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MOUNT DORA — A precautionary boil water notice has been issued after an 8-inch water main break on Lake Park Court.
Spokeswoman Lisa McDonald wrote in a press release that one side of the repair has been made and crews are starting the second part. Water samples will be taken Wednesday morning and as soon as the city gets clearance from the lab, crews will door-to-door to alert those who are affected.
The city issued a notice to the following areas: Quality Inn Hotel, Saigon Sushi, Certus Retirement Home, Frogger's Bar and Grill, 16708 U.S.441, 16716 U.S. 441, 16724 U.S. 441, 16732 U.S. 441, 16740 U.S. 441 and 4901 Lake Park Court.


He must give his life for his wife.
He must lead his wife to live holy.
He observes the hidden person of her heart (1 Pet 3:4).
He understands his wife (1 Pet 3:7).
He honors his wife as a Christian (1 Pet 3:7).
He does not act bitterly to his wife (Col 3:19).
He encourages his wife's godly and chaste behavior (1 Tim 2:10; 1 Pet 3:2).
He supports her good works (1 Tim 2:10).


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David Bowie Writing Songs for Spongebob Squarepants?
Written by Dustin on 1 September 2015
SpongeBob Musical hires David Bowie and Cyndi Lauper to write songs | Stage | The Guardian Nickelodeon announced on Monday that the world's most famous underwater pineapple living sponge will be given his own stage show, slated for a 2016 premiere. John Legend, David Bowie, Cyndi Lauper and Aerosmith's Steven Tyler and Joe Perry will […]
Professor Will Dress Like David Bowie for an Entire Year (for research of course)
Written by Dustin on 18 August 2015
NME News University professor to spend year dressed as various David Bowie personas for research | NME.COM A university professor is set to live as David Bowie for an entire year in an effort to better understand the singer. Look, I love David Bowie as much as anyone, but this is a bit much. What […]
David Bowie's early years chronicled in new 12-disc box set
Written by Dustin on 1 July 2015
Five Years 1969 – 1973 features newly remastered recordings, live albums, and previously unreleased outtakes. for full article, visit: http://ift.tt/1IvB7PG
Review: Jupiter in Velvet
Written by Dustin on 22 October 2013
Jupiter in Velvet "Shut off your Mind" URL: www.jupiterinvelvet.com So who is Jupiter in Velvet anyway? In my won words Jupiter in Velvet composes warmly-layered tunes about heartbreak, first love, sacrifices, memories, joy and other realities of humankind. His narrative lyrics and sincere performances reveal life's extraordinary moments and his own vivid, personal adventures. In his […]

redpajama_set_name: RedPajamaCommonCrawl


Have you ever considered using coming to teach important content? Every year I have students who just really can't stand to read. It breaks my heart. What has happened to this child so far in school that they have such a negative attitude toward books? As I thought about this, I wanted to think of some way to get kids reading social studies content without having to use their textbook. Thus, I discoved Comic Life. This program on my mac is amazing. It allows me to create comic-like formats to create my own stories. I used this to convert information from our social studies text into comics.
Below I linked two comics I created using Comic Life. One is about abolition in Pennsylvania, and the other is about The Walking Purchase. Both are used with our Pennsylvania History unit. I then had my students create their own comics using a section of the text. Then I copied the student created comics and had them share their work with the class. It was an awesome collaborative experience and a fun twist on reading our text.
Have you ever used comics in the classroom? I'd love to hear your ideas!
I have been looking for the "perfect" comic strips to use in class for teaching inferencing. Exactly what makes it funny? Have a few collected, but not quite enough to make a lesson yet.


Odysseas has worked on a wide range of projects, from small public spaces to complex masterplans in the UK and abroad. His interest lies in a conceptual design approach with focus on the future users, while he promotes the collaboration between different teams and disciplines.
He works with drawings that communicate the sense of space and he thrives to explore innovative ideas.
Focusing on the arriving experience to Oxford, the SPD brings forward an overarching vision to create a new transport interchange and a distinctive gateway to Oxford. Odysseas was part of a multidisciplinary team that worked with the council to deliver the SPD document, which is now adopted.
This award-winning 120-hectare greenfield development for Cambridge University incorporates a broad mix of uses including homes, retail and leisure, research facilities and public space. Odysseas helped in a number of plot studies for the second phase of the masterplan.
Transforming Dubai's waterfront, this 1.5 million square metres project will create a new destination with residential, commercial, a yacht marina and cruise terminals. Odysseas worked in London and Dubai offices with the masterplanning team and helped in client presentations.
To unlock the congested Museum of the Home, which occupies a row of 18th century almshouses, this sensitive approach works mainly with the existing fabric and opening up spaces not accessible before to the public. Odysseas assisted Wright and Wright Architects with drawings, reports and a number of presentations to the clients and local stakeholders.
Odysseas helped to create a new identity for a previously little-used public space. He worked alongside the leading architect, throughout the project from the first sketches to the implementation of this green square in the south east of Athens.


