text:
Q: Can't fetch the data from SecureStore at First Reload Whenever I try to fetch data from SecureStore, it shows undefined at first load. I use FlatList to render array, so I get error for "tried to get frame for out of range index nan". Help me with that and I'm new to RN.
Here is my code
`
import { View, Text, Image, TouchableOpacity, Button, Pressable, ActivityIndicator, FlatList } from 'react-native'
import React, { useLayoutEffect, useRef, useState, useEffect } from 'react'
import { useNavigation } from '@react-navigation/native'
import { SafeAreaView } from 'react-native-safe-area-context'
import * as Haptics from 'expo-haptics'
import * as Icons from 'react-native-heroicons/outline'
import * as IconsSolid from 'react-native-heroicons/solid'
import * as SecureStore from 'expo-secure-store'
import { AuthContext } from '../context/AuthContext'
import BlueCheck from '../components/BlueCheck'
import axios from 'axios'
import { BASE_URL } from '../src/Config'
import PostCard from '../components/PostCard'

function ProfileHeader({ avatar, name }) {
  return (
    <View className="bg-white border-b border-gray-200 border-solid py-4">
      <View className="flex-row items-center" style={{ width: '90%', marginLeft: 'auto', marginRight: 'auto' }}>
        <TouchableOpacity className="flex-row items-center" onPress={() => {
          logout()
        }}>
          <Image
            source={{ uri: avatar }}
            className="w-24 h-24 rounded-full mb-0 mr-3"
            />
        </TouchableOpacity>
        <View style={{ alignItems: 'stretch' }}>
          <Text className="font-semibold text-xl">{name}</Text>
          <Text className="mt-1">Sometext</Text>
        </View>
      </View>
    </View>
  )
}

// Main Render
const ProfileScreen = () => {
  const { logout } = React.useContext(AuthContext)

  // Navigation
  const navigation = useNavigation()
  useLayoutEffect(() => {
    navigation.setOptions({
      headerShown: false,
      headerTitle: 'Profile',
    })
  }, [])

  // Retriving User Data from Secure Store
  const [userData, SetUserData] = useState([])
  async function readUserData() {
    try {
      const data = await SecureStore.getItemAsync('userData')
      SetUserData(JSON.parse(data))
      console.log(userData.hostId)
    } catch (e) {
      console.log(e)
    }
  }

  useEffect(() => {
    readUserData()
  }, [])

  // Get Users Posts
  const [postLoading, setPostLoading] = useState(true)
  const [userPostData, setUserPostData] = useState([])
  const getUserPosts = () => {
    axios.get(`${BASE_URL}/posts/?request=get-posts-user&userId=` + userData.hostId, {
      headers: {
        'CSRFTOKEN': 'hello'
      }
    })
      .then((response) => setUserPostData(response.data))
      .catch((error) => console.log(error))
      .finally(() => {
        setPostLoading(false)
      })
  }

  useEffect(() => {
    getUserPosts()
  }, [])

  return (
    <SafeAreaView style={{ flex: 1 }}>
      {/* Header */}
      <View className="flex-row justify-center items-center bg-white border-b border-gray-200 border-solid py-3">
        <Text className="font-semibold text-base">{userData.username}</Text>
        {userData.verifyStatus == 1 ? <BlueCheck /> : ''}
      </View>

      {/* Profile */}
      {/* <View className="bg-white border-b border-gray-200 border-solid py-4">
        <View className="flex-row items-center" style={{ width: '90%', marginLeft: 'auto', marginRight: 'auto' }}>
          <TouchableOpacity className="flex-row items-center" onPress={() => {
            logout()
          }}>
            <Image
              source={{ uri: userData.igAvatar }}
              className="w-24 h-24 rounded-full mb-0 mr-3"
            />
          </TouchableOpacity>
          <View style={{ alignItems: 'stretch' }}>
            <Text className="font-semibold text-xl">{userData.fullname}</Text>
            <Text className="mt-1">Sosephite/Heartbeat</Text>
          </View>
        </View>
      </View> */}
      {/* <ProfileHeader avatar={userData.igAvatar} name={userData.fullname} /> */}
      <View style={{ flex: 1 }}>
        {postLoading ? <ActivityIndicator color={"grey"} style={{ paddingVertical: 20 }} /> : ''}
        <FlatList
          contentContainerStyle={{ paddingBottom: 20 }}
          data={userPostData}
          ListHeaderComponent={<ProfileHeader avatar={userData.igAvatar} name={userData.fullname} />}
          ListHeaderComponentStyle={{ paddingBottom: 20 }}
          keyExtractor={(item) => {
            item.post_id
          }}
          renderItem={({ item }) => (
            <View className="px-4">
              <PostCard
                post_Id={item.post_id}
                user_Id={userData.hostId}
                profileImage={item.ig_avatar}
                name={item.fullname}
                username={item.username}
                timestamp={item.post_timestamp}
                postContent={item.post_content}
                isUser={userData.hostId == item.post_by ? true : false}
                isUserVerified={item.verify_status}
              />
            </View>
          )}
        />
      </View>

    </SafeAreaView>
  )
}

export default ProfileScreen

`
I don't know what is the exact error, mostly occurs while using FlatList. The problem is that, if it says undefined, then how does the component rather than FlatList are able to access the data? Thanks in advance!


