas phase: in these cases, the enthalpy of atomization must be used to obtain a true value of the bond energy.
An alternative description is to view the enthalpy of condensation as the heat which must be released to the surroundings to compensate for the drop in entropy when a gas condenses to a liquid. As the liquid and gas are in equilibrium at the boiling point (Tb), ΔvG = 0, which leads to:
Δ v S = S g a s − S l i q u i d = Δ v H / T b {\displaystyle \Delta \,_{v}S=S_{gas}-S_{liquid}=\Delta \,_{v}H/T_{b}}
As neither entropy nor enthalpy vary greatly with temperature, it is normal to use the tabulated standard values without any correction for the difference in temperature from 298 K. A correction must be made if the pressure is different from 100 kPa, as the entropy of a gas is proportional to its pressure (or, more precisely, to its fugacity): the entropies of liquids vary little with pressure, as the compressibility of a liquid is small.
These two definitions are equivalent: the boiling point is the temperature at which the increased entropy of the gas phase overcomes the intermolecular forces. As a given quantity of matter always has a higher entropy in the gas phase than in a condensed phase ( Δ v S {\displaystyle \Delta \,_{v}S} is always positive), and from
Δ G = Δ H − T Δ S {\displaystyle \Delta \,G=\Delta \,H-T\Delta \,S} ,
the Gibbs free energy change falls with increasing temperature: gases are favored at higher temperatures, as is observed in practice.
Estimation of the enthalpy of vaporization of electrolyte solutions can be simply carried out using equations based on the chemical thermodynamic models, such as Pitzer model[1] or TCPC model.[2]
Enthalpies of vaporization of the elements
Group →
↓ Period
H0.44936 He0.0845
Li145.92 Be292.40 B489.7 C355.8 N2.7928 O3.4099 F3.2698 Ne1.7326
Na96.96 Mg127.4 Al293.4 Si300 P12.129 S1.7175 Cl10.2 Ar6.447
K79.87 Ca153.6 Sc314.2 Ti421 V452 Cr344.3 Mn226 Fe349.6 Co376.5 Ni370.4 Cu300.3 Zn115.3 Ga258.7 Ge330.9 As34.76 Se26.3 Br15.438 Kr9.029
Rb72.216 Sr144 Y363 Zr581.6 Nb696.6 Mo598 Tc660 Ru595 Rh493 Pd357 Ag250.58 Cd100 In231.5 Sn295.8 Sb77.14 Te52.55 I20.752 Xe12.636
Cs67.74 Ba142 La414 Hf575 Ta743 W824 Re715 Os627.6 Ir604 Pt510 Au334.4 Hg59.229 Tl164.1 Pb177.7 Bi104.8 Po60.1 At27.2 Rn16.4
Frn/a Ra37 Acn/a Rfn/a Dbn/a Sgn/a Bhn/a Hsn/a Mtn/a Dsn/a Rgn/a Cnn/a Nhn/a Fln/a Mcn/a Lvn/a Tsn/a Ogn/a
Ce414 Prn/a Ndn/a Pmn/a Smn/a Eun/a Gdn/a Tbn/a Dyn/a Hon/a Ern/a Tmn/a Ybn/a Lun/a
Th514.4 Pan/a Un/a Npn/a Pun/a Amn/a Cmn/a Bkn/a Cfn/a Esn/a Fmn/a Mdn/a Non/a Lrn/a
Enthalpy in kJ/mol, measured at their respective normal boiling points
0–10 kJ/mol 10–100 kJ/mol 100–300 kJ/mol >300 kJ/mol
The vaporization of metals is a key step in metal vapor synthesis, which exploits the increased reactivity of metal atoms or small particles relative to the bulk elements.
Enthalpies of vaporization of common substances, measured at their respective standard boiling points:
Boiling Point at normal pressure
Heat of vaporization
(J mol−1)
(J g−1)
Acetone 329 K, 56 °C, 133 °F 31300 538.9
Aluminium 2792 K, 2519 °C, 4566 °F 294000 10500
Ammonia 240 K, −33.34 °C, −28 °F 23350 1371
Butane 272–274 K, −1 °C, 30–34 °F 21000 320
Diethyl ether 307.8 K, 34.6 °C, 94.3 °F 26170 353.1
Ethanol 352 K, 78.37 °C, 173 °F 38600 841
Hydrogen (Parahydrogen) 20.271 K, -252.879 °C, -423.182 °F 899.2 446.1
Iron 3134 K, 2862 °C, 5182 °F 340000 6090
Isopropyl alcohol 356 K, 82.6 °C, 181 °F 44000 732.2
Methane 112 K, −161 °C, −259 °F 8170 480.6
Methanol 338 K, 64.7 °C, 148 °F 35200[3] 1104
Propane 231 K,-42 °C, −44 °F 15700 356
Phosphine 185 K, −87.7 °C, −126 °F 14600 429.4
Water 373.15 K, 100 °C, 212 °F 40660 2257
Enthalpy of fusion (Specific heat of melting)
Enthalpy of sublimation
Joback method (Estimation of the heat of vaporization at the normal boiling point from molecular structures)
Clausius-Clapeyron equation
^ Ge, Xinlei; Wang, Xidong (20 May 2009). "Estimation of Freezing Point Depression, Boiling Point Elevation, and Vaporization Enthalpies of Electrolyte Solutions". Industrial & Engineering Chemistry Research. 48 (10): 5123. doi:10.1021/ie900434h.
^ Ge, Xinlei; Wang, Xidong (2009). "Calculations of Freezing Point Depression, Boiling Point Elevation, Vapor Pressure and Enthalpies of Vaporization of Electrolyte Solutions by a Modified Three-Characteristic Parameter Correlation Model". Journal of Solution Chemistry. 38 (9): 1097–1117. doi:10.1007/s10953-009-9433-0. ISSN 0095-9782.
^ NIST
CODATA Key Values for Thermodynamics
Gmelin, Leopold (1985). Gmelin-Handbuch der anorganischen Chemie / 08 a (8., völlig neu bearb. Aufl. ed.). Berlin [u.a.]: Springer. pp. 116–117. ISBN 978-3-540-93516-2.
NIST Chemistry WebBook
Young, Francis W. Sears, Mark W. Zemansky, Hugh D. (1982). University physics (6th ed.). Reading, Mass.: Addison-Wesley. ISBN 978-0-201-07199-3.
States of matter (list)
Gas / Vapor
Bose–Einstein condensate
Fermionic condensate
Degenerate matter
Quantum Hall
Rydberg matter
Rydberg polaron
Strange matter
Superfluid
Supersolid
Photonic matter
QCD matter
Lattice QCD
Quark–gluon plasma
Color-glass condensate
Colloid
Liquid crystal
Time crystal
Quantum spin liquid
Exotic matter
Programmable matter
Metastable inner-shell molecular state
Magnetically ordered
Antiferromagnet
Ferrimagnet
Ferromagnet
String-net liquid
Superglass
Critical line
Critical point
Flash evaporation
Chemical ionization
Lambda point
Recombination
Regelation
Saturated fluid
Supercooling
Triple point
Vaporization
Enthalpy of fusion
Latent heat
Latent internal energy
Trouton's ratio
Baryonic matter
Binodal
Compressed fluid
Cooling curve
Equation of state
Leidenfrost effect
Macroscopic quantum phenomena
Mpemba effect
Order and disorder (physics)
Spinodal
Superheated vapor
Superheating
Thermo-dielectric effect

