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As Egyptians try to recover from the massacre at a northern Sinai mosque that left 305 dead, the area's tribal leaders swore blood-feud revenge on Sunday against those behind the coordinated attack.
No one has claimed responsibility for Friday's bombing and assault, but Egyptian law enforcement officials believe the Islamic State-Sinai Province, a 6-year-old terror cell that swore allegiance to the Islamic State, was responsible.
"The massacre that was carried out against the residents of al-Rawdah village will turn into a burning fire that will eliminate (the Islamic State)," said Ibrahim Ergany, chief of the Union of Sinai Tribes, a group representing the three largest Bedouin clans in the territory.
In the days following Friday's assault — the deadliest militant attack in modern Egyptian history — the military carried out airstrikes against hideouts used by terrorists believed to be behind the attack, the military said Sunday in a statement. The airstrikes destroyed hideouts containing weapons, ammunition and explosive material, and law enforcement personnel followed up by combing through the bombed-out areas.
Those strikes did little to heal the survivors of the attack, mostly Bedouin from the Sawarka tribe, a group that spiritually identifies with the mystical Sufi order of Muslim. The Islamic State views Sufis as heretics.
Witnesses said more than two dozen assailants descended on the mosque in five all-terrain vehicles. Gunmen detonated a bomb at the end of prayers and then opened fire as people tried to flee. The gunmen also fired on ambulances and set cars on fire to block roads, witnesses said.
Since President Mohammed Morsi was deposed by a military coup in 2013, terrorists in Egypt had mostly targeted security forces and Coptic Christians. Friday's mosque attack signaled that the country's armed Islamists are changing tactics and selecting Muslims with different beliefs and rituals as their new targets.
Eyewitnesses said the assailants arrived carrying the black flag of the Islamic State, also known as ISIS — a sign that the Islamic State-Sinai Province was behind the attack.
On Sunday, most people were focused on caring for the 125 worshipers who were wounded and burying those who died. Islamic tradition dictates that the dead are buried within 24 hours, creating a busy scene throughout the desert city.
Al Sawarki said his cousin, Mansour, was one of those killed, leaving behind his family with nobody to care for the women and children. "There is no one left in the house now, other than his wife and two handicapped sisters," al Sawarki said.
Egyptian President Abdel Fattah al-Sisi has vowed to respond to the terrorism with "brute force" and ordered the establishment of a monument to honor the victims of the mosque attack. Sisi also instructed his government to pay $11,000 to each victim's family.
But the Bedouins of the Sinai say nothing will satisfy them short of direct retribution.
"We will not be consoled until each murderer in the Sinai is eliminated, and no mercy will be shown," said the statement issued by Ibrahim Ergany's Union of Sinai Tribes.


