text:
Ulica Zagórska w Tarnowskich Górach – jedna z głównych arterii komunikacyjnych Tarnowskich Gór łącząca to miasto m.in. z Tworogiem i Lublińcem. Częściowo tworzy granicę między dzielnicami Śródmieście-Centrum i Opatowice. Przebiega przez Rybną oraz Strzybnicę. W całości jest częścią drogi krajowej nr 11 (drogi jednojezdniowej klasy GP na odcinku Tworóg – Bytom).

Przebieg
Ulica Zagórska biegnie w kierunku północno-zachodnim od centrum miasta. Stanowi kontynuację ulicy Opolskiej i rozpoczyna swój bieg od skrzyżowania z ulicą Obwodnicą. Krzyżuje się m.in. z ulicą Powstańców Warszawskich (główną ulicą dzielnicy Rybna; drogą powiatową nr 3239S łączącą Tarnowskie Góry z Miedarami w gminie Zbrosławice) oraz ulicą Księdza Prałata Edwarda Płonki (dawniej Metalowców; drogą powiatową nr 3285S prowadzącą w kierunku dzielnicy Pniowiec). Kończy się na granicy administracyjnej miasta Tarnowskie Góry z gminą Tworóg. Kontynuacją ulicy Zagórskiej na jej terenie jest ulica Słowiańska. Równolegle wzdłuż ulicy przebiega linia kolejowa nr 144.

Historia

Droga biegnąca w kierunku północno-zachodnim łącząca Tarnowskie Góry z Piaseczną oraz kuźnicami nad rzeką Stołą istnieć musiała już w XVI wieku, zaś w 1736 roku pojawia się ona po raz pierwszy na mapie księstwa opolskiego autorstwa Iohannesa Wolfganga Wielanda.
Obecna ulica Zagórska została oddana do użytku w 1847 roku po czterech latach budowy szosy z Tarnowskich Gór przez Tworóg do Lublińca i dalej do Opola. Dziesięć lat później równolegle do niej wybudowano jedną z najstarszych linii kolejowych na Górnym Śląsku, będącą część Kolei Prawego Brzegu Odry – obecną linię kolejową nr 144 Tarnowskie Góry–Opole Główne.

Do 1925 roku oraz w latach 1939–1945 ulica nosiła niemiecką nazwę Hauptstrasse (pol. 'ul. Główna'); w latach 1945–1975 ul. Tarnogórska.

Zabytki

Najstarszym zachowanym budynkiem zlokalizowanym przy ulicy Zagórskiej jest oddany do użytku w 1868 roku budynek stacji kolejowej Strzybnica przy dawnym placu XXV-lecia PRL (włączonym 25 lipca 2017 w przebieg ulicy Zagórskiej). Figuruje on w Gminnej Ewidencji Zabytków miasta Tarnowskie Góry, podobnie jak:
 budynek z ok. 1915 roku będący dawniej siedzibą urzędu gminy, gromady, a do 1973 roku miasta Strzybnica, współcześnie mieszczący przedszkole,
 kolejowy budynek mieszkalny z ok. 1900 roku znajdujący się obok dworca, przy ul. Zagórskiej 86,
 budynek mieszkalno-usługowy z ok. 1900 roku przy ul. Zagórskiej 90,
 dawna hala fabryczna oraz wieża ciśnień pochodzące z ok. 1910 roku – okresu rozbudowy Huty Fryderyk; obecnie na terenie Zakładów Mechanicznych "Zamet",
a także cztery krzyże przydrożne z XIX, XX i początku XXI wieku (ze starszymi figurami) oraz dwie kapliczki maryjne: w ogrodzeniu przy bramie wjazdowej do budynku przy ul. Zagórskiej 80 oraz przy skrzyżowaniu ulicy Zagórskiej z ulicą Sudecką (kapliczka maryjna z 1. połowy XX wieku).

Dodatkowo przy ulicy Zagórskiej 81 znajdowała się wybudowana w 1880 roku willa, w której mieścił się Urząd Hutniczy przy Hucie Fryderyk. W latach 20. XX wieku urzędował w niej administrator polsko-francuskiej spółki Tarnoferme zarządzającej hutą. Budynek został zbombardowany w czasie II wojny światowej, odbudowany (w zmienionej formie) w latach 50. XX wieku. Obecnie pełni funkcje mieszkalne.

Inne obiekty

Przy ulicy Zagórskiej znajdują się również:
 pasaż Centrum Handlowe Tarnowskie Góry, w którego obrębie znajdują się m.in. Apteka Lekosfera, CCC, Deichmann, Empik, RTV Euro AGD, Pepco, Rossmann, Takko Fashion oraz KiK – ul. Zagórska 189,
 minipark handlowy grupy Saller (dawniej supermarket Minimal należący do koncernu Rewe-Zentral AG) obejmujący Jysk, Media Expert oraz Sportisimo – ul. Zagórska 224,
 hipermarkety Tesco (ul. Zagórska 220) oraz Kaufland (ul. Zagórska 187) wraz z pasażami handlowymi,
 restauracja KFC – ul. Zagórska 220,
 stacje benzynowe: BP (ul. Zagórska 222), Shell (ul. Zagórska 187),
 Śląskie Centrum Hurtu Gwarek (dawniej zakłady mięsne) – ul. Zagórska 159,
 Wieczorek Sp. z o.o. Autoryzowany dealer Renault, Dacia – ul. Zagórska 141,
 zakłady przemysłowe na terenie dawnej Huty Fryderyk: Zamet Budowa Maszyn S.A., Montan Stal Sp. z.o.o. – ul. Zagórska 83,
 budynek dawnej dyskoteki – ul. Zagórska 80.
Ponadto do 2014 roku przy ulicy Zagórskiej 167 działała Fabryka Zmechanizowanych Obudów Ścianowych "FAZOS" S.A. wchodząca w skład grupy Famur. Za zabudowaniami tej fabryki w latach 1963–1990 istniało wysypisko odpadów komunalnych. Obecnie hale zajmuje Chemet S.A..

Komunikacja

Według stanu z grudnia 2022 roku ulicą Zagórską kursują autobusy organizowane przez Zarząd Transportu Metropolitalnego, obsługujące następujące linie:
 3 (Osada Jana Pawilon – Stare Tarnowice GCR),
 78 (Tarnowskie Góry Dworzec – Miedary Posesja 17),
 129 (Tarnowskie Góry Dworzec – Krupski Młyn Słoneczna),
 143 (Tarnowskie Góry Dworzec – Nowa Wieś Pętla),
 180 (Tarnowskie Góry Dworzec – Wielowieś Centrum Przesiadkowe),
 670 (Tarnowskie Góry Dworzec – Pniowiec Pętla),
 736 (Pniowiec Pętla – Miedary Tarnogórska),
 780 (Szarlej Kaufland – Stare Tarnowice GCR).
Przy ulicy zlokalizowane są przystanki autobusowe Tarnowskie Góry Kaufland, Strzybnica Fazos, Strzybnica Centrum Handlu Gwarek, Strzybnica Zawiszy, Strzybnica Park Hutnika i Strzybnica Zametowska oraz przystanki na żądanie Strzybnica Ogrodnictwo i Strzybnica Osiedle.

W pobliżu skrzyżowania ul. Zagórskiej z ul. Powstańców Warszawskich znajduje się stacja kolejowa Tarnowskie Góry Strzybnica, na której ruch pasażerski został zawieszony w grudniu 2011 roku wraz z wejściem w życie nowego rozkładu jazdy likwidującego cztery pary pociągów relacji Tarnowskie Góry – Opole Główne. Powodem było wycofanie się województwa śląskiego z organizacji przewozów na tej linii spowodowane niską frekwencją w pociągach.

Mieszkalnictwo
Według danych Urzędu Stanu Cywilnego na dzień 31 grudnia 2022 roku przy ulicy Zagórskiej zameldowane na pobyt stały były 733 osoby.

Przypisy

Zagórska


text:
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Rhode Island Politics
Oopsie! The Position Was Filled Before the Opening Was Posted
Now how is the Chafee administration supposed to fake conduct the nationwide search when this happens??? (Great job exposing this, Kathy Gregg.)
A belated job posting drew 115 applicants for the $88,177-a-year Chafee-administration post held by former Miss Rhode Island Allison Rogers.
Rogers, whose credentials include graduate and under-graduate degrees from Harvard University, was hired May 6 and put to work almost immediately as an executive assistant to Chafee's director of administration, Richard Licht.
Sometime later, the posting went up for an $83,476-to-$96,927-a-year "executive assistant" to the director in the Department of Administration. The application period: June 18-27.
It is the same job. …
Two Twitter Tidbits
Portsmouth Institute, Day 2, Session 1: Dr. Kenneth Miller, "To Find God in All Things"
This is actually quite thoughtful. The Federal government makes people go through a 10-page USAJOBS application process and even come in for interviews to maintain appearances when they have a preselected candidate who has already been promised the position. This saves those 115 applicants a lot of time that could be used applying to real openings.
An $88k secretary… only in Rhode Island!
Max D.
LMAO! This is the guy that hired a staff attorney that wasn't licensed to practice in Rhode Island. When asked directly by Arlene Violet why the taxpayers should have to pay the salary of lawyer who can't practice legally in Rhode Island, his answer was, "He's on the team providing good counsel and I'm looking forward to his advice." Rules do not apply to Lincoln Chafee.
news.providencejournal.com/politics/2010/12/chafee-lawyer-n.html
rhodeisland.onpolitix.com/news/24162/newsmakers-125-lincoln-chafee
Another example of why many of us left the beautiful state many years ago. I came back to RI for a wedding 2 wks. ago. The 20 somethings there had one thing in common….they were all working (or planning on ) out of state. The tax base erodes,the population ages and the nepotism goes on. Groundhog Day.
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Saturday, March 16 brought the return of the hugely popular Young Farmers' Clubs of Ulster Arts Festival Gala.
The event was held at the Millennium Forum, Londonderry.
Sponsored for a number of years by NFU Mutual Charitable Trust, the Arts Festival Gala saw the top clubs from the YFCU's arts festival perform to a packed audience of family, friends, industry representatives, MLAs, MEPs and distinguished guests.
A VIP reception sponsored by Chestnutt Animal Feeds was also held before the performances.
Each club performed a short drama piece which the members wrote and produced themselves.
The outstanding performance of the night award went to Kilraughts Young Farmers' Club.
Thank you to the sponsors NFU Mutual and Chestnutt Animal Feeds Limited.


