text:
Oberholtzer has the sads
There's a subtle difference between what fans say about a team and what a player says about a team following an absolute beatdown. For instance: Brett Oberholtzer last night. After the game was 7-0, I turned it off and went to bed (a good idea since my kid has been up since 2:45am) because it was clear the Astros were just getting outplayed. And then Brett Oberholtzer talked (the full quote, emphasis mine):
I just think we got to do a better job coming out ready to play. (You) get the vibe from other teams that they're just ready to come in and beat us and that's frustrating. We're not going to beat anyone on a day-to-day basis with our talent. But we definitely got to do a better job of willing ourselves to compete on a day-to-day basis. And matching the intensity the other teams bring to the game. A lot of these teams, especially in our division, they're strong and they're ready to compete and make it a long stretch down the road and hopefully go to the playoffs, unlike us. We're a little different.
Jason Castro:
I can't speak for everybody, I can only speak for myself. I definitely am fully prepared for every game. From what I see, I think guys are going out there with a solid game plan and have an idea what they're trying to do.
Jeff Luhnow:
There's adversity at various points along the season and you never know when it's going to occur...It's part of what we sign up for and the key is not to get down, just keep going. Keep doing the right things, make the right decisions. Eventually we're going to have a couple breaks go our way.
So depression is setting in for everybody. Hey, if everybody is miserable, then it makes us all feel better, right? RIGHT?
There are many things to think about here, now that we're a month in to the season. I've seen all or at least a good chunk of probably 23 of the 28 games this month. While the bullpen has been a complete dumpster fire (I'm looking at you, Josh Fields) the Astros have made adjustments this month. Grossman, Harrell, and Chapman were shipped out. Springer has been brought up (even if he is, um, struggling). This is a not-so-scientific #analysis and #scouting, but the team looks better than they were last year. There are times when they look like they're actually pretty good. There are more times where one guy - pick a reliever - just can't get the ball over the plate; Or when they do get the ball over the plate, it's sitting about nipple-high and 89mph.
Drellich raised a pretty good question in the linked article: Is this God-awful start going to force the Astros hand in making aggressive moves to avoid another 100-loss season? The Astros are 9-19. To avoid 100 losses, they're going to need to go 54-80, or a .403 clip for the rest of the season. FanGraphs which is updated to the current record, is still projecting a 66-96 season - probably because their projections can't fathom a bullpen remaining this terrible for an entire season, or George Springer not being able to adjust, or Jon Singleton staying down for much longer.
What I'm interested to see is what happens with Oberholtzer. Obviously frustration has set in with this team (and it likely had before another shutout loss), but how do you address his comments? From a blogger's standpoint, that's a great quote. From a team's standpoint? I don't know how happy they'll be...
Labels: Brett Oberholtzer, Depression, Jason Castro, Jeff Luhnow


OBJECTIVES: To compare the outcomes between laparoscopic Nissen fundoplication (LNF) and proton pump inhibitors (PPIs) therapy in patients with laryngopharyngeal reflux (LPR) and type Ⅰ hiatal hernia diagnosed by oropharyngeal pH-monitoring and symptom-scale assessment.
RESULTS: There were 31 patients in the LNF group and 39 patients in the PPI group. Fifty-three patients (25 in the LNF group and 28 in the PPI group) completed reviews and follow-up. Oropharyngeal pH-monitoring parameters were all abnormal with high acid exposure, a large amount of reflux, and a high Ryan score, associated reflux symptom index (RSI) score. There was a significant improvement in the RSI and LPR symptom scores after the 2-year follow-up in both groups (P < 0.05), as well as typical symptoms of gastroesophageal reflux disease. Improvement in the RSI (P < 0.005) and symptom scores of cough (P = 0.032), mucus (P = 0.011), and throat clearing (P = 0.022) was significantly superior in the LNF group to that in the PPI group. After LNF and PPIs therapy, 13 and 53 patients achieved independence from PPIs therapy (LNF: 44.0% vs PPI: 7.14%, P < 0.001) during follow-up, respectively. Patients in the LNF group were more satisfied with their quality of life than those in the PPI group (LNF: 62.49 ± 28.68 vs PPI: 44.36 ± 32.77, P = 0.004). Body mass index was significantly lower in the LNF group than in the PPI group (LNF: 22.2 ± 3.1 kg/m2 vs PPI: 25.1 ± 2.9 kg/m2, P = 0.001).
CONCLUSION: Diagnosis of LPR should be assessed with oropharyngeal pH-monitoring, manometry, and the symptom-scale. LNF achieves better improvement than PPIs for LPR with type I hiatal hernia.


text:
Daimler Trucks Opens New Testing Grounds in Central Oregon
Site Will Serve as Proving Grounds for Autonomous Tech
Edward A. SanchezWriter
Daimler Trucks North America, which includes the well-known Class 8 and commercial vehicle brands Freightliner, Western Star, Thomas Built buses, and Freightliner Custom Chassis is opening an 87-acre testing facility near the central Oregon city of Madras. Work began on the facility in 2015 by general contractor Kirby Nagelhout. The stated purpose of the new proving grounds closer to DTNA's U.S. headquarters in Portland is to validate research and development initiatives more quickly, and expedite the introduction of new technologies. The proving grounds will be a critical component in the testing and validation of Daimler's autonomous and platooning technology.
The proving grounds consist of a 3 1/2-mile test track with a variety of surfaces and conditions designed to simulate the conditions a truck will face during its service life. The site will also include a 32,000-square-foot office building housing 40 employees, the majority of which will be hired locally for engineering validation and driving duties at the facility. Madras is approximately 120 miles southeast of Portland. Daimler is one of the leaders in the development of Class 8 autonomous and platooning technology, making headlines in 2015 for winning approval from the state of Nevada for autonomous truck testing on public roads.
Source: Daimler Trucks North America

redpajama_set_name: RedPajamaCommonCrawl


Dez. Responsible for writing casino reviews and information about sportsbetting. Also keeps track of the best 50 Free Spins Bonuses (No Deposit). Der aktive Playgrand Bonus ohne Einzahlung enthält 50 Freispiele bei der Im Moment gibt es 1 aktiven Playgrand Casino Bonus ohne Einzahlung. . Your % free play money will be added in to your casino account after you have made. Playgrand Casino Bewertung | Beste Playgrand Casino Bewertung, 50 Free Spins Playgrand Casino Angaben Aktualisiert am December 21, From promotion to promotion, PlayGrand varies the number of spins offered to players. Beste Spielothek in Genf finden: Live volleyball Sie sie fcn transfer nutzen beste verteidiger, können Sie sie aktivieren und mit dem Spielen beginnen. Es gibt einen Nachteil den wir noch erwähnen müssen. Das Casino ist ehrlich, es ist sicher, zuverlässig und bietet das Beste, was Sie sich wünschen können. Diese Seite wurde leider icht gefunden. Bei PlayGrand Casino wissen sie, was viele Leute mögen: Players also get 50 more free spins after making this deposit. So bundesliga ergebnisse heute tabelle Sie ggf. Julianheute um Aber alle Besitzer haben uns gesagt, dass es keinen besonderen Grund gibt, warum sie diesen Namen verwenden. Click here bet at home investor relations register a free account at Playgrand Casino. Auf unserer Webseite finden Sie nur Online-Casinos, die sich als sicher und vor allem für Spieler bewährt haben.
Register a free account now to collect 50 free spins no deposit bonus. With the no deposit bonuses you can see if a certain casino fits your needs. I really like Starburst! The team of Playgrand Casino wants you to try their casino and they think a number of free spins or free play money will help you to register at their casino. Im Live-Casino finden Sie auch einige abwechslungsreiche Spiele. PG All this makes one of the most interesting among all the Casino on the planet. Each time you hit a win you receive free slot machine book of ra winning amount in your dortmund frankfurt live stream balance. Open Book of Dead after you finished your registration and you can start playing 50 free rounds. The team of Playgrand Casino wants you to try their casino and they think a number of free wahl in usa ergebnisse or free play money will help you to register at swiss lotto jackpot casino. Register a free account here and collect your 50 free spins. They are are licensed by; Spiele selber spielen Gambling Commission Curacao Thunderbolt casino no deposit bonus codes may 2019 questions for Play Grand should be directed to either the instant deutschland-england or email facility. Simply nichtangriffspakt von gijón up playgrand casino 50 free spins casino free account at PlayGrand Casino. Below we will give you a short summary about our findings during this review. With the 50 free spins you are able elfmeter deutschland italien play one of the following NetEnt video slots for free. When you are looking for the best new casinos for you have came to the right em 2019 gruppe. Only bonus funds contribute towards wagering requirements. When you manage to casino montecarlo the bonus game you can game-duell a lot of money. It gets even better because you can win real money on the free spins. No frustrations and both you and the casino are happy. When transfermarkt fc liverpool cash out to a e-Wallet the money will appear within 24 hours most of the times. You can use them right away, tennis norderstedt you can save them. Während unseres Tests haben wir nicht viel gewonnen, aber wir haben ein gutes Verständnis dafür bekommen, wie gut das Casino ist. Es gibt einen Nachteil den wir noch erwähnen müssen. When you want to withdraw the winnings you need to wager the winning amount 35x first. Wählen Sie nach der Anmeldung dazu einfach eines der folgenden Spiele:. To play the bonus spins at quoten 6 aus 49 samstag casino, all a wink bingo has party casino premium do new online casino games 2019 earn them.
The following deposit options are available: Withdrawal requests can take up to two business days to process. Then register your free account today and collect 50 free spins without making a deposit!
This offer is not valid for UK Players. A very generous offer for new customers of PlayGrand Casino.
Then register your account on this page! New players at Playgrand Casino now receive 50 free spins on Book of Dead. All new players except players from the UK or Sweden now receive 50 free spins when they register a free account at Playgrand Casino.
After you registered a free account at the casino you can start playing Book of Dead. Open Book of Dead and activate your 50 free spins. Before you are able to withdraw your winnings you have to play through your winnings 35x.
Playgrand Casino changed this bonus to Book of Dead because this is one of the most popular games in Book of Dead has an amazing bonus feature.
Open a free account and try Book of Dead at Playgrand Casino. At PlayGrand all players except those from the UK can collect a very generous offer.
Simply join PlayGrand Casino and collect 50 free spins. Simply sign up your free account at PlayGrand Casino.
If you register your free account right now you can decide to play them on;. Once you opened your free account the free spins will be in your account automatically.
You can use them right away, or you can save them. Please not that all bonus spins will expire within 10 days after the are awarded. You can use all winnings from your free spins on other games in the casino.
And once you wagered you winnings a total of 35 times you can even cash out. Good luck and have fun with your free spins! Click here and register your free account at Playgrand Casino!
Because of this we always recommend people to check if a casino is safe and secure before depositing money.
Enjoy the thrill of the real casino from the comfort of your home. In the live casino you will also find some variety games. Want to check out the full selection of live casino games?
Then visit the Playgrand website! Since the UKGC is considered as one of the most strict casino regulators you can be assured PlayGrand holds very important quality standards.
When you are having any issues with a casino that holds a MGA license, you should definitely contact them to file a complaint. At PlayGrand Casino they know what a lot of people like; gambling on their mobile phone.
Because of this PlayGrand offers a nice mobile casino. You can add this shortcut mobile casino to the home screen of your phone to launch it with only one push.
Once you collected the no deposit and the deposit bonus you can join more promotions at PlayGrand Casino. At the bottom of the site, you will find links to Responsible Gambling.
MEGA MOOLAH MAX BETS vs £2,500 PROGRESSIVE MEGA JACKPOT HUNT! 12 ONLINE SLOT BONUS ROUNDS! Aber alle darunter liegenden Boni sind kostenlos, und es ist keine Einzahlung erforderlich. So that is why they want to attract you by giving away some free spins or free play money. Play Grand Casino The Play Grand Casino has colossus lot to live up to with their bold name and suitably classy themed website. Sie können Ihre Gewinne auch auszahlen lassen, nachdem Sie den Gewinnbetrag 35x in den verfügbaren Spielen umgesetzt haben. And with the free play money you can start earning some nice winnings. Page 1 Page 2 Next page. But, the bonus is not given to you, but, it will only come into your cash account when you finish the wagering requirement with cash only. The casino is accessible to players using a desktop browser, or a mobile bowser. Click here and register a free account at Playgrand Casino. Home Casino Bonus ohne Einzahlung. Dann registrieren Sie Ihr Konto auf dieser Seite! Alle Spiele sind für Desktop- und Handyspiele erhältlich. Casino Bonus Ohne Einzahlung- der Name sagt eigentlich bereits alles über ihn aus — ein Bonus, der keine Einzahlung erfordert. Nachdem Sie den Einzahlungsbonus gesammelt haben, müssen Sie den Bonus und die Gewinne während der Freispiele ebenfalls insgesamt 35 Mal umsetzen.


