Rhenus set up a joint venture for a container terminal in Moscow (RU) - Rhenus Yuzhny Port. Remondis Data, the specialist for destroying data storage media, was integrated within the Rhenus Office Systems business unit. A joint venture was set up with RWZ Rhein-Main eG: RSL (Rhenus RWZ Schüttgut Logistik GmbH). Rheintank GmbH, which has its headquarters in Duisburg (DE), a one hundred percent subsidiary of Rhenus PartnerShip GmbH & Co. KG, took over the final customer bunker business of Deutsche BP AG with its BP and Castrol brands.
The foundation was laid for a nationwide network of business locations in France with the takeover of Hamann International SAS with its 4 business sites in the country and the founding of Rhenus Freight Logistics in France. Rhenus took over Werndl Spedition in Munich (DE). Rhenus left the "HHLA Rhenus Logistics" JV. Rhenus took over Archivdepot Leipzig GmbH. 75% of the shares in Vortex Shipping in Bulgaria were taken over. Rhenus Home Delivery took over Spedition Gelse Handelslogistik GmbH. Takeover of Leo Schwergutumschlag GmbH in Duisburg (DE). Rhenus Veniro began operations in the tram sector.
Rhenus AG & Co. KG acquired Transport Management International Holding B.V. (TMI) with its headquarters in Hoofddorp (Netherlands) with effect from 1 July 2007. As a result of this takeover, Rhenus continued to expand its position as one of the leading logistics service providers in Europe. As a result of this acquisition, annual sales at Rhenus rose from EUR 2.5 to approx. EUR 3 billion and the number of staff from 13,000 to 14,000. The Rhenus Group then had 230 business sites in Europe, providing an extensive logistics network, both for road and inland waterway traffic. TMI complemented the European network of Rhenus IHG in its Freight Logistics operations, particularly in the Benelux countries, and it added more Contract Logistics facilities.
Rhenus took over the Interspe Hamann Group. This merger was an historic step for both sides. We succeeded in uniting two efficient companies with proven standards of quality and excellent performance in the market place to form a full-services provider. The take-over gave Rhenus a European network for overland transport, extended its global freight services, added warehousing sites across the continent and made Rhenus into a provider of integrated logistics services in Europe.
Rhenus expanded its European presence by extending its activities in south-east Europe and Austria. Rhenus also took a majority shareholding in MAXX Holding NV, Antwerp (Belgium) and in Fastrack S.A., Warsaw (Poland). Rhenus Contargo entered the market as a complete supplier for European container hinterland transport. The new logistics centre in Györ, Hungary, started operating.
The takeover of Polish logistics provider Polta S. A. expanded Rhenus' position in the new EU states in Eastern Europe and built bridges with the Russian market. Rhenus Alpina took over Georg Fischer Speditions-Logistik AG in Schaffhausen, thereby strengthening its third-party logistics activities in the Swiss automotive technology and pipeline system sectors.
Rhenus strengthened its portfolio of international logistics services by setting up joint ventures with partners like Azkar in Spain and Kerry Logistics in Asia. Rhenus developed the nationwide logistics infrastructure for the "P-System" beverage can return system in Germany.
Rhenus Alpina took over Cargologic AG and began handling air freight at the airports in Zurich, Geneva and Bern. A new logistics centre was built near Paris and an external supplier warehouse for Daimler started operating in Stuttgart. The DIT Duisburg Intermodal Terminal went into operation in Duisburg. Rhenus held a majority stake in the venture.
Rhenus increased its stake in Mindener Logistikservice GmbH and operated the logistics centre in Minden. A further logistics centre was opened in Grossbeeren near Berlin. Rhenus also stepped up its activities as a logistics service provider in Hanover and opened a new logistics centre there.
Rhenus acquired Schweizerische Reederei und Neptun AG and merged the company with Rhenus AG für Schifffahrt und Spedition Basel to form Rhenus Alpina. In the same year, Rhenus started operating the new IKEA central warehouse in Salzgitter and launched the I.C.C. International Consolidation Center in Giessen. These were two key milestones on the road to becoming a leading provider of logistics services. A further logistics centre was opened in Mannheim.


Working women have been calling for more seats in the boardroom, more days of paid maternity leave, more corner offices, more money, and more — well, more! for a long time. So why does it seem like we've only now reached a dull roar on these issues — maybe even what some are calling the rise of "executive feminism"? And can we see signals in the noise?
To get a sense of the scale of the conversation that these women have launched, we monitored the billions of conversations that occur in real-time on social media through the NetBase platform. First, we found that the number of mentions of these three individuals across the social web has increased eight-fold in the past year. Further, when we looked at where the conversation is happening, we discovered the chatter is primarily taking place on Twitter, accounting for 84% of the mentions of Marissa Mayer and Sheryl Sandberg, and 61% of the mentions for Anne-Marie Slaughter. Because Twitter is a platform for viral communication, where people express their opinions in the heat of the moment, if this were a brand or a country, it would suggest a major change was coming.
To our surprise, Sheryl Sandberg has generated ten times the chatter of Anne-Marie Slaughter over the last twelve months, as measured by online mentions, while Mayer has more than double that of Sandberg. Both Slaughter and Sandberg have issued "statements" in articles, books and working the media circuit; Mayer simply does — she acts. In doing so, she appears to stimulate even more conversation. This may also explain why Mayer seems to have gone more mainstream, with 64% of her mentioners being male.
But how are the rest of us receiving this conversation? We also looked at the "Brand Passion Index" (BPI), an index that comparatively measures buzz (or number of mentions), sentiment (whether the conversation is positive or negative), and passion intensity (the use of passionate language, for example, love, adore, huge fan, hate, despise, detest etc). Combining these three metrics and comparing them over a twelve-month period of time can give us an overarching snapshot of consumer opinion on people topics or brands.
Brand Passion Index for April 2012- April 2013. The size of the bubble indicates the amount of chatter on the web; the placement of the bubble within the grid top to bottom indicates sentiment and within the grid left to right shows the intensity of that sentiment.
Taking a stand on work and life stimulated an ebb and flow in conversation over the year with sentiment rising and falling, but it netted out to the most unpopular location of the BPI — the dislike zone. As a brand, this is no-woman's-land. People don't like you, but they don't even feel passionately enough about you to hate you.
In social media conversations, Marissa Mayer, the new CEO of Yahoo, has been described as impressive and super-smart, but also as an annoying, terrible bully. She nets the most buzz, but her choice to ban telecommuting led to many people talking about how much they simply do not like her and her choices. The question is, do you need to be popular to be effective? While her location on the BPI is not coveted, the earnings-per-share results she delivered are.
COO of Facebook Sheryl Sandberg's descriptors have included truly excellent, successful working mom and at the same time crazy bizarre. Interestingly, the overarching theme when people use the term "dislike" are rooted in jealousy — for instance, consider this sample tweet: "I dislike Sheryl Sandberg because she's my age and a reminder of just how much of a complete failure I am. Don't get me started on Mayer." Meanwhile, Anne-Marie Slaughter, former director of Policy Planning at the U.S. State Department, has been depicted as an amazing, successful mother along with destructive and not a good wife. People comment that they don't like that she stirred up controversy.
All three women have been criticized as being privileged and out-of-touch. Let's parry here and say that whether they are or not, we see from the data that taking a stand has come at a social cost. This suggests that, when Sandberg penned the words in Lean In, "Writing this book is what I would do if I weren't afraid," she had reason to demur. But she spoke up anyway. As did Slaughter, and Mayer, notwithstanding the uproar that the latter must have anticipated when she made the decision to ban telecommuting at Yahoo.
Despite the costs to their own reputations, we're glad they took the risk.
When highly visible leaders stick their necks out, it makes it easier for the rest of us. Recently, one of us (Whitney) was sitting in a classroom where the teacher had declared the class over and indicated he wouldn't take any further comments. One of the students, a woman, had sat there with her hand politely raised for several minutes, being ignored, while two different men called out their opinions and were acknowledged. After class, I mentioned this discrepancy to the professor and mentioned Sandberg's book. He has since self-corrected. In another instance, I was leading a corporate panel and noticed that 80% of the speakers were men, despite the majority of the people in the room being women. Again, Sandberg's book made me feel empowered to speak up about this inequality in a way I wouldn't have before. And when a board chairman spoke to me about wanting to fill a board seat with a qualified woman, I wondered whether such total transparency would have happened a year ago.
While these real-life anecdotes are tougher to quantify than social media mentions, we hope that they reflect a similar surge in conversations offline that demonstrate and embody the intricacies of a woman's relationship to work and home. Because there's a lot to talk about. And no one person has the answer.
But when you put three women on a board, or in this case, in a movement, they can become agents of change. It's too early to know the full impact Mayer, Sandberg and Slaughter will have, but early reports suggest that in their impressive, truly excellent, amazing advocacy for their own opinions, this trio is ultimately advocating for every woman.
Whitney Johnson (@johnsonwhitney) is a frequent speaker and advisor on innovation and the author of Dare, Dream, Do: Remarkable Things Happen When you Dare to Dream. Lisa Joy Rosner (@lisajoyrosner), the award-winning Chief Marketing Officer at NetBase, is a social business evangelist, writer and speaker.