redpajama_set_name: RedPajamaCommonCrawl


text:
Home>Blog>The Loch Shop Prepares for a Classic
The Loch Shop Prepares for a Classic
Clayton State News August 22, 2012
Clayton State University's The Loch Shop is preparing for a classic… The Loch Shop Soccer Classic, that is. The Clayton State men's soccer team will be opening their 2012 season with The Loch Shop Soccer Classic on Aug. 31, taking on the Pfeiffer University Falcons in a 7:30 p.m. game at Laker Field. And, as the sponsor of The Loch Shop Classic, Clayton State's "college store" has a big week planned leading up to the seventh annual tournament that will kick off the 2012/13 athletic season at Clayton State. For the entire week of Aug. 27, The Loch Shop will be offering daily specials with significant savings on Clayton State gear in the Loch Shop proper, located on the first floor of the Clayton State Student Center. In addition, The Loch Shop will also be setting up its Popup Spirit Shop on Wednesday and Thursday prior to the game, in the Clayton State Quad and/or on Main Street in the James M. Baker University Center. The occasion, in addition to The Loch Shop Classic, is College Colors Day, which will be celebrated nationwide on Aug. 31. Here are the details of The Loch Shop sales for the coming week: Monday, Aug. 27: BOGO sweatshirts (Buy One, Get One Half Off) Tuesday, Aug. 28: BOGO t-shirts (Buy One, Get One Half Off) Wednesday, Aug. 29: 20 percent off all Clayton State gear Thursday, Aug. 30: 20 percent off all Clayton State gear Friday, Aug. 31: Free Loch Shop "Passport to Savings" t-shirt with $25 purchase of regularly-priced merchandise College Colors Day typically coincides with the kick-off of the intercollegiate athletic season, and seeks to celebrate and promote the traditions and spirit that make the college traditions great by encouraging fans, alumni and students to wear apparel of their favorite college throughout the day. For 2012, that happens to be Friday, Aug. 31. First celebrated in 2005, College Colors Day strives to promote higher education in the United States through increased public awareness and celebrates the achievements of colleges and universities, acknowledging their critical and fundamental importance, a cause The Loch Shop, and manager Todd Smith, heartily endorse. For more information, go to The Loch Shop website at http://www.clayton.edu/auxiliaries/thelochshop.


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True Stories from Japan: First impressions with host family endangered by sushi
Christa Desrets
Christa Desrets is the Communications Manager at Sasakawa USA, overseeing both the media relations arm of Sasakawa USA and coordinating digital and social media content. Before joining Sasakawa, she was the editor of two weekly newspapers in rural Virginia. Earlier this year, she accompanied nine senior congressional staff members and a former member of the U.S. House of Representatives on a week-long trip to Okinawa and Tokyo. The tour, conducted through the Congressional Study Group on Japan with support from Sasakawa USA, inspired Desrets to think back to her first trip to Japan for this edition of 'True Stories from Japan.' Contact Desrets at
Image courtesy Hungarian Snow / Flickr
On the surface, dining out in Japan is not an inherently stressful experience. But on this particular night, a vocabulary mishap paired with the anxiety of meeting my new host family for the first time made for a memorable evening.
I had arrived in Osaka just a few days earlier as an exchange student at Kansai Gaidai University, and it was my first time ever traveling outside of the U.S. I already had taken two years of university-level language and cultural coursework, but was still adjusting to the full immersion that comes with living in a foreign country. Ready or not, I was set to go stay with my new host family—an okā-san, otō-san, and onē-san (mother, father, and sister).
After brief introductions facilitated by college staff, we were off to dinner. Our first meal together would be at a sushi restaurant.
At that point in my life, sushi was not exactly a favorite food of mine. But turning down a meal would be downright rude, and I was determined to make a good first impression. So I formulated a plan. While I was hoping to stay away from sushi of the raw variety, I would be OK if I could order eel, since it is always served cooked. Everything would be perfect.
And it would have been, perhaps, had I been able to actually remember the Japanese word for eel. But neither my host family nor the waitress knew what I was trying to say, and I had regrettably left my pocket dictionary in the car with the rest of my luggage. So I sounded it out. I knew it started with an "u" sound, followed by a "n-" sound.
My host sister took the first guess. "Uni?" she asked after hearing my attempts to sound out the word. My brain lit up—that had to be it! So the order was placed.
I should have known that was the wrong word when my host family seemed impressed by a foreigner's decision to order uni, but I remained gleefully ignorant of my error until the food arrived. Placed in front of me was a plate with two pieces of decidedly not-eel. Confusion turned to horror as I took in what was before me: an orange, raw, slightly gelatinous-looking, pungent smelling, slimy mass, wrapped in seaweed.
As my host family watched this spectacle unfold with amusement, the magnificence of my error became clear. After digesting hours upon hours of cultural training leading up to this moment, I had no good options. My aversion to raw fish was inconsequential. I had to eat it.
I opted for the quickest route to get it over with quickly, and plunged one whole piece into my mouth. As I struggled to chew it well enough to swallow it down, my host sister's expression changed from one of hilarity to one of concern. "Haku?" (Spit it out?), she asked. I persevered through the first piece. I turned my attention to the remaining piece, dreading what was to come, but ultimately was saved by my host sister when she offered to take it for herself.
For the second round of sushi, one of us had figured out what I had intended to order: unagi. I had ordered uni—which, as I learned after dinner when I regained access to a dictionary, is sea urchin. I will never confuse the two again.
Since then, my tastes have broadened and I have learned that sea urchin actually is considered quite a delicacy, when properly prepared. But the vivid memory from that first dinner with my host family is set firmly in my mind. I'm not sure that I'll ever be able to enjoy uni—or ever order unagi—without thinking back to that night.
The horror I felt when I had no option but to eat something that I would have never intentionally ordered—and the bond that was forged with my host sister when she saw my struggle and offered to help—will stay with me always.
In my mind, I had transformed the simple act of eating a piece of raw fish into this massive ordeal that would make or break my relationship with my new family. In reality, the experience drew me closer to them in a way I had not anticipated. It became a memory to look back on and laugh. And one of many experiences that made me come to love Japan, my second home.
About True Stories from Japan
True Stories from Japan is an occasional blog on the Sasakawa USA website that features reflective essays about travels to and from Japan. Click here for details on how to submit an article for consideration.
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In 2016, I declared a year of the project.
As a part of that, I wrote a little ebook called Go Design Something about making a really great portfolio as an instructional designer (I'll be redesigning it pretty soon) and I've been thinking for a while about what to do with this site.
I've had the privilege to speak with several instructional design newbies about breaking into ID. And, for a while now, I've had a passion for helping other newbie instructional designers practice their craft. So, I decided that a perfect companion arc to my current projects and practice would be a website that generated project ideas.
If you've wanted to get started on a project but you couldn't figure out how to get started, this is the site to get you going.
If you've got a short brief idea, you can can submit it to share with others.


