OUR WONDERFUL FATHER WANTS OUR ATTENTION AND OUR LOVE CONSTANTLY.
SO, WHEN WE FEEL WE ARE BETTER CHILDREN THAN OTHERS, THINK AGAIN!
GOOD FRIDAY, HAS TO BE OUR CONSTANT REMINDER: OUR FATHER DIED FOR LOVE AND LOVE ALONE!!!!
LET US NOT PUT HIM ON THAT CROSS!!!!!!!!!!!!
Action: Today I will look for signs that remind me that You are indeed who You say You are and opportunities to share that truth. I feel sorry for those who will only in terror one day discover a truth they had turned away from in mockery because it was more entertaining to join in the jeers of the crowd passing by.
Observation: I see that the crucifixion narrative has always been a weird read to me. I have never fully appreciated it. Either I have read it clinically, looking for doctrine, or I have been unaffected by it because I see worse on TV every night and have become desensitized, or I have just been glad it was not me and in that spirit have always known I would refuse to do this will of the Father as Jesus does, or I have imported the emotions I know I am supposed to have but often don't.
Action: Jesus, I find myself unable to appreciate Your sacrifice. This is a great shame. Today I will reflect upon it again. As I do so, I ask for Your help in understanding it fully and genuinely.
Observation: Even today we want a savior that will violently overturn the injustices we see and experience. We refuse to be part of the solution to our own sin, not even admitting it but pointing at and judging the ones who don't think like us. We want a savior who thinks like us. But we get one who thinks like God–a gentle, humble man, obedient to his Father even unto death for the sake of the very ones who are now mocking him.
Action: Be more like Jesus every day. There's no room for judgment or finger pointing. The news media makes it look like the world is sliding backwards into some violent form of tribal mentality. But we are called to be inclusive, to love each other (all people) and go out of our way to help those who don't look/think like us. So I will strive for that, and follow Jesus' example as others follow my example.
Observation: Love kept You on the cross – not nails.
Action: Thank You Jesus! Show me where You want me to be still and to stay out of love.
Yes, love kept Him on the cross.
Observation: Matthew makes it a point to tell us that the temple curtain was torn in two from top to bottom. If people had done it, it would have happened the other way around, but God is emphasizing here that He is the one who does the work here. He is sovereign. And even in Jesus' death, when it seems like Jesus is forsaken, God is still in control.
Action: When it seems like my life is out of control, I be confident that God is still working all things for the good of those who love Him, who have been called according to His purpose. This frees me from having to perform for Him or anyone else, and enables me to relax and enjoy the experience of life and to take comfort in His presence.


