Sardines? Snapper? Shark? Which is least likely to fill me with plastic?
Fish is, in general, healthier than meat, since it contains more omega-3 fatty acids, which prevent heart disease, and less artery-clogging saturated fat. But among fish, which are the healthiest? I asked Dana Hunnes, senior dietitian at the Ronald Reagan UCLA Medical Center, to help me rank various fish — from superfood to super-full-of-plastic.
All of which means (1) we'll let you decide whether you want to worry about mercury poisoning; and (2) that this ranking is mostly based on the amounts of omega-3 fatty acids, and especially those harmful microplastics, found in each fish. And because we care about the future of our fishy friends, we'll also be considering overfishing practices.
I also want to point out that, despite their name, shellfish aren't actually fish. In fact, many varieties of shellfish — particularly crustaceans, like lobsters and crabs — are actually closer related to insects and arachnids, so we'll be devoting an entire ranking to those little sea-aliens in the near future.
1. Sardines, Herring and Mackerel (tied): "These are all relatively small deep-water fish with high levels of omega-3 fatty acids," Hunnes says — because these small fish sit near the bottom of the food chain, they also rarely accumulate microplastics that are especially common in larger predatory fish. Hunnes also mentions that eating smaller fish is more environmentally sustainable, which is particularly important when you consider that overfishing may result in the complete eradication of all seafood by 2048.
4. Tilapia and Catfish (tied): Both tilapia and catfish usually have low microplastic and mercury contents, which is why the FDA recommends these fish as two of the best choices for pregnant women and young children. Hunnes does mention, however, that both fish contain only small amounts of omega-3 fatty acids, adding that the common practice of farming them can reduce their omega-3 fatty acid content depending on their feed. Fun fact: Tilapia isn't even actually a fish — it's a blanket term for nearly one hundred species of similar fish (my mind is officially blown).
6. Cod: First and foremost, Hunnes mentions that cod have a lengthy history of being subject to overfishing and being eaten before having a chance to reproduce. She adds that, much like tilapia and catfish, cod tend to be lower in omega-3 fatty acids; however, they also tend to be low in microplastics and other contaminants because they remain relatively small throughout their lifetimes.
7. Trout: Hunnes says that trout are much more overfished than the fish listed above and that farmed trout oftentimes develop diseases that they later spread to wild populations. For these reasons, farmed trout can sometimes be considered unsafe to eat. That said, wild-caught trout comes with a hefty serving of omega-3 fatty acids and B vitamins that help the body convert food into energy and prevent heart disease.
9. Snapper: Snapper aren't particularly high in omega-3 fatty acids, and Hunnes mentions that they're on the verge of extinction due to overfishing. Put simply, contributing to the decline of these fish simply isn't worth their lackluster nutritional content.
10. Yellowtail: Also known as amberjack, yellowtail are high in omega-3 fatty acids, but they oftentimes feed on wild fish — even while they're being farmed — meaning they can accumulate high amounts of dangerous contaminants.
11. Halibut: Hunnes compares eating halibut (and every fish that follows) to "eating a grandmother fish, because they can live a long time and oftentimes contain high levels of mercury and plastic residue." The oldest recorded halibut was 42 years old, and halibut can weigh up to 500-ish pounds. Halibut contains a hefty portion of omega-3 fatty acids in addition to an array of vitamins and minerals, but Hunnes argues that the dangers of eating such a large, potentially contaminated and overfished fish outweighs any possible health benefits.
Still, Hunnes says that tuna tends to be pretty high in contaminants, which can make it dangerous to eat on a regular basis. It's especially important to keep track of where (and how) the tuna you eat ended up on your plate if you're going to eat it.
13. Swordfish: Hunnes explains that swordfish are "terribly high" in mercury and plastic residue, because they basically eat every fish that gets in their way. For this reason, the FDA recommends not eating them.
14. Grouper: "These fish can grow to be between 50 and 100 years old," Hunnes says, emphasizing that they tend to be chock-full of contaminants as a result.
15. Shark: While there are several species of shark that humans eat, Hunnes warns against consuming any of them, if only because they're predatory fish filled to the brim with contaminants. Making matters even worse, shark finning is a brutal and all too common practice that results in many sharks being thrown back into the ocean after having their fins slices off — and because these sharks can no longer swim, they sink to the bottom of the sea, where they either die from suffocation or become fish food. "Nearly 100 million sharks are killed each year for their fins," Hunnes says.
16. Fish Sticks: Predictable, but disappointing. Hunnes explains that fish sticks are usually made from whitefish, like cod, which can be pretty healthy — that is, until you drench them in oil. "The fried nature of fish sticks pretty much makes them unhealthy," she says. That's because fried foods absorb the calories and fats in the oil that they were fried in, both of which are bad for your waistline and heart.
More than anything, this ranking should emphasize the importance of understanding both where and how your seafood is caught, which can dramatically impact the health and sustainability of that meal. To keep track of that kinda stuff, we recommend checking out SeafoodWatch.org.


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MSU entomology student earns national recognition
The information presented on this page was originally released on November 16, 2012. It may not be outdated, but please search our site for more current information. If you plan to quote or reference this information in a publication, please check with the Extension specialist or author before proceeding.
Community, Insects
Ms. Linda M. Breazeale
MSU Extension Service
MISSISSIPPI STATE – A Mississippi State University graduate student earned a national award for his paper on the biology of insect pests.
Nathan Little of Charleston, a graduate student in the Department of Biochemistry, Molecular Biology, Entomology and Plant Pathology, received the annual student award titled "Appreciation for the Natural History of Insect Pests." His paper on subterranean termites was described as the most interesting and novel peer-reviewed research paper among more than 20 applications that were reviewed this year from students around the world.
The award is sponsored by the TREE Foundation, a nonprofit organization dedicated to tree research, exploration and education. The award is conferred by the Ambrosia Symbiosis Research Group.
The title of Little's paper is "Preference of Native Subterranean Termites for Wood Containing Bark Beetle Pheromones and Blue-Stain Fungi," and it was published in the Journal of Insect Behavior.
The Tallahatchie County native earned his bachelor's and master's degrees in forest products from MSU. He is pursuing a doctorate in entomology. His advisor is John Riggins.
Select Your County Office
Mr. Thomas Martin Hegwood
Assistant Extension Professor
Dr. Blake Layton, Jr.
Extension Professor
Entomology; extension insect identification; fire ants; termites; insect pests in the home, lawn and
Register Feb. 1 for online Master Gardener classes
Small towns can address large food insecurity issues
SRDC team receives national diversity award
MSU Extension promotes rural health in many ways
Home gardeners can test varieties for Extension
Publication Number: P3716-1
Mississippi Census Profile (2010-2020)
Publication Number: P3716-14
Clay County Census Profile (2010-2020)
Forrest County Census Profile (2010-2020)
Itawamba County Census Profile (2010-2020)
Jones County Census Profile (2010-2020)
Bug's Eye View
Lesser Canna Leafroller, Vol. 7, No. 32
Bugs of the Bible, Vol. 7, No. 31
Black Giant Ichneumon Wasp, Vol. 7, No. 30
Sewage Gnat, Vol. 7, No. 29
Trapdoor Spider, Vol. 7, No. 28
https://msucares.com/news/feature-story/2012/msu-entomology-student-earns-national-recognition

redpajama_set_name: RedPajamaCommonCrawl


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Image Credit: Richard Gillin from St Albans, UK - Becky Adlington Uploaded by Kafuffle via Wikipedia - Creative Commons License Details
Swimming: gold medal 2008 Beijing Olympics (400m freestyle), gold medal 2008 Beijing Olympics (800m freestyle), bronze medal 2012 London Olympics (400m freestyle), bronze medal 2012 London Olympics (800m freestyle)
Available to speak at events through-out the UK.


