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Валентина Платоновна Полухина (урождённая Борисова, ; ) — российско-британский литературовед, специалист по творчеству Иосифа Бродского. Вдова Дэниела Вайсборта.

Биография
Родилась под Кемерово, в семье ссыльных. В 1956 году вышла замуж, сменив фамилию на Полухина.

В 1959 году окончила Тульский педагогический институт, в 1971 году аспирантуру МГУ им. М. В. Ломоносова. С 1972 года преподавала русский язык в московском Университете дружбы народов.

В 1972 году фиктивно вышла замуж за студента-кенийца, чтобы выехать из СССР. Эмигрировала из СССР в 1973 году, уехав в Кению, затем в Великобританию, куда её пригласил профессор Евгений Ламперт, знакомый бывшей коллеги по УДН, Елены Михайловны Максименко, работавшей два года в Килском университете. Работала в Килском университете, в 1986 году защитила докторскую диссертацию, на протяжении многих лет профессор, затем почётный профессор.

Познакомилась с Иосифом Бродским в Лондоне в 1977 году. С 1979 году публиковала различные исследования и материалы, посвящённые его жизни и творчеству. Первая монография, «Иосиф Бродский: Поэт для нашего времени» (), вышла в 1989 г. в издательстве Кембриджского университета. Полухина составила и подготовила масштабные сборники «Бродский глазами современников» (английское издание 1992, российское 1997) и «Иосиф Бродский. Книга интервью» (2011; 62 интервью из известных на момент выхода книги 181), а также собрание научных статей «Поэтика и эстетика Бродского» (; 1990, совместно с Л. Лосевым).

Совместно с мужем, переводчиком Д. Вайсбортом, составила антологию «Современные русские поэтессы» (; 2005).

Центр современной литературы и издательский проект «Русский Гулливер» по инициативе Полухиной приступили к публикации стихов современных английских поэтов (, ,  и других) в переводах на русский язык.

Королевское литературное общество Великобритании за заслуги в развитии русско-британских культурных отношений 23 июня 2014 года наградило В. П. Полухину почётной медалью, учреждённой в 1916 г. английским эссеистом и поэтом А. К. Бенсоном (), отметив, что она изменила «представление британцев о современной русской поэзии и способствовала продвижению английской поэзии к русскому читателю».

Благодаря поддержке и финансовому содействию Полухиной в 1993 году началась деятельность российского издательства «АРГО-РИСК», специализирующегося на издании новейшей русской поэзии.

К 75-летию со дня рождения Бродского подготовила к изданию фундаментальную антологию посвященных поэту лучших стихотворений, отрывков воспоминаний и других работ почти двухсот отечественных и зарубежных авторов.

Отмечая восьмидесятилетие Полухиной, первый заместитель главного редактора «Российской газеты» Ю. М. Лепский писал о значении для русской словесности её работ по исследованию творчества и личности одного из величайших русских поэтов: «Она сделала то, чего не смог сделать никто из многочисленных теперь уже специалистов по творчеству Иосифа Бродского».

Скончалась 8 февраля 2022 года в Лондоне.

Библиография

Книги
1985 — Joseph Brodsky: A Study of Metaphor: Ph.D. Dissertation, Keele University, three vols., 1985.
1989 — Joseph Brodsky: A Poet for Our Time (Cambridge University Press, 1989, 2009), xx + 324 pp.
1990 — Brodsky's Poetics and Aesthetics (London: The Macmillan Press, 1990, co-editor with Lev Loseff and contributor), x + 204 pp.
1992 — Brodsky Through the Eyes of his Contemporaries (New York: St. Martin's Press and Basingtoke/London: The Macmillan Press, 1992), xi + 257 pp.
1993 — Literary Tradition and Practice in Russian Culture. Papers from an International Conference on the occasion of the seventieth birthday of Yu. M. Lotman, co-editor with Joe Andrew and Robert Reid, contributed an article (Amsterdam: Rodopi, 1993), xii + 341 pp.
1994 — Russian Culture: Semiotic and Structure, co-editor with Joe Andrew and Robert Reid, contributed an article (Amsterdam: Russian Literature, Special issue — Ju.M. Lotman, I, XXXVI—II, November 1994).
1994 — Structure and Tradition in Russian Society, co-editor with Joe Andrew and Robert Reid (Helsinki: Slavica Helsingiensia, 1994), 186 pp.
1995 — Brodsky's Genres (Amsterdam: Russian Literature, XXXVII-II/III, 15 february/1April 1995. Special issue: Joseph Brodsky), guest editor Valentina Polukhina).
1995 — Словарь тропов Бродского (на материале сборника Часть речи). При участии Юле Пярли (Тарту, 1995), 342 с.
1997 — Бродский глазами современников (СПб.: журнал «Звезда», 1997), 335 с.
1999 — Joseph Brodsky: The Art of a Poem, collected, edited and introduced, with Lev Loseff, contributed an article (London: The Macmillan Press, New York: St. Martin's Press, 1999), xv + 257 pp.
2000 — Иосиф Бродский, Большая книга интервью, составитель Валентина Полухина (М.: Захаров, 2000, 2005, 2007), 783 с.
2000 — Brodsky as a Critic, guest editor Valentina Polukhina (Amsterdam: Russian Literature, XLVII-III/IV, 1 April/15 May 2000).
2002 — Как работает стихотворение Бродского. Из исследований славистов на Западе, редакторы-составители Лев Лосев и Валентина Полухина (М.: НЛО, 2002), 303 с.
2003 — Поэтика Иосифа Бродского. Сборник научных трудов. Редколлегия: В. П. Полухина, И. Ф. Фоменко, А. Г. Степанов (Тверь, 2003), 472 с.
2005 — Иосиф Бродский: Стратегия чтения, ред. В. Полухина. А. Корчинский, Ю. Троицкий (М.: Издательство Ипполитова, 2005), 521 с.
2005 — An Anthology of Russian Women Poets, eds. V. Polukhina & D. Weissbort (University of Iowa Press, 2005). 2006 — Brodsky through the Eyes of his Contemporaries, vol. I, in Russian: Бродский глазами современников (Спб.: Звезда, 2006), том 1, 384 с.

2006 — Brodsky through the Eyes of his Contemporaries, vol. II, in Russian: Бродский глазами современников (Спб.: Звезда, 2006), том 2, 543 с.
2008 — Иосиф Бродский: Жизнь, труды, эпоха (Спб.: Звезда, 2006), 527 с.
2008 — Brodsky Through the Eyes of his Contemporaries, interviews with 21 poets (Brighton, MA: Academic Studies, 2008), vol. I (1989—2003), 392 pp.
2008 — Brodsky Through the Eyes of his Contemporaries, interviews with 40 poet, writers, translators, friend and relatives (Brighton, MA: Academic Studies, 2008), vol. II (1996—2008), 604 pp.2009 — Больше самого себя. О Бродском (Томск: ИД СК-С, 2009), 416 с.2010 — Brodsky through the Eyes of his Contemporaries, vol. III, in Russian: Бродский глазами современников (Спб.: Звезда, 2010), том 3, 406 с.2012 — Евтерпа и Клио Иосифа Бродского. Хронология жизни и творчества (Томск, 2012).2015 — In Russian: «Из не забывших меня. Иосифу Бродскому. In memoriam» (Томск, 2015). Составитель и редактор Валентина Полухина. (150 русских поэтов и 44 иностранных поэтов и 42 фрагмента прозы о Бродском).2016 — Словарь цвета поэзии Иосифа Бродского (М. НЛО, 2016), 372 с.

