Paul Smith, chief executive of Haart agency group, greeted the news with relief.
"Today's data is truly indicative of a property market that is bouncing back to its former buoyant self. On the ground our branches are reporting a 15 per cent increase in first time buyer registrations on the month, and 20 per cent on the year. Clearly government initiatives from the past couple of months are finally making a mark and home ownership is being unlocked for thousands" he says.


text:
Financial results for the month ended April 30, 2017
The Government announced today (May 31) its financial results for April 2017, the first month of the current financial year.
Expenditure for the first month amounted to HK$35 billion and revenue HK$41.6 billion, resulting in a surplus of HK$6.6 billion.
A government spokesperson said that the surplus in April was mainly due to the receipt of land premium.
The fiscal reserves stood at HK$960.4 billion as at April 30, 2017.
More detailed figures are shown in Tables 1 and 2.
TABLE 1. CONSOLIDATED ACCOUNT (Note 1)
Month ended
HK$ million
Revenue 41,601.0
Expenditure (34,960.4)
Surplus 6,640.6
(Note 2) (7,617.2)
Non-Banking
Sector 976.6
External -
Total (6,640.6)
Government Debts as at April 30, 2017 (Note 3)
HK$1,500 million
Debts Guaranteed by Government as at April 30, 2017 (Note 4)
HK$27,797.0 million
TABLE 2. FISCAL RESERVES
Fiscal Reserves
at start of period 953,739.1
Consolidated Surplus 6,640.6
at end of period (Note 5) 960,379.7
1. This Account consolidates the General Revenue Account and the following eight Funds: Capital Works Reserve Fund, Capital Investment Fund, Civil Service Pension Reserve Fund, Disaster Relief Fund, Innovation and Technology Fund, Land Fund, Loan Fund and Lotteries Fund. It excludes the Bond Fund, the balance of which is not part of the fiscal reserves. The Bond Fund balance as at April 30, 2017, was HK$142,358 million.
2. Includes transactions with the Exchange Fund and resident banks.
3. These were the outstanding institutional notes as at April 30, 2017, which were denominated in Hong Kong dollars with maturity in July 2019. They do not include the outstanding bonds with nominal value of HK$104,076 million and alternative bonds with nominal value of US$3,000 million (equivalent to HK$23,335 million as at April 30, 2017) issued under the Government Bond Programme (with proceeds credited to the Bond Fund). Of these bonds under the Government Bond Programme (including Silver Bonds with nominal value of HK$2,976 million, which may be redeemed before maturity upon request from bond holders), bonds with nominal value of HK$21,400 million will mature within the period from May 2017 to April 2018 and the rest within the period from May 2018 to March 2032.
4. Includes guarantees provided under the SME Loan Guarantee Scheme launched in 2001, the Special Loan Guarantee Scheme launched in 2008, the Special Concessionary Measures under the SME Financing Guarantee Scheme launched in 2012, and a commercial loan of the Hong Kong Science and Technology Parks Corporation.
5. Includes HK$219,730 million being the balance of the Land Fund held in the name of "Future Fund" as from January 1, 2016, for long-term investments initially up to December 31, 2025. As from July 1, 2016, the Future Fund also includes HK$4,800 million, being one-third of the actual surplus in 2015-16 as top-up.

redpajama_set_name: RedPajamaCommonCrawl


text:
You are here: Home Caroline Savoie Plays Moncton On Friday Night, Goes To Europe Next Month
Caroline Savoie Plays Moncton On Friday Night, Goes To Europe Next Month
Posted on July 19, 2013 by Ken Kelley |
Caroline Savoie may only be 18 years old but she has already released two albums and is set to undertake her first tour of France in a matter of a few weeks.
Performing this Friday evening as a part of the Capitol Theatre Summer Concert Series, Savoie is continuing to promote her latest release, the six-track Laisse-moi rever, released this past March. The EP is the follow-up to Just Sayin', Savoie's 2011 release.
Caroline got her start in music at the age of 12 when she received her first guitar as a gift from her grandparents. Her love of words and of writing itself dates back even further. She tells The Times & Transcript that it was around the time that she was eight or nine years old that she discovered her passion for writing.
"I constantly wrote short stories when I was growing up," Caroline says. "Just recently, I actually crossed paths with my third grade school teacher. She said that it didn't surprise her in the least that I found my way to writing songs. The passion for writing was always there, it simply started in stories and poems instead of in music. The move to writing songs was a completely natural progression, however."
Even though many kids tend to gravitate towards the pop music mainstream when they are growing up, Caroline laughs unashamedly at the mere mention of having listened to Britney Spears and the Backstreet Boys at some point in her life. Around the time she entered her teens, she began exploring her father's music collection which included the likes of the Beatles, the Guess Who and Led Zeppelin. Caroline eventually directed her attention to legendary songwriters like Bob Dylan and Neil Young, both of whom she says gave her the inspiration and motivation to write.
"I always admired the lyrics of Neil Young and Bob Dylan but also have a tremendous amount of respect for more modern songwriters like Norah Jones. I feel that all of these different kinds of music that I listened to while I was growing up is what has helped make me who I am today. As a songwriter, it is so important to be open to all kinds of music. Otherwise, you truly don't know what you are missing out on."
Caroline performed in front of an audience for the first in 2008. Since that time, there has been little slowing her down. The amount of shows she has played year over year since that time has grown exponentially.
In 2011, she brought home the grand prize in the singer-songwriter category at Le sommet de la chanson de Kedgwick. It was also in 2011 that Caroline released her debut effort, Just Sayin'. Despite being a native Francophone, Caroline says that she began writing songs in English as she says that she had assumed that this was what was expected of her.
"When I first began writing songs, I started writing in English because I had figured that I needed to make my mark in that world. But as I spent more time in Moncton, I met a lot of Francophone artists and then thought that I should also be writing songs in my first language.
"Ultimately, that is one of the things I love most about New Brunswick is that both the French and English languages are so visible everywhere. I've explored both of those worlds and love them both equally," she says.
Once her show this Friday has wrapped up, the next big thing on deck for Caroline is her maiden tour of Europe which begins in France on Aug. 2. She will spend more than 10 days overseas, participating in the Festival Lorient which has hosted fellow Moncton musicians Dominique Dupuis and Les Hay Babies in the previous years.
Moncton will be well represented this year as well: Joining Caroline will be acclaimed bluegrass-country band the BackYard Devils and Les Hotesses d'Hilaire.
Caroline shares that she anticipates the experience will be something completely new to her.
"This will be my first time going to Europe. It is even more exciting that it is my music that is taking me there," she says. "I am definitely looking to grow from the experience. The Festival Lorient is more of a traditional music festival which isn't something that I am accustomed to playing. It is going to be great to fine-tune my live show and hopefully gain a few new fans in the process. I am hoping that it will be the first of many trips to perform in Europe."
Article published in the July 18, 2013 edition of the Times & Transcript


What Are the Class Quest (Trials of ___ )?
How Do I Get Hero Class Emblems?
How Do the Hero Classes Work?
Reset Emblems are used to Reset a Hero's Talent Grids.
Using a Reset Emblem recoups 100% of the Emblems spent for the Hero.
If you do not have Reset Emblem, you can still Reset your Talent Grid by using Gems, however, you will receive only 95% of the Emblems back that you have spent on the Hero.
Reset Emblems can be received as loot from Wanted Missions, Titan Chests, Alliance Wars and Challenge Events.
Please note - It is only possible to choose one direct path to the final Talent. If you have made a mistake, you can always reset your Talent Grid with a Reset Emblem.
How do Raid Shields work?


