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When she recently found herself alone in an airport with her two young boys in full meltdown mode, one Texas mama was greeted by an overwhelming amount of support by not one, not two, but three female strangers.
In a now-viral Facebook post, Becca Kinsey recounts traveling home from Disney World with sons Wyatt, 2, and James, 5. The drama started while they were waiting in line for security with a screaming Wyatt, an exhausted James, and mama on the verge of tears after running around the airport to locate her lost ID. That's when the first good Samaritan appeared.
"Out of the blue, one mom stops the line for security and says 'here, jump in front of me! I know how it is!'" Kinsey recalled.
Once they were finally on the flight, the harried mama recalls how Wyatt began to scream. Forty-five minutes later, with him finally asleep, a third travel fairy godmother walked into Kinsey's life.
Everyone always says that it takes a village, but it's nice to see people actually putting their words into action.


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redpajama_set_name: RedPajamaGithub


MB America at AED Summit/Condex 2019 - MB S.p.A.
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Hello & welcome, I'm Sarah-Jane Bryant, an Intuitive, Energy Healer & Quantum Life Coach and I've recently moved from Australia to the Phillippines. I am dedicated to your healing journey as much as I am my own growth and expansion and I am happy to help you in any way you need.
My awakening in 2012 was filled with many beautiful and heart breaking moments. With my thirst for knowledge, truth & understanding heightened, I found myself watching a documentary that showed a famous guru in India holding such a strong frequency of love that everyone in his presence was affected. From that moment on, that became my biggest life goal… 'To become so much love that everyone in my path is transformed by it.' At the time, I didn't realize that, in order to achieve this goal, I had to become a great healer of myself – a master shadow hunter. I had to delve into the depths of my subconscious and transform all of the limiting emotions, beliefs, stories and patterns that were masking the love that I am, and we all are, inside.
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Consultations are performed via Skype or phone, allowing us to connect no matter where you are in the world.


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My Walking Stick is the latest blood and guts, behind your knees, love, life, death, and after life release from the multi award winning Jim Byrnes. This is his third album in five years since he hooked up with Steve Dawson, one of North America's most critically acclaimed roots music producers. They put together another world class band and 'My Walking Stick' finds them building on the roots of 2004's Fresh Horses and 2006's gospel tinged Juno Award winning House Of Refuge. They continue exploring gospel, blues, rockabilly, country, and once again pull it all together in an original and unique way.
"Jim Byrnes is a legitimate blues music hero in Canada. Hopefully 'My Walking Stick' will earn Byrnes the stateside respect that he deserves."
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"Like fellow countryman Colin Linden and the Band (whose "Ophelia" he covers here), Byrnes assimilates a variety of Americana influences, filters them through his grizzled, often spiritually based viewpoint, and delivers a wonderfully diverse disc, surely the equal of, and arguably better than, his 2007 Juno award-winning Album of the Year House of Refuge."
"Whether covering Irving Berlin, Robbie Robertson, Mel Tillis ... among others, or serving up originals ... 'My Walking Stick' is a soulful, aural delight."


text:
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redpajama_set_name: RedPajamaCommonCrawl


Jetstar Asia has been given flying rights approval by the Air Traffic Rights Committee today to commence services to Penang* and Langkawi* in Malaysia.
The new routes will represent Jetstar Asia's 17th and 18th destinations.
Jetstar Asia will commence flights later this year, with schedule and fares to be announced in due course.
Jetstar Asia Chief Executive Officer Ms Chong Phit Lian said she was excited about the prospect of further expansion of Jetstar Asia into Malaysia.
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"We are excited to be able to now pursue flying to two of Malaysia's best holiday destinations," she said.


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text:
Q: Copy Multiple Files and Directories with ANT I have an Ant Script, using the ANT LIBRARY how can i copy multiple files/folders to multiple directories. I use a properties file which contains
FileToCopy = DestinationFolder
FolderToCopy = FolderDestination

A: Some additional information to sergiofbsilvas answer, because I was searching for such an example.
One can also specify multiple filesets in a single copy task.
Example:
<copy todir="${temp.dir}">
  <fileset dir="${classes.dir}"/>
  <fileset dir="${basedir}">
    <include name="log4j.xml"/>
    <include name="config.properties"/>
    <include name="kfatransfer.bat"/>
  </fileset>
</copy>

Tested with ant 1.10.6 on Windows.

A: Copy a single file
<copy file="myfile.txt" tofile="mycopy.txt"/>

Copy a single file to a directory
<copy file="myfile.txt" todir="../some/other/dir"/>

Copy a directory to another directory
<copy todir="../new/dir">
   <fileset dir="src_dir"/>
 </copy>

Copy a set of files to a directory
<copy todir="../dest/dir">
  <fileset dir="src_dir">
     <exclude name="**/*.java"/>
   </fileset>
</copy>

 <copy todir="../dest/dir">
    <fileset dir="src_dir" excludes="**/*.java"/>
 </copy>

examples from copy ant task

redpajama_set_name: RedPajamaStackExchange


Linguists like to approach their language of choice much like a Biologist will approach her species of choice - it's a living, breathing thing. Each word, like each animal, has ancestors that came before it and will have offspring that come after. And thus a language evolves - a quick glance through something even as recent as a Dickens novel will present some problems of translation while Chaucer presents us with downright gobbledygook.
Part of this is the death of old words and the birth of new ones, again, just like animals. But this process isn't so quick and easy, animals generally fade away into obscurity, from abundance to endangered to gone. And so words fall by the wayside - from proper, to a corrupted use, to gobbledygook. This is fine where words can be easily replaced but there's one word we take for granted which is highly endangered of becoming a joke...thanks.
Think about it - thanks - what should be our most sincere expression of gratitude, our last bastion of thoughtful, intimate communication, has been withered down to a meaningless interjection. Heck, I thank people when I'm doing them a favour; if i searched my Mail program for the word 'thanks' that rainbow coloured cog would probably spin for all eternity.
And the problem I have with 'thanks' in its present form is that there is no other level to go to without sounding a bit like a pratt...i sincerely bestow upon you my gratefulness - i appreciate your kindness with alacrity...language is all about communicating things concisely, not having to sound like a struggling Shakespearean Thespian.
So are we to forever remain stuck with a thoughtless platitude? No - we can't be - where the language may fail us, the format can save us. The Thank You Note. The hand written card. It's not about some plea to nostalgia, some novel retrogression - it's the proper thing to do! I don't mean to sound like a fascist and I don't mean to hurt anybody's feelings, but if somebody does you a favour, you should thank them properly.
It's not hard, it's thoughtful. It's personal and it shows you care. If I email you 'thanks' you may infer sincerity but you're much more likely to just assume I was umming and ahhing in my mind. But if I write you by hand on a really beautiful card, sealed in a really beautiful envelope, it's unequivocal. You'll remember it, you'll know I meant it and I'll get some brownie points.
Anyway, I digress, the point is that if you mean it, if you want to be sincere, there's only one avenue left for you - the ever incorruptible, unmistakably thoughtful, endearingly personal hand written note.
Wonderfully written as always. I agree wholeheartedly.
YES, YES, YES!!! I taught my girls to write thank you notes, and they saw me write them, even now. They can't use any excuse, because they KNOW I have a plethora of cars and types of stationery.


