Just because vaping is a lot safer than smoking does not mean that a vaper has the license to use his vape products irresponsibly, especially in public. You need to be a proud, exemplary and responsible ambassador of the vaping lifestyle if you want to see your vaping community flourish and expand beyond expectations. Enforcing or following basic rules of public vaping is important for a number of reasons. First and foremost, vaping is a relatively new activity that has been around for a handful of years at most. This is why many people in the United States of America are not aware of what vaping really is and how vape products are meant to function. Many of them are still under the impression that vaping is a fancy extension of smoking, which causes the same level of damage to the users and bystanders. If you want people to get rid of their misconceptions, then you need to learn how to vape responsibly in public.
There are a lot of rookie vapers out there who make the mistake of assuming that they can smoke anywhere and everywhere. Never make such assumptions before taking out your vaping device and e-liquid. Be sure to always ask or inquire whether it is acceptable for you to vape in a particular place. There is no harm in simply asking a question. It is certainly a better option than ruining the peace of bystanders by vaping without their permission. Even if a person does not hold the legal right to prevent you from vaping, learn how to acknowledge the concerns and inconveniences of others. Remember, vaping is still in its early days. Any person who is involved in the use of e-cigarettes and e-liquids should be an ideal advocate and ambassador of these products. You cannot become such a person unless you are someone who takes others' needs and wishes into serious consideration. The key here is to promote a positive image of the vaping community.
As a vaper, it is quite natural for you to be fascinated by the enormous vapour clouds. Vapour clouds are indeed a sight to behold, but they are better left at home, away from the eyes of people who have little to no interest in having their environment engulfed in vapour clouds from e-cigarettes. Depending on where you are and who you are dealing with, releasing massive vapour clouds into the air may be perceived as a form is misbehaviour. You will come off as an inconsiderate person who has very little regard for the comfort and convenience of others. Before people start labelling you and before the critics of e-cigarettes come out with all guns blazing, you need to keep away your high-voltage, sub-ohm gear at home and prevent yourself from getting unwanted attention.
Vaping is a much healthier option than smoking. There is hardly any doubt about that statement. However, it does not change the fact that vaping is an activity that should not be promoted in front of young audiences. Children do not need to know about your vaping products and vaping habits. Hence, you are strongly advised to stay away from children when engaging in the act of vaping. When these children grow into adults, they can find out information about vaping on their own. Till then, it is preferable that they remain in the dark about vaping.
There is a difference between promoting the vaping lifestyle and educating people about the vaping lifestyle. Promoting the act of vaping should basically be centred around the idea of letting people know the benefits of vaping and enlightening them on why it is better than smoking. Educating people on the other hand is a whole different ball game. There are many consumers out there who are well aware of the fact that vaping is safer and healthier than smoking, but have very little knowledge about how vaping products work. Whenever somebody asks you about your e-cigarette, try to educate them on how vaping products function instead of going on a rant against conventional smoking.


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Cleveland State Law Review
Home > Law > LAWJOURNALS > CLEVSTLREV > Vol. 43 > Iss. 4 (1995)
The Nursing Profession in the 1990's: Negligence and Malpractice Liability
Frank J. Cavico and Nancy M. Cavico
The Medicaid Cost Crisis: Are There Solutions to the Financial Problems Facing Middle-Class Americans Who Require Long-Term Health Care
Kenneth Hubbard
Negligent HIV Testing and False-Positive Plaintiffs: Pardoning the Traditional Prerequisites for Emotional Distress Recovery
Nicholas M. Coquillard
Is This the Bottom of the Ninth for Baseball's Antitrust Exemption - A Proposed Removal of the Exemption and Analysis of Player Restraints in an Exemption-Free Environment
Brian F. Zeck
Subscriptions & Copyright Permission
All Issues Vol. 70, Iss. 4 Vol. 70, Iss. 3 Vol. 70, Iss. 2 Vol. 70, Iss. 1 Vol. 69, Iss. 4 Vol. 69, Iss. 3 Vol. 69, Iss. 2 Vol. 69, Iss. 1 Vol. 68, Iss. 4 Vol. 68, Iss. 3 Vol. 68, Iss. 2 Vol. 68, Iss. 1 Vol. 67, Iss. 4 Vol. 67, Iss. 3 Vol. 67, Iss. 2 Vol. 67, Iss. 1 Vol. 66, Iss. 4 Vol. 66, Iss. 3 Vol. 66, Iss. 2 Vol. 66, Iss. 1 Vol. 65, Iss. 4 Vol. 65, Iss. 3 Vol. 65, Iss. 2 Vol. 65, Iss. 1 Vol. 64, Iss. 4 Vol. 64, Iss. 3 Vol. 64, Iss. 2 Vol. 64, Iss. 1 Vol. 63, Iss. 4 Vol. 63, Iss. 3 Vol. 63, Iss. 2 Vol. 63, Iss. 1 Vol. 62, Iss. 2 Vol. 62, Iss. 1 Vol. 61, Iss. 4 Vol. 61, Iss. 3 Vol. 61, Iss. 2 Vol. 61, Iss. 1 Vol. 60, Iss. 3 Vol. 60, Iss. 2 Vol. 60, Iss. 1 Vol. 59, Iss. 4 Vol. 59, Iss. 3 Vol. 59, Iss. 2 Vol. 59, Iss. 1 Vol. 58, Iss. 4 Vol. 58, Iss. 3 Vol. 58, Iss. 2 Vol. 58, Iss. 1 Vol. 57, Iss. 4 Vol. 57, Iss. 3 Vol. 57, Iss. 2 Vol. 57, Iss. 1 Vol. 56, Iss. 4 Vol. 56, Iss. 3 Vol. 56, Iss. 2 Vol. 56, Iss. 1 Vol. 55, Iss. 4 Vol. 55, Iss. 3 Vol. 55, Iss. 2 Vol. 55, Iss. 1 Vol. 54, Iss. 4 Vol. 54, Iss. 3 Vol. 54, Iss. 1 Vol. 53, Iss. 4 Vol. 53, Iss. 3 Vol. 53, Iss. 2 Vol. 53, Iss. 1 Vol. 52, Iss. 4 Vol. 52, Iss. 3 Vol. 52, Iss. 1 Vol. 51, Iss. 3 Vol. 51, Iss. 2 Vol. 51, Iss. 1 Vol. 50, Iss. 4 Vol. 50, Iss. 3 Vol. 50, Iss. 2 Vol. 50, Iss. 1 Vol. 49, Iss. 4 Vol. 49, Iss. 3 Vol. 49, Iss. 2 Vol. 49, Iss. 1 Vol. 48, Iss. 4 Vol. 48, Iss. 3 Vol. 48, Iss. 2 Vol. 48, Iss. 1 Vol. 47, Iss. 4 Vol. 47, Iss. 3 Vol. 47, Iss. 2 Vol. 47, Iss. 1 Vol. 46, Iss. 4 Vol. 46, Iss. 3 Vol. 46, Iss. 2 Vol. 46, Iss. 1 Vol. 45, Iss. 4 Vol. 45, Iss. 3 Vol. 45, Iss. 2 Vol. 45, Iss. 1 Vol. 44, Iss. 4 Vol. 44, Iss. 3 Vol. 44, Iss. 2 Vol. 44, Iss. 1 Vol. 43, Iss. 4 Vol. 43, Iss. 3 Vol. 43, Iss. 2 Vol. 43, Iss. 1 Vol. 42, Iss. 4 Vol. 42, Iss. 3 Vol. 42, Iss. 2 Vol. 42, Iss. 1 Vol. 41, Iss. 4 Vol. 41, Iss. 3 Vol. 41, Iss. 2 Vol. 41, Iss. 1 Vol. 40, Iss. 3 Vol. 40, Iss. 2 Vol. 40, Iss. 1 Vol. 39, Iss. 4 Vol. 39, Iss. 3 Vol. 39, Iss. 2 Vol. 39, Iss. 1 Vol. 38, Iss. 4 Vol. 38, Iss. 3 Vol. 38, Iss. 1 Vol. 37, Iss. 4 Vol. 37, Iss. 3 Vol. 37, Iss. 2 Vol. 37, Iss. 1 Vol. 36, Iss. 4 Vol. 36, Iss. 3 Vol. 36, Iss. 2 Vol. 36, Iss. 1 Vol. 35, Iss. 3 Vol. 35, Iss. 2 Vol. 35, Iss. 1 Vol. 34, Iss. 4 Vol. 34, Iss. 3 Vol. 34, Iss. 2 Vol. 34, Iss. 1 Vol. 33, Iss. 4 Vol. 33, Iss. 3 Vol. 33, Iss. 2 Vol. 33, Iss. 1 Vol. 32, Iss. 4 Vol. 32, Iss. 3 Vol. 32, Iss. 2 Vol. 32, Iss. 1 Vol. 31, Iss. 4 Vol. 31, Iss. 3 Vol. 31, Iss. 2 Vol. 31, Iss. 1 Vol. 30, Iss. 4 Vol. 30, Iss. 3 Vol. 30, Iss. 2 Vol. 30, Iss. 1 Vol. 29, Iss. 4 Vol. 29, Iss. 3 Vol. 29, Iss. 2 Vol. 29, Iss. 1 Vol. 28, Iss. 4 Vol. 28, Iss. 3 Vol. 28, Iss. 2 Vol. 28, Iss. 1 Vol. 27, Iss. 4 Vol. 27, Iss. 3 Vol. 27, Iss. 2 Vol. 27, Iss. 1 Vol. 26, Iss. 4 Vol. 26, Iss. 3 Vol. 26, Iss. 2 Vol. 26, Iss. 1 Vol. 25, Iss. 4 Vol. 25, Iss. 3 Vol. 25, Iss. 2 Vol. 25, Iss. 1 Vol. 24, Iss. 4 Vol. 24, Iss. 3 Vol. 24, Iss. 2 Vol. 24, Iss. 1 Vol. 23, Iss. 3 Vol. 23, Iss. 2 Vol. 23, Iss. 1 Vol. 22, Iss. 3 Vol. 22, Iss. 2 Vol. 22, Iss. 1 Vol. 21, Iss. 3 Vol. 21, Iss. 2 Vol. 21, Iss. 1 Vol. 20, Iss. 3 Vol. 20, Iss. 2 Vol. 20, Iss. 1 Vol. 19, Iss. 3 Vol. 19, Iss. 2 Vol. 19, Iss. 1 Vol. 18, Iss. 3 Vol. 18, Iss. 2 Vol. 18, Iss. 1 Vol. 17, Iss. 3 Vol. 17, Iss. 2 Vol. 17, Iss. 1 Vol. 16, Iss. 3 Vol. 16, Iss. 2 Vol. 16, Iss. 1 Vol. 15, Iss. 3 Vol. 15, Iss. 2 Vol. 15, Iss. 1 Vol. 14, Iss. 3 Vol. 14, Iss. 2 Vol. 14, Iss. 1 Vol. 13, Iss. 3 Vol. 13, Iss. 2 Vol. 13, Iss. 1 Vol. 12, Iss. 3 Vol. 12, Iss. 2 Vol. 12, Iss. 1 Vol. 11, Iss. 3 Vol. 11, Iss. 2 Vol. 11, Iss. 1 Vol. 10, Iss. 3 Vol. 10, Iss. 2 Vol. 10, Iss. 1 Vol. 9, Iss. 3 Vol. 9, Iss. 2 Vol. 9, Iss. 1 Vol. 8, Iss. 3 Vol. 8, Iss. 2 Vol. 8, Iss. 1 Vol. 7, Iss. 3 Vol. 7, Iss. 2 Vol. 7, Iss. 1 Vol. 6, Iss. 3 Vol. 6, Iss. 2 Vol. 6, Iss. 1 Vol. 5, Iss. 2 Vol. 5, Iss. 1 Vol. 4, Iss. 2 Vol. 4, Iss. 1 Vol. 3, Iss. 2 Vol. 3, Iss. 1 Vol. 2, Iss. 2 Vol. 2, Iss. 1 Vol. 1, Iss. 2 Vol. 1, Iss. 1