 Статьи, рецензии, интервью 1978 — A Few General Observations on Brodsky's World, Screever, (Keele, 1978), no. 1, p. 14-16.1979 — The «Strange» Theme in Brodsky's Poetry, Essays in Poetics, 1979, vol. 4, No. 1, p. 35-54.1986 — Грамматика метафоры и художественный смысл, Поэтика Бродского, составитель и редактор лев Лосевв (Tenafly, New Jersey: Hermitage, 1986), с. 63-96.1986 — A Study of Metaphor in Progress: Poetry of Joseph Brodsky, Wiener Slawisticher Almanach, 1986, Bd. 17, p. 149—185.1987 — Всевидящее око слов, Русская мысль, 1987, 30 октября 1987, с. 9.1987 — Парадоксы Бродского, Русская мысль, 1987, 25 декабря, № 3705, Литературное приложение, № 5, с. 1.1989 — Ахматова и Бродский: К проблеме притяжений и отталкиваний, Ахматовский сборник (Париж, 1989), с. 143—153.1990 — Рецензия на книгу Е. Эткинда «Процесс Иосифа Бродского», The Slavic and East European Review, Sept. 1990, p. 553—554.1990 — Он смотрит на мир с точки зрения времени, Литературная газета, 1990, 16 мая, с. 6.1990 — Поэтический автопорет Бродского, Иосиф Бродский: творчество, личность, судьба (СПб.: Звезда, 1998), с. 145—153.1990 — Similarity in Disparity, Brodsky's Poetics and Aesthetics (London: Macmillan Press, 1990), editor Lev Loseff & V. Polukhina, p. 150—175.1990 — An Interview with Bella Akhmadulina, Brodsky's Poetics and Aesthetics (London: Macmillan Press, 1990), editor Lev Loseff & V. Polukhina, p. 194—204.1990 — Интервью с Анатолием Найманом, Иосиф Бродский: Размером подлинника, ред.-составитель Г. Комаров (Таллин, 1990), с. 127—153.1991 — «The Self in Exile», Writing in Exile. Renaissance and Modern Studies, Vol. 34, 1991, University of Nottingham, pp. 9-18;1991 — Интервью с Томасом Венцловой о Бродском, Согласие, Вильнюс, 9 ноября, 1991, с. 6.1992 — «Поэтический автопортрет Бродского», Russian Literature, XXXI, 1992. с. 375-92;1992 — The linguistic reality in which we all exist: An interview with Viktor Kulle, Essays in Poetics, 1992, vo. 17, £ 2, p. 73-85.1992 — Brodsky's Poetic Self-Portrait, New Direction in Soviet Literature. Selected papers from the Fourth Congress of Soviet & East European Studies, Harrogate, 1990 (London, NY, 1992), p. 122—137.1993 — «Ландшафт лирической личности в поэзии Иосифа Бродского», Literary Tradition and Practice in Russian Culture, Papers from International Conference on the Seventeenth Birthday of Yu.M. Lotman (2-6 July 1992, Keele Un-ty, UK), eds. V. Polukhina, J. Andrew & R. Reid. Rodopi, 1993. pp. 229-45;1994 — «The Myth of the Poet and the Poet of the Myth: Russian Poets on Brodsky», Russian Writers on Russian Writers, Ed. by Faith Wigzell (Oxford/Providence, USA: Berg., 1994), p. 139—159.1995 — The Self in Brodsky's Interviews', Russian Literature, XXXVII-II/III, 1995, pp. 351-63.1995 — Bibliography of Brodsky's Interviews', Russian Literature, XXXVII-II/III, 1995, p. 417—4261995 — Опыт словаря тропов Бродского. На материале сборника «Часть речи», Митин журнал, 1995, № 52, с. 106—126.1995 — More than One: The Doubles in Brodsky's Poetic World, Twentieth-century Russian Literature: selected papers from the Fifth World Congress, Warsaw, 1995, p. 257—279.1995 — A review of David Bethea's book Joseph Brodsky and Creation of Exile, Slavonic and East European Review, 1995, p. 530—531.1996 — In memory of Joseph Brodsky, British East-West Journal, £ 404, Sept. 1996, p. 10-11.1996 — Obituary: Joseph Brodsky 1940—1996, Slavonica, vol. 2, £ 2, 1995/96, p. 123—128.1996 — Беспощадный судья, Интервью В. Полухиной с Дереком Уолкоттом, Литературное обозрение. Памяти Иосифа Бродского, 1996, № 3, с. 16-22.1996 — Гигантское здание странной архитектуры, Интервью В. Полухиной с Чеславом Милошем, Литературное обозрение. Памяти Иосифа Бродского, 1996, № 3, с. 23—28.1996 — Развитие семантической поэтики, Интервью В. Полухиной с Томасом Венцловой, Литературное обозрение. Памяти Иосифа Бродского, 1996, № 3, с. 29—34.1996 — «Myth of a Poet and Poet of the Myth», in Russian: Миф поэта и поэт мифа, Литературное обозрение. Памяти Иосифа Бродского, 1996, № 3, с. 42-48.1996 — Русские поэты о Бродском, Литературное обозрение. Памяти Иосифа Бродского, 1996, № 3Б с. 48-52.1996 — Интервью с сэром Исайей Берлиным, Знамя, 1996, № 11, с. 130—133.1996 — Интервью с Джоном Ле Карре, Знамя, 1996, № 11, с. 133—138.1996 — Интервью с Майклом Игнатьевым, Знамя, 1996, № 11, с. 138—141.1996 — Интервью с Джеральдом Смитом, Знамя, 1996, № 11, с. 141—143.1996 — Интервью с Алфредом Альваресом, Знамя, 1996, № 11, с. 143—146.1996 — Интервью с Дэниелом Вайсбортом, Знамя, 1996, № 11, с. 146—150.1996 — Бродский в Англии, Знамя, 1996, № 11, с. 126—129. 1996 — A Part of Speech. Poems by Joseph Brodsky, The Reference Guide to World Literature (Detroit: St. James Press, 1995), p. 188—191.1996 — Brodsky's view on Translation, Modern Poetry in Translation, 1996, no. 10, p. 26-31.1996 — Метаморфозы «я» в поэзии постмодернизма: двойники в поэтическом мире Бродского, Slavica Helsingiensia, vol. 16, 1996, p. 391—407.1996 — «Чтобы речь стала твоей речью», Ольга Седакова беседует с Валентиной Полухиной, Новое литературное обозрение, № 17 (1996), с. 318—354.1997 — An Interview with Sir Isaiah Berlin, in Russian: Новое представление о поэзии, интервью с Львом Лосевым, Звезда, Иосиф Бродский: Неизданное в России, 1997, № 1, с. 159—172.1997 — Благородный труд Дон Кихота, интервью с Роем Фишером, Звезда, Иосиф Бродский: Неизданное в России, 1997, № 1, с. 173—183. Перевод Виктора Куллэ.1997 — Joseph Brodsky, Encyclopedia of the Essays (London: Fitzroy Dearborn, 1997), p. 113—115. 1997 — The Prose of Joseph Brodsky: A Continuation of Poetry by Other Means, Russian Literature, XLI-II, 15 February 1997, p. 223—240.1997 — Bibliography of Joseph Brodsky's Essays, Introductions, Reviews, Letters (in English and in Russian), together with Thomas Bigelow, Russian Literature, XLI-II, 15 February 1997, p. 241—254.1997 — An Interview with Evgeny Rein, in Russian: Интервью с Евгением Рейном о Бродском, Zeszyty Literackje, no. 1, 1997, c. 98-109.1997 — An Interview with Lev Loseff, in Polish: Интервью с Львом Лосевым о Бродском, Zeszyty Literackje, no. 1, 1997, c. 110—122.1997 — An Interview with Derek Walcott, in Polish: Интервью с Дереком Уолкоттом о Бродском, Zeszyty Literackje, no. 1, 1997, c. 189—191.1998 — Exegi monumentum of Joseph Brodsky, Przeglad Rusycystyczny, Rocznik VVI (Katowice, 1998) Zeszyt 1-2 (81-82), p. 69-89.1998 — Мичиганский университет: 1980, в кн. Труды и дни, редакторы-составители Лев Лосев и Петр Вайль (М.:НГ, 1998), с. 55-60.1998 — В Англии. Вступление, в кн. Труды и дни, редакторы-составители Лев Лосев и Петр Вайль (М.:НГ, 1998), с. 83-89.1998 — Интервью с Джоном Ле Карре, в кн. Труды и дни, редакторы-составители Лев Лосев и Петр Вайль (М.:НГ, 1998), с. 111—120.1998 — Интервью с Джеральдом Смитом, в кн. Труды и дни, редакторы-составители Лев Лосев и Петр Вайль (М.:НГ, 1998), с. 121—124.1998 — Интервью с Дэниелом Вайсбортом, в кн. Труды и дни, редакторы-составители Лев Лосев и Петр Вайль (М.:НГ, 1998), с. 125—133.1998 — Спасительное присутствие (Интервью с Шеймусом Хини), в кн. Труды и дни, редакторы-составители Лев Лосев и Петр Вайль (М.:НГ, 1998), с. 264—269.1998 — Английский Бродский. Иосиф Бродский: творчество, личность, судьба — //в кн.: Иосиф Бродский: творчество, личность, судьба: Итоги трех конференций — СПб.: Журн. «Звезда», 1998, 320 с., — сс. 49-59.1998 — Поэтический автопортрет Бродского. Иосиф Бродский: творчество, личность, судьба — //в кн.: Иосиф Бродский: творчество, личность, судьба: Итоги трех конференций — СПб.: Журн. «Звезда», 1998, 320 с., — сс. 49-59.1998 — An Interview with John le Carre, in Polish: Интервью с Джоном ле Карре о Бродском, Zeszyty Literackje, no. 62, 1998, c. 149—155.1998 — More than One: The Doubles in Brodsky's Poetic World, Neo-Formalist Papers. Contributions to the Silver Jubilee Conference to mark 25 years of Neo-Formalist Circle (Amsterdam: Rodopi, 1998), p. 222—243.1998 — Joseph Brodsky, «A Part of Speech», The Reference Guide to Russian Literature (London, 1999), p. 195—196.1998 — Essay on Joseph Brodsky's «To Urania», The Reference Guide to Russian Literature, ed. Neil Cornwell (London: Fitzroy Dearborn Publishers, 1998), pp. 196—197.1999 — Exegi monumentum Иосифа Бродского, Литературное обозрение, 1999, № 4, с. 63-72.2000 — More than One: The Doubles in Brodsky's Poetic World, Twentieth-century Russian Literature: selected Papers from the Fifth World Congress of Central and East-European Studies, Ed. Karen Ryan-Hayes (Macmillan Press, 2000), p. 257—279.2000 — Бродский как критик, Russian Literature, XLVII-III/IV, 1 April/15 May 2000. Special issue: Brodsky as a Critic, guest editor Valentina Polukhina, p. 245—249.2000 — Bibliography of Joseph Brodsky's Essays, Introductions, Reviews, Letters (in English and in Russian), together with Thomas Bigelow, Russian Literature, XLI-II, 15 February 1997, p. 409—416.2000 — Иосиф Бродский в Англии, Русские евреи в Великобритании, Русское еврейство и зарубежье. Том 2-й, ред. М. Пархомовский и А. Рогачевский (Иерусалим, 2000), с. 241—258.2002 — Я входил вместо дикого зверя в клетку, Как работает стихотворение Бродского. Из исследования славистов на Западе, редакторы-составители Лев Лосев и Валентина Полухина (М.: НЛО, 2003), с. 133—158.2003 — Бродский о своих современниках, Мир Иосифа Бродского. Путеводитель (СПб.: Звезда, 2003), с. 249—264.2003 — Проза Иосифа Бродского: Продолжение поэзии другими средствами, Поэтика Иосифа Бродского. Сборник научных трудов. Редколлегия: В. П. Полухина, И. В. Фоменко, А. Г. Степанов (Тверь, 2003), с. 9-27.2003 — Pleasing the Shadows: Brodsky's Debts to Pushkin and Dante, Semicerchio Rivista di Poesia Comparata, XXVIII (2003)/1), p 19-30.2003 — Pushkin and Brodsky: The Art of Self-deprication, Two Hundred Years of Pushkin. Vol. I: Pushkin's Secrets: Russian Writers Reread and Rewrite Pushkin (Amsterdam, New York, 2003), p. 153—174.2004 — The Poet's Meow, ARS Interpres. International Journal of Poetry, Transaltion & Art, 2004, no. 3 (Stockholm), p. 111—113.2005 — Seamus Heaney in conversation with Valentina Polukhina, ARS Interpres. International Journal of Poetry, Translation & Art, 2004, no. 3 (Stockholm), p. 287—293.2005 — Les Murray in conversation with Valentina Polukhina, ARS Interpres. International Journal of Poetry, Translation & Art, 2004, no. 3 (Stockholm), p. 297—303.2005 — Интервью с Томасом Венцловой, Томас Венцлова, Статьи о Бродском, (М.: Baltirus: Новое издательство, 2005), с. 163—173.2005 — «Это мои стихи…», беседа с трёхлетним внуком Бродского, Семья и школа, № 11, 2005, с. 25.2006 — «Мяу» поэта (о любви Бродского к кошкам), Семья и школа, № 1, 2006, с. 222-23.2007 — Интервью с Пелагеей Андреевной Басмановой, Семья и школа, № 4, 2007, с. 20.2007 — «Пастушка русских поэтов», беседа Надежды Сырых с Валентиной Полухиной, газета Лондон-INFO, № 8, 2-8 марта 2007, с. 8.2007 — Seamus Heaney and Valentina Polukhina in Conversation, London Magazine, August/September 2007, pp. 58-70.
2007 — Susan Sontag and Valentina Polukhina in Conversation, London Magazine, October/November 2007, pp. 45-57.
2008 — «Иосиф», интервью с Анастасией Кузнецовой, Медведь, № 11, 2008, стр. 55-59.
2009 — «Язык владел им в совершенстве», беседа Юрия Лепского с В, Полухиной, Российская газета, 29 января 2009, с. 9
2009 — Интервью с Михаилом Хейфицем о Бродском, газета «Зарубежные задворки», 3 августа, 2009, Германия
2009 — Интервью с Михаилом Лемхиным, Сан-Франциско, газета «Кстати», 13 августа 2009
2009 — Всё зависит от мастера, Интервью с Давидом Маркишем о Бродском, «Иерусалимский журнал», сентябрь 2009.
2010 — Иосиф Бродский. Поэт для нашего времени. Интервью Елены Осиповой с Валентиной Полухиной, журнал «Новый стиль» № 4, 2010, с. 65-67.
2010 — «Мне повезло, я встретила гения…» Анастасия Байда беседует с Валентиной Полухиной, газета Англия, 16 июля 2010, № 27 (237), с. 1, 12.
2010 — Литературное восприятие Бродского в Англии, ж. Стороны света, № 9, 2010.
2010 — «Любовь есть предисловие к разлуке». Послание к М. К., Иосиф Бродский в XXI веке. Материалы международной научно-исследовательской конференции (Санкт-Петербург: Филологический ф-т СпбГУ, 2010), ред. О. Глазунова, с. 135—146.
2010 — Andrei Voznesensky: obituary, Guardian, 3 June 2010
2010 — «Ритмы России в творчестве Бродского», ж. Знамя, № 9, 2010.
2010 — Obituary: Elena Shvarts, Independent, 16 June, 2010
2011 — Valentina Polukhina in Conversation with Adam Michnik, in Russian: Валентина Полухина, Адам Михник. Беседа о Бродском, журнал «Интерпоэзия» № 1, 2011.
2011 — Valentina Polukhina in conversation with Czeslaw Milosz, in Polish, Zeszyty Literackie, no. 1, 2011, Special Issue.
2011 — «Любовь есть предисловие к разлуке. Послание к М. К.», НЛО, № 112
2011— Евгения Изварина — //Антология современной уральской поэзии. 2004—2011 — Челябинск: ИГ «Десять тысяч слов», 2011, 351 с., — с. 312—313 ISBN 978-5-87184-522-6
2011 — Наталья Стародубцева — //Антология современной уральской поэзии. 2004—2011 — Челябинск: ИГ «Десять тысяч слов», 2011, 351 с., — с. 343—344 ISBN 978-5-87184-522-6
2011 — Интервью с Натальей Горбаневской — //Natalya Gorbanevskaya, Selected Poems — Manchester: Carcanet Press, 2011, pp. 107—118
2012 — «Обреченная на поэзию», беседа Инны Кулишовой с Валентиной Полухиной, ж. Звезда, № 2, 2012.
2012 — Ритмы России в поэзии Бродского, Вестник Новосибирского поэтического марафона, № 4, Новосибирск, 2012, стр. 70-74.
2012 — Вектор в ничто. Интервью с Иосифом Бродским: 10 апреля 1980 г., Анн Арбор, Мичиган, сборник научных трудов: "Иосиф Бродский: проблемы поэтики (М.: НЛО, 2012), стр. 425—439.
2012 — Потомкам с любовью, интервью Татьяне Юфит, газета «Англия» 7-13 декабря, стр. 17.
2013 — Интервью Ирине Чайковской, ж. «Новый берег», № 40, перепечатано в журнале «Чайка», № 19, октябрь 1-15, 2013, с. 49-53.
2014 — Тайна «Похорон Бобо» — //Новое литературное обозрение — М.: 2014, № 2 (126), стр. 306—313.
2015 — Собрание незабывших — //Российская газета — 20 мая 2015 г., № 106 (6677), стр. 9.
2018 — Бродский в Великобритании, «Русское наследие в современном мире» 20 мая 2018, Лондон, стр. 94-109.
2018 — «И я не превращусь в судью» (Открытое письмо Дмитрию Быкову) — //Российская газета — 11 декабря 2018.
2018 — Беседа с Борисом Фабрикантом о И. Бродском. ж. «Этажи», номер 1, 2018, стр. 145—159
2019 — Культура вне границ, альманах «Культурное безбрежье», 2019, стр. 5
2019 — Английский поэт Joseph Brodsky, ж. «Звезда», номер 9, 2019, стр. 145—153
2020 — Предисловие к книге Юрия Лепского «Бродский только что ушёл», М. Искусство — XXI век, 2020, стр. 8-9
2021 — Стихи «на случай» Иосифа Бродского, ж. «Новый мир», номер 1, 2021, стр. 171—181
2021 — «Ткань, впитавшая полуденное солнце», 25 лет назад ушел из жизни Иосиф Бродский. «Российская газета» 28 января 2021
2021 — A Bibliography of George Kline's Published Translations of Joseph Brodsky's Poems. In Cynthia Haven «The Man Who Brought Brodsky Into English. Conversation with George.L Kline». USA, Academic Studies Press, 2021,pp.188-194.
2021 — Afterword to Cynthia Haven «The Man Who Brought Brodsky Into English. Conversation with George.L Kline». USA, Academic Studies Press, 2021, pp. 201—203.
2021 — Joseph Brodsky by David Morphet and Valentina Polukhina «Poetry in isolation» No 3, Essays by Members of the Athenaeum, January-March 2021, pp.36-54

