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Q: Maven Compilation Error: unreported exception must be caught or declared to be thrown I'm getting build failure while compiling a storm plugin on linux (while this code works perfectly find on Mac OS X). I've searched multiple sources but none of them seemed to work for me:
[INFO] ------------------------------------------------------------------------
[INFO] BUILD FAILURE
[INFO] ------------------------------------------------------------------------
[INFO] Total time: 34.290s
[INFO] Finished at: Sun Jan 31 20:01:05 MST 2016
[INFO] Final Memory: 17M/224M
[INFO] ------------------------------------------------------------------------
[ERROR] Failed to execute goal org.apache.maven.plugins:maven-compiler-plugin:3.1:compile (default-compile) on project advanced-stela: Compilation failure: Compilation failure:
[ERROR] /users/lexu/flintstone/advanced-stela/src/jvm/backtype/storm/scheduler/advancedstela/slo/Observer.java:[55,15] exception org.apache.thrift.transport.TTransportException is never thrown in body of corresponding try statement
[ERROR] /users/lexu/flintstone/advanced-stela/src/jvm/backtype/storm/scheduler/advancedstela/slo/Observer.java:[47,32] unreported exception org.apache.thrift7.transport.TTransportException; must be caught or declared to be thrown
[ERROR] -> [Help 1]
org.apache.maven.lifecycle.LifecycleExecutionException: Failed to execute goal org.apache.maven.plugins:maven-compiler-plugin:3.1:compile (default-compile) on project advanced-stela: Compilation failure
at     org.apache.maven.lifecycle.internal.MojoExecutor.execute(MojoExecutor.java:213)
at org.apache.maven.lifecycle.internal.MojoExecutor.execute(MojoExecutor.java:153)
at org.apache.maven.lifecycle.internal.MojoExecutor.execute(MojoExecutor.java:145)
at org.apache.maven.lifecycle.internal.LifecycleModuleBuilder.buildProject(LifecycleModuleBuilder.java:84)
at org.apache.maven.lifecycle.internal.LifecycleModuleBuilder.buildProject(LifecycleModuleBuilder.java:59)
at org.apache.maven.lifecycle.internal.LifecycleStarter.singleThreadedBuild(LifecycleStarter.java:183)
at org.apache.maven.lifecycle.internal.LifecycleStarter.execute(LifecycleStarter.java:161)
at org.apache.maven.DefaultMaven.doExecute(DefaultMaven.java:320)
at org.apache.maven.DefaultMaven.execute(DefaultMaven.java:156)
at org.apache.maven.cli.MavenCli.execute(MavenCli.java:537)
at org.apache.maven.cli.MavenCli.doMain(MavenCli.java:196)
at org.apache.maven.cli.MavenCli.main(MavenCli.java:141)
at sun.reflect.NativeMethodAccessorImpl.invoke0(Native Method)
at sun.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:57)
at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43)
at java.lang.reflect.Method.invoke(Method.java:606)
at org.codehaus.plexus.classworlds.launcher.Launcher.launchEnhanced(Launcher.java:289)
at org.codehaus.plexus.classworlds.launcher.Launcher.launch(Launcher.java:229)
at org.codehaus.plexus.classworlds.launcher.Launcher.mainWithExitCode(Launcher.java:415)
at org.codehaus.plexus.classworlds.launcher.Launcher.main(Launcher.java:356)
Caused by: org.apache.maven.plugin.compiler.CompilationFailureException: Compilation failure
at org.apache.maven.plugin.compiler.AbstractCompilerMojo.execute(AbstractCompilerMojo.java:858)
at org.apache.maven.plugin.compiler.CompilerMojo.execute(CompilerMojo.java:129)
at org.apache.maven.plugin.DefaultBuildPluginManager.executeMojo(DefaultBuildPluginManager.java:101)
at org.apache.maven.lifecycle.internal.MojoExecutor.execute(MojoExecutor.java:209)
... 19 more
[ERROR]
[ERROR] Re-run Maven using the -X switch to enable full debug logging.
[ERROR]
[ERROR] For more information about the errors and possible solutions, please read the following articles:
[ERROR] [Help 1] http://cwiki.apache.org/confluence/display/MAVEN/MojoFailureException

While my maven configuration is
    Apache Maven 3.0.5
    Maven home: /usr/share/maven
Java version: 1.7.0_79, vendor: Oracle Corporation
Java home: /usr/lib/jvm/java-7-openjdk-amd64/jre
Default locale: en_US, platform encoding: UTF-8
OS name: "linux", version: "3.13.0-33-generic", arch: "amd64", family: "unix"
My pom.xml dependencies
<dependencies>
    <dependency>
        <groupId>org.apache.storm</groupId>
        <artifactId>storm-core</artifactId>
        <version>${project.version}</version>
        <!-- keep storm out of the jar-with-dependencies -->
        <scope>provided</scope>
    </dependency>
    <dependency>
        <groupId>org.apache.thrift</groupId>
        <artifactId>libthrift</artifactId>
        <version>0.9.2</version>
        <scope>compile</scope>
        <exclusions>
            <exclusion>
                <groupId>org.slf4j</groupId>
                <artifactId>slf4j-api</artifactId>
            </exclusion>
            <exclusion>
                <groupId>javax.servlet</groupId>
                <artifactId>servlet-api</artifactId>
            </exclusion>
        </exclusions>
    </dependency>
    <dependency>
        <groupId>commons-collections</groupId>
        <artifactId>commons-collections</artifactId>
        <version>3.2.1</version>
    </dependency>
    <dependency>
        <groupId>com.googlecode.json-simple</groupId>
        <artifactId>json-simple</artifactId>
        <version>1.1</version>
    </dependency>
</dependencies>
<build>
    <sourceDirectory>src/jvm</sourceDirectory>
    <resources>
        <resource>
            <directory>${basedir}/multilang</directory>
        </resource>
    </resources>

    <plugins>
        <plugin>
            <groupId>org.apache.maven.plugins</groupId>
            <artifactId>maven-compiler-plugin</artifactId>
            <version>3.1</version>
            <configuration>
                <source>1.7</source>
                <target>1.7</target>
            </configuration>
        </plugin>
        <!--
          Bind the maven-assembly-plugin to the package phase
          this will create a jar file without the storm dependencies
          suitable for deployment to a cluster.
         -->
        <plugin>
            <artifactId>maven-assembly-plugin</artifactId>
            <configuration>
                <descriptorRefs>
                    <descriptorRef>jar-with-dependencies</descriptorRef>
                </descriptorRefs>
                <archive>
                    <manifest>
                        <mainClass />
                    </manifest>
                </archive>
            </configuration>
            <executions>
                <execution>
                    <id>make-assembly</id>
                    <phase>package</phase>
                    <goals>
                        <goal>single</goal>
                    </goals>
                </execution>
            </executions>
        </plugin>

        <plugin>
            <groupId>org.codehaus.mojo</groupId>
            <artifactId>exec-maven-plugin</artifactId>
            <version>1.2.1</version>
            <executions>
                <execution>
                    <goals>
                        <goal>exec</goal>
                    </goals>
                </execution>
            </executions>
            <configuration>
                <executable>java</executable>
                <includeProjectDependencies>true</includeProjectDependencies>
                <includePluginDependencies>false</includePluginDependencies>
                <classpathScope>compile</classpathScope>
                <mainClass>${storm.topology}</mainClass>
            </configuration>
        </plugin>

        <plugin>
            <groupId>org.apache.maven.plugins</groupId>
            <artifactId>maven-shade-plugin</artifactId>
            <version>2.2</version>
            <executions>
                <execution>
                    <phase>package</phase>
                    <goals>
                        <goal>shade</goal>
                    </goals>
                </execution>
            </executions>
            <configuration>
                <keepDependenciesWithProvidedScope>true</keepDependenciesWithProvidedScope>
                <promoteTransitiveDependencies>false</promoteTransitiveDependencies>
                <createDependencyReducedPom>true</createDependencyReducedPom>
                <minimizeJar>false</minimizeJar>
                <artifactSet>
                    <includes>
                        <include>org.apache.thrift:*</include>
                        <include>org.apache.storm:*</include>
                    </includes>
                </artifactSet>

                <relocations>
                    <relocation>
                        <pattern>org.apache.thrift</pattern>
                        <shadedPattern>org.apache.thrift7</shadedPattern>
                    </relocation>
                </relocations>
                <transformers>
                    <transformer implementation="org.apache.storm.maven.shade.clojure.ClojureTransformer" />
                </transformers>
                <filters>
                    <filter>
                        <artifact>org.apache.thrift:*</artifact>
                        <excludes>
                            <exclude>META-INF/LICENSE.txt</exclude>
                            <exclude>META-INF/NOTICE.txt</exclude>
                        </excludes>
                    </filter>
                </filters>
            </configuration>
            <dependencies>
                <dependency>
                    <groupId>org.apache.storm</groupId>
                    <artifactId>maven-shade-clojure-transformer</artifactId>
                    <version>${project.version}</version>
                </dependency>
            </dependencies>
        </plugin>
    </plugins>
</build>

This seemed to me like a thrift issue but I can't seem to find out the problem with thrift.
Below is the code that's causing the error:
public void run() {

    if (config != null) {
        try {
            nimbusClient = new NimbusClient(config, (String) config.get(Config.NIMBUS_HOST));
            topologies.constructTopologyGraphs();

            ......

        } catch (TTransportException e) {
            e.printStackTrace();
        }
    }
}

A: From http://cwiki.apache.org/confluence/display/MAVEN/MojoFailureException:

As a rule of thumb, plugins use this error to signal a failure of the build because there is something wrong with the dependencies or sources of a project, e.g. a compilation or a test failure.