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This $92 sous vide machine makes me look like a fancy chef with minimal effort
James Brains
The Insider Picks team writes about stuff we think you'll like. Business Insider has affiliate partnerships, so we get a share of the revenue from your purchase.
Sous vide cooking has become all the rage in recent years and countless companies are trying to capitalize on this underwater slow cooking.
Gramercy Kitchen Company is one of the smaller, less-known companies to enter the immersion circulator space, but they have garnered a 4.6-star rating on Amazon.
I liked that the Gramercy Kitchen Co. sous vide machine was quiet, accurate, and easy to operate and clean.
One of the best features of the Gramercy Kitchen Co. Sous Vide Immersion Circulator is its price (currently $88 on Amazon), and they offer a no-questions-asked refund if you are not satisfied.
When the novice home chef hears the term sous vide, they often assume it's some fancy cooking technique that they could never possibly grasp. Think again. Despite the bourgeois-sounding name, which means "under vacuum," sous vide cooking makes delicious gourmet meals incredibly simple as long as you have plenty of time.
Sous vide cooking is basically a more delicious alternative to using a traditional slow cooker. At its most basic, you pop the ingredients into a plastic bag, remove as much air as possible, seal it up, and cook the food in a water bath at a consistent temperature for several hours.
Gramercy Kitchen Company was started by a small family looking for a healthier, more delicious alternative to your typical slow cooker as they tried to make dinner day in and day out while working 9-to-5 jobs. They sent me their immersion circulator for free to test out. Below are my experiences with it.
My first experiences with the Gramercy Kitchen Co. Immersion Circulator
What struck me first about the Gramercy Kitchen Co. Immersion Circulator is its large size. It's about 2-3/8" in diameter and 14" long. The circulator comes with a black velvet storage bag, which piques the interest of everyone who sees it hanging in my kitchen: "What's in the velvet bag?"
Without reading the directions, I was able to have the device up and running in about five minutes. The buttons and dial are just that intuitive. First, you press the temperature button to scroll to the temp you want. Next, scroll to the time you want, up to 99 hours. Then, press the play button. Voila!
Thanks to the adjustable clamp, you can use the Gramercy Kitchen immersion circulator in just about any container you want. And, it heats up to 15 liters of water at a time. For maximum affordability and efficiency, I used an Igloo Island Breeze Cooler and drilled a hole in the top that was just big enough to fit the sous vide cooker through. YouTube is full of great tutorials on how to do this.
Read more: The best sous vide machines you can buy
How the Gramercy Kitchen Co. Immersion Circulator performed
What I like most about sous vide cooking is that I can take a cheap cut of meat and turn it into filet mignon… or, at least, a worthy substitute. I started with a top round beef roast cooked at 132 degrees Fahrenheit for 24 hours. Afterward, I put the vacuum-sealed bag of meat in an ice bath to stop the cooking. Then, I heated some olive oil in a cast iron skillet until it was piping hot — turn your fans on and open the windows — and seared the roast for a minute or so on each side. The results were tender and juicy.
I had similar tender experiences with chicken, salmon, lamb, pork chops, and pulled pork. I also used the sous vide for reheating frozen leftovers I had vacuum sealed. It did a lot better job than the oven, microwave, or stove because you didn't lose moisture in the reheating process. I'm still trying to master vegetables. I tried asparagus and carrots with underwhelming results.
Before I get into the quasi-scientific testing, one other family favorite with the sous vide was making caramel, or dulce de leche. I vacuum sealed an unopened can of sweetened condensed milk and heated it at 185 degrees Fahrenheit for 12 hours. Carefully open the can, and it's full of delicious caramel.
The Gramercy Kitchen Co. Immersion Circulator has a temperature range of 104 to 194 degrees Fahrenheit. I found that it stayed within a few degrees of the target temperature, which is more than the claimed "+/-0.1 degrees Celsius," but close enough for most cooking jobs.
The Wirecutter created a benchmark test for sous vide cookers that I decided to steal.
I timed how long it takes this circulator to get 6 quarts of water from 69 degrees Fahrenheit to 135. It was about 21 minutes, which is not bad. I used a kitchen thermometer probe to take secondary temp readings, and I found that the readings on my thermometer were almost exactly the same as what the immersion circulator was showing. So, we can assume it's accurate.
This sous vide machine runs quietly. The ambient noise in my house is about 41 decibels, and the sound of the unit was 49 decibels when measured from 12" away. This is similar to what you find with the more popular models.
Since some meals can take a day or more, it's important for an immersion circulator to start right back up after losing power. I inadvertently tested this in my kitchen, where running multiple appliances on a single outlet will trip the circuit breaker. When the power failed, the Gramercy Kitchen Co. unit picked up right where it left off once I reset the breaker.
Read more: 30 appliances and tools that we swear by in the kitchen, from a $6 fish spatula to a $340 Dutch oven
Some concerns about the sous vide machine
Many of the most popular sous vide models these days feature Wi-Fi or Bluetooth connectivity. The Gramercy Kitchen Co. cooker does not have either. It's not a "smart" device. There is no app. The connectivity would be nice for monitoring my meal from afar, but I really didn't miss it. Gramercy does this on purpose because they want to keep the device as simple as possible.
The device allows you to set the temperature in intervals of 0.9 degrees Fahrenheit, which is odd. If you want to heat the water to 135 degrees, you can choose between 134.6 and 135.5 degrees. You can't set it to anything between those two. If you switch to Celsius, the interval is 0.5 degrees, which makes a lot more sense. Unfortunately, most of the recipes I saw were in Fahrenheit. This wasn't a major problem, just a minor annoyance.
As with any sous vide, it's hard to tell if the food is ready or not. You're basically going strictly by time and past experience. Ideally, you could pop a true wireless meat thermometer into the vacuum-sealed bag with your food and take readings as you go, but that technology isn't quite there yet.
Overall, I really enjoy using the Gramercy Kitchen Co. Sous Vide Immersion Circulator. It's accurate, reliable, quiet, and simple to use and clean. Though some of the more popular models have wireless connectivity and smart apps, they usually cost as much as $200, and the extra features can be a bit overwhelming for a first-time user. Therefore, I recommend the Gramercy cooker as a good beginner immersion circulator for any home chef interested in trying sous vide.
Buy the Gramercy Kitchen Co Sous Vide Immersion Circulator on Amazon for $91.97
Home & Kitchen Reporter, Insider Reviews
James is a Home & Kitchen Reporter for Insider Reviews, where he specializes in sleep, HVAC, and kitchen appliances. He has tested more than 30 mattresses from startups like Casper and legacy brands like Tempur-Pedic, using his background in experimental psychology to develop objective tests and evaluate comfort, support, motion transfer, and more. He authors our guide to the best mattresses. In addition to being Insider Reviews' mattress expert, James has extensively covered robot vacuums, air conditioners, air purifiers, and more within the HVAC space. He's tested more than 20 robot vacs from brands like iRobot and Roborock over the years and is no stranger to keeping his house at a chilly 60 degrees Fahrenheit for weeks on end all in the name of testing air conditioners. He's a multifaceted writer who has covered everything from health and fitness to consumer technology. His mission is to help people get the most value for their money by guiding them in making informed buying decisions. James is currently based in Lansing, Michigan, where he lives in "The Barn Mansion," a three-story Dutch colonial home, with his wife, two sons, two cats, and a rambunctious rat terrier. When James isn't testing products and writing for Insider, he's helping to run a popular local Facebook group, Lansing Foodies. See below for some of his work: The best mattress for every type of sleeper in 2021, according to our rigorous testing The 6 best robot vacuums we tested in 2021 The 6 best air conditioners we tested in 2021 The best Instant Pots and electric pressure cookers we tested in 2021 10 grilling essentials that chefs and pitmasters swear by for making the best BBQ The 5 best mattress toppers we tested in 2021 Contact info: jbrains@insider.com Learn more about how our team of experts tests and reviews products at Insider here. Learn more about how we test kitchen products.
SEE ALSO: I tried an under-$200 kitchen appliance that combines the best functions of an Instant Pot with an air fryer — and it actually worked well
DON'T MISS: 31 cool tech gifts for the home that suit every kind of budget
More: Insider Picks 2018 Kitchen Kitchen Essentials Sous Vide


I have been helping people with their horses, and horses with their people for over 20 years.
"I lov lov lov horses"
I enjoy training from the ground up and competing to win with my work in progress.
I enjoy coaching my students to their victories as well. I try to be unique and up to date in my teaching to keep things fresh and interesting even though I am most known for an old fashion work ethic. My fundamentals of training come from the old school best, and I also keep up with what judges are looking for today.
If you are looking to buy, sell, lease, take lessons, get training, show, or leisure ride I can help. I live to ride and be with nice horses.


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Improve the public's health by stimulating, coordinating, and conducting high-quality research and teaching programs that are focused on improving the organization, financing, and delivery of health care services — including preventive, remedial, and maintenance care.


Rory becomes intimately acquainted with the specific goals and financial lives of clients and then delivers customized financial planning, risk management and tax planning solutions to assist them in making their dreams a reality.
Rory began his career in finance as an intern at Merrill Lynch. Shortly after finishing his graduate studies he joined Mission Wealth in 2012.
An MA in economics provides graduates with the tools needed to conduct applied economic research, as well as providing sound preparation practical use for professionals working in financial institutions, government, and think tanks throughout the world.
Individuals who hold this designation have completed a course of study encompassing client assessment and suitability, risk/return, investment objectives, bond and equity portfolios, modern portfolio theory and investor psychology. Students have hands-on practice in analyzing investment policy statements, building portfolios, and making asset allocation decisions including sell, hold, and buy decisions within a client's portfolio. Additionally, individuals must pass an end-of-course examination that tests their ability to synthesize complex concepts and apply theoretical concepts to real-life situations. Designees renew their designation every two years by completing 16 hours of continuing education.
Those who have earned this designation have completed a course of study encompassing wealth strategies, equity-based compensation plans, tax reduction alternatives, and asset protection alternatives. Additionally, individuals must pass an end-of-course examination that tests their ability to synthesize complex concepts and apply theoretical concepts to real-life situations. Designees renew their designation every two years by completing 16 hours of continuing education.
Rory was born in Sydney, Australia, before relocating to Orange County, CA, where he spent the majority of his childhood. Rory currently lives in Marina del Rey in the Los Angeles area. He was an ocean lifeguard for several years and continues to enjoy spending time at the beach and maintaining an active lifestyle.


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Browse political cartoons for the week of January 18 | PHOTOS
'The most challenging year in airport and aviation history': Pandemic sends Allentown airport passenger traffic to level not seen in 50 years
Jersey shore homeowners battle state over sand dunes
By Wayne Parry
Associated Press |
A sand dune at Point Pleasant Beach, N.J. Some Point Pleasant Beach homeowners are fighting a plan by state officials to build protective dunes. (Wayne Parry / AP)
POINT PLEASANT BEACH, N.J. — In the dead of winter, the dune wars are heating up at the Jersey shore.
More oceanfront homeowners are going to court to try to block protective sand dunes from being built near their homes, on land they currently own. At the same time, the state is increasing the pace of its court filings seeking to condemn strips of beach needed for the project.
The latest to take on the state Department of Environmental Protection is a group of 11 oceanfront homeowners in Point Pleasant Beach, who filed a lawsuit last month challenging the agency's legal right to move forward with the dune project. They join the privately owned Jenkinson's beach, and homeowners in Bay Head, Long Beach Island and Margate who have launched court challenges to the plan, temporarily stalling it in their areas.
"The state cannot do what it's trying to do," said Anthony DellaPelle, who represents the Point Pleasant Beach homeowners, as well as nine Bay Head residents who sued the state seeking to be exempted from the dune project, asserting a privately built rock wall affords them enough protection against storms.
He said the state is wrongly asserting its right to acquire the property under eminent domain, where privately owned property can be taken by a government for a publicly needed project after fair compensation is paid. DellaPelle said the state does not have legislative authority to take these private property rights, and is relying on the wrong statute to make its property claims.
"We are asking the court to make a ruling that they don't have these powers," he said.
Meanwhile, the state has revved up legal efforts to obtain the easements needed for the dune project after threatening to do so for more than two years after Superstorm Sandy; the filings began last year and have increased in frequency over the last month.
So far, the state has filed condemnation proceedings against 82 private properties and one publicly owned parcel in Margate. The filings target six private parcels in Margate; four in Longport; two in Ocean City; 36 in Long Beach Township; one each in Beach Haven and Ship Bottom; 22 in Brick; and five each in Point Pleasant Beach and Mantoloking.
Homeowners have given a variety of reasons for opposing the dune project, despite the fact that areas that were protected by dunes fared better during Sandy than those that did not have them. Some fear the government will use their land to erect public facilities such as boardwalks and public bathrooms (the state denies any such intent).
Others resent the taking of private property by government, and still others say the amounts being offered as compensation for the loss of their land and ocean views are insufficient; many of the state's recent offers in Ocean County have been for $750.
Some private beach associations also want the right to be able to maintain their dunes after the project is built.
Gov. Chris Christie has listed Bay Head among a handful of dune opponents he considers selfish. In October, the governor encouraged people to knock on doors of homeowners in Bay Head and Point Pleasant Beach and ask why they haven't signed easements to permit the work.
Jenkinson's is in settlement talks with the state over a lawsuit it brought challenging the dune project, and Margate is continuing its court battle with the state.
Latest Pennsylvania News
Pennsylvania and Lehigh Valley react to Joe Biden's inauguration
Some of the court cases opposing the state's effort to take land for the project are expected to be heard next month.