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AnatomyLower limbHip and thigh
Hip joint
Pick your favorite study tool
Author: Edwin Ocran MBChB, MSc • Reviewer: Francesca Salvador MSc
Last reviewed: December 29, 2022
Hip joint (Articulatio coxae)
The hip joint is a ball and socket type of synovial joint that connects the pelvic girdle to the lower limb. In this joint, the head of the femur articulates with the acetabulum of the pelvic (hip) bone.
The hip joint is a multiaxial joint and permits a wide range of motion; flexion, extension, abduction, adduction, external rotation, internal rotation and circumduction. Compared to the glenohumeral (shoulder) joint, however, this joint sacrifices mobility for stability as it is designed for weight bearing. The entire weight of the upper body is transmitted through this joint to the lower limbs during standing. The hip joint is the most stable joint in the human body.
This article will discuss the anatomy and function of the hip joint.
Key facts about the hip joint
Type Synovial ball and socket; multiaxial
Articular surfaces Head of femur, lunate surface of acetabulum
Ligaments Capsular: iliofemoral, pubofemoral, ischiofemoral
Intracapsular: transverse ligament of the acetabulum, ligament of the head of the femur
Innervation Femoral nerve, obturator nerve, superior gluteal nerve, nerve to quadratus femoris
Blood supply Medial and lateral circumflex femoral arteries, obturator artery, superior and inferior gluteal arteries
Movements Flexion, extension, abduction, adduction, external rotation, internal rotation and circumduction
Joint capsule
Iliofemoral ligament
Pubofemoral ligament
Ischiofemoral ligament
Transverse ligament of the acetabulum
Ligament of the head of the femur (ligamentum teres capitis femoris)
Innervation
Blood supply
Muscles acting on the hip joint
Articulatio coxae
Synonyms: Acetabulofemoral joint, Hip , show more...
The hip joint is the articulation between the ellipsoid head of the femur and the hemispherical concavity of the acetabulum located on the lateral aspect of the hip bone. The femoral head is covered with articular (hyaline) cartilage with the exception of a rough central depression, the fovea capitis, which is a surface of attachment for the ligament of the femoral head (ligamentum teres capitis femoris).
The acetabulum is formed by the fusion of the ilium, ischium and pubic bones. It plays a significant role in the stability of the hip joint as it almost entirely encompasses the head of the femur. The acetabulum bears a prominent semilunar region known as the lunate surface that is covered by articular cartilage. The lunate surface forms an incomplete ring that occupies the superior and lateral aspects of the acetabulum; missing its inferior segment. This surface is broadest anterosuperiorly where it bears most of the body weight during standing. The deficient inferior aspect of the acetabulum forms the acetabular notch.
The deep central nonarticular floor of the acetabulum is referred to as the acetabular fossa. This area is devoid of cartilage and is continuous with the acetabular notch. It contains loose connective tissue (fibroelastic fat pad) which is covered by synovial membrane. Attached to the margin of the acetabulum is a fibrocartilaginous collar called the acetabular labrum. This structure deepens the acetabulum by raising the rim of the acetabulum slightly, thereby increasing the acetabular articular area by about 10%. Inferiorly, the acetabular labrum continues as the transverse acetabular ligament, bridging the acetabular notch and transforming the notch into a foramen.
The superior aspect of the acetabulum and that of the femoral head bear the greatest pressures. These areas generally have the thickest articular cartilage. The concave acetabulum and the rounded femoral head of the hip joint, in addition to the anatomical relationship between the femur and the pelvis, particularly in the upright position, make this joint incongruent. The articular surfaces are most congruent when the hip joint is in a partially flexed and abducted position.
Are you struggling with all the terms of the hip joint? Take a look at this article about the quiz questions we offer at Kenhub, and see how you can use those questions to learn the anatomical terms in a fast and easy way.
Intertrochanteric line of femur
Linea intertrochanterica femoris
The hip joint is enclosed by a strong fibrous capsule and lined internally by synovial membrane. The external fibrous layer of the capsule is attached to the acetabulum proximally, close to the margin of the acetabular rim and to the transverse acetabular ligament. From its acetabular attachment, the fibrous layer extends laterally to its distal attachment on the proximal femur. It attaches to the intertrochanteric line anteriorly, the base of the femoral neck superiorly, about 1cm superomedial to the intertrochanteric crest posteriorly and on the femoral neck close to the lesser trochanter inferiorly. It is worth noting that part of the femoral neck is intracapsular and part is extracapsular.
The capsule of the hip joint is notably thicker anterosuperiorly, which is the area of maximal stress, particularly in the upright position when the hip is extended. Posteroinferiorly, the capsule is relatively thin and loosely attached. The capsule has two major groups of fibers, longitudinal and circular. The external longitudinal fibers of the fibrous capsule generally travel in a spiral manner from the hip bone to the proximal femur. The deeper circular fibers form a collar around the femoral neck, the zona orbicularis (orbicular zone or annular ligament) and have no bony attachments. The capsule of the hip joint is reinforced inferiorly by the pubofemoral ligament and posteriorly by the ischiofemoral ligament.
Test what you've learned about the hip joint so far, by taking our quiz.
The ligaments of the hip joint can be divided into two groups; capsular ligaments and intracapsular ligaments. Capsular ligaments are intrinsic ligaments of the joint capsule.There are three capsular ligaments that play a key role in maintaining the integrity of the joint during various movements: iliofemoral, pubofemoral and ischiofemoral ligaments. The intracapsular ligaments of the hip joint are found inside the capsule and include the transverse ligament of the acetabulum and the ligament of the head of the femur.
Ligamentum iliofemorale
Synonyms: Y-ligament of Bigelow, Ligament of Bertin
The iliofemoral ligament is a thick triangular ligament that lies on the anterior and superior aspects of the hip joint, and blends with the joint capsule. Its proximal attachment is between the anterior inferior iliac spine and the acetabular rim. Distally, it attaches to the intertrochanteric line. The central part of this ligament is thinner compared with its outer bands, giving the ligament an inverted Y-shape. It is the strongest ligament in the body and functions to prevent hyperextension of the hip joint when standing.
During extension, this ligament tightens, constricting the capsule and securing the femoral head tightly in the acetabulum. This action restricts extension of the hip joint beyond the vertical position to between 10o to 20o.
The pubofemoral ligament lies anteroinferiorly and reinforces the anterior and inferior aspects of the joint capsule. It arises from the iliopubic ramus, the superior pubic ramus and the obturator crest of the pubic bone. It travels laterally and inferiorly to the lower aspect of the intertrochanteric line, blending with the fibrous layer of the joint capsule and the medial band of the iliofemoral ligament.
The thinnest region of the joint capsule is between the medial fibers of the iliofemoral and the pubofemoral ligaments where there is a circular aperture. The tendon of the iliopsoas muscle overlies this region. Between the muscle tendon and the capsule is the iliopectineal (psoas) bursa which communicates with the hip joint cavity. The pubofemoral ligament prevents excessive abduction of the hip joint by tightening during extension and abduction movements.
Ligamentum ischiofemorale
Synonyms: ischiocapsular ligament, Ligamentum ischiocapsulare
The ischiofemoral ligament is the weakest of all the three capsular ligaments. It lies posteriorly, and strengthens the posterior aspect of the joint capsule. It is attached medially to the ischial bone below the acetabulum. It runs superolaterally around the capsule and posterior to the femoral neck to attach to the base of the greater trochanter, deep to the iliofemoral ligament. Some of the deeper fibers of the ischiofemoral ligament blend with the zona orbicularis.
The transverse ligament of the acetabulum is a strong flat ligament that bridges the acetabular notch creating the acetabular foramen through which neurovascular structures enter the hip joint. It completes the inferior deficiency of the acetabular rim and is continuous peripherally with the acetabular labrum.
This ligament is a flattened triangular band of connective tissue that has no significant contribution to the strength and stability of the hip joint. Its apex attaches to the fovea capitis while its base attaches to the acetabular notch and the transverse acetabular ligament. It is covered by synovial membrane and carries a small branch of the obturator artery, the artery to the head of the femur, which contributes to the blood supply of the femoral head.
Lumbosacral trunk
Truncus lumbosacralis
The hip joint is innervated by the articular branches of multiple nerves that emerge from the lumbosacral plexus (L2-S1). The nerve supply to a specific region of the joint typically corresponds to the innervation of the muscle that crosses it:
The femoral nerve innervates the anterior aspect
The obturator nerve supplies the inferior aspect
The superior gluteal nerve supplies the superior aspect
The nerve to the quadratus femoris innervates the posterior aspect.
It is important to note that pain sensations from the vertebral column can be referred to the hip joint, while primary hip pain may be referred to the knee as they share similar innervation.
Medial circumflex femoral artery
Arteria circumflexa medialis femoris
