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Aussie Police Launch Manhunt, Checkpoints As Teens Escape from COVID Internment Camp
Posted by DTOM on December 3, 2021 at 6:30am
Aussie Cops Launch Manhunt, Checkpoints As Teens Escape from COVID Internment Camp
Matt Agorist December 2, 2021
https://thefreethoughtproject.com/teens-escape-covid-internment-camp/
As TFTP reported, in November, the Australian Army began forcibly removing residents in the Northern Territories to the Howard Springs quarantine camp located in Darwin. This police state insanity was launched after just 9 cases of covid were identified in the community of Binjari.
"Residents of Binjari and Rockhole no longer have the five reasons to leave their homes," said Northern Territory chief minister and leading tyrant of Australia, Michael Gunner, referring to the country's five allowable reasons to avoid lockdown (buying food and supplies, exercising for up to two hours, care or caregiving, work or education if it can't be done from home, and to get vaccinated at the nearest possible location).
"They can only leave for medical treatment, in an emergency, or as required by law."
"It's highly likely that more residents will be transferred to Howard Springs today, either as positive cases or close contacts," he continued, adding "We have already identified 38 close contacts from Binjari but that number will go up. Those 38 are being transferred now."
After media in the West picked up on this atrocious practice of rounding up Aboriginals and forcibly placing them in internment camps, Gunner wrote it off in an unhinged press conference in which he claimed it was all lies and misinformation.
"I don't really want to lean into the lies that are being spread," he said. "Although, given these press conferences genuinely get spliced up by international trolls: 'Hello, conspiracy theorists overseas watching this: Please, get a life'."
Despite his rhetoric, however, reports keep flowing out of the region, and, most recently, a rather inspiring tale of teens escaping one of these camps has come to light.
Earlier this week, three teenagers who were being held inside the Norther Australian covid internment camp — escaped. On Tuesday, according to Australian authorities, a manhunt was launched and checkpoints set up after the teens, aged 15, 16 and 17, scaled a fence at the quarantine center and escaped at around 4:30am, according to the Australian Broadcasting Corporation (ABC).
The teens were being held against their will in the internment camp — not because they had Covid-19 — but because they had reportedly been near someone who did. Naturally, they didn't like being imprisoned for this, so they escaped.
Because a few people tested positive in the community last month, literally hundreds of people — who all tested negative — have been rounded up and shipped off to the quarantine camp.
In a completely detached understatement, the tyrant behind this madness, Gunner, said that quarantine was "pretty hard for some people … used to being close to family and community."
"Pretty hard?" Really?
Completely destroying his own narrative that these camps are voluntary and acceptable, after a manhunt was launched and checkpoints setup by police to catch and arrest the escaped teens, Gunner told the press that "there will be consequences" for anyone who tries to escape his camps.
"Absconding from Howard Springs isn't just dangerous — it is incredibly stupid," he said.
"Because we will catch you and there will be consequences."
Despite rhetoric claiming that the detention at this facility was voluntary and pleasant, these recent escapes say otherwise. One does not scale a fence and risk jail and thousands of dollars in fines to leave a club med-type facility, yet this is exactly what's happening.
Prior to the teens escaping, another man — who also did not have Covid-19 — broke free from the internment camp. As ABC reports:
The escape comes days after a 27-year-old man escaped the facility by scaling a fence and heading for the Mitchell Street party strip in a waiting vehicle.
The man tested negative for the virus but the incident is still under investigation, with police searching for the driver of the vehicle involved.
This is not a conspiracy theory. The Australian government is rounding up people and forcibly detaining them in a prison camp and treating them like fugitives if they try to leave. Gunner is the one who is actually spreading lies and misinformation and the fact that this isn't a front page story on every news outlet in the world, speaks to the complacency of those who believe him.
Matt Agorist is an honorably discharged veteran of the USMC and former intelligence operator directly tasked by the NSA. This prior experience gives him unique insight into the world of government corruption and the American police state. Agorist has been an independent journalist for over a decade and has been featured on mainstream networks around the world. Agorist is also the Editor at Large at the Free Thought Project. Follow @MattAgorist on Twitter, Steemit, and now on Minds.
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ANZ today announced Sanjeev Bajaj has been appointed CEO for India, reporting to CEO International Banking Farhan Faruqui.
Mr Bajaj joins from Credit Suisse AG where from 2010 he was CEO Mumbai Branch, Managing Director & Head Fixed Income India. Prior to this he was CEO, Managing Director & Head of Fixed Income and International Businesses at JM Financial and has also held senior roles with Bank of America in India.
Current India CEO Subhas DeGamia has been appointed Executive Director Super Regional Business Development, International Banking, based in Sydney.
Mr Bajaj is expected to join as new CEO for India in February, subject to regulatory approvals. Mr DeGamia will continue to lead the Indian business and support Mr Bajaj as he transitions into his new role.
ANZ India currently offers Indian Rupee and foreign currency services, working capital and term financing, transaction banking, global markets, deposits and advisory services to ANZ's customers in India and across 33 markets.


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Q: Transactional Replication Error: Violation of Primary Key Constraint on value that doesn't exist at subscriber I have transactional replication setup going to 3 subscribers.  All 3 are randomly throwing the following error:
Violation of PRIMARY KEY constraint 'PK_RecieverList'. Cannot insert duplicate key in object 'dbo.RecieverList'. The duplicate key value is (13543500). (Source: MSSQLServer, Error number: 2627)
Most articles I found say you should connect to the subscriber, delete the record with PK Value 13543500 and let replication continue.  But in this case that ID DOES NOT EXIST in the subscriber table.  I have tried running sp_browsereplcmds but haven't been able to find the command that is trying to insert this PK value.
I am replicating multiple tables from another DB to this subscriber.  We have never ran into a similar issue with that other replication.

redpajama_set_name: RedPajamaStackExchange


"Here are the details. They were included in the link below. http://extractives-baraza.com/events/the-world-bank-group-global-conference-on-gender-and-oil-gas-and-mining-new-frontiers-of-progress-challenges-and-solutions"
"Where is the conference being held? There aren't any details available."
I have a Master's degree in Human Rights from the National University of Ireland and am currently a Community Facilitator at the UNDP for a project focused on environmental governance and conflict prevention of the mining sector.


[SBS Star] BTS Ordered Pizza for ARMY Camping in Line for 'SNL'?
ARMY (the name of K-pop boy group BTS' fan club) were recently touched by a kind gesture.
On April 13 (local time), BTS joined NBC's late-night live television variety show 'Saturday Night Live' (SNL) as the musical guest.
On this day, BTS performed one of its hit songs 'MIC Drop', and the latest title track 'Boy with Luv' for the very first time. In order to watch this much-anticipated performance, a lot of ARMY camped out in front of the studio in New York City.
Some even started camping out four nights before the show started, and the line soon extended to several meters.
Then on April 11, five boxes of pizza were unexpectedly delivered to them.
On the receipt, it said, "There is a line of people across the street camping for SNL at NBC. Please give the pizzas to any of the people there. Tell them it's for the NYC ARMY. Thank you!" It was anonymously sent to them, so nobody knew who it was from.
While some claimed that it was sent by some fellow ARMY to show their support, many believed that BTS was the one who sent them pizza.
They stated, "It's just the sort of thing that BTS would do for ARMY. Plus, just look at the way the delivery description was written!"
It will remain a mystery until someone comes forward to tell the world about it, but it undeniably was an act of kindness.