SAN DIEGO -- People who drink four or five cups of coffee throughout the morning have slightly elevated blood pressure and higher levels of stress hormones all day and into the evening, creating a scenario in which the body acts like it is continually under stress, according to a group of Duke University Medical Center scientists.
In a study of 72 habitual coffee drinkers, the researchers found that subjects produced more adrenaline and noradrenalin and had higher blood pressure on days when they drank caffeine compared with days they abstained. The two stress hormones are vital to helping the body react quickly in times of danger or stress, but they can damage the heart over a lifetime of heightened production, said James Lane, associate research professor of psychiatry at Duke.
Lane prepared results of his study, funded by the National Heart, Lung and Blood Institute, for presentation Thursday to a meeting of the 1999 Society of Behavioral Medicine.
"Moderate caffeine consumption makes a person react like he or she is having a very stressful day," Lane said in an interview before the meeting. "If you combine the effects of real stress with the artificial boost in stress hormones that comes from caffeine, then you have compounded the effects considerably."
During the two-week study, the subjects experienced, on average, a 32 percent increase in adrenalin and a 14 percent increase in noradrenaline on days when they consumed caffeine. Their blood pressure rose an average of 3 points.
Lane's study builds on smaller ones in which he found that caffeine boosted blood pressure, heart rate and stress hormones in subjects who drank 4 to 5 cups of caffeine per day. In the current study, Lane replicated those findings and added to them by showing that subjects' blood pressures and stress hormone levels stayed elevated until bedtime, even though they last consumed caffeine between noon and 1 p.m.
4. Coffee addicts at reduced risk of type 2 diabetes?
5. Coffee: a cause of neonatal seizures?


Rival contenders for the governorship in a Russian Pacific region girded for court battles, and more protests, after an unusual last-minute vote count in a runoff election gave victory to the ruling party incumbent.
Supporters of Russia's Communist Party have cried foul in the election to head the Primorye region, where Vladivostok, the home port to the Pacific naval fleet, is located.
According to electoral officials, acting Governor Andrei Tarasenko was the victor in the runoff vote, after he surged ahead of challenger Andrei Ishchenko as final ballots were counted on September 17.
However, Ishchenko had been ahead in the tally until nearly the end, and Communist supporters called the last-minute spike in ballots for Tarashenko suspicious.
Hundreds of Communist supporters on September 17 protested outside the regional administration building in Vladivosto.
Ishchenko said his party was preparing lawsuits challenging the declared results in several districts.
He said party members who monitored the vote count in several locations have copies of the vote-count protocols that differ from the results announced by local officials.
United Russia, which is the country's dominant political party, accused the Communists of falsifications.
Out of 21 Russian regions in which gubernatorial elections were held on September 9, Primorye was one of four where candidates from United Russia failed to win 50 percent of the vote in the first round and were forced into runoffs.
The September 9 elections were a test of President Vladimir Putin's government as it seeks to raise the retirement age nationwide, a highly unpopular move that has prompted protests across the country.
Putin met with Tarasenko ahead of the September 16 runoff and told him that "everything is going to be fine," according to a transcript on the Kremlin website.
The runoff vote came days after Putin hosted Asian leaders, including Chinese President Xi Jinping and Japanese Prime Minister Shinzo Abe, at an economic forum in Vladivostok last week.


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A Love Bug for lovebugs! Handcrafted and hand-painted in colors bold and bright, this blushing romantic is quite a heartwarming sight. The cheerful 3.2" design is beautifully sculpted from high-quality stone resin for a lifetime of grand gestures.
Want more Miss Mindy? Follow her on Facebook, watch her on YouTube, and view her Instagram photos!
©MissMindy 2019. Disney elements are © Disney.


Jeff Studebaker, clinical sales manager for Intuitive Surgical, demonstrates the da Vinci Surgical System, during a Test Drive the Robot event at St. Mark's Hospital in Millcreek on Wednesday, March 20, 2019.
SALT LAKE CITY — Surgeons at St. Mark's Hospital are using robots to make surgeries less invasive and more precise.
A variety of specialties are now making use of robots as Utah hospitals follow a national trend to take advantage of the technology, according to Dr. Jessica Hunn.
Hunn is a gynecologic oncologist surgeon and the Robotic Medical Director at St. Mark's Hospital. She said St. Marks is ahead of the curve when it comes to robotic surgery, with more robots and more types of surgeons who use them.
"It's really exciting how we've grown for the last three or four years," Hunn said.
Jeff Studebaker, clinical sales manager for Intuitive Surgical, operates the da Vinci Surgical System remotely, moving tiny rubber bands onto cones during a Test Drive the Robot event at St. Mark's Hospital in Millcreek on Wednesday, March 20, 2019.
Hunn uses the da Vinci robot, which she says provides a magnified 3D view allowing her to see as if her eyes were inside the patient. With the robot she is able to move more fine tools while seated at the machine near the patient, just like she would if she were standing above a patient.
"The robot doesn't do the surgery, it's still the surgeon, and it's important to find a surgeon that is skilled and trained well and does a lot of surgeries. The robot won't make a bad surgeon a good surgeon," Hunn said.
St. Marks Hospital invited the public to come see how the robots work, and even test drive some of its da Vinci robots to help explain what it means to use robots in surgery.
"Surgery, in general, is an abstract idea for most people and so to actually see the machine that we use is kind of a neat thing," Hunn said.
Dr. Kade Huntsman is a spinal surgeon who uses the ExcelsiusGPS to do a more accurate surgery with smaller incisions. He said St. Marks was the second hospital to use the machine. Doctors there used it first in October 2017 and have performed about 200 surgeries since.
"We don't have to do so much destructive work just to get to the spine. This allows me to see the spine from outside the skin and put screws just through the skin instead of making a big incision," Huntsman said.
Monty Andrus, one of Huntsman's patients, had a spinal fusion in May 2018 using the machine to insert 12 screws and two rods. He said his experience was great and he would choose to use the robot if he needed surgery again.
"I'm back to playing golf, I'm back to playing pickle ball and exercising … I don't feel any restrictions at all," Andrus said.
The view through the da Vinci Surgical System is pictured during a Test Drive the Robot event at St. Mark's Hospital in Millcreek on Wednesday, March 20, 2019.
He said once he understood how the machine worked it made a lot of sense. It used Andrus' MRI, X-ray and CT scan to line up the ideal angle for the doctor to place the screws.
"It's designed for my body," Andrus said.
Huntsman pointed out another benefit — using the robot makes him more relaxed at the end of the day. He said before the robot he had a very high-stress job because of the accuracy needed.
"I still worry about missing, but it takes a lot of that stress away so it's a lot more enjoyable, a lot more fun, a lot more accurate (and) better for the patient," Huntsman said.
He also said the recovery time is "dramatically better" following surgery with the assistance of the ExcelsiusGPS. Patients go home one or two days after the surgery and feel great again in about three months, rather than six.


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Brachypogon är ett släkte av tvåvingar som beskrevs av Jean-Jacques Kieffer 1899. Brachypogon ingår i familjen svidknott.

