text:
I want to transform reality into a poetic statement.
Born 1946 in Las Palmas de Gran Canaria, Spain
Lives and works in Rio de Janeiro, Brazil
http://www.miguelriobranco.com.br
Obwohl Miguel Rio Branco als Fotograf international bekannt wurde, hat er sich mit dem Fach nie vollständig identifiziert. Der Künstler, der seit den 1970er-Jahren in Rio de Janeiro lebt, sich aber als Weltbürger versteht, interessiert sich weniger für den dokumentarischen Blick auf die Realität als für die eigenständige Konstruktion und Montage von Bildinhalten: "I want to transform reality into a poetic statement." Brancos farbsatter, alchemistischer Bildkosmos ist entscheidend geprägt von seinen Erfahrungen als Kinematograf und Maler.
In Entre os olhos, o deserto (Between the Eyes, the Desert), aus dem Jahr 1997 fügte der Künstler Hunderte von Bilder, die meist in der Grenzregion San Diego-Tijuana entstanden sind, in einer opulenten Drei-Kanal-Projektion zusammen. So entstand eine augenbetäubende Bildabfolge, durchtränkt von einer Musikalität, die der Jazzimprovisation verwandt ist. Gerade weil die eindrücklich choreografierte Bildcollage offen ist für unzählige Interpretationen, vermag sie das Publikum in ihren Bann zu ziehen. Denn die Macht der dunklen, manchmal geheimnisvollen Bilder geht einher mit einer betörenden Sinnlichkeit.
Entre os olhos, o deserto ist ein Endlosfilm von grosser existenzieller Dichte über Liebe und Sterben, über Schönheit und Zerfall, über das Zyklische und über Metamorphosen. Nichts ist abgeschlossen und eindeutig, alles im Fluss, offen für einen Wandel.
Katrin Steffen
Daros Ausstellungen
Made in Brasil
Casa Daros, Rio de Janeiro, Brazil, 2015
La Mirada. Looking at Photography in Latin America Today / Zeitgenössische Fotokunst aus Lateinamerika. Part 1
Daros Museum, Zürich, Switzerland, 2002
Ausgewählte Titel in unserer Bibliothek
Géométries sud. Du Méxique à la terre de feu. Exhibiton catalogue, Fondation Cartier, Paris, France, October 14, 2018 - February 24, 2019. With texts by Mónica Amor, Ticio Escobar, César Paternosto (et al.). Paris, Fondation Cartier, 2018.
Pulsions urbaines. 1962-2017. L'amérique latine en mouvement. Collection Leticia et Stanislas Poniatowski. Exhibition catalogue, Rencontres internationales de la Photographie, Espace van Gogh, Arles, France, July 3 - September 24, 2017. With texts by María Wills, and Alexis Fabry. Paris, Toluca, 2017.
Hélio Oiticica. To organize delirium. Exhibition catalogue, Carnegie Museum of Art, Pittsburgh, October 1, 2016 - January 2, 2017, The Art Institute of Chicago, February 19 - May 7, 2017, Withney Museum of American Art, New York, USA, July 14 - October 1, 2017. With texts by Lynn Zelevansky, Adele Nelson, Guilherme Wisnik, Sérgio B. Martins, Max Jorge Hinderer Cruz (et al.). Pittsburgh, Carnegie Museum of Art / Munich, Prestel DelMonico, 2016.
Imagine Reality. RAY 2015 Fotografieprojekte Frankfurt/RheinMain. Exhibition catalogue, Fotografie Forum Frankfurt, Museum Angewandte Kunst, MMK Museum für Moderne Kunst, Frankfurt am Main, Germany, June 20 - September 20, 2015. With texts by Peter Gorschlüter, Celina Lunsford (et al.). Heidelberg, Kehrer, 2015.
Made in Brasil (English). Exhibiton brochure, Casa Daros, Rio de Janeiro, Brasil, March 21 - August 9, 2015. With a text by Hans-Michael Herzog and Katrin Steffen. Rio de Janeiro, Casa Daros, 2015.
Made in Brasil (Português). Exhibiton brochure, Casa Daros, Rio de Janeiro, Brasil, March 21 - August 9, 2015. With a text by Hans-Michael Herzog and Katrin Steffen. Rio de Janeiro, Casa Daros, 2015.
Made in Brasil. Encontros 5. Art education publication accompanying the exhibition at Casa Daros, Rio de Janeiro, Brasil, March 21 - August 9, 2015. With texts by Bia Jabor, Marcelo Campos, and Roberta Condeixa. Rio de Janeiro, Casa Daros, 2015.
América Latina 1960-2013. Fotos y textos. Exhibition catalogue, Fondation Cartier, Paris, France, November 19, 2013 - April 6, 2014, Museo Amparo, Puebla, Mexico, May 24 - September 29, 2014. With texts by Olivier Compagnon, Luis Camnitzer, and Alfonso Morales Carrillo. Puebla, Museo Amparo, 2014.
Miguel Rio Branco. Teoria da cor. Exhibition catalogue, Estação Pinacoteca, São Paulo, Brasil, April 26 - July 20, 2014. With a text by Paulo Herkenhoff and an interview with the artist by Ivo Mesquita and José Augusto Ribeiro. São Paulo, Pinacoteca do Estado, 2014.
América Latina 1960-2013. Photographs. Exhibition catalogue, Fondation Cartier, Paris, France, November 19, 2013 - April 6, 2014, Museo Amparo, Puebla, Mexico, May 24 - September 29, 2014. With texts by Olivier Compagnon, Luis Camnitzer, and Alfonso Morales Carrillo. Paris, Fondation Cartier, 2013.
Diegues, Isabel, and Eduardo Ortega (eds.). Fotografia na arte brasileira séc. XXI. Rio de Janeiro, Cobogó, 2013.
Miguel. Rio Branco. Out of nowhere. With texts by Ligia Canongia and the artist. São Paulo, Luste Editores, 2013.
Amazônia. Ciclos de modernidade. Exhibition catalogue, Centro Cultural Banco do Brasil, Rio de Janeiro, May 28 - July 22, 2012, Brasília, August 13 - September 23, 2012. With texts by Paulo Herkenhoff (et al.). São Paulo, Zureta, 2012.
Amirsadeghi, Hossein. Contemporary art Brazil. London, TransGlobe Publishing, 2012.
Diegues, Isabel, and Frederico Coelho (eds.). Desdobramentos da pintura brasileira Séc. XXI. Rio de Janeiro, Cobogó, 2012.
Rio Branco, Miguel. Você está feliz? São Paulo, Cosac Naify, 2012.
Eloge du vertige. Photographies de la collection Itaú, Brésil = O elogio da vertigem. Coleção Itaú de fotografia brasileira. Exhibition catalogue, Maison Européenne de la Photographie, Paris, France, January 18 - March 25, 2012. With texts by Eder Chiodetto and Iatã Cannabrava. São Paulo, Itaú Cultural, 2012.
29th Bienal de São Paulo. There is always a cup of sea to sail in. Documentation. Exhibition catalogue, 29th São Paulo Biennial, September 25 - December 12, 2010. With texts by Agnaldo Farias and Moacir dos Anjos (et al.). São Paulo, Fundação Bienal, 2011.
ArtNexus Brasil en Colombia. Artnexus, Arte en Colombia. Antología de textos. Edited by Adriano Pedrosa. Bogotá, ArtNexus / Arte en Colombia, 2011.
Sardenberg, Ricardo. Arte contemporânea no século XXI. 10 brasileiros no circuito internacional. Rio de Janeiro, Capivara, 2011.
Fernández, Horacio. El fotolibro latinoamericano. Mexico City, RM, 2011.
Entre chien et loup. Works from the Meana Larrucea Collection. Collection catalogue. With texts by Guillermo Paneque (et al.). Madrid, Iberdrola, 2011.
Fernández, Horacio. Fotolivros latino-americanos. São Paulo, Cosac Naify, 2011.
Les livres de photographie d'Amérique latine. Exhibition catalogue, Le Bal, Paris, France, January 20 - April 8, 2012. With texts by Horacio Fernández. Marseille, Images En Manoeuvres, 2011.
29th Bienal de São Paulo. There is always a cup of sea to sail in. Exhibition catalogue, 29th São Paulo Biennial, September 25 - December 12, 2010. With texts by Agnaldo Farias and Moacir dos Anjos (et al.). São Paulo, Fundação Bienal, 2010.
Changing the Focus: Latin American Photography 1990-2005. Exhibition catalogue, Museum of Latin American Art, Long Beach, California, February 14 - May 2, 2010. With texts by Cecilia Fajardo-Hill (et al.). Long Beach, California, Museum of Latin American Art MoLAA, 2010.
Objeto de réplica. Exhibition catalogue, Artium, Vitoria-Gasteiz, September 20, 2007 - August 24, 2008. With texts by Daniel Castillejo, Rosa Olivares (et al.). Vitoria-Gasteiz, Artium, 2010.
Paula Trope. Emancipatory Action. Exhibition catalogue, Americas Society, New York, May 24 - August 31, 2007. With texts by Gabriela Rangel, Paulo Herkenhoff (et al.). New York, Americas Society, 2010.
Portolano of the 29th Bienal de São Paulo. There is always a cup of sea to sail in = 29a Bienal des São Paulo. Há sempre um copo de mar para um homem navegar. Portulano = . Portolano. Six of the many ways to visit the 29th Bienal. São Paulo, Fundação Bienal, 2010.
Latin America. Auction catalogue, Phillips de Pury, New York, October 3, 2009. With texts and an interview with Vik Muniz by Karen Wright. New York, Phillips de Pury, 2009.
Duarte, Paulo Sergio. Arte contemporânea brasileira. Um prelúdio. Rio de Janeiro, Silvia Roesler Edições de Arte, 2008.
Através. Inhotim. Exhibition/collection catalogue, Inhotim, Brumadinho, Brazil. With texts by Adriano Pedrosa, Jochen Volz, Rodrigo Moura (et al.). Brumadinho, Instituto Cultural Inhotim, 2008.
Brasil y el arte de mezclar. Revista del Occidente 321 (Madrid), February 2008.
Colección Anna Gamazo de Abelló. Fotografía Latinoamericana. Una selección / a selection (1895-2008). Collection catalogue. With a text by Alexis Fabry. Mexico City, RM, 2008.
Pucu, Isabela (ed.). Imediações. A crítica de Wilson Coutinho. Rio de Janeiro, 2008.
MAM 60. Collection and exhibition catalogue, Museu de Arte Moderna, São Paulo, Brasil, October 16 - December 14, 2008. With texts by Annateresa Fabris, Luis Camillo Osorio (et al.). São Paulo, Museu de Arte Moderna, 2008.
Miguel Rio Branco. Dislecsia. Exhibition catalogue, Casa de América, Madrid, Spain, February 12 - March 30, 2008. With a text by Marcia Mello. Madrid, Casa de América, 2008.
Miguel Rio Branco. Pas perdus. Exhibition brochure, Mois de la photographie, Paris, France, November 19 - December 20, 2008. Paris, Galerie 1900-2000, 2008.
SP Arte. Feria Internacional de Arte São Paulo. Exhibition catalogue, Feira internacional de Arte, São Paulo, April 24 - 27, 2008. São Paulo, SP Arte Eventos Culturals, 2008.
Adquisiciones 2006. Collection catalogue. Madrid, Museo Nacional Centro de Arte Reina Sofía, 2007.
Constructing a poetic universe: The Diane and Bruce Halle collection of Latin American Art. Exhibition catalogue, The Museum of Fine Arts, Houston, Texas, USA, March 11 - June 10, 2007. With texts by Beverly Adams (et al.). London/New York, Merrell Publishers, 2007.
Filmes de artista. Brasil 1965-80. Exhibition catalogue, Oi Futuro, Rio de Janeiro, Brasil, May 1 - June 17, 2007. With texts by Fernando Cocchiarale, and André Parente. Rio de Janeiro, Contra Capa, 2007.
Secuencias 76/06. Arte contemporáneo en las colecciones públicas de Extremadura = Sequences 76/06. Contemporary art in public collections in Extremadura. Exhibition catalogue, Museo Extremeño e Iberoamericano de Arte Contemporáneo MEIAC, Badajoz, March 28 - June 28, 2007. With texts by Juan Manuel Bonet, Antonio Franco Domínguez, Carlos Jiménez et al. Badajoz, Junta de Extremadura, 2007.
Olivares, Rosa (ed.). 100 artistas Latinoamericanos = 100 Latin American artists. Madrid, Exit, 2006.
González Iñárritu, Alejandro. Babel. A film by Alejandro González Iñárritu. Photographs by Mary Ellen Mark, Patrick Bard, Graciela Iturbide and Miguel Rio Branco. Cologne, Taschen, 2006.
Câmaras de luz. Exhibition catalogue, Oi Futuro, Rio de Janeiro, Brazil, November 6 - December 14, 2006. With texts by Ligia Canongia and Cezar Bartholomeu. Rio de Janeiro, Oi Futuro, 2006.
Fotografia brasileira contemporânea na Coleção Carlos Leal. Collection and exhibition catalogue. Caixa Cultural, Rio de Janeiro, With a text by Angela Magalhães, and Nadja Fonsêca Peregrino. Rio de Janeiro, Barléu, 2006.
Invenção de mundos. Coleção Marcantonio Vilaça. Collection catalogue. With texts by Moacir dos Anjos, and Ileana Pradilla Ceron. Recife, Instituto Cultural Banco Real, 2006.
Living in Rio. With a text by Paulo Thiago de Mello and photographs by Reto Guntli and Agi Simões. London, Thames & Hudson, 2006.
MAM na OCA. Arte brasileira do acervo do Museu de Arte Moderna de São Paulo. Exhibition catalogue, Museu de Arte Moderna, São Paulo, 2006. With texts by Tadeu Chiarelli (et al.). São Paulo, Museu de Arte Moderna, 2006.
Miguel Rio Branco. Notes on the tides. Exhibition catalogue, Groninger Museum, Groningen, September 17 - December 3, 2006. With a text by Paulo Herkenhoff. Groningen, Groninger Museum, 2006.
Zeitgenössische Fotokunst aus Brasilien. Exhibition catalogue, Neuer Berliner Kunstverein, January 14 - February 26, 2006, Galerie der Stadt Sindelfingen, April 9 - June 11, 2006, Hallescher Kunstverein, June 25 - July 16, 2006, Stadtgalerie Kiel, August 9 - October 29, 2006, Kunstmuseum Dieselkraftwerk Brandenburgische Kulturstiftung Cottbus, November 14 2006 - January 14, 2007, with texts by Fernando Cocchiarle and Helouise Costa. Heidelberg, Braus im Wachter Verlag, 2006.
Adquisiciones 2004. Madrid, Museo Nacional Centro de Arte Reina Sofía, 2005.
En las fronteras = In Borderlines. Arte latinoamericano en la Colecciõn del MEIAC. Latineramerican collection of the MEIAC, Badajoz. With texts by Carlos Jiménez (et al.). Badajoz, Consejería de Cultura, Junta de Extremadura, 2005.
González, Miguel. Latinoamérica. Visiones y miradas. Cali, Corporación para la cultura, 2005.
Miguel Rio Branco. Plaisir la douleur. By Paulo Herkenhoff. Paris, Editions Textuel, 2005.
Na hranicích = In Borderlines. Latinskoamerické umení ve sbírkách MEIAC. Latineramerican collection of the MEIAC, Badajoz. With texts by Carlos Jiménez (et al.). Badajoz, Consejería de Cultura, Junta de Extremadura, 2005.
Quinta Bienal do Mercosul. Direções no novo espaço. Exhibition catalogue, Bienal de Artes Visuais do Mercosul, Porto Alegre, Brazil, September 30 - December 4, 2005. With texts by Paulo Sergio Duarte, Gaudêncio Fidelis (et al.). Porto Alegre, Fundação Bienal de Artes Visuais do Mercosul, 2005.
2004 Shanghai Biennale. Techniques of the visible. Exhibition catalogue, Shanghai Biennial, September 2004. With contributions by Sebastián López (et al.). Shanghai, Municipal Administration of Culture, 2004.
Teixeira da Costa, Cacilda. Arte no Brasil 1950-2000. Movimientos e meios. São Paulo, Alameda, 2004.
Brazil. Body nostalgia. Exhibition catalogue, The National Museum of Modern Art, Tokyo, June 8 - July 25, 2004, The National Museum of Modern Art, Kyoto, August 17 - September 20, 2004. Edited by Katsuo Suzuki, with texts by Kenjin Miwa (et al.). Tokyo, National Museum of Modern Art; Kyoto, Japan, National Museum of Modern Art, 2004.
Tuyl, Gijs van. Das offene Museum.Die ersten zehn Jahre = The open museum. The first ten years. Wolfsburg, Kunstmuseum, 2004.
Diálogos. Arte Latinoamericano desde la Colección Cisneros. Exhibition catalogue, Museo Nacional de Bellas Artes, Santiago de Chile, November 25, 2004 - February 28, 2005. With an interview with Patricia Phelps de Cisneros by Luis Pérez Oramas. Caracas, Fondación Cisneros, 2004.
Angela Magalhães, and Nadja Fonseca Peregrino. Fotografia no Brasil. Um olhar das origens ao contemporâneo. Rio de Janeiro, Funarte, 2004.
Prieto, José Manuel. México D.F.. Paris, Toluca Project, 2004.
Gomes, Dyógenes Chaves. Núcleo de arte contemporânea da Paraíba - NAC. Rio de Janeiro, Funarte, 2004.
Paisaje y memoria = Landscape and Memory. Exhibition catalogue, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, June 30 - August 22, 2004. With texts by Alicia Chillida (et al.). Las Palmas de Gran Canaria, Centro Atlántico de Arte Moderno, 2004.
Paulo Sérgio Duarte. A trilha da trama e outros textos sobre arte. organizadora: Luisa Duarte. With a text by Luiz Renato Martins. Rio de Janeiro, Funarte, 2004.
A subversão dos meios. Exhibition catalogue, Itaú Cultural, São Paulo, Brazil, October 23, 2003 - February 1, 2004. With texts by Maria Alice Milliet and Nancy Betts. São Paulo, Itaú Cultural, 2003.
Foto Arte 2003. Brasilia, Capital da Fotografia. Exhibition catalogue, Foto Arte 2003, Brasilia DF, June 16 - August 29, 2003. With texts by Ligia Canongia (et al.). Brasilia, ARTE 21, 2003.
Mapas abiertos. Fotografía latinoamericana. 1991-2002. Exhibition catalogue, Fundación Telefónica, Madrid, Palau de la Verreina, Barcelona, November 2003 - January 2004 (simultaneous exhibitions). Edited by Alejandro Castellote, with texts by Alejandro Castellanos, Rubens Fernandes Junior, Juan Antonio Molina and Iván de la Nuez. Barcelona, Lunwerg, 2003.
Art for the World. Edited by Antonio Zaya, with texts by David Streiff. Geneva, Art for the World, 2002.
Chiarelli, Tadeu. Arte internacional brasileira. São Paulo, Lemos-Editorial, 2002.
Artefoto. Centro Cultural Banco de Brasil, Rio de Janeiro, December 16, 2002 - February 28, 2003. With texts by Ligia Canongia (et al.). Rio de Janeiro, Centro Cultural Banco de Brasil, 2002.
Dans le cadre du mois de la photo. Miguel Rio Branco. Fast flash blacks. Exhibition catalogue, Galerie Mille Neuf Cent Deux Mille, Paris, October 30 - November 30, 2002. With a text by Adolfo Montejo Navas. Paris, Galerie Mille Neuf Cent Deux Mille, 2002.
