text:
The Wombats ist eine britische Alternative-Rock-Band aus Liverpool, die 2003 von Dan Haggis (Schlagzeug), Matthew "Murph" Murphy (Gesang, Gitarre) und Tord Øverland-Knudsen (Bass) gegründet wurde.

Geschichte
Haggis und Murphy, die beide in Liverpool aufgewachsen sind, lernten Øverland-Knudsen an der Liverpool Institute for Performing Arts kennen. Der aus  Norwegen stammende Øverland-Knudsen war wegen des Studiums nach Liverpool gezogen. Sie gründeten die Band im Oktober 2003.

Ihre Debütsingle Lost in the Post erschien im Juli 2006 bei dem Label KIDS. Es folgten die Singles Moving to New York und Backfire at the Disco. Außerdem veröffentlichte die Band das Album Girls, Boys and Marsupials, welches allerdings nur in Japan erhältlich war.

2007 erschien nach Abschluss eines Plattenvertrages mit 14th Floor Records das erste Studioalbum für den internationalen Markt namens The Wombats Proudly Present: A Guide to Love, Loss & Desperation, das 43 Wochen in den britischen Albumcharts platziert war. Darauf folgte eine über 18 Monate andauernde Welttournee. 2008 spielte die Band auf vielen Festivals wie zum Beispiel dem berühmten Glastonbury Festival oder dem Frequency. Im gleichen Jahr erschien noch die Single Is This Christmas? gefolgt von My Circuitboard City.

Ihr zweites Album The Wombats Proudly Present: This Modern Glitch wurde am 25. April 2011 veröffentlicht.

Das dritte Studioalbum Glitterbug erschien im April 2015. Der Albumtitel ist eine Wortschöpfung aus den englischen Begriffen glitter (funkeln) und litterbug (Schmutzfink) und soll ausdrücken, dass etwas vordergründig glamourös und ansonsten hässlich sein kann. Mit diesem Album konnte sich die Band erstmals in den US-amerikanischen Billboard 200 Charts platzieren.

Im Februar 2018 wurde das vierte Studioalbum Beautiful People Will Ruin Your Life veröffentlicht, im Frühjahr 2022 folgte das fünfte Album Fix Yourself, Not the World.

Diskografie
Alben
 2007: The Wombats Proudly Present: A Guide to Love, Loss & Desperation
 2011: The Wombats Proudly Present: This Modern Glitch
 2015: Glitterbug
 2018: Beautiful People Will Ruin Your Life
 2022: Fix Yourself, Not the World

EPs
 2006: Girls, Boys and Marsupials (nur in Japan)
 2007: The Wombats Go Pop! Pop! Pop! (nur in Japan)
 2007: The Wombats EP (nur in den Vereinigten Staaten)
 2011: The Wombats Proudly Present: This Acoustic Glitch
 2015: Glitterbug B Sides EP

Singles
 2006: Moving to New York
 2007: Backfire at the Disco
 2007: Kill the Director
 2007: Let's Dance to Joy Division
 2007: Lost in the Post
 2008: Moving to New York (Neuveröffentlichung)
 2008: Backfire at the Disco (Neuveröffentlichung)
 2008: Kill the Director (Neuveröffentlichung)
 2008: Bleeding Love
 2008: Is This Christmas?
 2009: My Circuitboard City
 2010: Tokyo (Vampires & Wolves)
 2011: Jump into the Fog
 2011: Anti-D
 2011: Techno Fan
 2011: Our Perfect Disease
 2011: 1996
 2013: Your Body is a Weapon
 2015: Greek Tragedy (UK: , US: )
 2015: Give Me a Try
 2015: Be Your Shadow
 2015: Emoticons
 2017: Lemon to a Knife Fight (UK: )
 2017: Turn (UK: )
 2017: Cheetah Tongue (UK: )
 2018: Bee-Sting
 2021: Method to the Madness

Nebenprojekte
Murphy betreibt das Soloprojekt Love Fame Tragedy. Bei der Namensgebung wurde er inspiriert durch eine gleichnamige Ausstellung Pablo Picassos im Tate Modern in London. Die erste EP erschien im September 2019, das erste Studioalbum Wherever I Go, I Want To Leave im Juli 2020.

Øverland-Knudsen bildet zusammen mit Marius Drogsås Hagen, dem Gründer der Band Team Me, das Musikprojekt Imitating Aeroplanes. Sie veröffentlichten 2017 das Studioalbum Planet Language.

Haggis hat als Solokünstler unter dem Namen Dan The Man bereits drei Studioalben veröffentlicht: Dan The Man im August 2012, Circadian Circus im Februar 2017 und Brightly Coloured Creatures im Januar 2021.

Unter dem Namen Sunship Balloon haben Øverland-Knudsen und Haggis im Jahre 2019 die EP Intergalactic Teacup Travel Centre und im September 2020 das erste Studioalbum Everywhen veröffentlicht.

Weblinks

 Offizielle Website

Einzelnachweise

Rockband
Indie-Band
Englische Band
Musik (Liverpool)


text:
Q: Proving combinatorical identity (total number of multichoose on n items) How do I prove this identity
$$\sum_{k=0}^{n}{\binom{m+k-1}{k}}=\binom{m+n}{n}$$
Can anybody also shed some light on intuition (may be a double counting proof) about how right hand side of the identity turns out to be the total number of multichoose possible over n items.

A: Consider the set $[m+n]=\{1,2\cdots m+n\}$. If you take a size $n$ subset $S$ from this $[m+n]$, it will contain the first $n-k$ integers for some $k$ where $0\leq k\leq n$, but not the $n-k+1$th element.
If I know that a size $n$ subset contains the first $n-k$ elements, then I can only choose the last $k$ elements. Furthermore, I have to choose from $m+n-(n-k)=m+k$ elements, since the first $n-k$ have already been included. This is slightly off from what's on the left hand side. This is why I also required that the subset have the first $n-k$ elements, but not the $n-k+1$th, as I also have to exclude that element from my choices when I fill in the rest of the set. This means I can fill in the rest of the set ${m+k-1\choose k}$ ways.
This added condition is important, since it negates double counting- I look for the largest $n-k$ such that my set contains those elements, so there's only one such $k$ for each set. The left side of that identity counts those subsets for all possible $k$, which gives our identity.

redpajama_set_name: RedPajamaStackExchange


text:
Home News Doctors Almost Blind Four-Year-Old Boy In Medical Glue Blunder
swns_glued_eye_01
Jayne Gilder, Jay Watson and mum Jo Watson. The family of a boy says he was left with his eye glued shut for five days, after a member of medical staff allowed glue to get into it his eye while he was being treated for a head injury. See NTI story NTIEYE. Four-year-old Jay Watson was taken to the Alexandra Hospital in Redditch, by his grandmother Jayne Gilder and mum Jo Watson, after cutting his head at a soft play area in Worcester. Staff at the hospital decided to glue the cut rather than use stitches. But his family claimed that after laying him down for the procedure to be carried out, glue dripped from his head and into his eye. Following this, his grandmother said Jay screamed in pain and claimed that the hospital sent him away in the hope that it would open on its own. Despite doctors trying to prize the eye open, Jay had to wait for the glue to slacken and the eye eventually opened after several days.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Maven: how to override dependency My situation is a bit strange:
Dependency with artifact id: yyy in the pom (see below) has dependency:
<dependency>
   <groupId>javax.servlet</groupId>
   <artifactId>javax.servlet-api</artifactId>
   <version>2.5</version>
</dependency>

