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text:
Cinema Fearité Says Goodbye to Anita Ekberg With 'Fangs Of The Living Dead'
January 15, 2015 by James Jay Edwards
The cinematic universe lost another star this weekend with the passing of the stunning Anita Ekberg at the age of 83. Born in Sweden, Ekberg did some modeling and light acting in America before being "re-discovered" by Federico Fellini in Italy when the director cast her in La Dolce Vita. Ekberg quickly became a commodity in Europe, making movies in just about every genre imaginable. In 1969, the beautiful bombshell dabbled in the horror world by starring in the vampire tale Fangs of the Living Dead.
Fangs of the Living Dead features Ekberg as Sylvia Morel, a successful model who lives in Rome with her fiancé, Dr. Piero Luciani (Gianni Medici from Killer Without a Face, although he is credited as John Hamilton). One day, Sylvia receives word that she has inherited an old castle, so she travels to the secluded countryside to check it out. At the castle, she meets her Uncle, Count Walbrooke (Julián Ugarte from Frankenstein's Bloody Terror), who shows her a painting of her Grandmother, Malenka, of whom Sylvia is the spitting image. Walbrooke tells Sylvia that Malenka was a scientist who had discovered the secret to immortality, and was burned at the stake for being a witch because of it. Walbrooke explains to Sylvia that Malenka was able to transform people into vampires. Walbrooke convinces Sylvia to break off her engagement to Piero and stay at the castle with him and his beautiful harem of female vampires. Sensing trouble, Piero comes to rescue Sylvia, but it may be too late…for both of them.
Written and directed by Amando de Ossorio (Tombs of the Blind Dead, Return of the Evil Dead), Fangs of the Living Dead is a great example of the type of horror that was coming out of Europe in the late sixties; it's brilliant in its cheesiness. The film is poorly dubbed (a probable symptom of being shot in three different languages), campily acted, and written in a way that borders on the silly, but that's all part of its charm. Fangs of the Living Dead entertains by exploiting the trend that Universal and Hammer created with their Dracula movies, and it does so in a way that's loads of fun.
Fangs of the Living Dead was originally called Malenka: The Niece of the Vampire, but the name was changed ostensibly to capitalize on the success of George Romero's Night of the Living Dead. In fact, in America, Fangs of the Living Dead was stuck onto a triple bill called Orgy of the Living Dead with two other films that were retitled to include "Living Dead" in their names: Curse of the Living Dead (which is actually Mario Bava's Kill Baby, Kill) and Revenge of the Living Dead (formerly Elio Scardamaglia's The Murder Clinic). The "Living Dead" in the title of Fangs of the Living Dead refers to the vampires as opposed to Romero's zombies, but the bloodsuckers in the film aren't particularly dead looking; they are actually very vibrant and alive in appearance, the only telltale sign of their undead status being the fangs that fill their mouths when they smile. There is much more fang than living dead in Fangs of the Living Dead.
Anita Ekberg is the obvious lead in Fangs of the Living Dead, and her performance is exactly what one would expect from an ex-model who turned to acting. Ekberg was most likely cast for her beautiful looks, as evidenced by the presence of additional gorgeous actresses such as Diana Lorys (The Awful Dr. Orlof) and Rosanna Yanni (Count Dracula's Great Love), but Ekberg does get to show off a bit of her ability. She overacts wonderfully, wringing every ounce of melodrama out of the soap-operatic screenplay. It's the type of performance that proves the way in which roles in horror movies can play to actresses' strengths; Anita Ekberg's indulgent portrayal of the damsel in distress is perfectly fitting for the schlockfest that is Fangs of the Living Dead.
For the cinematography in Fangs of the Living Dead, Amando de Ossorio turned to director of photography Fulvio Testi (Emergency Ward, I Do Not Forgive…I Kill!). Testi gives the film its obvious Eurohorror look, shooting in bright Technicolor with plenty of fun angles and camera movement. The photography of the film is actually 0quite creative; the film has a visual identity all its own while still managing to fit in with the European genre of horror. He even tips his hand towards the inherent campiness of the picture in a silly scene with a huge shadow of a cardboard bat that shines through a curtained window. It's all part of the spectacle that makes Fangs of the Living Dead a hip and cool flick.
Speaking of hip and cool, the soundtrack to Fangs of the Living Dead is downright groovy. The score was written by Carlo Savina (Lisa and the Devil, The Legend of Blood Castle), and it mixes sixties beatnik tunes with plenty of spooky pipe organ music. The music is rhythmic and driving, yet pauses long enough to let out a scary stinger every now and then when it's warranted. It's a genius combination of pop music and film score, and it works amazingly well. The score to Fangs of the Living Dead only adds to the fun of an already enjoyable movie.
Anita Ekberg enjoyed a long and storied career that spanned more than fifty years. Her resume includes film by heavyweight directors like Federico Fellini, King Vodor, and Robert Aldrich, but horror fans will always remember her fondly for her roles in films like Fangs of the Living Dead.
Filed Under: Cinema Fearité Tagged With: Amando de Ossorio, Anita Ekberg, Malenka
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redpajama_set_name: RedPajamaCommonCrawl


text:
Helping Save Lives from Dangerous Infections In a Single Business Day: Why DCVC led a $50 M Series A Round in Karius
Photo: High throughput robots enable Karius to collect hundreds of millions of data points overnight. Image: CNBC
A once healthy older man was admitted to the hospital experiencing sepsis and respiratory failure from an out-of-control unknown infection. Broad-spectrum antibiotics were deployed, along with a battery of tests and attempts to culture the most common culprit infectious organisms. The antibiotics didn't work and the tests were negative, as the patient's condition became ever more grave. Fortunately for this man, his doctors sent a sample to DCVC portfolio company, Karius. In a single day, Karius diagnosed an infection by a particular type of tuberculosis bacteria, with only one blood draw — hypothesis free.
He received the appropriate treatment and improved considerably. Meanwhile, a reputable laboratory continued to laboriously identify a hypothesis, culture samples, and wait for the result. When the first hypotheses failed, they tried again and again for three weeks until they delivered the same diagnosis. For many patients, days, let alone weeks, can be the difference between life and death.
Similar stories with favorable endings have occurred multiple times during Karius' initial clinical trials, where the speed and accuracy of Karius dramatically improved patient outcomes.
DCVC is very proud to back the Karius team and founders Dr. Mickey Kertesz and Dr. Tim Blauwkamp as they tackle one of the world's leading killers — infectious disease. Along with our friends at Lightspeed Venture Partners, we have co-led a $50 million Series A round for Karius, following onto our seed investment. We are joined by major new investors Tencent and Khosla Ventures, with participation from existing investors including Innovation Endeavors and Spectrum 28. The round will support ongoing and new clinical trials, scale up laboratory capacity, and advance commercialization of the Karius test.
Cell Free, Hypothesis Free, Biopsy Free Diagnosis in a Business Day via Computational Biology Breakthroughs
Critically, the Karius test is hypothesis-free. Put simply, instead of testing each possible diagnosis one-by-one, Karius can today detect 1,250 pathogens from a single blood draw within one business day. Rather than subjecting a patient to an array of broad-spectrum antibiotics and invasive follow-up biopsies, hoping that something will stick, doctors can now deliver the right drugs for the right pathogens in time to make a difference. Painful and risky biopsies are at best eliminated, at worst dramatically minimized relative to current practice. Expensive — and increasingly resistance-vulnerable — broad-spectrum antibiotics (or anti-fungals or anti-parasitics), many with significant harmful side-effects, are not used.
Karius uses a combination of machine learning, proprietary genomics algorithms, and next generation sequencing, to identify and amplify the signal from "non-healthy" microbial (viral, fungal, bacterial, and other eukaryotic pathogens) DNA fragments floating in the blood. Through its CAP-accredited and CLIA-certified labs, Karius provides diagnostic insight to doctors based on this new cell-free DNA data, enabling quicker and more precise diagnosis and treatment of infectious disease.
Karius Current and Future Impact: Faster, Better Diagnosis of Infectious Disease and Improved Patient Outcomes at Scale
Photo: Karius can detect and track many deadly infectious diseases today, more to come soon, and ultimately even the ones we don't even know about, shortening response time and containing their spread (Image: Region IV Public Health Training Center)
Karius' potential impact on patients and global health is tremendous. As Dr. Mickey Kertesz, Karius' CEO explained:
Infectious diseases are a leading cause of mortality globally and an enormous area of unmet need. Clinical results from our early access program demonstrate that the Karius test allows clinicians to diagnose infections more rapidly and accurately. We've enabled doctors to devise precise and effective treatment plans for patients and speed recovery times. We look forward to further broaden availability of our technology in the coming months.
Notably, as the Karius team gathers more data from its tests, they will be able to detect new, unknown microbes and track the spread of outbreaks — a critical arrow in the quiver in the battle against virulent, standard treatment-resistant infections.
Why DCVC Backed the Karius Team
DCVC invested in Karius on account of the outstanding team, advanced computational biology, ever-increasing defensible "moat" of their unique technology, data and insights, and tremendous potential impact on global health. Their science came from their work with a trusted friend of DCVC, the brilliant Dr. Steve Quake, the scientific co-founder of Karius. Dr. Quake is Professor of Bioengineering and Applied Physics at Stanford, MacArthur Prize winner, and current co-President of the Chan Zuckerberg Biohub.
We first invested in the core team at their previous company, which significantly advanced sequencing before being acquired by Illumina. At Karius, they are combining advanced molecular biology techniques with the "dry lab" computational advantage that underlies many successful DCVC investments (next-gen genomics algorithms, novel machine learning). We feel that Karius is a case study in replacing capex- and opex-heavy processes — individually culturing samples — with data and computation. Most importantly, Karius will save lives that would otherwise be lost to increasingly virulent infectious diseases.
Congratulations to the Karius team — we're honored to help you bring this test to the world.