text:
Blog Tour Review: Jubilee Manor by Bethany Hagen
posted at Monday, August 17th, 2015 at 8:00 AM | Reviews, Young Adult
Jubilee Manor by Bethany Hagen
Series: Landry Park #2
Published by Dial BFYR on August 11, 2015
Genres: Dystopian, Mystery, Romance, Science Fiction
Amazon • The Book Depository
The thrilling conclusion to Landry Park is full of love, betrayal, and murder--perfect for fans of Divergent, The Selection, andPride and Prejudice
In Landry Park, Madeline turned her back on her elite family, friends, and estate to help the Rootless. Now, in Jubilee Manor, she struggles to bring the Gentry and the Rootless together. But when Gentry heirs—Madeline's old friends—are murdered, even she begins to think a Rootless is behind it, putting her at odds with the boy she loves and the very people she is trying to lead. If she can't figure out who is killing her friends and bring them to justice, a violent war will erupt and even more will die—and Madeline's name, her estate, and all the bonds she's forged won't make any difference.
This conclusion to Landry Park, which VOYA dubbed "Gone with the Wind meets The Hunger Games," is a richly satisfying, addictive read.
In Landry Park, Madeline was confronted with her own privilege. She realized how horrible and unfair the current governmental system was, but that didn't magically resolve the political situation. People in power don't want to relinquish that power, nor do the Rootless want to allow their station to remain as it was now that Madeline has outed the truth. In Jubilee Manor, the question is whether Madeline cares enough to risk her own status and comfortable life. Jubilee Manor is a follow-up that will please fans of Landry Park.
One thing I actually appreciate about Jubilee Park a lot is that Madeline does really struggle with her choices. She wants to help the Rootless, but she doesn't want to give up Landry Park. It's her home and means so much to her. When a gentry girl is murdered, Madeline suspects a Rootless man named Smith, and David accuses her of being just like everyone else. Still, Smith is suspicious, and she's sure he's been up to something. I don't think it would have been remotely realistic for Madeline to get rid of the prejudices she grew up with so easily. She helps a lot, but she has to remind herself sometimes to fight against her natural responses.
I also very much appreciate how much of a power player Madeline is. That may be a bit unbelievable given her youth and the fact that she had not yet inherited her estate, but you guys know how much I love getting to see women in positions of power. After the events of Landry Park, she's come to be respected, both by the Gentry and the Rootless, making her a very important political player. David has to look to her now. Even her father has to rely on her, having lost his credibility. His change did come a too quickly, but it was still nice to see.
The plot resolved rather neatly. There was a lot of stuff going on, like the murder mystery and oh you know the need to completely revamp a political system and the potential invasion by a much stronger nation. NBD. Hagen dealt with everything; no threads were dropped. I just wish that, some dead Gentry folks aside, that there had been more pain along the way and that everything hadn't been resolved so perfectly. Real life and politics never tie into a bow like that.
Unsurprisingly, I do still struggle with the romance. David Dana has just never done it for me, and he and Madeline instaloved all over one another. I don't totally hate them, but I just don't care about their romance. That said, the resolution of the romantic plot was most excellent. View Spoiler »I'm very glad that Madeline decided to put marriage on hold while she finally gets to go to university. Hopefully she'll meet someone better there. *cough* headcanon *cough* It's nice to see her putting herself first and not following the antiquated marriage traditions. « Hide Spoiler Another thing I've appreciated about this series is that the Gentry actually seem pretty relaxed about sex, one of the key differences between the society and the novel and the historical ideals it was based on.
Fans of Landry Park will be satisfied with the series conclusion, Landry Park.
"If you don't want to fight, you are with the wrong girl."
As part of the blog tour, Penguin asked me to create a photo set about the themes of this novel, so here is my best attempt. Bear with me because I'm not the most artistic person.
What I've done with this collage is tried to grab some iconic images from the novel. Along the top are shots of the setting: a gorgeous manor, a lavish dinner party, a silver chess set, and a gorgeous chandelier in a fancy home. Madeline lives in a home like that one, is no stranger to those dinner parties, and plays chess with Jude using a silver chess set like that.
In the middle, there are the beautiful gowns. A party opens Jubilee Manor and Madeline wears a mint green dress with a short train like the one on the left. On the right is a red-haired girl wearing a lavender one-shouldered dress, like Madeline wears to her birthday party near the end of the novel. In the center, is a couple dancing, one that could easily be Madeline and David Dana.
Madeline's life and that of the gentry consists of so much beauty, but it's all built on a terrible foundation. They rely on nuclear power to heat and light their beautiful homes. They force the Rootless to handle those nuclear charges. One photo shows people in suits to protect from the radiation, but another shows workers with no suits, because there were not enough for all the workers. The spatter of blood in the snow is directly from a scene and symbolizes…well, maybe I'll let you figure that out when you read the book. My goal here was to show the beauty, which definitely takes the forefront, but all the pain hidden under the lovely facade.
By Bethany Hagen
Review: Defiance
Review: Re Jane by Patricia Park
Review: Article 5
Review: Chobits
Audiobook Review: The Hidden Gallery
Size Doesn't Matter: Mini Reviews from a Lazy Blogger (4)
Audiobook Review: Landry Park
Size Doesn't Matter (135): My (Not So) Perfect Life; Maid in the King's Court
Series Review: Heist Society by Ally Carter
Audiobook Review: Clockwork Prince by Cassandra Clare
Review: City of Fallen Angels
Size Doesn't Matter (164): Waste of Space; This Monstrous Thing
TAGGED: 3 stars, murder, society, socioeconomic status