So the problem is I need to use the 3.1.0 version in the current module because it has extra functionality:
<dependency>
    <groupId>javax.servlet</groupId>
    <artifactId>javax.servlet-api</artifactId>
    <version>3.1.0</version>
</dependency>

I have tried the exclusions tag and dependencymanagement tag explained in the example on the page: Maven: how to override the dependency added by a library
It does not work. I have also read and tried the 3 examples in this article: https://spring.io/blog/2016/04/13/overriding-dependency-versions-with-spring-boot
It also did not work. So what I did was to re-order my pom dependencies so that the 3.1.0 goes before the one with artifact yyy and I was happy it worked I built successfully a clean install. My happiness was short lived because after a clean install the pom re-ordered itself and the 3.1.0 was automatically re-ordered back below the yyy. Which means the next build will use 2.5 again and fail.
My pom structure snippet is as below:
<dependencies>
  <dependency>
    <groupId>xxxx.xxx.xxxx</groupId>
    <artifactId>yyy</artifactId>
    <version>1.0.0</version>
  </dependency>
  <dependency>
    <groupId>javax.servlet</groupId>
    <artifactId>javax.servlet-api</artifactId>
    <version>3.1.0</version>
  </dependency>
<dependencies>

A:
My happiness was short lived because after a clean install the pom
  re-ordered itself and the 3.1.0 was automatically re-ordered back
  below the yyy. Which means the next build will use 2.5 again and fail.

Note that the javax.servlet:javax.servlet-api has to be included in a WAR but only in a standalone JAR that includes and bootstraps a servlet container.
If you build a standard WAR you have to use the dependency provided by the server. So the dependency should be declared with the provided scope.

I have tried the exclusions tag and dependencymanagement tag explained
  in the example on the page: Maven: how to override the dependency
  added by a library

dependencyManagement  will be helpless here as the issue is related to a dependency you include outside the dependencyManagement element.
But using the exclusions option in the dependency declaration is the right way. It should exclude the 2.5 version of the javax.servlet-api artifact if used in this way :
<dependencies>
  <dependency>
    <groupId>xxxx.xxx.xxxx</groupId>
    <artifactId>yyy</artifactId>
    <version>1.0.0</version>
    <exclusions>
      <exclusion>
        <artifactId>javax.servlet</artifactId>
        <groupId>javax.servlet-api</groupId>
      </exclusion>
    </exclusions>
  </dependency>
  <dependency>
    <groupId>javax.servlet</groupId>
    <artifactId>javax.servlet-api</artifactId>
    <version>3.1.0</version>
  </dependency>
</dependencies>

If the problem persists it means that the dependency is probably pulled by another dependency.
Some hints that generally help to discover that :

*

*check that you don't use WAR overlay feature. But not likely here as you retrieve only 1 version of the dependency

*use mvn dependency:tree on the WAR project to inspect all pulled dependencies.
To ease the readable you can also filter in this way :
mvn dependency:tree -Dincludes=javax.javax.servlet-api

A: The solution below has ignored the version 2.5 and so it is working. However i don't know what it means. Does it remove other dependencies? Please interpret what the asterix in  groupId and artifactId mean in simple english. I want to know the risks because i am using a multi module system where there to many nested dependencies in other dependencies. I will continue to research as of now but if anyone can explain please do. Thanks
    <dependencies>
      <dependency>
         <groupId>xxxx.xxx.xxxx</groupId>
         <artifactId>yyy</artifactId>
         <version>1.0.0</version>
         <exclusions>
            <exclusion>
              <groupId>javax.servlet</groupId>  // this works or
              <groupId>*</groupId> // this works
              <artifactId>*</artifactId> // this part was a mandatory *
            </exclusion>
         </exclusions>
      </dependency>
      <dependency>
         <groupId>javax.servlet</groupId>
         <artifactId>javax.servlet-api</artifactId>
         <version>3.1.0</version>
      </dependency>
    </dependencies>


← Cyber Monday Deals March In!
As is widely understood, aesthetic considerations are as important as technical ones when bringing software development in focus. Design thinking is nowadays spreading through the tech world fiercely, awakening the creative inspiration for the revolution in ModulesGarden as well.
We are fully aware that an excellent user interface is something more than just a superficial application of attractive icons and a sensible palette. For the software to be exquisitely designed in all respects, it has to be integrally related, coherent, and easy in navigation as well. Working on these premises, our team strives earnestly to bring you the perfect balance of the conceptual lucidity and tasteful appeal, two crucial dimensions finely combined within our products.
The milestone launch of Domain Orders Extended For WHMCS 3.0 has marked the opening of a next phase in product development at ModulesGarden, that is sustained evolution towards ultimately pleasurable interactions with our software. We have implemented a completely new framework to streamline the visual structure of our modules, smoothen the flow of their content, and also prioritize the most relevant data in a manner that is easily accessible.
The new design has been based on the following fundamentals: accomplishing the functional objectives, satisfying customer needs and desires, and staying closely fitted into the ever-changing environment of WHMCS. Domain Orders Extended For WHMCS 3.0 complies with all three assumptions in full measure thanks to the complex set of technological solutions it has been newly reinforced with.
With the stratospheric growth of mobile device usage, the very first, and also an imperative step to be taken so as to achieve the maximum comfort and flexibility in user experience was the introduction of a fully responsive design. The mobile-friendly nature of Domain Orders Extended For WHMCS renders the navigation through different areas of TLDs management, regardless of what type of device you use at a given moment (phone, tablet, desktop, etc.), equally simple and intuitive.
Considering its minimalist form and a harmonious color scheme, the reconstructed user interface works greatly in favor of the data transparency. All crucial information on your domains is now closer at hand, organized neatly in purpose-oriented sections. An extra benefit worthy of your attention lies in the freedom of toggling between the inbuilt view and the fullscreen. If interested in using the latter, simply hide the sidebar and the module will dynamically adjust to the entire height and width of the screen, becoming as clear in arrangement and giving you as much operational space as possible.
One of the many features contributing much to the overall simplicity of domain management is drag & drop that allows you to freely control the position of each category or even specific TLDs set within. With it, you will capably put the lookup results in a preferred order and then quickly change the sorting whenever you feel it is needed.
Every single aspect of a new framework has been channeled into saving as much of your priceless time as possible. The capability to perform all most important actions on multiple domains at once is no doubt the advantage well deserving special mention in this regard. It will once and for all relieve you of the burden of not only adding or deleting, but also editing the configuration or pricing details one TLD at a time.
Among the variety of other refinements introduced to further optimize the browsing experience, there are also far more intuitive search forms, sped up execution of assorted operations, and last but not least, the pagination. This one might prove particularly appreciable, as your customers will no longer need to peruse the full list of search results, but rather find specific domains and click through to the checkout easily.
We are deeply convinced that fueling software with more organization and the right prioritization in visual terms goes a long way to improving its usability. Do you find this line of thought a goal worthy of pursuit? Are you pleased with the final upshot of this sweeping makeover? We welcome all personal insights and suggestions as they play the constructive role of a catalyst for the broadly interpreted qualitative advance of our products. By all means, have your say!