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Border (in)security
1 2018-04-23T13:40:20-04:00 CHASS Web Resources 398fc684681798c72f46b5d25a298734565e6eb8 2 16 Decisions on admission or denial of entry of Chinese migrants; depictions of Chinese criminality in 1920s. plain 2018-12-05T08:41:02-05:00 32.74837, 129.86767 34.69373, 135.50216 35.67285, 139.8174 David R. Ambaras Kate McDonald 306bb1134bc892ab2ada669bed7aecb100ef7d5f
Decisions at the border
Though many of these migrants settled easily into Japanese society, peddlers had also provoked concerns about their involvement in child trafficking and in the alleged procurement of human organs for making medicine.
Official suspicions of these mobile foreigners only increased in the years after World War I. Japanese authorities, worried about the illegal entry of unskilled Chinese workers, feared that immigrants might declare themselves as peddlers at their port of entry and then take up employments in contravention of Ordinance 352. In 1918, the Chinese and Japanese governments agreed to permit each other's nationals to enter their countries without a passport or nationality papers. To prepare for this situation, in the same year, the government issued a directive authorizing prefectural governors to prohibit the entry into Japan of any foreigner who (1) lacked a passport or proof of nationality (Chinese were exempted from this provision); (2) was suspected of acting against the interests of the Japanese empire or abetting its enemies; (3) posed a threat to public order or morals; (4) engaged in vagrancy or mendicancy; (5) suffered from a contagious disease or any other ailment that posed another risk to public health; or (6) risked requiring public assistance due to mental illness, poverty, or other causes.
For example, in September 1926, the Kyoto main office of the Kyoto-Osaka-Kobe Fuzhou Businessmen's Local Origin Association (Keihanshin Futsuō Jitsugyō Dōkyōkai) submitted a request to Nagasaki harbor police that two brothers from Fuqing/Gaoshan, 15-year-old Lin Xianghu and 18-year-old Lin Xiangfan, be admitted to Japan as clothes peddlers; the association offered to act as guarantor for the boys. Nagasaki police contacted the Osaka government for information. In response, Osaka Governor Nakagawa Nozomu wrote, in a classified message to the Home and Foreign Ministers and to the governors of several prefectures:
Recently, many of the so-called cloth peddlers who come over from the Fuzhou area have switched to working as laborers or have committed theft and other delinquent acts, so controls on their entry into Japan have become more strict. Hence, to facilitate their entry, [peddlers] appear to have taken to issuing irresponsible promises of guarantee, as a formality, in the name of some association. Before this group was formed, another Fuzhou Local Origin Association had existed; it produced many delinquent elements, and we have many examples of its failure to follow through on its guarantees.
With regard to the two brothers, Nakagawa recommended admitting the younger, who was to be employed as a clerk in the cloth merchant's main shop in Osaka, but denying entry to the older, who was to be a peddler in the shop's employ.
Depictions of criminality
Surveillance of those Chinese admitted to Japan was quite rigorous, with port-of-entry officials wiring migrants' stated places of destination and the latter reporting back on their arrivals, departures, and movements. (To my knowledge, no one has really worked on these documents: their contents or their modes of circulation.) Increasingly, government officials complained about the widespread presence of "gangs of delinquent Chinese," particularly shoplifting gangs; men from Fuqing figured prominently in these reports. The press also weighed in with stories such as this one:
A Major Chinese Shoplifting gang with 800 Members -- Losses Nationwide Exceed 500,000 Yen -- The Metropolitan Police Force Takes Determined Action
(This article noted that the Japanese common-law wife of a gang member was also under investigation for her participation -- a sign of the dangers to Japanese women of involvement with Chinese men.)
The number of deportations of Chinese immigrants also increased significantly in the 1920s, provoking an outcry among the immigrant community and remonstrations from Chinese consular officials.
Popular fears of an influx of illegal unskilled laborers had also been a principal factor in the massacre of hundreds of Chinese, mostly from Wenzhou, in Tokyo working-class neighborhood of Ōshima-chō in the aftermath of the 1923 Great Kantō earthquake -- part of a pogrom that is better known for having taken the lives of some 6,000 Koreans. Chinese in Japan had to live with both these images/suspicions of criminality and the knowledge of the potential for violence against them. These factors shaped their mobilities and subjectivities in ways that demand further investigation.
1 media/RegardingChineseCriminal_DAMFAJ_4.2.2.68.1-3.jpg 2018-04-23T13:40:22-04:00 CHASS Web Resources 398fc684681798c72f46b5d25a298734565e6eb8 Strangers Kate McDonald 20 Introduction to the path on migration from Fuqing to Japan. image_header 108 2018-12-05T08:28:39-05:00 David R. Ambaras Kate McDonald 306bb1134bc892ab2ada669bed7aecb100ef7d5f
1 2018-04-23T13:40:22-04:00 Marriages with Japanese 18 Sino-Japanese marriages; reports from Hakodate, 1930. plain 2018-12-05T08:47:14-05:00 41.76802, 140.70945 David R. Ambaras
1 2018-04-23T13:40:22-04:00 CHASS Web Resources 398fc684681798c72f46b5d25a298734565e6eb8 Borders David Ambaras 3 Borders (Boundaries / Built Environments) plain 2019-12-08T20:35:42-05:00 David Ambaras 1337d6b66b25164b57abc529e56445d238145277
1 2018-04-23T13:40:20-04:00 Okinawan Children 8 Children in Gail's Photos structured_gallery 2018-12-05T16:14:17-05:00 Dustin Wright
1 2018-04-23T13:40:22-04:00 Gateways 1 Gateways (Boundaries / Built Environments) plain 2018-04-23T13:40:22-04:00
1 2018-04-23T13:40:28-04:00 CHASS Web Resources 398fc684681798c72f46b5d25a298734565e6eb8 Officials CHASS Web Resources 1 Officials (Figures) plain 2018-04-23T13:40:28-04:00 CHASS Web Resources 398fc684681798c72f46b5d25a298734565e6eb8
1 2018-04-23T13:40:20-04:00 The Okinawa Memories Initiative 26 Dustin Wright image_header 396 2018-12-10T20:31:43-05:00 26.21231, 127.67915 26.2835, 127.79967 26.21831, 127.71474 26.12358, 127.66581 26.66671, 128.10488 26.27387, 127.74519 Dustin Wright
1 2018-04-23T13:40:25-04:00 Consular police missions, to 1930 9 Impediments to Japanese officials' access to villages in Fuqing and Pingtan counties. plain 2018-12-05T19:33:48-05:00 David R. Ambaras
1 media/Nagasakimaru.NYK.Shanghaiwharf.jpg 2018-04-23T13:40:19-04:00 Women in motion 6 image_header 108 2018-07-15T23:47:59-04:00
1 2018-04-23T13:40:19-04:00 Calamity's Witness 3 plain 2018-07-28T19:56:35-04:00 35.71072, 139.80149 03-09-1945
1 2018-04-23T13:40:34-04:00 CHASS Web Resources 398fc684681798c72f46b5d25a298734565e6eb8 Media CHASS Web Resources 1 Media (Vehicles) plain 2018-04-23T13:40:34-04:00 CHASS Web Resources 398fc684681798c72f46b5d25a298734565e6eb8
1 2018-04-23T13:40:28-04:00 Mitsukoshi: Consuming Places 64 Noriko Aso image_header 396 2019-01-07T13:54:47-05:00 35.6856, 139.77341 34.70298, 135.49527 Noriko Aso
1 2018-04-23T13:40:21-04:00 Objects of War 31 plain 2019-01-07T13:53:27-05:00 34.70298, 135.49527 Osaka. 1939-1943. Noriko Aso
1 media/Skigoods1.41.jpg 2018-04-23T13:40:24-04:00 Mapping Consumption 16 image_header 2019-01-07T13:45:34-05:00 34.70298, 135.49527 Osaka. 1939-1943. Noriko Aso
1 2018-04-23T13:40:20-04:00 The Life and Legacy of Ishikawa Kōyō 15 A brief biography of Ishikawa Kōyō. image_header 2018-11-29T15:05:28-05:00 David Fedman Ishikawa, Kōyō (1904-1989)
1 media/Ando_1932_Daiya_ni_susurareta_onna.png 2018-04-23T13:40:22-04:00 Depictions of transgressive intimacy 15 Introduction to the path on Sino-Japanese intimacies as spatial stories. image_header 108 2018-12-06T08:26:33-05:00 David R. Ambaras
1 2018-07-15T23:36:53-04:00 Marginal Lives, Representative Patterns 5 Situating the women moving to Fuqing in relation to other forms of women's mobility and marginality. plain 2020-08-25T14:17:29-04:00 David R. Ambaras
1 2018-08-28T17:15:49-04:00 Kate McDonald 306bb1134bc892ab2ada669bed7aecb100ef7d5f Migrant Kate McDonald 1 Migrant (Figures) plain 2018-08-28T17:15:49-04:00 Kate McDonald 306bb1134bc892ab2ada669bed7aecb100ef7d5f
1 2018-11-20T17:25:23-05:00 "A Major Chinese Shoplifting Gang with 800 Members" 3 Report on a Chinese shoplifting gang, Tokyo Asahi shinbun, 1928-12-23 (highlighted in red), which notes that the Japanese common-law wife of one of the members was also under investigation. This story fit into a larger media landscape on crime and illegality, as well as into a mediascape of racialized images, as the advertisement below it, with its use of "Darkie" (Kuronbo) as a mascot, suggests. media/TAS_19281223_ChineseShopliftingGang_marked.jpg plain 2018-11-20T17:55:32-05:00 Tokyo Asahi shinbun. 1928-12-23 Public domain. David R. Ambaras image/jpeg DRA-0035 Text


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8x Channel Audio Installation, 30min 00sec loop starting on the hour.
These Times is a complex composite of sound drawn from time pieces and church clock towers across the West Midlands (UK). The artwork is an investigation in to trauma. Few topics seem to be as difficult to navigate as violence and its impact. Across the globe, civilisations are either in trouble or are having trouble understanding contemporary conflict. The codes by which we understand and interact with it, seem to be in the process of being rethought in the law courts, medical schools, social agencies, governmental departments, the media – and, of course, the arts.
Kenilworth Town Clock, Production Photo (2019)
With These Times, Parker has remained true to form as a sonic investigator of mechanical objects, casting his ear on the vibrations of malfunctioning mechanisms. In conversation, the diverse time instruments used here each resonate with the scars of conflict. Before embarking on this quest he asked "where does hope reside?" These Times is his response.
Parker's artwork forms part of a series of critical conversations and artistic responses led by Dr. James Hodkinson, academic researcher at Warwick University and Dr. Mohsen Keiany, exploring challenging themes. Parker's work resonates with Keiany's exploration of destructive, mechanised dehumanisation and Hodkinson's interest in the power of the arts to awaken empathy. The installation stands as a beacon of hope for the considerate and a warning to be vigilant.
Written by exhibition curator Steven McLean.
These Times Installation, Coventry (2019)
Coventry Cathedral, Coventry, UK (2019)
Arts Council England, University of Warwick, Coventry Cathedral, SoulCity Arts, Hybrid.


