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Perspective > theheart.org on Medscape > Clot Blog with Dr Sam Goldhaber
SURVET: Evaluating Sulodexide for Deep Vein Thrombosis
Samuel Z. Goldhaber, MD
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Samuel Z. Goldhaber, MD: Hello. This is Dr Sam Goldhaber for the Clot Blog at theheart.org on Medscape, speaking to you from the American Heart Association (AHA) Scientific Sessions in Orlando, Florida.
Today I'm going to speak about a recently published trial[1] in Circulation that introduces us to a new drug that can be used for long-term extended treatment of patients who've had a previous deep vein thrombosis (DVT) or pulmonary embolism (PE). It's called sulodexide, and it was studied in a randomized controlled trial, called the SURVET study.
And sulodexide is a glycosaminoglycan. It's not quite an anticoagulant. It has a lot of antithrombotic properties and a lot of profibrinolytic properties. And it has, in small studies[2,3,4], a remarkable safety record with negligible bleeding complications.
The issue that was tested in the SURVET study is whether after about 6 months of anticoagulation for patients with an unprovoked DVT or pulmonary embolism, if they were then switched from the anticoagulant to sulodexide and followed for the next 2 years, would they have a lower rate of recurrent venous thromboembolism compared with patients randomized to a placebo?
And what was shown in the study of 615 patients with idiopathic DVT or pulmonary embolism after their initial standard course of anticoagulation followed by randomization either to sulodexide or to a placebo for sulodexide, is that with 2 additional years of sulodexide or placebo, there was a 50% reduction in recurrent venous thromboembolism in the sulodexide group compared with the placebo group. On top of this, there were zero major bleeding complications in the sulodexide group.
This seems to be potentially a dream-come-true type of strategy that deserves our attention. Particularly because we know that with unprovoked and idiopathic DVT and pulmonary embolism, the 10-year rate of recurrent events without any anticoagulation after an initial course of anticoagulation is in the order of 30% to 50%. And to have a recurrence rate of 30% to 50% is totally unacceptable.
Sulodexide appears to offer a very safe strategy and one that's quite effective, too, in markedly reducing the rate of recurrent venous thromboembolism after standard anticoagulation is discontinued.
So stay tuned for further studies and possibly an application for FDA approval for sulodexide, which would really add to our therapeutic armamentarium.
Another approach, of course, would be just to continue anticoagulation indefinitely in high-risk patients with idiopathic acute venous thromboembolism. But sulodexide might be quite suitable for those patients who are at a little bit of lower risk of recurrence, where it's felt to be safe to discontinue the anticoagulant, and then they could be switched to a sulodexide regimen.
This is Dr Sam Goldhaber signing off for the Clot Blog.
© 2016 WebMD, LLC
Any views expressed above are the author's own and do not necessarily reflect the views of WebMD or Medscape.
Cite this: Samuel Z. Goldhaber. SURVET: Evaluating Sulodexide for Deep Vein Thrombosis - Medscape - Mar 29, 2016.
Professor of Medicine, Harvard Medical School; Director, Thrombosis Research Group, Boston, Massachusetts
Disclosure: Samuel Z. Goldhaber, MD, has disclosed the following relevant financial relationships:
Served as an advisor or consultant for: Baxter; Boehringer Ingelheim; Bristol-Myers Squibb; Daiichi Sankyo; Eisai; Merck; Pfizer; Portola Pharmaceuticals; Sanofi
Received grants for clinical research from: Bristol-Myers Squibb; Eisai; EKOS Research Associates; Johnson & Johnson Pharmaceutical Research & Development; Sanofi
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I wondered if anyone has got the Syns value for the KFC Brazer burger please?
If not I'll post the NV and hopefully someone could let me know from the calculator please?
I think it'll be 1 syn per 20 calories, most takeaway burgers are. Things like nuggets you get a couple of syns as free food but all McD's burgers are 1 syn per 20 calories.
Yeah, accoring to the NV here that does indeed work out at 1 syn per 20 cals.
Thanks again is that 21.5 for all the days?


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Item Description Senator Richard Pettigrew writes Judge Samuel Tate on April 4, 1890 to discuss local railroad matters. The 'Midland Pacific' and Yankton rail lines are mentioned. Funds are short in regards to grading the Midland Pacific but a gentleman named Sherman wants to lease the Yankton line.
Collection Description This part of the larger Tate Papers available at the Center for Western Studies. The Tate Papers contain correspondence between and photographs of members of the Tate family and three tickets for the Sioux Falls Street Railway. Samuel L. Tate (1839-1914) served as Vice President of both the Minnehaha National Bank, and the Union Trust Co. He, along with his business partner, R.F. Pettigrew, developed substantial real estate sections of Sioux Falls, and founded the Sioux Falls Trolley lines.


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Q: Появляющиеся поле на JQuery Друзья, приветствую.
Пишу небольшой функционал для посетителей - форму подписки, все получилось довольно симпатично, но столкнулся с проблемой, когда появляется блок после нажатия на кнопку, то он почему-то при наведении ведет себя как кнопка по которой нажали.
Подскажите решение...
Пример здесь http://jsfiddle.net/TZ2at/
A: структура там страшненькая, но с пивом покатит. вот чуток подровнял. http://jsfiddle.net/TZ2at/2/
На самом деле там много чего нужно переделать

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The changing identity of a post-soviet woman who experiences transformation caused by Western influence is the focus of this performance. The human body is the locus of tradition, communication and authenticity. The body listens, tells and retells stories, continually forming identity based upon time and place. In hindsight, the changes in the woman's identity are legitimized or explained by socio-economic shifting. The specific and multiple roles of being a Soviet woman become the focus of audience interest in this work. The research is based on Dr. Aneta's Pavlenko "Socioeconomic Conditions and Discursive Construction of Women's Identities in Post-Soviet Countries" (2002) adding a dramaturgical flare to the performance. The research is based on various interviews with elderly women from the Czech Republic and Lithuania who at the time of the fall of the Iron Curtain were in their thirties. The performance explores general questions about the identity of Soviet women: What kind of identity do post-Soviet women currently have? Does the Soviet identity of women still exist in the second and third generation? Does an observable post-Soviet women's identity still exist in the era of globalization? And, if yes…how does society address and respond to it? While the work examines the heritage and evolvement of post-soviet thinking in our generation, it also attempts to explore whether including features of eastern mentality in everyday life is an option.
Idea and concept:
Agnija Šeiko, Ingrida Gerbutavičiūtė
Agnija Šeiko, Inga Kuznecova / Ingrida Gerbutavičiūtė
Antanas Jasenka
Stage designer:
Sigita Šimkūnaitė
Video artist:
Albena Baeva
Light designer:
Povilas Laurinaitis
Central Eastern European Contemporary Dance Network "Identity Move!"