During this semester, you will become very familiar with ordinary differential equations, as the use of Newton's second law to analyze problems almost always produces second time derivatives of position vectors. We spend a great deal of time studying simple problems in depth mostly because of their transparency - we can readily see and understand how a simple system evolves in time. By the same token, it is important to realize that very few differential equations that come from "real world" problems can be solved explicitly, and often it is necessary to resort to numerical integration for their solutions. Euler's method is the most basic integration technique that we use in this class, and as is often the case in numerical methods, the jump from this simple method to more complex methods is one of technical sophistication, not conception.
This tutorial is intended for those with minimal background in spreadsheet use, so if you have experience you may want to skim the spreadsheet intro parts and pay attention to the later detailed parts. Also, when you are done with this tutorial, please email the authors with your response (see the very bottom of this page).
So then, if we want to iterate one step forward in time, given the values of v(t1) and x(t1), we would simply substitute in the area of the rectangle for the real integral and get: v(t2)=v(t1)+a(t1)*(t2-t1) x(t2)=x(t1)+v(t1)*(t2-t1) Of course, this is really a shabby kind of approximation, as can be seen from the large triangle that we miss in the picture - but it has the one redeeming quality that as Dt goes to zero, the error incurred by using the rectangle approximation also goes to zero. So then, all we have to do is make Dt small enough and wait long enough for our computer to chug through all the calculations, and we will get a reasonable approximation to the real solution. Click here for a simple picture of this convergence. Of course, as you may have suspected by now, there are a few really pathological functions that people have concocted just for the sole purpose of testing when numerical integration fails, but we don't have to worry about those in this class. So, on we go . . .
Part of the first activity assignment involves solving, by Euler's method, the simple pendulum equation derived in class: q'' + (g/L)q = 0 (where the double prime denotes a double time derivative). Since this assignment must be completed using a spreadsheet program (preferable Microsoft Excel), the approach here will be to step by step go through the process of creating a spreadsheet, entering the data, and finally, interpreting the output.
Spreadsheets are fairly simple to use if you keep in mind that there are three main types of data structures that can be entered into any one cell. If you always remember to check what type of structure each cell contains, you will minimize your chances of frustration. The first type of data is text - ie: you type in a column heading that reminds you what is going to go in that column, or you put your name in a cell at the top of the page, etc. This type of data is very simple, because once it is entered, you probably won't be messing around with it again. The hardest part about entering text is selecting what size font you want. The second type of data is numeric data. Numeric data is also easy to enter, you just type it right into the box on the page. An example of numeric data would be a constant that you need later (like g, the acceleration due to gravity), or it might be some other parameters which are given and are specific to your problem. In any case, numeric data can only be changed when you erase what is in the cell, and type a new value. The final type of data structure is a formula. A formula is more complicated than the other two data structures, because it works in the background and produces numeric or text data which actually shows up in the cell. Formulas must be entered in a special way, so that the spreadsheet recognizes them. A formula might tell the computer to add the numeric data of the two cells above it and show the result in the appropriate cell. So, just looking at what is in a cell is not good enough to define the data type, because it is necessary to know whether the stuff in the cell is being produced by a formula or whether is there because you typed it there.
A quick note about formulas: the key concept about a spreadsheet that is important to keep in mind is the fact that you can copy formulas and paste them in other places, and they index themselves! Say that you have two columns of data that you need to add up separately. You would do this by making a formula in the cell right below the first column that told the spreadsheet to add up all the numbers in that column. Then, what would you do about adding up the numbers in the second column? You could type in the formula again, but there is an easier way - just copy the formula from the first column and then paste in the cell below the second column. What happens? The spreadsheet "knows" that you want to add up the second row and not the first, so it changes the index for you. This is the whole idea behind spreadsheets - paste functions across and down and the indexing will take care of itself. Of course, sometimes you may not want the index to change, like when you are referencing a constant - we'll cover that shortly.
Ok, so now that we have outlined what we want to accomplish with Euler's method, and how we are going to accomplish it via the spreadsheet, let's go through the steps: First, let's enter some text into the spreadsheet, to define the columns of information that we are going to tabulate. Fig 2 shows how to do this. Simply click your cursor over the cell you like, and you will see it become highlighted with a outlined box. Then, just type in at the keyboard what you want to appear in the cell. Also notice that what you type will appear in the cell which lies above the top row of sheet but below the toolbar. We'll come back to this special cell later. In this example, I have typed in the word "Time" to denote the column which will become the data of the cumulative time traversed by the differential equation.
Other text that we need can also be entered, as shown in Fig 3. I have made a separate column for the four different categories of data that we will need for each iteration: the current time (t), the current position (q), the current velocity (q'), and the current acceleration (q''). In addition, I have created a special section for the constants of the problem, namely, the time step (Dt) which we will be using, and the quantity g/L which we will need shortly.
Next, we proceed to enter the known initial conditions for time t=0. Since we want to model the swinging pendulum experiment that we did in Kunkle Lounge, we put the initial position to some value (this really is up to you to decide what to put here, but for this example you might want to work along with me and use the same numbers I do. You can always change them later - after all, they are just numeric data!) I choose the initial position as 0.5, the initial velocity as 0, the time step as 0.1, and g/L as 1. Putting in everything we know, we get the following picture (Fig 4). Notice that text data is justified to the left of the cell, and numeric data to the right of the cell. This is just a convention that helps to distinguish between the two.
Ok, now comes the hard part: formulas. Since we have exhausted all the known data of our problem, we now have to use other facets of our problem to fill in the blanks. What about the acceleration at t=0? Is there an equation that we have for that? Check back above in case you forgot.
Next, in order to denote that we are entering an equation, type an equals sign (=) into the special cell that lies above the top row and under the toolbar. (Note: you can also just click on the equals sign that is right there). Now, type in the equation - since we know that the acceleration is given by -(g/L)*q we tell the spreadsheet to multiply the value found in the G4 cell by the value found in the B4 cell. In addition to this, we need to make sure the spreadsheet understands that the quantity (g/L) will always be found in the G4 cell, so we denote this type of absolute reference by preceding each character by a "string" marker ($). Now, if we paste the function somewhere else, the reference to cell G5 won't change to G6, etc. but will always be the same. But, since the value of theta found in cell B4 is only good for the first time step, we don't want that reference to stay constant, so we don't include the $ markers for it. The final equation will look like Fig 6. Hit the return key to enter it in.
Now that we have entered this function, and it is working in the background, it produces a number. Check to see that this number is ok, it should appear as in Fig 7. If you ever forget whether -0.5 is numeric data or data produced by a function, just click on the cell and the function will appear in the special cell again.
Ok, now we have filled in completely the t=0 line, so it's time to move on, literally. We first need to define the next time interval. Do this by entering a formula for the time t=1. Add the value of Dt to the value of t in the cell directly above it. Don't just type in the number .001, but instead reference the cell where Dt is located, that way if you want to change Dt later on all you'll have to do is change one cell and all the rest will automatically update themselves. Don't forget to make it an absolute reference! When you are done, your equation should look like: =A4+$F$5 The value of .001 should appear in the cell as expected.
Now, finally, we get to put old Euler to work: If you don't remember how to get the next value of the position in time, refresh your memory by looking back above. The equation you enter into the B5 cell should look like: =B4+C4*(A5-A4) Why? Next, using the same approximation, move on to the B6 cell and enter the correct equation for the value of the velocity. The answer it produces when you hit the enter key should be -.05 Now for the last cell in the time step t=1. Since we have already typed in the formula which relates the acceleration to the position of the pendulum at any instant, all that we need do is copy the equation from the t=0 cell to the t=1 cell. Do this by first highlighting the D4 cell and the D5 cell simultaneously (ie: hold down the button while moving the mouse over both of them) Then either click on the Edit->Paste Down menu or just type in Control-D and the formula will automatically copy itself into the D5 cell. Compare the two equations in the D4 and D5 cell. Why did some of the numbers change, and some did not?
Whew! we have finally typed in all the equations we need. Now it's time to iterate! But before you do that, it is probably a good idea to save your work. Next, highlight all four cells in the t=1 row only. Then, like before, drag down to paste the formulas down. Note that if you click and drag the lower right corner of the cell (where the little fancy square is) the spreadsheet will automatically copy everything for you. You are integrating forward in time! For a start, I copied down to the 210th cell.
Ok, now that we have solved the equation numerically, how do we visualize the results? Obviously we need to make some sort of plot. Do this easily by clicking on the "B" button, which highlights the whole B column (See Fig 9).
Then, go up and click on the chart button on the toolbar. Select the type of chart you want (I chose a line chart). You can click on the sample button to get an idea of what the chart will look like. When you are satisfied, click on the "finish" button, and there you go. You can drag the chart wherever you want to put it. Hopefully you got something like Fig 10. Notice that the horizontal axis is the row number of the cell that each data point comes from. You can have fun and double click all over the chart to bring up menus that allow you to change the color, labels, x-axis data, etc - but I just left it plain Jane.
Ok, now for the fun part - where you can ask yourself the question, "What does it all mean?" The first thing that you should notice (knowing from class that the correct solution to the DE is a cosine function of constant amplitude) is that the amplitude seems to be getting very large, very fast. In fact, we started out with an amplitude of 0.5 and after 20s we have an amplitude of over twice as large! Of course one interpretation of this phenomena is that we discovered a perpetual motion machine (or perhaps people walking on the overhead bridges in Kunkle were adding energy to our system). On the more cautious side, the other possibility is that our solution is not very accurate. After all, 0.1s is kind of a big value for Dt.
To improve the accuracy of the solution, we need to make Dt smaller. Since we were foresighted enough to make an absolute reference to the one cell containing the time step information, all we need to is change the value in the F5 cell to something smaller, and the rest will take care of itself. I chose to change the time step to 0.01.
Notice that the chart also changed, but this time we don't get to see much happening, because now we are only seeing about 2s worth of oscillation. The solution to this? Just go down to the bottom row of your cells, and integrate forward some more in time. I went a bit further this time and dragged the corner down to the 3000th cell. Also, you will need to change the range on your graph so that it reads all the way down there. Do this by clicking on the chart (so that it is outlined in little black boxes) and then click on the chart->source data menu. Change the line that says: Sheet1!$B$2:$B$210 to: Sheet1!$B$2:$B$3000 This will instruct the chart to read all the data. How does the amplitude change with time now? You may want to save your graphs using different time steps, for later comparison.
Now, to complete the assignment, we need to measure the period of the oscillation. There are a few ways that you could do this, so if you have an idea - then try it out! The way I'm going to present is only one way out of many. You can check your final answer with mine though if you like.
First, I created four more text cells in a row, with their corresponding data cells right below them. (see Fig 11) To measure the period we need to know the number of time steps traversed between two points on the graph of the same phase. Since our oscillation started out at max amplitude, I first called a function that finds the maximum value in the B column. Since the amplitude is still increasing a little each time, the =MAX(B4:B2760) function will pick out the value of the last amplitude peak on the graph. I put this function in the F23 cell. Then I employed a function in the G23 cell which was: =MATCH(F23,B4:B2760,0). The match function returns the row number of the cell which has the value found in F23, namely the max value! That way, I then know the time interval during which the last peak in amplitude occurs. You can look up help on these functions and more through the online help. In the third cell, I put a space for how many peaks occurred in the graph. I just had to enter this number visually each time the graph changed. Finally, in the fourth cell, I entered the equation: =(G23-4)*F5/H23 so that I would get the period - total time traversed divided by the number of wavelengths traversed. I had four peaks, and so my measured period turned out to be 6.2775.
Since we solved this DE exactly in class, we know what the actual period should be: the formula for the period is: P=2p/w And the formula for the angular frequency is root(g/L). Therefore, for my value of g/L of 1.0, the period should be around 6.2832.
A few notes on this method. If your initial value for the velocity is anything but zero, you will have to put in another function that finds the first maximum value on the graph since t=0 won't be at the maximum aplitude anymore. Just remember that you need to get two points of exactly the same phase. If you want to change the time step and number of cells integrated you must change the following: index of chart data, index of max value function, index of match function, #of peaks observed cell. Of course, your error of the period you get will depend strongly on how large your time step is, and how far you integrated in time. You will also will want to measure the period for different amplitudes, which is now easy to do - just change the initial conditions. Have fun! Don't Forget: The assignment is due soon!
Coming in the future (possibly): More sophisticated integration routines: Modified Euler's Method, and more. . .
Please email us with your response to this tutorial! Did you find it helpful, insightful, boring, a waste of your time? Did you think this tutorial was more or less helpful than the book and/or lecture in aiding you to complete the spreadsheet assignment?
Prepared by Mike Stubna and Wendy McCullough.
© Copyright 1999 by Mike Stubna, Wendy McCullough and Gary L. Gray. All rights reserved.


