text:
GRAVES, WILLIAM M. ``BILL''
GRAVES, William M. "Bill"
William M. "Bill" Graves, 63, of Barnhart, MO and formerly of East Granby, beloved husband of Sandra Jo "Sandy" (Wray) Graves died Wednesday, (August 3, 2005) at Jefferson Memorial Hospital, Crystal City, MO. Born January 14, 1942, in Wickliffe, KY, son of the late Floyd and Florence (Price) Graves. He lived in East Granby for 17 years before moving to Missouri in 1995. He received his degree in chemistry from Washington University, St. Louis, MO. While living in East Granby, he was employed by Westinghouse, formerly ABB/Combustion Engineering, in Windsor, was transferred to Missouri in 1995 and retired from Westinghouse in 2002. He was an avid gardener and wood worker and loved every moment with his family and friends. Besides Sandy, his wife of 43 years, he is survived by two sons, Ronald Graves and his wife, Julie of New Britain, Tony Graves and his wife, Jan of Canton; a daughter, Carrie Graves of Barkhamsted; four grandchildren, Cameron Graves, Elizabeth Graves, Margaret Sauer and her husband, Daniel, Christina Odegard and her husband, Brian; a great grandson, Evan Odegard; three brothers, Donald Graves and his wife, Ellen of Guntersville, AL, Paul Graves and his wife, Marilyn of DeSoto, MO, Edward Graves and his wife, Fran of Green Bay, WI; two sisters, Mary Anna Batts and her husband, Ivie of DeSoto, MO, LaDonna Wolter and her husband, Jim of Fenton, MO. His family will receive friends Saturday, August 13 from 9-10:30 a.m. at Carmon Funeral Home & Family Center of Avon, 301 Country Club Rd., Avon. Burial will be private at the convenience of his family. Memorial donations may be made to Missouri Botanical Garden, 4344 Shaw Boulevard, St. Louis, MO 63110.
Peter Pan to continue allowing immigration checks on buses


text:
Up: Bloggity [Related] «^» «T»
Interview Extension
Asked for a few words, I went on, and on.
A short while ago, Jim McLellan interviewed me for a piece in The Guardian about pretentious websites like this one, called "How to write a blog-buster." I am prolix at best, so instead of delivering a few thoughtful, useful quotes, which is what you should do for a journalist under deadline, I wrote him an essay.
Jim managed to find some quotes in all of my verbiage, and as a side effect, I created an explanation of what I'm trying to do here, which appears below. Jim's questions are in bold, followed by my replies, and a few after-the-fact annotations in italics.
(This is somewhat dry stuff, and probably only of interest to a small number of similarly inclined folk.)
With FTrain, you seems to deliberately mix things up - there's non-fiction commentary, alongside 'stories' and contributions from fictional personae - what are you aiming to do with the site?
I take great pleasure from writing, just from the act, so it's a way for me to share that with anyone who wanders by. But I am also entirely fascinated by the possibilities of hypertext, by the new means we have of structuring, sorting, and searching text. This fascination keeps me writing for the web, and has led me to become a programmer. I am continually striving (at first alone, but now with others) to create a publishing system that will give readers a rich reading experience, and one that will take full advantage of the web.
I work in waves: I research and write code, then I write inside the system I've built, trying to figure out its limits. Then I flop around for a bit, trying to figure out what comes next. I've repeated this process many times over the years.
I don't think of what I do as a 'blog.' Rather, I call Ftrain a 'graph narrative,' with 'graph' in the mathematical sense, defined by Merriam-Webster, of 'a collection of vertices and edges that join pairs of vertices.' 'Graph narrative' describes the underlying structure of the text: many pieces linking in many ways. Look at me! I have big ideas! So big I have to coin terms to describe them. But wait, there's even more didactic hoo-ha to come. The stories and essays are the vertices, and the links are the edges. The blog structure, as its most often understood, is simpler: blocks of text tagged by date, and category, and a few other kinds of relational data. The difference--and this is probably more information than you'd like--is that blogs are text stored in a database, but Ftrain is a database unto itself, and is defined in terms of itself. So in a way it's my map of reality.
Right now I'm trying to figure out the right way to apply these ideas to fiction and personal narrative, but it's slow, slow progress. Sometimes the possibilities of the medium are confusing and tiring.
How long have you been writing FTrain? Have you always used it as a place to do fiction as well as commentary?
I've been writing online for a decade, and writing Ftrain since 1997. The site has always been a mix of fiction, non-fiction, autobiography, and commonplace book, with photographs, and the occasional sound file and illustration, mixed in.
Do you see blogs as a publishing platform - something that helps you get out work that could just as well appear in print? Or do you see them as a specific form, that offers different creative possibilities? Or is it a mixture of both?
It's a mixture, and mostly up to the writer. I think much of the thinking about blogs and, more broadly, how people create things online, grapples with this problem: how do you define a form in a medium which can accommodate nearly any form? When the same machine can display books, play songs, show movies, and run video games, it's very hard to pin down a form, because there are so few boundaries, and forms are defined by their limits. The 'blog' is an attempt to define a form, and whole communities have come up around it, with a vested interest in pinning down what a blog is, what it means to society, what it means to write one, and the best ways to go about creating one.
(This can lead to hyperbole, and tunnel vision, as when people were convinced that Howard Dean would win the Democratic nomination because he had harnessed the awe-inspiring power of the blog, or when people claim that bloggers will replace journalists.)
In my experience, writing for the web, with the links and other options available, is not the same as writing for other media. I also write for magazines and the radio, and the requirements of each are quite different, the editorial guidelines more defined, and the sense of audience more pronounced. I've turned essays on Ftrain into spoken-word pieces for the radio, and they must be radically changed in order to cross over to a different medium: shortened, sure, but the rhythm of the prose and the sense of what the audience will know, or not know, also changes. I can't count on the context that the other hundreds of thousands of words on my site provides; each piece must be complete.
Much blog-writing right now, I think, is nodding to different editorial traditions: journalism, short-story writing, diaries. It takes decades for a medium to come into its own, for people to qualify what works and doesn't. Right now, and for the forseeable future, we're in an intermediate state: somewhere between prose on paper and digital narratives, which might not be only prose. So you're going to see things which would work fine on paper with no changes, and those which can't be removed from their websites without losing their ability to evoke, or amuse, or entertain, perhaps because they require a song to be downloaded to make sense, or don't work without their links. People are still searching for a common language so that they might talk about this process. The discussions around blogs are one way that people talk about these things, but the common language of blogging doesn't make room for all the other possibilities.
Many people who have tried to tell stories via blogs have worked on extensions of traditional diary fictions - from Diary of A Nobody to Bridget Jones - did you ever experiment with that kind of thing? Or are you trying to do something different?
I have a short attention span, and I can't stick to a plot. This used to bother me, but I've found that over time, themes and ideas emerge, and people respond to those in unique ways. I'll write one piece, and then conclude it a year or two later, and those who want to can read the two pieces in sequence, or read the first, and everything that came between, and then the second. Or they might have been reading the whole time, checking in on me every few weeks.
That variable reading experience, I think, makes this medium unique: this ability to watch the author try, and fail, and try again, the reader's option to see either the edited, or remixed version of the prose, or to see every step along the path. It's these choices--choices which the current wave of blog software do not always enable, but which I feel will be possible as new tools emerge--that make the medium unique. William Gass has a quote, in his book 'Finding a Form': 'The reader's freedom is a holy thing.' I usually place that quote in a comment at the top of my JavaScript and XSLT code, as a reminder of who I'm serving, and the ends to which I am working. I sound like a particular wanker here, no? But I love that quote.
Can fictional diaries really work as blogs? Or do they pose some rather tricky problems when it comes to telling a story? For example, when you read a fictional diary in print, you tend to read a lot of entries in one go - and hence you get a sense of a narrative. Also, in diaries the sense of time and chronology is uncomplicated - But in blogs, you start with the latest entry and scroll down/back in time - so creating a sense of narrative development is more difficult?
This is a technical problem, and can be solved by software. As more people take online prose seriously, the focus is shifting from the writers to the readers, and different ways of arranging narratives for the reader's benefit are emerging. When readers can specify how they want to read, by category, or character, or chronology, or along other axes, this problem will vanish.
What kinds of stories work best in blog form, do you think? Are there some things that won't work?
The personal diary has a special place online, because individuals appear unedited and raw, with all their sublime and mundane qualities together. It's possible to hear hundreds of different voices, to sample personalities like they were hors d'oeuvres, just by clicking around. But I don't think we have any way of knowing, just yet, what other sorts of stories are going to work. It's still too new.
I'm often surprised by what brings in readers. Or that I have any at all. There are some obvious suspects: an article about a new technology has a built-in audience, because the audience on the web has a disproportionate interest in technology when compared with the rest of humanity. The bloggers will link to the article you're writing now, because it's about them. And something short, tight, and funny based on current events will bring thousands of people to a site. But personal essays, and strange bits of fiction, can also generate a huge amount of traffic. When these bring in a large number of readers, and email response, it feels like a victory, because I've reached people in a way that is outside of the news, and outside of their direct interests. These pieces are good examples:
Colgate Money Shot
Cleaning My Room
They were widely read and linked, and discussed, both the ideas within and the way the prose worked, even though the latter one took some time to read.
In terms of online self-publishing, the 'home page' gave way to the 'web journal,' which gave way to the blog. Something will come next, labeled with its own neologism, and it will incorporate what came before. Probably not 'Graph Narrative,' though. More likely something like e-site or s-blog.
With blog fictions, is there potential to involve the readership in some way - to incorporate their feedback into the episodic narrative - but without relinquishing control of the general direction of the story?
I definitely listen to my audience, although I've learned not to let them dictate to me. Hear that? When people find something they like, they want more of it, and so I've been asked for more fiction featuring a given character, more personal essays, more articles on technology. When I've tried to please, the efforts fall flat. Also when I don't try to please.
People also, I find, react to editing: a piece I've edited carefully will garner more readers, more feedback, and more links than something more roughly composed. They respond to craft. Note the sad corollary to this statement: many, many pieces have not been "edited carefully."
There's a long precedent for audience feedback in serial literature. As the Pickwick Papers was published, the character of Sam Weller proved immensely popular, and Dickens changed the focus to Weller in future installments, and Dickens bought a house on the proceeds. So it obviously pays to listen, but you must also maintain the individual voice that caught the reader's eye in the first place.Which I have not been very good about--and when I say "you" I'm talking to me.
What other blog fictions do you read? Can you recommend anything I should check out?
Josh Allen's Fireland.com is grand and has been going for years; Todd Levin's Tremble.com is comic semi-fictional commentary and excellent; Bob Powers' GirlsArePretty.com is amazing and always there; and Anonymous' NotPretty.com is excellent personal non-fiction--not so much a diary or blog as a crafted memoir. Lastly, Logodrome.net (a Russian-speaking ex-pat), Brokentype.com (a fellow working in publishing), and RhetoricalDevice.com (by a writer/musician/programmer), are written by friends, and each site comes highly recommended. The four of us meet each week to talk out what we're trying to do on the web, and complain.
This is Interview Extension, an essay by Paul Ford, published Thursday, April 8, 2004. It is part of Bloggity, which is part of Webs, Semantic and Otherwise, which is part of Life With Machines, which is part of Theory, which is part of Ftrain.com.
Cleaning My Room (October 31, 2001)
Colgate Money Shot (October 2, 2002)
«Life With Machines»
Webs, Semantic and Otherwise»
Bloggity»

