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Some Advice For Mine G. Kırıkkanat
13 Ağustos 2009	The Darwinist Dictatorship
Statements bordering on the downright insulting made by Mine G. Kırıkkanat and directed at people who espouse the fact of Creation, solely on the basis of the fact that their views differ from hers, on the program Sansürsüz, broadcast on the Turkish channel HaberTürk, were totally unbecoming. If someone else one day directs comments of a similar nature toward Mine G. Kırıkkanat, calling her a "left-wing atheist militant" for instance, she would not be at all pleased. Why employ such terms when more urbane language is available?
If Mine G. Kırıkkanat has a scientific claim she wishes to set out, then the best thing to do is to lay out the evidence for the claim and allow her viewers to make up their own minds on the basis of that evidence. But it is really beyond the pale for Kırıkkanat to become angry with the other side because their ideas conflict with her, and for her to reject out of hand all such ideas. Telling the people to "ask this, but not that" is as unbelievable as it would be to complain about the size of their tie knots. This state of affairs stems from the logic of the Darwinist dictatorship. Since most people have not seen the logic of the Darwinist dictatorship this close up before they no doubt were astonished by the behavior exhibited by Kırıkkanat on the program in question, and this irate and despotic attitude will have been roundly condemned by many.
Adnan Oktar has written some 300 books translated into 60 languages. These books are sold and published all over the world. Millions of people across the world have reported that Adnan Oktar's works have been instrumental in coming to or deepening their faith. These works are also regarded as a major intellectual threat by Darwinist circles across the world. The Council of Europe was gravely disturbed by the powerful, scientific impact of the Atlas of Creation and attempted to ban the books as a serious refutation of Darwinism. These works by Adnan Oktar contain scientific evidences and fossils dating back millions of years. They include world famous researches by world renowned scientists. For that reason, anyone seeking to criticize these books must do so on the basis of scientific, accurate and rational claims. It is obvious that words spoken in anger but devoid of any scientific infrastructure or evidence will be of no value at all.
The way that Mine G. Kırıkkanat suggested that the guests on the program "appear with findings, like Celal Şengör" was particularly interesting. Like all other Darwinists, Celal Şengör has been unable to provide a single scientific finding or piece of evidence to prove the theory of evolution. That is the reason why the Darwinists in question and Mine G. Kırıkkanat do not participate directly in such programs. The reason why the Darwinist and atheist Richard Dawkins refuses to participate in such debates, despite being invited many, many times, is that he has no evidence in his possession. Yet the two scientists who took part in Sansürsüz did have genuine evidence of Creation in their hands on that day. They turned up with fossils dating back millions of years. They proved that living things had remained unchanged for millions of years. They provided information about the existence of 250 million such fossils. In order for Kırıkkanat to be able to back up her claim she would have to state just what the scientific evidence for or finding in corroboration of it was. The fact that viruses are subjected to mutation or that sheep have grown smaller is, as we have described many times over with full supporting evidence, no proof of evolution. Proof of evolution would come from transitional fossils or by creating a protein from nothing. In the absence of these, to talk about living things' variation characteristics as "findings of evolution" is nothing more than a sign of ignorance.
A 50-million-year-old butterfly fossil
From various statements on the program it would appear that Kırıkkanat has misunderstood events that took place at the Vatican. At the Vatican, which has turned into an evolution headquarters as a result of Masonic pressure on the Pope, Dr. Oktar Babuna asked the Darwinist Douglas Futuyma who was on the rostrum whether or not he had a single transitional fossil. Faced by that question, the Darwinist Francisco Ayala said that no answer would be given to that question, WHILE DOUGLAS FUTUYMA FLED THE ROSTRUM. This was the only question to provoke such a response at an event in which everyone was allowed to speak and engage in evolutionist propaganda to their hearts' content. Only that question was left unanswered, and only in the face of this question did the evolutionist scientist on the rostrum flee the stage. The Darwinists were enraged; the microphone was taken from Dr. Babuna's hand and he was ushered out of the chamber. A single question literally rocked the Vatican. Darwinism was taught an important lesson in the Vatican. Darwinists were shown to have no answer to and to be helpless in the face of the question "where are the transitional forms?" As always, Darwinists again on this program responded to a statement that refuted Darwinism with anger, harshness and despotism. Because the theory of evolution is devoid of any scientific evidence or any scientific responses to the questions put to it.
The new movement that believes in Allah but also signs up to evolution is part of the global Masonic stratagem. The Pope has also been made part of this stratagem as a result of this Masonic pressure. Otherwise, as the Vatican and Darwinists are both perfectly well aware, it is impossible to reconcile evolution with belief in Allah. In the Qur'an, Allah speaks of creation from nothing, and this is corroborated by the scientific evidence. If Allah had referred to evolution, there is no doubt that we would have evidence of that. And in that event Adnan Oktar would be the first and most powerful voice to espouse that fact. But since there is no such evidence and since all the evidence points to Allah's sublime creation, it can quite easily be seen that the claims in question are totally groundless. Evolution was routed in the Vatican. The attempts to reconcile belief in Allah and evolution made by what Dawkins described as the "evolution lobby" were utterly defeated. Adnan Oktar's representatives there spoke at the Vatican in order to show that evolution was devoid of any evidence, and clearly revealed that very fact.
Contrary to what Kırıkkanat maintains, there is a flawless equilibrium, and extraordinary majesty and an amazingly complex order in the universe. Every star and every planet in the universe has a perfect equilibrium that cannot be explained in terms of chance. The Earth is a miracle planet created in order to support life, and every point on it has been equipped with a magnificent equilibrium, measure and detail. And there is an even more astonishing order and system in a single atom in its tiniest corner. There is an amazing perfection even in the motion of a single electron in a single atom. It is impossible to speak of disorder or coincidence in the face of such a stunning balance, glory and complexity in a single electron in a single atom in a single protein that represents the basis of all life in these worlds within worlds. Kırıkkanat is probably unaware that even the smallest component of these systems she regards, in her own eyes, as random and disordered actually exhibit a perfection that far exceeds the bounds of present-day science. Today, in the 21st century, scientists who make claims about disorder along the lines of Kırıkkanat's are totally disregarded. In all likelihood, Kırıkkanat has been unable to shake off the effects of the false movements of the 1980s.
Kırıkkanat clearly ignored a most significant scientific discovery when she said, "nothing is a beginning or an end." The Big Bang is a proven fact. All scientists today, Darwinists included, are agreed on the existence of the Big Bang. And the Big Bang is proof that the whole universe and all entities emerged from a point of zero volume, in other words, from nothing. In order to maintain that matter is eternal, one would first have to explain what the Big Bang is. Since we have referred to "zero volume' prior to the Big Bang, there was nothing before it. There was no matter and no chance. There is no power, in materialist terms, that can produce matter or support Darwinist claims. The whole universe commenced with the Big Bang. And that initial moment is by itself certain and definitive proof of Allah's mighty and sublime creation. Therefore, the existence of the Big Bang totally eradicates the idea of chance and also the idea that the universe is timeless and eternal. (Ever since the Big Bang the universe has been expanding at great speed. This expansion shows that the universe had a beginning and will also have an end.) Were Kırıkkanat a little more open to scientific innovation she would have learned these things without us having to point them out.
The atheist view that Kırıkkanat claimed developed in Spain is in fact an important reality representing the essence of Islam that was altered and distorted over the course of time. This view is the fact that Allah is manifested in all things. What that reality means is this: Everything on Earth and in the sky is Allah"s and a manifestation of Him. Allah is the only absolute entity, and the other entities created by Him are not absolute. The other "I's" that watch the images created by Allah, human beings in other words, are in fact souls from Allah. Since it is Allah who creates all things, it is natural that all the things created by Him, human beings, plants, the Sun, the Earth and all the world and the universe should exist as manifestations of Him. There are no entities independent of Allah. The Arabic words En-el Hak mean, "I am composed of Truth, I am not what is Untrue." This means we are entities that bear the spirit of Allah. Allah enfolds all things with His Almighty Being and Light. As revealed in one verse, Allah is nearer to man "than his jugular vein." (Surah Qaf, 16) That is an important reality that will draw people closer to Allah and lead them to praise Him.
It is impossible for anyone to live in peace if they think that everything is the work of blind chance and do not believe in Allah and in paradise and hell. People have to value the entity opposite them if they are to live by good moral values. But for someone who does not believe in Allah there is nothing to oblige him to attach any value to any other human being, whom he will describe as an animal and believes to be the work of chance according to Darwinism. Since someone who believes in Allah, loves Him and fears His wrath, he will also love everything Allah creates, in other words all His manifestations. When people feel this love and fear Allah it is impossible for them to treat anyone else immorally, to hurt them or regard them as worthless. It is impossible for them to hate or to be jealous. Because it is Allah who creates all things. Every entity is under the control of Allah. Someone who loves Allah will naturally love His creations. This is a natural moral virtue that stems from a profound love and fear of Allah. But if someone believes he came into being by chance, since he will regard everyone as independent and uncontrolled, he will be proud throughout the course of his life, feel hatred for what they do and seek revenge on them. He will constantly be worried for the future and seek an imaginary peace and happiness that always eludes him.
Kırıkkanat's attitude as exhibited throughout the program clearly reveal the sadness and angry state of mind that Darwinism brings with it.
Asked "how was the universe created?" Kırıkkanat avoided the question by saying "that is not something that lends itself to discussion." But since Kırıkkanat believes in chance she should also be able to explain the beginning of the universe in terms of coincidence. But one would expect her to have to account to give and to avoid the question. Since nothing can be explained in terms of chance, the question obviously has no answer in respect of atheists and Darwinists. Since such people have no answer, they generally try to close the subject by saying, "This subject goes beyond the bounds of science." But the fact is that the question has no answer because Darwinists have no reply to it, not because it goes beyond the bounds of science. The sole answer to this question is the existence of Allah, the Almighty Creator. It is evolution itself that goes beyond the bounds of science. This dogma, launched for the sole purpose of denying the absolute existence of Allah and supported by not a single piece of evidence, is totally refuted by the fact of Creation, for which there is enormous scientific evidence. Since it was put forward for the purpose of eliminating belief in Allah, IT IS ESSENTIAL THAT Darwinism SHOULD BE DEMOLISHED WHEREVER IT IS DEBATED, THAT THE PROOFS OF CREATION BE EXHIBITED AND FOR IT TO BE DEMONSTRATED THAT ALMIGHT ALLAH IS THE CREATOR OF ALL THINGS.
The theory of evolution is not a theory that renews itself. It is constantly being refuted and lacks any corroboration. The only reason it is supported so fiercely, even angrily, despite have constantly been proved to be a lie over the last 150 years, is that it is a dogma. The only reason why they try to keep the Darwinist dictatorship alive through pressure, not with science, is that it is a dogma. There is currently a glorious diversity of life on earth. If we look backward in time to seek evolution, as Kırıkkanat wishes, we again see that same perfection, but no trace of evolution. There are still living classes, but there are are all fully formed and perfect. They live in a harmonious equilibrium. The fossil record with its 250 million examples show us that. This obstinacy and anger, intended to protect the deception that is Darwinism, in fact shows the dimensions that the Darwinist dictatorship can assume. Darwinists have merely been belittling themselves through these methods for many years now.
The 21st century is a significant time in which the Darwinist defeat has been exposed and the Darwinist deception revealed to the whole world. People are abandoning this outdated theory in droves. And they are turning to belief in Allah in vast numbers. It is a waste of time to attempt to indoctrinate the Turkish people, in particular who have read the Atlas of Creation, attended conferences on the fact of Creation and touched fossils proving Creation with their own hands. The time has come to see and understand the facts that the whole world has realized. Darwinism is dead. The one absolute Being is Almighty Allah, He who created the universe and all living things from nothing.
That is Allah, your Lord. There is no god but Him, the Creator of everything. So worship Him. He is responsible for everything. Eyesight cannot perceive Him but He perceives eyesight. He is the All-Penetrating, the All-Aware. (Surat al-An'am, 102-103)
Adnan Oktar Atlas of Creation Celal Şengör Habertürk Mine G. Kırıkkanat	2009-08-13
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PLoS ONE Journal Fails to Stand Against the Power of Atheist Propaganda and Darwinist Dictatorship
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No Darwinist is really a Darwinist at all
The true face of the claim that "everyone in the world believes in evolution"
Darwinists maintain that "there is no need to dot the 'i's and cross the 't's" …