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RAINBOW SERPENT - Canberra International Music Festival - Concert 21.
Tammy Gissell - "Mundaguddah"
National Gallery of Australia - James O Fairfax Theatre
The penultimate concert in the 2021 Canberra International Music Festival was devoted to the cultural significance of the Rainbow Serpent among indigenous peoples and the inspiration provided by the myths surrounding the Rainbow Serpent for contemporary composers.
Prolific indigenous songwriter, Joe Geia is admired for his ability to express universal themes through his beguiling fusion of reggae, rock and funk with indigenous language and English to create songs with wide cultural appeal.
Joe Geia and the ANU Jazz Collective
For this concert he was joined by the ANU Jazz Collective and offered three songs from his repertoire. Relaxed and comfortable Geia chatted briefly with his audience before performing his alternate version of the National Anthem, which raised more than a few wry smiles. He followed with a gentle love song, "Window Pain", then after acknowledging his accompanying musicians, finished with a catchy composition entitled "Wanumungu".
Andrew Blanch - Vladimir Gorbach - "Rain falls and After"
Guitarists Andrew Blanch and Vladimir Gorbach then took the stage to present the world premiere of a specially commissioned composition by Christopher Sainsbury entitled "Rain falls and after". Based on a quote from a poem by Melbourne poet, Isobel Robin, the gentle ebb and flow between the two guitars captured perfectly the ambiance suggested by the words, "Rain falls and after...a sudden air of mushrooms...and small things moving".
Brian Howard composed "The Rainbow Serpent" in 1982 for a performance choreographed by Barry Moreland and danced by acclaimed Australian ballet dancer Kelvin Coe. It received only one performance, until reimagined for this year's festival by indigenous dancer Tammi Gissell under the title "Mundaguddah – Spirit of the Rainbow Serpent".
Tammi Gissell performing "Mundaguddah"
Gissell is an arresting dancer with a strong presence and stunning technique. It was impossible to tear your eyes away from her as she slithered menacingly around the stage, inspired by Howard's complex, atmospheric writing, brilliantly realised by a superb seven-piece ensemble conducted by Roland Peelman.
It was a shame however that Gissell's performance could not have been presented in a theatrical setting as the presence of the musicians behind her considerably lessened the impact of her performance.
The eclectic program completed with "Ngarukuruwala", a performance by the Tiwi Strong Women, seven women who sing and dance ancient traditional songs accompanied by a male Tiwi musician, and performing in front of a projected image of a painting by Maggie Timapaetua.
Tiwi Strong Women performing "Ngarukuruwala"
Barefooted, (although two of their number wore socks, perhaps in deference the nippy Canberra weather), outfitted in colourful skirts, and tactfully wrangled by Genevieve Campbell from the Sydney Conservatorium of Music, the seven women charmed their audience with their complete lack of artifice.
Often ignoring Campbell's attempts at consensus, the group argued unselfconsciously among themselves, in language, as to what item they would perform next and who would lead. Once decided, they performed, completely rapt in their songs and stomping dances, occasionally disagreeing as to which action went with which words, and seemingly oblivious as to the response of their audiences.
Though fascinating, even moving, to experience this privileged glimpse into the songs and rituals of an authentic ancient community, it was difficult to escape the nagging feeling that by presenting these artists and their traditions in environments so unsympathetic and alien to their intended purposes, even with the best of intentions, perhaps these people were being exploited to provide entertainment and novelty for a privileged few.
Images by Peter Hislop
This review also appears in AUSTRALIAN ARTS REVIEW www.artsreview.com.au

redpajama_set_name: RedPajamaCommonCrawl


Aid sector: is an ombudsman needed?
The government has said it is looking into the "next steps" in developing an international ombudsman for the aid sector.
In its response to the House of Commons International Development Select Committee's report on sexual exploitation and abuse in the aid sector, the government said it had "actively considered" the option of forming an international aid ombudsman since the scandal over safeguarding in the aid sector erupted in February.
In its report, published in July, the committee called for the aid sector to "recognise the vital importance of establishing an independent aid ombudsman and take tangible steps towards making this a reality" and said the Department for International Development should "play its part by ensuring that there is a sector-wide commitment on this" at the International Safeguarding Conference it had planned for 18 October.
In its response, the government said it partially agreed with this recommendation. It said that it had "actively considered the idea of an international aid ombudsman".
It said: "The Netherlands facilitated an independent study into the matter and circulated the final report on 17 October. It was too late at that stage to agree on next steps in time for the summit. Over the coming months DfID and other members of the donor group will examine the study and consider next steps."
But the government said it did not believe the creation of a stand-alone international register of aid workers, which the committee's report recommended, was "currently feasible".
Instead, it pointed to a series of pilot measures launched at the 18 October summit that, if successful, would "achieve the desired effect of the proposed register – namely to deter and prevent perpetrators from entering the sector and to quickly identity and root them out if they do".
These included a passport for aid workers to prove their identity and provide background information on their previous employment and vetting status, a new disclosure-of-misconduct scheme to prevent known perpetrators moving around different charities undetected, and a new system to improve background checks on staff who work in the aid sector, piloted by Interpol and with financial support from DfID.
The government said it did not believe that an audit of the aid sector's whistleblowing practices was necessary because it had already commissioned a report from its Violence Against Women and Girls Helpdesk on the evidence of the effectiveness of different mechanisms for reporting sexual exploitation and abuse.
The response said: "DfID's enhanced safeguarding due-diligence guidance, which was published on 18 October, includes a focus on a partner organisation's whistleblowing policies." It added that, unless the policies outlined by DfID's guidance were present at an organisation, it was unlikely to pass its due-diligence assessment.
The government's response welcomed the report, saying: "Aid must be delivered in a way which does no harm. For too long, the sector has failed to protect people from sexual exploitation and abuse and sexual harassment or hold perpetrators to account.
"DfID recognises that it is important that we hold ourselves to at least as high a standard as we hold our partners. We have therefore conducted a rigorous assessment of our policies, systems and processes to make sure they provide the support needed to our staff, partners and beneficiaries. This is a long-term agenda and we will work to ensure that it remains a focus across the international system."
Judith Brodie, interim chief executive of the international development umbrella body Bond, said: "We agree with the select committee that safeguarding cannot be resolved with quick fixes. This is why we have committed to continuing to work with our members, DfID and the Charity Commission to explore and develop long-term, sustainable solutions that prevent the wrong kind of people working in our sector and ensure any incidents are dealt with promptly and robustly when they arise."