Look at text from your stack trace:

unreported exception org.apache.thrift7.transport.TTransportException; must be caught or declared to be thrown

Are you sure that all parts of code who use objects/methods who can generate "TTransportException" has try-catch block and/or has "throws TTransportException" in signature? I think it's the problem. What's static code analyser you use?
P.S.: sorry for non-perfect English, complicated translation for this sentences. If you don't understand, ask the questions.


text:
10 Legendary Artists and Bands Touring This Fall
Elton John, The Who, Fleetwood Mac, and several other legendary acts are hitting the road
Elton John, Chicago, photo by Lior Phillips
Regan Bexler
September 27, 2019 | 3:25pm ET
This article is presented by StubHub.
As summer dwindles, fall nestles in, and winter fast approaches, sometimes it's easy to forget that live music season continues around the calendar year. We'll always romanticize the festivals of summer and the nights spent lying on the lawn with friends while the band plays on past curfew, but unlike the frigid weather to come, the very best of the concert season remains ahead of us and continues to heat up.
And fall is a concert season not to be missed, especially in 2019 and on into the new year. Skip the fall slate of acts rolling through your town at your favorite venues and you'll likely be kicking yourself by the time the snow melts in spring. Several legendary — there is no other word to use here — artists and bands will be pulling through your area for likely the last time ever. Others are still at the top of their games and putting on the most groundbreaking and creative shows of their careers.
So, don't make the mistake of bundling up under the covers at home for the next several months and becoming an insulated bump on your couch. Get up, get out, and hit the road with some of the greatest touring acts of all time while you still can. As always, head over to StubHub to find the very best deals and customize your ultimate concert experience.
As for us, we'll see you out on the road — among the stars.
Elton John may very well be the best pop artist of his generation, but he's lousy at goodbyes. That's okay, of course. None of us can fault our favorite Rocket Man for extending his farewell tour and even doubling back to many of the same towns for another round of "Crocodile Rock" or chorus of "Tiny Dancer". Let's hope Sir Elton tosses the term "farewell tour" around as liberally as, say, KISS, but in case not, don't go breaking your own heart by missing your last chance to bid goodbye to the yellow brick road and all that came with it.
(Buy: Tickets to Upcoming Elton John Shows)
Billy Joel, photo by Ben Kaye
Yes, yet another legendary piano man will be tickling the ivories at a venue near you this fall. And while Billy Joel has given no indications that he's planning on abandoning the road in the near future (hopefully, not for the longest time), that's no excuse to miss out on seeing one of the primo performers and composers of his or any other generation in action. Whether it's his synonymous "Piano Man" or "She's Always a Woman", the maestro has enough hits to make any venue curfew nervous. As the song goes, if you're in the mood for a melody, Joel will have you feeling alright.
(Buy: Tickets to Upcoming Billy Joel Shows)
The Who, photo by Philip Cosores
I pity the fool who doesn't step away from the pinball machine long enough to catch The Who as they celebrate 50-plus years of being one of the boldest, most innovative, and most influential hard rock acts the world has ever seen. Though hard living stole both Keith Moon and John Entwistle from their families, bandmates, and fans far too soon, Roger Daltrey and Pete Townshend have kept The Who spirit alive by carrying on, recording new music (due out in November!), and even experimenting with a live orchestra at concerts. If you've skipped seeing them in the past, all I can say is, don't get fooled again.
(Buy: Tickets to Upcoming Who Shows)
Madonna at Eurovision
It's easy to take Madonna for granted. Maybe it's that she comes and goes as she pleases as an actress, performer, and mother to the point where we can never quite pin her down … or maybe it's just that British accent she slips into sometimes. Regardless, every female — and a helluva lot of males — lumped into the category of pop star owes a tremendous debt to the original Material Girl. She took the concert pop experience to heights only topped by Michael Jackson, and that's why every single time she tours she sells out — quickly. If you haven't had the chance to see Madonna, like a virgin, it's time to experience your first time.
(Buy: Tickets to Upcoming Madonna Shows)
Eagles, photo by George Holz
You can't blame your father for loving the Eagles. These titans of "dad rock" absolutely owned the '70s with hit after hit on the radio and platinum record after platinum record climbing the charts. With more No. 1's than a foam-finger shop, it's no wonder that every time founding member Don Henley has gotten the band back together over the years, ticket sales have soared. If you haven't seen the Eagles yet, it's time to catch up with your parents and spend some life in the fast lane.
(Buy: Tickets to Upcoming Eagles Shows)
Bob Dylan in Concert
There's no lack of hyperbole in the music industry — and Bob Dylan has been dubbed more nicknames and allotted more superlatives than most — but when the greatest living American songwriter says "Never Ending Tour," he damn-well means it. More than 3,000 shows into a tour that began more than 30 years ago, Dylan continues to be one of the hardest-working artists in the business. Not only does the ultimate Bard keep up a rigorous touring schedule, but he's a master at reworking and rotating in songs from his vast catalog. So, don't think twice before snagging your tickets for his latest fall leg.
(Buy: Tickets to Upcoming Bob Dylan Shows)
Fleetwood Mac with Mike Campbell and Neil Finn, photo by Randee St Nicholas
The rumours are all true. Fleetwood Mac are still going their own way all these years later. Sure, it's not quite the same with lead guitarist Lindsey Buckingham having left the band, but the Mac sure didn't let anyone down by bringing on new members Mike Campbell and Neil Finn to solidify the lineup. More importantly, with the rest of the group in tow and sounding as good as ever, once the openings to "Dreams" or "Landslide" pipe into the venue air, you'll be far too busy reveling to worry about it.
(Buy: Tickets to Upcoming Fleetwood Mac Shows)
Bob Seger, photo Clay Patrick McBride
Arguably no name has been more synonymous with the "classic rock" genre over the past four or five decades than Bob Seger. When he and his Silver Bullet Band came to town, you could be sure that the heart of rock and roll was still beating. Seger may have traded his dark, shoulder-length hair for a mop of silver, black attire, and a black headband in more recent years, but that hasn't taken the edge off signature hits like "Old Time Rock & Roll" and "Night Moves". Now, that he's announced his farewell tour, time to go check him out before he turns the page.
(Buy: Tickets to Upcoming Bob Seger Shows)
George Strait, photo by David McClister
As various corners of the music industry try to chase the next trend, there's a comforting reliability in country music. It might be more and more why kids who once listened to indie rock now mix a little bit of country in with their rock and roll playlists. George Strait — often called "The King of Country" — exemplifies as well as anyone the type of career a singer-songwriter can carve out with just some boots, a hat, a guitar, and a little sincerity. While Nashville suits have chased country pop dollars throughout the years, Strait has amassed a loyal following simply by keeping it honest and simple. For a night of beautifully crafted songs delivered as earnestly as they come, you can't do better than nabbing a pair of tickets to see the King.
(Buy: Tickets to Upcoming George Strait Shows)
Nick Cave, photo by Ben Kaye
Nick Cave has always had to struggle to find enough outlets for all his creativity. Already one of the forefathers of goth rock, Cave also writes poetry, fiction, and for screens of all sizes in addition to public speaking and acting. Following the accidental death of his teenage son in 2015, Cave used music, film, and conversation not only to grieve but to question, wonder, and heal. His current solo tour features him in both song and conversation, and it's guaranteed to be an evening that encapsulates all the pain and joy that goes into being a person.
(Buy: Tickets to Nick Cave Shows)