Get the latest news for the Amazon Kindle Fire TV @ the Kindle Fire TV Forum.
Discussion about the various apps that run on your Amazon Kindle Fire Tablet belong in here.
Discuss about the latest Kindle Fire Books, share your recommendations and ideas.
Amazon Kindle Fire Audio Forum. This contains all audio discussions including music, sounds, ringtones, alerts, etc.
If you would like to discuss something not related to Amazon Tablet/Android please do so in here.
Does this tablet have any problems with Mp3? Can I listen to the audio files of the book with this format?


text:
Following Molecular Transitions with Single Residue Spatial and Millisecond Time Resolution
Inna Shcherbakova, Somdeb Mitra, Robert H. Beer, Michael Brenowitz
"Footprinting" describes assays in which ligand binding or structure formation protects polymers such as nucleic acids and proteins from either cleavage or modification; footprinting allows the accessibility of individual residues to be mapped in solution. Equilibrium and time-dependent footprinting links site-specific structural information with thermodynamic and kinetic transitions, respectively. The hydroxyl radical (•OH) is a uniquely insightful footprinting probe by virtue of it being among the most reactive chemical oxidants; it reports the solvent accessibility of reactive sites on macromolecules with as fine as a single residue resolution. A novel method of millisecond time-resolved •OH footprinting is presented based on the Fenton reaction, Fe(II) + H2O2 → Fe(III) + •OH + OH-. It is implemented using a standard three-syringe quench-flow mixer. The utility of this method is demonstrated by its application to the studies on RNA folding. Its applicability to a broad range of biological questions involving the function of DNA, RNA, and proteins is discussed.
Biophysical Tools for Biologists, Volume One
John Correi, William Detrich, III
Methods in Cell Biology
Fingerprint Dive into the research topics of 'Following Molecular Transitions with Single Residue Spatial and Millisecond Time Resolution'. Together they form a unique fingerprint.
RNA Folding Medicine & Life Sciences
Thermodynamics Medicine & Life Sciences
hydroxide ion Medicine & Life Sciences
Syringes Medicine & Life Sciences
Hydroxyl Radical Medicine & Life Sciences
Oxidants Medicine & Life Sciences
Nucleic Acids Medicine & Life Sciences
Catalytic Domain Medicine & Life Sciences
Shcherbakova, I., Mitra, S., Beer, R. H., & Brenowitz, M. (2008). Following Molecular Transitions with Single Residue Spatial and Millisecond Time Resolution. In J. Correi, & W. Detrich, III (Eds.), Biophysical Tools for Biologists, Volume One: In Vitro Techniques (pp. 589-615). (Methods in Cell Biology; Vol. 84). https://doi.org/10.1016/S0091-679X(07)84019-2
Following Molecular Transitions with Single Residue Spatial and Millisecond Time Resolution. / Shcherbakova, Inna; Mitra, Somdeb; Beer, Robert H.; Brenowitz, Michael.
Biophysical Tools for Biologists, Volume One: In Vitro Techniques. ed. / John Correi; William Detrich, III. 2008. p. 589-615 (Methods in Cell Biology; Vol. 84).
Shcherbakova, I, Mitra, S, Beer, RH & Brenowitz, M 2008, Following Molecular Transitions with Single Residue Spatial and Millisecond Time Resolution. in J Correi & W Detrich, III (eds), Biophysical Tools for Biologists, Volume One: In Vitro Techniques. Methods in Cell Biology, vol. 84, pp. 589-615. https://doi.org/10.1016/S0091-679X(07)84019-2
Shcherbakova I, Mitra S, Beer RH, Brenowitz M. Following Molecular Transitions with Single Residue Spatial and Millisecond Time Resolution. In Correi J, Detrich, III W, editors, Biophysical Tools for Biologists, Volume One: In Vitro Techniques. 2008. p. 589-615. (Methods in Cell Biology). https://doi.org/10.1016/S0091-679X(07)84019-2
Shcherbakova, Inna ; Mitra, Somdeb ; Beer, Robert H. ; Brenowitz, Michael. / Following Molecular Transitions with Single Residue Spatial and Millisecond Time Resolution. Biophysical Tools for Biologists, Volume One: In Vitro Techniques. editor / John Correi ; William Detrich, III. 2008. pp. 589-615 (Methods in Cell Biology).
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AB - "Footprinting" describes assays in which ligand binding or structure formation protects polymers such as nucleic acids and proteins from either cleavage or modification; footprinting allows the accessibility of individual residues to be mapped in solution. Equilibrium and time-dependent footprinting links site-specific structural information with thermodynamic and kinetic transitions, respectively. The hydroxyl radical (•OH) is a uniquely insightful footprinting probe by virtue of it being among the most reactive chemical oxidants; it reports the solvent accessibility of reactive sites on macromolecules with as fine as a single residue resolution. A novel method of millisecond time-resolved •OH footprinting is presented based on the Fenton reaction, Fe(II) + H2O2 → Fe(III) + •OH + OH-. It is implemented using a standard three-syringe quench-flow mixer. The utility of this method is demonstrated by its application to the studies on RNA folding. Its applicability to a broad range of biological questions involving the function of DNA, RNA, and proteins is discussed.
T3 - Methods in Cell Biology
BT - Biophysical Tools for Biologists, Volume One
A2 - Correi, John
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Happy Friday! Clinique is currently offering a "build your own" gift with purchase (GWP) right now — with a $35 purchase, choose 4 deluxe minis (choose one of each of serum, moisturizer, eye cream and either a lip or fragrance mini).
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Also, with a $55 purchase, use code BODYOIL to receive a full size Clinique Deep Comfort Body Oil or use code TOTE for a free tote (hint: Mother's Day is coming up…)!
Join the Smart Rewards membership program (it's free to join!), and shipping will be free on all orders. Your first order will even be 15% off! You can earn points towards things like free minis and full size products.


