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Jump to Photos
Gooseberry Falls State Park Campground Minnesota
April 27, 2017 Camp Ranger
Gooseberry Falls State Park Overview
Gooseberry Falls State Park campground has 70 single-family campsites and is located on the north shore of Lake Superior. There are also 3 group sites and 1 kayak camping site available. Campsites can accommodate tents, trailed and RVs. Each campsite also has a table, fir ring and grate.
Campground amenities include drinking water, flush toilets, showers and a dump station (seasonal). Campfire wood is also available for sale from the camp host. Services are limited in the winter (vault toilets only and no dump station).
Our favorite Gooseberry Falls State Park campsites are: 7, 11, 17, 21, 24, 25, 32, 36, 42, 43, 44, 45, 46, 47, 60, 62 and 66.
Gooseberry Falls State Park – Area Recreation
Gooseberry Falls State Park is well known for it's spectacular water falls, river gorge and access to the north shore of Lake Superior. Outdoor recreation is plentiful and includes hiking, biking, photography, boating, canoeing, kayaking, fishing, swimming, picnicking birding and wildlife viewing. The Park has a visitor center, gift store, camp store, equipment rentals (snowshoe and cross-country skies), firewood and ice for sale. A restaurant is also open during the summer.
Tettegouche State Park is another option. It too is located next to Lake Superior and is about 20 miles north via highway 61.
Make a Reservation for Gooseberry Falls State Park
Campsite Tables
Comfort Station
Pets OK
Restrooms (Flush Toilets)
Boating (non motorized)
Winter/Snow Sports
Two Harbors, Minnesota 55616
Lat / Long:
Gooseberry Falls State Park
Go to Google Map
Best Campsites
7, 11, 17, 21, 24, 25, 32, 36, 42, 43, 44, 45, 46, 47, 60, 62, 66.
Minnesota State Park
Campsite Types
# of Campsites:
70 + 3 Group and 1 Kayak
Gooseberry Falls State Park Photos
Gooseberry Falls State Park Comments & Reviews
Visted Gooseberry Falls State Park Campground lately? We'd love to hear about your adventure. Did you find us useful? Did we forget something? Anything our community should know before heading out to Gooseberry Falls State Park?
2 Comments on "Gooseberry Falls State Park"
John Boisen says:
Just wondering what the price on a tent camp site?
Camp Ranger says:
You can click on the 'Make A Reservation' button on the Gooseberry Falls State Park page to check availability, pricing and make a reservation.
Your Comment / Rating / Review: Cancel reply
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Campground Rating


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We've made this library to provide state of the art aspect driven utilities as well as a nice usecase programming paradigm.
It is and always will be zero dependencies. That is, we'll only put core code in here. Nothing will depend on anything else.
By using our library you have access to:
* Annotation based restrictions to improve validations.
* A persistence api with direct I/O to databases, files, no-sqls etc.
* An aspect driven api for reflection.
* A usecase programming paradigm that enables deploys on any servlet container and on amazon lambda.

**Step 0:** Fork or clone this repo. Create your maven project and add this as a dependency.

> Hint: Forking is easier to update from our mainstream and also easier to help us fix bugs in the unlikely event that one is found.

## Writing usecases

It is very simple and straightforward to write your own usecase. Checkout:
> com.eixox.usecases.Healthcheck java code.

```java
public class Healthcheck extends UsecaseImplementation<Void, Date> {

	@Override
	protected void mainFlow(UsecaseExecution<Void, Date> execution) throws Exception {
		execution.result = new Date();
		execution.result_type = UsecaseResultType.SUCCESS;
	}

}
```
And that's it. You can fireup your api and navigate to /Healthcheck to see the usecase exectuion printed out on the screen:

```json
{
execution_start: 1500860302622,
execution_end: 1500860302622,
result_type: "SUCCESS",
result: 1500860302622,
params: null,
validation: null,
exception: null
}
```
> Always super fast to the millisecond! Check it out.

### Nice hint for your pom:

We recommend setting your code to utf-8 and running on java 1.8. You can achieve this by making your pom.xml look like this:

```xml
<project xmlns="http://maven.apache.org/POM/4.0.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://maven.apache.org/POM/4.0.0 http://maven.apache.org/xsd/maven-4.0.0.xsd">
	<modelVersion>4.0.0</modelVersion>
	<groupId>com.eixox</groupId>
	<artifactId>jetfuel</artifactId>
	<version>2.0</version>
	<properties>
		<project.build.sourceEncoding>UTF-8</project.build.sourceEncoding>
	</properties>
	<build>
		<plugins>
			<plugin>
				<groupId>org.apache.maven.plugins</groupId>
				<artifactId>maven-compiler-plugin</artifactId>
				<version>3.6.1</version>
				<configuration>
					<source>1.8</source>
					<target>1.8</target>
					<encoding>UTF-8</encoding>
					<forceJavacCompilerUse>true</forceJavacCompilerUse>
				</configuration>
			</plugin>
		</plugins>
	</build>
    .
    .
    .
```

## jetfuel-servlet

This project is a boilerplate to help you deploy your awesome API using any servlet container. Specially usefull when you're running your dev environment prior to publishing a serverless api on amazon or launching your own elastic environment.
This standard guide uses eclipse with WTP and tomcat 9.0 as a server.

We map URLs in the form of /package/subpackage/ClassName to package.subpackage.ClassName and use reflection to instantiate and run it, as long as it extends UsecaseImplementation<TParams, TResult>.

**Step 1:** Make sure you already have another project using our **jetfuel usecase** programming paradigm.

**Step 2:** Locate private static final String PACKAGE_ROOT on the only code file of this project and change it to the root name of your usecases.

Hint: If your code is organized as ours: com.eixox.usecases.crm.person.LogIn and com.eixox.usecases.profiler.account.Detail. Set "com.eixox.usecases" as package root so you can call /crm/person/LogIn and /profiler/account/Detail on your API.

**Step 3:** Use pom.xml to add other projects as dependencies to your project.

Or simply right click on the project name -> Maven -> Add Dependency and every dependency added that has a class that extends UsecaseImplementation<TParams, TResult> will be automagically accessible through the API.

**Step 4:** Deploy your project to the server.

I use and recommend the WTP eclipse extensions. The server plugin detects changes in files and automatically reloads the application, making this the ideal platform for developing the api.

## jetfuel-aws-lambda

> Ready to run your awesome usecases serverless on amazon lambda?

This project is a boilerplate to help you deploy your awesome API using no servers on amazon aws.
This standard guide uses eclipse with aws extensions.

We map /package/subpackage/ClassName to package.subpackage.ClassName and use reflection to instantiate and run it, as long as it extends UsecaseImplementation<TParams, TResult>.

**Step 0:** Make sure you already have another project using our **jetfuel usecase** programming paradigm.

**Step 1** Fork or clone this repo.

> Hint: Forking is easier to update from our mainstream and also easier to help us fix bugs in the unlikely event that one is found.

**Step 2:** Locate private static final String PACKAGE_ROOT on the only code file of this project and change it to the root name of your usecases.

> Hint: If your code is organized as ours: com.eixox.usecases.crm.person.LogIn and com.eixox.usecases.profiler.account.Detail. Set "com.eixox.usecases" as package root so you can call /crm/person/LogIn and /profiler/account/Detail on your API.

**Step 3:** Use pom.xml to add other projects as dependencies to your project.

Or simply right click on the project name -> Maven -> Add Dependency and every dependency added that has a class that extends UsecaseImplementation<TParams, TResult> will be automagically accessible through the API.

**Step 4:** Deploy your function to AWS Lambda.

I use and recommend the aws eclipse extensions. So if your're using eclipse try http://docs.aws.amazon.com/toolkit-for-eclipse/v1/user-guide/setup-install.html

**Step 5:** Configure API Gateway as a proxy to your lambda function
http://docs.aws.amazon.com/apigateway/latest/developerguide/api-gateway-set-up-simple-proxy.html

redpajama_set_name: RedPajamaGithub


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text:
Donald Low (May 2, 1945 - September 18, 2013) was a Canadian microbiologist noted for his role in battling the SARS outbreak of 2003. He was microbiologist-in-chief at Mount Sinai Hospital, Toronto, from 1985 to 2013.

Low graduated from medical school at the University of Manitoba. Low became a familiar face to the Canadian public during 2003's SARS crisis; although he had no official role, he was seen as calm and effective in press conferences about the response to the outbreak. He was one of several physicians who were required to quarantine themselves at home during part of the outbreak. In 2005 he took on the role of medical director of public health laboratory of the Ontario Agency for Health Protection and Promotion. Low was also a noted expert in necrotizing fasciitis due to Group A streptococcus.

Low's wife was CBC News reporter Maureen Taylor. He had three children from a previous marriage. Low was diagnosed with a brain tumour in February 2013, and died September 18, 2013, at age 68. In a video published after his death, Low calls for Canada to allow assisted suicide, saying "I'm just frustrated with not being able to have control of my own life, not being able to make the decision myself when enough is enough."

