text:
AFC Bournemouth - a guide for Premiership visitors
Thread starter HertsWolf
HertsWolf
Hampshire and Ethiopia
[Copied from Dorset Country Life because it is very helpful]
Bournemouth is in Dorset, a distinctive former mining city and major port on the south coast. Most of our support comes from the tough and embittered former coal mining communities of Sandbanks and Christchurch, but increasingly Cherries, as we are known, travel in from suburbs like Southampton and even rural Wiltshire.
The club was founded in 1899 by a man called Charles, as Boscombe Coal Miners Athletic, and we swum around in the lower depths of the Bournemouth and District League, then various regional divisions, the clubs fortunes depending largely on the skill of canaries and underground safety equipment.
The club's main claim to fame was, when managed by Harry Redknapp, we managed a dramatic victory in the FA Cup over a Portsmouth team managed by Harry Redknapp's dog. This famous cup run was ended in the next round by Harry Redknapp's Spurs.
In recent years, substantial investment in large SUVs, corrugated iron stands with eight rows of red plastic seats, and some decent players have led Bournemouth to the portals of the Premier League and its huge stash of roubles.
We appreciate that supporters of other Premiership clubs have never been to the dark, Satanic mills of southern Dorset before, and so we provide this helpful guide to your special 'Wembley' day on the south coast. As long as you are not Yeovil scum.
"милости просим to Bournemouth!" as we say in eastern Dorset
At the ground
Visitors will be in the East Stand, now the "Vasily Kalinnikov Biological Detergent Stand" or in the South Stand, sponsored as ever by the Северный флот, the Russian Northern Fleet. Pies, blinis and alcohol-free vodka are available at Gennady's Burger Bar in the back of the stand.
Away supporters found in the Edinburgh Woollen Mills North Stand will be ejected from the ground. Incidentally, this is the only stand in the Premiership fitted with stairlifts on every aisle.
Sales of our matchday programme "вверх!! вперед!!" ("Upward!! Forward!!") and Argumenty i Fakty can be bought from our young patriotic comrades outside the ground, along with current and back issues of "Range Rover World".
Thermos flasks of Dorset tea and tartan rugs may be rented from the back of the Croquet Stand for £10, and between December and January, when temperatures fall below 21 degrees C, fur stoles and vaping samovars can be hired from the same venue.
Bournemouth supporters have only the one song, but feel free to sing along. The words are "Ты вообще кто? Ты вообще кто?" repeated slowly and constantly. Small cheeky Bournemouth tykes will run to the front corner of their stand and beckon you towards them with the charming cry of "Давай потом, если вы достаточно трудно!", which roughly translates as "Welcome to Bournemouth, strange foreign visitors from up north somewhere!"
Getting to the ground by car
Best coming by the M3 and M27 West unless you have a week to spare getting through the reams of shoppers, Japanese tourist coaches, cattle trucks and garden centre vans on the Salisbury ring road and then the 157-year-old drivers tooling round the New Forest in maroon-coloured 52 reg Rovers.
You can park pretty much anywhere you like at Dean Court, but we request you don't block the fire exits from any of the stands. There are two valet parking spots and 'Mother and Russian Billionaire' spaces available.
Several years ago, the supporters of one club came on a coach and this caused a lot of problems in the cul-de-sac, and several hybrid tea rose bushes were damaged. So sorry, but no coach parties.
Getting to the ground by train
You can travel to Pokesdown Station direct from Bournemouth, Christchurch and Hinton Admiral without changing. Otherwise, it is a life-changing trawl from London through endless, endless Surrey suburbs and the washed out palor of 1930s Southampton and then "Holy Mother of Jesus is it still another fucking hour to go?"
Most trains have a buffet cart but note that the sell-by dates usually expire by the time you reach Basingstoke.
Second class seating is also available for those with less money.
Getting to the ground by sea
AFC Bournemouth has its own ferry terminal for passengers coming from the Channel Islands. We understand that Bergerac is a fan.
Yachts may be moored by Harry's house and a fiver will secure the services of his dog to guard your 75' Sunseeker for the afternoon.
Local pubs
Bournemouth has a pub, but we are not sure where.
Local tea rooms and independent coffee shops
Bournemouth has the highest concentration of doillies, porcelain teacups and pointless distressed grey John Lewis home decorations in the Western hemisphere, and the away supporter will have an enormous selection of teas, scones, cakes and pastries to savour while discussing the finer points of Dorset's Jurassic Coast.
Not all tea rooms and cafes will allow away colours though, and many have shipped in strangely ugly but deceptively cheerful bald bouncers from London to keep undesirables out (like Yeovil scum and those wankers from Frome Town). You may be allowed in for a small pot of Jasmine Tea (but not Yunnan Pu'er Tea…this isn't fucking Brighton!) or Earl Grey if you agree to cover up your scarf or shirt.
If you wish to buy a souvenir of your visit to Bournemouth, regrettably we do not have a shop yet, but we have a branch of House of Fraser in each stand where you can buy embroidered Cherries cushions (after JMW Turner) and framed prints of Eddie Howe (as painted by Salvador Dali in the form of a blonde tennis player scratching her arse).
If you wish to buy a player as a souvenir of your visit, rather than a Dean Court snow globe, please enquire direct to the club secretary. We often have discounts on bundles of three (or more) of our poorer players for the benefit of Brendan Rogers when he is visiting. This worked well at our feeder club, St Marys Saints.
Sadly, there are a number of hoodlums who follow our great team. Please do not confuse them with our contracted stewards hired from the Russian Special Forces with their orange high-vis vests, or the Dorset Constabulary, recognisable by their flashing lights and sirens, their constant rushing around talking about 'shouts' and 'blues and twos' and 'keep 'em peeled' and looking really important.
Please do not mess with the Brockenhurst Ultras, a fairly vicious gang of rather middle-aged supporters, who have been known to ambush away supporters in local garden centres and mock them over their choice of early potatoes, peonies or cardigans.
There's also the Pokesdown Massiv and Dem New Foresters, gangs of hardened, feral bell-ringers and community transport volunteers. Their modus operandi is to engage people in conversation about CRB checks, low sulphur diesel and the writings of Thomas Aquinas until the visiting fans expire.
Any visitor wearing a "I lost my Cherry in a Pokesdown minute" T-shirt will be asked to leave the ground.
Finally, please inform a steward or the police office if you see one of the rather infamous Dorset Politicians, a small but nasty group of balding, earnest 40-something men wearing slacks and Barbour shirts with a green tie and a blue rosette, guffawing about the price of barley and hedge fund structures. All are serving five-year bans but have been seen in the streets of the county recently.
We do hope you enjoy your visit to Dean Court, the Dorset Nou Camp, where Russia met net curtains and decided to stay on. And where even the dog has an IFA.
Reactions: AnkleBiter and Mr Elmo
AFCB_Mark
A single unitary authority for urban Dorset
Your attention to detail is splendid Herts! If I may say, the inside of your mind must be a very interesting place indeed...
Reading this whilst supping a cuppa tea (Dorset tea, naturally) was going quite well, but I lost it at 'Mother and Russian Billionaire' parking spaces, because there is more than an element of truth to that.
Many a Cherry has been lost in Pokesdown that's for sure. The crazed bar woman in the pub by Pokesdown station has many a tale to tell.
One thing is certain, IF we were to get promoted, we would look so very far out of place. Sky will never have seen so many thermos flasks and tartan rugs in one place. As for those embroidered Cherries cushions you mention, I think they were mass produced in the old main stand in the 1970s, because many a disgruntled gentleman supporter would throw his cushion onto the pitch in disgust after a defeat.
Reactions: HertsWolf
AFCB_Mark said:
One thing is certain, IF we were to get promoted, we would look so very far out of place.
I think the two places I have most enjoyed in recent years have been Bournemouth and Swindon - both exceptionally friendly places.
I think you and Brentford will be massive additions to the PL, and will really sheik up many preconceived ideas about top flight football. Good to see your Eddie being rewarded again this morning too.
I know the bar opposite Pokesdown station... was there before and after the game!
Chasing Rainbows
York City
What is this "Premiership" you speak of?
Chasing Rainbows said:
It's the promised land. It's a place where the streets are covered in roubles and dirhams and where the football clubs are sponsored by airlines and unknown betting companies rather than the local Ford dealer and you get to sit down the whole match and you can't hear a word the players are saying to each other, and where famous players are smaller than they look on telly, but considerably richer, and you get to see yourself on telly when it's not Crimewatch. And shit.
It's also where you never get to play in trophies with the work "Paint" or "Van" in the title, and where if you get to Wembley you fill the stadium and not just the Tube station.
York? Yeh. Not much of a worry about it then, really. <sniff>. The trick is to see what the club name looks like in Cyrillic, change your strip to red to appeal to people in Asia, add a scary big animal as your nickname and put yourself into the Dubai or Moscow edition of The Northern Echo and hide the fucking racing pigeons. You don't seriously think a sheikh or an oligarch is going to bowl into town following a T reg Bedford truck full of Van Reets, do you? And lose the flat caps. Smarten the place up a bit. Make it look like a hotbed of organised crime and seedy gambling dens. Like Yeovil.