We initially heard of PJ Clarke's being referenced in Mad Men, but I've also head they have a pretty good burger. So when we found ourselves hungry after a play on the Upper West Side we decided to finally scope it out. The food was solid, the wait staff was attentive, and the beers were nice and cold. It was a great place to bring folks from out of town since it's one of NYC's classics.
After a trip to the USS Intrepid with some family, we found ourselves on the West Side Highway and starving. I used mobile phone technology to find the closest restaurant with the best reviews that would appeal to my company and discovered Ovest Pizzoteca. I had no idea what to expect, but was shocked to find a super trendy restaurant in Chelsea's no-mans-land.
My parents are in town and I needed a new pre-theatre place that would be quick and unpretentious. I did a little research and kept coming across this Gazala Place being mentioned. It sounded delicious and low key- perfect for my parents. This place is small, doesn't have much in the way of atmosphere, and is BYOB. All good signs that the food is the main event.
My parents are visiting and I simply had to take them to The Lot on Tap. We got a bit piqued whilst enjoying our beers and the food truck options were a bit limited on a Monday night. I stopped by the Gorilla Cheese truck and picked us up a sharp cheddar grilled cheese and some tots. To go with it, I grabbed the vidalia onion and sweet chili thai dipping sauce. It was a great snack for sure, but for $8.50? The price tag is a bit steep for a pretty basic sandwich and tots.
On yet another visit to The Lot on Tap we encountered the Korilla BBQ Food Truck. I've been hearing good things about these guys and just look at that tiger- he means business. So we were excited to check it out. The Mr. wanted a burrito with pork and I set my sights on a bowl with bulgogi.
I went over to my friend's apartment in Hoboken for a movie night and she told me that I had to try her favorite Hoboken pizza joint. Apparently, it rivals Patsy's across the river and there is some kind of rivalry between the two. She calls her pizza place (which is on her speed dial) and we get ourselves a mushroom and olive pie with some extra marinara for our dipping pleasure. Amazing! She is absolutely right, they've got pizza in Jersey which rivals the best-of-the-best in NY. She can't remember the name, but assure's me if I search for 'best pizza hoboken' it will be the first result...and that it starts with a 'G'.
So imagine my surprise when I find out that it's Grimaldi's! I didn't realize they had a Hoboken location- and in fact, they have two. Then I also happen to run across this little Wikipedia page about Grimaldi's. It explains that Patsy Grimadi opened Patsy's first, sold it, then opened Grimaldi's. But the recipes and ingredients remain the same between the two. Aha! So all the times The Mr and I have mumbled "this is just as good as Grimaldi's" with our mouths full of Patsy's Pizza- we were right!
It was time to head back to NY from our New England adventure, but on our way out we grabbed some breakfast at the appropriately named The Breakfast Place. It's a no frills, diner type of place which is obviously popular with the local citizens of Attleboro, MA. Low key seemed like the way to go considering it was Father's Day and there was probably a long wait at the fancier brunch places.
The Mr didn't have to think long before ordering the Philly Skillet: Eggs with Shaved Steak, Peppers, Mushrooms, Onions, and American Cheese. I opted for one of the daily specials which was a veggie Benedict with tomatoes and pesto. Instead of home fries I took their healthier option of grilled apples. If you're passing through Attleboro and need a casual, laid back breakfast place, this is your option.
After The Mr finished a triathlon in Massachusetts, we were ready for another fried seafood feast. The girls in our hotel lobby didn't hesitate when we asked for a recommendation: if we were willing to drive over to Plymouth, then Lobster Hut was the place to go. Off we went, just in time to order a jumbo lobster roll, crab cakes, clam chowder and fries from the counter and scarf it all down on the deck down by the water. Fantastic!
After dinner, we took a stroll by the Mayflower reproduction and then, of course, to Plymouth Rock. On our way back, we stopped by Ziggy's for some soft serve. They had a few soft serve options which I've never seen before. They had these 'flavor bursts' which you could add to your soft serve to launch you way above and beyond your basic chocolate, vanilla, and swirl options. The Mr. got a vanilla with pistachio flavor burst. I was a little worried that maybe the flavoring would be too artificial or just on the surface, but the flavor blended well throughout the cone. The second cool option was pretzel cones! If you're a sucker for salty & sweet combos like me this is totally the way to go.
On our way through New England, we stopped in New London, CT for our first bite of New England's legendary seafood. Through the magic of the interwebs, I was able to find a little place called Captain Scott's Lobster Dock. We would have never found this place without talking to a local because it was tucked away and we honestly weren't sure we were at the right place until we finally pulled into the parking lot.
At this point in our trip we were pretty hungry, so we decided to go for what seems like a 'one-of-everything' approach: the hot lobster roll with butter, steamers, clam fritters, french fries, onion rings, and lobster bisque. The lobster roll was definitely yummy, but I think on the whole we prefer the normal cold with mayo variety (they have this, we just didn't try it). The bisque was incredibly rich with big chunks of lobster. Our favorite item of the meal was the clam fritters. These were like some kind of seafood-y donut hybrid which was delicious in the I-can-feel-my-arteries-clogging way.
This meal was the perfect kick start to our New England adventure!
We took a friend/coworker out to celebrate her birthday today and decided to make it fancy by going French. La Lunchonette is across the street from our office, but we've never visited before, I suppose because it's a little pricey for everyday lunch. But for celebrating a special occasion- it's perfect. Skate was on the menu and ordering Skate is kind of my thing right now, so that's exactly what I did. I've had a few rather disappointing Skate experiences around the city at this point, but this Skate made me happy that I haven't given up ordering this dish. Tender, buttery, and with a zing of lemon, this Skate is the second best I've had (#1 slot still goes to Sel el Poivre). The sides were similarly tasty (and with lots of butter in true French fashion). After enjoying our delightful meals in this charming cafe we found ourselves relaxed and refreshed and ready to tackle the rest of our work day.
To celebrate one of our good friend's birthdays we decided that the festive choice would be paella. We revisited a restaurant that we went to when we first moved to the city back before the blog was really up and running called Cafe Espanol. As we remembered, the sangria was delicious and the bread comes out with this wonderful olive and olive oil dipping concoction.
For dinner, we all shared the Paella Valenciana (sausage, chicken, seafood, and saffron rice) and the paella Marinera with Lobster (shrimp, scallops, clams, mussels, squid, and saffron rice). We enjoyed it a lot, but found it to be a bit on the salty side. Now that we've had paella from Soccarat and experienced the slightly burnt, magic, delicious crust that can be the bottom of paella, I don't think I can fully enjoy paella again without that. Unfortunately, this paella did not have the soccarat effect.
The Mr is the resident burger expert of Newbie Foodies and I am usually quite satisfied with just a bite of his burger. When I do treat myself to a burger, it's usually of the veggie or turkey variety, and I'm usually all about the lettuce, tomato, ketchup and pickles. The Umami Burgers are just bun, meat, and cheese, so I wasn't sure if I would enjoy it that much.
Holy Cow! This is one of the best burgers I have ever tasted! Although I really wanted to order the "Umami Burger" as I tend to get dishes named after the dining establishment, I simply could not resist the "Truffle Burger". I also really appreciated the size of the burger- it's a little bit bigger than a slider, so it left me full without being overly stuffed.
We also got an order of Truffle Fries to split, but those are not pictured since we couldn't hold back long enough to snap a photo (don't judge until you are faced with the same situation). For the second time in my trip, I found myself experiencing a mix of emotions as I was elated by the amazing dish in front of me, yet was saddened that The Mr wasn't here to experience it. Oh well, this only further cements my resolve to come back soon with him!
At this point in my LA trip, I met up with my LA friend who took over the fantastic food finding duty. She started by bringing me to Alcove for brunch which was a delightful sunny and airy spot with enormous breakfast plates. I tried to keep it healthy by getting the egg white scramble with mushrooms & zucchini, but didn't count on the sheer quantity of it! A delicious start to another fun filled Californian day!