text:
Dietrich Spangenberg (* 25. Juni 1922 in Dömitz, Mecklenburg-Schwerin; † 3. August 1990 in Berlin) war ein deutscher Politiker der SPD. Er war von
1967 bis 1969 Senator in West-Berlin, von 1969 bis 1974 Chef des Bundespräsidialamtes und anschließend bis 1982 Staatssekretär im Bundeskanzleramt und Beauftragter der Bundesregierung für Berlin.

Leben und Beruf
Spangenberg begann nach dem Abitur 1942 ein Medizinstudium in Greifswald, wurde aber noch im gleichen Jahr zur Wehrmacht eingezogen und später mit dem Deutschen Kreuz in Gold ausgezeichnet. Nach dem Attentat vom 20. Juli 1944 wurde er wegen Sympathien mit den Widerstandskämpfern in die Strafdivision 999 versetzt und geriet bei Kriegsende in sowjetische Gefangenschaft. Nach der Entlassung arbeitete er zunächst am Wiederaufbau des Krankenhauses in seiner Heimatstadt Dömitz mit, ehe er 1947 sein Studium in Berlin fortsetzte. Dort gehörte im Jahr darauf zu den studentischen Vertretern des Gründungskomitees der Freien Universität Berlin, war 1950/51 AStA-Vorsitzender an der FU und leitete anschließend bis 1958 das Amt für gesamtdeutsche Studentenfragen des Verbandes Deutscher Studentenschaften, das sich um das Schicksal politisch verfolgter Studenten in der DDR kümmerte. 1958 wechselte er ohne formellen Studienabschluss in den Berliner Landesdienst und leitete bis 1963 zunächst die Landeszentrale für politische Bildung.

Spangenberg wurde auf dem Friedhof Dahlem in Berlin beigesetzt.

Partei
Laut einer Recherche der Wochenzeitschrift Focus soll Spangenberg als 18-Jähriger in die NSDAP eingetreten sein. Nach dem Zweiten Weltkrieg war Spangenberg Mitglied der SPD. Er gehörte viele Jahre dem vom Parteivorstand berufenen Kuratorium des Gustav-Heinemann-Bürgerpreises an.

Öffentliche Ämter
Von 1963 bis 1967 war Spangenberg unter seinem Mentor Willy Brandt Chef der Senatskanzlei von Berlin. 1967 übernahm er für wenige Wochen die Leitung der Senatsverwaltung für Inneres, um anschließend bis zum 4. Juni 1969 Senator für Bundesangelegenheiten zu sein. Nach der Wahl Gustav Heinemanns zum Bundespräsidenten wechselte er als Staatssekretär in das Bundespräsidialamt, das er während der gesamten Amtszeit Heinemanns leitete. 1974 wurde er als beamteter Staatssekretär in das Bundeskanzleramt berufen und war bis zum Regierungswechsel 1982 Bevollmächtigter der Bundesregierung in Berlin. Seit 1977 war er außerdem Staatssekretär im Bundesministerium für innerdeutsche Beziehungen.

Literatur

Weblinks

 Kurzbiografie auf berlin.de

Einzelnachweise und Anmerkungen

Chef des Bundespräsidialamtes
Senator von Berlin
NSDAP-Mitglied
SPD-Mitglied
Träger des Großen Bundesverdienstkreuzes mit Stern
Träger des Verdienstordens der Italienischen Republik (Großkreuz)
Träger des Deutschen Kreuzes in Gold
Deutscher
Geboren 1922
Gestorben 1990
Mann

redpajama_set_name: RedPajamaWikipedia


text:
Directed By: Peter Weir
Starring: Rachel Roberts, Anne-Louise Lambert, Vivean Gray
Tag line: "A recollection of evil"
Trivia: Executive producer Patricia Lovell admits to being genuinely afraid of Hanging Rock. In an interview she explained that she has only gone back to Hanging Rock once since the shooting
For years, I was a bit hazy as to whether or not Peter Weir's 1975 film Picnic at Hanging Rock was based on an actual event (turns out it wasn't; while Hanging Rock itself is a very real locale in Victoria, Australia, the story is a complete fabrication). But then, a picture as hauntingly mysterious as this one practically invites such ambiguity. As gorgeous as it is bewildering, Picnic at Hanging Rock is a movie you're destined to think about for days afterwards.
Valentine's Day, 1900. A group of girls from Appleyard College head to Hanging Rock, a geological formation situated near Victoria's Mount Macedon, for a picnic. Chaperoned by two of their teachers, Miss McCraw (Vivean Gray) and Mademoiselle de Poitiers (Helen Morse), the girls enjoy what appears to be a peaceful day in the country. But their quiet afternoon takes a dark turn when three students, Miranda (Anne-Louise Lambert), Marion (Jane Vallis), and Irma (Karen Robson), as well as Miss McCraw, disappear without a trace.
As the police, led by Sgt. Bumpher (Wyn Roberts), carry out their investigation, the college's headmistress, Mrs. Appleyard (Rachel Roberts), struggles to keep her school afloat amid all the bad publicity. The police fail to turn up any clues and abandon their search, at which point young Michael Fitzhubert (Dominic Guard), who was picnicking in the area at the same time and was the last person to see the girls before their disappearance, feels compelled to take matters into his own hands. With the help of his family's servant Albert (John Jarratt), he attempts to solve this puzzling case, and what he finds during his time at Hanging Rock will shock not only the local authorities, but all of Australia as well.
Throughout the movie, director Peter Weir weaves an aura of mystery around Hanging Rock; along with a few strange occurrences (during the picnic, both Miss McCraw and Mr. Hussey, who drove the cart that brought the girls to the area, notice their watches stopped at exactly noontime), he shoots the formation in such a way as to make it look very foreboding (in several scenes, he places his camera down low, giving the illusion that the rock is towering over his characters). As a result, we feel a bit uneasy whenever the action switches back to this seemingly menacing locale; when Michael Fitzhubert, determined to find the girls, decides to spend the night at Hanging Rock, we fear for his safety and wonder if we'll ever see him again. Along with introducing a sense of dread into the proceedings, this also adds a supernatural element to the movie that makes its central mystery all the more perplexing.
A beautiful, well-acted motion picture that will have you turning its story over and over again in your head, Picnic at Hanging Rock is one of the seminal Australian films of the 1970's and, in my opinion, ranks among the greatest the continent ever produced.
Now...THIS is a great film. One of those rare movies that's absolutely unforgettable. Believe it or not, the book's even better. (I know, almost impossible to believe.)
#1,842. How to Hook Up Your Home Theater (2007)
#1,843. Paperman (2012)
#1,844. The Tracker (2002)
#1,845. Starstruck (1982)
#1,846. Age of Consent (1969)
#1,847. Newsfront (1978)
#1,848. The Dish (2000)
#1,849. The Survivor (1981)
#1,850. We of the Never Never (1982)
#1,851. Australia: Land Beyond Time (2002)
#1,852. Wild Australia: The Edge (1996)
#1,853. Lost After Dark (2014)
#1,854. The Canal (2014)
#1,855. Containment (2015)
#1,856. Skyscraper Symphony (1929)
#1,857. Breathe (2011)
#1,858. The Horseman (2008)
#1,859. Long Weekend (1978)
#1,860. The Getting of Wisdom (1978)
#1,861. Fantasm (1976)
#1,862. Mission to Mir (1997)
#1,863. Mad Max: Fury Road (2015)
#1,864. Bad Boy Bubby (1993)
#1,865. Romper Stomper (1992)
#1,867. Breaker Morant (1980)
#1,868. The Adventures of Priscilla, Queen of the ...
#1,869. Don's Party (1976)
#1,870. The Devil's Playground (1976)
#1,871. My Brilliant Career (1979)