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Analysts say green bonds will attract $500 billion in 2021
There are now more than 1,500 equity funds with an explicit sustainability mandate.
ESGglobal economyGreen Bondsgreen investingSaxo Bank
Saxo Bank's Annual List of 10 Events That Might Affect Global Finance
Six Out Of Ten Businesses Cut Investments in Sustainable Practices
US DOL plans on retirement will accelerate ESG investments: Larry Fink
Sustainable and green investing has found many takers in recent times. The world has become more concerned about the fallout of climate change, natural disasters, and man-made health crises on the global economy, especially after the pandemic.
Governments and companies are expected to issue $500 billion in green debt in 2021, according to a projection from Swedish bank SEB. The IMF estimates that there are now more than 1,500 equity funds with an explicit sustainability mandate and investors are buying stocks in companies with a good track record on ESG issues.
In the first 11 months of 2020, global borrowers sold $270 billion of green debt. Christopher Flensborg, head of climate and sustainable finance at SEB, said the asset class is also important for the finance industry. "You're basically empowering the finance sector to start competing on the climate change issue," he said. "And if that is not an impact, I don't know what it is."
"For the first time since WWII we sense a shift in which climate and the environment — not growth — will become the priority of governments and their citizens, as shortages of food, clean water and air become existential questions," Saxo Bank Chief Economist Steen Jakobsen said in his latest quarterly outlook report.
The EU has said it will launch €225 billion worth of green bonds as part of the €750 billion borrowing that will fund its Covid-19 recovery plan. The 2020 Global ETF Investor Survey from the U.S. private bank Brown Brothers Harriman (BBH) found that almost one in five investors said they would allocate between 21% and 50% of their portfolio to ESG funds in the coming five years.
But not everyone is convinced of this commitment by the EU.
HSBC predicts that green bonds will reach somewhere between $310 billion and $360 billion in 2021.
HSBC's analysts say that the bloc's own green bond standards will not be finalized until the end of the year, hence, there will be little impact of EU's investment plans till then "The EU can issue bonds up to 2026 . . . They don't have to front-load it into next year," said Dominic Kini, European credit strategist at HSBC.
Sustainable funds attracted more than $20 billion till December of 2019. The IMF report says that ESG funds perform at par with conventional equity funds.
Also, sustainability-linked bonds will eat into green debt equity. These bonds now are worth $9bn of annual issuance, according to BloombergNEF. Green bonds are used to fund specific climate-related projects, whereas there are no restrictions on how an issuer uses sustainability-linked bonds, so reducing the risk. These bonds are designed to reward or penalize borrowers for hitting or missing their environmental goals.
Joe Biden's presidency is expected to provide a fillip to environmental financing, in direct contrast to the Trump administration that has been hostile to environmental, social and governance investing. Biden has promised to rejoin the Paris climate accord, and to get the US to carbon neutrality by 2050.
The US market needs to add $326 billion worth of new green bonds to catch up to where Europe is today, HSBC estimates. "They don't have the same yield because green bond investors specifically want to buy green bonds and so that creates demand . . . and all else being equal, that makes the green bond slightly more expensive [for investors]," Kini said.
Analysts feel that there is a sort of premium (greenium) attached to the green bonds.
"It would be way too simplistic to contend there is a single, measurable greenium," said Bertrand Rocher, portfolio manager at Mirova, a boutique investment firm affiliated to Natixis Investment Managers. Companies do not tend to issue green bonds and traditional bonds with the same terms, so it is hard to make a clear-cut comparison.
According to the Climate Bond Initiative, in an analysis of 46 bonds issued in 2020, only 21 showed a yield curve, and out of these, only 5 had any premium attached.
2019 saw a total of 479 green bonds issued worldwide, up by a quarter compared to the previous year, and 2020 is set to be a "bumper" year for green bonds, driven by a new set of standards in Europe and an uptick of activity across Asia, according to law firm Linklaters.
The global investment in clean energy was $301 billion in 2019. With a crash in fossil fuel commodity prices, the investment might have slowed, but solar and wind energy also saw a price adjustment, hence, investments in cleantech are bound to go up. Political, business, and civil society leaders all have recently pledged to enhance their climate plans and investments.
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#NukeGate: SC Attorney General Opinion Coming Next Week
HeadlinesSC
Bracing for another bombshell …
by FITSNews September 18, 2017 September 19, 2017 021
#NukeGateAlan WilsonBase Load Review ActFeaturedgary simrillLeon StavrinakisMark SanfordMurrell SmithRobert Kittle
Earlier today, this website reported exclusively on the latest developments related to #NukeGate – South Carolina's spectacularly failed government intervention in the power generation industry.
Specifically, we reported that there were rumored constitutional issues associated with the now-notorious "Base Load Review Act" (BLRA), which was pushed through the S.C. General Assembly a decade ago by liberal members of both parties – and allowed to become law by former "Republican" governor Mark Sanford.
This legislation enabled the socialization of billions of dollars of investment risk related to the construction of two recently abandoned nuclear reactors in Jenkinsville, S.C.
Shortly after our story broke, we received a response from Robert Kittle – spokesman to S.C. attorney general Alan Wilson.
According to Kittle, Wilson's office received a request late last month from several state lawmakers seeking an opinion on the 2007 law. The lawmakers – including Murrell Smith of Sumter, Leon Stavrinakis of Charleston and Gary Simrill of Rock Hill – expressed "concerns about the overall constitutionality" of the legislation.
The letter did not specify what those "concerns" were, but we've heard similar rumblings from lawmakers about the constitutionality of this ill-conceived bill.
Here's the letter they sent to Wilson …
(Click to view)
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(Via: S.C. Attorney General)
Kittle says Wilson's office will issue its response to this letter next week – which could be the latest bombshell development in this radioactive scandal.
Obviously, opinions from the attorney general's office are just that … opinions. And of late there's been plenty of controversy surrounding them. Attorney general opinions also lack the force of law – although they have been used by courts to help interpret the law.
This isn't an ordinary case, though.
S.C. solicitor general Bob Cook and his staff will be weighing in on an issue that is dominating headlines across the state – and which is already the focus of multiple lawsuits. Their opinion could conceivably spawn additional legal action against the state.
In other words there is a ton of pressure on Cook and his staff to get it right.
To recap: Government-run utility Santee Cooper and its private sector partner SCANA spent the past decade collaborating on these two next-generation reactors at a cost of $9.8 billion.
Unfortunately, the reactors – which were supposed to be operational a year ago – still haven't been finished. Not only that, some estimates indicate they could cost another $9 billion to complete (i.e. double the original cost). For its part, Santee Cooper claimed another $16 billion would be required to finish the V.C. Summer expansion project – nearly triple the original cost estimate.
Unable to pony up its share of that amount, Santee Cooper pulled the plug on the deal … a decision that killed an estimated 5,600 jobs, squandered billions of dollars in investment (including more than $2 billion raised through rate increases on consumers), threw South Carolina's energy future into chaos, cost Santee Cooper its credit rating and prompted a class action lawsuit against SCANA.
That lawsuit has been empowered by damning documents revealing that both partners in this project knew eighteen months ago that it was doomed.
We'll be keeping a close eye out for the attorney general's opinion.
As noted in our previous coverage, "none of this post hoc maneuvering will result in a ratepayers getting a single dime of their money back, but it could protect citizens from unnecessary rate hikes moving forward."
Got something you'd like to say in response to one of our stories? Please feel free to submit your own guest column or letter to the editor via-email HERE. Got a tip for us? CLICK HERE. Got a technical question? CLICK HERE. Want to support what we're doing? SUBSCRIBE HERE.
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International competitions will be conducted as an extension of the CF national program.
Entry of individuals or teams into international military competitions shall be authorized as outlined for the participation in Sports Competitions, Conditions and Approving Authorities.
Elite athletes may also be selected to attend CISM events on team or individual basis. The development of sports for CISM will come from normal training activities which have a military impact or form part of the ongoing CF sports program. Units are encouraged to support individual athlete development and maintain records of their achievements.
32. The International Military Sports Council (CISM) is an international military sports organization founded at the end of World War ll. Its aim is to encourage physical activity and military sport and to enhance friendly relations between armed forces of the member nations. The responsibilities for governing Canada's participation in CISM .
Canadian Forces athletes interested in participating in CISM competition must be invited for selection by the respective CISM Team authorities. Final team and athlete selection will be made by the CF International Sports Office.
The CISM team military coach will be selected from within the military by the CF International Sports Office.
For more information visit our National Page.


Eric deeply admires . . .
. . . the courage it takes to enter into therapy and begin the process of self-exploration leading to greater overall well-being. He welcomes you to Heart and Soul Recovery and considers it an honor and a privilege to assist you on your quest for wholeness.
Depending on the patient's individual needs and wants, Eric will co-create a treatment plan that will be optimal for the individual, for lasting, systemic recovery from all substance use disorders, process addictions, trauma, and/or co-occurring disorders. He prides himself in having both a cognitive understanding of the amalgam of how these various fields play a part in addiction and trauma, and also embodies these tenets in his own personal quest for trauma resolution, recovery and well-being. Eric is committed to utilizing the latest, evidenced based practices in stewarding his patients towards a more joy-filled, peaceful and meaningful life.
Not everyone who suffers from trauma will develop full-blown PTSD, but many do, and given it's well researched link to addictive disorders, we know that healing from trauma is one of the single most important things we can do for ourselves in order to achieve a life of peace, balance and fulfillment.
I believe there are many ways to achieve "recovery," and I utilize various evidence-based theories in my practice such as, Motivational Interviewing, Cognitive Behavioral Therapy, Mindfulness Based Relapse Prevention, Dialectical Behavioral Therapy, Acceptance and Commitment Therapy, and EMDR in treating addictions and helping people in their recovery process.


