text:
Ralph Keffeler: 1937-2019
Ralph David Keffeler was born in Sturgis, SD, on Jan. 22, 1937, to John and Mary (Grubl) Keffeler. He attended school through 8th grade at the Lower Alkali School. Later, he worked hard, studying down on the floor with the kids, and finished his GED.
Ralph married Betty Ann Harwood on June 10, 1957, at the St Francis of Assisi Church in Sturgis. The first year and half they were married, he worked at Homestake Mine. Over the years, he also worked at Ellsworth AFB tearing down buildings, had a hay grinding business, and worked at Sturgis Salebarn.
Like all farmers, he didn't think he had enough horse power to pull bigger equipment, so he hooked 2 Ms together and sitting on the back one pulled 24 ft "one-ways." Ralph loved to see how tall his sorghum could grow. One year it was so tall, Doug and John went to start cutting, in his John Deere of course. The tractor completely disappeared except for the exhaust pipe on top. He was so proud that year. "Green" was the only color machine that was worth bringing home.
Ralph took flying lessons. Eventually he soloed, scared himself, and quit. He still rode as a gunner with Dewey Rathke and Roger Hlavka for coyotes. Friends were very important to him. Everyone he met became a friend and he LOVED to visit. He enjoyed snowmobiling and loved to dance, and once you got a drink or two in him, he even thought he was pretty good at it! But what he cherished most in life was his children and his grandchildren.
Ralph was happy and friendly to all, and all kids adored him, partly because he was quite the prankster. He once told all of his grandkids when they would come for visits that Bear Butte was in fact a volcano and some day it was going to erupt. Tony and Tanna happened to be visiting when the Butte caught fire in 1996 and, of course, everyone had to pile into the car to go grab some ice cream and watch the "eruption."
Ralph David Keffeler, 82, Sturgis, died Friday, March 1, 2019, at Sturgis Regional Hospital.
He is survived by his wife, Betty Ann (Harwood) Keffeler; daughters, Linda (Mike) Howie, White Owl, SD, Donna Keffeler, Littleton, CO, and Tammy (Scott Sieler) Lorenz, Alkali, SD; son, Travis Keffeler, Alkali, SD; daughter-in-law, Shari Keffeler, Alkali, SD; grandchildren, Tanna (Vince) Holzer, Rapid City, SD, Tyrell Lorenz, Alkali, SD, John D. Keffeler, Alkali, SD, Monique Antunovich, Littleton, CO, and Gianna Antunovich, Littleton, CO; great-grandson, Zakary Joseph; 3 sisters, Mabel (Donald) McPherson, Rose Marie "Pickles"(Kenny) VanSickle, and Irene (Benny) Long; and a brother, Murrin Keffeler.
Ralph was preceded in death by his parents, John and Mary (Grubl) Keffeler; son, Douglas Keffeler; infant daughter, Karen; grandsons, Trent Howie and Anthony Howie; four brothers; and three sisters.
Visitation will be held from 5 p.m. to 7 p.m. Thursday, March 7, 2019, at Kinkade Funeral Chapel in Sturgis.
Funeral services will be held at 1 p.m. Friday, March 8, 2019, at the Sturgis Armory with Pastor Harold Delbridge officiating. Burial will follow at Bear Butte Cemetery in Sturgis.
In lieu of flowers, donations can be made to the Shriners Hospital.
Obituary: DAVID M. SCRIBNER
Obituary: ANDREA ISHAM VOSS (BLONDIE)
Obituary: MABLE EUNICE (INGALLS) STOMPRUD
Obituary: Clarence Van Dyke
Obituary: JAMES "JIM" L HURLBUT


I hate it. Every day she threatens to kill herself. I flinch every time she suggest that she should. She says she cuts herself and nobody loves or cares for her. I try to tell her how I feel about her but It's so complex for me. I told her that If she would kill her self..... i wouldn't know what to do. That's not what I wanted to say. I wanted to say if you killed your self my life would be so bland and lifeless. Useless. I would sit in my room all day with no words. Thinking, what went wrong? was it my fault? I would blame myself because I know you have such an affect on my life I assume I would have at least a little on your death. Every time I think of you my eyes tear up in happiness. Every time I think of you... I'm happy. You are my best friend and care about you, and I love you.


SFR, Inc. :: View topic - I could use an artist for something simple.
Posted: Tue Aug 20, 2013 8:09 am GMT Post subject: I could use an artist for something simple.
I would like a 'blue print' of a single 6 sided Daemon Dice™. I am going to blow it up to the size of one of those giant sketch pads. Then, my hopes, is to get it printed from Cafe Press and take a big sketch pad and a standing easel and take something like 10 pages and roll them over the top and drape them in the back as if used and finally display the blue print there. I will be putting the SFR and Daemon Dice™ logo's in the corners of course.
Ill give a terrible demo of my idea later.
making it look like you designed the die on the sketch pad?
Yes but at the same time I want it to be a blue print.
Something like this, which, again, I would like someone with more talent than myself drawing haha. Thanks.


American writer and humorist Mark Twain once complained newspaper reports of his death were exaggerated. At the time, they were. More than a century later, the question isn't so much whether or not Twain is dead. Spoiler alert: he is. The question these days is whether or not newspapers could die, too.
From some vantage points, the outlook isn't promising. Newspaper circulation has dropped. So has advertising revenue and especially newsroom staffing.
Still, annual revenue from newspaper circulation and advertising in the United States totals nearly $30 billion. That's billion with a B, which rhymes with C and that stands for cash. While most newspapers offer print and online editions, the good, old-fashion display advertisements printed on paper continue to account for the bulk of revenue.


Connex Plus is an air drying bonding agent with AM (anti-mycotic) factor. Connex Plus increases the bonding capacity of all light curing resin systems. Connex is excellent for very dry and/or brittle nails. Connex also silver plus now includes brand new addition to the antifungal factor and silver in the form of colloidal silver.
Problem: Beginners can use Connex to help prevent lifting. Sealants will not stick to the natural nail without another gel beneath them, but newer techs can have a hard time getting a gel close enough to the cuticle without hitting it. Sealant, on the other hand, is thinner and much easier to "paint" near the cuticle. The result, many beginners apply a beautiful coat of Sealant to the nail, but then find it lifting a few days later due to lack of proper adhesion. Solution: Once you have modeled the nail and are about to apply Sealant, apply a thin coat of air drying Connex Plus to the cuticle area. The Connex Plus will provide the adhesion the sealant needs, and since it is not a "gel" it does not matter if a little hits the cuticles!


The excellent digital imagery below, is section of Folding Foam Chair Bed Design for Family write-up which is grouped within Folding Chair, Folding Foam Chair Bed Best, Folding Foam Chair Bed Baby, Folding Foam Chair Bed Bean Bag and posted at November 20th, 2017 20:11:30 PM by arka.
This digital imagery of Folding Foam Chair Bed Cover has dimension 1280 x 720 pixels, you can download and get the Folding Foam Chair Bed Cover digital imagery by right click on the right click to get the high resolution version.
Here is important advice on Folding Foam Chair Bed Best. We have the tops resources for Folding Foam Chair Bed Best. Check it out for yourself! You can discover Folding Foam Chair Bed Cover guide and read the latest Folding Foam Chair Bed Design for Family in here.


How lovely it is to receive some great support from our event organisers and visitors.
"Good afternoon, I take great pleasure in telling you that the service we have received from your company has always been excellent, both from the guys that visit our site and your office staff. I do feel though that the chap who serviced our chemical toilet on Thursday 06th August for Cripps engineering at Warren Farm, New Romney, did an exemplary job and deserves the highest praise possible. It is extremely pleasing to see someone take such pride in their work, especially for what most would perceive to be quite an unfavourable job at the best of times. I was not present when he visited so would appreciate it if you could pass on my thanks for a superb job. Regards "
"Just to say, how pleased we were with the bathroom unit. It was fantastic. Perfect for our event. The shower was better than the one in my bathroom! Thank you again for sorting out the 'hic-up' so efficiently, excellent service! We will definitely use Four Jays again."


