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Home Locations Baltimore 'Hair' at StillPointe Theatre Initiative by Amanda Gunther
'Hair' at StillPointe Theatre Initiative by Amanda Gunther
Amanda Gunther
Black! White! Yellow! Red! Copulate in a king-sized bed! Peace! Love! Share! Give! See Hair at StillPointe Theatre Initiative! The revolutionary Tribal Love-Rock Musical, with Book and Lyrics by Gerome Ragni and James Rado, and Music by Galt MacDermot, takes to the stage at Strand Theater as an end of summer blaze of musical glory. Directed by Amanda J. Rife with Musical Direction provided by Stacey Antoine, this groovy, feel-good, 'power-to-the-people' musical is the perfect way to enjoy the remainder of the summer theatrical season.
The set itself nestled in the confines of the intimate Strand Theatre becomes a character all its own thanks to Scenic Artist Amanda J. Rifes. With segments of wall covered in decoupage wallpaper bits and the larger than life of the Bukowski draft card in hand; the atmosphere is honed into the era:Amanda J. Rifein the streets of Baltimore is radiant and present. The ingenious use of the space below the overhang and the space above gives the setting a multi-dimensional play space allowing members of the tribe to perform all over, low and high. Ways' design brings the audience into the tribe; you're not longer just watching the be-in and are with them and feeling that psychedelic energy radiate from member to member. It's a stunning set to look on and you could easily spend the whole show just taking in all the trippy details, especially the bubbling hookah.
The cast of Stillpointe Theatre Initiative's 'Hair.' Photo by Britt Olsen-Ecker Photography.
Costume Designer Jayne Harris doesn't stifle the flow of the groovy reality in which the play is set. Her authentic threads have a vintage look to them and really enhance that mellow feeling of peace and love. From the stringy fringes to the bandanas and huge hair looks, Harris really has a handle on how to keep the hippies looking happy. Everyone has a unique look, no two hippies the tribe look quite the same; it's really spacey and quite enchanting to take in, completing the overall ambiance of the show.
Musical Director Stacey Antoine creates a series of stunning emotional sounds from the tribe. Powerhouse numbers like "Aquarius" and "Let The Sunshine In" are belting with such force emotions that it shakes the theatre with rapture, creating a palpable pulse that surges through the audience. Antoine creates the perfect balance in the juxtaposition of these intense numbers and more subdued numbers like "Hashish," which is fluidly surreal and "Good Morning Starshine," which is sublime. Antoine's overall focused work makes for a brilliant ensemble that really radiates the truth, love, harmony and light behind the music of this production.
The groove just keeps flowing as the individual performers really showcase their talents. Dionne (Shannon L. Graham) has a magnificent and powerful sound, featured in both the opening number and again in trio for "White Boys." Joining Graham for the irreverent sexual song is Lawrence D. Bryant IV (a member of the tribe) with his smooth and impressive higher range. The opposing number "Black Boys" features Suzannah (Zoe Kanter) and Walter (Jon Kevin Lazarus) really getting their vocal groove on. Kanter has a brilliant belting voice that is borderline operatic, which can be heard throughout the production.
A crystalline sound comes from Woof (Ben Shaver) when he starts crooning in "Sodomy." It's an intense sound that just sweeps you up into the gentle atmosphere of everything that's floating around in the air. And while Shaver has the melody, Hud (Terrence Pope) has got the rhythm. Featured in "I'm Black" and various other numbers throughout the show, Pope adds a little flare to his dancing as well as his singing. And rounding out the incredible sounds is Shelia (Missy Wimbish). With a deep yet passionate sound in her voice for songs like "I Believe In Love," you can feel her feelings as if they were radiating from her lips like sunbeams onto the flowers.
Berger (Adam Cooley) invites the audience into the menagerie of hippy culture and feel-good moments. Cooley masters the groovy lingo and is personable with the audience in a way that just makes everyone feel welcome. When he gets going with "Donna" he's pumped full of enthusiasm and his body really engages the trippy beat of the song. Sharing the title number "Hair" with Claude (Bobby Libby) the enthusiasm only multiplies tenfold as their bromance blossoms under the beat of this song.
Libby, as the passionately conflicted Claude Bukowski, is stellar in the role. Each of his songs is filled with a soulful yearning to find his place in life. His main solo "I've Got Life" is imbued with an organic and heartfelt reality of his soul; an honesty that radiates from his voice in this and his other numbers. Libby is particularly emotionally expressive and uses his full body to do so; letting what he reflects on his face radiate through his entire body so that we can experience this difficult transition with him. "Where Do I Go" is a haunting number that digs even deeper into the depths of his psyche and really brings home the message of the show as a whole.
(l to r) Hud (Terrence Pope) Suzannah (Zoe Kanter) Berger (Adam Cooley) Ronny (Ines Nassara) Sheila (Missy Wimbish) and Paul (Corey Hennessey). Photo by Britt Olsen-Ecker Photography.
Bring your beads! And be ready to burn your draft card! Oh— and don't forget to keep an eye out for M. Mead (Danielle Robinette) who might just try to insinuate her ballsy-self into a photograph with the tribe; watch out for that "hip-to-be-square." And go see, feel, embrace, and love, the musical, Hair!
Running Time: Two hours, with one intermission.
Hair: The American Tribal Love-Rock Musical plays through August 24, 2013 at StillPointe Theatre Initiative at Strand Theater Company—1823 North Charles Street, in Baltimore, MD. For tickets, call (443) 874-4917, or purchase them online.
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Amanda Gunther is an actress, a writer, and loves the theatre. She graduated with her BFA in acting from the University of Maryland Baltimore County and spent two years studying abroad in Sydney, Australia at the University of New South Wales. Her time spent in Sydney taught her a lot about the performing arts, from Improv Comedy to performance art drama done completely in the dark. She loves theatre of all kinds, but loves musicals the best. When she's not working, if she's not at the theatre, you can usually find her reading a book, working on ideas for her own books, or just relaxing and taking in the sights and sounds of her Baltimore hometown. She loves to travel, exploring new venues for performing arts and other leisurely activities. Writing for the DCMetroTheaterArts as a Senior Writer gives her a chance to pursue her passion of the theatre and will broaden her horizons in the writer's field.


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Click here to read the details on HEC's website.
Ann Langley, GéPS' co-founder, was awarded an Honorary Doctorate by the Aalto University School of Business on May 20, 2016.
Click here to read all the details on HEC's website.
We hope you enjoy this year's very special "Christmas-card-as-practice" from the Strategy-as-Practice Study Group (GéPS). With all good wishes for the Holiday Season and a Happy New Year!
Congrats to Fernando Fachin and Ann Langley for their best paper award at Academy of Management!
Mariline Comeau Vallée, PhD Student with Ann Langly, had her thesis defense on August 26th, 2015. The dissertation title was: La collaboration interprofessionnelle : espace de négociation identitaire (Interprofessional collaboration as a space for identity negotiation).
Committee : Céline Bareil, HEC Montréal (president); Ann Langley, HEC Montréal (director); Samia Chreim, Université d'Ottawa (member), Philippe Lorino, ESSEC Business School (external reviewer).
Cambridge Handbook of Strategy as Practice second edition has been released!
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Model for the formation of single-thread rivers in barren landscapes and implications for pre-Silurian and martian fluvial deposits
Lapotre, Mathieu G. A. and Ielpi, Alessandro and Lamb, Michael P. and Williams, Rebecca M. E. and Knoll, Andrew H. (2019) Model for the formation of single-thread rivers in barren landscapes and implications for pre-Silurian and martian fluvial deposits. Journal of Geophysical Research. Earth Surface, 124 (12). pp. 2757-2777. ISSN 2169-9003. doi:10.1029/2019jf005156. https://resolver.caltech.edu/CaltechAUTHORS:20191001-104800575
Creative Commons Attribution.
MS Word - Supplemental Material
Flume experiments and field observations show that bank vegetation promotes the formation of narrow and deep single‐thread channels by strengthening riverbanks. Consistent with this idea, the pre‐Silurian fluvial record generally consists of wide monotonous sand bodies often interpreted as deposits of shallow braided rivers, whereas single‐thread rivers with muddy floodplains become more recognizable in Silurian and younger rocks. This shift in the architecture of fluvial deposits has been interpreted as reflecting the rise of single‐thread rivers enabled by plant life. The deposits of some single‐thread rivers, however, have been recognized in pre‐Silurian rocks, and recent field studies have identified meandering rivers in modern unvegetated environments. Furthermore, single‐thread‐river deposits have been identified on Mars, where macroscopic plants most likely never evolved. Here, we seek to understand the formation of those rarely recognized and poorly characterized single‐thread rivers in unvegetated landscapes. Specifically, we quantitatively explore the hypothesis that cohesive muddy banks alone may enable the formation of single‐thread rivers in the absence of plants. We combine open‐channel hydraulics and a physics‐based erosion model applicable to a variety of bank sediments to predict the formation of unvegetated single‐thread rivers. Consistent with recent flume experiments and field observations, results indicate that single‐thread rivers may form readily within muddy banks. Our model has direct implications for the quantification of riverbank strengthening by vegetation, understanding the hydraulic geometry of modern and ancient unvegetated rivers, interpreting pre‐Silurian fluvial deposits, and unraveling the hydrologic and climate history of Mars.
https://doi.org/10.1029/2019jf005156 DOI Article
Lapotre, Mathieu G. A. 0000-0001-9941-1552
Ielpi, Alessandro 0000-0002-5376-9361
Lamb, Michael P. 0000-0002-5701-0504
Williams, Rebecca M. E. 0000-0003-1571-6952
Knoll, Andrew H. 0000-0003-1308-8585
© 2019 The Authors. This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited. Received 13 MAY 2019; Accepted 4 SEP 2019; Accepted article online 1 OCT 2019; Published online 3 DEC 2019. We thank four anonymous reviewers, B. McElroy,and the Associate Editor for thorough and insightful reviews, and A. J. F. Hoitink for editorial handling of our manuscript. M. Lapôtre was supported by the John Harvard Distinguished Science Fellowship Program within the FAS Division of Science of Harvard University. A. Ielpi was supported by a Discovery Grant from the Natural Sciences and Engineering Research Council of Canada. A. Knoll thanks the NASA Astrobiology Institute. Data Availability: All data underlying the paper were published prior to our study(Moreton et al., 2003; Peakall et al., 2007; Bertoldi et al., 2009; Braudrick et al., 2009; van Dijk et al., 2012; DiBiase et al., 2013; Matsubara & Howard, 2014; Kite et al., 2015; Matsubara et al., 2015; Ielpi, 2018; Limaye et al., 2018; Ielpi & Lapôtre, 2019a-b), are cited throughout where appropriate, and can be accesseddirectly throughcited references.
Harvard University UNSPECIFIED
Natural Sciences and Engineering Research Council of Canada (NSERC) UNSPECIFIED
NASA UNSPECIFIED
rivers; meandering; mud; vegetation; Early Earth; Early Mars
10.1029/2019jf005156
Lapôtre, M. G. A., Ielpi, A., Lamb, M. P., Williams, R. M. E., & Knoll, A. H. (2019). Model for the formation of single‐thread rivers in barren landscapes and implications for pre‐Silurian and Martian fluvial deposits. Journal of Geophysical Research: Earth Surface, 124, 2757–2777. https://doi.org/10.1029/2019JF005156