La Mirada. Looking at photography in Latin America today. Exhibition catalogue, Daros Exhibitions, Löwenbräu, Zurich, October 25, 2002 - March 29, 2003. Edited by Hans-Michael Herzog, with an essay by David Levi Strauss, interviews with the artists by Hans-Michael Herzog. Zurich, Edition Oehrli, 2002.
Miguel Rio Branco. Exhibition catalogue, Palacete del Embarcadero, Santander, Decembe 2001 - January 2002. With a text by Fernando Francés. Cantabria, Cámara de Comercio, 2002.
Miguel Rio Branco. Gritos Surdos. Exhibition catalogue, Centro Português de Fotografia, Porto, 2002. With a text by Maria do Carrno Serén. Porto, Centro Português de Fotografia, 2002.
Mundos creados. Latijn-Amerikaanse fotografie. Exhibition catalogue, Noorderlicht 2002, Fries Museum, De Manege and Princessehof, Leeuwarden, September 8 - October 13, 2002. With a text by Virginia Pérez-Ratton. Groningen, Stichting Fotografie Noorderlicht, 2002.
Paralelos. Arte brasileira de segunda metade do século XX em contexto. Colección Cisneros. Exhibition catalogue, Museu de Arte Moderna, São Paulo, March 23 - June 16, 2002. With texts by Ariel Jiménez and Mari Carmen Ramírez and an interview with Patricia Phelps de Cisneros by Paulo Herkenhoff. São Paulo, Museu de Arte Moderna, 2002.
Violência e paixão. Artur Barrio, Cabelo, Iberê Camargo, Ivan Serpa, Ivens Machado, Jorge Guinle, José Damasceno, Karin Lambrecht, Miguel Rio Branco, Nuno Ramos, Tunga. Exhibition catalogue, Museu de Arte Moderna, Rio de Janeiro, April 17 - June 9, 2002. With a text by Ligia Canongia. Rio de Janeiro, Museu de Arte Moderna, 2002.
Brazil. Body and Soul. Exhibition catalogue, Solomon R. Guggenheim Museum, New York, October 11, 2001- January 27, 2002, Guggenheim Museum, Bilbao, March 23 - September 29, 2002. Edited by Edward J. Sullivan, with texts by Michael M. Hall (et al.). New York, Harry N. Abrams, 2001.
Siza, Teresa. Conversaciones con fotógrafos. Miguel Rio Branco habla con Tereza Siza. Madrid, La Fábrica, Fundación Telefónica, 2001.
Dormir / sleep. Edited by Alexis Fabry, Céline Fribourg and Grégory Leroy. Paris/Geneva, Coromandel, 2001.
Espelho Cego. Seleções de uma Coleção Contemporânea. Exhibition catalogue, Paço Imperial, Rio do Janeiro, May 3 - June 10, 2001, Museu de Arte Moderna, São Paulo, August 24 - October 14, 2001, Espaço Cultural Contemporâneo Venâncio, Brasília, November 20, 2001 - February 23, 2002, Museu de Arte Moderna Aloísio Magalhães, Recife May 9 - June 30, 2002. With texts by Márcia Fortes and Dan Cameron. São Paulo, Museu de Arte Moderna, 2001.
Imagem em jogo. Exhibition catalogue, Contemporary Cultural Center Venâncio, ECCO I Gallery, Brasília, August 2001. WIth a text by Fernando Cocchiarale. Brasília, Editora Arte 21, 2001.
Levi Strauss, David. Miguel Rio Branco. Entre os olhos, o deserto. São Paulo, Cosac & Naify, 2001.
O Fio da Trama = The Thread Unraveled. Contemporary Brazilian art. Exhibition catalogue, El Museo del Barrio, New York, October 13, 2001 - February 3, 2002, Bass Museum of Art, Miami, June 28 - September 29, 2002. With texts by Fatima Bercht and Tadeu Chiarelli. New York, El Museo del Barrio, 2001.
Rede de tensão. Bienal 50 anos. Exhibition catalogue, 50 years of the São Paulo Biennial, Parque Ibirapuera, May 24 - July 29, 2001. With texts by Maria Alice Milliet (et al.). São Paulo, Fundação Bienal, 2001.
Virgin territory. Women, gender and history in contemporary Brazilian art. Exhibition catalogue, National Museum of Women in the Arts, Washington D.C., October 18, 2001 - January 6, 2002. With essays by Susan Fisher Sterling (et al.). Washington, National Museum of Women in the Arts, 2001.
Alegoria. Arte brasileira. Século XX. Museu de Arte Moderna de São Paulo. By Tadeu Chiarelli. São Paulo, Lemos Editorial, 2000.
Arte contemporânea = Contemporary art. Mostra do redescobrimento. Parque Ibirapuera, São Paulo, April 23 - September 7, 2000. With texts by Nelson Aguilar (et al.) and a foreword by Edemar Cid Ferreira. São Paulo, Fundação Bienal de São Paulo; Associação Brasil 500 Anos Artes Visuais, 2000.
Brasil. Plural y singular. Exhibition catalogue, Museo de Arte Moderno, Buenos Aires, March - May 2000. With a text by Clelia Taricco. Buenos Aires, Museo de Arte Moderno, 2000.
Ceci n'est pas un satellite = Esto no es un satélite. Obras contemporánes de la CPPC en el centro de transmisión satelital VBC de DirecTV Venezuela. Catalogue, Venezuela Broadcast Center, Caracas. With a text by Luis Pérez Oramas and an introduction by Patricia Phelps de Cisneros. Caracas, Fundación Cisneros, 2000.
De la antropofagia a Brasilia. Brasil 1920 - 1950. Exhibition catalogue, IVAM, Centro Valenciano de Arte Moderno, Valencia, October 26, 2000 - January 14, 2001. With texts by Jorge Schwartz (et al.). Valencia, IVAM Instituto Valenciano de Arte Moderno, 2000.
Miguel Rio Branco. Pele do tempo. Exhibition catalogue, Centro de Arte Hélio Oiticica, Rio de Janeiro, December 7, 2000 - March 11, 2001. With a text by Paulo Sergio Duarte. Rio de Janeiro, Centro de Arte Hélio Oiticica, 2000.
Situações. Arte brasileira. Anos 70. Exhibition catalogue, Fundaçao Casa França-Brasil, Rio de Janeiro, August 16 - September 24, 2000. With an essay by Paula Terra and Glória Ferreira. Rio de Janeiro, Fundaçao Casa França-Brasil, 2000.
Versiones del sur. Más allá del documento. Exhibition catalogue, Museo Nacional Centro de Arte Reina Sofia, Madrid, December 12, 2000 - February 12, 2001. With texts by Charles Merewether (et al.). Madrid, Museo Nacional Centro de Arte Reina Sofia, 2000.
Leirner, Sheila. Art latino-américain. Au-delà des limites de l'identité = Latin american art. Beyond the limits of identity. Paris, Cie Amérique Latine, 1999.
Brasilianische Fotografie 1946-1998. Labirinto e identidades. Exhibition catalogue, Kunstmuseum Wolfsburg, Wolfsburg, Germany, October 23, 1999 - January 30, 2000. With an essay by Rubens Fernandes Junior. Ostfildern, Cantz Verlag, 1999.
Jiménez, José, and Fernando Castro (eds.). Horizontes del arte latinoamericano. Madrid, Tecnos, 1999.
Labirinto e identidades. Panorama da fotografia no Brasil. 1946-1998. Catalogue, published originally for the exhibition at the Kunstmuseum Wolfsburg, Wolfsburg, Germany, October 23, 1999 - January 30, 2000, Centro Universitário Maria Antonia, São Paulo, 2003. With an essay by Rubens Fernandes Junior. São Paulo, Cosac & Naify, 1999.
Koestenbaum, Wayne. MaleFemale. 105 photographs. Edited by Vince Aletti and an interview with MadonnaNew York, Aperture, 1999.
Miguel Rio Branco. Entre los ojos. Exhibition catalogue, Fundació "la Caixa", Barcelona, 1999. With texts by Adriano Pedrosa and an interview with the artist by Marta Gili. Barcelona, Fundación "la Caixa", 1999.
O Museu de Arte Moderna do Rio de Janeiro. With a text by Maria del Carmen Zilio. São Paulo, Banco Safra, 1999.
Trace. 1st Liverpool Biennial of International Contemporary Art. Exhibition catalogue, 1st Liverpool Biennial, September 24 - November 7, 1999. With texts by Anthony Bond, Charles Merewether and Susan Best. Liverpool, Tate Gallery Liverpool, 1999.
Billeter, Erika. A song to reality. Latin-american photography 1860 - 1993. Barcelona, Lunwerg Editores, 1998.
Amnesia. Exhibition catalogue, Track 16 and Christopher Grimes Gallery, Santa Monica, California, July 1 - September 12, 1998, The Contemporary Arts Center, Cincinnati, Ohio, January 23 - March 28, 1999, Biblioteca Luis Ángel Arango, Bogotá, April 21 - June 27, 1999, Contemporary Art Museum, University of South Florida, Tampa, 2000. With texts by Adriano Pedrosa (et al.). Santa Monica, Smart Art Press, 1998.
Der brasilianische Blick = Um olhar brasileiro. Sammlung Gilberto Chateaubriand. Exhibition catalogue, Haus der Kulturen der Welt, Berlin, July 3 - September 13, 1998, Ludwig Forum für Internationale Kunst, Aachen, October 22 - November 29, 1998, Kunstmuseum Heidenheim, December 13, 1998 - January 31, 1999. With texts by Paulo Herkenhoff (et al.). Berlin, Deutsch-Brasilianische Kulturelle Vereinigung e.V., 1998.
Miguel Rio Branco. Exhibition catalogue, Galeria Camargo Vilaça, São Paulo, 3 - 30 June 1998. São Paulo, Galeria Camargo Vilaça, 1998.
Levi Strauss, David. Miguel Rio Branco. São Paulo, Companhia das Letras, 1998.
Poéticas da cor. Exhibition catalogue, Centro Cultural Light, Rio de Janeiro, September 9 - October 25, 1998. With texts by Ligia Canongia. Rio de Janeiro, Centro Cultural Light, 1998.
The garden of forking paths. Contemporary artists from Latin America. Exhibition catalogue, Kunstforeningen, Copenhagen, April 25 - June 14, 1998, Edsvik Konst & Kultur, Stockholm, October - December 1998, Helsinki City Art Museum, January - February 1999, Nordjyllands Kunstmuseum, Aalborg (DK), March - April 1999. With texts by Octavio Zaya (et al.). Copenhagen, Kunstforeningen, 1998.
XXIV Bienal de São Paulo. Arte contemporânea brasileira. Um e/entre Outro/s. Exhibition catalogue, 24th São Paulo Biennial, Pavillion Ciccillo Matarazzo, Parque Ibirapuera, October 3 - December 13, 1998. Edited by Adriano Pedrosa and Paulo Herkenhoff. São Paulo, Fundaçao Bienal, 1998.
XXIV Bienal de São Paulo. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Exhibition catalogue, 24th São Paulo Biennial, Pavillion Ciccillo Matarazzo, Parque Ibirapuera, October 3 - December 13, 1998. Edited by Adriano Pedrosa and Paulo Herkenhoff. São Paulo, Fundaçao Bienal, 1998.
Hacer memoria. Registros de la nueva fotografía latinoamericana. Exposición No. 84.. Exhibition catalogue, Museo Alejandro Otero, Caracas, Venezuela, 1997. With texts by Ruth Auerbach and Tahía Rivero. Caracas, Museo Alejandro Otero, 1997.
Insite 97. New projects in public spaces by artists of the Americas = Nuevos proyectos de arte público de artistas del continente americano. Exhibition guide, Insite 97, San Diego/Tijuana, September 26 - November 30, 1997. With texts by Jessica Bradley (et al.). Tijuana, Installation Gallery, 1997.
Yard, Sally. Insite 97. Private time in public space = Tiempo privado en espacio público. San Ysidro, Trucatriche, 1997.
Miguel Rio Branco. Silent book. São Paulo, Cosac & Naify, 1997.
Museu de Arte de São Paulo. Coleção Pirelli 7. Exhibition catalogue, Museu de Arte de São Paulo, August 20 - September 28, 1997. With a text by Rubens Fernandes Junior. São Paulo, Museu de Arte, 1997.
Miguel Rio Branco. Out of nowhere. Museu de Arte Moderno do Rio de Janeiro and Museu de Arte Moderna da Bahia, 1996. With a text by Ligia Canongia. Rio de Janeiro / Bahia, Museu de Arte Moderna, 1996.
Miguel Rio Branco. Von nirgendwoher. Exhibition catalogue, ifa-Galerie, Stuttgart, June 23 - August 13, 1995. With texts by Iris Lenz and Karin Stempel. Stuttgart, ifa Institut für Auslandsbeziehungen e.V., 1995.
Panorama da arte brasileira 1995. Exhibition catalogue, Museu de Arte Moderna, São Paulo, Ocotber 24 - November 26, 1995, Museu de Arte Moderna, Rio de Janeiro, December 5 - January 21, 1996. With texts by Ivo Mesquita and Cacilda Teixeira da Costa. São Paulo, Museu de Arte Moderna, 1995.
Bienal Brasil Século XX. Exhibition catalogue, Fundação Bienal de São Paulo, April 24 - May 29, 1994. With contributions by Nelson Aguilar (et al.). São Paulo, Fundação Bienal de São Paulo, 1994.
Die 5. Biennale von Havanna. Kunst, Gesellschaft, Reflexion. Eine Auswahl. Exhibition catalogue, Ludwig Forum für Internationale Kunst, Aachen, September 15 - December 11, 1994. With texts by Wolfgang Becker and Llilian Llanes, with contributions by Nelson Herrera Ysla (et al.). Aachen, Thouet Verlag, 1994.
Die Dichte des Lichts: Zeitgenössische Brasilianische Fotografie = Density of light: Contemporary Brazilian photography. A espessura da luz: Fotografia Brasileira contemporânea. Exhibition catalogue, Fotografie Forum Frankfurt, 1994. With a text by Paulo Herkenhoff. São Paulo, Câmara Brasileira do Livro, 1994.
Fotografie Lateinamerika 1860 - 1993. Canto a la realidad. By Erika Billeter. Bern, Benteli Verlag, 1994.
Image and memory. Photography from Latin America 1866-1994. Edited by Wendy Watriss and Lois Parkinson Zamora, essays by Boris Kossoy and Fernando Castro. Houston, University of Texas Press; Fotofest, 1994.
New art from Latin America. Expanding the continent. Edited by Oriana Baddeley. With texts by Gabriel Pérez-Barreiro, Valerie Fraser, Jon Bird (et al.). London, Art and Design, 1994.
Revendo Brasilia neu gesehen. Mario Cravo Neto, Ulrich Görlich, Andreas Gursky, Rosângela Rennó, Miguel Rio Branco, Thomas Ruff. Exhibition catalogue, Galeria Athos Bulcão, Brasília, September 1 - 25, 1994, Museu de Imagem e Som, São Paulo, October 4 - 25, 1994, Palácio Gustavo Capanema, Rio de Janeiro, January 26 - February 23, 1995, Museo Metropolitano de Arte, Curitiba, March 9 - April 2, 1995, Usina do Gasómetro, Porto Alegre, April 6 -27, 1995, Centro Cultural da UFMG, Belo Horizonte, May 4- 25, 1995. With texts by Alfons Hug (et al.). Brasília, Goethe-Institut; Fundaçao Athos Bulcão, 1994.
Arte Amazonas. Ein künstlerischer Beitrag zur Konferenz der Vereinten Nationen über Umwelt und Entwicklung "Rio 92" = uma contribuição artística para a Conferência das Nações Unidas sobre meio ambiente e desenvolvimento "Rio 92". Exhibition catalogue, Museo de Arte Moderna, Rio de Janeiro, Museu de Arte, Brasilia, Bienal de São Paulo, Parque Ibirapuera, Staatliche Kunsthalle, Berlin, 1992. With essays by Alfons Hug (et al.). Brasilia, Goethe Institut, 1992.
Magnaguagno, Guido. Brasilien. Entdeckung und Selbstentdeckung. Bern, Benteli Verlag, 1992.
Fotofest 1992. The international month of photography. Exhibition catalogue, Fotofest, Houston, Texas, USA, March 7 - April 5, 1992. With texts by Wendy Watriss, and Frederick Baldwin. Houston, Texas, Fotofest Inc., 1992.
Miguel Rio Branco. Coração espelho da carne = Das Herz ist der Spiegel des Fleisches. Exhibition catalogue, ifa-Galerie, Bonn, September 3 - October 19, 1991, Fotografie Forum Frankfurt, November 22, 1991 - January 7, 1992, Sädtische Galerie Tuttlingen, June 26 - August 16, 1992. Stuttgart, Institut für Auslandsbeziehungen, 1991.
Facio, Sara. La fotogalería. Buenos Aires, La Azotea, 1990.
Tercera Bienal de la Habana '89. Catalogo. Exhibition catalogue, 3rd Habana Biennial, Centro Wifredo Lam, 1989. With an introduction by Llilian Llanes Godoy and texts by Juan Acha, Frederico Moraes (et al.). La Habana, Editorial Letras Cubanas, 1989.
U-ABC : schilderijen, beelden, foto's uit Uruguay, Argentinië, Brazilië, Chili = U-ABC : paintings, sculptures, photography from Uruguay, Argentina, Brazil, Chile. Exhibition catalogue, Stedelijk Museum, amsterdam Netherlands, 1989. With texts by Els Barents, Guillermo, Whitelow, Ángel Kalenberg, Aracy Amaral, Raúl Zurita (et al.). Amsterdam, Stedelijk Museum, 1989.
Brazil projects. Exhibition catalogue, P.S.1, Long Island; New York, April 17 - June 12, 1988. With texts by Paulo Vanzolini, Mário Pedrosa (et al.).
Miguel Rio Branco. Nakta. Exhibition catalogue, st International Photography Biennial, Curitiba, Brazil, 1996. With poems by Louis Calaferte. Edições Fourbis, 1988.
On the line: The new color photojournalism. Exhibition catalogue, Walker Art Center, Minneapolis, March 22 - June 1, 1986, Portland Museum of Art, June 21 - September 7, 1986, Ackland Art Museum, Chapel Hill, November 1 -December 21, 1986, Spencer Museum of Art, March 29 - May 24, 1987, Laguna Gloria Art Museum, Austin, June 11 - August 9, 1987, Carnegie-Mellon University Art Gallery, Pittsburgh, September 12 - November 8, 1987, The Toledo Museum of Art, April 3 - May 29, 1988. With a text by Adam D. Weinberg. Minneapolis, Walker Art Center, 1986.
17 Bienal. Rádio Arte em São Paulo. Arte em São Paulo, No. 19, October 1983.
Chorei em Bruges. Crônicas de amor a arte. By Frederico Morais. Rio de Janeiro, Avenir Editora, 1983.
Canongia, Ligia. Quase cinema. Cinema de artista no Brasil, 1970/80. Arte Brasileira contemporânea. Caderno de textos 2. Rio de Janeiro, Funarte, 1981.
Antonio Dias. Biennale di Venezia '80. Exhibition catalogue, Biennale di Venezia, 1980. With a text by Paulo Sergio Duarte, and photographs of Dias' works by Miguel Rio Branco. Brasil, Fundação Nacional de Arte, 1980.
Trini, Tommaso. Quasi cinema. Video tapes e film d'artisti in Brasile 70/80. Arti visive - Ambiente Quaderno N. 3. Milan, Centro Internazionale di Brera, 1980.