redpajama_set_name: RedPajamaCommonCrawl


text:
Showing results for tags 'start screen'.
start screen
How can I customize the start screen in Windows 10 using Intune
anyweb posted a topic in Microsoft Intune
Introduction I've been doing a lot of testing with Windows AutoPilot recently (blog post coming soon), and as part of that testing, I wanted my Windows 10 version 1709 (Fall Creators update) devices to have a customized start screen (or start menu as people often refer to it) with some Office applications and device configuration profiles installed. The ability to customize the start menu in Windows 10 is nothing new but I ran into some issues with the process, as I was using a 32 bit version of the Office Suite so I thought I'd document the fix here. The issue I observed was that after creating the XML file, importing it into Intune and deploying it out to Windows 10 devices, instead of getting the Office icons in the start screen, they got blank boxes, and those boxes never populated with icons even after Office was installed. Some internet searching and digging found the answer but it wasn't that clear what you had to do, hence this guide. A newly installed Windows 10 version 1709 start menu can look quite a consumer oriented mess, such as the one shown below. This is definitely not what you want to see in your Enterprise. In this post you will deploy the Office 365 suite to Windows 10 version 1709 devices and then customize the start menu before capturing it to an XML file, editing the XML file and then deploying it using Intune. Note: When a full Start layout is applied with this method, the users cannot pin, unpin, or uninstall apps from Start. Users can view and open all apps in the All Apps view, but they cannot pin any apps to Start. When a partial Start layout is applied, the contents of the specified tile groups cannot be changed, but users can move those groups, and can also create and customize their own groups. Step 1. Configure the Office 365 suite in Intune (optional) Customizing a start menu makes sense in an Office environment particularly when your users expect their Office apps are easy to reach. But before you can do that you'll configure Office to install on some Windows 10 devices. In the Intune service in Azure, click on Mobile Apps, and then select Apps. Click on + Add and then select Office 365 Suite and Windows 10. Click on Configure App Suite, make your selections and click OK Next click on App Suite Information, fill in the information and click ok. and next click on App Suite Settings, make your choices for Servicing (Office Updates) and Language options and click on OK then OK again. As I like to use WIP I have selected Monthly (targeted) to get the latest versions of office quickly. Note: When choosing whether you want to assign the 32-bit, or 64-bit version of Office. You can install the 32-bit version on both 32-bit, and 64-bit devices, but you can only install the 64-bit version on 64-bit devices. When done configuring click on Add. Next you need to Assign (deploy) the Office Suite to a group of users by clicking on Assignments. After clicking on Assignments, select a Group of users, then select the type of assignment, in this case I choose Required so that it is automatically installed. Click on Save when done. For more info on Configuring the Office 365 Suite in Intune see https://docs.microsoft.com/en-us/intune/apps-add-office365 Step 2. Customize the start menu on a Windows 10 device On an enrolled Windows 10 device, login as a user that is targeted with the Office 365 Suite assignment created in Step 1, and wait until the Office 365 suite has deployed. You can verify this in Intune using the App install status for the user (or device) by selecting the app in Monitor, App Install Status. Once the Office 365 Suite is installed, start customizing the Start menu by unpinning unwanted apps by right clicking on an app you want to remove, and choosing Unpin from Start. After you've unpinned all the apps you want removed, it's time to pin your Office apps, to do that, highlight an Office app, right click and choose Pin to Start. repeat the above until you have all the apps you want to appear on the start screen, in the size and location of your choice. Give the Office group a name by typing text above it. After you are done you'll have a finished start screen something like this one. Step 3. Export the start screen Start PowerShell as Administrator on the device with the customized start screen. Export the start screen using the following command Export-StartLayout -path C:\startmenu.xml Note: If the Start layout that you export contains tiles for desktop (Win32) apps or .url links, Export-StartLayout will use DesktopApplicationLinkPath in the resulting file. Use a text or XML editor to change DesktopApplicationLinkPath to DesktopApplicationID. See Specify Start tiles for details on using the app ID in place of the link path. As you selected Office 365 Suite with 32 bit architecture, you'll need to modify the XML file otherwise no Icons will appear on the users start screen. But before doing that you'll need to identify the DesktopApplicationID for each Office App in the start screen. To do that, list the start apps using Get-StartApps cmdlet. Now that you have the info needed, you can modify the XML file. Using notepad or an XML editor, open the file C:\StartMenu.xml Replace all instances of DesktopApplicationLinkPath with DesktopApplicationID. Next, replace the DesktopApplicationLinkPath text eg: "%ALLUSERSPROFILE%\Microsoft\Windows\Start Menu\Programs\Excel 2016.lnk" for each office app, with the correspoonding AppID from the Get-StartApps cmdlet eg: "Microsoft.Office.EXCEL.EXE.15" Here you can see the modified xml file. Save the modified file to your Desktop. Here is a copy of the modified file for your information. startmenu.xml Step 4. Create a device configuration profile in Intune In Intune in Azure, click on Device Configuration, click on Profiles and then click on + Create Profile. In the Create Profile blade, give it a suitable name such as Windows 10 - Office 365 suite start screen (so you can easily search for it later) and choose Windows 10 and later as the platform and then select Device restrictions. For Settings, click on Start (from the options available, scroll down) and then select the previously created XML file. There are many more settings which you can configure in the Start settings, but for now, this is all you will configure. Click on OK when done, then click OK again, and finally click Create. Next, you need to Assign the device restriction, so click on Assignments and assign it to the User Group that you deployed Office to, in this case, the Office 365 suite users group. Click on Save when done. Step 5. Review the end result On a Windows 10 version 1709 device sign in with credentials of a user that is in the Office 365 Suite users Group. If you login immediately after enrolling, then the Office 365 suite will not yet be installed, but it will have pulled down the policies including the custom start screen, it will look like so... This is expected behavior and all the user has to do is wait until Office 365 get's installed (12 minutes or so). The icons will automatically appear as soon as each app is installed. And here it is, job done ! Recommended reading https://docs.microsoft.com/en-us/intune/apps-add-office365 https://docs.microsoft.com/en-us/windows/configuration/customize-windows-10-start-screens-by-using-mobile-device-management https://docs.microsoft.com/en-us/windows/configuration/customize-and-export-start-layout#customize-the-start-screen-on-your-test-computer https://docs.microsoft.com/en-us/windows/configuration/start-layout-xml-desktop#specify-start-tiles https://www.windows-noob.com/forums/topic/15773-how-can-i-enable-mdm-auto-enrollment-for-microsoft-intune-in-azure/
windows 10 fall creators update


