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How Technology has Revolutionised the Gaming Industry
Titus Githiru
Anybody who's played a video game in the past year will know how technology has changed the activity in a way that's shown breathtaking progress since the days of Mario and Sonic the Hedgehog.
With everything from innovative world-building titles to advanced mobile casino games enjoying phenomenal popularity on a global scale, it shows how technology is helping gaming move into uncharted territory.
What's most evident about the video gaming revolution is the fact that it's happening on a global basis. From an office worker in Sweden pioneering the Minecraft world-building craze to Kenya's nascent gaming industry, it's clear that video game creation is increasingly a democratic affair.
Part of this global trend is due to the proliferation of smartphones which means that everyone now has a portable gaming platform in their pocket. So whether you're joining the Candy Crush Saga puzzling craze, or checking out the latest mobile casino offerings when you get chance to visit the Lucky Nugget Casino site, it's shows that modern day gaming has limitless potential.
As smartphone technology has meant that more people have become gamers, it's also given rise to a real trend for multiplayer online gaming.
This can be anything as simple as a mobile multiplayer tournament via the 8 Ball Pool online game, to the rapidly growing competitive gaming realm that has seen the likes of the African Gaming League and the travelling DreamHack tournament bring professionalised gaming to new audiences.
However, 2016 marked a watershed moment for video games as it was the year when augmented reality and virtual reality transformed the standard gaming experience.
From over 500 million people chasing Pokémons around their towns thanks to Pokémon Go to people playing video roulette against real-life dealers in their living rooms, it shows that the way games interact with real environments could indicate gaming's fascinating future.
And finally, this year has also marked the moment where virtual reality finally become a popular gaming activity thanks to the rise of headsets like Oculus Rift, HTC Vive and the PlayStation VR.
Whilst previous attempts had been hampered by a troubling latency and lack of graphical depth, the latest generation of VR headsets has meant that whether we're playing a first-person shooter, or are back at the casino gaming tables, our games are going to be a lot more immersive and realistic in the coming years.
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Titus is interested in personal tech that takes the form of utility, how tech disrupts our day to day life and the ways it makes life easier.
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How technology has revolutionised the gaming industry | KeepItBuzzing December 1, 2016 at 5:31 am
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C 2a greyhound fsx planes
Akinolmaran 10.08.2020 1 Comments
X-Plane 9 - C-2A Greyhound. The Grumman C-2 Greyhound is a twin-engine, high-wing cargo aircraft, designed to carry supplies and mail to and from aircraft carriers of the United States Navy. Its primary mission is carrier onboard delivery. Dec 17, · Hey, Will there be or is there a C-2 Greyhound for fsx?:confused: Is there a C-2 Greyhound or will there be one for fsx? If this is your first visit, welcome! spectexremont.ru OR A C-2 here I know there are 7 different Grumman aircraft made, called "The Grumman 7", and I'm pretty sure the Greyhound is one. May 28, · Thought this may be of some interest to the aircraft carrier fraternity - New from Avsim. File Description: The C-2A Greyhound, aka. COD, a twin-turbo prop aircraft designed to land on Aircraft Carriers. Provides logistics support for PAX and Cargo. This is a brand new repaint of the original VRC by Rick.
[Dec 17, · Hey, Will there be or is there a C-2 Greyhound for fsx?:confused: Is there a C-2 Greyhound or will there be one for fsx? If this is your first visit, welcome! spectexremont.ru OR A C-2 here I know there are 7 different Grumman aircraft made, called "The Grumman 7", and I'm pretty sure the Greyhound is one. FSX C-2a Greyhound (or any twin-engine turbo prop aircraft) Panel. Download hits 1, What about making a C-2a Greyhound in the first place!!!!! hayden Sun, Back to top. Sign-Up. Signing-up for a Pro account gives you super fast uncapped speed to the thousands of FSX, FS & X-Plane downloads which include aircraft, scenery and 3/5(3). IndiaFoxtEcho - E-2C Hawkeye and C-2 Greyhound for FSX and P3D - FSPilotShop. Flight Simulator X FSX Steam Military Aircraft Prepar3D. FSX Addons & hardware, yokes, pedals, scenery, aircraft. The Grumman C-2 Greyhound is a twin-engine, high-wing cargo aircraft, designed to carry supplies, mail, and passengers to and from aircraft carriers of the United States Navy. Its primary mission is carrier onboard delivery (COD). The aircraft provides critical logistics support to carrier strike spectexremont.ructurer: Grumman, Northrop Grumman. X-Plane 9 - C-2A Greyhound. The Grumman C-2 Greyhound is a twin-engine, high-wing cargo aircraft, designed to carry supplies and mail to and from aircraft carriers of the United States Navy. Its primary mission is carrier onboard delivery. May 28, · Thought this may be of some interest to the aircraft carrier fraternity - New from Avsim. File Description: The C-2A Greyhound, aka. COD, a twin-turbo prop aircraft designed to land on Aircraft Carriers. Provides logistics support for PAX and Cargo. This is a brand new repaint of the original VRC by Rick. The C-2A Greyhound is the U.S. Navy's carrier-onboard-delivery (COD) aircraft, providing critical logistics support. The C-2A can deliver a payload of up to 10, pounds. The cabin can readily accommodate cargo, passengers or both. It is also equipped to accept litter patients in medical evacuation missions. | The Northrop Grumman E-2 Hawkeye is an American all-weather, carrie capable tactical airborne early warning (AEW) aircraft. The Grumman C-2 Greyhound is a twin-engine, high-wing cargo aircraft, designed to carry supplies, mail, and passengers to and from aircraft carriers of the. Forum · FS Aircraft · Search The C-2A Greyhound, aka. COD, a twin-turbo prop aircraft designed to land on Aircraft Carriers. Provides. FSX C-2a Greyhound (or any twin-engine turbo prop aircraft) Panel. Screenshot 1. Download hits: 1,; Compatibility: Microsoft Flight Simulator X (FSX). VC - OBS Knob not operational on analog cockpits (FSX) - FIXED I flew the C-2A Greyhound extensively as an aircraft commander. I know there are 7 different Grumman aircraft made, called "The Grumman 7", and Haven't searched for "Greyhound" or C-2 or anything yet. INDIAFOXTECHO VISUAL SIMULATIONS - E-2 HAWKEYE - C-2 The Grumman C-2 Greyhound is a twin-engine, high-wing cargo aircraft, designed . Simulator: FSX (Acceleration/Gold/Steam Editions), P3D (all versions). The C-2A Greyhound, aka. COD, a twin-turbo prop aircraft designed to land on Aircraft Carriers. Provides logistics support for PAX and Cargo. This is a brand.] C 2a greyhound fsx planes Wide Selection of Hardware, Panels, Scenery, Aircraft Addons & More In Stock!. The Grumman C-2 Greyhound is a twin-engine, high-wing cargo aircraft, designed to carry supplies, mail, and passengers to and from aircraft carriers of the United States Navy. Its primary mission is carrier onboard delivery (COD). The aircraft provides critical logistics support to carrier strike groups. A C-2 here I know there are 7 different Grumman aircraft made, called "The Grumman 7", and I'm pretty sure the Greyhound is one. I had one around someplace, but the zipfile seems to have disappeared on me Anyway, all I did was a quick search in the library for "Grumman 7" and cam up with results. The C-2A Greyhound is the U.S. Navy's carrier-onboard-delivery (COD) aircraft, providing critical logistics support. The C-2A can deliver a payload of up to 10, pounds. The cabin can readily accommodate cargo, passengers or both. It is also equipped to accept litter patients in medical evacuation missions. Re-vamped from an old version of FS, converted and re-modeled for FSX and FSX-SE. Beta tested last night, and just finished up the Radar room views along with the center console, and the co-pilot view. Textures are done, gauges, tail hook, and the launch bar. Tested it in FSX-SE w/ a carrier trap and take off. The C-2A Greyhound, twin-engine cargo aircraft designed to land on aircraft carriers, provides critical logistics support to aircraft carriers. Its primary mission is carrier on-board delivery. Powered by two T-6 turboprop engines, the C-2A can deliver a payload of up to 10, pounds. The cabin. C-2A Greyhound logistics aircraft: Description The C-2A Greyhound is a high wing, twin-engine Carrier Onboard Delivery (COD) aircraft. Features Powered by twin Allison TA turboprop engines. IndiaFoxtEcho - E-2C Hawkeye and C-2 Greyhound for FSX and P3D - FSPilotShop. Flight Simulator X FSX Steam Military Aircraft Prepar3D. FSX Addons & hardware, yokes, pedals, scenery, aircraft. Later in , a new version of the aircraft called the C-2A was made by overhauling the C-2 Greyhound for improved operational life. The overhaul mainly included replacement of the airframes. A total of 39 new C-2A aircraft were ordered in and they lasted until when a new model named the reprocured C-2A or C-2A(R) replaced the older. Northrop Grumman C-2A Greyhound Military Turboprop Plane - Photos Specs Max Range: 1, nautical miles Max Seating: 26 passengers Price (Approximate): $39 M. The C-2 Greyhound replaced the similar Grumman C-1 Traders in the same carrier-based role. C-1 Traders were twin piston-engine transports developed from the Grumman S-2 Tracker and appeared in , operating until The Greyhound prototype achieved first flight in while C-2A production began in , lasting until Navy names sailors still missing after Pacific plane crash. November 25, were lost in a C-2A Greyhound transport plane that crashed about halfway between Okinawa, Japan, and Guam on Wednesday. X-Plane 9 - C-2A Greyhound. The Grumman C-2 Greyhound is a twin-engine, high-wing cargo aircraft, designed to carry supplies and mail to and from aircraft carriers of the United States Navy. Its primary mission is carrier onboard delivery. The C-2A Greyhound is the primary at-sea delivery aircraft for the US Navy to transport personnel and cargo aboard underway aircraft carriers from shore bases. The C-2A has a large aft cargo. Over at the Vertigo Studios forums there are some very nice renders of the Grumman C-2A Greyhound VC WIP. I don't know how we missed these as they are from June C-2 Greyhound COD confirmed involved in the crash. According to the U.S. Navy 7th Fleet, a United States Navy C-2A aircraft belonging to VRC "Providers" carrying 11 crew and passengers. Welcome to my Grumman C-2A Greyhound web page. This page is not related to the Northrop Grumman Corporation or to any U.S. NAVY squadron. But you'll find here information, pictures and facts related to this wonderful aircraft. Thanks to the great people who fly and serve to keep them flying. U.S. Navy Aircraft Structural Mechanic (Equipment) 3rd Class Osvaldo Rosario, assigned to Fleet Logistics Support Squadron (VRC) 30, checks the environmental control systems turbine on a C-2A Greyhound aircraft N-AGjpg 3, × 2,; MB. The Grumman C-2 Greyhound is a twin-engine, high-wing cargo aircraft, designed to carry supplies and mail to and from aircraft carriers of the United States Navy. Its primary mission is carrier onboard delivery (COD). The aircraft provides critical logistics support to carrier strike groups. Hello there! I just wanted to make this girl look like the real thing. So I did some repainting and tweaking some parts to make her shine brighter! Credit to BaconAndEggs96 for the wonderful C-2A Greyhound model.).
U.S. Navy Carrier Aviation_The past 100 years with FSX/P3D --#65_Grumman C-2A Greyhound
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April 26, 2016 - Laird announced the release of its 50 Series Enterprise Wi-Fi + Bluetooth modules, the next-generation of its popular dual-band embedded wireless modules that provide product engineers with a solution that is optimized to ensure secure connectivity in difficult RF environments. The 50 Series family of modules is designed to thrive in challenging settings with obstacles such as dense wireless signal traffic and complex physical geography, including industrial sites, public areas and more.
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Infosys Founder N.R. Narayana Murthy to Deliver Ogden Lecture on Global Economics
Stimulus Funding for Brown University Research Surpasses $33M
Stephen A. Ogden Jr. '60 Memorial Lecture
February 18, 2010 Media contact:
N.R. Narayana Murthy, a leading figure in global business and corporate social responsibility, will deliver a Stephen A. Ogden Jr. '60 Memorial Lecture on International Affairs on Monday, March 1, 2010, at 5:30 p.m. in MacMillan Hall, Starr Auditorium. His talk, titled "Global Economic Future and the Role of Indian IT," is free and open to the public.
PROVIDENCE, R.I. [Brown University] — Global business leader N.R. Narayana Murthy, considered to be one of the fathers of India's information technology revolution, will deliver a Stephen A. Ogden Jr. '60 Memorial Lecture on International Affairs on Monday, March 1, 2010, at 5:30 p.m. in MacMillan Hall, Starr Auditorium, 167 Thayer St. His lecture, titled "Global Economic Future and the Role of Indian IT," is free and open to the public. Murthy will discuss India's national strides, its powerful new international position, and the role technology has played.
N.R. Narayana Murthy is the founder and chairman of Infosys Technologies Ltd., a global software consulting company headquartered in Bangalore, India. He is widely considered one of the most powerful and influential CEOs in the world. Murthy founded Infosys in 1981, and under his leadership it was listed on NASDAQ in 1999. Murthy designed and implemented the global delivery model that became the foundation for the huge success of information technology services outsourcing in India. He has led corporate governance initiatives in India and is an IT advisor to several Asian countries.
"Narayana Murthy is a new kind of business leader and has become an iconic public figure in India," said Ashutosh Varshney, professor of political science. "Starting small, he has risen phenomenally in a highly competitive global field. He represents a rare blend of vision, courage, leadership, commitment and integrity, and has become an inspiration to many in India and abroad."
The Economist ranked Murthy in 2005 among the 10 most admired global business leaders. He topped the Economic Times list of India's most powerful CEOs for three consecutive years, from 2004 to 2006. He has been awarded the Padma Vibhushan — India's second highest civilian award, given for exceptional service to the nation — by the government of India, the Legion d'honneur by the government of France, and the CBE by the British government. He is the first Indian winner of Ernst and Young's World Entrepreneur of the Year award and the Max Schmidheiny Liberty prize, and has appeared in rankings of top business leaders and innovators published by India Today, Business Standard, Forbes, BusinessWeek, Time, CNN, Fortune, and Financial Times. He is the author of A Better India: A Better World, published by Penguin Books India in 2009.
Murthy was one of nine new foreign associates elected this month by the National Academy of Engineering. He was cited for his contributions to the development of global information technology services.
On the occasion of Brown's Year of India program, this event is sponsored by the 82nd Stephen A. Ogden Jr. '60 Memorial Lecture on International Affairs.
Since 1965, the Ogden Lectureship has presented the University and its neighboring communities with authoritative and timely addresses about international affairs. The lectureship was established in memory of Stephen A. Ogden Jr., a member of the Brown Class of 1960, who died in 1963 from injuries he suffered in a car accident during his junior year. His family created the series as a tribute to Ogden's interest in advancing international peace and understanding.
Dozens of heads of state, diplomats, and observers of the international scene have participated in the series, including Queen Noor of Jordan, former President of the Soviet Union Mikhail Gorbachev, President of Brazil Fernando Henrique Cardoso, former Canadian Prime Minister Kim Campbell, media innovator Ted Turner, astronaut Sen. John Glenn, economist Paul Volcker, Bolivian President Evo Morales, and Romano Prodi, former prime minister of Italy.
This event is free and open to the public. For more information, contact the Office of University Events at (401) 863-2474.