I don't think the Minstermen's going to do it for the big, fucking scary animal nickname though, to be fair. It sounds like a typo for a series of slightly creepy children's books. ("Hello! I'm Mr Relegation ho ho ho!"). How about The Red 888 Manchurian Tigers? It'd piss them off down the road, too. No downside (except add the word "Prawns" to the end and it makes you sound like a menu option). You might need a newer, bigger ground but given your place is about four times the size of Brentford, it should do.
Reactions: Viv Aldi
HertsWolf said:
You mean the "Premier League" then?
Reactions: HertsWolf and GodsGift
That'll be the one. Dorset Country Life, eh? Tsk.
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The appellation
Mâcon-Azé
Mâcon-Bray
Mâcon-Burgy
Mâcon-Bussières
Mâcon-Chaintré
Mâcon-Chardonnay
Mâcon-Charnay-Lès-Macon
Mâcon-Cruzille
Mâcon-Davayé
Mâcon-Fuissé
I – P
Mâcon-Igé
Mâcon-La Roche-Vineuse
Mâcon-Loché
Mâcon-Lugny
Mâcon-Mancey
Mâcon-Milly-Lamartine
Mâcon-Montbellet
Mâcon-Péronne
Mâcon-Prissé
Mâcon-Saint-Gengoux-Le-National
Mâcon-Serrières
Mâcon-Solutré-Pouilly
Mâcon-Uchizy
Mâcon-Vergisson
Mâcon-Verzé
Mâcon-Villages
Mâcon-Vinzelles
Mâcon-la-roche-vineuse
Coming from varying terrain, aspects, and elevation, the white wines of Mâcon-la-Roche-Vineuse present a range of profiles. While they are all accessible and instantly appealing, they can be very complex with their sustained yellow gold color. Aromas of vanilla and tropical fruit like mango indicate good maturity, underscored by an overall nose that is intense and fairly remarkable. After a forthright attack, one can appreciate a slightly honeyed length, but one without residual sugars that results in great fleshiness on the finish.
The reds are a sustained garnet color with hints of violet. They express fragrances of cherry jam and orchard stone fruit. Ageing in oak also brings a slightly toasted patina, making them more serious than joyful. Distinct but rounded tannins in the mouth indicate their keeping potential of two or three years.
An additional geographical denomination that is part of the Régionale Mâcon appellation in the Mâconnais.
According to the 2005 specifications rules, the name Mâcon-La Roche-Vineuse refers to white, red, and rosé wines grown within a defined area in the villages of Chevagny-lès-Chevrières, Hurigny, and La Roche-Vineuse.
At the southern end of this great valley, the vines of La Roche-Vineuse begin after those of Mâcon-Verzé. They then abruptly change direction soon after, heading southeast where the stream called Le Fil cuts through the mountains of the Mâconnais, and where they adjoin the first vineyards of the Saint-Véran, on the edge of the village of Prissé. To the east, the vineyards in Hurigny are scattered over the limestone hills, which are planted with Mâcon-Charnay-les-Mâcon to the south.
Renamed after the Revolution in 1793, the new name of "La Roche-Vineuse" was seen as preferable to "Saint-Saturnin". Other than its reputation for cut stone from the ancient quarries of La Lie, this hilltop village of Saint-Saturnin can lay claim to being one of the oldest written references to the noble grape varieties of Bourgogne. "There is a lot of rye, white wine, Gamay […] and Chardonnay of the best but in small quantities," reported the elected officials of the Mâconnais in charge of the redefinition of the royal tax base in 1685. Like a clear declaration of its strengths and vocation, the municipality then definitively adopted the name "La Roche-Vineuse" in 1908, by ministerial decree.
There are vines at between 260 and 350 meters above sea level in the large valley at La Greffière and Les Goutalles, while others grow on the slopes of La Rochette (425 meters) and the mountain of Montceau (334 meters). After the vines facing due east and due west, there are south-southwest facing vineyards open to the southerly winds. In Chevagny-les-Chevrières and Hurigny, more vines can be found either side of Mont Rouge (377 meters above sea level) at between 250 and 390 meters above sea level, at Les Charmes and Les Rousseaux.
Carbonate terrain from the Bajocian fossil bed (dating back 170 million years) with crinoidal limestone and limestone with polypier debris, with patches of iron that is good for growing the Gamay grape can be found symmetrically, on the western slopes of La Roche-Vineuse and Hurigny. On the steep south-facing slopes of Saint-Sorlin, the marl soil, which is visible in Chevagny, varies from west to east. The slopes of La Roche-Vineuse and Hurigny offer a combination of white-colored heavy marl and fine limestone from the Upper Jurassic, dating back 140-160 million years, with soils of varying depths on the upper parts of Somméré.
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I flew into Bali from Kuala Lumpur on what was a very turbulent flight. I got a bit braver than normal on the approach to Bali Denpasar airport and took some photos out of the window - very unusual for me to do that, but I did get some cracking photos of the mountains poking through the heavy cloud.
We circled a few times before we were able to land and then on the approach to the runway, I actually started to wonder where it was! For quite some time it looked like we were going to land in the sea!! Needless to say, we didn't. I went down the steps from the plane and was greeted by the most amazing sunset. Beautiful pink and orange skies.
I was out of the airport and in to my taxi within an hour of landing which was good going as the queue at passport control was enormous. The taxi driver set off on the journey to my hotel, the Abian Harmony Hotel, the traffic was horrendous! With cars and bikes in whatever lane the felt like, sometimes making their own extra lanes, it reminded me of Kathmandu but not as dusty.
After an hour I arrived at my hotel which was lovely, checked in and went to my room - it was enormous.
The next morning I decided it was time to post some of my belongings home as my bag was so heavy I was struggling to carry it. I packed up all the things I didn't think I'd need for the remainder of my trip and set off in search of DHL which wasn't too far away. I walked for about 45 minutes (having got lost a few times) and arrived at DHL to find it was closed so walked all the way back! At least walking around, I got to see a bit of Sanur and look out for some good places to eat and maybe pick up a few gifts.
I found a vegetarian restaurant on the main road just down from my hotel and ate there. Veggies and noodles and a drink. It was really good and really big! The bill arrived and it came to 65,000 IDR and I thought that sounded really expensive until I checked and lunch had just cost me £3.41.
went to meet my tour group in the evening. We met, did the normal exchange of travel insurance details etc. With our guide and an optional dinner. I skipped dinner as I'd found out earlier Elena, who was volunteering in Borneo at the same time as me, was in Bali so we arranged to meet up. It was so exciting to see her again and hear of her adventures thus far. A great evening with awesome food.
The next morning it was an early start with breakfast at 6:30 so we could be on the road to get the fast boat to Senggigi, Lombok where I'd be spending the next few days. I was actually quite surprised by how organised it all was with boarding passes etc. The boat journey across to Lombok was pretty good and we saw the volcano on Bali spewing ash out on the way which was spectacular. We arrived on the black sandy beach and collected our bags and headed for the coach.
plant pot on a wooden wheel, it literally took about 5 minutes and was pretty impressive. It was explained to us that most of the women in the village will make pottery and once a week they're able to fire the pots. There is only one kiln which is actually a fire pit and they take it in turns to use it. The fire is powered by coconut shells delivered by a local man on a moped who we saw arrive whilst walking round. The village sell all of their pottery through a local warehouse so it keeps things fair it's sold centrally. Some of the pots are sold across Indonesia and Malaysia. Following the tour, we went to our hotel for dinner.
Supplies for the fire have arrived!
of the mountains across the rice fields were so picturesque, it almost didn't look real. We watched as some workers in the fields were harvesting the rice, this was done manually. We were told by our local guide that they sometimes use a Japanese cow... machinery named as they're all made by Japanese manufacturers.
We stopped in a small village where we were able to try a cup of the local coffee which is strong enough to make you twitch! Cocoa beans, vanilla, cinnamon, chillis and macadamia nuts are also all produced here.
When we were finished with the walk, we returned to the hotel to grab our bags and drive to Labuan Pandan which would be a drive of a couple of hours.
was actually pretty impressed with the skill involved. To make some of the more intricate baskets or bags actually takes several weeks.
Leaving the bamboo weaving behind, we headed for Pringgasela - another local village where the speciality is fabric weaving. When at home, I have been to several demonstrations of factories with a loom and machinery to weave fabric. Walking through this village, I cam to understand just how painstaking manual weaving actually is. We were introduced to a couple of women sitting on the floor weaving fabrics, all of them differed, some were weaving special fabric with logos or symbols in, some plain, some with chemical dyes some with natural dyes. They each will create a 6m length of fabric to be used for clothing, table cloths, scarves etc. and at a minimum they will take in the region of 6 weeks to produce. Weaving is always down by the women in the village and girls begin to learn the skill from the age of 15. We went back to the main warehouse for the fabrics and had lunch whilst a few of the group tried on the clothing.
the short journey to my beach bungalow which would be home for the next 2 nights.


