When you are planning a trip to a foreign country, it is always a good idea to learn a thing or two about the place you are about to visit. If Finland is your next destination, you should know that Helsinki is the capital of the country and the local population is currently estimated at about 5.5 million people. Given its size, this makes it one of the most sparsely populated member-states of the European Union.
These, however, are the boring facts which you can find in nearly every guidebook about Finland. There is nothing fascinating or interesting about them. That is a shame because the Land of the Thousand Lakes is a place that is special in more than one ways. If you want to know to what country you are heading, read on.
Sure, the country is also home to many incredible sights and attractions such as the Helsinki Cathedral, Turku Castle, Motorcycle Museum of Finland and the Snow Village in Kittila. However, when you are planning your trip to Finland, make sure you focus more on the experiences that this place can offer you.
To explore the Land of the Thousand Lakes easily and on your own terms, rent a car in Finland. Still, make sure you don't go over the local speed limits. Otherwise, you may end up paying a massive fine of €200,000. And that is just for one offence.
Nope, we are not talking about mobile phone services. Instead, we are referring to the fact that Finland does not impose restrictions on roaming and trespassing. In other words, you can set up a camp or a tent anywhere you like. This is great news for tourists who love camping vacations.
The country's nickname is Land of the Thousand Lakes. However, it is estimated that there are exactly 187,888 lakes on its territory. So, Land of Thousands of Lakes would make a more accurate nickname for Finland, don't you think!
In Finland, particularly in the northern parts of the country, there is such a thing as Midnight Sun. If you want to experience this unusual sight, visit those regions in June or July when the sun there does not fully set. Instead, it continues to loom on the horizon even at night.


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Doctor Who Guides
Doctor Who: The Time of Angels / Flesh and Stone ★★★★★
Confident, eerie thriller – Alex Kingston is back as River Song and the Weeping Angels have deadly new tricks
By Patrick Mulkern
Friday, 18th October 2013 at 6:22 pm
5.0 out of 5 star rating
Series 5 – Episodes 4 & 5
"You might want to find something to hang on to…" – River Song
River Song escapes captivity on a spaceship, leaves the message "Hello, Sweetie" across time and is rescued spectacularly by the Doctor. She pilots the Tardis to Alfava Metraxis, where the starliner Byzantium has crashlanded into an ancient Aplan temple. The Doctor, River and Amy join Father Octavian and his military clerics in the search for the ship's cargo – a Weeping Angel. They descend into catacombs full of crumbling statues. These are dormant Angels who are revived, absorbing power from the ship and the crack in time.
Amy has the image of an Angel lodged in her mind and can only keep it at bay by keeping her eyes shut as she stumbles through the forest vault. As the Angels attack with more aggression than ever, the Doctor sends them plummeting into the crack in time. River is returned to custody, having told the Doctor they'll meet again "when the Pandorica opens". Back on Earth, on the eve of her wedding, Amy pounces amorously on the Time Lord.
First UK transmissions
July to November 2009. Southerndown beach, Dunraven Park; Aberthaw quarry, Vale of Glamorgan; Puzzlewood, Royal Forest of Dean, Gloucestershire; Clearwell Caves, Gloucestershire; Bute Park, Cardiff; Brecon Cathedral; The Vicarage, Rhymney; Upper Boat Studios, Pontypridd.
The Doctor – Matt Smith
Amy Pond – Karen Gillan
River Song – Alex Kingston
Alistair – Simon Dutton
Octavian – Iain Glen
Christian – Mark Springer
Angelo – Troy Glasgow
Bob – David Atkins
Marco – Darren Morfitt
Security guard – Mike Skinner
Pedro – Mark Monero
Phillip – George Russo
Writer – Steven Moffat
Director – Adam Smith
Producer – Tracie Simpson
Music – Murray Gold
Production designer – Edward Thompson
Executive producers – Steven Moffat, Piers Wenger, Beth Willis
RT review by Patrick Mulkern
That River Song – she knows how to make an entrance! Hallucinogenic lipstick, red stilettos, laser pistol. "She's here…" Then 12,000 years later: "Hello, Sweetie" inscribed in Old Gallifreyan… Back to: "Like I said on the dancefloor, you might want to find something to hang onto…" And whoosh! She blasts down an air corridor in space, through the police box doors, flattens her Time Lord toyboy and demands, "Follow that ship!" Fast, funny and exhilarating, this five-minute sequence is a blinder, and arguably the most impressive opener to any Doctor Who thus far.
Steven Moffat is relying on the fact that viewers will instantly remember River, the Doctor's future love, from the library of flesh-eating shadows two years earlier. (My parents certainly didn't.) But I love the sight of her commanding the Tardis controls, amazing Amy and deflating the Doctor as she initiates the never-before-mentioned blue stabilisers. Her smooth Tardis landing harks back to the 1970s and the one-upmanship between Tom Baker's Doctor and Time Lady Romana. River's "You leave the brakes on" is a great line, even if fans know that every other Tardis has made that racket, too.
Alex Kingston reprises the role of the intergalactic archaeologist with gusto, and looks magnificent – be it glammed up like Rita Hayworth or roughing it à la Orla Guerin in army fatigues. I was worried that, aged 47, she might overshadow such a youthful Doctor and Amy but they match her with their own peculiarly timeless edge and assured performances.
Karen Gillan is cheerfully free of the emotional baggage that mired her predecessors, and Matt Smith is already shaping up as the best Doctor since Tom Baker. Simultaneously intense and subtle, he doesn't put a foot wrong.
The petrifying Weeping Angels are also back and Steven Moffat turns the fear dial way up for the first time this season, investing his creations with deadlier powers than we saw in his Bafta-winner, Blink (2007). In March 2010 he told RT, "I did watch The Ring on DVD on a plane not long ago, and I kept jumping and shrieking…"
It's not clear whether he caught the bleak Japanese original (1997) or the schlockier US remake (2002), but Moffat has cleverly distilled The Ring's nerve-shredding denouement for a family audience. I mean, of course, the scene tonight where Amy is trapped by a video recording with a life of its own. Not only will young viewers look twice at statues, with any luck they'll be unnerved by the medium of television itself.
Studded with tension and shudders ("They're Angels. All of them"), this is simply superb television. The writing, direction and Murray Gold's urgent Doctor theme work in beautiful harmony. I know it can't be like this every week, but this is just the way I like my Doctor Who served.
For me, The Time of Angels is marginally more dazzling than its conclusion, Flesh and Stone. The decaying Angels in the Maze of the Dead are more macabre than their chiselled chums aboard the Byzantium. But the second episode bombards us with shudders and tension – especially Amy stumbling through the forest with her eyes closed.
In Blink, the Angels were relatively benign, in that they sent victims back decades in time then fed off the temporal displacement energy. Now they're the "most malevolent life form evolution has ever produced". How and why have they become neck-breaking killers?
Some uptight viewers might choke at Amy's amorous antics at the very end but I'm much amused. None of the protracted, doe-eyed mooning of Rose and Martha, or even Donna's classic: "You're not mating with me, sunshine!" Pinging aside the Doctor's braces, Amy isn't "suggesting anything quite so long-term". She's just up for a quickie on the eve of her wedding – or is she perhaps falling in love with this dorky/dishy Doctor as much as we are now?
As is often the case, Steven Moffat's script leaves the audience with more questions than answers…
The base code of the universe is 26.06.2010… The airdate of the final episode. "Amy's time." Oooo! What does it all mean? What connects Amy to the crack in time? What are River's blooming spoilers? Will she get her pardon? River admits to having killed "a very good man. The best man I've ever known." Now who could that be? (We'd find out in series six.) River's parting shot tells us we'll be seeing her again soon – earlier in her life, later in the Doctor's, "when the Pandorica opens". But what is the Pandorica?
The Doctor tries to shrug it off: "That's a fairy tale." "Ah, Doctor," River laughs warmly. "Aren't we all?" – an oracular remark that blissfully reinforces the ethos of Steven Moffat's first series.
All in all, The Time of Angels and Flesh and Stone are two episodes of Doctor Who that deserve 10 out of 10 in anybody's scorebook.
Doctor Who Story Guides
Doctor Who: The Eleventh Hour ★★★★★
Doctor Who: The Impossible Astronaut / Day of the Moon ★★★★★
Doctor Who: The Wedding of River Song ★★★★
Doctor Who: Dinosaurs on a Spaceship ★★★★

redpajama_set_name: RedPajamaCommonCrawl


Throughout the Marvel Cinematic Universe, Pepper Potts has been a very important person in Tony Stark's heart. In Iron Man 3, Aldrich Killian has kidnapped Pepper Potts and subjected her to Extremis in order to force Tony Stark to help eliminate the flaws in Extremis to save Pepper. Fans have been longing for a collectible figure of her and today Hot Toys is delighted to officially present a 1/6th scale Collectible Figures Set featuring Pepper Potts and Iron Man Mark IX from Iron Man 3!
The Pepper Potts collectible figure is specially crafted based on the image of Gwyneth Paltrow as Pepper Potts in the film featuring a newly developed head sculpt with long straight light reddish-blonde real fabric hair, finely tailored costume, an interchangeable Iron Man Mark IX right arm with LED light-up function, and figure stand!
The Mark IX collectible figure features metallic red and gold-colored armor with weathering effects, interchangeable armor parts, LED light-up functions, and a dynamic figure stand ideal for mid-air poses. The collectible figures set will exclusively include a Pepper Potts in Mark XLII helmet head sculpt interchangeable on the Hot Toys' 1/6th scale Mark XLII collectible figure!
A Special Edition will be available for selected markets which includes an additional Mark VII illuminating helmet as bonus accessory.


