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Umělec magazine 2006/2 >> Cabaret Voltaire List of all editions.
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Interactive Recycling and Mark Divo
Why Alternative Culture Is Being Eliminated in Zurich or Dear Swiss Artists, Welcome to Prague!!!
While working on this issue I came across a glossy advertisement for Cabaret Voltaire Spiegelgasse 1, in Zurich and could not resist the temptation to write about it. Besides, I was going to do it anyway as I was impressed by the story told by Mark Divo, the protagonist.
One day, the cult artist Mark Divo—well-known for many artistic achievements of all kinds, including for the number of squatted houses, the one who had organized the first squat in Zurich as it is rumored—decided to occupy a building Spiegelgasse 1 known as Cabaret Voltaire. Or, rather, as a place where Cabaret Voltaire used to be, where Dada developed their ideas and Lenin planned his biggest and most enthralling performance. On February 5, 2002, the day of Dada's founding, the historic building was squatted by artists and musicians including the Mikry Drei, Dan Jones, Grrrr (Ingo Giezendanner), the famous Eppstein Family, Lennie Lee, the Leumund Cult, Aiana Calugar, and cheery young people led by Mark Divo.
As a result of the event, a Cabaret Voltaire Museum was organized. As the press reported, Mark Divo wanted to attract attention to a crying injustice: the place significant for all Dadaists, Surrealists, their successors, and all more or less artistic people represented the abandoned old house in Zurich historic center. A nonstop happening lasted during several weeks, people came and left, made performances, played music, organized poetry and film evenings, and they all lived a very creative life all the while scandalizing and frightening some tourists and townspeople— and making others happy.
Thousands of local people and guests joined the show. After that, Mark Divo, and people working with him were described as followers and successors of Cabaret Voltaire ideas, which Mark denies, saying that he only wanted to breathe new life into the old historic house. This is why he declined the offer to participate in the official structure of the museum. He considered the format a distortion of the very idea of Dada, for whom art and life are indivisible. Art is a means enabling changes in the world. The most important thing is to play brilliantly, vividly, funnily, and impetuously – this is what new owners of Cabaret Voltaire could not permit.
Mark Divo continued his activities aimed to turn life into art. In 2003, he organized an international festival in Sihlpapierfabrik. The same year, a first official Dada Festival besides the already mentioned participants hosted many new visitors including Dmitry Bulnygin, Slava Mizin, and Alexander Shaburov - Mark Divo's friends from the festival that he had organized in Russia.
A Brief But Important Digression
In 1995, Siberian artists V. Mizin, D. Bulnygin, A. Golzdrin, and O. Elovoi who were inspired by the ideas of the Eurocot group (translation: Euroshit) came to Zurich. Mark Divo, founder of Eurocot, proclaimed his artistic doctrine postindustrial neo baroque – producing works of art from the garbage of contemporary European civilization.
Inspired by Eurocot, the artists decided to organize their own festival back home. In 1996, the far Russian city Novosibirsk, famous for scientific achievements, high number of academics per capita, with an accompaniment of talented artists, including the celebrated Blue Noses, hosted an international festival Ecological Art Bridge Eurokon-96 co-sponsored by the Swiss guests. The artists inventively developed the dumps of such enterprises as the Plant for Production of Secondary Aluminum Alloys, Rubber Technical Manufacture, Ceramic Works, and Ural Tyre Factory who had been captivated by the ecological phraseology of the project. After that, they declared themselves the Ural-Siberian affiliation of Eurocot having replaced the last letter by "n" for the better euphony.
Interactive Recycling is a term used by Mark. Turning garbage into new works of art is a highly consistent process that includes the squatting of old houses, collecting discarded things when people move, expired merchandise near supermarkets, and Cabaret Voltaire, where they replayed Dada ideas as a striking demonstrative to breathe life in the historic garbage.
One of most interesting places in Zurich, where Interactive Recycling ideas had been implemented as well as many others, was a squat on Plattenstrasse, in which many young Swiss and foreign artists gathered and inventively spent time. Mark Divo, who was born in Luxembourg, grew up in Zurich, went to Berlin, then moved to Prague, and is currently traveling from one country to another, is an apt illustration of the universality of the artistic idea, which he had invented and which works without failure in any country of the world.
