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Analysis Of Conrad 's Heart Of Darkness Essay
Rating: Better Essays
Conrad 's novel, Heart of Darkness, depends on the authentic time of dominion keeping in mind the end goal to depict its hero, Charlie Marlow, and his battle. Marlow 's purgation in the novel, as he goes to the Congo, lays on how he pictures the impacts of government. Marlow is asked by "the organization," the Association, for whom he works, to go to the Congo waterway and report back to them about Mr. Kurtz, a first class officer of theirs. When he sets sail, he doesn 't recognize what 's in store. At the point when his adventure ended, this little "outing" will have changed Marlow until the end of time. Heart of Darkness is an account of one man 's excursion through the African Congo and the "illumination" of his spirit. It starts with Charlie Marlow, alongside a couple of his friends, cruising on board the Nellie, a customary sailboat. On the watercraft, Marlow starts to recount his encounters in the Congo. Conrad utilizes Marlow to uncover all the individual considerations and feelings that he needed to depict while Marlow went on the "voyage of a lifetime." He started his voyage as a conventional English mariner who is heading out to the African Congo on a "business trip". He had never been presented to any society, like the one he was to experience in Africa, and he had no clue about the radically diverse society that existed out there (Conrad 17). All through the book, Conrad, using Marlow 's perceptions, uncovers to the reader the credulous attitude shared by each European. Marlow too shares this guilelessness before all else of his voyage (Shelley 34).
The books Heart of Darkness by Joseph Conrad and Frankenstein by Mary Shelley can be viewed as philosophical editorials on the topics of separation, fixation, investigati...
...l and locals is further highlighted by the casualties ' obscurity. On the other hand, creators contend that merciless treatment will eventually dehumanize them. As a consequence of his encounters, the animal transforms into a killer that locals get to be in refer to Marlow. Also, the nightmarish results of segregation are completely delineated by their exploded backward impact on Frankenstein and the colonialists. Frankenstein gets to be wrecked first mentally, then physically by his creation while Kurtz who was the image of European colonialism and expansionism kicks the bucket with his last vital words "the repulsiveness and the frightfulness". The homesteaders and African locals, alongside Frankenstein and his animal, are comparably depicted as the exemplification of common dehumanization and disheartening which significantly takes after partiality and separation.
- "He cried out twice, a cry that was no more than a breath– The horror. The horror!" (III, p. 178). There are many horrifying things in the world which are of all different orders of magnitude, from disasters that effect millions to insignificant fears of an individual: from catastrophes such as the holocaust to subtleties such as spiders. Conrad, in the Heart of Darkness shows each order, on it 's own level, all in one statement. The eminent Kurtz uttered the aforementioned quote as he was breathing his last, and incorporated all three levels of despair into his last two words.... [tags: Heart of Darkness, Joseph Conrad, The Horror]
Better Essays
An Analysis of Conrad's Heart of Darkness Essay
- An Analysis of Conrad's Heart of Darkness In the twentieth century, nihilistic themes, such as moral degeneration, man's bestial instincts at the core of the soul, and cosmic purposelessness, have preoccupied many works of literature and philosophy.... [tags: Conrad Heart Darkness]
- In his essay "An Image of Africa: Racism in Conrad's Heart of Darkness" Chinua Achebe argues that Joseph Conrad 's novel Heart of Darkness is a racist piece of art. Achebe believes that Africa and Africans are represented in the novel through Conrad 's eyes, not the way they really are, which gives the reader the wrong impression about the continent and the people as a whole. He also assures that the racism found in the novel is because Conrad 's own racist ideas and beliefs. Conrad 's intentions, whether he is a racist or not, are not clear, as the novel is written from the perspective of a foreign white man in a strange country.... [tags: Joseph Conrad, Heart of Darkness, Chinua Achebe]
Essay on Analysis Of Conrad 's Heart Of Darkness
- Few pieces of literature have received as much acclaim and criticism as Joseph Conrad's Heart of Darkness. In his essay "An Image of Africa: Racism in Conrad's 'Heart of Darkness'", Chinua Achebe attacks Conrad and brands him a racist for his dehumanizing descriptions of Africans. When responding to the argument that it is the protagonist Marlow, rather than Conrad, from which the novel's racism stems, Achebe argues that Conrad's failure to provide "an alternative frame of reference by which [to] judge the actions and opinions of his characters" is an indication that Conrad shares the same bigotry as Marlow (Achebe).... [tags: Joseph Conrad, Heart of Darkness, Chinua Achebe]
- In literature, readers associate white with doves and purity, and, on the contrary, black with impending doom and storms. However, in higher literature, authors take these guidelines and use them to their advantage to create varying layers to their novels. Additionally, authors utilize classic social roles and create situations that are unique to their story to give their novel a new perspective. Heart of Darkness embodies these qualities of higher literature. While interpreted to be highly racist, the novel's craft is more important to be analyzed rather than the racial slurs.... [tags: Heart of Darkness, Joseph Conrad, Chinua Achebe]
Essay on Analysis Of Conrad 's ' Heart Of Darkness '
- Heart of Darkness was based on Conrad's personal experience in the Congo in 1890, during this time King Leopold of Belgium colonizes Central Africa and forms the Congo Free State. Leopold 's original purpose for colonizing Congo was to harvest Ivory. As a consequence, King Leopold, who was a tyrant used his powers and weapons to force the Congolese's to work to death. In the same way, that the Hearth of Darkness unfolds; it shares the similarity in which the people of Congo were treated under the authority of Leopold.... [tags: Joseph Conrad, Heart of Darkness, White people]
- Conrad 's novel, Heart of Darkness, depends on the authentic time of dominion keeping in mind the end goal to depict its hero, Charlie Marlow, and his battle. Marlow 's purgation in the novel, as he goes to the Congo, lays on how he pictures the impacts of government. Marlow is asked by "the organization," the Association, for whom he works, to go to the Congo waterway and report back to them about Mr. Kurtz, a first class officer of theirs. When he sets sail, he doesn 't recognize what 's in store.... [tags: Heart of Darkness, Joseph Conrad, Charles Marlow]
- In Joseph Conrad's novel Heart of Darkness, he asserts man's extensive capacity for evil. Through the method of European imperialism, Conrad contrasts the civilized outer European world to the dark uncharted African jungle. Charlie Marlow, the protagonist of the story, recounts his journey into the Congo to resupply the ivory stations and his quest for a man named Kurtz while explaining his adventures to four other men on ship called the Nellie, which happens to be heading towards London on a river called the Thames.... [tags: Heart of Darkness, Joseph Conrad, Apocalypse Now]
Essay about Analysis Of Joseph Conrad 's Heart Of Darkness
- Joseph Conrad was born in 1857 to Polish parents (Gorra 42). His classic novella Heart of Darkness is based largely on his personal journey to the Dark Continent in 1890. His naval adventures with the French Merchant Marines and British Merchant Service greatly influenced each of his works (Hampson 99). Jozef Teodor Konrad Nalecz Korzeniowski was born on December 3, 1857 to members of the Polish gentry in a Russian occupied section of the country (Conrad 1 & Gorra 43). Before the should-be jubilant age of five, Conrad and his parents were exiled to an area north of Moscow.... [tags: Joseph Conrad, Heart of Darkness]
Analysis of Heart of Darkness by Joseph Conrad Essay
- Analysis of Heart of Darkness by Joseph Conrad Heart of Darkness is a story about Marlow's journey to discover his inner self. Along the way, Marlow faces his fears of failure, insanity, death, and cultural contamination on his trek to the inner station. Marlow, who goes on his journey to meet Kurtz, already has a fascination with Kurtz after listening to many people along the way. Conrad tries to show us that Marlow is what Kurtz had been, and Kurtz is what Marlow could become. Marlow says about himself, "I was getting savage," meaning that he was becoming more like Kurtz.... [tags: Marlow Heart of Darkness Joseph Conrad Essays]
Evolution Of The Cave Fish
The Health Insurance Portability And Accountability Act
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Macy 's, Inc.
Dunkin Donuts : Business Analysis
The Program Of The T4 Program