Salt Sulphur Springs (GNIS FID: 1546308) is a populated place located within the Central District, a minor civil division (MCD) of Monroe County.
The elevation of Salt Sulphur Springs is 1,804 feet. Salt Sulphur Springs appears on the Union U.S. Geological Survey Map. Monroe County is in the Eastern Time Zone (UTC -5 hours).


text:
Living in a shopping mall
Signal 020 / 2020-09-02
The Arcade Providence in Rhode Island was built in 1828. For a long time it had been the nation's oldest operating indoor mall. By 2008 however, the mall became vacant and was at the top of the city's most endangered buildings list. The interior of the mall was restored to its former glory and the stores are converted into 46 'micro-lofts' with an attractive renting rate for a starting young professional.
Image credits 01 Arcade Providence
Continuing on the trend of living in converted stores see Report 027 - Living in the Highstreet, we can start to see the same for malls. Once a store closes in a shopping mall, the rest can topple quite quickly. The appeal for the mall drops, which means less revenue for remaining stores, and the cycle continues. Converting a mall into apartments can be a great solution in 'The World After'. They can be a cheap solution for housing shortages, and make a pleasant environment to live in.
Image credits 01 Arcade Providence Rhode Island built in 1828 02 Arcade Providence 2008
Image credits 01 Arcade Providence interior 02 Arcade Providence interior
Image credits 01 Arcade Providence shopping mall 02 Arcade Providence 2008

redpajama_set_name: RedPajamaCommonCrawl


Having trouble finding the right Play Therapist for your Child or Teen?
Children often do not respond to traditional talk therapy and may be ashamed of their trauma. As a result they may not be able to verbalize their fears or concerns, but with play they can act out events with puppets or select figurines in a sand box/tray that represent their hurts or represent their victims.
Play therapy is also stimulating, tactile, visual, and experiential and can significantly accelerate the healing process!
Play is as important to human happiness and well being as love and work (Schaefer, 1993). Play is fun and enjoyable. It elevates our spirits, expands self-expression, creates awareness, and promotes self-actualization.


Officers are appealing for information after a man was robbed at knifepoint on Tuesday 12 March 2019.
At around 10.50am the victim, a man in his 50s, was parked on Clifton Road car park behind the Natwest bank, Prestwich when a man approached his car window.
The offender smashed the window before holding a knife to the man's face, demanding he hand over his watch.
The offender then left in a Black Nissan Micra with the watch – a black Cartier watch worth more than £4,000.
The man was uninjured but was left understandably shaken.
The offender is described as wearing a khaki coloured tracksuit.
Anyone who has any information about the robbery should call police on 0161 856 8172 quoting incident number 666 of 12/03/19.
Details can also be passed on anonymously to the independent charity Crimestoppers on 0800 555 111.


A really classy cottage on the edge of the picturesque Peak District village of Taddington.
Stunning' was our first thought when we visited Church View. This is a fabulous cottage, created out of an old stone barn, with stone flagged floor, beamed ceiling, lovely wood doors, quality decor and furnishings, beautiful drapes and super views over the surrounding countryside. But it's the cottage's absolutely fantastic bedroom and bathroom that really set it apart!
Wake up early in a morning for a wander in the surrounding fields with the sheep playing hide and seek in the mist. It's got to be breakfast on the patio sharing your toast with all the wild birds. Walks from the cottage door through beautiful scenery can fill every day of your holiday. The 'Queens Head' and 'Waterloo' village pubs are great for lunch or a scrumptious evening meal.
This is the very heart of the Peak District with its famous holiday attractions all around but how about some special local secrets - a picnic watching the gliders at Gt. Hucklow, spotting the rainbow over the waterfall in Monsal Dale, listening to the amazing echo in the Dome in Buxton or standing on the 'edge of the world' on Calver Edge. Sharing a Bakewell Pudding with the ducks on the river tops the lot!!
A superb and spacious lounge and adjoining dining kitchen with stone flagged floor, super rugs, beautiful drapes and views across the fields. The lounge has a quality leather sofa and other furniture, 'space age' flame effect electric fire, flat screen T.V., DVD, Freeview and Wi Fi. The dining kitchen has a mellow pine table and chairs, bespoke pine units, large double oven cooker, microwave, fridge and dishwasher. A luxurious bedroom with beamed ceiling, king-size double bed, crisp linen, sofa ,T.V and views over the fields. A fantastic bathroom with corner shower, separate bath and W.C.
Linen and towels are provided. Central heating and power are included (£15 p.w. charged extra Oct-Mar).There is a secluded patio with furniture and access to the surrounding fields. Ample parking is available. Pets and smoking are not permitted. The cottage is not suitable for babies and toddlers due to the open straircase. Access for people with disabilities may be difficult.
Weekly bookings are normally Saturday to Saturday but short breaks are available throughout the year excluding Xmas & New Year. Bookings for Christmas and New Year are from Sunday to Sunday.
Nearest pub - Taddington 250yds. Nearest village shop - Tideswell 3 miles. Nearest supermarket - Buxton 3 miles.
"Lovely, lovely cottage, we had a great week. Weather was good. My daughter and partner and two children were only round the corner in another cottage. Even the grand children loved the traffic free bike tracks. The cottage has everything you could possibly want. We both slept so well. And we both adore Bakewell. We hope to come back next year with the new addition - our sixth grand child. Thank you so much."
"Fantastic week. The cottage so comfortable, the best we have been to, loved sitting on the patio with our glass of wine after a day walking just watching the sheep and chickens and the sound of the church bells some days. Loved it! we will be back."
"It's our first time. We both walked in the front door and felt totally at home. It's a wonderful cottage in a beautiful village. Joy and John are very welcoming and make you feel like you have known them for years. It was just the most wonderful week. Thank you"
"A beautifully cosy and warm cottage, tastefully decorated and with every convenience thrown in. Add this to superb countryside, lovely Derbyshire folk and our hosts Joy and John, what more could a body ask for? We will remeber our holiday here for ever and look forward to returning soon."
"Our first visit to the Peak District and we will definitely be back. Lovely cottage in a great location. We can recommend Piedaniels in Bakewell and the Chatsworth Farm shop for lots of amazing food. Thank you John and Joy for making us so welcome."
"Wonderful as usual, see you next year !"
"We have had a lovely week at Church View. Cottage is great and in a good location for exploring Derbyshire. Possibly one of the best cottages we have stayed in. So cosy and comfortable. Thank you for all the extras, much appreciated. We would love to return."
"A last minute booking and what an amazing find. Beautiful cottage and so lovely and peaceful, just what was needed. Very friendly and welcoming hosts. We will definatly return."
"We arrived in need of a holiday and left feeling refreshed as if we had been on a lovely break. The cottage is possibly the best I have stayed in. So comfortable and easy to relax in. Nice and warm with all the comforts of home. We will be returning. Thank you."
"Understand why so many keep coming back ! Such a lovely cottage making you feel at home straight away. Lovely touches with the fresh eggs, flowers etc. Countryside surrounding truly stunning, great walks, coffee shops. Friendly welcome at The Bulls Head, Ashford in the Water. Also Royal Oak, Hurdlow, great food. So much to see round and about hope to return. Thank you very much appreciated the high standard."
"We have had the most wonderful time staying at Church View cottage, so well equipped with lots of thoughtful extras and goodies to greet us. We chose the cottage based on the reviews of the bedroom and bathroom and we weren't disappointed. It is also well placed for visiting the heart of the Peak District. Have had a great time exploring the area by foot, cycle and car and we were blessed with warm sunshine everyday. Our thanks to Joy and John for a very warm welcome."
"Our 3rd New Year visit to this beautiful cottage. Thank you again for such a welcoming stay and for your help with the snow. A truly relaxing week."
"First impression what a lovely cottage. Second impression- how wonderful, we don't have to unpack to have a coffee ! Very well equipped cottage and very comfortable. Beautiful surroundings. Warm welcome in the Queens Arms-warning- take a hearty appetite because the portions are HUGE !!. Good home cooking and very tasty. Had a wonderful relaxing week. Shame about the weather but it did'nt stop us doing anything. Thank you for the attention to detail."
"A relaxing week in a delightful cottage which was equipped to perfection. Joy and John could not have given us a friendlier reception. Their many kindnesses made us feel truly welcome. Thank you."
"We have had a lovely week with lots of walking and very good weather. The cottage is in a perfect setting and is well equipped. And its nice to have a large bedroom and bathroom. It was great to wake up in the morning, look out of the window and see the sheep. Thank you Joy and John for the welcome pack, the eggs were so different from the shop ones, it's a pity we don't live nearer. Thank you."
"This is by far the best cottage we have stayed in and hope to return to in the future. John and Joy made us feel so welcome (not forgetting Ben ). Thank you for a wonderful stay in Derbyshire."
"Our first time at this cottage...but it won't be our last ! Everything you need for a relaxing week in this beautiful area. Many thanks to Joy , John and Ben ! The weather has been great for exploring the area, Ladybower Reservoir , Dovedale, Hardwick Hall just a few. Good food at The Bull in Monyash ! Lovely evenings sitting out with a glass of wine watching the sunset and the chickens ! We'll be back soon !!"
"Our first time in this delightful cottage it will not be our last. Thank you for thinking of all those little extras that make a holiday special. We were not blessed with good weather until Friday but found lots to do. Our recommended eating place would definitley be The Royal Oak at Hurdlow (15 min drive )"
"What a fantastic cottage. Comfortable and well equipped. We were blessed with amazing weather and have explored the many walks around Taddington and the Peak District. We have enjoyed eating at the many pubs around the area - our favourite was in Sheldon. Thank you again."
"This cottage has been perfect ! From its design ( which Maggie is determined to copy in her future dream home - she's taken photos for reference ) to your wonderful warm welcome. Taddington has been perfect for exploring the Peaks and indulging in our Pride and Prejudice fantasies. Thank you ever so much !"