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BritainLargeChevron
GQ Editor's Club
GQ Heroes
Icon: David Bailey
By Jonathan Heaf
*From the GQ archive: The nation's most brilliant photographer has spent half a century at the very top of his profession. In that time David Bailey has become a bigger star than many of his subjects - a list including Andy Warhol, Bob Dylan and Francis Bacon. To mark the broadcast of We'll Take Manhattan, a BBC drama about his relationship with Jean Shrimpton and the photoshoot that catapulted them both to superstardom, we revisit this classic 2006 interview in which David Bailey told GQ why the best may be yet to come. *
A couple of months ago, in New York, an informal meeting was set up between David Bailey and the Pulitzer Prize-winning writer and editor of the New Yorker, David Remnick. Organised by Bailey's long-term friend and collaborator Anna Wintour - the indomitable editor of American Vogue - the lunch date should have gone smoothly enough.
As a fan and an avid reader, the British photographer was keen to start working for Remnick's magazine (he hadn't taken a picture for the New Yorker since former editor Tina Brown left in a flurry of column inches in 1998). Also, as Bailey so characteristically puts it, he was "half-interested in sitting down with a bloke who might actually have something interesting to say for himself other than some fucking dumb actor". Remnick too, you might guess, had honourable intentions: not only eager to employ the skills of one of the world's greatest living portrait takers but also hungry to attach a name such as Bailey's to the weekly magazine. The date was set, a swanky table in Manhattan booked, and two of today's cultural titans got together for a professional, but friendly, chow down. "Total fucking disaster!" With a gleefully high-pitched laugh, Bailey - back within the working environment of the Clerkenwell mews studio he's had for more than 20 years - is retelling the (as he saw it) awkward Remnick lunch story. And as anyone who has spent any time at all around the sexagenarian will know, Bailey is a photographer first, and a vivacious storyteller a close second.
Giggling nearly as much as Bailey, sat on the low, squishy, square leather sofas around a large, cluttered wooden table next to the photographer, are his ex-lover and first muse Jean Shrimpton (rather proudly, he is still on good terms with all his exes) and his fourth, and very beautiful, wife Catherine Bailey. In the background, clattering around, is his second-eldest child Fenton, 19, who's performing a precarious balancing act with two spotlights, one camera tripod and a half-smoked Marlboro Light.
Fenton, along with Bailey's two other full-time assistants, works for his dad most days.
Bailey continues on the subject of that meeting in Manhattan. "As soon as I started talking to him I could see that we weren't going to hit it off particularly well," he says. "He was a pleasant man, but so introverted, almost shy."
Remnick is renowned for his studious, academic demeanour; a man who's happier behind a keyboard than wining and dining maverick contributors. "I know Remnick is a reporter first and foremost, and you could tell. Maybe I was just too much of a gruff opinionated git! Well, fuck it." Needless to say, Remnick's enthusiasm wasn't at all curbed. "I liked Bailey just fine," he told me later, "and wouldn't be at all surprised if we publish him again."
David Bailey will be 69 next January.
Between his first Vogue cover, published in February 1961, and this month's GQ Daniel Craig cover shoot, he can boast more than 45 years at the very peak of the publishing business.
Notched onto his professional bedpost, Bailey can count 21 books, hundreds of magazine covers, more than 20 major exhibitions worldwide and an archive of iconic photographs that if laid out could wallpaper Tate Modern's Turbine Hall twice over.
It's a staggering volume of work, a small portion of which is filed away in handmade archive boxes, stacked in rows among the copies of signed photographic books, the old dusty Rolleiflex cameras and Bailey's ever-expanding collection of Oceanic art, which all jostles for space among the shelves, corners and corridors of his modest studio. The rest of his prints are under lock and key, either boxed up at the estate in Devon that he shares with his wife, or in the hands of art galleries, private collectors, auctioneers or wealthy patrons such as Sheik Saud al-Thani of Qatar and the artist Damien Hirst.
Hirst has, over time, become a close friend of Bailey's. "We live near each other in Devon, so we see each other a fair bit," Hirst tells me on the phone from France one evening in October. "I think I met Bailey first when I was at [film director] Ridley Scott's studio in London - he was working on a commercial or something. Christ, it must have been well over ten years ago; I'd been up all night and was sitting in the corner being an arrogant little shit. Maybe that's why he liked me. He likes those bric-a-brac, ramshackle old curiosity shops so we often go hunting for junk together."
The artist recently spent more than £100,000 on 63 of the photographer's large, framed black and white prints; a series set to be hung in Hirst's new contemporary art "museum" due to open in five years time. "I was around his house," Hirst explains, "and we were going through one of those rare books he's done, Nudes. I liked them so much I bought the lot. I grew up being into punk and the Beatles and whatever, and it was his pictures that defined the time. There's no bullshit with Bailey. If you ask him if he likes a piece of art and he says 'no', he fucking means it!" The pair will soon be embarking on a joint project together: images of themselves alongside a naked, circumcised Adolf Hitler. Bailey is trying to decide whether to make Hitler's cock black, or to leave it white.
Quite clearly, the famous British photographer is going to need to order more of those archive boxes soon. He is without question, a workaholic; always has been, always will be. With a work rate that can, without exaggeration, be compared to that of some of his greatest heroes - Picasso (a major influence) or Francis Bacon (with whom he became friends after the alcoholic artist tried to pick up the young photographer in a London drinking den) - in the time I spent with Bailey rarely a day passed when he wasn't working at an incredible pace. It wouldn't be unusual for him to have three portrait sittings in one day; often more than ten individual commissions per week.
Bailey is still very much in demand.
And as David Remnick no doubt witnessed over that Manhattan lunch last summer, more than ever the mythology of the man - the way he works, his intimidating persona, his reputation for being a stubborn and difficult commission - seems only to be escalating.
Bailey's reputation more than precedes him, it barges ahead, grabs you by the hand and asks you when was the last time you had a shag. Both physically and vocally he's a barking presence in any room, not least when he's working at his studio. Dressed more often than not in a dusty, unbuttoned flannel shirt thrown together with a pair of old baggy blue jeans, Bailey will flatter, flirt, disregard, insult, eye-up or even dance with a subject in order to get the picture he wants. It's a disarming, if not bewildering, force.
Bailey was the first person behind the lens, in Britain at least, to become as desired and as well-known as the rock stars, models and movie icons he photographed. The Italian director Michelangelo Antonioni even made a film, Blow-Up, based on his life, although Bailey was never particularly happy with the choice of David Hemmings to play the part of the fashionable young photographer. "I don't know why they didn't use Terence Stamp. He was less of a sissy than Hemmings and at least he was from the East End like me."
The mythological coolness of a David Bailey photograph, and the mythological coolness of David Bailey himself, has its roots in the period he is most famous for, which, as it happens, is the period that the photographer likes talking about the least - the early Sixties. "The Sixties was great for the hundred or so of the ponces in London like me who were taking pictures or making movies or being Mick Jagger... but ask a coal miner from South Yorkshire what he thought of the Sixties and he'll tell you just how cool it really was."
But for all Bailey's modesty, he was part of a photography movement (along with fellow East End boys Terence Donovan and Brian Duffy) that would not only change the look and feel of the medium - whether that be in fashion magazines or celebrity portraiture - but also leave behind a body of work that would come to represent the period at its most iconic. Before these bullish, scruffy males tornadoed through the studio doors, the world of glossy magazines, models and expensive clothing was all very pretty, mannered and impenetrably middle class. As Duffy once said, "Before 1960, a fashion photographer was tall, thin and camp... but we are different: short, fat and heterosexual!"
Some of Bailey's most famous portraits were taken for a project entitled David Bailey's Box Of Pin-Ups, published in 1964. With this the link between Bailey and Swinging Sixties London became inextricably forged. Some of his greatest, and most iconic, portraits are held within: Mick Jagger with the fur collar, the Kray twins, Cecil Beaton with Rudolf Nureyev, Andy Warhol, Michael Caine as Harry Palmer with his unlit cigarette and thick, black-framed glasses, David Hockney, John Lennon and Paul McCartney - a definitive collection of the London glitterati accumulated by a man who was embedded at the very seams of the movement. Thanks to patrons like American Vogue's editor-in-chief Diana Vreeland, Bailey's great ally in the States in the early Sixties, his pictures were being seen across the globe and when Box Of Pin-Ups came out the name David Bailey was as famous as those he was photographing. "I hate being so nostalgic about the Sixties," adds Bailey. Why? Because you can't remember anything about it? "No, I never really took drugs - although I remember a girl I used to go out with that spiked my drinks with LSD. She did it once in Venice when I was on a gondola - I thought the city was bobbing up and down rather than the boat - and once when I was trying to park my car in London. I couldn't do it because whenever I looked out of the windscreen I thought the bonnet was melting! "No, I hate going on about the Sixties because whenever I meet people from the Sixties they keep going on about what a great time it was. It's a great time now! I have always wanted to live in the present and never the past. Yesterday I shot Tom Ford. The week after next it's Robert De Niro in New York. What makes you think I want to sit around with you and talk about the Good Old Days when I have all that to look forward to?"
It's this very aspect of Bailey - the fact he has one foot in the past, while the other strides into the future - that not only keeps him working 12, 13-hour days but also gives all his photography such a contemporary resonance. As a working photographer Bailey, in fact, would like nothing more than to forget the past. Problem is, the past won't forget him. But to understand what happened to Bailey in the Sixties - why his work was so radical - and to understand why he is still so important today, you have to understand not only how he came to be in such a pivotal position, but also what it was like to be working as a photographer at that time. "We were so young. I don't think Bailey or anyone had any idea how important the work we were doing was," says Jean Shrimpton, now 64. "We were just kids really, I was 18 when I first started working with Bailey. I met him on the roof of Vogue; I was doing a shoot with Brian Duffy and he popped his head around the door. I think I could tell he liked me or that I liked him or something. We had a relationship, and like all relationships they seem to take hold of you, rather than the other way around. That's what it was like in London in the early Sixties, it all sort of just happened without you ever thinking about it. But that's not to say Bailey wasn't ambitious; he always wanted to be better than everyone else."
Behind the stack of sofas where we are all sitting, on a work bench usually reserved for make-up artists, the Shrimp - as she became known within the fashion world - has one of Bailey's grey archive boxes open and is leafing through old prints. She's looking for a picture to take back home to Windsor to give to her son for his birthday, and Bailey - as a way of thanking her for doing the shoot today; her first for nearly eight years - told her she could choose one. Her casual perusal is interrupted once or twice by Bailey's playful bark. Comments such as, "Just don't fucking bend them" or "They're worth about £6,000 now, you know," get a faint smile from Shrimpton. But she knows better than to bite back.
The prints themselves are from perhaps the most famous, and most important, of the shoots the pair did together, taken in New York for Vogue in 1962. Named "New York: Young Idea Goes West", they show Shrimpton standing at a Manhattan intersection, thin and misty-eyed, with hot-dog signs, taxis and the littered streets engulfing her tiny body. In her right hand she holds a teddy bear and she stares directly at the camera, the epitome of youthful innocence soon to be swallowed up and corrupted. Looking at the photographs now, aside from being beautifully composed, it's easy to shrug and wonder what all the fuss was about. But they were revolutionary. "Here was Bailey, a sweet-talking, eye-lash fluttering boy who swept in from the East End and charmed the pants off every man and woman he met," explains Vogue historian Robin Muir. "But not only did he know how to seduce, he certainly knew his photographic history. The 'Young Idea' story with Jean, is full of considered influences. Not only that but he used a 35mm camera, which for a fashion spread in a high-class glossy magazine just wasn't the done thing. What made Bailey refreshing was the fact he never set out to take a 'Vogue photograph'; he did what he thought would be best."
Never before had fashion photographs seemed so current or so reflective of the seismic shift that was going on within popular culture. They are the principal example of what Bailey grafted against his entire life, and still does to a certain extent, and that was to break down the stuffy, formal conventions of fashion photography and make way for a loosening up of the entire genre. Bailey was not only witness to it and within it - the reason for his personal fame - but also the period's leading historian.