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£5m for aquaculture R&D project that will create 30 jobs
A four-year aquaculture research and development project has been awarded up to £5m in public sector funding.
The post-smolt innovation project is being carried out at The Scottish Salmon Company's (SSC) Applecross sites in the northwest highlands. It will create around 30 new rural jobs and significantly advance salmon farming in Scotland.
Highlands and Islands Enterprise (HIE) has approved up to £3m investment, and a further £2m has been confirmed by Marine Scotland.
The project is being led by The Scottish Salmon Company as part of longer-term commitment by its parent company, the Bakkafrost Group.
A central aim is to increase smolt size from around 100g to 500g in an ecologically sustainable way, using innovative Recirculating Aquaculture System (RAS) technology.
It will include innovative husbandry and enhancing smolt testing and vaccination methods to improve fish welfare while increasing production.
Greater control of the freshwater rearing environment allows the length of time smolts spend in the freshwater phase of production to be increased. The marine phase, where the fish are most at risk to environmental and biological challenges, such as predation and disease, will be shortened. This will reduce biological risk and enable greater productivity and quality.
Announcing the funding Rural Affairs Secretary Mairi Gougeon said:
"This investment underlines our commitment to promoting sustainable development for the aquaculture sector.
"I welcome the new approach being taken by The Scottish Salmon Company since it became part of the Bakkafrost Group and the introduction of new management.
"The project will deliver on improved fish and welfare, applies innovation to address key challenges and contributes towards sustainability. It also supports the creation of new jobs which will boost the wider economy.
"These jobs include high value, high skill positions in remote rural areas and also add to our burgeoning aquaculture supply chain which makes the whole industry more sustainable in the longer term.
"Salmon is an iconic Scottish product, providing a source of home grown, nutritious low carbon protein that is enjoyed at home and abroad.
"It is an essential part of our green recovery, Scotland's largest food export and a huge part of our food and drink success story."
Carroll Buxton, interim chief executive of HIE, said:
"Aquaculture is a huge industry in Scotland, particularly rural parts of the Highlands and Islands, where it provides vital year-round employment. It is important therefore that we continue to support the industry to improve sustainability, reduce waste and contribute to Scotland's transition to a net zero economy.
"This project will improve fish welfare and quality, while increasing efficiency in production. I'm very pleased we have been able to provide support and look forward to seeing the initiative develop."
The Scottish Salmon Company employs around 600 people across 60 sites, most of which are in economically fragile parts of Scotland's west coast and islands.
After purchasing the company in 2019 Bakkafrost became one of the world's largest Atlantic salmon producers. The parent company has already invested £50m in SSC and has declared its commitment to continuing this investment over the next five years in areas such as innovative husbandry, smolt testing and vaccination methods to improve fish welfare whilst increasing production.
Ian Laister, managing director of SSC said:
"We are committed to investing in the remote and rural communities in which we live and work. Our investment in recirculating aquaculture system (RAS) is part of our commitment to become the leading and most sustainable salmon producer in Scotland.
"This new post-smolt technology will be a game changer and we are delighted to have the substantial support of both Highlands and Islands Enterprise and Marine Scotland to allow these innovative plans to be developed in Scotland. Their investment and support will help create jobs in the rural economy.
"Our RAS facility at Applecross will be fully operational by 2023 and will be the largest of its kind in Scotland, with plans for an additional two RAS facilities.
"This is fundamental to our overall sustainable growth strategy and investment programme over the next five years, which will transform the business."
First aquaculture and animal health business accelerator programme open for applications
Two new business units will be developed in Scalsaig, Isle of Colonsay in Argyll
£145k award for Colonsay business units
Moray Growth Deal is officially signed
£100m Moray Growth Deal - official signing
Glencoe ski centre has been granted funds to help towards the construction of a new base station
£500,000 funding for Lochaber tourist attraction
Businesses in the Highlands and Islands continue to be challenged by increasing costs, economic uncertainty and supply chain issues.
HIE publishes results of latest business panel survey
A new wind tower factory at Nigg is expected to create hundreds of skilled manufacturing jobs.
HIE set to invest in wind tower factory
Business Park on North Yell set to expand and create jobs
New graduates recruited in the Outer Hebrides
A community on the west coast of Scotland officially launches UK's largest community-owned hydropower scheme
West coast community launches hydropower scheme
Young businesses in the region can now apply for funding from HIE
Funding for start-up and young companies opens for applications
£5.8m facility secure up to £234,554 Green Jobs Fund investment
£234k Green Jobs Fund award for new natural heritage facility
HIE has published its annual report and accounts for 2020-21
HIE publishes annual report for 'a year like no other'


The US causalities are gone…..
The Major push is to move US Troops, supplies and equipment home and over to Afghanistan….
But there has been bombings in the recent days …killing innocent civilians as the political chess moves involve violence, reprisals and disruptions…..
The job in Iraq is not over..there are a lot of blood feuds to settle it would seem, and Iran…trying to exert influence in a war for power that Saddam Hussian fought for 8 years WITh US assistance…..
And it is occurring with the full knowledge the United States is busy packing its bags…looking to the East…..
I told you folks…..Don't expect all the troops to leave too soon….
The attacks, the deadliest in the capital since the March 7 parliamentary elections, come asIraq's political factions are locked in a dispute over the outcome of the vote. Analysts say the violence could trigger a more intense round of fighting among the rivals that threatens to spill into the streets.
The strikes against the Iranian, German and Egyptian diplomatic missions appeared to be a continuation of attacks that began in August against government and high-profile buildings that killed hundreds. But accusations started soon after Sunday's bombings, with former prime minister Ayad Allawi's Iraqiya bloc calling on the government of Prime Minister Nouri al-Maliki to "restore security" and blaming security forces for failing to prevent the attacks.
"This is a serious crime in which the Iraqi people are being consumed in the process of what we can call the conflict over who should have the upper hand in Iraq," political analyst Ibrahim al-Sumaidaie said.
Maliki is struggling to hold on to power as his many rivals seek to dethrone him. His predominantly Shiite bloc came in a close second to Allawi's secular slate but is trying to build a coalition large enough to form Iraq's next government.
U.S. Military recognizes that in the end 'soft power' wins…..Not guns and missiles…..
The chairman of the Joint Chiefs of Staff said Wednesday that victory in Iraq and Afghanistan won\'t come in one glorious battle.
Instead, Adm. Mike Mullen told a Kansas State University audience, success in the long wars will be determined by use of military and diplomatic powers, along with support from U.S. allies.
He said the U.S. intends to abide by its security agreement with Iraq and reduce the level of troops there by half to about 50,000 by August.
Mullen, speaking as part of Kansas State's Landon Lecture series, said the use of military power should never be the last option, but potentially the best first option when paired with other means of national and international power.
He also noted ongoing operations in Afghanistan, where U.S. and Afghan forces have been embroiled in an offensive near Marjah to reclaim the area from Taliban fighters.
Mullen said commanders were taking a deliberate approach to minimize civilian casualties in an area considered the hub of Taliban activity, rather than using carpet bombing or missile strikes.
He said there was no "American way" to fighting wars and that history shows the nation's enemies will adapt to U.S. strategy. Mullen said the U.S. will reassess its Afghanistan strategy in December and adapt accordingly.
Mullen's lecture struck a tone similar to that of Defense Secretary Robert Gates when he was on the same Kansas State stage in November 2007. Both men said the United States must do more to encourage the use of "soft power" to resolve conflicts.
U.S. Military recognizes that in the end 'soft power' wins…..Not guns and missiles…..
What's the hurry in bringing troops under a certain level in Iraq?
The Dogs says…..I told you so!
Army General Ray Odierno has spoken something that any person with a half of a brain knew ……The Army has a plan to keep troops in that country AFTER President Obama's stated deadline……and Odierno would make these statements without backing from the National Command Authorities….
Here's some of the pierce from the Washington Post…Here's the link…..…..
Under a deadline set by President Obama, all combat forces are slated to withdraw from Iraq by the end of August, and there remains heavy political pressure in Washington and Baghdad to stick to that schedule. But Army Gen. Ray Odierno, the top U.S. commander in Iraq, said Monday that he had briefed officials in Washington in the past week about possible contingency plans.
Odierno declined to describe the plans in detail and said he was optimistic they would not be necessary. But he said he was prepared to make the changes "if we run into problems" in the coming months.
Iraqis are scheduled to go to the polls March 7 for parliamentary elections that Iraqi and U.S. officials describe as a political milestone for the country.
With less than two weeks to go in the campaign, however, concern is rising over whether the results will be undermined by political boycotts, low turnout or an increase in bloodshed. Religious enmities and rivalries are already resurfacing.
Although U.S. diplomats and military officials said they are working intensely behind the scenes to hold the political process together, they are finding that their influence in Iraq is steadily on the wane.
Yea…but then there is this……..
Iraqi and U.S. officials have reported a spike in rocket attacks targeting the Green Zone in Baghdad and American bases. U.S. officials said Shiite militia groups have stocked up on rockets and other weapons, which they say are smuggled from Iran.
American officials say it has become harder to understand the scope and dynamics of violence in Iraq now that the U.S. military has a small footprint in Iraqi cities.
The Dog thinks in the end …about 30,000 troops or advisors or whatever will be hanging around to check the place from becoming a zoo……again….
What's the hurry in bringing troops under a certain level in Iraq?