Me and my sister, the two inseparable elements present on this earth. We combine to open a chatter box which can never be locked again, we can watch silliest of the silly movies endlessly; we together can raise the entire retail economy with our joint shopping spree, we can together be amazed and then scared to death by the lamest of the horror shows, we can almost explore the restaurant's entire menu without any guilt. Yes, together we can and we have done what otherwise would not have been possible.
This time we decided to explore the beaches on our own. After hardship of convincing the mighty family members, we were out on a road trip to beaches. By the time we reached our destination, all tired and exhausted with pollution and heat. We quickly fetched Garnier skin naturals PureActive Neem Purifying face wash and Apricot Exfoliating face scrub, thanks to the shopkeeper for helping us with this excellent rejuvenation therapy. Our faces were glowing more than before, I first washed my face with Neem face wash and then did a scrub massage with apricot scrub for about a minute and then rinse thoroughly. Pat dry with towel and here you go Miss World to paint the town red!! My sister got so amazed with the results. She being my all time favorite guinea pig, I offered to do the beauty trick on her too. She could not believe how her black heads smoothed out and dirt was gone like it was never there before.
And trust me, we conquered the beaches – shopping, eating, traveling on the roads, roaming around in the city was so much fun when we knew Garnier pure active is there to keep us Twice as nice!!
When we came back home, mom was amazed to see both of us, we looked fresh and active more than before. Now it is not only two of us but three of us following the 2 minute regime to bring our skin back to life. Using Garnier skin naturals PureActive Neem Purifying face wash and Apricot Exfoliating face scrub daily, not only maintains your skin texture but makes it more vibrant day by day. It is the experience that is speaking.


text:
Q: Expectation value quantum mechanics momentum operator What is the random variable that belongs to the expectation value of momentum in quantum mechanics?
Or in general: Is there any way we can define the expectation values that occur in quantum mechanics via the definition of expectation values by using random variables?
Or more precisely: What are the random variables in quantum mechanics?
For people who are interested in getting some background on what I am asking:

*

*Expected Values of Operators in Quantum Mechanics

*http://en.wikipedia.org/wiki/Expectation_value_%28quantum_mechanics%29#Example_in_configuration_space

A: As the link you posted from another question explain, in the position representation $\psi(x)$, the eigenvectors with eigenvalues $\hbar k$ of the momentum operator $\hat{p}=\frac{\hbar}{i}\frac{\partial}{\partial x}$ are functions of the form $\psi_k(x)=e^{ikx}$. If we want the probability distribution for the measurement of some observable $O$ in a given state, we need to perform the spectral decomposition $O=\int k dP_k$, where $P_k(\cdot)=\psi_k(\psi_k,\cdot)$ is the projector in the eingespace of eigenvalue $k$ (I assumed that the eigenvalue is non-degenerate for simplicity, but the same also holds for the general case). Then the probability distribution will be given by $p(k)=(\psi, P_k \psi)$. So, for the case of the momentum operator, we have the probability distribution
$$p(k)=(\psi,\psi_k)(\psi_k,\psi)=|(\psi_k,\psi)|^2=\left|\int e^{-ikx}\psi(x)dx\right|^2=|\tilde{\psi}(k)|^2,$$
where $\tilde{\psi}(k)$ is the Fourier transform of $\psi(x)$.

redpajama_set_name: RedPajamaStackExchange


text:
Q: Бесконечное мигание картинки html-код
<img id="help" src="images/help.png" width="16" height="16" />

js-код
var intervalID;
$("#help").mouseover(function(){
    intervalID = setInterval(function(){
        $("#help").fadeTo(300,.5);
    }, 10)
});

$("#help").mouseout(function(){
    clearInterval(intervalID);
});

Из этого следует, что картинка мигает бесконечно, после того как на нее навели курсор, т.е. когда уводим с картинки курсор, то мигание не перестает. Но вроде как не должно быть. Подскажите, как сделать?
A: *

*Она вообще не должна мигать. По вашему коду. А должна тупо погаснуть до определенного значения. Но да, @lampa прав: много-много раз.

*Используйте остановку анимации и callback у функций анимации.

Типа того:
http://jsfiddle.net/4wh3c36e/


text:
***

> Read our guide on [Changing Scenes](https://www.stencyl.com/help/view/changing-scenes/) and [Pausing](https://www.stencyl.com/help/view/pausing/) for an explanation of these blocks.

***

## Transitions

###  Switch Scene (Fade In/Out)

![switch to scene and fade out for number secs using color and fade in for number secs using color](https://static.stencyl.com/pedia2/block-images/scene/flow/scene-change-color.png)

Switches to a different scene using a fade in/out transition.

```
//Using fade in and out
switchScene([SCENE].getID(), createFadeOut([NUMBER], [COLOR]), createFadeIn([NUMBER], [COLOR]));

//Other Transition types
createBlindsOut([NUMBER], [COLOR]), createBlindsIn([NUMBER], [COLOR]),
createBubblesOut([NUMBER], [COLOR]), createBubblesIn([NUMBER], [COLOR]),
createCircleOut([NUMBER], [COLOR]), createCircleIn([NUMBER], [COLOR]),
createPixelizeOut([NUMBER], [COLOR]), createPixelizeIn([NUMBER], [COLOR]),
createRectangleOut([NUMBER], [COLOR]), createRectangleIn([NUMBER], [COLOR])
```

***

###  Switch Scene (Crossfade / Slide)

![switch to scene and crossfade for number secs](https://static.stencyl.com/pedia2/block-images/scene/flow/scene-change-through.png)

Switches to a different scene using a crossfade or slide transition.

```
switchScene([SCENE].getID(), null, createCrossfadeTransition([NUMBER]));
switchScene([SCENE].getID(), null, createSlideUpTransition([NUMBER]));
switchScene([SCENE].getID(), null, createSlideDownTransition([NUMBER]));
switchScene([SCENE].getID(), null, createSlideLeftTransition([NUMBER]));
switchScene([SCENE].getID(), null, createSlideRightTransition([NUMBER]));
```

***

###  Reload Current Scene (Fade In/Out)

![reload and fade out for number secs using color and fade in for number secs using color](https://static.stencyl.com/pedia2/block-images/scene/flow/scene-reload-color.png)

Reloads the current scene using a fade in/out transition.

```
//Using fade in and out
reloadCurrentScene(createFadeOut([NUMBER], [COLOR]), createFadeIn([NUMBER], [COLOR]));

//Other Transition types
createBlindsOut([NUMBER], [COLOR]), createBlindsIn([NUMBER], [COLOR]),
createBubblesOut([NUMBER], [COLOR]), createBubblesIn([NUMBER], [COLOR]),
createCircleOut([NUMBER], [COLOR]), createCircleIn([NUMBER], [COLOR]),
createPixelizeOut([NUMBER], [COLOR]), createPixelizeIn([NUMBER], [COLOR]),
createRectangleOut([NUMBER], [COLOR]), createRectangleIn([NUMBER], [COLOR])
```