She was welcomed with fanfare – hundreds gathered at Sambuya village entrance to welcome the First Lady: the occasion was the football finals between Tanji and Tujereng villages, after six other teams from various coastal villages were eliminated.
Sanyang Scout band, women cultural groups from the various villages, youths and school children sang, cheered in joy as the First lady's five vehicle convoy swept to the village just outside Gunjur, over 35 kilometers journey by road from Banjul. It was a Thursday afternoon and the usual heat of the sun; dust and other engagements were put aside for this event.
Dressed in a red and cream coloured wooden wax sewn in a 'daagit' style with a long skirt, the First Lady walked from her seat under a canvass to the ball. She held the two sides of the long skirt at around the knees; put her left leg forward and swung her right foot to kick the ball towards the centre of the field.
Deafening screams, and a standing ovation from the spectators – hundreds of them from all the surrounding villages, lined around the football field – greeted this moment.
The tournament was named 'Fatou Bah Barrow Football Tournament' – in honour of her support to the investors' quest to build a 210-capacity eco-tourism camp and skills village in the area.
D110, 000-prize money was distributed among the competing teams.
The tournament brought together eight village teams in Kombo South – Gunjur, Sanyang, Kunkujang, Sambuya, Banyaka, Batukunku, Tanji and Tujereng. It was funded by Tuteema Sunrise Gambia Ltd., a Finnish investment group venturing into eco-tourism and livelihood sustenance projects in the village.
Tanji who emerged winners after a goal-less full time, made sure they netted three goals-to-one against Tanji in the post-match penalty shootout. D45, 000 and D40, 000 cash prizes were respectively given to the winning team and second place, along with gold and silver trophies respectively. Consolation cash prizes were also given to each of the participating teams. "The aim is to foster unity among the youths, encouraging them to look inwards and stay in the villages to engage in livelihood ventures," an organizing committee member, Lazar Kujabi said.


