The Poulenc Trio is engaged in several exciting collaborations, including a new commission from the Barlow Endowment, for Viet Cuong, to premiere in 2020, and a celebration of Walt Whitman's 200th anniversary for 2019.
Other recent collaborations include Trains of Thought: Animated, a mixed-media project featuring a beautifully hand-animated film by artists Elizabeth and Alden Phelps, paired with a commissioned work by Viet Cuong. Trains is also included on the Trio's latest album from Delos.
The Trio's prior album, Creation, debuted at #4 on Apple Music's iTunes Classical Music playlist and garnered high praise from the American Record Guide for the group's technique and expressive range. The recording also features a pairing with poet and Guggenheim Fellow Lia Purpura, with a reading of her poems set against Schnittke's Suite in the Old Style.
Since its founding in 2003, the Poulenc Trio has performed in 45 U.S. states and at music festivals around the world, including the Ravello Festival in Italy, the San Miguel de Allende Festival in Mexico, and the White Nights Festival in Russia, where the group toured with and premiered two new works with violinist Hilary Hahn.
In a recent review, the New York Times praised the Trio for its "elegant rendition" of Piazzolla's Tangos. The Washington Post said the trio "does its namesake proud" in "an intriguing and beautifully played program" with "convincing elegance, near effortless lightness and grace." A recent performance in Florida – for which the Palm Beach Post praised the group's "polished loveliness" and the Palm Beach Daily News said the "potent combination" of oboe bassoon and piano had "captured the magic of chamber music"-is regularly rebroadcast on American Public Media's Performance Today nationally syndicated radio program. The Trio has garnered positive attention in recent full-length profiles by Chamber Music magazine, and by the Double Reed Journal. The group has been called "virtuosos of classical and contemporary chamber music" in one profile for Russian television.
The Trio has a strong commitment to commissioning, performing and recording new works from living composers. Since its founding, the Trio has greatly expanded the repertoire available for the oboe, bassoon and piano, with 22 new works written for and premiered by the group, including three triple concertos for Trio and full orchestra.
The Trio has also made a commitment to explore and promote musics that reflect its members' African, Asian, Eastern European and Jewish roots. Recent concerts have featured works by Afro-Cuban jazz great Paquito D'Rivera, Mexican-American composer Carlos Medina, Russian-American composer Nataliya Medvedovskaya and Yiddish Lexicon, an exploration of Jewish culture by composer Jakov Jakoulov.
The Trio launched a pioneering concert series called Music at the Museum, in which musical performances are paired with museum exhibitions, with special appearances from guest artists and curators. As part of the series, the Trio has collaborated with the National Gallery in Washington DC, the Walters Art Museum and Baltimore Museum of Art and the Hermitage State Museum in Russia. Guest artist collaborators have included violinist Hilary Hahn, the Thibaud Trio of Berlin, soprano Hyunah Yu, and clarinetists Alexander Fiterstein, Anthony McGill and David Shifrin.
Most of the Poulenc Trio's concert engagements also feature one or more outreach components. We offer learning and cultural enrichment opportunities for audiences of all ages.
Poulenc & Snacks is a light yet informative interactive program designed for students in kindergarten through 12th grade. No prior musical knowledge is required. The program is designed to last for the duration of a typical class period, between 30-45 minutes. The program typically includes short performances of the Trio's music, an introduction to the oboe, bassoon and piano and musical topics including teamwork, follow-the-leader, rhythm, dance and musical styles. Topics are adjusted based on the age of the audience, and we recommend separate shows for the younger and older kids. As an option the program can be performed in a lunchtime configuration (the 'Snacks' Option). Ample time will be provided for kids' questions and answers. A tuned piano is required for this program.
Each member of the Poulenc Trio is a seasoned teaching professional with over 20 years experience. The Poulenc Trio masterclass is designed to share our knowledge and expertise with young professional and serious college musicians. A high level of musical proficiency is expected. The masterclass lasts one to two hours, with each musician or chamber group given 15-30 minutes to perform and receive coaching. A wide range of topics may be covered, including general chamber music skills, instrumental techniques, reed adjustments, style and phrasing, and repertoire. The class can be aimed at full chamber groups, or separated into individual double reed and piano sessions.
Music at the Museum is a fun interactive concert series that explores the connections between music and the visual arts, designed for adults and students in 5th-grade and above. No prior musical knowledge is required. The program lasts about an hour. The program is designed to be performed in a museum gallery or art class; the music and discussion is tailored to the surrounding artwork or exhibition space. Topics for discussion can include historical connections, contrasts between listening and seeing, and the role of visualization in music. Local guest speakers, curators or artists can add variety and interest to the audience discussion and we encourage participation from all. A tuned piano is required for this program.
Poulenc Trio Cappuccino Concerts are an informal lunchtime concert and discussion series aimed at young professionals. No prior musical knowledge is required. The walk-in/walk-out concert format is designed to be performed in an office-space, accessible concert hall or cafe, and lasts about an hour. Cappuccino Concerts feature the Trio's newer music, including world-premiere and commissioned works. Throughout the concert we will discuss the music, talk about life on the road, and answer questions. A tuned piano is required for this program.
Secrets of Success is an informative discussion-only workshop designed to teach serious music students and aspiring professionals about the extra-musical skills needed to build and run a successful chamber music ensemble. The workshop lasts about 90 minutes. No prior musical knowledge is required, but the content will be most interesting to aspiring musicians. During the session, the Poulenc Trio will share answers to critical issues that few musicians are taught in school, but that every chamber ensemble must solve: How do we get artist management? Do we need to be a non-profit? How do we engage new audiences? How do we raise funds for commissioning and outreach? Should we sign with a record label or self-produce? How do we solve interpersonal conflicts? A piano is not required for this program.
Performance anxiety affects almost everyone at some point. We have developed a unique and fun approach to beating stage fright and building the skills and techniques needed to perform confidently and successfully under pressure. The program lasts about 30 minutes. This program is interactive and physical, so expect to move. No prior musical knowledge is required, but musicians will be encouraged to perform for the group. A piano is not required for this program.