"I never set out to be a photographer," Bailey explains over a bite to eat back in his studio a week later. "No, I was interested in birds, I wanted to be a ornithologist like James Fisher - sort of the David Attenborough of the Forties." Bailey still subscribes to a bird-watching newspaper that he reads avidly each week. "I remember messing about with my mum's Box Brownie. But everyone had a Brownie back then, they were like digital cameras are now. I could develop a picture by the time I was 12. I was dyslexic, you see - of course I didn't know that until much later - and the only thing I was good at in school was art. From a very early age my teachers had me believe that I was thick." The treatment of this bright, witty kid who was told he'd amount to nothing did much, in fact, to fire Bailey's determination and bitterness towards the education system. His youngest son, Sascha (12) is also dyslexic and a few years ago Bailey made a point of sending him to a school that caters specifically to sufferers.
In 1956 Bailey joined the Royal Air Force for his National Service. While stationed in Singapore he started taking some of his first, more considered photographs. "I didn't want to be attached to a photographic unit like Donovan because I didn't want to get killed! I knew I wouldn't be flying anywhere as I wasn't trained up so I spent day after day reading books or magazines down in a little hut I had on the airstrip. Magazines like Time and photography journals were where I first starting seeing the work of other photographers. I never really thought of it as being artistic - to me, Picasso or Braque were artistic. But the spark must have been triggered somehow. As a kid I used to draw or paint and I continued in the Air Force. I used to spend hours drawing the Disney characters over and over again. My mates must have thought I was a bit mental."
It was in Singapore that Bailey got his hands on a decent piece of kit. "Singapore was a tax-free port so they virtually gave you a camera every time you bought a packet of cigarettes! I remember getting a cheap copy of a Rolleiflex and then after a bit taking it to the local Chinese pawn shop and trading it up for something better. I've still got those pawn shop cards somewhere."
Returning to London in August 1958, Bailey fired off letters to various advertising photographers, hopeful that he might gain an apprenticeship somewhere. There was no real career master plan, he just "flicked through a magazine, took down some addresses and waited to hear back. I never held out much hope." But hear back he did, and after a few months he was taken on by David Olins, a fairly conservative photographer who was a regular contributor to Queen, a women's fashion magazine. "I was less an assistant there really, than a messenger boy," says Bailey. But after six months of learning nothing other than how to run about after somebody else he landed a job as second assistant to John French. "I learnt very little there also! But he was shooting for
Vogue and Harper's and some fairly prestigious magazines with clients and models, gay people, straight people, working class, posh... it was an environment that taught me more about how to interact with people than about what sort of photograph I wanted to take."
At this point the sort of photographs Bailey wanted to take were more photo-journalistic than fashion or straight portraiture. At John French's studio he was given the encouragement and freedom to experiment with lighting and take pictures of still lives while also using his sister, Thelma, or his young East End pals as models and subjects. It's in these early works where not only can you see Bailey's preference for studio photography but also his interest in capturing the emotion of a subject rather than spending hours composing the perfect picture.
Over time, Bailey's fast, almost snapshot way of working became the very essence of what makes his images so powerful, so emotive and so iconic.
By 1960 Bailey had left the French studios and was working for newspapers such as the Daily Express and mass-circulation magazines including Women's Own. But the glossies were changing and, feeling the swell and spending power of a new, previously untapped market - "the teenager" - magazines like Vogue knew they needed to freshen up and attract this younger audience if they were going to grow and survive. "Voguecalled and offered me a contract," explains Bailey smugly. It was February, he was 28, and this was also to be the month he got married for the first time, to a girl named Rosemary Bramble. "I turned them down. I mean, I had no real idea what Vogue meant in those days, all I knew is the money they offered me was less than what I was already earning. So I told them to sod off."Vogue, however, were persistent; by July Bailey was persuaded by the then art director, John Parsons, to sign a contract. "If someone offers you the chance to take pictures of pretty girls in frocks all day there are only so many times you can say no. But I always knew what I was there for at Vogue and those fashion magazines - it was to sell frocks. And I never wanted to be a fashion photographer. I was always more interested in people."
Watch David Bailey take a portrait today and you can sense a need for him to have a subject who will give him "something", rather than just stand there. When he saw Jean Shrimpton on the roof of the Vogue offices more than 40 years ago he knew instantly that he'd found, if not his muse, then someone who was going to interact with him, both off camera and on. It wasn't so much the fact that Shrimpton was going to look great in a dress but rather the fact that she was going to look even better out of one. Without the clothes (or a product to sell) his portrait work allowed Bailey to focus on a different aspect of his sitter than simply what they were wearing. It's a style of work that he forged and one he still uses for the majority of his shoots today - tight crop, black and white film, white or grey background. "Most of the work that goes into a portrait is done before the subject even gets in front of the lens and starts trying to pose or pull silly faces," he explains. "It's almost a physical thing for me, whether it's a man or a woman.
It's knackering sometimes! You talk to them first, flirt with them, piss them off... try and get to them so you can get past that shiny, polite veneer most of them walk about parading. One of the worst people I've ever had the displeasure of photographing is that actor, what's his name... Tommy Lee Jones. Fucking miserable cunt!
In fact Oliver Stone turned up at my studio shortly after and said,
'Are you as quick as [Richard] Avedon, because I only have five minutes?' He would hardly talk to me. So, I said, 'All right then.'
He stood in front of the camera and - 'click' - I took one single frame and then walked away. He said, 'What? I thought you were going to be quick,' I turned to him and was ˘ ˘ like, 'I'm done.
That's it. Off you go then!' He ended up staying all fucking day!"
Bailey has become the Grand Old Man of British Photography and in a way this continues to propel both his myth and his numerous commissions. Rankin, the 39-year-old photographer who, along with editor Jefferson Hack, founded trendy pop-culture magazine Dazed & Confused, explains his lasting appeal for both those working in the industry and his sitters like this: "The great thing about Bailey is that he is just so, well, cool. I became a photographer mainly because I loved photography, but there was always the idea that I would get to meet lots of women! The myth of Bailey - the Sixties icons he hung with and what he got up to with them - planted that in my corrupt little mind as a teenager! He invented modern, cool photography." Rankin has made a name for himself as "the New David Bailey", a term that he'll admit promoting to further his own career. "He doesn't market himself or jump through hoops to please either his subjects or the person he's working for... he's just himself." "He's dead; he's dead. Warhol - dead.
Bacon - dead. Lennon - dead. Paul McCartney - might as well be dead. Man Ray - dead..." My last meeting with Bailey, we're walking through his studio looking up at the 20 or so silver and platinum prints he's had framed and hung around his studio over the summer.
They are some of his most celebrated and - as Bailey is all too aware - the most sought after by collectors. There are a few more contemporary portraits - a nude of his wife Catherine, Hirst naked, pulling on his foreskin while smiling roguishly - but most were taken during the early to mid-Sixties. And most of his sitters, as Bailey is now noticing, are no longer of this earth.
Does he ever think about death? "Well, that new Philip Roth book Everymanwas depressing - all about death.
I was reading it last night and I think I broke my nose. I was reading and fell asleep with my glasses on, and I woke up and thought, 'Shit my nose is bent.' I broke it as a kid, but I must have slept on it and pushed it out of joint. It hurts." Did he ever think about his subject's mortality while taking their pictures? "No, but I think about it now. During the Sixties, I just worked, I didn't know what I was doing at the time. I mean, when
[Terence] Donovan rang me up and said, 'Hey, did you do that on purpose?' - I was like, thanks very much! But when he said I'd changed photography or something, I had no idea what I'd done. I just did whatever I wanted to do. You caught me at a rare moment, I didn't think we were going to talk about the Sixties..."
This spontaneity, a sort of creative compulsion, also applied to his private life and loves. "Well, I had more of an idea of what was going on than Catherine Deneuve, I reckon. I'll never forget when we got married, we were all at the church; I was in cords and a jumper, the priest turned to her and started saying all that 'Do you take this man to be your husband,' rubbish... and Catherine simply turned to me, and said in her great French accent, 'David, What the 'ell iz this man talking about?'
Funny kid. But as for love, I knew it with Catherine, not that Catherine, my Catherine; the one I'm with now. Instantly, the moment she walked into the room. But of course, I was older then so I wasn't taking so much for granted. You tend to remember more as you get older..."
David Bailey tears off the red foil on his cheap cigar ("I smoke the crap ones in the hope the disgusting taste will make me give up"), lights it, puffs up a huge fug of smoke across the room and wanders over to the large black stereo that's had Bob Dylan's latest album Modern Times on repeat for the past three hours. Turning back to me he says, "The Mozart of modern folk music. I love this album. Did I ever tell you about the time I met Dylan? Miserable..." And there goes Bailey again; always one eye looking forward, while the other looks back.
Originally published in the December 2006 issue of British GQ.
*We'll Take Manhattan will be on BBC Four on Thursday 26 January.
Click here to see David Bailey's photography from Afghanistan for GQ.
**Bob Dylan
** "He turned up at my studio and was here all day, pretty much, although he would hardly talk. Fucking grumpy. Well, till around 4 o'clock in the afternoon when he began emerging out of his haze. One of my kids was with me and if you're a kid and see someone dressed in a tasselled leather jacket and eyeliner, you're going to stare. Dylan kind of warmed to that."
"I was looking out the French windows of my studio, waiting for him, and this lone figure wandered down the cobbles looking scruffy, just carrying a guitar. A good sign. I opened the door and said, 'You look like shit.' There was a skip across the road and as he was so filthy I told him I'd have to shoot him in there. He's a wonderful kid."
**Jack Nicholson
** "I don't know where I first met Jack. I've always sort of known him, really. We used to go out together with American
Vogue editor Diana Vreeland. One night in London Diana saw this door knocker she wanted so Jack and I got on our knees, at four in the morning, slightly worse for wear, and spent about an hour trying to unscrew the damn thing! He's so bright; he's also
[my son] Fenton's godfather. Lucky bugger."
"I was never really very close to Francis but like Picasso and Jack [Nicholson] he was a force of nature. This might have had something to do with him always being drunk; he used to drink whisky in the morning. In the same year both Francis Bacon and Salvador Dali tried to pick me up - how lucky can one man be! I first met him at some drinking den. He kept coming on to me and I just thought, 'Who the fuck is this dirty old poof!'"
"He's got much calmer now that he's stopped drinking. We live fairly close to each other down in Devon so I have lunch with him a fair bit. I think we have the same mind, and a passion for art.
People have common misconceptions about us: they think he's a coked-up oik and that I'm a chancing, thick East End cockney.
They're wrong, but we're both outsiders."
**Tom Ford
** "Tom Ford has a timeless sense of style. He could turn up wearing the same thing in 50 years and still look impeccably put together. He's going to start making clothes again. His guys spent millions working out a brand name for him. Guess what they're going to call it? Tom fucking Ford!"
**Andy Warhol
** "I wasn't really aware of the Beatles or Warhol when I was shooting them in the mid-Sixties although I got to know Andy much better later on. We did the 'On Bailey' documentary with him and I had to interview him in bed."
**Like this? Now read: **
The new British Vogue editor is Edward Enninful
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Pictures of You (S04E13) is the thirteenth episode of season four of "One Tree Hill" relea... More Pictures of You (S04E13) is the thirteenth episode of season four of "One Tree Hill" released on Wed Feb 07, 2007. Over 2,858 TV Time users rated it a 8.98/10 with their favorite characters being Chad Michael Murray as Lucas Scott, Sophia Bush as Brooke Davis and Antwon Tanner as Antwon "Skills" Taylor.
Glenda's story was so heartbreaking. I loved this episode. It was good to have them getting to know other people that they normally wouldn't have. I wish this couldve happened before Jimmy Edwards felt like he didn't belong at school.
People are gonna label you. It's how you overcome those labels. That's what matters.
PS: that was so Breakfast Club and maybe the best episode so far, right?
Um dos episódios mais reflexivos que já assisti, diria que até o melhor, que mensagem incrível!
Sem palavras pra expressar o quanto eu tenho aprendido com essa série, me arrependo e muito de não ter assistido antes!
One of the most thoughtful episodes I've ever seen, I'd say even the best, what an incredible message!
No words to express how much I have learned from this series, I regret and very much have not attended before!