redpajama_set_name: RedPajamaCommonCrawl


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Show Review: Madeon's Adventure Tour Debut at the Warfield
April 14, 2015 April 14, 2015 / theedmist
On Friday night, Madeon kicked off his Adventure Tour with a highly-anticipated show at the Warfield in San Francisco, with SF natives The M Machine joining him as openers. In fact, there was so much pre-show buzz that the venue was moved from the Regency Ballroom to the Warfield in order to meet demand, according to the promoters. It was an interesting change, as the two venues are very different spaces, but in the end a welcome one, as the tiered, theater-style seating allowed much of the audience a great view of the show.
The M Machine: Hometown Heroes, Hampered as Openers
The M Machine took the stage a few minutes before 9 PM. During their hour-long set, the duo (until recently, a trio) played their best songs from their Just Like EP, including "Just Like," "Don't Speak," and "Pluck Pluck," plus some of their classic material from Metropolis parts I & II. Most of these got the remix treatment, though they did play the lush and funky "Immigrants" in its full, original glory. Among the non-M Machine tracks they played was Valentino Khan's "Deep Down Low."
The show was held at the Warfield, a theater space, instead of the Regency Ballroom.
I had been excited to catch the guys at a rare hometown show, albeit as openers. When I saw them play at Ruby Skye on the 4th of July of last year, the audience had been sparse but passionate, freeing them to play a weird and impressively hard-hitting set. That same atmosphere did not carry over to the proscenium stage of the Warfield, unfortunately. While a certain portion of the crowd was definitely into it — even chanting "M Machine! M Machine!" at one point — the majority of people bobbed along to Eric and Swardy's unique brand of house music half-heartedly while waiting for Madeon to come on. Swardy seemed to acknowledge the lackluster reception at the end of the set, saying, "I know it's early…" in a way that seemed to be part admonishment, part apology.
Madeon: His Own Secret Weapon
After a brief break to clear The M Machine's gear, Madeon took to the stage in a leather jacket, unleashing his massive energy
Madeon's Adventure Tour rig invokes Daft Punk and Porter Robinson
on the audience to the sounds of "You're On" (feat. Kyan). He's a tiny guy (and still not even drinking age!) which makes his incredible stage presence and clear enthusiasm all the more striking. Part of a DJ's job is to lead the audience in energy, and even with a light show as elaborate as Madeon's, if the DJ isn't into it, the audience won't be either. But from the second Madeon, a.k.a. Hugo Leclercq, strode on stage, it was clear that he was there with us and for us, just as excited for his tour's debut as we were. Just moments into the show he was taking power stances, throwing his arms up into the air, leading the audience in rounds of clapping, and even throwing his arms out to the side in classic Armin van Buuren style. His intensity was on the level of the greatest of live DJs like Seven Lions and Skrillex, and like Skrillex inside his mothership, Madeon served as the beating human heart of the epic stage rig, from which all the energy in the room ultimately flowed.
Touring Under the Influence (of Daft Punk and Porter Robinson)
For the tour, which supports his brand new, #1 album, Adventure, Madeon has built a stage rig to rival the most famous setups of EDM stars like Feed Me and Sub Focus. The stage itself, all angles with diamond structure surrounding the DJ, seems to invoke Daft Punk's unparalleled Alive 2007 rig. In fact, it's clear that Daft Punk is this fellow French producer's biggest artistic influence, from his funky electro-house sound, to the live triggering that makes up the backbone of his show. There was a moment where I was sure he was going to drop "Robot Rock," and, as the video below makes clear, some of the lighting effects on his rig seemed to be a direct homage to the androids' Alive tour (compare to footage of Daft Punk's live "Television Rules the Nation/Crescendolls" mashup).
The rig also strongly resembles Porter Robinson's Worlds setup (another influence and a close friend of Madeon's). The main difference here is that Worlds is an artistic statement in which Porter strives to distance himself from his electro-house past, while Madeon fully embraces his sonic origins with the Adventure Tour, bringing you a stunning spectacle that is ultimately all about dance music.
A Stage Show for the Ages
The stage rig included what seemed to be a couple of laptops, three midi controllers (including the Novation Launchpad that helped launched his fame with his "Pop Culture" Youtube video), a keyboard, and a microphone. Madeon performs with the midi controllers tipped towards the audience, which is an awesome touch. It of course helps show off the undeniable technical ability that sets him apart from "button pusher" DJs, but I also like that it celebrates the small, beautiful wonder of midi controllers themselves: you can spend hundreds of thousands of dollars on building fancy stage setups, but at the end of the day, most of what's coming out of the speakers is reproducible on that one tiny, light-up device.
Welcome to the Madeon Show
The song selection was almost all Madeo and included plenty of live exclusives. One of the age-old criticisms of DJs is that, unlike instrumentalists, they're not creating anything onstage – just reproducing things. Madeon knocks down that criticism handily, crafting one-off remixes of his tracks using his midi controllers as a canvas. He went most wild with "Technicolor," leaving aside the melody of the recorded version to improvise the lead onstage.
Song selections included "You're On," "Cut the Kid," "Imperium," "The City," "Raise Your Weapon," "Pay No Mind," and "Finale." (I was secretly hoping to hear him drop some Lady Gaga, whose recent album ARTPOP he contributed to but alas, it was not so.) The audience cheered loudly when he dropped "Pop Culture" itself in a deftly reproduced live mashup.
Madeon kicked off his Adventure Tour at the Warfield in San Francisco on April 10th
One of the best surprises of the night was when he brought the energy down low, turned to the keyboard, and started to sing over the smooth tones of a Rhodes to "Home." It was a special moment, even if I couldn't make out the lyrics due to a buzzing crowd.
A Show for the Ages
Madeon brought his A-game for the first night of the Adventure Tour, and I'm confident that his passion will continue to make this show come alive for all audiences over the coming months. It had everything you want in a live show: great music, spectacular visuals, high energy, and an excited crowd, plus live creations and exclusives. The tickets for this show got pricey ($52 for the most expensive seats), but if you can scrounge up the cash, I highly, highly recommend going for the experience. You will not regret it.
Below is the Snapchat story I took during the night, including The M Machine's and Madeon's performances. If you want to catch these stories as they happen, follow me on Snapchat at theedmist.
Reviews, Show reviews
#adventuretour, Adventure Tour, edm, Electro, Madeon, Show Reviews, The M Machine, The Warfield
← The EDM Dictionary: Massive (n.)
The EDM Dictionary: Producer (n.) →


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Drugs and the darknet: a growing threat to health and security
This News/Press release is about Drug Trafficking
New report from the EMCDDA and Europol
Illicit trade on darknet markets is one sign of the increasingly complex nature of transnational organised crime in the European Union. In a new report out today — Drugs and the darknet: perspectives for enforcement, research and policy — the EU drugs agency (EMCDDA) and Europol present the latest understanding of how darknet markets function, the threats they pose to health and security and how Europe can respond.
The new report is being launched in Lisbon today by: Dimitris Avramopoulos, European Commissioner for Migration, Home Affairs and Citizenship; Europol Executive Director Rob Wainwright and EMCDDA Director Alexis Goosdeel.
Darknet markets — also known as cryptomarkets — provide a largely anonymous platform for trading in a range of illicit goods and services. It is estimated that around two thirds of the offers on darknet markets are drug-related. Drug sales on these markets, although modest when compared to the overall retail drug market, are significant and appear to be expanding. EU-based suppliers are important players in the darknet ecosystem, accounting for some 46% (around EUR 80 million) of all drug sales globally, on the 16 major darknet markets analysed in the period 2011–15.
A number of potential threats posed by the darknet are identified in the report, including the development of decentralised networks — allowing marketplaces to exist on multiple servers — and new parcel delivery and collection systems.
On this occasion, Dimitris Avramopoulos said: 'Over the last decade, illegal online markets have changed how drugs are bought and sold. Criminal activity on the darknet has become more innovative and more difficult to predict. We shouldn't be playing catch-up with criminals: we should be one step ahead of them. That is why we are boosting our efforts to fight illegal drugs and step up cybersecurity. Cyberspace has no borders and we should all work together, the Commission, Member States the EMCDDA, Europol and our international partners. Our aim is to stop huge profits from drugs ending up in the pockets of organised crime groups in Europe and beyond, but most importantly to protect the health of our citizens and in particular of young people.'
Rob Wainwright added: 'Addressing cybercrime and the use of information technology platforms for criminal purposes has become an important policing priority across the EU. The recent takedown in July 2017 of Alphabay and Hansa, two of the largest darknet markets, is an example of how law enforcement can intervene to disrupt this environment. Despite this positive achievement, those involved in the online drug trade appear to be resilient to such disruption and able to re-organise rapidly. European-level cooperation and intelligence sharing, along with the targeting of high-impact vendors, will be critical in countering this threat'.
According to the report, market disruption should form part of a broader, more integrated set of measures implemented as part of an overall strategy to address drug trade in the darknet ecosystem. Darknet investigation teams, modelled and promoted by Europol, will be at the heart of such an integrated strategy. Engagement with key industries (e.g. information technology, social media, payment and product distribution services) will be increasingly important for identifying and responding to new threats in this area.
Alexis Goosdeel noted: 'In just a few clicks, buyers can purchase almost any type of drug on the darknet whether synthetic drugs, cannabis, cocaine, heroin, or a range of new psychoactive substances, including highly potent fentanils. This poses a growing threat to the health and security of citizens and communities across the EU. The new insights provided by this joint analysis make an important contribution to informing and preparing Europe's response to this threat'.
The dynamic nature of online markets, with their ability to evolve to counter threats and exploit new opportunities, means that enhanced monitoring capacity in this area is crucial to ensure that responses keep pace with developments. The analysis presented in the report is forward-looking, as the challenges in this area are constantly evolving.
The online trade in illicit goods and services was recognised as one of the engines of organised crime and a key threat to the safety of EU citizens in Europol's 2017 EU Serious and Organised Crime Threat Assessment (SOCTA). It is also being tackled as part of the coordinated response to serious and organised crime set out in the EU Policy Cycle for organised and serious international crime
Today's report covers three areas: key concepts; an EU-focused analysis of drug supply on darknet markets; and law-enforcement perspectives. The analysis provides a policy-orientated review intended to facilitate discussions at EU level on how to respond to the phenomenon. It also presents recommendations in the areas of law enforcement, monitoring and policy.
Watch the videos: Cryptocurrencies in the darknet | Darknet markets ecosystem
European Monitoring Centre for Drugs and Drug Addiction (EMCDDA)