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Looking back at this year's top 5 albums
Braden Hajer, Copy Editor & Columnist
2019 was indisputably a year that happened some time after 2018, but importantly not before 2020. In fact, I'd argue that we are going to experience all of it way before we ever step foot into whatever number the next year happens to be. Anyways, here's some of my favorite jams from it.
Rex Orange County's "Pony" brings nothing particularly new to the table for the indie singer/songwriter, but that doesn't really matter. I come to Rex Orange County for charming, melodic vocal lines and chill vibes, and "Pony" delivers. The album is consistent and doesn't overstay its welcome. While it may get a bit corny at times, "Pony" is still a delight.
Favorite Tracks: "Pluto Projector," "It's Not the Same Anymore"
"The Sailor" by Rich Brian was one of my most anticipated releases of the year, and it… mostly delivers. Loosely speaking, "The Sailor" is a hip hop album, but Rich Brian rarely sticks to this. Discussing this album is difficult for me: some of my favorite tracks of the decade are contained in it, but I also dislike (and borderline hate in some instances) a third of the songs. Were the album eight tracks long instead of 12, it would easily crack my top five album list. "Yellow" is one of the greatest singles I have ever heard and a prime example of what this project could be. When the album leans closer to "Yellow", it's a beautiful and refreshing work, but it too often slips back into a more pop-like, generic aesthetic. I sincerely hope Rich Brian's next project irons out the kinks as he continues to find his true sound.
Favorite Tracks: "The Sailor," "Yellow," "Slow Down Turbo"
"2020" by Richard Dawson is not an easy listen. The project is nearly a full hour of avant-garde folk music detailing the horrid drudgery of existence in modern British society (purposefully excluding Brexit). The album is filled to the brim with equally bizarre and wonderful musical ideas. In-your-face and endlessly strange, Dawson's compelling narrative lyricism and music theory brilliance combine to create a project with an ambiance unlike any other.
Favorite Tracks: "Civil Servant," "Two Halves," "Dead Dog in an Alleyway"
Photo source: stereogum.com
Album cover of Richard Dawson's "2020"
I was not expecting a pop-punk record to break my top 5, but "Morbid Stuff" by PUP has some of the tightest, catchiest songwriting of the year by far. PUP delivers a surprising amount of variety, including a track bookended by country ballads. The vocal performances are emotional and occasionally powerful. Energetic and angry yet thoughtful and intricate, "Morbid Stuff" is a surprising must-listen.
Favorite Tracks: "Morbid Stuff," "Kids," "See You At Your Funeral"
Album cover of PUP's "Morbid Stuff"
YBN Cordae's debut album "The Lost Boy" has heart and soul in spades. The project is a perfect blend of soul and jazz-inspired beats and bangers. "The Lost Boy" has a fantastic collection of features, but Cordae definitely brings the bars too. The reflective nature of the lyrics makes them engaging and memorable. Cordae has found himself a sound and a voice, and I cannot wait to see where he goes from here.
Favorite Tracks: "Bad Idea", "RNP", "Broke as F*ck"
Anderson .Paak is an all-time favorite artist of mine, and "Ventura" is an incredible addition to his discography. Paak's soul, jazz and hip hop fusion is as beautiful as ever, but "Ventura" leans more on the soul side. The album boasts some of the grooviest bass lines and catchiest vocal melodies to grace the industry in quite a while. The real departure here for Anderson .Paak is the album's much more lowkey style. The production is rarely as bombastic and grand as it can be on "Malibu" or even "Oxnard", some of Paak's earlier projects. While "Ventura" contains a few dud tracks near the end, the highs are so unbelievably high that it firmly cements itself near the top of the list.
Favorite Tracks: "Make it Better," "Reachin' 2 Much," "King James," "What Can We Do?"
"IGOR" by Tyler, the Creator is one of the greatest albums I have ever heard in my entire life. To describe it as any particular genre (or even genre fusion) would be a mistake and mischaracterization. It can best be labeled as an unbridled evolution of Tyler's 2017 project "Flower Boy." "IGOR" has it all: pristine production, varied songwriting, unmatched musicality… The album is uncompromising in its vision and breathtaking in its execution. It is an album that demands your attention but rewards you for every second you give it, no matter how many times you repeat it. Do yourself a favor and listen to "IGOR,"
Favorite Track: "I Don't Love You Anymore"
Album cover for Tyler the Creator's "IGOR"
Braden Hajer is a Junior at Central and a copy editor/staff writer for the Times. This is his first year on the paper. His main interests are politics, music, and internet culture. Outside of school, he mostly obsesses about Anderson .Paak. He's a proud Bowser main.
'It's up to you': Civil rights leaders visit Central to share experiences, talk about embracing diversity
Vivian Zhao, Amisha Sethi, and Mary Jane Deer
New COPPA laws are a step, but not enough
Danielle Pritchard, Features Editor
Man continues protest against City of Naperville, gives to charity
Resse DeZur, Correspondent
January 8, 2020 • No Comments
Activities and groups help student overcome introversion
Amisha Sethi, Profiles Editor
Tweets by @centraltimes
How to survive a concert: the fun way
Instagram begins hiding likes has potential health benefits
Review: Jack Ryan season 2
Review: Rex Orange County's new album, 'Pony,' steals the show
Fantasy meets reality
Review: Up and coming Conan Gray comes to Chicago
Cole Sibus: Renaissance Man
A remake of Princess Bride? Never, says Central Times' Richie Holmberg
Album Review: 'Jesus is King' dethrones Kanye
Review: Compositionally, Taylor Swift's 'Lover' stands out about as much as its title


Ted Cruze smacks down Ellen Page and her futile LGBT Agenda.
This video includes the extended part where Ted Cruze is informed that he was just grilled by actress Ellen Page.
I'm not a big fan of Ted Cruze as he compromises on real Christian issues however compared to most of the other "conservative" politicians he does take a bigger stand.
This "issue" that Ellen Page is pushing is a fraud.
The idea that a Christian church should be FORCED to host a Sodomite wedding is absolutely ridiculous just as is the idea to force a Christian owned cake maker, etc to take part in a Sodomite wedding.
The Sodomites have plenty of other businesses and plenty of apostate churches to go get married in.
So why do they need to FORCE the few who rightly refuse to take part in such iniquity?
Because it is about control and further breaking down the natural family in America.