***

###  Reload Current Scene (Crossfade / Slide)

![reload and crossfade for number secs](https://static.stencyl.com/pedia2/block-images/scene/flow/scene-reload-through.png)

Reloads the current scene using a crossfade or slide transition.

```
reloadCurrentScene(null, createCrossfadeTransition([NUMBER]));
reloadCurrentScene(null, createSlideUpTransition([NUMBER]));
reloadCurrentScene(null, createSlideDownTransition([NUMBER]));
reloadCurrentScene(null, createSlideLeftTransition([NUMBER]));
reloadCurrentScene(null, createSlideRightTransition([NUMBER]));
```

***

###  Get Scene (using name)

![scene with name text](https://static.stencyl.com/pedia2/block-images/scene/flow/scenebyname.png)

Returns a Scene by its name. Use inside a scene-switching block for an easy way to switch scenes by name.

```
GameModel.get().scenes.get(getIDForScene([TEXT]))
```

***

###  Scene is transitioning?

![scene is transitioning](https://static.stencyl.com/pedia2/block-images/scene/flow/is-transitioning.png)

Returns `true` if the game is in the process of transitioning to another scene, transitioning from another scene, or reloading.

```
isTransitioning()
```

***

## Post-Transition

###  Create Actor in next scene

![create actortype at x number y number at front in next scene](https://static.stencyl.com/pedia2/block-images/scene/flow/create-actor3-next.png)

Notifies the game to creates an actor in the next scene (or the reload of the current one). This is useful, for example, for top-down games (like Zelda) where you'll exit the screen on one side and want to seamlessly reappear on the "correct" side.

```
createActorInNextScene([ACTOR TYPE], [NUMBER], [NUMBER], Script.FRONT);
createActorInNextScene([ACTOR TYPE], [NUMBER], [NUMBER], Script.MIDDLE);
createActorInNextScene([ACTOR TYPE], [NUMBER], [NUMBER], Script.BACK);
```

***

## Pausing

###  Pause / Unpause Game

![pause game](https://static.stencyl.com/pedia2/block-images/scene/flow/pause-unpause.png)

[Pauses](https://www.stencyl.com/help/view/pausing/) (or unpauses) the game. You can selectively opt out actors on the Physics > Advanced page of their editor.

```
engine.pause();
engine.unpause();
```

***

###  Game is Paused?

![game is paused](https://static.stencyl.com/pedia2/block-images/scene/flow/is-paused.png)

Returns `true` if the game is paused.

```
engine.isPaused()
```

***

redpajama_set_name: RedPajamaGithub


Oct. 27, 2018 — The first annual "Home for the Holidays" Christmas Tour of Homes has announced the event sponsors as ticket sales ramp. The event is scheduled for Dec. 14, 15 and 16 in Florence.
Preliminary sponsors include: Florence Dental Clinic, Nails Uncorked, Worldwide Granite, Goodman's Floor Covering, the Siuslaw News, State Farm Insurance, Pro Lumber, Cindy Wobbe Estate Sales, R&R King Logging, Inc., and Brian LaCouture Building, LLC. There are additional unique sponsorship opportunities available. Interested sponsors can call 541-520-1255.
The Community Christmas Tour of Homes is an exclusive holiday experience filled with the sights, sounds and savors of Christmas as participants take a tour of four Florence homes decorated for the season. Each tour group will board a special bus and be whisked away to tour the homes while enjoying a special beverage or treat, as well as enjoy unique musical entertainment to celebrate the season.
Tickets are available for $50 each and are in limited supply, with only 80 available per showing. One ticket will secure a spot in a showing of your choice: Friday or Saturday night from 5 to 9 p.m. or Sunday afternoon from 2 to 6 p.m.
Visit the event Facebook Page, Home for the Holidays: A Community Christmas Tour of Homes, or call 541-520-1255 for more information. Tickets can be purchased online at www.crowkids.com/holiday-home-tour.


text:
New Forms for Fashion
Submitted by Patti Carpenter on Thu, 2010-02-18 01:00
Guatemalan handloom coming to a shopwindow near you
Textiles have been my focus and my passion for a long time: my training and early career were in fashion, and now I focus on goods for the home. It's pretty tough to surprise me with fabric.
But Sal Lenzo managed to do just that, with a wonderful blurring of handmade craft and fashion. Sal is president of Lifestyle Trimco, a 50-year-old company that makes display mannequins for the likes of Bloomingdale's, Betsy Johnson and Brooks Brothers, among others. He recently challenged me to create two dusty stripes that would "evoke antiquity without being old," and that would "come from a more decorative, different, craft perspective, following a decade of slick and cold displays with very few details."
We were to take vintage-inspired forms and cover them in new textiles inspired by ancient ones. To make the new reflect the old; to evoke times gone by and a sense of nostalgia while remaining contemporary. It was such an intriguing idea. Sal referred to his instinct to do this project as a 'premonition.'
The result was a few weeks of loom preparation and weaving in the highlands of central Guatemala by our indigenous master weavers. They worked with two stripe layouts and a palette, selected and designed by me, that is a combination of colors that evokes the past without feeling too museum-ish. The weavers and I made a 6-color mini stripe, and a coordinating awning stripe. Once they hit the US, an upholsterer worked to create not only the collection of mannequins, but also cushions for the Trimco showroom to further enhance the vintage feeling.
We hear from Sal that they were a huge success with the visual merchandisers that descended on New York City during the three-day December 2009 display market week. They visited 22 showrooms in a search for visual merchandising goods for stores all over the United States, as well as from Britain, Canada and Spain. US stores as diverse as Diesel, Macy's Bloomingdales, and Saks Fifth Avenue all expressed interest in the collection.
The success of the new mannequins says to us that the tide continues to turn in our direction – toward things that are handmade, and which have a value and an aesthetic that can not be duplicated. We say that we are 'Global Style Crafted with Heart'. Now we see that style take on new forms.
For more about Patti Carpenter's handmade business, see www.carpentercompany.biz. For more about Lifestyle Trimco, see www.lfs-trimco.com.
Rhythm and Hues
San Francisco Museum of Craft and Folk Art shows the cloth and culture of Mali
Iconoclastic Ceramics
Peter Voulkos reinvented pottery
Marta Pelrine-Bacon's Word Art
PartyParty
ConfettiSystem's communal and festive paper work
Of Pots and Panoramas
Ceramist Helen Vaughan interprets the landscape in subtle, evocative ways.
Fortune's Good Fortune
Naif painter Gerard Fortune is obliged to paint
Beetlemania
The supersized insects of RaR
Exploring human frailty and strength
Exploring the Language of Design


Why Opt For A Business Immigration To Quebec?
Canada has been a trading nation and the main reason for the economic growth of Canada is the commerce of this country. If Canada would not engage in trade then it would be impossible for this country to maintain the proper standard of living. Today Canada is said to have one of the ten largest economies in the entire world. It is a free and a strong country.
Canada today have invited a number of new comers and have helped them to be a part of the prosperous society. Diversity has a very important role to play and it has enriched the lives of the people staying in Canada. This is one of the best places for those people who want to settle down in another country. If you opt for a Quebec business immigration visa then you will be able to open up a business in Quebec and then settle down with your family in this province. You can enter Canada making use of the Investor/Business immigration program. This is definitely a fast track Canadian immigration option.
Quebec immigrationtoday attracts a number of individuals who have either a managerial or a business experience. The reason for the popularity of this immigration program is that it will help in the development of the economy of Canada. When you are planning to start up a business in Canada then there are different ways through which you can actually apply for Canada. If you want you can apply under the province or the state where you want to settle or under the federal skilled worker program.
This is an immigration program that invites applications from the people who are interested to do some kind of a business in Quebec. It is believed that these businessmen would help in the development of Canada's economy and will also help this country to prosper in the future. However, if you are interested to apply under this program then it is important for you to prove that you do have a proper experience in the field of business. You also need to prove with documents that your net worth is $1600000 and this money was earned by you in a legal way. You also have to invest $800000.
What will the immigration Canada and citizenship do?
Your investment would be divided between the participating provinces as well as the territoriesby the immigration Canada as well as the citizenship. This money would be later used by the government of Canada in order to create good job opportunities for the next five years and develop the economies of this particular country. This investment is absolutely guaranteed. You will get back this money after an approximate period of 5 years and 3 months without any interest.
This article clearly shows that if you are interested to open up a business and earn a good profit in the global market, then going to Quebec will be the ideal option for you.
Free Bitcoin For Your Thought !!!