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Delivering the Dream of Home Ownership
Interested? Let's Talk!
R K
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The Ryan King Team
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Keller Williams Realty, Inc. ("KWRI") encourages and supports an affirmative advertising and marketing program in which there are no barriers to obtaining housing because of race, color, religion, sex, handicap, familial status, or national origin. All residential real estate information on this website is subject to the Federal Fair Housing Act Title VIII of the Civil Rights Act of 1968, as amended, which makes it illegal to advertise "any preference, limitation, or discrimination because of race, color, religion, sex, handicap, familial states, or national origin, or intention to make any such preference, limitation or discrimination." Your state or local jurisdiction may impose additional requirements. We are committed to the letter and spirit of the United States policy for the achievement of equal housing opportunity. Keller Williams Realty, Inc. is a franchise company. Each Keller Williams office is independently owned and operated. Keller Williams Realty, Inc. is an Equal Opportunity Employer and supports the Fair Housing Act.
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David Cline, 24, of Santa Monica was identified Sunday as one of the victims killed in a fire that broke out at a concert in a warehouse in Oakland Friday night.
The fire, which has claimed the lives of at least 33 people, broke out in a warehouse called "The Ghost Ship" that doubled as the home of a local artist collective in Oakland Friday night during a concert.
The Los Angeles Times Sunday listed Cline, who recently graduated from UC Berkeley, along with six other victims, Cash Askew, 22, Nick Gomez-Hall, 25, Sara Hoda, 30, Travis Hough, 35, Donna Kellogg, 32, and Brandon Chase Wittenauer, 32.
In a social media post, Cline's brother, Neil Cline confirmed that David was in fact killed in the fire at the "Ghost Ship" warehouse, which was also the home of the Satya Yuga collective, according to Berkleyside.
Santa Monica Police Chief Jacqueline Seabrooks tweeted her condolences Monday morning.
"Our prayers are with the family of David Cline of Santa Monica and the many other families who have lost loved ones in this tragedy," Seabrooks wrote.
Assemblymember Richard Bloom, who lives in Santa Monica and is a former City Council member joined in offering his thoughts to the victims of the fire.
"Our thoughts & prayers are with the families of those lost in the tragic #Oakland fire, including local resident David Cline," he tweeted.
Authorities said Sunday they have searched about 30 percent of the site.
"Personnel have created pathways through the debris, dividing the building into quadrants and removing debris by hand, bucket-by-bucket. This methodical and painstaking approach is important to respectfully remove the victims and carefully process the scene," Berkeley officials said Sunday, according to Berkeleyside.
Numerous reports describe the warehouse, which also served as a residence in a region where rents are increasingly expensive, as being potentially hazardous.
Oakland's music and art scene was already struggling with high rent prices. The city's underground bands and artists live a seminomadic existence in search of warehouses, homes and other spaces to show art, play music and dance into the early hours.
Diego Aguilar-Canabal, 24, a blogger and freelance writer who lives in Berkeley and plays guitar in a band called the Noriegas, estimated he had been to three dozen house and warehouse parties over the past two years.
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MADISON, Wis. — Assembly Republicans have backed down from a controversial plan to siphon millions per biennium from Green Bay public schools to support private schools, just days after One Wisconsin Now filed a comprehensive open records request with five top legislators seeking communications between their offices and numerous representatives of the school privatization industry.
One Wisconsin Now filed the open records request with the offices of Sens. Robert Cowles, Alberta Darling and Luther Olsen, and Reps. John Nygren and Robin Vos. The request seeks appointment calendars, as well as correspondence and email communications between the legislative offices and numerous organizations within the school privatization industry and their confederates.
One Wisconsin Now filed the request after an odd series of circumstances that occurred during the waning days of the budget-writing Joint Finance Committee. The GOP-controlled JFC passed an omnibus motion for education that included expansion of private school dollars to Racine and other areas on Thursday, June 3. Then suddenly the following day after all education matters had been done, Republicans passed a motion to expand school privatization into Green Bay.
Among the organizations One Wisconsin Now asked for communications regarding include: the American Federation for Children, School Choice Wisconsin, Education Action Group Foundation, Wisconsin Charter Schools Association and the Metropolitan Milwaukee Association of Commerce.


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The bangle is perfect on its own or stacked with other Paris theme bangle bracelets. The bracelet design is expandable and adjusts to accommodate most wrists sizes. The unique central pendant charm measures a generous 3/4" x1".
We want to make gift giving easy. This bracelet comes in a lovely gift box with pink organza ribbon bow and a Paris theme gift tag.


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APRIL 16: First Lady Laura Bush at MTCS
Former First Lady, Laura W. Bush will provide the keynote address at Middle Tennessee Christian School's annual Legacy of Light Gala.
"It is a tremendous honor to host Mrs. Bush, one of America's most beloved and admired American First Ladies, on our campus," said MTCS President Dr. Phil Ellenburg.
WHO: Former First Lady Laura Bush, the Board of Directors, Faculty, Staff, & Administration of Middle Tennessee Christian School
WHAT: Mrs. Bush will present the keynote address at the school's annual Legacy of Light Gala
WHEN: April 16, 2015, beginning at 7:30 p.m.
WHERE: Middle Tennessee Christian School Varsity Gymnasium - 100 E. MTCS Rd, Murfreesboro, Tenn.
Corporate sponsorships are still available. Inquiries should be directed to Jane Herring, 893-0601.
General Admission and Reserved tickets can be purchased on the MTCS web site: http://www.mtcscougars.org
The Legacy of Light Gala event will feature a sponsor dinner with Mrs. Bush followed by a keynote address and Q and A session. To purchase general admission and reserved seat tickets, log onto the school website at mtcscougars.org. For sponsorship information contact the school office at 893-0601 ext. 14.
Middle Tennessee Christian School is an independent school serving close to 700 students from Rutherford and surrounding counties in pre-school through the twelfth grade. Chartered in 1960, the school opened in the fall of 1962. MTCS is accredited by AdvancED, the Southern Association of Independent Schools, and the National Christian School Association.
Laura Bush, MTCS, MTCS news
Legacy of Light Raises $300,000+ for MTCS
Brett Favre to Speak at MTCS Legacy of Light Gala
Adam Coggin named Director of Advancement at Middle Tennessee Christian School
16th Annual Rotary Pancake Breakfast A Huge Success!
5 Rutherford Co. Players Selected as Tennessee Titans Mr. Football Semifinalists
Colton Dixon to be honored as the MTCS Alumnus of the Year at the 58th Annual Steak Dinner
Teacher from Murfreesboro Teaches Students in Mt. Juliet how to dig wells in foreign countries
MTCS Hires Cross Country Coach
Bassham Hired at MTCS for Middle School Baseball & Football
MTCS Hires HS Girls Soccer Coach


T his absurd album exudes the unmistakable whiff of an elaborate hoax. A bunch of pseudo-medieval crusties living in Essex spouting bilge about pixies, scarecrows and a woman whose body is made of sunlight?
A fanciful blend of traditional British folk, prog rock, psychedelia, and folk-rock, with a cultural mindset that is rarely seen outside of a revival screening of The Wicker Man, Circulus is the brainchild of Michael Tyack, a songwriter and musician who has set out to create music that exists in the 20th and 16th centuries at once. Based in South London, with Tyack the only constant member after dozens of personnel shifts, Circulus incorporate the drums, guitars, and Moog synthesizers you'd expect from a rock band with a retro early-'70s approach, but also features a variety of medieval instruments, including crumhorns, recorders, and a reed instrument called the rauch pfeifer, whose intense volume Tyack declares isn't really acceptable to modern ears.
You need to start by getting comfortable while lying down on your back with your legs spread right open. She also wears long sheer white gloves that cover the lower half of her hands.


text:
Q: How to open a 600x400 pop up window, and show a static .html file, from a theme .phtml file? I'm using Magento 1.9 with the latest version of Ultimo Theme.
We used to use FancyBox to show some static .html files, from template .phtml files. But that does not work anymore, after upgrading to latest version of Ultimo Theme.
Is there any other way to show a simple static .html file, in a 600x400 popup window in Magento 1.9, using the Ultimo Theme?
Thanks,

A: There are multiple way to show content in popup.

*

*You can used Jquery Ajax or Prototype script to fetch the content of
that static file and display content in popup.

*Put that static content in either CMS Block or CMS page and called
that block direct in popup.

For static block use this code :
echo $this->getLayout()->createBlock('cms/block')->setBlockId('block_identifier')->toHtml();

For CMS page use this code :
$page = Mage::getModel('cms/page');
$page->setStoreId(Mage::app()->getStore()->getId());
$page->load('CMS-IDENTIFIER-HERE','identifier'); //EDIT IN THIS LINE
$helper = Mage::helper('cms');
$processor = $helper->getPageTemplateProcessor();
echo $html = $processor->filter($page->getContent());

*

*Put that static content in new .phtml file and call that new file
using this code.

echo $this->getLayout()->createBlock('core/template')->setTemplate('folder/myphtml.phtml')->toHtml();

Choose method according to your requirement.

redpajama_set_name: RedPajamaStackExchange


Sarah has a passion to sing, bless people and bring them closer to God through the words in songs. Being in The Reapers Choir gives her the platform to minister for God's glory. She is also part of her local church's classical choir which provides a different musical vibe to The Reapers Choir. She is currently training for a specialist course in community health.


text:
Q: Updating View in .edmx does not show the added additional Column I have made changes in View i.e Added one more column to it in DB and i want to take the Update of .edmx by following the procedure such as
1.Going into Modal Browser and Deleting it and taking the Update from Update wizard and it shows the same View but with no presence of the added Column in DB
2.Refreshing the particular View from the second tab provided in Update wizard
But still not getting the new Column in the view.