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The Golden State Warriors are the favorites in the NBA Finals
With or without Kevin Durant, the Golden State Warriors are favorites in the NBA Finals for the fifth year in a row.
Caesars Sportsbook installed the two-time defending Warriors champions as 320 favorites to beat the Toronto Raptors in the final. The first game of the best-of-seven series is Thursday in Toronto.
The Warriors are heading for their fifth consecutive final. They were favored in the last four final series and won three of the last four titles, all against the Cleveland Cavaliers.
Durant missed all four of the Warriors' games against the Portland Trail Blazers in the Western Conference finals for a calf injury. He is unlikely to participate in Game 1, Golden State said Thursday. In any case, warriors are great favorites.
On Saturday night, the SuperBook in Westgate Las Vegas opened with Golden State as the favorite of -275 in the finals. The executive director of SuperBook, John Murray, told ESPN that the price reflected the possibility of Durant playing in the series. The Warriors have won 31 of their last 32 games when Curry plays and Durant does not. They have a global record of 34-4 in those games.
The SuperBook raised the price of Golden State to -310 minutes after publication.
Toronto opened up as a loser for +260 in the series on Caesars. In the last eight finals, only the Cavaliers last year were below what the Raptors should start now.
Toronto erased a 0-2 deficit against the Milwaukee Bucks in the Eastern Conference Finals and advanced to the first Finals of the NBA franchise with a comeback in Game 6 on Saturday.
The Raptors won both games with the Warriors this season: 113-93 in Oakland, on December 12, and 132-128, in Toronto, on November 29.
Basketball Predictions and Betting Tips, Basketball Tips, nba basketball predictions, NBA Finals, The Golden State Warriors
Vincent Poirier, in the casting of Barcelona Lassa
At the same time, the offices of the Palau are working on possible new additions. There is Cory Higgins (CSKA) as a future for the perimeter. Another of the poles of attention is that of painting. With Tomic and Pustovyi with a contract in force remains to be seen what happens with Kevín Séraphin that seems complicated to follow. The condition of his right knee – which forced him to undergo surgery last season – and the recent controversy with Pesic, who expelled him from the bench against Andorra, do not add up, precisely, so that he has the option of renewing his high contract.
So things, in Barça are doing market casting. We talked a few days ago of the interest in the Serbian center of Olympiacos Nikola Milutinov that could leave the Athenian club due to the economic problems that surround the entity of Piraeus. But it is not the only name on the list.
Because we must also talk about the French pivot of the Baskonia Vincent Poirier (2.13 and 25 years) one of the pillars of Velimir Perasovic's team (9.2 points, 6.3 rebounds and 1.2 blocks in the league). Club that arrived in 2017 Paris -Levallois of his native France after signing a contract for three seasons.
It is a proper name that he likes in the Palau -according to the account of @Diego Alvárez- for his profile as an athletic player despite his height. But, as in the case of Milutinov, there are important conditioning factors in order to face the operation of his signing.
On the one hand the fact that both have a contract in force, although the specific situation of each club is different. The second 'but' is that other European greats are also interested in a player profile that is increasingly difficult to find in current basketball.
The NBA, on the horizon
And the third possible stumbling block for Barça's expectations is the same as always: the NBA. In the case of Milutinov – elected by San Antonio Spurs in the 2015 draft (number 26) – the Tejano franchise seems determined to pull economic muscle to add centimeters in the area ..
A case similar to what happens with Poirier -not drafteado- who, in his case, have been closely following the Boston Celtics for months.
And you know that when a league franchise 'pross' crosses the road with its good millions is difficult for a player to say no.
Both with Poirier and with Milutinov, it will be – anyway – the player who will decide his future. Barça is there and the French center knows it.
Basketball Tips, NBA, Predictions Basketball, Vincent Poirier