text:
Q: Insertion failure in codeigniter I am new in CodeIgniter and want to insert data into my table. But I'm not able to do so. Have configured the database.
Any help would be appreciated.
Controller - show.php
<?php if ( ! defined('BASEPATH')) exit('No direct script access allowed');

class Show extends CI_Controller {

    function index() {
        $this->load->view('you_view');

    }

    public function get()
            {
        $this->load->model('show_model');
        if ($this->input->post('submit'))
            {

                $this->show_model->insert();
        }
        redirect('show');
}

}

?>

Model - show_model.php
<?php if ( ! defined('BASEPATH')) exit('No direct script access allowed');
class Show_model extends CI_Model
{
    function __construct() {
        parent::__construct();
    }

    function insert($dbdata)
    {
        $name=  $this->input->post('name');
        $surname=  $this->input->post('surname');
        $data=array(
            'name'=>$name,
            'surname'=>$surname
        );
        $this->db->insert('user', $data);
    }

}
?>

View - you_view.php
<?php
        echo form_open('show/get', array('name' => 'myform'));
    ?>
<form name="form1" method="post" >
    <input type="text" name="name"/>
    <input type="text" name="surname"/>
    <button name="submit" id="submit">Submit</button>
</form>
<?php
    echo form_close();
    ?>

database.php -
$active_group = 'default';
$active_record = TRUE;

$db['default']['hostname'] = 'localhost';
$db['default']['username'] = 'root';
$db['default']['password'] = '';
$db['default']['database'] = 'simple';
$db['default']['dbdriver'] = 'mysql';
$db['default']['dbprefix'] = '';
$db['default']['pconnect'] = TRUE;
$db['default']['db_debug'] = TRUE;
$db['default']['cache_on'] = FALSE;
$db['default']['cachedir'] = '';
$db['default']['char_set'] = 'utf8';
$db['default']['dbcollat'] = 'utf8_general_ci';
$db['default']['swap_pre'] = '';
$db['default']['autoinit'] = TRUE;
$db['default']['stricton'] = FALSE;

A: when you call
echo form_open();

You don't need any <form> tag anymore
And in your model change
function insert($dbdata)

to
function insert($table,$data)
    {
        $this->db->insert($table,$data);

        if($this->db->affected_rows() >0){
            return true;
        } else {
            return false;
        }
    }

in controller you just need
public function get()
            {
        $this->load->model('show_model');
        if ($this->input->post('name') && $this->input->post('surname'))
            {
$u = $this->input->post('name');
$sur = $this->input->post('surname');
   $array = array(
'field1'=>$u,
'field2'=>$sur //your feild in your table
);
              $q =   $this->show_model->insert('yourTable',$array);

       if($q === true) redirect('show');
}

May it helps

A: you did n't pass data to model insert function. check below line
$this->show_model->insert();

But you have parameter in model function.
Instead of preparing data array in model, you should do in controller itself. You should not use post in model.
if ($this->input->post('submit'))
{
   $name=  $this->input->post('name');
   $surname=  $this->input->post('surname');
   $data=array(
            'name'=>$name,
            'surname'=>$surname
       );
  $this->show_model->insert($data);
}

Remove below lines in model:
        $name=  $this->input->post('name');
        $surname=  $this->input->post('surname');
        $data=array(
            'name'=>$name,
            'surname'=>$surname
        );

A: In your model replace
function insert($dbdata)

with
function insert()

This is because in your controller you are calling model function as
$this->show_model->insert();

where you have not passed any argument to the model function.

A: You should get input data in Controller and send it to your model.
Something like:
if ($this->input->post('submit'))
        {
            $this->show_model->insert(array('name'=>$this->input->post('name'),'surname'=>$this->input->post('surname');));
    }

In model:
$this->db->insert('user', $dbdata);

Of course, also you need to trim() and htmlspecialchars() before inserting db, but it's another history.

A: echo form_open(); can be used instead of `<form>` tag.. Don't use `<form>` tag then..

Also you are not passing any parameters from the function insert() in the controller to the model.. But you use it in model function.. Please don't do that..
If you are in localhost, please visit the userguide in your codeigniter directory . It may be like localhost/CodeIgniter_2.1.4/user_guide/
thank you

A: In View page, call the function using form_open.
It will send the given data to controller page
<?php echo form_open('controller_page/insert'); ?>
In Controller page,
`$this->load->Model('model_page');
$name = $this->input->post('name');
$surname = $this->input->post('surname');
    $this->model_page->insert($name,$surname);`

In Model Page,
`function insert($name,$surname)
{
// Give your insert query
}
`
Use like above code, it will works...

A: I hope this helps . Do form validation also and before inserting the data sanitize it
Controller - show.php
<?php if ( ! defined('BASEPATH')) exit('No direct script access allowed');

class Show extends CI_Controller {

    function index() {
        $this->load->view('you_view');
    }

    public function get() {
        $this->load->model('show_model');
        if ($this->input->post('submit')) {

            $this->load->library('form_validation');
            $this->form_validation->set_rules('name','Name','trim|required');
            $this->form_validation->set_rules('surname','Surname','trim|required');
            if($this->form_validation->run()==FALSE){
                // DO WHAT YOU WANT TO DO IF NO DATA IS ENTERED
            }else{
                $data=array(
                    'name'=>$this->input->post('name'),
                    'surname'=>$this->input->post('surname')
                );
                $result=$this->Show_model->insert($data);
            }
        }
        redirect('show');
    }

} ?>

Model - show_model.php
<?php if ( ! defined('BASEPATH')) exit('No direct script access allowed');
class Show_model extends CI_Model{

    function __construct() {
        parent::__construct();
    }

    function insert($dbdata){

        $this->db->insert('user', $data);
    }
}
?>

View - you_view.php
<?php echo form_open('show/get', array('name' => 'myform'));
      echo form_input('name',,);
      echo form_input('surname',,);
      echo form_submit('submit','Submit');
      echo form_close();
?>

redpajama_set_name: RedPajamaStackExchange


text:
{-# LANGUAGE
    FlexibleContexts
  , OverloadedStrings
  #-}

module Routes.Utils where

import Imports
import Security

import Templates.Master
import qualified Text.Pandoc          as P
import qualified Data.Text            as T
import Network.HTTP.Media
import Data.Maybe (fromMaybe)
import Data.CaseInsensitive (CI)
import qualified Data.ByteString      as BS
import qualified Data.ByteString.Lazy as LBS
import Control.Concurrent.STM.TVar (TVar)

getBody :: MonadIO m => Request -> m LBS.ByteString
getBody req = LBS.fromChunks <$> getChunks []
  where
    getChunks soFar = do
      chunk <- liftIO (requestBody req)
      if chunk == BS.empty
      then return soFar
      else getChunks (soFar ++ [chunk])

markdownAndHtml :: MonadApp m => (Env -> P.Pandoc) -> FileExtListenerT (MiddlewareT m) m ()
markdownAndHtml pull = do
  md <- pull <$> lift ask
  htmlLight status200 $! renderPandoc P.def md
  markdown md

badEncoding :: MonadIO m => FileExtListenerT (MiddlewareT m) m ()
badEncoding =
  invalidEncoding $ fileExtsToMiddleware $
    textStatus status406 "Not acceptable"