Amitabha is the chief Buddha of the Lotus (Sanskrit -Padma) family. He is also called the Buddha of Immeasurable Light and the Buddha of the Western Paradise or the Pure Land of Sukhavati (Tibetan – Dewachen). Practitioners of the Pure Land Schools of Buddhism (found in China, Hong Kong, Taiwan, and Japan) believe that reciting the holy name of Amida (Amitabha) Buddha with devotion will direct their consciousness into his pure land after death.
Amitabha Buddha emanates ruby red light. Red symbolises love and compassion. Like the setting sun, his radiant form warms and pacifies the hearts of all who gaze at him. As head of the Lotus family, he represents gentleness and openness. This reflects his boundless compassion and receptivity enabling one to feel accepted and protected. His posture is one of composure and stillness. There is a serene smile of blissful wisdom on his face. Amitabha sits in the aspect of meditating, encouraging the viewer to follow the essential teaching of the Buddha, "to subdue one's mind".
When the idea of this community service was blessed with the name Amitabha Hospice by Lama Zopa Rinpoche in October 1994, it manifested into a group of dedicated people who formed a registered Charitable Trust in 1995.
Recent Photo of Lama Zopa Rinpoche.


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The Hermosillo Project, Bible School and more, continues to blossom.
IEMFe continued March 14 & 15 as approximately 70 students attended 2 nights of classes on the Gifts of the Spirit. It was a powerful time of instruction and demonstration. Pastor John Smith taught the introduction to the gifts, comparing and contrasting the manifestations in 1 Corinthians to the purpose and function of the gifts in the lists in Ephesians 4 and Romans 12.
Rev. Brenda Mangen followed with teaching on the Revelation Gifts: Word of Wisdom, Word of Knowledge, and Discerning of Spirits. She emphasized that God intends to use all believers, not just 5-fold ministers, to bring blessing to others through the manifestation of these gifts. I closed out the classes by teaching and giving examples of the Power Gifts: Special Faith, Working of Miracles, and Gifts of Healings. We closed by ministering to the sick with an anointing that swept into the building as I was teaching on Gifts of Healings.
These classes are so important, as they bring an understanding that is so often missing in the churches. For most of our students, this was the first time they had heard much of this material. As a result, we all spent a good deal of time answering questions. That is a valuable part of the process. Thank God for students hungry for the Word.
For information on obtaining class materials for you or your church, call us at 520-792-3238. This stuff works.
Saturday morning the 17th, we hosted the monthly pastors and leaders fellowship. The discussion was quite useful, as we talked about our common beliefs, our commitments to one another, and the things that bind us together. One major topic was how we will continue using the IEMFe material to train new generations of leaders after we complete the current cycle in April of 2020. The pastors are eager to begin taking greater roles in the training process. They're identifying prospective instructors and beginning to envision the organizational structure that will be necessary.
Speaking of students ministering to their communities, Saturday and Sunday evening we took part in an outdoor campaign in Ures, home of Monte Horeb DeDios and Pastors Alejo Y Mariela Bravo. Pastor Eduardo Andrade translated for me as we preached to around 100 people each night. Saturday responded to the altar call for the new birth. On Sunday we prayed for the sick and saw a huge response. Pastor Alejo told me that the event brought much healing in the little community. There are 7 evangelical churches, and 5 of them were represented in these meetings. He said this was a breakthrough for them. It is encouraging to see the Word having an impact in these ministries.
Rev. Brenda Mangen led a women's conference in Miguel Aleman on March 2nd. The results were staggering. Brenda is the founder and creator of WOVEN in Grace , a ministry to survivors of abuse. In this rural village, about 60 KM from Hermosillo, 138 women registered. It was literally standing room only! 13 different churches were represented. God moved through the ministry to touch many lives. Testimonies abounded, and churches in Hermosillo are asking for an event there as well.
In the current #metoo environment in our country, this is a ministry that is right on time. Certainly, in the culture of Latin America, it is finding a hungry audience. Please, if you are interested in helping the women in your congregation or your city, contact Brenda and get some information. There is life after trauma.
Hallelujah! We are Going to Cuba!!
I leave April 4th headed to Cuba. Rev. Eric Sonera will join me as we visit Pastor Mario De Armas for two days of ministry and connection. My goal is to provide materials, instruction, and administrative support to any pastor or church group that wishes to build a strong foundation in their people. The Gospel is simple, accessible, and free. We strive to take profound truths and make them digestible for any who desire to feed on them. Hopefully we find opportunity to do those things in Cuba.
We covet your prayers for this endeavor.
Please stop by www.pastorvirgil.com to keep up to speed on the current teaching thrusts. I also have a Facebook page for the ministry. Search on Facebook for @contendforthesupernatural or go to Pastorvirgil.com. If you want to help out, hit SHARE while you're there.
April 4-8. Cuba. Exploratory visit and ministry time.
Thank you for your prayers and contributions. More than that, thank you for believing in us. We make every effort to do things well, do things with meaning, and invest in people who do the same. Together we have a real impact on regular people trying to live for the Lord. God uses regular people to do remarkable things. Let's do this!
Posted on March 21, 2019 March 21, 2019 by Pastor VirgilPosted in christian ministry, christianity, Church, Contend for the supernatural, Faith, Holy Spirit, MissionsTagged #faithministrytraininginstitute.#IEMFe, #fmtionline, #pastorvirgil.


text:
Алекса́ндр Ива́нович Завали́шин (псевдоним А. Мордвин; , пос. Кулевчинский, Оренбургское казачье войско — 21 апреля 1938, полигон Коммунарка) — российский, советский прозаик, драматург.

Биография
Родился в пос. Кулевчинский Николаевской станицы (ныне — с. Кулевчи в  Челябинской области) в бедной казачьей семье; мордвин.

В 1910—1914 годы жил в Оренбурге, служил писарем в войсковом хозяйственном правлении, земстве, губернском правлении.

В 1915—1917 годы учился в народном университете им. А. Л. Шанявского (Москва; не окончил). В августе 1917 года вернулся в Оренбург, был избран секретарём Оренбургского войскового правительства. В декабре 1917 года принял сторону большевиков и, разойдясь во взглядах с атаманом А. И. Дутовым, на казачьем войсковом круге сложил с себя звание войскового секретаря; был исключён из казачьего звания.

С 1918 года — член президиума Оренбургского совета казачьих депутатов; редактор «Троицких известий уездного совета депутатов». Участвовал в гражданской войне в Сибири.

С 1920 года жил в Кулевчах; вступил в члены РКП(б), был избран в сельсовет. Участвовал в работе VIII Всероссийского съезда Советов.

С 1922 года жил в Москве, работал в редакциях газет «Беднота», «Советская правда». Был членом группы «Октябрь». В 1934 году вступил в Союз писателей СССР.

31 января 1938 года был арестован. По обвинению в участии в контрреволюционной террористической организации Военной коллегией Верховного суда СССР 21 апреля 1938 года приговорён к высшей мере наказания; в тот же день расстрелян на полигоне «Коммунарка».

15 сентября 1956 года реабилитирован посмертно.

Семья
Отец — Иван Анисимович Завалишин, казак-урядник, участник русско-японской войны, был ранен, удостоен боевых наград.

