Actor Nathan Head 2019 colour portrait headshot by photographer Matt Gulliver. Actor Nathan Head 2019 colour portrait headshot by photographer Matt Gulliver. Actor Nathan Head 2019 colour portrait headshot by photographer Matt Gulliver.
Actor Nathan Head 2017 colour landscape headshot by photographer Ben Ives. Actor Nathan Head 2017 black and white landscape headshot by photographer Ben Ives. Actor Nathan Head 2017 colour landscape headshot by photographer Ben Ives. Actor Nathan Head 2017 black and white landscape headshot by photographer Ben Ives.
Actor Nathan Head 2017 colour portrait headshot by photographer Ben Ives. Actor Nathan Head 2017 black and white portrait headshot by photographer Ben Ives. Actor Nathan Head 2017 colour portrait headshot by photographer Ben Ives. Actor Nathan Head 2017 black and white portrait headshot by photographer Ben Ives.
Actor Nathan Head 2017 colour portrait headshot by photographer Ben Ives. Actor Nathan Head 2017 black and white portrait headshot by photographer Ben Ives. Actor Nathan Head 2019 promotional shoot for The Rage 2 by Joshua Cleave.
Actor Nathan Head 2017 colour cinematic headshot by photographer Ben Ives. Actor Nathan Head 2017 black and white cinematic headshot by photographer Ben Ives. Actor Nathan Head 2017 colour cinematic headshot by photographer Ben Ives. Actor Nathan Head 2017 black and white cinematic headshot by photographer Ben Ives.
Actor Nathan Head 2017 colour cinematic headshot by photographer Ben Ives. Actor Nathan Head 2017 black and white cinematic headshot by photographer Ben Ives. Actor Nathan Head 2017 promotional shoot for the film Hellriser by Steven Lawson. Actor Nathan Head 2017 promotional shoot for the film Hellriser by Steven Lawson.
Actor Nathan Head 2013 promotional shoot for the film Theatre Of Fear by photographer Craig Thomas. Actor Nathan Head 2013 promotional shoot for the film Theatre Of Fear by photographer Craig Thomas. Actor Nathan Head 2013 promotional shoot for the film Theatre Of Fear by photographer Craig Thomas. Actor Nathan Head 2013 promotional shoot for the film Theatre Of Fear by photographer Craig Thomas.
Actor Nathan Head 2013 promotional shoot for the yet-to-be completed film Blood Rush by photographer Chris Matic. Actor Nathan Head 2011 promotional shoot for the Scare Kingdom theme park. Actor Nathan Head 2014 photoshoot for a Hellbound Media comic book by photographer Craig Colville. Actor Nathan Head 2011 promotional shoot for the film Zombie King by photographer Benjamin Borley.
Actor Nathan Head 2011 photoshoot to promote the Popcorn Horror SmartPhone app by photographer Mouine Omari. Actor Nathan Head 2008 publicity still for the film Mark Macready And The Archangel Murders. Actor Nathan Head 2011 set photograph for the abandoned Childrens' fantasy film Myth by photographer Hanna Moilanen. Actors Nathan Head & Melissa Hollett 2013 horror photoshoot with photographer John Sullivan.
Actor Nathan Head 2016 character portrait shoot for the upcoming film Tearful Surrender by Cassandra Sechler. Actor Nathan Head 2016 character portrait shoot for the upcoming film Tearful Surrender by Cassandra Sechler. Actor Nathan Head 2016 promotional photoshoot by photographer Cassandra Sechler. Actor Nathan Head 2016 promotional photoshoot by photographer Cassandra Sechler.
Actor Nathan Head 2014 photoshoot for a Hellbound Media comic book by photographer Don Jackson-Wyatt. Actor Nathan Head 2014 photoshoot for a Hellbound Media comic book by photographer Don Jackson-Wyatt. Actor Nathan Head 2014 photoshoot for a Hellbound Media comic book by photographer Craig Colville. Actor Nathan Head 2014 photoshoot for a Hellbound Media comic book by photographer Craig Colville.
Actor Nathan Head 2013 colour portrait headshot by photographer Jonathan Yearsley. Actor Nathan Head 2013 colour portrait headshot by photographer Jonathan Yearsley. Actor Nathan Head 2013 colour portrait headshot by photographer Jonathan Yearsley. Actor Nathan Head 2013 colour portrait headshot by photographer Jonathan Yearsley.
Actor Nathan Head 2011 photoshoot to promote the Popcorn Horror SmartPhone app by photographer Mouine Omari. Actor Nathan Head 2011 photoshoot to promote the Popcorn Horror SmartPhone app by photographer Mouine Omari. Actor Nathan Head 2011 photoshoot to promote the Popcorn Horror SmartPhone app by photographer Mouine Omari. Actor Nathan Head 2011 photoshoot to promote the Popcorn Horror SmartPhone app by photographer Mouine Omari.
Actor Nathan Head 2012 on the red carpet by photographer Alex Roebuck./ Actors Nathan Head & Laura Littlewood 2013 on the red carpet by photographer Colin Boulter. Actor Nathan Head 2014 candid shot by photographer Craig Colville. Actor Nathan Head 2014 candid shot by photographer Craig Colville.


Jimma University graduated 136 students in Master of Business Administration (MBA) and Master of Public Health (MPH) in its ABH Partners campus for the fourth time On August 26, 2018 with a colorful commencement held at Sheraton Addis Hotel.
Prof. Fikre Lemessa President of JU expressed that JU runs varies quality postgraduate programs in collaboration with ABH partners for the residents of Addis Ababa and surrounding areas. He also confirmed that by strengthening the public-private partnership scheme, the university will initiate additional need based quality postgraduate programs in the Future.
Currently JU in ABH Partners campus runs six programs; Master of Business Administration (MBA), Master of Public Health (MPH), Master of Health Monitoring and Evaluation (MSc), Master of Human Nutrition (MSc) Master of Project Management and Finance (MSc) and Doctor of Medicine (MD).
Dr.Markos Feleke CEO of ABH Partners congratulated the graduates and their families stressing the validity of the date in the lives of the graduates. He stated that the vision of ABH Partners is to be an internationally recognized knowledge hub that capitalized in the generation, dissemination, evaluation and application of knowledge using local people but global standard.
Guest of honor of the occasion His Excellency Engineer Takele Uma, Vice Mayor of the Addis Ababa City, handed over degrees to all graduates and special prizes for outstanding achievers.
In his commencement speech the V/mayor thanked ABH Partners for the genuine service it has rendered to the community in the past ten year. He advised the graduates to serve their country and to be part of the reform. He also stressed the importance of working together. The importance of sharing from what we have to the needy. Ju and ABH Partners, in this respect, should work in a better way for further achievements.


223223not all things belonging to a man.
231231this, no tempest can move him.
234234ken ship reelde like a Dutchman.
243243der: turne him into a sharpenes.
244244Fust. Belike his blood sister, is well brewd then.
258lesse I 258can make him hornemad.


