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D. Francisci Junii opuscula theologica selecta recognovit et praefatus est D. Abr. Kuyperus.
(Bibliotheca Reformata: vol. I.)
Amstelodami, apud Fredericum Muller cum soc. et Joannem Hermanum Kruyt 1882. XX, 494, [2] pp., 23cm.—bd. ƒ7.50.
Run: 1,000.
Published: April 1882.
Preface dated: Amsterdam, January 1882.
Below the impressum are the names of book dealers from six world-class cities committed to the series.
Title of the series and volume number on the half title page: Bibliotheca Reformata. Volumen primum.
Vol. IV, see: 1888.05.
Binding: vellum; blind tooling on covers and spine; gilt decoration on the front cover; lettered in gold on the spine; marbled endpapers; uncut laid paper; binder's mark, glued to the paste-down, Haarlemsche Bindwerkfabriek.
RKB 73.
ET: Selected minor theological works by Dr. Franciscus Junius, newly revised and provided with a foreword by Dr. Abr. Kuyper.
This is the first volume in the Bibliotheca Reformata series. The volume, which was edited with a foreword by Kuyper, contains an autobiography and bibliography of Franciscus Junius (1545–1602), as well as the following selections from his work: Tractatus de vera theologia; Theses theologicae Leydenses; Theses theologicae Heidelbergenses; De politiae Moysis observatione; and Eirenicum. Kuyper also furnished 1888.05 for the series.
On April 1, 1880 a conference for pastors favorably disposed toward Reformed principles was held at the invitation of several curators and professors at the still-to-be-opened Vrije Universiteit to discuss the curriculum of the new theological faculty. On October 21, 1880, the day after the Vrije Universiteit opened, a second conference for pastors was held, at which time a plea was made for the republication of works by the most important old Reformed theologians, whose books had become rare and difficult to find. The purpose of the theological faculty was indeed both to breathe new life into classical Reformed theology and to bring it into rapport with the spirit of the times. A Society for the Reprinting of Reformed Theological Works was subsequently established and staff members of the Vrije Universiteit produced the editions of the Bibliotheca Reformata in that framework.
The following ten volumes appeared between 1882 and 1896:
1. D. Francisci Junii opuscula theologica selecta, ed. A. Kuyper (1882).
2. Gisberti Voetii tractatus selecti de politica ecclesiastica, series prima, ed. F .L. Rutgers (1885).
3. Gisberti Voetii tractatus selecti de politica ecclesiastica, series secunda, ed. Ph.J. Hoedemaker (1886).
4. D. Gysberti Voetii selectarum disputationum fasciculus, ed. A. Kuyper (1887 [= 1888]), see 1888.05.
5. D. Hieron. Zanchii commentarius in Epistulam sancti Pauli ad Ephesios, pars prior, ed. A.H. de Hartog (1888).
6. D. Hieron. Zanchii commentarius in Epistulam sancti Pauli ad Ephesios, pars altera, ed. A.H. de Hartog (1889).
7–9. Hieremiam Bastingium, Verclaringe op den Catechisme der Christelijcker Religie so die inden Belgischen, oft Nederlantschen Geunieerden Provintien, ende inder Keur-vorstelicker Paltz, in kercken ende scholen gepredict, ende geleert wort, ed. F.L. Rutgers (1893).
10. Willem Amezes, Vijf boeken van de conscientie en haar regt of gevallen, ed. W. Geesink (1896).
The second and subsequent volumes were no longer printed on laid paper and published in vellum bindings, but were sold unbound on ordinary paper. The plan—made public in the initial advertisements for the series as well as in the foreword to the first volume—to publish an entire series of Reformed scholastics was not realized due to a lack of subscribers (ƒ5.- per year).


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Walk'n with Walken
Walk'n with Walken is the tale of everyone's favorite actor, Christopher Walken, endlessly walking and recounting events from his life. The series featured a mix of pop culture and straight up bizarre plot lines that included the remaking of The Dark Knight, a sex book and a safe haven where Walken could go to privately take a dump.
The series was animated in Adobe Flash while being edited in other software. It was the first animated series where I used multiple pieces of software as .swfs were being phased out in favor of video files.
Looking back, the series is a fun ride if you're looking for ridiculousness. The writing and editing are a bit sloppy. But the simplistic art and over the top Walken impersination can leave a lasting impression.
All Walken World (2018) Bennick (2016 - Present) Mario and Friends! (2014 - 2015) Ahoyager (2013 - 2014) Bumbling with Bubba (2012 - 2016) Mr. Binek's Class (2011 - 2012) Walk'n with Walken (2007 - 2009) I Am Ahoyager (2006 - 2008) Enterprise: Flashed (2005 - 2007) Ahoyager: The Journey Home (2003 - 2004) Zakk and Justin Chronicles (2003 - 2004) Bubba Has a Gun (2002 - 2005) Mr. Binkee's Class (2002 - 2004) Other (2004 - 2015) Promos, Teasers and Trailers (2002 - 2015) Mr. Binek's Class 3DMM (2001 - 2004)
Walken World (2018) Bennick (2016 - Present) Mario and Friends! (2014 - 2015) Ahoyager (2013 - 2014) Bumbling with Bubba (2012 - 2016) Mr. Binek's Class (2011 - 2012) Walk'n with Walken (2007 - 2009) I Am Ahoyager (2006 - 2008) Enterprise: Flashed (2005 - 2007) Ahoyager: The Journey Home (2003 - 2004) Zakk and Justin Chronicles (2003 - 2004) Bubba Has a Gun (2002 - 2005) Mr. Binkee's Class (2002 - 2004) Other (2004 - 2015) Promos, Teasers and Trailers (2002 - 2015) Mr. Binek's Class 3DMM (2001 - 2004)

redpajama_set_name: RedPajamaCommonCrawl


North Korea's New Rocket Engine Test: What Does It Mean?
Many outside North Korea, however, see its satellite launch program as a way of developing technologies that it could use to build long-range military missiles.
What do we know about the new engine, and what might its implications be?
The test North Korea conducted was a ground test with the engine strapped to a test stand (Fig. 1). This is typical of tests of engines that are still in development.
The test announcement stated that the engine produced 80 tons of thrust. If true, that is roughly 2.5 times as much thrust as the engine it uses in its 1,300-km range Nodong missile, which produces about 30 tons. North Korea's Unha satellite launcher, which has placed two small satellites in orbit (in 2012 and 2016), uses a cluster of four Nodong engines to power its first stage.
The Nodong engine is a scaled-up version of the Soviet Scud engine, and uses Scud-level propellants rather than more powerful propellants that are typically used in more modern rockets. However, the color of the flame coming from the new engine in photos of the test strongly suggests this engine does not use Scud propellant, but appears to use a more advanced propellant like UDMH or MMH. Using these propellants could increase the capability of the rocket since they can produce higher thrust per mass of propellant (more accurately, higher specific impulse).
What capabilities might North Korea develop with this new engine? To understand this, it's worth looking at the development of China's missiles and satellite launchers from the 1960s through the 1980s. China developed these rockets using an engine that had similar thrust and used similar propellant to the new North Korean engine.
North Korea's current Unha launcher is similar in size and capability to China's first satellite launcher, the Long March 1 (LM-1 or CZ-1). The LM-1was created by modifying China's two-stage DF-4 intermediate-range ballistic missile. Design of the DF-4 began in 1965. The first successful LM-1 launch was in 1970, when it put China's first satellite into orbit.
The size and mass of the LM-1—29 m long, 2.25 m diameter, 81 tons liftoff mass—are similar to North Korea's Unha-3 launcher. The LM-1first-stage thrust was 104 tons (using four YF-1 engines) which is similar to the 120 ton thrust of the Unha first stage (using four Nodong engines). Because the LM-1 used more advanced propellants than the Unha, it was more capable, but could still only launch a small satellite (a couple hundred kg) into low Earth orbit (up to 400 km altitude). Like the Unha, it used a small third stage (on top of the two DF-4 stages) to accelerate the satellite to orbital speed.
The two-stage DF-4 missile appears capable of carrying a 500-1,000 kg nuclear warhead to 7,500-10,000 km. Since the DF-4 is more technically advanced than the Unha, it would be more capable than a two-stage Taepo Dong-2 (TD-2) missile, which is the name given to a missile consisting of the first two stages of the Unha (but which has not been tested in that configuration).
China's next step was to build larger rockets with considerably greater thrust. It developed the YF-20 engine, which produced a thrust of 70 tons at liftoff—similar to the "80 tons" announced for North Korea's new engine. It used four of them in the first stage of its new Long March 2 (LM-2 or CZ-2) satellite launcher to give a launch thrust of 280 tons, and used a single modified version of the engine to power the second stage.
This engine was also used in the development of the DF-5 ballistic missile—China's first true intercontinental range missile. The LM-2 and DF-5 were considerably larger than the LM-1 and DF-4, with a diameter of 3.35 m, a length of 32 m, and a liftoff mass of 190 tons.
Because of the larger thrust, the LM-2 was able to launch bigger satellites to higher orbital altitudes —it could lift more than a ton into orbit at altitudes between 500 and 1,000 km. And the DF-5 could carry a nuclear warhead to anywhere in the United States.
By adding a third stage to the two-stage LM-2, China produced the Long March 3 (LM-3 or CZ-3), which was able to launch satellites intended for geo-stationary orbit while continuing to use the YF-20 engine. If North Korea is serious about wanting to launch geo satellites, as it indicated in its announcement of the engine test, it would need a launcher similar to the LM-3. Is there any evidence North Korea is interested in doing that?
Maybe. North Korea conducted its two Unha satellite launches from its Sohae launch facility. It originally built a gantry tower, which holds the missile prior to launch, that was about 40 m tall. That was enough to use with the Unha, which is about 29 m tall, and a rocket the size of the LM-2 or DF-5, which are about 32 m tall.
But by 2014 North Korea had done considerable construction at the launch site, including increasing the height of the gantry to about 55 m—able to accommodate a 50-m rocket. This would be needed for a launcher similar to the LM-3, which is 43 m tall. Unless Pyongyang was interested in accommodating a rocket with that capability, it would not need a taller gantry.
North Korea may be following a similar path for its rocket technology that China did 40 years ago. Its developments to date have given it a marginal satellite launch capability and long-range missile capability.
The development of an engine that can deliver a thrust near 80 tons, especially if coupled with a change to more advance propellants, would open up a new set of possibilities for North Korea. A similar advance was what allowed China to develop a more capable satellite launcher and a ballistic missile of true intercontinental range. If the claims about the capability of the new engine are true, this would represent another worrisome technical advance by Pyongyang.
There is speculation that North Korea may attempt another satellite launch around Oct. 10, which is the anniversary of the founding of the Workers' Party of Korea. However, since it has just ground tested this new engine, it is unlikely the engine would be ready to use in a launch that soon. While the North has twice put a satellite into orbit, it is not clear if it has successfully communicated with either of them. As a result, Pyongyang may want to again use its existing Unha launcher to place a functioning satellite in orbit as a next step. It's worth keeping in mind, however, that North Korea has frequently taken steps at odds with a more cautious step-by-step approach to development, so we could be surprised again.
For a viable ICBM they need to use solid fuel powered rockets, from what I can tell both the fuels quote in this article is liquid, which tend to take forever to prepare an easily spotted by US surveillance networks. This suggests that this rocket really is for satellite launches, possible aiming to put in place satellites that would guide solid fuel ICBMs in the future.
We should really start to worry when NK start testing large solid rocket fuel engine, because that potentially given them almost instant launch capabilities and depending on the speed of such a rocket reduce launch time for days in the case of liquid fuel rockets to less than 30 minutes in the case of the most advance solid fuel rockets in the Chinese arsenal.
Still using storable hypergols this means its still a military program. A 40-55 ton vehicle could use one for the first stage and expect a lot less than 200 s burn.
When the DPRK builds an engine using LOX – Kerosene; that program is legitimately for a space launch vehicle. The performance is better and the margins are better. As long as they employ hypergols they aren't thinking of anything except the military application potential.