redpajama_set_name: RedPajamaCommonCrawl


text:
Confidence through Craftsmanship with Kao Salons
NewsBreaking newsEditions
Kao Salon has unveiled an exciting and high-profile initiative. It is created to support and celebrate the brilliance and importance of our industry. It also showcases some of the incredibly talented people and hair experts within in it. This includes a very special film with BBC Storyworks and the Global Wellness Institute as part of the "In Pursuit of Wellness" series.
Jack Mead and Lydia Wolfe at Jack & the Wolfe
Launched at the Global Wellness Summit held at Tel Aviv at the beginning of November, Confidence Through Craftsmanship features two Kao partner salons – Jack & the Wolfe in the UK and Id Salon in the US. The film showcases how the salons, and their owners are creating an unrivalled experience for their clients that goes far beyond the haircut, showing how the industry greatly contributes to people's inner and outer wellbeing.
The film also focusses on the holistic wellness aspects which beyond having a haircut. It looks at the effect of boosting confidence and how it positively impacts on a clients self esteem. Also considered are the trust they place in their hairdresser, the bond that forms and the feeling of being valued and respected as an individual.
Confidence through Craftsmanship: SEE THE TRAILER HERE!
The release of Confidence through Craftsmanship also coincides with Kao commissioning a bespoke survey in UK and German markets. Together with with market analysis company YouGov, it gathers insight regarding public attitude towards hair salons. It uses those insights to support the messages of the film with data. It also demonstrates the importance of the salon industry for the inner and outer wellbeing of people.
The survey reveals that nearly 70 percent of the nation find salon visits a vital opportunity for self-care. 51 percent deem the relationship they share with their hairdresser as close as that of a friend. 51 percent of respondents appreciate their time visiting the salon the same way as before the pandemic. 34 percent value the service even more than pre-pandemic. The results provide insights into the overall social relevance of an industry that offers more than just a simple haircut.
Sustaining a relationship with the hairdresser is a central factor when the UK consumer chooses a salon. Nearly 60 percent of respondents feel their hairdresser cares about them as a person, accepting them for who they are. Over 40 percent feel they share a bond with their hairdresser that surpasses providing a service.
"The hairdressing profession needs to be more appreciated," says Peter F. Pfister, President of the international trade association Intercoiffure Mondial. "One thing is clear: hairdressers are masters of their craft. At the same time, they bring a high level of passion, creativity and empathy to their clientele. When people go to the salon, they are not only paying for a good haircut. They're also paying for "being pampered" or for a "time out from everyday life".
Dominic Pratt, Global President Kao Salon Division adds: "The survey results confirm that hairdressing is about more than just craftsmanship. It is about relationships and giving people an offer that makes them feel good on the outside and the inside. The pandemic has severely affected business. It has also shown how much people value the trusting relationships they have with hairdressing salons. We want to show that the industry not only has economic value, but also social value and how fulfilling working in this profession is."
The Survey – Facts and Figures
The survey polled female salon customers aged 18 and older who visit the hairdresser at least once a quarter. The result: a salon visit not only pays off on the outer appearance, but also fulfils important social and psychological functions and contributes to people's inner wellbeing.
For a third of UK respondents surveyed, visiting the hairdresser to feel confident about themselves is the main reason they go next to getting a new hairstyle while 70 percent feel a boost of self-confidence immediately following a trip to the salon.
Over half (52 percent) of respondents say they value relationship qualities with the hairdresser, such as trust, loyalty, and empowerment.
57 percent of those surveyed say they want to maintain what they spend on a visit to the hairdresser despite the current economic situation.
featuredUSA
featuredWORLD
hair salon survey
Kao salons
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text:
CDSP names Jefferts Schori St. Margaret's visiting professor of women in ministry
Former Presiding Bishop will lead fall class on science, technology, culture and religion
Former Presiding Bishop Katharine Jefferts Schori has been named the third St. Margaret's Visiting Professor of Women in Ministry at Church Divinity School of the Pacific, the Very Rev. W. Mark Richardson, the seminary's dean and president announced today.
Jefferts Schori, who has a doctorate in oceanography, will teach a course in the fall semester on the role of religious leaders in public conversation on issues including scientific discovery, technological development, artistic creativity and public policy.
"We'll consider how to encourage constructive and elevated public dialogue that is at once civil and earnest, evangelical and thoughtfully critical, and energetically focused on a vision of the beloved community – God's peaceable kindom of all creation," she said.
Jefferts Schori received her Master of Divinity from CDSP in 1994, and an honorary Doctor of Divinity in 2001.
"We are delighted to welcome Bishop Jefferts Schori back to her alma mater," Richardson said. "Her courage as a leader has been an inspiration to the church, but that is only one facet of her ministry. We're eager to have her among us as a scientist, a teacher, a public intellectual, and a neighbor."
Jefferts Schori will be on residence on CDSP's campus regularly during the fall. "I am very much looking forward to teaching at CDSP and rediscovering the remarkable creativity to be found in a classroom of passionate and curious people!" she said. "I expect that the resources and opportunities in Berkeley and the Bay Area will be constructive partners in our mutual exploration. And I look forward to being in residence in a community focused on loving God and neighbor with all we are and all we have."
The St. Margaret's professorship was inaugurated in 2014, on the 40th anniversary of the ordination of the first women to the priesthood of the Episcopal Church. The professorship was made possible by generous support from women who taught or studied at the seminary. The chair is named in honor of St. Margaret's House, a Berkeley-based institution that trained deaconesses and laywomen for ministry in the Episcopal Church from 1909-66.
Church Divinity School of the Pacific, the only Episcopal seminary on the West Coast, is a founding member of the ecumenical and interfaith Graduate Theological Union in Berkeley, California. Rooted in the Anglican tradition, CDSP prepares students to respond to the challenges of contemporary society with the good news of Jesus Christ by providing theological education that integrates scholarship, reflection, worship, spirituality, and the practice of ministry.
Presiding Bishop Katharine Jefferts Schori,
Canon Liz Habecker says:
How proud the women of St. Margaret's house will be to know the tradition is carried on for a new time for women in ministry.


text:
Q: How to use Trampoline IOS I was looking for this on google and I found some articles on it They say it is used for  HigherOrderMessaging and I tried to read the code to but everything was over my head can any body give simple example of it how we can use them? They were saying its used for passing returned object from method to another object. And another question when I develop apps never came situation where I need to use something like this.

A: In Objective-C, a trampoline is an object returned by a method that exposes some kind of message interface. When messages are received, it bounces the message on to another object.
Example One:
Return a proxy of a service client. When methods are invoked on the proxy, it first checks if the user has permission to proceed.
Example Two:
Make all the objects in an array do something:
[[windowsArray do] setHidesOnDeactivate:YES];

redpajama_set_name: RedPajamaStackExchange


As promised, CCTV's 3.15 programme took on another foreign corporate giant over the weekend. 3.15, which has previously exposed malpractice at McDonalds and Walmart, ran a lengthy exposé of what it said were examples of anti-Chinese bias by American tech giant Apple.
Later, the report shows an Apple worker telling a CCTV reporter than back covers are separate, and that getting a new back cover for one's replaced phone will cost an extra 580 RMB ($92).
Apple plays so many tricks with their customer service? I feel hurt as an Apple fan. Have you done right by [Steve] Jobs? Have you done right by boys who sell their kidneys [to buy iphones], this is an example of big-name shops bullying customers. To publish around 8.20pm.
Now it's me in person. Someone stole my Weibo account and posted the previous Weibo. Will someone tell me what's going on? This is ridiculous!
Another victim of those dastardly consumer advocate hackers! As scorn was heaped upon Ho, other celebrities were forced to deny that they too had been paid off or otherwise enlisted by CCTV.
CCTV, you are blind to Chinese children being attacked at schools, but you see school massacres abroad; you never criticise fake elections at home, but always report shoe-throwings in foreign parliaments; you don't pressure officials to disclose their assets at home, but you are so excited when a foreign official gets caught drinking a bottle of wine paid by taxpayers' money.
Offbeat China and Ministry of Tofu have collected a number of other statements by Weibo users and commentators attacking the TV network.


When creating a 2nd Income Online; It is very usual these days to offer your leads a gift of free information in return for your prospects details, as outlined before this information should be of high value allowing your lead to take immediate action to at least partially solve their problem or need. If they get part of the solution, and it works for them, they are more likely to buy the rest of the solution from you.
This gift should be designed to establish your credibility and build a level of trust your prospect has in you, a demonstration of your skill or level of knowledge in an initial free product will be 100 times more effective than if you simply tell people that you can provide answers in your sales copy.
Your gift can also be designed to create additional income if you include various recommendations for products that your prospect may need to help them find their solutions. You receive an affiliate commission if they click on the links and buy.
You would also include a short "call to action" at the end of the gift relating to your product or service, you can put a few links or a small advert partway through the gift but it should not look like one long sales pitch for your product or service.
As explained before your aim is to give the maximum amount of value at this early stage to generate goodwill and a high level of trust in your capabilities and to let them know you can provide further answers in due course. Obviously, if they want these additional solutions to their problems you will be charging a fee which is when your business starts to operate profitably.


The National Aeronautics and Space Administration (NASA) Headquarters has released a solicitation, titled NASA Space Technology Research Fellowships (NSTRF) - Fall 2016, on September 10, 2015. The solicitation is available by opening the NASA Research Opportunities homepage at http://nspires.nasaprs.com/ , selecting "Solicitations," then selecting "Open Solicitations," and, finally, selecting the solicitation number "NSTRF16."
NASA's Space Technology Mission Directorate (STMD) seeks to sponsor U.S. citizen and permanent resident graduate student researchers who show significant potential to contribute to NASA's goal of creating innovative new space technologies for our Nation's science, exploration, and economic future.
This call for graduate student fellowship applications solicits applications from individuals pursuing or planning to pursue master's (e.g., M.S.) or doctoral (e.g., Ph.D.) degrees in relevant space technology disciplines at accredited U.S. universities. NASA Space Technology Fellows will perform innovative space technology research and will improve America's technological competitiveness by providing the Nation with a pipeline of innovative space technologies.
Selected candidates will perform research at their respective campuses and at NASA Centers. In addition to his or her faculty advisor, each student will be matched with a technically relevant and community-engaged researcher who will serve as the student's research collaborator. Through this collaboration, students will be able to take advantage of broader and/or deeper space technology research opportunities directly related to their educational and career objectives, acquire a more detailed understanding of the potential end applications of their space technology efforts, directly disseminate their research results within the NASA community, and enhance their understanding of the research process.
Awards resulting from this competitive selection will be made in the form of training grants to accredited U.S. universities. This solicitation has two phases. Phase A is the application submission by the student. For the student applicant who is selected in Phase A, the accredited U.S. university where the student will be enrolled for the fall 2016 term as a full-time graduate student must submit a Phase B proposal (as specified in the NSTRF16 solicitation); a complete Phase B proposal submission will result in a training grant award. Phase B proposals may only be submitted if the applicant was selected in Phase A.
The financial and programmatic support for NSTRF comes from STMD. The fellowships are a component of the Space Technology Research Grants Program. Awards are planned to coincide with the start of the 2016 academic year and are subject to the availability of appropriated funds.
All Phase A applications must be submitted electronically through NSPIRES and are due by 6 PM ET on November 05, 2015. Detailed submission instructions for applicants are provided under "Other Documents" on the NSPIRES webpage associated with the NSTRF16 solicitation. Potential student applicants are urged to access the NSPIRES electronic proposal system well in advance of the proposal due date to register with NSPIRES, familiarize themselves with its structure, and to enter the requested information.
Comments and questions may be addressed by e-mail to the Space Technology Research Grants Program Executive, Claudia Meyer, at hq-nstrf-call@mail.nasa.gov. Responses to inquiries will be answered by e-mail and may also be included in the Frequently Asked Questions (FAQ) document located on the NSPIRES page associated with the solicitation; anonymity of individuals/institutions who submit questions will be preserved.