redpajama_set_name: RedPajamaCommonCrawl


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Openings Jan. 23, 2012
Curtis Duffy Begins Long Slow Tease For Grace With… Address
By Michael Gebert
Hey, he could have revealed them one digit at a time. Photo: courtesy Grace
He learned a number of things at Alinea as Grant Achatz's #2, we know, so it's no surprise that one of them is the technique of building excitement for your opening with an eyedropper's worth of information at a time. Today Curtis Duffy has revealed the address of his upcoming Grace— to be honest, we didn't even realize it was a secret; Kevin Pang made no mention of being blindfolded and driven around the block a few times in the back of a van for this piece. But apparently it wasn't public knowledge that the space is 652 W. Randolph, which used to be Supreme Frame & Art (they moved one door to the east). In restaurant terms that's about a half block west of Blackbird and Avec, which are 619 and 615 W. Randolph— and for those keeping track, it's even closer to the former early 2000s restaurant called Grace owned by Ted Cizma, which was at 623 W. Randolph (the space that was more recently Meiji). To add emphasis to this newslet, Duffy has a very short video in which you also get a glimpse of the pre-renovation interior (which is not nearly so cavernous as in the Tribune's photo, which made it look like he was opening in Lower Wacker Drive). Watch the video below.
curtis duffy


What do different abbreviations like RTD, PRT, SPRT… mean?
Pt1000 – PRT with 1,000 Ohm at 0 °C.
Pt500 – PRT with 500 Ohm at 0 °C.
Pt100 – PRT with 100 Ohm at 0 °C.
Pt25 – PRT with 25 Ohm at 0 °C.
Pt10 – PRT with 10 Ohm at 0 °C.


text:
Nanaguna florida är en fjärilsart som beskrevs av Walker 1862. Nanaguna florida ingår i släktet Nanaguna och familjen trågspinnare. Inga underarter finns listade i Catalogue of Life.

Källor

Trågspinnare
florida

redpajama_set_name: RedPajamaWikipedia


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You are at:Home»News»Electric & Hybrid»Why more electric aircraft need standards
Why more electric aircraft need standards
By Opinion Writers on 25th April 2018 Electric & Hybrid, Opinion
(Image: Zunum Aero)
Hybrid and electric propulsion technology is being developed to reduce the environmental impact of aircraft (Image: Zunum Aero)
It's early days right now for large-scale electric and hybrid aircraft, but the potential is huge. There are a lot of different areas of the aircraft that can be electrified, and the potential gains in terms of efficiency, reliability and sustainability are massive.
Commercial transportation aircraft such as the Boeing 787, the Airbus A350 and the Bombardier C-Series in the last two years are leading the way in showing the benefits of electrification. The first areas include braking and actuation systems, where engineers are swapping out hydraulic systems with electrical ones and realizing increased reliability.
Yet there are many challenges that engineers developing more electric aircraft and aero-engines still have to overcome. Standardization has a vital role to play in this development process and the introduction of more electrical systems in air vehicles.
SAE International has a portfolio of just over 10,000 standards, three-quarters of which are for the aerospace sector covering performance requirements, material specifications, industry recommended practices and information reports for everything from quality and safety to fiber-optic cabling, to data interoperability and prognostics.
There are several reasons we create technology standards and the process of electrifying aircraft will benefit from increased standardization. Commercially, standards support industry cohesion, cut barriers and lower costs through common supply chains. They can be called out directly in contracts as requirements or preferences. Standards also enable interoperability, so platforms can have different characteristics but still fit together – an essential part of the electrification of aircraft.
One other important reason for standardization is safety and the associated regulatory approval. With the aviation regulatory bodies increasingly using SAE and industry standards to support performance-based regulation, the standards that industry creates form part of aviation safety. Although voluntary, standards may be used as "acceptable means of compliance" and the consensus work on electrical systems, higher voltage, and materials can provide a high level of reassurance to certifying authorities.
Standardization therefore is a sign of the progressiveness of industry and authorities. Working in a standardization environment early-on for new technology concepts such as electrification is a good idea: it helps industry by providing a good baseline from which companies develop a technology with certification and supply chain in mind.
However, there is also a balance that has to be achieved between standardization and innovation, in a way that innovation is not stifled. That balance changes as a technology, such as electrification of aircraft, goes up the Technology Readiness Levels. The experts on SAE International's committees that are driving the development of electrical standards are sensitive to this need not to stifle innovation.
Material needs for electrical systems
The SAE AE-9 committee is focused on writing standards and specifications for electrical materials, including consideration for permanent magnet corrosion, soft magnetic aging and capacitor materials and behavior, and addressing appropriate materials at the nanoscale. The development of such materials is being driven by a requirement for more advanced materials that are better suited to electrical transmission in aircraft.
Legacy aerospace materials may not behave optimally with the kind of high-powered applications in aircraft that engineers are targeting for more electric aircraft (MEA) and engines (MEE), and aerospace-specific considerations for the operating environment, such as high temperature and altitude, must be given for aerospace electrical components and systems.
The approach to developing the standards is bottom-up from the expert engineers themselves, such as in the AE-9 committee. It's also allied to strategic input from the SAE Electric Aircraft Steering Group. Aspects under consideration include when and where a technology or product reaches an appropriate level of maturity, the need for interoperability, and when and where a supply chain needs to be created.
Industry participation
Standards have an important role to play in the electrification and the door is open for all interested parties to become involved. Input from all stakeholders is encouraged: operators and airlines, MROs, designers, manufacturers, and test and certification engineers. Their advice and support will further determine the direction of electrical standards for aircraft.
We are connecting engineers all over the world with these standards and their development. Not only are committee meetings great places to network with peers from around the world, the development of standards also has a tangible and important benefit for the companies they represent.
These electrical standards are being developed for the benefit of industry, by industry. I'd urge anyone with a contribution to get involved by contacting me at my email address.
David Alexander has been with SAE International and its affiliates for 11 years and assumed the role of Director, Aerospace Standards May 2016, In this role, David is responsible globally for the operation of the SAE Aerospace Standards program and its staff, the management support for the SAE Aerospace Council and for liaisons with key organisations around the world.
David.alexander@sae.org
Opinion Writers
eFlyer2 approved for flight test certification
ZeroAvia flies largest hydrogen fuel cell powered aircraft yet


Since 1985, the Q Methodology Conference has been hosted annually by institutions all over the world. The Conference is unique in that it provides a multidisciplinary forum for students and professionals to explore the latest research, applications, and developments surrounding the use of Q Methodology.
The Conference mobilizes hundreds of innovative researchers through an exciting and collaborative few days, featuring a wide array of keynotes, panels, discussions, and special events.
Participants leave the Conference with fresh perspectives on the role of Q Methodology in research and a strong connection with a network of like-minded colleagues.


