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Q: 2 problems when working with sprites on Unity3D I need to replace the sprite of a face down card for another sprite (of a face up card).
This is the C# script attached to the face down card:
using UnityEngine;
using System.Collections;

public class Entra : MonoBehaviour
{

    public float velocidadDeRotacion = 100.0f;
    public Sprite CartaBase;
    public Sprite CartaDelantera;

    private bool clickActivado = false;
    public void OnMouseDown()
    {
        clickActivado = true;
    }

    // Use this for initialization
    void Start ()
    {

    }

    // Update is called once per frame
    void Update ()
    {

        if (clickActivado)
        {
            transform.Rotate(Vector3.up * Time.deltaTime * velocidadDeRotacion);
            if (transform.eulerAngles.y >= 90)
            {
                SpriteRenderer Carta;
                Carta = GetComponent<SpriteRenderer>();
                if (Carta.sprite == CartaBase)
                {
                    Carta.sprite = CartaDelantera;
                    transform.Rotate(Vector3.up * Time.deltaTime * velocidadDeRotacion);
                    if (transform.eulerAngles.y >= 0 && transform.eulerAngles.y <=10)
                    {
                        transform.eulerAngles = new Vector3(0, 0, 0);
                        clickActivado = false;
                        return;
                    }

                }
                clickActivado = false;
                return;
            }

        }

    }
}

As you can see, I rotate the card when I click on it, when the angle reach 90º I stop the rotation and change the sprite, from CartaBase to CartaDelantera.
Right now I have two problems.

*

*When the sprite has an angle of 1º or more, the image breaks. I lose
the right half of the image from the center to the right border, and
I don't understand why.

*Using VS2013 as debugger, I make a step by step walkthrough and when
it reach

if (Carta.sprite == CartaBase)
it jumps stright to
clickActivado = false;

So, obviously it's not "seeing" the sprite used by the card. Why???
I'm using this script as reference for the change of sprites.

A: I solve the second problem. It was in front of me all the time.
As I said, I was using this code as example. What this awesome answer doesn't explain you is that once you compile the code, if you select the sprite back on hierchy you'll notice two variables available, corresponding to the one you declare back in the code.
My BIG mistake was not understanding the folowing, in the example @Savlon said: "// Drag your first sprite here" wich I literally understood as "drag your sprite to the VS". Yes, I know, I'm a huge dumbass, please don't say it...
What I needed to do was draging the sprites to THE INSPECTOR, back on Unity3D. More specifically, to the new variable available on the sprite.
I also solve the first problem by setting the camera as many units on the Z axis as wide was the sprite. The problem was that the camera was too damn close to the sprite, so when the sprite turns it was behind the camera and therefore that part of the sprite was not rendered. The original suggestion of @Nosekills point me to the right direction.
Thanks to @Nosekill and @hexagonius for the help supplied.

redpajama_set_name: RedPajamaStackExchange


The first thing to do is to check the current version of the Google Play with your device. It is important to have the latest version of the app in order to enjoy all facilities.The Google Play Store is the official app store to get access to millions and millions of applications that are categorized under various options like movies, music, sports, Television programs, books, etc. There is no dearth of the kind of apps that you would find in this official Play Store.
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I must say that there is no alternative for paying attention in class, writing down notes, studying at home, and doing a lot of independent practice using pencil and paper. However, there are times when a teacher or tutor is not available to help you solve a math problem. This can be frustrating at times. Well, don't worry. Mathway can be that extra "eye" to help double check your work. Mathway's math solver is an excellent tool to check your work for free. Just type in the math problem using its prescribed syntax and it will give you the correct answer.
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PhotoMath does just that, utilizing your smartphone's camera to quickly solve math problems. PhotoMath only works with printed text, so unfortunately it won't be solving your scribbles anytime soon; you'll need a printed sheet of paper or a textbook. You then position the math problem you want solved within the red frame and PhotoMath does the rest, crunching the numbers and popping out an answer.
The dirty fbi COINTELRO assaults on me reflect the global problem of fbi/cia intelligence operations.


As a pediatrician in Alamance County, I often meet hardworking parents who go without to provide for their children. Sometimes, this self-sacrifice includes their own health and well-being. For parents without health insurance, they live with the everyday risk that an otherwise preventable illness or treatable injury could lead to catastrophic consequences for their entire family. Sadly, this is a sobering reality for many families in our area.
In Alamance County, 12 percent of adults ages 18-65 do not have health insurance (Alamance County Health Department's State of the County Health Report 2017). These adults are unable to receive preventive health screens to detect cancers and other serious conditions, may have poorly managed chronic conditions such as diabetes, and could struggle with mental health conditions such as depression, for which effective treatments exist. Without access to care, parents are unable to live their best lives and instead live in fear of what may happen to their children if they themselves become sick or injured. Without a medical home, the care they do receive is compromised because they often have to rely on disconnected care through emergency departments and urgent care centers.
How does this affect their children? Studies have shown that when parents have access to healthcare, the health of their children improves (Georgetown University Health Policy Institute). Children whose parents have access to healthcare are much more likely to receive care and have healthier outcomes. Simply, children need healthy parents in order to thrive.
How can we, as a community, help these families? A positive step is to recognize and advocate for working parents and adults who currently fall through the cracks. I encourage you to contact our state representatives and let them know that you support closing the Medicaid gap by improving access to care for hardworking adults in our community.


