text:
Nauvoo City Council Minute Book, 3 February 1841–8 February 1845
Ordinance, 3 February 1841–A Page 2 Ordinance, 3 February 1841–B Page 4 Minutes and Ordinances, 3 February 1841 • Wednesday Page 1 Ordinance, 8 February 1841 Page 6 Minutes and Ordinance, 8 February 1841 • Monday Page 5 Minutes and Ordinance, 15 February 1841 • Monday Page 7 Ordinance, 15 February 1841 Page 8 Minutes, Resolutions, and Ordinances, 22 February 1841 • Monday Page 8 Ordinance, 22 February 1841 Page 9 Resolution, 22 February 1841–A Page 9 Resolution, 22 February 1841–B Page 10 Ordinance, 1 March 1841–D Page 12 Minutes, Ordinances, and Resolution, 1 March 1841 • Monday Page 11 Ordinance, 1 March 1841–B Page 11 Ordinance, 1 March 1841–C Page 9 Ordinance, 1 March 1841–E Page 13 Ordinance, 1 March 1841–F Page 14 Resolution, 1 March 1841–B Page 14 Ordinance, 1 March 1841–A Page 11 Minutes, 8 March 1841 • Monday Page 15 Minutes, 15 March 1841 • Monday Page 16 Minutes and Ordinance, 29 March 1841 • Monday Page 17 Ordinance, 29 March 1841 Page 17 Minutes, 12 April 1841 • Monday Page 17 Minutes, 26 April 1841 • Monday Page 18 Minutes, 1 May 1841 • Saturday Page 18 Minutes, 21 May 1841 • Friday Page 19 Minutes, 12 July 1841 • Monday Page 20 Resolution, 4 September 1841 Page 21 Minutes and Resolution, 4 September 1841 • Saturday Page 21 Minutes, 16 October 1841 • Saturday Page 22 Resolution, 23 October 1841 Page 24 Minutes and Resolution, 23 October 1841 • Saturday Page 24 Minutes, 30 October 1841 • Saturday Page 25 Minutes, 1 November 1841 • Monday Page 27 Resolution, 6 November 1841–B Page 29 Minutes and Resolutions, 6 November 1841 • Saturday Page 28 Resolution, 6 November 1841–C Page 29 Resolution, 6 November 1841–A Page 29 Minutes, Resolution, and Ordinances, 13 November 1841 • Saturday Page 29 Ordinance, 13 November 1841–A Page 30 Ordinance, 13 November 1841–B Page 30 Resolution, 13 November 1841 Page 30 Ordinance, 13 November 1841–C Page 31 Minutes, 20 November 1841 • Saturday Page 32 Resolution, 27 November 1841–D Page 35 Ordinance, 27 November 1841–B Page 34 Resolution, 27 November 1841–B Page 35 Resolution, 27 November 1841–C Page 35 Minutes, Resolutions, and Ordinances, 27 November 1841 • Saturday Page 33 Resolution, 27 November 1841–A Page 33 Ordinance, 27 November 1841–A Page 33 Resolution, 4 December 1841–A Page 36 Resolution, 4 December 1841–B Page 36 Minutes and Resolutions, 4 December 1841 • Saturday Page 35 Resolution, 18 December 1841–A Page 37 Minutes and Resolutions, 18 December 1841 • Saturday Page 36 Resolution, 18 December 1841–B Page 37 Minutes, 1 January 1842 • Saturday Page 38 Minutes, 15 January 1842 • Saturday Page 39 Minutes, Resolutions, and Ordinance, 22 January 1842 • Saturday Page 41 Resolution, 22 January 1842–D Page 43 Ordinance, 22 January 1842 Page 43 Resolution, 22 January 1842–A Page 42 Resolution, 22 January 1842–B Page 42 Resolution, 22 January 1842–C Page 43 Minute Entry, Rules of Order, 22 January 1842 Page 45 Resolution, 12 February 1842–C Page 53 Minute Entry, Approval of Claim, 12 February 1842 Page 53 Minutes, Resolutions, and Ordinance, 12 February 1842 • Saturday Page 53 Resolution, 12 February 1842–B Page 53 Resolution, 12 February 1842–D Page 53 Resolution, 12 February 1842–E Page 54 Ordinance, 12 February 1842 Page 54 Resolution, 12 February 1842–A Page 53 Resolution, 17 February 1842–B Page 59 Resolution, 17 February 1842–A Page 58 Minute Entry, Resignation of Fees of City Officers, 17–18 February 1842 Page 60 Ordinance, 17 February 1842 Page 76 Resolution, 17 February 1842–D Page 59 Resolution, 17 February 1842–C Page 59 Resolution, 18 February 1842–A Page 59 Resolution, 18 February 1842–B Page 60 City Council Order, 18 February 1842 Page 59 Resolution, 5 March 1842–F Page 61 Resolution, 5 March 1842–C Page 60 Resolution, 5 March 1842–G Page 62 Resolution, 5 March 1842–A Page 60 Resolution, 5 March 1842–D Page 61 Resolution, 5 March 1842–E Page 61 Ordinance, 5 March 1842–A Page 62 Resolution, 5 March 1842–B Page 60 Resolution, 5 March 1842–H Page 65 Resolution, 5 March 1842–I Page 65 Resolution, 5 March 1842–J Page 65 Resolution, 5 March 1842–K Page 65 Resolution, 5 March 1842–L Page 66 Resolution, 5 March 1842–M Page 66 Ordinance, 5 March 1842–B Page 66 Minute Entry, Appointment of JS, 5 March 1842 Page 67 Resolution, 5 March 1842–O Page 67 Resolution, 5 March 1842–N Page 66 Resolution, 9 April 1842–A Page 67 Resolution, 9 April 1842–G Page 69 Resolution, 9 April 1842–H Page 69 Ordinance, 9 April 1842–A Page 69 Resolution, 9 April 1842–I Page 69 Resolution, 9 April 1842–F Page 68 Resolution, 9 April 1842–E Page 68 Resolution, 9 April 1842–D Page 68 Resolution, 9 April 1842–J Page 69 Resolution, 9 April 1842–B Page 67 Ordinance, 9 April 1842–B Page 70 Court Case, Higgins v. Robison, 9 April 1842 Page 68 Resolution, 9 April 1842–C Page 68 Resolution, 9 April 1842–M Page 70 Resolution, 9 April 1842–L Page 70 Resolution, 9 April 1842–K Page 70 Resolution, 22 April 1842–D Page 76 Resolution, 22 April 1842–C Page 76 Resolution, 22 April 1842–A Page 75 Ordinance, 22 April 1842–B Page 74 Ordinance, 22 April 1842–C Page 74 Resolution, 22 April 1842–B Page 75 Ordinance, 22 April 1842–A Page 73 Ordinance, 22 April 1842–D Page 75 Resolution, 14 May 1842–B Page 77 Resolution, 14 May 1842–G Page 80 Resolution, 14 May 1842–F Page 80 Ordinance, 14 May 1842–B Page 78 Resolution, 14 May 1842–C Page 78 Ordinance, 14 May 1842–A Page 77 Resolution, 14 May 1842–A Page 77 Resolution, 14 May 1842–D Page 79 Ordinance, 14 May 1842–C Page 79 Resolution, 14 May 1842–E Page 79 Resolution, 19 May 1842–A Page 80 Minute Entry, Appointments of George A. Smith and Others, 19 May 1842 Page 82 Resolution, 19 May 1842–F Page 83 Resolution, 19 May 1842–G Page 83 Resolution, 19 May 1842–D Page 82 Resolution, 19 May 1842–E Page 82 Resolution, 19 May 1842–C Page 82 Minute Entry, Appointment of JS, 19 May 1842 Page 81 Minute Entry, Appointment of Hyrum Smith, 19 May 1842 Page 81 Resolution, 19 May 1842–B Page 81 Minute Entry, Appointment of George A. Smith, 19 May 1842 Page 81 Minute Entry, Appointment of William Smith, 19 May 1842 Page 81 Resolution, 23 May 1842–B Page 83 Resolution, 23 May 1842–A Page 83 Minute Entry, Appointment of Samuel Smith, 23 May 1842–A Page 83 Minute Entry, Appointment of Samuel Smith, 23 May 1842–B Page 84 Resolution, 23 May 1842–D Page 84 Resolution, 23 May 1842–C Page 84 Minute Entry, Appointment of Dimick B. Huntington, 23 May 1842 Page 83 Resolution, 11 June 1842–A Page 84 Resolution, 11 June 1842–B Page 84 Resolution, 11 June 1842–D Page 85 Resolution, 11 June 1842–C Page 85 Minute Entry, Appointment of Samuel Smith, 11 June 1842 Page 84 Resolution, 11 June 1842–E Page 85 Minute Entry, Appointment of Charles Warner, 11 June 1842 Page 85 Ordinance, 22 June 1842 Page 86 Resolution, 22 June 1842 Page 86 Ordinance, 5 July 1842–B Page 87 Ordinance, 5 July 1842–C Page 87 Resolution, 5 July 1842 Page 88 Ordinance, 5 July 1842–A Page 86 Ordinance, 12 July 1842–A Page 88 Ordinance, 12 July 1842–B Page 93 City Council Order, 12 July 1842–A Page 94 City Council Order, 12 July 1842–B Page 94 Minute Entry, Appointments of Dimick B. Huntington and Charles Warner, 12 July 1842 Page 94 Ordinance, 12 July 1842–C Page 94 Petition, Hyrum Smith and Others to Thomas Carlin, 22 July 1842 Page 95 Resolution, 22 July 1842 Page 95 Minute Entry, Appointment of Amasa Lyman, 5 August 1842 Page 97 Ordinance, 8 August 1842 Page 98 Minute Entry, Appointment of Orson Spencer, 20 August 1842 Page 100 Resolution, 20 August 1842–B Page 99 Resolution, 20 August 1842–A Page 99 Resolution, 20 August 1842–D Page 100 Minute Entry, Appointment of Amasa Lyman, 20 August 1842 Page 100 Resolution, 20 August 1842–E Page 100 Resolution, 20 August 1842–C Page 99 Minute Entry, Appointments of Shadrach Roundy and Others, 9 September 1842 Page 101 Ordinance, 9 September 1842 Page 101 Minute Entry, Appointment of William Clayton, 9 September 1842 Page 101 Minute Entry, Appointment of Dimick B. Huntington, 9 September 1842 Page 101 Resolution, 9 September 1842 Page 100 Minute Entry, Appointment of James Sloan, 26 September 1842 Page 103 Minute Entry, 26 September 1842 Page 103 Ordinance, 26 September 1842–B Page 102 Minute Entry, Approval of Claim, 26 September 1842 Page 103 Ordinance, 26 September 1842–C Page 102 Ordinance, 26 September 1842–A Page 101 Minute Entry, Approval of Claim, 8 October 1842 Page 103 Resolution, 8 October 