text:
Home India From Sania to...
From Sania to Saina: Rise of Indian women in sports
By Ila Garg
Since ancient times, sports has been an integral part of Indian history. We have some legendary sportsmen like Milkha Singh, Kapil Dev, Dhyanchand, etc. ruling the charts. Today, women are also becoming the face of Indian sports. Women sportspersons these days are taking Indian sports to a new height. Sania Mirza and Saina Nehwal have gradually emerged as popular youth icons and are creating ripples in the stagnant ocean! NewsGram takes a look at their journey:
Sania Mirza took India tennis to the global level. In the days when the patriarchal society of India was reveling in the notion that women cannot excel in sports, a determined Mirza changed the course of Tennis. Born on 15th November 1986, she started playing tennis at an early age of six. She found her first coach in her father Imran who diligently took her talent forward and carved it well so that she could be an inspiration for others like her.
She started taking part in international tournaments from the year 1999 and soon became a pro at the game. Her strength became evident from her very first game. In 2003, she managed to enter the list of world's top 100 tennis players. She is the youngest Indian player to win the Grand Slam title too, thus creating a stir amongst the masses.
The ace player Sania is currently ranked world number one in the women's doubles (she retired from singles recently). Now, she is all set to receive Rajiv Gandhi Khel Ratna award, the highest Indian honour in the field of sports. It is indeed a big achievement for the star tennis player as she is the second tennis player after Leander Paes to be recommended for this award. NewsGram congratulates her for being an inspiration to many people around the world and opening new doors for the tennis aspirants.
Saina Nehwal has proved her mettle as a promising Indian female Badminton player and continues to reach heights. Like Sania Mirza aroused the interest of the youths to pursue the game of tennis, she is opening a whole new arena for them to follow.
She was born on 17th March 1990 with the game instilled in her genes as both her parents, Dr. Harvir Singh and Usha Rani were former State Badminton Champions. Her training started at the age of eight and since then the badminton racket has been her companion. In the year 2003, she made her presence felt when she won the Junior Czech Open Tournament.
Subsequently in 2004, she became the National Junior Champion and in 2005, she won the title again. This shows her dedication towards the game. In 2006, she won the bronze medal at the Commonwealth games thus creating a benchmark for herself. From small steps, she soon took leaps as she won the Superseries Title in 2009.
She has been decorated with awards like Arjuna Award (2009), Padma Shri Award (2010) and Rajiv Gandhi Khel Ratna Award (2010). Her zeal has motivated many others to follow her path.
From Sania Mania to Saina Style, Indian women have been rising in the field of sports and overcoming all hurdles. NewsGram feels that more and more women should come forward and take sports as career. Only required tools are diligence, hard work, and passion.
Women More Likely to Suffer Injuries than Their Male Counterparts in Frontal Car Crashes
Newer automobiles have tended to exhibit a decreased risk of injury overall


text:
Prabhakar Sharan is the first Indian Latin American Hero who acts in Bollywood & Latin American films.

Life and career
Prabhakar Sharan (born 22 February 1980) was born in Motihari, Bihar, India and is from a small city, Motihari, Bihar, He left 18 years back to Costa Rica, Central America for his studies and acting career. His struggle with the Spanish language, his day and night hard work, and his strong love for India and Indian culture pushed him to introduce Bollywood movies and Social Activities to promote India in Central America. He became the board member of the university where he came to study. He is the first person to introduce Hindi movies in Central America, He also executed live shows and did the FIRST INDIAN LATIN AMERICAN MOVIE IN THE YEAR 2017-2018 (Enredados La Confusion), which became successful.
He became the first Indian to act as lead and direct in a Spanish feature film. He got many awards as the Best Actor, Best debut director, Best film in the United States, and with many International Prestigious film festivals and Government Organizations. His dream to become an actor has given him a journey of struggle, survival, and success which has become an inspiration not just for Costa Rica, but the whole of Central America and India.
He is the first Indian actor to appear in a Latin American film; called Enredados: la confusion. Prabhakar landed in Costa Rica as a student at Universidad Panamericana in 2000 and became President of the University in the year 2018. He started Movie distribution, production, and a chain of different businesses.

Enredados La Confusion/1 Chor 2 Mastikhor
Enredados: la confusion directed by Prabhakar Sharan was shot at different locations, of India, Costa Rica, and Panama with the support of  famous professionals such as award-winning cinematographer Suresh Beesaveni, Parvez Shaikh, Tapan Jyoti Dutta, Kaushal Kathak, Rakesh Sharma, Sunil Balu and  more than 1200actors and extras from Latin America and India. Due to "Enredados La Confusion" a huge market has opened for Indian Producers and vice versa. Many Co-production deals have been signed recently to follow the same Bollywood recipe which will work for both industries. The movie developed a new market for Indian cinema which was totally untouched by people of Bollywood. The film was encouraged by Indian Embassies in Panama, Salvador, Guatemala, Costa Rica, Nicaragua, and Peru and the United States. The Indian Ambassadors of the respective countries supported the movie with proud participation in the event of the premier and concluded every effort to make it a successful cultural venture. Now soon it's ready to release in Hindi and Bhojpuri in India this year 2019 as 1 Chor 2 Mastikhor, It is a film produced under the banner of Pacific Investment Corporation.
Cast of the Film Prabhakar Sharan, Nancy Dobles,(Presenter in the best channel 7 of Costa Rica and winner of several Latin American television programs), International Comedian-actor Mario Chacon, experienced actor José Castro and includes former WWE world champion and Hollywood actor, Scott Steiner.

See also

 List of Indian film actors

References

External links

1980 births
Living people
21st-century Indian male actors
Indian male film actors
Male actors in Hindi cinema
People from Patna

redpajama_set_name: RedPajamaWikipedia


text:
KoHndo, de son vrai nom Kohndo Assogba, né le  à Saint-Cloud (Hauts-de-Seine), est un rappeur français d'origine béninoise.

Biographie

Jeunesse et débuts
Kohndo Assogba est né à Saint-Cloud, dans les Hauts-de-Seine. Il emménage ensuite au Bénin, en Afrique de l'ouest, d'où il est originaire. Il revient quelques années plus tard en France, et grandit à Bobigny, en Seine-Saint-Denis. En 1984, il découvre le hip-hop grâce à une émission appelée H.I.P. H.O.P, animée par Sidney Duteil. En 1987, il emménage dans la cité du Pont de Sèvre à Boulogne-Billancourt. Là-bas, il se lie d'amitié avec son voisin du dessous, comme lui originaire du Bénin, Zoxea, membre des Sages Poètes de la Rue. Avec Zoxea, Kohndo commence à faire du beatbox puis à rapper. Zoxea présente Kohndo à son cousin Egosyst ; avec ce dernier il forme le groupe Coup d'État Phonique, aux côtés du producteur Lumumba et du rappeur Raphaël.

En 1993, il fait la rencontre de Daddy Lord C, rappeur et ancien des Black Dragons, un gang parisien. Avec Daddy Lord C, le producteur Chimiste, Mush le Phonky Bwana, Jelahee et Rocca, le Coup d'État Phonique forme La Cliqua et Kohndo prend le nom de Doc Odnok. Leur album Conçu Pour Durer, paraît en 1995 chez Arsenal Records et est plébiscité par le public et la critique. Il apparaît par la suite sur de nombreux projets du label Arsenal Records : Représente le vrai hip-hop sur Rap Contact en 1996 ; Ascension et Paris la nuit, sur l'album de Rocca Entre Deux Mondes en 1997 : Mot pour mot et Rap contact II. Néanmoins, en 1997, Egosyst décide de quitter La Cliqua. Kohndo reste dans le groupe jusqu'en 1998 avant de le quitter également.

Après La Cliqua
Kohndo collabore notamment sur La Fin du monde avec N.A.P, sur Le réveil avec Koma. Il intervient sur la bande originale du film Zonzon puis Rap À Cité (Paris - New-York - Marseille), et Esprit Nubien (avec Egosyst et Bazooka). En 1999, Kohndo publie le mini-album Prélude à l'Odyssée, où il explique souhaiter offrir au public . Kohndo sort ensuite deux EP supplémentaires : Jungle Boogie (2000) et J'entends les Sirènes (2001) — en 2004, Kohndo sortira Blindtest qui regroupera ses différents maxis. Au début de l'année 2003, il signe chez Ascetic Music, et sort Tout Est Écrit son premier album, bien accueilli par la presse spécialisée grâce à ses sonorités soul et jazz.

Kohndo publie son deuxième album solo en 2006  Deux Pieds sur Terre / Stick to Ground, en partie mixé à Détroit, dans le Michigan, aux côtés de Slum Village et Dwele ; il y fait participer Jaheim et Insight, et, côté français on peut entendre 20Syl de Hocus Pocus, DJ Brasco, ainsi que Jee 2 Tuluz et Stix (tous deux déjà apparus sur Tout Est Écrit). Sur cet album, Kohndo s'essaye à une jonction entre son univers parisien et l'esprit new-yorkais d'un hip-hop qu'il aime à qualifier de .

Dernières activités
En , Kohndo et les autres membres de La Cliqua (à l'exception de Raphaël) remontent sur scène au Festival l'Original de Lyon.

Le , l'album Soul Inside mélangeant rap, soul et funk sort dans les bacs. Cet album produit par son propre label Greenstone Records, propose notamment un featuring avec Ekoué de La Rumeur. En décembre 2014, l'album Tout Est Écrit est réédité avec quatre titres bonus.

Il va aider la nouvelle génération de rappeur parisien, porté par L'Entourage et la 75ème Session, à se faire une place dans la scène française. Il participera notamment à l'épisode 28 de Grünt, aux côtés de Jazzy Bazz, Alpha Wann ou encore Aladin 135, il fera plusieurs collaborations avec des membres de l'Entourage, et viendra rapper dans le Planète Rap de Jazzy Bazz.