The IBIS curriculum consists of modules that cover foundational concepts in introductory biology. These concepts are taught in the order that is needed to address the problem(s) or question(s) of the framing scenario, rather than a conventional order that follows that of a textbook. In addition, many of these concepts are studied across modules, which provides opportunities for students to build on their knowledge and allows instructors to choose the order in which the material is covered (instructional scaffolding).
The IBIS lab curriculum emphasizes collaborative investigation. For each investigation, students are given some background information and a research question. In teams, students use these as a jumping-off point to generate a testable hypothesis, design an experimental protocol to test the hypothesis, conduct the experiment and gather data, and write a formal lab report based on the experiment — all during one or more lab periods. For students to be able to complete all of these tasks efficiently, we require students to complete some preparatory work (individually) before coming to lab. To assist in implementing the lab curriculum, we have worked with Undergraduate Peer Mentors as co-instructors during lab sessions. These Peer Mentors can also provide help in preparing students for lab.


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Gary L. Chambers
Garrett R. Chambers
Chantell Cervantes-Chambers
Thomas G. Chambers
Location: Santa Ana, California
Email Gary Chambers
A California native, Mr. Chambers was born in June of 1953. He received his undergraduate degree at the University of Redlands in 1975 and his Juris Doctor as Western State University in Fullerton in 1978, where he was included on the Dean's List his final year. Western State University currently has graduated over 11,000 attorneys into practice. Their Hall of Fame includes less than 100 of these graduates. Mr. Chambers was inducted in 1994 and is recognized as one of its most distinguished alums.
Regionally recognized he has spent a great deal of his personal time over the years protecting and advancing the rights of the injured victim in the California legislature by being an active member of the California Trial Lawyers Association, the Consumer Attorneys of California, the Orange County Trial Lawyers Association, the American Trial Lawyers Association, American Board of Trial Advocates, the Orange County Bar Association and Trial Lawyers for Public Justice. He served as President of the Orange County Trial Lawyers Association in 1990 and as Vice-President of the California Trial Lawyers Association in 1994, 1995, 1996 and 1997. He was also the president of the Orange County Chapter of The American Board of Trial Advocates (ABOTA) in 2004.
Mr. Chambers has tried cases in two different states, twenty different courthouses and in eight different counties throughout California during his thirty year litigation career. Willing to travel in pursuit of victim's rights he has been admitted pro hac vice and handled cases in Washington, Oregon, Nevada, Arizona and Hawaii. In 2001, for his continued representation of negligence victims, Mr. Chambers was awarded the Orange County Personal Injury Trial Lawyer of the Year by the Orange County Trial Lawyers Association.
Mr. Chambers is a frequent lecturer and author having given lectures and presentations for the American Board of Trial Advocates, California Trial Lawyers Association, the Orange County Bar Association, Orange County Trial Lawyers Association, the State Bar of California, the Consumer Attorneys of California, the National Business Institute and the University of California at Irvine. He has had articles published by the California Trial Lawyers Association, Orange County Trial Lawyers Association, Orange County Bar Association, National Business Institute and Bancroft Whitney.
Mr. Chambers holds the highest rating (AV) available by Martindale-Hubbell, has been granted "recognized experience" status by the California Trial Lawyers Association in the fields of Trial Lawyer, General Personal Injury, and Products Liability. He has been recognized in more than four Who's Who Lists including Who's Who in American Law. In September of 1999 he became Board Certified in Trial Advocacy by the National Board of Trial Advocacy, an honor which less than four thousand lawyers nationally have received. He was included in Martindale Hubbell-Bar Register of Preeminent Attorneys in 2005, and has been recognized as a "Super Lawyer" by Los Angeles Magazine in both 2006 and 2008.
Gary Chambers is married, lives in South Orange County and has four adult children. For four years he served as the Head Football Coach at Saddleback Valley Christian High School where his teams have compiled a 33 and 13 records and won four straight league championships. He was named Western Athletic Conference Coach of the Year in three of his four years.
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As 'near neighbours' Crossfields residents have been invited to comment on this application (which we last mentioned in September). All should have received the formal letter from Lewisham Planning for application DC/14/89953.
Mixed use development at Kent Wharf and 24a Creekside SE8 comprising the construction of three buildings ranging from 6 to 16 storeys incorporating balconies and terraces comprising 1,375 sq.m of commercial floorspace (use classes B1/D1/D2), 143 residential units (Use Class C3) public and private amenity space, together with associated landscaping, refuse stores, 184 cycle spaces, 3 car parking spaces, associated highway works and plant.
The illustration above shows the development in isolation to the other FOUR new towers planned for this end of the Creek (see below).
According to the Lewisham Planning Portal, the application from Bellway Homes was received by Planning on November 26th. A trick often employed by developers is to submit an application at Christmas time when everyone is too busy to notice or do anything about it. So we get a letter from Planning on 19th December with a deadline to comment by 8th January.
Of these 20 days, three are bank holidays – so that's really only 17 days. But worse still, Planning has not put up ANY documents related to this application. We called the planning officer in charge of it this morning to find out when the drawings and detail would be added to the website, only to be told he is on annual leave. One of his colleagues said the documents were being scanned and would be available to view tomorrow.
So, that brings the time for commenting down to 14 days. The same thing happened two years ago with the Faircharm development. On that occasion Lewisham Planning decided to extend the deadline (see our Jan 2013 post) – they disliked this application so much and requested so many revisions that the deadline was eventually extended till May. Long before that, they had attempted to mitigate the worst aspects of Workspace's plans by designating the area a Conservation Zone. Ultimately, they passed the application, claiming to be 'at the mercy of market forces'.
However, they have already been working with Bellway Homes on various aspects of the Kent Wharf site, so they are probably fairly happy with the application. Apparently at Lewisham's request, earlier versions of the development have altered so that the 12 storey tower originally positioned on the Deptford Creek waterside has moved to the road side edge of the plot. Four more floors have been added, which is presumably a compromise for either more affordable housing units, or for more space to be given over to creative business units / artists studios (which were lost in the Faircharm proposals).
Update 26 December: We received an email from the planning officer on Xmas eve stating that "the Council will be accepting comments after the normal 21 day consultation period for the proposals at Kent Wharf due to the Christmas period". The bad news is that there are now an extraordinary 81 documents associated with the application available to view on the planning portal!
As Kitewood's website / flyer states, this is in addition to separate proposals from Essential Living for Greenwich Creekside East. Apparently there was a public exhibition of their plans on 6th December but we were not informed about it – probably because, although it is practically on our doorstep, the development falls within Greenwich Council's remit. The exhibition boards can be viewed at www.greenwichcreeksideeast.co.uk and you are invited to let them know your views by emailing michaels@curtinandco.com (see the visual below).
Again, we are not shown a visual that shows all five towers of the three different developments all together – nor any view that includes the SIXTH tower a few blocks down (and much closer to Crossfields) that will be built at Faircharm.
The Deptford Dame has very recently posted about Greenwich Creekside East – essential reading on Essential Living's plans. And although all this stuff has been on the cards for some time, it is still rather shocking to contemplate the phenomenal changes that lie ahead! Crossfields is now a building site as MITIE proceed inexorably slowly with their 'Decent Homes' programme. It's unlikely to be finished before the end of summer 2015, by which time work may have finally begun at Faircharm. There is no escape! Merry Christmas!
Update Jan 25th 2015: See our detailed look at the Kent Wharf application to Lewisham Council here. Also see our notes on Creekside East and the live application to Greenwich Council for Greenwich Creekside East here.
They all look very exciting. Once the dust has settled (literally!), the area will be a buzzing. They've been a long time in coming, but I'm glad to see the area springing into life.
They don't look that bloody exciting. I sometimes think developers have a selection of 5 different styles and 5 different details packages and the whole building is designed on excel by accountants. Oh wait. I don't think that. I know it.
Agree with anonymous #2. That said, it'll look a damned sight better than currently, or any of the 90s buildings in the vicinity. It would be nice if some of these projects had more community and retail opportunities...to create a settlement for the residents...though I suppose it's all about buy-to-let.
@anon #1 you should get out more.
The 'wind effect' around these towers in winter will be bitterly cold!
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Paul O'Neill on the collective alternative to the romantic cliché of the lone artist, curator and critic
'SHUT THE FUCK UP!' shouts General Idea in its video mock documentary of the same name from 1985. Looking directly into the camera, three young artists AA Bronson, Felix Partz and Jorge Zontal continue their rant: 'I am not going to be a media whore, I won't play bad guy to your good guy, boho to your bourgeoisie, we are supposed to be romantic, untamed, while our artworks are slipped back into the marketplace, blue chip investments for level headed fetishists ... I'd like to paint them into a corner, I am not going to shit on a canvas and they'll call it art, it doesn't matter what they are saying as long as they are talking ... no matter what they will dress you up ... do you get the picture, do you know what to say, SHUT THE FUCK UP!'
General Idea's high camp critique of the art world, the mass media and its clichéd image of the unique artist is a still timely reminder of the ever-increasing power of the contemporary art market, but it also serves as an indicator of how little has changed since in relation to the historical institution of the individual producer – the artist, the curator or the critic. In its attempts to undermine the role of mediation within the art world, General Idea highlighted the art world's capacity, seemingly unaffected by such critiques, to maintain its investment in a falsified image of the creative individual. Recent labels such as 'biennial art', 'museum art' or 'art fair art' have also demonstrated how any art shown in a given context can be absorbed, sometimes intentionally, by the very conditions of their display – with the word 'art' regularly exploited by event organisers as a generic stand-in term for everything that is displayed under these circumstances. Concession is now made for interdisciplinary discussions, conferences and artist projects as integral parts of mega exhibitions and art fairs alike which accommodate the participation of less materialised and more discursive modes of group practice.
When Hans Ulrich Obrist remarked that 'collaboration is the answer but what was the question?' he was probably alluding to the necessary function of such questions as a means of sustaining his eternal interviews project; but equally he may have been thinking how collaborative practice is often reduced to the individual statement. Widespread interest in collaboration has led to an increase in the number of self-organised initiatives over the last few years, accompanied by a large number of survey exhibitions, publications and projects that have brought these group agencies together under a single rubric. In this context does any collective art project or group-work still have the potential to be subsumed in the same way as a self-contained artwork by a single author? When General Idea declared that working in a group had freed it from 'the tyranny of the individual genius', or when Art & Language described its output as having 'no grand oeuvre, unified by romantic personality', or Group Material made a plea for an understanding of 'creativity unrestricted by the marketplace or by categories of specialization', they were all expressing a common desire for an alternative to the autonomy of the artist, the curator and the critic. This leads to the question of whether a merging of people and practices can continue to offer any sustainable resistance to the cult of creative individualism, and whether the 'collective' might be just another marketable brand in disguise.