Learn how to make an amazingly easy hot glue mermaid tail necklace with this tutorial!
Over 90% of the ocean remains unexplored – you can't prove there aren't mermaids! If you want a fun and easy mermaid necklace to celebrate summer, then this tutorial is for you. Today I'm demonstrating how to make a hot glue mermaid tail necklace and then turn it into a fun necklace that's 'splash proof' so you can wear it to the beach.
This mermaid tail necklace is easy to make and fun to color – I hope you give it a try!
A silicone mermaid tail mold. Make sure your mold is silicone, not plastic! I used the smaller tail from this set (and it's pretty large!) From the top to the longest tail point, it's 3″. I do not recommend going any larger than this; smaller will be easier to work with.
Hot glue gun and sticks. I highly, highly recommend a mid or full sized hot glue gun. You can use a mini, but it's more annoying/difficult.
High temp hot glue has a shorter 'open time,' but will be more durable in the long run.
Low temp is easier to work with, but your necklace won't be able to withstand the hot summer sun as well.
You can use colored glue sticks and skip the alcohol inks/markers, but I used plain hot glue.
Alcohol inks in mermaid colors.
You can also use alcohol or pigment based markers. Copics, especially more vibrant colors, work on hot glue but tend to look better on smaller projects. Le Plum markers work okay and will do in pinch.
Piece of foil or crafting mat, if you're using alcohol inks.
White acrylic paint and a flat paintbrush – optional but recommended.
A small screw eye for jewelry.
A cord, chain, etc. for stringing your necklace. I used a silk cord from Etsy seller Jamnglass.
If you work with hot glue a lot, you absolutely need to have silicone finger protectors! I don't even know how many times I've burned myself with hot glue, but these little things can keep your fingertips safe!
Heat your hot glue gun and have a couple spare sticks on hand.
When it's good and hot, begin filling your mold.
I worked from the 'deep end' out to the tail, filling the body to about half the mold's depth before moving on the tail, then returning to fill in the body.
Try to work in a continuous sweeping motion to keep the 'open' end of the glue connecting to the new glue, but don't stress too much because it will all stick together, anyway. The hot glue will also level itself out pretty well if you work quickly, so don't fret over every little lump and bump on the back.
Wait for the glue to cool completely before demolding the tail. I was impatient and ruined my first attempt because the middle of the body portion wasn't cool! I suggest waiting 10 minutes or so to be safe.
Remove any strings or bumps, if necessary. You can frequently just pull them off, but a sharp hobby knife can help, too. It doesn't look like much now, but magic is about to happen!
If you're using markers, start coloring! I tried to blend the Copics on one experimental tail, but they didn't blend very well and the colors weren't as vibrant as the alcohol inks. I ultimately used my Copics for a little shading on the sides and back of the tail, but not the front.
To use alcohol inks, protect your work surface with foil or a crafting mat. I like to make a sort of dish with foil by bending up the edges to contain any excess ink. Drop ink on and watch it do its thing! Alcohol inks do blend well on the tail.
Layer on more inks, if you'd like, or flip the tail and add some on the back. As I mentioned above, I used alcohol inks on the tail's front but used Copics to lightly shade the sides and back.
Once all your inks/markers are dry, you can very lightly dry brush some white acrylic paint on the raised areas to really make the details sing. To dry brush, get just a little bit of paint on a flat brush, wipe most of it off on a paper towel, then highly run the brush across the raised areas. Repeat as needed. Because acrylic paint is water based, don't hop in the pool with your necklace if you go with this option! It won't instantly melt away from a little splash, though, so don't worry about hanging out near the water. If you want your necklace to be totally 'splash proof,' you can use a q-tip dabbed in a little rubbing alcohol to carefully scrub away some ink on the raised areas for a similar effect.
Screw your screw eye into the top of the mermaid tail, string on cord or a chain, and enjoy!
I attached a starfish charm to each end of my cord to add a bit more beachy flair.
My favorite might be this mermaid picture frame. It's so lovely and shimmery!
Have you tried filling molds with hot glue yet? What's your favorite way to color hot glue? Are you also totally addicted to mermaid crafts?
Thank you! I really want to make more with hot glue after we get our household goods back – it's surprising how nice hot glue items can look!