text:
BYP x AirGo
Quality, art, the culture of sameness, and white men's egos
by Sherronda J. Brown
Art, Featured
The metrics for "quality" in art have always been decided on by self-important white men.
-@SherrondaJBrown
"Culture today is infecting everything with sameness. Film, radio, and magazines form a system. Each branch of culture is unanimous within itself and all are unanimous together."
—"The Culture Industry: Enlightenment As Mass Deception", Dialectic of Enlightenment
Stephen King recently tweeted, "I would never consider diversity in matters of art. Only quality. It seems to me that to do otherwise would be wrong." These sentiments are part of a series of tweets in response to the lack of diversity in Oscar nominations. Like clockwork, cyclical conversations have emerged again after the Academy excluded noteworthy films and performances from people of color, again.
To see this take from King—someone whose work is riddled with grotesque depictions of characters of color, particularly Black characters, being victims of brutal racial violence, sexual assault, or Magical Negroes and martyrs for white triumph—was not necessarily surprising. Though he later back-pedaled his comments, it doesn't undo the fact that King effectively situated "diversity" and "quality" as two separate, mutually exclusive things. As many Twitter users pointed out, his words demonstrated a fear that seems to plague many white male artists and storytellers—that diversity and measured difference will inherently threaten and dilute the quality of art. Their insecurity is palpable.
RELATED: Waiting for Wakanda: Black joy on film as epic resistance
But the Oscars are not impartial, unbiased, or objective awards given on the basis of quality. The Oscars are a political, capitalistic game intertwined with white supremacist patriarchy, as are other "prestigious" awards shows. They are little more than giant circle jerks of mostly white men congratulating themselves for the repetitively unimaginative, derivative, and mediocre art that they have determined amongst themselves to be the most worthy of their praises.
And these same white men intentionally exclude those who either don't play their political game or don't align with traditional Oscar "prestige" as it has been historically defined. The wheel continues with white men who produce similar films again and again, and who are disproportionately and overwhelmingly included regardless of caliber.
Quality is not at the forefront of these decisions. It is and always will be disingenuous to pretend as if it is. To cite quality as the utmost concern of artists and critics, rather than diversity and fairness, is an excuse to continually ignore and even deny how deliberately exclusionary the homogenous system is.
As David Sims wrote at The Atlantic, "Academy members themselves have the power to expand what kinds of movies are considered Oscar contenders. One step would be to reject the preemptive hand-waving doled out to so many acclaimed films, many of them artsier or smaller-scale, that supposedly will never play with Oscar voters for little reason other than tradition."
Toni Morrison's Playing in the Dark: Whiteness and the Literary Imagination, originally published in 1992, takes the imagined quality and substantial lack of diversity of the accepted American literary canon and its self-appointed adjudicators to task. She uses the concept of American Africanism to highlight how white American writers have created art that fundamentally requires the presence of Blackness in order to establish itself as "American" (read: ostensibly white). Even when Black people are not physically present in these narratives, they are spiritually present, in that white Americans can never assert their whiteness or Americanness without the (sub)conscious acknowledgement of Blackness as their antithesis.
Morrison tells us plainly, "[T]he habit of ignoring race is understood to be a graceful, even generous, liberal gesture. To notice is to recognize an already discredited difference. To enforce its invisibility through silence is to allow the black body a shadowless participation in the dominant cultural body."
The insistence upon "ignoring race" or not "consider[ing] diversity" in art as a show of willfully-ignorant liberal "color-blindness" is not new and has been an excuse for white male artists to mostly only celebrate other white male artists for a very long time. Acknowledging that the lack of diversity is a manufactured inequity on their part would mean addressing why they do not even allow themselves to stand on their own merit, rather than inflated egos and rigged victories.
White men see themselves as the rightful arbiters of all forms of knowledge production and artistic engagement, and many of them deny how white men have spent centuries actively fighting against diversity and balance in art as gatekeepers, bulldozers, plunderers, and saboteurs. Admitting to this would mean admitting to their own displays of mediocrity and it would mean challenging the very idea that they are "the standard"—as both artists and humans—which is foundational to their egos.
Dialectic of Enlightenment, a work of philosophical and social criticism, was written and circulated by Frankfurt School philosophers Max Horkheimer and Theodor W. Adorno in 1944. Their writing addresses how the production of everything in a capitalist system, from necessities to leisurely entertainment, must ultimately become repetitive in order to support said capitalist system.
Essentially, laborers must partake of the only kind of entertainment made available in the culture of sameness as a reprieve from their continuous labor for survival within this same system. All the while, capitalists reap the profits from both the laborers' work and their engagement with available entertainment. Within this system, films in particular serve to help create continuity between entertainment media and reality.
"The whole world is passed through the filter of the culture industry. The familiar experience of the moviegoer, who perceives the street outside as a continuation of the film he has just left, because the film seeks strictly to reproduce the world of everyday perception, has become the guideline of production… [F]ilm denies its audience any dimension in which they might roam freely in imagination—contained by the film's framework but unsupervised by its precise actualities—without losing the thread; thus it trains those exposed to it to identify film directly with reality."
RELATED: Exploring the Black spectator's relationship to film
What Adorno and Horkheimer do not address in their work is how white supremacy influences the entire system—the culture industry, as they call it. If white men use art to recreate the reality that exists in their heads, then it necessitates the refusal of space for Others in the realm of "prestigious" and award-worthy art. Their system—white supremacist capitalist patriarchy—thrives on its own homogeneity because pushing others out reifies the imagined reality in which white men are the most prominent players, thinkers, creators, and critics of art.
When we observe the connections between white supremacist patriarchy, capitalism, and this culture of sameness, we see that the metrics for "quality" in art have always been decided on by self-important white men. Within this art, as with all other aspects of culture, the benchmark for whiteness has always been to make itself the antithesis of Blackness or to attempt to expel Black people altogether, as we are reminded of by Morrison's Playing in the Dark.
The Oscars and other white-helmed awards ultimately do not and never will be able to determine the value of our art. The Academy will continue to move the goal post and create systems to preserve their status quo and exclude films, filmmakers, and performers who don't fit their preferred mold. The best thing for us to do is to divest from the manufactured importance of the Oscars, and to always remember that white opinions on Black art will never, ever matter.
Academy Awards, Art, capitalism, oscars, Patriarchy, quality, White supremacy
Sherronda J. Brown
Essayist. Editor. Researcher. Digital Activist. Reformed Blackademic. Enjoys writing pop culture and media analysis through a Black feminist lens with historical and cultural context. Enamored with Black monstrosity, Black survival, and Black resistance in the horror genre. Obsessed with zombie lore and haunting narratives. Read more of her work at Wear Your Voice Magazine, RaceBaitR, and werdbrew.
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Back in December, I wrote a blog post detailing all of my hopes and dreams for 2017. I cannot believe January is already finished and we are into the month of February. We've had wonderful first month of 2017; here's what we have been up to.
As predicted, it was quite a quiet month for us here in Liverpool. We rang in the New Year at home. On the stroke of midnight, Daddy and Dexter went onto the balcony to watch the fireworks. Unfortunately, I had already fallen asleep and missed the whole thing. Oh well.
We spent the bank holiday in Walton Hall Gardens visiting the petting zoo, before retiring to a lovely pub for lunch. Dexter loved sitting in the highchair and watching the waiters and waitresses pass by. He is such a social baby.
Daddy was soon back to work, after a lovely two weeks off so it was back to being just me and Dexter at home. We didn't manage to get over to Wales for my Dad's birthday after having a particularly rough night of teething, but, he came to see us a few days later which was lovely. He also visited towards the end of the month and stayed in the Adelphi hotel for a night. This gave us the opportunity to go out for a few drinks around the pubs of Liverpool for the first time since falling pregnant in 2015. We went to Rigby's, the Lion and the Railway. I stuck to Diet Coke, but it was lovely to catch up and have some baby free time.
As planned, I spoke with work and organised a few KIT days which are coming up in February. We also confirmed my return to work date which will be May 4th. I am feeling very nervous about returning so I am hoping these KIT days will ease my transition back. Nanna will be looking after Dexter when I go into work, so we have had two practise days which have been nice. The most recent of the two, I went into town for a few hours. Again, it was nice to have a break from Dexter and do some blogging in Costa. I must admit, the time whizzed by. I hope it's the same when I do eventually return full time.
It's been great to use the new Crock Pot we received for Christmas. So far I've made curries, spaghetti bolognese and pulled pork. I've enjoyed sitting down for a family meal every single night. Dexter has come on even more with his eating and can tackle the majority of things now with ease. We did try a Thai Green curry one night but it was a little too spicy for his palate! We have pretty much stuck to our meal plans and have been eating plenty of fruit and veggies.
I haven't managed to take Dexter around the museums of Liverpool yet this year but we have been to a few classes at our local children's centres and to Yellow Sub soft play as well. It's been great to get out and about in the fresh air to do different activities. It's been quite a mild January here in Liverpool; we didn't get any of the snow the rest of the country received and the rain has held off for the most part. Dexter and I spent Chinese New Year up at Liverpool's Chinatown watching the dragon and covering our ears from the ear deafening fire crackers.
Here's to a fun filled and action packed February!


It is incredibly picturesque here at this primitive campground; getting to this primitive campground could be rather tough, but it's well worth it.
There's no way to run out of cool things to do next to Bliss Spring Campground; if you're searching for a delightful location to go camping for a couple of days, this is a magnificent pick. Bliss Spring Campground is a very popular old favorite campground among people of Fremont. Bliss Spring Campground is one of the spots to camp here in the Ozarks.
a fine thing to do. Bliss Spring Campground is a pretty wet place generally with a great deal of precipitation. Most of the rain falls throughout March while January is commonly the driest month.
Outdoors recreation in the vicinity of West Plains, Missouri, the metro area neareast to Bliss Spring Campground. Find info on campgrounds, marinas, hiking trails, ski resorts, lakes, beaches, parks, whitewater, golf courses and more.


text:
ASUS Eee PC 1018P, 1016P and 1015P netbooks leak ahead of CeBIT 2010
Chris Davies - Feb 25, 2010, 9:58am CST
Details of three upcoming Eee PC models ASUS is expected to bring to CeBIT 2010 have leaked. According to blogeee the three new models – the Eee PC 1018P, the Eee PC 1016P and the Eee PC 1015P (shown here) – all have 10-inch displays and, we're presuming, run Intel's latest Pine Trail Atom processors.
The ASUS Eee PC 1015P is apparently a refresh of the existing 1005P, with the most noticeable difference being a larger touchpad. It has the same matte display and chiclet keys, but an aluminum body and battery life rated for up to 14hrs (though that's apparently with the wireless turned off).
As for the ASUS Eee PC 1016P (of which we haven't seen photos) that's believed to have a business focus, with a squared off design, chiclet keys, an aluminum chassis and the same 14hr runtime. Finally, the ASUS Eee PC 1018P (shown below) is tipped to be just 18mm thick, the company's thinnest netbook to date, with 10hrs of battery life, an integrated fingerprint scanner and USB 3.0. ASUS will presumably tell us more at CeBIT 2010 in just a few days time.
Topics ASUSCeBIT 2010ComputingLaptopsleaksnetbookRumorUSB 3.0


It's getting closer to a release now. Even if I've had a felling of being quite close a complete album there just seems to be things to take care of behind every bend. I cannot say I've had any major backlashes, but it is difficult enough to finish things up anyhow.
One of those difficult things are defining a song completely recorded. I have some takes still to make, but five songs are completed. The next chance for hesitation is mixing the songs. I have had the raw-mixes running in my earphones for a while with versions getting more built up by and by.
But now when started with the mixing of the first songs, I have directed each instrument past all plugin effects in my computer straight into my mixing console. There they have become great instead of okay. The equalizer is superior the one in Protools and the overall sound through the mixer gives the songs the extra push I was ever hoping for. Nevertheless, mixing is an eternal struggle of getting the vague feelings and tiniest details in balance without forgetting to let your most original gut-feeling be in charge – no matter what fantastic vintage-hissy-authenticsound-yada-yada gear you might have, it's never easy.
An extra dimension in my case is that, at this stage, I'm so deeply involved that I have a hard time getting an overall image of the material. I tend to hear stuff that might not be too obvious in the current mix, while it is very obvious in the back of my mind and so on.
Another distractive moment, if that's a proper word, is that I wish to get a live set together. First for the Live at Heart festival next weekend. I will play there on both Friday and Saturday on my own. But later on I hope I can book some live gig where I can bring a full band. Until then I have to practice in order to be on track til my solo gigs, which I'm really excited about..
So the single to be released on Friday is badly timed in some ways, but as I've said over and over again, there is no half speed in this project. Full speed or nothing. And releasing my first single is very exciting too. It's the first chance to get reactions from all you who have been patient following my blog and everyone else who might find int interesting. After all, releasing the material is the moment I've been waiting for. And a teaser like this is the next best thing, I suppose.
With this first song, The Entrance I have made it all the way through knowing it will be possible to finish it all up, even though I wouldn't make it til the end of September. But now I know have a glimpse of how good it can sound when finished. Because I can asure you that I'm really proud of the result (I have heard it 😉 ). At least this first song turned out as good as I could ever have dreamed.