Награды
 Медаль Пушкина (18 июля 2018 года, Россия) — за плодотворную деятельность по сближению и взаимообогащению культур наций и народностей.

Примечания

Ссылки

Выпускники Тульского педагогического университета
Преподаватели Российского университета дружбы народов
Литературоведы России
Литературоведы Великобритании
Бродсковеды
Награждённые медалью Бенсона
Русские эмигранты третьей волны в Великобритании

redpajama_set_name: RedPajamaWikipedia


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text:
Concealed Ownership Costs Home Health Care Agency Millions
A home health care provider and related entities have agreed to pay more than $9 million to settle allegations that they defrauded Medicare by concealing the home health agencies' relationship with their management company. The settlement also requires compliance with an ongoing Corporate Integrity Agreement.
The government alleged that the defendants submitted false cost reports that concealed a financial relationship between the home health care provider and its management company. Had the cost reports disclosed that the management company was a related entity, that would have lowered the Medicare reimbursement for the management company's services.
Among the factors cited as evidence of the relationship, the government alleged that principals of the management company:
exerted significant control over the home health agencies;
facilitated the purchase of the home health care agencies;
made loans worth millions of dollars from companies they owned to the home health agencies;
made cash transfers for millions of dollars from the management company to the home health agencies; and
had day to day control over the home health agencies' operations.
The government also alleged that the purported owner of the home health care agencies was merely a figurehead.
This is just the latest example of the government looking into substance over form. Even if you think that you have documented all the relationships properly to establish separate legal entities, the government will dig deep into your records to determine whether entities that do business together are related or truly independent.
Home Health Care Fraud in Detroit Covers All the Bases
Claims for Care Never Provided, Payments to Patients to Create False Records, Unlicensed Doctors, and Money Laundered Through Sham Companies
Two Detroit-area residents have pleaded guilty to participating in a $13.8 million home health care fraud and money laundering scheme that sounds like a case study of the different types of healthcare fraud that can occur.
The defendants and co-conspirators owned or controlled four different home health care agencies that billed Medicare for home health visits that never occurred. Payments were made to various medical professionals, including doctors, nurses, physical therapists and physical therapy assistants, to create fictitious patient files to document purported home health services that were never provided. One of the defendants, a physical therapy assistant, also signed fictitious patient files in which physical therapy services were documented, but never actually provided.
Kickbacks were paid to recruiters who obtained beneficiaries' information and used the information to submit claims for home health services that were never provided. The beneficiaries sometimes pre-signed forms and visit sheets that were later falsified to indicate that they received home health services that were never provided. Other times, the beneficiaries' signatures were forged on forms and visit sheets.
At least one shell company was incorporated for the purpose of laundering the proceeds of health care fraud, which were obtained through the submission of false and fraudulent claims to Medicare.
Other corporations were formed that employed individuals who claimed to be doctors, but, in fact, were not licensed in the state to perform any medical services. The unlicensed doctors met with and purported to examine Medicare beneficiaries for home health care services. In fact, the patients were not examined, nor were they homebound. Many of the beneficiaries were paid to pre-sign patient visit forms and did not receive home health services at all.
Click here to read the full press release from the U.S. Department of Justice.

