Published 04/22/2019 12:00:56 am at 04/22/2019 12:00:56 am in Portable Work Bench With Vise.
portable work bench with vise barn bench portable workbench with vise.
youtube diy portable workbench with vise,black and decker portable workbench with vise,portable workbench with vise,lowe's portable workbench with vise,small workbench with vise,build a steel portable workbench with vise, adjustable folding portable work bench and visein hand tool sets adjustable folding portable work bench and visein hand tool sets from tools on aliexpresscom alibaba group, moravian workbench lake erie toolworks blog lake erie toolworks moravian workbench leg vise, portable bench vice kenk pt fransindo pratama jual portable bench vice kenk, portable benches for servicemen popular woodworking magazine mmworkbench, portable table vice flying deer mini bench vice mini bench vice portable table vice portable bench vice portable bench vice portable workbench vise portable bench vice .


We are looking for some active writer, who can write for us. We call them guest writer. To increase your popularity, its a very good opportunity. To expand your reader write for us, link it to any social site. In which field you Keep expertise let us know.
Why you will write for us?
Help the people: It's a noble thing. you can reach a lot of people through here and help them. you can help more people then you meet through here.
Experience, exposure, work: Many people will read your writings. Through here tour work will get exposure to thousands of people. Connect your id through social media and present it to your friends and family. Thousands of people may also come to read your post.
Become a permanent author: write to us as many good article as you can. If you are good enough we will offer you authorship and part of our revenue (either revenue base or one time payment per article. That means you can earn from writing for us.
You can write it within 500-600 words.
Do not use any external link.
You can use your social site id only.
Disclaimer: Sumvirblog reserve the authority to reject any article without showing reasons. sumvirblog owns the published article and can edit it as required. If your article is rejected for any cause we will not sell it to a third party.


text:
Eps Seen: / 26
English: When They Cry
Synonyms: When the Cicadas Cry, The Moment the Cicadas Cry
Japanese: ひぐらしのなく頃に
Aired: Apr 5, 2006 to Sep 27, 2006
Broadcast: Wednesdays at 01:30 (JST)
Producers: Geneon Universal Entertainment, Frontier Works, Sotsu, DAX Production
Licensors: Sentai Filmworks, Geneon Entertainment USA
Studios: Studio Deen
Source: Visual novel
Genres: Mystery, Dementia, Horror, Psychological, Supernatural, Thriller
Score: 8.061 (scored by 243,384 users)
Popularity: #110
Favorites: 16,833
Ranked #501Popularity #110Members 506,957
Spring 2006TVStudio Deen
Episodes: /26
Blu-ray CM
Keiichi Maebara has just moved to the quiet little village of Hinamizawa in the summer of 1983, and quickly becomes inseparable friends with schoolmates Rena Ryuuguu, Mion Sonozaki, Satoko Houjou, and Rika Furude. However, darkness lurks underneath the seemingly idyllic life they lead.
As the village prepares for its annual festival, Keiichi learns about the local legends surrounding it. To his horror, he discovers that there have been several murders and disappearances in the village in the recent years, and that they all seem to be connected to the festival and the village's patron god, Oyashiro. Keiichi tries to ask his new friends about these incidents, but they are suspiciously silent and refuse to give him the answers he needs. As more and more bizarre events occur, he wonders just what else his friends might be keeping from him, and if he can even trust them at all.
When madness and paranoia begin taking root in Keiichi's heart, he will stumble straight into the mysteries at work in Higurashi no Naku Koro ni, a story that is told across multiple arcs.
[Written by MAL Rewrite]
Geneon Entertainment USA initially licensed and distributed the first season of Higurashi until their closure in 2007. Funimation later distributed the Geneon release, but dropped the license in 2011 due to poor sales. It remained unlicensed until 2015 when Sentai Filmworks announced that they picked up the series.
Adaptation: Higurashi no Naku Koro ni: Onikakushi-hen, Higurashi no Naku Koro ni: Watanagashi-hen, Higurashi no Naku Koro ni: Tatarigoroshi-hen, Higurashi no Naku Koro ni: Himatsubushi-hen, Higurashi no Naku Koro ni Kai: Meakashi-hen, Higurashi no Naku Koro ni Kai: Tsumihoroboshi-hen
Sequel: Higurashi no Naku Koro ni Kai
Side story: Higurashi no Naku Koro ni Special: Nekogoroshi-hen, Higurashi no Naku Koro ni Kaku: Outbreak
Alternative setting: Umineko no Naku Koro ni
Other: Higurashi no Naku Koro ni Kira
Ryuuguu, Rena
Nakahara, Mai
Furude, Rika
Tamura, Yukari
Sonozaki, Shion
Yukino, Satsuki
Sonozaki, Mion
Maebara, Keiichi
Hoshi, Soichiro
Houjou, Satoko
Kanai, Mika
Takano, Miyo
Itou, Miki
Ooishi, Kuraudo
Chafurin
Houjou, Satoshi
Akasaka, Mamoru
Kon, Chiaki
Director, Episode Director, Storyboard, Key Animation
Gouda, Hozumi
Kawase, Toshifumi
Script, Series Composition
Nakase, Rika
"Higurashi no Naku Koro ni" by Eiko Shimamiya
"Why, or why not" by Hiroyuki Oshima feat. Rekka Katakiri
Ceptryn (All reviews)
Watching Higurshi is like locking a group of happy people in a test chamber, only coming back to find they've hacked each other into a bloody mess. Its horrific, its shocking, and yet a part of you, cannot help but wonder, how did it happen?
The curiosity takes over... and so you repeat the experiment, knowing full well that those cute looking teenagers you just sent are going to end up as bloody pulps. But hey, at least each time they die, you're one step closer to figuring out why they died, it's all good.
Higurashi essentially places you in the role of the scientist. It divides itself into several arcs, each of which begin exactly the same. A teenager moves into a remote countryside village, and befriends a group of sweet fangirls that could have come out right from a harem rom/com. Then, explicably, thing go wrong... very wrong.
The pacing is excellent, the suspence pulpable. You know terrible things are going to happen, but you don't know exactly what. Higurashi would appeal to two types of people. The maglomanics who cackle madly in seeing a happy community descend into the depth of oblivion, and the curious scientist who watched each arc with intense interest... for they want to know exact *why* everything goes wrong (though they can also cackle madly just a little).
The true draw of Higurashi is the mystery. The series will leave you guessing, postulating all manner of reasons why the sweetest girl in the class is now butchering every child in sight with a giant cleaver. Each experiment you run (arc you see) reveals a few more clues, and you formulate a new theory, only to find it shattered by another totally unexpected horror in the very same arc. The beauty of Higurashi is that a mystery of such grand scale, every detail is meticulous, and while every bloody event seems random at first, they all eventually fall into place
Not only are the characters are memorable, and filled with interesting secrets, and unlike school days, they're actually also extreme likeable. This is no small achievement, given what they're portrayed doing to each other.
Higurashi is really the pinnacle of a dark mystery. You'll start off the mad scientist, watching those innocents in the test chamber with morbid curiosity. Yet, slowly, that morbid curiosity will be transformed into sympathy, and as you fall in love these victims, that initial curiosity will into turn a genuine desire to figure out whats going on so that they can be saved.
As always, I welcome feedback!
z-pak (All reviews)
Higurashi epitomizes how you should never judge something by its cover. At first glance, it looks like a simple, generic harem series or a lame, cliched romance. This anime, however, is nothing short of genius. The whole setting, atmosphere, and mood are incredibly well executed. The plot may seem simple at first, a new kid moving to a strange, new town and meeting new friends. Beneath the exterior appearance of this seemingly tame series, however, lies a dark story of murder, violence, and mystery.
Story: I can confidently say that the story/plot is the strongest aspect of this series. I congratulate the original game designer who created this series. The execution of the plot is genius. This series mainly consists of arcs. Although these arcs seem disjointed at first, it is all part of the plot and is actually an important part of solving the mystery of the Hinamizawa murders. However, this is not a simple, generic murder mystery where the solutions are force fed to the viewers; it is up to them to decide between what is true and what is not. This way, it makes the viewers think and interact with the story, and this is what I love most about Higurashi.
Art/Animation: If there is one reason why I did not give this series a 10, then it is because of the art and animation. The art itself is not too bad, but the animation... How do I start? It can be extremely inconsistent at time with all those emo face contortions, sometimes out of sync, and was probably animated with a relatively low budget. Thank goodness the director of season 2 learned from those mistakes, and the animation greatly improved in Kai. One good thing I have to say is that the background and setting is very well done.
Sound: The voice acting in this series is amazing. With a series filled with psychotic laughter, blood-curling screams, and in some cases, extremely cute voices, the voice actors/actresses are extremely versatile. The Opening is one of my favorite openings of all time. It sets up the mood extremely well and sent shivers down my spine when I first saw it. There could not have been a better fitting opening. The ending, a slow rather mellow piece, suffers from horrible Engrish. I do love the piano part in the end though. Finally, the background music set the mood nicely, but can get repetitive at times. I did like the sounds of the cicadas; it gave a feeling of impending doom.
Characters: After the initial shock of their mental instability, the cast of characters are extremely well written and developed. Sure, none of the main cast of characters is emotionally and mentally stable; it does not take away from their personality and interaction. One of the best things about this series is that there is no throw away characters that only appear once, does something, and leaves. Every character serves a purpose in the mystery and plot, either directly and indirectly.
Enjoyment: As I have said earlier, I love how Higurashi is not a passive anime where I can just sit in front of the computer and shut off my brain. Then again, I love psychological anime. Higurashi was the first series that forced me to watch raws because I could not wait for the subs.
Overall an excellent show. This would definitely be a 10 if not for its mediocre animation. Final rating: 9/10
AkatsukigirlTy (All reviews)
Higurashi no naku koro ni happens to be a particular favourite of mine, not only because of its horrifically high gore content, but for the number of times it managed to catch me off guard. I found it hard to believe how someone could commit such stomach-churning acts of violence and mental torture. It's the original shock at this fact that compels the viewer to continue watching this highly addictive bloodbath of an anime.
The concept of the anime is simple enough. It follows a teenage boy, Maebara Keiichi adjusting to his new life in Hinamizawa, an isolated village buried deep in the mountains. It's not long before he makes friends with a group of girls. At first glance they seem like the average group of teenage girls but all is not as it seems because they're actually hiding things from Keiichi, things like the mysterious string of murders that seem to occur the same night every year and the gruesome dismemberment of a dam construction worker. The more Keiichi learns about these past events and about his new 'friends' the more danger he begins to find himself in.
It is important to remember that Higurashi is divided into 6 separate arcs that feature completely different scenarios. This means that if a character were to meet their unfortunate demise in one arc they would return once again at the start of the next arc. It is this separation of the arcs that often confuses or deters people from watching the show. I too confused by the sudden, miraculous 'revival' of a few of the characters at first but the sooner you adjust to the ever-changing alternate storylines the sooner you can start to piece together the puzzle and work out why the murders are being carried out in the first place.
The art style of this anime is nothing spectacular; in fact it seems pretty inappropriate for this particular genre of anime. The girls could very well have been plucked straight from a harem anime, but for some wacky reason that seems to work for this anime. The outward 'Lolita' appearances of the girls only make their actions more shocking in contrast; in a sense their design lulls you into a false sense of security.
Unlike in other anime of this particular genre it is difficult not to find someone to like in Higurashi, which is highly unusual considering the sickening acts of torture these girls perform on each other and with those around them. As you begin to get to know the characters better, you begin to sympathise with them and hope that they too won't meet an untimely fate, thus you begin to feel more involved. Each character has their own interesting perspective and heart-breaking story to tell, it is this that alleviates the anime from being a bloodbath to a bloodbath with depth.
Both the Higurashi OP and EN themes are hauntingly beautiful and nigh on impossible to fault. Shimamiya Eiko does an amazing job at capturing the show's otherworldly aspect with her almost ethereal voice during the OP theme. The instrumental themes used throughout the show can both send chills down your spine or even cause you to laugh out loud given the right moment. I found that the show's use of chilling piano solos or mellow flute pieces helped to build tension and inspire fear within myself as a viewer, so by keeping the themes themselves simple they've helped to accentuate the atmosphere of the show rather than outshine it completely.
As the viewer becomes more intertwined in both the storyline and with the characters their desire for the characters to be set free from the horrific chain of events grows stronger, it is this that hooks the viewer into watching episode after episode. So overall, for being able to manipulate its viewers emotions so well I'd give this anime a near perfect score of 9/10.
TheLlama (All reviews)
This show is suspenseful, dramatic, creepy, confusing (in a good way), and it's got some good horror.
The storyline follows a small group of friends who live in a village called Hinamizawa. Not all seems be like it should be here, though...
The characters are pretty interesting, to say the least, and they're pretty well "built up". It's pretty obvious that they're a bit crazy at some point, depending on which story arc you're watching.
The story is pretty good, because it leaves you guessing all the time, and even though it may seem a bit confusing at first, don't be discouraged; you start to understand as you watch more of it.
The animation is pretty cool, but also kind of lame, especially their facial expressions at times. It's a pretty mediocre result, really.
All in all, this is a really good show, but it has its flaws. As long as you can tolerate some confusion and bloody murdering, you're gonna like this show.
To 'Not Helpful' voters (and you 'Helpful' voters too): Feedback greatly appreciated =)
Another70 Users
Shiki42 Users
Mirai Nikki29 Users
School Days26 Users
ChäoS;HEAd19 Users
Shinsekai yori16 Users
Mahou Shoujo Madoka★Magica15 Users
Gakkougurashi!15 Users
Ookamikakushi14 Users
Steins;Gate12 Users
Denpa-teki na Kanojo11 Users
Re:Zero kara Hajimeru Isekai Seikatsu10 Users
Shinreigari9 Users
Umineko no Naku Koro ni9 Users
Baccano!7 Users
Jigoku Shoujo7 Users
Death Note6 Users
Mayoiga6 Users
Durarara!!6 Users
H2O: Footprints in the Sand6 Users
Perfect Blue5 Users
Clannad4 Users
Kara no Kyoukai 1: Fukan Fuukei4 Users
Yojouhan Shinwa Taikei4 Users
Q2 2018 Anime & Manga Licenses [Update 5/26]
In this thread, you'll find a comprehensive list of anime and manga licensed in the second quarter (April-June) of 2018. Spring 2018 anime which were licensed b...read more
Mar 26, 2018 3:00 PM by Snow | Discuss (28 comments)
North American Anime & Manga Releases for December
Here are the North American anime & manga releases for December Week 1: December 5 - 11 Anime Releases Bishoujo Senshi Sailor Moon Crystal Set 3 DVD Bishoujo Sen...read more
Dec 4, 2017 10:08 AM by Sakana-san | Discuss (19 comments)
HOW is this anime loved at all???
ChemicalFusion - Jun 6 20 replies by Xstasy »»
Poll: Higurashi no Naku Koro ni Episode 25 Discussion ( 1 2 3 )
mitsukuni07 - Mar 1, 2008 122 replies by Agamenon »»
Recent Featured Articles
Steam Summer Sale 2019: Top 10 Anime Visual Novel Deals
The biggest game sale of the year is now on, and you can find these visual novels that inspired many of our favorite anime at up to 80% off!
by Shymander
Pervy Master Roshi Gets in Trouble With Broadcasting Watchdog
For many Dragon Ball fans, Master Roshi is an absolute legend! He's one of the coolest and most colorful characters in the Dragon Ball universe. However, this old man has a roaming eye that's easily distracted by the younger ladies, which can lead to more problems than simply a nosebleed.
by MisterD98