Eun-Hee Ji of South Korea left the mistakes to everyone else down the stretch in the LPGA Tour season opener.
Ji managed a strong wind and temperatures in the 50s F on Sunday by making three birdies on the back nine to pull away and close with a 1-under 70, giving her a two-shot victory in the Diamond Resorts Tournament of Champions.
Brooke Henderson of Smiths Falls, Ont., started the day a shot behind the leaders but struggled on Sunday, shooting a 4-over 75 on the round. That put her into a tie with Stacy Lewis for sixth at 8 under for the tournament.
Brooke Henderson hits her tee shot on the fourth hole during the final round of the Diamond Resorts Tournament of Champions at Tranquilo Golf Course at Four Seasons Golf and Sports Club Orlando on Jan. 20, 2019 in Lake Buena Vista, Florida.
The LPGA opener was limited to winners over the past two seasons. It also included a celebrity field of athletes and entertainers who competed for a $500,000 purse using the modified Stableford scoring system.
Lewis, in her first competition as a mother, shot 70 and tied for sixth.
Ariya Jutanugarn, the No. 1 player in women's golf who captured every major award last year, went into the weekend two shots out of the lead and closed with a pair of 75s to tie for 18th. Her sister, Moriya Jutanugarn, managed a bogey-free round for a 69 to tie for fourth with Shanshan Feng (70).
The LPGA is now off for two weeks before resuming in Australia for the Vic Open.


This image of Creative Ideas For Bed Headboards was posted on January 25, 2019 at 12:43 pm. This image is published under the Headboard category. Creative Ideas For Bed Headboards is tagged with Creative Ideas For Bed Headboards, Creative, Ideas, For, Bed, Headboards..
If your Creative Ideas For Bed Headboards seems claustrophobic because of the insufficient lighting getting into the home, it takes superior lighting to your property that is gorgeous. The area light is one of the ways that are straightforward to produce your house that is small experience larger. In arranging the home decor, this must be performed. Due to the light to be discussed this time is natural light not the inside lighting which we mentioned a while before, from the sun.
One of many essential aspects that must be deemed in building a residence could be the illumination. Besides performance illuminate the room at the move in its time, correct arrangement of light can also be able to produce a warm aspect in addition to boost the search of the home.
The ideal Creative Ideas For Bed Headboards at its core should be fair. The light must not dim nor too blinding. You can find before developing light natural lighting that people may enter into a home interior may from adjoining windows overhead, three points you should consider, or it may be coming next to your kitchen from the room, bedroom.


text:
Q: How can get onClick event target value using ant design button react typescript? I'm currently working on my React and TypeScript project using ant design.
I have button component and I want get button's value and inner text when I click the button.
So here is my code on codesandbox
import { Button, message } from "antd";
import { MouseEvent } from "react";

function App() {
  const buttonClickEvent = (e: MouseEvent<HTMLButtonElement>) => {
    message.info(e.currentTarget.value);
    message.info(e.currentTarget.innerText);
  };
  return (
    <>
      <Button onClick={buttonClickEvent} value="antd">
        antd button
      </Button>
      <br />
      <button type="button" onClick={buttonClickEvent} value="HTML">
        HTML button
      </button>
    </>
  );
}

export default App;

It seems working fine, but type error has occured.
Here is the error message.
Type '(e: MouseEvent<HTMLButtonElement>) => void' is not assignable to type 'MouseEventHandler<HTMLAnchorElement> & MouseEventHandler<HTMLButtonElement>'.
  Type '(e: MouseEvent<HTMLButtonElement>) => void' is not assignable to type 'MouseEventHandler<HTMLAnchorElement>'.
    Types of parameters 'e' and 'event' are incompatible.
      Type 'MouseEvent<HTMLAnchorElement, MouseEvent>' is not assignable to type 'MouseEvent<HTMLButtonElement, MouseEvent>'.
        Type 'HTMLAnchorElement' is missing the following properties from type 'HTMLButtonElement': disabled, form, formAction, formEnctype, and 11 more.typescript(2322)

button.d.ts(27, 5): The expected type comes from property 'onClick' which is declared here on type 'IntrinsicAttributes & Partial<{ href: string; target?: string | undefined; onClick?: MouseEventHandler<HTMLAnchorElement> | undefined; } & BaseButtonProps & Omit<...> & { ...; } & Omit<...>> & RefAttributes<...>'

I don't want use any type on button click event.
What is the right way get event target's value using ant design button component?

A: your function returns void. void is not assignable to onClick which expects a function.
Create a new function that calls fetchData e.g. onClick={(e) => buttonClickEvent(e)}. this solves this error. Link
after that code will give you another error. at e.currentTarget.value.
to solve put (e.currentTarget as HTMLButtonElement).value.

redpajama_set_name: RedPajamaStackExchange


- Plugins should be compliant with the IntelliJ IDEA Open API versions 5.x or/and 6.0.
- Winners will be announced on December 11, 2006.
It may be very hard to write a plugin that works on both Idea versions, and may in fact require to completely separate plugins.
Also if end of october is the submission deadline, you should give the plugin some time to prove its usefulness.
SF> versions 5.x or/and 6.0.
SF> - Winners will be announced on December 11, 2006.
SF> versions, and may in fact require to completely separate plugins.
SF> the plugin some time to prove its usefulness.
on or before December 11. We'll correct the Web site.
>> versions 5.x or/and 6.0.
usage of Semi-OpenAPI/extended IDEA-APIs. Is this correct?
SW> interpreted, have some serious implications.
For the record: yes, this is correct.


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Page 161a
-2- La Sylphe. On at 9.13, 9 minutes, full stage. Special set. This act went much better than I had dared hope. It is most effectively staged, and the woman is certainly a wonderful contortion dancer. We made no mention, whatsoever, of "Salome", in connection with her advertising or billing, announcing her as a classic dancer. I do not think that anybody can take offense at this act. If they do they must be unreasonably prudish. La Sylphe is sure to cause a lot of talk, and will undoubtedly draw money. One of the most striking and effective stage pictures this house has ever had. She stays a second week, but will, of course, be moved up the bill. XX1 Alice Lloyd. On at 9.22, 26 minutes in one. Miss Lloyd has made herself a great favorite in Boston. In fact, I think she is far better liked here, than Victoria or any of the other English comediennes. I do not think we could have had a stronger headliner to stack up against the opposition's opening bill. XX1 Fun in a Boarding House. On at 9.48, 15 minutes, full stage, special set. The man who has the nerve to ask and accept $900 per week, for this act, deserves the championship medal, and will never lose it. Six or eight three show actors, and about the toughest lot of junk I ever saw put together. Absolutely without merit, rhyme or reason. I consider it a blot on an otherwise superb show. I understand that changes are to be made in the cast; why, I can not conceive, for the worst actors in the world, would be the best for this affair. Of course, it gets many laughs, but when it is all over, people seem to be sore at themselves for having been amused by such a bunch of rot. It seems to me that the owners of this act, must be cleaning up at least $400 each week. X Kinetograph. On at 10.03. "Mrs. Toney's Suitors."--An excellent comedy picture. "The Magic Dice."--A corking good colored, trick picture. "The Two Models."--A very good humorous film. Cuts. Harlow and King--References to feet. The Three Lelliotts--Spitting on violin, also on stage. Fun in a Boarding House--Business with pocket book and stocking. Business with corsets. Would like to make a wholesale slaughter of this act and cut it all out. Comment. A grand show, exclusive of the one blot.