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What Does Lame Duck Mean?
Anonymous answered
A person or thing that isn't properly able to function, especially one that was previously proficient.
Thank Writer
thanked the writer.
blurted this.
Robyn Rothman answered
The term lame duck as used in US politics refers to a elected official who has lost his political power. We frequently hear the expression in relation to the Presidency. It is used to refer to a current president during his last term in office, particularly during the last months of his term when his influence diminishes because he won't be around to see things through. You may also hear "lame duck president" in reference to a president who pushes bills through Congress and won't be in office to deal with the consequences.
Shezan Shaikh answered
Lame duck is a metaphorical phase that was first coined in early 18th century. It is said that the phrase was first coined in the London Stock Exchange; the word was used against a broker who ended up as the defaulter on his owns debts. Horace Walpole is said to be the first man to have originally used the word in writing, he used the word when he was writing a letter to Sir Horace Mann in the year 1761, and the line written by him was "Do you know what a Bull and a Bear and Lame Duck are?"
However, in modern times the word lame duck can also be used to describe a person in various fields. The word Lame Duck is also used in the field of politics.
What Does Lame Mean?
References & Definitions
The word Lame is a slang substitute of an adjective that is used to define things of poor or incomplete...
What Does Sprig Duck Mean?
Sprig duck is another name for pintail duck. It is also known as spreet-tail. These ducks are very large...
What Do Ducks Eat?
Pet Birds
Ducks are vegetarians. So they eat mostly crackers,bread and maby some fruit and veggies...
What Does A Duck Billed Platypus Eat?
A duck billed platypus feeds almost exclusively on the small animals that live on the river bed or lake...
What Type Of Symmetry Does A Duck-billed Platypus Have?
The platypus (Ornithorhynchus anatinus), or Duck-billed Platypus, is a curious looking semi-aquatic mammal...
Second word of the day has nothing to do with politics lame duck u define??
Literature & Language
Is today your day? It is February 6 National Lame Duck Day, National Frozen Yogurt Day and National Girls and Women in Sports Day.
Hello there :)Yes this sounds like a good day, I'm in it for the Frozen Yogurt and I support Girls and...
Is today your day? It is February 6 National Frozen Yogurt Day, and National Lame Duck Day.
i'm all in....
What Does Dumb Mean?
How do people get so many friends on Facebook? Am I lame for not having that much?
Is Aeropostale Lame Now?
What Duck Makes The Best Pet?
Is It Normal For My Duck To Have Labored Breathing After Swallowing A Fish Hook?
Where Do Ducks Live?
What Do Baby Ducks Eat?
My Friend Recently Got A Pet Duck Which I Thought Was Originally Quite Cruel. However He Seems To Be Happy Enough And Now I'm Considering Getting One Myself. Can Ducks Make Good Pets?
Here are some related questions which you might be interested in reading.
How To Have Sex In The Toilet?
Should I get a boyfriend?
Who likes to unlock their doors and who likes to close them? Why do you do what you do to your door?
Is Santa Really Real? Just A Random Question.
Objectives of a computerized library system?
Why do metals bend, and not break?
Should There Be Swear Words?