text:
Five week Pick n Pay bakers' strike ends
Workers complained they were not being paid for overtime
Bakers for Pick n Pay are hired by third-party companies, making it difficult for them to organise. Photo supplied
By Trevor Bohatch and Natalie Pertsovsky
A five-week strike by workers who produce baked goods for Pick n Pay appeared to end on Monday. The Johannesburg workers concluded reconciliation talks with management, resolving a strike that had been ongoing since 28 February.
The strike, which became protected on 2 March, began in protest at unfair working conditions, including long working hours, salary disputes, and unpaid overtime.
"We are demanding R10,000 a month, 40 hours a week, and no more than two hours overtime a day," said Mandla*, the strike committee's leader and a 7-year factory employee, before talks began.
The outcome of the talks resulted in Assist Bakeries committing to pay all employees at least R3,500 a month and ensuring that the weekly work roster does not include any shifts that exceed eight hours. The company will also begin contributing to labourers' provident funds.
One striker, Thabo*, who has worked at the factory for nearly 12 years estimated that he spends 12 hours each week on the production line in unpaid overtime.
"We are working so hard. We work long hours," he said. "We are supposed to work 40 hours [per week], but [work] two [hours] more every day."
The 58 workers involved in the strike are all employed at a facility housing independent bakery operations located in Isando on the East Rand. The bleak conditions, workers and strike representatives say, are due in part to the fact that workers are not employed by Pick n Pay, where the goods they produce are sold, but instead by several third party labour brokers known as Assist Bakeries.
According to Pick n Pay representatives, the facility, owned by the grocery chain, was set up as a Black Economic Empowerment initiative through which several independent bakeries employ labourers on site. The fractured employment model makes it difficult for workers to organize and represent themselves.
"They are taking advantage of us because we don't have a union," Mandla said.
David North, Group Executive of Strategy and Corporate Affairs at Pick n Pay, said that the issue is a wage dispute between independent bakeries and their employees. "All employees are remunerated by their employers strictly in accordance with the Labour Relations Act," North said. He also said the project had been "successful in transferring skills and in business training for entrepreneurs."
Assist Bakeries denied GroundUp's request for comment.
According to Mandla, the company had refused to meet with protesters until the 3 April talks.
"They didn't reply to any of us," he said.
As the strike wrapped up its fifth week, workers began to feel the effects of more than a month's lost wages, putting pressure on a settlement. "Some of us are breadwinners, so it is hard," said Thabo, who supports eleven people on the R3,200 monthly wage he earns at the factory.
Bakery workers have agreed to return to work on 10 April, even though the demands set at the outset of the movement have not been met.
"I am not happy, but they know we are desperate," Mandla said.
* Not their real names.


Take a walk through the woods with this week's new designs! Woodland animals, falling leaves, outdoors landscapes, and more will bring the beauty of the forest inside your home.
Adorn a pillow with a striking watercolor fox, or give your favorite bookworm a bookmark featuring their favorite wild animal. Eye-catching autumn leaves are the perfect solution for seasonal table linens and quilts. Plus, floral wreaths, contemporary animals, sayings, and more!
Scroll down the page to see the beautiful woodsy designs.
A fox curls into its nest of leaves and other fall foliage in this magnificent watercolor design. Perfect for pillows, wall hangings, and quilts, the eye-catching motif will add the beauty of autumn to any project!
6.87" x 9.06" and 5.89" x 7.77"
A breathtaking watercolor landscape of the mountains and forest give this bear an unexpected, and striking appearance. Stitch the picturesque wilderness display as art for your home, on a wall hanging, or a quilt.
11.33" x 6.88" and 9.38" x 5.70" and 7.78" x 4.74" and 6.83" x 4.16"
Perfect for a cabin or living room decor, this landscape silhouette is sure to impress any guest. The painted aspect of the design makes it particularly beautiful as a piece of framed art.
See how to frame embroidery right here.
The falling of autumn leaves signifies the start of the season. Stitch these stunning designs on table linens, decor items, apparel, and more to show your love for fall.
6.82" x 7.80" and 6.14" x 7.03"
5.58" x 6.39" and 4.86" x 5.56"
6.90" x 10.43" and 5.86" x 8.86"
5.16" x 7.80" and 4.54" x 6.86"
These leave feature open space where the fabric shows through. Stitch them on light, low-nap materials such as linen, twill, denim, cotton, or canvas for best results.
Here, two leaves are used to create a beautiful place setting for any table!
Six different types of leaves have been created in this stunning style -- maple, oak, birch, cottonwood, elm, and ash. Beautiful details and classic autumn colors give each design an eye-catching look.
7.25" x 7.80" and 6.56" x 7.07"
5.86" x 6.31" and 4.86" x 5.24"
6.88" x 8.14" and 6.15" x 7.27"
5.59" x 6.61" and 4.86" x 5.75"
These leaves are the perfect way to update a quilt, kitchen towel, table runner, or bedding set. The stunning accents inside each of the leaves make them terrific for stitching all autumn long.
6.90" x 9.15" and 5.88" x 7.79"
5.34" x 7.08" and 4.86" x 6.44"
5.95" x 10.32" and 5.17" x 8.97"
4.50" x 7.80" and 3.95" x 6.85"
Let these leaf designs land on your next project! Purchase them individually using the links above, or get them all in a design pack.
Contemporary, line-drawn animals get a brilliant burst of color thanks to bright autumn blooms in these designs. Each forest friend has one element made up of the beautiful flowers and leaves -- here a fox's tail and the feathers of an owl feature the colorful accents.
6.85" x 9.53" and 5.86" x 8.15"
6.87" x 11.11" and 5.82" x 9.41"
4.82" x 7.79" and 4.26" x 6.88"
The outline of the animals feature open spaces where the fabric shows through, making them gorgeous additions to solid-color fabrics.
Add to a kitchen towel, or use to adorn a blank pillow!
A hedgehog and a squirrel are classic woodland animals, and showcase the beauty of the fall flowers and leaves wonderfully. Change the colors of the accents to fit your color scheme or favorite season -- pastels for spring, bright colors for summer!
7.77" x 7.76" and 6.89" x 6.88"
7.51" x 7.80" and 6.80" x 7.06"
5.87" x 6.10" and 4.86" x 5.05"
A deer's antlers and skunk's stripe are surprisingly striking when exchange for these vivid blooms. Add to a tote bag, sweatshirt, or pillow for fall!
7.14" x 7.79" and 6.42" x 7.00"
7.09" x 7.79" and 6.45" x 7.09"
5.81" x 6.39" and 4.86" x 5.34"
Bring the contemporary beauty of these designs to pillows, quilts, and more. Purchase them individually using the links above, or get them all in a design pack.
Inspire your little ones with sweet woodland wreaths touting words of wisdom. An owl encourages you to "Grow Wise;" a fox to "Stay Clever."
7.79" x 7.40" and 7.27" x 6.90"
7.79" x 7.43" and 7.21" x 6.89"
6.12" x 5.85" and 5.09" x 4.86"
All five of these designs feature a classic woodsy animal that coordinates with their saying. Forest blooms encircle them with simple beauty.
7.80" x 7.58" and 7.10" x 6.90"
Stitch all five of the wreaths on a quilt, wall hangings, or series of framed pieces. Or, pick your favorite to embroider on a pillow or tote.
7.81" x 7.54" and 7.11" x 6.86" and 6.07" x 5.86" and 5.03" x 4.86"
Stitch these uplifting wreaths in your home for a daily dose of inspiration. Purchase them individually using the links above, or get them all in a design pack.
Share your wild spirit with the world by stitching this vibrant saying on messenger bags, T-shirts, framed artwork, and more. Change the colors to match your style, a particular season, or decorating scheme.
11.75" x 6.85" and 9.41" x 5.48" and 7.81" x 4.55" and 6.85" x 3.99"
A design saying "Through the Woods" is the perfect addition to cabin decor, gardening gear, or a welcome flag. Leaves, a pinecone, and a mushroom continue the woodsy theme.
11.11" x 6.89" and 9.40" x 5.82" and 7.80" x 4.88" and 6.88" x 4.28"
Kids' gear, nursery decor, tote bags, and more will get a bright and colorful update with these floral laurel designs! Classic woodland animals adorned with a flower crown are framed in a brilliant array of blooms in these charming designs.
7.81" x 6.78" and 6.75" x 5.86" and 5.57" x 4.84"
A deer, fox, owl, and bunny are sweet additions to pillows, quilts, wall hangings, and more! Use them all together, or pick your favorite animal to stitch alone.
7.80" x 6.89" and 6.64" x 5.86" and 5.49" x 4.84"
Wilderness scenes featuring the flora and fauna of the forest are gorgeous additions to a wide variety of projects. Each depicts the silhouette of a wild animal exploring the woods by the light of the moon.
5.56" x 11.75" and 4.44" x 9.38"
3.70" x 7.81" and 3.25" x 6.86"
Create a glowing luminary for your cabin or home with these silhouette designs. Each panel makes up one side of the lantern (and stitching them on organza lets the light shine through beautifully!).
See how to make your own luminary in this project tutorial.
Let a cute woodland friend mark your page in your current read with these in-the-hoop bookmarks! A fox, owl, bear, and bunny are adorable ways to keep your place while reading!
The page of your book slides in-between the two layers of the bookmark, making it easy to keep track of where you left off reading.
See how to make these in-the-hoop peeking bookmarks in this project tutorial!
Not only are these wild and woodsy bookmarks perfect for your everyday reading, but they're also terrific to give as gifts, too. Give to your favorite bookworm, or as party favors for kids, too.
Ann has a Red Heeler pup, and was hoping to see designs featuring the gorgeous breed of dog. Great suggestion, Ann! Add this sketch and silhouette to totes, pet beds, and more.
7.80" x 7.58" and 7.08" x 6.88"
5.86" x 7.73" and 4.86" x 6.41" and 2.94" x 3.87"