SensiLab is a 500m2 research facility located at Monash University's Caulfield campus. The open plan work space of the lab is structured and punctuated by a series of objects containing acoustically isolated functions including an imaging studio, deep immersion cinema. These objects are clad in CNC cut enamel coated panels.
SensiLab was designed as part of a larger redevelopment of Monash's Art Design and Architecture faculty, undertaken in collaboration with NMBW architecture Studio.
Project Team: Roland Snooks (Design Director), Mel Iraheta, Sean Guy, Andres Rivera, Marc Gibson, Braden Scott.
Floe draws on the atmospheric effects of the Antarctic landscape to create a speculative architectural installation designed in response to a sound work by Philip Samartzis. The project explores the architectural implications of algorithmic design through robotic 3D fabrication. The translucent skin of the tower comprises seventy unique overlapping semi-clear polymer panels printed by robot.
The sound work was recorded by Samartzis in Antarctica. By recording and representing the many sounds of Antarctica's constantly shifting ice shelves, glaciers, icebergs and sea ice, Samartzis challenges the perception of Antarctica as an unchanging landscape, suspended in time and place.
Design Team: Roland Snooks (Design Director), Charlie Boman, Sean Guy, Austynn MacHado, Venkatesh Natarajan, Gabriele Mirra.
Structural Engineering: Bollinger+Grohmann (Sascha Bohnenberger).
Construction: RMIT University, School of Architecture and Urban Design Workshops (Lead by Kevin O'Connor) + RMIT Architectural Robotics Lab.
The project was generously supported by RMIT University School of Architecture and Design (Dean - Martyn Hook) and the National Gallery of Victoria.
SensiLab Studio is a robotically 3D printed polymer meeting room located at Monash University in Melbourne. This is a pioneering project in the application of 3D printed polymers to permanent building structures. The polymer panels have passed the relevant fire and building codes within Australia.
Project Team: Roland Snooks (Design Director), Sean Guy, Mel Iraheta, Marc Gibson, Andres Rivera, Austynn MacHado.
Research and fabrication of the 3D printed panels were undertaken by RMIT Architecture and the Architectural Robotics Lab.
The composite fibre installation compresses surface, structure and ornament into one intricate and irreducible assemblage. The complexity of the project is made possible through the development of robotic fabrication techniques including the extrusion of the fine-scale surface articulation. The surface gains its strength through the location of the articulation that operate as structural beams within the surface. This strategy enables the surface to remain only a few millimetres thick while spanning and cantilevering considerable distances.
Project Team: Roland Snooks (Design Director), Cam Newnham, Drew Busmire, Amaury Thomas, Pei She Lee.
Structural Engineering: Bollinger+Grohmann Engineers / Sascha Bohnenberger, Clemens Preisinger, Robert Vierlinger.
RMIT Fabrication Team: Wen Yap, Milou van Min, Franco Zagato, Farah Rozhan, Sebastian Nicht, Jack Mansfield-Hung, Chris Ferris, Jesse Thomas, Emily Cipriani, Scohldun Beaver, Yee Shuian Sang, Say Huang Tan, Tim Cameron, Simone Tchonova, Kei Jin Pook, Yuxi Cheng, Jonathan Kim, Pat Anglin, Matt Ellis, Vincent Lai, Edmund Olowo, Fahimeh Mosavari, Sanghan Gang, Lijun Loy, Stephen Annett, Tuyen Tran.
This sound studio consists of a recording room and control/listening room. The faceted form of the studio is clad in CNC milled acoustic foam. The pattern of which is generated through a reaction diffusion algorithm.
Project Team: Roland Snooks (Design Director), Marc Gibson, Braden Scott, Mel Iraheta, Sean Guy, Andres Rivera.
This Meeting Pavilion will be an intimate space for discussion and debate. Not a neutral space, but one that is rich in crafted detail. The exterior shell will be fabricated from fibre-composite materials creating a depth and subtle translucency, with the interior lined in quilted fabric.
Project Team: Roland Snooks (Design Director), Marc Gibson, Ashan Perera, Andres Rivera, Ben Verzijl.
This public art project is a dynamic, expressive symbol for the community of Boroondara. The intricate detail of this sculptural form acts as a foil to the solidity of the town hall and attempts to express and respond to the dynamic self-organising nature of contemporary society. The sculpture is a symbol of collective behaviour – a swarm or flock of small elements, from which a collective form emerges. This project offers an alternative civic symbol to the adjacent building – a bottom-up logic in opposition to the classical hierarchies of the historic town hall. A fine network of golden veins are embedded within the translucent skin of the form. This skin refracts light and glisten in the sunlight, casting an intricate pattern of shadows on the ground. The project is an expression of possibilities of the emerging technologies of robotic fabrication and large-scale 3D printing.
The Composite Swarm installation is an architectural prototype exploring the relationship of robotic fabrication, composite materials and algorithmic design. The complexity of the form and the excess of ornament make the prototype structurally efficient and minimize the amount of material used. The prototype is 2.5 meters tall, with a surface thickness of less than 1mm. A swarm algorithm based on the self-organizing behavior of ants was developed for the project to negotiate between and compresses surface, structure and ornament into a single irreducible form.
Project Team: Roland Snooks (Design Director), James Pazzi, Marc Gibson.
Fabrication Team: Roland Snooks, James Pazzi, Marc Gibson, Michael Ferreyra, Dave Smith, Benjamin Verzijl, Tess O'Meara, Matthew Lochert, Jack Dowling, Steph Lancuba, Kelvin Chai, Desameddin Mohamed, Anastasiya Vituseevych, I Kio Kung, Kendra Reid, Min Ji Lee, Mercedes Mambort, Patrick Anglin, Nil Corominas Faja, Nathan Demoel.
Composite Skeleton is a composite fibre prototype developed for the Talliin Architecture Biennale and exhibited in Estonia. The translucent skin of the prototype is 0.25mm thick and provides the shear strength of the project, while the black skeleton is 2mm thick.
This project was supported by: RMIT University School of Architecture and Design and the Tallinn Architecture Biennale. The prototype was designed by Kokkugia and fabricated by students within the RMIT studio 'Composite Pavilion' taught by Roland Snooks and Cam Newnham.
Project Team: Roland Snooks (Design Director), Cam Newnham, Yian Chen, James Hall, Zhao Fei, Shibo Du, Sebastian Nicht, Wentao Guo, Han Chen, Andre Cheung, Ziyu Meng, Elisa Perez Mosos, Bowen Nie, Jack Bakker.
Brass Swarm is an experimental prototype developed through self-organisational algorithmic design processes and robotic fabrication. The project explores spatial self-organisation, emergent tectonics and the relationship between robotic and algorithmic behavior.
A multi-agent algorithmic strategy for spatial self-organisation was developed, from which topological surfaces emerge. This manifold swarm strategy self-organises clouds of agents into coherent, continuous surfaces, and complex spatial division. These spatial agents simultaneously generate the intricate tectonics of the project. Each agent has a body that is capable of interacting and connecting to the bodies of the surrounding agents. The interaction of these agentBodies generates intricate ornamental and structural networks.
The Liverpool shopping centre facade achieves visual dynamism whilst safeguarding a geometrically rational concept. Working with an already established cylindrical building form, Rojkind Arquitectos engaged Robert Stuart-Smith and Roland Snooks to develop the facade geometry comprised of developable surfaces. A generative algorithm was written that enabled numerous iterations of the facade to be generated with inbuilt geometrical constraints that ensured the facade geometry would remain within a given range of complexity.
This bouldering wall for Monash University will be fabricated from GRC incorporating a complex pattern of climbing hand-holds.
Project Team: Roland Snooks (Design Director), Marc Gibson, Andres Rivera, Braden Scott.
Structural Engineering: Bollinger+Grohmann Engineers (Sascha Bohnenberger).
This single family house overlooks the Pacific Ocean from a steep site in Malibu. The main living area of the house is situated on the lower level which is defined by an ornate ceiling that reaches down to support the stair and stretch to become a chimney and exterior column. Robotic fabrication techniques are used in the construction of the kitchen's timber paneling and the formwork for the intricate ceiling.
Project Team: Roland Snooks (Design Director), Casey Rehm, Armin Senoner, Tommaso Casucci, Marc Gibson.