redpajama_set_name: RedPajamaCommonCrawl


text:
Jörg Bach ist der Name folgender Personen:

* Jörg Bach (Bildhauer) (* 1964), deutscher Bildhauer
 Jörg Bach (Fußballspieler) (* 1965), deutscher Fußballspieler


text:
Mural Project in Ukraine
The city of Mariupol, located in the eastern part of Ukraine, has accepted a generous number of internally displaced people (IDPs) since the 2014 crisis concerning the Ukrainian border with Russia.
In July 2016, the city council voted in favor of adopting the declaration of "City of Solidarity," in collaboration with the Office of the United Nations High Commissioner for Refugees (UNHCR). The municipality is very devoted to diversity and restoration of peace.
Over the Wall, reflecting this theme of solidarity and peace, was invited by the city of Mariupol with the support of the local UNHCR office to draw a mural on walls that had been damaged during military conflict. The aim was to bring oppressed persons, including IDPs, and the Mariupol citizens together to participate in creating murals.
Further, 2017 marks the 25th anniversary of the start of diplomatic relations between Japan and Ukraine, and the Ukraine government has decreed this year as the Year of Friendship with Japan. This project was carried out as a part of this framework.
KyivArt-zavod Platforma
Ukraine ♥ Japan
The mural commemorates the 25th anniversary of diplomatic relations between Japan and Ukraine. It portrays people all over the world running on a street in the same direction while holding each other's hands. On both sides of the road, there are cherry blossoms, a symbol of Japan. At the opening ceremony for the mural, actual cherry trees were planted in front of the mural.
MariupolSchool No.68
The theme for the mural comes from Ukraine's classic national folk story, "The Mitten." This tale, also very well known in Japan, is about a number of animals who find a mitten one cold, snowy day, and all of them seek refuge inside. To each newly arrived animal, the ones inside give a generous welcome, even in such a tiny space, and all of them get to share the warm mitten. Over the Wall chose this theme because its message very much resonates with the same sense of solidarity and peace which the City of Mariupol holds in its declaration as the "City of Solidarity."
In the drawing, inside this mitten, are Ukrainians from all regions of the country, including Podolia and the Carpathians, as well as people from other parts of the world. On the palm of the mitten sit the famous Ukrainian Easter Eggs, and some chicks have hatched out due to the warmth of the mitten. The message conveyed in this picture is that the compassion of people hatches eggs of hope and makes the way for the future.
Art Flag Relay Workshop
A workshop for the Ukrainian children was organized in order to create a flag for children in Ecuador, the next destination for the Over the Wall project. The flag will be delivered there next year, after which it will travel on to another country.
Using art supplies kindly donated by Sakura Color Products Corp, art lectures were given by Kensuke Miyazaki to participating children, many of whom are of refugee and IDP status, in Mariupol and Kyiv. They freely drew whatever they liked, and prizes were awarded for particularly creative pieces.
Reflection on the Ukraine mural project
I was on open wasteland with no shade to protect me from the strong sunshine. I needed to climb up and down 10 meters on a scaffold to make a few changes on the mural, and my feet got scratched a lot. I climbed right up to the top where I could see the port on the Sea of Azov and a countless number of chimneys. A taxi driver had told me that this whole city smells like iron. This city, with its Ancient Greek roots, has unusual monuments in the form of steel factories built during the Soviet era. Apartments, built for the factory workers, are dilapidated and moreover show severe damage caused by the bombardment 3 years ago.
This mural painting project in City of Mariupol, Ukraine took place under the tensest circumstances I've experienced so far. A battle front facing Russia and a no-go zone were just a few kilometers away. The city however accommodates over 40,000 Internally Displaced People (IDPs) fleeing from neighboring towns like City of Donetsk. Our Over the Wall team had been preparing for this project together with a local UNHCR office under the theme of "City of Solidarity" this year. On the very first day we arrived at Mariupol, it made me honestly quite nervous to see from the car window an intimidating view of heavy rain, closed gates blockading the roads leading to the battle front, and traces of gunfire damage. Nonetheless, as we proceeded working on the mural, the children in the same neighborhood started coming around us to play and try to communicate with us.
"Konnichiwa! Arigato!"
" Добрий день! Спасибо! "
We only knew these words to speak to each other, but those were actually all we needed to get to know each other. In this way, we started to slowly mingle with the town's people. Thanks to various media coverage on our project, we became a bit like celebrities.
The completed mural expresses a sincere wish for peace. Inspired by a traditional Ukrainian folktale "The Mitten", I drew the people with different ethnic, religious, and vocational backgrounds huddling together in a giant mitten in the cold Winter. Big Easter eggs, also originating in Ancient Ukraine, are hatched by the warmth of the people. Then the chicks grow up and fly over the sky, bringing back joy to the people.
I feel immensely honored to have created this mural, which I hope can act as a bridge between Japan and Ukraine, in the year which marks the 25th anniversary of their diplomatic relationship. I hope that the mural becomes a symbol of peace in the city, conveying warmth to the hearts of many Ukrainian people.
Over the Wall – world mural project Artist
Kensuke Miyazaki
Mural Specifications
School No.68 in Mariupol
1,100 x 1,100 cm
Art-zavod Platforma in Kyiv
345 x 1,100 cm
Over the Wall Crew in Ukraine
Keisuke Ono
Workshop Coordinator
Naoaki Bab
Changhun Lee
Assistant Photographer
Song Minuk
Daisuke Fukui
Sayuyoshi Saito
Duma Yegor
Over the Wall Staff
Takuya Yamada, Soichiro Gokan, Miki Hayashi, Yota Mukaiyachi, Manami Haruyama, Yuri Koyama, Yukiko Sakurada, Taichi Ito, Moe Okita, Yujin Lee, Yuko Katsuki, Riku Sato, Ai Abe
Local Coordination
UNHCR Ukraine
Project Dates in Ukraine 2017
2nd July
Arrival in Ukraine
3rd to 6th July
Mural painting and workshop at Art-zavod Platforma in Kyiv
Opening Ceremony for the mural
Move to Mariupol
10th to 28th July
Mural painting and workshop at School No.68 in Mariupol
Unveiling ceremony for the mural; Live talk at Zaporizhia Edition Space
Live painting in Lazirky Village
Move to Kyiv
2nd August
Return to Japan
Over the Wall
Assisted by
Under the auspice of
Embassy of Japan in Ukraine
Embassy of Ukraine in Japan
City of Mariupol
Saga Prefecture
Japan Foundation
The TOKYO CLUB
Kansai Paint Co., Ltd.
Sakura Color Products Corp
Nakameguro Bio Kitchen Studio
Iida Hosiery Co., Ltd.
Sagasiki Co., Ltd.
Puropera Co., Ltd.
Vectculture Inc.
Mirai Kikaku Corp.
KOMABA
Ricoh Japan Co., Ltd.
Etsuko Chida / UNHCR Ukraine
2010KENYA
2016EAST TIMOR
2017UKRAINE
2018ECUADOR


We fell in love with these two builders the minute we walked through a home they had done in the 2010 street of dreams. We contacted them to build a home for us because of how much we admired their work. What a great choice that has been!!! From the minute we met with them they focused on what we wanted as a client and what type of house would work best for our lifestyle. They remain dedicated throughout the entire building process from the house plans, to the site preparation, the multiple interior choices and everything in-between. They helped us choose the best quality products while paying attention to the small details that have made our house not only beautiful, but also a well constructed home that continues to impress us as we live here. These two woman are so incredibly talented as builders, you feel as though you are a member of their family, they care that much!!
When my wife and I decided it was time for us to build our dream home, we knew we couldn't trust just anybody (or any company). It is a complicated process and working with the right people to achieve your dream home is crucial. The moment we met Jamie and Natalie we knew we had found the right people. We loved the homes that they had previously built; but their warmth, dedication, and attention to detail made them the perfect pair to work with. Each and every day we are thankful that we chose Elite Development NW to help us build our home, and we couldn't recommend two people more highly!
Jamie and Natalie prepared the design for our kitchen/family room remodel. They listened to and expanded upon our ideas and interests, and they created and developed an amazing plan. They were actively involved in all phases of the project and their follow through (and attention to detail) was unbelievable. We love our new space!
What started as a kitchen and master bathroom remodel turned into an update of three other bathrooms and a laundry room, as well. Jamie and Natalie have such great ideas on how to transform a space. Through diligent shopping they saved us thousands on appliances and materials and passed the savings onto us.Consequently, we were able to expand our project while staying within our budget, and somehow they got it all done in the original time allotted. One or both of the girls came by each day to check on the work being done by their subcontractors. They were respectful of the fact that we lived in our house throughout the remodel and even came to tidy up between projects (above and beyond the call of duty)! We are so impressed with the work ethic of these two women we've chosen Elite Design NW to build a house for us from the ground up...we can't wait to get started!
We can't thank you enough for the beautiful half-bath addition that you did for our home. Everyone that sees it declares that it is amazing. It turned out better than we could have imagined. It is truly a showcase bath and we believe it will add value to our home as well as being useful and lovely. Jim and I enjoyed working with you so much and appreciated that you took the time to consult with us and to keep us informed every step of the way. We were also grateful that you met with us and helped look at the various tile options. That can be a daunting task and you made it so much less stressful. If we have any projects in the future for our home, you will be the first ones we call. We really value your opinions and the work of those you contract with.
I could not have been more pleased with every aspect of working with Jamie. She is extremely thorough, efficient, and responsible and that makes for a wonderful working relationship. The word "perfection" comes to mind. The quality of her work is beyond anything I have encountered previously, and she takes a very strong sense of ownership over any issue that arises. I would recommend Jamie to anyone, and feel that she is one of the very best in the business. She knows her homes like the back of her hand, and she takes a personal pride in her work. Truly a joy to work with, and I would do it again in a heartbeat.