redpajama_set_name: RedPajamaCommonCrawl


Your Lifetime Partner in Real Estate!
Meredith was raised in New England and graduated from the University of New Hampshire with a Bachelor's Degree in Elementary Education. After living in Europe for a year, she moved to the Peninsula south of San Francisco for 19 years. She has traveled extensively in the United States, Europe, and Asia. She treasures her two sons Christopher and Taylor who live nearby in Bellingham.
For over 20 years in 3 states, Meredith has worked in the Real Estate Industry as an administrator, personal assistant, and then as a full time Licensed Real Estate Broker for over 17 years.
In 2008 she earned the Accredited Buyer Representative designation from the National Association of Realtors. Besides helping people market their homes and/or find the right home for their family, Meredith's other passion is Peace. (Peace begins at home!) In 2016 she earned a Masters in Divinity and has been an ordained Interfaith Minister of Spiritual Peacemaking ever since. She officiates at weddings and conducts memorial services.
Meredith's hobbies and interests include: decorating, baking, camping, hiking, bicycling, dancing, live music (especially Jazz!), travel, community volunteering and promoting world peace -- mainly through inner peace.
Copyright © 2018 Meredith Ann Murray - All Rights Reserved.


Seafood pasta is one of my favourite Italian dishes, it can be a bit hit and miss to find a decent one when eating out.
This recipe I came up with gives a great full flavoured seafood bang and a rich tasty tomato sauce.
1. Finely chop the onion/garlic/chilli/herbs.
2. Heat some olive oil in a large frying pan.
3. Add onion, some salt, pepper, paprika and celery salt to pan.
4. When the onions start to soften add the chilli.
5. When the onion and chilli are soft add the garlic and herbs. Simmer for 30 seconds or until the garlic is just soft and aromatic. Don't burn the garlic.
6. Add the tomato purée, stir through and simmer for a couple of minutes.
7. Add white wine and reduce the sauce by 3/4.
9. Boil the water for the linguine.
10. Lave the sauce simmer until thick and rich.
11. While the sauce simmers shell and de-vein the prawns (if you want them out of their shells, alternatively you can leave them whole and peel after serving). Slice the squid into rings, wash the mussels and clams.
12. Add all the seafood except crabmeat.
13. Salt the boiling linguine water then add the pasta, if using dried pasta you'll need to put your pasta in at around stage 11.
14. Add the crab meat, stir through and cook for around 2 minutes.
15. Drain the pasta and add to the seafood/tomato sauce pan and stir through, make sure you coat all of the pasta with the sauce and then serve.


Yesterday morning I was backing up our rental car in a tight spot when I heard that unmistakeable crunch of hard plastic hitting a cement pole. It was somewhere in between a ding and a mangled bumper and, of course, I hadn't bought the supplemental collision insurance.
I know why it happened. Seven days of chasing two kids around a rental home with no parental infrastructure had left me with 10% of my brain. I was daydreaming (aka partially stressed) about what I was going to write in this postscript. And for the prior two nights I had chosen drinks with friends over sleep (which I absolutely do not regret).
It was such a bummer that it happened on the last day because we are psychologically biased to remember the peaks and endings of particular experiences (i.e. the peak-end rule). It was going to leave a sour taste on a great vacation.
First, I withstood the temptation to berate myself. Many of you have heard the story of me forgetting my unlimited Metrocard, only to spend the next 30 minutes of a subway ride chastising myself for spending an unnecessary $2.75.
Next, I went into a money panic. Thankfully, I've never been in an accident. But that also meant that at that moment I had no idea what this would cost me. Enter the Buddhist concept of prapanca or "the imperial tendency of the mind." We've all been there. Something bad happens, and you project 8 steps ahead towards a doom-and-gloom-scenario. Somehow, the cost uncertainty led me to contemplate having to abandon my journey as an entrepreneur – or even worse – file for personal bankruptcy!
Once I realized I wouldn't have to file for personal bankruptcy, I began some strange mental accounting – second guessing the decision to decline the supplemental insurance. My mental math went as follows: I've rented 50 cars in my lifetime, saving X on insurance, and I can "amortize" this accident over the fifty car rentals. These mental games are particularly common when it comes to investing (i.e. not selling a stock until it hits your cost basis) and completely useless. It's amazing how money can mess with our minds that way.
24 hours later and we were pretty much back to where we started. And while I probably lost a few additional hairs during that period, I'm grateful to all my teachers for giving me some tools to self-regulate when the inevitable challenge arises.


2016 Hyundai Sonata - A solid daily drive.
My Sonata is a standard sedan. It has no great appeal other than being a general daily driver. It gets good gas mileage, and is low maintenance. It is slow, and does not have the best brakes. The car is very reliable and sturdy. It offers nothing in aesthetics. The car was definitely worth the purchase price, but in retrospect I would have gone with something a little nicer. The price of oil changes, and other general maintenance is on the low end. In addition, Hyundai offers great deals on maintenance package in my limited experience.
One memorable experience was being side swiped in it. It took the hit very well but has never been the same since. The cost to repair was cheap and the no one was hurt.
My Hyundai Sonata has a few pros, the first and best is its good gas mileage. I average between 30 and 40 miles per gallon suburb which is great. The car is generally low maintenance overall. It only requires a few oil change a year and very little other than that. It is reliable. It does what it needs to do and very rarely have I encountered any mechanical issues. it is also roomy for a four door sedan.
The car is slow to accelerate which makes highway driving difficult. It is not a stylish car, and offers very little in aesthetic appeal. I feel the brakes are not as responsive as they should be.
I like the 2009 Hyundai Sonata. It drives well, and it is comfortable for both me and my husband to drive. It has all of the things I would want or need in a car. It has air conditioning and heat. It has radio and a CD player. There is also a USB plug. It does not have the ability to connect with a phone with Bluetooth, and it does not have keyless entry or keyless start options. However, that is fine with me because I do not need those things. I have no complaints, but I do not know very much about cars.
It drives well. It is comfortable to drive. It has air conditioning, heat, radio, CD, and a USB plug.
It had issues with the tires, but I think that was because it was old.
I do not think it was the best. It did have a lot of different cars and was willing to test drive as many as I wanted. it also did not mind I brought a friend who is a mechanic where most dealers get aggravated when you bring a person that knows about cars with you.


and Barry Church out of starting lineups this week.
Allen has been a pretty big disappointment this year, with his five sacks putting him on pace for his lowest total since 2006. With that said, however, this week's tilt against a Seattle team with all kinds of injury issues up front would seem a good opportunity for a rebound performance.
OK, so last week's Mario Williams recommendation blew up in my face against the Steelers. That still isn't stopping me from singing Suh's praises this week against a Pittsburgh team giving up the third-most fantasy points to defensive linemen.
Wilkerson has already tallied as many sacks in 2013 as he did in 2011 and 2012 combined, including a sack in five consecutive games. Odds are good that becomes six in a row this week against a Buffalo team allowing the most fantasy points to defensive linemen this year.
Roach has been a steady (if unspectacular) IDP option of late, with 12 solos and a sack over the past two games. The seventh-year veteran has a good shot at bettering that production Sunday against Houston, who is the second-best IDP matchup for opposing linebackers in 2013.
Wheeler has been good but not great for the Dolphins this year, with the 28-year-old on pace to top 110 tackles. Wheeler should have no problems keeping that pace up this week against San Diego, who has surrendered the third-most fantasy points to linebackers this season.
After an injury marred start to the year Burnett's play has picked up of late, with eight or more tackles in two of his past three games. With any luck, a matchup with a Giants squad allowing the most fantasy points to defensive backs this year will be enough to keep that hot streak going.
With Earl Wolff out indefinitely with a knee injury, Chung is back in the starting lineup for the Eagles. That bodes well for Chung's spot-start matchup status in Week 11 in a top-five IDP matchup with Washington.
Flowers has been a solid fantasy contributor in cornerback-required IDP leagues this year, ranking sixth among cornerbacks in fantasy points per game. There's little reason to think that won't continue against Denver's buzzsaw offense on Sunday night.


Justin Coulson gives practical advice on how to sift through the conflicting Dos and Don'ts for parents and talks about what your child really needs from you.
There are endless do's and don'ts that surround parenting… and so many of those do's and don'ts are contradictory. DO set limits, DON'T be too hard on your kids, DO allow freedom, DON'T be too laid back. And with so many 'experts' out there telling you how to do what they think is best for your child, it can all get to be too much.
In What Your Child Needs From You, Dr Justin Coulson takes you from confusion to clarity. Combing through the past several decades of parenting research and literature, Justin will share the three essential keys to get to the heart of raising a happy child and creating a connected family.


New research has discovered that 73% of people experience the "Imagination Gap"; an inability to visualise themselves, their furniture or their belongings in a property for sale or to rent, even after viewing pictures online. A surprising 70% of people still can't imagine how a property will look after seeing it in person.
This has serious implications for the property market, as the same research by Floorplanner found that 75% of people are less likely to purchase or rent a property if they cannot imagine living in it.
To tackle the significant problem of this Imagination Gap in the property market, Floorplanner today announced the purchase of Mydeco3D Ltd. Mydeco's award winning 3D room planner tool adds new depth to online property listings by enabling floorplans to be populated with virtual, highly accurate versions of real-world products and furnishings. This is key to addressing the difference between how a property looks today and what it might look like after it has been purchased, furnished and decorated.
Soon to be integrated with Floorplanner's current, cutting-edge technology, this new platform allows buyers and renters to personally style each room, using a virtual model of a property, both prior to and after moving in.
Update: check out the coverage on the Wall Street Journal and TheNextWeb.