-- | Parses the incoming POST data's content-type, and returns some action to perform
onEncoding :: a -> a -> Request -> a
onEncoding j u req =
  let mode = case lookup ("Content-Type" :: CI BS.ByteString) (requestHeaders req) of
               Nothing -> AsJSON
               Just t  -> fromMaybe AsJSON $ mapAcceptMedia
                            [ ("application" // "json"                 , AsJSON)
                            , ("application" // "x-www-urlencoded"     , AsURLEncoded)
                            , ("application" // "x-www-form-urlencoded", AsURLEncoded)
                            ] t
  in case mode of
       AsJSON       -> j
       AsURLEncoded -> u

buildTemplateEnv :: MonadApp m => Request -> Maybe AppLinks -> m TemplateEnv
buildTemplateEnv req p = do
  mUser <- currentUser req
  let state = TemplateEnv mUser p
  logDebugN $ "Template Env: " <> T.pack (show state)
  return state

redpajama_set_name: RedPajamaGithub


text:
'use strict'
const TestRunner = require('test-runner')
const UsageStats = require('../../')
const a = require('core-assert')
const runner = new TestRunner()
const shared = require('./lib/shared')

function getServer (port, delay) {
  const http = require('http')
  const server = http.createServer((req, res) => {
    setTimeout(() => {
      res.statusCode = 200
      res.end('yeah?')
    }, delay)
  })
  server.listen(port)
  return server
}

runner.test('.abort(): aborting throws', function () {
  const server = getServer(9000, 1000)

  const testStats = new UsageStats('UA-00000000-0', {
    dir: shared.getCacheDir(this.index, 'abort'),
    url: 'http://localhost:9000',
    an: 'testsuite'
  })
  testStats.screenView('test')

  return new Promise((resolve, reject) => {
    testStats.send()
      .then(responses => {
        reject(new Error('should not reach here'))
      })
      .catch(() => {
        server.close()
        resolve()
      })
      .catch(err => {
        server.close()
        reject(err)
      })

    setTimeout(testStats.abort.bind(testStats), 50)
  })
})

runner.test('.abort(): called before .send() is a no-op', function () {
  const testStats = new UsageStats('UA-00000000-0', { an: 'testsuite' })
  testStats.screenView('test')
  testStats.abort()
})

runner.test('.abort(): abort after a completed send is a no-op', function () {
  const server = getServer(9020, 20)

  const testStats = new UsageStats('UA-00000000-0', {
    dir: shared.getCacheDir(this.index, 'abort'),
    url: 'http://localhost:9020',
    an: 'testsuite'
  })
  testStats.screenView('test')

  return new Promise((resolve, reject) => {
    testStats.send()
      .then(responses => {
        testStats.abort()
        server.close()
        resolve()
      })
      .catch(err => {
        console.error(err.stack)
        server.close()
        reject(err)
      })
  })
})

runner.test('.abort(): multiple requests - throws', function () {
  const server = getServer(9010, 1000)

  const testStats = new UsageStats('UA-00000000-0', {
    dir: shared.getCacheDir(this.index, 'abort'),
    url: 'http://localhost:9010',
    an: 'testsuite'
  })

  for (let i = 0; i < 100; i++) {
    testStats.screenView('test')
  }

  setTimeout(testStats.abort.bind(testStats), 50)

  a.strictEqual(testStats._hits.length, 100)

  return new Promise((resolve, reject) => {
    testStats.send()
      .then(responses => {
        server.close()
        reject(new Error('should not reach here'))
      })
      .catch(() => {
        a.strictEqual(testStats._hits.length, 100)
        server.close()
        resolve()
      })
      .catch(err => {
        server.close()
        reject(err)
      })
  })
})

runner.test('.send({ timeout }): should abort after timeout period', function () {
  const server = getServer(9030, 1000)
  const testStats = new UsageStats('UA-00000000-0', {
    dir: shared.getCacheDir(this.index, 'abort'),
    url: 'http://localhost:9010',
    an: 'testsuite'
  })

  testStats.exception('test error', 1)
  return new Promise((resolve, reject) => {
    testStats.send({ timeout: 100 })
      .then(() => {
        server.close()
        reject()
      })
      .catch(() => {
        server.close()
        resolve()
      })
  })
})