1842–A Page 103 Resolution, 8 October 1842–B Page 104 Resolution, 8 October 1842–C Page 104 Ordinance, 25 October 1842–B Page 105 Ordinance, 25 October 1842–A Page 104 Minute Entry, 25 October 1842 Page 105 Ordinance, 31 October 1842 Page 106 City Council Order, 31 October 1842 Page 105 Resolution, 12 November 1842 Page 118 City Council Order, 14 November 1842 Page 129 Ordinance, 14 November 1842 Page 119 Minute Entry, 14 November 1842 Page 129 Resolution, 26 November 1842 Page 131 Ordinance, 26 November 1842 Page 129 Minute Entry, Appointments of John Higbee and Others, 26 November 1842 Page 130 Minute Entry, Appointments of George W. Harris and Others, 14 January 1843 Page 140 Report from Lewis Robison, 14 January 1843 Page 146 Resolution, 14 January 1843–A Page 131 Ordinance, 14 January 1843–A Page 131 Ordinance, 14 January 1843–B Page 141 Resolution, 14 January 1843–B Page 140 Resolution, 14 January 1843–C Page 147 Minute Entry, Approval of Claim, 30 January 1843 Page 148 City Council Order, 30 January 1843–G Page 158 City Council Order, 30 January 1843–D Page 149 Resolution, 30 January 1843–B Page 149 City Council Order, 30 January 1843–F Page 158 Resolution, 30 January 1843–C Page 149 Ordinance, 30 January 1843 Page 149 City Council Order, 30 January 1843–B Page 147 Resolution, 30 January 1843–A Page 148 City Council Order, 30 January 1843–C Page 148 Resolution, 30 January 1843–D Page 159 City Council Order, 30 January 1843–A Page 147 City Council Order, 30 January 1843–E Page 149 Ordinances, 30 January 1843 Page 151 Resolution, 11 February 1843–D Page 161 Minute Entry, Committee Appointments, 11 February 1843 Page 159 Resolution, 11 February 1843–B Page 160 Resolution, 11 February 1843–A Page 160 Notice of Election of City Officers, 11 February 1843 Page 159 Resolution, 11 February 1843–C Page 160 Minute Entry, Resignation of Fees, 11 February 1843 Page 161 City Council Order, 11 February 1843–B Page 161 City Council Order, 11 February 1843–A Page 161 Minute Entry, Board of Health, 11 February 1843 Page 159 Ordinance, 25 February 1843–A Page 162 Minute Entry, 25 February 1843–A Page 162 City Council Order, 25 February 1843 Page 162 Resolution, 25 February 1843 Page 166 Minute Entry, 25 February 1843–B Page 167 Ordinance, 25 February 1843–B Page 163 Minute Entry, Appointment of Wilson Law, 25 February 1843 Page 167 Minute Entry, Appointments of Albert P. Rockwood and Others, 4 March 1843 Page 168 Minute Entry, Appointment of Samuel Bennett, 4 March 1843 Page 168 Minute Entry, Appointment of JS, 4 March 1843 Page 168 Ordinance, 4 March 1843 Page 167 City Council Order, 4 March 1843 Page 169 Minute Entry, Approval of Claim, 11 March 1843–B Page 169 Minute Entry, Approval of Claim, 11 March 1843–A Page 169 City Council Order, 11 March 1843–A Page 169 City Council Order, 11 March 1843–B Page 169 Minute Entry, Approval of Claim, 11 March 1843–C Page 170 Minute Entry, Approval of Claim, 11 March 1843–D Page 170 Resolution, 11 March 1843 Page 170 Ordinance, 11 March 1843 Page 170 Letter, Thompson Campbell to James Sloan, 14 April 1843 Page 172 City Council Order, 15 April 1843–C Page 171 Minute Entry, Resignation of Fees, 15 April 1843 Page 172 City Council Order, 15 April 1843–A Page 170 City Council Order, 15 April 1843–D Page 172 Minute Entry, Rejection of Petition, 15 April 1843 Page 171 City Council Order, 15 April 1843–B Page 171 City Council Order, 12 May 1843–B Page 174 Ordinance, 12 May 1843 Page 173 City Council Order, 12 May 1843–C Page 174 City Council Order, 12 May 1843–A Page 174 Minute Entry, Approval of Claim, 1 June 1843–A Page 176 Minute Entry, Approval of Claim, 1 June 1843–B Page 179 Ordinance, 1 June 1843–B Page 177 Minute Entry, Approval of Claim, 1 June 1843–D Page 180 Minute Entry, Appointments of Edward Hunter and Others, 1 June 1843 Page 180 Ordinance, 1 June 1843–A Page 175 Minute Entry, Approval of Claim, 1 June 1843–C Page 179 Letter, John Taylor and Others to Thomas Ford, 6 June 1843 Page 177 Minute Entry, Approval of Claim and Order, 7 June 1843 Page 180 Ordinance, 10 June 1843 Page 181 City Council Order, 10 June 1843 Page 182 Minute Entry, 10 June 1843 Page 180 Minute Entry, Rejection of Petitions, 10 June 1843 Page 181 Ordinance, 29 June 1843–C Page 185 Ordinance, 29 June 1843–B Page 184 Ordinance, 29 June 1843–A Page 182 City Council Order, 12 August 1843 Page 186 Ordinance, 12 August 1843 Page 186 Minute Entry, Appointment of Willard Richards, 12 August 1843 Page 186 Ordinance, 18 September 1843–A Page 187 Ordinance, 18 September 1843–B Page 188 Minute Entry, Appointment of William E. Horner, 14 October 1843 Page 189 Minute Entry, 31 October 1843 Page 189 Minute Entry, Appointment of Albert P. Rockwood and Others, 11 November 1843 Page 190 Minute Entry, Approval of Petition, 11 November 1843 Page 190 Minute Entry, Approval of Claims, 11 November 1843 Page 189 Minute Entry, 11 November 1843 Page 190 Minute Entry, 15 November 1843 Page 191 Minute Entry, between circa 23 and circa 25 November 1843 Page 191 Ordinance, 8 December 1843–B Page 192 Ordinance, 8 December 1843–A Page 191 Ordinance, 12 December 1843–C Page 194 Resolution, 12 December 1843–B Page 194 Resolution, 12 December 1843–C Page 194 Ordinance, 12 December 1843–B Page 193 Resolution, 12 December 1843–A Page 193 Ordinance, 12 December 1843–A Page 193 Minute Entry, Approval of Claim, 16 December 1843 Page 197 Resolution, 16 December 1843 Page 197 Minutes, 16 December 1843 Page 194 Minute Entry, Approval of Claim, 21 December 1843 Page 197 Ordinance, 16 December 1843–B Page 196 Ordinance, 16 December 1843–A Page 195 Minute Entry, between circa 21 and circa 22 December 1843 Page 198 Minutes, 21 December 1843 Page 198 Ordinance, 21 December 1843 Page 197 Minute Entry, Approval of Petition, 29 December 1843 Page 199 Minute Entry, 29 December 1843 Page 199 Amendment to Ordinance, 10 January 1844 Page 200 Minutes and Ordinance, 10 January 1844 • Wednesday Page 199 Minute Entry, Approval of Petition, 13 January 1844 Page 200 Amendment to Ordinance, 13 January 1844 Page 200 Ordinance, 16 January 1844–C Page 202 Minute Entry, Approval of Claims, 16 January 1844 Page 203 Ordinance, 16 January 1844–B Page 201 Ordinance, 16 January 1844–A Page 201 Minute Entry, 17 January 1844 Page 202 Minute Entry, Pay Order for Thomas Bullock, 12 February 1844 Page 205 Minute Entry, Report and Orders, 12 February 1844 Page 204 Ordinance, 12 February 1844–A Page 203 Ordinance, 12 February 1844–B Page 204 Minute Entry, Order, 12 February 1844 Page 204 Minutes, 12 February 1844 Page 205 Minute Entry, 1 March 1844 Page 205 Minute Entry, Motion, 5 March 1844 Page 206 Minute Entry, Approval of Claim, 9 March 1844–C Page 206 Minute Entry, Motion, 9 March 1844 Page 206 Minute Entry, Approval of Claim, 9 March 1844–A Page 206 Minute Entry, Approval of Claim, 9 March 1844–B Page 206 Minute Entry, Approval of Claim, 12 March 1844 Page 206 Minute Entry, Approval of Claim, circa 12 March 1844 Page 207 Minute Entry, Motion, 13 April 1844 Page 207 Minute Entry, Appointment of George Stiles, 13 April 1844 Page 207 Minute Entry, Approval of Petition, 29 April 1844–A Page 207 Minute Entry, 29 April 1844 Page 208 Minute Entry, Approval of Claim, 29 April 1844 Page 207 Minute Entry, Motion, 29 April 1844 Page 207 Minute Entry, Approval of Petition, 29 April 1844–B Page 208 Minute Entry, Remittance of Fine, 29 April 1844 Page 208 Minute Entry, 16 May 1844 Page 208 Minute Entry, Approval of Claim, 8 June 1844–A Page 208 Minute Entry, Approval of Claim, 8 June 1844–B Page 209 Minute Entry, 8 June 1844–B Page 208 Minute Entry, Motion, 8 June 1844 Page 209 Ordinance, 8 June 1844 Page 209 Minute Entry, 8 June 1844–A Page 208 Minute Entry, 10 June 1844–A Page 211 Minute Entry, Declaration and Order, 10 June 1844 Page 211 Minute Entry, Approval of Petition, 10 June 1844 Page 212 Minute Entry, 10 June 1844–B Page 212 Ordinance, 10 June 1844 Page 210 Minute Entry, Summons, 11 June 1844 Page 212 Minute Entry, 21 June 1844 Page 212 Minute Entry, Motion, 1 July 1844 Page 213 Minutes, 1 July 1844 Page 212 Resolution, 1 July 1844 Page 212 Minute Entry, Motion, 2 July 1844–C Page 213 Minute Entry, Motion, 2 July 1844–B Page 213 Minute Entry, Motion, 2 July 1844–A Page 213 Minute Entry, Approval of Claim, 13 July 1844 Page 214 Resolution, 13 July 1844 Page 213 Ordinance, 10 August 1844–A Page 214 Minute Entry, 10 August 1844–E Page 217 Minute Entry, 10 August 1844–D Page 