This speculative project reconsiders the monument as object, instead positing the formation of an immersive space of remembrance, a space that emerges from the landscape and is carved from within a somber stone monolith – an inverted monument. This project explores the emergence of a space, rich with intricate detail, reflecting the culmination of individual differences within a multitude. The project is structured by a series of contrasts, such as the intensive memorial space in opposition to the reflective exhibition space, or the smoothness of the stone facade in opposition to the intricacy of the bronze memorial.
This 3D printed installation was designed by Studio Roland Snooks as part of a collaboration with Elenberg Fraser for the design of the lobby of the Myriad Tower.
Project Team: Roland Snooks (Design Director), Sean Guy, Marc Gibson, Braden Scott.
This pavilion for the National Gallery of Victoria explores a complex systems approach to tectonics, where surface, structure and ornament emerge from the one system to create an intricate irreducible whole. The pavilion is defined by boulder-like volumes that delaminate or flake into surfaces and unravel at their edges creating a balance between mass and filigree. Fibre-reinforced polymer prototypes for the pavilion have been developed through direct deposition robotic fabrication techniques.
Project Team: Roland Snooks (Design Director), Marc Gibson, Matt Kohman, Susanna Brolhani, Venkatesh Natarajan.
This facade for a restaurant in Mexico City employs parametric variation to create a shifting play of light and shadow. Consulting to Rojkind Arquitectos, Roland Snooks and Robert Stuart-Smith developed the geometry for the two layers of diagrid through a custom computational approach.
The Laminar Bodies installation was exhibited at the Adam Gallery in Wellington in 2015. The project explores the translation of algorithmically generated complex geometry into surfaces fabricated from laser cut steel sheet. The complex curvature of the form is achieved through the lamination of relatively small sheet steel components that assemble to form the highly intricate computational geometry. This local flatness of the geometry limits the structural depth and necessitates creating structural strength through surface curvature. Consequently an algorithmic strategy was developed to generate surfaces with a high degree of curvature.
This project was supported by: RMIT University School of Architecture and Design, Victoria University of Wellington, and the Adam Art Gallery (Wellington). Laminar Bodies was commissioned and curated by Simon Twose.
Design Team: Roland Snooks (Design Director), Ashan Perera, Ben Verzijl, Andres Rivera.
Fabrication Team: Valentina Soana, Derek Kawiti, Judyta Cichocka, Mint Wallace, Daniel Crooks, Minh Nguyen.
The Future Is Here is a traveling exhibition developed by the Design Museum (London) which was hosted an co-curated in Melbourne at the RMIT Design Hub in 2014 - Studio Roland Snooks was engaged to develop the exhibition design. The exhibition explores notions of mass-customisation and the influence on design of emerging technologies such as 3D printing and robotic fabrication. The exhibition design leverages new fabrication techniques to enable the production of differentiation, non-repeating patterns and unique (mass-customised) forms.
Project Team: Roland Snooks (Design Director), Cam Newnham, Drew Busmire, Pei She Lee.
Fabrication Team: Wen Yap, Farah Rozhan, Milou van Min, Franco Zagato, Simone Tchonova, Jesse Thomas, Emily Cipriani, Scohldun Beaver, Yee Shuian Sang, Chris Ferris.
This pedestrian and cycling bridge over the Thames in London blends between the typologies of arch, truss and cable, creating an innovative structural model that opens up new possibilities for architectural expression. The bridge's hybrid structure does not apply specific elements to structural roles (such as cable, mast, arch etc), instead these various structural roles operate through a cloud of components – a fuzzy hybrid. This blurred condition masks the structural logic and instead focuses attention on the experience of this immersive space.
Project Team: Roland Snooks (Design Director), Cam Newnham, Marc Gibson, Drew Busmire, Ben Verzijl.
Engineering: Bollinger+Grohmann / Simon Ruppert (Director), Sascha Bohnenberger (Director), Rafael Pastrana, Tommaso Pagnacco.
This project responds to a brief for a national symbol for Kazakhstan to be built for the Astana Expo in 2017. The expo theme explores the post-fossil fuel energy paradigm. This nation monument visualises and generates wind energy through a field of metallic piezoelectric rods that sway in the wind. This horizontal turbulent cloud emerges from a field of hairs generated through a computational process that draws from the turbulent and laminar flow of fluids.
Project Team: Roland Snooks (Design Director), Michael Ferreyra, Armin Senoner, Zak Kljakovic, Marc Gibson, James Pazzi.
This shortlisted competition entry for the National Art Museum of China, explores the diffuse nature of form through the analogy of the cloud. The result is a formless form, in opposition to the monumental nature of the surrounding Beijing Olympic site. The primary galleries are housed in a series of interlocking concrete beams wrapped in the cloud skin. The resulting interstitial space operates as circulation and informal exhibition space for installations.
Project Team: Roland Snooks (Design Director) + Robert Stuart-Smith (Design Director) Nicholette Chan, J Fleet Hower, Xiaotian Huang, Dane Zeiler, Leonid Krykhtin, Edwin Liu, Josef Musil, Ekaterina Obedkova, Casey Rehm, Gilles Retsin, Sophia Tang.
The Full Blown ceiling installation is formed by a turbulent flow of petals. The installation is comprised of a steel skeleton which attaches to six hundred acrylic petals. The steel skeleton is formed through an agentBody algorithm which creates a complex and varied pattern through the self-organisation of the bodies. This pattern shifts in and out of focus as it is viewed through the translucent petals.
Project Team: Roland Snooks (Design Director), Drew Busmire, Cam Newnham, Ashan Perera, Andres Rivera, Ben Verzijl, Pei She Lee.
This project is for the design of an educational foundation that works with disadvantaged children. The brief called for a fitout of an existing warehouse to create non-institutional atmosphere in which the spaces are not discretely partitioned. The response to this provocation is a swarm of components that wrap, filter, and divide space to create a series of different teaching areas. This swarm is fabricated from EPS foam blocks that are carved with a hotwire by an industrial robot. The use of reprogrammable robots enable the components to intersect uniquely to produce highly affordable variation in space and formal expression.
Project Team: Roland Snooks (Design Director), James Pazzi, Amaury Thomas, Armin Senoner.
The single surface of this proposal for Flinders Street Station in Melbourne mediates between the city and river, wrapping to enclose program and opening to allow light to the station below.
Project Team: Roland Snooks (Design Director), Adrian Cortez, Farzin Lotfi-Jam, Fleet Hower.
This project for a thematic pavilion for the Yeosu 2012 Expo is the result of a collaboration between Roland Snooks and Tom Wiscombe, intended to capitalize on both shared sensibilities as well as individual expertise. It is an exploration of messy computation in the sense that the project is the result of moving in and out of the realms of model and algorithm. The project explores the use of advanced fibre composite surfaces in the construction of structure and skin.
This cast in situ concrete shell provides the structure, sun-shading, and a series of enclosed balconies within a fibrous bundle of strands. The project compresses the structural and tectonic hierarchies of contemporary tower design into a single shell whose articulation self-organizes in response to an often conflicting set of criteria. The shell alleviates the need for internal columns providing clear span office space, while the varied pattern of the shell creates distinctive characteristics for each space.
Project Team: Roland Snooks (Design Director), Robert Stuart-Smith (Design Director), Juan De Marco.
This project is the result of a collaboration between EMERGENT and KOKKUGIA, intended to capitalize on both shared sensibilities as well as individual expertise. It is an exploration of messy computation in the sense that the project is the result of moving in and out of the realms of designing and scripting. It represents a loose, open-ended way of working that biases effects over self-justifying processes.
This project attempts to dissolve the normative conditions of spatial enclosure to create a performance venue and public space of spectacle. The proposal engages generative techniques drawn from the geological and cultural context to generate a vibrant space of performance and social interaction. The flows of the 19th century water course of Keelung River provided the impetus for a process which erodes a monolithic base in the generation of a public space carved between the auditoriums. This incision creates a gradient of enclosure and public access weaving together public plaza and theater foyers.