The RHCC5001 Carpet Cleaner allows you to see the immediate impact of cleaning your carpets and rugs. Simply fill the clean water tank with warm water, add the carpet cleaning solution and switch the device on.
Once the clean water has penetrated deep into your carpets, dirt is dislodged and agitated before being vacuumed up into the dirty water tank. When you are finished cleaning, unclip the handle and empty the dirty water tank into a sink.
With a 24 cm wide jet spray to remove dirt, the RHCC5001 is ideal for picking up spills and refreshing carpets and rugs. It can be used on all floor surfaces, making it a versatile addition to your household.
The RHCC5001 Carpet Cleaner weighs 6 kg and comes with an 8 m power cord, making it easy to transport it around your home. This means that you can access those hard to reach places to remove dirt from the floors with ease.
To get you started straight away, the appliance includes a 500 ml bottle of Alpine Fresh carpet cleaning solution.
Really easy to use, and is very lightweight. Freshens carpets pretty well. Decent value for money.
My only issue with the product is that it did not contain any cleaning solution which the box clearly states that it contains 500ml bottle of cleaning solution.


NASA's robotic lander autonomously launches, hovers, and lands. And it could be the future of planetary exploration. Martin Berman finds out how it works. Found at Discovery News.
Hint: Very ssslllloooooowwwwwly. Found at YouTube from NASAtelevision.
Space Shuttle Atlantis creates its last piece of space junk by jettisoning its external fuel tank. Found at YouTube from NASAKennedy.
The first successful launch of the HEAT-1X rocket with Tycho Brahe spacecraft in Copenhagen. Found at YouTube from KadowX.
Miles O'Brien reports on the 10th anniversary of Dennis Tito's historic flight to the International Space Station, via Space Adventures, ushering in the era of space tourism. Found at YouTube from milesobrien3.