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A website, film festival and blog with a difference...
Barefoot Gen / August 19, 2014 by Aisha Anime
Director: Mori Masaki
Genres: Anime, Japanese, War film, history
The Japan Foundation have hosted their venue to show a mix of contemporary and old movies that made a comment on Japanese history and society. I made a point to watching this anime because of the artist of the original manga.
Barefoot Gen originally was a Japanese manga series by Keiji Nakazawa. Loosely based on Nakazawa's own experiences as a Hiroshima survivor. The film follows the perspective of six-year-old boy Gen Nakaoka, who lives in poverty with his family. The film sets up the scene of them working laboriously in the fields tending to the wheat fields to make wheat flour and sell for money in order to buy food.
It is sad to see that Gen nor his siblings eat and anything that is available must be saved for his mother who is pregnant. This is possibly the most depressing part that they are all struggling let along with a baby on the way.
With an almost miscarriage, Gen does everything he can to help his family, not out of choice but necessity, if he can't who can? One of my favourite moments is when Gen and his brother sneak into a house to catch a carp to feed their mother to help her and the baby grow strong, they are caught by the owner and beaten but Gen gives a heart felt plea for his mother and insists he is beaten until he is allowed to keep the carp. The guy is shocked and lets them keep the carp
After many warning shots, one day on his way to school the inevitable happens and Hiroshima is destroyed by atom bomb. The animation used to show this is amazing. We see a girl near him, layer by layer being disintegrated from her clothes to her skin melting to his limbs being ripped off to her socks exploding and ashes. Gen is one of the lucky survivors, as most has been burt and mutated and are referred to as 'Ghosts'.
Now begins the struggle of not only poverty but the loss of his father, brother and sister, this was morbid to see them crushed but this was the reality of the situation. We hardly see relationships explored in the anime, as their simply was no time. Buildings are burning, they are looking for food, you look after your own and that is all. I would of liked to have known more about the doctor, the neighbors or the man with the carps but this anime was not slice of life.
Scenes of dead bodies, children, people monopolizing food follow however things do pan out and they gain shelter and Gen even finds his little brother's look a alike, Ryuto who they decide to adopt. Tomoko, his newborn sister is a ray of light. Gen and Ryuto looks for work to buy food and milk for the family especially Tomoko A man hires Gen to look after his brother Seiji, who has been burnt from head to toe and lives in filth as people refuse to clean him or stay within close proximity of him. We see his develop from a bitter human being with no interest in living or respect for the kids, who eventually warms up to the kids who bother to spend time with him and look after him. Seiji learns to paint with his teeth and gains joy for his hobby again. The kids leave with money to support themselves and he is left happy and with anew motivation to live despite his state.
Sadly things take a turn for the worse and all the aid comes too late and Tomoko dies from her rashes and undernourishment. The family pull together and carry on.
This was a real eye opener to the tragedies of war, radioactive rain which helped kjill people further the Piku disease which could infect healthy people and kill the mass population. The Film ends where it began with the wheat. This was a great choice for the Japan Foundation to show as it was neutral and did not pick sides of the Japanese or Americans.
For more information on the Japan Foundation and future film screenings go here
http://www.jpf.org.uk/
Posted in Review Tags: anime, barefoot gen, Mori Masaki, Keiji Nakazawa, poverty, piku disease, posion, miscarrage, food, rations, war, Hiroshima, death
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Review: Commitment
Review: The Taste Of Money
Im Sang-Soo brings to us a Korean tale of corruption and family, but not necessarily in that order. When it comes to the two in fact, it quickly becomes apparent that director's take is that they are not mutually exclusive.
Focusing on a rich, powerful, not so law abiding, family and their internal power play for the family fortune this movie quickly devolves into less of an epic familial struggle and more of a TV drama.
Review: The Land Of Hope
Japanese director Sion Sono, whose previous work includes Love Exposure and Himizu, is back with this thought provoking family drama focused around their struggle to function as a unit in the fallout of, get this; not only an earthquake, but a subsequent nuclear crisis.
Focusing primarily on Yasuhiko, played with doe eyed conviction by Isao Natsuyagi), patriarch of this troubled family, as well as his son, Yoichi Ono and their fracturing relationship. Throw in Chieko, Yashuhiko's alzheimer inflicted mother, and Yoichi's responsibility to his wife and her unhealthy burgeoning habit in radiophobia, and you've got a melting pot of family dissent and friction.
Review: Hyper Japan - Saturday 27th July 2013
Earls Court Two plays host to the fifth Hyper Japan event this weekend, spanning from Friday the 26th through to Sunday 28th. During this time you can easily find an eclectic array of things to do, see and experience; all firmly rooted in that popular common denominator that is Japanese culture.
Purported to be the "one stop destination for all things Japanese", I wandered the walkways, soaking in the atmosphere in order to bring you anime boys and manga girls the details straight from the floor and, importantly, to see whether they truly live up to their words.
Review: London Anime Con 2013
Working for UK AniFest these past few months has allowed me a unique insight into a lot of things in relation to anime; its fans, its culture and, of course, the convention circuits that accompany the bloggers lifestyle. I've since experienced the MCM Expo as well as the London Film and Comic Con thanks to Tobika (be sure to check out my thoughts on these by hitting the links), so it was with genuine interest that I attended 2013's London Anime Con, now in its 7th year and hosted at The Rocket Complex in Holloway Road, London.
How would I, The Other Guy; the guy who stands out on an anime site as the person who kind of talks about, well, anything and everything, react to a convention that is purely focused on anime and its culture? Accompanying the boys from ToyMation, I set out to explore and experience what this convention had to offer.
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UKAnifest is fully independent. The views expressed on this website are not necessarily shared by UKAnifest / Toymation Ltd. We are not paid by publishers, anime studios and film studios to positively review any title. We remain honest to our writers and bloggers for you, the reader.


I'm not 100% sure, but I think it is just the classic trilogy.
This is a really funny game. I hope you'll find one. It was a limited edition game, if I am not mistaken, so it's a good idea too keep an eye on Amazon zShops as suggested by <b>revstrone</b>.
SW Trivial Pursuits is a fun game, although I feel that pretty much everyone who posts on the Holonet would probably win the gameon their first go. The Questions are all from the OT. An additional suppliment of questions from TPM & prequels was mentioned but I've seen nothing. The game really does need some of those obscure EU facts to make it interesting.
A. Wookiee coming of age ceremony.
I have it and every time it gets played we usually end up reciting scenes from the OT and becoming more and more convinced we've seen the films a few times too many (if that's possible).
It does pull information from the OT Novels, not just the movies so, if you haven't read the novels recently you may miss a few questions that ask things like what Imperial officer did this obscure thing you didn't see in the films.