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Speakers, Events + Classes
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Sunshine and clouds mixed. High 33F. Winds light and variable..
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James D. Michelson
James David Michelson, 75, of Christiansted, St. Croix, U.S. Virgin Islands, a former resident of Stowe and Morrisville, died unexpectedly on Sunday, Sept. 22, 2019.
He was born in Pennsylvania March 19, 1944, son of Gustave and Anna (Herngren) Michelson. Jim grew up in Secane, Pa., with his two brothers, Ed and Tom, and one sister, Karin. He spent many summers in Ship Bottom, Long Beach Island, N.J., where he enjoyed sailing most.
Jim graduated from Pennsylvania Military College (now Widener University) in Chester, Pa., in 1967 and then joined the U.S. Navy, where he served on the USS Norris during the Vietnam War.
Through two marriages, Jim became father to four daughters, Michele, Rachel, Erin and Blake.
Jim enjoyed taking photos of all scenery, especially of the New Jersey Shore and the mountains of Vermont. Over the years, he lived in many places, including Pennsylvania, New Jersey, Maryland, Oklahoma and Vermont. He eventually retired and relocated to the Virgin Islands, where he gained his Island family, whom he cared for greatly. The beach was always where he belonged. Jim loved "his" island and encouraged everyone to come visit him there.
Jim was known for being a jack-of-all-trades and being able to show anyone how to fix anything, as well as educating people on literally the history of anything from history to philosophy, or religion to inventions, or even politics. It did not matter what it was, Jim knew the history and enjoyed sharing his knowledge with everyone.
Spending time with his family and friends was always important to Jim, whether it was to go sailing or go to the beach or gather everyone together for a meal and just be with each other.
Survivors include his four daughters and their families, Michele Davis and husband James of Orland, Maine, and their children Bryan Davis of Waterbury and Kyle Davis of Orland; Rachel Michelson and her daughter Molly Hurlburt of Johnson; Erin Michelson of Hyde Park and her daughters Keara Michelson of New York City and Maggie Duxbury of Hyde Park, and her son Jesse Ingalls of Morrisville; and Blake Lewis and husband Jeff of Eden and their children Merasia, Connor, Mason and Kendall. He is also survived by his two brothers, Thomas Michelson of Stowe and his sons Tyler and Sydney Michelson; and Edward Michelson of California, wife Ruth Michelson, and sons Dan of Texas and David and Joshua Michelson of California; his beloved dogs, Barney and Patches; and friends and family members all over the U.S. and Virgin Islands.
His parents and a sister, Karin (Michelson) Vitello, died earlier.
A celebration of James' life will be held Saturday, Oct. 5, from 11 a.m. to 3 p.m. at the VFW Post 9653, at VFW St., Morrisville, VT 0566. An additional celebration of life will be held at a later date in Christiansted, St. Croix. In lieu of flowers, please donate to a favorite animal shelter, VA hospital, or American Lung Association.
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"End of Day" exhibit by Laura Heijn open at VT Studio Center
Nico Grelli performs one-person show at Grange Hall
Waterbury Winterfest is a celebration of winter
The Valley Players present "Out of Sight, Out of Murder"
East Coast Inspirational Singers celebrate MLK with music
Stefan Lessard performs in benefit concert at Stowe Mountain Resort
49 School St., P.O. Box 489
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Staring at a pristine word document or gazing at a blank piece of paper may not be the best way to begin writing. Ask any writer! If your kids have trouble getting started, help them out by asking questions.
This technique works really well with picture prompts, so I found some pictures on Wikimedia Commons that might suggest a story idea, and accompanied each picture with questions I brainstormed. I'm sure you and your kids will come up with more. Ignore the questions that don't spark anything, and run with those that do.
Some questions will lead to more questions. Some will have kids tripping over their tongues in eagerness to express ideas. Kids can respond to question in thoughts, out loud to a partner, out loud and record themselves to listen to later, or try to jot down ideas via the computer or pen. The questions can even be answered in whole sentences, and used to build up character profiles or plot outlines.
Where might this be? Does the place have a name? What sort of place is it? (Setting) What sort of creatures are in the tree? Do they have names? How did they get there? What are they doing? What are they thinking? What are they saying? If you were there, what might you be able to hear/feel/smell? What is the sphere on the ground? How did it get there? What will happen next?
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If you'd like more ideas about encouraging children to write, click on Writing in the right sidebar, or check out How to Encourage Kids to Write, or Fast and Fun Writing with Kids.
Great post. Such straightforward idea but could produced sensational results. Thanks!
@DimbutNiceThanks for commenting, Dimity. It seems to me that often it's the straightforward and simple things that DO lead to great results.
This is yet another strategy teaches use to stimulate writing. I know personally how it feels to look at a page and wonder where the words will come from. Having a cue to get started nudges the kids to begin thinking about answering those questions and turning those thoughts into a response.
@Patricia Glad you joined the conversation, Patricia! I agree, it's a good way to start kids thinking, and that in turn paves the way to a written response, especially if a prompt just "works" for them.


