text:
The 1972 Project: TCU Horned Frogs
By bkknight95, March 7, 2018 in Concepts
bkknight95 1,612
Former Boise State Hockey #95
Location:Boise, Idaho
Favourite Logos:AZ Hotshots
1 hour ago, Magic Dynasty said:
The link to the WVU combos brings you to Clemson's.
whoops. That's what I get for mass copy/paste and not checking links. Try it now, the last four teams are up with the appropriate links to teams.
I think Ball State is one of a few college teams I have not seen a concept for on here. And I've been lurking here for 10 years and a few months now. But hey, here they are now. The Cardinals have been relatively tame with their partnership with the swoosh, but nothing about their uniforms outwardly scream "unique". But they have an air of simplicity that really captured my attention and was something I sought to keep.
Football - So the inspiration here was the top of the logo and the short little head feathers on the top of the cardinal head. Originally the stripe was gonna be three stripes wide, but it came across looking a lot like an Adidas stripe so that wasn't gonna fly (heh). So the stripe was two stripes wide and is reminiscent of the top feathers of the logo's head. Anyways, the helmet remains largely unchanged and still white. Cardinal logo on both sides. Jerseys have the stripes on the sleeves that terminate toward the back of the uniform. Pants do something similar with the stripes coming up from the bottom with that slight curve coming from the back of the pants. Alternate is simply an all back rendition of the home/away uniforms.
Hockey - IRL Ball State hockey rocks I believe they're the Ottawa 67's black uniforms, and it just doesn't work. But club sports take what they can get. But these imaginary D1 uniforms are very much in line with the new style of uniforms. Red is now the home uniform with the Cardinal logo front and center with the bird stripes on the sleeves and on the hem. Socks have the same stripes as the jerseys, white helmets for both home and the away uniforms. Alternate is again a blackout version of the home/away uniforms.
Baseball - I normally tone the baseball uniforms down a little bit given the nature and historical feel of the sport, but I don't feel as though I did that here. I went with a V-neck template because the IRL baseball team looks really good in them. Bird stripes on the sleeves, stacked Ball State on the chest of the home and away with the number underneath it. Pants have the bird stripe that doesn't go all the way down to the bottom of the pants. For the alternate, I stopped just short of a total blackout with black pants.
Basketball - For the hardwood, I was replacing a recolored UConn template which broke nothing in my heart. I tried something and didn't have the stripes go all the way around, which they weren't going to do anyways and had them stop a little shorter than what is normally expected. Stacked Ball State on the front of all 3 jerseys. Arched nameplate on the back of all 3 jerseys. Shorts have the stripes on the waistband and as well as up the side of the shorts.
C&C welcome!
BenjiJ 73
Location:Washington
This is my favorite uniform so far on this thread. A good combination of unique design features and keeping it simple without being over-designed . I love it.
Section30 1,381
Ball State looks great! I do have a couple suggestions though. The white helmet with the red jersey for hockey would really stand out on the ice, I think a red helmet would make it more cohesive. Also, this isn't a critique, but I would love to see what that script logo would look like on the black hockey jersey. Overall great job, definitely one of my favorites so far!
IceBurgs70 326
Location:San Antonio, TX
I love the sleeve and pant stripes design for Ball State's football uniforms. That would be a perfect design template for a new Arizona Cardinals rebrand imo. Good work.
IndianapolisCubs2009 59
I'm Not On Here Enough
The basketball uniforms are so much better than the set that we currently use right now. All around everything is a step up from what BSU currently uses right now. Phenomenal job!
On 1/15/2019 at 11:03 AM, Section30 said:
So I'm gonna go halfway with you on this. No other team has a red helmet, hat or other head apparatus and I didn't really like the way a red helmet looked on the red uniform. So it stayed white. however I was intrigued by the idea of the script on the black jersey like baseball's black uniform:
And I think it turned out looking awesome.
That alternate is beautiful
CaptainKirkMN 46
Favourite Logos:Vegas Golden Knights, Saint Louis Cardinals, Baltimore Orioles
On 1/8/2019 at 1:39 PM, bkknight95 said:
So, this took longer than I wanted to because my second option after further review was going to way too close to what @oldschoolvikings designed for the Mountaineers so I had to scrap Option 2 and go back to the drawing board. The drawing board process took a while because I didn't want to go to a straight throwback route. And then finally, the light bulb went off.
Before I begin, let me say this: I know Mountaineers =/= Coal Miners. But that aside, coal mining has been a part of West Virginia history for a long while and I looked to that for inspiration on these uniforms. More closely, I used the coal miner uniforms as direct inspiration for these uniforms which is where the stripes come from specifically. So now with a new inspiration in mind, there are 4 new uniforms, 1 in each sport that also make a new appearance.
Football - No major changes to the helmets. Logos, bumpers remain the same as before this update. Jerseys and pants do not. First things first, it's a return to to the previous Morgantown font. I personally have no major issues with the current font, plus or minus a few alterations to a few numbers in the set but anyways. The sleeve stripes are basically lifted from miner uniforms and recolored to fit the sleeves as well as down the pants. Now to the new alternates. The WVU Pro Combats were among my all time favorites in the 3 year period they ran. So in this case I flipped the color scheme to a black base uniform with some alterations. Coal patterned helmet with yellow and black WV on the side. Jerseys are black with yellow numbers, coal dust pattern on the sleeves and miner uniform stripes near the shoulders to more closely simulate a coal miners uniform. On the pants, the coal dust pattern runs top to bottom with two sets of uniform stripes to again simulate a coal miners uniforms
Hockey - Hockey sees a bit of change. But I am leaving the numbers on the shoulders. Gone is the pickaxe stripe and replacing it is the miner stripes. The away uniform now gains a navy shoulder yoke. I also added gold pants after a previous debate I had scrapped but now they are here for the option. There's now a "Pro Combat" hockey uniform with coal dust down the sleeves and the pants.
Baseball - Less change than hockey I think. Sleeve colors go away, stripes change. Hats don't change at all. Pants stripe changed. Pro Combat uniform gets added .
Basketball - Basketball sees a bit of change. The striping arrangement doesn't change but the stripes do. But the biggest change is the jersey font. With the use of the Morgantown font, the block font no longer felt like it fit. So I went looking for a font that would fit with the number and I think I found it. Beyond that, the next biggest change is the addition of the Pro Combat uniform. Shoulder stripes, coal stripe down the side of the uniform which continues down the shorts with the set of stripes in the coal stripe.
Sorry I'm replying to this so late, I spent some time off the forums when this went up. Anyway, I'm a current Mountaineer and thought I'd offer some perspective.
First, let me say that it's a very nice start. I feel like a combination of your two versions would be almost perfect in my eyes.
When you say "Mountaineers =/=Coal Miners" you're only partially right. There has actually been a push to integrate mining ideas more into WVU's identity. The football team currently has a WVU miner helmet that's used like a turnover chain whenever we get an interception. There was a student petition in the middle of the season to create a black set for the Oklahoma game. We even gave this hypothetical uni a name: "Coal Rush". So a black set evoking coal would be more than welcome. You also NAILED the coal rush idea for all 4 sports, IMO. The gradient is a wonderful idea, and also well-executed.
Although I think the second attempt was largely improved, you got rid of a couple elements that I liked in the first. Firstly, the number font. The one the football team currently uses is definitely growing on the fans, and I think it would be wise to stick with it. The new one does look nice, though, and the way it copies the style of the "Flying WV" could be quite popular as well. I think the first one would work best on football and basketball, while the new one would look good on hockey and baseball.
Secondly, I like your striping on the first iteration better. Triple stripes aren't really WVU's thing, and we're trending away from white except on throwbacks (and as an outline around the Flying WV). That being said, I don't like the slanted cutoff, except when it matches the numbering.
I do think that with two alternate sets, one should be a throwback. It's your call, but I feel like the old football-over-the-state logo would work better on football's white helmets. That's just a personal preference, not necessarily one that most students would prefer.
As far as your baseball uniforms, you mentioned not being able to find a good wordmark. I'm a fan of this one, used on lots of WVU sweaters (also with blue on yellow):
Although in general I'm a fan of the primary on one lapel style for baseball uniforms, I feel that any set should still feature a couple of wordmarks. I also think that the Flying WV is a bit too square to appear big enough in this style.
On a final note, I really like the gold basketball uni, and the grey football helmet. I showed this concept to a friend of mine who is on WVU's hockey team, and he said he REALLY liked them, especially the white one.
If you actually made it to this point in my ramble, I'd like to thank you for taking my input about a month after the fact. I think you're just a couple tweaks away from perfection!
I love your Ball State design. As a current student here, I think some of our uniforms are pretty bland (looking at you football) but you've managed to modernize and make a great looking classic uniform all at once.
Initially, I was a little bit apprehensive about you stacking Ball on top of State, but it's grown on me the more I've looked at it. Also, that script is absolutely freaking gorgeous. I like what you've got here, a lot actually. Nice work.
Syracuse is always a team I felt could use a unique look however the football team took a step forward and then two steps back with their latest redesign. The lack of orange, overemphasis on navy really ruins it for me. And then there's the unnecessary grey that gets thrown in to it. But the sleeves offer something to be desired to me. I'm always a sucker for that style of "speed" striping they use because I find that it can be very versatile which drove the design of these uniforms.
Football - It's a return to the simpler with a mix of the modern thrown in. It marks the return of stripes to the helmet, with the new "speed stripe" making its debut. Block S on the side. Navy helmet to serve as the alternate. Jerseys have the speed stripe wrapping around the sleeve caps. Yes I'm keeping the much maligned font. Again, I'm a sucker for custom fonts, and I personally like the look of the font. Block S at the base of the collar. Pants are equally as simple with the stripe down the side of the pants.
Hockey - While the women's team is a Division 1 level team, the men do not have the same such luck. So for the imaginary D1 mens team, much of the same comes over from the football uniforms. Speed stripes adorn the sleeves and make their way onto the hem. Pants have the same stripes, socks just have a triple stripe as opposed to the whole speed thing.
Baseball - The resurrection of the baseball team commencences with similarly simple look as the previous two sports. Sleeve stripes are speedy in nature, thought the old basketball script would look good on the chests of the home and away uniforms so there it is. Orange and navy hats/helmets for your viewing pleasure.
Basketball - I strayed a bit from the source material here on these. I LOVE the shorts the basketball team currently wears, and I like the overall simplicty of the IRL tops. So I strayed a bit from the previous three uniforms and did a little bit of their own thing for basketball. I kept the same wordmarks because everything else looked wrong and didn't work. Under the arms down the sides are a shortened version of the speed stripes. the shorts got wild. basically I combined the short stripes with the speed stripes and BAM, you get what you see. And because I used the basketball script on the baseball uniforms, it felt very wrong to not use it on a basketball uniform, so there are permanent throwbacks in the rotation. Plus I just watched Requiem for the Big East (which is an amazing 30 for 30 if for some reason you haven't seen it by now), and the 'Cuse uniforms from those days look amazing.
Clintau24 1,200
Location:Auburn, AL
Favourite Logos:Auburn, White Sox batter, South Alabama Jaguars, Tulane Angry Wave
I have always thought Syracuse is one of those teams with so much untapped potential. They are the worst looking orange and blue team around and have been for a long time. I think this is a great step in the right direction for Cuse. I love the use of the script on the baseball and basketball uniforms and think it could make an interesting alternate football helmet.
BellaSpurs 1,856
Location:The Bluegrass
Love that cursive, agree with @Clintau24 that you tapped some of 'Cuse's untapped potential. Really likin the football hockey and baseball. Basketball could center around that orange and navy alternates. Those are much better than the designated home and away. Imo the pattern on the shorts don't work either for basketball. I'd like to see the whole set with the striping on (again) that orange alternate. If done right it could be possibly the best of any basketball uniform sets you've made. Keep up the good work!
14 hours ago, BellaSpurs said:
So this is something I came up with looking at the basketball uniforms. After looking at it a little bit longer, I saw a big disconnect from tops to shorts.
Added shoulder color as well as waistband stripes. Also I got rid of one of the "steps" going down the sides of the shorts.
5 hours ago, bkknight95 said:
I still don't think this works sorry. Of course it's up to you. But if I was going about this, I'd get rid of the short stripes entirely. It's so busy and convoluted. Although the update you made is definitely better I think it would be better to either base it off the better alternate's collar stripes or just copy the entire set, which would be a definite upgrade. A nice mix of retro and modern, something unique for Cuse.
On 1/29/2019 at 2:51 PM, BellaSpurs said:
No worries, I love hearing your guys' thoughts on these.
So this was a less modern but still modern idea I had after the last update. I'm obviously gonna keep the speed stripe in some way but now it's been formed into a more retro style of uniform.
3 minutes ago, bkknight95 said:
That's much better!
A hellishly busy week gives way to a new week, and finally I can finish our ACC double-feature.
Originally, the plan was to return GT to a more Calvin Johnson-era look, but then the new look was unveiled. IDK why GT was one of the earliest teams I sketched out, they were one of the least certain teams I had. But then they went and streamlined their look and created a modern look that I think really, really works. So my plan changed, I felt it rude and wrong to completely ignore the new look they've gone to.
Football - So football doesn't really change a whole lot from their new look. Mainly the biggest thing is that the helmet loses the stripes. They don't quite fit with the look in my opinion. Otherwise there are two helmets with 3 sticker sets if you will. Gold and white helmet shells, with the white having a gold base sticker set and a navy base sticker set for the alternate look. I kept the WAH look for them. It's their thing but I shaved it down to one white uniform. I also tweaked the "Stinger Stripes" as they're called. Gold serves as the primary clash jersey, with navy set as the alternate look. Pants are simply done with the Stinger Stripes down the side of the pants.
Hockey - Hockey down at GT resides in the ACHA D3 levels, but has a really good look to them. In full honesty, check them out, they have an alternate based on the Thrashers old powder blue uniforms with the Ramblin' Wreck logo on the front. It's really cool. But anyways, keeping the similarity to football in mind, these are a bit simpler than the D3 team's uniforms. Stinger Stripes on the sleeves. Stinger on the shoulders, GT on the front. Hem stripes done to mirror the idea of the Stinger Stripes. And as a fmr. hockey player I am well aware of the stigma of light colored pants. Yes they get dirty quicker, but this is college hockey. Let them have fun. Pants have the stinger stripes down the side. Alternate replaces the GT with Stinger and Stinger with the Wreck Logo.
Baseball - Baseball is as simple and modern as the rest of them. Gold, white and an added navy helmet/hat set. Jerseys are basically the same as everything else. The wordmarks don't quite lend themselves super well to the front of jerseys, so the GT logo takes their place. Stinger Stripes on the sleeves, Ramblin' Wreck logo on the back collar. Pants have the stinger stripes down the side.
Basketball - Basketball carries out all the previously established motifs. Arched Georgia Tech on the home and away uniforms with the number in the middle. The hockey hem stripes get used around the neckline and the armholes with the stinger stripes coming out just underneath them. Shorts have the hem stripage on the waistband and around the bottom of the leg holes with Stinger on the side of the shorts.
C&C Welcome as always!
First things first, I love the new branding for Army. Is it really still new if it took place in 2014? Okay anyways, love the look for Army. I really don't have a lot to ramble on for up here so lets dive in. Oh, I was going to try and do Army-Navy game uniforms but I failed miserably at that so there will be no Army-Navy game looks. At least for now anyways. Maybe I'll do it after the fact. Also, I know football is an Independent and the other sports are in the Patriot League but for all intents and purposes lets pretend all sports are independent.
Football - Football doesn't see a lot of radical change. Primary helmet stays gold with a wide black stripe. Home and away jerseys really don't deviate from the current look. Stripes return to the sleeves. On the left sleeve will be the division patch that player is in. (Okay sidebar, IDK if I did that right with the patches across the team uniforms so if I screwed up with that please don't hesitate to tell me). Anyways, American flag and name patch where the conference logo would be. Pants have singular stripe down the side. No real alternate set, just black helmet and black pants. I didn't quite get the whiteout idea and I think the blackout suits Army better. So like i said, no specific Army-Navy uniforms (for now we'll at least say), BUT i did revitalise the Dress Grey set. which is a greyed out version of the normal uniforms and stays as a set and isn't for mix and match.
Hockey - I don't really like the IRL hockey uniforms. Something about them just doesn't work for me. So this change I think works for the better. Athena Shield front and center. Flag on the right shoulder, division patch on the opposite shoulder. NW stripes on the sleeves and the hem. Black pants with gold stripe down the side. Gold and black helmets. Dress Grey alternate set.
Baseball - Baseball gets the bells and whistles as well. NW stripes on the sleeves and socks. Black and gold helmets and hats. ARMY across the chest of all three. Flag/name patch on the opposite side. Pants have a single stripe down the side, as well as a blackout option with the black pants. Dress Grey option for the diamond as well.
Basketball - Finally, on the hardwood, its really not too different than the rest of them. NW stripes on the arm holes, single color on the neckline. ARMY on the home/away uniforms. Shorts have a single color waistband, NW stripes down near the bottom of the shorts. And of course, Dress Grey for the basketballers. This time with West Point on the front.
Not a lot to say, but definitely a lot to look at. Let me know what you guys think about these and GT as well!
Magic Dynasty 1,353
HE STAY
Location:theme park land
It looks great! I'd love to see your take on camo elements in these uniforms, as they seem to be pushing that lately.