WEST COVINA – A jury has found a La Verne councilman not guilty of conflict of interest charges, court officials said.
Steven Johnson was on trial in connection with a 2007 vote concerning the University of La Verne expansion and master plan.
Johnson owns property and a business near the university and a satellite office. State law prohibits council members from voting on matters in which they would benefit from an outcome.
Often referred to as the "one penny" rule, members are advised not to vote on projects within 500 feet of their property, even if it benefits them by only one penny.
The jury returned its verdict after four days of testimony and deliberation.
Johnson faced a maximum penalty of a $10,000 fine, 6 months in jail and not being able to run for reelection to the city council.
The real jury will render its decision at the ballot box.
Shame on Johnson and shame on the DA for wasting tax payers money losing the case.
Johnson does not care about the people of La Verne! He cares about getting his thoughts and ideas into the mainstreasm. That is why he broke the law and voted the way he did! He loves getting the attention that comes from opposing the real members of the city council and Mayor who dod care about the people of La Verne. Thats why all the 4-1 votes and motions that he offers that die because no one else agrees and offers a second!


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Black Crow Cabaret
Assassins The Musical
Neighbors – A Fair Trade Agreement
Stop Kiss
Brighton Beach Memoirs
Ghost The Musical
Sewing, Vintage, & Upcyles
Dino Page
Monica Titus
Costuming Isn't Just Clothes
Costuming a play or musical, I start by developing a concept. Sometimes it's pretty straight-forward, and other times not so much. The concept starts with the text, and music. What style is the show? Is it comedic? Historical? Is the story realistic, or more suggestive or symbolic? All of this comes into play when developing the Design Concept.
Photos from production of The Wild Party at Theater West End, Sanford, FL
Working on The Wild Party ( a show that takes place in the 1920's at well … a wild party ) my concept was Vogue Photoshoot meets Period 1920's. Much of the music in the show is modern, with rock vibes. So the costumes were primarily modern pieces with a 1920's silhouette or details. Hair and makeup were designed with a 1920's silhouette in mind, but took modern fashion-editorial detours.
Photos from production of Neighbors: A Fair Trade Agreement at The Studio Theatre Tierra del Sol, The Villages, FL
For the play Neighbors: A Fair Trade Agreement, the characters are two next door neighbors – Joe who is a rich American, and Jose who is a hard working Mexican. In this show the costumes were far from realistic. The author describes them as clowns, and the concept of the play runs with this.
In my research on the history of clowns in performance I came across a concept that dates all the way back to commedia dell'arte. Joe became Pierrot or rather, the high status, sophisticated "White Clown," and Jose was a Zanni or Arlecchino – the "Auguste" clown. These two play opposite each other and contrast significantly. As such, Joe's costumes were primarily white, or black and white pajamas, and Jose wore a blue, patchwork mechanic's jumpsuit (harkening to the Harlequin pattern of patches).
Photo by Jez Timms on Unsplash
When creating a design for characters in a show, there is a lot to take into consideration. For me there is a whole series of questions that tell me what the character wears.
What kind of money does this character have to spend on clothing? Are they high or low status? Did they get their clothes from Dolce & Gabbana, or do they have hand-me-downs?Are they someone who cares about their clothes, or do they just throw on whatever is closest to them when they wake up? What is their occupation?
We all know that clothing says a lot about who we are. For me it's all about stepping into that character's shoes and thinking about what their life is like. I love to find those tiny details that tell a story.
Photos from production of Story of My Life at The Studio Theatre Tierra del Sol, The Villages, FL
I feel like the musical Story of My Life, illustrates this concept well. On one hand there is Thomas – a financially successful writer who cares deeply about how he appears to others. He is dressed in an enviously expensive suit, and brand-name accessories. His silhouette is sharp, and precise. Alvin on the other hand lives in the past. He lives in the world of "It's a Wonderful Life" (which he references frequently) and ran his dad's old bookshop until his passing. He is not a man that puts appearance first, and his clothes reflect that. His silhouette is soft, and he wears vintage clothes. He wears his dad's old sweater which is a little big on Alvin, and features had stitched elbow patches.
Photo by Kris Atomic on Unsplash
When designing a show I also have to think about what the actors are doing onstage in the clothes. Are they dancing? Is it a really physical show? Do they have to change into the costumes quickly?
Quick changes take a lot of planning, and tend to feature heavily in my designs. Sometimes a quick change means adding a well-placed zipper, and other times it influences the entire design.
Renderings from production of Stop Kiss at The Studio Theatre Tierra del Sol, The Villages, FL
For the show Stop Kiss, there is a challenge in that every other scene in the play takes place in a different time and place. I designed the entire show around the costume transitions, and made many choices that allowed for the costume to shift by adding or removing only one or two pieces.
Renderings from production of Assassins at The Studio Theatre Tierra del Sol, The Villages, FL
In the musical Assassins, there are multiple songs that take place in different time periods, and I had to coordinate pieces that could shift the characters into those eras. Each of the actors played one primary role, but also had to become many other characters. I designed their primary costumes not just to portray their assigned historical assassin, but so that those base costumes could easily transition into other time periods.
Practicality also means hemming pants and skirts so that they're not a tripping hazard. It means having all the right undergarments. Shoes have to be comfortable, and safe when traversing a set with stairs, or a slippery floor. There is a lot to consider.
Photo by Meg on Unsplash
Putting the Actor First
A beautiful or interesting design is worthless if it doesn't work with the performer. As a fellow performer myself, I know how much a costume can positively (or negatively) affect a performance. All of the practicalities that I mentioned are a part of making things easy for the performer, but empathy, and asking the right questions is also super important.
In first fittings, or when taking measurements I like to chat and check in with the performer. I've designed shows that required the entire cast to be scantily clad, and I made sure to check in with each and every one of the cast members to find out what they were comfortable with wearing, and I provided costumes that were able to suit the needs of the scene-work, and keep the performers in their comfort zone.
Photo by bantersnaps on Unsplash
The biggest question I always ask during fittings is, "How do you feel?" I always want to make sure that the performer is happy, comfortable and flattered in what they're wearing. Sometimes this just means reading the room – are they tugging at a garment, or perhaps just frowning? Designs can always be changed, or altered, and it's my job to make sure that the performer feels their best so that they can perform at their best. It's the biggest compliment to me when I have performers ask me if they can take an item home, or that they feel exactly like their character in what they're wearing.
Costuming isn't just clothing. It's a whole slew of considerations. It starts with the text, the design concept, the director's vision of the show, and it ends with the performers and the techs or dressers who have to handle, or wear the clothes for the entire run of the show. So, the next time you see a play or musical, or watch a tv show, take a moment to think about all of the time, effort and consideration that goes into the costuming. It's more than you might think.
Costuming, Musicals, Plays
costume design, costumer, costumes, costuming
Artist & Creative
I am a Performer, Costumer, Writer, and a Maker of Many Things. I live in delightfully swampy and secretly quirky Orlando, Florida, and I think I may be obsessed with creativity.
Thrifting Tips & Tricks
I'm Saying I Do to UX
Content Writing Costuming Fashion & Styling Musicals Plays UX UX Writing
Artist and Creative
2021 © Monica Titus
Carefully Crafted by Giorgia Cifani & Giotto Studios


12-Week Body Transformation Challenge - Ongoing Sign Ups!
Similar to training for a fitness competition, you will receive a nutrition plan, lifting schedule, cardio schedule and recommended supplements. You will train in one of our semi-private groups 3x/week and check in bi-weekly with your coach for your weigh in, progress photos & measurements to keep you accountable.
Do you want to find out where you rank amongst the strongest competitors at The Inner Athlete?! Then this competition is for you. Join us for our Strong Man/Strong Woman challenge. We will have 5 events for you to compete in: bench press, deadlift, tire flip, squats, and vertical jump. Space is limited, so sign up today! This is going to be a fun and challenging event!
Join the Bay Area's best trainers at The Inner Athlete for our first FREE Outdoor Fit Camp of the new year! We want to get you and all your friends and family fit this year. This event is FREE and open to the public, so be sure to invite all your friends, co-workers, training buddies, youth athletes, fitness enthusiasts and those who want to learn how to get started. We're here to help and want to see our community benefit from living a healthy and fit lifestyle. So come to the track & field of Bancroft Middle School at 9:00am to get that sweat going!
Join us for free classes through March 16!
Fitness Wave will be onsite at The Inner Athlete measuring body fat and basal and resting metabolic rates. Composition measuring has rapidly gained prominence with the increased availability of convenient methods of measure, and an industry emphasis on redefining individual weight. If an individual is attempting to define a healthy weight, and track changes in fat and lean mass, Hydrostatic Weighing has been the go to tool for decades.