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Translucent Borders
About Mission Team Participants
Encounters Tradition and Innovation Traveling on Foot Inspiración del Rítmo Deep Listening
Projects Past Projects Workshop Conference at NYU Abu Dhabi
Encounters/
Traveling on Foot
Inspiración del Rítmo
Workshop Conference at NYU Abu Dhabi
Ruminations/
A working group of the NYU Global Institute for Advanced Study
Artistic Scholarship on the Road
Two Reflections
by Andy Teirstein
A border can be represented by a line on a map. But expand that line, it becomes its own space, fertile with the dramatic potential for either violence or something else—learning, collaboration, evolution. As ethnographer Amy Horowitz puts it, "the edge can become the center." Translucent Borders gathers artist scholars to look at points of global intersection. Our observations are based on experiences in the field. There is no substitute for being there.
The Revenge of the Nomads
We step onto a plane and our thoughts are released. Our mental state, unhinged from place, is allowed new perspective even as we rise and the view from the air expands. Translucent Borders is built on the concept of the value of removal from the familiar. Our initial forays to the Middle East and Greece have given us new insights on the project, its purpose and effects. In what follows, I will draw on the writings of cultural critic Carol Becker, whose book, Thinking in Place, propounds the importance of global perspective in our evolution toward a sane society. She encourages artists to "learn how they can move fluidly within multiple realities."
Young practitioners need to be prepared for the contemporary world they are entering—a world moving so quickly where, at best, east and west, north and south converge and merge, where cultures intersect and learn from one another and at worst, where cultures collide, endangering the existence of all species and the well-being of the planet itself.
The concept of multiplicity is at the core of the Translucent Borders endeavor. The elements we engage with are themselves a tapestry of borders: encounters between different cultural groups, between genres, styles, media, instrumentation, religion and gender. It may be that artists are uniquely qualified to move, ghostlike, across lines. We are trained to observe, listen, and to collaborate. Artists have the ability to become "adept travelers and navigators of the 'contact zone,' the place where diverse cultures intersect, and are often able to transform what could be a barrier into a point of entry."
In our research expeditions, we are trusting in a set of keys to breach these points of entry, beginning with a violin, a drum, and a few dance steps. We are also bringing a camera, creating a film record of interviews, jam sessions, and song and dance swaps. One of the notable aspects of this work is the ability of music and dance to trump factionary confrontation. Connection on a cultural level creates an electrical short in the wiring of political standoff. In the rarified ether of music and dance, the deepest aspects of identity become shareable. Our impetus is not political, but creative. What can a creative approach teach us about these points of global encounter? We are traveling to refugee camps and other points of cultural synapse to learn what we can. The people we meet tell us about their own traveling, and the layers of identity they navigate. Becker writes,
Most of us have learned to juggle simultaneous realities and to move between them in our minds and actions, to live in a state of hybridity. In true postmodern fashion, many of us are no longer comfortable in any one identity, but are accustomed with moving between multiple personas and identifying with various states of consciousness, as well as various ethnicities, organizations of thought, and physical geographies.
She speaks of the importance of knowing the complexity of your own place, but also "the places that are Other, the not home."
The world in which we now stand requires us to be able to move both vertically and horizontally….We need to be able to understand where we are in relation to the totality, since our daily lives are so directly related to this totality—from the food we eat, the products we buy, the books we read, the films we see, to the people down the block and to the wars being fought in our name…in this way we have become tourists, pilgrims, nomads, and travelers in our daily lives, even if we never leave home….We are impregnated with multiple cultures.
Over the past twenty years, music and dance have increasingly become platforms for cultural dialogue, a broadening circle of interweaving songlines. Music in particular, through internet accessibility, has become the world's common notebook. The challenge now is to retain particular signature local styles in the global dialogue.
It may be that globalization is truly the 'revenge of the nomads', and movement has won out over staying put to redefine for many the notion of community as no longer only local and particular but global and inclusive.
Translucent Borders is not the only project involved in global cultural exchange. Since its inception a year ago, I have received countless recommendations from colleagues regarding cross-border endeavors. But the research aspect of our work, under the auspices of New York University, releases us from commercial incentive—we are observers, listeners—not artists on tour, but creative vagabonds with camera and pen, recording notes and images, and responding in art and scholarship.
What is Creative Research?
The university system evolved within the bounds of a particular geographic area, Western Europe, but its borders have long been in a process of engulfment by the greater global village. New York University is a leader in the field of globalized learning. In December, I gathered professors from the NYU departments of Dance, Anthropology, Recorded Music, and Theater, along with a handful of leading composers, choreographers and practitioners of world music and dance from outside the university. Funded by the NYU Global Institute of Advanced Study, the working group encompasses a spectrum of interests and accomplishments, from Broadway to Afghanistan, with Fulbright, Guggenheim and MacArthur Fellowships. We launched into a discussion of the generous parameters of our funded proposal—to investigate the role of music and dance at cultural and geographic borders. It didn't take long, at our first meeting, for the puzzle to present itself: what role would musicians and dancers play in this research? What would the university require from our group? Would we be collaborating on creating a concert? How would we navigate the continuum between process and product? As I looked around the room, I realized that we embodied the crux of academic research and creative practice, the role of the artist as researcher.
The artist is generally unwelcome at the academic table. True, the arts were part of the original university paradigm at its medieval inception, and have always been integrated in the curriculum. We speak of a "liberal arts" education. But when it comes to research, two approaches—scientific and artistic— diverged somewhere along the line, giving pride of place to the high priest of research, the scientific method. Creative research implies an experiential focus, something that happens at a heightened moment in time, rather than reflection in the space of an aftermath. This fleeting experience, and the influence of imagination, impulse, inspiration—considered prime elements in the act of music and dance composition—are suspicious guests in the world of scholarship, their results unquantifiable. In recent years, though, the line between scholarship and creative work seems to be evolving into a broader pathway of exchange. The key term, "research," is an open window on both fields. To search, to search again, feels as applicable to creative process as it is to conventional scholarship. The first search, in any case, is a journey into something as yet unfound. And the second one? There is a sense of movement, but in which direction?
While the academic world provides an enriching refuge for artists, there is also the tension of belonging and not-belonging, the allure of the library and classroom on one hand, the seeping away of precious composing time on the other. Research projects ask the artist to step further into the maelstrom, to leave the sweet, fertile repose of the muse as muse and engage with a hall of mirrors consisting of perspectives on perspectives, of related texts and critical commentary qua meta-gossip, much of it politicized. At its core, music and dance are removed from these things. But are they ever truly removed? It may be argued that the academic world suddenly finds itself in the position of needing input from the sublingual vocabularies of music and dance, which live in an ether of impulse.
The fact that some universities are becoming more interested in creative research signifies that both realms—conventional academic scholarship and creative artistry—are experiencing a need to re-evaluate this relationship. For the arts, there is a persistent lack of national legitimacy, expressed, for instance, in the failure of many dance companies, orchestras and galleries. In the case of universities, the reclusive status of the ivory tower, a fortress of knowledge at a distance from worldly pursuits, is challenged by the effect of the internet as a global equalizer. As the world wide web turns the concept of ownership on its head, the ivory tower is also upended. The ownership of knowledge is under attack, along with its definition. Will scholarly dialogue be able to resist its dissolution in the flood of what is digital and also ancestral? The virtual village has its backlash, the belated yearning for actual experience, the real stories of ancestry, our deeper roots, and all things traditional, genuine, and hand-made. As my Cheyenne friend would say, the people who carry the drum—indigenous people—can save the world, if the world will listen to them.
I recently stepped into the hallway of the dance department to find a group of MFA students between classes, all scribbling by hand in notebooks (not "notepads"). What brings these young choreographers into an institution of higher learning? Yes, they want the stamp of approval, the official hoop jumped, and they are interested in testing their own limits, expanding their minds, but they are also experiencing the same tensions as faculty, expressed above, regarding the artist's place in the research institution.
For a short time in my teens I was in a band with the folk singer Caroline Doctorow. We sometimes rehearsed in her living room. Years later, I gathered my courage to ask her father, novelist E.L. Doctorow (who died this year), to take a look at the pages of research I had collected for a musical theater piece based on an historical event. Doctorow told me, "Research can only take you so far." He said that when he really got focused on a new idea for a book, he felt a magnetic field growing around himself, and the details of the book came to him. For instance, when he needed the
name of a character, he might happen to pass a street sign with the perfect name, one he wouldn't have thought of on his own.
Translucent Borders has been sending out its magnetic field in trips this spring to Tel Aviv, Bethlehem, and the Island of Lesbos. It's about connection, drawing unlikely collaborators into cultural encounter. Our research is built on artistic principles: juxtapositions, listening techniques, movement vocabulary just beyond our comfort zones, and a mainstay of artists' tools—the refusal to accept boundaries at face value.
Header Photos by Cari Ann Shim Sham
© 2018 – Global Institute for Music and Dance


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Chinatown Celebrates "Galloping to Prosperity" in the Year of the Horse
Welcoming visitors to Chinatown till the end of February will be 88 life-sized horse-shaped lanterns and dazzling gold coins which are part of the celebrations to usher in the Chinese New Year. Organised by Kreta Ayer-Kim Seng Citizens' Consultative Committee (KA-KS CCC), these celebrations are part of the Hua Qing Spring Festival celebrations, an umbrella branding for Chinese New Year celebrations in Singapore.
Members of the media were given a preview by the KA-KS CCC on what to expect for this year's celebration as Chinatown welcomes the Year of the Horse this Lunar New Year.
Themed Galloping to Prosperity,this year's decorations are result of the hard work of the students from the Singapore University of Technology and Design (SUTD). The result of months of this hard work can be seen in the many horse shaped lanterns with ribbons to help to bring out the fluid continuity of galloping horses.
Dr Lily Neo, Grassroots Adviser and Member of Parliament for Tanjong Pagar GRC, said:
"In the Chinese Zodiac, the Horse symbolises intelligence, speed, strength and ambition. As we usher in the Year of the Horse, we hope that these positive attributes will bring good health and prosperity to all residents in Singapore. The Chinatown Chinese New Year celebrations have always been a festive highlight each year not only for the local Chinese community, but also for all the ethnic groups here. It has also become an iconic tourist attraction. This year, we have made the event even more colorful and striking. We are thankful to our partners and stakeholders for their great support in making this year's celebrations possible."
Mr Poh Chi Chuan, Director of Cultural Precincts and Tourism Concept Development, Singapore Tourism Board said:
"The Chinese New Year festivities at Chinatown are not only stunning displays of the city's vibrancy but also a great platform to showcase our multicultural heritage. We hope that both locals and tourists can immerse in the festive bustle and gain greater appreciation of Singapore's culture and history in a memorable way."
Visitors to Chinatown can also look forward to the array of events aim to foster stronger family bonds and harmony through providing opportunities for families to cherish special family moments and honour traditions.
Kicking off with the official Opening and Light-Up Ceremony on Saturday, 11 January 2014 at New Bridge Road and Eu Tong Sen Street, there will also be initiatives targeting the youths, in an effort to generate greater interest in the younger generation and to inject vibrancy and vivacity into the traditional festive celebrations.
For the first time, the KA-KS CCC will be conducting walking tours down Singapore's best-kept Chinese enclave which includes Kreta Ayer Road, Sago Street, Pagoda Street and New Bridge Road. These tours are free for those interested and pre-registration via KA-KS CCC's website (http://chinatownfestivals.sg/) is encouraged.
Another first for the KA-KS CCC will be the running of a 24/7 Short Video Competition Challenge. Partnering with Republic Polytechnic's School of Hospitality, the competition will feature more than 30 groups of four to six students who are given 24 hours to put together a short video that captures the essence of Chinese New Year in Chinatown. The winning videos will made available on KA-KS CCC's website (http://chinatownfestivals.sg/247challenge) from 17 to 23 January 2014.
Chinatown's Chinese New Year celebrations have also taken to the social media platform with the inaugural "Who Has The Most Horsepower" Facebook photo competition. The contest encourages the public to post creative Chinese New Year-inspired photos on Chinatown Festivals' Facebook page. And to spread the festive spirit, the person who posts the photo with the highest number of votes will receive a generous Ang Pao of S$888. Competition runs from 2 to 30 January 2014.
Other exciting celebratory events include the Festive Street Bazaar with 480 eclectic stalls, Nightly Stage Shows that add to the festive atmosphere, and the 7th International Lion Dance Competition.
For the full list of events and more details on the above, please refer to www.chinatownfestivals.sg and www.facebook.com/pages/Chinatown-Festivals/186429804750588.
Do check out the rest of the photos over at our facebook page.
Photo credits: Ken Koh
Tags Chinatown Chinese New Year Dr Lily Neo KA-KS CCC Kreta Ayer-Kim Seng Citizens' Consultative Committee Republic Polytechnic Singapore Singapore University of Technology and Design
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Singapore, 6 Jul 2015 – It was an evening of entertainment and celebration on 3 …