text:
Born Bone Born (2018)
Director: Toshiyuki Teruya
Notable Cast: Ayame Misaki, Eiji Okuda, Michitaka Tsutsui, Yoko Oshima
"Is this really Japan?"
"On paper at least."
A strong majority of films deal with death in some regards. Whether it's the absurd body count of action and horror films or how death represents such a strong dramatic shift for other genres, it's a topic that often comes up in one way or another. Perhaps it's not so unusual that the first two films I would see for Japan Cuts 2018 start off with a funeral sequence. However, Born Bone Born is not nearly as heavy of a cinematic experience as Blank 13 and instead opts for a more comedic slant to the familial drama that populates the dramatic cinema landscape. To its benefit, Born Bone Born features some solid performances, an intriguing balance between tone, and a fantastic sense of purpose and drive that keeps the audience hooked.
Initially, the premise of Born Bone Born seems to be a bit too by the numbers as it introduces the family in the wake of mourning the mother who has passed away. It introduces us to a variety of family members and after an initially humorous opening (odd as it is that it takes place at a funeral on a small island in Japan) it proceeds to jump forward four years as the family comes back together to perform a secondary ritual to complete the closure for her death. It's at this point that the film starts to add in some interesting elements to the usual dramatic fair.
Naturally, each member of the family has some problems that they bring to the table, including alcoholism, a surprise pregnancy, and the usual family disfunctions that tend to be the crux of these kinds of films. The manner that the film builds to the second ritual in the third act is what does carry a lot of the film's momentum. The audience is never really sure what that ritual is or what it will look like as hints are given through some of the small banter and character interactions. It helps immensely as a new character is added in the second act to be a liaison for the audience to learn about this small rural island, the family dynamics, and the idiosyncrasies of their lives. Even then, the film occasionally falls into the trappings of being a predictable story that hammers down on the usual dramatic beats in terms of dramedy.
Fortunately, even when Born Bone Born is running too predictable, the execution is well done. Director Toshiyuki Teruya knows how to really make the heart and humor fluctuate in balance with one another and the one-liners that might pop up in a heavily dramatic moment or the thoughtfulness to the character chemistry in the silly banter that arises feels natural in most sequences. The greatest sin that a film can ever commit is to be boring and that is something that the nuanced performances and strong sense of timing from the director never allows. The film might have trimmed a few moments here and there to cut down its almost 2-hour runtime and there are moments where the thematic message hammers down onto the audience (including the voice over at the very end that blatantly spells everything out), but ultimately the film has a strong sense of what it wants to be and delivers on that premise.
For those looking for a film that delivers on some great jokes and has a lot of heart behind the usual dramatic familial interactions, you can't go wrong with Born Bone Born. The film has some great chemistry and balance of tone is impeccable. Even when the film meanders down roads of being predicable or a little too long for its material, it sells it with a heart of gold.
Posted by DarkReif at 7:58 PM
Labels: Comedy, Drama, Japan Cuts 2018, Toshiyuki Teruya
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text:
Court Decides Lord Ayyappa's Destiny
Chiranjeevi BhatSeptember 29, 2018
The Court finally disposed the Sabarimala case ruling that all women can now enter the temple. Reason given by the 5-Member bench of Supreme Court is that Article 25 of the constitution guarantees freedom of conscience and free profession, practice and propagation of religion. Additionally according to Article 14-15 of the constitution, State shall not deny any person equality before the law or the equal protection of the laws within the territory of India and prohibits discrimination on grounds of religion, race, caste, sex or place of birth. This ruling comes with a 4:1 majority which means that 4 Judges ruled in favor of allowing women to enter Sabarimala and one judge was in favor of preserving the tradition and sacredness of Sabarimala.
Hon'ble Justice Indu Malhotra was the sole Judge on the bench who gave the dissenting judgement. She said that this petition should not have been entertained in the first place. While pronouncing her judgement, she said that "In matters of religion and religious practices, Article 14 can be invoked only by persons who are similarly situated, that is, persons belonging to the same faith, creed, or sect. The Petitioners do not state that they are devotees of Lord Ayyappa, who are aggrieved by the practices followed in the Sabarimala Temple. The right to equality under Article 14 in matters of religion and religious beliefs has to be viewed differently. It has to be adjudged amongst the worshippers of a particular religion or shrine, who are aggrieved by certain practices which are found to be oppressive or pernicious." She also clarifies, "Sabarimala temple is bound by Article 25 of the Constitution. And it is not tenable to examine this religious matter only through Article 14".
However, by a majority of 4:1 entry of women to Sabarimala has been allowed. Without casting any aspersions on the decision of the country's highest court and accepting the same, let us consider the repercussions of this verdict
A significant aspect of this judgement where women have been allowed entry is the fact that the 4 who ruled in favor are men. The only dissenting judgement came from a woman member. Justice Indu Malhotra's dissenting judgement is based on sound reasons.
According to Justice Chandrachud, no one should be denied their rights based on their bodily attributes. This means that not just women, but anyone can go to Sabarimala. This also means that women can visit even during their menstruation.
In effect, saying anyone can go there, is akin to equating Sabarimala temple to a mosque or a church. People may even romanticize this saying that this verdict reinforces the notion that "All are equal". Fact of the matter is that temples are not like mosques or churches and hence such comparisons are irrelevant.
The reasons are highlighted here
Church: Church is a prayer hall or a place for people to assembly and offer their prayers. Thus anyone without any distinction can visit a Church. As you must be aware, even alcoholic beverage like wine is also given here.
Mosque: As Hon'ble Supreme court ruled in the Ram Temple case, mosques are not integral to Islam. Further, in Islamic nations mosques are demolished for road widening or such developmental activities. It is merely a place for Muslims to offer their Namaz and nothing else.
Temple: Temples in India are of a different nature, especially those in South India. Unlike mosques or churches, a temple is not constructed overnight. Temples of the South India have backgrounds that have a Puranic (Scriptural) significance. There are temples that are built for Self-emerged Idol. There are many with glorious historicity and built as prescribed in Agama shastras. You cannot hop into these places wearing a Bermuda shorts. Each temple has its own traditions.
If anyone can go to such altered Sabarimala, why do you even call it Sabarimala? Why don't we call it St Mary's church? The sacredness of Sabarimala is observance of 41 days of religious vow before we go a pilgrimage. Isn't it unholy if you don't observe the basic requirement and visit the temple? The essence of the judgement is Right to Religious practice and Right to Worship guaranteed by the Constitution under Article 25. Will someone who has had a bereavement in the family be allowed into the temple if he says: "Agreed I am not supposed to visit any temples during the mandated mourning period of 11 days, but I have rights under constitution to worship"?
Menstruating women will now be allowed to enter the temple. We may also have to allow someone claiming that they have breathing trouble hence cannot bathe every morning for 45 days, and also cannot carry the ceremonially prepared Irumudi Kettu, yet want to ascend the 18 holy steps and have a darshan of Lord Ayyappa. Won't this affect the sacredness of the place? Even Lord Ayyappa may lament being seated there.
Historically we find such examples during Tipu's rule. This perverted ruler Tipu used to instruct his people to throw pieces of cow's meat (Beef) into the temples to mar the sacredness of the place. The idea behind this was to ensure that people would avoid visiting temples out of disgust thus letting it fall into ruins. The only difference is that this perversion has made its appearance in a polished form. Any blood is considered unholy for the temples. Will the sanctity of the temple be maintained if menstruating women visit temple? This is the question that the verdict raises.
Kerala recently witnessed massively destructive floods. Few thousands lost their lives and many are missing. Thousand others have lost their homes and belongings and are left with almost nothing. Rivers that rose and caused this destruction are River Periyar and River Pampa. This may not stand test of logic or even be mocked by others. Whether it is coincidence or God's wrath is a conclusion left to the reader. Aren't these river that flooded the state emerging from the ranges of Sabarimala? It flows down from these mountain ranges. Yet should we still think there is no relationship between the demands for women's entry to Sabarimala and floods?
Is it enough to accept the verdict to allow women into Sabarimala? Aren't other logistics and arrangements necessary? In a case Travancore Devaswom Board vs State of Kerala, High court has endorsed the Central Government order disallowing felling of trees or erecting any permanent constructions or engaging in any new constructions in Sabarimala. It is to facilitate unhindered access of the path and free movement of wild animals in the forest range. Some the existing structures have been ordered to be demolished.
When there is a ban on construction activities, how can the facilities like rest rooms, lodging for women be arranged? Do they have to file another Public Interest Litigation and wait for years?
Not many in India may be aware that there are 5 temples of Lord Ayyappa in Kerala. It is believed that all the five have been built by Parashurama. These are temple for Ayyappa
in child form (Bala Shasta) in Kulathupuzha
as youth in Aryankaavu
as a Grihasta (Householder) in Acchankoil
as Yogi in Ponnambalamedu.
These are not merely temples but a reflection of the 5 phases of life. All these temples permit women to worship. It is only Sabarimala that had prohibited entry of women. Since it was in a very important phase in life, there are a number of restrictions.
Why then, did the Muslim who filed this Public Interest Litigation specifically in respect of Sabarimala, disregard other temples?
It is probably for this reason that Justice Indu Malhotra observed that unless a community's problem is brought to court's attention by believers from same community, courts should not entertain or intervene. Her dissenting judgement also is an indication that she was aware of the intention being this PIL.
There was a verdict allowing touching of the Idol in Shani Shinganapur. Apart from Trupti Desai, very few ladies visited that place till date. When my Mother who is a regular temple visit devout person as to when she was going to Sabarimala, she replied, "Why should I nullify the merits of my worships and temple visits so far by visiting Sabarimala where the age old traditions and customs have been violated? There are other temples. I will go and pray there"
Even in case of Sabarimala, it would be similar. Those who are real devotees will wait. Others will gloat saying we were victors in the court.
Finally, the moment Sabarimala became Sabarimala case, God has been violated. I leave it to the women now!
The article originally appeared in Kannada newspaper Hosa Digantha and has been translated and published with author's permission.
Featured Image: Barandbench
Chiranjeevi Bhat
Chiranjeevi Bhat is a journalist at Hosa-Diganta. Previously he has worked in Vishwavaani, Kannada Prabha, Suvarna News 24/7 and Samaya News. His writings will be mainly on security related issues, politics, distortion and appropriation. You can follow him on Twitter @mechirubhat or can read his Kannada Articles in www.chirubhat.com
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film profile] is quite an intriguing feature film that mirrors the individual and social alienation central to its plot via its form (through extreme close-ups that impose an oppressive tunnel vision on the audience and editing choices devoid of any emotion), to such a point that the result is physically difficult to watch – as well as being actually quite terrifying!
The Real Estate is the product of a world squashed between the metaphorical and real walls that block our view of migrants, begging on the streets outside, and of all the human tragedy reported in the news. The film's narrative, which focuses on walls, with a recurrent fire motif, almost presents itself as a variation on the choking/confinement motif, but viewed as a generalised phenomenon. And so, when Nojet (Leonore Ekstrand), 68, inherits a shabby and poorly-kept building whose tenants are exploited by opportunists who are just as entrenched in the building as they are, she feels surrounded on both sides.
This rich property owner (who dares to stress that "in Sweden, we say home free"- and not homeless...) is overwhelmed by her imposing inheritance and is essentially withdrawn in her possessive individualism ("none of that makes me happy, but I don't want to rack my brains over it," she says). Because she can. She can take care of her body, aging just like her world (at the hairdressers or at the gym...), and even pleasure it (through sexual exchanges), while others wander the cold streets. The homeless even serve as the subject of a comedy musical produced by one of her friends, with all the rehearsal problems that ensue. There is also a scene in which a man is outraged when his hotel puts all the eggs (soft and hard boiled) in the same bowl... Life's so hard!
Nojet is offered some Swedish farm eggs in another scene, which leads us into the film's final act, but she has no interest in returning to the true nationalism that her all-white automatic-weapon-obsessed lawyer is passionate about. She forges ahead, encouraging his small terrorist project on the Internet and following the historical logic of the alienation of Western society to its conclusion, without any moral to the story, precisely because morality been chased out of the home.
The Real Estate intentionally stirs up feelings of rejection. If the film's images are physically difficult to watch, its abject heroine, and all that she represents, is even more so, especially as she's often shot in extreme close-up. The film is actually difficult to like, but that's precisely the point, and it's important to understand that the harmony between the film's virulent offering and the physical reaction it causes due its formal composition is a gesture of cinema in itself from directors Petersén and Månsson.
The film, produced by Flybridge in Stockholm in co-production with companies Across The Alley and Giants & Toys (Sweden) as well as Entertainment International (United Kingdom), is sold internationally by the German outfit The Match Factory.


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I recently project managed an event at the Market Square building at Crocker Park for American Greetings All-Associate Meeting. The facility is clean, well-equipped, and easy to work in. Eric Mayer (Sales & Events Manager) was our venue contact and was a pleasure to work with. The giant glass doors made the space feel very open and gives a lot of natural light into the room, I'd definitely recommend hosting any social or corporate event here.
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In October 2017, following more than two years of consultation, we submitted our planning application to Southwark Council for the former Peek Frean and Bermondsey Campus site. The plans and all supporting documents can be viewed here by entering reference number 17/AP/4088.
We would encourage you to participate in this and provide your feedback in this final and important part of the process.
Thank you to everyone that has contributed their ideas and views throughout this process and which have helped to shape and inform our proposals. The Statement of Community Involvement, provides details on the consultation process as well as a summary of the responses and feedback that we received. You can also read more about our approach to legacy and the benefits delivered through our engagement and investment plans here.
If you have any questions on the proposals or any of the information that is available, please don't hesitate to get in touch with us at bermondsey@grosvenor.com.
Grosvenor and The Blue Bermondsey Business Improvement District joined forces to ask local residents and businesses for their views on the area's future.
This project has now finished but you can see what people had to say below.
We believe in ongoing dialogue with stakeholders and our local communities.
In October 2015 we introduced Grosvenor, our approach and initial thinking for a new part of this urban neighbourhood.
Click here to download Chapter Two of our engagement and consultation report, which sets out the feedback and comments we received on this emerging thinking.
To further explore several of the key themes that emerged from this early phase we held three discussion sessions in May & June 2016. These were focused on Heritage, Streets & Spaces, and Integration.
In March 2017 we updated on the emerging plans at a series of public drop-ins. We reported on what we heard in the first part of Chapter Three of our engagement and consultation report.
We shared our proposed masterplan through a series of public events and briefings in June 2017. We reported on what we heard in the second part of Chapter Three of our engagement and consultation report.
We presented our final proposals in three public drop-ins 5-7 October 2017.
We have reported on everything we heard, in this phase and in previous phases, in our Statement of Community Involvement which accompanies the planning application submitted to Southwark Council.
© 2019 Belong in Bermondsey. All Rights Reserved.


