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11 Best Cybersecurity Certifications in 2023
This is a list of the best cybersecurity certifications that can boost your career in the cybersecurity field.
Cybersecurity is the practice of protecting networks, computers, programs, and data from unauthorized access. This includes both cyber attacks and physical attacks.
Cybersecurity professionals work to prevent these attacks by identifying, analyzing, and responding to security threats.
If you are looking for a cybersecurity certification to take, now is the time.
Research from (ISC)^2 shows a global shortage of 4.07 million cybersecurity professionals.
Cybersecurity certification can help you learn and validate your skills in the cybersecurity field. Studies show that certified professionals are more likely to be employed and earn 10 to 20 percent higher salaries than those without certification.
For this list, I considered the following criteria:
Development Standards - Developed based on a set process that is regulated by a standard organization.
Availability of training materials Many training materials to help you prepare for the certification.
Reputation - Held in high regard by those in the cybersecurity community.
Applicability - The certification applies to a wide range of IT industries.
Employer recognition: The certification is mentioned in many job postings
According to the above criteria, the best cyber security certifications are:
1. Certified Information Systems Security Professional (CISSP)
Best cybersecurity certificate
The CISSP credential is the most respected certification in cybersecurity. Earning this certification shows your knowledge and skill in the field, which can help you advance your career and become part of a community of leaders in cybersecurity.
CISSP is a very difficult certification to get. The reported passing rate is between 50 to 70%. But, it is worth the effort because CISSP holders earn an average salary of $138,647.
CISSP features
Exam duration 6 hours
Number of questions 250
Passing grade 700/1000
Valid for 3 years
Requirements 5 years of experience
Standard ISO/IEC Standard 17024
CISSP Domains
CISSP covers 8 domains:
Security and Risk Management
Asset Security
Security Architecture and Engineering
Communication and Network Security
Security Assessment and Testing
Software Development Security
CISSP roadmap
To become a Certified Information Systems Security Professional (CISSP), you must have at least five years of experience working in information security positions. But don't worry if you don't have five years of experience. You can become an Associate of (ISC)² by passing the CISSP examination.
2. Offensive Security Certified Professional (OSCP)
Best penetration testing cybersecurity certificate
Offensive Security Certified Professional (OSCP) is a hands-on, practical certification that tests your ability to conduct a professional penetration test.
The OSCP is advanced cybersecurity certification for security professionals who have a strong technical and ethical hacking background, and know a lot about TCP/IP networks.
Being an offensive security professional is one of the hardest jobs in cybersecurity. In Professional Red Teaming, cybersecurity expert Dr. Jacob Oakley explains the role of an offensive security professional:
As offensive security professionals, we conduct our business by having to outsmart, fool, or otherwise identify shortcomings of our customers' organizations, and hope they are still willing to bring us back after being embarrassed.
OSCP features
Cost $1140
Exam duration 24 hours
Number of questions 5 machines
Passing grade 70/100
Valid for No expiration
Requirements None
OSCP roadmap
To earn the OSCP certification, you first need to complete a training course called "Offensive Security Certified Expert (OSCE)". This course will teach you the skills you need to pass the OSCP exam.
The OSCP exam is notoriously difficult. Candidates must pass a 24-hour exam where they are required to attack and penetrate live machines in a safe lab environment. After that, they must also submit a comprehensive penetration test report.
Image based on
A Study of Cybersecurity Experts and Their Mental Models
OSCP domain
OSCP doesn't have specific domains, but the practical skills include:
Linux and Windows Environment
Basic Programming Skills
Web application attacks
Metasploit Framework
Netcat and Ncat
Wireshark and tcpdump
Windows and Linux Privilege Escalation
If you want to learn more about ethical hacking, check out my review of best ethical hacking books to help you get started.
3. Certified Information Security Manager (CISM)
Best cybersecurity certification for managers
Certified Information Security Manager (CISM) is a management-focused certification that shows your ability to manage and oversee an information security program.
The CISM credential is for leaders of Cyber Security teams, or IT professionals, responsible for developing best organizational security practices. For example, it covers information security program development and management, which are vital for an organization's success, as mentioned in Roadmap to information security.
CISM is worth your time and effort because CISM holders earn an average salary of $118,000.
To qualify for the CISM credential, you must pass a written exam, have at least 5 years of security experience, and submit a written application.
CISM features
Cost $575 member/ $760 non-member
Passing grade 450/800
CISM Domains
Information Risk Management and Compliance
Information Security Program Development and Management
Information Security Incident Management
4. GIAC Information Security Fundamentals (GISF)
Best cybersecurity certification for beginners
GISF is an introductory-level certification that is a good starting point for those new to the cybersecurity field.
GISF tests how well you know the basics of security, computer functions and networking, and cryptography.
Global Information Assurance Certification (GIAC) is worth your time if you are a beginner in the cyber security world, a manager, or an auditor. The certification shows that you have the basic knowledge needed to work in the field.
GISF features
Number of questions 75
Passing grade 72%
GISF Domain
GISF cybersecurity certificate covers:
Cyber security terminology
The basics of computer network
Introduction to cryptographic principles
5. Certified Information Systems Auditor (CISA)
Best certificate for IT auditors
The CISA certification validates that a candidate has the experience, skills, and knowledge to assess vulnerabilities and compliance within an enterprise.
Being a successful IT auditor takes a lot of credibility and trust. The CISA certification is valuable because it helps you build both. The CISA certification is one of the most popular and respected certifications in the industry.
Compared to the other certifications on this list, the CISA is less technical and more focused on business processes.
To earn the CISA credential, you must pass a written exam and have at least 5 years of experience in information security or auditing.
CISA features
Cost $575 members / $760 non-members
CISA domain
CISA certification covers the following topics:
Auditing Information Systems
Governance And Management Of IT
Information Systems Acquisition, Development, and Implementation
Information Systems Operations, Maintenance, and Service Management
Protection Of Information Assets
6. CompTIA Security+
CompTIA Security+ is an entry-level cybersecurity certification.
The CompTIA Security+ exam will certify that the successful candidate knows how to install and configure systems to secure applications, networks, and devices. They will also be able to perform threat analysis and respond with mitigation techniques.
CompTIA Security+ audience
The CompTIA Security+ certification is designed for people who work in IT and have at least two years of experience in this field. They should also have a good understanding of different security concerns, as well as how to implement security measures.
The certification domain covers:
Threats, Attacks and Vulnerabilities 21%
Technologies and Tools 22%
Architecture and Design15%
Identity and Access Management 16%
Risk Management 14%
Cryptography and PKI 12%
CompTIA Security+ features
Exam duration 90 minutes
7. Certified Ethical Hacker (CEH)
Best cybersecurity certification for ethical hackers
The Certified Ethical Hacker (CEH) is an intermediate, vendor-neutral certification. CEH's mission statement is to help people protect their information by thinking like hackers.
This certification is a good way to learn about ethical hacking, including how to find vulnerabilities, how to penetrate systems, and more.
CEH features
Passing grade 60-80%
Who is CEH for?
CEH is for security practitioners with hands-on experience. This certification is for people who want to be security officers, IT auditors, or site administrators. If you want to move into a management role, or if you're already in management, this certification is not for you.
CEH domains
Certified Ethical Hacker certificate is worth it if you are looking for a vendor-neutral certification that covers a wide range of topics, such as:
Reconnaissance Techniques
System Hacking Phases and Attack Techniques
Network and Perimeter Hacking
Web Application Hacking
Wireless Network Hacking
Mobile Platform, IoT, and OT Hacking
8. GIAC Security Essentials Certification (GSEC)
The GIAC Security Essentials (GSEC) is an entry-level certification that validates knowledge of information security concepts and terminology.
GSEC features
Who is GSEC for?
GSEC is for a wide range of security professionals, including system administrators, network administrators, and security officers. It can be too technical for managers, but it is worth considering if you want to get more technical experience.
GSEC domain
The GSEC certification covers the following topics:
Active defense, defense in depth, access control & password management
Defensible network architecture
Incident handling & response
Linux and Windows security
Web communication security
9. Certificate of Cloud Security Knowledge (CCSK)
Best certification for cloud security
The Certificate of Cloud Security Knowledge (CCSK) is a certificate that proves skills in securing cloud services. The CCSK is a broad overview of cloud security and will help you understand things like data security, key management, and identity and access management.
Unlike other cybersecurity tests, CCSK is open book. However, don't underestimate how hard the exam is. Only 62% of people pass.
CCSK features
Who is CCSK for?
The CCSK is a certification for IT professionals who work with cloud computing. It's a good idea to get this certification if you're a security professional, because you will learn a lot about cloud security. But other IT professionals can benefit from it too, like developers, IT ops, and audit/compliance staff.
CCSK domain
CCSK covers the following topics:
Cloud Computing Fundamentals
Data Security for Cloud Computing
Infrastructure Security for Cloud Computing
Application Security and Identity Management for Cloud Computing
Managing Cloud Security and Risk
Cloud Security Operations
10. Systems Security Certified Practitioner (SSCP)
The SSCP certification is a globally recognized IT security certification that proves the holder has the technical skills and knowledge to secure an IT infrastructure.