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Il complesso Hazrati Imam è una piazza che comprende un insieme di edifici religiosi di Tashkent, in Uzbekistan.

Il complesso prende il nome dall'imam sepolto nel mausoleo. La piazza si trova nella parte vecchia della capitale e comprende una serie di edifici costruiti in varie epoche:
 il mausoleo del primo imam di Tashkent, Hazrati Imam (il cui nome esteso è Abu-Bakr Muhammad Kaffal Shashi).
 la madrasa Barak Khan
 la moschea Telyashayakh
 la moschea Hazroti Imam
 la biblioteca museo Moyie Mubarek (dove è custodita quella che si ritiene essere una delle edizioni più antiche del Corano esistenti nel mondo).

Bibliografia

Altri progetti

Collegamenti esterni

Architetture di Tashkent


Photos of the State University of New York at Alfred College of Technology and Alfred University U.S. Department of Energy Solar Decathlon 2015 house are shown in the gallery below.
Media are welcome to download these photos for publication with proper photo credit. All photos by Thomas Kelsey/U.S. Department of Energy Solar Decathlon.


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People's Climate March Los Angeles
Leah Garland
on behalf of SoCal 350 Climate Action
The People's Climate Movement on April 29th in Washington D.C. and across the country is uniting communities around solving the climate crisis. In Los Angeles, we'll march in Wilmington (LA Harbor) to call attention to an urgent regional issue – the expansion of the Tesoro Oil Refinery – that has global climate change impacts.
Please contribute to help fund the march towards art, buses, porta potties, a stage and audio equipment, flyers and promotion, and more!
The Peoples' Climate March will unite the front line peoples of Wilmington, Carson, and East Long Beach with their allies in all of Southern California and beyond to stop the merger of large oil refinies. Tesoro wants to substantially expand refining capacity and also build an unprecedented 3.4 million barrels of additional storage tanks, almost doubling storage and accommodating the switch to dirty crude oils, like tar snads from Canada and fracked shale oil from North Dakota. If Tesoro succeeds in creating the largest oil and gas refinery hub in the West Coast, that will mean increased pollution and explosion risks from the refinery itself, as well as risks from the shipping of this dirty crude taken from ocean tankers, pipelines, and oil trains from all over North America
This merger is an act of environmental racism, where a few communities must bear the burden of contamination, while oil companies profit. Our march will bring greater awareness of this merger and its significant impact on residents and workers in the facility. Funds for this march will go into paying for buses to bring people from all over the greater LA area to Wilmington. It's vital for people all over LA both to see first hand the impact of Tesoro on Wilmington and to meet in solidarity. Funds will also pay for art work, such as signs and posters, and for stage and sound equipment at Banning Park, as well as other needs to make the event run smoothly..
We want our allies to show up after the march and continue to learn, understand, and help lift up the solutions residents have been fighting for. We want our allies to get involved with the frontline organizations and community here today. Get connected in Wilmington with Communities for a Better Environment (CBE) and Coalition for a Safer Environment (CFASE). Get connected with East Yard Communities for Environmental Justice in West Long Beach.
RSVP for more Info: http://bit.ly/PeoplesClimateLA
All of our children's future demands that we transition away from dirty fossil fuels into clean sustainable energy including Zero Carbon transportation such as electric vehicles. With equity at the center of decision-making, we can create a "Just Transition" for workers and community, to lead and build our clean energy future for green jobs and much healthier communities.
From all of the organizations working together to put on this march, thank you!
97 shares on Facebook
Community LOS ANGELES, CA
Melanie Cohen
We must fight back for the people on the front line that pay with their lives from the poisoning of air and water!!
Catherine Halaby
Jerilyn Lopez Mendoza
Amazing work by so many for climate justice. Thank you!
Marcella Stevenson
Norma Martinez-Barrett
Caroline Fraissinet
Strela Cervas
Donation from California Environmental Justice Alliance!


Why do customers lie about things that can be disproven by math?
I can't tell you how many customers I deal with on a weekly basis that say "Oh your competitors are selling me their car for $50k, and I'm only paying $600 a month for 60 months.
Do the math. That's mathematically impossible. For those not in the know or bad at math, that equals out to $36k. Which is only ~30k of buying power after fees and interest. The best times are when I get the "I'm only paying 600 a month for the current one, and that's where I want to be on this one". And then we pull their payment and it's actually closer to 800. Why not just say: "I'm paying more than I want to on my current car, what do you have that's still nice but will meet my payment goals"? Save us both some time!
Doggo lunchtime for your patience.


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Q: How to display the data in html table on selecting particular option in dropdown using jinja2 and python flask I have one admin and one dropdown which contains 10 user details(like userid and username) initially, I am displaying table data with admin id and I want to display the data by userid which I will select from dropdown.
I am displaying the table data using jinja2 Templating
My Html Page.
{% for info in data %}

   {{ info. userid}}
   {{ info.username}}

{% endfor %}

My routes.
@api.route("/userinfo")
def Info():
   data = information(1)
   return render_template("users.html", data=data)

redpajama_set_name: RedPajamaStackExchange


Learn more about how water changes everything in three minutes.
663 million people live without access to clean drinking water. Unsafe water and lack of basic sanitation causes more deaths each year than all forms of violence, including war.* Children are especially vulnerable to this -- their small bodies can't handle the intense dehydration from diarrheal diseases.
In developing countries, women and children usually collect the water for their families. They walk miles each day to the nearest source, which is unprotected and likely to make them sick. Time spent walking keeps them from attending school, working or taking care of their families.
But clean water changes everything.
Safe drinking water alone can reduce water-related deaths by 21%.* Water projects built near the home can restore hours to someone's day. Instead of walking for water, adults can use this time to work and children can use it to get an education. Families with enough clean water to drink, bathe, clean and grow their own food can become self-sufficient households, less affected by external conflict, famine or inadequate government services.


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Terra Vnesa (* im 20. Jahrhundert in Toronto, Ontario als Terra Vanessa Kowalyk) ist eine kanadische Schauspielerin.

Leben und Karriere
Terra Vnesa besuchte die Highschool in Unionville, Ontario.

Sie spielte in den Horrorfilmen 5ive Girls (2006) die Rolle der Cecilia und in Wrong Turn 4: Bloody Beginnings (2011) die Jenna.

Filmografie (Auswahl)
 1997: Gänsehaut (Goosebumps, Fernsehserie, 2 Folgen)
 1998: Real Kids, Real Adventures (Fernsehserie, Folge 1x04)
 1998–1999: Animorphs (Fernsehserie, 3 Folgen)
 2000: Grusel, Grauen, Gänsehaut (Are You Afraid of the Dark?, Fernsehserie, Folge 2x02)
 2002: Too Young to Be a Dad (Fernsehfilm)
 2002: Master Spy: The Robert Hanssen Story (Fernsehfilm)
 2003: Hurt
 2004: 72 Hours: True Crime (Fernsehserie, Folge 1x05)
 2004: Anonymous Rex (Fernsehfilm)
 2005: Sonny by Dawn (Fernsehfilm)
 2006: 11 Cameras (Fernsehserie, 20 Folgen)
 2006: 5ive Girls
 2007: Your Beautiful Cul de Sac Home
 2008–2009: Degrassi: The Next Generation (Degrassi, Fernsehserie, 6 Folgen)
 2009: The Best Years: Auf eigenen Füßen (The Best Years, Fernsehserie, Folge 2x01)
 2011: Wrong Turn 4: Bloody Beginnings (Wrong Turn 4)
 2012: The Listener – Hellhörig (The Listener, Fernsehserie, Folge 3x06)