Looking for a little peace & serenity? This Spacious 3 bedroom home has 2 Master Bedrooms with en-suit bathrooms, Open Greatroom and Large Recreation Room in lower level. 2 Car Garage PLUS Separate Detached Shop. Home offers an enclosed Sun Porch, great deck for entertaining with small decorative ponds and water features to relax to. Fenced yard, wrap around driveway and mature trees and landscaping. 35 minute traffic free drive to Boise. Enjoy Elk, Mule Deer and wildlife everyday in your own yard. BTVAI.


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New Index Attempts to Measure Excessive Resource Use
By Waleria Schuele, Mercator Fellow
Living within planetary boundaries is imperative on a planet with finite resources. But in 2015 we seem far from meeting this imperative. If everybody led the lifestyle of an average American, we would need five earths to provide the natural resources needed, according to a calculation from the Global Footprint Network, a think tank that monitors countries' ecological footprint. So far, the consumption rates in industrialized countries have been balanced by countries like Bolivia or Angola, whose biological capacity far exceeds their present consumption rates.
But as more countries catch up in industrial development and adopt more consumption-driven lifestyles, the more we will overstretch the natural limits of our planet. Already, humanity now uses the equivalent of 1.6 planets in resources. This means that it takes the earth 1.6 years to regenerate the resources that we use in one year, a disproportionate phenomenon that is expected to grow as more countries industrialize.
There is a growing awareness among political decision-makers that we need to take action to accommodate the resource needs of a human population that is expected to exceed 9 billion by 2050. Yet that awareness still needs to translate into political action. "Excessive resource use is at the core of our most pressing problems today, including climate change and biodiversity loss. However, we do not have a single international convention regulating how we use natural resources," says Bas de Leeuw, managing director of the World Resources Forum (WRF), which took place Oct. 11-14 in Davos, Switzerland.
To stimulate political momentum, the WRF has launched its flagship project, which aims to develop a Resource Efficiency Index to measure how efficiently nations use their resources. A first discussion paper was presented during this year's WRF.
"We measure the economic development of nations with the GDP and human development with the Human Development Index [HDI]. But we do not contrast these measurements with the resources that countries consume to get to their respective level of economic and human development," explains Arnold Tukker, director of the Institute for Environmental Sciences at Leiden University and lead scientist for the Resource Efficiency Index. That index could close this gap by spotlighting which nations are more resource-efficient in achieving a high gross domestic product and high human development. In short, good quality of life for their citizens.
The Resource Efficiency Index will aggregate three categories of resources: land, water and materials. The task is ambitious, considering that most products we consume are shipped across the globe before they reach us. The amount of water and land used at production sites in distant parts of the world is normally invisible when everyday products reach our shores. "That is what we want to make visible," says Tukker. "Simply put, we will look at a final product like a car and then count backwards, in terms of what resources have been used to create this product."
The data will be taken from large databases like Exiobase, one of the world's most ambitious databases, which was developed to analyze the environmental impacts of the globalized economy.
The collection and selection of data is only one of the many challenges the index will need to overcome. Picking the right calculation matrix is another one. A number of different scientific schools passionately defend their own matrix as the most appropriate one. In anticipation of the debate, Tukker conducted test calculations with five alternative matrixes.
The outcome came as a surprise. Notwithstanding the underlying formula, the results proved to be very similar. Australia, Luxembourg, Canada and Finland always came out as the top four resource-inefficient countries, Tukker showed during his presentation at the WRF.
"In the end, we don't need to produce 100 percent exact results as long as the general direction is clear," says Friedrich Hinterberger, founding president of the Sustainable Europe Research Institute and a contributor to the paper.
The Resources Efficiency Index, like the GDP and HDI indexes, has to work with simplifications. It needs to deliberately exclude certain parameters to be functional. For example, it will leave out the impacts on human and ecosystem health from the resource extraction process.
"We do not think it is dangerous that we left out the human and environmental impacts of resource extraction in our calculations," says Hinterberger. "One could always include more elements. But this easily becomes a pretext for not doing anything at all. We think it is more important to get going with the resource efficiency debate. It is time to act."
Others agree that it is more important to have some sort of index, even if it's imperfect.
"Even if one disagrees with the methodology, it remains a fact that resource use needs to be at the forefront of the political agenda," says Mathis Wackernagel, president of the Global Footprint Network, one of the most well-known think tanks in the field. "If the Resources Efficiency Index wants to succeed, it needs to communicate clearly which question it wants to answer. It needs to convey a simple message, and people need to understand how it can be used."
"The index could be applied in various ways. For example, it could reinforce arguments for higher taxes on resource use," suggests Hinterberger. "Tax resources, not labor" was a recurring suggestion during various panels at this year's WRF, an idea that suggests a tax system would incentivize the use of abundant and recycled materials instead of scarce ones.
At this point, the Resources Efficiency Index is still a work in progress. But Tukker's team seems to have shown that there could be a simple way to express nations' resource efficiency, a central question of the 21st century.
This story was originally published on projourno.org.

redpajama_set_name: RedPajamaCommonCrawl


The Gold Coast 2018 Queen's Baton Relay will have covered over 230,000 km by the time it reaches Carrara Stadium on the 4 April, making it the longest in Commonwealth Games history.
Griffith University's Nathan Campus was fortunate enough to be one of the stops along the route. The baton didn't just pass through but stayed at the campus for festivities put on for the local community.
The Queen's Baton was carried by 2017 Australian of the Year Professor Emeritus Alan Mackay Sims and Australian sinologist Professor Emeritus Colin Mackerras AO.


Hello Ashley, we are excited to share your story with our reader. Please tell us a little about your story and your work.
I am a depressed queer girl who grew up in Catholic school in Texas. I spent so much of my life being told the way I was wrong, that I was "freak" and a "lesbian". While both of those things are very true, it's a hit to a little 12 years old figuring herself out, so I hightailed it out of Texas and found my way to NYC. One of my close friends in the city was, and still is, a witch and joined her Coven. This was during an especially challenging patch of depression and I realized magic was the antidote to my hellish symptoms. I met the magic pulsing in my veins and began deepening my intuitive abilities. Now, I am a psychic and spiritual consultant who teaches depressed and stressed babes how to manage their symptoms with magical modalities.
Share your best stuff for free. I regularly offer free readings in my group and in other forums as a way to let people get to know me and my work without a financial investment. This is a great way to get more eyes on your content and let people see how talented you are.
Create a community who loves what you do and create LOADS of content that is just serving, not selling. They will eventually become a "funnel" but I look at my Facebook group (which is called the Magical Mind Coven) more as sisters on the same sort of spiritual quest I am. They are my internet friends and people I love dearly. The bonus: the eventually buy from me.
Show your scars. My business boomed when I began sharing my own struggle with mental illness and chronic health issues. People buy from people, not businesses. Be a human being first, brand and boss second.
Ashley Collom: I am unabashedly queer and deal with serious mental illness, and talk about it, openly. No one wants a spiritual advisor who is stuff and feels like they have it all figured out. I tell my clients when what I am suggesting they work on, is something that I am working on. I tell my clients when I did not take my intuition's advice and how it turned out (generally with me crying and fussy). I am transparent and do not pretend to be perfect and happy all the time. The vulnerability attracts people who are dealing with the exact same sort of issues I am. Luckily, I'm a few steps ahead on this journey and I can help guide my clients through similar struggles but skipping the whole crying bit.
Ashley Collom: My mother is my hero. She is an entrepreneur too, and I am so grateful that as I was growing up I had a successful female entrepreneur in my family to look up to. Knowing how hard she has worked, and the incredible success she has amassed, really leaves me gobsmacked and hungry for the sort of success she has found doing what she loves. I am so grateful for her personal and business influence in my life.
What 3 books would you recommend every entrepreneur read?
Ashley Collom: I also work as a literary agent, so I have to weigh in on solid reading material!
Metaphysical approach to making money, honey!
This books just made me feel empowered. If Rachel can do what she has done, starting where she did, I can do what I hope to achieve.
The Power of Vulnerability (Brene Brown) This is actually an audio recording of one of her presentations, but is must-listen-to-content. When I'm having a bad day, I'll just randomly press play for some of Brene's brilliance.