Dottertaxa till Brachypogon, i alfabetisk ordning

 Brachypogon aethiopica
 Brachypogon afifi
 Brachypogon africanus
 Brachypogon albipennis
 Brachypogon alexandros
 Brachypogon apunctipennis
 Brachypogon artemis
 Brachypogon beaufortanensis
 Brachypogon bergensis
 Brachypogon bifidus
 Brachypogon bifurcus
 Brachypogon bimaculatus
 Brachypogon bonaerensis
 Brachypogon boormani
 Brachypogon borealis
 Brachypogon borkenti
 Brachypogon brazzai
 Brachypogon bryanae
 Brachypogon caecus
 Brachypogon calchaqui
 Brachypogon calloti
 Brachypogon canadensis
 Brachypogon clastrieri
 Brachypogon corius
 Brachypogon corneti
 Brachypogon corniger
 Brachypogon cuacuahuitlus
 Brachypogon curtus
 Brachypogon debenhamae
 Brachypogon defectivus
 Brachypogon dehiscens
 Brachypogon delecollei
 Brachypogon demeilloni
 Brachypogon ecuadorensis
 Brachypogon emphuxi
 Brachypogon ethelae
 Brachypogon fagicola
 Brachypogon fuscivenosus
 Brachypogon gearyae
 Brachypogon glukhovae
 Brachypogon gravidus
 Brachypogon griffithsae
 Brachypogon grobleri
 Brachypogon hadrosaurus
 Brachypogon hamiltoni
 Brachypogon hamoni
 Brachypogon havelkai
 Brachypogon herati
 Brachypogon hercules
 Brachypogon hugoi
 Brachypogon idolon
 Brachypogon impar
 Brachypogon incerticruris
 Brachypogon incompletus
 Brachypogon infarctipes
 Brachypogon infrequens
 Brachypogon institor
 Brachypogon insularis
 Brachypogon insulicola
 Brachypogon jaroslavi
 Brachypogon kokocinskii
 Brachypogon kraussi
 Brachypogon kremeri
 Brachypogon krugeri
 Brachypogon krzeminskii
 Brachypogon latifemoris
 Brachypogon libanius
 Brachypogon limushanensis
 Brachypogon lorica
 Brachypogon lunatus
 Brachypogon maai
 Brachypogon mapuche
 Brachypogon medusae
 Brachypogon mireillae
 Brachypogon misionensis
 Brachypogon monicae
 Brachypogon nicolaii
 Brachypogon nipponensis
 Brachypogon norvegica
 Brachypogon norvegicus
 Brachypogon novaguineae
 Brachypogon optimus
 Brachypogon pakistanicus
 Brachypogon pallidipennis
 Brachypogon papuensis
 Brachypogon paraensis
 Brachypogon peregrinator
 Brachypogon petersi
 Brachypogon phymos
 Brachypogon pollices
 Brachypogon proprius
 Brachypogon pruinosus
 Brachypogon pseudocanadensis
 Brachypogon pseudoparaensis
 Brachypogon remmi
 Brachypogon riebi
 Brachypogon ringueleti
 Brachypogon schmitzi
 Brachypogon senegalensis
 Brachypogon sentiger
 Brachypogon serratus
 Brachypogon silecis
 Brachypogon sitius
 Brachypogon sociabilis
 Brachypogon spatuliformis
 Brachypogon spinosipes
 Brachypogon spinosissimus
 Brachypogon spinosus
 Brachypogon stigmalis
 Brachypogon stolida
 Brachypogon subiectus
 Brachypogon sudowicus
 Brachypogon surae
 Brachypogon szadziewskii
 Brachypogon tabernaculum
 Brachypogon telesfordi
 Brachypogon tokunagai
 Brachypogon ussuriensis
 Brachypogon wirthi
 Brachypogon wirthorum
 Brachypogon vitiosus
 Brachypogon woodruffi
 Brachypogon yarimii

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With its earthy nose of stewed fruit compote, cedar and sandalwood, this expression of The Glenrothes is remarkable for its complexity.
The palate features caramelised oranges, marmalade, brazil nuts and chocolate-covered macadamia nuts too.
The finish is sensationally rich with cloves and some peat coming through. This is a stunning example of a top-quality whisky at the optimum point of maturation.
A few drops of water will reveal its inner soul together with the characteristic cooked oranges and spices make for a truly delicious end.
Bouquet. Rich, full aroma, ripe red orange.
Palate. Full flavour, soft, mellow vanilla.


St. John's Institute is privileged to be the venue for the monthly meetings hosted by the Canadian Authors Association of Alberta; an association that goes back more than 80 years, where "Writers help Writers" across the province.
We humbly thank Canadian Authors Association for their kind words. Special thanks to Jason Mord, our new chef, that made those delicious desserts and a wonderful brunch!
We will proudly continue our mission to subsidize non-profit and charity organizations to fulfill their cause and purpose.


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Balmond Hyper 12 months ago
Jason Bateman is one of the rare child actors to transition to even greater success as an adult, but he's admitting it wasn't as easy as it may have appeared. In a new interview with the Guardian, Bateman explains he didn't do that much acting during the 1990s because he was […]
Jason Bateman is one of the rare child actors to transition to even greater success as an adult, but he's admitting it wasn't as easy as it may have appeared.
In a new interview with the Guardian, Bateman explains he didn't do that much acting during the 1990s because he was trying to make up for the childhood he felt like he lost while also doing some serious partying.
"It was a combination," said Batemen.
Jason Bateman Named Hasty Pudding's Man Of The Year
"Me stopping everything on purpose, to catch up with all these inabilities I had as a kid, because I was always working," he added. "I wanted to get the wiggles out."
However, when he was finally ready to get back to work, Hollywood was no longer all that interested.
"Having thought, 'This is really fun,' and staying at the party a little bit too long, I'd lost my place in line in the business; it was a case of trying to claw that back towards the end of the '90s, and not getting a lot of great responses," he said.
Of course, everything changed when he was cast as Michael Bluth in "Arrested Development" in 2003, which was followed by a string of successful projects including "Juno", the "Horrible Bosses" films and his award-winning work in Netflix's "Ozark".
Jimmy Kimmel Surprises Jason Bateman With His 'Favourite Sweatshirt' From The '80s, Shows Adorable Clip Of His First 'Tonight Show' Appearance
"I will always respect the access and relevance that that show gave me, and try not to take that for granted again, and do everything I can to earn this place in the business that I love," he said of "Arrested Development. "It created an environment; I loved going there every single day."
Posted in Celebrity News, Entertaiment Center, Entertainment News, Entertainment Tonight, Entertainment Weekly, Gossip, Hollywood News, Hot Gossip, Infotainment, News
Wed Jan 26 , 2022
It looks like the Biden administration's regulation for businesses to make sure their employees are either vaccinated or tested frequently will come to an end starting Wednesday. According to CNBC, on Tuesday, the Occupational Safety and Health Administration (OSHA) announced the withdrawal of its vaccine and testing mandate for businesses. […]
Milwaukee Bucks Boycott NBA Playoff Game In Wake Of Jacob Blake Shooting
That Face! DWTS' Witney Carson Reveals First Photo of Son Kevin Leo
'Britain's Got Talent' Comedian David Walliams Mocks Simon Cowell's Bike Accident
Lil Nas X shares album tracklist for 'Montero' with guests Megan Thee Stallion, Elton John, Miley Cyrus and more
Sarah Michelle Gellar confuses wedding date anniversary with Freddie Prinze Jr.


