text:
Historic Name: Industrial Transfer & Storage Common Name: Industrial Transfer Warehouse
Built By: Year Built: 1951-1953-1958-1961
The first phase of construction was begun in 1951 and completed at the very end of 1951. Architect Joseph L. Skoog designed the first wing, as well as the adjoining wing to the north, which dates from 1961. The first wing was designed as offices and a warehouse for Industrial Transfer and Storage. The contractor was Howard S. Wright. Not long after, a warehouse, designed by Joseph L. Skoog was built for "Brokers Warehouse Company" at the north end of the lot. It was completed in 1953. It appears to have been narrower than the present wing, which mainly faces 6th Avenue South, but also had no windows. The contractor was also Howard S. Wright. Original drawings do not seem to be available, which makes it somewhat difficult to keep track of the exact changes made to the building; however, the western wing, which mainly faces 6th Avenue South is a good example of Modern International Style design, despite obvious alterations to windows and storefronts. By 1970, Polk's Seattle Directories listed the building as an office building, associated with Industrial Transfer and Storage. By 1980, Industrial Transfer and Storage was still listed at this address, as were several other businesses, including Industrial Truck Leasing and Brokers Warehouse.
Architect Joseph L. Skoog was initially known for theater design. He worked with R. C. Reamer on the design of the 5th Avenue Theater in Seattle (1925-1926) and on the Ferry Investment Building (1930) with Edwin Ivey. He designed the Sigma Kappa Society Sorority at the University of Washington in a Norman Country House style. His early work was mainly based on historical styles. This building shows that, at least by the early 1950s, he was able to transition to Modernism.
2450 6th Avenue South is located on the northeast corner of 6th Avenue South and Lander Street. This Modernist building is rectangular in plan. It was built in three phases during the 1950s, with a fourth phase during the early 1960s. In general, the western elevation, which faces 6th Avenue, has more interest and integrity than the southern elevation along Lander Street, which is mostly altered. In particular, the southwestern wing facing both 6th Avenue South, as well as Lander Street, is the original and oldest part of the building. It also has the greatest integrity. It is two stories in height and has concrete walls. A more or less central entry tower, which is taller than the rest of the façade, is a notable feature. A long window, divided vertically into three panes, is located toward the top of the tower. Above this window, fluting cut into the concrete further emphasizes the entry. The fluting extends to the top of the tower parapet. There is also a small, open entry porch, set on the south side of the tower. A flat overhang tops the porch. To each side of the tower, the window openings at the second level, as well as the storefronts and or window openings at the ground level are wide and rectangular
Presently, window openings often contain a continuous row of four longer panes set above smaller ones, which are of the same width. For instance, to the south of the tower, at the second level, there are three sets of these window bays. On the second level, to the north of the tower, there are two sets with another only containing two paired sets of these windows. Completing the façade of the older wing, two sets of storefronts are set under the two window bays. These storefronts replace what was originally a large service entry and door over a loading dock.
To the north of the older southwestern wing, the western façade rises to three stories. It corresponds to an addition from the early 1960s. Its elevation is mainly comprised of banks of replacement windows set in large rectangular openings. What was a shorter, windowless wing from 1953, has apparently been extended, but still has no windows. It merely presents a low concrete wall with engaged pilasters.
The south elevation facing Lander Street is comprised of a western portion corresponding to the older wing. This has two floors of three rectangular window bays, similar to the bays of the older wing along 6th Avenue South. The rest of the elevation has few openings, aside from two new storefronts. One of the storefronts is in the location of a former service door. At least part of this elevation to corresponds to a 1957-58 addition.
Polk's Seattle Directories, 1890-1996.


text:
package com.belladati.sdk.exception.auth;

/**
 * Indicates that a request's OAuth timestamp was rejected by the server. This
 * is caused by having a different time set on the server and SDK client
 * computer.
 *

 * If this exception occurs, verify that both server and client computer are set
 * to the correct time for their respective time zone.
 *

 * You can find out the time on the server when the request was received by
 * calculating the average of {@link #getEarliestTimestamp()} and
 * {@link #getLatestTimestamp()}.
 *
 * @author Chris Hennigfeld
 */
public class InvalidTimestampException extends AuthorizationException {
	/** The serialVersionUID */
	private static final long serialVersionUID = -3164294608086460274L;

	private final long earliestTimestamp;
	private final long latestTimestamp;

	/**
	 * Creates a new instance with the given accepted timestamp range.
	 *
	 * @param earliestTimestamp the earliest acceptable timestamp as returned by
	 *            the server
	 * @param latestTimestamp the latest acceptable timestamp as returned by the
	 *            server
	 */
	public InvalidTimestampException(long earliestTimestamp, long latestTimestamp) {
		super(Reason.TIMESTAMP_REFUSED, "Valid timestamps are " + earliestTimestamp + " to " + latestTimestamp);
		this.earliestTimestamp = earliestTimestamp;
		this.latestTimestamp = latestTimestamp;
	}

	/**
	 * Returns the earliest acceptable timestamp as provided by the server. Note
	 * that when making a new request some time will have passed, meaning this
	 * timestamp likely won't be acceptable any more.
	 *
	 * @return the earliest acceptable timestamp as provided by the server
	 */
	public long getEarliestTimestamp() {
		return earliestTimestamp;
	}

	/**
	 * Returns the latest acceptable timestamp as provided by the server.
	 *
	 * @return the latest acceptable timestamp as provided by the server
	 */
	public long getLatestTimestamp() {
		return latestTimestamp;
	}
}

redpajama_set_name: RedPajamaGithub


213 The Humble Pie Collection 20 mp3 1989	 Castle Communications Australasia Ltd.
Steve Marriott formed Humble Pie in 1968 with Greg Ridley, Peter Frampton and Jerry Shirley. Their debut single "Natural Born Bugie" became a hit in the UK Singles Chart and was followed by the album As Safe As Yesterday Is, which rose to number sixteen in the UK album charts. Their second album, Town and Country was released in the UK during 1969 while the band was away on its first tour of USA. This album featured a more acoustic sound and songs written by all four members. During 1970 Humble Pie switched to A&M Records who released the album Humble Pie, later that year which alternated between progressive rock and hard rock. In 1971 A&M released Rock On, and a simultaneous release of a Humble Pie concert recorded at the Fillmore East New York, entitled Performance: Rockin' the Fillmore. Rock On and Performance both went gold and the loud and epic "I Don't Need No Doctor" was an FM radio hit in the USA, propelling the album up the charts. Frampton left after Rockin' the Fillmore was recorded and was replaced by Dave "Clem" Clempson. Humble Pie moved towards a harder sound emphasizing Marriott's blues and soul roots. They recorded the album Smokin', along with two singles "Hot 'n' Nasty" and "30 Days in the Hole". It was the band's most commercially successful record and reached #6 on the US charts, helped by a busy touring schedule. A&M then realeased Lost and Found which combined two previous albums as one. Looking for a more authentic R&B sound, Marriott hired three female backing singers, The Blackberries and the more focused Thunderbox was released in 1974 and Street Rats a year later. In 1975, joined by keyboardist Tim Hinkley, Humble Pie played a Goodbye Pie Tour before disbanding. During 1979 Steve Marriott revived Humble Pie with Jerry Shirley, adding Bobby Tench vocalist and guitarist from The Jeff Beck Group and American bassist Anthony "Sooty" Jones. Fool for a pretty face proved good enough for them to secure a recording contract with Atlantic Records. They recorded the album On to Victory which was released in 1980 . Humble Pie toured USA as part of the Rock 'N' Roll Marathon bill and recorded the album Go for the Throat. At the beginning of this tour Marriott crushed his hand, delaying earlier scheduled appearances by the band, and he later developed a duodenal ulcer forcing the cancellation of all further tour dates. Soon afterwards this line up disbanded. Drummer Jerry Shirley obtained the rights to the name Humble Pie in 1989 and reformed the group with different musicians. This project was called Humble Pie Featuring Jerry Shirley, Shirley was the only original performing member. The band began performing concerts and was based in Cleveland, Ohio USA. This time the line up included vocalist Charlie Huhn, who also played lead and rhythm guitar. While Huhn and Shirley were the only permanent members of the group several other musicians appeared from time to time including Wally Stocker formerly of Rod Stewart's band and Cleveland guitarist Alan Greene. They developed a strong reputation as a live act in USA but never released any official studio recordings. They appeared in the line-up at the Woodstock Festival's 20th Anniversary Celebration, which was broadcast live on national television in the United States and other countries. During 1991 when it had appeared that a reunion featuring Frampton and Marriott would happen, Shirley put Humble Pie Featuring Jerry Shirley on hold. After Marriott's death Shirley revived his band which dissolved in 1999. He re-formed Humble Pie again in 2001 with a line up including the original bass player Greg Ridley, former Humble Pie vocalist and guitarist Bobby Tench and a new rhythm guitarist Dave Colwell. They recorded Humble Pie's thirteenth studio album Back on Track, which comprised new songs and was released by Sanctuary in 2002. A brief tour of UK and Germany with Company of Snakes followed. Humble Pie appeared at the Steve Marriott Tribute Concert held at the London Astoria during 2001. The concert featured a one of re-union line up of Peter Frampton, Clem Clempson, Greg Ridley and Jerry Shirley. Shirley's 2001 version of the band dissolved in 2002 when Greg Ridley fell ill.
Play online without registration Humble Pie all albums in mp3 download a single file or separately.
Caution! All audio materials of Humble Pie are presented solely for information. After listening to the trial version, you must remove the file mp3 or buy the product from an authorized supplier.


text:
Q: Having multiple scripts within one php I  am  trying to find out how to have multiple scripts within one php file, and run
Certain scripts only when a certain link is clicked on (or some other input from a user). For example, the default output Of profile.php is the user's "wall", but when they click "info" on the profile.php page (the page reloads because I'm not using JavaScript and that's okay for now) the main content area would now display the user's info (as printed by a script within the original profile.php file) how is this done?