The blood supply of the hip joint is from the medial and lateral circumflex femoral arteries (branches of the deep artery of the thigh), the obturator artery and the superior and inferior gluteal arteries. Together, these arteries form a periarticular anastomosis around the hip joint. This anastomotic network gives rise to the retinacular arteries which supply the greatest volume of blood to the head and neck of the femur. Additionally, the obturator artery gives rise to the artery of the head of the femur within the ligament of the head of the femur.
Abduction of thigh
Abductio femoris
Synonyms: Abduction of hip, Abductio coxae
Being a ball-and-socket joint, the hip joint permits movements in three degrees of freedom: flexion, extension, abduction, adduction, external rotation, internal rotation and circumduction.
Flexion of the hip joint draws the thigh towards the trunk. When the knee is flexed, the hip joint can be fully flexed with the thigh coming in contact with the anterior abdominal wall. The range of movement during passive flexion is about 120o and reaches around 145o during active flexion. Hip flexion is limited by the tension in the hamstrings when the knee is extended.
Extension of the hip joint moves the thigh away from the trunk. Extension of the joint beyond the vertical is limited to about 30o by the tension of the capsular ligaments and the shape of the articular surfaces.
Abduction and adduction of the hip joint occur in the coronal plane and have a free range of movement of about 45o. With the hip flexed, the range of abduction is far greater than when extended. Abduction of the hip joint is limited by tightness in the adductor muscles and the pubofemoral ligaments. Hip flexion also makes adduction easier. Adduction, on the other hand, is limited by the contralateral limb, tension in the abductor muscles, the lateral part of the iliofemoral ligament and the fascia lata of the thigh.
Internal and external rotation of the hip joint occurs in the horizontal plane about the mechanical axis of the femur rather than the long axis of the femoral shaft. The mechanical axis runs from the head of the femur to the intercondylar notch of the distal femur. During internal rotation, the femoral shaft moves anteriorly, causing the toes to point medially. The reverse occurs in external rotation where the femoral shaft moves posteriorly, causing the toes to point away from the midline. External rotation is much freer and more powerful than internal rotation. For example, the range of internal rotation with the hip extended is about 35o while external rotation is about 45o. Rotation at the hip joint is generally much freer with hip flexion rather than extension. Tightness in the lateral rotators and the ischiofemoral ligament limit internal rotation of the hip joint. Contrarily, external rotation is limited by tightness in the medial rotators of the thigh and the iliofemoral and pubofemoral ligaments.
The major muscles that produce movements of the hip joint are categorized into functional groups; flexors, extensors, adductors, abductors, lateral rotators and medial rotators. A single muscle may fall under two functional groups. Multiple muscles participate in both flexion and adduction as well as abduction and internal rotation.
Flexion Psoas major, iliacus and rectus femoris; assisted by pectineus, tensor fasciae latae and sartorius
Extension Gluteus maximus, biceps femoris, semitendinosus,
semimembranosus and adductor magnus
Abduction Glutei medius and minimus; assisted by tensor fasciae latae, piriformis and sartorius
Adduction Adductors longus, brevis and magnus, gracilis; assisted by pectineus, quadratus femoris and the inferior fibres of gluteus maximus
Internal rotation Glutei minimus and medius; assisted by tensor fasciae latae and most adductor muscles
External rotation Gluteus maximus, obturator internus, superior and inferior gemelli, quadratus femoris, piriformis; assisted by obturator externus and sartorius
Mnemonic: Patched Goods Often Go On Quilts (PGOGOQ)
(Piriformis, Gemellus superior, Obturator internus, Gemellus inferior, Obturator externus, Quadratus femoris)
The main flexors of the hip joint are the iliopsoas muscle (psoas major and iliacus) and the rectus femoris muscle. The pectineus, tensor fasciae latae and sartorius muscles assist as weak flexors. Also, the adductor longus and brevis can assist with flexion of the hip joint in addition to its adductor function.
The primary extensor of the hip joint is the gluteus maximus muscle, assisted by the hamstring muscles (biceps femoris, semitendinosus, semimembranosus) and the adductor magnus muscle.
The primary abductors of the hip joint are the gluteus medius and the gluteus minimus muscles. The tensor fasciae latae, piriformis and sartorius muscles also assist in hip abduction. The hip abductors play an active role in stabilizing the pelvis during specific phases of the gait cycle.
The major adductors of the hip joint are the adductors longus, brevis and magnus and the gracilis muscle. These are assisted by pectineus, quadratus femoris and the inferior fibres of gluteus maximus.
The anterior fibres of glutei minimus and medius are the principal muscles responsible for internal rotation of the hip joint. These muscles are assisted by the tensor fasciae latae and most adductor muscles.
External rotation is produced by the gluteus maximus together with a group of 6 small muscles (lateral rotators): piriformis, obturator internus, superior and inferior gemelli, quadratus femoris and obturator externus.
Learn more about the hip joint by exploring our articles, video tutorials, quizzes and labelled diagrams from this study unit.
Hip joint Explore study unit
All content published on Kenhub is reviewed by medical and anatomy experts. The information we provide is grounded on academic literature and peer-reviewed research. Kenhub does not provide medical advice. You can learn more about our content creation and review standards by reading our content quality guidelines.
Magee, D. J. (2014). Orthopedic physical assessment (6th ed.). St. Louis: Elsevier Saunders.
McKinley, M. & Loughlin, V. (2012). Human anatomy. New York: McGraw-Hill.
Moore, K. L., Dalley, A. F., & Agur, A. M. R. (2014). Clinically Oriented Anatomy (7th ed.). Philadelphia, PA: Lippincott Williams & Wilkins.
Netter, F. (2019). Atlas of Human Anatomy (7th ed.). Philadelphia, PA: Saunders.
Palastanga, N., & Soames, R. (2012). Anatomy and human movement: structure and function (6th ed.). Edinburgh: Churchill Livingstone.
Standring, S. (2016). Gray's Anatomy (41tst ed.). Edinburgh: Elsevier Churchill Livingstone.
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Hip joint - Liene Znotina
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Comment: Last month the Euro squeezed higher, as expected, and is now due a short period of consolidation in the 1.4600/1.4800 area, though an extension to the psychological 1.5000 level cannot be ruled out. More importantly, declines are seen as medium and long term buying opportunities for an even weaker US dollar later this year. Dips might be limited to the nine-week moving average at 1.4443 which also happens to be the first Fibonacci support.
A weekly close below 1.4200 would force us to adjust.
Comment: Cable continues to struggle under the top of the most enormous weekly Ichimoku 'cloud' and has now dropped below the 'neckline' of a potential 'head-and-shoulders' top. The Technical picture is very mixed indeed and the most likely scenario is that prices muddle through to form a very large 'rectangle' over the next month or two. Therefore the measured downside target from the topping pattern may not be reached as long term Fibonacci support stems declines. We favour at least a month's worth of erratic moves with dips unlikely below 1.5275 and rallies probably capped at 1.6255.
A weekly close below 1.5200 forces us to review.
Comment: The very long, medium and short term trends are to a lower dollar/yen exchange rate. The question now is whether we will re-test this year's low at 87.10 this month or later this quarter and, after that, how much lower might we go. The pace of the move is likely to determine how low and for how long the move persists. The faster the move, the sooner we meet target, and the greater the subsequent bounce. At the moment we estimate that chances of a test of the critical the 87.00/85.00 watershed this month are 50:50 or less; the chance of a break below 85.00 within the month at negligible. Therefore the most likely scenario this month is for a series of random moves between 87.00 and 92.00. Then down again next month.
A weekly close above 92.55 would force us to review.
Comment: Not going according to plan as Sterling loses up to 9.00% of its value in just one month, weakening against every single major currency on central bankers' comments. The jury is still out as to whether the rally to 0.9305, above the top of the large potential 'flag' formation, is a 'spike high' and 'extension' or whether this is the start of something much bigger. Being eternal optimists we are currently hoping that it will be the former, and that we are now due a broad sideways move roughly between 0.8800 and 0.9200. However, note that the longer we hold above the top of the 'channel' the greater the risk for a serious rally where the minimum measured target of the extremely large continuation 'flag' is 1.0300.
A weekly close above 0.9400 suggests a burst through parity is imminent.
Comment: Many yen crosses have retreated from this year's highs while still holding inside the very broad bands that have dominated since November. EUR/JPY is currently testing the 'neckline' of a slightly irregular 'head-and-shoulders' top that has defined the upper half and has held since April (roughly 126.00 to 138.00). It could hover unsteadily around here for up to three weeks. A weekly close below this line, or better a weekly close below 127.50, should add to bearish momentum and turn the moving averages bearish. Later this year it should slide sharply to 118.00.
A weekly close clearly above 135.00 forces us to review.
Comment: This Yen cross declined slightly faster than we had expected and last week formed a little 'doji' candle just under the very large, flat-topped Ichimoku 'cloud'. This hints at indecision, something supported by the moving averages which have yet to cross over. Expect a little sideways work for at least a week. Further out we favour a break to new recent lows so that the cross moves towards 130.00.
A weekly close above 150.00 forces us to review.