What lighted nocks do you use?
I have always used a lighted nock while bow hunt. I made the switch from gold tip velocity arrows with nockturnal nocks to Blood Sport Impact Hunter arrows and am trying to decide if I should but blood sports lighted nock or stick with nockturnals. What is your opinion bout lighted nocks and which brand would you suggest buying?
Thanks for your time. I look forward to watching your show every Monday morning!
I've shot the BloodSport Impact arrows and used their lighted nocks for years! You can see then in several GrowingDeer episodes. They are simple and reliable.
I hope you let several fly this fall!


NCCD is the National Consistent Collection of Data.
Under the Australian Education Act all schools are required to participate in the annual Nationally Consistent Collection of data.
Through this collection, data is collected about the number of school students with disability and the level of reasonable adjustments they are provided with.
To read more about the NCCD please see the downloads section below, or visit the website.


text:
Batrachochytrium är ett släkte av svampar. Batrachochytrium ingår i ordningen Rhizophydiales, klassen Chytridiomycetes, divisionen pisksvampar och riket svampar.

Källor

Bildgalleri

Pisksvampar
Batrachochytrium

redpajama_set_name: RedPajamaWikipedia


text:
The qualification competition for the 2012 FIFA Futsal World Cup was a series of tournaments organised by the six FIFA confederations.

Qualified teams

Africa (CAF)

|}

Morocco, Egypt & Libya qualified.

Europe (UEFA)

|}

Spain, Russia, Italy, Portugal, Czech Republic, Ukraine & Serbia qualified.

Asia (AFC)

Japan, Iran, Australia & Kuwait qualified.

North America, Central America and Caribbean (CONCACAF)

Group A

Group B

Guatemala, Panama, Mexico & Costa Rica qualified.

Oceania (OFC)

Final

Solomon Islands qualified.

South America (CONMEBOL)

Group A

Group B

Brazil, Argentina, Colombia & Paraguay qualified.

External links
 FIFA Futsal World Cup at FIFA.com
 FIFA Futsal World Cup at UEFA.com

Qualification, 2012 Fifa Futsal World Cup
2012


text:
UMass eliminated from Hockey East playoff contention with heartbreaking 4-3 overtime loss at Merrimack
By Dick Baker
NORTH ANDOVER – In its race that was supposed to go down to the wire for the eighth and final Hockey East playoff spot, the University of Massachusetts exited a day early, albeit reluctantly.
As a result of the combination of the Minutemen's 4-3 heartbreaking overtime loss to Merrimack Friday night, and Maine's 4-3 victory over New Hampshire, UMass was eliminated from the playoffs for the first time since the 2001-02 season.
The Minutemen (11-19-3, 8-16-2) were trailing Maine by one point for eighth place entering the night, and were hoping to survive and squeak in with a win in Saturday night's regular season finale at home against Merrimack. But now down three points, they are mathematically eliminated.
Rocco Carzo completed a remarkable late third period comeback for UMass by scoring with 40 seconds remaining in regulation to tie the game at 3-3. UMass was down 2-0, and 3-1 late, and scored all three goals after pulling goaltender Steve Mastalerz for the extra attacker.
But Connor Toomey, on a deflection of a shot by Brendan Ellis, scored with 3:15 left in overtime to give Merrimack the win. A tie would have enabled UMass to last another day.
UMass completes its regular season Saturday night at home to Merrimack.
For the majority of the first period, it was all Warriors as they registered 14 of the first 16 shots before the Minutemen could put together any offense.
The Warriors recorded the only score of the period while outshooting UMass 19-10.
Junior defenseman and captain Jordan Heywood put in his own rebound at the post to the right of Mastalerz at 11:53.
Mastalerz made the first save, quickly covering his corner, but no defender picked up the rebound, and Mastalerz, who appeared a bit off balance from the first save, had little chance on the right-handed blast from about 10 feet out.
UMass senior forward Eddie Olczyk had to be helped off the ice late in the period, and appeared to be favoring his right shoulder. He was later seen in street clothes.
The Minutemen came out aggressively in the second period, and dominated territorial play 18-5, but were unable to get anything past Merrimack goaltender Sam Marotta.
Marotta made two big saves off winger Patrick on two different UMass power plays. The first one came off a rebound of a shot by Branden Gracel, the second on a forehand drive from the slot.
With Maine leading UNH 1-0 after two periods, the Minutemen were a period away from being ousted from the playoffs if nothing changed.
Again, they came out hard, but John Guftasson scored off a rebound to make it 2-0 at 5:56. And with Maine now up 2-0, the Minutemen, who may have been aware of the out of town score, had to pull out all the stops.
UMass, realizing its situation and on the power play, pulled Mastalerz for the extra man with 5:29 to play.
It worked with Shane Walsh scoring on a rebound off the post with 4:01 remaining to make it 2-1.
But with Mastalerz back in net, Merrimack's Mike Collins converted a 2 on 1 to gain back the two-goal lead..
UMass didn't quit, and Conor Sheary came right back to score with 2:37 to play, and it was 3-2.
And with 40 seconds to play in regulation, Carzo tied it.
UP TO THE MINUTE – The Minutemen were without the services of second-leading scorer Michael Pereira who was boarded at the 4:51 of the first period in the second game at UNH last weekend. Pereira suffered a head injury. He has 13 goals and 13 assists for 26 points, and a plus-5. Kevin Czepiel was inserted on the first line with Gracel and Sheary. …Former UMass coach Toot Cahoon, slimmed down and looking like he was having the time of his life, was doing the color for Merrimack TV. Former UMass ssistant Blaise MacDonald, now the Colby head coach, was also on hand, and came up to the front of the press box to greet Cahoon before the game.


text:
Gareloi (en aleutià Anangusix̂ ) és una illa volcànica que forma part de les illes Delarof, un subgrup de les Illes Andreanof, a les illes Aleutianes, al sud-oest d'Alaska, als Estats Units. L'illa es troba entre el pas Tanaga i el pas Amchitka.

L'illa fa uns 10 quilòmetres de llarg per 8 d'ample. Amb una superfície és de 67,2 km² és la més gran del grup de les Delarof. L'illa està presidida pel mont Gareloi, un estratovolcà, que es troba al centre de l'illa i que s'eleva fins als 1.573 msnm. La seva darrera erupció fou el 1996. L'illa està deshabitada, com la resta del grup de les Delarof.