217 Oath of Daniel Spencer, 10 August 1844 Page 216 Minute Entry, Appointment of Daniel Spencer, 10 August 1844 Page 216 Minute Entry, Motion, 10 August 1844 Page 216 Minute Entry, Resignation of Fees, 10 August 1844 Page 216 Minute Entry, 10 August 1844–C Page 217 Minute Entry, 10 August 1844–B Page 215 Minute Entry, 10 August 1844–A Page 214 Minute Entry, Approval of Petition, 10 August 1844–A Page 214 Ordinance, 10 August 1844–B Page 217 Minute Entry, Report and Order, 10 August 1844 Page 215 Minute Entry, Approval of Petition, 10 August 1844–B Page 216 Minute Entry, between circa 20 and circa 30 August 1844 Page 227 Statement of Hiram Kimball, 14 September 1844 Page 218 Minute Entry, Motion, 14 September 1844–C Page 218 Minute Entry, Motion, 14 September 1844–G Page 219 Minute Entry, Motion, 14 September 1844–A Page 217 Minute Entry, Motion, 14 September 1844–E Page 218 Ordinance, 14 September 1844 Page 218 Minute Entry, Motion, 14 September 1844–B Page 217 Minute Entry, Motion, 14 September 1844–D Page 218 Minute Entry, Motion, 14 September 1844–F Page 219 Minute Entry, 18 September 1844–B Page 223 Minute Entry, 18 September 1844–A Page 223 Minute Entry, 12 October 1844 Page 219 Resolution, 12 October 1844–B Page 219 Ordinance, 12 October 1844–B Page 228 Minute Entry, Motion, 12 October 1844–C Page 220 Resolution, 12 October 1844–A Page 219 Ordinance, 12 October 1844–A Page 219 Minute Entry, Motion, 12 October 1844–A Page 220 Minute Entry, Motion, 12 October 1844–B Page 220 Minute Entry, 1 November 1844 Page 223 Minute Entry, Motion, 9 November 1844–C Page 221 Minute Entry, Approval of Claims, 9 November 1844 Page 221 Ordinance, 9 November 1844–C Page 222 Ordinance, 9 November 1844–B Page 222 Minute Entry, Motion, 9 November 1844–D Page 222 Minute Entry, Motion, 9 November 1844–E Page 223 Ordinance, 9 November 1844–A Page 222 Minute Entry, Approval of Claim, 9 November 1844 Page 221 Minute Entry, Motion, 9 November 1844–B Page 221 Minute Entry, Motion, 9 November 1844–A Page 221 Minute Entry, 9 November 1844 Page 220 Minute Entry, Appointment of Thomas Bullock, 9 December 1844 Page 223 Minute Entry, 10 December 1844 Page 223 Minute Entry, Approval of Claims, 14 December 1844 Page 226 Minute Entry, Motion, 14 December 1844–B Page 227 Ordinance, 14 December 1844–C Page 227 Minute Entry, Approval of Petition, 14 December 1844 Page 226 Ordinance, 14 December 1844–B Page 224 Ordinance, 14 December 1844–A Page 224 Minute Entry, Motions, 14 December 1844 Page 224 Minute Entry, Motions, 14 December 1844 Page 226 Minute Entry, Motion, 14 December 1844–A Page 227 Minute Entry, Motion, 11 January 1845 Page 230 Ordinance, 11 January 1845–E Page 229 Ordinance, 11 January 1845–D Page 229 Ordinance, 11 January 1845–G Page 230 Ordinance, 11 January 1845–F Page 230 Ordinance, 11 January 1845–A Page 228 Ordinance, 11 January 1845–B Page 229 Minute Entry, Approval of Claims, 11 January 1845 Page 228 Ordinance, 11 January 1845–C Page 229 Minutes and Resolutions, 13 January 1845 • Monday Page 231 Minute Entry, 7 February 1845 Page 233 Notice of Election of Orson Spencer and Others, 7 February 1845 Page 234 Ordinance, 8 February 1845–B Page 237 Minutes and Ordinances, 8 February 1845 • Saturday Page 234 Minute Entry, 8 February 1845 Page 234 Ordinance, 8 February 1845–A, Rough Draft Page [0] Ordinance, 8 February 1845–A Page 235 Ordinance, 8 February 1845–B, Rough Draft Page [0] Minutes and Ordinances, 8 February 1845, Rough Draft Page [0]
City Council, Minute Book, 3 Feb. 1841–8 Feb. 1845; handwriting of
James Sloan
28 Oct. 1792–24 Oct. 1886. City recorder, notary public, attorney, judge, farmer. Born in Donaghmore, Co. Tyrone, Ireland. Son of Alexander Sloan and Anne. Married Mary Magill. Baptized into Church of Jesus Christ of Latter-day Saints. Ordained an elder, ...
15 Dec. 1806–after 1870. Bookkeeper, clerk, rope maker, laborer. Born in Burslem, Staffordshire, England. Moved to Lancashire, England, before 1832. Married Catherine Burgess, before 1832, in Lancashire. Moved to Salford, Lancashire, before 1840. Baptized...
; 242 pages, including one inserted leaf; CHL.
The Petition of
Alanson Ripley
8 Jan. 1798–before 1860. Surveyor, lawyer. Born at New York. Son of Asa Ripley and Polly Deforest. Married Sarah Finkle. Resided in Massachusetts, 1827. Member of Church of Jesus Christ of Latter-day Saints in Ohio. Participated in Camp of Israel expedition...
City Surveyor, was allowed, for Three Dollars, for Surveying the first Street East of Warsaw Street.
Ebenezer Robinson
25 May 1816–11 Mar. 1891. Printer, editor, publisher. Born at Floyd (near Rome), Oneida Co., New York. Son of Nathan Robinson and Mary Brown. Moved to Utica, Oneida Co., ca. 1831, and learned printing trade at Utica Observer. Moved to Ravenna, Portage Co....
for $52,50, was allowed, as per his account furnished.
Dimick B. Huntington
26 May 1808–1 Feb. 1879. Farmer, blacksmith, shoemaker, constable, coroner, deputy sheriff, Indian interpreter. Born at Watertown, Jefferson Co., New York. Son of William Huntington and Zina Baker. Married Fannie Maria Allen, 28 Apr. 1830. Baptized into Church...
was allowed, for Five Dollars, for Summoning City Council, & noticing Aldermen to lodge Bonds, noticing Assessor & Collector, &
Leonard Soby
Ca. 1810–14 Dec. 1892. Tobacco merchant. Born in Pennsylvania. Son of David Soby. Married Helen. Baptized into Church of Jesus Christ of Latter-day Saints, by 1840. Moved to Nauvoo, Hancock Co., Illinois, by June 1840. Received elder's license, 6 Dec. 1840...
to do the like, also the High Constables, & posting up ordinances, & Resolutions.
Colr.
Wilson Law
26 Feb. 1806–15 Oct. 1876. Merchant, millwright, land speculator, farmer. Born in Ireland. Son of Richard Law and Ann Hunter. Immigrated to U.S. and settled in Springfield Township, Mercer Co., Pennsylvania, by 1820. Moved to Delaware Township, Mercer Co....
moved a Resolution, that this Col take it into consideration, whether this Col. shall have pay for their services, & if so, what Amount.
Colrs.
H. Smith
20 Oct. 1809–2 Sept. 1905. Farmer, community and civic leader. Born in Sullivan Co., Tennessee. Son of James Henry Barnett and Mary A. Tipton. Moved to Jefferson Co., Tennessee, by 1822. Moved to Springfield, Sangamon Co., Illinois, 1829. Boyhood friend of...
all spoke in favour of the Motion, Colr.
B[righam] Young
said he would wish to have a full Meeting, or at least, another Meeting, before a Law would be passed, & stated, he considers the People are Poor. Aldmn.
[George W.] Harris
1 Apr. 1780–1857. Jeweler. Born at Lanesboro, Berkshire Co., Massachusetts. Son of James Harris and Diana (Margaret) Burton. Married first Elizabeth, ca. 1800. Married second Margaret, who died in 1828. Moved to Batavia, Genesee Co., New York, by 1830. Married...
[Samuel] Smith
13 Mar. 1808–30 July 1844. Farmer, logger, scribe, builder, tavern operator. Born at Tunbridge, Orange Co., Vermont. Son of Joseph Smith Sr. and Lucy Mack. Moved to Royalton, Windsor Co., Vermont, by Mar. 1810; to Lebanon, Grafton Co., New Hampshire, 1811...
spoke, the latter to great length, & Colr.
spoke again, all in support of the Motion, &; It was Resolved, that the City Council shall have pay for their Services
Moved a Resoln., that the City Council & Committees, shall be paid the Sum of Two dollars per Day, each, for their Services as Colrs., & Committees of this Council, & spoke in support of it,
, Aldmn.
15 Nov. 1792–22 May 1872. Farmer, printer, publisher, postmaster. Born at Rutland, Rutland Co., Vermont. Son of Cornell (Cornwall) Marks and Sarah Goodrich. Married first Rosannah R. Robinson, 2 May 1813. Lived at Portage, Allegany Co., New York, where he...
, as also others of the Col. spoke in favour of the resoln., An amendment was moved, that the Sum be made one Dollar each per day, which was lost by vote, & the Original Resolution carried.
applied on the part of
Theodore Turley
10 Apr. 1801–12 Aug. 1871. Mechanic, gunsmith, brewer, farmer, blacksmith, gristmill operator. Born at Birmingham, Warwickshire, England. Son of William Turley and Elizabeth Yates. Associated with Methodism, by 1818. Married Frances Amelia Kimberley, 26 Nov...
, that he be instructed in his Duty as Weigher & Sealer.
Mr. Turley
was permitted to speak, & he gave an Idea of the mode of adjusting & Sealing Weights & Measures, This matter was discussed at some length by the Col. but no decision made.
The [p. 40]
George W. Harris