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Aboriginal Affairs is fighting back against its critics, releasing new calculations that show native students receive just as much, if not more, funding as non-aboriginals for schooling.
The federal government has been under fire from aboriginal and human rights groups and opposition critics for underfunding First Nations education.
Last year, all parties agreed to fix the problem and committed to ending inequalities between native and non-native primary and secondary school systems.
But in a backgrounder attached to a Tuesday announcement on building new schools, government officials attached a raft of calculations that suggest student funding is already at par.
Aboriginal Affairs says it spent an average of $13,542 for each student in the 2010-2011 school year — not including money for infrastructure and building maintenance.
The amounts vary by province. First Nations kids in the Atlantic provinces get $14,505 apiece, while Saskatchewan students get $12,159, the government research says.
That compares to a national per-student average of $10,439 in 2009, according to Statistics Canada.
But it contradicts data from the AFN that shows First Nations receive about $7,101 for each student, on average.
Ottawa and the Assembly of First Nations have both made education a top priority, working together to strike a plan for better funding and new governance.
The federal budget included $275 million for school infrastructure and early literacy.
Aboriginal Affairs Minister John Duncan said Tuesday that part of that money will go towards building three new schools on reserves this year and renovating five others in the future.
The new schools are to be built in the some of the country's neediest communities, in Pikangikum and Fort Severn in Northern Ontario, as well as Shamattawa in Manitoba.
A coroner's report into youth suicide in Pikangikum highlighted the lack of a proper school as one of the key weaknesses in that community. And many communities complain that their schools are falling apart, mouldy, poorly equipped and understaffed.
Part of the new funding will go towards "bundling" together the construction work in the hopes of achieving some economies of scale, Duncan said.
And another part of the money will go to proposals that help native bands build the expertise they need to eventually take control of their education systems.
"Our government continues to take concrete steps to improving educational outcomes for First Nation students," Duncan said in a statement.
"Our innovative approach to these additional funds builds on the $1.7 billion our government invests annually in First Nation elementary and secondary education and will ensure that more First Nation students get the education they need so they can pursue the same opportunities available to all Canadian students."
The government has committed to passing legislation by 2014 that would revamp the First Nations education system and set up school-board-like arrangements that would give First Nations regions more control over curriculum and schooling in general.
The $275 million in funding is seen as the first step towards that goal.


As a business owner, you can be sued by others for any damage resulting from the negligence of your business products that cause harm to others such as a defective product. Product Liability insurance pays for your damages and legal expenses if you are sued up to your policy limits. Your liability policy will also pay for medical fees of others who are harmed by your business.


text:
Clifton, a self-employed house designer and contractor, said the house cost about $150 per square foot to build, which puts it in the mainstream of residential construction costs.
"Most people don't realize we can build a zero-energy house on our kind of budget," he said. "These ideas aren't just for wealthy people."
At his company, TC Legend Homes, Clifton focuses on building homes that break even, or come out ahead, energy-wise, and do so at prices that are affordable to more than just environmentally minded millionaires.
His projects have won several awards from the U.S. Department Energy, and his Bellingham house recently won an award from Green Builder Magazine in the "Alternative Building" category.
Learned from dad
Clifton, 40, grew up in Ketchikan, Alaska, and on Whidbey Island. He got into the construction business early working for his father, and started building houses on his own a decade ago.
He and his wife, Rachel Lee, a nurse practitioner, and their three young children, moved into the 2,700-square-foot house a year ago. They co-own the house with a longtime friend, who lives in a separate apartment on the upper floor.
A 700-square-foot common area on the ground floor has room for a clothes washer and dryer, beer-making equipment, and a climbing wall, yet to be built.
As with any energy-efficient residence, the position of the house on the property, and details of its structure and its heating and cooling systems, are paramount.
On a recent overcast day, the house was 70 degrees, so the solar-warmed, radiant-heat pipes in the concrete floor weren't needed.
The two-story residence has a long southern exposure, with large windows that let the sun's heat warm the interior, notably the 4-inch concrete floor.
On Wednesday, March 2, the sky was a bit overcast, with the sun an amorphous blob in the sky. It wasn't take-off-your-shirt warm, yet the house registered a pleasant 70 degrees inside, so the solar-warmed, radiant-heat pipes in the concrete floor weren't needed.
There's no carpeting, but the sun-warmed floor was easy on my stockinged feet, and the floor's acid stain gave it a palette of aqua blue, browns and greens that suggest an impressionist's painting of a forest floor.
Hot water for the radiant heat in the floor and for domestic use comes from a solar panel on the southside porch roof, and from a quiet yet highly efficient heat pump on the east end of the house. The solar panel and heat pump work in tandem, with the solar array doing most of the water warming in hot weather, and the heat pump taking command in cold weather.
An attached greenhouse adjacent to the kitchen also makes use of the sun's warmth, and allows the family to grow tomatoes, herbs and other edibles a few feet away from where meals are prepared.
The southside windows came from Poland. Vinyl and metal frame the triple-pane windows, and the glass allows more of the sun's heat to pass through than do usual windows.
A house in, say, Phoenix, would need to limit solar heat passing through its windows, to avoid overheating the interior, but that's not a concern west of the Cascades.
"Here in Bellingham, we want as much as we can get," Clifton said.
Of course, it makes no sense to warm a leaky house, so the walls, roof, foundation, and floor are all well-insulated.
Electricity from the sun
Atop the house's metal roof sits a large array of solar-electric panels that generate enough power for the residence and for their Tesla Model S and Nissan LEAF.
The house sends power to Puget Sound Energy's grid when the sun is shining, and draws power during the night and on cloudy days. Over a year, the panels produce more power than the house needs, with extra left over for the cars.
You don't have to give up all your luxury items to have a super-efficient energy house.
Ted Clifton, of TC Legend Homes
Two charging stations on the alley side of the house are within easy reach of the cars. It takes a few hours to charge the LEAF, which has a smaller battery, and eight to nine hours for the Tesla.
"It's like a phone," Clifton said. "You plug it in when you get home."
It cost $40,000 to install the solar-electric panels, but Clifton benefited from a federal tax credit of about $10,500, and a Washington state solar-production credit of about $5,000 a year until 2020.
Clifton said the panels started paying for themselves immediately because the share of the mortgage for $40,000 worth of solar panels is less than their electric bill would be.
Outside the house, three plastic cisterns - two for the house and one for a shop building - together collect up to 3,000 gallons of rain from the metal roofs. They use the stored rain to water the lawn and garden beds during dry months. Excess runoff is channeled to a small pond.
Nearby, an outdoor hot tub also runs on solar power.
"You don't have to give up all your luxury items to have a super-efficient energy house," Clifton said.
Dean Kahn: 360-715-2291
More online
For details about TC Legend Homes, including its other projects, go to tclegendhomes.com
Related stories from Bellingham Herald
Gallery: Solar-powered house in Bellingham charges electric cars, too
dean-kahn
Ultra-green Bellingham house needs no city water, sewer service
Ted Clifton, shown Wednesday, March 2, 2016, built a solar-powered house in Bellingham that has enough energy left over to charge his two electric cars. Philip A. Dwyer pdwyer@bhamherald.com
Dean Kahn
Dean Kahn retires, looks back at his 29 years at The Bellingham Herald
By Dean Kahn
dkahn@bhamherald.com
Dean Kahn has retired from The Bellingham Herald newspaper after 29 years. He was a reporter, editor, and columnist for the community daily in Northwest Washington. Kahn was in charge of the newsroom in June 1999 when a pipeline ruptured and exploded in Bellingham, killing three boys.
MORE DEAN KAHN
Bellingham residents say 'trash pandas,' aka raccoons, pose threat to pets, people
Kendall Elementary librarian maintains love of life in face of terminal cancer
A dying mother's dream; community gives daughter a grand wedding
Neighbors offer aid after Van Zandt man's horrific chain saw accident
Retired teacher offers 10 cents a mile when he goes hitchhiking
What do you do if you live on Yellow Brick Road or Penny Lane? Don't worry, be happy


Opium is a naturally occurring narcotic found in the seeds of the opium poppy plant and contains morphine.
Opium can be extracted to produce heroin, an illegal drug that has a high abuse potential. The cultivation of poppies dates back many civilizations in an effort to provide pain relief and deep sedation. It was also used for ritualistic purposes. Opium has been regulated around the world since the early twentieth century. Opium contains alkaloids including morphine, codeine and thebaine. Morphine was first isolated from the opium poppy in the early 1800's. Heroin, first synthesized in 1874, was the first semi-synthetic opiate and was legally prescribed for a time. Oxycodone, derived from thebaine, was first synthesized in the early 1900's and is marketed today under names including OxyContin and Percocet. Synthetic opiates including methadone and fentanyl have also been synthesized from opium and are prescribed today.
Prescription opiate drugs that have been synthesized from opium's alkaloids include Percocet, Lortab, Norco, OxyContin, Demerol, Methadone and Vicodin. Many are used therapeutically for pain relief or cough suppression. People who want to experience the "high" or euphoria associated with them also use these potent medications recreationally. Because they are so powerful, they have a tendency to be misused, abused and sold and traded illegally on the black market. Side effects associated with opiates can range from mild to severe. They can cause tolerance with regular use, physical and psychological dependence, withdrawal when use is stopped suddenly and potentially fatal overdose. A host of warnings and precautions accompanies all medications derived from opium. Opiate addiction is a serious problem around the world and requires a professional medical detox to ensure safety.
Waismann Method provides a rapid detox to ease patients through the difficult withdrawal phase that accompanies opiate addiction. Other detox facilities rely on opiate replacements such as Suboxone and methadone to wean patients off other opiates. These medications are synthesized from opium as well, meaning they could potentially cause a second dependence and the need for another detox. With our method of rapid detox, we use intravenous medication to cleanse the opiates from patients' receptors. This takes less than two hours and patients are lightly anesthetized during it. The procedure accelerates withdrawal and patients awake from the procedure without the awareness they even experienced withdrawal symptoms. This managed withdrawal gives patients a dignified recovery and allows them to return to the life they deserve quickly. Patients stay in the hospital 2 to 3 days and are transferred to and extend recovery phase in our inclusive and exclusive Domus Retreat aftercare facility. Our programs are safe, compassionate and totally discreet.