I recently had to have my engine replaced.
There was no oil in it. It was my fault for not checking the oil before each ride but it is such a "pia" to pull the seats and cover just to check the oil.
I changed the oil and filter in December 2017, rode only 500 miles and the engined died because of no oil in August 2018. It wasn't burning oil that I could see or smell. The oil filter and plug were tight and there was no oil anywhere on the engine. The mechanics could not find any cause for the loss of oil.
Today when cleaning the air filter I found a lot of engine oil the air filter case and soaked into the air cleaner foam.
Any ideas as to the loss of oil and the oil in the air cleaner?


text:
5th Summit, Complaints, General T&T, International, Politics, Violence
Activist takes to the streets
April 16, 2009 News	6 Comments
By Jada Loutoo
newsday.co.tt
CHILD rights activist Verna St Rose Greaves yesterday chose to take her lobby outside the Hyatt Regency, instead of attending the Civil Society forum, which was taking place metres from where she held her one-person demonstration, outside the Carnival Victory cruise ship.
She wore a white dress, splashed with red dye to represent blood and carried a poster which read "Shame on a Nation. You neglect children, women, poor, homeless, communities in need, persons with disabilities." On the poster were photos of Akiel Chambers and Amy Emily Annamunthodo, both victims of murder. Ringing a brass bell and shouting at the top of her voice, a barefooted St Rose Greaves said she chose the public place to speak out against what she called the injustice being done to the children in the country.
"I am nauseated and horrified," she said, adding that millions were spent to spruce up the place for the Fifth Summit of the Americas, while children were being killed, many of them still living on the streets, women being raped and murdered in their homes and the homeless were being hidden away.
"Millions of dollars are being spent but what can it do for us?" she asked, pointing out that a Children's Authority was yet to be established. I have worked in this country and have seen little change," she said, as she stood between two parked cars, trying to get the attention of the passing motorists on the busy Wrightson Road, just outside the Hyatt.
"The public does not need the summit," she said. She said she had no confidence in this country's leaders, and asked whether the summit being held here in Trinidad was really the best thing for Trinidad and Tobago.
"The children have no protection. Look at how they (parliamentarians) behave in Parliament with the corruption and squandermania taking place," she said.
St Rose Greaves, although being abused by people who told her the summit was a "good thing for the country," said she was standing her ground.
Behind her, a white cloth was spread between two lamp posts, in front of the murals at the International Financial Center, on which there were a child's tea set, flowers, a vase and other items.
After leaving her post on Wrightson Road, St Rose Greaves, still barefoot, walked down to the fountain at the Summit Village on the Port-of-Spain Waterfront promenade, where she was accosted by security officers who took away her bell and poster, and called for backup.
http://www.newsday.co.tt/news/0,98552.html
Child abuseFifth Summit of the AmericasPatrick ManningPoliticsT&T GovtVerna St Rose Graves
Previous Post5th Summit of the Americas News: April 15, 2009Next Post5th Summit of the Americas News: April 16, 2009
6 thoughts on "Activist takes to the streets"
She was not violent and therefore should have been able to express her opinion in protest of the government without being accosted by security officers.
Lock them all up says:
Lock them all up. Camera hungry wanna-be activists. Embarassment to the nation. All the time they sat on Gayelle and talk and talk. All of a sudden is a bag of BS up at UWI Spec about how to protest. Ok we the other, regular people get it. After seeing protesters for years on TV you (all) want to be just like them. Right. Self-righteous retards.
Dexter says:
Everyone has the right to protest but NOT to cause trouble!!!! Why werent they protesting all the time?????? Only because CNN, BBC, FOX and MSNBC is here that they behaving so.
she is rigth look at the state of the country the poor neglect child rape, more homeless people on the street more people murder,why didn't they do all there thing for the people of the country before the summit put up camera in the street to cut down on crime ,keep the street clean clean up the homeless off the street.your prime minister full of it and so is his goverment.
She is fighting for all people and has a right to voice her oponion without causing any trouble. Throughout history it is the brave women who risked their lives for change. Keep up the good work.
Melba says:
Let the woman voice her oponion. I wish I can see more people like her. Keep fighting for the people of your country Verna


text:
"""
.. module: lemur.plugins.lemur_aws.sts
    :platform: Unix
    :copyright: (c) 2015 by Netflix Inc., see AUTHORS for more
    :license: Apache, see LICENSE for more details.
.. moduleauthor:: Kevin Glisson <kglisson@netflix.com>
"""
from functools import wraps

import boto
import boto.ec2.elb
import boto3

from flask import current_app

def assume_service(account_number, service, region='us-east-1'):
    conn = boto.connect_sts()

    role = conn.assume_role('arn:aws:iam::{0}:role/{1}'.format(
        account_number, current_app.config.get('LEMUR_INSTANCE_PROFILE', 'Lemur')), 'blah')

    if service in 'iam':
        return boto.connect_iam(
            aws_access_key_id=role.credentials.access_key,
            aws_secret_access_key=role.credentials.secret_key,
            security_token=role.credentials.session_token)

    elif service in 'elb':
        return boto.ec2.elb.connect_to_region(
            region,
            aws_access_key_id=role.credentials.access_key,
            aws_secret_access_key=role.credentials.secret_key,
            security_token=role.credentials.session_token)

    elif service in 'vpc':
        return boto.connect_vpc(
            aws_access_key_id=role.credentials.access_key,
            aws_secret_access_key=role.credentials.secret_key,
            security_token=role.credentials.session_token)

    elif service in 's3':
        return boto.s3.connect_to_region(
            region,
            aws_access_key_id=role.credentials.access_key,
            aws_secret_access_key=role.credentials.secret_key,
            security_token=role.credentials.session_token)

def sts_client(service, service_type='client'):
    def decorator(f):
        @wraps(f)
        def decorated_function(*args, **kwargs):
            sts = boto3.client('sts')
            arn = 'arn:aws:iam::{0}:role/{1}'.format(
                kwargs.pop('account_number'),
                current_app.config.get('LEMUR_INSTANCE_PROFILE', 'Lemur')
            )

            # TODO add user specific information to RoleSessionName
            role = sts.assume_role(RoleArn=arn, RoleSessionName='lemur')

            if service_type == 'client':
                client = boto3.client(
                    service,
                    region_name=kwargs.pop('region', 'us-east-1'),
                    aws_access_key_id=role['Credentials']['AccessKeyId'],
                    aws_secret_access_key=role['Credentials']['SecretAccessKey'],
                    aws_session_token=role['Credentials']['SessionToken']
                )
                kwargs['client'] = client
            elif service_type == 'resource':
                resource = boto3.resource(
                    service,
                    region_name=kwargs.pop('region', 'us-east-1'),
                    aws_access_key_id=role['Credentials']['AccessKeyId'],
                    aws_secret_access_key=role['Credentials']['SecretAccessKey'],
                    aws_session_token=role['Credentials']['SessionToken']
                )
                kwargs['resource'] = resource
            return f(*args, **kwargs)

        return decorated_function

    return decorator

redpajama_set_name: RedPajamaGithub


text:
Q: python parallel processing and select best code i have code like this .

import multiprocessing
import time

class Process(multiprocessing.Process):
    def __init__(self, id):
        super(Process, self).__init__()
        self.id = id

    def run(self):
        time.sleep(1)

        print("run "+"."+str(self.id))

can i build   n process that  run same time and when one of them finish stopping all other processes?