A note from Lulu: this post originally appeared just over 10 years ago (so 2008) on the Lulu blog. After reconnecting with Lisa recently, we're reposting it with some very slight updates to the text and formatting because we believe her story is unique, important, and worthy of attention even after a decade.
Over a five month span, Ruth, Mike, Carol, and Marwayne went from senior writers to book authors. If I had not shown them my father's book, my mother's book, and one of my books—all done in the same way we planned to do theirs—they would not have believed the dream could come true for them. I assured them we could get past any barriers they might encounter with the technology. I told them we would recruit volunteers to help and I asked them to allow me to guide them through the process to create their own books. Although they did not understand how it would all happen, they placed their faith in me and the process that I had outlined for them. I promised them we would cap off our successful work together with a group reading event.
Those short few months of designing their books culminated in a reading at the West Seattle Senior Center. Over 50 people came to hear the four new authors read and to celebrate their achievements. I was the proud emcee. As the authors sat up at the head table in the front of the room, their smiles and sparkly eyes beamed and told me that it was worth all the work. This day—this triumph—was a big deal for them and the audience responded warmly. It was a big deal for me, too, and I am sure I will remember this experience as one of my best of 2008.
First up to read was Mike, except that Mike asked me to read from his book for him because he was recovering from his fourth stroke and had trouble forming long sentences. When I heard last month that Mike had suffered another stroke, I worried because I lost my mother to a stroke. I didn't want Mike to miss seeing and holding his first and likely only book—we were so close to finishing it. He is recovering quite well, but is still not back to being the 90-year-old he was before the stroke. I read a short and funny essay Mike had written about driftwood ropers and mincemeat ranchers. He watched me and laughed as I read his work—I love it when people laugh at their own jokes. Mike's essays span 70 years and tell stories about eating squirrels, jumping rail cars in Alaska, and being drafted to war.
Carol read from her collection of pieces about photography, travel explorations, and family. She writes about places using beautiful, poetic sentences. I love her piece about how ponderosa pine trees smell like vanilla. She read an essay about her first job picking and wearing strawberries and another essay about the time she climbed to the summit of Mt. Rainier. Some of Carol's pieces include short bits of song, and she sang as she read these portions tonight—that took a lot of courage. She dedicated her book to the grandparents she had never met or known. She wrote her stories so that her grandkids and great-grandkids would know something about her and the family.
Marwayne read portions of two of her six stories about horses she had raised on her farm. Her book is unique because it is told from the imagined perspective of a red barn and written for a teen to young adult audience. She wrote the book for her daughter and her grandchildren. There are very few family memoirs written for younger readers. Marwayne was thrilled when we were able to get her book done in time to take to a family wedding in Texas. She said the kids loved the book, especially because the horses had really existed and their stories were true. The book includes pictures of each horse and some of the photos were nearly 50 years old.
Ruth was the final reader and she read several small pieces from her collection of poems and short nonfiction. She started with a poem called "Exposed," explaining that this is how she felt, having never read her work for a large audience. Ruth's work is provocative and sassy, and she likes bending and stretching conventional thinking and norms. When I first met Ruth, she said she wanted to create her book to be handed out at her memorial service. As the book was coming together and she saw how beautiful it was going to be, she got excited about sharing it now, while she is still very much alive.
After the readings, the authors were available to answer questions and to sell and sign books. The audience loved the readings and people mingled and talked for a long time. When I think about this evening's celebration, I am filled with a sense of accomplishment and a sense of urgency, a sense that something is still undone. I wonder what would have happened had Ruth, Mike, Carol and Marwayne not published their books. Their stories might never have been shared, and this would have been a tragedy.
My sense of urgency comes from a belief that there are thousands, perhaps millions, of other senior writers out there whose work is hidden away in old stacks of paper; faded, handwritten journals, or lost in the digital catacombs of old 386 floppy-drive computers. How do we ensure that seniors who have taken the time and care to write their stories have a chance to pass on their work?
Reality number one: Print-on-demand publishing is simpler and more cost effective than ever. It is very easy to design, load, and publish a nice looking book. There are no or few upfront costs. For example, a 100-page book with a nice color cover will cost around eight dollars to print and there is no minimum order required.
Reality number two: Most seniors do not have the basic computer skills needed to design, upload, and publish their writing using the newer print-on-demand methods. Mike does not type at all. Ruth types, but does not understand how to save or format her work on her computer. Carol and Marwayne can type and save Word files, but do not understand how to format files or upload them to an Internet site. Each senior writer will face different technology barriers. The print-on-demand publishing process is simple, but not for those who are not comfortable using computers.
Reality number three: If you are my age or younger (I'm 40 something), you likely have the skills you need to help bridge the gap between a senior writer and their finished book. Can you format a Microsoft Word document? Can you place pictures in a Word file? Do you buy books from Amazon or other online retailers? Are you comfortable attaching files to email messages? Can you create a PowerPoint presentation? If so, you have all the skills needed to design, load and publish a print-on-demand book.
The manifesto: I would like to see senior publishing workshops crop up in cities across the country and world. I want there to be millions of Ruths, Mikes, Carols, and Marwaynes who have the opportunity to publish and share their writing. How many stories end up rotting in basement cardboard boxes or landfills? Our elders' writings are important and they deserve to be valued, preserved, and shared. Happily, new technologies have made publishing their works easy and inexpensive. But people like you and me are needed to bridge the gap—to become enablers—between the writers and the technology.
I believe that anyone with the desire to help can become a powerful catalyst and facilitator for a senior writer. Start with your parents or grandparents. Ask them if they have written down any stories or memories and let them know you would like to help them publish their writings so the whole family can read them.
Get comfortable with the print-on-demand publishing process by giving it a try. There are many print-on-demand vendors to choose from, but I like Lulu because there are no upfront costs and it is very easy to use. You can upload a Word document, make a few standard choices about the cover style and design (Lulu offers several preloaded alternatives) and order your first book in about an hour. The cost of this experiment will likely be less than ten dollars. If you are not a writer, publish your son's book reports or your mother's stories.
Although I am a writer, this is how it all started for me: with my parents. My 73-year-old mother was a budding writer when she died unexpectedly two years ago. She had nearly completed her memoir, with just the final chapter to write. My mother was a member of a spirited writing group for seniors and she and I attended writers' conferences together. We were connected by a love of writing. She published several short pieces in regional publications. Writing fueled her final years and days. I saw how it enlivened her spirit. Having retired from the Cape Coral Police Department communications department, my mother had good computer skills and could type and edit her own work, and so her manuscript was in pretty good shape. Because her memoir was nearly complete before she died, I was able to finish it for her and publish it for my family.
Although an uneducated man, my father has been writing his stories about family and life for over a decade. In the early stages of Alzheimer's and plagued with heart disease, his ability to remember and write his stories has diminished. My father's wife types his stories despite her severe rheumatoid arthritis in both hands. She knows enough about computers to type the stories and insert pictures amongst the text to create homemade books, coil bound at the local Kinko's. I remember the look on my father's face when my siblings and I presented him with 20 professional looking, perfect bound copies of his book called, 75 Years and Lee's Excellent Adventures.
For his 75th birthday, we put together a collection of his stories and created a print-on-demand book on Lulu, complete with his author bio and picture on the back cover. He was a published author and the book was available for our extended relatives in Canada to buy online. He gushed with pride and happiness, signed copies for his Wednesday afternoon beer buddies and mailed a copy to his only living sibling. He tells me now that he re-reads his book often to keep his memory tuned up.
The writing my mother and father have done is precious to my siblings and me, and I know that writing was and is important to them, too. Their work shares little in common except that it provides a window into their hearts, minds, and lives. Working on their print-on-demand projects gave me the confidence and resolve to help other senior writers publish their stories.
Once you feel comfortable using a print-on-demand website, the next step is to offer to help senior writers go through the process. A great place to find older writers is your local senior center. They often have writing courses that help seniors recall and write their stories. Find and partner with the class instructors and offer a follow-up workshop for those who have written enough to create a book (anything over 25 pages or so can be made into a book). If you are not comfortable with the technology but are interested in helping seniors publish their writing, partner with someone who is a computer whiz. Keep the group size small—no more than six people at a time—because there are lots of little details to cover and some of the work you will need to do one-on-one.
In my case, I taught a nonfiction writing class at the West Seattle Senior Center and then pitched the publishing class as a second offering. Only three from the first class (Ruth, Mike and Carol) felt they had enough finished work to proceed to the publishing workshop. I volunteered my time and materials for both of these classes, but I think it would be fine to charge a nominal fee to cover basic expenses (keep in mind that many seniors are on fixed budgets).
If your writers need help getting their work typed, proofed, or edited, you will want to recruit volunteers. I asked my community blog, the West Seattle Blog, to post a request for volunteers. A lot of people responded because they felt the project was important and worthy. I had eight people who typed 20-50 pages each, three proofreaders who helped spot and correct typographical errors, and three people who offered light editing to improve the readability of the writing. Because the workshop, writers, and volunteers were all located in my West Seattle community, meetings were easy to plan. I met many of my volunteers at a nearby Barnes & Noble coffee shop to hand off work that needed to be typed. Once typed, the work could be emailed back and forth to be proofed and edited.
My workshop had five class dates and then one-on-one time as needed to get all the books completed. Because each book project is unique, some were completed more quickly than others. Our first group meeting occurred on January 28th and our reading celebration was May 14th. While the classroom work occurred over five group sessions, there were gaps in meetings as work was being typed, proofed, uploaded, and as we ordered and reviewed the draft books (Allow ten days for each book order, or a total of 20 days to accommodate two rounds of draft books).
Ruth, Mike, Carol and Marwayne designed their own books. I created a template for the type of information I knew that I needed to format and load their books and then I walked them through considering and making their own decisions about how their books would look. I think it is important that each writer make these choices, even if this makes the process a bit slower and more cumbersome. Each class was two hours long. For the first 40 minutes I would explain the book elements we would work on and make assignments. Then I would put them to work on the assignments while I met one-on-one with each writer to determine what needed to happen next to move their books forward.
The flow of the book – how they would like their writing to be organized into chapters or sections.
The seniors really enjoyed working on these design elements because they could see their book coming together exactly how they wanted it to. I gave the seniors some structure for the sake of simplicity and time, making it clear where we needed to have consistency. For example, I told the seniors that their books would be 6" x 9" perfect bound, softcover books with a color cover and black and white printing inside. Lulu offers many sizes, but by keeping it the same for everyone, I could use one basic Word template for all the books.
The hardest part of this process is turning each writer's work into a correctly formatted Word file so it can be uploaded to Lulu. Asking everyone to agree to the 6" x 9" softcover style made my job much easier. As it turned out, Carol and Marwayne deviated a bit and included color pictures inside their book, but this difference was not difficult to accommodate.
I found that the easiest way to create the front covers was to design them using PowerPoint. You can make the page size 6 x 9 inches and then place any pictures onto the cover. Using PowerPoint, I was able to sit with each writer and instantly show them different title fonts and background colors. Most of the writers used pictures they already had for the cover, which I then scanned and placed onto the PowerPoint page. Once the cover is designed, you can save the PowerPoint page as a jpeg file, which can then be easily uploaded to your Lulu account. Make sure that the jpeg is 300dpi or better.
You might be thinking that there are publishers out there who will do all the work and publish anyone's book. This is true, and one of the writers in my group had been given a quote for $4,000 to publish her book. This quote included a minimum of 500 books, which is about 350 more than she would ever need. Many seniors live on fixed budgets and cannot hire people to publish their work. The print-on-demand method is more labor intensive, but it allows all writers the opportunity to share their work. I used volunteers to help with typing, proofing, and editing, but it would be nice if every senior writer could have his or her work edited by a professional. I'd like to see grants written for senior book projects that would cover costs for basic editing and typing when needed. I would bet that many philanthropists would love to support this work.
I have had a few people ask me about the quality of the writing, suggesting that not everyone's stories are good enough to be published. I look at writing much the same as I do the visual arts. There is fine art and there is folk art. Fine art might demonstrate more technique and craft, but folk art is often more interesting and generally tells a story. While some seniors are experienced writers who have developed their craft, many are writing folk art. I would put my father's writing in the category of folk art, but his stories are wonderful! I believe that any elder, who has taken the time to write, deserves to be published and read. And when I work with senior writers, I do not try to change their style of writing or fix things beyond typographical errors and basic grammar and sentence structure.
Writers like words and I remember using a word that got a big reaction from my group of senior writers. The word was fruition and I was referring to the ability to complete a writing project so that it was available for others to read. They ached for fruition. They wanted to feel relevant and appreciated, and their stories offered them an opportunity to live beyond their earthly days. We get energy and satisfaction from all aspects of writing—the creation of our work and the act of sharing it.
I feel good about the weirdest things. This week I'm wallowing in the recognition that our worn table napkins validate a fine lifestyle. Not just great dining but a higher level of living.
It started when my husband suggested new napkins. The dozen white cotton dinner napkins are still good and proof of thousands of dinners for two. The same old couple dabbing and wiping until their napkins are threadbare. You can't replace that.
Worn table napkins are symbolic of the soft touch of wrinkled hands, worn elbow patches on a favorite sweater, a book with eared pages, a fireplace stained by smoke—testimony of a meaningful life.
New napkins would offer a promise; old ones are evidence.
On a list of wishes for my children: worn napkins.
And I remember the first time I was able to walk into my local bookstore and find something with my name on the cover. I cried. Having one's written work appreciated and shared is extremely important. We can all live on through our writing and this gets more precious and important (and difficult) as we age. Please join me in my quest to bridge the gap between the precious stories written by seniors and the new publishing tools that can allow more people to read and enjoy them.
What a great inspiring story! I love Lisa's blog and this a perfect demonstration of what she writes and inspires others to do. Exciting to read about the impact this has and thrilling to know that anyone can have that type of impact if you just look for it.
Very interesting manifesto – I hope it spurs action! With regard to the professional bio issue, I have a website called http://www.howtowritebio.com that has fill-in-the-blank templates for various types of professional bios. Your readers might find it helpful.
Being "technically challenged", only on pc for 4 yrs. now, this has answered many of my questions and quelled some of the fear I have of attempting being published. Thank you!! I sure would love to learn and need to instill some of the organizational skills you exhibit into my life and find a group like the one you taught. How wonderfully inspiring for one at my "tender" age of 54!!
That was inspiring! How wonderful that you helped the voices of the elders to be heard by many. It is an important contribution to human civilization and in understanding who we are.
I would like to mention also that writing is a form of self-expression and it need not be a Pulitzer winning work in order to be published.
The lives, the journeys and the stories of those before us are a means to inspire, to teach and to encourage those following them.
Once again, thank you for sharing this story!
I think what you are doing for the seniors at Lulu is remarkable. Keep up the good work.
While some seniors are experienced writers who have developed their craft, many are writing folk art. I would put my father's writing in the category of folk art, but his stories are wonderful! I believe that any elder, who has taken the time to write, deserves to be published and read.
Lisa, what a great idea to assemble a team of volunteers to expand the scope of your project. Congratulations on your great idea and on bringing it to fruition!
You are right about classes on writing memoirs being easy to find and about the next logical step being to publish. I like the idea of collecting essays into a book. That should be much easier for beginning writers.