If you're afraid 78 degrees is a little too warm, remember to dress for the season. Then, turn on the ceiling fan to create a wind chill effect that makes your 78-degree room feel like a 74-degree room while using only about three percent of the electricity your air conditioner consumes.
If you stay at home during the day, maintain a 78-degree interior all day. However, if everyone's at work or school all day, your absence is a great opportunity to save. Turn the thermostat up seven to 10 degrees for eight hours every day and you can save up to 10 percent on your cooling bill. The longer the setback time is, the more you save.
Energy Star recommends turning the temperature up four degrees while you sleep, but many people find it difficult to sleep in a hot room. To combat this, open the windows at night if you live in a cool climate, or keep the temperature set to 78 degrees all night long.


text:
Q: Decoding a Bouncy Castle ASN.1 object in Scala Hi I'm using Scala with the Bouncy Castle Crypto libraries to read in an X.509 certificate from a file. I'm trying to read the values for some of the extension using the following code:
val ext = JcaX509ExtensionUtils.parseExtensionValue(certificate.getExtensionValue("2.5.29.17"))

This returns an ASN.1 object as follows.
class org.bouncycastle.asn1.DLSequence

I now need to decode the ASN.1 object to get the value. However, I seem to be going round in circles as I cannot figure how to easily decode the ASN.1 object without wading though acres of Java code. Surely it can't be that difficult?
This is the code I have and is working so far:
import java.io._
 import java.security.cert.CertificateFactory
 import java.security.Security
 import org.bouncycastle.jce.provider._
 import org.bouncycastle.cert.jcajce.JcaX509ExtensionUtils

 object Main extends App {
 Security.addProvider(new BouncyCastleProvider)
 val provider = new BouncyCastleProvider
 val in = new FileInputStream("cert.cer")
 var certificateFactory = CertificateFactory.getInstance("X509", provider)
 val certificate = certificateFactory.generateCertificate(in).asInstanceOf[X509CertificateObject]

 val ext = JcaX509ExtensionUtils.parseExtensionValue(certificate.getExtensionValue("2.5.29.17"))

 println(ext)

}

Output:
[[2]#4c303037313035392e6d6e73756b2e6164726f6f742e6d61726b73616e647370656e6365722e636f6d]

A: If you're interested in extension 2.5.29.17 (subject alternative names) only, why don't you use certificate.getSubjectAlternativeNames()? This gives you a nice object-oriented access to this specific extension... There are, of course, helper functions for other extensions as well.

redpajama_set_name: RedPajamaStackExchange


text:
package wb.control;

/**
 * Created by Michael Brunnbauer on 22.05.2016.
 */
public interface WBFragID {

    int getFragmentID();

}

//Hilfskonstrunktion zur besseren Fragment-Identifizierung

redpajama_set_name: RedPajamaGithub


This past weekend I was back in Tampa for the sixth annual SQLSaturday. It's a trip I always look forward to – its only about a 2 hour drive, the event is in Ybor City with tons of dining options, and the event always attracts a great crowd.
There were almost 40 people there and we were packed in tight enough that wandering from table to table wasn't practical. I spent most of the speaker dinner talking shop with my friend Leigh Freijo. I saw a lot of new faces! It's good to see the group changing and growing. Dinner was good, talk was great, wrapped up about 8:30, earlier than usual for me but in time to spend some time with the family before calling it a day.
The event was moved to new location this year. It's been at the KForce building almost forever, but a combination of attendee growth and some floor plan changes drove the event team to find a new location this year. Turned out to be a very short move to Hillsborough Community College, not even half a mile from Kforce. Great venue, but made a little more complicated by having the sessions split across two buildings separated by a road. Eventually everyone figured out where everything was and then things went smoothly.
For those planning their first/next SQLSaturday, I can tell you that the #1 complaint we see is insufficient signs. It's close to impossible to have too many signs.
The other thing is that a map of the classrooms, either in the bag or on walls here and there is very, very useful. Don't get caught up in getting the facility to give you the perfect map. Use it if you can get it,but if not a hand drawn diagram can do wonders.
Schedules were printed this year but not included in the bag. Attendees had the option of using the Guidebook application or picking up a schedule along with their bag – gradually we're seeing the paper used reduced to that provided by the sponsors,not a bad trend.
Another interesting thing this year was the sponsors were in three separate areas; one set by the registration area, one set in the first floor area of the other building, and the final set on the second floor of the other building. That sounds confusing and I don't think I would have recommended it, but it worked well. It reduced the noise and confusion in a way that I think benefitted attendees and sponsors, and it was a nice surprise to walk in and realize there were more sponsors to see.
I did my presentation on professional development for about 12 attendees. Small crowd, but that's ok, we had fun and shared some ideas. That lead to more conversation about it over lunch and a couple new ideas I need to think on. I also caught up with a former colleague and then another former colleague who is thinking to shift to being a DBA. It was his first time at a SQLSaturday and he commented that he had already learned a lot and was having a great time.
Lunch was excellent as always. Yellow rice, chicken, pork, black beans, and plantains.
Maybe the most interesting thing I heard over the day was John Welch talking about it being a legitimate case to have CPU utilization at 100% when doing processing for Analysis Services. On the transactional side we start to worry when usage stays above 80%, but when you have x amount of time and work to get done, his point was you tune all the other parts of the system until the CPU is fully utilized – and then decide if that is good enough, or if you need more CPU's (and maybe new hardware to go with it).
I also spent some time talking with Bradley Ball about marketing strategies for SQLSaturday Orlando this year. We've been steady about the 275-300 level for the past few years, how can we grow that number? Lots of ideas, which ones to try? We shall see!
I didn't attend the Friday pre-con/seminars, but I heard attendance was low. That typically isn't a reflection on the speaker or the topic, just a matter of getting the word out in time so people can make the purchasing decision. My suggestion is to develop a written marketing plan and then execute to it. That doesn't guarantee success of course, but it makes you think up front about how and when and where to get that message out. It's harder than it sounds.
I also heard that we had one presentation on Saturday that had zero attendees. I've seen a couple sessions over the years that had one lonely/lucky attendee (lucky because they get a 1 on 1 presentation), but I don't recall hearing about no one showing up. That's tough on a speaker that did the prep work and made the trip. I don't know that there is good way to prevent it, sometimes the competition across a time slot is something (and that's good). Room monitors are a good hedge though, if you've got someone in the room they can at least sit through the presentation, maybe also call out to get someone outside to drive a few people to the room.
It's just about impossible to build a perfect schedule or to take into account all the variables. I've always built my schedule track by track and just went with it. The one thing I'd tell organizers is keep your attendee to track ratio at 25 to 1 or higher. If you're projecting 100 attendees (not registrations) don't do more than 4 tracks, and 3 wouldn't be wrong. In Orlando we did 7 tracks last year for about 275 attendees and we didn't have any session that I saw with less than 10 in the room.
All in all it was a great event. Kudos to Pam and her small band of volunteers for their efforts, and to all the speakers who travelled to Tampa to share some knowledge.


text:
The 1990 Banquet Frozen Foods 300 was a NASCAR Winston Cup Series racing event that took place on June 10, 1990, at Sears Point International Raceway in Sonoma, California.

Mike Chase, Butch Gilliland, and Jack Sellers would make their introductions into the NASCAR Cup Series in this event while Stan Barrett and Ted Kennedy would leave the Cup Series after this event.

Race report
A grand total of 44 American-born drivers participated in this 74-lap event. Hershel McGriff was the unfortunate last-place finisher due to a problematic stock car engine on the second lap. While Jack Sellers was the last man to actually finish the event, a faulty engine on lap 70 prevented Morgan Shepherd from finishing anywhere except in the middle of the pack. The average green flag run was determined to be 6 laps; with slightly more than 32% of the entire race being run under a caution flag. Race-related accidents and vehicles stalling out on the relatively long road course track where the majority of the reasons behind the yellow flag laps.

Ricky Rudd had two tire issues in the mid section of this one but came back to finish third; he was running second at the end until Mark Martin passed him and began to quickly close on Rusty. However, the final caution ended his chances of catching the #27 vehicle. Martin also himself had issues, making contact with Dale Earnhardt on a restart early on just as Rudd had his first tire issue.

After two hours and forty-five minutes of racing, Rusty Wallace would defeat Mark Martin under the race's final caution flag; Wallace's high-speed training here paid off with this being the first of his two trips to victory lane in NASCAR Cup series action on the California road course. Amongst the drivers who failed to qualify for the race were Jimmy Means and Mike Hickingbottom. Mark Martin would maintain a 62-point lead for the 1990 Winston Cup Series championship against Morgan Shepherd after this event was through. This would be Rusty's last road course until 1996 at this track, then the last one of his career. It was a very road course heavy early career for Rusty then the wins dried up on road courses after that.

Vehicles in this race ran speeds averaging up to ; making it the slowest NASCAR Cup Series event in the history of Sonoma Raceway.

West Series driver and occasional Truck Series racer Terry Fisher was competitive all race and ended up a more-than-respectable 15th on the lead lap.

After this race, Mark Martin had a 136-point lead over Dale Earnhardt who was 4th in points after this race. Mark didn't lose the championship because of the penalty at Richmond. He lost it because Earnhardt dominated the rest of the year and took the championship away from him.

Individual earnings for each driver ranged from the winner's share of $69,100 ($ when adjusted for inflation) to the last-place finisher's share of $3,325 ($ when adjusted for inflation). NASCAR officials were authorized to hand out a sum of $443,457 to all the drivers who qualified for this racing event ($ when adjusted for inflation).