Accomplished writers. Students will formulate arguments; weigh, select, and correctly cite evidence; reason logically and effectively; express personal views; use language imaginatively; and present their collected works in clear, grammatically correct prose.
Critical readers. Students will cultivate a respect for reading a rich diversity of genres, becoming intellectually and emotionally engaged, and comprehending and appreciating an author's diction, syntax, tone, style, ideas, and methods in the historical context of the work.
Empathetic, Catholic beings. Students will analyze and respond, both orally and in writing, to the universal connections made between works of literary merit and cultural history, as well as their own lives and the lives of others, as we all participate in the process of nurturing our faith.
Interactive scholars of the world. Students will establish and understand the interconnectedness among each discipline in the context of our faith.


There will be an excursion to the Huntington Library and Gardens at 12:30pm on Sept. 21. Attendees should meet at the Beckman Institute Auditorium at 12:30pm on Sept 21, walk to the Huntington, have lunch there (see below), and meet for a walking tour at 2:30pm.
From the Beckman Institute Auditorium, walk to the south-east corner of the Caltech campus at California Blvd and Hill Ave. Head east on California, turn right on Allen. Walk south on Allen for 2 blocks to enter the Huntington, continuing for 5mins until you meet a T junction, turn left, then right to enter the main entrance (which has a ticket office and bookshop). At the gate give your name and show your name badge.
Map to find lunch and tour location (building number 29 on the map in your packet, and building 27 on the following pdf: Huntington map).
Attendees should go for lunch at one of the places in the gardens. There are three choices here. For convenience of location and reasonable price, we recommend the cafe. The Tea Rooms are also conveniently located beside the cafe, and a wonderful experience, but usually require a reservation: to make a reservation click here or call 626-683-8131. There is also the very nice Chinese Garden Tea Shop, but this is a 10-15 minute walk, so it might be better to go there after the tour if you want to sit and chat. You may also bring a packed lunch to eat in the gardens.
The tour begins at 2:30pm. The meeting point for the walking tour is under the shade of the trees at the cafe outdoor seating area (building 27 on the official Huntington map).
We will split into groups of 10 to 15 people for a one-hour guided walking tour provided by one of the many volunteer "docents" at the Huntington.
You are free to stay in the gardens until they close at 4:30pm. The bookshop stays open until 5:00pm. Be back at the conference location at 8:00pm for panel discussions.