redpajama_set_name: RedPajamaCommonCrawl


text:
The Dunbar was a full-rigged ship designed and built from 1852 to 1853 by James Laing & Sons of Deptford Yard in Sunderland, England and used for maritime trade, as a troop ship and transport. The Dunbar was wrecked near the entrance to Sydney Harbour, Australia in 1857 with the loss of 121 lives. The wreck of the Dunbar ranks as one of Australia's worst maritime disasters, with the event still retained in the social history of Sydney and NSW.

The location of the wreck is now a heritage site, at Watsons Bay in the Municipality of Woollahra local government area of New South Wales, Australia. An anchor from the Dunbar, a memorial and remains of the 121 onboard are located within Camperdown memorial cemetery, NSW. The property is owned by the Land and Property Management Authority, an agency of the Government of New South Wales and Woollahra Municipal Council. The site was added to the New South Wales State Heritage Register on 17 October 2003.  The Australian Maritime Museum holds the John Gillies Collection of artefacts from the Dunbar wreck.

History

Building and specifications
The Dunbar was launched on 30 November 1854 for London shipowner Duncan Dunbar.
The Dunbar was a timber three-masted, full-rigged ship built from British Oak and East India Teak. The ship was copper fastened throughout, with iron knees. The figurehead was a rampant lion, copper sheathed, carved by James Brooker of Maryport.  The registered tonnage was .  the length of vessel: ; breadth: ; depth: .

The Dunbar was built as a first class passenger and cargo carrier. Well fitted out throughout, the vessel was, at the time of launching, the largest timber vessel constructed in Sunderland. This was partly in response to the demand for ships to carry passengers to the Australian gold rushes. The Dunbar however was initially deployed as a troop ship in the Crimean War and did not become involved in the Australian trade until 1856.

Shipwreck
On the night of 20 August 1857, the ship approached the entrance to Port Jackson from the south, but heavy rain and a strong gale made navigating difficult. The ship's captain, James Green, either erroneously believing he had already passed the harbour's southern headland or mistaking a smaller break in the coastline known as The Gap for the port's entrance, drove the ship onto rocks. There were 59 crew and 63 passengers on board under command of Captain Green. The ship was driven against the cliffs of South Head and rapidly broke apart. The force of the gale caused the Dunbar to break up. Only one out of 122 survived, Able Seaman James Johnson, who managed to cling to the cliff face until rescued some a day or two later. The remainder of the passengers and crew were drowned. Bodies and wreckage filled the harbour. A funeral was held in Sydney for the dead which included several prominent residents and business people. There were seven hearses, four mourning coaches and a long procession of carriages. The city closed down for the ceremony and the streets lined with mourners while all flags flew at half mast across the city and harbour. A day of public mourning was declared. The remains of the bodies of twenty-two victims were recovered and interred in a single large tomb in Camperdown Cemetery in Newtown. Several other victims have individual monuments. The ship's bell was recovered and donated to St John's Anglican church in Darlinghurst Road near Sydney's Kings Cross. It was installed in the bell-tower of the adjoining St John's Primary School (now demolished) where it became a tradition for generations of head-boys to announce the start of each school day by ringing it. A later enquiry blamed the disaster on insufficient navigational aids in the Harbour. As a result of this loss and that of the ship Catherine Adamson at North Head some 9 weeks later, the Government built the Hornby Light at the tip of South Head. James Johnson was eventually employed in Newcastle as the lighthouse keeper and on 12 July 1866, was instrumental in rescuing the sole survivor of the paddle steamer SS Cawarra wrecked there in 1866. Memorial services for the victims of the Dunbar are held annually at St Stephen's Church.

Site, salvage and memorials

The Dunbar shipwreck is located beneath the South Head cliffs near to the Signal Station. There is a rock cut inscription on the flat (horizontal) sandstone cliff top above the actual wreck site location. The inscription reads: DUNBAR C.P. 25th AUG 1857 RECUT BY E.S.S. 20 AUG 1906". It is unknown which tools were used to make the inscription, which have subsequently been picked out by dark pigment (paint?).  The inscription appears to have been cut by a witness  to the tragedy and later recut on an anniversary of the wreck. Its historical associations are not questioned.

The Dunbar Anchor Memorial is part of a heritage location designated as the Dunbar Group. It comprises a large (approximately ) iron anchor of Admiralty pattern, attached to the natural sandstone rock cliff face above the southern end of The Gap. The rock face has been worked to a vertical surface to accept the anchor which is fastened to it, with a remnant shackle attached. The memorial includes a stone plinth bonded to the wall detailing the date and purpose of the monument. A timber safety rail fence surrounds the memorial precinct.

The anchor that forms the memorial was recovered from the wreck, identified as Dunbar, in 1910. There is no reason to suggest that this was not the Dunbar wreck, being the only reported site in the immediate vicinity of the cliffs. A very similar anchor is retained on the identified Dunbar wreck site today and may be the other "bower" or main anchor used by the Ship. It was placed in its current position in 1930.

Condition
As of 15 July 2003, the shipwreck site has been greatly reduced due to the exposed nature of its setting at the foot of the South Head cliffs and its shallow depth (~7–8 metres of water). The archaeological remains have been severely reduced due to the actions of salvage divers at the site since its re-discovery in the early 1950s. Without heritage legislation in force and a lack of understanding of conservation science and heritage protection, the Dunbar and other notable wreck sites, were severely damaged at this time. Uncontrolled looting at the site lasted until the 1970s, the use of explosives known from the earlier period of this activity. Today, the main elements consist of one Admiralty and one Porters iron anchor, concreted anchor chain, pig iron ballast blocks scattered through the sandstone rock gullies, and many fragmentary remains of cargo items, ships fittings and fastenings.

The Dunbar anchor has been in outdoor exhibition since 1930 and was the focus of an intensive materials conservation seminar in 1991, held by Woollahra Council with the NSW Heritage Office. The anchor underwent conservation treatment at that time. Ongoing corrosion problems suggest that the anchor is in need of reassessment in terms of the conservation technique used. The rock inscription appears to have been hand carved and is still sharp and distinct. There appears to have been little physical weathering at the site. Due to extensive salvage by SCUBA divers in the 1950s and 1960s, the site's integrity has been severely eroded. Portions of intact archaeological deposits are retained on-site which might retain a moderate level of potential for future scientific examination.

In contemporary culture
There is a description of the shipwreck of the Dunbar in Following the Equator, by Mark Twain. Twain refers to a death toll of 200 people and incorrectly refers to the ship as the Duncan Dunbar.

Heritage listing
As at 27 October 2003, The Dunbar Group comprises:
 the shipwreck remains;
 the Gillies artefact collection owned and managed by the Australian National Maritime Museum;
 The Anchor memorial at The Gap; and
 the historic rock cutting on the cliffs above the wreck site.

The Dunbar wreck site and its associated relics are a significant component of Australia's maritime heritage by virtue of the shipwreck's impact in 1857 on the developing colony of New South Wales, its influence on the improvement of navigational aids in Port Jackson (construction of Hornby Lighthouse) and its potential for interpretation through public education programs. The disaster ranks as New South Wales' worst peacetime merchant shipping tragedy. The loss of 121 passengers and crew with sole survivor James Johnson, rocked Sydney and the nation. The event is still remembered today through annual ceremonies at St Stephens Anglican Church, Camperdown (Newtown) - site of the government mass burial plot, and individual gravestones.

The Dunbar Anchor memorial and Dunbar rock inscription are a significant component of the Dunbar historic shipwreck story, and linked directly to the Historic Shipwreck remains, and to contemporary and modern community interest in the 1857 tragedy. The Dunbar anchor memorial at "The Gap" and the nearby rock inscription provide alternate public venues for community appreciation of the tragedy and impact on the inhabitants of Sydney.

Dunbar was listed on the New South Wales State Heritage Register on 17 October 2003 having satisfied the following criteria.

The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales.

Significant in the evolution of sea safety. The loss of the fine passenger ship with that of the Catherine Adamson nine weeks later on North Head, created enormous pressure for the locating of a lighthouse closer to South Head to mark the actual harbour entrance (Hornby Light). A site representative of the dangers associated with immigrant travel during the period of the 1850s gold rushes. The events that followed the wrecking, the search, recovery and burial of victims, had a considerable impact on the rapidly expanding colony, possessing in its population a large proportion of people who had travelled by sea and were able to relate to its hardships and fears.

The place has a strong or special association with a person, or group of persons, of importance of cultural or natural history of New South Wales's history.

The Dunbar anchor memorial was established by the local government as a permanent memorial of the horrendous loss of the Dunbar (ship)ship, its passengers and crew, in 1857. The "Dunbar Disaster", as commonly referred, shocked the inhabitants of Sydney and Australia generally. The fine Ship built to high standards in Scotland by a notable shipbuilder, was destroyed in a matter of minutes by extreme storm conditions. The tragic loss of 121 lives, many women and children, had a devastating effect on the community and ranks as the worst peacetime merchant maritime tragedy to befall NSW.

The outpouring of public emotion included a phase of intensive visitation to the scene of the wreck site. Crowds made their way to the South Head cliff tops above the wreck and witnessed its final destruction and the significant loss of life and cargo. The rock inscription was cut five days after the tragedy by C.P. (identity unknown), probably by one such visitor to the site. It was re-cut 49 years to the day of the actual loss in 1906 by another unknown individual.

The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales.

The vessel, wrecked at the foot of the sheer cliffs below the Signal Station at South Head, has a dramatic aspect and the place a melancholy atmosphere. A rock inscription overlooking the site records the loss, and is a tangible reminder of the tragedy which occurred below. It is linked by the headland walking track to "The Gap" where one of the Dunbar's anchors is displayed. The site is accessible to the general public, retaining potential for further significant interpretative programs. The physical cliff face became known as Dunbar Head due to the impact site and is formally recognised as such today as a significant coastal landmark. The wreck event formed the focus of contemporary artists who captured the terrifying scene through notable artworks, several within the State Library of NSW collection. Artists include G. F. Gregory, Samuel Thomas Gill.

The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons.

A site significant for the impact that the loss had on the colonial population and which is retained in the social fabric of Sydney to this day. Representing the most significant shipwreck loss in NSW, the appalling nature of the disaster and the extreme loss of life and property are remembered in annual memorial services at the victim's graves located within St Stephens Cemetery, Newtown. The Dunbar Anchor Memorial acts as a public focal point for the interpretation of the tragedy. Situated prominently at "The Gap", scene of chaos at the time of the tragedy, visitors are invited to learn of the Dunbar history through interpretative plaques.

