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Film genre essay questions
Or he could have simply shut up. In the novel, when Morgan sets off to take a group of Chinese trying to sneak into the United States, he finds Eddy below deck.
First, there is at least one female non-Navy officer mentioned by name: The essayists that write from this pole "do not speak directly of themselves, but turn their attention outward to some literary or scientific or political theme. This compliment, followed by a warning, was included in the report: You are not under oath at this point; you may say anything at all which you think might help you.
Can you answer the question with general writing. On the other hand, he has also specifically stated in private correspondence submitted to the Quotable Heinlein page that his "fictional characters speak for themselves, not [Heinlein].
Sweet Savage starred Aldo Raya veteran actor who had appeared in traditional Westerns, in a non-sex role. Because the system was designed to prevent that from happening. This text explores cultural issues such as social class, ethnic identity and authority figures.
Mabuse aka Das Testament das Dr. Do I know how to handle a gun. In this resource, you'll learn how to write about the visual choices that directors make to craft cinematic masterpieces.
The events of the Prohibition Era until such as bootlegging and the St. We know him, too, because we understand the relations of other persons, particularly his wife, with him.
Essay films have a "peculiar searching, questioning tone They rise to power with a tough cruel facade while showing an ambitious desire for success and recognition, but underneath they can express sensitivity and gentleness.
Brecht was a playwright who experimented with film and incorporated film projections into some of his plays. This would have all the negative consequences of the first option, except that Hendrick would probably not have to accept responsibility for his own actions. We do not see the rest of the Army in any detail, so we do not know anything about the gender of its officers overall, nor do we see any evidence that the Army is bigger than the Navy.
For theme or issue you might plan it out like this but at all times focus on answering the Q: It coddles; it makes friends with you; it tells you comforting lies.
One definition is a "prose composition with a focused subject of discussion" or a "long, systematic discourse". What about the charge that the entire idea that this was a capital offense is lunacy.
Writers dreamed up appropriate gangland jargon for the tales, such as "tommy guns" or "molls. While there is an argument for the reactionary nature of the books, they are certainly deeply conservative and strongly anti-urban, which is what leads some to associate them with a kind of Wagnerish hitlerism.
I do take issue with your interpretation of it though. Now comes a writer such as John Ronald Reuel Tolkien and, as remythologizer, strangely warms our souls.
The way you express your ideas and construct your writing matter. The history of black power and the movement that bore its name can be traced back to the summer of Among videogames, Custer's Revenge is an infamous example, considered to be one of the worst video games of all time.
So I got to my knees, to move over a couple of feet, and I was hit from behind and knocked flat and he [Zim] yelled at me -- and I bounced up and popped him one and he Then Eddy sees rifle and shotgun hanging over wheel. Like the KSAs, ECQs are used along with resumes to determine who the best applicants are when several candidates qualify for a job.
Rico says quite specifically at the end of the next-to-last chapter that Tagalog is his native tongue. Johnny actually discusses this in some detail -- most troop transports are mixed ships because drop and retrieval require the best pilots, and for reasons of trooper morale.
He brought them out and I took a drink from the open one and put them forward by the wheel. Mabuse, The Gambler Parts I and II - a two-part silent crime melodrama about an evil, criminal boss capable of disguise, conspiracy, and tremendous hypnotic powers.
The essayists that feel most comfortable in this pole "write fragments of reflective autobiography and look at the world through the keyhole of anecdote and description".
Many of the most noted early works of Japanese literature are in this genre. The Online Writing Lab (OWL) at Purdue University houses writing resources and instructional material, and we provide these as a free service of the Writing Lab at Purdue.
Misperceptions and corrections The recent release of Paul Verhoeven's Starship Troopers has led to a lot of online debate concerning the original book. Some of the participants have made cogent points based on a thorough understanding of both the book in specific and the military in general.
The fresh, sophisticated, and classic masterpiece, Citizen Kane (), is probably the world's most famous and highly-rated film, with its many remarkable scenes and performances, cinematic and narrative techniques and experimental innovations (in photography, editing, and sound).
Its director. Crime and Gangster Films are developed around the sinister actions of criminals or gangsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and violently murdering their way through life. In the s, a new type of crime thriller emerged, more dark and cynical - see the section on film-noir for further examples of crime films.
Jesse Eisenberg as Mark Zuckerberg, the founder of Facebook, and Rooney Mara as his girlfriend Erica in The Social Network. How long is a generation these days? I must be in Mark Zuckerberg's generation—there are only nine years between us—but somehow it doesn't feel that way.
Dear Twitpic Community - thank you for all the wonderful photos you have taken over the years. We have now placed Twitpic in an archived state.
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His wife was Abbie Palmer Gifford.
Mark Twain and Henry Huttleston Rogers, Mark Twain's Correspondence with Henry Huttleston Rogers, 1893-1909 (University of California Press, 1969).
↑ Henry Huttleston Rogers and Mark Twain, millicentlibrary, accessed May 11, 2010.
↑ Henry Huttleston Rogers, millicentlibrary, accessed May 11, 2010.
↑ Henry Huttleston Rogers from the Dictionary of American Biography, 1935, millicentlibrary, accessed May 11, 2010.
This page was last edited on 11 May 2010, at 10:15.


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Q: Reporting Services How to get the Count() value from IIF I have this table with a column named Open_Time which contain a datetime value. I would like to have another column named Total Ticket In June with the total count of ticket in June, so I've inserted the expression like below:
=Count((IIF(DatePart("m",Fields!Open_Time.Value,0,0) = "6",1,0)))
but there seems to be an error. To make myself clear, the table should look like this:
Assigned Name    Ticket ID    Open_Time    Total Ticket in June

Ivan             001          3/28/2014            2
                 002          6/24/2014
                 003          6/11/2014

I would like to get value "2", which is the total number of ticket in June. Any idea? :)

A: You need to switch to a Sum aggregate instead of Count (based on your IIF, Count will count every row instead of giving you a total number of occurences):
=Sum(IIF(DatePart("m",Fields!Open_Time.Value,0,0) = 6, 1, 0))

From your table it's hard to tell your row groupings, but keep in mind that you'll only get the sum you expect if that expression is on a totals row (i.e. if you use that expression on the detail row it will simply list 1 or 0 for each date).