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Enzymes to Eat Ocean Trash
Subsea Power Grids
The notorious mass of trash floating in the Pacific Ocean is bigger than we originally thought. It is actually two distinct collections of garbage, collectively known as the Pacific Trash Vortex. In 2018, researchers found that it is 16 times larger than original estimates, at least three times the size of France, or a total of 617,763 square miles. An estimated five trillion pieces of plastic float in the ocean, covering an area so large that environmentalists called on the United Nations to declare the Garbage Patch its own country dubbed "The Trash Isles." A recent report by the British government warned that the amount of plastic in the ocean could triple by 2050. The problem has prompted some innovative approaches to help clean up the trash. In the fall of 2018, the Dutch nonprofit Ocean Cleanup launched an ambitious effort to collect half of that Garbage Patch within five years, using a fleet of 60 autonomous floating "screens," or nets that collect debris as small as a centimeter in diameter, and are later retrieved by boats. A floater prevents plastic from flowing over the screen, while a skirt stops debris from escaping underneath. Algorithms pinpoint where to deploy, and real-time telemetry monitors the condition, performance, and trajectory of each screen. The system also relies on the natural ocean currents for energy; the rest of the electronics are solar-powered. In October 2019, Ocean Cleanup announced that the self-contained cleanup system is working. Another effort, the Seabin Project, cleans up oil and trash using floating receptacles with pumps and filtration centers set up in harbors, marinas, and other busy areas. The 5 Gyres Institute invites citizen scientists to contribute data on plastic pollution by offering them yearlong access to $3,000 trawls, or fine-mesh nets that can be used to capture plastic floating on the water's surface. Even if scientists succeed in cleaning up the marine garbage pile, it will require behavioral change among consumers and businesses to prevent future waste. Otherwise, more plastic will continue to pile up in the world's oceans.
This trend is part of our section on Geoengineering. Other trends in this section include:
Storing Captured Carbon with Algae and Bacteria
Converting Carbon Dioxide into Building Materials
Stratospheric Aerosol Scattering with Sulfur Dioxide
Injecting Clouds with Sea Salt Particles
Reflecting Sunlight
Sand for Glacier Melt
Fertilizing the Oceans
Advertising/Public Relations/Marketing, Aerospace, Agriculture, Airlines, Alternative Energy Production & Services, Architectural Services, Auditors, Auto Manufacturers, Biosciences, Builders/General Contractors, Chemical & Related Manufacturing, Civil Servants/Public Officials, Construction, CPG, Cruise Ships & Lines, Defense, Electric Utilities, Environment, Foreign & Defense Policy, Gas & Oil, Government - International, Government - National, Government - State and Local, Government Regulators, Heavy Industry, Information Technology, Infrastructure, Insurance, Lawyers/Law Firms/Legal Industry, Lobbyists, Manufacturing, National Security, Real Estate, Retail, Technology Company, Telecommunications, Trade Associations, Transportation, Travel Industry, Utilities, Waste Management

redpajama_set_name: RedPajamaCommonCrawl


If you would like to join Great Bentley Running Club, please complete our Application Form and bring it to Great Bentley Village Hall on a Wednesday night (from about 7pm). If you are unable to make a Wednesday, bring it along to any of the other training sessions.
Public liability insurance whilst running.
A sophisticated individual standards scheme.
An active social calendar of activities arranged for your enjoyment.
Attached runner status, saving £2 entry at all affiliated events.
A series of club championship races at all standard events.
Running in safety with a group of friendly, keen, enthusiastic runners.
Details of the clubs honorary members are available here.
Any runner changing first claim membership from one club to another must complete this form and return it to the contact shown.


text:
Works produces brand identity for Copa America
by Stephen Chapman
Leeds agency, Works has produced the brand identity for the 2016 Copa America as the competition celebrates its centenary.
The tournament takes place in the USA in 2016 and will be the biggest sporting event to be held there since the 1996 Olympics.
Unveiled in New York City, The Works' new emblem has been designed to "embody and celebrate the rich heritage of the tournament" and also to reflect the "unique " fusion of football from across the whole of America.
A football is at the centre of the new design, which is a modern interpretation of the trophy. The red, green and blue represents "the fans, the players and the many cultures across the Americas" all being drawn together by the game. The external rings show CONCACAF (Confederation of North, Central American and Caribbean Association Football) in blue and CONMENBOL (South American Football Confederation) in green.
The bespoke font includes a colour flash adopted from the host nation's flag.
"We understand the huge significance in the sporting world of two confederations, CONCACAF and CONMENBOL, joining forces and that this will be the first time the competition has been hosted outside of South America. This is an exciting and historic moment for The Works' inaugural football project 'across the pond,'" said Paul Peppiate, business development at Works.
The agency has offices in Leeds and Sao Paulo in Brazil and its client list includes FIFA, UEFA, IAAF and the NBA.
ilk Agency