A: I have the same Problem .But I added Updated Column In Model Manually.
e.g. added MediCharges In My Database.then i added Model also. and i will get intellicense updated.
hope it well work for those who got same error .


text:
First Airbus A220 powered by Pratt & Whitney GTF Engines delivered to JetBlue
Country: United States Aircraft: Airplanes Airline: JetBlue Airways
Pratt & Whitney, Airbus and JetBlue celebrated the Dec. 31, 2020 delivery of the airline's first Airbus A220-300 aircraft powered by Pratt & Whitney GTF engines. The airline placed an order for 60 Airbus A220-300 aircraft in 2018 and later expanded the order to 70 aircraft in 2019.
"We are thrilled to take delivery of our first A220 aircraft and to offer our passengers a quieter, more sustainable flight experience. The GTF engines enable the economic and environmental performance we need to lower operating costs and continue our commitment to achieve carbon neutrality on our flights," said Ursula Hurley, vice president, treasurer for JetBlue.
JetBlue has also ordered 85 GTF-powered A320neo family aircraft, including 13 A321LR and 13 A321XLR aircraft. The airline currently operates 13 of the A321neo variant powered by GTF engines, 193 A320ceo family aircraft powered by V2500® engines, and 60 Embraer E190 aircraft equipped with the APS2300E auxiliary power unit (APU).
"This delivery marks another big milestone for JetBlue and Pratt & Whitney. We are honored that JetBlue has operated Pratt & Whitney-powered aircraft since the very beginning – and that JetBlue has selected GTF-powered aircraft for not just one, but two of the airline's next-generation fleets," said Rick Deurloo, chief commercial officer and senior vice president at Pratt & Whitney. "We look forward to supporting JetBlue's expansion and their commitment to sustainable aviation."
The A220, powered exclusively by GTF engines, offers significantly lower operating costs compared to previous generation aircraft. The engines deliver double-digit improvements in fuel and carbon emissions. They also provide a 75% reduction in noise footprint, based on a 75 dB noise contour, and produce NOx emissions 50% below the International Civil Aviation Organization (ICAO) CAEP/6 regulation.
Loading comments for First Airbus A220 powered by Pratt & Whitney GTF Engines delivered to JetBlue...


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Elden Ring: Where to Find and Farm Every Type of Smithing Stone
Smithing Stones are some of the most valuable items in Elden Ring, and this guide should help you find as many of them as you need.
By Matthew Byrd | February 28, 2022 |
Photo: Bandai Namco
Elden Ring allows you to turn nearly any weapon in the game into some of the most powerful pieces of equipment imaginable, but before you can upgrade the game's considerable arsenal, you're going to have to find some of the rarest and most valuable items in the game: Smithing Stones and Somber Smithing Stones.
Smithing Stones will allow you to upgrade standard weapons to higher levels, while Somber Smithing Stones allow you to upgrade special and enhanced weapons. While it's fairly easy to find basic Smithing Stones that will allow you to see whether or not a weapon is worth upgrading in the first place, it's significantly more difficult to find some of the better Smithing Stones in the game. Some are so rare that you may only ever find one of them.
Since it can be so frustrating to find Smithing Stones in the wild (as well as the special Bell Bearing items that allow you to purchase them pretty much whenever you want), here is what we hope will be a helpful look at finding every kind of Smithing Stone in Elden Ring.
Elden Ring: Where to Find and Farm Smithing Stone (1) , Smithing Stone (2), and Smithing-Stone Miner's Bell Bearing [1]
It's usually pretty annoying to find and farm these basic Smithing Stones out in Elden Ring's world, but there is a fairly simple way to unlock the ability to buy them whenever you want (assuming you have enough Runes, that is).
First, you'll need to go to the Raya Lucaria Crystal Tunnel dungeon found here on Elden Ring's map:
Not only is this dungeon packed with enemies that drop a ton of basic Smithing Stones when you kill them (which makes this one of the best Smithing Stone stops in the game for a variety of basic drops), but once you defeat the dungeon's boss (Crystalian), you'll receive a special item called the Smithing-Stone Miner's Bell Bearing [1]. Take that Bell Bearing to the Twin Maiden Husks at Roundtable Hold, and they'll add Smithing Stones 1 and 2 to their inventory. In short, that means you can buy them whenever you want for the rest of the game for a very reasonable price!
If you're looking to farm these stones before you reach that point, you'll be happy to know that a lot of the "soldier" enemies you encounter at the start of the game will drop Smithing Stones fairly regularly. Just keep respawning and farming some near major Sites of Grace, and you should be able to replenish your reserves in no time.
It's also pretty easy to farm Smithing Stone 2s from some of the slightly higher level enemies found in Castle Morne and other slightly more advanced parts of Elden Ring's early game, but if you need to find a few straggling stones right away, this guide offers a pretty good look at a few early locations where you can find a decent number of those stones.
Elden Ring: Where to Find and Farm Smithing Stone (3), Smithing Stone (4), and Smithing-Stone Miner's Bell Bearing [2]
To unlock the ability to purchase unlimited amounts of Smithing Stones 3 and 4, head to the Sealed Tunnel area found here on Elden Ring's map:
To the left of the Site of Grace you'll find at the start of that underground area is a small path that leads to a secret passage. Strike the wall, and proceed along the path until you quickly see a carriage and some debris blocking an archway. Roll through those, and you'll find a chest containing Smithing-Stone Miner's Bell Bearing [2] that can be turned into the Twin Maiden Husks to add Smithing Stones 3 and 4 to their inventory.
If you're looking for these Smithing Stones before you reach that area…well, it's going to be tough. Sellia Crystal Tunnel and Raya Lucaria Crystal Tunnel usually offer a healthy amount of each type of stone if you're desperate, and there's usually a good amount of them around Ainsel River.
You can find the Smithing Miner's Bell Bearing [3] (which unlocks the ability to buy Smithing Stones 5 and 6 from Roundtable Hold) at the Zamor Ruins location found towards the top of Elden Ring's map:
Head to the ruins and look for a stairwell leading down. At the bottom of those stairs, you'll find a chest containing the incredibly valuable Smithing-Stone Miner's Bell Bearing [3] item.
If you're looking for these Smithing Stone before then, there are a few decent places to find Smithing Stone 5s outside of select world drops.
First, you may want to head to the Wyndham Catacombs and Wyndham Ruins. They're located north of Liurnia of the Lakes. This marker should show you roughly where to look for them:
The enemies in those areas tend to drop a healthy supply of Smithing Stone 5s, though there's no guarantee that you'll be able to fill your pockets with them. Still, this is a pretty good spot for fairly reliable farming.
An even better option may be to head to Lyndell Royal Capital and farm the soldiers that patrol that area. They tend to drop a decent amount of Smithing Stone 5s.
Smithing Stone 6s are a bit tougher to find in the wild. Again, Lyndell Royal Capital seems to be your best bet for world drops, but that's really the only halfway decent farming spot that players have found so far.
I've heard some players have also had good luck finding these stones in the crystal dungeons mentioned above, but I've found that those spots are a little more reliable for lesser stones. You can also find more specific locations for these stones here and here.
Elden Ring: Where to Find and Farm Smithing Stone (7), Smithing Stone (8), and Smithing Miner's Bell Bearing [4]
To find Smithing Miner's Bell Bearing [4] (the item needed to purchase Smithing Stones 7 and 8 from Roundtable Hold), you'll need to make your way to Crumbling Farum Azula (a very late game area) and deal with the dreaded Godskin Duo boss fight. If you manage to survive that encounter, this incredible item is all yours.
If you're looking for these stones before then, you can head to Sellia Crystal Tunnel and defeat the Fallingstar Beast. He should drop a few Smithing Stone 7s, and you may get lucky and earn a few from that area on your way to the boss.
Smithing Stone 8s are sadly much more difficult to find. One of the best ways to locate a few of them is to find the left and right pieces of the Haligtree Secret Medallion (these guides should help you locate those) which will eventually lead you to an area called Consecrated Ground where you should find a few Smithing Stone 8's laying about and a few more from random enemy drops (if you're lucky).
However, I tend to recommend just going for the Bell Bearing by that point in the game. It's really your best option, especially if you're looking for Smithing Stone 8s.
Elden Ring: Where to Find Ancient Dragon Smithing Stone
It seems that players are still finding more information about the best non-Somber Smithing Stones in the game, but it does sound like the Ancient Dragon Smithing Stone is the absolute best item in that particular category.
Unfortunately, they're about as rare as you'd expect. This wiki says that you can find one on a corpse near the Church of Repose, one on a corpse near the statue in Miquella's Haligtree, and one on a corpse near the Beastman of Farum Azula in Crumbling Farum Azula. Unfortunately, I haven't been able to confirm those locations as of yet.
Twitter user Aqueel also recently reached out to let us know that you can find an Ancient Dragon Smithing Stone by defeating the white dragon that shoots red lightning in Crumbling Farum Azula. That's the dragon found near the area's first Sites of Grace (he'll crash the party while you're walking across a large balcony). He's not an easy enemy (as you probably guessed), but he does seem to drop one of the most valuable prizes in the game.
When it comes to these stones, though, I'm still looking for as much information as possible. If you know anything that could help other players, please feel free to reach out or leave a comment.
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Elden Ring: Where to Find and Farm Somber Smithing Stone (1) and Somber Smithing Stone (2)
It's fortunately pretty easy to buy Somber Smithing Stone 1 and 2 whenever you want.
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You just need to find Smithing Master Iji at Lirunia of the Lakes. Most players run into him organically as they proceed through the game, but here's where you'll find him:
This merchant has an unlimited supply of Smithing Stones 1 and 2, so you'll definitely be visiting him a few times throughout the course of the game.
You can find a few Somber Smithing Stones earlier in the game, but it'd honestly recommend just finding this merchant. He's absolutely your best source for these Somber Smithing Stones, and you'll typically find him around the time that you'll actually really start to need these stones to upgrade your growing arsenal of special weapons.
Elden Ring: Where to Find and Farm Somber Smithing Stone (3), Somber Smithing Stone (4), and Somberstone Miner's Bell Bearing [2]
To find the Bell Bearing that will allow you to buy unlimited Somber Smithing Stones 3 and 4, head to the Atlus Tunnel area found here:
There, you'll eventually face off against two tough Crystalin bosses. Magic users and blunt weapon wielders should be able to eventually deal with them, but everyone else will almost certainly struggle to take them down. Definitely come into this area ready to die.
Once defeated, these bosses drop the Somberstone Miner's Bell Bearing [2] you'll need to buy Somber Smithing Stones 3 and 4 from Roundtable Hold. For what it's worth, Smithing Master Iji will also sell you a few of each.
You can find Somberstone Miner's Bell Bearing [3] on a corpse located just outside of the First Church of Marika. You'll find the church here:
That will allow you to purchase all the Somber Smithing Stones 5 and 6 that your heart desires, but because you probably won't encounter this area until a little later in your Elden Ring adventure, you might want to pick up a few spare stones before you acquire this item.
So far as that goes, you can find some Somber Smithing Stone 5s in Atlus Tunnel as well on some of the enemies that inhabit Nokron, Eternal City. It's honestly probably better to just go for the Bell Bearing given how valuable it is, but just know that those options are available to you if you need them.
It's a little harder to find Somber Smithing Stone 6. You can get some from the Lesser Crucible Knight enemy in the Eternal City, and there's one overlooking a cliff in Altus Peninsula, but I haven't been able to find a consistent farming spot for these. Try the Eternal City, Old Atlus Tunnel, and the Crystal Mines if you're desperate, but you're best bet is to consult this guide for very specific locations.
The good news is that there is a Bell Bearing that lets you purchase Somber Smithing Stones 7 and 8 whenever you'd like. The bad news is that you shouldn't expect to receive it for quite some time.
You can find Somberstone Miner's Bell Bearing [4] on a body right by the Tempest Facing Balcony Site of Grace in Crumbling Farum Azula. You will reach this area as part of the main story but not until very late in the game. That's obviously bad news for anyone looking to make absurdly powerful special weapons before then.
If you need some of these stones before then, you can find some Somber Smithing Stone 7s in the Eternal City and on mobs in Lyndell, Royal Capital. There are also a couple floating out in the wild. This guide should help you find those.
Somber Smithing Stone 8 is a little trickier to locate. This guide contains some of the only Somber Smithing Stone 8 locations that have been confirmed and marked so far. The one dropped by the Teardrop Scarab in Dragonbarrow is your best bet, so try there first if you're looking to get one as soon as possible.
Elden Ring: Where to Find Somber Smithing Stone (9) and Somber Ancient Dragon Smithing Stone
You're not going to be able to buy these Smithing Stones from a vendor (at least so far as anyone can tell based on what has been discovered so far). To make matters worse, there are only a couple of confirmed locations where you can safely expect to find these stones.
You can find a Somber Smithing Stone 9 near the Divine Tower of Caelid. Slightly south of the tower is a small path running along the cliffside. Follow that path, and you'll find a group of corpses bearing special items. One of those items is a Somber Smithing Stone 9. Here's exactly where you can find it:
As for the Somber Ancient Dragon Smithing Stone…well, that's going to be a little harder to grab.
To find this stone, you'll need to head to the Dragon Temple Altar Site of Grace in Crumbling Farum Azula. From there, you'll follow a path outside that will lead you by some dangerous patrolling guards, birds, and even a dragon. You can get to this area without fighting anyone, but it's not easy. I highly recommend watching this video for more information on exactly how to do it:
Manage to make it to the item drop located just past the dragon, though, and one of the most valuable items in the game will be yours.
Tags: Elden Ring
Matthew Byrd | @SilverTuna014
Matthew Byrd is a freelance writer and entertainment enthusiast living in Brooklyn. When he's not exploring the culture of video games, he's wishing he had a…
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The Advantech ACP-2020 short-depth (398 mm), 2U rackmount industrial chassis is designed for factory automation or equipment building applications with space limitations, and which require a redundant power supply and hot-swap drive installation.
The ACP-2020 has a modularised, intelligent and compact size industrial-grade chassis, and is designed to fulfil many market requirements with its 398 mm shallow depth. It has capability for expansion with dual hot-swappable disk modules and 500 W redundant power supply.
Moreover, the ACP-2020 is equipped with an intelligent system module enabling self-diagnostics and remote monitoring of power, temperature and fan speed status.
The ACP-2020 supports ATX/uATX form factor motherboards such as the AIMB-7/5 series and ASMB-7/5 series. It also supports two internal 2.5″ hard drive spaces, two external 2.5″ hard drive spaces, and an optional dual SATA hot-swap module which can be used externally.
Power comes from a 350 W single power supply or 500 W redundant power supply. For those end users who have severe space limitations in equipment integration and still require systems that can deliver higher levels of computing power, high wattage output and RAID configurations, this product is a suitable solution.
The shallow depth chassis leaves more space internally with careful cable arrangements for better air flow. With a total of four 2.5″ disk drive spaces, two of them can be converted into SATA hot-swap devices which provide the system with enough drive storage space for a RAID configuration.
The 500 W redundant power supply allows usage of high-performance CPUs and add-on cards such as graphics or frame grabber cards. An intelligent embedded system module provides end users with remote monitoring of system health, which can reduce the frequency of costly on-site maintenance.
I am interested in Advantech ACP-2020 2U rackmount industrial chassis .