References

1945 births
2013 deaths
Deaths from cancer in Ontario
Deaths from brain tumor
Canadian microbiologists
University of Manitoba alumni
History of Toronto

redpajama_set_name: RedPajamaWikipedia


The Story: Mall cop Paul Blart returns, clumsily fighting crime in Las Vegas during a convention. The Lowdown: A tired and embarrassing comedy that's based on a grotesque view of everyday people and a penchant for the cheapest of jokes.
If you want a view into Western decadence, take a gander at Paul Blart: Mall Cop 2. Someone at Sony decided to drop $30 million on a sequel to a six year old comedy generally loathed by the bulk of humanity for no other reason than to keep Adam Sandler (whose Happy Madison Productions produced) and his zoo of chuckleheaded cronies happy. I'm less infuriated at the idea of this sort of monumental waste of time and money than I am egregiously resigned to the fact that this sort of movie is an unstoppable force that's destined to bulldoze its way into theaters one way or another — and probably make someone a nice stack of cash in the bargain.
If you happened to miss Paul Blart: Mall Cop when it was released in 2009, bless you and keep it that way. That film — based solely around the premise that Kevin James (as our titular Blart) is overweight and has a mustache — is a canker sore of a movie — incredibly, painfully unfunny and tedious to boot. I remember zilch about that movie besides Kevin James riding around on a Segway and a faint image of James rolling around on the floor. That's it, yet six years later I'm left with such a visceral reaction to the words "Paul Blart." I suppose I have at least another six years of this, since the cleverly titled Paul Blart: Mall Cop 2 manages to take all the nails-on-a-chalkboard humor of the original and make it even worse.
This time around, the humor is based on the idea that Kevin James is still overweight and still has a bad mustache, but imagine him in Bermuda shorts, a Hawaiian shirt and a fanny pack. Beyond this, the plot has him dropped in Las Vegas for a security officer's convention, which just so happens to coincide with an art heist that's going down in his hotel. Paul then bumbles his way to heroics, but this is only an afterthought. There are a whole lot of Blart family dynamics happening here with Paul and his daughter (Raini Rodriguez), a really tiresome plot device that eats up the first half of the movie. Once things start to finally happen, it's no better, since we're deluged with slapstick (oh, and more Segway jokes) and more of Kevin James mugging for the camera.
Making matters worse is how accidentally ugly the film is. There's this sort of "aw shucks" attitude at play here, as Blart is portrayed as an everyman and an underdog just struggling to get by. But much of the humor is built upon laughing at how chubby, unfashionable and lonely Blart is, along with his fellow mall cops, who are all festooned with frumpy, ill-fitting clothes and bad wigs. There's a sneering attitude that the film takes as it looks down on its supposedly relatable characters that takes a bad movie and makes it an ugly one. Rated PG for some violence.
Times like this I don't envy your job. The only good thing we can say about the first Mall Cop is that atleast it wasn't as disgusting as the other mall cop movie in 2009, Observe and Report.
Few things are as disgusting as Observe and Report.
When some people said "Oh boy I can't wait for paul blart mall cop 2!" They said it sarcastically. They didn't actually mean it hollywood, but I think you already knew that.


Peach jam or preserves fill a perfect impression in these sweet rolls. They will want seconds of this glazed goodness.
Flatten each roll into a 3-inch circle. Place circles on a large sprayed baking sheet. Cover with sprayed plastic wrap and let rise until double.
Remove wrap. Press indentation in the center of each roll.
Bake immediately at 350°F for 6-7 minutes. Remove from oven, indent again with spoon and fill with jam (about 1 tablespoon in each). Return to oven and finish baking 6-7 more minutes or until golden brown.
Combine powdered sugar, butter, vanilla and milk. Mix well. Brush each roll lightly with icing while still warm. After they have cooled, drizzle with remaining icing.


text:
Bobby Kimball (1)
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Grammy Winning Artist (17)
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With A Little Help From My Friends (Transparent Vinyl)
With A Little Help From My Friends captures one special night on November 21, 2020 when Steve Lukather, Joseph Williams and David Paich appeared with the new line-up of Toto for a global event... more
With A Little Help From My Friends (Blu-ray w/ CD)
Live In Amsterdam
Vinyl LP pressing includes CD. Toto was formed in Los Angeles in the late 70's by a group of friends who had been working as in demand session musicians. They went on to epitomize the classic... more
Toto IV
Vinyl LP pressing. Includes digital download. Personally remastered by Toto along with Elliot Scheiner. Toto IV is the fourth studio album by American pop and rock band Toto released in the spring of... more
Vinyl LP pressing. Includes digital download. Personally remastered by Toto along with Elliot Scheiner. Isolation is the Gold-certified fifth studio album by Toto, released on October 18, 1984. This... more
Old Is New
Originally part of the "All In" boxed set, this 2019 album now stands alone, on CD or 140-gram vinyl (with download)! Seven of these songs were never released before, and three featured in the... more
Turn Back
Vinyl LP pressing. Includes digital download. Turn Back is the third studio album by Toto, originally released in 1981. Although it yielded the band's first top-ten hit in Japan and steady sales in... more
Vinyl LP pressing. Including digital download. Hydra is the second studio album by Toto, originally released in 1979. It reached #37 on the Billboard Pop Albums. "99", a song inspired by the 1971... more
40 Tours Around The Sun
Limited triple colored vinyl LP pressing. Toto's 40 year celebration brings them to Amsterdam, where they thrill the crowd with a selection of classics, new songs and rarely played deep cuts. The set... more
Debut 40th Anniversary Live: 40 Tours Around The Sun [Import]
Japanese Blu-ray/Region A + 2 CD set of TOTO's concert held on March 17 in Amsterdam. 27 tracks in all. GQ. 2019.
Greatest Hits - 40 Trips Around The Sun
It's been 40 years since some of L.A.'s top session men decided to prove to the world that they, as Toto, could write and deliver pop smashes and not just play on 'em. You'll hear their big hits and... more
35th Anniversary Tour: Live in Poland 2013 [Import]
Toto: 35th Anniversary: Live in Poland
Even before they were Toto, these guys logged countless hours in the studio playing on hit records. But their globe-trotting adventure began when their creations with Toto sent them soaring up the... more
Turn Back [Import]
This 1981 LP just missed the Top 40, but many of their fans favor the heavier, guitar-driven approach the band took here. The shoulda-been-a-hit title tune joins Live for Today; Gift with a Golden... more
Original Album Classics 2 [Import]
UK-only five CD set containing a quintet of albums from the AOR greats packaged in miniature LP sleeves and housed in an attractive slipcase. Features the albums Toto (1978); Hydra (1979); Turn Back... more
Falling in Between Live
This concert was recorded at Le Zenith in Paris in March 2007 in front of a wildly enthusiastic sell-out crowd. It captures the band rocking at their hardest and most powerful and giving a new life... more
25th Anniversary: Live in Amsterdam
One of the greatest pop supergroups celebrated 25 years together by setting out on a worldwide tour. Their Dutch fans celebrate with them at this 2003 Amsterdam concert in which they do the hits but... more
The Essential Toto
14 of the best by Paich, the Porcaros and the rest of these LA pop-rockers: their Top 10 smashes Africa; Rosanna, and I Won't Hold You Back plus Hold the Line; 99; Make Believe; Georgy Porgy; I'll Be... more
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All the biggies from these L.A. AOR stalwarts- Rosanna; Hold the Line; I Won't Hold Back; Africa, etc.-plus four previously unreleased tracks.

redpajama_set_name: RedPajamaCommonCrawl


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text:
Building a Brighter World Through Research
Look across the university today, and you will find faculty whose research is pushing the boundaries of our knowledge to generate solutions to complex problems. At the Allen Discovery Center at Tufts, Michael Levin is conducting groundbreaking research on regeneration that could lead to breakthroughs in areas such as birth defects and degenerative diseases. In Boston, Sarah Booth is elucidating the role of vitamin K metabolism in the prevention of chronic disease. And at Cummings School of Veterinary Medicine, Sam Telford has devoted more than three decades to understanding ticks and the diseases they spread.
These are only three examples of pioneering research now flourishing across Tufts as gifted researchers tackle problems of great magnitude and relevance. This intellectual capacity defines who we are today, and empowers our vision for the university's future, as expressed in our campaign, Brighter World.
Recently, we have made significant investments that build on this promise while leveraging our distinctive strengths and fostering the collaborative climate so crucial to sparking future discoveries. Our new Research and Scholarship Strategic Plan has identified key challenges facing our world where Tufts is uniquely equipped to make a difference, offering a roadmap to even greater impact. For example, Tufts and Tufts Medical Center have launched the Center for the Integrated Management of Antimicrobial Resistance (CIMAR), which is bringing together investigators and clinicians from across the university and hospital to tackle this growing global health threat.
We are also working to make sure that we provide researchers with the critical facilities, equipment, and infrastructure they need to work at the cutting edge of their disciplines. And new initiatives are making it easier for them to bring their best ideas to market, sparking real-world advances in health and technology.
The efforts of our faculty to make the world a better place are bolstered by crucial support. For instance, the National Institutes of Health last year recognized the continuing excellence and essential work of the Tufts Clinical and Translational Science Institute (CTSI)—which accelerates the translation of research into clinical use, medical practice, and impact on health—with a $56 million award.
Our multidisciplinary humanities scholarship has also been recognized for its excellence. Scholars from around the world will convene at Tufts to explore past and present meanings of family and kinship in a year-long seminar led by historian Kendra Field and anthropologist Sarah Pinto. This marks the second time in four years that scholars at Tufts have received a prestigious Sawyer Seminar grant through the Mellon Foundation's invitation-only award process.
At the same time, as a student-centered research university, we are expanding opportunities for graduate and undergraduate students to grow their own passion for research by working alongside faculty mentors. Our longstanding Summer Scholars program supports talented undergraduates in their quest to experience intensive, hands-on research. Our students now have further opportunities through the Laidlaw Undergraduate Research and Leadership Program and the Global Research Assistant Program. I have no doubt that in the years to come Tufts graduates will be among the leading innovators resolute in their determination to better the world.
As we go forward, it is imperative that in our research—as in our teaching—we remain bold, optimistic, and committed to serving the greater good. These are qualities and values that have stood us in good stead in the past, and they are now more important than ever.
Anthony P. Monaco
President, Tufts University
Better Health By Algorithm
When Tufts computer scientists put their skills to work, they can change the world. Here are four projects taking on some of the toughest medical challenges today.
Next-Gen Computer Scientists
Tufts is preparing students to think through—and solve—the problems that arise from this digital age.
#OurTufts: Walter Bentson
Checking in with the Campus Security Officer at the School of the Museum of Fine Arts at Tufts University.