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Connors v. GEICO: The Meaning of "Subject To"
The Court of Appeals just handed down Connors v. GEICO. I had been waiting for Connors because I have clients similarly situated to Connors. My side lost.
Connors involved a dispute about how to read GEICO's UM/UIM section's Occurence Limit. The fact pattern breaks down simply. The Connors have $300,000 single limit UIM coverage ($300,000 per person/$300,000 per occurrence) on a GEICO policy. Mr. and Mrs.Connors are injured by tortfeasor with $200,000 occurence limits. Mr. Connors' injury is fatal. Damages for both Connors exceed any insurance coverage. Tortfeasor's insurer pays limits, $100,000 to each of the insureds.
The Connors then turn to GEICO for UM/UIM and ask for $200,000 in UM/UIM payments. GEICO refuses because it feels the Connors already got $200,000 and that it therefore only owes another $100,000 (which GEICO handed over up front). The Connors sue.
The Policy
The relevant part of the GEICO policy reads as follows:
LIMITS OF LIABILITY
Regardless of the number of insureds, autos or trailers to which this policy applies:
1. The limit of liability for Uninsured Motorists coverage stated in the Declarations as applicable to "each person" is the limit of our liability for all damages, including those for care or loss of service, due to bodily injury sustained by one person as the result of one accident. ("Subsection (1).")
2. The limit of liability for Uninsured Motorists coverage stated in the Declarations as applicable to "each accident" is, subject to the above provision respecting each person, the total limit of our liability for all such damages including damages for care and loss of services, due to bodily injury sustained by two or more persons as the result of one accident. ("Subsection (2).")
4. . . . The amount payable under this coverage will be reduced by all amounts:
(a) Paid by or for all persons or organizations liable for the injury;
How The Court Resolved This
The Court found that this language unambiguously meant that the GEICO owed the Connors only a $100,000.
Connors had argued that the the "subject to the above" provision operated to make subsection (1) personal limits trump the Subsection (2) occurence cap. (i.e. GEICO had an obligation to pay $300,000 per head to a max of $300,000 total for the accident less payments to individuals. Each individual had received $100,000 from the tortfeasor and could therefore claim another $200,000 from GEICO. But because of the cap, GEICO only had to pay a total of $300,000 (of which GEICO had paid $100,000 up front.)
The Court rejected the Connors' reading on grammatical grounds.The judge cited Garner's A Dictionary of Modern Legal Usage and Eats, Shoots, & Leaves about the niceties of different types of commas and clauses before deciding that language was ungrammatical. The Court eventually decided that "in order to avoid a nonsensical and wholly meaningless interpretation of the clause," the Court would "overlook the GEICO gecko's violation of grammatical rules and treat the clause (as it clearly was intended to be treated) as if it were restrictive." See fn. 13. Based on that reading, the court concluded that Subsection (2) meant that in a multi-person accident, Subsection (1)'s personal limits still applied.
I'm not fully comfortable with the Court's reasoning. GEICO wrote an ungrammatical clause and the Court decided that the grammatical mistake rendered the sentence incomprehensible. The Court therefore fixed the clause to reflect what GEICO intended. That is probably what GEICO intended, but that isn't what they wrote.
The Court then goes on to explain with a hypothetical that all that grammar was basically dicta. The real issue was how Subsection (4) applied. The Court then (in two short paragraphs) determined that Subsection (4) required calculating the total amount of payments under Subsection (1) and Subsection (2) and then subtracting all payments made by others for the injury.
(1) Add up all the injuries under Subsection (1).
For purposes of Connors, these were never explicitly calculated but agreed to be far higher than any applicable limits.
(2) Apply Subsection (2)'s occurence cap and reduce the damages to $300,000.
(3) Substract all payments already made by others to all parties.
$300,000 - $200,000 (the total payments to both Connors) = $100,000.
#CoverageDisputes #AutoInsurance #CaseLaw


Single molecule localization-based approaches to superresolution microscopy (SMLM) create images that resolve features smaller than the diffraction limit of light by rendering them from the sequentially measured positions of thousands of individual molecules. New SMLM approaches based on the transient binding of very bright dyes via DNA-DNA interaction (DNA-PAINT) allow the resolution of dyes only a few nanometers apart in vitro. This imaging of cellular structures requires the specific association of dyes to their targets, which results in an additional "linkage error". This error can be minimized by using extremely small, single-domain antibody-based binders such as nanobodies, but the DNA-oligomers used in DNA-PAINT are of significant size in comparison to nanobodies and may interfere with binding. We have here developed an optimized procedure based on enzymatic labeling and click-chemistry for the coupling of DNA oligomers to the nanobody C-terminus, which is located on the opposite side of the epitope-binding domain. Our approach allows for straightforward labeling, purification and DNA-PAINT imaging. We performed high efficiency labeling of two different nanobodies and show dual color multiplexed SMLM to demonstrate the general applicability of our labeling scheme.


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Home ▸ Celebrity News ▸ Mavado Reveals "Big Work Coming Soon" With New Album
Mavado Reveals "Big Work Coming Soon" With New Album
Celebrity NewsDancehall Related
Mavado tells fans that he is working on a new Dancehall album after linking up with Tory Lanez and Cardi B.
Photo credit: Instagram (@mavadogully)
Dancehall star Mavado recently told his fanatics that "big work is coming soon," revealing that he is working on a new album.
The We The Best-signed deejay made the revelation after he uploaded a snippet from the new album with the caption "Big Work Coming Soon."
Mavado has been in the studio regularly over recent months, as he prepares to release his anticipated album later this year. Although the tracklist and features on the album have not yet been revealed, Tory Lanez and Cardi B have linked up with Mavado recently, fueling speculations of them being featured on the forthcoming project.
Mavado is currently experiencing success with the release of the collaboration "Holy Mountain" off the DJ Khaled's album "Father of Asahd." The song also features Reggae icons Buju Banton and Sizzla along with American singer 070 Shake.
The music video for "Holy Mountain" has garnered over 10 million views on YouTube since its release on May 17.
The visuals were shot on location in Miami, Florida, and Jamaica. The song is a sample of late Reggae artistes Billy Boyo's 1981 classic song "One Spliff A Day."
Previous ArticleBuju Banton Partners With Supreme Clothing/Lifestyle Brand
Next ArticlePhotos: Asafa Powell And Wife Alyshia Expecting First Child Together
Mavado Son Seeks Bail In Murder Case, Artist Still Avoids Police
Mavado's Son Bail Denied, To Be Tried For Murder
Mavado Hits Back At Vybz Kartel, Calls Him A Fool Who Does Nothing For Dancehall
Video: Alkaline, Mavado and Jahmiel Soar On A Private Jet
Bounty Killer Looks To Make Peace With Mavado & Alkaline
Mavado Gets Cozy With His Wife In St. Vincent & Grenadines
MavadoMavado News


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text:
Q: What does this quote of Hemingway mean?
I had already seen the end of fall come through boyhood, youth and
  young manhood, and in one place you could write about it better than
  in another. That was called transplanting yourself, I thought, and it
  could be as necessary with people as with other sorts of growing
  things. — A Moveable Feast

Is it about retrospect? And what does transplanting mean in his sense?