Summer weddings are by far the most popular choice for many brides and it's not hard to see why. There's something about the smell of freshly cut grass, blue skies and a warm summer breeze that instantly makes us happy and combined with what is to be considered one of the happiest days of your life, it's the perfect match. With this in mind, here are eight tips to ensure your summer wedding goes without a hitch – so you can get hitched!
Heavy lace is a big no-no if you know the weather is going to stay warm on your wedding day, if you're looking to stay particularly cool a ¾ length tea dress is a great option and would still complement your rings and jewellery. I oped for a light-weight lace dress myself, which had no under layers or petticoats.
Summer brings with it stunning seasonal foliage, including happy sunflowers, delicate freesia and playful snapdragons. Add these to your bouquets and floral arrangements to introduce some bright colours to your big day and also keep costs down, as flowers in season cost much less to source.
With British summertime, anything could happen. The day could start glorious then turn into a vengeful thunderstorm and vice versa, so it's a good idea to be prepared for anything. Bespoke umbrellas are a sweet idea to have waiting at the ceremony or in the outside areas at the venue to keep guests dry and for yourself wellington boots and a rainbow coloured umbrella make for the perfect additions to your bridal shoot.
Nothing can sour an evening more than pesky mosquitos or wasps buzzing around the food and drink, so incorporate some bug repelling features in your table decorations and outside areas. Citronella candles are easy to make and can be added around an outside area to add some ambience and keep everyone bite free, while jars of sugar water are great for trapping wasps but can be dressed up with pretty foliage.
If the day turns into a sweltering one it's a good idea to have something on hand to keep guests cool. Paper fans can be very pretty and double up as favours on the day, for guests to use when the speeches go on for a long time and it's a good idea to ask your bridesmaids to carry with them top up deodorant and perfume to keep you feeling fresh throughout the day.
Even with cloud cover, on a summer's day you can get burnt and no one wants a pink face in their evening photos. Guests will also appreciate spray sun protection in case they forgot to apply some that day. Provide a small basket with products for them to use when they arrive at the reception venue. It's a little touch that shouldn't cost too much but will be remembered.
A wedding breakfast doesn't have to be a stuffy sit down meal. Instead, embrace the summer theme with a huge BBQ and serve jugs of ice cold Pimms and lemonade, make it a party and look for a venue where people can relax and eat outside then you can gather later for speeches and toasts.
The summer heat will make these droop quickly, so it's a good idea to avoid them altogether or opt for something hardier such as artificial flowers or gypsophila.


text:
Electric NationYour electric vehicle – Your smart charge
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The Kia Niro Plug-in Hybrid has been unveiled at the Geneva Motor Show and is due to have an all-electric range of 34 miles. The Niro Plug-in Hybrid will go on sale across Europe during Q3 2017, pairing an economical 1.6-litre GDI (gasoline direct injection) engine with an electric motor and lithium-polymer battery pack. The latest addition […]
KIA OPTIMA SPORTSWAGON PLUG-IN HYBRID
The new Kia Optima Sportswagon Plug-in Hybrid has been unveiled at the Geneva Motor Show and it promises a pure electric range of over 37 miles, along with 188mpg. The Optima Sportswagon Plug-in Hybrid combines the versatility of the conventional Optima Sportswagon with the high-efficiency powertrain found in the Optima Plug-in Hybrid saloon, introduced in the third quarter […]
BENTLEY EXP 12 SPEED 6E CONCEPT
The electric Bentley EXP 12 Speed 6e concept shown at the Geneva Motor Show aims to "gauge public and customer feedback to shape Bentley's future luxury strategy". The concept showcases future Bentley exterior and interior design direction, but details about the specification and performance of its electric powertrain are scarce. Bentley's vision is for customers to benefit […]
The new Volvo XC60 has been revealed at the Geneva Motor Show and includes a T8 Twin Engine petrol plug-in hybrid powertrain in the model line-up. The new car replaces Volvo's original XC60, which in the nine years since its launch became the best-selling premium mid-sized SUV in Europe, with nearly a million units sold globally. The […]
ALMOST 37,000 PLUG-IN ELECTRIC CARS REGISTERED IN THE UK IN 2016
The UK is currently the EU's biggest market for plug-in electric cars, with 36,917 registered in 2016, and there are currently 83 different alternatively-fuelled cars and vans available to British buyers. The UK automotive sector demonstrated its commitment to developing the latest low emission vehicles during a special display in London recently. Set against the backdrop of […]
OLDER DIESELS TO PAY T-CHARGE TO ENTER CENTRAL LONDON
Owners of diesel and petrol vehicles manufactured before 2005 that do not meet Euro 4 emissions standards for nitrogen oxide (NO2) and particulates will be required to pay an extra 'T-Charge' £10 fee to enter central London from 23 October 2017. This could affect around 10,000 vehicles per day. A free online vehicle checker on […]
Renault-Nissan Alliance now sold 425,000 electric vehicles worldwide
The Renault-Nissan Alliance, with Mitsubishi Motors, has now sold a total of 424,797 electric vehicles worldwide, as its global sales almost hit 10 million in 2016. The Nissan LEAF, the first mainstream, mass-marketed electric vehicle, remains the world's best-selling EV with more than 250,000 vehicles sold since its launch in December 2010. In addition to the LEAF, […]
Alternatively fuelled vehicle market share over 4% for first time
The alternatively fuelled vehicle segment grew 19.9% in January 2017 to take a record 4.2% market share – the first time 4% has been surpassed, according to figures published by the Society of Motor Manufacturers and Traders (SMMT). In January 2017 there were 7,279 registrations of alternatively fuelled vehicles. One year prior to this, in January 2016, there […]
Ford Transit Custom plug-in hybrid on trial in London
The Ford Transit Custom plug-in hybrid, supported by the U.K. Government-funded Advanced Propulsion Centre, is due to go on trial in London this year, with commercial production planned for 2019. The announcement of the Transit Custom plug-in hybrid, which has the potential to significantly reduce the impact of diesel vans on air quality in urban areas, comes at […]
MITSUBISHI OUTLANDER PHEV 2017 UPDATES
The Mitsubishi Outlander PHEV has received a number of minor updates for 2017 and one of these is very significant. During 2016, Green Car Guide ran a Mitsubishi Outlander PHEV as a long-term press car over six months and overall it worked extremely well, but there was one issue that we told Mitsubishi should be changed, and this […]
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Electric Nation is the customer-facing brand of CarConnect, a Western Power Distribution (WPD) and Network Innovation Allowance funded project. WPD's collaboration partners in the project are EA Technology, DriveElectric, Lucy Electric GridKey and TRL.
DriveElectric, c/o Fleetdrive Management Ltd., Harleyford Marina, Henley Road, Marlow, Buckinghamshire SL7 2DX
Website produced by Automotive Comms
About Electric Cars


SHOE THE BEAR's flat shoes is a collection of shoes, very much inspired from menswear, but with the right amount of feminine touch to it. All the flat shoes are made with love to craftsmanship, and are therefore also made in 100% leather both outer and inner. Women's flats are sophisticated and comfortable without compromizing comfort. This shoe is for feet that love comfort! The shoes are both incredibly light to walk around in with flat soles and they take up very little space, if you are on the go and need to bring them with you.
What all of the flat shoes have in common is that they can be worn for many occasions; you can pair your flat shoes with dresses for formal occasions; dress down your outfit by combining your flat shoe with a dress; or a classic outfit with jeans and a sweater - which is always a great look!
At SHOE THE BEAR, you will find flats in four different models that are all in a classic black color, but with each their own unique details. Zola Round Studs is a cool flat in black suede with beautiful silver studs. A classic pair of flats with a contemporary twist that are perfect for you everyday look. The Zola Loafer is, like Zola Round Studs, a 100% suede flat in black and yellow. This shoe is simple in its design and easy to pair with any outfit. It will exude feminine elegance! If you are looking for flats without studs, then Zola Espadrilles is the right match for you. These flats are a feminine shoe in 100% leather with an espadrilles sole. A very simple and timeless flat that can be used for almost any occasion.
Explore our beautiful collection of flats and expand your style with this popular shoe. Flats are nothing less than amazing due to their simultaneous versatility and beauty. They are easy to style with dresses or jeans and that is exactly why there is always room for another pair in your collection.


text:
Q: What approach to take in modifying a 8051 based board? I'm hacking a massage chair board based around a 8051 microcontroler (a QFP44 SinoWealth SH88F516). Images of the board here. I am not familiar with this IC so I come to you in hope of advice for a best approach.

*

*Is there a way to get a dump of the current hex code that is on the chip? After messing with my own code, it would be a good fail safe to have so I could always revert to the original code.

*Can I use any 8051 toolchain to work with this specific IC, or do I need to use whatever SinoWealth is offering?

*Someone suggested certain Atmega's are pin compatible with the 8051 but I cannot find much info on that. Is it true?