text:
CHANGE FLORIDA LAW TO MANDATE GREATER OPENNESS BY LEGISLATORS
If members of Florida's county commissions, school boards, city councils and appointed government boards meet to discuss official business in secret, the law says they risk being fined, jailed and booted out of office.
But if state lawmakers meet in secret, it's just "business as usual." Although full sessions of the House and Senate and committee meetings are open by legislative policy, leaders often meet in secret to map strategy or work out final versions of the state budget or other controversial bills, then present them to the full House or Senate to be rubber-stamped.
That disgraceful "do as I say, not as I do" double standard of governmental openness exists because a 1967 Government in the Sunshine Law exempts the Legislature.
If legislators don't voluntarily put themselves more in the sunshine by revising that law, voters should force the requirement on them through a state constitutional amendment.
The line on governmental openness, however, needs to be drawn carefully. A 160-member, two-house Legislature of members scattered throughout the state cannot practically be governed by the same demanding sunshine rules that apply to a five-member city council or a seven-member county commission.
For example, forbidding two lawmakers to talk on the phone or meet to exchange information about or seek support for a bill is an unrealistic goal. It would bring legislative business to a halt.
Instead, a more practical goal is to have a law requiring open meetings of the full House and Senate, their committees and subcommittees, joint House- Senate conference committees and other meetings of legislative leaders.
Much progress has already been made voluntarily. Last year, then-Speaker Jon Mills greatly expanded the degree of legislative openness. Last month, Florida House Speaker Tom Gustafson, D-Fort Lauderdale, won House approval of important rules changes.
Various legislative records were opened for public inspection, and all meetings of joint conference committees were opened to the public, with prior notice required, as were meetings of the committee that decides which issues will be placed before the House for final action.
These reforms are welcome but they are only House rules, subject to change at any moment at the whim of the speaker or 61 House members. They should be written into state law.
Gustafson defends occasional legislative secrecy by saying, "I think sometimes the press overplays its rights."
He misses the point entirely. The right to attend a governmental meeting is not a right of the press; it is a right of the public. Even if there is room for only a pool reporter, that reporter serves as the public's eyes and ears.
Gustafson describes lawmaking as "a fraternal process, like a fraternity or sorority. We need to sit together and talk. But when we're ready to make decisions, it will be done in public."
Since its inception, the Legislature has been excessively fraternal -- a "good old boy" club of chummy wheeler-dealers who prefer to make decisions about writing laws, not just discussing ideas, in secret.
It's troubling that 12 million Floridians are locked out so often from the discussions and decision-making processes of their elected leaders.
Secrecy when lawmaking is going on invites abuse and a loss of credibility in government. In secret, political games are played, deals are cut, votes are traded, favoritism is practiced and public accountability is lost.
The most infamous secret meeting in recent years -- and the most destructive to government credibility and effectiveness -- was held in April 1987 in a Tallahassee townhouse. There, over beer and pizza, legislative leaders, lobbyists and gubernatorial aides put the sales tax on services into a final form, so flawed that it had to be repealed.
Secrecy violates the principle that the public's business should be done publicly.
Government in the Sunshine is only a nuisance to politicians with something to hide, who put political expediency over the public's right to know, understand and participate in the process.
Open government is the best assurance that the public will get the best government.
TUESDAY: Sunshine reform proposals.


text:
«Чёрный ангел» () — фильм нуар режиссёра Роя Уильяма Нила, вышедший на экраны в 1946 году. В основу сюжета фильма положен одноимённый роман Корнелла Вулрича.

Фильм рассказывает о молодой красавице Кэти Беннетт (Джун Винсент), которая убеждена в том, что её неверный муж не виновен в убийстве шантажировавшей его певицы кабаре. Пытаясь спасти его от смертной казни, Кэти в паре с запойным брошенным мужем убитой певицы, композитором Мартином Блэйром (Дэн Дьюриа) начинает собственное расследование убийства, выходя на след подозрительного владельца ночного клуба (Питер Лорре). Однако поиски убийцы в итоге приводят к совершенно неожиданному результату.

Фильм относится к категории «похмельных нуаров», движущим элементом сюжета которых становится тяжёлое пробуждение героя после пьяной ночи, когда он не помнит обстоятельств предыдущего дня. К этой же категории относятся фильмы «Полнолуние» (1942), «Крайний срок на рассвете» (1946, также по роману Вулрича), «Ночь без сна» (1952) и «Синий георгин» (1953). В сходном ключе построены и фильмы по рассказу Вулрича «Ночной кошмар» (1943) — «Страх в ночи» (1947) и «Ночной кошмар» (1956), где герой видит во сне, как он совершает убийство, но не может вспомнить, было ли это на самом деле (оба фильма поставлены режиссёром Максвеллом Шейном).

Это последний фильм в длительной творческой карьере режиссёра Роя Уильяма Нила, более всего известного постановкой серии картин о Шёрлоке Холмсе в 1943-46 годах.

Сюжет
В Лос-Анджелесе у входа в фешенебельный многоквартирный дом Уилшир-хаус одиноко стоит композитор Мартин Блэйр (Дэн Дьюриа). В доме проживает его бывшая жена, популярная певица Мэвис Марлоу, с которой он рассчитывает восстановить отношения в очередную годовщину их свадьбы. В память об этом событии Мартин посылает бывшей жене дорогую брошь в форме сердечка, которую подарил ей в день свадьбы, и которую она вернула ему при расставании. Однако Мэвис не хочет принимать подарок и не хочет видеть Мартина. Она звонит швейцару с поручением не пускать Мартина в дом. Швейцар на входе не пускает Мартина, и тот уходит, сталкиваясь в дверях с невысоким пучеглазым мужчиной (Питер Лорре), который свободно проходит к Мэвис. Удручённый Мартин направляется в поход по барам, и, как это часто с ним случается, напивается до потери памяти. Его друг Джо находит Мартина и по сложившейся традиции отводит его к нему домой, в бедную комнату, где привратник запирает его на щеколду.

Той же ночью, после полуночи к Мэвис приходит музыкант Кирк Беннетт. Видя, что дверь в её квартиру приоткрыта, он входит внутрь, где слышит звучащую из граммофона песню Мартина «Разбитое сердце». Осматриваясь в ожидании хозяйки, он заходит в спальню, где видит лежащую около кровати мёртвую Мэвис, а рядом с ней — брошь в виде сердечка. Беннет выходит, чтобы вызвать по телефону полицию, но услышав шум в спальной, возвращается обратно, где видит, что брошь исчезла. Беннетт пытается догнать преступника, но тот скрывается за дверью. Беннетт выбегает в коридор, и в этот момент дверь в квартиру захлопывается. В этот момент из лифта выходит служанка Мэвис. Увидев её, Беннетт убегает по лестнице, но служанка замечает и узнаёт его.

Через некоторое время полицейский детектив капитан Флад (Бродерик Кроуфорд) приходит домой к Беннетту и его жене, бывшей певице Кэти (Джун Винсент), и забирает его в полицейский участок. На допросе Беннетт утверждает, что никого не убивал, однако сознаётся в том, что Мэвис его шантажировала доказательствами его связи на стороне, которую Беннетт скрывал от жены. Полиция считает это мотивом убийства, а вкупе с показаниями служанки Мэвис и его отпечатками в доме, находит это достаточными основаниями для передачи дела в суд. В итоге Беннетта признают виновным и приговаривают к смертной казни за умышленное убийство. Несмотря на измену мужа, Кэти не верит в то, что он убийца и пытается уговорить Флада продолжить расследование, однако тот говорит, что для этого нужны новые веские обстоятельства. Тогда Кэти решает начать самостоятельное расследование. В артистическом кафе Кэти случайно слышит разговор актёров, которые предполагают, что Мэвис убил её бывший муж Мартин, одобряя его действия, так как, по их мнению, Мэвис была ужасной женщиной. От одного из актёров Кэти получает адрес Мартина, и вскоре находит его в состоянии глубокого алкогольного опьянения в своей комнате.

Мартин подтверждает ей, что был около дома Мэвис той ночью, после чего Кэти обвиняет его в убийстве. Однако вскоре приходит Джо, который подтверждает, что в тот вечер он лично доставил пьяного Мартина в его комнату и запер его снаружи, так что у Мартина есть алиби, и полиция знает об этом. Извиняясь, Кэти уходит, незаметно оставляя Мартину в качестве компенсации некоторую сумму денег. На следующий день протрезвевший Мартин приезжает к Кэти домой, чтобы вернуть ей деньги. Кэти рассказывает ему о своих бесплодных попытках доказать невиновность своего мужа. Случайно увидев фотографию её мужа, Мартин говорит Кэти, что Беннетт — это не тот человек, которого он видел входящим в ту ночь в дом Мэвис, и они решают искать убийцу вместе. Просматривая вещи Беннетта, Кэти находит спички с инициалами Мэвис, на обороте которых написан телефонный номер, который принадлежит ночному клубу «Рио».