text:
Hit Country Songwriter Gordie Sampson Co-Writes New Hits for Luke Bryan ("Knockin' Boots") and Caylee Hammack ("Family Tree")
Gordie Sampson
For the past 14 years, Gordie Sampson has been a top songwriter & producer based in Nashville. He has co-written several #1 country hits, including "Jesus, Take The Wheel" for Carrie Underwood, which won the Grammy Award for Best Country Song in 2007. Two of his other big hits are "God, Your Mama, and Me" for Florida Georgia Line with the Backstreet Boys, and "Just a Dream" for Carrie Underwood.
Currently, Sampson is enjoying a new flurry of hits. He co-wrote the playful #1 hit "Knockin' Boots" for Luke Bryan, plus the upbeat, soulful hit "Family Tree" for Caylee Hammack. In addition, he co-wrote the chart single "Heartbreak" for Hunter Hayes, and the new single "Jersey On The Wall (I'm Just Asking)" for Tenille Townes.
Sampson has also co-written hits for Carly Pearce ("Closer To You"), Eric Paslay ("Song About a Girl"), Jack Ingram ("Measure of a Man"), Cassadee Pope ("I Wish I Could Break Your Heart"), Hunter Hayes ("Storm Warning"), Kree Harrison ("All Cried Out") and Edens Edge ("Too Good to Be True"). His songs have also been recorded by top artists such as Keith Urban, Miranda Lambert, Miley Cyrus, Blake Shelton, Faith Hill, Bon Jovi, Rascal Flatts, Dierks Bentley, Billy Currington and Martina McBride.
https://www.songwriteruniverse.com/wp/wp-content/uploads/2020/03/Gordie_Sampson_interview_excerpt.mp3
Here's an excerpt of our interview with Gordie Sampson, who tells how he wrote (with Hillary Lindsey & Brett James) Carrie Underwood's Grammy-winning hit song, "Jesus, Take the Wheel."
Sampson grew up Nova Scotia, Canada, where he learned to play guitar and piano, and he became a local, professional musician in his early 20s. It was also around that time that he developed his songwriting skills. He subsequently took trips to Nashville to co-write and network, and in 2005 he got his big break, when Carrie Underwood recorded "Jesus, Take The Wheel" and it became a country and pop hit.
During this period, Sampson decided to move to Nashville, where he's become a prominent songwriter & producer. Over the years, he's also recorded four albums as an artist: Stones (1998), Sunburn (2004), For the Few and Far Between (2008) and Almost Beautiful (2011).
In addition to winning a Grammy Award for co-writing "Jesus, Take The Wheel," Sampson has won awards from the CMA, ACM, NSAI and Juno Awards. He is managed by Sheri Jones of Jones & Co. artist management company.
We are pleased to do this new Q&A interview with Gordie Sampson. He tells how he got started in the music business, how he co-wrote "Jesus, Take The Wheel," and he discusses his latest hits with Luke Bryan and Caylee Hammack.
DK: I read that you're from Nova Scotia, Canada. How did you get started with music, and writing songs?
Here's the video of Luke Bryan's #1 hit "Knockin' Boots," which
was co-written by Gordie Sampson.
Gordie Sampson: My mom is a professional musician, so when I was growing up there was a lot of music in my house. It came pretty natural, and I started playing music when I was around four years old. I started writing songs when I was in my late teens, and it was in my early 20s that I realized I really liked the songwriting part of music. Around that time, I had been making a living mostly as a sideman for acts and touring, but I gradually leaned more towards songwriting.
By the time I got into my late 20s, I was having some success in Canada, and we started to come down to Nashville and [got into] songwriting down here. And we were very lucky—we were able to get a publishing deal relatively quickly. It didn't happen overnight, but it happened fairly fast, while I was still living in Canada. Then a couple of songs got cut after I signed my deal, and there was a game-changing one: "Jesus, Take The Wheel" for Carrie Underwood. Then I ended up saying, "Maybe we should just go and move to Nashville" (laughs).
DK: I read your bio, and it says you've released four albums as an artist. Was your original goal to be an artist?
Sampson: You might say that. I got a deal in Canada with A&M Records, and I had some moderate success there as an artist. But in hindsight, I feel that I just wasn't born to be a full-time artist. I didn't like the road. I enjoyed performing, but I feel like I was born to be in a recording studio, making music and writing songs.
DK: In 2005 you had a breakthrough, co-writing "Jesus, Take The Wheel" for Carrie Underwood. How did you and your co-writers write this song?
Sampson: It was inspired by a couple of things, from when I grew up in Nova Scotia. There was a story my aunt told me when I was a kid, about her losing control of a car (while she was driving) on an icy road. I was very young when she told me that story. I asked her, "What did you do?" She said, "I threw my hands up in the air and I asked God to take control of the vehicle." It was just one of those things you hear as child, and I didn't think about it for maybe 20 years. Then I was coming to Nashville for a trip, and I drove by an accident site, where a friend of mine lost her sister. And unlike the song, where my aunt had a happy ending, this real life story didn't. It just jarred this old memory, and so I wrote it down as a title for a potential song. A lot of us do that—we write from the title. Then I got together with (hit songwriters) Hillary Lindsey and Brett James, and that's how it got written.
Here's the video of Caylee Hammack's hit "Family Tree," which
DK: Two years ago, you had a big hit with "God, Your Mama, and Me" by Florida Georgia Line with the Backstreet Boys. How did this song come together?
Sampson: I wrote that with Josh Kear and Hillary Lindsey. That was a great example of a song being written from the title. It was a title that Josh had. Josh is really the King of titles…he's got such a great work ethic. He said, "I got this idea for a song—it's called God, Your Mama, and Me." And I remember when he threw it out in the room, the first time I heard it, it went over my head. I asked him. "God, Your Mama, and Me…what do you mean?" He said, "You know, like no one's ever gonna love you more than God, your mama, and me." And my jaw dropped. It was like, "Ohh…I get it." And at that point I realized…you don't get those moments every day. Wouldn't it be awesome if you did. And on this song, Josh and Hillary really connected on the idea. Between the two of them, they're both such great lyric writers and such great singers, and the melodies are incredible. They're so good that you get in the mode of, "Yeah, that's such a great idea; all we have to do is not mess it up" (laughs). So we had a great day with that…we wrote it relatively quick. And I spent a lot of time on [producing] that demo. I spent the better part of a week recording the demo of that song.
DK: Currently, you have a number one hit with Luke Bryan's "Knockin' Boots." Can you talk about the story behind that song?
Sampson: Yeah, that was with (co-writers) Jon Nite and Hillary Lindsey. "Knockin' Boots" was a title that Jon had. It was just an opportunity to have so much fun with the lyric…we kind of seized that. That one was written fairly quick as well. The lyric is a little bit nutty. On this song, you've got three people chiming in on the lyric…it tends to happen really fast, because it's so fun. And you can get away with being a little nutty in a song like that. We did a lot of laughing when we wrote it.
DK: I like your other current hit, "Family Tree" by Caylee Hammack. How did you, Caylee and Troy Verges write this song?
Sampson: That was the first time I wrote with Caylee, and I think it was the first time that Troy wrote with her. Troy and I are really good friends and we write a lot together, but that was the first time for the three of us to be together. And Caylee walked in with that sort of small town, authentic vibe. Caylee is so good and her songs are so artful…it was very refreshing to be able to write something that authentic.
Here's the video of Carrie Underwood's classic hit "Jesus, Take
The Wheel," which was co-written by Gordie Sampson.
Everybody in town was talking about her. We went to see her show when she'd just signed a label deal (with Universal Music Group Nashville). The label invited some writers to see her, and we were completely blown away. It was Cyndi Forman from Universal Music Publishing who set up our writing session with her. And shortly after we saw her show, we wrote that song together.
DK: I read that you also have a new single out with Tenille Townes.
Sampson: Yes, it's called "Jersey On The Wall" by Tenille Townes, and the single came out a couple weeks ago. That's a really interesting song. It was inspired by her visiting a school (in Canada where she's from), where she did some motivational talks. Tenille would go around to schools in Canada. At one school, there was a jersey hanging on the wall at a gymnasium, from a hockey player who was killed in an accident. She was very moved by that, so we wrote a song about it. The lyric is very emotional…it's a pretty powerful song.

redpajama_set_name: RedPajamaCommonCrawl


This morning I saw a remarkable lady. When I profiled her earlier in the year I found her story intriguing and in many ways quite extraordinary. She's had personal circumstances that have taken astonishing resilience to survive and (despite a tough exterior), she has played a role in helping friends that goes above and beyond much I have ever seen. Over the course of her working life she has also achieved some tremendous things. Yet her fate in her current organisation is not certain. While I'm often able to influence decision making, this time I cannot. Her ultimate circumstance will be decided by external advisors who have seen her in a snapshot of time – an older lady, who doesn't sell herself well. It seems so unfair that they do not know the story that makes up who she is or what she is capable of.
Unfortunately, how we present ourselves in a 'snapshot of time' matters. Science illustrates that a 'first impression', the mental image we form of a person, is made within a tenth of a second. This shows both the fallibility of our decision making and how our ancient brain is often in the driving seat when it comes to judgements. The more primitive part of our brain makes quick fire decisions as a survival mechanism because in the world that our brain evolved to work in, we had to decide if someone new was a threat, a useful addition to our tribe, a possible mate or a potential leader. These mechanisms dominate our thinking today, yet we remain largely unaware incorrectly assuming that we are rational and fair in our conclusions.
Judgements can and do differ depending on context but broadly speaking research shows that we greatly favour people who are young and attractive. After how a person looks and their body language the next mechanism for judging a strangers' character is how they communicate.
When it comes to job interviews, good communication can create strong biases toward a candidate regardless of their actual capabilities. One paper found that "Chronic self-promoters may thrive in job interviews" because they are able to position their capabilities and achievements with impact. Even skilled interviewers, people who have met and assessed person after person can be unwittingly misled by someone who has 'the gift of the gab'.
A prime example of this are those narcissistic leaders whose appointments we may rue. Typically, they have managed their way through interviews and promotions simply by knowing how to play to very primitive drivers found in us all. That doesn't make them good at their jobs but they have weaved their way to the top through adept communication. By which time they wield enough power to get rid of any 'bumps in the road' (a certain President may come to mind). I am as guilty as the next person of making quick, subconscious judgements, but through training and conscious effort I, like my fellow psychologists, are able to spot these bluffers. After a life charmed by their communication skills, we (psychologists) are typically the first to catch these people out (and by the way it's not fun to be on the receiving end of an angry narcissist who blames you for blocking their way). But as is the case for the lady at hand, our advice is not always taken.
It's not easy to step away from our subconscious biases, I certainly don't manage it in my everyday life. It is however worth stopping to check in with ourselves and make sure we're not guilty of too quickly 'judging a book by its cover' – whether positively or negatively.
What about how we present ourselves to others?
For me, as a young, blonde graduate entering the workplace, I resented judgements made, it certainly undermined my capabilities in many situations. I worked hard to prove my worth, both to myself and those around me, collecting qualifications as a signpost to my capability.
By my early 30s I'd tired of trying to prove myself, and strongly believing in authenticity, I switched to not caring what people thought. I did not fit a mould and I would not try, rather I would use my experience and track record to get my point across. This approach worked when I'd been introduced by word of mouth, but letting down the barrier of impression management meant another set of unhelpful judgements came my way.
Now I am 'older' I realise the importance of presenting well, albeit in a more nuanced way. That doesn't mean I get it right, nor that I can overcome other people's rapid-fire judgements. I do however have a much better understanding of the need to meet half way – not changing who I am but ensuring that I present my best self.
Whoever we are and whatever we do we owe it to ourselves to learn how to manage the impression that others make of us. Sometimes we have to accept that we will be judged incorrectly, that's the way that the human brain works, but as far as possible authentically understanding and presenting our own narrative, taking control of what we can, gives us a fairer chance in the world.
What can you do when it comes to your own presentation?
Pause: and think through what you are going to say and how you are going to say it. One leader I coach takes 5 minutes to set himself up mentally before going into any key meeting.
Ask for feedback: you don't know how you come across unless you ask. By getting feedback you can make better use of your good points and play down the bits that you feel are less representative of who you are.
Understand yourself better: raise your self-awareness, learn more about your strengths, passions, experiences, interests and what that means to who you are.
Read: Introduction to Personal Branding by Mel Carson for some really helpful tips in a short easy to read format.
 Willis, J., & Todorov, A. (2006). First impressions: Making up your mind after a 100-ms exposure to a face. Psychological science, 17(7), 592-598.