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Celebrities That Live In Malibu
Home / Celebrity Homes / Celebrities That Live In Malibu
Not all celebrities just live in Los Angeles and New York City. Some prefer to live in other areas in the United States and even the world. Did you know that there are some celebrities that live in the Malibu area? Some of the celebrities include politicians, actors, and musicians. Finally, we will look at this list of celebrities that live in Malibu.
Courtney Cox is an American actress. She got her start while appearing in Bruce Springsteen's 1984 music video for "Dancing in the Dark." She gained worldwide fame for her role as Monica Geller on the hit 1990s show Friends. Cox has a daughter, Coco, with her ex-husband and fellow actor David Arquette. Since 2013 she has been in a relationship with Snow Patrol band member Johnny McDaid. Cox has lived in Malibu for many years.
Leonardo Dicaprio is an American actor. In 1991 he landed the role of Luke on the family sitcom Growing Pains. His career has since skyrocketed, and he has starred in movies such as What's Eating Gilbert Grape, Romeo + Juliet, and Titanic. DiCaprio has called the beach town of Malibu his home for many years.
Caitlyn Jenner is a former Olympic gold medal winner. Prior to her gender transition, she married Kris Jenner in 1991, with whom she has two daughters. Kendall and Kylie Jenner. Since divorcing Kris in 2015, Jenner moved into a beautiful beachfront home in Malibu.
Lady Gaga is a singer and actress. She has many iconic songs, including "Bad Romance", "Poker Face", and "Just Dance". She also has starred in the movies A Star Is Born and House of Gucci. In 2014 she purchased her Malibu mansion for $22.5 million.
Some Other Celebrities that Live In Malibu
Julia Roberts- American actress famous for starring in movies such as Pretty Woman, My Best Friend's Wedding, and, Eat Pray Love.
John Cusack- American actor, known for starring in movies Say Anything, Being John Malkovich, and High Fidelity.
Rob Reiner- American filmmaker, responsible for the movies Stand by Me, When Harry Met Sally, and The Princess Bride.
Cindy Crawford- Former supermodel and businesswoman. Her daughter Kaia Gerber is also a successful model.
Mel Gibson- American actor and director. He has starred in movies such as Braveheart, Lethal Weapon, and The Patriot.
Conclusion: Celebrities that live in Malibu
Whether they are actors, directors, or musicians you now know some of the celebrities that currently live in California. Finally, if you enjoyed reading about celebrities that live in Malibu then check out other articles on our site. Lastly, check out our Instagram, Twitter, and Facebook accounts and leave your thoughts and comments there too. What city or state do you want us to post on next? Please let us know.
Categories: Celebrity Homes
Tags: beach, California, Los Angeles, malibu


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Young Carers Podcast - Carers Week 2018 5
Today is the last day of our Young Carers Podcast in recognition of Carers Week 2019. We have a very exciting visit planned for our podcasters later today, so keep an eye of for that!
But first, here is the final episode: What do we get out of Edinburgh Young Carers?
Thank you for listening!
Young Carers Podcast:
In celebration of Carers Week 2019, four young carers in the 12-15 age group at Edinburgh Young Carers have written and crafted a podcast about Young Carer's issues.
Here is Episode 4: Because I am a Young Carer....
Here is Episode 3: Misconceptions and School
https://soundcloud.com/…/episode-3-misconceptions-and-school
Episode 3: Misconceptions and School
In celebration of Carers Week 2019, four young carers in the 12-15 age group at Edinburgh Young Carers have written and crafted a podcast about young carer's issues. We will be releasing an episode a day...
In celebration of Carers Week 2019, four young carers in the 12-15 age group at Edinburgh Young Carers have written and crafted a podcast about Young Carer's issues
Here is Episode 2: Challenges
Episode 2: What Challenges do Young Carers Face?
Young Carers Podcast - Carers Week 2018
In celebration of Carers Week 2019, four young carers in the 12-15 age group at Edinburgh Young Carers have written and crafted a podcast about Young Carer's issues. We will be releasing an episode per day for each day of Carers Week.
Here is Episode 1: What is a Young Carer?
https://soundcloud.com/user-409617233/episode-1-what-is-a-young-carer
Young Carers in Charge
Young carers' views on heritage showcased at People's Story exhibition
Examples of local heritage chosen by a group of young carers will go on display for eight weeks from this Saturday (2 February) as part of a special exhibition in Edinburgh.
The exhibition, titled 'Young Carers in Charge' is part of national charity Children in Scotland's Heritage Hunters project, which focuses on broadening the participation of children and young people in heritage settings across Scotland.
As part of the project's activities in Edinburgh, the charity brought together Edinburgh Young Carers with Museums and Galleries Edinburgh.
Young people in the group aged from 9-16 worked with museums and galleries staff to explore sources of local heritage and young people's perceptions of heritage.
In the first stage of the process, group members explored their initial understanding of heritage and from this decided they would be interested in helping to co-curate their own exhibition. This involved selecting a theme, picking objects from the Museum's Collections Centre, object handling and writing their own object labels.
Members also selected items from their own lives to be displayed. The exhibition will reveal their choices and celebrate the group's involvement in designing the project.
As part of the process the group also shared their views on what museums should collect to represent what's important to young people today.
Comments from the young people who have taken part in the project included:
"Heritage is basically something that everyone has but is kind of hard to explain. It's anything that has got along history behind it and has been passed down through either family or culture."
"It's been cool to see behind the scenes of a museum."
"This group has been fun because I got to try new things."
Jane Miller, Policy & Participation Officer at Children in Scotland, said:
"My highlight from this project has been watching the group grow in confidence, with each other and within the heritage sites. It was brilliant to gain a fresh and honest perspective from the young people and to hear about how we can make heritage more appealing to young people.
"One of the best parts for me was hearing about the objects the group had selected from their own lives to form part of the exhibition. Some of the objects were chosen because of the links they had to special people in their lives, including family members. Other objects were important because they represented personal achievements and successes."
Cllr Donald Wilson, Convenor of Culture and Communities at City of Edinburgh Council said:
"Working on the Heritage Hunters project with Children in Scotland has enabled our Museums & Galleries team to build a strong partnership with Edinburgh Young Carers, engaging young people with the city's collections.
"The young people involved have done a fantastic job of selecting objects to display. They have helped us to ensure that our museums are accessible and fun for our young people today."
Jane Miller added:
"We hope that being involved in co-curating an exhibition has allowed the young people to feel a sense of ownership over their heritage – something reflected in the exhibition title they chose.
"We have developed wonderful partnerships with both Edinburgh Young Carers and Museums and Galleries Edinburgh, and hope to work with both of them again in the near future."
Find out more about the project here:
https://childreninscotland.org.uk/heritage-hunters/
Heritage Hunters took place as part of 2018's Year of Young People.
https://yoyp2018.scot
Children in Scotland is a national charity working to improve children's lives.
www.childreninscotland.org.uk
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"NOW YOU SEE IT, NOW YOU DON'T"
An Exhibition of Photographic Illusions
Prepare to be mesmerised by the uncanny illusionists from Edinburgh Young Carers. In collaboration with MagicFest and Professor Richard Wiseman they will be creating Magic in a Photo! How? You might ask, well join us on a journey of discovery where the old history of Edinburgh and the magic of young minds collide! Witness the magic at Storytelling Centre, unlock the secrets at Museum of Childhood.
Date Thur 13 Dec – Sat 26 Jan
Venue 1 Photo exhibition
Scottish Storytelling Centre
Mon – Sat 10am – 6pm
Mon 24 & 31 Dec 10am – 3pm
CLOSED Dec 25, 26, 30 and Jan 1, 2
Venue 2 Behind the scenes
Museum of Childhood
Daily 10am – 5pm
CLOSED Dec 25, 26 and Jan 1, 2


Student Charlie Zarb tells teacher Donna Allen how he's feeling using AAC tool PODD.
Donna Allen oversees Olivia Owen using the augmentative and alternative communication tool — PODD.
Student Judd Keenan and Donna Allen use PODD to help write a sentence.
Donna Allen with her Most Outstanding Primary Teacher award.
Donna Allen (centre) with students Charlie Zarb and Olivia Owen. Picture: Megan Fisher.
For Verney Road School Foundation teacher Donna Allen simply being nominated for the Most Outstanding Primary Teacher award was an honour.
But while attending the Victorian Principals' Association of Specialist Schools Awards with 12 school representatives, she took out the category and is still coming to terms with the incredible title.
''I was really shocked,'' she said.
Ms Allen said she began teaching at Verney Road School about eight years ago after spending time teaching at specialist schools in Melbourne before moving to the district and teaching at Murchison Primary School for 10 years.
''When my kids were older I decided to get back into specialist teaching,'' she said.
Ms Allen was unanimously selected by the panel of judges as the recipient of the award, which largely recognised her work in developing a writing moderation tool for predominantly non-verbal students.
''In my role as literacy co-ordinator I have students who are non-verbal and students who are quite verbal,'' she said.
Ms Allen said she used the school's existing augmentative and alternative communication system PODD to develop the tool which allowed students to not only communicate using PODD but also to write using the system. AAC is a type of communication that combines gestures, eye pointing, vocalisations and pointing to symbols as communication for people with limited speech abilities.
Verney Road School students use a PODD folder which has many pictures and symbols that children can point at to convey their message.
''We also use flip-charts and other communication devices,'' Ms Allen said.
Ms Allen not only implemented the moderation tool at Verney Road School but also shared it among other specialist schools.
The school also hopes to push the communication method out into the community so students can communicate after they have graduated from Verney Road School and continue to have a voice.
While Ms Allen was recognised, she said staff at Verney Road worked together as a team to achieve great outcomes for their students.
''Our families do such a fantastic job and we're privileged to be able to look after their children,'' she said.
More than 200 specialist schools from across Victoria attended the PASS Awards held at Marvel Stadium on Friday, November 9.