The SSCP's focus is on the technical aspects of information security.
SSCP Features
Standard ANSI/ISO/IEC Standard 17024
Who is SSCP for?
The SSCP is a for hands-on practitioners who monitor information systems to protect against security threats. It also tests the skill to use security tools and procedures to react to security incidents. The hands-on focus of this certification makes it ideal for system administrators, programmers, DBAs, and systems analysts.
SSCP Domains
SSCP covers the following seven domains:
Security Operations and Administration
Risk Identification, Monitoring and Analysis
Incident Response and Recovery
Network and Communications Security
Systems and Application Security
11. Certified Cloud Security Professional (CCSP)
Best advanced cloud security certification
The CCSP credential certifies that you have the knowledge and skills necessary to keep data safe in the cloud. The credential covers design, implementation, architecture, operations, controls, and compliance with regulatory frameworks.
CCSP features
Who is CCSP for?
CCSP is for experienced professionals who work in cloud security. The certification is for enterprise architects, systems engineers, systems architects, security administrators, and IT and information security leaders.
CCSP domains
CCSP covers the following six domains:
Cloud Concepts, Architecture and Design
Cloud Platform & Infrastructure Security
Legal, Risk and Compliance
FAQ on Cybersecurity Certifications
Who is an ethical hacker?
A certified ethical hacker is a professional who specializes in attacking computer systems and networks. They understand how to find and exploit vulnerabilities in toin access to critical data. Certified ethical hackers have permission from system owners to hack into systems. They take precautions to ensure the outcomes remain confidential.
The difference between ethical and unauthorized hacking is that ethical hackers are allowed to hack, while unauthorized hackers often break the law.
Vendor-neutral vs. Vendor-specific
There are two types of cybersecurity certifications:
Vendor-neutral certifications are not tied to any specific company or product, while
vendor-specific certifications are tied to a particular company or product.
Many people prefer vendor-neutral certifications because they provide broader knowledge and skills that can be applied to multiple companies and products. Vendor-specific certifications, on the other hand, provide in-depth knowledge of a particular company or product.
Furnell, Steven. "The cybersecurity workforce and skills." Computers & Security 100 (2021): 102080.
(ISC)2 2019 (ISC)2. Strategies for Building and Growing Strong Cybersecurity Teams: (ISC)2 Cybersecurity Workforce Study, 2019, https://www.isc2.org/-/media/ISC2/Research/2019-Cybersecurity-Workforce-Study/ISC2-Cybersecurity-Workforce-Study-2019.ashx
James, Jason E., and Jennifer Callen. "CYBERSECURITY CERTIFICATIONS MATTER." Issues in Information Systems 19.3 (2018).
Marquardson, Jim, and Ahmed Elnoshokaty. "Skills, Certifications, or Degrees: What Companies Demand for Entry-Level Cybersecurity Jobs." Information Systems Education Journal 18.1 (2020): 22-28.
Summers, Timothy and Lyytinen, Kalle J. and Lingham, Tony and Pierce, Eugene A., How Hackers Think: A Study of Cybersecurity Experts and Their Mental Models (September 20, 2013). Third Annual International Conference on Engaged Management Scholarship, Atlanta, Georgia. September 19-22, 2013. Paper 3.3
Whitman, Michael E., and Herbert J. Mattord. Roadmap to information security: For IT and infosec managers. Cengage Learning, 2012.
Oakley, Jacob G. "The state of modern offensive security." Professional Red Teaming. Apress, Berkeley, CA, 2019. 29-41.
Last modified on: Jan 7, 2023
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Posted on 23/11/2012 23/11/2012 by Geert van Calster
Subrogation of Choice of court clauses: Opinion AG in Refcomp to intensify debate on harmonisation of European contract law
There are one or two issues in the application of the jurisdiction Regulation where ECJ intervention is eagerly awaited. One of those is the subrogation of choice of court clauses in contracts. Is the party subrogated into the contractual rights and obligations of another, bound by the choice of court clause in the original contract?
The answer to this question so far depends largely on national law. In the absence of common European contract law, there is no general rule.
Relevant facts. In the case at issue, SNC Doumer ('Doumer') had renovation work carried out on a building complex located in Courbevoie (France), and had taken out insurance with Axa Corporate Solutions Assurance SA ('Axa Corporate'), whose registered office is at Paris, France. As part of that work, air-conditioning units each equipped with a number of compressors were installed, which had been:
– manufactured by Refcomp SpA ('Refcomp'), whose registered office is in Italy,
– purchased from that company and assembled by Climaveneta SpA ('Climaveneta'), whose registered office is also located in Italy,
– supplied to Doumer by Liebert, to whose rights Emerson Network Power ('Emerson'), itself insured with Axa France IARD ('Axa France'), is subrogated, the respective registered offices of which are located in France.
Irregularities occurred in the air-conditioning system following installation. An expert's report ordered by a court revealed that those failures were caused by a defect in the manufacturing of the compressors. Subrogated to the rights of Doumer, to which it paid compensation as its insured, Axa Corporate summoned the manufacturer Refcomp, the assembler Climaveneta and the supplier Emerson to appear before the Tribunal de grande instance de Paris (Regional Court, Paris), for the purposes of claiming from them in solidum compensation in respect of that defect.
The two Italian defendant companies contested the jurisdiction of the Tribunal de grande instance de Paris, relying, in respect of Climaveneta, on an arbitration clause which appears in the distribution contract between it and Emerson, and, in respect of Refcomp, on a clause conferring jurisdiction on an Italian court which was included in the general terms of the sales contract concluded between itself and Climaveneta.
National court's decision. The Court of appeal, Paris held that the objection raised by Climaveneta had to be upheld: it argued it did not have jurisdiction to hear and determine the claim brought against that company on the ground that under French law, in a chain of contracts transferring ownership, an arbitration clause was automatically transferred as an appurtenance to the right of action which is itself an appurtenance to the substantive rights transferred, the homogeneous or heterogeneous nature of the chain being of little importance.
By contrast, the Cour d'appel de Paris upheld the lower court's rejection of the objection of lack of jurisdiction raised by Refcomp. It justified its decision stating that the rules governing special jurisdiction in matters relating to a contract laid down in Article 5(1) of Regulation No 44/2001 did not apply to a dispute between the sub‑buyer of goods and the manufacturer who was not the seller, since such a dispute concerns matters relating to tort or delict, which are governed by the provisions of Article 5(3) of that Regulation, and stated that Article 23 thereof was no longer applicable since the action had no contractual basis.
The case went to the Cour de Cassation which in turn referred to the ECJ. Jaaskinen AG opined on 18 October. Precedent at the ECJ includes Handte, however only in minor aspect. The AG first of all referred to the fact that the Court of appeal's findings are a result of French law on contracts:
'the legal theory according to which, although the principle of privity of contract ordinarily applies, in that contracts are binding only on the parties who have signed them, an exception is nevertheless made to that principle where there is a transfer of ownership, ownership being transferred to all the subsequent purchasers of the goods concerned together with all elements appurtenant to it. It follows that, in French law, the sub-buyer of goods may bring an action for damages against the seller, or against any of the intermediaries who sold the goods or even directly against the manufacturer of those goods' (at 22).
He then proactively distinguishes his Opinion (at 26-28), in particular that the case at issue only concerns situations where the clause is enforced against the subrogated party, not by it. He would also seem to suggest that his Opinion may only hold where the chain is entirely 'Union' based: i.e. not where there is a contractual element with parties outside of the EU (however that might just be me reading too much into the 'Community chain' reference).
Generally, however, the AG firmly pulls the harmonisation card: choice of court agreements are exempt from the Rome I Regulation; there is therefore no harmonised conflicts rule [see here for the proposals in the current review of the Regulation]; leaving it up to national conflict rules creates uncertainty and, as a method, has been abandoned by Regulation 44/2001 (under the old rules on special jurisdiction for contracts, the Court had to find in Tessili that it could not force a European approach to characteristic performance; this has now changed for a number of usual suspects among contract categories).
The issue therefore needs to be given a European interpretation which, the AG suggests on the basis of the exceptional character of Article 23 and the protection of unsuspecting third parties, needs to be that
'a clause conferring jurisdiction agreed between the manufacturer of goods and one of the purchasers of those goods which falls within the scope of the provisions of that article does not produce binding effects against the sub-buyer of those goods who is not party to the contract containing that clause, or against the insurer who is subrogated to the rights of the sub-buyer, unless it is established that that sub-buyer agreed to the clause in accordance with the detailed rules laid down in that article.'
While the AG suggests that this is a solution along the lines of the current review of the Regulation, I disagree: that review will lead to a harmonised approach to which conflict of laws rules decide the issue, but not whether privity of contract extends to choice of court agreements. Neither and incidentally, as far as I am aware, does the European Commission proposal for a Common European Sales Law, address the issue of subrogation.
One or two things for the ECJ to ponder.
CategoriesConflict of Laws /Private international law TagsArticle 23, Brussels I Regulation, Case C-543/10, Choice of court, CJEU, ECJ, Jurisdiction, Jurisdiction Regulation, Refcomp, Regulation 44/2001, Subrugation
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Q: REST architectural style concepts I'm new to the concept of REST. And so far I've used a REST client (Advanced REST client) to make all the requests. But I don't understand the point of it all if I have to use a REST client to access the web service. I mean how then is a layman supposed to access a web service in his browser? And can browsers at all access access web services? If yes then why do  I need a REST client?