text:
Partecipò alle gare di nuoto della II Olimpiade di Parigi del 1900.

Prese parte alla gara dei 200 metri stile libero arrivando quarto in semifinale, con un tempo di 3'47"0, senza qualificarsi per la finale. Scese in acqua di nuovo per la semifinale dei 200 metri dorso, dove arrivò settimo, nuotando in 4'49"0.

Inoltre partecipò alla gara dei 1000 metri stile libero, piazzandosi quarto in semifinale, nuotando in 21'33"0, ed a quella dei 4000 metri stile libero, piazzandosi quarto in semifinale, nuotando in 1:31'02"8.

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


text:
Au pair experiences in Ireland: 5 fascinating stories
Julia Villanueva
EmploymentImmigration
We hear many stories about au pairs, from them feeling like a member of the family, to going through nightmares with their hosts. Each of them lives a completely unique experience and, even with the bad ones, lessons are learnt. We have interviewed five au pairs, and they all have their own story to tell and advice to give.
Au pairing typically consists of moving to someone's home to take care of their children. The vast majority of au pairs come from foreign countries, and they generally have previously arranged some conditions with the host family.
The number of au pairs has increased significantly in time, and the amount of host families demanding au pairs has grown too. Ireland is one of the most au pair-demanding countries in Europe, and being an English-speaking country, it is very appealing for au pairs when they choose where to live their adventure. On the other end, au pairs come especially from Spain, France, Germany, Italy, and the United Kingdom.
Being an au pair is a great way to live in a different country, getting to know the culture from the inside, meeting new people, and improving a language along the way. But there are many questions and doubts that arise when someone thinks about becoming one. To all that, today we must add the concern regarding Covid-19, which also affects the au pair way of life.
Irish Internships and Volunteering during Covid
9 Powerful Songs about Immigration
Isabel Grech
Isabel, a 30-year-old from Spain, was an au pair in Killarney five years ago. Her decision to come to Ireland was based on improving her English. She found her host family through AuPairWorld, where you can create a profile and match with the families, get to know them, and choose the one that suits you the most.
Isabel, who was an au pair in Ireland in 2015, in Ladies View (Killarney).
Before coming, she was quite scared of things being different from what she expected, going to a home she did not know with people she had just met. When she finally chose a family, everything was clear for everyone from the beginning: they gave her a contract with her schedules and chores, which met her expectations. Her role was very clear, and the contract was followed with no surprises.
Her experience was supposed to last longer, but she decided to leave halfway, as she was not feeling completely comfortable with the family – sometimes she was even ignored by them – but now she says she regrets that decision. She thinks she should have stayed for longer, even though the situation was overwhelming for her.
Today, she is an au pair again – now in the UK – and her experience is being completely different so far. She took the decision to leave Spain due to the loss of her job right before Covid-19 started. She felt the motivation to go, and au pairing seemed like a great way to start in another country.
When she first arrived in Ireland, the family told her to meet other au pairs – she had plans every weekend: trips, meeting other au pairs, going shopping, going to the pubs. Now, she feels it is going to be really hard to meet new people, and she is wondering how to manage the situation.
With the current circumstances, she is worried about the Christmas Holidays. Things change really fast these days, and she is concerned she will not be able to go home to her own family. She has just arrived and is trying to find her place, but the thought of not going home for Christmas is very hard for her. She has learnt not to plan long-term, and live day by day.
When asked if she has any advice for her past-self, she says she would have given herself better tools to go through everything; manage the stress of the situation, cope with the loneliness of some moments – which she now says are necessary sometimes – and not letting the children's behaviour affect her so much: "before getting angry at a three-year-old, breathe and count to ten, you are wiser than a child."
Fia Falck
Fia is 19, from Sweden, and she wanted to go abroad for a year after graduating high school. Her first choice was going to Canada as a volunteer, but Covid-19 came and the borders closed, so she had to find something else. She thought au pairing would be a good option, so she created a profile on a website. Ireland was one of her choices because she wanted to be surrounded by nature.
Before her arrival, she had been talking to the family. Her main worry was for the family to be different than what they were on the video calls – she had heard many stories of families mistreating their au pairs – but everything turned out fine. The family was very welcoming, and she felt included.
Fia chose Ireland because she wanted to be in contact with nature.
There are, though, things she did not expect, like spending so much time with the family, and not having the opportunity to go out. Also, working with children is very hard – she felt tired all the time during her first week, and children are not always sweet and loving. She is getting used to it, and there are great moments too; they are very fun to work with sometimes.
Of course, as she arrived during Covid-19, her experience has been a bit more difficult. The hardest thing she finds is not being able to meet people so quickly, and not having the freedom to travel and get to see the rest of the country.
Her suggestion to anyone who wants to be an au pair in Ireland is knowing that working with children can be hard and tiresome, and she also says "bring more rain clothes!"
Irene López
Irene is 24 and also from Spain. Her studies in tourism had led her to work in a couple of hotels last year. Her contract ended, and Covid-19 arrived with a lockdown in Spain. As her sister also lives in Ireland, she decided to become an au pair there to get started and save some money, and find a job later on.
It was hard for her to find a host family due to the two-week quarantine. Not all families wanted that, but she eventually found one using AuPairWorld. It was all very fast, "I met them, and the following day I had already bought the plane tickets." She knew she had to ask many questions about her role and what she had to do, to ensure everything was very clear beforehand.
Irene, who is an au pair in Limerick, during a trip to Donegal.
However, when she arrived, there were some things they had not told her. The family had four children, and the younger ones – two-year-old twins – were not supposed to be her responsibility. That was true at the beginning, but eventually, they ended up leaving them with her. She was also told she would not have to do any chores around the house, but they began asking her to clean and do laundry. It all escalated, and she was feeling more and more anxious and uncomfortable, so she decided to look for another family.
This time, she found the family on a Facebook group. Now, she is feeling much better and is well-treated by them. They do not require her to spend so much of her time taking care of the children, and she does not have to do things outside of her pre-established conditions. She also feels much more integrated with them.
Her advice for future au pairs is to "ask more, and more. Things can be misinterpreted, especially with the language barrier, they may not completely understand what you are asking. If you need to repeat it, do it. You must know the conditions." She adds "don't go with the first family, you need to see other options and choose the most suitable for you. If there is something you don't like about them, don't go, think you are going to be living with those people".
Silvi Kruizinga and Paula Ulbrich
Silvi, from the Netherlands; and Paula, from Germany, are both 19. They met here in Ireland thanks to being au pairs, through a Facebook group and living really close to each other.
They both arrived in the summer. They wanted to take a gap year, go abroad, and explore new cultures; and they also wanted an English-speaking country not far away from home, which is why they chose Ireland. Silvi, who studied Education Assistance, had previous experience with children; it was something she enjoyed, so being an au pair looked like a great choice. Paula saw this as a great way to start working with children, as she wants to become a childminder when she returns to Germany.
Silvi studied Education Assistance and is currently au pairing in Ireland.
They agree that Covid-19 did not stop them from being au pairs, they were determined to do it, so they did. There was no reason not to come, and they had the opportunity, so they went ahead. When they arrived, it was much more relaxed with Covid-19, but they were prepared for it to get worse. They expect to get to travel in the future, once everything settles.
They both used agencies in order to find host families, and then there was a matching process with video calls. They tell us that the agency prepares you for what you may encounter, and even for how you may feel – like homesickness – and how to get through it all. They even help them get in touch with other au pairs in the area. Meeting people, they say, is quite easy thanks to that, and Facebook groups.
Silvi thinks everything went well. She had two matches before the family she is in now that did not work out. Her expectations as to what it would be like with the family were correct, with no surprises. The two-week quarantine was hard, but she says the family took good care of her. She loves her host family.
Paula is an au pair at the moment and wants to become a childminder.
Paula, on the other hand, had problems with her first family. When she arrived at the house, the mother did not seem to like having her there. The next day, she was told she had to leave. Some days later, they drove her to the city centre, leaving her there all alone. Even though she had that experience, she now says "every experience is a good experience," and claims this is something to learn from; that not all people are going to treat you well.
She is with a new host family now, and it is as she expected, she thinks it is "sometimes even boring" maybe due to Covid-19, as she cannot make many plans. "The work is as you really expect", she says.
They advise being prepared for anything but to talk a lot with the family before coming. Above all, they say "go for it!"
With all of their testimonies, we get to have a little insight into how the au pair world can be. They go through many different conditions and experiences, but they all seem to learn and take the best from it. One thing they all agree on is that they would recommend for anyone who is thinking about it to not hesitate and seize the opportunity.
Spaniard living in Ireland, passionate about literature, learning languages, and knowing different cultures.
Europe's Borders and the Continuing Migrant Crisis
ImmigrationCurrent Affairs
Ireland's Unemployment Benefits: Below Par?
10 Facts About Refugees in Ireland
Current AffairsImmigration