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Fraternal Order of Police
Fraternal Order of Police has hosted 2 events in the C-SPAN Video Library; the first program was a 1991 Speech. The year with the most videos was 1996 with two videos. The year with the highest average number of views per program was 2009 with an average of 399 views per program. Most appearances with Gilbert Gallegos (3), Chuck Canterbury (3), George H. W. Bush (2). Most common tag: Law Enforcement.
National Peace Officers Memorial Service, Opening
The opening portion of the National Peace Officers memorial service included crowds gathering, arrivals of participants, the…
National Peace Officers Memorial Service, Program
Attorney General Eric Holder delivered a keynote speech at the National Peace Officers memorial service. Following his remarks families…
National Peace Officers Memorial Service
President Bush spoke at the National Peace Officers memorial service held at the U.S. Capitol. In his remarks he talked about the…
Peace Officers Memorial Ceremony
Vice President Gore and Attorney General Reno paid tribute to officers who have died in the line of duty. Thousands of law…
Grand Lodge Videos: 1People: 1
Grand Lodge Auxiliary Videos: 1People: 2
Sort By Last Name (A-Z)Number of Programs
President, Maryland, Fraternal Order of Police
Richard Boyd
National President, Fraternal Order of Police
Donald Cahill
Representative, Fraternal Order of Police
Chuck Canterbury
Aliza Clark
President, National Auxiliary, Fraternal Order of Police
Beverly Crump
President, Grand Lodge Auxiliary, Fraternal Order of Police
John Dineen
President, Lodge 7, Fraternal Order of Police
Ken Ford
Chaplain, Fraternal Order of Police
Frank Gale
National Second Vice President, Fraternal Order of Police
Gilbert Gallegos
President, Fraternal Order of Police
See all Fraternal Order of Police people


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Missoula asks court to assert jurisdiction over PSC in Mountain Water case (August 29, 2015)
The city of Missoula is asking District Court to direct the Montana Public Service Commission to dismiss its proceedings with a rival buyer for Mountain Water Co., saying the city has already been awarded constructive ownership and that future actions by the PSC would be moot.
In a petition filed Friday in Missoula County District Court, the city argued that the PSC erred when it granted Liberty Utilities Co. the right to keep certain documents secret during its quest to purchase Mountain Water.
The city also believes the PSC erred by failing to dismiss its proceedings with Liberty, saying District Court has already ruled on ownership, which makes pending decisions by the PSC irrelevant.
It makes zero sense for the PSC to consider that transaction given where we are in our process, Mayor John Engen said Friday. Because of (District Court) Judge Karen Townsend's ruling, the city already has constructive ownership of Mountain Water. The PSC is wasting its time because of that constructive ownership.
The petition for judicial review asks the court to assert jurisdiction in the case by directing the PSC to dismiss the proceedings pending with Liberty. If that's not possible, the petition asks the court to direct the PSC to delay the proceedings until the city's condemnation case is complete.
We're asking one of the District Court judges here do what the PSC has not done, and that's assert jurisdiction and say the PSC isn't hearing this, or at least stay it pending the outcome of the condemnation proceedings, Engen said.
The petition marks a series of legal moves that began in April 2014 when the city first filed a condemnation action to acquire its drinking water system from The Carlyle Group, which owns Mountain Water.
Six months later, Liberty and Mountain Water filed a joined application with the PSC, seeking authorization for a merger. The city asked the PSC to dismiss or stay that request, but the PSC denied the city's motion.
Along the way, the city said in its petition, it has sought to review information related to the requested merger. However, it has been denied the chance and, with it, a meaningful opportunity to participate in the proceedings.
After Townsend issued her preliminary order of condemnation in June, the city again asked the PSC to dismiss the proceedings, but again the commissioners denied the motion.
Two weeks ago, the PSC voted 3-2 to grant Liberty special protections.
That shouldn't have been granted by the PSC, said Natasha Prinzing Jones of Boone Karlberg. This is the type of data that's regularly provided in PSC proceedings, and it's important to the citizens.
Three PSC commissioners believe the information provided by Liberty is proprietary and includes sensitive financial models. But commissioners Brad Johnson and Travis Kavulla disagree.
In a dissenting opinion issued Tuesday, Kavulla said the information provided by Liberty – and protected by the PSC – was relatively mundane and didn't seem particularly sensitive.
I am left to wonder what the special protections stand for other than nuisance, Kavulla wrote in a partially redacted opinion.
In a note to the Missoulian this week, PSC communications director Eric Sell said the material was available for review by the city's attorneys on premises.
Although the normal form of distribution will not be used to distribute the information that was placed under special protection, we want to make it clear that the Montana Consumer Counsel and the city of Missoula do have access to analyze the information on site at Crowley Fleck's office, and will be able to use it in their testimony for the proceeding before the commission, Sell said.
Jones, however, said that hasn't been the case.
We were supposed to be given access to (the) data based upon the protections the PSC granted, but they have refused to share it, she said. Even on premises.
The city is asking District Court to direct the PSC to dismiss the proceedings with Liberty, or at least postpone them.
It's also seeking legal fees and a court-ordered release of Liberty's allegedly proprietary information.
The data will give citizens a glimpse of what they could expect if the PSC were to grant (Liberty) ownership, Jones said. It's bad for the city of Missoula, in all likelihood, otherwise we'd be seeing it.
Source: Missoulian.com


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Today AFP Services is celebrating Northamptonshire Day.
Many of our staff are big Northamptonshire fans, a lot of us have been born and bred in and around Northampton and AFP was founded as a local business in 2002. Although we service businesses from all over the UK, a large proportion of our clients are actually based in London and the south. During 2016 we've been working to have a more local focus, as we're well aware that Northamptonshire is a thriving county for growing businesses.
We believe that all growing companies should have access to experienced financial professionals and that outsourcing the function of your finance team is the very best way to grow your business. Now it's time to bring it home again!


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How to Write for Literary Magazines
How to Sell Articles Online
How to Submit an Article to Self Magazine
How to Submit an Article to Good Housekeeping Magazine
How to Write Fillers for Magazines
Christina Hamlett Updated April 17, 2017
Many successful authors began their publishing careers by starting small--specifically, writing filler pieces for magazines, establishing a readership, and endearing themselves to editors by always being professional and punctual. Here's how to get started.
Study three to six months worth of back issues of the magazines where you want placement. This exercise will familiarize you with the topics that have recently been covered, the overall tone of the magazine (i.e., humorous, warm and fuzzy, inspirational, scholarly, etc.) and its target demographics. Pay close attention to what types of filler pieces they use the most. These will be things such as puzzles, quizzes, short humor, book and film reviews, recipes, resource information and lists.
Review the submission guidelines located on the editorial page. While a magazine's regular department features are written by full-time staffers, freelance opportunities are available for articles and fillers. Breaking in with a full-fledged article will be a challenge if you've never written anything before or aren't considered an expert with a unique point of view. Fillers, however, are always in demand (even from beginners) because there are invariably "holes" that need to be filled as a magazine edges toward its publication due date. These occur when an advertising slot falls through or an assigned writer pens a shorter piece than was originally planned for.
Jot down a beginning list of topics that you feel especially well versed on. If you're a parent, for instance, you may have lots of ideas regarding how to balance a happy home and a successful career, rainy day activities for toddlers and children, or economical meals to feed growing families. If you've traveled a lot, perhaps you'd like to write about hidden gems you've discovered that are off the usual tourist path, reviews of restaurants for travelers with adventurous taste buds, or 10 easy tips on how to pack everything for a three-week vacation in just one carry-on. If you're a new bride, why not share advice on how to find the best caterer, florist or limousine service?
Evaluate which publications would be the best match for what you'd like to write about. Whether you are submitting your filler on-line or submitting via snail mail, it's important that you be able to briefly explain why you feel the material is suitable for the magazine and what your personal qualifications are to write it. While many of today's magazines are now accepting email submissions because they can turn around responses much faster, there are quite a few that still prefer the formality of a letter. In the case of the latter, your correspondence should be brief but engaging and include a self-addressed, stamped envelope.
Compose your query letter. This starts with identifying the correct department editor to whom the material should be directed. This can be found on the same page as the submission guidelines. If a specific editor's name is not listed, identify at the very least the name of the appropriate department. The query itself should consist of no more than three short paragraphs. The first paragraph introduces the gist of the filler content you are submitting. The second paragraph should explain how you came to write this particular piece and felt it would resonate with the magazine's readership. The third paragraph should briefly summarize your writing experience and/or professional background. Conclude with your complete contact information (address, phone number, email and website).
Paste your filler material directly into the body of your email if you are submitting online. Editors are just as wary as the rest of us in opening attachments from individuals that they don't know. If you are submitting your filler via regular mail, it should be typed on a separate page and stapled to your query letter. Unlike feature-length articles that are initially queried via a proposal before they are actually written, fillers are short enough that they are submitted as completed works.
Be open to criticism. If an editor takes the time to explain why your submission isn't being accepted, study it closely so that your next submission will be closer to the mark.
If you are asked to make revisions, do so cheerfully and as promptly as possible. This isn't the time or place to get defensive or argue about why you think your original version is perfect. Editors don't like arrogance! If you are given a deadline to turn the material around, make this your priority. One of the best ways to establish a long-term relationship with an editor is to show that you are responsible, flexible and are respectful of her deadlines.
Shorter fillers have a higher success rate of placement than those that exceed the recommended word count. Editors love lists and so do readers. Experiment with whether the best way to present your filler is in a narrative format or as a short, snappy series of bullet points that deliver their message as quickly as possible.
Send only one filler at a time to prospective editors. Even if you have 37 humorous anecdotes up your sleeve, you don't want to inundate an editor by sending all of them at once.
Keep meticulous records on where and when you have submitted material. Nothing can be more embarrassing than sending a filler to an editor who has already told you "No."
Always observe the formalities whether your inquiry is submitted electronically or by mail. Editors should be addressed as "Mr." or "Ms." until you are invited to call them otherwise. A chatty "Hi, Bob!" or "Hey there, Emily!" assumes a familiarity that has not been established and will not win you any points.
Don't be a pest by following up with repeated phone calls to see if your material was received. If you have not heard anything back within six weeks, it's permissible to send a short follow-up note. If the follow-up doesn't garner a response, you are then free to start shopping the material elsewhere.
Don't submit exactly the same material to competitive markets. Nothing grates on an editor more than to find out that the filler he just fell in love with is no longer available because someone else grabbed it up first.
Don't submit handwritten queries under any circumstances.
Never send anything out without thoroughly proofreading it. Better yet, recruit friends to read it first and ensure that it is error-free.
Hamlett, Christina. "How to Write Fillers for Magazines." , https://penandthepad.com/how-4423458-write-fillers-magazines.html. 07 August 2017.
Hamlett, Christina. (2017, August 07). How to Write Fillers for Magazines. . Retrieved from https://penandthepad.com/how-4423458-write-fillers-magazines.html
Hamlett, Christina. "How to Write Fillers for Magazines" last modified August 07, 2017. https://penandthepad.com/how-4423458-write-fillers-magazines.html
Ghostwriter and film consultant Christina Hamlett has written professionally since 1970. Her credits include many books, plays, optioned features, articles and interviews. Publishers include HarperCollins, Michael Wiese Productions, "PLAYS," "Writer's Digest" and "The Writer." She holds a B.A. in communications (emphasis on audience analysis and message design) from California State University, Sacramento. She also travels extensively and is a gourmet chef.
How to Be a Sports Beat Writer
How to Get a Writing Agent
How to Submit for Discover Magazine
How to Submit Stories to the AARP
How to Get a Job Reviewing Gadgets
How to Submit Your Short Stories
How to Pitch a Magazine Story
How to Publish Poems and Stories and Be Paid