When you're a dreamy super-duper smartphone, it's essential to flaunt a near-perfect performance to show off your muscle power – and that's the case with the almighty Verizon Galaxy Nexus. We've had it for a short time, but we're obviously going gaga about the whole Android 4.0 Ice Cream Sandwich experience, but more importantly, its speed needs to be top-notch in order for it to complement the entire package.
Much like its contemporaries, the Verizon Galaxy Nexus is packing a dual-core processor with 1GB of RAM – in fact, it's a 1.2GHz TI OMAP 4460 CPU. Needless to say, that's probably more than equipped to handle most operations. With a static wallpaper, the handset exhibits very slick and fluid movements while navigating across the homescreen. Moreover, it's very tight in tracking the placement of our finger. As for other basic tasks, like opening apps, it's fairly instantaneous with its operation – so it's easily admirable in our books. However, switching over to a graphically intensive live wallpaper, we do notice some noticeable bouts of choppiness, which does soften its aura. Nonetheless, it doesn't appear to be terrible at all, but it does make you question the handset.
Right away after completing the first pass with the Quadrant benchmark, it's apparent that the app isn't entirely fine-tuned to work with Ice Cream Sandwich – and of course, the scores we obtain aren't indicative to its true potential. Specifically, it crawls in completing most of the graphical components of the test, but even worse, there's a substantial drop in overall frames per second with most of them. All in all, it's able to obtain scores ranging from 1,368 and 1,714. Hardly applaud worthy in this day and age, we have to reiterate that Quadrant doesn't seem to be specifically aimed to work with ICS, yet. Meanwhile, the AnTutu benchmark test is a bit more telling, as we're given a total score of 6,046, which meets the mark of the GSM version of the handset.
As usual, you can take all the worth that benchmark tests offer, but above all, it's ultimately the real-world performance that's going to matter. Out of the box, it's undeniably swift, well, with static wallpapers anyways. Of course, we'll be putting it through further testing to see how it all shapes up in the end.
Well all know the LTE model has the same horsepower, im just want to see what the LTE does to the battery life.
Yeah Quadrant doesn't seem to like ICS.... there's no way in hell this device would score less than a 3000.
Motorola Razr with the same Hardware Scored less than 3000. So what are u gonna Say? CNet and Techradar Reviewers said "Galaxy Nexus is only smoother in homescreen transitions than Galaxy SII and Galaxy Note mainly because of ICS. They both concluded that Galaxy Nexus is much slower than the two Exynos' phones in completing tasks"
Well Motorola RAZR has a smaller screen with lower resolution, a ti omap 4430, while the nexus has a ti omap 4460, and lastly omap processor were optimized for ICS, which is what the nexus is running and the razr is not, they are 2 different devices.
...the Razr has an OMAP4. xD the only difference between the two performance wise is the Galaxy Nexus has a slightly higher clocked GPU and the Galaxy Nexus has hardware acceleration support due to Android 4.
Well, it looks like the processor in the Galaxy Nexus isn't inferior to the one in the GS2 like so many people were saying. Im very happy about that. Cant wait to get mine for T-Mobile in a couple months.
According to what? Not based on these benchmarks because the GSII got double what this phone got. Many possibilities but still weird.
if we're talking about the chips and only the chips, the exynos has no clearcut advantage at all, least none that I can find.
Exynos has a VERY clear advantage: anandtech.com/show/5133/galaxy-nexus-ice-cream-sandwich-initial-performance As others have pointed out here, several of the Galaxy S II's in the US don't have their original Samsung hardware- the Exynos chipset with Mali 400 GPU was swapped for a Qualcomm chipset for 4G bandwidth compatibility. The Galaxy S II's with original Exynos chipsets beat the pants off the Galaxy Nexus. When said Galaxy S II's get the ICS update, the difference will only be more apparent. The Nexus devices are NOT meant to be hardware powerhouses, they are designed to be stable pure Android platforms- proof of concepts if you will. The Galaxy S line on the other hand is designed to be Samsung's flagship devices. If you really need proof of this, just look at the Galaxy Nexus' specs. It hardly has all of Samsung's bells and whistles: Only a 5MP camera, no expandable memory and a weaker chipset than a phone they released 3 months prior (the SGSII). The only two bullet points in favor of the Nexus is ICS and an HD screen (which is compelling of course). For the international market though, ICS is on its way to the Galaxy S lineup (SGSII and Note are confirmed) and the Note already has an HD screen. The Galaxy S II HD is also coming out which will negate this point. Moral of the Story: Import a Galaxy Note. Bigger HD screen, better chipset (1.4GHz Exynos), better camera, more storage capacity,and ICS is on its way (if you don't simply root it and load ICS yourself).
the OMAP4460 is still slightly inferior to Exynos.
Quadrant Standard has been very suckish lately. Extremely inaccurate. My Atrix scores between 2500-2800. The razr and Bionic gets scores in the low 2000's. But for some reason you seesamaing devices get 3000+.
that's not true. the Razr can get as high as 2900-3000 and the Bionic can get as high as 2800.
No its just im pointing out how outdated quadrant standard is. I've seen razr get scores thay low, but are surprisingly fast.
Of course it's outdated. It uses the nexus one and evo to compare with.
They should change the "comments" to "excuses from fandroids, lol. I can imagine what the comments section would look like if this turned out to be the ip4s' performance, lol. The iphone would be attacked unforgivingly for the slightest choppiness and lag, lol. But this is an android device, so of course there's a good reason why it's choppy, hahahahahaha.
Man.. you are on a serious roll today.
Does ip4s support live wallpaper? how would you know iOS is such a boring thing. Author has clearly mentioned... 1. "With a static wallpaper, the handset exhibits very slick and fluid movements". 2. "switching over to a graphically intensive live wallpaper, we do notice some noticeable bouts of choppiness"
The last time Quadrant Standard was updated was in Feb 2011. I think it is time for an update. I agree that you cannot go entirely based on these tests and their scores. My Xoom gets 1550-1700 on Quadrant and I've seen people get 2000's with the same non rooted unit that I have. But these test's do give us an idea on the phone's performance. If these are true for the Galaxy Nexus, then that is a shame.
What a choppy laggy POS. I'll stick with my iPhone 4 S,and my galaxy s 2.
I pull 5700s with my Rezound. Seems the S3 1.5 ghz isn't as far off from the performance of the Nexus or SGS2 as everyone thought, at least on AnTuTu. I wonder how it will perform with the improved hardware acceleration of ICS.
remember too that it's higher clocked at 1.5GHz. the S3 is still trash compared to the OMAP4 and Exynos. i can get 5200 on Antutu with my Droid 3 which has a 1GHz OMAP4 and it has half of the RAM the Rezound has.
Those are some pitiful benchmarks I must say. I'm getting the phone regardless, because let's face it, the benchmarks don't tell the whole story and I imagine it will have some decent resale value. If the performance of the S4 or the quad cores live up to the hype I'm gonna jump ship on this phone rather quickly unless of course the Nexus just dazzles me.


As IT field evolves, it becomes more mature, the need to optimize cost naturally drives the innovation and creativity. The new concept coupled with technology, which is now doing the rounds is "Cloud Computing Services".
Cloud Computing, though recently gaining in popularity, is not a new concept and has been in existence for about a decade. Cloud computing is a system where a pool of high-powered computer resources serves data and applications from a central location over the internet. No special software is required to utilize these applications. For example, a few popular cloud-based apps that are widely used today are the free email offering such as Gmail, Yahoo Mail, and Hotmail. Facebook also comes in cloud computing solutions.
Applications "in the cloud" may be accessed using a standard Internet browser, from any location, and without requiring special software. Although some cloud-based apps may require a certain browser plug-in, cloud apps generally allow users to access them without installing additional software on their computers or devices.
Cloud computing offers numerous types of services, including infrastructure, software, storage, security, data, test environment, desktop, application program interface and cloud computing platform. For example, customers using a software as a service will usually rent the software applications and databases. The cloud providers manage the platforms and infrastructure on which the application runs, similar to how web-hosting is now provided to individual users.
Before implement cloud to your organization, it is imperative to check whether it is fit for a given environment, you have to understand the general concept. There are different deployment models, platforms, and applications of cloud that help to make up a cloud environment. It includes Community cloud, private cloud, public cloud and hybrid cloud. Here we are going to explain to all these models so that you will not face any difficulty while choosing which platform is suitable for your organization.
Public Cloud: This cloud computing service is suitable for the general public and a large group of the organization and is owned by a third party vendor that sells or offers free of service, a cloud that can be used by the general public.
Community Cloud: When a group of people wants to share their resources with one another, then there is a need for an interface that will help to share their resources and this architecture is known as community cloud. This community is also called a mini public cloud, but only a selected group of an organization will be authorized to access this community. Generally, most of the groups of organizations are choosing this cloud computing platform for their business.
Private Cloud: This cloud computing platform is established to support only one small organization.
Hybrid Cloud: This cloud is a mixture of two or more clouds (private, public or community). It allows some of the resources to be managed by a public cloud environment, while others are managed by a private cloud.
Cloud computing service has the potential to change the way organizations view and deal with IT needs. So, it is vital to include cloud computing for your current and future needs.