A: The protagonist has seen his life move from one phase to another repeatedly, and he has realized that with each change (which he describes as the end of fall of the old phase), he needed to find a new place in the world.
When plants grow, we change them to a bigger pot from time to time. If we do not do that, the plant will be unable to grow further, because it cannot extend its roots.
Thus, by transplanting the plant, we enable it to grow.
In a similar fashion, we need to transplant ourselves as we move through the phases of life, we need to find a new place (physically or metaphorically) to extend our roots to enable growth.
That transplantation may be physical, as in moving to a different city, but it is more likely meant in a metaphorical way. As we grow up, our role (and thus place) in society changes.
We take on new responsibilities, we make new and different kinds of friends, and we may well feel we are in a different place altogether.
That displacement can cause uneasiness, doubt, maybe even pain or shock. But as the author states, it is necessary that this changes happen, for they enable us to grow.

A: It's probably about transplanting yourself from one phase of your life into another phase.

Transplant (v): move or transfer (someone or something) to another place or situation.

The author has seen the end of fall come through one phase of life boyhood (that's childhood of a boy) into youth (a young man) and youth into young manhood (somewhere between a young man and a grown man).
When you are in that phase, you understand it better. Having said that, a boy would understand a boy better, a young man a young man and so on.

redpajama_set_name: RedPajamaStackExchange


text:
Undressing g
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Roy hula anthuriums-Roy's on Maui - Review of Roy's - Kaanapali, Lahaina, HI - TripAdvisor
by Laura A.
Her love of colored pencils has enabled her to bring out the beautiful and vivid colors of Hawaii's flora. By perfecting her blending techniques since , her colored pencil art has become refined and in recent years has carved a niche for her in Hawaii's fine art market. Her drawings are truly a replication of the live Hawaiian flora that can be appreciated by laypersons and naturalists alike. If the flora she is drawing are not of show quality or are flawed, her drawing will show the flaws and find beauty in them. Although those with a scientific or "flower show" eye may prefer "the perfect bloom" depicted, those with a love for nature with all its flaws and imperfections have thoroughly enjoyed her fine art originals.
Roy hula anthuriums were at a two top that was just way too close to the tables Roy hula anthuriums to us. Reviewed 2 January Item location:. Hula Girl. Cattleya with Mountains. Profile JOIN. Vast artwork collection, an impressive array of pre-historic fossils, multiple power tools, an impressive collection of surfboards, fishing reels, glass fishing floats, golf clubs and other sports athuriums, guitars. Restaurants Hotels 31 Things to Do Everyone should buy tropicals and leis directly from you. We can't thank you enough for all your help in choosing the right pictures.
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Here are a few pictures of the anthurium flowers that live on our farm. Follow the directions on the fertilizer packaging to know how much fertilizer to Roy hula anthuriums and how often to apply it. In the wild, this species is only found in Columbia, but it is capable of growing in many hulq parts of the world. They are distinguished by a straight flower spike. They are typically smaller in size and easier to care for. When it comes to pests and diseases, you will be pleased to know that if you are only raising a few indoor plants, the hila of the pests and diseases that plague anthurium plants that are grown in a commercial setting will be of hulx major consequence to you. Facebook 0 Tweet 0 Pin 0 Email 0. Did you find this helpful? This created a plant with glossy Royy flowers Roy hula anthuriums are resistant to rain damage. Pokemon officer jenny sexy Anthurium. When making the Roy hula anthuriums with sphagnum peat moss, pearlite, and pine bark, is the sphagnum peat moss the stuff that is sold with orchid supplies that looks rectangular and compressed and pulls apart? Here are some Roy hula anthuriums Water anthuriums enough to keep the soil moist, but not wet, and fertilize regularly in spring and summer with a general-purpose houseplant fertilizer.
Bubble wrap and packing peanuts are used with all fragile items.
The anthurium is a plant genus of around 1, species of plants.
Anthurium's are not the cheapest houseplants you can purchase, especially if compared with the other indoor plants you'll find stocked next to it.
Young Green Anthurium Plants.
India is a country of diversity, with different religions being followed, and festivals being celebrated. The people of India have a vast variety of culture. Mizoram , land of hill people as derived from its name, has one such festival called as Anthurium Festival. This festival is all about colors, flowers, and sheer happiness. There is an active participation of Mizo tribes and other tribal people from neighboring states. The festival is conducted around September and October when the blooming of Anthurium flower is on the peak.
In Mizoram, there is the cultivation of these flowers on alluvial soil. While this festival is celebrated, it ensures that there is a major contribution of the villagers of Reiek Village, as this is celebrated in that village.
Reiek Village is situated on the Reiek Mountains. The festivals make the different communities bind together for a special cause, and let them share their happiness.
The breathtaking view of mountains from this village adds on to the positive vibrations of created in this festival. Anthurium Festival is a three-day cultural event. It has all the elements for making it a big success around the globe. The festival comprises of different music events, with Mizo music form be the major one. Different types of the dance form, sports activities, and exhibition of handicrafts and handlooms are summoned.
This festival is one option for the Mizo community to blend with other communities and initiate a greater bond. There is a culture exchange seen in this festival. The shops are lined up with all the beautiful traditional handicrafts and handlooms.
This attracts a lot of tourists to buy them and decorate their homes with it. For people who want to explore in this world, this festival deserves a place on your bucket list. It has all the elements required for an adventurous life.
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Anthuriums like a lot of light, but too much light can cause their leaves to burn. You may struggle to find the A. Only water your anthurium when the soil is dry to the touch. This is usually a result of overwatering your plant. And now that summer is fast approaching, we can hardly wait to see these trends popping up in the garden! Its leaves can be up to five feet long. Red Anthurium Flower.
Roy hula anthuriums. Special Reports
So bear this in mind if you are attempting to expand your collection through propagation as it could be some years before the offsets start flowering. Anthurium's don't grow particularly fast, but if all the care requirements are met you'll still notice the plant growing producing a new leaf or two every month.
The flowers on Anthurium's are unique looking and often give a long lasting splash of colour. If a constant warm temperature is achieved then flowering can occur at anytime of the year. If not, then expect the waxy vibrant flowers to appear between February through to September.
Perfectly captured photo of the Anthurium in flower by Mike Bird. There isn't any special trick to get the flowers, if you follow the Anthurium care tips they will come in time. This is another houseplant which contains calcium oxalate crystals in the leaves and stems. Whilst rarely fatal it can be very unpleasant when chewed on. Keep your pets away if they're the nibbling types. The Painter's Palette and Flamingo Flower can make great plants for the work office.
The majority are air conditioned or heated to maintain a consistent temperature all year round, this combined with good light means optimum growth and flowering potential. Often caused by poor watering technique, i. Another common cause is that the humidity is too low or the light levels are too bright. This is usually a result of overwatering your plant. The soil should be moist rather than saturated. If you know you struggle to get watering right, then mix in some perlite or small bits of chipped bark to aid in drainage.
You can either squish the Aphids with your fingers by gently running them up and down the stem where the colony has set up home.
Your Anthurium plant will only produce flowers if it's happy. Warm temperatures, moist soil and reasonable amounts of light are needed. The plant will also need feeding from time to time. Be warned that it will also dislike you if the temperature fluctuates wildly, i.
Try and fix all these problems and you'll get the flowers. Over the last 20 years Tom has successfully owned hundreds of houseplants and is always happy to share knowledge and lend his horticulture skills to those in need. He is the main content writer for the Ourhouseplants Team. Our website is here to help you succeed with houseplants and get your indoor plants thriving.
So let us help you become a houseplant expert too. Home Plants Guides About Search. Anthurium Care Guide Light Good light is needed for all Anthurium's, but you should avoid direct sunlight otherwise the leaves will go brown and crispy. Watering Anthurium's don't like dryness at the roots, but occasional experiences of this won't be a deal breaker.
Humidity The plant will need a reasonable level of humidity in order to thrive. Feeding Anthurium's require warmth and if you're providing this it will grow all year round. Now you can find heart shaped, tulip shaped or even obake shaped anthuriums and they come in many different colors.
When you visit Hawaii, be sure to check out an anthurium farm. Sandalwood Sandalwood is found in India, Australia and across the Pacific. The reason Sandalwood is so popular is that it produces a beautiful wood that also smells great. It is often used to build small items like jewelry boxes and chess pieces and its scent lasts for years.
Noni Plant. The fruit of the Noni has a horrible smell and taste, sometimes it is called the vomit fruit. In some places it is only eaten when there is nothing else left to eat, when people are on the verge of starving. Here in Hawaii, it is used in traditional medicine. And it appears that scientists are also becoming interested in its medicinal properties.
Now there are a number of research studies in progress. Newly Planted Anthurium Plants. To start, not everyone can grow anthuriums outdoors. In some parts of the world, due to climate conditions, anthuriums can only be grown indoors.
But if you are one of the lucky people to live in a place where the temperature does not drop below sixty degrees, there is a good chance that you will be able to grow anthuriums outdoors.
First, you need to confirm that the region where you live has suitable weather conditions. The temperature must stay between 60 degrees and 90 degrees. These plants may survive for a short while outside of this range, but in general they will be harmed if temperatures go beyond this range. Wind is also a factor. If you live in an area that is windy, the wind may harm your plants. If the leaves on other plants with broad leaves in your area are fine, this means that the wind should not be a concern.
Second, you will need a place that has bright indirect sunlight. The ideal location is in a sunny area under a tree that blocks out a portion of the light.
Third, you will need a soil that drains well. These plants do well in just about any soil that has a reasonable amount of organic matter, but the common attribute of any growing medium is that it has to drain well.