When I interviewed Bronson in 2005, he said that General Idea was modelled on the idea of a rock band. 'We thought of ourselves in really pragmatic terms as a group. I think if any of us had played instruments we would have formed a proper rock band. So we didn't think of ourselves as a collective.' Bronson suggested that there was a much needed distinction to be made between the liberating potentiality of a 'group', formed out of mutual friendship, and the restrictive structure of a 'collective', limited by certain ideological or organisational principles.
Underlining Nicolas Bourriaud's Relational Aesthetics was his portrait of a general shift towards group work, polyphonic exchanges and multiple practices that had gathered momentum from the late 60s onwards. Although Bourriaud dedicated a whole chapter to the legacy of Felix Gonzalez-Torres and the influence of his distributional tactics on art of the 90s, his failure to highlight Gonzalez-Torres' involvement with Group Material was a serious oversight in this respect. Equally, the now familiar yet equally reductive Anglo-American critique of Bourriaud's analysis has also tended to ignore the momentum of this move towards collaboration, instead pitching individual artists against one another.
As a mutating collection of members active between 1979 and 1996, Group Material employed the process of exhibition-making as a space for potential political and social formation, with the exhibition form functioning as a shared site of participation among individuals, and the event of the exhibition enabling a further place for discussion and a social public forum. Exhibitions such as 'The People's Choice', 1981, subverted the manner in which the display of art had become standardised and how such formations were established. By interrupting the traditional museum/collection model, 'The People's Choice' presented material that was determined by non-professionalised cultural experts: locals were invited to contribute things from their homes to the exhibition on East 13th St, New York. 'Americana', shown in the context of their first institutional show at the 1986 Whitney Biennial, presented a salon des refusés of marginalised artists with socio-political concerns. Their work, set alongside products from supermarkets and department stores, broke the boundaries between 'high' and 'low' culture by questioning the function of cultural representation and hierarchies of cultural production, while 'Democracy' at Dia between 1987 and 1989 was organised as a cycle of discussion-led events and collaborative shows divided into four sections: Education and Democracy; Politics and Election; Cultural Participation and Aids; and Democracy: A Case Study. As one of the many founding members of Group Material, Julie Ault has most evidently continued its legacy by questioning the multiple roles of artist, designer, curator, writer, historian and editor in her numerous exhibitions and publishing projects, which have continually sought to reconfigure the past in the present. These have included essential publications such as Alternative Art New York 1965-1985, 2002, and Come Alive: The Spirited Art of Sister Corita, 2006. In addition to which there is her ongoing artist-collaborations with Martin Beck, the latest of which, 'Installation', 2006, at Vienna Secession, utilised Gonzalez-Torres' series of photographs 'Untitled' (Natural History), 1990. The titles from this – Patriot, Historian, Humanitarian, Author, Conservationist etc – were deployed as a way of reading or classifying the exhibition material that coincided with the publication of the Gonzalez-Torres catalogue raisonné edited by Ault. All of these projects examined the complexities of classification, conventional display and the difficulty of transcribing any fixed notion of alternative history with a consistently collaborative approach to exhibition-making.
The significance of both Group Material and General Idea as precedents for a current trend towards group work was highlighted when they were selected as part of 'Collective Creativity' at Kunsthalle Friedericianum in Kassel in 2005. This exhibition and its supporting publication posited the view that all creative work was already collaborative, at least in principle if not in name, while evidently articulating group work as some form of resistance to the dominant, market-driven model of production already supported by our existing sociocultural institutions. The curators of the show, Zagreb-based curator collective WHW/What, How & for Whom, called for greater visibility of group practice over the years, with all collective work put forward as the results of alternative forms of sociability – even if their objectives fail to have any lasting effect beyond the social subsystem that is the art world. 'Collective Creativity' documented historical avant-garde models such as Dada, Surrealism, and Fluxus alongside an eclectic mix of recent and contemporary group activities from Europe, Eastern Europe, Latin America and the US. As such, the project reflected on a wide variety of heterogeneous approaches to multiple authorship across social, cultural and historical divides. WHW presented the project as an act of kinship, a show of solidarity with the general spirit of the collectivism shared by many of the assembled exhibitors, for whom joint work provides a potentially utopian space for co-productive discourses.
'Collective Creativity' was an important survey. In their introductory essay for the catalogue, WHW declared that 'collective creativity' means 'collective power' that calls upon communistic forms of work and production for the good of the whole, where 'individual energies are bundled together in these collective works and common interests prevail or a shared result is achieved'. Herein lies one of its problems. The packaging of all these groups as a common 'collective' translates into a flattening-out of each specific group formation. Group Material becomes interchangeable with General Idea with Gilbert & George with IRWIN and so on. It was hard to avoid perceiving 'collective creativity' as representing a far too benevolent, and perhaps idealistic, view of group models of practice as a united collectivity. Surely what is common to each group is that they prefer to work with each other rather than with others. Why the need to quantify a collective connectivity?
The rallying cry for collaboration as a strategy for countercultural organisation has been a recurrent theme in recent exhibitions and publications. Among the most recent of these is: 'Be Marginal, Be A Hero', which began in January 2007 with Danger Museum, the first of five collectives to curate projects at Wysing Arts Cambridge over the coming months. Earlier examples include the exhibition and accompanying 'user's guide', 'The Interventionists: Art in the Social Space' at MASS MoCA that ran from May 2004, and 'Get Rid of Yourself' at Halle 14 and the ACC Gallery in Leipzig, Germany in July 2003, which attempted to map out common, autonomous approaches to societal relationships through gatherings of collective initiatives. Make Everything New: A project on Communism, 2006, edited by Grant Watson, Gerrie van Noord and Gavin Everall, is a Book Works publication which seeks 'to rescue communism from its own dispute' through collective imaginations, and Self-Organisation/Counter-Economic Strategies, 2006, which brought a range of texts and documented projects together as a toolbox for self-organised activities initiated by Superflex. With all this togetherness going on, it might be worth considering whether self-organisation can be seen as a disguise for just another model of self-enterprise, functioning as a self-help conduit to the market, rather than as an alternative model productive of social processes of communication and commonality based on shared exchange. Even a brief glance at these projects will reveal how ubiquitous certain collective and self-organised models have become right across the board.
After four decades of institutional critique, the prevailing image of the artist is still one that adheres to a vanguard position for the artist as autonomous subject – an individual author and/or producer of the unique work of art within the context of the institutions of art and beyond – with artistic and/or curatorial autonomy sustained throughout. In discussing institutional critique, it is hard to come up with a list beyond the established canon made up of the usual individual suspects, whether it begins with Michael Asher, Marcel Broodthaers, Daniel Buren or Hans Haacke or ends with Mark Dion, Andrea Fraser or Renée Green. Might we consider General Idea or Group Material as part of a parallel history of institutional critique of individual creativity? Equally, if we consider how much curatorial practice has been collaborative over the last decade, we still have more of an understanding of who certain curators are than what they actually do, which may also be the result of celebrity culture and the popularisation of art as part of the global entertainment industry. This is in spite of what I would call 'the Obrist paradox' whereby the most visible curator of the last decade, Hans Ulrich Obrist, has curated almost all of his projects in collaboration with others. So it is worth asking whether we are finally beginning to see a noticeable paradigm shift in recognition for the collective as a now dominant, and no longer merely emergent, paradigm of the moment. Is all this interest in the 'collective' merely a fleeting attraction or a more genuine falling out with the cult of the individual producer? Are we witnessing brief love affairs or committed partnerships?
Returning to General Idea, it may be possible to shed some light on the matter. Felix, June 5, 1994, 1995/1999, was its final collaborative work. It is a large public billboard depicting a scaled-up image of Felix Partz laid out in his bed – eyes wide open, unable to shut, his skeletal face looks down from a height up above. Surrounded by his most beloved possessions, he is wrapped in multicoloured bed-clothes, his head resting upon a bright yellow pillow. His favourite shirt is buttoned right up, covering his body, emaciated by the illnesses that have brought about his demise. It is a beautiful, yet unsentimental picture of death. An image of a lost friend, taken by AA Bronson, it reminds us that the foundation of any group creativity is the common bond of friendship. Felix, June 5, 1994, acts as an emotive signifier for all group work. It tells us that all groups are made up of individuals who happen to believe in art, who like working together and who sometimes even love each other. Maybe, unintentionally, or perhaps unwittingly, it also shows us how much some of us would rather not go it alone.
WHW/What, How & For Whom collective is included in 'Société anonyme', Frac Île-de-France, Paris March 15 to May 13 2007. AA Bronson is among the guest curators of this year's Oberhausen Short Film Festival, May 3 to May 8 2007.
Paul O'Neill is an artist and curator. His edited anthology Curating Subjects is published by de Appel and Open Editions.
First published in Art Monthly 304: March 2007.
Art Monthly 304: March 2007
>>Full contents list
Crip Time Dec-Jan 21-22
Martin Herbert is challenged by MMK Frankfurt's ambitious exhibition of disability-related art
Letter from Naples November 2021
Mark Sladen encounters a chilling new film in a city where edgy art has long been welcome
Trouble In Outer Heaven: Portable Ops Plus October 2021
Martin Herbert stalks through a chilling alternative sci-fi realm that is nevertheless eerily familiar
Tino Sehgal at Blenheim Palace September 2021
Adam Heardman witnesses an encounter between relational aesthetics and rarefied pomp
Leah Capaldi: Big Slit Jul-Aug 2021
Cherry Smyth finds herself alive in the livefeed
>>Read more articles
Deep Time Dec-Jan 18-19
Rob La Frenais on art that might outlive the human race
Activism as Art June 2019
Activism is not an add-on says Tom Snow
Remote Viewing June 2020
Morgan Quaintance argues that it is time to rethink how artwork is distributed online
Jared Pappas-Kelley: Solvent Form – Art and Destruction March 2019
Michael Hampton explores Jared Pappas-Kelley's idea that art is revealed through its destruction
Art v the Law February 2010
Colin Perry discusses protest art that uses the law as an artistic medium
>>Read more from the back catalogue
Alberta Whittle: RESET
Harvey Dimond explores the historical resonances of this slavery-referencing artwork made during a suffocating pandemic
Together, Alone: Watching Sandra Lahire in Lockdown
Rachel Pronger discovers in earlier experimental films a familiar tension between the social being and the individual body
Lutz Mommartz's Own Private Idyll
Mimi Howard finds that there are oblique ways to engage with tumultuous times
Image Abrasion
Cassandre Greenberg considers Derek Jarman's Blue as a celluloid artefact in an age of portable digital media
Patrick Staff: On Venus
Laura Jacobs on hostile environments, both social and natural, in Patrick Staff's 'On Venus' exhibition
Bank – Basement – Becker
Adam Hines-Green on the expression of horror through both fiction and reality in the LA video art of Julie Becker
A Long Shot
Dan Ward on artists's attempts to slow the viewer
Heat Sensitive?
Lauren Houlton on Richard Mosse's 'Incoming'