text:
Ryedale Area Committee rearranged
A meeting of North Yorkshire County Council's Ryedale Area Committee, which was suspended on 15 November after protests by anti-fracking campaigners, has been rearranged.
It will now be held on 11 December at the Ryedale District Council offices, Ryedale House, in Malton at 10.30am. The 15 November meeting was suspended when the campaigners staged a protest after a question they wanted to ask was ruled to be too late, having been submitted after the 10 November deadline.
The County Council's Executive Member for Committee Services, Councillor David Chance, said: "This meeting has now been rearranged and adequate time has been given to ensure that all the written questions that were submitted to the committee, which are important issues for the community, can now be considered fully at the meeting.
"The area committee received a number of questions from the public to be put to the 15 November meeting, but some of them had arrived after the deadline and were therefore too late to be heard.
"The council sets deadlines for questions to be submitted prior to meetings so it has time to give each one due consideration.''
On 11 December the area committee will also be considering other items of business that were on the agenda of the suspended meeting, including an update on highways issues including the A64, a report on the progress of the Stronger Communities programme and reports on police and fire and rescue matters.
This story was published 23 November 2017
Tagged with: committees

redpajama_set_name: RedPajamaCommonCrawl


text:
János Dudás (né le  et mort le ) fut un footballeur international hongrois, qui évoluait en tant que milieu de terrain.

Biographie

Joueur
Il commence par jouer dans l'équipe du MTK Hungária FC jusqu'en 1940. Il va ensuite finir sa carrière dans le club du Csepel SC.

Il est également international avec l'équipe de Hongrie et y joue entre 1935 et 1942. Il participe à la coupe du monde 1934 et 1938.