A: That's fairly easy. Using only one php file, you can have many "actions" that displays some stuff depending on what you need. Take a look of this simple source code (save it as "file.php" or use the name you like and edit the "a" tags. I've included the name of the file as some browsers do not work correctly when the link starts with "?".

Sections

Home
Wall
profile
<?php

if (!isset($_GET['action']) {
  $action = "home";
}
else {
  $action = $_GET['action'];
}

switch($action) {
  case 'wall':
    display_wall();
    break;
  case 'profile':
    display_profile();
    break;
  case 'home':
  default:
    display_home();
    break;
}

function display_wall() {
  echo("Wall");
  // Do something
}

function display_profile() {
  echo("Profile");
  // Do something
}

function display_home() {
  echo("Home");
  // Do something
}

Tweak that code a bit to fill your needs.

A: You should learn something about predefined variables $_GET, $_POST and for the later use, $_COOKIE
<?php
if ($_GET['clicked'] == "info") {
    //show user's info
}
else{
    //show another info
}
?>
Click to see info

A: You can use require_once("navigation.php")
On every top of the page where navigation.php includes your Home,Wall,Profile links...

A: I'm no PHP-developer. But I think the most basic way is using querystring and includes...
So your front-facing file is profile.php, but you also have info.php and wall.php which you include dynamically based on the query-string...

redpajama_set_name: RedPajamaStackExchange


text:
Tag Archives: Nightmare
Saint Petersburg Times Film Review: Tuesday 1 August 2017: A Review of the New Horror Film: 'It Could Have Happened!'
'It Could Have Happened!' is the sensational new horror film that everyone in the Russian Empire is talking about, not just the film of the year, but the film of the decade. Released on 1 August 2017, it speculates on what might have happened one hundred years ago in 1917 if the ever-memorable Tsar Nicholas II had not arrested traitors and taken measures leading to victory in the Second Patriotic War (1914-1917). It suggests that a palace revolt, like that of October 1825, could have taken place in early 1917 at the hands of jealous and incompetent aristocratic traitors, so preventing the Great Victory. After this, an atheist 'Communist' regime, come to power with the indirect help of Great Britain (where various anti-Russian 'revolutionaries' had been harboured for years) and France, and financed from Germany and the United States, could have taken over the Empire with catastrophic results. This is a very dark film.
These would have included the loss of the war declared against the Empire by Germany and Austria-Hungary in August 1914, the occupation of Poland and much of White Russia and Little Russia by the enemy, the martyrdom of Tsar Nicholas and his family and servants in an unthinkable atrocity, the brutal slaying of millions of Orthodox believers in civil war, leading to the emigration of the elite, famine, epidemics and a vast network of death-camps in Siberia. With the Tsar overthrown and so the legitimate Christian centre gone and the political balance of the world lost, there would have been a bloody division in Europe between warring 'Communism' and an anti-Communist racist ideology called 'Fascism'. Outside Europe, the loss of the Tsar as protector and guarantor of the Non-Western world would have led to ever more Western genocides in Africa, Asia and Latin America, like those that had preceded 1914.
The nightmare film does not stop there. A generation after 1917, in about 1942, a new invasion of the remaining Imperial territories by a humiliated Germany would have taken place, with tens of millions of deaths and horrifying new weapons. This would have become a 'World War' and later lead to tens of millions of deaths in China, Asia, Africa and worldwide. The treasonous clique running the new Tsarless Empire under an atheistic name would have collapsed only at the end of the twentieth century. It would then have become an US-style Capitalist-Consumerist colony together with the rest of Europe, which would have lost its way and lost its colonies in Africa and Asia. This fantastic nightmare scenario, the talk of subjects throughout the Empire, has been dismissed as an absurdity and scaremongering by many, but by others it has been reckoned as a real possibility one hundred years ago.
Many bishops have issued statements to advise the faithful. For example, Metropolitan Viktor of Helsinki issued a statement, pleading that children under 18 should not be allowed to see the horrifying film, which he said could traumatize them. Metropolitan Gregory of Lvov said that we should not forget that our history could have taken another path without prayer. Metropolitan Antony of Saint Petersburg said that believers should pay attention to the film because it showed that if people lost faith and began following what he called 'the American way', everything was possible and that the film should serve as a warning. Metropolitan Nestor of Manchuria said that we should not forget the hundreds of arrests which took place among aristocrats, politicians, lawyers, anti-patriotic newspaper-owners and even army generals in November 1916 which had prevented their treasonous plot against the Tsar being carried out.
Patriarch Tikhon II of Moscow has not commented, but his office is expected to release a statement today. The fact is that if it not been for the arrests of traitors to Tsar Nicholas, including traitors belonging to the House of Romanov itself, implicated in the coup being prepared by the British ambassador, anything was possible. If the traitors had succeeded, who knows what might have happened. At this point it would seem only just to recall real-life events and not the dark fantasy world portrayed in the film. As readers will remember, once Tsar Nicholas had taken command of the Imperial Army in August 1915, having dismissed the incompetent, anti-Semitic Grand Duke Nikolai Nikolayevich, who had asked to be removed from command and under whom so many ill-equipped troops had lost their lives or been taken prisoner in the first year of the war, the situation at the Front stabilized at once.
Then Tsar Nicholas prepared the victorious 1916 'Tsar's offensive', which used to be known in the West as 'The Brusilov Offensive', and rearmed his troops for the following year, at the same time imprisoning traitors, British spies and speculators in Saint Petersburg, so stabilizing the Home Front. This led to the upsurge of patriotism and the lightning victorious spring 1917 offensive, which brought about the liberation of Vienna within weeks in April. Here a million Russian troops held their huge Easter celebration outdoors. The collapse of 'the prison of the peoples', the Austro-Hungarian Empire, was greeted with great rejoicing among all the Slav races especially. This was followed in October by the liberation of Berlin and the collapse of the Kaiser's Second Reich Prussian Germany. No-one will forget the Russian Orthodox celebration of Easter 1918 at the Brandenburg Gate in Berlin, just as in Paris in 1814.
Just as his ancestor Tsar Nicholas I defeated that other European tyrant, Napoleon, who had also tried and failed to invade Russia and seen his exile, so Tsar Nicholas decided to exile Kaiser Wilhelm to Ekaterinburg, where he died in 1940. There followed the Saint Petersburg Peace Conference which opened in May 1918 where Russia, with France and Great Britain bankrupt, was able to impose fair terms on Europe, ensuring peace and security for generations to come. With US influence negligible, it was after this that Western, Central and Eastern Europe were reshaped, with Belgium being absorbed by France and the Netherlands, and new nations formed, notably, Poland, Lithuania, Latvia, Estonia Finland, the Czech Lands, Slovakia, Carpatho-Russia, Austria, Hungary, Slovenia, Croatia, and new borders for France, Denmark, Serbia, Bulgaria, Romania, Armenia and Greece, its capital transferred from provincial Athens to Constantinople.
No less significant was the partition of Germany into twelve separate kingdoms, including Saxony and Bavaria; never again would militarist Prussia, demilitarized in 1918, be allowed to dominate the German peoples, who once again returned to their great traditions of art, literature and music. It was thus that the Russian Empire came to set up the Confederation of Europe, sovereign and independent nations old and new co-operating with one another, following the implementation of Tsar Nicholas' original plans for the Hague International Court. If only those plans had been accepted by the Western Powers in 1899 when they had been launched, then the three-year long Second Patriotic War of 1914-1917 would never have occurred. The Russian victory in Europe also led to great changes in the Middle East after the collapse of the Ottoman Empire, where the Russian Empire protected all Christians.
Not only in Jerusalem and throughout the Holy Land, but also throughout the Near and Far East, with the new nations of Cyprus, Palestine, Syria, Iraq and Kurdistan being formed, the Russian Empire became the guarantor of sovereignty. In the Far East too, the Empire became the protector of Mongolia, China, Tibet and Afghanistan. A menacing Japan was disarmed and Western European colonial empires in Africa and Asia were dismantled. It was in 1956 that Tsar Nicholas II passed away peacefully at the age of 88, feted as the greatest and holiest Tsar in Russian history. He was followed by his beloved son Tsar Alexei II 'the Just', who reigned until 1981, when he passed away and was succeeded by his son, the present Tsar Nicholas III, whose 75th birthday was so joyfully celebrated last year. Under Tsar Nicholas III's energetic reign the 600-million strong Russian Empire has become very prosperous indeed.
A global beacon of peace and the Christian Faith, the Empire has balanced out international tensions, working as an arbitrator. It has also supported the Orthodox Church all round the world, setting up new Local Orthodox Churches in Europe and Asia and Russian Orthodox Metropolias in Alaska and elsewhere. It leads the five-yearly Councils of all twenty Local Orthodox Churches held at the New Jerusalem Monastery outside Moscow and the recent election of a Syrian Patriarch in Constantinople had been seen as the end of Greek provincialism there. The Imperial role in calling for justice for the nearly two million people interned in prisons and camps in the tyrannical Consumerist USA is well-known, as is its role in moderating the excesses of heterodox sectarians in Europe. Pleas for justice in Latin America and Africa have brought great respect for the Russian Church among those of all religions and none.
The following pastoral message addressed to the faithful flock of the Empire has been received from Patriarch Tikhon II, who is currently on an official visit to Lhasa at the invitation of Metropolitan Mitrofan of the Tibetan Orthodox Church. In thinking of this film, His Holiness said that we must be faithful to Christ in thought, in word and in deed. But what did these words mean? Here he asked us all to recall the last words of Tsar Nicholas II, whose canonization is now being prepared, to the distraught Colonel Kushelyov in July 1956: 'Serve Russia as you have served me'. These words about serving Russia, he said, meant precisely serving not ideas, but the reality of the Church on earth, incarnate in the Christian Empire. This, he explained, was the most important thing we could do to serve Christ. It was the one way of ensuring that we would not fall into treasonous acts, as portrayed in the fictitious horror film.
This entry was posted in Faction and tagged Nightmare on July 31, 2017 by Father Andrew.