A: Try this:
=Count((IIF(DatePart(dateinterval.Month,Fields!Open_Time.Value,0,0) = 6,1,0)))

redpajama_set_name: RedPajamaStackExchange


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Viewing Room II: Regina José Galindo
The Viewing Room series was a charted journey through some of the then recent acquisitions of the contemporary art collection of the Colección Patricia Phelps de Cisneros. It consisted of a series of events in which a single artwork from the collection was exhibited for a day in conjunction with a public program. Audiences were invited to experience seminal yet rarely seen artworks—in most cases, never before exhibited in New York—and to participate in programs designed to help articulate the working processes and contexts in which these works were created.
Other Viewing Room events included the presentation of: A Voyage or 'With the MS Remscheid on the Amazon' or the Account of a Voyage Under the Stars of the Refrigerator, 1968–1972, by Lothar Baumgarten (Germany); The Fountain of Prosperity, 2006, by Michael Stevenson (New Zealand); Secrets of the Amazon/Tomo River, 2011, by Gilda Mantilla and Raimond Chaves (Peru and Colombia); and The Catherwood Project, 1985-1993, by Leandro Katz (Argentina), including a viewing of original nineteen-century prints by Frederick Catherwood.
Viewing Room was organized by Sofía Hernández Chong Cuy, former Curator of Contemporary Art at the Colección Patricia Phelps de Cisneros, with artist Alejandro Cesarco. The artists whose artworks were presented in these events participated in the conversations leading to the planning of this initiative. On certain occasions, these artists will be present at the public programs. Most times the events engage other members of the artistic community.
Gold filling
Installation dimensions: 136 x 38 x 38 cm (53 1/2 x 15 x 15 inches)
The Museum of Modern Art...
The Museum of Modern Art. Promised gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund
Regina José Galindo's Looting (2010) was exhibited in the second edition of Viewing Room. For more information click here.
Video of performance
The Anesthetist: On Sedation, Performance and Method Acting | Mark Beasley and Arto Lindsay
Video of The Anesthetist: On Sedation, Performance and Method Acting | Mark Beasley and Arto Lindsay

redpajama_set_name: RedPajamaCommonCrawl


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bisk
First of 4 records published
by Sub Rosa from 1996 to 2000.
Design by Peter Maybury from a photography
by Jean-François Millet (1814-1875)
Japanese composer Naohiro Fujikawa (Hyogo, 1974) lets fancy run wild on this bewildering collection of jazzed-up electro-techno. Recalling at times the complicated rhythmic experiments of German genre-abusers Atom Heart and Elfish Echo, Fujikawa's approach is almost orchestral in its complexity, with tracks evolving and mutating constantly. Although the jazzier elements present themselves in the more obvious form of samples and instrumental passages, the album is also extremely improvisational in tone, escaping the mechanical feel characteristic of much experimental electronica.
One of only a handful of Japanese experimental techno artists to gain exposure outside of Japan, Naohiro Fujikawa's fractured electronica under the name Bisk is also among the most interesting and innovative post-techno hybrids to appear in the last several years. A native of Hyogo, Fujikawa was barely into his 20s when his debut CD, Time, was released by Belgian label Sub Rosa in 1996. Sounding literally years ahead of its time, Time was a future-shock of sampler orchestration, the splintering remains of ambient, jazz, techno, hip-hop, electro, and experimental noise/musique concrete recombined into forms both fascinating and bewildering. Fujikawa's only other releases previous to Time were on small-run, largely Japan-only compilations (Trip Trap Records' Floating on the 1st Floor being the most notable); released under his own name, these tracks were far more derivative than his subsequent material as Bisk. Following Time, Fujikawa contributed a track to Bill Laswell's Oscillations Remix CD/LP before Sub Rosa issued a second full-length CD, Strange or Funny-Haha?, in 1997. Another essential collection of sample-based chaos unlike most other happenings in contemporary electronica, Strange set a standard of quality even higher than its predecessor, and further argued for Fujikawa's status as one of the most important and original new voices in experimental post-techno. The somewhat less impressive Ticklish Matters appeared on Sub Rosa in 1998, along with a remix for American hip-hop group East Flatbush Project (included on the Tried by 12 remix album, co-released by Ninja Tune and Chocolate Industries in December 1998). In addition to his CDs, a trio of exclusive Bisk tracks can be found on Sub Rosa's excellent 1998 compilation, Water and Architecture, alongside selections by Seefeel, former Tortoise bassist Bundy Brown and (most appropriately) Uwe "Atom Heart" Schmidt, one of the few artists to whom Fujikawa's work owes a clear debt.
Sean Cooper / All Music Guide.
NOTES FROM ARTHUR NALIS
subtle ethnocentric pieces surrounded by bizarre tweakings which develope into a miasma of crazy beats and minimal electro-funk with a generous serving of experimental damage.
Autechre/u-ziq/Aphex Twin/ David Shea/Luke Slater style meets the Brothers Quay in a microdot theme park.
mutant-jazz breakbeats for swingers of the 21st century.
a new breed of jungle suitable for techno heads.
sub-aquatic if the planet Venus had water.
indonesian shadow puppets, a modernized Butoh dance company and a Raymond Chandler thriller rolled into one time capsule.
NAOHIRO FUJIKAWA
TRACK LISTING CD - 8 TRACKS
01 Dryness 5:14
02 Experience 5:10
03 Wiggler 6:21
04 Bit 1 6:05
06 Gloomy 7:17
07 Tremolo 6:27
08 Drooping 4:50