A: The layman access a REST service all the time, when they access a web site (though many web sites violate REST principles to varying degrees). The REST architectural style was arrived at by examining why HTTP worked well, and was then used the conclusions to influence how HTTP 1.1 improved on 1.0.
They aren't expected to access a REST web-service, because a web-service is a service which uses the properties used by websites to provide machine-readable rather than human-readable data. A RESTful web-service tries to do this by taking advantages of how HTTP works and working with that. (The earliest "web services" seemingly started with the assumption that the web was a failure and needed to be coerced into working with the sort of RPC model that had been used previously, despite the fact that if this was true there'd be no advantage in using the web rather than the existing RPC protocols).
The layman therefore would more likely use an application that in turn used web services (whether that application was a web application, desktop, mobile, or whatever). The layman uses them the same way that they use any programming techniques; they use something devs built using them.

And can browsers at all access access web services?

Often they can get at least read-only access and sometimes a bit more. When this is the case it can be extremely useful for debugging.

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Less a vision, more a nightmare
by Antony Lerman
I recently reviewed Rabbi Sir Joathan Sacks's new book, Future Tense: A Vision for Jews and Judaism in the Global Culture, for the Guardian Saturday 'Review' section (here). If this is the best we can expect from our religious thinkers, start worrying. There's something about his style which reminds me of the 'Great Communicator' – no, not Him, Ronald Reagan – but Sacks's soundbites rapidly crumble to dust. Reagan's little homilies at least convinced a hell of a lot of people for a hell of a lot of the time.
Any writer who tells me that Natan Sharansky 'is a living symbol of the Jewish people through time' has a problem. This is the former Soviet 'prisoner of conscience' and 'prisoner of Zion', human rights icon and great chess player, who seems to think human rights are really only for Jews, that Bush was a teddy-bear and that extreme nationalism, Serbian-style, mixed with democracy, looks like apple-pie.
Sacks likes to give the impression that he's in touch with everything modern in the world, every new idea, every new technological and medical development, but at the same time appears incredibly remote from it all. Working it all into a book addressed to a wider public looks like a good move. But as a self-confessed fundamentalist, for him it's all a means to an end that is deeply opposed to anything modern.
He's in thrall to fashionable ideas and received wisdoms, subjecting them to little or no critical scrutiny. 'The nation state hardly exists' – so pre-financial meltdown. The failure of all non-Orthodox forms of Jewish identification has led to 'the tortured psychology known as Jewish self-hatred' – no, it's just a tortured political insult. 'Multiculturalism . . . argues that nothing transcends our particularity' – try finding that in any textbook.
There's a terrible contradiction at the heart of this book: a boastfulness about Judaism, about the uniqueness of the Jewish other, and what the Jewish 'other' gave and can give to the world; and yet denial of the narrative of the Palestinian 'other'. The propagandistic telling of the Zionist story is shameful, as if Sacks contracted the writing of it out to the Israel embassy.
Sacks praises the prophets. Like all great strikers – Jimmy Greaves, Alan Shearer – they led from the front. When did Sacks do that? When was the last time he spoke truth to power?
At the Board of Deputies' pro-war rally in Trafalgar Square during the Gaza war, Sacks gave a speech full of the kind of platitudes liberally scattered throughout Future Tense, again sounding like an Israeli Foreign Ministry press release. When I took a look at it on his website, I had to rapidly reach for the retching bucket: it's set out in the form of a poem . . .
2 thoughts on "Less a vision, more a nightmare"
hearthetruth 11/08/2009 at 12:23 pm
As nice JS is .. isn't it time we had a new chief rabbi. I mean who else is prime minister for 10 years or more ..
bubby 11/08/2009 at 1:47 pm
But isn't it anyway strange to have a chief rabbi in the first place? In the States they don't have such a person. How can anyone claim to represent all Jewish denominations? Where did the idea of having a Chief Rabbi emerge from anyway?
Even if 'we' did get a new CR, who would decide on who he would be? The same people who choose the BOD? Please…


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Jasmine Thompson - Loyal
Newcomer Jasmine Thompson sure knows a thing or two about creating intelligent, super indulgent, pop music. Her latest single Loyal ticks all the boxes with its deeply personal lyrics and heartfelt sentiment. In her latest single she sings of a relationship breakdown where no matter how hard you fight the feelings, you don't forget who they were as a person at the start. "We didn't trust each other," Jasmine explains, "and as it turned out, we both had good reason. Also, he owes me £600." Loyal, in the end, became something rather pensive: "I'm still loyal to the person I met at the beginning, who made me really excited and gave me butterflies". Take a listen for yourselves below. Jasmine's EP 'Colours' will be out 29th March.
f: www.facebook.com/TantrumJas
Genre Alternative, pop


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NYU Rudin Center Director Mitchell Moss appeared on NY 1 News to discuss the MTA's capital plan. "Nothing is more important in Albany than making sure the MTA maintains its terrific condition as the basic engine that drives the economy," he said. Watch the video on NY1's site.


Mr Beazley was born in Perth, Western Australia. He completed a Bachelor of Arts and Master of Arts at the University of Western Australia. In 1973, he was awarded the Rhodes Scholarship for Western Australia and completed a Masters of Philosophy at Oxford University. He has honorary doctorates from the University of Notre Dame (Western Australia) and Murdoch University. Mr Beazley is married to Ms Susie Annus and has three daughters, Jessica, Hannah and Rachel.
Mr Beazley was elected to the Federal Parliament in 1980 and represented the electorates of Swan (1980-96) and Brand (1996-2007).
Mr Beazley was a Minister in the Hawke and Keating Labor Governments (1983-1996) holding, at various times, the portfolios of Defence, Finance, Transport and Communications, Employment Education and Training, Aviation, and Special Minister of State.
From 1995 to 1996, Mr Beazley was Deputy Prime Minister and Leader of the Australian Labor Party and Leader of the Opposition from 1996 to 2001, and 2005 to 2006. Mr Beazley served on parliamentary committees, including the Joint Intelligence Committee and the Joint Foreign Affairs, Defence and Trade Committee.
After his retirement from politics in 2007, Mr Beazley was appointed Winthrop Professor in the Department of Politics and International Relations at The University of Western Australia. In July 2008 he was appointed Chancellor of the Australian National University, a position he held until December 2009.
Mr Beazley took up an appointment as Ambassador to the United States of America in February 2010. He served as Ambassador until January 2016.
Upon returning to Australia from Washington in 2016, Mr Beazley was appointed as President of the Australian Institute for International Affairs (2016-17), Co-Chairman of the Australian American Leadership Dialogue (2016-18), Distinguished Fellow at the Australian Strategic Policy Institute, and a Director and Distinguished Fellow at the Perth USAsia Centre.


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Alien civilizations may be trying to contact us
Some scientists are reporting "fast radio bursts" that might be alien civilizations trying to communicate.
James Smith | Oct 30, 2019
"Fast radio bursts" are brief and intense pulses of radio waves that are picked up from outer space. Experts are almost certain that there is no way that these radio waves could have originated from Earth but are completely uncertain of what their cause is. A renaissance in radio astronomy has occurred since the discovery of the fast radio burst phenomenon. Some of the bursts have certain scientists speculating that the FRB'sare signals being transmitted by distant alien civilizations.
An international team of astronomers recently uncovered the brightest fast radio burst to date. Their detection was named FRB 150807 because of its discovery date. It was a radio wave that lasted less than half a millisecond, which is .1 percent of the amount of time it takes a human being to blink its eyes.
Their findings were published in a study in Science called"The magnetic field and turbulence of the cosmic web measured using a brilliant fast radio burst" and involved over a dozen scientists. The astronomersreported in the study that they had pinpointed the origin of the FRB to an area smaller than any other study before it. Their study was published only days after another study, "Discovery of a transient gamma ray counterpart to FRB 131104", reported having seen gamma rays, or highly energetic electromagnetic radiation, closely associatedwith their fast radio burst.
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How to Get a Copy of the Magazine
Well, we're not CU Nooz
We're not CU Nooz
We'd like to set the record straight: we got here first. Cornell Lunatic was founded in Ithaca, New York, in 1978, 38 years before that other website got its start.
A few notes on Lunatic v. Nooz
The two institutions were not named for the same person, but our namesake (Dingo P. Lunatic) and theirs (Jacob G. Nooz) were distant cousins.
The Lunatic has about 1,100 physical copies available. The Nooz: None.
Lunatic faculty publish one magazine at a time and around two per year. Nooz faculty publish the equivalent of 5 magazines worth of bullshit per semester, and around 12 per year (including holidays, since apparently Nooz staff has nothing more important to do with their time).
The Lunatic holds an award; the Nooz holds zero.
Cornell Lunatic is headquartered in the heart of Cornell University, which got its name from Ezra Cornell, who probably inherited his name from his grandfather or something. CU Nooz is based on the internet, so we all know that will never last.
Winters at the Lunatic are snowy and cold. Winters at the Nooz, on the other hand, are … reported on way too often because they think it's still funny to make jokes about it.
The Lunatic has an average of 193 good jokes in every magazine, while the Nooz has an average of just 15 per 1000 articles.
The mascot for our magazine is a moon; theirs is probably something stupid.
Both magazines have dedicated followers. Hence the nicknames "The Good Magazine" (us) and "The Overheard Spam" (them).
Both magazines feature jokes written by Cornell students: Original Content #1-200 (us) and Unfunny Prelim Jokes #71-76 (them).
Ithaca is approximately 225 miles from The Big Apple. The Internet is used by criminals and terrorists. Coincidence? You decide.
Source: http://www.cornellcollege.edu/about-cornell/not-in-ithaca.shtml
Op-Ed: When is The Student Assembly Finally Going to Vote on Whether There is a Difference Between Making Holocaust Jokes and Just Literally Being Hitler?
Hey you! Get your hand out of that cow and read our Fall 2019 Issue!
7 Signs Your Partner May Be Cheating On You
Gasping for Air: A Recap of the Presidential Debates, but it's only the Ones who Sucked
It's Time to Replace the Constitution with Bread
2020 © The Cornell Lunatic