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Recruitment Policy Statement
By: popcorn_admin
Bayleaf insists that all recruitment will be carried out in a way consistent with legislation and good employment practice.
We reinforce this commitment by:
Ensuring all appointments are made on the basis of merit and the most suitable person for the position being selected;
Appointments will be free from all forms of illegal discrimination and bias and conform with our commitment to Equal Opportunities;
Recruitment practices will be transparent and open to scrutiny, whilst at the same time preserving the privacy of the individuals involved;
Promoting internal succession, ensuring all vacancies are advertised internally and in some instances concurrently with external advertisements;
This policy and all associated procedures will be consistently applied across the company in an open and fair manner.
Managers are responsible for implementing the policy and monitoring its effectiveness in everyday activities.
"Bayleaf employs people who have the determination and drive to achieve spectacular success. Our policy is to attract and appoint high calibre staff who closely fit our current and future work needs, who support our values and culture and who are able to make an active commitment and contribution to our continued success."
This policy statement may be amended from time to time to reflect the changes in law and best practice. It is non-contractual.
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The Essencio range will match the needs and budgets of all kinds of lotteries. The machines can be customized at the time of ordering to match the games and client's requirements and the execution of draws is simple and straightforward. This range of machines is the only one allowing the use of a touch screen and table-tennis (ping-pong) balls.
Adapted to Lotto, Keno and Bingo games, the air driven Vega machine can provide the basic needs for lotteries.
The popcorn blowing creates a captivating effect during the draws. Different extraction systems depending on the game specifications and the Client requirements.
The internal structure of the body is made of aluminium profiles which assure an excellent robustness and rigidity. This structure is covered with polycarbonate panels, customizable.
This machine can be adapted for many games and easily meets the customers' requirements.
The Onyx drawing machine is dedicated to pick number games. This machine is compact and has a fixed number of drums, defined at the time of ordering.
No matter the number of drums (spheres) needed (2,3,4,5,6…), the Onyx can be customized for any Digit Game.
The internal structure of the body is adapted to the number of drums and provides a stable and robust structure. The body can be customized according to the client's needs.


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Marc Orme Media PR
MAIDEN SILVER CUP VICTORY FOR CAYGILL AND TAYLOR-SMITH DURING BRITISH ROUND OF BLANCPAIN SPRINT CUP
• Sprint Cup driver Josh Caygill celebrates first win in Blancpain • 'Silver Cup' win for Caygill & Taylor-Smith in Brands GP race one • Home success for Yorkshireman and Leicestershire's Team Parker
Yorkshire racing driver Josh Caygill and team-mate Aron Taylor-Smith celebrated their maiden Blancpain Sprint Cup victory on 'home' ground at Brands Hatch Grand Prix Circuit in Kent on Sunday, 6th May, with a very popular Silver Cup success during race one of the weekend. During the first one-hour encounter of the pan-European championship's sole visit to the UK, Holmfirth-based Caygill and Irishman Taylor-Smith held third in the Silver Cup until late in the race when class leader Jack Manchester crashed out. Moving up into second as a result, the Bentley Continental duo went on to take the chequered flag a mere 0.8 seconds shy of the win. Post-race, however, the BMW M6 GT3 originally credited with first place was disqualified having ignored black and orange 'mechanical warning' flags – elevating Caygill and Taylor-Smith into the winners' position. Race two was, unfortunately, one to forget when Taylor-Smith was caught-up in the aftermath of a multi-car tangle at the exit of Druids Hairpin on lap one. Despite the enforced retirement for the No.31 car, though, the Team Parker Racing duo still completed their most competitive outing yet in the Sprint Cup. "It's obviously absolutely mega to take our first Silver Cup win, especially at our home race", said SMUK and LSS Waste-backed Caygill, "The car felt good this weekend, the Team Parker boys did a mega job and I was happy with my performance. I kept chipping away during practice, finding chunks of time, and in qualifying found a second so I was pleased with that. "In the first race I had a really good start with a mega first lap, I put a massive gap between me and the cars behind and I was tagged right on the back of the bunch ahead. Then we had the Safety Car and after that I concentrated on putting a big gap to the Ferrari behind. Our pit-stop was fantastic and then Aron did a mega job in his stint, it's fantastic to have the first win." Under glorious Spring skies at Brands Hatch, qualifying on Saturday afternoon began with Caygill behind the wheel of the Bentley for session one, to determine the race one grid starting order, and Taylor-Smith taking over driving duties for the race two session. Caygill posted the 16th fastest time, third in the Silver Cup class, but actually went on to begin the first of Sunday's two encounters from an elevated 15th on the grid overall due to a penalty for a rival entry. At the start, again in beautiful weather, the Yorkshireman held station initially and then moved into 14th place mid-lap before the Safety Car was deployed in time for lap two. Action resumed on lap four, with eight minutes gone, and Caygill chased the Lamborghini of Loris Hezemans. Just 0.2 seconds behind his rival into lap five, he then fell into the clutches of two other Lamborghinis behind and after being passed by the Perez Companc car his exit from Surtees was compromised and Caygill was edged further back to 16th overall at Hawthorn by Christian Engelhart. Remaining in 16th position, third in class, up to the opening of the pit-stop window at the 25-minute mark, Caygill then pitted at the first opportunity to hand the car over to Taylor-Smith. When the race order settled after all pit stops were complete, Taylor-Smith held 17th position and third in Silver with three seconds to try and make up to the second-in-class BMW of Lukas Moraes. Initially the Irishman traded similar lap times with Moraes and so the gap remained at roughly three seconds. Getting the gap down to almost two seconds with 20 minutes of racing to go, Taylor-Smith closed to within 1.6 seconds into the final 10 minutes and into the last five minutes less than a second separated the two cars. Glued to the back of Moraes, a dramatic and unexpected turn of events with just a couple of minutes to go then elevated Taylor-Smith into second in Silver when class leader Jack Manchester spun out into the gravel and retirement. Taking the chequered flag in 16th overall, Taylor-Smith was just 0.8 seconds shy of the Silver class win before being promoted into first place post-race. Taking the opening stint of race two, which began in air temperatures of 26 degrees, Taylor-Smith lined-up 18th overall on the grid, second in the Silver class, but after a clean start chaos ensued out of Druids. Just ahead, the sister Team Parker Bentley of Callum Macleod was pitched into a spin and Taylor-Smith had nowhere to go – resulting in contact with the barriers and heavy damage. "Race two was a bit of a sickener for us, well the team as a whole, but it was just one of those things where nobody could do anything", reflected Caygill, "I think we could easily have taken away another podium but we have to be happy with what we achieved this weekend regardless." Misano in Italy will host the third event of the Blancpain Sprint Cup season over the weekend 23rd/24th June.
Note to editors: Copyright free images courtesy Blancpain GT Series Sponsors: Vancraft / Volkswagen Van Centre West Yorkshire / SMUK Auto Electrical Engineers – the UK's leader in vehicle safety equipment, cross-rail vehicle compliance and telematics product installations / LSS Waste Management / BHP Clough & Company Chartered Accountants / Integro Insurance Brokers / WoodenSpoon.com / Nebula Creative Limited / Milltek Sport Josh Caygill Media Contact: Marc Orme Tel: +44 (0)7920 886985 Email: marc@marc-orme.co.uk / marcorme1@aol.com
Caygill Joins Top Team Redline For Porsche Carrera Cup GB Debut
MECHANICAL PROBLEMS DERAIL FINAL EVENT OF BTCC SEASON FOR CAYGILL AT BRANDS HATCH GP
YORKSHIRE'S CAYGILL LOOKING TO MAKE BIG STRIDES IN SECOND TOURING CAR OUTING AS BTCC HEADS TO BR
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El Team vs Team 2010 fue la primera edición del Team vs Team, un torneo de artes marciales mixtas producido por Xtreme Fighters Latino. El torneo comenzó el 2 de septiembre de 2010 y terminó el 2 de diciembre del mismo año. Durante esta edición, todos los eventos se realizaron en el Foro Corona, en la Ciudad de México.

Desarrollo
Luego de terminarse la Temporada 2010 de Xtreme Fighters Latino, se anunció que se llevaría a cabo un torneo de 4 equipos representando a una disciplina diferente cada una. Las disciplinas elegidas fueron boxeo, jiu-jitsu brasileño, muay thai y nippon kempo. El formato del torneo establecía que dos equipos de 5 representantes cada uno lucharían el uno contra el otro en combates de 5 categorías de peso diferentes cada una. Las categorías fueron peso ligero, peso medio, peso pluma, peso semipesado y peso wélter. El día del evento, el equipo que acumulara 3 victorias avanzaría a la gran final en contra del otro equipo que resultara ganador. Los ganadores de esta primera edición del "Team vs Team" fueron los peleadores representantes del boxeo, obteniendo un resultado de 4 victorias y una derrota en contra de los representantes del jiu-jitsu brasileño.