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COVID-19 Sore Throat vs. "Regular" Sore Throat
Every year, 11 million patients in the U.S. seek medical care for a sore throat (which is called pharyngitis.) Since a sore throat is one of the hallmark symptoms of COVID-19, it's worth taking a moment to learn about the differences between pharyngitis that's caused by viruses (including sore throat with COVID-19, the flu, and the common cold) and pharyngitis that's caused by bacteria (including strep throat).
Is Sore Throat a Sign of COVID?
With the multiple strains that have developed since the beginning of the COVID-19 pandemic, keeping up with symptoms can be confusing. You may wonder if a sore throat is still a sign of COVID-19, and does COVID start with a sore throat?
Yes, sore throat and COVID-19 are still closely associated, and it's often one of the first symptoms. But COVID-19 is certainly not the only cause of sore throat, and it's not typically the primary symptom COVID-19 patients have. Sometimes accompanying symptoms offer clues that help indicate what is causing a patient's pharyngitis.
COVID Sore Throat vs. Viral Sore Throat
Because COVID-19 is an illness caused by a virus, a COVID-19 sore throat may look and feel like other viral sore throats. One clue that you have viral pharyngitis is that it is often accompanied by other common symptoms. For example, people with influenza will probably also have a runny nose, cough, body aches, fever, and fatigue in addition to a sore throat.
If you think these accompanying flu symptoms sound a lot like COVID-19 symptoms, you're right. Without proper testing, it's hard to know which virus is causing the pharyngitis.
COVID Sore Throat vs. Strep Throat
Sometimes sore throats are caused by bacterial infections. Bacterial pharyngitis generally comes with different symptoms than a sore throat with COVID-19. While a fever is common with bacterial throat infections, they don't cause a cough or runny nose. Patients with bacterial infections often have swollen lymph nodes in their necks and they may find white spots known as exudate on their tonsils.
The most concerning the cause of bacterial pharyngitis is group A streptococcus bacteria, or Group A Strep for short. If a patient tests positive for this form of strep, antibiotics are imperative. Contrary to common belief, antibiotics aren't necessary for the throat infection strep causes; they're given because if left untreated, Group A Strep can spread to other parts of the body and cause damage to vital organs, including the heart and kidneys.
Approximately 10% of pharyngitis cases are due to Group A Strep, which means 1 in 10 patients require antibiotics. However, antibiotics are given to 70% of patients with pharyngitis, which means pharyngitis is one of the most common causes of antibiotic overuse. Antibiotics have no effect on viruses, and they can cause unnecessary side effects and lead to antibiotic resistance.
Get Tested for Sore Throat & COVID-19
An accurate diagnosis of pharyngitis is important because it identifies which patients will benefit from an antibiotic, and which patients will recover from pharyngitis without any intervention.
If you do develop a sore throat with COVID-19 or any other reason, it's important to seek medical attention, especially if the pain gets worse or doesn't clear up within 48 hours, to receive an accurate diagnosis, and determine which treatment is best for you.
If a patient has symptoms that suggest a specific viral cause -- including mono, influenza, and COVID-19 -- tests for those infections can be performed and the proper treatment plan will be discussed by a provider depending on the results. At-home care such as rest, hydration, and soothing cough drops may be recommended if no other signs of infection are present.
Rapid Strep Tests
Because overuse of antibiotics is unsafe, skilled providers offer rapid strep tests if they suspect a severe bacterial infection. To determine if a patient's symptoms warrant the test, clinicians use the Centor Criteria, a four-point scoring system that indicates the likelihood of a bacterial infection.
The four criteria are:
Exudate on the tonsils
Swollen lymph nodes in the neck
Absence of a cough
If a patient meets these criteria, a strep test is warranted. If a patient does not meet these criteria, the likelihood of a bacterial infection is low, and a strep test is not indicated.
A rapid strep test is quick and easy. A provider will get an infection sample by gently wiping the patient's tonsils with a soft cotton swab. The swab is immediately placed in a testing container to obtain results.
On average, rapid strep tests produce a result in less than 10 minutes, and they're 95% accurate. If a rapid strep test is negative but the suspicion of a bacterial infection is high, a clinician can send a throat culture to the lab, which produces a result in a few days.
Visit GoHealth Urgent Care for COVID-19
Now that you know sore throat is a sign of COVID-19 infection, we are here to help. GoHealth Urgent Care offers both COVID-19 testing and urgent care visits. Proactive patients who are diagnosed early can often receive treatment that reduces the severity of the illness.
GoHealth Urgent Care Centers also offer virtual visits for patients who prefer to stay in the comfort of their homes. With virtual visits, patients can see skilled providers any day of the week simply by using their smartphone, laptop, or tablet.
If you need help assessing and treating asthma, come see the experts at GoHealth Urgent Care. You can walk in without an appointment, or you can check in online. We'll have you back to feeling better in no time.
GoHealth Urgent Care partners with these regional healthcare providers:
Northwell Health-GoHealth Urgent Care in New York
Dignity Health-GoHealth Urgent Care in San Francisco
Legacy-GoHealth Urgent Care in Portland & Vancouver
Hartford HealthCare-GoHealth Urgent Care in Connecticut
Mercy-GoHealth Urgent Care in Arkansas, Springfield, St. Louis & Oklahoma
Novant Health-GoHealth Urgent Care in North Carolina
Henry Ford -GoHealth Urgent Care in Michigan
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Recipes to keep your family healthy


Whether you are thinking about renting a dumpster for a spring cleanup, a house cleanout, for a construction project or any other reason there are many things that can't be disposed of in a debris dumpster. Here are 5 of the most common items along with a quick answer as to WHY they can't go into a dumpster.
1. Gas and oil- Gas and oil (and things with gas and oil in them) are not permitted into a dumpster that is going to be dumped as debris. If you have items that have gas or oil in them that you want to dispose of, simply drain the gas and oil out and in most cases the item will be permitted in the landfill. The reason gas and oil are not permitted into our landfills is because the gas and oil gradually work their way down to the bottom of the landfill. Once it hits the liner, it seeps through the liner into the ground. Now we all know that putting gas and oil into the ground is no good because it will make its way into the underground water supply. A spill of only one gallon of oil can contaminate a million gallons of water. A single pint of oil released into a lake or wetland can cover one acre of surface water and seriously damage aquatic habitat. It is easy to see why we don't want these products in our landfills. There are many simple and legal collection sites available to dispose of gas and oil. If you don't know of any, contact your local Public Works department and they can surely refer you to a nearby site.
2. Paints- Paint is another common item found in almost every home and construction site. There are a couple of reasons that paint is not permitted into the dumpsters. The first reason being what happens to paint that spills into a dumpster. It tends to find its way down to the bottom of the dumpster and leave what can sometimes be a sizeable spot of wet paint inside the dumpster. Depending upon how much paint there is, it can take some time for it to dry. I'm sure you can imagine how you would feel if you ordered a dumpster and it came filled with wet paint. Now imagine how you would feel after you step in it and track it all over your house before you even realize it happened! No one wins there! The other reason paint isn't allowed into dumpsters is because some paints are oil based and these paints will release the oil into the landfill and the above described contamination process begins. While latex paint is not hazardous, it would be too difficult and too time consuming to try and check every can of paint to see if it contains oil being brought into the landfill on a daily basis.
3. Asbestos- Asbestos is not permitted into dumpsters for some obvious reasons. It is classified as a hazardous material and should be disposed of in accordance with your local laws. Check with your local government offices for proper procedures. Landfills are particularly sensitive to asbestos within loads because the trash brought into the landfill is crushed with a giant compactor that drives over it repeatedly all day. The machine just drives up and down the pile of trash as trucks dump more and more for it to crush. Asbestos is at its most dangerous when it is friable (easily crumbled) and airborne. If a compactor machine crushes it, asbestos fibers will be released into the air and breathed in by landfill employees and drivers using the landfill. Our landfill here in Ocean County can take asbestos from homeowners, but it must be separated and follow their disposal procedures. Contact the Ocean County Landfill if you have asbestos from the county you wish to dispose of.
4. Refrigerators/Freezers/Air Conditioners- These items are not permitted into debris dumpsters because of the refrigerant they contain. The Freon inside these devices needs to be evacuated by a licensed technician prior to disposal. Freon is a chlorofluorocarbon (CFC) and CFC's are considered to be the leading cause of global warming. They are believed to have a greater impact on our atmosphere than carbon dioxide. They impact our environment so much, they are being phased out of use to help stabilize our atmosphere. You can see by the chart below why keeping these chemicals out of our atmosphere is so important.
CFCs and HCFCs are gradually being phased out thanks to the Montreal Protocol. Current measurements of the ozone layer show overall stability and probable recovery to the previous level around 2060.
5. Propane Tanks: Propane tanks are not permitted in dumpsters for 2 reasons. The first reason is that unregulated release of propane into the atmosphere contributes to global warming. The second reason is strictly for safety. As I mentioned above, the landfill has a giant machine that drives up and down over the garbage all day trying to compact it as much as possible. Imagine what would happen if a compactor machine drover over a propane tank with pressure and flammable gas filled inside. I would not want to be there when that happened, would you? I bet you wouldn't!!
While these 5 items are the most frequently found and asked about items, there are quite a few more that are not permitted as well. Before renting a dumpster, you should take a good look around and look at what you are getting rid of. Make a list of any items you think might be questionable and be sure to ask your dumpster company about those items before you rent the dumpster. Also ask them for a comprehensive list of non-permitted items and whether they have a link to a list of these items. For a comprehensive list of items D&D Disposal can't take, please reference my post here on our Learning Center titled; What Can I Put in Roll Off Containers?
For a list of facilities that can help you dispose of "special waste" in the Ocean County, NJ area see our post titled; "What to do with things I CAN'T put in my dumpster". This post can also be found on our Learning Center.
I hope this post is helpful and answers any questions you may have had. I hope your project runs smoothly and best of luck!