*As an alternative to reprogramming the 8051, I thought to pull down the RST pin and use another IC instead. However the 8051 doesn't reset when the RST pin is pulled down, however it does crash until I cycle the power when pulled high.

*

*Why doesn't it stop functioning when pulled low and would it be safe to keep it high?

A:
Is there a way to get a dump of the current hex code that is on the chip? After messing with my own code, it would be a good fail safe to have so I could always revert to the original code.

Only SinoWealth or someone experienced with that specific product family will be able to answer that.

Can I use any 8051 toolchain to work with this specific IC, or do I need to use whatever SinoWealth is offering?

Any 8051-targetting C compiler will convert C to valid machine code for that MCU.
But that doesn't mean that addresses of memory segments are right (i.e. you need linker scripts that match your hardware), or that any of the peripherals work like in any other 8051 MCU.
So, that's a "yes, with extensive work in making sure to tell the toolchain about the properties of the chip you're working with, and then potentially writing drivers for the more complex peripherals".

Someone suggested certain Atmega's are pin compatible with the 8051 but I cannot find much info on that. Is it true?

Why would that matter? What you're looking at is not an original Intel MCS-51, but a microcontroller that has the same CPU core; it's more than questionable your low-cost clone should have the same pinout as a 1980 Intel microprocessor.

As an alternative to reprogramming the 8051, I thought to pull down the RST pin and use another IC instead. However the 8051 doesn't reset when the RST pin is pulled down, however it does crash until I cycle the power when pulled high.
  Why doesn't it stop functioning when pulled low and would it be safe to keep it high?

I'd agree, simply investing cents to euros to get a modern MCU in there (e.g. one of the cheaper STM32) would make much more sense – especially since programming hardware that you'll need to flash your programs to the 8051-clone will not be free, either.
Why not simply measure all the DC voltages at all the 44 pins (not that many), figure out the power supply and ground pins, and use a cheap hot air gun to unsolder the MCU alltogether and use a cheap PCB board service (e.g. OSHpark) to manufacture an adapter board that allows you to use ribbon cables to connect your replacement to the original MCU's pads?
If that pays at all - often, it's easier to just scrap the control board alltogether and just interface with the actors (and if any, sensors) of the device directly from an MCU eval board of choice – these can be had for 2 to 20 €.

A: Personally, I think it would be fun to attempt to reprogram the MCU on the board instead of hacking around it. From the datasheet, it looks like this is an 8051-core MCU with a base set of standard 8051-compatible peripherals, plus some Sinowealth special sauce. It's got 64K of flash, which is insane for an 8051 (which has much higher code density than RISC-style MCUs).
I'd bet that if you can program an AVR's peripherals, you can program this thing. 8051 peripherals are dead simple, and I think you'll enjoy having bitwise access to the most common registers. The datasheet is well-written with tons of peripheral block diagrams and tables that illustrate how the peripherals work.
While the core and peripherals are often standard across 8051 implementations, flash programming is not. Interestingly, section 8.3.3 mentions that you can activate a built-in UART bootloader by tying P1.0 and P1.1 to GND. It looks like they have freely-available downloads on their web site, but I didn't see anything specifically related to UART flash programming. If you want to use the UART bootloader, you'll have to do some detective work online, or reach out to them to get a download link.
Otherwise, if you want debug capability, you'll need to buy their JET51A debugger (they call is a "simulator"). These run for $75 on AliExpress and about half that price on Taobao. They also have production programmers like the Pro06A, but they're quite expensive (~$180).
As for development, you can use any 8051 toolchain. I'd recommend downloading a free version of Keil C51 / µVision, since that's what's officially supported by Sinowealth (so you can download headers and project templates for it), plus their debugger/programmers come with Keil µVision plugins.
Considering these parts are only about $0.50/unit in singles from China, you may end up throwing them in a future project. Who knows!


text:
Q: Rails: best practice to scope queries based on subdomain? I'm working on a Rails (currently 2.3.4) app that makes use of subdomains to isolate independent account sites. To be clear, what I mean is foo.mysite.com should show the foo account' content and bar.mysite.com should show bar's content.
What's the best way to ensure that all model queries are scoped to the current subdomain?
For example, one of my controllers looks something like:
@page = @global_organization.pages.find_by_id(params[:id])

(Note @global_organization is set in the application_controller via subdomain-fu.)
When what I would prefer is something like:
@page = Page.find_by_id(params[:id])

where the Page model finds are automatically scoped to the right organization. I've tried using the  default_scope directive like this: (in the Page model)
class Page < ActiveRecord::Base
  default_scope :conditions => "organization_id = #{Thread.current[:organization]}"
  # yadda yadda
end

(Again, just to note, the same application_controller sets Thread.current[:organization] to the organization's id for global access.) The problem with this approach is that the default scope gets set on the first request and never changes on subsequent requests to different subdomains.
Three apparent solutions thus far:
1 Use separate vhosts for each subdomain and just run different instances of the app per subdomain (using mod_rails). This approach isn't scalable for this app.
2 Use the original controller approach above. Unfortunately there are quite a number of models in the app and many of the models are a few joins removed from the organization, so this notation quickly becomes cumbersome. What's worse is that this actively requires developers to remember and apply the limitation or risk a significant security problem.
3 Use a before_filter to reset the default scope of the models on each request. Not sure about the performance hit here or how best to select which models to update per-reqeust.
Thoughts? Any other solutions I'm missing? This would seem to be a common enough problem that there's gotta be a best practice. All input appreciated, thanks!

A: Have you tried defining the default_scope a lambda? The lambda bit that defines the options get evaluated every time the scope is used.
class Page < ActiveRecord::Base
  default_scope lambda do
   {:conditions => "organization_id = #{Thread.current[:organization]}"}
  end
  # yadda yadda
end

It's essentially doing your third option, by working in tandem with your before filter magic. But it's a little more aggressive than that, kicking in on every single find used on the Page model.
If you want this behaviour for all models you could add the default_scope to ActiveRecord::Base, but you mention a few being a couple of joins away. So if you go this route, you'll have to override the default scopes in those models to address the joins.

A: Be careful going with default scope here, as it will lead you into a false sense of security, particularly when creating records.
I've always used your first example to keep this clear:
@page = @go.pages.find(params[:id])

The biggest reason is because you also want to ensure this association is applied to new records, so your new/create actions will look like the following, ensuring that they are properly scoped to the parent association:
# New
@page = @go.pages.new

# Create
@page = @go.pages.create(params[:page])

A: You might be better of having a database per account and switching the database connection based on the subdomain.
In addition to the above link if you have a model (in your case Account) that you want to use the default database just include establish connection in the model.
class Account < ActiveRecord::Base

  # Always use shared database
  establish_connection  "shared_#{RAILS_ENV}".to_sym

A: We've been using https://github.com/penguincoder/acts_as_restricted_subdomain for the last 2 years, but it only works with Rails 2.3.
We are currently trying to upgrade (and gemmify) the plugin to work with Rails 3. I'm curious on how you worked your problem out.

A: I've found the acts_as_tenant gem [github] works great for this feature. It does the scoping for you with minimal extra effort, and also makes bypassing the scoping difficult.
Here's the initial blog post about it: http://www.rollcallapp.com/blog/2011/10/03/adding-multi-tenancy-to-your-rails-app-acts-as-tenant


Lord, how could it be that someone as great as You, sees someone as small as i?
The Milky Way looks like a highway in the sky, each star in its place; not one will fall without You noticing it. clouds are the dust of Your feet.