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Top Selling Nintendo Consoles and Games
October 4, 2021 July 1, 2021 by Jeff Cooper
Since 1983, Nintendo has been a welcome part of our video gaming lives. Ushering in a new era when it comes to video game consoles, the NES was merely the beginning. Since then many Nintendo video game consoles have come and gone, some being huge successes, and others not so much. Let's take a journey through the best and worst Nintendo has had to offer us.
Units Sold: 770,000
Top Game: Mario Tennis
For anyone that remembers this complete flop of 1995, it's not a surprise to find it at the bottom of Nintendo's best-selling list. Maybe it was ahead of its time, maybe it was rushed, maybe it was just a half-baked idea. Whatever the issue, Virtual Boy just never clicked. Only having 14 titles to its name, Mario Tennis wins out by default as it was included when buying the console.
Nintendo Mini\SNES Mini
Units Sold: 9 Million Combined
Not really consoles, but the frenzy they caused merits them being on the list. Providing a bit of nostalgia, the two mini consoles were only available for a limited time(at least for now) and sold out faster than hotcakes. Maybe one day Nintendo will bring them back, but for now, for those of you out there lucky enough to get your hands on them, hopefully, you are playing the heck out of them and not leaving them in the box as a collector's item.
Units Sold:13.56 million
Top Game: Mario Kart 8
Around since 2012, Wii U hasn't enjoyed the same astronomic success as its predecessor. Only beating the total failure of Virtual Boy, Wii U sales have so far been underwhelming. However, Mario Kart 8 did enjoy strong sales, with over 8 million copies sold, meaning more than half of Wii U owners purchased it.
Units Sold: 21.74 million
Top Game: Super Smash Bros Melee
Another one of Nintendo's weaker projects, GameCube, fills out the bottom three of the list. With PlayStation 2 being released the year before, maybe gamers' wallets were tapped out, or the audience was getting older and looking for a different gaming experience. With roughly 21 million copies sold and a top game of Super Smash Bros Melee selling 7 million copies, GameCube had a rough go.
Units Sold: 32 million
Top Game: Super Mario 64
Maybe not the smash hit some of us may think it was, but still a classic system for any Nintendo fan. N64 brought Nintendo into the polygon-filled 3D world, and it was magical. Tons of classic games, but Mario reigned supreme with almost 12 million copies of Mario 64 being sold.
Super Nintendo Entertainment System
Top Game: Super Mario World
Following the original NES footsteps can be a tough act to follow, but the SNES held its own with 49 million units sold. Jumping from 8 to 16-bit was a big deal, but not enough to quite equal the NES. RPGs made some real progress on this system, but none could top the big man himself as Super Mario World was the top game with over 20 million copies sold.
Top Game: Super Mario Bros
Do you ever forget your first love? Many gamers will say the NES was a life-changing experience, really bringing the world of video games mainstream for them. A huge success, by all means, the NES burst onto the scene with almost 62 million consoles sold. Sticking with an original, of course, Super Mario Bros takes home the top game with over 40 million cartridges being sold.
Units Sold: 81.51 Milion
Top Game: Pokemon Ruby/Sapphire
Another example of new isn't necessarily better; the Gameboy Advanced failed to have the same popularity as its predecessors. That doesn't mean it didn't have its own success. 81.5 million people thought the travel console was good enough to plunk down $100 in 2001. Riding on the popularity of the never-ending Pokemon wave, over 16 million Ruby\Sapphire cartridges flew off the shelves.
Top Game: Mario Kart 8 Deluxe
Only on the market since early 2017, Nintendo Switch has had solid sales and continues to be a fan favorite. With the ability to play on the big screen and be taken on the go, Nintendo Switch does it all. The console already sports six games with over 20 million copies sold with smash hits like The Legend of Zelda: Breath of the Wild, Animal Crossing: New Horizons, and others. But the top spot with over 35 million copies sold is Mario Kart 8 Deluxe, which still proves you try to take the throne, but Mario is still king.
Units Sold: 101.63 million
Top Game: Wii Sports
Upon its release in 2006, the Nintendo Wii brought video games to a whole new audience. With a groundbreaking motion controller and family-friendly lineup, this console wasn't just for gamers. With so many other uses(like workouts) and just getting you moving, the Wii saw great success with over 101 million units sold. Taking home the top spot here with its easy learning curve with tennis, bowling, and other fun games is Wii Sports, with close to 83 million copies sold.
Game Boy/ Game Boy Color
Units Sold:118.69 million
Top Game: Tetris
Released almost ten years apart, these consoles are as close to console cousins as you can get. Even with its flaws, the original Gameboy was our first real glimpse of what gaming on the go could be. Almost ten years later, GameBoy Color took the experience up a notch. Selling a combined 118+ total units, these two come in at number two on the list. One of the few consoles where the top game does not include Mario in any way, the ever-popular Tetris takes the cake with over 35 million games sold.
Top Game: New Super Mario Bros.
Taking the prize as the top Nintendo Console is the Nintendo DS, with over 154 million consoles sold. It's actually the second best-selling console of any kind, only trailing the Playstation 2, and just barely. Yet again, taking gaming anywhere mentality, Nintendo stepped it up again with the Nintendo DS. Nintendo DS added a second screen, with one being a touch screen, allowing for some very interactive gaming. Nintendo's usual cast of characters can be found with plenty of Zelda, Pokemon, and other familiar faces having their titles, but as usual, Mario takes the top spot. New Super Mario Bros has sold almost 31 million copies.
Nintendo isn't known for sitting on its successes(or failures). Firmly entrenched as a leader and innovator in the video game industry, Nintendo will undoubtedly have a few more tricks up their sleeves, keeping current fans and future generations entertained for years to come.
Jeff is a fan of all things finance. When he's not out there changing the world with his blog, you can find him on a run, a Mets game, or just playing around with his kids.
https://yourmoneygeek.com/author/jeff-c/
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Rage 2's latest trailer gives the last Ranger a new theme song
Michael Goroff
ON Mar 7, 2019 @ 1:00PM
Rage 2 might have left me feeling slightly underwhelmed after my hands-on preview, but I can't deny that the game's got chutzpah, and it's latest trailer really leans into the tongue-in-cheek humor I've come to expect.
Your character, Walker, is the last Ranger (har har) who has a bone to pick with the Authority after they raid his village and kill everyone in it. Driven by, well, rage—and the power of Nanotrite technology—Walker will become the Wasteland Superhero, at least according to the new trailer's catchy, Saturday morning cartoons-inspired theme song.
There isn't a ton of new gameplay in the trailer, but it does give us another chance to see enemies splatter in all kinds of fun ways. Highlights include using the Grav-Dart Launcher to stick an enemy to a windmill, or combining that with the Hyper Cannon to turn a bad guy into a meat-filled firework.
Rage 2 is launching on May 14th for Xbox One, PlayStation 4, and PC.
About Michael Goroff
Michael Goroff has been gaming for almost three decades. He's a lover of all games and systems, but he mostly plays Xbox. That being said, if he's a fanboy, he's a fanboy for the game industry as a whole. Spit white-hot fanboy hate at him, trash talk his Gold II rank on Rocket League, or maybe just send him a cordial hello on Twitter @gogogoroff.
You're a Wasteland Superhero in the latest Rage 2 trailer.
By Michael Goroff | 03/7/2019 01:00 PM PT