redpajama_set_name: RedPajamaCommonCrawl


noun A group of things growing close together; a cluster or clump.
noun A group of like items or individuals gathered or placed together.
noun Informal A group of people usually having a common interest or association.
noun Informal A considerable number or amount; a lot.
noun A small lump or swelling; a bump.
intransitive verb To gather or form into a cluster.
intransitive verb To gather together into a group.
intransitive verb To gather (fabric) into folds.
intransitive verb To form a cluster or group.
intransitive verb To be gathered together in folds, as fabric.
intransitive verb To swell; protrude.
To swell out in a protuberance; be protuberant or round.
To make a bunch or bunches of; bring together into a bunch or aggregate; concentrate: as, to bunch ballots for distribution; to bunch profits; to bunch the hits in a game of base-ball.
noun A protuberance; a hunch; a knob or lump.
noun A cluster, collection, or tuft of things of the same kind connected in growth or joined together mechanically: as, a bunch of grapes; a bunch of feathers on a hat.
noun More generally, a cluster or aggregate of any kind: used specifically of ducks, in the sense of a small flock.
noun In mining, a small mass of ore. See bunchy, 3, and pocket.
noun In flax-manuf., three bundles or 180,000 yards of linen yarn.
noun A unit of tale for osiers, reeds, teazels, and the like, with no general or fixed sense.
In sugar-beet growing, see block, transitive verb, 8.
noun In mining, the expanded portion of a pipe-line; a place where the pipe does not maintain a uniform cross-section, but is expanded.
intransitive verb To swell out into a bunch or protuberance; to be protuberant or round.
transitive verb To form into a bunch or bunches.
noun A protuberance; a hunch; a knob or lump; a hump.
noun A collection, cluster, or tuft, properly of things of the same kind, growing or fastened together.
noun (Mining) A small isolated mass of ore, as distinguished from a continuous vein.
noun A group of a number of similar things, either growing together, or in a cluster or clump. Usually fastened together.
noun cycling The peloton; the main group of riders formed during a race.
noun An informal body of friends.
noun informal A considerable amount.
noun informal An unmentioned amount; a number.
noun forestry A group of logs tied together for skidding.
noun geology (mining) An unusual concentration of ore in a lode or a small, discontinuous occurrence or patch of ore in the wallrock.
noun textiles The reserve yarn on the filling bobbin to allow continuous weaving between the time of indication from the midget feeler until a new bobbin is put in the shuttle.
noun An unfinished cigar, before the wrapper leaf is added.
verb transitive To gather into a bunch.
verb transitive To gather fabric into folds.
verb intransitive To form a bunch.
Middle English bonche, probably from Flemish bondje, diminutive of bont, bundle, from Middle Dutch; see bundle.
From Middle English bunche 'hump, swelling', variant of *bunge (compare English dialect bung 'heap, grape bunch'), from Proto-Germanic *bunkōn, *bunkan, *bungōn ("heap, crowd") (compare West Frisian bonke 'bone, lump, bump', German Bunge 'tuber', Danish bunke 'heap, pile'), from Proto-Indo-European *bʰenǵʰ-, *bʰéng̑ʰus ("thick, dense, fat") (compare Hittite panku 'total, entire', Tocharian B pkante 'volume, fatness', Lithuanian búožė 'knob', Ancient Greek παχύς (pachýs) 'thick', Sanskrit बहु (bahú) 'thick; much').
My favorite out of the bunch is the pillow with the two blue creatures on it.
I think the best idea of the bunch is the library!
IMO the all around best gun of the bunch is the SBE.
Where I turkey hunt is very hilly and requires a lot of hiking. I'm looking for the lighest 12 ga.
The oddball of the bunch is the Flipout, a square-shaped device on which the screen pivots clockwise to reveal a physical keyboard.
But the pick of the bunch is a wonderfully intimate and soulful session from Corinne Bailey Rae.
Trailing the bunch is a little 3 pointer, but he's bleeding.
The only standout story in the bunch is the excellent "Down on the Farm", but that didn't stop many others from winning awards and generally being well-received.
I was a huge fan of the series in college and for me to join in this bunch is the fulfillment of a dream I didn't think would ever have a chance of coming true.
The most interesting of the bunch is the NWZ-S730F, which includes integrated active noise-canceling technology.


#f52contest is our newest, fastest way to share recipes—on Instagram! And our newest theme: Summer salads.
A few weeks ago, we introduced a faster, easier way to share your recipes and photos with us: Instagram! Each month, we'll pick an ingredient or a theme and ask you to tell us about what you're making through photographs and captions. And for the first contest, we want to see the salads that you'll be eating throughout the summer.
Take a photo of your best summer salad and be sure to use the hashtag #f52contest. When you tag your photo, it will appear below for everyone to admire.
Describe what you made in the text of the caption so that others can replicate it. Consider this your opportunity to condense your favorite recipes into caption-form.
We'll regram one photo a day, taking into account the most creative ideas and the most beautiful photos.
At the end of the week, one winner will receive a bottle of something special to dress their salads with.
Questions? Ask in the comments!
That's a common problem in my house!


Q. My shift keys have little arrows on them. Does that mean the *real* shift keys are located above them, and these keys are just litle signs to point them out?
A. Do small children with a fondness for peanut butter use your keyboard frequently? If so, you may want to clean it off for more reliable operation. First, disconnect your keyboard by gripping each of its ends firmly and pulling as hard as you can. Next, immerse the keyboard in warm water and scrub thoroughly with your favorite lemon-scented detergent and lots of steel wool. Finally, you need to dry the keyboard. Either dry it to touch with a handheld blowdryer, or place it it the dryer for not less than 60 minutes. Be sure to clean the lint screen when you are finished.
Q. Why are there are no "shift" keys on my keyboard, but there are two keys labelled "hif"?
A. Yes, although instead of the notation "shift", the key may be labelled with an excited Mac face, something like :O . Press this key to use shift, and be thankful you're using a friendly Mac instead of a mean old PC with all them confusin' words 'n stuff on it.
A. This is the Modern Age of Convenience, and you may be able to activate the shift key merely with the power of your voice! Check to see whether your computer is equippped with speech-recognition equipment by saying the word "shift" very clearly and slowly into its speaker. Then watch the keyboard closely to see if the Shift key moves down. Note that you may have to repeat this action several times to "train" the computer to recognize your voice before the feature works reliably.


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text:
Steve Belford, nació el 13 de octubre de 1980 en Milton, Ontario, Canadá. Este actor canadiense es conocido por su rol de Colin Wagner en Paradise Falls, Jesse Stefanovic en "Degrassi: The Next Generation" y actualmente de Clark en Too Late to Say Goodbye . Además, recientemente participó del primer episodio de la serie The Vampire Diaries y de 5 episodios de G-Spot.

Filmografía

 Too Late to Say Goodbye (2009) (TV) .... Clark

 "The Vampire Diaries" .... Darren Malloy (1 episodio, 2009)

 "G-Spot" .... Jake Jakes (5 episodios, 2009)

 "The Listener" .... Jordan Shanks (1 episodio, 2009)

 "Paradise Falls" .... Colin Wagner (26 episodios, 2008)

 "Degrassi: The Next Generation" .... Jesse Stefanovic (13 episodios, 2006-2008)

 "Runaway" .... Chase (1 episodio, 2008)

 "M.V.P." .... Eddie / ... (2 episodios, 2008)

 "11 Cameras" (2006) TV series .... Brian

 "Radio Free Roscoe" .... River Pierce (14 episodios, 2004-2005)

 "Show Me Yours" .... Eric (1 episodio, 2005)

 "Sue Thomas: F.B.Eye" .... First President (1 episodio, 2005)

 "Wild Card" .... Sean (1 episodio, 2003)

 "Queer as Folk" .... Go-Go Boy (1 episodio, 2002)

Enlaces externos

Steve Belford Ficha en IMDb

Artistas de Canadá

redpajama_set_name: RedPajamaWikipedia


people of Oshawa and surrounding areas for more than 50 years.
The origins of the Glazier Medical Centre date back to 1951 when Dr. Edward Glazier returned to his home town of Oshawa, upon successful completion of his medical studies, internship and residency in Family Practice.
Dr. Glazier began as a sole practitioner and eventually was joined by some collegues for the purpose of forming a group practice. In 1956 Dr. Edward Glazier together with a few physicians purchased the building at 136 Simcoe Street North in Oshawa. Between 1956 to 1970 the group practice had grown significantly whereby in 1970 they sold the old building and moved to their current location of 11 Gibb Street in Oshawa. It is here that the group, which started with the vision of one physician, grew to a multi-disciplinary, multi-services health care centre.
Today, a wide range of medical physicians and other health care professionals provide various services to the residents. Presently there are 30 physicians practising from Glazier Medical Centre both in family medicine and other medical specialities.
You will also find several diagnostic services being offered such as Diagnostic Imaging (xray and ultrasound), Laboratory services and Cardiac assessments. The Centre has partnered with other allied health care professionals who provide services such as a dental, optometry, physiotherapy and chiropody.


text:
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http://www.w3.org/TR/html4/loose.dtd">

<TITLE>
FeatureRank
</TITLE>

<META NAME="date" CONTENT="2012-02-21">

<LINK REL ="stylesheet" TYPE="text/css" HREF="../../stylesheet.css" TITLE="Style">

      Overview
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mlflex.core

Class FeatureRank

java.lang.Object
  mlflex.core.FeatureRank

All Implemented Interfaces:
java.lang.Comparable

public class FeatureRank
extends java.lang.Object
implements java.lang.Comparable

This class contains information about how highly a feature (data point) was ranked by a given feature selection/ranking approach.