Significant local interest was generated in relocating the wreck of the Dunbar and relics from the site. Attempts are known at the time of the tragedy in 1857, in 1861, and in 1907 when two anchors were first reported underwater and a syndicate formed to recover them in 1910. One of those anchors appears to have formed the memorial established at The Gap in 1930. These events constitute concerted attempts to establish a public memorial to the tragedy and to mark, through time, the significant nature of the wreck event. 'The Gap' and the South Head coastal cliff top walk retain significance of place, as an area that witnessed the break-up of the Dunbar wreck site, slightly to the south. The anchor memorial serves to focus public appreciation of the loss for the contemporary colonial population.

The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales.

The material remaining on the Dunbar site is of low significance in terms of its technical attributes. Material that has been removed from the site, eg) spectacles, telescopes, coins, cutlery, anchors, cannon, etc., is likely to be of moderate significance. One collection of artefacts recovered from the site and egistered with the Commonwealth Historic Shipwrecks Amnesty in 1993–5, The Gillies Collection, retains significance for the scale of its objects, as a record of early shipwreck salvage activities and the impact that uncontrolled access to these fragile sites can generate. The collection, now owned and managed by the Australian National Maritime Museum, is representative of the types of materials imported to Australian during the 1850s. It holds potential for research into conservation standards and applications.

The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales.

The Dunbar shipwreck is significant, particularly in relation to its interpretative potential, as a rare example of a shipwreck associated with a significant loss of life in close proximity to a major port and centre of population. Recovered from the wreck site in 1910 and established as a public memorial in 1930, the resulting anchor monument is unique in New South Wales for its scale and visual setting. As an easily accessible monument to a significant shipping tragedy at the entrance to Sydney, the memorial and associated rock cutting, demonstrate the contemporary community's reaction to the impact of the Dunbar disaster to their world. The monument continues to form a component of the city's cultural fabric, as a rare example of a public venue established to keep the memory of those lost, current.

The Dunbar Admiralty-pattern anchor is characteristic of the type of large iron anchors employed by international sailing vessels during the mid nineteenth century. It comprises one of the "bower" or main anchors from the vessel, another example of which is retained on the wreck site underwater. Comparable government memorials to shipwrecks in NSW include the Walter Hood 1870 memorial near Bendalong; and the Ly-ee-Moon Cemetery (1890) at Greencape.

The place is important in demonstrating the principal characteristics of a class of cultural or natural places/environments in New South Wales.

Representative, particularly in relation to its historical attributes, of the dangers associated with immigrant travel in the mid 1850s. The Dunbar anchor memorial and the cliff-top cutting are unique items in NSW in terms of land-based memorials to historic shipwreck events. Such was the impact of the 1857 disaster that the contemporary population wished it to be retained in living memory. Comparable government memorials to shipwrecks in NSW include the Walter Hood 1870 memorial near Bendalong; and the Ly-ee-Moon Cemetery (1890) at Greencape.

See also

 List of disasters in Australia by death toll
 The Wreck of the Dunbar or The Yeoman's Wedding

References

Bibliography

 Christopher, Peter. Australian Shipwrecks. A Pictorial History. Axiom Publishing, Stepney, South Australia, 2009. .

Attribution

External links

 Dunbar Head

Report of the Wreck
 Early scuba divers, the ship's bell
  [CC-By-SA]

Shipwrecks of the Sydney Eastern Suburbs Region
History of New South Wales
Maritime incidents in August 1857
1853 ships
1857 in Australia
1851–1870 ships of Australia
Ships built on the River Wear
Merchant ships of Australia
Full-rigged ships of Australia
New South Wales State Heritage Register
Watsons Bay, New South Wales
Troop ships of Australia
Transport in New South Wales
Monuments and memorials in New South Wales
Tourist attractions in New South Wales
Maritime history of New South Wales
Articles incorporating text from the New South Wales State Heritage Register

redpajama_set_name: RedPajamaWikipedia


How Do You Take Cover?
Security. Confidence. They're heavy words. It's difficult to spill words onto a page without forcing them into a usable mold. But I know that's exactly what this practice is about. It's the necessity for a space to simply exist. As I am. As you are. Without effort. Or analysis. And editing. Which I'm already doing.
It's about moving the existence of self from our heads to the space that we occupy. I need to experience the space I'm consuming. I need to exist in it. Maybe you can relate. I too often feel trapped inside the walls of my head. Confidence seems to be the key to unlocking that door. I just don't quite know how to take hold of it yet.
I seek validation from myself and others to convince myself I'm ready for things. But just as easily, I convince myself I'm not ready, and we're back at square one. The only cure for me seems to be just going for it, unsure. With as little time possible spent inside my head. So that's the practice I've been attempting to cultivate.
Still it's not a total cure, in seeing how unsteady I feel from the outside. I'm reeling inside until someone relieves the pressure with awkward validation. I say it's awkward because I don't know how to accept it. It's probably more awkward for me than for them. But I question and doubt if they really meant it. Sometimes I wonder if their compliments are concealing something else entirely. Perhaps a threat. And while all this is a learning curve that comes with due frustration, I'm still finding it's better out here than in there. At least out here I can navigate the threats and use them to learn and to grow. In there, I'm just hopelessly stuck.
So what does all this say about me? What truth lies exposed beneath these rambling thoughts?
For which, I'm not even sure there is a cure.
That's when I consider the miles I've come walking with Jesus into my own skin. And clearly there is One. Only One. And perhaps that's the biggest challenge of all. I seek so many other answers to this never ending equation for which there's only One answer that counts. It's so simple, it's too simple. And over and over, I near miss it entirely. When will I learn that Jesus alone is the answer I crave? Every answer, to every question.
"Pick something you like, and see how it grows." Thank you, Emily Freeman.
Everlasting Daddy, hear my prayer and answer. Teach my soul to start with Jesus every time. In everything. More than anything else, I want to see Jesus take form and grow in every part of my life.
It seems that Jesus is teaching me something. Maybe the problem isn't that I retreat but how. By default, I retreat back into my head. That's where I feel safe. But that's the most dangerous place of all. It's there that my insecurities eat me alive.
Maybe growing into this Jesus within me retreats from out here, from the outside. In Him.


Mark 9:1 And hee said vnto them, Uerely I say vnto you, that there be some of them that stand here, which shal not taste of death, till they haue seene the kingdome of God come with power.
Mark 9:2 And after sixe dayes, Iesus taketh with him Peter, and Iames, and Iohn, and leadeth them vp into an high mountaine apart by themselues: and he was transfigured before them. Mark 9:3 And his raiment became shining, exceeding white as snow: so as no Fuller on earth can white them. Mark 9:4 And there appeared vnto them Elias with Moses: and they were talking with Iesus. Mark 9:5 And Peter answered, and saide to Iesus, Master, it is good for vs to bee here, and let vs make three Tabernacles; one for thee, and one for Moses, and one for Elias. Mark 9:6 For he wist not what to say, for they were sore afraid. Mark 9:7 And there was a cloud that ouershadowed them: and a voyce came out of the cloud, saying, This is my beloued Sonne: heare him. Mark 9:8 And suddenly when they had looked round about, they saw no man any more, saue Iesus only with themselues. Mark 9:9 And as they came downe from the mountaine, he charged them that they should tell no man, what things they had seene, till the Sonne of man were risen from the dead. Mark 9:10 And they kept that saying with themselues, questioning one with another, what the rising from the dead should meane.
Mark 9:11 And they asked him, saying, Why say the Scribes that Elias must first come? Mark 9:12 And he answered, and told them, Elias verely commeth first, and restoreth al things, and how it is written of the Sonne of man, that he must suffer many things, and be set at nought. Mark 9:13 But I say vnto you, that Elias is indeed come, and they haue done vnto him whatsoeuer they listed, as it is written of him.
Mark 9:14 And when he came to his disciples, he saw a great multitude about them, and the Scribes questioning with them. Mark 9:15 And straightway all the people, when they beheld him, were greatly amazed, & running to him, saluted him. Mark 9:16 And he asked the Scribes, What question ye with them? Mark 9:17 And one of the multitude answered, and said, Master, I haue broughe vnto thee my son, which hath a dumbe spirit: Mark 9:18 And wheresoeuer he taketh him, he teareth him, & he fometh, and gnasheth with his teeth, and pineth away: and I spake to thy disciples, that they should cast him out, and they could not. Mark 9:19 He answereth him, and saith, O faithlesse generation, how long shall I be with you, how long shall I suffer you? Bring him vnto me. Mark 9:20 And they brought him vnto him: and when he saw him, straightway the spirit tare him, and he fel on the ground, and wallowed, foming. Mark 9:21 And he asked his father, Howe long is it agoe since this came vnto him? And he said, Of a child. Mark 9:22 And oft times it hath cast him into the fire, and into the waters to destroy him: but if thou canst doe any thing, haue compassion on vs, and helpe vs. Mark 9:23 Iesus said vnto him, If thou canst beleeue, all things are possible to him that beleeueth. Mark 9:24 And straightway the father of the child cried out and said with teares, Lord, I beleeue, helpe thou mine vnbeliefe. Mark 9:25 When Iesus saw that the people came running together, he rebuked the foule spirit, saying vnto him, Thou dumbe and deafe spirit, I charge thee come out of him, and enter no more into him. Mark 9:26 And the [spirit] cried, and rent him sore, and came out of him, and he was as one dead, insomuch that many said, He is dead. Mark 9:27 But Iesus tooke him by the hand, and lifted him vp, and he arose. Mark 9:28 And when he was come into the house, his disciples asked him priuately, Why could not we cast him out? Mark 9:29 And hee said vnto them, This kind can come forth by nothing, but by prayer, and fasting.
Mark 9:30 And they departed thence, and passed through Galilee, and he would not that any man should know it. Mark 9:31 For he taught his disciples, and said vnto them, The sonne of man is deliuered into the hands of men, and they shall kill him, and after that he is killed, he shall rise the third day. Mark 9:32 But they vnderstood not that saying, and were afraid to aske him.
Mark 9:33 And he came to Capernaum; and being in the house, he asked them, What was it that yee disputed among your selues by the way? Mark 9:34 But they held their peace: For by the way they had disputed among themselues, who [should be] the greatest. Mark 9:35 And he sate downe, and called the twelue, and saith vnto them, If any man desire to be first, the same shall be last of all, and seruant of all. Mark 9:36 And he tooke a child, and set him in the midst of them: & when he had taken him in his arms, he said vnto them, Mark 9:37 Whosoeuer shall receiue one of such children in my Name, receiueth me: and whosoeuer shall receiue me, receiueth not me, but him that sent me.
Mark 9:38 And Iohn answered him, saying, Master, we saw one casting out deuils in thy Name, and he followeth not vs, and we forbade him, because he followeth not vs. Mark 9:39 But Iesus said, Forbid him not, for there is no man, which shall doe a miracle in my Name, that can lightly speake euill of me. Mark 9:40 For he that is not against vs, is on our part. Mark 9:41 For whosoeuer shall giue you a cup of water to drinke in my Name, because yee belong to Christ: Uerily I say vnto you, he shall not lose his reward. Mark 9:42 And whosoeuer shall offend one of these litle ones that beleeue in me, it is better for him, that a milstone were hanged about his necke, and he were cast into the Sea. Mark 9:43 And if thy hand offend thee, cut it off: It is better for thee to enter into life maimed, then hauing two hands, to goe into hell, into the fire that neuer shall be quenched: Mark 9:44 Where their worme dieth not, and the fire is not quenched. Mark 9:45 And if thy foote offend thee, cut it off: it is better for thee to enter halt into life, then hauing two feete, to be cast into hell, into the fire that neuer shall be quenched: Mark 9:46 Where their worme dieth not, and the fire is not quenched. Mark 9:47 And if thine eye offend thee, pluck it out: it is better for thee to enter into the kingdom of God with one eye, then hauing two eyes, to be cast into helfire: Mark 9:48 Where their worme dieth not, and the fire is not quenched. Mark 9:49 For euery one shall be salted with fire, and euery sacrifice shall be salted with salt. Mark 9:50 Salt is good: but if the salt haue lost his saltnesse, wherewith will you season it? Haue salt in your selues, and haue peace one with another.