Notes et références

Liens externes

Footballeur international hongrois
Joueur du MTK Budapest FC
Joueur du Csepel SC
Naissance en février 1911
Naissance à Budapest
Naissance en Autriche-Hongrie
Décès en juillet 1979
Lieu de décès inconnu
Décès à 68 ans

redpajama_set_name: RedPajamaWikipedia


This page describes the typical workflow of the bug triage team aka bugsquad when handling issues and pull requests on Godot's GitHub repository. It is bound to evolve together with the bugsquad, so do not hesitate to propose modifications to the following guidelines.
As the Godot engine organization on GitHub currently has a restricted number of contributors, we do not use assignees extensively for now. All contributors are welcome to take on any issue, if relevant after mentioning it on the issue ticket and/or discussing the best way to resolve it with other developers.
For the time being we do not use the project dashboard feature either.
As far as possible, we try to assign labels (and milestones, when relevant) to both issues and pull requests.
Archived: either a duplicate of another issue, or invalid. Such an issue would also be closed.
Bug: describes something that is not working properly.
Confirmed: has been confirmed by at least one other contributor than the bug reporter (typically for Bug reports). The purpose of this label is to let developers know which issues are still reproducible when they want to select what to work on. It is therefore a good practice to add in a comment on what platform and what version or commit of Godot the issue could be reproduced; if a developer looks at the issue one year later, the Confirmed label may not be relevant anymore.
Discussion: the issue is not consensual and needs further discussion to define what exactly should be done to address the topic.
Documentation: issue related to the documentation. Mainly to request enhancements in the API documentation. Issues related to the ReadTheDocs documentation should be filed on the godot-docs repository.
Enhancement: describes a proposed enhancement to an existing functionality.
Feature proposal: describes a wish for a new feature to be implemented.
Junior job: the issue is assumed to be an easy one to fix, which makes it a great fit for junior contributors who need to become familiar with the code base.
Needs rebase: the issue need a git rebase to be merged.
Needs testing: the issue/pull request could not be completely tested and thus need further testing. This can mean that it needs to be tested on different hardware/software configurations or even that the steps to reproduce are not certain.
PR welcome / hero wanted!: Contributions for issues with these labels are especially welcome. Note that this doesn't mean you can't work on issues without these labels.
Tracker: issue used to track other issues (like all issues related to the plugin system).
Usability: issues that directly impact user usability.
The categories are used for general triage of the issues. They can be combined in some way when relevant, e.g. an issue can be labelled Enhancement and Usability at the same time if it's an issue to improve usability. Or Feature proposal and Discussion if it's a non-consensual feature request, or one that is not precise enough to be worked on.
Assetlib: relates to issues with the asset library.
Audio: relates to the audio features (low and high level).
Buildsystem: relates to building issues, either linked to the SCons buildsystem or to compiler peculiarities.
Core: anything related to the core engine. It might be further split later on as it's a pretty big topic.
Drivers: relates to issues with the drivers used by the engine.
Editor: relates to issues in the editor (mainly UI).
GDNative: relates to the GDNative module.
Mono: relates to the C# / Mono bindings.
Physics: relates to the physics engine (2D/3D).
Plugin: relates to problems encountered while writing plugins.
Porting: relates to some specific platforms.
Rendering: relates to the 2D and 3D rendering engines.
VisualScript: relates to issues with the visual scripting language.
Issues would typically correspond to only one topic, though it's not unthinkable to see issues that fit two bills. The general idea is that there will be specialized contributors teams behind all topics, so they can focus on the issues labelled with their team's topic.
By default, it is assumed that a given issue applies to all platforms. If one of the platform labels is used, it is then exclusive and the previous assumption doesn't stand anymore (so if it's a bug on e.g. Android and Linux exclusively, select those two platforms).
Contributors are free to pick issues regardless of their assigned milestone; if a fix is proposed for a bug that was not deemed urgent and thus without milestone, it would likely still be very welcome.