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Submissions:2015/Addressing the Gender Gap: Wiki Edu Projects for Digital Humanities
Revision as of 20:53, 3 September 2015 by Helaine (Wiki Ed) (talk | contribs) (→Interested attendees)
Addressing the Gender Gap: Wiki Edu Projects for Digital Humanities
Type of submission
Matthew Vetter
vetter@ohio.edu
Matthewvetter
In recent years, the Wikipedia community, including Wiki Edu, has become increasingly aware of systemic problems of representation in the encyclopedia resulting from a significant gap in the number of female vs. male editors (Glott, Schmidt, and Ghosh). The homogenous demographic of male editors has produced a number of problems in terms of representation, with articles and topics that might matter more to female or LGBTQ audiences less developed or even absent in the encyclopedia (Cohen). Wiki Edu, as a program that can encourage new demographics of editors to participate in Wikipedia editing projects, is in a unique position to 1) spread awareness of systemic problems of representation and 2) work to address the gaps in content that arise because of the homogenous editor demographic. In this presentation, I describe a collaborative project undertaken in the spring of 2015 in which a colleague and I (together teaching three courses) participated in the Wikipedia Education Program to specifically address these aims within the context of digital humanities. The course in question, "Women Writing in Digital Spaces," engaged students in issues of identity, technology, and gender, focusing especially on the ways in which women and LGBTQ identities are silenced, marginalized, oppressed, or attacked in online venues. As part of the course, students engaged in critical analysis of Wikipedia in order to recognize systemic issues of representation and access, thinking broadly about how the encyclopedia has become less "open" since its inception and of the ways in which its homogenous demographic and knowledge making practices influence representation and content. Students participating in this project went beyond critique to also contribute to the encyclopedia, and address its gender gap in concrete ways. To accomplish this, students performed research on a topic related to gender, women's studies, women's representation, or LGBTQ issues, identifying a need for a new article or edits to an existing article, and then updated or created a new article based on their research. Finally, students were also asked to pay close attention to what they could learn about writing, research, and digital publishing by participating in what is perhaps the most productive and efficient writing community online.
Such a project accomplishes goals that should be of interest to a number of audiences, including 1) academics and nonacademics interested in cultural critiques of digital communities and interfaces, 2) academic instructors in writing, cultural studies, rhetoric, communication and other digital humanities contexts, 3) Wikipedians and Wikimedians interested in systemic issues of representation and access, and 4) individuals involved directly or indirectly in Wiki Edu initiatives.
This presentation will attempt to speak to as many of these audiences as possible, yet will also stay focused on description of the opportunities provided by collaborative initiatives between academics and Wiki Edu to promote learning in the digital humanities and increase representation of marginalized topics and identities in Wikipedia. I am not interested in narratives that critique Wikipedia as an inherently misogynistic community. Rather, I hope to contribute to and engage audience members in discussions of how Wikipedia, partly because of its reliance on epistemological policies of verifiability, inadvertently reproduces social hierarchies and hegemonies of Western cultures that are always already patriarchal. In coming to a more complex realization about how Wikipedia's epistemological practices contribute to systemic issues, it also becomes possible to forge and sustain more productive relationships between Wikipedia communities and academics, especially those in the digital humanities.
Finally, this presentation will also highlight a collaboration between Wiki Edu and the Digital Rhetoric Collaborative, which resulted in the following publications, as a way to further sustain these relationships.
"Wikipedia's Gender Problem and What We're Doing About It (Part II)." Digital Rhetoric Collaborative. University of Michigan Press/University of Michigan Center for Writing. April 29, 2015.
"Wikipedia's Gender Problem and What We're Doing About It." Digital Rhetoric Collaborative. University of Michigan Press/University of Michigan Center for Writing. April 8, 2015.
"Wiki Wednesday Guest Post: Eryk Salvaggio of Wikipedia Edu." Digital Rhetoric Collaborative. University of Michigan Press/University of Michigan Center for Writing. March 11, 2015.
Glott, Ruediger, Schmidt, Philipp, and Rishab Ghosh. "Wikipedia Survey Overview." UNU-MERIT. Wikimedia Foundation, Mar. 2010. Web. 7 Feb. 2015. Cohen, Noam. "Define Gender Gap? Look Up Wikipedia's Contributor List." The New York Times. The New York Times Co., 30 Jan. 2011. Web. 5 Mar. 2014.
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Jami (Wiki Ed) (talk) 19:22, 31 August 2015 (EDT)
Eryk (Wiki Ed) (talk) 13:35, 1 September 2015 (EDT)
Samantha (Wiki Ed) (talk) 13:47, 3 September 2015 (EDT)
Helaine (Wiki Ed) (talk) 16:53, 3 September 2015 (EDT)
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Llewelyn Building
722 – 728 5th Avenue
Architectural Style – Victorian/French Provincial
Architect – Unknown
David Llewelyn, a Welsh immigrant, arrived in San Diego in 1869, and like many others, immediately set out to make his fortune. Quite successful, he built and operated a number of stores, including several cigar emporiums. When he died in 1896, he left his son William only $10.00, and left the remainder of his estate to his daughter, Hannah Elizabeth Allen, making her a "woman of means."
Perhaps sensing his father's favoritism, William had already partnered up with E.M. Rankin, and the pair operated a brick kiln, which supplied thousands of bricks for local construction in the 1870s and 1880s. In 1884, William acquired the property on 5th Avenue from James Findla. He began construction of the Llewelyn building in late 1887.
Although the architect is unknown, the architecture is unique in the Gaslamp, as it is the only building sporting French Provincial characteristics. Those include a a Mansard roof and highly arched windows with ornately carved moldings and elaborate cornices. Mansard roofs have slopes on four sides and sit on a flat foundation. The arches and cornices were constructed of pressed metal and the windows, four on each side of the building, were double sashed.
The three story building itself was constructed of brick bearing walls on a concrete foundation with no basement. There is, however, a crawl space beneath the first floor. The elaborate roofline features intricately carved lentils, and includes a large light-well (skylight) opening to the second floor to provide illumination and ventilation. On the ground floor, a large central doorway led to a central staircase. The door and interior window trim were molded redwood. The interior doors were hinged, although some of the larger rooms also had pocket doors. Ceilings on the second and third floors are 14 feet high. The building originally incorporated gas lighting.
When the structure opened, William Llewelyn installed a shoe store, which he operated until 1906. The building, which was constructed for "general merchandising," included as early tenants the San Diego Trucking Company, two architects – Mr. Pare and Mr. Kennedy – Bachman and Hooker – cement construction and a cigar store. In 1906, Anker Western Wear founded their company in the building, and remained until May 1, 1973.
In 1906, the upstairs levels were converted to a series of hotels. The first hotel was the the Dunlop. In 1915, Mr. Llewelyn sold the southern half of the building to Mrs. Emma R. Southerland.
Unfortunately, each hotel that followed the Dunlop became more and more unsavory, and by 1917, the current hotel, the Louis Hotel, was known as a "cat house." When charges were brought against Mrs. Southerland as the owner, she said she did not own a "cat house," promptly tried to have the charges dropped, and the tenant manager, Mrs. Ollie Thomas, was told to leave. George M. Sears, the police officer who originally filed the suit testified that the Louis Hotel had a general reputation as a "house of ill-fame and a house where prostitution was allowed and encouraged." He went on to state that Mrs. Holmes also had a bad reputation and allowed tenants such as Myrtle Allen and Josephine Alvarado, who had been arrested for prostitution twice before, to continue to live there. After much more testimony, Judge C. N. Anderson ordered the two owners, Llewelyn and Southerland, " to absolutely desist and refrain from using the said premises for purpose of lewdness or prostitution, and from permitting such a nuisance on said premises." In 1919, Mrs. Southerland sold her interest in the property. Mr. Llewelyn died in 1921, and left the property to his wife, Mrs. Emily Llewelyn.
Sadly, the Louis was followed by the Coronado Hotel , the Welcome Hotel and the Utah Hotel, and the illicit activities continued. The downstairs storefronts became the Aztec Bar (closed due to abatement of nuisance), a pawnbroker, a loan office, the Telephone Bar and Wimpey's Cafe. When Anker Western Wear moved out in 1973, that space became the Lux Adult Theater. An unfortunate downward slide for such a lovely building! Still lovely, but now very notorious.
In the latter 1970s, the late Zondra Schmidt, a Gaslamp pioneer, purchased the building and operated the hotel, now called the Neptune, as a low-income residential facility. She later recounted her surprise when opening what she thought to be a storage area and finding many, many lockers. Apparently, the property had also been a "locker club," where servicemen could keep and change into civilian clothes when they came to enjoy the various types of entertainment that the then Stingaree had to offer!
The Llewelyn went through an extensive restoration in 1981, and then opened its doors to a hostel catering to international travelers upstairs, and a restaurant on the street level. In 1992, Osteria Panevino opened its doors at the location, and bills itself as the oldest restaurant in the new Gaslamp. Adjoining it on part of the original property is another popular restaurant, Asti. USA Hostels continues to operate upstairs. These elegant restaurants and lively hostel do much to mitigate the notorious reputation of this grand old building!
Sandee is the historian at the Gaslamp Quarter Historical Foundation. She can be reached at [email protected]
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Gaslamp Foundation
The Lion Roars Again!
The Gaslamp Quarter Historical Foundation (GQHF) provides San Diego residents and visitors with museum exhibits, programs and tours offered through the Davis-Horton House, the oldest residence in the Gaslamp Quarter. GQHF also hosts popular annual events including the Children's Fall Back Festival and ShamRock.
Explore our website to learn more about the Gaslamp's history and our Foundation, which is tasked with safeguarding the heritage of this nationally designated historic district.
Help us support the Gaslamp Quarter Historical Foundation by making a donation:
The Gaslamp Museum
at the Davis-Horton House
410 Island Ave. San Diego, CA 92101
Tuesday – Saturday, 10:00 a.m. to 4:30 p.m.
Sunday, Noon to 3:30 p.m.
Tuesday - Friday, 9 am to 5 pm
Gaslamp Museum
Administrative Offices are open
Tuesday - Friday 9 am to 5 pm
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This years competition was held in the Regent Bridge Club, Waterloo Road, on Sunday 5th September. We had an entry of 20 teams, that was two more than last year. The two session event was run well by TD John Murray ably assisted by young Andrew Cummins and supported from time to time by Alan O'Sullivan. Competition was very keen amongst the players and little separated the successful teams at the finish. During the play we slaked our thirst with copious quantities of iced water served up by the ever friendly Declan Burne behind the bar.
Congratulations to the prizewinners and especially to the successful Intermediate team who just missed out on the best local prize. Thank you to all who supported the club by playing in our flagship event. We hope to see you and more of your friends taking part in this event next year.