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In today's episode of the podcast we are going to be looking at different ways to express disagreement in English. This will be very useful as it will increase your vocabulary introducing you to new ways to express your disagreement. Give it a listen!
Remember that in addition to the podcasts, ABA English also has an English course. You can sign up for free to get access to 144 free video classes to help you improve your English. What are you waiting for?


text:
Share this Story: New Sansa Clip+ borrows a page from the razor and blade marketing manual
New Sansa Clip+ borrows a page from the razor and blade marketing manual
Gillian Shaw
Oct 20, 2009 • October 20, 2009 • 2 minute read
SanDiskhas taken a leaf from the razor and blades marketing manual with its new Sansa Clip+ MP3 players that come with optional ready-made playlists neatly packaged up in slotRadiocards.
Get people to buy the razor and you generate a market for the blades. SanDisk isn't exactly giving away its new Sansa Clip+ that starts at $50 but it could create a lucrative market for its $39 pre-loaded microSD slotRadio cards. Of course you can make up your own microSD cards, but what SanDisk is offering is a one-stop solution.
New Sansa Clip+ borrows a page from the razor and blade marketing manual Back to video
I wish I had thought of it. In fact I have thought of it often when giving MP3 players – one of the staple items on my tech gift-giving list. The the best present would be a player pre-loaded with the recipient's favourite music. I have friends who are more organized than me who actually do that.
But for the rest of us slackers, the slotRadio cards, at $39 a pop provide a quick way to give grandma or your five-year-old nephew a pre-loaded music machine. (On second thought, the five-year-old could be more dexterous about loading music that his parents)
The player is teeny, a featherweight that measures 5.3 cm by 3.4 cm. Unlike its predecessor it has a microSD card slot, giving SanDisk a market for its music cards that make loading music a snap. It also has an FM tuner with 40 presets, a microphone for recording and its rechargeable battery lasts up to 15 hours. A perfect present, especially if you don't want to be tech support for your aging parents or techno-challenged friends who call on you every time they want new music. The two gigabyte version is $50, with the 4GB at $60 and 8GB for $80. www.sansa.ca.
Coming in six genres, the slotRadio cards 1,000-song microSD cards cover a range from tunes for yoga to rock, hip hop, oldies and others. More are promised to follow as Sansa makes deals to package music in hand-picked selections that provide instant playlists for its music players. The cards work with the new Sansa Clip+ but also with the full-size Sansa Fuze MP3 player. They come in a little plastic case that holds two cards and can hang on a keychain.
The player and slotRadio cards have launched in Canada in time for the upcoming Christmas season.


This new course addresses ways to improve student understanding and outcomes on these two vital areas of the AQA specification, and will lead to more successful student performance in the examinations. This course looks at strategies specifically aimed at improving candidate outcomes in relation to the crucial areas of Applications (AO3) and Skills (AO4), with particular reference to fieldwork. You will learn how to embed these skills throughout your teaching, so that students at all levels become engaged learners who are fully prepared for their exams.
Strategies for candidates to improve AO3 and AO4 outcomes in relation to physical geography units: how to embed the relevant knowledge and understanding for strong performance in your teaching.


Properties / Become part of Ortega's Storied History!
This is your opportunity to own a piece of history! This iconic Greek Revival plantation style home on Ortega Point sits in one of Jacksonville's most prestigious historic neighborhoods. Built in 1909, this unique home is situated on a rare 1.23 acre lot distinguished by two iconic, sprawling live oaks. It is one of the oldest homes in Old Ortega and believed to be the oldest home on the Point; it is an integral part of the island's deep and rich history.
This home has been lovingly cared for by its current owner for more than 30 years and is in the process of being renovated. It is time to pass the torch to the next owner to complete the restoration. This home features large, open living spaces. Oversized windows and eleven sets of French doors flood the entire house with natural light throughout the day. There are heart pine floors throughout, architectural character in the columns and moldings, two beautiful antique chandeliers and original sconces adorning the entry and formal living room.
Downstairs features a large, bright, inviting entry, generously proportioned formal living and dining rooms, and two bonus rooms that could serve as office and/or library spaces. The large kitchen space can easily be expanded to suit a larger modern kitchen/family room layout also boasts a large walk-in pantry. As an added bonus, there is a usable daylight basement perfect for a wine cellar or game room.
Upstairs are four spacious bedrooms with large closets, 3 1/2 baths, a laundry room and a bonus room. The master suite has 2 large walk-in closets, space for a private office, and a garden tub with separate shower. There also is space on the third floor that could be finished and used as additional living space.
Outside, enjoy the river breezes while entertaining your guests on the vast, columned wraparound porch and estate size lawn.