Weblinks

Filmschauspieler
Kanadier
Geboren im 20. Jahrhundert
Frau


text:
Jayse Hansen on creating UI for The Avengers, touch control, holograms, Galaga and Project Glass
by Matthew Panzarino — in Media
Ever since I was very young, I've been fascinated by the tools that people use in science fiction movies. I was obsessed with the design of starships and their controls. The Millenium Falcon's cockpit; how exactly a tricorder worked and what exactly was Spock looking at in that hood thing on the science station?
I even had Michael Okuda's Technical Manual, explaining in intricate detail how the Enterprise NCC-1701-D was constructed.
So, when I came across Jayse Hansen's post about his work on the user interfaces in the movie The Avengers, I knew I had to reach out to talk with him a bit about how he does what he does.
Jayse is a freelance visual artist working remotely from Las Vegas, NV for film and television. He has built a solid reputation in the industry as a creative-art director for print, web and motion design with clients ranging from Symantec to MTV and Fox. His latest work has been in the niche area of fictional UI and data design for feature films like 2012, Rise of the Planet of the Apes and The Avengers.
For The Avengers, Jayse worked on the heads up display, or HUD, that you see any time actor Robert Downey Jr's face is inside the Iron Man helmet. He also worked on the various computers used on the bridge of the S.H.I.E.L.D. Helicarrier, its mobile command post.
You can see more of Jayse's work on his site at Jayse.tv.
How did you get your start with UI design for movies?
I was the kid who was always trying to freeze frame the displays in films and read what they said. I always knew there was some cool stuff hidden in there. I loved art and design, so I started teaching myself graphic design and motion design and began designing interface themes for Windows and Mac.
I met Stephen Lawes — Former Creative Director of The PLF, now Cantina Creative — when we were both presenting at MGLA — Motion Graphics Los Angeles. He asked me afterwards if I was interested in collaborating on future projects. One of them turned out to be Avengers.
What is your basic workflow? Tools used, problem solving process, inspiration, that sort of thing.
The basic workflow is usually trying to figure out what the director is trying to say, what the story is and how to make it all look sexy on computer screens, HUDs, or whatever medium your work will be displayed on. As for tools, I keep them simple – Illustrator, Cinema 4d and After Effects. I usually design everything in Illustrator, then take that to C4d or After Effects for Animation.
You said on your site that Iron Man's Mark VII HUD was designed with input from an A-10 Fighter Pilot, is that something you like to do, take real-world experts and use them to inform your designs?
Yeah, I really love the research process. Since film production timelines are so short, the best way is to find people who are already experts in a particular field and get their input. With the HUD I knew I had to understand a bit of how real HUDs worked in order to take them to the next level, so I used flight sims, space shuttle sims and read books on glass cockpit instrumentation.
But the most pertinent info came from a combat pilot himself, because I could ask him how he'd want his HUD to function in a very specific situation. It's fascinating and something I'll continue learning more about because I still can't fly a real jet fighter. But maybe one day!
I notice you said that you start on paper. What is it about starting with the sketch that makes it an important part of your process?
Yeah, I like thinking on paper. I was fortunate enough to take a class with an amazing concept designer named Iain McCaig. He's designed some of the most iconic figures in film history, including Darth Maul, Queen Amidala.
He taught me a great process: Imagine it and draw it badly, research it to fill in your gaps of knowledge, then redo it with your newfound knowledge. And that's pretty much why I start on paper – I just dream it up and give myself 'permission to draw badly'. It's easier to think outside the box when you're not using rulers.
Jayse Hansen for The Avengers ™& © 2012 Marvel Studios
Do you focus on (potential) usability, or visual appeal first and foremost when designing movie UIs? And how do you reconcile one with the other in the Avengers?
That's actually a fantastic question. I trade them back and forth as I go but the real winner is always the story. Enriching the movie, helping the story, that's my first goal with any design I do. But it's also about the characters. For instance Fury's screens are designed to mirror his hard-edged, no-nonsense self. Once I know story-points, then I, or the team, will research and gather up a lot of real-world examples. I'm one of those 'reason for everything' type designers and I feel that a screen that just looks cool but isn't well thought out won't feel right when it's viewed on-screen. So I try to think my stuff out as much as possible.
But lastly, when designing — you have to allow yourself the freedom to go far outside what's 'real' and enter into something that's more fantastical. A lot of the time, with film UI's, you're attempting to show what's going on behind the screen; to show graphically what the computer is doing. Whereas, with real UI's, you're usually attempting to hide it. So allowing for non-real, non-usable creativity is essential to a good story-telling UI. Someone once called it an NUI — or non-usable-interface — and I kind of liked that. You do have to break some usability rules to make it dynamic enough.
How much input did you have in the final designs, was it pretty much anything goes or did the visual effects director have a lot of input?
There was a ton of input from all sides – a lot of meetings. But the UI that I came up with in the first week is exactly the UI that ended up in the film. So I guess that means I had a fair amount of input. Venti Hristova — Cantina Creative's VFX supervisor — and I had lots of conversations about the possible widgets and readouts on each screen. She's awesome to brainstorm with, and she led the whole production of too many screens to count.
On the production side, most of the meetings tended to be about story-point graphics, timing, compositing, how many pieces should be animating, blinking etc. Or what distracted you from the actor's performances vs. what enhanced their performances. That's where a lot of the time is spent: getting it just right.
With the HUD designs, I actually created a HUD Bible – a physical 11×17" printed book with a breakdown of every major component of the HUD, its purpose and the previous designs for all previous five suits. (The first suit, the Mark I, didn't have a HUD.) Some of those designs I actually recreated by studying framegrabs, as the original graphics were lost.
Then I proposed my designs for the new Mark VII, and how each piece had a purpose and how the new design was upgraded. I think presenting my designs this way allowed them to trust my vision for it – so there actually weren't many changes – more like color shifts to red, and density shifts as we worked out the balance of how much graphical craziness should be on the screen at a time.
Was Joss [Whedon, Avengers' director] hands-on with the UI, as it was such a big part of the S.H.I.E.L.D. scenes, and Iron Man's HUD?
Yes indeed. It was actually quite nice to see how involved the discussions of these screens were. You could tell how important they were to the story. For the HUDs, each scene had a very specific message to deliver, like 'he's about to target all the aliens', or 'Jarvis has just found a tight corner for him to zig-zag through.' And those graphics had to all enhance Robert Downey Jr.'s performance. That's the particular challenge of designing and animating the HUD graphics – you're not just designing it from a normal, front-on view – but also a back view – a side view – and it all has to look cool and amplify RDJ's performance rather than distract from it.
Tablets and smartphones are all going the 'touch' route. It seems like an easily grasped 1:1 way to interact with computers and it's appearing as if this is the direction that UI will be headed for a while. Do you have any thoughts about the future of UI as 'touch'?
I've been ready for it for a long time. I've used a Wacom Cintiq for a while and even though it's a pen based input, having that 1:1 interaction really does 'feel' different while you're working. Like you're more connected to the work. I also use a Asus EP121 tablet, which is both touch and on-screen-stylus – and I love the way it works in particular, because some things just work better with the precision of a stylus. I'm particularly excited about glass touch screens.
What about gestural input, or ocular interfaces like Google's Project Glass? (side question, any thoughts on Project Glass?)
I think gestural input is finding its place and becoming more normal – as games like the Wii and Kinect make it fun. I think it's interesting that these games are unintentionally developing a natural kinetic language that will be second nature to future generations.
And, it may be obvious that I'd be a huge geek whenever it comes to augmented reality and enhanced vision displays. So yeah, I'm excited about the 'google goggles'. I'm excited that they're heading into uncharted territory, even if it's not perfect. I see the potential and it's huge. Helps with the push towards freeing yourself from 'the box'. Getting out there and living your life while still remaining 'connected'. And this is part of that exploration that needs to happen – yesterday. Physically I think it looks really geeky at the moment though, which isn't awful. But I'm the type that can rock a retro-futuristic Japanese LED watch. However, once they pair it down to snap on a regular pair of sunglasses, everyone may just have to have one.
As far as whether it's distracting or useful – of course it'll be distracting at first – until people get used to it, just like anything else. Then it will become useful. The POV pictures will probably be fun like Instagram – "here's what I'm seeing right now" kind of thing. I'd want to make art with it – like art that augments your physical space as you look at it.
Or I'd just want to be able to zoom in on things while traveling the world, analyze them, look them up in a visual dictionary, find out where to buy them or what their purpose or history is. With the way google's 'search by image' currently works, that probably is not too far off.
I'd definitely want to design my own interface for it though, haha.
How practical do you think holographic UIs are and how far away are we from making them happen?
I think they're very practical, especially for medical, engineering, entertainment, education and advertising. They're actually not far off at all, depending on how you think of them. There are many variations right now – but that's because a lot of technologies are converging right now to make it all happen.And all of them are exciting.
If you think of them as the holograms on your credit card, those are being developed into holographic TV's that can display 3d much more naturally than current 3d and without glasses – reducing headaches and such because they allow you to focus your eyes at the same point as they converge, just like you normally do in the real world. They're main problem is refresh rates at the moment but it's just a matter of time before you start seeing more about them.
If you think of them as displays you can manipulate, like Tony Stark does in Iron Man 1 by trying on virtual parts of his suit, Microsoft is making progress in that department with their 'HoloDesks'. It's behind glass, but you can already tell there will be a lot of power in that type of display. There are also 3 dimensional signage displays being done with LED Cubes and spinning globes, which is both simple and brilliant. So I expect to see holographic signage in Vegas and NYC soon – and the sci-fi geek in me really can't wait to see all the tacky stuff they do with that.
If you're thinking of holographs in terms of being able to view the displayed objects in full 360°, then you're actually talking about volumetric displays, and those are what I'm most interested in. This is a display that can present an object or animation that you can walk around, and also look above and below. USC has worked this out already with interactive light field displays.
Sony already has a pretty sleek prototype. They can even stream live video through it. They've solved a lot of the issues with different users' points of views by integrating different types of head tracking, similar technology that the X-box Kinect, or even your basic point n shoot camera, has nowadays. Another barrier they've overcome is occlusion – so the objects don't need to be transparent as we once thought. Volumetric displays are usually projected on spinning mirrors – but some people have also been able to use less solid surfaces, such as an artificial mist or fog.
The holy grail of holographic displays, a display in mid air, without needing mist, fog, glass or mirrors, is something people are still working on – but really – with these other options we may not even need that. They have been able to get dots to 'float' in mid-air, forming 3d shapes, with laser plasma emissions. It's a really simple display at the moment, just dots, but remember that dots are also how your current monitors started out – they just use smaller dots packed more tightly together.
In the next few years holographs and volumetric displays will be the hot topic. I could even see it being worked into something like Google's Project Glass – where it becomes an augmented-reality type of thing while you're wearing the 'google goggles'. Who's to say everyone needs to see the hologram? Maybe it's just you and the people all wearing 'google-glasses' around you that see it and can interact with it. That would work just as well. That way you could have life-sized holographs and not require any crazy hardware setups. So dimensional displays will definitely become a part of our lives soon – and the UI design for them is a pretty cool challenge for any forward thinking designer.
Whose idea was Galaga '88? (If you missed it, Robert Downey Jr.'s Tony Stark calls out a S.H.I.E.L.D bridge crew for playing Galaga '88 on his monitor. The payoff, in which the crew member really is playing it, garnered big laughs in my audience.)
Haha — great question. I believe that must've been Joss's idea because that was in the script. That was done on set with, I believe, just a video-screen-cap of the game. So they just flipped from the on-set playback monitor graphics to the pre-recorded video of the game. When I saw the first rough edit before we started designing the glass screens, I thought, 'I really hope that makes it into the final cut – that's pretty funny.'
Our thanks to Jayse for sharing his thoughts with us. If you'd like to check out more of his work, be sure to hit up his site at Jayse.tv.
All images ™ & © 2012 Marvel Studios, Google Glasses image © Google
Read next: Tears, Tantrums & Tech episode 7: Operation USA [Video]
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'Think Different' Donald Trump Posters Appear Across California
Adelle Nazarian
Posters with Apple's iconic "Think Different" slogan, featuring the fruit with a bite mark shaped in the silhouette of Donald Trump on them, have been appearing in the streets of Los Angeles and San Francisco ahead of the November 8 presidential election.
"We launched the Los Angeles posters on September 29," Art Wing Conspiracy told Breitbart News by phone on Tuesday, which also coincided with the launch of the group's rainbow-colored "Think Different" Trump art in San Francisco.
The group asked that they not be named individually.
https://twitter.com/artwingcon/status/781640273675767808
Tuesday is "National Coming Out Day," and colorful posters were placed across from Twitter headquarters on Market Street and throughout Silicon Valley.
Art Wing Conspiracy commented: "Apple has a rainbow and the original 'Think Different' ads have rainbows, but if you look at the rainbow in our apple it's the gay rainbow."
One of the tweets was accompanied by the caption "when you're in the voting booth, no one has to know."
According to the Gateway Pundit, the rainbow-colored "posters were most prominent in San Francisco's Castro District. They were also photographed at Divisadero & Haight, Divisadero & Page, Market & 7th St, across from Twitter headquarters at Market & Fell, and near the [Human Rights Campaign]'s offices on Castro Street."
"It's ironic that the Human Rights Campaign and Hillary Rodham Clinton have the same initials," the artists told Breitbart News.
The posters reportedly also appeared at a bar named Zeitgeist, where Hillary Clinton supporters allegedly attacked two Trump supporters in October 2015. One of them was wearing a "Make America Great Again" hat.
Asked where they drew their inspiration, they said, "Andrew Breitbart said that politics is downstream from culture." They added that knocking on doors and signing petitions is not working anymore, and "we decided that we didn't want to have anything to do with traditional politics anymore. And so we found the lowest barrier for entry into a cultural channel is street art… And serendipitously, street art is about rebellion. And America is about rebellion and resisting tyrannical rule."
Art Wing Conspiracy was also behind the "Hospital This Way" signs, using Hillary Clinton's iconic "H" logo and featuring the Democratic candidate's first name with the word "ill" emphasized and underlined in red.
https://twitter.com/Cernovich/status/768142763481178112?ref_src=twsrc%5Etfw
Residents of West Hollywood, California also woke up this past June to find their city plastered with rainbow-colored Gadsden flags affixed with the pro-gun message "#ShootBack," in response to the terrorist attack at a gay Orlando nightclub that month.
Gays fought to overturn #DADT & we're #Muslim targets for #terrorism. Freedom is inconsistent w/ #Islam. #ShootBack pic.twitter.com/Nv7WIyn1uR
— steveyuhas (@steveyuhas) June 16, 2016
Asked what the reaction to their "Think Different" street art has been, they said "It's kind of like the scene of a crime, so we don't stick around for too long. Especially up here [in San Francisco] because it's kind of like Invasion of the Body Snatchers."
Follow Adelle Nazarian on Twitter and Periscope @AdelleNaz
LocalPoliticsTechAppleDonald Trump
Rand Paul: We're Becoming 'Militarized Zone' in D.C.