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: PowerShell AD Users I would like to have a script that takes a txt file of AD user IDs, indicates which are "not found", provides the DisplayName property for ones that are found and exports the results to a file.  Is that possible?
I've tried this, but it didn't return known valid user IDs.
$user = Get-Content "c:\users\oh75256\desktop\powershell learning\userids.txt"
    $user | foreach {
      $Name = "$_"
      $Searcher = [ADSISearcher]"(displayname=$Name)"
      $Results = $Searcher.FindOne()
      if ($Results -eq $null) {
        "$Name not in AD" >> C:\users\oh75256\userstatus.csv
      } else {
        $status = (Get-ADUser $Name).Enabled
        if ($status -eq "True") {
          "$Name is valid" >> C:\users\oh75256\userstatus.csv
        } else {
          "$Name is not valid" >> C:\users\oh75256\userstatus.csv
        }
      }
    }
That works!  Now that I have 2 working powershell scripts, I'd like to combine them into one.   I have one txt file with 4 columns: hostname, lastuser, status, AD.  I would like to start with my ping script, which pings the hostname and if it pings, it returns the loggedon username.  if it does not ping, it returns "offline"  Then I would like to take the lastuser column for the offline hostname and check it against AD to return the Name of the user or "not found in AD".  Here's an example of the text file:pingnames.txt
HostName    LastUser    Status (offline or SamAccountName)  AD (Name or Not Found)
NAHNT-1234567   bruteaa
NAHNT-2345678   OH75256
NAHNT-3456789   YD13099
NAHNT-4567891   rh16633
NAHNT-5678912   Administrator
NAHNT-6789123   xt07718
NAHNT-8912345   AA00718
NAHNT-9123456   LR17114
This is my script to ping and get current logged on user.
function get-avail {
param ( $computername )
$availCheck = New-Object psobject -property @{
ComputerName = $computername
Status = 'Offline'
LogonUser = 'None'
}
$test = Test-Connection -ComputerName $computername -Count 1
-errorAction:SilentlyContinue
if ( $test ) {
$availCheck.Status = 'Online'
$wmics = Get-WmiObject Win32_ComputerSystem -ComputerName $computername
}
if ( $wmics.UserName ) {
$availCheck.LogonUser = $wmics.UserName
}
$availCheck | select ComputerName,Status,LogonUser
}
cat "c:\myfiles\pingnames.txt" | %{ get-avail $_ } | export-csv c:\myfiles\results.csv

This is my script to validate userID in AD
$userProfile = Get-Content "c:\myfiles\userids.txt" |
Select @{Expression={$_};Label="SamAccountName"},
@{Expression={" "};Label="First Name"},
@{Expression={" "};Label="Last Name"},
@{Expression={$False};Label="ExistInAD"}

foreach($user in $userProfile)
{
$Account =  Get-ADUser $user.SamAccountName
 -erroraction silentlycontinue
If($?)
{
    $user.SamAccountName
    $user.ExistInAD = $True
    $user.'First Name' = $Account.GivenName
    $user.'Last Name' = $Account.Surname
}
Else
{

    "------------------------ $($user.SamAccountName)"
}
}

$userProfile | export-csv "c:\myfiles\mycsv.csv" -NoTypeInformation

Is it possible to combine them?   -Thanks,  Karen

A: You state that you are looking for User ID's but your code is searching for display names.
I think you want this line changed:
  $Searcher = [ADSISearcher]"(SamAccountName=$Name)"

If you want additional information with columns you need a to create a PSObject:
$User = Get-Content "c:\users\oh75256\desktop\powershell learning\userids.txt"
$User | foreach {
    $Name = "$_"
    $Searcher = [ADSISearcher]"(SamAccountName=$Name)"
    $Results = $Searcher.FindOne()
    $Object = New-Object -TypeName PSObject
    $Object | Add-Member -Name "SamAccountName" -MemberType NoteProperty -Value $_
    if ($Results -eq $null)
    {
        $Object | Add-Member -Name "Status" -MemberType NoteProperty -Value "Not in AD"
        $Object | Export-Csv C:\users\oh75256\userstatus.csv -NoTypeInformation -Append
    }
    else
    {
        [string]$DisplayName = $Results.Properties.name
        $Object | Add-Member -Name "Name" -MemberType NoteProperty -Value $DisplayName

        $status = (Get-ADUser $Name).Enabled
        if ($status -eq "True")
        {
            $Object | Add-Member -Name "Status" -MemberType NoteProperty -Value "Enabled"
            $Object | Export-Csv C:\users\oh75256\userstatus.csv -NoTypeInformation -Append
        }
        else
        {
            $Object | Add-Member -Name "Status" -MemberType NoteProperty -Value "Disabled"
            $Object | Export-Csv C:\users\oh75256\userstatus.csv -NoTypeInformation -Append
        }
    }
}

redpajama_set_name: RedPajamaStackExchange


text:
// Copyright 2017 Google Inc.
// Copyright 2020 The Open GEE Contributors
//
// Licensed under the Apache License, Version 2.0 (the "License");
// you may not use this file except in compliance with the License.
// You may obtain a copy of the License at
//
//      http://www.apache.org/licenses/LICENSE-2.0
//
// Unless required by applicable law or agreed to in writing, software
// distributed under the License is distributed on an "AS IS" BASIS,
// WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
// See the License for the specific language governing permissions and
// limitations under the License.

// Basic integer type definitions for various platforms
//
// This code is compiled directly on many platforms, including client
// platforms like Windows, Mac, and embedded systems.  Before making
// any changes here, make sure that you're not breaking any platforms.