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RWC 2015 - The Week In World Cup Rugby
The Rugby World Cup has now been going for just over 2 weeks and so far, it is shaping up to be one of the best World Cups in the history of the game. Records are being set and broken quite frequently (or at least it appears that way). As with the last post to this page, I wrote about the results and some of my thoughts on the games. This will be a two part blog though as there is a fair bit to be written about the first host nation to not make it out of the pool stages. I left off last time with Australia having just pumped Uruguay 65-3 – the biggest point difference in a game so far in this World Cup.
In what seemed like a repeat of their last game, Scotland started off slow against the USA. Now, they had played 4 days earlier against Japan but unlike Japan, Scotland have reasonable depth in their squad. It would be foolish to say this short turnaround wouldn't impact them at all, but Scotland, like all of the bigger rugby nations, would be better equipped to deal with it than say Japan (or any other tier 2 nation for that matter). USA scored the only try of the first half and went in at half time with a 13-6 lead. While it was possible at this stage for an upset to happen, I figured it was only a matter of time before Scotland would wake up and take control of this game. The second half was pretty much all one way traffic in Scotland's favour with USA only getting 3 more points. Scotland scored 5 tries (4 of which were converted) giving them a 39-16 win. In the 3rd and final game of Sunday 27th September, Ireland faced Romania and once again, the record attendance at a Rugby World Cup was broken – 89, 267 people were at this game. Ireland comfortably won this game, scoring six tries against Romania. One of the main talking points would be whether the Irish defence could hold out and prevent Romania from scoring a try. They succumbed eventually and the final score was 44-10 to Ireland.
I can't talk much about the Tonga v Namibia game (the only game on the 29th September) as it kicked off when I was at work and I ended up missing the rest of the game due to travelling and the need to go food shopping (a poor excuse I accept). Namibia scored 3 tries in this game, two of which came from their captain Jacques Burger. It would have been good to see them get one more and come away with a bonus point but alas, not to be. October kicked off with a game which somehow seems to be a regular at Rugby World Cups – Wales v Fiji. They have played each other now for 3 RWC's in a row. Before this game it was one game all, with the Fiji win in 2007 being a pretty historic win for the Pacific Islanders. The 2011 game however was a tad one sided, with Wales winning 66-0. Once again, I missed this game due to having to work late. From what I heard though, it was a very close match, with Wales doing well to get the win. Wales won this one 23-13 and much like Australia, failed to get a try bonus point. I wondered at the time if this might come back to haunt them. Answer? No. Fiji have put up a good fight against 3 of the top teams in the world, and played some really good rugby. Almost seems criminal they haven't at least got one bonus point. Such is life. I suspect they will look to batter Uruguay and have something to show for their tournament. The evening game on Thursday was France versus Canada. I expected this to be one way traffic in favour of France. However, credit where credit is due - Canada actually played quite well at times during this match. They seemed to fall away as the game went on though and France took advantage, with them getting the win 41-18.
The only game of Friday night was New Zealand taking on Georgia. I don't think anyone gave Georgia a chance in this one. It was a great sight though to see how happy the Georgians were at getting to play the All Blacks. This much was obvious just looking at their faces during the haka – there were several big grins beaming. New Zealand took just 73 seconds to score their first try. When this happened, my immediate thought was "how many will we see tonight?" However, the next score to come was a try from Georgia! They capitalised on a New Zealand error and scored a try, which they then converted as a result. I think if Georgia could declare at this point, they would have. 5 minutes in and they were level at 7 all. Sadly, that was the only try of the game for Georgia. New Zealand scored 7 in total and won 43-10. The main talking points from this game were that New Zealand were not their usual selves in that they made a large number of handling errors (19 I think it was – some of which definitely denied them more tries) and Dan Carter looked positively human from the kicking tee. However, I feel the question does need to be asked, if New Zealand can make as many errors as they did, and still score 7 tries – how many would they have scored if they didn't make any errors? Frightening thought really.
Saturday started off with Samoa versus Japan. Samoa had to win this game if they wanted to keep their hopes of making it out of the pool alive. Japan were in much the same boat. They benefitted from having 10 days between their last game against Scotland and this one. Samoa had a week so really, it was two fresh teams facing off. Not that you would have known it looking at Samoa. I don't know what it is about them, but they just haven't looked very good at this World Cup. They looked poor against South Africa but I wondered if part of that was to do with the Springboks showing how good they actually are. This performance against Japan was not good though, which made me wonder if there is something systematically wrong in the Samoa camp at the moment (well, there has been a lot of chat about issues with the rugby authorities in Samoa but that aside). However, Japan didn't win this game purely because Samoa weren't playing well – Japan were worthy of their second win of this Rugby World Cup. They went in at half time 20-0 up. The second half was a much tighter contest between the two, but Japan won the second half points-wise, meaning the full time score was 25-6. Cracking result for Japan this one.
The next game was the top of the pool clash between South Africa and a weakened Scotland team at St James' Park in Newcastle. I couldn't work out why Vern Cotter had made as many changes as he did for this game. Perhaps it was so the first choice team will face Samoa and they stand a better chance of winning that one? I'm not sure. This game was all South Africa. Scotland didn't get much of a look in really. South Africa proved in this one they were still a force to be reckoned with. At half time, they went in 20-3 in front and it didn't look like Scotland were going to get back in it. They didn't. Scotland did score a second half try but they couldn't build on that to even secure a losing bonus point. Two moments of madness from Scotland are worth mentioning. Greg Laidlaw was sent to the sin bin for deliberately taking Bryan Habana out off the ball, preventing him from potentially scoring a try. It was a very cynical move by the Scotland captain and had it been closer to the try line, I think his visit to the bin might have been accompanied by a penalty try. The other moment of madness was Stuart Hogg seemingly taking a dive to claim he was more hurt from a collision with a South Africa player in the air than he actually was. Replays showed that the collision was minimal and Hogg had in fact taken a dive. The referee for this one was Nigel Owens – who had a few choice words to say to Hogg. I do love Nigel Owens sometimes, and this is one of those times. South Africa won this one 34-16. Australia beat England 33-13. I will be doing a separate blog about this result and what England's elimination from the tournament means for them going forward.
Today offered up two games, one each from pools C and D. Both had potential to be very interesting. Argentina were playing Tonga, who were above them in the pool (a solitary bonus point separating the two teams). Ireland were facing Italy in a reprise from the Six Nations at the Olympic Stadium. I had assumed Argentina and Ireland would win their respective games, but I was surprised at which one was closer, score line wise. The first half in the Argentina/Tonga game was really close, with Argentina getting two tries on the board and then Tonga following suit. Half time was 20-13 to Argentina and at this point, I really felt we were in for a cracking second half where it could go either way. The second half was really good but it was one sided. Argentina scored a further 3 tries, securing a try bonus point. The final score was 45-16. I will be interested to see how Argentina develop as most of the starters in this game have all signed for the new Argentina Super Rugby franchise, which means the national team will be playing with each other for most of the year against some really good opposition. That can only do good things for the game in Argentina. Ireland versus Italy was a very tight affair, a much tighter game than I would have imagined it would be. Italy haven't looked great at this World Cup and suffered a bit of a scare at the hands of Canada last week. Ireland on the other hand have been playing quite well. I dipped in and out of this game but from what I saw, Ireland were being frustrated by Italy and struggled to get their game going. The only try of the game came in the first half. I know it is wrong to suggest that any team is a one man team, but I wonder if it is much of a coincidence that Italy made a rapid improvement in their play when Sergio Parisse recovered from injury and took his place in the Italian pack. It was not enough however to lead them to victory. Ireland won 16-9 and consigned Italy to an early exit.
So, with most teams having just the one game left, what is the state of the pools?
Pool A – Australia and Wales will face off in a pool winner shoot out next Saturday at Twickenham. England are out of the Rugby World Cup – the first host nation to fail to make it to the knock out stages.
Pool B – This is a very tight pool actually. South Africa have a 4 day turn around before facing USA at the Olympic Stadium. They are currently top by a point but one would assume they will win this game and probably pick up maximum points. If they do, they will win the pool and face the loser of Australia v Wales. USA then have a 4 day turn around before facing Japan. Scotland face Samoa on Saturday. For Samoa to qualify, they need maximum points out of their game against Scotland and for Japan to get no points against USA – unlikely I would say. Japan are currently 3rd in the pool, two points behind Scotland. For them to qualify, they need Scotland to lose to Samoa and not get 2 bonus points. Scotland just need to beat Samoa and they will qualify for the quarter finals. Simple right? I think we are in for some drama in this pool before all is said and done.
Pool C – New Zealand have qualified from this pool. Who saw that coming? Their last game is against Tonga, who are the only team who can prevent Argentina from qualifying. In a nut shell, to qualify, Tonga need to beat New Zealand and Namibia, after a 4 day turn around, need to beat Argentina. So I guess what I am trying to say is that New Zealand and Argentina have qualified from this pool. I guess it is still technically possible for Tonga to qualify. However, their chances are remote.
Pool D – Ireland and France have qualified from this pool and will face off in a pool winner shoot out next Sunday. The winner will likely get a quarter final date with Argentina. The loser will likely get a quarter final date with New Zealand. I think I speak for everyone who wants to see history repeat itself when I say COME ON IRELAND! It would be awfully funny if France and New Zealand played each other again at a Rugby World Cup, and funnier still if France won again.
We have one more week of pool games before the business end of the tournament begins. Two things are for sure. The first is that England will not be in the knockout stages for the first time since the inception of this tournament. The second is that this tournament is just getting going in terms of excitement. I think we are in for some great rugby before the pool stages wrap up. I will post another blog as I said earlier about England, but I will be back next weekend to sum up the weeks games and to talk about the quarter finals, and if my predictions were right (I know one of them was wrong!)
Labels: 2015, Argentina, Australia, England Rugby, New Zealand, Rugby, Rugby World Cup, RWC, Scotland, South Africa, Twickenham, Wales
RWC 2015 - Two Teams Left Standing
RWC 2015 - And Then There Were Four
RWC 2015 - The Final Week Of The Pools
RWC 2015 - A Tribute
RWC 2015 - England: Over And Out