The Gate.io POINT sale and GT reward distribution for the fifth day has been completed successfully. In the face of market downtrends, there were still over USD 410 million worth of orders placed during the 04/12/2019 sale . We sincerely appreciate your recognition and continuous support!
Join the sixth round of Gate.io POINTs sale at UTC 4:00 A.M. and obtain GT as a reward.


Wednesday May 15th 2019 sees NAG host the 10th edition of its highly successful Collection Development Seminar, taking place again at The Studio in Birmingham. This year the focus is on sharing knowledge around collection mapping tools and approaches; futureproofing collections; and risk management and emergency planning.
Amy Stubbing and David Morgan, Royal Holloway University of London: Using collection mapping to improve user experience.
Fiona Hughes, Manchester Metropolitan University: Planning for what you don't want to happen: The Library & Special Collections Emergency Management and Salvage Plan at Manchester Metropolitan University.
Jane Faux and Janet Smith, Newman University: Finding the recipe for success: streamlining a journals collection.
Robin Armstrong-Viner, Jonathan Allen, Sarah Field, University of Kent: Towards Integrated Physical & Digital Collection Management.
Maggie Sarjantson and Lisa McFarlane, University of Hull: Creating the Teaching Reserve.
We will provide an opportunity for interactive learning with an hour's workshop from JISC: Mainstreaming open e-books: transforming culture, services and practices to acquire open?
Booking is now open here at our usual price of £160 + VAT for NAG Members and £210 for non-members. Remember that you can join us from just £55 as a personal member.
The venue (The Studio) is very close to Birmingham New Street Station and we expect the day to run from 10am to 4pm. Hot lunch, coffee and snacks are provided along with free WiFi. We will be using Glisser to share slides so do bring your laptops and tablets along. We will also be tweeting with the hashtag #NAGcd10.
A full programme and paper abstracts with speaker biographies are available on these links.
If you would like to be kept up to date on all NAG events please join our free mailing list here.
Our Silver event sponsors are Adam Matthew, De Gruyter, OCLC and Proquest.
Full sponsorship opportunities details are available here.


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Keywords: christmas holiday family relationships early 1900s musical sister
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St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.
Judy Garland as Esther Smith
William Smith as Little Boy
Helen Gilbert as Girl on Trolley
June Lockhart as Lucille Ballard
Reviewed by bkoganbing 9 / 10
"Don't Tell Me The Lights Are Shining Any Place But There"
A lot of the Hollywood studios during the War years made these nostalgic films about a simpler time when no foreign foe threatened our way of life. MGM's contribution to these films was not bettered served than by Meet Me In St. Louis. It's a simple story about the Smith family in 1904 St. Louis eagerly awaiting the World's Fair that would take place in their town. And to my knowledge no other World's Fair had as enduring a theme song as the one written for this fair, serving as the title song for the film.
The Smith family consists of parents Leon Ames and Mary Astor and their five children, son Henry Daniels, Jr. and daughters in descending order, Lucille Bremer, Judy Garland, Joan Carroll, and Margaret O'Brien. Grandfather Harry Davenport lives with the clan and so does live-in maid Marjorie Main who functions like Alice in the Brady household. A good meal and an occasional wisecrack to keep everyone in line.
Everyone's excited about the upcoming fair, St. Louis's rival city Chicago had one a decade earlier and Buffalo did three years earlier, but this one promises to be the most extravagant of all. Ames gets an opportunity in business and wants to move the family to New York, but one by one the family has or develops obligations and ties to St. Louis that makes them reluctant to leave. Not to mention they don't want to miss the fair.
Vincente Minnelli directed Meet Me In St. Louis and it was his first opportunity to work with Judy Garland whom he would marry after the film was finished. Judy got to do three of her most identified songs from the Hugh Martin-Ralph Blane score that was blended with some traditional music of the times. The Boy Next Door, Have Yourself A Merry Little Christmas, and The Trolley Song all come out of Meet Me In St. Louis and were staple items at Garland concerts for years. One of the Oscar nominations that Meet Me In St. Louis received was for The Trolley Song for Best Original Song. It lost to Bing Crosby's Swinging On A Star that year. The other nominations were for musical scoring, color cinematography, and screenplay.
Margaret O'Brien did a remarkable job in this film, this was probably her best role while a child star at MGM. Not that she was the youngest and most appealing of the kids, she was that. But Minnelli did a great job in directing her. She had all the fears and trepidations of a child growing up and not wanting to leave all she's known and loved in St. Louis. Her acting reached its zenith in the scene where she destroys the carefully made snowmen in her yard and in the Halloween scene where she is induced to play a practical joke on a neighbor the rest of the kids regard as scary. Her number with Judy Garland, Under The Bamboo Tree is a gem.
Meet Me In St. Louis was one of the earliest and best films coming out of the Arthur Freed unit at MGM. It was films like these that gave the Freed unit and MGM its reputation for turning out the best in musical film entertainment. It can never be duplicated because you don't have studios with all that talent under contract.
In its way the film itself is as nostalgic as the time it celebrates. I guarantee your heart strings will go Zing Zing Zing as you hear Judy Garland sing the score from Meet Me In St. Louis.
Reviewed by MartinHafer 10 / 10
first rate throughout
What a wonderful old movie! This film just drips quality throughout with its terrific direction, acting, singing, writing and production. While not the best MGM film ever made, it certainly is among the best musicals they made. That's because not only are there a modest number of songs, but those in the film are awfully enjoyable--particularly the final song, HAVE YOURSELF A MERRY LITTLE Christmas. It was pure magic and is probably Judy Garland's best adult performance--she is radiant and on the top of her game.
I think another reason I love this movie so is that it is not just a bunch of songs thrown at the audience, but a very enjoyable slice of life film about a wonderful family filled with great characters. From the tough but loving father to the bratty littlest child (played by Margaret O'Brien in her best performance), they all are special and sweet without being too saccharine.
This makes a wonderful Christmas movie and is best viewed on Christmas Eve with the lights turned low.
FYI--If you have a chance, get a hold of the wonderful two-disk set. The second disk has an amazing set of extras--enough to keep you very busy and very happy. One of the shorts, "Bubbles", is NOT good but still well worth seeing despite its creepy characters, as you get to see Judy Garland performing like a pro at age 7!
Reviewed by TheLittleSongbird 10 / 10
This film is beautiful! The songs are great and the performances are wonderful! The script has a lot of great lines, the funniest coming from Tootie (wonderfully played by Margaret O'Brien). There is one scene at the dinner table, when Rose is making a phone call, and says something, then the grandfather says "Good evening, Joe." Hilarious! The songs are fantastic. I can't remember who wrote them though. The best was "Trolley Song" where you actually see Judy Garland enjoying herself. "Boy next door" and "Have Yourself a Merry Little Christmas" are beautifully staged, with Garland showing her sensitive side. The costumes are also beautiful, and that's all I have to say really on that subject. Now for the performances. Judy Garland looks beautiful here, and is obviously enjoying herself. The parents are also good, and they even sing a very nostalgic song. The grandfather and John Truitt are very well done also, but the scene-stealer is a really young Margaret O'Brien, who made me laugh and cry at the same time. ("I was drunk last night dear mother", when she hurts herself and blames it on John Truitt, and when she is seen in the snowy garden knocking all the snowmen over because she doesn't want the family to move). It is a little long, but you will love this musical. 10/10. Bethany Cox