#ifndef BASE_INTEGRAL_TYPES_H_
#define BASE_INTEGRAL_TYPES_H_
#include <cstdint>
// These typedefs are also defined in base/google.swig. In the
// SWIG environment, we use those definitions and avoid duplicate
// definitions here with an ifdef. The definitions should be the
// same in both files, and ideally be only defined in this file.
#ifndef SWIG
// Standard typedefs
// All Google2 code is compiled with -funsigned-char to make "char"
// unsigned.  Google2 code therefore doesn't need a "uchar" type.
typedef signed char         schar;
typedef signed char         int8;

// NOTE: unsigned types are DANGEROUS in loops and other arithmetical
// places.  Use the signed types unless your variable represents a bit
// pattern (eg a hash value) or you really need the extra bit.  Do NOT
// use 'unsigned' to express "this value should always be positive";
// use assertions for this.

// A type to represent a Unicode code-point value. As of Unicode 4.0,
// such values require up to 21 bits.
// (For type-checking on pointers, make this explicitly signed,
// and it should always be the signed version of whatever int32 is.)
typedef signed int         char32;

//  A type to represent a natural machine word (for e.g. efficiently
// scanning through memory for checksums or index searching). Don't use
// this for storing normal integers. Ideally this would be just
// unsigned int, but our 64-bit architectures use the LP64 model
// (http://www.opengroup.org/public/tech/aspen/lp64_wp.htm), hence
// their ints are only 32 bits. We want to use the same fundamental
// type on all archs if possible to preserve *printf() compatability.
typedef unsigned long      uword_t;

#endif /* SWIG */

static const std::uint8_t  kuint8max  = (( std::uint8_t) 0xFF);
static const std::uint16_t kuint16max = ((std::uint16_t) 0xFFFF);
static const std::uint32_t kuint32max = ((std::uint32_t) 0xFFFFFFFF);
static const std::uint64_t kuint64max = ((std::uint64_t) UINT64_C(0xFFFFFFFFFFFFFFFF));
static const std::int8_t   kint8min   = ((  std::int8_t) ~0x7F);
static const std::int8_t   kint8max   = ((  std::int8_t) 0x7F);
static const std::int16_t  kint16min  = (( std::int16_t) ~0x7FFF);
static const std::int16_t  kint16max  = (( std::int16_t) 0x7FFF);
static const std::int32_t  kint32min  = (( std::int32_t) ~0x7FFFFFFF);
static const std::int32_t  kint32max  = (( std::int32_t) 0x7FFFFFFF);
static const std::int64_t  kint64min  = (( std::int64_t) UINT64_C(~0x7FFFFFFFFFFFFFFF));
static const std::int64_t  kint64max  = (( std::int64_t) UINT64_C(0x7FFFFFFFFFFFFFFF));

// TODO: remove this eventually.
// No object has kIllegalFprint as its Fingerprint.
typedef std::uint64_t Fprint;
static const Fprint kIllegalFprint = 0;
static const Fprint kMaxFprint = UINT64_C(0xFFFFFFFFFFFFFFFF);

#endif  // BASE_INTEGRAL_TYPES_H_

redpajama_set_name: RedPajamaGithub


The confessions and testimony from a former abortion clinic owner, Carol Everett. Carol is the founder of <link http://heidigroup.org/ - external-link-new-window>The Heidi Group</link>, a Christ-centered pregnancy counseling center named after her aborted daughter. Before Christ, she worked in the abortion industry and was involved in 35,000 abortions. Now, God is using her to make disciples of Christ. It's an AMAZING "Saul to Paul" story that will educate and surprise you.


New leather covered glare shield and control yokes. Full carpet runners in aisle and doorway.
Complete strip and repaint 7/2018. Teflon coatings on fairings and erosion areas, all new fasteners.
Boots in good condition. Recent pilot and co-pilot windshields.
Specifications are accurate to the best knowledge of the Seller. However, are subject to verification by the Purchaser.


text:
World News & Views Fukushima fallout: Throwing radioactive caution to the wind – and sea
Fukushima fallout: Throwing radioactive caution to the wind – and sea
by Cynthia McKinney
In the aftermath of Japan's Fukushima nuclear power meltdown following the tsunami of March 11, 2011, the international community has totally failed in keeping the public properly informed and protected from the fallout.
Scientists and environmental officials continue to express concern, even now, at the unusual events and wonder about the causes. At the same time, the media present the facts but fail to make any connection whatsoever to the ongoing state of affairs stemming from the tragic 2011 events at Fukushima.
Here are a few recent examples:
On Jan. 22, 2016, CBC News reported: "Scientists investigating the disease in the U.S. and Canada met in Seattle [and] agreed on the scale of the problem, said Dr. Martin Haulena, the veterinarian for the Vancouver Aquarium … 'This is, if not the, certainly one of the biggest wildlife die-offs that have ever been recorded, and we're not just talking marine die-offs.' … [It] has decimated the creatures from Alaska to Mexico." Pictured are common murres washed up on the beach of the Juneau, Alaska, boat harbor. Thousands of them cover beaches along the Alaska coast. – Photo: AP
Seabird die-off reported around Kodiak, Alaska: A September 2015 audio report from Robin Corcoran, biologist from the Kodiak Wildlife National Refuge, confirms local reports that "emaciated" bird carcasses are washing up on Kodiak Island shores. Corcoran states that the birds were "showing up in places where people don't normally see them … foraging, trying to find forage fish."
The KMXT narrator quoted Corcoran as saying it was unclear what caused the deaths but "could be related to the birds' inability to catch forage fish," while it was evident "the birds have no fat on their bodies and they don't have any food in their digestive systems which indicates that they starved."
Corcoran confirms that the last major bird die-off experienced in the region was January through March of 2012. The program concluded by stating that multiple species of birds have declined in number in other Alaska regions, according to surveys taken by the Wildlife Refuge. The next day, KTOO reported that Corcoran speculated on several causes for the die-off: "flight feather molt," "whale die-offs" or "harmful algal blooms … related to warm ocean temperatures."
A few days before the Kodiak reports, The Daily Astorian headlined: "Scientists Searching for Answers in Bird Die-Off." Julia Parish, speaking on behalf of the University of Washington's Coastal Observation and Seabird Survey Team, states that the spikes in deaths are two to three times higher than normal. Josh Saranpaa of the Wildlife Center of the North Coast was quoted as saying: "Every bird we're seeing is starving to death. It's pretty bad." Saranpaa added, "When you see so many starving, something is not quite right out there."
The warming ocean and the toxic algae bloom are offered as possible explanations for the die-offs. Warming oceans, it is explained, cause the fish to swim deeper than the birds can dive while the toxic algae bloom runs from California straight up to Alaska. Parish concludes that it has been a really "odd" year with multiple regional scale events. She says that there is not much that researchers can do except wait and watch.
Josh Saranpaa of the Wildlife Center of the North Coast was quoted as saying: "Every bird we're seeing is starving to death. It's pretty bad."
Julia Reis of the Half Moon Bay Review writes with understatement, "There have been noticeable changes in the Pacific Ocean that have caused difficulties for marine life of late."
Gerry McChesney of the Farallon National Wildlife Refuge says that the die-off has him all the more "baffled" because of the strip of cold water in his area full of food for these birds. In my mind's eye, I can see McChesney scratching his head as I read that he considers poisoning, starvation and El Nino as possible causes for the die-off. The article ends with the following comment by McChesney, "We might have to see some other problem in the ocean before we understand what's causing the die-off."
ENENews.com points to the problem of the massive die-off happening from San Diego to Alaska – all along the West Coast of the U.S. It highlights in various reports words like "strange," "unprecedented," "crazy," "worst," with this iconic quote from The Sacramento Bee: "Our gut tells us there is something going on in the marine environment."
Behrens published an open access 2012 model simulation of cesium 137 (137Cs) released into the Pacific Ocean as a result of the Fukushima incident and found that after the first two to three years, tracer elements descended to depths of more than 400 meters, reached the Hawaiian Islands after about two years, and North American territorial waters after about five to six years.
Although in decreased rates of concentration from the initial injection, the entire northern Pacific basin becomes saturated with tracer fluids in this simulation. This study finds that the radioactivity remains at about twice pre-Fukushima levels until about Year Nine when radioactivity tapers to pre-Fukushima levels. This research specifically does not investigate the biological effects of increased radioactivity in the Pacific Ocean.
In 2011, Lozano investigated reports of man-made cesium atmospheric detection as far away as the Iberian Peninsula. Joe Mangano and Dr. Janette Sherman take their 2015 investigation of Fukushima radiation exactly into a potentially politically uncomfortable but essential space: biological effects.
They look at "congenital anomalies" that occurred in the U.S. Western states after the arrival of radioactive Fukushima fallout. And they found that while in the rest of the U.S., birth defects decreased by almost four percentage points, on the U.S. West Coast, defects increased by 13 percent.
View Dr. Sherman's interview by Russia Today's Thom Hartman where she explains the research.
Even U.S. soldiers are now experiencing Fukushima fallout with exposure hitting home in health effects and birth defects. The Woods Hole Oceanographic Institution explains how Fukushima radioactivity reaches ocean life from both air and sea discharges.
These air, ground or sea discharges, by the way, continue 24 hours a day, seven days a week. Arne Gundersen of Fairewinds.org estimates that by 2015 at least 23,000 tanker truckloads of radioactive water have been released into the Pacific Ocean "with no end in sight."
Please tell me whatever happened to the Precautionary Principle in public policy? Is profit more important than prudence? Finally, a 2015 study by Synolakis and Kanoglu finds that the Fukushima tragedy was preventable. They conclude that due to design flaws, regulatory failures, and "arrogance and ignorance," Fukushima Daiichi was "a sitting duck waiting to be flooded."
With all of this as background, the media provide coverage of marine anomalies mentioning global warming, even El Nino and toxic algae, while the elephant in the room is Fukushima radiation. It is this silence that is deafening! It makes me wonder who are the beneficiaries of the nuclear power business?
Please tell me whatever happened to the Precautionary Principle in public policy? Is profit more important than prudence?
Why is the nuclear power lobby so strong when the dangers are clearly so evident? Instead, we are told: "It is fossil fuels that are destroying the planet. Nuclear power is clean and safe." I'm also told that nuclear power is a sign of modernity; it is the future. But solar, geothermal, and wind are rarely given a mention by these same individuals. I'm also told that by posing these questions, I'm fear mongering.
I do want to know why in the face of what appear to be Pacific Ocean die-offs, El Nino is mentioned and not the Fukushima-related elevated levels of radiation. As long as there is a palpable lack of transparency in the mainstream media's ordinary coverage of extraordinary environmental events, which includes what one senses as a reticence to discuss the obvious, I predict that there will be a proliferation of citizen journalists and citizen scientists seizing upon each piece of new data trying to make sense out of a government-approved narrative that just doesn't make sense – again.
U.S. President Obama stated, "We do not expect harmful levels of radiation to reach the West Coast, Hawaii, Alaska or U.S. territories in the Pacific."
We should not rely on government officials to tell us the truth about the full extent of Fukushima's fallout: Incredibly, Obama advised the people of the U.S. not to take precautionary measures beyond "staying informed."
Canada immediately suspended measurements of radiation around Vancouver. The government of Japan has not been trustworthy from the very beginning about the extent of the tragedy.
After serving in the Georgia Legislature, in 1992, Cynthia McKinney won a seat in the U.S. House of Representatives. She was the first African-American woman from Georgia in the U.S. Congress. In 2005, McKinney was a vocal critic of the government's response to Hurricane Katrina and was the first member of Congress to file articles of impeachment against George W. Bush. In 2008, Cynthia McKinney won the Green Party nomination for the U.S. presidency. She can be reached at Cynthia@runcynthiarun.org and on Facebook at CynthiaMcKinneyOfficial. Subscribe to her Updates at http://lists.allthingscynthiamckinney.com/listinfo.cgi/updates-allthingscynthiamckinney.com.
Arne Gundersen of Fairewinds.org
biological effects of increased radioactivity in the Pacific Ocean
Dr. Janette Sherman
Dr. Martin Haulena
ENENews.com
Fukushima incident
Fukushima-related elevated levels of radiation
Fukushima's fallout
Gerry McChesney of the Farallon National Wildlife Refuge
Japan's Fukushima nuclear power meltdown
Joe Mangano
Josh Saranpaa of the Wildlife Center of the North Coast
Julia Reis of the Half Moon Bay Review
KMXT
Kodiak Island shores
Kodiak Wildlife National Refuge
KTOO
marine anomalies
northern Pacific basin
nuclear power business
nuclear power lobby
Pacific Ocean die-offs
radioactive Fukushima fallout
Robin Corcoran
Russia Today's Thom Hartman
Seabird die-off Kodiak Alaska
Synolakis and Kanoglu
toxic algae bloom
University of Washington's Coastal Observation and Seabird Survey Team
warming ocean
Woods Hole Oceanographic Institution
Foul murder of another nation's hero, an American disgrace
Afrophobia in Azania: What's the word?
Details demolish allegations against popular ousted AU Ambassador Dr Arikana Quao