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Telegraph Avenue by Michael Chabon
Telegraph Avenue, Michael Chabon's eighth novel, is the most low-concept thing he's written since the last century. For a little over a decade, Chabon has been the standard-bearer for the intermingling of genre tropes and literary fiction (and the writer to whom genre fans would frequently point to as an example of an outsider who "gets it" and values genre's contributions to our culture). The works he's produced over that period have ranged across such genres and styles as alternate history (The Yiddish Policemen's Union, for which Chabon won the Hugo and Nebula awards), pastiche (The Final Solution), YA (Summerland), and swashbuckling adventure (Gentlemen of the Road) while indulging in unabashed love for such beloved geek artifacts as comic books, superheroes, Sherlock Holmes, and Michael Moorcock's Elric of Melniboné. Telegraph Avenue sees Chabon writing, for the first time in years, without the guiding (some might say limiting) structure of a genre plot. There is no mystery here, no adventurous quest (though the novel's younger characters briefly believe that there is, with mixed results)--just the stuff of literary fiction: broken marriages, endangered friendships, estranged parents and children. And yet at the same time, Telegraph Avenue is clearly informed, not only by Chabon's irrepressible geekishness, but by the tools he's accumulated in more than a decade of writing in many different genres. Whether the result is a good novel is something that I'm still of two minds about.
The setting is Oakland, in the late summer of 2004. Archy Stallings and Nat Jaffe are best friends and co-owners of Brokeland Records, a vintage vinyl store specializing in jazz, blues, and R&B on the titular avenue, a dying commercial drag. The store is already just barely making ends meet, but when Gibson Goode, former football star and "the fifth richest black man in America" announces his intention to build one of his trademark shopping and entertainment complexes, including a media store with its own vintage vinyl department, on Telegraph Avenue, its days appear to be numbered, and Archy and Nat scramble to recruit neighborhood business owners and power brokers to stop Goode's plan. Archy and Nat's wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkley Birth Partners, midwives who perform home and hospital births. When their latest patient has to be rushed to hospital due to uncontrollable bleeding, the partners find their painstakingly amassed reputation and respect within the medical community quickly crumbling, while the heavily pregnant Gwen is dealt an extra blow in the form of the discovery that Archy has been cheating on her. Meanwhile, Archy's abandoning father, former blaxploitation film star Luther Stallings, is back in town, trying to raise money to bankroll a comeback film, and Nat and Aviva's teenage son Julie has fallen in love with new kid in town Titus Joyner, who turns out to be Archy's unacknowledged son.
This plot description hints at, but by no means comes close to expressing, the importance of race in Telegraph Avenue. Archy, Gwen, Titus and Luther are black; Nat, Aviva and Julie are white. The two families' close relationship is allegedly a model of post-racial coexistence, but it conceals irreconcilable gaps in their worldview. Gwen and Aviva nearly lose their privileges at the hospital to which their patient is rushed because Gwen loses her temper at the doctor who takes over the patient's care, and she does that because he peppers his unconcealed disdain for midwifery with comments like "whatever voodoo you were working" and "It's a birth ... that's one of those things you don't want to try at home. It's not like conking your hair." Though Aviva urges her to smooth things over by apologizing, Gwen realizes that an apology from her means something very different than it would coming from Aviva. Gibson Goode's purpose in building a store in Oakland is "not to make money but to restore, at a stroke, the commercial heart of a black neighborhood," and when Nat gathers together the local business owners of Telegraph Avenue to oppose the project, he's dispirited--and, when Archy walks in on their meeting, embarrassed--by their near-uniform paleness. But Telegraph Avenue isn't nearly as much about race relations as it is about the African-American experience, and specifically about the history of the black community in Oakland, which Chabon spins out from his main characters, shading in their relationships with the stalwarts of the neighborhood and those characters' pasts, touching not just on music and filmmaking, but on the Black Panthers, the Vietnam and first Iraq wars, and, of all things, the Pullman trains that terminated in Oakland.
For Michael Chabon, of all people, to take it upon himself to chronicle the African-American experience is a somewhat dubious endeavor, and by the time Barack Obama, fresh off his star-making turn as the keynote speaker of the 2004 Democratic convention, showed up at a Berkley fundraiser for John Kerry to tell Gwen that "I would ask you to dance, but I don't think my wife would be happy if it got back to her that I was observed dancing with a gorgeous sister in your condition," my eyebrow was cocked high enough to touch the ceiling. The issue here isn't whether Chabon has gotten black Oakland "right"--something that I am anyway in no position to judge (though I'm quite curious to see how locals will respond to the novel)--or whether he is "entitled" to write about this community (though it does give me pause to consider that there are probably dozens of books out there about black Oakland by black authors, none of which have received even a fraction of the publicity and attention that a new novel by Michael Chabon does), but the fact that there is something artificial about the way Chabon constructs his Oakland, and that the novel seems to draw attention to that artificiality, as if Oakland were as much a lost fantasy world as Sitka in The Yiddish Policemen's Union, or the Jewish Khazar empire in Gentlemen of the Road.
As well as being Chabon's most low-concept novel in years, Telegraph Avenue is also probably the densest novel he's ever written, full of digressions spinning off of digressions, plot strands that fork and spawn multiple offsprings as the life history of every newly-introduced character is delivered to the reader, then expanded upon as their connections to the other characters are revealed, chapters that start in a confusing middle only to slowly work themselves back to their more comprehensible beginnings, and the kind of literary pyrotechnics that Chabon has become known for, ratcheted up to eleven. The lynchpin of the novel is a ten-page chapter titled "A Bird of Wide Experience," which is actually a single sentence told from the point of view of an arthritic parrot, the former property of Archy's recently-deceased mentor who has been released into the semi-wild, and who in his flight visits each of the novel's main characters. Chabon has never been a transparent writer, but in his previous novels his prose had the effect of carrying the reader along. Telegraph Avenue is the first of his novels that requires a close and attentive reading, and its prose is more clotted than flowing:
as they came closer, Mr. Nostalgia saw that it really was him. Thirty years too old, twenty pounds too light, forty watts too dim, maybe: but him. Red tracksuit a size too small, baring his ankles and wrists. Jacket waistband riding up in back under a screened logo in yellow, a pair of upraised fists circled by the words BRUCE LEE INSTITUTE, OAKLAND, CA. Long and broad-shouldered, with that spring in his gait, coiling and uncoiling. Making a show of dignity that struck Mr. Nostalgia as poignant if not successful. Everybody staring at the guy, all the men with potbellies and back hair and doughy white faces, heads balding, autumn leaves falling in their hearts. Looking up from the bins full of back issues of Inside Sports, the framed Terrible Towels with their bronze plaques identifying the nubbly signature in black Sharpie on yellow terry cloth as that of Rocky Bleier or Lynn Swann. Lifting their heads from the tables ranged with rookie cards of their youthful idols (Pete Maravich, Robin Yount, Bobby Orr), with cancelled checks drawn on long-vanished bank accounts of Ted Williams or Joe Namath; unopened cello packs of '71 Topps baseball cards, their fragile black borders pristine as memory, and of '86 Fleer basketball cards, every one holding a potential rookie Jordan. Watching this big gray-haired black man they half-remembered, a face out of their youth, get the bum's rush. That's the dude from the signing line. Was talking to Gibson Goode, got kind of loud. Hey, yeah, that's what's-his-face. Give him credit, the poor bastard managed to keep his chin up. The chin--him, all right--with the Kirk Douglas dimple. The light eyes. The hands. Jesus, like two uprooted trees.
This is by no means a bad thing, and taken as a piece of writing Telegraph Avenue is an impressive feat (though there are moments--most especially "A Bird of Rare Experience"--when one senses that Chabon is showing off, riffing for the pleasure of it rather than working to get his story where it needs to go). But its denseness, the way it calls attention to Chabon's stylistic accomplishments, has the effect of casting the novel's characters and their setting in an otherworldly light, as if it were not enough for Chabon to have shown his readers a world that for most of them would have been entirely foreign, he also needed to somehow dress that world up, make it whimsical and amusing, in the same manner of his invented worlds, or his madcap romp version of history in The Amazing Adventures of Kavalier and Clay.
"Here's my concern in this matter. I know you think I am messing around in all that protest shit your partner's stirring up to annoy Chan Flowers. Just because I maintain historically cool relations with the councilman. And true, that is part of the reason. But the real reason is something that's not that. The reason, I remember when that record store used to be Eddie Spencer's. And before that, when I first out of the army, right after the war, it was called Angelo's Barbershop, and those old Sicilian dudes used to go in, get their mustaches looked to or whatnot. I have known Sicilians, and so I feel confident saying, your store been full of time-wasting, senseless, lying, boastful male conversation for going on sixty years, at least. What that Abreu said the other day at that meeting, he was right. It's an institution. You all go out of business, I don't know. I might have to let in some kind of new age ladies, sell yoga mats. Everybody having 'silence days,' walking around with little signs hanging from their neck saying 'I Am Silent Today.' I would take that as a loss."
Unlike other works, like Treme or The Brief Wondrous Life of Oscar Wao, that seek to introduce a non-white community to an audience of outsiders, Telegraph Avenue doesn't quite avoid the pitfall of making its subject matter seem "colorful," and this is not merely because of Chabon's stylistic flourishes (there is no shortage of these in Oscar Wao, for example) but because the novel's attitude towards black culture often seems to slide into what can only be described as fannishness. This is no different, of course, from how Chabon treats comic books in Kavalier and Clay--the same romanticizing, mythologizing tone with which he describes superhero comics in that novel is used in Telegraph Avenue to describe Luther Stallings's Shaft-like Strutter films--but the crucial difference is who Chabon is trying to appeal to. If Oscar Wao is a novel that takes areas of pop culture usually associated with white people and appropriates them for Dominicans, Telegraph Avenue is a novel that seems to be trying to "sell" black culture to its non-black readers, and to do so not simply by exposing them to it (as Treme does) but by trading on that culture's implied, inherent coolness. Jazz, blaxploitation, the Black Panthers, midwifery, even fried chicken--these are all things that Telegraph Avenue holds up as exemplars of black culture, but it does so in such a way as to stress their appeal to white people.
But then, that's something that Chabon seems very much aware of and may even be trying to stress. The fact is that many of the characters within Telegraph Avenue who love black culture are white, and that this is something that the black characters are deeply ambivalent about. The character who prepares fried chicken is Nat, from a recipe taught to him by his black stepmother, and he does so in order to curry favor with the neighborhood's most prominent businessman and landlord in order to garner support in his fight against Gibson Goode, a maneuver that meets with only limited success. Archy is a connoisseur of predominantly black musical forms, but his customers are mostly rich white people. Gwen, similarly, became a midwife not only to escape the stifling expectations of a family that has spent generations climbing the ladder of respectability, but in order to reconnect with a tradition of black midwifery, but she finds herself catering exclusively to the rich white women of Berkley, whose frou-frou birth plans and new age mysticism drive her to distraction, while black women disdain her work as "country shit." Over the course of the novel, some of its characters attempt to reclaim black culture for black people--Gibson Goode tries to recruit Archy to run the vinyl department in his new store by promising him the opportunity to reintroduce young black people to a musical heritage that has been coopted by white America, and Luther Stallings, who was passed over for the Samuel L. Jackson role in Jackie Brown by another white lover of black culture, Quentin Tarantino (whose movies Julie and Titus are studying, discovering Luther's filmography through a class on Kill Bill), is trying to bankroll his own blaxploitation film. But these projects are rejected by the main characters--Archy turns down Goode's job offer, and sneers at Luther's dreams of a comeback--and at the end of the novel both Archy and Gwen have rejected their inter-racial endeavors with Nat and Aviva. Archy decides to settle down and provide for his family, and starts pursuing a real estate license. Gwen, despite triumphing over the racist doctor and regaining her privileges at his hospital, decides that "I'm sick of having no power in this game, Aviva, and of them having it all. Of always fighting against feeling useless. Of how sad it makes me feel that sisters won't go to a midwife." So she decides to go to medical school, so that "when I reach out to a black woman while she's having a baby, maybe then she's going to reach back."