Referències

Illes Andreanof


text:
Piksel 16
AV Performances
Piksel Savers
PikselKIDZ
THURS 24 NOV
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A Virtual Bathymetric
Home / Art Installations / A Virtual Bathymetric
24 Nov 2016 @ 12:00
A Virtual Bathymetric, Alinta Krauth, The Mill
"A Virtual Bathymetric" uses frame-by-frame drawing animated in JavaScript to re-create the tracings of local and global shipping trade routes and sea floor topography. By stylizing these routes as abstract imagery, the concepts of mapping and documentation are brought into question and re-imagined. Placed into a 3D copper cube of holographic projection screens, the image multiplies and distorts, creating its own faux topography. "A Virtual Bathymetric" is not your usual room-sized projection mapping onto an object, indeed it is very small. In being so small, it allows the viewer, perhaps even forces, a more intimate connection; a one-on-one interaction with a holographic ocean.
Alinta Krauth
Independent Artist
Alinta Krauth is a multidisciplinary new media artist who focuses on projection art, interactive art, sound art, art games, generative art, and digital literature, and is interested in experimenting with links between these fields. She is also passionate about the environment, and is interested in ways to tie social relevance into interactive pieces – particularly with regards to sustainability, climate science, and consumer culture. She has seen her works exhibited globally in such places as Brisbane to Bergen, Virginia to Vienna, Paris to Melbourne, Vancouver to New York City.
Alinta has lived in rural Australia for her entire life, and her background is in cultural theory and creative writing. She likes to use these understandings to help her create historically and culturally considered works. But most of all Alinta is simply curious about the world and all its creatures – real and imagined.
By the Sea: Coral Empathy Device
KHz
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Piksel updated their status.
Invitation FINISSAGE Decoding Black Magic. Interventions in Infrastructure by the Critical Engineering Working Group Piksel Festival 2021 Piksel is glad to invite you to the Exhibition Finissage of the Critical Engineering Working Group. Tomorrow December 12th , the exhibition "Decoding Black Magic - Interventions in Infrastructure" by the Critical Engineering Working Group will be open from 14:00-21:00, adding 3 more hours to the regular opening hours. This is done as a way to celebrate together the unique opportunity in Bergen to see the art installations of these great artists. It is also a way to thank you for your interest and collaboration in expanding electronic art in the the cultural and artistic scene in our city of Bergen, as well as your support to the Piksel festival. Please join us on this last closure of the festival and the exhibition. Piksel is following all guidelines, related to COVID-19 and public events. If you have symptoms of COVID-19 or have been in close contact with someone that has COVID-19 you can not attend the event. Read more about COVID-19 and symptoms: www.fhi.no/en/id/infectious-diseases/coronavirus/ Piksel team piksel.no/	... See MoreSee Less
Piksel is in Bergen, Hordaland.
FINISSAGE | FINISSAGE | FINISSAGE "Decoding Black Magic - Interventions in Infrastructure" by the Critical Engineering Working Group FINISSAGE! Dear artists, colleagues, teachers, volunteers and friends; Piksel is happy to invite you to the Exhibition Finissage of the Critical Engineering Working Group. On Sunday December 12th , the exhibition "Decoding Black Magic - Interventions in Infrastructure" by the Critical Engineering Working Group will be open from 14:00-21:00, adding 3 more hours to the regular opening hours. This is done as a way to celebrate together the unique opportunity in Bergen to see the art installations of these great artists. It is also a way to thank you for your interest and collaboration in expanding electronic art in the the cultural and artistic scene in our city of Bergen, as well as your support to the Piksel festival. Please join us on this last closure of the festival and the exhibition. Piksel is following all guidelines, related to COVID-19 and public events. If you have symptoms of COVID-19 or have been in close contact with someone that has COVID-19 you can not attend the event. Read more about COVID-19 and symptoms: www.fhi.no/en/id/infectious-diseases/coronavirus/	... See MoreSee Less
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text:
These special edition Bibles are for NASCAR fans, teens and artists
By Mackenzie Dawson
December 14, 2019 | 2:43pm
Bible for Teen Girls and NASCAR fans by Zondervan. Zondervan
Man sets Bible on fire inside Walmart in bid to steal goods
Plug and pray: Biblical video game lets gamers play Jesus Christ
Was fake news the motivation behind Noah's Ark?
Kanye West's 'Nebuchadnezzar' opera was a loud flop
Most publishing houses release a stream of new titles throughout the year, hoping that each one might become a bestseller.
At Zondervan Bibles, there is one big book they publish, many different ways: the Bible. Zondervan is a Christian imprint based in Grand Rapids, Mich., and a division of HarperCollins (which is owned by News Corporation, the same company that owns The Post).
The challenge for Zondervan is to think of new ways to bring life to the ancient text and to engage their readers. In addition to the many traditional versions of the New International Version (NIV) they publish, they also release special editions of the Bible — there's a NASCAR edition, a version for teens and one aimed at women who enjoy art journaling, which includes pre-completed Scripture art paired with blank pages where people can try their own hand at drawing.
"We were seeing women on Pinterest and Etsy showing their scripture art," says Melinda Bouma, vice president and publisher of Zondervan Bibles. "There were women doing this who were very talented, and we thought [the special edition] would be a great way to introduce the idea to women who might not have considered that this could be a great way to worship through art."
One of the other big sellers is the Cultural Background Study Bible, complete with photos, maps and charts — which helps the reader understand the Bible in the context of the time in which it was written.
"The comments have poured in in terms of people explaining, 'I've read this one way my whole life, and now I understand it through new eyes,' " says Bouma.
"It has been very popular."
Filed under books , religion , required reading , the bible
A 1936 news clipping revealed my grandfather's incredibl...
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text:
Miranda Walker
Miranda Walker writes comedy and drama for stage, TV & radio. Her plays include An Inspector Calls Back and Fly Eddie Fly (about Olympic ski jumper Eddie the Eagle). Her work has been staged at The Courtyard Theatre and the Landor Theatre, London, the Everyman Theatre Cheltenham, Brass Works Theatre, Bristol, The Roses Theatre, Tewkesbury and Parabola Arts Centre. Other credits include flagship topical comedy shows The Now Show and The News Quiz for BBC Radio 4, Diddy TV, CBBC, Gigglebiz, CBeebies, and two short films. Miranda is currently developing a TV sitcom with DLT Entertainment. She also writes for children, and her work includes storybooks and activity books for Oxford University Press, Hodder Education and Nelson Thornes, and most recently, a graphic text adaptation of The Secret Garden (OUP) and award winning picture book, Wishing Fish Clock. Miranda is currently Writer-in-Residence for the Cheltenham Literature Festival, and lectures in Dramatic Writing for stage and radio at the University of Gloucestershire.
http://twitter.com/Miranda_W
https://www.facebook.com/miranda.walker.14
https://uk.linkedin.com/in/miranda-walker-57183638
https://www.instagram.com/mirandawriter/
South West (Wessex)
Philippe Carden, Cardenwright Literary Agency, London.
Email: philippe@cardenwright.com
RECENT DRAMA & COMEDY WORK INCLUDES:
DIDDY TV (sketch show), CBBC
GIGGLEBIZ, CBeebies
THE NEWS QUIZ & THE NOW SHOW, BBC Radio 4
TV sitcom optioned by DLT Entertainment
Gag writer for Ruth Jones' production company TIDY
FLY EDDIE FLY, about Olympic ski jumper Eddie the Eagle, Everyman Theatre, Cheltenham. Directed by Andy Burden, with Eddie Edwards consulting
AN INSPECTOR CALLS BACK, Courtyard Theatre, London. Directed by Paul Milton
COLIN'S LEGEND, Landor Theatre, London. Directed by Paul Milton
Short film ENGAGEMENT PARTY, Skillset Screen Academy
Children's play BANDSTAND PARK, Everyman Theatre, Cheltenham. Directed by Jude Emmet - currently in development
COLLABORATION, toured to schools and The Roses Theatre, Tewkesbury. Directed by Camille Cowe.
MAYDAY (satire, co-writer), Brass Works Theatre, Bristol. Directed by Adrian Harris.
ROWENA CADE short film monologue, TwoCan Inclusive Theatre.
INVISIBLE PEOPLE (family audience) Parabola Arts Centre.
Winner of BBC Writersroom / Radio 5 Live monologue competition.
Writer on the Skylines project, Theatre Centre London, developing new writing for young audiences.
Short plays WRITES OF SPRING (directed by Peter Leslie Wild), CORONATION (Paul Milton) and BACK TO BLACK (Jenny Wickes), Everyman Theatre, Cheltenham.
Radio play MEAN TO YOU, Level Playing Field
BOOKS FOR OXFORD UNIVERSITY PRESS (OUP) INCLUDE:
The Secret Garden graphic text adaptation, OUP
A Practical Guide to Activities for Older Children
A Practical Guide to the Early Years Foundation Stage
Co-writer of The Glitterlings, (story and play based resources for ages 4-6).
Currently writing a new storybook for OUP.
Animation, Books, Childrens writing, Comedy, Film, Online writing, Radio, Television, Theatre