In May 2013, a Neenah, Wisconsin, family reportedly discovered a time capsule in an underground fallout shelter in their backyard (video below).
Ken Zwick and Carol Hollar-Zwick moved in to their home in 1999 knowing that the backyard included a fallout shelter built during the Cold War, according to USA Today. They had no idea, however, that the previous homeowner stocked the shelter with food and survival gear in the 1960s.
"We assumed it was just this empty space," Hollar-Zwick told USA Today at the time of the discovery.
Upon unlocking the shelter, they found Army surplus boxes floating in water that had accumulated inside the shelter. Everything inside the boxes was in perfect condition.
Though some of the boxes included labels that suggested there might be explosives inside, a Bureau of Alcohol, Tobacco, Firearms and Explosives investigation determined that everything inside was safe.
"It was all of what you would expect to find in a 1960s fallout shelter," Hollar-Zwick said. "It was food, clothing, medical supplies, tools, flashlights, batteries — items that you would want to have in a shelter if you planned to live there for two weeks."
People in Neenah reportedly built fallout shelters in case of a nuclear blast.
"The idea, at least for people in Neenah, was that if there were an attack in Madison or Milwaukee or Minneapolis or Chicago and the radioactive contamination spread over this part of the state, people would be able to hide in their shelters for a period of two weeks," a history professor at the University of Wisconsin, said.
"That was the suggested interval of time," he added.