This mobility accessible residence features one king-sized bed in each bedroom and a roll-in shower. Sleeps 6, with 1,250 sq. ft., full-sized kitchen, and living room with queen-sized sofa bed, dining table, balcony, three gas fireplaces and full-sized washer/dryer. Kitchen offers granite countertop and space with additional seating, appliances, microwave, oven, refrigerator, dishwasher and dishware.
Bathroom has roll-in shower. In-room entertainment includes flat-screen 42-inch HDTV, iPod docking station, WiFi, and each master bathroom has an HDTV. Any corresponding photo may not reflect the specific accessible room type or room feature.


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41Cr4 steel plates equivalent material also can be called as alloy structural steel. Alloy steel means this kind of grade contains some special alloy composition. Alloy steel plate application is very wide, as : Machine, pressure vessel, construction and so on .


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Two More Netflix Success Stories: Bridgerton and Cobra Kai
Doing The Most: Hater's Roast Delivers Heaping Serving Of Sass
Sam Byrd
| Comedy |
Sam Byrd | March 13, 2019 | 4:00am
Bewitched, bewildered....and always be-jeweled. This drag entertainer never steps high-heeled foot outside the home without sparkles galore.
Photo by Magnus Hastings
There's not a lot required to command a crowd: Just a touch of eye shadow, a tasteful stroke of blush against the cheek, and a truckload of attitude and sass...that's all a girl needs. It's really quite simple. Throw in some hip and chest padding, costumes so bedazzled that Liberace's shower curtain would be jealous, and a touch of humor, and it's a combination that can't be beat. At least that's what the ladies of Hater's Roast: The Shady Tour will be serving. A hilarious, loud-mouthed gaggle of RuPaul's Drag Race divas are heading to House of Blues on March 27 for a night filled with jokes and jabs with a 100 percent guarantee they will leave the audience in stitches — in the good way.
"It's a lot of fun. It's a bunch of girls that people know and love. It's a bunch of very talented comedians. We all get together, get on stage, and it's a traditional roast," said BenDeLaCreme. "We're making jokes about each other. It's all in good fun. We banter back and forth, and the girls are so clever."
DeLa, as she is commonly referenced, is part of the team that will poke, prod and provoke the other entertainers, at the expense of each other and at the delight of anyone within listening distance. Promotions for the show list Darienne Lake, Latrice Royale, Shea Couleé, Thorgy Thor and Willam as the other guests performers. This is the best of the best when it comes to RuPaul's touring arsenal of lady impersonators who double as comics.
All Hail Drag Artist Violet S'Arbleu, Miss Gay Texas America 2017
Life's a Drag - and That's What Makes It Fun!
Have you ever seen drag queens "read" each other? After all, reading is fundamental — just ask your local librarian. For the non-indoctrinated, a "read" is when one drag performer jokingly makes fun of another person with a subtle yet unmistakable commentary. It can be anything from sounding off about a misplaced hair line to someone's crooked teeth to a general lack of ability to perform under pressure. The doors are flung wide open, and the comments flow freely. In other words, all bets are off, and everything is on the table. But it's all said in love...or is it? The jury is still hung on that one.
It's a boisterous, fun-filled knee-slapper situation for them to make fun of one another, and it makes for great entertainment for the rest of us. This is the stuff comedy is born from. (Saturday Night Live take note; they're doing it better than you are. Perhaps you should borrow a page from their book.)
This topic begs another question: Is it a "read," or is it "shade?" Let's consult the gay Bible Paris Is Burning to discern the difference.
DeLa is one of the more surprising members of the cast. He has built his persona around a figure that is, as he coins it, "terminally delightful," so it's out of character for him to insult others, but he says that's where the fun comes in.
The show seems like a natural extension of RuPaul's reading challenge - a task where the contestants have to deliver salty, filthy comments to one another. RuPaul lovingly refers to this segment as "The Library Is Open." Yet instead of just delivering one comment per person in traditional RuPaul style, this show allows the performers to have much longer stage time to go ham on everyone else.
"People were surprised when I won the reading challenge [on RuPaul's Drag Race All Stars], but the reality is that my character may be sweet but you can do a lot with that and still be in character. She might not know she's insulting anybody, and that makes it all even funnier," he said. "The difference is that when Ru opens the library, it's very fast. In this thing, each of us is doing a 10 - 20 minute set. There's also no rules. Different girls go different routes, but there are no limits. Some go really hard, they say a lot of things you'd never say outside a roast. What happens at the roast stays at the roast."
So there you have it - all rules are disbanded and nothing is off limits. And in a room full of drag queens, that seems like some pretty dicey territory. But the bravest of souls will still find a way to steel his heart and attend - after all, these are members of the drag royal court who are participating. Even if it requires a stern tongue lashing, these broads are worth the bucks and the brutality.
Oops! This pin-up princess may be terminally delightful, but don't discount her sassy mouth. She'll shock you when you least expect it.
DeLa says the show will vary from city to city depending on who is in the lineup. The show often shifts the participants so that no one city gets the exact same performance. And if that wasn't enough, you can always depend on the Goose to shift things up. The amount of alcohol they consume inevitably plays a factor.
"It just depends on who is up there and what kind of mood they're in and how many cocktails they've had. That determines how wild they get," he said. "We'll do a show one night, and then we'll show up the next day, and we have two new queens [in the lineup] who we need material for, so it keeps us fresh too."
The show is not for the faint of heart. After all, if these men have the guts to dress in women's clothes and beat their faces with makeup to the point where they resemble a different gender, then they surely aren't going to hold back once they get hold of the microphone.
As a general rule, DeLa advises, "Come prepared, and don't bring your children. Be prepared for the gloves to be off and the nails to be out."
Nails clipped. Hair snatched. Attitude checked. We're ready for some cream of the crop entertainers.
Hater's Roast: The Shady Tour takes place 7 p.m. Wednesday, March 27 at House of Blues, 1204 Caroline. For information, call 888-402-5837 or visit houseofblues.com/houston. $24.50 - $165.
Sam Byrd is a freelance contributor to the Houston Press who loves to take in all of Houston's sights, sounds, food and fun. He also loves helping others to discover Houston's rich culture.
Best Virtual Bets: Big Bands, Vaccines, and Drowning Girls


Viveltre's gourmet flavored coffee line carries pairings for many of our gourmet marshmallows, such as Irish Cream which is a consistent favorite amongst customers. Irish Cream is traditionally a blend of whiskey, coffee, cream and sugar. This remarkable mixture has been captured in our light roast Irish Cream. Enjoy the buttery blend of Irish Whiskey and cream flavors, with aromatic almond and hazelnut notes. Bring a little Irish into your coffee brewing experience!
Viveltre's gourmet flavored coffees are proud to use green coffee roasters in order to reduce our carbon foot print. Viveltre coffee is brewed locally in small batches. Viveltre uses 100% Arabica beans in a light roast to let the flavor profiles shine.


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Road MAP

More Details

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redpajama_set_name: RedPajamaGithub


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Dhanda is a village in Rurka Kalan tehsil in Jalandhar district of Punjab State, India. It is  from the postal head office in Goraya,  from Phillaur,  from the district headquarters Jalandhar, and  from the state capital Chandigarh. The village is administrated by a sarpanch who is an elected representative of village as per Panchayati raj.

Education
The village has a Punjabi medium, co-ed upper primary school (GMS Dhanda). The school provides mid-day meal as per Indian Midday Meal Scheme, and the meal prepared in school premises. It was found in 1981.

Demography
According to the report published by Census India in 2011, Dhanda has 343 houses and population of 1612, 838 males and 774 females. The literacy rate of Dhanda is 78.16%, higher than state average of 75.84%. The population of children under the age of 6 years is 147, which is 9.12% of total population of Dhanda, and child sex ratio is approximately 815 females per 1000 males, lower than state average of 846.

As per census 2011, 583 people were engaged in work activities out of the total population of Dhanda, which includes 486 males and 97 females. According to census survey report 2011, 93.14% workers describe their work as main work and 6.86% workers are involved in marginal activity providing livelihood for less than 6 months.

Transport
Goraya railway station is the nearest train station; Phillaur Junction train station is  from the village. The village is  from the domestic airport in Ludhiana, and the nearest international airport is in Chandigarh. Sri Guru Ram Dass Jee International Airport is the second-nearest airport,  away in Amritsar.

References

Villages in Jalandhar district

redpajama_set_name: RedPajamaWikipedia


2 Storey House Design And Floor Plan House Design And Floor Plans Modern 2 Storey House Design Storey was posted in July 13, 2018 at 8:10 am. 2 Storey House Design And Floor Plan House Design And Floor Plans Modern 2 Storey House Design Storey has been viewed by 23 users. If you want to use this wallpaper, please click the download link below to go to the download page. Right click the image and select "Save Image As" to download the 2 Storey House Design And Floor Plan House Design And Floor Plans Modern 2 Storey House Design Storey to your computer or select "Set Desktop Background As" if your browser has that capability.
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Basically I have a £500 overdraft sort of thing on my credit card and I want to use it to buy something over eBay.
I know that if I purchase goods, like in shops etc, I won't get charged anything as long as I pay the full amount within the month, however I also know that cash withdrawals charge you; for example taking money out an ATM with the credit card.
Basically my problem is, I want to send money to someone over PayPal as a 'gift' but I'm not sure if that would constitute as a cash withdrawal.
PayPal would be taking money out the credit card, and pass it on to the payee.
Credit Card - Is it worth it?
I think you Credit Card issue won't charge you, yet. I remember this was a raised more formally a while ago (NoChex is a similar eCurrency provider, but your CC company will charge you the prevailing cash rate for making payments through it). As far as I know, PP will charge your card in the same way as a standard transactional payment thus your CC issuer shouldn't notice.
Let's hope so. I'll post the conclusion in here.
If I do get charged, I'll talk to the bank about it.
Tricks to improve credit score?


text:
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We use your data to provide and improve the Service. By using the Service, you agree to the collection and use of information in accordance with this policy. Unless otherwise defined in this Privacy Policy, terms used in this Privacy Policy have the same meanings as in our Terms and Conditions, accessible from https://speedwayautollc.com
Speedway Auto LLC uses the collected data for various purposes:
Speedway Auto LLC will take all steps reasonably necessary to ensure that your data is treated securely and in accordance with this Privacy Policy and no transfer of your Personal Data will take place to an organization or a country unless there are adequate controls in place including the security of your data and other personal information.
Speedway Auto LLC may disclose your Personal Data in the good faith belief that such action is necessary to:
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For more information on the privacy practices of Google, please visit the Google Privacy & Terms web page: https://policies.google.com/privacy?hl=en
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Canada's first Connected Vehicle Test Bed for Wireless Connected Vehicle Technology Test Project ongoing in Alberta and British Columbia.
The project provides organizations the ability to test current and emerging connected vehicles systems in the real world.
With a goal of fostering innovation in safety and efficiency, data collected from researchers and industry will one day develop into new software applications and products such as real time active traffic management on busy roadways and freight security.
The ACTIVE project (Alberta Cooperative Transportation Infrastructure and Vehicular Environment) test sections are located Alberta west Edmonton along the Anthony Henday, Whitemud Drive, and 23 Avenue.
In British Columbia, the AURORA Project (Automotive Test Bed for Reconfigurable and Optimized Radio Access) is located within and near to the University of British Columbia campus.
Information signs were installed on the Anthony Henday in April 2017 to notify the travelling public of the project.
The project began in 2014 between the Universities of Alberta and British Columbia, City of Edmonton, Alberta Transportation, and Transport Canada.