Кэти и Мартин направляются в этот клуб, где Мартин замечает того человека, которого видел у Уилшир-хаус. Им оказывается владелец клуба мистер Марко (Питер Лорре). Кэти и Мартин решают проследить за ним. Через несколько дней они приходят в клуб на прослушивание, где их музыкальный номер очень нравится Марко. Он заключает с парой контракт на несколько недель. В кабинете Марко Мартин видит фирменный конверт с инициалами Мэвис, который Марко убирает в свой сейф. Вскоре Марко зовёт Кэти в свой кабинет, чтобы сделать ей подарок. Он достаёт из сейфа футляр с брошью, но, открыв футляр, Кэти видит, что это не та брошь, что принадлежала Мэвис. Кэти удаётся подсмотреть и запомнить код от сейфа.

Выступления Кэти и Мартина становятся всё более популярными, и Марко продлевает с ними контракт. Отношения между Кэти и Мартином становятся всё более теплыми и доверительными. Мартин бросил пить и написал песню, посвящённую Кэти. Вскоре появляется положительная рецензия в газете о выступлении их дуэта. На следующий вечер, когда Марко уходит с автором статьи на концерт Шостаковича, Кэти звонит Фладу, убеждённая в том, что сможет добыть в сейфе Марко необходимую улику, которая позволит возобновить расследование. Затем она тайком пробирается в его кабинет, открывает сейф и пытается вскрыть хранящийся там металлический короб. Неожиданно возвращается Марко, который, как он утверждает, давно догадался, кто они такие. В этот момент в кабинете появляются Флад и Мартин. Чтобы снять с себя подозрения, Марко открывает короб, в котором хранится свидетельство о рождении его дочери. Он говорит, что Мэвис его шантажировала, угрожая рассказать о его криминальном прошлом его дочери. Кэти говорит Фладу, что Мартин видел именно Марко входящим в вечер убийства в Уилшир-хаус. На это Флад отвечает, что в то время он патрулировал эту территорию и подобрал Марко за час до того, когда произошло убийство.

Кэти чувствует, что рухнула её последняя надежда найти настоящего убийцу и спасти мужа от смертной казни. Вернувшись домой, она говорит Мартину, что не знает, что ещё можно предпринять. Мартин говорит, что надо смириться с тем, что Беннетт действительно виновен и признаётся ей в своей любви. Кэти отвечает, что она благодарна ему за заботу и помощь, но она всегда любила только своего мужа.

Уйдя от Кэти, Мартин отправляется в пьяный загул, который продолжается несколько дней. За ночь до казни Беннетта Мартин приходит в себя в одном из баров, когда с ним любезно здоровается женщина, у которой на платье он видит свою брошь в виде сердечка. На вопрос, откуда она её взяла, женщина напоминает Мартину, что он сам подарил ей эту брошь несколько месяцев назад. Мартин утверждает, что она лжёт, что приводит к стычке с ухажёром этой дамы. Мартина арестовывают и доставляют в тюремное наркологическое отделение. Лёжа привязанным к кровати, Мартин начинает вспоминать события, которые произошли в ночь убийства. Он вспоминает, как привратник выпустил его из комнаты за небольшую сумму, как он незаметно прошёл мимо отвернувшегося швейцара в Уилшир-хаус, как поднялся в квартиру Мэвис, и как, не контролируя себя, задушил Мэвис. Мартин рассказывает обо всём своему наркологу, требуя немедленно связаться с капитаном Фладом. Когда Флада не оказывается на месте, Мартин сбегает из больницы и приезжает в квартиру Кэти, которой не оказывается дома. Мартин звонит в полицию и просит, чтобы капитан Флад связался с ним при первой же возможности. Ожидая звонка Флада, Мартин находит в шкафчике бутылку виски и не может удержаться. Когда телефон звонит, Мартин, забывшись в пьяном сне, его не слышит. Кэти возвращается домой и видит, что в её гостиной на диване спит Мартин, сжимая в руках брошь. Вскоре приезжает Флад, Мартин признаётся ему и Кэти в содеянном, после чего Флад звонит губернатору с просьбой остановить казнь Беннетта.

В ролях
 Дэн Дьюриа — Мартин Блэйр
 Джун Винсент — Кэти Беннетт
 Питер Лорре — Марко
 Бродерик Кроуфорд — капитан Флад
 Констанс Даулинг — Мэвис Марлоу
 Уоллес Форд — Джо
 Джуниус Мэтьюз — доктор Кортни
 Хобарт Кавано — сторож в гостинице
 Дик Уэссел — швейцар Мэвиса Марлоу (в титрах не указан)

Создатели фильма и исполнители главных ролей
Писатель Корнелл Вулрич был одним из наиболее значимых авторов в жанре нуар. По его книгам и сценариям поставлено множество фильмов нуар, наиболее значимые среди них «Леди-призрак» (1944), «Крайний срок на рассвете» (1946), «Погоня» (1946), «У ночи тысяча глаз» (1948), «Окно» (1949), «Не её мужчина» (1950) и «Окно во двор» (1954).

Кинорежиссёр Рой Уильям Нил начал свою режиссёрскую карьеру ещё в 1919 году, однако наибольшей известности достиг в самом конце своей карьеры, в период между 1943 и 1946 годами, когда поставил на студии «Юнивёрсал» одиннадцать фильмов о Шёрлоке Холмсе и докторе Ватсоне, главные роли в которых исполнили актёры Бэйзил Рэтбоун и Найджел Брюс. К числу лучших картин этой серии относятся «Шерлок Холмс перед лицом смерти» (1943), «Багровый коготь» (1944), «Паучиха» (1944), «Жемчужина смерти» (1944), «Замок ужаса» (1945), «Погоня в Алжире» (1945), «Прелюдия к убийству» (1946) и «Ночной террор» (1946).

Дэн Дьюриа был одним из «самых известных и наиболее впечатляющих кинозлодеев первых послевоенных лет, специализируясь на по-настоящему неприятных личностях без малейшей доли моральных приличий» в таких классических нуарах, как «Женщина в окне» (1944), «Улица греха» (1945) и «Крест-накрест» (1949). Он также сыграл в нуарах «Министерство страха» (1943), «Кража» (1948), «Слишком поздно для слёз» (1949), а позднее — во «Взломщике» (1957).

В 1940-50-е годы Джун Винсент много играла в фильмах категории В, среди них фильм нуар «Не надо плакать» (1948), детективы «В ловушке у Бостонского Блэки» (1948), «Детектив Мэри Райан» (1949), «Одинокий волк и его дама» (1949), а также нуар «Ночь без сна» (1952), сюжет которого во многом напоминает сюжет «Чёрного ангела». Питер Лорре в 1930-40-е годы был одним из самых востребованных актёров в жанра хоррор и нуар, сыграв, в частности, в фильмах «М» (1931), «Человек, который слишком много знал» (1934), «Безумная любовь» (1935), «Незнакомец на третьем этаже» (1940), «Мальтийский сокол» (1941), «Касабланка» (1942), «Маска Димитриоса» (1944), «Вердикт» (1946) и «Три незнакомца» (1946).

Оценка фильма критикой
Фильм был принят в основном положительно. Хотя критики противоречиво оценили сценарий, они отметили качественную режиссёрскую работу Роя Уильяма Нила и сильную актёрскую работу Дэна Дьюриа.

Деннис Шварц назвал картину «низкобюджетным фильмом, обладающем потрясающей простотой» и «отличной психологической проработкой Дэном Дьюриа своего персонажа, превратившим его в сложную фигуру чёрного ангела». Шварц выделил три главных достоинства фильма: «блестящий сценарий Роя Ченслора по роману Корнелла Вулрича, увлекательная актёрская игра Дэна Дьюриа в редкой для него роли симпатичного персонажа, и безукоризненная постановка Роя Уильяма Нила». Хэл Эриксон также отметил «искусный сценарий Роя Ченслора» и «сильную игру Дэна Дьюриа», назвав фильм «скромным, но полным воображения фильмом нуар». Крейг Батлер посчитал, что "«Чёрный ангел» «не является знаковым фильмом нуар, но содержит несколько элементов, которые достойны внимания. Среди них довольно необычная развязка в отношении личности убийцы, а также центральный сюжет о безответной любви, который представлен со значительным мастерством».