text:
Пти Бален (Река на малките китове) (; ) е река в източната част на Канада, северната част на провинции Квебек, вливаща се в източната част на Хъдсъновия залив. Дължината ѝ от 380 км ѝ отрежда 99-о място в Канада.

Река Пти Бален изтича от малко безименно езеро на около 420 м н.в., в централната част на п-ов Лабратор. Тече в западна посока, като преминава през десетки проточни езера, най-голямо от които е езерото Пти Лак дьо Лу Марен. На около 70 км преди устието получава отляво най-големия си приток река Бутин и се влива в източната част на Хъдсъновия залив, на 20 км южно от залива Гийом Делил.

Площта на водосборния басейн на реката е 15 900 km2.

Многогодишният среден дебит в устието на Пти Бален е 280 m3/s. Максималният отток на реката е през юни и юли, а минималният – през февруари – март. Подхранването ѝ е снежно-дъждовно. От ноември до края на април или началото на май реката замръзва.

Името на реката на инуктитут е Qilalugarsiuviup Kuunga, което в превод означава "място, където се ловува белуга (бял кит)"

За първи път реката се споменава през 1744 г. от търговския агент на компанията "Хъдсън Бей", търгуваща с ценни животински кожи под името Wapamed-Us-Sosh – "река на белите китове".

Сегашното название на реката се появява за първи път на 25 юни 1744 г. в корабния дневник на капитаните на два кораба Томас Мичъл и Джон Лонгланд, които по поръчение на "Хъдсън Бей" изследват източните брегове на Хъдсъновия залив, устието и най-долното ѝ течение.

От 1853 до 1890 г. компанията поддържа търговски пункт в устието на реката, който сега не съществува.