August is supposed to offer the average moviegoer their last chance to bask in big-budget spectacle and easy escapism, the time when studios unload the remainder of their summer tent-poles as they gear up for the heady days of Oscar season. However, a cursory glance at the slate of films currently on US release – including Spike Lee's civil rights-era police procedural, BlacKkKlansman, Boots Riley's surrealist satire of late capitalism, Sorry to Bother You, the kinetic social drama Blindspotting, and, at other end of the ideological spectrum, the latest piece of revisionist history from rightwing polemicist Dinesh D'Souza, Death of a Nation – reveals a lineup that has more in common with the politically charged fare typically associated with awards season.
This is not a sudden development. From last year's Oscar darlings – Get Out, The Shape of Water, Three Billboards Outside Ebbing, Missouri, and The Post – to this year's biggest blockbuster, Black Panther, American movies are more unapologetically political than they have been in over a decade.
The same can be said of the people behind the movies. Incited by the daily outrages and embarrassments of the Trump administration and forced to reckon with their own industry's history of malfeasance brought to light by the #MeToo and #TimesUp movements, as well as widespread calls for greater diversity in front of and behind the camera, American film-makers are no longer content to let their work speak for them. In interviews and across social media, they are expected to take strong political stances, even at the risk of alienating audiences or worse.
Recognition of this new paradigm still leaves one question unanswered: do film-makers really believe that their work can move audiences to take substantive political action?
Spike Lee certainly thinks so. While speaking to CNN about BlacKkKlansman – a film developed in response to the resurgence of white nationalism under Trump, and opened in wide release during the first anniversary of the deadly Unite the Right demonstrations that tore through Charlottesville last year – Lee said he hopes the film will convince viewers to show up for November's midterm elections and vote against Republicans.
Dinesh D'Souza produced his pro-Trump documentary, Death of a Nation, with the same goal in mind (though in the name of achieving the opposite electoral outcome), but the film's dismal opening would seem to put the kibosh on any hopes he had of taking credit should the Republicans hold on to the majority in Congress. D'Souza blamed "leftist" critics for his film's brutal reception, but a peek at the box office history paints a more quotidian picture: like Moore, D'Souza's films have seen an unbroken streak of diminishing returns since he scored his biggest hit with 2016: Obama's America (2012), suggesting that the success of a partisan political documentary is dependent upon the opposing party being in power during the time of its release.
At any other moment, this equation would bode well for Moore's forthcoming film. However, while Moore was once one of the few unapologetically liberal voices able to cut through the cacophony of conservative commentary holding the market share on cable news and talk radio, it's unlikely he'll be able to replicate his own career high. What realistic chance does a Moore documentary stand with audiences today, inundated as they are with political content across all available platforms – social media, TV, streaming services, YouTube, podcasts, internet message boards? The sheer fury Trump inspires in liberals and progressives may drive more people to see Fahrenheit 11/9 than his last several pictures, but anyone hoping it might replicate the success of Fahrenheit 9/11 (still the highest grossing documentary of all time) should probably temper their expectations.
They'd also do well to recall that while Fahrenheit 9/11 was undeniably influential, it didn't actually achieve the intended result. Released less than five months before the 2004 presidential election, the film possibly inspired more people to vote against George W Bush than might have otherwise, but clearly didn't inspire enough of them.
That is all well and good, especially for those who hold that art has an innate political responsibility, but changing people's attitudes in the theater does not necessarily translate into action. Historically, film-makers have a record of committing themselves to advocating – both onscreen and off – for political causes: the icons of classic Hollywood forming the "Committee for the First Amendment" to protest against congressional investigations into their political activities; the radical iconoclasts of 70s New Hollywood blasting audiences with a hard dose of cynicism and violence to make them confront the myriad atrocities committed at home and abroad in their name; the steady stream of "prestige" political dramas – Syriana, Lions for Lambs, Rendition – released during the second half of the last Bush administration in an attempt to turn public support against military interventionism and towards the protection of civil liberties.
Looking back, it's hard to consider any of these movements a success. No doubt they helped lead to shifts in the political makeup of the country long-term, but they failed in their immediate goals. The Hollywood blacklist still happened, the 70s ended in a miasma of despair, and America today remains embroiled in military conflicts throughout the world, even as civil liberties continue to erode.
Obviously, there are exceptions, films that have achieved direct and quantifiable change – The Thin Blue Line got an innocent man off death row, Blackfish forced Sea World to end the "Shamu Show" – but these examples are on the smaller end of the scale. Meanwhile, by the same standard, movies made with malicious political intent – such as DW Griffith's pro-Klan epic The Birth of a Nation, which led to the resurgence of the KKK – can boast of similar successes.
It's still important to herald this latest set of films for their noble intentions and deeper individual merits. BlacKkKlansman is an artistic triumph, Lee's most vital and entertaining film in years. Regardless of how it compares with Fahrenheit 9/11, Moore's new movie is on track to be his most financially successful in almost 15 years, and stands a good shot at being the top-grossing documentary of the year. And both Sorry to Bother You and Blindspotting have added their unique perspective to the new wave of socially conscious cinema. These films have made (or are likely to make) an impact, even if it's not one that can necessarily be measured by votes.
Unless exit pollsters start asking voters if movies helped them determine how they cast their ballot, it's unlikely that film-makers will ever see their belief in the transformative political powers of their creation truly vindicated or disabused. It's unlikely this hypothetical data would sway their belief anyway: the artistic impulse to write "history with lightning" – as President Woodrow Wilson once said of Griffith's sinister magnum opus – is an impulse too strong for many a film-maker to deny, hubris be damned.


Bandra Kurla Complex was created by MMRDA as an alternate CBD to Mumbai, with the express purpose of halting the further growth of offices and commercial activities in South Mumbai. Currently, BKC has a total stock of 8 million square feet of office space. An additional supply of 2.5 million square feet is expected in 2012 with the completion of The Capital, FIFC and TCG Finance Centres. Over the last few years, BKC's G Block has gained prominence as the key location within this unique micro-market. The current vacancy level at Bandra Kurla Complex stands at 16%.
Leasing and buying activity at Bandra Kurla Complex continued to accelerate during the last two quarters. The rent correction appears to be complete, with most existing buildings and new projects recording flat rates or slight increases over the prior quarter. The overall stability of the market is a sign that it has bottomed out.
With the Diamond bourse soon to be operational in 2 million square feet of premises, the people churn at BKC will increase dramatically. How the MMRDA will address the management of this sudden onslaught of traffic remains to be seen. Other areas of concerns at BKC include the continued lack of F&B outlets and sufficient public transportation. The Metro project announced in 2008 would be a game changer; however, this project has been drastically delayed. The monorail project, now scrapped, could have been a significant infrastructure boost for Bandra Kurla Complex.
Various infrastructure initiatives like the Santacruz–Chembur Link Road will help adjacent areas around BKC such as LBS Road, Sion, Kurla, Kalina and Mahim to develop, posing competition for BKC. Many senior executives who work in BKC are expected to shift their residence to Bandra, driving up residential prices in Bandra.
This entry was written by , posted on May 19, 2012 at 5:03 pm, filed under Real Estate News and tagged Bandra Kurla Complex, CBD to Mumbai, MMRDA, Santacruz–Chembur Link Road. Bookmark the permalink. Follow any comments here with the RSS feed for this post. Trackbacks are closed, but you can post a comment.


Pack de Efectos ProShow Producer versión - Pack de Efectos ProShow Producer, Inc. Software Informer.
Pack de Efectos ProShow Producer versión. The most popular version of this product among our users is 1.5. The product will soon be reviewed by our informers.
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Mid century heavy brass plaque warning 'Hawkers or Canvassers Prohibited'. The sign can be dated to sometime from the mid 1950s to the late 1960s, as Mr A.G. Dawtry was the Town Clerk during this period. Rare original sign from a prominent part of London - and the subject is even more relevant today than it was 50 years ago. Great original condition.