A: there are a couple of ways. basically, you need some of sync. once the condition reached, the rest of the processes calls terminate function
for details, see this:
Terminate a Python multiprocessing program once a one of its workers meets a certain condition


We've been students of John and Wade (the authors) for the past 21 months and these two guys are fantastic teachers of the financial markets. We finally got the concept of Forex/Markets trading thanks to John and Wade's education. They taught us basics and advanced skills to read charts and trade with profits. They provide simple, no non-sense information needed to understand Forex. You'll love their style and sincerity to educate. Must read – highly recommended material.
I have read a number of books,subscribed to multiple courses. Have to say that this book and the accompanying website is rich of information !
Every beginner/intermediate forex trader should grab a copy of this book.
This is a must read book for those of you who are interested in forex trading. Expands on their original book Profiting with Forex – I own both. John Jagerson and Wade Hansen are not your typical market commentators. They seek to teach traders a more realistic way of trading the markets. Since following their free site, learningmarkets.com, I have gone from losing 90% of my account to being up 34% this year. I highly recommend their free training videos, and their books, which are succinct, easy to read, and packed full of aha moments. A breath of fresh air in this market peppered with charlatans and stock pumpers.


text:
Q: How can I extract the mileage data from google maps I have this already, which takes my visitors to Google maps to find their mileage distance, but I want the mileage data to be extracted from Google and instead shown on my site alongside the "get" button as a text display without them having to leave my site to get that information.
<form action="http://maps.google.com/maps" method="get" target="_blank">
Enter your city:
<input type="text" name="saddr" />
<input type="hidden" name="daddr" value="Petersburg, Virginia" />
<input type="submit" value="get mileage" />
</form>


text:
Seismic imaging of the shallow crust beneath the Krafla central volcano, NE Iceland
Schuler, Juerg and Greenfield, Tim and White, Robert S. and Roecker, Steven W. and Brandsdóttir, Bryndís and Stock, Joann M. and Tarasewicz, Jon and Martens, Hilary R. and Pugh, David (2015) Seismic imaging of the shallow crust beneath the Krafla central volcano, NE Iceland. Journal of Geophysical Research. Solid Earth, 120 (10). pp. 7156-7173. ISSN 2169-9313. doi:10.1002/2015JB012350. https://resolver.caltech.edu/CaltechAUTHORS:20160119-093854474
PDF (Text S1) - Supplemental Material
PDF (Figure S1) - Supplemental Material
Video (AVI) (Figure S2) - Supplemental Material
We studied the seismic velocity structure beneath the Krafla central volcano, NE Iceland, by performing 3-D tomographic inversions of 1453 earthquakes recorded by a temporary local seismic network between 2009 and 2012. The seismicity is concentrated primarily around the Leirhnjúkur geothermal field near the center of the Krafla caldera. To obtain robust velocity models, we incorporated active seismic data from previous surveys. The Krafla central volcano has a relatively complex velocity structure with higher P wave velocities (V_p) underneath regions of higher topographic relief and two distinct low-V_p anomalies beneath the Leirhnjúkur geothermal field. The latter match well with two attenuating bodies inferred from S wave shadows during the Krafla rifting episode of 1974–1985. Within the Leirhnjúkur geothermalreservoir, we resolved a shallow (−0.5 to 0.5 km below sea level; bsl) region with low-V_p/V_s values and a deeper (0.5–1.5 km bsl) high-V_p/V_s zone. We interpret the difference in the velocity ratios of the two zones to be caused by higher rock porosities and crack densities in the shallow region and lower porosities and crack densities in the deeper region. A strong low-V_p/V_s anomaly underlies these zones, where a superheated steam zone within felsic rock overlies rhyolitic melt.
http://dx.doi.org/10.1002/2015JB012350 DOI Article
http://onlinelibrary.wiley.com/doi/10.1002/2015JB012350/abstract Publisher Article
Stock, Joann M. 0000-0003-4816-7865
Martens, Hilary R. 0000-0003-2860-9013
© 2015 American Geophysical Union. Received 11 JUL 2015; Accepted 1 OCT 2015; Accepted article online 10 OCT 2015; Published online 30 OCT 2015. We thank Julian Drew for use of his CMM location algorithm. Seismometers were provided by SEIS-UK under loan 891, with additional data from local SIL network stations kindly provided by the Icelandic Meteorological Office. The data will be stored at IRIS (www.iris.edu) and accessible from there. Funding was provided to R.S.W. by a grant from the Natural Environment Research Council and to T.G. from a Shell UK studentship. Landsvirkjun allowed us to use well information and assisted with logistics during our field campaigns. We are grateful to Sveinbjörn Steinþórsson, Heidi Soosalu, Janet Tibbitts, and the students who helped in the field. The figures were generated using the Generic Mapping Tools. We are grateful to S. Arnott for discussing his data set as well as R. Zierenberg and B. Kennedy for discussing their results on the quenched glasses from Krafla. We thank Páll Einarsson, Knútur Árnason, and the JGR Associate Editor for constructive comments. J.S. gratefully acknowledges support from the Swiss National Science Foundation, Department of Earth Sciences, Cambridge contribution number ESC.3491.
Natural Environment Research Council (NERC) UNSPECIFIED
Shell UK studentship UNSPECIFIED
Swiss National Science Foundation (SNSF) UNSPECIFIED
Schuler, J., T. Greenfield, R. S. White, S. W. Roecker, B. Brandsdóttir, J. M. Stock, J. Tarasewicz, H. Martens, and D. Pugh (2015), Seismic imaging of the shallow crust beneath the Krafla central volcano, NE Iceland, J. Geophys. Res. Solid Earth, 120, 7156–7173, doi:10.1002/2015JB012350


text:
Panguitch è una città, capoluogo della Contea di Garfield nello Utah.
Secondo il censimento del 2000 gli abitanti erano 1623.