Jeff Crowe was New Zealand new captain, succeeding Jeremy Coney who had retired.
During the first Test match a massive explosion in the capital city Colombo killed 100 people and the New Zealand Cricket Council agreed with the Sri Lankan Board to abandon the tour.
Fast bowlers Ewen Chatfield, Danny Morrison, Martin Snedden.
(16 April 1987) : 28 yrs 9 months.
Hadlee 69, Smith 36, MD Crowe 35, Chatfield 32, J Crowe 29, Bracewell 23, Snedden 12, Rutherford 10, Gray 7, Patel 3, Horne 1, Jones 0, McSweeney 0, Morrison 0.
Don Neely (Convenor), John Guy, Gren Alabaster.
The New Zealanders arrived in Sri Lanka on 9 April 1987.
Jeff Crowe (captain), Gren Alabaster (coach), Martin Crowe (vice-captain).
1 - Bracewell, Chatfield, J Crowe, M Crowe, Gray, Hadlee, Horne, Jones, Rutherford, Smith, Snedden.
0 - McSweeney, Morrison, Patel.
• Together Crowe and Hadlee added 246 in an unbroken sixth wicket partnership.
On 23 April the New Zealand Cricket Council decided to end the tour early.


If you have a passion for the live events industry and have a knowledgeable AV background, then do not miss out on this opportunity!
Our client is an IT and AV hire company to the live events industry supplying to end clients, production companies and large scale venues. As a business they have made significant investments in new products and technology to stay ahead of the game making them a market leader in what they do.
With a heavy focus on their employees - this is a great business to join and forge a successful career.
Due to ongoing expansion we are now looking for an AV Technician to join their technical team and manage all technical aspects of live events for both UK and overseas projects.
The ideal candidate will have worked within an events agency, at a venue or for a supplier delivering AV projects within the events industry.
Candidates will ideally also have experience of video technology with strong IT and networking skills.
It is preferable for candidates to have operated both lighting and sound equipment.
A category B license is essential.
In return you can work for a business that cares about its employees, has excellent working environment and fantastic team support.


Last week we had the privilege of serving at Crossroads Christian Fellowship's booth at Kauai County Farm Bureau Fair. The booth had free face painting, a drawing for a gift card, and different methods for sharing the gospel with the people who stopped at the booth. As parents and children waited in line for face painting or filled out a survey to enter the drawing, those who were at the booth had the opportunity to share the gospel with those who were willing to listen.
This last week was the first time for many of the students to share the gospel and lead someone to Christ. Everyone was very nervous about going, and many had no idea what they had gotten themselves into, but God used all of them to further his kingdom despite any fears. It is amazing how the gospel is so complex that we will probably never completely grasp it, yet it is so simple that every child at the booth could easily understand it and every student could easily share it without having much practice.
Overall it was a huge blessing for all the students who had a chance to either help with face painting or help in sharing the gospel. Showing God's love to the children and parents and openly sharing about what Jesus Christ did on the cross for us was an amazing opportunity for each student.


Le Manganao Hotel is situated in Saint-François. With free WiFi, this 3-star hotel offers a private beach area. Rooms include a balcony.
The units in the hotel are fitted with a flat-screen TV with satellite channels. Every room is fitted with a private bathroom equipped with a shower, while some rooms will provide you with a kitchenette. Guest rooms at Le Manganao Hotel include air conditioning and a desk.
A continental breakfast is available daily at the accommodation. At Le Manganao Hotel you will find a restaurant serving French cuisine.
Speaking English and French at the 24-hour front desk, staff are ready to help around the clock.
Le Gosier is 28 km from Le Manganao Hotel, while Sainte-Anne is 14 km away. The nearest airport is Pointe-à-Pitre Le Raizet Airport, 33 km from the accommodation.
В данном разделе представлена полная информация об отеле Le Manganao Hotel расположенном в Сент-Франсуе: цены, услуги, фото отеля Le Manganao Hotel и др. На сайте Вы можете выбрать и забронировать понравившийся номер гостиницы Le Manganao Hotel без комиссии.