There are two items of interest - one related to Hazardous Materials Pipeline emergency response and the other for 36 new Significant New Use Rules under TSCA. These are scheduled for the Sept. 2, 2014 issue of the Federal Register.
Responsible for the Next Safety Meeting or Hot Topic?
For many of us, the daily, weekly or monthly safety meeting is a fact of life. Usually, the responsibility for leading the meeting rotates or someone is responsible to bring in a hot topic. But as most of us know - the meetings are generally filled with repeats of the "typical" topics. You know them all - slips, trips, and falls; electrical safety (particularly near the holidays), food safety (near Thanksgiving or Fourth of July or when the office refrigerator needs cleaning), and the list goes on.
In addition to the Chemical Safety Board's release of the analysis on the 2014 Sulfuric Acid release at a refinery in California, it also "closed the book" on the Anacortes refinery 2010 explosion. The CSB's analysis on the Sulfuric Acid release can be foundhere. And while the final report on the 2010 explosion was released earlier this year, there were some legal questions being investigated. The final report can be foundherealong with recommendations from the American Petroleum Institute, the Environmental Protection Agency, and others.
The Chemical Safety Board released its report on a release of sulfuric acid. Here is the report.
Just prior to the DOE's meeting on July, 29 - EPA released areporton July 25 from the agency's Inspector General (IG). In this report, the IG found that EPA was doing too little to limit methane leakage from natural gas transmission lines and the natural gas infrastructure. From the IG's report, it appears that the voluntary programs have not "succeeded in limiting the output of methane emissions from pipelines."
The report suggests that EPA needs to increase its efforts to limit these emissions including proposing new regulations either on its own or working with other agencies such as DOT.
On July 29, 2014 - The Department of Energy (DOE) announced its initiative to "help modernize natural gas transmission and distribution infrastructure." You might have seen something about the DOE's effort to minimize methane emissions - or possibly a story on an initiative to improve safety. The Capstone Roundtable event described in theFact Sheet- was a meeting of "leaders from industry, environmental organizations, state regulators, consumer groups, academia, and unions" to provide the Administration with perspectives on opportunities to modernize the infrastructure to reduce methane emissions.
For those of you following the newly proposed rule for petroleum refineries - this might be an interesting perspective to read.
By Robert Levy - Government has an Essential Role in Oil Refinery Safety and the Environment.