Altri progetti

Collegamenti esterni

Comuni dello Utah

redpajama_set_name: RedPajamaWikipedia


As data overload continues, more companies are turning to operational business intelligence. But there's more to it than a flashy dashboard.
Managing the avalanches of data generated in the enterprise can seem like an insurmountable task. And in the effort to transform that data into actionable information, many companies are turning to operational business intelligence. Operational business intelligence refers to applications that are used, usually in conjunction with a dashboard, to provide daily, hourly, minute-to-minute, or even up-to-the-second actionable information to a wide array of employees.
Companies that use operational business intelligence well have much in common. In contrast to their less-successful counterparts, best-in-class companies have used operational business intelligence to get information faster, make decisions more quickly, improve customer satisfaction and retention, and boost the number of end users who have access to data and BI tools. So says a survey by Aberdeen Group of 250 enterprises involved with a diverse set of operational business intelligence activities and projects.
How have they made those improvements? By managing processes around data, providing communications and training to promote user buy-in and using the appropriate operational BI technology to achieve their strategic goals. For example, 58 percent of best-in-class companies have automated data collection and integration, according to the Aberdeen study. On the other hand, just 48 percent of average companies and 41 percent of laggard companies have done so. And whereas 58 percent of leaders establish regular communications around BI initiatives and processes, only 39 percent of average companies and 36 percent of laggard companies do so.
But companies that want to provide data to more users and shorten the time to decision can improve their efforts. Here are five things IT and businesspeople can do together to improve data delivery.
Ask yourself: Which job functions or tasks within the company would benefit from automatic data collection and reporting? Look for both simple tasks and more complicated initiatives that could be executed better and faster if information were delivered more quickly. For example, one courier company turned to operational BI after realizing that weekly customer activity reports weren't a comprehensive solution. Poring through reports on 2,000 clients was a Herculean task, and even when problems were spotted, they could be more than a week old. By that time, the client in question might be using a competitor's services. To see problems and opportunities sooner, the company implemented software that alerts account managers when a customer's behavior changes.
Some kinds of operational BI go beyond the collection and reporting of data to actually executing actions based on it. For example, some financial service organizations use applications that automatically analyze fluctuations in currency rates and that automatically initiate trades based on those decisions. In many manufacturing organizations, data analysis is done automatically on the progress of chemical interactions—temperature, viscosity and color of a mixture, for example—and changes to the mixture are automatically made at the back end before it ever reaches the production line.
The employees who make or break your company are quite likely those working on the front lines, in the call centers or with customers. Ask yourself: What information do they need to upsell, cross-sell, deal with customer issues, recognize a valued customer or other tasks that cumulatively determine customer loyalty and retention—and your company's successs. Look for ways that information can be delivered to them through easy-to-use dashboards and other BI tools.
Operational key performance indicators (KPIs) should align with overarching strategic goals. In other words, what employees focus on each day should support the strategic focus of the company as a whole. One recommendation from many experts is to establish a group composed of members from both the business and IT to determine KPIs and other strategic issues. Another group of IT and business folks should be created to manage the day-to-day functioning, training and implementation of the BI tools. Both groups should communicate regularly.
As with any technology implementation, an operational BI implementation will likely have many cultural issues. For example, what is the typical workday of an employee who will be using the tools? How do they like to receive or look at information? How much training will they need, both initially and ongoing, to become adept with the BI tools? What cultural resistance might there be? Ongoing communication is key to creating a culture that values and uses operational BI tools.


I was first introduced to Sharktooth when I visited the BassMaster Classic in 2009. I've always thought it was an awesome product… especially for us kayak anglers, where the use of leaders can make up for the lack of being able to carry 35 rods on our boats!
Check out this video from Kayak Bassin' TV and check out the Sharktooth website.


I don't know about you but my mind often feels like a battle field. All kinds of thoughts can pop up inside there and many of them self destructive. I sometimes seem to waffle between inflated self importance and crushingly low self esteem. It takes presence of mind and a certain developed vigilance to keep thinking on a good track. It's like I need to hire a good bouncer to work my head.
It often seems that at some of the most critical moments that I arrive to in my life negative thinking comes on like a fire storm. The only way I know to deal with this blitzkrieg of self doubt is to just solder on with what ever I have come to do. One of the hidden benefits that I have found in this battle is the release of adrenaline that actually provides a sort of fuel injection into my performance.
The wiseGeek.com has this to say about our very helpful hormone; "The term "fight or flight" is often used to characterize the circumstances under which adrenaline is released into the body. It is an early evolutionary adaptation to allow better coping with dangerous and unexpected situations. With dilated air passages, for example, the body is able to get more oxygen into the lungs in a timely manner, increasing physical performance for short bursts of time."


Seems like the Cybenetics report is hidden until this PSU is released, but their graph generating feature bypasses the hidden data.
There was only the efficiency graph, not the entire report. I've seen this chart accidentaly when i've compared the overall efficiency of two PSU's (Corsair HX and Seasonic Prime Platinum) two days ago when i bought another PSU.
And I also commonly see the misconception that PFC somehow increases efficiency, it does not.
In fact if you remove it you will increase efficiency.
(And efficiency is measured in Watts, not VA).
Oh, and such a PSU could only be sold in the US, since EU has a PF requirement of at least 0.75 which such a PSU would fail.
Ain't was talking about the Power Factor Correction. I was talking about the efficiency of the circuit itself in the fight with Ohm law. Because the Ohm law is responsable for the circuit losses. Every single component in any elecyric and electronic device is striked by the Ohm law and has to fight with. Theoreticaly, any single component added to an electric device will add more resistance to that circuit wich make to lose efficiency. For this reason any component with lower resistance are better than those who have higher resistance, either we speaking about MOSFETS, coils, capacitors, diodes, resistors, relays, transformers or even the cables and PCB circuits itself.
And the AX1600i has a PF more than 95℅, why would not be allowed in EU? Also if it had 75℅ PF (just sayng) should be allowed in EU simply because there are ALOT of crappy PSU's by construction wich simply cannot dreams at AX1600 components, build quality and protections.
If the PFC circuit is more efficient, you have more power to work with beyond that circuit and this makes the entire design more efficient overall. The product is only as good as the sum of its parts and as weak as its weakest link.
PFC tends to be one of the least efficient parts of an SMPS (barring magnetics and capacitors, of course). It can also be one of the hottest parts of a PSU (other than the main transformer in many cases), so to use GaN to both increase efficiency AND reduce size is a win-win no matter how you look at it.
Exactly about that I was talking about. The PFC on the low efficiency PSU's goes hotter than to PFC in the highest efficiency PSU's. The brige rectifiers are the hottest components in the PSU along with main transformer, and a totem pole bridgeless APFC is more efficient.
So according to mathematics a 94℅ efficient PSU woud have 94℅ of the input power available at the output. The 6℅ losses are divided among the every singe component in the PSU. Let's talking about just the first stage (APFC circuit) and the final stage (after APFC, including transformer, I now it's not electrically correct but just for comparison).
In the PSU with 98℅ eff on the totem pole bridgeless APFC mean that will lose 2 watts every 100w input. The secondary would have the difference of the remained 4 watts loses. Tottaly are 6 watts loosed, divided between primary stage and secondary.
The conventional analogic PSU with 94℅ efficiency would havr the same 6 watts losses every 100w input. And will be divided the same between all the components. This would mean that if the APFC circuit would have a lets's say 96℅ efficiency, the secondary would loose only 2℅ that's mean 2 watts at every 100w..
Thats would mean that in comparison if this two designs, the digital one gain efficiency with it's bridgeless APFC, but the analogic design would gain at the secondary, and in that way are both at the same level of overall efficiency.
" ... Lower part counts, higher power density and lower BOM cost. It uses fewer parts and has a simpler circuit: It needs only one inductor and neither SiC diodes nor AC return diodes are required ..."
I suggest you re-read my post again because you completely misunderstood it.
The short version is: having no PFC circuit would give the best efficiency.
Yes, I was totally outside (was tyred). Sorry.