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text:
Martha Cunz (* 24. Februar 1876 in St. Gallen; † 15. Mai 1961) war eine Schweizer Holzschneiderin, Lithografin, Malerin und Zeichnerin.

Leben
Cunz wuchs in St. Gallen zusammen mit drei Geschwistern in gutbürgerlichen Verhältnissen auf. Ihren ersten Unterricht erhielt sie von Johannes Stauffacher an der St. Galler Zeichenschule für Industrie und Gewerbe und von Oscar Huguenin in einem Mädchenpensionat in Bôle (NE). Ab 1893 kopierte sie im Kunstmuseum in St. Gallen Alte Meister und wurde dabei von Emil Rittmeyer angeleitet. Durch die Vermittlung Rittmeyers und des Münchner Malers Max Josef Pitzner kam Martha Cunz im Frühling 1896 zu Adolf Hölzel nach Dachau. Nach einem Semester wechselte sie an die Künstlerinnenschule in München, wo Ludwig Schmid-Reutte und Christian Landenberger ihre Lehrer wurden. 1898 absolvierte sie ein Malsemester bei Peter Paul Müller. 1900 weilte sie in Paris, um an der Schule von Luc-Olivier Merson und Lucien Simon zu studieren.

Den für ihre spätere künstlerische Tätigkeit entscheidenden Impuls erhielt die angehende Holzschneiderin 1901 anlässlich eines Litho-Kurses beim Münchner Grafiker Ernst Neumann. Im Winter 1901–02 entstand der erste eigenständige Farbholzschnitt mit dem Titel Abend, eine Ansicht der verschneiten Stadt St. Gallen. Schon kurze Zeit nach dem Kurs bei Neumann fand Cunz zu ihrem eigenen Stil. Die Künstlerin konnte sich schnell eine dominierende Stellung innerhalb der Gruppe der Münchner Holzschneider erobern. 1903 war sie Gründungsmitglied der deutschen Vereinigung Graphik und des von Albert Welti initiierten grafischen Vereins Die Walze. Im April 1905 wurden ihre Farbholzschnitte zusammen mit Arbeiten von Wassily Kandinsky und anderen Münchner Künstlern erstmals in der Zeitschrift Deutsche Kunst und Dekoration publiziert; mit dem 1904 entstandenen Blatt Blick auf den Säntis beeinflusste sie nachweislich Kandinsky in zwei Murnau-Landschaften von 1909. Hugo Siegwart schuf 1906 eine Bildnisbüste von Cunz.

1904 und 1911 reiste die Künstlerin nach Holland, 1914 folgte eine Italienreise. Bis zum Ausbruch des Ersten Weltkriegs lebte und arbeitete Cunz in München und kehrte nur für alljährliche Malaufenthalte in den Bergen in die Schweiz zurück. 1920 liess sie sich bei ihrem Elternhaus in St. Gallen ein Atelier bauen und wohnte bis zum Tod mit ihrer Schwester Clara zusammen. 1927 entstand der letzte von insgesamt 71 Holzschnitten, der – wie der erste von 1901–02 – die winterliche Stadt St. Gallen zum Thema hat. Das lithografische Schaffen (überwiegend Auftragsarbeiten) dauerte bis 1931. Während der nächsten zwanzig Jahre widmete sie sich der Malerei und fertigte hauptsächlich Landschaften und Porträts an.

Werk
Die Bedeutung des Œuvres von Cunz liegt im Holzschnitt, vor allem dem japanisierenden Vielfarbenholzschnitt. Ihr geschlossenes und umfangreiches Werk findet sich in der Schweiz. Obschon sie zur zweiten Generation der Münchner Holzschneider gehört, hat sie einen – auch im internationalen Vergleich – wesentlichen Beitrag zur Erneuerung der Künstlergrafik im frühen 20. Jahrhundert geleistet. Cunz' Werke zeichnen sich durch das Spiel zart abgestufter und doch klar gegeneinander abgesetzter Farbflächen aus, die sich vielfältig überschneiden und durchdringen. Ihrem Stil blieb die Künstlerin treu. Nie veränderte sie die naturgegebene Form und Farbe, gab ihr aber durch die Vereinfachung in wenige Flächen und Kontraste Eigenständigkeit. Für den expressionistischen Holzschnitt habe Cunz wenig Verständnis gehabt und verschloss sich in der Regel neuen Tendenzen. Sie blieb beim Farbholzschnitt und seiner dekorativen Ausdrucksmöglichkeit und erreichte in dieser Technik ihre gültigste Aussage.

1937 wurden in der Nazi-Aktion "Entartete Kunst" nachweislich aus dem Museum Folkwang Essen ihr Holzschnitt Regenbogen beschlagnahmt und vernichtet.

Literatur
 Rudolf Hanhart (Hrsg.): Kunstmuseum St. Gallen, Katalog der Sammlung. St. Gallen 1987, S. 245–249.
 Daniel Studer: Martha Cunz (1876-1961). Dissertation Universität Zürich, 1992.
 Daniel Studer: Martha Cunz 1876-1961. Eine Schweizer Jugendstilkünstlerin in München. St. Gallen: Verlagsgemeinschaft St. Gallen, 1993.
 Marina Widmer (Hrsg.): Blütenweiss bis rabenschwarz – St.Galler Frauen – 200 Portraits. Limmat, Zürich 2003, S. 83–84.
 Ausst.-Kat.: Idylle auf Zeit. Malerferien am Untersee 1880 bis 1914, Konstanz (Städt. Wessenberg-Galerie) 2009.

 Daniel Studer: Martha Cunz. In: ders. (Hrsg.): Berufswunsch Malerin! Elf Wegbereiterinnen der Schweizer Kunst aus 100 Jahren. FormatOst, Schwellbrunn 2020, ISBN 978-3-03895-024-0, S. 160–175.

Weblinks

Einzelnachweise

Maler (Schweiz)
Holzschneider (Schweiz)
Zeichner (Schweiz)
Person (St. Gallen)
Schweizer
Geboren 1876
Gestorben 1961
Frau