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Human LILRA3(Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3) ELISA Kit
Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) ELISA Kit
RDR-LILRA3-Hu-48Tests Reddot Biotech 48 Tests 626.4 EUR
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Antibody
Leukocyte Immunoglobulin Like Receptor Subfamily A Member 3 (LILRA3) Antibody
Recombinant Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3)
Description: Recombinant Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 expressed in: E.coli
Human Leukocyte immunoglobulin-like receptor subfamily A member 3(LILRA3) ELISA kit
Description: Quantitativesandwich ELISA kit for measuring Human Leukocyte immunoglobulin-like receptor subfamily A member 3 (LILRA3) in samples from serum, plasma, tissue homogenates. A new trial version of the kit, which allows you to test the kit in your application at a reasonable price.
Description: Quantitativesandwich ELISA kit for measuring Human Leukocyte immunoglobulin-like receptor subfamily A member 3(LILRA3) in samples from serum, plasma, tissue homogenates. Now available in a cost efficient pack of 5 plates of 96 wells each, conveniently packed along with the other reagents in 5 separate kits.
Human Leukocyte Immunoglobulin Like Receptor Subfamily A Member 3 (LILRA3) ELISA Kit
Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3(LILRA3)ELISA Kit
SEB387Hu-10x96wellstestplate Cloud-Clone 10x96-wells test plate 5402.92 EUR
Description: This is Double-antibody Sandwich Enzyme-linked immunosorbent assay for detection of Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) in serum, plasma, tissue homogenates and other biological fluids.
SEB387Hu-1x48wellstestplate Cloud-Clone 1x48-wells test plate 550.13 EUR
SEB387Hu-5x96wellstestplate Cloud-Clone 5x96-wells test plate 2945.08 EUR
4-SEB387Hu Cloud-Clone
Description: Enzyme-linked immunosorbent assay based on the Double-antibody Sandwich method for detection of Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) in samples from serum, plasma, tissue homogenates and other biological fluids with no significant corss-reactivity with analogues from other species.
Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Protein
Human Leukocyte Immunoglobulin Like Receptor Subfamily A Member 3 (LILRA3) CLIA Kit
ELISA kit for Human LILRA3 (Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3)
Description: A sandwich ELISA kit for detection of Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 from Human in samples from blood, serum, plasma, cell culture fluid and other biological fluids.
ELISA kit for Human Leukocyte immunoglobulin-like receptor subfamily A member 3 (LILRA3)
Description: Quantitative sandwich ELISA for measuring Human Leukocyte immunoglobulin-like receptor subfamily A member 3 (LILRA3) in samples from cell culture supernatants, serum, whole blood, plasma and other biological fluids.
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Antibody (HRP)
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Antibody (FITC)
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Antibody (Biotin)
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Antibody (APC)
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Antibody (PE)
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Polyclonal Antibody (Human)
Description: A Rabbit polyclonal antibody against Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3)
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Polyclonal Antibody (Human), APC
Description: A Rabbit polyclonal antibody against Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3). This antibody is labeled with APC.
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Polyclonal Antibody (Human), Biotinylated
Description: A Rabbit polyclonal antibody against Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3). This antibody is labeled with Biotin.
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Polyclonal Antibody (Human), Cy3
Description: A Rabbit polyclonal antibody against Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3). This antibody is labeled with Cy3.
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Polyclonal Antibody (Human), FITC
Description: A Rabbit polyclonal antibody against Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3). This antibody is labeled with FITC.
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Polyclonal Antibody (Human), HRP
Description: A Rabbit polyclonal antibody against Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3). This antibody is labeled with HRP.
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Polyclonal Antibody (Human), PE
Description: A Rabbit polyclonal antibody against Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3). This antibody is labeled with PE.
Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3) Polyclonal Antibody (Human), APC-Cy7
Description: A Rabbit polyclonal antibody against Human Leukocyte Immunoglobulin Like Receptor Subfamily A, Member 3 (LILRA3). This antibody is labeled with APC-Cy7.
Human Leukocyte immunoglobulin-like receptor subfamily A member 5 (LILRA5)
1-CSB-MP012937HU Cusabio
Description: Recombinant Human Leukocyte immunoglobulin-like receptor subfamily A member 5(LILRA5),partial expressed in Mammalian cell
Description: Recombinant Human Leukocyte immunoglobulin-like receptor subfamily A member 5(LILRA5),partial expressed in E.coli
1-CSB-YP012937HU Cusabio
Description: Recombinant Human Leukocyte immunoglobulin-like receptor subfamily A member 5(LILRA5),partial expressed in Yeast
Human LILRA2/ Leukocyte immunoglobulin-like receptor subfamily A member 2 ELISA Kit
E1466Hu Sunlong 1 Kit 726 EUR
Human LILRA2(Leukocyte immunoglobulin-like receptor subfamily A member 2) ELISA Kit
Recombinant human Leukocyte immunoglobulin-like receptor subfamily B member 3
P2270 FN Test 100ug Ask for price
Description: Recombinant protein for human Leukocyte immunoglobulin-like receptor subfamily B member 3
Human LILRB3/ Leukocyte immunoglobulin-like receptor subfamily B member 3 ELISA Kit
Mouse Leukocyte immunoglobulin-like receptor subfamily B member 3 (Lilrb3)
1-CSB-YP012941MO Cusabio
Description: Recombinant Mouse Leukocyte immunoglobulin-like receptor subfamily B member 3(Lilrb3),partial expressed in Yeast
Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3) Antibody
Recombinant Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3)
Description: Recombinant Human Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 expressed in: E.coli
Description: Recombinant Mouse Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 expressed in: E.coli
Human Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3) Protein
Human leukocyte immunoglobulin-like receptor subfamily B member 4, LILRB4 ELISA Kit
Description: Quantitativesandwich ELISA kit for measuring Human leukocyte immunoglobulin-like receptor subfamily B member 4, LILRB4 in samples from serum, plasma, cell culture supernates, cell lysates. A new trial version of the kit, which allows you to test the kit in your application at a reasonable price.
Description: Quantitativesandwich ELISA kit for measuring Human leukocyte immunoglobulin-like receptor subfamily B member 4, LILRB4 in samples from serum, plasma, cell culture supernates, cell lysates. Now available in a cost efficient pack of 5 plates of 96 wells each, conveniently packed along with the other reagents in 5 separate kits.
Human Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 4 (LILRB4) ELISA Kit
DLR-LILRB4-Hu-48T DL Develop 48T 597.6 EUR
Description: A sandwich quantitative ELISA assay kit for detection of Human Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 4 (LILRB4) in samples from tissue homogenates, cell lysates or other biological fluids.
Human leukocyte immunoglobulin-like receptor subfamily B member 4(LILRB4)ELISA Kit
ELISA kit for Human Leukocyte immunoglobulin-like receptor subfamily B member 4
Description: Enzyme-linked immunosorbent assay kit for quantification of Human Leukocyte immunoglobulin-like receptor subfamily B member 4 in samples from serum, plasma, tissue homogenates and other biological fluids.
Human LILRB4(Leukocyte immunoglobulin-like receptor subfamily B member 4) ELISA Kit
Description: Method of detection: Double Antibody, Sandwich ELISA;Reacts with: Homo sapiens;Sensitivity: 18.75pg/ml
human leukocyte immunoglobulin-like receptor subfamily B member 4,LILRB4 ELISA Kit
Human Leukocyte Immunoglobulin Like Receptor Subfamily B Member 4 (LILRB4) ELISA Kit
RD-LILRB4-Hu-48Tests Reddot Biotech 48 Tests 600 EUR
RD-LILRB4-Hu-96Tests Reddot Biotech 96 Tests 830.4 EUR
RDR-LILRB4-Hu-48Tests Reddot Biotech 48 Tests 626.4 EUR
Description: This is Double-antibody Sandwich Enzyme-linked immunosorbent assay for detection of Human Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 4 (LILRB4) in tissue homogenates, cell lysates and other biological fluids.
Description: Enzyme-linked immunosorbent assay based on the Double-antibody Sandwich method for detection of Human Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 4 (LILRB4) in samples from tissue homogenates, cell lysates and other biological fluids with no significant corss-reactivity with analogues from other species.
Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3) Antibody (HRP)
Mouse Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3) Protein
Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3) Antibody (Biotin)
Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3) Antibody (FITC)
Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3) Antibody (APC)
Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3) Antibody (PE)
Mouse Lilrb4/ Leukocyte immunoglobulin-like receptor subfamily B member 4 ELISA Kit
Canine leukocyte immunoglobulin-like receptor subfamily B member 4(LILRB4)ELISA Kit
GA-E0074CN-48T GenAsia Biotech 48T 482.4 EUR
ELISA kit for Mouse Leukocyte immunoglobulin-like receptor subfamily B member 4
Description: Enzyme-linked immunosorbent assay kit for quantification of Mouse Leukocyte immunoglobulin-like receptor subfamily B member 4 in samples from serum, plasma, tissue homogenates and other biological fluids.
Chicken Leukocyte Immunoglobulin Like Receptor Subfamily B Member 4 (LILRB4) ELISA Kit
Rabbit Leukocyte Immunoglobulin Like Receptor Subfamily B Member 4 (LILRB4) ELISA Kit
Monkey Leukocyte Immunoglobulin Like Receptor Subfamily B Member 4 (LILRB4) ELISA Kit
Pig Leukocyte Immunoglobulin Like Receptor Subfamily B Member 4 (LILRB4) ELISA Kit
Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3) Polyclonal Antibody (Human)
Description: A Rabbit polyclonal antibody against Human Leukocyte Immunoglobulin Like Receptor Subfamily B, Member 3 (LILRB3)