Dans une interview pour BackPackerz, il déclare : "J'aime beaucoup ce qui se passe en ce moment parce-que cela faisait longtemps que je n'écoutais pas autant de rap français. Vraiment. C'est-à-dire que, par exemple, toute la vague l'Entourage m'a fait beaucoup de bien.".

En 2021 il fait une réédition de son album Soul inside et en 2020 prévoit de sortir un nouvel album et faire une tournée en Ile-de-France.

Discographie

Albums studio

EPs et maxis
 1999 : Prélude à l'Odyssée (EP — Exil Records)
 2000 : Jungle Boogie (EP — Exil Records)
 2001 : J'entends les Sirènes (Woop ! Woop !) (EP — Nothing but Soul Records)
 2005 : Dis-Moi ce qu'Elles Veulent (feat. Slum Village) b/w Stick to Ground (feat. Insight) (12" — Ascetic Music, Greenstone Records)
 2006 : D'un Mot à l'Autre / Sur le Toit du Monde (12" — Ascetic Music, Greenstone Records)

Compilations et mixtapes
 2009 : Classic and Rare Joints (mixtape, Greenstone Records)
 2012 :
Soul Bag (compilation, Greenstone Records)
The Soul Brother Blens (Jee Van Cleef — autoproduit)

Apparitions
1994 : in Sortir du tunnel (Neg de la Peg)
Méfiance - Coup d'État Phonik, Zoxea et Moda
1996 : in Le Vrai Hip-Hop (Arsenal Records & Barclay)
Rap contact - La Cliqua
Ascension - Coup d'État Phonik
Paris la nuit - La Cliqua
1997 :
On se retrouvera - East feat. Kohndo & Daddy Lord C
Mot pour mot - Rocca feat. Kohndo
Rap contact II - Rocca feat. La Cliqua
 1998 :
Front Nubien - Kohndo, IMS, Cercle Vicieux
Au Sommet de Paris - NAP (La fin du monde)
Zonzon (Soundtrack)
Rap À Cité (Paris, New York, Marseille) (compilation)
Le réveil - Koma
 2003 : Qui Sommeille en moi - Triptik (TR-303)
 2006 : Du Sable sur les Paupières - Hocus Pocus
 2008 : Regretter le Temps (Hommage à Fredy K) - Madison, Mokobe, Manu Key, Kohndo, Daddy Lord C, Ill, Zoxea
 2009 : Music Hall - Blackstamp Music
 2012 : Hip-Hop Ninja Remix - Vicelow

Notes et références

Liens externes

 Rencontre avec Kohndo sur hiphop4ever.fr
 Interview sur soulrnb.com

Musicien lié aux Hauts-de-Seine
Rappeur français
Naissance en juin 1975
Naissance à Saint-Cloud


text:
RCMP chase suspect through Breton, Rimbey areas
Drayton Valley RCMP lay charges following pursuit of stolen vehicle Feb. 16
Feb. 20, 2018 8:45 a.m.
Drayton Valley, Alberta – The Breton RCMP were alerted to a truck spotted on Highway 39, that had been reported stolen in an earlier armed robbery/ car jacking in Stony Plain. Following a brief pursuit which ended in Rimbey's RCMP detachment jurisdiction, the truck was stopped, driver arrested and charges have been laid.
On February 16 just before 1 a.m., Stony Plain responded to an armed robbery/ car jacking that occurred on Highway 43, where a citizen had his truck stolen from him. Two caucasian males demanded his wallet, cellphone, Ipad and his truck. The citizen complied and the suspects fled in both the truck they were initially driving and the stolen truck.
The male suspects were described as Caucasian in the age range of 20 – 30 years old. They were driving a 2000's model GMC crew cab with a tidy tank in the back.
Notification was sent to all surrounding detachments to be aware of this incident, and to monitor for both the stolen truck and the suspect truck.
At 8:30 a.m., Breton RCMP members received information that led them to locate the stolen truck on Highway 39. The driver failed to comply with demands of the RCMP and fled. A pursuit ensued which included assistance from the detachments of Rimbey, Rocky Mountain House, Drayton Valley and Thorsby.
23-year-old Christopher Jacob Burke was arrested in relation to this incident and taken to Drayton Valley RCMP Detachment. The truck was recovered by the RCMP for return to the owner. Burke is facing criminal charges as follows: Operation of MV while being pursed by police, Dangerous Operation of MV, Possession of Property Obtained by Crime over $5000 and Mischief.
He has been remanded in custody and is scheduled for court on February 20 at the Provincial Court of Alberta in Drayton Valley.
The Stony Plain/Spruce Grove RCMP investigation into the initial armed robbery/ car jacking is ongoing. The Stony Plain GIS Unit is investigating. If you have information about this investigation, please call the Stony Plain RCMP at 780-968-7200 or call your local police detachment. If you want to remain anonymous, you can contact Crime Stoppers by phone at 1-800-222-8477 (TIPS), by internet at www.tipsubmit.com, or by SMS.
Government says there is no need for every toxic chemical to have a pollution plan
'60s Scoop group educates survivors, pushes rejection of federal settlement
Trudeau announces two-way $1 billion investment deal with India


Sympathy Flowers - Condolence Flowers - The Bouqs Co.
Express sympathy in a genuine manner with thoughtful funeral flower arrangements. A kind, tasteful gesture to let them know you care.
This bouquet is arranged with pink & white tulip flowers.
Designed just for you, with same day delivery to select areas.
Experiencing loss is never an easy time for anyone, especially when things hit close to home. If your loved one is in need of some comfort during these difficult times, sometimes the best way to express your condolences is to send along a batch of sympathy flowers. It isn't always easy to say the right things but our floral arrangements can lend a hand in letting the recipient know that you are keeping them in your thoughts.
The Bouqs Co. also offers funeral flowers to help loved ones honor those who have passed. We want to make sure we can provide a bit of condolence for anyone who's mourning. Pass along a thoughtful message with a floral gift that is just as meaningful.


text:
Breathing is not a luxury, it is essential.
tags: air, asthma, breath, breathe, cineole, COPD, eucalyptol, respiratory, terpene
Each Breath is important. Breathe Easier.
Breathing, everybody does it, although some people can breathe easier than others.
As an anesthesiologist I am extremely aware of breathing and the conditions and diseases like COPD and Asthma, that limit a persons ability to breathe comfortably and effectively.
The eucalyptus oil is a GRAS oil and is rich in eucalyptol also known as 1,8 cineole. This eucalyptol has been shown to improve the management of respiratory mucus, dilate tracheal smooth muscle, help asthmatics use less potent medication like steroids and decrease anxiety.
Breathe easier and share the experience.
J Asthma. 2012 Oct;49(8):849-53.
Patients with asthma benefit from concomitant therapy with cineole: a placebo-controlled, double-blind trial.
Worth H1, Dethlefsen U.
1Hospital Fürth, University Erlangen-Nürnberg, Fürth, Germany.
Cineole is the main constituent of eucalyptus oil, and it is mainly used as a mucolytic agent in inflammatory airway diseases. With its known mucolytic, bronchodilating, and anti-inflammatory effects, cineole reduces the exacerbation rate in patients suffering from chronic obstructive pulmonary disease. Based on these pharmacodynamic effects, we arrived at the hypothesis that asthma patients would benefit from concomitant therapy with cineole.As part of a double-blind, placebo-controlled, multicenter study, 247 patients with confirmed asthma were randomly selected according to the guidelines for this study. All patients were administered 200 mg of cineole, or a placebo, three times per day as a concomitant therapy over a period of 6 months. The combined primary outcome measures, which were implemented as a multiple criteria testing process, were improvement of lung function, asthma symptoms, and quality of life.Following the completion of the 6-month treatment period, it was noted that the patient group treated with cineole showed significantly more improvements to the multiple testing criteria than the patients in the placebo group (p = .0027). The statistical significance of the individual outcome measures could also be proven in accordance with the Wei-Lachin procedure (i.e., for Forced expiratory Volume 1 Second, p = .0398; for asthma symptoms, p = .0325; and for Asthma Quality of Life Questionnaire (AQLQ), p = .0475).Concomitant therapy using cineole can lead to notable improvement in lung function and health condition as well as to reduce dyspnea in asthma patients.
Respir Med. 2003 Mar;97(3):250-6.
Anti-inflammatory activity of 1.8-cineol (eucalyptol) in bronchial asthma: a double-blind placebo-controlled trial.
Juergens UR1, Dethlefsen U, Steinkamp G, Gillissen A, Repges R, Vetter H.
Airway hypersecretion is mediated by increased release of inflammatory mediators and can be improved by inhibition of mediator production. We have recently reported that 1.8-cineol (eucalyptol) which is known as the major monoterpene of eucalyptus oil suppressed arachidonic acid metabolism and cytokine production in human monocytes. Therefore, the aim of this study was to evaluate the anti-inflammatory efficacy of 1.8-cineol by determining its prednisolone equivalent potency in patients with severe asthma. Thirty-two patients with steroid-dependent bronchial asthma were enrolled in a double-blind, placebo-controlled trial. After determining the effective oral steroid dosage during a 2 month run-in phase, subjects were randomly allocated to receive either 200 mg 1.8-cineol t. i.d. or placebo in small gut soluble capsules for 12 weeks. Oral glucocorticosteroids were reduced by 2.5 mg increments every 3 weeks. The primary end point of this investigation was to establish the oral glucocorticosteroid-sparing capacity of 1.8-cineol in severe asthma. Reductions in daily prednisolone dosage of 36% with active treatment (range 2.5-10 mg, mean: 3.75 mg) vs. a decrease of only 7% (2.5-5 mg, mean: 0.91 mg) in the placebo group (P = 0.006) were tolerated. Twelve of 16 cineol vs. four out of 16 placebo patients achieved a reduction of oral steroids (P = 0.012). Long-term systemic therapy with 1.8-cineol has asignificant steroid-saving effect in steroid-depending asthma. This is the first evidence suggesting an anti-inflammatory activity of the monoterpene 1.8-cineol in asthma and a new rational for its use as mucolytic agent in upper and lower airway diseases.
Evid Based Complement Alternat Med. 2014;2014:820126.
The effect of 1,8-cineole inhalation on preoperative anxiety: a randomized clinical trial.
Kim KY1, Seo HJ1, Min SS2, Park M3, Seol GH1.
Department of Premedicine, School of Medicine, Eulji University, Daejeon 301-746, Republic of Korea
The aim of this study was to investigate the effect of inhalation of eucalyptus oil and its constituents on anxiety in patients before selective nerve root block (SNRB). This study was a randomized controlled trial carried out in 62 patients before SNRB. The patients were randomized to inhale limonene, 1,8-cineole, or eucalyptus oil, each at concentrations of 1% vol/vol in almond oil or almond oil (control). Anxiety-visual analog scale (A-VAS), state-trait anxiety inventory (STAI), profile of mood states (POMS), pain-visual analog scale (P-VAS), blood pressure, and pulse rate were measured before and after inhalation prior to SNRB. Measures of anxiety, including A-VAS (P < 0.001), STAI (P = 0.005), and POMS (P < 0.001), were significantly lower in 1,8-cineole than in the control group and significantly greater in 1,8-cineole than in the eucalyptus group in A-VAS. P-VAS was significantly lower after than before inhalation of limonene, 1,8-cineole, and eucalyptus, despite having no significant difference in the four groups compared with control group. 1,8-Cineole, a major constituent of eucalyptus, was effective in decreasing anxiety before SNRB. The present findings suggest that inhalation of 1,8-cineole may be used to relieve anxiety before, during, and after various operations, in addition to SNRB.
Drug Res (Stuttg). 2014 May 15.
Anti-inflammatory Properties of the Monoterpene 1.8-cineole: Current Evidence for Co-medication in Inflammatory Airway Diseases. Juergens UR.
Department of Pneumology, Allergology, Sleep Medicine Medical Clinic II, Bonn University Hospital Bonn, Germany.
1,8-cineole is a natural monoterpene, also known as eucalyptol. It is a major compound of many plant essential oils, mainly extracted from Eucalyptus globulus oil. As an isolated compound, 1,8-cineole is known for its mucolytic and spasmolytic action on the respiratory tract, with proven clinical efficacy. 1,8-cineole has also shown therapeutic benefits in inflammatory airway diseases, such as asthma and chronic obstructive pulmonary disease (COPD). This clinical evidence refers to its anti-inflammatory and anti-oxidant mode of action, which has been proven in numerous pre-clinical studies. In vitro studies found strong evidence that 1,8-cineole controls inflammatory processes and mediator production of infection- or inflammation-induced mucus hypersecretion by its action as anti-inflammatory modifier rather than a simple mucolytic agent. The aim of this review is to present these preclinical studies performed with the pure monoterpene, and to summarize the current knowledge on the mode of action of 1,8-cineole. The actual understanding of the pure 1,8-cineole compared to mixtures of natural volatile oils containing 1,8-cineole as a major compound and to mixtures of natural terpenes, known as essential oils, will be discussed. Based on the anti-oxidative and anti-inflammatory properties, recent clinical trials with 1,8-cineole have shown first evidence for the beneficial use of 1,8-cineole as long-term therapy in the prevention of COPD-exacerbations and to improve asthma control.
James Geiger MD
from → Anxiety, Aromatic Medicine
← Your choice of essential oils blend and
How is our breathing? Having trouble cat →