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The Plane Table Collection designed by Jamie McLellan is a perfect combination of form and function. This exquisite range of minimalist coffee and dining tables features an impressive balancing act of hefty slabs of timber – poise and pure in its construction. The clever engineering employed in these pieces sees an altar-like assembly of legs, cross beams and table tops come together in a seamless and useable, yet sculptural shape.
Designing the Plane Tables, Jamie McLellan took cues from his surroundings, with an eye for contemporary architecture, and a nod to the natural world. His final designs capture the honesty and pragmatism of New Zealand design, and employ a raw refinement that is closer to the earth. The result is a table that is expressive and tenuously balanced, yet still stable thanks to the discreet internal bracketing within the solid timber.
Jamie McLellan's design career began in Italy, Hong Kong, and Hawaii before he settled in London to collaborate closely with renowned designer Tom Dixon. After a successful stretch in the UK, Jamie decided to make his way back home to Auckland, New Zealand, to open his own product and furniture design consultancy.
Clients included global superstars such as Cathay Pacific and Neil Pryde, while Jamie also lent his talents to pioneering start-ups like Bodha, Resident, and Allbirds. Throughout his career, Jamie has created a diverse range of objects, from lighting to watercraft, Olympic bicycles to beer taps, and furniture to woolen footwear.
His designs are always minimal yet maximal, and in his own words "just the right amount of nothing." Jamie's contributions to the design world have been truly impressive, making him an in-demand designer with the perfect eye for detail.
© Photography via resident
DesignerFurnitureTableWood
Raw Essentials by New Tendency
Anca Side Table by Pedro Paulo Venzon
SFIR – table luminaire by Johannes Budde
Antonia Ferrer – An Exploration Of Contemporary Minimalism
Is (Minimalist) Photography Art?


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#12 Joy, Presence, and Authenticity in Everyday Life
Today's Guest: Jonathan Bender
Today, I interview Jonathan Bender, MS, MFA, a coach and creator of the WholeSpeak Method, an approach that transforms nerves into confidence.
Jonathan shared his story of being bullied for years growing up, as well as being raised in an abusive household. As a consequence he had no sense of self-esteem or being able to speak up at all.
Joining his high school speech team and then doing theater allowed him to first find his voice on stages. It took longer and much growth work for him to discover and develop the power that comes from his authentic voice.
He talked about the possibility of joy and speaking from a sense of presence where you are more free and confident to express yourself.
Jonathan is not exactly your run of the mill speaking coach. He has trained thousands of coaches, entrepreneurs, coaches and professionals to become confident, authentic and dynamic speakers who change lives. His integrative, holistic approach is time-tested and proven to help anyone become a dynamic, inspiring presence who moves audiences both on video and to live audiences of all sizes.
He has certified coaches in his approach and specializes in leadership presence. He has worked with executives from names you know well, including Google, HP, Kaiser, and many more.
He holds two graduate degrees, a MS in Performance Studies and Speech Communication, as well as a Master of Fine Art in Theater – he's also a theater director, actor and creator, and is currently innovating theatrically during this time of C as well.
Connect with Jonathan Bender
Episode #12 Jonathan Bender
"Joy, Presence, and Authenticity in Everyday Life"
Hi, this is Dr. Doreen Downing and I'm here today with the Find Your Voice, Change Your Life podcast. And I get to interview people who have had somewhere in their life a struggle with speaking up, whether it was being part of a family where there were more children who took the space or whether it was a teacher. Or maybe there was an example of something about bullying. But today I get to interview Jonathan Bender, who did have some, some experiences with finding his voice. And now that he has found his voice, he is a major contributor to helping people who have public speaking anxiety. So, I'm excited to share his story with you today and have you learned from him. But first, let me read his bio so you get a sense of how accomplished he is. Jonathan is not exactly your turn of the mill speaking coach, Jonathan Bender, MS, MFA has trained thousands of coaches, entrepreneurs, coaches, and professionals who become confident, authentic, and dynamic speakers who change lives. His integrative holistic approach is time-tested and proven to transform nerves into confidence and help anyone become a dynamic, inspiring presence who moves audience both on video and to live audiences of all sizes. The creator of the Whole Speak Method, he has trained and certified coaches in this approach that blends professional speaking skills with performance techniques from acting, voice, and movement, as well as with personal and spiritual development. Jonathan also specializes in leadership presence and has worked with executives from names you know well, including Google, HP, Kaiser, and many more. He holds two graduate degrees, a Master of Science in performance studies and speech communication, as well as a Master of Fine Art in theater. And he's also a theater director, actor, and creator and is currently innovating theatrically during this time of COVID as well. Well, Jonathan, that was fun to read. To learn more about you just here and now. And today, I'm asking for you to start with the background, the history of not having a voice, how did that happen? What was your circumstance, anything that you can reveal about that, that would be a great place to start,
(02:55) Jonathan Bender:
Of course, and thank you for having me, Doreen. So, you know, it's not novel to say I had a difficult childhood. And I think it's important just to emphasize that a lot of people don't realize when they hear my background on what I do, that I did not come at this from any place of aptitude. And, as a matter of fact, I would probably say that I started working with speaking and performing because I really desperately needed it. I grew up in a difficult, kind of abusive household with parents who did their best with the tools that they had. But it was not a safe space. And I, and I think it was also part of this transition moving from New York to Arizona when I was six at that point, whatever. Like all the friends that I had were gone. And I didn't have any self-esteem. I didn't have really a sense of self, I was pretty dissociated, and just out of my body, not present. And it didn't have any sense of empowerment, and I started getting bullied pretty severely as soon as I moved to Arizona, and did not have support, I had almost no friends, and that bullying continued through high school. So, it was pretty extreme. And I think the saving grace was probably at some point later in elementary school when I tested high in terms of aptitude tests and was placed in a more advanced kind of gifted program but like I was so dissociated, so checked out that my mom confided to me as an adult, that she was surprised when that happened, which, like, I didn't even have that sense of confidence from, from her. Because I just was so kind of, not even in my body and dissociated, disconnected and, and so that gives you an idea of where I came from. And it was– I didn't have any sense of having a voice
Yes, truly and I could get the sense of moving from– and this is true for a lot of people who do change areas, you know, parents are in the military or something– they have to keep starting over new environment where they are a newcomer and kids have already got their cliques, are they ever got the groups and to try and fit in? What would you say that as much as you can reveal, and are comfortable with? What– what was the bullying? What were they picking on you for?
Anything they could. I mean, I mean just anything dumb from– looking at any sense of weakness that I, that I said, and using that against me, because I didn't have any sense of being able to stand up for myself, or, or really speak up on behalf of myself. And so, I just pretty much took it, whatever that they did. And so it was anything that they could, I was a just an easy target.
I think that that's the kind of like what that book about boys who pick on each other, you know, that there is kind of a gang mentality, I guess. And, oh, gee, that, that's something that I think a lot of people can relate to. I know I've worked with several people who have had bullying in their backgrounds, and it can go on for a lifetime, you know, because it's a deep sense of yourself out into the world. Here's a social environment, you're standing up, you're being seen, you're visible, but the response you get is something that is negative, and you're basically rejected. So, you, you moved through that. And just one more question about the family environment, I noticed you said something about your mom being surprised what she was also somebody who was not quite as supportive? When you said, abusive, I wasn't sure about that.
The uhh– I don't know much details I want to go into that side of it. I'll say my mom, she was supportive. But I don't think they– because I think I was fairly checked out, I wasn't really showing up in a way that they could like, see who I was. I didn't know who I was, who was finding my way in order to cope with, with so much kind of bullying and not being a safe environment home just to kind of be checked out. And my mom also was a therapist as well. And she was in training while I was in elementary school. So, I can't remember the exact year of when she got that degree. But she had some awareness as well then went on later and taught parenting as well to new parents. So, but I don't think I showed it in a way that had them get who I was, and didn't have those prompts. And this is also like a while ago, and I think that parents are a little savvier now than they were like in the late 70s and early 80s around this time that I'm talking about. So they tried to be supportive, but, you know, whatever she was able to do was not able to bring me out. I'm sure she loved me and was supportive that day. It still didn't work.
Yeah, yeah. In developmental theory, it is– you've probably heard of "mirroring". So the, you know, the parent looks at the child and looks at their bright spirit, and, you know, kind of welcomes that in and I think that partly what you're saying your bright spirit was pretty toned down. And but it took– you found it. You found it, Jonathan, and you said something about the need to do something like, what? Be part of the debate team or theater?.
So, I remember that in this, what they call then the like, gifted program that I was part of like an elementary and middle school is that the speech and debate team from the high school that I was going to be entering that year, came and visited did a presentation, and then showed the debate and I was like, "I want to do that." And I didn't know why. But I was like compelled. And, and then my freshman year of high school, I went and joined the team, but I didn't really do anything the first semester for whatever reason. And so, when I went back in the beginning of the second semester, they kind of did debate I said, well, they're like, "well, we're already kind of doing this and we already taught everyone so why don't you do one of these speaking events." Okay, and so I started doing it and didn't really have coaching for it. But there was something about it that compelled me and look at you know, I don't think where I was at the time of why, but there was something in there that just had me want to get good at this. And, and so I just started doing these competitive events. Floundering around. And then I kind of found these events and I realized they're actually kind of like acting and I kind of had a knack for it, I started doing okay. It was fun. And I was trying to find my voice and my expression. And I started doing theater and acting and loved doing all of this. And it was, it gave me a sense of permission to like, let everything out that I didn't feel in life. And that I could like– I actually had attention. And was seen and spotlighted. And in the competitive environment, basically, for eight or 10 minutes, they're forced to sit and listen to you, whether or not you're good. And, I never did debate, it was always these kind of speaking and acting events. And that in addition to theatre then helped me begin to find a sense of self-expression and a liveliness. And I will say, though, too, it took a lot longer for me to find that level of freedom and enjoy and authenticity and presence in everyday life. Even though I actually began on a spiritual path, also at the age of 14, that it took a lot longer for me to actually find that voice, not just like, on that stage, whether it's speaking or acting, but in any opportunity that took quite a while longer to be able to do.
I like what you just said about joy. That that's one of the messages I think that you give in your coaching is that speaking, when you find your voice, and you have a presence, that it can be joyful, and so that that initial kind of "Ooh," this, this is something that you're drawn to, I think is really important message too, for people who hold themselves back is like, look around and see what fascinates you, or what wakes you up, and what you at least want to step towards. Because it sounds like you know, something like being on a debate team. Sometimes it can be overwhelming or scary for people. But what you did was opposite for you. You went you went for a yes. And in that, yes, you discovered more about what's possible for yourself?
Well, it's true. And a couple of things that comes to mind is that like, first of all, I didn't have an easy time with it. Like I was still having typical nervous system responses, like dry mouth was really present in high school a lot whenever I would go to compete or perform, and I would have my box of Ludens cough drops at the ready so that when I was like, could barely speak so that I could get some saliva to speak. But the other thing too is that– so I have incorporated, I dealt with all of the different nervous system aspects over the years… shaking to whatever you name, I've gone through it, which are, you know, as I know, you know, part of the nervous system, the fight flight, freeze response and safety. And so, we want to create more safety over time. But the other thing I just want to say about joy, it's my belief in terms of my spiritual work, joy is actually our innate nature. And that when we are kind of looking at how to navigate the world through everything we've been conditioned in, and especially when we have that fight-flight-freeze response and trauma, that joy gets covered up. And for me a big part of training people on how to find their voice– well, yes, we're working with professional speaking skills, but there's also just a letting go of that shell that we've used to navigate the world to let your essence and your light shine forth. And when you really do that, that can't help but to have a degree of joy. And I think this is kind of a foreign concept for people who just have a lot of nerves. Because like, I'm just supposed to get through it, have to get through it… but no, you can actually step into more of who you are.
Yes. And watching you describe it, I see the light in your eyes. And I think we as coaches when we see people tapping into their own light, it amazes us and that's part of why we do what we do is the transformation we get to witness. So, in terms of transformation, tell us a little bit more about your coaching because it does sound like it is I mean business is whole speak so it's not just about getting to be a better performer. It's the human being that you are helping to find and develop from deeper inside.
Of course, and my tagline I sometimes use is: "Express your whole self," meaning we want to bring all of ourselves, but also it's a path to wholeness, and like the way that I view the work that I do can be looked through different lenses. There's a somatic lens, an embodied approach of like, fully bringing ourselves into our bodies. Speaking is an embodied act. And a lot of people don't think of it that way. It's like I need to speak clearly, which is very head up. But full expression involves from head to toe, I mean, very much from the lungs and our breathing, which has to do with our vocal resonance. And bringing all of ourselves out. I also look at speaking through an energetic approach is that we kind of get shut down. And when we bring all of ourselves it enhances our whole energy, which has a lot to do with presence. So, we can grow our presence. A lot of people think that presence is something that you have or you don't. That's not true. There's a clear kind of path of steps, it's the act of being present, physically, mentally, emotionally, energetically, is also part of it. I also can break down– my approach, the way I look at it with three categories, or as I say, in brief, which is that it's, it's what I call "organic speaking techniques." And so that means, how do we just show up in life, when we are relaxed and open and present and alive? And meaning there– sometimes I see something like a technique for like gestures being taught, that looks kind of weird. And so, it has to be based on what do we actually do, when we're relaxed and open and present and alive. There's also performance techniques, not to make people performers, but because performers are not inherently confident, and the same things that I would use to train actors from how to find presence and self-expression, confidence, we can transfer those to everyday life, both for speaking, as well as just how do we show up in our lives with that level of connection, presence, aliveliness, and confidence? And confidence not as invulnerability, but really that willingness to be seen, which includes vulnerability. And then the third aspect is the growth side, which I know that you specialize in, Doreen, is that we have to do the inner work as well, to address the parts of ourselves that might be a little bit like outdated, those outdated fears, things that used to protect us, coping mechanisms, to be able to step more into our essence into who we truly are. And to bravely let that be seen.
Oh, you are certainly speaking my language. The brave, the brave, you know– what it takes to be your brave, beautiful, brilliant self, and to have coach like you who says yes to that bravery, and helps guide people out into the world from their—you know, you talk about my own point of view, which is about the darker, deeper recesses where people hide themselves, but being able to say "hello in there, come on out, let's play." And that's partly what I see. The kind of coach you are is somebody who likes to play.
That is something that I talk with everyone who works with me a lot, is when we start to move into playfulness, and taking things a little less seriously. Because we're so worried about how we show up and it gets very serious, and yet our aliveness and joy, and even confidence we start to play, then that really changes the entire conversation. It's quite a shift for a lot of people at first to realize that, "oh, I can, I can play around and I can let go of this need to like get it right, or perfectionism," and even if there are things to learn, we want to do that as a child would with a sense of playfulness, and exploration. And that style of learning is often more effective and more enjoyable as well.
I like listening to you, Jonathan. And we are almost out of time. So, I wanted to make sure that people could hear about what your– you've got something coming up next "Claim Your Voice", a program that's, what,10 weeks, 12 weeks long? So, I'd like you to explain that and how people can find you.
Sure. So, I've had a program called Claim Your Voice, Speak With Power and Presence for quite a number of years now. I keep improving it and it's a 10-week training. So, it's set up so that you can go through it self-guided. I do have right now a 10-week intensive that includes that 10-week live component as well. It is available for anyone to do at other times as well. They can still get office hours with me but right now I happened to be doing a 10-week intensive. So there's– right now I also have a good discount available as well. People can help name their own price. Typically how it is normally long term is it's a particular price that's set. So, there's a lot of details to it, it really covers what I find to be the foundations, I've had many hundreds of people gone through it over the years. And what they say to me over and over, is that "Jonathan, you said it was going to be transformational. And I didn't realize how transformational it was going to be." So, in terms of looking at confidence, body language, vocal power, deep connection skills, of course, crafting talks, which is a whole thing I haven't even mentioned, presence, and a lot more. So, the website for that is CLAIMYOURVOICENOW.com and I encourage you to go ahead, like whenever you're kind of getting this message, because I know some people may hear the podcast quite a while down the road, is to take a look at that. It's something that has like really comes out of 25 years of experience, but also from a lifetime of having done this level of transformation myself and supported many, many people through this. I'll also say too, if someone just wants to kind of, like get a taste of how I work and know me more, then I have something that is called Your True Voice. They can go to this at YOURTRUEVOICE.ORG and this is a short free course with a few videos that kind of gives an intro about authenticity talks a lot more about confidence. And, and on those sites too, I really welcome people to reach out if they need support too.
Great. And I have enjoyed listening to you. And I'm sure that people are really being inspired because of it not just being about being a public speaker. You keep coming back to it's about being who you really are your whole self-discovering. And we have so much potential. So it's just about finding it. And then we are way more powerful beings in this world.
Yeah, absolutely. And I just want to add too, is that, of course, I like people when– I like it when my clients get amazing public speaking results from confidence, to they're getting a promotion, or if they have their own business of growing their sales, and all these things really happen. But what I also say is that my not-so-secret agenda is to find their voice and their life. And that the same skills apply for your whole life. Public Speaking as a peak experience, that's a great excuse. But ultimately, we all want more presence, more connection, aliveness. And how we kind of walk through the world and experience ourselves how we're experienced, and I love it when people realize that and get that as well.
Yeah, it's like when we're born. Life is our stage. Wonderful. Thank you very much, Jonathan.
My pleasure. Thank you, Doreen.