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AdWords API JavaScript Library - Documentation

Class Index
| File Index

Classes

_global_

google.ads.adwords.ApiException

google.ads.adwords.AppConfig

google.ads.adwords.Exception

google.ads.adwords.RequestHeader

google.ads.adwords.ResponseHeader

google.ads.adwords.Service

google.ads.adwords.ServiceFactory

google.ads.adwords.ServiceRegistry

google.ads.adwords.ServiceSignature

google.ads.adwords.SOAPHeaderServiceListener

google.ads.adwords.User

google.ads.common.AdsException

google.ads.common.AdsUser

google.ads.common.AppConfigBase

google.ads.common.AuthToken

google.ads.common.AuthTokenErrorCode

google.ads.common.AuthTokenException

google.ads.common.CommonErrorMessages

google.ads.common.Service

google.ads.common.ServiceFactory

google.ads.common.ServiceRegistry

google.ads.common.ServiceSignature

google.system.core.ArgumentNullException

google.system.core.Exception

google.system.core.InvalidCastException

google.system.core.Runtime

google.system.core.Runtime.getInstance

google.system.net.HttpWebTransport

google.system.net.HttpWebTransportFactory

google.system.net.HttpWebTransportForExtensions

google.system.net.HttpWebTransportForGadgetsApi

google.system.net.HttpWebTransportForServerProxy

google.system.net.HttpWebTransportSettings

google.system.soap.Exception

google.system.soap.MethodSignature

google.system.soap.Nametable

google.system.soap.Object

google.system.soap.ObjectProperty

google.system.soap.ObjectType

google.system.soap.Service

google.system.soap.ServiceListener

google.system.soap.ServiceType

          Class google.ads.common.AuthTokenException

Extends
            google.ads.common.AdsException.

Defined in:  AuthTokenException.js.

Class Summary

              Constructor Attributes
              Constructor Name and Description

                  google.ads.common.AuthTokenException(errorCode, errorUrl, captchaToken, captchaUrl, message, innerException, innerException)

An exception class that represents an exception thrown by ClientLogin API.

Method Summary

                Method Attributes
                Method Name and Description

getCaptchaToken()

Gets the captcha token.

getCaptchaUrl()

Gets the captcha url.

getErrorCode()

Gets the error code.

getErrorUrl()

Gets the error url.

getInfo()

Gets the error info.

setCaptchaToken(captchaToken)

Sets the captcha token.

setCaptchaUrl(captchaUrl)

Sets the captcha url.

setErrorCode(errorCode)

Sets the error code.

setErrorUrl(errorUrl)

Sets the error url.

setInfo(info)

Sets the error info.

Methods borrowed from class google.system.core.Exception:

getDetail, getFaultCode, getFaultString, getInnerException, getMessage

            Class Detail

              google.ads.common.AuthTokenException(errorCode, errorUrl, captchaToken, captchaUrl, message, innerException, innerException)

            An exception class that represents an exception thrown by ClientLogin API.

Parameters:

                  {number}  errorCode

The error code associated with this Auth Exception.

                  {string}  errorUrl

The url that describes this error.

                  {string}  captchaToken

The token associated with the captcha, if a
    Require Captcha error is triggered.

                  {string}  captchaUrl

The url for the captcha. If Require Captcha error
    is triggered, then this url should be presented to the users to unlock
    their accounts.

                  {string?}  message

An optional error message for the exception.

                  {Object?}  innerException

If this exception was thrown in response to
    another exception, then you can wrap the original exception within this
    exception.

                   innerException

            Method Detail

            {string}
            getCaptchaToken()

              Gets the captcha token.

Returns:

{string} The captcha token.

            {string}
            getCaptchaUrl()

              Gets the captcha url.

Returns:

{string} The captcha url.

            {number}
            getErrorCode()

              Gets the error code.

Returns:

{number} The error code.

            {string}
            getErrorUrl()

              Gets the error url.

Returns:

{string} The error url.

            {number}
            getInfo()

              Gets the error info.

Returns:

{number} The error info.

            setCaptchaToken(captchaToken)

              Sets the captcha token.

Parameters:

                    {string} captchaToken

The captcha token.

            setCaptchaUrl(captchaUrl)

              Sets the captcha url.

Parameters:

                    {string} captchaUrl

The captcha url.

            setErrorCode(errorCode)

              Sets the error code.

Parameters:

                    {string} errorCode

The error code.

            setErrorUrl(errorUrl)

              Sets the error url.

Parameters:

                    {string} errorUrl

The error url.

            setInfo(info)

              Sets the error info.

Parameters:

                    {string} info

The error info.

			Documentation generated by JsDoc Toolkit 2.4.0 on Mon Oct 31 2011 18:13:05 GMT-0400 (EDT)

redpajama_set_name: RedPajamaGithub


text:
<?php

namespace Noxlogic\RateLimitBundle;

use Symfony\Component\HttpKernel\Bundle\Bundle;

class NoxlogicRateLimitBundle extends Bundle
{
}


text:
@neontaster's Threads
neontaster
@neontaster Follow on Twitter
@neontaster
"Nancy Pelosi is inspiring Trump's racism" is the take we've all been waiting for.
https://twitter.com/SirajAHashmi/status/1150466628905295872
I'm definitely not a proponent of the "Trump is playing 4D chess" theory, but I have said before that I think his main strategy during the democratic primary would be to concern troll them, which is exactly what he did here.
https://twitter.com/caleb_redact/status/1150470205333811200
https://twitter.com/neontaster/status/1098194525187645443
My Dark Souls / OBS testing stream will start in a couple of hours. Might play more than one game. Definitely some Yoko Cam and maybe talkin' about stuff.
Twitch.tv/neontaster patreon.com/neontaster
Just getting ready to stream now. Live in a bit.
DARK SOULS STREAM LIVE NOW AT twitch.tv/neontaster!
I am here for the utter meltdown that "new woke Bond movie where James Bond is humiliated and then replaced by a strong black woman" is going to cause.
"Hey, let's give our franchise a woke facelift. That always helps."
"Um, it literally never helps."
"Let's just do it anyway."
Also if you do this, why not just reboot it and have an iteration where Bond is a black woman? But no. They have to knock James Bond down a peg in the process. What purpose does this serve? When did "hey fans, the character you love sucks" become a marketing strategy?
Wokeness is slowly boiling down to people gatekeeping an increasingly esoteric set of things. It went from "don't insult us" to "don't have opinions about our issues, wear our clothes, use our hairstyles, play us in movies, write novels about us, use our slang, use our emoji..."
On the left is what diversity and inclusion should look like. On the right is what the increasingly kooky woke left wants them to look like.
Speaking of which, I have a question about Charlotte Clymer and this tweet that's addressed to trans people, and I want to be cautious about how I phrase it because I'm legitimately interesting in whether this is a thing or not. 1/3
Please do something, Judge. Pleeeeeeease.
Motherfucker this game.
Going to do another test stream tomorrow, probably in the afternoon. What game should I play?
twitch.tv/neontaster
I also have Bloodborne on PS4 but I got stuck on Havel the Rock in DS and after like 50 tries I just got bored. I know if I spent several hours just figuring it out I'll get better. I think on stream could be fun.
I think Souls will run away with this, and I'm actually glad. It'll be fun. We'll test out some OBS stuff, maybe play with Yoko, and watch me lose my mind.
Test streaming now at twitch.tv/neontaster
If you didn't tune in, you missed the first ever Yoko cam!
I dunno why Twitch still says I'm live. ALso the mic audio is garbage and shouldn't be garbage. I'll fix it.
That's not "society." You were penalized for violating tournament rules. It's amazing to me that someone as famous, accomplished, rich, and adored is still out there crying because of a tennis match penalty.
https://twitter.com/NBCNews/status/1149296034113302528
Imagine Ken Griffey Jr. doing an interview now and blaming society for getting ejected from a game in 2004.
I saw Marie Harf at some event a couple of years ago and she was still loudly complaining that she got made fun of on Twitter for her quote about ISIS and jobs, which had been over two years prior to that.
Sticking it to racist Western capitalism by *checks notes* stanning for a country that has Muslim concentration camps.
Holy shit. You know I thought I had seen peek Ben Norton, but I had not seen peek Ben Norton. I'm actually surprised.
https://twitter.com/the_caldweller/status/1148766943475716096
I've had Uyghurs tell me in person how family members of theirs were kidnapped in the middle of the night but yeah sure, BBC propaganda. What a piece of shit.
A woman talking about two other women and using a term frequently used to describe feuds between men is sexist. Excellent take as always.
https://twitter.com/AOC/status/1148679483161010176
Please, don't make me start showing you screencaps. I have like 12 tweets open in tabs now and I'm lazy.
You'll never guess whose feuds the media LOOOOOOVES to describe as catfights.
"These people only liked this female-led genre film to distract from the fact that they hate all female-led genre films" is quite the take.
The amount of emotional effort they pour into this rather than accepting that maybe Captain Marvel wasn't fantastic and was also somewhat kneecapped by the way the lead actor behaved.
I'm also mystified by this constant claim that openly anti-feminist people do stuff to hide their anti-feminism.
I'm still scratching my head as to why people are excited about Virgin Galactic - a company that will provide frivolous fun for the wealthy at $250,000 a pop. That's like getting excited about Patek Phillippe making a diamond-encrusted watch. Who cares?
I mean I love space technology and commercial space efforts but it's being billed as a space tourism company, and it space tourism will be prohibitively expensive for a long time. Commercial flight took decades to become affordable to most and that's easy compared to this.
I'm excited about the tech, not so much the company, if that makes sense. It's the way I feel about Musk and SpaceX. I love space but I'm not exactly fluffing Elon Musk over it.
https://twitter.com/jameswester/status/1148575612237492225
Can't wait for all the WMATA waterfall videos this morning.
https://twitter.com/KaylaforAmerica/status/1148214223660601344
https://twitter.com/niina_h_farah/status/1148216439872131072
People like Taylor Lorenz need to come to grips with the fact that the strong reactions they get relate less to what they say and more to how they say it.
"Air conditioning is sexist" and "I don't like air conditioning" convey essentially the same sentiment. One just pretends to apply sociopolitical logic to that dislike.
Also at my last office job I had to wear a suit and carry around heavy things and get under tech equipment to fix it in August so yeah, how about you put on a jacket if you're a bit chilly since I don't have the option of stripping to my t-shirt. Life sucks sometimes.
There is a subset of the Extremely Online community that's just "Extremely Online: Trump Edition." It's not just people who dedicate their entire feed to him, but also see him in every single Rorschach Inkblot as well.
#FourWordLoveStory
aMeRiCa AfTeR DoNaLd TrUmP!!!
#NationalBurgerDay
OMG REMEMBER WHEN TRUMP BOUGHT ALL THOSE BURGERS!!!
#HugYourPetDay
Trump is the first president in 130 years to not have a dog, indicative of sociopathy and lack of empathy, according to one Berkeley neuroscientist.
The most embarrassing thing about the videos of these loser rallies is the ocean of fucking cameras EEEEVERYWHERE. They get so so so much attention and for what?
I recommend this refreshingly self-aware post about the first instance I remember where media obsession nearly overtook the actual event - Ferguson. petapixel.com/2014/08/20/emb…
This is the image I remember best. One person being treated for tear gas with 9 goddamn cameras right up in their face.
Finally took down Yoko's permanent pen setup. Been leaving her free in the house longer and longer and she behaves. Still able to block off strategic parts if I need her away. This enabled me to set up a permanent gaming/streaming corner with a second TV, computer, and mixer. 🎮
This is all possible thanks to the steady trickle of Patreon income over the last few months and I'm stoked about playing more often and in a more comfortable setup.
Pulled out the TV I haven't been using and it still has a little doodle I stuck on it years ago.
1,000 page sci-fi >>>>> 1,000 page Joyce.
https://twitter.com/cxcope/status/1147241336552247296
I think an upcoming Neoncast 2.0 episode will just be me blabbing about sci-fi for an hour.
Honestly most "timeless classics" I've read were beautifully written but painfully boring. But I'm not judging. I love movies that can be described exactly like this. I guess I want something more from my books.
Washington Post article on the Hill Country BBQ thing has their official comment on the incident:
washingtonpost.com/news/voracious…
Reminds me of that woman who got thrown off a plane for berating some Trump supporter. And her poor husband just sitting there.
Here's another angle of this incident for your viewing pleasure:
Bullpen keeps trying to lose games.
Hicks having none of it!
STOP TRYING TO LOSE THIS GAME.
I love the insinuation that shows that run for 10 seasons are motivated by artistic storytelling rather than the capitalist drive to make money off popular properties. I actually prefer shorter-run shows that tell a complete story and don't wing it because the studio wants more.
https://twitter.com/againstutopia/status/1146546516741349376
I know "capitalism is evil" gets the clicks, but the truth is that media is a compromise. The studio gives you the money and the platform, and you give them art, and only rarely does one side get entirely what it wants. The best media strikes this balance well.
Also making a show 3-4-5 seasons long requires keeping many actors under contract for many years, which is expensive and a nightmare, and yes you need to keep people on the hook for 5-6-7 years, and inevitably people lose interest.
https://twitter.com/SPMJM/status/1146940178776252417
I've seen three different ones like this in the last couple of days. Disturbing as fuck. Always check that the stuff you buy still has the tamper seal intact.
https://twitter.com/RitaPanahi/status/1146552152661221377
Ugh. That's unfortunate. But yeah there's another one with mouth wash that's beyond disgusting.
https://twitter.com/battedball/status/1146910431384150016
Not to get too nerdy, but with viral behavior, a staged incident can trigger legit copycats. That's actually the plot of the Ghost in the Shell TV series. They call the phenomenon "Stand Alone Complex." People copycatting something that never happened.
https://twitter.com/Taobender/status/1146911476361441280
This looks so blah.
https://twitter.com/IGN/status/1146094043484622849
I still think the twist will be supernatural, which isn't bad in itself, but I get the feeling it won't be set up at all. Just "surprise! Michael Shannon can do magic" or something.
Except that wouldn't subvert expectations because that's the twist for one of the most famous whodunnits ever.
https://twitter.com/MrMeseeks02/status/1146112288237195265
So my laptop's HDD is toast. It's kinda old and I was going to buy a new one anyway. Just got a ton of stuff off of it (important things were already backed up) and got some A+ advice on what to get.
Plus, I now have enough Patreon money to get some additional audio/video hardware and also pay for some kind of service to host them as podcasts in addition to YouTube. OBS streams coming soon with possible Yoko cam and other fun stuff. Patreon.com/neontaster
Thanks for the Patrons who have stuck around during this holding pattern period. I hope my Tweets were enough to hold you over. Things are a-comin'!