Top 10 finishers

Timeline
Section reference:
 Start of race: Ricky Rudd started out with the pole position.
 Lap 2: A blown engine made Hershel McGriff into the event's last-place finisher.
 Lap 5: Caution due to Jack Sellers' accident, ended on lap 7.
 Lap 10: Caution due to Ted Kennedy's accident, ended on lap 11.
 Lap 12: Ernie Irvan took over the lead from Ricky Rudd.
 Lap 17: Rob Moroso had a terminal crash.
 Lap 19: Mike Chase took over the lead from Ernie Irvan.
 Lap 23: Rusty Wallace took over the lead from Mike Chase.
 Lap 31: Tommy Kendall took over the lead from Rusty Wallace.
 Lap 35: Rusty Wallace took over the lead from Tommy Kendall.
 Lap 38: Brett Bodine had a terminal crash while Harry Gant managed to wander off the course.
 Lap 41: Dick Trickle's engine issue forced him to leave the race.
 Lap 43: Caution due to Dick Trickle having his vehicle come to a stop on turn two, ended on lap 44.
 Lap 46: Tommy Kendall had a terminal crash; forcing him to exit the race early.
 Lap 54: Bobby Hillin Jr. took over the lead from Rusty Wallace.
 Lap 58: Ricky Rudd took over the lead from Bobby Hillin Jr..
 Lap 60: Rusty Wallace took over the lead from Ricky Rudd.
 Lap 62: Terry Labonte's issues with his vehicles clutch ended his race weekend too early.
 Lap 63: Caution due to an accident involving Kyle Petty and two other drivers, ended on lap 66.
 Lap 70: Morgan Shepherd's problematic engine forced him to leave the race.
 Lap 74: Caution due to Terry Labonte having his vehicle come to a stop on turn 11.
 Finish: Rusty Wallace was officially declared the winner of the event.

Standings after the race

References

Banquet Frozen Foods 300
Banquest Frozen Foods 300
NASCAR races at Sonoma Raceway

redpajama_set_name: RedPajamaWikipedia


When one first comes to Baja for a vacation they generally think of Cabo San Lucas, San Jose Del Cabo and all the areas in between those two lovely cities.
But if you get adventurous and come to the "East Cape" as we love to call this area, you will fall in love.
We are located about 12 Miles outside of La Ribera, which is a wonderful little town about an hours ride north of Los Cabos Airport. As you head south from La Ribera, approximately 3.5 miles before Las Barracas the pavement ends and you start off on a graded dirt road that seems to lead nowhere. But just about 2 miles in, you will come over a crest and have the most breathtaking gift, our beautiful Barracas Bay. Seeing it for the first time or the thousandth time makes no difference, the feeling of awe and peace is always the same.
Las Barracas is located inside the Cabo Pulmo National Marine Park, so this area is very protected, well loved and cared for by many people. Las Barracas is a very small community with a few full time residents and others that stay for only a few months a year. Either way, we all find our peace and happiness here in this wonderful place and are so fortunate to be this lucky.
You won't have the ATV's, the water vehicles, or crowds of tourists all over the beach. We don't have people roaming the beach selling trinkets or bothering you in any way. Instead, you may see a local, or perhaps a few tourists walking the beach or playing in the beautiful waters enjoying every advantage this pristine area offers. But most of the time the beach is empty.
So, if you are looking for a little piece of heaven, in a quiet private area, this is the place. We are surrounded by the most wonderful diving, snorkeling, fishing, turtle habitats, whale watching and the most incredible sunrises and sunsets you can imagine. Also, in Las Ribera, Cabo Pulmo or beyond to Los Barriles, we have wonderful shops and restaurants should you wish to venture away for the day or an evening.
Come walk our beautiful beaches. Sit and listen to the beautiful sound of the waves as they wash over the rocks and fall back to the sea. It will steal your heart, warm your soul and you won't soon forget Las Barracas.


text:
Solidarity with the struggle of the Palestinian people – Stop the aggression of Israel
Once again we see a violent escalation of the state of Israel's oppression of Palestinians. It is directed both at ordinary civilians in their homes and villages and at armed resistance fighters and groups. It is happening in the occupied areas of the West Bank, in Gaza, in Jerusalem and in Israel.
The recently concluded election in Israel, which has once again brought the reactionary Benjamin Netanyahu to power, this time in alliance with fundamentalist far-right Religious Zionism, will mean yet another escalation of the violent oppression of the Palestinians.
Among the many imprisoned and killed during the Israeli forces' night raids and arrest operations are many teenagers and children. Israeli forces use collective punishment measures of residential neighborhoods and refugee camps. Armed settlers terrorize Palestinian communities across the West Bank, often in the presence and protection of the Israeli military. Israeli fighter jets have bombed the Maghazi refugee camp in Gaza.
We condemn the apartheid regime and its brutal suppression and repression of the Palestinian people's protests and struggle for their rights and national liberation. It must be demanded that the Danish government stops its support and backing for Israel and condemns their actions.
The aggressive military campaign "Operation Dawn" has been met with widespread civil protests and civil disobedience campaigns and growing Palestinian resistance. The armed resistance is growing in response to the brutal violence against the Palestinians. There are reports of daily protests and confrontations with the Israeli military apparatus.
The brave Palestinian people have been fighting the Zionist aggression for more than 70 years. They continue their struggle for national independence, against the continued Zionist ethnic cleansing and colonization of the West Bank, despite facing a brutal occupation force armed to the teeth. A Zionist state held in power by US imperialism as its bridgehead in the Middle East. Which is supported by the imperialist EU and by Danish imperialism and its changing governments.
Facing this is a people fighting for its existence and national rights together with the international solidarity of workers and the peoples of the world.
Long live solidarity with the struggle of the Palestinian people!
Workersparty Communist, Denmark


text:
Interactive Intelligence Launches Customer Engagement Cloud Service in the Middle East
Interactive Intelligence PureCloud Engage℠ designed to help contact centers accelerate business impact, deliver consistent outcomes, and innovate the customer and agent experience.
(1888PressRelease) March 11, 2016 - Dubai, United Arab Emirates - Interactive Intelligence Group Inc., a global leader of cloud services for customer engagement, communications and collaboration, has made available a new customer engagement cloud service for businesses throughout the Middle East.
The unique PureCloud Engage℠ architecture, along with its advanced functionality, fast deployment and simple month to month subscription terms offers contact centers accelerated business impact, more consistent outcomes, and the most innovative customer and agent experience.
"Our goal is to help our customers turn routine customer service in to a competitive advantage through Customer Engagement, Collaboration and Communication!" said Shaheen Haque, Territory Manager, Middle East & Turkey, Interactive Intelligence. "Each and every service in our new PureCloud℠ platform leverages the power of the first cloud platform to use microservice architecture built on top of scalable AWS (Amazon Web Services) infrastructure, providing our customers with amazing resilience, 99.999 uptime and unparalleled feature choices that can be tailored to their particular needs."
PureCloud Engage℠ is architected as a set of stateless, independently load-balanced microservices running atop the scalable Amazon Web Services Cloud. This architecture was designed to achieve new levels of reliability, security and scalability. It also gives businesses immediate and continuous delivery of the most innovative applications.
PureCloud Engage℠ features the industry's most comprehensive feature-set, including omnichannel routing, speech-enabled interactive voice response (IVR), call recording, quality management and reporting, outbound and predictive dialing, CRM integrations, and graphical scripting. It also includes business communications and collaboration features, such as IP PBX capabilities, video conferencing, corporate directory, chat, desktop sharing, and content management.
PureCloud Engage℠ is offered directly through the Interactive Intelligence salesforce, and through the company's channel comprised of approximately 400 partners worldwide.
For more information about PureCloud Engage℠, visit https://www.inin.com/customer-engagement/cloud-contact-center
About Interactive Intelligence
Interactive Intelligence Group Inc. (Nasdaq: ININ) is a global leader of cloud services for customer engagement, communications and collaboration designed to help businesses worldwide improve service, increase productivity and reduce costs. Backed by a 20-plus year history of industry firsts, 100-plus patent applications, and more than 6,000 global customer deployments, Interactive offers customers fast return on investment, along with robust reliability, scalability and security. It's also the only company recognized by the top global industry analyst firm as a leader in both the cloud and on-premises customer engagement markets. The company is headquartered in Indianapolis, Indiana and has more than 2,000 employees worldwide. For more information, visit www.inin.com.
Interactive Intelligence is the owner of the marks INTERACTIVE INTELLIGENCE, its associated LOGO and numerous other marks. All other trademarks mentioned in this document are the property of their respective owners.
Linda Hilberdink
Field Marketing Manager - Benelux, Africa & Middle East
Linda.hilberdink ( @ ) inin dot com
Interactive Intelligence Launches Customer Engagement Cloud Service in the Middle East by Procre8
Ian Saldanha
Procre8


Estimate road usage statistics in 24/7 situations using just a camera. Out deep learning and convolutional neural network based backend will handle the rest.
Most industry solutions provide off-line reports. Our reports are live and on your dashboard within minutes without effort.
Not just counts, but additional statistics, like average speed, congestion, flow rate and vehicle category statistics are also provided.


"An Endless Passion" shares the feeling of the tourists that come to Ericeira to enjoy their first surfing experiences.
A wine bar with a cultural touch.
ID Software with an Ericeira digital print.
Ericeira's most independent clothing brand.
The only exclusively bodyboarding school active in Ericeira.
Travelling in freedom with Vintage Tours.
50 years after the opening of the most renowned pastry shop in Ericeira, what changed in Casa Gama?