The same concerns his parties, which he regularly organizes in more and more new cities, even New York. It is always Thursday, 8 pm. It is always a very spacious room – apartments or studio – filled with different artists' works that are not simply built into space but become a vivid and employed part of interior. It is always live music. Lately, it is classical music against the background of contemporary trash art. It is always many people who take pleasure in refined and delicate but still very accurate demonstrations of neo-baroque. It is the sense of style, which never fails even in details. Now this artistic festival of life is in Prague every Thursday.
Why Squats Are Being Eliminated in Swiss
Mark says that Prague is the most beautiful of places for artists now. It is not fully absorbed by European Union yet, and universal results of omniverous globalism are not so hopeless. In Switzerland, in Zurich, the main cultural center, the number of outstanding and crazy houses squatted by artistically-minded young people continues to decrease. Plattenstrasse was closed a couple of years ago, Jenatschstrasse is on the verge of eviction, Rudigerstrasse will exist for another couple of months. The Message Salon, invented by artist Esther Eppstein, united squat principles and manifestations, exhibition space, residence programs and commercial independence; it will most probably be closed in June. On the one hand, the state aims to support different arts, but it does not care for this undigested tumult of young creative people. Squats, the houses assigned for demolition, are also the garbage as well as people who settle them. They are a priori added if not to dregs of society then to not too successful margins.
Many consider themselves artists irrespective of what they do; others say that the squat for them is just for fun, and why not, you know, here everything, and rent is too so expensive! Some of them are worn out and disappointed. A thoughtful young man from the squat on Jenatschstrasse, where I lived, said, "I used to make art – now this now that. One day, I suddenly understood that I cannot change the world with my art. That was so obvious that I cannot do anything since then." For eight years, he has not slept by night, he strolls about the streets, he does nothing except for the most important thing – he seeks something that he can believe in and thus, change the world, which he does not like.
Mark is a person easily carried away who likes striking, beautiful and useless things, constructions and provocations. He does not like garbage bags throughout Zurich — as tidy as everything around they are the inevitable part of the landscape of any part of the city at any time of the day – he does not like their order. He prefers to destroy this cheerless rhythm of white-and-blue packs and to create toys for adult intellectuals. Garbage. The holy simplicity of sincere art. The protest is mediated—it is not the aim but the means and consequence. The most useless and most beautiful thing in the world is art, which just like garbage is despised by some and consumed by others. Interactive Recycling: play, play, play again. Only a game is entitled to exist. It is the only effective way to change the world if you do not like it.
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No Future For Censorship
Author dreaming of a future without censorship we have never got rid of. It seems, that people don't care while it grows stronger again.
The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
Wicked / Interview with Jim Hollands
"A person must shake someone's hand three times while gazing intently into their eyes. That's the key to memorizing their name with certainty. It is in this way that I've remembered the names of 5,000 people who have been to the Horse Hospital," Jim Hollands told me. Hollands is an experimental filmmaker, musician and curator. In his childhood, he suffered through tough social situations and…
Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
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We are the fifth global party! Pítr Dragota and Viki Shock, Fragmenty geniality / Fragments of Charisma, May and June 1997. When Viki came to visit, it was only to show me some drawings and collages. It was only as an afterthought that he showed me the Czech samizdat publication from the late 1990s, THC Review. When he saw how it fascinated me, he panicked and insisted that THAT creation is…
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ON STAGE & SCREEN
Theater and TV talk from a New Yorker living in LA.
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Theater Review: Dear Evan Hansen at the Ahmanson Theatre
There have been plenty of musicals about complicated, grieving families over the years, but until now, there has not been one tailor-made for the social media era. Enter Dear Evan Hansen, the 2017 Tony winner for Best Musical that opened last night at Center Theatre Group's Ahmanson Theatre in Los Angeles. With music and lyrics by … More Theater Review: Dear Evan Hansen at the Ahmanson Theatre
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Theater Review: Dogfight at After Hours Theatre Company
These days, it seems like nearly every musical was adapted from a movie. Some of my favorite stage musicals began their lives as films—Once, Legally Blonde, and Thoroughly Modern Millie come to mind. Sometimes, however, you can't help but wonder—why that movie? Dogfight, based on the 1991 movie of the same name with music and lyrics … More Theater Review: Dogfight at After Hours Theatre Company
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I'm back, but I'm still editing, and I have a new look for Billy Paul Part Three.
