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Old Gamers Reddit
Typically the a bit. All e-mails from the system will be sent to this address. It has a large community of passionate gamers, which can help you find the best option for you. You can share your passion for your favorite books, movies, video games, sports, TV shows, music and technology with millions of people who share your interests. Reddit NBA Streams is an open secret among serious (and seriously broke) basketball fans. Despite living just six miles from their home stadium, 99-year-old Pirates fan Catherine Kyle had never seen her favorite team play live. BT (the old dude with the mic) is a commentator for the game, and is known for being a bit of a buffoon - and he plays into it entirely. It is impossible to win most versions of The Game. Other "League of Legends" gamers on the subreddit thread checked themselves and reported that they experienced the same thing. Man Kaur is 101 years old, and now she is a world champion. 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redpajama_set_name: RedPajamaCommonCrawl


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Ling Yun-zi was currently in his immortal cave. Tu Fang was reporting to him, "According to your requests, the rewards have already been sent down.
"The Faction Competitions have also ceased. Having distributed so many spirit stones, their cultivation bases should quickly soar during this time."
Those spirit stones would allow every disciple to keep the spirit stone formation in their immortal caves activated to the max for three months. They were also given a huge amount of points. In other words, during these three months, everyone's cultivation bases should advance by leaps and bounds.
But such a terrifying consumption was something the monastery would not be able to handle for long. Originally, they had only had three years worth of resources.
But now they had immediately distributed a third of those resources, causing Tu Fang to worry.
If that continued, the disciples might advance quickly, but then once there were no more resources to offer them, their disciples might lose their drive to continue advancing.
"You don't need to worry. If this trials works out, we'll be able to use our military success to get even more resources from the supermonastery. There are precedents amongst the other monasteries," lightly said Ling Yun-zi.
But Tu Fang was still somewhat worried. "Those monasteries are all ranked towards to the top. They've accumulated countless years' worth of resources, making them extremely powerful. Probably some of their new disciples have already entered the mid Tendon Transformation realm. We're unable to compare to them. After all, our monastery is always last, and so we always get the least resources. We've been thrown off far into the distance because we don't have enough resources to raise our disciples."
Tu Fang felt a great deal of pressure over that. There were 108 monasteries below the Xuantian Supermonastery. The competition between individual monasteries was extremely intense. Each year, they would have a Monastery Competition, and resources would be divvied up according to rank.
The monastery's Faction Competition was completely based off it. This was a kind of survival of the fittest method.
In truth, the Xuantian Monasteries were all given their name according to ranking. The first monastery, the second monastery, the third monastery… all the way to Long Chen's Xuantian Monastery.
Because they were last, they decided that telling their disciples would be too awkward, and they just called themselves the Xuantian Monastery.
Otherwise, if they called themselves the 108th monastery, their disciples might wonder what that meant, which would be extremely awkward. Absolute last place… that was something they couldn't tell their disciples.
Some of the other monasteries might have the power to take the initiative against the Corrupt path, but they didn't have their powerful foundations.
If they succeeded, then it would be acceptable, and all that would be said was that Ling Yun-zi possessed an unwavering courage. But if it failed and too many of the monastery's disciples died, then once the supermonastery investigated this, Ling Yun-zi would very likely be heavily punished, perhaps losing his sect leader position.
So Tu Fang still felt this kind of action was too dangerous. The monastery was already developing very well with many core disciples. There was no need to take this risk.
"When Long Chen killed Wu Qi in just four moves, I was extremely impressed. Long Chen's invincible Dao-heart and will are something no one else can match.
"That's not related to cultivation base, but a kind of absolute confidence that came from being tempered through life and death experiences countless times.
"You've also seen just how terrifying such a will is. It's also why our Righteous path disciples find it very difficult to defeat Corrupt path disciples on the same level.
"It's because we aren't ruthless enough. Not only are we not ruthless enough to our opponents, but we're also not ruthless enough on ourselves. Only those who have the courage to fight all-out with their lives on the line are able to survive until the end."
Ling Yun-zi sighed. Looking up at Skywood Mountain which stretched high into the clouds, yearning appeared in his eyes. "Uncle-master's words that day completely woke me up. I've been too conservative, which has affected our monastery's growth.
"My cultivation base has essentially stagnated for over a hundred years now. I've realized that a problem has occured with my Dao-heart.
"If a cultivator does not even have the heart to take risks, how could they possess the courage to climb to the peak of the martial path?
"I've stayed stagnant for far too long. I've already lost my old sharpness. I need to borrow a kind of opportunity to retrieve my old sharpness."
An incorporeal will exploded out of Ling Yun-zi's body. Even the sword on his back let out a loud cry.
Unsheathing it, Ling Yun-zi apologetically looked at his sword. "Sorry partner. I've made you wait for a long time."
Ling Yun-zi sword was incessantly ringing as if it were alive. Now it seemed as if even Ling Yun-zi had been unsheathed, his imposing sharpness soaring. He looked much younger than before.
Resheathing his longsword, Ling Yun-zi turned to Tu Fang. "Now you should understand why I'm risking this danger. I'm tying my own fate with the monastery's fate. I'll borrow that chance to completely awaken. I've been silent for too long. I need a certain force to stimulate me into once more returning to my old self."
"So you're betting on Long Chen?"
"Yes. Since I bet once, I can bet a second time. And since my first bet paid off, I believe my second bet will also be worth it as well," confidently said Ling Yun-zi.
Last time, Ling Yun-zi had braved the danger of the backlash from the Heavenly Daos to confirm that Long Chen was a Divergent. That had been absolutely crazy, but it had filled Ling Yun-zi with pride.
Now he would make another grand bet. That was to align the monastery's future with his own, placing them both on Long Chen's shoulders.
With Ling Yun-zi's old nature, he would not have allowed himself to do that in fear of being infected by a Divergent's karma. It was impossible to predict what would happen if he did. Perhaps it might allow the monastery to rapidly rise to the peak, or perhaps it might result in eternal damnation.
But Cang Ming's words that day had heavily shaken him. Since he dared to bet once, why wouldn't he dare bet a second time?
And since he dared bet, he might as well make that bet a bit bigger. He had bet his own fate this time.
If Long Chen could succeed in guiding this new generation of disciples, bringing them to shining brilliance in this battle, that would allow his own confidence to grow, resolve the knot in his heart, push him through the bottleneck, and allow him to once more break through.
But if he failed, there would be no hope of him ever advancing again in his lifetime. At the same time, the monastery would receive a catastrophic impact. And so this was truly a big bet.
He understood Tu Fang's worries, but he trusted in his own gut. Long Chen definitely wouldn't disappoint him. And since he trusted him, he would let go of the reins, cutting off all paths of retreat.
Tu Fang looked at the confident Ling Yun-zi and also ended up emotionally stirred. This truly was a grand bet that was incredibly risky. But if he could pull it off, the benefits were unimaginable.
Despite being such a solemn and perhaps even inflexible person, Tu Fang was still moved by what Ling Yun-zi said.
"Tu Fang, start doing some drills with the more powerful Elders. Just having a strong cultivation base isn't enough; they're so used to just sitting around, they're starting to rust. We need them to escort our junior disciples," ordered Ling Yun-zi.
The goal this time was to temper all their disciples' wills and bring out their full potential. They wouldn't just send their disciples to death.
If their disciples only encountered Corrupt path disciples on the same level, they naturally wouldn't interfere. But if an Elder-level figure of the Corrupt path appeared, they needed their own Elders to protect everyone.
Otherwise, this wouldn't be a training exercise, but just sending their disciples to the slaughterhouse.
Previously when the Corrupt path invaded, it was also always agreed implicitly that this would just be a training exercise for their new disciples to fight.
The reason the Corrupt path would instigate this was because even if their disciples didn't die at the hands of the Righteous path, they would die under the hands of their same sect. Their rules were extremely cruel. The weak only had one fate, and that was to be killed.
And so Corrupt path disciples all walked a path of slaughter. Although their cultivation bases weren't necessarily that powerful, their wills were much firmer.
If it weren't for the Righteous path possessing an absolute superiority in terms of numbers, there would be no way for them to compete with the Corrupt path. And that was why Cang Ming had looked down on the monastery's method of raising its disciples and cursed that they would just be whetstones for the Corrupt path's disciples.
Tu Fang nodded and began to select a couple stronger Elders as well as law enforcers. They would all make their preparations.
During these three months, no one dared to take it easy. After all, this was a major affair that would affect the monastery's future.
If some of their disciples managed to evolve into true experts, then they would be able to get a better ranking during the Monastery Competition. Then their monastery would truly soar.
But if there were too many injuries and deaths, that would be a huge impact on the monastery. And so everyone who was to be a part of this exercise took it extremely seriously.
Everyone who received a notice from Tu Fang immediately began to get to work. They all left the monastery to prepare themselves. At their level, a couple month's seclusion didn't have any meaning.
There were many of them who hadn't exercised in so long that they needed to go kill a couple Magical Beasts to remember the sensation of battle.
During this time, Wilde and Little Snow were brought away with Cang Ming. That was because those two could only increase their strength by eating powerful meat.
That was especially true of Little Snow. His heavy wounds had only begun to heal, and so he needed even more meat to completely heal. Wilde had only possessed a dozen third rank Magical Beast corpses, which could barely count as snacks for them. They had been completely devoured in just a couple days.
Cang Ming had been helpless about it. He stored all his forging equipment into his spatial ring. His spatial ring was large enough to store all the forging equipment in his immortal cave.
Then he brought Wilde and Little Snow into some wild mountains. He would have to get food for them while also forging weapons.
He had already promised Long Chen a weapon, and Wilde's strength had grown so explosively that his current club no longer suited him.
Seeing Wilde's strength grow limitlessly each day delighted Cang Ming. Each day he would be extremely busy, either forging weapons or hunting beasts.
With Long Chen's medicinal pills, the Heaven Earth Alliance's disciples had all entered a cultivation state, secluding themselves to focus on increasing their cultivation base.
The news that Song Mingyuan and them had revived their ancestral marks was a huge boost of morale to them, raising their spirits.
After they told their factions about the cruelness of the trial, they all promised that they, the core disciples, would forever take the vanguard during the battles.
It was just a simple promise, but it truly did stir their subordinates. The fact that they would risk their own lives first immediately fired everyone up. Even those disciples who were still terrified felt that fear in their hearts lessen a great deal.
The Xuantian Monastery was in a state of preparing for war. Long Chen had even went to Tang Wan-er to once more fly a kite and absorb thunderforce.
Now he had a whole barrel of Ten Thousand Beast Essence Blood in front of him. An explosive aura came from this blood.
That was all fourth rank Magical Beast essence blood. Fourth rank Magical Beasts were on the same level as their ordinary Elders, making them inconceivably powerful.
Long Chen took a deep breath, filled with anticipation. This time it would be this powerful essence blood that would allow him to advance.
Placing his hand in the barrel, he began to quickly absorb it all.