A talk show that speaks to makers, artists and creatives that are making Dublin a remarkable place to be. A conversation with creators that you need to pay attention to along with reports of events, creations, and developments happening around Dublin. From art, film, journalism, music, food, video games to publishing and everything in between. Every fortnight. This is Dublin Creative Review.


There will be no more nail biting. No more fireworks. No Game 163. No playoff play-in. And while there may be no new flag to hang on the upper rim of Miller Park, that doesn't mean there's nothing worthy of celebration for the Milwaukee Brewers after their 2017 season. They did, after all, transcend expectations by a long shot, finishing ten games above .500 at 86-76 when all the self-assured prognosticators had them pegged ten games below .500, at best.
If there's one thing that may provide nearly as much value as wins themselves, it's clarity, and the Brewers have done a thorough job testing just about every facet of how they approach the game to achieve as much as possible before season's end, including their thresholds, boundaries, depth, flexibility, and most prominently, their mettle — taking the season to the final series was a powerful testament to that.
So while some lessons are harder to learn than others and every loss feels like a 'what if' in retrospect, especially only a game or two from postseason contention, both prove one crucial point: If riding a wave to shore while still standing is the goal, the view from the crest will be the motive and the map.
If there was any aspect of the roster that seemed wholly undefined coming into the season it was the starting rotation. And, as baseball goes, nearly every assumption was turned on its head, some for the worse, but most for the better.
The Brewers lost their 2016 ace, Junior Guerra, on Opening Day. When he returned nearly two months later, he floundered significantly, posting a 4.91 ERA with 46 strikeouts and 39 walks (plus 15 home runs) in 58.2 innings, failing to go more than five innings in seven of his 12 subsequent starts before being sent back to the minors. He did eventually resurface in September but even then, the results weren't too promising — five of eight appearances were scoreless but he still gave up six earned runs in 8.2 innings.
It took only eight starts before Wily Peralta the stater became Wily Peralta the reliever and only 11 more appearances to finish as the Wily that was and may never be again.
Matt Garza's pre-season injury may have been one of the best things to happen to the Brewers as it helped to open the door for Chase Anderson, who may never have made the rotation without it. Garza did, for a time, provide the team some value, as he was quality-start caliber in at least half of his starts. Unfortunately, in the other half, his stat line looks like the bad end of basic mathematics: 8 H + 2 BB + 4 HR = 8 ER.
Milwaukee did boast a few other failed experiments as well, as Tommy Milone, Paolo Espino and Michael Blazek saw generally poor results in their limited spot starts.
But even with failings that might have sent any other team to the bottom of the barrel, the Brewers pitching staff still performed admirably overall and finished in the top five of the National League with a 4.10 ERA.
Chase Anderson was easily one of the top contributors. After a wholly forgettable 2016 season in which he pitched to career-worsts in ERA (4.39), FIP (5.09), walks per nine (3.1) and home runs per nine (1.7) and finished with the first losing season of his young career (9-11), Anderson bounced back in a huge way in 2017. Not only did he post career bests in ERA (2.74), FIP (3.58), WHIP (1.09), hits (7.2/9) and home runs (0.9/9) but also went 12-4 and became the team's most reliable starter (barring injury).
If there was any contender to this triumph, it was Jimmy Nelson, who finally harnessed the potential that scouts, team brass and fans alike had been waiting for. Like Anderson, Nelson suffered a considerable downswing in 2016 that left him with new career worsts in just about every measurable category, including losses, walks and hits batsmen, in which he lead the league. But hitting those new lows also made room for a more impressive rebound in which he set career bests in wins (12), ERA (3.49), FIP (3.05), WHIP (1.249), home runs (0.8/9) and maybe most impressively, walks (2.5/9) and strikeouts (10.2/9, a full 2.5/9 better than any other season).
The team will be without Nelson for a significant chunk–the preferred term of apparently everyone–of 2018 due to a bad slide back in first that wrecked his shoulder on September 8, but even that does little to compromise Nelson's impending rise in both ability and status.
Zach Davies struggled in early goings but was easily one of the team's best pitchers in the second half. After collecting a 5.08 ERA over his first 19 starts, he tamped it down in the final 14 showings with a 2.54. Although the wins didn't come as easily in the latter part of the year, Davies still lead the team (and nearly the league) in wins with 17 and showed his reliability by ending the year tied for most games started in the National League (33).
Most any team would be thrilled to have three starting pitchers beginning to hit their stride but for the Brewers, it doesn't stop there.
Brent Suter was easily one of the most effective swingmen the team could have asked for, jumping back and forth between the rotation and bullpen and finding similar success in both places (3.45 ERA and 3.18 ERA respectively).
Brandon Woodruff, one of the team's top pitching prospects, dazzled in his first foray in the majors, posting a sparkling 1.52 ERA with 20 strikeouts in first 23.2 innings (4 GS) including an impressive seven-inning, eight-strikeout affair of one-run ball against the Washington Nationals. His second four didn't go nearly as well as indicated by his 8.84 ERA but given that his success waned as soon as he pushed past his historical minor league barrier in September, chances are fatigue was the primary factor, leaving Woodruff still atop his game in terms of potential.
Aaron Wilkerson, another top pitching prospect, found himself on the roster late in the year and despite having a rough go in his second relief appearance, showed big promise in his first major league start, taking a perfect game into the sixth inning. He eventually went a total of seven while striking out five and giving up no walks, two hits and only one run.
And of course, who could forget Josh Hader, who has undoubtedly been one of the team's most effective weapons this season. Although he spent the entirety of his major league stint in the bullpen, there's still a chance that the team attempts to turn him back into a starter come spring. The problem is, he's been so good (2.08 ERA, 0.986 WHIP, 4.7 H/9, 12.8 K/9) it might be difficult to figure out where his value is greatest — a problem any team would be happy to have. Some have likened him to an evolutionary Andrew Miller, while others maintain he should be in a rotation as an electric, power-hurling southpaw.
Even with the Garza's likely departure and Guerra's murky outlook, that still leaves seven viable options for the starting rotation next year.
So what does it all mean? Well, simply put, the Brewers are in a position to harness youth and talent, build on tenure and make significant improvement after a year of unexpected development, all with the amount of depth that could have them on an upswing for years to come.
More than all else, this is just the first reason the Milwaukee Brewers have a lot to look forward to in 2018. Stay tuned for the other four.