text:
Prologue [Out of the Silence, by Erle Cox]
31 May 2018 by IAC · Leave a Comment
[Editor: This is the Prologue from Out of the Silence (1947 edition) by Erle Cox (1873-1950).]
Prologue.
There was a man seated at a table in what appeared to be a vast physical laboratory. On the table, which was littered with instruments and apparatus, stood a large glass tank in which a fish could be seen swimming. The silence was broken only by occasional movements of the man utterly absorbed in the work he was doing.
Of the many striking features of the room, the man himself was the most remarkable. Even seated, his unusual height was apparent. It was the face however that marked him as one apart. His hair was sparse, and beneath the high wide forehead were set cold gray penetrating eyes from which human emotion seemed absent. Beneath the thin straight nose was a mouth that formed a straight lipless line. Every feature down to the strong chin was clear cut and regular. It was a face that inspired a feeling of awe. Even in repose he seemed to radiate power.
Behind him, the further wall of the room was formed of one great window, set in a wall so thick that its low sill formed a seat. Through it could be seen a broad valley through which a river flowed. Beyond in the distant background stood a vast structure in the shape of a sphere, set on a cubical base.
Intent on his work, with his long slender fingers moving with delicate precision among the instruments before him, the man seemed oblivious to the entrance of a woman, who paused with an expression of surprise on her face when she saw him. For a moment she seemed about to speak, but with a faint smile and shrug of her shoulders she crossed the room and took her place at another table.
Any other but the man with the fish might well have been aroused by the presence of the newcomer. She was as exquisitely lovely and feminine as he was forbidding and masculine. Her long simple gown, caught at the waist by a pliant metal band made her appear taller than she was. As she crossed the room the grace of her movement seemed floating rather than walking. She was a figure of radiant youth and glorious beauty that could hold mankind spellbound.
For a few moments after she seated herself she looked speculatively at the man with the fish, then turning to her work, her hands moved among some mechanism before her. As she did so a large dark disc standing in front of the table glowed with a yellow light across which strange characters in rows began to move. Occasionally with a touch of her hand, she halted them to make a note, but for an hour she sat, with her eyes intent on the disc — until suddenly the silence was broken by the clear note of a bell. In response to a swift movement of her hand, the colour of the disc changed from yellow to blue, and was again covered with moving characters. Eagerly she watched until, on the second sound of the bell, she shut off the light.
Leaning back in her chair, a slow smile of amusement crossed her face as she looked over at the other table.
"How long will it take you to discover the utmost capabilities of that fish's brain, Andax?" she asked.
If the man heard, he gave no sign. The smile broke into a light laugh, and the woman turned slightly to a large screen beside her, beneath which, on its frame were several rows of light bulbs. Then she pulled over a small switch on the table.
Then her clear voice rang through the room with a note of command.
"General Call! By order of the High Council."
As she spoke the bulbs along the frame began to glow until all responded but one. She watched the dull bulb impatiently and repeated more emphatically.
"General Call! By order of the High Council." As she spoke the last bulb responded.
As it did so her voice rang out again, "General Call, Earani, director of the central geophysical station reports on behalf of the Council. Polar observation stations announce steady and progressive deflection from terrestrial stability. Last observation, 2.33 a.m., shows variation of 2,000 feet. Vast fissures are growing over both polar ice caps. Estimated duration of life on the planet, 43 days. First audible indications of disruption detected at general Station No. 7 at midnight last night. Council orders that until further instructions all work on the planet will go forward as usual. No exceptions will be granted."
"High Council Order No. 2. Volunteers are called to fill mortality wastage at polar stations at the probable rate of 100 per day. Volunteers will report at station No. 16 with full polar equipment. Order and report closes."
As the lights on the frame faded the woman pulled over another switch and spoke sharply — "Special call Station 11." As she spoke the screen glowed and on it appeared the figure of a young man.
"Name?" she demanded.
"Bardon," came the answer.
"Bardon the poet?"
"Explain 30 seconds' delay in answering a general call."
"I was writing a poem."
"You know the regulations, you are in charge of a station. You know the penalty?"
"Report to your district executive committee at midday tomorrow. They will deal with you. I will send a relief."
She switched off the light as she spoke and the figure vanished.
From across the room came a cold ironical voice — "Flat dereliction of duty, Earani. You should have turned the ray on him."
Earani laughed lightly. "If anyone deserves the ray it is the man or woman who put a poet in charge of a general call station. Besides, since we will all be dead in 43 days I see no object in official executions."
"Still," Andax persisted, "the council's order said all work must go forward as usual."
There was a touch of hauteur in her voice as she replied. "I exercise my official right of discretion. Anyone but one of your breed would know that one of Bardon's poems is worth the 43 days of life left to the planet."
There was a contemptuous "Humph!" from the fish table.
Earani laughed and imitated the "Humph!" perfectly. "If it comes to dereliction of duty, Andax, how is it that I find you in my department and not in your own?"
"Those audible indications of disruption. Your department is insulated — mine is not."
Earani left her table and walked quietly to the window where she sat looking over the landscape. "If I used my authority of the ray, does it occur to you, that you too, have made yourself liable to its application?"
"As always, you are right," Andax answered without looking around. "Don't allow my feelings to violate your strict sense of duty."
"Get back to your fish, Andax," she retorted. "You and it make a fine cold blooded pair."
The grating voice came back. "I hold a theory that all of the ills that have beset humanity arise from a feminine influence that distracted the Creator when He was making the Universe."
"Judging by what women have suffered from men ever since, I should not be surprised if you were right."
"My fish has one charm, at any rate, that is denied your suffering sex."
"Flatterer!" she laughed, "Don't be shy and spoil the compliment by leaving it incomplete."
"The fish, dear lady, has the virtue of being inarticulate."
Earant looked at the bent figure and said slowly and with conviction. "Somewhere in the world, my dear Andax, there must be a woman who does not realise the happiness she enjoys through your being a bachelor. You can see our world end with the comforting thought that you have made at least one woman happy."
"Stars in heaven! How can a man work?" He stood up and walked over to her. Earani gazed out over the landscape disregarding his approach.
Andax towered over her. "Listen Earani," he spoke abruptly and emphatically. "There are 43 days left. More than time for the operation and recovery."
Without turning her head, Earani uttered a decisive "No."
As she spoke Marnia entered the laboratory, without speaking to the others she seated herself at Earani's table and read through the notes that Earani had made.
Andax took up the tale. "But the whole thing is so simple. It could be done tonight."
She turned and looked up at him defiantly. "When you first asked me two years ago to allow you to graft one lobe of your precious brother's brain onto mine, I refused, I have refused twenty times since. Do you imagine with but 43 days left I would submit to such an infliction? I don't wish to end life with a mind like yours or your brother's."
"You women!" he sniffed impatiently, "can't you see that what before was merely an experiment is now an imperative necessity."
"I can see no imperative necessity to gratify your wish to convert me into a feminine semi-Andax," she said derisively.
"Can't you realise that you will be chosen to occupy the third sphere?" he demanded.
"I?" Earani stood abruptly, facing him with amazement.
"Yes! You!" he retorted impatiently. "Since one of the three must be a woman, the Council is left with no option."
"But," she exclaimed. "The selectors recommended Marnia to the High Council."
Andax shrugged his shoulders. "True! but the fool is in love. Do you imagine the council will allow one of the three to carry a sentimental complication into the new world?"
"But Marnia ———" began Earani.
Marnia rose from the table, and walking towards them interrupted — "What about Marnia?"
Earani took her hand — "Andax says that you are not to be one of the three."
The girl smiled and said gently. "He is right Earani. I could not bear to stay behind and leave Davos. I petitioned the Council. It is not officially announced, but I know they have agreed. Do you mind very much?"
"But I have heard nothing," protested Earani.
"I have only just heard myself," explained Marnia. "I came to warn you, but Andax has forestalled me. How he knew, I don't know. The decision was made less than an hour ago."
There was a thin smile on Andax's lips as he said, "I knew nothing officially. But the fact was obvious."
"Pure Andaxian speculative philosophy," laughed Marnia.
"Well," sneered Andax, "seeing that you and Davos have done everything but announce your insensate infatuation by a general call, the deduction did not impose a great strain on my pure Andaxian speculative philosophy."
"But why me?" asked Earani helplessly.
"Because," Andax threw his arms wide, "the Creator and the Council in its wisdom only know why, they have insisted on choosing a woman to be one of the three."
"To clip your wings in the bright new world if there ever be one," taunted Marnia.
"But there are others!" exclaimed Earani, "there must be others."
There was a scarcely veiled sneer in the voice of Andax. "A becoming modesty Earani. However, since you have done biology, geophysics, law, engineering and domestic science, you will do as well as another. Besides the selectors placed your name second on the list — drew them by lot I suppose."
Marnia put her arm fondly round Earani's waist. "What a delightful companion he will be for you in the new world," she laughed merrily.
"You poor, gland-ridden automaton," his thin smile took the sting from the words. Then he turned abruptly to Earani. "Well what about the operation now?"
"Now less than ever," she answered in a tone that closed the discussion. As she spoke she resumed her seat on the window ledge.
There was blistering contempt in Andax's voice. "A woman and a fool, a useful fool I admit, but never anything else than a woman."
He turned and walked towards her table, as he did so Davos entered.
Marnia uttered a joyful "Davos!" and ran to meet him. "You have heard? I am reprieved."
"Yes, I know, I know." Davos put his arm across her shoulder. "We go together." Then turning to Andax he went on. "I would not settle down to work Andax, you and your fish will be parted almost immediately."
Earani who had been watching them from the window, broke in. "What dreadful partings this calamity will cause. You had better kiss it Andax."
Disregarding the taunt, Andax turned to Davos. "You mean?"
Davos nodded his head. "The High Council is in session. You and Earani are bound to be summoned almost at once. Your partner in the spheres, Mardon, has already been notified. His speed ship is due almost at any moment."
Davos, his arm still about Marnia's shoulders walked with her towards Earani's table where they stood whispering together. Earani turned away gazing through the window at the distant sphere. Andax looked from one to the other with an expression between boredom and amusement.
Then with a gesture of impatience he barked at Davos. "Perhaps Davos you can spare me a moment from the contemplation of the delights of an impending violent death with Marnia to supply me with some official information."
The three broke into laughter.
"One thing I admire in your breed," said Earani, "is its unfairling tact and consideration for the feelings of others."
Davos bowed to him ironically. "Surely there is no information that a Davos can give an Andax?"
"Spare my humility," snapped Andax. "Perhaps you can tell me if the allocation of the spheres has been decided."
Davos waved his hand in the direction of the sphere in the window. "Yes, Earani goes to number one, you take number two, and Mardon will have number three."
"Hump!" Andax turned to Earani. "This means that we will be sealed up almost immediately. The council will take no risks now that the time is so short." Then to Davos, "Have you heard anything?"
Davos paused before replying and looked speculatively at Earani.
She understood his hesitation. "Don't worry about my feelings, Davos," she smiled. "I am very interested and not very anxious."
"Well," replied Davos, "number one will be sealed tomorrow at midday. You go north tomorrow night, and Mardon leaves for number three this evening."
"Not losing any time now, are they?" commented Andax. Then abruptly to Davos. "What is the estimate of you and your committee of geniuses? Have you finished wrangling and guessing yet?"
Davos shrugged his shoulders. "The only wrangling in the committee was done by that delightful brother of yours, Andax. I sometimes feel convinced that his manners are worse than yours."
Andax snorted — "I'm not asking for fulsome flattery, but for information."
"Well, since you ask so nicely," replied Davos, "the committee is of the opinion after weighing every factor, that at least twenty seven million years must elapse before the planet is fit for intelligent human civilisation again."
Andax smiled across to the window. "It seems, Earani, that we are about to enjoy quite a long rest."
"Yes," said the girl quietly, "but if we come through it will be worth it."
"Yes," Andax murmured. "If!" For the moment he shed his arrogance. "Scientifically, mathematically and theoretically, the plan is perfect."
"Well," broke in Marnia, "I don't envy either of you even if it does succeed."
"The only flaw is that the spheres may not stand the strain of the final smash," put in Davos.
"Stars in heaven," Andax exclaimed, his grey eyes flashing enthusiasm. "It is worth a thousand times the risk. Think of the glory of having a new world to play with, and to mould how we wish."
Davos laughed as he replied. "Anyway we have one advantage you two will not enjoy. It will be a unique experience to witness the final smash."
"A pity to miss it," Andax agreed grudgingly. "But we cannot have both."
From the window Earani spoke. "A flying courier has just landed at the door. The summons, I expect."
A moment later a courier in tight fitting flying kit entered. He included the four in a general salute. "By command of the High Council. Andax and Earani will wait on the Council without delay."
He bowed and retired.
Earani arose from her seat. "Come with us, Marnia — to the door of the chamber, at least," and the four followed the courier.
It was a vast majestic hall in which the High Council sat on a raised dais at its further end. Down its centre from the entrance ran a wide carpeted passage. From this passage on either side rose galleries crowded with silent spectators. The president who occupied the central seat on the platform was a tall stately man with a calm and benevolent appearance. The four councillors who sat on either side of him were all advanced in years. Two of them were women.
There was an atmosphere of strained expectancy over the whole assemblage as the wide doors of the great chamber slowly unfolded. All eyes were turned on the little group they revealed that waited on the threshold.
The voice of the official rang through the Hall. "Surrendering to the command of the High Council I have the honour to present Andax, Earani and Mardon."
From an official at the foot of the dais came the command. "Enter Andax, Earani and Mardon and learn the will of the most honourable High Council."
As the three walked slowly down the long passage all of the spectators rose and remained standing until they paused, bowing before the dais. Not until the murmur and rustle of the great gathering ceased after they had resumed their seats, did the President stand and come to the edge of the dais.
Looking down on the three, he spoke slowly and with profound earnestness. "My children, it has pleased the creator of our planet to permit the destruction of all who dwell upon its surface. That moment, long foretold, is upon us. But in the hope that all of the achievements of our race for the happiness of humanity may not vanish utterly with them, we have resolved on an expedient whereby they may hand down the wisdom of our race to that, which, in the fullness of time, may follow us."
"On you three, my children, has fallen that grave and terrible trust. It may be, for our eyes are blinded to the outcome, that you face events beside which the death that shadows the planet will be a very small thing. We know none among us fears death. But, what the future holds for you, none may say. Therefore I charge you, if your hearts be not firm in their purpose, you may now retire from it in peace and honour, and with the goodwill of your fellows — none hindering or none blaming.
"Speak now, each one of you."
The voice of Andax echoed through the chamber. "I take the trust upon me for the honour of the race."
Earani's clear sweet voice followed. "And I for the love of humanity."
From Mardon came. "I gladly and willingly accept the trust with which I am honoured."
A low whispering murmur that swept over the assembled throng was stilled by a motion of the President's hand.
Again he spoke. "In the name of our race the High Council commends you and accepts the sacrifice.
"My children, from this moment you surrender yourselves to the will of the High Council. I charge you in the knowledge that any deviation from the way of honour will call down upon you its own penalty of atonement, that you will carry out in all things the plans of our race in which you have been instructed. In the discharge of the trust you have assumed there must be no thought of self, and should the time come, there will be no swerving from the course laid down, nor any shrinking from the tasks, however terrible, to bring peace, wisdom and happiness to those who may follow us."
He paused. "Kneel, my children!"
Quietly the three sank to their knees.
Looking down on them the President went on. "Raise your hands and repeat after me my words. — I swear on the faith of my creator — upon the honour of my name — and by my loyalty to my fellowship of the race that is about to die — that I will never, by word or deed — betray the trust that is imposed upon me. I swear unwavering loyalty to my ideals, and to the two partners who share my trust — and for them, if need be, I will lay down my life."
So still was the hushed hall as the three voices followed that of the President, that it might have been empty.
The old man raised his hands in benediction over them. "The blessing and love and the hopes of the dying race be upon you; may they make strong your hearts and purposes; and may you be guided in wisdom, justice and honour in the days of your trust."
As he returned to his seat the three stood up, still facing the Council.
A woman councillor on the right of the President stood and addressed them, her voice trembling a little as she began.
"Earani, it is the will of the High Council that at noon tomorrow you surrender yourself at the sphere known as number one, and there you will be given oblivion."
"Andax, by sunset tomorrow night you will leave for your post at number two sphere, and there surrender yourself to the district council."
"Mardon, within the hour you will depart for number three sphere where the Western Council awaits you — and may grace and strength go with you all," she added solemnly.
The three bowed to the Council, and turning passed down the passage between the silent throng that rose in their honour.
Outside the hall as the doors closed behind them Davos and Marnia hurried to meet the three in the hope that they would pass the evening with them. Mardon excused himself, pleading the order for his immediate departure.
"But you will come with us, Andax," begged Marnia.
He shook his head and came as near to laughter as Andax ever came. "No, Marnia, No. You three go and indulge in an orgy of sentiment. I would spoil it.
"But what will you do?" she asked anxiously.
"Go back to my fish, dear lady," and he went.
Erle Cox, Out of the Silence, Melbourne: Robertson and Mullens, 1947 (first published 1925), pages vii-xxii
[Editor: Changed "30 seconds delay" to "30 seconds' delay" (added an apostrophe); "such an infliction." to "such an infliction?"; "True!" but" to "True! but" (removed quotation mark); "wisdom justice and honour" to "wisdom, justice and honour". Added double quotation mark after "committee of geniuses".]
Filed Under: chapters · Tagged: Erle Cox (author) (1873-1950), Out of the Silence (Erle Cox 1925), SourceIACLibrary, year1925, year1947