The following explains how the various Win Loss and Risk Reward values are calculated.
Average Reward: The average profit based on the profitable closing transactions. Deducts the apportioned commission from the opening trade(s) and the commission on the closing trade when calculating the profit on each transaction. For example if a 200k position is opened with a $6 commission, and then half of that position was closed at a profit of $100 and a commission charge of $3, then the profit on that transaction would be calculated as $100 - ($6 * 100k / 200k) - $3 = $94. The $94 profitable closing transaction would be added to the sum of all profitable closing transactions and then divided by the total number of profitable closing transactions to get the average profit.
Average Risk: The average loss based on the loss making closing transactions. Includes the apportioned commission from the opening trade(s) and the commission on the closing trade as per the Average Reward explanation.
Reward to Risk Ratio: The ratio of the Average Reward to the Average Loss. For example if the Average Reward was $50 and the Average Loss is $100, the Reward to Risk Ratio would be 50 / 100 = 50% i.e. the Average Reward is 50% of the Average Risk.
Win Loss Ratio: The ratio of number of profitable to loss making closing transactions. For example if the total number of profitable trades was 80 and the total number of loss making trades was 20, the Win Loss Ratio would be 80 / 20 = 400% i.e. there are four times as many winning profitable trades when compared to loss making trades.
Performance: A profitable trading strategy will have a performance of greater than 0%. With a Performance of 100%, the trading strategy generates 100% profit when compared to losses.
The Win Ratio is the number of winning profitable trades divided by the total number of trades. The Loss Ratio is the number of losing trades divided by the total number of trades. For example if the Average Reward was $50 and the Average Loss was $100, and the total number of trades was 100, with 80 profitable trades and 20 losing trades, the Performance would be calculated as ($50 x (80/100)) / ($100 x (20 / 100)) - 1 = 40 / 20 - 1 = 100%. In this example the total win is $4,000 and the total loss is $2,000. The overall profit is $2,000, which is a 100% return when compared to total losses of $2,000.


Novellus shares lost 20 percent of their value last year and are down another 20 percent after two months of 2008. None of Kurtz's stock option awards are in the money and the restricted stock he got when he started Sept. 1, 2005, is worth 5 percent less now.
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a situation and an event entitled Extended Platforms: no plans, just a time and place. What happens when you put in place a structure that has all the potentiality for art to be made but at the same time has no expectations and leaves all outcomes open?
Susak Expo 2006 begins as an idea to extend platforms by exchanges of contexts and languages through dialogues between people and locations. It's an idea on the move, an idea in translation. And this text too, translated, will emerge with differences, to become another text. Translation can slip between languages to structure networks of thought. It enables simultaneous experiences to interact. It is vulnerable and open to incompletion as well as failure and misunderstanding. The project may fail or it may succeed, its outcome and even the idea of its completion is uncertain. And because of this openness it is vulnerable, this is its character. One thing about the idea of art is that it isn't a single idea. And unless it has already entered the culture as history it's not something already known beforehand. Even its history is not fixed, as we can engage in new dialogues through extended communication interchanges when we encounter the work. This encounter is a metaphorical site as well as a literal one, where there is the possibility for an exchange of feelings across different situations and circumstances. In other words the feelings and experiences of the viewer, the reader, or we could say simply the one who does the encountering, are brought into a relation with the existing historical work that enables a reconfiguring to take place. The work's lineage is brought into the present now through its participation in a transfer of meaning and context negotiated by individual subjectivities. And in its own way this text submits too similarly through its translation, as an ideological model for Susak Expo.
In 1973 these words were painted on the wall of an exhibition space in Nova Scotia School of Art and design, Halifax, Canada following the instructions sent by the artist Bas Jan Ader1. A bunch of flowers should be placed beside the words. The flowers would not be replaced. They should not be extravagant, but simple common flowers, not roses. Crucially this work was conceived as a time-based event with clearly identifiable stages following precise instructions. The words were to be painted in capitals with light grey/blue paint on a white wall, after a few days the words should be painted over to obliterate their trace and restore the wall to its former colour. The flowers should remain for the duration of the show in the same position, beside the place where the words had been. It lasted a week, the length of his show in the college gallery. It is significant that he referred to the installation of this piece, in other words its enactment, as a performance.
Some thoughts remain unrealised, never spoken or acted upon. Some, like Bas Jan Ader's, become a monument to an ideal of the unspoken, forgotten and unimportant thought. The inspirational flash for a moment or less may have been marvellous but it failed to yield an active event. A line of thought carries many layers of meaning: if Bas Jan had not sent those instructions we would not have known his unsaid thoughts. The connection between us, and our response to the idea wouldn't be made. Our unsaid thoughts now have the possibility of sharing a sense of communal understanding.
A conversation in a bar yields an unspeakable word. It is a word to be known but not uttered. To be known for reference is a yardstick of sorts, it helps to indicate how far you can go in your defining, of things and of experience. And what remains indefinable without a boundary to fence it, is this then unsayable? It reminds me of how the poet Coleridge pins down this complex and contradictory feeling as 'a sight to dream of, not to tell.' We have words to identify our purposes and we try to say what we mean. Our conversations go around and between two or more people, and with the promise of a closer meaning to close the gap between what we intend and its communication, we keep going. Our intention drives the conversation. We look for understanding in our companion's gestures, and in their expressions, and we may wonder – do they smile or frown in agreement or disagreement, in confusion or boredom?
We rely on these signs when we are face to face, to see how our discussion is going, and make modifications to how we say what we are saying dependent on these reactions, always holding onto the idea of conversation as an exchange within an arena. The arena is complex because it's a space defined on one level by the subject, the unspeakable word, and it's first defining space and on another level the parameters of intention. The arena is not fixed. Although, as with my friend, it may begin in a bar, the conversation is not limited to this particular site. It continues in our thinking and when we repeat it to others. The story moves into different places, into cities and towns and villages and homes. It is told again and again in new locations by different people. Every time the story changes a little, it becomes a different story, someone else's interests give it new meanings, and although it's repeated it is never the same, never as it was before.
I'd like to return to the idea of conversation as a site for thought and action. The event of conversation begins with a thought and it can remain an idea or become activated and documented. Documented thought is an event. It becomes enacted through its traces of notation and the event's actions are recorded through their documentation simultaneously by being witnessed.
I tell this story to illustrate how we may think about art. The word 'art' is loaded with conditions of what we expect from it. Historically and culturally the way the story about art is told is different because contexts have different values, but I intend to offer some ways of thinking like tracks or paths that can crisscross one another – but not just one single track, that would be like saying the story always remains the same.
There are questions arising from the stage of translation for this text firstly into Croatian and then Susakian that pragmatically sustain the fluid exchange of the idea's unfolding story in its repetitions and reconfigurations. Consequently I come back to rework and re-form the negotiated space of the text's becoming, where my aim is to achieve a transparency in the process of materiality by actualising the event of the encounter. The stage is an important word here in its dual meaning as the stage in the process to mark time, a series of occasions, and the stage as the platform for the event's location where there follows a kind of performance through the acting out of ideas and situations. This stage is the Susak Club. The players are Daniel, Katarina, Lada, Alenka, Boris, Totka and various others. I remain absent as a player in this context to become an interlocutor of its performance and to witness the textural re-enactment through the exploring questions of meaning and the transference of meaning's context into a new time/space situation, the club.
Firstly I want to state that all writing is a conversation even if it remains hidden, because it becomes located in a situation. The situation here is not hidden, it is this text, and this text's intention as well as its function is to locate the dialogues in and around Susak Expo, as well as the idea of Susak Expo. It is also a conversation that in its repetition in the act of translation yields an unspeakable word, a word that identifies more feelings, complexities, as lines of enquiry in thinking than can be uttered singularly. In Susakian there is no one word for art. The idea of what art is then needs to be performed, to be acted out through approximations of sense and meaning. Actions and extemporisations are thrown into a melting pot of social situations, in consequence leading to different projects, their outcomes and relativities through an idea of what the poet, the maker, the thinker do to reconfigure what we think we know – and this form of knowing, as an open-ended process, is determined here by a set of relational substitutions in circumstance and experience.
The absence in Susakian of this word "art" is a gift. It creates a specific gap made by the lack of one word's containment for an impossible precision. Improvisation takes over in the event of this dialogue and the conversation driven still by its intention can through its players perform a series of acts to create the word's sense specificity. This is neither an easy task nor glib one and it allows for a relational exchange of experience through the conversation, the story's re-telling. In this process it becomes transformed. Ideas do not exist in a vacuum and the possibility here of art is that it enables a cultural exchange of meaning and through the value of interpersonal exchange it celebrates the value of subjective experience. I use the word "gift" to emphasise the nature of art's promise, free to offer a shift in the extension of feeling by a different designation of feelings independent and separate from the notion of market value.
Finding a suitable phenomenal form for an idea is often fraught with difficulties; the thought in second thoughts may be 'unsaid' and then, to cite Bas Jan Ader's subtle paradox, 'forgotten'. There is no simpler or more gentle way of marking an event than with a bunch of flowers. We give flowers on many occasions, as celebrations in commemoration or commiseration. The flowers in his piece were left after the words disappeared. They withered but marked the place.
Conversations around and between textual exactitude don't remain fixed as concrete entities, they become performed and enacted to locate meanings through events as synonyms in action. Ideas don't survive in a vacuum and intellectual enquiry thrives on its exchanges and transformations. What we mean by intention is important because an intent is a gift of sorts, it offers something distinctly identifiable as one's own yet is not idiosyncratic; it's an intent to locate feelings and thoughts for others to engage with and then, the door is open. Exchange is a nexus of interstices where thresholds of difference in the house of languages, where every window on a word, every doorway to meaning is a different sedimentation of perceived experience.
From the ancient story of the tower of Babel we have the ideal of a transparency in meaning's flux of contexts. Its repetition in our conversations brings together different horizons of experienced moments. The desire for communication transparency is one ideal and its intentionality motivates our perpetual improvisations in communication.
Some of the partecipants went to Susak for a week to get a feel for the island.
Jo Melvin's essay was translated by Totka Picinic, with the help of Lada Sega, Daniel Devlin and the Kapitan at the Susak Klub.
Susak Expo 2006, počel ćinit jideju kruoz deškuorš z judima i somim mjestom da razdili od nas i stvore starinu zajik i veze. Tuo je jideja za jerase i jideja po našu. Po našu je sve koj novo kako bi se stvorile naše misli, kako i ovuof taštamenat i ovuof projekt, tako se more sve ovo razumit i nerazumit, ol uspit ol neuspit. Pak je najglavnije da ova stvor z jideju ni jedina njihova jideja, nego uvik kako se more širit kroz novi deškuorš.
Ove besede su bile letratone na zidu na jednoj galeriji, uputil jih je jedan umjetnik Bas Jan Ader, kako bi klol garoufuoli pored ovih besedi. Rekal je da ovi garoufuoli ne smu bit sila rakamani, da vala su obični, da bi barzo uvenuli pored ovoga taštamjenta. Nike misli ostaju zoblene, a nike misli se nanke ni ne reču. Tako ustane spomen nezoblenih jideji. Kada god nam pride čudna jiskra, ali ju pustimo da nam se ostvari. A kad nam ovuof umjetnik Bas Jan Ader poslol vuov urdin mi nikad ne bi znali negove nediškurene besede. Bilo bi tješko stvorit ovu vezu nad nas i ove jideje.
Jedan deškuors na klubu stvoril je besedu ko se nikad nebi čakulala. Poznivat deštini pomore nam pokozat koliko lorgo moremo prit kozat svoje stvore i starinu. A kad čekot ne moremo ol nijećemo odredit tuo nam ne ustane na besedi. Ovo me poteže namisli na onoga ki je pisol pjesme, Koleri|a koj je to zapisol koj viziju ku sanamo al ju ne govorimo. Mi jimamo naše besede kje odredimo i kje govorimo ono će oćemo. Mi tjendimo i deškurimo. Jišćemo da nas se kapi zonimi zo kimi čakulamo, mi pratimo kako se čudu, kako se grunde po naj zoda se pokupimo.
Latimo se na te besede da vidimo kako naš deškuorš i po potribi kanbijiva našu jideju. Arene se ne kanbijiva. Deškuorš more počat na klubu va kegot uštariji, al se istešo širi po drugim mjestu s drugim judima. Svaki deškuorš se malo kanbijiva pa se počne čakulat čegot novo. Kigot otvori novu jideju i ako se čakulo svejeno, nikad nesu besede svejene.
Tornajmo se na jideju deškuorša od mjesta i misal za kogot delo, kad duro deškuorš uvik nam ostane misal da tako ostane jideja i da ju se zapiše.
Ovuof taštamenat je više klajen i razmišlen na umjetnički način. Ono će mislimo nuditi su niki novi puti, misli ki se uvik moru skuntrovat s drugim judima.