Many items that have been in a family for generations (for example, an antique music box, pocket watch or wedding picture) may have sentimental value that is considerably higher than any other type of value.
Insurance value refers to the amount a person would receive (minus any deductible) should an insured item be destroyed, lost or stolen.
Market value refers to what something is worth on the open market—that is, the price a buyer is willing to pay.
Perceived value is what you believe something is worth. It is often associated with how much the buyer is willing to pay or the minimum the seller is willing to accept to part with an item.
Sentimental value refers to the inherent worth something has to a person, which others may not recognize or appreciate.
For example, a sterling silver tea set circa 1930s might be appraised for insurance purposes at $10,000 to $15,000. However, because pewter and plated sliver are less expensive and more practical for younger generations, the market value for pre-owned sterling silver may only be 5-20 percent of its insured value.
The perceived value and market value of a dining room set are the same when a person buys the set from a furniture showroom, but once delivered to the customer, the market value is likely to drop 25-50 percent or more.
Lofty has more than 60 appraisers and experts who provide free evaluations of fine art, antiques, collectibles and jewelry, as well as a marketplace where people can buy and sell. Sellers pay a 10 percent fee, and Lofty handles all shipping arrangements.
Value My Stuff has a team of 68 former Sotheby's and Christie's experts who appraise items in over 48 collecting categories. Once you upload photographs and details of your item, Value My Stuff will email you a report detailing your item's history and value.
Kovels has been a respected name in the antique and collectibles business for over 30 years. Its yearly price guide lists more than 900,000 real prices rather than estimates for antiques and collectibles sold in the United States, Canada and Europe. Each entry gives a description, price and year of sale.
Priceminer combines data from eBay, GoAntiques and the Internet Antique Shop to provide information that spans several years, in the form of graphs and charts, including average price, number of items included in the average, range of price from highest to lowest and a current estimate based on today's market conditions.
Collectors Weekly encompasses many collectibles, including books, postcards, movies, musical instruments, clothes and games. The site links to eBay auctions, so if you type in the name of the record you might want to sell—say the Beatles' Revolver, you would find out that the auction price is anywhere from $15 to $150.
Worth Point boasts that its "Worthopedia" has more than 200 million "sold for" prices with item details and images, plus a library of articles written by experts in different categories.
Almost anything you want to sell or at least find out the value of probably has its own website: vinyl records, bicycles, skis, baseball cards, dolls, books, even Beanie Babies. For example, Beckett lists more than 22 million sports memorabilia items from nearly 1,200 hobby shops and auctions worldwide, while the NumisMedia Fair Market Value Price Guide provides the value of rare coins.


Roman reigns was born on May 25, 1985 and made his debut in 2010. He is a professional wrestler and currently signed with WWE. He is trained by his ancestors because reigns is comes from a very popular wrestling Samoan family. From the generations to generations their people has wrestled some of the great names like the RIKISHI, UMAGA, and the most favorite one the rock. Now it is roman reign's time to take their families legacy on his shoulder. Ever since he made his impactful debut with the shield he is considered unstoppable the heavy hitter of the group. He has proven that he has what it takes to become the next big face of the company. He was also a Canadian footballer. Reigns was assigned to the WWE in 2010 and put on the NXT for a while where he was directly drafted to the main roster of the company in 2012 along with Seth Rollins and Dean Ambrose as the shield.
What he has accomplished in the WWE?
Why people see him is the new face of the company?
As an individual he has wrestled so many great matches that no one can't forget, He has outperformed every single superstar and take on every new and old superstars and prove that he can do anything in the ring. He also has some great mike skills his careers greatest turning point was when he faced the beast Brock LESNAR and fights him with everything he got at wrestle mania 31. Since then he has got fans appreciations and made a many sees him that he is ready to become the new face of the WWE. watchwrestling online and see what happen next.
What about the current state of him?
Now roman has won the number 1 contender spot and will face the WWE champion Seth Rollins at the PPV of survivor series on November 22, 2015.
watch wrestling for more information about Roman Reigns, search here .


The much-loved Rubber Soul Boot with Flash Lining. Probably the most comfortable boots out there!
Hate not being able to feel your feet on your board properly when the winter looms and you have to put your boots on? Well, try these little puppies out. The Rubber Soul Plus 5mm from Rip Curl are the closest thing you will ever get to not wearing boots. Dipped in liquid neoprene for the ultimate seal, warmth, comfort and flexibility.
Please note: Although these boots are ridiculously comfortable, the liquid neoprene makes them extremely fragile! Please take extra care to avoid contact with sharp objects: Rocks, fingernails when pulling them on etc.. As they are very prone to splitting and this is not covered under Rip Curl's Warranty.


Searching for Subaru Impreza WRX Sti parts? Have a look through our parts collection. Whether you're looking for 04 STI performance parts, 05 Subaru STI parts, or 07 STI performance parts, we have all your performance car parts, suspension, mods and more at AJW Performance Products!
The first WRX STI to ever release was back in 1994. Ever since that day the world of rally racing and tuning has changed. The STI offers both power and handling while maintaining a very competitive price point. From the factory the car has nearly all you need for the track and racing in general. As many enthusiasts do, if you choose to tune it further, the STI will handle whatever you give it! From upgraded turbos to injectors or front mount intercoolers, the STI won't let you down. Browse our offering of 04-07 Subaru Impreza WRX Sti parts. Our most popular performance parts are our ISC suspension coilover systems. They go above and beyond at their price point. Be sure to check us out for all of your 04-07 Subaru STI performance parts, mods, and modification needs!


text:
Q: Query a GeoRSS feed with C# I'm trying to consume a GeoRSS feed from a C# project. Can I have queries against a #georss feed?
For example 'nearest item to Lon/Lat' or 'items contained in bounding box X'?