text:
The Stono Preserve's Changing Landscape
The Landscape of Prehistoric Peoples
The Landscape of Religion
St. Paul's Parish
St. Paul's Parish Church
St. Paul's Parish Churchyard
The Landscape of Enslavement
Colonial Period
Antebellum Period
The Landscape of Agriculture
The Landscape of Wealth
The Landscape Today: Realizing a Vision
Archaeology Photo Gallery
Authors and Researchers
From the end of the Civil War to the early 1900s, landowners made no significant landscape changes that reflect wealth. Transformations began anew in the early twentieth century. This display of wealth reflects a boarder movement in Charleston and the South focused on the opulent beauty of the colonial and antebellum eras, while downplaying narratives of the slave system that drove the economy. Indicators of wealth shifted away from the number of slave homes, work buildings, and large tracts of agricultural land. Instead, wealth was symbolically reflected in home architecture, leisure facilities, and formal gardens.
Advertisement of sale for Dixie Plantation, 1930s, courtesy of South Carolina Historical Society.
In 1917, George W. Williams, Jr., the son of one of the wealthiest men in Charleston, purchased the then 732-acre property. Until this point, tenant farmers, many who were freed slaves and their descendants, cultivated much of its lands. The Williams family transformed the property into a space of leisure for the elite, serving as a weekend retreat to entertain family and friends. George Williams Jr.'s father, George Walton Williams Sr., built his wealth as a businessman brokering Lowcountry cotton in Charleston. When this urban family purchased this rural property, they were joining both Northern and Southern elite in the trend romanticizing the plantation past. Williams made a significant change to the landscape, one that denoted his sense of the property's value as a marker of his status and wealth. He paid for the construction of a new house at the end of the avenue of oaks. The placement of the house and its Colonial Revival architectural style (popular at the time), evoked for Williams and his guests the desired imagery of a grand Southern plantation house. The Williams' house was designed for entertaining with six master bedrooms, sleeping porches, several indoor bathrooms, and a large living area. In 2008, archaeologists uncovered portions of the brick foundation and front steps of this house.
(Top to bottom) Two excerpts from a news article about purchase of five plantations, "Big Sums Spent on Plantations," News and Courier, South Carolina, 1936; tennis players at Medway Plantation, 1933; all courtesy of College of Charleston Libraries. The Feirmontes were part of a larger phenomena of wealthy American families purchasing old plantations homes and turning them into spaces of leisure and sport. Tennis courts were added to multiple Lowcountry plantation sites during these remodels.
In 1935, over a decade after Williams' death, the family sold the property to Vincenzo and Madeleine Fiermonte. Like the Williams and many other wealthy families, the Fiermontes purchased the property as a vacation home. The Fiermontes also made significant changes to the property's landscape reflecting its function as a vacation home. They constructed several recreational facilities including a swimming pool, clay tennis courts, a skeet field, and a racetrack. In addition, the Fiermontes commissioned $30,000 in renovations to the 1918 house, adding electricity and telephone wiring. These extravagant additions reflected the reimagining of plantations from spaces of labor to spaces of leisure.
The couple's most noteworthy change was architectural. They transformed the 1918 Colonial Revival style house into one inspired by Greek Revival architecture. In the early twentieth century, the Fiermontes and many other Southern plantation landowners, with the help of early twentieth-century novelists and filmmakers, reimagined the antebellum plantation houses and began the process of reducing the entirety of a plantation to "the big house" in American memory. Conspicuously absent from the Williams, the Fiermontes, and many other wealthy families' reimagined plantation rebuilds were the buildings typical of plantation landscapes in the pre-Civil War eras. Slave homes, barns, kitchens, and cotton gin houses—the most important buildings on a plantation—were no longer necessary, and elite whites were not interested in reconstructing buildings that conjured the violence and inhumanity of the space they purchased. While plantations existed for the sole purpose of using free forced labor to build wealth for whites, twentieth century landowners engaged aspects of the landscape of wealth so narrowly that it swept painful historical realities into the shadows.
Detail of Dixie Plantation plat highlighting spaces of leisure, 1943, courtesy of South Carolina Historical Society. A skeet range, the tennis court, and the boat house are among the leisure spaces that Fiermontes added, obscuring its previous use as a site of forced labor.
The Fiermontes divorced in 1938, and Madeleine, who returned to using the last name of her second husband, William Dick, maintained ownership of the property. In December of that year, Madeleine Dick planned a visit to the newly renovated house. The evening before her arrival, servants started the new coal furnace sparking a fire that quickly engulfed the house in flames. She never rebuilt the house, nor returned to the property before her death on March 27, 1940. Her third son, John Henry Dick, inherited the property and lived there until his death in 1995.
Photograph of John Henry Dick, circa 1970s, courtesy of South Carolina Historical Society.
After returning from serving in the Army during World War II, John Henry made Dixie Plantation his permanent home. In 1947, he constructed his house and art studio along the Stono River. Though John Henry Dick never married or had children, he often entertained extended family and friends at his home. Hundreds of photographs of these gatherings are housed at the College of Charleston Libraries archives, while thousands of his photographs of travels and wildlife are available online.
A naturalist, who became well known for his wildlife paintings, John Henry Dick devoted the later part of his life to transforming the property into a nature sanctuary. Birds were a favored subject of his paintings, and many changes he made to the landscape were designed to attract a variety of waterfowl and migratory birds that provided a ready source of inspiration for his well-known bird illustrations. John Henry constructed several birdhouses, an aviary, and restored native plantings throughout the property. His most significant modification to the landscape was to reconstruct the former dam at the southern reaches of his property. As seen in a circa 1807 plat, enslaved peoples constructed the original dam, modifying a small tidal creek into a series of holding ponds used to regulate water to the rice fields. After years without regular maintenance, the earthen dam eroded and the former rice fields returned to nature. With the reconstruction of the dam and other features to control water flow, John Henry Dick created a unique, interconnected water system that provided salt, brackish, and freshwater environments in a single location creating habitats for a variety of lowland birds and animals.
Photograph of Sarah Doctor from the scrapbook of John Henry Dick, 1960-1980, courtesy of South Carolina Historical Society.
Sarah's Cabin, photograph by Kimberly Pyszka, Stono Preserve, 2009.
Excerpt about Sarah from the scrapbook of John Henry Dick, 1960-1980, courtesy of South Carolina Historical Society.
John Henry employed a number of people to maintain his home and lands, some of whom lived on the property in former tenant houses. He wrote fondly of a local woman, Sarah Doctor, who he employed as his housekeeper and cook. Beyond what John Henry wrote of Sarah in his journals, little of her story is known, except that she was born on John's Island in 1898 and married Peter Doctor. On a 1912 plat, there are a series of names listed along Willtown Road, one of which is "Doctor." The Doctor (or Dockter) family can be traced back as far as the 1870 census, the first taken after the Civil War. The census taker recorded that Edenboro Dockter, was 28, black, and a field laborer who could neither read nor write. He resided with his sister-in-law Claranda (24) and her children Wedentin (5), Sarah (3), Sam (2), and Jane (2 months). By 1910 Edinburgh Doctor (as he was now recorded by the census taker) was living with his wife, Ella, and their three children one of which was Peter. All but the youngest were listed as field laborers who could not read or write. However, Edinburgh owned his own home free and clear of a mortgage. While Sarah's in-laws had a long history in the area, and might once have been enslaved on Dixie Plantation lands, it is yet unknown whether she grew up in the vicinity or first came to the property when she married.
Sarah worked for John Henry for over thirty years, living in the still-standing tenant house just north of the avenue of oaks. Her house had a porch and three rooms with a central fireplace. It is interesting to note that the interior kitchen walls were painted a shade of blue traditionally called "haint blue" in the Lowcountry. Though the purpose of the color in Sarah's home is not known, this color is significant to the Gullah and other African-Americans today because of the long-standing belief that the color keeps the haints, or spirits, from entering the home. This belief originated in traditional West African religions and came to the New World with enslaved Africans.
Excerpts about Sarah from the scrapbook of John Henry Dick, 1960-1980, courtesy of South Carolina Historical Society.
Without documentation, written or recorded by Sarah, there is no way to understand Sarah's perspective on her life at Dixie Plantation. Sarah's employment in domestic work reflects the limited employment opportunities twentieth-century black women had in the Lowcountry. Many black women of her generation had employment choices similar to the work of enslaved women: agricultural work, child care, and domestic work. While the physical landscape had changed over the centuries, threads of its early history were still sewn into its fabric. For Sarah, this meant that employment opportunities in the Lowcountry and across the United States were still governed by race. In the twentieth century, three centuries from its beginning, the landscape of wealth continued to benefit those it had always served.
← Nineteenth Century
The Landscape Today: Realizing a Vision →


text:
Q: Denotion of Cronbach's Alpha based on Polychorric Correlations we assessed several 5 point Likert-Scale items in a questionnaire and are interested
in Cronbach's $\alpha$ for the internal consistency.
I recently read (here) that it can be more precise to used instead $\alpha$  based on polychoric correlations for such type of data.
Since I want to report the alpha in an abstract (with very limited space) I was wondering if there is common denotion for $\alpha$  based on polychoric correlations, e.g. $\alpha_c$ or something along this line?


The staff from Cardens Residential and Students@Cardens showed their support for the mighty City in style at the Oxford United match at the end of January.
12 members of the Cardens team were treated to Belly Pork Confit and a mouth-watering chocolate dessert, beautifully prepared by Rose Clace and her team prior to the game.
Jon Carden, lifetime supporter of Exeter City, founded Cardens in 1991, at which point the company began sponsoring the club in various ways. The leading estate and letting agents have gone from strength to strength ever since.
Selling or buying? Cardens has an established and experienced Sales Team who seek to provide you with a personable and professional service. With the increased demand their Sales team has also been incredibly busy, with lots of people looking for houses in St James itself.
Looking to unlock earning potential in an empty property? Cardens also have an experienced Residential Lettings department led by Jackie Skarratts who manage a portfolio of around 300 properties which range from City Centre studios to rural hideaways!
If you would like a friendly and professional service call the Cardens team on 01392 433866 or for more information visit www.cardensestateagents.co.uk.


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Peter Bullen (* 26. Juni 1970 in Koersel, Beringen, Flandern) ist ein belgischer Snookerspieler. In den 1990ern für einige Saisons Profispieler, gewann er später zwei Mal die belgische Snooker-Meisterschaft.

Karriere
Geboren im flämischen Koersel, einem Stadtteil von Beringen, begann Bullen erst mit 18 Jahren, Snooker zu spielen. Nur knapp drei Jahre später, 1991, erreichte er bereits das Achtelfinale der U21-Amateurweltmeisterschaft. In den folgenden Monaten nahm er auch an anderen internationalen Amateurturnieren teil. Bereits 1992 wurde er Profispieler, nachdem der Weltverband gegen ein gewisses Startgeld die Profitour für alle Spieler geöffnet hatte. Bullen blieb für vier Saisons Profispieler, schied in dieser Zeit aber stets früh in der Qualifikation der Turniere aus. Auf der Weltrangliste kam er nie über Platz 303 hinaus. Währenddessen beteiligte sich Bullen an Amateurturnieren in mehreren mitteleuropäischen Ländern. Unter anderem erzielte er beim German Open Snooker Rankings mehrfach gute Ergebnisse.

Danach beschränkte sich Bullen primär auf die belgische Amateurtour. In den 2000ern erreichte er mehrfach die finalen Runden der belgischen Meisterschaft und wurde 2003 sogar Vize-Meister, ein Meistertitel blieb aber zunächst aus. Sporadisch nahm er wieder auch an internationalen Amateurturnieren teil, wobei er unter anderem die Runde der letzten 32 der Europameisterschaft 2009 erreichte. Wenig später stand er in der Hauptrunde der 6-Red World Championship, einem Turnier im Six-Red-Snooker mit vielen Professionellen unter den Teilnehmern. Bullen versuchte auch, selbst wieder Profispieler zu werden, scheiterte aber ebenfalls 2009 beim EBSA International Play-Off im Achtelfinale. Anfang 2010 nahm er als Amateur immerhin an den professionellen Brugge Open teil.

Anfang 2011 wurde Bullen mit einem Sieg über Ex-Profispieler Björn Haneveer erstmals belgischer Meister. Noch im selben Jahr erreichte er die Runde der letzten 64 der professionellen Antwerp Open, aber auch das Viertelfinale der Amateurweltmeisterschaft. Anfang des nächsten Jahres erfolgte noch eine Einladung in die Wildcard-Runde des professionellen German Masters, aus der er aber kein Kapital schlagen konnte. Nur wenig später endete der Versuch der Titelverteidigung durch eine Niederlage im Halbfinale der belgischen Meisterschaft. Auch in anderen Disziplinen der belgischen Meisterschaft feierte er Erfolge:  Insgesamt zehn Mal gewann er die Doppel-Kategorie der Meisterschaft, im Team mit Steve Lemmens (vier Titel), Kevin Van Hove (drei Titel), Patrick Delsemme oder Mario Geudens (je zwei Titel). 2011 erreichte er zudem das Finale der Masters-Kategorie, unterlag aber Kurt Desplenter.

In den folgenden Jahren nahm er noch zwei weitere Male an den Antwerp Open teil, schaffte es aber nicht mehr in die Hauptrunde. Auch Teilnahmen an der EBSA Qualifying Tour verliefen erfolglos. Mehr Erfolg hatte er in den folgenden Jahren bei der belgischen Meisterschaft. Neben dem Vize-Meistertitel 2016 wurde er 2015 ein zweites Mal belgischer Meister. Daneben konnte er bei seinen weiterhin nur sporadischen Teilnahmen an internationalen Turnieren mehrfach erneut gute Ergebnisse erzielen, unter anderem gelang ihm der Einzug ins Viertelfinale der Europameisterschaft 2013. Daneben wurde er zusammen mit Mario Van Herk im selben Jahr Vize-Team-Europameister der Ü40-Klasse. Ferner probierte er sich auch 2013 im Russischen Billard aus. So nahm er an der Weltmeisterschaft in der Kategorie Kombinierte Pyramide teil, schied aber bereits in der ersten Runde aus.

