Oshi Casino – top online casino with Bitcoins!
Oshi Casino is mainly a crypto casino, with Bitcoin as its main currency. However, Oshi also accept payments in seven other currencies including US dollars, Canadian dollars, Euro, Chinese Yuan, Norwegian Krone, Swedish krona and Australian dollars.
The casino was founded in 2015 and now has 22 game providers, and a total of 2438 games. Oshi has a Curaçao gambling licence.
Founded in October 2015, Oshi is one of the most established Bitcoin casinos today. Most of the games are slots, but there are also live casino games and of course traditional table games.
Oshi is well known for its innovations, including its most popular features 'build your bonus' , where players can choose from 20 different welcome bonuses. Oshi also has the 'random daily bonus' , where all players can enjoy a new reload bonus every day.
The development team have put a lot of effort into making the site as easy to use as possible. With nearly 2500 games, they have built easy-to-use game search functionality which means you can try new slots games, add them to your favourites lists and always have something new to enjoy.
They also have the rapid cash out feature. Simply, this means cashouts are nearly real-time.
We like the fast registration, which only took 15 seconds.
Oshi Casino have the biggest selection of bonuses for any Bitcoin casino we've ever come across. We counted 61 bonuses altogether.
Welcome bonus: Build your bonus from 77% match bonus to 0.0586 BTC / 500 EUR and 200 free spins to 100% match bonus 0.013 BTC / 120 EUR and 105 free spins.
Build your bonus is an easy-to-use feature, where choose the bonus you want, copy the bonus code and make your first deposit. Then the bonus you choose is added to your account and you can then start playing on bonus money.
Reload bonus: 25% match bonus to 0.04 BTC / 300 EUR plus 30 free spins.
Reload bonus: 50% match bonus to 0.04 BTC / 300 EUR plus 30 free spins.
Players who have worked through the welcome bonus can then enjoy reload bonuses every day. Redeeming the bonuses easy, players copy the bonus code and use it when depositing. Oshi are very generous with their free spins.
As players bet, they build up redeemable comp points which can be exchanged either for cash or for free spins.
All players are eligible for slots tournaments, which are held every week. There are 20 prizes which are a mix of redeemable comp points and free spins.
Apart from the tournament being open to all players, we like the way they run the tournament by having the winner chosen because of the size of the win over the bet. For example, if a player bets €5 and win €500, versus another player who might bet €20 and win €500. The player who bets €5 would be the winner! We like this because it gives every player chance to be a winner on Oshi.
There are also anniversary bonuses, which are a nice touch. When you become a customer, every six months you'll receive a generous anniversary bonus up to 140% match bonus.
Is also a weekly lottery open to all non-Cryptocurrency customers. As players deposit and bet, they automatically receive a lottery ticket. The more bets in real money, the more lottery tickets. Players can see how many tickets they've got on their account management panel.
Oshi VIP management is very efficient. They have an excellent VIP management team and we liked the system they use. If you deposit and bet a certain amount of money, your added into the VIP program.
When you're in the VIP program, you automatically get cash back on any losses each week and you automatically get enrolled into the VIP tournament. If you are an extra special player, the VIP managers will reach out to you and offer you custom bonuses and any player support possible. We were impressed by Oshi's VIP management.
Apart from the generous bonuses, players also get priority support which is valuable if there are any issues.
All of these games work on desktop browsers, so there's no need to download games as you might've done in the past.
They've also built the site so if you're on a mobile device, you only see games that are 100% mobile friendly. This is a big benefit for using Oshi, because on mobile games have to work first time every time.
As we mentioned before, the game filtering system is excellent. For example, we were able to pick three different game providers and then select 'casual games' and we then had a big selection of interesting games to play.
We've been told by the management team at Oshi that it's a system based on e-commerce product filtering, that's been extensively tested and proven to be the best way for selecting casino games.
They also have a unique feature where players can mouse over thumbnails for games and a video preview shows. This works on desktop browsers. We like this idea, because it's helped us find slots games we were interested in.
Apart from the huge lineup of game providers, the way Oshi have organised game filtering and selection makes this a very special site.
As mentioned earlier, Oshi Casino have a system for rapid withdrawals. Once an account has been marked as a priority, they will issue cash outs within minutes. Rapid payments are a huge priority for players, because when they win they want their money now.
This means its easy to deposit and withdraw winnings.
Players enjoyed 24-hour live chat or email support. Every time the support team get a support request, a ticket is created which means the inquiry has to be processed.
Live chat is responsive and we liked the quality of the support team.
Oshi player support is 24 hours/7 days a week, 365 days a year. Support is available in English, German and Russian with other support languages being added all the time.
Oshi Casino is one of the best and most established crypto casinos today. They have a great game library and as importantly it is easy to find new games or go back bookmarked games.
The bonuses are excellent and we applaud Oshi for their unique 'build your bonus' feature along with their unique random daily reload features.
Adding everything up, we rate Oshi is one of the best and most trustworthy Bitcoin casinos on the market, being one of the best alternatives to the more mainstream casino brands like Bitstarz.


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Anaplectoides colorata is een vlindersoort uit de familie van de uilen (Noctuidae). De wetenschappelijke naam van de soort is voor het eerst geldig gepubliceerd in 1933 door Corti & Draudt.

colorata

redpajama_set_name: RedPajamaWikipedia


text: The Madison-based Scott Fields Ensemble doesn't waste a moment on its sinewy debut for Berkeley's Music & Arts. Picking up where the late Sonny Sharrock left off, Fields threatens to wear out his plectrum five minutes into "Sputter," the furiously free second movement of "Disaster at Sea," an intricately developed long-form work that evokes the tensions of its aqueous theme with unexpected irony. From then on, the guitarist/composer alternates between aggression and reflection, building a tonal architecture that's consistently interesting and often quite stunning. — Isthmus