redpajama_set_name: RedPajamaCommonCrawl


text:
'I will be there as a fan' - Injury blow for Stoke City ahead of West Brom clash
Managerless Stoke City face old foes West Brom at the bet365 Stadium this evening
Keith Wales
Peter Etebo has been a key man under Nathan Jones. (Image: Nathan Stirk/Getty Images)
Peter Etebo is out of tonight's televised clash between Stoke City and West Brom (8pm).
The popular midfielder, arguably Stoke's player of the season so far, has failed to recover from the thigh injury he sustained during the defeat at Sheffield Wednesday last month.
He confirmed his absence against the Championship high-fliers in an interview with Nigerian sports website Brila.net - and lamented the opportunity to go head-to-head with national team-mate Semi Ajayi.
Etebo explained: "I would have loved to play against him this week. We played against each other twice when he was at Rotherham and it was a draw.
Stoke City matchday LIVE! Manager hunt goes on as Potters prepare for West Brom clash
"I am disappointed not to be able to face him at his new club. This time, I will be there as a fan supporting my team."
Ajayi, the 2018/19 Rotherham player of the season, joined West Brom in the summer for an undisclosed fee.
Etebo added: "I wish him well and hope he has a good game (against Stoke), but I am sure my team will win, so he will go home disappointed with the result.
"The few times that we play against each other, we win almost the same number of interceptions and tackles, so I would say that there is not much difference between us."
Stoke City manager latest
Stoke City are without a manager again. Nathan Jones was sacked on Friday after a disastrous nine months in charge. His is the fourth manager to be sacked by the Potters since January 2018, following Mark Hughes, Paul Lambert and Gary Rowett out of the bet365 revolving door.
The pressure is on the Stoke hierarchy to find a replacement for Jones.
Stoke have been linked with several options, falling foul of Championship rivals Preston North End along the way over reported interest in Alex Neil.
Here is the latest news on the search to replace Nathan Jones...
Must reads...
New candidate would take the job
New name in the frame
Obstacles the new Stoke manager will face
Wigan boss not currently in contention... but interested parties line up
For all your latest Stoke news, opinion, analysis and transfer gossip, click here
You can follow our Stoke reporters Peter Smith and Martin Spinks on Twitter, or email them at peter.smith01@reachplc.com or martin.spinks@reachplc.com
However, the 23-year-old Etebo is aware of the danger midfielder Ajayi will pose ailing Stoke tonight after seeing him in action at close quarters for Nigeria.
He said: "He is always very hardworking in training when we are in camp.
"I would say that 95 percent of the time, we are almost always on the same side in training and I can see how much work he is doing."
Managerless Stoke go into tonight's game bottom of the Championship table while West Brom will be looking for a win to take them back to the summit.
'Let me at the old enemy' - Stoke City youngster wants a slice of the action against West Brom
Etebo cost the Potters £6.3m from Feirense in the summer of 2018. He was late back for pre-season due to international commitments at the Africa Cup of Nations, and has only been able to start eight out of Stoke's 14 Championship matches to date.
However, he has been one of the outstanding performers in a struggling team and was sorely missed in the defeat at Millwall that ultimately cost Nathan Jones his job last week.
Peter Etebo


text:
Gentianella cerastioides är en gentianaväxtart som först beskrevs av Carl Sigismund Kunth, och fick sitt nu gällande namn av Fabris. Gentianella cerastioides ingår i släktet gentianellor, och familjen gentianaväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Externa länkar

Gentianellor
cerastioides

redpajama_set_name: RedPajamaWikipedia


The purpose of this EEO Public File Report ("Report") is to comply with Section 73.2080(c)(6) of the FCC's 2002 EEO Rules. This Report has been prepared on behalf of the Station Employment Unit that is comprised of the following stations: WLAD-AM, WDAQ-FM Danbury, CT WAXB-AM Ridgefield, CT (the "Stations") and is required to be placed in the public inspection files of these Stations, and posted on their websites, if they have websites.
The information contained in this Report covers the time period beginning 12/1/17 to and including 11/30/18 (the "Applicable Period").
A list and brief description of the initiatives undertaken pursuant to Section 73.2080(c)(2) of the FCC rules.
Appendices 1, 2 and 3 which follow have been designed, in the aggregate, to provide the required information. Please note that the numbers listed on Appendix 2 under the column entitled "Full-time Positions for Which This Source Was Utilized" refer to the number of the full-time job positions listed on Appendix 1.
For purposes of this Report, a vacancy was deemed "filled" not when the offer was extended but when the hiree began work. A person was deemed "interviewed" whether he or she was interviewed in person and/or over the telephone.
Source Entitled to Vacancy Notification?
All Company stations broadcast four announcements per week soliciting community organizations that have or may have prospective employees to refer to the Company.
Company participates in the Connecticut Broadcasters Association Scholarship Program. In addition to the Company dues payment that helps funds the program, all Company stations broadcast announcements during December, January, February and March soliciting scholarship applicants.
Station personnel spoke at the Leadership Danbury event sponsored by the Greater Danbury Chamber of Commerce on the current state of the broadcasting industry.
Station personnel spoke at a SCORE event on business opportunities in broadcasting September 13, 2018.
Station personnel attended and spoke with students at the Western Connecticut State University students about careers in broadcasting as part of a marketing class on November 1, 2018.