Once you have found or created a place in your garden that meets all of these conditions, all you need to do is take your anthuriums out of their pots and plant them. If you are planting them under a tree, a good way to arrange them is in a circle or semi-circle around the trunk, with roughly a foot between each plant. Finally, make sure that they receive water regularly and they should grow well and produce many beautiful flowers.
There are many different anthurium species and cultivars. This is my guide to the various species and cultivars. Red Anthurium. The Waimea is a red anthurium that was created to fill an important need. The Waimea was created in response to this. It is a blight resistant variety that produces a lot of bright red flowers. The result was a fast growing plant that produced six flowers a year on average. The Waimea anthurium produces medium sized, heart shaped flowers with a red spathe and a spadix that changes from orange-red to red-purple.
The flowers that it produces have a vase life of approximately 28 days. The Centennial is a white anthurium that was named for the year anniversary of higher education in the Hawaiian Islands.
The Centennial has a lot of symbolic meaning for the University of Hawaii. It produces a white flower with green veins. White and green are the colors of the university. The veins merge together that the base of the flower and this represents the many diverse cultures that have come together at the university.
A lot of work went into the breeding of the Centennial. It is a hybrid that was made from four different species of anthurium: A.
It produces a white tulip shaped flower with mild obake tendencies. It has a yellow-green spadix that turns white. As a plant it produces dark green leaves and many offshoots. It is great as a cut flower and as a potted plant.
The New Era is a purplish-pink anthurium that received its name by being the first blight resistant anthurium. It is ushering in a new era of blight tolerant anthuriums. It has a slightly elongated spathe and a yellow-green spadix that turns white as it matures.
The New Era was a result of crossing three different cultivars. An A Anthurium andraeanum was crossed with an A. It has a long stem and is resistant to both bacterial blight and anthracnose. It was released to cooperating growers back in and it produces approximately 6 flowers per year. It also has an excellent vase life of 44 days.
Le'ahi Anthurium Flower. Unfortunately, it is susceptible to blight, so it is a slightly harder variety to grow. It is a variety that works well as a potted plant and as a cut flower. Though as a cut flower, some say it has a stem that is a little too short. But its unusually beautiful color pattern, helps to offset its short stems. The Tropic Sunrise is a large orange obake flower that was created back in by crossing an Anuenue with an Soga Orange.
It produces a large flower that is orange in the middle and green at the edges that can grow up to one foot long. It has a yellow spadix that turns white as it matures. The coloration and size of the Tropic Sunrise are its best attributes. It produces its flowers on strong stems that can be up to 30 inches long. Its flowers can last up to 27 days in a vase and the plant produces roughly 6 flowers per year.
Testing has shown that it is a strong plant with a slight susceptibility to anthracnose. White Tulip. The White Lady is another amnicola based hybrid. It produces small white tulip shaped flowers that have a tendency to be a little longer than other tulip shaped species. It has small dark green leaves that are shaped like elongated spades. And it makes an excellent potted plant or cut flower. As a cut flower, White Lady, has a vase life of 25 days. As its flowers age they can develop a pinkish hue, so they look great on potted plants.
It is a great plant for growers and hobbyists because it is highly resistant to both anthracnose and blight. It yields approximately 6 flowers a year. The spadix on these flowers can grow to six inches long and their stems grow up to 22 inches.
The spadix starts out yellow and changes to green as the flowers mature. The Hokuloa is a beautiful white anthurium. In Hawaiian, the word Hokuloa refers to the planet Venus, which is otherwise known as the morning star. It is a brilliant white flower that is worthy of its name.
It comes in the standard heart shaped configuration and has a yellow spadix that changes to white as the flower matures. It produces medium five inch wide flowers on stems that are up to 27 inches.
It is a hardy plant that is resistant to both blight and anthracnose, so it is relatively easy to grow. The Hokuloa was created by breeding a Tropic Mist, which produces large cream colored flowers with selection , which is a hybrid of a Marian Seefurth and an A. This created a plant with glossy white flowers that are resistant to rain damage. It grows well in tissue culture and produces roughly 6 flowers per year.
It has an excellent 37 day vase life, so it makes a great cut flower. White Anthurium Flower. The Hilo Moon is another white anthurium with a celestial name. It is closely related to the Hokula and is in fact a sibling of it as they share the same parents.
Sometimes, when you cross two plants, you get several child plants that are worth cultivating. Like actual siblings, you can see the resemblance, but they have their own unique qualities.
It is the same white color and it has the same yellow spadix that changes to white as the flower matures. It has a higher yield and can produce up to 8 flowers per year, but unfortunately its flowers have a shorter vase life, only 22 days, compared to 37 days. So the ultimate number of anthurium species may be much higher than eight hundred.
Of these eight hundred species of anthurium, only four species are sold commercially. And these four species can be lumped into two categories: foliage or flowers. The two species grown for foliage are: Anthurium Crystallinum and Anthurium Faustinomirandae. Crystallinum normally produces large two foot long leaves. Its leaves have a smooth surface and dark green color that is punctuated by pale, white veins. While, A. Faustinomirandae has even larger green leaves that are very thick and sturdy.
Its leaves can be up to five feet long. The first species grown for their flowers is Anthurium Scherzerianum. Scherzerianum is a plant that is very difficult to kill and hence it is a great choice for a novice anthurium grower.
It produces a large number of flowers, but its flowers are not as impressive as the flowers produced by A. Usually its flowers are small, white and have a curly orange nose. And the second species grown for flowers is Anthurium Andraeanum. This led to explosive growth in the number of varieties of anthurium flowers.
Anthurium Watermaliense gets its name from the town of Watermall, which is in Belgium. Watermall was the town where this plant was first taken after being collected in Columbia. It produces flowers that are dark purple, which I suppose can be mistaken for black in the dim light of a jungle. The distinguishing characteristic of this species is a stipe, which other anthuriums do not possess. A stipe is a piece of stem that offsets the spadix from the spathe on these flowers.
On other anthuriums, the spadix emerges directly from the spathe.
Anthurium - Blooming Festival Of India #Celebrating India | Swadesi | Made in India
Her love of colored pencils has enabled her to bring out the beautiful and vivid colors of Hawaii's flora. By perfecting her blending techniques since , her colored pencil art has become refined and in recent years has carved a niche for her in Hawaii's fine art market. Her drawings are truly a replication of the live Hawaiian flora that can be appreciated by laypersons and naturalists alike. If the flora she is drawing are not of show quality or are flawed, her drawing will show the flaws and find beauty in them.
Although those with a scientific or "flower show" eye may prefer "the perfect bloom" depicted, those with a love for nature with all its flaws and imperfections have thoroughly enjoyed her fine art originals. Read on to find out about the Giclee process then take a look at Teri's Giclee prints to see if one would complement the wall you have in mind. The term Giclee comes from French "to spurt". The process for printing the Giclee prints starts with a 4" x 5" transparency of the work which is converted into a digitized format by a computer, color corrected, and then printed on watercolor paper the same paper that she draws her originals on.
The printer "spurts" out the color at 1, - 1, dots per inch each dot is about the size of a red blood cell. To further enhance the uniqueness of the Giclee, no two Giclees are alike as they are individually reworked by Teri using Prismacolor and Spectracolor colored pencils.
Each print is then signed and numbered by Teri. The editions are limited to 50 prints each and come with a Certificate of Authenticity. Currently, there are six different Giclee prints.
The Giclee can be purchased by itself or framed in koa. We can't thank you enough for all your help in choosing the right pictures. Your art work has been an inspiration for my grandaughter!
She has always loved to draw with colored pencils, but thought it wasn't an "acceptable" art media in the real world.
Your art has proven to her that colored pencils are not only an "acceptable" media, but a "real" media for the real world. Angel's Trumpet. Bird of Paradise Canoe Companion. Cattleya with Mountains. Glass Balls. Reflections of Kalo. White Bird. Hula Girl. Red Hibiscus 9. Victoria with Mountains. Torch Ginger 5. Heliconia Delight. Triple Torch Ginger. Plumeria with Mountains.
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Home Featured ArticleSelecting and Caring for Your Easter Lily
Selecting and Caring for Your Easter Lily
Featured Article, Gardening, Home & Family
https://americanprofile.com/articles/selecting-and-caring-for-your-easter-lily/
By Steve Warga on April 13, 2014
Thinkstock.com
https://americanprofile.com/wp-content/uploads/2014/04/easter-lily-150x150.jpg
WHILE ASSOCIATED with the Easter season, Easter lilies can grace your garden with fragrant beauty for years to come.
"They're a surprisingly hardy perennial plant, even in colder climates," says Lee Riddle, director of the Easter Lily Research Foundation in Brookings, Ore., who offers this advice:
Selecting your lily
Look for a plant that is medium to compact in size and proportional in shape. Foliage should be dark green in color with plentiful leaves all the way to the soil line. For the longest period of enjoyment, look for multiple buds in various stages of development.
Care and feeding
Watering. "Lilies like to be moist but not soaking wet," says Riddle, who warns against overwatering and urges quick removal of adorning Easter wrappings that don't allow water to drain from the bottom of the pot.
Temperature. "Lilies like household temperatures," Riddle says. Avoid placing the plants near appliances, fireplaces or heating ducts where they'll be exposed to excess heat and air.
Light. "If you want to make your lily happy, they like a nice sunny window," Riddle says. He suggests indirect natural light from a window but to avoid direct glaring sunlight.
Pruning. To extend the life of your flower, pluck off the six yellow anthers in the center of the bloom. The anthers contain pollen that can stain white blooms, and they also will make the flower age if they touch the blooms.
After blooming season
When the original stems die, cut them back to soil level. New growth may emerge within a month.
Riddle advises replanting lily bulbs outdoors in a raised bed, about 12 to 18 inches apart, digging a hole the size of the pot and placing the root ball in soil that drains well, such as a good planting mix. "They like the morning sun," he says, "and when the sprout comes up, water it so the soil is damp when you touch it." Every six weeks, scatter a teaspoon or less of a mild slow- release fertilizer in a 6-inch circle around the plant's stem. And guard against slugs, snails and deer. "They find the bulbs quite tasty," he says.
Your flower already has put on one show at Easter and often will surprise you with a second blooming late in the summer, which is closer to the natural blooming season of Easter lilies. (Professional growers plant the bulbs timed to bloom during the spring for Easter.) ★
Found in: Featured Article, Gardening, Home & Family
Understanding GI Disorders