Now I'm not going to lie to you – if I had to put every tax in order of favourite to least favourite (which, granted, is one of the duller games we Accountants like to play), then VAT would be bottom of the list! This little gem can be a minefield, so it's important to stress that everyone's situation is different; if you have a specific question surrounding VAT, speak directly to your Accountant who can guide you…whether they like it or not!
Should I go Standard or Flat Rate?
For 2018/19, the threshold for compulsory VAT registration is £85,000 so to assess this you should look ahead to the next 12 months and try to gauge what you expect your turnover to be. If your sales are likely to be in this region or more, then register straight away.
You can also register voluntarily regardless of your anticipated turnover (provided you are trading) in order to benefit from being on the Standard or Flat Rate scheme which will help you operate as tax efficiently as possible.
However, voluntary VAT registration isn't for everyone. If you are working directly with the public, then charging 20% on your invoices may deter future business.
Furthermore, regardless of the benefits of being registered, if your business activity is minimal, perhaps a hobby or part-time job, or likewise if your workload is very high then you may prefer to simply not bother – whilst your Accountant should prepare and file your VAT return for you, it is ultimately one extra thing to think about each quarter.
When registering for VAT, unless you opt otherwise you will automatically be placed onto the Standard Rate. Under this scheme, you will charge 20% on your invoices which are then paid over to HMRC… think of yourself as the Sherriff of Nottingham here – you are collecting the VAT and paying it over to King John…boo!
The amount you pay over to HMRC, however, can be reduced by any VAT you incur on your expenditure, and here's where you can make some additional profit throughout the year.
As an alternative, the Flat Rate Scheme attempts to simplify this by paying a fixed percentage, according to trade, of your sales over to HMRC, so VAT is no longer reclaimed on your expenditure (with the exception being any capital purchases of £2,000 or more).
For instance, if you are an IT contractor you would have a fixed percentage to use of 14.5%*. Let's say you raise an invoice for £1,000 + VAT (£1,200 in total). Under the Standard Scheme you would have to pay £200 over to HMRC less any VAT you have recorded as incurred on your expenses, yet under the Flat Rate, you simply pay £174 (£1,200 x 14.5%)… no muss no fuss.
greater than 2% but less than £1000 per annum.
As such, a large majority of contractors going forward fall into the category of Limited Cost Trader and therefore must use the blanket Flat Rate percentage of 16.5% which is ultimately less tax efficient.
There is a silver lining of course, when registering for VAT you will benefit from a discount of 1% for the first 12 months so even if you fall within the Limited Cost Trader classification, this will bring your Flat Rate down from 16.5% to 15.5% – whilst this doesn't sound like much, the percentage reduction will make a notable difference in profit made from VAT.
If tax efficiency is your main drive, then following your first year of registration you can then switch over to the Standard Rate scheme and reclaim on your expenditure. If the prospect of the additional bookkeeping associated with this puts you off though, you can simply remain on the Flat Rate – you will still make a profit from the VAT by being registered although, depending on your expenditure, it is likely to be slightly less.
A note to existing OnTheGo clients here, as your bookkeeping is included within your accountancy package you will not see an increase in workload by going onto the Standard rate scheme…hooray!!


Alan Keith lives and works in Cleveland, Ohio. He is a big fan of the city.
He received a degree in Creative Writing from Cleveland State University and has yet to put it to good use. He loves to read, especially Joe R. Lansdale, Stephen King, and any other author that looks promising. His favorite book is Clive Barker's Weaveworld. The last book he read was Don Coscarelli's True Indie. He is currently reading the novelization of the latest Halloween movie.
He records music under the name of Mr Keith and has recently put his first song up on bandcamp. His inspirations are such musical acts as The Dead Milkmen, Robyn Hitchcock, Captain Beefheart, Devo, R.E.M., and a collection of many artists who frequent Dr. Demento's airwaves.
Aside from his creative ventures, Alan Keith is a strong supporter of the organization Beyond Type 1, which helps demystify Diabetes and is working towards a cure. His oldest son was diagnosed with Type 1 Diabetes in February 2014.
The content of this site ©2018 Alan Keith. All Rights Reserved.