A: Think you need additional module like XQuery or JQuery
Here is a good example (MarkLogic API 4.2) using XQuery
http://api.xqueryhacker.com/#georss:circle
If using Google Maps to display then GeoXML is using JQuery to do spatial queries
http://code.google.com/p/geoxml/

A: GeoRSS is purely a push service.  It has no processing functions associated with it.
If you're using ArcObjects for instance, you could push the GeoRSS datq into a FeatureClass and then perform the operations you require through their tool box.  Alternatively, there are third party API's that may be of use to you (Search this forum for open source tools).
Finally, without knowing what you're third party tools you may or may not be using, or where it is to fit in your work flow (i.e, is it a web service?, are you processing user queries from a GUI?, is it web/ASP.NET?), then my answer would be to write your own.  If your using a mercator projection, then this is easy...others are a little more complicated, but you can Google the maths and even get an API that may suit your needs.
Not a great answer, but with a little more information this forum will produce the goods.

redpajama_set_name: RedPajamaStackExchange


The Federal Trade Commission's (FTC) Bureau of Competition has recently issued new guidance on how to avoid antitrust pitfalls during pre-merger negotiations and due diligence. In it, the FTC details what it views as best practices — and worst practices — for companies that must exchange competitively sensitive information in the course of due diligence for an acquisition, merger, or joint venture. The FTC guidance describes "competitively sensitive information" as including current and future price information, strategic plans, and costs, as well as information regarding future product offerings, expansion plans, pricing strategy, and non-aggregate customer-specific information.


text:
Thymus camphoratus é uma espécie de planta com flor pertencente à família Lamiaceae.

A autoridade científica da espécie é Hoffmanns. & Link, tendo sido publicada em Fl. Portug. [Hoffmannsegg] 1: 131. 1809.

Portugal

Trata-se de uma espécie presente no território português, nomeadamente em Portugal Continental.

Em termos de naturalidade é endémica da região atrás referida.

Protecção

Encontra-se protegida por legislação portuguesa ou da Comunidade Europeia, nomeadamente pelo Anexo II (espécie prioritária) e IV da Directiva Habitats e pelo Anexo I da Convenção sobre a Vida Selvagem e os Habitats Naturais na Europa.

Bibliografia
 Thymus camphoratus - Checklist da Flora de Portugal (Continental, Açores e Madeira) - Sociedade Lusitana de Fitossociologia
 Checklist da Flora do Arquipélago da Madeira (Madeira, Porto Santo, Desertas e Selvagens) - Grupo de Botânica da Madeira
 Thymus camphoratus - Portal da Biodiversidade dos Açores
 Thymus camphoratus - The Plant List (2010). Version 1. Published on the Internet; http://www.theplantlist.org/ (consultado em 8 de outubro de 2014).
 Thymus camphoratus - International Plant Names Index
 Castroviejo, S. (coord. gen.). 1986-2012. Flora iberica 1-8, 10-15, 17-18, 21. Real Jardín Botánico, CSIC, Madrid.

Ligações externas

 Thymus camphoratus - Flora Digital de Portugal. jb.utad.pt/flora.
 Thymus camphoratus - Flora-on
 Thymus camphoratus - The Euro+Med PlantBase
 Thymus camphoratus - Flora Vascular
 Thymus camphoratus - Biodiversity Heritage Library - Bibliografia
 Thymus camphoratus - JSTOR Global Plants
 Thymus camphoratus - Flora Europaea
 Thymus camphoratus - NCBI Taxonomy Database
 Thymus camphoratus - Global Biodiversity Information Facility
 Thymus camphoratus - Encyclopedia of Life

Flora de Portugal
camphoratus
Flora endémica de Portugal
Flora de Portugal protegida pela Convenção de Berna
Flora de Portugal protegida pela Diretiva Habitats