text:
Q: on every postback page opens in a new tab I have a weird problem in my page. I have a button called Print. I wanted report should come in a new tab, so i wrote some javascript on button's onClientClick. Which works great with no problem at all.
But problem starts now when user comes back on original page again, now here i have several controls which cause postback. Say for example its a dropdownlist. so whenever user changes dropdown item it causes postback which is fine but everytime it opens a new tab on every postback.
hope I am clear in question...
Any help??
Here is a code:
<asp:Button ID="btnshow" runat="server" Text="Show" Font-Bold="true" ForeColor="Black" Width="90px" OnClick="btnshow_Click" OnClientClick ="document.forms[0].target = '_blank';"/>

A: The issue is document.forms[0].target='_blank' is setting the target on the form not the individual button so a postback triggered by any control will open in a new tab.
You should use a HyperLink control instead of the Button control. The HyperLink control has a Target property which allows you to specify how the link should be opened.
Below is an example taken from the HyperLink documentation. This will render an anchor tag with target="_blank".
<asp:HyperLink ID="lnkPrint" NavigateUrl="http://www.microsoft.com" Text="Print" Target="_blank" runat="server" />

redpajama_set_name: RedPajamaStackExchange


Six years ago, Sister Rosann Ocken, OSB, struggled with what the spirit might have in mind for her community.
"We were transitioning out of health care, but unsure what the future held," said the prioress of the Missionary Benedictine Sisters of Norfolk, Neb.
An invitation by Bishop Walker Nickless to establish a presence in Sioux City answered that question.
The international order of Missionary Benedictines has mission sites around the world, yet in the United States, their presence has been focused in Norfolk and a convent in Winnebago, Neb.
On Aug. 15, a new religious house was blessed in the former rectory at St. Michael Church – Holy Cross Parish in Sioux City for four Missionary Benedictine Sisters, along with two Vietnamese sisters of the Congregation of the Lover of the Holy Cross.
In his homily the bishop referenced the reading from the letter to the Hebrews, which addressed the concept of mutual love and hospitality to others.
"May we see the work of these sisters build up the kingdom of God in this parish," he said.
With hands outstretched, the bishop continued with the prayer of blessing.
"O God, inspirer and author of every holy resolve, hear our prayer that you will bestow the kindness of your grace on the religious who live in this house. Grant that those who here loyally follow Christ may together become an eloquent witness of their consecration to you," he prayed.
After the prayer of blessing, Bishop Nickless walked through the building sprinkling those present and the new religious house with holy water.
"We have full faith and confidence that we are doing God's will here," she said.
"I am confident they will be a powerhouse of prayer and Christian example for our parish," he added.
While their ministry will be parish-based at first at Holy Cross, Bishop Nickless noted, the sisters are considering expanding to other city parishes in the future.
"The diocese is going to collaborate with Briar Cliff University to help the Vietnamese sisters work towards bachelors' degrees, while they minister to the Vietnamese community at Cathedral Parish in Sioux City," he said.
Sister Pia Portmann, OSB, former prioress of the Norfolk Benedictine Monastery, who now resides in Sioux City, welcomed this new opportunity.
Sister Gabrielle Marie Oestreich, OSB, superior of the Sioux City religious house, expressed her hope for the future.
"The Holy Spirit opened the door for us here, so we are excited to be of service to Holy Cross Parish," she said.