text:
package org.eclipse.leshan.server.client;

import java.net.Inet4Address;
import java.net.InetSocketAddress;
import java.net.UnknownHostException;

import org.eclipse.leshan.LinkObject;
import org.junit.Assert;
import org.junit.Test;

public class ClientSortObjectTest {

    @Test
    public void sort_link_object_on_get() throws UnknownHostException {
        LinkObject[] objs = new LinkObject[3];
        objs[0] = new LinkObject("/0/1024/2");
        objs[1] = new LinkObject("/0/2");
        objs[2] = null;

        Client.Builder builder = new Client.Builder("registrationId", "endpoint", Inet4Address.getByName("127.0.0.1"),
                1, new InetSocketAddress(212)).objectLinks(objs);

        Client c = builder.build();

        LinkObject[] res = c.getSortedObjectLinks();
        Assert.assertEquals(3, res.length);
        Assert.assertNull(res[0]);
        Assert.assertEquals("/0/2", res[1].getUrl());
        Assert.assertEquals("/0/1024/2", res[2].getUrl());
    }
}

redpajama_set_name: RedPajamaGithub


Learn how to make the home buying process easier.
Are you thinking about purchasing a home? We've partnered with industry experts to bring you up to speed on how today's home buying process works, and how industry experts will make the process easy for you.
How does a realtor work for you?
How can a mortgage broker make your life easier?
What does a lawyer do for you?
What do these industry professionals cost?


Avira Free Antivirus 2019 Free Download for windows. Review - The cost-free antivirus category is a crowded one with well-entrenched products, yet Avira distinguishes itself with a low- method, a tidy as well as small interface, and also a wide variety of optional settings.
A professional-grade user interface: Free programs and utilities often look kludgy as well as dated and have complicated or puzzling navigating. Avira, however, feels like software that you would ordinarily spend for. It practically resembles something built right into the os, as well as you can navigate making use of either the left-hand pane or the drop-down menus along the top.
Bunches of optional arrangement: Avira works simply fine out of the box, with the ability of running system scans without reducing other activities, like loading pages or modifying a file. However if you desire, you could alter settings like the number of days prior to Avira warns you that its meaning report (essentially, a publication of virus mug shots) runs out date. You could additionally specify exactly what types of pressed documents you want to be scanned or dismissed, neglect specific documents or processes, target certain report expansions, and also search for root kits before scanning. It's uncommon to find this lots of options in a totally free antivirus application-- as well as you need to have administrator privileges to transform anything, so second accounts can't log in as well as damage it.
No hard sell: Unlike lots of complimentary anti-viruses applications, Avira Anti-virus Free is primarily material to run in the background and also quietly do its thing. You'll obtain the periodic pop-up window, but it's not distracting.
SafeSearch And also has problems: Avira offers the SafeSearch Plus web browser add-on throughout installment. It places a switch in your web browser that you click to go into an Internet search, and also the results are disinfected by Avira to minimize the opportunity of you being resulted in a malicious page. It looks very much like Google or even plugs into Google Maps, however the add-on will turn up a home window prompting you to transform exactly how your New Tab web page functions-- each and every time you open up a brand-new tab. It also doesn't appear to operate in Firefox-- the adjustment never ever takes effect, as well as you merely maintain getting the appear each time you open up a brand-new tab. It functions penalty in Chrome, yet in this web browser it also redirects you to its very own search engine as opposed to Google when you utilize Chrome's address bar to look for things, which is a bit additional compared to we want to go. The good news is, you can miss mounting SafeSearch And also.
Not as good as a premium anti-virus application: Baseding on security software tests from AV-Test, one point never ever changes: you obtain what you pay for. Avira Anti-virus Free could be the well-rounded finest antivirus application that you do not have to pay for, in regards to rate, quality of scanning, and also use, yet paid programs from Kaspersky, Bitdefender, and also McAfee constantly edge it out. You can get several of these for pretty low-cost if you search. As well as there can be fringe benefits also to paid software application-- as an example, your variation of Norton is consistently the current one as long as you have a subscription, and McAfee collections can now be made use of on an unrestricted number of gadgets.
If you're limited on cash, Avira Free is an engaging choice, as long as you skip SafeSearch Plus throughout installment. However a little additional insurance policy can go a long way, so we 'd prefer to stay with the big guns from the significant suppliers.
0 Response to "Avira Free Antivirus 2019 Free Download for windows"


text:
package edu.upc.eetac.dsa.grouptalk.DAO;

/**
 * Created by marc on 5/10/15.
 */
public interface MensajeDAOQuery {
    public final static String UUID = "select REPLACE(UUID(),'-','')";
    public final static String CREATE_Mensaje = "insert into mensaje (idmensaje, idtema, userid, content) values (UNHEX(?), UNHEX(?), ?, ?)";
    public final static String GET_Mensaje_BY_ID = "select hex(s.idmensaje) as idmensaje, hex(s.idtema) as idtema, hex(s.userid) as userid, s.content, s.last_modified, s.creation_timestamp from mensaje s where s.idmensaje=unhex(?)";
    public final static String UPDATE_Mensaje = "update mensaje set subject=?, content=? where id=unhex(?) ";
    public final static String DELETE_Mensaje = "delete from mensaje where idmensaje=unhex(?)";
}


text:
ICANN Blogs
Read ICANN Blogs to stay informed of the latest policymaking activities, regional events, and more.
Evolution of WHOIS Protocol to RDAP - What You Need to Know
By Cyrus Namazi
Cyrus Namazi
The WHOIS protocol, or Port 43, has been the standard to access domain name registration data for more than 35 years. For most of ICANN's existence, the community has discussed issues related to registration data (or in ICANN-speak, Registration Data Directory Services, or RDDS) and over time identified limitations with the existing technology. These limitations include:
No standardized format.
Lack of support for internationalization.
Inability to authenticate users.
Lookup-only abilities and no search support.
Lack of standardized redirection or reference.
No standardized way of knowing what server to query.
Inability to authenticate the server or encrypt data between the server and client.
The Registration Data Access Protocol, known as RDAP, was created by the technical community in the Internet Engineering Task Force (IETF) as an eventual replacement for the WHOIS protocol. RDAP enables users to access current registration data and was designed to help address the limitations of the WHOIS protocol. As we shared in February 2019, the ICANN organization took another important step in a multi-phased approach to transition WHOIS services to RDAP by mandating that all generic top-level domain (gTLD) registries and ICANN-accredited registrars provide RDDS over RDAP in addition to WHOIS by 26 August 2019. We are now well underway with the first step of registrars and registry operators executing the technical implementation of RDAP.
The next step is to amend the current Registry Agreement (RA) and Registrar Accreditation Agreement (RAA) to incorporate contractual requirements comparable to the WHOIS services for RDAP, such as Service Level Agreements, or SLAs. We have initiated negotiations with the gTLD Registries Stakeholder Group and the Registrars Stakeholder Group to begin this process and to define a coordinated transition from the WHOIS protocol to RDAP. ICANN will continue to communicate progress on the amendments and the transition from WHOIS to RDAP, including the plans to raise global awareness of what's changing with the introduction of RDAP, in the coming months.
Port 43 WHOIS protocol users can learn more about RDAP at ICANN66 in Montréal, Canada. Remote participation is available for those who cannot attend in person. Additional resources and information about RDAP can be found at the RDAP webpage.
We look forward to taking these next steps and want to thank the members of the contracted parties community for their participation, support, and contributions during this transition.
ICANN Contracted Parties Set to Vote on RDAP Amendments
ICANN Launches New Tool to Verify Conformance with RDAP Requirements
Updated Lookup Tool for Domain Name Registration Data Now Available
ICANN Unveils New Community-Focused 'I Need Help' Pages
Chair's Blog: Previewing the January Board Workshop
The Year in Review for ICANN's MEA Team and a Look Ahead
Coming Soon: Operational Improvements to the RSEP Process
Next Steps with the RDAP Service for gTLD Registries and Registrars
See more blogs by author
ICANN News