Billy Paul pointed out the Beatles as the vital impact on his music development from jazz to various other music styles.
I was vocal singing in a jazz club called the Sahara. He had a document store on South St & & Philly– best round the edge as well as I was singing with a triad at the Sahara club on Friday, Saturday, and also Sunday. He came by as well as stated 'I am beginning a document firm and also I wish to authorize you.' Reduced [sic] and also witness I took all the product I sung every weekend break and also I did a cd in 3 and also a fifty percent hrs– an entire cd. I had this cd, as well as I generated it– me and also my spouse. As well as we offered him this cd called Feelin' Good at the Cadillac Clubto assist begin the document firm which was the cd that aided begin it up. I was singing entirely Jazz after that, however when I listened to the Beatlesand listened to the scripture impact and also every little thing I simply claimed: 'I can make jazz with R&B.' That change came when The Beatles appeared to America. When I listened to The Beatles that was my transforming factor. They resembled my advisors. You recognize the amusing aspect of that, when I listened to (Billy sings) 'I Wan na Hold Your Hand', initially I claimed these people resemble a brief success. However the 2nd cd when they began doing all this, I needed to such as take all that back. John Lennon — among the best authors on the planet.
Paul's launching cd Feelin' Good at the Cadillac Clubwas launched in 1968 on the Gamble tag. Mostly a collection of jazz covers of tracks promoted by others, it was a workshop cd that tried to recreate the feeling of Paul's real-time club efficiencies. Neither the solitary "Bluesette" neither the cd got to the graphes. The cd was re-released in 1973.
Paul's 2nd LP Ebony Woman( 1970 ), was an extra industrial launch on Gamble & & Huff's Neptune tag. Paul reduced a brand-new variation of his 1959 solitary and also made it the title track. Wager & & Huff were strongly in control of the manufacturing. Combining jazz and also spirit, the LP attained some moderate success getting to # 12 on the Billboardspirit graph as well as # 183 on the pop graph.
After Neptune folded up, Gamble as well as Huff began their 3rd tag– Philadelphia International Records (PIR)– and also brought Paul with them. Wager as well as Huff authorized a circulation manage Clive Davis and also CBS Records.
Going East( 1971) was the very first Billy Paul cd launched on the Philadelphia International Records tag, making complete use the tag's routine team of ace artists MFSB at Sigma Sound Studios. As they had actually done on the previous LP, Gamble and also Huff looked for to discover the equilibrium in between Paul's jazz origins as well as the cool spirit that they really hoped would certainly bring traditional success. Paul virtually got to the graphes with the solitary "Magic Carpet Ride" (a various tune than the 1968 Steppenwolf hit) as well as the cd reached # 42 on the Billboardspirit graph and also # 197 on the pop graph.
Songs exec Clive Davis has constantly applauded Paul's recording of "Am I Black Enough for You?".


I've been an engineer in the telecommunications industry for over 20 years, and currently work as a Systems Engineer at F5 Networks. The industry has evolved considerably over my tenure; imagine having to go to the library to look through card indexes and check out books on networking to learn how to install one. Since then, I've worked in large corporate environments going on quietly about my work and enjoying a great career as one of the women in tech who's ready to make a difference.
However, through evolution after evolution of networking technologies I've noticed something missing. While the world is increasingly connecting people and 'things,' the connection that still hasn't been made is plugging more women into technology. Fellow female colleagues are just as hard to find now as when I first started, sometimes even harder.
What drives women away from tech – especially as they grow older? Is this a circular problem? The fewer women there are, the less women want to join? Is it a problem of corporate America not accommodating the childbearing years? Is it that every serious, logical, and hardworking woman is labeled bossy? Battling this unconscious bias of coworkers and managers day after day, week after week, month after month, year after year and decade after decade can get old and exhausting.