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Q: how to place my logo above navbar? i have the logo on the navbar itself but i want it above the navbar so that it stays on the left top corner. can someone help?

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this is what I have.

A: Try this

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redpajama_set_name: RedPajamaStackExchange


The School of Criminology offers undergraduate and graduate programs leading to the degrees of Bachelor of Arts, Master of Arts, Master of Arts in Applied Legal Studies and Ph.D. respectively. The School began its program of teaching and research at Simon Fraser University in September 1975, under the direction of its founding chair, Dr. Ezzat Fattah, and from the outset provided a comprehensive, interdisciplinary approach to criminology. The Master's program began in 1978 and the first doctoral candidates were admitted in 1985. In September 2006, the School of Criminology had a well-established undergraduate program with more than 900 majors/minors, over 125 doctoral and M.A. students, and a multidisciplinary teaching faculty consisting of 33 members.
The undergraduate curriculum is designed to assist students to acquire an in-depth understanding of the complexities of criminal and other deviant behaviour and of society's reaction to crime and deviance. Students concurrently acquire a theoretical and practical knowledge of the criminal justice system and its components, and gain insights into the philosophy, sociology and present state of several related areas of law, particularly the criminal law. Criminology courses are integrated with courses offered in a wide range of disciplines including psychology, sociology, political science, economics, history, philosophy, computing science and mathematics. Students are able to develop and pursue an interest in one of the different sectors of criminological inquiry and practice including crime prevention, corrections, law enforcement, law and law reform, research and policy analysis, restorative justice, and forensic science.
Undergraduate courses are offered in a number of sites other than the main campus on Burnaby Mountain. Courses are offered at the Harbour Centre Campus in downtown Vancouver, and the Surrey Campus. For those students unable to attend classes on campus a large number of criminology courses have been produced for on-line and distance education in cooperation with Simon Fraser University's Centre for On-line and Distance Education and students may now pursue a Bachelor of Arts in Criminology or a Post-Baccalaureate Diploma in Criminology entirely through Distance Education. More information about our undergraduate program is available in the undergraduate section of this website.


text:
NEBRASKA: Brand Law passes legislature
By Spike Jordan for Tri-State Livestock News
LINCOLN, Neb. – A bill containing major reforms to the Nebraska Livestock Brand Act, including allowing the Nebraska Brand Committee to develop and adopt procedures for non-visual identification and electronic "e-inspection" in place of a physical brand inspection, in now law.
LB 572 passed the legislature on May 20 with a final vote 47-1-1 with Sen. John Stinner of Gering casting the lone "no" vote and Sen. Machaela Cavanaugh of Omaha recorded as present and not voting. It was signed into law by Nebraska Gov. Pete Ricketts on May 25.
ELECTRONIC ID
Use of Electronic Identification (EID) tags and E-inspection are the major flag point among the host of comprehensive updates contained in LB 572, which was introduced by Hastings Sen. Steve Halloran, chairman of the Unicameral's Ag Committee.
At this point, use of EIDs remains voluntary in Nebraska, however, the brand is still the only "prima facie" proof of ownership.
EID provisions contained in LB 572 will allow producers already using electronic ID tags to satisfy proof of ownership requirements without the presence of a committee brand inspector. The provisions are going to be initially limited to situations where there is no change of ownership occurring until the system is fully implemented.
Producers using EIDs will need to furnish their own tags and scanning equipment; however, the brand committee will maintain a database for the unique animal identifier numbers in order to provide third-party verification for proof of ownership. The Brand Committee also reserves the authority to perform spot-checks to ensure producers are complying with the rules.
The finer points of e-inspection are still to be determined (see: SAFEGUARDS), but the basic idea is that rather than having to schedule and wait for a brand inspector to come out and physically inspect cattle, a producer can scan their EIDs and submit the EID numbers to the brand committee in order to get third-party ownership verification.
The Brand Committee has said in past meetings that it's seeking to both manage the workload for brand inspectors and the costs of carrying out physical inspections, as well as provide options for producers who are already using EIDs and are concerned about shrink or bio security. With e-inspection, a producer could – in theory – ship cattle at all hours and forgo waiting on a brand inspector. The committee will develop a system of audits, similar to those already used to verify ownership in the registered feedlot sector, on order to further verify the accuracy of e-inspections.
The goal for the committee is that the cost per head for an e-inspection will be cheaper than the per head cost for physical brand inspection, in order to give incentives for producers to adopt that method of inspection.
Before it can approve any non-visual identifier like an EID; the brand committee is required by law to consider the degree to which such a method may be susceptible to error, failure, or fraudulent alteration. A public hearing under the Administrative Procedure Act is required before the Brand Committee adopts any rules or regulations related to EID and E-inspection.
The Brand Committee is in the process of assembling an advisory group to help it develop those rules. More information is expected to be announced at the Committee's meeting in Valentine on June 15.
The brand committee is required by law to deliver a report to the legislature by December of this year informing senators on the progress made with implementing e-inspection.
AM 686, an amendment to LB 572 introduced by Sen. Steve Erdman of Bayard, provides an extra safeguard by making tampering with an EID tag a Class III felony, (similar to applying or removing a brand to falsely assert ownership of an individual animal or forging a brand certificate to assert ownership). Erdman's amendment was brought forward after concerns were raised by Independent Cattlemen of Nebraska (ICON) that EID tags could be subject to fraud.
Erdman's amendment also made the Governor's appointments to vacant positions on the Brand Committee subject to approval by the legislature. AM 686 passed 36-2, with six senators present and not voting and five excused.
While the brand committee is a cash-fund agency and its operations funded solely by the fees it collects from producers rather than tax dollar appropriations from the general fund, and while the committee is self-sustained, it is still required to submit a budget to the state and undergo the appropriations process in order to spend those funds. That process, while seemingly onerous and unnecessary, is an extra step intended to provide executive and legislative oversight and prevent waste and abuse.
Previous reporting by TSLN had cast doubt about whether the legislature would allow the brand committee access to its cash fund in order to implement the e-inspection program. Gov. Pete Rickett's budget recommendation to the legislature denied the brand committee's request to increase the allocation for technology; however the final appropriations bill LB 380, gave the Brand Committee the full $5.6 Million it requested for technology, operations, and personnel.
A major revision to the fee structure was also included in LB 572, which raised the maximum caps the Brand Committee can charge for inspection, brand recording and renewal, and research.
The per-head inspection fee has been statutorily lowered from $1 per head to $0.85 per head until June 2023; a fee reduction that also extends to the per-head rates paid by Registered Feedlots (RFL). After that point the maximum inspection fee charged would be set at the current statutory cap of $1.10 per head.
The $20 flat service fee for local brand inspection will gradually be replaced with a mileage fee calculated from the Brand Inspector's office to the point of inspection. The details of how those fees will be assessed still need to be ironed out with the brand committee's technology provider, Nebraska Interactive, as the e-inspection service has taken priority, Danna Schwenk, Technology Coordinator/Project Manager with the Nebraska Brand Committee, said during an interview on Tuesday, June 8.
If you fail to give 48-hours' notice when requesting a local inspection, a $50 fee will now be assessed. This move is to help give producers an incentive to work with their brand inspectors who need to closely manage their schedules in order to avoid unnecessary accumulation of comp time.
The legislature's intent behind raising the fee caps is to allow the Brand Committee to adjust for inflation without having to go through the legislative process. Lowering the per-head inspection fee is intended to gradually spend down the brand committee's nearly $3 Million surplus in its cash reserve.
In recent years, the committee's cash fund targeted by Stinner and other critics of mandatory brand inspection. Despite having nearly despite having a large surplus in cash reserves, Stinner has erroneously asserted that the committee is not fiscally sustainable. However, because the inspection fee has been capped at $0.85 per head for the next two years, the committee will likely post a loss in revenue over that period, which could give ammunition to Stinner et al. who seek to abolish the Brand Committee and end mandatory brand inspection in Nebraska.
The Brand Committee board discussed at its March meeting the possibility of increasing the other fees to offset the loss to inspection revenue so that the committee remain profit-neutral in order to keep its cash reserve intact. However, that move would likely draw the ire of the senators who have sought to strike a balance between the wants of the state budget office and the appropriations committee.
The rates that the Nebraska Brand Committee will charge for services are likely to be a hot-button issue at the June 15 board meeting in Valentine.
WAIVERABLE CITATIONS
Brand Committee Investigators have long lacked "teeth" when it comes to enforcing certain provisions of the brand act.
In years past, brand investigators would have to turn misdemeanor charges over to the county attorney in the county where a brand law violation occurred. It was up then up to that individual county attorney to pursue or dismiss the case. Since most prosecutors are swamped handling drug trafficking and other criminal cases, few were unwilling to go after minor brand infractions.
With LB 572, Investigators can now issue a waiverable citation, similar to a traffic ticket, with fines up to $200 per head when cattle are knowingly moved outside Nebraska's brand inspection area without the appropriate inspection.
DAIRY INDUSTRY SCORES A WIN
Milk-producing cows won't be brand inspected, but their calves that are 30 days old or younger would be inspected when "qualified dairies" sell them to be raised for beef. The law also allows for shipping certificates in place of inspection for dairy heifer calves under-30 days out of state for development.
NO SPECIAL FAVORS FOR RFLS
Despite the exhausting series of LR 378 working group meetings conducted in the fall 2020, support for the Registered Feedlot (RFL) provisions contained in LB 572 had faltered and they were stripped from the bill after overwhelming opposition was heard during the ag committee public hearing in February.
It remains to be seen what bills relating to RFLs and growyards will arise next session.
LAST MINUTE POLITICAL DRAMA
Stinner, who has long been a critic of the Nebraska Brand Committee, introduced several amendments to LB 572 during the session. The first amendment, AM 875, would have directed the Nebraska Department of Agriculture to conduct a study on "the inherent advantages and disadvantages of a voluntary brand inspection program," and compare it to mandatory inspection.
Stinner's amendment directly mirrored talking points given during testimony at the bill's hearing in February by members of the Nebraska Beef Producers Committee, a group of feedlot owners who unsuccessfully sued the Nebraska Brand Committee in 2017 in an attempt to overturn mandatory brand inspection and collection of fees.
Sen. Steve Erdman of Bayard hijacked Stinner's amendment with an amendment of his own. Erdman's amendment, AM 1154, inserted language that would have also required the NDA to study the advantages and disadvantages of expanding mandatory brand inspection to the entire state of Nebraska, there-by broadening the base and lowering the fee.
Both amendments were later withdrawn.
Then, on May 18, Stinner introduced AM 1213, which would have disbanded the Nebraska Brand Committee on June 30, 2023. Stinner also led an 11th-hour push on May 19 to return LB 572 to Select File. His motion failed 16-17, with 13 senators present not voting and three senators excused, and AM 1213 was ultimately not even considered.