After Hurricane Florence devastated parts of North and South Carolina in September, current and former NIEHS Superfund Research Program (SRP) grantees hit the ground running to test for pollution. As soon as they could reach areas affected by severe flooding, SRP researchers teamed up to take air, soil, and water samples in an effort to characterize contaminants that might be present, including concentrations and likely sources.
"With tens of thousands of homes damaged, it is likely that the storm also damaged industrial facilities and waste sites, increasing the potential risk for exposure to harmful pollution," said Elena Craft, Ph.D., a senior director at the Environmental Defense Fund (EDF).
Craft is a former Duke University SRP Center trainee and winner of the 2002 SRP Wetterhahn Award. She coordinates the sampling team, which consists of researchers from SRP centers at Duke and Texas A&M University, as well as SRP small business grantee Entanglement Technologies.
After the first few days of testing, the team was happy to report that they did not detect dangerous levels of benzene, trichloroethylene (TCE), mercury, perfluorooctanoic acid, and other specific contaminants. They sampled air, soil, and water at locations in North Carolina, including around Fayetteville, Wilmington, Lumberton, and Maxton. As they continue their work, the researchers are looking for additional contaminants around the Neuse River basin.
Gaston Casillas, a trainee from Texas A&M University SRP Center(https://tools.niehs.nih.gov/srp/programs/Program_detail.cfm?Project_ID=P42ES027704), worked on the response team. Texas A&M researchers plan to compare samples taken after Hurricane Harvey in Houston — an area widely known to be affected by chemical manufacturing and other industrial facilities — with those taken in rural North Carolina.
"In participating in responses to these events, we can truly put our basic research and development of our sampling methods, analysis methods, and communication methods to the test," Casillas said.
Duke SRP Center researchers Ferguson and Abigail Joyce, Ph.D., collected floodwater samples along the Neuse River and some of its tributaries. Using these samples, the Duke SRP Center(https://tools.niehs.nih.gov/srp/programs/sbrp_Project_list.cfm?Project_ID=P42ES010356) Analytical Chemistry Core will conduct a nontargeted analysis on the samples.
That approach allows them to look for and measure multiple chemicals, without focusing on specific contaminants. Ferguson and Joyce were back out in the field conducting sampling at the same sites on October 10, after flooding receded.
To test for specific contaminants, researchers are using other cutting-edge tools. Entanglement Technologies(https://tools.niehs.nih.gov/srp/programs/Program_detail.cfm?Project_ID=R44ES022538) CEO Tony Miller, Ph.D., is sampling volatile organic contaminants, including benzene, toluene, ethylbenzene, xylene, and TCE, in air and floodwaters using a mobile unit.
The team is testing for mercury in the soil and water with a sensor that uses a nanotechnology-based sensor that is made by Picoyune(https://tools.niehs.nih.gov/srp/programs/Program_detail.cfm?Project_ID=R44ES023729), another SRP small business grantee.
Duke SRP Center staff are coordinating with research staff and working with communities in southeastern North Carolina to discuss potential risks and ways to reduce exposures from contaminants that may have migrated from hazardous waste sites damaged by the storm and flooding.
Bryan Luukinen, coordinator of the Duke SRP Center Research Translation and Community Engagement Core, is leading efforts to connect researchers with local community partners in the Wilmington area.
The group works with community members to understand their needs, and shares research needs and findings throughout the response and recovery process.
Check out these web resources that Luukinen shared.
Addressing Environmental Health Concerns After a Hurricane.
Flooding and Potential Environmental Contamination Sources in North Carolina map.


Mast base: an aluminium frame with welded pipe to insert the masts and the guides to insert the spars; it slots into the bottom of the inside of the inflatable canoe.
Spars: aluminium tubes with a total length of 2.5 m, divided into 3 interlocking sections that act as the skeleton of the inflatable canoe; they distribute the stress over the entire length.
Crossbar to support the centreboards: rectangular aluminium tube to which the columns are welded to insert the arches connected to the centreboard and the guides in which the spars are inserted.
Mast: height 4.10 m, 30 mm diameter aluminium tube, divided into 4 interlocking sections.
Boom: length 2.15 m, 30 mm diameter aluminium tube, divided into 2 interlocking sections.
Bracket: aluminium frame welded to connect the boom to the mast at a right angle, with the tube to enter the mast and the guide to insert the boom.
Rudder: aluminium frame with 10 mm marine plywood blade.
Sails: Nylon 60g / m2, specially designed and produced by a renowned sail manufacturer to boost the performance of the inflatable canoe.
Mainsail: classic triangular sail, 3 m in height, 2 m at the base, with a sleeve to insert the sailing canoe mast.
Jib: 2.5 m in height, 1 m base.
Paddle: a double aluminium paddle, composed of two x 1.15 m sections.
Bags: one bag 120x35x35 for the inflatable canoe and long pieces, full weight about 14 kg and one bag 90x35x35 for all the other pieces, full weight approximately 8 kg.
Water-tight for mobile phone and documents.


I want to thank the incredibly talented members of the West Point Jewish Chapel Cadet Choir for their service. (Applause.) They are incredible young people. Obviously we're in awe of their service to our nation, and for sharing a couple of Hanukkah favorites with the Marine band.
So tonight, as we gather to light the sixth candle of Hanukkah, we remember an enduring story of resilience and optimism. Over 2,000 years ago, a tyrant forbade the Israelites from practicing their religion and his forces desecrated the Holy Temple. So Judah Maccabee gathered a small band of believers to fight this oppression, and against all odds, they prevailed. And the Maccabees liberated Jerusalem and restored the faith of its people. And when they went to reclaim the Temple, the people of Jerusalem received another gift from God -- the oil that should have lasted only one night burned for eight. That miraculous flame brought hope and it sustained the faithful.
To this day, Jews around the world honor the Maccabees' everlasting hope that light will overcome the darkness, that goodness will overcome evil, and that faith can accomplish miracles.
The menorah that we're using tonight and the man who will light it are both powerful symbols of that spirit. Six weeks ago, the Temple Israel Synagogue in Long Beach, New York, was badly damaged by Hurricane Sandy. But this 90-year-old menorah survived, and I am willing to bet it will survive another 90 years, and another 90 years after that. So tonight, it shines as a symbol of perseverance, and as a reminder of those who are still recovering from Sandy's destruction -- a reminder of resilience and hope and the fact that we will be there for them as they recover.
Last Hanukkah, Rabbi Bazer -- and he happens to be the Joint Forces Chaplain for the Massachusetts National Guard -- was four months into his deployment in Afghanistan, and he lit a custom-built electric menorah in the central square of Camp Phoenix in Kabul. As the only rabbi in Afghanistan at the time, he spent every night of Hanukkah with a different group of soldiers, reminding them of the Maccabees' perseverance, and bringing them faith to guide their challenging work.