Брат — Фёдор, сельский учитель, краевед, создателя первого мордовского букваря, родоначальник мордовской литературы.

Сестра — Мария; окончила Коммунистический университет трудящихся Востока, была первой женщиной в составе станичного Совета Кулевчей, возглавляла женсовет, позднее заведовала парткабинетом райкома партии в Солнцево Курской области.

Сестра — Анна (в замужестве Балаева).

Жена — Антонина Николаевна Сосунова-Завалишина. Была арестована 28 апреля 1938 года, 8 лет провела в Карлаге. В 1954 году ей сообщили, что А. И. Завалишин умер в тюрьме в 1939 году.

Творчество
Писал произведения на русском языке. Писать начал с 1906 года. Первое произведение «Душегуб и ведьма» было напечатано в 1911 году в оренбургском сборнике Н. Афиногенова «Серый труд». Занимаясь самообразованием, А. И. Завалишин написал письмо книговеду Н. А. Рубакину. Впоследствии в оренбургской газете «Казачья правда» (1917, № 17) была напечатана пьеса «Крючки» с посвящением Н. А. Рубакину. В этот период напечатал в «Тургайских областных известиях» три рассказа.

В 1928 году вышел сборник его рассказов «Пепел». В 1930-е годы А. И. Завалишин становится известным прозаиком и драматургом. Спектакли по его пьесам «Частное дело», «Стройфронт», «Партбилет» и др. шли во многих театрах страны.

В произведениях до 1927 года отмечались формально-технические недостатки: фотографичность, слабость психологического анализа, неоригинальность и небрежность языка. Сатира более поздних произведений направлена на внутреннего врага, нередко маскирующего революционной фразеологией свою реакционность.

Избранные сочинения

 Завалишин А. И. Агитатор : Рассказы. — М. : изд-во Всерос. о-ва крест. писателей, [1928]. — 16 с. — (Дешевая книжка. Новинки крестьянского творчества ; № 26).
 Завалишин А. И. В темноте : Рассказы. — М. ; Л. : Гос. изд-во, 1927. — 32 с.
 Завалишин А. И. Вор : Сценки из дерев. жизни ; Расписались : Шутка в 1 д. — М. ; Л. : Гос. изд., 1926. — 54+2 с.
 Завалишин А. И. Козлиные бесы : Cценка в 1 действ. — М. : Гос. изд-во, 1927. — 8 с. — (Книжка-копейка).
 Завалишин А. И. Не те времена : Рассказы. — М. : Гос. изд., 1925. — 80 с. — (Б-ка для рабочих и крестьян «Изба-читальня»).
 — 2-е изд. — М. : Гос. изд., 1925. — 62 с.
 Завалишин А. И. Партбилет // Забытые пьесы 1920—1930-х годов : [сб.] / Гос. ин-т искусствознания; [сост., текстологич. подгот., вступ. ст., ист.-реальный коммент., сведения о постановках пьес и биографиях авт. В. В. Гудковой]. — М. : Новое литературное обозрение, 2014.
 Завалишин А. И. Первый блин : Рассказы. — М. : Изд-во Моссовета «Новая Москва», 1927 [1926]. — 111+1 с. — (Литературно-худ. б-ка «Недра»).
 Завалишин А. И. Пепел : Рассказы. — М. : Недра, 1928. — 180+2 с.
 Завалишин А. И. Рассказы. — М. : Сов. писатель, 1959. — 148 с. — (Содерж.: Хата Буденного; Бабий бунт; Фронтовик; Три дня; Встреча с братьями; Пепел; Дожил; Первый блин; Не признал; У Горького; Свежая борозда (отрывки)).
 Завалишин А. И. Сапожник агитатор : Пьеса в 1 действ. из деревенской жизни. — М. ; Л. : Гос. изд-во, 1928. — 39+1 с.
 Завалишин А. И. Свежая борозда : Дневник уполномоченного политотд. МТС. — [М.] : Моск. т-во писателей, 1934. — 239 с.
 Завалишин А. И. Скуки ради : [Рассказы]. — М. ; Л. : Гос. изд., 1925. — 48 с.
 Завалишин А. И. Сполох : Пьеса. — М. ; Л. : Гос. изд-во, 1929. — 14+2 с. — (Деревенский театр).
 Завалишин А. И. Строй фронт : Пьеса в 4 д., 12 картинах : Репертуар Театра революции. — [М.] : Гос. изд-во худ. лит-ры, 1932. — 88 с.
 Завалишин А. И. Фальшивая бумажка : (Пьеса в 2 действ.). — [М.] : Моск. о-во драматич. писателей и композиторов, 1929. — 24 с.
 Завалишин А. И. Хата Буденного : [Эпизоды и люди из эпохи гражд. войны]. — М. : Изд. и ф-ка юношеской книги изд-ва «Мол. гвардия», 1938. — 111 с.
 Завалишин А. И. Частное дело : Пьеса в 6 картинах. — М. : Теакино-печать, 1929. — 77+3 с.
 Завалишин А. И. Чеботарь-агитатор: Пьеса. — М.: Гиз, 1927.

Адреса
Москва, Звонарский пер., д. 1, кв. 24.

Память
В 1959 году в издательстве «Советский писатель» стараниями А. Н. Сосуновой-Завалишиной, жены писателя, и , председателя комиссии по литературному наследию А. И. Завалишина, вышла его книга «Рассказы».

В 1967 году в театрах Магнитогорска и Челябинска была поставлена пьеса «Стройфронт».

В селе Кулевчи в 1991 году поставлен памятник А. И. Завалишину.

Примечания

Литература
 Александр Иванович Завалишин. (1891—1939) : Библиогр. указ / Челяб. обл. публ. б-ка. Отд. библиографии и краеведения. — Челябинск : Б. и., 1971. — 1 л., слож. в [6] с. — (Творчество наших земляков).
Шмаков А. А. Знакомство с земляком // Шмаков А. А. На литературных тропах. — Челябинск: Юж.-Урал. кн. изд-во, 1984.
Саксон Л. Неопубликованные произведения Александра Завалишина // Каменный пояс. 1984. — Челябинск: Юж.-Урал. кн. изд-во, 1984. С. 216‒224.
 Завалишин Александр Иванович // Литературное Оренбуржье : биобиблиогр. словарь / А. Г. Прокофьева, В. Ю. Прокофьева, О. В. Федосова; Г. Ф. Хомутов. — Оренбург : Оренбургская книга, 2006. — С. 81.
Гудкова В. Драматург Александр Завалишин и его «Партбилет» // Современная драматургия. 2012. № 1. С. 212-222.

 Христофоров В. С. Писатель Александр Завалишин : неизвестные страницы биографии // Вестник ЮУрГУ. — 2016. — Т. 16, № 1. — С. 54-59. — (Серия «Соц.-гуманитарные науки»).
 Подлубнова Ю. С. Жанровая эволюция в драматургии А. И. Завалишина  // Дергачевские чтения – 2014. Русская литература: типы художественного сознания и диалог культурно-национальных традиций : материалы XI Всероссийской научной конференции с международным участием, Екатеринбург, 6–7 октября 2014 г. — Екатеринбург: Издательство Уральского университета, 2015. — С. 278-282.

Ссылки

Русские писатели по алфавиту
Русские писатели XX века
Участники Гражданской войны в России (красные)
Члены КПСС
Делегаты VIII Всероссийского съезда Советов
Члены Союза писателей СССР
Казнённые в 1938 году
Посмертно реабилитированные в СССР

Деятели культуры и искусства, репрессированные в СССР

redpajama_set_name: RedPajamaWikipedia


text:
Q: How to get-aduser for a manager using a UPN Im using
$Manager = Get-aduser ($User.Manager) -replace "@email.com"

To try and process a spreadsheets data based on a form. the manager item the end user puts into the form is managers email aka...their UPN but im trying to use the upn to pull and assign the aduser as the manager for the individuals im trying to process.
any ideas?