This is a placeholder page for Stacie Garcia, which means this person is not currently on this site. We do suggest using the tools below to find Stacie Garcia.
You are visiting the placeholder page for Stacie Garcia. This page is here because someone used our placeholder utility to look for Stacie Garcia. We created this page automatically in hopes Stacie Garcia would find it. If you are not Stacie Garcia, but are an alumni of Pahrump Valley High School, register on this site for free now.


text:
Q: Not Loading External JS File There is no real reason that this code shouldn't work, as far as I can tell. I have a HTML file and an external .js file. Here is the statement that I am using inside of the html to load the .js file:

The name of the file is correct, and it is in the same directory. I'll post the full code of the html page below, just in case something is off with something else.
Is there anything that I am missing? The .js file should make a sliding menu, however it is simply not loading. I have an alert inserted in the .js file that should alert me when it's working, although it doesn't show up.
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">

<title>The Jones Family</title>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8" />
<link rel="stylesheet" href="family.css" type="text/css" />

    The Jones Family Website

    Photo Gallery

                     Disney

                         SeaWorld

                         Bush Garden

                         Universal Studios

                     Sweet 16

                         Summer Camp

                         Holiday

                         Ski Trip

                     Mom's Birthday (2011)

                         Dad's Birthday (2011)

                         Bobby's Birthday

                         Jenny's

                     Skatepark

                         Wildlife

                         Beach

                         Hawaii

          Family Photos

From here you can see family Photos taken by our various amateur photographers!

We hope you enjoy the photos as much as we do!

Photog #1

            Mary Sue - Mother, she prefers her Canon camera. She still uses film, but has the photos put onto digital cd when developed.

Photog #2

            Bobby - Hip son, he prefers his HP kid digital camera. Not that old, but still takes interesting pictures.

Photog #3

            Jenny - Cool Teen, she has a Sony digital video camera. She takes movies and still photos. Just don't expect her to smile too much.

A: the problem is not the MIME type, but it's in the JS script (if it's the one at 'http://orca.st.usm.edu/~tbonnet2/440/p5/family.js')
A closing parentheses is missing, look into closeMenu():
function closeMenu() {

 /* get the current menu id */
 var ID = this.id + "List"

 /* determine active menu */
 activeMenu = document.getElementById(ID);
 if (activeMenu) {              // <------ THIS CONDITIONAL BLOCK ISN'T CLOSED!
    activeMenu.style.display = "none";
    activeMenu = null;
 /* run the moveItemLeft function by setting a time interval */
 timeID = setInterval("moveItemLeft()", 1);

}

A: I had a problem with the same description as the author of the question.
But, in my case, the js file was not being re-read from the disk.
Initially, my js file was empty as I began testing the HTML structure.
Later when I added code to the js file, the browser window, which had been open, did not re-read the js file, even after "refreshing" the browser.
The js file was there, it was in the same directory, but the content of the file was memory cached in the browser.  I saw a message to this effect somewhere in the Google debugger, but I am unable to find that message again.  The message stated the HTML file was disk cached and the js file was memory cached.
The HTML file was refreshed when I clicked the browser's refresh button, but the js file was not getting refreshed and was still showing empty in the "sources" tab from the initial running of the page before js content was added.
To fix, I closed the browser window, opened a new browser window, and everything started working correctly.  The new window re-read the js script from disk.

A: Check with, for example, Firefox's console if there are errors regarding the loading of that js file (and post them).
Maybe, the file is loaded but it contains errors that don't let you see the alert

A: Note that your server returns a different MIME-type than specified in your HTML source:

$ HEAD http://orca.st.usm.edu/~tbonnet2/440/p5/family.js
200 OK
Connection: close
Date: Thu, 23 Feb 2012 02:22:59 GMT
Accept-Ranges: bytes
ETag: "1320142-9f5-4b9979ec8c280"
Server: Apache/2.2.3 (Red Hat)
Content-Length: 2549
Content-Type: application/x-javascript             # <-- see here
Last-Modified: Thu, 23 Feb 2012 01:32:42 GMT
Client-Date: Thu, 23 Feb 2012 02:22:59 GMT
Client-Peer: 131.95.35.200:80
Client-Response-Num: 1

A: If you dont have any errors like the answer above and are using a web host....
1. login to control panel and check if file actually exist there.
I ran into the same problem, i was using ftp(winSCP) to upload my files when i made changes and even changed file names i ran into the same problem but when i went to the control panel(file manager) all the changes i was making through the winSCP were not being reflected then i uploaded everything through the control panel it all started working fine.


Welcome TO Use of Preposition MCQS Online Test by FG STUDY. We are presenting you top MCQs questions picked by Subject Specialist. We know that every student tries his best to obtain maximum marks. FG STUDY helps you to achieve your goal of getting good grades.
HOW USE OF PREPOSITION MCQS ONLINE TEST IS BENEFICIAL FOR ME?


text:
Q: Не работает показ использованной памяти vue.js + socket.io По идее должны выводиться значения использованной памяти, но не выводятся.
App.vue
<template>

        Server Stats

        RSS: {{rss}}

        Heap total: {{heapTotal}}

        Heap used: {{heapUsed}}

</template>

main.js
import Vue from 'vue'
import App from './App.vue'
import VueSocketIO from 'vue-socket.io'

Vue.config.productionTip = false;
Vue.use(new VueSocketIO({
  debug: false,
  connection: 'http://localhost:3000'
}));

new Vue({
  render: h => h(App),
}).$mount('#app')

server.js
var express = require('express');
var app = express();
var server = require('http').createServer(app);
var io = require('../..')(server);
var port = process.env.PORT || 3000;

server.listen(port, () => {
  console.log('Server listening at port %d', port);
});

io.on('connection', (socket) => {

  socket.on('new message', () => {
    setInterval(() => {
      socket.emit(JSON.stringify(process.memoryUsage()));
    },100);
  });
});

package.json
{
  "name": "test_simple",
  "version": "0.1.0",
  "private": true,
  "scripts": {
    "serve": "vue-cli-service serve",
    "build": "vue-cli-service build",
    "lint": "vue-cli-service lint"
  },
  "dependencies": {
    "core-js": "^2.6.5",
    "vue": "^2.6.10",
    "vue-socket.io": "*"
  },
  "devDependencies": {
    "@vue/cli-plugin-babel": "^3.6.0",
    "@vue/cli-plugin-eslint": "^3.6.0",
    "@vue/cli-service": "^3.6.0",
    "babel-eslint": "^10.0.1",
    "eslint": "^5.16.0",
    "eslint-plugin-vue": "^5.0.0",
    "vue-template-compiler": "^2.5.21"
  },
  "eslintConfig": {
    "root": true,
    "env": {
      "node": true
    },
    "extends": [
      "plugin:vue/essential",
      "eslint:recommended"
    ],
    "rules": {},
    "parserOptions": {
      "parser": "babel-eslint"
    }
  },
  "postcss": {
    "plugins": {
      "autoprefixer": {}
    }
  },
  "browserslist": [
    "> 1%",
    "last 2 versions",
    "not ie <= 8"
  ]
}

Что я сделал не так?


With the holiday season just around the corner, it's the appropriate time to recognize the coolest artificially intelligent characters from movies and television.
With the holiday season just around the corner, it's the appropriate time to recognize the coolest artificially intelligent characters from movies and television. Here are our top 10 favorite robots.