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Welcome to SALTO United States
SALTO & Stratagem Security Convert NY's Plainview-Old Bethpage Central Schools to District-Wide Electronic Access Control
Located on Long Island in New York, the Plainview-Old Bethpage Central School District has seven campuses – one senior high school, two middle schools, and four elementary schools. They have more than 5,200 students and 875 employees.
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The Little League Baseball World Series (LLBWS) is held each summer in South Williamsport, Pennsylvania. The 10-day tournament draws participants, fans, and attention from across the globe and as a result, demands the utmost in security for the 10- to 12-year-old baseball and softball players, their coaches, families, and thousands of spectators.
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Citizens Health is one of the largest health care organizations in northwest Kansas and includes a hospital, health clinic, long-term care facility, and employee daycare.
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Summit Place Senior Campus has been providing seniors a comfortable and friendly community for years. They offer lifestyle choices that include townhomes, apartments, assisted living, and memory care. Summit Place Senior Campus replaced their existing mechanical key locks with SALTO's easy to use, advanced technology electronic access control.
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Skid for transporting X-mas tree between Work over stack and Moon pool. The device consists of a main frame, two hydraulically operated skid cylinders and two locking cylinders for parking bolts. Directly operated hydraulic valves.
The main frame is a closed construction with two guide grooves and a u-slot board records. Skid operates on skid beams on cellar deck. The handrails are removable.
The unit has certified lifting lugs / bolts for lifting and installation. Lifting sling is included.
Skid used for transporting different sub-sea equipment to and from the Moon pool on cellar deck. The device consists of a main structure with two hydraulically operated skid cylinders. Directly operated hydraulic valves. The handrails are removable.
Skidding designed to transport equipment up to 25 tons where crane capacity is limited or obstructed. The equipment consists of a rail track and a trolley. The rail track is supplied with lift wheels to move it to the desired location. Transport trolley on the rails takes place using two come-along jacks. The trolley has guide wheels and anti-lift. Delivered with wheeled shoes for locking the trolley and slings for lifting.
There is no need for connection of external systems.


Kat. . HD Wallpaper and background images in the Katrina Kaif club.
This Katrina Kaif wallpaper contains robe de dîner, formel, robe de soirée, and formelle. There might also be robe, balldress, and robe de thé.


On 12 December, Gothenburg became the 3rd city after Madrid and Stuttgart to sign a pledge to the EU Pillar of Social Rights. Deputy Mayor Marina Johansson and the Vice-Chair of the Political Committee on Social Welfare, Kristina Bergman Alme signed a strong commitment to principle 1 'education, training and lifelong learning'.
Gothenburg pledges to give a good start in life to all children and lifelong learning at all ages to ensure everyone can achieve their full potential in education, work and well-being regardless of their socio-economic or other background. This commitment fits the city's vision to achieve equal living conditions based on education.
Deputy Mayor Marina Johansson said: ''A stronger social Europe is a more equal Europe where everyone has the right to inclusive education throughout their life cycle to be empowered to participate fully in society. In Gothenburg, we invest our efforts to create equality through our initiative Equal Gothenburg with lifelong learning for all people. In our city, equality means leaving no one behind and providing support to people who need it the most and building a city of well-being for all people''.


An absolute luxurious and ultimate spoil for the luckiest of dogs and cats.
natural wool "breathes" and acts as a thermostat that regulate body temperature, therefore suitable for summer and winter.
Disclaimer: At WagWorld we strive to offer our clients the best possible quality, but unfortunately we cannot guarantee any of our products against damage caused by biting, chewing or scratching. All products are handmade in South Africa and might slightly vary in size.