text:
Home/Immigration/How to Immigrate to Canada from Nigeria
How to Immigrate to Canada from Nigeria
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Nigeria was the fourth country of origin for immigrants to Canada in 2019, with a total of 12,600 Nigerians who became permanent residents that year alone. As a permanent resident of Canada, you can live and work anywhere in the country and enjoy access to free health and social care, as well as an excellent quality of life filled with more amenities. and employment opportunities.
So how do you migrate to Canada from Nigeria? The first step is to decide where you want to live in Canada and then find a visa program that is right for you. Here are the five most popular ways to come to Canada from Nigeria!
How Canadian Immigration Works
Canada has over 100 visa and immigration options available and some of these programs are points-based and select the highest-rated applicants for permanent residence in Canada while others are employer-driven, which means you have to get a job in Canada as the main requirement. In addition, Nigerians with training and work experience in Canada are eligible for even more immigration programs.
Why are Nigerians so successful in moving to Canada? Well, it can have a lot to do with your fluency in English, your hardworking nature, and your graduate studies. Find out if you can immigrate to Canada and which program you qualify for with our comprehensive assessment.
5 Ways to Move to Canada from Nigeria
1. Get an Invitation to Apply (ITA) through Express Entry
The Express Entry system is the primary route of immigration for skilled Nigerian workers who wish to live and work in Canada. The goal is to obtain an Invitation to Apply (ITA) for permanent residence through Express Entry which operates on a points grid known as the Comprehensive Classification System (CRS).Advertisements
How Can You Get an ITA?
Applicants for Express Entry are graded based on criteria such as their age, years of work experience, language proficiency, and level of education, among other criteria. The highest-rated applicants receive the ITA in the bi-weekly Express Entry raffle rounds. There are a few other things you can do to improve your score, like getting a job offer in Canada or earning a provincial nomination that equals 600 CRS points! Learn more about it below.
How Long Does it Take to Process Express Entry Applications?
Express Entry is one of the fastest ways to immigrate to Canada from Nigeria with application processing times of just six months.
2. Achieve a Provincial Nomination (PN)
Where do you want to live in Canada? Canada is extremely large and has 13 provinces and territories, 11 of which administer their own provincial immigration programs. There are approximately 80 programs among the participating provinces! Canada aims to welcome between 64,000 and 81,500 immigrants through Provincial Nominee Programs (PNPs)
If you get a provincial appointment, you can apply for permanent residence in Canada from Nigeria and settle in the province that appointed you.
How Does the Provincial Nominee Program Work?
PCPs are designed based on the economic needs of the province or territory. For example, the New Brunswick Provincial Nomination Program (PNBNP) welcomes qualified and intermediate foreign workers with a particular emphasis on truckers and Francophones. It is worth noting that some PNPs require applicants to have valid work experience, education, or employment offers in their jurisdiction.
You can apply directly to a PNP or you can send an expression of interest to the province looking for someone with your skills through your Express Entry profile.
3. Study in Canada to Qualify for a Post-Graduate Work Permit (PGWP)
Studying in Canada on a student visa does not lead directly to permanent residence, but it is an effective stepping stone that can greatly improve your chances of success upon graduation. As mentioned above, obtaining a Canadian qualification such as a certificate, diploma or degree counts in your favor as it trumps foreign credentials in your immigration application.
To top it off, if you are studying an eligible program that lasts longer than eight months in Canada, you may be eligible for a graduate work permit that allows you to stay and work anywhere in the country to gain experience. work after your studies. Canadian work experience and education are the ideal formulae for obtaining permanent residence in Canada from Nigeria.
Looking for an affordable way to study in Canada? Speak to our student advisors for inexpensive short courses that are also PGWP approved.
4. Work in Canada as a Farmworker or Caregiver
Canada has a constant demand for agricultural workers and caregivers and welcomes foreign workers in these occupations to work in Canada through special work permit programs. Canada is the second-largest country in the world with an equally large agricultural sector employing approximately 2.3 million people, the majority of whom are seasonal foreign agricultural workers. On the other hand, Canada has an aging population that is in need of care and assistance.
The good news is that your working time in Canada can lead to a permanent future in the Far North. If you have worked in the country in a qualifying agricultural or caregiver position, you can apply to immigrate to Canada from Nigeria through the Agri-Food Immigration Pilot Program and the Home Care Provider Pilot Program. All you need is about one to two years of Canadian work experience and a permanent job offer from your employer.
5. Obtain a Job Offer from a Designated Employer in Atlantic Canada
The Atlantic Immigration Pilot (AIP) is an employer-led program that you can apply to relocate to Canada from Nigeria and settle in any of the Atlantic Provinces which includes; New Brunswick, Newfoundland and Labrador, Nova Scotia, and Prince Edward Island. The main requirement is to obtain a job offer from a designated employer in one of the provinces. Find below the list of designated employers:
List of Designated Employers
How Much Does it Cost to Immigrate to Canada from Nigeria?
The federal processing fee for permanent residents is $ 1,325. You may also need settlement funds if you do not have a reserved position in Canada. You need approximately $ 12,960 as a single applicant and can add an additional $ 3,492 per dependent family member, even if they are not moving to Canada with you.
How To Migrate to Canada Nigeria
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Drei is the third avant garde electronic collaboration between Lars Stroschen (AKA Propeller Island) and Jörg Thomasius. Whereas Ein also included Conrad Schnitzler's playful contributions, Drei is a more uniform work. The 13 tracks are equally divided between the two composers with Lars contributing most of the odd numbered and Jörg most of the even numbered compositions. This alternating aspect juxtaposes the composers' differing styles in such a way that the music flows from piece to piece without ever boring the listener. What rapidly becomes noticeable is that Lars favors low rumbling slabs of electronics iced over with shimmering shards while Jörg favors the high frequency manipulations, voices, and processed short wave radio similar to Asmus Tietchens. The one factor holding the music together across its 53 minutes is their compositional approach. Each composer starts with an original sound sculpture and then incorporates sonic material from his partner which he then processes further. A noteworthy advancement on Drei is the judicious use of reverberation that lends a warmth and depth to what could so easily have been cold and sterile electronics. While Drei is definitely not for your Yanni fan, it is sure to please the post-industrial avant garde electronic music lover.


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text:
Subgenres Rap Rock empty, you can see Alternative or other genres.
New reviews Rap Rock music:
The album was really new and fresh for the team...
Hip-Hop/Rap, Rap Rock, Alternative Rap
King of the City
No Snake
Will be interesting to fans of the genre and those crazy experiments over the styles...
Alternative, Alternative Rock, Blues Rock, Rap Rock
This is the style, which can be for everyone, even those who are not listening to heavy music.
Rapcore, Alternative, Nu-Metal, Rap Rock, Rap Metal
Here new reviews rap rock music - reviews of the best new albums rap rock genre.


text:
Charcoal-baked Anxi Tie Guan Yin Oolong Tea
Slightly roasted, fruity and floral
Lapsang Souchong Smoky Black Tea (Yan Xun Zheng Shan Xiao Zhong)
Gunpowder Green Tea (Zhu Cha)
TeaOolong
Premium Floral Roasted Anxi Tie Guan Yin Spring Tea EU Standard
Anxi County, Quanzhou City, Fujian Province, China
Tightly curled into semi-ball
Charcoal baked aroma mixed with a bit of sea sedge notes
Clear golden yellow
Balanced, smooth,
lighted charcoal baked flavor with gently flowery flavor
C. sinensis cv. Zheng Cong Tieguanyin
Longjuan Tea Garden
Moderate caffeine (less than 20% of a cup of coffee)
The perfect combination of charcoal baked flavor and slight flower scent make this tea is ideal for those coffee or fresh-scent TGY lovers who want to try a new taste of oolong tea.
This baked tie guan yin tea goes through a complex processing sequence, requiring much more expertise and skill when compared to regular fresh-scent, or lightly baked, tie guan yin. In order to bake the tea, original fresh-scent leaves must slow roast over a charcoal fire for about 3 hours, which gives the tea clear, golden-yellow liquor with some light red hues. A hint of floral sweetness and baked smokiness can be detected on the first brewing of the leaves, and even after five steeps this tea still brings out a pleasant spectrum of different flavors, without being the least bit overwhelming or bitter.
212℉ / 100℃ 212℉ / 100℃
Brewing time: 3- 5 mins 5 steeps: rinse, 25s, 40s, 55s, 70s, 85s
The Long Juan stream tea garden was founded by local tea farmers about 10 years ago, and this plantation carefully watched by those local farmers is steadily becoming more and more prosperous.
Mr. Lin Xingbiao has been a professional tea farmer for over forty years. Born to a traditional tea family, he has been deeply ingrained in the culture since childhood, and ended up building his own tea factory. As his factory gradually grows, he continually attempts to seek a common development between the tea enterprise and the tea farmers themselves.
Mr. Lin believes that the hardest factor to overcome is the weather: if leaves suffer from bad weather, then the result will be a reduced yield with lowered quality. During cold weather the leaves are covered with straw in order to prevent them from frosting; this is one thing that Mr. Lin has learned throughout his years of experience.
His first priority is to strictly control his products' quality and ensure its reputation. Mr. Lin, together with his tea factory, will continue to provide high-quality tea and regularly increase the number of factories that do so.
Anxi is in the southeast part of Fujian, with a total area of around 3000 square kilometers. The environment here is definitely suitable for growing tea trees, with an average temperature between 16 and 20℃ and an annual precipitation of 1600-1800mm. According to records in the Anxi County Annals, the tea production in this area began during the Tang Dynasty, then rose through the Ming and Qing Dynasties, and flourished in the last century - overall spanning a history of over a thousand years.
Anxi has been renowned as the capital of tea in Fujian, and in March 1995 was named the Home of Chinese Oolong by the Ministry of Agriculture.
C. sinensis varietal Tieguanyin reproduces through sexual propagation, and takes the form of a shrub with a medium-sized, oval-shaped leaf, deep emerald-green in color. The left dent is thin while the leaf itself is thick yet fragile, and the buds often take on a rich purple-red color. This particular varietal has earned the descriptor "delicious but difficult to grow" since it can flourish only in fertile soil and under appropriate planting and cultivation methods.
Tie Guan Yin is the representative of Chinese oolong tea. Oolong teas were first developed in the early 1700s in Fujian as a cross between nonfermented white and green teas, and fully fermented black teas, with the best of both in a single tea. Oolong quickly became popular throughout eastern China and Taiwan, and in the early 1970s spread to Japan and the rest of the world. Fujian, the home of oolong tea, still produces the finest.
roasted/baked(22) sweet(14) buttery(10) Floral(10) mouthwatering(7) roasted seaweed(6) its good(4) mineral(4) chocolate(3) fruit(3) peach(1) spicy(1) on(0)
Tie Guan Yin "Iron Goddess" Oolong Tea
Floral, strong vegetal
Guang Dong Phoenix Dan Cong Oolong Tea
Highly aromatic, sweet like lychee
Huang Guanyin (Yellow Goddess) Wuyi Rock Oolong Tea
Orchid floral, sweet, quite slightly roasted
Superfine Taiwan Moderately-Roasted Dong Ding Oolong Tea
Nutty and roasted, sweet and mellow