Resultados

Semifinales
 La primera semifinal se llevó a cabo el 2 de septiembre de 2010 con el enfrentamiento entre el equipo representante del boxeo y el equipo representante del nippon kempo.

 La segunda semifinal se llevó a cabo el 21 de octubre de 2010 con el enfrentamiento entre el equipo representante del jiu-jitsu brasileño y el equipo representante del muay thai.

Final
 La gran final se llevó a cabo el 2 de diciembre de 2010 con el enfrentamiento entre el equipo representante del boxeo y el equipo representante del jiu-jitsu brasileño.

Referencias

Enlaces externos
 Sitio Oficial

Xtreme Fighters Latino

redpajama_set_name: RedPajamaWikipedia


Logan, J. 2018. Students Who Used the Library in Their First Year of University are More Likely to Graduate or Still be Enrolled After Four Years. Evidence Based Library and Information Practice. 13, 4 (Dec. 2018), 108-110. DOI:https://doi.org/10.18438/eblip29477.


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By Danny Chambers
Long Road To Clinton Leads To Losses For Savage Teams
The Savages and Lady Savages had a long road trip to face tough draws as they headed to Clinton for the District Tournament. The two plus hour bus trip was not kind to either of the squads as they both fell to the consolation bracket in the Regional Tournament beginning today (Thursday) in Anadarko.
The Lady Savages seemed to be out of sync from the beginning as they faced a very athletic and suffocating Clinton (12-12) pressure defense. Tecumseh trailed 18-7 after the opening quarter and then turned the ball over nine times in the second quarter to fall behind 35-16 at halftime.
In the third quarter, the Lady Savages turned up the defensive pressure to hold Clinton to single digits at nine points, but the T-Town ladies couldn't muster any offense with only three points of their own and trailed 44-19 headed to the fourth.
The fourth quarter was closer for Tecumseh, but it didn't matter as the Lady Red Tornadoes had done all the damage needed and claimed the District Championship with a 54-27 demolition of the Lady Savages.
The Lady Savages were led in scoring by Schantel Evans with 12 points. Addison Day tossed in six points and Tawny Billy added five points in the loss. Billy was the leading rebounder of the Lady Savages with seven while Evans grabbed six.
The Lady Savages (12-12) begin play in the Consolation Bracket of the Regional Tournament today (Thursday) at 1:30 in Anadarko as they face Chickasha. A win would propel Tecumseh to the consolation bracket semifinals tomorrow (Friday) at 1:30 pm while a loss would end the Lady Savages' season.
The Savages got caught up in a twister of their own in the second game of the evening, but kept it close all night until Clinton used a big fourth quarter effort to finish the home team sweep to claim the District Title.
Clinton (19-5) got off to a good start and led 14-8 after the first quarter before the second quarter turned into a real battle as the Savages stayed close and trailed 28-21 going to the locker room. The Savages turned up the defensive pressure in the second half and forced Clinton into five turnovers in the third quarter committing none of their own.
Tecumseh took the third period 11-9 to cut the Red Tornado lead to 37-32 headed to the final stanza. The Savages made several runs to get close in the second half, but Clinton got a little distance and went into a stall with 7:00 left in the game to thwart the Savage defense. Clinton was efficient down the stretch and hit critical free throws as they pulled away for a 61-48 win.
It was a very balanced scoring attack for the Savages as Ed Carey led Tecumseh with 12 points on the night while Anthony Billy was also in double figures with 10. Jayden Shafer dropped in nine points for the Savages while Kainan Ryan tossed in eight and Josiah Mendoza added six. Carey was the leader on the boards with 10 rebounds on the night while Shafer grabbed six.
The Savages (14-10) play today (Thursday) at 3 pm in the consolation bracket of the Regional Tournament in Anadarko as they also face Chickasha (7-17). With a win in the consolation bracket, the Savages will play again at 3 pm tomorrow at Anadarko. Any loss from this point on would send the Savages home for the year.
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text:
Q: does flutter dart's http request have tls support? I do not know much about computer networks but I've been dabbling with flutter and aws lambda.
I have a flutter (dart) code that uses http package to make an http request like the following:
import 'package:http/http.dart' as http

final response = await http.get('https://<address to my lambda function via api gateway>');
final body = response.body;

Looking at the http package in pub.dev, it says that the package is a A composable, Future-based library for making HTTP requests. and does not say anything about TLS(SSL). However, the url I provided in the above code is https generated by aws API gateway. So my question is, in the above code, is it using https or http? If it is using http, it is not secure hence, i need to add another layer of security to prevent hackers such as Man in the middle attack. If it is https, does that mean the data that gets sent is encrypted via TLS, hence I do not need any sort of asymmetric encryption between the client and the server?

redpajama_set_name: RedPajamaStackExchange


text:
Летовище () — село в Шумском районе Тернопольской области Украины.

Население по переписи 2001 года составляло 390 человек. Почтовый индекс — 47112. Телефонный код — 3558.

Местный совет
47112, Тернопільська обл., Шумський р-н, с.Літовище

Ссылки
 Летовище на сайте Верховной рады Украины

Населённые пункты Шумского района


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text:
package org.apache.joshua.decoder.phrase;

// PORT: done

import org.slf4j.Logger;
import org.slf4j.LoggerFactory;

import java.util.Comparator;

public class Header implements Comparable<Header>, Comparator<Header> {

  private static final Logger LOG = LoggerFactory.getLogger(Header.class);

  private float score;
  private final int arity;
  private Note note;

  protected Header() {
    score = 0.0f;
    arity = 0;
    note = null;
  }

  protected Header(Header other) {
    this.score = other.GetScore();
    this.arity = other.GetArity();
    this.note = other.GetNote();
  }

  protected Header(int arity) {
    this.score = 0.0f;
    this.arity = arity;
    this.note = new Note();
  }

  public boolean Valid() {
    // C++: return base_;
    LOG.debug("Header::Valid(): {}", (note != null));
    return note != null;
  }

  public float GetScore() {
    return score;
  }

  public void SetScore(float score) {
    this.score = score;
  }

  public int GetArity() { return arity; }

  public Note GetNote() { return note; }

  public void SetNote(Note note) { this.note = note; }

  @Override
  public int compareTo(Header other) {
    if (this.GetScore() < other.GetScore())
      return -1;
    else if (this.GetScore() > other.GetScore())
      return 1;
    return 0;
  }

  @Override
  public int compare(Header arg0, Header arg1) {
    return arg0.compareTo(arg1);
  }
}