text:
Dublin review #1 | Frenz Forum
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Dublin review #1
The LigatureAddicted
https://m.independent.ie/enter...e-year-38218737.html
Thunder only happens when it's raining? Neither happened last night in Dublin as Fleetwood Mac brought their classic 1970s Californian rock swagger to the Royal Dublin Society.
In what was surely one of the stand-out shows of the year this far, at 8.10pm they opened with The Chain and didn't let up until they encored with Don't Stop and All Over Again two hours later.
The last song Fleetwood Mac played before they went off pre-encore was the bad vibes rage-fest that was Go Your Own Way.
Try, for one moment, to picture yourself inside Stevie Nicks's head as she sang along with newbie Neil Finn to a song that her ex Lindsey Buckingam wrote about her, many bad moons ago.
As she told Rolling Stone in 1997 about Go Your Own Way: "I very, very much resented him [Buckingham] telling the world that 'packing up, shacking up' with different men was all I wanted to do. He knew it wasn't true. It was just an angry thing that he said. Every time those words would come out onstage, I wanted to go over and kill him."
Seeing them onstage was almost enough. Stevie Nicks looked every inch the mystic goddess in a trance, refusing to bow to convention. Stevie exuded a feminine majesty, like she was off to claim The Iron Throne right after she finished this enthralling performance in front of her 40,000 devotees who would lay their lives down for the Blonde Queen of 1970s cocaine rock.
To her left, Christine McVie was just as powerful. Flanked by John McVie on bass, Mick Fleetwood on kit, and new member, Tom Petty guitarist Mike Campbell and Crowded House's Neil Finn. (Finn even got to sing an acoustic version of his band's signature song Don't Dream It's Over, which Nicks joined him on. The crowd joined in on the 'hey nows'.)
Singing like a blues Elmer Fudd, the spindly legged Campbell belted out the 1969 Mac blues masterpiece of Oh Well:
"Now, when I talked to God, I knew He'd understand
He said, "Stick by my side and I'll be your guiding hand
But don't ask me what I think of you
I might not give the answer that you want me to
Ooh, well."
Nicks and McVie sang founding member Peter Green's Black Magic Woman together.
Then, Nicks and McVie did their own respective thing, playing all the hits. Gold Dust Woman was magnificent, with Nicks asking: "Did she make you cry?/Make you break down?/Shatter your illusions of love?"
Say You Love Me was beautiful, too, the Mac at their best, creating this sound that resonated.
As Ms McVie once explained of the song: "I started playing 'Say You Love Me' ... and fell right into it. I heard this incredible sound – our three voices – and said to myself, 'Is this me singing?' I couldn't believe how great this three-voice harmony was. My skin turned to goose flesh, and I wondered how long this feeling was going to last."
This feeling lasted for two hours last night at the RDS, primarily because Fleetwood Mac did not shrink from exposing themselves emotionally. This is because Fleetwood Mac songs tend to be magnificent melodic psychodramas that leave romantic souls bleeding to death on the side of the road.
Blood on the tracks was obligatory.
Fleetwood Mac have been writing about the wreckage of their own love lives (acted out in each-other's cocaine fuelled beds in the 1970s) long before Taylor Swift was a twinkle in her daddy's eye.
Showman Mick Fleetwood — proving a mere drumkit couldn't contain his towering nigh-7 foot charisma — played a 12 minute percussion solo that would have made Arcade Fire green; he also shouted stuff that got the crowd going ("Unleash the hounds! Unleash!", "Didn't we have fun?", and the rousing, "We're a bunch of crazy people with a crazy history, but it's nights like this that give us life's breath.")
It was also a night of girl power. Christine (75 years of age) and Stevie (71) showed what bewitching enchantresses of song they are, and will always remain. The proof was provided irrefutably on songs like Landslide ("I was only 27 – I wrote that in 1973, a year before I joined Fleetwood Mac," Nicks once said. "You can feel really old at 27.") Then on the haunting Gypsy (which Christine sang) and Everyone (Christine again - hearing her sing this last night you can see why Nicks once said that "Everyone shows you that Christine is the hit songwriter in Fleetwood Mac") to Rhiannon; more mysticism, this time from Welsh mythology, from Nicks. On Hold Me you had Christine singing the song she wrote about the demise of her relationship with Beach Boy Dennis Wilson. This is Fleetwood Mac and they are drawn to past pain in their lyrics like a moth to a flame.
The eternally mystical ("the eternal romantic", as Mick called her last night) Ms Nicks must have felt some sort of sweet release without a certain Lindsey Buckingham onstage with her.
Imagine Nicks being chained so publicly to Mr Buckingham night after night on tour for so many decades — whereby these two famous ex lovers sang out the often toxic pain between them in front of thousands of people; the toxic histrionics between ex lovers that of course made 1977's Rumours album the bitter masterpiece that it was.
So, with Lindsey no longer in the band, no longer onstage, (he was fired last year after a typically Fleetwood Mac disagreement over the band's tour) the dynamic is different obviously.
Having Neil Finn of Crowded House there to sing Lindsey Buckingham's parts felt a bit like having a random actor from another series replace Jon Snow opposite Daenerys Targaryen, Queen of the Dragons, in Game of Thrones.
Don't get me wrong: Neil Finn is a fabulous vocalist for sure but he is not Lindsey Buckingham and he doesn't have the epic romantic history with Stevie Nicks and all the baggage that comes with it. And how could they possibly hope to, given the weight of history? Once upon a time, Nicks wrote Dreams – "dreams of loneliness like a heartbeat drives you mad" – about the split with Buckingham after seven years. In response, Buckingham wrote Go Your Own Way: "You can call it another lonely day/You can go your own way."
So when Finn and Nicks sing Go Your Own Way and Dreams as they did last night to huge applause, it can't begin to have the same toxic lunacy as when Nicks and Buckingham did in 1977.
"Even though Go Your Own Way was a little angry, it was also honest," Nicks wrote in the liner notes to the Rumours reissue in 2013. "So then I wrote Dreams, and because I'm the chiffony chick who believes in fairies and angels, and Lindsey is a hardcore guy, it comes out differently. Lindsey is saying go ahead and date other men and go live your crappy life, and [I'm] singing about the rain washing you clean. We were coming at it from opposite angles, but we were really saying the same exact thing."
At least Nicks no longer has to share a stage with her ex Mr Buckingham. Last night at the RDS I pictured myself inside the head of Fleetwood Mac bassist John McVie ("the true backbone of the band" as Mick Fleetwood told the crowd) watched and listened to his ex wife Christine sing Don't Stop from the Rumours album of forty years ago about the sad end of their marriage:
"If you wake up and don't want to smile
If it takes just a little while
Open your eyes and look at the day
You'll see things in a different way.'
Don't Stop was played as one of the encores last night. A few songs previously Christine sang You Make Lovin' Fun about her torrid if short-lived affair with the band's lighting technician Curry Grant.
"Sweet wonderful you
You make me happy with the things you do
Oh, can it be so?
This feeling follows me wherever I go."
(Mick Fleetwood later joked to Q magazine : "Knowing John, he probably thought it was about one of her dogs." Rolling Stone magazine wrote that to "protect John's feelings, Christine told him [John] it was about her dog.")
Watching Nicks perform last night you wondered what went through her head when she sang these songs? The wounds have obviously long since healed. Nicks said onstage with Buckingham in New York's Madison Square Gardens in 2013 "This war is pretty good!" as she introduced Landslide.
Last night in the RDS, she dedicated the song to her friend Joe Elliott of Def Leppard.
Fleetwood Mac also played last night a version of Monday Morning, Buckingham's blues from the 1975 self-titled album which foretold the break-up with Nicks ("First you love me, then you say it's wrong. I can't go on believing for long.") Again, I had to wonder how Nicks felt to hear this inner turmoil put to song about her, all these years on? Or even more painfully to hear Neil Finn sing the words Lindsey Buckingham wrote on Second Hand News about her on Rumours: "One thing I think you should know: I ain't gonna miss you when you go"? Or even more intriguing when she sings the words she wrote about Buckingham on Gold Dust Woman: "Rulers make bad lovers. You better put your kingdom up for sale"? (When you hear Stevie Nicks sing words like that, and indeed words from Dreams like "But listen carefully to the sound of your loneliness, like a heartbeat drives you mad in the stillness of remembering what you had and what you lost", it is not difficult to see why so many female artists have drawn inspiration from her, idolized her.
"She's like your fairy-princess godmother," Courtney Love once said of Nicks, "who lives in a magical kingdom somewhere and has, like, fabulous romances."
Nicks still has all that magic, and more as do her band. The ghosts of the past still haunt them, which is part of the enduring appeal of this legendary act. But long may Fleetwood Mac continue to go their own way.
Tags: Fleetwood Mac
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text:
Special Olympics of Colorado
"The mission of Special Olympics Colorado is to provide year-round sports training and athletic competition in a variety of Olympic-type sports for children and adults with intellectual disabilities, giving them continuing opportunities to develop physical fitness, demonstrate courage, experience joy and participate in a sharing of gifts, skills and friendships with their families, other Special Olympics athletes and the community." - Special Olympics of Colorado
Law Enforcement Torch Run for Special Olympics
"The mission of the Law Enforcement Torch Run® (LETR) is to raise awareness and funds for the Special Olympics movement." - Law Enforcement Torch Run for Special Olympics
Colorado Police Officers' Foundation
"The Colorado FOP Police Officers' Foundation is a charitable corporation that operates under the 501 (c) (3) provisions of the federal tax code. This official designation granted by the Internal Revenue Service conveys tax-exempt status to the foundation and specifically allows contributions to be tax deductible." - Colorado Police Officers' Foundation
Equine Response - PTSD Treatment
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Take Time To Give
Every year the Longmont Fraternal Order of Police Lodge 6 donates money and time to benefit numerous charities, groups and organizations in Longmont and throughout Longmont County.
To help us better serve you and our community we share, please feel free to join our mission by participating in any of our events or donating toward our cause.


text:
A Call to Spy – Film Review
by Dave Bond 22 October 2020 21 October 2020
Leave a Comment on A Call to Spy – Film Review
Lydia Dean Pilcher, a noted producer, with over 35 feature films to her credit, including The Darjeeling Limited and Vanity Fair, makes her directing debut with A Call to Spy. Picking up from the point in World War II where France falls to Nazi occupation, leaving Britain now shorn of a key ally, A Call to Spy tells how British Prime Minister Winston Churchill establishes a new spy agency (the Special Operations Executive) to disrupt German operations. The plan is to place spies throughout France to build resistance and to initiate acts of sabotage. With no bank of suitably experienced spies, amateurs – women – will be found and trained.
Inspired by true stories (and following true historical figures), we follow Vera Atkins (Castle's Stana Katic), the woman tasked with recruiting the candidates. Virginia Hall, her first candidate, is an American amputee, and portrayed by Sarah Megan Thomas, the film's writer and producer. The second is Noor Inayat Khan (Radhika Apte), an Islamic pacifist of Indian extraction, born in Russia and raised in the UK.
READ MORE: The Driver – DVD Review
In an efficient opening act, we follow the initiation of the recruitment scheme, see Virginia turned down for diplomatic appointment on account of her disability (which is revealed without fanfare), and see Vera and Virginia meet for the first time, and the impression they make upon each other. It is established that both women are single; with Vera having a love interest missing in action, and Virginia's injury having turned off a suitor. Virginia's drive is a lifelong dream to be a diplomat.
Noor, by contrast, wishes to see an Indian receive high military honours. By the 15-minute mark we have established our three leads, and been taken through their motivations and the outline of the task ahead of them. From there the women enter what is presented as a mixture of basic training and an audition process for deployment. Circuit diagrams, physical tests, stealth, learning Morse Code, and discussing the situation across Europe is their business for the next section of the film, as Vera watches her charges intently, and we see the candidates confront their doubts and fears.
With training complete, and the caveat expressed that the women have a fifty percent chance of returning safely from the field, their cover names and roles within France are outlined to them. Act two establishes their role in supporting local agents with money, safe houses, or anything else they need to seed resistance within the newly occupied France. The film sells very well that this way of doing things is a necessity, in a time where the flow of intelligence across the Channel has ground to a halt, and the occupying forces will be on the lookout for any suspicious looking males. All of this is within the first half an hour of the film's running time.
READ MORE: VIFF 2020 – Highlights Reel
From there, we move to a more 'nuts and bolts' tale of the work of the women. Pilcher establishes a taut, tense tone, where suspicion is everywhere, the leads are forced to hide in plain sight, and are challenged constantly to think on their feet; as they encounter officials and law enforcement and are required to recite cover stories that are often embellished with improvised details – details which Virginia is visibly uncomfortable reciting.
Virginia (undercover as 'Bridget') is revealed through a mixture of scene specific detail and what are either diary entries or reports back to Vera – this is not completely clear. We cut regularly to command as progress in France is considered, and orders given to 'Bridget'. Meanwhile, Noor begins working from base on communications as a radio operative, though circumstances still force her out into the field, against Vera's wishes and better judgement.
All leads are terrific, with Thomas in particularly displaying a fully rounded mix of fear, strength, and courage. Katic looks a natural leader, with the sole caveat that, vocally, the actress sounds like she once heard Pathé News, or the BBC World Service, and is reciting a British Received Pronunciation accent from her memories of that (at times, anyway). The male-dominated HQ is peopled by characters that stay just the correct side of misogynistic cliché, with their respect for Vera grounding them somewhat. Apte's Noor is all quiet determination, laced with a good degree of shyness and, perhaps, naiveté. The development curve of both recruits is displayed effectively.
READ MORE: The Devil Has A Name – Film Review
The story lacks for an over-arching focus; we aren't building up to any defining point in the Second World War. As such, this, although never mistaken for a TV production, may have been better suited to longer-form storytelling. A Call to Spy takes a much dramatised era, and tells us a tale from an angle long since neglected. That it does so – largely – with an absence of cliché, is to its credit. Years from now, though, when and if this film is remembered, it will be more for its premise than anything in the story it is telling.
The piecemeal nature of the storytelling does blunt its impact somewhat: there is a sense of real fear, but without any real sustained tension. Though for historians, obviously, a number of real events are covered, and covered well at that: with Noor's eventual fate well-documented, and the story eventually coalescing around this. This said, it is a well-made, enjoyable and engaging piece of work, and one which adds to the perspectives on this conflict by giving us a fresh point of view – and it is that point of view, not the tale, which matters here. That is to be valued, and leaves A Call to Spy as a film that can be recommended.
A Call to Spy is out in Cinemas and on Digital HD on 23rd October from Signature Entertainment.
Tags: A Call to Spy
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One to one yoga classes can help you gain a more thorough understanding of yoga and it's origins. If you are a beginner, it might be worth organising a private session with your instructor before joining a class, to familiarise yourself with the practice and gain some basic yoga skills.
One to one yoga sessions can take place in an instructors studio or the comfort of your own home. Private yoga instruction allows you to work with an instructor to tailor a session that is personal to your own needs.
Find a one to one yoga teacher on the search form to find private local yoga tuition near you.
Not only do one to one classes help you gain a more thorough understanding of yoga as an exercise form, they also allow your yoga instructor to personalise your yoga exercise plan to address specific needs, something which is not possible in group classes.
To allow a yoga instructor to put together this personalised exercise plan, it is advisable to contact them before your first session to inform them of your aims and expectations. To find one to one Yoga classes near you use the search form and select one to one tuition.
A yoga therapist will be able to create a personal program, tailored for you, in conjunction with an osteopath, physiotherapist or GP, that will meet your needs and help with both your physical and emotional well-being. Specialist yoga instructors and therapists can undertake remedial yoga classes and rehabilitation yoga classes.
if you are undergoing medical treatment or rehabilitation your doctor or yoga therapist may advise you to undertake one to one yoga classes depending on the condition.
People with medical conditions should consult their doctor prior to undertaking a personal yoga program.
Use the search form on this page and select one to one tuition to find one to one Yoga instructor or yoga therapist near you.
Yoga students are advised to inform their Yoga instructor or therapist if they have any injuries or spinal problems or medical conditions before undertaking one to one yoga classes or yoga personal program. Yoga therapists and instructor will adapt certain exercises to suit the individual and may require a GP's referral note.
You can find a skilled, talented and qualified one to one yoga teachers use the search form on this page to find a yoga studio or yoga instructor near you offering one to one classes. Simply choose One to One Pilates tuition, enter your postcode and a list of yoga Studios and instructors offering private yoga classes will appear. Contact the yoga instructor or yoga studio to find out more about their one to one classes.
One to one yoga classes in London are very popular but there are hundreds of yoga teachers and yoga studios in other major UK cities too.