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The Ghosts of 1964: Race, Reagan, and the Neo-conservative Backlash to the Civil Rights Movement
Anthony Cook
Parent Category: Slavery to Reparations
Category: Civil Rights Era
Excerpted from: Anthony Cook, The Ghosts of 1964: Race, Reagan, and the Neo-conservative Backlash to the Civil Rights Movement, 6 Alabama Civil Rights & Civil Liberties Law Review 81 (2015) (Footnotes) (Full Document)
American slavery was "officially" buried by our nation's ratification of the 13 14 and 15 amendments to the constitution. But the ghosts of slavery soon inhabited new forms -- political, economic, and cultural -- intent on returning Blacks to a position of abject servitude and subordination. Jim Crow segregation embodied slavery's spirit of White supremacy, allowing it to live on in a different form. The civil rights movement of the mid-twentieth century was but another attempt to exorcise from American life the demonic spirit of slavery that had so horrifically deformed American institutions and culture. But by 1980 it was clear, yet again, that notwithstanding the "official" death and burial of old Jim Crow -- a death certified by the passage of the 1964 Civil Rights, 1965 Voting Rights, and 1968 Fair Housing Acts -- the past lived on. The ghosts of American slavery and its mutant offspring, Jim Crow, roamed the land of the free and haunted the home of the brave in search of new cultural, political, and economic practices to possess and infest. American slavery was "officially" buried by our nation's ratification of the 13 14 and 15 amendments to the constitution. But the ghosts of slavery soon inhabited new forms -- political, economic, and cultural -- intent on returning Blacks to a position of abject servitude and subordination. Jim Crow segregation embodied slavery's spirit of White supremacy, allowing it to live on in a different form. The civil rights movement of the mid-twentieth century was but another attempt to exorcise from American life the demonic spirit of slavery that had so horrifically deformed American institutions and culture. But by 1980 it was clear, yet again, that notwithstanding the "official" death and burial of old Jim Crow -- a death certified by the passage of the 1964 Civil Rights, 1965 Voting Rights, and 1968 Fair Housing Acts -- the past lived on. The ghosts of American slavery and its mutant offspring, Jim Crow, roamed the land of the free and haunted the home of the brave in search of new cultural, political, and economic practices to possess and infest.
With the election of Ronald Reagan in 1980, the forces that would shape a sustained backlash against the gains of the civil rights movement were already in play: party realignment and the re-emergence of the religious right in American politics; the rise of a 'law and order' movement that would morph into a 'war on drugs' movement fueling the mass incarceration of Black and Hispanic men, women, and children; the accelerated development of a 'military industrial complex' that would morph from a war against communism to one against terrorism. Taken together, these converging forces not only undermined the dream of racial equality promised by America's Second Reconstruction but threatened democracy itself, intensifying social inequality and stratification across racial lines, trampling civil rights and liberties, and eventually consolidating political and corporate power on a scale not seen in recent American history.
As Stuart Hall has pointed out, "discourse is about the production of knowledge through language. But it is itself produced by a practice: 'discursive practice' -- the practice of producing meaning. Since all social practices entail meaning, all practices have a discursive aspect. So discourse enters into and influences all social practices." Drawing on Foucault, Hall describes the relationship between discourse, knowledge, and power in the following way:
Not only is discourse always implicated in power; discourse is one of the 'systems' through which power circulates. The knowledge which a discourse produces constitutes a kind of power, exercised over those who are 'known'. When that knowledge is exercised in practice, those who are 'known' in a particular way will be. . .subjected to it. This is always a power-relation. Those who produce the discourse also have the power to make it true -- i.e. to enforce its validity, its scientific status.
The backlash to the civil rights movement was effective precisely because it so capably used political and popular discourses to create knowledge as power, recasting the agenda of neo-conservative elites as a universal cause and, in the process, entrenching race and class stratification. In order to institutionalize the backlash, neo-conservative elites had to convince non-elites that their interests were aligned. I refer to this as the discursive practice of Interest Alignment.
Second, it was necessary that neo-conservative elites achieve their objective without engendering empathy for those who were the object of the backlash, inadvertently mobilizing support for the latter and contempt for themselves. I will refer to this as the discursive practice of "Othering."
Finally, neo-conservative elites had to adjust the collective memory of recent events. They had to construct a revisionist narrative of the civil rights social movement and its achievements, folding it back into a dominant narrative and discourse that supported those in power and their agenda. I will refer to this as the discursive practice of Revisionist-Narrative.
Taken together, these discursive practices -- Interest Alignment, Othering, and Revisionist-Narrative -- explain why some backlashes become institutionalized and sustain themselves over long periods of time.
I explore in this essay how neo-conservative elites used these discursive practices to nurture and institutionalize the backlash to the civil rights movement. I then discuss how this backlash produced tangible victories for neo-conservative elites who benefitted from bottom-up redistribution of income, wealth, and power to the detriment of not just Blacks and other minorities, but segments of the White population as well -- the poor and working/middle class.
My hope is that by understanding the discursive practices supporting backlash, progressive movements will better equip themselves to counter similar strategies and tactics in the future.
Racism hurts America, not just Black America. The discursive use of racial symbols and narratives are most often, as was the case with the Southern Strategy and Reagan's neo-conservative movement, smokescreens for a war on the middle-class, working-class, and underclass poor of America. And to the victor, the wealthy beneficiaries of supply-side economics, go the spoils of war: redistribution from the bottom and middle classes via deunionization of workers, deregulation of financial markets, defunding of equal opportunity and social welfare programs, increased militarization, and privatization of the common good.
The ghosts of 1964 continue to haunt American politics and will not be exorcised until King's call for a true revolution in American values is answered and We the People rise to confront and subdue the triple evils of racism, excessive materialism, and militarism with the egalitarian spirit that manifests itself most unwaiveringly at critical junctures in American history -- the Declaration of Independence, the 19th Century Reconstruction, the 20th Century Second Reconstruction, and the many movements for substantive justice and equality.
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A shot of classic candy flavors of licorice and violets. Both sugar and alcohol content is relatively low, which gives the perfect balance of flavor and strength. Midnight Runner Black Violet can be enjoyed cold or room temperature - the choice is yours!
AROMA - Clear licorice and violet aromas.
TASTE - First taste impressions come from the round taste of licorice. Next comes a very clear violet flavor and a good spicy bite in the aftertaste.
COLOR - Dark brown black with a burgundy splash.