Author:

Stephen Piccolo

Field Summary

 java.lang.String
Feature

          Name of the feature

 double
Rank

          The feature's rank

Constructor Summary

FeatureRank(java.lang.String feature,
            double rank)

          Constructor

Method Summary

 int
compareTo(java.lang.Object obj)

 boolean
equals(java.lang.Object obj)

 int
hashCode()

Methods inherited from class java.lang.Object

clone, finalize, getClass, notify, notifyAll, toString, wait, wait, wait

Field Detail

Feature

public java.lang.String Feature

Name of the feature

Rank

public double Rank

The feature's rank

Constructor Detail

FeatureRank

public FeatureRank(java.lang.String feature,
                   double rank)

Constructor

Parameters:
feature - Feature/variable name
rank - Rank

Method Detail

compareTo

public int compareTo(java.lang.Object obj)

Specified by:
compareTo in interface java.lang.Comparable

equals

public boolean equals(java.lang.Object obj)

Overrides:
equals in class java.lang.Object

hashCode

public int hashCode()

Overrides:
hashCode in class java.lang.Object

      Overview
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DETAIL: FIELD | CONSTR | METHOD


text:
Jeff Poor
'Fish Story': NBC's 'Today' Disregards Motives in Seafood Industry Attack
As a reporter, when you turn to a whistleblower agriculture commissioner that's a failed Democratic gubernatorial candidate for a state that has specific economic interests as over an issue you're reporting on – isn't that something that should be disclosed?
Not for NBC's Jeff Rossen.
In a segment that aired on NBC's "Today" on Nov. 17, Rossen offered a scathing critique of imported seafood and the health dangers it could pose. Armed with video footage from a so-called "advocacy group," Rossen didn't let little things like potential conflicts-of-interest get in the way of a good scare story.
"Not to break your heart – I know you love seafood, but most of it – even though we eat a lot of it in this country – most of it doesn't even come from here," Rossen said. "In fact 80 percent of fish and 90 percent of the shrimp actually come from overseas. This morning our 'Today' investigation has found some of your seafood may have toxic chemicals causing serious health issues. Sautéed, fried or fresh, we love seafood – appetizing for sure, until you see where some of it comes from. This video shot by a U.S. advocacy group shows dirty sewage water used to raise seafood in Vietnam. The fish pumped with toxic antibiotics and drugs just to keep them alive, boosting production and driving down costs."
It seems kind of important to know which "advocacy group" Rossen was citing in his report. He didn't say. Instead he offered up Alabama Agriculture Commissioner Ron Sparks as a source backing up the claim that imported seafood poses a serious health threat.
"Ron Sparks is the commissioner of Alabama's Department of Agriculture – one of the only state's testing imported seafood for these dangerous drugs," Rossen said.
Sparks may seem like an good choice to cite, but if you take a closer look, shrimping is an Alabama Gulf Coast industry, which has aggressively marketed itself against Asian imports over the past decade. And if you take into account that Sparks was the 2010 Democratic nominee for governor of Alabama, and appeared in a report that the National Fisheries Institute (NFI) indicates was weeks in the making (perhaps pre-Election Day 2010) – one might ask if there were not only economic interests, but political interests motivating Rossen's "sensational" presentation.
"In some cases, between 40 and 50 percent of our tests will come out positive," Sparks said.
A claim like that should have led Rossen to make sure he covered all the bases in his report, questioning the agenda of Sparks and his scientists and presenting their histories and affiliations. It should also have suggested to Rosen that he cite information provided to "Today" by NFI from governmental agencies – including the CDC and the USDA that countered these alarmist claims:
The National Fisheries Institute (NFI) provided Rossen and Powell the following resources, weeks before the story aired, in order to help ensure the Today Show had accuracy, balance, objectivity and proper sourcing;
• An analysis of Centers for Disease Control statistics that illustrates fish—be it domestic or imported—is (a) among the safest foods Americans eat and (b) not included in any of the major food recalls of the last decade;
• Independent writings from a former USDA Under Secretary for Food Safety in which he clearly states that arguments about the healthfulness of imported seafood stem from "trade issues…not [from] a public health issue";
• A thorough and accurate description of the Food and Drug Administration's Hazardous Analysis Critical Control Point (HACCP) regulatory system;
• Contact information for a leading independent authority on HACCP from Cornell University, who was willing to be interviewed for the story to explain the screening and safety protocols;
One of the basics taught in journalism schools is to question the motivations of sources in your reporting. Rossen may or may not have done that, but he didn't identify that to his "Today" viewers. However, it was one raised by NFI, after making certain pertinent materials available to Rossen.
"Despite being in possession of all of these documents and having access to an independent expert, it is our contention that the reporter and producer willfully neglected the facts in favor of a more sensational and less accurate story, pushed by domestic catfish producers," a NFI release said.


The Sims Pet Stories is the second game in the all-new game series called The Sims Stories.
The Sims Pet Stories features two great ways to play. In the new and engaging directed Story mode, you take on a variety of challenges as you compete for 1st place in a local pet show and learn to tame a variety of pet personalities. You even unlock rewards along the way as you achieve set goals. In open-ended Classic mode, you create your Sims and their pets, design their homes, and teach your pets tricks. You decide how their stories unfold.
Two complete stories in Directed Story mode: Play as Alice who needs to win the local Dog Show competition (and the large cash prize) with her loveable dog Sam in order to save her house. Or follow Stephen, an executive chef whose highly predictable life is thrown into chaos when he's forced to take care of his cousin's spoiled cat, Diva.
Brand-new Pet Show: Your Sims can train their pets to strut their stuff and earn rewards by getting them to navigate an agility course including walking along a see-saw, running through tunnels, and jumping over obstacles.
It's never been easier to play on your laptop: Featuring simple shortcuts and an all-new auto-pause that lets you start and stop easily when opening/closing your laptop.
Part of a fun new new product line: The Sims Stories also includes The Sims Life Stories and the upcoming The Sims Castaway Stories!


text:
package cct.interfaces;

import java.io.Writer;

public interface CoordinateBuilderInterface {

   void getCoordinates(MoleculeInterface mol, boolean inAngstroms, Writer writer) throws Exception;

   String getCoordinatesAsString(MoleculeInterface molec, boolean inAngstroms) throws Exception;
}


Document holder | Red leather document holder by nobrand.
Just because paperwork can be boring doesn't mean it has to look like it. Change things up a bit and customise to your style now.
Handmade leather document holder comfortably holds over 100 sheets. Pictured in red leather and red stitching.
Now choose how you want your perfect leather document holder made.
nobrand. carries no stock, each and every item is made from scratch just for you. Hand cut, hand stitched and lovingly hand finished. We apply the best of traditions in our work which delivers a truly unique and beautiful item.
Your chosen 15 letter personalisation will be made into a metal stamp, heated and then branded into the leather to insure it lasts a lifetime.
Choose font from a list below.
Type your custom text in the field below to add a monogram to your product. If you prefer no monogram, leave the field blank.


I have a new cprsdbex Rain Bird sensor (and new Rachio 3). Other than color, the two wires out of the sensor appear identical (and not labeled). One wire is black, the other is red. Where do I connect these wires into my Rachio? From what I saw online, I connect one to the S1 port… but what about the other wire? And also does it matter which wire goes where?
In the app there is a diagram when enabling the sensor that shows where the wires go. I believe the red will go in the S1 or S2 (these don't matter which one, you just need to enable the correct sensor when you enable it in the app) and the black wire goes in the black next to the S1 S2 ports (labeled 24 VAC -). Should be able to plug it in, enable it in the app and then manually trip the senor by lightly clicking it in with your finger. If everything is wired up correctly, you'll see in the app that Rain Sensor is tripped. Once you release the sensor with your finger, it will go back to "Un-tripped" so it won't delay any watering.
I got as far as figuring out which ports need to be used, however my hang up really is the wires. If your guess is wrong and the black goes to S1 (or S2) and red goes to 24 VAC-, will I damage anything during my test?
I just tried with a TORO sensor we've got laying around and red in the S1 and black in the (-) black worked. Tested by manually clicking the top of the sensor down. For that sensor, I did try switching the wires so that red was in the black, and black was in the S1, but that actually worked as well.
Not knowing how the sensor is made, I can't give a definitive answer but I'd still guess that black goes in black and red in the sensor port. I doubt mixing up the wires would cause damage, but I don't know much about the sensor. The Rachio should not get damaged though as that is supplying the power. Maybe someone else in the community though who has that sensor will chime in.


Do research on Google and Match the contact record to cell phone information. Only people who type 70+ wpm please. Please goto [se connecter pour voir l'URL] and copy and paste your results, thank you!
. Contact me and let me know how you have these IPs. If the proxy service is yours, or if you have an account with a service. Either one is fine.
We are a Media house and needs a few Data entry jobs to be completed. Few Association member directory (hard copy) to be converted to soft copy on excel file.
Data entry in English and Kannada.
*PLEASE NOTE, FIREBASE UI AND AUTHE...each of the 'green' fields' as seen in the UI window and video attached. Each time the update button is selected it should ONLY update the green labels as well as the document entry in firebase, it should not create a 'new' document in Firebase, only update the existing one. please ask for me to clarify if needed.
This project involves faithful reproduction of PDF image into devanagari unicode .txt file. I am attaching ...There are 79 such pages to be typed. You may check the page and let me know these two things 1. Cost per page. 2. Number of days required to complete full 79 pages. The entry has to be of good quality. There would be penalty for errors.