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text:
Mac Jones among New England Patriots 6 captains for 2022 season
Updated: Sep. 07, 2022, 12:46 p.m. |
Published: Sep. 07, 2022, 12:26 p.m.
New England Patriots quarterback Mac Jones (10) makes an a adjustment before center David Andrews (60) hikes the ball during overtime of an NFL football game against the Dallas Cowboys, Sunday, Oct. 17, 2021, in Foxborough, Mass. (AP Photo/Greg M. Cooper)AP
Matt Vautour | mvautour@masslive.com
New England Patriots second-year quarterback Mac Jones will be a captain for the first time.
At the end of his press conference before practice Wednesday, Patriots coach Bill Belichick named the Patriots' six captains for the 2022 season, a list that included Jones for the first time.
"I think it's really cool," said Jones, who started all 17-games for the Patriots as a rookie. "I have a lot of work to do. I want to become an even better leader. I think we have great guys around us that make everything better. ... I'm going to learn from the older guys like I did when I first got here. Hopefully, younger guys can come to me with things or issues they want to get fixed or things they're struggling with. I'll be happy to help anybody on our team."
Jones said he didn't need to be named a captain to want to be a leader.
"Titles are titles. Really good leaders lead no matter what if they're the No. 1 guy or not," Jones said. "I need to continue to grow and try and figure out how to get better as a player and as a leader and a person. It comes with time and experience and learning lessons."
The Patriots' 2022 captains include three returners, two newcomers and Ja'Whaun Bentley, who'd been a captain before but wasn't last year, returning to the role.
Bentley was a captain in 2020 when Dont'a Hightower opted out of the season for COVID concerns. Hightower resumed the role last year, but isn't playing this season.
Matthew Slater is the special teams captain for the 12th straight season, a tenure matched by Devin McCourty, who has held the role on defense for the last dozen years. Slater is the only core special teamer holding that role. McCourty is joined by Bentley and first-time captain Deatrich Wise, who was honored last week with the Ron Burton Award for his service to the community.
Long-time center David Andrews will be a captain for the sixth time in his career. Jones replaces James White as the other captain on offense. White retired due to injuries last month.


text:
Interview: Jeremy Bulloch – Boba Fett
Nov 05, 2013 // Comunidad, Entrevista, StarwarsCali // starwarscali
Image from: http://www.jeremybulloch.com
After a few weeks of conversations, today we can present to all of you the interview to the actor behind one of the most beloved masks and costumes of the Star Wars Universe. We're talking of Jeremy Bulloch, the man who plays Boba Fett in "The Empire Strikes Back" and "The Return Of The Jedi".
Jeremy took his time to answer a short interview that we made it for all our community.
SWC: How was the casting process to be in Star Wars? How do you get the role?
JB: I was very lucky that I fitted the costume – so the part was mine.
SWC: What do you think about the new trilogy of Star Wars (Episode VI), to be released in 2015?
JB: I am very excited that finally we will see more films.
SWC: After the Disney acquisition of Star Wars Universe, one of the spin-offs announced is about Boba Fett. What do you think about it?
JB: It would be nice to see more of "Boba Fett" especially as he had so little screen time in the original movies.
SWC: Do you like to be part in this new Spin-Off or the new Trilogy of Star Wars?
JB: I think anyone would love to be part of the new series of films.
SWC: Do you think Star Wars change your life? If it's, in wich way?
JB: Star Wars changed my life in that I suddenly had hundreds of fan mail from all over the world including Colombia.
SWC: Besides Boba Fett, you had other roles in the original saga. Can you tell us about them?
JB: Yes I played two small roles, one was an imperial officer Lt Sheckil in Empire and Captain Colton in Revenge of the Sith.
Image from: http://starwars.wikia.com
SWC: You barely appears in the original trilogy, but Boba Fett is one of the most beloved characters of the fans and ranked as a really Badass. Why do you think this happens?
JB: I think Boba's costume is amazing and he is a very mysterious character.
SWC: When you read the script of Episode VI, what do you think about the way Boba Fett dies?
JB: There was rarely a script we were just given instructions on the day. It was probably better that it was surprise (although not a nice way for Boba to go!)
SWC: What do you do when you're not travelling or assisting to conventions? Do you have any hobby?
JB: I play the odd game of cricket and am involved with our numerous grandchildren.
SWC: What have you listen about Colombia? Do you like to know our country?
JB: I have heard a lot about Colombia, especially the coffee and one day I hope to visit the people of your great Country.
SWC: What's coming for Jeremy Bulloch in 2014?
JB: I will be voicing a character called Max in a cartoon series. Also I hope to be going to some more Conventions and have been provisionally invited to Argentina and Uruguay.
Thank you Jeremy for your kind and taking your time to answer us. We hope to have you soon in Colombia know that you know the large group of fans you have in our country.
Please visit the Jeremy Bulloch's official Website, where you can find official autographs and a signed copy of his book "Flying Solo".
Tagged: Boba Fett, Jeremy Bulloch, StarWarsCali
Star Wars Cali (Colombia) - Jeremy Bulloch Interview - SWNZ, Star Wars New Zealand
← Off topic: Concurso @campusparty
Entrevista: Jeremy Bulloch – Boba Fett →


text:
Q: XML validation against XSD files I want to validate my xml file against XSD file which has attributeGroup as below.
I am not able to validate the same using:
XmlTextReader file = new XmlTextReader("xsdFilePath");
schemas.Add("", file);

XDocument xmlDoc = XDocument.Load("xmlFilePath");
xmlDoc.Validate(schemas, (o, e) =>
{
    valdiationMessages.Add(e.Message);
}, true);
return valdiationMessages;

Regards,
Kishor M

redpajama_set_name: RedPajamaStackExchange


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text:
Home Van Halen =180g vinyl =
Van Halen =180g vinyl =
1 x LP 180grs 33⅓rpm
( 1978 ) - 2015 reissue on 180g LP= From 1978 An eruption of pure rock Van Halens RIAA certified mul...Considered one of the greatest debut albums in rock history, features some of rock radio's most played songs of all time like "Runnin' With The Devil,"
Label: Rhino
Quantity: In Basket
Release date: 12-06-2015(Originally released in 1978)
2015 reissue on 180g LP=An eruption of pure rock Van Halens RIAA certified mul...Considered one of the greatest debut albums in rock history, features some of rock radio's most played songs of all time like "Runnin' With The Devil," "Ain't Talkin' 'Bout Love," "Jamie's Cryin'," the band's signature cover of The Kinks' "You Really Got Me," and "Eruption."
A1 Runnin' With The Devil
A2 Eruption
A3 You Really Got Me
A4 Ain't Talkin' 'Bout Love
A5 I'm The One
B1 Jamie's Cryin'
B2 Atomic Punk
B3 Feel Your Love Tonight
B4 Little Dreamer
B5 Ice Cream Man
B6 On Fire
Van Halen reinvented the sound of hard rock in 1978 with their influential and wildly successful eponymous debut album and then achieved even greater success six years later with 1984. Both albums would define a generation while selling more than 10 million copies each in the U.S. alone to earn diamond-certification from the RIAA. The band recently went back to the original analog tapes and remastered both of these landmark albums – Van Halen and 1984 – which are are now set for release in March 2015 through Warner Bros. Records.
Considered one of the greatest debut albums in rock history, Van Halen took the music world by storm in 1978 with an 11-song manifesto that features some of rock radio's most played songs of all time and scorching concert staples like "Runnin' With The Devil," "Ain't Talkin' 'Bout Love," "Jamie's Cryin'," the band's signature cover of The Kinks' "You Really Got Me," and Eddie Van Halen's finger-tapping tour de force, "Eruption." Six years and five albums later, Van Halen had become one of the biggest bands in world around the release of 1984, which includes a number of the band's most legendary songs such as the #1 hit, "Jump," "Panama," and "Hot For Teacher."
Mastering engineer Chris Bellman, who remastered the original albums for Bernie Grundman Studios, Hollywood, CA, was enlisted for these new versions. In order to produce the original sound the band intended, Bellman cut straight from the quarter-inch tapes for these new 180-gram vinyl versions. Newly mastered versions of Diver Down, Women and Children First, Van Halen II and Fair Warning will also be available soon.
Van Halen MCMLXXXIV (aka 1984)
Roxy Music Roxy Live =3xLP=
Rolling Stones, the Black And Blue =2020 Half Speed Remastered = 180g
Who, the Who Are You
Knosti Disco Antistat LP Washer
Blondie Parallel Lines =180g=
Led Zeppelin Led Zeppelin IV =180g=remastered
Jam, the All Mod Cons
Brian Eno Before and after Science =180g vinyl =
AC/DC Back In Black


text:
Q: Why to use _this (or any other name of variable) as variable of type 'this' in angular JS or angular 2? .. How it differs with use of 'this' itself? Why to use _this (or any other name of variable) as variable of type 'this' in angular JS or angular 2? .
How it differs with use of 'this' itself?