5. G I L L E T T E C O .
Gillette Co. chief executive James M. Kilts, trying one of the company's razors. A year after being hired, Kilts can point to several signs of progress.
t the beginning of 2001, Gillette Co. brought in James M. Kilts to turn around the Boston-based company. A year later, Kilts can point to several signs of progress.
Led by Mach3, Venus, and now the $9 Mach3Turbo, Gillette's premium razor business is on fire. But for many investors, the company's Duracell battery division remains a question mark.
Partly by investing more heavily in advertising, Kilts said, he was able to reverse market-share losses in many key product categories, including batteries. Kilts also cut costs and attacked inventory problems that were a drag on earnings.
Such steps helped Gillette improve its free cash flow and reduce its debt by more than $1 billion in 2001.
Some changes were already underway when Kilts took charge. In 2000, the year in which his predecessor was ousted, Gillette downsized its work force and sold its stationery division.
The strategy now is to focus on three core businesses: grooming, batteries, and oral care.
With much of Gillette's bad news concentrated in 2000, the year 2001 shines by comparison. Net income, which was $392 million in 2000, rose to $910 million in 2001 -- an impressive jump, but below 1999 net income of $1.26 billion. Revenues declined by 3 percent, to $8.96 billion.
For his turnaround efforts, Kilts got solid marks from one investor. "He's done a pretty good job," said Fredric E. Russell of Fredric E. Russell Investment Management Co.
In Gillette's annual report, Kilts wrote, "While the work we did last year was only a start, I'm pleased to report it's an excellent start."


At the LA Auto Show, Kia revealed two upcoming electric cars, the 2019 Niro EV and 2020 Soul EV. Mitsubishi recycled its rally-star Evo name for a new performance electric crossover concept. Audi introduced its second all-electric model, the e-tron GT. And our Twitter followers told us what they're thankful for in our latest Twitter poll. All this and more on Green Car Reports.
The 2019 Kia Niro EV will get a 239-mile EPA range rating when it goes on sale in February, making it one of the longer-range electric cars on the market.
Kia also brought its new 2020 Soul EV to the Los Angeles Auto Show, with the same 64-kilowatt-hour battery pack as the larger Niro EV, fast charging from a new CCS Combo charge port, and significantly more power than the old Soul EV. The car will follow just a couple months behind the Niro EV in arriving at U.S. Kia dealerships.
Mitsubishi, which has had a longstanding commitment to plug-in cars but has struggled to sell in the U.S., introduced a new high-performance electric SUV with an old name: the e-Evolution. The concept aims to marry electric driving with rally-car performance and SUV practicality.
Audi unveiled its electric 2020 e-tron GT, the brand's more luxurious take on the Porsche Taycan.
We asked readers for Thanksgiving what they were grateful for in the green car world, and they told us in our latest Twitter poll results.
Volvo announced that its self-driving system supplier Luminar has developed a new lidar system that can see more than six times farther down the road, and in higher resolution than the old system. It's expected to be installed on the next version of the Volvo XC90 with full self-driving in some situations.
Finally, Mazda announced a $199 upgrade for owners who want to add Apple CarPlay and Android Auto to many of its cars built since 2014.


Very lovable, kind, caring, good conversation, love to laugh, hold hands, kiss, cuddling, done out, walk exercise, cooking together, good movie, fun things.
Hello.... I'm a soon to be 50 yr. old strong, confident, and independent female. I'm considered honest, loyal, loving, understanding, open minded, very funny, a hopeless romantic, and a great cook. I'm in Seek of an honest, kind, gentle, understanding, loving man.
Hello everyone I'm a simple kinda lady that love to laugh and smile. With this situation it's been very hard to date.... I am undetectable have been for year's now.


text:
How do I tell my girlfriend that her slightly deep voice is sexy and doesn't sound like a dude's at all without her getting embarrassed?
Joe B. answered
I might suggest you say the first part and leave out the second part.
Just tell her it sounds sexy...... Omit the dude part.
As far as embarrassing her..... Well if you are doing it in private..... WHY would she be embarrassed
Cre Chanel answered
Start with smile and really hard while she talks so she ll say what and you tell her I love your voice and tell her y and when your done explain and tell her that its the cutest to you or something along that line...then tell her keep talking.
Umesh umesh answered
Tell softly
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