text:
For other uses, see Gremlin (disambiguation).
Theatrical release poster by John Alvin
Zach Galligan
Hoyt Axton
Polly Holliday
Frances Lee McCain
John Hora
Tina Hirsch
June 8, 1984 (1984-06-08)
Gremlins is a 1984 American comedy horror film directed by Joe Dante and released by Warner Bros. The film is about a young man who receives a strange creature called a mogwai as a pet, which then spawns other creatures who transform into small, destructive, evil monsters. This story was continued with a sequel, Gremlins 2: The New Batch, released in 1990. Unlike the lighter sequel, Gremlins opts for more black comedy, balanced against a Christmastime setting. Both films were the center of large merchandising campaigns.
Steven Spielberg was the film's executive producer and the screenplay was written by Chris Columbus. The film stars Zach Galligan and Phoebe Cates, with Howie Mandel providing the voice of Gizmo, the main mogwai character. Gremlins was a commercial success and received positive reviews from critics. However, the film was also heavily criticized for some of its more violent sequences. In response to this and to similar complaints about Indiana Jones and the Temple of Doom, Spielberg suggested that the Motion Picture Association of America (MPAA) alter its rating system, which it did within two months of the film's release.
Randall Peltzer, a struggling inventor, visits a Chinatown antique store in the hope to find a Christmas present for his son Billy. In the store, Randall encounters a small, furry creature called a mogwai (Cantonese: 魔怪, "monster"). The owner Mr. Wing refuses to sell the creature to Randall, though his grandson secretly sells the mogwai to Randall but tells him to remember three important rules that must never be broken – do not expose the mogwai to bright lights or sunlight which will kill it, do not let it get wet, and never feed it after midnight.
Randall returns home to Kingston Falls where he gives the mogwai to Billy as a pet. Billy works in the local bank, and fears his dog Barney will be put down by Mrs. Deagle. Randall names the mogwai "Gizmo" and Billy makes sure to treat him well. But when Billy's friend Pete spills a glass of water over Gizmo, five more mogwai spawn from his back, a more troublemaking sort led by the aggressive Stripe. Billy shows one of the mogwai to his former science teacher Mr. Hanson, spawning another mogwai, who Hanson experiments on. Stripe's gang trick Billy into feeding them after midnight by chewing out the power cord to his bedside clock and transform into cocoons, as does Hanson's mogwai. Shortly after, their cocoons hatch and they emerge as mischievous, reptilian Gremlins that torture Gizmo and try to murder Billy's mother, while Hanson is killed by his Gremlin.
All of the Gremlins are killed except Stripe, who escapes to a local YMCA and jumps into a swimming pool, spawning an army of Gremlins who wreak massive chaos around Kingston Falls. Billy tries to warn the police but they don't believe him. Many people are injured or outright killed by the Gremlins' rampage, including Mrs. Deagle, who is launched out of her house on a stair lift that has been sabotaged by the gremlins. At the local bar, the Gremlins have fun until the barmaid Kate Beringer, Billy's girlfriend, flashes them with a camera and escapes into the bank with Billy and Gizmo. While hiding, she reveals her father died in a chimney while dressed as Santa Claus. Billy and Kate discover the town has fallen silent and the Gremlins are watching Snow White and the Seven Dwarfs in a theater. They set off an explosion that destroys the theater, killing all the Gremlins except Stripe.
Billy chases Stripe into a Montgomery Ward store, where Stripe climbs into a water fountain and tries to spawn more Gremlins. Gizmo arrives in a toy car and opens a skylight, exposing Stripe to extreme sunlight and melting him. In the aftermath of the Gremlins' rampage, Mr. Wing arrives to collect Gizmo, scolding the Peltzers for their carelessness, thinking the Western world is not ready but comments that Billy might some day be ready to care for Gizmo properly. Gizmo likewise believes so, having become attached to Billy. Mr. Wing departs with Gizmo in tow, while Randall narrates to the audience to check their house if things go wrong, because "there just might be a Gremlin in your house".
Zach Galligan as William "Billy" Peltzer
Phoebe Cates as Kate Beringer
Hoyt Axton as Randall "Rand" Peltzer
Frances Lee McCain as Lynn Peltzer
Corey Feldman as Pete Fountaine
Keye Luke as Mr. Wing (credited as "Grandfather", Mr. Wing's name is revealed in the 2nd film)
John Louie as Mr. Wing's grandson
Dick Miller as Murray Futterman
Jackie Joseph as Sheila Futterman
Polly Holliday as Mrs. Ruby Deagle
Judge Reinhold as Gerald Hopkins
Edward Andrews as Mr. Roland Corben
Glynn Turman as Mr. Roy Hanson
Belinda Balaski as Mrs. Joe Harris
Scott Brady as Sheriff Frank
Jonathan Banks as Deputy Brent
Harry Carey, Jr. as Mr. Anderson
Kenny Davis as Dorry
Nicky Katt and Tracy Wells as Schoolchildren
Mushroom as Barney
Frank Welker as Stripe
Howie Mandel as Gizmo
Don Steele as Rockin' Ricky Rialto
Marvin Miller as Robby the Robot (uncredited)
Mogwai and Gremlin vocal effects provided by Michael Winslow, Bob Bergen, Fred Newman, Peter Cullen, Mark Dodson, Bob Holt, and Michael Sheehan.
Steven Spielberg as Man riding Recumbent bicycle
Jim McKrell as TV News Reporter
Jerry Goldsmith as Man in Phone Booth
William Schallert as Father Bartlett
Chuck Jones as Mr. Jones, Billy's drawing mentor
Kenneth Tobey as Smoking Gas Station Attendant
Gremlins was produced at a time when combining horror and comedy was becoming increasingly popular. According to Professor Noël Carroll, Ghostbusters, released the same weekend as Gremlins, and the comic strip The Far Side also followed this trend. Carroll argued that there was now a new genre emphasizing sudden shifts between humorous and horrific scenes, drawing laughs with plot elements that have been traditionally used to scare.[1] Older popular fiction also blended humor with horror, such as the films Bride of Frankenstein and Abbott and Costello Meet Frankenstein, as well as the 1960s TV series The Addams Family and The Munsters.
The notion of gremlins was first conceived during World War II, when mechanical failures in aircraft were jokingly blamed on the small monsters. The term "gremlins" also entered popular culture as children's author Roald Dahl published a book called The Gremlins in 1943, based on the mischievous creatures.[2] Walt Disney considered making a film of it. A Bugs Bunny cartoon of the era, Falling Hare, has him battling a gremlin on an airplane. (Footage from this cartoon was later used in a trailer for Gremlins 2: The New Batch.) Joe Dante had read The Gremlins, and said that the book was of some influence on his film. In 1983, Dante publicly distanced his work from earlier films, explaining, "Our gremlins are somewhat different—they're sort of green and they have big mouths and they smile a lot and they do incredibly, really nasty things to people and enjoy it all the while".[3][4]
Initial stages
Chris Columbus conceived of the idea for Gremlins and wrote the initial draft as a spec script.
The story of Gremlins was conceived by Chris Columbus. As Columbus explained, his inspiration came from his loft, when at night "what sounded like a platoon of mice would come out and to hear them skittering around in the blackness was really creepy".[5] He then wrote the original screenplay as a spec script to show potential employers that he had writing abilities. The story was not actually intended to be filmed until Steven Spielberg took an interest in turning it into a film.[4] As Spielberg explained, "It's one of the most original things I've come across in many years, which is why I bought it."[3]
After deciding to executive produce the film, Spielberg chose Dante as his director because of his experience with horror-comedy; Dante had previously directed The Howling (1981); however, in the time between The Howling and the offer to film Gremlins, he had experienced a lull in his career.[4] The film's producer was Michael Finnell, who had also worked on The Howling with Dante. Spielberg took the project to Warner Bros. and co-produced it through his own company, Amblin Entertainment.
The film's script went through a few drafts before a shooting script was finalized. The first version was much darker than the final film. Various scenes were cut, including one which portrayed Billy's mother dying in her struggle with the gremlins, with her head thrown down the stairs when Billy arrives. Dante later explained the scene made the film darker than the filmmakers wanted. There was also a scene where the gremlins ate Billy's dog, and a scene where the gremlins attacked a McDonald's, eating customers instead of burgers. Also, instead of Stripe being a mogwai who becomes a gremlin, there was originally no mogwai named Stripe; rather, Gizmo was supposed to transform into Stripe the gremlin. Spielberg overruled this plot element as he felt Gizmo was cute and that audiences would want him to be present throughout the film.[4]