London is full of beautiful pubs available for hire. Finding a pub to hold your gathering is faster with Tagvenue, UK's favourite free venue finder. Our search engine lets you search by room style, catering options (we list many great gastropubs) and many more. We all know how tricky it can be trying to find a venue in the British capital so leave it to Tagvenue. With reliable information on availability and room features we save you time, and we know time is money.
wedding – a pub is one of the best choices for a laid-back wedding reception. Add a vintage touch with retro cutlery and table decor or hire a traditional British pub that serves up comfort food classics your family will love. London offers a wide variety of pubs with function rooms for hire, so you can be sure to find something that suits your needs.
leaving party – saying goodbye to one of your coworkers? Maybe your friend is leaving the country? Why not throw a truly British farewell party? Find a pub for hire and enjoy quality time together over a nice cold pint.
team building – after a hard day's work it's time for some pleasure. Tagvenue can help you find a pub for hire in the city centre or in any other district of London. Bring your team together for some pub quizzes, delicious pub grub and ice-cold ales.
Christmas party – ho, ho, ho, how about celebrating in ye olde watering hole? When it's cold outside, get cosy and feel the Christmas spirit in a London gastropub.
think about the type of catering that would work best for your event – ask the venue manager whether you're allowed to organise external catering or if BYO alcohol is prohibited or not. London is a popular foodie destination, so it's easy to find a place with an exceptionally tasty menu!
decide what kind of food you'd like to see on the menu – are your guests into fish and chips, and burgers? Or maybe they'd prefer something a little more gourmet? Think about main courses as well as beer snacks. Make sure to check if any of your guests have special dietary requirements, too.
think about what size venue you need – sizes of pub function rooms vary, so ensure the venue you've chosen is big enough to accommodate all your guests.
work out which location would be most convenient – are you looking to hire a local pub with a free function room, do you need a traditional London pub in the city centre or are you looking for modern venue near London Bridge?
don't forget to organise any A/V equipment you might need – do you have to bring your own or can the venue provide it? And don't forget to ask about the pub's loud music events policy.
Really great venue for a party. The staff were amazing. I would totally recommend the Cavendish.
Lovely pub, good location and a perfect size for my birthday (40-50 people, could take more). Service was excellent, bar manager/staff were really helpful and friendly throughout. They helped to maintain a good atmosphere by adjusting lights and music volume as the evening went on. They really helped to make the evening go well. Good range of beers on tap and in bottles. Good range of spirits. Overall a really enjoyable evening.
Great price for a private underground area. Staff were excellent and the area in which the pub is found was picturesque and convenient.
I booked the upstairs of the Walmer Castle pub and I am more than pleased I did so. Staff was very very friendly and helpful. They were very Efficient. I helped cleared some tables at some point as they were a bit overwelmed but it does not matter. In the end, they said that we were awesome and that they had a great time. Brilliant!
Fantastic venue- Max the barman was brilliant, great guy and kept the drinks going all night. Location is brilliant, and we were allowed to order in our own food. We plugged in our own music near the end, but the bar's own music was great too for background vibes. The room was the perfect size for about 35 people, and didn't get too hot (it has air con!). It's great as to use as your own space, just as they say, a bit like your own house party. Would definitely recommend!
I booked a private room for my boyfriend's 30th birthday on a Saturday night. Kerry and the rest of the staff were very accommodating and made sure we had the best time ever! They also decorated the room for us which looked great and were always on hand when we needed anything. I definitely recommend this place to anyone who wants a good night!


Pattern testers are worth their weight in gold, both to the pattern designer to help ensure patterns released are error free and easy to understand and also to the crocheter who expects to purchase patterns that can use and enjoy for years to come. We have hundreds of pattern testers but here are a few of the "superstars"!
Edna has been testing with since 2015. In her own words: I started crocheting when I was about 7 years old. Taught by my Mom and Grandmother. They made such lovely things but of course mine was nothing like theirs. My Grandmother made the most beautiful doilies which I never attempted to make.
For many years I had put crocheting aside to raise my 3 children...life was busy. I picked it back up about 10 years ago after becoming disabled and no longer in the working field needing something to fill my time. I was doing just standard SC and DC afghans and hats.
My daughter Angela taught me how to read a pattern and opened a whole new world for me. I I don't remember how I came across my first graph testing group, but after joining and seeing the wonderful creations I was totally hooked.
I find it very relaxing. I gift a lot but also sell the finished products. My favorite has to be my first Eagle designed by your son. About me I am a widower, have 3 children Christina, Angela and Jeremiah. Seven grand children Cory, Kimberly, Taylor (our heavenly Angel) Austin, Zach, Hannah and Hunter. Now starting on those wonderful great grands. Mekale and due soon his baby sister Ma'kyah.
I transplanted from Ohio many years ago to Florida and never looked back. Besides crocheting I have recently started baking from scratch, love to read (must be a real book love the feel and smell of them) and watch different TV shows while doing my thing.
It's hard to believe but Michele has only been crocheting for about 5 years! The work that she does on our afghans, as well as other crochet projects is just unbelievable! Many of her projects also show some gorgeous photography skills so we're always excited to see one of her projects finished!
From Michele: I am about to be 50! Can you believe it 50! LOL. Anyway, I am a believer of Jesus Christ and His follower. I have learned Truth about His Love and His faithfulness. I never knew my worth or never even knew love. But today I walk in the fullness of His Love and I know I am worthy in Him.
I can honestly say crocheting helps with depression and anxiety though Jesus keeps me strong and He delivered me completely. Crochet just quiets me inside. If I do get anxious or even thoughts that bring me down go running through my head - I talk to Jesus and as I crochet away.
I enjoy reading, playing my guitar and singing worship on a worship team. I also dance and prophetic dance. I have been married for 27 years and have two grown children. I love my husband so very much and he truly is my best friend and God gave me him. I love my children and with this I have known family in every sense of the word!
I love animals, birds. I love, love the beach!! And I just enjoy life.
I am so grateful for the honor and privilege to test for crochet couch. I truly can say I was a pretty much a newbie crocheting when I first tested and testing the Lamb Blanket helped me grow my wings and encouraged me and shown me.... the gift that was inside me and placed with in by my Creator.
. Thank you so very much.
Glory to God and God Bless.
Laura has been a pattern tester with us since 2015. She has been crocheting for an amazing 42 years! Laura was blessed to have a grandmother who crocheted and was able to teach her and at age 12 she made a simple lap throw! Her favorite ones that she's tested? The Long Stem Rose blanket and the Carpenter Wheel in King size - both of which she did an outstanding job on! We're lucky to have Laura as one of our pattern testers!
Sandra has been testing for us since the beginning of 2016. She's a stay at home mom married for 10 years with 1 child. She loves to spend time with family and crochet, loves testing new patterns and loves to cook and try out new recipes. Sandra says: "I learned to crochet when I was 9 or 10 years old. I initially wanted to learn because my grandma was staying with us and I would watch her and thought it was neat. I became a tester right after I learned to do C2C and saw graphghans and thought they would be neat to make. My favorite pattern of yours would be the Duck Face. My afghans are frequently claimed by my son but I've also given some away and sold a few. Sandra hopes to one day soon meet some of the people she's met in online crochet groups for a real life crochet session.
Cheryl has been testing for us since the beginning of 2016. She's done quite a few projects and is hard pressed to choose a favorite. Cheryl is another lucky one that was taught by her grandmother at age 12 to crochet. She then continued the tradition and taught her daughter Emily. Cheryl decided to begin testing because she was interested in trying something new and liked all the different graph patterns. Most of the ones she makes are gifts for others. Cheryl is currently working on a christening dress using #10 cotton. We can't wait to see it!
Jamie hasn't been with The Crochet Couch as long as some of the others but WOW is she fast! She's sometimes hard to keep up with as large afghans sometimes take her a few days to complete rather than the few weeks or months it takes the rest of us!
Jamie has been crocheting over 20 years and was self taught from a book. She struggled as a child to learn from her grandma as she was left handed. From Jamie: "When I was young, around 6 or 7 years old my grandma tried to teach me to crochet. I learned the chain before she went back to Florida and had a chain long enough to go around the whole house by the time she came back the next summer. I was left handed and she couldn't figure out how to teach me.
Jamie was a Crochet Couch customer and eventually found our group for testing on Facebook and we're so glad she did! Her favorite one is the Marijuana Leaf afghan and she did a stunning job on it.
A single mom of 4 kids as well as raising dogs keeps Jamie very busy so we don't know how she can crochet so fast! She's recently taken a job in Customer Service to support her hobbies!
Ann has been with us since the beginning of 2016. She's been crocheting for close to 40 years off and on! In Ann's words: I used to be mesmerised by my granny, she made doilies with crochet thread, they were delicate and intricate. I would make chains which she would then make into circles and I'd use them as carpets, covers in my dolls house, cardboard box! I guess I'd have been around ten when I made a strappy crochet top for myself, it was purple! Then I must have stopped and taken it up again when I was having my first baby, making clothes and blankets for her.
Originally I just wanted to be like my granny! When my daughter was born, I didn't get much handmade gifts from people and I preferred hand knitted/crocheted so there I began, the comments from others were also encouraging!
Searching through Facebook looking for 'something different' for a 21st birthday present, I was seeing works of art - Afghan/Graphgan and I thought 'if only'. I asked if someone could make me a Jack Russell terrier and I was invited to join Kim's original tester group, there I began my very first, never heard of, c2c graphgan! I was/am hooked!
I live on the Shetland Islands, population of 22,000. I stay on a smaller island, Burra Isle, with my husband, Black Labrador, two ginger cats, a brood of hens, nine adult and fifteen chicks, hatched this month. I'm a learning support worker in our local high school. I have two grown up children, neither of who share my passion for wool, crochet or knitting! I love long walks with Brook, baking and knitting. I bake once a week, and always have a knit project and crochet project going at the same time, quite often more than one! I have recently undertaken knitting Fair Isle and have moved away from hats and gloves to my very first Fair Isle Yoke Cardigan, a 50th birthday present for my sister. My cupboards have more wool than the two wool shops on the isle! And I still never have the right wool for the project!! I'm patiently waiting on my 'makkin' room being done out/compiled!! The Crofthoose Hat I'm wearing was made for Shetland Wool Week, by a local designer, Donna Smith.
Stacey has been with us since the end of 2016 and is one of our youngest pattern testers! She's been crocheting for 7 years.
Stacey started crocheting as a hobby and uses the items she makes from testing patterns as Christmas gifts.