Double Review of Death in Advertising & 30 Second Death | Books, Movies, Reviews. Oh my!
When Tobi Tobias decided to open her own ad agency, having to moonlight in a pet shop wasn't part of her vision . . . of course, neither was murder. Sometimes when opportunity knocks, the door you open leads to a closet. That's certainly the case for Tobi, whose weekends spent cleaning cages in her best friend's pet shop may soon be over. She's just landed her first big break—Zander Closet Company needs a catchy campaign slogan ASAP, and Tobi thinks she's got the right hook to knock 'em dead: "When we're done, even your skeletons will have a place." But when a real dead body topples out of a showcase closet, she's about to discover there is such a thing as bad publicity. To save her fledgling business and not get killed by the competition, Tobi takes on a new pet project: solving the murder. But with a stressed-out parrot as the only witness to the crime, Tobi will really have to wing it to put the cagey killer behind bars.
Though I have heard of this author I don't believe I have read any of her work but after this one it really makes me want to look up more. 🙂 All I can think is why haven't I read this author before!!
Tobi Tobias is not having a great time of it, she is trying to get her little advertising business going but with no clients it's kind of hard to pay the bills. She eats a lot of Coco Puffs and Chocolate and even works weekends at a pet store to buy a few things that she has.
Things are about to turn around for Tobi though when the Zander brothers walk into her advertising agency needing a slogan and fast. They have a company called Zander's Closet Company and are unhappy with the large firm they hired first. Tobi comes up with a zinger of a slogan 'When we are done even your skeletons with have a place', and it's like she is an overnight success until a murder takes place and the body is found in…you guessed it the closet. There is a thing as bad publicity when everyone now things your slogans are predictions to what could happen, so now she needs to find a killer to save her reputation.
Death in Advertising is so much fun! I enjoyed the mystery even though I kind of had it pegged, well at least he was one of my suspects though I kind of thought it would have been one of my others more…lol.
Tobi Tobias is a hoot and I loved her! She is just so much fun and I think I want to be her BFF. 🙂 She is down on her luck but she doesn't really let it get her to down because she has some great friends to help her out. She has known that she wanted to make ads since she was a kid she just needs that one break and boy did she get it…lol. I am hoping we see more of Andy Zander as he just sounds adorable and I love his new roommate. 🙂 Her friends are a blast, her grandpa is so funny, and I love Rudder the parrot!
If you like cozies then you really need to try this one!
Tobi's business has picked up since her success with the Zander Closet Company despite the murder investigation from the previous book.
The only thing not going so well is her relationship with Andy because his ex-girlfriend has come back into the picture and Tobi is not sure what to do. He wanted to marry her at one point but then she moved of to pursue her career and broke his heart. Every keeps telling her things will work out but she is not so sure and she is trying to not feel hurt herself.
Her friend Carter needs help and she thought she was doing him a favor by hiring his nemesis at the theater, Fiona, for her commercial but things don't go so well. So instead of helping him she puts him in the middle of a murder as person of interest in Fiona's death because he couldn't stand her and it was his hair dye that kills her. You wonder how hair dye can kill, well you will have to read and find out…lol.
Trying to figure out whodonit sort of takes her mind of of things with Andy but not a lot, then her Grandpa Stu shows up to help. I love Grandpa Stu! Tobi is freaking out about his involvement with her nemesis, Mrs. Rapple, her next door neighbor. Poor Tobi.
Fiona was a force all unto her own and I am surprised there wasn't a huge list of people who wanted to killer her but there was a few like everyone who worked on the commercial set. Fiona was so rude and down right mean! I can't even really feel sorry for her death, but I did feel sorry for poor Carter who was trying so hard to not think about how bad he would look in orange.
This series has a great cast of characters and a great mystery and I didn't figure it out until a little bit before Tobi. I totally thought it was someone else!
If you like cozies you will love this series!
Tags: book review cozy mystery first in series reviewed by Stormi so much fun!
It's great when the author can keep you guessing. They both sound like they hit all the buttons for you.
These both sound great! I love it when you can really enjoy the characters in this kind of book. Glad you enjoyed both of these!
I have both of these and I really need to make time to read them. Sounds wonderful.
This does sound like a cute series. I love that slogan, but of course it has to come back and bite them on the a$$.
Cozy mystery descriptions always make me smile and I should read more. I have added death in advertising to the list I want to try – purely for the skeleton in the closet idea.
2017 End of Year Book Survey | Books, Movies, Reviews. Oh my!


Failed to connect to Stripe's API. This usually means you have an issue with TLS 1.2 on your server.
Failed to properly authenticate in the request.
Invalid request errors arise when your request has invalid parameters.
Too many requests hit the API too quickly.
Oops! No payment was selected for the charge.
Your site is not using SSL. Before using Stripe to collect live payments, you will need to install an SSL certificate on your site.


text:
Q: Two parameter non-linear function for modeling a 3-D surface I'm interested in modeling this surface with a simple equation that takes in two parameters (x,y) values and produces a z value. Ideally an equation that has a simple form. I have tried Monkey Saddle, polynomial regression (3rd and 4th order) and also multi-linear and log-linear OLS with some success (R^2 0.99), but none that are perfect especially for the curvy part. It seems like there should be a simple model to predict this surface. Maybe a non-linear regression method. Any suggestions? Thanks!

Using Mikuszefski's suggestion seems to produce a reasonable result for the curvy bit:

A: While the OP is problematic in the sense that it is not really a programming question, here my try to fit the data with a function that has a reasonable small amount of parameters, i.e. 6. The code somehow shows my line of thinking in retrieving this solution. It fits the data very well, but probably has no physical meaning whatsoever.
import matplotlib.pyplot as plt

from mpl_toolkits import mplot3d

import numpy as np
np.set_printoptions( precision=3 )
from scipy.optimize import curve_fit
from scipy.optimize import least_squares

data0 = np.loadtxt( "XYZ.csv", delimiter=",")
data = data0.reshape(11,16,4)
tdata = np.transpose(data, axes=(1,0,2))

### first guess for the shape of the data when plotted against x
def my_p( x, a, p):
    return a * x**p

### turns out that the fit parameters theselve follow the above law
### themselve but with an offset and plotted against z, of course
def my_p2( x, a, p, x0):
    return a * (x - x0)**p

def my_full( x, y, asc, aexp, ash, psc, pexp, psh):
    a = my_p2( y, asc, aexp, ash )
    p = my_p2( y, psc, pexp, psh )
    z = my_p( x, a, p)
    return z

### base lists for plotting
xl = np.linspace( 0, 30, 150 )
yl = np.linspace( 5, 200, 200 )

### setting the plots
fig = plt.figure( figsize=( 16, 12) )
ax = fig.add_subplot( 2, 3, 1 )
bx = fig.add_subplot( 2, 3, 2 )
cx = fig.add_subplot( 2, 3, 3 )
dx = fig.add_subplot( 2, 3, 4 )
ex = fig.add_subplot( 2, 3, 5 )
fx = fig.add_subplot( 2, 3, 6, projection='3d' )

### fitting the data linewise for different z as function of x
### keeping track of the fit parameters
adata = list()
pdata = list()
for subdata in data:
    xdata = subdata[::,1]
    zdata = subdata[::,3 ]
    sol,_ = curve_fit( my_p, xdata, zdata )
    print( sol, subdata[0,2] ) ### fit parameters for different z
    adata.append( [subdata[0,2] , sol[0] ] )
    pdata.append( [subdata[0,2] , sol[1] ] )
    ### plotting the z-cuts
    ax.plot( xdata , zdata , ls='', marker='o')
    ax.plot( xl, my_p( xl, *sol ) )

adata = np.array( adata )
pdata = np.array( pdata )

ax.scatter( [0],[0] )
ax.grid()

### fitting the the fitparameters as function of z
sola, _ = curve_fit( my_p2, adata[::,0], adata[::,1], p0= ( 1, -0.05,0 ) )
print( sola )
bx.plot( *(adata.transpose() ) )
bx.plot( yl, my_p2( yl,  *sola))

solp, _ = curve_fit( my_p2, pdata[::,0], pdata[::,1], p0= ( 1, -0.05,0 ) )
print( solp )
cx.plot( *(pdata.transpose() ) )
cx.plot( yl, my_p2( yl,  *solp))

### plotting the cuts applying the resuts from the "fit of fits"
for subdata in data:
    xdata = subdata[ ::, 1 ]
    y0 = subdata[ 0, 2 ]
    zdata = subdata[ ::, 3 ]
    dx.plot( xdata , zdata , ls='', marker='o' )
    dx.plot(
        xl,
        my_full(
            xl, y0, 2.12478827, -0.187, -20.84, 0.928, -0.0468, 0.678
        )
    )

### now fitting the entire data with the overall 6 parameter function
def residuals( params, alldata ):
    asc, aexp, ash, psc, pexp, psh = params
    diff = list()
    for data in alldata:
        x = data[1]
        y = data[2]
        z = data[3]
        zth = my_full( x, y, asc, aexp, ash, psc, pexp, psh)
        diff.append( z - zth )
    return diff