redpajama_set_name: RedPajamaCommonCrawl


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Just thought I would share a few things that I can't get enough of right now, because great things need to be shared! Matter of fact, some of these things I have found courtesy of a share – I love knowing what others are into.
Two summertime snacks I just love are persian cucumbers and asian pears, sliced and topped with lemon and himalayan pink salt. Quite an international sounding dish, no? Instead of chips or nuts, I will cut up a bunch and put it in a glass container so that I have easy snacks available. The combo of sweet, salty, crunchy and tang make for a perfect nibble. If you are into more flavor, add Everything but the Bagel seasoning from Trader Joe's. Have you tried it on an avocado? Delish!
Silverado Trail Strawberries literally taste like they were grown with sugar pumped through them. If you aren't in Napa, sorry, because these are like candy. The key to making them last longer is to wash them immediately and let them soak for a few minutes in water and distilled vinegar. I cut them up and put them in a glass container for a quick and easy grab. My kids and I go through a pint at least a day.
Hoola and High Beam, both by Benefit are musts all summer long. I have minis for my purse and have full sizes in my drawer. Hoola gives the sun-kissed bronze without the glittery sparkle (which I hate) to your face. High Beam highlights where you want to look fresh and dewy. The micro-texture of High Beam gives more of a natural effect, versus the shimmer of some glittery highlighters.
SPORTea is as old as ever, but nothing quenches the thirst better! I can only drink so much water, and if I have exercised in the morning, my daily intake goal has usually been met by noon. I brew up SPORTea and put a big pitcher of it in the fridge. If it is good enough for climbers that tackle Everest, it is good enough for me!
Mechanical pencils (my favorites are these) are a way of life for me year-round, but especially in the summer. I feel like writing things in ink makes it so permanent. Pencil seems sort of negotiable, keeping doors open, yet marking potential plans down as notes. Summertime should be easy and not so structured, that's why I love keeping the mix of camps vs. free time balanced so that my kids can enjoy summer the way I did, freely and with options! Try switching to pencil for June and July. There's plenty of time to put it in ink. Trust me.
Summer is my favorite season in California. It is easy to love: barbecues, rose, swimming, sunshine, corn and tomatoes, the smell of sun(screen)tan lotion…the list goes on and on. This summer is different though; I have been a cycle instructor for a full year now, teaching and taking about 5 times a week. That's a hefty amount of cardio for this girl. I can say my legs definitely are looking and feeling strong – but I need a bit more. Some girl pals and I have decided to up our game for the next month, with both movement and mindful eating.
Here's the thing, we live in Napa and with our friends, there is no shortage of food, drink and fun. Our Whole Foods bill doubles because chances are high that you'll be entertaining another family for dinner, gone are quiet nights at home. Take out is almost non-existent because the grills are blazing and the produce is piling in. No complaints at all, trust me.
In an effort to find balance between summertime indulgence and bikini wearing fun, two friends and I are making a commitment to moving in some way, every single day for the next 30 days. I recently got an apple watch and it has changed the way I approach my personal efforts. The "rings" as you may have heard about, track your movement, exercise and stand time throughout the day. If I cycle in the morning, both my move and exercise rings close. It feels so fantastic to meet those goals before 8:00 a.m.! I always close the stand ring by dinnertime. The accountability the watch brings to the surface is incredible, and it has proved to be the perfect motivator for me.
Another one of my favorite things to do in the summer is ride bikes with my kids. My in-laws brought us some Townie cruisers which are super fun for looping around our neighborhood. The kids like to head up to the club to grab a soda at the mansion, and I might sneak a soda of my own! We laugh and giggle the whole time, and the only hazard is getting a bug in your eye or worse yet, your mouth.
Anyone else making a commitment to stay summer-ready all season long? Get ready for this blog to have new life back into the posts, as I am documenting it all here. Perhaps SNS might motivate you to get out and move as well. Cheers to the best season!
Have you ever had a dip manicure? I was talked into it at a nail salon in Scottsdale, while we were on vacation. As a devotee of gel manicures, I was certainly intrigued when the nail tech said it would last an extra week, that it doesn't peel off and it makes your nails stronger. Since I was already cheating on my own nail lady back home, I figured why not, and, I loved the results. There is no UV curing process, just polish and powder. It is like the acrylic they brush on for a fake set of nails, but in this case you literally dip your nail into the powder. Whatever they paint on your nails (it is clear) grabs the colored powder, then a file is used to shape the hardened powder stuff. A final coat of clear is put on to shine the nails up. I have only experimented with light, natural colors, but I am loving the result. My nails have never looked better! The down side is that Ann, my Napa nail tech, doesn't offer the dip manicure. So once again I went to someone else here in town to get a new dip manicure. Also worth mentioning, the removal process is much easier than gel. It is simply soaked off, the only tool used is a cotton ball to wipe the residue away. No scraping! I am sure it is all chemical laden and likely going to be the death of me at some point, but I am willing to take my chances.
If you are in Napa, Polished Nail Salon next to Nob Hill Foods offers dip. Christina did my nails, and I am in love with them. Hugh is also a master, so I have been told.
I sleep terribly most nights. I used to think it had to do with alcohol consumption, and often times too much wine does contribute to a 3am wake up. Lately however, I have been abstaining from wine with dinner and I am still having trouble with the mid-sleep wake ups, but now I am struggling with just getting to sleep. My neck always feels jumbled in the morning, especially after the deep sleep I finally do get between 4am and 7am.
After doing some research, I am trying some different supplements to help the rest come more naturally, than say an ambien. First, I tried the Sleep chocolates when I was in Coloma last May with H and his classmates as a chaperone. They did work, although I was a bit sluggish the next day. Not having read the label, I ate four of them (the max, I later found out) which was clearly too much. Last night I tried three, and I needed a bulletproof coffee to start the engine this morning. A friend had suggested I try the Calm Magnesium drink before bed. That will be tonight's plan. I understand magnesium has many other health benefits as well, so perhaps it should be in my program anyway.
What do you do for a restful sleep?
Every summer, my family escapes to Tahoe for a week. We join our dearest friends for fun on the beach. Our biggest decision of the day is what time we will have a Golden Eagle (a blended orange drink with tequila, vodka, with a grand marnier floater). It is a week's worth of doing nothing, and I look forward to it the day we drive home. Here's to dreaming of summer, and a week at the beach.
For many of us, 2017 was a very challenging year. It was filled with a lot of tragedy, loss, stress and struggle. And towards the end, it was almost unbearable. There was nearly a whole month lost when our town caught on fire. The time spent evacuated from our home was actually not so bad – with no real concept of what remained behind the police barricades. We were only able to make the best of a terrible situation and did so by gathering with our family and friends, sharing stories and laughs, and a lot of tears. It was the weeks after that really took their toll on us all. The dark reality that my mother's home was completely gone was gutting.
There were tiny miracles along the way too. My mom moved into a lovely home, even closer to us, that she can spread out in and enjoy. We are working together to build back her life; starting from scratch can actually be fun! Another milestone, we sold our house in Utah. This was something that absolutely had to be accomplished in 2017. It took a lot more effort to do so than expected, and in the ninth hour on December 29th, it was no longer ours.
To celebrate the little things, we decided to take our kids to Arizona for a few days. Never have I felt the need to connect as a family as I have in this new year. I have all of the other resolutions lined up as well, but the goal to be present has become paramount. We chose Scottsdale because we love the Phoenician and it's kid friendly vibe. Also, two of my best friends live there coincidentally. Even though it was a family-focused trip, we did manage to spend some time with them, and they are practically family anyway!
The time away reminded me how important it is to make each day count. When I say count, I mean that by the time I settle into bed, ready to start over again, that I can identify a way I've made a difference. Whoa, that sounded very earth shattering, and I don't mean it that way. More like, the differences could be for my own health. Or, having helped my kids with a school project. I've crossed off all of my to-do's. Just taking 15 minutes alone to think or clear the slate is meaningful. I want to accomplish things that will make a difference in the well being of not only my being, but others close to me as well.
I have set January 15th as my official implementation week. I am using this week to prepare and get all the tools out that I will need. Of course, I will be starting the 30 Clean eating and fitness challenge that I often participate in. But I will also be using a 30 day chart to be more mindful, in addition to visiting with my spiritual coach (yes, I have one) each week. So to the new year, I say hello. Nothing more than welcome, with warmth and new horizons in sight.
I have been debating on buying this for an entire year. It is a face oil with a hefty price tag (for me), that I just couldn't bite the bullet on, despite all of the rave reviews and buzz it has. During my last facial, Denise used this as the final product for moisture. Obviously post facial, my skin was glowing already, but this serum made such a difference that I took home a sample to use for the week. With each day of use, my skin's appearance just got better and better. While I love face oils in general, I haven't been able to find a good replacement for the Rose Hydrator that my friend and skincare guru, Cheryl, in Utah created. Her facials and products are completely fantastic – but she is in Utah. Vintner's Daughter was created here in Napa, by an actual vintner's daughter! And, I am a huge fan of shopping locally for local goods, and when I discovered how amazing this product truly was, I was hooked. It feels luxurious while keeping the natural element at the forefront. I have yet to feel like it is wearing off in it's spectacular-ness, and I don't think it is going to. Guess I need to keep my day job!
Our summer ends with a trip to Tahoe with some of our dearest friends. While there is some activity, and we try to exercise a bit, the amount of overindulgence makes the efforts almost ridiculous. My buddy Julie, if you have read my blog in the year's past, is always up on the trends and musts of the current moment. I savor our time together spent on the beach, sharing all of her news.
One of the things I have been wanting to work into my program is collagen. I tried it in tea and couldn't get past the idea there was bits of animal gelatin floating around in there. No, I couldn't see it, but the thought just killed me. Julie and I also were talking about how to get more protein in our diets – I have always been a believer in real, unprocessed proteins like eggs and lean meats versus supplements and powders. Julie mentioned that she adds both collagen and protein into her coffee via two very wholesome ways. Skeptical, yes, but desperate to hit the studio to work off the Tahoe and so sad about the appearance of my skin post-lake life, I took the bait.
It has been a little over two weeks that I have been adding these two things into my coffee, and I am totally in love. It takes a bit of effort to blend it up, but I have already seen and felt results. Both items are for sale on amazon. Give it a try and let me know your experience. Anything else you have in your routine that's changed your game?
I am a fiscal conservative, with a very left leaning sway towards social issues. Most of my friends think I don't post about political things on insta or FB because I don't want to admit my evil Republican side. Because all Republicans are raving lunatics, right? This couldn't be further from the truth. In fact, I keep my social media outlets politics-free because I don't want to read/see/complain about the horrors of this country on a place I go to for an escape. Yes, it is an awesome platform for awareness, and I do love to look at things from all sides. I definitely do not follow a line in the sand. My viewpoints are made up of all kinds of sources and opinions. Some of my closest friends feel completely opposite from me on issues – yet I value our conversations and their dialog, so that we are all getting it out there for thought. That's important to me. But, I do not want to go through this exercise on my social media.
But I want to discuss how a jewelry and footwear designer, a reality show participant, that's a WOMAN has been given a position as a government employee. Ivanka Trump has entree to the to the most sensitive relationships in this world. She is seemingly active in every sense of our government. I know this isn't the first time a family has supported the President, and nothing "bad" has happened with her inclusion so far. I can't decide if she is helping or hindering in the big sense of the work. I do like that she is a well educated, smart woman that's active in the political field, but I would hate to discount the other women that have earned their keep and fought to get to where they are now, i.e. Kamala Harris, which for the record, I disagree with many of her stands on things.
That's all. Felt like I needed to rant a bit today. I will go back to dealing with high winds in Corsica. Yep, that's top on my work list today. Don't be jeally. No really, don't.
I already have black, but this white platform is amazing. Sold out in normal sizes nationwide. Waaaaah.