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The Ski Club of Great Britain is a recreational snow sports club, which operates on a not-for-profit basis. It was founded on 6 May 1903 during a meeting at the Café Royal in London. Until the 1960s, the Ski Club of Great Britain was responsible for British alpine ski racing teams.

In April 2020, the Ski Club had about 23,000 members, making it the biggest membership-based snow sports club in the UK. Their offices are located in Wimbledon, southwest London.

History
The idea of forming a Ski Club came from a meeting of individuals at the Café Royal in London on 6 May 1903. The aims of the club, as outlined at the very first meeting, were: to encourage other people to learn to ski; help members to improve; get more enjoyment from skiing; bring together people who are interested in the sport.

Before World War I, the club was primarily concerned with cross country (Nordic) skiing. The first official Ski Championship of Great Britain was held in Saanenmöser, Switzerland in 1914. The results were based on performance in cross country and ski jumping.

The first British Ski Championships to include Alpine skiing took place in Wengen on 6-7 January 1921. The championships were organised by Sir Arnold Lunn on behalf of the Ski Club.  Sir Arnold Lunn was a central figure in this period of the Ski Club's history and the development of ski racing, setting the first modern slalom in Murren in 1922 and helping to persuade the International Olympic Committee to include downhill and slalom in the 1936 Winter Olympic Games in Garmisch-Partenkirchen.

In the mid-1920s, the Ski Club began providing snow and weather reports for national newspapers.

The National Ski Federation of Great Britain (later the British Ski and Snowboard Federation) was founded in 1964 as the governing body for alpine skiing in Britain. The Ski Club of Great Britain thereafter became aligned more closely with recreational skiing.

Member Services

Ski Club Leaders

The Ski Club sent its first representatives to the Alps in 1928. The Ski Club and its leaders began to organise touring parties during the 1930s. These were to teach people to ski and keep them entertained in the evenings. The Ski Club currently operates a volunteer-leading service in around 17 resorts worldwide. In France the club operates an 'Instructor Led Guiding Service' due to legal issues with volunteer leaders.

Ski Club Freshtracks

The Ski Club has a long history of running ski holidays. Family holidays were first introduced in the 1970s, and later extended to include adult and over-50s holidays; Peak Experience holidays. In 1996–97 the holidays programme expanded once more with the incorporation of the off piste ski company 'Freshtracks'. This increased the off piste programme and included many holidays with qualified mountain guides. On holidays a rating system is employed to match skiers of similar abilities. This rating system is a continuation of that used during the early decades of the club's existence.

Ski Industry Involvement

The Ski Club publishes an annual Consumer Research Report, advises the media on snowsports-related matters, and raises awareness of British athletes and events through its website and social media channels.

The Pery Medal

The Pery medal was instituted in 1929 by the Hon. E. C. Pery, later the Earl of Limerick, DSO and President of the Ski Club of Great Britain (1925–27) and was first awarded in 1930. Previous recipients of the medal include inspirational explorers, ski pioneers, Olympic and Paralympic champions, scientists and authors. Arnold Lunn was the first to be presented with the Pery medal in 1930 (he was also knighted for services to British skiing and Anglo-Swiss relations in 1952) and Sir Ranulph Fiennes, Frans Klammer, Konrad Bartelski, Alain Baxter and Hermann Maier feature among some of the well known recipients.

Skiclub.co.uk

In 1995, the Ski Club launched the first ever wintersports website; www.skiclub.co.uk. Despite constantly increasing competition, it remains one of the leading skiing websites. Relaunched in 2000, the website was transformed from a 'brochure' website into a fully interactive site. Ski Club TV, the first dedicated snowsports internet TV channel, was launched in 2006.

Ski Club Insurance

The Ski Club of Great Britain has provided snowsports insurance for over 40 years. Insurance policies are designed by experts specifically for snowsports enthusiasts.

Publications

In 1905 the Ski Club began publishing the British Ski Year Book. This provided a record of changes in equipment, clothes, facilities, ski techniques, and holidays over the decades. In 1972 the British Ski Year Book became Ski Survey. In 1997 Ski Survey became Ski+board Magazine and was redesigned. Ski+board is published in September, October, December, February and March (this fifth issue is online only). There is also a summer version of the magazine, called Elevation.

Editors
The following persons have been editor-in-chief of the magazine:
 2014–present: Colin Nicholson
 2001–2014: Arnie Wilson
 1974–1992: Elizabeth Hussey
 1919–1974: Arnold Lunn

Notable Presidents
Air Commodore Hugh Dowding (Later Air Chief Marshal The Lord Dowding) (1924–25)
Gerald Seligman (1927–28)
Sir Arnold Lunn (1928–30)
Sir Claud Schuster GCB (later Lord Schuster) (1932–34)
Sir Malcolm Eve GBE MC QC (1950)
The Earl of Limerick (1974–81)
Alan Blackshaw (1997–2003)
Frank Gardner (journalist) (2011–2017)
Chemmy Alcott (2017–)

References

External links
Ski Club of Great Britain - Official site

Skiing in the United Kingdom
1903 establishments in the United Kingdom
Sports organizations established in 1903
Sports organisations of the United Kingdom
Ski clubs

redpajama_set_name: RedPajamaWikipedia


With a passion for storytelling and a love for telling it how it is, Christian illustrates a very raw and real depiction of the greatest fears, darkest feelings, and most beautiful revelations that we all come to feel, to some extent, throughout our lives. His songs are sure to leave you looking inward, seeing a bit of your hidden self in every word.
A few Tunes from "Long Distance"
Listen to "Bridges Podcast Christian Howse Episode 14" on Spreaker.


text:
Gabi Ash
Aerial Skiing
Home Athletes Gabi Ash
Make each day your masterpiece
Friends, Family, skiing, outdoor activities, music
Lydia Lassila
Sporting Highlights:
World Cup - 7th, Deer Valley, USA, 2021
World Championships - 15th, Almaty, KAZ, 2021
Gabi Ash transition into the VIS Aerial Skiing Development Program after competing at a high level in diving as a teenager. Prior to diving, Ash also competed in Gymnastics and had a strong skiing background.
Ash made her competition debut at a Europa Cup event in Ruka, Finland, in December 2017, finishing in 15th place. She finished the 2017-2018 season with some encouraging Nor-Am performances, finishing in fourth place in Le Relais, Quebec, Canada, and sixth at the Utah Olympic Park in Park City, USA.
During the 2018-2019 northern winter, Ash made her World Cup debut at Lake Placid, NY, USA, finishing in 22nd place.
Ash had a breakthrough 2019-2020 season, recording the first podium performances of her Aerial Skiing career, with bronze medal performances at the Lake Placid and Le Relais Nor-Am events.
In 2020-2021, Ash recorded a personal best World Cup finish of seventh place in Deer Valley, USA. Ash also made her World Championship debut in Almaty, Kazakhstan, placing 15th, and a few days later finished in ninth place at a World Cup event at the same venue.
Her sister Sophie competes on the World Cup circuit for Australia in Mogul Skiing, and both girls will be aiming to make their Olympic debuts at the 2022 Olympic Winter Games in Beijing, China.
CREDIT: OWIA