A famous urban legend is referenced in the film,[6] in which Kate reveals in a speech that her father died at Christmas when he dressed as Santa Claus and broke his neck while climbing down the family's chimney. After the film was completed, the speech proved to be controversial, and studio executives insisted upon its removal, because they felt it was too ambiguous as to whether it was supposed to be funny or sad. Dante stubbornly refused to take the scene out, saying it represented the film as a whole, which had a combination of horrific and comedic elements. Spielberg did not like the scene but, despite his creative control, he viewed Gremlins as Dante's project and allowed him to leave it in.[4] A parody of this scene is featured in Gremlins 2: The New Batch.
Zach Galligan was a relatively unknown actor when cast as the lead character Billy.
Phoebe Cates was cast as Kate, Billy's girlfriend, despite concerns that she was known for playing more risqué parts, such as Linda Barrett in Fast Times at Ridgemont High (1982). Spielberg urged the casting of the relatively unknown Zach Galligan as Billy because he saw chemistry between Galligan and Cates during auditions. Galligan later compared himself to Billy, saying he was a "geeky kid", and that being in the film "was really kind of a dream" given "what I get to do, what my character gets to do, blow up movie theatres", adding that he "got to work with great people".[4]
In contrast to Galligan, many of the supporting actors and actresses were better known. Veteran actor Glynn Turman portrayed the high school science teacher whose study of a newborn Mogwai leads to his death after it forms a cocoon and emerges as a vicious gremlin. Dick Miller, who was a regular in Dante's films, was another experienced actor on the set, playing a World War II veteran who first refers to the creatures as gremlins. Rand was played by Hoyt Axton, who was always the filmmakers' preferred choice for the role even though it was widely contested by other actors.[7] Axton's experience included acting as the father in The Black Stallion (1979), and he was also a country music singer-songwriter. After an introductory scene to Gremlins was cut, Axton's voice earned him the added role of the narrator to establish some context. Mr. Wing was played by Keye Luke, a renowned film actor, whose film career spanned half a century. Although in reality he was around 80 at the time of filming, and his character was very elderly, Luke's youthful appearance had to be covered by make-up.[4]
Corey Feldman, who up to that time had primarily been in commercials, played Pete Fountaine, establishing his early credentials as a child actor.
Polly Holliday, an actress best known for her role in Alice, played Mrs. Deagle. Dante considered the casting fortunate, as she was well-known and he considered her to be talented. Two other well-known actors, Fast Times' Judge Reinhold and character actor Edward Andrews, received roles that were significantly reduced after the film was edited; they played Billy's superiors at the bank.[4]
Comedian Howie Mandel provided the voice for Gizmo.
Some of the performances were shot on the backlot of Universal Studios in California (Mrs Deagle's house was one such set as well as the opening street scenes in Chinatown, which were filmed on the Warner Bros. Studios backlot). This required fake snow; Dante also felt it was an atmosphere that would make the special effects more convincing. As the special effects relied mainly on puppetry (an earlier attempt to use monkeys was abandoned because the test monkey panicked when made to wear a gremlin head),[8] the actors worked alongside some of the puppets. Nevertheless, after the actors finished their work for good, a great deal of effort was spent finishing the effects. Numerous small rubber puppets, some of which were mechanical, were used to portray Gizmo and the gremlins. They were designed by Chris Walas. There was more than one Gizmo puppet, and occasionally Galligan, when carrying one, would set him down off camera, and when Gizmo appeared again sitting on a surface it was actually a different puppet wired to the surface. These puppets had many limitations. The Gizmo puppets were particularly frustrating because they were smaller and thus broke down more. Consequently, to satisfy the crew, a scene was included in which the gremlins hang Gizmo on a wall and throw darts at him. This was included on a list that the crew created known to them as the "Horrible Things to do to Gizmo" list.[4]
A few marionettes were also used. Other effects required large mogwai faces and ears to be produced for close-ups, as the puppets were less capable of conveying emotion. Consequently, large props simulating food were needed for the close-ups in the scene in which the mogwai feast after midnight. An enlarged Gizmo puppet was also needed for the scene in which he multiplies. The new mogwai, who popped out of Gizmo's body as small, furry balls which then started to grow, were balloons and expanded as such. Walas had also created the exploding gremlin in the microwave by means of a balloon that was allowed to burst.[4]
Howie Mandel provided the voice for Gizmo, and prolific voice actor Frank Welker provided the voice for Stripe. It was Welker who suggested Mandel perform in Gremlins. The puppets' lines were mostly invented by the voice actors, based on cues from the physical actions of the puppets, which were filmed before the voice work. When developing the voice for Gizmo, Mandel explained, "[Gizmo was] cute and naive, so, you know, I got in touch with that... I couldn't envision going any other way or do something different with it".[4] The majority of the other gremlins' voices were performed by Michael Winslow and Peter Cullen, while the remaining voices were done by Bob Bergen, Kevin Michael Richardson, Fred Newman, Mark Dodson, Bob Holt, and Michael Sheehan.
The film's score was composed by Jerry Goldsmith, who won a Saturn Award for Best Music for his efforts. The main score was composed with the objective of conveying "the mischievous humor and mounting suspense of Gremlins".[5] Goldsmith also wrote Gizmo's song, which was hummed by a child actress and acquaintance of Goldsmith's, rather than Mandel himself.[4] Goldsmith also appears in the film (as does Steven Spielberg), in the scene where Rand calls home from the salesman's convention.
The soundtrack album was released by Geffen Records as a specially priced mini-album on LP and cassette (Goldsmith's music comprised all of side two), and reissued on compact disc in 1993 only in Germany.
Gremlins...Mega Madness – Michael Sembello (3:50)
Make It Shine – Quarterflash (4:10)
Out/Out – Peter Gabriel (7:00)
The Gift (4:51)
Gizmo (4:09)
Mrs. Deagle (2:50)
The Gremlin Rag (4:03)
"Gremlins...Mega Madness" was also released as a single, with "The Gremlin Rag" as its B-side.
In 2011, Film Score Monthly issued a two-disc release of the soundtrack, with the complete score on disc one and the original soundtrack album on disc two (representing the latter's first North American CD issue); this was the label's final Jerry Goldsmith album.
DISC ONE: The Film Score
Fanfare in C (Max Steiner) / The Shop / The Little One 4:30
Late for Work 1:46
Mrs. Deagle / That Dog 2:22
The Gift 1:45
First Aid 2:17
Spilt Water 3:02
A New One 1:10
The Lab / Old Times 2:35
The Injection 2:56
Snack Time / The Wrong Time 1:49
The Box 1:24
Disconnected / Hurry Home 1:03
Kitchen Fight 4:06
Dirty Linen 0:43
The Pool 1:07
The Plow / Special Delivery 1:16
High Flyer 2:22
Too Many Gremlins 2:06
No Santa Claus 3:27
After Theatre 1:39
Theatre Escape / Stripe Is Loose / Toy Dept. / No Gizmo 4:36
The Fountain / Stripe's Death 5:42
Goodbye, Billy 2:56
End Title / The Gremlin Rag 4:10
Blues 2:17
Mrs. Deagle [film version] 1:27
God Rest You Merry, Gentlemen [traditional, arr. Alexander Courage] 1:12
After Theatre [with "Silent Night"] 1:36
After Theatre [without "Silent Night"] 1:36
Rabbit Rampage [Milt Franklyn] 0:47
The Gremlin Rag [full version] 3:35
Gizmo's New Song 0:35
Gizmo's Trumpet 0:30
Tracks 26–34 are listed as bonus tracks.
DISC TWO: 1984 Soundtrack Album
Gremlins...Mega Madness – Michael Sembello 3:52
Make It Shine – Quarterflash 4:11
Out/Out – Peter Gabriel 7:02
Gizmo 4:14
Mrs. Deagle 2:54
The Gremlin Rag 4:13
Along with Indiana Jones and the Temple of Doom, also rated PG, Gremlins was one of two films in 1984 to influence the MPAA to create the PG-13 rating, with Red Dawn being the first film released in theaters that was given the new rating in August 1984.[9] The scene in which a gremlin explodes in the microwave was particularly influential to the idea that some films too light to be rated R are still too mature to be rated PG. The change to the rating system was not insignificant; the rating PG-13 turned out to be appealing to many film patrons, as it implied some excitement without being too explicit.[9]
Critical reception