On the ICE, July 2015 day-ahead peak electricity prices in NYISO, represented by Zone A, and ERCOT, represented by North 345kV, had the highest fluctuations among all observed regions. Prices at ERCOT began to increase as of July 2, 2015, and July 8, 2015, respectively. NYISO Zone A prices rose from 35 USD/MWh on July 2 to 40 USD/MWh on July 10, settling at 36 USD/MWh on July 20.According to ERCOT, electricity demand in July has led to record usage. In fact, electricity demand between July 13 and July 21 broke three consecutive July records. This week, for the first time since July of 2011, usage was above 67,000 megawatts. Heat and weather conditions are the main contributor to the increased demand.
Prices at CAISO and PJM both followed downward trends this month, although they differed markedly in the significance of those declines. Prices at CAISO SP15 began the month at 47 USD/MWh before dropping to 42 USD/MWh on July 20, strongly contrasting the decrease in PJM, which fell from 39 USD/MWh to 36 USD/MWh.
When comparing July 2015 to July 2014, ICE data indicates that all prices saw a decline, with the greatest declines being seen in CAISO's SP15, which experienced a 23.6% decrease, and PJM's APS, which fell by 18.2%.
PJM prices remained relatively flat throughout the first three weeks of July, averaging 38 USD/MWh.


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Let's be honest together and discover new confessions! Our users may compare the app with random chatting platforms, but "Anti Chat" is not affiliated with Chatroulette, Omegle, or similar services in any way. The chat rooms are filtered and pre-moderated for inappropriate content. I wish there was more control on the chats that you are first given cause I got a New York Chat room, yet I live in Florida so Im probably gonna leave that cause I wont understand most of the stuff people in there talk about. They have chat rooms that are meant for adults and certain lifestyles.You can also go in for video chat with an individual whom you do not even know properly.But be sure that you arenot video chatting with a wrong person otherwise your personal details can be misused against you. This non-hassle portal is quite reliable and usually the moderator checks all the information before it gets transferred to you. However, when you pick up a free of cost chat site, it is vital that you enquire as regards the spy ware which is supposed to be not so good for your personal computer.Overall, this app has alot of great potential, and I hope the developers reach out and read what we, the users, have to say about the app to improve it and make it better for the future community. This prevents you from engaging with anybody except for your fellow prisoners.Update: regardless of what the developer says in response to me here they're hypocrites. There is no conversation of an appeal or any kindof real justification.


text:
Q: How can i create custom channel for the websphere MQ and how to configure with java client program How can i create custom channel for the websphere MQ and how to configure with java client program ,
Which channel i want to create for send message to websphereMQ (Server-connection-Channel is ok)

A: You will need to create a Server connection (SVRCONN) channel for your client application to send messages to a WebSphere MQ Queue. It does not matter whether the application is developed in Java, C, C# etc.
You can either use MQ Explorer (GUI) or RUNMQSC(cmd line) for creating a SVRCONN channel. In MQExplorer right click on "Channels" and select "Server-Connection channel" menu. A wizard pops up which will guide you to create a channel.
You can also use "RUNMQSC" command line tool. From a command prompt run "runmqsc " which opens a MQ shell. In the shell run the below command (replace <> with your preferred names) in simplest form.
DEFINE CHANNEL(<some channel name>) CHLTYPE(SVRCONN)

You can also specify a number of other attributes for this command which described here
A number of Java/JMS samples are shipped with MQ. SimplePTP.java explains how to use a SVRCONN to connect to a queue manager and send/receive messages.