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New Waves Best Practice Digital Marketing Strategy for Architecture and Interior Design Firms
Architecture and Interior Design Firms - Content Marketing - Digital Marketing - SEO Search Engine Optimization - Social Media Marketing
Design your digital marketing strategy like you design your buildings, with a solid foundation, attention to detail, and an eye for what's next. ― Ahmed M Hassan, New Waves
Comprehensive digital marketing strategies for Architecture and Interior design firms would include:
1. Creating a visually appealing and user-friendly website that showcases the firm's portfolio, services, and testimonials.
2. Optimizing the website for search engines (SEO) to increase visibility and drive traffic to the website.
3. Building a strong social media presence on platforms such as Instagram, TikTok, Snap, and Facebook to showcase the firm's work, engage with potential clients, and promote new projects.
4. Utilizing online directories and local listings to improve visibility in search results and reach potential clients in the area.
5. Creating and sharing valuable content, such as blog posts, videos, and e-books, to establish the firm as a thought leader in the industry.
6. Leveraging paid advertising on Google, social media, and other platforms to reach a wider audience and drive leads to the website.
7. Building relationships with other industry professionals and influencers to expand reach and credibility.
8. Collecting and analyzing data to track the effectiveness of different tactics and make data-driven decisions to improve the overall strategy.
9. Developing a CRM system to keep track of leads and customers, and to automate follow-up and nurture leads.
10. Creating a referral program to encourage existing customers to refer new clients to the firm.
11. Utilizing email marketing to stay in touch with leads and customers and promote new projects or services.
12. Utilizing virtual and augmented reality to showcase designs and projects in a more immersive way.
13. Creating a content strategy to target specific keywords and target audiences.
14. Utilizing analytics to track the performance of the website, social media, and other digital marketing efforts.
15. Continuously testing and optimizing different tactics to improve ROI.
Creating a visually appealing and user-friendly website for Architecture and Interior design firms can be done by following these steps:
Conduct research on the latest website design trends and best practices in the industry to ensure the website is visually appealing and up-to-date.
Prioritize a clean and minimalist design to showcase the firm's portfolio, services, and testimonials in a clear and easy to navigate way.
Ensure the website is responsive and optimized for all devices, including desktop, tablet, and mobile, to provide a seamless user experience.
Use high-quality images and videos to showcase the firm's work and portfolio.
Use clear and concise language to describe the firm's services and the process of working with the firm.
Include a section for client testimonials to build trust and credibility with potential clients.
Make sure the website has a simple, easy-to-use navigation menu and is easy to find what the client is looking for.
Incorporate calls-to-action (CTA) on key pages, such as the portfolio and services pages, to encourage visitors to take action and contact the firm.
Test the website on different devices, browsers, and internet speeds to ensure the website loads quickly and performs well.
Regularly update the website with new projects, services, and testimonials to keep the content fresh and relevant.
By following these steps, Architecture and Interior design firms can create a visually appealing and user-friendly website that effectively showcases the firm's portfolio, services, and testimonials to attract and engage potential clients.
Optimizing a website for search engines (SEO) for Architecture and Interior design firms can be done by following these steps:
Conduct keyword research to identify the relevant keywords and phrases potential clients are using when searching for architecture and interior design services.
Optimize website structure and content with the identified keywords, including meta tags, headers, and alt tags.
Create high-quality, original, and relevant content that addresses the needs of the target audience and includes relevant keywords.
Optimize images by compressing them and using descriptive file names and alt tags.
Use internal and external links to establish the website's authority and credibility.
Optimize website speed and mobile responsiveness to ensure a positive user experience, and to improve ranking in search engine results.
Create a sitemap and submit it to search engines to improve crawlability and indexing.
Create a Google My Business page, and ensure that the business's contact information is consistent across all platforms.
Build backlinks from reputable sites to improve the website's authority and search engine ranking.
Monitor and track website traffic, search engine rankings, and conversions to measure the effectiveness of the SEO efforts and make adjustments accordingly.
By following these steps, Architecture and Interior design firms can improve their website's visibility in search engine results and drive more targeted traffic to their website.
Building a strong social media presence on platforms such as Instagram, TikTok, Snap, and Facebook for Architecture and Interior design firms can be done by following these steps:
Identify the social media platforms where the target audience is most active, and focus on building a strong presence on those platforms.
Create a consistent branding across all social media platforms to establish a cohesive image and message.
Use high-quality images and videos to showcase the firm's work, designs and projects in a visually appealing way.
Create a content calendar to plan and organize posts and campaigns in advance.
Use hashtags, geotags, and location tags to reach a wider audience and increase visibility.
Share testimonials, behind-the-scenes, and process photos to give followers a glimpse into the work process.
Engage with followers by responding to comments, messages, and DMs, and hosting giveaways, contests, and Q&A sessions.
Utilize Instagram stories, TikTok, and Snap to showcase new projects, designs, and services in a creative and engaging way.
Use analytics to track the performance of the social media accounts and make data-driven decisions on content and engagement.
Collaborate with other industry professionals, influencers, and brands to expand reach and credibility.
By following these steps, Architecture and Interior design firms can build a strong and engaging social media presence on platforms such as Instagram, TikTok, Snap, and Facebook, showcase their work, engage with potential clients and promote new projects.
Utilizing online directories and local listings to improve visibility in search results and reach potential clients in the area for Architecture and Interior design firms can be done by following these steps:
Research the most popular online directories and local listing sites in the industry and make sure the firm's information is accurate and up-to-date.
Create a Google My Business listing and make sure it is complete and accurate, including the firm's contact information, hours, and services.
Add the firm's website to directories.
Make sure the firm's information is consistent across all directories and local listings to improve its visibility in search results.
Encourage customers to leave reviews on directories and local listings to improve the firm's online reputation and search engine rankings.
Use local keywords in the business's name and descriptions to make it easier for customers to find the firm in local search results.
Use Google Maps to optimize the firm's location and make it easier for customers to find the firm's location.
Utilize online directories that are specific to the industry, such as Houzz, Homify, ArchDaily, etc.
Regularly monitor and update the firm's information on directories and local listings to ensure it remains accurate and up-to-date.
By following these steps, Architecture and Interior design firms can improve their visibility in local search results and reach potential clients in the area.
Creating and sharing valuable content, such as blog posts, videos, and e-books, to establish the firm as a thought leader in the industry for Architecture and Interior design firms can be done by following these steps:
Conduct research to identify the key topics and questions that potential clients have about the industry and the services offered by the firm.
Create a content calendar to plan and organize the content creation and distribution in advance.
Use a variety of formats to create valuable content, such as blog posts, videos, infographics, and e-books.