text:
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text:
dikki muzinfo
June 10, 2021 June 10, 2021 | Arjan Uittenbroek
Klassiek all-in: Rossini / Mendelssohn / Chopin
#Argerich #Chopin #Mendelssohn +3
Gounod – Faust
Wagner – Der fliegende Holländer
Beethoven – Symphony no 9 "Choral"
Bartók – Herzog Blaubarts Burg
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Human Molar Tooth by fvillena is licensed under the Creative Commons - Attribution - Non-Commercial - Share Alike license.
Say thanks by giving fvillena a tip and help them continue to share amazing Things with the Thingiverse community.
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This property has newly renovated rooms and is conveniently located near the freeway and plentiful dining options. A nice space surrounds the pool with tables for al fresco dining. Smoke free premises. 140 units. 3 stories, interior corridors.
SR 101 exit 41 (Shea Blvd); northeast corner. 8888 E Shea Blvd 85260.
valet and coin laundry, area transportation-within 5 mi & Mayo Clinic.


text:
import { NgModule } from '@angular/core';
import { CommonModule } from '@angular/common';
import { FormsModule }   from '@angular/forms';

import { DateRangeComponent } from './date-range.component';
import { DatepickerModule } from 'ng2-bootstrap/ng2-bootstrap';
import { DropdownModule } from 'ng2-bootstrap/components/dropdown';

@NgModule({
    imports: [CommonModule, FormsModule, DatepickerModule, DropdownModule],
    declarations: [DateRangeComponent],
    exports: [DateRangeComponent]
})

export class DateRangeModule { }

redpajama_set_name: RedPajamaGithub


Pravin put the box in the car.
Elvis doesn't like being told when to go to bed.
June and Ken have never been close friends.
I need to buy some medicine for Taurus.
Mason's parents are older than Roxanne's parents.
I've always gotten along very well with Russ.
Urs is working on a conlang.
Naomi isn't as tough as he looks.
Manuel asked Pontus if she knew where John lived.
Helen is waiting for someone to help him.
Vilhelm had no reason not to do it.
Ramsey has been spreading rumors about Victoria.
Sarah didn't want to talk about it.
Jesus never was very good at baseball.
Marc is almost as tall as you.
Krzysztof wore a pirate costume.
Kamiya pulled Leads into his arms and held her close.
Sangho cut down the tree that was in front of his house.
Luis often smokes a cigar after lunch.
Marco is very good at videogames.
Where did you meet Harris?
I know you've always cared about Piete.
Do you know where Hienz is going?
Did you take Blaine's advice?
Valentin is sane, isn't he?
Mahmoud practiced all week for the talent show.
Lester said he'd be at the meeting.
I wish Theodore could see this.
Why don't you go over to Hui's?
Carter grabbed the opportunity with both hands.
How do you know it was Tad who broke the window?
List slept on the floor.
Gerald believes she has special powers.
Beverly doesn't seem to be concentrating.
Did you even get to talk to Marsha?
I asked Julianto to help us do that.


text:
Metabolism and Disease
(Cold Spring Harbor Symposia on Quantitative Biology LXXVI)
Edited By Terri Grodzicker, Cold Spring Harbor Laboratory; Bruce Stillman, Cold Spring Harbor Laboratory; David Stewart, Cold Spring Harbor Laboratory
The Biology of Alzheimer Disease
Edited By Dennis J. Selkoe, Harvard Medical School; Eckhard Mandelkow, Max-Planck-Unit for Structural Molecular Biology; David M. Holtzman, Washington University School of Medicine
© 2011 • 511 pp., illus. (63 4C & 9 B&W), index
RNA: Life's Indispensable Molecule
By James Darnell, The Rockefeller University
Hardcover • $40.00 $28.00 • ISBN 978-1-936113-19-4
Yeast Intermediary Metabolism
By Dan G. Fraenkel, Harvard Medical School
© 2011 • 434 pp., illus. (138 b/w), appendix, index
Means to an End: Apoptosis and Other Cell Death Mechanisms
By Douglas R. Green, St. Jude Children's Research Hospital
© 2011 • 220 pp., additional reading, index
Paperback • $46.00 $41.40 • ISBN 978-0-879698-88-1
RNA Worlds: From Life's Origins to Diversity in Gene Regulation
Edited By John F. Atkins, University of Utah, University College Cork, and Trinity College Dublin; Raymond F. Gesteland, University of Utah; Thomas R. Cech, Howard Hughes Medical Institute, University of Colorado
Trim size: 8-1/2" x 10-7/8"
Hardcover • $162.00 $97.20 • ISBN 978-0-879699-46-8
RNA: A Laboratory Manual
By Donald C. Rio, University of California, Berkeley; Manuel Ares, Jr., University of California, Santa Cruz; Gregory J. Hannon, Cold Spring Harbor Laboratory; Timothy W. Nilsen, Case Western Reserve University School of Medicine
© 2011 • 586 pp., illus., appendices, index
Paperback • $169.00 $118.30 • ISBN 978-0-879698-91-1
Hardcover • $246.00 $172.20 • ISBN 978-0-879698-90-4
Page 1 2 3 4 5 6 7 8 9 10 11
< Previous Page | Next Page >


Britain Taxis in Thame work closely with hotels in the South Oxfordshire area and all the hotels listed below are highly recommended by us. Whenever you stay at one of these great hotels make sure to call Britain Taxis for all your journeys.
A prestigious 4 star hotel just outside Thame, perfect for spa breaks, weddings and conferences. Ideal for a city break in Oxford.
The stunning grounds of this magical Oxfordshire restaurant would be worth the trip alone, but chef-owner Raymond Blanc ups the ante with to-die-for new French cuisine and faultless service that's the pinnacle of graciousness.
Situated in the heart of the Chilterns, a luxury 50 bedroom hotel and spa with a Championship Golf Course of outstanding quality. Ideally situated for easy access from both London and the Midlands, The Oxfordshire is perfectly positioned for events, conferences and weddings.
The new look Lambert Arms completely transformed inside, yet retaining its original, historical features, this traditional coaching inn has been caringly restored.
The heart of the hotel is a sixteenth century public house, abundant gardens, eclectic design, and inventive facilities within eighty acres of working farmland, all contribute to its distinctive personality.
The Spread Eagle hotel in Oxfordshire has stood imposingly in the heart of historic Thame since the 16th century. The Georgian facade is instantly recognisable by all. During its colourful history this Thame hotel has played host to Charles II, French prisoners from the Napoleonic wars, famous politicians and writers such as Evelyn Waugh.
The Inn at Emmington is a traditional countryside inn dedicated to providing good food, fine cask ales, beers and wines and a friendly atmosphere. Our seven bedrooms offer comfortable, spacious accommodation with views over the Oxfordshire countryside or the quiet garden.
In 1985, Travelodge opened the UK's very first budget hotel. Today the company is the country's fastest growing and most innovative hotel chain.
Travelodge Wheatley is ideally located as a base to visit the surrounding attractions including Oxford, Bicester Village, Waterperry Gardens and many more.
Set at the foot of the beautiful Chilterns in picturesque Henton near Thame. Located just 50 minutes to London via the M40, the hotel offers quality accommodation, restaurant, free WiFi and ample on site parking. This is a friendly Country Inn making the ideal location for business and leisure with easy access to Oxfordshire, Buckinghamshire and Hertfordshire.
A delightful coaching Inn with lots of exposed beams, flagstone floors, roaring log fires & cathedral candles all creating a traditional village atmosphere. A delightful restaurant & freshly prepared menu which has gained an enviable reputation.
The Shillingford Bridge Hotel is a unique and individual hotel located on the river near Wallingford, Oxfordshire. It is perfect for a short break, family holiday or relaxing weekend stay from which to explore Oxford and the many attractions in the surrounding areas.
The George Hotel is a Tudor 16th century Coaching Inn, located in the heart of the very quaint and characteristic market town of Oxford.
A 15th Century coaching inn set in the heart of Oxfordshire. Dorchester-on-Thames is central to many major centres of commerce and historic sites in southern England, including London, Birmingham and the whole of the M4 corridor.
The 16th century Fleur de Lys Inn provides a perfect retreat for a weekend or mid-week break. Stroll along the High Street, steeped in historic English charm and visit the magnificent Augustinian Abbey, or enjoy the surrounding countryside with its myriad of delightful rambles, including the sleepy Thames riverbanks and the spectacular views from the top of Wittenham Clumps.


text:
Die HTL Bau und Design Linz ist eine Höhere Technische Lehranstalt in der Stadt Linz in Oberösterreich. Das Gebäude steht unter .