Chicago house music is currently undergoing something of a resurgence. Funny thing about this supposed next wave of producers though is that many of them have been at it for years and are only now getting wider recognition. For Steven Tang and his Emphasis Recordings label this story fits all too well. The producer has been pursuing his own deep techno sound for over a decade now, drawing inspiration from equal parts Chicago and Detroit. Tang's new release, The Verged Sessions, on Keith Worthy's Aesthetic Audio is a prime example of how his sound has developed but also of how trends have caught up to where he has always been. Tang graciously took time for the below interview as well as providing a stellar mix that spans plenty of the aforementioned Chicago artists as well some other solid tracks.
Q: Can you describe your approach and equipment used for the mix?
A: My approach to this mix, or any other mix, is to first decide on its direction; in terms of the genre, i.e. house, techno, and sometimes all of the above. Then I just pick out the tunes and play around with them to see what sounds good together. Once I have my set, I play it through and record it in one pass. It's a pretty basic approach I think to most DJs, if not all. The equipment I used for this mix is 2 x Technique 1200 turntables and a Pioneer CDJ 1000 MKII connected to an old Vestax PMC-17A mixer. For recording, I use an Olympus LS-10, and for mastering, I use Propellerhead RECORD and/or Cockos REAPER.
Q: I remember your first release on Emphasis and wondering who and where did this come from. How long had you been working on music before that release came to be?
A: I started building my studio and working on music back in 1996. Originally going in, I wanted to make banging hard techno tracks for the dance floor, the peak time stuff. But over time in the studio, my tastes had change. I remember not liking any of my harder tracks. I didn't think they would sell and found them to be too repetitive, too minimal. I was also burnt out from hearing that style at raves during that time too. That led me to develop a deeper, melodic sound, tracks which ultimately make up the Windy City EP. I tried to license the EP, but had no takers. Since I couldn't get signed to any label, I created Emphasis Recordings and released Windy City myself back in 1998. It was a leap of faith, but I really believed in those tracks. I pressed 500 copies before I even had distribution (don't recommend doing that today). Sold the whole lot in a weekend through Watts and TRC and was paid in full a week later. Good ole days!
Q: Your sister is heavily involved in electronic music correct? Was music heavily emphasized growing up in your family?
A: Yes, my sister is involved in electronic music as well. Her name is Marina and she runs Alan Oldham's Generator Records. Music was not emphasized in our household when we were growing up; education was, like most Chinese families. But I remember music always being in the background. There was always a radio on. I know my dad and his siblings like music. He even knows how to play a little bit of guitar and drums. Hmm, maybe music was emphasized, but indirectly. I'm sure deep down my folks wished me and my sister were young professionals. Well, now, (we) would be middle-aged professionals.
Q: You were born in Hong Kong and moved to Chicago which year? At what point did you hear house/techno and know this was something special?
A: When my family migrated to the US, we lived in New York during the mid 70's up until 1981. That's when we moved to Chicago. Now you can insert that Chicago DJ/producer cliché here. Ha! Joking aside, when we got to Chicago, my family lived in Hyde Park on the south side, a predominant affluent black neighborhood. I went to school with hip black kids and made friends with them. They were the ones that showed me Chicago house music. They told me what radio stations to listen to, so that's how my sister and I got the bug. Instantly I knew it was something special because of the scarcity of it. To get my fix, I had to tune into the radio at certain times. And since I was only a kid, I couldn't go clubbing to hear this new form of electronic music. This discovery definitely changes my outlook towards music. I saw the value in the good music, regardless of genre, and was willing to spend cash on it. Had I not discover Chicago house/Detroit techno on the radio during that time, I think I would consume music passively, like the majority of the public. I probably would be okay with just recording stuff off the radio and with the times, I would be okay with downloading free mp3s. One can hear popular music 24 hours a day for free. So why would I pay for it? Why would anyone?
Q: There appears to be more artists coming out of Chicago getting attention lately (Specter, Chicago Skyway, Hakim Murphy, Tevo Howard, etc.) What is the music scene like right now in Chicago compared to years past? Do you feel like there is anything remotely close to a Chicago sound now?
A: I think the underground dance music scene here in Chicago has been widely dispersed, and it has been that way now for a decade or more, compared to the scenes of the 80's and early 90's. That is my opinion. Back then, I felt and saw that the music was what brought people together. There was a sense of camaraderie, people getting along and on the same wavelength. I guess this happened because the music was new and exciting. But over time, things change and evolve. People change and evolve. Forces that we control and forces beyond our control cause the scene to stagnate and break up into little microcosm. However, I think we are starting to recover from that. The artists aforementioned and a couple of others here in Chicago are all on the same wavelength, doing their own thing or collaborating with one another, producing some great music currently. I believe this is the reason for the attention they're getting and I'm glad for them. If we keep this up, we may spawn a new scene. And whether if there is something remotely close to a Chicago sound now you ask, I have to say yes! Clear example of this is Jamal Moss's work and his Mathematics label. This and cumulative output from this new crop of artists IS the Chicago sound of today I believe, and it's the closest lineage to Chicago's house music past. These artists know their history, and you can hear it in their music.
Q: Your label and productions have always seemed to reference more of a deeper Detroit techno style yet your "label specializes in dance music influenced by the city." More specifically where would you say your greatest influences come from, musical or otherwise?
A: That phrase, "label specializes in dance music influenced by the city" is part of the mission statement of Emphasis Recordings. It's the essence of the label. And the music on the label represents everything I've experienced in my own personal environment in relation to the City of Chicago. My experience with the music, the culture, the people, my day to day, my desires, is what influences my productions. I heard my first Juan Atkins, Derrick May, Kevin Saunderson tracks here on Chicago radio. I bought their records here in Chicago. I experienced that Detroit sound here in Chicago. So no question about it, that sound has influenced me also, but just not the City of Detroit itself. That is why that phrase does not make reference to Detroit specifically.
Q: Have you any desire to explore more of your Asian cultural heritage within your music?
A: Yes, I do have a desire to explore more traditional Asian music, like old Chinese opera music, and possibly fuse it with electronic music. I won't explore the popular stuff coming out of Asia though. It is no different from the music coming out of the United States. In fact, they emulate it! Major labels in Asia throw some stock hip-hop beats together and have someone rap in Cantonese, Mandarin, Korean, Indian, etc., over it. To me, that's wack! I will leave that alone, thanks.
Q: The Verged Sessions was just released on Aesthetic Audio. How did you connect with Keith Worthy to make that happen?
A: The story kind of went like this, as told to me by Phillip Hertz at Crosstalk International (local music distribution company), and my former place of employment. Late last summer, Keith was visiting Chicago one weekend and he stopped off at Crosstalk. The company distributed Aesthetic Audio, so the reason for the visit was part social, part business. It was during this visit that Keith stumbled on to Emphasis Recordings. And when Phillip told Keith, the man behind Emphasis sat at the desk a few feet away from him, he was shocked! Keith didn't know Emphasis Recordings was based in Chicago. Long story short, because he liked the label and the music so much, Keith wanted to meet me. So, Phillip forwarded my number to him. A few weeks later I got a call from Keith. We chatted a few times on the phone and he drove up for few visits. We hung out, got some food, some drinks. We got along, so he asked me if I would be interested in doing a single for Aesthetic Audio. I agreed of course and the rest, as they say, is history. I submitted the tracks back in February and here today, we have the finished product.
Q: What kind of responses have you been getting on the release? Are lots of new people just discovering you again?
A: So far, the responses I've received on the release have been all positive. Fans would say the record is great and they would name their favorite track on it; general things like that. There seems to be an air of excitement over this release. I feel it. With Keith, Patrice Scott of Sistrum Recordings, and others, bumping the white labels for almost 2 months prior to release date, it definitely helped fuel that excitement a little bit I think. Also, sample clips had been up on the web for while as well for fans to preview. I've had a couple of inquires about my older works already through this project. I anticipate that more will discover, or rediscover, my old catalog and will also keep an eye on what's to come as well.
Q: What are the main differences between what you release under your own name and under your monikers, Obsolete Music Technology, Tang and Misguided?
A: Right now, I'm focused on music projects under my own name, Tang, and Obsolete Music Technology. Initially, with the alias Obsolete Music Technology, I wanted the focus to be towards what fans refer to as retro Chicago house; a jack trax type of sound, but making it modern. And with the music under my own name or Tang, I wanted the focus to be towards what fans refer to as futuristic, modern Detroit techno. Those are the differences between the monikers; while Misguided was an alias I used one time for music that focused on what I thought to be more experimental, and more ambient. I may bring it back at some point in the future.
Q: You featured a new Obsolete Music Technology track on the mix, when do you plan on releasing it and what is your future plans for the label and yourself?
A: The new track featured on the mix is signed to Hakim Murphy's Machining Dreams label. It will be on the single; entitled, "Relapse." My educated guess is that it should be out in a couple of month, give or take. I also have another future project with Aesthetic Audio, plus two finished projects with Eargasmic Recordings. As for my label, I plan on doing a collaboration with Keith Worthy, plus release new music by Chicago artist, Parrish Adams, a.k.a. Intrinsic, and Italy's Piero Russo, a.k.a. E.S.O.M. Coinciding with the music projects, I hope to get out and DJ more; ultimately plan some kind of European tour to promote my music. Starting things off is my in-store appearance at Gramaphone Records in Chicago, on August 7th.
This entry was posted in Interviews, Mixes and tagged Aesthetic Audio, Chicago, dj mix, Emphasis, house, interview, Steven Tang, techno. Bookmark the permalink.
Nice read. It's got to be a thrill to receive some (well deserved) recognition after working at sounds for so long.
Dope Mix! loving that "Daryl Cura – Waiting Room" track.