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Cheap flights from Heathrow to Falmouth
Montego Bay (MBJ)
The best prices from Heathrow to Falmouth are usually found in March or September, booked 30 days in advance, depart on a Tuesday or Thursday and return on a Thursday
Home Caribbean Jamaica Montego Bay Cheap flights from Heathrow to Falmouth
Heathrow (LHR) to Falmouth (MBJ)
LHR - MBJ
From Heathrow to Falmouth
One-way flight from Heathrow to Falmouth
What is the cheapest day to fly return from Heathrow to Falmouth?
Leaving on a Monday is a viable option for saving on travel. Heavily demanded days of the week can typically drive up the prices you see. Booking your travel for a less competitive day can save up to 7% on the overall cost on flights from Heathrow to Falmouth.
How far in advance should I book a flight from Heathrow to Falmouth?
When searching for a good deal, it's best to be prepared for potential fluctuations in price. We recommend booking at least 32 days in advance, which can save you up to 13% on flights from Heathrow to Falmouth compared to booking the week you need them. Waiting 32 days out may not be for everyone, so we have options available for flights within the next two weeks, with the lowest price starting at £627. For sooner than that we have options available in the next 3 days from £694.
What is the cheapest month to fly from Heathrow to Falmouth?
March can be a great time to fly to Falmouth from Heathrow with a flight ticket averaging about £633. Cheapflights users have found deals in the month of March for as cheap as £452. The most expensive prices can be found in the month of December.
When is the cheapest time to fly from Heathrow to Falmouth (LHR - MBJ)?
When flying from Heathrow to Falmouth, the time of day you fly usually plays a role in the price. Save by searching for a flight at midday, which can drop the price by up to 18% versus a flight in the morning.
Cheap flights from Heathrow to Falmouth in January, February 2021
The best prices found for LHR to MBJ flights in January, February
9 Feb - 4 May
Montego Bay Sangster Intl
16 Feb - 6 Apr
Heathrow to Falmouth 2021 flight deals
Cheap flights to Falmouth from Heathrow found for this year
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Late deals on return flights to Falmouth from Heathrow, departing today and this week
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The cheapest one-way flights from Heathrow to Falmouth
StudentUniverse
Useful info, stats and facts about Heathrow to Falmouth flights.
Are flight prices decreasing from Heathrow to Montego Bay due to COVID-19 (coronavirus)?
At this time, Cheapflights has noticed price decreases for many domestic flights due to COVID-19. Travel is not necessarily recommended at this time, and flights may be prone to cancellation: please check with local authorities in both Heathrow and Montego Bay for travel alerts, and be sure to review the airline's cancellation policy and travel advisories before booking. For more information, please view our post on what to know about COVID-19 (coronavirus) and travel.
What safety measures are being taken by airlines flying from London Heathrow to Montego Bay Sangster Intl to control the spread of COVID-19?
New policies can now be found on Delta to help keep travellers safe while flying. New policies for travellers booking flights from London Heathrow to Montego Bay Sangster Intl include masks being provided and required on board, daily cleaning and sanitisation, use of HEPA filters, pre-flight testing for antibodies and symptoms, and socially-distanced seating (for a limited time). Keep in mind that policies will vary by airline.
Which airlines flying from London Heathrow to Montego Bay Sangster Intl have flexible cancellations due to COVID-19?
Some of the carriers operating flights from London Heathrow to Montego Bay Sangster Intl that may be offering flexible cancellation policies are American Airlines, British Airways, and Air Canada. Our site will let you filter for all airlines offering greater flexibility due to COVID-19.
Can I find flights from Heathrow to Falmouth for under £366 on Cheapflights?
Yes, there are multiple flights from Heathrow to Falmouth for under £366. The cheapest flight booked recently is on Virgin Atlantic for just £312, but on average you can expect to pay £358.
Are there direct flights from Heathrow to Falmouth for under £366 on Cheapflights?
Cheapflights has 20 direct flights from Heathrow to Falmouth under £366. A good price for a direct flight from Heathrow to Falmouth is less than £358.
Are there last-minute flights available from Heathrow to Falmouth for under £439?
There are currently 20+ open flights from Heathrow to Falmouth within the next 7 days for less than £439.
What days are direct flights available from Heathrow to Montego Bay?
Direct flights are available for this route on the following days: Monday, Thursday, Saturday.
How many flights depart from Heathrow to Falmouth on average per day?
On average 2 flights depart from London Heathrow to Montego Bay Sangster Intl per day.
Morning (6am - Midday) - 100% of flight departures
Does it rain more in Heathrow or Montego Bay?
In Heathrow, there will be less rainfall in Heathrow compared to Montego Bay over the next 24 days.
Is Heathrow weather warmer or cooler than Montego Bay?
Temperatures around the 33 °Cs can be experienced in June. The weather in Montego Bay is hotter than in Heathrow. Plan for potential changes in flight availability as peak weather approaches in this location.
How long does is the flight from Heathrow to Falmouth?
Airlines like Virgin Atlantic fly from Heathrow to Falmouth in about 9h 45m. The time it takes to get you to your destination is usually consistent. Heathrow and Falmouth are separated by a distance of 4716 mi. Most flights are nonstop.
What are the cheapest airlines to flying from Heathrow to Falmouth return?
According to our current data, Virgin Atlantic (£312), and Finnair (£388) offers the cheapest pricing from Heathrow to Falmouth. These flights start at 50% lower than the current average price 3 months from now.
What are the cheapest airlines to fly from Heathrow to Falmouth one-way?
To fly one-way, consider booking your trip with Virgin Atlantic, which is currently one of the cheapest options available, starting at £295.
Flights to Falmouth from Heathrow
Flights to Heathrow Flights to Falmouth Flights from Heathrow
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Alternative routes for Heathrow to Falmouth
London to Kingston from £954 pp
Destination information for Falmouth
Things to know before you go. Useful info for your trip from Heathrow to Falmouth
£1 = $192.93
Average temperature for January in Falmouth
Avg rainfall for January in Falmouth
Airports servicing Montego Bay
Top 8 airlines flying from Heathrow to Falmouth
The chart below displays the airlines Cheapflights users travelling from Heathrow to Falmouth choose most often. Cheapest and average prices are based on aggregated data from the past 12 months.
Finnair £646 £804 No cancel fee 76%
United Airlines £752 £874 No cancel fee 69%
Air Canada £647 £913 No cancel fee 67%
British Airways £725 £1,120 No cancel fee 70%
Air France £951 £1,262 No cancel fee 77%
Flights to Queensland
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Flights from Glasgow to Berlin
Flights from Heathrow to Kingston
Hourly flight availability from Heathrow to Falmouth


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*Please note: Duke-affiliated researchers are not eligible for this opportunity. Please share with your non-Duke colleagues and peers.
Every week during the season, millions of football fans across the country tune in to watch their favorite players make game-changing plays. We watch because we care about these athletes who can thrill us at any given moment. On and off the field, we want to see them perform their best.
That's why it's so important we do everything we can to better protect players—during practice and on game day. As we continue to spur next-generation designs and solutions in protective equipment, we're looking to the science and tech community for the best ideas.
That's why the NFL, FRI and Duke CTSI launched HeadHealthTECH Challenges.
The National Football League (NFL) and Football Research, Inc. (FRI) have partnered with Duke University's Clinical and Translational Science Institute (Duke CTSI) to create the HeadHealthTECH Challenges—a series of innovation challenges intended to deepen understanding and advance solutions in the areas of head protection, materials science, and head kinematics, among others. The TECH Challenges are structured to stimulate research and innovation, and to create an intellectual forum to connect innovators with engineering experts, mentors and venture capitalists.
Help improve player health and safety.
The NFL, FRI and Duke CTSI need your help to develop next-generation solutions and ground-breaking technology designed to improve player health and safety.
This is an opportunity to showcase your thinking, solutions and novel approaches to improving protective equipment—and to join a community of experts and innovators passionate about safety in sports. Winners will be eligible to receive funding from a total award pool of up to $1 million USD per year to further advance their proposed technology. Every TECH Challenge applicant also receives constructive feedback and mentoring from Duke CTSI biomechanical and biomedical engineering experts to help refine innovations and increase their chances for success on future submissions.
Think you've got a winning idea? We'd love to hear more!
We invite you to help pave the way to enhanced head protection by proposing designs and innovations in equipment and technology to improve protective equipment.
Studies that elucidate the optimal stress strain properties of helmet materials.
See Official Rules for details. TECH Challenge III open July 25, 2017. Applications must be submitted by 11:59 p.m. (ET) on September 29, 2017. Proposals will be accepted from both public and private organizations. All proposals must be able to articulate a path by which they will successfully impact football player health and safety.


A child holding a red heart shape.
Human heart attack, computer artwork.
A heart shape made out of woven twigs, hanging from a tree. Simple decorations.
Human cardiovascular system, computer illustration.
Healthy heart. Computer artwork showing the coronary arteries.


text:
150,000 Stores Now Use Shopify
Processes more than $7 billion in sales across the platform
OTTAWA, ON – Feb. 5, 2015 - Shopify, the commerce platform that allows anyone to easily sell online, at their retail location, and everywhere in between, today announced a major milestone: 150,000 businesses now use Shopify to power their stores.
"I've witnessed thousands of people accomplish life-long dreams of growing their own successful business, and nothing makes me happier," said Tobias Lütke, Founder and CEO, Shopify. "This is the best thing about working at Shopify: seeing all of the incredible things our community does with our platform. "
Shopify was built with the mission to make commerce better for everyone. The majority of merchants on the platform would self identify as small and medium sized businesses and are the makers, creators and curators of the world. These merchants have started and grown on Shopify, some now selling millions of dollars worth of products a year.
In 2014, the company launched Shopify Plus, to offer the reliability and scalability that larger corporations expect, while being designed for simplicity and ease-of-use and without the hefty price tag of traditional applications. It's already trusted by merchants all over the world, including Google, LA Lakers, Wikipedia, Tesla Motors and many more.
Today, Shopify has over 600 employees across 4 offices located in Ottawa, Toronto, Montreal and Kitchener-Waterloo and the platform is home to businesses from over 150 countries around the world. To date, Shopify merchants have sold more than $7 billion dollars worth of products.
Product news — September 5, 2018
Shopify Launches All New App Store
Product news — April 21, 2017
Find New Customers Faster with Shopify Sales Channels
Product news — October 2, 2017
Shopping on Instagram is Growing with Shopify
Company news — November 12, 2018
Shopify celebrates merchants around the world for Global Entrepreneurship Week