You had me at Tim Tam Pancakes. Frankly, the rest of the menu could be slops, and I would still be sold. The good news is, not only does Long Story Short serve the crave-worthy, one-and-only Tim Tam Pancakes, their all-day brunch menu is also filled with a plethora of other goodies, with no slops in sight. So let's dive right in shall we?
Sitting eye-catchingly on a corner of a busy intersection, Long Story Short is the quintessential all-day cafe. The bright, spacious interior transitions easily from a pre-work bite to a long Sunday lunch, with a boozy drinks list to match.
I was intrigued by the Cold Drip Herbal Iced Tea ($5), made in-house, but I'm afraid I wasn't a fan at all. As odd as this may sound, this tasted simultaneously too strong, and not strong enough. Whilst the herbal flavour was almost overwhelming, the actual drink itself was entirely tasteless. I'd give this one a miss.
The Smoked Cola ($6) on the other hand fared a lot better. Although slightly unusual for those who are used to the typical cola taste, this is a much more mature and nuanced version, with notes of vanilla, cloves, and cinnamon all intermingling in the fizzy drink.
Ribs at 10am? Oh yes you can, with the Slow Cooked Cold Drip Coffee Pork Ribs ($23). Set out more like a fancy share plate than brunch, this is for those of you out there who like living large.
What I hate about ribs is how I want to pick them up and gnaw the meat off them, except it's not socially acceptable to do so in most places. These ribs circumvent that problem nicely by being so tender that the meat pulls off the bone with the gentlest tug from a fork. The rich aroma of the ribs was accompanied by a tangy herb salad, as well as a scattering of pineapple pieces for an Asian twist. It was an impressive dish for a neighbourhood cafe.
Continuing the trend of non-brunch-like brunch dishes was the Deconstructed Souvlaki ($21), with a side of Chips ($4) dipped in caramelised black garlic aioli.
I was very impressed with the richness and tenderness of the lamb, and how well the flavour was complemented by the delicate vegetables and smoky flatbread. Unfortunately, the lamb was just too salty, leaving me with the dilemma of wanting to eat more of the delicious lamb, yet being completely overcome by the salt.
And now, for what we're all really here for: the Buttermilk Tim Tam Pancakes ($19).
So what you get here, kids, are 3 buttermilk pancakes, layered with Tim Tam pieces and poached nashi pear, deluged with chocolate sauce, and topped with a scoop of Tim Tam ice cream. My only complaint is that the pancakes were actually quite dense and doughy, but hey, how upset can you be at Tim Tam pancakes?
Rating: 13/20 – once again, tim tam pancakes.
Sweet and Sour Fork dined as a guest of Long Story Short.
Why is 10am so dark? O.o Have you tried that crazy fairy floss burger or the hot chocolate sphere?


text:
The Culturist
culture, travel, the arts
Slow Photography
November 6, 2013 · by relhayman · in Art, Culture, Photography. ·
I was on the metro in Paris one evening when two voices broke the communal trance. An American tourist was complaining that all ten photos taken of her on the steps of Montmartre were blurred. They had to drop all romantic ideas about drinks at Saint Severin – they had to go back and get a good shot, otherwise there had been no point in going at all. Her companion agreed, and bemoaned her own phone's sudden loss of battery power – she had tried to upload too many of the afternoon's photos onto Facebook. Their querulous dialogue continued until they left at the next stop, and I pondered. Here were two young women utterly blind to the beautiful city around them, able only to construct their experiences through the lens of a phone. It was a brief spectacle that signified a greater trend – and an inhibiting one – in the world of photography.
Indeed, the idea that a primarily digital age has stalled our capacity for creativity is no rare debate in any corner of culture. Irvine Welsh, the author of Trainspotting, recently claimed that the power of sharing on the Internet has killed the 'analogue' process of creative writing. Grayson Perry's current series of Reith lectures on BBC Radio 4 mount a confident argument for the degradation of the art world. It's no surprise then that the fast-paced, information-saturated society of the twenty-first century has triggered a counter-cultural Slow Movement.
Slow Food, Slow Fashion and Slow Journalism are among those initiatives encouraging us to savour the virtue of quality over quantity in our appreciation of culture. As a traditional artform similarly overtaken by the speed of its own mass expansion, I half expected there to be a strong following for Slow Photography already in place. Although I found a few like-minded arguments while scouring the Internet, I was amazed, scrolling through a more expansive list of Slow Movements on Wikipedia, that Slow Photography received no attention.
Last year, Fortune magazine claimed to have calculated that 10% of all the photographs ever taken were shot in 2011. This year, Facebook revealed that over 200,000 photographs are uploaded to the social networking site per minute. Next year, Yahoo predict that over 880 billion photos will be taken. Photography is at the centre of the digital revolution; even without the statistics, it's easy to look around and see that we're snapping away on our smartphones at an increasingly fast rate.
Point, shoot, Instagram, hashtag, share – like a production line of reflex actions, photogaphy has become a means of obsessively recording our everyday moments, largely with vain intentions. I include myself in that mass: I've whiled away many a train journey pulling ridiculous selfies for Snapchat, and the odd photographic exchange on Watsapp is hugely enriching to any long-distance communication. But as superb these digital advancements may be, I still think there is a pertinent question to ask about how we can reclaim the value and a meaning of a photo.
Yellowstone, USA
Perhaps there's a consensus that these 'slow' principles in general are synonymous with a kind of cultural snobbery. However, the problem is not that too many pictures are being taken by too many happy snappers (though I do wonder how many of them list 'photography' under the 'interests' section of their CV). The problem comes when three clicks on an iPhone and a pre-prepared filter together constitute a new version of creativity. In other words, the practice of photography has become all about quick spurts of expression, and we are robbing ourselves of the experiences and processes that can occur with patience behind the camera.
So what exactly are the principles of Slow Photography? Tim Wu, another advocate of the movement, conducts a strong argument by asking 'what is the point of taking pictures?' His answer is quite simple: 'The goal is the experience of studying some object carefully and exercising creative choice'. The patience involved in finding the right angle for a photo can be a hugely liberating and rewarding effort when you've found your result. Photography is about finding the optimum perspective – it seems an obvious point to make, but two pictures will never be the same – and often the joy is all in the discovery. Whether it's the Eiffel Tower of a rose in your back garden, the subject of a photograph is ultimately redundant against the presentation of that subject. There's a huge difference between taking a photo of an interesting thing, as opposed to an interesting photo of a thing; I'd say the mainstream conceptualistion of photography has swung too far towards the former idea.
To expound on Wu's ideas, however, I think that the way we choose to display our photos is as pivotal as how we take them. My Dad recently published his photography online at www.martynhayman.com, and if there was ever an advocate for Slow Photography, I'd like to say this is it. With travels spanning six continents and fourty-six countries, it's a stimulating exhibition of thirty-five years' worth of material. In one gallery you'll find a rural 1980s China in the midst of post-Mao economic reform; in the next, the iconic lanterns of Sensoji in Tokyo against the soaring landmarks of a commercial capital in 2008. There's Venice at dawn through the lens of a 1980s film camera juxtaposed with the dusk of a Nikon D200 in Dubrovnik. The richness of substance and style is an extraordinary feat.
Ultimately what makes the collection so special is the two years of thought and consideration he's dedicated to sifting, editing and refining his selection, asking us for marginal preferences between photo A and photo B. I'm not saying that we should therefore build up our iPhone camera roll for years before allowing ourselves an upload frenzy. I'm suggesting, as a key principle of Slow Photography, that by investing a personal, thoughtful connection with our work, the possibilities are limitlessly thought-provoking and exuberant – not only for the artist, but also for his audience.
We're in a world that wants speed, results, instant connections. Whether we really thrive on those things is doubtful – to pinch that familiar slogan, 'speed kills'. Our digital age may have given rise to a short-sighted idea of creativity, but it has also succeeded in turning photography into a widely-accessible activity. There are fewer obstacles to the creative potential of individuals than there ever have been, so in true Slow Photography style, relax the pace, savour the moment and go for the deep zoom panoramic.
Photos Copyright © 2013 Martyn Hayman
Tags: Art, BBC Radio 4, Eiffel Tower, iPhone, Photography, Slow Movement, Slow Photography, Tim Wu, Tokyo
← Review: Great Expectations & The Unconsoled
Musée d'Art Moderne de la Ville de Paris →
America After the Fall: Art in Flux
Anselm Kiefer's Walhalla
Revolution: Russian Art 1917-1932
From Selfie to Self-Expression
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text:
package com.nativelibs4java.opencl.demos.deeplearn;