Rated 5 out of 5 by tklow from Does what is promises As with all foundation primers it feels a bit strange when you first use it, but it really does what it says. It smooths over pores and leaves a nice velvety finish to your skin. I was not sure if this would work for me because I use a powder foundation (Bare Minerals) and these products are usually intended for liquid foundation, but it actually works great. I just make sure to brush on my foundation with a light touch and I let the primer dry for a few minutes. I do not use this every day but when I am going for something more than my every day light makeup. I like all of the Smashbox products I have tried.
Rated 1 out of 5 by Prairiegirl from Not Great I wanted so much to love this product and hoped it would do what it said - it didn't. A total fail for me. I found the consistency way too thick and it applied very streaky and kind of clumpy. It left a white residue on skin and while it does sink into the pores, you can see it through foundation. I tried it with my fingers, with a brush and with a sponge...nothing worked. You also can't wear this primer without foundation over it. It looks like dried up moisturizer on it's own. The other reviews were so good, but it didn't work for me. I'm sticking with my MAC Prep & Prime.
Rated 5 out of 5 by AndyP from Favourite Primer I don't often wear this as a primer under foundation as I don't really wear foundation everyday. Though when I do wear foundation, this is a great primer. Beware if your skin dries out easily. However, I use this everyday on my forehead instead of powder or foundation. It goes on very smooth, and provides a natural, matte finish. The matte effect lasts all day, too! I have fair skin, and this product contains a bit of peach pigment to it. Unfortunately, I don't think that someone with a darker complexion could wear this without a foundation on top. Just a guess, though!
Rated 5 out of 5 by Alex23 from Favourite primer I tried many primers maybelline, revlon, makeup forever, even the Smashbox photo finish (the clear one) but I found I don't like the silicone based ones since they can be too slippery which on me do not make my foundation last as well. This primer is amazing! I have enlarged pores on my nose and my cheeks and this fills them in without having that slippery feel to it and I love it! The only thing I hate is the price I do believe it is slightly overpriced but I haven't found something cheaper that performs like this yet.
Rated 4 out of 5 by Canadianbeauty203 from Very very oily sensitive skin I have super oily skin and my hairdresser recommended this product to reduce oil and conceal pores. I do like how is smoothes out my skin and makes it soft but it doesn't keep the oil away completely. I still blot 2-3 times a day but it's not as bad as it once was and doesn't seem to block my pores too much (super sensitive/acne-prone skin). I would advise to gently apply it by sort of pressing with light strokes, as if you hurry it clumps up and you're just wasting product. I would recommend this far more than the clear primer, which seems to make my skin break out and has a very silicon-y/plastic smell. Not good. Price...not cheap but you don't need a lot, you might use half a pea size on your entire face. Definitely worth a try!
Rated 5 out of 5 by CC2000 from Fantastic I've been using this product for the past 4 months, and I love it! It helps to smooth out the appearance of skin, makes pores less noticeable and provides a nice pallette for foundation to be applied to. It's important to ensure your skin is exfoliated (as dry spots will stand out) and moisturized (so that it doesn't get chunky). A little bit goes a long way. Love this product. I find it is better than PorePerfector by Benefit and Urban Decays pore refiner.
Rated 4 out of 5 by FlyingFox from Favourite Smashbox primer I've tried three of the smashbox primers and this one is by far my favorite. I use it almost daily, mainly in my nose and forehead (oily areas) because it's a little bit too expensive and I can't bring myself to use it all over my face every single day. It works great to control the oil in those areas. My face looks visibly less oily the days I wear it. I love this but hope it was less expensive.


text:
Pianoforti
Pianoforti a coda
1,65 Finanziamento
25 ° anniversario
Guida per gli acquisti
Piano Service
valutazione-strumenti/
Servizio per concerti
Noleggio strumenti
Centro restauro Steinway
Piano di manutenzione
Artisti & Concerti
Saluti Steinway
Notizie & Eventi
Famiglia di collaboratori
Contatto Any questions?
Lang Lang & Steinway
'Black Diamond' Edition as the pinnacle of a close partnership
Lang Lang – how his love for the 'Golden Steinway Sound' brought him to the 'Black Diamond'
The prodigy took his first piano lessons when he was just three years old. He was deeply impressed by greats like Horowitz and Rubenstein, who performed on Steinway grand pianos. From a very young age, he tried unsuccessfully to replicate their 'golden', their 'most delicate and sweet' sound on his own piano.
"As a child, I had the chance to perform on an old Steinway for the first time during an award ceremony at the conservatory in my birthplace Shenyang. I got goose bumps because this piano was so connected to my heart and soul", Lang Lang recounts. "Suddenly, the same piece sounded so much more beautiful and I thought 'Wow, this is the energy of a Steinway'". Later on, when he was accepted to the conservatory in Peking, he tried to practise on a Steinway as often as possible even though students were normally only allowed to do so once per week.
This history makes his present close relation to Steinway & Sons even more meaningful. In 2002, Lang Lang became one of the world-famous official Steinway Artists. Since his breakthrough in 1997, when he was just 17 years old, Lang Lang rose to international stardom and performed on the world's biggest stages. No matter in which city or which country he plays, the Steinway always is "like a best friend", says the international star who shares his success and is dedicated to giving back: For his tireless charitable work to impart the love for music to children, he was designated as a 'Messenger of Peace' by former UN Secretary-General Ban Ki-moon in 2013. With the Lang Lang International Music Foundation, founded in 2008, he pursues the goal to give every child access to musical education.
The 'Lang Lang Black Diamond Limited Edition' is the first time that the acclaimed musician was involved in designing a Steinway grand piano: "I am honoured to be the first pianist in Steinway & Sons' history to help design a grand piano."
During the three-year process, Lang Lang and legendary furniture designer Dakota Jackson worked together on the design. "The first thing he said to me was 'It has to be a black diamond'", because those diamonds are not from this world, but from interstellar space. "At some meetings, I would play for him, for example powerful pieces by Rachmaninoff." This inspired Dakota Jackson to come up with creative ideas such as the elegant, diamond-shaped fittings where the piano's legs meet the rim, giving them the appearance of stilettos.
The way that the two of them – together with the Steinway technicians – worked on the design seemed like a series of miracles. "This instrument has not only the beauty, but also the sound, the emotions, the whole feeling. No matter how you play, you always have these wonderful qualities", explains Lang Lang.
+39 045 - 834 56 92 Contatto Showrooms Newsletter
Dichiarazione di non responsabilità


text:
CountryWired Inc
Web Design, Maintenance, Marketing, Promotion for the Entertainment Industry
About CountryWired Inc.
Tag: The Guardian
Marketing Music News Streaming
I lost money, gigs and community in lockdown. Streaming on Twitch brought it back| The Guardian
In Melbourne isolation, Eilish Gilligan's streaming schedule was the only thing that got her up in the morning. It brought…
popular hashtags by hashtagify.me
Client Updates
Gary Allan Launches New Facebook Group Fan Promotion Team December 28, 2020
We are excited to announce Gary Allan's First Official Facebook Group! The biggest Gary Allan fans can be the first to join the new private group on Facebook and help promote Gary's music by streaming and sharing his music. You may even win Gary merch, tickets, meet and greet and live chats with Gary! Come […]
Gary Allan Pours Doubles for Singles in "Waste of a Whiskey Drink" December 17, 2020
To the tattooed gentleman at the bar, Gary Allan has already figured it out: She's the wrong woman for you. Maybe it's the strong drinks that have you seeing double, but the country singer/bartender's facial expression at the 01:03 mark pretty much says it all. https://youtu.be/d6fSXGLIP9w Read the whole article at CMT.com
Quirky Christmas Song 'Fly Possum Fly' to Make TV Premiere on The Heartland Network, 12/8 December 7, 2020
The music video for "Fly Possum Fly" has gotten a makeover, thanks to songwriter Grant Maloy Smith. The Christmas novelty song, featuring EmiSunshine on lead vocals and Smith on harmony, was first released in 2018. The original music video consisted of illustrations from the accompanying children's book, which Smith also wrote. The new video includes […]
'Stars' Becomes 'Stargate' on Bootsy Collins' New Album November 24, 2020
The single "Stars," which EmiSunshine co-wrote and recorded with Bootsy Collins, has a new sound and title on the funk legend's new album, The Power of the One. Released in June to support MusiCares®, "Stars" was aimed at inspiring people during the Covid-19 pandemic. The original song features lead vocals by Emi, with guest appearances […]
Gary Allan: The Cover Story | Sounds Like Nashville September 1, 2020
There's no use denying it. 2020 has made us all into grumpy old timers, sitting around pining for the long-gone "good old days." Well, if your good old days were soundtracked by the country hits of the 1990s, Gary Allan is here to help. The brooding, raspy-voiced star behind favorites like "Right Where I Need to Be," "Man to […]
GARY ALLAN MAKES RETURN WITH 'WASTE OF A WHISKEY DRINK' | Sounds Like Nashville August 3, 2020
"This song will be stuck in our heads!" Read More: GARY ALLAN MAKES RETURN WITH 'WASTE OF A WHISKEY DRINK'
Gary Allan Get's Back To His Classic Sound With New "Waste Of A Whiskey Drink" | Whiskey Riff August 2, 2020
You could definitely make a case for Gary Allan being one of the more underrated artists of the past 20 years. "Waste Of Good Whiskey," Gary has found the sound that his fans have been missing. Read More: Gary Allan Get's Back To His Classic Sound With New "Waste Of A Whiskey Drink"
Gary Allan Serves up Worthy Warning with "Waste of a Whiskey Drink" | Taste of Country August 1, 2020
It's been three years since Gary Allan gave fans a new single, and on Friday (July 31), he released "Waste of a Whiskey Drink." "It's about a girl that you just don't want any of your friends to get tangled up with," Allan explains in a press release. "You've been there. And you're telling him as he's looking at her and […]
GARY ALLAN RELEASES NEW SINGLE "WASTE OF A WHISKEY DRINK" July 31, 2020
Country star Gary Allan makes his return with a long-awaited new single "Waste of a Whiskey Drink" available today. The catchy and upbeat tune showcases Allan's signature raspy and soulful vocals with a classic 90's sound that his fans have craved. Written by Josh Kear, Michael Hardy, and Mark Holman, the song sounds as […]
'Hang Out' with EmiSunshine! July 3, 2020
Singer/songwriter offers mini-concerts and serenades Looking for a special gift for someone who "has everything?" Have you ever dreamed of your favorite artist performing for your private event? Now, you can make it happen, thanks to EmiSunshine and Topeka Live!, America's leading company that helps fans connect with their favorite artists, through video! Options include […]
Bootsy Collins on Togetherness in the Time of Quarantine | Rolling Stone June 12, 2020
https://youtu.be/HYRP4B-SosU Bootsy Collins on new song "Stars," how he's handling the pandemic, his feelings about George Floyd and what he learned from James Brown. How did "Stars" come together? I was working on my new album, and we were probably maybe about 75 percent done before the pandemic hit. That kind of took me in […]
EmiSunshine just dropped a song with Bootsy Collins | Knoxnews June 12, 2020
Bela Fleck and Dr. Cornel West are just the unexpected icings on this funky cake of a song called "Stars," benefiting MusiCares. Source: As unlikely as it sounds, East TN teen EmiSunshine just dropped a song with Bootsy Collins
2021 in Podcasts: What Changes Await the Industry This Year? | VULTURE
Introducing: The Top Paid Social Trends for 2021 | Inc.com
STUDY: No Infections with COVID-19 Tested Concert Audience | Your EDM
How to promote your blogs & videos on LinkedIn | Thrive Global
Inside the Surprisingly Big Business of Spotify's Secretive White-Noise Spammers | OneZero
Good Listens
Archives Select Month January 2021 December 2020 November 2020 October 2020 September 2020 August 2020 July 2020 June 2020 May 2020 April 2020 March 2020 February 2020 January 2020 December 2019 January 2019 September 2018 March 2018 February 2018 January 2018 September 2017 August 2017 January 2017 August 2016 April 2016 June 2015 March 2015 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 March 2014 February 2014 January 2014 January 2013
Social Media Streaming
Marketing Social Media


These grips provide ultimate ergonomics and comfort for the hand. The grip material is hypoallergenic and anti-bacterial. Two sizes are available, Small and Large. Measure across your outstretched hand- if the measurement is 8" or below, then SMALL is probably preferred. If the measurement is above 8" then LARGE may be the best solution.
Questions about the SideStix Biokork Grips others have asked!


text:
Oncometopia nigerrima är en insektsart som beskrevs av Schröder 1960. Oncometopia nigerrima ingår i släktet Oncometopia och familjen dvärgstritar.