One of our most popular types of roofing is asphalt shingles. Shingles are practical, economical, and durable, lasting through all types of weather conditions. Ranging in color and style, shingles are a perfect fit for just about any budget.
When it comes to your shingle roof, we never sacrifice quality in lieu of price. At Houser Roofing, we believe that the most important thing we can do is provide you with the confidence that your shingle roof is going to keep your South Texas home safe and dry. From shingle replacement to repairs and FREE inspections, we are the local roofers for you. In fact, every residential or commercial roof we install uses a full line of Certified CertainTeed roofing products. Ready to discuss your roof with us? Call today!
We know that many companies pride themselves on how fast they can get in and get out, no matter what they are selling. Houser Roofing prides itself on attention to detail, craftsmanship, and dedication to perfection by hand-working on each and every roof. Our shingle roofers strive for nothing less the best. They commit to good old-fashioned hard labor to provide customers with shingle roofing products that truly last.
Normally, shingle roofing takes only one day to complete from start to finish; however, when you choose Houser Roofing, we focus on our quality of work. We are passionate about our profession and strive to deliver the best shingle roofing craftsmanship possible. We are not painters acting as roofers; we are trained and CertainTeed certified asphalt shingle roofers who love what we do. Our goal is to install your shingle roof using hammers, nails, and an acute attention to detail, going above and beyond the expectations of our clients and the standard of other shingle roofing contractors in South Texas.
Versatile – Asphalt shingles are versatile in that they can be installed on nearly any type of roof no matter the pitch.
Color – When you decide to go with asphalt shingles, you will find a wide variety of colors to choose from.
Durability – If you didn't already know, asphalt shingles are level-four impact rated, which means they have the highest level of durability as a roofing material.
Tough – Shingles are rated to handle high winds, which means the South Texas storms we face will be no match for your roof.
Sound – Texas storms can get loud. So can the neighbors. Asphalt shingles offer a layer of sound resistance.
Fire – Asphalt shingles are class-A rated for fires, which means they are extremely fire retardant.
Installation – Once you hire a roofing contractor in South Texas, your asphalt shingles will be installed quickly. It's one of the easiest materials to install.
Cost – Asphalt shingles are relatively inexpensive compared to other roofing materials, and they offer all of the benefits above.
How Much Do Asphalt Shingles Cost?
The cost of asphalt shingles can vary depending on the market value of the roofing material. In most cases, you will find that asphalt shingles will cost between $100 and $350 per square. Bundles typically cover 1/3 of a square. You can determine the square footage of your roof and then get a rough estimate on how many bundles of shingles you'll need to install a new roof on your home or business. Once you have the total square footage of your roof, you will divide it by 100. There are 100 square feet per square. Once you have the number of squares, you then have the number of squares of asphalt shingles you need for your entire roof.
For example, a barn has two roof planes that are 12,000 square feet per plane. The total square footage is 24,000 sq. ft. Divide this number by 100, and you will get 240 squares. You now know that you need 240 squares of asphalt shingles to roof the barn. You can then take the price of shingles per square and multiply it by 240 to get a rough estimate of the cost of your roof shingles. Be sure to add 10 percent extra material for what's called trim allowance. Some material will be lost to cutting and trimming, which can mean you need to add a little bit more material to complete your entire roof.
Want A FREE Asphalt Roofing Quote?


I have put together a search and published it to org. I also configured email alert for our team to get notified in case if search comes back with results. Works great! Unfortunately, I am the only one who can edit the search even though it's published to org. Is there a way to grant other users permission to edit shared search?


Over the week-end I read The artist and the mathematician (subtitle : The story of Nicolas Bourbaki, the genius mathematician who never existed) by Amir D. Aczel.
Whereas the central character of the book should be Bourbaki, it focusses more on two of Bourbaki's most colorful members, André Weil and Alexander Grothendieck, and the many stories and myths surrounding them.
The opening chapter ('The Disappearance') describes the Grothendieck's early years (based on the excellent paper by Allyn Jackson Comme Appelé du Néant ) and his disappearance in the Pyrenees in the final years of last century. The next chapter ('An Arrest in Finland') recount the pre-WW2 years of Weil and the myth of his arrest in Finland and his near escape from execution (based on Weil's memoires The Apprenticeship of a Mathematician). Chapter seven ('The Café') describes the first 10 proto-Bourbaki meetings following closely the study 'A Parisian Café and Ten Proto-Bourbaki Meetings (1934-1935)' by Liliane Beaulieu. Etc. etc.
One thing I like about this book is the connection it makes with other disciplines, showing the influence of Bourbaki's insistence on 'structuralism' in fields as different as philosophy, linguistics, anthropology and literary criticism. One example being Weil's group-theoretic solution to the marriage-rules problem in tribes of Australian aborigines studied by Claude Lévi-Strauss, another the literary group Oulipo copying Bourbaki's work-method.
"From other information in his autobiography, one gets the distinct impression that Weil was infatuated with the childish pranks of 'inventing' a person who never existed, creating for him false papers and a false identity, complete with a daughter, Betti, who even gets married, parents and relatives, and membership in a nonexistent Academy of Sciences of the nonexistent nation of Polvedia (sic).


text:
@import UIKit;

@interface NetworkingCallsHelper : NSObject

+ (NSURLSessionDataTask *)queryUserInformationForUsername:(NSString *)username
                                                  success:(SuccessJSONBlock)success
                                                  failure:(FailMessageBlock)failure;

+ (NSURLSessionDataTask *)queryAnimeBySearchText:(NSString *)query
                                         success:(SuccessJSONBlock)success
                                         failure:(FailMessageBlock)failure;

+ (NSURLSessionDataTask *)queryActivityFeedForUsername:(NSString *)username
                                               success:(SuccessJSONBlock)success
                                               failure:(FailMessageBlock)failure;

+ (NSURLSessionDataTask *)queryLibraryForUsername:(NSString *)username
                                          success:(SuccessJSONBlock)success
                                          failure:(FailMessageBlock)failure;

+ (NSURLSessionDataTask *)authenticateUserWithUsername:(NSString *)username
                                              password:(NSString *)password
                                               success:(SuccessJSONBlock)success
                                               failure:(FailMessageBlock)failure;

+ (NSURLSessionDataTask *)updateLibraryEntry:(NSString *)animeID
                                   entryInfo:(NSDictionary *)entryInfo
                                     success:(SuccessJSONBlock)success
                                     failure:(FailMessageBlock)failure;

+ (NSURLSessionDataTask *)deleteLibraryEntry:(NSString *)animeID
                                   entryInfo:(NSDictionary *)entryInfo
                                     success:(SuccessJSONBlock)success
                                     failure:(FailMessageBlock)failure;

+ (NSURLSessionDataTask *)downloadImageWithURL:(NSURL *)url
                                       success:(SuccessImageBlock)success
                                       failure:(FailMessageBlock)failure;
@end

redpajama_set_name: RedPajamaGithub


ZANMAX Sport Watch is a multifunctional training watch: supports calendar month / week / date / alarm, 5 ATM water resistant, heart rate measurement, LED display, backlight, GPS positioning function, Bluetooth connection, pedometer and compass, can analyze the data of running, cycling, swimming and walking, etc. A great value watch you don't want to miss, what are you waiting for?
– Support for Android / iOS system.
– USB magnetic charging: safe and reliable.
– Long-time standby: 60 days ( GPS is in OFF condition ).
– 5 ATM water resistant for swimming or shower.
– Heart rate alarm function.
– Share your sports data on your smartphones via APP "Sportscount".


USO JAPAN USO SIGN SOCIAL MEDIA CONTEST 7/6/18-7/20/18 NO PURCHASE OR DONATION NECESSARY.  Enter for a chance to win two (2) Disney Sea, Disney Land, or Universal Studios Japan tickets. Contest is open to all U.S. Military personnel on active duty and their families who are stationed on mainland Japan and age 18 or older at time of entry. See Official Rules for entry deadline and prize details.
The USO Japan USO Sign Social Media Contest ("Contest") begins at 12:00:01 AM Japan Standard Time Zone (UTC-10) on July 6, 2018 and ends 11:59:59 PM Japan Standard Time Zone (UTC-10) on July 20, 2018 (the "Contest Entry Period").
ELIGIBILITY: Active duty United States military service members and their families who are stationed on mainland Japan and at least 18 years of age at the time of entry are eligible to win two (2) tickets to Disney Sea, Disney Land, or Universal Studios Japan. Four winners will be selected from all qualified entries by random drawing. Employees of the United Service Organizations, Inc. ("USO," the "Sponsor," and the "Administrator"), and its affiliates, advertising and promotion agencies, retailers, and distributors (collectively, "Contest Entities"), and their immediate family members and/or those living within the same household of each are not eligible to enter or win. Contest is subject to all applicable federal, state, and local laws and regulations. Void where prohibited by law.
HOW TO ENTER: Visit https://www.facebook.com/USOMainlandJapan/ to submit a photo comment under the contest post (https://www.facebook.com/USOMainlandJapan/photos/a.208865779157514.58140.206585812718844/2016255378418536/?type=3&theater). To qualify for the Contest's random drawing, entries must be submitted within the Contest Entry Period.
CONSUMER DISCLOSURES: No purchase or donation necessary. Contest ends: 11:59:59 PM UTC on July 19, 2018. Prizes: A total of 8 tickets to Disney Sea, Disney Land, or Universal Studios Japan will be awarded. Prizes are valued at $133.24 per winner. Odds of winning depend on number of eligible entries received during the Contest Entry Period. Administrator: USO Japan, Building B39A 2F, Fleet Activities Yokosuka, Japan. SELECTION OF WINNERS: Winners will be determined in a random drawing from all eligible entries received during the Contest Entry Period. Random drawings will be conducted on or about July 20, 2018 by the Administrator, whose decisions are final and binding in all matters relating to this Contest. Winners will be notified by e-mail on or about July 20, 2018, and will be given instructions on how to claim the Prize. If a potential prize winner does not respond to the winner notification message (message will be sent three (3) times over a seven (7) day period), or if said message is returned as undeliverable, or if an entrant is otherwise found to be ineligible, or if a selected winner cannot accept or receive the prize for any reason, the potential prize winner will forfeit the Prize and an alternate winner will be selected. The Sponsor reserves the right to modify the notification procedures in connection with the selection of an alternate winner, if any. Prizes are non-transferable and no substitution by any winner or cash equivalent is allowed. Sponsor will not replace any lost, misplaced or stolen prizes. Sponsor reserves the right to substitute a prize with one of equal or greater value at its sole discretion. Prize winners are solely responsible for all local, state, and federal taxes and all expenses incurred in claiming their prize. Each prize winner understands, acknowledges, and agrees that the prize winner is receiving a prize and will hereby release and discharge USO, its affiliates, any additional sponsors, and each of their respective employees, agents, officers, directors and legal representatives and assigns from any and all claims, liabilities, damages, losses or expenses arising from or caused by the award of such prize, including, but not limited to, the payment of any and all taxes that are due. Entry and acceptance of prize constitutes permission (except where prohibited by law) for USO to use each winner's name, prize won, hometown, image, likeness, and biographical information for marketing and promotional purposes, including, without limitation, in social media posts, without further compensation.
WINNERS LIST: For a list of winners (available after July 20, 2018) send a stamped, self-addressed envelope by August 20, 2018 to: USO Japan, Contest Winners, c/o Lyndsey Stimson, USO Japan, PSC 473 Box 703, FPO, AP 96349.