Dr. Cavallo received his medical training at The Mount Sinai School of Medicine and was asked to remain at The Mount Sinai Medical Center for his orthopedic residency. After this, he went on to become subspecialized in not only Sports Medicine and Knee Surgery but also Shoulder Surgery while performing a dual fellowship at Duke University Medical Center. Dr. Cavallo's interest and commitment to sports medicine has led him to be the team physician for numerous high schools and colleges in the Westchester and Stamford areas. His surgical patients include athletes currently competing in the National Football League and Bellator MMA as well as Olympic competitors.
As a team physician, he takes great pride in preventing injuries and keeping athletes healthy and on the field. When injuries do occur, aggressive, non-operative approaches always take precedence. If the need for surgery arises, state-of-the-art techniques are employed to maximize functional return while shortening recovery times. Whether it's treating the weekend warrior or operating on the professional athlete, the approach and expectations are always the same.
Dr. Cavallo is honored to have been asked to participate in the collaboration between Stamford Health and Hospital for Special Surgery. He is extensively published in orthopedic literature on a variety of topics including enhancement of fracture healing, joint reconstruction, shoulder instability and anterior cruciate ligament reconstruction. Dr. Cavallo has lectured at numerous international conferences, including the American Academy of Orthopaedic Surgeons and the American Orthopaedic Society for Sports Medicine. He is also a proud recipient of the Castle Connelly Top Doctor Award 2016 for Orthopedic Sports Medicine and Shoulder Surgery, and is listed as a Top Doctor New York Metro Area, Westchester Magazine Top Doctor 2016 and Fairfield County Magazine To Doctor 2016. Additionally, he was chosen for the Vitals Patient's Choice 5 Year Award spanning 2016-2021.


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Home » Physcial And Health Education (P.H.E) » SCHOOL HEALTH PROGRAMME
SCHOOL HEALTH PROGRAMME
Mrs Okolie
Physcial And Health Education (P.H.E)
School health programme can be defined as the health activities for the child and staff for the benefit of both with the purpose of promoting teaching and learning.
It can equally be defined as all health practice and services available in the school to promote the health of the students and the staff of the school. The following people are involved in school health programme:
The principal
The school doctor
The health counselors
Labourers/others
Components of School Health Programme
A school health programme has been conveniently divided into four interrelated areas:
Healthful school environment
School health education
School community relationship.
School Health Education: This aspect deals with the provision of knowledge, health attitude and practices to the pupils or students.
School Health Services: This is concerned the provision of health services in the school for the well-being of the child and staff. It involves provision of emergency care, protection from communicable diseases, counseling and child's health assessment.
Healthful School Environment: This aspect involves the provision of a clean physical environment and healthy human interaction between the school staff and pupils.
School Community Relationship: This deals with relating school health as an aspect of community health. It is aimed at relating school health problems to that of the community for the good of the child, parents and the school.
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100 DIET TIPS
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We built School Portal NG to specially serve as an alternative means to provide free education for the less-privileged children or children born to low-income earners, adults who otherwise cannot afford to finance their way through school.
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WATCH: Blumhouse Time Travel Thriller 'Don't Let Go' Trailer
Wed, 17 Jul 2019 5:09 PM Movies
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Wall-E (2008)
G Animation, Comedy, Family | 1 hr 45 m
5.0 - critic's rating | read review
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2:47	Wall-E - Featurette (A Space Journey in Sound) posted on July 16, 2008
2:32	Wall-E - Featurette (Lots of Bots) posted on July 16, 2008
0:23	Wall-E - Clip 1 posted on June 30, 2008
1:05	Wall-E - Trailer 4 posted on June 30, 2008
2:24	Wall-E - Trailer 3 posted on June 20, 2008	What if mankind had to leave Earth, and somebody forgot to turn the last robot off? Academy Award®-winning writer-director Andrew Stanton ("Finding Nemo") and the inventive storytellers and technical geniuses at Pixar Animation Studios ("The Incredibles," "Cars," "Ratatouille") transport moviegoers to a galaxy not so very far away for a new computer-animated cosmic comedy about a determined robot named WALL-E. After hundreds of lonely years of doing what he was built for, WALL-E (short for Waste Allocation Load Lifter Earth-Class) discovers a new purpose in life (besides collecting knick-knacks) when he meets a sleek search robot named EVE. EVE comes to realize that WALL-E has inadvertently stumbled upon the key to the planet's future, and races back to space to report her findings to the humans (who have been eagerly awaiting word that it is safe to return home). Meanwhile, WALL-E chases EVE across the galaxy and sets into motion one of the most exciting and imaginative comedy adventures ever brought to the big screen. Joining WALL-E on his fantastic journey across a universe of never-before-imagined visions of the future, is a hilarious cast of characters including a pet cockroach, and a heroic team of malfunctioning misfit robots. Filled with surprises, action, humor and heart, WALL-E was written and directed by Andrew Stanton, produced by Jim Morris, co-produced by Lindsey Collins and features original and innovative sound design by Academy Award®-winner Ben Burtt ("Star Wars," "Indiana Jones," "E.T. the Extra-Terrestrial"). The film is due for release on June 27, 2008.
1:39	Wall-E - Featurette (A Hero's Journey) posted on June 20, 2008
2:22	Wall-E - Featurette (The Man and The Machine) posted on June 20, 2008
2:09	Wall-E - Trailer 2 posted on March 19, 2008	What if mankind had to leave Earth, and somebody forgot to turn the last robot off? Academy Award®-winning writer-director Andrew Stanton ("Finding Nemo") and the inventive storytellers and technical geniuses at Pixar Animation Studios ("The Incredibles," "Cars," "Ratatouille") transport moviegoers to a galaxy not so very far away for a new computer-animated cosmic comedy about a determined robot named WALL-E. After hundreds of lonely years of doing what he was built for, WALL-E (short for Waste Allocation Load Lifter Earth-Class) discovers a new purpose in life (besides collecting knick-knacks) when he meets a sleek search robot named EVE. EVE comes to realize that WALL-E has inadvertently stumbled upon the key to the planet's future, and races back to space to report her findings to the humans (who have been eagerly awaiting word that it is safe to return home). Meanwhile, WALL-E chases EVE across the galaxy and sets into motion one of the most exciting and imaginative comedy adventures ever brought to the big screen. Joining WALL-E on his fantastic journey across a universe of never-before-imagined visions of the future, is a hilarious cast of characters including a pet cockroach, and a heroic team of malfunctioning misfit robots. Filled with surprises, action, humor and heart, WALL-E was written and directed by Andrew Stanton, produced by Jim Morris, co-produced by Lindsey Collins and features original and innovative sound design by Academy Award®-winner Ben Burtt ("Star Wars," "Indiana Jones," "E.T. the Extra-Terrestrial"). The film is due for release on June 27, 2008.
1:35	Wall-E - Trailer 1 posted on October 8, 2007	What if mankind had to leave Earth, and somebody forgot to turn the last robot off? Academy Award®-winning writer-director Andrew Stanton ("Finding Nemo") and the inventive storytellers and technical geniuses at Pixar Animation Studios ("The Incredibles," "Cars," "Ratatouille") transport moviegoers to a galaxy not so very far away for a new computer-animated cosmic comedy about a determined robot named WALL-E. After hundreds of lonely years of doing what he was built for, WALL-E (short for Waste Allocation Load Lifter Earth-Class) discovers a new purpose in life (besides collecting knick-knacks) when he meets a sleek search robot named EVE. EVE comes to realize that WALL-E has inadvertently stumbled upon the key to the planet's future, and races back to space to report her findings to the humans (who have been eagerly awaiting word that it is safe to return home). Meanwhile, WALL-E chases EVE across the galaxy and sets into motion one of the most exciting and imaginative comedy adventures ever brought to the big screen. Joining WALL-E on his fantastic journey across a universe of never-before-imagined visions of the future, is a hilarious cast of characters including a pet cockroach, and a heroic team of malfunctioning misfit robots. Filled with surprises, action, humor and heart, WALL-E was written and directed by Andrew Stanton, produced by Jim Morris, co-produced by Lindsey Collins and features original and innovative sound design by Academy Award®-winner Ben Burtt ("Star Wars," "Indiana Jones," "E.T. the Extra-Terrestrial"). The film is due for release on June 27, 2008.
Related Content (8) Read all articles
Year In Film 2008
Peter Gabriel Creates Cosmic Song for Wall-E
A Lonely Robot Becomes A Hero
Meet EVE, The Robot Who Falls In Love With WALL-E
User Rating & Reviews
Love the Male lead Love the Female lead Love the Story Fun and Enjoyable Amazing Visual Effects Magical Inspiring Action-packed Great Fight Scenes Hilarious Lovestruck Heartwarming Nail-biting Thriller Thought-Provoking Screamfest Superb Cast Love the Soundtrack Great in 3D
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After the Wedding - Trailer posted on Thursday July 18, 2019 01:59
Jumanji: The Next Level - Official Trailer posted on Tuesday July 2, 2019 02:48
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Marlee Grace is a performance artist, community organizer, improviser, crafter, maker, and all around enthusiast of life. Born and raised in Grand Rapids, MI, Marlee returned after receiving her BFA in dance from the University of Michigan in June of 2010.
As a part of Dance in the Annex Marlee has had the opportunity to perform at the GRAM, UICA, ArtPrize, Richard App Gallery and RAD dance festival, as well as help organize, teach, and promote classes and create new work for shows at Wealthy Theatre. Marlee is a board member at the Division Avenue Arts Collective where she books shows, teaches the occasional yoga class, and curates the series ART GEOGRAPHIC with her partner/collaborator John Hanson. Marlee's work heavily emphasizes improvisation as a tool for performance, as it creates a platform for chance and risk taking, as well as honors the moment where we make choices and the bravery it takes to push through them. Marlee also makes zines, cards, flyers, scarves, and other kitschy wares under the name BRAVE HABITS.
Marlee is a Shared Space artist-in-residence from July 24th through August 2nd, and will lecture on her work July 29th at 7pm. During her stay she is creating zines and journals and improvising to the rhythm of everyday life in Pentwater.