Sherri has been Dr. Van Slate's office manager since he started practicing in 1992. Sherri has become highly respected in our field for her expertise in office procedures and handling dental insurance. For over 20 years she has received regular training from the Las Vegas Dental Institute for Advanced Dental Studies. Her advice has been sought by many office managers in the dental field. Her expertise and talent is not only invaluable to our practice, it is also appreciated and welcomed by our patients.
Sherri is also multi-talented outside of dentistry. She does many innovative arts and crafts and she was the lead vocalist in a country-western band for over 10 years. Sherri is married and has twin boys.
Leta is one of the most highly trained and best dental assistants in the business. She has over 25 years of dental assisting experience, and has been Dr. Van Slate's assistant for over 12 years. She received her training from Indiana University and she has the distinction of being both a Certified as well as Registered Dental Assistant. Since 2006, Leta has continued to receive yearly training from the Las Vegas Dental Institute for Advanced Dental Studies.
Although she grew up in Indiana, she loves Houston (but she still roots for Chicago Sport's teams). Leta is married and has 2 boys. Her pride and joy are her Beagles (Lola and Sophie), and her Terrier (The Bud Man). In her spare time, Leta is advocate in helping sheltered animals find forever homes, and she is a distributor for Young Living Essential Oils.
Adriana is our ultimate multi-tasker who has been a valuable part of our office since 2009. Not only is she an experienced dental assistant, she also handles our scheduling and helps co-manage our practice. She is a tremendous benefit to our patients because it is rare that someone has knowledge and skill in every aspect of running a dental practice.
Adriana grew up in Houston and is married with three children. She is the ultimate soccer Mom whose free time is spent running her kids around soccer fields.
We are so fortunate to have Kristin on our hygiene team. With her reputation, skill and knowledge, our patients will truly benefit. Kristin began her dental career as a Dental Hygiene Assistant in a family practice in Southeast Michigan. Excited about dentistry and knowing she had found a promising career, she became a Registered Dental Assistant, and then pursued and received a degree in Dental Hygiene in 2011. Kristin has a strong work ethic and is very passionate about helping her patients. She is one of a select few hygienists who has completed several dental programs at the Las Vegas Dental Institute.
Our patients continue to rave about Kristin's wonderful "bedside manner" and calming nature. Our team loves that she is so knowledgeable, easy to get along with, and her personality adds so much fun to our office!
Kristin is married and has two beautiful daughters. She enjoys singing with her church choir, and is a fabulous cook!


text:
ATC Launches Remanufacturing Solutions for Electric Vehicles in North America and Asia
ATC is proud to announce that it is launching remanufacturing capabilities for electric vehicle systems at its Oklahoma City, OK facility to serve the North American automotive market and at its Zhangjiang, China facility to serve the Asian automotive market.
These investments will allow ATC to remanufacture batteries and electric drive units for both plug-in hybrid and battery electric vehicles. This move represents the next step in the company's electrification strategy and builds on the competencies and processes initially developed in ATC's UK facility.
"As the industry continues the migration towards electrification, it is strategically important for ATC to install the necessary capabilities and capacities to support our OEM customers in all regions of the world for all of their powertrain and drivetrain remanufacturing needs, regardless of technology platform" says ATC President & CEO, Greg Heald.
"With our launch of these competencies in the U.S. and China, we expect to be the first and only independent remanufacturer with global capacities for ICE, hybrid and fully electric vehicle solutions," says George Kostopoulos, Vice President Global Sales and Marketing at ATC Drivetrain. "Although electrification of vehicles is gaining momentum, it's important to remember there are still more than a billion internal combustion engine-powered vehicles in the world and their lifespan continues to increase. With the addition of EV capabilities, ATC will become a one-stop global remanufacturing solution provider for powertrain and drivetrain products regardless of the technology powering the vehicle or the region of the world."
ATC will launch remanufacture of both NiMH and LiON batteries and electric drive units in the 3rd quarter of 2021 in Oklahoma City and 4th quarter of 2021 in Zhangjiang, China.


text:
Paro Tshechhu Festival
Dance of the Black Hats with Drums during Paro Tshechhu
Scheduled on: March 27th to 31, 2018
The Paro Tshechu is held every spring and is one of the most colorful and significant events in Paro Dzongkhag (district). The Tsehchu is considered a major attraction and people travel from neighboring districts to participate in the festivity.
Early in the morning on the last day of the celebration the monks display a gigantic thangkha (embroidered painting), the Guru Throngdel, inside the dzong. Thongdrols are especially impressive examples of Buddhist art and never fail to amaze viewers. They are considered so sacred that simply seeing a Thongdrol is said to cleanse the viewer of sin.
Festivals of Bhutan are called 'Tshechus' which is celebrated all over Bhutan. Every district has their yearly festivals but the most popular ones are the 'Tshechus' of Thimphu, Paro, Punakha and Trongsa. The dates for these festivals fluctuate from district to district but they always take place on or around the 10th day of a month of the Bhutanese calendar.
Tour Duration: 12 Days / 11 Nights
Season: APR 11th to 15th, 2014
Group Size: Any
Paro Tsechu Tour Itinerary
Day 1. PARO INTERNATIONAL AIRPORT – PARO:
During the journey, the traveler will experience from the plane a spectacular view of Mt. Everest, and other famous Himalayan Mountains including the sacred Mt. Jhomolhari, the second highest peak in Bhutan. On arrival at Paro International Airport you will be received by our representative and will escort you to the hotels for checking and after refreshment, we will discuss the Tour Programme with the Tour Guide. Afternoon sight seeing in paro.
Overnight: Hotel in Paro.
Day 2. - Day 5 WITNESS THE FESTIVAL:
Religious festivals known as 'Tsechus' and 'Dromchoes' symbolizing amity, peace and compassion, are held annually at various parts of the kingdom at different times of the year. These vibrant festivals are a time for the people from various walks of life to come together decent in all their ceremonial dress. During the festival, rare and sacred masked dances, sword dances and many rituals are performed.
Day 6. PARO – THIMPHU:
Witness the festival in the morning and drive to Thimphu in the evening (Capital city of Bhutan)
Day 7. THIMPHU – PUNAKHA:
Drive to Punakha through Dochula Pass (3150m). On the way stop for a photo stop at Dochula Pass which is 26km away from Thimphu valley, and for Tea and snacks and to enjoy the most spectacular view of eastern Himalayan snow capped Mountains and also the great view of Gasa Dzong at a distance (If weather is clear).
The journey continues through varying scenes of greenery all the way to Punakha. Visit Punakha town. The Punakha Dzong lies between two great rivers with the wonderful view of Punakha Dzong. The names of the rivers are Phochu (Male River) and Mochu (Female River). This Dzong serves as the winter residence for the Je Khenpo, Chief Abbot of the Central Monastic Body and also the office of the district Administration.
Over night: Hotel in Punakha.
Day 8. PUNAKHA – GANGTEY VALLEY
Drive to Wangdue Phodrang small town and Dzong and drive towards Gangtey valley which takes about 5 hours journey and it is a beautiful valley situated at an altitude of 3000m, this valley was open its route very recently. During winter one can see the endangered species of bird (Black Naked Crane). Lunch in Wangdue Phodrang.
Over night: Hotel in Phubjikha.
Day 9. GANGTEY VALLEY – THIMPHU
In the morning walk around the valley which is very beautiful and has its own charms and drive to Thimphu, lunch in Dochula cafeteria.
Over night: Hotel in Thimphu
Day 10. THIMPHU – SIGHT SEEING
Visit the Memorial Chorten (a great stupa) built in memory of the Third King of Bhutan who reigned the Kingdom from 1952-1972. Visit the mini Zoo where the national animals were kept and drive to Sangeygang where you can have a spectacular view of Thimphu valley. Visit nunnery in Zulikha. Visit the Wood Craft and Painting school where traditional arts and crafts are still kept alive through the instructions of painting and curving. Visit the Handicrafts Emporium where Bhutanese textiles and other arts and crafts are displayed and can be purchased. Visit the National Library where ancient manuscripts are preserved.
Afternoon: Visit Simtokha Dzong. This is one of the oldest fortresses in Bhutan. It was built in 1629 AD. It houses the largest monastic schools in the country. Visit Tashichho Dzong, the main secretariat building. This massive structure houses part of the government Ministries, the office of the King and the Throne Room. It also houses t he State Monastic Body and the living quarters of the Chief Abbot and the senior monks.
Overnight in Hotel in Thimphu
Day 11 THIMPHU –PARO:
Early morning drive to Paro and drive up to Satsam Chorten (10 km from Paro town) and from there walk up to Taktsang Monastery. The name Taktsang means "Tiger's Nest ". The Monastery clings to a vertical granite cliff drop of nearly 4000 ft. and overlooks the Paro valley and the river. It is said that in the second half of the 8th century, Guru Padma Sambhava known as the second Buddha in Bhutan meditated on this spot where the Monastery is situated having alighted there on the back of a flying tigress. The round hike takes about 4 Hr.
Day 12. PARO – PARO INTERNATIONAL AIRPORT for departure:
Early morning drive to Paro International Airport and our team will accompany you to bid farewell as you embark on your onward journey to back home.


And Blake calls them the biggest celebrities in the room.
Tear it up @KeithUrban !!!! ????????????
These are some SHORT performances. Would you rather more music by less performers, or less music by more performers?
Someone tell me where to get that skirt Miranda has on.
Darius Rucker just transitioned from performer to presenter. Album of the year goes to Kacey Musgraves for "Same Trailer Different Park."
Garth Brooks on the #ACMs NOW!
Wow Kacey just beat some heavy hitters! #ACMAwards #Texas y'all!