What else would you expect from them? Learn more You're viewing YouTube in Greek. Blood and Gore Crude Humor Mild Language Suggestive Themes Use of Alcohol Violence Online Interactions Not Rated by the ESRB Forums Log In Shop Support Account Settings Games World of Warcraft® Diablo® Shift-Clicking on this macro will apply a lure to your equipped fishing pole (Change Bright Baubles to any lure you'd like.
It is Blizzard code we're looking at. Use: Change the third line to the spell you want to spam. Crushtastic 100 Night Elf Warrior 10300 15 posts Crushtastic Ignored Feb 27, 2015 9 Copy URL View Post This does the trick: /console Sound_EnableErrorSpeech 0 Namisan 110 Join Date Mar 2009 Location Quebec Posts 5,126 Originally Posted by Robula As you brought this up.
MMO-Champion MMO-Champion Keep ahead with the champions of WoW coverage. Works in 3.3.3a List raid members without a flask active Use this version to list members without an active flask to yourself: /run nf="[Flask!]: ";for i=1,GetNumRaidMembers()do for b=1,41 do ufl=UnitAura('raid'..i,b);if ufl Omegal MVP - Technical Support 110 Human Warrior 22320 11288 posts Omegal Ignored Feb 26, 2015 1 Copy URL View Post /console Sound_EnableSFX 0is also a bit redundant, there Use: Intelligent swicth between default and racial language for races that have one.
All four spells are restricted properly for Catform.Healing Touch still works properly with Predatory Swiftness. missing target, our of range, etc). Click any other way to display your money and all your watched currencies. Fevir 180.708 προβολές 13:00 Funny WoW screenshots - Διάρκεια: 16:30.
The time now is 09:14 AM.
Holding down ctrl: Will make mining nodes appear on your minimap. Posting Permissions You may not post new threads You may not post replies You may not post attachments You may not edit your posts BB code is On Smilies are GameFAQs Answers Boards Community Contribute Games What's New PCRole-PlayingMassively MultiplayerWorld of WarcraftFAQsAnswersBoardMoreHomeSummaryRelease DataGame CreditsAlso PlayingCollection StatsGame TriviaFAQsAchievementsReviewsReader ReviewsCritic ReviewsImagesVideosAnswersBoard Is there any way to disable the red messages? The wheel stops on ["..r.."/"..v.."]: "..p.."!","emote"); Credit Xaeros of Shadowmoon Use: Click to summon a random vanity pet.
Omegal MVP - Technical Support 110 Human Warrior 22320 11288 posts Omegal Ignored Feb 26, 2015 -2 Copy URL View Post Try /run/run still works for me in macros AddOn Authors: If your addon spams the chat box with "Addon v8.3.4.5.3 now loaded!", please add an option to disable it! Tuskeh 69.652 προβολές 18:20 Φόρτωση περισσότερων προτάσεων… Εμφάνιση περισσότερων Φόρτωση... Σε λειτουργία... Γλώσσα: Ελληνικά Τοποθεσία περιεχομένου: Ελλάδα Λειτουργία περιορισμένης πρόσβασης: Ανενεργή Ιστορικό Βοήθεια Φόρτωση... Φόρτωση... Φόρτωση... Σχετικά με Τύπος Πνευματικά δικαιώματα BellularGaming 193.058 προβολές 15:24 WoW: How to Hide Chat - Macro Guide - Διάρκεια: 4:12.
ChatFrame.lua:2320 Code: -- easier method to turn on/off errors for macros SlashCmdList["UI_ERRORS_OFF"] = function(msg) UIErrorsFrame:UnregisterEvent("UI_ERROR_MESSAGE"); SetCVar("Sound_EnableSFX", "0"); end SlashCmdList["UI_ERRORS_ON"] = function(msg) UIErrorsFrame:RegisterEvent("UI_ERROR_MESSAGE"); SetCVar("Sound_EnableSFX", "1"); end __________________ "All I want is a WoWAholics101 320.982 προβολές 16:20 Brang 9 - WoW 100 MM Hunter PvP - Διάρκεια: 14:22. Works in 3.3 #show Attack /target [target=focustarget, harm, nodead] /startattack The melee dps version also starts attacking, and sets the icon to your attack ability. Holding down shift: Will make herb nodes appear on your minimap.
Ivaria 100 Blood Elf Priest 14105 291 posts Ivaria Ignored Feb 27, 2015 Copy URL View Post 6.1 introduced some regression here. Sadly I had to go through that format of macro to get to the monstrosity that I currently have. Lhou 5 Night Elf Rogue 0 1194 posts Lhou Ignored 11 Dec 2014 Copy URL View Post 20/01/2014 06:47Posted by TokikoHas a slash command been added yet?for frame it is: /script Shift+Click to announce in /SAY.
Awesome, this one seems to be working. The problem with this solution is that the extra commands take an extra 84 bytes of macro text.This is almost 1/3 of the allowable characters in a macro! e.g./run UIErrorsFrame:Clear()Now we get to listen to the spam of "I can't do that yet - not ready". Here is the macro: #showtooltip /q nsic /cast [mod,@player][help][@targettarget,help][@player]Healing Touch /q as You must login to post a comment.
Works in 4.x Show/hide helm /run ShowHelm(not ShowingHelm()) Use: Shows or hides your helm. Holding down alt: Will show the Smelting pane, where you can smelt your ore bars. Inushi 110 Orc Warrior 14345 1827 posts Inushi Ignored Mar 2, 2015 Copy URL View Post Thank you!I've been using the original "/console Sound_EnableSFX 0" macro for so I linked to the updated version on Curse) __________________ ♪~ ( ̄。 ̄ ) I ♥ My Sonos!
This one is designed more for trinket use than anything else, but it's here for when you only want to silence one of the two skills this macro uses. #showtooltip ExampleSpell1 Hotkey this and enjoy never searching your bags for your quest items that need using every day. 255 characters exactly! The number 17 refers to your offhand weapon slot. #showtooltip makes the macro's icon and tooltip display the icon of the equipped weapon, or hold down a modifier key (say Alt) BrutallStatic 2.844 προβολές 7:39 World of Warcraft - Addon Tutorial: Mik's Scrolling Battle Text - Διάρκεια: 5:02.
Code: hash_SlashCmdList["/ERROFF"]=SlashCmdList.UI_ERRORS_OFF; hash_SlashCmdList["/ERRON"]=SlashCmdList.UI_ERRORS_ON; Note: Trying to register SLASH_# globals after FrameXML loads wouldn't work as they are processed into the hash file and the entries of SlashCmdList are moved into its it gets annoying being spammed with "This ability is not ready" and that fun error sound. Featured SitesMore Guild Wars 2 Guru Guild Wars 2 Guru The latest and greatest on Tyria. By default it says: "[player] spins the Wheel O' Pets!