One thing that can address all the issues of having women in tech is quite simple. Get involved in local community tech groups and invite more logical minded women to join. Test out a career in tech with a solid support group behind you. We can turn technology into less of a mystery and more of an addressable, maintainable career. Tech is not reserved for the super nerdy guy. It's open to anyone who loves solving problems and lifelong learning.
Join me on Friday, June 22, 2018 at 10:30AM CDT and let's increase the ranks of women in tech simply by creating a friendlier, more open community that focuses on including women to help master technologies and bring a different perspective to solving the tech problems.


Greet, seat and present clean menu to guests in friendly, professional and quick manner. Control flow of guests in dining room to ensure prompt service. Maintain and quote wait times to guests accurately (within 5 minutes).


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Q: Second fundamental form of an immersion I cannot quite replicate the following calculation from Aubin's Some Nonlinear Problems in Riemannian Geometry (page 349).
The setting is as follows.
Let $(M^n,g)$ and $(\tilde{M}^m,\tilde{g})$ be two $C^\infty$ Riemannian manifolds and let $f:M\rightarrow\tilde{M}$ be a smooth immersion. Let $\nabla$ be the Levi-Civita connection of $(M,g)$ and let $\tilde{\nabla}$ be the Levi-Civita connection of $(\tilde{M},\tilde{g})$.
Now let $\{x^i\}_{i=1}^n$ be local coordinates in a neighbourhood of $P\in M$ and let $\{y^\alpha\}_{\alpha=1}^m$ be local coordinates in a neighbourhood of $f(P)$ in $\tilde{M}$.
Say $f$ is injective on a neighbourhood $\Omega$ of $P$ in $M$. Let $Y$ be a vector field on $\Omega$ and extend $\tilde{Y}=f_*Y$ to a neighbourhood of $f(P)$.
For $X$ in $T_x\Omega$, let $\tilde{X}=f_*X$. Finally, verify that $\tilde{\nabla}_{\tilde{X}}\tilde{Y}$ is well defined and define the second fundamental form $\alpha_x$ of $f$ at $x\in \Omega$ by $$\alpha_x(X,Y)=\tilde{\nabla}_{\tilde{X}}\tilde{Y}-f_*(\nabla_X Y)$$
The book now claims that in coordinates we have
$$\alpha_x(X,Y)=\left[\partial^2_{ij}f^\gamma(x)-\Gamma_{ij}^k\partial_k f^\gamma+\tilde{\Gamma}_{\alpha\beta}^\gamma(f(x))\partial_if^\alpha(x)\partial_jf^\beta(x)\right]X^iY^j\frac{\partial}{\partial y^\gamma}$$
where $\nabla_{\frac{\partial}{\partial x^i}}\frac{\partial}{\partial x^j}=\Gamma_{ij}^k\frac{\partial}{\partial x^k}$ and $\tilde{\nabla}_{\frac{\partial}{\partial y^\alpha}}\frac{\partial}{\partial y^\beta}=\tilde{\Gamma}_{\alpha\beta}^\gamma\frac{\partial}{\partial y^\gamma}$.
I can easily calculate the coordinate expression of $f_*(\nabla_X Y)$. Indeed I get
$$f_*(\nabla_X Y)=(X^i\partial_i Y^j\partial_jf^\gamma+X^iY^j\Gamma_{ij}^k\partial_kf^\gamma)\frac{\partial}{\partial y^\gamma}$$
However, when I try to calculate $\tilde{\nabla}_{\tilde{X}}\tilde{Y}$ I run into trouble, since at some point I have to calculate $$\tilde{\nabla}_{\partial_if^\alpha\frac{\partial}{\partial y^\alpha}}\left(Y^j\partial_j f^\beta\frac{\partial}{\partial y^\beta}\right)=\color{red}{\left(\partial_if^\alpha\frac{\partial}{\partial y^\alpha}\right)\left(Y^j\partial_j f^\beta\right)\frac{\partial}{\partial y^\beta}}+Y^j\partial_if^\alpha\partial_j f^\beta\tilde{\nabla}_{\frac{\partial}{\partial y^\alpha}}\frac{\partial}{\partial y^\beta}$$
and the red summand seems syntactically wrong.