Geschichte
Die ehemalige Kaiser-Franz-Joseph-Schule bzw. Handwerkerschule bzw. Goetheschule, wurde nach den Plänen des Baumeisters Michael Lettmayr mit der Oberösterreichischen Baugesellschaft von 1890 bis 1891 errichtet. An der Goethestraße wurde nach den Plänen des Stadtbauamtes 1891 ein Zubau angebaut. Von 1940 bis 1943 erfolgte nach den Plänen der Architekten Armin Sturmberger und L. Maier und des Baumeisters Franz Schild eine Aufstockung des Gebäudes. Von 1945 bis 1950 wurden die kriegsbeschädigten Gebäudeteile mit dem Baumeister Josef Ertl und dem Architekten Fritz Fanta wiederaufgebaut und dabei die Fassade verändert gestaltet. Ein Teil der Bibliothek steht unter Verschluss der Öffentlichkeit. In dieser befinden sich alte Schriften und Bücher, unter anderem wissenschaftliche Veröffentlichungen des Astronom Johannes Kepler. Heute wird das Schulgebäude von jener Höheren Technischen Lehranstalt und von einer Volksschule genutzt. 2012 so wie 2022 wurde das Schulgebäude mit zwei weitere Bauten auf der Rückseite erweitert und mit dem vorherigen Komplex verbunden. An der Lehranstalt werden in den vier Abteilungen Bautechnik (Hoch- und Tiefbau), Multimedia, Grafik und Kommunikationsdesign und Innenarchitektur unterrichtet.

Architektur
Der monumentale dreiseitig freistehende U-förmige in der Straßenflucht etwas zurückgesetzte Baukörper ist viergeschoßig über einem Souterrain. In der Goethestraße ist die Fassade überwiegend späthistoristisch mit repräsentativen Neorenaissanceformen mit Risaliten und Riesenpilastern gegliedert. Das hohe Rundbogenportal hat eine Ädikula-Rahmung. In der Südtirolerstraße und Schillerstraße schließt die Fassadengestaltung mit kubischer Gestaltung mit monumentalen Risaliten und teilweise mit Fenstern mit betonter Rahmung in der NS-Architektur an.

Im Gebäudeinneren sind die Wände beim historischen Foyer mit Pilastern gestaltet. Im Stiegenhaus ist teilweise noch das originale Geländer vorhanden.

Im Hof der Schule steht eine abstrakte Skulptur aus Stein vom Bildhauer Alfred Hager.

Literatur
 Die Kunstdenkmäler Österreichs. Dehio Linz 2009. Linz, Obere und Untere Vorstadt, Bauten im Straßenverband, Goethestraße Nr. 15, 17, Goetheschule, S. 261.

Weblinks

 Webpräsenz HTL Bau und Design Linz

Schule in Linz
Linz
Baudenkmal (Oberösterreich)
Linz


text:
Russ Baker
Russ Baker is regarded as one of the world's most indefatigable investigative reporters. He has written for The Nation, The New York Times, The Los Angeles Times, Vanity Fair, The New Yorker, Salon, Esquire, The Guardian, and the Village Voice, among others. He is author of the bestseller, Family of Secrets: The Bush Dynasty, America's Invisible Government and the Hidden History of the Last Fifty Years, which the late Gore Vidal called "One of the most important books of the past ten years." Family of Secrets has also been praised by Bill Moyers and Dan Rather as revealing an entirely new and unknown recent history of events in the United States. Russ is founder and editor-in-chief of WhoWhatWhy, a nonprofit, nonpartisan investigative news and analysis site that explores stories, topics and angles missed or ignored by the rest of the media. As Moyers said, "a lot of us look to Russ to tell us what we didn't know. " Russ has a bachelor's degree in Political Science from UCLA and a Master's in Journalism from Columbia University. He lives in New York City. He is working on his next book. Last updated July 2017
Hillary's Mystery Money Man
Hillary Clinton's ties to financier Alan Quasha, the controversial figure who bailed out George W. Bush's failing oil company in the 1980s.
Russ Baker & Adam Federman
October 18, 2007 | The Nation


text:
module RspecTestlinkFormatters
  VERSION = "0.0.3"
end


A flexible plastic wallet designed to hold digital print outs and cards.
SKU: Product Code: TPW. Category: Digital Products.
Lightweight digital tacho print out wallet.
The perfect place to keep your licence card safe. Also any digital printouts and smart cards.
Made from good quality frosted plastic.


text:
Q: How to return a 419 HTTP status in a Symfony 2 Response object I'm currently working on an HTTP API in Symfony 2 for which I have implemented OAuth2 Password Credentials for authentication. On authentication the client received two tokens, one access and one refresh token.
Somehow I need to be able to inform the client that the access token is no longer valid and that the refresh token must be used to obtain a new access token.
I have gone through the list of HTTP codes [1] and to me the 419 Authentication Timeout status seems the most appropriate. However, when I use this in the Response object I actually receive a 500 status instead:
return new Response("OK", 419);

Results:
$ curl -X GET http://local.api

< HTTP/1.1 500 Internal Server Error
< Date: Thu, 23 Jan 2014 21:34:39 GMT
* Server Apache/2.4.6 (Ubuntu) is not blacklisted
< Server: Apache/2.4.6 (Ubuntu)
< X-Powered-By: PHP/5.5.3-1ubuntu2.1
< Cache-Control: no-cache
< X-Debug-Token: b7c386
< X-Debug-Token-Link: /app_dev.php/_profiler/b7c386
< Transfer-Encoding: chunked
< Content-Type: text/html; charset=UTF-8

I get the impression that the Response object doesn't seem to support this code (looking through the list of constants defined in the class) but from the Response class code itself I can't detect any logic that wouldn't allow me to send a 419.
I'm currently falling back on the 511 Network Authentication Required but I prefer to use the 419 instead. How can I do this?
[1] http://en.wikipedia.org/wiki/List_of_HTTP_status_codes

A: Look at the Response constructor, it throws an InvalidArgumentException exception if the status code is not valid.  You will need to use a different status code (take a look at the class constants for the valid codes in Symfony)