We first fell in love with Budapest back in 2012 when Bob ran a marathon there. With only a short weekend and a full day taken up to the race we didn't get to see as much as we wanted, specifically, we didn't even step foot on the Buda side. Shortly before leaving Germany we took a trip back with the intention of exploring Buda. With fabulous turn of the century architecture just walking the streets is a fantastic feast for the eyes.
The iconic Parliament Building, situated on the Danube River, is best viewed from the Buda side at Fisherman's Bastion. Parliament is open for tours, (click here for ticketing information), but I'll be danged if we didn't visit on the day of a G8 summit and tours were suspended.
The Buda side is hilly--there are two ways to get to the top; the funicular or your two feet via an established path. After crossing the Chain Bridge both are at the base of the mount. Once on top you will find Trinity Square which is home to the 13th century church, St. Matthais and Fisherman's Bastion. The turrets of the Bastion are fantastically photogenic and offer great views of Pest.
St. Matthais Church has undergone much restoration. During its 500 year history its been the sight of royal marriages and coronations, it was converted into a mosque during the Ottoman occupation and served as German and Russian camps during World War 2. What you see today is a restoration to its Gothic roots. The church holds nightly concerts perfect for weary travelers who want a bit of culture without the stuffiness of a dress code.
Back on the Pest side there is loads of history to experience. The bronze shoes next to the river commemorate Jewish citizens who were shot and allowed to fall into the river. The 1956 plaque with bullet holes is from the civilian uprising against the Communist Regime. It ended in bloodshed, but eventually the Hungarians would win their freedom.
While walking we came upon a Medieval games festival. Eden tried her hand at the bow and arrow shoot and wasn't too bad. Budapest is a great walking city. From Hapsburg inspired architecture to a long fascinating history, shopping and cultural arts, there is something to please everyone.
Great collection of Budapest photographs!
Love the picture of hubbyand daughter with the sea of purple flowers! Isn't it a great city!
You have seen and created so many memories of beautiful places. Happy Thanksgiving.
What beautiful pictures of Budapest you have given us today. The architecture is amazing. The shot of your daughter with Daddy is just so precious.
Some great photos of a city near and dear to my heart!


What technology do we need to meet the challenge of fluctuating energy demands?
Can we take CO2 from the environment and turn it into something valuable?
What tools do we need to better understand big data?
How can we overcome the challenge of taking precise measurements in harsh conditions?
Can smart cameras and data crunching improve road and rail trips?
How do you treat millions of gallons of toxic water cheaply?
Is it possible to actively manage your mood without using drugs?
Can we treat blood-borne diseases using magnetic filtration?
Demand side response technologies financially incentivise customers to lower or shift their electricity use at peak times. This is creating opportunities for smart, more efficient energy grid management that meets the challenge of managing fluctuating energy demand. Metronome Energy Ltd (Metronome) is helping to achieve this with low-cost hardware that seamlessly integrates with its customers' power-consuming assets to generate live data on energy usage.
Josh Burton, Founder and CEO, leads Metronome as it refines and markets a technology that offers benefits to all customers, from homes and small businesses to larger industries such as farms and supermarkets. Metronome helps customers make informed, data-driven choices when purchasing energy and assists with monitoring the performance of their assets, so that anything irregular can be quickly spotted. Metronome is also generating revenue by selling flexibility to the grid to improve its energy balancing capacity. Finally, the technology can be integrated into products, making them more efficient and able to contribute to a smarter grid.
Josh aims to use training and guidance from the SME Leaders Programme to become a more efficient leader and gain insights into the best ways to help the professional development of his team as Metronome grows and expands into new markets.
A patented technology developed at CCm Technologies Ltd. can safely take CO2 and use it to make valuable products such as fertilisers and replacement plastics. This highly adaptable, environmental technology can be used in waste management plants and industrial power generators, adding value by improving the efficiency and environmental sustainability of their processes.
CCm Technologies takes a different approach to segmenting and using CO2. When incorporated into waste management systems their technology cleverly combines CO2 with other waste streams to produce new materials, driving efficiency.
As CEO, Pawel leads CCm Technologies in developing robust partnerships in key markets to benefit from the technology. For example, in agriculture CCm Technologies use the large amounts of waste generated in farming as a resource, bringing it together with CO2 captured from power generators to produce fertiliser for crops.
As the company expands, Pawel will draw on significant experience in financial services and use the SME Leaders Programme for support and advice as he leads CCm Technologies in translating their commercialisation strategy into growth. This includes the launch of the company's first full-scale commercial units that have capacity to produce 10,000 tonnes of fertiliser per year.
For the growing number of industries reliant on more intelligent knowledge systems, advanced tools can help with making better sense of big data. GRAKN.AI achieves this with their knowledge graph technology that enables fast and efficient management of datasets that are too complex for current database systems.
Grakn's database technology provides the knowledge base foundation for artificial intelligence systems used in various industries, including financial services, life sciences and cyber security. Having previously founded two businesses, Tomás draws from his experience to take the commercial lead as Chief Operating Officer in developing strategic relationships with clients who can benefit from Grakn's ability to easily model, query and analyse complex information in a simple and logical way.
As the company grows and builds on success with the early-adopter market, Tomás will use the SME Leaders to support his development as a leader, through mentoring and guidance on management skills for effective expansion into larger, consumer markets.
Optical sensors developed by Oxsensis are meeting the challenge of taking precise measurements in harsh and hostile conditions. For industries that rely on high-accuracy measurements, Oxsensis' sensors capture data and deliver it via optical fibres for use in monitoring systems.
With technology based on the micro-machining of super resistant materials such as single-crystal sapphire, Oxsensis optical sensor systems can optimise performance in a range of applications and industries. In aerospace, they can be used in flight systems to manage safe propulsion of aircraft. In oil and gas, they support efficient gas turbine monitoring to help with clean energy production.
Building on Oxsensis' solid foundation in R&D, Ian Macafee, CEO, is leading the company's transition as it becomes more firmly established as a manufacturer of optical sensors that track variables such as temperature, pressure and acceleration in real-time. As a non-electrical system, it can achieve this at extremely high-temperatures (over 1000°C), with immunity to interference from electromagnetic fields. This allows systematic observation in critical systems, leading to savings in size and cost, while improving safety.
Ian intends to use the SME Leaders programme to effectively build on his experience across engineering, sales and commerce. Insights gained through training will support the strategic, operational decision-making needed to deliver his vision for well-managed, long-term, sustainable growth.
A large part of improving transport involves using real-time data on commuter behaviour to design transport networks that can predict, adapt, respond and prevent congestion - before it happens.
Yang has developed an intelligent camera system that gives real-time insight into traffic and commuter behaviour. By combining machine learning with the latest advances in high performance computing, the system produces a unique method of classifying and identifying images in real time.
It is the first camera that can accurately identify cyclists among other traffic, enabling transport operators to observe how cyclists use a city. This means cities can effectively target investment in cycling and create cyclist-responsive smart traffic lights and smart signage.
It also has potential applications in everything from real-time traffic counting to crowd management and security. The technology is being used right now to map how commuters move around railway stations, how buses are really used and to generate insights from the humble car park.
His company, Vivacity Labs, is now working with several major transport operators and already has over 100 cameras in use across Britain.
The cost to Western Europe is estimated at over €350 billion to clean up sites with contaminated water. Existing water treatment procedures either require excessive energy or hazardous chemicals and cannot filter out some micro-pollutants, including arsenic and heavy metals.
Henrik Hagemann believes he has the key to resolving this and for treating the over 300,000 hectares of land contaminated by water pollution in the UK.
His company CustoMem is engineering organisms to produce selective membranes that capture hazardous chemicals. They selectively filter out specific pollutants that currently can't be captured.
This solution is ten times cheaper to produce than competing nano-membrane treatments and the production requires 1,000 times less energy.
CustoMem aims to sell membrane cartridges and reusable water treatment units to major manufacturers facing regulatory pressures, such as textile and mining companies. This would provide a cheap, sustainable way to eliminate contamination from supply chains.
CustoMem has already partnered with a UK water treatment company to remove heavy metals from old mining sites in Wales and it is in talks with another major retailer. The technology has raised £128,000 in grant funding and a commercialisation manager from BP has already joined its advisory board. The firm has also won multiple awards at the world's largest synthetic biology competition at MIT.
MediSieve helps doctors to rapidly target and remove infected cells from a patient's bloodstream using a technique known as magnetic blood filtration. The new approach forms the foundation of the company's device for targeting bacteria and pathogens.
MediSieve's technology is currently being developed for use in treating blood-borne diseases such as Malaria, many of which can be fatal. Malaria causes six million people to be hospitalised globally each year, 120,000 of whom will die. The filtering device can also be used to treat sepsis or to target abnormal white blood cells caused by leukaemia and improve treatment and therapy options.
Cristina Blanco Andujar, Head of Research and Development, has responsibility for all aspects of product development from design to clinical trials and regulatory approval. With support from the SME Leaders Programme, Cristina is motivated to improve her commercial skills and establish a sales-to-market strategy that can adapt and respond to different audiences and markets.
MediSieve has generated significant funding to support product development. As the team grows, Cristina's goal is to help MediSieve embed a shared vision to help the company thrive.