Вижте също
 Реки в Канада
 Списък на реките на Канада

Източници

Реки в Квебек

redpajama_set_name: RedPajamaWikipedia


text:
Category / writing
January 17, 2020 by todd
All Set-Up, No Action
creativity, daily, writing
creativity, goals, ideas, motivation, screenwriting, story, writing
Ideas are worthless.
Yeah, I said it. Of course, I'm only one in a long line of people who have said it, so please don't think any credit is due here.
In learning about screenwriting, I found there was two schools of thought: those who guarded their story ideas as if they were a precious hidden treasure and those who didn't. And I can understand both sides.
There's something about an idea that is special, but a lot of that comes from our perception of it and where it came from. The idea comes from us and most of us, for whatever psychological reason du jour you happen to subscribe to, would like to think of ourselves as special in some way. Even the idea that we aren't special kinda makes you think you're special because it feels like you've figured something out other people haven't. You're part of an elite. You liked the band before anyone else. You actually understand and appreciate Infinite Jest. Whatever.
January 16, 2020 January 17, 2020 by todd
The Routine, Interrupted
adjustment, adjustment day, Austin Kleon, blackout poem, morning routine, poetry, tim ferriss, writing
One of my goals this year is to have a creative routine that will start my days off, using the "make before you manage" ethos I gleamed from Tim Ferriss and mashing it up with what I remembered from Austin Kleon's morning routine. The idea is to have a set time each day before starting work that allows me to check the creative box, and is somewhat in line with why making your bed every day is a good thing – no matter what else happens that day, I did something that fed my soul.
One of the factors involved is that I am self-employed and work out of my home. My office is a downstairs room on the opposite end of the house from my bedroom – so there is a degree of separation, but those lines can blur pretty quickly. At some point, I'll have to do a quick tour of my space that, in spite of not being on par with many writer's rooms or studios, might be of interest to someone.
Your Whatever Step System To Having A Something
creativity, jerry jenkins, systems, writing
I have a couple problems with YouTube videos promising a Whatever Step System To Getting The SOMETHING You WANT.
First, it's never quite that simple. There's usually a ton of truth in the video, but there's also something that's left out or glossed over that represents a somewhat significant piece of the puzzle. Usually, it seems like that bit happened before the person developed The System, so it gets tossed in the corner where they're hoping no one will notice. What's that? You had a lucky break because your cousin's uncle's cleaning lady knew someone in the industry who also owed them a life debt and helped get your first book published? Definitely leave that out. Or how about you actually didn't know what the hell you were doing in the first place and happened to be in the right place at the right time? Sure… but this system will totally negate that thing!
The second problem? I usually wind up getting suckered in by them.
January 3, 2020 January 3, 2020 by todd
This One's For Me
creativity, cyril connolly, JJ Abrams, poetry, quote, screenwriting, Star Wars
Better to write for yourself and have no public, than to write for the public and have no self.
Cyril Connolly – New Statesman, February 1933
At some point, I stopped submitting poems for publication in magazines and journals. For about a year, I'd spent hours tracking submissions, printing my own custom envelopes trying to catch an editor's eye, writing cover letters, and all the assorted tasks that come along with trying to get published. At the end of the time, I had exactly one publishing credit.
It wasn't the lack of acceptance that made me stop, although I suppose it didn't really help either. I decided to mash on the brake because of all the things that I was doing, writing poetry really wasn't very high on the list. In a moment of clarity, I thought if getting published means writing less or even writing specifically for an audience, is it really something I want to do?
When I start getting down on myself for falling behind on a project or outright abandoning it, I think back to that moment and I'm reminded to be a little more kind to myself. What and who am I doing this for?
At present, I have a screenplay that is on its fourth draft. It's pretty good, has commercial potential, and I have all the information I need to finish the current draft. However, there's a piece of it that has made me put it aside for the past six months or so. The script is set in college with students as the main characters and I've been told that they sound much more like a 43 year old than someone in their early twenties. So I've taken some time to decide whether I'm really the person to write this thing. Of course, every movie and television show I catch with dodgy writing and characters edges me closer to finishing it, but I haven't quite gotten there yet.
I also have a book of poems that has stalled for no particular reason aside from I needed a break. The subject matter, death, is a little heavy to carry around for long periods of time. I'm probably halfway to completion on that.
Do I wish that either or both were finished? Sure, it'd be nice. But it's not like I have a publisher holding the presses for the book or an agent in Hollywood trying to stall a studio because their eccentric writer who lacks the good sense to live in California hasn't come through with the pages yet. Even being commercially viable, there's no guarantee the movie will ever get made – in fact, the odds are against it. The book? Even more so. I'd still like for them to see the light of day, but… for right now, they're just for me.
To further muddy the waters, I've been thinking about the differences between Star Wars movies lately – The Last Jedi and The Rise of Skywalker to be precise. I prefer TLJ because I felt Rian Johnson walked the line between fan service, making the next logical step with the characters, and also doing something that was his. What happened? A bunch of fans hated it. Then comes along TROS where J.J. Abrams went out of his way to course correct, heap fan service on top of fan service, and then drizzle nostalgia over the whole thing in heaping gobs. What happened? A bunch of fans hated it.
Watching The Force Awakens last night, I think it's more of an Abrams movie than TROS because he went out of his way to apologize for TLJ and lost his way. That can happen with our own creativity – where we spend so much time trying to overcome what we feel are inadequacies or mistakes rather than just doing something. Anything.
Rather than trying to apologize for something that didn't work out, I'm trying to look at it in a different way. Oh, that sucked and you didn't like it? Huh. Well, try this new thing then. Didn't like that either? Huh. Come back next time and we'll try it again with something new.
By the way, the Cyril Connolly quote comes from the excellent Tim Ferriss weekly 5-Bullet Friday email that is a great subscribe I highly recommend.
October 24, 2019 by todd
It's Not
daily, screenwriting, writing
film courage, markus redmond, screenwriting, video, writing
"Anything's hard that you're forcing." – Markus Redmond
I think it can be hard to admit when I'm forcing something – especially when it's something I want really badly. It's actually funny how easy it is to continue forcing something, which is a contradiction in and of itself, which also happens to make it an incredibly human thing to do.
We are creatures of contradiction. We are species of hypocrisy, but we're also creatures of fun, whimsy, genius, and bullshit. It's the biggest reason why human beings are interesting at all – our capacity for contradictions.
So I can agree with Markus in part because the writing itself isn't the hard part necessarily. Writing poems isn't a hard thing for me. Writing this blog post isn't particularly difficult. Typing out a screenplay isn't a massive undertaking. It's only when I build it up and begin to force myself to do things where it gets tough.
Now, keep in mind that Markus Redmond is also the guy who wrote his first screenplay in three weeks and then sold the thing, so let's just say that mileage may vary, shall we? Even bearing in mind the man's apparently superhuman writing skills (only half kidding here), there's something to be said for understanding where the difficult parts actually are.
For me, I can get tangled up in what will actually happen with the project after I'm done writing – which is a stupid thing to do while in progress because it's an entirely meaningless worry until you've actually finished the thing. But again, it's an easy thing to do and also a form of procrastination with a dash of self-sabotage tossed in. What better to distract from the doing of the thing than what I'll do with the thing after it's finished? It's almost perfect.
It's something I've been thinking about as I'm stalled a bit on my two major writing projects. Am I really being stopped by the hard part or am I misplacing my anxiety to avoid the thing altogether? Maybe I've wandered off topic a bit here and lost the thread, but hey, that's human as well, right?
Writing is a Battlefield (Earth)
battlefield earth, corey mandell, jd shapiro, movie, screenwriting, writing
To err is human, but to really mess things up, try justifying the err and wind up building an entire system of fragile excuses, self-pity, and loathing that lean on each other like a demented house of cards waiting to topple over at the slightest hint of wind.
Or maybe that's just me.
The point is, we all make mistakes. Thankfully, most of them are not fatal to ourselves, career, or family. In most cases, the worst case scenario bears only a passing resemblance to what actually happens. That's the good news.
The bad news is that we still have to cope with and process those mistakes and figure out how they fit into our lives. At the very least, most of our errors aren't quite as public as being a credited writer on one of the worst movies ever released, Battlefield Earth.
I'm not writing this post to crack on Corey Mandell, because I actually admire the guy. Not for Battlefield Earth, because that would probably qualify you for a padded room and losing your scissor privileges for life. We're talking about a flick that the first screenwriter, J.D. Shapiro, tried to avoid being given a writing credit. This is not the beginnings of a beautiful story.
What I took out of Mandell's story is that it takes a lot of missteps and failures to get where you want to go. In this case, he wound up finding what he believes is his true purpose, writing. Would he have ended up in the same place without writing lines for a hero named Jonnie Goodboy Tyler? Maybe. But unless you've got the Eye of Agamotto hanging around and want to nip off to check out all the millions of alternate timelines, I feel pretty safe in saying that we can't be sure.
(Seriously though, if you have that thing hanging around, drop me a line – I have some questions.)
This is in line with what posted yesterday – something I thought I was pretty good at that I've had to re-examine. Looking at all the parts of my life that have happened so far and accepting them all as part of what has gotten me here.
Even that time I rented Battlefield Earth.
October 16, 2019 October 16, 2019 by todd
Enduring the Edit
daily, poems, screenwriting, writing
don roff, editing, revising, rewriting, screenplay, screenwriting, script, writing
"I've found the best way to revise your own work is to pretend that somebody else wrote it and then to rip the living shit out of it." – Don Roff
The best thing about having two writing projects going at the same time is there's always something to work on. Get stuck on this one, move to the other, and then vice versa. The worst part about having two writing projects going at the same time is that if you're timing is off, you can wind up in the edit phase with both of them at the same time.
That's where I am now.
The first project, a screenplay, was sent out for feedback awhile ago and came back with plenty of notes (totally expected) and an encouraging pat on the back (bonus!). I rewrote the first 15 pages, sent it back for some more feedback, got more notes, and am now in the process of working a full draft. The other project is a book of poems where I've stopped writing new material and have been focusing on revising what's been written to assess where I'm at in the overall scheme of things.
One of the gifts from this process has been coming face-to-face with things I've often said but now have to question if they're really true. The first thing is that "I know that all my poems aren't great and I'm willing to write through the bad ones to get to the good ones." The second is that "Because I only write for myself, it's okay that I don't revise things."
Looking at those on my screen, it's pretty easy to see the cozy log cabin of lies and deception that I constructed for myself. I mean, inside my head or coming out of my mouth, those things sound great. But sitting there in front of me, it's tough to not call it for what it is.
Really, it's an excuse to not do the extra work of editing and rewriting. In fact, now that I've exposed my own lies for all the world (or at least the couple dozen people who might stumble on this) to see, I'll go a step further and say that I've been neglecting an entire portion of the writing process itself to my own detriment as well as the work itself.
Much as discouraging people to talk politics and religion leads to people not knowing how to talk about politics and religion, not editing and rewriting means you're absolute crap at them. Even if I am writing primarily for my own pleasure, that doesn't mean it has to suck, right?
So here I am, enduring the edit and trying to find the joy in it.
I may need a flashlight.
October 5, 2019 October 4, 2019 by todd
Sitrep Saturday
screenwriting, sitrep saturday, writing
poems, poetry, reading, screenplay, screenwriting, sitrep satuday, writing
I've recently started a weekly accountability email with my friend and fellow writer Charles where we share what we've managed to do that week. Sometimes it's uplifting, others it's a bit of a downer, and sometimes it's downright comical. So I figured it was worth a shot also broadcasting these things to the entire world. Because why not?
As you may have noticed from previous posts, I've been reading through A Slip of the Keyboard by Terry Pratchett and will probably finish that up towards the beginning of next week. This was a lender from Charles along with its companion, A Blink of the Screen, which is a collection of his shorter fiction works. I tried the fiction first but couldn't quite get into it – almost how I love everything Tom Robbins has written but couldn't get into his collection of shorter works, Wild Ducks Flying Backwards. However, I do believe some of Pratchett's novels will be making their way into my To-Read pile very soon.
Last week, I got feedback on my screenplay and started the process of re-writing when I realized that there were enough changes to the first fifteen pages that it would fundamentally change the tone of a couple characters and at least one relationship. A bit daunting. So I polished those fifteen pages up and sent it off to the person who gave me the feedback to see what they thought. Heard back from them that there's still work to be done, but they feel I'm on the right track. I'll take it. To page sixteen and beyond!
I've also been at work revising poems for another project I've been at work on this year and which I'd like to see done by the end of December. After an initial burst of deep editing the first session, I've come to realize that four to five poems is my limit for one day. I'll start off hot by digging into the text and making change after change… and then a few poems later, realize there were no marks on the page at all. Perhaps that poems was actually fine as is, but more than likely I was going far too easy on it. Poems need tough love as well.
baking soda, creativity, goals, journaling, pliable, plumbing, reading, tom brady, white vinegar
I've just spent the better part of an hour trying to get the drain in our bathroom sink to drain properly. Since a lot of the more wondrous and corrosive chemicals don't play with with septic systems and ours is roughly 30 some odd years old, I tend to lean into the more gentle and natural solutions whenever possible. So a box of baking soda, a gallon of white vinegar, and new plunger were my weapons of choice for this mission.
It's pretty interesting the things that can be accomplished with baking soda and white vinegar. Baking soda is a nice scrubbing agent for things you don't want to go medieval on with steel wool and vinegar helps to take the stink out of laundry. Fun stuff and they also work pretty well on drains (in my experience). Well, this time around, it took a few rounds and a bit of work with the plunger, but we're draining again.
What struck me afterwards was that a bit of regular maintenance would've made this job simpler or perhaps eliminated it altogether. The next thought that came to mind was that creativity is a lot like that too.
By keeping the creative muscles somewhat in shape, it's a lot easier to get into some heavy lifting when you need it; rather than trying to lift a car off someone when you've barely done more than lift cans of beer for the last five years. I've found myself seeking out new ways to keep creativity supple, or to borrow one of Tom Brady's favorite words, pliable.
Finding those little routines and disciplines that are the creative equivalent of stretching has been a challenge but also a lot of fun. It's the reason why I've been journaling more on a daily basis and also part of the reason for my yearly reading goals (which I've already surpassed for this year!). Even taking in creative helps keep the thinker ticking along rather than seizing up. Because if there's one thing that I know, things tend to seize up at the worst, or most inconvenient, times.