And then there's this point to consider: Telegraph Avenue ends with Archy, Gwen, Titus and the new baby as a happy middle class family. Archy and Gwen have abandoned their bohemian pursuits and buckled down to chase the American dream, complete with bourgeois professions: medicine, real estate. Real estate. In 2004. In four years' time, when the bottom falls out of Archy's new field and Gwen is still accumulating student debt, that decision might not seem so wise after all. Nat and Aviva will be fine--at the end of the novel, Nat moves the vinyl business online, selling to collectors in Japan and France, and Aviva will still have her 1% moms to cater to, but Archy and Gwen? There's nothing in the idyll of Telegraph Avenue's final chapter to suggest that we're meant to take away anything sinister as we turn the last page, to believe that Archy and Gwen's future is anything but rosy. Nothing except for our knowledge of history, which Chabon no doubt possesses as well.
My core problem with Telegraph Avenue is that I'm not certain what I'm supposed to take away from it--the sunny, sentimental portrait of a black neighborhood, or the dark undercurrents that seem to run beneath it, the ambivalence with which the black characters view their own culture and history and its appropriation by white people, and the uncertain future, and possible collapse into poverty, of the main characters who end the novel certain that they are taking their first steps on the path to financial stability. Has Chabon written another fantasy world, this time based on a real place, or has he written a novel about the financial crisis? With Chabon, it's never a bad bet to assume that sentimentality is the end-point--see, for example, Meyer Landsman's romantic act of renunciation at the end of The Yiddish Policemen's Union, after which he walks off into the sunset with his newly-reconciled wife, the financial and professional consequences of his actions left discreetly off-page. On the other hand, there are enough hints in Telegraph Avenue to suggest that Chabon knows what kind of criticism he's left himself open to ("What do I know about being black?" is Aviva's stated policy when asked to do what Chabon has apparently done with this novel, interpret or judge the black experience), and thus, presumably, that he had some greater purpose for the exercise than mere sentimentality. Depending on the answer to this question, Telegraph Avenue is either a successful novel whose project strikes me as reductive and potentially offensive, or a much more interesting novel that is nowhere near as successful at what it tries to do, whose barbs are muffled beneath that sense of the otherworldly produced by Chabon's stylistic excesses. Perhaps Chabon would be better off wading back into genre, where his failures to fully face up to the messiness that underpin his fantastic worlds have less bearing on reality, and are thus easier to forgive.
Posted by Abigail Nussbaum at 11:24 PM
Labels: books, essays, michael chabon
sleepy-bird said...
I don't know if this is addressed in the novel, but if Gibson Goode intends to anchor his shopping complex with a media retailer, then he's about to be crushed by the iPod, Netflix, and Amazon. Now if he's the fifth-richest black man in America, that might not be a personal death blow, but it's going to leave a large abandoned storefront in the middle of the neighborhood.
I've found that in general contemporary American novels disregard money issues--characters tend to come with lifestyles attached, like Barbie or Ken dolls, without much consideration of how they support those lifestyles.
There is some attempt to address this point in the novel, in that Goode's purpose isn't to make money but to pump money into black neighborhoods and create a place where young black people can rediscover their culture. He tells Archy that he expects the vinyl department to run at a loss and doesn't care. Whether that's a viable long term business plan is doubtful (especially as he's built more than one of these commercial centers already) but at least there's a fig leaf covering the problems with his proposal.
That said, a lot of reviewers have pointed out that this plot feels out of place in 2004, and that many of the characters' pop culture preoccupations feel more suited to the 70s than the 00s, and have taken this as yet another component of Chabon's fantasy world, so maybe I'm giving him too much credit in assuming that the book's ending expects us to realize that Archy and Gwen are a few years away from financial collapse.
Foxessa said...
Is it a white character that says "conk?"
I mean, really, in the 21st century? And anyway, it was men who conked, not women.
Feh.
Yes, I should have made it clearer that the doctor who insults Gwen is white.
I did think this aspect of the story was well handled (and in general Gwen's story is the strongest in the book) - it wasn't a level of racism so egregious as to make Gwen seem like a put-upon saint, or make it unbelievable that this character still has a job, but it's bad enough that you can understand Gwen's affront. And I thought the aftermath was well handled as well, as on the one hand the doctor finds no traction with his bosses once Gwen tells him what he said, but on the other hand they're eager to minimize the incident and blame it on fatigue and ill temper (and he even pulls out the "I'm not a racist, I'm an equal opportunity asshole" excuse).
My only problem with this plotline is that this character is also the only one in the novel to make the obvious counterpoint to Gwen and Aviva's insistence on the superiority of home birth - if Gwen and Aviva had no warning that their patient was about to go south, and they did everything right once it did, and their patient still ended up being rushed to hospital with uncontrollable bleeding and almost needing a hysterectomy, doesn't that make a powerful argument for giving birth somewhere where the nearest operating room is meters, not kilometers, away? I would have liked some discussion of this point, especially as Gwen ends up deciding to give up on midwifery, but by placing this argument in the mouth of a racist asshole the book rather neuters it.
It just seems unlikely that a white guy of this generation would even know the term or be familiar with the process -- and then apply it to a woman?
Love, C.
musicaeespaco said...
ab, this has a lot to do from the Atlantic Yards fiasco, with ultrastar Jay Z selling out all working class brooklyn through an appeals to the Nets team.
I don't know if this would be of interest to you, but yesterday in an interview with Chabon he did say that the neighborhood in this novel is entirely made up -- he located it on the border between two neighborhoods of Oakland that do exist.
This way, he said, he could more easily concentrate on the here-and-now he was creating in the novel, and the focus on technologies that were outmoded, like the vinyl record business -- and even telegraphs.
I've spent a lot of time in Oakland, but that was many years ago. I spent it in a white neighborhood filled with retired lesbian naval officers. :)
It was the first time I saw a ghetto that had ... flowers. California!
Jack Rodgers said...
Have you seen this interview with Chabon?
http://www.salon.com/2012/09/20/chabon_on_race_sex_obama_i_never_wanted_to_tell_the_story_of_two_guys_in_a_record_store/
His comments about the real-estate collapse are odd, to say the least. He implies that the crash is a boon for the characters, since it means that Gibson Goode's retail empire is going to go bust and allow a bunch of smaller, mom-and-pop businesses to thrive. Well, maybe, maybe not, but it's also certainly going to mean that a lot of hard-working people will lose their jobs through no fault of their own (including, as you pointed out, very possibly Archy).
Also, Chabon just seems a little too sure for my taste that he's authentically captured how African-Americans talk when there's no white people around. Granted, I'm in no position to judge this since a) I'm white and b) I haven't yet read Telegraph Avenue (hoping to get to it soon). But how is Chabon so certain that he's gotten it right, since by definition, this is something that would be impossible for him to observe firsthand? And more specifically, that he knows how Obama talks when he's conversing with another black person in private?
Yes, that is an odd interview, Jack. The quote you're referring to is presumably:
"One of the things I enjoyed about setting the book in 2004 is that you have this dramatic irony. The reader and the writer know more than our characters, who are so terrified. We know that Dogpile [the retail empire owned by retired football stare Gibson Goode] probably went under within a couple of years of this. A big tsunami is coming to flatten him, too. In a way, the cool thing about Berkeley and Oakland, and the little stores of Berkeley and Oakland, is that they hang on. If they die something new comes on to take its place. People there will start a business out of passion, out of love. There are enough people who are a part of your church, whatever your church happens to be, to support you, at least for a little while, and you can sort of stand your ground. You know, Barnes & Noble came into downtown Berkeley and built a big store right across the street from Pegasus Books on Shattuck Avenue. Pegasus Books is still there, and Barnes & Noble is gone."
Which on the one hand confirms that I'm not entirely off-base in reading the book's 2004 setting as a deliberate comment on the financial crisis, and on the other hand is, as you say, a very weird take on what the crisis's effects on the book's characters are likely to be. It really seems as if Chabon thinks that the depression will flatten Goode and leave Archy and Gwen standing, which to my mind isn't likely at all.
Something I wanted to add to the discussion of Archy and Gwen's uncertain financial future, but didn't because I couldn't find the exact source, was an article I'd read shortly before Telegraph Avenue, which argued that the financial crisis not only hit the African-American middle class particularly hard, but that there was a cumulative effect with previous financial downturns, each of which saps the community's financial resources and sets it back at stage one on the financial ladder. I think this was in Ta-Nehisi Coates's "Fear of a Black President," though as I said I couldn't find the exact passage, but having read this interview I wish I'd linked to Coates's article anyway because it feels particularly germane to what's going on in Telegraph Avenue. Chabon talks about the influence of Obama's 2004 keynote speech at the DNC on the novel, the sense that speech gave him that it was time for relations between blacks and whites in America to normalize, but Coates's article is about the way that the last eight years have proved the promise of that speech false, and about the growing racial division in the US. It's yet another way in which Telegraph Avenue feels out of its time.
Tavis Smiley and other black commentators have made the gloomy prediction that the Great Recession (as some have come to calling it) has basically destroyed the black middle class, and it isn't going to be able to come back. Once again proving that forced immigration with literally nothing,not even clothes, starting with the loss of your own name -- is something peoples never are able to catch up from. And it is African Americans (I mean both North and South Americas and the Caribbean by American in this context) who were the only ones who came here that way. The only ones.
The future looks gloomy for everyone, but for none so gloomy as African Americans, if the past repeats, as it usually does.
Chabon isn't qualified to comment on this, much less make fiction from it.
Ah, I've remembered where I saw the discussion of the recession's effects on the African-American middle class: in the comments to the Making Light post linking to Coates's article (specifically, comments 4, 7, and 9). And here's an article going into those effects in greater detail.
Thanks. This was a great review and very interesting to me because I am reading Telegraph Avenue right now.
Damn, I am on 252p now, and I just noticed that Aviva is white? And I was suspecting something when they said she wore april cornell dress... No way, just got it wrong whole time! Is there somewhere a hint what ethnicity is she? Or I am just stupid
What do you think happened to Luther? Just left to come up with the next money-making scheme?