Meet the Artists-in-Residence and guests of Asawa SOTA Dance. Scroll down for details.
took his first tap class at the tender age of 11, where he soon fell in love with the toe tapping sounds and expressive movements. It didn't take long for him to realize that dance would be an integral part of his life for years to come.
An Asawa SOTA alumnus, Chris studied Ballet, Modern, Jazz and Afro-Haitian, under the direct tutelage of Elvia Marta, where he discovered a deeper understanding of dance, allowing him to explore his vulnerability. He then experimented with the art of choreography finding new forms of communication that enabled him to express his thoughts and feelings through movement. Chris went on to establish The Dance Company of San Francisco. Taking on the role of Artistic Director he desired to create an alternative environment for passionate dancers to explore the art of dance. While valuing constant growth and self-discovery, Chris consistently challenges his dancers to exceed their perceived capabilities. Chris is a recipient of a Jazz Dance World Congress Bronze Medal and his work has been a finalist at the Capezio A.C.E. Awards. Many of his students have attended prestigious universities as well as appeared on Broadway and in television shows such as Cirque Du Soleil, West Side Story, Wicked and So You Think You Can Dance. Chris can be seen touring the nation regularly with the National Dance Convention ADRENALINE and is regularly sought out to teach and choreograph both domestically and abroad. He is also the owner and director of THE DANCE SESSIONS, an organization dedicated to the personal and artistic growth of the next generation of dancers. Chris is thrilled to able to share with you what he loves so much.
branded the "e.e. cummings of ballet" by The Huffington Post, is a San Francisco based choreographer and dance educator. Payne Bradley began choreographing in 2010 and founded the San Francisco based The Milissa Payne Project the same year. In 2011, Payne Bradley's The Game is Afoot was chosen as a semi-finalist for the Company C Contemporary Ballet's New Commission Project. The Milissa Payne Project's Revolve was awarded Best Whirling Dervish in the Best of San Francisco 2013 by SF Weekly. Payne Bradley was also awarded by BayAreaDanceWatch & SAFEhouse for the Performing Arts as the Bay Area's Best Choreographer (Contemporary Ballet) 2012.
She has set work on New York Theatre Ballet, Dance Theatre of San Francisco, Bay Pointe Ballet, ODC Theater's Music Moves Festival and the West Wave Dance Festival.
Payne Bradley began her professional career in 2005 with The Oakland Ballet under the direction of Ronn Guidi. She is an Artist in Residence at the Ruth Asawa San Francisco School of the Arts, SOTA and part of the teaching staff at the Contra Costa Ballet School. Payne Bradley is a graduate with Honors from Saint Mary's College of California in the Liberal Education for the Arts (LEAP) program, and is also a recent graduate with Honors from Saint Mary's College of California with a MFA in Dance: Creative Practice.
began her early dance training in Caracas, Venezuela where she earned government scholarships to study at the Boston Ballet. She was also invited by the Harkness Ballet youth company to work with Eleanor D'Antuono. In 2005, she was honored with a grant award from University of San Francisco to study pedagogy in Cuba.
Acedo performed the classical repertoire in Venezuela at the Ballet Teresa Carreño, and shared the stage with Rudolf Nureyev, Fernando Bujones and Julio Boca. In 1982 she joined Ballet Nuevo Mundo de Caracas, a contemporary ballet company and became a principal dancer, working with celebrated choreographers such as Judith Jamison, Ulises Dove, John Butler, Gustavo Mallajoli, Elisa Monte, Paulo Denubila, Dennis Nahat, Choo San Goh, and Donald Mackayle, among others.
Graciela has performed at prestigious theaters worldwide and in the United States, she has danced with the Boston and Oakland Ballets, and has been a guest artist with the Margaret Wingrove Dance Company, the Pacific Dance Theater of San Francisco, the Western Ballet, Peninsula Ballet Theater, Princeton Ballet and others.
has been a Company Pianist for the San Francisco Ballet for 9 years. Previously, she played for dance and theater companies in America and Europe, including San Francisco Ballet and Stadttheater Bern. In addition, she has many years of experience performing as a solo artist, composing for electronic instruments and symphony orchestra, and teaching dance and music workshops. Lucy is also an Apple software developer, focusing on educational apps expressing the relationship of dance with music.
is a choreographer and film maker based in San Francisco. Originally from Boulder, Co. she holds an M.F.A. in Dance Performance & Choreography from New York University's Tisch School of the Arts (2011). She studied at NYU on a full scholarship Dean's Fellowship and was honored with the position of Graduate Student Assistant in Film for Dance. While in New York, Claudia had the privilege of performing the works of Trisha Brown, Gus Solomons Jr, Patricia Hoffbauer and Kay Cummings. In 2011 she taught choreography and technique at NYU for the Future Dancers and Dance Makers High School program.
Claudia was a co-founder of Vispo Dance, (2004-2009) and founded The Anata Project in 2011. Her work has been presented at Z Space, ODC, Dance Mission Theater, The West Wave Dance Festival, SPF7, 111 Minna Gallery, The Garage, Judson Memorial Church (NYC), NYU, DanceNow's Joe's Pub, The Atlas Theater, LaMama's Ellen Stewart Theater, The Wave Rising Series, Danny Studios, and The Dairy Center For The Arts, (Boulder, Co). Claudia currently teaches choreography at the Ruth Asawa School of the Arts in San Francisco. For more information on the company please visit, www.theanataproject.org.


text:
<!DOCTYPE html>

		<meta charset="utf-8">
    <meta http-equiv="X-UA-Compatible" content="IE=edge">
    <meta name="viewport" content="width=device-width, initial-scale=1">
		<title>Intuit Boot Camp Demonstrations</title>
		<link href="css/site.css" rel="stylesheet">


text:
Q: Recovering colums/rows Matrix from a file so i've this program that scan and print the matrix from a file. anyways the program i have works with normal matrix i mean Square matrix but now i want to make a manual matrix i mean i've to enter the number of lines/columns and then i call the lines and columns in the main.
So the program below explains the situation
int recuperation (int t[][20], char *nomFichier){
    int nbElement=0 ,i,j,nbElement2=0;
    FILE *fp;
    fp=fopen(nomFichier,"r");
    if(fp!=NULL)
    {
        fscanf(fp,"%d\n",&nbElement);
        fscanf(fp,"%d\n",&nbElement2);
        if(nbElement && nbElement2)
        {
            for(i=1;i<=nbElement;i++)
            {
               for(j=1;j<=nbElement2;j++)
               {
                   fscanf(fp,"%d",&t[i-1][j-1]);
               }

            }
        }
    }
    else
        printf("\n Fichier vide \n");
    return nbElement;
}

You see the return? nbElement that's the number of lines but i want to return the number of columns too, which is nbElement2.
Because later in main() i've to call this function by typing:
l= recuperation(t,txtfile)
but i can't call the columns since i returned only 1 value.
Hope that you got what i mean, thanks.

A: The best thing to do is to provide the columns and rows as pointers to the function. This way, when you assign values to those variables, they change outside of the function too.
int recuperation (int t[][20], char *nomFichier, int * rows, int * columns){
    int i,j;
    FILE *fp;
    fp=fopen(nomFichier,"r");
    if(fp!=NULL)
    {
        fscanf(fp,"%d\n",rows);
        fscanf(fp,"%d\n",columns); // already a pointer
        if(*rows && *columns) // dereference the pointer to get the value
        {
            for(i=1;i<=*rows;i++)
            {
               for(j=1;j<=*columns;j++)
               {
                   fscanf(fp,"%d",&t[i-1][j-1]);
               }

            }
        }
    }
    else
        printf("\n Fichier vide \n");
    return 0;
}


text:
/*
 * stack.c
 *
 *  Created on: 2013-09-16
 *      Author: francis
 */

#include <execinfo.h>
#include <stdio.h>

#define TRACEPOINT_DEFINE
#include <stack_tp_provider.h>

__attribute__((constructor))
static void initialize_ust_regs_rsp() {
    printf("libstack.so loaded\n");
}

void __cyg_profile_func_enter(void *this_fn, void *call_site)
        __attribute__((no_instrument_function));

void __cyg_profile_func_exit(void *this_fn, void *call_site)
        __attribute__((no_instrument_function));

void __cyg_profile_func_enter(void *this_fn, void *call_site) {
    register unsigned long rsp asm("rsp");
    tracepoint(stack, entry, rsp);
    //printf("size of stack %ld\n", top_of_stack - rsp);
}