text:
Posts tagged:identity
Karissa Lang: New People
Chinese ancestral worship postcard postmarked Shanghai 1908. Source: worthpoint.com
We all descend from someone ancient, and contrary to what is generally believed in the West, they never leave us. Whether you are mystical or logical in nature, the idea sticks. For the former, ancestors spiritually guide us from beyond the grave. For the latter, science now dictates that we genetically inherit their memories and phobias. Either way, an ancestor is someone who passes on information—be it through stories, values, behavior, DNA, or supernatural means—and what distinguishes a good ancestor from a bad one is the quality of this information: a good ancestor hands down wisdom, a bad one gifts us with their pain.
My mother is a bad ancestor and her mother was a bad ancestor too, and if I can't be a good one, I'd at least like to be better. I come from a lineage of mothers who did not want children. Mean women, selfish women, indifferent women who resented where they came from and had no idea how to nurture what they'd created. Women who buried their aborted babies in the backyard. Women who abandoned their children to others. Women who raged without really knowing why. Absent women who felt unwanted and unloved and unconsciously groomed every last one of their descendants to experience the same.
Stacy Hardy: The Empty Plot
The empty lot gapes, yawns and quivers. It exhales dust and sucks the blue out of the sky. It draws her to it, an emptiness that calls out, that whispers and jeers. A wide mouth, that says, come, that dares her. She has no business with the empty plot. It is a nothing place, a no place, not a place but a gaping, an emptiness that is yet to be filled, something still to come.
It has no address at present, nothing that sets it apart in the neighbourhood. There are so many. Empty stretches of land cleared for some future construction never to come, suspended in the eternal yawning present of oblivion. Plots that have stood so long that they have become part of the landscape, vast parks where rubbish accumulates, some partially developed, deep holes sunk in the earth, now filled with murky water that collects debris, the pokes of steel foundations casting dancing shadows on the surface like the spines of poisonous fish; ruinous scaffold of catastrophic geometries that shade rows of empty buildings, concrete structures looming like theme park wreckage, dark and sullen, windows dust coated, shattered in places, doors padlocked against squatters that never come. The streets that hem them, nearly deserted, monuments to some moment of false hope, a future that dims with each day, grows wary, listless, the air dirty with stalled development.
Published: October 8, 2019 (updated: October 10, 2019)
Robert Neuwirth: the 28th notebook
Yüksel Arslan, Arture 385, Men XXVI (detail). Source: artfacts.net
or: 13 things Cal told Susan[*]
annotated by their mutual friend with benefits Lisa[‡]
Let him who is without copyright file the first suit.
–THE BOOK OF DERIVATIVES®
I copyrighted the notebooks[3]
The 27 notebooks in the closet under the stairs[4]
Published: July 7, 2019 (updated: July 16, 2019)
Christmas Gift: Youssef Rakha's Arab Porn *Remixed*
Youssef Rakha. A stock photo of a woman in niqab is made up of versions of Aliaa Magda Elmahdy's iconic picture, her act of protest of 2011.
Human behaviour flows from three main sources: desire, emotion, and knowledge.
– Plato, BC 427–347
Always I have and will
Scatter god and gold to the four winds.
When we meet, I delight in what the Book forbids.
And flee what is allowed.
– Abu Nuwas, AD 756–813
The moment a man questions the meaning and value of life, he is sick, since objectively neither has any existence; by asking this question one is merely admitting to a store of unsatisfied libido to which something else must have happened, a kind of fermentation leading to sadness and depression.
– Sigmund Freud, 1937
The revolution is for the sake of life, not death.
― Herbert Marcuse, 1977
Eros is an issue of boundaries.
– Anne Carson, 1986
Scene–1
"Hi, I'm writing a piece on Arab porn and would love to get your input…"
"Why would I be relevant to Arab porn?"
"Porn meaning explicit web content, or sexual self expression in general."
"I see. Well, okay. I'd like to read what you're writing but I don't want to contribute. Not because I'm against the idea. I just don't feel like revealing anything at this point, or I don't have anything to reveal. I don't want to explain myself or my sexuality or whatever."
Published: December 24, 2018 (updated: October 18, 2019)
Youssef Rakha: The Postmuslim
A. Abbas, Pakistan, 1988. Source: magnumphotos.com
Return of the Prodigal Muslim
Everybody knows the Enlightenment is dying. I don't mean in the hells from which people board immigrant boats. It was never very alive here in the first place. I mean in the heavens to which the boat people seek suicidal access.
They end up drowning less for the love of the Postchristian West, it would seem, than out of despair with the Muslim East. Blame politics and economics, for sure. But could it be that all three phenomena – despair, poverty and dictatorship – are rooted in the same cultural impasse?
Today Brexits, Trumps and, let us not forget, the Islamic Invasion of Europe are spelling an Endarkenment all across the North, confining progressive and egalitarian principles to intensive care units. And I'm wondering what that could mean for despairing Muslims in the South.
Mina Nagy: Interview with Promising Young Writer
Roger Ballen, from "Shadow Chamber". Source: lannassignment2.wordpress.com
Literary Magazine Interviewer: First question. Do you see yourself as a "promising young writer"?
Promising Young Writer: That depends. Do you mean "promising" or "young"? You can easily apply both to me, or dismiss them. It's a matter of perspective.
LMI: Let's see, then. How old are you and what have you written that's promising?
PYW: Well, I'm 28. So far I've written two books of poetry and one of short stories. I don't like to evaluate my own work. It depresses me. And you can't be objective about it. But it's easy to say that I like only two poems in my first book, the rest belonging to the realm of lame beginnings. Maybe I will have a view of my two later books after some time. I guess it takes time to see your own writings as external objects so you can evaluate them as you evaluate other things. Actually, I admire and hate my own work with equal force, and that applies to everything related to myself. I also finished my first novel, the first part of a trilogy. I'm in the process of publishing it now.
Published: October 3, 2015 (updated: April 24, 2018)
Backgammon in the Ruins of an Old Palace of Saddam Hussein's: Bezav Mahmod and the Image of Kurdistan
Once, long ago, my mother fled a genocide (the Al Anfal campaign). She fled on foot over massive Kurdish mountains carrying me on her back and my little brother in her stomach.
My grandparents, Kurdish villagers/farmers, were faced with brutal oppression. They were forced into the Kurdish struggle, taking up arms to resist the annihilation of their identity. For 50 years they lived with war and the struggle of the Kurds. My grandfather Selman Mahmod Bamernî became a peshmerga at an early age. He was involved in many bloody battles and lost many comrades in the process. He was seriously injured twice, and twice placed in Iraqi prisons. He was often separated from his family, once for over five years, so long that, when he came back, his youngest children did not recognize their own father. He has devoted his life to the Kurdish struggle. A humble person with honor, compassion and an absolutely wonderful sense of humor. He has made many laugh heartily in his day.
Published: November 16, 2014 (updated: November 18, 2014)
No more posts.


If you have bought a property only to realize 6 months down the line that it does not have approved building plans, this constitutes a latent defect, and you may be able to claim damages as a result.
Where a latent defect is discovered after ownership has passed to the purchaser, the seller and/or agent may be found liable for the costs of rectifying the defect if they warranted that the property was fit for the purposes for which it is was sold or if the defect was deliberately concealed.
Claim specific performance (repair) and damages/losses (in either situation).
Most sale agreements contain a voetstoots clause, which usually states that the property is sold 'as it stands', with all defects, and that the purchaser has accepted the property in such a condition. But a voetstoots clause has no effect where a defect was knowingly and deliberately concealed; and you would have to have reasonable evidence that whomever sold the property to you, had knowledge of this latent defect. If there was no voetstoots clause in your sale agreement, then you can claim from the seller for the cost of legalising your home (for example, the costs of getting new plans drawn up and approved and any alterations that you might have to make). If the cost of legalising your plans is very high, then you could also cancel the agreement of sale, return the house to the seller, and claim a refund of your purchase price and any other damages suffered.
Since your legal recourse in respect of latent defects is based on Roman Law called the aedilitian remedies, there are time limits as to when you need to claim from the seller. For example, if you want to return the house, you can normally only do so within 6 months of taking ownership. If you want to claim only a refund of part of the purchase price, you must normally have done this within 12 months of taking ownership.
If your plans are not approved, your local Municipality would be entitled to send you notices warning that you are non-compliant with building regulations. You would then have to have new plans drawn up and submitted for approval. If the fact that the plans were not approved was concealed from you, you could claim your costs in doing so from the seller and/or agent who put you in this position.
You may also have to prove to the Municipality that the structure is reasonably fit for dwelling, or else you might be ordered to vacate pending the approval of the newly drafted plans. Should the Municipality disapprove any attempts to bring the property under compliance, liability will fall on the seller and/or agent to restore you to the position you were in before you bought the property. This liability would include, amongst others, a refund of the purchase price, providing you with alternative accommodation and a claim for wasted costs for the transfer of the property and/or any other financial loss you might have suffered as a result.
If your loss is less than R 12,000.00, you could claim from the seller in the Small Claims Court. If your loss exceeds this amount, you will then need to institute your claim in a Magistrates Court or High Court, in which event it is recommended that you approach an attorney for assistance.
A purchaser should not consider just doing nothing about the position. In light of the SCA decision of Lester v Ndlambe Municipality (514/12)  ZASCA 95 (22 August 2013) the local authority has the right to apply for a demolition order and the court has no discretion to refuse or delay the order. The municipality will (hopefully) give an opportunity to the owner to get plans passed before taking such a step but if the alterations / buildings are such that plans cannot be approved - or the municipality decide that they have waited long enough - part or the whole of the property purchased could be reduced to rubble. Roll on compulsory surveys!
In the same direction perhaps - since I am a town planner - if a person purchases a property, and the estate agent misinformed the purchaser about the land use rights - isn't that then also a latent defect?
In Haviside v Heydricks and Another (AR27/13)  ZAKZPHC 53 (17 October 2013), the court upheld the seller's reliance on the voetstoots clause when the purchaser claimed damages for his additional expenses to his planned renovation due to the fact that there were no approved plans for the existing garage. This judgment confirms the position in our law that the absence of approved building plans constitutes a latent defect, in respect of which a voetstoots clause protects an innocent seller.
I am most curious to know where the author of the article found precedent for the thought that there are 6 and 12 months time restrictions on the two aedilitian remedies he refers to.
I would also like to know about these two "prescription periods". According to my knowledge the prescription period is the common law one of 3 years. On lack of approved proper building plans: I also am of opinion that where an agreement of sale provides for a voetstoots clause plus a clause that the seller warrants that there are approved building plans for the property as it is sold, then the latter stipulation reigns supreme over the voetstoots clause. Or,i.e, it overrules the voetstoots clause re the plan.
I am not so sure I agree with the contention that the "absence" of building plans constitutes a latent defect for which an "innocent" seller should be protected by the voetstoots clause. The so-called absence is actually non- compliance with the municipal by-laws which deal with the submission of building plans. Unless the proposition that ignorance of the law cannot be pleaded as a defence has changed, then the Seller, by his failure to comply with the law, knowingly withholds such information to the detriment of the Buyer - fraud through non-disclosure - acts unlawfully and should be held liable for damages suffered by the Buyer.
I cannot see how a court can pronounce such a seller as innocent except where the Seller has himself acquired the property from a prior owner who failed to submit building plans. In the latter case the Buyer would probably have recourse against the Municipality concerned. Further, I find it odd that the court should place the onus on the Buyer to establish the Seller's fraud through non-disclosure. I think this is a case for strict liability.
With respect, the author has omitted the requirement of fraud regarding defects, in the fourth paragraph of the article above: VD Merwe vs Meades, (AD 1991) requires that the seller "maliciously intended to conceal its existence from the purchaser with the purpose of defrauding him".