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Free Consultation 24/7 (877) 313-7673 Free Consultation 24/7 Manhattan (212) 490-8400 Queens (718) 261-0546info@nroselaw.com Download App
About Nicholas
Motor Vehicle Collision Attorney Serving New York City Residents and Others
Victims of car accidents in the New York City area can consult personal injury lawyer Nicholas Rose to understand their legal rights and options. For more than a decade, Mr. Rose has represented injured individuals in claims for compensation, often securing verdicts in the millions of dollars. He understands that the events following a car accident are traumatic and can lead to lifelong consequences, and he strives to provide tenacious yet compassionate legal representation.
Pursuing Compensation through a Negligence Claim
Following a motor vehicle collision, victims and their families may decide to pursue compensation for the harm that they have endured. Often, personal injury cases stemming from car accidents proceed under a negligence theory of law. The victim must demonstrate that someone else acted negligently and that this negligence caused the accident in which he or she was hurt. In most ordinary situations, such as operating a vehicle, a person may be held responsible if he or she did not use the same precautions that an ordinary, reasonable person would take in similar circumstances.
To prove negligence in a personal injury lawsuit, the accident victim must show a duty of care, a breach of this duty, causation, and quantifiable damages. A driver may breach the applicable duty of care when he or she fails to yield at an intersection, texts while operating a vehicle, or otherwise engages in conduct that poses a foreseeable risk of harm to others.
A victim of a car accident must show that the defendant driver's careless conduct caused the collision. This causation element of a negligence claim requires demonstrating that the accident likely would not have happened if the defendant driver had not breached the duty of care. It also must have been a reasonably foreseeable result of the defendant's carelessness.
Victims who prevail in a negligence claim after a car accident may be able to pursue a broad range of damages. Economic damages refer to medical costs, lost wages, and property damage, such as vehicle repairs. Non-economic damages may include pain and suffering as well as loss of consortium. Victims of motor vehicle collisions may have both immediate expenses, such as hospital bills, and long-term costs like physical therapy needs and lost earning capacity.
Under New York law, negligence claims must be brought within three years from the date of the accident. Complying with this deadline is vital to preserving the right to compensation.
Discuss a Car Accident in New York City or Beyond with an Experienced Lawyer
As a motor vehicle collision attorney advocating for victims in New York City and the surrounding communities, Nicholas Rose brings years of experience to his representation of clients. He can carefully explore the details of your situation and craft a strategy tailored to your needs and goals. Mr. Rose serves injured individuals throughout Brooklyn, Queens, Manhattan, Staten Island, and the Bronx, as well as residents of Nassau, Suffolk, and Westchester Counties. Contact our office by calling (877) 313- ROSE (7673) or using our online form to set up a free consultation.
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Sometimes pedestrians cross the street outside the crosswalk. Fortunately for accident victims, crossing outside the crosswalk does not necessarily…
Serious Injuries and Summary Judgment in New York Auto Accident Cases
A New York automobile accident victim may only bring a negligence case against the other party if the victim suffered at least $50,000 in basic…
New York Defendant Not Entitled to Summary Judgment without Establishing He Wasn't at Fault
It can be difficult for a plaintiff in a New York automobile accident to succeed in a personal injury case when the defendant had the right of way,…
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New York Court Grants Summary Judgment to Plaintiff on Res Ipsa Loquitur Basis
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Q: Data binding performance in ASP.Net web forms controls of entire class vs selection of property. Good practice? Is there any reason why you should do a select on a collection of objects, to retrieve only the desired property before setting the data source of a control such as a drop down?
for example if i have a class as seen below
 class CustomType
 {
    public string Name{ get; set; }
    public bool isAuthorised{ get; set; }
    public bool isAdmin { get; set; }
 }

and a drop down that only need to display the names seen below.
<asp:DropDownList id="DropDownId" runat="server" DataTextField ="Name"
DataValueField="Name">

Would it be better practice to bind the data like this where you perform a select for just the Name property.
 List<CustomType> customType = GetCustomTypeList();
 DropDown1.Datasource = customType.Select(c => c.Name);
 DropDown1.DataBind():

vs Setting the entire List as the data source
 List<CustomType> customType = GetCustomTypeList();
 DropDown1.Datasource = customType;
 DropDown1.DataBind():

I can't see any performance difference between the two, but was wondering if there is any benefit of selection only the relevant properties and what the standard practices for situations like this are.

A: You'll notice the performance if you are selecting big data, for example I've Employees table with 25 records in it I run 2 queries and get the execution time:
Execution Time: 00:00:033
from e in Employees
select e

Execution Time: 00:00:002
from e in Employees
select e.EmployeeName


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Monsanto to quit Europe
Paul Brown and Mark Oliver
Thu 16 Oct 2003 03.18 EDT
Monsanto, the world's largest GM seed company, is pulling out of the European cereal business in a surprise move that raised hopes of victory among anti-GM campaigners.
The firm, the American pioneer of GM, confirmed yesterday that it is to close European cereal business headquarters at Trumpington, Cambridgeshire, which employs 125 people.
The decision follows the failure to introduce genetically modified hybrid wheat to Europe, and the company has decided to cut costs.
Monsanto bought the business from Unilever in 1998 at a time of high optimism for GM, when wheat was considered the big money spinner.
The company said yesterday that the growth in hybrid wheat had "failed to materialise".
Jeff Cox, Monsanto's general manager, said: "We've made great progress over the past few years in realigning the cereals business to make it more competitive in a much tougher European seed market.
"Our lack of success in hybrids means this is no longer a good strategic fit for Monsanto."
The company is reorganising its UK herbicide oil seed rape operations. Breeding stations in France, Germany and the Czech Republic will also be affected.
Monsanto announced its decision on the eve of today's publication of the results of the government's farm-scale evaluations of GM crops.
A mixed verdict on the technology is anticipated in what is being seen as a crucial part of the government's research into whether to allow commercial GM crops.
It also follows last month's confirmation of unease among the public when the widest formal public debate ever conducted in Britain found that an overwhelming percentage of people were uneasy, suspicious or hostile to GM crops.
More than 650 public meetings were held around the country and about 37,000 people responded to questionnaires, with 54% saying they never want to see GM crops grown in the UK.
Pete Riley, of Friends of the Earth, said the firm was "pulling out after five years with no products to show and no test sites for Monsanto GM cereals in Britain this year."
The business of research


Made of premium materials and feature-packed, California Cowboy shirts are your utility belts for post-adventure chill sessions.
Towel-lined and sporting a built-in dry pocket, the High Water is slim fitting and beer-friendly- the ultimate shirt for the beach or most places really.
With a cotton modal thermal lining, the High Sierra is cozy as hell, and inherits all the frills from the High Water. Wear it after the slopes or just on a cold camping trip.
If the patterns are too wild for you, both shirts are also available in multiple solid colorways.


The Parlane Pot Hangers are adorable accessories for both the home and garden. Add a touch of character with your choice of creatures, designed to keep your plants company.
Whether you layer your pot with several stone pets, or settle for a single companion, these cute creations make for a charming decorative piece, and a perfect gift for garden lovers alike.


Etihad Airways is the national airline of the United Arab Emirates. The company was founded in 2003 and its seat is the international Abu Dhabi airport. Etihad Airways realizes more than 1800 flights per week, to 86 international destinations to Europe, Asia, Africa, America and Australia. Etihad Airways from its founding in 2003 has won more than 30 awards for the high level of its services and keeps on developing.
With AirChampion24.com you can book your tickets fast and easy with Etihad Airways. All Etihad Airways flights appear according to the availability of seats in each flight. You can buy your airline tickets by AirChampion24.com with a few simple steps or you can call us via phone. After completing the booking of your airline ticket you receive an email or sms with the number of the e-ticket and the information of your flight. At the airport you only need your traveling document and the e-ticket number to do your check in and board your flight.
The Etihad Airways serves with flights to destinations in Europe, Asia, Africa, Australia, Middle East, North and South America. The company's planes arrive New York, Chicago, Washington Dc, Sao Paulo, Toronto, Brussels, Milan, Minsk, Dublin, Larnaca, Moscow, Paris, Geneva, Istanbul, Berlin, Frankfurt Am Main, Munich, Amsterdam, Athens, Belgrade, London, Doha, Bahrain, Kuwait, Beirut, Cairo, Lagos, Nairobi, Casablanca, Sydney, Melbourne, Beijing, Shanghai, Kuala Lumpur, Bangkok. From Athens depart daily flights with Etihad Airways to Abu Dhabi.
For Economy class (Coral Economy Class) you are entitled one hand luggage 7 kilos 21Χ40Χ50. For Business Class (Pearl Business Class) and first class (Diamond First Class) you are entitled to two hand luggage 12 kilos in total 40Χ50Χ21 each. The hand luggage should not contain any liquids.
To travel with Etihad the luggage allowed to carry for free depends on the destination and are counted either by kilos or by number of luggage. Before your departure check carefully the allowed luggage limit, depending also by the calls you have selected and by the member card Etihad Guest you may have.
Economy class passengers are allowed to carry luggage up to 30 kilos.
Business class passengers are allowed to carry luggage up to 40 kilos.
First class passengers are allowed to carry luggage up to 50 kilos.
For passengers to or from Sao Paolo is allowed to all classes to carry for free 3 luggage up to 32 kilos each. For traveling to and from USA, Canada is allowed to the economy class, the transport 2 luggage up to 23 kilos each and for the first or business class 2 luggage up to 32 kilos each.
Etihad Airways passengers can web check-in 23 hours before the flight's departure. At the check-in page enter the e-ticket number or the booking code, your name and then select a seat. Print the page and you are ready. If you have no luggage, head directly to the exit gate. If you have luggage head to the company's Drop off luggage counter, give your luggage and then proceed to the exit gate. Etihad Airways offers to all its passengers free tickets by spending miles of the Etihad Guest card, cargo services, services for the electronic search of luggage, services for disabled persons, mothers with babies, pregnant women and children travelling alone.


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Q: serivce oriented architecture (SOA), what to do when given one unit of work, which could really be two? Within a SOA individual services should not interact with each other.
When given a requirement for one service, that could really be made into two separate services/units of work. What is the best action ?
Creating two, where service A contains both units, and service B contains only the "first" unit/service breaks DRY ? To clarify, where one is assumed to be dependent on the other the completely independent unit of work can be placed into its own service, and the two combined units can be placed in a second service.
Given a requirement for one service that can and maybe should be split into two, what should do do ?