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Q: table formatting dilemma
i always manage to stuff up tables. i want to make one like the top image but im getting the bottom image with:

can someone please correct my work. i know its lazy but ive already tried like 6 combinations and cant get the right one and its becoming very frustrating. is there some kind of free tool available to format tables to prevent me having this issue in future?

A:

Fiddle

A: You have invalid HTML. You cannot have
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Try this instead...


The Japanese Army established in 1919 the Tachiarai Air Base, located in Fukuoka Prefecture on Japan's southernmost main island of Kyushu. The Tachiarai Army Flight School opened in 1940 and trained many pilots who took part in kamikaze operations in the last year of the war (Miwa 1998, 3, 9-10). The Tachiarai Flight School had a branch school in Chiran (Kagoshima Prefecture), where many Army pilots departed to make suicide attacks on the American fleet near Okinawa. Operations at Tachiarai came to an end when American B-29s destroyed the base on March 27, 1945.
Mr. Muneshige Fuchigami opened the Tachiarai Peace Museum in 1987 and continues as the museum's director. He selected the former Tachiarai train station as the museum site because he wanted to preserve the place where families gave their final farewells to young men departing for the battlefront (Nishinippon Shimbun 2000). Since the museum's opening, numerous individuals have donated items about the air base and the personnel who were stationed there. The museum's goals, as stated in its brochure, are to preserve peace and to maintain repose of the souls of those who died during the war. The main exhibition room has an altar in one corner in remembrance of those who died.
The main exhibit room displays a few letters and other items of kamikaze pilots who died in battle. One case has photos of about 50 kamikaze pilots from Tachiarai Air Base and includes the following information on each pilot: name, unit, plane used, date of death, and air base of final sortie. Most pilots sortied from the Army air bases in Chiran, Bansei, and Miyakonojo in Kagoshima Prefecture, the southernmost prefecture of mainland Japan. The museum does not give any historical summary of the kamikaze operations but rather focuses on the stories of the pilots stationed at Tachiarai Air Base.
The only remaining Army Type 97 fighter plane in the world is displayed in the back room (see photo at left). The Army used this type of plane on many kamikaze missions, and the museum's plane has a replica bomb attached underneath like the one used in attacks. The plane was discovered in 1996 at the bottom of Hakata Bay next to Fukuoka City, and it has been on display at the museum since its restoration. This plane had crashed in 1945 into the bay in route from Manchuria to Chiran Air Base after an order had been received for it to be used in a kamikaze attack. The pilot survived the crash but later sortied from Chiran and died in a kamikaze attack using the same type of plane. In addition to the Type 97 fighter plane, the museum has mounted outside a T-33 training jet plane produced after the end of the war.
Besides photos, maps, and other articles related to the Tachiarai Air Base, the museum contains an immense variety of items related to Japanese military and civilian life during the war. One display case shows different medals awarded to soldiers who died in battle. Models and paintings of planes are spread throughout the museum, and several exhibits display military uniforms and other clothing. In places the museum resembles a packed antique shop, with such items as wartime money, matches, a clothespin, tires, radios, a ceramic pump, school desks, and even a tank used for a charcoal-burning car.
Going to the small town of Tachiarai takes over one hour by local train, with one transfer, from the main station in Fukuoka City. No information at the museum is in English. Admission costs 500 yen ($4.50), and the museum provides visitors with a small brochure that includes photos of several exhibits. The museum sells a book about the Tachiarai Air Base, which includes photos of the base and several articles by people in Tachiarai when the base was in operation and when it was bombed.
Miwa Town, Fukuoka Prefecture. 1998. Shougen: Tachiarai Hikoujou (Evidence: Tachiarai Air Base). Miwa Town: Miwa Town.
Nishinippon Shimbun. 2000. Tachiarai Heiwa Kinenkan (Tachiarai Peace Museum). August 9. <http://www.nishinippon.co.jp/media/news/0008/museum/18/18.html> (May 12, 2004), link no longer available.


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Occupy Wall Street and Tea Party: A View from Texas
At Scripps-Howard, Trish Choate reports that West Texas lawmakers and tea party activists say that they have little in common with Occupy Wall Street. Choate quotes a political scientist on similarities and differences between the tea party and Occupy Wall Street.
"Occupy Wall Street is capturing more of the general dissatisfaction and malaise within society," University of North Texas political science professor Kimi King said.
The Tea Party movement argues we need to change by shifting more to the right, King said. Occupy Wall Street argues we need to shift more to the left.
King sees some glaring differences and some similarities between the two groups.
"The Tea Party wants to change the election outcome for 2012," she said. "Occupy Wall Street wants to change society for the next decade."
It's questionable whether Occupy Wall Street's goals are the same across all of the groups in the United States, King said.
The Tea Party, however, focuses on a narrow range of issues, King said. Tea Partiers also have more history and experience, as well as more organization and money.
"They have been successful in gathering support from political candidates for their views," King said.
Occupy Wall Street seems to be suffering from being a relatively new phenomenon, she said.
Both movements are using the right of assembly and free-speech rights to raise awareness about their causes, King said.
"But the method that Occupy Wall Street is using will sooner or later become problematic unless you have identifiable goals because while you have free speech rights, no free speech right is absolute," she said.
Concerns about public order, sanitation, criminal behavior and the general health and welfare of individuals allow the government to impose limits, King said.
"That's not a free-speech issue," she said. "That is an issue of maintaining health and welfare."
Posted by Pitney at 6:10 PM
Labels: economic policy, government, Occupy Wall Street, political participation, political science, politics, tea party, Texas

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Khön Könchog Gyelpo (* 1034; † 1102) gilt aufgrund der Gründung des Klosters Sakya "Graue Erde" im Jahr 1073 als Gründer der Sakya-Tradition des tibetischen Buddhismus. Khön Könchog Gyelpo wurde posthum zum ersten Sakya Thridzin (Thronhalter der Sakya).

Sakya Thridzin
Geboren 1034
Gestorben 1102
Mann

redpajama_set_name: RedPajamaWikipedia


Identify any project deficiencies AND solutions.
Hawk Associates continuously seeks to improve the effectiveness of its client support and business operations. We routinely identify, adapt, and implement Process improvements, and ensure they are applied across the Team.