redpajama_set_name: RedPajamaStackExchange


text:
Tikkun (https://www.tikkun.org/prisoner-of-the-deep)
Prisoner of the Deep
By James Wallenstein | May 4, 2012
THE LEVIATHAN
New Directions, 2011
by Joseph Roth
A book that contains a single short story carries a particular promise, and a risk—the story, we think on picking it up, had better be good. These expectations are only heightened when the title of the lone story seems to comment on the slenderness of its presentation. Joseph Roth's The Leviathan weighs in at forty-six pages, slighter than a single claw of the behemoth who in the book of Job "makes the depths churn like a boiling cauldron" and "stirs up the sea like a pot of ointment." And if comparing a book to a beast seems inapt, how about comparing one book to another? Roth's Leviathan is almost as monumentally dwarfed by its other namesake, Thomas Hobbes' 700-page reflection on the state as the monster whose protection we cannot do without.
Yet when Roth's Leviathan was first published—in 1945, a decade after it was written—it was as a stand-alone book. This seems curious, given that the story is too short to be considered even a novella. The new edition merely follows this precedent—a sound one, it turns out. Novelistic in scope, The Leviathan is rich, artful, and mysterious. Its forty-six pages might be counted as ninety-two; like Job, one of its antecedents—retold in Roth's 1930 novel, Job: The Story of a Simple Man—it should be read twice, once to follow its fabulous stream of events and again to begin to take stock of their meaning. The narrative moves fast, and although it is focused on the fortunes of a single character, these are shaped by the same grand themes that animate the more fully drawn episodes of The Radetzky March (1932), the novel that made Roth's reputation in his lifetime and on which it rests today. The Radetzky March figures the decline of the Austro-Hungarian Empire in that of the Trotta family, which serves the empire across three generations—the grandfather a decorated soldier, the son a government official, the grandson an army officer who dies childless in the First World War. The end of the line for the Trottas signals the end for the Habsburgs as well.
The protagonist of The Leviathan, a Jewish coral merchant living in a small town in the Ukrainian region of Volhynia, part of greater Russia instead of Austria-Hungary, has nothing in common with the Trottas. But Roth's treatment of the merchant is similar. He succeeds in describing through him an analogous—albeit much less detailed—historical trajectory to the one described across generations in The Radetzky March.
When we meet the merchant, he lives in a state of simple righteousness. He has never left his home town and never missed his prayers. These devotions complement others that, taken together, are the pillars of his virtue: devotion to his business, his merchandise, his staff—the women who string the beads he has lovingly sorted sing as they work—and to his customers, to whom he opens his home and offers hospitality. "In the small town of Progrody," the story begins,
There lived a coral merchant who was known far and wide for his honesty and the reliability and quality of his wares. The farmers' wives came to him from far-distant villages when they needed an ornament for some festive occasion. There were other coral merchants who were closer at hand, but they knew that from them they would only get cheap stuff and no-good tat. And so, in their rickety little carts they traveled many versts to Progrody and the renowned coral merchant, Nissen Piczenik.
But Piczenik loves his merchandise too well; with his red hair and copper-colored goatee, his affinity for it seems too deep not to be idolatrous. Against the mistaken science of his day he believes that corals aren't "plants at all, but living creatures, a kind of tiny reddish sea animal … [that] remained alive, even when they had been sawn, cut, polished, sorted, and threaded." He harbors a secret longing for the sea, the underworld where his beloved corals are formed. His attempts to indulge this longing are Piczenik's undoing. He accompanies a furloughed Russian sailor by train to his battleship in Odessa, receives a special tour of the ship, and idles away weeks at the port, neglecting both his prayers and his worldly affairs and giving himself over to dissipation. He returns home to discover that his trade is faltering. A new coral merchant has set up shop nearby, offering brighter, apparently superior beads for prices so far below Piczenik's that his former customers suspect him of having cheated them. Piczenik visits the new shop. His rival is a devil whose beads aren't real coral at all but celluloid imitations. The rival merchant offers Piczenik a stock of the fake beads. Piczenik resists temptation, then succumbs to it, mixing the fake beads with real ones. But his new, tawdry offerings fail to win back customers. His reputation is lost, and his pride is shattered. He burns the celluloid beads, packs the real ones, and decides to emigrate, boarding a ship for Canada. But the ship sinks, and Piczenik goes down with it.
The narrator declines to comment on Piczenik's demise, leaving us to decide what to make of it. We may be tempted to conclude that Piczenik has it coming, that he reaps his just reward for worshipping a false god. But Roth presents Piczenik's theology as a mild, un-subversive sort of Jewish deism:
Now, the ancient god Jehovah had created everything, the earth and the beasts who walked upon it, the sea and all its creatures. But for the time being—namely, until the coming of the Messiah—he had left the supervision of all the animals and plants of the sea, and in particular of corals, to the care of the Leviathan, who lay curled on the seabed.
Or The Leviathan may look to us like a cautionary tale about the peril to traditional provincial folk of entering the modern world. After all, it is trains, ships, and plastics that lead to Piczenik's undoing. But since the shipment of coral to an inland village like Progrody would have depended on the establishment of a modern system of commerce, it would be a mistake to see Piczenik as that system's victim; he partakes of it from the outset. Nor does it seem likely that Roth would knowingly produce such a tale when he was no traditionalist at all but a cosmopolitan committed to the an imperial ideal in which sectarian differences are overcome by identification with and service to the state. But the conditions under which Roth was working in mid-1930s Europe must have made that ideal seem positively quaint. It was only a matter of time before the Leviathan, the collective entity formed as a stay against brutality, would turn brutality itself into a mass art, and few saw it coming more clearly than Roth himself:
As for the celluloid corals, [Piczenik] placed them on the copper tray of the samovar, and he set fire to them and watched them burning with a blue flame and a terrible stench. It took a long time: there were more than fifteen pud of fake corals. Indeed, all that was left of the celluloid was a gigantic heap of gray-black scrolled ashes, and a cloud of blue-gray smoke twisting round the oil lamp in the middle of the room.
That was Nissen Piczenik's farewell to his home.
Perhaps The Leviathan should be seen as Roth's farewell to the continent whose flames would have consumed him had he lived long enough for them to reach him: he died in 1939 at the age of forty-four. The extent to which he chose to drink himself to death is uncertain. Sometimes his death is accounted a suicide, sometimes not. Either way, flight doesn't seem to have been an option. There are comparable suggestions of choice and redemption in the description of our hero's end:
More than two hundred passengers went down with the Phoenix. They were drowned, of course.
But as far as Nissen Piczenik was concerned, who went down at the same time, one cannot simply say that he was drowned along with the others. It is truer to say that he went home to the corals, to the bottom of the ocean where the huge Leviathan lies coiled.
Indeed, the very name Piczenik, with its echo of the Slavic root for the words for "writer" and "scribe"—piczmennik is "writer" in Ukrainian, for example—invites us to think of the hero as a stand-in for Roth and so the ersatz corals that put Piczenik out of business as some sort of cheapened literary product, perhaps the journalism and genre fiction that Roth was forced to turn out at such a manic rate. But we wouldn't want to take the comparison much further. To ascribe particular correspondences to the elements of the story would be to try to turn it into the kind of fable or parable that its representation of modern experience transcends. If it stands for anything, Piczenik's isolation stands for the vacuum in which his story seems to be told. The implied audience that infuses traditional moral tales with their immemorial hopefulness, a sense that one way or another life will go on more or less as it has, is absent. The Leviathan issues from a world where fables and parables exist to transmit manners and customs toward one where the fundamental things, including the manner of transmission, would no longer apply. Oblivion alongside the lord of the depths must have seemed by comparison almost like a holiday on ice.
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About James Wallenstein
James Wallenstein's work has appeared in GQ, The Boston Review, The Believer, Raritan, The Antioch Review, The Hudson Review, elsewhere and beyond. He teaches at Wellesley College and is the author of the novel The Arriviste. Look wherever quality books were formerly sold for the supposedly forthcoming Manny D. Becomes a Man of Action. You won't be sorry, he says.
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text:
Jobs at CVS Health
CVS Health Jobs in
Woonsocket, RI
Want To Work At CVS Health?
Millions of times a day, close to home and across the country, we're helping people on their path to better health.
We're reinventing pharmacy to have a more active, supportive role in each person's unique health experience and in the greater health care environment—from advising on prescriptions to helping manage chronic and specialty conditions to providing quality walk-in medical care and pharmacy benefits management.
Because we're present in so many moments, in ways that are more affordable and effective, we're able to positively influence health behavior and shape the future of health care for people, businesses and communities. Health is everything.
CVS Health offers a wide range of exciting and fulfilling career opportunities across our three business units – MinuteClinic, Pharmacy Benefit Management (PBM) and Retail Pharmacy.
Whether you work in one of our retail stores or our distribution centers, are a pharmacist or pharmacy technician, work as a corporate professional, or are a nurse in one of our clinics, we seek out and reward your fresh ideas, new perspectives, and the unique contributions you will make to the company.
Pharmacist - Long Term Care
CVS Health - Rochester, NY
Job Description Omnicare, Inc. is a wholly owned subsidiary of CVS Health Corporation. www.cvshealth.com What We Do Directly, and through our subsidiaries, Omnicare provides a broad array of pharmacy-related services to long term care facilities and to other customers in the healthcare environment. While senior care has long been an Omnicare specialty, we also serve other ...
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CVS Health Jobs in Rochester, NY
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Job Description ** This full time travel role will provide infusion education to Omnicare contracted facilities in California and Nevada. Eligible candidates can live anywhere within the sate of CA preferably within 30-45 minutes from a major airport. ** This critically important role is responsible for providing consultative support to contracted Skilled Nursing (SNF) and Assi...
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Job Description The Operations Manager is a member of the Store Management team, and as such, fulfills the company purpose of helping people on their path to better health by driving store execution and performance while building consumer loyalty to CVS/pharmacy through a focus on excellent customer service. Under the supervision of the Store Manager, the Operations Manager w...
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Jobs in Shelby Charter Township, MI
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Automation Engineer - Kansas City
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Job Description As the Automation Engineer (AE) you will be responsible for automation and operations efficiencies in assigned distribution centers and automation equipment. The AE will be responsible for the development/design, testing and validation process of distribution center automation equipment from an electromechanical, controls, software, and human process design perspective...
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text:
Malhaar Virtual Video Festival- Season-2 (2)
mths
Lajpat Nagar, 110024, Delhi, Delhi, India
Does NOT have submission fees
Online Festival
Production date: Any
Festival description (Edition: 2)
Festival start: 09 July 2022 Festival end: 27 August 2022
After a fantastic first edition during the lockdown of 2020, Malhaar Film Festival is back with a more exciting part two. This year, we have condensed the format of Malhaar into a finite number of interesting themes, which are sure to give our creators a run for their money.
Submission lines shall soon be opened for films made by amateur/experienced/aspiring filmmakers from across the globe.
MALHAAR GOES LOCAL THIS YEAR
This time, we are inviting creators to showcase their storytelling in any vernacular language of the world. Themes and dates would be announced shortly...till then, stay tuned!
GOING LOCAL?
Thanks to technology and globalization, every language, no matter the number of its speakers, has a chance. Localization is the magic word, which is eliminating the monopoly of certain languages like English.
Although films in English is in the race too, equal importance shall be placed on regional languages from all parts of the world. Filmmakers whose native language is English, can truly submit in that as much.
With Malhaar Local on Global, a whole lot of content is in wait of being churned out of the environment, politics, characters, plot and treatment preferences of regional cinema. We're picking local this time, because we want to go deeper into the close-knit and impenetrable ethno-social pockets of the world, capturing the essence of these regions as we go.
+ Global virtual screening of selected videos / films
+ Visibility to producers, acquisition managers, OTT platforms, audience and press
+ Global Marketing and promotion of the film & the filmmaker
+ Filmmaker's virtual interaction with the live audience about the journey of the film
+ Filmmakers tweet chat with fans and audience at a predetermined date and time
+ Certificates and titles for different categories will be awarded
-All videos must be in the local language with English subtitles.
-Content creator to be 18+ years of age
-Match My [Talent] reserves the right in its sole discretion to reject or disqualify any ineligible entries
-Each filmmaker/content creator can submit multiple videos/films across different genres/themes.
ORIGINALITY AND PERMISSIONS; INDEMNITY
Films must be the original work of the applicants. If a film is based upon another person's life or other underlying work, the applicant(s) must secure all necessary rights to use the same. However, it is not necessary to submit the rights/agreements to Malhaar. Neither the Festival nor its jurists investigate or endorse the authenticity of an applicant's statement of authorship or rights secured. By entering the competition, you represent that you have secured all necessary rights.
Applicants are solely responsible for obtaining all necessary rights and permissions for third-party materials included in their films, including but not limited to music, trademarks, logos, copyrights, and other intellectual property rights. Match My [Talent] expressly disclaims all liability or responsibility for any violations of the foregoing.
DISCLAIMERS AND ACCOUNTABILITY
Match My [Talent] has no obligation (other than as stated in these rules or on our website) to disclose any of the following information: i) identities of screeners or judges; ii) notes, feedback, or information relating to the submitted project; and/or iii) details regarding the submission review or selection process.
SHORTLISTED VIDEOS Shortlisted entries will be announced on the website and also updated to the winner directly. The judges' decision is final.
Shortlisted content creators/filmmakers will be given 2-4 days to send with corrections/changes in format or style if any.
SCREENING FORMAT & DATES
Digital screening of each video will be as per the given schedule closer to the festival time.
Screening of each film will be followed by a live Q&A unless the filmmaker chooses out of it via email min 2 days before the screening date.
Selected Q&A's will be followed further on Twitter for increased engagement with the audience and industry
India Festival Dates: July 9th to July 16th
Global Festival Dates: August 20th to August 27th
Submissions for Theme based Festival opens from Jan 17th 2022 and Closes on April 30th 2022
Submissions for 360 Hour Project opens from April 1st and Closes on April 15th 2022
*Themes will be revealed on April 1st 2022*subject to change. Match My [Talent]' decision will be final.
Malhaar Earlybird
About Malhaar
After the aftermath of the Pandemic of 2020 where the human race has experienced life like never before, Malhaar is back with its second edition to form a collective consciousness. The themes are such which challenge the thinking hats of the creator's community.
Malhaar is soon going to be open for submissions from amateur/expert/enthusiast filmmakers from across the globe.
This time in Malhaar we are inviting creator's to showcase their talent in the form of short films in global vernacular languages. The themes and dates would be announced shortly, stay tuned and let other film making minds know about Malhaar till then!
GOING LOCAL MEANS?
Films are accepted by the filmmakers in their regional language with English subtitles. Either the living or the native location of the film-maker and its language could be chosen. In case the film-maker is from a location that only speaks English, they could submit the same with subtitles.
Apart from the language per say, what we mean by 'going local' is to capture the local essence of the topic you choose to work on. The local environment, politics, characters, plot and treatment. Don't bother if people outside that territory will understand it or not, if the story is put together effectively, it will be loved !