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Britney Spears Criticizes Christina Aguilera for 'Refusing' to Speak Out About 'Corrupt, Abusive System'
Erica Russell Published: November 19, 2021
Arturo Holmes / Ethan Miller, Getty Images
Britney Spears was silenced for more than a decade — but now her voice is stronger than ever before. And she's not afraid to use it.
In an Instagram Story posted Friday night (Nov. 19), the pop star appears to criticize her late '90s, early 2000s pop peer Christina Aguilera for a recent interview in which the "Dirrty" singer refused to address Spears' situation.
In the clip shared by Spears, when asked by a reporter on the Latin Grammys red carpet if she's had any communication with Spears following the dissolution of the singer's controversial 13-year conservatorship, Aguilera appears to quietly signal a member of her team, who cuts the interview short.
"No, we're not doing that tonight, sorry," the man says, before whisking Aguilera away.
"I can't, but I'm happy for her," Aguilera tells the reporter while exiting and making a sympathetic face.
"Love and adore everyone who supported me, but refusing to speak when you know the truth, is equivalent to a lie," Spears wrote, captioning the clip.
"[Thirteen] years being in a corrupt, abusive system, yet why is it such a hard topic for people to talk about?" Spears questioned, adding, "I'm the one who went through it all. All the supporters who spoke up and supported me, thank you. Yes, I do matter!"
See the full Instagram Story, below:
attachment-britney
RELATED: SEXIST, OFFENSIVE CELEBRITY INTERVIEWS
Aguilera's apparent refusal to address Spears now is a very different approach than she took just earlier in the year.
Back in June, Aguilera posted a series of tweets addressing the Spears conservatorship in light of revelations revealed in the New York Times documentary, Framing Britney Spears.
It was clear that her stance at the time was in support of Spears. Aguilera wrote:
"These past few days I've been thinking about Britney and everything she is going through. It is unacceptable that any woman, or human, wanting to be in control of their own destiny might not be allowed to live life as they wish.
To be silenced, ignored, bullied or denied support by those 'close' to you is the most depleting, devastating and demeaning thing imaginable. The harmful mental and emotional damage this can take on a human spirit is nothing to be taken lightly."
It's unclear if Aguilera is now uncomfortable with the topic or if there was another reason she and her team didn't want to address Spears and the conservatorship while on the red carpet.
In a follow-up Instagram Story, Spears shared another video, this time of Lady Gaga on the red carpet to promote her new film, House of Gucci. The footage shows Gaga praising Spears' impact on music and celebrating her recent court win.
"Thank you Lady Gaga for genuinely taking your time to say something so kind. You made me cry! I love you," Spears captioned the video of Gaga.
Barrier-Breaking Women in Music
Source: Britney Spears Criticizes Christina Aguilera for 'Refusing' to Speak Out About 'Corrupt, Abusive System'
Filed Under: Britney Spears, Christina Aguilera
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Christina Aguilera Recreates Iconic 'Stripped' Era Look in New TikTok
Man Spends Over $120K on Over 100 Cosmetic Procedures to Look Like Britney Spears – PHOTO
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25 Iconic Thin Celebrity Eyebrow Moments That Make the Case for Overplucking
Britney Spears Says Son Jayden, 15, Is Working to 'Undermine' Her Like Her 'Whole Family Always Has'
Britney Spears Tells Son Jayden 'Remember Where You Came From' Following Teen's Interview About Their Strained Relationship


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Stewart Robert Einstein, dit Bob Einstein, est un acteur, scénariste, producteur et réalisateur américain né le  à Los Angeles (Californie, États-Unis) et mort le  à Indian Wells en Californie.

Il est connu pour avoir interprété le personnage de Super Dave Osborne.

Biographie
Bob Einstein est né le  à Los Angeles dans une famille juive. Ses parents sont le comique Harry Einstein, connu pour jouer le personnage de Parkyakarkus à la radio et au cinéma, ainsi que la chanteuse et actrice Thelma Leeds. Son frère cadet est le comédien et écrivain Albert Brooks (né Albert Lawrence Einstein) et son frère aîné, Cliff Einstein, est un directeur de la publicité à la retraite à Los Angeles.

Bob Einstein meurt le  à Indian Wells en Californie.

Carrière

Filmographie

Comme acteur

Comme scénariste
 1997 : Super Dave's All Stars (série télévisée)
 1972 : Another Nice Mess
 1975 : Van Dyke and Company (téléfilm).

Comme producteur
 1976 : Van Dyke and Company (série télévisée)
 1980 : Bizarre (série télévisée)
 1988 : Super Dave (série télévisée).

Comme réalisateur
 1972 : Another Nice Mess.

Récompenses et distinctions

Récompenses

Nominations

Notes et références

Liens externes

Naissance à Los Angeles
Acteur américain
Scénariste américain de cinéma
Réalisateur américain
Producteur américain de télévision
Mort d'un cancer aux États-Unis
Mort d'une leucémie
Naissance en novembre 1942
Décès à Indian Wells
Décès en janvier 2019
Décès à 76 ans


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Emirates and AMR, the parent company of American Airlines, are discussing a partnership – which may involve code-sharing on flights and reciprocal frequent flier benefits.
Emirates president Tim Clark stated in a press release that he expects the partnership negotiations to reach a conclusion before the end of 2012.
Emirates currently has partnerships with Alaska Airlines and JetBlue in the United States and recently concluded an agreement with Qantas Airlines, American's partner for flights to Australia.
On September 12, 2012, Emirates inaugurated their flights between Washington, DC and Dubai. This marks the airline's seventh destination in the U.S.


I will admit it, I love cruise vacations. I have been on several cruises including a cruise for my honeymoon, for New Years, and for multi-generational family vacations and I have loved each one.
The price of your vacation includes all of your meals and in-between snacks on-board; your accommodation, activities, children programs and entertainment. Throw in the exciting journey to some of the most fascinating and charming places in the world and you have yourself a deal! You will also know what your vacation will end up costing you before you go. Typically, your only extra expenses are alcoholic drinks, specialty restaurants, optional shore excursions, and personal services such as a spa treatment.
You have so much choice and variety of cuisine on a cruise, you will not be disappointed. From gourmet meals that showcase renown chefs to pizza parlours and buffets. The choice is yours whether to sit down for an delectable five course feast or grab a hamburger at the bistro. The only thing that is guaranteed is that you will not go hungry on a cruise.
Regardless of which cruise you choose, all cruise lines pamper their guests with first-class service around the clock. Staff is there to make sure you needs are met. From chocolates on your pillow to your favourite drink waiting for you at your dinner table, you will feel like you are being spoiled day and night!
A cruise ship is a floating resort, with all the things a fine resort has to offer and more. You can go non-stop. Enjoy one great show after another, enjoy daily tour excursions, visit the spa, listen to a lecture, shop and then dance the night away. Or you can lie back and just read a book on deck and just let your cares float away.....do what you want to do.
There are over 150 different ships, dozens of cruise lines and over 1800 ports-of-call with hundreds of places to see and things to do. Small, large, formal, relaxed, budget, luxury, there is a perfect cruise out there for you.
The hassles of an ordinary vacation are completely eliminated because a cruise vacation is one convenient package. You don't have to worry about making dinner or nightclub reservations, running to make flight connections as you travel from one destination to another, or packing and unpacking. Once you're on board, nearly all expenses are pre-paid... it just does not get more carefree than that.
During the day you can enjoy secluded beaches or romantic villages, enjoy en suite dining on a balcony overlooking the ocean or spa services for two. At night, enjoy dancing, musical shows, gaming or a quiet evening watching the moon bounce off the ocean as the warm breeze drifts over the two of you....do I need to say more?
Cruises have a higher percentage of satisfied customers than any other vacation experience, once people try it, they come back again and again. It me 10 years to convince my brother and his wife to try a cruise vacation, they finally took one last year and they have already booked another one this year!
Whatever your heart desires, it can be done on a cruise so be sure to "choose to cruise" for your next vacation.
Jolana Klobouk is a former travel agent who travels extensively and now writes about her experiences. She is currently the editor of http://www.best-family-beach-vacations.com and http://www.best-romantic-vacations.com.


Music fans look out – Maroon 5 are coming to Santo Domingo!
Maroon 5, the American rock band from Los Angeles, will be playing at the Olympic Stadium in Santo Domingo on Tuesday 28th December, 2010. The band has released several albums, with their newest one, Hands All Over, being released on September 21, 2010. They have sold 15 million albums worldwide. For tickets, go to their website – www.maroon5.com.