Discussion in 'Feedback and Suggestions' started by Les000x, Jul 12, 2014.
"The resistor RA must be large enough so that it will never supply more than the low valley current Iv".
One might add . . .
RA forms the Load Line that intersects the -ve resistance region of the characteristic, intersects the vertical VA axis above VP and intersects the horizontal IA axis such that the intersection with the negative resistance part of the characteristic is to the left of IV.
Thus, the PUT switches down when VC < VV and switches on when VC > VP.


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text:
Hans Willibald Rosenberg (* 26. Februar 1904 in Hannover; † 26. Juni 1988 in Kirchzarten) war ein deutsch-amerikanischer Historiker.

Leben und Wirken
Hans Rosenberg wurde als Sohn eines Kaufmanns jüdischer Abstammung geboren. Seit 1910 wuchs er in Köln auf und wurde protestantisch erzogen. Ab 1922 studierte er Geschichte und Philosophie an den Universitäten Köln, Freiburg und Berlin bei Friedrich Meinecke und Johannes Ziekursch. Vor 1933 beschäftigte er sich mit Arbeiten zur politischen Ideenwelt des deutschen Vormärz, darunter dem vielbeachteten Aufsatz Theologischer Rationalismus und vormärzlicher Vulgärliberalismus. 1927 wurde er an der Friedrich-Wilhelms-Universität Berlin bei Meinecke über Die Jugendgeschichte Rudolf Hayms promoviert. Rosenberg habilitierte sich 1932 an der Universität zu Köln bei Ziekursch über Rudolf Haym und die Anfänge des klassischen Liberalismus. Seine Antrittsvorlesung fand – unmittelbar vor der Machtübernahme der Nationalsozialisten – im Januar 1933 statt.

Eine akademische Laufbahn im nationalsozialistischen Deutschland war für Rosenberg als "Halbjuden" unmöglich. Daher musste er seine akademische Tätigkeit in Deutschland 1933 aufgeben und emigrierte im Jahre 1935 über England, Kanada und Kuba in die USA. 1936 fand er eine Anstellung am Liberal Arts College in Jacksonville, wo er zwei Jahre lang tätig war. Darauf folgten 21 Jahre Lehrtätigkeit am Brooklyn College in New York. Dort lehrte er europäische Sozial- und Wirtschaftsgeschichte seit dem Hochmittelalter sowie neuere deutsche Geschichte und verfasste mit Bureaucracy, aristocracy, and autocracy. The Prussian experience, 1660–1815 (1958) ein weiteres seiner einflussreichen Hauptwerke. Eine Rückkehr nach Deutschland scheiterte, obwohl es Ende der 1940er Jahre Gespräche über eine Berufung an die Universität Köln gab. 1959 wurde er an die University of California in Berkeley berufen und übernahm die Shepard-Professur für Geschichte. 1972 wurde er emeritiert.

Im Nachkriegsdeutschland verhalf Rosenberg jungen deutschen Historikern und Politikwissenschaftlern dazu, Anschluss an den neuesten internationalen Forschungsstand zu gewinnen und sich an der interdisziplinären Methodendiskussion zu beteiligen. Er trug entscheidend zur Öffnung der deutschen Geschichtswissenschaft gegenüber den Fragestellungen, Methoden und Modellen der systematischen Sozialwissenschaften in der Geschichtswissenschaft bei. 1977 kehrte Hans Rosenberg endgültig nach Deutschland zurück. Er wurde im selben Jahr zum Ehrendoktor der Universität Bielefeld und zum Honorarprofessor der Universität Freiburg ernannt. Sein zuerst 1958 erschienener Aufsatz Pseudodemokratisierung der Rittergutsbesitzerklasse wurde zum Leittext für die Forschung über die ostelbischen Junker.

Von der Friedrich-Ebert-Stiftung wurde seit 2004 alle zwei Jahre der mit 5.000 Euro dotierte "Hans-Rosenberg-Gedächtnispreis" an einen Nachwuchswissenschaftler für eine außergewöhnliche Forschungsleistung verliehen (zuletzt 2016 mit 4.000 Euro). Die Preisträger sind Stephan Malinowski (2004), Christian Nottmeier (2006), Norbert Götz (2008), Sebastian Ullrich (2010), Christiane Reinecke (2013) und Birgit Hofmann (2016).

Die Central European History Society (CEHS) vergibt jährlich den "Hans Rosenberg Book Prize" für das beste englischsprachige Buch zur europäischen Geschichte in Nordamerika sowie den "Hans Rosenberg Article Prize".