text:
Director profile: Tom Arnold, CEO, Concern Worldwide
Pastoralist Jarso Ada speaking to Tom Arnold and Mary Robinson in Kenya
When Tom Arnold steps down as chief executive of Concern Worldwide next year, he'll leave behind him an organisation that, during his time in the top job, has evolved from being an effective and respected Irish charity into one of global scale and reputation.
Last year, Concern had 3,500 people working in 25 countries and had a budget of €16om, with €104m of this coming from a number of governments, including Ireland, the UK and the US, as well as the EU and the UN. Income in 2001 was just short of €63m. More striking than the increase in funding over the years, however, has been Concern's rising status internationally, something that has been largely driven by Arnold himself.
For example, in April of this year, Arnold was appointed by UN Secretary General Ban Ki-moon to a high-level international working group of the Scaling Up Nutrition (SUN) movement, which is aimed at tackling child hunger. Other members of the working group include Mary Robinson, two national presidents and three prime ministers, as well as the heads of Unicef and Medicins San Frontieres. During May, Arnold attended the G8 meeting in Camp David and last year, he received the International Ellis Island Medal of Honor for his humanitarian activities.
Arnold began his professional career in 1973 with the European Commission after graduating from UCD with a degree in agricultural economics. He spent nearly seven years based in Brussels, working primarily on aid programmes to the developing world, and three years as agricultural advisor to the EC delegation to the Ivory Coast and to Malawi.
When he returned to Ireland in 1983, he spent five years as chief economist at Irish farming advisory service ACOT. When the organisation was merged with the Agricultural Institute to form Teagasc in 1988, he moved to the Department of Agriculture, where he began as chief economist before becoming assistant general secretary in 1993, a position he held until 2001 when he was appointed CEO of Concern.
Arnold's involvement with Concern had started in the mid-1980s when he joined its council, which he subsequently chaired for four years from 1995 to 1999. "But I can assure you there was never any grand plan to end up as chief executive of Concern," he says.
When Fr Aengus Finucane retired in 1997 after 16 years as chief executive, the council picked David Begg to succeed him as chief executive. "We selected someone who I thought was the ideal person at the time," says Arnold. "About four years later, David rang me up and said he was going to head up ICTU so the post became vacant. I didn't even think of applying for it, but eventually I looked at the ad and thought some of the job description maybe I could do. That's how it happened."
Moving from a non-executive to executive role within the organisation had its advantages, he says. "I knew that I was inheriting an organisation in good shape with an awful lot of strong advantages in terms of the quality of the people who were working here, with a fairly clear sense of mission. When I came in, one of the first things I had to do was finalise the strategic plan for the next five years. In a way doing that shaped the next phase of the organisation and then I got on with trying to put it into practice."
There were challenges too. "I thought I knew as much about the workings of the organisation as anyone possibly could, but you do realise when you get into the position that there's a lot more to learn. And of course there are all the little things. There are the difficulties and some of the challenges of managing."
Key objectives
Coming into the job, Arnold says his key objectives were to build on Concern's existing strengths. "We had some areas of expertise. For example, we were very strong on dealing with emergencies. Relatively early on I began to see more clearly that one of the really important things was that we had to become better at learning from what we did.
"It's a very simple proposition that no matter how much money we have – and we now have a lot more than we had 10 years ago to spend – it's still a drop in the ocean by comparison to the needs that are out there. If you really want to try to influence things, you have to be smart about it. So I think learning and being able to use that learning to either change the way you do things yourself or, maybe more importantly, persuade other people to change the way they do things – that became a fairly central idea for me from a relatively early stage."
A key example was the development with Valid International of community therapeutic care (CTC), a new approach for dealing with acute malnutrition, which involved treating children in their own homes rather than feeding centres. "Concern took that on and over a three to four-year period, we began to start generating results that showed that this indeed was a substantially better way of doing things," says Arnold.
"We were sharing that information with other organisations and other people were adopting it. At the end of six years, in 2007, the United Nations adopted this system as international best practice.
"As a case study of doing things properly, this really was very, very significant. It also brought home, not just to me but to other people within the organisation, the importance of this business of learning and how you could then use that learning to influence things in a much wider sense."
As a result, in Concern's next strategic plan (2006 to 2010) the focus turned to innovation, influence and impact. "If you could do things in an innovative way and learn from them then you were likely to be able to influence – yourself, other organisations, ultimately the international community – and then the impact you have is the combined effect of the work you're doing on the ground yourself and the knock-on effect of the changes in practice," explains Arnold.
"That whole emphasis on innovation has been very strong in the organisation for the last significant number of years. I'm not for one minute claiming the credit myself for it. Bit by bit as an organisation we moved in this direction, with the help of experience, things that worked, and taking that learning and building it into the way the organisation did its business from then on."
Concern has collaborated quite intensively for the last six or seven years with the International Food Policy Research Institute (IFPRI) in Washington. "I was to engage with them because they're very influential. We produce an annual document with them – the Global Hunger Index – which is tracking from one year to the next how different countries are dealing with the issue of hunger."
Over the same period, there has also been an increasing emphasis on building relationships with a number of corporate entities, including Accenture, Kerry Group and KPMG.
The relationship with KPMG, in particular, demonstrates Concern's shift onto the world stage. "KPMG decided six years ago as part of their corporate social responsibility policy to focus in on the area of disaster response," explains Arnold. "Up to last year, the five organisations they were working with were Unicef, the Red Cross, Oxfam, World Vision and Save the Children."
Last December, KPMG announced that Concern would be its sixth partner. "That's an indicator," says Arnold. "We are operating at a certain scale now between Ireland, the US and the UK. We have got to a level of both scale and reputation that we got selected for that."
While Concern's international focus has intensified in recent years, its offices outside Ireland have been around for some time. Concern UK began with an office in Belfast in 1987 and a London office in 1991. Concern US started in the mid 90s. "But over the last 10 years and, particularly in the last six years, both the US and the UK operations have grown. They have their own boards and much stronger management than before. We're working very hard to work as effectively as we can together and therefore be able to say that Concern as an international NGO is a force to be reckoned with.
"There is competition out there both for the public resources and at the level of governments. So, if one is to optimise that competitiveness, it's about having standards that are demonstrated to the different stakeholders that you're trustworthy and that you're effective."
Arnold believes it's increasingly important for Concern to be able to better communicate what it does and to establish niches in particular areas of specialisation. Participating in the recent G8 summit was a result of Concern establishing a profile and credibility in the area of food security, he says. "That's an indicator of where we've tried to get to in the last number of years. Being associated with this particular meeting is a sign that we're operating at this global level and that in turn is going to have some global impact when it comes to say the American government when it's making decisions on where its resources go."
This level of involvement and accolades like the Ellis Island Medal are important for the organisation, he says. "I'm genuinely not that bothered about it for myself, but I do think that for example being on the lead group of the SUN is a very clear acknowledgement that Concern has carved out a really significant niche in this area."
As regards his own leadership style, Arnold says he tries to be reasonably consultative with people. "I do think probably I have fairly clear view of what I want to have achieved as well. To some extent leading by example would be part of it. I'd be very keen always to see how you bring out the best in people. I think that's critically important – to give people space. I'm a great believer that if people are busy, they're probably happier."
Activities outside Concern
Away from the day job, Arnold is currently a governor of the Irish Times Trust and a director on the board of the Irish Times Limited, and a member of the consortium board of the Consultative Group for International Agricultural Research. "The SUN thing has cropped up in more recent times. Various people thought I was going off to work in the UN. It's not the case at all. It'll probably involve a couple of meetings a year.
"I've learned an awful lot from these extra-curricular things. The agricultural research is very relevant to a lot of the stuff we're doing in Concern. The other part of the relevance is the connections it puts you in touch with."
Looking to Concern's future, Arnold says the focus for the next few years will be on retaining its strengths in emergency response and increasingly investing in prevention, as well as continuing the emphasis on learning.
Communications is another priority, he says. "I think we've being less good in this area over the years than we should have. Part of it is almost the modesty ethos in the organisation. We've not been terribly good at blowing our own trumpets. Some of that is fine, it's a good value. But in the world that we've living in today, where you have to demonstrate your effectiveness and you are competing for resources, then you have to find better ways of telling your story.
"We've got an awful lot of things that we've done very well and we haven't been as good as we might have been about pulling it all together and explaining that to people."
Arnold's successor in Concern has yet to be selected. "There isn't a plan that a particular individual is going to succeed me. That will be a good open competition. My job until that happens is to try to leave the organisation in as good a shape as possible. All I can do is try to make sure the organisation is as healthy financially, organisationally, culturally as possible."
He leaves the role in October 2013, but says he has no firm plans for life after Concern. "It's a bit away yet so I haven't had time to think about it. Being healthy enough is the first thing. If you're lucky enough to be healthy enough when the time comes to have energy to do something else, normally something crops up. I've never planned anything."
This article originally appeared in Irish Director magazine
Grainne Rothery
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Trade missions provide a structured approach to nurture collaboration and business development, providing business operators with the opportunity to develop their internationalisation potential and help entrepreneurs gain knowledge on how to operate in specific markets.
Financial assistance is available for companies to participate in trade missions organised or endorsed by TradeMalta. Participation and support to eligible undertakings is dependent on the conditions established for each specific mission.
Follow our Events Calendar to stay posted on upcoming trade missions.
From our Publications page, you can download the Incentive Guidelines – Trade Promotion Scheme as the guidelines for this service.