Formally, $$\left(\partial_if^\alpha\frac{\partial}{\partial y^\alpha}\right)\left(Y^j\partial_j f^\beta\right)=\frac{\partial}{\partial x^i}\left(Y^j\partial_j f^\beta\right)=\partial_iY^j\partial_j f^\beta+Y^j\partial_{ij}^2f^\beta$$
which gives the correct answer, but I do not quite understand what is going on in this formal calculation. What am I missing?
Moreover, what does the second partial $\partial_{ij}^2f^\beta$ of a map between manifolds mean exactly?

A: What Aubin calls the second fundamental form (which I don't like, since the second fundamental form is usually for a submanifold with the induced metric) is perhaps better called simply the Hessian of $f$. It's best to just use the original formula:
$$ \nabla^2_{XY}f = X^iY^j(\partial^2_{ij}f^\gamma -  \Gamma_{ij}^k\partial_kf^\gamma + (\widetilde{\Gamma}^\gamma_{\alpha\beta}\circ f)\partial_if^\alpha\partial_jf^\beta)\frac{\partial}{\partial y^\gamma} $$
and observe that it is both well-defined and is invariant under changes of coordinate on both $M$ and $\widetilde{M}$. Aubin's definition is for me less intuitive and works only if $f$ is an immersion. The formula above does not require this.

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SMYBNDCCGS :: People affected by cancer or working in cancer services in Sheffield invited to free health and wellbeing day.
People affected by cancer or working in cancer services in Sheffield have been invited to a free community health and wellbeing day.
The event takes place on June 27th from 10.30am to 1.30pm and will include information stalls from key support services in Sheffield.
There will also be a range of free activities for attendees to try; including fitness classes, table tennis, badminton and walking football, plus a soft play area for kids.
It is being held at the English Institute of Sport, which is operated by SIV – part of Sheffield City Trust – and will be run in partnership with the Macmillan Living With and Beyond Cancer team.
"The aim of the day is to help local people better understand all the fantastic services that exist within the city, that regardless of age, health or gender will impact their life in a positive way.
"We will have activities available for all ages and the market stands will provide information on a wide scale of different things.
As part of the event, the Living With and Beyond Cancer team are inviting all people affected by cancer or working in cancer services in Sheffield to come and share their views on how they can shape services in the city to improve the patient experience.
"People living with and beyond cancer are at the heart of any decisions we make within the programme, so it's essential their views are heard.


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Help troubleshooting too-quick shots with my Gaggia Classic (2015)!!!
Thread: Help troubleshooting too-quick shots with my Gaggia Classic (2015)!!!
I recently entered the magic world of home-espresso: now, I come from Napoli and I live in Geneva, so this basically is an attempt to survive the lack of proper coffee shops here and get something similar to my place's "caffè".
So, I bought a 2015 Gaggia Classic, a set of non-pressurised baskets + a Naked PF from Edesia Espress and a Breville/Riviera & Bar Smart Grinder which I see got very good reviews around the forums and websites.
Everything works fine, except I always end up with shots that come through too quickly. It's true that I'm looking for a ristretto, but I expect to be able to get a 15ml pour in about 20" at least, if I grind fine enough.
I even tried fine-setting the burr to achieve the finest-possible grind (and I could tell from the noise of the grinder / speed ground coffee comes out of the grinder that it's actually grinding in a finer way) to attempt choking the machine with no luck. The coffee always comes out yielding 15 ml in less than 10 seconds, either with a single or double basket.
Aside from this taste is fine, and also the crema looks ok. I just would like to get a "thicker" coffee feel.
PLEASE HELP A RISTRETTO CRAVER!!
freshness of the coffee is also important.old coffee means quick extraction.also more robusta more the crema thickness.Thats why i use robusta arabica blend .In the classic 2015 pucks remain wet with very fine grinded coffee due to the absense of three way solenoid valve.but its perfectly capable of producing an italian espresso.lived in Milano for 13 years ...had the classic 2015 for one year but replaced it with the italian made lelit pl41em which handles finer grinds much better.Lelit is the way to go.Brass boiler,group,manometer and 3way solenoid valve.