A set amount or percentage of an estate can be set aside for the decedent's living grandchildren and used for their educational benefit. The Trust will outline any terms the beneficiary must meet in order to receive payments, such as the type of education the funds will be used for or the minimum grade point average the beneficiary must attain. The Trust will also state at what age the remaining principal of the beneficiary's Trust shall be distributed outright to them.


text:
WNBA's All-Time Top Scorer Tina Thompson Retires
Published October 8, 2013 at 2:00 AM MDT
We're going to hear next from a woman who has finished one of the most extraordinary careers in recent sports history. Tina Thompson, of pro basketball Seattle Storm, has retired. She played in every one of the WNBA's 17 seasons. The all-time top scorer, she won four championships, two Olympic gold medals. But she never dreamed of becoming a pro basketball player. That option once hardly existed for women.
In fact, she was sitting in a test prep class hoping to get into law school when she got a call. The brand-new Women's National Basketball Association had chosen her for their very first draft pick.
Was a hard decision to go to the WNBA at all?
TINA THOMPSON: It was, especially initially because I mean, from a financial standpoint, the money that they offered me was literally a couple of thousand dollars above the poverty line...
THOMPSON: ...in California at the time.
THOMPSON: So...
INSKEEP: To be the number one draft pick in an entire sport.
THOMPSON: So I was kind of like, all right. You have been wanting to be, you know, a judge, you know, almost your entire life. You studied hard, now you're studying to take the LSAT and it wasn't, you know, to hard of a decision to decline. But once negotiations and stuff like that started, they made it more, I guess, pleasing for me to be able to make a decision to play in the WNBA.
INSKEEP: What's the smallest crowd you ever played before in a pro basketball game?
THOMPSON: I would probably say a few thousand. I mean I've been very, you know, blessed to play for good teams that have a great fan base. I mean, in Houston our fan base was amazing. There were times we went on the road, I remember it was actually a television game when we played in Detroit, like one year. And you could probably, you know, count the amount of people that were in the stands at the time. But, you know, once the game starts, I once - I kind of step in between those lines, I have tunnel vision.
So that's not something that bothers me. But of course, I did notice it, like, in warm-ups and things like that. Because when you can actually hear individual voices, and totally understand what they're saying - and there's not the hum of, you know, just people kind of like talking and stuff like that, like drowning it out - you know that there's a very small group of people in the arena.
INSKEEP: Is there any one play, any one basket, any one score that goes through your head again, and again, and again and you can see it is if you're experiencing it again?
THOMPSON: There is actually one play that I see quite often and just, I think it's embedded into WNBA history. And it's not one that I've taken myself. It was one...
THOMPSON: ...that was taken by a player by the name of Teresa Weatherspoon. And Teresa played for the New York Liberty. We were playing them in a championship, a three-game series, and we were up by two points. I actually think that I had made the basket before, to kind of put us up. And Teresa is taking the ball out of bounds. They don't have any timeout and we relaxed.
So, she kind of dribbles by a few of my teammates and I'm kind of like, in my mind, like: Are you guys just going to let her get a free look at the basket. And I run kind of asked her because I'm like, we should at least deter her. And she keeps the ball from our end of the court and it goes in.
INSKEEP: Ow.
THOMPSON: Yes. So they beat us by one point. And I am extremely livid. So we go to the locker room and everybody is kind of like, no big deal - we'll get them tomorrow. And I'm like: Are you kidding me.
THOMPSON: Who wants to come back tomorrow?
THOMPSON: Like, this should be over. I'm pissed.
INSKEEP: You should have one in the series.
THOMPSON: No one laughed. No one smiled. This is not OK.
THOMPSON: Needless to say, we go back and we completely smash them in the third game. And, you know, we win our second championship. But yeah, I was heated.
INSKEEP: Has there been - forgive me for not knowing this - has there been any moment in which you have played against the men in any kind of setting - in a kind of Billie Jean King kind of setting?
THOMPSON: Well, like during the All-Star Game, like, quite a few of us consistently are invited to the NBA, like, All-Star. And we do, like, shooting events during, like, All-Star Saturday and things like that. Being from L.A., I have a lot of friends that play professionally and have played, so more so like in pickup games and stuff like that.
INSKEEP: When you've played against men in informal games or in other settings, have you noticed differences in the style of play, the way of play, the way that people think, their attitude on the court between men and women?
THOMPSON: Oh, for sure. Some guys, especially those that are not professional - because the professional guys actually have a bit more respect. But for men that actually aren't professionals and, you know, they are put in the situation...
THOMPSON: ...where they're having to play against or with, or have to guard a female player, there's just kind of like his machismo that they have the sense that: No matter how talented this female player is, they believe because they're a guy that they're better. So they exert a lot more energy.
INSKEEP: Wait a minute. You said they use a lot more energy, meaning they're a little worried about you. They want to make sure...
THOMPSON: Yeah, like they're little or they feel like, you know, they might be embarrassed or something like that. And it's kind of like, yeah, like you just got crossed over by James Harden and it was no big deal, because he's a professional. But now, you're guarding, you know, Maya Moore, and you're being extremely physical with her because she's, like, a female. And it's just like, come on, dude - like, relax.
Like, no matter how you try, she's a professional. So you could try as hard as you want to - she's better.
INSKEEP: Your fans will know that you have an eight-year-old son, right?
THOMPSON: I do. I have an eight-year-old son. His name is Dylan. He spent most of his life as a - just a basketball kid.
INSKEEP: What was that like when he was two, say?
THOMPSON: It was great. I mean he immediately adapted to the lifestyle. You know, sometimes our hours are really weird and really awkward, especially when we were traveling with the Olympic team or USA Basketball. I mean sometimes we were getting up at like three, four o'clock in the morning but he would get up. And he wouldn't be fussy.
INSKEEP: What did he say when you told him you were going to retire?
THOMPSON: He wasn't happy about it. He's so much a part of our team and he has relationships with our players and coaches, and stuff like that. So it was really tough for him. He actually cried. And, you know, I felt just kind of heartbroken by it. But at the same time, it's like: Mom is 38 years old and this is her 17th season; like, she can only play, like, so much. You know?
And I just explained to him, like, he's going to be amazed at the difference in our life: Little League, and to play flag football and basketball, like consistently. You know, me retiring and not playing basketball anymore, will be a distant memory.
INSKEEP: Well, Tina Thompson, congratulations on the highs and lows of those 17 years.
THOMPSON: Thank you so much.
INSKEEP: It's MORNING EDITION from NPR News. I'm Steve Inskeep.
And I'm Renee Montagne. Transcript provided by NPR, Copyright NPR.


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At a very steep site with clear view towards the sea a holiday retreat protects its inhabitants from the sun heat and the strong winds while soothing the senses under the moonlight. We have placed the building at the only available naturally formed plateau of the site in order to avoid unnecessary groundworks that could spoil the relief. The structure is defined by 3 volumes that are placed along the contour lines. The end product is a result of the division of a rectangular volume into 3 parts while staggering the middle part towards the east.This break is enhanced by the use of various materials and alteration of the design. The main features of the central volume (where the day activities are hosted) are the cladding with local Arcadian stone – dry stone construction both internally and externally on concrete frame and brick infill -, pitched gabled roof with roofslates and the fireplace on the narrow end framing the view. The design has references to the local architecture (where the Tsakonian "Makrinaria" are met) incorporating changes to the form and size of the openings in order to achieve better results on the bioclimatic output and view. Floor to ceiling openings enhance the dual aspect feature without affecting the monolithic quality while the views cross on all sides. The staggering of the western wall from the outline of this volume creates a long and narrow circulation area under a flat parapet roof that connects all three volumes. Two white blocks are set back on either side of the main volume (where the bedrooms and wc's are hosted) acting as reference to the minimalism and sincerity of our attempted architectural language away from heavy decorative features and overstatements. At the intersection of the three volumes two fair faced concrete beams act as "connectors" subtly underlining the junction of the 3 blocks. A configuration revealing the endless view to the horizon and was born out of consideration for the steep relief and the local traditional materials.
*LED strips placed on the upper side of the second ceiling joist as part of the roof lights offering adequate floodlight at the living room area without betraying the position of the light source.
* Hidden lights underneath the handrail underlining the linear movement towards the Villa offering adequate lighting for the external staircase.
* Using the same technique we illuminate the space underneath the pergola (LEAD strips hidden within the wooden joists).