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Micah, please!: Donkeys used to play basketball for the love of the game. Now it's all about money.
Donkeys used to play basketball for the love of the game. Now it's all about money.
Ah, this brings me back to high school. Note: I was a spectator, not a donkey.
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Hey, hot women: Get to know me!
What shall I puff next?


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❶If you lack of creativity, you might want to consider a good mythology paper example from the internet.
The difficulty in identifying the origins of Greek myths stems from the fact that, until the time of the Greek poets Hesiod and Homer both of whom flourished around the eighth century B. Hesiod's Theogony and Works and Days, in addition to Homer's Iliad and Odyssey, are the oldest extant written sources of Greek mythology, and most scholars agree that certain mythological elements in each can be dated to a much earlier period.
Many scholars also concede that certain elements of these works have definite Near Eastern parallels, but the extent to which such parallels indicate that Near Eastern myths served as a source for Greek myths remains an issue of critical debate.
In addition to studying the age and origins of Greek mythology, modern scholars have also examined such topics as the relationship between myth and history, the themes and motifs of Greek myths, and the treatment of women in Greek mythology. In searching for the origins of Greek mythology, Martin P. Nilsson first makes a distinction between the myths dealing with heroes and those concerned with divinity and cosmogony, stressing that it is erroneous to assume that "the hero myths were derived from the same source as the myths concerning the gods.
Mondi examines this issue by focussing not on the textual transmission of myths, but on the diffusion of "mythic ideas" or motifs. Such ideas include the "cosmic separation of earth and sky," the hierarchical organization of the cosmos, and the "cosmic struggle" by which divine kingship is attained. Mondi concludes by stating that elements in Greek myths are "derived from contact with the considerably more advanced cultures to the East and South.
The analysis of the historical aspects of mythology, specifically the heroic myths, is another way mythology is studied. Rose begins his study of mythology by noting that "it is very clear that we cannot take [myths], as they stand, as historically true, or even as slightly idealized or exaggerated history. Over time, a disagreement arose about the origins and value of muthoi the plural of muthos.
On one side, were the traditionally religious and poets who claimed these stories were divinely inspired and should therefore be revered as religious, historical, and political truth. Early philosophers like Xenophanes and Heraclitus considered myths to be silly stories suitable only for children and the feeble-minded. By contrast, Plato and his followers tended to use the word muthos to signify poetry and imaginative narratives.
This is because myth, religion, and philosophy are each preoccupied with a special branch of knowledge known as metaphysics. As any encyclopedia of philosophy will tell you, metaphysical inquiry is concerned with three general questions: That is, philosophy and science base their answers to the above three questions on that which can be observed through the senses and explained in logically consistent, experientially verifiable terms. In the other, were the philosophers and early scientists who based their metaphysics on closely reasoned argument and careful observations of the material world.
This tension between metaphysical approaches should seem familiar. But while Plato was a rationalist, he was not, as so many modern intellectuals are, a materialist. Nor did Plato completely reject the use of imaginative narratives, so long as they were used in service of philosophy.
This is not to say that Plato lies in order to persuade us to his ideas; rather, it means that he sometimes advanced parables, likely stories, or thought experiments in order to communicate what his rational inquiries led him to conclude about the nature of reality. Leveling a charge that has been made occasionally against art down to our own time, the great philosopher argued that poets manipulate their audiences and present them with cheap imitations of reality which have the effect of making their hearers lazy, fearful consumers of stories rather than active, thoughtful seekers of the truth.
Thus, unlike Xenophanes and Heraclitus, Plato does not dismiss all muthoi as lies about the gods or the laughable superstitions of the ignorant masses. Rather, he redefines muthos in a way that serves his rhetorical, ideological, and political purposes.
But, myth is not merely metaphysical truth dressed up in the outlandish clothing of fiction. Are Myths Merely Bad Philosophy? The poet and the philosopher serve different masters and therefore have different values, priorities, and methods. While the individual literary artist may care passionately about philosophy and value its approach to the Truth, his or her first allegiance is to the well-told story. Such features of literary art require no special training to be understood and enjoyed and therefore reach people more quickly and more profoundly than even the most elegant proof or carefully phrased theory.
They will know the ostensible cause of the Trojan War. They will be able to tell you the fate that befell Oedipus. This is not to say that mythic truth is powerful and enduring while philosophical truth is weak and fleeting.
Nevertheless, myths like all forms of fiction are enduring because they are entertaining and accessible in ways that philosophy and science seldom are. Are Myths Sacred Narratives? If we accept the notion that myths are, first and foremost, stories, we must still determine just what kind of stories they are. A Study of C. Jung, Mircea Eliade, and Joseph Campbell , that modern students of myth do not actually study muthoi , per se.
In short, to study myth as Ellwood defines it, we would have to record and analyze the performances of storytellers and the still-fresh visions of poets, prophets, and dreamers. However, not all myths are sacred; and not all sacred stories are committed to writing and therefore they can never be, literally speaking, script -ure.
For example, most students, when they hear the word myth think of the epics, poems, and plays of the Greeks and Romans. And they are not wrong. It would be perverse to argue that the stories featured in Greek plays about such memorable characters as Orestes, Oedipus, and Clytemnestra are not also myths. Ordinary Greeks and Romans did not read passages from the Odyssey to solemnize religious ceremonies.
Various playwrights reworked even fundamental elements of their mythic traditions without fear of being excommunicated for abusing holy scripture. While it is true that religious belief and ritual are portrayed accurately, even reverently, in Greco-Roman myth, that fact alone does not make them sacred narratives. In the ancient world, only those stories told by sanctuary personnel during special religious ceremonies were considered sacred.
In fact, we know almost nothing certain about such sacred narratives because they were considered so sacred that to write them down was blasphemy, and to tell others about them was an offense punishable by exile or death. These tribes observed strict taboos and traditions dictating how their most important stories might properly be performed.
For example, some stories could only be told at night, others could only be uttered during the season between the first killing frost of autumn and the first lightening bolt of spring. These cultures never developed writing systems; but, so far as we can tell, their oral narratives became relatively fixed in terms of plot details, characters, and meaning.
However, there are a variety of myths, both written and oral, that are not subject to the kinds of taboos and traditions that would define them as sacred. Our modern sense of the term retains these contradictory ancient meanings and associations.
Further complicating the picture, is the fact that nonspecialists tend to use the words myth, folktale, legend, saga, and fable interchangeably. This is understandable because these genres overlap to a significant degree; however, those seeking a more precise definition of myth do well to understand the differences as well as the similarities among these terms. Families, for example, are an oft-studied folk-group; quilters, southerners, and Gulf-Coast shrimpers have also been studied as distinct folk groups.
Given the breadth of this definition, it is difficult to imagine a story that could not be classified as a folktale. Surely the stories recounted in myths, religious teachings, history books, and political speeches, for example, are manifestations of the ideas, beliefs, traditions, and proverbial sayings of such large folk groups as the Americans or the Japanese.
And, indeed, the Journal of American Folklore routinely publishes articles and reviews books on myth, an indication that American folklorists, as a professional group, consider myth to be a subset of their discipline. What is a Myth? Refutation of the Myth Theory Egyptian myths and Methology Discrimination against Women in Politics: Mythical Creation of Land and Man Myths Never Hurt Anyone The 60s in the US: Breaking the Myth of Madame Butterfly Man or Myth The Myth and The Maelstrom: Here is a list of the most popular essay topics on Mythology: Order a custom written paper of high quality Professional Writers only.
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Myth Essay. foundation of almost every culture in the world has a creation myth explaining how the wonders of the earth came to be. These myths have a powerful influence over the people's culture, and the way they think about their surroundings.
Albert Camus's Essay: The Myth of Sisyphus - In the essay The Myth of Sisyphus, Albert Camus attempts to give answers to some tough questions. He wants to know if life is worth living or how we can make it worth living, as well as whether or not it is possible to live with certainty.
Fake Myth essaysMany centuries ago, before you, before me. Before water existed. There was a god, who roamed the earth in search of something, anything. He roamed the barren landscapes and searched under all rocks. Until one day he found something. It was a hole, a hole that seemed bottomless. So he. Free Mythology papers, essays, and research papers. Exile in Mythology - Exile in Mythology "If all difficulties were known at the outset of a long journey, most .
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Read Next Roger Waters Drops New Recording and Video for 'The Gunner's Dream'
March 2, 2011 7:35PM ET
Sammy Hagar: 'I Would Love to Make Another Record With Van Halen'
Discussing his new memoir, he says there's a '90 percent chance' the band will reunite – 'if Eddie was totally cool'
Andy Greene
Andy Greene's Most Recent Stories
Darlene Love on Phil Spector's Death: 'I Feel Very, Very Sad'
David Johansen on Losing Sylvain Sylvain: 'I Have a Heavy Weight On My Chest'
Flashback: New York Dolls Play 'Looking For a Kiss' at One of Their Last Concerts
Sammy Hagar performing on September 11, 2010 in Stateline, Nevada.
Tim Mosenfelder/Getty
Sammy Hagar's new autobiography Red: My Uncensored Life In Rock (in stores on March 15th) traces the singer's long career from his days in the 1970s hard rock band Montrose to his insane ride in Van Halen through the formation of his supergroup Chickenfoot.
The new issue of Rolling Stone (on sale and in the online archive Friday) has an exclusive excerpt focusing on Van Halen's disastrous 2004 reunion tour that was nearly derailed due to Eddie Van Halen's alcoholism. We chatted with Hagar about why he decided to write the book – and whether or not he'd ever return to Van Halen. (For more on the book check out Hagar's website.)
Photo Gallery: Van Halen Through The Years
What made you want to write a book?
I've been maybe one of the most misunderstood rockers of all time because I've always been kinda quiet on my personal life. I've never really been a press-hound. There's never been a lot of stuff written about me, quite honestly. Flying under the radar's always been my philosophy. If you're never in, you're never out.
At some stage in your life, though, you go "I want my story to be told," and here it is. I think that's why people are gonna be surprised when they read. You know we know all about Tommy Lee. We know all about Keith Richards. But, we don't know that much about Sammy.
Tell me how you worked with your co-author Joel Selvin.
He's a longtime friend, and a critic in the Bay Area where I grew up. He'd come in and go, "Okay, let's talk about Montrose." And we would for three or four hours. He'd transcribe it and go, "I need to know more. Let's talk about what your wife was going through" or "More about your mother now" or "I need to know more about what happened on tour."
Photo Gallery: Van Halen Reunion Rehearsals
You really spill the dirt on Eddie Van Halen. You clearly weren't too concerned with burning bridges there.
I don't consider them burning bridges at all. When I first joined the band, dirt was going back and forth between us and the former lead singer. I didn't burn any bridges. They eventually put the bridge back. Time washes everything clean. To be honest, Valerie [Bertinelli] said almost all the same stuff in her book about Ed.
The only thing I did was talk about my personal relationship with him. I had almost 10 fantastic years in that band. It was a dream come true for any musician on the planet. We had the greatest relationship and the greatest run and wrote some of the greatest music. We had five Number One albums and sold 50, 60 million records together. We practically sold out every venue in the world.
The last two years were really rough. Everyone immediately goes to the dirt, but quite honestly being in Van Halen was one of the greatest experiences in my life. I wouldn't trade it for anything. I'll take the dirt right with it.
Back to burning bridges: If you choose to write an autobiography, which I did, then you only have one shot. If you don't tell it all then you sit there for the rest of your life telling stories and people are like, "Well why wasn't that in the book?" I don't wanna have to do that. It's all right there.
Are there things you didn't put in the book because you didn't want to piss off Ed or David Lee Roth?
Oh, hell no. I didn't really consider that, because they know what happened. I didn't make up anything. I didn't embellish anything. The only thing is that I didn't go as crazy as I could have about the sex, drugs and rock & roll part of my early years. I have a nine-year-old daughter and a 14-year-old daughter. I'm cringing as I'm writing this book going, "Oh, jeez. I really don't want them to read this." But how can I not? My wife looked at some chapters and went, "You're not going to put this in there, are you?" I'm going, "Yes I am!" I hope my daughters understand. I might have them read Keith Richards' book first.
What do you think the percent odds are that you'll ever play in Van Halen again?
I'd say it's up there around 90 percent. I would love to make another record with Van Halen. If Eddie was totally cool and was back to the guy I used to know, or a new guy, not the guy I knew the last time [laughs]. He can't be that guy. I wouldn't do it if he was like that. It's below zero, minus zero. But if Eddie really got his life together, which it seems he has judging by the pictures I've seen, then definitely.
You really think there's a 90 percent chance?
There's no rumor. There's no reason to say, "Yes, I've got this vibe going on." Right now, zero chance. When my book comes out, zero for a while. But someday, before we all die, fuck yeah. We might be in our nineties though.
Sammy Hagar on Eddie Van Halen in New Memoir: "What a Fruitcake"
In This Article: Eddie Van Halen,	Sammy Hagar,	Van Halen


Judge Roy Moore pulled out to an early lead over Senator Luther Strange in the Alabama Republican primary.
UPDATE— Judge Roy Moore wins.
Projection: Roy Moore wins the #ALSen R runoff. Will go on to face Doug Jones (D) in the general election.
Judge Moore rode his horse to the polling station today.
He pulled a pistol out on stage during his Tuesday speech.
More… Trump told conservatives he expects Strange to lose.