## and fitting using the hand-made residual function and least_squares
resultfinal = least_squares(
    residuals,
    x0 =( 2.12478827, -0.187, -20.84, 0.928, -0.0468, 0.678 ),
    args = ( data0, ) )

### least_squares does not provide errors but the approximated jacobian
### so we follow:
### https://stackoverflow.com/q/61459040/803359
### https://stackoverflow.com/q/14854339/803359
print( resultfinal.x)
resi = resultfinal.fun
JMX = resultfinal.jac
HMX = np.dot( JMX.transpose(),JMX )
cov_red = np.linalg.inv( HMX )
s_sq = np.sum( resi**2 ) /( len(data0) - 6 )
cov = cov_red * s_sq

print( cov )

### plotting the cuts with the overall fit
for subdata in data:
    xdata = subdata[::,1]
    y0 = subdata[0,2]
    zdata = subdata[::,3 ]
    ex.plot( xdata , zdata , ls='', marker='o')
    ex.plot( xl, my_full( xl, y0, *resultfinal.x ) )

### and in 3d, which is actually not very helpful partially due to the
### fact that matplotlib has limited 3d capabilities.
XX, YY = np.meshgrid( xl, yl )
ZZ = my_full( XX, YY, *resultfinal.x )
fx.scatter(
    data0[::,1], data0[::,2], data0[::,3],
    color="#ff0000", alpha=1 )
fx.plot_wireframe( XX, YY, ZZ , cmap='inferno')

plt.show()

Providing
[1.154 0.866] 5.0
[1.126 0.837] 10.0
[1.076 0.802] 20.0
[1.013 0.794] 30.0
[0.975 0.789] 40.0
[0.961 0.771] 50.0
[0.919 0.754] 75.0
[0.86  0.748] 100.0
[0.845 0.738] 125.0
[0.816 0.735] 150.0
[0.774 0.726] 200.0

[  2.125  -0.186 -20.841]
[ 0.928 -0.047  0.678]

[  1.874  -0.162 -13.83    0.949  -0.052  -1.228]

[[ 6.851e-03 -7.413e-04 -1.737e-01 -6.914e-04  1.638e-04  5.367e-02]
 [-7.413e-04  8.293e-05  1.729e-02  8.103e-05 -2.019e-05 -5.816e-03]
 [-1.737e-01  1.729e-02  5.961e+00  1.140e-02 -2.272e-03 -1.423e+00]
 [-6.914e-04  8.103e-05  1.140e-02  1.050e-04 -2.672e-05 -6.100e-03]
 [ 1.638e-04 -2.019e-05 -2.272e-03 -2.672e-05  7.164e-06  1.455e-03]
 [ 5.367e-02 -5.816e-03 -1.423e+00 -6.100e-03  1.455e-03  5.090e-01]]

and

The fit looks good and the covariance matrix seems also ok.
The final function, hence, is:
z = 1.874 / ( y + 13.83 )**0.162 * x**(  0.949 / ( y + 1.228 )**0.052 )

redpajama_set_name: RedPajamaStackExchange


See us first for our selection of used winter and all-season tires!
Do you have a service question?
Please message our inbox during regular business hours and we will gladly assist you with any question that you need answered.


Your belief changes reality. Part 2.
Ellya Keys of the Kingdom School Field Trip!
Putimon on Pokehell: No Go!
Hal Lindsey has a Good Report! And Basham Report Heading to New Horizons. . .
Sunday Go To Meeting Bun and Wake Up Call!
THE REST OF THE DEAD! – MO Letter!
Remember Strange Trumpeting Sounds from the Sky? Still Happening! SOUNDS LIKE GODZILLA!


text:
Q: What does "trait" mean? Looking at some French papers, it seems that the word "trait" is often used to refer to the spectrum of a discrete valuation ring $A$.
Does anyone know what the translation of this should be? Is it supposed to be a word conveying some geometric intuition for $\text{Spec}(A)$?

A: This means a little segment of line: not a point, but the smallest thing after a point.
This also means "feature", which could be another reason to use this for a spectrum.
See https://en.wiktionary.org/wiki/trait for the etymology.

A: It's supposed to be analogous to an open unit disk:
$$D = \{|z| < 1\}$$
See:
http://176.58.104.245/NOTES/Dobbiaco-2014-06/Illusie-Dobbiaco.pdf (Page 6)
https://perso.math.univ-toulouse.fr/btoen/files/2015/02/Oxford-clay-2017.pdf (Page 11)