Check out all of the names of the Gregory Portland High School alumni that attended high school in Portland that are listed above. Registering will allow you to join the directory.	Gregory Portland High School alumni can relive their experiences from high school by sharing memories and pictures, reconnecting with those alumni listed, and more.


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Home > CULTURE > OTAKU > Want to Learn About Some of Japan's Famous Classic Writers? Watch This Anime!
Want to Learn About Some of Japan's Famous Classic Writers? Watch This Anime!
William Shakespeare, Charles Dickens, Jane Austen, and F. Scott Fitzgerald are just some of the most widely acclaimed classic authors. Literature is an essential part of a country's culture, and Japan is also known for its diverse literary heritage. Unfortunately, people today prefer to watch television or play video games instead of reading books. While most of them know the anime titles Death Note, Bleach, and The Prince of Tennis, they would probably just scratch their heads if asked about Osamu Dazai, Natsume Soseki, and Akutagawa Ryunosuke. Fortunately, through an anime, viewers can now become familiar with the works of these renowned Japanese writers.
Released by MADHOUSE Inc. in 2009, Aoi Bungaku is an anime series that features short stories adapted from Japanese literature. It has an interesting art style with character designs created by famous manga artists Takeshi Obata (Death Note), Taito Kubo (Bleach), and Takeshi Konomi (The Prince of Tennis).
Here are the Japanese literary classics and authors introduced in the anime series:
Episodes 1 to 4: "No Longer Human" by Osamu Dazai
Published in 1948, "No Longer Human" chronicles the life of its main character, Oba Yozo, a struggling young man from a wealthy family who puts on a smile on his face to hide his feeling of detachment from the society. The somber and psychological story, which includes the element of suicide, convinces many readers that this work reveals the author's mental state at the time of writing.
After several attempts, Osamu Dazai took his own life in 1948, right after this book got published.
Episodes 5 to 6: "In the Forest, Under Cherries in Full Bloom" by Sakaguchi Ango
Sakaguchi Ango, born Sakaguchi Heigo, grew up in the middle of the war, influencing his point of view. He also wrote the essay "Discourse on Decadence."
While most people admire the cherry blossoms for its beauty, Sakaguchi Ango feared it after witnessing people being burned to death under a cherry tree. Released in 1947, his short story "In the Forest, Under Cherries in Full Bloom (Sakura no Mori no Mankai no Shita)" centers on Shigemaru, a forest bandit whose life changes after rescuing a mysterious woman from the city.
Episodes 7 to 8: "Kokoro" by Natsume Soseki
Born Natsume Kinnosuke, Natsume Soseki is often regarded as the greatest writer in modern Japanese history.
Originally titled "Kokoro: Sensei's Testament (Kokoro: Sensei no Isho)," "Kokoro" was serialized in 1914 in the newspaper Asahi Shimbun. The story is about the friendship between a man from Tokyo and a monk who had just recently cut ties with his temple.
Narrated in two different points of view, Episode 7 shows how Sensei tries to help the monk by asking him to live with him at a house he shares with a widow and her daughter. Soon, he starts to regret it. Episode 8 reveals how K (the monk) truly feels about Sensei and the widow's daughter.
Episodes 9 to 10: "Run, Melos!" by Osamu Dazai
Osamu Dazai's famous short story "Run, Melos!" is based on the German ballad "The Pledge" by poet Friedrich Schiller. Published in 1940, years before the release of "No Longer Human," his writing style was obviously more lighthearted.
In this episode, a playwright struggles to complete his play script as he gets reminded of the time when his own friend betrayed him.
Episode 11: "The Spider's Thread" by Akutagawa Ryunosuke
The coveted literary award Akutagawa Prize is named after Akutagawa Ryunosuke, the "Father of the Japanese short story." He is considered a young genius who produced some of the most popular Taisho-era fairy tales.
"The Spider's Thread" is a 1918 short story that was first published in a Japanese children's literary magazine called "Akai Tori." It is the story of Kandata, a notorious bandit who doesn't hesitate to kill people but one day spares the life of a spider. When he gets sent to hell, the spider tries to return the favor by giving him a thread that could help him ascend to heaven. Unfortunately, the other sinners won't leave him that easily.
Episode 12: "Hell Screen" by Akutagawa Ryunosuke
"Hell Screen," another 1918 short story from Akutagawa, is about Yoshihide, the most talented artist in the country. The Emperor wants him to decorate an extravagant mausoleum that will symbolize his rule even after his death. However, Yoshihide finds it difficult to draw an exquisite picture as he witnesses the citizens' suffering from hunger, sickness, and tyranny.
Yoshihide created "his greatest work" reflecting these harsh realities, but he received a harsher punishment that took away his daughter's life.
Watching anime and reading classics are two different things, but since language evolves and structures change, many people might find the latter as a daunting task. Anime's worldwide appeal and its ability to deliver stories with great visuals can totally help introduce some of the country's most famous writers and reignite people's interest in classic stories.
Have you read any of the stories mentioned in this article? Which classic novel would you like to be adapted into anime?
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Ailyn Koay says:
i think i would prefer folklore, which I think there is one anime that's already done it… Bakemonogatari … am i right?
Cielo says:
Yes there are lots of elements of folklore and mythology in the Monogatari Series. ^^
According to FUNimation's Gen Fukunaga, the much-awaited release of "Tokyo Ghoul" season 3 is expected to happen some time this fall. Fans just can't wait for the release of the upcoming season especially now that it is speculated that a new protagonist will emerge, Haise Sasaki! Studio Pierrot and Madhouse Entertainment The two prior seasons…
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Written 100% by Dominic Salido, Joey Lake & Nick Nardi
3D, Dungeon Crawling, Online Coop…Yes Please!
Those fine folkss over at Square Enix just sent us a free copy of the 3DS title, Heroes of Ruin to review for all those wondering how an online dungeon crawler would work on the 3D portable. Heroes of Ruin is an action RPG title that allows for both single player and up to four player coop, topped with the utilization of the microphone so you can chat and coordinate OR listen to little Timmy asking daddy if he can have his game back. The four staple classes are available and expanding skill trees to unlock and master after each level. I was ecstatic when Square Enix first announced the release of this title, so lets see how it holds up.
There were a lot of things in which I like while reviewing Heroes of Ruin, particularly the large dungeons. I do not know exactly what I was expecting but it was definitely less in terms of the size of some of the levels. The online also worked surprisingly well most of the time with others players seamlessly joining and leaving my hosted game. The online is where I really enjoyed my time spent as you are able to trade items and depending on the combination of classes, you can really do some damage if working together. The bosses are big and not so easy to take down quickly all while enemies continue to respawn at a good rate. The graphics looks decent, but I liked how the cut scenes looked in 3D and that there was no slowdown in gameplay when I was playing with three others.
There were some things that rubbed me the wrong way during my play through. The first would be load times, they are long and a plenty, luckily there are no load times once you are in a dungeon, only when going to different locations or finding/creating an online game. There is no new game +, once you beat the game, you are unable to go back and play again on a harder difficulty with higher-level equipment once completed. This was a big one for me as that is the main reason for trying to get rare loot, so that you can use them to take down waves of enemies on an additional playthrough on a harder difficulty.
All in all, I enjoyed my time spent with Heroes of Ruin, as it was fun and entertaining. While there was no new game +, there is a lot of replay value in going back and playing through while leveling the different classes. There is also a good amount of people playing online so I would highly suggest not playing alone, that is unless you are somewhere without an internet connection. Though it is not without flaws, however, most of the issues I would think could be resolved with a patch as Square Enix has already stated that they plan on supporting the game with daily challenges and new game content.
Posted by Dominic at 11:51 AM
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Welcome to Boulevard Pediatrics, a leading pediatric provider for infants, children and teens in Encino, California. Our warm, inviting office is designed to facilitate hands-on, creative play for our smallest patients, opportunities to read and explore for children, and a relaxing waiting area for teens and parents. We are committed to preserving the health of the children in our community. Our practice specializes in chronic and acute medical care, and we provide well care visits and vaccinations.
Our experienced physicians, Dr. Jena K. Liddy, Dr. Jeremy F. Shapiro, Dr. Katrin Lalezarzadeh and Dr. Keith Bayan, continually strive for consistency and continuity when it comes to the care of your child. Our desire is to be more available to you, giving you the time, as parents, to express and solve your concerns about your children. We are committed to the goal of forming a doctor-patient relationship that is positive, comfortable and memorable for you and your child.
We believe that by promoting healthy emotional and physical development, as well as emphasizing the value of good nutrition, education and exercise, we can enable your child to build a strong foundation for his or her future. As part of our preventive philosophy, we also advocate the use of childhood vaccines, and will spend whatever time necessary to help you reach comfort with your decision to proceed with this important intervention. We believe in maintaining a caring, personalized environment for your child.
At Boulevard Pediatrics, we believe in the value of ongoing education for parents and caregivers. As a result, we take the time to enrich your knowledge about nutrition, mental health, education choices, and safety. In addition, we provide ongoing continuing education opportunities for our entire staff, so that they stay abreast of new developments in our field.
Thank you for your interest in our practice. We appreciate the trust you have placed in us.
Flu vaccine update: We still have Flumist (intranasal flu vaccine) available. We are working hard to obtain more of the intramuscular version (the "shot" version) as there is now a nationwide shortage of this version of the flu vaccine. Please call the office if you still need a flu vaccine.
Following the continued wonderful response and attendance this past year, Drs. Kathy and Keith will continue to co-host evening monthly meet-and-greets. This is a wonderful opportunity to find out more about Boulevard Pediatrics and meet two amazing doctors. So don't miss out, and please call beforehand to reserve your spot.
Our experienced, compassionate physicians, Dr. Jena K. Liddy, Dr. Jeremy F. Shapiro, Dr. Katrin Lalezarzadeh and Dr. Keith Bayan, continually strive for consistency and continuity when it comes to the care of your child. They are dedicated to providing the highest quality, personalized care.
Our staff has been specifically selected out of a mutual desire to provide service to parents and great care for children – service that is supported with experience, knowledge, and ongoing education, as well as care that is laced with compassion, kindness, humor and professionalism.
At Boulevard Pediatrics, we have dedicated our lives to caring for children. We seek to help build a strong foundation for life-long wellness by promoting healthy physical and emotional development. We place a great emphasis on maintaining a proper diet, exercise and education.
We are delighted to host parent and patient events at our office. Currently, we have new parent meet-and-greets each month. These meetings are the perfect opportunity to learn more about our amazing physicians and services. Ask a staff member for more information.