Со своей стороны, TimeOut назвал фильм «не вполне чистой адаптацией романа Корнелла Вулрича, поскольку был частично урезан погружающий в раздумья субъективизм, столь любовно оберегаемый в фильмах бедных студий, таких как "Страх в ночи"». По мнению журнала, в итоге «остаётся мрачный триллер в духе "Леди-призрак", красиво сделанный с тем же непритязательным мастерством, которое Нил привнёс в сериал о Шёрлоке Холмсе с участием Рэтбоуна и Брюса».

А Босли Кроутер в «Нью-Йорк таймс» отметил, что фильм «должным образом передаёт атмосферу самого дна, но, к сожалению, вся её ценность теряется из-за самого недостойного сценария». Он пишет: «Голливудские авторы детективных мелодрам раздражают уловками с неопределённостью, изобретая свои манипуляции с сюжетом и персонажами. И "Чёрный ангел", является ещё одним вульгарным примером такого банального детективного сценария… Многочисленные улики в итоге оказываются бесполезными, прежде чем сценарист вытаскивает решение из кошмарного сновидения… Сам сценарий — неровный и путаный, который уважающий себя любитель детективов не стал бы долго терпеть… Сюжету не хватает драйва и саспенса, потому что несмотря на усердные попытки автора скрыть личность убийцы, её так легко выяснить». По мнению Кроутера, «если картина и смотрится как детектив выше заурядного, то за это надо благодарить разностороннюю игру Дэна Дьюриа в главной роли и умение декораторов со вкусом оформлять съёмочную площадку».

В центре внимания критиков оказалась актёрская работа Дэна Дьюриа, который после серии ролей отпетых негодяев на этот раз сыграл относительно симпатичного персонажа. Кроутер написал о его игре: «В качестве отвергнутого мужа убитой Дэн Дьюриа проходит через пару пьяных загулов в стиле "Потерянного уикэнда"», но в более мягкой форме. «И в самом деле, в свои трезвые моменты он для разнообразия предстаёт довольно симпатичным персонажем, и ему даже позволяется несколько мимолётных нежных романтических сцен с Джун Винсент, которая играет сдерживающую свои чувства преданную жену со слезой в глазах». TimeOut отметил, что «аутентичный аромат нуара обеспечивает Дьюриа, великолепный в уникальной для себя симпатичной роли мучающегося музыканта с неверной женой, который находит решение загадке её убийства, пробиваясь сквозь алкоголическую дымку своей памяти».

Батлер заключил, что «самым необычным моментом, однако, стало приглашение Дэна Дьюриа на роль весьма приятного романтического героя. Хотя от роли требуется определённая мрачность, Дьюриа, обычно играющий негодяев, здесь предстаёт обаятельным и привлекательным; конечно, зрители в конце концов будут за него, хотя как-то неловко пытаться толкнуть его в объятия женщины, намеренной оставаться верной своему ложно обвинённому мужу». Эриксон также пишет, что «обычно приглашаемый на роли злодеев, Дэн Дариа выдаёт неожиданно впечатляющую игру трогательного романтического героя, и бесспорно самого интересного и симпатичного героя в фильме. Его игра даёт сюжетный поворот в финале, одновременно и поразительный, и убедительный».

Батлер высоко оценил работу Джун Винсент, написав, что она «очень хороша, может быть слегка отстранённа, как его возможный любовный интерес; она действительно борется с соблазном сделать большее из своих отношений с Дьюриа». TimeOut отметил «очень хороший состав актёров второго плана». Такого же мнения придерживается и Кроутер: «Как обычно, актёры второго плана играют мастерски, особенно, Бродерик Кроуфорд в качестве лейтенанта полиции. Уоллес Форд — подозрительный клерк захудалой гостиницы, а Питер Лорре — владелец клуба с криминальными наклонностями».

Примечания

Ссылки
 Чёрный ангел на сайте Rotten Tomatoes
 Чёрный ангел на сайте Turner Classic Movies
 Чёрный ангел трейлер фильма на сайте YouTube

Фильмы нуар
Фильмы США 1946 года
Фильмы Роя Уильяма Нила

redpajama_set_name: RedPajamaWikipedia


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text:
Difference between revisions of "Frank Oppenheimer"
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m (this way it doesn't require prior knowledge)
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'''Frank Oppenheimer''' was the [[Communism|communist]] brother of [[J. Robert Oppenheimer]]. Like his brother, Frank was a physicist.
'''Frank Oppenheimer'''(August 14, 1912 – February 3, 1985) was the brother of [[J. Robert Oppenheimer]], and was a renown physicist who was the scientific director of the Manhattan project. He came under fire from McCarthy era paranoia, being labeled a [[communist]]. While he admitted to going to several meetings, he denied being a communist and defended his position as an American scientist and scholar.
Despite his claims, the label "communist" which followed him for the next 15 years prevented him from further study in physics, and he became a high school teacher in Colorado. Once the McCarthy furor died down, he moved to London, where he studied the History of Physics.
{{DEFAULTSORT:Oppenheimer, Frank}}
[[Category:Physicists|Oppenheimer, Frank]]
[[Category:Communist Party USA members]]
Frank Oppenheimer(August 14, 1912 – February 3, 1985) was the brother of J. Robert Oppenheimer, and was a renown physicist who was the scientific director of the Manhattan project. He came under fire from McCarthy era paranoia, being labeled a communist. While he admitted to going to several meetings, he denied being a communist and defended his position as an American scientist and scholar.
Retrieved from "https://www.conservapedia.com/index.php?title=Frank_Oppenheimer&oldid=553467"
Communist Party USA members


text:
Q: Insert new column with ascending number by column id in a R dataframe I'm working with R and I have a dataframe that looks like this:
df<-data.frame(
    tree_id=c("t1","t1","t1","t1","t1","t1","t1","t1","t1","t2","t2","t2","t2","t2","t2","t2","t2","t2"),
    branch_id=c("b1","b1","b1","b1","b1","b1","b1","b3","b3","b1","b1","b1","b1","b2","b2","b2","b2","b2"),
    bud_id_rank=c("1","2","4","7","9","12","15","1","3","1","2","5","9","1","5","7","8","12")
    )

I would like to add a new column called "new_rank" which has ascending numbers from 1 based on
branch_id and tree_id. The result should be like this:
df<-data.frame(
    tree_id=c("t1","t1","t1","t1","t1","t1","t1","t1","t1","t2","t2","t2","t2","t2","t2","t2","t2","t2"),
    branch_id=c("b1","b1","b1","b1","b1","b1","b1","b3","b3","b1","b1","b1","b1","b2","b2","b2","b2","b2"),
    bud_id_rank=c("1","2","4","7","9","12","15","1","3","1","2","5","9","1","5","7","8","12"),
    new_rank=c("1","2","3","4","5","6","7","1","2","1","2","3","4","1","2","3","4","5")

    )

Is there any function that doest it quickly with for example the package plyr?
Thanks in advance

A: If you now already which package to use I wonder why you are not able to figure that out yourself.
library(plyr)
ddply(df,.(tree_id,branch_id), transform, new_rank = seq_along(branch_id))

If your dataset is huge, data.table would be faster:
library(data.table)
DT <- as.data.table(df)
DT[, new_rank:=seq_along(bud_id_rank), by=list(tree_id, branch_id)]