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Trends of Q2 Advertising in Southeast Asia
Based on statistics of App Growing Global as of Q2 this year, both the number of advertising apps and ads, ads of mobile games in Southeast Asia are relatively large, accounting for more than 60%. The advertising budget of non-mobile games in Q2 increased significantly. The number of advertisements increased by 47% from Q1, while the proportion of ads in Q2 increased to 42%.
Social, Entertainment, and Books have the largest amount in the non-gaming ads in Q2, of which the books increased the most from Q1, up to 307%. RPG, puzzle, and action are on the Top 3 of mobile games in Southeast Asia, among which RPG increased by 55% from Q1.
Below to interpret specific apps of games, social, entertainment, books, and live-streaming in the Top Charts.
1–1 Over half of the apps in the Top Chart of Mobile Games is from Chinese developers
The diverse Southeast Asian culture has a high degree of tolerance to foreign cultures. And there is few powerfully local content provider of games. Therefore, it becomes a competition for foreign developers. The Q2 Top Chart compared with Q1 changes greatly and the periodicity of mobile games advertising from head advertisers is obvious.
It is worth noting that mobile games advertising is still focused on several areas in Southeast Asia, such as India where there is less advertising generally. The Main advertising areas of 4399TH's Yong Heroes and YottaGames' Mafia City in Southeast Asia are Thailand and Vietnam.
Main Advertising Countries of 《Yong Heroes》
1–2 JOYY sizes Southeast Asia markets with a huge advertising budget
Social and live-streaming are still the worlds of foreign developers in Southeast Asia. As we can see in the below chart, boundaries of Entertainment, Social, live-streaming, video are increasingly blurred to better meet the needs of users and seize the market.
Unfortunately, the main advertising areas of Huya(虎牙)'s Yomi Live and Kaishou(快手)'s UVideo in Southeast Asia is India. Meanwhile, Vmate, which dominates the Indian market, also dropped from the Top 3 in Q1 to outside the Top 10 in Q2. The live-streaming market will see a new round of shuffling in India due to the Indian government's ban on Chinese apps.
Tencent Video is rumored to be merged with Aiqiyi(爱奇艺) to surpass Netflix. Their oversea apps WeTV and iQIYI have also chosen Southeast Asia. Tencent's WeTV is in the Top 1 in Q2 Top Chart of Photo&Video.
Main Advertising Countries of 《Yomi Live》
Main Advertising Countries of《UVideo》
1–3 Advertising of Books is booming
Books apps and advertising have increased significantly in Q2. And there are also a number of individual developers perhaps because the development of books apps is not so difficult and Southeast Asia is more receptive to China's online books and videos. The developers only need to focus on translation and copyright issues.
Take FlyRead for example, launched this year and started advertising in March, it has already been in the Top 3 in the Free Books Chart in Vietnam, Thailand, and Indonesia.
iReader is in the Top 30 in the Southeast Asia Free Books Chart. Unlike FlyRead, iReader's main advertising area is not just Southeast Asia, but the United States has the largest amount of advertising material.
Books advertising materials are mainly based on information flow pictures, including real personals and animation materials. It generally describes the book's name and brief content as below.
The cultural output of video, books, and games is rapidly integrated into Southeast Asia. Compared with Japan, South Korea, Europe, and the United States, the product requirements in Southeast Asia is relatively low, so that there are unlimited opportunities and possibilities. However, there are also some challenges, such as fierce competition from Chinese developers, poor local networks, and limited average payment ability, etc. Foreign developers choose markets according to their own advantages, coupled with continued advertising, which can be successful in Southeast Asia.
The data of the report is based on the number of advertisements from App Growing Global as a measure of ad performance. The number of advertisements is not exactly equal to their actual ad consumption and is for reference only.
Please sign up free for App Growing Global to see more global ad-serving creativity.
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It was bound to happen. Microsoft's Internet Explorer finally just broke. Nothing fancy, no bells, whistles or fireworks. It just died. For some unknown reason, cookies are no longer working. There are a handful that are set, and more are accepted because they keep piling up. But the ones I want to work (Observer login, Bloglines login) don't.
So I'm done. I had installed Mozilla's Firefox 0.8, and with a simple "set as default" click, Internet Explorer is no more. Sure, it's there and all. But it's not the default, and if I can help it, I'm not even going to fire it up. So far, I'm pleased. The browsing speed is much faster than IE as far as I can tell, and I'm supporting an app that deserves the support.
There are some small problems. I'm composing this entry in Movable Type, and the little buttons that allow me to easily add italic or bold text, or define a URL, are missing. Not a big price to pay, but it would be nice if they were there. If anyone knows how to make them work, please let me know.
Update: The Movable Type buttons are easily fixed. Check the comments for the details. Thanks to Jennifer and Mark for the information on how to get there.
I think you're right. I understand that you can change what Opera sends, so that might be one option. Just include the word "gecko" in there someplace. The detection of the browser as it is set currently looks for gecko in the user-agent string sent to the server and that should resolve it.
Naturally, this would need to be done for anyone using Opera and connecting to those pages.
The other alternative is to update your MT scripts to look for "opera" instead of just "gecko". The template used for building that page requires a particular setting (agent_mozilla) be set to display the code in question. If MT sets that parameter for Opera, then it might resolve your issue.
Updating the regular expression is probably cleaner, but either way should work. Then when it sees opera in the string, it'll display those things as it would for gecko-based browsers.
If you want to get fancy, you could even create a new parameter name (say, agent_opera) and update your templates accordingly. This might actually be the best method, because there may be some agent_mozilla entries that don't work for Opera (and vice-versa). But it could mean a lot of work.
unfortunately, there doesn't seem to be a fix for opera.
That did the trick. Mark's link works too, and takes you to the link in Jennifer's comment. Thanks for the links!
Also try this, it works for me.
This is old and I'm not sure if it still works but worth a try. I had it going at one point but lost it in an MT upgrade and never replaced it (I use Zempt to post most often, anyway). Here's the link to the Blogzilla post.


Dorritville: TV Show of the Week - "God Bless the Child Who's Got His Own"
TV Show of the Week: "God Bless the Child Who's Got His Own"
A half-hour syndicated talk show. Sons and daughters of celebrities whine on endlessly (to host Lucie Arnaz) about how hard it's been making people realize that they are talented in their own right and don't just get acting jobs, lucrative publishing contracts, and record deals because of their connections. Guests on the first show are Melissa Rivers and Julian Lennon; Ethan Hawke makes a surprise visit and discusses his new novel.


"Himalayans needs climate change science to get its fingers dirty," says a former student of John Holdren and research director of a prominent water conservation center in Nepal. In an interview with the UK Guardian Environment Network as part of an ongoing series of dialogues, Dipak Gyawali says the ecologic, geographic, social, and ethnic diversity of the Himalayas demands a "toad-eye view" of local conditions in addition to the "eagle-eye view" that satellite observations and computer modeling provide. Such "civic science" should meet up with "high science" more often, he argues.
In an interview with UK Guardian reporter Isabel Hilton as part of its "ChinaDialogue" series, Gyawali explains that an area as diverse as the Himalayas needs localized, 'toad's-eye' science if it is to learn how to adapt to climate change. India, Nepal, Bangladesh, Sri Lanka, and the many archipelagos of islands in the South Pacific present a set of extremely diverse conditions that demand data collection and observations at the local level to understand how climate change is affecting these regions.
Most Himalayans don't have separate words to distinguish weather and climate, yet farmers in the region know something is very wrong. Some, after suffering several years in a row of failed crops, are committing suicide. "The question of the Himalayas has not really begun to be addressed and the science has a very long way to go on precipitation and the social effects," he says.
CSW has also repeatedly called for science to be "demand-driven" and more geared towards problem-solving at the grassroots level.
There are some programs in the US that begin to build the sort of distributed observations needed to get a handle on the local effects of an inherently global problem. For example, the World Wildlife Fund has its Climate Witness program, and a private sector entity called "WeatherBug" has installed over 8,000 weather tracking stations and more than 1,000 cameras (mostly at schools and public safety facilities), boasting of "the largest exclusive weather network in the world." This sort of distributed approach needs to be expanded even more widely to include observations of changes in all flora and fauna and ecological conditions so we can better anticipate problems ahead and make the needed adjustments.
Notably, many of Dr. Holdren's former students are tackling tough problems related to sustainability in the US and across the globe; his positive influence stretches far and wide.


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The diabolical Tiffany Reisz (http://tiffanyreisz.com/storytime/tag-im-it-please-enjoy-an-excerpt-from-the-prince-coming-november-2012/) tagged me in a game of LUCKY SEVEN. A writer tagged in this game goes to page 77 of their WIP (work-in-progress), finds line number seven, and copies the next seven lines. My current WIP was just started yesterday, so (since I'm not superwoman) I'm posting an excerpt from the as-yet-to-be-named sequel to the book I'm working on.


Published at Wednesday, April 24th, 2019 - 12:40 PM. 3 Wiring Diagram. By Steven G. Rios.
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text:
Downed trees cause Manitowoc power outage
Alyssa Bloechl
MANITOWOC - About 1,300 residents in the City of Manitowoc lost power around 6:20 p.m. after a fast-moving stream-lined storm passed through most of the state and northeast Wisconsin Sunday evening.
Winds reached up to 70 miles per hour in some locations across the state, Wisconsin Public Service Manager of Public Relations Lisa Prunty said in a news release early Monday morning.
Daniel Salm, customer relations manager with Manitowoc Public Utilities, reported Monday morning that the major outage area was east of North 18th Street to North Fourth Street and south of Waldo Boulevard to the Manitowoc River as a result of a tree falling on power lines on North 18th Street.
"This storm had some pretty substantial winds," Salm said. "We haven't had a good wind like this in quite a while, and it shakes a lot of things loose."
Power was restored to most Manitowoc area customers by 7:40 a.m., with the exception of one house that suffered a damaged service and is waiting on an electrician to repair.
MPU and WPS crews were on duty most of the evening, clearing fallen trees and repairing power lines. WPS had about 50 contractors working in both Wausau and Green Bay.
Salm said MPU workers were up past midnight on Sunday and were up early to continue cleaning and scanning all the calls that came in.
Nearly 20,000 WPS customers in Wisconsin experienced outages. As of 2:30 p.m. Sunday, 18,000 were restored to power and as of 10:30 a.m. Monday, more than 27,000 customers were restored throughout the state.
"The Wausau and Green Bay areas were hit the hardest with trees uprooted and lines down," Prunty said.
More hazardous weather is expected later today, the National Weather Service of Green Bay reports.
While severe thunderstorms are not likely, a few could produce gusts of 40 miles per hour and small hail. Manitowoc is among a number of counties in northcentral and northeast Wisconsin under a hazardous weather outlook by NWS.
Additionally, gusty winds are expected along the lakeshore in the Bay of Green Bay and Lake Michigan between Sheboygan and Sturgeon Bay. NWS has placed a small craft advisory on the area from noon until 8 p.m. tonight. Winds between 10-20 knots and gusts up to 25 knots are expected, with the strongest to be in early to mid-afternoon near Manitowoc and Sheboygan.
Residents should be on the lookout for branches and power lines, and never attempt removing limbs hanging from wires alone. MPU will safely remove trees and branches from wires free of charge.
To contact MPU to report down trees or wires, call 920-683-4600, and for current WPS outage updates, visit them online at www.wisconsinpublicservice.com. To see MPU updates, visit them on Facebook. To keep up on the current weather warnings, visit NWS online at www.weather.gov/grb/.
Alyssa Bloechl: 920-686-2152 or abloechl@htrnews.com; on Twitter@alyssabloechl.


text:
Терепаї Маоате (), повне ім'я — сер Терепаї Туамуре Маоате () — політик, прем'єр-міністр Островів Кука з 18 листопада 1999 року по 11 лютого 2002 року.

Біографія
Народився на острові Раротонга у 1934 році. Вчився у початковій школі Нгатангія (Ngatangiia Primary School), потім у Школі медицини Фіджі. Згодом закінчив Оклендський університет у Новій Зеландії.

Працював лікарем на Роратонзі. Потім став директором Відділення клінічних послуг Міністерства охорони здоров'я. У 1983 році обраний до парламенту Островів Кука. Згодом займав пост міністра охорони здоров'я і сільського господарства у кабінеті прем'єр-міністра Тома Девіса, а в період з 1985 по 1989 рік був також віце-прем'єром.

У 1998 році став лідером опозиційної Демократичної партії Островів Кука. Після виборів 1999 року, завдяки коаліційним угодам, стам прем'єр-міністром. 11 лютого 2002 року Маоате пішов у відставку і знову став лідером опозиції. Він ще кілька разів займав посаду віце-прем'єра та міністра закордонних справ. У червні 2010 року він пішов з поста лідера Демократичної партії. Далі він безуспішно балатувався до парламенту як незалежний кандидат.

9 липня 2012 року Терепаї Маоате помер від раку простати у віці 77 років.

Особисте життя
Терепаї Маоате був одружений з Леді Маріто (дівоче прізвище Мапу), родом з острова Аїтутакі. У них шестеро дітей, одна дівчинка і п'ять хлопчиків. Його син Терепаї Маоате молодший теж займається політикою.