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Carson Kessler
New York University // Journalist // Texan
Our Town NY
Washington Square News
MLB Attendance Drops to Lowest Average in 15 Years | FORTUNE
by carsonkesslerPosted on June 15, 2018 February 7, 2019
Major League Baseball has taken a big hit this year — in league-wide attendance that is.
MLB attendance has dropped to its lowest average in 15 years, down 6.6% from this time last year and 8.6% overall, according to Stats LLC. The league could see its first season since 2003 with average attendance below 30,000.
While there are no statistics readily available on how much this drop is actually costing the league, a quick calculation — based on annual league-wide attendance rates, the 2,430 games played each season, and an average price of $76 per ticket — estimates a loss of nearly $355 million on ticket sales alone.
Normally, MLB attendance is pretty consistent, wavering no more than 1.9% in either direction. The sport hasn't experienced an attendance drop of more than 6.7% in a single season since 1995 following the player strike, which canceled the 1994 World Series.
While rain and unusually cold weather plagued the first half of the season and has been the cause of nearly 36 postponements to date, MLB commissioner Rob Manfred said that the league is "concerned that there's something to [low attendance rates] more than weather."
Sixty percent of the league has posted a worse attendance date already in 2018 than in all of 2017, with 10 teams dropping by 10 percent or more. (WTOP/Noah Frank)
Competitive balance, more strikeouts, and team rebuilds could all play a role in the dwindling attendance.
"We're hoping that we rebound here in the second half of the season," said Manfred at the conclusion of baseball's quarterly owners meetings Thursday. "We're having a great season in terms of races and competitive teams."
However, the gap between the winning and losing teams seems to keep growing, making the thrill of a competitive ballgame less likely.
According to the Wall Street Journal, there are currently six teams — the Baltimore Orioles, Kansas City Royals, Chicago White Sox, Cincinnati Reds, Miami Marlins and Texas Rangers — with winning percentages below .400, or the same number of sub-.400 teams there were from 2014 through 2017 combined.
Historically speaking, there have never been more than five teams to finish below .400 in a single season. On the other hand, the New York Yankees, Boston Red Sox, Houston Astros, and Mariners are having their best seasonsyet, all on pace to reach a major-league record and win 100 games.
The predictable victors have led to an increasing number of roster breakdowns and full-fledged team rebuilds by the struggling organizations. But, while infusing the star power of Eric Hosmer to the last-place San Diego Padres slightly bumped up local attendance rates, significant trades — such as the loss of Gerrit Cole and Andrew McCutchen — negatively impacted attendance rates at Pittsburgh's PNC Park, down 29.2% since last year.
In his news conference Thursday, Manfred reported that the MLB is considering ways to produce a more "fan-friendly" schedule in 2019, which could feature two-game weekend series between rivals, among other changes.
Source: FORTUNE
Posted in FortuneTagged attendance, average, baseball, games, mlb
Published by carsonkessler
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A mass shooting on Wednesday night left at least 12 people dead at a nightclub in California called Borderline Bar & Grill.
People were on the dance floor "Line dancing" when the gunfire started. " The suspect named Ian David Long shot a security guard outside the bar, then entered the building and began shooting people inside the crowded bar, according to Ventura County Sheriff Geoff Dean.
Multiple students from Pepperdine University, a college in Malibu California close to the nightclub were at the Borderline Bar & Grill when the gunman opened fire.
Florida high school shooter, 19 year old Nikolas Cruz (also a former student of the school) walked into a store within his area and bought an AR-15 semi-automatic rifle he allegedly used it to perpetrate the shooting that left at least 17 dead and 14 injured.
Stephen Paddock the Las Vegas shooter who killed almost 54 people bought 33 assault rifles within 12 months.
We like guns because they are the tools of free men. Citizens hold weapons, subjects are disarmed.
OK so a good number of Americans came to their senses and supported background checks also preventing criminals from getting guns, but the NRA make billions of dollars selling guns.
With this money, they invest heavily in politics, most Senators and congressmen receive donations from the NRA, but that's not all , As a politician, if you speak against the NRA they would invest millions of dollars to jeopardize and stop your re-election.
Rather than control guns, Americans are buying more guns, arming teachers, churches and constantly performing drills on what to do in the case that there is an active shooter.
It's a paradox that the most powerful country on earth cannot solve a problem with an obvious solution- gun control laws!


Are you a nerd looking for a good read? This is a quick post about the reading I've been lucky enough to squeeze in this summer, maybe your nerdy side will enjoy some of it too.
It's been a great summer of family time at home, trips to see friends and family afar, outdoor activity, research, writing, teaching – and – having a little bit of extra time each week to read purely for the sake of pleasure!
Highly recommended for nerds in need of transitioning to a less busy period or for de-stressing. This was a perfect transition book for finishing the spring semester and moving into summer. The authors, Tom and Dan, try to summarize LOTS of major philosophical writings via jokes. It's well written, light in tone, and very funny. Yet, at the same time, it's very informative, full of fancy terms and famous names, and makes you feel as though you're reading something productive.
Highly recommended for nerds in need of inspiration. This is the story of a neuroanatomist (Jill Bolte Taylor) who had a stroke and essentially re-learned how to engage with the world. She describes the physical, cognitive, emotional, and spiritual changes her crisis led her through beautifully. You'll also get lots of great facts about brain physiology and function along the way.
Highly recommended for nerds who like to read angry writing. I read this because it appeared as a reference in the footnotes of Diane Ravitch's The Death and Life of the Great American School System. It's a "spirited" discussion by Susan Jacoby of what it means to be an intellectual and how the world is becoming less and less inclined towards supporting intellectual development. I doubt anyone would agree with all of the points in this book (except the author I guess) – but – I bet everyone would find at least something that's thought-provoking.
Highly recommended for music nerds who want an intro into hip-hop and are curious as to what Prince is like when he goes roller skating. This was my second favorite book this summer. It's written by Questlove from The Roots and features discussions and reflections on his own development as an artist, the history of hip-hop, the history of The Roots, commercialism in pop music, cultural dimensions of music making, etc. It also includes neat anecdotes about famous people from Questlove's perspective – which is, to me, unique and brilliant.
For all nerds. It's Star Wars, there's the Force, light-sabers, Jedi, Sith, space ships – no other explanation is necessary.
Highly recommended for nerds who like data. This was my favorite read this summer. The author, Nate Silver, writes about statistical modeling with passion and intrigue – and how often can that be said? It deals with a wide range of topics: sports, weather predictions, natural disasters, election results, gambling, etc. and offers an easy introduction to the notion of Bayesian probability. Above all, it teaches some really great lessons regarding certainty/uncertainty in human reasoning and how statistical modeling can help us test our own assumptions about the world.
Highly recommended for nerds who also want the option of looking at pictures when reading a book, albeit very nerdy pictures. This is a book of data visualizations compiled by Katy Börner, a professor of information science here at IU. It contains some amazingly compelling pictures of innovative maps, graphs, and figures that depict immense amounts of information from incredibly large data sets. Rather than try to describe it further go see some of the "maps" here. This would also make for a beautiful coffee table book and it's insanely cheap to buy online when considering the oversized nature of the book and the high quality images. It will impress people that like beautiful things as well as your geekiest friends.


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In the past 30 years in some western countries, mortality from cardiovascular diseases decreased, while in developing countries, was observed a substantial growth. In the coming decades, premature morbidity and mortality from cardiovascular disease will double, and 80% of victims will be in the developing countries.
With the exception of some countries in the South Sahara, all regions of the globe shows a marked increase in mortality from myocardial infarction. Between 1990 and 2000 the rate of MIs, in the countries that have belonged to the socialist camp, increased by 32% in men and by 18% women.
During the same period, in China increased by 21% in men and by 9% in women; and in other asian countries, the frequency of myocardial infarcts increased by 21% in men and 15% in women.
thirdly, a special susceptibility of the concerned populations.
It seems that lifestyle changes have a leading role, and they could be influenced the most easily. It is about alimentation, physical activity and tobacco.
The globalization of trade and food productions allowed the access to cheap oils and fats, increasing the consumption of food rich in energy but low in fiber and in micronutrients.
Another feature of nutritional change is the transition from vegetable protein to animal protein, the marking growth consumption of refined glucides, sweets and white flour, with the inevitable consequence of obesity. These changes are now taking place even within the low income populations, and are accelerated by urbanization.
Studies carried in Brazil, between 1974 and 1989 shows the growth obesity frequency, from 21% to 33%. In China, in urban centers the fat consumption exceeds 30% of total energy intake, while in rural areas it is between 14 and 19%. Also in China, in urban centers, sedentary activities predominate, and among the population with medium and high income, obesity is often meet.
Unfortunately, in all developing countries also increases the tobacco consumption, while in most western countries the trend is reverse.
In India, mortality from tobacco, which in 1990 was 1%, in 2020 will reach 13%. In the countries that used to belong to communist camp, the mortality directly produced by tobacco will increase from 14% to 23%. In 2025, in China, only tobacco will produce, per year, over 2 million deaths.
The undeniable progress made by medical science have given to many a false feeling of safety, meaning that most health issues are resolved with medication and using sophisticated medical equipment. So maybe the only thing I have to do it's to take care of a comprehensive medical insurance, and in the rest I can live peacefully, as parents and grandparents lived.
A recent study showed that 71% of European population believe that their alimentation is absolutely healthy and that there is no need of change in the diet and life style. This satisfaction, in terms of how diet, is not shared by nutritionists who, with great effort, but small results, are trying to change the eating habits of the population.
Most willing to improve the diet are finns – 46% of the population recognize the need for change, nd this is not without any reason. The high consumption of dairy products, meat and coffee, along with smoking, made Finland to be one of the countries with the most cases of myocardial infarction. it seems that Finns begin to understand the need for change.
Most convinced that everything they do is good are italians: 83% of them consider that there is no need for any change and that "la dolce vita" can follow the normal course. It seems that latins, necessarily have to teach their own experience, which sometimes it costs a lot!
The reality is that, of the eight main causes of mortality in the developed countries, excess weight is involved in at least four of causes: coronary heart disease, cancer, stroke and diabetes.
Studying the factors that regulates food intake, nutritionists have found that the energy density, ie calorie content, represents a very important factor.