On February 21, several Moscow doctors publicly announced a set of frightening accusations made against one of their colleagues, the pediatrician Yevgeny Likunov. The parents of Likunov's former patients accused him of fraud: they said the pediatrician forged their children's test results and gave them fake vaccines either by merely pretending to perform injections or by using an insulin syringe to inject saline solution instead of an actual vaccine. Meduza spoke with Likunov's colleagues and patients and discovered that he has been deceiving patients for several years, all while hosting talk shows about health and appearing in the news media as a medical expert.
A Russian teenager stole 200 pounds of potatoes. Police found an imprint of his license plate in the snow.
An 18-year-old in Syktyvkar, the capital city of Russia's Komi Republic, has been charged with trespassing and theft after stealing 92 kilograms (202 pounds) of potatoes. The young man was identified after an imprint from his car's license plate was found in a snowbank. As the thief attempted to escape the scene of the crime in his Volga GAZ-31029, he crashed into the snow and failed to notice that the car's license plate number remained clearly legible when he drove away.
Russia's Investigative Committee will investigate reports that members of the religious group Jehovah's Witnesses, which is officially banned in Russia, were tortured in the Siberian city of Surgut.
'Meduza' fact check: is Russia too big to use an online voting system?
Russian Prime Minister Dmitry Medvedev ordered three executive agencies to evaluate a proposed ban on enclosures for defendants in Russian court hearings by April 1. Keeping defendants in metal cages or transparent enclosures known as aquariums during their hearings is a common practice in Russia.
Russia's Ministry of Internal Affairs requested that the British newspaper The Times explain why one of its journalists, Janice Turner, entered Russia using a tourist visa. Turner published a column that criticized the culture of Russia's capital on February 14.
Russia's Federal Security Service (FSB) has accused the blogger Alibek Mirzekhanov of participating in terrorism after Mirzekhanov was arrested following an enormous fight in the Moscow café Neolit. The FSB claims Mirzekhanov recruited fighters for the ongoing war in Syria. He was charged under two different statutes: one that regulates participation in terrorist organizations and can carry a prison sentence of up to 20 years along with a statute that penalizes the recruitment of terrorists and carries a sentence of up to 15 years.
In the spring of 2004, school teacher Tatyana Bakalchuk and her husband Vyacheslav, a radiophysicist, realized they weren't earning enough money to provide for their infant son. So they decided to launch an online clothing store. In the beginning, they ordered and resold Otto and Quelle catalog products from the German retailer Otto Group. A few years prior, the German company had tried and failed to enter the Russian market, finding that the country simply lacked an online purchasing culture. Russia's postal service also lagged far behind Western systems.


text:
Travel & Tourism awards grants
ECCO won grant to help teach kids about the aquarian.
By From staff reports, Published: April 27, 2012
The Henderson County Travel & Tourism board has awarded $30,000 worth of grants to organizations and events that bring tourists to Hendersonville. Organizations submitted requests totaling $60,904.
Study explores why people vacation here
First tourism conference aims to boost business
Tourism dips in July
UPDATE: Carden avoids crossfire as tax debate looms
County T&T earmarks $100,000 for new stage
The grants ranged from $5,000 for an apple orchard directory to $400 for the annual Harambee Festival. Here are the organizations, date of event, amount request, amount awarded and reason for the grant (if only one amount is listed T&T awarded the full request):
• Apple Country Engine and Tractor, Oct. 25-27, $1,000, Antique Engine and Tractor Show
• Arts Council of Henderson County, Oct. 6-7, $2,000, Art on Main
• Blue Ridge Community College, May 17-18, $5,000, $1,500, Blue Ridge Bookfest
• Blue Ridge Farm Direct Market Assoc. July 1-Dec. 31, $5,000, apple orchard directory
• Carl Sandburg Home, July 2012-March 2013, $1,250, rack cards and events
• Carolina Mtn. Land Conservancy, May 5, 2013, $5,000, $1,000, Bearwallow Beast 5K Trail Run and Festival
• Do Tell Storyfest, Spring 2013, $750, $500, Storytelling Festival
• Flat Rock Playhouse, July 1-Dec. 22, $5,000, 2012 Playhouse season
• Flat Rock Merchants Assoc., July 1-June 30, 2013, $1,000, $550, rack cards
Fletcher Parks and Recreation, $500.
• Henderson Co. Education Foundation, Spring 2013, $2,300, $1,200, BBQ Expo
• Henderson Co. Young Leaders Program, Oct. 3, $2,000, $0, Future Legends of BBQ Competition
• Hendersonville Antique Car Club, Oct. 13-14, $4,000, $1,000, Mtn. Harvest Cruise and Car Show
• Hendersonville Symphony Orchestra, July 1, 2012-June 30, 2013, $5,000, $400, 2012-13 Orchestra season
Historic Flat Rock Inc., $1,500, Designer Show Case, July 21-Aug. 5.
• Historic Seventh Avenue District, Oct. 13, $1,000, $950, local farmer's market
• Historic Seventh Avenue District, July 1 and Sept. 2, $1,000, $950, bazaar
• NCDA & CS, NCFS, ongoing, $3,000, DuPont State Forest (printing brochure)
• Team ECCO, Oct. 6, $1,604, $800, The Beach is in Reach! Sand Castle Competition
• The Center for Craft Creativity and Design, July 2012-June 2013, $5,000, $0, WNCW underwriting agreement
• WNC Air Museum, July 1-2, 2013, $1,500, Air Fair
• Yahyah Rasheedi, Inc., July 20-22, $5,000, $400, Harambee Festival.


text:
var m = require('mithril');
var util = require('chessground').util;

var created = require('./created');
var started = require('./started');
var finished = require('./finished');

module.exports = function(ctrl) {
  var handler;
  if (ctrl.data.isStarted) handler = started;
  else if (ctrl.data.isFinished) handler = finished;
  else handler = created;

  var side = handler.side(ctrl);

  return [
    side ? m('div#tournament_side', {
      config: function(el, isUpdate) {
        if (isUpdate) return;
        var $el = $(el),
          originalY = $el.offset().top,
          topMargin = 13,
          onscroll = function() {
            var scrollTop = $(window).scrollTop();
            var d = scrollTop < originalY ? 0 : scrollTop - originalY + topMargin;
            $el.css('transform', 'translateY(' + d + 'px)');
          };
        $(window).on('scroll', $.fp.debounce(onscroll, 500));
        onscroll();
      }
    }, side) : null,
    m('div', {
        class: util.classSet({
          'content_box no_padding tournament_box tournament_show': true,
          'finished': ctrl.data.isFinished
        })
      },
      handler.main(ctrl)
    )
  ];
};

redpajama_set_name: RedPajamaGithub


text:
Q: delete row when multiple checkboxes are selected, in flask generated website I am trying to make a to-do list with sub-tasks which are generated by a form which ask the user for the task name and sub-task names. Then I displayed the sub-tasks with the help of jinja template, but I want to be able to delete the row of the table that is the task when all three checkboxes are selected
                <form action="/delete" method="post" id = "x">

                    <input class="form-check-input" type="checkbox" name= 'sub_task1' value= {{task.sub_Task1}} id="flexCheckDefault">

                      {{task.sub_task1}}

                    <input class="form-check-input" type="checkbox" name='sub_task2' value= {{task.sub_Task1}} id="flexCheckDefault">

                      {{task.sub_task2}}

                    <input class="form-check-input" type="checkbox" name=sub_task3 value= {{task.sub_Task1}} id="flexCheckDefault">

                      {{task.sub_task3}}

                </form>

I do not want to create a submit button , so I thought of using get,ElementById function but as it is a jinja template knowing before hand what the id is not possible. Is there any way to implement it
I tried using wtforms but I reached a dead end there.

redpajama_set_name: RedPajamaStackExchange


text:
Q: How to insert rows of information into different rows in a mysql database? I don't know how to insert a list of info into a mysql database.
I'm trying to insert rows data into a database but it is simply inserting the last row three times.  The list is named "t" and it is a tuple .
Data:
11/04/19,17:33,33.4,55
11/04/19,17:34,22.9,57
11/04/19,17:35,11.9,81

Code:
import mysql.connector

sql = mysql.connector.connect(
    host='    ',
    user='    ',
    password='    ',
    db="     "
    )
cursor = sql.cursor()

f = open("C:\Cumulus\data\Apr19log.txt","r")

while True:
    s = f.readline()
    list=[]
    if (s != ""):
        t=s.split(',')
        for item in t:
            list.append(item)
    else:
        break;

sqllist =    """INSERT INTO station_fenelon (variable, date,
time,outside_temp, outside_humidity)
                VALUES (%s, %s, %s, %s, %s)"""

record =[(1, t[0], t[1], t[2],t[3]),
         (2, t[0], t[1], t[2],t[3]),
         (3, t[0], t[1], t[2],t[3])]

cursor.executemany(sqllist, record)
sql.commit()

I want to create three rows in the database with this list of information but is is only showing the last row of information in the database.