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Task Force Warrior trains with 5th RIAOM Marines
By Staff Sgt. J.D. Strong II
U.S. Army Soldier assigned to Combined Joint Task Force-Horn of Africa (CJTF-HOA) and French Marine assigned to the 5th Overseas Intermarines Regiment (RIAOM) spar during a combatives exchange at Djibouti Air Base, Djibouti, Sept. 2, 2019. The purpose of the joint training was to share French Marine and U.S. Army combative techniques and further the relationship between the two forces. (U.S. Air Force photo by Staff Sgt. J.D. Strong II)
CJTF-HOA AFRICOM Combined Joint Task Force-Horn of Africa US Africa Command
State, Defense department officials focus on East Africa security
U.S. Embassy representatives from eight East African nations joined military leaders from U.S. Africa Command and Combined Joint Task Force-Horn of Africa at Camp Lemonnier Jan. 24, for the 2017 East Africa Security Synchronization Conference.
U.S., Japanese, French, Italian militaries partner for first multilateral NEO exercise in Africa
Initiated by the Japanese military, Combined Joint Task Force-Horn of Africa (CJTF-HOA) supported a joint-nation noncombatant evacuation operation (NEO) exercise and training here, Sept. 29.
AMISOM strength bolstered with AFRICOM vehicle delivery to UPDF
The African Union Mission in Somalia's capabilities to provide security in Somalia were recently strengthened when U.S. military members of U.S. Africa Command and Combined Joint Task Force-Horn of Africa delivered nearly 20 vehicles and two storage containers to the Uganda People's Defence Force here, Sept. 25.
Uganda military values humanity, hope while countering VEO actions with U.S. training
A seemingly contrasting fusion of traits - strength and benevolence - appears to run through the veins of UPDF PSYOP military members.
CJTF-HOA succeeds in proof-of-concept mission for more efficient airlift with European partners
Combined Joint Task Force-Horn of Africa Joint Logistics Operations Center achieved its initial Air Transportation and Refueling Exchange of Service (ATARES) with the Italian military here, June 9. This year, the U.S. forces in Africa join 23 other nations participating in ATARES membership, decreasing administrative procedure and increasing multinational cooperation. This is accomplished by using one C-130 Hercules flying hour as currency.