redpajama_set_name: RedPajamaWikipedia


text:
Interstate 210 CaliforniaWebmaster2019-04-11T10:53:51-04:00
Interstate 210 California
Reassurance shield for westbound California 210, posted between Muscoy and Rialto. This section was available for walkers and bicyclists on the "Come Play on the Freeway" event on June 24, 2007; the segment opened to traffic one month later. Photo taken by Andy Field (06/24/07).
Interstate 210 in California is the Foothill Freeway between Interstate 5 (Golden State Freeway) in Sylmar and SR 57 (Orange Freeway) in Glendora via Pasadena. Interstate 210 changes into SR 210 at SR 57, and the state route continues east from there to San Bernardino and Interstate 10 in Redlands. The section between I-215 and I-10 was previously signed as SR 30.
Although with the full freeway alignment of State Route 210 completed in 2007, Interstate 210 has yet to extend east from Glendora to San Bernardino. The process to add convert SR 30 to I-210 began in 1998, when the designation of Route 30 was legislatively changed to Route 210. Then on November 6, 1998, the state of California jointly submitted SR 30 for inclusion in the Interstate Highway System and for the removal of the section of I-210 between I-10 and SR 30. AASHTO rejected these proposals because the freeway segments were not complete.
State legislation authorizing numbering changes for the 210 construction project was complex because the entire route, I-210 in Los Angeles County and SR 210 through Riverside and San Bernardino Counties, was considered. Interstate status was initiated during the 210 Freeway construction projects, but then partially rescinded.6
A spokesperson for Caltrans District 8 indicated that all signs should be updated to show Interstate 210 in place of SR 210 once upgrades are completed on the eastern extent of the freeway from Highland to I-10.6 The State Route 210 Mixed Flow Lane Addition from Highland Avenue to San Bernardino Avenue Project will expand the freeway from four 12 foot wide travels lanes with 5 foot inside and outside shoulders to six overall lanes between post miles R26.3 and R32.4. The overall project extends from post miles R25.0 to R33.2.
Costing $177.9 million, the San Bernardino County Transportation Authority (SBCTA) project will run from Fall 2019 to Summer 2022. It will also add auxiliary lanes and coincide with a $31.4 million project to rebuild and expand the Base Line Interchange.7
High Priority Corridor
Proposed Interstate 210 through San Bernardino County is part of High Priority Corridor 34: Alameda Corridor East and Southwest Passage.
Interstate 210 (Foothill Freeway) was planned in the 1940s, commissioned in the mid-1950s, and completed in stages from 1969 to 1981. As sections of the Foothill Freeway were completed, the segments were signed as California 118 northwest of Pasadena and U.S. 66 east of Pasadena. Once the significant portions of the route were completed, Interstate 210 markers were erected.
Prior to the conversion of the former California 30 corridor into California 210 in 1999, I-210 turned south from the Foothill Freeway at San Dimas to connect with I-10 at the Kellogg Interchange in Pomona. This section of the Orange Freeway was legislatively reassigned as Route 57.
West End – Los Angeles (Sylmar), CA
East End – Glendora, CA
Cities – Los Angeles, Glendale, Pasadena, Arcadia
I-210 Annual Average Daily Traffic (AADT)
Los Angeles 70,000
Los Angeles 116,000
La Cañada Flintridge 163,000
Pasadena 314,000
Monrovia 238,000
Glendora 187,000
San Dimas 177,000
Source: Caltrans, Traffic Operations Program – Traffic and Vehicle Data Systems [2002]
Interstate 210 under construction through Pasadena in 1973
The first portion of the California 210 freeway opened in 2002 through Upland and Rancho Cucamonga. The subsequent section completed runs through Rialto and Muscoy.
With the opening of the final link of California 210 east between San Dimas and San Bernardino on July 24, 2007,1 the combination of I-210 and California 210, offers a continuous freeway link from Los Angeles and the San Fernando Valley to Redlands. Signs for California 30 were removed in favor of California 210 in fall 2007.
The following are opening dates for each segment of Interstate 210:4
Interstate 5 to Roxford Street – October 14th, 1970
Roxford Street to Maclay Street – December 12th, 1969
Maclay Street to Van Nuys Boulevard – August 25th, 1975
Van Nuys Boulevard to Wheatland Avenue – January 21st, 1981
Wheatland Avenue to Sunland Boulevard – October 14th, 1980
Sunland Boulevard to La Tuna Canyon Road – November 8th, 1977
La Tuna Canyon Road to Lowell Avenue – October 16th, 1975
Lowell Avenue to Linda Vista Avenue – June 19th, 1973
Linda Vista Avenue to Arroyo Boulevard – August 29th, 1974
Arroyo Boulevard to Orange Grove Boulevard – June 19th, 1973
Orange Grove Boulevard to Interstate 710 – February 28th, 1975
Interstate 710 to Michillinda Avenue – February 19th, 1976
Michillinda Avenue to Santa Anita Avenue – July 6th, 1971
Santa Anita Avenue to Highland Avenue – September 25th, 1968
Highland Avenue to California 39 – March 6th, 1969
California 39 to Grand Avenue – November 21st, 1969
Grand Avenue to California 66 – January 28th, 1971
California 66 to Milliken Avenue – November 24th, 2002
Milliken Avenue to Sierra Avenue – August 20th, 2001
Sierra Avenue to Highland Avenue – July 24th, 2007
Highland Avenue to California 259 – July 30th, 1989
California 259 to Highland Avenue – October 28th, 1971
Highland Avenue to Fifth Avenue – July 1st, 1993
Fifth Avenue to Interstate 10 – March 31st, 1993
The construction history of Interstate 210 is shown below based on the official bridge logs. Note that Caltrans tends to construct bridges well in advance of grading and completing the remainder of freeways, so the dates on the bridges often precede the actual opening dates of the freeways themselves.2
Interstate 5 east to Foothill Boulevard – 1968; replaced in 1971 (connectors to Interstate 5 south replaced in 1975)
Yarnell Street interchange – 1970
Glenoaks Boulevard to Maclay Street – 1969
Pacoima Wash to Van Nuys Boulevard – 1975
Pierce Street to Sunland Avenue – 1980
Cross Canyon to La Tuna Canyon Road – 1975
Lowell Avenue to Hampton-Foothill Boulevard – 1972
Foothill Boulevard to Linda Vista Avenue – 1974
Arroyo Boulevard to Orange Grove Boulevard – 1973
Interstate 210-710/California 134 Interchange – 1975
Marengo Avenue east to Madre Street – 1976
California 19 (164) east to Baldwin Avenue – 1971
Santa Anita Avenue to Fifth Avenue – 1968
Huntington Drive to Mayflower Avenue – 1967
Magnolia Avenue to Duncannon Avenue – 1966-1967
Interstate 605 to California 39 – 1968
California 39 to Glendora Avenue – 1969
Glendora Avenue to California 66 (including California 57 interchange) – 1970
California 66 to Live Oak Canyon Road – 2000
Towne Avenue to Mountain Avenue – 2001
San Antonio Avenue to Euclid Avenue – 1999
Campus Avenue – 2001
Sapphire Street to Hermosa Avenue – 2000
Haven Avenue to Day Creek Boulevard – 2001
Etiwanda Avenue to Sierra Avenue (including Interstate 15 interchange) – 1998-2001
Alder Avenue to Highland Avenue – 2005-2006 (opened July 2007)
Interstate 215 interchange – 1989
California 259 to California 18 – 1968
Golden Avenue to Sterling Avenue – 1971
Highland Avenue (Business California 30) to Fifth Avenue – 1984
Fifth Avenue to Interstate 10 – 1984 and widened to second roadway in 1992.
Regarding the I-5/210 connector ramps, Adam Twiss indicated that the I-210 West to I-5 South Connector, along with the rest of the Interstate 5, I-210 and California 14 interchange were originally constructed in 1970-71. These were about to open when the Sylmar (San Fernando) Earthquake hit on February 9, 1971. On the day of the earthquake, the original South Connector fell on a pickup truck, killing two people on the Golden State Freeway. The portion of Interstate 210 from I-5 to Paxton Street was severly damaged, and the fault that caused the earthquake ripped through the freeway northwest of Maclay Street. As a result, there is a slight hump on the number three lane on the eastbound side – a slight offset near where the asphalt and concrete meet. This earthquake also buckled the Golden State Freeway just south of the San Fernando Road overcrossing.5
More on the California 30 north-south section of freeway from Scott Parker:3
Prior to the spring of 1992, when the full facility was completed, California 30 — west to east — looked like this: freeway to the present Highland Ave. interchange in east San Bernardino, east on Highland to Boulder Avenue (the California 30/330 intersection), where it turned south. It went south on Boulder to 5th, then turned west on 5th to the freeway alignment, then went south again over the eastbound two lanes across the Santa Ana River watercourse, extending south to San Bernardino Avenue in Redlands. At that point, traffic was shunted off onto that street east to the east side of the freeway berm, where it turned south onto Tennessee Street (which had been extended north circa 1982-83 to serve as a frontage road for the California 30 freeway, as it does today) and thence to the Interstate 10 interchange.
Some maps of that era showed California 30 temporarily extending east all the way to Orange Street (the original state highway alignment) then south to California 38 at Lugonia Street, where it terminated. While this may have been the officially designated alignment (Caltrans ceded the part of Orange Street that dipped into the Santa Ana River bed over to the local jurisdiction), signage from California 30 east directed traffic heading to Interstate 10 directly down Tennessee Street (and, if you have been that way and paid notice, there is room on the overhead signage for the Tennessee St. exits on Interstate 10 — in both directions — for a state highway shield).
Signage from Interstate 10 to California 30, if my memory from the mid eighties serves me correctly, was rudimentary at best: I seem to recall nothing indicating California 30 at the Interstate 10 / California 38 / Orange Street interchange in central Redlands, but one solitary stand-alone sign before the Tennessee Street off-ramp reading, from top to bottom "TO", California 30 (shield), "NEXT RIGHT" in a small square green sign under the shield. And that didn't last long, since that was also the site of construction of the Interstate 10 / California 30 interchange, and the shield sat where Interstate 10 was being widened to accommodate the two-lane ramp exit to California 30.
West End – Los Angeles (Sylmar), California
(Foothill Freeway) west to
Exit 1C to Yarnell Street is the final mainline off-ramp from Interstate 210 preceding Interstate 5 (Golden State Freeway). Forthcoming Exit 1A will subdivide into ramps for the I-5 northbound general travel lanes and the truck bypass. Photo taken 07/03/04.
The on-ramp from Yarnell Street forms an auxiliary lane to the southbound flyover for Interstate 5 (Golden State Freeway) south to Downtown Los Angeles. These porcelain-enamel signs date back to the opening of this section of the Foothill Freeway. Photo taken 07/03/04.
I-210 curves southwest leading into the directional T interchange with the Golden State Freeway. Due to the 1971 Sylmar (San Fernando) earthquake, the Interstate 210 west to Interstate 5 south connector collapsed, and it was not rebuilt until 1975. Photo taken 07/03/04.
An end shield for Interstate 210 precedes the southbound off-ramp to I-5. Caltrans District 7 is fairly consistent about placing end shields on its 1960s-1970s freeways; other examples of end shields include those at north end of I-605 and the north end of California 170. Photo taken 07/03/04.
Traffic partitions for Interstate 5 north to Sacramento and California 14 (Antelope Valley Freeway) to Lancaster. Named the Golden State Freeway through the San Fernando Valley, I-5 follows Historic U.S. 99 as it crosses over Tejon Pass en route to the Central Valley. Once at Wheeler Ridge, I-5 angles northwest along the Westside Highway while California 99 takes over the Golden State Freeway en route to Bakersfield and Fresno. Photo taken 07/03/04.
(Golden State Freeway) north to
Exit 159B leaves Interstate 5 north for Roxford Street. The next exit along northbound is the transition ramp to Interstate 210 east, which travels around the city of San Fernando, then follows the Foothill Freeway southeast to Pasadena and San Bernardino County. Photo taken 08/26/07.
Interchange sequence sign posted a quarter mile ahead of Exit 161A to Interstate 210 and the Truck Lane off-ramp (Exit 161B). Both the main lanes and the truck lanes offer a connection to California 14 (Antelope Valley Freeway), which travels northeast toward Lancaster, Palmdale and Mojave. Photo taken 11/25/04.
Northbound Interstate 5 reaches Exit 161A for I-210 near Sylmar at the north end of the San Fernando Valley. This area is heavily industrialized, with significant concentrations of power, water and natural gas facilities. A large pump that carries Los Angeles Aqueduct water over the mountains is operates to the northeast of here, and a wide assortment of power lines feed into this area, including the main north-south line from the Central Valley, several lines from Hoover Dam, and another set from Owens Valley. Photo taken 08/26/07.
Just beyond the departure of Interstate 210 east, I-5 partitions into four general travel lanes and two truck bypass lanes. Photo taken 08/26/07.
(Golden State Freeway) south to
Traveling south on Interstate 5 (Golden State Freeway), the first appearance for I-210 is on an interchange sequence sign posted after the on-ramp from SR 14 (Antelope Valley Freeway). San Fernando Road passes through this exchange, representing part of Historic U.S. 99, and also as one time business routes for U.S. 99 and I-5. Photo taken 08/26/07.
Southbound travelers along I-5 enter the Los Angeles city limits ahead of Exit 161A for Interstate 210 east. While I-210 directly replaced California 30, it also parallels the former alignment of U.S. 66 between Pasadena and San Bernardino. Photo taken 08/26/07.
A flyover from SR 14 south forms the southbound beginning of the I-5 HOV lanes, three quarters of a mile ahead of Interstate 210 (Foothill Freeway) east. Photo taken 07/19/15.
The right two lanes of the southbound general travel lanes on I-5 default onto Interstate 210 east. The Foothill Freeway initially encircles Sylmar before passing by the city of San Fernando. Photo taken 07/19/15.
Balboa Boulevard spans Interstate 5 just ahead of the simulteanous departure of ramps from both the general travel lanes and the truck bypass to the three lane flyover for Interstate 210. Photo taken 06/15/13.
Entering the directional T interchange (Exit 161A) with Interstate 210 (Foothill Freeway) east on southbound Interstate 5 (Golden State Freeway). Photo taken 06/15/13.
Porcein button copy signs at the slip ramp joining the truck bypass lanes with Interstate 210 east. Photo taken 08/26/07.
Throwback – (Golden State Freeway) at
Replaced button copy signs along Interstate 5 north at Exit 159 for Roxford Street and Exit 161A for I-210 east. Photo taken 11/25/04.
An exit number sign replaced this vintage assembly for Interstate 210 east. Photo taken 11/25/04.
These button copy signs at the gore point for the I-210 eastbound ramp from the auto lanes were likely replaced in 2006 or 2007. Photo taken 09/25/05.
East End – Glendora, California
(Foothill Freeway) east to
I-210 east at Exit 43 for Sunflower Avenue, one mile ahead of California 57 (Orange Freeway) south to Anaheim and Santa Ana. Photo taken 11/14/04.
The left four lanes plus high occupancy vehicle lane continue east on California 210, while the right lane exits onto southbound California 57. Photo taken 11/14/04.
I-210 ends as traffic separates at Exit 45 for SR 57 (Orange Freeway) south. SR 210 continues the Foothill Freeway east to San Dimas, La Verne and Claremont. Photo taken 11/14/04.
(Orange Freeway) north to
Northbound California 57 (Orange Freeway) reaches Exit 24B, Arrow Highway in San Dimas. The next two exits are Exit 25A, Auto Centre Drive and Exit 25B, California 210 east to San Bernardino. Note the greenout overlay on this sign for California 210. Two possible shields rest underneath the green-out overlay: California 30 … or Interstate 210. Photo taken 07/15/07.
Northbound California 57 (Orange Freeway) reaches Exit 25A, Auto Centre Drive. Photo taken 07/15/07.
Northbound California 57 (Orange Freeway) splits. The left three lanes follow Exit 25C to Interstate 210/Foothill Freeway west to Azusa, Duarte, Monrovia, Arcadia, Pasadena, La Cañada-Flintridge, Glendale, San Fernando, and Los Angeles. The right two lanes follow Exit 25B to California 210/Foothill Freeway east to San Bernardino via La Verne, Claremont, Upland, Rancho Cucamonga, Fontana, Rialto, and Muscoy. Photo taken 07/15/07.
The first pull-through sign to refernece Interstate 210 west to Pasadena appears between the Foothill Boulevard and San Dimas Avenue interchanges. Photo taken 07/15/07.
Westbound California 210 (Foothill Freeway) enters the city of San Dimas ahead of Exit 46. The two-wye interchange with I-210 west and California 57 south is mostly in Glendora, although the approach ramps are in San Dimas. Photo taken 07/15/07.
Westbound California 210 meets California 57 (Orange Freeway) (former Interstate 210) at Exit 45. Prior to the freeway renumbering here, this interchange served as the western terminus of California 30, and Interstate 210 traveled southeast from here to Pomona and west to Pasadena. Photo taken 07/15/07.
East End Throwback – at
Button copy signs originally displaying I-210 and SR 30 were greened out to show both the extension of SR 57 north and the designation of SR 210 east. Photo taken by Pete Sison (04/27/03).
The separation of California 210 east and 57 south. California 57 used to be signed as Interstate 210; those signed were removed and replaced with these reflective signs. Photo taken by Pete Sison (04/27/03).
Replacement of this interchange sequence sign dropped I-210 freeway in favor of California 57 south. Photo taken by Pete Sison (09/27/02).
Shields on these button copy signs were rearranged to reflect the renumbering of I-210 south as SR 57 and the decommissioning of SR 30.. Photo taken by Pete Sison (09/27/02).
One half mile ahead of the California 30 westbound transition to Interstate 210 at San Dimas and Glendora. Photo taken by Pete Sison (09/27/02).
Two lanes lowered from the Foothill Freeway (SR 30) west to I-210 east. Photo taken by Pete Sison (09/27/02).
Future Eastern Terminus – – Redlands, California
east to
The final interchange sequence sign is posted on eastbound California 210. Photo taken 06/17/06.
The left two lanes transition onto Interstate 10 east to Indio, Blythe, and Phoenix; the right two lanes transition onto Interstate 10 west to Los Angeles and Santa Monica. Photo taken 06/17/06.
California 210 east concludes at the three-wye interchange with Interstate 10 (San Bernardino Freeway). Photo taken 06/17/06.
Former Eastern Terminus – Pomona, California
(Orange Freeway) south
Southbound California 57 (Orange Freeway) reaches Exit 22D, Via Verde and Raging Waters Drive. The next exit is the connection to California 71 (Chino Valley Freeway) south, followed by Interstate 10. Photos taken by Pete Sison (09/27/02).
The right two lanes of California 57 (Orange Freeway) south will connect to Exit 22C, California 71 (Chino Valley Freeway) south to Pomona, Chino, Chino Hills, and Corona. The next exit is Exits 22B-A, Interstate 10 (San Bernardino Freeway). Photo taken by Pete Sison (09/27/02).
Continuing south, a second sign advises of the lane configuration for the junction with Exit 22C, California 71 (Chino Valley Freeway) south to Pomona, Chino, Chino Hills, and Corona and Exits 22B-A, Interstate 10 (San Bernardino Freeway). These signs were all button-copy, non-reflective signs until Interstate 210 signs were removed through this interchange between 2003 and 2006. Photo taken by Pete Sison (09/27/02).
Southbound California 57 (Orange Freeway) reaches Exit 22C, California 71 (Chino Valley Freeway) south to Pomona, Chino, Chino Hills, and Corona. The next exit is Exits 22B-A, Interstate 10 (San Bernardino Freeway). Photo taken by Pete Sison (09/27/02).
Shortly thereafter, southbound California 57 (Orange Freeway) reaches Exits 22B-A, Interstate 10 (San Bernardino Freeway). The Kellogg Interchange is a symmetrical stack interchange. This off-ramp marked the former eastern terminus of Interstate 210. Photo taken by Pete Sison (09/27/02).
(Orange Freeway) north at
Traveling north on California 57 (Orange Freeway), this is the first advance signage for the junction with Interstate 10 (Exit 21). Previously, the pull-through sign for California 57 was signed as Interstate 210 west Pasadena. That signage changed when California 210 was legislatively created to extend east to Redlands. Photo taken by Pete Sison (09/27/02).
After traffic from Temple Avenue (Exit 20) merges onto northbound California 57 (Orange Freeway), the right two lanes become exit only for Interstate 10 west to Los Angeles and east to San Bernardino. The left three lanes will proceed north through the Kellogg Interchange to provide a connection to what is now Interstate 210 and California 210. Photo taken by Pete Sison (09/27/02).
California 71 (Chino Valley Freeway) north at
California 71 northbound at the eastern Interstate 10 off-ramp. California 71 continues northbound to Interstate 10 westbound and a transition onto California 57, which was formerly signed as Interstate 210 west. Photo taken 05/02/02.
Two lanes continued north from California 71 to Interstate 210 west beyond the ramps for I-10. Photo taken 05/02/02.
Continuing north, the left two lanes connect California 71 to California 57 (Former Interstate 210), and the right lane connects to Interstate 10 (San Bernardino Freeway) west to Los Angeles. Photo taken 05/02/02.
(San Bernardino Freeway) east to
Interstate 10 eastbound at the ramp for Interstate 210 westbound and California 57 south. California 57 heads south towards Anaheim while Interstate 210 heads north before turning west at Glendora. The Kellogg interchange is visible in the background. Photo taken 05/02/02.
Interstate 10 east next reaches the ramp to Exit 42B, California 71 (Chino Valley Freeway) south to Pomona, Chino, and Corona. The four-level stack Kellogg Interchange sits on top of Interstate 10, which forms the lowest level. Photo taken 03/25/05.
Parker, Scott. Personal Email: "210 Opening Next Week," July 20, 2007.
California Log of Bridges on State Highways, July 2007 edition
Parker, Scott. Personal Email: "RE: 210 opening next week," August 15, 2007.
Moon, C.J. Personal Email: "210 Dates," August 25, 2007.
Twiss, Adam. Personal Email: "RE: Interstate California 210," August 15, 2007.
"Why isn't the new section of the 210 Freeway called Interstate 210?" Inland Valley Daily Bulletin (Rancho Cucamonga, CA), September 16, 2018.
"Full-speed ahead." Highland Community News (CA), April 11, 2018.
Page updated April 11, 2019.