Посилання
 https://web.archive.org/web/20101001070047/http://www.parliament.gov.ck/members/maote1.html
 http://www.rnzi.com/pages/news.php?op=read&id=69431

Лицарі-командори ордена Британської імперії
Прем'єр-міністри
Історія Островів Кука
Прем'єр-міністри Островів Кука
Дипломати Островів Кука
Міністри закордонних справ Островів Кука


St. Finnan's Catholic School is now accepting new student registrations for September 2019! We invite parents to call the school to make an appointment to visit during Kindergarten Registration Week, which begins Monday, January 14, 2019 or drop in during our Kindergarten Registration Open House, which takes place January 24th, 2019 from 4:30-6:30 pm. Please visit the CDSBEO website registration page at http://bit.ly/CDSBEOKindergarten for information on how to register your child. We look forward to welcoming your child to Kindergarten!
Just a reminder that December lunch orders may be paid via School Cash Online. It's safe, fast & convenient way to pay for school activity fees!
The Catholic District School Board of Eastern Ontario invites Catholic School Council parent leaders to apply for vacant positions on the CDSBEO Parent Involvement Committee.
Counties with vacant positions include: Lanark County, Prescott-Russell County, and Glengarry County.
Catholic School Council parent leaders are asked to serve a two-year term, and must be available to attend four meetings per year, in addition to other leadership responsibilities.
All Catholic School Council parent leaders interested in serving on the CDSBEO Parent Involvement Committee are asked to complete the Parent Involvement Committee Application Form and return it to Norma McDonald at Norma.McDonald@cdsbeo.on.ca by Friday, October 19, 2018.


(SPOT.ph) For many of her Filipino fans, Vienna Teng is the musician who captured the essence of romance in one simple song (for a man named Eric). Five albums later, she's still writing songs that challenge the standard formula. There aren't many singer-songwriters who would build a melody around accounting fraud in a company...and there are even fewer ones who could make you sing along to it. Teng accomplishes this in the catchy track "Whatever You Want" from her third album Recessional, and though it isn't a chart-topping hit, she has earned the bigger reward of a loyal following.
In the age of hit singles and crazy stunts, Vienna Teng chooses not to join the circus. She's now a completely independent artist, utilizing a kickstarter to fund her "hobby" of making music. We were fortunate enough to have been invited to an instant meet-and-greet with her at Adarna Food and Culture on Tuesday (August 19), where she shared her surprise at the overwhelming response to her gig the previous night at Ka Freddie's in Tomas Morato. The afternoon at Adarna was a little more intimate and aside from hearing her perform "Stray Italian Greyhound" and "Eric's Song" (of course) live, we also had a chance to chat with her and hear her thoughts on a couple of things.
"Choosing the cities was sort of arbitrary. Some of these were just places I want to visit, some were places that people had asked if I would ever tour there. So the Philippines was actually the first that I knew I wanted to go to because people were always saying, "When are you coming to the Philippines?" I knew I would come here. We tried getting in touch with different venues but only Freddie's replied. I think that because this is my first time in the Philippines, a lot of the other places weren't familiar [with me].
These performances in Asia that I'm doing are all in very small places, mostly because we just wanted to try it first. If only 10 people show up then I'll be okay! [Laughs] But it's been a nice surprise, especially here in Manila."
"I live in Detroit and Detroit is a city that's pretty empty-although there used to be more people living there. The funny thing is that, walking around here in Manila, it sort of suddenly felt like there are more people in Detroit! I'm excited to see Taiwan too. I grew up in the US and [my parents] didn't really bring us to Taiwan as children. Tomorrow will be my first time there, with my mom."
"I thought about writing [commercially] for a while when I was considering making music my whole career, but I realized that I mostly enjoy writing music for myself. So I went back to school and studied other things I'm interested in, and now, I have other work that I really love."
"My other job is related to environmental sustainability-working with different businesses to work on environmental issues, because there are companies that care about using less energy or less water or maybe be more effective in cleaning toxic waste. Between that and performing, I'm not home very much."
It just requires me to set aside a certain amount of time where I don't give myself other excuses. It's very easy to sit down and try to create something that doesn't exist-but it feels hard. You always make up an excuse-I have to do the laundry today, I have to clean this thing, I have to visit this other person-so I have to set a period of time where I don't have any other excuses. And usually when I make that kind of space, then I come up with ideas. They're usually little fragments though; maybe I have a little bit of a melody or a couple of words. After a while, I just have these little things and then sometimes when I'm lucky I can take one thing and combined it with another. Sometimes I pair the wrong things together and I go "oh no!" [Laughs]"
On songs written from a different perspective like "City Hall" and "Recessional"
"With "City Hall" it was very specific. I had friends who were gay who were getting married in San Francisco and I wanted to commemorate it by writing a song about it. I think for me it was more of trying to see it from the perspective of someone I knew. I was trying to write their story.
To be honest, I have a bias towards writing from the perspective of a man singing to a woman. I don't know why. In "Recessional," it was someone who had met a woman that he or she really wanted to be with for whatever reason. That one, I think, was just me trying to write about a very emotional moment that wasn't necessarily autobiographical."
On what happens to the couple in "Between"
"I write some songs specifically to be ambiguous, but I would like to think that they talked about it. Now that I'm older I know a lot of people who were in long relationships that just ended. I think that when it's between two very mature people, they have those conversations. Sometimes they're hard and heartbreaking, but it's a way to move forward."
"I think in the song, I tried to put the conflicting message that I got from my grandmother. She lived her life in a very traditional way, so she feels like there are certain things that women should do...but at the same time, she realized that she was very limited by that. So she also wanted me to go and do bigger things. She would give conflicting advice, like, on one hand you have to get married because you're getting too old and no man is going to want you and you have to get married soon...and then on the other hand, she tells me to make sure I never have to depend on any man because I can't trust men. So...I have to get married...but I shouldn't trust him? [Laughs]"
"I was in school at the time, studying environmental issues and businesses, and I learned about a lot of things that were really depressing-because you learn a lot about corruption and pollution, and how there are powerful people who will keep things the way they are even though the situation is really detrimental to other people. I think I was just in this place where I didn't want to get depressed about it-I wanted to stay inspired. I think a lot of the material from the album was a way to make music that was energizing while still acknowledging that stuff. I guess I was, in a way, trying to write an energetic somewhat political pop album or something? [Laughs] But it's really not political? [Laughs]"
"There's always Simon & Garfunkel and other songwriters who played the piano. And then there's Mandarin Pop, because of my parents. The voices in those songs are very pure and very sweet. Classical music too, because I was studying classical piano. But I think my style of music is definitely influenced by my parents' upbringing. They're not really traditional Chinese but they are Chinese and are more reserved. I always felt like I had this responsibility to have music with dignity. I think that's why, for example, I never ventured into playing something close to rock and roll music. What I think is exciting about rock and roll is there's always a sexual element to it and I think maybe that's why people gravitate towards it. I think it's great but I think there's a reason why I didn't do that...because my parents would be like, "What are you doing?""
"Sometimes it's hard to do those two things at the same time because it kind of splits your brain. I find that when I'm recording, I have to do them separately. If I'm recording while singing and playing the piano, you can hear that I don't sing as well when the piano part is difficult and I don't play the piano as well if the singing part is tricky. Because I think it takes too much concentration [laughs.] But I enjoy live performances, because then I get to do the whole song. When you're doing songs live, it's okay for it to be a little bit messy. But it's nice to be recording too, because I have the music coming in my ears and all I have to do is sing."


GuyFromChicago has spotted and blogged about some new features added to the Google AdWords Keyword Tool.
Some of the features include new filters, such as disallowing results that contain specific phrases, disallowing keywords that are already in your ad group, and not showing ideas for new keywords.
There's no official word from Google yet on these, but users are starting to see these new features in their account.
What do you think? Forum discussion continues at Search Engine Roundtable Forums and DigitalPoint Forums.


text:
Mireasa lui Frankenstein (în ) este un film științifico-fantastic de groază american din 1935. Este prima continuare a filmului Universal Pictures din 1931, Frankenstein și unul din rarele filme care sunt mult mai bune decât filmul original pe care se bazează.

Ca și filmul din 1931, Mireasa lui Frankenstein a fost regizat de James Whale, iar Boris Karloff reinterpretează rolul monstrului lui Frankenstein. În această continuare Elsa Lanchester are un rol dublu: acela al scriitoarei Mary Shelley și al partenerei monstrului la sfârșitul filmului. Colin Clive reinterpretează rolul lui Henry Frankenstein și Ernest Thesiger joacă rolul medicului Septimus Pretorius Filmul începe ca o continuare imediată a evenimentelor care au încheiat filmul anterior și este bazat pe un sub-scenariu al romanului original din 1818, Frankenstein de Mary Shelley. În film, Henry Frankenstein își abandonează planurile de a crea viață, doar pentru a fi ispitit și, în sfârșit, forțat de vechiul său mentor Dr. Pretorius și de amenințările monstrului, ca să construiască o parteneră artificială pentru monstru.

Pregătirile pentru filmarea acestei continuări au început la scurt timp după premiera primului film, însă problemele legate de scenariu au întârziat proiectul. Filmările principale au început în ianuarie 1935, cu echipa de creație a filmului original care a revenit atât în fața cât și în spatele camerei de filmat. Mireasa lui Frankenstein a avut succes la lansare, deși a întâmpinat dificultăți cu unele organe de cenzură din mai multe țări. De la lansare, reputația filmului a crescut și a fost considerat capodopera regizorului Whale. În 1998, filmul a fost adăugat în Registrul Național de Film de către Biblioteca Congresului Statelor Unite ale Americii, fiind considerat "semnificativ din punct de vedere cultural, istoric și estetic".

Prezentare

Într-o noapte furtunoasă, Percy Bysshe Shelley (Douglas Walton) și Lord Byron (Gavin Gordon) o laudă pe Mary Shelley (Elsa Lanchester) pentru povestea ei despre Frankenstein și despre monstrul său. Reamintindu-le că intenția ei era să transmită o lecție morală, Mary afirmă că mai are mult din această poveste de spus. Apoi povestea filmului se schimbă în anul 1899, după evenimentele de la sfârșitul peliculei Frankenstein din 1931.