text:
This Is How Justina Machado Went From Being A Bank Teller To Penelope In 'One Day At A Time'
BY danielli | January 17, 2019 AT 10:33 am
By danielli January 17, 2019 at 10:33 am
justinamachado / Instagram
If you haven't already fallen in love with Justina Machado, take a moment to learn about the Puerto Rican actress. We've seen her in guest roles in many a Shonda Rhimes' shows, and her recent stardom on Netflix's reboot of One Day at a Time has skyrocketed her career. Machado has been in the industry for decades now, and her new platform has expanded her voice.
Here's where she comes from and what she has to say today.
Machado was born and raised in Chicago.
CREDIT: @justinamachado / Instagram
The 46-year-old Virgo was raised on the Northwest Side of Chicago, and she didn't really spend her childhood around the arts. She actually went to a tech high school.
Her parents moved from Puerto Rico to Chicago for a better life.
She told The Chicago Tribune, "I am first-generation. My parents are from Puerto Rico. We were lower-middle class. … My family's mentality was, go and get a good job and stay in Chicago and have a family and just be responsible and just have that real Midwestern kind of life. They just didn't really think about anything else. Anything like (acting) was not something that was discussed in my house."
She had a traditional quinceñeara ????
CREDIT: @JustinaMachado / Twitter
In an interview with NPR, she confessed that her parents didn't want to throw her a quince because of the expense, so she begged one tío to buy the cake, one prima to make the dress, and so on until it came together.
"I had no idea what the heck it was about," she told NPR. "I didn't even know there was a church ceremony to it. I was like, "Oh, I have to go to church?" I had no idea. To me, it was like this big party where you get to dress up and look like a child bride. … It's so funny because I really wanted a quinceañera and then when I had one, I was like, "Man, this is so lame."
Machado has three half-siblings.
Her parents moved to Chicago, had two children and then split up. Then, her mom remarried and had three children.
She grew up taking dance lessons.
Her parents put her through dance at the Franklin Fine Arts Center. Justina Machado also liked to perform in school plays. Basically, she's always been an entertainer.
Machado graduated from Lane Technical College Prep High School.
Caption: "Happy Mother's Day to all!! My 8th grade graduation with my 2 favorite women. I lost my Abuela in 2006 but I still feel her everyday it's weird I know she's physically gone and that always makes me sad but my God did she love me when she was here and I loved her my jibarita from Patillas Puerto Rico ???????? And I'm so proud of my Mother Alicia the mother of 5..had me at 18 she was a baby. She's always been brave and beautiful I love you mom I love you abuela❤❤❤"
Machado worked as a bank teller after high school.
She wasn't sure what she wanted to do with her life until an agent with The Latino Chicago Theater Company discovered her 'X factor." Justina Machado ended up working in 20 productions with the company within five years before she realized she was a good actress.
Then, she decided to really go for it and moved to New York City.
Caption: "#tbt 3 Chicago girls move to LA they live together in a one bedroom with only one bed and a tv one car shared between the 3 of them ..it was quite an adventure !! So much growing loving learning arguing and a whole lot of fun !! These 2 have been my GIRLS since I walked into the Latino Chicago theatre at 18 anybody who knew us back in the day knew we were never without each other and I'm so proud to say the love and codependency continues. To my Chitown loves #MargaritaOquendo@clearwaterceron well one of them is from
Elgin ????????love you ladies ❤❤❤#whatajourney"
She attributes her experience with the Latino Chicago Theater Company during high school for her success.
It immediately opened doors for her in NYC. She wasn't in New York City long before she was offered professional acting roles in Los Angeles, and she hopped on a plane.
You might recognize her as love interests in a zillion shows i.e. Private Practice.
When Justina Machado first got to Los Angeles, she was cast as "Elsa" in NYPD Blue. Soon, she was taking on roles in No One Would Tell, ER, Arsenio, Malcolm & Eddie, and more. Remember, this is all in the late '90s.
If you're a Jane the Virgin fan, you'll love/hate her as Darci.
She plays the mother of Jane's half brother that you low key loved to hate, but eventually softened around after the baby hormones left her body.
Oh, and if you watch JTV, then you should probably also watch the J-Lo produced The Fosters, where she plays a super Catholic mom named Sonia Rivera for a few episodes.
Her break out role was as Vanessa Diaz in Six Feet Under.
At first, she started out as a supporting character and quickly became loved by fans. She was elevated to the main cast for 42 episodes.
Machado never left her love for theatre.
Caption: "#fbf this is where I first met @thisiscarlajimenez this is us performing in #blackbutterfly written by the great #LuisAlfaro I fell in love with her immediately ❤❤"
She even performed in Lin-Manuel Miranda's first play In the Heights in 2010.
Caption: "#tbt that time I played Daniela in #intheheights on Broadway. What a dream come true❤❤❤ I loved sharing the stage with the beautiful talented generous @janetdacal Happy Thursday Mi Gente"
ODAAT has given Machado a Latina character worthy of her talents.
Justina Machado told PopSugar that the thing she loves most about playing Penelope on One Day at a Time is, "The layered woman that she is. A real person, you know? They didn't have me coming out with a piñata, or dancing to some salsa. [laughs] Not that I mind, I love it all. But it's a real person who is layered, and flawed, and she's lovely, and she's just a woman that I am so proud to portray. As I read the script I was like, "This is good, this is real good."
Machado relates to her role as Penelope in that she also grew up Catholic.
Justina Machado told PopSugar, "Growing up, my parents raised me Catholic. I'm not someone who really goes to church anymore, but that was the way I was raised and it was really important. In the episode, it's kind of a thing with my mom and I. We have pictures of the Pope everywhere, and stuff like that. That's the way I grew up, except for the pictures of the Pope. We didn't have that. My cousins had that. I was like what the hell is this?"
Machado is so close with icon Rita Moreno, she's seen her six pack.
Yup. Eighty-seven-year-old Rita Moreno. Machado gushed to NPR about how Moreno is 150 percent in life and, well, this: "The woman has a six pack, you know that, right? … I'm talking about her abs, OK? … She's 85 and looks amazing. I have never been in her kind of shape my whole life. And she is just — she defies everything."
Machado is fiercely Boricua and helped raise money for Hurricane Maria relief efforts.
She's helped with regular old non-celebrity sponsored donation drives, participated in "Voices for Puerto Rico" and is constantly telling her followers to vote their beliefs. Vote for people who care about your people.
Machado is hugely politically outspoken putting Latinos first in her political work and engagement.
Justina Machado has slammed Trump over and over again for his 'love' for Puerto Rico. In an interview with Buzzfeed, she said "I have an uncle who's a veteran from the Vietnam War — unlike this president who dodged the draft 5 times."
You can catch Machado on Netflix's One Day at a Time.
Which just announced it's Season 3 air date for February 8!! The trailer teases conversations about they/them inclusive terms, vaping marijuana, and eating from the hotel minibar "like I'm made of money." ????
READ: Here's A Quick Glimpse Into Rita Moreno's Rise From A Little Girl In Puerto Rico To America's Abuela
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Chicago Hollywood Justina Machado One Day At A Time Pueerto Rico Puerto Rican Rita Moreno
Chicago's Mi Tocaya Is Offering Up Free Mexican Homemeals For Undocumented Community
By Jorge Rodriguez-Jimenez January 14, 2021 at 1:42 pm
BY Jorge Rodriguez-Jimenez | January 14, 2021 AT 1:42 pm
mitocaya / Instagram
Undocumented communities are being left out of Covid relief plans. Chef Diana Dávila of Mi Tocaya in Chicago is working to help undocumented restaurant worker in the time of Covid. Abuse of undocumented workers is rampant in certain industries and Chef Dávila hopes to offer some kind of help.
Mi Tocaya is a Mexican restaurant in Chicago's Logan Square that wants to help the community.
A post shared by Mi Tocaya Antojería (@mitocaya)
Covid-19 has devastated the hospitality industry with restaurants being hit exceptionally hard. Restaurants have been forced to close their doors for good as the virus dragged on with no decent relief plan from the federal government. As several countries financially support citizens to avoid economic disaster, the U.S. government has given citizens $1,800 total to cover 10 months of isolating and business closures.
Namely, Mi Tocaya is working to help the undocumented community.
Mi Tocaya, a family-run restaurant, is teaming up with Chicago's Top Chefs and local non-profits Dishroulette Kitchen and Logan Square Neighborhood Association. The goal is to highlight the issues facing the undocumented community during the pandemic.
The initiative called Todos Ponen, is all about uplifting members of our community in a time of severe need. The restaurant is creating healthy Mexican family meals for those in need.
"We asked ourselves; How can we keep our doors open, provide a true service to the community, maintain and create jobs, and keep the supply chain intact by supporting local farmers and vendors. This is the answer," Chef Dávila said in a statement. "I confidently believe The TODOS PONEN Logan Square Project addresses all of the above and can very well be easily implemented in any community. Our goal is to bring awareness to the lack of resources available to the undocumented workforce- the backbone of our industry."
The initiative starts in February.
Mi Tocaya is offering 1000 free meals for local farmers and undocumented restaurant workers. The meals are available for pickup Tuesday through Friday from 11 a.m. to 3 p.m. at 2800 W Logan Blvd, Chicago, IL 60647. to make this happen, Mi Tocaya also needs your help.
The restaurant has teamed up with two nonprofits to make sure that they can scale their operation to fulfill their commitment. They are also asking for donations to make sure they can do what they can to help undocumented restaurant workers.
According to Eater LA, 8 million restaurant workers have been laid off since the pandemic started. Some restaurants have had to lay off up to 91 percent of their staff because of Covid, about 10 percent of those are undocumented. In the cities, that number is as high as 40 percent of the laid-off restaurant staff are undocumented.
"People don't want to talk about the undocumented workforce, but they're part of our daily routine in most restaurants," Jackson Flores, who manages the operations of Mi Tocaya, said in a statement. "They are in the toughest position in the whole economy because they're an invisible part of it. Restaurant worker advocacy groups have added the creation of relief funds to their agendas, but there have yet to be long-term changes in protections for undocumented workers. Without access to unemployment benefits and other government resources, this group is especially vulnerable."
READ: Hands-Free Cholula Dispensers Have Become a Thing In Restaurants Because of COVID-19
ChicagocovidfoodrestaurantUndocumented
A Human Rights Attorney Is Being Accused Of Falsely Posing As A Latina During Her Career
By Jorge Rodriguez-Jimenez January 8, 2021 at 1:03 pm
BY Jorge Rodriguez-Jimenez | January 8, 2021 AT 1:03 pm
¡Voice Latina! / YouTube
Natasha Lycia Ora Bannan is the outgoing president of the National Lawyers Guild and her departure has taken a sudden turn. After years as an attorney, many are now accusing the attorney of posing as a Latina.
Natasha Lycia Ora Bannan is facing mounting scrutiny and backlash for her claims that she is Latina.
NEW: For more than a decade, prominent human rights attorney Natasha Lycia Ora Bannan has presented herself as a Latina of Colombian & Puerto Rican heritage. She was heralded as the National Lawyers Guild's first Latina president. But she is a white woman. https://t.co/9wY0GyPtTU https://t.co/0cNzoQesaZ
— Tina Vasquez (@TheTinaVasquez) January 7, 2021
According to a post on Prism, Bannan has a history of claiming her Latinidad. The post points out several interviews the attorney has given over the years with different publications where she explicitly claims that she is part of the Latino community. In one YouTube video with ¡Voice Latina!, Bannan explicitly says that "as a woman, as an individual, as a Latina" she is inspired to do the work she does because of her hero Oscar López Rivera.
People are calling on others to do better about who they choose to represent various communities.
I have said over and over again: when speaking about matters regarding Puerto Rico – speak to boricuas who live in the island. Natasha Lycia Ora Bannan has been posing as a pro independence boricua in the diaspora for years. She has been taking up a space that is not hers.
— Gabriela Medina (@prstatehooddem) January 7, 2021
Representation matters, especially when it comes to the issues that are facing our various communities. It is important to make sure that the representation reflects those being represented. According to Prism, Bannan has been pushing a narrative that she is of Puerto Rican and Colombian heritage for over a decade. She has even spoken out as a Puerto Rican woman that is fighting for the island's statehood.
There are multiple media moments when Bannan claimed Latino heritage, according to reports.
Dear White People,
Which apparently includes Natasha Lycia Ora Bannan
* Being an ally is not cosplaying as an oppressed person *
No matter what work you do? That is NEVER "the work."
It actually selfishly harms "the work" https://t.co/HeseCj84B7
— Andrew J. Padilla 🇵🇷 (@apadillafilm6) January 8, 2021
Prism points to an interview conducted in 2007 where she allegedly told "El Diario" that her heritage was "a little bit Spanish, a little bit Colombian, and a Sephardic Jew."
"I am racially white, and have always said that. However my cultural identity was formed as a result of my family, both chosen and chosen for me, and that has always been Latinx," Bannan wrote on Facebook Monday following the story. "My identity is my most authentic expression of who I am and how I pay honor to the people who have formed me since I was a child."
The story is garnering so much attention because of Hilaria Baldwin and her claims of being Spanish.
🤬🤬Another white woman masquerading as a woman of color…..
Natasha Lycia Ora Bannan pretended to be a Latina woman of Colombian & Puerto Rican heritage.
She was known as the National Lawyers Guild's 1st Latina president. https://t.co/zpZLPe5N7z
— Tanya Barnett (@mstanyabarnett1) January 8, 2021
Baldwin misled people into believing that she was of Spanish descent when she was a white woman born in Boston. Prism was able to decipher that Bannan is a white woman born in Georgia whose family immigrated from Ireland, Italy, and Russia.
READ: Why Do People Care If Hilaria Baldwin's Spanish Accent Is Fake Or Not, Anyway?
AttorneyIdentityNatasha Lycia Ora BannanPuerto Rican
People Are Sharing Their Personal Experiences Of Feeling Shame Over Their Bisexuality And It's Pretty Heartbreaking
Cristal Mesa / September 23, 2020 Cristal Mesa
Ricky Martin Opens Up On Being A Queer Latino And Talks New Music In Powerful New Interview
Justin Lessner / September 23, 2020 Justin Lessner
We Asked What Being Latino Meant To You And Your Responses Were Inspirational AF
Jessica Ruvalcaba / September 22, 2020 Jessica Ruvalcaba