A: Perhaps I am misreading your OP but you can have a service B that exposes an interface for a specific functionality offered and a service A (or C or D for that matter) that consumes that interface to offer the specific functionality offered by A.
Services can use a functionality offered by another service via its interface. But they are not coupled, in the sense that the same interface could be implemented via a different set of services


text:
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The Bellingham United team on the line during the outdoor season. Photo courtesy: Bellingham United.
It was just six years ago that former owner Jeff McIntyre came to Bellingham to establish a semi-pro soccer squad. Whatcom Sports & Recreation's Executive Director, Lance Calloway, connected with McIntyre to become involved in the project to bring higher level men's soccer to Whatcom County. From that moment forward, Bellingham United has paved the way for the growth of soccer in Whatcom County.
Bellingham United teammates huddle during a game. Photo courtesy: Bellingham United.
Calloway has served as the head coach for the past six years with the team playing Canadian teams in the long-established Pacific Coast Soccer League in British Columbia for the first two seasons. At the time, organized Washington team leagues were limited. Although this didn't stop the Bellingham United team from playing strong and creating a solid connection with our local community.
In their third year, Bellingham United were key facilitators in the formation of a new league, the Evergreen Premier League. This includes eight teams from around Washington, from as far away as Spokane to as close as Seattle. "While we're mostly made up of local college players who either came back to Bellingham or who currently or used to play for Western, we've got a lot of growth in kids coming here from other locations," says Marc Ronney, General Manager.
Ronney goes on to describe the distance some of the players travel to play with Bellingham United. Players have come from as far away as New Zealand and Brazil to play with the team. Local players are also strongly represented. "One of our players is a teacher at Squalicum High School," says Ronney. "And we always try to bring in some of the local kids who are still in high school to train with us." Currently, a senior from Squalicum High School is on the roster and playing with the team.
While they carry up to 40 players on their roster with ages currently ranging from 17 to 32, Bellingham United also has a reserve team. This team plays approximately eight to twelve games a year. It offers a great opportunity for players to get some good playing time and crowds to have even more opportunities to see great soccer in the community.
Bellingham United fans in line to meet their role models and get autographs. Photo courtesy: Bellingham United.
And, with Bellingham United's indoor and outdoor seasons, there is ample opportunity to see these committed and talented soccer players play. During the indoor season, Bellingham United went all the way to the semi-finals in the 2017 National Championships. The local excitement of such a successful team is seen in the draw of the crowds which reached attendance of 700 during the playoffs. And, as the summer season reaches full swing, the Sunday afternoon games regularly see the attendance of over 300 fans.
Being a part of the Bellingham community is at the core of Bellingham United. With the tagline of, "United in Soccer United in Community," the players live this commitment daily. Living and playing in Bellingham, these soccer players spend time giving back to the community which is an important part of their lives and their teamwork.
Even off the field, the players of Bellingham United can be seen in the classrooms of our local schools working with students as a part of the Reading Challenge program. "They are great role models," Ronney explains. He goes on to describe the scene that occurs after each summer game – kids running to the players after the game to meet them and get autographs.
Bellingham United brings the excitement of soccer to the community. They also bring a feeling of connection between these semi-pro players and the younger, hungry-to-learn kids eager to be a part of something bigger.
To catch a game, see available ticket packages, the latest news and the current schedule go to the Bellingham United Website.


Notary service is usually available during regular business hours. Please call before coming to ensure a notary is present. There is no charge for this service, however donations to the library are always welcome.
Find where tax forms are available online.
How to volunteer at the library.
Books and other materials delivered to local homebound residents.
FAQ and guidelines for donating used books.


We take every care to ensure that the descriptions of the items we sell via northwoodhouse.org are correct at the time of publication. However, specifications and descriptions of items on this website are not intended to be binding and are intended only to give a general description.
By placing an order with us you will be deemed to have read, understood and agreed to these Terms and Conditions. If you are unhappy with any aspect of these terms, then you should not place an order and should contact us in order that we can seek to resolve your concerns.
By placing an order via this website you are making an offer to Northwood House Charitable Trust Company Ltd to purchase the items detailed in your order upon the terms described in your order.
Once you have placed an order we will send you a confirmation that your order has been received but this is not a confirmation that your offer to purchase the goods has been accepted. A contract for the sale of our items will only exist once an order has been accepted, processed and dispatched to you.
Your debit/credit card will be authorised and charged at point of sale. This does not affect your statutory rights.
Prices and availability of goods are subject to change without notice. We do not guarantee the availability of any tickets, goods or permits which may from time to time be offered on our website.
Non-receipt: Any claim for the non-receipt of items must be made in writing within a maximum of 14 days from the date of purchase. Claims made after this date will be accepted only at our discretion and we will be under no obligation to do so.
Errors and omissions: Customers should check all tickets and permits immediately for shortages, or incorrect information. The buyer must inform us in writing, within 14 days of the date of delivery. Claims made after this date will be accepted only at our discretion and we will be under no obligation to do so.
Claims for labour charges or consequent losses will not be accepted under any circumstances (of which, see further below).
We are unable to supply items on a sale or return basis.
We accept online payment through Payment provider Stripe Inc, who process transactions in a secure environment by Visa, MasterCard, Visa Debit and Visa Electron. All transactions are shown in pounds sterling (£).
All prices quoted on this website are accurate at the time of publication and are quoted in pounds sterling (£) and where appropriate are inclusive of UK sales tax (VAT) at the then-prevailing rate.
Payment in full is required before goods, tickets or permits will be despatched.
Mainland UK and the Isle of Wight: Delivery charges for event tickets and parking permits by first class post is included in the ticket price. You may also pick up tickets in person from the Northwood House office during normal working hours.
Terms of Delivery: We aim to dispatch items to UK addresses via Royal Mail first class within three working days of receipt of your order. From time to time, through circumstances beyond our control, this may not be possible. We will notify you of the delay and the reason for it.
We cannot deliver to multiple addresses; if you wish to send different items to different addresses you must treat each address as a separate order.
Subject to the following, if you wish to cancel your purchase for any reason you can do so up within 14 calendar days of receiving your tickets, permit or goods. This is referred to as your cooling off period.
If you wish to cancel or return your purchase, you must notify us within the cooling off period and this must be in writing: by letter or email to administrator@northwoodhouse.org. You will need to complete and sign our NWH Cancellation Form. This must be returned to us with the tickets, permit or goods that you wish to return.
We will make a refund within 14 days of receipt of both the returned goods, tickets or permit, together with a completed Cancellation Form.
Customers who have paid by credit or debit card will have the same card credited. We will not make refunds to a third party or issue cash or credit notes in lieu.
We do not operate an exchange policy.
Membership of the Company is non-refundable.
Parking or other permits will be refunded pro-rata for each complete month of validity remaining.
Due to the need to provide caterers and other suppliers with information as to attendance, refunds will not be made for event tickets unless the claim for a refund is made more than 7 days before the event in question.
By using this website and/or making an order, you agree that the law of England and Wales applies to govern the relationship between us and that the Courts of those countries shall have exclusive jurisdiction in relation to any dispute between us.
Where you allege that as a result, a business, limited liability company or other legal person has suffered loss (including but not limited to loss of income, profit or savings) and whether said to arise from loss of contract(s), business opportunity, loss of standing, reputation or goodwill, or loss of information or data (whether involving a partial or total loss, corruption or damage of or to that data).
Please note that these limitations of liability will apply even where you have advised us of the potential loss in advance. Our subsequent acceptance of your order or booking will not be construed as a waiver of this stipulation.
We do not seek to exclude or limit any warranty implied by law where it is not lawful to exclude or limit that liability. Specifically, nothing in this website disclaimer is intended to be construed as excluding or limiting our liability in respect of any of the following: death or personal injury caused by our negligence; fraud and/or fraudulent misrepresentation on our part or that of our servants or agents for whom we are vicariously liable.
Should any provision of this website disclaimer be, or is found to be, unenforceable under then applicable law and/or deemed to be incapable of reliance upon by us (whether by operation of law of Order of the Court), the remainder of the website disclaimer will continue to be in force and effective as between us.
In continuing to use this website (and in proceeding to make a purchase or order), you are providing us with your confirmation that the exclusions and limitations of liability set out in this website disclaimer are in your view reasonable and are accepted by you. If you are unwilling to provide us with this agreement, you should not continue to use the website or make a booking.
You, the buyer, warrant that all details provided on the order form for the purpose of purchasing the items are correct, that the debit/credit card you are using is your own and that there are sufficient funds and/or sufficient unused limit available to cover the cost of your purchases.


text:
Хусейн Магометович Халмурзаев () — российский дзюдоист, призёр чемпионата России, чемпион Европы и призёр чемпионата мира среди юниоров, призёр чемпионата Европы, мастер спорта России международного класса. Брат-близнец Хасана Халмурзаева.

Спортивные результаты
 Чемпионат России по дзюдо 2014 года — ;
 Универсиада по дзюдо 2015 года, Кванджу — ;
 Международный турнир серии Мастерс 2016 года — ;
 Чемпионат Европы по дзюдо 2017 года, Варшава — ;
 Чемпионат мира по дзюдо (команда)2018 года, Баку — ;
 Европейские игры по дзюдо 2019 года, Минск — ;

Награды
Медаль ордена «За заслуги перед Отечеством» II степени (14 октября 2020) — за заслуги в развитии физической культуры и спорта, активную общественную деятельность.

Примечания

Ссылки

Дзюдоисты по алфавиту
Дзюдоисты России
Спортсмены Ингушетии


text:
La estación sencilla Escuela Militar hace parte del sistema de transporte masivo de Bogotá llamado TransMilenio, el cual fue inaugurado en el año 2000.

Ubicación

La estación está ubicada en el noroccidente de la ciudad, más específicamente en la Avenida Medellín entre la Avenida Suba y la carrera 53. Se accede a ella a través de un puente peatonal ubicado sobre la Avenida Suba.

Atiende la demanda de los barrios Jorge Eliécer Gaitán, Escuela Militar y sus alrededores.