Sătenii s-au adunat în jurul morii de vânt care arde, lucru care a dus la moartea aparentă a monstrului (Boris Karloff). Bucuria lor este temperată de faptul că Henry Frankenstein (Colin Clive) este, de asemenea, aparent mort. Hans (Reginald Barlow), tatăl fetei-creatură înecată în filmul anterior, dorește să vadă oasele monstrului. El cade într-o groapă inundată de sub moară, unde monstrul - după ce a supraviețuit focului - îl strangulează lăsându-l aparent mort. Ridicându-se din groapă, monstrul provoacă moartea soției lui Hans (Mary Gordon). Apoi se întâlnește cu Minnie (Una O'Connor), care fuge terorizată.

Trupul lui Henry este dus la logodnica sa Elizabeth (Valerie Hobson) în castelul lor ancestral. Minnie dă alarma în ceea ce privește monstrul, dar avertismentul ei nu este luat în seamă. Elizabeth își dă seama că Henry este încă în viață. În timp ce este îngrijit de către Elizabeth, Henry renunță la creația sa, dar încă crede că destinul lui este să afle secretul vieții și al nemuririi. Elizabeth, isterică, începe să strige că vede Moartea venind, prefigurând venirea fostului mentor al lui Henry, medicul Septimus Pretorius (Ernest Thesiger). În camerele sale, Pretorius îi arată lui Henry mai mulți homunculi pe care i-a creat, inclusiv o regină în miniatură, un rege, un arhiepiscop, un diavol, o balerină și o sirenă. Pretorius dorește să lucreze cu Henry pentru a crea o parteneră a monstrului și ține un toast pentru munca lor: "Pentru o lume nouă a zeilor și a monștrilor!" După ce îl forțează pe Henry să-l ajute, Pretorius va crește un creier artificial în timp ce Henry strânge părțile componente pentru realizarea Miresei.

Monstrul salvează o tânără ciobăniță (Anne Darling) de la înec. Când îl vede cine e, începe să țipe, alertând doi vânători care trag în el și-l rănesc. Vânătorii adună o mulțime de oameni ca să-l urmărească. Este capturat și legat de un par, apoi monstrul este târât într-o temniță și legat. Lăsat singur, își rupe lanțurile, omoară gardienii și fuge în pădure.

În acea noapte, monstrul întâlnește o familie de țigani și își pârlește mâna în focul acestora de tabără. Atras de sunetul unei vioare cântând Ave Maria, monstrul întâlnește un bătrân pustnic orb care îl mulțumește lui Dumnezeu că i-a trimis un prieten. El învață monstrul cuvintele precum "prieten" și "bun" și împarte masa cu el. Doi vânători rătăciți ajung în cabană și îl recunosc pe monstru. El îi atacă și dă foc fără să vrea cabanei, în mod accidental cabana, în timp ce vânătorii îl duc pe bătrânul pustnic departe.

După ce se ascunde într-o criptă de o altă mulțime furioasă, monstrul îi spionează pe Pretorius și pe adepții săi, Karl (Dwight Frye și Ludwig (Ted Billings) care deschid un mormânt. Adepții pleacă în timp ce Pretorius rămâne să se bucure de o cină ușoară. Monstrul se apropie de Pretorius și află că Pretorius intenționează să-i creeze o parteneră.

Henry și Elizabeth, acum căsătoriți, sunt vizitați de Pretorius. El îi cere lui Henry să respecte înțelegerea în ceea ce privește "colaborarea lor supremă". Henry refuză și Pretorius cheamă monstrul care îi cere ajutor lui Henry. Henry refuză din nou. Pretorius o răpește pe Elizabeth și îi va da drumul numai dacă Henry va colabora. Henry se întoarce în laboratorul său din turn unde devine excitat în ceea ce privește munca sa. După ce a fost asigurat că Elizabeth este bine, Henry completează trupul Miresei lui Frankenstein.

O furtună se dezlănțuie în timp ce pregătirile finale sunt făcute pentru a aduce mireasa la viață. Corpul ei înfășurat în bandaje este ridicat prin acoperiș. Fulgerul lovește un zmeu, trimițând electricitate prin Mireasă. Henry și Pretorius o coboară și își dau seama de succesul lor. "E vie!" a țipat Henry. Ei îi îndepărtează bandajele și o ajută să stea. "Mireasa lui Frankenstein!" a strigat doctorul Pretorius.

Monstrul coboară pe trepte după ce l-a ucis pe Karl pe acoperiș și o vede pe partenera sa (Elsa Lanchester). Monstrul excitat ajunge la ea, întrebând-o: "Prieten?" Mireasa, țipând, îl respinge. "Mă urăște, ca toți ceilalți", a spus deprimat monstrul. În timp ce Elizabeth se îndreaptă spre Henry, monstrul vine furios în laborator. Monstrul îi spune lui Henry și Elizabetei "Da! Mergeți! Sunteți vii!", apoi lui Pretorius și Miresei le spune: "Voi rămâneți, noi suntem morți!" În timp ce Henry și Elizabeth fug, monstrul lăcrimează și trage de o pârghie care declanșează distrugerea laboratorului și a turnului.

Distribuție

Producție

Universal a luat în considerare realizarea unei continuări a filmului Frankenstein încă de la primele previzualizări ale acestuia în 1931, după care finalul filmului a fost modificat pentru a permite supraviețuirea lui Henry Frankenstein. James Whale inițial a refuzat să regizeze Mireasa lui Frankenstein, crezând că "a scurs deja ideea până s-a uscat" în primul film. După succesul lui Whale cu Omul invizibil (1933), producătorul Carl Laemmle, Jr. și-a dat seama că singurul regizor care poate regiza noul film este Whale; Whale a profitat de situație pentru a convinge studioul să-l lase să facă filmul One More River (1934). Whale a crezut că Mireasa lui Frankenstein nu va avea succesul filmului original, asa ca s-a hotărât în schimb să-l facă ca pe un "eșec" memorabil. Potrivit unui publicist al studioului, Whale și psihiatrul studioului Universal au decis că "Monstrul ar avea vârsta mentală a unui băiat de zece ani și vârsta emoțională a unui băiat de cincisprezece ani".

Scenaristul Robert Florey a scris schița scenariului, denumită The New Adventures of Frankenstein — The Monster Lives!, dar a fost respinsă fără comentarii la începutul anului 1932. Scenaristul de la Universal, Tom Reed, a scris o altă schiță a scenariului sub denumirea The Return of Frankenstein, un titlu care a fost folosit până când au început filmările. După ce i-a fost acceptat acest scenariu în 1933, Reed a scris un scenariu complet care a fost trimis biroului Hays spre examinare. Scenariul a fost aprobat, dar Whale, care între timp a semnat pentru a regiza filmul, s-a plâns despre acesta și a afirmat că "miroase urât până la cer". L. G. Blochman și Philip MacDonald au fost următorii scenariști desemnați să lucreze la scenariul filmului, dar Whale nu a fost mulțumit nici de munca acestora. În 1934, Whale l-a pus pe John L. Balderston să lucreze la o altă versiune și acesta a găsit un incident în romanul original în care creatura cere să-i fie creată o parteneră. În roman, Frankenstein îi creează o parteneră, dar o distruge înainte să-i dea viață. Balderston a creat și un prolog al lucrării lui Mary Shelley. După câteva luni, Whale încă nu era mulțumit de munca lui Balderston și a predat proiectul dramaturgului William J. Hurlbut și bibliotecarului Edmund Pearson. Scenariul în forma sa finală, combinând elemente ale acestor versiuni, a fost prezentat pentru revizuire biroului Hays în noiembrie 1934. Kim Newman a afirmat că regizorul Whale intenționa ca Elizabeth să fie cea care donează inima Miresei lui Frankenstein, dar istoricul de film Scott MacQueen a afirmat că Whale nu a avut niciodată o astfel de intenție.

Unele surse afirmă că Bela Lugosi și Claude Rains au fost luați în considerare, mai mult sau mai puțin, pentru rolul mentorului lui Frankenstein, Pretorius; altele spun că rolul a fost creat special pentru Ernest Thesiger. Din cauza problemelor de sănătate ale actriței Mae Clarke, Valerie Hobson i-a luat locul în rolul iubitei lui Henry Frankenstein, Elizabeth. La începutul producției, Whale a decis că aceeași actriță care va juca rolul Miresei va juca și rolul scriitoarei Mary Shelley din prologul filmului, pentru a reprezenta modul în care povestea - și groaza în general - izvorăsc din partea întunecată a imaginației. Regizorul s-a gândit la Brigitte Helm și la Phyllis Brooks înainte de a decide ca Elsa Lanchester să joace acest dublu rol. Lanchester, care l-a însoțit pe soțul ei, Charles Laughton, la Hollywood, a avut doar un succes moderat în timp ce Laughton a avut un impact puternic asupra mai multor filme, cum ar fi Viața particulară a lui Henric al VIII-lea (The Private Life of Henry VIII, 1933, pentru care el a primit premiul Oscar) sau filmul lui Whale O noapte de groază (The Old Dark House, 1932). Lanchester s-a întors singur în Londra în timp ce Whale a contactat-o pe soția sa pentru a-i oferi rolul dublu. Lanchester și-a modelat șuieratul Miresei pe baza sâsâitului lebedelor. Ea și-a provocat o durere de gât în timp ce Whale filma din mai multe unghiuri scena cu șuieratul Miresei lui Frankenstein.

Colin Clive și Boris Karloff au reprimit rolurile jucate anterior în Frankenstein (de creator și, respectiv, de creație). Hobson a declarat că alcoolismul lui Clive s-a agravat de la filmările peliculei originale, dar Whale nu a distribuit pe altcineva în acest rol deoarece "calitatea isterică" a acestuia era necesară pentru film. Karloff s-a opus vehement deciziei de a permite Monstrului să vorbească în acest film. "Vorbește! Prostii! Argumentul meu a fost că dacă monstrul ar avea vreun impact sau vreun farmec, asta ar fi datorită faptului că el nu era în stare să vorbească." Această decizie a avut ca efect și faptul că Boris Karloff nu și-a putut îndepărta placa dentară, așa că obrajii săi nu erau supți ca în filmul original. Whale și psihiatrul studioului au selectat 44 de cuvinte simple pentru vocabularul Monstrului, pe baza unor lucrări-test ale unui băiat de zece ani care lucra la studio. Dwight Frye a revenit în rolul asistentului medicului, Karl, după ce a jucat rolul cocoșatului Fritz în filmul original. Frye a filmat și o scenă în care este un sătean anonim și rolul "nepotului Glutz", un om care l-a ucis pe unchiul său și a dat vina pe Monstru. Boris Karloff este menționat pe generic simplu cu majuscule (KARLOFF), acesta era obiceiul studiourilor Universal când actorul se afla la cea mai mare înălțime a carierei sale. Elsa Lanchester este creditată pentru rolul scriitoarei Mary Wollstonecraft Shelley, dar într-o trimitere către filmul original, interpreta Miresei lui Frankenstein este creditată doar cu semnul întrebării "?" exact cum a apărut Boris Karloff pe genericul de la începutul filmului Frankenstein.