Sketch, write, create or navigate easily and naturally on the iPad and other mobile devices with this stylish digital pen.
A perfectly balanced body combined with a fluid, responsive performance allows you to write and draw digitally, as easily as you would with a regular pen.
The sleekly designed metal stylus is available in a satin-textured black version or you can choose from a variety of stylish hues with a soft-touch finish.


text:
export function isPresent(o) {
  return o !== null && o !== undefined;
}

export function isBlank(o) {
  return o === null || o === undefined;
}

redpajama_set_name: RedPajamaGithub


In All Tomorrow's Parties we return to the semi-dysfunctional world Gibson first introduced us to in Virtual Light and expanded upon in Idoru. While you don't necessarily have to have read either of the two previous books, Gibson refers to events in them often enough to make you curious about the "world history."
Berry Rydell, the ex-cop Everyman who seems to have no ambition in life other than to live it and get by.
Chevette, ex-bicycle messenger and Rydell's ex-girlfriend, running away from a bad relationship towards who knows what.
Colin Laney, friend and benefactor to Rydell, a medical experiment when he was a child left him with the ability to see patterns of information.
Rei Toi, the Idoru, the artificial entity that manifests itself as a human female. It wants to be real.
But as in Virtual Light, the main character is The Bridge, the autonomous community that spontaneously came to be after an earthquake forced the closing of the Golden Gate Bridge. Before the government could demolish the now condemned bridge, thousands of people moved to the unused space and created homes for themselves in any way they could. The Bridge is an open city ignoring all authorities.
Rydell is in Los Angeles working as a security guard for a Lucky Dragon convenience store. The store is one of hundreds in the world and nothing special. When Rydell receives a mysterious phone call from Colin Laney instructing him to go to San Francisco, Rydell has no reason to stay.
Why San Francisco? Laney's strange talents tell him Something Big is going to happen and San Francisco is the focal point. The fact that Laney has no idea of what that something is does not deter him from setting things in motion.
Chevette desires to end a bad relationship with an abusive boyfriend so she and a friend decide to head to San Francisco and The Bridge, Chevette's old stomping ground.
Chevette and Rydell spend most of their time, separately and together, moving from point A to point B, avoiding Bad Guys and interacting with the culture of The Bridge.
Oh yeah, the Bad Guys. The ones chasing Rydell to keep him from interfering with the Something Big and take what he is carrying. And Chevette has her own bad guy chasing her for more personal reasons.
When we reach the end of All Tomorrow's Parties some of his characters can now potentially live happily ever after, but Gibson never explains the nature of the Idoru. He does however leave a very large door open for several books chronicling her fate.
All Tomorrow's Parties has the feel of an interim book, the second in a trilogy. (Hmm, but this is the third?) Gibson seems to be reminding us of situations and events from previous books while fleshing out his characters somewhat. He is pointing them (and us) toward the big finish.
We definitely don't have a big finish in Parties. At the end the Status Quo has shifted but we don't know toward who or how much. We have many more questions than answers.
Is William Gibson losing his edge? Has the razor sharpness from Neuromancer finally been blunted? Or is the story he is telling in this series of books so large that we must step back from the edge to see anything? I found these three books (Virtual Light, Idoru and All Tomorrow's Parties) to be interesting reads but ultimately unsatisfying. In a previous review I called Idoru a collection of interesting scenes and situations which didn't add up to a story. I get a similar feeling from Parties. It is only when all three books are examined together that there seems to be some focus and sense of direction. Whether or not the next book is the focal point remains to be seen.


text:
Q: Mean of timedeltas when resampling in pandas Given this dataframe:
df = pd.DataFrame(pd.to_timedelta(['00:00:02','00:00:05','00:00:10','00:00:15','00:00:05']))
df.index = pd.to_datetime(['20/02/2017 12:42:10','20/02/2017 12:43:10','20/02/2017 12:45:10','20/02/2017 12:45:10','20/02/2017 12:45:10'])
df.columns = ['time']

df
Out[232]:
                        time
2017-02-20 12:42:10  00:00:02
2017-02-20 12:43:10  00:00:05
2017-02-20 12:45:10  00:00:10
2017-02-20 12:45:10  00:00:15
2017-02-20 12:45:10  00:00:05

I amb trying to resample it, getting the average time for each min.
P.e it works when suming them doing:
df.resample('min').sum()
Out[245]:
                        time
2017-02-20 12:42:00 00:00:02
2017-02-20 12:43:00 00:00:05
2017-02-20 12:44:00 00:00:00
2017-02-20 12:45:00 00:00:30

There is any way of making this work with mean?
Something like:
df.resample('min').mean()

A: You can first convert timedeltas to total_seconds (floats), resample and use fillna. Last convert to_timedelta back:
df = pd.to_timedelta(df.time.dt.total_seconds().resample('min').mean().fillna(0), unit='s')
print (df)
2017-02-20 12:42:00   00:00:02
2017-02-20 12:43:00   00:00:05
2017-02-20 12:44:00   00:00:00
2017-02-20 12:45:00   00:00:10
Freq: T, Name: time, dtype: timedelta64[ns]

Increase precision is possible by converting to nanoseconds:
print (pd.Series(df.time.values.astype(np.int64), index=df.index))
2017-02-20 12:42:10     2000000000
2017-02-20 12:43:10     5000000000
2017-02-20 12:45:10    10000000000
2017-02-20 12:45:10    15000000000
2017-02-20 12:45:10     5000000000
dtype: int64

df = pd.to_timedelta(pd.Series(df.time.values.astype(np.int64), index=df.index)
                                 .resample('min').mean().fillna(0))
print (df)
2017-02-20 12:42:00   00:00:02
2017-02-20 12:43:00   00:00:05
2017-02-20 12:44:00   00:00:00
2017-02-20 12:45:00   00:00:10
Freq: T, dtype: timedelta64[ns]

redpajama_set_name: RedPajamaStackExchange


Author's Notes: Written for the Sam and Dean Drabble-a-thon, prompt: Future!Dean, cell phone. Thanks to elementalv and Steven for the beta.
We're all a little nuts. Survivor's guilt and PTSD. Bed wetters, cutters, and binge drinkers. Blank stares, night terrors, little voices in your head – nobody cares so long as you can shoot a rifle and do your share of the chores.
But Cas' cell phone thing freaks everybody out. On bad days he pulls out his broken old phone and dials random numbers. Face blank and urgent, almost like the old days, he corners people and makes them listen to the dead air.
Thanks, springwoof, I appreciate you letting me know how it affected you.


The company said a full marketing campaign will support the launch across TV, social, digital, outdoor, mobile, radio and experiential.
Coke Orange Vanilla was launched in Canada last year, along with Coke Orange No Sugar in Australia – and Coca-Cola reports that 'consumers in both markets loved the taste'.
Orange Vanilla Coke and Orange Vanilla Coke Zero Sugar will be available in 12oz cans (355ml) and 20oz PET bottles (591ml).


text:
<?php

namespace Google\Service\Compute;

class TargetSslProxiesSetSslCertificatesRequest extends \Google\Collection
{
  protected $collection_key = 'sslCertificates';
  /**
   * @var string[]
   */
  public $sslCertificates;

  /**
   * @param string[]
   */
  public function setSslCertificates($sslCertificates)
  {
    $this->sslCertificates = $sslCertificates;
  }
  /**
   * @return string[]
   */
  public function getSslCertificates()
  {
    return $this->sslCertificates;
  }
}

// Adding a class alias for backwards compatibility with the previous class name.
class_alias(TargetSslProxiesSetSslCertificatesRequest::class, 'Google_Service_Compute_TargetSslProxiesSetSslCertificatesRequest');