redpajama_set_name: RedPajamaGithub


text:
Rajashree Birla, Nadir Godrej and Deepak Parekh Launch the 'Sashakt Bharat' coffee table book
Mumbai, September 9: A fascinating coffee table book titled 'Sashakt Bharat: The Glorious Story of India's Development' was released to mark 75 years of the country's independence by Rajashree Birla, Chairperson, Aditya Birla Centre For Community Initiatives and Rural Development, Nadir Godrej, Chairman & Managing Director, Godrej Industries Limited, Deepak Parekh, Chairman, HDFC Group and CA Shailesh Haribhakti, Chairman, Shailesh Haribhakti & Associates at a grand launch event organised by National Hindi News Magazine 'Abhyuday Vatsalyam' at Hotel Taj Mahal Palace, Mumbai on 29th August 2022.
This coffee table book is based on India's 75-year development journey in which many well-known industrialists, economic policymakers and thinkers have written articles. Rajashree Birla was the chief guest, and Nadir Godrej and Deepak Parekh were the guests of honour for this program. 'Sashakt Bharat' coffee table book is published under the editorial leadership of Alok Ranjan Tiwari, a 25-years old youngest media entrepreneur.
On this occasion, Alok Ranjan Tiwari, CEO & Editor-in-Chief of Abhyuday Vatsalyam, in a fireside chat with HDFC Chairman Deepak Parekh, spoke openly on all issues like the economy, attachment to Mumbai, future opportunities, growing trust of youth in the country. During this, Parekh said, "India can do more in the next 25 years than it has in the last 75 years. I have never been as optimistic about the country's economy as I am today". The interestingness of the event increased when Alok Ranjan Tiwari, Editor-In-Chief of 'Abhyuday Vatsalyam', posed a question to HDFC Chairman and the country's well-known banker Deepak Parekh, who do you like the most between Narendra Modi and Rahul Gandhi. In response to this question, Deepak Parekh said – 'Narendra Modi'. During the conversation, Deepak Parekh praised Prime Minister Narendra Modi and said that he should get one or two more terms. Expressing his fondness for Mumbai, Parekh said, "I can't live anywhere other than Mumbai.
At the event, Rajshree Birla was honoured with the 'Exemplary Philanthropist of the Nation' Award, Godrej Group's Chairman & MD Nadir Godrej with 'Exemplary Industrialist of the Nation' Award and HDFC Chairman Deepak Parekh with 'Lifetime Achievement' Award by CA Shailesh Haribhakti, Chairman, Board of Guest Editors of Sashakt Bharat and Kripashankar Tiwari, Founder of Abhyuday Vatsalyam News Magazine.
Alok Ranjan Tiwari, CEO & Editor-in-Chief of Abhyuday Vatsalyam News Magazine, stressed on inclusive and sustainable growth in his address. "Soon, we will enter into the digital media through our new media venture – Corporate Capital," Alok said, referring to future plans. Where readers will get the best content with the help of experts through new technology on all important issues, including ESG (Environmental, Social and Governance), Infrastructure, and Social Culture.
G.N. Bajpai, Former Chairman of SEBI and LIC, Pradip Shah, Non-Executive Chairman of Pfizer India, Nerolac Paints and BASF Ltd., Abhay Tewari, MD & CEO of SUD Life Insurance, H.K. Agarwal, MD & CEO of Grasim Industries Limited, Amisha Vora, Joint Managing Director of Prabhudas Lilladher Group and other eminent people from the Industry, Bureaucracy, Education, and media world participated in this event.
The event was presided over by CA Shailesh Haribhakti, who expressed the vision of a developed India in his presidential address. Nadir Godrej, Chairman and Managing Director, Godrej Industries Limited, also recited a poem based on India's 75-year journey. A panel discussion on India@100 was also organised by Abhyuday Vatsalyam News magazine in which Shashi Kiran Shetty, Chairman, Allcargo Logistics Limited, Navneet Munot, Managing Director and CEO, HDFC Mutual Fund, Shashvat Nakrani, Co-Founder, BharatPe and Purvi Seth, CEO, Shilputsi India participated. The panel discussion was moderated by the country's eminent business journalist Anil Singhvi, Managing Editor, Zee Business.
Tags: national
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text:
Epigenetic Reprogramming by Adenovirus e1a
Roberto Ferrari1,
Matteo Pellegrini2,
Gregory A. Horwitz3,
Wei Xie1,
Arnold J. Berk3,4,
Siavash K. Kurdistani1,5,6,*
1 Department of Biological Chemistry, University of California, Los Angeles, CA 90095, USA.
2 Department of Molecular, Cell and Developmental Biology, University of California, Los Angeles, CA 90095, USA.
3 Molecular Biology Institute, University of California, Los Angeles, CA 90095, USA.
4 Department of Microbiology, Immunology and Molecular Genetics, University of California, Los Angeles, CA 90095, USA.
5 Department of Pathology and Laboratory Medicine, University of California, Los Angeles, CA 90095, USA.
6 Eli and Edythe Broad Center of Regenerative Medicine and Stem Cell Research, David Geffen School of Medicine, University of California, Los Angeles, CA 90095, USA.
↵* To whom correspondence should be addressed. E-mail: skurdistani{at}mednet.ucla.edu
Roberto Ferrari
Department of Biological Chemistry, University of California, Los Angeles, CA 90095, USA.
Department of Molecular, Cell and Developmental Biology, University of California, Los Angeles, CA 90095, USA.
Gregory A. Horwitz
Molecular Biology Institute, University of California, Los Angeles, CA 90095, USA.
Wei Xie
Arnold J. Berk
Molecular Biology Institute, University of California, Los Angeles, CA 90095, USA. Department of Microbiology, Immunology and Molecular Genetics, University of California, Los Angeles, CA 90095, USA.
Siavash K. Kurdistani
Department of Biological Chemistry, University of California, Los Angeles, CA 90095, USA. Department of Pathology and Laboratory Medicine, University of California, Los Angeles, CA 90095, USA. Eli and Edythe Broad Center of Regenerative Medicine and Stem Cell Research, David Geffen School of Medicine, University of California, Los Angeles, CA 90095, USA.
Adenovirus e1a induces quiescent human cells to replicate. We found that e1a causes global relocalization of the RB (retinoblastoma) proteins (RB, p130, and p107) and p300/CBP histone acetyltransferases on promoters, the effect of which is to restrict the acetylation of histone 3 lysine-18 (H3K18ac) to a limited set of genes, thereby stimulating cell cycling and inhibiting antiviral responses and cellular differentiation. Soon after expression, e1a binds transiently to promoters of cell cycle and growth genes, causing enrichment of p300/CBP, PCAF (p300/CBP-associated factor), and H3K18ac; depletion of RB proteins; and transcriptional activation. e1a also associates transiently with promoters of antiviral genes, causing enrichment for RB, p130, and H4K16ac; increased nucleosome density; and transcriptional repression. At later times, e1a and p107 bind mainly to promoters of development and differentiation genes, repressing transcription. The temporal order of e1a binding requires its interactions with p300/CBP and RB proteins. Our data uncover a defined epigenetic reprogramming leading to cellular transformation.
You are going to email the following Epigenetic Reprogramming by Adenovirus e1a
By Roberto Ferrari, Matteo Pellegrini, Gregory A. Horwitz, Wei Xie, Arnold J. Berk, Siavash K. Kurdistani
Science 22 Aug 2008 : 1086-1088
Upon infection, an adenovirus protein causes global epigenetic changes in the host that repress antiviral responses and differentiation and activate cell-cycle genes.


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Home » Echos » Echos: Chapter – XXXVII
Echos: Chapter – XXXVII 4
This entry was posted in Echos and tagged New on February 17, 2016 by Raptor22
Chapter – XXXVII
Max had barely slept Friday night. Despite a typically exhausting workout in gym to go with his slate of afternoon classes, he still had difficulty quieting his mind enough to fall asleep. And even so, his eyes snapped open with the first rays of dawn, a nervous energy propelling him out of bed.
This was a new feeling for Max. Because of his inability to control his power (and a lack of interest), he had never been an athlete, and grade school had come easily enough that tests had never caused him undue stress. Mac had never known the electric anticipation of "Game Day", nor the jangling nerves that accompany an impending performance on stage. He couldn't help himself from constantly glancing at the clock until Tom woke up.
Eventually they ventured to the dining hall in an attempt to find something like the nutritionally balanced meal Coach Strong recommend to keep him fueled through the fight. His search was pretty much in vain as the available fare was mostly bland institutional food designed to keep the students alive as inexpensively as possible. But even the aggressively tasteless food couldn't keep Max from tapping a foot and talking incessantly about nothing with his friends while they ate.
After taking the lift down to the lower levels, Max found himself surrounded by a small crowd of the people he had come to think of as his friends. While the whole class had flocked to the observation room to watch the match between Cat and Danielle, the students gathered outside now there now were mostly his friends and a few others who weren't prone to sleeping in. After getting changed into his black freshman's uniform, Max found not only his roommates, but Robin, Cat, and Danielle waiting for him outside of the combat cell.
"Hey guys, what are you doing here?" Max asked, not knowing what else to say.
"Just wanted to wish you luck before your fight." Danielle answered
"That and to tell you to kick that asshole's ass!" Robin added, punching her fist in the air.
"Thanks! And wow," Max said "that is a mental picture I did not want going into a fight."
"What can I say? It's a gift." Robin replied with a smile.
"Come on, Victoria is waiting for us in the observation room," Cat said. After offering a couple more words of encouragement, the group left to go get their seats to watch the fight and Max was left alone with his nerves. Somehow it was better and worse at the same time.
When Max entered the combat cell he wasn't surprised to see that he had gotten there before his opponent. He didn't have long to wait however, and John strolled through the door just as Max was settling in.
"Oh, good. You're here. I was afraid you might be hiding under your covers" John said, as he walked in with his trademark swagger and sneer.
"Come on man, don't make this nasty," Max replied, offering his hand. "Let's just make this a good fight and try to make each other better."
"Eff that, I'm here to win and let everyone know that first fight was a fluke." John said, then added "and that you're right where you belong, on the bottom."
Before Max could come up with a reply, a voice broke over the PA system. "This is a sanctioned ranking match between John Johnson and Max Hall. Please take your positions in the prescribed stairs. Any intentional attempt to use lethal force will result in severe penalties. The match will begin at the buzzer."
*-*-*
"So, who do you think will win?" Tom asked the group sitting in front of the giant monitor. "I mean, obviously we all want Max to win, but let's say if we were in Vegas, who would you put your money on?"
"I wouldn't put my money on either of them," Peter said. "Gambling is a sin."
"Of course you wouldn't." Cat said, rolling her eyes. "I don't know. I haven't seen John fight, and we don't exactly get to pay attention to the guys in gym class."
"Pardon me, would you mind if I sat with you? I've made a point of watching all the the ranking challenges so far, and it's always interesting to get commentary." Cat turned and was surprised to see the voice belonged to Sean Kearney.
"Umm, I guess so," Cat replied, then glanced at Erik. "It's fine, isn't it?"
"Yeah, sure. 'Morning Sean!" Erik said affably. While Sean had remained aloof and wary around the massive young man after their fight for top ranking in the class, Erik had reverted to his normal good-natured self once the adrenaline of the fight had worn off and always had a friendly greeting for his former opponent.
"Anywho, I'd still put money on Max," Erik said as Sean took a seat. "You guys got to see John fight me, so he has a clue about what's coming, John didn't see any of either of Max's fights, so he doesn't really know what he's capable of."
"That is a well thought out rationale," Sean said. "I haven't seen either fight, but since John is the more highly ranked, I believe I would bet on him."
"Well then put me down for five on Hall." Apart from Erik, the group stiffened as one at the voice of Christina Ross. "The big doof let it slip that Hall is getting extra training on the side, he might not be so pathetic anymore." As she said this, she dug a rumpled bill out of her pocket and put it on an empty chair.
"Oh, hey Chrissy. What are you doing here?" Erik asked, "I didn't think you would care enough to skip training."
"Don't call me that," She said, making a mental note to make him pay for it later. "I was planning on training, but then realized my training bitch would be watching his loser roommate fight, so I decided to kill some time. So, who's in?"
"Um, I really don't think we're allowed to be betting on the matches." Robin said, grabbing Cat's arm as she got ready to put money of her own on the chair.
"And besides, the fight's about to start, so everyone hush," Tom said. "Except for you Christina… Because you scare me."
"Since our good Dean isn't here, who's everybody got?" Coach Helen said, reaching for her wallet.
"I've got a six-pack on Hall." Coach Alex immediately responded.
"Me too." Added Coach Strong's resonant voice.
"I BELIEVE I WILL PUT SIX ON JOHNSON" It was a chilling voice, with a sepulchral finality to it. He had been the coaches' colleague long enough that they were used to his tones, though they had unnerved many a second year student.
"I'll take Johnson too." said a woman's voice. She was tall, even seated, lithely athletic, and her rich mocha skin almost seemed to glow under the glow of the oversized monitor. "He'll probably be one of mine if he makes it to next year, so I want as many in the win column as I can get."
"Of course you do," Helen said. "Well, you can have him, I'll take Hall. I want to see that cocky little prick taken down a notch or three. I don't know how hard Hall can hit, but at the very least, the kid is stubborn. Okay, just so we have it straight, everybody is in for a six-pack. Bill and Janet have Johnson, and we all know how much she loves johnsons,'
That remark earned a crisp single-fingered salute.
"And Kevin, Alex, and I have Hall for the win."
As the five professors in attendance settled in to watch the match, they considered their picks and breathed a collective sigh of relief that the Dean was busy with Ani-Man. He really didn't like it when they bet on the students' fights.
Echos: Chapter - XXXVI
4 thoughts on "Echos: Chapter – XXXVII"
Bunny Lover April 27, 2016 at 11:36 am
Hehehe, love the betting aspect of these kinds of fights
Tim June 12, 2016 at 1:35 pm
I've really enjoyed the story so far, hope you'll write more. I'd love to see how this fight goes
Taoistarts August 30, 2016 at 10:10 pm
Bummer that this hasn't been added to in awhile. I was hoping there was more. I've been enjoying this quite a bit.
Ray January 3, 2017 at 2:39 pm
Well it's almost been a year now. Was great while it lasted.
← A Change of Pace – Chapter 46
A Change of Pace – Chapter 47 →