text:
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Home > Case Study - Surrey County Council
Case Study - Surrey County Council
Organisation : Surrey County Council
Application : Education
Product : Classrooms
Location : Surrey
Surrey County Council identified a shortfall in primary school places across the county as a result of an increased demand for places for reception age children. This demand appears to have been influenced by the movement of pupils out of private sector into state schools as a result of the credit crunch. Schools throughout the county urgently needed to create 390 new places to make up the shortfall. Time was a critical factor, since the buildings had to be in place before the start of the new school year.
Bill Christie, Senior Project Manager (Strategic) at Surrey County Council, says: "The short time available to us meant that modular buildings were the most realistic solution. We used the OGC Buying Solutions route to speed up the procurement process and avoid lengthy tendering exercises. As a Buying Solutions approved supplier, Portakabin was top of our list because of its reputation as a leader in the field of education buildings provision. I was familiar with their buildings too, so I knew they could provide the quality of classrooms we needed."
Avoided drawn-out tender process
Buying Solutions is a public-sector procurement agency that carries out thorough, independent checks on suppliers, assuring public sector buyers that those on its approved list offer excellent quality and value for money. Public-sector organisations can cut out time-consuming tender processes by choosing approved suppliers from the Buying Solutions list.
After meeting the council to understand its precise requirements, Portakabin proposed a range of buildings to provide the spacious classroom accommodation needed at 13 schools across the county. This accommodation included five single classroom buildings, seven double classroom blocks and one four-classroom building.
Complete turn-key solution
As well as supplying these large, high-quality and well-insulated modular buildings, Portakabin provided a complete turn-key package for the council, giving them a single point of contact to simplify the whole project. That meant Portakabin took charge of everything, from planning permission applications and groundworks at each site to installation and service connections, as well as fitting the classrooms out with heating and air-conditioning systems.
Minimal disruption
Portakabin planned to get all of these classrooms in place during the summer holidays, to avoid disrupting pupils during term time. Getting all of the buildings installed on time required a phased delivery programme, necessitating detailed planning and complex logistics – all of which Portakabin managed on behalf of the council.
Bill says: "Portakabin were very responsive throughout the project and kept us well informed through regular meetings. During the installation phase we met almost weekly to get an update on progress and tackle any issues as they arose. This regular contact enabled us to build up an excellent working relationship with Portakabin and was crucial in getting the classrooms delivered on time. In the end, all the buildings were installed and fitted out at all 13 schools in time for the start of term."
Unique promise
Portakabin has a unique Customer Charter, which assures all customers that their buildings will be delivered on time and on budget. Portakabin even promises that if it ever fails to meet this commitment it will provide an additional 12 months product warranty, free of charge.*
Bill adds: "The quality of the classrooms is excellent. After some initial reservations from the schools, they were all – without exception – delighted with their new facilities. We were very happy with the standard of the buildings, which had high ceilings and an airy, spacious feel within. The heating and air-conditioning systems we fitted also ensure that the buildings remain comfortable all year round, giving teachers full control of the temperature within their classrooms.
"Portakabin very successfully executed and delivered this major project for the council, which created essential new school places for children in the county."
* Terms and Conditions apply. A copy is available on request.


From an urban perspective, Lillehammer Art Museum suggests linkages to different scales of context in the formal arrangement of the program elements. The entrance level and public entries have been connected to the orthogonal geometry of the urban surroundings and the adjacent plaza, while the exhibition spaces are related formally to the distant contours of Lillehammer's softly curved mountains.
The building then relates itself to both characteristics visible from its location and thus becomes a versatile negotiator between immediate and distant contextual conditions. The orthogonal public entrance spaces were designed as transparent as possible, while the softly tilted and curved exhibition spaces were clad with Siberian untreated larch. Natural light is drawn in by integrated lights along the curving geometry of these walls.
These wooden, instrument-like forms later gave the building its local nickname, "the grand piano," thus unconsciously emphasizing the initial ideas of the museum as a resonance body. The new museum was connected to the existing concrete building with a wide, glazed public bridge. The outdoor spaces or courtyards between the two independent buildings were treated as autonomous pieces of art. The artist Bård Breivik created an intricate collage of stones in the courtyard.
Second floor plan and ground level plan.
View of the museum from the main street adjoining the market shows the undulating wooden wall lifting from the slope of the ground and revealing the lobbies that connect to the public plaza.
The larger temporary gallery is set within a generally square room. The eastern part of the room is tilted and aligned with the exterior undulating wood wall alongside the plaza.
The sculpture garden. Water traverses the sculpture from top to bottom in a constantly changing manner, creating sound and reflection.
The sculpture garden is set between the exsisting museum and the new was developed together with the artist Bård Brevik.


Nothing new released this week.
New Basic, Pro, and Pro Plus users were unable to use the "Forgot username or password?" link to reset their information.
The resume displayed on the ID page was not correctly displaying the document that had been selected.
Sorry, nothing close enough to mention at this time.
No issues resolved this week.
Moderators of communities that use activities now have the ability to view and filter activity submissions from the community home page.
If a user created a brand new account, the account would appear to be connected to Facebook, even though it wasn't.
We fixed a problem with exporting Presentation portfolios that contained videos.
There was an issue with the file upload inside the Portfolio editor if the user wanted to upload a web resource but then closed the dialogue box without uploading anything.
For community moderators, the ID page filter for the member search was very slow.
New users creating accounts using Internet Explorer 11 could have difficulty completing the process if they attempted to choose a stock image for the background.
Soon, community moderators will have the ability to view and filter activity submissions from the community home page.
Community moderators were unable to create new communities.
The ID Page and Presentation accounts were not able to connect to a user's Twitter account.
Some Portfolio-Integrated Evaluations were timing out when administrators attempted to save changes to them.


In BB there was a way to show the "bar" highlighting this in the calendar.
It copied over in my test site from BB, but I don't know how to do it in Canvas..
Thanks to you and a post from Biray Seitz, I just discovered one of Canvas' best kept secrets.


Phillip Alpha, Exo State, Ellie Lawson , Icone, June Voice and more.
International Flights 025 with a special guest DJ & Trance Producer from Portland United States. Falcon one of the hottest producer of Enhanced Music Recordings. 1st Half Muhib Khan 2nd half Falcon.


An oil canvas of George Washington could become the most expensive American portrait ever sold at auction when it goes under the hammer later this week, auction house Christie's said on Tuesday.
The original 1779 painting by Charles Willson Peale is expected to fetch between $10 million and $15 million, the auctioneer said in a statement.
The canvas stands at over 8 feet high and depicts a portly and rosy-cheeked Washington as Commander of the Continental Army at Princeton, New Jersey.
"A painting of incredible national, historic and cultural significance, this portrait is poised to become the most expensive American portrait sold at auction when it goes on the block at Christie's on January 21," the company said. ?
The painting is one of only two paintings in a series of Washington portraits by Peale in private hands.
The other six are housed in such institutions as the Metropolitan Museum of Art in New York and the U.S. Capitol in Washington, D.C., Christie's added.