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Q: Checkout with custom Address attributes in Magento I have a "District" attribute created to my Customer_Address because my shipping is calculated base on it.
This attribute shows perfectly well in my checkout and the user can select from a couple of options with no problem.
However when it checksout, the collectRates() method in my class receives a "Mage_Shipping_Model_Rate_Request" with some information about the options selected by the user to checkout.
At this point, I need to have a way to get whatever the user has set as the District value to calculate the shipping cost based on that, but I can't seem to get the information from Mage_Shipping_Model_Rate_Request.
Is there a way I can add the attribute to that class to retrieve it later?
or
Should I be looking to get that value in some other way?
Whatever help you can give me will be very useful!
Thanks.

A: I think you solved this already...
Anyway, I had the same problem and solved it this way:
Rewrite Mage_Sales_Model_Quote_Address and Mage_Shipping_Model_Shipping, these are the classes that do $request = Mage::getModel('shipping/rate_request');
So it looks like:
class MyCompany_MyModule_Model_Quote_Address extends Mage_Sales_Model_Quote_Address{

public function requestShippingRates(Mage_Sales_Model_Quote_Item_Abstract $item = null)
{
    /** @var $request Mage_Shipping_Model_Rate_Request */
    $request = Mage::getModel('shipping/rate_request');

    // add custom attribute
    $request->setDestCustom($this->getCustomAddressAttribute());
    ...
}
}

and
class MyCompany_MyModule_Model_Shipping extends Mage_Shipping_Model_Shipping{

    public function collectRatesByAddress(Varien_Object $address, $limitCarrier = null)
    {
        /** @var $request Mage_Shipping_Model_Rate_Request */
        $request = Mage::getModel('shipping/rate_request');
        ...