and also how to define and use functions.
me first show you how to use a "for" loop.
a "for" loop for I equals 1 to 10.
That's for I equals Y colon 10.
but you know spacing doesn't matter.
the power one, two to the power two, and so on.
indices in the array from one to 10.
You can also write for I equals indices.
And this is actually the same as if I equals one to 10.
I and this would do the same thing.
if you are familiar with "break"
let me show you how a while loop works.
V. Let's write the while loop.
one until I is, you know, greater than five.
whereas previously V was this powers of two vector.
and overwritten them with this value one hundred.
So that's a syntax for a while loop.
I wanted to show you how to use a break statement.
I hope the logic of this makes sense.
Since I equals one and, you know, increment loop.
vector V and set them to 999.
V and overwritten the first five elements with 999.
for "while" statement, and notice the end.
We have two ends here.
and the second end here ends the while statement.
how to use an if-else statement.
type V1 equals to 2 for this example.
if V 1 equals 1 display the value as one.
display, the value is not one or two.
displays that the value is 2.
them and how to use them.
or pre-saved on my desktop a file called "squarethisnumber.m".
This is how you define functions in Octave.
where it should look for the definition of the function "squarethisnumber.m".
Let's open up this file.
Microsoft program Wordpad to open up this file.
too, but notepad sometimes messes up the spacing.
other text editor, if you have a different text editor for editing your functions.
So, here's how you define the function in Octave.
Let me just zoom in a little bit.
And this file has just three lines in it.
body is defined, if Y equals X squared.
Octave says square this number it's undefined.
That's because Octave doesn't know where to find this file.
so let's see this c:\users\ang\desktop.
That's where my desktop is.
Oops, a little typo there.
that know what the term search path means.
knows where to find the square this number function.
you run it and that actually works just fine.
functions that return multiple values or multiple arguments.
function returns 2 values, y1 and y2.
follows, y1 is squared, y2 is execute.
And what this does is this really returns 2 numbers.
if you're familiar with, you know, CC++ your offer.
Often, we think of the function as return in just one value.
that should return multiple values.
the cube of 5 equal to 125.
a function that returns multiple values.
you just one more sophisticated example of a function.
that looks like this, with data points at 1, 1, 2, 2, 3, 3.
function J of theta for different values of theta.
First let's put the data into octave.
you know, my the x-values of my three training examples.
follows, which were the y axis values.
is equal to 0 semicolon 1.
bring up the definition of that function it looks as follows.
thus the number of rows in x.
around, so this is probably the preceding comment line.
want to return because J appeared here in the function definition.
kind of make sure that you understand the different steps.
cost function j x y theta.
It computes. Oops, made a typo there.
45-degree line that fits my data set perfectly.
simple training example that we solved.
in octave as well as how to define and use functions.
this class and how to use our submission system.
make your octave programs run much fast.


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The future is fragile.
Martin Freeman (The Hobbit) leads this outback post-apocalyptic thriller as a father looking for salvation for his baby daughter.
When a freakish pandemic claims his partner's life and infects his bloodstream, Andy (Freeman) has 48 hours until he turns into one of the creatures his family has tried so hard to avoid. With his one-year-old daughter Rosie on his back, Andy searches for a safe pair of hands to protect her. His best chance is a flourishing Aboriginal tribe, but it's a passage not easily granted. Based on the directors' 2013 short film of the same name, which was a finalist at the Tropfest short film festival.
Ben Howling(feature debuts)
Yolanda Ramke(feature debuts)
Anthony Hayes
Caren Pistorius
Susie Porter
Kris McQuade
Natasha Wanganeen
Bruce R. Carter
Simone Landers
Yolanda Ramke
Drama, Horror, Mystery
Rating: MA15+ Strong horror themes, violence and coarse language
Aaron Yap
Often when it seems like there's nowhere for zombie movies to go, a little out-of-left-field film comes along to prove you wrong, squeezing a smidgen more life out of the genre's exhausted conventions. Aussie epidemic pic Cargo does just that: injecting bracing, subtle layers into long-established flesh-munching lore while neither completely reinventing anything.
Its family-in-peril set-up is awfully familiar with A Quiet Place still fresh in the mind — there's a baby here that really needs to pipe down, too. And you'll see herky-jerky undead roaming the landscape for entrails, and infected characters biding time before the inevitable. But directors Ben Howling and Yolanda Ramke are clearly gunning for more than a headshot-laden thrill-fest, harnessing its eco-minded plot to express an uncharacteristically humane, subdued vision of a post-apocalypse.
Based on their 2013 short film, Cargo isn't totally free of narrative stretch marks, with some of its intriguing world-building elements, including references to fracking and land exploitation, coming off slightly under-imagined. Likewise, Anthony Hayes' abusive, survivalist kook is much too easy and hackneyed a source of antagonism. However, the filmmakers' sensitivity to the disenfranchisement of the Aboriginal people, seen through the eyes of a young Indigenous girl named Thoomi (terrific newcomer Simone Landers), and a deftly judged use of Martin Freeman's innately warm, likeable everyman presence, give Cargo a well-earned depth of poignancy lacking in most other examples of the genre. Despite some stunning cinematography that conveys the Outback's disquieting majesty, the film's scaled-back character focus finds an ideal home on Netflix.
Reel Bits
One of the most remarkable new takes on the genre.
Screen International
Pitting Martin Freeman against the undead in the Australian outback, Cargo may take a bite out of a teeming genre, but it does so with heart, smarts and some weighty matters on its mind.
A zombie film with soul and pathos.
Who'd have thought that the secret to new life would be to inject a little humanity into the old shambling corpse?
This familiar saga eschews jolting scares for survival-esque (and dark-heart-of-man) thrills, relying largely on Freeman's compelling lead turn to set it apart from the genre.
The Australian setting brings a fresh, and epic, quality to this now done-to-death genre, and the directors introduce a few nice new kinks to the zombie mythology.
Co-directors Ben Howling and Yolanda Ramke (the latter of whom wrote the screenplay) sacrifice some tension with their more character-based approach, but the cumulative effect is emotionally powerful.