text:
The Beatles' songs – complete A-Z list!
Published: 16 March 2008 | Last updated: 12 January 2021
Written by: Lennon-McCartney
Recorded: 11, 12 September, 3 October 1963
Producer: George Martin
Engineer: Norman Smith
Released: 22 November 1963 (UK), 20 January 1964 (US)
With The Beatles
John Lennon: vocals, rhythm guitar, harmonica
Paul McCartney: vocals, bass, piano
George Harrison: lead guitar
Ringo Starr: drums
'Little Child' was another of The Beatles' original songs on their second album. Although written with Ringo Starr in mind, it was recorded with the writers sharing vocal duties.
'Little Child' was another effort of Paul and I to write a song for somebody. It was probably Ringo.
John Lennon, 1980
All We Are Saying, David Sheff
According to Paul McCartney, 'Little Child' was inspired in part by 1950s folk singer Elton Hayes. He acknowledged the melody's debt to 'Whistle My Love', which featured in the 1952 Walt Disney film The Story Of Robin Hood.
'I'm so sad and lonely', that little bit came from a line: 'Whistle, my love, and I will come to thee, I'll always find you'. It's actually not the same tune, but in my mind it was a quote from Elton Hayes.
Many Years From Now, Barry Miles
'Little Child', never part of The Beatles' live set, took some time to get right in the studio. They recorded it over three sessions at Abbey Road, initially laying down two takes on 11 September 1963, then returning to it the following day for a further 16 takes, including overdubs of harmonica and piano.
They had to be fairly simple. [Ringo] didn't have a large vocal range but he could handle things with good con brio and spirito if they were nice and simple. It had to be something he could get behind. If he couldn't picture it, you were in trouble. This one was co-written with John.
The Beatles were still dissatisfied with their progress, however, and recorded three more takes on 3 October 1963. Despite spending a considerable amount of time on the song by 1963 standards, the performance sounds spontaneous and, at times, fairly slapdash.
'Little Child' was a work job. Certain songs were inspirational and you just followed that. Certain other songs were, 'Right, come on, two hours, song for Ringo for the album'.
Previous song: 'Don't Bother Me'
Next song: 'Till There Was You'
Join the Fab Forum discussion on Little Child »
Daniel Saturday 5 June 2010
Since it's the first song to show audio panning, I think the harmonica is panning to the right during the instrumental break and pans back to the left afterwards.
giova942 Friday 7 October 2016
It's not panning, they are two different overdubs.
2much4mymirror Thursday 14 April 2011
Forgettable fluff though it is, I always enjoy this one. Paul's piano chugs along nicely and John blows harmonica "con brio" to borrow Paul's phrase describing Ringo's singing.
David Saturday 16 April 2011
It's not Ringo singing, it's John and Paul duetting! I wonder if Joe knows when it was switched from being a Ringo song.
This has always been a favourite of mine from With The Beatles – it's full of raw energy. To this day (I was 7 in 1963), I remember reading Tony Barrow's sleeve notes, saying something like, "While Paul was adding the piano part, John was standing by another mike playing the harmonica," and feeling privileged to have been given some information about how this wonderful music was created. And it's a feeling I still get today, partly thanks to this brilliant website!
carlos gutman Tuesday 2 October 2012
I wonder if in the parts "If you want…" and "When you're by my side…" it's John singing solo overdubbing his vocals.
Jay Lannen Tuesday 22 January 2013
There were only two instances in the song where I was sure I could hear McCartney singing. They were during the "come on come on," parts and the "oh yeahs" at the very end. Other than that it mostly sounded like Lennon double-tracked. Anybody have any further insight into this?
Derek Miller Thursday 27 May 2021
Keep in mind that on alot of the earlier tracks, Paul and John doubled each other. Paul actually refers to this practice in the Anthology, where he had to "thicken" John's voice from his demos of Free As A Bird and Real Love. Really neat trick they were always able to do! Genius! Pure Genius!
Baggio Thursday 24 April 2014
This song and "Every Little Thing" often raise debates on their lead singer(s) – whether it was John alone double tracked or in duet with Paul.
According to my ears, Paul is singing duet with John on "Every Little Thing", but not on this song.
I can't hear Paul at all other than on the "oh yeah" at the end of the song.
I love this song by the way – even if it's more of a "work" song, it's catchy, exciting and one of my favourites on With The Beatles.
Musketeer Gripweed (kezron9) Tuesday 30 September 2014
Not sure how your listening to it. I am just listening to it on youtube 2009 stereo remaster and definitely hear Paul taking the higher notes. I hear him best at the "I'm so sad and lonely" part.
Julian Wednesday 1 October 2014
I think it's John harmonising with himself. It has that distinctive nasal timbre of his voice. The only time I clearly hear Paul is his "Oh Yeah!" at the end.
Only a nowhere girl Wednesday 23 March 2016
I agree with Julian. The "I" of "I'm so sad and lonely" sounds quite a bit like Paul, but the "lonely", to me, makes it very clear that it's Paul.
Richard Boene Wednesday 1 October 2014
I have to disagree. I couldn't make McCartney's voice out for a while either but after I listened intently to the vocals several times (particularly on the stereo mix) I came to the conclusion that they did indeed duet on this song. True Lennon's voice is a little more prominent but I could here McCartney's phrasing come through every once in a while.
Gary Geiger Saturday 13 September 2014
Forgettable fluff? I don't think so!
I concur. It's too raw and raunchy for fluff.
Sam Tuesday 12 May 2015
Definitely an under-rated song. It's hilarious if you interpret "I'm so sad and lonely" as being sarcastic. The singer is wooing a young woman on the dance-floor, saying "I'm so sad and lonely" with a big playful grin on his face.
bobbytee Wednesday 27 May 2015
Sam, I agree completely on the sarcasm! Sounds so much like John being silly. I recall a photo of young John which he sent back to his Aunt Mimi from Hamburg, and he wrote on it, "My 'come hither' look" or some such silliness. I feel like this line was sung in the same tone. I hear John doing that here and there on the early stuff. Like in She Loves You, when he sings "apologize to her-rer…" I feel like he's being sarcastic on those lines. And I love it!
Graham Paterson Thursday 26 May 2016
I love this song and John and Paul's duet. Johns harmonica playing adds so much to this song. It is just such a catchy and infectious number.
John Leper Monday 20 June 2016
Did George actually play on this song? I can't hear much guitar on it.
Onder Saturday 30 September 2017
There is a misunderstandig at how this song was recorded, there is really no proper guitar part. Little Child and I Wanna Be Your Man are the only song with vocals not done live but overdubbed later after the rhythm track had been laid down. Which indicates that Ringo was considered as singer for the song but it was John and Paul who overdubbed the vocals in the end, as we can hear on the final recording.
The basic live track was Ringo on drums, Paul on piano, John on harmonica (also singing "so come on come on come on" bit) and George playing "bass part", probably just on his guitar's bass strings. There is no other guitar in the song. This basic track can be heard in the left channel of the stereo mix. The only exception is the solo where sound engineer panned the harmonica to the right to have control over it during the mixing stage. The solo reveals that the harmonica was done live as there is huge amount of drums leakage onto the harmonica's mic.
Ringo might have tried his vocals but probably didn't feel the song. So John and Paul overdubbed the vocals. They sing in unison except for the " I'm so sad and lonely" bit where John sings the upper part and Paul the harmony below. They also split for some ad libs during fade out.
Pablo Castro Monday 10 August 2020
Good observations . Actually, this is the first piano-based song on the entire Beatle catalogue .
mokf71 Tuesday 25 August 2020
Like Paul said just a work song, and not a really good one, maybe the worst on the album?
John King Friday 23 July 2021
I kind of like this song. It's energetic. Definitely better than the majority of the covers they did on the With The Beatles album which I think are fairly lackluster. I do like Money though.
Oliver Driscoll Sunday 25 July 2021
The majority of the cover versions on With the Beatles are fairly lackluster? I don't think so. The Beatles weren't a "one-trick pony" act, they learned all sorts of music in order to fill those numerous hours of playing every night in Hamburg and the Cavern Club days. Their audience enjoyed the variety they gave. So many wonderful covers the Beatles themselves had cut, not only with rock & roll, rockabilly, R&B, soul, Brill Building pop, and American popular standards. This was why these four guys from Liverpool were miles ahead of their peers.

redpajama_set_name: RedPajamaCommonCrawl


text:
Incumbents
President: Boris Tadić
Prime Minister: Vojislav Koštunica

Events
5 June – Serbia becomes an independent country for the first time since 1918, following the dissolution of Serbia and Montenegro after Montenegro's secession from the country a couple of days earlier.