Schriften (Auswahl)
Monographien
 Die Jugendgeschichte Rudolf Hayms. Noske, Leipzig-Borna 1928 (zugleich: Berlin, Universität, phil. Dissertation, vom 22. Mai 1928, Teildruck).
 Rudolf Haym und die Anfänge des klassischen Liberalismus (= Historische Zeitschrift. Beiheft. Bd. 31, ). Oldenbourg, München u. a. 1933.
 Die Weltwirtschaftskrisis von 1857–1859 (= Vierteljahrschrift für Sozial- und Wirtschaftsgeschichte. Beihefte. Bd. 30, ). Kohlhammer, Stuttgart u. a. 1934 (2. Auflage unter dem Titel: Die Weltwirtschaftskrise 1857–1859. Mit einem Vorbericht (= Kleine Vandenhoeck-Reihe 1396). Vandenhoeck & Ruprecht, Göttingen 1974, ISBN 3-525-33359-5).
 Bureaucracy, aristocracy, and autocracy. The Prussian experience 1660–1815 (= Harvard Historical Monographs. Bd. 34, ). Harvard University Press, Cambridge MA 1958.
 Große Depression und Bismarckzeit. Wirtschaftsablauf, Gesellschaft und Politik in Mitteleuropa (= Veröffentlichungen der Historischen Kommission zu Berlin beim Friedrich-Meinecke-Institut der Freien Universität Berlin. Bd. 24,  = Publikationen zur Geschichte der Industrialisierung. Bd. 2). de Gruyter, Berlin 1967.
 Probleme der deutschen Sozialgeschichte (= Edition Suhrkamp. es 340, ). Suhrkamp, Frankfurt am Main 1969.
 Politische Denkströmungen im deutschen Vormärz (= Kritische Studien zur Geschichtswissenschaft. Bd. 3). Vandenhoeck & Ruprecht, Göttingen 1972, .
 Machteliten und Wirtschaftskonjunkturen. Studien zur neueren deutschen Sozial- und Wirtschaftsgeschichte (= Kritische Studien zur Geschichtswissenschaft. Bd. 31). Vandenhoeck & Ruprecht, Göttingen 1978, ISBN 3-525-35985-3.

Herausgeberschaften
 Rudolf Haym: Hegel und seine Zeit. Vorlesungen über Entstehung und Entwicklung, Wesen und Wert der Hegel'schen Philosophie. 2., um unbekannte Dokumente vermehrte Auflage, Heims, Leipzig 1927.
 Ausgewählter Briefwechsel Rudolf Hayms (= Deutsche Geschichtsquellen des 19. Jahrhunderts. Bd. 27, ). Deutsche Verlags-Anstalt, Stuttgart u. a. 1930.
 Die nationalpolitische Publizistik Deutschlands. Vom Eintritt der Neuen Ära in Preußen bis zum Ausbruch des Deutschen Krieges. Eine kritische Bibliographie (= Veröffentlichungen der Historischen Reichskommission). 2 Bände. Oldenbourg, München u. a. 1935.

Literatur
 Otto Büsch: In Memoriam Hans Rosenberg 1904–1988. In: Jahrbuch für die Geschichte Mittel- und Ostdeutschlands. Bd. 37, 1988, S. 523–528.
 Otto Dann: Hans Rosenberg und die Universität zu Köln. Ein Nachruf. In: Kölner Universitäts-Journal. Bd. 18, 1988, , S. 13–15.
 Eugene D. Genovese: Hans Rosenberg at Brooklyn College. A Communist Student's Recollections of the Classroom as War Zone. In: Central European History. Bd. 24, Nr. 1, 1991, , S. 51–57, .
 Ewald Grothe: Hans Rosenberg und die Geschichte des deutschen Liberalismus. Seine unveröffentlichte Antrittsvorlesung vom Januar 1933. In: Vierteljahrshefte für Zeitgeschichte. Bd. 62, 2014, S. 109–138.
 William W. Hagen: Descent of the Sonderweg. Hans Rosenberg's History of Old-Regime Prussia. In: Central European History. Bd. 24, 1991, Nr. 1, S. 24–50, .
 Winfrid Halder: "Being accustomed to march with the stronger battalions, the German Science of History was fully prepared to become reconciled with Hitlerism." Eine zeitgenössische Sicht zum Verhältnis von deutscher Geschichtswissenschaft und Nationalsozialismus. Hans Rosenbergs Referat an der London School of Economics im Mai 1935. In: Storia della Storiografia. Bd. 51, 2007, , S. 83–123.
 Franka Maubach: Hans Rosenberg. Ein Historikerleben und die deutsche Geschichte (= Beiträge zur Geschichte des 20. Jahrhunderts. Bd. 30). Wallstein, Göttingen 2022, ISBN 978-3-8353-5162-2.
 Gerhard A. Ritter: Die emigrierten Meinecke-Schüler in den Vereinigten Staaten. Leben und Geschichtsschreibung zwischen Deutschland und der neuen Heimat: Hajo Holborn, Felix Gilbert, Dietrich Gerhard, Hans Rosenberg. In: Historische Zeitschrift. Bd. 284, H. 1, 2007, S. 59–102.
 Gerhard A. Ritter (Hrsg.): Entstehung und Wandel der modernen Gesellschaft. Festschrift für Hans Rosenberg zum 65. Geburtstag. de Gruyter, Berlin 1970, Digitalisat.
 Gerhard A. Ritter: Hans Rosenberg 1904–1988. In: Geschichte und Gesellschaft. Bd. 15, 1989, H. 2, S. 282–302.
 Gerhard A. Ritter: Hans Rosenberg (1904–88). Große Depression und Bismarckzeit. Wirtschaftsablauf, Gesellschaft und Politik in Mitteleuropa. In: Volker Reinhardt (Hrsg.): Hauptwerke der Geschichtsschreibung (= Kröners Taschenausgabe. Band 435). Kröner, Stuttgart 1997, ISBN 3-520-43501-2, S. 536–539.
 Rosenberg, Hans Willibald. In: Werner Röder, Herbert A. Strauss (Hrsg.): Biographisches Handbuch der deutschsprachigen Emigration nach 1933 = International biographical dictionary of central European emigrés 1933–1945. Band 2: The arts, sciences, and literature Teil 2: L – Z. Saur, München 1983, S. 983