2022 wurde Bullen belgischer Vize-Meister in der "Masters"-Kategorie und erreichte wenig später das Halbfinale der Ü40-Europameisterschaft. Bei der Ü40-Team-Europameisterschaft des gleichen Jahrgangs unterlag er zusammen mit Pascal Tollenaere erst im Finale.

Bullen heiratete zwei Mal und hat eine Tochter aus erster Ehe. Er lebt in Löwen.

Erfolge (Auswahl)
Einzel

Team

Weblinks

Einzelnachweise

Snookerspieler (Belgien)
Belgischer Meister (Snooker)
Belgier
Geboren 1970
Mann


The Minister of Youths and Sports, Solomon Dalung, on Saturday congratulated the Flying Eagles on their qualification for the FIFA U-20 World Cup in Poland.
A statement by the minister's Special Assistant on Media, Nneka Ikem-Anibeze said that the Flying Eagles finished top of Group A after beating hosts Niger Republic at home 1-0 to pick one of the four tickets at the 2019 U-20 Africa Cup of Nations.
"I congratulate you for picking one of the four slots for Africa to play at the World Cup in Poland. "I have followed the team's progress in the group stage and I am impressed by their youthful skills, determination and teamwork.
"I commend you for your performance so far in the African Championship and I pray that you scale through your semi final match against Mali and possibly win the trophy. " he said. Nigeria would take on Mali in the first semifinal on Wednesday.
Mali edged out Ghana by a lone goal to qualify. The second semi final game would be between Group B leaders Senegal and runners -up South Africa.


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Saunders awarded Marlborough sports honour
Tokyo Olympic reserve Callum Saunders has been awarded the Marlborough Sportsman of the Year.
This follows the recent announcement of Vantage Cycling New Zealand teammate Campbell Stewart, who was voted the Manawatu Sports Award winner.
Saunders has been a revelation in the Vantage Elite team, after fighting through a number of injuries since he competed at the Junior Track World Championships eight years ago.
His perseverance and hard work paid off with selection to the Oceania Championships in 2019 where he impressed to earn selection for his first UCI World Cup in Hong Kong in November.
Saunders was forced into the sudden-death repechage in the keirin after placing third in his heat, and won to progress to the semifinal, where he placed third by a fraction to earn the last spot in the final.
The field was worthy of an Olympic final with Saunders taking on the Rio Olympic gold medallist Jason Kenny (GBR), keirin world champion Matthijs Buchli (NED), compatriot Harrie Lavreysen who was the sprint world champion, the world No 1 ranked keirin rider Japan's Yudai Nitta, and Aziz Awang (MAL), the 2017 keirin world champion.
Saunders, a complete novice at this level, produced a superb display of speed and racing tactics to place himself well in the final lap, and outsprinted the leader Kenny and Buchli for a remarkable victory.
He pushed into the world's top-20 ranked keirin riders at the time, with the coronavirus stalling his further competition progress in 2020.
Saunders, a proud Marlborough sportsman, said the rich heritage of sporting success in the region had inspired him.
"I've always been inspired by a lot of those people that have come before me and aspired to do what they did," he said.
"I love riding my bike. Even as a junior I was a guy who was there or thereabouts but not one who got records or a heap of gold medals around my neck. The idea of persistence and learning the value to be gained from those low points and those losses has been really important for me."
CAPTION: Callum Saunders beats Olympic champion Jason Kenny (right) and world champion Matthijs Buchli. (Photo: Guy Swarbrick)


Extensive health services are available in Wilson. Wilson Medical Center, a Duke LifePoint Hospital, represents the best of community medicine and a continuity of services that include a 294-bed hospital, nursing care center, homecare and hospice company, child care center, durable medical equipment company and a healthcare foundation. Some 80 active physicians serve on the hospitals medical staff – 90 percent of whom are board certified, representing approximately 21 specialties.
The Wilson County Health Department and Wilson-Greene Mental Health Center provide a full range of health and mental health services. The health department, providing home care and other services, is very active in promoting better health throughout the county and routinely sponsors a number of educational programs. The mental health center staffed by two psychiatrists, offers a variety of programs for better mental health, including outpatient treatment.


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A stone axe and a flint arrow head are evidence of human activity in the parish for several thousand years.
There have been very few archeological findings for the period between this Neolithic age and the Roman occupation, when there are an abundance of pottery, coins, military uniform pieces and a silver bracelet, as well as a brick & tile kiln.
Both Leigh and Bransford parishes have a Domesday book entry, whilst the remains of a Motte & Bailey castle shows evidence of the lawlessness which followed later.
During the Civil wars in the 1600s, both Leigh and Bransford were strategically important, because they commanded crossings over the River Teme. Leigh Court was a Royalist stronghold, facing a Commonwealth household at Cotheridge, across the Teme.
Celtic Gold Quarter Stater of the Dobunni Tribe 50 B.C.
Roman Military Buckle 1st Century A.D.
Medievel Gold Ring with Sapphire Stone
The history of the Parish after the Civil War is similar to that of many rural parishes.
Change was slow until the start of the Industrial Revolution, in the late 1700s, when the countryside had to feed the growing populations of the new industrial towns.
In the early 1800s also came increasing local specialisation in growing hops and fruit. These crops dominated farming in the area until the 1970s, when entry into the European Common market changed the face of both local & UK agriculture.The coming of the railway in the 1870s meant that fresh produce could be sent easily to the large towns. It also meant that thousands of seasonal workers could come from the Black Country and South Wales for hop & fruit picking. Indeed, the arrival of the hop-pickers was an eagerly awaited event, when the parish population more than doubled. Extra police were drafted in an a whole range of special facilities were laid on


text:
Q: Get the PID of a process started with fabric run command How to get the PID of the processes started by the fabric run command.
I want to keep track of the PID, in case I want to kill the process.
Any better way of dealing with this case?

A: This should work because the shell opened by the run command is still open when the echo portion of the command is run:
run("mycommand & echo $!")


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O município de Hopewell (em inglês: Hopewell Township) é um município localizado no condado de Licking no estado estadounidense de Ohio. No ano de 2010 tinha uma população de 1.381 habitantes e uma densidade populacional de 21,03 pessoas por km².

Geografia
O município de Hopewell encontra-se localizado nas coordenadas . Segundo o Departamento do Censo dos Estados Unidos, o município tem uma superfície total de 65.68 km², da qual 65,55 km² correspondem a terra firme e (0,2 %) 0,13 km² é água.

Demografia
Segundo o censo de 2010, tinha 1.381 habitantes residindo no município de Hopewell. A densidade populacional era de 21,03 hab./km². Dos 1.381 habitantes, o município de Hopewell estava composto pelo 98,77 % brancos, o 0,29 % eram afroamericanos, o 0,07 % eram amerindios, o 0,07 % eram asiáticos, o 0,14 % eram de outras raças e o 0,65 % eram de uma mistura de raças. Do total da população o 0,14 % eram hispanos ou latinos de qualquer raça.