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C5L5: Westworld is the fifth level of the The Nightmare Levels Expansion for Blood II: The Chosen. It is set in a western ghost town, with a Cathedral, saloon, and a final showdown in the streets (with a Behemoth). It looks like it might have been taken from Caleb's past, but there is no associated plot lines that confirm this.
You must find your way out of this place. All this religious stuff is giving you the creeps.
The town ain't big enough for anyone! Kill 'em all!
Caleb appears, bewildered, in a small room.
CALEB: Oh, my head. A church? Oh, this really is a Nightmare!
He rampages his way out into a ghost town, finding cultists and Beta Reality creatures. Throughout his journey, he fights the forms of the three Undead Chosen, which culminates into a showdown in the streets and then a struggle with a Behemoth. Afterwards, he finds a long mining shaft which contains something not part of this world, and descends.
This level is named after Westworld, a movie that takes place in a theme park meant to simulate the Western frontier, complete with killable robots.
Some of the glasses in the saloon can be picked up and Caleb will say something funny as he drinks.
This page was last edited on 2 January 2016, at 21:52.


As an important part of this lineage, Modernica's Case Study Planters are pure and elegant in form. Our cylindrical shapes are available in two matte colors: charcoal and white. The planters are raised on Brazilian walnut stand.
This item measures approximately 12 inches/ 30cm wide, the planter has two height settings.
Delivery: This product ships within three business days.


Unique natural formulation designed to take the edge off sharp, anxious, aggressive or uncooperative horses in training or those struggling to cope with box rest.
Equine Herbals Mellow is the equine 'chill pill' in liquid form, designed to take the edge off sharp or uncooperative horses, especially those resistant to training or struggling to cope with the confines of box rest.
Hypericum is used to reduce anxiety, irritability and timid to aggressive behaviours, particularly suitable for supporting the horse that is undergoing a change in environment for instance from field to training yard or suddenly subject to box rest.
Understanding the benefit Mellow can be to horses in training, Mellow does not contain any ingredients recognised to contravene the Jockey Club, FEI or BSJA rules regarding prohibited substances.
Typically, Mellow should be introduced into a horses feed gradually from 5-20ml and fed for as long as necessary with a two week gradual withdrawal period advised.
Under normal circumstances and within the recommended ration, Mellow should be quite safe to use long term if required.


The committee says the opportunity is open to Nigerian film-makers whose films relate to the country and are predominantly in a language other than English.
The criteria for selection include originality of story as well as good directing, acting, cinematography and sound.
Committee calls for submission of Nigerian movies for 2015 Oscars 0 out of 5 based on 0 ratings. 0 user reviews.


I was sad to hear that Mitch Mitchell died last week while on tour up in the Northwest.
Since I can't do virtual drums anywhere close to that trendsetter, I thought I'd just try and get the Noel Redding / Jimi Hendrix sound using Solaris w/ light distortion and heavy Tube filtering.
I like the meat of the sound, but have no idea where I would use this.
But it is still fun to try and do things I am not use to doing when practicing, so there it is.
Hey jimmy thanks for whetting our appetite for Solaris with this demo but I hate to think you might've set your keyboard on fire afterwards!
I won't bore you guys with more on this sound, as it went over like a turd in a punchbowl, but my softube feedback VST fx is used in a channel insert which has some great feedback like old Blue Cheer/Hendrix & Nugent. When I bring the effect in w/ the expression pedal, it's programmed in Scope so when I push forward for the max effect, Solaris fades and my choice of harmonics/feedback are crossfaded.
My Guitarist hates it.....I think I know why.
Soon We Shall See The Beast.
Ahhh this talk of guitar feedback and Tedly Nugent reminds of one of the greatest feedback riffs in musical history and that is the guitar feedback in Journey to the Center of my Mind by the Amboy Dukes (Ted Nugent era).
Indeed, ....the Amboy Dukes !!!
If you love that stuff try and find Vincebus Eruptum album by Blue Cheer.
They were the original artists who recorded Summertime Blues before the Who ever even heard of it.
Our Time Is Near !!


This relish recipe from the Dairyland Cook features local apples and cranberries and is the perfect pairing for succulent turkey!
In a pot over medium heat, combine all ingredients. Stir and cook until berries begin to burst, then reduce heat to low.
Continue cooking and stirring occasionally for 15 minutes or until thickened. Pour into a serving bowl, and eat hot or cover and refrigerate.


text:
package dmtest

import java.nio.file.{Files, Paths, Path}

object Config {
  def readConfig(path: Path): Option[Config] = {
    if (Files.exists(path)) {
      val prop = new java.util.Properties()

      val inp = Files.newInputStream(path)
      try prop.load(inp)
      finally inp.close()

      val slowDevice = prop.getProperty("slow_device")
      val fastDevice = prop.getProperty("fast_device")
      Some(Config(
        slowDevice = Paths.get(slowDevice),
        fastDevice = Paths.get(fastDevice)
      ))
    } else {
      None
    }
  }
  val ROOT_CONFIG_PATH = Paths.get(System.getProperty("user.home")).resolve(".dmtest.config")
  def rootConfig: Option[Config] = readConfig(ROOT_CONFIG_PATH)
  case class Config(slowDevice: Path, fastDevice: Path)
}

redpajama_set_name: RedPajamaGithub


text:
#include "line.h"

Line::Line()
{
}

Line::Line(QTime time,QString type,QMap<QString,QString> text){
    this->time = time;
    this->type = type;
    this->text = text;
    raw = "";
}

QString Line::getType(){
    return type;
}

QMap<QString,QString> Line::getText(){
    return text;
}

QTime Line::getTime(){
    return time;
}

bool Line::isNull()
{
   return time.isNull();
}

void Line::setType(QString type){
    this->type = type;
}

void Line::setText(QMap<QString,QString> text){
    this->text = text;
}

void Line::setTime(QTime time){
    this->time = time;
}

void Line::setRaw(QString raw)
{
    this->raw = raw;
}

QString Line::getRaw()
{
    return raw;
}

QDataStream & operator<< (QDataStream& stream, const Line& line){
    stream << line.time << line.type << line.text;
    return stream;
}