A: Try this.
import mysql.connector
sql = mysql.connector.connect(host='',user='',password='',db='')
cursor = sql.cursor()
f = open("C:\Cumulus\data\Apr19log.txt","r")
st=[i.strip().split(',') for i in f.readlines()]

sqllist = """INSERT INTO station_fenelon (variable, date, time, outside_temp, outside_humidity) VALUES (%s, %s, %s, %s, %s)"""

record = [(i+1, j[0], j[1], j[2], j[3]) for i, j in enumerate(st)]

cursor.executemany(sqllist, record)
sql.commit()


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9 LISTSFormidable BeastsRun, don't walk!, from these dangerous and terrifying creatures, hunting humans around the world and lurking in your own backyard.
The Scariest Types of Dog Breeds
The Scariest Types of Spiders
The Scariest Types of Snakes
The Scariest Types of Dinosaurs
The Scariest Types of Bears
The Scariest Types of Fish
The Scariest Types of Insects
The Scariest Types of Birds
The Scariest Types of Sharks
The Scariest Types of Snakes in the World
Ranker Science
List RulesVote up the most terrifying species of snake you hope to never encounter in the wild.
One of the most common fears people have is a healthy fear of snakes. We say "healthy" due to the fact that there are some species of snakes dangerous to humans, which require a certain amount of fear should you happen to have one slither across your path. Snake attacks aren't necessarily a common occurrence in most urban areas, but when one of the most dangerous snakes found on this list does strike, it can cause severe damage.
You may not realize it, but there are thousands of species of snakes and the scariest kinds could be lurking in your backyard right now—especially if you happen to be reading this in Australia, India, or pretty much anywhere. A good rule of thumb when dealing with the types of snakes to follow—which are any you don't know very well—is to avoid them.
It's healthy to be afraid of snakes simply due to the fact that many species can be deadly. Some are ugly while others have beautiful scale patterns, but all of them are predators. In most cases, they aren't eating people, but that doesn't mean they won't take a stab at you if you get too close. Snakes that attack humans can end up killing someone and, while most of them take care of our rodent problem, the worst types of snakes found on this list are those you should definitely be afraid of.
Photo: XLerate / Wikimedia Commons / CC-BY-SA 3.0
Inland Taipan
Size: 5.9' to 8.2' long (1.8 to 2.5 meters).
Location: Arid, central locations in Australia.
Distinguishing Features: Most are dark tan in color, but some individuals have been found that are a light-green, which may be due to seasonal changes. It has a round snouted head and has relatively short fangs (3.5 to 6.2 mm long).
Why You Should Be Scared: When it comes to snake venom lethality, look no further than the Inland Taipan. These snakes are the most venomous in the world. It has the most toxic venom of all reptiles and a single bite's worth of venom can kill up to 100 adult humans. An untreated bite will likely kill someone within as little as 30-45 minutes, so immediate treatment is a must.
Would you slither away from this snake?
Size: 6.6' to 9.8' (2 to 3 meters), though some specimens have been found to grow to nearly 15' (4.5 meters).
Location: Sub-Saharan Africa.
Distinguishing Features: The Black Mamba is the longest species of venomous snake in sub-Saharan Africa. They are not black as the name suggests, but rather grey to dark brown.
Why You Should Be Scared: Their venom is extremely toxic and can result in death in less than five minutes—making their bites almost always lethal. They are the most feared snakes in all of Africa and given that they dwell in trees, they have been known to drop down on unsuspecting victims and kill with a single strike. Their bite is known across the continent as the "Kiss of death".
Photo: SunOfErat / Wikimedia Commons
Eastern Brown Snake
Size: 4.9' to 7.9' (1.5 to 2.4 meters).
Location: Eastern and central Australia and Southern New Guinea.
Distinguishing Features: Most individuals are brown in color with a cream-yellow underside. Some have been found to be almost jet-black in color.
Why You Should Be Scared: The Eastern Brown Snake is considered the second-most venomous snake in the world. In Australia, where snake bites aren't too uncommon, its bite accounts for 60% of all snake-bite fatalities.
Photo: Bernard Dupont / Wikimedia Commons
Size: Relatively small. Adults range from 1' to 3' (0.3 to 0.9 meters).
Location: Dry regions and savannas north of the Equator. They can be found throughout Africa, the Middle East, and southwest Asia to India and Sri Lanka.
Distinguishing Features: They have a pear-shaped head, vertically elliptical pupils, rough scales, and a short, thin tail.
Why You Should Be Scared: They may look small and innocuous, but their bites make them one of the deadliest snakes in the world. Saw-Scaled Vipers live in densely populated areas, which place them in close proximity to people. Their mortality rate is around 20%, meaning one in five people die from their bites.


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Berlin Mariendorf, Im Marienpark
HomeBerlinBerlin Mariendorf, Im Marienpark Back to overview
place Address: Im Marienpark, 12107 Berlin
zoom_out_map Office size: to 713m2
people Meeting size: 2 to 10 persons
Office Center highlights
With this flexible workspace everything is possible: The workspace of 713 m² can be individually rented, either as a shared office space or even completely. Thanks to its large windows and skylights, the space is wonderfully bright and equipped with all the necessary network connections. It consists of two opposite office units (north and south) of approximately the same size with separate entrances and two connecting doors. The floor is divided into two large open spaces, one larger, 2 medium-sized and 4 smaller individual office/meeting rooms. Everything is located on the 1st floor, accessible via stairs of the landmarked red brick building on the former Gasag premises in Berlin-Mariendorf. Currently only the southern half of the total area is in use, equipped with sound insulation ceiling panels and ready for occupancy at short notice. Office chairs, tables and cupboards are available for take-over or can be easily rented if required.
The property, including a beer brewery in the immediate vicinity, invites you to a business dinner in the evening, a collegial after-work beer in the beer garden or the spacious restaurant. Furthermore, the area also offers separate premises for corporate events, off-sites, workshops, and private events as well as a duckpin bowling alley, shuffle boards, slot machines, mini-golf, giant chess, and much more. The wider neighborhood consists of medium-sized companies from a wide range of industries; people like to see and help each other. Free parking spaces and bicycle stands are available in the close vicinity; two electric charging stations are also installed in the parking lot belonging to the restaurant. The bus 181 (connection to the underground station Alt-Mariendorf or direction Steglitz) can be reached on foot in 4 minutes and the suburban train station Attilastraße (S2 and bus 282) in 10-15 minutes.
directions_walk4minto public transport
directions_bus35minto train station
directions_car10minto motorway
flight_takeoff25minto airport
bus_alert Close to public transportation
local_cafe Cafés & bars nearby
local_pizza Restaurants nearby
storefront Shopping nearby
directions_subway Close to train station
directions_car Close to motorway
hotel Hotels nearby
park Park / greens
Further recommendations for you in Berlin
The advantages of Flexible Office Space
Here you'll find answers to the questions we get asked the most about renting a flexible office space.
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Noise from railway sidings in the new Environment Act
It is always difficult to explain that, under current legislation, the noise of a particular train in a timetable is covered by certain standards and calculation and measurement methods, but the noise of the same train outside the timetable is covered by industrial noise with other standards and calculation and measurement methods. The new Environmental Act aims to make environmental law more transparent for citizens, companies and governments. It is logical that one of the intended changes is to eliminate this unclear situation for noise on railway sidings. New regulations are in the works, witness the draft text for the "Noise Supplement to the Environment Act".
What is going to change?
In short, the noise from trains will be included in the noise production ceilings and will no be longer assessed separately. The remaining noise in railway sidings (for example from the maintenance and cleaning of trains) will continue to be subject to the industrial noise regime.
Where do you read that?
In the draft text for the Noise Supplement Decree, Article 3.26 (determining noise from roads and railways) states:
When determining the noise of a main railway, the noise of trains on railway sidings is taken into account.
The Explanatory Memorandum is very clear on the rationale behind this article:
The intention is to change this because it makes sense to bring all trains under the same noise assessment system.
In Article 3.25 (acoustic quality of national motorways and main railways), just before that, it says:
The manager [...] shall ensure that for main railways for which noise production ceilings have been established: a) when constructing or replacing a superstructure of a railway, that superstructure construction consists of long-welded track in a ballast bed on concrete sleepers or at least one acoustic equivalent superstructure construction, unless major objections of a technical nature dictate otherwise; and b) all bogies and switches on railway sidings that affect the noise on noise-sensitive buildings have a working rail conditioning system.The Explanatory Memorandum states that part b) concerns bogies and switches on sidings, that these must be fitted with rail conditioning as standard, and that these installations must also be kept in operation. However, this is only necessary for bogies and switches that are relevant for the noise that affects noise-sensitive buildings and that the manager must make that assessment.
In future, the noise from the train will be assessed and monitored in one way, namely via noise production ceilings for the railways;
The noise from other activities on the railway sidings, such as the use of a refuelling system, a washing installation and the workshop, continues to fall under the industrial noise regime;
Wherever it causes relevant nuisance, the bogie noise on sidings will be suppressed as much as possible with special installations (the so-called rail conditioning systems). They must not only be put in place, they must also be effective and work. Since ProRail and NS are currently experimenting with the application of wheel-rail conditioning to tackle bogie noise, it is expected that this method could also be given a place in the law as acoustically equivalent here.
The law is still under development and some work remains to be done. The basic principle when introducing the Environment Act is that the level of protection (against the adverse effects of noise) remains guaranteed. For ProRail and the ministry, we examined which subjects should receive attention to ensure this. We have made recommendations for the follow-up process; for example, to answer questions such as: how is the noise from stationary trains included in the noise production ceilings? And does the through-track calculation actually work well at the low speeds at which trains run on railway sidings? This requires thorough research, which is currently in full swing, and M+P is involved in this again.
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GEORGE TOWN, April 16 ― Fariq Naik, the son and protege of controversial Muslim preacher Dr Zakir Naik, blamed the media last night for what he described as a widespread misconception of Islam in a two-hour talk here.
In the Friday night talk on the matter, this is due to how the religion is presented in the media.
"The lies of the media is very powerful, it can turn black into white, day into night, villain into hero, hero into villain, whatever label the media gives to a person, that label gets stuck to that person," he said.
This is also why, he said, there is a global fear of "terrorists" as the word is used to describe a person who "causes terror".
"For a robber, he's terrified of policeman so to a robber, the policeman is a terrorist," he gave as an example, adding that the word "terrorist" is now so commonly used to spread fear among people.
He even cited George Washington as an example of a "terrorist" back in 1775 when the British ruled America. When America obtained its freedom later, this "terrorist" became the president of the United States, he said.
He also blamed the media for wrongfully accusing Islam of subjugating women.
He said that if Islam subjugates women, the millions of Muslim women around the world would not even exist today.
"These American and European Muslim women were not forced to become Muslims," he pointed out.
According to Fariq, there are 10 common misconceptions about Islam, including that concerning the meaning of the jihad (Muslim holy war), why Muslim men could marry four wives, why they face a certain direction when praying and why they can't eat pork.
He gave lengthy explanations on each point, sometimes blaming the media for causing these misconceptions, and even drew comparisons between the Quran, Bible, Talmud and Vedas.
He claimed that the Bible, Talmud and even Vedas allow men to have many wives while the Quran is the only religious book on earth that contains the phrase "marry only one".
He pointed out that Lord Krishna, the Hindu deity, had 16,108 wives, which meant Hindu men were allowed to have as many wives as they like.
He said in Islam, men are allowed to marry up to four wives but only on the condition that they are able to treat each spouse well.
"The Quran also mentions that it is optional… so whether the man marries one or four, there is no reward," he said.
Later, at a brief press conference, Fariq defended his father by insisting that his and Dr Zakir's talks do not encompass comparing the different religions.
"He only draws similarities between the holy books of Quran, Bible and Vedas to unite all so that we can only follow one single religious book," he said.
Dr Zakir is due to give two lectures this weekend, one in Bukit Jalil today and another in Malacca tomorrow. His talk in Terengganu last night ― his fourth since arriving to Malaysia on April 9 ― reportedly drew a crowd of about 40,000 to the Astaka field in Kemaman.
The Malacca event, which had been to compare Hinduism and Islam, was initially cancelled by the Inspector-General of Police, who said such a topic was not beneficial here.
The talk was restored after Minister in the Prime Minister's Department Datuk Seri Shahidan Kassim met with Home Minister Datuk Seri Dr Ahmad Zahid Hamidi and IGP Tan Sri Khalid Abu Bakar, who directed the preacher not to compare religions for his lectures here.
Dr Zakir previously angered the Hindu community in Malaysia by allegedly insulting their deities along with the vegetarian practices of the faith.
Hindu and Indian groups still insist that Dr Zakir's lectures not be allowed to proceed, with some also calling for his deportation.