EUDML | A Canonical Form for Compact Nonpositively Curved Manifolds Whose Fundamental Groups Have Nontrivial Center. EuDML | A Canonical Form for Compact Nonpositively Curved Manifolds Whose Fundamental Groups Have Nontrivial Center.
Eberlein, Patrick. "A Canonical Form for Compact Nonpositively Curved Manifolds Whose Fundamental Groups Have Nontrivial Center.." Mathematische Annalen 260 (1982): 23-30. <http://eudml.org/doc/163652>.
TI - A Canonical Form for Compact Nonpositively Curved Manifolds Whose Fundamental Groups Have Nontrivial Center.


text:
import socket
import os
import shutil
import subprocess
import signal

import time

import rospkg

from threading import Lock

class PrismClient(object):

    def __init__(self,port,dir_name):
        HOST = "localhost"
        PORT = port
        rospack = rospkg.RosPack()
        pack_dir=rospack.get_path('mdp_plan_exec')
        os.chdir(pack_dir + '/prism_robots/prism')
        os.environ['PRISM_MAINCLASS'] = 'prism.PrismManager'
        self.java_server=subprocess.Popen(["bin/prism",str(PORT),dir_name])
        time.sleep(5)

        self.sock = socket.socket(socket.AF_INET, socket.SOCK_STREAM)
        self.sock.connect((HOST, PORT))
        self.command=''
        self.directory = dir_name
        #self.directory=os.path.expanduser("~") + '/tmp/prism' + dir_name

        self.lock=Lock()

    def add_model(self,time_of_day, model_file):
        try:
            os.mkdir(self.directory + '/' + time_of_day)
        except OSError as ex:
            print 'error creating directory:',  ex

        command='add\n'
        command=command+time_of_day+'\n'
        command=command+model_file+'\n'
        self.lock.acquire()
        self.sock.sendall(command)
        data = self.sock.recv(1024)
        self.lock.release()
        print "added model:", data

    def check_model(self,time_of_day,specification):
        command='check\n'
        command=command+time_of_day+'\n'
        command=command+specification+'\n'
        print command
        self.lock.acquire()
        self.sock.sendall(command)
        data = self.sock.recv(1024)
        self.lock.release()
        return data

    def get_policy(self,time_of_day,specification):
        command='plan\n'
        command=command+time_of_day+'\n'
        command=command+specification+'\n'
        print command
        self.lock.acquire()
        self.sock.sendall(command)
        data = self.sock.recv(1024)
        self.lock.release()
        print "policy:", data
        return data

    def update_model(self,time_of_day,model_file):
        command='update\n'
        command=command+time_of_day+'\n'
        command=command+model_file+'\n'
        self.lock.acquire()
        self.sock.sendall(command)
        data = self.sock.recv(1024)
        self.lock.release()
        print "updated model:", data

    def shutdown(self,remove_dir):
        if remove_dir:
            shutil.rmtree(self.directory)
            print 'temp dir removed'
        command='shutdown\n'
        self.lock.acquire()
        self.sock.sendall(command)
        self.sock.close()
        self.lock.release()
        print "Socket closed"
        os.kill(self.java_server.pid, signal.SIGHUP)
        #self.java_server.send_signal(signal.SIGHUP)

redpajama_set_name: RedPajamaGithub


1919 Kitchen & Tap will be opening at 8am when the Lambeau Field Atrium opens to ticketed guests only via the American Family Insurance Gate. Please be aware that if you do not have a ticket for the game, you will not be able to access the restaurant. Due to the game taking place on Christmas Eve, 1919 Kitchen & Tap will close at 4 p.m.


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The owner of the Tremblay square stern canoe, the one that had had the stern cut off, decided that he'd rather that I get the painting and varnishing done. The place that he was going to do it in wasn't going to be ready for him in time to use the canoe this season.
So, on goes the blue paint and the varnish! Three coats each. He will still be doing the interior of the hull.
Posted by Doug Ingram at 9:18 a.m.


Monica - I'll Be Right Here Waiting For You feat.
Monica - So Gone 12"
Monkees - Can You Dig It?
Monkees - Do You Feel It Too?
Monkees - Long Title: Do I Have To Do This All Over Again?
Monkees - What Am I Doin' Hangin' Round?
Montell Jordan - Can I?
Montell Jordan - Get it on Tonight 12"
Moody Blues - Is This Heaven?


Home > Career Services > How do I land projects as an independent contractor or consultant?
How do I land projects as an independent contractor or consultant?
Do you know the difference between an employment contract and independent contract opportunities? How do you find independent contract opportunities? What is the Canada Revenue Agency's definition of an independent contractor? What are some of the advantages and disadvantages of being an independent versus an employee?
In today's ASK Paul video, career coach and job search expert Paul Hill explains how to highlight your project experience and skills to win independent contracts + factors you should consider when determining if work as an independent contractor is right for you.
Looking for more tips and exercises to successfully 'sell your skills' and determine if you meet the requirements of an independent contractor?
All of OSPE's job search workshops are now FREE for members as an added value to your OSPE membership! Sound intriguing? Pick and choose from our selection of unique workshops.
Don't forget to share your job search questions!
Whether you're an executive or an EIT, if you're looking for a step-up in your career, submit your questions to pd@ospe.on.ca, and your job search topic could be covered in the next ASK Paul video. In the meantime, view other editions of our ASK Paul videos here.
The job search process is as easy as 1 – 2 – E3!


text:
Scott Leykam Named to NCAA Division I Women's Soccer Committee
Scott Leykam, vice president for athletics, has been appointed to the NCAA Division I Women's Soccer Committee, and will serve a four-year term beginning on September 1, 2019. The committee is responsible for the organization and implementation of the NCAA Championships tournament, including selection of the participants and creation of the bracket. The committee also establishes playing rules and procedures for competition.
University of Portland soccer is one of the premier collegiate brands having combined to reach ten NCAA College Cup final four appearances between the men's and women's programs, with the women claiming national championships in 2002 and 2005. The programs have produced dozens of All-Americans and professional players, while 12 former Pilots have participated in World Cup or Olympic competitions.
Leykam is entering his eighth year at UP and oversees a department of 16 varsity sports and more than 270 student-athletes. He has overseen significant growth and achievements on The Bluff, while serving on several influential committees at the national and conference level. Leykam is currently the Second Vice President for the Division I-AAA Athletic Directors Association and previously served a six-year term as Chair of the West Coast Conference Basketball Cabinet and completed a four-year term on the NCAA Championships & Sports Management Cabinet.
He recently led the department to its largest fiscal year fundraising number in history by bringing in $3.25 million dollars and has facilitated a number of capital projects that have been completed, or are currently in-process.
For more information contact athletics at x7117 or athletics@up.edu.
Filed Under: 08-19-2019, 08-26-2019, Athletics Tagged With: Scott Leykam


Mon/Wed/Fri | 12:30-1pm | $14 Drop-In In today's modern workplace, we tend to overwork our prefrontal cortex (the area of the brain that controls logical thinking, decision-making and creativity). One of the healthiest things you can do during the work day is give your mind and body a true break. Unplug, relax, and let us guide you through a 30 minute calming meditation that'll leave you feeling balanced and clear. You'll be surprised what a huge impact a half hour meditation can have on your day. Come see for yourself.
There are no upcoming "Unplug & Recharge" classes on this day.
I found it hard to focus on the meditation because the street noise was so audible. But the space was really cool and Heather was incredibly welcoming and made meditation very accessible.
Much needed. I will be back!


It's official: Facebook is the hottest iPhone app of all time.
In honor of the App Store's tenth birthday — it launched in July 2008 — app analytics firm App Annie has compiled a comprehensive examine the most popular apps of the last ten years.
Facebook took the crown because the most downloaded iPhone app of all time, however, there are many shocking runners-up: Snapchat made the list, despite reports that user growth is decreasing. And although each Apple and Google create their own video chatting apps, Skype continues to be one among the most popular apps within the world.
QQ is an app from Chinese app giant conglomerate Tencent. The app offers Facebook Messenger-style instant messaging, together with online games, music, shopping, and more.
Tencent's WeChat app is capable of sending messages, social media, and mobile payments. As of March 2018, WeChat had over one billion monthly active users.
Skype, that Microsoft bought for $8.5 billion in 2012, has been downloaded over a billion times on smartphones. The app got a facelift in 2017, that has helped it to go higher to compete with the likes of Apple's FaceTime and Facebook messenger.
The iTools 2018 custom ringtone maker is now more user-friendly to make your favorite track as your ringtone. And the iPhone backups tool is safer and reliable to backup your data safely.
The GPS fake locator is now more accurate to make your location hidden from the world, and the most favorite file transferring app for iPhone, iTools 2018 transferring tool now has blistering speeds with more security, and the user can transfer data to another device without losing data or quality of an image.
Snapchat launched on the App Store as Picaboo in 2011 and is currently one amongst the most well-liked apps of all time. As of March, Snapchat had 191 million daily users.
Google Maps is perpetually among the highest ten apps within the App Store and is the sixth-most-popular app of all time.
WhatsApp, the world famous encrypted messaging service that Facebook bought in 2014, has 1.5 billion monthly users.


text:
package com.fanfou.app.opensource.auth.exception;

public class AuthFailedException extends AuthException {
    private static final long serialVersionUID = 1L;

}


text:
WORKSHOP ON BUILDING A BRAND
Institute of Management of the Slovak University of Technology (IM STU) in Bratislava, Partner of the Interreg SKHU EYES project organised a workshop on why it is important to start building a brand and when to start with it, in co-operation with the IT Academy s.r.o. in Bratislava on 8th November, 2018.
Our invited expert Ms. Simona Kubán introduced entrepreneurial considerations on generic product versus a love brand. Building such a brand should be based on a long-term communication strategy of a start-up/company. Another challenge is the available (usually limited) amount of communication budget. How to cope with all these issues? The presentation was supported by case studies and references to the industry practice.
Topic: Why is it important to build a brand and when to start with it?
The following themes were discussed:
How to avoid having a generic product and build a love brand?
Are the purchase decisions based on rational or emotional benefits?
How to elaborate a long-term communication strategy and what are its musts?
What has Blogs in service of business
The trainer: Ms. Simona Kubán, CEO of the promotion agency SCR, on-line marketing expert, invited university lecturer
Ms. Simona Kubán has achieved two MS university degrees. She started buiding her career at the age of 16 working in the marketing department of a hotel. Later she worked in the department of international purchasing with the Raiffeisen Bank and during her studies became a co-owner of an commodity export-import company doing business with Viet-nam and USA. She has a deep involvement in online marketing and gives regular lectures on these topics at the Slovak universities and also at the STU Incubator of Technology.
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Jockey Jevanne Erwin ... will ride highly fancied SHE'S PLUMMY tomorrow.
WESTERN FAITH who has proved competitive in her last two races and is steadily improving and should prove the best of a moderate lot in the first of the Super-6 race (the second) over the round five course for maiden five-year-olds and up at Caymanas Park tomorrow.
The horse field is loaded with unreliable horses, but the winner is almost sure to emerge from a quartet of horses comprising WESTERN FAITH, MEL AGAIN, BLUE BOMBER BOY and BLESSINGS N GLORY.
The free-running BLUE BOMBER BOY will more than likely set off in front, but I fear he will be caught by the Lincoln Lungs-trained WESTERN FAITH (Robert Halledeen up), who was a close third to STAROFTHETOWN over the straight on June 6 when finishing almost heads on for second with subsequent winner ONEFINEAFTERNOON and was second to the latter over 1400 metres on June 28.
SHE'S PLUMMY, who ran on strongly to catch and beat subsequent winner HAILEY'S COMET over 1300 metres on May 16 in non-winners of two, catches my fancy from a perfect draw on the outside in the third (second in the Super-6) race over 1400 metres.
The four-year-old filly from the stables of Delroy Spencer steps up to non winners of three in a tough field of 10, but looks leniently treated with only 52 kg and with strongman Jevanne Erwin aboard, gets the nod over LORD CHEPSO and NATASHADON'TPLAY.
MR. BIGGS, who stayed on strongly for second behind BRAVE PROSPECT over 1200 metres on July 4, is tipped to go one better with Orando Foster aboard in the fourth race over 1300 metres for the Dr. Clifford Grey Memorial Cup confined to maiden three-year-olds. He has most to fear from the consistent BIMINI (Henry up), who will have to be caught in a field of 12.
The last three races in the first Super-6 should be won by the lightly raced but highly thought of three-year-old colt BUZZ NIGHTMARE(working brilliantly) to be ridden by in-form Paul 'Country' Francis for 14-time champion Philip Feanny in the fifth over 1100 metres; NASDAQ PRINCESS with top apprentice O'Brien White in the sixth, division two of the Dr Clifford Grey Memorial Cup and down in class FLYING MIRACLE (Shamaree Muir up) in the seventh for $250,000 - $210,00 claimers over 1400 metres.
The first Super-6 will be conducted from race two to seven, the late Super-6 from race six to 11 and the Pick-9 with a guaranteed minimum of $1 million from race four to 11.
«In women's 100m hurdles: Harper-Nelson or Stowers?