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The Occam's Razor test of leadership
Billy/ February 15, 2018 / Australia; Frontier Nation, General
Sometimes how a person answers a simple hypothetical question tells us all we need to know to understand their character. Take this one, for example, which cuts to the core of the qualities of leadership;
Scenario; You are Prime Minister of country. The press break a story that your Deputy has been having an affair with a member of his staff, has deserted his wife and family, jerrymandered the recruitment and selection process twice to ensure his new partner remains employed in good roles, received a "gift" of a rent-free apartment to house her and they are now expecting the birth of their child in 2 months' time. Previously, the Deputy Prime Minister has been a vocal supporter of "family values".
Do you;
A) Confirm that there are no impediments to removing him from his post and replacing him with a more suitable candidate based on pre-existing codes of conduct relating to bringing parliament and the office of the Prime Minister in to disrepute and then do so with immediate effect?
B) Give him the benefit of the doubt, gracefully allow him a suitable period of time to state his case and to show some level of contrition but then, with a heavy heart, remove him from his post in order to maintain the gravitas of parliament and the office of Prime Minister as paramount?
C) Dither about for a week or so, force him to take a long weekend paid "leave" and then make a public statement to "update the ministerial code of conduct" to explicitly state that knocking up your staff and dumping your wife is not acceptable these days but do nothing tangible about the situation in the hope that Donald Trump will tweet something inflammatory over the weekend that diverts the news agenda?
There's a special place in hell for people who claim to be leaders but soil their underwear the first time they are faced with a difficult decision which requires some level of consistency with previously-stated moral positions.
If you feel that this is a trivial point, remember that the person in this job has the ability to send troops to fire live rounds, both internationally and, in extremis, domestically.
"Over the top lads, I'm right behind you!".
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5 Replies to "The Occam's Razor test of leadership"
While the first two options are preferable in a normal place, it would not be too long before you were rehabilitating previously exiled ministers. Standards being as they are in that place.
And may I question whether the third option to retain the gravitas of parliament and the office of prime minister actually achieves that aim? Paramount or not. Any % reduction of a quality already at zero retains its former value. It has no further to fall.
Well, quite.
Regardless, delegating authority to a new set of almost undetectable and unenforceable rules rather than doing one's actual job seems a new low in weak character.
Is the Australian PM going to divert funds to a new department in the Canberra police force to monitor the sexual activity of ministers?
The only winners here are my least favourite parasites – those that generate revenue from the attention, positively invested or otherwise, of people willing to read, comment and/or generally be attracted to the public exposé of the failure of others. Failures they likely share, or would if it fell across the couch they sit on.
Yes, let him without sin an' all that.
I wonder whether there's a little more confected moral outrage in the commentary due to the intense pressure to publish immediately in these Buzzfeed days?
Previously, perhaps, a journalist might have quietly dug around the "free" flat for the paramour and broke the story on that basis rather than the "shagging the help" point.
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text:
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The obvious answer is no, you shouldn't, but at the same time it does raise questions about what we are doing as a society and what we are missing out on. Instead of going and achieving dreams and accomplishing goals we are sitting in front of a YouTube screen watching others enjoy themselves. A good example of this is a YouTube star that goes by the name of PewDiePie. PewDiePie is famous for his videos where he will play video games and make comments about them.
Sounds like a fun little hobby, but for him it is a full-time job where he raked in over $7 million dollars in 2014 himself and at one point was purchased by Disney. Now what does that say about a society when instead of playing video games we now watch other people have fun playing them. It is odd that we have the need to watch someone accomplish their goals or dreams and never actually accomplish any of ours. Another good example is how important celebrity gossip has become in our society (An easy pun on this article). Of course you must have heard of the Kardashians, or maybe a hundred other celebrities who you have heard of, but know nothing about. What is our strategy, why do we sit and eat up all of this information when it has nothing to do with us in our daily lives?
We want to accomplish something, but by talking about all of this nonsense nothing is actually being accomplished. Maybe we should stop talking, complaining, or making a mockery of things that do not pertain to us and start dealing with stuff that does. By doing this we may actually be accomplishing what we want to do instead of eyeing up what other people are accomplishing. At the same time, sure some people do like making jokes of other people that they do not know, or complain about them and they do receive benefits. Looking back at the Shia LeBeouf video, there are pun videos that have received tens of millions of views. "Shia LeBeouf – Just Do It" is a complete joke on itself. It is entertaining and funny with a bunch of stupid motions thrown in. That is what we need. We need something that is entertaining to watch, yet at the same time the video to be motivating. While it is a joke to itself he is doing what he wants and he is trying to get other people to do it too through the power of motivation. So instead of watching other people achieve what they want through YouTube and other means, go achieve yours. JUST DO IT!
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Mario has become a global icon to the likes of Mickey Mouse. This is no lucky shot though because to this day Mario is always a top contender for a game of the year award on any dedicated video game website. Over the years, unlike his competitors (Sonic, Toe Jam & Earl, and Boogerman) he was able to evolve through the years. In many ways Mario is Nintendo spanning across hundreds of games, dozens of genres, and selling over a billion of copies worldwide. Interestingly enough the top ten rated video games include Mario three times, not including the originals when released.
That is not Nintendo's only celebrating mascot, much like Disney, Nintendo thrives on their variety of characters. They have Link a sword wielding hero from "The Legend of Zelda" series, Star Fox a brave space pilot from the "Star Fox" series, Samus an alien fighter from the Metroid Prime series, Donkey Kong a giant ape from the Donkey Kong series, and many more. It is insane how many characters that Nintendo does own and to this day they are still creating more. All of these characters have been in multiple games and multiple mash-ups that show them competing with one another. These mash-up happened years before the Avengers hit movie theaters, showing that Nintendo is ahead of their game in more ways than one. They have been releasing new consoles at around a 5 year span going from the Nintendo Entertainment System, to the Super Nintendo, to Nintendo 64, to Gamecube, to Wii, now finally to the Wii U. Each experience has been different and fresh letting the players play the games in a brand new way.
The games were fantastic and the consoles were improvements over one another. It is fun to describe the consoles and talk about the games, but the only way to actually understand all of this is to play a Nintendo console. Years after the release of the first Nintendo Entertainment System, Nintendo is still hitting homeruns to this day. They are fun to play, families will get together around a television set just to play some of their favorite mascots. This is something that cannot be said about the competitors. If Nintendo keeps this innovations going they will be creating games for the next century and onward when we are finally introduced to fully interactive 3D worlds. Do not be surprised if Nintendo is behind this innovative technology.


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Norway's Magnus Carlsen outclassed challenger Sergey Karjakin of Russia in Game 10 to draw level 5-5 with two games left in New York on Thursday.
The defending world champion capitalised on the position when Karjakin overlooked a sequence of moves that would have helped him draw the game and maintain his lead.
They reached an endgame in which Carlsen had a slight advantage and built on it, en route to a hard fought win after more than six hours.
The pair will next lock horns on Saturday.