This image of the galaxies NGC 1024, NGC 1028 and NGC 1029 in Aries was provided by the Pan-STARRS1 Surveys. We also have a larger marked up version of this image to help you locate these galaxies.
NGC 1024 is part of a group of three galaxies, including NGC 1028 and NGC 1029.
First discovered by William Herschel in 1786, NGC 1024 was included by Arp in his catalogue of peculiar galaxies as number 333, under the classification of Miscellaneous galaxies. Arp classified it as such because it had very thin spiral arms coming from a pseudo ring. As such it does have the very complex morphological classification of (R')SA(r)ab. NGC 1028 and NGC 1029 are very much fainter and were first discovered by Albert Marth using William Lassell's 48" reflector from Malta.
There are some issues over whether the group is physically related and it is included in the WBL catalogue as number 82. The WBL group only consists of these three galaxies. Just to show how confusing cataloguing groups of galaxies is, the NGC 1024 group is also included in the LGG catalogue as number 69. The LGG group also makes the group count as three galaxies, but in this case NGC 1024 and NGC 1029 make the cut and NGC 1028 is dropped from the group to be replaced by the elliptical galaxy NGC 990, which is over a degree away on the sky.
If you look at the redshifts of the galaxies then the redshift for NGC 1028 is more than twice that for NGC 1024 and NGC 1029, whilst that for NGC 990 is pretty much the same, as always showing that proximity on the sky is no substitute for proximity in space.
At the very least NGC 1024 is thought to form a physical pair with NGC 1029. NGC 1029 is classified as a lenticular galaxy whilst NGC 1028 appears to be a Sa spiral.
The NGC 1024 group is thought to be about 158 million light years away.
Visually NGC 1024 will be challenging in 20-cm but should be visible relatively easily in 37cm. The companions are going to be a challenge I think for 37cm and may require 50cm to see easily. The three NGC galaxies are a tight group and you may need to use medium to high power to cleanly separate them.
For masochists there is also a much fainter (16th magnitude) galaxy in the field known as LEDA 1385855. Steve Gottlieb suggests that even in his 17.5" both NGC 1028 and NGC 1029 are pretty faint.
There is a 7th magnitude star close by the group which will need to be kept outside the field in order to pick up the fainter members I would think.


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Home > Middle East News
Hamas Bars UN Senior Employee From Leaving Gaza
Head of World Health Organization's Gaza office prevented from leaving Strip, UN official says, after militants announce international organizations need Hamas-exit permit to go into Israel.
Fares Akram Feb 11, 2016 11:55 PM
The Erez border crossing between Israel and northern Gaza Strip.Reuters
Israel must rebuild Gaza, big-time
Ya'alon skeptical about Turkish reconciliation: 'Hamas' Istanbul command post must be closed'
UN human rights investigator accuses Israel of excessive force against Palestinians
AP - A United Nations official says the Islamic militant Hamas has prevented a senior employee of the international organization from leaving the Gaza Strip.
The official said Mahmoud Daher, the Palestinian head of the World Health Organization's Gaza office, was barred from leaving Thursday. The official spoke on condition of anonymity because he was not authorized to discuss the incident.
The official said Hamas announced two weeks ago that international organizations would need a Hamas-issued exit permit when leaving the territory into Israel. The organization had previously been exempt from acquiring the permit. The UN asked for a month to study the request.
The move appears to be an attempt by Hamas to exert its influence on the UN, which provides assistance to hundreds of thousands of impoverished Gazans.


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Rohingyas appeal UN Security Council to set them free from the ghettos
by Aung Aung May 8, 2018
by Aung Aung May 8, 2018 172 views
This is Aung MinGalar ghetto of Sittwe where there were 12000 Rohingya lived in 2012. Now, nearly 4000 remains in dire condition that reminded George Soros his childhood when he visited there. (Photo : Amnesty International)
Thousands of Rohingya who have been in the ghettos since 1990s were very eager to see the UNSC delegation while they visited to Arakan State. They would like to appeal the UNSC delegation to set them free from ghettos but unfortunately, they could not meet them. How long do we need to live in the ghettos? Why could no one solve our problems and save us from this genocidal ghetto? I heard five members in UNSC have veto power. They could solve World's problems. Why do they fail to solve ours? Nazir Husein from Badupa IDP camp said.
Myanmar's army chief, Senior General Min Aung Hlaing with help of States policy has planned to keep us in the ghettos until we all died of starvation and lack of medical access or leave the country. According to Min Aung Hlaing, "Rohingya refugees who return to Myanmar will be safe as long as they stay in the model villages. It means Myanmar prepares a new type of ghettos called model villages. Nazir continued.
Maulana Saeed from Thakkay Pyin ghetto of Sittwe described the situation worse than Nazis program of Holocaust. Issuing National Verification Cards for us, the government denies our citizenship and plans to keep us in the concentrations deprived livelihood, education, healthcare and social activities. We have only two options here; die lack of food and medical access or die in the sea by embarking on the boats for risky journey. Lack of education causes our moral dead. Saeed said.
The main purpose of the United Nations Security Council (UNSC) is to maintain international peace and security. The Veto power should be used to end Genocide, Crimes against Humanity, and ethnic cleaning. Rohingyas hope it would end Rohingya Genocide, refers all those who committed atrocities against Rohingyas to International Criminal Court and implement R2P to save Rohingya.
Myanmar refers Rohingyas as Bengali immigrants from Bangladesh to eliminate all Rohingya despite they have lived in Arakan since centuries. The term Bengali is used by the State as a genocidal strategy against Rohingya. The Rohingya community has been being persecuted in Myanmar for decades and they have lived in the ghettos with severe restrictions on movement and access to health services since 1990s.
More than 140,000 Rohingya whose homes were burnt down during the State back violence of 2012, still live in the concentration camps built for internally displaced people in Sittwe, Pauktaw, Myebon, Minbya, Kyaukpyu, Kyauktaw and Mrauk U. Thein Sein government staged the violence and gave it a name intercommunal violence" that killed hundreds of Rohingyas.
"Suu Kyi government has built some concentration camps which are worse than current IDP camps in Myebon. In current IDP camps, we can get rice provided by WFP but we are not sure we can get it in the new concentration camps or not. Newly built concentration Camps are only one kilometer far from the current camps. There is no hope to find food there. We don't want to go there but government has been forcing us to move. We demand our own places where we lived before 2012 violence. There were 12000 Rohingya in Myebon before the violence. Now only about 2000 remains in the camps. Ali Ahmed from Myebon IDP camp said.
Since Aug 25, 2017, some 750,000 Rohingya, mostly children and women, fled Myanmar when Myanmar forces launched a crackdown on the Rohingya community, according to the Amnesty International. At least 9,000 Rohingya were killed in Rakhine state from Aug 25 to Sept 24, according to Doctors Without Borders. The US and the UN termed the crackdown ethnic cleansing.
Myanmar and Bangladesh agreed to repatriate refugees but Rohingyas fear to return to their homes without guarantees of safety and basic rights such as freedom of movement. The UN has said conditions on the ground are not safe for the refugees in Bangladesh to return.
Myanmar attempts to eradicate Rohingya community by confiscating our lands and the identity. It has kept us in the ghetto-like situation since 1990. UN Security Council should call genocide to the States crimes against us. We demand to end genocidal operations and persecution of Myanmar Government.
Calling us Bengali it plans to eradicate the whole population of Rohingya keeping us in the ghettos or force us to leave the country. A Rohingya teacher from BuMay IDP camp appealed.
The UN has documented mass gang rapes, killings – including of infants and young children – brutal beatings, and disappearances committed by security personnel. Rohingya have been under persecution since 1965. While UN envoy has viewed the Rohingya issue a hallmarks of Genocide, ASEAN, has confined its involvement to humanitarian assistance. Denying their identity and keeping them in the severely restricted ghettos, Myanmar is forcing Rohingya to leave. ASEAN can be considered supporter of genociders.
Aung San Suu KyiGenocideGhettosMin Aung HlaingRohingyaUNSC
Tun Dr. Mahathir Mohamad should call for Myanmar again to be expelled from Asean
Ignoring China Stand for Myanmar's Rohingya Genocide resembles...
China must be held accountable for Rohingya Genocide
End Rohingya Genocide boycotting blood-stained products of China
Implementation of recommendations by the Kofi Annan-led Advisory...
World Leaders should insist China to end Rohingya...
Genocidal Persecuation and Human Rights violation against Rohingya
An Open Letter to the Buddhist World
Ignoring China Stand for Myanmar's Rohingya...
China must be held accountable for...
End Rohingya Genocide boycotting blood-stained products...


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Q: How to display a growing archive of audio files on a website? I'm working on a project (mainly for learning purposes). I have 200+ audio recordings (.mp3) that are currently stored on an Amazon S3 server. I am planning to create some more audio recordings. These are lecture recordings, so they each have a title and a description; some belong to series.
Anyway, I would like to display these recordings on a website. I would like them to show up by date, but I'd also want users to be able to search by name or filter by lecture series.
Being new to this, I just need direction for how to go about doing this. (I have learned the basics of HTML5, CSS, JS, and Python, but I know I have a lot more to learn. So it'd be great if the answers pointed me toward something within those.)
Do I...

*

*hardcode the pages? Creating series pages and a "View All" page?

*add the lecture information to a sql database and write a script to interact with it?

*something else?

As you can tell, I'm new to all of this, but if someone could point me towards a workable solution so I know what to study, I would appreciate it?

A: Try using http://listjs.com/ it looks like it does what you want in the front end in JS.
If you want to run the back end in python try looking at python-flask or at the django python project. They also support interacting with a database.
As 200 files isn't that large you could store them as xml but it is a good idea to use a database. Especially if you are keen to learn about these things.
There isn't really a right way to do something like this as there are so many.


A trade copier is simply a piece of software used to copy trades across multiple trading accounts. This is the most convenient and efficient way to manage more than one MetaTrader account simultaneously and open the same trades across multiple trading platforms. There are many types of account copiers available but since the MT4 platform is one of the most popular trading platforms the majority of trade copier software are built around the MetaTrader 4.
Do you have an Expert Advisor that can only be set to use a fixed lot size, but you want to have trades risking percentage of your available account equity?
Or maybe you are following a Forex signal provider who uses too small position size and won't allow you to increase it?
Local Trade Copier can add a missing risk management to your Forex trading robot or signals you follow. Obviously, it's always best to add this directly to the source but if that is not possible my trade copier can help you.
Are you a fund manager?
Have you ever tried to open the same trade in 2 or more accounts at the same time?
You need to have at least 2 people and as much as you rehearse your coordination and teamwork skills, you'll never be able to replicate the trades exactly the same way. Not to mention the chaos it would unleash if you try to do it on 10 different accounts.
What if I tell you that it is possible to execute the same trade on several MT4 accounts simultaneously without a team of traders and you can do it all by yourself in the comfort of your office or home by using this simple method?
In this video I explain how you can copy Forex positions from one MetaTrader 4 to another and have each currency pair trades risk different amount of client account capital.
For example I can have USDJPY copying trades with 0.13 lot size when GBPUSD copy the trades with 0.26 lot size, regardless the fact those trades are coming from the same master account.
With this MT4 Trade Copier all Forex traders can share their trades with family, friends or clients.
I have created this video to demonstrate the speed of my fast trade copier software. Local Trade Copier is an EA-based trade copier software, which means you need to run Server EA and Client EA at all times on each MT4 account you want to participate on copy trading process. Trade copying speed can be as fast as trade execution on your MT4 account.
Hi, it's Rimantas Petrauskas, Forex trader and programmer with 16 years of experience. In this video, I will explain how you can copy Forex trades from your MT4 Mobile App or any regular MT4 account to other MT4 accounts. And those could be your additional personal accounts, it could be your client's accounts, it could be your friend's account or your family member accounts. As long as you have access to them you can copy the trades to those accounts. Of course, if those accounts are not yours and they belong to someone else you will need the password to log in and actually a permission to copy the trades.