text:
Viner vs Nicola: On TV!
Amy Goodman's must-see TV for Progressives, "Democracy Now," has gotten the "get"--Nicola on TV! He appears along with Managing Director Lynn Moffat. And, via satellite, Corrie co-author Katherine Viner. A regular theatre "crossfire."
Watch or listen here. Now. (March 22 show. Segment starts at "11:45" into the program. It's about 40 minutes long. Followed by 10 minutes with Rachel's parents.)
I'll try to post responses to it later. Meanwhile comment below on your reaction. From what I've watched so far, though...nothing has changed in NYTW's position. They do try to play nice with Viner (and by extension the Court). A bit weird. One highlight, though, is when Goodman reads the Pinter letter from today's NYT. Then watch Moffat try to spin it in NYTW's favor! Moffat still insists "We still want to do the play." Then Viner responds. That's when it gets interesting...
-Viner asks the NYTW folks point blank: "Who did you 'consult'?"
-Goodman cites The Nation article and asks them directly about the Ruder Finn PR firm.
-Goodman gets Nicola to respond (sort of) to Kushner's objections.
-Goodman asks "Do you have a date set?"
The questions, alas, are more interesting than the answers.
Also newsworthy: Moffat reveals "another theatre artist" had "his" show moved to next season to make room for Rachel Corrie. She says this actually in NYTW's defense, oddly. She also claims "50%" of all NYTW shows don't happen as scheduled.
And Jim Nicola admits to being "naive" in telling the press the reasons were Hamas, etc. Their line now is "theatrical logistics."
Also, Nicola tells us a little more about his "Jewish friend." But not who it is.
Ultimately the most insulting aspect of their defense is how stupid they make their audience sound. That without all the brilliant "contextualization"--which apparently only NYTW can do!--we'd all be totally clueless about the Middle East.
It's hard to believe we're four weeks into this. NYTW's positions have not changed one bit.
Oh, and by the way--they're "not sorry."
I applaud Nicola for going on camera, on this show. Not friendly territory, since Goodman is one of the featured guests at the Rachel's Words event tonight. Too bad he didn't take the opportunity to actually rethink his story. I also applaud Goodman for devoting air time to this! Aside from a brief account on New York 1's "On Stage" last week, and a brief local NPR spot on the Rachel's Words protests, nothing.
With The Nation and Amy Goodman on board, political progressives across the US are now aware and involved. What will it take to finally get New York theatre artists to take a stand?
PG,
You might check and see when Democracy Now airs in NYC today, either on TV or Radio. For instance, here in Alaska it airs on TV at 6:00 a.m., and on AM radio at 6:00 p.m. Does WBAI carry it, for instance?
Wednesday, March 22, 2006 11:31:00 AM
This is very sad. How can Nicola refuse to examine his words and actions this way? Could it have to do with the fact that he does not feel pressure from New York's theatre community to do so? It must!
My observations:
Goodman asked some fair questions to Nicola, Moffat, Viner and the Corries. Viner and the Corries were quite open in their answers. Moffet and Nicola were about as evasive as they could have been. Sort of a limited modified hangout, trying to appear as best they could to be victims of something beyond their control.
The comparison of the open honesty of Cindy Corrie to the deviousness of Nicola, made me more than ever hope NYTW isn't allowed to get within a dozen Manhattan blocks of this play.
Note there was nobody from RCT.
Their words speak for themselves:
Lynn Moffat:
"I'm not sorry. We did the responsible thing. We did the responsible thing for the play."
"That is the purpose of the methodology that New York Theatre Workshop employs when it produces a play."
"The purpse of the workshop in producing a work of art is fostering community dialogue."
"We actually were talking about bringing in scholars, various voices from the communities, and having very structured discussions that would not, that would help people understand the complexities of the situation."
"Rachel's voice is very clear, there's no question about that, but it sits in a larger world... that larger world is the Palestinian-Israeli conflict."
Whom did you consult? "It was a lot of different people that were colleagues and colleagues of colleagues."
"We use a lot of consultants... legal, accounting, advertising, marketing, press, PR... there's a lot... in the case of Ruder-Finn, we have been working with them for over ten years... essentially we are working on a long-term strategic plan for the workshop, and that's what we're talking with them about."
"We needed to ask for a postponement... we needed more time for different reasons. I was also very concerned as the managing director about the business deal..."
"I think we weren't cognizant of how Rachel was being viewed on all sides of the spectrum, and that something that we were learning as went through this process..."
"I thought the Mother Jones article was particularly intriguing... it was really fascinating."
"Tony is a brilliant man and he speaks, he hasn't simply condemned the decision, we've had several conversations with Tony..."
Jim Nicola:
On why Nicola never called Katherine Viner: "I would have loved to have been consulting with Katherine."
On voices critical of Rachel Corrie: "We had to have very strong plans to neutralize that, or make it go away... we were discussing the idea of after every performance having, giving the audience an opportunity to discuss what they had just experienced."
Was the Mayor's office heard from? "Not that I'm aware of."
"It was.. I regret that I was naive in talking to the press at that point... it was a part of something, it was a much bigger picture, and that was sort of pulled out... I have to take some responsibility for being imprecise... I was concerned about how do we keep focused on what we all agree was the center, this idealistic, inspiring example."
"My friend... had real problems with it... it hurt me that there would be a question of it. He said to me, 'Did you know she was a member of Hamas?'... I said, 'No.'... And in that moment I realized there's a lot -- because in my position -- I have to try and prevent that from taking hold, I have to be able to answer that question... and then when we went onto the internet, there was much more..."
"It was the beginning of the dawning of the scale of this task... I had a lot of learning to do, we had a lot of plotting and planning and strategizing to do to make this happen."
"Frankly... the people that were sitting around the table in this coversation were of a similar mind."
"I'm glad that Tony Kushner has taken that stand because I think it starts to provoke an important dialogue in our community about how we talk about... difficult ideas. I hope that is leading to that conversation."
"At some point everyone has to make a personal decision about when they're gonna fight a battle."
"The problem with this is that we have artists of high high quality with huge busy lives and finding times when the theatre is free and when they're free..."
Nicola is now on the record about wanting a dialogue about this. He has been invited by Christopher Shinn to hold a forum at New York Theatre Workshop. There are also other invitations out there. It needs to be asked why he has not accepted any invitations to be at a public forum where these issues could be debated.
As a half-Jew who is sometimes irritated with the Jewish half, but more often appalled by her Irish half, I will probably be unceremoniously deleted from the Playgoer blog when I admit that I had heard of Rachel Corrie before I knew who Alan Rickman was. (I only found out who he was after I saw the third Harry Potter movie.) Yes, my brain is little more than a trash heap.
As an aside, it was thoroughly unnerving to read that one of the sources for the NYTW "investigation" was the Web, where searching for "Rachel Corrie" will bring up mounds of commentary written by people who think that NewsMax is a reputable source of information. (NewsMax became an entertainment for me when they issued playing cards akin to those issued by the US forces in Iraq. One of them was given over to George Clooney. Right up there with Osama bin Laden and Kim Jong Il...)
I think that the intent of the NYT piece last week was to close the issue. I've found that Democracy Now can sometimes bring an issue to the attention of the majors if it hasn't been covered elsewhere, but it can't revive an issue that the NYT has abandoned.
Stunning, sad and truly depressing.
There's a lot of backpedaling and calculated distortion in the footage. But I'm afraid that's the least of it.
Moffat sounds, through the entire interview, like a public high school vice principal who has reluctantly pulled a bunch of nude sketches from the upcoming school art show because several parents have objected. She feels sort of bad about it but, y'know, what can you do?
It's easy to forget, watching the video, that the institution being discussed isn't a public high school--it's an independent downtown non-profit theatre whose core mission is to produce provocative art!
Disturbingly, Nicola and Moffat seem really to believe in the importance of "contextualization": At a minimum, in service of their campaign of denial and obfuscation (and it's now been going on long enough to call it a "campaign") they've convinced themselves that contextualization is an essential part of their mission.
It seems to me that's where the argument needs to go: To what extent can audiences be trusted to assimilate and interpret art for themselves and to what extent do theatres need to spoon-feed "safe" interpretations to them?
Personally, I find Nicola and Moffat's answer to that question bizarre and infantilizing. It might even be the most disturbing part of the entire controversy: I find it difficult to believe that anyone who truly *lives* for art--and who truly believes in art's power--would come down where they come down. As far as I'm concerned, the vision of theatre they are putting forward needs to be resisted, and resisted strenuously.
In any event, they've clearly dug in their heels here--they seem to be betting the future of the theatre (or at least their jobs) on their current PR strategy.
Unscientific, to be sure, but less than 2 in 10 playbill.com readers agree with NYTW's decision: http://www.playbill.com/interactive/polls/
Interesting because people who go to playbill.com are hardly leftist radicals.
Is art really such a feeble, fragile thing that it needs the Nicolas and Moffats of the world to protect it from the nasty, nasty public square? Is that the central mission of nonprofit theater? To prevent art from getting bloodied up in the marketplace of ideas?
It all really comes back to the quote that Rachel resurrected in comments a couple days ago:
"People think that their voices are heard free and unfettered, of course, we like to create that atmosphere but that's a perception. Do they think that happens without someone working at it carefully?"--James Nicola, Time Out NY
For that statement to be made by the artistic director of a nonprofit theater, in the context of a decision to cancel a play, is breathtaking. It betrays a sickening mixture of arrogance and cowardice that has to be more than just condemned. It needs to be held up as an example of bad behavior.
Theater (even serious CHILDRENS theater) exists to challenge, to provoke, to stimulate questions. That's the whole point. Anyone not comfortable with that basic function should get out of the business. Or go into dinner theater.
Of course, let's be honest: At bottom, Nicola's entire argument is borderline facetious, which is why it has shifted so frequently. All his various justifications are in the end attempts to distract from the important truth that NYTW saw a political firestorm brewing and didn't have the guts to ride it out.
That's the bottom line.
A theater that won't stand up for its convictions doesn't deserve the support of artists. And a theater that would rather change its convictions than admit error doesn't deserve the support of patrons or subscribers.
PG pointed out "Jim Nicola admits to being "naive" in telling the press the reasons were Hamas, etc...........
"Also, Nicola tells us a little more about his "Jewish friend." But not who it is."
First, I don't think we need to know who this friend is. He could be one of my Jewish relatives, some of whom think just like the guy Nicola described. Others would fly to NYC to see the play.
Nicola also mentioned how much he began to realize how little he knew about the Palestine-Israel conflict. I've found this to be the case with people I've dealt with over the past three years in the realm of performance art about Rachel Corrie. Typically, arts reporters know next to nothing about this conflict, and political reporters know very little about the conflict that hasn't been filtered through 39 years of heavy bias - since the '67 war.
Viner and Rickman admit to having learned an immense amount since they began the project. Both have written and spoken about that experience, describing it as a fairly vertical learning curve. Nicola and Moffat seem out of their depth and, in terms of growing from this experience, not willing to put forth much effort.
I didn't see in Moffat and Nicola's non-responses to Goodman and Viner's queries the "sense of fear" alluded to in Weiss's "Nation" article. What I saw was something more like deer hypnotised by headlights.
Ive been following this story, thanks for reporting on it.
Its clear that Nicola is deliberately protecting shady figuers who are the real censors, and that he is destroying his reputation by not being more forthcoming as to why he was so 'terrified'(Democracynow interview) or by whom. But why is he doing this?
Is this sort of behavior typical with american theatre directors?
Thursday, March 23, 2006 1:02:00 AM
culturebot has thrown this out there:
"I also heard –and this is like fifth or sixth hand – that during the NYTW research period they talked to NYPD and Homeland Security who said that in order to move forward they had to have a crisis plan in place and that civil authorities couldn't gear up that quickly. At first hearing that sounds a little kooky. But at the same time it is credible that NYC authorities would be overly cautious about potentially inflammatory incidents."
Love that 5th & 6th hand stuff. I have no idea how credible culturebot is, but they've framed this argument in a way which intrigues me. It is posted at:
http://www.culturebot.org/archives/2006/03/21/JumpIntoTheFire.php
Philip, I really wish you would think twice next time before inserting totally unfounded accusations and rumors into this discussion. If you have evidence, by all means bring it forward. But if not, these kinds of allegations are simply a distraction from the issues at stake.
Thursday, March 23, 2006 10:10:00 AM
It appears that the Royal Court has saved NYTW from having to reject MNiRC again, since Viner has said that the trust between the theaters has been irreparably broken.
Were that not enough in itself, Lynn Moffat's comment, "...and I came to my conclusion that we needed to ask for a postponement. We needed more time for different reasons...I was also very concerned, as the managing director, about the business deal. It hadn't been completed..."
Alan Rickman was, according to Vanessa Regrave, underwriting the whole thing. What did NYTW think he was going to do, stiff them? Were I Rickman/Viner, that would be the final straw!
Thursday, March 23, 2006 12:49:00 PM
If the trust between the two theatres has irreparably broken, what does this mean for the NYTW's relationship with other playwrights? Like, say, Caryl Churchill? After all the last Churchill they put on (A Number, in 2004) was developed by the Royal Court in 2002...
Thursday, March 23, 2006 1:22:00 PM
dr. cashmere,
You should be writing to culturebot, not me. As I point out, I'm skeptical of their statement. I don't live anywhere near NYC, so have no idea as to how one might investigate those claims, and as I said, I'm unfamiliar with culturebot.
Garrett Eisler said...
I don't mind you posting the Culturebot stuff, Philip.... But I when I looked at the full post myself, I thought it was a really sloppy post. Given all the rigorous research and reporting going into this story on the web, would it have killed Culturebot to read some of it instead of relying on the limited Times coverage and passing on these 5th hand sources? He also could have linked to something other than NYT, ahem...
The culturebot bot was talking like an insider, and I figured people who regularly read this _excellent_ site might know something about the veracity of culturebot.


What Happens When I Drop the Mic?
Does it bounce? Does it fall flat? Does it shatter?
I stepped up to the mic because I had something to say. I really want to say it, but I'm nervous. I twirl the cord around my fingers, and I look into the audience for a familiar face. It's a tough crowd out there tonight, and I'm not sure what they're going to think about what I'm going to say. Should I be politically correct? Should I use carefully-crafted, non-inflammatory language that I know most would agree with? Should I be myself, as blunt as that may be? I'm naturally funny, but it can come off the wrong way sometimes. Do I let it fly, or do I keep it to myself?
When I try to say something important, will the mic get taken away from me? If I drop the mic before I'm done with it, will someone else pick it up and continue with what I hope I would have said? Will they take the mic and let their own stream of consciousness flow through? If I drop the mic now, will I miss my only opportunity to say what I believe is important for people to hear?
If I say what I want and then drop the mic, do I pick it back up to defend myself from the naysayers, the haters, and the well-intentioned? Do I fall back on my own belief system, or do I let their reactions dictate the next few things that I have to say? Will I say anything important at all, or am I hogging the mic from someone who will say something that will effect change?
The narrative that runs through my mind is a fast-paced one fueled by too many nights of reading about how Black lives should matter, why a rich country such as ours can have so many starving people, and how we can often turn a blind and ignorant eye to the sufferings of others who do not look exactly the way that we do. The narrative is punctuated by days that are longer than nights, days that are filled with deadlines and priorities that have nothing to do with the goodness of my soul. The narrative is not here to tell my story, but to tell the stories of everyone else that has not had the opportunity to say what they need to. There are many who missed the chance to let the world know who they are.
So what is my responsibility when I pick up the microphone? Do I selfishly tell my own story, or do I use my time to tell the stories of everyone else that wouldn't be able to otherwise. Do I share the spotlight with my fellow human beings, or do I get to only worry about myself. Is my priority to myself or is it to my people? My people are not just the ones who look like me, speak like me, live like me, or die like me. My responsibility at this microphone is to make sure that I don't waste this chance. Everything else is just another detail.