text:
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CUESA
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Lost in the Night Lost in the Night: The Genius of Harvey Bassett
Posted By Derek Opperman on Mon, Nov 5, 2012 at 9:27 AM
Kahley Avalon Emerson
Face and Public Works present DJ Harvey
Friday, Nov. 2, 2012
Better than: No better than, that would be unfair.
The volume levels dipped and the club went dark; only the exit lights glowed a muted neon green from the corners. We drifted along weightlessly, waiting to be brought back down. Then, right on time, the music slammed back in and a wailing disco diva belted out a chorus over an extravagant symphonic arrangement. Who knows what the record was, but the DJ was Harvey, and he was in the middle of yet another excellent set at Public Works.
"Dynamics man! They're like the true lost art of DJing!" said a friend who was dancing nearby. He's right: if there's one current that runs through my most positive reviews, it's that the best DJs I've seen know how to reach out and affect that dancefloor by manipulating a record with EQs (or sometimes islators, as was the case recently with Body & SOUL) and volume. Harvey is really good at this, but he's also good at controlling the overall dynamic flow of the evening, stringing together scenes of records and breaking them up with static moments. In this way he's able to jump between genres with relative ease, sneaking in baffling selections that seem entirely appropriate (and sometimes even anthemic) in the context of his set. Another friend of mine, who was in the middle of seeing Harvey for the first time, expressed it best: "He's a master story teller. It's like, he doesn't let you leave the floor. Other DJs play some good ones and some bad ones, but every single one he plays, I just want to dance to it."
Contrasted with his last appearance at Public Works, Harvey's opening on Friday was less dramatic. This may have to do with the DJ abilties of Face resident Eug, who played a near-perfect warm-up that slowly grew from mellow Balearica into mid-tempo house and really hit its stride with Maetrik's "I Walk Alone (Maceo Plex Revenge)," one of the bigger records of Fall 2012 in San Francisco. This time there was no five-minute rock drum solo. Instead Harvey got in front of the mixer and began with a some '80s New York electro, which started with the full 12" version of Planet Patrol's "Play at Your Own Risk." From here he took a while to warm-up the floor further with some moments in Italo and Idjut Boys-style dubbed-out breaks. Looking up at the booth, Harvey showed some signs of exhaustion, possibly from his recent intense tour of the UK, as he pushed his glasses up and cued what would shortly become Nightmoves' "Transdance."
Then we were all transported to Germany. Resonant kick drums pounded the floor and flanged hi-hats sizzled across our hair as he leaned heavily into the pure drive of Ostgut Ton-style techno. The walls themsleves seemed to drip onto the floor as the menacing interior superstructure of Berlin's Berghain nightclub began phasing in like an invading dimension. I heard someone say, "Oh my god, I feel like I'm back at Panorama Bar. You know? Everyone puts their hand up and yells like this, 'AAAAAAH!'" Waving hands and loud screams pierced through this strangely conjured cocoon of sound. This was definitely a different Harvey than any other time I've seen him, but then again, he's played at Berghain twice (if not more?) since his last appearance at Public Works. Swirls of white noise fizzed through the room -- somehow we had arrived there from Planet Patrol. Yet, Harvey doesn't stay in one place long; his parties are multidimensional in a way that few can even touch. So the techno vanished in a sea of white noise dropping us right back to San Francisco in the middle of a set that was classic Harvey through and through.
A galloping four-to-the-floor house sprint pumped air out of the speakers as shards of spinning red light gleamed off the disco ball. The dancefloor was in full motion, with a wild vibe making the air thick with potential. The beats continued without accompaniment, you could feel every person in the room wondering what was next. "DON'T MAKE ME WAIT." Blared the speakers. "DON'T MAKE ME WAIT, ANOTHER NIGHT." Some girl in front shreeked out, "HAAAARRRRVEEEEYYY!" as he let the acapella of The Peech Boys' "Don't Make Me Wait" slide out and ride across the top of the running percussion.
He did this sort of thing throughout the evening with other classic acapellas and pieces, all to great effect. For instance, the peak of the night came after last call, when the drinkers began to disappear. Grabbing the first bar from Chilly's Italo cover of The Yardbirds' "For Your Love," he looped it and let it play uninterrupted for what seemed like two minutes. Some girls jiggled around infront of him on an elevated platfrom as the loop zapped the crowd like some primitive form of techno. He turned his back and began flipping through his bag looking at records. The girls kept going, too excited to step down. On paper it sounds boring, a one-bar loop, right? But its minimalism was amazing, and in context it worked like a vortex, spinning around and gathering energy for some ultimate climax. Working the controls between the legs of the elevated dancers, he tweaked the EQs a little and slammed the track back in with all of that energy spilling out as power chords, chugging synthesizers, and a screaming '70s rock solo doused the room in a euphoric ecstacy of disco sleaze.
From there it was just about riding the crest of the wave on down into the morning. Somewhere along the way he played a track that I swear sounded like Phil Collins or Genesis (as the saying goes, "What's That One Again, Harv?"). Finally, he brought the house lights on by tweaking the last track so only the highs remained like the final thread of some metaphorical string holding the night together. The diehards clapped and shouted out for "one more song!" Harvey smiled and then disappeared beneath the turntables. And that's how it's supposed to be done.
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Tags: DJ Harvey, Face Party, Lost in the Night, Image
Derek Opperman
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