Film critics' reviews of Gremlins were mostly positive. Roger Ebert approved of the film, declaring it to not only be "fun", but also a "sly series of send-ups", effectively parodying many elemental film storylines. In his opinion, Gremlins did this partly through depictions of mysterious worlds (the shop in Chinatown) and tyrannical elderly women (Mrs. Deagle). Ebert also believed the rule in which a mogwai cannot eat after midnight was inspired by fairy tales, and that the final scenes parody classic horror films. He connected Kate's speech about her father with "the great tradition of 1950s sick jokes".[10] Conversely, Leonard Maltin disapproved of the film, and his view was made clear in remarks he made on the television show Entertainment Tonight. He called the film "icky" and "gross".[11] He later wrote that despite being set in a "picture-postcard town" and blending the feel of It's a Wonderful Life (a clip of which appears in Gremlins) with that of The Blob, the film is "negated by too-vivid violence and mayhem"; giving the film two out of four stars.[12] Maltin later made a cameo appearance in Gremlins 2, repeating his criticisms of the original on film, as an in-joke, before being throttled by the creatures; he later gave the second film a more positive rating, three out of four stars.
While some critics criticized the film's depictions of violence and greed—such as death scenes, Kate's speech, and the gremlins' gluttony—for lacking comic value, scholar Charlotte Miller instead interpreted these as a satire of "some characteristics of Western civilization", suggesting that Westerners may take too much satisfaction from violence. Gremlins can also be interpreted as a statement against technology, in that some characters, such as Billy's father, are overly dependent on it. In contrast, Mr. Wing is shown to have a strong distaste for television.[13] Kirkpatrick Sale also interpreted Gremlins as an anti-technology film in his book Rebels Against the Future.[14] Another scholar suggested that the film is meant to express a number of observations of society by having the gremlin characters shift in what they are meant to represent. At different times, they are depicted as teenagers, the wealthy establishment, or fans of Disney films.[15]
Another scholar drew a connection between the microwave scene and urban legends about pets dying in microwave ovens. He described the portrayal of this urban legend in the film as successful, but that meant it seemed terrible.[16] This is indeed a scene that is thought of as being one of the film's most violent depictions; with even Roger Ebert expressing some fear in his review that the film might encourage children to try similar things with their pets.[10]
Gremlins has been criticized for more than its depictions of violence. One BBC critic wrote in 2000 that "The plot is thin and the pacing is askew". However, that critic also complimented the dark humour contrasted against the ideal Christmas setting.[17] In 2002, another critic wrote that in hindsight, Gremlins has "corny special effects" and that the film will tend to appeal to children more so than to adults; he also said the acting was dull.[18]
Despite the initial mixed criticism, Gremlins has continued to receive critical praise over the years. It currently holds an 85% "Certified Fresh" rating on the review aggregate website Rotten Tomatoes,[19] and is considered by many as one of the best films of 1984.[20][21][22]
Allegations of racism
Since its release, some people have criticized Gremlins as being culturally insensitive. Some observers have argued that the film presents gremlins as African Americans.[15] In Ceramic Uncles & Celluloid Mammies, Patricia Turner writes that the gremlins "reflect negative African-American stereotypes" in their dress and behavior. They are shown "devouring fried chicken with their hands", listening to black music, breakdancing, and wearing sunglasses after dark and newsboy caps, a style common among African American males in the 1980s.[23]
Director Joe Dante acknowledged some parents were upset after taking their children to see Gremlins in theatres.
Financially, Gremlins was a success. Produced on an $11 million budget, it was more expensive than Spielberg had originally intended, but still relatively cheap for its time.[4] The trailer introduced the film to audiences by briefly explaining that Billy receives a strange creature as a Christmas present, by going over the three rules, and then coming out with the fact that the creatures transform into terrible monsters. This trailer showed little of either the mogwai or the gremlins.[24] In contrast to this, other advertisements concentrated on Gizmo, overlooked the gremlins and made the film look similar to Spielberg's earlier family film E.T. the Extra-Terrestrial (1982).[9]
Gremlins was released into North American theaters on June 8, 1984, the same day as Ivan Reitman's Ghostbusters. Gremlins ranked second, with $12.5 million in its first weekend, $1.1 million less than Ghostbusters. By the end of its American screenings on November 29, it had grossed $148,168,459 domestically. This made it the fourth highest-grossing film of the year, behind Beverly Hills Cop, Ghostbusters, and Indiana Jones and the Temple of Doom.[25] In August 1984, it opened in Argentina and Spain, and in October it premiered in West Germany. Screenings began in Mexico, Australia, and much of the rest of Europe in December.[26] Since Gremlins had an international audience, different versions of the film were made to overcome cultural barriers. Mandel learned to speak his few intelligible lines, such as "Bright light!", in various languages, including German. Regional music and humor were also incorporated into foreign-language versions. Dante credited this work as being one of the factors which helped to make Gremlins a worldwide success.[4] However, many critics questioned the summer release date of the film in America, as the film takes place during the Christmas holiday season, causing them to comment that it should have had a Christmas release date instead.
In addition to this, there were also complaints from audiences about the violence depicted in the film. These complaints were particularly present in people who had brought their children to see the film, many of whom walked out of the theatre before the film had ended. Dante admitted to reporters later that "the idea of taking a 4-year-old to see Gremlins, thinking it's going to be a cuddly, funny animal movie and then seeing that it turns into a horror picture, I think people were upset... They felt like they had been sold something family friendly and it wasn't entirely family friendly".[9]
The film became available to audiences again when it was brought back to theatres on August 30, 1985. This additional release brought its gross up to $153,083,102.[25]
Gremlins won numerous awards, including the 1985 Saturn Awards for Best Director, Best Horror Film, Best Music, Best Special Effects, and the award for Best Supporting Actress, given to Holiday's performance as Mrs. Deagle. The film also won Germany's Golden Screen Award and the 1985 Young Artist Award for Best Family Motion Picture (Adventure). Corey Feldman, who played Billy's young friend, was also nominated for the Young Artist Award for Best Young Supporting Actor in a Motion Picture Musical, Comedy, Adventure or Drama.
Gremlins was released on VHS, CED Videodisc, and Beta in 1985, and made $79,500,000 in video rental stores.[27] The film was released on DVD in 1997 in a bare bones presentation. It included both full screen and widescreen versions and the film's trailer. It was repackaged in 1999 with the same disc, but a different cover. On August 20, 2002, a "special edition" DVD was released, which featured cast and filmmakers' commentary and deleted scenes. A 25th anniversary Blu-ray edition was released on December 1, 2009.
Figurine based on the Stripe character.
With its commercial themes, particularly the perceived cuteness of the character Gizmo, Gremlins became the center of considerable merchandising. Due to this, it became part of a rising trend in film, which had received a boost from Spielberg's E.T. the Extra-Terrestrial.[4] Manufacturers including LJN produced versions of Gizmo as dolls or stuffed animals. (The latter of which became a popular high demand toy during the holiday season of 1984.) Both Gizmo and the gremlins were mass-produced as action figures, and Topps printed trading cards based upon the film.[28] A product placement deal with fast food chain Hardee's also led to a series of five book-and-cassette/45 records adaptations of the film's story. Starting in the early 2000s, companies such as Jun Planning and the National Entertainment Collectibles Association produced all-new Gremlins toys and collectibles.
The film was also the basis for a novel of the same name by George Gipe, published by Avon Books in June 1984. The novel offered an origin for mogwai and gremlins as a prologue. Supposedly, mogwai were created as gentle, contemplative creatures by a scientist on an alien world. However, it was discovered that their physiology was unstable. The end result was that only 1 in 10,000 mogwai would retain their sweet, loving demeanor. The rest would change into creatures that the novel referred to as "mischievous". The minority mogwai (the 1 in 10,000) are all but immortal by human standards, though Gizmo explains to Stripe that if he were to undergo the transformation himself, he would become like the others, "short lived and violent." This origin is unique to the novel but is referred to in the novelization of Gremlins 2 by David Bischoff. No definitive origin for mogwai or gremlins is given in either Gremlins film.