We are looking forward to attending the HR Leaders Conference at HAC London on Wednesday 15th May.
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text:
Q: How can I close a cv2 window? I build a python module that calls an IP Camera, but when I try to close the window generated by cv2 the window is generated again and again in an infinite loop. Can you help me with this?
This is the script
import cv2

source = "rtsp://admin:admin2016@192.168.1.2//Streaming/Channels/2"
cap = cv2.VideoCapture(source)

ok_flag = True

while ok_flag:
    (ok_flag, img) = cap.read()

    if not ok_flag:
        break

    cv2.imshow("CallingCamera View", img)
    if cv2.waitKey(1) == 27:
        ok_flag = False
        break
cv2.destroyAllWindows()

A: I couldn't quite replicate your error (I ended up crashing Python with your code), but I did come up with a fix.
while ok_flag:
    (ok_flag, img) = cap.read()
    cv2.imshow("CallingCamera View", img)
    if cv2.waitKey(0) == 27:
        ok_flag = False

cv2.destroyAllWindows()

I wasn't sure if you had a reason for setting the waitKey time to 1ms or not, for testing purposes setting it to 0 (forever) worked just the same. I guess setting it to 1ms for you would get you the most recent image? My test was run with a static image residing on my desktop. Otherwise removing the two breaks and the if not ok_flag statement seemed to iron everything out. You don't really need those since as soon as ok_flag goes to False the loop terminates.

A: cv2.destroyWindow("shown_img")

The parameter is the same as used for cv2.imshow("shown_img", img)

redpajama_set_name: RedPajamaStackExchange


I can't fully remember the last time I posted (let me check). Okay, looks like October – not as bad as I thought!
But here I am to say that I'm BACK (oy, how many times have I said this?!)! And I really do mean it this time. 2014 is a big year for me.
I just graduated college – SAY WHAT.
And I'm making many changes in my life.
As some of you may know, I currently life with family in Rhode Island (I grew up in Connecticut and my parents still live there). At the moment, things aren't spectacular. Values are clashing, personalities are clashing, and I'm becoming more and more aware of the life that I DON'T want to lead. Thankfully, over the last year and a half I have become so grateful for my upbringing and the family I was raised in – our values, our personality traits, and how we live our lives. I'm so proud of my name and my family. So I'm going to do what is best for me at this crossroads in my life.
My sister is a meteorologist for the National Weather Service in Tucson, AZ. She is working a job she loves in a city she is falling in love with day by day. And I have decided to join her. Come early to mid-April, I'm moving to Tucson to live with my big sister in a new city, a new state, and a new life.
It's a bold leap, and I hope you'll join me on my journey. I have no New Year's Resolutions, for I believe that if you really want change, you can do it at any time. However, I do believe that there is an energy floating around at the start of a new year that fuels us all to try and live our bliss – to be our best selves in the most pure and real way we know how.
Over the next three months, I'll be planning, packing, and adjusting. I'm going to get a transfer from my current part-time job at the Gap, re-start my daily meditation and yoga practices, and amp up my spirituality as I prepare for the biggest event in my life thus far.
I'll be trying to post here at least once a week. It seems like a lot, but it's only about twelve or so blog posts until the big (to be decided) day.
Join me on this journey, and tell me all about yours!
Have a beautiful day, xo.


text:
Q: What changes should I make to make my output return True of False based on the current state on the board? So I'm trying to create an easy version of t2048, and so I'm trying to start by finding whether any moves are possible or not based on the current board, and I have a function ispossible(board: Board) that returns whether this is True or False
In case you don't know what 2048 mean, this is what the game is... https://play2048.co/
I'm not trying to recreate the entire game, I'm just trying to make a simple version of this that works.
def ispossible(board: Board)
    for i in range(0, board):
        for j in range(1, board):
            if [i][j - 1] == 0 and [i][j] > 0:
                return True
            elif ([i][j - 1] == [i][j]) and [i][j - 1] != 0:
                return True
    return False

However, this doesn't work at all as I get an 'Error' when I put this as an input
print(ispossible([4,3,2,2],[2,2,8,16], [16,4,4,4], [4,4,4,4]))

What should I change to make sure this works??

A: As the comments to the question say, you should first pass in a single list of lists as your Board. Another issue with your example code is that you're not indexing into the board variable. Instead, the code is creating a size 1 list with i as the only element and then accessing the j-1th index. You probably meant to do something like board[i][j - 1] instead of [i][j - 1]. The same goes for your other list accesses.