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Edison's pachydermal AC/DC stunt
If you're still sad about the Coney Island revamps and Astroland's swan song, here's something to rub in the melancholy a little. Last week, Wired commemorated January 4th, 1903, the day Thomas Edison decided he needed to electrocute an elephant to prove his point: that DC was superlative, AC atrocious.
Edison had established direct current at the standard for electricity distribution and was living large off the patent royalties, royalties he was in no mood to lose when George Westinghouse and Nicola Tesla showed up with alternating current.
Edison's aggressive campaign to discredit the new current took the macabre form of a series of animal electrocutions using AC (a killing process he referred to snidely as getting "Westinghoused"). Stray dogs and cats were the most easily obtained, but he also zapped a few cattle and horses.
Edison got his big chance, though, when the Luna Park Zoo at Coney Island decided that Topsy, a cranky female elephant who had squashed three handlers in three years (including one idiot who tried feeding her a lighted cigarette), had to go.
Other elephant burial grounds here.


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Struggling Bulldog offense looking for breakout game against LSU
By Kirk Michelet | October 18, 2018 at 11:45 AM CDT - Updated October 18 at 8:49 PM
BATON ROUGE, LA (WAFB) - No. 5 LSU will face a stiff test Saturday night against No. 22 Mississippi State.
The hungry Bulldogs (4-2, 1-2) are looking for a signature win against the Tigers, while fixing an offense that has struggled mightily in conference play.
🔥 up.#HailState🐶 pic.twitter.com/YxOD54h4YP
— MSU Football 🏈 (@HailStateFB) October 18, 2018
This State's two losses against against ranked teams, Kentucky 28-7 and Florida 13-6, the offense led by Nick Fitzgerald has struggled to get into the end zone.
Miss. State is dead last in the SEC in scoring (12.0 points/game) and total offense (273.7 yards/game).
The rushing offense, led by Fitzgerald and Kylin Hill, is No. 7 in the conference.
This season, Fitzgerald has rushed for 513 yards on 98 carries (5.2 avg.) and seven touchdowns.
Hill has 68 carries in six games for 474 yards (7.0 avg.) and three touchdowns.
Fitzgerald has struggled in the passing game (last in the conference), completing only 61-of-123 passes (49.6%) for 709 yards and four touchdowns.
Osirus Mitchell and Stephen Guidry lead the team in receiving.
Mitchell has 13 receptions for 248 yards (18.6 avg.) and two touchdowns.
Guidry is averaging 19.2 per catch and has one touchdown in six games.
Miss. State did enjoy success against out-of-conference opponents Stephen F. Austin (63-6), Kansas State (31-10) and ULL (56-10).
A win against LSU Saturday night in Tiger Stadium would give the Bulldogs needed confidence with Texas A&M and Alabama still on the horizon.
Kickoff is et for 6 p.m. and the game will air on ESPN.
Copyright 2018 WAFB. All rights reserved.
Kirk Michelet
Digital Content Contributor
Kirk supervises the News Operations Department, designs daily news graphics, is a sports contributor for the digital content department and assists other Raycom Media news stations in Louisiana, Texas and Mississippi with their Chyron system.
SEC Media Days features Alabama, Arkansas, Miss. St., and SC on Day 3
Alabama, Arkansas, Mississippi State, and South Carolina are appearing for interviews on the third day of SEC Media Days in Hoover, Ala.
Josh Auzenne
Both head coaches for Texas and Texas A&M made it clear this week that the rivalry game between the two schools could come back.
SWAC Media Day: Southern picked to win SWAC West
Josh Auzenne and Steve Schneider
SEC Media Days 2019 continues with Georgia, Ole Miss, Tennessee, and Texas A&M on Day 2
LSU QB Joe Burrow, RB Clyde Edwards-Helaire named to Maxwell Award Watch List; Burrow also named to O'Brien Award Watch List
Amanda Lindsley and Josh Auzenne
LSU S Grant Delpit, CB Kristian Fulton named to Bednarik Award Watch List


Thank you for honoring marriage with your financial support!
Click on the photo below to become an Annual Marriage Builder!
Why Donate to United Marriage Encounter?
UME has traditionally relied on weekend contributions with a "Pay Forward" financial model and will continue to do so. For over 40 years this financial model has allowed the ministry to provide weekends to couples regardless of their ability to pay the cost. As a primary CORE value, the ministry will continue to use this model supplemented by the members through our Annual Marriage Builders program.
UME also is one of the few non-profits that has 0% Administrative Cost due to the insightful and visionary leaders in the past.
Any married couple, regardless of age, length of marriage, or faith that will allow God to work in their marriage will find great benefits from a United Marriage Encounter Weekend. Our Weekends are non-denominational but Christ-centered. The ideas and methods you will learn have proven to start a transformation in couples. For some it is an awareness of God's plan for them, for some it is a calling, and yet for others it a transformation back to earlier romance and friendship. Come see what kind of transformation God has planned for you.


Already one of the biggest names in the sneaker game, the NMD R1 is back with two new colourways – and is sure to become one of the most copped creps of the year so far.
The new drop follows an already huge period for adidas and the NMD, after it fast became one of the best-selling sneakers of last year, further cementing the brand as one of the top players when it comes to incredible creps.
After first launching in late 2015, the NMD has been released with countless colourways and collabs, with most of their launches selling out almost instantaneously.
These new editions are as bold as they are bright, with a vibrant Core Red and Mystery Blue being the main focus throughout the designs.
The silhouette follows the exact same formula as previous releases, with the mesh upper sitting on a white Boost sole, while still featuring those unmistakable EVA foam blocks and heel pull tabs that make the NMD one of the most recognisable sneakers of recent years.
Set to drop this Wednesday (01/03/17) at 8AM, make sure you hit up Footasylum to cop yours.


FRANKFURT (Reuters) - Commerzbank's chief executive believes a strong and focused investment bank would be a good addition to the lender, according to a person familiar with his thinking on Friday.
The person, speaking on condition of anonymity, revealed Chief Executive Officer Martin Zielke's thinking as Commerzbank talks about a possible merger with Deutsche Bank , which has a sprawling global investment bank.
Separately, Zielke promised employees on Friday a quick decision on whether to go forward with the merger, according to a memo seen by Reuters.
"I can promise you that we will strive to keep this period of uncertainty as short as possible and we will work hard to ensure that a decision is reached soon," Zielke wrote.
Zielke said Commerzbank had a clear idea of how it could develop business in a sensible way. "This is the reason why we are in conversations with Deutsche Bank," he said.


Q.) So, you just graduated in December as a 2nd Lieutenant from the United States Air Force Academy, finished your college football career in a bowl game, and are taking a logistics position at MacDill Air Force Base in the Tampa, Florida area. While that is all very exciting, I really just want to know if you will be driving a Sea Doo to work every morning like your father said.
A.) Nothing is out of the question (Laughing)... Although I would love to do this, I'm not quite sure it's my best idea. But it is a done deal that most days after work I will have a jet ski to be on and take around.
Q.) I know that you have expressed interest in playing in the NFL. Where do you go from here? Pro day, agents, try-out's, the whole nine-yards?
A.) From here, I continue to get my body right and when I get settled down in Tampa I will reach out to work with people. This will include getting bigger, stronger, faster, as well as learning the new position of slot receiver. I will need a lot of time to run routes and catch balls.
Q.) The rigorous schedule at Air Force can be grueling for even the most disciplined student-athletes. Was there ever a time that you wanted to quit, and if so what drove you not to?
A.) Many times I wanted to quit and come home or go somewhere else. I am a firm believer that everything happens for a reason, and I just kept getting reasons that made me stay. I also knew that football will one day end and the Academy is a good stepping stone in the direction of where I want to end up in life. The people I knew and met were also huge contributors to the reasons I stayed.
Q.) I'm sure some of our younger readers (ok, me too) would like to know if you have ever flown a fighter jet? If so, which one(s)?
A.) Wish I could say that I did, but no. I have only flown in gliders out at the Academy. Although they are only gliders, you do still catch G's in them in a free fall.
Q.) Growing up with a grandfather that served in WWII we always watched the service games, but I caught myself watching more Air Force games this season than <cough> Ohio State games. Aside from wanting to watch you play I appreciate the pageantry, passion and pride that go into the service football games. What was your favorite aspect of the service games that you have played in?
A.) My favorite aspect would have to be that they were always unbelievably competitive games. No matter the score or outcome, every player for each team was out to play their best and hit as hard as they could. It was a brotherhood vs. brotherhood type game, and what I loved so much was that it was much more than just a football game to so many people.
Q.) You and your teammates won the Commander-in-Chief's trophy twice during your career at Air Force. I imagine you and the President are good friends by now. Did you have an opportunity to personally meet him and what was that experience like?
A.) I did have the opportunity to meet the President. However those trophy presentations are pretty short so I was only able to shake his hand and say a brief thank you. It was unforgettable to be in the White House and having the President an arm's length away talking about your team.
Q.) How do you feel that Hilliard football has prepared you for where you are today?
A.) It prepared me immensely. My coaches and type of competition I played here while I was a Wildcat allowed me learn how to handle pressure, play in big time games. On top of this, going through the Davidson program I grew so much physically, and mentally in concern with the game. Coach White also made us all pretty tough which I am grateful for. With all this said, my father is still the one I learned most of what I know about the game, and he single handedly prepared me the most for where I am today.
do you have a favorite story from your time in Optimist?
us to the next level. They put all the right players in the right positions and gave us schemes that would seem impossible to use in youth football. My favorite story would have to just be playing all those games with my best friends, playing offense, defense everything.
Q.) What is your favorite Hilliard football memory, excluding your state championship?
much hype and anticipation, such as winning against (nationally ranked) St. Joes in Herbstreit Classic. Also, I would have to say scoring my first touchdowns in our homecoming game my sophomore year. Scoring in that game, in front of a huge home crowd and that feeling of being on cloud 9 was amazing.
A.) I would just have to say you should never let your best day be behind you. Find out who you are as a player and person, decide where you want to be and then get there by any means necessary. There is no magic formula for success in HS football, work hard and be great at what you do as a program. And lastly, enjoy every minute of it. To this day, HS football is some of my best memories!