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Let the memory of Rusty be with us foreve.
Born on January 5, 1960 in West Point, Mississippi, United States.
Passed away on November 22, 2005 in Louisville, Mississippi, United States.
This memorial website was created in memory of our loved one, Rusty Pate, 45, born on January 5, 1960 and passed away on November 22, 2005. We will remember him forever.


text:
return function(dt)

  -- Nettoyage des variables de déboguage
  core.debug.debugVars = {}

  -- Mise à jour de la state
  core.stateHandler.current:update(dt)

end

redpajama_set_name: RedPajamaGithub


text:
How soon or how long after a death must burial take place?
There is no law that states a specific time from for burial. Considerations that will affect timeline include the need to secure all permits and authorizations, notification of family and friends, preparation of cemetery site, and religious considerations. Public heath laws may have limitations on the maximum length of time allowed to pass prior to final disposition. Contact your local funeral provider for more details.
Does a body have to be embalmed before it is buried?
No. Embalming is a choice that depends on factors such as whether there will be an open casket viewing of the body or if there will be an extended time between death and internment. Public health laws may require embalming if the body is going to be transported by air or rail. CLICK HERE for more details about embalming.
What does the mortician need to prepare the body?
If you are going to have a viewing, the mortician will likely want a recent photograph to use as a reference to ensure that your loved one looks as natural as possible. They may suggest that you purchase a new outfit, but that is seldom necessary; if the deceased's favorite outfit is a size too small or too big, take it to the mortician anyway. Part of the job is making the clothes lie perfectly.
Why is having a place to visit so important?
To remember and to be remembered are natural human needs. A permanent memorial in a cemetery provides a focal point for remembrance and memorializing the deceased. Throughout human history, memorialization of the dead has been a key component of almost every culture. Remembrance practices serve an important emotional function for survivors by helping them bring closure and allowing the healing process to begin. Providing a permanent resting place for the deceased is a dignified treatment for a loved one's mortal remains, which fulfills the natural human desire for memorialization.
In a hundred years will this cemetery still be there?
We think of cemetery lands as being in perpetuity. Cemeteries throughout the world have been in existence for hundreds of years.
What happens when a cemetery runs out of land?
When a cemetery runs out of land, it will continue to operate and serve the community. Most cemeteries have crematoriums, and some historic cemeteries even offer guided tours.
What options are available besides ground burial?
Besides ground burial, some cemeteries offer interment in lawn crypts or entombment in mausoleums. In addition, most cemeteries provide choices for those who have selected cremation. These often include placement of cremated remains in a niche of a columbarium or interment in an urn space.
What are burial vaults and grave liners?
These are the outside containers into which the casket is placed. Burial vaults are designed to protect the casket and may be made of a variety or combination of materials including concrete, stainless steel, galvanized steel, copper, bronze, plastic or fiberglass. A grave liner is a lightweight version of a vault which simply keeps the grave surface from sinking in.
Must I purchase a burial vault?
Most large, active cemeteries have regulations that require the use of a basic grave liner for maintenance and safety purposes. Either a grave liner or a burial vault will satisfy these requirements. Some smaller rural or churchyard cemeteries do not require a vault or liner.
What is opening/closing the grave and why is it so expensive?
Opening and closing fees can include up to 50 separate services provided by the cemetery. Typically, the opening and closing fees include administration and permanent record keeping (determining ownership, obtaining permission, completing other required documentation, entering the particulars in the interment register, maintaining all legal files); physically opening and closing the grave (locating the grave, laying out the boundaries, excavating, and filling it in after the burial); installing and removing the lowering device; placing and removing temporary artificial grass / matting at the grave site; leveling, tamping, re-grading and sodding the site; and leveling and re-sodding the grave if the earth settles.
Can we dig our own grave to avoid the charge for opening and closing?
Due to safety issues that arise around the use of machinery on cemetery property and the protection of other gravesites, the actual opening and closing of the grave is conducted by cemetery grounds personnel only.


Dassault Systèmes is the world leader in 3D design & engineering software from France, and the company is always looking for new product ideas and ways that can improve medical care. Recently, the firm launched its 3DEXPERIENCE Lab initiative, which is an accelerator program for startups across the world that are looking for help with technologies and expertise for their product development.
The 3DEXPERIENCE Lab is particularly focused on startups that work in one of six different categories: City, Life, Lifestyle, Internet of Thing, Ideation and Fablab. The startups, based on their particular needs, will get different sorts of assistance from the company, including technical skill development, mentoring, access to various technologies, materials, and applications, as well as related intellectual expertise. Not only is Dassault Systèmes is willing to share knowledge on how to get a product into the market place, but the company is also eager to help launch products through its worldwide distribution system.