hese fine dragon figurines will make an excellent addition to your dragon collection. They also make great gifts for any dragon enthusiast.
Perched atop the barren skulls of two unlucky treasure hunters, a pair of dragons flexes jeweled wings and hisses a warning to all who would trespass. Emerald green "earth" and ruby red "fire" dragon statues are a ferociously fantastic decoration to display with pride! Set of 2. Polyresin. 2 1/8" x 2 3/4" x 3 5/8" high.
These dragons make a colorful trio as they urge all to see, hear, and speak no evil. Alabastrite. 1" x 3 1/8" x 4 1/8" high.
A family of dragons cast in richly painted polyresin with fine details and hand painting. Polyresin. 5 1/2" x 6" x 7" high.
Your most treasured tomes will remain upright with these mythical dragon guardians! Richly rendered in astonishing detail, these bookends add a mystical decorative touch to any room. Pair. Polyresin. 10 1/4" x 3 1/4" x 7" high.


text:
Shadow of the tomb raider – Why it's still one of the best games released in last decade
ThisGenGaming Reviews April 1, 2020 Comments Closed	47 views	0 likes News
The Shadow of the Tomb Raider continues to endure the world of modern action-adventure games. Being the last of the Tomb Raider epic origin trilogy did not stop players from wishing there'll be more sequels in the future.
Lara Croft is the most anticipated character. Tomb Raider movies were a true success starring Angelina Jolie. Movies broke all records and financially it become a successful project. Along with video game developing companies, big casinos and gambling operators got a huge interest. In 2018, Shadow of the Tomb Raider got the popularity and the gambling sector decided to adapt the character to casino games. From 2019 gamers can play real online casino games related to Tomb Raider. Online casinos have adapted various stories of Lara Craft and the 'shadow of the Tomb Raider' become the most popular. It has different levels and gamers need good strategic experience to get into the last level and win the game with Lara Croft. Casino operators, like video game developers, are always delivering the latest trends and implementing popular characters into the slots or other casino games gets more attention. Lara Croft's adaptation into the casino world was a game-changer as the casino got attention from people who were fans of the Tomb Raider series or movies. Especially Canadian casinos got worldwide recognition for Croft's adventures because those local operators were first to develop the fictional character into the wild casino game. Along with the gambling version, the shadow of Tomb Raider is one of the best video games released so far since 2018.
Why It Is Still the Best Video Game Released in 2018
The Shadow of the Tomb Raider has been staying at the forefront of the trilogy, and here are the main reasons why it was the best video game release in 2018:
1. The overall grandeur of the places Lara Croft is visiting is still the same as other Tomb Raider games. Players appreciate intricate details along the way, and one can sense mystery or danger even while just moving along ancient temples, villages, and forests.
2. There are no boring sequences while playing the Shadow. Aside from feasting your eyes on caverns, temples, and chambers, you can also work on different quests and side games along the way. You get to work on artifacts and treasure hunting, decipher ancient codes, and do side missions.
3. The game involves the right interactivity to evoke a sense of realism. You can swim underwater, rappel on mountain cliffs, jump on rotating machines, etc.
4. It has an impressive gameplay wherein you can interact with villagers and combat villains, but the highlight still goes to deciphering mysteries in ancient tombs.
5. You can improve your gaming experience by taking cues from the surroundings. It is usually essential when you are unlocking a puzzle.
Review of the Game
Tomb Raider games are charming its players with exhilarating visuals, excellent storyline, and dynamic gameplay experience. And it's been steady ever since.
Apart from praising the visual aesthetics of the game, players are expressing their excitement over Lara Croft's new skills like the stealth mode and the Fear Arrows. But while most are rooting over more combat scenes, some miss the naïve Lara.
In the Shadow of the Tomb Raider, Lara's character is evolving. From being a woman in survival mode, she's now more equipped and more aggressive. Having this sense of confidence echoes to her newly found skills. But many who grew up practically alongside Lara's character in the first two parts will somehow miss her flawed version – someone whom we can all easily identify.
Overall, the Shadow of the Tomb Raider has the most immersive gameplay among the trilogy. It absolves the limits of its predecessors by indulging its players to a greater sense of scale, more fulfilling victories, better interaction, and great attention to detail. Using Peru and Mexico as its setting is a perfect choice, as it genuinely adds more explorative elements and overall sense of mystery. It stirs the adventure seeker in anyone.
Critics Rated the Game as the Best!
Almost two years since its release, critics see it as one of the most enduring games there is. And what makes it more exciting is that after you finish the game, you can continue the adventure with new abilities through the New Game Plus feature.
One can explore different paths to enter, depending on the player's personal preference. As the Shadow of the Tomb Raiders is action and game packed, you can now master your favorite among Lara's skills. You can work on the Serpent (stealth), Jaguar (combat), or Eagle (survival). You'll have more reasons to love the Shadow of the Tomb Raider and master your adventure.
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text:
Sandifer syndrome (or Sandifer's syndrome) is an eponymous paediatric medical disorder, characterised by gastrointestinal symptoms and associated neurological features. There is a significant correlation between the syndrome and gastro-oesophageal reflux disease (GORD); however, it is estimated to occur in less than 1% of children with reflux.

Symptoms and signs
Onset is usually confined to infancy and early childhood, with peak prevalence at 18–36 months.  In rare cases, particularly where the child is severely mentally impaired, onset may extend to adolescence.

The classical symptoms of the syndrome are spasmodic torticollis and dystonia.  Nodding and rotation of the head, neck extension, gurgling, writhing movements of the limbs, and severe hypotonia have also been noted.

Spasms may last for 1–3 minutes and may occur up to 10 times a day.  Ingestion of food is often associated with occurrence of symptoms; this may result in reluctance to feed.  Associated symptoms, such as epigastric discomfort, vomiting (which may involve blood) and abnormal eye movements have been reported.  Clinical signs may also include anaemia.

Diagnosis
Diagnosis is made on the basis of the association of gastro-oesophageal reflux with the characteristic movement disorder. Neurological examination is usually normal. Misdiagnosis as benign infantile spasms or epileptic seizures is common, particularly where clear signs or symptoms of gastro-oesophageal reflux are not apparent. Early diagnosis is critical, as treatment is simple and leads to prompt resolution of the movement disorder.

Treatment
Successful treatment of the associated underlying disorder, such as GORD or hiatus hernia, may provide relief.

Prognosis
Sandifer syndrome is not typically life-threatening and the prognosis is typically good.

History
Sandifer syndrome was first described in 1964 by Austrian neurologist Marcel Kinsbourne in The Lancet. Kinsbourne named the syndrome after his mentor, British neurologist Paul Sandifer, who had initially cared for the patients described in Kinsbourne's case reports.