text:
Q: Converting from Sweref99tm to WGS84 I have a lot of coordinates I want to convert from Sweref99tm to WGS84 for display on google maps. I'm using gdal installed on my laptop:
$ echo "6782384 599140" | gdaltransform -s_srs EPSG:3006 -t_srs EPSG:4326
64.1363442998149 3.53655177487795 0

But according to several sites online where I input the same coordinates, I get 61.163396, 16.842654 returned instead.
Anyone have an idea what I'm doing wrong?

A: Gdaltrasform takes coordinates in longitude-latitude or easting-northing order. That is how GDAL always handles coordinates internally and perhaps that is so self-evident for GDAL developers that it is not documented in http://www.gdal.org/gdaltransform.html. All  you need to do is to flip the order of the coordinates
gdaltransform -s_srs EPSG:3006 -t_srs EPSG:4326
599140 6782384
16.8426538013697 61.1633955987023 0


Off Topic Sunday is a new feature at Planner Fun and something I've thought about doing for awhile. I used to have 2 or 3 blogs going at one time because I felt like I had to compartmentalize all my interests. While Planner Fun is a very specific topic, having an off-topic day allows me to write about some of my other interests.
One of the reasons I follow a plant-based diet is because it helps me to lose weight As a matter of fact, it's about the only way I can lose weight since my transplant (Prednisone and other medications are the culprit).
Tortilla chips are a staple since they are low in calories and great for snacking - but getting just the right crispiness has been quite the dilemma. I have tried these chips every which way there is: cut in triangles, spritzed with water, baked, flipped and baked some more...none have delivered an acceptable chip.
After all that work, I just knew there had to be an easier way and I spent a lot of time searching blogs, Facebook groups and websites until I found a solution from a member of one of my Facebook groups. This guy takes whole corn tortillas and puts them directly on his oven rack, and this is much easier than all the ways I've tried. After baking them, he carefully breaks them in half - twice: four chips per tortilla.
After trial and error, I found that Mission Yellow Corn Tortillas work the best for me. I preheat my oven to 375 degrees and bake them for 7 minutes. My husband likes them at 4 minutes and my oldest likes them almost hard at 8 minutes - I just take them out at different times which isn't difficult at all. Obviously, you would have to work out your own cooking times with trial and error since all ovens are not created equal!
Last week a batch of them bubbled up while baking and made them difficult to break up without making a mess. For the next batch, I cut the tortillas in half before baking and didn't have that problem - it also made breaking them in half easier and neater. My family likes eating our chips in soups and chili as well as dipping them in salsa, homemade hummus and guacamole.
Any questions about chips or plant-based eating? Feel free to ask questions in the comments.


The cooling system in Audi 80 performs two functions: cools the engine and warms salon. Usually it is very reliable, but if after all there were malfunctions, this head will help you to deal with these problems.
If the engine did not reach working temperature yet, then cooling liquid flows on the small contour passing through the engine and the heat exchanger. In addition to a small contour of cooling liquid the inlet collector is connected.
On reaching temperature about 87 В°C the thermostat opens a big contour which includes also a radiator. If temperature of cooling liquid rises further so even in a radiator temperature makes over 92 В°C, goes the radiator fan into action, helping when cooling.
In the cooling system at a working temperature the elevated pressure of 1,2 - 1,5 bars dominates that increases temperature of boiling of cooling liquid above 100 В°C. Thereby a certain reserve is created. The engine can reach the working temperatures exceeding 100 В°C and at the same time in the cooling system there is no danger of boiling.


text:
import React from 'react';
import {Form, DatePicker, Input, Radio} from 'antd';
import moment from 'moment';
import {config, fun} from '../../../common';
import CarryMaterial from '../../formItme/CarryMaterial/CarryMaterial';
import styles from './ResidentSign.less';

const RadioGroup = Radio.Group;
const RangePicker = DatePicker.RangePicker;

function ResidentSign( props ) {
	const FormItem = Form.Item;
	const { getFieldDecorator } = props.form;
	return (

需求说明

				<FormItem {...config.formItemLayout} label="是否告知签约流程">
					{getFieldDecorator( 'isInformSignFlow', {
						initialValue: props.isInformSignFlow ? parseInt( props.isInformSignFlow ) : 0
					} )(
						<RadioGroup disabled={props.disabled}>
							<Radio value={1}>是</Radio>
							<Radio value={0}>否</Radio>
							(参照国家指导建议)
						</RadioGroup>
					)}
				</FormItem>
				<FormItem {...config.formItemLayout} label="是否告知签约益处">
					{getFieldDecorator( 'isInformSignBenefit', {
						initialValue: props.isInformSignBenefit ? parseInt( props.isInformSignBenefit ) : 0
					} )(
						<RadioGroup disabled={props.disabled}>
							<Radio value={1}>是</Radio>
							<Radio value={0}>否</Radio>
							(参照国家指导建议)
						</RadioGroup>
					)}
				</FormItem>
				<FormItem label="所需携带材料" {...config.formItemLayout}>
					{getFieldDecorator( 'carryMaterial', {
						initialValue: props.carryMaterial ? fun.strToIntArr( props.carryMaterial ) : [ 1 ],
						rules: [
							{
								required: true,
								message: '请至少选择其中一项!'
							},
						],
					} )( <CarryMaterial disabled={props.disabled}/> )}
				</FormItem>
				<FormItem label="签约地点" {...config.formItemLayout}>
					{getFieldDecorator( 'signSite', {
						initialValue: props.signSite,
						rules: [
							{
								required: true,
								message: '必须填写签约地点!'
							},
						],
					} )( <Input placeholder="请输入您希望的签约地点" disabled={props.disabled}/> )}
				</FormItem>
				<FormItem label="领取协议或者缴费时间" {...config.formItemLayout}
				          help="时间需精确到小时(日期选择里可以切换时间显示,默认使用当前的时间)">
					{getFieldDecorator( 'allowDate', {
						initialValue: props.agreementDateStart ? [
							moment( new Date( parseInt( props.agreementDateStart ) ), 'YYYY-MM-DD HH:mm' ),
							moment( new Date( parseInt( props.agreementDateEnd ) ), 'YYYY-MM-DD HH:mm' ) ] : [],
						rules: [
							{
								required: true,
								type: 'array',
								message: '请选择一个签约的时间段,精确到小时!'
							},
						],
					} )( <RangePicker
						size="small"
						showTime
						format="YYYY-MM-DD HH:mm"
						disabled={props.disabled}
						disabledDate={( current ) => current && current.valueOf() < Date.now()}
					/> )}
				</FormItem>
				<FormItem {...config.formItemLayout} label="其他要求">
					{getFieldDecorator( 'otherRequirements', {
						initialValue: props.otherRequirements
					} )(
						<Input type="textarea" rows={4} placeholder="请在此输入您的其它要求" disabled={props.disabled}/>
					)}
				</FormItem>