text:
"Even Better Than the Real Thing" - U2
"Even Better Than the Real Thing" (Single Version) - U2 (03:40)
"Salomé" (Studio Version) - U2 (04:32)
"Where Did it all go Wrong?" (Studio Version) - U2 (03:56)
"Lady with the Spinning Head" (Extended Dance Remix) - U2 (06:08)
"Even Better Than the Real Thing" (The Perfecto Mix) - U2 (06:37)
"Even Better Than the Real Thing" (Trance Mix) - U2 (06:47)
"Even Better Than the Real Thing" (Sexy Dub Mix) - U2 (07:18)
"Even Better Than the Real Thing" (Apollo 440 Stealth Sonic Remix) - U2 (06:43)
"Even Better Than the Real Thing" (V16 Exit Wound Remix) - U2 (03:19)
"Even Better Than the Real Thing" (Apollo 440 vs U2 Instrumental) - U2 (06:27)
"Even Better Than the Real Thing" was the fourth single released from the Achtung Baby album. It originated from a riff that the Edge had composed during the Rattle and Hum sessions, and a demo version was first recorded at STS Studios during the same session that "Desire" was recorded. The song was not developed further until the Achtung Baby sessions at Hansa Studio in Berlin, and was later finished in Dublin in early 1991. The sleeve for the main single is a photo of the Edge and Adam Clayton sitting in the back seat of a trabant car. The foreground is tinted red against a blue-sky background. The sleeve for "Even Better Than the Real Thing" can be fit together with three other Achtung Baby singles to make a larger image. ("Even Better Than the Real Thing" represents the top left corner, with "Who's Going to Ride Your Wild Horses" the top right, "Mysterious Ways" the bottom left, and "The Fly" the bottom right.) A second version of the single, made up of remixes of the song, was released in a plain black cover with white text and no images. This second version was subtitled "Remixes," and in most regions was issued a week after the first single. Although there had been variations in U2's single releases prior, "Even Better than the Real Thing" marked the first time that two very different versions of a single were released—a trend that would continue for most of the band's singles from that point forward.
The single version of "Even Better Than the Real Thing" differs slightly from that found on Achtung Baby, although it was not labeled as a "Single Version" at the time. The album and single versions both use the same vocal track and run 3:41, but the instrumentation, particularly from 2:05 onwards, is different in the two mixes. The single version also places greater emphasis on the scat vocals near the end of the song. The commercial 7-inch and the cassette versions in most regions were backed with "Salomé," an out-take from the Achtung Baby sessions. Much of the work in Hansa Studios was focused around the recording of "Salomé," but eventually the decision was made not to include it on the album. The 12-inch vinyl and CD versions of the main single added two additional tracks. "Where Did It All Go Wrong" was a demo recorded at STS Studios in Dublin in July 1990. The song was further developed during the Hansa recordings in Berlin, but did not make the final album. "Lady With the Spinning Head (Extended Dance Mix)" is a remix by Alan Moulder of a song that appears in its original form as a b-side on the "One" single. "Lady With the Spinning Head" was developed early in the recording process for Achtung Baby, forming the foundation of "The Fly" and "Ultraviolet" and also influencing "Zoo Station" and "Wake Up Dead Man."
The second single, "Even Better Than the Real Thing Remixes," was released commercially on 12-inch vinyl, cassette and CD. Three remixes were by Paul Oakenfold and Steve Osborne, "The Perfecto Mix," the "Sexy Dub Mix," and the "Trance Mix" (the latter was a vinyl-only track). Oakenfold was among the opening acts on U2's tour stops in 1993 in Europe and Australia. The other three mixes were by British band Apollo 440: the "Apollo 440 Stealth Sonic Remix," the "V16 Exit Wound Remix" and the 'A440 vs U2 Instrumental Remix."
Multiple videos for "Even Better than the Real Thing" were filmed and released. The most widely-known version was directed by Kevin Godley in January, 1992 in London. This version won an MTV Video Music Award in 1992 for "Best Special Effects." It featured a unique 360-degree camera rig designed and built by Simon Tayler, allowing for continual rotation around the band. The video also featured footage of a group of U2 impersonators, as well as television and video footage from a variety of sources, including a clip of a porn star. This video was included on the Achtung Baby: The Videos and The Best of 1990-2000 releases. An alternate edit omits the footage of the porn star. A second video, filmed by Armando Gallo, featured a collage of live shots taken from The Zoo TV Tour, augmented by a variety of symbols flying across the screen. This version has been subtitled the "Live Collage" and was released on Achtung Baby: The Videos. The final version of the video is the "Dance Remix," directed by Ritchie Smyth, produced by Ned O'Hanlon and edited by Juniper Calder. It features footage of U2 in Santa Cruz for Carnival, participating in photo shoots for the Achtung Baby cover. This version is set to an edit of "The Perfecto Mix." It was included on the Achtung Baby: The Videos and The Best of 1990-2000 collections.
"Even Better Than the Real Thing" was played nightly during the Zoo TV and PopMart tours. In 2000 it was played at one of the shows during the promotion of All That You Can't Leave Behind, and at only ten shows on The Elevation Tour. The song was not performed on The Vertigo Tour or on the bulk of The U2360 Tour. However, as the band was preparing for their highly publicized performance at the Glastonbury Festival of Contemporary Performing Arts in 2011, they were also readying the re-release of Achtung Baby to celebrate the album's 20th anniversary. "Even Better than the Real Thing" made an appearance in the set list at Glastonbury, and went on to become the opening song for the remaining 31 shows of The U2360° Tour. "Even Better Than the Real Thing" was also performed every night of the first two legs of the Innocence and Experience tour.
Live audio versions have been released throughout the years, including the June 19, 1992 performance at Manchester, UK on the "City of Blinding Lights" single; the August 1993 performance from Dublin on "Radio 1: FM Sessions" (a giveaway cassette by Vox magazine); the November 1993 performance from Sydney, Australia on the Zoo TV Live fan club CD; and the October 18, 2000 performance in Paris, France on the "Stuck in a Moment" French single. In 2011, members of the U2 fan club were given an opportunity to choose among 46 songs recorded on The U2360° Tour, with the top 22 selections to be included on the fan club album U22. A version of "Even Better Than the Real Thing" recorded live in Mexico on May 15, 2011 was among the songs eligible, and did in fact receive enough votes to be included on the final compilation.
"Even Better Than the Real Thing" was included on The Best of 1990-2000 compilation (the album version, not the single mix), but did not appear on U218 Singles. The song was also used on the "Zoo TV Tour" promotional release. "The Perfecto Mix" of "Even Better Than the Real Thing" also appeared on compilations, including the Melon fan club album and The Best of 1990-2000 & B-Sides. An edit of this same remix featured on the "Q Essential Dance" compilation. "Salomé" was also included on the "Zoo TV Tour" promotional release. A remix, titled "Salomé (Zooromancer Remix)," was a B-side on the "Who's Gonna Ride Your Wild Horses" single and also appeared on the Melon album and as a standalone promotional release. Edits of that remix featured on "Island Select" and on The Best of 1990-2000 & B-Sides and related promotional items. "Lady With the Spinning Head (Extended Dance Mix)" also appeared on The Best of 1990-2000 & B-Sides and the "Zoo Station" promotional release.
In 2011, to celebrate the 20th Anniversary of Achtung Baby, the album was re-released in multiple formats, including a single CD, a 2-CD set, a vinyl box set, a "Super Deluxe" edition, and an "Über Deluxe" edition. Unlike previous U2 reissues, this project was not called a "remaster," although some sonic tweaking, overseen by The Edge, had been done. "Even Better than the Real Thing" was considered for a single release for this project, and producers were approached to create new remixes of the track. The idea of a commercial single was eventually abandoned, but two of these new remixes were released. "Even Better Than the Real Thing (Fish Out of Water Remix)" was included on deluxe formats of the Achtung Baby reissue, while "Even Better Than the Real Thing (Jacques Lu Cont Remix)" appeared on Ăhk-to͝ong Ba͞y-bi Covered, a compilation released through Q magazine.
The 2-CD anniversary edition of Achtung Baby included a disc compiling b-sides and remixes from the singles, including "Salomé," "Where Did it All Go Wrong?," the newly commissioned "Even Better Than the Real Thing (Fish Out of Water Remix)," and "Even Better Than the Real Thing (Single Version)," labeled for the first time as such on the 2011 reissues. The vinyl box set included the album as well as two 12-inch vinyl remix compilations, which included "Even Better than the Real Thing (The Perfecto Mix)" and "Even Better Than the Real Thing (Fish Out of Water Remix)." The 6-CD "Über Deluxe" and "Super Deluxe" sets included "Even Better than the Real Thing (The Perfecto Mix)," "Lady with the Spinning Head (Extended Dance Mix)" and "Even Better Than the Real Thing (V16 Exit Wound Remix)" on the "Über Remixes" disc; "Even Better Than the Real Thing (Trance Mix)" and "Even Better Than the Real Thing (Apollo 440 Stealth Sonic Remix) on the "Unter Remixes" disc; and "Salomé," "Even Better than the Real Thing (Single Version)," "Where Did it all Go Wrong" and "Even Better Than the Real Thing (Fish Out of Water Remix)" on the "B-Sides and Bonus Tracks" disc. The "Über Deluxe" version also included a repressing of the 7-inch vinyl of the "Even Better Than the Real Thing" single, backed with "Salomé." The sixth CD, titled Kindergarten-The Alternative Achtung Baby, featured an early demo version of "Even Better Than the Real Thing," along with demo or alternate versions of all the tracks from the original album. DVDs in the "Super Deluxe" and "Über Deluxe" sets included the Kevin Godley version of the "Even Better Than the Real Thing" video, as well as the "Dance Remix" version directed by Ritchie Smyth.
Even Better Than the Real Thing (Single Version):
Words by Bono. Music by U2. Produced by Steve Lillywhite with Brian Eno and Daniel Lanois. Engineered by Robbie Adams and Paul Barrett. Mixed by Steve Lillywhite and Robbie Adams. Assisted by Sean Leonard and Willie Mannion. Additional editing and mastering: Arnie Acosta.
Salome:
Words by Bono. Music by U2. Produced by Paul Barrett and U2. Mixed by Paul Barrett and U2. Mixed by Paul Barrett. Engineered by Ian Bryan, Louise McCormick and Paul Barrett. Additional backing vocals by Ian Bryan and Paul Barrett.
Where did it all Go Wrong?:
Demo from STS, Dublin, July 1990. Words by Bono. Music by U2. Produced by Paul Barrett and U2. Mixed by Paul Barrett and Ian Bryan. Engineered by Ian Bryan.
Lady with the Spinning Head (Extended Dance Mix):
Words by Bono. Music by U2. Produced by Paul Barrett. Recorded by Ian Bryan. Remixed by Alan Moulder.
Even Better than the Real Thing (The Perfecto Mix):
Remixed by Paul Oakenfold and Steve Osborne.
Even Better than the Real Thing (Trance Mix):
Even Better than the Real Thing (Sexy Dub Mix):
Even Better than the Real Thing (Apollo 440 Stealth Sonic Remix):
Remixed by Apollo 440.
Even Better than the Real Thing (V16 Exit Wound Remix):
Remixed by Apollo 440
Even Better than the Real Thing (Apollo 440 vs. U2 Instrumental Remix):
Photography by Anton Corbijn. Design by Works Associates, Dublin.
Nominated and Won, Best Special Effects in a Video (MTV Video Music Awards, USA, 1992)
Nominated and Won, Best Group Video (MTV Video Music Awards, USA, 1992)
Nominated, Best Editing (MTV Video Music Awards, USA, 1992)
Related Promotional Videos
Even Better Than the Real Thing (Dance Remix by Richie Smyth) (04:36)
Even Better Than the Real Thing (Version 1 by Kevin Godley) (03:41)
Even Better Than the Real Thing (Version 2 by Armando Gallo and Kampah) (03:45)
1997-02-03 U2 to Release 6 Singles (Jam! Music)
Catalog of Releases
First Release: 1992-06-08
Canadian Release: 1992-06-09
European Release: 1992-06-08
Japanese Release: 1992-07-25
UK Release: 1992-06-08
USA Release: 1992-06-09
Top Chart Position
Australia, ARIA Charts: #11
Austria, Sales Chart (Austria Top 30): #8 (August 29, 1992)
Canada, Sales Chart: Unknown (Re-Issue in 1997 hit #45)
Canada, Songs Chart: #3 (RPM Magazine, September 12, 1992)
Denmark, Sales Chart (IFPI / Schuueter): #9 (August 29, 1992)
Europe, Eurochart Hot 100 Single Sales (Music & Media): #13 (July 25, 1992)
Europe, European Hit Radio Airplay Chart (Music & Media): #6 (August 1, 1992)
France, Airplay Chart FM Radio (Media Control): #10 (October 10, 1992)
Ireland, Ireland's Top 30 Chart: #3 (Peaked June 22, 1992) - Regular Edition
Ireland, Ireland's Top 30 Chart: #10 (Peaked August 3, 1992) - Remix Edition
Italy, Sales Chart (RAI / Dischi / De Luigi): #8 (July 25, 1992 - Three Weeks)
The Netherlands, Sales Chart (Stichting Nederlandse Top 40): #8 (July 25, 1992)
New Zealand, RIANZ Charts: #8 (Peaked July 19, 1992)
Norway, Airplay Chart (Radio Topp 20 / Scaneco): #20 (August 15, 1992 - Three Weeks)
Portugal, Sales Chart (AFP): #8 (September 12, 1992)
Spain, Airplay Chart (Cuarenta Principales): #7 (September 19, 1992 - Three Weeks)
Sweden, Sales Chart (GLF / IFPI): #10 (September 26, 1992 - Two Weeks)
UK, Official Charts: #12 (June 27, 1992) (for regular single)
UK, Official Charts: #8 (July 18, 1992) (for remixes single)
UK, Airplay Chart (BBC / Independants): #1 (July 11, 1992)
UK, Top 20 Monthly Chart (Dave McAleer): 9 (July 1992)
US, Billboard Hot 100: #32 (September 12, 1992)
US, Billboard Dance / Club Play Songs: #27 (September 12, 1992)
US, Billboard Alternative Songs: #5 (August 15, 1992)
U2 - "Achtung Baby" Album (Original Release)
U2 - "Even Better Than the Real Thing" Promotional Release
U2 Albums
U2 Fanclub Releases
U2 Singles [or By Title]
U2 EPs
Promotional By Release Date
Promotional By Title A-Z
Multipack Releases
Solo: Adam, Bono, Edge, Larry
Other U2 Appearances
Digital Only Releases
Not U2 Content
List of Live Songs
Unreleased and Other Remixes
Record Store Day Releases
U2X Radio on SiriusXM
U2 Videos by Date
U2 Videos by Title
U2 Videos by Location (Map)
YouTube Refresh
The Virtual Road Event (2021)
Explore Songs