Back in October of 2013 my wife and I got a chance to visit the Split, Croatia. Here is one of the many sights that we saw during our visit. The statue seen is of Grgur Ninski (Gregory of Nin). He was a 10th-century bishop who strongly opposed the Pope and official circles of the Church and introduced the Croatian language in the religious services.


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How to buy Aboriginal art
Ahead of the Tarnanthi Art Fair, we spoke with artist Karen Napaljarri Barnes, Tarnanthi's artistic director Nici Cumpston, and three Tarnanthi art fair buyers about what to consider when purchasing Aboriginal art.
Tarnanthi means to come forth or appear – like the sun and the first emergence of light, or a seed sprouting. It is a Kaurna word and the name of the nation's largest survey of contemporary Aboriginal artists.
Tarnanthi Art Fair
Tandanya, 253 Grenfell Street, Adelaide 5000
5-8pm Fri, 18 October 2019
10am-4pm Sat, 19 October 2019
10am-4pm Sun, 20 Oct 2019
Tarnanthi takes place each year in Adelaide. This year 1,000 artists are being represented in Tarnanthi and one of the hallmarks of the festival is the art fair that takes place on opening weekend at Tandanya.
We go inside the homes of three very happy art buyers to talk about their unique experiences at the fair and the transformation original art brings to a home.
Everything you wanted to know about buying Aboriginal art but were too afraid to ask
A Q&A with Tarnanthi artistic director, Nici Cumpston
CM: What forms of art will I find at an Aboriginal art fair?
NC: Works of art are unique and diverse, as are the artists who produce them, so you can expect to find unexpected treasures. At Tarnanthi Art Fair, paintings range from works on canvas and linen by artists who have used natural earth pigments or acrylic paint and ink, to soft-sculptures and wearable art. You will find a range of hand-made and unique works of art, as well as manufactured products that are ethically licensed to individual artists.
Do you have any tips on how to choose and buy a work of art?
Take the time to look at the works closely and ask yourself what it is that you like about it. Once you have found a work that you are interested in, ask the stallholder if there is a particular story behind it, ask who the artist is and try to find out a bit more about them. This will give you a broader insight to the artist and the work of art.
How do I know if I am purchasing works ethically and that artists are being paid properly?
The Tarnanthi Art Fair is an ethical marketplace to buy works of art directly from artists, so you can be sure the artists are being paid properly for their works. This is also why it is important to respect the retail price on works of art.
Is it wrong to mount a functional object – like a bowl – on my wall if that's not the context it was made for?
Sculptural works including baskets can be displayed on the wall – three dimensional objects included amongst two dimensional can make for very interesting displays in your home. There are some incredible designs being produced on textiles at art centres across the country. Think broadly about how you can use them: they can be made into curtains, cushion covers, quilts or even stretched and hung as a painting.
Amy Joy Watson
Visual artist, sculptor
Amy was at the first ever Tarnanthi Art Fair and the small bark painting on the mantelpiece is her proof.
Purchased amid a throng of people, Amy recalls the incredible new feeling of viewing art, stacked in piles and surrounded by hundreds of people.
"When I take my work to Hugo Michell they're putting on white gloves and handling it with care," says Amy.
"When it's on a wall in a gallery, you don't touch it. Then at the art fair you can be literally flicking through these artworks like records at a record store. It's really lovely, but at the same time you have that feeling, 'Am I allowed to do this?'"
More than handle the art, you can wear it too. Amy purchased fabric at a subsequent Tarnanthi Art Fair that she had made into the trousers she's wearing in this picture.
"I had them tailored based on another pair of pants I love," says Amy. "I thought it might have been sacrilege to cut up this beautiful fabric, but the ladies at the stall said 'No' and showed me photos of all the different clothes people had made their textiles into."
Nadia Rossi
Co-founder of isthisyours? theatre company
Nadia went to her first Tarnanthi Art Fair with quite a traditional idea of what Aboriginal art was and the kind of artwork she was looking to buy.
"There's a particular women's ceremony, which is done in black and white and so I went with that in mind and then I got to the fair and found Doreen Chapman," says Nadia.
Doreen paints for a couple of studios but Nadia says it was Spinifex Hill Studio who were representing her at that particular fair. The memory of the art fair is present in Nadia's mind's eye as she recalls the visceral experience, holding several paintings in her hands at once and being pestered by other art buyers about whether she was going to buy what was in her hands or not.
"Intense," is how Nadia describes it, in the most wide-eyed and favourable meaning of the word.
Nadia's husband Karl Glaser notes that the work first hung in the hallway when it came home, but now hangs in the living room.
"It was a display piece, but now it's moved to more of a home piece here," says Karl. Nadia agrees.
"I loved that it was a place that represented Doreen's home and I'd just had Angelina (pictured, on the rug) and I was very much in that nesting home vibe and I loved that it could be a part of our home," says Nadia.
Since the purchase though, the artwork has become more sentimental than exciting, and the move from the hallway to the family room gives the work more meaning.
"This is where we spend most of our time and it feels very much like home and it's such a part of our lives. I think having all those personal artworks it makes your home feel like a home."
Ella Walker
Founder, creative director of Etikette Candles
On top of Mount Lofty, hemmed in by fog on all sides, the home of Ella Walker opens up warmly to us when husband Matt Phillips greets CityMag at the door.
Tasteful artworks dot the walls and shelves, complemented by beautiful pieces of furniture throughout. Tea is offered and accepted as we spy the Doreen Chapman on the wall above Ella and Matt's sideboard.
"It was really overwhelming – in an amazing way," says Ella.
"I didn't know what to expect. I'd never been to an art fair before, so walking into the space – the actual energy is amazing. In that moment when you've fallen in love with something, for whatever aesthetic or emotional reason, but you've got this fear that someone else will like it and take it before you get it, adding to the whole experience."
Ella ended up coming home with three pieces, one of which hangs in her daughter Rumi's room.
"That's her storytelling of her going camping – three trucks with swags piled up in the back," says Ella.
"And I love how literal this one is and how we can have it in here for Rumi and we can talk to her about adventuring and storytelling – while the other piece is so abstract and also challenges the traditional concepts of Aboriginal art."
Matt loves what Ella bought, but is making sure he gets to go to the fair this year as he missed out last time.
Q&A with artist Karen Napaljarri Barnes
CM: How do you feel about your works of art being purchased and re-housed in homes across the country?
KNB: It makes me happy to paint the birds, the animals around me. I feel proud that my work makes other people smile. People tell me all the time that my work makes them happy. It is a good feeling.
What's your experience of Tarnanthi?
I love going to the big city. It's good to meet other artists and to see their paintings, too. I am very proud to be included in the art fair. I learnt to paint from my grandmother, Judy Watson, who was a number one artist. Now it is my turn to show my work.
What do you love to paint most?
I love painting kissing animals. I went to Uluru this year and I saw camels and emus and kangaroos and I loved seeing the rock, too. I painted all these things.
warlu.com/artist/karen-napaljarri-barnes/
Photographic exhibition 'Women's Work' spotlights powerful Indigenous women
Daytime dance party on the city's only island? Yes, please
Opening Night: Generate 2019 at JamFactory


On a sweltering summer day, Rob and J. sample no-cook summer recipes from the July 2018 issue of Better Homes & Gardens, including a berry lemonade martini. Thanks to Tim for preparing wonderful food once again, and to Michael for stepping in as cameraman. Listen to the full July episode today!