Bergman extrapolates on his intentions with the script for Torment. His three ambitions: to expose a sickness but free the spectator from pain; to render harmless the Caligulas in society; to elicit sympathy for Caligula because, though sadistic, he acts out of fear.
Program notes for "Torment", Svensk Filmindustri, 1944.


Graduate from a BA in IR @UniofNottingham, passionate about the intersection of sustainability and development, and pursuing a career in the development/humanitarian sector.
On Twitter @jaffe_sam. All views are my own.


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Dada Life & DEXTER KING – Take Me Into Space (Original Mix)
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Landon: Iowa mental health bill fills gaps in the system
Rep. John Landon represents District 37, which includes part of Ankeny, Alleman and Lincoln and Douglas townships.
Landon: Iowa mental health bill fills gaps in the system Rep. John Landon represents District 37, which includes part of Ankeny, Alleman and Lincoln and Douglas townships. Check out this story on desmoinesregister.com: http://dmreg.co/2oVgwUF
State Rep. John Landon, House District 37 Published 4:41 p.m. CT March 6, 2018 | Updated 4:44 p.m. CT March 6, 2018
Rep. John Landon(Photo: Special to the Register)
The Iowa House passed a historic mental health bill on a bipartisan vote on Feb. 28. Members worked closely with families and individuals who have experienced mental health crisis, mental health professionals and law enforcement to craft this comprehensive legislation that will support those dealing with mental illness. This important bill significantly addresses many of the gaps we currently have in our mental health system.
This legislation strengthens Iowa's regional mental health system, ensuring Iowans with mental illness can access services near their families and in their home communities.
More: Mental health advocates cheer action to mend Iowa's frayed system
The legislation also creates new short-term access centers where Iowans suffering from a mental illness can be stabilized before reaching a crisis and receive the appropriate treatment.
The bill will ensure long-term, sustainable resources for mental health and substance abuse services across the state of Iowa. These new services will be Medicaid covered services.
Medical professionals will determine the appropriate mental health care, not judges and law enforcement officers. We don't want jails and prisons to become the default location to treat mental health issues.
The House also passed House File 2305 to expand telehealth services across Iowa. Many rural parts of the state have limited access to psychiatrists and other mental health professionals. Hopefully this will end long drive times to obtain the critical care that someone needs. This bill expands health care options for Iowans, allowing patients to see a mental health provider using modern technology.
Mental health is an important issue and I am pleased that the Iowa House has been able to make this a priority.
STATE REP. JOHN LANDON, R-Ankeny, represents District 37. The district includes part of Ankeny, Alleman and Lincoln and Douglas townships. He can be reached at 281-3221 or 249-0348 or john.landon@legis.iowa.gov.
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My uncle was a lot more than the 'worst slumlord' in D.M.


These amazing homes that back up to the washes don't come up for sale very often. Here's your chance to own a stunner. The owner completely remodeled the kitchen in 2017, so there is little left to do except for your own personal touches. Stunning views from the living room and back patio. RV parking & paved access to the wash. Yes, you can drive your off-road toys right down into the wash! The open floor plan is great for entertaining friends! Call me today for a showing!!


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Trump Admin Rounds Off 2018 With The Dumbest Argument Against Climate Science Yet
NASA images/Shutterstock, @tonyposnanski
By Katie Spalding
It's no secret that Donald Trump has a somewhat chilly (see what we did there?) relationship with climate science. Republican lawmakers have never been the most scientifically-minded folk, but since the US public, in their infinite wisdom, voted the guy who claimed global warming was a Chinese hoax into the White House, politics has descended even further into the abyss of pseudoscientific nonsense.
This year is no exception. Way back in January, the big man himself rambled in an interview that "there is cooling and there is heating". February saw the head of the EPA – that's the Environmental Protection Agency, just to drive home how depressing this is – denying the severity of human-made climate change on live radio while Trump slashed budgets for climate science, environmental science, and the EPA, among others.
July brought us bizarre claims of "nuclear warming" – worse than climate change by a factor of 5 million, apparently. By October, the White House was predicting climate change so catastrophic that we may as well not bother fighting it, and Trump had rediscovered his idea that global warming is a conspiracy (it's not). And just last month, a government assessment outlining the myriad ways climate change is already affecting lives across the US was clumsily buried on Black Friday only for Trump to dismiss the whole report with a casual "no, I don't believe it." After all, he explained, our air and water is "at a record clean" right now, so how can the climate be changing? As for all those forest fires – they're just caused by not enough raking.
You might think it would be hard to beat this 11-month run of dangerous flimflam. But in what looks like it might become a holiday tradition for the Trump administration, they've rounded off the year with a piece of nonsense so bonkers it's difficult to know where to begin.
Enter one Steve Milloy. A self-described libertarian, Milloy has financial links to both Big Tobacco and Big Oil, and as a massive coincidence, he also has a long history of public denial of both climate change and the link between smoking and cancer. More importantly, he was a member of Donald Trump's presidential transition team, responsible for identifying the new administration's staff and briefing them on new policy priorities. And this weekend, he graced us with a piece of reasoning so bizarre that it really has to be seen to be believed.
Yes, that's right folks. Climate change isn't a problem because Venus... exists? I guess?