Stay up late, and come study with other students during the LNAP on March 7, 2019!
The Long Night Against Procrastination (LNAP) is an interactive and inclusive study session taking place from 8 p.m. to 2 a.m. on the 5th floor of CRX Hall. Join us (alone or with your friends) to work on your assignments and to pick up healthier study habits that will help you overcome procrastination and achieve your academic goals.
No registration is required—you can come study at any point between 8 p.m. and 2 a.m. See you on March 7!


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Dodd Calls for Inquiry Into Collapse of Lehman Brothers
By Ron Pechtimaldjian | March 24, 2010 at 08:00 PM
Cites examiner's report that found massive accounting manipulation
Senator Christopher Dodd, chairman of the Banking Committee, called on the Justice Department on March 19 to investigate the collapse of Lehman Brothers. Dodd was focusing on broad accounting manipulations by Lehman that would have hid the grave trouble it was falling into.
In a letter to Attorney General Eric Holder, Dodd cited the 2,200-page report released March 11 by the U.S.-appointed Examiner Anton R. Valukas, which said that Lehman "did not disclose its use–or the significant magnitude of its use–of Repo 105 to the Government, to the rating agencies, to its investors, or to its own Board of Directors." The exhaustive report by Valukas took a year to compile.
Dodd stated in his letter that Lehman's use of Repo 105, an aggressive accounting practice, helped "conceal its holdings of bad assets and to temporarily remove approximately $50 billion of assets from its balance sheet at the end of the first and second quarters of 2008."
To read the full text of Dodd's letter, please click here.
To read about the first anniversary of Lehman's crash from the archives of InvestmentAdvisor.com, please click here.
How the TD Ameritrade Deal Affected Schwab's Q4 Earnings
Janet Levaux | January 19, 2021
Schwab beat estimates and RIA assets topped $3 trillion in its first quarterly report after the deal, which closed Oct. 6.


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Bobby Shmurda is officially back with "No Time For Sleep (Freestyle)"
The Brooklyn emcee also revealed a matching visual.
By Jon Powell
Feb. 23 was a major day for hip hop, as it marked the moment when Bobby Shmurda was once again free following a six-year stint in prison. While GS9 co-star Rowdy Rebel has been active from a musical standpoint, Bobby has chosen to take his time before he makes an official turn to wax. With that said, the Brooklyn talent has been outside amongst his peers giving off the type of positive energy that's impossible for a fan not to smile at. A couple of months ago, Shmurda took to the stage at Rolling Loud Miami, where he premiered a new song — days later, he would surface on a remix of Eladio Carrión and J Balvin's "Tata," further fueling the hopes that a new release was coming soon.
Today (Sept. 3), our collective prayers have been answered with "No Time For Sleep (Freestyle)," the first official single from Bobby Shmurda that was first teased earlier this week on social media. If anyone had any doubts of his abilities post-incarceration, Shmurda immediately destroys them with his hard-hitting, boastful affair:
"Bitch, .45 on my waist, don't gotta turn the key, bitch, .45 on my waist, I'm in my Bentley Jeep, bitch, turned that fire on them niggas, they was twenty-three, if I put that iron on them niggas, they remember me, if you heard we slidin' on them niggas, they make memories…"
Shmurda also liberated a matching video for the track courtesy of Denity, which takes on a military-styled theme reminiscent of classic No Limit Records clips. Viewers can see Shmurda with a couple of beautiful women decked out in soldier gear, toting guns and reminding us all why the NYC drill pioneer is still one of the hardest out.
Check out Bobby Shmurda's "No Time For Sleep (Freestyle)." Hopefully, his official debut LP — said to be titled Chocolate City — is making landfall before year's end.
Bobby Shmurda is reportedly fielding offers for potential documentary about his story
Bobby Shmurda signs Roc Nation management deal
By Peter A. Berry


This past weekend I drove up to Gimli, MB for a quilting retreat to spend time with old friends and meet new ones! Lori and I took this opportunity to work on new sample of our latest Highway 10 Designs patterns that will be used for promotional display by QuiltSource Canada. They are our Canadian pattern distributor and have been so supportive of our pattern business. Above you can see Lori and our friend Renee holding our finished Simply Dashing quilt, made in black and gold Lewis and Irene Bumbleberries fabrics, available through QuiltSource Canada! Lori stitched the whole top on her featherweight machine while I did all the pressing and cutting. We make a good team!
Next we made a few place mat and runner samples from our Roundabout pattern which we will also send to QuiltSource Canada to display. We used another Lewis and Irene collection called Bear Hug, also available through QuiltSource Canada.
It was so hard to just pick a few fabric combinations as they all mixed and matched so well!
While at the retreat Lori and I taught a class making our Roundabout pattern. Students could chose to make a place mat or elongated runner in the class and it was fun to see all the different fabrics chosen for the project. We even had a young quilter in our class and she did a fantastic job on her placemat! Feels good to help the younger generation get starting in quilting!
Lori and I also did a Trunk Show after supper Friday night in the restaurant banquet room so everyone had a comfortable seat. We showed about 50 samples of our pattern quilts and really enjoy sharing our stories and quilts with other quilters. It was a really great weekend, even though it was –35'c outside! Thankfully we didn't have to leave the hotel as it was a one stop retreat! We ate, slept and shopped under one roof, as Fabriculous Quilt Shop as it is located in the hotel complex!
Is the Quilt Source Canada open to people who have a small quilting business?
Or do you know a company that is ?


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Luis Silvela Casado (Madrid, 3 de junio de 1865-Madrid, 22 de abril de 1928) fue un abogado, periodista y político español, ministro de Instrucción Pública y Bellas Artes, ministro de la Gobernación y ministro de Marina durante el reinado de Alfonso XIII. También desempeñó los cargos de alto comisario de España en Marruecos en 1923 y alcalde de Madrid en dos ocasiones.

Biografía
Nacido en Madrid el 3 de junio de 1865, era hijo de Manuel Silvela y sobrino de Francisco Silvela.

Fue miembro del Partido Liberal. Inició su carrera política en Cortes en las elecciones de 1898 obteniendo un escaño por el distrito cubano de Santa Clara. En las elecciones de 1901 lo obtuvo por el distrito granadino de Alhama. En 1905 fue elegido por Vera (Almería), mientras que en 1907, 1910, 1914, 1916, 1918, 1919, 1920 y 1923 fue elegido por Almería.

Fue ministro de Instrucción Pública y Bellas Artes entre el 2 de marzo y el 22 de marzo de 1918. En ese mismo año ocupó la cartera ministerial de Gobernación entre el 9 de noviembre y el 5 de diciembre y, finalmente, fue ministro de Marina entre el 7 de diciembre de 1922 y el 16 de febrero de 1923, siempre en gabinetes presididos por Manuel García Prieto. Asimismo, fue alcalde de Madrid en dos ocasiones. Fue designado para su primer mandato el 26 de abril de 1917, siendo sustituido el 16 de junio; mientras que su segundo mandato comenzó el 30 de abril de 1918, resultando relevado el 27 de noviembre por Luis Garrido Juaristi.

El 17 de febrero de 1923 fue nombrado alto comisario de España en Marruecos, constituyendo uno de los mandatos por parte de civiles en el protectorado.

Fundó y dirigió el periódico La Mañana (1909), órgano del Partido Liberal Socialista propuesto en 1908 por José Ortega y Gasset y que tuvo entre sus colaboradores a Luis de Armiñán, José Téllez y Eduardo Haro Delage. En recuerdo de sus servicios, el rey Alfonso XIII concedió a su única hija el título de marqués de Zurgena. Una calle en Madrid lleva su nombre.

Falleció el 22 de abril de 1928 en Madrid.