text:
Online inhibitor
Our group then carried out a study to
Our group then carried out a study to determine the substrate sites and arrhythmogenic mechanisms of the BrS [29]. We found that all our BrS patients had abnormal low voltage, fractionated late potentials exclusively clustering in the anterior aspect of the RVOT epicardium and not seen anywhere else, and RVOT endocardium or left ventricular (LV) epicardium. Fig. 2 shows an example of low-voltage fractionated electrograms recorded from the anterior RVOT epicardium of a patient who presented with ES. Ablation at this area normalized the Brugada ECG pattern and prevented recurrent VF episodes. Similar observations were found in all our study patients, and these findings clearly provide the strongest clinical evidence that the delayed depolarization at the anterior aspect of the RVOT is the most likely underlying electrophysiologic mechanism underlying BrS (see more discussion below). Although it is quite apparent that depolarization disorder is likely to be the main mechanism underlying the BrS, one has to be mindful that repolarization abnormality could contribute to the arrhythmogenesis of the BrS patients, along with genetic mutations of ionic channel and other precipitating factors. Genetic mutation in BrS was first described by Chen et al., who reported the first mutation linked to BrS in the SCN5A gene, which encodes for the α-subunit of the sodium channel [30]. Since then, >100 SCN5A mutations have been discovered in BrS patients, and they are the most common type found in 11–28% of BrS probands; however, the estrogen receptor antagonist of BrS have become heterogeneous. In addition to the SCN5A mutations, more mutations are found in gene encoding protein of potassium and calcium channels. These genetic findings in and the pharmacological features of BrS are generally considered favorable evidence for the repolarization theory. However, in structural discontinuous myocardium, AP propagation is determined by the tissue architecture itself which is abnormal in BrS, as evidenced by the late fractionated potential in the anterior RVOT epicardium and by the ionic current available for propagation. The latter is more or less determined by the AP morphology, which in turn is modulated by INa, ICa−L and Ito. A decrease in INa (commonly seen in SCN5A mutations in BrS patients), a decrease in ICa−L, and an increase in Ito or IKATP, modify the action morphology in such a way that safety of conduction is decreased (i.e., potentially leading to conduction slowing or conduction block in structural discontinuous myocardium or at Purkinje-ventricular muscle boundaries). All of these possibilities are linked to genetic variants associated with BrS, and some of them, in particular the amplitude of ICa−L, are sensitive to changes in autonomic tone. Similarly, pharmacologic interventions that block Ito or increase ICa−L, respectively, quinidine and isoproterenol, are expected to exert the opposite effect and improve safety of conduction. Indeed, both drugs are known to attenuate the Brugada ECG pattern and suppress the associated arrhythmias. Fig. 3 shows the possible pathophysiologic mechanisms underlying BrS and their modulating and precipitating factors. BrS patients had arrhythmogenic substrates displaying as late fractionated low-voltage potential in the anterior RVOT epicardium, which causes type I Brugada ECG pattern or could be accentuated or unmasked by sodium channel blocker (i.e., ajmaline, procainamide, flecainide, etc.), febrile illness, vagotonic agents, α-adrenergic agonists, β-adrenergic blockers, tricyclic or tetracyclic antidepressants, or first generation antihistaminies (dimenhydrinate). In the presence of SCN5A mutation that results in loss of INa, BrS patients not only could have more prominent ECG abnormality, but also develop short-coupling PVCs that could trigger VT/VF. In the presence of predisposing factors such as an altered autonomic nervous system, fever, or hypokalemia, VF could become sustained and occur frequently.
br In Sanguinetti et al and Barhanin et al
For the pocket a cm incision was made along


Sponsored by the Society of Colonial Wars of the Commonwealth of Massachusetts.
This finding aid describes the microfilm edition of French and Indian War orderly books kept in America from 1758-1760, taken from the manuscript collections at the Massachusetts Historical Society. The microfilm contains ten books, including orders for Mass. Provincial troops and one regiment of the British Army.
A good overview of British operations in Canada during the French and Indian War, with maps, is given in Douglas Edward Leach's Arms for Empire (The Macmillan Company, New York, 1973). For a further description of the activities and makeup of a colonial militia regiment in the war, see Fred Anderson's A People's Army (published for The Institute of Early American History; Williamsburg, Virginia, 1984.
This microfilm edition contains orderly books kept in America during the French and Indian War (1755-1763) selected from manuscript collections of the Massachusetts Historical Society. Loose orders, returns, muster rolls, etc. have not been included, although some orderly books contain these items.
This guide contains full descriptions of each orderly book including the name or number of the regiment, who the book was kept by or for, the dates of the book, where the book was kept, any engagements or campaigns the regiment was involved in, the manuscript collection in which the book is found, and a description of its contents.
Some of the books can be found on the "Pre-Revolutionary War Diaries at the Massachusetts Historical Society" and the "John Thomas papers" microfilm editions, both available for use at the Society. When this is the case, a statement has been added to reflect the location of the orderly book on the other microfilm.
The orderly books described in this guide are arranged by the name of the regiment, first the Massachusetts provincial regiments in alphabetical order by unit name, followed by other state units, and finally by British regular army units. Provincial regiments in the French and Indian War were named after the colonel who commanded them (i.e. Col. John Thomas's Massachusetts Provincials), and the companies were named after the captain who raised them, with each level of command having a separate orderly book. Because units were raised for specific campaigns only, it is possible that a regiment with the same name over a period of time was made up of different men over the course of the war.
The descriptions which follow reflect the order of the volumes on the microfilm.
Orders given by Lt. Col. Nathaniel Thwing and Maj. F.D. Whore of Josiah Thacher's company of Col. Thomas Doty's regiment, kept by James Hamilton at Halifax, N.S. from 13 May - 7 August 1759 (possibly preparing for the Quebec Campaign) concerning hygiene, weekly and daily routines, weapons maintenance, labor relations with civilian employers, punishments for disobedience, parade orders, work details, stationing in area fortifications, religious observances, and provisioning procedures. Also includes orders regarding embarkation onboard ships for deployment, and passwords.
Note: This orderly book also appears on the Pre-Revolutionary Diaries microfilm, reel 13.7.
Orderly book of Capt. Silas Brown's Company of Col. Timothy Ruggles's regiment, kept by Nathaniel Sawtell during the Montreal campaign with orders concerning daily encampment and duty details; weekly roll call and account for detached elements; victualling returns; and soldiers' casualty lists. The orders were given at Crown Point, N.Y.; Isle au Noix, N.Y.; "the Shambles" [possibly Fort Chambly, N.Y.]; Fort St. John, N.Y.; and opposite Montreal, Canada from 31 August - 9 October 1760. Book also contains references to detachments of forces to Crown Point, New York with Maj. [John] Burk, Lake Champlain, Ticonderoga, Hudson River, and hospitals.
Note: This orderly book also appears on the Pre-Revolutionary Diaries microfilm, reel 13.6.
Orderly book kept from 26 March 1759 - 2 February 1760 containing instructions, commissions, and authorizations received by Col. John Thomas when in Boston, Mass.; Castle William, Boston; Boston Harbor aboard a transport schooner; Lunenburg and Halifax, N.S. from Gen. Charles Laurence, Brig. Gen. R. Burton, Brig. Gen. Timothy Ruggles, and Gov. Thomas Pownall for the raising of a regiment of men, the appointment of staff officers and commission junior officers. The book also contains the rosters of the regiment broken down into each captain's company listing the names of the men, places of birth and residence, age at time of enlistment, date of enlistment, and date of death.
The book continues to give the commissions and instructions by Col. Thomas to each captain in his regiment, the general instructions for the regiment as a whole, the lists of regimental officers and staff, and the daily passwords while in Halifax, Nova Scotia.
Note: This orderly book also appears on the microfilm of the John Thomas papers, reel 1.
Orders given by Col. John Thomas at Boston, Mass.; Castle William, Boston; Boston Harbor aboard a transport schooner; Lunenburg and Halifax, N.S. from 18 April 1759 - 24 February 1760 while performing garrison duty in Nova Scotia during the Quebec Campaign. Orders concern the manning of area fortifications; hygiene and weapon maintenance; religious observances; muster and provision returns; marching, parade and embarkation orders; and court-martials. The book also contains certificates of leaves of absence, discharges and liberty passes.
A small pad containing orders given by Col. Thomas from 7 August - 29 August 1760 at Crown Point, N.Y.; Lake Champlain; Isle la Motte, N.Y.; Schuyler's Island, N.Y.; and near Isle Au Noix, N.Y. Orders regard the embarkation and movement of the regiment north through the Lake Champlain waterways during the Montreal Campaign of 1760.
Orderly book for Jotham Gay's company of Col. John Thomas's Massachusetts Provincials kept by Nathaniel Bangs from 11 April 1759 -5 June 1760, and with roster returns to 1762, while on garrison duty at Castle William, Boston; Fort Edward, Pizquid (sic), [ICS.); Halifax, N.S.; and aboard a pilot schooner. Orders concern hygiene; weapons handling and maintenance; rules aboard ship and ashore; treatment of French civilians; commercial activity between troops and civilians; court-martials; and daily worship practices. Book also contains ration muster roll returns, wage schedules for soldiers in 1759, rules governing discipline, and casualty lists.
Note: This volume also includes an account book, 1777-1845, which is not included on this microfilm edition.
Note: This orderly book also appears on the Pre-Revolutionary Diaries microfilm, reel 13.5.
Orders given by Capt. David Holmes for his company of the Third Connecticut Regiment, perhaps written by Holmes from 4 June 1758 - 12 May 1759 at Woodstock and Hartford, Conn.; Fort Edward, Saratoga, Halfmoon, Ticonderoga and Lake George, N.Y. during the assault on Ticonderoga and after. Orders concern work details, detachments and deployments; casualty figures for individual engagements including regiments involved, casualties inflicted and operations undertaken; diary-like entries recording daily events and deaths; minutes of court-martials; provisioning and supply returns; plans for a breast work to be built; names of officers in the Third Connecticut regiment; and receipts for wages paid.
Note: This orderly book also appears on the Pre-Revolutionary Diaries microfilm, reel 13.8.
Orders given by Capt. David Holmes from 14 August - 21 October 1759 at Crown Point, N.Y. while on garrison duty during the Quebec campaign. Orders are concerning work details fortification construction and calls for specially skilled workers; court-martials; hospital organization; provisions and supplies; detachment orders; sick lists and camp returns.
Note: This orderly book also appears on the Pre-Revolutionary Diaries microfilm, reel 13.9.
Orders given by Gen. Townshend, Gen. Wolfe, Gen. Monckton and Admiral Boscowen from 2 June - 24 September 1759 at Louisbourg, Cape Breton Island and Isle d'Orleans, Pont d'Orleans, Montmorencie, and Pont Sevy, Canada during the Quebec campaign. Orders regard provisioning and supply, marching, and parading; care for the sick and wounded; creation and construction of encampments and fortifications; general guard and picket duties; treatment of civilians and camp followers; and court-martials, appointments, behavior of officers and men.
Also contains a general description of the goals for the campaign as well as Admiralty instructions for the captains and master of the transports.
Note: This orderly book also appears on the Pre-Revolutionary Diaries microfilm, reel 13.2.
French and Indian War orderly books at the Massachusetts Historical Society, Massachusetts Historical Society.
United States--History--French and Indian War, 1755-1763--Regimental histories.
Prepared by Matthew McKenzie and Brenda Lawson, Oct. 1992.