Good evening ladies and germs, and now I'd like to introduce you to my mummy.
I enjoyed them all, but "Frankenstein's Monster inquires about his Donors" was my favorite. I especially liked how the family kept performing after their children lost their limbs. And at one point, I couldn't help but picture the Black Knight from Monty Python having his limbs sliced off one by one, but continuing to fight. It's just a flesh wound! I could clearly visualize the daughter getting her leg chopped off and continuing to perform as if nothing happened…musta been a tight rope walker, hahaha!
Awwww, poor monster 🙁 I pictured the monster whining like a child all sad-like, looking down at his feet as he kicked the ground. Poor guy.
Fantastic photoshopping, I was blown away. And the voice you used to narrate the video is perfect.
Yay for Halloween! Squeeeee! So fun.
I'm really happy you liked the dark humor here. I kept wondering if I'd gone too far, that and I wasn't sure anyone would get the Aristocrats reference.
I know poor monster right? Who know Victor Frankenstein had a drinking problem.
I had way too much fun doing the Photoshopping that I had to got the extra mile and do a video too.
I love Halloween so much I just had to go all out with this one.
Thanks for writing and sharing this, again great setup and execution.
Thanks for reading and commenting. I'm happy a handful of people got the Aristocrats reference.


A ship trip is another symbol for the whole life of the dreaming if he works on the ship. His rank - he is a captain or an easy sailor - registers how far the dreaming believes to be able to determine even about his life. The state of the ship indicates how contented he is with his existence. Storms indicate dangers and difficulties. All details should be interpreted in this sense.
It dreamt one, he goes on the article of a tripod over the high sea. He was accused of political offences, was condemned and exiled on an island, - then the device, him dahintrug, was washed around all around by water and resembled the appearance after an island.
undertake: you venture too much.
make sea voyage: you will get to know foreign countries.


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> Support > Add-on Support > Video Add-ons > Release - Catch-Up TV & More
Release Catch-Up TV & More
wwark
Hi @barney63,
Thank you to using it !
I think it is not geoblocked but geoblocked depends of the country you are (need to be tested on your side).
Co-developer of Catch-up TV & More video add-on: GitHub catchuptvandmore, Website
Catch-Up TV & More - by sy6sy2 - 2017-02-14, 23:33
RE: Catch-Up TV & More - by mac1202 - 2017-02-24, 16:34
RE: Catch-Up TV & More - by sy6sy2 - 2017-02-24, 16:48
RE: Catch-Up TV & More - by Alyy - 2017-03-01, 22:40
RE: Catch-Up TV & More - by DarrenHill - 2017-03-04, 13:22
RE: Catch-Up TV & More - by codyxwx - 2017-03-16, 01:52
RE: Catch-Up TV & More - by Joanka - 2018-01-29, 00:40
RE: Catch-Up TV & More - by wwark - 2018-01-30, 18:58
RE: Catch-Up TV & More - by raptorz - 2018-11-05, 13:38
RE: Catch-Up TV & More - by eclectic_cornflakes - 2018-11-10, 21:00
RE: Catch-Up TV & More - by uyllii - 2018-11-30, 00:32
RE: Catch-Up TV & More - by samsonoff - 2018-12-14, 22:46
RE: Catch-Up TV & More - by SirLoinOfBeef - 2019-01-03, 07:26
RE: Catch-Up TV & More - by tjay260476 - 2019-01-03, 07:29
RE: Catch-Up TV & More - by FatGerman - 2019-01-31, 23:11
RE: Catch-Up TV & More - by Morphy99 - 2019-03-27, 02:39
RE: Catch-Up TV & More - by dongus - 2019-03-25, 10:35
RE: Catch-Up TV & More - by deps - 2019-03-30, 16:01
RE: Catch-Up TV & More - by badsheep - 2019-04-24, 15:59
RE: Catch-Up TV & More - by Cangeoboy - 2019-04-29, 23:22
RE: Catch-Up TV & More - by bluemoon4ever - 2019-05-03, 22:02
RE: Catch-Up TV & More - by barney63 - 2019-05-13, 19:30
RE: Catch-Up TV & More - by OTinley - 2019-05-13, 21:49
RE: Catch-Up TV & More - by mdshaman - 2019-06-26, 03:32
RE: Catch-Up TV & More - by murph7355 - 2019-08-10, 13:35
RE: Catch-Up TV & More - by berkhornet - 2019-08-14, 19:38
Catch-Up TV & More - by DarrenHill - 2019-08-17, 18:37
RE: Catch-Up TV & More - by Tilly4527 - 2019-08-19, 00:57
RE: Catch-Up TV & More - by fabrice1973 - 2019-11-24, 22:10
RE: Catch-Up TV & More - by championc - 2020-01-04, 01:21
Catch-Up TV & More51


Who is the bootcamp suitable for: Professional hairstylists looking for perfection and to add new skills in the most popular and in-demand bridal hairstyles.
What you can expect: Informative and very detailed demonstration of styling techniques, including a Q&A, as well as an optional HANDS-ON PRACTICAL DAY.
One of the UK's most loved bridal hairstylists – Kasia – is coming to Ireland to run this 2-day bootcamp in conjunction with Eternal Flair Hair and Beauty Salon.
It'll be crammed full of invaluable demos, tips, tricks and practicals on creating the most exquisite latest bridal hairstyles.
The K-Team's expert hairstylist Kasia will teach you how to confidently create the latest on-trend bridal hairstyles that your brides will adore and your Insta fans won't be able to get enough of.
Loved by hundreds of brides and renowned within the industry for immaculate red-carpet-inspired styling Kasia will demonstrate and guide you in how to create the most current and popular bridal styles.
She'll be sharing her own unique tips and answer all of your questions. She'll also show you how to capture your work beautifully on camera.
If you're a professional hairstylist looking to perfect your skills and achieve flawless bridal updos that are fashionable, flattering and timeless then you don't want to miss this fabulous opportunity that will be a game-changer.
Check out what other hairstylists have said about her training HERE.
Learn from one of the best in the business and increase your bridal bookings!
Understanding which hairstyles work best for different face shapes.
Put into practice what you learned in Day 1 under Kasia's watchful eye and guidance. Really get to grips with the hairstyles that will make a big difference to your repertoire.
Models will be provided for this session.
You can attend just Day 1 or both days – we believe you'll gain most benefit if you attend both. By the end you'll be able to confidently create the most stunning bridal hairstyles that your brides will adore.
This bootcamp will run from Sunday 2nd to Monday 3rd June, 2019 and will take place at the Eternal Flair Hair and Beauty Salon, Unit 2, Curragh Grange, Newbridge, Co. Kildare, Republic of Ireland.
Please CONTACT US to confirm your place and let us know which option you'd like to go for.


which does not quite match.
Samba will need to have an appropriate nss.h around.
sure Samba uses it. Think this could get done?
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One of the best advantages of living in an energy deregulated state is the number of options you have for receiving your electric utilities from renewable energy sources. Electricity providers in Ashburn understand how important finding renewable energy sources are, both to their customers and to the environment. Sadly, in states that don't have deregulated energy, there is less of a push towards renewable energy because there is no market competition driving electricity providers to find sustainable and affordable energy sources.
With over 2.3 million residents, Houston is the largest city in Texas and the fourth most populated in the United States. Encompassing over six hundred square miles, Houston stands as the fifth most popular metropolitan area in the country and gets its name from the commander who won Texas' independence from Mexico in 1836. The city lies in the southeastern portion of the state within a deregulated Electricity market and as such, allows residents to select an energy provider from the various service companies that serve the state.


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Verotika
Deadly Manor
Justin Bieber Roast Censored Before Airing
Paul Walker Jokes Crossed the Line
In the US its an established TV happening that polarizing personalities from the entertainment industry agree to be ridiculed in front of an audience by fellow entertainers. Through the years, the jabs have been increasingly mean and drastic, oftentimes aiming for the maximal shock effect. Career, private life or imaginary - none of the participants leave a Celebrity Roast unscathed.
In the past, such extravagant characters such as Pamela Anderson, Donald Trump, Charlie Sheen or James Franco (the latest victim) had to sit on the chair and now, the roast of Canadian singer Justin Bieber is ahead. Is has long been teased by Comedy Central and Bieber is most certainly an easy target for various verbal attacks. We'll all be wiser when the show is aired on March 30th, 2015. But we won't get to see all that has been said.
Comedian Jeff Ross has been a regular contributor to the format for many years and is well-known for his performances that feature both creativity and very hard punchlines. During the Bieber roast, Ross and another colleague made references to the death of actor Paul Walker who died in a car accident in 2014. Variety has two examples:
"'Move bitch, get out of the way!' is what Paul Walker should've told that tree," roast veteran Jeff Ross said during his set, referencing Ludacris' hit song "Move Bitch." "Too soon? Too fast? Too furious?"
"Just this past year, Justin got arrested for drag racing," said "Saturday Night Live" star and roaster Pete Davidson. "Unfortunately, it wasn't with Paul Walker. What? He's doing great! He's got a movie coming out!"
The audience didn't welcome these jokes and Walkers co-star Ludacris from the Fast & Furious franchise couldn't laugh, either. That's nothing new for Jeff Ross and he will most likely not lose any sleep on Comedy Central's decision to remove those passages. The TV station issued a statement saying:
"Roasts often push the limits of good taste and we give the participants full reign to try things knowing we have the edit to shape the show," said a Comedy Central rep in a statement. "Sometimes the line is discovered by crossing it. The Paul Walker references will not be in the telecast."
Release: Mar 21, 2015 - Author: Mike Lowrey - Translator: Mike Lowrey - Source: Variety