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Religious tradition among adults in California by marital status
Religious tradition among adults in California by marital status (2014) Switch to: Marital status among adults in California by religious group
% of adults in California who are…
Married 2% 29% 22% 2% 1% 1% 2% 11% 2% 1% 1% 1% 1% 1% 24% 1% 1,712
Living with a partner 1% 32% 13% < 1% 2% 1% 2% 8% 2% < 1% < 1% 1% 4% < 1% 34% < 1% 278
Divorced/separated 1% 25% 27% < 1% 4% 1% 2% 9% 1% < 1% 1% 2% 3% 2% 21% 1% 546
Widowed < 1% 34% 19% < 1% 5% 2% 3% 16% 2% 1% 1% 1% 2% < 1% 13% < 1% 289
Never married 2% 24% 15% 3% 3% 1% 2% 8% 1% 2% < 1% 1% 1% 1% 36% 1% 846
Learn More: Catholic, Evangelical Protestant, Jewish, Mainline Protestant, Unaffiliated (religious "nones")


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A brief history of Hearts On Fire
Milestones matter.
Below are the key moments in the Hearts On Fire story. Our goal? To continue to evolve- in our sourcing, cutting, and design processes, so we can keep bringing the world's most perfectly cut diamonds straight to you.
Hearts On Fire is founded by husband and wife team Glenn and Susan Rothman. Within the same year, the company quickly sells out of its first collection of loose diamonds.
The company goes global, establishing a presence in Asia and the Caribbean.
Hearts On Fire launches its first complete collection of diamond jewelry.
After two years and thirty different models, the Dream square-cut diamond is perfected and patented, bringing the signature Hearts On Fire sparkle to a fancy-shaped diamond.
Hearts On Fire designs the $6.5 million Victoria's Secret Hearts Fantasy Bra.
The company establishes itself as a true global luxury brand, with a presence in 32 countries throughout North America, Asia, Europe, and Latin America.
The Architectural Collection is launched, featuring diamond jewelry inspired by famous structures all over the world. The collection is featured in a multi-page editorial in the October 2008 issue of Architectural Digest.
Hearts On Fire creates a 3,300 diamond chandelier worth $10 million for the Architectural Digest Green Room, backstage at the Emmy Awards. The chandelier was created in honor of the Emmy's "diamond" anniversary- it's 60th.
Hearts On Fire launches its first complete diamond ring with the Transcend design. The ring quickly becomes a bestseller, and remains one to this day.
Hearts On Fire hires Ilaria Lanzoni as the first official Director of Design. Ilaria previously spent time at Garrard & Co, and brought her expertise and eye for style with her to HOF.
Hearts On Fire launches retail boutiques in the King of Prussia Mall and the Forum Shops at Caesars in Las Vegas.
The Illa Collections launches, which takes inspiration from starry night skies. This same year, the Copley Collection launches, inspired by Hearts On Fire's Boston hometown.
Hearts On Fire creates a 17-carat diamond crown for Miss Universe Australia. It was designed by Ilaria as an extension of her Illa Collection.
The Aerial Collection launches, inspired by the elements of nature found in the atmosphere—like raindrops, petals, and the sun. This same year, the Lorelei Collection launches too, inspired by lace and by the balance of strength and femininity inherent in every woman.
Hearts On Fire is purchased by Hong Kong-based jewellery company Chow Tai Fook. The company then launches several points of sale in mainland China.
Caryl Capeci is appointed President of Hearts On Fire. Previously the Vice President of Marketing within the company, Caryl brought over 20 years of diamond industry experience to her new role as the head of the company.
The Triplicity Collection launches, a modern and geometric collection inspired by the architecture and energy of New York City.
Hearts On Fire launches in select Saks 5th Avenue stores across the country.
Ilaria Lanzoni wins the Couture Design Award, an award recognizing impeccable design and craftsmanship at the annual Couture Show in Las Vegas.
HOF launches an exclusive diamond jewelry collection designed by Stephen Webster.
Hearts On Fire launches a new partnership with philanthropic partner Girls Inc.
The Hearts On Fire & Girls Inc. Collection launches. Designed in collaboration with four students from the local Girls Inc. chapter in Lynn, MA, this collection empowers girls to dream big and bold. A percentage of the proceeds from this collaboration was donated back to Girls Inc.
Hearts On Fire's perfectly cut diamonds get an imaginative new look in diamond engagement rings and endlessly stackable bands inspired by designer Hayley Paige's whimsical, ethereal wedding dresses, as well as by her magnetic energy, contagious love of life, and relentless pursuit of her dreams.


Capital Gains Tax mooted; National, A.C.T. cry foul | Will New Zealand Be Right?
This entry was posted in A.C.T. Party of New Zealand, New Zealand Labour Party, New Zealand National Party, New Zealand Politics, Taxation by robglennie000. Bookmark the permalink.


Will the Sasha Urban Series end after Reluctant Psychic (Book 3)?
Sasha's story will absolutely continue after Book 3! In fact, you can already pre-order Sleight of Fantasy (Sasha Urban Series: Book 4) on Apple Books right now by clicking HERE!
When is book 3 of The Sorcery Code coming?
There will be a third book at some point in the future, but no date is set yet. That series was a close collaboration with my wife Anna Zaires and that's why book 3 has been tricky to get to–our schedules need to align.
Will there be another Mind Dimensions book?
You can send me your book and a pre-paid return shipping label and I'll sign the book for you. Contact me for a mailing address if interested.
Will book X be available in audio format?
Yes, absolutely. We produce all of our English-language books in ebook, print, and audio formats, and we generally try to release the audiobook edition as quickly as we can (usually within a couple of weeks of the ebook's release). We are also experimenting with German and French audiobooks, so please stay tuned for that.
When is book X coming out in German?
Generally speaking, all of our books will be released in German 3-5 months after they become available in English. Please sign up for my German newsletter to be notified of the German edition's release.
When is book X coming out in French?
Generally speaking, all of our books will be released in French 3-5 months after they become available in English. Please sign up for my French newsletter to be notified of the book's release.
If your question still hasn't been answered, I would love to hear from you! If you have any comments or questions about my books, please send me a note using the form below.


With the world generating millions of agricultural waste every DAY, a logical question that arises is: How best can we turn this waste into value?
A related question is: If biofuels are produced from plants, can we make biofuels from agricultural waste too?
Agricultural waste represents a diverse set of biomass waste. These could be stuff like rice husk from rice mills, bagasse from sugar mills, stalks of cotton, mustard, sugarcane and a lot more from farms, and the like.
The properties of biomass – calorific value, ash content, moisture content, sulphur content, size of biomass, bulk density etc. – could vary depending on the source.
Biodiesel (a direct substitute for diesel) – Biodiesel can be derived from biomass rich in oil / lipid content. Only in select cases can biomass rich in oil content be considered waste biomass, but one such example is specific algae strains that are rich in oil but are currently used for food or other industrial uses. Since 2005, a small sector of scientific and industrial research has been devoted to research for obtaining biodiesel from algae in an economically viable manner.
Charcoal – Many woody agri or crop waste (coconut shell is a prime example) when processed using pyrolysis give us charcoal, a fuel rich in calorific value. Some of the prominent agri waste used today for charcoal production include wood chips, coconut shells, ground nut shells etc.
Biogas – If one were to consider wet, starchy stuff like garden waste and kitchen waste, these can be fed to biodigesters to generate biogas.
One of the senior industry professionals I am acquainted with has devoted almost two decades of his career to developing innovative technologies to derive a range of biofuels from all sorts of agricultural waste. Every time I have had a session with him on his accomplishments, my head used to spin – there were so many combinations he had tried for starting materials and end products! His speciality however seems to be the route where he takes an agri waste, converts it into an intermediate product called the Synthetic Gas (a mixture of CO and H2, mainly), and uses this gas to (almost magically) produce a host of fuels similar to the petro-fuels we use every day.
The area he works in is indeed fascinating, though economics are quite vague at this stage for most of these emerging technologies.
« Is battery storage really becoming very inexpensive?
We are cotton waste and Textile processors. Want to setup biogass and bioethanol production unit from it. Need guidance and technical support.