import static com.nativelibs4java.opencl.demos.interactiveimage.Utils.chooseFile;
import static com.nativelibs4java.opencl.demos.interactiveimage.Utils.createLinkLabel;
import static com.nativelibs4java.opencl.demos.interactiveimage.Utils.isMac;
import static com.nativelibs4java.opencl.demos.interactiveimage.Utils.readTextResource;
import static com.nativelibs4java.opencl.demos.interactiveimage.Utils.textArea;
import static com.nativelibs4java.opencl.demos.interactiveimage.Utils.traceToHTML;
import static com.nativelibs4java.opencl.demos.interactiveimage.Utils.traceToString;
import static com.nativelibs4java.opencl.demos.interactiveimage.Utils.withTitle;

import java.awt.BorderLayout;
import java.awt.Image;
import java.awt.Point;
import java.awt.datatransfer.DataFlavor;
import java.awt.dnd.DnDConstants;
import java.awt.dnd.DropTarget;
import java.awt.dnd.DropTargetDragEvent;
import java.awt.dnd.DropTargetDropEvent;
import java.awt.dnd.DropTargetEvent;
import java.awt.dnd.DropTargetListener;
import java.awt.event.ActionEvent;
import java.awt.event.ItemEvent;
import java.awt.event.ItemListener;
import java.awt.event.KeyEvent;
import java.awt.event.MouseAdapter;
import java.awt.event.MouseEvent;
import java.awt.image.BufferedImage;
import java.io.File;
import java.io.InputStream;
import java.net.MalformedURLException;
import java.net.URL;
import java.nio.FloatBuffer;
import java.util.ArrayList;
import java.util.Arrays;
import java.util.List;
import java.util.regex.Pattern;

import javax.imageio.ImageIO;
import javax.swing.AbstractAction;
import javax.swing.ActionMap;
import javax.swing.BoundedRangeModel;
import javax.swing.Box;
import javax.swing.Icon;
import javax.swing.ImageIcon;
import javax.swing.InputMap;
import javax.swing.JButton;
import javax.swing.JComboBox;
import javax.swing.JComponent;
import javax.swing.JFrame;
import javax.swing.JLabel;
import javax.swing.JOptionPane;
import javax.swing.JPanel;
import javax.swing.JProgressBar;
import javax.swing.JScrollBar;
import javax.swing.JScrollPane;
import javax.swing.JSplitPane;
import javax.swing.KeyStroke;
import javax.swing.SwingUtilities;

import org.bridj.Platform;
import org.bridj.Pointer;

import com.deeplearn.utils.AppContextUtil;
import com.nativelibs4java.opencl.CLBuffer;
import com.nativelibs4java.opencl.CLContext;
import com.nativelibs4java.opencl.CLDevice;
import com.nativelibs4java.opencl.CLEvent;
import com.nativelibs4java.opencl.CLException;
import com.nativelibs4java.opencl.CLKernel;
import com.nativelibs4java.opencl.CLMem;
import com.nativelibs4java.opencl.CLPlatform;
import com.nativelibs4java.opencl.CLProgram;
import com.nativelibs4java.opencl.CLQueue;
import com.nativelibs4java.opencl.JavaCL;
import com.nativelibs4java.opencl.demos.SetupUtils;
import com.ochafik.io.ReadText;
import com.ochafik.io.WriteText;
import com.ochafik.swing.UndoRedoUtils;
import com.ochafik.swing.syntaxcoloring.CCTokenMarker;
import com.ochafik.swing.syntaxcoloring.JEditTextArea;

public class DeepLearnDemo extends JPanel {
	JSplitPane imgSrcSplitPane, imgsSplitPane;
	JLabel origImgLab, resultImgLab, instructionsLabel, timeLabel, progressLabel;
	JScrollPane origImgScroll, resultImgScroll;

	JEditTextArea sourceTextArea;
	JComboBox devicesCombo, examplesCombo;
	// JTextArea sourceTextArea;

	JButton runButton;
	BufferedImage image;
	JProgressBar progressBar;

	JComponent[] toDisable;
	File lastOpenedFile;
	private DeepLearnPackage deepLearnPackage = new DeepLearnPackage(2236);
	static final String RUN_ACTION = "run", SAVE_ACTION = "save";
	File persistentFile = new File(
			new File(new File(System.getProperty("user.home"), ".javacl"), getClass().getSimpleName()), "Test.cl");

	boolean load() {
		if (!persistentFile.exists())
			return false;

		sourceTextArea.setText(ReadText.readText(persistentFile));
		return true;
	}

	void save() {
		try {
			WriteText.writeText(sourceTextArea.getText(), persistentFile);
		} catch (Exception ex) {
			ex.printStackTrace();
			JOptionPane.showMessageDialog(this, traceToHTML(ex), "Failed to save file", JOptionPane.ERROR_MESSAGE);
		}
	}

	class SaveAction extends AbstractAction {
		public void actionPerformed(ActionEvent e) {
			save();
		}
	}

	private boolean runFlag = false;

	void run() {
		save();
		try {
			final BufferedImage bufferedImage = getImage();
			if (bufferedImage == null)
				return;

			// Could just be this : final CLContext context =
			// JavaCL.createBestContext();
			final CLContext context = getContext();
			if (context == null)
				return;

			final Point initialViewPosition = origImgScroll.getViewport().getViewPosition();

			for (JComponent c : toDisable)
				c.setEnabled(false);
			resultImgLab.setText(null);
			resultIcon(null);
			resultImgLab.setToolTipText(null);

			timeLabel.setVisible(false);
			progressBar.setIndeterminate(true);
			progressBar.setVisible(true);
			setProgress("Initializing...");

			final long[] elapsedTimeNanos = new long[] { -1L };
			new Thread() {
				public void run() {
					runFlag = true;
					while (runFlag) {

						try {
							setProgress("Creating OpenCL queue...");
							CLQueue queue = context.createDefaultQueue();
							setProgress("Compiling program...");
							CLProgram program = context.createProgram(sourceTextArea.getText());
							CLKernel[] kernels = program.createKernels();
							if (kernels.length == 0)
								throw new RuntimeException(
										"No kernels found in the source code ! (please mark a function with __kernel)");

							setProgress("Creating OpenCL images...");

							float[] f = { 0.2f, 0.5f, 0.8f };
							FloatBuffer buff = FloatBuffer.wrap(f);