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By Catharin Dalpino Catharin Dalpino is a resident associate at the Carnegie Endowment for International Peace.
WHILE attention is focused on the intricacies of the United Nations plan for Cambodia and the difficulties of getting the country's four competing factions to agree to it, the Khmer Rouge are quietly doing business on the Thai-Cambodian border. In the "liberated zones" they control in southwestern Cambodia, they are granting concessions and offering protection to Southeast Asian prospectors and businessmen, most of them from Thailand, who mine rubies and cut timber for lucrative international markets. The monthly intake of this trade for Pol Pot and his senior officers is estimated at a minimum of $5 million per month. Western analysts believe that their cash reserves exceed $100 million, held in a central fund that is surprisingly free of mid-level pilfering. After running on foreign assistance for more than a decade, the Khmer Rouge are approaching self-sufficiency.
Such economic power could undermine the West's most cherished assumptions about the Cambodian conflict. One tenet holds that it is possible to extinguish the Khmer Rouge threat by persuading China, its longstanding patron, to cut off economic assistance and arms. Estimates of Beijing's aid to the Khmer Rouge vary between $40 million and $80 million annually.
That assistance, however, is rapidly becoming moot. With the Khmer Rouge accumulating an independent income of $60 million per year or more, China's leverage is weakened with each new gem or logging deal.
Even if Beijing stops the flow of arms completely, Pol Pot's commanders in the field would still have an existing cache of weapons, now thought to equal a two-year supply, with which to continue the struggle. And should the Khmer Rouge comply with the terms of the UN plan and surrender those stores in the context of a cease-fire agreement, they would have the ready means to purchase new arms.
A more basic assumption in the West, however, is that the Khmer Rouge might prevail on the battlefield, but they could never win by the ballot box. The UN plan attempts to create a "level playing field," on which the factions submit to the will of the Cambodian people through an open and fair election. Behind that neutral construction, the West is wagering that the Khmer Rouge will be defeated at the polls.
But disproportionate wealth can be a telling factor in the electoral process. In established democracies, the balance is often tipped in favor of the candidate able to finance sweeping media campaigns. In poorer, developing countries with little democratic tradition, the most effective and expedient use of campaign funds can simply be to purchase votes. In the 1988 general elections in Cambodia's wealthier neighbor Thailand, when vote-buying was judged to be widespread, a ballot in the rural areas went for $2 on the average, and in Bangkok for $4. On that scale, the Khmer Rouge could "buy" Cambodia several times over.
Vote-buying seldom takes place at the polls. Funds are often channeled through middlemen like village leaders or factory bosses. An international team monitoring the Cambodian elections will find vote-buying far more difficult to detect than intimidation at the polls or tampering with ballot boxes.
If the Khmer Rouge are allowed to continue amassing such economic power, they could eclipse the UN plan while appearing to follow it scrupulously in form. Under this new threat, the international community needs to understand that the shelf life of the UN plan is measured in months rather than years.
Piecemeal proposals to stem the growing economic power of the Khmer Rouge have a fatal flaw. Any effort to move the UN position from that of a neutral mediator to an active crusader against the Khmer Rouge will be vetoed by China.
Nor is pressure on businessmen in the region to cease trading with the Khmer Rouge likely to be effective. In a climate of economic boom, the Southeast Asian private sector has taken an omnivorous approach to Cambodia. These businessmen are wont to maintain that they are pursuing an even-handed policy, in the spirit of the UN agreement.
Finally, the uncertainty of Cambodia's security and of its political future will make Western businesses reluctant to invest even a modest amount, much less enough to balance the books against the Khmer Rouge.
Much is made at present of the new economic vibrancy in Phnom Penh. Less attention is given, however, to the widening economic gap between the capital and the countryside, or to the growing perception in the rural areas of corruption among highly placed government officials.
It is questionable whether the benefits of foreign investment at this point would find their way to Cambodia's rural population. If they do not, the Hun Sen government could be ill-prepared to face a political challenge from the Khmer Rouge. Indeed, at the heart of Pol Pot's new "hearts and minds" campaign in the interior is an emphasis on Phnom Penh's unabashed spoils system, in contrast to the economic discipline of the Khmer Rouge.
The Hun Sen government is reluctant to give up power under a UN arrangement, and the prognosis for the plan is wobbly at best. But it constitutes the best hope of dismantling the Khmer Rouge economic apparatus in the liberated zones, since the UN would assume control of the financial affairs of the country for the interim period between a cease-fire and elections.
The West should use whatever influence it has on Phnom Penh to underscore that fact. By surrendering some degree of power now, the present leadership of Cambodia may find that it is preserving its best chance to compete for influence in the future.


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Home / News / Ozarks Picked To Finish Second In Preseason ASC Basketball Poll
Ozarks Picked To Finish Second In Preseason ASC Basketball Poll
Clarksville, Ark.-Both the Lady Eagles and Eagles were picked to finish second in the American Southwest Conference East Division, according to an ASC coaches preseason basketball coaches poll released this week by the conference office.
The Lady Eagles, who shared the East Division title with East Texas Baptist a year ago, finished last season with a 17-9 overall record and a 9-3 conference record. Junior forward Jenna Corbell, an ASC All-East division second team pick last year, and senior guard Kristy Watts, an honorable mention All-East division pick last season, are the lone starters off of a squad that advanced to the ASC tournament championship game a year ago. The Eagles, under first-year coach Matt O'Connor, returned to the playoffs for the fourth consecutive season last year. O'Connor's squad also return two starters from last season's team that finished with a 14-12 overall record and a 7-5 conference record. Guard Mandrell Howell returns for his junior season after earning ASC All-East division second team honors last season. Senior Ricky Johnson returns at the guard spot and was named honorable mention ASC All-East division last year. The Eagles will receive immediate help in Clarksville's Michael Bollman. Bollman, a 6-7, 235-pound forward, transferred to Ozarks from Henderson State University. The Eagles will face the Akron Wingfoots in a exhibition game on November 12 at 7:00 p.m. in Clarksville. East Texas Baptist was picked to win the women's East division while Mississippi College was picked to win the men's East division.


This spring break I went to visit my friend in New York City and it was the best blend of crazy, relaxing and overwhelming. This may sound cliche, but New York is a magical city that never stops and has endless things to do, from food to shows. As someone who loves being in a city, New York was everything I dreamed it would be and more. However, it was nice to come back to a quiet campus and soak in the days I spent in New York because after a while being in a busy city can get too much.
It was a great getaway, but here are some things I would have liked to know before I went there.
Be prepared for weird unpredictable weather ( we are still in the east coast) Things are expensive!!! You are in New York after all.
If you are planning to see a broadway show (which you must, all of them are spectacular) book tickets in advance it will be cheaper.
But overall, New York was a great spring get away and I'm definitely going to visit again!