Last edited by georgios; 17-09-18 at 08:13.
The Bar Smart Grinder is the Sage Smart Grinder in the UK. I owned one for a while.
It's quite a common problem with these grinders. If the beans are decaf, light roasted, or stale it will struggle.
Your shots are channeling that is why no matter how fine you grind the water is bursting through the puck and causing the quick pours.
Try backing off the grind and go a bit coarser but use WDT (stir the grinds) to re-distribute before tamping.
Try different, fresher beans maybe something less challenging for the grinder.
La Spaziale S1, Ceado E92, Feldgrind. Niche. Work - Gaggia Classic and BTC.


text:
Montgomerie Says Hes Had Enough US Heckling
CARLSBAD, Calif. -- Heckled once again by American galleries, Colin Montgomerie said he probably won't return to the United States after this year, not even for the three major championships.
'I just don't need this anymore,' Montgomerie said in interviews with the Los Angeles Times and the Daily Mail of London.
The latest problem was Wednesday during his 2 and 1 loss to Scott McCarron in the Match Play Championship, when Montgomerie said he was heckled on several occasions.
As the 38-year-old Scot was leaving La Costa Resort, one fan asked him how he had played, and Montgomerie shot back, 'There's only one thing worse than losing, and that's spending another day in your country.'
McCarron said Thursday evening the heckling was overblown.
'There was only one guy who stifled a yell when Colin missed a putt on the 12th, and that was it,' McCarron said.
McCarron, who played golf at UCLA, said one of his friends congratulated him for a good shot on the 15th hole. Montgomerie, in a bunker, heard the compliment and told the man he was an idiot.
'He brings a lot of it on himself,' McCarron said.
Montgomerie was the subject of the most severe abuse at the 1999 Ryder Cup. He also has been heckled at the U.S. Open on both sides of the country, from Congressional in 1997 to Olympic Club in 1998.
He said he was heckled at La Costa about his weight and how he was enjoying the outcome of the match.
'All the usual material,' Montgomerie said. 'Without turning around, I knew I could accurately predict the appearance of these kinds of fans -- shorts, tennis shoes, T-shirt, cap on backward, holding a beer. I was correct.'
Montgomerie, who nearly didn't come to La Costa because of a back injury, is not expected to play in the United States against until the Bay Hill Invitational, the start of a stretch leading to the Masters.
He said he likely would honor his commitments this year, but probably will not return after that.
'No offense to Scott McCarron, but if this is happening to me in the first round of a tournament in such a low-key setting, what would happen to me on the 17th hole of a major?' he said. 'Would I even be allowed to take back the club? Would someone run across the green and snatch my ball away from me?
'At this point, I'm on the edge,' he said. 'There is no level playing field. I simply don't have the desire to deal with it any longer.'


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text:
Learning about Life from Waves
By Stephen Luntz
Nail Akhmediev believes that the creation of rogue waves at sea could be a useful template for the conditions that gave rise to life on Earth.
In February this year a rogue wave hit the giant cruise ship Marco Polo in the English Channel, killing a passenger and injuring another. As tragic as the event was, it represented a vindication for Prof Nail Akhmediev who has spent years studying these sorts of waves, which were once thought not to exist. Now, however, Akhmediev is pushing into more metaphorically choppy waters, using waves to model the origins of life.
"A soliton can be used as a model for life because it displays the simplest and most essential functions of life," says Akhmediev, who is based at the Australian National University's College of Physical and Mathematical Sciences. The claim seems strange – waves may grow and die but we usually do no think of them breeding. However, Akhmediev says that "energy flows across these waves, and some parts absorb and others dissipate it. Some can divide into two, and the process can continue indefinitely."
Solitons are single waves that keep the same shape as they travel. They exist in all sorts of media. In January, Nature published a report of the first observation of solitons on silicon chips by researchers at the University of Sydney's School of Physics – a step towards the development of photonic chips.
The waves Akhmediev is studying are called dissipative solitons. While the conservative forms exist in systems with constant energy,...
Cool Careers
rogue waves
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