void __cyg_profile_func_exit(void *this_fn, void *call_site) {
}


text:
The Extremist Formula
Greg Shupak
It's telling that sections of the media think that Islam is the decisive factor in cases like Orlando.
The abominable massacre in Orlando made absolutely clear that transphobia and homophobia remain major problems in Western society. The killer, Omar Mateen, was a Muslim, and so the atrocity is unsurprisingly being weaponized against Muslims, revealing how pervasive Islamophobia is in the United States as well.
Islamophobia takes multiple, overlapping forms. The conservative Islamophobia of Trump supporters and assorted other racist forces casts Muslims as threats to the nation. A recent editorial in the Wall Street Journal offered a more sophisticated version of this worldview: "Can we finally drop the illusion that the jihadist fires that burn in the Middle East don't pose an urgent and deadly threat to the American homeland?"
Liberal Islamophobia, on the other hand, presents Muslims as threats to progressive values such as feminism or LGBT equality. The post-Orlando comments of Barney Frank, a former Democratic representative from Massachusetts, exemplify this strand:
There is an Islamic element here. Yes, the overwhelming majority of Muslims don't do this, but there is clearly, sadly, an element in the interpretation of Islam that has some currency, some interpretation in the Middle East that encourages killing people — and LGBT people are on that list. And I think it is fair to ask leaders of the Islamic community, religious and otherwise, to spend some time combating this.
Nick Cohen falls into this camp as well when he points to the contemptible record of the governments of Muslim-majority states on LGBT issues. Cohen sees these states' policies as evidence that "Western LGBT people have reason to be frightened that there will soon be police officers outside gay clubs," as though Western queer and trans people haven't already endured incalculable violence from domestic, non-Muslim sources (or that citizens ruled by authoritarian, US-backed governments are the authors of their countries' policies).
In addition, since police in Western countries have often inflicted violence on LGBT people, many fear the presence of police at gay clubs for reasons other than what Cohen has in mind.
Islamophobes, whether liberal or conservative, abstract Muslims from Western civilization. Even though the Pulse massacre was perpetrated in America by an American citizen, the threat to America is foreign. America is LGBT-friendly, so even though Mateen was born and raised in America, he is not America. The reverse is also true: the West is abstracted from what happens in the East; US policy in the Middle East is not connected to jihadism in the region.
Overly narrow definitions of Islamophobia, which define the practice solely as a failure to differentiate between Muslims who are "extremists" and those who are "moderates," will not suffice. Liberals like Frank and Cohen and even conservatives with the right-wing bona fides of George W. Bush or the Journal's editors are typically savvy enough to make such a distinction.
Islamophobia finds its naturalized, socially acceptable expression in the many commentators and politicians who assume Islam is the central factor in cases like Pulse — even when there's reason to believe something more complex has taken place.
The Wall Street Journal's two editorials on Orlando, like the comments from Frank and Cohen, say nothing about causes other than devotion to jihad. In the New York Times, Thomas Friedman argues that until "the websites, social networks and mosques" stop promoting intolerant ideas, "we're just waiting around for the next Paris, Brussels, San Bernardino, or Orlando."
Incoherent Jihad
Yet the assumption that Islamism was the primary force driving Mateen to murder is not self-evident. For one thing, it's not clear whether Mateen understood even elementary features of Middle East politics — he reportedly wasn't even able to decipher the differences between ISIS and Hezbollah.
Mateen's comments during the massacre offer little more enlightenment. He told police that he wouldn't stop his attack until America stopped bombing "my country." (By "my country" Mateen presumably meant either ISIS's caliphate or Afghanistan, his parents' country of origin, where the United States recently opted to escalate its war.)
According to eyewitnesses, he said he wanted to spare African Americans: "I don't have a problem with black people . . . This is about my country. You guys suffered enough." But apparently a largely Latino crowd of LGBT people at a gay bar was the apotheosis of US militarism.
Jihad may have been on Mateen's mind, but nothing so far suggests that it was a central part of who he was. Clearly there are other dimensions to the story that can't be explained through a theological lens.
Patriarchal Poison
Mateen had multiple relationships to institutionalized violence and domination. His ex-wife says he beat her and describes him as unstable, while the son of the imam at Mateen's mosque says has was an "an aggressive person" who "used to work out a lot." Mateen may also himself have been gay, and self-loathing fostered by the toxic masculinity rampant in US society could have been at play in his rampage.
The more information that comes out, the more layered the story becomes. Mateen worked for the private security firm G4S, a company that apparently has "an institutionalized global problem" with protecting violent, racist conduct by its security officers and has been found to exhibit a "systematic tolerance of astonishing abuse," with "numerous cases of employees being charged with the sexual abuse of young boys" and a record of running an "abusive and unsanitary" jail.
What has emerged is not only the portrait of someone who flirted with jihad but also of someone who may have had had mental health problems, who was a product of the brutal American carceral state, and who was a violent, misogynistic, homophobic alpha-male of the sort that is found everywhere, regardless of faith.
This tapestry is obscured when people like Frank take for granted that religion is the operative factor in Orlando, or when Cohen writes that Mateen killed as many LGBT people as possible "because his [jihadi] ideology authorized homophobia."
None of this is to deny that Mateen's conception of Islam and Middle East politics was part of why he did what he did. That would be an equally blinkered conclusion.
The point is simply that a confluence of factors were at play, and that too many observers are crafting a facile clash-of-civilizations narrative that often produces disastrous consequences.
Damn the Consequences
Commentators and politicians obscure such complexities because reducing the story of Pulse to one of jihadi terror makes it easier to sell the public on policies that will oppress and kill people who are or might be seen as Muslim — including people who are LGBT — in the United States and around the world.
The Pulse massacre, for instance, is being used to push for increased surveillance of Muslims. Frank claims that the attack "reinforces the case for significant surveillance by law enforcement of people who have given some indication of adoption of these angry Islamic hate views."
Meanwhile, Friedman writes that "we need to ensure our government has all the surveillance powers it needs — under appropriate judicial review — to monitor and arrest violent extremists of all stripes. The bad guys now have too many tools to elude detection."
The Wall Street Journal argues in its first editorial that "the FBI is right to use 'sting' operations against Americans who show jihadist leanings on social media or with friends" and in its second editorial that "Western law enforcement agencies must pay more attention to what goes on inside mosques than in Christian Science reading rooms."
Both Hillary Clinton and Donald Trump advocate escalating the war against ISIS in response to the Orlando killings, even though US officials say there is no evidence of a direct Islamic State link. Already the estimated number of civilians killed by the US-led coalition's war against ISIS is at least 1,312, and that campaign will continue to enrich capitalists even as it is more likely to proliferate than quell jihadi terrorism.
Physicians for Responsibility has found that the first ten years of the Bush-Obama "war on terror" killed 1.3 million people in Iraq, Afghanistan, and Pakistan — and LGBT people are surely among the victims.
Friedman says that the only thing that can stop jihadi terror attacks is a
meaningful mass movement by Muslim governments, clergymen and citizens to delegitimize this behavior. It takes a village and only stops when the village clearly says, 'No more!' And that has not happened at the scale and consistency it needs to happen.
Of course, missing from Friedman's condescending formula is the uncomfortable fact that the US government could curtail the influence of jihadis around the world if it stopped empowering them.
The American state is supporting jihadis in Syria, and the US-Saudi war on Yemen is strengthening ISIS and al-Qaeda branches in that country. Mateen's father, there is evidence to suggest, fought in the US-backed mujahideen against the Soviet Union in Afghanistan. Reverberations of such policies in the West can be expected and, when the next Paris or Brussels or Orlando happens, more US warmongering can be expected to follow.
Public responses to hawkish posturing like "not all Muslims" or "but what about Christian and Jewish extremists?" are tedious but sometimes helpful. It is worthwhile to point out that, according to the Global Terrorism Index, "lone wolf" attacks like the one in Orlando account for the majority of terrorist deaths in the West since 2006 and that "Islamic fundamentalism was not the primary driver of lone wolf attacks, with 80 per cent of deaths in the West from lone wolf attacks being attributed to a mixture of right-wing extremists, nationalists, anti-government elements, other types of political extremism and supremacism."
And it's also necessary to push back against all strains of Islamophobia by complicating stories premised on the assumption that Islam is necessarily the decisive factor in atrocities like Orlando.
Only then can we hope to build the solidarities necessary to overcome transphobia, homophobia, racism, and imperialist warfare.
Greg Shupak teaches media studies at the University of Guelph in Canada. He is the author of The Wrong Story: Palestine, Israel, and the Media (OR Books).
Orlando Massacre
It's telling that sections of the media think that Islam is the decisive factor in cases like Orlando.


text:
Q: Is it possible to rollback sqlite3 changes after commit in python I'm calling these functions via tkinter button click. So once the commit is done, if i need to revert changes I'm calling doing rollback but its not reverting the changes
def insert(_id,name,phone):
              conn = sqlite3.connect(db)
              print ("Opened database successfully");
              print (name,phone)
              conn.execute("INSERT INTO VARUN (ID,NAME,PHONE) \
                    VALUES (?,?,?)",(_id,name,phone));
              conn.commit()
              print ("New record(s)" , name," has just been added to the database");
              conn.close()

def rollback():

    conn = sqlite3.connect(db)
    conn.rollback()
    print ("\n changes reverted")
    conn.close()

A: This is not possible. Once a transaction has committed, all changes are merged in the database, and are indistinguishable from other data.
If you want to revert changes later, you have to store not only the changed result but also enough information to restore the changes in the database.
See Automatic Undo/Redo Using SQLite for an example.


text:
Q: On the Predual of $L^{1}(\mathbb{R}^{n})$ The question is already indicated as in the title, is it possible to find a normed space $X$ such that the continuous dual $X^{\ast}$ is isomorphic to the Euclidean Lebesgue space $L^{1}(\mathbb{R}^{n})$?
Having discussed with a professor, he said, if it were true, then it will contradict the Banach-Alaoglu Theorem: The closed unit ball $B_{1}(0)$ of $L^{1}(\mathbb{R}^{n})$ is weak$^{\ast}$-compact.
I still fail to see why there is such a contradiction.

A: @Ruy is right.  $L^1(\mathbb R^n)$, with the usual Lebesgue measure, is not linearly homeomorphic to the dual of any Banach space.  For example, one reason is that it is a separable space that fails the Radon-Nikodym property.
A nice reference on this material is
Diestel, J.; Uhl, J. J. jun., Vector measures, Mathematical Surveys. No. 15. Providence, R.I.: American Mathematical Society (AMS). XIII, 322 p. $ 35.60 (1977). ZBL0369.46039.


As soon as I change the password back to the default "admin" the error disappears. I tried to find out where this password is hardcoded but I can't find and the error message unfortunately does not tell me which script is failing here. Anybody knows where I have to change the password in addition to changing it through the web client?
In former versions, I could simply remove admin from the list of admins in custom-authorities.xml, so the imposed 'security threat' was gone. With 3.2, the option passthru.authentication.defaultAdministratorUserNames= doesn't contain anything. So I, too, would be interested in a way to change the admin user's password.
Should this better be raised in JIRA?
So far I was not able to fix this. Nobody has an idea?
I've logged this in JIRA because it needs improving. In future, don't be shy about logging an issue yourself.
Something that might help diagnose where the problem is. Try putting this line in log4j.properties and the paths of each invoked webscript will be logged.
Which webapps do you have deployed?
I have installed the standard client, share and studio - if you mean that. Unfortunately the tomcat is locked down so I cannot look into the administration if there is something more I am not aware of.
Probably it is Studio because when trying to login to studio using a wrong password I get a very similar error message.
14:43:09,703  INFO  [web.site.FrameworkHelper] Reset Web Scripts Registry; registered 101 Web Scripts.  Previously, there were 101.
Please just edit $TOMCAT_HOME/webapps/alfresco/WEB-INF/classes/log4.properties as requested and let us know what scripts are being called when you see the error?
To disallow the admin user it's name-implied rights, one just needs to remove it from the administrators group in the admin console.
Be sure to add someone else before, or edit in the line passthru.authentication.defaultAdministratorUserNames= in your alfresco-global.properties, if you use passthru to authenticate.
I assume in disabling the admin would even cause the error message as it seems that something here wants to login with admin. Did you test that?
Actually, yes, that should provoce the error. But since we only use the classic JSP-Webclient and Webscripts, this is of no immediate concern to us, because the error seems to stem from somewhere else. Actually, as soon, as I now try to logon to share, "your" error appears in the logs.
11:47:31,772 ERROR [org.alfresco.util.transaction.SpringAwareUserTransaction.trace] UserTransaction being garbage collected without a commit() or rollback(). NOTE: Prior to transaction call stack logging.
Following this is a somehow crashed Alfresco.
After restarting, as soon as I add the admin user back to the Administrators group, a Share logon is flawless.
So, it's exactly the same here.
Hmm… no, looks like a different error in your case.
:oops: Doubled the permgen space and now Share works without the admin user in "its" group.
Sorry for bothering, I encountered the same problem today.
As far as I recently started playing with Alfresco, the admin user is the only user in the system.
Are there any ways to rollback the admin password or to somehow find another workaround?
If you logon using your new admin's password, you should be able to change that like every other user can. The User details option in the headline of the webclient is the right place to do that.
So I tried to change my admin password and ran into errors.
What is the solution for changing the admin password?
I started looking for where the admin password might be hardcoded, and then thought I might be going down a wrong path.
We removed studio from the production server and that removed the admin password error we have in our log files.
We left studio on the dev lab server.