I have a question about a possible scam I have seen on Craigslist. If you could advise me I would appreciate it very much!
A guy wants me to write an article daily. He'll take full rights and he sells articles to other sites. And, he says he'll pay me in a week. I requested a retainer but he declined. He hasn't asked to see any of my work. And, he says he'll pay me $800 a week. That's like over $0.10 a word, which is a lot as far as I know. He hasn't asked to see any kind of freelance contract, or anything.
Is this a scam? My gut says scam. Please advise. Thank you, thank you.
You are wise to be wary. If this is an ongoing job, he should NOT balk at your request for a down-payment – say, half what he'd owe for the first article.
If you are willing to take a risk, write one article for him only. Then, wait until you are paid in full before writing the next.
What indicates to me that it's probably a scam is because 1. he didn't request writing samples from you, and 2. he didn't provide a contract. Never, ever, ever write without a contract, even if you do plan to write just one article for him as a test.
Unfortunately, if he's located overseas (he can fake his IP address, and claim he's in the U.S.), it will be virtually impossible to collect if he's scamming you.
Remember, if it smells like a scam, it very likely is.


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Sheriff's Office, FBI investigate another threat at Summit Middle School
FRISCO — The Summit County Sheriff's Office responded to a threat Tuesday afternoon at Summit Middle School in Frisco, though officials say there is no ongoing threat to safety.
Sheriff's Office deputies, Summit School District officials and the Federal Bureau of Investigation are working to investigate the threat, according to a release from the Sheriff's Office. Extra security measures have been put in place at the school, including an increased law enforcement presence.
"The Summit County Sheriff's Office takes all threats to the community seriously," Sheriff Jaime FitzSimons said. "At this time, we have no reason to believe there is a security or safety risk to students, staff or facilities. I encourage families to continue to talk with their children about safety and the importance about reporting any concerns promptly to parents, school officials, law enforcement or Safe2Tell Colorado."
This is the second threat local and federal law enforcement officials have responded to in less than a month. On Sept. 20, the Sheriff's Office and FBI also began investigating a threatening social media post discovered by students at the school.
Students or concerned residents can reach out to Safe2Tell — the state's anonymous tip line — at 877-542-7233, at Safe2Tell.org or on the Safe2Tell smartphone application.
Heidi McCollum sworn in as 5th Judicial District's 1st female DA
Lesh wants trial for alleged abuses of Hanging Lake, Keystone
Summit County Rescue Group launches new fundraising campaign
Summit County Rescue Group saves stranded skiers, missing hiker in dangerous avalanche conditions
Multiple Positions at Town of Frisco in FRISCO
Year-Round Positions: -Police Sergeant (FT) $34.08 -Police Officer (FT) $26.75 Excellent benefits & working environment. Go to: www.friscohiring.com to apply…


Walt and Vicki Hart, members of the Oroville American Legion Hodges Post 84, demonstrate how to fold an American flag, while Richard Henneman explains what each fold represents to a Veterans Assembly held at Oroville High School at Coulton Auditorium. The assembly was organized by teacher Tam Hutchinson's Senior Political Science class.
A Veterans Day Assembly held at Oroville High School's Coulton Auditorium was presented by Tam Hutchinson's Senior Political Science Class. It began with Zoe Whittaker-Jameson welcoming all to the assembly and Narya Naillon giving opening remarks "For the Land of the Free and the Home of the Brave." Naillon also sang the National Anthem while a Color Guard from the Oroville American Legion Hodge's Post 84 presented the flag. The intro video "Some Gave All" was created by Jaxon Blackler.
Nayra Naillon also sang the National Anthem while a Color Guard from the Oroville American Legion Hodge's Post 84 presented the flag. The intro video "Some Gave All" was created by Jaxon Blackler.
Angela Cross' first graders sang "Grand ol' Flag" and members of the Legion held a Flag Folding Ceremony.
This was followed up by "Sing a Song of Peace" performed by the third, fourth, fifth and sixth grade choir.
The High School Band played "American Patriot Salute" under the direction of Eric Stiles.
The High School Choir performed "A Patriotic Festival" by Mark Williams. Narya Naillon and Zoe Whittaker-Jameson then presented a video, "A Tribute to Our Heros" featuring comments from students with relatives who served their country.


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February 26, 2016 4:52PM ET
Watch Fifth Harmony, Ty Dolla $ign 'Work From Home' in New Video
Plus, girl group has announced the title and release date for their sophomore album
Brittany Spanos
@ohheybrittany	Follow
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Fifth Harmony and Ty Dolla $ign take over a construction site in the sexy clip for the pop group's new single "Work From Home." The track appears on their forthcoming sophomore LP 7/27, set for release on May 20th.
Director X helmed the clip that features 5H seducing construction workers building a house. The group dances in and around the house and are later joined by the rapper, who most recently appeared on Kanye West's The Life of Pablo.
Fifth Harmony's Lauren Jauregui spoke with Rolling Stone about the filming of the video and how the group instantly "vibed" with Director X. "He's such a cool person," she said. "He came into the room while I was getting my make-up done and gave me my numerology and told me what it means and what cycle I'm in. It really actually helped me clear my head a little bit."
Their upcoming LP 7/27, the group's follow-up to their 2015 debut Reflection is named after the day Simon Cowell put them together on The X Factor. As a double-meaning to the numbers, Jauregui revealed to RS that the reference to a 727 jet also indicates how they hope to "take off" with this new album.
In This Article: Fifth Harmony,	Ty Dolla $ign


Only losers complain about the bad luck and blame "outside factors" for their own failures. The thing is I cannot see who and with what tricks someone could make a profit last night in English games. Which is a very good sign my judging became terrible wrong. I'm facing so big crisis first time in my life and currently I'm only wasting my and money of the others. Only way out which I see is (to force myself) to make a break from betting. One weekend at least. It will be the first one in last 10 (or so) years I won't make a single bet.
Thanks for visiting, sorry for the bad picks, I'll be back soon.


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using Microsoft.Extensions.Logging;
using NBitcoin;
using Stratis.Bitcoin.Consensus;
using Stratis.Bitcoin.Features.Consensus.CoinViews;
using Stratis.Bitcoin.Features.MemoryPool;
using Stratis.Bitcoin.Features.MemoryPool.Interfaces;
using Stratis.Bitcoin.Features.Miner;
using Stratis.Bitcoin.Features.SmartContracts;
using Stratis.Bitcoin.Features.SmartContracts.PoA;
using Stratis.Bitcoin.Mining;
using Stratis.Bitcoin.Utilities;
using Stratis.SmartContracts.Core;
using Stratis.SmartContracts.Core.State;
using Stratis.SmartContracts.Core.Util;

namespace Stratis.Features.FederatedPeg.IntegrationTests.Utils
{
    /// <summary>
    /// Exact same as FederatedPegBlockDefinition, just gives the premine to a wallet for convenience.
    /// </summary>
    public class TestFederatedPegBlockDefinition : SmartContractPoABlockDefinition
    {
        public TestFederatedPegBlockDefinition(
            IBlockBufferGenerator blockBufferGenerator,
            ICoinView coinView,
            IConsensusManager consensusManager,
            IDateTimeProvider dateTimeProvider,
            IContractExecutorFactory executorFactory,
            ILoggerFactory loggerFactory,
            ITxMempool mempool,
            MempoolSchedulerLock mempoolLock,
            Network network,
            ISenderRetriever senderRetriever,
            IStateRepositoryRoot stateRoot,
            MinerSettings minerSettings)
            : base(blockBufferGenerator, coinView, consensusManager, dateTimeProvider, executorFactory, loggerFactory, mempool, mempoolLock, network, senderRetriever, stateRoot, minerSettings)
        {
        }

        public override BlockTemplate Build(ChainedHeader chainTip, Script scriptPubKey)
        {
            return base.Build(chainTip, scriptPubKey);
        }
    }
}

redpajama_set_name: RedPajamaGithub


SAP Enterprise Support Academy provides Expert Guided implementations (EGIs) that support and guide you through your SAP S/4HANA adoption project. All SAP Enterprise Support and PSLE customers that are registered in SAP Learning Hub can use these offerings. For a greenfield implementation, the following selected EGIs will support you through the six phases of your implementation: Discover, prepare, explore, realize, deploy, and run.
The SAP S/4HANA Roadmapping EGI supports the Discover phase of your Digital Transformation project. This EGI explains the benefits and innovations of SAP Finance and SAP Logistics in SAP S/4HANA. With SAP S/4HANA Finance, you can create a common view of all financial and operational data, provide flexible, easily consumable reporting, automate processes—and instantly evaluate the financial implications of business options with real-time analytics, prediction, and simulation, all with a delightful user experience.
SAP S/4HANA elevates the supply chain from procurement to production with innovations and redesigned processes in inventory management, manufacturing, warehousing, sourcing and procurement, quality management, plant maintenance, and more, SAP S/4HANA transforms the SAP Logistics landscape. This EGI empowers customers with knowledge of the SAP Finance and SAP Logistics offerings in SAP S/4HANA so the benefits of moving to SAP S/4HANA today are understood.
SAP Fiori should be considered in the planning of any SAP S/4HANA project, as SAP Fiori is the default user interface for SAP S/4HANA. Therefore, it makes sense to understand the SAP User Experience (UX) Strategy and the SAP Product Road Map for SAP Fiori. The respective EGI helps participants to avoid common errors, and provides access to accelerators and resources to help them quickly realize the benefits of SAP UX technology for their business.
In the five-day EGI session about data migration, attendees will become familiar with the Rapid Data Migration Architecture and learn how to use different tools such as SAP Data Services for data migration, SAP Migration Cockpit including demo with example objects, and Guided Data Migration. Finally, the learners will know how to define their data migration strategy, including planning and resources, and will know about additional services available to them, which are included in the SAP S/4HANA Value Assurance Package.
SAP Best Practices for SAP S/4HANA are tailored specifically to accelerate and simplify the adoption of SAP S/4HANA for faster time to value, by providing pre-configured content for core business processes with role-specific, responsive, and a friendly user experience. In the EGI session SAP S/4HANA: Solution Activation with SAP Best Practices, participants will learn about general concepts of Best Practices and how to implement a business solution, such as finance, using the standard solution builder to setup a sandbox system. In addition, the expert will explain concepts of importing Best Practices using SAP Solution Manager 7.2 to accelerate the learners' SAP S/4HANA implementation journey.
The academy offers this EGI that aims at reducing time and effort for an SAP Fiori configuration. The expert describes the steps required to configure an SAP Fiori UX for SAP S/4HANA on-premise environment, using automated task lists to speed up configuration. Included are topics such as user role configuration, embedded search setup, Me Area, App Finder, SAP Easy Access menu configuration, as well as notifications and notification channel setup.
In the realize phase you build and test your entire solution environment, based on the business processes and requirements identified in the explore phase and captured in your backlog document.
In the first deployment EGI, SAP HANA: Monitoring and Troubleshooting, participants learn how to connect their SAP HANA database to SAP Solution Manager, including the configuration of root cause analysis tools, and technical monitoring for SAP HANA. The SAP expert explains all managed system configuration steps and guides the learners through the configuration process. In addition to that, the Advanced Database Monitoring EGI goes even further into SAP Hana Database Monitoring.
In the third deployment EGI, SAP HANA: Database Administration and Operations, participants learn how to administer and operate the SAP HANA database in a time-efficient and cost-effective manner. They will get to know the respective tools and be enabled to align their administration and monitoring procedures with other systems by means of SAP Solution Manager.
The SAP HANA: Make Your Customer Code Ready EGI provides basic knowledge on how to perform a code check review and it demonstrates how to evaluate the usage or coverage of an object and how to find it. The session also deals with methodology and tools, SQL performance guidelines, and some SAP HANA specific solutions.
An SAP system landscape supporting enterprise mobility in most cases consists of several components, including a web server for external access, a Mobile Enterprise Application Platform, a SAP NetWeaver Gateway, and the backend system. SAP Solution Manager offers several tools to manage these components. To enable customers to exploit the monitoring and analysis capabilities of SAP Solution Manager, SAP offers an EGI session. Participants not only learn how to record and analyze E2E traces for SAP Fiori user interfaces on any device, but also how to configure SAP Fiori Frontend Server and SAP Mobile Platform for operations in SAP Solution Manager.
when trying to open e.g. link "EGI SAP S/4HANA Roadmapping", it doesn't lead to a valid online learning.
Wolfgang Mayer The correct URL for this EGI is this . Let me know if it works for you.
To consume this Learning types, there are different ways: You may want to join the SAP S/4HANA Value Map which is included in the ES contract, which will provide with more content of this type (and other types as well).
Access to the SAP S/4HANA shortcut of the Enterprise Support Academy. This may be overwhelming as you will be flooded with lots of content for different deployment options, different project phases, different transition pahts..
For a more "structured" approach, you could register to the SAP S/4HANA Enterprise Support value map .