text:
March/April 2014 – 8th Anniversary Issue
Article Excerpts
Tuesday, August 25th, 2015 // March/April 2014
As we were putting together this issue, which celebrates our 8th Anniversary, the value of an art degree became a hotly discussed topic after President Obama, addressing a crowd at a General Electric plant in Waukesha, Wisconsin, said, "A lot of young people no longer see the trades and skilled manufacturing as a viable career. But I promise you, folks can make a lot more, potentially, with skilled manufacturing or the trades than they might with an art history degree." ...
Renewal New Direction
Mother Brook Arts Flirts With A New Direction by Meredith Cutler Planted squarely on one of the oft-neglected borders between suburban and urban Boston, the former mill village of East Dedham has long remained an untapped opportunity for thoughtful redevelopment. Along the banks of the Mother Brook Canal, the oldest hand-dug mill pond in the United States (circa 1639), and former home to Dedham Pottery, the factory that produced the collectible, crackle-glazed ceramics from 1896-1943, the neighborhood had the bones ...
Global Encounters In Early America
Holy Cross Honors Our Country's Rich History by Brian Goslow For its latest exhibition, the College of the Holy Cross' Cantor Gallery utilizes the collections of four major New England depositories of history — the cross-town American Antiquarian Society (AAS) and Worcester Historical Museum, Old Sturbridge Village and the Rhode Island Historical Society — plus private lenders. The show's curator is Professor of Art History Patricia Johnston, Rev. J. Gerard Mears, S.J., Chair in Fine Arts at Holy Cross, who ...
An Enigmatic Body of Work by Elizabeth Michelman In addition to its well-publicized recent acquisitions a stupendous Veronese Venus and the medieval arsenal of the Higgins Armory Museum the Worcester Art Museum (WAM) has also long cultivated a commitment to collecting portraiture. To bring this preoccupation up to date, Curator of Contemporary Art Susan Stoops has marshaled a decade-and-a-half of minimalist and conceptual works in the current exhibition, most of them recently collected by WAM, to challenge our preconceptions ...
THE ATTLEBORO ARTS MUSEUM ELEVATES THE KID-SIZED CAR TO ART STATUS by Craig Fitzgerald There's fine art, and then there's the art of mechanical things. Sir William Lyons' Jaguar E-Type and Hans Muth's Suzuki Katana have had their day at the MoMA and the Guggenheim, and now it's time for kid-friendly automobiles, planes and tractors to have their turn in the spotlight. The Attleboro Arts Museum's Ottmar Gallery will present "Compact and Collectible An Exhibition of Vintage Pedal Cars" from ...
CONTEMPORARY KOREAN ARTISTS MAKE A CONNECTION by Elizabeth Michelman Carol Rabe, curator at Pine Manor's Hess Gallery, has brought together five Korean-born women artists working around Boston in different media: graphic art, photography, painting, fabric art and ceramic sculpture. Each has from five to eight works in this exhibition. Most of them have studied in the United States as well as in Korea. Several are mothers. One wonders what conflict these cultural transplants might feel between the authority of their ...
DOUG BOSCH THROWS US A CURVE by James Foritano Catenaries have been around long before Webster's Third New International Dictionary defined them as "The curve formed by a perfectly flexible inextensible cord of uniform density and cross-section hanging freely from two fixed points." Catenaries existed even before Galileo misidentified a catenary as a parabola and was then berated by his contemporaries with mathematical formulae that proved the famous astronomer so very wrong. The Spanish architect Gaudí used catenary curves, reversed, ...
A Shared Vision
FRIENDS FIND COMMON GROUND by Linda Chestney Sometimes in life it's difficult to discern where reality ends and fiction begins. That's sometimes true in the art world, too. "A Shared Vision," currently at the Lyceum Gallery at Derryfield School, features photography that looks like painting along with painting that emulates photography. But it keeps you guessing even at close range. But whether the finished work is a photo or a painting, the results are sumptuous. Showcasing the work of photographer ...
Uncovered Memories
MARGARET KRISTENSEN'S PUBLIC EXPERIMENT by Marguerite Serkin Margaret Kristensen knows the 1950s well. Although she is in her twenties, Kristensen's eclectic collection of prints, created from negatives dating from the 1940s through the 1960s, are a frank and authentic lesson in the history of the times. "UNCOVERED: Collected Photo- graphic Memories" includes just a few of the over 1,000 negatives the photographer has collected in the past year. "Most of the appropriated images I work with are discarded family photos ...
IS THE TERM "PRIVATE CITIZEN" OBSOLETE? by Alexandra Tursi In every introductory art history class, students learn about "the gaze," that is, who is watching who and when, how and why they are watching. As humans, we have endlessly gazed at one another. That gaze is politicized when it is the state focusing its lens on its people. I came face-to-face with this on a recent trip to the Terror House Museum in Budapest, Hungary, a space dedicated to exploring ...
Tanja Softic
MIGRANT UNIVERSE by James Foritano Bosnian-born artist Tanja Softic inscribes her 10 large works on paper with the delicacy of a miniaturist and the scope of a cosmologist. Grace and tension, intimacy and transformation vie with each other so energetically to claim the viewer's attention that one feeling seems to ignite its opposite, one glimpse open a shutter upon another. Looking at "The Heart of the Matter" (2011), I can't describe the sum of the materials — acrylic, pigment, chalk ...
CUTRONA'S DICHOTOMIES MAKE A STATEMENT by Elizabeth Micheiman In his mind, as in his art, Richard Cutrona seems to be in two places at once and sometimes more. Since getting his MFA from the Art Institute of Boston at Lesley University a few years back, he has frequently returned to Massachusetts to exhibit his work exploring Muslim-American themes and cross-cultural dialogue. His own "Good Question Gallery," formerly bricks-and-mortar in Pennsylvania, has rematerialized in independently curated projects and pop-up shows in ...
We The People Chawky Frenn at Nesto
CHAWKY FRENN PAINTS IT AS HE SEES IT by Cole Tracy Chawky Frenn is a great activist in many realms. He is dedicated to teaching new artists at George Mason University in Fairfax, Virginia; produces books on the fine arts of the underappreciated city of Boston, with which he has close ties; and is an active figurative painter whose work focuses on bold topics such as the human condition and governmental issues. "If realism is painting reality, then I am ...
Outskirts
JULIE S. GRAHAM'S PAINTED CONSTRUCTIONS by Franklin W. Liu All categories of art and architecture have a common bond of union as if connected by blood relationship; this familial dialogue completes what nature cannot emulate. Julie S. Graham's formal journey in art began with painting she is now resolutely drawn to re-examine the rich, textural language of vernacular architecture. She calls her artwork, "Painted Constructions." Her mixed-media construction with pigment on different sizes and shapes of cut wood pieces is ...
Cameraless Images
PAMELA ELLIS HAWKES CASTS PALE SHADOWS by J. Fatima Martins There is something old and something new, something real and something ethereal, something true and something false about the simply complicated images made by Rockport artist Pamela Ellis Hawkes. For over two decades, she's studied the cycle of light and dark and tried to control its shadows. Her tools are various photographic methods and light-transformative, image-making techniques both ancient and modern. Her ways pay respectful homage to the great masters ...
More Than Just A Library
ABBIE READ PAYS HOMAGE TO THE WRITTEN WORD by Taryn Plumb Abbie Read grew up in a literary household, surrounded by books of all kinds (and yes, her last name is a rather stark coincidence). So, as the world has begun to alter the tangibility of books — from paper to screen — the Appleton, Maine artist has been compelled to create a living, growing homage to the volumes and sheaves that for so long held the various iterations of ...
Sophisticated Perspectives
QUINTíN RIVERA TORO'S LAYERS OF MEANING by Suzanne Volmer Whether creating art of intimate scale or exploring monumentality, Quintín Rivera Toro can and does ply extremes for the meaning within. His artworks are an investigation of identity and belonging and, perhaps most intriguing, he uses art to explore feelings and behaviors that link him to the world. His sophisticated perspectives have outsider art roots. He is from Puerto Rico, where belonging is influenced by the culture's struggle to maintain identity. ...
MONIQUE SAKELLARIOS by Linda Chestney Tuscany. St. Lucia. Compiègne. The Czech Republic. Nice. Jamaica. Sounds like an adventure travelogue, doesn't it? Instead of "Memories," perhaps Monique Sakellarios' current show at the Whistler House Museum should have been called "Worldly Travels," based on the locations featured in her paintings. And after experiencing her work, you'll surely feel as if you had traveled right along with her. Whatever they're titled, it's apropos that Sakellarios' works — aptly labeled impressionistic rather than representational ...
Arlene Shecthet
EVERYTHING OLD BECOMES NEW AGAIN by Suzanne Volmer Exploring the conceit of preciousness attached to Meissen branding, Arlene Shechet's sculptures and the installation format she designed meet the antiques and object-filled Period rooms of the Rhode Island School of Design's Museum of Art in a head-on spoof and serious deconstruction of old versus new. What porcelain "is" and what it "was" are, frankly, very different things. Working at bridging that divide, Shechet explores an archived Old World ceramics vocabulary to ...
Keeping up With The Actor's Shakespeare Project
Thursday, September 10th, 2015 // March/April 2014
A Merry Band by James Foritano Finally, almost at the end of its 10th season, I was catching up with Actors' Shakespeare Project. Guided both by our eccentric GPS and the seat of our pants, we were threading our way through the fanciest streets of Chestnut Hill toward the even fancier Dane Estate, just inside the gates of Pine Manor College. So what was a "Project" that proclaims to disdain bricks and mortar for a "whatever/however" approach to community outreach ...
BIDDEFORD WELCOMES THE HEARTWOOD COLLEGE OF ART by Jamie Thompson The Pepperell Mill Campus in Biddeford, Maine was already home to several artists' studios and galleries — now, it has an art school as well. Last summer, the complex welcomed Heart- wood College of Art as the 20-year-old college embarks on a new chapter. "The impetus behind the move to the mill in Biddeford was multifaceted," explained college president Berri Kramer. "The most pressing concern was to relocate from a ...
Artlifting
ARTLIFTING PROVIDES BOSTON-AREA HOMELESS AND DISABLED ARTISTS A MUCH-NEEDED OUTLET FOR SELLING THEIR WORK by Brian Goslow Who knew we'd be art dealers?" That's what ArtLifting co-founders (and brother and sister) Liz and Spencer Powers found themselves asking each other in January. They had just arrived at a Boston-area office building for their first attempt at selling art made by local homeless and disabled artists to a commercial property. "We were walking in loaded up with these pieces of artwork ...
New London: Diverse, Up-And-Coming Seaside Enclave
by Kristin Nord Downtown New London is easing into this late-winter's morning, with passengers arriving and departing from the H.H. Richardson-designed Union Station and locals bursting through the front door of the funky Muddy Waters Café, just a short walk away. Across the street, Hygienic Art is open, with founder Jim Stidfole, an Arlo Guthrie look-alike, perched on a stool at a once-active counter, his elbows on Formica worn smooth by the coffee mugs of many generations. Saved from the ...
Capsule Previews
It's been gratifying to see a number of new galleries opening up in the New England region in recent months. As we went to press, Ellen Wineberg and Cathleen Daley opened the doors to their room 83 spring gallery, which they call "A site for experimentation and process." The space is intended to host a mix of creative disciplines, provoca- tive installations and engaging exchange. "We are artists who wish to foster and celebrate other artists. Arts without exception, it's ...
Centerfold >>
Classifieds >>