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Digital Millennium Copyright Act Study
On October 28, 1998, H.R. 2281, the Digital Millennium Copyright Act ("DMCA"), was enacted into law.� Section 104 of the DMCA directs the Register of Copyrights and the Assistant Secretary of Commerce for Communications and Information to prepare a report for the Congress examining the effects of the amendments made by title 1 of the Digital Millennium Copyright Act, ("DMCA") and the development of electronic commerce on the operation of sections 109 and 117 of title 17, United States Code, and the relationship between existing and emerging technology and the operation of such sections.
Volume 1 (DMCA Section 104 Report) (size 833k)
Volume 2 (Public Comments) (size 1.7mb)
Volume 3 (Public Hearing) (size 1mb)
Public Hearing, November 29, 2000
Summaries of Testimony, Prepared Statements, and Transcript of Hearing
Reply Comments
Notice of Public Hearing, 65 FR 63626 (Oct. 24, 2000) (version: PDF, Text )
Federal Register Notice 65 FR 35673 (June 5, 2000) (version: PDF, Text )
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Black Beauty Matters
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weddings May 2, 2019
Celebrities Keep Having 'Secret' Weekday Weddings
By Hannah Gold
Joe Jonas and Sophie Turner. Photo: Dia Dipasupil/Getty Images
Lately, a lot of high-profile celebrity nuptials have been getting classified as "secret."
Although it didn't work out in the end, actor Michelle Williams marriage to musician Phil Elverum was celebrated with a secret ceremony in the Adirondacks in July; the press didn't find it out about until Williams told Vanity Fair. Only a few months later, Gwyneth Paltrow, whose PR prowess launched a thousand beauty routines, announced she and Brad Falchuk had clandestinely wed in the Hamptons (details were later posted to Goop's website).
This week brought us a new level of low-key chic with two famous couples marrying not just privately, but on weekdays.
On Tuesday, The Sun reported that Jude Law married Phillipa Coan at the Old Marylebone Town Hall in London. The bride wore white, and I'm sorry to say that the groom wore a fedora that matched his corduroy blazer.
Then on Wednesday night, after the Billboard Music Awards had been put to bed, Joe Jonas and Sophie Turner got married in a Vegas ceremony officiated by an Elvis impersonator. According to reports, the main reason we are hearing about this at all is because Diplo documented the event on Instagram. Several other celebrities, many fresh from the awards ceremony, were also in attendance. The couple reportedly exchanged ring pops in lieu of inedible jewelry.
Diplo really streamed while Joe and Sophie were getting married I- pic.twitter.com/jsW9LVGAD6
— Jonas Brothers News (@jbrosnews) May 2, 2019
The thing about "secret" celebrity weddings is that, more often than not, they are just normal weddings that the media does not know about beforehand. Granted, famous couples probably have to go through some pains to keep the milestones in their hyper-publicized lives on the down-low, but I maintain it is not correct to call parties you're not invited to "secrets."
As for the weekday phenomenon, I can see the appeal, given that labor rarely conforms to a 9-to-5 Monday through Friday pattern anymore. Celebrities fall along the extremes of this spectrum, working all the time, none of the time, or whenever Game of Thrones shoots. And besides, they're already out for the red carpets.
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I recently went to a Business Plan competition being held by Chattanooga's Enterprise Center's Technology Transfer department. Among the competitors, there was a woman who was pitching a software that would hope to integrate all the city's different services, so that policy decisions could be based on real life data. Chattanooga is the country's only Gig city, where the whole city has been connected through fiber optics to give every home a 1 Gbps potential connection. Her idea was a brilliant idea, but a similar idea to saying, "I want to achieve the end of World hunger."
Nonetheless, an a much smaller scale, one should be looking for ways to bring data into a business in order to achieve data-driven decisions. I read this article on the 10 New Google Analytics Features You Need to Start Using. I discovered Google Analytics probably about 8 years ago, when we built a new website for Portantorchas, the Bible School I was directing in Costa Rica. I was amazed at the time that Google (known then mostly for their search mechanism) would offer me so much information about the visitors to my website for free. Since then, I have become an Analytics addict. I add Google Analytics to every website, every blog, every newsletter, every ad. I love the level of detail in Analytics that I receive and when evaluating that data right, I can make decision at a very micro level about how I should be marketing. Where are my visitors coming from? How many people went to the website after I added a blog post? What medium are the visitors using to read the website? How long did they stay? What pages did they look at? What did they have for dinner, prior to visiting my website?
Well, maybe that last one is still a level of detail that Google hasn't posted online.
Google is not alone offering analytical information. If you sign up for a email marketing company, you can probably receive significant analytical information. My own brother has started a business called AudiencePoint to draw analytic information to time-target marketing campaigns across multiple platforms. A pretty creative use of analytics.


Microdermabrasion is a gentle and successful procedure for fine lines, sun spots, acne, rough patches and uneven tone. This painless treatment gently exfoliates the dead layer of the epidermis, while building collagen with no recovery time. Microdermabrasion can be done on the face, neck and chest. It can also be beneficial for the treatment of the red bumps most commonly found on the back of the arms or legs. Even without a specific issue to treat, Microdermabrasion is an important part of any healthy skin regimen.
It is standard to perform microdermabrasion with little skin preparation and finish with an SPF, however We go above and beyond with our microdermabrasion. We add a special touch by prepping the skin with a deep cleanse steam, followed by microdermabrasion, extractions, corrective serums, and a moisturizer with SPF. Multiple sessions are recommended, depending on issues being addressed and desired results.