En las cercanías están la Escuela Militar de Cadetes General José María Córdova, el intercambiador vial de TransMilenio de la NQS, Suba con Calle 80 y el Parque Jorge Eliécer Gaitán.

Origen del nombre

La estación recibe su nombre de la Escuela Militar de Cadetes General José María Córdova ubicada en el costado norte. Esta a su vez recibe su nombre de un militar colombiano que participó en la Independencia de Colombia, a resaltar su desempeño en la batalla de Ayacucho.

Historia

En el año 2000 fue inaugurada la fase I del sistema TransMilenio, desde el Portal de la 80, hasta la estación Tercer Milenio, incluyendo la estación Escuela Militar.

Cerca de la estación se encuentran las troncales de la NQS y de la Avenida Suba, siendo este su punto de encuentro, y sirve como intercambio para los usuarios de dichas troncales con la Calle 80.

El 28 de febrero de 2011 se inauguró un nuevo vagón para descongestionar la estación. Esta cuenta en el segundo vagón con puertas corredizas para el servicio de biarticulados igual que la estación Granja – Carrera 77.

Servicios de la estación

Servicios troncales

Esquema

Servicios urbanos
Así mismo funcionan las siguientes rutas urbanas en los costados externos a la estación, circulando por los carriles de tráfico mixto sobre la Calle 80, con posibilidad de trasbordo usando la tarjeta TuLlave:

Ubicación geográfica

Referencias

Enlaces externos
 TransMilenio

Estaciones de TransMilenio
Barrios Unidos


As a seasoned design leader, I will partner with you to create digital products and services that delight and deliver — fast.
Digital products (such as websites and apps) create information environments that affect how people think and act. I structure these environments so they serve human needs and create value. You can think of me as an architect who works with words, images, and code instead of bricks, steel, and concrete.
We'll understand the context in which your product will exist and the people it will serve.
We'll clarify your product's vision and purpose, and define a path to success.
We'll define conceptual models that will give your product coherence and impact.
We'll create tangible models of your product for testing in real-world situations.
We'll increase the effectiveness of your design team by teaching and mentoring them.
We'll help you and your design team gain traction within your organization.
I've been making the complex clear for people in all types of organizations—from developing world non-profits to Fortune 500 corporations—for almost twenty-five years. Companies I've worked with include Charles Schwab, GE, Ford, Nestlé, and American Express. I relish taking on new challenges. That said, I can hit the ground running in financial services, healthcare, industrial, and energy contexts.


Normally when using a smarthost you wouldn't expect that the mailserver does a query for the MX record in DNS. Well it does in Exchange 2007 and Exchange 2010. A while ago I found a post on Technet from someone from Microsoft who mentioned this. I found it pretty weird so I thought let's test it. And indeed when using a smarthost and making a networktrace you will find out that it does a query for the MX record in DNS.
There was a discussion about this on the Microsoft Distribution list I am a part of (for the Exchange 2010 TAP) and it was stated by two MS employees that a smart host which actually still try MX lookup first before it attempts the smart host. Yes, a lot of us were surprised; including myself. The first guy sounded confident but the second guy said he believed but didn't test it in months. So take that as you will. I haven't done a network trace to see for sure so I'm not sure myself.
So this proves again how import correct DNS records are.


Stretched canvas prints are an ideal way to liven up a company reception or office. Use them to show products from your range, your team of employees or even your logo.
Canvas prints make great gifts, such as for an engagement, wedding or anniversary.


Why design is important (it is) and how to work with a designer.
"It makes you frickin' angry, doesn't it?" A report on successful, passionately ethical business women at the International Women's Day 2015 conference for Wiltshire Women in Business.
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What are the words "autobiography"? However, alas, the real Robinson Crusoe never existed.
It's a lot of fun to do.
This is what you want to do. pirates. In extreme cases, privateers, i.e. for the belligerent countries (most often they used the Spanish "golden caravans").
It's the island of the island. " In the latter case, the islands were used as "natural prisons". Indeed, it is not possible to survive there. This is the "divine court": and there is no court.
Despite the fact that the boat was in the middle of the island, it was 600 miles away from the coast of Chile.
I must say that the equipment has been excellent for those times. Cooking for a pot, a knife and an ax. And most importantly, our hero fits the gunpowder, bullets and a flint. They also invested the Bible. After 300 years, archaeologists have found navigational instruments, thanks to which they can be seen, thus and the month.
Having appeared on the desert island, our seaman has lit up rough activity. Cabins: an "office" and a "kitchen." For example, it is a local variety of fruits and vegetables. Then, it's tamed. After the couple of years, his clothes fell into disrepair. Using the goatskin clothing. Experience in the shoe workshop. From a coconut half, I made myself a cup on the leg, "furniture", etc. That is, Selkirk settled down on the island quite thoroughly.
Alexander Selkirk never met his "Friday", The main tests, according to his own admission, were flooded this island. Rats ate food and spoiled the rest of his property. It is clear that it has been made.
However, it was found that it had been tamed, and it protected itself from tailed pests. This is where the island of the goat He read aloud. Despite the fact that he was later confessed, he didn't really want to know the boat.
Once there was a trip to the island of the piracy yards. The boats were gone again with the goats and cats.
But he was nevertheless saved. Four years after his arrival on the island of February 1, 1709, Selkirk. However, the ship "Sank Por" was not there. It is noteworthy that the Woods Rogers, the captain of the ship "Duke", who was directly involved in the evacuation of the "Robinson", in his logbook indicated that he was the governor of the island.
Once on the desert, it became clear that there was a peace at the desert island. Probably one of the witnesses of his drunken speeches was Daniel Defoe. Scot didn't stay long on land. He died at the bottom of the river, he was "buried at sea" (ie, thrown overboard with all the honors). So ended the story of this "Robinson".
Alexander the Selkirk lived was called "Robinson crusoe", And the next -"Alexander Selkirk". But this happened after the inglorious death of the gallant. Scottish boats with a bad temper, who died without knowing that he had become a legend.


This diamond journey pendant is sophisticated and stylish and would make the perfect gift for the sophisticated lady in your life! It starts with metal and cascades down into a curve of dazzling diamonds. Available in your choice of white gold, yellow gold or platinum, this pendant is one that will add just the right amount of style to any outfit. This pendant features 7 amazing diamonds that increase in size. Plus there are two different sizes, either the .50 ct. version or the 1ct. version.
Stone Carat Weight: 1X0.022 ct., 1X0.033 ct., 1X0.041 ct., 1X0.060 ct., 1X0.075 ct., 1X0.105 ct., 1X0.160 ct.


text:
Etikettarkiv: the gambia fashion week
Accesoarer, Hår, smink och naglar, Kläder och skor, Mode, Nyheter, Samhälle
Models, designers rock stage at The Gambia Fashion Week 2013
december 23, 2013 Redaktionen	Lämna en kommentar
The Seaview Gardens pool side was the beautifully decorated venue for much fanfare and entertainment over the weekend as both local and international models as well as designers took stage to showcase beauty, glamour, elegance and fashion in a cool breeze atmosphere.
It was the second edition of the rapidly recognised The Gambia Fashion Week (TGFW), splendidly staged by the Runway Productions International and partners under the aegis of Gambia-Swedish based celebrity, Aysha Jones-Ceesay.
Debuted in February 2013, the independence month of The Gambia, the second edition was incredibly a success for Aysha Jones Ceesay and her team as broad spectrum of spectators filled all the available seats with others left to stand in their graceful and beautiful designer Africa and European type dresses.
The RPI, being the organising Agency, targets smaller and new brands and looking to gain further recognition as a leading high fashion brand within the fashion industry; and is renowned for organising events like this.
The first edition saw the participation of both Gambian and European models and designers in shows held at the Duplex Night Club and other places. Whilst it is an event that seeks to promote Gambian and African talents in fashion and modeling, it also has a great potential of further promoting the country as a major tourism destination as well as an investment haven given its proximity to Europe and its peaceful nature.
But unlike the previous one, the second edition was organised principally under the thrust of promoting culture, arts and fashion in the country.
"What we are aiming to do is to set up a foundation to support not only people working within the arts, fashion and culture in The Gambia, but also those in schools, hospitals and anything that can improve the nation,"
Aysha Jones Ceesay, CEO of Runway Productions International and founder of TGFW told journalists ahead of the event.
"TGFW is trying to promote not only Gambians, but African talents at large. We are planning to also engage in promoting collaboration between Africa and Europe starting with Sweden."
After shows end around midnight, Ceesay, who spoke to journalists, beams with smile, crowning the event as a "success" in that it recorded a good turnout compared to last year. She pledged to do more so as to make 2014 events even more resounding.
adminAysha Jones CeesaygambiaRunway Productions InternationalTGFWthe gambia fashion week


After a number of years of stagnant rates, FHA is increasing the FHA loan limits by increasing the maximum claim amount from $625,500 to $636,150. This change means more money may be available for homeowner's with a value of more than $625,500. This marks the first increase in many years, and is a sign of the strength of the current housing market. The reverse mortgage loan limits are based on 150% of the FHA forward loan limits which are set at $417,000 until 2017. The limit will now rise to $424,100; allowing reverse mortgage limits to increase to the aforementioned $636,150.
See the FHA Mortgagee letter attached below for additional information, and call us today to see how this change might affect you!
"The information provided on this website has not been provided by FHA nor any other government agency. Materials on this website have not been reviewed or provided by FHA.
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