        // add custom attribute
        $request->setDestCustom($address->getCustomAddressAttribute());
     }
}


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Nuka NayuJanuary 2021
Rafal ZajkoNovember 2020
Jake GrewalOctober 2020
Sam WoodSeptember 2020
Paula VarjackAugust 2020
Joy YamusangieJuly 2020
Jake Grewal In Conversation with Jordan Cook and Johann Rohl
I met Jordan Cook and Johann Rohl in 2018 during the postgraduate program at The Royal Drawing School. Our friendship has evolved over time much like our practices and although I feel we've known each other longer, it's recently we've started to confide in one another. Sharing an intensely unique experience like The Drawing Year creates invisible ties between us and we feel comfortable talking about drawing, identity, trauma and inspirations. Here are some topics we talked about as the sun set on board a boat in Vauxhall.
It's actually here where I left it - Jake Grewal
Jake Grewal: Prior to coming out at 16 I was labeled gay by my peers in school. There weren't any out people in my year group so I found myself becoming my own teacher. It felt like I was exploring what it means to be queer in solitude. I tried to create common ground between my girlfriends' experiences and my own however their experiences were, and still are, inherently different. I know I am still working through this experience, a kind of othering and shame associated with my identity. I often think that I'm trying to come to terms with myself as a complete person who is not perpetually different or on the outside of things looking in.How have your early experiences affected your interaction with your queer identity?
$5 Rose - Jordan Cook
Jordan Cook: I guess I've always had quite a complicated relationship with my own identity. I grew up in a post-war New Town called Harlow in Essex. I don't remember having much of a sense of life outside the town apart from when we'd go to visit my nan in London. As Jake said, my understanding of my own identity was only ever based off of the people who were around me. I didn't know any queer people growing up, and I definitely didn't have the tools to confront any of it on my own. The only outlet for me to learn about being gay was through the Internet, which, as you can imagine, offered quite a distorted view into queer culture.
Gemini - Johann Rohl
Johann Rohl: Being on the outside looking in is a really apt way of putting it, that's how I've often felt as a queer kid growing up as I could identify my sexuality from as early as I can remember. I had an experience when playing out with the boys where I was asked why I was wearing a bright rainbow striped jumper and that made me start to become very aware of my decisions. My flamboyant qualities weren't accepted very much growing up and I think its made me become quite self reflective as I feel like I've had to constantly check myself and censor certain parts of myself that weren't accepted. It often feels like I'm living with multiple people in one body: there's always been a lot of conflict between these different parts of myself which I'm working hard to bring peace to. Drawing has always really helped with this, it's a safe space that I can inhabit, be myself and explore ideas without having to censor myself.
Untitled - Jake Grewal
JG: I've often felt a sense of isolation in regards to finding a tribe or like-minded people. I'm not sure whether it is something to do with growing up in London, a city so big as there is a sense of anonymity, the idea ones notion of difference is hand in hand with the queer experience or that is inherently human to feel other. I find it interesting that in spaces, for me, like gay bars, often make me feel a sense of unease or disconnect. How important are queer spaces to you and how did do you operate within such a vast city like London?
JC: It's weird, I remember going to my first gay bar when I started my BA in Norwich and feeling like I wasn't really a part of it. I loved how the space allowed everyone to fully embrace who they were, yet, I wasn't really sure where I fitted into all of it, which also felt fairly isolating. It's only recently when studying in London and meeting new people in art circles that I feel like I've found queer spaces that I genuinely align with, and that feels really valuable to me.
JH: I grew up in a small town called Keighley that's in West Yorkshire (imagine God´s Own Country) so I didn't have many queer spaces available to me growing up. My friendship groups were spaces where I could feel safe and accepted and the internet: chatting to random guys on instant messenger and obscure emo sites like Vampirefreaks.com gave me a virtual space to figure out where I stood behind the safety of a screen.
Ball Games - Jordan Cook
JG: When thinking of the commonalities between the works, the inclusion of and retreat into a physical or abstract space seemed poignant and relevant. I frequently look to natural spaces in my work often observationally drawing from the landscapes around where I live, searching for solace. I return to certain places more than others and this practice often feels like a kind of mediation or pilgrimage. The inclusion of nature in the work is often used metaphorically or allegorically alluding to semi-autobiographic experiences. I try to look at figurative elements of the work abstractly allowing room for speculation behind inclusion of visual clues. When working with the landscape I try to treat it as if it were a portrait, I see no difference. One can say with a landscape what one can say with bodies. Both are living and tell a story. What spaces do you include in your work and how does that talk to your internal space?
JC: Most of the spaces in my work are based on places I've grown up in. I'm quite overly-sentimental about a lot of things, and I think that the spaces that I create for myself in my drawings offer me somewhere to offload all of that onto. They're very banal places, but they carry a lot of baggage which I quite enjoy unpicking. There's something about the process of piecing together fragments of themes that emerge that feels really cathartic to me. It becomes less about the actual drawing and more about the meditative space, and if people enjoy looking at the drawings after too then that's pretty cool.
JH: I see the spaces in my drawings as landscapes of the inner world and so they don't tend to make much sense to me at the time of conception. I tend to think about the spaces in my drawings the least in the process but they seem to be important to me in trying to convey a feeling or an idea. I like having the space reveal itself to me when working on a piece and seeing how it encapsulates both the feeling channelled and something completely new.
Untitled III - Johann Rohl
JG: A documentation of personal history is an important part of my work. It's crucial for me to document, scrawling in sketchbooks and diaries so I can understand what exactly I was feeling. I go over these confessions and I keep them in my heart as I paint. These have a direct link to what the paintings are about. As time goes on perceptions of events can change and offers a different visual outcome. I use nature in allegorical terms and this lends itself well to transformation. I often find myself toeing the line between fiction and reality and enjoying creating my own mythologies within the microcosm of the paintings. How do you handle narrative in your work and is it planned? Do you come to the work with an intent or let the work drive the outcome?
JC: I'll usually come to the work with quite a strong idea about how it's going to go, get halfway through and have to destroy the whole thing because it's completely dead. And most likely something will come out of doing that. But I can't plan for that to happen either because that also doesn't work. The most exciting part is when I stop thinking so much and abandon all expectations. It feels more honest that way. And by this point, it's anyone's guess where it's all going to go.
JH: I have a feeling or set of themes in mind and try to channel all of these things that resonate collectively into a drawing or a series of drawings. What happens on the page is usually something I have to leave to intuition, there's only so much I can control otherwise I can risk killing the thing. What I'm left with can often tell me something completely different to what I had intended. My drawings usually work out when I allow myself to take turns being a passenger and then the driver, and I like that constant back and forth.
Early Bird - Jordan Cook
JG: In my work there is a dialect between the figures and the landscape. I enjoy playing with the ambiguity of form and the merging of shapes. A tree can be a figure but also an arm, two figures can be read as one. Figures are woven into the landscape and emerge in a kind of metamorphosis. I attempt to capture this fluidity in the handling of paint. The marks are abstract but construct figurative elements as parts of the work are built up while others remain thin veils of pigment. I see this liquidity and fluidity in nature, identity, time and memory. Even paint itself is a fluid medium, enabling change as time progresses. I remember reading somewhere that oil paint actually doesn't dry for maybe 30 years? It's alive in that way. In your works how do the materials you use reflect the subject of the work, and why do you choose the materials you use?
JC: I seem to take a lot of trips to Wilkinsons lately. I've always liked the idea of using cheap materials. It's more rewarding taking whatever is around me and trying to stretch it so that it can say something bigger than it initially did. There's something quite raw about that I think, and I hope that translates into the subject matter.
JH: I tend to use cheap materials and office supplies at the moment because of their immediacy and accessability. There's something about the speed at which a biro can be moved which matches the speed at which I feel my hand needs to travel and the transparency and tacky quality to the marks it makes speaks to me in a way that nothing else does right now. I also like the constraints of using a biro, you have to be direct and deliberate and I find the thin quality of line gets me to consider how I can use it to create different textures and rhythms and tone and also challenge those limits too. I suppose there's quite an intensity to the spaces i create using a biro because the ratio of marks to space is dense and worked up and layered.
Untitled I - Johann Rohl
JG: I try to visually share stories in the work I make and although it comes from a specific place the aim is for the work to be open to interpretation. I want the work to have a similar reading to music or poetry. They share the capacity to hold a mirror to recipient and allow them to place their experience upon the work. I often listen to. Tavener, Glass, Part ,Debussy when words are too distracting. Bjork, serpentwithfeet, Patti Smith, Anthony and the Johnsons if I need something more raw or narrative heavy. It's funny how it can be encouraging of an honesty that is hard when you are alone. I wonder is music significant in your work or is a source of inspiration for you when you're working ?
JC: I used to have a particular playlist I'd go to when working in the studio, but recently I've become more interested in switching between different genres or trying the radio and seeing how it impacts the way that I'm working. It's about the thereness of it more than anything, a rhythm in the background that reminds of the outside world. Or maybe my music taste is just really stale now, I'm not sure.