Any way.... I make pretty decent cash from her site, and if you need some extra cash I highly recommend checking it out!
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Here is a link to my tips and tricks site on how to complete the offers super fast... I also have a short video tutorial I made to help newbies out.
Hi Spygirl.. I just browsed through your Site... Very informative......... Also your kid is too cute!!
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text:
Access account and manage orders
Frost Family Farm
Origin: Bosnia And Herzegovina
City: Ljubuski
Contact Farmer: Do you have a question?
Farmer Bio
Production Video
The West Herzegovina region in Bosnia and Herzegovina is biggest producer of Helichrysum italicum essential oil in world. People here have long tradition with this oil and in the past Helichrysum was harvested only in the wild. In last 15 years the aromatherapy sector have recognized advantages of Helichrysum oil and there was a demand for additional quantities more than we had in nature at that time. Recognising this FROST began a social impact project with farmers in the area to regenerate land and bring opportunities to many families and communities. Taking seeds from the wild plants and producing seedlings in greenhouses we then helped prepare the land for new plantations, in particular on rocky hills which are not so useful for other native crops. Western Herzegovina, along with many parts of Bosnia and Herzegovina are less prosperous than our neighbouring countries and over the years many skilled workers have left, leaving agriculture as a main source of income for the country. Supporting the development of helichrysum has insured many farmers and their families gain valuable income which in turn supports education for future generations in the hope they will also invest their lives in Bosnia and Herzegovina for a more prosperous future for all. Whilst at times challenging, the life of a farmer in our region can be rewarding as we like nothing more than to spend time in the beautiful countryside that surrounds us. The water we use in our farming comes from the local Kravice Waterfalls which are becoming a popular tourist destination and are a symbol of what our country has to offer the wider community. Farming brings together families, local communities and even makes new families as we have enjoyed the experience of people meeting on our farms which have led to a marriage. We believe that by bringing our wonderful essential oil to the market through Anatta you will not only discover the benefits of this amazing essential oil but embrace our special country and hopefully one day visit.
Farmer Products
Juniper Berry - Organic
Category: Essential Oils
Helichrysum - Organic
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100% Pure & Natural
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text:
York Street Public School is an elementary school JK-8 in the Lower Town neighbourhood of Ottawa, Canada.

History
York Street Public School is a large heritage school located in Lowertown, Ottawa in the Laurier/King Edward/Cobourg area.
The school was built in 1922 and designed by the architect W.C. Beattie.

The school celebrated its 75th anniversary in 1996 and its 90th the 2011–2012 school year. It replaced four smaller schools in the area: Robinson Primary, George Street, Rideau Street, and Bolton.

York Street Public School plays a prominent role in the books of children's author Brian Doyle, who is a graduate.

References

External links

Ottawa-Carleton District School Board
Report Card
York Street Public School

Elementary schools in Ottawa
Educational institutions established in 1922
1922 establishments in Ontario

redpajama_set_name: RedPajamaWikipedia


text:
Make a Nomination
Jana Almendarez
On June 28, 2015, the Almendarez family was rocked by the news that Jana, wife of Chris and mother of Luke (14) and Chase (19), had been diagnosed with a Stage IV glioblastoma. The tumor in her brain was the size of a pecan, and due to its location is inoperable. As the president of the Round Rock Express, the Triple-A affiliate of the Texas Rangers, Chris began to receive a plethora of support from his baseball family - people in Texas and beyond - who rallied together to raise funds for the Almendarez family and awareness to the cause through #TeamJana. She has undergone radiation and chemotherapy treatments through Texas Onocology for eight months, and in the process the family has grown extremely close to Dr. Groves, Rachel Smith and the entire Texas Oncology team. The financial support from the community has been overwhelming and has earned local and national recognition through the OM Foundation Organization Award, RBI Austin, and Austin Gives. Equally important to supporting the Almendarez family is bringing awareness to brain cancer in general and helping fund the research necessary to make breakthroughs in the field. Through their relationships with the people at Texas Oncology, Chris and Jana became familiar with the Head for the Cure 5k and, selfless as they are, wanted to help in any way possible. For the Express, this means pushing the Head for the Cure Central Texas out to our tens of thousands of followers, signing up our staff to participate as a team, bringing our promotional setup out to Camp Mabry the day of the event, and supplying each runner or walker with free tickets to an Express game in April of this year. For Jana, Chris, Luke and Chase, this means maintaining a positive attitude, staying hopeful, and working up the strength to participate on race day. We believe in the power of prayer and also in the power of medicine, and we are looking forward to helping push the needle – inspired by Jana's strength and in honor of her fight.
Make a nomination »
To update information for this profile, please email us at admin@headforthecure.org.


It was with great sadness we learned of the death yesterday, Thursday 28th September 2017, of Mr James (Jimmy) Keane, Butler Court, Mitchel Street, Thurles, and formerly of Kincora Terrace, Thurles, Co. Tipperary.
Mr Keane passed away suddenly, most deeply regretted by his son Donal; daughter Aíne; grandchildren Neisha, Robbie, Chloe and Leona; sister Mary; brothers John, Tom, Niall and Gerard; Peggie; nephews and nieces; sisters-in-law; extended relatives; neighbours and many good friends.
The earthly remains of Mr Keane will repose in Hugh Ryan's Funeral Home, Slievenamon Road, Thurles on tomorrow Saturday, 30th Sept., from 5.30pm to 7.30pm, to arrive at the Cathedral of The Assumption, Thurles, at 8.15pm.
Requiem Mass will take place on Sunday, 1st Oct., at 12.00 noon followed by interment immediately afterwards in St. Patrick's Cemetery, Moyne Road, Thurles, Co. Tipperary.


We have in store for our clients, a wide variety of industrial lubricants that is specially formulated for lubricating metal or plastic components in different industry verticals. Known for their uniform spreading and coating, these industrial lubricants are used to enhance the service life of components and reducing the impact of wear and tear.
Anti-seize aerosol lubricant. Ideal for threaded fasteners and fittings.


text:
Not brewing right
Tea in the Darjeeling hills is losing its flavour
By VIMAL KHAWAS
TEA from the Darjeeling hills are among the most celebrated varieties in the country. Combination of geo-environmental and agro-climatic conditions in the region makes production favourable for the tea industry, which has been producing tea for over 150 years now. But the industry is fraught with problems, which are affecting the output adversely.
Hiccups There are several issues that plague the industry today: sickness, closure or lock ups, tea gardens being abandoned, frequent violence and strikes across tea gardens; wage, education, health and livelihood issues of workers; crop productivity, old tea bushes, degradation and depletion of local ecology in and around tea plantations; intellectual property rights; decreasing value of Darjeeling tea in global markets and competition from countries like Sri Lanka, Nepal and Japan are among the problems.
On an average, the total production of tea in the hills has varied between 8 million kg and 11 million kg in the last decade. The industry roughly generates about Rs 150-200 crore annually. A major part of the annual production of Darjeeling tea is exported. Key buyers include Germany, Japan, the uk, the us, and other eu countries.
There has been a continuous decline in the production of tea and per hectare (ha) yield in the last 50 years. During the 1960s and 1970s, Darjeeling used to produce over 15 million kg of tea. The decline has been drastic since the mid 1990s. Today, the region produces less than 9 million kg of tea and the yield at present is below 550 kg per ha, which is far below the national average of over 1,750 kg per ha.
Blocks In the world market, about 50 million kg of tea is supplied as 'Darjeeling tea' while the total production of Darjeeling tea is less than 10 million kg. Most of these come from Sri Lanka, Kenya and even Nepal of late, and are branded as Darjeeling tea.
This practice has had a negative impact on the Darjeeling tea industry. In an effort to stop this market and sustain its intellectual property rights, the Darjeeling logo was created as early as 1986 and registered in the uk, the us, Canada, Japan, Egypt and Spain.
A Certification Trade Mark Scheme for Darjeeling Tea was also launched in 2000 after several complaints from across the world about fake Darjeeling Tea being supplied in the international market. But it is still not recognised by the wto as a geographical indicator.
Another factor is that the majority of the tea bushes in the area have well passed their prime age. About 65 per cent of the total tea bushes are over 50 years, while more that 50 per cent have been there for over 100 years. Over 15 per cent bushes are between 20 years and 50 years of age and only about 20 per cent are under 20 years. There have been repeated suggestions by researchers and tea experts to replant old tea bushes in the Darjeeling Hills. But tea companies have over the years turned a deaf ear to such suggestions.
Re-plantation is a tedious job. Besides, when replanted, it takes at least five years to reach a stage when leaves can be plucked. It is this gap of five years that companies fear most because they have to pay workers and invest huge amount in re-plantation venture, without getting any money in return. There have been suggestions that all tea garden practise organic farming so that they can attract buyers.
Monoculture has also led to the decline in quality. Experts believe soil in plantation areas do not have enough nutrients. And healthy tea bushes cannot grow on sick soil. Monoculture has further affected the bio-diversity of the hills and has weakened the genetic strength of tea bushes and other associated biota. Re-mineralisation is an option, but it requires a scientific approach.
DTE croscurrents DTE croscurrents DTE croscurrents DTE croscurrents Tea Tea Darjeeling Darjeeling Darjeeling Occupational Health IPR Trade Trade Finance Debate Debate Trees Semi-Arid Lands Semi-Arid Lands Genetic Resources Nature Conservation Nature Conservation Science & Technology