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Close to 500 people attended the opening Exhibit at the Shenandoah Valley Museum VA this month. The exhibition will be up through March 1, 2015. Ken Marquis is the founder of the Landfillart Project, Second Time Around: The Hubcap as Art.


Hey all check out this intervew to learn more about Bernadette Walsh. She's the author of Devil's mountain that I recently reviewed. To read my review click on Devil's Mountain here. The next book is due to come out in December!


Songs these days come as MP3 songs. This is because they don't make the stuff that used to hold them anymore. Now you just have to keep it on your computer until they figure out something else to hold songs that isn't a Pod radio.
For now, here's how to put the songs on your Pod radio.
Get a computer. You can find one at most stores. Bring your checkbook.
Bring it home and open the box. Throw away the bits that are cardboard and styrofoam and plastic baggies, and what remains should be the bits of your computer.
Plug power cord into wall.
Now you are on the web.
Start up your web surfer.
Type "give me music" into the web surfer's surfing bar.
You will probably see naked ladies on your computer by this point. Ignore the naked ladies, as they have been sent by the Devil to tempt you away from finding music to download.
Type "give me music, not the naked ladies sent by the Devil" into the surfing bar.
You should now see a bunch of words that are probably colored blue. These are surfing links to web places.
Carefully read the words to find the link closest to what you are looking for. If one of the links says "music," move your mouse arrow over the link and press the mouse button on the mouse.
Do not click on the links in Russian or other languages, as they probably will not offer good American music.
Mouse touch the song title and it should immediately start downloading into your monitor.
The download speed may only be about a dozen or so, and you should probably plan to attend your work sessions while it continues.
After returning from work and paying your nightly homage to our leader, check your computer.
If the download has finished completing, you are ready to transfer your song to your portable pod radio.
Connect radio to the computer. Use a cable for this.
Hold down the mouse button while the mouse arrow is over the MP3.
Drag MP3 onto picture of your pod which is also on your computer somewhere.
Once the MP3 is over that picture, release the mouse's button and the song should be taught to your pod radio player.
Once completed, your radio now knows your new song. Press buttons on your pod to hear it make your song play.
Earphones may be required. Get some and put them on you.
Don't tell your neighbors you have a computer. They will want to come over and use it to gamble and roll dice, because your neighbors are of low morals and poor upbringing.
Do not play music too loudly while wearing earphones, or you will not hear town bell ring for time of work or worship.
Get a red computer. Those are faster.


On-Tech E-Rate Musings: Time to think about FY2011. Oy.
With the USAC announcement of next fall's training sessions, it's kind of like FY2011 has started. And I'm still doing service substitutions for FY2008, not to mention the last stages of audits from FY2005.
I'm such an E-rate geek that I kind of like the trainings. I don't learn much about the application process, but Mel always has a few good tidbits, I get to see familiar faces, and there's always at least one newbie who gets apoplectic about one of the more heinous rules.
Cost-Effectiveness Reviews: How much is too much?