Artens utbredningsområde är Guatemala. Inga underarter finns listade i Catalogue of Life.

Källor

Dvärgstritar
nigerrima

redpajama_set_name: RedPajamaWikipedia


text:
Las Vegas H-M
City/Area Please Select Las Vegas A-BLas Vegas C-ELas Vegas F-GLas Vegas H-MLas Vegas N-RLas Vegas S-TLas Vegas U-ZRenoLake TahoeLaughlinCarson CityNevada (Others)
M Resort in Las Vegas H-M
12300 Las Vegas Boulevard South,
Henderson, Nevada 89044,
Website: themresort.com
12300 Las Vegas Boulevard South, Henderson, Nevada 89044, United States
About the Casino
Although originally built and operated by The Marnell family - the design and construction firm responsible for building some of the city's most revered and successful resorts including Bellagio and Wynn Las Vegas - the M Resort was purchased in 2010 by Penn National Gaming. So far they've been keeping things status quo, which is good because the M Resort is a highly appealing package that is worth your attention if you're done with The Strip (as many people are).
The hotel is situated in the foothills of the mountains that ring the southern edge of the Las Vegas Valley, about 10 miles due south of Mandalay Bay. Folks who drive in from Los Angeles won't be able to miss it - it's the first building of any consequence along interstate 15 as you are arriving in the city. And you won't be able to miss The Strip in the distance. Perched on a rise, it offers some remarkable views of the entire region.
The design of the hotel takes full advantage of these views with liberal use of windows and terraces throughout the public areas that bring the outside in. That theme is continued with the overall décor, which uses a variety of natural material to create a constant parade of textures and contours, all much more pleasing to the eye than your typical flat wall and smooth ceiling. Rich woods, heavy stonework, blown glass, luxurious fabrics, crystal, water features, and more are highlighted giving the place a warmth that is missing from a lot of hotels. Note the mother of pearl accents - it's on the support columns and ceiling. Very nice touch.
See full review of the M Resort courtesy of Rick Garman's Vegas4Visitors.com
Click here for Hotels in Las Vegas


Over the past 15 years or so sitting has been linked with cancer, heart disease and diabetes and even depression. This has led to a surge in media stories on the risks of sitting, even for people who do a lot of exercise.
Then there's the rise in the popularity of standing desks to encourage people to get off their chairs to improve their health.
But is sitting really that risky? And do we really need standing desks?
In our latest study we investigated if not only the total amount of sitting, but different types of sitting, were linked with developing type 2 diabetes.
We wanted to see if there was any difference between sitting watching TV, sitting at work, or sitting at home but not watching TV.
We measured sitting behaviours of 4,811 British public servants, who were on average 44 years old and didn't have diabetes, heart or circulatory problems at the start of the study. Over the next 13 years, 402 people developed diabetes.
Once we took into account obesity, physical activity, and other factors contributing to developing type 2 diabetes, neither total sitting time, sitting at work or sitting at home but not watching TV were linked with developing diabetes.
We found only a weak association with the time spent sitting watching TV and an increased risk of developing diabetes.
This contrasts with a recent review combining the results of five older TV studies that showed a stronger link. But hardly any of the included studies accounted for obesity, a major cause of diabetes.
For people who are physically inactive, though, the story's different. Two recent studies show the total time spent sitting a day is linked with developing diabetes, but only in people who are physically inactive or both physically inactive and obese.
That's not the whole story. At least two factors determine if sitting is a risk factor in its own right: the type and context of sitting.
We're most likely to sit at work, at play and while travelling. And a growing body of evidence suggests not all sitting is equal.
For example, sitting down at work isn't strongly linked with long-term health risks. Perhaps that's because higher status jobs involve more sitting, and higher socioeconomic position is linked with a lower risk of chronic disease.
Personalized medicine may do more to treat rather than prevent chronic diseases.
Each of these aspects of watching TV increases the chances of poor physical and mental health. But studies cannot account for all these complex influences. In other words, TV involves a constellation of health risks that go uncounted. So TV studies only tell us that excessive TV viewing is a behaviour that needs to be reduced, but tell us practically nothing about the health risks of sitting.
An important aspect of our study was that participants said they were physically active, reporting an average 43 minutes walking a day, plus more than two hours of other physical activity a day.
A large recent review combining data from over one million participants found 60-75 minutes of physical activity a day eliminated the harms of sitting when it came to measuring death from cardiovascular disease or death by all causes.
One possible explanation for the weak links between sitting and diabetes we observed is that participants were protected by their high levels of physical activity.
This suggests it's particularly important to find ways to allow office workers forced to spend many hours a day in front of a computer to add physical activity to their daily routine.
As well as individuals changing their behaviour, governments need to provide infrastructure for active commuting, like bike lanes and secure bike racks at stations, and encourage people to use public transport. Employers could provide incentives and facilities for active commuting, like providing showers at work, and promote lunchtime walks, encourage the use of stairs instead of lifts, and even walking meetings when convenient.
Adjustable desks that allow a sitting and standing option (sit-stand desks) could be a good first step, especially for very sedentary and unfit workers. But these aren't a complete solution as people don't expend much energy, or exert themselves, using them.
Even well designed studies of people using sit-stand desks found replacing sitting with standing for 40-45 minutes each work day didn't provide any measurable health benefits.
And people who use them may think they've done their bit and tend to be less physically active after work.
Reducing the amount of time spent sitting can be a useful option if people don't want to walk or cannot walk, cycle or exercise.
But you would have to cut back your sitting by many hours a day to achieve the same reduced risk of dying from cancer and cardiovascular disease from doing even one or two exercise sessions a week.
Although we tend to assume it's easier to reduce sitting time than to promote physical activity, unfortunately, they are equally hard to tackle.
We also need to read behind the headlines of how the media covers sitting. Research just published shows 30-40% of media stories on sedentary behaviour promote misleading messages, such as sitting undoes the benefits of exercise.


Welcome to video four of the Lead Guitar Quick-Start Series. In this lesson, we'll be learning the major pentatonic scale, which is very versatile and used in many music genres. We'll also go over a muting technique in this lesson, so you can play a clean sound with every note.
You'll remember in the G major scale shape, there are seven notes repeated in multiple octaves. In the major pentatonic scale, we simply take two of those notes out of each octave. Essentially we'll play the G major scale, but leave out the fourth and seventh note out.
Penta stands for five, meaning the pentatonic scale is a five-note scale. This scale shape will feel more even as you play it because there are two notes on every string. As we jump into this new scale, remember the universal guitar playing tips I've given you in other lessons.
On the low E string, you'll start with the G root note, which is your second finger on the third fret. Next place your fourth finger down on the fifth fret. You should be pretty comfortable with this since it's no different from the beginning of the last major scale you learned.
Moving to the A string, put your first finger down on the second fret, and then skip to hitting the fifth fret with your fourth finger. Take some time here to get the first four notes of the scale down, and remember to play the scale both up and down.
Next up is the D string, which is the same pattern you learned with the notes on the A string. First finger on the second fret, and then fourth finger on the fifth fret. Remember that watching out for repeating patterns in your scales will help you learn the scale shapes.
With the G string, start with your first finger on the second fret, and now use your third finger on the fourth fret. Now add these two notes to the rest of the scale to get comfortable with all the notes so far. Remember that you don't have to get this down during the video – you can take a few days or weeks to get comfortable.
It's easy to finish up the scale from here, because it ends with another repeating pattern. The B and the high E string are going to follow the same pattern. Play your second finger on the third fret, fourth finger on the fifth fret on the B string, and then repeat those notes on the high E.
As you start to play this scale shape over again, you'll notice that you need to use your pinky finger a lot. Chances are your pinky finger is not very strong yet, but you have to strengthen it at some point, so now is a great chance to work on it.
What's awesome about the pentatonic scale is it always sounds good when played over the corresponding major chord. You can hear this in the video when I play this G major pentatonic scale and the major G chord together, it sounds great.
As you become a stronger lead guitar player, you'll need to learn some muting techniques. Being able to avoid the ringing noise of other strings you didn't mean to play will help separate you from the average lead guitar player. As I play an example in the video, you can hear the ringing from open strings and it doesn't sound very clean. There are two ways of muting the strings you're not playing, and the first we'll look at today is using your fretting hand.
In the first lesson we talked about good finger posture and coming down on the strings with the tips of your fingers, but this won't always be the case as a lead guitar player. If the tip of my finger is straight down on the E string, then I will lightly brush up against the A string too. Now if I accidentally strum the A string with my picking hand, the A string will be muted and won't sound out.
You can use this muting technique with every finger as you play through the scale, and this will help prevent any strings you accidentally hit from ringing out. In the next lesson, we'll take a look at the other muting technique using your picking hand.
Now you can pull up the same jam track from the last lesson and practice your major pentatonic scale shape. Get comfortable with the scale shape, emphasize the root notes, and then try creating your own licks and solos from the pentatonic scale. You can also start to mix in the G major scale from the third lesson, and go back and forth between the two scales. Check out my example in the video to hear what it will sound like, and then have fun trying it out.
In the next lesson we'll learn the minor pentatonic scale, which is quite possibly the most popular scale among guitar players. If you have any questions on the major pentatonic scale before you move to lesson five, be sure to comment below.


Hey guys, we are back with week 13 of our Healthy Weekly Meal Plan! Myself along with 5 other amazing bloggers have come together to make a collaborative meal plan every week to take all the guesswork out of meal planning and saving you the hassle of trying to eat healthy. We have put together a full week of yummy and easy entrees that you and your family will love!
You can't forget a festive and fun treat to celebrate Halloween! These fun Skinny Orange Soda Halloween Cake Pops are lightened up†by using diet orange soda and cake mix. They're a fun orange color when you bite into them and taste like an orange creamsicle!
Sunday dinner is made easy and delicious with these Jerk Shrimp and Spicy Sweet Potato Nachos Whether you are enjoying the game or hanging out with family, who doesn't love nachos?!