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text:
package SolarPrizm.mcStats;

import net.minecraft.src.*;
import java.io.Serializable;
import java.util.ArrayList;

public final class BlockCoord implements Serializable
{//TODO make BigInteger or long
	private int x, y, z;
	private static ArrayList<BlockCoord> coordinates = new ArrayList<BlockCoord>();

	public BlockCoord(int x, int y, int z)
	{
		this.x = x;
		this.y = y;
		this.z = z;
	}

	public int getX()
	{
		return x;
	}

	public int getY()
	{
		return y;
	}

	public int getZ()
	{
		return z;
	}

	public int getBlockID(World world)
	{
		return world.getBlockId(x, y, z);
	}

	public int getBlockMeta(World world)
	{
		return world.getBlockMetadata(x, y, z);
	}

	public int getBlockID()
	{
		return mod_mcStats.mc.theWorld.getBlockId(x, y, z);
	}

	public int getBlockMeta()
	{
		return mod_mcStats.mc.theWorld.getBlockMetadata(x, y, z);
	}

	public BlockCoord(int x, int y, int z, int side)
	{
		if(side == 0)
			y--;
		else if(side == 1)
			y++;
		else if(side == 2)
			z--;
		else if(side == 3)
			z++;
		else if(side == 4)
			x--;
		else if(side == 5)
			x++;

        this.x = x;
        this.y = y;
        this.z = z;
	}

	public static ArrayList<BlockCoord> getCoord()
	{
		return coordinates;
	}

	public static void setCoord(ArrayList<BlockCoord> array)
	{
		coordinates = array;
	}

	public static void setCoord(String string)
	{
		coordinates = new ArrayList<BlockCoord>();
		string = string.substring(1, string.length()-1);

		while(string != null && string.length() > 2)
		{
			if(string.substring(0,1).equals("("))
			{
				String coord = string.substring(0, string.indexOf(")")+1);
				if(coord != null && !coord.equals(""))
					BlockCoord.addCoordinatesWithoutNotify(BlockCoord.parseBlockCoord(coord));
				string = string.substring(1);
				string = string.contains("(") ? string.substring(string.indexOf("(")) : "";
			}
		}
	}

	/**
	 * Adds Block Coordinates according to the block it was placed on.
	 * @param x The X coordinate of the block right clicked
	 * @param y The Y coordinate
	 * @param z The Z coordinate
	 * @param side The side right clicked
	 */
	public static void addCoordinates(int x, int y, int z, int side)
	{
		if(side == 0)
			y--;
		else if(side == 1)
			y++;
		else if(side == 2)
			z--;
		else if(side == 3)
			z++;
		else if(side == 4)
			x--;
		else if(side == 5)
			x++;

        addCoordinates(x, y, z);
    //	System.out.println("BlockCoord: "+coordinates);
	}

	public static void addCoordinates(int x, int y, int z)
	{
		coordinates.add(new BlockCoord(x, y, z));
		mod_mcStats.updateProperties();
	}

	public static void addCoordinates(BlockCoord blockcoord)
	{
		coordinates.add(blockcoord);
		mod_mcStats.updateProperties();
	}

	public static void addCoordinatesWithoutNotify(int x, int y, int z)
	{
		coordinates.add(new BlockCoord(x, y, z));
	}

	public static void addCoordinatesWithoutNotify(BlockCoord blockcoord)
	{
		coordinates.add(blockcoord);
	}

	public static BlockCoord getCoordinates(int x, int y, int z)
	{
		for(BlockCoord coord : coordinates)
		{
			if(coord.x == x && coord.y == y && coord.z == z)
				return coord;
		}
		return null;
	}

	public static boolean isPlaced(int x, int y, int z)
	{
		for(BlockCoord coord : coordinates)
		{
			if(coord.x == x && coord.y == y && coord.z == z)
				return true;
		}
		return false;
	}

	public static void removeDuplicates(int x, int y, int z)
	{
		for(BlockCoord coord : coordinates)
			if(coord.x == x && coord.y == y && coord.z == z)
				coord.removeSelf();
	}

	public static void addCoordinatesIfNotDuplicate(int x, int y, int z)
	{
		BlockCoord coord = new BlockCoord(x, y, z);
		if(!isPlaced(x, y, z))
		{
			coordinates.add(coord);
			mod_mcStats.updateProperties();
		//	System.out.println("BlockCoord: "+coordinates);
		}
	}

	public static void addCoordinatesIfNotDuplicate(int x, int y, int z, int side)
	{
		if(side == 0)
			y--;
		else if(side == 1)
			y++;
		else if(side == 2)
			z--;
		else if(side == 3)
			z++;
		else if(side == 4)
			x--;
		else if(side == 5)
			x++;

		addCoordinatesIfNotDuplicate(x, y, z);
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	public void removeSelf()
	{
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		mod_mcStats.updateProperties();
	}

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	public static BlockCoord parseBlockCoord(String string)
	{
		string = string.substring(1,string.length()-1);
		int x = Integer.parseInt(string.substring(0, string.indexOf(",")));
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text:
Q: how to setup different languages in magento 2.1.6 version I have a doubt regarding language setup. My default language is ENGLISH and I need to add ARABIC language along with ENGLISH.When we click on ARABIC language same store view with the same theme will be translated to ARABIC from ENGLISH.
Firstly I created Arabic Store view in the admin panel. And theme will be selected for particular store view in the edit of language store view. What is the next process?
Will you please send me any idea and the way to setup language?

A: You need to install arabic language pack
You can get more inforamtion about installation and how to use from here
magento-2-arabic-language-pack
Let me know if you have any issue.


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Carnevale 1729: New Album Release
The Carnival of Venice in 1729 was quite unlike any other. Over a period of two months, opera houses went into a frenzy of competition to show off the most famous singers of the day, including the legendary castrato Farinelli who made his astonishing Venetian debut. Several of the most fashionable composers rose to the occasion, writing ravishing music for spectacular productions which often pitted the singers against each other in breathtaking displays of virtuosity. The results were sensational; one tour de force followed another in an atmosphere of fevered excitement and the adoring public lapped it up.
The carnival opened with a star-studded cast in Leonardo Leo's tragedy Cantone in Utica from which the dazzling aria Soffre talor del vento and the more gentle Ombra adorata are taken. Farinelli triumphed in Nicolo Porpora's opera Semiramide, the perfect vehicle for his extraordinary technique. By contrast Adelaide by Giuseppe Maria Orlandini, another premiere, contains show-stopping displays for Farinelli's arch rival Faustina Bordoni. And Germiano Giacomelli's elegant opera Gianguir contains the achingly beautiful aria Mi par sentir la bella. Most of these rediscovered works are recorded here for the first time.
With a repertoire that includes leading roles in operas by Rossini, Mozart, Gluck, Handel, Vivaldi, Monteverdi, Purcell, Bizet and Massenet, Ann Hallenberg is a much in demand Swedish mezzo-soprano and has recorded over 40 CDs, her solo CD Agrippina winning the award for best operatic recital at the International Opera Awards in May 2016.
The baroque violinist and conductor Stefano Montanari is a much sought after guest conductor with both modern and period orchestras. He is regarded as one of the finest baroque violin virtuosos of his generation.
Ann Hallenberg brings these rediscovered works from February 1729 back to our times in this album, most of them recorded for the first time. The album Carnevale 1729 is world-wide released by Pentatone on June 16, 2017.
A personal introduction
"It's often something unexpected that sparks inspiration for a new album project. This recording started with those cheap CDs you can buy at any gas-station: "Greatest Hits 1985", "Summer Hits 2010" etc. I began to imagine what an album from the 18th century would have been like. What would the "hits" of the season have been? So I decided to explore an exciting period in Venice. Here are eight weeks between Christmas and spring that are full of scandals, intrigues, gossip and, most importantly, fantastic music: the carnival season of 1729. Enter our time machine, fasten your seat belts and make yourself comfortable. Imagine the narrow "calle", the damp air from the canals, the fog and the wind from the sea, the crowded theatres and the oozing candles."
Ann Hallenberg
LISTEN TO THE ALBUM