References

2000s in Serbia
Years of the 21st century in Serbia
Serbia
Serbia

redpajama_set_name: RedPajamaWikipedia


Four days after going to the season-opener in Baltimore, I was at Fenway with my mom and Charlie for the home opener, complete with ring ceremony and flag-raising. Above, the awesome new trophied-out 2014 schedule, in front of the 2013 banner.
Beautiful day. Cold, but we've experienced much, much colder.
Everything was moved up because of the ceremony, meaning the Red Sox finished BP before the gates opened. But we did get to see a few Sox while the Brewers were hitting. Above, Lester and Lackey.
Dempster showing off the golden B. Yes, he quit, but he was there to get his ring of course.
We were the first road fans to boo Braun in the post-suspension era. Was just regular boos, no extended chanting or anything.
A picture from underneath, just because.
Dropkick Murphys take the field.
I snapped this a second too late to show you some red peeking out of that box. But I was very excited when I got home and noticed it actually says "OPENING DAY WS FLAG" on the box. At this point we were in front of the blacked-out seats, hoping they'd let us stay there for the ceremony, instead of our much higher bleacher seats.
And they gave the special waving signal back.
The 2013 trophy, separated from its two friends for a change.
Starting to fill up and we were still in that spot.
Looking straight down at some Boston Strong people on the CF warning track. Finally, though, we were kicked out and headed up to row 24 of section 36.
Of course I totally knew going in that we'd have a rough angle at the Monster, but we decided to just enjoy it all from our real seats. Above, the 20th-century title flags dropping one by one.
Then it was '04, followed by '07, as per the tradition.
I wondered if maybe the 2013 flag would have the B-Strong logo or some other change, but they kept it the same as the other 21st-century ones.
Marathon victims/helpers taking the field, bringing the ring boxes. Newport's own "hard H. Abbott to break," Heather Abbott, is visible at right.
Russell Nua and other non-players getting their rings.
Andrew Miller giving an odd handshake while getting his finger-warmer.
Some of your favorite Sox waiting to raise the flag after getting their rings.
Papi got a ring, plus some special other ring.
The team raising the flag. Papi and Koji at far right.
Not much wind at the moment the American and World Series Champs flags went up.
But eventually the wind, much like the 2013 Yankees, blew.
The flags then went down to half-staff due to the recent firefighters dying. Here the team shakes hands with fire department types.
The Sox and the Brewers.
The mayor threw out the first ball, as lots of trophies looked on. I don't care about the other ones, just the ones Pedro, Varitek, and Lowell are holding.
First pitch of the actual game.
My boy Middlebrooks went deep, but we lost.
Briefly sat in the front row by the Brewers bullpen in the 9th. We would lose the next two and get swept by the Brewers. Goddamn.
Those two ladies from Still, We Believe and Fever Pitch. I always remember Jessamy's name but not the other one.
Drooling over all the pictures of and from Section 36! Thanks!


Our modular superheated-water system allows cleaning to be carried out at temperatures of up to 150°C and 160 Bar of pressure. Temperature and pressure can be varied meaning that it has excellent versatility across all building fabrics and substrates. The results speak for themselves.
Often cleaning by water alone cannot product the level of cleaning that is required, particularly on cladding which has not been cleaned for a few years. Our range of cleaning agents are designed to lift grime and staining from the surface before being washed off. We offer a range of coatings that can be applied on completion of the cleaning to reduce the build up of dirt on the façade.
We utilise a range of products on the market to deliver the best results when cleaning traditional substrates such as brick, stone and concrete. The highlighted image shows the use of poultice cleaning which can be very effective both internally and externally. Applied as a paste the active ingredients stay on the surface for longer, softening hard insoluble particulates such as carbon.
This can often be the best solution when the most sensitive clean is required and organic growth is at core of the problem. Surface dwelling red and green algae and deeper penetrating black mould causes unsightly appearances on render, brick and concrete. The softness, particularly of render means that only a light spraying or soft brush application is applicable without damaging the surface. Our soft applications are successful on 99.9% of microbial life and leave no durable environmental footprint.
Over time powder coated and anodised aluminium window frames become oxidised, resulting in colour loss and making the frames look tired detracting from the appearance of the building. Our resin coating solutions breathe colour and shine back into frames for a fraction of the price of re-spraying and last up to 5 years.
The cleaning of cladding can be very effective, but to guarantee the building looks at its best for longer, the application of a cladding restorer can be very effective. In addition to reviving the colour of faded panels, the application of these specialist coatings improve the water shedding capabilities of the cladding, helping to reduce the build up of grime and slowing down the re-growth of organic matter.
Our non-toxic, biodegradable paint removing system, is designed to be absorbed by the paint, causing the layers to swell. This can then be lifted from the surfaces using superheated water. Problems arise on painted stonework and brickwork when water getting into the substrate is prevented from evaporating by the painted layer. When freeze-thaw affects occur significant damage can be done to the brickwork and stone. Our highly effective system has been used to remove paint to allow for essential repairs and also to improve the aesthetics of a building.
In some instances window frames and cladding cannot be restored using our resin coating systems as the coloured coatings have been lost from the surface. In this instance we can re-spray the impacted areas to deliver as good as new results which are guaranteed for a minimum of 5 years.
A common problem that we find on metal windows is overtime the ironmongery and gasket wear out causing drafts and water ingress to a building. We offer bespoke solutions to replace ironmongery and gaskets and have the capability to develop and manufacture parts for install. From hinge replacement, to gasket design and internal locking systems, we offer a broad range of design solutions.
Overtime, exposed metal starts to rust and corrode. If left unchecked the corrosion causes joints to fail and water ingress occurs. Our cut edge corrosion solutions are highly successful and a fraction of the cost of roof replacement options.
Graffiti protection systems are suitable for almost all facades. They are invisible, sacrificial and vapour permeable so they allow your building to breathe. Once applied they give protection for up to 10 years and better still they protect the building from atmospheric pollution so your building stays cleaner for longer.
Often when access to a roof or façade is difficult, we will use rope access to carry out our work. Our trained IRATA technicians can access the outside of almost all buildings without the cost and disruption of traditional scaffolding solutions.
Truck mounted access can be a very successful way of reaching very high locations or locations that need a large amount of outreach. The basket size can accommodate a number of operatives and the computer aided controls ensure maximum safety at all times.
With the ability to fold up and fit through a standard door but reach levels up over 30m, we are finding more and more use for these specialist machines. So whether the ground below the building is tight, or there is a courtyard that needs to be reached, our spider solutions are always worth considering.
We still have much use for scaffolding requirements on our day to day projects. Often when we are carrying out restoration repairs, or roof works, we will install a scaffolding to allow safe and constant access to the building. Whilst typically more costly than other access solutions, scaffolding does allow more effective access for some of our more trickier restoration projects.