Machiorul studiourilor Universal Jack Pierce a acordat o atenție deosebită apariției monstrului în acest film. El a modificat designul din 1931 pentru a afișa efectele secundare ale incendiului de la moară, adăugând cicatrici și scurtând părul monstrului. Pe parcursul filmărilor, Pierce a modificat machiajul monstrului pentru a indica faptul că rănile acestuia s-au vindecat odată cu trecerea timpului. Pierce a creat machiajul Miresei cu o contribuție puternică din partea regizorului, mai ales în ceea ce privește stilul părului ei iconic, inspirat de cel al reginei Nefertiti. Părul actriței Lanchester a fost ondulat pe un cadru de sârmă pentru a se obține acest stil. Actriței Lanchester nu i-a plăcut să lucreze cu Pierce, ea a spus că "a simțit cu adevărat că Pierce a lucrat cu acești oameni ca și cum ar fi fost un zeu ... dimineața el venea îmbrăcat în alb ca și cum ar fi fost într-un spital gata să opereze". Pentru a o juca pe Mary Shelley, Lanchester a purtat o rochie albă, brodată cu paiete de fluturi, stele și luni, la care actrița a auzit că au lucrat 17 femei timp de 12 săptămâni pentru a o face.

Kenneth Strickfaden a creat și a avut grijă de echipamentul din laborator. Strickfaden a reciclat numeroase mașinării pe care le-a creat pentru filmul original Frankenstein pentru a fi utilizate în Mireasa lui Frankenstein, inclusiv "dispersorul de raze cosmice" și "nebularium-ul". Echipamentul generator de fulgere al lui Strickfaden a devenit o scenă de arhivă care a fost folosită în numeroase filme și emisiuni de televiziune. Omul din spatele efectelor fotografice speciale ale filmului a fost John P. Fulton, șeful departamentului de efecte speciale de la Universal Studios în acea perioadă. Fulton și David S. Horsely au creat homunculii pe parcursul a două zile prin filmarea actorilor în borcane de dimensiuni mari pe un fundal din catifea neagră și alinierea lor cu perspectiva borcanelor de pe platoul de filmare. Filmările din prim plan au fost editate cadru cu cadru și adăugate pe rola cu filmările din fundal. Actorul pitic Billy Barty este văzut foarte puțin timp, din spate, în filmul terminat ca un copil homunculus într-un scaun înalt, dar Whale a tăiat această scenă înainte de premiera filmului.

Whale s-a întâlnit cu Franz Waxman la o petrecere și i-a cerut să scrie o coloană sonoră pentru acest film. "Nimic nu este terminat [încă] în acest film, cu excepția scenei cu distrugerea turnului de la sfârșitul filmului. Ați compune o coloană sonoră pentru acest film?" l-a întrebat Whale. Waxman a creat trei teme distincte: una pentru monstru; una pentru mireasă și una pentru Pretorius. Muzica se termina, la sugestia lui Whale, cu un acord neplăcut puternic, menit să transmită ideea că explozia de pe ecran a fost atât de puternică încât cinematograful în care rulează filmul a fost afectat de ea. Constantin Bakaleinikoff a dirijat 22 de muzicieni pentru a înregistra coloana sonoră într-o singură sesiune de nouă ore.

Filmările au început la 2 ianuarie 1935, cu un buget estimat la 293.750 de dolari americani – aproximativ același buget ca al filmului original. S-a estimat că filmările vor dura 36 de zile. În prima zi, Karloff a intrat în apa de sub moara de vânt distrusă purtând un costum de cauciuc pe dedesubt. Aerul a intrat în costum și l-a făcut să arate umflat ca un "nufăr obscen". Mai târziu, în aceeași zi, Karloff și-a rupt șoldul în timpul unei duble cascadorii. Clive și-a rupt piciorul. Filmările au fost finalizate la 7 martie 1935. Perioada de filmare a fost cu zece zile mai lungă deoarece regizorul l-a așteptat pe Heggie să fie disponibil pentru a-l juca pe Hermit. Cu un cost final de producție de 397.023 dolari americani, filmul a depășit bugetul inițial cu mai mult de 100.000 de dolari americani. În filmarea originală, Henry a murit în timp ce încerca să fugă din castelul care explodează. Regizorul a refilmat sfârșitul filmului pentru a permite supraviețuirea lui Henry, deși Clive este încă vizibil pe ecran în scena cu laboratorul care se prăbușește. Whale a scurtat scena finală și a reeditat întregul film, astfel încât din 90 de minute au rămas doar 75 de minute cu doar câteva zile înainte de data programată a premierei filmului.

Cenzură

Filmul Mireasa lui Frankenstein a fost subiectul unor cenzuri, atât în timpul producției din partea biroului Hays, cât și după premiera sa din partea unor comisii locale sau naționale de cenzură. Joseph Breen, șeful biroului Hays, a obiectat față de câteva dialoguri din scenariul inițial prezentat. În aceste dialoguri refuzate, Henry Frankenstein era comparat cu Dumnezeu, la fel și munca sa. Breen a continuat să se opună unor dialoguri asemănătoare din scenariile revizuite cât și față de o scenă planificată în care monstrul trecea printr-un cimitir în care se afla figura lui Iisus răstignit pe cruce iar monstrul încerca să-l "salveze" ca să coboare de pe cruce. Breen s-a opus și față de numărul mare de crime, atât văzute, cât și implicite și l-a sfătuit vehement pe Whale să le reducă numărul. Biroul de cenzură, după revizuirea filmului în martie 1935, a cerut să se facă o serie de tăieturi asupra scenariului. Whale a fost de acord să șteargă o secvență în care Glutz, nepotul lui Dwight Frye, îl ucide pe unchiul său și dă vina pe monstru. Whale a fost de acord să șteargă și filmările cu Elsa Lanchester ca Mary Shelley în care Breen a considerat că sânii ei sunt mult prea vizibili. În ciuda obiecțiilor sale anterioare, Breen nu a mai zis nimic de scena cu crucificarea sau de scena în care monstrul este legat de un par ca Iisus Hristos și nici de descrierea discretă a lui Pretorius ca fiind homosexual. Mireasa lui Frankenstein a fost aprobat de biroul de cenzură a producției la 15 aprilie 1935.

După lansarea sa însoțită de aprobarea biroului, filmul a fost contestat de comisia de cenzură a statului Ohio. Birouri de cenzură din Anglia și China s-au opus scenei în care monstrul privește cu admirație corpul neînsuflețit al Miresei, exprimându-și îngrijorarea că seamănă cu o scenă de necrofilie. Universal a retras în mod voluntar filmul din Suedia din cauza numeroaselor tăieturi din film cerute. Filmul a fost respins în totalitate în Trinidad, Palestina și Ungaria. O obiecție neobișnuită a venit de la cenzorii japonezi. Aceștia au afirmat că scena în care Pretorius urmărește miniatura lui Henric al VIII-lea cu o pensetă înseamnă lipsă de respect față de monarhie.

Primire

Mireasa lui Frankenstein a fost un film profitabil pentru Universal. Un raport din 1943 arată că filmul a avut încasări de 2 milioane de dolari americani, adică un profit de 950.000 de dolari americani. Filmul a fost lăudat de criticii de film la premiera sa, cu toate că unii dintre ei și-au exprimat opiniile pe baza faptului că filmul a fost creat în genul de groază. New York World-Telegram a catalogat filmul ca pe o "bună distracție a acestui gen". New York Post l-a descris ca fiind "o poveste bizară, înfiorătoare a genului său". The Hollywood Reporter a afirmat că filmul este "o bucurie pentru cei care o pot aprecia".

Revista Variety a afirmat despre film că "[este] unul dintre acele cazuri rare în care nimeni nu-l poate revizui fără a menționa cameramanul, directorul artistic și compozitorul în același timp cu actorii și regizorul". Variety a lăudat și distribuția filmului, adăugând despre Karloff că "reușește să-i dea personajului său unele subtilități surprinzător de reale și de emoționante ... Thesiger în rolul doctorului Pretorious [este] o caracterizare a diabolicului dacă vreodată a fost făcută vreuna ... iar Lanchester îndeplinește două misiuni, prima în introducere ca scriitoarea Mary Shelley și apoi, spre final, ca femeia creată - rol în care impresionează cel mai mult."

Revista Time a scris despre film că are "o vitalitate egală cu cea a filmului original ... Scenariștii Hurlbut & Balderston și regizorul James Whale au realizat o intensitatea a macabrului specifică celor mai bune lucrări de groază, dar Răul pur simbolizat de Frankenstein a fost înlocuit de un tip ciudat de patos mecanic". Oakland Tribune a concluzionat că este "o fantezie produsă la o scară destul de magnifică, cu o scenografie excelentă și efecte fotografice fine".

Deși Winnipeg Free Press credea că echipamentul electric care apare în film ar fi fost mai potrivit pentru Buck Rogers, cu toate acestea, a apreciat filmul ca fiind "incitant și uneori morbid de macabru", declarând că "toți cei care au apreciat Frankenstein vor saluta Mireasa lui Frankenstein ca pe un succesor vrednic." The New York Times l-a catalogat pe Karloff ca fiind "atât de splendid în rolul său încât toți care îl văd pot spune că el este [cu adevărat] Monstrul". Times a lăudat toată distribuția principală a filmului și regia lui Whale și a concluzionat că Mireasa este "un film de groază de prim rang" și a sugerat profetic că "Monstrul ar trebui să devină o instituție ca Charlie Chan." Filmul a fost nominalizat la un premiu Oscar pentru cea mai bună înregistrare sonoră (Gilbert Kurland).