Municípios do Ohio
Localidades do condado de Licking


text:
A few suggestions (netcode & gameplay related)
By Remboooo, May 2, 2003 in Mod Suggestions - MTA 0.1/0.2 Alpha
Remboooo 0
First of all i'd like to begin with the netcode.
I haven't been able to play GTA MTA because the netcode doesn't seem to work via a (non-uPnP) router. Maybe you should include a small block of text in the program saying wich ports should be redirected in order for MTA to work via a router.
I saw in the movies though, that it seems that only the position of the other car(s) is transferred; not the speed. If you transfer the speed (and direction e.d.) as well, the client can calculate the next position of the car without having to receive another packet. This results in much smoother motion (especially with low-bandwidth connections), and you only have to send another packet if something unpredictable happens (i.e. the steering wheel is turned or something). You could let the client calculate the next position, then check on the real position, and if it differs to much, adjust the motion variables and send a packet to the server.
The other idea i had was about gameplay.
You could make a small modification to the map so that you have a small building somewhere wich you can enter, and if you enter it, you can switch between single- & multiplayer. If you enter the building, it's to difficult to print all the server-related crap on a texture or something, so i think you could best let an always-on-top window overlap gta 3. Somehow you need to lock the character then, because you don't want it to walk & shoot while you type in new server adresses.
Ofcourse the building has to be locked when you're busy doing a singleplayer mission, and the entrance of it should be only accessable on foot; you don't want someone in MTA to block the entrance with a tank
It should be close to the spawnpoint(s) as well, so you can switch when you're in a heavy gangwar to.
Maybe you can just use existing buildings, put a door in it, and a banner-texture that says something like "MTA SwitchHouse"
Well, that's about all i could think of, keep up the good work guys!
=edit=
If you implement the building, you could rename the original gta3.exe to gta3-original.exe or something, and replace the gta3.exe which then initializes and calls gta3-original.exe. Then you can just play GTA3 like MTA wasn't there, and the only difference will be the special building. That way you don't have to have a configurationscreen when starting GTA; it will only popup when you enter the building.
dont know anything abuot the netcode - *xerox calls kent over to answer this one* =)
As for the switchhouse idea. Its a neat idea, though i dont like the idea of people using it as a safehose if they are losing or something, seems like a cheap way out.
Dont know if the exe idea will work, as that has to stay as is due to legal issues and all that jazz.
But its still a nice idea, which could work nicely, though I wouldnt be playing gta3 single player, if I was on the internet anyway, an option for cablers maybe.
This switchhouse would also involve changing one of the buildings (not too hard anyway), which isnt a huge problem.
rllercstr7 0
Please do include a readme file with the port numbers for people with routers. That would be very helpful. Thanks
Good work MTA team!
I don't think people would be using it as a runaway house, at least not more than normal; if you're a bad loser, you can always get away via the menu.
As for the exe, it isn't necessary to actually change anything in the original exe; just rename it and rename the mta program to 'gta3.exe'. Then your program (MTA) will initialize, and after it's done doing that, it will startup the original (renamed) exe. That way the switchhouse is always functional
[edit] Or is that illegal too? [/edit]
I haven't thought about 56k-ers, sorry about that
But you could then make a separate multiplayer link in your startmenu/desktop wich directly switches to multiplayer. It's fairly easy to implement that, just use the COMMAND$ variable (and use ucase() or lcase() so that it's not case sensitive).
Glad to hear you think it's a good idea
Though i think the switchhouse idea is for a very late version when there's nothing else to improve
well keep posting, that idea is very nice
now that youve removed the idea of the switchhouse being a 'runaway' house, only the 56k issue remains. Its still plausable, that 56kers can use this though.
The team probably want the game to be run on a "clean installation" of gta3, as in no modifications to skins, handling, levels etc etc, but a hole in an existing building with a new skin wont be a huge problem.
As for the exe, ask vogel, im really just a moderator who seems to be able to bullsh*t his way through a conversation =) (shhh.... dont let anyone know, ok? )
As long as the exe file itself remains unchanged, im sure the rest should be fine, though im not 100% sure on that.
Getting mta to be run ingame, from gta3 would be great, but i dont think its possible without editing the exe. Gta3 seems to be "+ friendly", so its not a huge issue to run something from the desktop, like it is now.
Kent747 0
Hard-@ss
well the net code will be much better in this version,
1. its udp
2. regarding your idea... thats a semi-accurate approach.. the thing is cars dont move in linear fashions.. (they move in arcs and such).. what mta does.. is send the position and speed... but rather than sending a new position when something happens, it still needs to be sent periodically...
The problem w/ 0.2's netcode is not with the method of what is being sent... its more of how...
0.2 send the data in strings through tcp
0.3 uses udp.. (much faster but less reliable... (this is ok sense you are sending a lot of packets.. i.e if one packet gets lost, who cares, tehre is another position packet right behind it...))..
but even 0.2 (i believe.. i didn't do the netcode for that one)... sent the velocity along w/ the position.. the client then moves the car along the axis generated by the object's rotation at the speed sent) (in game physics may even take care of this... i really don't know)
Hope this was clear and accurate, if im wrong the memory coders will correct me im sure...
That would be a double post
Anyway, i know cars don't move linear, that's why you should send a packet everytime the car's real position is too far from the calculated position.
That way you could make different connection speed settings. The faster the connection, the less deviation is allowed for the car's position, as it will send more packets when the location is given more precisely.
we are already doing that... 0.2 did that...
but the fact of the matter is, is that you still need to send the position pretty often, because a lot can happen in a short amount of time
ex if i swirve left then right very quickly.. that would really change the direction of the car, compared to what the "predicted" path would be...
We've seen this happen in GGM and in our 0.3 tests.. Just wait for 0.3.. a lot of your suggestions have already been dealt with


Every girl is unique, talented, and lovable. . . .Every girl is BEAUTIFUL. Much more than how one looks on the outside, true beauty is found in conquering challenges, showing kindness, and spreading contagious laughter. Beautiful girls are empowered and smart and strong! BEAUTIFUL breaks barriers by showing girls free to be themselves: splashing in mud, conducting science experiments, and reading books under a flashlight with friends. This book will encourage all girls to embrace who they are and realize their endless potential.


Join a monthly meeting to help sort dresses, plan for the spring Prom Boutique and make friends with other Blessed Dress KC volunteers. Contact us for more information.
In early February, we'll have a live link to sign up for 2-hour shifts at the Annual FREE Prom Boutique. Meanwhile, you can read the information below to be familiar with the fun you'll have!
All volunteers wear jeans and a white shirt of their choosing. A pink lei is provided to everyone so we are easily identifiable by other volunteers and the shoppers. Men will remain upstairs and dress similarly to mark them as hospitality & greeters. Men will not be allowed in the shopping or dressing areas, no exceptions. We recognize that some girls have experienced sexual aggression or abuse and the safety and privacy of an all-girl shopping environment is aligned with our commitment to their rights and value as a participant.
Volunteers need to arrive 10-15 minutes early for their shift to ease the transition from one shift to the next. If any volunteer would like to stay for an extra shift, they should see the Leader to understand where they could be most helpful. We encourage volunteers to ask girl's first name and school, then refer to her by name during their interaction. Some girls will be shy and hesitant about selecting dresses. We encourage them and make the experience fun. Girls will often avoid trying on larger sizes (and our zippers break!) so we encourage them ("oh, sometimes the sizes are wrong, try this one"). There are safety pins, tape, mirrors, strapless bras, etc in the Dressing Rooms.
Every volunteer must respect the dignity and privacy of each shopper and her family. We welcome Lesbian, Transgender, and Bisexual shoppers. If they self-identify and if there are are concerned about their privacy, a Leader can provide the Pastor's private bathroom as a private dressing room. We welcome girls of any race and try to accommodate non-English speakers. Girls are welcome to shop with their baby and if pregnant, we will work to find a fitting dress. No one is judged and no one is turned away, except in the case of aggression.
Hospitality (4-6/shift) – Greet girls and their parents or friends in the Connect, direct girls to the boutique and visit with others while girls shop. Provide and restock snacks.
Check-in Girls (1-2/shift) – Host the Welcome Desk in the Breezeway and greet girls, ask them to sign in with their name, school and how they heard about the event.
Shopping Helpers (3-4/shift) – Assist girls one-on-one in selecting a dress, rove around the shopping area to help girls, return unwanted dress to racks.
Dressing Room Attendants (6/shift) – Stay at the Dressing Rooms and hand dresses to girls, zip and snap, protect and assure girls of their privacy. Encourage girls to try various sizes and comment positively on their selections. Communicate with other dressing room to assure good flow and avoid long waits at Dressing Rooms.
Steam Dresses (4/shift + 1 rover) – Use steamer to steam dresses and bag them, thank girls for coming and visit with them while steaming. The rover will assure you have supplies and keep cookies and water available in your steaming area for girls while they wait.
Jewelry & Shoe Attendant (1-2/shift) – Greet girls in the Prayer Chapel to select jewelry and other accessories as available. Remind girls they cannot shop for jewelry until they have selected their dress downstairs. One piece of jewelry (or set of earrings & necklace) per girl.
Check-out Girls – (1/shift) – Thank girls for coming, collect comments (particularly if they did not find a dress), take pictures if girls agree, and keep a count of how many dresses are selected and taken.
Photographer (1/shift) – Photograph individual girls, dresses, shopping and other pictures of interest. Any photo showing a girl's face must be accompanied by a signed release (by parent/guardian if under 18 years of age).


Labirinto della Masone is open every day, including holidays. It is closed on Tuesdays and on the public holidays of 25 December and 1 January.
The opening time is from 10.30 am to 7 pm. The ticket office is open until 6pm. There is no time limit to the visit, but it is advisable to allow at least one and a half hours to see the bamboo labyrinth, the galleries and the temporary exhibitions. Tickets to the labyrinth give unlimited entry and exit on the day of validity.
The area of the Entrance Courtyard, housing the Bookshop and ticket office of the Labyrinth alongside the Bistro, Café and Store run by Spigaroli, is open to the public. The rest of the complex can only be visited by purchasing a one-day ticket.
Labirinto della Masone is completely free from any architectural barriers, and may be visited by people of any age.
We love animals here at Labirinto della Masone. Dogs are permitted in the whole complex, but we reserve the right to grant access to dogs in the galleries.


For all the inroads that bitcoin has made on the current financial system, it has yet to threaten their ascendancy. The CEOs of Paypal, Visa, and other legacy payment systems may have been monitoring the rise of cryptocurrencies, but they have not been losing sleep over them. Now, in a frank report to the SEC, Bank of America has acknowledged a range of threats that could affect its hegemony – and one of them is cryptocurrency.


text:
Seals and sealing
Topic Selected: Animal Rights
Animals Asia
Animal Welfare Training Resources
British Fur Trade
Department for Environment Food and Rural Affairs
Freedom for Animals
Geographical Magazine
Green Eco-Friend
International Fund for Animal Welfare
International Fur Trade Federation
Network for Animals
Nuffield Council on Bioethics
People for the Ethical Treatment of Animals
The Courier Online
Understanding Animal Research
World Association of Zoos and Aquariums
Animal Welfare Act 2006/2007
Animal rights extremists
Animal stunning
Cetacean
Cosmetics and animal testing
Fake Fur(Faux fur)
Furrier
IUCN Red List of Threatened Species
Intensive farming
Non-human animals
Propagation facilities
Puppy farm/mill
Religious slaughter
Wild Animals in Circuses Bill
Sealing around the world
Sealing is important to the people of coastal communities throughout the world. People in Australia, Canada, Estonia, Finland, Latvia, Lithuania, Greenland, Iceland, Namibia, Norway, Russia, Sweden, United Kingdom and the United States all hunt seals.
The International Union for Conservation of Nature (IUCN), the largest and most respected conservation organisation in the world, supports the sustainable use of seals and other wildlife, as long as this is from abundant populations.
North Atlantic Harp seal populations increased from 1.8 million in the 1980s to 5.4 to 5.8 million today – a three-fold increase.
Seal hunting is undertaken as a managed hunt or cull in many parts of the world. As such, regulations as to how seals can be hunted, who can hunt them, and how many are taken are applied. Each adult seal eats from one to 1.4 metric tonnes of fish, annually. Maintaining a healthy balance of the marine e