In addition to this, Gremlins brand breakfast cereal was produced by Ralston concurrent to and for a few years after the first film was released in 1984. The front of the cereal box featured Gizmo, and inside were decals of the malevolent gremlins, including Stripe.[29]
Action-oriented video games
See also: Gremlins (video game)
Several officially-licensed video games based on the film have been produced. One of the first was Gremlins, released by Atari, Inc. for their 2600 console.
Atari, Inc. released a completely different[30] (and more technically advanced) game- also called Gremlins- for the Atari 5200 console and the Apple II, Commodore 64, and IBM PC computers. Although the Atari 5200 version went to manufacturing in 1984, the turmoil surrounding Jack Tramiel's takeover of Atari's consumer business resulted in it not being released until 1986.[30]
In the 2000s, more games were released; Gremlins: Unleashed! was released on Game Boy Color in 2001. The game was about Gizmo trying to catch Stripe and thirty other gremlins, while the gremlins also try to turn Gizmo into a gremlin. Both Gizmo and Stripe are playable characters in the game.[31]
A Gremlins Team Pack was released for Lego Dimensions on November 18, 2016. The pack includes minifigures of Gizmo and Stripe, a constructible polaroid camera and RC car, and grants access to an Adventure World and Battle Arena based on the film. Howie Mandel and Frank Welker reprise their respective roles as Gizmo and Stripe.[32][33]
Gremlins: The Adventure
At the time of the film's release, an interactive fiction game based on scenes from the film, entitled Gremlins: The Adventure (1985), was released for various home computers, including the Acorn Electron, the BBC Micro, the Commodore 64 and the ZX Spectrum. The game was written by Brian Howarth for Adventure Soft and was text-based, with full-color illustrations on some formats.
The film not only spawned the sequel, Gremlins 2: The New Batch, and an advertisement for British Telecom,[34] but is believed to have been the inspiration for several unrelated films about small monsters. These include Critters,[35] Ghoulies,[16] Troll,[36] and Hobgoblins.[37]
In music, the Scottish post-rock band Mogwai are named after the film's creatures: as for the reason for the band chose this as their name, their guitarist, Stuart Braithwaite, has stated that "it has no significant meaning and we always intended on getting a better one, but like a lot of other things we never got round to it".[38] Welsh singer/songwriter Rod Thomas performs under the name Bright Light Bright Light, which is a direct quote from the film.[39]
In January 2013, Vulture reported that Warner Bros. was negotiating with Amblin Entertainment to reboot the Gremlins franchise.[40] Seth Grahame-Smith was tapped to produce, alongside David Katzenberg.[41] In January 2015, Grahame-Smith stated that the project has been put on hold.[42] In November 2015 Zach Galligan confirmed that the third film will be a sequel and not a reboot.[43]
Warner Bros. Classics & Great Gremlins Adventure (a.k.a. Gremlins Invasion), two defunct amusement rides themed after the film
↑ Noël Carroll, "Horror and Humor," The Journal of Aesthetics and Art Criticism, Vol. 57, No. 2, Aesthetics and Popular Culture (Spring, 1999), page 145.
↑ Roger E. Bilstein, Flight in America: From the Wrights to the Astronauts (Baltimore: Johns Hopkins University Press, 2001), p. 318, ISBN 0-8018-6685-5.
1 2 Gremlins: Behind the Scenes, Warner Bros., 1983, in the DVD Steven Spielberg presents Gremlins. Special edition. Warner Home Video, 2002.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 DVD commentary; Steven Spielberg presents Gremlins. Special edition. Warner Home Video, 2002.
1 2 Behind the Scenes, in the DVD Steven Spielberg presents Gremlins. Special edition. Warner Home Video, 2002.
↑ "Santa Claustrophobia". Urban Legends Reference Pages. October 23, 1999.
↑ In Dante's audio commentary, he noted that Axton was his first choice based on his role as the father in The Black Stallion, but that other actors read for the part. He noted that the best audition, which he wished had been preserved, was given by Michael Gough, but compared its weightiness to William Saroyan and overall found it inappropriate to the tone of the film.
↑ Gremlins Reunion: First Look At The Empire Photoshoot, by Nick de Semlyen, at Empire; published 25 June 2014; retrieved 26 June 2014
1 2 3 4 Anthony Breznican, "PG-13 remade Hollywood ratings system", The Associated Press, August 24, 2004.
1 2 Roger Ebert, "Gremlins," January 1, 1984. Chicago Sun-Times.
↑ Edmond Grant, "Gremlins 2," Films in Review, October 1990, vol. 41, issue 10, page 485–487.
↑ Leonard Maltin, ed., Leonard Maltin's 2002 Movie & Video Guide. A Signet Book, 2001, page 557.
↑ Charlotte Miller, "Using Gremlins to Teach Theme," The English Journal, Vol. 74, No. 4. (Apr., 1985), p. 69.
↑ Sale Kirkpatrick, Rebels Against the Future, Quartet Books, p.240
1 2 Jonathan Rosenbaum, review of Who Framed Roger Rabbit? by Robert Zemeckis, Film Quarterly, vol. 42, no. 1. (Autumn, 1988), page 37.
1 2 Charles Clay Doyle, "The Avenging Voice from the Depths," Western Folklore, Vol. 47, No. 1 (Jan., 1988), page 21.
↑ Almar Haflidason, "Gremlins (1984)," Film Reviews, BBC. Retrieved April 29, 2006.
↑ Blake French, "Gremlins", Filmcritic.com, 2002. URL accessed May 3, 2006.
↑ "Gremlins Movie Reviews, Pictures". Rotten Tomatoes. Retrieved May 21, 2010.
↑ "The Greatest Films of 1984". AMC Filmsite.org. Retrieved May 21, 2010.
↑ "The 10 Best Movies of 1984". Film.com. Retrieved May 21, 2010.
↑ "Most Popular Feature Films Released in 1984". IMDb.com. Retrieved May 22, 2010.
↑ Patricia A. Turner, Ceramic Uncles & Celluloid Mammies: Black Images and Their Influence on Culture. (New York: Anchor Books, 1994), pp. 151–52, ISBN 0-385-46784-2.
↑ Theatrical Trailers, in the DVD Steven Spielberg presents Gremlins. Special edition. Warner Home Video, 2002.
1 2 "Gremlins," Box Office Mojo. Retrieved April 30, 2006.
↑ "Release dates for Gremlins" IMDb.com, URL accessed May 11, 2006.
↑ "Business Data for Gremlins" IMDb.com, URL accessed May 7, 2006.
↑ Gremlins Action Figure: Gizmo by NECA, Amazon.com, URL accessed April 30, 2006; Gremlins Action Figure: Poker Player by NECA, Amazon.com, URL accessed April 30, 2006; Gremlins Movie Photo Trading Cards Box -36 Count by Topps," Amazon.com. Retrieved April 30, 2006.
↑ "Topher's Breakfast Cereal Character Guide". Retrieved August 8, 2008.
1 2 "AtariProtos.com - All Your Protos Are Belong To Us!". atariprotos.com.
↑ "Gremlins: Unleashed". gamefaqs.com.
↑ "LEGO Dimensions Expansions Trailer: Harry Potter, Goonies, Gremlins & more". Slashfilm.com. 2016-06-09. Retrieved 2016-11-22.
↑ "LEGO Dimensions Adds Fantastic Beasts, Adventue Time, Gremlins, Sonic & ET". Cosmic Book News. Retrieved 2016-11-22.
↑ "It's Dragon v Gremlins in BT ad". The Guardian. Guardian.co.uk. April 30, 2008. Retrieved November 22, 2016.
↑ Maltin, 298.
↑ Maltin, 1141.
↑ Gibner, Jason. "Hobgoblins". Allmovie. RhythmOne. Retrieved November 22, 2016.
↑ "Mogwai Band FAQ". Mogwai.co.uk. Retrieved April 12, 2010.
↑ Cragg, Michael (June 30, 2011). "New music: Bright Light Bright Light – Disco Moment". The Guardian. Guardian.co.uk. Retrieved December 27, 2012.
↑ Brodesser-Akner, Claude (January 16, 2013). "Warner Bros. Looking to Breed Gremlins Again". Vulture. New York Media LLC. Retrieved November 22, 2016.
↑ Miska, Brad (May 13, 2013). "Exclusive: 'Gremlins' Reboot Has Seth Grahame-Smith Snacking After Midnight!". Bloody Disgusting!. Retrieved November 22, 2016.
↑ Maidy, Alex (January 16, 2015). "Seth Grahame-Smith says the Gremlins reboot is in a holding pattern". JoBlo. JoBlo Media, Inc. Retrieved November 22, 2016.
↑ Brew, Simon (November 27, 2015). "Gremlins 3 won't be a remake or reboot". Den of Geek. Dennis Publishing, Ltd. Retrieved November 22, 2016.
Wikimedia Commons has media related to Gremlins (film).
Wikiquote has quotations related to: Gremlins
Gremlins at the Internet Movie Database
Gremlins at AllMovie
Gremlins at Box Office Mojo
Gremlins at Rotten Tomatoes
Gremlins in the Mix – Article on Gremlins and genre-blending
Gremlins 2: The New Batch (1990)
Warner Bros. Classics & Great Gremlins Adventure
Films directed by Joe Dante
The Movie Orgy (1968)
Hollywood Boulevard (1976)
Piranha (1978)
The Howling (1981)
Twilight Zone: The Movie (1983)
Innerspace (1987)
Amazon Women on the Moon (1987)
Matinee (1993)
Runaway Daughters (1994)
The Second Civil War (1997)
The Warlord: Battle for the Galaxy (1998)
Small Soldiers (1998)
Looney Tunes: Back in Action (2003)
Trapped Ashes (2006)
The Hole (2009)
Burying the Ex (2014)
Saturn Award for Best Horror Film
Blacula (1972)
Young Frankenstein (1974/75)
Burnt Offerings (1976)
The Little Girl Who Lives Down the Lane (1977)
The Wicker Man (1978)
The Dead Zone (1983)
Fright Night (1985)
The Lost Boys (1987)
Beetlejuice (1988)
Arachnophobia (1989/90)
Bram Stoker's Dracula (1992)
Army of Darkness (1993)
From Dusk till Dawn (1995)
The Devil's Advocate (1997)
Apt Pupil (1998)
The Others (2001)
28 Days Later (2003)
The Descent (2006)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Hellboy II: The Golden Army (2008)
Let Me In (2010)
The Conjuring (2013)
Dracula Untold (2014)