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Friday, March 18 • 12:00am - 1:00am
Edwyn Collins
Edwyn Collins Not Falling, But Laughing The first the world heard of Edwyn Collins was in February 1980 with the release of Falling And Laughing. The debut single by his band, Orange Juice, it was also the first offering from Postcard Records, the independent label Edwyn co-founded with Alan Horne, run from the latter's sock drawer in a former Red Light district in Glasgow's West End. As a record, Falling And Laughing was a hopeless cacophony of shrill guitars and an inexplicably loud bass drum pedal. But as a song, it was a sublime celebration of unfulfilled ardour to a tune that aimed to bridge the chasm between The Velvet Underground and Chic. In the age of New Romantics, Edwyn arrived as a Real Romantic, one unafraid to simultaneously embrace "the pleasure with the pain". After ten more records, including three increasingly inventive Orange Juice singles, Postcard closed its sock drawer in late 1981. It would be another two decades before Edwyn and Horne's endeavours would be belatedly recognised as a key foundation stone for indie music, particularly in Scotland where Primal Scream, Belle And Sebastian and Franz Ferdinand would all follow, and acknowledge, Orange Juice's trailblazing example. In the interim, Edwyn took Orange Juice into the Top 10 with 1983's Rip It Up, perhaps the epitome of their Velvets/Chic punk-funk hybrid, complete with Buzzcocks-homage guitar solo. Alas, the pleasure of performing the song on Top Of The Pops was neutered by the pain of Legs & Co ripping up tissue paper whilst dancing on an adjoining stage. Jinxed thereafter, Orange Juice would later close their proverbial sock drawer in 1985. Edwyn immediately embarked on a solo career, though it would be ten years before he found himself back on Top Of The Pops with 1995's A Girl Like You. Luckily, this time Legs & Co were nowhere to be seen. Better still, the song's northern soul groove and Isley Brothers guitar frills rewarded Edwyn with a genuine "worldwide smash" and enough royalties to fill a thousand sock drawers. Life, suddenly, was all pleasure. Fast forward another decade to February 2005, when Edwyn had just finished recording songs for his sixth solo album. Among the rough mixes in the can was a track called One Is A Lonely Number. Exactly 25 years after Falling And Laughing, it saw the Old Romantic still embracing life's pleasure with its pain: "If life breaks your heart, you needn't fall apart." Little could he have realised how profoundly prophetic these words would become in the months that followed. On Sunday, February 20, 2005, Edwyn was admitted to hospital after collapsing at home. He was later diagnosed with having suffered two cerebral haemorrhages and underwent a precarious neurological operation. Incredibly, through a combination of surgical brilliance, the heroic support of his family and his own seemingly invincible will power, Edwyn pulled through. Six months after his stroke, he was back at home. But more phenomenal still was his determination to overcome the physical after-effects hindering his movement and speech so he could return to the studio and finish the album he'd already begun. The result was Home Again, a testament not only to Edwyn Collins the songwriter, but Edwyn the man and his resolute spirit. "This is hard for me," admits Edwyn. "I'm learning to live again after my stroke. But I am happy and contented also. I'm very pleased with the album and with the songs. I'm getting there and I feel grateful at last." Finishing Home Again has been a Herculean struggle, but Edwyn's perseverance has more than paid off. Asked to rate it against his entire body of work, Orange Juice included, Edwyn ponders for a few seconds. "Home Again," he finally says, "it's perfect. These songs are me. This is who I am." has more than paid off. Asked to rate it against his entire body of work, Orange Juice included, Edwyn ponders for a few seconds. "Home Again," he finally says, "it's perfect. These songs are me. This is who I am." Since the release of Home Again, Edwyn has continued to renew himself, one step at a time. In November 2007, he took to the stage again, having painstakingly relearned the lyrics to his songs. Our hearts were in our mouths, but of course, he pulled the performance off with aplomb. He has continued to tour ever since, increasing in confidence with each show. In October 2008, he quite suddenly reconnected with the songwriter inside him, and has since recorded six new songs for an album due out in 2010. He has regained control of his precious studio and is swamped with production work for others, alongside his collaborator of sixteen years, Sebastian Lewsley. In May 2009, Edwyn was honoured by the British Academy of Songwriters, Composers and Authors, when he was awarded the Ivor Novello Inspiration Award. The long spiral of influence Orange Juice continue to have can be heard on the boxset, Coals To Newcastle, rleased in November 2010 by Domino Records. Spring 2010 will see the US release of Losing Sleep, his first set of songs written and recorded since his return. Featuring collaborations with his friends and supporters Franz Ferdinand, The Drums, The Cribs and The Magic Numbers, not to mention Johnny Marr and Roddy Frame, the album has already been hailed by many as the best of his life and is already enjoying success in the UK and Europe. No special pleading required. Edwyn Collins is back.
Edwyn Collins Not Falling, But Laughing The first the world heard of Edwyn Collins was in February 1980 with the release of Falling And Laughing. The debut single by his band, Orange Juice, it was also the first offering from Postcard Records, the independent label Edwyn co-founded... Read More →
Friday March 18, 2011 12:00am - 1:00am
Nuvola 105 E 5th St


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Consolidated Military Court Appeals (Argument January 16, 2018)
Cox v. United States
Ortiz v. United States
Dalmazzi v. United States
This case has been decided. See how it turned out!
This case highlights a unique principle of governance relating to the military.
On January 16, 2018, the Supreme Court hears three combined cases to determine the boundaries between military and civilian officers. There is a principle (and a federal law) that establishes a separation.
This case: in the military court system
U.S. courts-martial (military courts) prosecute military servicemembers under the military code (Uniform Code of Military Justice). Appeals are held within the system, and the final stop is the U.S. Supreme Court.
That's where this case ended up. Eight military servicemembers were convicted of a range of offenses (from drug offenses to sexual misconduct) and punishments were imposed. They appealed.
Dual-service of the appeals court judges
The military judges who heard the eight servicemembers' appeals were serving both in the military court system and on another court – one that is arguably a civil court. This court – the United States Court of Military Commission Review – although military-related (as the name suggests) is a court to which the President nominates some civilian (non-military) judges.
There is a law that says military officers may not hold civilian offices. Because these military appeals court judges were appointed by President Obama to the non-military court, the servicemembers argue the judges concurrently are in civilian positions.
Then, the servicemembers take the argument a couple of steps farther and say: the officers should have automatically lost their military appeals court positions AND that the appeals decisions made by those judges (while serving improperly) should be voided.
See more on the courts-martial system in the United States brief.
Read about the history of the United States Court of Military Commission Review.


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Biden prepared to talk with Putin if he shows interest in ending Ukraine war
United States France, © AP/Press Association Images
US president Joe Biden said he has no immediate plans to contact Vladimir Putin but is prepared to speak with the Russian president if he shows an interest in ending the war in Ukraine, and only in consultation with Nato allies.
"I have no immediate plans to contact Mr Putin," Mr Biden said at a White House news conference after talks with French counterpart Emmanuel Macron.
"I'm prepared to speak with Mr. Putin, if in fact there is an interest in him deciding he's looking for a way to end the war. He hasn't done that yet."
Mr Biden and Mr Macron pledged their countries' solidarity with Ukraine against Russia's war and vowed to work together to deal with the economic difficulties the conflict has brought.
Mr Biden put the onus on ending the war, which began with Russia's invasion of Ukraine in February, squarely on Putin.
"There's one way for this war to end, the rational way: Putin could pull out of Ukraine, No. 1. It appears he's not going to do that. He's paying a very heavy prince for failing to do it."