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text:
Q: Purpose of overloading operators in C++? What is the main purpose of overloading operators in C++?
In the code below, << and >> are overloaded; what is the advantage to doing so?
#include <iostream>
#include <string>

using namespace std;

class  book {
    string name,gvari;
    double cost;
    int year;
    public:
    book(){};

    book(string a, string b, double c, int d) { a=name;b=gvari;c=cost;d=year; }
    ~book() {}
    double setprice(double a) { return a=cost; }
    friend ostream& operator <<(ostream& , book&);
    void printbook(){
        cout<<"wignis saxeli "<<name<<endl;
        cout<<"wignis avtori "<<gvari<<endl;
        cout<<"girebuleba "<<cost<<endl;
        cout<<"weli "<<year<<endl;
    }
};

ostream& operator <<(ostream& out, book& a){
    out<<"wignis saxeli "<<a.name<<endl;
    out<<"wignis avtori "<<a.gvari<<endl;
    out<<"girebuleba "<<a.cost<<endl;
    out<<"weli "<<a.year<<endl;
    return out;
}

class library_card : public book {
    string nomeri;
    int raod;
    public:
    library_card(){};
    library_card( string a, int b){a=nomeri;b=raod;}
    ~library_card() {};
    void printcard(){
        cout<<"katalogis nomeri "<<nomeri<<endl;
        cout<<"gacemis raodenoba "<<raod<<endl;
    }
    friend ostream& operator <<(ostream& , library_card&);
};

ostream& operator <<(ostream& out, library_card& b) {
    out<<"katalogis nomeri "<<b.nomeri<<endl;
    out<<"gacemis raodenoba "<<b.raod<<endl;
    return out;
}

int main() {
    book A("robizon kruno","giorgi",15,1992);
    library_card B("910CPP",123);
    A.printbook();
    B.printbook();
    A.setprice(15);
    B.printbook();

    system("pause");
    return 0;
}

A: It doesn't ever have to be used; it's just a convenience, a way of letting user-defined types act more like built-in types.
For example, if you overload operator<<, you can stream books the same way as integers and strings:
cout << "Book #" << n << " is " << books[n] << endl;

If you don't, you'd have to write the same thing like this:
cout << "Book #" << n << " is ";
books[n].printbook();
cout << endl;

Similarly, if you create a Fraction class and give it an operator+, you can use fractions the same way you use integers, and so on.
It's sometimes a tough design choice whether your class should act like a native type in one way or another (for example, does string's operator+ make sense?), but the point is that C++ gives you the choice.

A: Overloading the << operator allows your objects to be written out to the output in a way you specify, when passed to cout.
Otherwise, cout would just write out the address to your object.

A: The purpose of overloading operators is mostly syntactic sugar. It makes ugly stuff look nice.
But it's also about unifying interfaces, and an important reason for unifying interfaces is polymoprphism, in this case especially with templates.
Imagine we have a lovely complex number class Complex, and we want to have a Taylor series approximation of sine that we want to make work for Complex and double types.
If we support operator overloading on *, =, / etc. then we can write it like this:
template<typename T>
T sin(T t)
{
  T t2 = t*t;
  return t*(1 - t2/6 + (t2*t2)/120 );
}

If we cant have overloading on *, / etc. then it starts to get ugly, as we need a helper class to unify the interface for doubles and Complex, heres what it might look like. (I'm still allowing overloading of operator=, otherwise it gets even worse).
template<typename T>
T sin(T t)
{
  T t2 = helper<T>::mult( t, t );
  T t4 = helper<T>::mult( t2, t2 );
  T s(1);
  helper<T>::sincrement( &s, -1./6, t2);
  helper<T>::sincrement( &s, -1./120, t4);
  return helper<T>::mult( t, s );
}

template<>
struct helper<double>
{
  static double mult( double a, double b) { return a*b; }
  static void sincrement( double * v, double s, double x) { *v += s*x; }
}

template<>
struct helper<Complex>
{
  static Complex mult( Complex a, Complex b ) { return a.mult(b); }
  static void sincrement( Complex * v, double s, Complex x ) { v->add( x.scale(s) ); }
}

Now I know operator overloading can be ugly, and can hide what's really happening, but used correctly I think that it makes cases like this much easier to understand.

A: You could easily use a member function instead, it just provides a "syntactic sugar" in most cases. For example in some languages adding 2 strings does a concat.
stringOne = stringOne + stringTwo;

Though it could easily be implemented with a member function like
stringOne.concat(stringTwo);

A: Overloading operators allows a special case of polymorphism.
The best example I can think of is a string class with the + operator overloaded.
In this case the operator would be overloaded to concatenate strings instead of "adding" two strings which doesn't make any sense.
To answer your question specifically overloading operators can (in some cases) produce more readable and maintainable code. However, what "makes sense" for one person may not make sense for the person maintaining the code.

A: With an overloaded operator, you can use standard library algorithms which require that operator to be overloaded.
For example:
struct wtf{ wtf(int omg): omg(omg){} int omg; };

wtf operator+ (wtf const &omg, wtf const &lol)
{
    return wtf(omg.omg+ lol.omg);
}

#include <iostream>
#include <numeric>

int main()
{
    wtf lol[3]= { wtf(1), wtf(2), wtf(3) };
    std::cout<< std::accumulate(lol, lol+ 3, wtf(0)).omg;
}

6

A: The thing about C++ is it passes objects by value, as a fundamental aim of how it works, and this really greatly changes how objects work compared to reference-semantics oriented languages like Java and Objective-C.
Whereas in one of those languages there is a clear distinction between primitive types and objects in terms of how you use them - that is, you copy primitives a lot, you stick them into expressions involving operators, that sort of thing, whereas your interaction with objects is mainly instantiating them, calling methods on them and passing the references to them into functions - in C++ you can use objects pretty much the same way as you use primitives. This brings up a lot of complicated issues that C++ programmers have to deal with, like object lifetimes, whether an object is an lvalue or rvalue (that is, if it has a lifetime outside the expression it appears in), etc.
One thing your question brings up is why a class would overload << and >>. The C++ standard library uses this convention for iostream classes, and highlights another big difference from reference-semantics based languages - in a value-semantics oriented language, class inheritance is inadequate to fully describe what you want to do with an object. We can loosely say that if an object overloads << and >> to stream data in and out of some resource, then it satisfies the concept of an iostream, even if it doesn't inherit from iostream, or ios_base, or something. The meaning of this is twofold:

*

*If you put a value of this type into an expression and used <<, it would behave as expected.

*If you instantiate a template with this type as a parameter, which calls operator<< on the object, the code will compile successfully.

I deliberately used the word concept above because there was going to be a feature in C++11 (it got postponed to the next version) called Concepts which would formalise this idea in the language. The situation we have now is a sort of duck typing - if a template wants to use a certain operator with a type, it will compile if the type provides that operator and won't if it doesn't, regardless of what the operator actually means. operator<< is a case in point - in its original meaning, for an integer type, it means "leftward signed bit-shift", but when you are using the concept of iostream, it means "stream data from the object on the right into the object to the left".

A: Your main purpose overloading the << and >> operators is to create an API in the spirit of the C++ standard library, so it becomes more natural for experienced C++ programmers to use your types.
It's so this way that the operators << and >> are known as insertion/extraction operators when used with the STL streams. From C they were just bit shift operators.
Since in the realm of standard C++ they acquired that meaning and even received new nomenclatures for that, It's aways good to reuse already established programming jargon.
Now, originally in the C++ creation, why it has gone this way for stream operations? by getting the shift operators and labeling them as insertion and extraction operators, I don't know, maybe a matter of taste to better express the idea of insertion/extraction given the appearance of the shift operators, a meaning which now, has become standard and suits to be  reused.