See also
 List of eponymously named diseases

References

External links

Syndromes
Gastrointestinal tract disorders
Pediatrics


text:
The real Biden presidency emerges
By Editor | September 13, 2021 | 0
Not too long ago, supporters imagined Joe Biden might be the next LBJ, and perhaps they were right — just not how they thought.
Biden bears no resemblance to the Lyndon B. Johnson who entered office after the assassination of John F. Kennedy in 1963 with a 75% approval rating and over the next couple of years passed a raft of historic legislation. No, if there's any comparison it is to the LBJ who by 1967 had seen his approval rating dip under- water in a deeply riven country.
After a lot of happy talk over the past half year, the real Biden presidency has emerged. It is not a colossus bestriding the political universe, rather a middling administration, at best, that will have trouble imposing its will even on its own party in Congress.
Biden was always funda- mentally a default president, elected in opposition to Donald Trump and initially buoyed by the contrast to his outlandish predecessor.
Now, he's lost his foil in Trump, who is still issuing harsh and thunderous press releases but isn't driving every news cycle or occasioning mass protests in the streets.
The best case for Biden was that he could ride in the slipstream of good economic growth and a receding pandemic.
Instead, the labor market is still rocky, and the Delta variant has surged, leading to headlines about overstretched health care systems that most people assumed that we'd left behind in the spring of 2020.
On top of this, Biden made the first major, his- toric decision of his presi- dency, and completely botched it. The White House may tell itself that his withdrawal from Afghanistan will come to seem farsighted, and it's possible that the harmful political effect will wear off over time.
Leaving Americans behind in a foreign country after an enemy of the United States swept to power and chased us out with our tails between our legs, though, is not likely to be forgotten, certainly not in 2022 or 2024, if ever.
The prime directive for any president is, to the extent possible, to seem in control. Biden failed this test repeatedly during the evacuation crisis. Events moved faster than he did and his rationales for what was happening had to be constantly revised.
Privately, Democrats must know that his per- formances at his press conferences weren't reas- suring, let alone com- manding. The problem Biden has is that any act of incompetence will, fairly or not, raise questions about his age, even if he would have done exactly the same thing at 38 that he's now done at 78.
The most notable feature of the resulting Biden drops in the polls that have him underwater in both the RealClearPolitics and 538 polling averages is his awful standing among independents (in the mid-30s in reputable polls).
This isn't a position of strength from which to deal with another struc- tural problem that was submerged by his initial success getting new COVID-19 spending and by wishful press coverage — uncomfortably narrow margins in Congress.
Biden can't lose anyone in the Senate and only a handful of votes in the House, giving both the relative moderate wing of the party and its leftmost flank the ability to kill off his spending plans for being too profligate or too stingy, respectively. Sen. Joe Manchin of West Virginia is a constant reminder of this. The fate of Biden's presidency, or at least huge pieces of his domestic agenda, depends on a senator representing a Trump state who is largely immune to pressure from the national party, indeed may be helped if the national party calls him names for not going along with its priorities.
When all is said and done, Biden may get enough spending to allow Republicans to attack him as a wastrel and not enough spending to excite his own partisans.
Welcome to Biden's real- ity. The heroic period of his presidency was always a mirage, and the effort to muddle through now begins in earnest.
Posted in Columns, Editorials
US has taken FARC off its terrorist list, giving insight in Biden's foreign policy
Desantis shocker: It's not OK to hate whites
Catholics for Choice offers its own march for life litany
The weaponization of #MeToo
The Culture War only seems the Republican free lunch


Galaxy is a leading supplier of custom and stock Fluorinated Ethylene Propylene (FEP) wires or cables. Galaxy can supply FEP wires and cables, both stock and custom, in various AWG sizes, voltage ratings, compounds, shielding constructions, and conductor counts.
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Fluorinated Ethylene Propylene, also referred to as FEP, is a form of fluoropolymer insulation. FEP is very resistant to chemicals, has a broad temperature range and it exhibits excellent electrical properties. Due to these physical and electrical characteristics FEP is an excellent choice for use in chemical, medical, electronic and aerospace industries. A common use for FEP in military applications would be in coaxial cables such as M17/113-RG316, commonly referred to as RG316 coaxial cable. FEP, also called Teflon® FEP, is a variation of Teflon®, which was invented by DuPont™.
Technical Specifications FEP can be used as either an insulation or jacket material.
Contact Galaxy for further assistance with fluorinated ethylene propylene insulated or jacketed wire or cable.


text:
Silvia "Sissi" Carignano (born 11 August 1987) is an Italian former ice hockey player. She competed in the women's tournament at the 2006 Winter Olympics.

References

External links

1987 births
Living people
Italian women's ice hockey players
Olympic ice hockey players of Italy
Ice hockey players at the 2006 Winter Olympics
People from Pinerolo
Sportspeople from the Metropolitan City of Turin
European Women's Hockey League players


text:
Lien hails the `people's victory'
In a jubilant post-election speech, KMT Chairman Lien Chan said the result reflected the people's desire for prosperity and stability, and later hinted he may hand the party's leadership to the next generation in the new year
By Caroline Hong / STAFF REPORTER
Sun, Dec 12, 2004 - Page 2
The pan-blue alliance's success in winning a majority of seats in yesterday's legislative elections was a victory on behalf of the people and for the Republic of China, the pan-blue camp jubilantly declared yesterday as its supporters across the nation celebrated.
"Today's victory proves one thing: what the entire nation cares most about is the nation's prosperity. The people hope that this society can have harmony. They hope that this country can have further development and reform. They hope that we will no longer walk the path of the last couple years," Chinese Nationalist Party (KMT) Chairman Lien Chan (連戰) said, after it became clear that the pan-blue alliance had won a 114 of the total 225 seats up for grabs yesterday.
"The people clearly have placed their hopes upon the shoulders of the Chinese Nationalist Party (KMT), People First Party (PFP), New Party, on the entire pan-blue alliance," he said.
While extending his congratulations to newly elected legislators and condolences to those who did not win yesterday, Lien promised that the alliance would try to further cross-strait relations and push through nine domestic policies on education and social benefits that the alliance had earlier promised to pursue.
Echoing Lien, PFP Chairman James Soong (宋楚瑜) said the results clearly showed that the people were not in support of Taiwanese independence or of large government military expenditure.
Speaking at the PFP's Taipei headquarters, Soong promised that the PFP would discuss with the KMT how best to realize the people's wishes.
The election yesterday was a victory for the pan-blue camp, with results conforming closely
to the alliance's expectations. The pan-blue camp won a total of 114 seats yesterday, including regional, Aboriginal, overseas and at-large representatives. The KMT won 79 seats, the PFP 34 and the New Party one seat.
Some 62 of the 74 KMT and New Party candidates under the KMT banner won seats yesterday, while the PFP won a reduced 27 local seats.
The pan-blue alliance also won 21 legislator-at-large seats, with the KMT contributing 15 seats to that number and the PFP six. The pan-blue alliance also won six Aboriginal seats, with the KMT winning four and the PFP two. Three of the seven New Party candidates running under the KMT's name won seats. Two KMT party candidates running without the party's approval were also elected.
The KMT predicted on Friday that it would win only 56 local seats, and that the pan-blue camp would win a total of 109 legislative seats.
The atmosphere at KMT headquarters was jubilant last night, with the lobby overflowing with joyous and tearful pan-blue supporters, chanting slogans such as "A-bian [President Chen Shui-bian (陳水扁)] step down!" and "Go, KMT!"
Supporters cheered and hugged each other, while expressing satisfaction that the pan-blue camp had finally won a victory in the face of its "unjust" loss in the March 20 presidential election.
The atmosphere at the New Party's headquarters was also festive, with supporters popping open champagne when the party's candidate Wu Cheng-tien (吳成典) was declared the first winner of any electorate after the results for Kinmen County were announced at 5pm.
Given the electoral success of the party, the future of the KMT's leadership became a focus of media attention.
When asked if he would step down from the party chairmanship in February when the seat opens up according to KMT party regulations, Lien said that he has served the party for a long time already.
Furthermore, Lien said he believes in the importance of a "generational exchange of power," implying that he is ready to step down. When pressed about a timetable, however, Lien only said that everyone would adhere to the party's regulations.
http://www.taipeitimes.com/News/taiwan/archives/2004/12/12/2003214731


I've gone a little skincare made recently and picked up quite a lot of new additions to my routine. Today I thought I would show you a couple of them and talk them through with you. These are the first couple of bits I picked up in March but expect another post in the near future about the rest of the new additions to my skincare routine.


text:
Ca' Loredan (ou Palazzo Corner Piscopia, Loredan ou simplement Corner-Loredan) est un palais vénitien, situé dans le sestiere (quartier)  San Marco le long du Grand Canal , à proximité du Pont du Rialto. Avec son annexe Ca' Farsetti, il abrite actuellement la mairie de la cité.