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Monolith Soft Inc.
Nintendo Entertainment Planning & Development
Hidemaro Fujibayashi
Eiji Aonuma
Manaka Kataoka
Yasuaki Iwata
console role-playing game
post apocalyptic video game
The Legend of Zelda: Breath of the Wild is an adventure game created by Nintendo EPD and Monolith Soft. It was published by Nintendo for Nintendo Switch and Wii U. It is currently the most recent non-remake entry in The Legend of Zelda series. It was released on March 3, 2017. On April 25, 2019, Nintendo added a new feature that makes the game playable in virtual reality, using Nintendo Labo.[1]
Plot[change | change source]
According to legend, when Ganon returns, the chosen hero, Link, and the royal princess, Zelda, are destined to defeat him. Ten thousand years ago, a group of people called the Sheikah created technologies for defeating Ganon, called Guardians and Divine Beasts. Once Ganon had been destroyed, the king prohibited this technology, because he thought that Sheikah technology could be used in the future to attack the kingdom. Because of this, the Sheikah split into the Yiga, murderers who followed Ganon and the Sheikah who were still loyal, who went into hiding.
About a hundred years from the present, Ganon returns. The new king tried to use the Sheikah technology again to defeat Ganon. However, Ganon already controlled Sheikah technology and he used this to attack the kingdom. As a consequence, Link and princess Zelda were defeated by Sheikah technology. Link had to recover for a hundred years and when he woke up in the Shrine of Resurrection, and the game starts. He now has to return in search of Zelda to help her destroy Ganon with the help of clues Zelda left along the way.
Development[change | change source]
Development began in 2013. It took a long time because of all the details they added to it. They used new ideas from young developers which made it more original and refreshing. It was a pioneering game and it broke the conventions of the saga.
An interesting feature of the game is that it is interactive and the characters can respond to you differently depending on what you are wearing. For example, if you are wearing something metallic in a storm, lightning can strike you and kill you.
It has been extremely successful around the world since it was first published. It has sold around 20 million copies worldwide.
↑ "See Link's world in a whole new way". Nintendo. Archived from the original on 2020-11-07. Retrieved 2020-12-20.
The Legend of Zelda · Zelda II: The Adventure of Link · A Link to the Past · Link's Awakening · Ocarina of Time · Majora's Mask · Oracle of Ages & Seasons · The Wind Waker · Four Swords Adventures · The Minish Cap · Twilight Princess · Phantom Hourglass · Spirit Tracks · Skyward Sword · A Link Between Worlds · Breath of the Wild
Freshly-Picked Tingle's Rosy Rupeeland · Link's Crossbow Training · Hyrule Warriors
Link · Princess Zelda · Ganon · Tingle
This short article about video games can be made longer. You can help Wikipedia by adding to it.
Retrieved from "https://simple.wikipedia.org/w/index.php?title=The_Legend_of_Zelda:_Breath_of_the_Wild&oldid=8587475"
The Legend of Zelda games
Nintendo video games
Video games developed in Japan
Video game stubs


Home News Buzz N.Flying drops another new MV teaser for "Awesome"
The short video, shows the boys first meet with the girl. Guess will have to wait to see who wins the girl's heart.
Their debut MV for "Awesome" will be released on May 20. Stay tune!!


Fetty Wap has teamed up with mobile gaming company Moor Games to release a new racing game called Fetty Wap: Nitro Nation Stories.
Fetty Wap has teamed up with mobile gaming company Moor Games to release a new racing game called Fetty Wap: Nitro Nation Stories. The game is available to download for free from Apple and Google app stores on May 3, offering you the opportunity to take on street races against Fetty in either a BMW, Jaguar or Nissan.
NNS also gives players a chance to win rewards through in-game contests, like gig tickets and free trips.


Love the bench it's large which is nice for multiple people as well as it's wide enough to sit comfortably.
Absolutely was satisfied with this purchase. The table and bench together look amazing. The wood is amazing different pieces not fake looking and is beautiful and sturdy. Bench is sturdy and has smooth surface no worries on getting splinters!! My boyfriend loved it too!!


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Water Pump, Engine Pump, Impeller Pump manufacturer / supplier in China, offering High Efficiency Multistage Diesel Centrifugal Vane Pump for Chemical Industry, Portable Engine Driven Solid Handling Sewage Water Pump, Single Stage Single Suction Self Priming Mud Water Pump and so on.
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Multistage Pump Prominent & Leading Wholesaler from Coimbatore, we offer stainless steel multistage pumps, horizontal multistage centrifugal pump and vertical multistage pump.


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Claddagh Cottage Irish Pub Kid Friendly Menu
Hours: 4pm-midnight Monday-Thursday; 4pm-2am Friday; 11:30am-2am Saturday; call for hours Sunday
At least once a year, on St. Patrick's Day, many Americans take to the streets in search of an Irish way to celebrate. There's no reason to settle for fake green beer at chain outlets when there are wee mom-and-pop pubs that can dish out the real deal, like Claddagh Cottage, on Curry Ford Road, of all places. Keep your eyes open as you drive east from Semoran Boulevard past the blur of shopping strips to spot the sliver storefront and shamrocked sign.
Inside Claddagh (pronounced KLA-dah) Cottage, it's like a scene from "The Quiet Man." Faded lace curtains hang in the windows, wooden beams crisscross on the ceiling. Dusty black-and-white photos of the old country fill the walls, and the whistles of Irish folk music fill the air. Instead of John Wayne and Maureen O'Hara, you'll find proprietors Jimmy and Kathy Mulvaney, formerly of Dublin and Limerick, respectively. They keep the ale flowing, fortified by traditional Irish stick-to-your-ribs meat-and-potatoes fare.
Jimmy Mulvaney claims to serve the best pint of Guinness in town, using a "double-pour" method that's been approved by the brewery: He fills the glass three-fourths of the way, then allows time for settling before topping off with a smooth, creamy head ($3.50). He refined his art at Mulvaney's Irish Pub on Church Street, which he co-founded with his brothers before branching off. The two pubs are different as night and day. Where Mulvaney's is a polished club that attracts a business crowd by day and barflies by night, Claddagh Cottage is a neighborhood draw, where the beer splatters on the wall only add to the character.
We visited on a Sunday, and some menu items weren't available, like "Cottage pie" ($5.25), a beefy stew crowned with mashed potatoes. So we started with a "country sausage roll" ($4.25). It was a glorified pig-in-a-blanket, but good, with two links of mild Irish pork sausage baked in puff pastry. We tried a steak and mushroom pastry pie, and another with chicken and mushrooms ($5.25 each). Both were filled with savory, meaty gravy inside buttery crusts. We also enjoyed a steamy "Dubliner" sandwich ($5.50), stuffed with shredded roast beef, sautéed onions and melted Swiss cheese.
Claddagh Cottage is laid-back, so don't expect speedy service or get in a twist if some items aren't available. Expect a friendly crowd that includes genuine Irish expatriates lined up at the bar, as well as others trying to soak in that world-famous Irish charm.
Features: Beer, Catering, Dinner, Take Out, No Reservations
Payment Type: Amex, Discover, Master Card, Visa
No reservations accepted
Update This Location
Via Thebyrnebrothers.com
The Byrne Brothers bring traditional Irish song and dance to Claddagh Cottage on Saturday
by Bao Le-Huu | Dec 17, 2020
Photo Via Claddagh Cottage Irish Pub On Facebook
The new location of Claddagh Cottage is finally in soft opening mode
by Jessica Bryce Young | Apr 20, 2018
Photo By Jim Thompson Via Claddagh Cottage On Facebook
UPDATED: Saturday is the Claddagh Cottage fundraiser for their move to a new location
by Jessica Bryce Young | Dec 16, 2016
Irish Kid Friendly Menu


Khandelia Business Group is a leading manufacturer and marketer of edible oils in both mustard and refined oil segment, based in Chandigarh, INDIA since 1976. We made a beginning in the year 1974, and since then with our product quality and dedicated work force, we have achieved sustained growth and unprecedented progress.
In order to keep pace with the company's growth and expansion, a second unit Khandelia Oil and General Mills Pvt. Ltd. was established in 1986 at Sriganganagar, Rajastan (one of the largest mustard seed producing area in the country). To add value to the company's products, a modern 200 TPD Solvent Extraction Plant was commissioned in 1993 at Sriganganagar to extract oil from company's by-product cakes. To further boost it's products, a latest 50 M Ton pet column continuous refinery of Alfa Laval was commissioned to manufacture refined oil and to meet up with the increasing demand in the market we established third unit Khandelia Udyog Pvt. Ltd. in the year 2008 in Sriganganagar, the next year fourth unit Khandelia Industries was set up in Sriganganagar. And to boost up the sales & marketing of the products, KBG established its marketing firm Khandelia Mercantile LLP in the year 2009.
Mustard oil and Refined oils are packed in good quality bottles and tins of various sizes. Mustard oil produced by the company is healthy and nutritious. It has low saturated fats as compared to other cooking oils. It also has antioxidant and cholesterol reducing properties. This oil is popular for its aroma and delicious taste in making Indian dishes. Its extensive usage in cooking fish and as a preservative in pickles makes it an indispensable part of the Indian cuisine.