text:
Olivia Rodrigo is the artist of the year, according to Time magazine
The singer was chosen by the prestigious magazine and took advantage of talking about the controversy that relates her songs to other artists.
At 18 years old and with seven nominations for the 2022 Grammy Awards, the American singer Olivia Rodrigo continues to rise as a musical star after being chosen as the artist of the year by Time magazine .
In a profile created by the outlet, they show how the déjà vu voice achieved its rise to fame after releasing its debut album SOUR , which has already won multiple accolades.
Olivia Rodrigo is the artist of the year
The former Disney girl began dabbling in music on the musical series Bizaardvark at age 12. In addition, earlier this year, he participated in the Disney + series, High School Musical . It was in that same month that Rodrigo decided to release his first single: Driver's License.
Perhaps it was because of the sadness of the lyrics or because of the TikTok phenomenon, but among the theories about who the song was directed to, the song led the singer to be the youngest to debut at number one on the Billboard Hot 100 , where His song remained for eight weeks, according to the American media.
Olivia Rodrigo Success Story
The success of her songs did nothing but increase with her first album, SOUR, which led to her winning Best New Artist of the Year at the American Music Awards .
According to the magazine, due to this abrupt success, the artist assures that "I would be lying if I said there is no pressure." "But sometimes I remember: this only happened 10 months ago . I don't have to have it all figured out yet, "he says.
During the interview, the artist also referred to the controversy caused by some of her songs, which were related to songs by other artists such as, Taylor Swift or the band Paramore , ensuring that "it was really frustrating to see people discredit and deny my creativity. ".
"Young women are constantly being compared to each other . Now I am the 'new this' or 'this woman who knows that woman', and that ends up reducing me, "he says. "I'm just Olivia. I'm doing my own thing. It is significant when people recognize that situation ", he adds.
"Writing songs is what I take most seriously in my life," explains Rodrigo. "At heart, all my songs are about me , my experiences and my feelings," he says.
On December 7, Rodrigo had his own Tiny Desk Concert , an online presentation for NPR radio where artists such as Miley Cyrus, Dua Lipa and even the Chilean Mon Laferte have participated .
Teaser for "Fantastic Beasts: Dumbledore's Secrets" shows the new Grindelwald
Sam J. Sheen (Denise Richards Daughter) Wiki, Bio, Age, Parents, Net Worth, Facts


JA programmes cover the educational path from primary to higher education. Built on the principle of learning by doing, our programmes serve as a bridge between school and the business community in order to empower young people with the values and life skills that will enable them to succeed both personally and professionally.
Check out this short video of last year's company programme!
The JA Company Programme provides an entrepreneurial learning experience for young people aged 15 to 18. The programme seeks to nurture a new generation of entrepreneurial, innovative and civic-minded talents for Cyprus. It is the largest youth entrepreneurship programme on the island. Participants learn how to take a business idea from concept to reality and have hands-on experience of running a real business, from team formation, capital raising, business plan development, product development, marketing and sales to liquidating the company.
JA More Than Money integrates money management concepts with helping children to identify their interests and learn basic business skills. By playing the Community and the Business games, students aged 10 to 12, understand the role of money in our lives and learn about earning, spending, sharing and saving money. The programme is offered through 6 one-hour sessions. Business volunteers lead a class of primary students in sessions to understand how they can earn and manage money. Students will also be able to explore their interests and learn to be entrepreneurs.
The JA Innovation Camp is a one-day, intensive experience that engages 50 Greek-Cypriot and 50 Turkish-Cypriot high school students with entrepreneurial and collaborative learning opportunities. Students are divided at random into teams of 5, and the teams divided such that those from the same schools are not grouped together. All teams are presented with the same hypothetical challenge and are given the goal of finding a creative and innovative business solution to the challenge presented. Teams are provided with a laptop and a flash drive that contained templates for a PowerPoint Presentation; they had a specific amount of time to develop a presentation to illustrate each team's proposed solution. As they prepare their presentation, they have access to business volunteers that help them think through their ideas and develop an achievable and realistic solution to the challenge. Teams need to apply their entrepreneurial thinking to arrive at their final solutions before making presentations in front of a panel of judges. The panel selects the top solutions and announces winners for the first, second, and third place.
This programme is tailored to the interests of students, aged 14 to 17, who drop out early from mandatory education. The goal is to encourage them to build skills that could improve their employability. This programme is supported by the MetLife Foundation USA as part of their support to low-income individuals for promoting financial inclusion.


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Galway Wind Park is Ireland's largest onshore wind farm. Located in Connemara's Cloosh Valley west of Moycullen, County Galway. The wind park was co-developed by SSE Renewables and Coillte at a cost of €280 million and consists of 58 Siemens 3 MW SWT-3.0-101 wind turbines. The wind park provides energy to around 89,000 homes, which is equivalent to 80% of the homes in Galway.

Development
The project was developed over two phases and includes four permitted wind farms which are Galway Cloosh, Lettercraffroe, Seecon and Uggool. Phase one of the project consists of 22 turbines located on the Uggool and Lettercraffroe sites and began construction in 2015. It was developed and financed solely by SSE Renewables and consists of 22 turbines. Phase two was developed and financed through a joint venture between SSE Renewables and Coillte. The second phase consists of 36 turbines located at the Cloosh and Seecon sites.

The Port of Galway was used in the development of the wind park, and turbine tops, hubs and blades were offloaded in the port and transported to the site by tucks during the night. The 55 meter long blades were among some of the largest in the industry at the time of construction and a section of the Lough Atalia Road which passed under the rail bridge had to be lowered in order to facilitate the transportation of the turbine blades.

Generated electricity is sent to the nearby Uggool substation where the voltage is increased to 110kV.  An underground power cable joins the Galway-Screeb 110kV overhead line and connects the wind park with the electrical grid.

See also

 Wind power in Ireland
 List of wind farms in the Republic of Ireland

References

External links

Wind farms in the Republic of Ireland


Working with museum collections is one of the most exciting aspects of the field of art history, however, it can also be a daunting task. Many museums have gaps in their records such as missing titles, dates, regions, etc. This workshop will give an overview of the challenges of working with museum collections and offer students suggestions for engaging artworks in a museum context including methods of analyzing and researching artworks, and strategizes for producing original research. The workshop will introduce both theoretical methods and practical approaches that will be helpful for academic settings and/or careers in curatorial/museum fields.
Marion Cadora is a visiting lecturer in the department of History of Art + Visual Culture at UCSC. Concurrently she holds a position as the Assistant Curator of the John Young Museum of Art and lecturer of art history and museum studies at University of Hawai'i Mānoa. Previously, Marion worked as a researcher and educator at the Fine Arts Museum of San Francisco, San Francisco Museum of Modern Art, and the University of Goroka in Papua New Guinea.