Histoire

Ca' Loredan est construit au  comme fondouk vénitien-byzantin. Le bâtiment est modifié et  progressivement agrandi par la famille Corner ou Cornaro Piscopia. Pendant le  et le , il est le domicile de la famille Loredan.  Il  passe à la commune de Venise en 1868 et devient, avec l'immeuble Farsetti, le siège de la municipalité de Venise.

Dans l'histoire réelle
La famille Corner ou Cornera est connue par Elena Cornaro Piscopia (née le  à Venise et morte le  à Padoue), fille Giovan Battista Cornaro, procurateur de la basilique Saint-Marc, et de Zanetta Boni. Philosophe et mathématicienne, elle est la première femme à obtenir un doctorat universitaire.

Dans la fiction
Dans la série télévisée  de Dorothy Dunnett, la Banco di Niccolo est située dans ce palais.

Description

Le palais  Loredan est un bâtiment dont la partie la plus ancienne est en style vénitien-byzantin. Il est, parmi les immeubles du Grand Canal, celui qui en conserve les traces les plus importantes.
Le rez-de-chaussée de la façade est percé d'un portique formé de cinq  arcs surhaussés, soutenus par quatre colonnes corinthiennes, flanqué de chaque côté de deux fenêtres de même forme. L'étage noble est rythmé de même manière, avec au-dessus du portique, une claire-voie de sept fenêtres, prolongé de chaque côté, d'un groupe  de trois fenêtres, dans le même style. La frise au-dessus comporte deux écussons; l'un avec le blason des Corner, l'épée placée en pal et chargé d'un ruban, l'autre aux armoiries royales des Lusignan, de Chypre. Quatre statues ornent la frise, aux extrémités un David et un Goliath, et au centre une Justice et une Force. Les sculptures datent vraisemblablement de 1363.

Au premier étage se trouve le salon de réception, le portègo, orné de stalles, et qui sert de salon du conseil municipal. Au murs, on trouve  des  œuvres de Benedetto Caliari et d'autres, parmi lesquels Gregorio Lazzarini et Véronèse.

Notes et références

Bibliographie

Articles connexes
 Liste des palais de Venise
 Famille Corner

Palais dans le sestiere de San Marco
Architecture romane en Vénétie
Architecture civile du XIIIe siècle


text:
Europe, China join as US climate exit leaves vacuum
US & World // National News
Trump's actions on climate, NATO provide impetus for realignment
By Michael Birnbaum, Washington Post June 2, 2017 Updated: June 2, 2017 10:49 p.m.
European Council President Donald Tusk walks with Chinese Prime Minister Li Keqiang before an EU summit Friday in Brussels, where European and Chinese officials signed a raft of agreements binding themselves together.
Photo: VIRGINIA MAYO, Stringer
BRUSSELS - A day after President Donald Trump pulled out of a key climate agreement, declaring he was fighting for "Pittsburgh, not Paris," an international realignment was already taking shape on Friday, as European and Chinese officials signed a raft of agreements to bind themselves tightly together.
The pullout left the United States as a global outlier, and, many European leaders and experts said, a severely diminished force in the world. And it gave China fresh weight in a newly unbalanced landscape where longtime U.S. allies are searching for stability.
Friday's landmark moves came after German Chancellor Angela Merkel declared this week that Europe must stand on its own, and after she had a warm Berlin tete-a-tete this week with Indian Prime Minister Narendra Modi, an up-and-coming rival to U.S. global power.
"Today China and Europe have demonstrated solidarity with future generations and responsibility for the whole planet. We are convinced that yesterday's decision by the United States to leave the Paris agreement is a big mistake," European Council President Donald Tusk said Friday after meeting with Chinese Prime Minister Li Keqiang. But, he said, "strong transatlantic ties are far more important and far more durable than the latest unfortunate decisions of the U.S. administration."
Li also said that China's relations with Europe were more important than ever, given "destabilizing factors" in the world.
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"A stable China-EU relationship is useful to counter the uncertainties in this world," he said.
In a single Brussels meeting last week, Trump blasted European leaders for their handling of defense spending, called for terrorists to be "humiliated" and bragged behind closed doors that he had already done more to fight terrorism than President Barack Obama did in four years.
Tough message
The 3 ½ days of meetings between Trump and the Europeans may stand as a turning point in an alliance that was born from the ashes of World War II, as Europe turns toward China and other economic partners it views as more stable. Many senior European officials were jolted by the talks, which started in the winding streets of Brussels and continued on to muggy Sicily.
"Anti-Americanism will bloom," said Tomas Valasek, a former Slovak ambassador to NATO who is now the head of the Carnegie Europe think tank. "It will be much harder to politically explain to the European publics that we would cooperate with the U.S. president, because Donald Trump has made himself so unpopular now."
Now, many European officials say, they are steeling themselves for years of conflict with Trump, and searching for other partners in areas such as climate change, where the United States has become a roadblock. In other arenas, such as defense, Europeans are far more dependent on the American security umbrella, though they are scrambling to achieve self-sufficiency now that they fear the validity of U.S. guarantees.
The European message has been unusually tough.
"Nothing is renegotiable in the Paris accords," France's new president, Emmanuel Macron, told Trump in a five-minute phone call after Trump pulled out of the agreement, according to an official briefed on the conversation. "The United States and France will continue to work together, but not on the subject of the climate," he was described as telling Trump.
And on Friday, the French government redid the video the White House released to promote the decision, marking it up with comments that derided Trump's reasoning.
It is a sharp comedown from just eight days ago, when European hopes were high after the first leg of Trump's international trip.
This account of Trump's European visit is based on interviews with more than 10 EU diplomats, officials and people familiar with the trip.
Many spoke on the condition of anonymity because they feared further strain with the United States.
Trump touched down in Brussels on a sunny Wednesday afternoon. After munching fine chocolates with the Belgian prime minister, Charles Michel, and locking with Macron in a white-knuckled handshake that the French leader was later to call "a moment of truth," Trump rolled up on Thursday to dedicate NATO's new glass-and-steel headquarters.
Breaking 'in-built trust'
Diplomats had been told that Trump would recommit the United States to the all-for-one, one-for-all principle of the defense alliance, which he had questioned on the campaign trail. But the president - who told the authoritarian leaders of the Middle East that he was "not here to lecture" - blasted America's closest allies for being "unfair" to U.S. taxpayers.
Standing in front of a twisted beam from the World Trade Center, Trump said they owed money to the alliance and offered no high-flown praises of the idealistic principles on which NATO was founded.
As the world's cameras rolled, Luxembourg Prime Minister Xavier Bettel wiggled his eyebrows and leaned over to whisper to Macron. The normally disciplined Merkel later said it was all she could do not to make a face as Trump spoke, according to someone who traveled back to Germany with her.
Sitting down for dinner, Trump continued on the theme, railing for more than five minutes against the alliance, speaking off the top of his head.
"The United States has not been treated fairly," Trump said, according to a senior European diplomat who took notes at the dinner. "It has been taken advantage of."
Trump also mixed domestic partisan politics into his comments, the diplomat said - an unusual step in the usually nonpartisan world of NATO.
"We have just witnessed President Trump putting an end to European-American relations," said Francois Heisbourg, a French defense expert who advised Macron during his campaign.
"By talking about NATO as a transactional alliance," he said, "it's very difficult to rebuild that kind of in-built trust."
The contention continued the next day in Sicily at the Group of Seven summit, where leaders implored Trump to stay in the Paris agreement. He refused to commit, leading a dejected Merkel to exit the talks with an unusually grim assessment.
The next day, she told a beer-tent rally in Munich that Europe "must take its fate into its own hands," offering poor prospects for cooperation with Washington.
Not pulling punches
A top Merkel confidant said Trump seems to be more focused on winning votes than on embracing the mantle of leader of the free world.
"You get the feeling that sometimes the U.S. president first and foremost speaks to his voters in the U.S. and not as the leader of the biggest and most important country in the world," said Jurgen Hardt, the foreign policy spokesman for Merkel's Christian Democrats, who is a key Merkel ally.
Analysts say that German elections in September may be sharpening voices in that country, which is turning into Trump's loudest rival.
"People aren't holding their punches like they once did," said Robin Niblett, the head of the London-based Chatham House, a think tank.
When Trump stepped into the Rose Garden on Thursday to pull his nation from the Paris agreement, Europeans were quick to hit back. Michel minced no words after the White House announcement.
"I condemn this brutal act," Michel wrote on Twitter. "Leadership means fighting climate change together. Not forsaking commitment."
UN: Most Sudan rebels and neighbors back Darfur peace hope