Welcome to Family of Faith Christian Church, the fruitful teaching Ministry of Pastors Gregory O. and Elizabeth Littlefield.
According to Pastor Elizabeth, "You can search the world over – but still, there is no place like The Faith!
Thank you so much for supporting the ministry. Your contributions help us touch thousands of lives across the world. Please click the "Give" tab below and you will be taken to a secure website to place your donation.
Around Noon: My Best Summer Ever!!
''Around Noon'': God's Faithfulness is at Work!
''Around Noon'': We Live By Faith!


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UK/EU Trade Deal
Having taken the time to read the (by no means short) Free Trade Agreement, finally reached between the United Kingdom and the European Union, I was delighted to vote in support of it today, in common with the vast majority of both main parties of the House of Commons.
As with all deals there have, of course, been compromises. I regret, for example, the provision which means that regaining a much greater share of our fishing resources is postponed for a five-and-a-half-year adjustment period. I also very much appreciate that there is work to be done in terms of some of our world-leading financial services businesses. But, looking at the official 'scorecard' of compromises from each side in the negotiations, it would appear that 40% of issues ended in compromise, with the UK conceding on 17% of others and the EU conceding to us on 43% of issues.
Agriculture is crucial to our economy here in Somerset and I know that farmers will welcome the agreement on tariff-free trade between the UK and the EU. Outside the Single Market and Customs Union, our farmers are now free to implement the highest environmental and animal welfare standards in the world and to export to lucrative new overseas markets.
I believe that this Free Trade Agreement does stand up to scrutiny. It delivers zero tariffs and zero quotas and does not bind us to the European Court of Justice or to EU law. It is an agreement between sovereign equals and, once again, legislation that governs our lives and economy will be democratically passed solely in our UK Parliament and not in Brussels. The Government promised to respect and honour the democratic will of the British people and, on the back of the largest vote in our history, along with the mandate granted to us in both the 2017 and 2019 General Elections, I am confident that this agreement delivers on the promise to 'get Brexit done'.
Boris Johnson has delivered what so many said was impossible. In record time (and at the same time as having to deal with a global pandemic unprecedented in modern times) he has secured one of the largest, most far reaching, trade agreements ever agreed. The Prime Minister and the Chief Negotiator, Lord Frost, have - I believe - shown their unwavering commitment to the democratic will of the British people in securing our successful return to sovereignty. I applaud them for their achievement.
The Brexit debate has polarised opinion both across the UK and locally here in Somerset. It has caused great division. So as this chapter of our nation's history draws to a close, it is my sincere hope that we can now come together to embrace the vision for a 'Global Britain' with shared optimism. Enormous opportunities now await us. Let's work together to seize them.
My Vote on the National Lockdown
Thursday, 7 January, 2021
The House of Commons last night retrospectively approved the regulations governing the lockdown into which the country was placed on Wednesday morning. There was never a question of Parliament rejecting the measures that the Prime Minister announced on Monday - and which were already in force –


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'It's super exciting': GoodLocal opens brick and mortar storefront
GoodLocal's new shop on McDermot Avenue is a physical extension of the online initiative, aimed at helping makers and merchants connect with customers. (Source: Glenn Pismenny/CTV News)
What started out as an initiative to help support local businesses during the pandemic now has a physical presence in Winnipeg.
GoodLocal celebrated the opening of its new storefront in the Exchange District on Tuesday.
The brick and mortar shop on McDermot Avenue is a physical extension of the online initiative, aimed at helping makers and merchants connect with customers.
It was initially launched in 2020 as a website by entrepreneur Obby Khan and Dr. Ali Esmail. The two heard stories about local products spoiling and sitting during the pandemic, unable to reach customers. Therefore, they launched the site as a way to make it easy for Manitoba buyers to sell and deliver to customers.
Its new space exclusively features local goods from more than 60 Manitoba vendors, selling everything from frozen food to clothing.
"We have over 10,000 products online, and we have a few hundred, if not a thousand here," Khan said.
The goal is to feature an ever-changing lineup of products, and give local vendors a chance to be exposed to a new customer base.
"We do hope to rotate every month, every two months, every occasion – Mother's Day, Father's Day - have new vendors, new products," Khan said. "We're actually going to open up this space for a pop-up, so we're going to give a local vendor an opportunity to have a pop-up for free in a brick and mortar store for a period of time."
According to Khan, GoodLocal has helped small business owners make more than a million dollars in sales since the site launched in 2020.
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Artists putting final touches on warming huts at The Forks
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Shippensburg University
Ship Life
3/26/2019, 12:00am
Review: Gabriel Iglesias brings hilarity to Luhrs
By Nate Powles - Sports Editor
Meghan Schiereck - Multimedia Editor
Iglesias tends to be expressive when he performs and often makes faces to entertain the audience.
Gabriel Iglesias said he was running out of names for tours, but the "Beyond the Fluffy World Tour" was not running out of puns at a packed H. Ric Luhrs Performing Arts Center on St. Patrick's Day.
Going into the show, I had high expectations, since "Fluffy" had just released another Netflix exclusive, "One Show Fits All," in his line of comedy specials. He plugged the show a few times during the night, but made it a point to not use any material from the special and keep it completely fresh.
From his witty one-liners and impressions to full-length stories covering everything from encounters with WWE wrestlers to embarrassing moments on stage, Iglesias kept the Shippensburg audience interested the entire night.
Since it was a tour, Iglesias had opening acts with him as well. Alfred Robles and Gina Brillon served as great warmup acts before "Fluffy" took the stage after a brief intermission. The audience was excited for the opening acts, but the tension and anticipation in the auditorium was evident as everyone waited on the edge of their seats to see the main man step on stage.
Right from the start, Iglesias poked fun at Shippensburg and how he had to make sure his manager was not stuttering when he first said the name of the town. The whole room was rolling with laughter as "Fluffy" described his surprise as he first saw a horse and buggy in town. And then another came. And another. Iglesias said he felt like he was transported back to the pre-1900s.
He also made fun of the terrible Yelp reviews many of the restaurants in town received, saying how he and his crew eventually settled on eating at CJ's, which was met with a roar of approval from the crowd. Iglesias said he had an impromptu meet-and-greet with several fans while at the restaurant — something he does not mind doing.
One of the most hilarious moments of the night was when Iglesias was feeling out the audience and loosening it up for the material that would be coming the rest of the night.
He later talked about different ethnicities and races having different music to party to. He went on to play a few seconds from songs he said were stereotypical songs representing whites, blacks, Mexicans and Asians. When he got to the "white song," he played a few seconds of Lynyrd Skynyrd's "Sweet Home Alabama."
After he cut off the song, there was a collective groan that resonated around the auditorium. Iglesias knew the crowd wanted to hear more and proceeded to dip into an impersonation of a rural Pennsylvanian, grumbling and complaining about making the trip all the way from Perry County for his favorite song to get cut off, sending the audience into another lengthy fit of laughter.
Overall, Iglesias did a great job of keeping a steady pace and covering a variety of topics, even doing a Q&A session at the end of the night to give the floor to the audience. "Fluffy" went an entire hour over his contractual agreement, showing the audience his timer on the stage continuously ticking up past time.
The crowd was grateful and did not want him to go, and Iglesias was happy to oblige. Even with the horse and buggies and lack of five-star places to eat in town, Iglesias said he might want to return to the small town he did not even know existed before he arrived.
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Templul Sri Ranganathaswamy este un templu hindus din Srirangam, India. Dedicat lui Ranganatha, una dintre manifestările zeului Vișnu, Sri Ranganathaswamy este cel mai mare templu hindus încă funcțional din lume și al doilea cel mai mare după Angkor Wat.