The Fed announced a new open-ended program of quantitative easing, along with an extension of "Operation Twist" through year end in order to achieve the Fed's two mandates of maximum employment and price stability, while containing inflation to the 2 percent range. While the financial markets expected some form of policy easing, market reaction was swift, causing the S&P to surge 1.4 percent on the news. The Fed added that it would undertake further measures if necessary until the economy strengthens and labor market conditions improve without quantifying a specific measure of performance or duration of easing. This action reconfirmed FOMC's view that, after three years, the economy is expanding moderately, but not enough to comfortably show progress in lowering unemployment. The EU financial crisis, recent deceleration in business-fixed investment, and other key economic measures caused the Fed to downgrade its view of economic conditions and lower its expectations for the near-term outlook.
The FOMC will purchase additional agency mortgage-backed securities at a monthly pace of $40 billion for an unspecified period of time. In addition, "Operation Twist," its program of selling short-term securities and buying long-term securities, will extend through year end, and the Committee will reinvest principal payments from its holdings into agency debt and mortgage-backed securities. These actions will increase the FOMC holdings by about $85 billion per month through year end and create downward pressure on longer-term interest rates. The Committee issued interest rate guidance as well, maintaining a zero to one-fourth point federal funds rate at least until mid-2015, to show monetary tightening would start only after economic and employment recovery is established, and noted the tightening process would occur at a more gradual pace than historical precedent.
The Fed delivered a message of support welcomed by investors, and with interest rates already range-bound near zero, business and consumer sentiment may be as important as the size of the economic impact, which many analysts view as modest at best. Spending cuts and higher taxes will weigh on GDP growth in 2013, thereafter ranging between 3.0 and 3.8 percent in 2014 and 2015.
The residential sector normally contributes heavily to economic recovery and growth following a recession, but now stands at a fragile juncture. This action bolsters the mortgage market, and although credit requirements are a hurdle, the Fed has removed much of the near-term interest rate risk, creating more certainty for lenders and borrowers. The commercial sector stands to benefit as well. Increased liquidity will aid in the restructuring of maturing and problematic loans and drive capital into real estate, sound alternative relative to the low-yielding bond and volatile equity markets.
While the Fed's statement and actions help assuage investors, uncertainty surrounding the elections, taxes and spending keeps them cautious. Commercial real estate investors trade higher prices for the greater certainty offered by top-tier markets and properties with stabilized and proven cash flows. Significant price recovery has been limited to coastal and urban core markets, and lags in markets that don't meet the litmus test for 24-hour gateway cities, employment momentum and population growth. A more liquid credit market for sectors other than multifamily, long buffered by the GSEs, will open broader opportunities for investors.
This entry was written by marcusmillichap, posted on September 15, 2012 at 1:02 am, filed under Research and tagged Commercial Real Estate. Bookmark the permalink. Follow any comments here with the RSS feed for this post. Trackbacks are closed, but you can post a comment.
I'll make sure to bookmark it and return to read more of your useful information. Thanks for the post. I will definitely comeback.


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Q: Image upload with ajax and php after submit I have a modal that submit some information and an image through form to database. I am working with php and javascript...well i am not so good with js so i need some help.
Work i have done so far is that i can insert data from form to db without no errors but i don't know how to start and what to do with image upload. I am working now on localhost.
I want to upload image to local folder and to automatically rename it with title that someone entered through form. So the name of image saves into table and the image in folder.
I will past the code here so if anyone can help me with code i will appreciate it.
ajax:
    $(document).ready(function(){

    $('form.insert-movie').on('submit', function(e) {
        e.preventDefault();

        var that = $(this),
            url = that.attr('action'),
            method = that.attr('method'),
            data = {};

        that.find('[name]').each(function(index, value) {
            var that = $(this),
                name = that.attr('name'),
                value = that.val();

            data[name] = value;
        });

        $.ajax({
            url: url,
            type: 'POST',
            data: data,
            success: function (msg) {
               alert("YOUR SUCCESS MESSAGE HERE");
            },
            error: function (msg) {
                alert("Error " + msg.d.toString());
            }
        });
        return false;
    });

});

queries:
    <?php

include 'config.php';

$pdo = connect();

if(isset($_POST['InputTitle'], $_POST['InputYear'], $_POST['InputDuration'], $_POST['InputDescription'], $_POST['InputGender'])) {

    $InputTitle       = $_POST['InputTitle'];
    $InputYear        = $_POST['InputYear'];
    $InputDuration    = $_POST['InputDuration'];
    $InputDescription = $_POST['InputDescription'];
    $InputGender      = $_POST['InputGender'];
    $InputImage       = $_POST['InputImage'];

    $sql = $pdo->prepare("INSERT INTO filmovi(naslov,godina,trajanje,opis,id_zanr,slika)
                          VALUES(:field1,:field2,:field3,:field4,:field5,:field6)");
    $sql->execute(array(':field1' => $InputTitle,
                        ':field2' => $InputYear,
                        ':field3' => $InputDuration,
                        ':field4' => $InputDescription,
                        ':field5' => $InputGender,
                        ':field6' => $InputImage));
    $affected_rows = $sql->rowCount();

}

modal:
    <form action="inc/queries.php" method="post" class="insert-movie" enctype="multipart/form-data">

    Title
    <input type="text" class="form-control" name="InputTitle" id="InputTitle" placeholder="Enter title" required>

    Year
    <input type="date" class="form-control" name="InputYear" id="InputYear" placeholder="Year" required>

    Duration
    <input type="time" class="form-control" name="InputDuration" id="InputDuration" placeholder="Duration" required>

    Gender

    <select name="InputGender">
        <option>select a genre</option>
        <?php
        $pdo = connect();
        // display the list of all members in table view
        $sql = "SELECT * FROM zanr";
        $query = $pdo->prepare($sql);
        $query->execute();
        $list = $query->fetchAll();

        foreach ($list as $rs) {
        ?>
        echo'
        <option name="InputGender" value="<?php echo $rs['id'] ?>"><?php echo $rs['naziv'] ?> </option>'

        <?php } ?>
    echo'
    </select>

    Description
    <textarea class="form-control" name="InputDescription" placeholder="Description" rows="3" required></textarea>

    Image upload
    <input type="file" name="InputImage" id="InputImage">

Select image of movie.

    Close

A: First, you must handle the file upload. Examples here: http://php.net/manual/en/features.file-upload.post-method.php Second you need to figure out what you want to store in your Database.
<?php
include 'config.php';

$pdo = connect();

if(isset($_POST['InputTitle'], $_POST['InputYear'], $_POST['InputDuration'], $_POST['InputDescription'], $_POST['InputGender'])) {

    $InputTitle       = $_POST['InputTitle'];
    $InputYear        = $_POST['InputYear'];
    $InputDuration    = $_POST['InputDuration'];
    $InputDescription = $_POST['InputDescription'];
    $InputGender      = $_POST['InputGender'];

    $uploaddir = '/var/www/uploads/'; // Change this to be a path on your server
    $uploadfile = $uploaddir . basename($_FILES['InputImage']['name']);
    if (move_uploaded_file($_FILES['InputImage']['tmp_name'], $uploadfile)) {
         $InputImageStorePath = $uploadfile;
         $InputImage = $_FILES['InputImage']['name'];
    } else {
         $InputImage = "";
    }

    $sql = $pdo->prepare("INSERT INTO filmovi(naslov,godina,trajanje,opis,id_zanr,slika)
                          VALUES(:field1,:field2,:field3,:field4,:field5,:field6)");
    $sql->execute(array(':field1' => $InputTitle,
                        ':field2' => $InputYear,
                        ':field3' => $InputDuration,
                        ':field4' => $InputDescription,
                        ':field5' => $InputGender,
                        ':field6' => $InputImage));
    $affected_rows = $sql->rowCount();

}
?>

I would advise using FormData for your AJAX:
$('form.insert-movie').on('submit', function(e) {
     e.preventDefault();
     var formData = new FormData($('form.insert-movie')),
         url = $(this).attr('action'),
         method = $(this).attr('method');

     $.ajax({
         url: url,
         type: 'POST',
         data: formData,
         success: function (msg) {
              alert("YOUR SUCCESS MESSAGE HERE");
              // Close Modal here with .hide() ?
         },
         error: function (msg) {
              alert("Error " + msg.d.toString());
         }
     });
 });