	);
}

export default Form.create()( ResidentSign );


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Lil Wayne Sued By Lawyers Over Unpaid Fees
(HipHopDX) – In addition to having to pay Signature Jets after losing a lawsuit filed by the private jet company, it appears that Lil Wayne may also have to pay added money to the lawyers who represented him during the case.
TMZ reports that the lawyers who represented the New Orleans, Louisiana rapper, Garbett, Allen & Roza, have filed a lawsuit against Wayne for unpaid fees.
Joey Bada$$ & Soul Rebels Collaborate at Voodoo Fest
2015 NOLA Music Awards Comes to Saenger Theater Saturday October 24


text:
Complete the CAPTCHA before submitting. * × = 12
Podcast Activist Katie Jensen: I Am Woman, Hear Me .RAR
Anisa Rawhani September 6, 2017
FeaturesNews 0
Words by Kristel Jax
Photos by Lindsay Duncan
It's April 2017. I'm at Katie Jensen's Inclusive Podcast Workshop series where, surrounded by strangers, I'm holding back a panic attack. Yet Katie's ultra-friendly voice and casual bless-this-mess, we're-all-in-this-together vibe is so soothing, and her enthusiasm for the medium is so infectious, that I start to chill out and believe I can survive three hours of this, especially after a round of introductions.
The all-women class is brimming with intriguing, challenging program ideas on topics ranging from Canadian history to disability to women in music. Part of Katie's inclusivity mandate has meant PWYC workshop participants have paid as little as $5, or received full sponsorship.We each write a script and make a demo, and when mine is played out loud the class, everyone, especially Katie, is enthusiastic and supportive. I'd arrived with the vague idea that podcasting is an important skill for a journalist, and I leave dedicated to turning my niche podcast idea into an iTunes reality. That night, I get an email from Katie that ends: "What next?! What can I do to help make this pod real?"
In the four years since Scarborough-born Katie Jensen moved from Hamilton to Toronto, her name has become associated with too many local and national cultural phenomena to name. She's currently a journalist, podcaster, producer, musician, promoter, blogger, activist, Twitter essayist, and now instructor. She's heavily involved with Toronto DIY music, art, and the culinary event Feast in the East, which just celebrated its sixth year. She also freelances for a series she inspired, PlusPlusPodcast, and will produce podcasts for the 2017 Polaris Music Prize. She writes and curates for the aptly named blog Weird Canada, plays in the dark-wave band Baby Cages, runs her blog Music Between Friends, and programs Indie-licious, a radio show on 93.3 CFMU at McMaster University. Yet, Katie seems at ease managing her myriad projects, tying them, and the people around her, together seamlessly with the common threads of tireless dedication and integrity.
In a city of rising rents and increasing precarity for artists, belief can be hard to come by. When Katie tells me about her own lifelong struggles with generalized anxiety and OCD (she was diagnosed at age eight), the generosity of her enthusiasm begin to make sense: this is an artist who's mastered the tricky dichotomy of needing to ask others for help to make it on her own.
Katie and I chatted about media, DIY, music, inclusivity, mental health, and just doing the thing. Our conversation has been edited for length.
You've become super engaged in different Toronto communities since you moved here four years ago. How did that happen?
Pretty gradually. [At first] I had this corporate job, a place in Parkdale, and had just been dumped by this guy, who was the first person I'd met who was an artist — I was like, "Oh wait, people can make money and call themselves artists? You don't have to be ashamed of calling yourself an artist?" I'd thought calling yourself an artist or musician had this sense of embarrassment.
Where do you think that came from?
Probably from myself. I'd made the choice to go into science and de-prioritize music. I'm the first person in my family to go to university — everyone else is a tradesperson. But everyone's incredibly artistically gifted. No one ever said, "No, you shouldn't be pursuing music." It was just like, "we do these other jobs, and on the holidays we get together and play in our family band or whatever."
So, you're in Parkdale, and you just got dumped.
I was really sick at the time, and I was feeling pretty low. I saw a concert listing for a band called Mimico [at] Feast in the East. I'd never really been on the east end of town. So, I layered myself up and had all these Kleenexes and Halls stuffed in my pockets, and I went to Gerrard Art Space by myself, and maybe New Fries was playing — whoever was playing really took me aback. I saw Tad [Michalak] and Neil [Rankin] sitting at the door, in the little kitchen this guy was serving bowls of mushrooms, noodles, and delicious greens; women were selling glasses of wine; there was art everywhere. There was an amazing positive energy in the room.
As I left, I caught the eye of [Tad] at the door again. My friend was coming to pick me up and I remember saying to her, "I feel like I've gotta talk to that guy at the door," but I didn't. The next day I messaged him and said, "I had so much fun last night. I'd love to help," and he said, "Okay, let's meet for coffee." So, we met at Ideal in Kensington and the minute he walked in the door, I just knew we would be talking for hours.
We started doing Feast in the East together — he'd already been doing it for three years at that point with Neil Rankin and Cameron Lee.
(After linking up with Feast in the East, Katie was invited to start writing for Canadian music blog Weird Canada.) What was it like to start music blogging?
I have a trademark style when I write about music. I can write about technical things, but I'd rather talk about music that evokes imagery. If there's an electric guitar part with a lot of fuzz and distortion and penetrating sound, I'd rather talk about it sounding like a chipped tooth being dragged over metal. Something that makes you feel with how uncomfortable the words are. It makes it easier for people who don't come from a musical background to understand what the music might sound like.You carry this accessibility over to your work in broadcasting.
How did you get into podcasting?
When I moved to Toronto, I was still doing my radio show Indie-licious, and thought, I'm pre-recording it anyway so throwing it up on iTunes is simple. Standards were very low back then for a podcast. I was using a RockBand microphone — like RockBand the game!
How did you transition from doing your own podcasts to working on other people's?
I was getting stagnant at the corporate job I had, and I was dating someone very creative, and I thought, if not now when? Then I went to Jesse Brown, (the host) of Canadaland, and said, "Here's why I think you need me as an intern. These are the episodes I like; these are the episodes I didn't like. Here's what I think you can do to improve the quality of your sound, format, and x, y, z." And he said, "Cool, come in for an interview in a week and bring pitches." The next day he hired me, and I worked there for two years.
You seem to have this intense belief that you can just do things. Where do you think that comes from?
My dad! We're basically the same person. We have similar mental health issues and he's also super autodidactic: he's had a million different trades, he's a gifted artist, he can pretty much pick up any instrument and figure it out. Being the oldest, I got to do all these things with him, and just decided, "Oh, it can't be that hard."
How has experiencing mental health issues from such a young age informed the choices you make now?
I saw a psychologist when I was eight, but when I was 18 I started having panic attacks and obsessive thoughts. Being given such good mental health care when I was eight did two things: it made me less afraid of asking for specific help, and I knew how good treatment could be. So when I didn't get good therapy on campus, I knew to stop and seek it elsewhere.
You're also a very empathetic person. Where does that empathy come from?
Living in Toronto and having incredible women of colour checking me really helped me think of people who don't look like me — people who are often neglected, unacknowledged. That became a priority for me when I saw the examples made by journalists of colour. Seeing their anger, feeling angry for them, and thinking that I have so much privilege, I should try to do everything in my power to fight for people. I became a much stronger feminist when I started listening to women of colour.
The Inclusive Podcast Workshop format seems like a natural reaction to these experiences. When did you first have the idea for the series?
I think it was late at night. I was like, "I'm just gonna put this tweet out and gauge interest." Within a half hour it had 20 retweets or something, and all these journalists were sharing it. I'd specifically tagged people of colour because I wanted to make sure that since this workshop is targeting people of colour, artists, and low-income people, that it didn't have that algorithmic glom-on of white people just liking it. I tried to spread it out as much as I could.
I'm at the point now where more than 130 people have signed up to be in upcoming workshops.
Why was your first priority to make the podcast workshop inclusive, and to reach out beyond your bubble?
A $20 workshop is simply not affordable for some people. I also took a lot of care to make sure all my branding went through a person of colour, I wanted to make sure someone else looked at it.
All these major podcasts are mostly hosted by people who are white, middle class, come from a journalistic background. [I hope] I can crack that open a tiny bit and say, "Hey, it's easy, and you're just as important and deserve to be heard." I try to convey that in my workshop. White men have been told they belong places and they deserve things, we have to tell [other] people that they belong and they deserve things.
Speaking of outsider and often marginalized backgrounds, why is a DIY approach important to you?
DIY scenes give you a place to fail without huge pressure, because when there's a formalized institution scrutinizing you — or high-stakes where you're investing a lot of money — you get fewer chances. With DIY, you can play your first show in a small setting with relatively low costs to the people running the space, and relatively low-cost to the audience.
DIY spaces are a fertile ground in which to develop as an artist, make connections with other emerging artists, and build a more inclusive and supportive community. When you go to a DIY space, you might stand next to someone who's a visual artist or a performance artist and not a musician, you can get to talking, and maybe you do a project together down the line. It's a forgiving and encouraging space, everyone's doing a lot with very little, and you can get very creative with the restrictions placed on you when you have no money.
***Full disclosure: Aside from taking Katie Jensen's podcast workshop, Kristel Jax has performed on show and festival bills alongside Jensen's band, Baby Cages.
The Foolproof Guide to Registering for Canzine 2019
Broken Pencil July 10, 2019
Have you entered the 2019 Broken Pencil Zine Awards?
Q&A: zinester Cathon launches fabulous tiki murder mystery
Q&A: Theodore Carter talks abstraction and convention