text:
Productivity and community structure of ectomycorrhizal fungal sporocarps under increased atmospheric CO2 and O3
Download PDF (440979)
Andrew, Carrie; Lilleskov, Erik A.
Ecology Letters. 12: 813-822.
Sporocarp production is essential for ectomycorrhizal fungal recombination and dispersal, which influences fungal community dynamics. Increasing atmospheric carbon dioxide (CO2) and ozone (O3) affect host plant carbon gain and allocation, which may in turn influence ectomycorrhizal sporocarp production if the carbon available to the ectomycorrhizal fungus is dependant upon the quantity of carbon assimilated by the host. We measured sporocarp production of ectomycorrhizal fungi over 4 years at the Aspen FACE (free air CO2 enrichment) site, which corresponded to stand ages seven to 10 years. Total mean sporocarp biomass was greatest under elevated CO2, regardless of O3 concentration, while it was generally lowest under elevated O3 with ambient CO2. Community composition differed significantly among the treatments, with less difference in the final year of the study. Whether this convergence was due to succession or environmental factors is uncertain. CO2 and O3 affect ectomycorrhizal sporocarp productivity and community composition, with likely effects on dispersal, colonization and sporocarp-dependent food webs.
Aspen free air CO2 enrichment; Betula papyrifera; carbon dioxide; ectomycorrhizal fungi; northern deciduous forests; ozone; Populus tremuloides; productivity; sporocarps
Andrew, Carrie; Lilleskov, Erik A. 2009. Productivity and community structure of ectomycorrhizal fungal sporocarps under increased atmospheric CO2 and O3. Ecology Letters. 12: 813-822.
Last updated on: July 7, 2009


How do I schedule a phone screen?
How do I find candidates?
How do I message a candidate?
How do I respond to a candidate?
How quickly do I need to respond to a candidate?
Can I use my email to communicate with a provider?
How do I review an application?
After a clinician submits an application, it can be hard to go back and forth deciding on a time to have a phone interview. Luckily, Nomad has a feature that makes scheduling a phone screen easier.
Immediately after a clinician submits an application, they will be able to select days and times they are available to have a phone interview. Their application and availability is then sent directly to you.
To view their availability and schedule a phone screen, log into your Nomad account and click the candidate's name. Then click "View Application." You can also go right to their application/availability by clicking on the "Schedule a Phone Screen" or "View Application" buttons on the new application notification email. Please note that a clinician's availability only extends for 7 days. After this period, you will not be able to see any availability, but you can always send them a message to schedule a phone screen.
Once on the application view screen you will be able to view all of the candidates details and application, and see when they are available to have a phone interview. To schedule a phone interview, select the times in blue that you would be available and enter your appropriate phone number. Then click the blue "Request Phone Screen" button. Make sure to review the time zone in the upper left corner when selecting a time.
Nomad will send a calendar invite to you and the clinician for an agreed upon day and time. At the time of the phone screen, UberConference will give you a call and connect you directly with the candidate. If something comes up, the candidate's phone number will be available in the calendar invite.
What happens when a clinician accepts an offer?


loan that fits you just right.
Applies to our Well Balanced home loan product.
Most other lenders have fairly rigid eligibility criteria and if you don't fit the mold, then you don't fit the loan. At Well, we've tailored home loans that can fit different situations.
Why choose a Well home loan?
What makes a well home loan fit just right?
Our rates start from some of the lowest on the market. And they're not just for those under 80% LVR!
Well home loans are specifically designed to help you save on interest and repayments.


text:
namespace app {
namespace Fuse {
namespace Triggers {

::uInterfaceType* IProgress__typeof();

struct IProgress
{
    void(*__fp_add_ProgressChanged)(void*, ::uDelegate*);
    double(*__fp_get_Progress)(void*);
    void(*__fp_remove_ProgressChanged)(void*, ::uDelegate*);

    static void add_ProgressChanged(::uObject* __this, ::uDelegate* value) { ((IProgress*)uGetInterfacePtr(__this, IProgress__typeof()))->__fp_add_ProgressChanged((::uByte*)__this + (__this->__obj_type->TypeType == uTypeTypeStruct ? sizeof(::uObject) : 0), value); }
    static double Progress(::uObject* __this) { return ((IProgress*)uGetInterfacePtr(__this, IProgress__typeof()))->__fp_get_Progress((::uByte*)__this + (__this->__obj_type->TypeType == uTypeTypeStruct ? sizeof(::uObject) : 0)); }
    static void remove_ProgressChanged(::uObject* __this, ::uDelegate* value) { ((IProgress*)uGetInterfacePtr(__this, IProgress__typeof()))->__fp_remove_ProgressChanged((::uByte*)__this + (__this->__obj_type->TypeType == uTypeTypeStruct ? sizeof(::uObject) : 0), value); }
};

}}}

#endif


Oriflame recently organised a super pampering session for the bloggers in Mumbai.Right from foot spa , groovy music, thirst quenchers, spicy bites and a stand-up comedy they kept us totally glued with their magic!
Relaxing Foot SPA by Four fountains SPA at Oriflame Party!
Oriflame has been a favorite with so many women across the globe.It is one brand which has created life-long customers with effective skin products over the years.
Luckily for me, it was the first time I got a chance to explore their Make-up line known as VERY ME.
It is a fun brand created speacially for the younger crowd.However, this also applies for the young at heart.
You can explore the entire collection on their website.
This is one magic wand.I have never tried foundations – yes never, as I have an oily acne-prone skin which is constantly under my dermatologists scanner.
Very me is not a typical foundation .It is a light blendable tinted moisturiser that instantly gives your skin a glow without being powdery.You have to try this to believe it!
Infact i would be publishing my pictures wearing this wonder product soon!
This is the perfect little thing for beginners.The colors are so pretty it looks like a natural flush.
Use the oriflame blush brush for application.Carry this eeny-weeny piece of beauty in your purse wherever you go so you are party ready !
I would like to make a special mention of their brushes which are so amazingly perfect for applying make-up.
Made from natural hair , these brushes make blending and application fun!
Priced reasonably for every girl's pocket they are not purse friendly but are good for storing in your home make-up kit.
So hit the next door oriflame consultant and grab your very me goodies now and tell us what you got!


text:
Lawrence Broomfield
singer - writer - teacher - conductor
Lawrence's wide performing experiences include everything from an appearance in Kenneth Branagh's film of The Magic Flute to working as a backing singer for Chris De Burgh.
His operatic roles include Commissionario (La traviata) for Mid Wales Opera; Ashmodeus in Jonathan Dove's Tobias and the Angel for City of Birmingham Opera; Figaro and Bartolo in Le nozze di Figaro(Crescent Theatre, Birmingham); and Seneca in Monteverdi's L'incoronazione di Poppea (Crescent Theatre, Birmingham).
Oratorio appearances include bass soloist in Mozart's Requiem with the City of Birmingham Symphony Orchestra; Fauré's Requiem at St John's, Smith Square, London; Duruflé's Requiem, Birmingham Festival Choral Society; and Handel's Messiah with Mid Wales Opera.
Musical theatre roles include Marius in Les Miserables (Adrian Boult Hall, Birmingham); Jesus in Godspell (Recital Hall, Birmingham); Raoul in The Phantom of the Opera (Manchester); and Paul in Kiss Me, Kate.
Recent concert appearances include the bass solo in Mozart's Requiem in London and Sheffield, and Vaughan Williams's Five Mystical Songs with the Aylesbury Choral Society.
Copyright © 2019 Lawrence Broomfield


Trading Update For The 12 Months To End March 2019 – Seems in-line with Revenue and Dividend growth just over 10%, Net Debt stands at £27.2m (lower than expectations).
Pity there's no mention of Profit/EPS here at all – I remain a cautious holder.
Trading Update For The 12 Months To End March 2019 – Expects to report CFD and Spread Bet Revenue down -37% on last year due to clients using more money for funding requirements.
I still see a little too much uncertainty here (in the sector in general, suspecting CMC or IG to win the long game here, not sure the winner though will be hugely profitable!).
Interim Results or The 6 Months To End January 2019 – Rather complicated but seems to be in-line to deliver on FY expectations.
I said this last time, it still seems relevant "In this environment that Net Debt (coupled with pedestrian growth (reflected in the PER)) means I will be keeping this on my Avoid list for now".
Results For The 12 Months To End December 2018 – Revenue up 5% but "Provisions of $13.4m made including a bad debt provision of $2.1m, onerous contract provision of $7.2m and impairment of the underlying asset of $4.1m, leading to an overall accounting loss of $12.6m". This year Q1 sales are up 246%.
I just don't understand these complicated results so I remain on the sidelines for now (it would go on my Avoid list but I like what they do here and see possible potential going forward).
Trading Update For The 12 Months To End April 2019 – Expects PBT to be slightly below previous guidance of £42m – UK challenging.
Not sure how much of a miss this is but it's enough to ensure I won't be going near the Buy button any time soon – Even with a 10% Yield!
Trading Update For The 26 Weeks To End March 2018 – Revenue flat.
Not much to go on here, certainly not enough to make me any more interested at present.