Long before the Mughals even set foot in the subcontinent, a tribe of around 400 Christians, called the Knanaya, migrated from southern Mesopotamia (present-day Syria) to avoid persecution and settled around the present-day town of Kaduthruthy in southern Kerala. They set up their parish there and soon after built this church around 400AD. The building's ancient granite cross is one of the tallest anywhere in Asia.
The capital city of the India's eastern most state, Itanagar, actually gets its name from this 14th century all-brick monument built by the Sutiya Kingdom. Many of the brick structures that formed part of this fort this still stand today and the building is one of the most visited sites in Arunachal Pradesh.
By the time the Taj Mahal was completed in 1643, this church in Mumbai's Bandra neighbourhood had already been standing for over six decades. Built by Portuguese Jesuits, the building has been built upon gradually over the years, with the most notable addition being in 1966 when the wooden portico entrance was taken down and the church building expanded.
The oldest fort in India also predates Mughal civilisation in India by quite a few hundred years. This fort in Bathinda, Punjab, has stood resolute since 90AD, when Emperor Kanishka when he ruled over his kingdom of Bactria that stretched from Central Asia to the Gangetic plains in the subcontinent. As you'd guess, these walls have seen plenty of action. Significantly, it was here that Razia Sultana, the only female ruler of the Delhi Sultanate, was incarcerated after being dethroned in the 13th century.
The Basilica of Bom Jesus hogs the spotlight what with its UNESCO World Heritage Site title and all, but just up the street from it is Se Cathedral, a 16th century building with incredible history. It was commissioned to commemorate the Portuguese takeover of Goa after a battle in 1510 but it was only consecrated in in 1640, three years before the Taj Mahal was completed. The architecture is distinctly Tuscan and asymmetric. This is not by design. One of the towers collapsed in 1776 (the year the US became a country) and was never rebuilt.


Unisinos has a wide range of programs for those interested in studying at undergraduate and graduate levels, and even short-term programs, focused on executive education.
The university also offers language courses in its Language Institute, Unilínguas.
Learn more about the academic levels and programs that the university offers in the sections below.


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Q: How can I change Slickgrid editor button css class (or any dynamically created button)? I am trying to change the editor button (save, cancel) css in Slickgrid. How do I apply a css class to the button item as shown below?

<button>save</button>

I tried to bind the cell double click event to this code:
$("body button").addClass("custom_button");

It was not working because:

*

*the event is called before the button is rendered

*all other
< button > items are affected.

Thanks in advance!

EDIT:

*

*I can't use tag but class for css styling for some reason.

*If you have not used slickgrid before, this button only appears after you double click grid cell.

A: Give the button an id.
<button id="saveButton">save</button>

That way you can call it directly
$("saveButton").addClass("custom_button");

A: If you want to style all buttons in the body, you can just use CSS.  Put the style from your custom_button class in a CSS selector, put something like this in the head of your page:

A: just modify slickgrid.editor.js and apply the class.


The fourth generation from Apple is officially born. The iPhone 4, as the case with all the previous models, is a phone which everybody either hates or loves. One thing is certain, Apple's latest is always the greatest. They try to make it look as if they put less effort into making it than they actually do. Still, this can't be the case with this phone, the hard work being more than obvious. The iPhone 4 has a brand new look, new feel as well as plenty of new skills. Sure, it might sound risky to adopt a new look for the iPhone, taking under consideration that they didn't bother to change the design until now and still managed to sell ship loads of the product. The good news is that, at least from our point of view, Apple nailed it once again. Sure, the iPhone 4 may not have anything in common with it's predecessors but the main idea that made iPhone what it is, was that no design is the best design.
It's design is probably the most minimalist on the current market and the Number 4 definitely knows better than to try anything else. They practically started from zero, made few if any changes to it and managed to end up with an awesome new design. If this isn't magic, i don't know what is. It somehow feels more delicate than the older versions, it's thinner, more advanced, sharper and refined. Don't make the mistake of calling the iPhone 4 a fragile phone, despite the glass being fairly easy to shatter, it feels and is quite solid. If you put a 3GS and an iPhone 4 side by side on the table, you will surely argue everything i said earlier, sice you might have a hard time noticing immediate differences. You will remain slightly confused only while the screens are off, because once the incredible Retina Display powers up, you will throw away the 3GS, before it feels the embarrassment. And take under notice that it was considered one of the top phone screens out there. The new styling is much more visible at the rear, since it has glossy surface instead of plastic, and it's also believed to be scratch-resistant and much more sturdy than plastic. Obviously, this does not mean that if you really want to scratch or brake it, you won't be able to. Its oleophobic coating, both on the front and rear, is meant to reduce fingerprints and it does that quite well, although there isn't much you can do to keep the high-gloss surface clean. At least smudges are easily removed, thanks to the special coating, which is a good thing. Up front, you shall find a newly added secondary camera, which is located right next to the earpiece, on the left side. The proximity and the ambient light sensors are above the display while the round Home button is the only thing existing at the bottom. The phone's Retina display is without doubt the highest resolution screen we've ever seen in a mobile phone. Retina is merely a marketing name made up by Apple in order to differentiate it, although no extra differentiation is needed, because it really is the best screen out there.
Since the resolution has been bumped up four times, it's a little weird that the new display has the exact same size as those on the previous iPhones (3.5 inches). Say goodbye to the 320 x 480 pixels from the previous generation and embrace the magnificient 640 x 960 pixel resolution on the iPhone 4. This obviously makes images appear much sharper and smoother than ever before. LED backlighting is also present, resulting contrast ratio of 800:1, 4 times better than the previous ones as well. The good news is that things look as good in reality as they do on paper. Colors are truly vibrant, the 16M-color capacitive display delivers excellent image quality, the blacks are deep and the sunlight legibility is as good as it gets. No changes made to the touch sensitivity, but honestly it couldn't get much better than it already is. Not to worry, multi-touch support is also present.


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Jackie and Me
Joey Stoshack has the unique ability to travel back in time using old baseball cards. Jackie and Me, based on the novel by Dan Gutman and adapted for the stage by the talented Steven Dietz (Dracula, Becky's New Car), follows Joey back to 1947 where he meets the great Jackie Robinson. The show is now playing on the Indiana Repertory Theatre's Upperstage and it's a wonderful way to bring history alive for any age group.
The casts rotates through the present day segments and those in 1947 with almost every person taking on multiple roles. Rob Johansen's turn as the card collecting Flip was particularly fun. Robert Neal was perfect as the brash Branch Rickey who went out on a limb and signed Jackie Robinson as the very first African-American to play in the Major Leagues. Beethovan Oden, Lanise Antoine Shelley, Ryan Artzberger, Jennifer Johansen all do wonderful work as Jackie and Rachel Robinson and Joey's concerned parents along with a myriad of other characters.
One of the most outstanding elements in the production is the detailed costume design by Alison Heryer. From the Dodgers' uniforms to the ladies' hats, Heryer's attention to detail is impeccable. She was even able to visit the Negro Leagues Baseball Museum to see some actual clothing worn by Jackie and Rachel Robinson while researching the show.
Jackie and Me is a powerful play that tells the story of a man who stood up for what he believed in and refused to let others tell him to give up on his dreams. It's a play about baseball and racism and about standing up for what is right. It's also well suited for younger boys because it provides a fun sports-driven story blended with an accessible history lesson. Jackie's story is being made into a movie, "42," starring Harrison Ford as Branch Rickey, but the play is not to be missed! The show is 90 minutes long with no intermission. Get your kids or your niece or nephew and head to the theater!
Don't Miss the Show
The Indiana Repertory Theatre is located at 140 W. Washington St., Indianapolis, one-half block west of the Circle Center Mall between northbound Illinois St. and southbound Capitol Ave. "Jackie and Me" runs until Saturday, Feb. 16 on IRT's Upper Stage. Times for performances can be found at www.irtlive.com or by calling the IRT box office at (317) 635-5252. To purchase tickets call (317) 635-5252 or order online at www.irtlive.com
*Photos courtesy of Zach Rosing
Alison Heryer Beethovan Oden Dan Gutman Indiana Repertory Theatre Jackie and Me Jennifer Johansen Lanise Antoine Shelley Robert K Johansen Robert Neal Ryan Artzberger Steven Dietz
Labels: Alison Heryer Beethovan Oden Dan Gutman Indiana Repertory Theatre Jackie and Me Jennifer Johansen Lanise Antoine Shelley Robert K Johansen Robert Neal Ryan Artzberger Steven Dietz