Intergraph Corporation announces the availability of Live Link, connecting GeoMedia and ERDAS IMAGINE. For the first time, users can leverage GeoMedia's rich set of vector handling tools and ERDAS IMAGINE's raster capabilities to support synchronized data sharing, viewing, editing, updating, and analysis.
"Users can now enjoy truly connected image processing and GIS products from a single provider, not only simplifying purchasing and maintenance, but also providing a stronger, more streamlined geospatial workflow," said Mladen Stojic, Vice President Geospatial, Intergraph. "With this new capability, end-users can integrate comprehensive spatial information and technology with business systems and applications to simultaneously strengthen their responsiveness to customers with a holistic view of a given geography."
GeoMedia is a powerful GIS management package that enables users to realize the maximum value of their geospatial resources, integrating them into present clear, actionable information. ERDAS IMAGINE incorporates geospatial image processing and analysis and remote sensing capabilities into a single powerful, convenient package.
Now connected, users can leverage these two products together, integrating accurately processed imagery and terrain data from ERDAS IMAGINE for critical GIS and CAD updates, along with GeoMedia's comprehensive toolset for managing and analyzing GIS resources.
Within ERDAS IMAGINE, users have access to a sophisticated set of assisted feature collection capabilities and quantitative image processing that supports change detections and the extraction of details about the earth, such as land cover, vegetation health and impervious surface information.
GeoMedia provides simultaneous access to geospatial data in almost any form, uniting them in a single map view for efficient processing, analysis, presentation and sharing. Its dynamic analysis functionality enables concatenation of analysis processes so the results of one operation feed directly into the next process, as well as automatic updating of results in response to data changes.
"By interacting with a single provider for both image processing and GIS needs, users now have a more simplified experience – saving time and reducing costs," added Vince Smith, GeoMedia Product Line Executive, Intergraph. "In addition, under the stewardship of a single organization, our products can evolve to meet ever-changing market demands while maintaining their close compatibility. We will also be able to provide more knowledgeable assistance for both products before and after their purchases."
Intergraph will be hosting a webinar on January 25, 2012, entitled "Leveraging ERDAS IMAGINE within GeoMedia Workflows," as well as another webinar on January 26, 2012, "Using GeoMedia to Enhance ERDAS IMAGINE Workflows." Both webinars will address key ways users can realize the maximum value of their geospatial resources with this combined offering.


text:
Nicholas Hytner and Alan Bennett's Guest
ABOVE: DAME MAGGIE SMITH AND ALEX JENNINGS AS MISS SHEPARD AND ALAN BENNETT IN THE LADY IN THE VAN. PHOTO COURTESY OF SONY PICTURES CLASSICS.
In the mid-70s, playwright Alan Bennett allowed an elderly woman living in a yellow van to park in his driveway. Known as Miss Shepard, she stayed there for 15 years. She was never grateful or gracious. When other residents of Bennett's street (Gloucester Crescent in Camden, London) tried to engage her in conversation or offer her gifts, she was recalcitrant at best.
Throughout her residence, Bennett questioned his motives for letting her stay: weakness, morbid curiosity, guilt at neglecting his own mother. "Alan would absolutely deny that he felt an emotion called compassion," says director and frequent Bennett collaborator Nicholas Hytner. "Any good turn he did her was accompanied by a desire to strangle her. He hated being called nice, he hated being called kind, and she took advantage of him. But at the crucial moment, when the police were going to move her along, he said 'Why don't you stay.'"
Whatever Bennett's relationship with his neighbor, she had a lasting effect on him. After her death, he published a memoir about the experience first in the London Review of Books and then as book. In 1999, Bennett's play The Lady in the Van debuted at the Queen's Theatre in London, directed by Hytner and starring Dame Maggie Smith as Miss Shepard. Earlier this year, a film adaptation reuniting Smith, Hytner, and Bennett (as the screenwriter) premiered at the Toronto International Film Festival. "Nobody can remember why we didn't do the film 15 years ago," says Hytner. "I think a lot of people will recognize what we all wish ourselves to be in that act of hospitality. People want to be basically civilized, kind, and hospitable, even if they moan."
For the last 20 years, the Cambridge-educated Hytner has been one of the most sought after theater and opera directors in London and New York (his most recent play on Broadway was the hugely successful farce One Man, Two Guvnors). He's collaborated with Bennett numerous times and, during his 12-year tenure as director of the National Theatre in London, directed Bennett's The History Boys (2004) and The Habit of Art (2009). (Fun fact: every living member of the original History Boys cast makes a cameo in The Lady in the Van, from James Corden to Dominic Cooper to Stephen Campbell Moore.) Now, he's working on a new theater for his company the London Theatre Company.
EMMA BROWN: Did you know about Miss Shepard when you lived in Camden in the '80s?
NICHOLAS HYTNER: I had no idea what was going on. I've lived in Camden since 1981 and I knew who lived on Gloucester Crescent, and I knew where Alan Bennett lived. I used to walk down it quite a lot; it was one of the ways to the tube. I would see this grotesque yellow van and quite often this old lady around it. I knew that was Alan's house, but I had no idea what was going on. I honestly thought, "Is that his mother? Does he keep his mother in a van outside?" It was only about six months after she died that I worked with Alan for the first time. I never said, "What was that van?" I found out later that nobody ever said, "What was that van?" Even people who visited him while the van was there—and you had to squeeze past it to get in. People were just too polite. Then in 1990, he wrote a memoir of it. I found out about it along with everybody else. I did see her. I never spoke to her. She was scary. Several of the people involved in the movie did know her, did speak to her. Frances de la Tour did. Jim Broadbent did. The composer Jim Fenton, who's known Alan for quite a long time, used to try to have conversations with her, but that wasn't easy.
BROWN: I read that you actually filmed in Alan's old house.
HYTNER: Yes, that's the actual house. Everything looks exactly as it did. The study looks the same as it did. We brought back all his books. He still owns the house; there's a tenant in it who kindly vacated for a couple of months. The drive is the same. The vans are exact copies of what she had.
BROWN: That must have been quite a strange experience for Alan. Did he come to set often?
HYTNER: Yeah, he was there most days. I think it was. It's a very particular street, it was a kind of colony for North London liberal artists and intellectuals. It wasn't just Alan; it was other writers, directors, journalists, novelists. Steven Frears' first wife lived there so he was there an awful lot and he knew her. He passed by the set one day and asked what we were up to, and he said, "I'm not coming to see that! I knew the real thing. I'm not paying money to see her all over again." They all bought the houses in the '60s when they were cheap, and a lot of them are still there. But quite sweet is that a lot of the children, who remember her very well and are now in their 40s and 50s, came by while we were shooting. They were full of stories about her—how they used to torment her and she used to torment them and they were terrified by her. There's a little scene in the film where they bring her Christmas presents, and she tells them to shut the door and never says thank you. That was not in the script. That was literally somebody I know who was a kid when she was there who said to me, "I remember our parents used to make us take Christmas presents to her every year and we'd knock on the door of the van, give her presents, and she just used to tell us to get lost. She'd take the presents and tell us to get lost." I thought, "That'll take a couple of hours to shoot that little scene," so we just put it in. A lot of it was memory that was being recreated almost at the moment it was being remembered.
BROWN: But she never says thank you to anyone.
HYTNER: Not at all. Never did. It's one of the magnificent things about her. This is not a likeable character, but what makes her magnificent and likeable is her determination—a strong-willed determination to live the life she's going to live. Even though she's at the bottom of the heap, nobody's going to tell her otherwise. They never exchange an affectionate word, but I think that's what makes it very particular.
BROWN: I was wondering about how this situation would play out today, when you can just Google people and find out everything about them.
HYTNER: Alan couldn't, not even now. He knew only what she told him. She was not giving him her real name. Maybe social services would know more about her. He's very scrupulous and argues himself throughout the film—as I think he must have argued with himself right through the 15—he argues about what is permissible to speculate, what is permissible to write that isn't true, and how far is he allowed to depart from the gospel truth. The gospel truth is he found out a great deal of what he knew about her after she died. He met her brother after she died. He found out about the accident after she died from a priest at a church she used to go to, to whom she must have talked about it outside of the confessional or the priest would never have said. So I think there's nothing about her that you could find online. Not even now.
BROWN: When you first met Alan, did you get on right away?
HYTNER: Yeah, we got on fine. But I think we created a working relationship by working. It was by doing the first play that we discovered how well we got on and that was what made him give me The Madness of George III. I have always so responded to the way he writes, the way he looks at the world, his outsider status, the way he uses the language. He claims that he has no vivid imagination and has always, I think, looked to me for what he imagines he can't do himself. I think he can probably do it pretty well. So we've created a working relationship over 25 years.
BROWN: There are two Alan Bennetts in the film and the play—Alan Bennett the writer and Alan Bennett the layman. In the play, they were played by two different actors. In the film, they're both played by the same actor. Do you feel like having just one actor as Bennett took away or added something to the part?
HYTNER: I think that would have been too theatrical a device. It is much easier than it was 15 years ago to have the same actor twice in the same frame. There was no point in thinking of doing it any differently. We wanted to retain that device [of two Bennetts]. It is truthfully how he feels and sees himself; he's always thought that the writer part of him is bolder than the one, as he says, who does the living. He's always said the writer is less scrupulous and more ruthless than the one who does the living. There's something quite truthful about that device. It's obviously not literal reality, but one of the things he learns during the film is to stop being scrupulous and to start allowing his imagination free reign. By the end of the film, he's allowing her to write her own ending. Although huge care has been taken to make everything look exactly the way it looked right from the start, it's also a writer's response to how things were. It's not the actual, literal, mundane truth.
BROWN: You've directed so many plays over the course of your career. What makes you think a play is worth taking to the screen—that you will get something new out of it?
HYTNER: It's Alan's stuff. I can't imagine wanting to make a movie in the forseeable future that isn't Alan's stuff. There are people who do it better than me. I'm a theater director. I feel that, when it's Alan's sensibility and Alan's stories, I can bring something to it because of my long experience with him that's worth coming away from the theater for. There are very few people who are as good in both mediums—very, very few. I'm certainly not equally confident, or equally adept.
BROWN: I heard people squatted in the van while you were filming.
HYTNER: It's true. One horrific Monday morning…Camden is a big party place, so two people had rolled out of some club in the early hours of Sunday morning—a couple—and taken up residency in the van outside the house. Monday morning at five o'clock, when the props people arrived to start putting the set back together again, they opened the door and these two bleary young people came staggering out. They were high on all sorts of god-knows-what and the props people were terrified. They thought, "God knows what's been going on in here." The whole of the contents of the van were taken out, deep-cleaned, and then made dirty again and brought back. We had to pretend to Maggie that something else was going on, because we were due to shoot her coming out of the van first thing and nobody there would admit to her what had been going on. I did admit to her a few months later and she thought it was very funny. There were a couple of disreputable clubbers having a very good time inside that van.
THE LADY IN THE VAN IS OUT NOW IN NEW YORK AND L.A. IT WILL EXPAND ITS RELEASE ON JANUARY 15, 2016.