text:
Sixt Check-In
Sixt Express
London Congestion Charge
Flexi-Rent
Sixt Unlimited
Country Morocco
City Marrakech
Branch Marrakech Airport
Pick Up 00:00 hrs 00:30 hrs 01:00 hrs 01:30 hrs 02:00 hrs 02:30 hrs 03:00 hrs 03:30 hrs 04:00 hrs 04:30 hrs 05:00 hrs 05:30 hrs 06:00 hrs 06:30 hrs 07:00 hrs 07:30 hrs 08:00 hrs 08:30 hrs 09:00 hrs 09:30 hrs 10:00 hrs 10:30 hrs 11:00 hrs 11:30 hrs 12:00 hrs 12:30 hrs 13:00 hrs 13:30 hrs 14:00 hrs 14:30 hrs 15:00 hrs 15:30 hrs 16:00 hrs 16:30 hrs 17:00 hrs 17:30 hrs 18:00 hrs 18:30 hrs 19:00 hrs 19:30 hrs 20:00 hrs 20:30 hrs 21:00 hrs 21:30 hrs 22:00 hrs 22:30 hrs 23:00 hrs 23:30 hrs
Return 00:00 hrs 00:30 hrs 01:00 hrs 01:30 hrs 02:00 hrs 02:30 hrs 03:00 hrs 03:30 hrs 04:00 hrs 04:30 hrs 05:00 hrs 05:30 hrs 06:00 hrs 06:30 hrs 07:00 hrs 07:30 hrs 08:00 hrs 08:30 hrs 09:00 hrs 09:30 hrs 10:00 hrs 10:30 hrs 11:00 hrs 11:30 hrs 12:00 hrs 12:30 hrs 13:00 hrs 13:30 hrs 14:00 hrs 14:30 hrs 15:00 hrs 15:30 hrs 16:00 hrs 16:30 hrs 17:00 hrs 17:30 hrs 18:00 hrs 18:30 hrs 19:00 hrs 19:30 hrs 20:00 hrs 20:30 hrs 21:00 hrs 21:30 hrs 22:00 hrs 22:30 hrs 23:00 hrs 23:30 hrs
Morocco // Marrakech // Marrakech Airport
Marrakech Car Hire
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All cities in Morocco
Marrakech Airport Car Hire
Car Hire Branches in the Area
Agadir Airport
Casablanca Internat. Airport
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Casablanca Port Station
Casablanca Voyageurs Station
Agadir Bus Station
Agadir Taghazout
Casablanca Centre
Casablanca My Ismail
Casablanca Sapino
All stations in Marrakech
Branch Info.
Address: Marrakech Menara Airport
40160 Marrakech MA +212-600077800
Branch Type: Airport
GDS - Code: RAK
Mo. - Su. Mo.-Su. 07:00-24:00 07:00 - 24:00
Bank Holidays 07:00 - 24:00
Cheap car hire and Marrakech Airport
The region served by Marrakech Airport (RAK) is beautiful, but due to regular public transport delays, it is an area best explored by car. It's possible to rent a car from Marrakech Airport thanks to Sixt. The car rental agreements that we produce, allow our customers to include some really excellent benefits in order to make their car hire experience more enjoyable. We can also arrange for each driver to select their preferred Sixt economy car rental vehicle. Our vehicles include 4x4s - perfect for the Moroccan foothills, but we also have a number of city cars which are well suited to the traffic in central Marrakech.
The airport is a joint military and civilian facility located on the edges of the magnificent city of Marrakech (or Marrakesh). The airport has flights which go to all the corners of Europe as well as some Middle Eastern destinations. Marrakech Airport is a very busy facility; it services around three million passengers per annum. The airport is currently building a third passenger terminal in order to improve the facilities on offer to waiting customers. One useful service is the Sixt car hire service which is currently available from the airport.
Tourist Attractions in Marrakech
Marrakech (also called Marrakesh) is one of the most enchanting destinations in the entire world. The city has an eclectic mixture of ancient ruins and modern shops and restaurants. The fabulous Marrakech Museum is a highlight of the city; it holds a collection of artistic and historical documents that colourfully tell the story of Morocco. Elsewhere, the city is home to some amazing mosques - most of which welcome visitors - these buildings are very beautiful and are perhaps the most famous structures in Morocco. Alternatively, people with access to a decent car hire firm might want to explore the desert landscape outside the city.
Car Rental Branch Details
Mo.-Su. 07:00-24:00
Contacts / Lost & Found
SIXT Num. Marrakech Airport RAK Marrakech Menara Airport 40160 Marrakech 31.601308, -8.027036 +212-600077800
SIXT Num. Marrakech Airport RAK
Marrakech Menara Airport
40160 Marrakech
Phone no. +212-600077800
Location Plan - How to Find us
Your way to us:
The Sixt branch is located in the arrival hall of terminal 2. Follow the directions to the car rental. Sixt is located in the 2nd counter on your left. Your FLIZZR is awaiting you at the Sixt branch.
Out of Hours Pick Up & Return
Out of hour pick up possible.
Pick-up out of opening hours is possible for an additional charge. This service is bookable on request. Please provide your address and credit card details, e-mail address, flight and mobile number.
Out of hour return possible.
Please park the Sixt vehicle in the rental car airport parking. Leave the keys in the key box located next to the entrance of the Sixt branch. The papers of the vehicle, navigation system, mobile wifi, baby seat and any other Sixt belonging must remain inside the car.
Rent a Car Services at this Branch
Cars & Estates
Sports Cars & Convertibles
4x4s


Your leg is swelling and sore. Your foot is cold and throbbing, especially after you've been sitting for awhile. Nothing out of the ordinary happened to cause your pain, so what could it be? The answer: You need to improve your vein health.
The fact is, it's easy to find things to do to help build muscle, lose weight or reduce stress in our lives. But how often have you thought, "Gee, I need to remember to get my vein workout in today"? Probably never.
Improve your vein health before seeing a doctor by doing a few simple things.
One thing that can cause poor circulation is sitting too much. Desk jobs will do that to you. Long car rides or flights can cause it, too, but there's an easy fix—move.
With healthy circulation, veins carry the blood away from the lower legs and up to the heart. But prolonged sitting or standing makes it harder for your body to maintain upward blood flow. What doesn't go up, stays down in your legs and pools. That's what causes the swelling, usually in your feet and ankles first.
The easiest way to combat this is to walk more. Even walking a snail-like pace of 1 mph would burn twice the calories of sitting and get your blood flowing. All it takes is 30 minutes a day, five days a week, but doing a little less still will provide benefits.
In fact, the benefits will go to your head. A recent study found that the foot's impact during walking sends pressure waves through the arteries that increases blood flow to the brain.
Walking also has been shown to help people with peripheral artery disease, and one of its most common symptoms, claudication.
Believe it or not, one exercise you can do to improve your vein health is bouncing on a mini trampoline. It's called rebounding. Rebounding reduces blood pooling in veins and promotes circulation.
NASA studied its benefits in 1980 and found more ups than downs. So did the American Council on Exercise when it studied rebounding last year. Researchers say bouncing on a mini trampoline for less than 20 minutes is just as good for you as running.
It's also good for people who are overweight, or have bad knees or ankles. Some women even use it to treat varicose veins. In just five minutes, three times a day, you can improve your blood flow, and ultimately, your health.
Yoga is another low-impact way to improve circulation. Several poses will compress and decompress the veins in your legs and use gravity to promote blood flow. They include downward dog, warrior II and legs up the wall.
Researchers at the University of Texas backed up the blood-flow benefits with their study that found yoga improves circulation, relieves stress and energizes your body.
What we eat often affects how our body works. Your veins are no exception. Some foods that you can work into your diet—especially foods high in vitamin C, like oranges—promote blood flow. Vitamin C is thought to act as a natural blood thinner.
Beets/beet juice. Beets are rich in nitrates, which help increase blood flow and get oxygen to the muscles quicker.
Salmon. A deficiency in omega-3 fatty acids can result in poor circulation. Salmon is packed with omega 3 fatty acids.
Peppers. Hot peppers (cayenne, chili) improve circulation.
Radishes. Radishes are rich in minerals, including potassium, which helps with blood flow.
Poor circulation isn't a condition by itself. Instead, it results from other health issues. Therefore, it's important to treat the underlying causes, rather than just the symptoms.
Be sure to talk to your doctor to find out what exercises or foods will work best to improve your circulation, especially if you're experiencing symptoms.
To get more information on vein health, download our free guide on varicose veins.


There are many brands that manufacture military ransacks or tactical backpacks. But it is important to choose the best one which is durable, can withstand varying climatic conditions and act as a protective barrier to the things inside. It is important to know the reason of purpose you need the backpack for. The reasons can be different like hiking, trekking, carrying things for months, military rucksack and so on. The best tactical backpack can be bought by a few factors keeping in mind like size, material, and quality.
How to choose the best tactical backpack?
Size: The size of the tactical backpack should be larger enough to carry all the important things necessary for trekking or for military camps. The size should not affect the weighing capacity of the bag. The bag size should be larger and lighter at the same time so that it does not affect your back. It should have wider spaces on each compartment to hold various things. It should be of right size neither too small with less space nor too large which becomes heavy to carry for long distances.
Material: The best tactical backpack should have high-quality material that can hold many things needed for travel. Most tough backpacks are made of nylon or nylon based materials so that they can withstand heavy weight. It is also used for expanding depending on the weights they carry. Some backpacks also use polyester materials and most of the tactical backpacks cost high depending on the comfort it provides. But it is worth the price as they provide padding for your shoulders and back to protect them from pain.
Comfort: The backpack should be able to carry all the important things you need to carry. It should have space and compartments to carry your books, clothes, food items, snacks, torch lights, ropes, first-aid kit, and other important materials. Hip padding and straps are provided on all the sides of the backpack so that you do not have to experience even a milder pain while carrying them mountain tops, terrain or any region.
Sections: The best tactical backpack must have separate compartments to hold food items, soaps and dispensaries, clothing, laptops and other electronic gadgets, and things like an umbrella, raincoats, etc. It should have tinier compartments to cover all the objects you need for your travel. Another greatest advantage of having compartments is that you can remind of the things you really need to carry like grooming products, chargers, water bottles and so on.
These are some of the factors that help you to buy the best tactical backpack to carry your belongings easily. The things you keep inside must be protected from harmful sun rays, snow, and rain and from dirt. It is important to choose the backpack depending on the travel needs and your budget to buy them.