Regardless of the trends in the market, the reliability of C&F Quadrant remains a constant – and that is reflected in the company's involvement in the burgeoning hotel sector in Belfast.
The latest hotel project that C&F Quadrant has been involved in is the new AC Hotel Belfast. Located in the heart of Belfast Harbour's prime City Quays area, the contemporary-luxe, four-star hotel is the first Marriott in Northern Ireland and the first AC Hotels by Marriott on the island of Ireland. With 188 rooms, alongside restaurant, bar/lounge and meeting rooms, it is among the largest hotels in Belfast and C&F Quadrant supplied new ACV Heatmaster TC water heaters and ACV Prestige boilers to ensure the hot water and heating requirements of guests and staff are effectively met.
With a 10-year warranty on the stainless steel heat exchanger and providing efficiencies up to 99% condensing in heating and hot water mode, this combination unit delivers heating and DHW or DHW only. From an installation perspective, the space saving physical footprint of 0.52m2, rear flue options, suitability for cascade installation and the option of a flue run up to 65m makes it perfect for projects such as the AC Hotel.
The heating demands at the hotel are being met by the ACV Prestige Cascade System – a high efficiency stainless steel wall mounted gas boiler that offers quality and cost efficiency. The boiler's integrated Cascade Control minimises set-up time and, with a maximum turndown ratio of 18 to 1, the system provides ample output during peak demands yet adjusts its output during lower demands to minimise boiler cycling and maximise efficiency. C&F Quadrant worked closely with M&E contractor, Harvey Group, on the project as well as M&E consultants, ISD.
"We specify ACV products all the time, quite simply because they never let you down," explained Stephen Lynch, Managing Director, ISD.


text:
6 Bangin' DIY Percussion Projects
Jeremy S Cook
Jeremy is an engineer with 10 years experience at his full-time profession, and has a BSME from Clemson University. Outside of work he's an avid maker and experimenter, building anything that comes into his mind!
View more articles by Jeremy S Cook
By Jeremy S Cook
August 21, 2015, 6:30 am PDT
If I had to guess, I would think that percussion instruments were the first musical devices invented by man. One can literally make rhythm out of a stick hitting another wooden surface. Fortunately, our rythm-making abilities (or at least tools) have improved dramatically as a society. Here are a few instruments that you can make yourself, if you want to take a step up from just tapping your desk!
Custom Professional-Looking Snare Drum
To start out, this drum shows that you can build a snare drum that looks nearly indistinguishable from one that's commercially produced. This model uses purchased hardware for the top and bottom, but the cylinder portion is formed out of cherry veneer using a custom medium density fiberboard (MDF) frame.
Snare Drum from Scrap Wood
For a snare drum that looks incredible, but uses an entirely different process than the previous DIY model, look no further than this piece. It's made not with bent veneer, but with many pieces of scrap wood glued together, then cut into shape.
Percussion PVC Organ
As it's featured on Make:, and I actually helped build it, it would be hard not to feature this interesting device. Our particular model features eight distinct pipe-notes that are tuned by incrementally sawing off pieces of the horizontal tubes.
Hank Drum
This drum is in some ways reminiscent of a steel drum that you might think of people playing in Caribbean islands. It is, in fact, a drum made by cutting sections into a (never filled!) propane tank. The name is a play on Hank Hill, the fictional propane and propane accessories salesman, and the "Hang" instrument, which uses a similar concept, but costs thousands of dollars.
Lego Harpsicord
A stringed instrument, the harpsichord is activated by "banging on" keys, thus making this class of instrument eligible for this list. The fact that this one is made out of Lego blocks meant there was no way I could leave it off!
Arduino Auto Drummer
Although this could possibly fall into a "robo-band" category, since it's a "solo act," this drum is included here. Check out the Make: article about how to build this contraption!
PVC organ
scrap wood


text:
Q: Product of connected spaces - Proof I'm working on the "iff"-relation given by:
$X=\prod_{i\in I}X_i$ is connected iff each $X_i$ non-empty is connected for all $i\in I$.
I could prove the "$\Rightarrow$"-direction very easyly. I also proved that a finite product of connected spaces is connected. Now i want to prove the following:

*

*Choose $z=(z_i)\in\prod_{i\in I}X_i$. For every finite subset $J\subset I$ is the set $X_J:=\left\{x\in X:x_i=z_i\ \forall I-J\right\}$ connected.

I have given the follwoing proof: This set is homeomorphic with a finite product $\prod_{j\in J}X_j$ given by the map defined by: $x=(x_j)_{j\in J}$ mapped on $y=(y_i)_{i\in I}$ such that $y_j=x_j$ if $j\in J$ and $y_j=z_j$ if $j\notin J$. This mapping is continuous and injective (and also the inverse is continous since it is the projection map). But then we know that $X_J$ is connected since every finite product is connected (if the components are connected).
Is this proof correct? The only thing i have to prove now is that $Y=\cup_{J\subset I,J\ finite}X_J$ is dense in X. How do I do that? Can someone help? Thank you

A: What you've done so far looks good. As you note correctly, it suffices to show that the set $Y=\bigcup_{J⊂I, J\text{ finite}}X_J$, which can also be described as  $\{y\in X;\ y(i)=z(i)\textrm{ for almost all }i\in I\}$ is dense, since this means that $X=\overline Y$ and is thus connected, being the closure of the connected set $Y$. In order to do this, let $U=p^{-1}_{j_1}(U_{j_1})\cap\dots\cap p^{-1}_{j_n}(U_{j_n})$ be an open basis set. Now choose a $y$ such that $y(j)=p_j(y)\in U_j\ \forall j\in\{j_1,\dots,j_n\}$ and otherwise $y(i)=z(i)$. Then $y\in Y\cap U.$


text:
Alan Baxter (19 de noviembre de 1908 – 7 de mayo de 1976) fue un actor cinematográfico y televisivo de nacionalidad estadounidense. A lo largo de su carrera participó en más de 50 filmes entre 1935 y 1971, y en unas 60 producciones televisivas desde 1949 a 1971.

Biografía
Nacido en East Cleveland, Ohio, obtuvo el título de grado en el Williams College, donde fue miembro de la fraternidad Phi Sigma Kappa y compañero de clase de Elia Kazan. Después se formó en el 47 Drama Workshop de la Universidad de Yale.

Entre las obras teatrales en las que Baxter participó en el circuito de Broadway figuran The Hallams (1947), Home of the Brave (1945), The Voice of the Turtle (1943), Winged Victory (1943), Thumbs Up! (1934) y Lone Valley (1932).

Baxter vio interrumpida su carrera en la Segunda Guerra Mundial, durante la cual sirvió en el Cuerpo Aéreo del Ejército de los Estados Unidos.

Entre otros papeles cinematográficos, muchos de ellos del género western, figuran el de Clay Tolliver en The Trail of the Lonesome Pine (1936), Cary Butler en Big Brown Eyes (1936), Curtis Palmer in Thirteen Hours by Air (1936), Joe Montgomery en Breezing Home (1937), Acey Kile en The Last Gangster (1937), Joe Linden en Let Us Live! (1939), Billy Herndon en Abe Lincoln in Illinois (1940), Larry Perrin en Escape to Glory (1940), Oliver Brown en Camino de Santa Fe (1940), y el bandido Jesse James en Bad Men of Missouri (1941).

Fue dirigido por Alfred Hitchcock en Saboteur (1942), película en la cual interpretó al espía nazi Freeman. Continuó su carrera en el cine siendo David Bowman en Prisoner of Japan (1942), Brad Stickman en The Human Comedy (1943), Joe Morgan en Submarine Base (1943), Paul Hover en The Prairie (1947), Barney Remington en The True story of Jesse James (1957), Reed Williams en Face of a Fugitive (1959), Jack Millay en Welcome to Hard Times (1967), Mr. Fenty en La leyenda de la ciudad sin nombre (1969) y el gobernador Sam Axtell en Chisum (1970).

Trabajó igualmente en numerosos episodios de series televisivas, habitualmente como artista invitado. Así, actuó en dos episodios de Thriller, dos episodios de Intriga en Hawái, cuatro de 77 Sunset Strip, dos de Surfside 6, dos de Los Intocables, cuatro de Perry Mason, tres de El virginiano y dos de O'Hara, U.S. Treasury.

Su última actuación televisiva llegó el 26 de noviembre de 1971 en el episodio Operation: Hijack de la serie O'Hara, U.S. Treasury, trabajando por última vez en el cine en el film de horror Willard (1971).

Alan Baxter falleció a causa de un cáncer en Woodland Hills, California, el 7 de mayo de 1976, a los 67 años de edad. Sus restos fueron incinerados.

Había estado casado con la actriz Barbara Williams durante 17 años, falleciendo ella el 9 de noviembre de 1953. En 1955 se casó con Christy Palmer, con la cual permaneció unido hasta su muerte.

Filmografía (selección)

Cine

Televisión

Referencias

Enlaces externos

 Alan Baxter en Submarine Base, en YouTube

Actores de wéstern
Actores de teatro de Estados Unidos
Actores de cine de Estados Unidos
Actores de televisión de Estados Unidos
Fallecidos por cáncer en California
Alumnado del Williams College