text:
Q: Java Hidden JTabbedPane I want when I click on tab1 or tab2. Japel display will hide or show,I want the results shown in Figure 2.I use the command jPanel2.setPreferredSize(new Dimension(0, 0));
Ex: If I have 10,I need setPreferredSize for 10 japanel with each tab.I want to ask a much easier way.

Events to click on my tab does not work properly.Please help me
/*
 * To change this license header, choose License Headers in Project Properties.
 * To change this template file, choose Tools | Templates
 * and open the template in the editor.
 */
package main;

import java.awt.Dimension;

/**
 *
 * @author KhongTuyen
 */
public class demo extends javax.swing.JFrame {

    /**
     * Creates new form demo
     */
    public demo() {
        initComponents();
        jPanel2.setVisible(false);
    }

    /**
     * This method is called from within the constructor to initialize the form.
     * WARNING: Do NOT modify this code. The content of this method is always
     * regenerated by the Form Editor.
     */
    @SuppressWarnings("unchecked")
    // <editor-fold defaultstate="collapsed" desc="Generated Code">
    private void initComponents() {

        jTabbedPane1 = new javax.swing.JTabbedPane();
        jPanel4 = new javax.swing.JPanel();
        jPanel1 = new javax.swing.JPanel();
        jPanel2 = new javax.swing.JPanel();

        setDefaultCloseOperation(javax.swing.WindowConstants.EXIT_ON_CLOSE);

        jTabbedPane1.setTabPlacement(javax.swing.JTabbedPane.BOTTOM);
        jTabbedPane1.addMouseListener(new java.awt.event.MouseAdapter() {
            public void mouseClicked(java.awt.event.MouseEvent evt) {
                jTabbedPane1MouseClicked(evt);
            }
        });
        jTabbedPane1.addChangeListener(new javax.swing.event.ChangeListener() {
            public void stateChanged(javax.swing.event.ChangeEvent evt) {
                jTabbedPane1StateChanged(evt);
            }
        });

        jPanel4.setPreferredSize(new java.awt.Dimension(395, 0));

        javax.swing.GroupLayout jPanel4Layout = new javax.swing.GroupLayout(jPanel4);
        jPanel4.setLayout(jPanel4Layout);
        jPanel4Layout.setHorizontalGroup(
            jPanel4Layout.createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
            .addGap(0, 395, Short.MAX_VALUE)
        );
        jPanel4Layout.setVerticalGroup(
            jPanel4Layout.createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
            .addGap(0, 0, Short.MAX_VALUE)
        );

        jTabbedPane1.addTab("tab1", jPanel4);

        jPanel1.setPreferredSize(new java.awt.Dimension(395, 0));

        javax.swing.GroupLayout jPanel1Layout = new javax.swing.GroupLayout(jPanel1);
        jPanel1.setLayout(jPanel1Layout);
        jPanel1Layout.setHorizontalGroup(
            jPanel1Layout.createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
            .addGap(0, 395, Short.MAX_VALUE)
        );
        jPanel1Layout.setVerticalGroup(
            jPanel1Layout.createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
            .addGap(0, 0, Short.MAX_VALUE)
        );

        jTabbedPane1.addTab("tab2", jPanel1);

        getContentPane().add(jTabbedPane1, java.awt.BorderLayout.PAGE_START);

        javax.swing.GroupLayout jPanel2Layout = new javax.swing.GroupLayout(jPanel2);
        jPanel2.setLayout(jPanel2Layout);
        jPanel2Layout.setHorizontalGroup(
            jPanel2Layout.createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
            .addGap(0, 400, Short.MAX_VALUE)
        );
        jPanel2Layout.setVerticalGroup(
            jPanel2Layout.createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
            .addGap(0, 253, Short.MAX_VALUE)
        );

        getContentPane().add(jPanel2, java.awt.BorderLayout.CENTER);

        pack();
    }// </editor-fold>

    private void jTabbedPane1MouseClicked(java.awt.event.MouseEvent evt) {
        int count = 0;
        if (count % 2 != 0) {
            jPanel2.setPreferredSize(new Dimension(0, 100));
            jPanel1.setPreferredSize(new Dimension(0, 100));
        } else {
            jPanel2.setPreferredSize(new Dimension(0, 0));
            jPanel1.setPreferredSize(new Dimension(0, 0));
        }
        count++;
    }

    private void jTabbedPane1StateChanged(javax.swing.event.ChangeEvent evt) {
        // TODO add your handling code here:
    }

    /**
     * @param args the command line arguments
     */
    public static void main(String args[]) {
        /* Set the Nimbus look and feel */
        //<editor-fold defaultstate="collapsed" desc=" Look and feel setting code (optional) ">
        /* If Nimbus (introduced in Java SE 6) is not available, stay with the default look and feel.
         * For details see http://download.oracle.com/javase/tutorial/uiswing/lookandfeel/plaf.html
         */
        try {
            for (javax.swing.UIManager.LookAndFeelInfo info : javax.swing.UIManager.getInstalledLookAndFeels()) {
                if ("Nimbus".equals(info.getName())) {
                    javax.swing.UIManager.setLookAndFeel(info.getClassName());
                    break;
                }
            }
        } catch (ClassNotFoundException ex) {
            java.util.logging.Logger.getLogger(demo.class.getName()).log(java.util.logging.Level.SEVERE, null, ex);
        } catch (InstantiationException ex) {
            java.util.logging.Logger.getLogger(demo.class.getName()).log(java.util.logging.Level.SEVERE, null, ex);
        } catch (IllegalAccessException ex) {
            java.util.logging.Logger.getLogger(demo.class.getName()).log(java.util.logging.Level.SEVERE, null, ex);
        } catch (javax.swing.UnsupportedLookAndFeelException ex) {
            java.util.logging.Logger.getLogger(demo.class.getName()).log(java.util.logging.Level.SEVERE, null, ex);
        }
        //</editor-fold>

        /* Create and display the form */
        java.awt.EventQueue.invokeLater(new Runnable() {
            public void run() {
                new demo().setVisible(true);
            }
        });
    }

    // Variables declaration - do not modify
    private javax.swing.JPanel jPanel1;
    private javax.swing.JPanel jPanel2;
    private javax.swing.JPanel jPanel4;
    private javax.swing.JTabbedPane jTabbedPane1;
    // End of variables declaration
}

A: Use a JSplitPane. You can click on a button on the divider to have the divider go to the minimum or maximum value of the divider.
However, in order for the divider to go to the minimum the getMinimumSize() method must return a Dimension of (0, 0).
Read the section from the Swing tutorial on How to Use Split Panes for more information and examples.