Reputația filmului a crescut de la premiera sa. Pe web-site-ul Rotten Tomatoes, filmul are un rating de 100% pe baza a 41 de recenzii, cu un scor mediu de 9,1 din 10. Consensul critic al web-site-ului este că datorită "imaginii excentrice, camuflate, impresionante din punct de vedere tehnic și înfricoșătoare, Mireasa lui Frankenstein a îmbătrânit remarcabil de bine." În 1998, filmul a fost adăugat în Registrul Național de Film al Statelor Unite, fiind considerat "semnificativ din punct de vedere cultural, istoric sau estetic." Considerat frecvent capodopera lui James Whale, filmul este apreciat ca fiind "cel mai bun dintre toate filmele gotice de groază". Revista Time a adăugat filmul Mireasa lui Frankenstein în lista sa cu Cele mai bune 100 de filme din toate timpurile, în care Richard Corliss și Richard Schickel au respins recenzia originală și au declarat că Mireasa lui Frankenstein este "una dintre acele continuări rare care este infinit superioară sursei sale". În 2008, filmul a fost inclus în lista revistei Empire cu Cele mai bune 500 de filme din toate timpurile. În același an, Boston Herald l-a considerat al doilea cel mai bun de film de groază din toate timpurile după Nosferatu – Simfonia groazei. În 2016, James Charisma de la Playboy a plasat filmul pe locul 7 în lista lor cu cele mai bune 15 continuări decât originalele lor. Entertainment Weekly consideră filmul mai bun decât cel original, Frankenstein.

Interpretări

Simbolismul creștin
Simbolismul creștin apare pe tot parcursul filmului. În plus față de scenele cu monstrul legat într-o poziție cruciformă și figura răstignită a lui Iisus în cimitir, pustnicul (parcă coborât din Noul Testament) are un crucifix pe peretele cabanei sale, pe care, spre consternarea regizorului, monteurul Ted Kent l-a făcut să strălucească în timp ce imaginea se întunecă. Într-o altă scenă, monstrul consumă pâine și vin în timpul ultimei cine cu pustnicul. Cercetătorul domeniului horror David J. Skal sugerează că intenția lui Whale era de a face o "comparație directă a monstrului lui Frankenstein cu Hristos". Istoricul de film Scott MacQueen, observând lipsa de convingeri religioase a lui Whale, contestă ideea că monstrul este o figură a lui Hristos. Mai degrabă, monstrul este o "batjocură a divinului" deoarece, fiind creat de om și nu de Dumnezeu, îi lipsește "scânteia divină". La răstignirea monstrului, MacQueen afirmă că Whale "a iritat în mod deliberat publicul" prin inversarea credinței creștine centrale a morții lui Hristos urmată de înviere. Monstrul este "înviat" mai întâi din moarte, apoi răstignit.

Aluzii la minorități sexuale
După zeci de ani de la premieră, istoricii moderni de film au remarcat posibile aluzii către minoritățile sexuale în acest film. Regizorul James Whale și-a afirmat public orientarea sa sexuală ca homosexual, la fel și unii actori din distribuție, ca de exemplu Ernest Thesiger și Colin Clive, despre care se crede că erau homosexuali sau bisexuali. Deși James Curtis, biograful lui Whale, respinge ideea că regizorul s-ar fi identificat cu monstrul dintr-o perspectivă homosexuală, cercetătorii au perceput un subtext homosexual răspândit de-a lungul întregului film în special întruchipat în personajul lui Pretorius și relația sa cu Henry.

Istoricul de film și activistul LGBT Vito Russo, în privința lui Pretorius, nu reușește să identifice personajul ca fiind homosexual, în schimb se referă la el ca fiind "sissified" (adică efeminat)., Cuvântul englezesc "sissy" reprezintă codul de la Hollywood pentru "homosexual". Pretorius are rolul unui "Mefistofele gay", o figură a seducției și ispitei, care merge atât de departe încât îl îndepărtează pe Frankenstein de mireasa sa în noaptea nunții sale, pentru a se angaja în actul nenatural de a crea viața care nu se poate reproduce. O nuvelizare a filmului publicată în Anglia a clarificat această implicație, în această carte Pretorius îi spune lui Frankenstein: Crește și înmulțește-te. Să ne supunem poruncii biblice: desigur, poți alege calea naturală; dar în ceea ce mă privește, mi-e teamă că nu o pot face decât pe calea științifică.

Monstrul își exprimă afecțiunea sa față de pustnic în același mod ca afecțiunea sa față de mireasă: cu același cuvânt ("prieten"). Acest lucru a fost văzut ca o sexualitate nestabilită și bisexuală. Elizabeth Young scrie: "El nu are cunoștințele înnăscute privind legătura dintre un bărbat și femeie pe care urmează să o creeze cu mireasa, această legătură este presupusă a fi cea primară sau că poartă o altă valență sexuală datorită relațiilor sale [anterioare cu Pretorius și pustnicul]: toate relațiile afective sunt la fel de ușor considerate 'prietenie' ca și 'căsătorie'."  Într-adevăr, relația sa cu pustnicul a fost interpretată ca o căsătorie homosexuală pe care societatea heterosexuală nu o va tolera: "Nici o greșeală - aceasta este o căsătorie și una viabilă ... Dar Whale ne amintește repede că societatea nu o aprobă. Monstrul - străinul - este alungat repede din scena sa de plăcere domestică" scrie criticul cultural Gary Morris în Bright Lights Film Journal. În scena creației miresei, continuă Morris, "Whale amintește publicului (șefilor săi de la Hollywood, colegilor și tuturor care privesc scena) despre măreția și puterea creatorului homosexual."

Producătorul de film Curtis Harrington, prieten și confident al lui Whale, a respins acest lucru ca fiind "o evaluare a criticilor mai tineri. Toți artiștii creează lucrări care izvorăsc din mintea lor inconștientă; mai târziu [cineva] va analiza și va spune că are un anumit simbolism, dar cel care a creat lucrarea nu s-a gândit la așa ceva și pariez pe viața mea că nici James Whale nu a avut în minte astfel de concepte." Ca răspuns la existența în film a unor aluzii la minoritățile sexualele, Harrington a declarat: "Opinia mea este că [toate aceste presupuneri] sunt doar niște porcării. Acestea sunt interpretări critice care nu au nimic de-a face cu inspirația inițială." Partenerul lui Whale, David Lewis, a declarat că orientarea sexuală a lui Whale nu era ceva nemaipomenit în lumea producătorilor de film, precizând că: "Jimmy a fost în primul rând și înainte de toate un artist, iar filmele sale reprezintă opera unui artist - nu ale unui artist gay, ci ale unui artist."

Refaceri
Universal Pictures a încercat să refacă Mireasa lui Frankenstein în mai multe rânduri. În timp ce romanul Frankenstein a fost ecranizat de numeroase ori, cea mai apropiată refacere a Miresei lui Frankenstein a fost Mireasa (1985), film în care joacă Sting, Clancy Brown și Jennifer Beals. În 1991, studioul a încercat să refacă filmul pentru televiziunea prin cablu MCA Television, iar Martin Scorsese și-a exprimat interesul de a-l regiza.

Reimaginare a filmului
În primul deceniu al secolului al XXI-lea, Universal Pictures s-a asociat cu Imagine Entertainment și i-a contractat pe Shari Springer Berman și Robert Pulcini (cei care au scris scenariul pentru Splendoare americană - American Splendor) pentru a scrie o refacere a filmului. Scenariștii au creat o poveste care are loc în New York-ul contemporan. Jacob Estes a fost, de asemenea, implicat în acest proiect la un moment dat și a scris o schiță a scenariului. În iunie 2009, Universal și Imagine au început negocierile cu regizorul Neil Burger și scenaristul Dirk Wittenborn, iar producătorul Brian Grazer a fost însărcinat să supravegheze dezvoltarea refacerii.

În decembrie 2015, revista Variety a anunțat că David Koepp va scrie scenariul acestui film. În mai 2017, Universal Pictures a anunțat că seria sa clasică de filme Universal Monsters va fi reînnoită într-o reinterpretare modernă, serie denumită Dark Universe. Seria nouă a început cu filmul Mumia (The Mummy) din 2017 și se presupune că viitorul film va fi Mireasa lui Frankenstein, în regia lui Bill Condon. Filmul a fost programat să aibă premiera la 14 februarie 2019, dar, din cauza unor probleme cu scenariul, Universal Pictures și regizorul Bill Condon au decis să amâne acest proiect. În octombrie 2017, pre-producția filmului a început atunci când echipa de creație și studioul au decis să amâne lansarea pentru a continua lucrul la scenariu cu intenția de a îmbunătăți povestea. Deadline a afirmat că Javier Bardem și Angelina Jolie încă fac parte din distribuția noului film ca monstrul lui Frankenstein și, respectiv, mireasa acestuia. În aceeași lună, Condon a declarat că, dacă Jolie decide să părăsească proiectul, ar fi interesat s-o vadă pe Gal Gadot în rolul titular. Însă, la 8 noiembrie 2017, Alex Kurtzman și Chris Morgan au început lucrul la alte proiecte, lăsând în dubii viitorul francizei Dark Universe.

În ianuarie 2018, Condon a strâns o echipă de producție compusă din scenaristul Tobias A. Schliessler, designerul de producție Sarah Greenwood, compozitorul Carter Burwell și designerul de costume Jacqueline Durran.

În cultura populară occidentală
În următoarele filme artistice apar scene în care pe ecranele unor televizoare apar imagini din Mireasa lui Frankenstein:
The Funhouse (1981), regia Tobe Hooper, scenariul Larry Block; cu actorii Elizabeth Berridge, Kevin Conway, William Finley.
Mireasa lui Chucky (1998), regia Ronny Yu; cu actorii Katherine Heigl, Jennifer Tilly, Brad Dourif.
Zei și monștri (1998), regia Bill Condon; cu actorii Ian McKellen, Brendan Fraser, Lynn Redgrave, Lolita Davidovich.

Titlul de lucru Bride of the Atom și titlul final al filmului Bride of the Monster din 1955 fac aluzie la filmul Mireasa lui Frankenstein.