							// cldouble.write(queue, 0, 1,9, false,
							// eventsToWaitFor);

							long startTimeNanos = System.nanoTime();
							CLEvent lastEvent = null;

							for (CLKernel kernel : kernels) {
								setProgress("Running kernel '" + kernel.getFunctionName() + "'...");
								try {

									deepLearnPackage.initDeepLearnData();
									deepLearnPackage.setCLKernel(kernel, context);
//									deepLearnPackage.tryCalculate(0);

									lastEvent = kernel.enqueueNDRange(queue, new int[] { Config.CalculaSize,1},
											lastEvent);
								} catch (CLException ex) {
									throw new RuntimeException("Error occurred while running kernel '"
											+ kernel.getFunctionName() + "': " + ex, ex);
								}
							}
							lastEvent.waitFor();
							elapsedTimeNanos[0] = System.nanoTime() - startTimeNanos;
							deepLearnPackage.readResult(queue, lastEvent);
							// Pointer<Float>
							// fp=cldoubleOut.read(queue,lastEvent);
							//
							// lastEvent.waitFor();
							// List<Float> outList=fp.asList();
							//
							// for (int i = 0; i < outList.size(); i++) {
							// System.err.println("i:"+i+"
							// out:"+outList.get(i));
							// }
							//
							for (CLKernel kernel : kernels)
								kernel.release();
							program.release();
							queue.release();

						} catch (Exception ex) {
							ex.printStackTrace();
							resultError(ex);
						} finally {
							SwingUtilities.invokeLater(new Runnable() {
								public void run() {
									setProgress(null);

									for (JComponent c : toDisable)
										c.setEnabled(true);
									progressBar.setIndeterminate(false);
									progressBar.setVisible(false);
									if (elapsedTimeNanos[0] >= 0) {
										timeLabel.setText(
												"Completed in " + (elapsedTimeNanos[0] / 1000000.0) + " msecs");
										timeLabel.setVisible(true);
									}
								}
							});
						}
					}
				}
			}.start();
		} catch (Exception ex) {
			ex.printStackTrace();
			resultError(ex);
		}
	}

	class RunAction extends AbstractAction {
		public void actionPerformed(ActionEvent e) {
			if (runFlag == false) {
				run();
			} else {
				runFlag = false;
			}
		}
	}

	String runKeyStroke = "F5";

	int spacing = 10;

	class Example {
		public Example(String caption, String fileName) {
			this.fileName = fileName;
			this.caption = caption;
		}

		public final String fileName, caption;

		@Override
		public String toString() {
			return caption;
		}

	}

	public DeepLearnDemo() {
		super(new BorderLayout());

		devicesCombo = new JComboBox();
		List<CLDevice> devices = new ArrayList<CLDevice>();
		try {
			for (CLPlatform platform : JavaCL.listPlatforms()) {
				for (CLDevice device : platform.listAllDevices(true)) {
					devicesCombo.addItem(device);
					devices.add(device);
				}
			}
			if (!devices.isEmpty())
				devicesCombo.setSelectedItem(
						CLPlatform.getBestDevice(Arrays.asList(CLPlatform.DeviceFeature.MaxComputeUnits), devices));
		} catch (Exception ex) {
			ex.printStackTrace();
			devicesCombo.setToolTipText(traceToHTML(ex));
		}
		if (devices.isEmpty()) {
			devicesCombo.addItem("No OpenCL Device detected");
		}

		examplesCombo = new JComboBox();
		examplesCombo.addItem("Examples...");
		{
			final String signature = "__kernel void transform(__global read_only image2d inputImage, __global write_only image2d outputImage)";

			examplesCombo.setToolTipText("Kernel samples in the form of :\n'" + signature + "'");
			for (Example example : new Example[] {
					// "Blur",
					new Example("deeplearn", "deeplearn") }) {
				examplesCombo.addItem(example);
			}
			examplesCombo.addMouseListener(new MouseAdapter() {
				public void mouseClicked(MouseEvent e) {
					String t = sourceTextArea.getText();
					if (t.trim().length() > 0)
						t = t + "\n";
					sourceTextArea.setText(t + "__kernel " + signature
							+ " {\n\tint x = get_global_id(0), y = get_global_id(1);\n\t// write here\n}");
				}
			});
			examplesCombo.addItemListener(new ItemListener() {
				public void itemStateChanged(ItemEvent e) {
					Object selection = examplesCombo.getSelectedItem();
					if (selection instanceof Example) {
						loadExample(((Example) selection).fileName);
						examplesCombo.setSelectedIndex(0);
					}
				}
			});
		}

		JPanel srcPanel = new JPanel(new BorderLayout());
		sourceTextArea = textArea(new CCTokenMarker());
		srcPanel.add("Center", withTitle("Image transformation kernel source code", sourceTextArea));

		runButton = new JButton("Run (" + runKeyStroke + ")");
		{
			Box toolbar = Box.createHorizontalBox();
			for (JComponent c : new JComponent[] { examplesCombo, runButton, devicesCombo })
				c.setMaximumSize(c.getPreferredSize());

			runButton.putClientProperty("JButton.buttonType", "bevel");
			examplesCombo.putClientProperty("JComboBox.isPopDown", Boolean.TRUE);
			devicesCombo.putClientProperty("JComboBox.isPopDown", Boolean.TRUE);

			toolbar.add(examplesCombo);
			toolbar.add(runButton);
			toolbar.add(devicesCombo);
			toolbar.add(createLinkLabel("Khronos OpenCL Documentation",
					"http://www.khronos.org/registry/cl/sdk/1.0/docs/man/xhtml/"));
			toolbar.add(Box.createHorizontalStrut(spacing));
			toolbar.add(createLinkLabel("JavaCL FAQ", "http://code.google.com/p/javacl/wiki/FAQ"));
			toolbar.add(Box.createHorizontalStrut(spacing));
			toolbar.add(Box.createHorizontalGlue());
			toolbar.add(progressLabel = new JLabel());
			toolbar.add(Box.createHorizontalStrut(spacing));
			toolbar.add(progressBar = new JProgressBar());
			progressBar.putClientProperty("JProgressBar.style", "circular");
			toolbar.add(timeLabel = new JLabel());
			progressBar.setMaximumSize(progressBar.getPreferredSize());
			progressLabel.setVisible(false);
			progressBar.setVisible(false);
			timeLabel.setVisible(false);
			srcPanel.add("South", toolbar);
		}
		origImgScroll = new JScrollPane(origImgLab = new JLabel());
		resultImgScroll = new JScrollPane(resultImgLab = new JLabel());
		for (JScrollPane sp : Arrays.asList(origImgScroll, resultImgScroll)) {
			sp.setHorizontalScrollBarPolicy(JScrollPane.HORIZONTAL_SCROLLBAR_ALWAYS);
			sp.setVerticalScrollBarPolicy(JScrollPane.VERTICAL_SCROLLBAR_ALWAYS);
		}
		resultVertScrollModel = resultImgScroll.getVerticalScrollBar().getModel();
		resultHorzScrollModel = resultImgScroll.getHorizontalScrollBar().getModel();

		origImgLab.setDropTarget(new DropTarget(origImgLab, DnDConstants.ACTION_COPY, imgDropTargetListener));

		add("Center", srcPanel);

		runButton.addActionListener(new RunAction());

		toDisable = new JComponent[] { examplesCombo, runButton, devicesCombo, sourceTextArea,
				// origImgLab,
				// resultImgLab
		};