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The dispute between the Northern Ireland Police Ombudsman and Durham Constabulary over the events surrounding the arrests in August of two Belfast journalists has deepened significantly.
Despite claims to the contrary from Durham, ombudsman Michael Maguire insisted his office had not made a complaint that documents featuring in a documentary about the 1994 Loughinisland massacre had been stolen from it.
The documentary No Stone Unturned was released in 2017: "We stand very much behind the statement we issued to The Irish Times – we did not report a theft," a spokesman for the ombudsman said.
However, questioned on foot of the ombudsman's denial, Durham's chief investigator, Darren Ellis, stood by the previous denial issued by Durham Constabulary's chief constable, Mike Barton.
It had been clear "from the start that its investigation centred upon "theft, unauthorised disclosure and other linked offences which arise from [ombudsman's office] reporting the inclusion of secret documents in a documentary".
Durham maintains that the PSNI subsequently received a written statement of complaint about the theft from a senior officer of the ombudsman's office. This is absolutely disputed by the Ombudsman's office.
On foot of these complaints, according to Durham Constabulary, it was called in to investigate by the PSNI. Journalists Barry McCaffrey and Trevor Birney were arrested and their homes and offices searched on August 31st this year.
They were not charged but are subject to bail conditions and are to report for further questioning at the end of this month.
The escalating controversy, first reported in The Irish Times on Wednesday, arises over documents used by the film-makers that contain information that appears to originate in the ombudsman's office. Lawyers acting for the journalists are now seeking to have their arrests declared illegal. The PSNI has declined to comment, citing ongoing legal proceedings.
Emma Rogan, whose father, Adrian, was one of the six men murdered by the UVF at Loughinisland in 1994, said the families were angry that police were placing such emphasis on the documents.


text:
Q: How to add a legend to ggplot when aes are constant for stat_smooth I tried to plot different smoothings in a single plot:
ggplot(mtcars, aes(x=wt, y = mpg, col="green")) +
  geom_point(col='blue') +
  stat_smooth(method='loess',linetype="dashed", col="red", span=0.1) +
  labs(title = "Fitting Price ~ living space, span=0.1,0.25,0.5,0.75") +
  stat_smooth(method='loess',linetype="dashed", col="cyan", span=0.25) +
  stat_smooth(method='loess',linetype="dashed", col="green", span=0.5) +
  stat_smooth(method='loess',linetype="dashed", col="blue", span=0.75)

I want to add a legend to it where it shows the color for each smoothing line. Some answers say to add a color to the aes, however I don't have separate aes for each stat_smooth, and adding col to the aes of ggplot has no effect.

A: I don't know a way to add a legend from layers created inside the ggplot call. An alternative is to precompute the smooths and feed them into ggplot in long form.
Here, I define a function to make a fitted loess curve based on input span, then augment mtcars with a few of these, then gather into tidy (long) shape, and feed into ggplot:
make_loess <- function(span = 0.1) {
  series = paste("Loess with span =", span)
  loess(mpg ~ wt, mtcars, span = span) %>%
    broom::augment() %>%
    select(rowname = .rownames, !!series := .fitted)
}

mtcars %>%
  rownames_to_column() %>%
  left_join(make_loess(0.25)) %>%
  left_join(make_loess(0.50)) %>%
  left_join(make_loess(0.75)) %>%
  gather(series, val, -c(rowname:carb)) %>%
  ggplot(aes(wt, val, color = series, group = series)) +
    geom_line()

A: You can still use aes in each stat_smooth including only the desired color. This will add legends to the plot. Then you can use scale_color_identity to match and rename the colors
ggplot(mtcars, aes(x=wt, y = mpg, col="green")) +
  geom_point(col='blue') +
  stat_smooth(method='loess',linetype="dashed", aes(color = "red"), span=0.1) +
  stat_smooth(method='loess',linetype="dashed", aes(color = "orange"), span=0.25) +
  stat_smooth(method='loess',linetype="dashed", aes(color = "yellow"), span=0.5) +
  stat_smooth(method='loess',linetype="dashed", aes(color = "green"), span=0.75) +
  labs(title = "Fitting Price ~ living space, span=0.1, 0.25, 0.5, 0.75") +
  scale_color_identity(name = "Span values",
                          breaks = c("red", "orange", "yellow", "green"),
                          labels = c("0.1", "0.25", "0.5", "0.75"),
                          guide = "legend")

Read more at Creating legends when aesthetics are constants in ggplot2


text:
Julie Ricci pregnant with her 2nd child : it reveals the date of birth
Julie Ricci still pregnant of Pierre-Jean : it reveals the date of her confinement
It is in a YouTube video that Julie Ricci was announced to be pregnant with her second child. A piece of cabbage which is scheduled for 2020. But when exactly ? The influenceuse married to Pierre-Jean has entrusted the expected date of delivery in its story Instagram. The former candidate for reality tv has also referred to the sex of the baby.
Julie Ricci entrusts the date of his birth
Already the mother of a little Gianni, born in September 2018, Julie Ricci has recently announced to be pregnant again, her man Jean-Pierre. A pregnancy that the ex-candidate of reality tv has unveiled a video on its YouTube channel. The one that is now influenceuse has this time revealed the date of her confinement. So, when should she give birth to her second child ?
In his story Instagram, Julie Ricci explained to be to "3 months of pregnancy now". "My delivery is scheduled for the 26th of June next," she then added. The adorable family is going to gift to expand with the arrival of a baby just before the summer of 2020. Good news for the married couple.
Is it a girl or a boy ?
The former participant on the Friends Trip 3 or for seasons 1 and 2 of the Angels of reality tv on NRJ12 then referred to the sex of her baby. It waits a girl or a boy ? Julie Ricci doesn't know it yet, but the star of the social networks says that she will be happy with either a baby girl or a baby boy. "We already have a son and I love it so much my son that I see well with a little boy and at the same time to see the face of a little girl, how it would be, this would be too cute" she as well confessed in his story Instagram.
Side pro, it will soon return to television in the show Moms and famous on TFX.
Coronavirus: restaurants and bars reopened in Rio de Janeiro
The funeral of Norah and Romy: the memory of the girls honored by Levis
United states: protests continue despite threats from Trump
"A fantastic woman" changed to read: at TAYANNA new hair color


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text:
Oxford University Association Football Club is an English football club representing the University of Oxford. The club currently plays in the BUCS Football League, the league system of British Universities and Colleges Sport (BUCS). In 2020, the club merged with Oxford University Women's Association Football Club (OUWAFC) to create one single entity.

Oxford University was one of the earliest winners of the FA Cup, having achieved it in 1874 after beating the Royal Engineers.

History

Formed on 9 November 1871, the club was a giant of the 1870s, winning the FA Cup 2–0 against Royal Engineers in 1874 and finishing the competition as runners-up in 1873, 1877 and 1880, the last year they competed. The club merged with OUWAFC, the women's club, in 2020.

The club left the Iffley Road rugby football ground, which it shared with Oxford University Rugby Football Club, in 1921 and moved to the nearby Iffley Road Stadium.

The club Pegasus of the 1950s was formed from the Oxford and Cambridge University teams.

OUAFC has competed in the British University and College Sports (BUCS) leagues as well as contesting the annual Varsity Football Match against Cambridge University. In 2016, it has seen play Arnaud Trébaol, former player of Royal Excel Mouscron, former Financial Stability Expert at the European Central Bank, and current Economist at Banque de France.

International players

England
Twenty-nine Oxford players were capped for England, including three of the team which took part in the first international match on 30 November 1872: Frederick Chappell, Arnold Kirke-Smith and Cuthbert Ottaway.

The full list of England players (with the number of caps received while registered with Oxford University A.F.C.):

John Bain (1 cap)
Arthur Berry (1 cap)
Francis Birley (1 cap)
W. Blackburn (1 cap)
William Bromley-Davenport (2 caps)
B.O. Corbett (1 cap)
Frederick Chappell (1 cap)
Edmund Currey (2 caps)
Andy Adams (1 cap)
Reginald Erskine 'Tip' Foster (1 cap)
C.B. Fry (2 caps)
W.E. Gilliat (1 cap)
Henry Hammond (1 cap)
A.F. Hills (1 cap)
K.R.G. Hunt (2 caps)
Elphinstone Jackson (1 cap)
Robert Stuart King (1 cap)
Arnold Kirke-Smith (1 cap)
William Oakley (4 caps)
Cuthbert Ottaway (2 caps)
Percival Parr (1 cap)
E.H. Parry (3 caps)
George Raikes (4 caps)
William Rawson (2 caps)
I.C.F. Ryder (1 cap)
Gilbert Oswald Smith (7 caps)
A.G. Topham (2 caps)
Robert Vidal (1 cap)
Percy Walters (13 caps)
Leonard Wilkinson (2 caps)
Claude Wilson (1 cap)
Charles Wreford-Brown (1 cap)

Wales
The following six players were capped for Wales while registered with Oxford University A.F.C.:
Sydney Darvell (2 caps)
C.H. Davies (1 cap)
William Evans (2 caps)
Alexander Jones (1 cap)
Hugh Morgan-Owen (6 caps)
Morgan Morgan-Owen (11 caps)

Ireland
The following player was capped for Ireland while registered with Oxford University A.F.C.:

 J.V. Nolan-Whelan (4 caps)

Honours

FA Cup
 Winners (1): 1874

See also
 Oldest football clubs

References

External links

Football
Association football clubs established in 1872
Football clubs in England
FA Cup winners
University and college football clubs in England
1872 establishments in England