JH: Music is a big part of my life and work and I very rarely make drawings without it as it's the easiest way for me to tap into a mood or atmosphere. I get really taken in by catchy hooks and riffs that get lodged in my brain so I have to draw sometimes in order to get them loose. I grew up listening to an eclectic mix of music but what really got me was pop music, especially the songs produced by Max Martin who worked with Britney spears and The Backstreet Boys. He contributed to a lot of the soundtracks to my life growing up so that love for simple, catchy melody has stuck with me and I think it's shaped a lot of what my interests are in art and the way that I make images.
As Stars Danced They Grew Like Trees - Jake Grewal
JG: In my work there are references to Romanticism. I often find myself down a rabbit hole listening to lectures of artists I particularly or associate with. It can be very empowering having an idols spirit with you in the studio as you make the work. Recently I listened to an interview with Michael Armitage on 'A Brush With', a podcast that interviews painters. I also look to works by queer modernists like Pavel Tchelitchew and Neo-Romantics like Keith Vaughan. Do you carry any particular spirit with you in the studio when you make work? Are there any voices that have shaped the work you make?
JC: I try not to complicate going into the studio too much, there'd be too much pressure otherwise. Though I'm always thinking about artists. Recently it's been a wrestle between Leon Golub, David Park, Sam Doyle, Alice Neel, and Anselm Kiefer. Egon Schiele is always there too. Oh and Bruegel is a new one for me.
JH: I've made a lot of work to Kate Bush - The Hounds of Love and Aerial so I've carried a lot of the different energies from those albums into my earlier drawings. Again, it's mostly songs or albums that i like to let consume me in order to work because it's the quickest route to feeling and I like how much that can affect the creative decisions I make on the plane.
Forgetting to Remember - Jake Grewal
NUKA NAYU IN CONVERSATION WITH ALEJANDRO VILLA DURAN
INSPIRATION - NUKA NAYU
In Conversation With Nuka Nayu
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From the Summer 2020 edition of The Bretton Woods Observer
Call for ISDS moratorium during Covid-19 crisis and response
Columbia Center on Sustainable Development
Cashing in on the pandemic: how lawyers are preparing to sue states over COVID-19 response measures
Comments on ICSID discussion paper, "Possible improvements of the framework for ICSID arbitration"
International Institute for Sustainable Development
Extraction casino: Mining companies gambling with Latin American lives and sovereignty through supranational arbitration
Mining Watch Canada
From billions to trillions: Transforming development finance
New report casts doubt on World Bank 'billions to trillions' agenda
Open letter to governments on ISDS and COVID-19
Seattle to Brussels Network
Peru warned of potential ICSID claims over covid-19 measures
Peru: Aymara pressure halts bill compensating mining company
UNCTAD Trade and Development report 2019
Corporate bias at the World Bank Group
CSOs call on World Bank to halt its aggressive support of PPPs
Development to the rescue of finance – the Bank's 'cascade' approach
ICSID and Latin America
ICSID billion dollar cases prompt criticism
ICSID offers "impunity" for corporations
Spring Meetings 2020 wrap-up: Will this change everything? Apparently not…
Fears of lawsuits at World Bank's tribunal constrain efforts to fight pandemic
Bellingham Rolling Rebellion, a movement against trade tribunals mobilises against the Trans-Pacific Partnership. Photo: Rolling Rebellion
Flood of ICSID suits feared as countries try to cope with the pandemic
States' capacity to safeguard public health constrained due to threat of lawsuits
The Covid-19 pandemic has forced states to take unprecedented measures to try to minimise the pandemic's health impacts, resulting in near paralysis of economic activity and restrictions to social and political activities with far-reaching global consequences (see Dispatch Springs 2020). But developing (and indeed developed) states may face yet another challenge – the threat of arbitration at the World Bank's International Centre for Settlement of Investment Disputes (ICSID) (see Inside the Institutions, ICSID).
ICSID is the principal forum for the settlement of investor disputes brought against states through the system of Investor-to-State Dispute Settlement (ISDS), which are included in many bilateral and multilateral trade agreements and provide foreign companies and individuals privileged treatment and recourse against states outside the jurisdiction of domestic courts. ICSID has been widely criticised for alleged corporate bias, secrecy and lack of democratic accountability (see Observer Autumn 2015, Summer 2014; Bulletin December 2013). Currently about two-thirds of investor disputes are filed at ICSID, which does not have a process for appealing decisions.
While the number of cases brought to ICSID were initially small, they have increased dramatically as globalisation brought a surge in trade and investment deals and development actors championed foreign direct investment. As detailed in the 2019 Extraction Casino report by Mining Watch Canada, the Institute for Policy Studies and the Center for International Environmental Law, the number of mining, oil and gas cases filed at ICSID has nearly doubled in the past two decades, as have the amounts awarded. The report noted, for example, that, "Colombia faces around US$18 billion in threatened or actual claims from six mining companies gambling on international arbitration to pursue future lost profits over measures to protect water and Indigenous territory."
Financial pressure from such multi-million dollar claims may result in governments watering down or dropping the necessary regulations to cope with emergency situations like the COVID19 pandemic. Bart-Jaap Verbeek, SOMO
Corporations consider suing governments for efforts to control pandemic
According to a May Seattle to Brussels civil society network open letter sent to governments and signed by 630 organisations, "from 1 March until 25 May 2020 when most governments were in the midst of the pandemic crisis, 12 new ISDS cases were filed at [ICSID] alone." Peru, for example, has been the subject of an arbitration claim at ICSID by investors for having suspended the collection of tolls on roads operated by private firms in response to the Covid-19 outbreak.
A May article on law firm Addleshaw Goddard's website noted that, "there are currently over 260 [ICSID] cases pending against African States…compared to 135 cases in May 2017. It is anticipated that many more arbitrations will be commenced in the months to come. This is especially important when considering that in the case of ICSID arbitrations alone, more than half of claims commenced against African States have resulted in a final award, and more than half of those cases have resulted in an award of full or partial damages against the State."
These trends and the prospect of future claims have resulted in calls for a suspension of ISDS cases during the crisis. The Seattle to Brussels network's open letter demanded a suspension of all ISDS cases on any issue against any government while it is responding to the Covid-19 pandemic, noting that, "by the end of 2018, states worldwide had been ordered or agreed to pay investors in publicly known ISDS cases the amount of US$88 billion. Some developing countries have billions outstanding in pending ISDS claims."
The letter echoed a similar call in May for an ISDS moratorium during the Covid-19 crisis by the US-based Columbia Center on Sustainable Investment, signed by, among others, a number of prominent UN human rights experts and Justin Lin, a former chief economist at the World Bank. The Center's letter included a call for a permanent restriction "on all arbitration claims related to government measures targeting health, economic, and social dimensions of the pandemic and its effects."
The prospect of a flood of ICSID cases resulting from responses to the pandemic, was highlighted in a May article by research group Corporate Europe Observatory titled, "Cashing in on the pandemic: How lawyers are preparing to sue states over COVID-19 response measures." Considering the potential scope for action by corporations, the article stressed that cases could be brought against states for a numerous efforts to combat the pandemic, from action for affordable drugs and tax justice measures to debt relief for households and businesses.
As UNCTAD's May Investment Policy Monitor report indicated, the mere threat of ICSID cases may deter states from taking actions thought necessary in response to the pandemic. The report's findings are supported by Bart-Jaap Verbeek from Dutch civil society organisation SOMO, who stressed that, "Foreign investors do no longer turn to ISDS only as a last resort to resolve disputes, but increasingly use it as a deterrent to pre-emptively strike down government measures that may negatively impact their business activities. The financial pressure emanating from such multi-million dollar claims may potentially result in governments watering down or dropping the necessary regulations to cope with emergency situations like the Covid-19 pandemic and ensuing economic crisis."
ICSID and ISDS reforms are essential to a just Covid-19 recovery
The 2019 UNCTAD Trade and Development report stressed that, in the aftermath of the 2008 global financial crisis "with markets in freefall…government was the solution", yet, as the situation stabilised, "money still talks but governments apparently have lost their voice", leading to a return to a reliance on private sector investment as the key provider of finance for sustainable development. The report aptly concluded, "everything, it seems, has had to change, for things to stay as they were."
The World Bank's Maximizing Finance for Development (MFD) approach – including its push for public-private partnerships (see Observer Winter 2017-2018), the 'Billions to Trillions agenda' and the exorbitant privilege afforded foreign investors under ISDS and within ICSID, are very tangible expressions of this trend (see Observer Summer 2017). Given the potential deluge of ICSID lawsuits in response to government efforts to control the world-wide pandemic, those interested in more just international financial architecture will be watching closely to see how states respond to calls for a moratorium of ISDS cases and whether ICSID's ongoing reform process will result in urgently required changes (see Observer Winter 2018). Radical reform of the flawed institution has been proposed, including, its formal separation from the World Bank. As emphasised by professor Kevin Gallagher and UNCTAD's Richard Kozul-Wright in their June article in the Global Policy journal, reforms of ICSID and ISDS are essential to ensure the survival of an effective multilateral system (see Bretton Woods at 75 and the future of multilateralism conference).


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A GNU collection of diff utilities
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6f2db98ae3cff4da86a6fad3beb75f4a
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