Referencias

Bibliografía

Enlaces externos

Diputados por Santa Clara de las Cortes de la Restauración
Diputados por Alhama de las Cortes de la Restauración
Diputados por Vera de las Cortes de la Restauración
Diputados por Almería de las Cortes de la Restauración
Diputados de la IX legislatura de España de la Restauración
Diputados de la XI legislatura de España de la Restauración
Diputados de la XII legislatura de España de la Restauración
Diputados de la XIII legislatura de España de la Restauración
Diputados de la XIV legislatura de España de la Restauración
Diputados de la XV legislatura de España de la Restauración
Diputados de la XVI legislatura de España de la Restauración
Diputados de la XVII legislatura de España de la Restauración
Diputados de la XVIII legislatura de España de la Restauración
Diputados de la XIX legislatura de España de la Restauración
Diputados de la XX legislatura de España de la Restauración
Diputados de la XXI legislatura de España de la Restauración
Ministros del periodo constitucional del reinado de Alfonso XIII
Ministros de Educación de España
Políticos del Partido Liberal de España de la Restauración
Alcaldes de Madrid
Altos Comisarios de España en Marruecos
Ministros del Gobierno de España nacidos en la Comunidad de Madrid
Ministros del Gobierno de España del Partido Liberal
Nacidos en Madrid
Fallecidos en Madrid
Subsecretarios de Justicia de España


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AC Milan v Arsenal: San Siro Season Saver?
WizardOfOzil
6th Mar, 2018
The San Siro is one of the greatest grounds in world football. The iconic Italian stadium has played home to the Champions league trophy on an incredible 8 occasions between both AC Milan (5) and Inter Milan (3). It's a theatre of football; a ground that instils fear in the hearts of opposition based on reputation alone... and it plays home to a meek and deflated Arsenal side's next match.
The Europa League last 16 fixture with the Rossoneri of Milan is already an intimidating tie, but heap on the recent horrific form of Arsene Wenger's side and the fixture becomes an almost terrifying prospect.
And it's also an incredibly important tie in defining the story of Arsenal's season, as is the case with all Europa League ties from here on-out (although there very well may only be one more after this one). Once a competition lambasted by Arsenal - even in the group stages to an extent - Europe's secondary competition now represents the only semblance of a saving grace remaining in the Gunner's season - and almost certainly the last chance for the manager to leave his tenure at the club on a high.
The fixture couldn't be arriving at a worse time. Not necessarily in relation to injuries for once - the team is relatively full-strength bar the absence of Alexandre Lacazette and Santi Cazorla; as well as the cup-tied Pierre Emerick Aubameyang - but are going into the game in some of the worst form that has ever graced the club in recent times.
The last four results make for horrific reading. In the previous EL game, Swedish minnows Ostersund made the trip to North London after losing well at home, and left with a monumental win. Arsenal were complacent, which has been a common theme over the past few games, perhaps none more so than the League Cup final. Manchester City went to Wembley and embarrassed an Arsenal team that was described as "spineless" by Gary Neville in his punditry position.
If that definition seemed harsh at the time, it was surely backed-up by the league match last Thursday by the same opposition, as Pep Guardiola's men strolled to a 3-0 lead within a half hour. 3 shocking performances in a row were bad enough, but at least excuses could be made to a certain extent - "the game was already won in Sweden/resting for the cup final" or "City are the best team in Europe" are flimsy, but perhaps reasonably valid reasoning behind the losses... but there was no such crutch against Brighton on Sunday.
Chris Hughton's Brighton side made a mockery of Wenger's deflated side in the first half of their tie at the Amex Stadium. After starting well, following the first goal, the newly-promoted side cut through Arsenal like a hot knife through butter. When Wenger's side go behind, they don't inspire much confidence, and they fell to another lacklustre loss - the fourth in a row.
Going into this tie against an in-form Milan side on the back of four deflating losses is not ideal. Former midfield stalwart Gennaro Gattuso has taken over a Milan side that was losing games it shouldn't have been and rejuvenated them since November, and looks likely to hold onto the role. He currently stands in a far better position to his Arsenal counterpart, whose job has never been more hanging in the balance than coming into these set of European fixtures.
Perhaps the most daunting prospect of this match-up is the clear disparity between the strength of Arsenal's attack and Milan's defense. Usually, Arsenal's attacking options - at least on paper - is the club's saving grace. But, with the aforementioned absences and the departures of Olivier Giroud and Alexis Sanchez, attacking options for this encounter are considerably light, with Danny Welbeck set to lead the line.
Welbeck has not offered much when featuring in recent games, but the English striker has been generally unfortunate, both in the past few matches and during his tenure at Arsenal due to injuries. He'll certainly have a lot to do against Milan, who have an excellent back line.
When people recall the Milan teams of old, they recall rock-solid no nonsense defenders, and while the current crop may not share the same levels of success as those have previously held their positions, they still pack a punch; none more so than Leonardo Bonucci, who moved to Milan from Juventus in the Summer and represented a massive coup for the side.
He is joined by fellow new signing Ricardo Rodriguez and the veteran Ignazio Abate, who all combine to make for a fine defense. Behind the outfield defenders is perhaps the most promising goal keeper in the world - 19 year old Gianluigi Donaruuma, who already has an incredible 94 Serie A caps to his name as well as 4 appearances for the Italian national team.
Milan's presence in the Champions League may be the only way to hold on to the young man considered to be the spiritual successor to Gianluigi Buffon, making these ties of a similar importance to Milan as they are to Arsenal.
Joining Welbeck with a reintroduction to the starting team will be Hector Bellerin, who was rested for the first time all season against Brighton, as well as Aaron Ramsey, who was also given a rest but did not feature on the bench. It will be a strong team that is fielded, as strong as possible, to match the significance of the occasion.
Regardless of strength, one thing is for sure - nothing Arsenal have shown over the past four matches suggest that they will come away from the San Siro with a result. It was a strong side that contested the game against Brighton; the games against City as well and still poor performances - it is more than the quality of the players that is the issue here.
If a positive result was gained, even a score draw away from home, it may give the side a bit of a lift - take the pressure off of Wenger's back for a few days - but again, it seems unlikely based on recent displays. Thursday will reveal all.
Arsenal travel to Italy to face AC Milan in the first leg of their last of 16 Europa League tie with the Rossoneri, with kick-off scheduled for 6pm on Thursday the 8th of March.


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You decide. Yes, it's wordless Wednesday but perhaps we can call it 'Wednesday's Quiz Question' instead. Where is your quiet space? Maybe it's a stroll through a garden or park when no one else is there or contemplating a beautiful piece of art in a museum, or discovering that first apple blossom in the spring air. Should you need a little assistance this Wednesday morning, Norton Juster provides us with a few suggestions.
"Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully." In all the noise of this busy Wednesday, find time for you and your quiet space.
It's the best splash of color I could find on this raining morning in the garden.


When I first saw pineapple stitch, I couldn't figure out why this simple but elegant stitch was given such an odd name. On closer inspection, I suddenly realised!
It's made up of thousands of tiny pineapples!
Pineapple stitch was particularly popular in the 1930's and 40's, often seen on the short sleeve tops that were a staple garment in the era.
Pineapple stitch looks particularly nice worked in a smooth yarn, although a very fine and subtle bouclé would make a very interesting fabric.
I hope you've enjoying my little knitted stitch pattern feature over the past few weeks. I have five stitches left in this series. If you'd like to be notified via email whenever I post a new stitch or pattern, you can sign up over on the left (if you're on a desktop or laptop computer), or beneath this post on tablets or mobile. I never share anyone's email address with any third parties and will only use it to notify you of new posts.


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Sancho Panza és un dels personatges principals de la novel·la El Quixot, escrita per Miguel de Cervantes Saavedra.

Don Quixot, el personatge principal, es pren per un cavaller medieval i decideix sortir a la recerca d'aventures. La tradició mana que tot cavaller errant tingui un escuder. Per a tal comesa convenç

que es deia Sancho Panza. A diferència del seu senyor, Sancho és un home realista i pràctic que el seguirà fidelment dalt d'un ase, tot i que no entén els seus idealismes. Mentre Don Quixot es dedica a resoldre imaginaris greuges que troba pel camí, el seu escuder, senzill i bonàs, tractarà de dissuadir-lo perquè no es fiqui en complicacions.

Saviesa popular
El refranyer representa el bagatge cultural popular acumulat a través dels segles. Tradicionalment, el camperol ha recorregut als refranys per resoldre les limitacions culturals i lingüístiques, típiques d'èpoques passades. Les dites populars li permetien manifestar el seu parer i justificar la seva manera de fer de forma ràpida i senzilla; ja que aconseguia resumir tot el seu pensament en una frase que sàviament ho expressava millor i més eficaçment. Sancho és un reflex literari d'aquest costum, i al llarg de l'obra presentarà multitud de dites populars que l'exemplificaran. Heus aquí alguns exemples.

 Donde una puerta se cierra otra se abre.
 No con quien naces, sino con quien paces.
 De noche todos los gatos son pardos.
 Ándeme yo caliente y ríase la gente.
 Cuando a Roma fueres, haz como vieres.

El Quixot, per contra, home culte, s'embolicarà moltes vegades en els seus pensaments, fent-los incomprensibles a Sancho. Sancho recorria a tants refranys, que el Quixot va acabar per dir-li:

Governador
Quan comença la segona part del llibre, la ínsula (illa) de Barataria, promesa per Don Quixot a Sancho, és concedida per un duc, però Sancho no triga a desistir d'aquest ofici perquè no serveix. Les males jugades que li van fer ho corroboraven, ja que tot es tractava d'una burla per part del duc i la duquessa.

Bibliografia

http://cvc.cervantes.es/literatura/clasicos/quijote] Text complet de El ingenioso hidalgo Don Quijote de la Mancha al Centro Virtual Cervantes.
 Universitat d'Alcalá(1997) ''Miguel de Cervantes Saavedra.

Referències

Personatges de ficció