		UndoRedoUtils.registerNewUndoManager(sourceTextArea, sourceTextArea.getDocument());
		for (JComponent focusable : Arrays.asList(sourceTextArea, examplesCombo, devicesCombo, runButton)) {
			InputMap im = focusable.getInputMap();
			ActionMap am = focusable.getActionMap();
			im.put(KeyStroke.getKeyStroke(runKeyStroke), RUN_ACTION);
			im.put(KeyStroke.getKeyStroke(KeyEvent.VK_S, isMac() ? KeyEvent.META_MASK : KeyEvent.CTRL_MASK),
					SAVE_ACTION);
			am.put(RUN_ACTION, new RunAction());
			am.put(SAVE_ACTION, new SaveAction());
		}
	}

	protected DropTargetListener imgDropTargetListener = new DropTargetListener() {

		public void dragEnter(DropTargetDragEvent dtde) {
			try {
				if (dtde.isDataFlavorSupported(DataFlavor.javaFileListFlavor)
						|| dtde.isDataFlavorSupported(DataFlavor.stringFlavor)
						|| dtde.isDataFlavorSupported(DataFlavor.imageFlavor))
					dtde.acceptDrag(DnDConstants.ACTION_COPY);
				else
					dtde.rejectDrag();
			} catch (Exception ex) {
				ex.printStackTrace();
			}

			dtde.acceptDrag(DnDConstants.ACTION_COPY);
		}

		public void dragExit(DropTargetEvent dte) {
		}

		public void dragOver(DropTargetDragEvent dtde) {
		}

		public void dropActionChanged(DropTargetDragEvent dtde) {
		}

		public void drop(DropTargetDropEvent dtde) {
			try {
				if (dtde.isDataFlavorSupported(DataFlavor.javaFileListFlavor)) {
					dtde.acceptDrop(DnDConstants.ACTION_COPY);
					java.util.List<File> files = (java.util.List<File>) dtde.getTransferable()
							.getTransferData(DataFlavor.javaFileListFlavor);
					if (files != null && !files.isEmpty()) {
						readImage(files.get(0).toURI().toURL());
					}
					dtde.dropComplete(true);
				} else if (dtde.isDataFlavorSupported(DataFlavor.stringFlavor)) {
					try {
						dtde.acceptDrop(DnDConstants.ACTION_COPY);
						readImage(new URL((String) dtde.getTransferable().getTransferData(DataFlavor.stringFlavor)));
						dtde.dropComplete(true);
						return;
					} catch (MalformedURLException ex) {
					}
				} else if (dtde.isDataFlavorSupported(DataFlavor.imageFlavor)) {
					dtde.acceptDrop(DnDConstants.ACTION_COPY);
					Image image = (Image) dtde.getTransferable().getTransferData(DataFlavor.imageFlavor);
					if (image instanceof BufferedImage)
						setImage((BufferedImage) image);
					dtde.dropComplete(true);
					return;
				}
				dtde.rejectDrop();
			} catch (Exception ex) {
				origImgLab.setToolTipText(traceToHTML(ex));
			}
		}
	};

	BufferedImage getImage() {
		if (image == null)
			chooseImage();
		return image;
	}

	void readImage(URL url) {
		try {
			setImage(null);

			InputStream in = url.openStream();
			if (in == null)
				return;

			lastOpenedFile = new File(url.getFile());
			setImage(ImageIO.read(in));

			in.close();
		} catch (Exception ex) {
			ex.printStackTrace();
			origImgLab.setText(traceToHTML(ex));
		}
	}

	void setImage(BufferedImage image) {
		this.image = image;
		origImgLab.setText(null);
		origIcon(image == null ? null : new ImageIcon(image));
	}

	void readImageResource(String name) {
		readImage(Platform.getClassLoader(getClass()).getResource("images/" + name));
	}

	void chooseImage() {
		try {
			File f = chooseFile(lastOpenedFile, true);
			if (f == null)
				return;

			readImage(f.toURI().toURL());
		} catch (Exception ex) {
			ex.printStackTrace();
			origImgLab.setText(traceToHTML(ex));
		}
	}

	String getOutputFormat(File file) {
		if (file != null) {
			String s = file.getName().toLowerCase();
			if (s.matches(".*?\\.jpe?g"))
				return "jpeg";
			for (String ex : new String[] { "png", "gif", "tiff", "pnm", "pbm" })
				if (s.matches(".*?\\." + ex))
					return ex;
		}
		return "png";
	}

	static Pattern fileExtRx = Pattern.compile("(.*?)(\\.[^.]+)?");

	CLContext getContext() {
		Object selection = devicesCombo.getSelectedItem();
		if (!(selection instanceof CLDevice))
			return null;

		CLDevice device = (CLDevice) selection;
		CLContext context = JavaCL.createContext(null, device);
		return context;
	}

	void setProgress(final String caption) {
		System.out.println(caption);
		SwingUtilities.invokeLater(new Runnable() {
			public void run() {
				// progressLabel.setVisible(caption != null);
				// progressLabel.setText(caption);
				if (!isMac()) {
					progressBar.setStringPainted(caption != null);
					progressBar.setString(caption);
				}
				progressBar.setToolTipText(caption);
			}
		});
	}

	BoundedRangeModel resultVertScrollModel, resultHorzScrollModel;

	void resultIcon(Icon icon) {
		if (icon == null) {
			resultImgScroll.getVerticalScrollBar().setModel(resultVertScrollModel);
			resultImgScroll.getHorizontalScrollBar().setModel(resultHorzScrollModel);
		} else {
			resultImgScroll.getVerticalScrollBar().setModel(origImgScroll.getVerticalScrollBar().getModel());
			resultImgScroll.getHorizontalScrollBar().setModel(origImgScroll.getHorizontalScrollBar().getModel());
		}
		resultImgLab.setIcon(icon);
	}

	void origIcon(Icon icon) {
		origImgLab.setIcon(icon);
		SwingUtilities.invokeLater(new Runnable() {
			public void run() {
				JScrollBar bar;
				BoundedRangeModel model;
				model = (bar = origImgScroll.getVerticalScrollBar()).getModel();
				model.setValue((model.getMinimum() + model.getMaximum()) / 2);
				model = (bar = origImgScroll.getHorizontalScrollBar()).getModel();
				model.setValue((model.getMinimum() + model.getMaximum()) / 2);

			}
		});
	}

	void resultError(Exception ex) {
		String html = traceToHTML(ex);
		resultIcon(null);
		resultImgLab.setText(html);
		resultImgLab.setToolTipText(html);
	}

	void loadExample(String fileName) {
		try {
			String s = readTextResource("examples/" + fileName + ".cl");
			sourceTextArea.setText(s);
			sourceTextArea.setCaretPosition(0);
		} catch (Exception ex) {
			ex.printStackTrace();
			sourceTextArea.setText("Failed to load example '" + fileName + "' :\n" + traceToString(ex));
		}
	}

	public static void main(String[] args) {
		SetupUtils.failWithDownloadProposalsIfOpenCLNotAvailable();

		JFrame f = new JFrame("JavaCL's Interactive Image Transform Demo");
		f.setDefaultCloseOperation(JFrame.EXIT_ON_CLOSE);
		DeepLearnDemo demo = new DeepLearnDemo();
		f.getContentPane().add("Center", demo);
		f.setSize(1200, 800);
		f.setVisible(true);

		demo.getContext();
		demo.readImageResource("lena.jpg");
		if (!demo.load())
			demo.loadExample("Convolution");
	}

}

redpajama_set_name: RedPajamaGithub


Dominic James was announced today as a pre-season top 50 John R. Wooden Award candidate.
The Wooden Award is given to the nation's outstanding college basketball player and it is a great honor for James to be selected on this list.
The complete list of 50 student athletes covers 15 conferences. Joining James as selections from the Big East Cofnerence were Aaron Grey, Jeff Green, Lamont Hamilton, Roy Hibbert, Sammy Mejia, and David Padgett.
This has nothing to do with this. Its a little late, but Rockets vs. Heat on ESPN. Wade vs. Novak. Its almost halftime but novak was in the game. Check it out!
wish I had the time to watch that.....time to TiVo the NBA!