text:
Russian protest artists Pussy Riot are heading to Exeter
Here's how you can get tickets
Abbie BrayRegional TV and celebrity reporter
Following their sell-out tour in 2017 Pussy Riot is returning to the UK – and this time they're heading for Exeter.
The Russian protest art collective have one of the most important voices of the last 10 years who's lyrical themes include feminism, LGBT rights, and opposition to Russian President Vladimir Putin, whom the group consider to be a dictator.
The band found fame for staging unauthorised provocative guerilla punk performances in unusual places, which were recorded and made into music videos.
Devon singletons wanted for new Channel 4 dating show - and it's hosted by Ashley Banjo
They gained global notoriety in 2012 when three of the groups members (Maria Alyokhina, Nadezhda Tolokonnikova and Yekaterina Samutsevich) were imprisoned for 'hooliganism motivated by religious hatred' following their preformance inside Moscow's Cathedral of Christ the Saviour in a protest directed at the Orthodox Church leaders' support of Putin during his election campaign.
Maria Alyokhina and Nadezhda Tolokonnikov were released in December 2013. Samutsevich was freed on probation in 2012.
Video of Exeter dad's rap about Facebook friends goes viral
In September 2017 Maria Alyokhina released her memoir Riot Days, the accompany piece to the book is the touring play Riot Days ("Revolution") that merges punk, electronica, theatre, documentary footage and protest. The play comes to Exeter Phoenix this August.
The play will see Maria Alyokhina, Kyril Masheka (her main stage partner on 'Burning Doors'), Nastya (one of the leaders of Pussy Riot of 2011-2012), Max (from the music duo AWOTT (Asian Women On The Telephone)), and Olga (another Pussy Riot member), perform throughout the UK.
What's On in Devon
Double banana
Sainsbury's recall
Free Lego!
The project is produced by Alexander Cheparukhin and directed by one of Russia's leading theatre directors Yury Muravitsky.
Riot Days is on at Exeter Phoenix on Friday, August 24, at 7pm. The performance is suitable for ages 14+. Tickets are £16 and can be bought online here http://www.exeterphoenix.org.uk/events/pussy-riot/ or by calling the venue's box office on 01392 667080.
Things to do in Devon


Our experienced personal injury lawyers provide aggressive representation for accident victims throughout Northern Illinois. For a free consultation, contact us today.
If you have been injured in an accident, you could have a claim for significant financial compensation. Victims of vehicle collisions, slips and falls, and other accidents often suffer severe injuries – and in many cases they do not realize the full extent of their physical, financial, and emotional harm. At Barrick, Switzer, Long, Balsley & Van Evera, LLP, we use our experience in complex litigation to help personal injury victims fight for just compensation. If you have a claim, we can fight to make sure you receive the compensation you deserve.
These are just examples. If you or a loved one has suffered a traumatic brain injury, a spinal cord injury, broken bones, soft tissue damage, or any other serious injury in an accident in Northern Illinois, we encourage you to contact us promptly for a free consultation about your legal rights.
Q: How much compensation can I recover for my injury?
No attorney will be able to answer this question for you without gaining a detailed understanding of what happened and the extent of your injuries. However, what we can tell you is that, as a general rule, accident victims in Illinois can recover compensation for their medical bills (current and future), lost income (current and future), pain and suffering, and other financial and non-financial losses.
Q: How long do I have to file a personal injury claim in Illinois?
In most cases, the statute of limitations for personal injury claims in Illinois is to years from the date of the accident. However, this is not a universal rule, and to improve your chances of securing a quick financial settlement you should contact an attorney as soon as possible.
Q: How much will it cost to hire an attorney to represent me?
At Barrick, Switzer, Long, Balsley & Van Evera, LLP, we handle personal injury claims on a contingency-fee basis. This is what you may have heard referred to as, "no recovery, no fee." If we help you secure financial compensation, we will retain a percentage of your recovery as the fees for our services.
For more information about pursuing financial compensation for your injuries, please send us a message online or call (815) 962-6611. We will arrange for you to speak with one of our experienced personal injury lawyers as soon as possible.


Join Debbie as she enthusiastically leads you through a series of cardio movements designed to continuously vary your heart rate and burn fat. Combining an incredible aerobic workout with a great stretching series, Box and Burn prepares you to be sharapova diet plan to enjoy your life. For example, they let us know which features and sections are most popular. With its intensity, you'll be working up a sweat and definitely burn those fats for rapid weight loss.
You can do it anywhere. The Kettlenetics kBell has an offset, sure-grip handle to better maneuver through Michelle's innovative FlowMotion movement patterns. It's Pure Sweat, all the way through! Med Ball Workout Be prepared for a sweat-inducing session with this workout.
Gaiam - 5 Day Fit Weight Loss - Free eBooks Download Please enter a valid ZIP Code.
Get a step counter to challenge yourself to outdo your own performance every time you head out for a workout stroll. You and your exercise partner will alternate in engaging your own core muscles and give the other person the weight resistance to perform the moves correctly.
No special shoes, clothing or equipment are needed. Dumbbell Goblet Squat via Buzzfeed The beauty of this move is that you'll get the fat-burning benefits of a traditional squat but it will not put pressure on your back.
If you are up to a mixed-martial-arts type of training to get fit, then try this and triumph in your fitness goals. Grab a med ball and engage your core for a fast and fun way to activate large muscle groups to achieve weight loss faster.
These workouts typically take less than 30 minutes, which makes them doable even for the busiest of people. They alert us when OverDrive services are not working as expected. Work your way to a slimmer body with the poses in this workout routine.
Most Powerful Back Fat Burning Workout This collection of powerful exercise routines focus on burning fat from your back. In most cases I ship within 24 hours. This program offers 3 customized 1-mile walking routines. This fitness training routine is designed for fitness buffs from all levels of expertise.
Lynn created this program to keep herself 5 day fit weight loss gaiam top shape for her progress in the martial arts. This time, why not use your favorite songs to torch those fats? Walk your way to weight loss!
This is the perfect workout for those who don't have time all natural diet pills quality go to the gym because but don't want to skip exercise day.
Visit my store to see all my workout DVD lots. This workout is a great way to improve balance and lose weight at the same time. Region 1 includes the U. Put on an awesome playlist and you're well on your way to a trim and fit body in no time.
You've seen him in action, helping celebrities lose weight and improve their fitness; now you can follow his ultimate workout yourself. Customize and combine the workouts to attain your fitness goal.
Quiet your mind and body with slow, calming stretches and experience the tranquility of this meditative cool-down. The combined moves aim to jumpstart your metabolism and burn those stubborn body fats. Melt away calories with this hot new cardio workout. There is no particular order to the sequence, and there's no reference from one workout to another. Bodycombat This workout promises to torch more than calories in one session.
You'll not only harness the triple power of martial arts, yoga and meditation, but also the two other essential elements of the Budokon method: Belton, Missouri, United States Shipping to: It burns fat in half the time of other workout moves. With Gilad's eating plan, you can expect to eat more and weigh less!
Wake up your body and your senses with this stimulating series of gentle 5 day fit weight loss gaiam stretches that increase blood flow and flexibility. Then a toning program firms and shapes your abdominal, chest, arms, hips, thighs and buttocks. Although this form of exercise seems daunting at first, it is actually friendly weight loss workout plan for beginners who commit to try the poses.
Shipping and handling This item will ship to Germany, but the seller has not specified shipping options. Running Knee Raises via Radiant Blast those calories with this fitness challenge. Designed by Master Instructor Sue Mi Powell, this blend of highly effective cardio and light sculpting moves deliver a super charged workout experience.
Arthur Agatston, who introduced the world to his infamous South Beach Diet. Get your workout for the day as the Hip Hop music takes you away. It easy to do diet plans fat with its combination cardio exercise and strength training. For equipment, all you need is a stopwatch or your interval timer of choice.
Burpees via Paleo Hacks Burpees are a wonderful full-body exercise. This means new items must still be unopened. All are filmed on location in attractive places around Maui, and one is in Banff, Alberta, with bland new age music in the background and the instructor telling the viewer what to do in a voice-over.
We use this information to create a better experience for all users. Here's a clever way to use things in your surroundings to help you achieve your fitness goals. Research and analytics cookies These cookies help us understand user behavior within our services.
They encourage muscle development and improve heart health. Power Walk and Tone - This vigorous minute routine combines power walking and sculpting techniques to firm and tone the major muscles, while blasting away the pounds for a sleek and slender body. Weeks 3 and 4 - Yoga Level 2 15 mins: Consider investing in the best quality gear and heavy bag, plus the right workout guide, and you can achieve your fitness goals right in your own home.
Do Anywhere Kickboxing Workout via Fitfluetial Get into your best fighting form with this kickboxing workout. Select a valid country.
As you learn actual bellydance combinations, your hips, arms, buns and tummy will thoroughly be toned and worked. Jumping Jacks Never underestimate the fat-burning benefits of this classic exercise.
It's a powerful way to lose weight because you burn 5 day fit weight loss gaiam and fat while massaging and stimulating your digestive system, which increases your metabolism. A burpee workout involves squatting, jumping, doing a pushup, jumping, squatting, and then jumping in an explosive sharapova diet plan. Follow a dynamic sequence of flowing poses that challenge your strength and stamina to shed pounds fast.
Performance and reliability cookies These cookies allow us to monitor OverDrive's performance and reliability. Remember to keep hydrated as you'll be sweating plenty. With Leslie as your personal coach, you can walk a mile each morning and never leave your home. They all use a yoga mat and a couple of the practices suggest using blocks, rolled up towels or bolsters.
Doing the poses with a partner, this workout offers to develop your muscles, strengthen your core, improve your kinesthetic ability, increase your flexibility, and bestow a feeling of relaxation. It features a combination of HIIT and strength training workouts that will surely burn those fats right before the seasons change.
Learn how to prepare foods the fast 5 day fit weight loss gaiam easy way and energize your day - the healthy way! No special equipment is required. You will isolate, move and work muscles you didn't know you had. Energize your day and super-charge your metabolism with this weight loss program that has everything you need to walk off more weight.