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On January 7, 2022, UOSSM commemorated 10 years of service to the Syrian people, crossing the most impossible obstacles, in the most difficult of circumstances – surviving airstrikes and bombings while also losing some colleagues along the way.
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text:
Oral Communication Center's Second "Hamilton Speaks" a Success
by Sarah Zeiberg '18
Hamilton Headlines
"Speech" was the word at the Oral Communication Center's second "Hamilton Speaks: Improve Your Public Speaking in 6 Minutes or Less," a lunch-hour event on Oct. 28 in the Tolles Pavilion.
The setup was reminiscent of speed dating, with a large clock projected on a screen that told groups when to move to another guest speaker's table. At these round tables, student participants found professionals excited to share some insights on what makes for excellent public speaking. The event featured 14 speakers from all walks of campus life, from the Dean of Admissions and Financial Aid to Oral Communication Center (OCC) Peer Tutors.
OCC Peer Tutor Julia Coash '16 gave a presentation titled "Managing Speech Anxiety." A psychology major, Coash employed the Lazarus Stress Appraisal Model, a common point of reference in her field of study, to explain that a fear of public speaking is "Really, a game of perception." Oftentimes, she explained, those with a fear of public speaking interpret their own anxiety as something that they cannot cope with. Coash suggested that practice, careful preparation, and muscle relaxation exercises can be helpful for even the most anxious speakers.
An important facet of presentations for the future leaders in the room was covered by Monica Inzer, vice president and dean of admission and financial aid. Titled "Knowing Your Audience," Inzer shared important tips on how to gain a meaningful connection with audience members. She acknowledged that in her work, speeches given to "Parents, prospective students, and accepted students [were] 75% the same," with the rest "adjusted to who is in the room." The goal of this presentation was to teach students to know their audience well enough to recognize what to give them in the course of a speech.
In another aspect of public speaking, Tracy Adler, director of the Wellin Museum of Art, led a discussion she called "Communicating the Visual: How to Discuss the Art on View at Wellin Museum." In this presentation Adler focused on "How to make the nonverbal verbal." She emphasized how visual communication was pervasive in all fields of study, acknowledging that the elements were "going to change based on your audience." Adler indicated that visual communication is really about trying to engage people in your interests.
Other speakers included Nathalia Mahabir '17, OCC peer tutor, who led interactive activities on the importance of "Clear Articulation and Effective Voice." Reference Librarian Kristin Stromeyer spoke about the resources available to students through the Burke Library in a talk titled "All Dressed Up with Much to Say: Finding Content that Counts." Peer presenters of the Career and Life Outcomes Center, Caroline McCarthy '16 and Harris Pollack '17, collaborated by giving hints on how to "Nail Your Job Interview" with an emphasis on sharing personal anecdotes and early preparation. Josh Glen '16, OCC peer tutor, extolled the virtues of Amy Cutty's power posing techniques, framing the concept as "Two Minutes to Greater Confidence." Glen explained that "When you make yourself bigger, your testosterone increases, and testosterone makes you confident," a necessary element to any public presentation.
The Oral Communication Center's "Hamilton Speaks" was an exhilarating afternoon of fast-paced professional advice that provided an important framework for public speaking to the Hamilton College community.


Blending our cheese with a whole range of different ingredients is one of the activities we enjoy most here at Ford Farm. Our lucky tasters spend much of their time combining different ingredients to develop new and exciting ways to tempt your tastebuds.
One of our best-selling blended varieties which really packs a punch. In this instance, Ford Farm Cheddar is blended with zingy lime juice as well as a piquant chilli which leaves a long finish.
Cheddar Cheese (Pasteurised Cows' Milk, Salt, Vegetarian Rennet, Dairy Cultures), Lime Marmalade (8%) (Sugar, Concentrated Lime Juice, Lime Peel, Gelling Agent [Fruit Pectin E440], Acidity Regulator [Citric Acid E330], Lime Oil), Jalapeno Peppers, Dried Chilli Peppers, Dried Green Peppers, Dried Red Peppers, Ground Chilli Powder.
Typical values per 100g:Energy 1681kJ/405kcal, Fat 32.2g, of which saturates 20.0g, Carbohydrate 5.4g, of which sugars 5.3g, Fibre 0.1g, Protein 23.5g, Salt 1.7g.


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Ford government plans to take over First Parliament site for highrise development on Ontario Line
Post categories In 2021, May 2021
Donald Higney
Photo: Courtesy of City of Toronto
Deep in the details of the province's plan for two new transit communities east of Yonge Street was a proposal to build five new highrise towers, three of them on the First Parliament site at Front and Parliament Streets.
The Ontario government has published initial plans to build two transit-oriented communities along the new Ontario Line, one near the planned East Harbour Transit Hub and the other by Corktown station.
Also in the plans are four residential and one commercial highrise towers on the Corktown subway site and the First Parliament site bounded by Front, Parliament and Berkeley Streets and Parliament Square Park, a wrinkle that municipal officials were not expecting.
The proposed Corktown station is on privately owned land of the Staples/Porsche dealership site. The two other highrises would be built on that parcel.
Most of the First Parliament site is owned by the City of Toronto. In January the provincial agency Metrolinx sent a notice of intention to expropriate the Budget Car rental property at 271 Front Street East and the parking lot at 25 Berkeley Street from the city.
Metrolinx's deadline to acquire the properties is August 1 this year. The properties are needed for construction of the Ontario Line tunnels and the Corktown subway station, according to the provincial Ministry of Transportation.
Metrolinx plans to hold onto the site for transit facilities but is "open to strategic partnerships while ensuring that service, infrastructure and safety are paramount," the ministry said in an emailed statement.
The land was the site of Canada's first and second parliament buildings (1797–1824), as well as a rich Indigenous history before Europeans arrived.
"It's a nationally important historic site that watched the evolution of a modern Toronto from its early days as an industrial town," City Councillor Kristyn Wong-Tam (Ward 13 Toronto Centre) said in a statement to the bridge.
"The lands and what they represent deserve much more respect than the condos that the province is proposing."
More meaningful discourse with community groups needed
She also said the province needs to engage in meaningful conversations with local residents and respect the work that community residents have put into the city's First Parliament Master Plan since 2013.
The City of Toronto's plan includes a new library, food services, cultural hubs, affordable housing and other community-oriented uses while the provincial plan focuses on building condos.
According to the Toronto Star, the application the province submitted to the city provides for three 46-storey and one 25-storey residential towers and one 24-storey office building. Just under 1,600 new units would be built, with about five to 10 percent reserved for affordable housing.
Wong-Tam says at least 30 percent of the available space should be designated for affordable housing.
Metrolinx's proposed Corktown Station on the Ontario Line would include a library and connections to TTC bus and streetcar services. Across the Don River, the 38-acre East Harbour location would be transformed into a transit-orientated community with a major employment centre that the province says could add 50,000 jobs to the area.
The East Harbour Transit Hub would also link the Ontario Line rapid transit with a GO Transit rail line, a SmartTrack station, and a future TTC streetcar extension.
The city is reviewing the provincial plan while the provincial government says it will consult local stakeholders, including Indigenous and neighbourhood groups this summer and fall.
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Post categories In 2021, November 2021
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By Kayla Higgins – The province's revitalization plan for Ontario Place was publicly elaborated at a community-hosted panel discussion on October 19. Waterfront for All, a coalition of…
Post categories In 2021, December 2021


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Daniela Lucato started studying theatre in Padua (Italy)parallel to her studies at the university. After her degree in Philosophy with an anthropological thesis on contemporary dance, she moved to Rome, Wellington and finally Berlin where she currently works as an actress for films/theater performances. In 2013 she wrote and directed the theatre piece "Call Me Reality" that participated to several theater festivals. The Birthday (2014), her first short film that she wrote and directed in mandarin/english language, has been officially selected from 22 international festivals (among these Micgenero, Frameline, ShanghaiPride where the film was also nominated for the best cinematography). Connecting Fingers (2015) is her last dance-theatre production. When I dance (2016) is her first Feature documentary. She is now working at the pre-production of the short film For the time being and writing the script of her first feature Alice still has a dream.
2017:For The Time Being
2017: The Wheel Short Film
2016: When I dance Feature Documentary
2014: The Birthday Short Film