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You are at:Home»Bulimia»Bulimia in an Egyptian Student – Relevant Study 1990
Bulimia in an Egyptian Student – Relevant Study 1990
By Islam and Eating Disorders on	 April 15, 2019 Bulimia, Eating Disorder and Islam, Eating Disorder Stories, Eating Disorders, Eating Disorders and Marriage, Eating Disorders Awareness, ED Travels
This case study not only highlights similarities between the precipitants of bulimia in Bulimia in Egypt 411 Western and non-Western women, but also suggests that sociocultural and crosscultural factors may play a role in the onset of the disorder.
We are sharing with you one of the most timely studies in Egypt on Bulimia. Though this study focuses on only one person, it's very relevant in understanding how Eating Disorder has always been omnipresent in our society as a hidden disease. This study took place in 1990, nearly 19 years ago and we've just managed to thinly speak about Eating Disorders in Muslim countries in the last few years. Eating Disorders in Muslim Culture mainly make headlines in the Holy month of Ramadan, when every other tabloid is dying with curiosity on how Ramadan is going to contribute further towards the Eating Disorders and how much pressure sufferers are to observe this month. It's truly sad to see such narrow-limited focus on this dangerous illness only once a year. The study and many other hidden studies show Eating Disorders have always existed in Muslim society and it's time we do more to combat this illness.
Bulimia in an Egyptian Student
Kathryn A. Ford, Ph.D.
Kathryn A. Ford, Ph.D., is a clinical psychologist in private practice in the Washington D.C. area. She completed this study while living in Cairo and teaching at the American University in Cairo, Egypt. Address reprint requests to Dr. K. Ford, 6842 Elm Street, Suite 104, McLean, VA 22101. International lournai of Eating Disorders, Vol. 11, No. 4, 407-411 (1992) © 1992 by John Wiley & Sons, Inc. CCC 0276-3478/92/040407-05$04.00
A Case Study Kathryn A. Ford (Accepted 19 November 1990) The diagnosis and treatment of bulimia in underdeveloped countries is not well documented. The following is a case study of a young Egyptian woman who met the diagnosis for bulimia according to DSM-III-R (Diagnostic and statistical manual of mental disorders, American Psychiatric Association, 1987) and was treated in her native country of Egypt. The study examines individual and familial issues relevant to the disorder as well as hypotheses about the effects of conflicts engendered by crosscultural and sociocultural factors on the etiology of the disorder.
The prevalence and edology of eadng disorders among Western white women have been widely researched over the past decade (Halmi, Falk, & Schwartz, 1981; Katzman, Wolchik, & Braver, 1984). While there has not been a great deal of research with nonWestern women, existing research suggests a lower incidence of eadng disorders in non-Western countries (Buhrich, 1981; Nasser, 1986). Among the studies of anorexia and bulimia with non-Western women, the majority involve women who immigrated to or were born in a Western country and developed an eadng disorder in that country (Buchan & Gregory, 1984; Bulik, 1987; Lacey and Dolan, 1988; Mumford & Whitehouse, 1988). In comparison, few studies exist in which the onset of the eadng disorder occurs in a non-Western country (Nwaefuna, 1981; Buhrich, 1981). The following case report involves the diagnosis and treatment of a non-Western women who developed bulimia in her nadve country of Egypt after returning from 12 years in Canada. The case is important because it adds support to results from immigrant studies (Furnham & Alibhai, 1983; Nasser, 1986; Lacey & Dolan, 1988) which suggest Western atddides can contribute to a concern over body weight and have a possible pathogenic effect. Further, it tries to understand the significance of bulimic behavior for an Arab woman.
Miss N was an attractive and intelligent 21-year-old Egyptian Moslem woman who wore the traditional hegab (long dress and head covering) but did not cover her face or hands. At referral, she weighed 66 kilos and was 170 cm tall. The year before she weighed 73 kilos for a couple of months. Six months prior to the referral, she weighed 62 kilos, her lowest weight since reaching her adult height.
Miss N had been bulimic (DSM-III-R; American Psychiatric Association, 1987) for 4 months at the time of referral. At the initial visit, she was vomiting three to four times a day and taking laxatives once a day. She complained her throat was sore from the spoon handle used to induce vomiting and she had some heart palpitations. She still maintained a normal menstrual cycle and did not experience any rectal bleeding. Her usual binging pattern was to eat sweets, macaroni, other starchy foods, and rice. Binging was done in secret. She was very depressed and agitated and felt unable to control her eating behavior.
Miss N reported her bulimic behavior began during the autumn of her second year at university, about 18 months after arriving in Cairo. It was precipitated by the termination of a 3-month relationship with an Egyptian man. This relationship involved some physical contact, primarily kissing. It caused Miss N to feel guilty and dirty, and led her to avoid people by staying inside her home. According to Miss N, God had forbidden anything to be done to the body before marriage. "When I took up the veil, it was a symbol of my religious ties. A woman veils herself so that there will no temptation." During the winter semester break. Miss N went to Saudi Arabia and made a pilgrimage to Mecca. This was part of a purification process tied to her belief that if she prayed hard enough God would forgive her.
The relationship ended soon after her return to Egypt when Miss N learned her male friend was seeing another woman. Also at this time, another male friend told her she was heavy and challenged her to lose 10 kilos. This led her to fast for 2 days after which she got so hungry she binged. The cycle of binging and vomiting began after this.
Miss N continued to binge and purge throughout the spring semester of the school year. During the summer, she returned home to another Middle Eastern country where her binging escalated. She described her life at home as very confining due to the cultural and religious restrictions placed on women.
Twice more during the next academic year, she returned home. On her second visit she made another trip to Mecca to pray for her recovery. She also had an arranged meeting with a man her father felt might be a suitable husband. The man visited her home often; at times she vomited before he arrived. Miss N felt some pressure to accept Mr. C's proposal but did not do so. Toward the end of the school year, she observed Ramadan for the second time since becoming bulimic. However, unlike the previous year's Ramadan fast when she fasted during the daylight hours and binged and vomited after sundown. Miss N binged and vomited only a few times during the month-long fast. The association with Miss N ended at the completion of the school year and no follow up information on her progress was available.
Miss N was a student at an English-speaking university in Cairo at the time of referral. Like many students at her university. Miss N had lived much of her life outside of Egypt. From age 5 until she graduated from high school, she lived in Canada where her father was a teacher. There she attended a local English-speaking school and interacted with Canadian friends. Initially, she had difficulty in school because of her English, but she quickly grasped the language and excelled. During her high-school years, she was active on the yearbook, played basketball, and had a part-time job. Although her parents never allowed her to date, she was permitted to go out with friends in groups. When she went to school dances, it was without her parents' permission.
In her senior year of high school, her father decided to return to the Middle East. Miss N did not want to leave Canada but her family would not permit her to stay beyond her high-school graduation. She viewed her departure from Canada as an important time in her life since it confronted her with many decisions. She had to decide about her course of study; her father wanted her to go to medical school; her mother wanted her to stay at home. She also had a decide about taking up the veil, a decision she had contemplated while in Canada. Shortly after her return to the Middle East, Miss N enrolled at a university in Cairo while her parents remained in another Middle Eastern country. For the first year of her schooling she lived with her grandparents and after that lived alone in a room her parents found for her.
Miss N's nuclear family consisted of her parents and four younger brothers. Her father was a teacher at a university in a Middle Eastern country and her mother a homemaker. There was no reported obesity in her family nor were food and weight emphasized. When talking about her family. Miss N referred to the difficulties in her parents' marriage. Her memory included parental fights and periods when they did not talk to each other. At times, she felt caught in the middle with each parent using her as a sounding board for complaints.
behavioral and insight-directed therapy were used (Lacey, 1986). The behavioral treatment included self-monitoring of binging and vomiting, stimulus control, and relearning normal eating patterns by planning meals and eating three times a day. Use of self-monitoring permitted Miss N to explore what situations triggered her binging and to gain insight into the emotions and thoughts surrounding her behavior. Miss N initially was very uneasy about self-disclosure and used discussion of the behavioral techniques to avoid introspection. Gradually, however, she developed more trust in the therapist and began to explore the confusion she felt as an Arab woman raised in a Western society. She spoke of the restrictions placed on women in her society and the internal conflicts this produced. Miss N was able to speak of her role confusion in wanting to marry but also wanting to pursue her education and career. Identification with her female therapist enabled her to explore her competitiveness and professional ambitions and to observe how a Western woman was able to combine both professional and personal goals. Therapy also enabled Miss N to gain insight into the role she played as mediator in her parents' marriage. She felt caught in a triangular system in which loyalty toward each parent pulled her in different directions.
The therapy terminated with Miss N when the therapist was transferred from Egypt. At that time. Miss N was binging and vomiting less than once a week and her depressive symptoms had lifted. She had a part-time job and was completing her university degree.
Miss N's bulimia provides a first-hand account of bulimic behavior in an Egyptian woman. While her case history shows similarities to the reports of bulimia among Western women, other cultural and religious issues are of great importance to understanding Miss N's bulimic behavior.
Consistent with Western reports. Miss N's bulimia was associated with both individual and familial factors (Lacey, Coker, & Birtchnell, 1986). The bulimia began shortly after the termination of a heterosexual relationship and after a statement by a man about her weight. She blamed her weight for her rejection by the man and accepted the view that if she could lose weight her life would change. She also described difficulties in her parents' marital relationship and her involvement at times as an arbiter. Finally, within 18 months of the onset of bulimia, she had changed her geographical location and was living in a different country than her family.
While these factors were important precipitants, there were also crosscultural and sociocultural factors that appear to have had a major impact on Miss N. As reported. Miss N had lived in a western culture for 12 years. Previous research (Furnham & Alibhai, 1983; Nasser, 1986; Ford, Dolan, & Evans, 1990) indicates that exposure to Western culture can affect attitudes toward food and body shape. Miss N's view that her weight and body shape were reasons for rejection by a man suggest that she integrated these Western values about thinness and body weight. She also appeared to internalize other Western views about women and society which made it difficult for her to assimilate into Egyptian culture.
One of her conflicts involved the role of women in the West and the opportunities available to them. Miss N felt that Egyptian women did not have the independence they enjoyed in Canada. She viewed herself as limited in the career options she could pursue and in the style of personal freedom she desired. For example, her family would not permit her to go unaccompanied to Canada or the United States to pursue advanced schooling. She also found herself in a culture where it is still expected that young women will marry and have children. While her parents did not put pressure on her, it was an embarrassment for her family the longer she remained single. She was reminded of this every time her father arranged a meeting with a suitor.
Miss N had to deal with her own emotional feelings and the rules of her religion. Upon her return from 12 years in Canada, she veiled herself. What role did the veil play for her? Was it wholly a religious act of faith as she reported or was it also a way to assimilate into Egyptian society? Or did the veil serve to deny or cover up the Westernized or less acceptable parts of herself such as emotional expressiveness?
While intellectually she was able to pursue her studies and excel. Miss N's culture and religion may have restricted the expression of her emotional development. In her Moslem culture, the open display of physical affection between men and women is socially unacceptable. It could be hypothesized that by taking up the veil. Miss N tried either to deny her emotions or to control her desires in order to meet these societal mores. When her reliance on the veil was unsuccessful, binging and purging became the battleground for her struggle. As long as Miss N focused on binging and vomiting, she did not have to address the conflict between her feelings as a woman and the rules of society. She also did not have to confront the difficulties an intelligent and high-achieving woman faces in a non-Western culture where the societal and religious rules may slow or even limit women's self-development.
This case study not only highlights similarities between the precipitants of bulimia in Bulimia in Egypt 411 Western and non-Western women, but also suggests that sociocultural and crosscultural factors may play a role in the onset of the disorder. While it is impossible to generalize from single case reports, it is possible to obtain from them areas for future research. For example, it will be useful to look at larger samples of Arab women living in the Middle East and explore the relationship between traditional values, religious beliefs, and abnormal eating patterns.
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Buhrich, N. (1981). Frequency of presentation of anorexia nervosa in Malaysia. Australian and New Zealand Journal of Psychiatry, 15, 153-155.
Ford, K., Dolan, B., & Evans, C. (1990). Cultural factors in eating disorders: A study of body shape preference of Arab students. Journal of Psychosomatic Research, 5, 501-507.
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Lacey, J., Coker, S., & Birtchnell, S. (1986). Bulimia: Factors associated with its etiology and maintenance. International Journal of Eating Disorders, 5, 475-487. Lacey J., & Dolan, B. (1988). Bulimia in British blacks and Asians: A catchement area study. British Journal of Psychiatry, 152, 73-77.
Mumford, D., & Whitehouse, A. (1988). Increased prevalence of bulimia nervosa among Asian schoolgirls. British Medical Journal, 297, 718.
Nasser, M. (1986). Comparative study of the prevalence of abnormal eating attitudes among Arab female students of both London and Cairo universities. Psychological Medicine, 16, 621-625. Nwaefuna, A. (1981). Anorexia nervosa in a developing country. British Journal of Psychiatry, 138, 270.