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Q: How to configure http_upload error for prosody I am using conversation an android client for xmpp server. I have used prosody for the server and bought a domain to direct the ip. The app is working fine with the text messages, but it is giving me error can't connect to server.
i have tried seperate component for http_upload though i am using 0.10 version which almost does the job by default but still no luck
admins = {  }

plugin_paths = {"/usr/lib/prosody/modules/","/opt/prosody-modules"}

modules_enabled = {

-- Generally required
"roster"; -- Allow users to have a roster. Recommended ;)
"saslauth"; -- Authentication for clients and servers. Recommended if you
 want to log in.
"tls"; -- Add support for secure TLS on c2s/s2s connections
"dialback"; -- s2s dialback support
"disco"; -- Service discovery
"http_upload";
"http_avatar";

-- Not essential, but recommended
"carbons"; -- Keep multiple clients in sync
"pep"; -- Enables users to publish their avatar, mood, activity, playing music and more
"private"; -- Private XML storage (for room bookmarks, etc.)
"blocklist"; -- Allow users to block communications with other users
"vcard4"; -- User profiles (stored in PEP)
"vcard_legacy"; -- Conversion between legacy vCard and PEP Avatar, vcard

-- Nice to have
"version"; -- Replies to server version requests
"uptime"; -- Report how long server has been running
"time"; -- Let others know the time here on this server
"ping"; -- Replies to XMPP pings with pongs
"register"; -- Allow users to register on this server using a client and change passwords
"mam"; -- Store messages in an archive and allow users to access it

"csi"; -- XEP-0352: Client State Indication (community module)
--"csi_simple"; -- Simple Mobile optimizations

-- HTTP modules
"bosh"; -- Enable BOSH clients, aka "Jabber over HTTP"
--"websocket"; -- XMPP over WebSockets
"http_files"; -- Serve static files from a directory over HTTP

-- Other specific functionality
--"limits"; -- Enable bandwidth limiting for XMPP connections
--"groups"; -- Shared roster support
--"server_contact_info"; -- Publish contact information for this service
--"announce"; -- Send announcement to all online users
--"welcome"; -- Welcome users who register accounts
--"watchregistrations"; -- Alert admins of registrations
--"motd"; -- Send a message to users when they log in
--"legacyauth"; -- Legacy authentication. Only used by some old clients and bots.
 "smacks"; -- XEP-0198: Stream Management to survive small network outages (community module)
"smacks_offline"; -- XEP-0198: Stream Management to survive small network outages (community module)
"carbons"; -- XEP-0280: Message Carbons syncs between desktop and mobile client (community module)
"cloud_notify"; -- XEP-0357: Push Notifications for Play Store version (community module)
"proxy65"; -- Enables a file transfer proxy service which clients behind NAT can use
}

 modules_disabled = {
 -- "offline"; -- Store offline messages
 -- "c2s"; -- Handle client connections
 "s2s"; -- Handle server-to-server connections
 -- "posix"; -- POSIX functionality, sends server to background, enables
 syslog, etc.
 }

 allow_registration = true

 s2s_require_encryption = true

 s2s_secure_auth = true

 -- Required for init scripts and prosodyctl
 pidfile = "/var/run/prosody/prosody.pid"

 authentication = "internal_hashed"

ssl = {
key = "/var/lib/prosody/instacom.com.key";
certificate = "/var/lib/prosody/instacom.com.crt";
 }

 archive_expires_after = "1w" -- Remove archived messages after 1 week

log = {
info = "/var/log/prosody/prosody.log"; -- Change 'info' to 'debug' for
verbose logging
error = "/var/log/prosody/prosody.err";
}
certificates = "/var/lib/prosody/instacom.com.crt"

----------- Virtual hosts -----------

VirtualHost "instacom.com"

ssl = {
        key = "/var/lib/prosody/instacom.com.key";
        certificate = "/var/lib/prosody/instacom.com.crt";
 }

A: Prosody 0.10+ uses http_files module which covers all the http crap. Therefore by removing that http_upload modules, i was able to get through this.
for prosody documentation...
https://prosody.im/doc
documentation for prosody Http mod
https://modules.prosody.im/
https://modules.prosody.im/mod_http_upload.html

redpajama_set_name: RedPajamaStackExchange


Together have invited Defected to join them at their Tuesday residency at Ibiza institution Amnesia for the 2015 season.
For 16 weeks from 09 June to 22 September, Defected In The House will host the infamous Terrace at Together's Amnesia residency, whose hugely successful 2014 witnessed a series of mammoth parties featuring dozens of the biggest names in electronic music.
Defected In The House nights have been regularly cited as the best house music parties on the island for the past few seasons, and we are incredibly excited to announce this bold new move on the White Isle.
This season Amnesia celebrates the 25 year anniversary of its current incarnation. Long regarded as one of the best clubs not only in Ibiza, but the world over, Amnesia is a venue that epitomizes the soul and history of the island, and a brand that has become synonymous with sleepless beat-driven summer nights.
The line-ups for the 2015 season will be confirmed over the coming weeks. Tickets are available now.


As a part of Music in Our Schools Month, we are featuring a number of music educators and their work in music advocacy. All of them exemplify the values of Citizen Musicianship through their dedicated teaching and by being enthusiastic champions for the arts.
Chip Staley is the fine arts department chair at Neuqua Valley High School in Naperville, Ill. While the program is extensive, providing opportunities for students to participate in the arts through many different mediums – including music, art, theater and dance – Neuqua Valley High School also provides an important platform for advocacy work through ARTSpeaks. ARTSpeaks is a committee of arts education stakeholders in the Naperville area that sponsors events raising awareness of the role the arts play in a comprehensive public school education, particularly in developing 21st century skills that are essential for success. To learn more about ARTSpeaks, please visit ARTSpeaks204.org.
How has music shaped your life?
I found my voice in middle school, through music. Once I started, there was never a question that I wanted to continue playing, and my teachers really affirmed my appreciation for the art form.
Can you give a basic overview of your program?
Once the students are in seventh grade, taking a music class is no longer mandatory. That is the first year that they can decide whether or not they want to take band. We have over 1,000 students involved in music at NVHS. We have eight orchestras, eight bands and seven choirs. We also have extracurricular ensembles: two jazz choirs, four jazz bands, a steel band, a fiddler group, a symphony orchestra, a percussion ensemble, a world voices group and a musical theater orchestra. We have eight full-time music teachers.
How has the music program changed in the time that you've been there, and what are some things you hope to see in the future?
When the school opened in 1997, we only had two starting classes, freshmen and sophomores. At that time we had 200 students in the music program, but I would attribute the majority of the growth in our music program to the growth of the school's population.
My greatest desire is to see the students have a continued opportunity to participate in a rigorous music curriculum. I also want the community to see the arts as something that's vital and essential for the health of the student body and the community.
What are some of your favorite memories as a teacher?
It's difficult to articulate what my favorite memory is – I define "favorite" very differently than other people. But I'd have to say that working with our Drum Circle, which is open to students with special needs, is one of them. It creates a way for them to interact. Rhythm is a way to draw them out of their diagnoses and bring them into a community.
What inspired you to launch ARTSpeaks? What things do you hope to achieve with the organization?
Because scientific studies can only get you so far, people need to see real-live examples, not just brain research or longitudinal studies. [There's a saying] "Nobody is swayed by evidence, but they can be influenced by stories." It's not always about having the evidence, but expressing an appreciation of your experiences in the arts throughout your life. Most people don't carry around data and statistics, but they do carry stories. And that's the most important thing that we can share, to educate the general population and give them the language so they can advocate for the arts.
ARTSpeaks is the platform to make that happen. It's modeled after TED Talks, so at each event, we have three speakers who have a 20-minute time limit. We invite professionals in different fields, all of whom were positively affected by music. We invite doctors, engineers, authors – but they all have backgrounds in music. Our most recent event, we had Gary Vlk, a producer; Pate Conaway, an artist, and we had Thomas Hooten, principal trumpet from the Los Angeles Philharmonic. Not everyone will go on to be a professional musician, but being involved in the arts will help them in their career choices.
We also really want to start reaching younger audiences. Students are being forced into choices in grade schools about their careers, so the earliest that we can show them how the arts can positively impact their career, the better.
Being able to help students realize their competencies. Music people are always finding things wrong, so it's a delicate balance. How much of a maestro do they need versus a facilitator? I respect them as musicians – releasing your power to them helps them to grow, and they become their own teachers. Seeing that happen, and seeing the kids create and work together, is very rewarding.


When I was in my teens and early twenties I used to keep a film diary. I'd write down the date and place I saw the film (cinema or on which tv channel – not much choice back then) and a few sentences about my reaction to the film. Aren't people lucky I have the Internet now?
I have no idea how this compares to the Asimov source but as a straightforward sf thriller it was reasonable although the CGI made most of the film look like a computer game (with added Audi advertising). Will Smith's attitude was irritating and clichéd while Bridget Moynahan was very attractive but not very dynamic. I was disappointed that I didn't recognise Alan Tudyk.
There often comes a time when I feel a bit of a fraud and not really a film buff when I watch critically regarded films like this and find them boring. Really though, femme fatales are such horrible stock characters. Men can't resist them and their evil allure and all the murder and mayhem is their fault for using their feminine wiles for such immoral purposes which is generally to get money. The men are drawn into their web and they can't help themselves. Anyway, Robert Mitchum was a remarkable looking man – both handsome and ugly at the same time – I suspect many people would put Nathan Fillion in the same category.
hahahah very true about Nathan Fillion. see someone else thinks so too.
Mary Astor in The Maltese Falcon. Nathan has funny lips and a big nose. He is no Sean Maher.


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Park Wiatrowy Suwałki (w skrócie PWS) – elektrownia wiatrowa (określana również jako farma wiatrowa). Jest to pierwsza elektrownia wiatrowa w Polsce należąca do polskiego przedstawicielstwa niemieckiego koncernu energetycznego – Rheinisch-Westfälisches Elektrizitätswerk AG z siedzibą centrali w Essen.