Use storytelling and case studies to showcase the firm's expertise and experience in the industry.
Use visuals and images to enhance the content and make it more engaging and shareable.
Optimize the content for search engines (SEO) to increase visibility and drive traffic to the website.
Share the content on the firm's website, social media platforms, and through email marketing campaigns.
Use calls-to-action (CTA) to encourage website visitors to take action and contact the firm.
Use analytics to track the performance of the content and make data-driven decisions on future content creation.
Encourage engagement and conversation by asking questions and starting discussions through comments and social media posts.
By following these steps, Architecture and Interior design firms can create and share valuable content that establishes the firm as a thought leader in the industry, and helps attract and engage potential clients.
Leveraging paid advertising on Google, social media, and other platforms to reach a wider audience and drive leads to the website for Architecture and Interior design firms can be done by following these steps:
Research the target audience and identify the platforms and channels where they are most active.
Set clear goals and objectives for the paid advertising campaigns.
Create visually appealing and engaging ad copies, images and videos that align with the firm's branding and message.
Use targeting options to reach the right audience, such as demographics, location, interests, and behaviors.
Use Google AdWords, Google display network and other PPC advertising platforms to reach potential clients who are actively searching for architecture and interior design services.
Utilize social media advertising platforms such as Facebook, Instagram, and LinkedIn to target specific audiences and drive website traffic.
Test different ad formats, targeting options and creatives to identify the most effective combinations.
Use conversion tracking to measure the performance of the ads, and optimize campaigns accordingly.
Use retargeting to reach website visitors who didn't convert on their first visit.
Continuously monitor, analyze and optimize the paid advertising campaigns to ensure they are delivering the desired results.
By following these steps, Architecture and Interior design firms can leverage paid advertising on Google, social media, and other platforms to reach a wider audience and drive leads to the website.
Building relationships with other industry professionals and influencers to expand reach and credibility for Architecture and Interior design firms can be done by following these steps:
Research industry professionals and influencers in the architecture and interior design field.
Identify the professionals and influencers that align with the firm's values, brand, and target audience.
Connect with them on social media platforms, such as LinkedIn, Twitter, and Instagram.
Engage with their content and start conversations to build relationships.
Attend industry events and networking events to meet and connect with other professionals and influencers in person.
Offer to collaborate on projects or contribute to their content.
Share their content on the firm's social media platforms and website to help promote their work and increase their reach.
Seek out opportunities to co-create content, such as webinars, podcasts, or blog posts.
Look for opportunities to be interviewed or quoted in industry publications, or as a subject-matter expert.
Acknowledge and thank the industry professionals and influencers for their support, and actively maintain the relationship.
By following these steps, Architecture and Interior design firms can build relationships with other industry professionals and influencers, which can help expand reach and credibility for the firm.
Collecting and analyzing data to track the effectiveness of different tactics and make data-driven decisions to improve the overall strategy for Architecture and Interior design firms can be done by following these steps:
Identify the key metrics and data points that are important to track the performance of the different marketing tactics, such as website traffic, conversion rates, social media engagement, and ROI.
Use analytics tools such as Google Analytics, social media analytics, and CRM systems to collect and track the data.
Set up tracking and reporting systems to monitor the data in real-time and on a regular basis.
Use data visualization tools such as charts, graphs, and dashboards to make the data easy to understand and analyze.
Use A/B testing to compare the performance of different tactics and identify the most effective strategies.
Look for patterns and trends in the data to identify opportunities for improvement.
Use data to segment the audience and personalize the marketing efforts.
Use the data to identify which tactics are working and which ones need to be tweaked or dropped.
Use the data to set goals and objectives for future marketing efforts.
Continuously monitor and analyze the data to make data-driven decisions to improve the overall strategy.
Developing a CRM system to keep track of leads and customers, and to automate follow-up and nurture leads for Architecture and Interior design firms can be done by following these steps:
Research and evaluate different CRM systems to determine which one will best suit the firm's needs.
Set up the CRM system and configure it to match the firm's processes and workflows.
Import and organize existing leads and customer information into the CRM system.
Set up automated processes to capture new leads, such as forms on the website, and social media.
Use the CRM system to track and manage interactions with leads and customers, including emails, calls, and meetings.
Use the CRM system's reporting and analytics capabilities to track the effectiveness of lead nurturing efforts and make data-driven decisions.
Use the CRM system to segment leads and customers and create targeted marketing campaigns.
Use the CRM system to automate follow-up tasks, such as sending automated emails and scheduling appointments.
Use the CRM system to track customer interactions and manage customer service requests.
Continuously monitor and refine the CRM system to ensure it is providing the desired results and it is meeting the needs of the firm.
By following these steps, Architecture and Interior design firms can develop a CRM system that can help keep track of leads and customers, automate follow-up and nurture leads, and ultimately increase revenue and improve customer satisfaction.
Creating a referral program to encourage existing customers to refer new clients to the firm for Architecture and Interior design firms can be done by following these steps:
Identify the incentives that will be offered to customers for referring new clients to the firm.
Create clear guidelines for the referral program, including how to participate, the rewards for referrals, and how to claim rewards.
Communicate the referral program to existing customers through email, mail, or in-person.
Use social media and other online platforms to promote the referral program and make it easy for customers to refer friends and family.
Use a referral tracking system to keep track of the referrals, rewards, and conversions.
Send thank-you notes, discounts, or other incentives to customers who refer new clients to the firm.
Follow up with the referrals to ensure they are aware of the program and offer them a special offer or promotion.
Make sure to express gratitude to the referrer and inform them of the progress of the referral.
Use the referral program data to identify which incentives are most effective and make adjustments accordingly.
Continuously monitor and evaluate the referral program to ensure it is meeting its goals and generating new clients for the firm.
By following these steps, Architecture and Interior design firms can create a referral program that encourages existing customers to refer new clients to the firm and ultimately increase revenue and expand the customer base.
Utilizing email marketing to stay in touch with leads and customers and promote new projects or services for Architecture and Interior design firms can be done by following these steps:
Build a targeted email list by gathering contact information from website forms, social media, and other sources.
Use a CRM system or an email marketing platform to manage the email list and create automated email campaigns.
Use segmentation to personalize the emails and target specific groups of leads and customers with relevant content.
Create visually appealing and engaging email templates that align with the firm's branding and message.
Use calls-to-action (CTA) in the emails to encourage website visits, phone calls, or appointments.
Use A/B testing to optimize the subject lines, headlines, and other elements of the emails.