QDataStream & operator>> (QDataStream& stream, Line& line){
    QTime time;
    QString type;
    QMap<QString,QString> text;
    stream >> time >> type >> text;
    line.time = time;
    line.type = type;
    line.text = text;
    return stream;
}


This is my magnum opus. This is my chance to be witty, pithy, and showcase my sparkling personality. This is my ticket to becoming famous and solidifying myself as the next great American author.
In reality, this is a chronicle of my life in Scotland. The posts range from me bitching and complaining about dorm living to the struggles that I have with my relationships both in the U.S. and the U.K. Hopefully there will be some travel posts, some food posts, some school posts, and most importantly, some fun posts.
The goal was to get 100 posts published before I leave this land of wonder and Haggis. Having reached that goal, I have continued the blog as I await my next big adventure.
So here's the important question: Have you eaten haggis and what did you think of it?
I have tried haggis. I think it is an acquired taste….and I have yet to master it. I've also tried vegetarian haggis, which is just absurd.
You really should visit! This is a beautiful place with wonderful people! It does get its fair share of rain, but the header photo is not typical of the weather here.
…as pictures go, it looks wet but it's a great photo!


89. min 0:2 Dimby Rabeariniala was cautioned with a yellow card.
87. min 0:2 Catilina Aubameyang was cautioned with a yellow card.
85. min 0:2 Roguy Méyé scored a goal!
72. min 0:1 Jimmy Radafison was cautioned with a yellow card.
56. min 0:1 Claudio Ramiadamanana was cautioned with a yellow card.
47. min 0:1 Thierry Issiémou was cautioned with a yellow card.
19. min 0:1 Georges Akiérémy scored a goal!
18. min 0:0 Bruno Ecuele Manga was cautioned with a yellow card.


BRISBANE, Calif.—July 10, 2018: Nomis Solutions, an innovator of fintech software that helps retail banks deliver win-win customer engagement through price optimization, customer-centric offers, and omni-channel sales enablement, has opened a new office in Melbourne, Australia. Situated in the central business district of Melbourne and providing easy access to the head offices of all of Australia's top banks, the new office will also serve as a base for Nomis' operations in Australia, New Zealand, and the wider APAC region.
With the aftermath of the Royal Commission, the imminent introduction of Open Banking, and the potential for interest rate rises in 2019, Nomis has mobilised its team to partner with banks to maximise the mutual opportunities for both customers and banks in the market. Nomis expects up to 50 employees will be based in the office and has job openings across functions that include business, technical and analytical services.
"We are delighted that Nomis Solutions has established its regional headquarters in Melbourne and demonstrated its commitment to their clients in this region. Westpac is looking forward to its continued partnership with Nomis," said Chris Durney, head of pricing strategy and insights, Westpac NZ.
This new base of operations was secured with the support of Australia's Victorian Government, which is committed to growing the state's reputation as the number one tech destination in Asia-Pacific for global companies. Financial services are the largest sector of the Victorian economy, employing more than 109,000 people and contributing $40 billion per annum. New technologies are rapidly changing the way the financial services industry operates and the Victorian Government is working hard to ensure Melbourne's vibrant fintech sector reaches its full potential for creating new jobs, businesses, technologies and exports.
Critical to Nomis Solutions choosing Melbourne is the Victorian Government's ongoing investment in key infrastructure such as the creation of two dedicated FinTech Hubs partnerships with Stone and Chalk and YBF Ventures to nurture local talent, attract investment and create jobs in this fast-growing global industry. Victoria is already home to a growing number of thriving fintech companies including Stripe, Expensify, Square, Airwallex, Assembly Payments, and Moula.
"The Victorian Government is committed to attracting and fostering the innovation that will drive the future of our vibrant financial services sector, and welcomes the establishment of Nomis' regional centre in Victoria," said Minister for Trade and Investment Philip Dalidakis.
Headquartered in Silicon Valley, California, Nomis has been an innovator in price optimization since 2004. Nomis is the solution of choice for eight of the top 25 North American retail banks and continues to grow its customer base of more than 30 deployments globally. In late 2017, Nomis outgrew its San Bruno office and recently moved to a new 15,000 square-feet headquarters at the Sierra Point business park in Brisbane, California, providing a modern and accessible base for a growing team that will fuel future growth opportunities.
Nomis helps retail banks deliver win-win customer engagement through price optimization, customer-centric offers, and omni-channel sales enablement. More than 10,000 bankers worldwide leverage Nomis' cutting-edge Silicon Valley approach to big data, advanced modeling, and deep analytics to understand and anticipate the demands of their customers, competitor actions, and dynamic market conditions. With experience in over 80 implementations, Nomis has a proven track record of increasing customer and stockholder value, returning more than $300 million to its partner banks every year. Banks currently use Nomis technology to manage more than 270 million accounts and optimize over $1 trillion in banking transactions annually. To learn more, visit www.nomissolutions.com.


text:
THE STARS DISPOSE
by Michaela Roessner ‧ RELEASE DATE: April 1, 1997
Renaissance fantasy set in Florence in the late 1520s, from the author of Vanishing Point (1993). The narrative revolves around young Tommaso Arista, apprentice chef and sculptor, who's the son of master chef Gentile and occultist Piera; by tradition the Aristas are servants of the Ruggieros, a family of magicians who in turn serve the ruling Medicis. Food and its preparation frequently dominate the proceedings. While the plot follows the major historical events of the times—the deposing of the Medicis in favor of a republic, and their eventual restoration; the advent of the Black Death; and the intrusion of the armies of the Holy Roman Empire—Roessner represents these events as stages in an arcane struggle on the astral plane, where forces and creatures from other realities and dimensions attempt to influence matters in this world. These occult conflicts, in which the Ruggieros and Piera Arista figure prominently, are intricate, abstruse, and almost impossible to follow. Somehow, Confessions of a Florentine Foodie collided with The Young Sorcerer's Guide to the Occult, producing a rich but indigestible stew.
Publisher: Tor
Categories: GENERAL SCIENCE FICTION & FANTASY | FANTASY | HISTORICAL FANTASY
More by Michaela Roessner
THE STARS COMPEL
by Michaela Roessner
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
by Max Brooks ‧ RELEASE DATE: June 16, 2020
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks' latest puts it, when Mount Rainier popped its cork, "it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people." Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn't know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for "injury turns you from a giver to a taker. Taking up our resources, our time to care for you." Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to "immediate suspension of the National Volcano Early Warning System," and there's always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from "the sucking sound of pulling it out of the dead man's heart and lungs." Grossness aside, it puts you right there on the scene.
Publisher: Del Rey/Ballantine
Categories: GENERAL SCIENCE FICTION & FANTASY | GENERAL THRILLER & SUSPENSE | SCIENCE FICTION | SUSPENSE | GENERAL SCIENCE FICTION | SUSPENSE
More by Max Brooks
by Max Brooks
Devolution Movie Adaptation in Works
A breezy and fun contemporary fantasy.
THE HOUSE IN THE CERULEAN SEA
by TJ Klune ‧ RELEASE DATE: March 17, 2020
A tightly wound caseworker is pushed out of his comfort zone when he's sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he's a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
Pub Date: March 17, 2020
Review Posted Online: Nov. 11, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Categories: GENERAL SCIENCE FICTION & FANTASY | FANTASY
More by TJ Klune
THE EXTRAORDINARIES
by TJ Klune
The 7 Best Science Fiction/Fantasy Books of March


Are people with apple allergies allergic to baked apple foods?
Are plantain allergies the same as banana allergies?
Could people with environmental allergies drink barley grass juice?
Tomato allergy - unique? Typical reactions?


text:
Dino Ballarin (né à Chioggia, dans la province de Venise, en Vénétie le  et mort à Superga, le ) était un footballeur italien.

Biographie

Dino Ballarin évoluait comme troisième gardien de but à Torino AC. Il était le frère d', mort aussi dans le Drame de Superga.

Notes et références

Liens externes

Naissance à Chioggia
Footballeur italien
Gardien de but du Torino FC
Victime de la tragédie de Superga
Naissance en septembre 1925
Décès en mai 1949
Décès à 23 ans


text:
Uíge (provincie), een provincie van Angola
Uíge (stad), de hoofdstad van de provincie