In 1968, Stanford biologist Paul Ehrlich took a detour from his usual research subject -- butterflies -- and wrote a book called The Population Bomb. As with many alarmist books, it was a bestseller, and quickly landed its previously obscure author on The Tonight Show. Ehrlich argued that the world was headed into a state of perilous scarcity, where an exploding population would overtax the planet's ability to produce fresh food and water. This led to a bet with economist Julian Simon, who posited that human's ability to innovate would always outsmart obstacles to growth. Like Malthusians before and since, Ehrlich was proven wrong, and paid up in the late nineties, despite a doubling of Earth's population in the meantime.
Scarcity is still a popular topic amongst both the libertarian, gold-bugging right and the organic, kombucha-brewing left. And it makes basic sense, right? American farmers, once the vast majority of the population, are at only 2% of the workforce now. Very few of us are directly involved in growing food. Less and less of our land is devoted to agriculture. And the land that is out there seems to be giving out, worn down by a century or more of highly productive monoculture. It seems only logical that the oil, the gas, and the infrastructure will give out one day, disrupted by plant diseases, climate change, water scarcities, and unsustainable demand.


is a collection of the traditional tales of East Cornwall, found in old collections and retold by local writers and storytellers. The tales have been bought alive again on the streets, in classrooms and by firesides within the transmedia community projects Mazed and Mazed North.
The tales tell of witches and wreckers on the wild north coast, saints and mermaids in sheltered south, giants on the high moor and everywhere piskies playing.
MAZED NORTH focusses on the tales collected by the forgotten female folklorists of North Cornwall, notably Nellie Sloggett of Padstow. Folk from Goss Moor to Tintagel came to her cottage with folk tales which Nellie transcribed and kept in a trunk by her bed. Nellie retold and published these tales 110 years ago under the pen name of Enys Tregarthen.
Mazed North celebrates Nellie with a unique transformational string puppet. One way up she is Nell Sloggett, folklorist, and the other way up she is Enys Tregarthen, writer. This magical puppet helps to show the connection between folklore collecting and the literary retelling of tales. She was used in storytelling sessions in schools and residential homes, and is now on display at Padstow Museum, with occasional sorties with members of North Cornwall's storytelling group Strong Words.
Nellie's tales have been retold for Mazed tales: click on the link below each tale to read her words.
6 tales from North Cornwall, chosen by local people, have been illustrated by local artists to feature on the Mazed Tales website.
6 schools from North Cornwall have illustrated tales from their area with help from an artist, and told the tales to their friends and families at a Cornishibai tea treat.
6 residential homes from North Cornwall have joined in storytelling sessions.
There was a travelling exhibition of the schoolchildrens' tale illustrations at venues in Bude, Liskeard and Plymouth.
Mazed North is making a collection of sound recordings of North Cornish tales told in North Cornish voices.
The artist's illustrations are used in CORNISHIBAI, a new form of street telling blending Cornish droll telling with the Japanese form of illustrated, bicycle staged storytelling, Kamishibai. Tales of ghosty dogs, mischevious piskies, wicked queens and dissapearing biscuits are shown in a copper box on the back of a tricycle.
The tales have been told at events and on cycle trails around North Cornwall, from Bodmin Riding to the Camel trail and far beyond.
Sets of CORNISHIBAI STORYCARDS, for telling at home and school, featuring artist's illustrations, are for sale at all Mazed events and at The Bookshop, Liskeard .
A free downloadable Cornishibai resource for telling in schools and at home is available here.
worked with the tales of South East Cornwall. The tales were linked to their places of origin with local photographs and a webmap, then retold on the streets, in the community and by the firesides of local homes with a puppet of Bill Chubb, Liskeard's umbrella man and droll teller. Mazed retells the droll tales for the digital age.
.12 communities each chose their favourite local tale at a droll tea party, and these tales were animated by a mixture of profesional animators and students from Falmouth University. The animation's visuals were inspired by a moodboard of artwork by a local schoolchildren, who had also learnt to tell the tales.
The animations can be viewed in English, or Cornsih language, Kernewek.
They formed part of a location aware free Mazedtales app.
A limited edition book of Mazed Tales is available to borrow from Cornish libraries.
There was a Mazed exhibition at Liskeard Museum summer 2014.
Cornwall is a place rich in myth and legend, and the Cornish people are born storytellers. In the past Cornwall's stories would have been told by wandering droll storytellers, sung in ballad form by balladeers and then told by anyone and everyone round the fire on a cold winter's night. Many of these tales have been collected by folklorists and published in newspapers, journals and books over the past two hundred years. Each decade sees the tales retold in songs, plays, and storybooks.
The tales on the Mazed website are there to be retold - read them or watch the animations a few times and you will be able to tell the tales in your own words.
Creative copyright of each of the unique Mazed tellings belongs to the storyteller.
Mazed story collectors are still searching. If you know a tale please tell us.
Mazed storytellers are still telling, if you would like a visit from Bill Chubb or Nell Sloggett and a storyteller please contact us.
See our facebook page for event updates.
Piskies are Cornish fairies - sometimes they are helpfull, sometimes they are full of mischeif.
If you've lost something; your keys, your pen, or your way on the moor...Or, if you've forgotten what you were going to say or what you went upstairs for... you'll have been MAZED BY THE PISKIES. The only way to cure the piskies' maze is to TURN YOUR POCKETS INSIDE OUT.


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Tag Archives: MLK
As we approach the anniversary of the death of Martin Luther King Jr., two historians of the civil rights movement assess his legacy. Professor Julian Zelizer reviews the complicated relationship between King and LBJ, and he also has some thoughts on current presidential politics. Historian David Chappell reassesses the civil rights movement, noting that after King, a false trajectory developed. And Latina activist Eileen Truax tells us about her book featuring young immigrant DREAMers.
March 29, 2015 Historians Julian Zelizer and David Chappell reflect on the civil rights movement after Martin Luther King Jr. … and Latina activist Eileen Truax looks forward to immigration reform.
Julian Zelizer Julian Zelizer is a Princeton scholar of Lyndon Johnson as well as the civil rights movement. He says civil rights activism is no longer as organized or coherent as it was when it sought, and won, passage of the Voting Rights Act.
David Chappell Historian David Chappell explains the post-Martin Luther King Jr. trajectory of the civil rights movement, which he says may have been only a historical artifact with King as the central figure.
Eileen Truax Latina activist and author Eileen Truax says immigration reform should not be a political issue because it is really a human rights issue. She tells us about her new book about young immigrant DREAMers.
Jim Hightower Cruz is running for President of What?
With President Obama easing travel and other restrictions against Cuba, former Congressman Mike Barnes, an expert on Latin America, says his actions will speed the country's move toward democracy. In the wake of the Charlie Hebdo massacre, human rights expert Eric Posner explains the importance of freedom of expression. And Bill Press talks about LBJ and MLK with historian Kent Germany.
January 18, 2015 Barnes says Obama's moves will hasten democracy in Cuba … human rights expert Eric Posner names free speech as the number one right … and Bill Press talks with LBJ archivist Kent Germany.
Mike Barnes Latin America expert Mike Barnes says the opening to Cuba will be on history's list of President Obama's Top 10 hits.
Eric Posner Much is being debated about freedom of expression. Human rights expert Eric Posner says it is the most important right because it underpins all other rights.
Kent Germany Bill Press and his guest, LBJ archivist Kent Germany.
Jim Hightower Inaugural galas for governors become influence-buying bazaars.


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SCOR overhauls group executive committee
Former group chief risk officer Frieder Knüpling will now become CEO of SCOR Global Life. He succeeds Paolo De Martin, who is pursuing "a new direction" in his career. Joining the group executive committee as new group chief risk officer is Fabian Uffer, who previously served as group head of risk modelling.
Romain Launay, meanwhile, has been appointed as deputy CEO of SCOR Global P&C (property and casualty), as well as chief executive of specialty insurance. Prior to the reshuffle, he was the reinsurer's group chief operating officer.
Additionally, group executive committee members François de Varenne and Claire Le Gall-Robinson will have their respective remit widened. Aside from his role as SCOR Global Investments CEO, de Varenne will be overseeing a broader area of leadership spanning investments, technology, budget, group project office, and group corporate finance.
As for Le Gall-Robinson, the group general secretary has been named SCOR's group chief sustainability officer. She will have the added responsibility of looking after human resources, communications, and hub operations.
Ian Kelly, Jean-Paul Conoscente, and Brona Magee are retaining their current posts as group chief financial officer, SCOR Global P&C CEO, and SCOR Global Life deputy chief, respectively.
Rousseau commented: "The breadth of global experience, the diverse backgrounds, the strong expertise, the knowledge of the industry, and the leadership qualities of the members of this renewed group executive committee give me a high degree of confidence in our ability to successfully pursue SCOR's development.
"These internal promotions bear witness to the depth of SCOR's talent pool and the strong competencies of our rising leaders. I am confident that this new organisation will ensure managerial continuity while reflecting the strategic importance of transformation and sustainability for the group. We are mobilised to accelerate the company's profound transformation provided for in the 'Quantum Leap' strategic plan and accelerate long-term value creation for all our stakeholders."