Budowa
Początki inwestycji sięgają roku 2003. Po odpowiednim zbadaniu terenu przez pracowników, rok później – w 2004 roku zostały postawione maszty pomiarowe, które stały do końca 2006 roku.

 Harmonogram budowy
 luty 2004 – listopad 2006: ustawienie masztów pomiarowych
 grudzień 2006: wydanie pozwolenia na budowę
 marzec 2008: podpisanie kontraktu na dostawę turbin
 lipiec 2008 – marzec 2009: budowa dróg dojazdowych
 sierpień 2008 – luty 2009: wykonanie fundamentów pod elektrownie
 sierpień 2008 – kwiecień 2009: Budowa stacji elektroenergetycznej
 marzec – czerwiec 2009: dostawa elementów elektrowni wiatrowych
 kwiecień – lipiec 2009: budowa elektrowni wiatrowych
 sierpień – październik 2009: rozruch i testy elektrowni wiatrowych
 26 października 2009: oficjalne uruchomienie Parku Wiatrowego Suwałki

Budowa ostatnich wiatraków Parku Wiatrowego Suwałki oznaczonych jako E-18 i E-19 zakończyła się 30 czerwca 2009 r. Od chwili rozpoczęcia pierwszych prac związanych ze wznoszeniem turbin minęło 2,5 miesiąca (montaż pierwszego wiatraka rozpoczął się 15 kwietnia 2009).

W tym krótkim czasie udało się zbudować 18 wiatraków i zamknąć bardzo ważny etap całej inwestycji. Rozpoczęcie przygotowań i prac związanych z całym procesem powstawania farmy wiatrowej rozpoczęło się dużo wcześniej, poczynając od stosownych zezwoleń, umów dzierżawy gruntów, budowy odpowiedniej infrastruktury (m.in. drogi dojazdowe, linie przesyłowe, GPZ) aż po transport elementów wiatraków i późniejszy montaż na właściwych stanowiskach.

Informacje
Ogólne informacje o Parku Wiatrowym Suwałki

 Typ turbiny wiatrowej – Siemens SWT-2.3-93
 Moc nominalna – 2300 kW
 Liczba turbin – 18
 Łączna moc – 41 400 kW
 Roczna produktywność – przynajmniej 80 mln kWh
 Średnica wirnika – 92,8 m
 Wysokość piasty – 103 m
 Wysokość całkowita – 149,5 m
 Minimalna prędkość wiatru – 4 m/s
 Pełna moc – od 13-14 m/s
 Maksymalna prędkość wiatru – 25 m/s powyżej której następuje automatyczne zatrzymanie wirnika, chroniące przed uszkodzeniem
 Uniknięte emisje CO2 – Przynajmniej 80 tys. t CO2/rok
 szacowany koszt inwestycji "Park Wiatrowy Suwałki" ok. 60 mln euro

Transporty

Suwalskie wiatraki pochodzą z duńskiej fabryki – Brande, skąd były transportowane do litewskiej Kłajpedy statkiem. Następnie elementy wiatraka przewożono specjalnymi ciężarówkami do ładunków wielkogabarytowych. Do przejazdu przez miasto zostały specjalnie przystosowane ulice Pułaskiego, Reja oraz Szpitalna i została wybudowana ulica Armii Krajowej.

Pierwszy transport miał miejsce 27 marca 2009, natomiast ostatni 16 czerwca 2009. Transport z Kłajpedy do Suwałk trwa 6 godzin (podróż powrotna skraca się do 4,5 godziny). Prędkość na prostych odcinkach dróg wynosi około 80 km/h.

Przyczepy są sterowane poprzez kierowców, w przypadku elementów podstawy – przez operatorów znajdujących się z tyłu. Przyczepy wykorzystywane do przewozu skrzydeł są sterowane z kabiny kierowcy, natomiast pilot obserwuje sytuację i w razie potrzeby komunikuje się przez radio, co do odpowiedniego skrętu kół.

Zobacz też

 Energetyka wiatrowa w Polsce
 elektrownia wiatrowa – kontrowersje

Przypisy

Suwałki
Suwalszczyzna
Obiekty budowlane w Suwałkach


Sunday evening January 24, 1943 Dear boys: Another Sunday evening, and time for a chat with those away from home. Think of the millions of homes where the ties just now are stronger than ever, but the contact is only by letters. (George and I use a different spacing in our letters) Since I last wrote you we have another member in our family. Grandma came home with us last Thursday afternoon, and is settled in the SW room. It must mean a very definite change for her, and it was with considerable reluctance that she abandoned the old homestead to the zero temperatures that have invaded this area. I believe that I mentioned some change in the weather last Sunday. That was only the half of it. Monday morning it was about ten below, and was windy as the tailend of a cyclone. That made it seem pretty cold. Mother and I had planned to drive over to Adel on Thursday afternoon andreturn on Sunday, but on arriving at the office I was assigned to attend a meeting of the Iowa appraisers at Des Moines on Tuesday. So we changed the schedule and drove to Adel on Monday afternoon, and boy, was it cold. Mother phoned grandma of the change in travel plans, and she had already made up her mind to come home with us. The cold weather and the uncertainty of her oil supply were instrumental in arriving at that decision. So after the Tuesday meeting in Des Moines, and may I say in passing that the mercury Tuesday morning stood at 14 below and I heardreports as low as 20 below, we took it easy on Wednesday, spending part of that time in jotting down the things to be done in closing up the house and it took a deal of jotting. Thursday the plumber came to cut the water and together we took such steps as appeared necessary to prepare the utilities for freezing temperatures and vacancy, notified the telephone company, the power company, the paper boy, the milk man and the postoffice. I nailed down the windows which had no locks, put a padlock on the cellar door and moved the small tools from the west garage to the locked garage. Mother and grandma cleaned out the icebox and packaged those comestibles which could easily be taken with us. At noon we moved over to Kate's for lunch, except that Chas. and I went down to Rotar y. Soon after we took the old familiar trail westward. The weather had moderated considerably and we had a pleasant trip considering that it was January instead of June. George had batched it (he may have bached it) and seemed pleased that we had again reached home. On Wednesday his club had won a game from Central, and on Friday they trimmed North again. That makes them five wins out of six starts. I shouldhave said that they won from South on Friday, and that they have six wins and one loss. Eight more games, with the last on Feb. 26. Another word or two ab out the weather, which seems to fluctuate enough to be of interest. By Friday the temperature had risen greatly, and after coming home I walked over to the mail box in my shirt sleeves. Saturday was colder and to-day has been very windy and muchcolder, with mercury slid ng under zero and now standing at 4 below. The high wind really makes it bitter outside, but here we are in peace and warmth, doing our reading, studying and letter writing as usual except for two missing segments of the family circle. After grandma recovers from the dislocation of leaving the familiar surroundings which mean so much to her, I am sure that she will thoroughly enjoy her stay. I hope that she can completely relax from the former necessity of looking after the operational details of her rambling establishment. As you well know, she willnot be idle end will insist on doing all of the chores that her daughter will permit. Characteristically, she wrote me a check for ten bucks "for moving me out here". Mother got the check. Ben, we had a fine letter from Elly yesterday, in which she told us about her new job in New York, at District Headquarters in the Federal Office Bldg. She seems to be havingthe same sort of mail trouble that you had when you moved to Corpus.


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text:
Q: auth/operation-not-supported-in-this-environment - Firebase, EXPLORER 11, Google spreadsheet Dears,
I'm using GOOGLE SCRIPT and GOOGLE SPREADSHEET.
From an HTML sidebar built with GOOGLE SCRIPT I'm trying to LOGIN WITH FIREBASE ( Google Sign-In ).
Here is the code to open the sidebar:
var html = HtmlService.createTemplateFromFile( 'menu' )
        .evaluate()
        .setTitle( 'Amis' )
        .setWidth( 500 )
        .setSandboxMode( HtmlService.SandboxMode.IFRAME );
    SpreadsheetApp.getUi() // Or DocumentApp or FormApp.
        .showSidebar( html );

Here is the code for FIREBASE ( Google Sign-In ):
        /**
        * show a popup with the google login
        */
       function loginWithGoogle() {
        var provider = new firebase.auth.GoogleAuthProvider();
        firebase.auth().signInWithPopup( provider ).then( function( result ) {
            onLoggedState(result.user);
        } ).catch( function( error ) {
            console.log('ERROR', error);
            // Handle Errors here.
            var errorCode = error.code;
            var errorMessage = error.message;
            // The email of the user's account used.
            var email = error.email;
            // The firebase.auth.AuthCredential type that was used.
            var credential = error.credential;
            // ...
        } );
       }

It works for Chrome, Edge , Firefox but NOT FOR INTERNET EXPLORE 11.
Here the exception:
error.code      "auth/operation-not-supported-in-this-environment"
error.message       "This operation is not supported in the environment this application is running on. "location.protocol" must be http, https or chrome-extension and web storage must be enabled."