text:
package com.mishiranu.dashchan.util;

import android.annotation.SuppressLint;
import android.app.Application;
import android.content.BroadcastReceiver;
import android.content.Context;
import android.content.Intent;
import android.net.Proxy;
import android.net.ProxyInfo;
import android.os.Parcelable;
import android.util.Pair;
import android.webkit.CookieManager;
import android.webkit.WebStorage;
import android.webkit.WebView;
import android.webkit.WebViewDatabase;
import androidx.webkit.ProxyConfig;
import androidx.webkit.ProxyController;
import androidx.webkit.WebViewFeature;
import chan.http.HttpClient;
import com.mishiranu.dashchan.C;
import com.mishiranu.dashchan.content.MainApplication;
import java.lang.reflect.Constructor;
import java.lang.reflect.Field;
import java.lang.reflect.Method;
import java.util.Map;
import java.util.concurrent.Executor;

public class WebViewUtils {
	@SuppressWarnings("deprecation")
	public static void clearCookie() {
		CookieManager.getInstance().removeAllCookie();
	}

	@SuppressWarnings("deprecation")
	public static void clearAll(WebView webView) {
		clearCookie();
		if (webView != null) {
			webView.clearCache(true);
		}
		WebViewDatabase webViewDatabase = WebViewDatabase.getInstance(MainApplication.getInstance());
		webViewDatabase.clearFormData();
		webViewDatabase.clearHttpAuthUsernamePassword();
		WebStorage.getInstance().deleteAllData();
	}

	private static final Field FIELD_APPLICATION_LOADED_APK;
	private static final Field FIELD_LOADED_APK_RECEIVERS;
	private static final Method METHOD_WEB_VIEW_CORE_SEND_STATIC_MESSAGE;
	private static final Constructor<Parcelable> CONSTRUCTOR_PROXY_PROPERTIES;

	static {
		Field applicationLoadedApkField = null;
		Field loadedApkReceiversField = null;
		Method webViewCoreSendStaticMessage = null;
		Constructor<Parcelable> proxyPropertiesConstructor = null;
		if (C.API_KITKAT) {
			try {
				applicationLoadedApkField = Application.class.getField("mLoadedApk");
				loadedApkReceiversField = applicationLoadedApkField.getType().getDeclaredField("mReceivers");
				loadedApkReceiversField.setAccessible(true);
			} catch (Exception e) {
				applicationLoadedApkField = null;
				loadedApkReceiversField = null;
			}
		}
		if (!C.API_KITKAT) {
			try {
				@SuppressLint("PrivateApi")
				Class<?> webViewCoreClass = Class.forName("android.webkit.WebViewCore");
				webViewCoreSendStaticMessage = webViewCoreClass.getDeclaredMethod("sendStaticMessage",
						int.class, Object.class);
				webViewCoreSendStaticMessage.setAccessible(true);
			} catch (Exception e) {
				webViewCoreSendStaticMessage = null;
			}
		}
		if (!C.API_LOLLIPOP) {
			try {
				@SuppressWarnings("unchecked")
				@SuppressLint("PrivateApi")
				Class<Parcelable> proxyPropertiesClass = (Class<Parcelable>)
						Class.forName("android.net.ProxyProperties");
				proxyPropertiesConstructor = proxyPropertiesClass
						.getConstructor(String.class, int.class, String.class);
			} catch (Exception e) {
				proxyPropertiesConstructor = null;
			}
		}
		FIELD_APPLICATION_LOADED_APK = applicationLoadedApkField;
		FIELD_LOADED_APK_RECEIVERS = loadedApkReceiversField;
		METHOD_WEB_VIEW_CORE_SEND_STATIC_MESSAGE = webViewCoreSendStaticMessage;
		CONSTRUCTOR_PROXY_PROPERTIES = proxyPropertiesConstructor;
	}

	private static BroadcastReceiver findProxyChangeReceiver(Map<?, ?> receivers) {
		for (Map.Entry<?, ?> entry : receivers.entrySet()) {
			Object value = entry.getValue();
			if (value instanceof Map) {
				BroadcastReceiver result = findProxyChangeReceiver((Map<?, ?>) value);
				if (result != null) {
					return result;
				}
			} else {
				Object key = entry.getKey();
				if (key instanceof BroadcastReceiver && key.getClass().getName().contains("ProxyChangeListener")) {
					return (BroadcastReceiver) key;
				}
			}
		}
		return null;
	}

	private static final Executor EXECUTOR = Runnable::run;

	public static void setProxy(Context context, HttpClient.ProxyData proxyData, Runnable callback) {
		if (WebViewFeature.isFeatureSupported(WebViewFeature.PROXY_OVERRIDE)) {
			if (proxyData != null) {
				String uriString = (proxyData.socks ? "socks" : "http") + "://"
						+ proxyData.host + ":" + proxyData.port;
				ProxyController.getInstance().setProxyOverride(new ProxyConfig.Builder()
						.addProxyRule(uriString).build(), EXECUTOR, callback);
			} else {
				ProxyController.getInstance().clearProxyOverride(EXECUTOR, callback);
			}
		} else {
			setHttpProxy(context, proxyData != null && !proxyData.socks
					? new Pair<>(proxyData.host, proxyData.port) : null);
			if (callback != null) {
				callback.run();
			}
		}
	}

	private static void setHttpProxy(Context context, Pair<String, Integer> proxy) {
		String hostProperty = proxy != null ? proxy.first : "";
		String portProperty = proxy != null ? proxy.second.toString() : "";
		System.setProperty("http.proxyHost", hostProperty);
		System.setProperty("http.proxyPort", portProperty);
		System.setProperty("https.proxyHost", hostProperty);
		System.setProperty("https.proxyPort", portProperty);

		if (C.API_KITKAT) {
			if (FIELD_APPLICATION_LOADED_APK != null && FIELD_LOADED_APK_RECEIVERS != null &&
					(C.API_LOLLIPOP || CONSTRUCTOR_PROXY_PROPERTIES != null)) {
				Context applicationContext = context.getApplicationContext();
				Map<?, ?> receivers = null;
				try {
					Object loadedApk = FIELD_APPLICATION_LOADED_APK.get(applicationContext);
					receivers = (Map<?, ?>) FIELD_LOADED_APK_RECEIVERS.get(loadedApk);
				} catch (Exception e) {
					e.printStackTrace();
				}
				BroadcastReceiver proxyChangeListener = receivers != null
						? findProxyChangeReceiver(receivers) : null;
				if (proxyChangeListener != null) {
					Intent intent = new Intent(Proxy.PROXY_CHANGE_ACTION);
					if (C.API_LOLLIPOP) {
						@SuppressWarnings("deprecation")
						String name = Proxy.EXTRA_PROXY_INFO;
						intent.putExtra(name, proxy != null ? ProxyInfo
								.buildDirectProxy(proxy.first, proxy.second) : null);
					} else {
						Parcelable proxyProperties = null;
						if (proxy != null) {
							try {
								proxyProperties = CONSTRUCTOR_PROXY_PROPERTIES
										.newInstance(proxy.first, proxy.second, null);
							} catch (Exception e) {
								e.printStackTrace();
							}
						}
						intent.putExtra("proxy", proxyProperties);
					}
					proxyChangeListener.onReceive(applicationContext, intent);
				}
			}
		} else {
			if (METHOD_WEB_VIEW_CORE_SEND_STATIC_MESSAGE != null && CONSTRUCTOR_PROXY_PROPERTIES != null) {
				try {
					int messageProxyChanged = 193;
					Parcelable proxyProperties = proxy != null ? CONSTRUCTOR_PROXY_PROPERTIES
							.newInstance(proxy.first, proxy.second, null) : null;
					METHOD_WEB_VIEW_CORE_SEND_STATIC_MESSAGE.invoke(null, messageProxyChanged, proxyProperties);
				} catch (Exception e) {
					e.printStackTrace();
				}
			}
		}
	}
}

redpajama_set_name: RedPajamaGithub