A: Did you mean something like this
import java.awt.BorderLayout;
import java.awt.Font;

import javax.swing.JFrame;
import javax.swing.JLabel;
import javax.swing.JPanel;
import javax.swing.JTabbedPane;
import javax.swing.JTextField;
import javax.swing.event.ChangeEvent;
import javax.swing.event.ChangeListener;

public class TabSample {
  static void add(JTabbedPane tabbedPane, String text) {
    String text1 = "";
    JPanel panel = new JPanel();
    if (text.equals("tab1")){
     text1 = "";
    }
     else
    {
     text1 = text;

    }

    JLabel label = new JLabel(text1);
    label.setFont(new Font(null,Font.BOLD,30));

    label.setText(text1);

    panel.add(label);
    tabbedPane.addTab(text,label);
  }

  public static void main(String args[]) {
    JFrame frame = new JFrame("Tabbed Pane Sample");
    frame.setDefaultCloseOperation(JFrame.EXIT_ON_CLOSE);

    JTabbedPane tabbedPane = new JTabbedPane();
tabbedPane.setTabPlacement(JTabbedPane.BOTTOM);
    String titles[] = { "tab1", "Jpanel Display 2"};
    for (int i = 0, n = titles.length; i < n; i++) {

      add(tabbedPane, titles[i]);
    }

    ChangeListener changeListener = new ChangeListener() {
      public void stateChanged(ChangeEvent changeEvent) {
        JTabbedPane sourceTabbedPane = (JTabbedPane) changeEvent.getSource();
        int index = sourceTabbedPane.getSelectedIndex();
        System.out.println("Tab changed to: " + sourceTabbedPane.getTitleAt(index));
      }
    };
    tabbedPane.addChangeListener(changeListener);
    frame.add(tabbedPane, BorderLayout.CENTER);
    frame.setSize(400, 150);
    frame.setVisible(true);
  }
}


This sturdy spiral bound notebook features both full month spreads, a week at a glance, monthly and weekly todo lists, and plenty of blank pages for notes and sketches. The size is perfect to carry around with you, but large enough for the most detailed note taker. Each planner comes with one oversized brass book clip for easy place finding.
The cover art is printed in gold on black and is ready to help keep you focused on all your dreams and projects for the next 12 months!


Eyes Wide Open is a metalcore band from Sweden who's won the hearts of fans far across the Swedish borders.
Since the start in 2011 the band has released two albums, done four tours through Europe and visited the most and the best of the metal festivals in Sweden. Right now they are preparing for the release of their third full length album "The Upside Down".
In other words: this Swedish melodic metalcore band can most certainly be called a hard working band.
Eyes Wide Open is Kristofer Strandberg, Jesper Lindgren, Karl Adamsson och Erik Engstrand.


Over the past few years the public has been bombarded with crisis headlines screaming that the 'antibiotic apocalypse is nearing', 'drug-resistant bacteria will send us back to the dark ages'.
While these headlines tend to have varying levels of impact on the majority of us, mostly the message is beginning to seep through. But it doesn't mean behaviours are changing. For this takes time, time we don't have.
One statistic that frequently appears is that by 2050 antibiotic resistant infections will cause 10 million deaths per year (see figure 1)1. So in this microbiological-panic stricken era it's time to turn to those who can step up to the plate and help alleviate the pressure placed upon antibiotics by resistant bacteria.
A vital turn in the tide of thinking comes from the latest instalment of Jim O'Neill's review on AMR: Vaccines and alternative approaches: reducing our dependence on antimicrobials2. The report addresses the fact that even with increased investment in new antibiotics, there's no guarantee that we will be able to find enough new antibiotics to tackle drug resistance in the long-term.
Recognising the potential value in novel approaches and investing in their development is crucial to regaining control over our bacterial enemies. As discussed in the review, alternatives may not provide a complete replacement for antibiotics, but it can make them more effective and reduce the likelihood of resistance.
Lysins are mentioned as one of the six alternative products to tackle infections (see figure 2). These are enzymes that are able to kill bacteria by breaking their bacterial cell wall. One special category of lysins is endolysins, used for millions of years by phages (bacteria's natural enemy), to break free from their host following multiplication within the bacterial cell. This is a crucial step in the replication cycle of phages and therefore, resistance to endolysins has not been observed, nor is it expected. Endolysins have the ability to act specifically, rapidly, and fatally against certain bacteria.
Micreos has developed a unique endolysin named Staphefekt, which targets Staphylococcus aureus, including MRSA. Staphefekt is the world's first endolysin available for human use. It can be applied to the skin to reduce the symptoms associated with skin conditions where antibiotics would otherwise be prescribed. Crucially this means antibiotics can be saved for a more desperate time further down the infection continuum.
Following the recent €12 million round of fundraising4, Micreos are planning to take Staphefekt into the next stage of development. In addition to atopic dermatitis (eczema), Micreos are striving for approval of Staphefekt in diabetic wound infections, ulcers and burn wounds. These are all conditions where antibiotics would usually be the first choice.
While the process is slow, biotech companies like Micreos are filling the innovation gap. Simply looking for the next class of antibiotic is a naive approach to the problem. With resistance rates increasing and given that antibiotics do not differentiate between harmful and beneficial bacteria, the emphasis for innovation now turns to alternatives.


text:
Q: Find all natural number(s) $n$ such that $55\mid n^2 + 3n + 1$
Find all natural number(s) $n$ such that $55\mid n^2 + 3n + 1$

I see that $n^2+3n+1 =n^2-2n+1+5n\equiv n^2-2n+1=(n-1)^2 \pmod{5}$
I also see that $n^2+3n+1=n^2+3n-10+11=(n-2)(n+5)+11\equiv(n-2)(n+5) \pmod{11}$
After that what?

A: from what you deduced we have $n\equiv 1 \bmod 5$ and $n\equiv 2$ or $n\equiv 6 \bmod 11$.
This tells us $n\equiv 46$ or $n\equiv 6 \bmod 55$.

A: There are infinitely many solutions, in particular you have the identity
$$(55t-119)^2+3(55t-119)+1=55(55t^2-235t+251)$$which shows solutions $x=55t-119$ for each integer $t$ you choose. There are maybe other solutions out of this infinity of them.


The report makes preliminary recommendations aiming to address Google and Facebook's market power and promote increased consumer choice, including a proposal that would prevent Google's internet browser (Chrome) being installed as a default browser on mobile devices, computers and tablets and Google's search engine being installed as a default search engine on internet browsers.
Submissions should be made by email to platforminquiry@accc.gov.au by 15 February 2019.
A media conference will be held at Level 6, the Westin Sydney at 12.30pm.
The ACCC must provide a final report to the Government by 3 June 2019.


Microsoft Loses Landmark Ruling - InternetNews.
As expected, the gavel fell on Microsoft Corp. Wednesday afternoon when Judge Thomas Penfield Jackson, of the United States District Court for the District of Columbia, handed down his final judgment in which he sided with the Department of Justice's plan to split the company in two.
Judge Jackson swept aside the company's complaints that it needed more time to argue against the government's plan.
"Microsoft claims, in effect, to have been surprised by the "draconian" and "unprecedented" remedy the plaintiffs recommend," Judge Jackson wrote in his Memorandum and Order. "Microsoft's profession of surprise is not credible. From the inception of this case Microsoft knew, from well-established Supreme Court precedents dating from the beginning of the last century, that a mandated divestiture was a possibility, if not a probability, in the event of an adverse result at trial."
"Its failure to anticipate and to prepare to meet such an eventuality gives no reason to afford it an opportunity to do so now," he said.
Jackson's ruling, as anticipated, calls for Microsoft to be divided into an two companies: one which would focus on operating systems and the other applications, such as Microsoft Office. Further, he ruled Microsoft must transfer the assets of one of the companies to a separate entity, including "all personnel, systems, and other tangible and intangible assets, including intellectual property, used to develop, produce, distribute, market, promote, sell, license and support the products and services of the separated business and such other assets as are necessary to operate the separated business as an independent and economically viable entity."
He also ruled that any intellectual property that is used in products developed, distributed or sold by the applications business and the operating systems business as of April 27, will revert to the applications unit. The operating systems company will be granted a "perpetual, royalty-free license to license and distribute" that intellectual property -- excepting intellectual property related to the Internet browser -- in its products.
Providing each other with any product or service on terms more favorable than those available to a similarly situated third party.
Room was also made for a compliance committee made up of Microsoft's board of directors and at least three members who are not and never have been Microsoft employees. The ruling also establishes a chief compliance officer reporting directly to the committee and Microsoft's chief executive officer.
The judge gave Microsoft four months to submit a proposed plan of divestiture to the Court and the government. He required that the plan provide for completion of the divestiture within 12 months of the plan's approval and resolution of any appeals Microsoft may file. He gave the government 60 days from the submission of the plan to submit objections. Microsoft would then have 30 days to submit a response to the government's objections.


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