On June 1, 2017 at about 2:58 p.m., a silver 2005 BMW was stopped facing north in the inside lane of Bunny Trail attempting to turn left to travel west on Stan Schlueter Loop. A Maroon 2006 GMC Envoy was stopped in the northbound middle lane, also turning left to go west on Stan Schlueter Loop. A Yellow 2006 Nissan Xterra SUV was traveling east in the outside lane of Stan Schlueter Loop. According to witnesses, the Nissan ran the solid red light as the BMW and GMC entered the intersection. The front of the Nissan struck the driver's side door area of the BMW, causing it to spin and strike the driver side of the GMC SUV. The Nissan and BMW sustained major damage.
The driver of the BMW was initially transported to Seton Medical Center of Harker Heights by Killeen EMS. She was subsequently flown to Baylor Scott and White Hospital in Temple, Texas, where she succumbed to her injuries and was pronounced deceased by medical staff at 5:22pm.
The deceased is identified as 23 year-old Maria Clarissa Aro Tabonares of Killeen.
The crash continues to be investigated by our Traffic Unit. Additional information will be released as it becomes available.
UPDATE: The deceased 38 year old male has been identified as Antwan Devon Garland of Killeen.
Killeen Police investigate fatal crash E. Veterans Memorial Blvd.
Officers responded to a 911 call about a crash in the 5900 block of E. Veterans Memorial Blvd., which involved a white Ford van and a red Honda Civic Thursday, November 24, 2016, just before 3:00am.
The preliminary investigation revealed that the 2005 Ford van was traveling westbound on E. Veterans Memorial Blvd and the 2011 Honda Civic was traveling eastbound on E. Veterans Memorial Blvd. The Civic crossed the center lane into the path of the van causing the vehicles to collide in an offset head on manner.
The 38 year old male driver of the Civic was pronounced deceased at the scene by Justice of the Peace Garland Potvin at 3:42 am. Justice of the Peace Garland Potvin ordered an autopsy to be performed at the Southwestern Institute of Forensic Sciences in Dallas. The driver of the van was treated at the scene for minor injuries.
This crash continues to be investigated and information will be released as it becomes available.
Residents who reside at the Twin Creek Apts and 56th Street West may return to their homes.
Residents of 58th Street are still not clear.
KPD and KFD responded to a major crash on Friday, August 12, 2016, at 4:20 am at the Mickeys Convenience Store located at 4415 E VMB. Upon the officers arrival they found a fuel tanker and a SUV on fire. Firefighters immediately attempted to contain the fire and officers began an evacuation process within immediate area.
The preliminary investigation revealed that the fuel tanker was refueling the gas pumps, when an SUV hit the tanker, causing a fire and explosion. The fire caused major damage to the convenience store, a Killeen fire truck and six additional vehicles. One casualty has been confirmed and no other injuries were reported. The name has been withheld pending notification of next of kin.
This case continues to be investigated and more information will be released had it becomes available.
Killeen Police investigate early morning fatal motorcycle crash on Martin Luther King Jr. Blvd.
Officers responded to the area of Monte Carlo Lane and MLK Blvd at 1:12am, after receiving a 911 call of a crash in the area. Officers arrived and located a 2006 Suzuki motorcycle and a 2011 Ford Mustang in the ditch on the east side of the MLK Blvd.
The preliminary investigation revealed that the Mustang and the motorcycle were traveling southbound on MLK Blvd when the Mustang collided with the rear end of the motorcycle, causing both vehicles to cross the northbound lanes, coming to a rest in a ditch on east side of the roadway. The motorcycle rider was immediately transported by ambulance to the Carl R. Darnall Army Medical Center in critical condition. Thomas James Reyes, a 28 year old Fort Hood soldier, succumbed to his injuries and was pronounced deceased by CRDAMC medical authorities at 2:01am. Justice of the Peace Garland Potvin ordered an autopsy to be performed at the Southwestern Institute of Forensic Sciences in Dallas.
Alcohol is believed to be a contributing factor and charges are pending as the Killeen Police Department Traffic Unit continues to investigate this crash.
Information will be released as it becomes available.
Killeen Police investigate early morning crash that sends two people to the hospital.
Officers responded to the 2800 block of S. Fort Hood St. at 1:55am, on May 25, 2015, after receiving a 911 call telling them about a pedestrian getting hit by a vehicle.
Upon the officer's arrival they located two females who had been hit by a vehicle in the 2800 block of S. Fort Hood St. Witnesses told the officer that a 28 year old female was crossing from the west side of the roadway to the east side and as she was crossing on foot, a tan midsize vehicle traveling in the outside lane, struck the female knocking her to the ground; the vehicle continued traveling southbound, fleeing the area. A female who was inside a restaurant, heard the witnesses and went outside to assist the injured female, as the nurse was assisting the victim, a Honda that was traveling southbound in the inside lane struck both females. The nurse was struck knocking her away from the other female and the first female victim was run over by vehicle.
UPDATE- The female who was crossing the roadway and was struck twice, Kyesha Lashell Harris-Foster, succumbed to her injuries from the crash and was pronounced deceased at Baylor Scott & White Hospital on Saturday, July 25, 2015, at 10:12am, by Justice of the Peace Barfield. There will not be an autopsy ordered.
The KPD Traffic Unit Investigators continue to investigate this crash and advised the tan midsized vehicle that fled the scene will be missing the drive's side mirror and have damage to the front left of the vehicle. This vehicle has not been located.
Anyone who has information about the whereabouts of the suspect vehicle or information about the driver is asked to contact Crime Stoppers at 254-526-TIPS (8477). You can also go online anonymously at www.bellcountycrimestoppers.com or text BELLCO along with the tip to 274637. Text HELP for help with the tip to 274637 or text STOP to stop the tip to 274637, message and data rates may apply. All information is confidential and if your tip leads to the arrest of the person responsible for this crime you could be eligible for a reward up to $1,000 in cash.
The Killeen Police Department Traffic Unit investigates an early morning fatal crash on Veteran's Memorial Blvd.
Officers responded to the area of Veteran's Memorial Blvd and W.S. Young Dr. at 12:47am, on Saturday, June 27, 2015, after receiving 911 calls about a male who had been hit by a vehicle. Upon the officers arrival they located an injured male who had been involved in the crash.
Officers were told by witnesses that the 26 year old male was riding his bicycle southbound on W.S. Young Dr. and a black 2003 Infinity was traveling eastbound in the outside lane of Veteran's Memorial Blvd. Witnesses said the male on the bicycle failed to stop at the red light and rode into the intersection in front of the oncoming Infinity, causing the vehicle to collide with the bicycle rider. After first responder's arrival, the male was airlifted to Baylor Scott & White Hospital with life threatening injuries. Michael David Carrasco, a Fort Hood soldier, succumbed to his injuries and was pronounced deceased at 9:52am, by Justice of the Peace David Barfield.
There will be no charges filed on the driver of the Infinity.
The Killeen Police Department is investigating a fatal auto pedestrian crash on Fort Hood St.
Officers responded to 911 calls at 9:50pm, on Friday, June 5, 2015, telling them a person had been hit by a vehicle in the 1300 block of S. Fort Hood St. Upon the officers arrival they located a 65 year old male lying in the roadway. The male was immediately airlifted to Baylor Scott & White Hospital with life threatening injuries.
The preliminary report indicates the male was attempting to cross Fort Hood Street from the west side to the east side of the roadway. As he was crossing a black 2011 Mazda 6 that was traveling southbound in the inside lane truck the male.
Bahri Greci was pronounced deceased at 12:32am on June 6, 2015 by Justice of the Peace Don Engleking; there was no autopsy ordered.
Officers responded to the 8400 block of South Fort Hood St. today at 4:18am, after receiving numerous 911 calls in reference to a crash. As the officers were responding, they were told one of the vehicles had caught fire and was fully engulfed with the driver still inside. Officers arrived and found a 2008 white Chevy Malibu that was in the ditch and occupied by a female driver and a teal colored 1998 Chevy Lumina on fire in the median; because the Lumina was fully engulfed in flames, officers were unable to get to the driver. Once the fire was distinguished, it was learned that the occupant was unable to get out of the vehicle. The driver was pronounced deceased by Justice of the Peace Garland Potvin at 5:27am and ordered an autopsy to be performed at the Southwestern Institute of Forensic Sciences in Dallas.
The preliminary investigation revealed that the Chevy Lumina was traveling northbound on South Fort Hood St. in the southbound inside lane and the Chevy Malibu was traveling southbound also in the inside lane when the two vehicles collided head on in the 8400 block. The Lumina came to rest in the median east of the roadway and caught fire, the Malibu came to rest in the ditch area west of the roadway. The female driver of the Malibu was airlifted to Baylor Scott & White Memorial Hospital in critical condition.
The driver of the Lumina has not been identified at this time and the name of the victim at Baylor Scott & White has been withheld due to her condition.
Killeen Police are investigating a rollover crash on E. Rancier last night.
Officers responded to the 2900 block of E. Rancier at 9:05pm, after receiving several 911 calls telling them a vehicle had crashed. Upon the officers arrival they learned a white Honda Civic, occupied by two males, was traveling eastbound in the inside lane of E. Rancier. The driver lost control and left the roadway on the south side where the vehicle struck a utility pole. After knocking the utility pole down, the vehicle continued sliding and began overturning before coming to rest on its roof. The driver was ejected from the vehicle and was airlifted to Scott & White Memorial Hospital with severe injuries. The passenger was treated by EMS but did not wish to be transported to the hospital.
Witnesses told officers that the white Honda Civic was racing a black vehicle at the time of the crash.
Officer with the KPD Traffic Unit continue to investigate this crash and information will be released as it becomes available.


Parlour is an advocacy organisation committed to gender equity in architecture. Parlour provides a 'space to speak', bringing together research, informed opinion and resources on women, equity and architecture in Australia. It seeks to expand the spaces and opportunities available to women while also revealing the many women who already contribute.