D. Deberardi tripled to left field.
D. Nolan doubled to center field.
D. Nolan advanced to third on a throwing error by c.
J. Lezette homered to left center, RBI.
D. Deberardi singled to left field.
D. Deberardi advanced to second on a wild pitch.
D. Lamonica singled to left center, RBI; D. Deberardi scored.
J. Zupo singled to second base; D. Lamonica advanced to third.
S. Mcglynn singled to left center, advanced to second on the throw, RBI; J. Zupo advanced to third; D. Lamonica scored.
T. Young reached first on a throwing error by ss; D. Nolan advanced to third; A. Nesci scored, unearned.
M. Graves advanced to third on a wild pitch.
J. Lezette homered to right field, 2 RBI; M. Graves scored.
D. Lamonica singled, advanced to second on an error by cf; D. Deberardi scored.
D. Lamonica advanced to third on a wild pitch.
V. Prisco grounded out to 1b unassisted, RBI; D. Lamonica scored.
J. Zupo singled up the middle.
N. Fini to p for R. Fay.
M. Carrillo to cf for A. Aumick.
P. Mcgee doubled to left field.
J. VanHerpe singled to pitcher, bunt.
M. Carrillo reached on catcher's interference; J. VanHerpe advanced to second.
T. Young reached on a fielder's choice; M. Carrillo advanced to second; J. VanHerpe out at third 3b unassisted.
V. Prisco reached first on a throwing error by ss.
T. Dunkel singled through the right side.
D. Shea singled up the middle, advanced to second on the throw; T. Dunkel advanced to third.
M. Yorkey flied out to rf, sacrifice fly, RBI; D. Shea advanced to third; T. Dunkel scored.
K. Spaeth grounded out to 2b, RBI; D. Shea scored.
M. Morgan to p for A. Mott.
C. Saitch stole second; M. Graves stole third.
J. Lezette singled to right field, 2 RBI; C. Saitch scored; M. Graves scored.
D. Deberardi singled to left field, advanced to second on the throw, RBI; J. Lezette scored.
S. Daniello to 2b for J. Zupo.
M. Dunne to p for N. Fini.
N. Smith to p for M. Morgan.
J. Canonaco to p for M. Dunne.
L. Moralez to 1b for D. Lamonica.
M. Mcalliste pinch hit for M. Graves.
B. Laventure pinch hit for C. Saitch.
B. Laventure tripled to right field.
J. Lezette flied out to rf, sacrifice fly, RBI; B. Laventure scored.
R. Steeg to p for J. Canonaco.
I. Crawford pinch hit for J. VanHerpe.
M. Losak to p for R. Steeg.
A. Nesci advanced to second.
A. Nesci advanced to third.