text:
Events / All-Energy
All-Energy 2013: GIB stokes up biomass boiler company
by Alexander Holmes
Shaun Kingsbury, chief executive of the Green Investment Bank.
The Edinburgh-based Green Investment Bank (GIB) will be involved in a £10million investment into biomass boiler firm Roundwood.
Earlier this month, the GIB said it had committed to lending and investing £635million during the first five months of operation. The bank has supported the Energy Saving Investments (ESI) fund, managed by Equitix, to invest in the Roundwood project, which will replace traditional heating systems in public and private community facilities with biomass boilers.
The GIB will give a total of £50million to ESI for investment in one of the bank's priority sectors – non-domestic energy efficiency.
GIB has in total £3billion to support green energy and energy efficiency projects across the UK.
Shaun Kingsbury, the bank's chief executive, said: "The GIB is helping to fund energy efficiency measures for everyone from our largest companies, to individual households through the Green Deal.
"Today's announcement will provide a low-cost and straightforward way for a range of organisations like schools, leisure centres and local businesses to switch their old, inefficient and high emission boilers for new energy-efficient biomass ones; saving energy, cutting emissions and saving them money."
Davey: Oil revenues 'too volatile' for Scotland to rely on
EBRD backs Egyptian refinery upgrade work
Lib Dems pledge renewable energy boost through home insulation investment
North Sea newcomer Waldorf snaps up Endeavour Energy


Q) How many horses do you have?
Q) Do your horses always stay in this paddock?
Q) How many rides do the horses do a day?
A) We limit the horses to do max 2 hours of work a day, however week days are quiet so its really only weekend they get used the most.
Q) Do the horses get a day off?
A) Yes the horses have every monday off. Plus we have lots of horses as we only let our horses work for 2 hours a day and most only work 3 days a week.
Q) Do the horses wear shoes?
Q) Do your horses just get fed hay?
Q) How old is your oldest horse?


Chicco Pocket Lunch High Chair is a lightweight, compact, intuitive and it folds down very small in a simple but safe way. There is an integrated fully adjustable five point harness with two height settings. The large three position tray can be easily removed and has an integral cup holder, and crotch post to stop baby from sliding down. It also features a large and handy storage basket under chair, and a sturdy frame which has a wide footprint for stability.


text:
The (9). The holding of the hand implies
Mar 22, 2019 adminDance
The bond between a father and child is predominantly unbreakable.
Only absolute chaos could ever come close to breaking such a relationship that's extensively filled with love and loyalty. With all that passion there comes a great sense of responsibility. Furthermore, not everyone is suited to father a child. One drunken mistake can lead to a lifetime of tormenting memory. The poem "My Papa's Waltz" written by Theodore Roethke, illustrations the mixed emotions of a young boy towards his intoxicated father.
Roethke employs imagery, diction, and symbolism to reminisce about his unconditional love towards his father despite the imperfection.Roethke's choice of diction highlights the interwoven emotion of love the little boy harbors for his drunken father. The poet utilizes specific language to convey an ecstatic "waltzing" (4) between the father and young boy, even in an intoxicated situation. The dance of waltz requires two individual to perform together in harmony.
The waltzing also depicts the depth intimacy between the father and son. The title of the poem also emphasizes a child's joyous and lighthearted dance with his father. The term "Papa" can be interpreted as an affectionate word for father, and "Waltz" symbolizes their relationship. Words like "romped" (5) and "waltzed" (15) demonstrates a playful and carefree atmosphere.
The son is simply relishing time with his father before bedtime.The poet utilizes imagery to illuminate the intimate moments between the son and his father. The poet portrays the caring nature of the father toward his son by stating, "The hand that held my wrist" (9). The holding of the hand implies the loving bond between a son and his father. In the stanza, the narrator is noticing the small details like the "battered knuckle" (10) of his father. The speaker also mentions "With a plan caked hard by dirt" (14), in the fourth stanza. Those images imply a hard-working father who probably just come from work and spends some quality time with his son before putting him off to bed. This is a definite bonding experience between a father and a son.
The speaker enlightens that even though "Such waltzing was not easy" (4) he still "hung on like death" (3). This portrays that the speaker is still clinging on to his father's memories. This also shows his dependency on his father and his need for affection from him. This also proves the little boy admires his father even though it was challenging to waltz with him.
In the final stanza, the speaker is " Still clinging to his father's shirt"(16) again emphasizing their imperfect relationship. The speaker expresses his love for his father through vivid imagery associated with clinging to his shirt. Since this was the last dance before bed, the son did not want their night to end. This express how much the boys adores spending time with his father. The poem employs an ABAB rhyme scheme. The constant rhythm throughout the poem endows it with a light beat like the waltz; the reader feels as if she is dancing alongside the pair. The rhythm also displays the verse a with light and joyous tone.
Although the poem starts with a serious beat, it progresses into a playful one which reinforces the caring regard of the son to his father. The rhythm of the poem is iambic trimeter, which makes the poem short and sweet. The rhythm of the poem also adds to the details of waltzing. Waltzing symbolizes the relationship between a son and his father. It entirely reflects the emotions the speaker feels toward his father. The dance involves moving across the floor which also symbolizes the growth from youth to maturity.
Even as a grown man, the speaker will always carry those precious memories of his father. In conclusion, reader's personal life may interrupt with the interpretation of the poem. Some might view as a merry dance between father and son, and others can confirm it as child abuse. The poem reveals the speaker's ambivalent emotions toward his father in an intimate tone. The poem does not state that the son is being abused instead it is just light-hearted dance form of dance between a son and his father.
Even though the father is intoxicated, the son displays his unconditional love for his father.
Short Summaries of the Books
History time when reactions against the traditional ballet
Nissim Ezikiel
Annabel Lee.


text:
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Growing National Trusts in the Middle East
AnnouncementsINTO Projects• November 25, 2020
INTO provides training on the National Trust model
INTO is partnering with our member Petra National Trust and Carey Tourism for a project that will promote the use of the National Trust model in the Middle East North Africa (MENA) region.
Petra National Trust is Jordan's national institution for the protection and preservation of national cultural heritage. With a focus on the World Heritage Site of Petra, the trust aims to foster a meaningful sense of cultural identity and pride in the rich heritage of Jordan.
The project is funded by a grant from the Cultural Protection Fund, a partnership between the British Council and UK Department for Digital, Culture, Media & Sport.
INTO Deputy Secretary-General Alexander Lamont Bishop will facilitate a week's training on community engagement delivered by INTO members. This programme will draw on examples from around the world, based on a series of interviews with INTO members that have been captioned in Arabic.
Expertise from around the world
The training programme focuses on case studies in four areas:
Sustainable commercial operations
INTO has been fortunate to benefit from the expertise of the National Trust of Trinidad and Tobago and Cross-Cultural Foundation of Uganda in relation to their education programmes. The Mehrangarh Museum Trust provided invaluable insight into setting up and running a heritage shop in a way that gives back to the local community, while Rempart discussed their long experience with volunteering and skills development, two areas that can often come hand in hand.
Learn about our members
Cross-Cultural Foundation of Uganda
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text:
La Relatoría Especial sobre Derechos Económicos, Sociales, Culturales y Ambientales (REDESCA) es una Relatoría Especial de la Comisión Interamericana de Derechos Humanos creada para fortalecer y profundizar su trabajo de defensa y protección de los derechos económicos, sociales, culturales y ambientales en las Américas. Tiene como objetivos colaborar con los Estados americanos en la elaboración e implementación de políticas públicas con enfoque en derechos humanos para garantizar una vida digna a las personas que viven en la pobreza y Comenzó su trabajo a finales de agosto de 2017.

La primera persona en ocupar la titularidad fue Soledad García Muñoz en 2017 que se mantiene en el cargo.