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Home Startups
SEACOM Starts Network Upgrade Using Juniper & Cisco Technology
by Sam Wakoba
in Startups
This VC firm is Calling for Changes to Cut-and-paste VC Strategy In Africa
Tizeti rolls out high-speed 4G LTE in Edo with N4000/month broadband service
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PRESS RELEASE: SEACOM has said today that it has chosen Juniper and Cisco to provide their latest technology for a complete upgrade of the SEACOM global IP & MPLS network.
The network equipment upgrade is all part of SEACOM's continuing commitment to provide its customers with the latest services and capabilities as part of a resilient, high quality network platform. Coupled with investments in diverse backbone network elements, this enables SEACOM's customers to offer faster and more reliable Internet services to African and global businesses and consumers.
The deployment of the new service platform will enable SEACOM to provide a wider range of Ethernet-driven products and services to network operators and service providers. It will also give SEACOM the ability to accelerate the adoption and integration of IPv6 for its customers, in a world where global IPv4 addresses have run out. The new network will also allow SEACOM to leverage its strong Ethernet offering, to further enhance its award-winning Remote Peering service across Africa, Europe, the Asia Pacific and North America.
Mark Tinka, Head of Engineering at SEACOM says, "The combination of Juniper and Cisco offers us the right set of technologies to create Africa's most advanced and progressive IP/MPLS network. These two vendors meet our strict technical requirements as well as our expectations for affordable cost-per-port and cost per-bit metrics. And most importantly, this new infrastructure is 100% Ethernet-focused, which will be great for our customers in having the confidence and flexibility to very easily deploy, scale and grow their networks and services."
READ How Kola Bilewu is building Cotenant.com.ng to be Africa's biggest apartment sharing platform
Tinka continues to say that "the new network will further offer us improved levels of operational efficiency and scalability, easing administration and providing a growth path for the future. We will easily be able to scale our IP/MPLS network up to Terabits of capacity and more, giving us plenty of headroom for growth."
SEACOM will be supporting and promoting Ethernet as the connectivity option of choice for African and global service providers and operators. With SEACOM's backbone, customers will be able to gain access to Gigabit, 10-Gigabit and 100-Gigabit Ethernet ports at affordable prices, with the ability to dynamically enjoy more bandwidth on demand when they need it.
In addition, the new network will extend the availability of native IPv6 services to all customers, as well as provide translated IPv6-to-IPv4 services for customers who cannot secure additional IPv4 addresses from AFRINIC, says Tinka. "Our new network will offer substantial advantages to anyone looking to do business on carrier-class Ethernet, IP and MPLS infrastructure between Africa and the rest of the world. These new investments will allow us to offer higher-quality services to our customers, so that they, in turn, can provide high quality services to their users within and outside Africa."
SOURCE: SEACOM
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Home Cricket Pak v Aus Two run-outs, two different reactions
Pak v Aus
Two run-outs, two different reactions
"In reserving different modes of response to different sides, a disparity has seemed to crop up against the Asian sides, where they will either be ridiculed or judged, whilst the SENA countries are often let off with milder reactions or punishments"
October 18, 2018: The cricketing world could not have been blamed for laughing out loud at a comical run-out that saw Pakistan's Azhar Ali walk back to the pavilion in bizarre circumstances. In the 53rd over of the third innings of the second Test between Pakistan and Australia at Abu Dhabi, comeback man Peter Siddle's delivery was smacked away towards gully by Ali. Assuming that the ball had crossed the ropes, the two batsmen out in the middle, Ali and Asad Shafiq, converged for a mid-pitch conversation without watching the ball.
However, the ball had stopped just a few inches short of the ropes and Mitchell Starc did well to retrieve it and throw it to the striker's end to send back a confused Ali, who was filled with regret at the incidents that had panned out. Commenting that the incident left him "lost for words", the player soon became the butt of online trolls, who could not help but chuckle at the lack of seriousness with which the player was batting.
https://twitter.com/faisalyorker2/status/1052822370958733312
For ages, the Pakistan Cricket Team has been ridiculed, from incidents raging to their inept English skills, the unpredictability that sees them throw away matches when they should have easily had them in the bag and their fielding standards, with Inzamam-ul-Haq leading the pack due to his healthy appearance.
July 31, 2011: The Indian team was booed and made to feel like a team that was playing against the spirit of the game during their tour to England seven years ago. In the last ball before tea at Trent Bridge, Eoin Morgan flicked a delivery towards the boundary and the pair of Ian Bell and Morgan completed three runs before the former assumed the ball had gone over the boundary. However, Praveen Kumar was uncertain of the fact and he threw the ball back to MS Dhoni's gloves, who, upon seeing that Bell had not yet grounded his bat, flicked off the bails. A run-out appeal was lodged, much to the amusement of Bell, who had already started walking back to the pavilion despite Morgan's cries of asking him to ground the bat.
[fve] https://www.youtube.com/watch?v=nBgUBuuysHo [/fve]
For Bell to be run-out, the ball should have not have crossed the ropes, and this is exactly what panned out. Legally, the former player was dismissed, and his nonchalant walk to the pavilion before tea had been officially called by the umpires or before the ball had been declared dead, brought upon criticism from all quarters.
But surprisingly, the spectators booed, calling out the Indians for playing against the spirit of cricket, when indeed it was Bell who had transgressed the lines. He called the four himself, without an official signal, he assumed tea had been called and he walked away from the pitch when no final decision over the boundary had been taken, and instead dissented when he was given out. A legal run-out. Yet, the Indians were called out for running him out; with Bell escaping any harsh judgement.
The difference in reactions is befuddling
Both the above mentioned incidents, arose out of the batsman's naive error in judgement (Bell later admitted that he, in fact, had been very naive). Both players assumed that a boundary had been scored off, and hence the ball was dead. Admittedly, they were at fault and such an incident should only be chastised in international cricket.
But, while Bell was seen as the victim in the scenario, Ali was laughed at, with his dismissal being termed as one of the most comical run-outs in the history of the game. Though Bell was later reinstated, and his dismissal overturned by the Indian camp due to the persistent boos all around, one is just forced to ask if Australia would have ever done such a thing?
While it is true that in Bell's case, even the fielder was unsure of the boundary, while the ball most definitely stopped within in Ali's case, the lapse of assumption cannot be overlooked in either. Firstly, there was no reason for the English fans to appeal then as he had rightly been dismissed, and if he was, then why wasn't the Aussie side booed in a similar manner on Day 3 of the Test match?
Is it because of the Pakistan team being an easy laughing stock, that started with Inzy being called "aaloo" or potato or the memes that were shared or which mocked skipper Sarfraz Khan's spoken skills in English after guiding the side to the Champions Trophy last year? Or is it a larger picture, where media and fans alike reserve different reactions for different teams?
Commentator Sunil Gavaskar has been forthright in stating that match referees are often tougher to the Asian sides, often ignoring the other nations even when the excessively appeal or show dissent. The incident that comes to mind is of Michael Slater and Rahul Dravid in 2001, when the former used abusive language against the Wall after a catch against the Indian was turned down. Described by Peter Roebuck as "Slater's moment of madness", the Aussie walked up to the umpire S Venkatraghavan and argued with him over the decision.
Surprisingly, he was let off with a warning.
In reserving different modes of response to different sides, a disparity has seemed to crop up against the Asian sides, where they will either be ridiculed or judged, whilst the SENA countries are often let off with milder reactions or punishments.
Azhar Ali run out
Pakistan v Australia 2018
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Aside from the return of warmer weather and seeing those first beautiful green shoots poking out of your long-dormant garden, one of the sweetest things about spring is celebrating the season with a fun and fabulous Easter egg hunt.
We've compiled some great tips and suggestions from epicurious.com for making this year's hunt your most wonderfully egg-citing ever!
Before you even start hiding eggs, count how many you have so you'll know when they've all been found.
Keep your audience in mind. Toddlers will need to have the eggs clearly visible and children between three and six will need eggs hidden in fairly obvious places, but children older than six will enjoy the challenge of harder-to-find eggs.
If you're worried about making things fair for a group of children, assign a color to each child and tell them to only pick up eggs that are their assigned color. You could also label each egg with the name of a child if that's easier. Not only does this method ensure that every child will eventually find the same number of eggs, it also makes the hunt more challenging.
Older children might enjoy math-based hunts. Give each egg color a value and have the children count up their score at the end of the hunt. The winner could receive an extra bonus gift.
Make it a true treasure hunt by creating a map of your house or yard featuring clues that will help kids find the eggs' hiding spots.
Feature time challenges throughout the duration of the hunt to make it more exciting. For example, have everyone search for two minutes and then return with whatever eggs they've found. Whoever has found the most eggs during that round wins a small prize. Carry on in this manner until all the eggs have been discovered.
Hide one or two "golden eggs" to make the hunt even more exciting. Those special eggs could be turned in for a larger prize, like a big chocolate bunny, a gift certificate from a favorite store or another sweet treat.
As for what kind of eggs to hide, there are a few possibilities. Chocolate eggs wrapped in foil are fun because they become the "prize" at the end of the hunt. But edible eggs are probably best for indoor hunts (less chance of them melting in the sun or being scooped up by animals). Just remember to be careful if you have pets in the house because chocolate is toxic to cats and dogs who might mistake hidden eggs for treats. Plastic eggs are great for hunts that involve trading in your collected eggs for a prize, and plastic eggs that double as small containers can have prizes right inside—smaller chocolate eggs, candy or other small treats are great egg stuffers. For more inspiration, Feels Like Home has a list of 101 things you can put in plastic eggs.
You can certainly hard boil and dye real eggs for your hunt, but it's particularly important to count them and remember exactly where you've hidden them if you're using real eggs. There's nothing worse than the smell of a forgotten Easter egg after a few weeks. Visit Real Simple for a simple, 5-step egg dying lesson.
Whatever method you decide and whatever kind of hunt you plan, enjoy this happy ritual of spring!


Confirmation of youth normally takes place during the seventh grade, but other Catechetical preparation is necessary throughout primary education. Confirmation is the third Sacrament of Initiation and with Baptism and Eucharist enables a Christian to be recognized as a full member of the Church. An adult will be prepared to receive the three Sacraments of Initiation during the same liturgical service; often Holy Saturday Evening.


The City of Idaho Falls awards Community Development Block Grant funds to Idaho Legal Aid to help survivors of domestic violence.
Idaho Legal Aid is pleased to announce that its Idaho Falls office is the recipient of a $7,000 grant to help low-income survivors of domestic violence who live in Idaho Falls. This funding was awarded by the City of Idaho Falls through the Community Development Block Grant Program.
Survivors of domestic violence experience legal problems at a substantially higher rate and many do not have the financial resources to hire an attorney. Without legal representation they are left to navigate a confusing legal system on their own, often with poor results. Funding from the City of Idaho Falls Community Development Block Grant will allow Idaho Legal Aid to help more survivors of domestic violence achieve safety and stability in their lives by providing them with legal education, advice, and representation.
The Idaho Falls Legal Aid attorneys have years of experience providing services to survivors of violence in eastern Idaho. They coordinate with local crisis centers, law enforcement, victim witness coordinators, and other organizations to provide the essential support that is needed for survivors to end violence and achieve stability and safety in their lives.
On behalf of our staff, attorneys, and clients, Idaho Legal Aid would like to say thank you to the City of Idaho Falls for seeing the value in our mission and helping us expand our services to help more low-income survivors of domestic violence in need.