Srinagar,23 August,2018-CNS:-Advisor to the Governor, Mr. Khurshid Ahmed Ganai, has urged the country's premier film fraternity to rediscover the captivating locales of the State's incomparable scenic beauty.
Ganai, who is also the Advisor I/C Tourism, was speaking at the Grand Lalit here Thursday evening, in the presence of popular film actor John Abraham and filmmaker and producer Bunty Walia, who are in Kashmir for shooting of their new film.
Welcoming the guests, the Advisor said he was pleased to see big actors like John Abraham shooting in the valley and exuded confidence that other Bollywood bigwigs will soon come back to roll out their cameras here. "I am happy that you have enjoyed your shooting stints in Gulmarg and Pahalgam, but I assure you that there are many other locations that define J&K's unique splendour," he added.
Secretary Tourism, Rigzian Sampheal, Deputy Commissioners of Srinagar and Budgam and representatives of tour and travel operators including Mukhtar Shah and Vicky Shaw were also present on the occasion.


text:
Daniel Blach est un ancien joueur et un entraîneur français de rugby à XV.

Biographie

Ancien joueur de Castres, Daniel Blach partage son temps entre l'équipe professionnelle du SC Albigeois dont il est l'entraîneur responsable des trois-quarts et son poste de professeur des systèmes automatisés au lycée Louis Rascol d'Albi. Il est notamment l'inventeur du Touch' Trainer, un appareil automatique et programmable permettant au talonneur de s'entraîner au lancer en touche, utilisé par plusieurs clubs de l'élite et l'équipe de France. En 1996, il devient l'entraîneur du Sporting club albigeois.

Carrière

Joueur

 Sporting club albigeois : 1977-1983

Entraîneur

 Sporting club albigeois : 1996-1998
 Sporting club albigeois : 1999-2010

Palmarès d'entraîneur
 Vainqueur des phases finales (Vice-Champion) du championnat de France Pro D2 : 2006, 2009
 Vice-champion de France de Fédérale 1 : 2002

Notes et références

Liens externes

Joueur français de rugby à XV
Joueur du Castres olympique
Entraîneur français de rugby à XV
Personnalité liée au Tarn
Date de naissance non renseignée (XXe siècle)

redpajama_set_name: RedPajamaWikipedia


text:
The Fennovoima Code of Conduct and Company Policy define the responsible way to implement all our operations that everyone working for Fennovoima is required to adhere to in all actions.
Fennovoima Company Policy supports our mission, vision and strategy. The Company Policy defines the principles according to which Fennovoima takes care of nuclear and radiation safety in its functions, ensures the quality of its activities and products and secures the working environment. It includes aspects related to nuclear and radiation safety, quality, human resources, occupational health and safety, security, environment, and communication. Our Company Policy was last updated in fall 2018. A revision of the Company Policy is made on a regular basis, according to the Fennovoima Management System processes.
The Code of Conduct incorporates the principles that are considered in all our actions and operations. Our Code of Conduct follows the principles of the United Nations' Global Compact, which promotes sustainable development and responsible business practices. Fennovoima expects its suppliers to comply with Fennovoima's Code of Conduct and with all applicable laws.
Fennovoima Code of Conduct


text:
Żukowo  () is a village in the administrative district of Gmina Suchań, within Stargard County, West Pomeranian Voivodeship, in north-western Poland. It lies approximately  west of Suchań,  south-east of Stargard, and  east of the regional capital Szczecin.

For the history of the region, see History of Pomerania.

The village has a population of 320.

References

Villages in Stargard County


Eighth-ranked Cal State Fullerton will be vying for its 10th straight Pacific Coast Athletic Assn. title today and Saturday in the PCAA gymnastics championship meet at San Jose State.
The Titans, led by seniors Shawn McNulty (rings) and Cody Oakland (all-around), are favored to win the team title and sweep the individual events. This meet will serve as a qualifier for the national championships at Nebraska on April 12 and 13.
The meet will be conducted under a new format. The PCAA rules committee has allowed each coach the option of using 12 gymnasts for the competition, instead of the traditional nine, and the top three scores from each event will be used, instead of the top five.


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Graphic Novel Review: Lost
By Kevin Hoskinson
Like Light before it, Lost is a dialogue-free adventure into the unknown. Its story isn't entirely clear, but it's a fun trip. It allows you to create your own story while giving you a blueprint.of which direction the story should take. It's as minimalistic as comics get, and it's an incredible journey.
The book is about two best friends, Backpacker and Tear. Following their adventures in Light, they find themselves in a strange dimension after falling into a magical portal. They must traverse this unique land, encountering strange creatures and magical wonders. Things go awry when they get split up, and they must find each other if they hope to get out of this place.
That is all I could tell you about this story because frankly, there isn't much else to say. If I did try to fill in the blanks, it would go against everything the book seems to be about. Created by Rob Cham, Lost is a beautifully rendered adventure. I really liked everything's simplistic nature, creating something akin to a dream inspired by the weirdest Cartoon Network has to offer. The character designs are cute and strange, fitting into an oddly unforgettable world.
But aesthetics and story aside, the real charm of Lost is how you feel while reading it. There is a childlike wonder about it that feels special. It's all of the whimsical characters you can dream up while walking through a dark forest late at night. It's about using your imagination and making the story as simple or as complex as you would like. This is a world of fantastical monsters that allow your imagination to run wild. It's a cool idea, and it's a path I'm glad this book took.
Lost, and what came before it, Light, are two books that any fans of good artwork and comics should check out. It tests the boundaries of how to tell stories in this medium with amazing results. Make sure to check out this incredible adventure.
Rating: FOUR Pastrami Nations out of FIVE
Kevin Hoskinson is a writer with a deep-seeded love for movies, comic books, television, and the paranormal. From humble beginnings working the box office at his local movie theater, he's worked his way to becoming a humble family man and professional bug exterminator. Growing up, he wanted to become an astronaut, a Ghostbuster, a dinosaur, and a Disney animator before he found his passion for writing as a teen. He studied film at Los Angeles Valley College with an emphasis on screenwriting and film criticism. He currently lives in Portland, Oregon, with his wife and two kids. You can follow him on Facebook, Twitter @Kevin_Hoskinson, and Instagram @kevinhoskinson.
Kevin Hoskinson
D&D Or Nothing: Episode 3
Comic Book Review: The Department of Truth #1
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Scream (2022) Review -Link in the bio! #ScreamMovi
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text:
Leandra laxa är en tvåhjärtbladig växtart som beskrevs av Célestin Alfred Cogniaux. Leandra laxa ingår i släktet Leandra och familjen Melastomataceae. Inga underarter finns listade i Catalogue of Life.

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