Use analytics to track the performance of the emails, such as open rates, click-through rates, and conversion rates.
Use email marketing to promote new projects and services, and to inform leads and customers of upcoming events or sales.
Use email marketing to keep leads and customers engaged with the firm by sending them educational and informative content.
Continuously monitor and analyze the performance of the email marketing campaigns to make data-driven decisions on future campaigns.
By following these steps, Architecture and Interior design firms can use email marketing to stay in touch with leads and customers, promote new projects and services, and ultimately increase revenue and build long-term relationships with customers.
One way for architecture and interior design firms to utilize virtual and augmented reality to showcase designs and projects is to create 3D models of the designs using software such as SketchUp, Revit, or Rhino. These models can then be imported into virtual reality or augmented reality platforms, such as Unity or Unreal Engine, where they can be viewed using VR headsets or AR devices.
Another way is to create a interactive walkthroughs, allowing clients to explore the space and get a sense of how it will look and feel in person. Additionally, the firms can use the technology to simulate different lighting scenarios, furnishings, and materials, giving clients a more immersive and realistic understanding of the design.
Creating a content strategy for architecture and interior design firms to target specific keywords and target audiences involves several steps:
Identify your target audience: Understand who your ideal clients are, their pain points, and what they are looking for in terms of architecture and interior design.
Research keywords: Use tools such as Google Keyword Planner, SEMrush, or Ahrefs to research keywords that are relevant to your target audience and that have a high search volume.
Create a content calendar: Plan out the types of content you will create, such as blog posts, case studies, infographics, and videos, and when they will be published.
Optimize your content: Use the keywords you have researched in the titles, headings, and body of your content, but make sure the content is readable and useful for your audience.
Promote your content: Share your content on social media, through email marketing and on your website.
Monitor and adjust: Use analytics tools to track the performance of your content and adjust your strategy accordingly.
It's also important to make sure that your website is SEO optimized so that it will be easier to find by search engines, and that your website is mobile-friendly, as more and more people are browsing the web on mobile devices.
Utilizing analytics to track the performance of the website, social media, and other digital marketing efforts for architecture and interior design firms involves several steps:
Set up analytics tracking: Install tracking codes for Google Analytics, Facebook Pixel, or other analytics platforms on your website and social media pages.
Define your goals and metrics: Identify what you want to track and measure, such as website traffic, bounce rate, conversion rate, social media engagement, and lead generation.
Track your data: Collect data on your website, social media, and other digital marketing efforts, such as email marketing and paid advertising.
Analyze your data: Use the data to identify patterns, trends, and insights. Understand how users are interacting with your website, social media and other digital marketing efforts and what pages are most popular.
Act on the insights: Use the insights you gain to optimize your website, social media, and other digital marketing efforts. Use A/B testing to improve the conversion rate, and adjust your strategy to improve your ROI.
Monitor and adjust: Continuously monitor your data and adjust your strategy as needed. Use analytic tools to track progress and make data-driven decisions.
It's also important to use analytics to track your competitors and understand how they are performing in terms of website traffic, social media engagement, and online presence. This will give you a better idea of how to position your own firm in the market.
Continuously testing and optimizing different tactics to improve ROI for architecture and interior design firms involves several steps:
Set up a testing plan: Identify what you want to test and measure, such as website design, content, social media, and email marketing.
Implement A/B testing: Use A/B testing to compare different versions of a website design, email, or social media post, and determine which one performs better.
Analyze your data: Use the data from your tests to identify patterns, trends, and insights. Understand what elements of your website, social media, and other digital marketing efforts are working well and which need improvement.
Act on the insights: Use the insights you gain to make data-driven decisions. Optimize your website, social media, and other digital marketing efforts to improve the ROI.
Monitor and adjust: Continuously monitor your data and adjust your strategy as needed. Use analytics tools to track progress and make data-driven decisions.
Be open to experimentation: Be willing to try new tactics and strategies. You may find that a new approach is more effective than your previous tactics.
It's important to remember that testing and optimization is an ongoing process. It's not a one-time event. Continuously testing and optimizing your tactics will help you keep improving your ROI and stay competitive in the market.
By implementing a combination of these tactics, an Architecture and Interior design firm can effectively promote their brand and attract potential clients online.
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Liverpool transfer target Federico Chiesa has told Jurgen Klopp that 'he is happy' at Fiorentina, amid speculation that the Reds are lining up a move.
Regarded as one of the finest young talents in world football, Klopp has been lining up a move for Chiesa for some time now as he looks to add a bit more strength in depth to his Liverpool side, as he simply cannot rely on Sadio Mane, Mohamed Salah and Roberto Firmino for every game of the season.
And there has been speculation that he was ready to test the resolve of Fiorentina in the January transfer window with a mega money offer, but Chiesa has moved to quash all speculation on his future by admitting that he is more than happy at the Italians and has no intention of leaving the club.
He was quoted on the TalkSport website: "My only priority is to show, Sunday after Sunday, who Federico Chiesa is. I'm happy here at Fiorentina now. Again, I'm only thinking of the next game.
Could Liverpool still prise Chiesa away from Fiorentina? Here is what we think.
The young man still has a few years of development ahead of him yet before he is able to make the move to the Premier League and make a real impact on the English game, so maybe staying put for now is the best thing for his career.
So even though Liverpool may be disappointed to hear that he is happy where he is, a move in the future is not off the cards if the right amount of money is offered.


Taking it to the streets! Specifically, the ice cold streets of Minneapolis which Ted hits hard in order to escape his club-music saturated W Hotel room. Braving an oncoming storm Ted looks for coffee, talks International Women's Day, recounts a local run-in with a former Prince collaborator, examines the ins-and-outs of taping Jim Gaffigan's new hour special, and nearly gets killed by a train! Then in "What Are You Watching?" Ted finds Leaving Neverland disturbing but essential, leading him to cancel Michael Jackson and condemn the long phone call. And finally in "The Catch Up" Ted surprises more of his comedian friends with a phone call, including Mary Mack, Myka Fox, and fellow Teachers Lounge cast member and made-good-on-his-threat-to-move-to-Canada comedian/actor/writer/sage Jeffrey Joseph.


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var crypto = require("crypto");

var password = {
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        var userGlo = loginGlo.$(params.username);
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        var credentials = userGlo._getDocument();
        console.log('credentials: ' + JSON.stringify(credentials));
        if (!password.matches(params.password, credentials)) return {error: 'Invalid login attempt'};
      }
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        if (params.password === '') return {error: 'You must enter the EWD.js Management password'};
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    'EWD.ping1': function(params, ewd) {
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redpajama_set_name: RedPajamaGithub