text:
Q: fatal error C1083: Cannot open include file: 'aux.h': Permission denied I copied the following code from OpenGL's Redbook (Chapter 4: Display Lists) into my editor (Visual Studio Express Edition 2008), named it list.c and got compilation error.
#include "aux.h"
#include <GL/gl.h>
#include <GL/glu.h>

GLuint listName = 1;

void myinit (void)
{
glNewList (listName, GL_COMPILE);
        glColor3f(1.0, 0.0, 0.0);
        glBegin (GL_TRIANGLES);
            glVertex2f (0.0, 0.0);
            glVertex2f (1.0, 0.0);
            glVertex2f (0.0, 1.0);
        glEnd ();
        glTranslatef (1.5, 0.0, 0.0);
    glEndList ();
    glShadeModel (GL_FLAT);
}

void drawLine (void)
{
    glBegin (GL_LINES);
        glVertex2f (0.0, 0.5);
        glVertex2f (15.0, 0.5);
    glEnd ();
}

void display(void)
{
    GLuint i;
    glClear (GL_COLOR_BUFFER_BIT);
    glColor3f(0.0, 1.0, 0.0);
    for (i = 0; i < 10; i++)
        glCallList (listName);
    drawLine ();
    glFlush ();
}

void myReshape(GLsizei w, GLsizei h)
{
    glViewport(0, 0, w, h);
    glMatrixMode(GL_PROJECTION);
    glLoadIdentity();
    if (w <= h)
        gluOrtho2D (0.0, 2.0, -0.5 * (GLfloat) h/(GLfloat) w,
              1.5 * (GLfloat) h/(GLfloat) w);
    else
        gluOrtho2D (0.0, 2.0 * (GLfloat) w/(GLfloat) h, -0.5,
              1.5);
    glMatrixMode(GL_MODELVIEW);
    glLoadIdentity();
}

int main(int argc, char** argv)
{
    auxInitDisplayMode (AUX_SINGLE | AUX_RGBA);
    auxInitPosition (0, 0, 400, 50);
    auxInitWindow (argv[0]);
    myinit ();
    auxReshapeFunc (myReshape);
    auxMainLoop(display);
}