Welcome to Flashback Friday – Where we share previously published articles which were reader favorites. Hope you enjoy this Friday's article, originally published in 2013.
During my recent 4,000 mile Road Trip Adventure I visited quite a few interesting places. My stay on Sanibel Island in Florida was one of the more peaceful and laid back experiences of the journey. Of course, I always enjoy photography on my journeys and I take lots of equipment with me on my road trips. But in addition to all my high tech camera stuff I also have my trusty iPhone. Surprisingly, the iPhone is a fairly decent camera. Here are a few of my Sanibel experiences by iPhone.
Sanibel Island is known for it's miles of long sandy beaches. And if you like looking for sea shells – Sanibel is the place for you. Every morning walkers cover the beaches gathering up a wide variety of shells. Bending and stooping to examine shells is great exercise. But it can lead to a sore back – a malady known locally as the Sanibel Stoop. The photo above shows some walkers on the beach with one of the lighthouses in the background.
I drove my Road Trek to Sanibel. I set up camp at Periwinkle Park Campground which is a great spot with very nice and well maintained grounds and great services. From Periwinkle I mostly toured the island by bicycle.
The Lazy Flamingo is a great local restaurant located within easy walking distance of Periwinkle Campground. A great place for some local food and a brew or two.
I managed to eat several times at the Lazy Flamingo. I frequently had the mesquite grilled fish of the day. The freshly caught mesquite grilled grouper was really out of this world! Highly recommended!
Hope you enjoyed my version of Sanibel Island by iPhone. Sanibel is a great place to kick back, relax, and enjoy the sun and beach. De-stress, read a book, take a walk, ride a bike. Do some shelling. Enjoy some seafood. Life is good!
The Sanibel Experience ………….. Enjoy the Adventure!


text:
Q: Is there a way to control NPM scope permission on artifactory? Artifactory supports NPM by creating local NPM registries.
The typical way to manage the packages is using NPM scope.
The Artifactory administrator can control who can publish to the registries.
How can the administrator controls who can publish to a specific NPM scope?
Creating multiple NPM registries in order to manage permissions could lead to conflicts. For example:
Team A owns and administrate https://<artifactory>/api/npm/npm-x.
Team B owns and administrate https://<artifactory>/api/npm/npm-y.
Both Team A and Team B independency decided to publish some packages under scope @my-company.
Now Team C wants to use those packages from Team A and Team B.
They found that it is not possible because the resolution is ambiguous:
# .npmrc

# can not get package from Team B
@my-company:registry=https://<artifactory>/api/npm/npm-x

# can not get package from Team A
@my-company:registry=https://<artifactory>/api/npm/npm-y

# can it resolve correctly?
# what if both Team A and Team B publish a package named `@my-company/repo-scripts`?
registry=https://<artifactory>/api/npm/npm-virtual

A: This use-case can be solved either with separate repositories, or with a single repository. Both solutions rely on the ability to define include/exclude patterns. Artifactory has a very good permissions management system that can easily support this requirement.
Knowing that the file layout in an NPM repository always starts with the package name, you can use that knowledge and define an include pattern. For example, if team-A owns a scoped package named @my-company/team-a, you can use the following include pattern:
@my-company/team-a/**

With a single repository, this can be done by creating a group for each team, and then granting each group permissions on the repository. The permissions of each team shall be limited to path prefix(es) in that repository, based on the scope(s) that team owns.
With multiple repositories, the permissions can be granted for each team (group) on their own repository, no need for include/exclude patterns. Instead, the repository can be configured to accept only files which match include/exclude patterns.
If you choose to use multiple repositories, you can create a virtual repository that aggregates the local repositories. This way, clients only need to use a single registry which gives an abstraction on top the other registries.
For more information, please refer to the Artifactory documentation:

*

*NPM registry in Artifactory, specifically - NPM Scope Packages

*Local Repository - Common Settings - Include and Exclude Patterns

*Repository Permissions - Include and Exclude Patterns

*Virtual Repositories

redpajama_set_name: RedPajamaStackExchange


text:
Call us now on 0844 22 54 360
New construction minister must make 'purging the sector of rogue firms' his mission, says FMB
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30 April 2019 Email this article
The new Construction Minister, Andrew Stephenson MP, should make it his mission to raise quality and standards in the construction industry through mandatory licensing, according to the Federation of Master Builders (FMB).
Brian Berry, Chief Executive of the FMB, said: "The time is right to look at a meaningful way in which we can purge the sector of rogue firms and unprofessional outfits once and for all. With the publication of the Independent Review of Building Regulations and Fire Safety, and the quality of some new build homes being called into question, we need to act now to improve standards and increase productivity.
"A mandatory licensing scheme for the whole UK construction sector has widespread support among the industry and homeowners, alike. The Government must legislate to stop the scourge of unprofessional behaviour blighting the entire industry."


The small size of SV 110 enables easy checks of sensors at the machines. Depending on the selected frequency user may select level of calibration from1 m/s2 to 10 m/s2. Accelerometers are conveniently attached using mounting stud, mounting disc or dedicated adaptor.
The small size of the SV110 makes it very useful for calibration checks of various types of machine vibration accelerometers. Depending on the selected frequency, the user can select the level of the calibration from 1 m/s2 to 10 m/s2. Accelerometers are conveniently attached using either a mounting stud, a mounting disc or a dedicated adaptor. The calibrator has built-in rechargeable batteries that will power it for 12 hours of continuous operation.


Vanguard Commercial Flooring focuses on partnering with customers to provide consistent timely and quality installation.
We assist customers as needed at every phase of the construction process from site review, to design construct, quantity and budget estimating, troubleshooting, to installation, and follow up.
We pride ourselves on communication with both customers and other trades to ensure a successful work environment. We believe a customer who receives a quality product, on time and with relative ease given the construction world will look to repeat that process.
Construction is often a process where everything doesn't go as planned. We work hard to make Vanguard an exception to that rule as much as possible. We make your job easier.
We have the knowledge & skill.
Our company leadership, with a combined 25 years in commercial flooring, has managed projects of all size and scale, up to and over $2MM. We pride ourselves in always finding the best solution for your space.
We stand by every job.
We work with quality, proven installers and manage your project each step of the way. And we always follow up — your satisfaction is our best referral.
Vanguard's partners are general contractors, property managers, facilities managers, and design professionals across the entire spectrum of commercial projects.
Our partners come from a varied range of sectors including corporate tenant office, higher education, government, and retail.
Let Vanguard install your carpet, resilient, wood flooring, ceramic/stone, or polished/stained/sealed concrete, anywhere in the greater Atlanta, GA area or Southeast.
We'd be happy to review and provide a solution to any of your flooring needs. Click the button below to give us a little more information about your needs. Or pick up the phone and give us a call at (678)-395-7217. We'll be happy to answer any questions you have.


On top of everything else, this story caused a huge fight between my boys. Collegeman was obsessing about what would be the best way to help the 11 year old boy. Meanwhile, HSB insisted that XBox would not have labeled him a cheater if it were not true because everything is investigated thoroughly. Of course a fight ensued with accusations of inhumanity, lack of empathy and various forms of name calling between the boys. Furthermore, I was so upset that I contacted brilliant-computer-sis to see if she knew anyone who could help. Luckily she did not. Could you imagine the professional embarrassment in going to bat for a lie?
On the other hand, it was also an interesting association for the boys. Collegeman wanted to help another person with autism because he felt that that person had been wronged. Empathy as I have said, is a huge part of who he is. HSB while not totally empathetic, understands how XBox works and the machinations they go through to keep the games honest. He was not empathetic because he said if XBox said the boy was a cheater that meant that he was. Remember, we have taught the boys that their autism is no excuse for wrongdoing of any kind, including lying and cheating. Additionally, we, as a family, did learn that when it comes to games, computers and the world of the Internet we should really listen to HSB more than we do.
All in all we did come to more of a realization about who we are and what we are capable of in this house; what our perspective happen to be and the kind of people the boys are turning into. I am proud of both of them as a matter of fact, well not for the fighting part, but for the internal need to help and the ability to take information they know and apply it to a real situation. However, I am afraid that in the long run episodes like this one, where people abuse the system in some way, will cause society to look askance at real claims of abuse and discrimination when it comes to autistics and their needs. Remember our children are just in the beginning of their life experiences and the fight for their rights is already an uphill battle.


Apple releases updates today brining the follow updates. They are: iOS 12.1.1, tvOS 12.1.1, audioOS 12.1.1, and macOS 10.14.2. Remember to do one last back up before updating just in the chance things go wrong.
Update: Apple has pulled beta 7 after reports of sluggish behavior on devices. Apple just released the seventh version of their current iOS 12 beta. This includes tvOS, watchOS and iOS devices. These updates will improve bugs from the past versions. The public beta will follow shortly behind.