Temas de trabajo
Entre los principales temas de trabajo está la situación de pobreza en la región, así como en relación con todos los DESCA desde una perspectiva holística con enfoques de: indivisibilidad, progresividad, género, diversidad e interseccionalidad, desarrollo y derechos humanos, interdisciplinariedad, educación en derechos humanos y anticorrupción.

A partir del enfoque de interseccionalidad, se plantea especial atención a las poblaciones en situación de vulnerabilidad o discriminación histórica, como mujeres, pueblos indígenas, afrodescendientes, personas LGTBI, migrantes, niñez, adolescencia, personas adultas mayores, personas con discapacidad o defensores y defensoras de los derechos sociales y ambientales, entre otros, en relación con las afectaciones en el goce de los DESCA.

Titulares de la Relatoría Especial

 Soledad García Muñoz (2017 - actual)

Véase también

 Relatoría Especial para la Libertad de Expresión de la CIDH
 Relatoría sobre los Derechos de las Mujeres de la CIDH

Referencias

Enlaces externos

 Pobreza y Derechos Humanos Informe 2018
 Facebook de la REDESCA
 Linkedin de la REDESCA
 Twitter de la REDESCA
 Instagram de la REDESCA

Relatorías de la Comisión Interamericana de Derechos Humanos
Publicaciones e informes
Estudios

redpajama_set_name: RedPajamaWikipedia


When busting the myth behind unlimited web hosting, it's important to be sure about what we are discussing and what type of web hosting is involved. It's also important to get the definitions right! Unless we are all on the same page regarding the meaning of the words we are using, then there is likely to be a great deal of confusion – although we have that already!
Unlimited web hosting? You read about it on just about every web hosting site: 'unlimited storage', 'unlimited bandwidth', 'unlimited domains' and so on. Are these things really unlimited, and does it depend on the hosting service you choose? Do they become 'more unlimited' the more you pay? Does the real meaning of the term vary according to the hosting company using it?
What we shall be doing here is to compare what is genuinely being offered by web hosting firms on their web pages and what words such as 'unlimited' actually mean. Ask 100 people what unlimited bandwidth means and you will be lucky if 5 can tell you. What's bandwidth for a start!
"What is bandwidth?" It is unbelievable (or perhaps not) how often that question is asked, and it's not surprising since it seems to be used indiscriminately for different things. In short, the meaning of bandwidth depends what you are referring to. It's important to get this right here, because when you are offered 'unlimited' bandwidth by your web hosting service, it means a completely different thing to the bandwidth of your internet connection.
Your internet bandwidth relates to the speed of data transfer. You can relate it to a pipe: the greater the width of a pipe, the more water it can transfer in a given time. The greater your bandwidth, the more data can be passed in a given time (though the cable need not be bigger). A fiber optic cable is significantly faster than a standard telephone DSL (or ADSL) cable, so it is allocated a greater bandwidth – it can pass signal packets faster.
It makes sense in a way when you relate this to the term 'bandwidth'. However, why all the complexity? Why just not refer to 'internet speed' or to connection speed? Why bandwidth? We know about a 'broadband' connection, so what's the alternative? 'Narrowband'?
Come to the subject of web hosting and you find a totally different definition of the word. They incorrectly use the term to mean the amount of data transferred within a set period of time. Nothing to do with speed! That period could one month, for example. You can have high bandwidth (can upload lots of files) at a very slow speed. So the two usages of the word are completely unrelated. You can theoretically use up your monthly bandwidth allocation in a day or a month.
Unlimited Bandwidth: Unlimited web hosting can offer 'unlimited bandwidth' – as explained above, not meaning unlimited data transfer speed (which would be ridiculous since it's limited to the speed of light), but meaning that there is no monthly limit to the amount of data you can upload or download to and from your hosting account.
Unlimited Data Storage: Unlimited web hosting also offers unlimited hard disk storage. You would read that to mean that there is no limit to amount of storage space you are permitted. You can store as much data and as many applications as you wish on the (unlimited) hard disk space allocated to you. Think about that for a moment.
Unlimited Databases: It may also offer unlimited SQL databases, which appears to mean that there is no limit to the number of databases you can store on your account irrespective of their size. If you know databases then you will know than some can be huge, with gigabytes of data and millions of individual entries.
Unlimited Subdomains/Domains: These refer to subdomains on your site, which are basically mini-sites stored in a separate directory on your domain, or new domains – operating different websites with their own domain name from your account. Where offered, you would be unlikely to create so many websites you would break any rules.
The upshot is that these guys must have unlimited server space! It must be huge to enable every client to store as many databases, content files and images as they want, and to offer the transfer capacity to allow all customers to transfer as much data between the server and their computer as they want, no matter the demand placed on that server by everybody else!
Unlimited = With no limit, or unrestricted. In other words, there is no restriction, which is how most people would interpret the word. This is just as we have described it above, requiring an amazingly large and limitless server system offering no limit to the file storage space or volume of data transfer at any one time.
Unlimited = Without a specified limit, but we will tell you when you have broken our rules! So strictly, there is no stated limit to bandwidth or storage space, so it is semantically 'limitless'. It's also a cop-out! However, it's a form of words used by all web hosting services. That's why this is not a criticism of any specific web host, but a warning to our readers who are seeking a new web hosting service.
Whether this is your first web host, or if you have not yet fallen foul of the Terms of Service or the Acceptable Use Policy of your current host, keep this in mind: there is no such thing as 'unlimited' in web hosting!
Obviously, no web host can offer truly unlimited storage or data transfer speeds. Even unlimited data transfer uptime cannot be guaranteed. For that reason, you will find some qualifying statement on the web host's website. It may not be easy to find, because it is 'small print' after all, but it should be there.
Unless they refused to believe the unlimited statements as they were likely intended to be believed, most people will not have hunted these explanations down. Nevertheless, a large minority has, and people are getting wiser about the way vendors market their products.
It is important for you to understand that he time might come when your online business has grown so much that your 'unlimited' shared hosting service cannot handle it. VPS or dedicated web hosting may then be your better option. When your traffic, domain size and/or your level of downloading and uploading files approaches a critical level, you will likely receive a statement from your web hosting service pointing this out.
There is no 'unlimited' web hosting. There is web hosting where no limits have been set on your monthly data transfer volume or on the amount of server disk space you use to store your files. However, should such use of resources exceed that which your web host deems reasonable for your level of hosting service, then it will inform you or even cancel your account.
Make sure that you keep in contact with your web host if you believe that you might possible breach its Acceptable Use Policy. If you your site is heavily involved in movie, music and other media file transfer and storage then this might apply to you. Keep in touch with them – it's better to be safe and have to enhance your so-called unlimited web hosting service than to have it cancelled without warning!


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Q: Data removed from SQL but still visible in UI I am creating a web page to show a table from SQL. I've added commands in js so the user can add, edit or update data in the UI. However, when I delete a datapoint through UI, only the data in SQL is deleted but it's still visible in the UI. Can someone help?

A: The effects of database operations don't percolate to the frontend automatically without refreshing the page. You need to implement logic to do this.
For example, a websocket that connects your frontend to your backend and listens to changes, which the backend sends to the frontend whenever the db changes. Then the frontend can make the corresponding changes in the UI.
Or, in this particular case, since you know the user action is going to result in a deletion of data, you may not even need a socket. Just wait for the async HTTP request to complete successfully and then change the UI accordingly. It does mean, however, that anyone else looking at the same page won't see the data disappear unless they refresh the page, which is why the socket approach may be better depending on your needs.
UI frameworks typically achieve data addition/changes/removals through two-way data binding, but you could also manually delete DOM nodes that hold the deleted data.

redpajama_set_name: RedPajamaStackExchange


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