A: Don't use not aux, nor glaux. They're too old. GLUT is much more easier, while many of people use SDL or SFML (they're more flexible and feature-full than GLUT). You should try SFML - it has lots of features inside, it's lightweight and portable. You should be satisfied using this one =)
Still if you wanna use GLUT, here are your problems:

*

*glutInit() should be called before
any other operations

*glutInitDisplayMode() and other
window functions must be called
before any drawing

operations
Here's some sample code:
#include <GL/glut.h >

// rendering function
void display(void)
{
    glClear(GL_COLOR_BUFFER_BIT);

    glColor3f(1.0,1.0,1.0);
    glBegin (GL_LINES);
        glVertex2f (0.0, 0.5);
        glVertex2f (15.0, 0.5);
    glEnd ();

    glFlush();
}

// some initializations
void init(void)
{
    glClearColor(0.0, 0.0, 0.0, 0.0);

    glMatrixMode(GL_PROJECTION);
    glLoadIdentity();
    glOrtho(0.0, 1.0, 0.0, 1.0, -1.0, 1.0);

}

int main(int argc, char **argv)
{
    // initialize GLUT library
    glutInit(&argc, argv);

    // set display mode
    glutInitDisplayMode(GLUT_SINGLE | GLUT_RGB);

    // set initial window size
    glutInitWindowSize(250,250);

    // set initial window position
    glutInitWindowPosition(100,100);

    // create the window
    glutCreateWindow("moofoo");

    // do our initialization routines
    init();

    // set function which will be called each frame
    glutDisplayFunc(display);

    // enter main rendering loop
    glutMainLoop();

    return 0;
}

A: You need to include the Windows header file.  Fix:
#include <windows.h>
#include <GL/gl.h>
#include <GL/glu.h>
// etc...

A: I have changed the code placing glutXxx functions instead of auxXxx ones. It compiles but doesn't run, I'd appreciate feedback here:
#include "GL/glut.h"
#include <stdio.h>
//#include <windows.h>

GLuint listName = 1;

void myinit (void)
{
glNewList (listName, GL_COMPILE);
        glColor3f(1.0, 0.0, 0.0);
        glBegin (GL_TRIANGLES);
            glVertex2f (0.0, 0.0);
            glVertex2f (1.0, 0.0);
            glVertex2f (0.0, 1.0);
        glEnd ();
        glTranslatef (1.5, 0.0, 0.0);
    glEndList ();
    glShadeModel (GL_FLAT);
}

void drawLine (void)
{
    glBegin (GL_LINES);
        glVertex2f (0.0, 0.5);
        glVertex2f (15.0, 0.5);
    glEnd ();
}

void display(void)
{
    GLuint i;
    glClear (GL_COLOR_BUFFER_BIT);
    glColor3f(0.0, 1.0, 0.0);
    for (i = 0; i < 10; i++)
        glCallList (listName);
    drawLine ();
    glFlush ();
}

void myReshape(GLsizei w, GLsizei h)
{
    glViewport(0, 0, w, h);
    glMatrixMode(GL_PROJECTION);
    glLoadIdentity();
    if (w <= h)
        gluOrtho2D (0.0, 2.0, -0.5 * (GLfloat) h/(GLfloat) w,
              1.5 * (GLfloat) h/(GLfloat) w);
    else
        gluOrtho2D (0.0, 2.0 * (GLfloat) w/(GLfloat) h, -0.5,
              1.5);
    glMatrixMode(GL_MODELVIEW);
    glLoadIdentity();
}

int main(int argc, char** argv)
{
    glutInitDisplayMode (GLUT_SINGLE | GLUT_RGBA);
    glutInitWindowPosition (100, 100);

    glutInitWindowPosition (100,100);
    glutInit (&argc, argv);
    myinit ();
    glutDisplayFunc (display);
    glutReshapeFunc (myReshape);
    glutMainLoop();
}

redpajama_set_name: RedPajamaStackExchange


text:
Q: Как добавить доп.поля в wordpress запись? Столкнулся с проблемой.
Сперва суть: натягиваю сайт на котором есть [кейсы, статьи]
со статьями всё понятно, но у меня возникла проблема с кейсами

Я выделил все поля, которые будут меняться,и у меня Дилемма: Сделать это как статью, но при её открытии будет переадресация на пдф.
Тогда я не знаю куда вписать Данные в красных кружках, чтобы после их взять при выводе всех кейсов.
Или сделать собственное расширение, которое будет запрашивать все эти поля.
Кейс не подходит как статья и при открытии всё равно будет переадресация на pdf файл.
у кого есть предложения ?


The Netherlands (known sometimes as Holland) is a small country in Western Europe. A founding member of the European Union, the country is generally very progressive about social issues. Both a constitutional monarchy and a parliamentary democracy, the Netherlands is known as one of the happiest countries in the world, reflecting its high quality of life.
Amsterdam, the capital of the Netherlands, is known for its many beautiful canals, but that's only the starting point of this great city. It's also full of history and great food as well as world-class museums and gorgeous open spaces like Vondelpark—there are so many things to do in Amsterdam. Amsterdam is a bit infamous for its legalization of marijuana and prostitution, but those are only a small part of what the city offers (and are easy to avoid if one wishes to). The country's second-largest city, Rotterdam, was hit hard during World War II but makes up for its lack of historic buildings with new, unique architecture, a great culinary scene, and lots of nightlife. The Markthal and Witte de With Street are particular favorites.
From the moment we stepped through the gates at Keukenhof gardens, it was clear we were in a happy place.
Take a cruise. Take a stroll. Take a shot. Take a photo. There are so many fun things to do in Amsterdam.
One of the best ways to get to know a country is through its food. And there's a lot of delicious stuff to know in the Netherlands.
Rotterdam is full of surprises. It's a modern, vibrant city full of architecture, art, culture, and lots of great food.
It's five minutes until 3:00 in the afternoon and already there's a line of 20 people snaking outside the dark green door. You would think someone was giving away money. But it's just a normal Sunday in Amsterdam outside a bar that's been here for over 300 years.
From the outside, it looks just like any other canal house in Amsterdam. But inside, there's a different story altogether.
Palaces in Europe are filled with the very best that money (and centuries worth of inheritance) can provide. Here's a look at eight royal residences that are worth the time to visit.
From the unusual to the historic, the handbag has quite a story.
In Rotterdam, there's something unusual to look at almost everywhere you turn.
At the beginning of our tour, the sum total of our group's knowledge about Dutch food was beer and cheese. We had a long way to go. Luckily, we had eight stops and four hours ahead of us.