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Home Automotive Design Car Design The Rarest Ferrari Ever Made Headed To Auction
The Rarest Ferrari Ever Made Headed To Auction
RM Sotheby's Monterey auction on August 18-19 of this year includes a chance to own one of the rarest Ferraris ever made – the 1950 Ferrari 166 MM/212 Export "Uovo" by Fontana. In the early history of Ferrari, late '40s and early '50s, some of their most important customers were the four Marzotto brothers (Vittorio, Giannino, Paolo and Umberto) who were all considerably talented racing drivers that plied their family fortune from the textile industry to racing pursuits. This particular Ferrari, the Uovo (which means "egg" in Italian), was created after an accident at the Mille Miglia when the Marzotto brothers wanted to improve the overall performance and aerodynamics with a streamlined body that would result in a design like no other. Visually, the Uovo is astonishing. The outrageous bodylines are thanks to the vision of sculptor Franco Reggiani and coachbuilder Carrozzeria Fontana. The car was created explicitly for use in competition, and to this end was designed with lightness and aerodynamics in mind. After Reggiani was finished, the curvaceous body and unique Duralumin alloy meant the car was roughly 330 pounds lighter than similar contemporary Ferraris. Eventually, the Ferrari ended up in the garage of its current owner around 1987 before being returned to its native Italy, displayed at Ferrari anniversary celebrations and peddled around the world for prestigious events – without ever taking center stage at a concourse event. "The Egg" is expected to bring over $5 million when the gavel drops at auction. Thought it is expensive enough it's not the most expensive car in the world. And don't forget to check other most expensive cars in the world.
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Put the focus on fitness, balance, hand-eye coordination, and confidence! For ages 3-8 yrs, from National Sporting Goods.
Foldable and light, it's the perfect scooter to glide down snowy terrain! For ages 6-12 yrs, from National Sporting Goods.
Stable scooter for scrambling in any direction folds up for easy transport. Beetle-red! From National Sporting Goods, for ages 1-3 yrs.
Stable scooter for scrambling in any direction folds up for easy transport. Bubblegum-purple! From National Sporting Goods, for ages 1-3 yrs.


From Italian fashion house Marni, known for a refreshing use of color and fusing art with fashion with its signature prints and proportions.
Full-grain black leather tote bag with an adjustable strap threaded through two large, circular perforations at the top.
Approximate measurements: 13" L x 16.5" H x 8" D.


The superhuman Corvette for the everyman.
Sometimes a place lives up to its stereotype. Atlanta Motorsports Park, which is about 90 minutes north of the city, was sweltering this week. The 2017 Corvette Grand Sport's temperature display claimed it was nearly 100 degrees outside, and the humidity was almost comical. In the distance, thick thunderclouds were stacking themselves up, threatening to saturate the track and end the day early. We hurried to gulp down water and put on helmets, heading out for hot laps on a day set to broil. Luckily, the Grand Sport is always in a hurry.
It's also, to cut to the chase, absolutely the Corvette you want if you have any intention of visiting a place like AMP on a regular basis. The base Stingray, a 1LT Coupe with no options, is plenty quick on the street but is missing some critical components to prevent grenading its engine or an expensive trip through the gravel trap.
Adding the Z51 package provides that peace of mind: a performance dual-stage exhaust that adds a few horsepower, sportier suspension (and available Magnetic Ride Control, worth every penny of $1,795), a rear differential cooler, an electronic limited-slip differential, and most importantly a dry-sump oil system to make sure the LT1 6.2-liter V8 is properly lubricated under high g-loads. A Z51 will circle the skidpad at around 1.03 g, bringing us closer to an ideal dual-purpose Corvette.
And then there's the Z06. Yes, it has a fire-breathing supercharged V8 that produces 650 hp, 190 more than that Z51. This is, and I'm speaking from experience, a monumental amount of power. To get that power down to the ground and make the Z06 stick, Chevy adds things like standard MRC, brake cooling ducts, and significant aero tweaks even before you get into the optional Z07 package. In addition to being a rocket in a straight line, a Z06 with all the fixings will circle the skidpad at 1.2 g, thanks in part to the Z07 package's Michelin Pilot Sport Cup 2 tires, which are essentially round donuts full of dark magic.
There's not really anything magical about how Chevy built the Grand Sport. It starts with the wide body panels from the Z06, but without the taller hood since there's no intercooler to clear. The Stingray's LT1 fits fine under there, with a standard dry-sump oiling system like the Z51 has. MRC and the eLSD are standard. Stopping is provided by steel two-piece 14.6-inch front and 14.4-inch rear brake rotors, gripped by six-piston front and four-piston rear fixed calipers, which match the standard Z06 and are notably larger than the Z51's 13.5-inch front and 13.3-inch rear units.
Want to be unfair? Call it a parts-bin special, or a Z06 Lite. Then drive it.
Some elements are unique to the GS. The springs and anti-roll bars are tuned specifically for this model. The GS's version of the Z07 package doesn't include the clear center section or tall end caps from the Z06, as the GS simply doesn't need that much downforce. The grille design is unique, as are the fender inserts. To dress it up, you can select from 10 exterior colors and several flavors of stripes, yielding a large number of possible combinations. The C6 Grand Sport's fantastic "cup" alloy wheel design makes a return, too.
Want to be unfair? Call it a parts-bin special, or a Z06 Lite. Go ahead. Then drive it. This isn't merely some incremental improvement to make an already quick car imperceptibly quicker. It is a grander experience – the sweet nature of the naturally aspirated V8, with its delightful throttle response, and the determined focus of a track-day car. All in something you could daily-drive.
Without the Z07 package, the Grand Sport will corner at 1.05 g – a subtle improvement over a Z51 Stingray. With it, it'll match the Z06 at 1.2 g. You don't want just a subtle improvement. Spend the nearly $8,000 to option the Z07 package. The Pilot Sport Cup 2 tires alone are worth it, and the Brembo carbon-ceramic-matrix brakes are icing. Chevy says a GS will hit 60 mph in 3.6 seconds with this package, and come to a stop from that speed in under 100 feet. This squares with our experience white-knuckling the dual "oh, crap!" handles as a very nice, very quick man named Oliver Gavin did his damnedest to make the Grand Sport quit gripping during a couple of memorable laps which you can watch below.
AMP is a track with lots of elevation, and nary a gentle transition between sharp downhill segments and the next uphill one. We're talking about situations in which the car is in full compression and, simultaneously, pulling close to max g-load. Oh, and one corner that features a two-foot divot right at the edge of an apex; we were solemnly advised not to drop a wheel in. Gavin – who it must be said has won his class at Le Mans five times in the C5-R, C6.R, and C7.R – skittered around it like he was teaching a bear to tango. It's possible he was trying to break the car, just to see if he could. The GS's limits are like said bear's huge paws: It's easy not to step on them, and there's plenty of guttural growling feedback from the car if you approach them. I heard a lot of growling.
All of the cars Chevy brought for track driving were Z07-equipped, and all featured the standard seven-speed manual (an eight-speed auto, which is also excellent, is an option). I got to dance with the bear after I unwelded my fingers from the grab handles of Gavin's blue GS. With the heat index so high, we were asked to pit after two hot laps to preserve some unspecified aspect of the car. It was a nice cadence: several serious minutes hammering on the GS, and a short while to reflect on its place in the Corvette pantheon.
The GS has much more to do with its C6 and C4 predecessors, limited-edition models with some high-performance tweaks, than the original Grand Sport created by Zora Arkus-Duntov. That car, of which only five were built, was a highly modified race special built to battle the Shelby Cobra. The link is a nice bonus for Corvette geeks, but it'll be the performance that hooks everyone else.
In Track mode with Performance Traction Management set to a moderate level, the GS still had some nannies around to keep drivers unfamiliar with both the car and the track from kissing a barrier backwards or worse. Yaw control is reduced but still present, which made right-foot corrections hard (but also made right-foot overcorrections even harder). The PTM gave me enough rope to experience high g-loads and the welcome feedback that comes in through those wide, ultra-sticky Michelins and GM's fantastic electric-assist power steering rack. Right-seating with Gavin demonstrated that with all the nannies off, the car can deal with massive, abrupt control inputs without getting unsettled. The limits are huge. The nice thing about all the electronics is that an owner can work up to each of the five PTM levels incrementally to fully unlock the GS's abilities. Stop anywhere along the PTM ladder and the car's still a riot.
This is a chassis demonstrably capable of handling way more than 460 hp, but the LT1 didn't seem to hold the GS back on this tight, technical course. This is a car that is estimated to run the quarter in 11.8 seconds at 118 mph (in Z07 form with the auto), so there's plenty of scoot to warp the GS from one apex to another, or to feather the thing through a sweeper. On top of the C7's balance, the GS adds pliable, predictable grip and a chassis that signals its needs and desires clearly. The corner leading onto the back straight was as long as the day was hot, so it was the perfect place to put the GS on edge and let it move around a bit. I could feel each outside tire check in individually as I steered the 'Vette around with my right foot. Few powerful cars tell you everything you're listening for, but this one is a talker.
So yes, it's better than a Z51, which is pretty damn good as it sits. The GS starts at $66,445, which is no small hunk of change. It's a flat $5,000 increase over a Stingray Z51 with no additional options. The Z07 package adds an additional (take a breath here) $7,995, which is perhaps because neither those sticky Michelins nor the carbon-ceramic brakes are cheap.
I bring up pricing because you may want to know what the Grand Sport is like on the street. We spent a few hours on the delightful, winding Georgia roads near AMP, and the takeaway was that the road is not the place to highlight the GS Z07's subtler charms. Like a regular Z51 – a car in which I've logged hundreds of miles both commuting and exercising on public roads – it's fun, comfortable, and surprisingly practical. It's just that from the driver's seat, the GS Z07 is very similar to a Z51 on the road, particularly if the Z51 has the optional MRC to add that noticeable measure of extra compliance. You won't be uncomfortable or dissatisfied in your GS Z07 on a long road trip, but you'll be more satisfied for the extra cash you've spent if that excursion ends at a highly technical road course.
If you like the wide-body look but don't plan on tracking your Grand Sport, skip the Z07 package and be (very) happy with the MRC and fantastic Z06-aping looks. If you have a club track nearby and want a car with near-supercar performance that you'll enjoy even as it's challenging you, spend for the Grand Sport with the Z07 package.