The mission of Incarnation Preschool is to provide a quality child centered education based on the values put forth by the Gospel and established in the Catholic tradition of Incarnation's parish family. By providing a caring, loving and nurturing environment, we seek to develop in children a love of God, a sense of spirituality, an appreciation for the community, and a continuing respect for themselves and others.
Incarnation Preschool will give young children a wonderful opportunity to grow and explore. It will provide a loving, secure environment in which children will develop spiritually, physically, intellectually, and socially. Our goals are to provide healthy Catholic values, a positive self-image and a spirit of sharing through a cooperative relationship with our Preschool families. Incarnation Preschool admits students of any race, color, national, or ethnic origin.
Enrollment is available for children two to four years of age. All children must be bathroom independent to attend class. Our school is available to all children.
Applications can be picked up at the Preschool office.


2.Easy to understand script, pick up ground, path and pick up objects from the ground to adjust the height of the object, click Generate animation.
1.In the scene 3dmax,Quick Change Viewports.
2.With isolated display, relatively easy to modify the model alone.
1.Super detach,The model plane separation and separation of elements.
3.Separated according to need to select the surface and elements.
4.Before use, back up files.
2.Select the isolated object, modify the model alone, then click once to select isolatedbutton. It can be repeatedly isolated objects.
3.When repeatedly isolated model, click on the "forward" or "backward" and would not showall objects in the scene.
4.Try several times, very convenient.


The SpaceLogger.D100 data logger is an ethernet connected logger specifically designed for the decontamination device market.
The data is automatically transferred to the LAN where the user can view the cycle data in real-time via the Cycle Manager software. This ensures the whole process of cycle data collection and management is as automated, accurate, reliable and user friendly as possible.
Using the Cycle Manager software not only is the cycle data stored in electronic format, but additionally pdf reports can be generated both at summary level and for individual cycles.
If the loggers ethernet connection is temporarily unavailable this is not an issue as the data would be stored on the loggers microSD card and automatically transferred to the LAN on re-connection.
The SpaceLogger D100 and associated Cycle Manager software can be produced in customer specific versions – please see our customised data logger section and talk to us about your requirements.


text:
Tour de France: Gesink falls just short in Station des Rousses
By Brecht Decaluwé published 8 July 17
'It was clear that we were both on our knees,' runner-up says of duel with stage 8 winner Calmejane
Robert Gesink finished second during stage 8
Robert Gesink (LottoNl-Jumbo) finished the TT on his road bike
Robert Gesink (LottoNL-Jumbo) diggin deep
Lillian Calmejane wins stage 8 at the Tour de France
Robert Gesink models LottoNL-Jumbo's new Tour de France kit (Image credit: LottoNL-Jumbo)
During the first week of the Tour de France, Robert Gesink (LottoNL-Jumbo) struggled. He struggled to lose time. Gesink is no longer hunting down a good general classification. Instead, the 31 year-old Dutch rider aims to get stage wins. To get the stage wins, he intentionally lost time so that his presence in a breakaway group wouldn't make the GC teams nervous. During stage 8 from Dole to Station des Rousses, Gesink reached out for the stage win a first time. He came close but fell just short for the win, finishing as runner-up behind young Lilian Calmejane (Direct Energie).
Robert Gesink's Bianchi Oltre XR4 - Gallery
Gesink: Vuelta stage win opened my eyes to new opportunities
Tour de France: Stage 8 finish line quotes
Calmejane wins Tour de France stage with panache
Gesink, nicknamed the condor of Varsseveld, struggled with his new role during the first few days of the Tour de France. One expected him to go easy in the opening time trial in Düsseldorf, but Gesink did well in the rain, finishing in 22nd place. "I wanted to test my legs," Gesink explained.
During the second stage, Gesink still struggled to lose time, finishing in the same time as the winner. Meanwhile, breakaway specialists like Thomas Voeckler (Direct Energie), Dylan van Baarle (Cannondale-Drapac) and Tony Martin (Katusha-Alpecin) started shedding minutes. It became a topic in the Dutch media: When will Gesink finally lose time? At the uphill finish in Longwy, during stage 3, Gesink managed to let it go, losing about three minutes. He was quoted afterwards saying that he had to go real slow to lose that much time.
Gesink started the eighth stage with a deficit of 15 minutes on race leader Chris Froome (Team Sky). Still, it was very hard to get away from the peloton and then be offered enough of a lead to stay away. The presence of riders like Emanuel Buchmann (Bora-Hansgrohe), who were much closer in the GC, didn't help.
"It was crazy. It was really hard to catch the right group. It cost a lot of power and energy. In the end, we rode with a strong group and I tried to play my own game. I came here to try and win a stage. I think this one can go down as a decent effort," he said.
"On the last climb I tried to ride at my own pace. I rode with Pauwels. I thought, let's try and get to the front. I dropped Pauwels, then I passed Roche. My run ended at 50 metres from the leader. I blew up a little bit. I tried to restart but it wasn't enough. I'm proud of what I did. I did what I could. It was close but I'm satisfied with the result. There's more chances coming up."
When talking with the media after crossing the finish line in second place at 37 seconds from Calmejane, Gesink had no regrets. The past few years have been rough on the likeable Dutch rider. Several serious injuries, heart rhythm problems and dealing with the pressure from the Dutch media had taken a toll on Gesink. Since 2015, Gesink is no longer the hope of the Dutch to win a Grand Tour. He seems much more relaxed and likes his new racing style, away from the spotlights.
"There's still a lot of opportunities and this was the first one. Beforehand, I already said that I didn't like this stage a lot. I'm not a Juraman. I don't like the rolling roads over here," Gesink said, while making gestures as if he's drunk. "I think I'll take a day off tomorrow, even though that's not quite possible during such a hard stage. I'm not looking forward to that. Later, there's new opportunities and then we'll play the game again."
At five kilometres from the finish, sole leader Calmejane seemed to have the win in the pocket as Gesink was about 20 seconds down on him and losing time. He was riding on the rolling plateau after the final climb, the Montée de la Combe de Laisia Les Molunes, when he suddenly struggled with cramps. Gesink briefly came closer as Calmejane had to stretch his legs but the gap quickly started growing again.
"I heard it through the radio, but my legs probably weren't much better. It was clear that we were both on our knees. I probably was a little bit more dead than he was."


Directions Butlins caravan resort Skegness.
Simply follow the A52 from Skegness to Mablethorpe. You can't miss us, we're just 3 miles from the town centre and well signposted. Butlins caravan site entrance is on the opposite side of the road to the main entrance and signposted day visitors, it is situated on the right on the A52 Ingoldmells, Chapel St Leonards Road.
Guest sevices will also provide you with maps of the site, whats on and direct you to your caravan.
When you unlock the caravan door the first thing you must do is make a cup of tea, sit down and send the kids outside. to play Have a Great Holiday.


Discussion in 'Rugby Video Games & Apps' started by goeagles, May 11, 2005.
So the game is great but I can't hear any of the audio. A sound comes out of the speakers but it is really muddled and slow. I installed the game at my friend's house and it works perfectly. Any ideas? This is for PC.
Not really sure what the specs on my sound card are. Any idea where I could find them?
Although it is a cracked version, the sound worked perfectly on my friend's computer so it isn't the game's problem, it's mine.
Yeah, the person I bought the game from suggested that. How do I download the latest drivers?