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Pagina Inicial > Nintendo 3DS > BlazBlue: Continuum Shift II
BlazBlue: Continuum Shift II
BlazBlue: Continuum Shift II is a 2D fighting game and the enhanced version of BlazBlue: Continuum Shift. It features all the console exclusive characters, numerous balance changes, and other cosmetic changes such as a new announcer. Continuum Shift II was released as a free downloadable update for both PlayStation 3 and Xbox 360 versions of BlazBlue: Continuum Shift. The PlayStation Portable and Nintendo 3DS ports of the game include all the characters released as downloadable content with possible new story elements for them, a new mode called "Abyss", and balance tweaks as well.
ESRB Rating: T
Fornecedor: Arc System Works
Tag: arcade, fighting, multiplayer, nintendo-3ds, science-fiction, single-player


Let them know they are in your thoughts by sending this beautiful everyday bouquet. This arrangement is a perfect surprise for a loved one who is celebrating a special occasion, or as an uplifting gesture of sympathy and support to friends and family who have just lost a loved one. Brimming with a collection of bright flowers, our flower experts will hand-select a variety of blooms such as purple iris, pink carnations, viking poms, hot pink miniature carnations, and fresh accent greens for your stunning bouquet. Add some chocolate or balloon to your delivery for some extra sentiment.


Image Title: Yearn To Collect Vintage Mid Century Modern Furniture Read These Pertaining Couches Decorations 17. Filename: yearn-to-collect-vintage-mid-century-modern-furniture-read-these-pertaining-couches-decorations-17.jpg. Image Dimension: 1200 x 894 pixels. Images Format: jpg/jpeg. Publisher/Author: Elwin Steuber. Uploaded Date: Wednesday - January 02nd. 2019 08:02:24 AM. Category: Architecture. Image Source: homestyler.com.
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Seems Job's friends were being easy on themselves, but hard on Job. How often do we see this today? In the church and in politics we hear of two camps – liberals and conservatives. However we are seldom in one camp or the other. Many of us are liberal in some ways and conservative in other ways. Or we are liberal towards ourselves, but conservative towards others. In other words, we cut ourselves some slack, but we expect everyone else to step it up a notch and hold to the standard. Is that how we should be?
Let's look at Jesus as our example. Was He in the liberal camp or the conservative camp? Like us, He was in both camps, but instead of being liberal towards Himself, and conservative towards others, He was the exact opposite. When He fasted in the wilderness 40 days, He was conservative towards Himself, but when He worked a miracle to feed the multitude He was liberal towards others.
It is rare to find someone who is truly 100% liberal or 100% conservative. I have heard some preachers preach some pretty liberal sermons, but saw them actually live pretty conservative lives, while I have also heard preachers who preach quite conservative sermons on such topics as diet and Sabbath keeping, but in their personal lives, they are quite liberal in what they allow themselves to eat or do on the Sabbath.
I have met several families who follow Jesus' example of being liberal towards others but conservative towards themselves. One Sabbath I brought my cheese enchiladas to church, only to find out there was no fellowship dinner that day. A family that was strictly vegan, invited me to their home. They told me, "bring your enchiladas over to our house, and fellowship with us. You can warm them up in our oven, and eat them while we eat what we have prepared." First they realized how important fellowship is, and did not tell me how terrible I was for eating cheese or tell me I could not bring it into their home. They were liberal towards me, but conservative towards themselves.
Years later I was eating with another family, who had generously given large sums of money to the church for evangelism and had recently given an extremely generous contribution for a youth mission trip. However, in the course of conversation they mentioned, what appeared to me, to be a relatively modest vacation one of their children wanted to take, but the parents said, "We don't have that kind of money." Wow! I thought to myself, they can give thousands to evangelism and mission trips, but when it comes to their own vacations they say, 'We don't have that kind of money to take a modest vacation for ourselves." They were liberal towards the needs of the church but were conservative when it came to their own wish list.
As I read the book of Job, it appears to me that he was conservative towards himself but liberal towards others. It appears to me also that his friends were liberal towards themselves but conservative towards Job. So when Job's entire community, including himself, were conservative towards Job, but everyone including Job were liberal towards his friends, this created a very unbalanced and unhealthy community. A church and community become balanced when like Jesus, each member is liberal towards others but conservative towards themselves.
The Bible teaches two different resurrections. Jesus spoke of one resurrection for those who are saved, and another resurrection for those who are lost.
Paul was aware of separate resurrections for the saved and unsaved when he wrote that when Christ comes the saved will rise first. This means everyone who has died will come back to life again. Some for eternity, and others long enough to see their condemnation is just, and then to die for eternity.
The saved will then judge the unsaved for a thousand years.
The saved only die once. When they are resurrected in the first resurrection they will live eternally. They will not die a second time. But when the unsaved are resurrected at the end of the thousand years, Satan will tempt them to try and destroy the New Jerusalem, and that is when the fire will come down from God and destroy them. They will be tormented day and night forever, or in other words for the rest of their lives-until they die, and will never live again.
The unsaved will then experience the second-eternal death, never to live again, while the saved enjoy the new earth for all eternity, never to die again. We see these concepts in the story where Jesus resurrected Lazarus.
Yes, Lazarus died, but that was not the end of the story. Jesus raised Lazarus back to life! So we can be sure that when our loved ones, who are in Christ die, that is not the end of their story either. They will be raised back to eternal life. Another reason why Jesus may have said Lazarus' sickness was not unto death, is because Jesus refers to the first death as sleep, since after all, after the first death everyone will be woken up again at one of the resurrections.
Lazarus' sisters were disappointed, when Jesus allowed him to die. Jesus said something very interesting to his sister.
What did Jesus mean by "though he may die, he shall live?" I believe Jesus was referring to the first resurrection, where the dead in Christ will live to never die again. What did Jesus mean by "whoever lives and believes in me shall never die?"Remember Jesus referred to Lazarus sleeping. Jesus refers to the first death as sleep. If we live and believe in Jesus we may sleep, but we will be raised to life in the first resurrection, to live for eternity, and will never die the second death of the unsaved, which is the true and eternal death.
This is where we see the amazing love of Jesus! Jesus tasted the second death for us!
Jesus calls the death before the resurrection, "sleep." Hebrews 2:9 does not say that Jesus "slept" for everyone, but "died" for everyone. Revelation 14:10 speaks of the unsaved drinking from a cup. I believe that is the cup that Jesus chose to drink for us in Gethsemane. See Matthew 26:36-46. I believe the cup in Matthew 26 and Revelation 14 is the second death. Remember, Jesus does not save us from the first death, which He calls sleep. We die that death ourselves. Jesus saved us from the second death, and therefore must have tasted the second death. An inspired writer, who wrote very passionately and lovingly about Jesus' sacrifice agrees.
Satan with his fierce temptations wrung the heart of Jesus. The Saviour could not see through the portals of the tomb. Hope did not present to Him His coming forth from the grave a conqueror, or tell Him of the Father's acceptance of the sacrifice. He feared that sin was so offensive to God that Their separation was to be eternal. Christ felt the anguish which the sinner will feel when mercy shall no longer plead for the guilty race. It was the sense of sin, bringing the Father's wrath upon Him as man's substitute, that made the cup He drank so bitter, and broke the heart of the Son of God. -Ellen White, Desire of Ages, Page 753.
And when those who are sleeping in Christ are awaken, they will live forever never to taste the second death.