Istorie
Conform tradiției, statuia lui Ranganatha a aparținut prințului Rama, unul dintre avatarele lui Vișnu. Acesta a adorat-o o lungă perioadă de timp, iar când s-a întors biruitor din Sri Lanka după înfrângerea regelui-demon Ravana, i-a dat idolul cadou lui Vibhishana, fratele lui Ravana și noul rege al Sri Lankăi drept răsplată pentru devotamentul său în lupta împotriva maleficului său frate. Când Vibhishana a trecut prin apropierea orașului Tiruchirappalli în drum spre Sri Lanka, a făcut un popas pe o insuliță de lângă râul Kaveri pentru a efectua ritualul puja, aducând ofrande zeului. După ritual, Vibhishana a încercat să ridice idolul, dar a constatat că acesta nu a mai putut fi mișcat din loc. În acel moment a apărut zeul Vișnu și i-a spus că dorește să rămână în acel loc. Idolul a fost dat în grija regelui local numit Dharma Varma, cunoscut pentru pioșenia și devotamentul său față de zeu. Acesta a construit un altar pentru idol și l-a plasat cu fața către sud, spre Sri Lanka. De atunci insula a fost cunoscută sub numele de Srirangam.

Locația în care a fost plasat idolul Ranganatha a fost mai târziu părăsită și acoperită de vegetație. Un rege din dinastia Chola (300 î.Hr-1279 d.Hr) a găsit idolul în timp ce urmărea un papagal prin junglă. Acesta a înălțat un templu pe acel loc pentru a adăposti idolul. Conform surselor istorice acest eveniment ar fi avut loc în jurul anilor 900-1000 d.Hr. Membrii dinastiei Chola s-au ocupat de extinderea și de renovarea templului. De exemplu, se crede că regele Rajamahendra Chola ar fi donat templului o canapea din aur cu șerpi sculptați. Dinastiile ulterioare, cum ar fi Pandya (sec.VI î.Hr-sec XVI d.Hr), Hoysala (1026-1343) sau Vijayanagara (1336-1646) s-au ocupat și ele de înfrumusețarea și renovarea edificiului.

În timpul invaziei musulmane din sudul Indiei condusă generalul Malik Kafur dintre anii 1310-1311, idolul a fost furat și dus la Delhi. Adepții zeului din Srirangam au plecat la Delhi și au reușit să-l impresioneze pe sultan cu abilitățile lor de actorie și cu spectacolele de comedie, convingându-l să le înapoieze idolul drept răsplată. Sultanul a acceptat, iar idolul s-a întors la Srirangam.

În anul 1323, a avut loc o altă campanie de invazie a trupelor musulmane după presupusa moarte a fiicei sultanului produsă din cauza magiei nefaste a idolului. Un cortegiu condus de către guru numit Pillai Lokacharyar au reușit să fugă cu statuia înainte ca trupele inamice să ajungă în Srirangam. Aproximativ 13.000 de oameni și-au dat viața în luptă pentru a apăra templul. În cele din urmă, Devadasis, șefa dansatoarelor din Srirangam, l-a sedus pe comandantul armatei și l-a convins să cruțe templul. Cu toate acestea, idolul s-a întors în sanctuarul său abia în anul 1371, timp în care a fost mutat prin mai multe locuri din Madurai, Kerala și Mysore pentru a fi protejat.

În jurul anilor 1747-1750, un mercenar de origine franceză ar fi pătruns în templu și ar fi furat unul dintre ochii de diamant ai idolului pe care l-ar fi vândut mai târziu unui căpitan englez. Acesta l-a vândut ofițerului rus Grigori Grigorievici Orlov ce l-a făcut cadou împărătesei Ecaterina a II-a a Rusiei. Diamantul Orlov, cum este numit, se află încă din anul 1967 expus la tezaurul din Kremlin, Moscova.

Arhitectură
Templul Sri Ranganathaswamy are o suprafață totală de aproximativ 631.000 de metri pătrați, fiind cel mai mare templu hindus încă funcțional din lume. Ca mărime este însă al doilea templu hindus după uriașul Angkor Wat din Cambodgia, dar acesta nu mai este funcțional.

Complexul templului este încercuit de 7 ziduri concentrice, numite prakarams sau mathil suvar. Spațiul exterior al primelor două prakarams cuprinde magazine, restaurante și tarabe cu flori. Restul complexului cuprinde gopurame (turnuri-porți), pavilioane, altare, și numeroase alte clădiri cu băi și bazine de apă.

Altarele templului sunt în număr de 50 și conțin imagini și statui ale diferitelor zeități și personaje mitologice din hinduism precum Vișnu, Brahma, Vibhishana, Hanuman sau Garuda. Altarul principal este acopeirt cu aur și conține statuia lui Ranganatha. De asemenea, există și statuia lui Ranganayaki, consoarta lui Ranganatha și manifestare a zeiței Lakshmi, soția lui Vișnu.

Gopuramele sunt 21 la număr iar dimensiunile lor variază de la 44 la 73 de metri înălțime. Cel mai înalt este Rajagopuram, înalt de 73 de metri. Acesta a fost construit în anul 1987, celelalte 20 de gopurame datând din secolele XIV-XVII.

Ayiram Kaal Mandapam (Sala cu o mie de coloane) este una dintre cele mai faimoase atracții ale templului. Construită în timpul Imperiului Vijayanagara, sala conține 953 de coloane din granit sculptate cu diferite basoreliefuri ale unor zeități, animale sau scene din viața oamenilor. Din tot complexul sălii se remarcă Garuda Madapa, sala dedicată legendarii păsari Garuda ce se află în partea de sud a ansamblului. Un altar în aer liber conține o statuie în mărime naturală a lui Garuda.

Importanță religioasă
Importanța templului Sri Ranganathaswamy este una enormă pentru credincioșii hinduși. De-a lungul anului au loc numeroase festivaluri ce atrag un număr mare de pelerini la Srirangam. Printre aceste festivaluri se numără: Vaikunta Ekadeshi (decembrie-ianuarie), Rathothsavam (ianuarie-februarie), Brahmotsavam (martie-aprilie), Vasanthothsavam (mai-iunie) și Jyestabisheka (iunie-iulie). În timpul acestor festivaluri au loc procesiuni prin oraș, servicii religioase, libații ale idolilor, dăruirea de ofrande și diverse spectacole.

Fotogalerie

Temple hinduse

redpajama_set_name: RedPajamaWikipedia


text:
Last edited by Tushakar
8 edition of Little Lord Fauntleroy found in the catalog.
by Frances Hodgson Burnett
Published 1993 by Oxford University Press in Oxford, New York .
Grandfathers -- Fiction,
England -- Fiction
An American boy goes to live with his grandfather in England where he becomes heir to a title and a fortune.
Includes bibliographical references (p.[xxi] xxiii).
Statement Frances Hodgson Burnett ; edited, with an introduction, by Dennis Butts.
Series The World"s classics
Contributions Butts, Dennis, 1932-
LC Classifications PS1214 .L45 1993
Pagination xxvi, 181 p. ;
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