Referințe
Note

Bibliografie
 Brunas, Michael, John Brunas & Tom Weaver (1990). Universal Horrors: The Studios Classic Films, 1931–46. Qefferson, NC, McFarland & Co.
 Curtis, James (1998). James Whale: A New World of Gods and Monsters. Boston, Faber and Faber. .
 Gelder, Ken (2000). The Horror Reader. New York, Routledge. .
 Gifford, Denis (1973) Karloff: The Man, The Monster, The Movies. Film Fan Monthly.
 Goldman, Harry (2005). Kenneth Strickfaden, Dr. Frankenstein's Electrician. McFarland. .
 Johnson, Tom (1997). Censored Screams: The British Ban on Hollywood Horror in the Thirties. McFarland. .
 Lennig, Arthur (1993). The Immortal Count: The Life and Films of Bela Lugosi. University Press of Kentucky. .
 Mallory, Michael (2009) Universal Studios Monsters: A Legacy of Horror. Universe. .
 Mank, Gregory W. (1994). Hollywood Cauldron: Thirteen Films from the Genre's Golden Age. McFarland. .
 Picart, Carolyn Joan, Frank Smoot and Jayne Blodgett (2001). The Frankenstein Film Sourcebook. Greenwood Press. .
 Russo, Vito (1987). The Celluloid Closet: Homosexuality in the Movies (revised edition). New York, HarperCollins. .
 Skal, David J. (1993). The Monster Show: A Cultural History of Horror. Penguin Books. .
 Vieira, Mark A. (2003). Hollywood Horror: From Gothic to Cosmic. New York, Harry N. Abrams. .
 Young, Elizabeth. Here Comes The Bride. Collected in Gelder, Ken (ed.) (2000). The Horror Reader. Routledge. .

Legături externe

 Mireasa lui Frankenstein (Bride of Frankenstein) la CinemaRx

Vezi și

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Filme SF de groază
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text:
The role of attributions in customer satisfaction: A reexamination
Michael Tsiros, Vikas Mittal, William T. Ross
We investigate the role of disconfirmation, responsibility, and stability attributions in the formation of satisfaction judgments. Building on the valence-expectancy framework, we find that disconfirmation and attributions impact satisfaction in a complex manner. Besides its main effect, responsibility moderates disconfirmation's effect on satisfaction, manifested as a two-way interaction between the two. Disconfirmation and responsibility jointly determine the valence component, and stability determines the expectancy component of the satisfaction evaluation. This is consistent with the three-way interaction among stability, responsibility, and disconfirmation that we also find. These results clarify past studies and provide new insights about the relationship among the constructs.
Journal of Consumer Research
Published - Sep 1 2004
Fingerprint Dive into the research topics of 'The role of attributions in customer satisfaction: A reexamination'. Together they form a unique fingerprint.
Customer Satisfaction Business & Economics
Disconfirmation Business & Economics
Attribution Business & Economics
attribution Social Sciences
customer Social Sciences
Responsibility Arts & Humanities
Valence Arts & Humanities
Expectancy Arts & Humanities
Tsiros, M., Mittal, V., & Ross, W. T. (2004). The role of attributions in customer satisfaction: A reexamination. Journal of Consumer Research, 31(2), 476-483. https://doi.org/10.1086/422124
The role of attributions in customer satisfaction : A reexamination. / Tsiros, Michael; Mittal, Vikas; Ross, William T.
In: Journal of Consumer Research, Vol. 31, No. 2, 01.09.2004, p. 476-483.
Tsiros, M, Mittal, V & Ross, WT 2004, 'The role of attributions in customer satisfaction: A reexamination', Journal of Consumer Research, vol. 31, no. 2, pp. 476-483. https://doi.org/10.1086/422124
Tsiros M, Mittal V, Ross WT. The role of attributions in customer satisfaction: A reexamination. Journal of Consumer Research. 2004 Sep 1;31(2):476-483. https://doi.org/10.1086/422124
Tsiros, Michael ; Mittal, Vikas ; Ross, William T. / The role of attributions in customer satisfaction : A reexamination. In: Journal of Consumer Research. 2004 ; Vol. 31, No. 2. pp. 476-483.
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N2 - We investigate the role of disconfirmation, responsibility, and stability attributions in the formation of satisfaction judgments. Building on the valence-expectancy framework, we find that disconfirmation and attributions impact satisfaction in a complex manner. Besides its main effect, responsibility moderates disconfirmation's effect on satisfaction, manifested as a two-way interaction between the two. Disconfirmation and responsibility jointly determine the valence component, and stability determines the expectancy component of the satisfaction evaluation. This is consistent with the three-way interaction among stability, responsibility, and disconfirmation that we also find. These results clarify past studies and provide new insights about the relationship among the constructs.
AB - We investigate the role of disconfirmation, responsibility, and stability attributions in the formation of satisfaction judgments. Building on the valence-expectancy framework, we find that disconfirmation and attributions impact satisfaction in a complex manner. Besides its main effect, responsibility moderates disconfirmation's effect on satisfaction, manifested as a two-way interaction between the two. Disconfirmation and responsibility jointly determine the valence component, and stability determines the expectancy component of the satisfaction evaluation. This is consistent with the three-way interaction among stability, responsibility, and disconfirmation that we also find. These results clarify past studies and provide new insights about the relationship among the constructs.
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Kendra has made the long journey from California to Panama City Beach. In this post she shares some of the complications that come with traveling as a celiac athlete on a gluten-free diet. With less than 4 days to go till the 2009 Ironman there is a lot still left to do and a lot of excitement to share too.
Click here to read Kendra's full post.
Help Kendra raise awareness of celiac disease and support her in the November 7th Ironman Florida!!!! Click here to find out how.


Athanasius Kochetkov is an actor of the Soviet era. However, many representatives of the modern generation are happy to revise the films with his participation. Today we will tell you about where the famous artist was born and studied. His personal life will also be voiced in the article.
He was born on March 9, 1930 in the village of Balakhonovka,located in the Samara region. He is from a large peasant family. Athanasius is the youngest child. He had two older brothers and a sister. The guys lived amicably, never quarreled or fought over toys.
In 1941, his father, brothers and sister went to the front. Afony's upbringing was dealt with by his mother, Lyubov Prokopievna. In 1942, it became known about the death of his father, Ivan Vasilyevich. The boy did not want to believe that the parent is no longer alive. After the victory was declared, the brothers and sister returned home. Mother was happy to see her krovinushek safe and sound. Soon the whole family went to find my father's grave. It turned out that he was buried in a mass grave near Staraya Russa.
Athanasius Kochetkov grew up to be an inquisitive and impressionable child. He loved his land, his native land. The beauty of nature inspired him to write poetry.
At the age of 12 our hero began to showlove of acting. He arranged whole representations for family and friends. The boy memorized large texts - prose written by famous authors. Mom was sure that her son had a brilliant theatrical future.
AT Afanasy Kochetkov, a village school, went onlyfirst 4 years. Then the mother took him to the city of Tuymazy (Republic of Bashkortostan). There, the guy graduated from high school. But our hero was not going to live and work in this city. He had very different plans.
After receiving the "certificate of maturity", Athanasius wentin Chisinau (Moldova). He managed to enter the university at the Faculty of Geology. He was one of the best students on the course. The young man continued to dream about the scene. Therefore, he was very happy when he was invited to the troupe of the student theater. There he became acquainted with the reader-performer Dmitry Zhuravlev. This man saw a great actor's talent in Athanasius.
In 1951, Kochetkov received a diploma of graduation from the Chisinau university. Now he is a professional geologist. But he did not have to work on his specialty.
Our hero decided to leave Moldova. His new goal is Moscow. In the Russian capital, Athanasius Kochetkov was going to stay forever. First of all, he went to the VTU them. Shchepkina. The guy successfully passed the exams and was enrolled in the acting department. Afonya never missed lectures and passed exams on time.
In 1956, Kochetkov was awarded a diploma of completionSlivers. Almost immediately he was taken to the theater actor. The work in this institution our hero gave 6 years of his life. In 1962 he moved to the Drama Theater. Pushkin. The young actor quickly joined the team. He was involved in the best productions. Afanasy was also happy with the fees.
Since 1979, he was listed in the acting troupe of Malytheater. A. Kochetkov played dozens of roles. The native of the Samara region successfully got used to the images in the plays of Gogol, Schiller, Ostrovsky and other authors. The last work of the actor was the role in the play "Wedding, Wedding, Wedding" by A. Chekhov. But he could not come to rehearsal. And all because of the deterioration of health.
To act in film our hero has begun, beingstudent of "Shivers". For the first time Afanasy Ivanovich appeared on the screens in 1954. It was then that the film "The Swedish Match" was released. The director of the picture was pleased with the cooperation with the young actor.
In 1957, the viewer's court was representedseveral films with the participation of Afanasy Kochetkov: "Gutta-percha boy", "So the song is born", "Shepherd" and others. The actor has tried on a diverse image. He managed to fulfill all the tasks set by the directors. To many spectators Kochetkov was remembered for the role of Maxim Gorky in the film "Mayakovsky Begins So". He managed to convey the character and emotions of the famous writer.
For his film career Afanasy played more than 100roles. He collaborated with Ukrainian, Belarusian and Russian filmmakers. Specialists called his main qualities a strong temperament, straightforwardness and distinctive individuality.
"Brezhnev" (2004) - Konstantin Chernenko.
Hard-working, good-natured and sympathetic person -and all this is Afanasy Kochetkov. The filmography of this actor was examined by us. Now let's talk about his personal life. Not everyone knows that he married after graduating from the Shchukin school. His wife is the film director Iskra Babić. It was true love at first sight. Soon the couple had a daughter, Olga. Mom and Dad always spoiled her, surrounded with care and affection. The girl grew up, became a singer and poetess. Parents were proud of their krovinushkoy. Olga died at the age of 43. Afanasy Ivanovich only survived his daughter for a few months. He died on June 25, 2004. The cause of the death of the actor - complications after a head injury. A well-known artist was buried at the Troekurov cemetery.
Today we recalled another legend of the Sovietcinema. Actor Athanasius Kochetkov, whose biography was examined by us, lived a long and eventful life. People like him are not forgotten. After all, the actor left a notable mark in the Soviet (and later Russian) cinematography.
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