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Q: Developing a simple HTML exercises with JavaScript I'm developing a website with some simple HTML exercises (like the ones in Codeschool and Codacademy), and now I'm stuck at the correction phase, how can I compare two HTML strings and decide if the user has submitted a correct one?
For example, suppose we have the correct answer as:

Hello World

Welcome

and the user submitted:
<h 1>Hello World

Welcome

or:

 Hello World

Welcome

The previous submits are considered correct in the websites I mentioned earlier, so how can I achieve such functionality in JavaScript?
Create DOM elements? Direct equivalence? Use simple regex to parse HTML strings? (I understand its hard as a CFG, but its achievable for simple, not nested HTML.) Or is there some testing frameworks for static HTML?

A: Essentially, the task is to parse the "right" answer and the answer given by the user. As a result, you will obtain two trees that can be compared.
If you're dealing with XHTML, any XML parser in any language will do the trick. If you need to validate HTML which may not necessarily be a valid XML document, then you'll probably need a third-party package which can parse the string and build the DOM from it.
The second step is to compare the two trees. Here, you need to know exactly what should be considered right or wrong. A wrong order of children? Possibly wrong. A wrong order of attributes? That doesn't matter. If you're too strict, the users will be angry at you ("Seriously?! I failed this exercise because I put Hello World!, while Hello, World! with a comma was expected?!") If you're not strict enough, blatantly wrong answers would eventually be considered right, and users will blame you for teaching them the wrong stuff.
The hard part would be to validate exercises which:

*

*Deal with specific parts of HTML syntax such as comments or CDATA,

*Have multiple valid answers (although you shouldn't get too much of that in HTML; in CSS, on the other hand, a lot of problems can be solved using many different solutions),

*Make it possible to take some freedom when writing HTML: for instance, if the exercise is to create a
 with the names of different species and their respective description, should it really change my understanding of this feature of HTML if I put an elephant and a horse in the list, instead of a cat and a dog?
This last case is interesting by itself. You may barely validate the schema, while ignoring the actual content. The exercise itself could be something like:

Using only three of the tags you've learned, how can you create a sequence containing three species and showing, for every specie, its name and a short, one-line description? You can't use
,
 and .

If the exercise app runs in a browser, you may want to simply insert the "right" answer and the answer given by the user in two hidden elements in the page, and then use JavaScript (jQuery would help a lot) to go through the elements and attributes. This will make it possible for the user to cheat, but it probably doesn't matter and users who are just learning HTML are possibly unaware of the capabilities of their favorite browser's debugging console.

use simple regex to parse HTML strings?

Forget about it.


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Impávido és una pel·lícula dirigida en 2012 per Carlos Therón.

Argument
Rai entra en la presó després de robar un cotxe i no delatar a la seva xicota. Després de complir la seva condemna passa a col·laborar amb un conegut del penal, amb el que segueix apropiant-se d'automòbils com també la seva passió pel joc el fa entrar en una perillosa espiral que l'impliquen en assalt a bancs, assassinats i enfrontaments entre bandes.

Repartiment
 Julián Villagrán - Rai
 Nacho Vidal - Mikima
 Marta Torné - Nora
 Manolo Solo - Tena
 Pepón Nieto - Roge
 Carolina Bona - Dani
 Selu Nieto - Aaron
 Víctor Clavijo - El Botas
 Pepo Olivo - Manrique
 Pablo Penedo - Ugarte
 Fernando Valdivieso- El Piercings
 Miguel Ángel Martín - El Bailón

Banda sonora original
La banda sonora original té el mateix nom de la pel·lícula: Impávido Està composta per Antonio Escobar Nuñez, autor d'altres bandes sonores com "Evelyn" i "Buscando a Eimish".

Referències

Enllaços externs

 Crítiques

Pel·lícules d'acció d'Espanya
Pel·lícules de comèdia d'Espanya
Pel·lícules d'Espanya del 2012
Pel·lícules de robatoris i atracaments
Pel·lícules de comèdia negra


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The Extraordinary Story of Colonel Tom Parker and Elvis Presley
Alanna Nash
In The Colonel, Alanna Nash, the author of Golden Girl: The Story of Jessica Savitch, explores in depth the amazing story of Colonel Tom Parker, the man behind the legend and the myth of Elvis Presley. The result is a book that reads like the most riveting of real-life detective stories -- one that will completely change your view of Presley's life, success, and death. While scores of books have been written about Elvis Presley, this is the first meticulously researched biography of Tom Parker written by someone who knew him personally. And for anyone truly interested in the performer many consider the greatest and most influential of the twentieth century, it is impossible to understand how Elvis came to be such a phenomenon without examining the life and mind of Parker, the man who virtually controlled Elvis's every move. Alanna Nash has been covering the story of Elvis Presley and Colonel Tom Parker since the day of Presley's funeral in Memphis, Tennessee. She was the first journalist allowed to view Presley's body, a compelling and surprising sight. But the profile of Parker attending the funeral in a Hawaiian shirt and a baseball cap was even stranger, and led her to investigate the man behind the myth. It has been known for twenty years that Thomas Andrew Parker was, in fact, born in Holland as Andreas Cornelis van Kuijk. But Nash has dug much deeper and, in a masterpiece of reporting, unearthed never-before-seen documents, including Parker's army records and psychiatric evaluations, and the original police report of an unsolved murder case in Holland that lies at the heart of the Parker mystery. In the process of weighing the evidence, she answers the biggest riddle in the history of the music industry, as it becomes clear that every move Parker made in the handling of Elvis Presley -- from why he never allowed Elvis to perform in Europe, to why he didn't halt Elvis's drug use, to why he put him in so many mediocre movies, and even the Colonel's direction of Presley's army career -- was designed to protect Parker's own secrets. Filled with startling new material, her book challenges even the most familiar precepts of the Presley saga -- everything we presumed about Parker's handling of the world's most famous entertainer must now be reevaluated in the light of information Nash reveals about Parker, who cared little for Presley beyond what the singer could do to bolster the Colonel's precarious position as an illegal alien. Elvis Presley, as one of Parker's unwitting victims, paid a major price for the Colonel's past and his overwhelming need to be more important than his client. As a result, Presley was never allowed to reach his potential and died in drug-induced frustration over his stunted and mismanaged career. In this astonishing, impeccably written, and vastly entertaining book, Nash proves that the only figure in American popular culture as fascinating as Elvis Presley is Colonel Tom Parker, the man who shaped Elvis, who in turn helped shape us.
In The Colonel, Alanna Nash, the author of Golden Girl: The Story of Jessica Savitch, explores in depth the amazing story of Colonel Tom Parker, the man behind the legend and the myth of Elvis Presley. The result is a book that reads like the most riveting of real-life detective stories -- one that will completely change your view of Presley's life, success, and death.
ContentsAcknowledgmentsPrefaceIntroduction 1 The Little Dutch Boy 2 Behavior Most Strange 3 "All Great Neptune's Ocean" 4 Missing in Action 5 Turning the Duke 6 Dancing Chickens, Toothless Lions, and Rodeo Cowboys 7 One Born Every Minute 8 Deeper into America 9 Nashville's Nasal Whine: Jamup and Honey, Eddy Arnold, and Hank Snow10 The Man in the Shadows11 "Elvis Makes Pitchas"12 Directional Snowing13 Friendly Persuasion: Moguls, Military Men, and Mobsters14 "Mistakes Some-one May Have Made"15 Trouble in the Kingdom: The Colonel Tightens His Grip16 Black Leather Blues: The '68 Special17 Las Vegas: Glitz, Greed, and Ruination18 Geek Fever19 "We Think He OD'd": The Death of Elvis20 Living Too Long: Litigation and LonelinessEndnotesBibliographyIndex


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Secret Weapon Productions
Gallantly Streaming
Adair and Skyler stream everything so you don't have to.
11. Netflix Presents - Romantic Comedies!
This is what Netflix was, future child!
Back from hiatus, Adair and Skyler break down To All The Boys I've Loved Before, Set It Up, and Sierra Burgess is A Loser. Three rom coms, two hosts, and egg nog.
10. An Evening You Will Forget for the Rest of Your Life
Adair and Skyler dig in deep into this legendary night with America's Sweethearts, Steve Martin and Martin Short! What was a mazing, what was tired, who is Jiminy Glick?
9. Hasan Minhaj: Homecoming King
Adair and Skyler break down a different kind of comedy special.
Racism, family, and being an immigrant make for a fascinating look at the life of Hasan Minhaj.
8. Queer Eye
It's the craze that's sweeping the nation. Now your hosts are breaking down the first two seasons the one (second), the only (again, second) Queer Eye!
Episode rankings, tears, and favorite Fab Five's are swapped by Adair and Skyler in this gay romp.
7. Love
Love is dead.
Sorry, the TV show "Love" just finished its last season. Adair and Skyler give you the rundown on why they and many others loved this show, and why it's worth the watch.