StarCraft: Remastered is an upgrade of original version that was first released in 1998. The latest version of the game retains the gameplay of the original but upgrades its graphics and sound. The graphics support up to 4K ultra-high-definition resolution, and its original soundtrack and sound effects are re-recorded.
We interviewed the Lead Artist for this project, Leonard to share on what he feels and thinks about the game.
With the new upgraded version, the portraits were his favorite game setting. Not to mention the 4K resolution which has larger screen, more dynamic lighting, and larger scale of the map, giving a better experience to players.
Blizzard visited us during development of StarCraft: Remastered!
Throughout the process and working with so many brilliant artist during the process, Leonard also mentions that the most enjoying moment was during artist discussion; where they will debate about all aspect of the design and artwork to convey the best result to Blizzard.


text:
package org.osgi.service.wireadmin;

import java.io.IOException;
import java.security.BasicPermission;
import java.security.Permission;
import java.security.PermissionCollection;
import java.util.ArrayList;
import java.util.Collections;
import java.util.Enumeration;
import java.util.Hashtable;
import java.util.List;

/**
 * Permission for the scope of a {@code Wire} object. When a {@code Envelope}
 * object is used for communication with the {@code poll} or {@code update}
 * method, and the scope is set, then the {@code Wire} object must verify that
 * the Consumer service has {@code WirePermission[name,CONSUME]} and the
 * Producer service has {@code WirePermission[name,PRODUCE]} for all names in
 * the scope.
 *

 * The names are compared with the normal rules for permission names. This means
 * that they may end with a "*" to indicate wildcards. E.g. Door.* indicates all
 * scope names starting with the string "Door". The last period is required due
 * to the implementations of the {@code BasicPermission} class.
 *
 * @ThreadSafe
 * @author $Id$
 */
final public class WirePermission extends BasicPermission {
	static final long			serialVersionUID	= -5583709391516569321L;
	/**
	 * The action string for the {@code produce} action.
	 */
	public static final String	PRODUCE				= "produce";
	/**
	 * The action string for the {@code consume} action.
	 */
	public static final String	CONSUME				= "consume";
	private final static int	ACTION_PRODUCE		= 0x00000001;
	private final static int	ACTION_CONSUME		= 0x00000002;
	private final static int	ACTION_ALL			= ACTION_PRODUCE | ACTION_CONSUME;
	private final static int	ACTION_NONE			= 0;
	/**
	 * The actions mask.
	 */
	private transient int		action_mask;
	/**
	 * The actions in canonical form.
	 *
	 * @serial
	 */
	private volatile String		actions				= null;

	/**
	 * Create a new WirePermission with the given name (may be wildcard) and
	 * actions.
	 *
	 * @param name Wire name.
	 * @param actions {@code produce}, {@code consume} (canonical order).
	 */
	public WirePermission(String name, String actions) {
		this(name, parseActions(actions));
	}

	/**
	 * Package private constructor used by WirePermissionCollection.
	 *
	 * @param name class name
	 * @param mask action mask
	 */
	WirePermission(String name, int mask) {
		super(name);
		setTransients(mask);
	}

	/**
	 * Called by constructors and when deserialized.
	 *
	 * @param mask action mask
	 */
	private synchronized void setTransients(int mask) {
		if ((mask == ACTION_NONE) || ((mask & ACTION_ALL) != mask)) {
			throw new IllegalArgumentException("invalid action string");
		}
		action_mask = mask;
	}

	/**
	 * Returns the current action mask. Used by the WirePermissionCollection
	 * object.
	 *
	 * @return The actions mask.
	 */
	synchronized int getActionsMask() {
		return action_mask;
	}

	/**
	 * Parse action string into action mask.
	 *
	 * @param actions Action string.
	 * @return action mask.
	 */
	private static int parseActions(String actions) {
		boolean seencomma = false;
		int mask = ACTION_NONE;
		if (actions == null) {
			return mask;
		}
		char[] a = actions.toCharArray();
		int i = a.length - 1;
		if (i < 0)
			return mask;
		while (i != -1) {
			char c;
			// skip whitespace
			while ((i != -1) && ((c = a[i]) == ' ' || c == '\r' || c == '\n' || c == '\f' || c == '\t'))
				i--;
			// check for the known strings
			int matchlen;
			if (i >= 6 && (a[i - 6] == 'p' || a[i - 6] == 'P') && (a[i - 5] == 'r' || a[i - 5] == 'R') && (a[i - 4] == 'o' || a[i - 4] == 'O') && (a[i - 3] == 'd' || a[i - 3] == 'D')
					&& (a[i - 2] == 'u' || a[i - 2] == 'U') && (a[i - 1] == 'c' || a[i - 1] == 'C') && (a[i] == 'e' || a[i] == 'E')) {
				matchlen = 7;
				mask |= ACTION_PRODUCE;
			} else
				if (i >= 6 && (a[i - 6] == 'c' || a[i - 6] == 'C') && (a[i - 5] == 'o' || a[i - 5] == 'O') && (a[i - 4] == 'n' || a[i - 4] == 'N') && (a[i - 3] == 's' || a[i - 3] == 'S')
						&& (a[i - 2] == 'u' || a[i - 2] == 'U') && (a[i - 1] == 'm' || a[i - 1] == 'M') && (a[i] == 'e' || a[i] == 'E')) {
					matchlen = 7;
					mask |= ACTION_CONSUME;
				} else {
					// parse error
					throw new IllegalArgumentException("invalid permission: " + actions);
				}
			// make sure we didn't just match the tail of a word
			// like "ackbarfregister". Also, skip to the comma.
			seencomma = false;
			while (i >= matchlen && !seencomma) {
				switch (a[i - matchlen]) {
					case ',' :
						seencomma = true;
						/* FALLTHROUGH */
					case ' ' :
					case '\r' :
					case '\n' :
					case '\f' :
					case '\t' :
						break;
					default :
						throw new IllegalArgumentException("invalid permission: " + actions);
				}
				i--;
			}
			// point i at the location of the comma minus one (or -1).
			i -= matchlen;
		}
		if (seencomma) {
			throw new IllegalArgumentException("invalid permission: " + actions);
		}
		return mask;
	}

	/**
	 * Checks if this {@code WirePermission} object {@code implies} the
	 * specified permission.
	 *

	 * More specifically, this method returns {@code true} if:
	 *

	 *

	 *
p is an instanceof the {@code WirePermission} class,

	 *
p's actions are a proper subset of this object's actions, and

	 *
p's name is implied by this object's name. For example,
	 * {@code java.*} implies {@code java.home}.

	 *

	 *
	 * @param p The permission to check against.
	 *
	 * @return {@code true} if the specified permission is implied by this
	 *         object; {@code false} otherwise.
	 */
	@Override
	public boolean implies(Permission p) {
		if (p instanceof WirePermission) {
			WirePermission requested = (WirePermission) p;
			int requestedMask = requested.getActionsMask();
			return ((getActionsMask() & requestedMask) == requestedMask) && super.implies(p);
		}
		return false;
	}

	/**
	 * Returns the canonical string representation of the actions. Always
	 * returns present actions in the following order: {@code produce},
	 * {@code consume}.
	 *
	 * @return The canonical string representation of the actions.
	 */
	@Override
	public String getActions() {
		String result = actions;
		if (result == null) {
			StringBuilder sb = new StringBuilder();
			boolean comma = false;
			int mask = getActionsMask();
			if ((mask & ACTION_PRODUCE) == ACTION_PRODUCE) {
				sb.append(PRODUCE);
				comma = true;
			}
			if ((mask & ACTION_CONSUME) == ACTION_CONSUME) {
				if (comma)
					sb.append(',');
				sb.append(CONSUME);
			}
			actions = result = sb.toString();
		}
		return result;
	}

	/**
	 * Returns a new {@code PermissionCollection} object for storing
	 * {@code WirePermission} objects.
	 *
	 * @return A new {@code PermissionCollection} object suitable for storing
	 *         {@code WirePermission} objects.
	 */
	@Override
	public PermissionCollection newPermissionCollection() {
		return new WirePermissionCollection();
	}

	/**
	 * Determines the equality of two {@code WirePermission} objects.
	 *
	 * Checks that specified object has the same name and actions as this
	 * {@code WirePermission} object.
	 *
	 * @param obj The object to test for equality.
	 * @return true if {@code obj} is a {@code WirePermission}, and has the same
	 *         name and actions as this {@code WirePermission} object;
	 *         {@code false} otherwise.
	 */
	@Override
	public boolean equals(Object obj) {
		if (obj == this) {
			return true;
		}
		if (!(obj instanceof WirePermission)) {
			return false;
		}
		WirePermission wp = (WirePermission) obj;
		return (getActionsMask() == wp.getActionsMask()) && getName().equals(wp.getName());
	}

	/**
	 * Returns the hash code value for this object.
	 *
	 * @return Hash code value for this object.
	 */
	@Override
	public int hashCode() {
		int h = 31 * 17 + getName().hashCode();
		h = 31 * h + getActions().hashCode();
		return h;
	}