I'll be the "sofa guest" on BBC Radio Suffolk this Friday on the Lesley Dolphin show, talking with Matt about Druidry, 3-4pm. I love talking with these folks at Radio Suffolk – they're always so lovely!
Here is a link to a fairly recent radio interview with Emma Restall Orr (aka Bobcat) that gives a really good introduction to what Druidry is, what Druids believe and so on. Enjoy!
What happened was that I wrote in to BBC Radio 2 because Ken Bruce had called Lynne Bowles a "whale" (in jest) and in the next breath said something about her putting on a French maid's uniform. Many people would say that taking this out of context is making it appear worse than it actually is. What I am saying is that the context of sexism doesn't matter – it's still sexism. Ways to undermine women's power in our society is becoming more and insidious where it cannot be achieved through brute force. Here is the correspondence that I have received back from my complaint, and my further response.
I am putting this here on my blog as well as my Facebook page. My original post in which I tagged the BBC has mysteriously disappeared from my Facebook timeline. It is my intention to make this public, and whether it is simply a Facebook error or a more targeted silencing, I shall never know – what I do know is that they cannot touch this blog.
Thanks for contacting us regarding Ken Bruce on BBC Radio 2.
We note you were unhappy with the manner in which Ken started his 2 April programme. You felt he made demeaning remarks about Lynn Bowles.
We appreciate your concerns. Ken, as a highly experienced broadcaster, is well aware of the boundaries of acceptability. The changeover with Chris Evans and his programme team was clearly intended as light-hearted banter between professionals who are well used to working with each other and treating each other with respect. We regret the dialogue didn't meet with your approval on this occasion and we hope you otherwise enjoyed the rest of Ken's programme.
We'd assure you your concerns have been registered on our audience log, which is a daily report of audience feedback that's made available to many BBC staff, including members of the BBC Executive Board, channel controllers and other senior managers.
Thanks again for taking the trouble to contact us.
I am writing in response to your reply to my complaint made last week.
I am not as certain as you or the BBC are of Ken Bruce's awareness of the levels of acceptability regarding boundaries – simply because he has had years of experience does not mean that what he says and does is always acceptable acceptable.
Sexism can be a very insidious creature in our society, and sexism, even in the form of "light-hearted banter" is wholly unacceptable. Should we allow bullying and racisim if it is all in the name of good fun? I think not. I don't think the BBC are taking this issue seriously enough. While I have enjoyed Ken Bruce's programmes in the past, I really do hope that these words and sentiment are actually taken seriously by the programmer himself, and not simply fobbed off as a registered complaint that no one will see because they are not required to look at all the feedback when it comes to programming. Issues like these have been swept under our society's carpet for years.
For me personally, sexism and sexist words are never acceptable, and I shall speak out against them whenever I experience them. Sadly, this is still too often even in our so-called "modern and liberated society". I feel that our liberties may be taken away should sexist comments continue to be made in any fashion, whether spoken in anger or in jest, for the very nature of sexism is to undermine a woman's personal power, and can be done in a myriad of ways that are "acceptable".
Thanks for contacting us again regarding Ken Bruce's comments at the beginning of his show on 2 April.
We're sorry to read you were dissatisfied with the previous response. As such we forwarded your complaint to the programme makers who would like to apologise for any offence caused to you; however regular listeners to Ken's show will regularly hear endearing banter between Ken and Lynn Bowles about each other for pure entertainment and are in no way deliberate attempts to be sexist.
At this stage however, if you believe a serious and specific breach of the BBC's Editorial Guidelines has occurred with this programme and you wish to pursue this complaint further you can contact the BBC's Editorial Complaints Unit (ECU), within 20 working days, and they will carry out an independent investigation.
Would I be endearing myself to you if I called you a whale? I'm not trying to be deliberately sexist, but how about you go and put on a French maid's uniform for me?
The issue isn't whether or not it is deliberate – deliberate or not doesn't make it right, or acceptable. I find it appalling that the BBC feel this way.
I began this complaint with regards to remarks made by Ken Bruce. What I would now like to complain about is the complacency within BBC that allows sexist and demeaning comments to be made under the pretense of "endearing banter".
Both responses I have had from the BBC have brushed this off under the carpet of "enterntainment". There is nothing funny about derogatory remarks or sexism. Only when we see that, when we break free from accepting these abuses under the guise of comedy and entertainment will we actually be able to move forward as a species.
These remarks may not have been made deliberatly by the presenter, Ken Bruce. However, that doesn't make it right, or absolve it in any way. People need to be made aware when they are crossing the lines, either what would be the point of having any lines in the first place? People in the media have an especial responsibility to choose their words carefully. I only hope that what I am saying will be taken seriously by someone, and that more thought will be behind the words of BBC radio two presenters such as Ken Bruce.


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WORCESTER - Lisa D. Servant of Worcester, MA passed away on Friday, March 8, 2019 at home following an illness.
She is survived by her loving husband of 21 years, Fred A. Koza and her mother, Joanne (Jansa) Servant.
Lisa was predeceased by her father, Arthur Servant of Arizona. She also leaves behind her two cats whom she loved dearly. Lisa also adopted many stray cats at the office of G&K Associates where she worked for 30 years with her husband Fred.
Calling hours will be held at Graham, Putnam, and Mahoney Funeral Parlors on Sat. March 23rd from 2 p.m-4 p.m.


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Home / Used Games & Consoles / Used Video Games / Used PS5 Games
Marvel's Guardians of the Galaxy (PS5) – Used
Experience an electrifying, original storyline inspired by over 50 years of Guardians of the Galaxy lore. Selectable dialogue options between Quill and the Guardians help you strengthen the bonds within this dysfunctional family.
Marvel's Guardians of the Galaxy (PS5) - Used quantity
Categories: Used PS5 Games, Used Games & Consoles, Used Video Games
Marvel's Guardians of the Galaxy
Lead The Guardians Of The Galaxy
You are Star-Lord, so nothing's off-limits with your bold combat style, from Element Blasters and jet boot-powered dropkicks to tag-team beat-downs. With the Guardians fighting at your side, call the shots and overwhelm your opponents with signature attacks. Meanwhile, the consequences of your decisions will range from light-hearted to downright unexpected as your journey unfolds.
All-New Story
Your newly-formed band of legendary misfits is set to save the universe in this fresh but faithful take on the Guardians of the Galaxy. Somehow, you set off a chain of catastrophic events, leading to a wild ride through mind-blowing worlds inhabited by iconic and original Marvel characters. Turn up the all-star '80s mixtape and get ready to kick it.
From Misfits To Super Heroes
You're the only thing holding the unpredictable Guardians together, so you'll have to get better at this leadership thing fast. With this offbeat approximation of a family at your side, there will be tears and laughter as you set about tearing into the cosmos together. Whatever's waiting around the next corner, you know it's going to be a blast
Marvel's Guardians of the Galaxy key features
Single-player adventure
Dynamic combat style
Obliterate foes with Star-Lord's Element Blasters and call on the unique abilities of each Guardian to defeat a wild variety of cosmic enemies. Mix and match your daring skills and your crew's distinct strengths to fight with talent and style.
A raucous playlist
It wouldn't be Guardians of the Galaxy without a killer soundtrack to rock out to while soaring through space in the Milano. The game is jam-packed with classic 1980s hits and kicking original tracks.
Platform: PS4, PS5
Release: 10/26/2021
Publisher: SQUARE ENIX CO. LTD.
Voice: English, French (France), German, Italian, Japanese, Polish, Portuguese (Brazil), Russian, Spanish, Spanish (Mexico)
Screen Languages: Arabic, Chinese (Simplified), Chinese (Traditional), English, French (France), German, Italian, Japanese, Korean, Polish, Portuguese (Brazil), Russian, Spanish, Spanish (Mexico)
Shadow of the tomb raider (PS4) – Used
DOOM Eternal (PS4) – Used
Sony PlayStation 4 500GB Slim Console – Used
Tom Clancy's Ghost Recon Wildlands (PS4) – Used
Demon Souls (PS5) – Used
Batman: Arkham Knight (PS4)- Used
FIFA 20 (PS4)- Used
Watch Dogs Legion (PS4) – Used
Monopoly (Nintendo Switch) ₦13,500
$15 Xbox Gift Card US ₦9,200
3 Month U.S. Xbox Live Gold Membership Subscription ₦167,900
Battlefield 1 (PS4) ₦10,000 ₦8,400


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Nome do produto

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redpajama_set_name: RedPajamaGithub


Learn the best kept secrets about Pisco and wine elaboration process, sand board the giant dunes of Huacachina desert, discover Paracas National Reserve a protected natural area that preserves unique species of flora and fauna. Sail with Humboldt penguins, sea wolves and flamingos on your boat trip to the Ballestas Islands.
Early wakeup call and 1 hour drive to Paracas. Once here, we leave from the fisherman´s wharf "El Chaco" heading towards the Ballestas Islands, known as the little Galapagos. On route our boat stops to observe the hieroglyphic known as "The Chandelier" located on a steep hillside in the Paracas Peninsula. This enigmatic figure that can only be seen from the sea, holds many mysteries about its origin and function. Later in the Ballestas Islands we will see a great variety of marine animals in their natural habitat like a huge colony of sea wolves, Humboldt penguins and a variety of seabirds. We go through caves and rock formations that have been carved by the sea, wind and weather over time. Back on the mainland we drive to Paracas National Reserve which is one of the most important marine reserves in the world. We first visit the park visitor center and then walk on a trail to see the flamingos. Afterwards, we drive on a dirt road to some cliff top lookouts where we can admire the immensity of the Ocean and beautiful beaches. We have lunch in the tiny fishing village of "Lagunillas" and then we return to Lima.