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Q: height property inherit percentage as is? simple noob question, assuming i have this:

        </div

Does the third div has a property of 72% height or 90%?

A: it inherits the 90%, but relative to its parent, which is 90% but that, to the child, is like 100%.. oh well you get it :) here's my fiddle: http://jsfiddle.net/DL6Vj/4/

if compared to the absolute 100% of the body yes, it's a 73% height approx

A: Yes, no, I mean yes, depends from where you look :)
So it's always 90% the height of it's parent.
http://jsbin.com/tigod/2/edit

Does the third div has a property of 72% height or 90%?

90%

A: It'll inherit 90% from the parent.
As someone suggested in the comments, see the result in the fiddle: it's 90% relative to the parent, which is at the same time about 72% (actually almost 73%) of the body height. (90% of 90% of 90% of page height)

redpajama_set_name: RedPajamaStackExchange


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Business Manchester
Home Business LEGAL & GENERAL PRE-LETS HALF OF NEW MANCHESTER BUILD TO RENT SCHEME
LEGAL & GENERAL PRE-LETS HALF OF NEW MANCHESTER BUILD TO RENT SCHEME
Sam Whitear
On the back of its multi-award winning first Build to Rent (BTR) scheme, Legal & General today announces that it has pre-let 50% of units in its new 110,000sq ft BTR development in Greater Manchester, following the recent handover from lead developer, the English Cities Fund.
Having recently launched, the new scheme makes up the second phase of Legal & General's Slate Yard development on the River Irwell in Salford. This comprises 135 custom-built one, two and three-bedroom riverfront apartments. Legal & General has a further 3,000 BTR units in development across eight sites UK wide, delivering on its objective to provide bespoke, quality rental stock in areas which need it.
The popularity of Phase II of The Slate Yard reflects the desire from elective renters for secure, flexible tenancies and added value services. Leases range from six months to five years and occupants benefit from a number of lifestyle offerings including a residents' lounge and gym, free WiFi and access to a car club. The development has also been built to be sustainable, as part of Legal & General's wider green initiative, and includes roof-mounted solar panels, providing reduced utility bills.
Dan Batterton, BTR Fund Manager at LGIM Real Assets, said:
"We are pleased to have secured 50% of lettings at Phase II of The Slate Yard within 8 weeks of opening the doors to the scheme. This is testament to the success of our first BTR proposition and demonstrates that improved services and flexibility are key drivers for of the modern renter. The scheme has attracted a wide range of residents, from single people to families to downsizers. The Slate Yard has led the market in encouraging residents to make their apartment their home, through allowing pets, painting and decorating and offering leases of up to 5 years."
This latest scheme forms part of the wider New Bailey regeneration programme being delivered by English Cities Fund, a joint venture between Legal & General, Homes England and Muse Developments.
Phil Mayall, regional director at the English Cities Fund, said:
"We are very proud to have developed and delivered the very first institutionally funded, custom-built BTR scheme in Greater Manchester, so to hand over the second phase to Legal & General is a significant milestone for the fund and fantastic news for the area.
"New Bailey is becoming a completely new district for business, leisure and everyday life. It's been great to see more people from all walks of life moving into the Slate Yard, so we're very pleased to have completed the second phase."
As with the Phase I of The Slate Yard, this second development will be operated by Manchester-based property management company urbanbubble.
Michael Howard, founder and managing director of urbanbubble, said:
"Slate Yard represents the first institutional build-to-rent appointment of our strategic partnership with Legal & General and is proving to be every bit as successful and popular with people wanting to rent as we knew it would be.
"The development is an exemplar of our commitment as a customer service provider, working with blue-chip partners using the BTR model in the provision of holistic care of properties, facilities management, lettings and residents' management."
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Explorer Seems Too Little, Too Late
So this is a Sapphire-worthy announcement? That SAP BusinessObjects still doesn't have the integration of Polestar and Business Warehouse Accelerator (BWA) quite ready and that it won't go beyond SAP Business Warehouse (BW) until late this year or early next year?
Doug Henschen
Executive Editor, Enterprise Apps
This news may dazzle the business intelligence neophytes who don't know in-memory technology from a hole in the ground, but plenty of people inside BI know that QlikTech, TIBCO Spotfire, IBM Cognos TM1 (formerly Applix), SAP BWA (formerly BI Accelerator) and other examples of in-memory have been around for quite a while. And maybe changing the name of the search-meets-BI Polestar interface to Explorer will beguile some into thinking there's actually a new product here.The fact is, SAP BusinessObjects demonstrated this combination at last year's Sapphire event, and it's still being vague about when, exactly, the BW-only product will be released.
Don't get me wrong. This is exciting, promising stuff; it's just that I thought it would be a done deal by this point and that it would go to any source of data, which was the real promise of this combination all along. BW is, well, BW, and that gets you only so far and only with SAP customers. I'm sure SAP customers are happy to have an easy interface like Explorer, but it has been available to BusinessObjects customers (as Polestar) since late 2007.
I was excited to see the Explorer interface exposed within SAP apps and on an IPhone during today's demo. And I'll assume that it also runs on Xcelsius, though there seemed to be a technical hiccup on that part of the demo. Maybe I'm being too harsh, underestimating just how long it takes to productize this stuff. Microsoft, for example, has given itself somewhere between 18 months and two years to deliver in-memory capabilities through project Gemini, which is promised in the first half of 2010.
There is a big opportunity here for SAP in that few of its customers have adopted BWA and even fewer have adopted Polestar. It's a compelling interface and the combination with BWA's in-memory technology makes sense (read more about in-memory in Cindi Howson's "Take Advantage of In-Memory Analytics" report).
All in all, though, I thought today's presentation was a pastiche of topical business buzz words papered over last year's cool demo. What will be really cool is when the acceleration technology can be applied to any source.So this is a Sapphire-worthy announcement? That SAP BusinessObjects still doesn't have the integration of Polestar and Business Warehouse Accelerator (BWA) quite ready and that it won't go beyond SAP Business Warehouse (BW) until late this year or early next year?
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