	/**
	 * Returns a string describing this {@code WirePermission}. The convention
	 * is to specify the class name, the permission name, and the actions in the
	 * following format: '(org.osgi.service.wireadmin.WirePermission
	 * "name" "actions")'.
	 *
	 * @return information about this {@code Permission} object.
	 */
	@Override
	public String toString() {
		StringBuilder sb = new StringBuilder();
		sb.append('(');
		sb.append(getClass().getName());
		sb.append(" \"");
		sb.append(getName());
		String a = getActions();
		if (a.length() > 0) {
			sb.append("\" \"");
			sb.append(a);
		}
		sb.append("\")");
		return sb.toString();
	}

	/**
	 * WriteObject is called to save the state of the ServicePermission to a
	 * stream. The actions are serialized, and the superclass takes care of the
	 * name.
	 */
	private synchronized void writeObject(java.io.ObjectOutputStream s) throws IOException {
		// Write out the actions. The superclass takes care of the name
		// call getActions to make sure actions field is initialized
		if (actions == null)
			getActions();
		s.defaultWriteObject();
	}

	/**
	 * readObject is called to restore the state of the ServicePermission from a
	 * stream.
	 */
	private synchronized void readObject(java.io.ObjectInputStream s) throws IOException, ClassNotFoundException {
		// Read in the action, then initialize the rest
		s.defaultReadObject();
		setTransients(parseActions(actions));
	}
}

/**
 * A {@code WirePermissionCollection} stores a set of {@code WirePermission}
 * permissions.
 */

final class WirePermissionCollection extends PermissionCollection {
	static final long		serialVersionUID	= 2617521094909826016L;
	/**
	 * Table of permissions.
	 *
	 * @GuardedBy this
	 * @serial
	 */
																		private final Hashtable<String, WirePermission>permissions;
	/**
	 * Boolean saying if "*" is in the collection.
	 *
	 * @GuardedBy this
	 * @serial
	 */
	private boolean			all_allowed;

	/**
	 * Creates an empty WirePermissionCollection object.
	 *
	 */
	public WirePermissionCollection() {
		permissions = new Hashtable<>();
		all_allowed = false;
	}

	/**
	 * Adds a permission to this PermissionCollection.
	 *
	 * @param permission The Permission object to add.
	 *
	 * @throws IllegalArgumentException If the permission is not a
	 *         WirePermission object.
	 *
	 * @throws SecurityException If this PermissionCollection has been marked
	 *         read-only.
	 */
	@Override
	public void add(Permission permission) {
		if (!(permission instanceof WirePermission)) {
			throw new IllegalArgumentException("invalid permission: " + permission);
		}
		if (isReadOnly()) {
			throw new SecurityException("attempt to add a Permission to a " + "readonly PermissionCollection");
		}
		WirePermission wp = (WirePermission) permission;
		String name = wp.getName();
		synchronized (this) {
			WirePermission existing = permissions.get(name);
			if (existing != null) {
				int oldMask = existing.getActionsMask();
				int newMask = wp.getActionsMask();
				if (oldMask != newMask) {
					permissions.put(name, new WirePermission(name, oldMask | newMask));
				}
			} else {
				permissions.put(name, wp);
			}
			if (!all_allowed) {
				if (name.equals("*")) {
					all_allowed = true;
				}
			}
		}
	}

	/**
	 * Determines if a set of permissions implies the permissions expressed in
	 * {@code permission}.
	 *
	 * @param permission The Permission object to compare.
	 *
	 * @return {@code true} if {@code permission} is a proper subset of a
	 *         permission in the set; {@code false} otherwise.
	 */
	@Override
	public boolean implies(Permission permission) {
		if (!(permission instanceof WirePermission)) {
			return false;
		}
		WirePermission requested = (WirePermission) permission;
		WirePermission x;
		int desired = requested.getActionsMask();
		int effective = 0;
		String name = requested.getName();
		synchronized (this) {
			// short circuit if the "*" Permission was added
			if (all_allowed) {
				x = permissions.get("*");
				if (x != null) {
					effective |= x.getActionsMask();
					if ((effective & desired) == desired)
						return true;
				}
			}
			// strategy:
			// Check for full match first. Then work our way up the
			// name looking for matches on a.b.*
			x = permissions.get(name);
		}
		if (x != null) {
			// we have a direct hit!
			effective |= x.getActionsMask();
			if ((effective & desired) == desired) {
				return true;
			}
		}
		// work our way up the tree...
		int last;
		int offset = name.length() - 1;
		while ((last = name.lastIndexOf('.', offset)) != -1) {
			name = name.substring(0, last + 1) + "*";
			synchronized (this) {
				x = permissions.get(name);
			}
			if (x != null) {
				effective |= x.getActionsMask();
				if ((effective & desired) == desired) {
					return (true);
				}
			}
			offset = last - 1;
		}
		// we don't have to check for "*" as it was already checked
		// at the top (all_allowed), so we just return false
		return false;
	}

	/**
	 * Returns an enumeration of all the Permission objects in the container.
	 *
	 * @return Enumeration of all the Permission objects.
	 */
	@Override
	public Enumeration<Permission> elements() {
		List<Permission> all = new ArrayList<Permission>(permissions.values());
		return Collections.enumeration(all);
	}
}


After MC Nylon Resin is press-fit into the outer ring of Cam Follower - Hex Socket, the sleeve is retained by retaining ring.
[ ! ]Values of allowable load are values when speed =10km/h.
[ ! ]For Hex Socket on Head, no grease replenishing hole is provided.
[ ! ]The standards of d12, 16 has been modified to those with the hex socket on the head and thread.
Features: After plastic is press-fi t into the outer ring of cam follower, the sleeve is retained by retaining ring.


This assumes that Lua is already installed on your system and is configured with FreeSWITCH.
Here's the script that does the actual processing. As you may have guessed, load this to /usr/local/freeswitch/scripts and read below for the rest of the configuration needed. Add your user and password in the url section.
--[[     This script is called by configuration in autoload_configs/lua.conf.xml.
It is called on a "vm:maintenance"event.
thenmessage = message .. "from ".. caller_id_name .. " ("..  caller_id_number .. ")"
message = message .. " length ".. message_len .. " seconds"
message = message .. "."
Uncomment mod_curl and make it look like the above.
Be sure to add this within the <params> tag and not <variables>.
This will be the telephone number where you want to receive the alert. Replace it with a legitimate phone number.
In the same file, you will need to consider adding your Flowroute number that you purchased. You must send from a Flowroute phone number that's associated with your account.
You can edit /usr/local/freeswitch/conf/vars.xml and have a global caller ID, if desired.
Ensure this is somewhere between the beginning and ending <settings> tags.
Voicemail from Extension 1000 (1000) at Fri 04:48 length 6 seconds to box 1001.


What does Green Roofing mean anyway? Sounds kind of….weird.
Classic Metal Roofing Systems is easy for me to talk about because a). we've installed a ton of them and b). rarely is a product able to provide functionality, energy efficiency and good looks at the same time. But not only that, it has a "real" Lifetime Warranty, not one of those pro-rated jokes you get from 99.9% of roofing manufacturers.
I'm looking forward to talking to people about something I'm so passionate about, and I'm not just referring to the type of metal itself. I appreciate and respect roofing manufacturers and contractors that do things right and aren't scared of the competition. Most companies shortcut things in order to keep the price low, and in the end, screw over the homeowners.
As for Green Roofing and what it means, especially for you, check back with me or follow this blog. I'm going to post a series of articles on Green roofing and why or why not it may be of benefit to you and your home.


text:
(, Dou sing 2: Gai tau dou sing, litt. « Le Saint du jeu 2 ») est une comédie hongkongaise écrite, produite et réalisée par Wong Jing et sortie en 1995 à Hong Kong. C'est la suite de Top Bet (1991), bien que seul Ng Man-tat reprenne ici son rôle.

Elle totalise 13 111 400 HK$ de recettes au box-office.

Synopsis
Lui est le « Tyran du jeu » de Macao. Il met en avant un joueur masqué appelé le « Saint du jeu » pour le remplacer au casino. Pendant ce temps, Oncle Sam (Ng Man-tat) a perdu son gagne-pain depuis que le véritable « Saint du jeu » (Stephen Chow) a pris sa retraite, alors il part à la recherche d'un remplaçant. Il découvre « Dieu vous bénisse » (), qui possède des pouvoirs extraordinaires, et le prend sous son aile. Ce nouveau joueur rencontre Ho (Chingmy Yau), la « Déesse du jeu » de Thaïlande, et apprend qu'elle a prévu de tuer Yuen et son frère cadet, Lung. Lui, sachant que « Dieu vous bénisse » est amoureux de Yuen, l'enlève afin qu'il soit trop déprimé pour bien jouer dans le tournoi qui s'annonce.

Fiche technique
 Titre :
 Titre original :
 Réalisation : Wong Jing
 Scénario : Wong Jing
 Photographie : Andrew Lau
 Montage : Ma Go
 Musique : Lee Hon Kam et Marco Wan
 Production : Wong Jing
 Société de production : Wong Jing's Workshop Ltd.
 Société de distribution : Golden Harvest
 Pays d'origine :  Hong Kong
 Langue originale : cantonais
 Format : couleur
 Genre : comédie
 Durée : 98 minutes
 Dates de sortie :
  Hong Kong :

Distribution
  : « Dieu vous bénisse »
 Ng Man-tat : Oncle Sam
 Chingmy Yau : Ho

 Natalis Chan
 Shing Fui-on : l'assassin

 William Tuen : le joueur japonais
 Manfred Wong : le nain
 Corey Yuen : le joueur de mah-jong
 Donnie Yen
 John Ching
 Ben Lam

Notes et références

Liens externes

Film hongkongais sorti en 1995
Comédie hongkongaise
Film en cantonais
Film réalisé par Wong Jing
Film sur le jeu d'argent
Suite de film hongkongais