 Morton Rothstein: "Drunk on Ideas". Hans Rosenberg as a Teacher at Brooklyn College. In: Central European History. Bd. 24, 1991, Nr. 1, S. 64–68, .
 Hanna Schissler: Explaining History: Hans Rosenberg. In: Hartmut Lehmann, James J. Sheehan (Hrsg.): An Interrupted Past. German-Speaking Refugee Historians in the United States After 1933. Cambridge University Press, Cambridge u. a. 1991, ISBN 0-521-40326-X, S. 180–187.
 Arnold Sywottek: Sozialgeschichte im Gefolge Hans Rosenbergs. In: Archiv für Sozialgeschichte. Bd. 16, 1976, S. 603–621, online.
 Shulamit Volkov: Hans Rosenberg as a Teacher. A Few Personal Notes. In: Central European History. Bd. 24, 1991, Nr. 1, S. 58–63, .
 Hans-Ulrich Wehler (Hrsg.): Sozialgeschichte heute. Festschrift für Hans Rosenberg zum 70. Geburtstag (= Kritische Studien zur Geschichtswissenschaft. Bd. 11). Vandenhoeck & Ruprecht, Göttingen 1974, ISBN 3-525-35962-4.
 Heinrich August Winkler: Ein Erneuerer der Geschichtswissenschaft. Hans Rosenberg 1904–1988. In: Historische Zeitschrift. Bd. 248, 1989, H. 3, S. 529–555.

Weblinks

 Hans-Rosenberg-Gedächtnispreis 2006 (PDF, 1,1 MB) Friedrich-Ebert-Stiftung

Anmerkungen

Wirtschaftshistoriker
Historiker (Neuere und Neueste Geschichte)
Hochschullehrer (Albert-Ludwigs-Universität Freiburg)
Hochschullehrer (Brooklyn College)
Hochschullehrer (University of California, Berkeley)
Ehrendoktor der Universität Bielefeld
Träger des Bundesverdienstkreuzes 1. Klasse
Emigrant aus dem Deutschen Reich zur Zeit des Nationalsozialismus
Deutscher
US-Amerikaner
Geboren 1904
Gestorben 1988
Mann

redpajama_set_name: RedPajamaWikipedia


text:
Phar Lap collection
The horse Phar Lap is a legend of Australian sporting history. His sensational rise from humble beginnings captured the public's imagination during the difficult years of the 1930s Depression.
Phar Lap won 37 races from 51 starts, including the 1930 Melbourne Cup. His death in 1932 prompted an outpouring of anger and grief.
Jockey Jim Pike riding Phar Lap at Flemington racecourse, about 1930
Heart as big as Phar Lap's
Phar Lap's heart
Phar Lap's heart is one of the icons of the National Museum's collection. It weighs 6.35 kgs. This is more than 1.5 times the weight of an average thoroughbred racehorse heart, which weighs 3–4 kgs.
Phar Lap's heart was returned to Australia for testing after his sudden death in the United States in 1932. It was found to be of an unusually large size, and was donated to the Australian Institute of Anatomy, where it was on show for many years.
The saying 'a heart as big as Phar Lap's' alludes to the horse's strength and staying power, as well as the weight of his heart. It is used to indicate great courage, generosity or power.
Phar Lap's heart is on show in the Landmarks gallery and is consistently the object visitors most request to see at the Museum.
Phar Lap's place in history
Phar Lap's popularity was not just due to the fact he won, but due to his humble origins. In the blighted years of the Depression, Phar Lap's spectacular rise from humble beginnings spoke strongly to the hopes and dreams of ordinary Australians. He had neither looks nor obvious racing potential and was leased cheaply by a relatively unknown trainer, Harry Telford.
New Zealand to Australia
Phar Lap was born in Timaru, New Zealand, on 4 October 1926, a rich red chestnut gelding who stood 17 hands high. The yearling was one of six sent by Seadown Stud owner Alec Roberts, to the thoroughbred sale at Trentham, New Zealand, in 1928.
Sydney-based Australian trainer Harry Telford received a copy of the catalogue for the sale, and was impressed by the colt's breeding. Telford did not have money to finance the purchase and approached American businessman David J Davis.
Davis was initially reluctant to commit to the unseen horse, but eventually Telford's brother inspected the horse and Davis contacted Jack Sullings, a business associate in New Zealand, to bid for him.
The auctioneer's copy of the New Zealand Thoroughbred Yearling Sale Catalogue for 24 January 1928, bought by the Museum on the eve of the 2015 Melbourne Cup, includes handwritten notes that show 'Davis of Sydney' was the buyer, with the direction 'Telford to take delivery' and the price of £160.
Melbourne Cup favourite
In Australia, Phar Lap failed to place in eight of his first nine starts, but went on to win 36 of his next 41 races, including the 1930 Melbourne Cup, carrying a 62.6 kilogram handicap. In 1931 alone, he won 14 races.
Phar Lap often won by several lengths and finished at half pace. He was the only horse in Australian racing history to have been favourite for the Melbourne Cup three years running.
Phar Lap and jockey Billy Elliot a week before the Agua Caliente race in 1932
Sudden death in America
In 1931 Telford and David became co-owners of Phar Lap. Davis suggested sending the horse to America to contest the 1932 Agua Caliente handicap in Tijuana, Mexico, the richest race in the world at the time.
Phar Lap and jockey Billy Elliott won the lucrative race. Sixteen days later, on 5 April 1932, Phar Lap died in mysterious circumstances in San Francisco.
Tommy Woodcock, the devoted strapper who had seen the horse through all of his races, was heartbroken.
In Australia, Phar Lap's death was seen as a great tragedy, and rumours spread that the horse may have been poisoned.
Davis arranged for Phar Lap's heart to be sent to the University of Sydney for examination by Dr Stewart McKay, an authority on thoroughbreds, and pathology expert Professor Welsh.
It was then that part of the wall of the left ventricle was removed, to inspect the muscle thickness of the heart walls. Noting the unusually large size of Phar Lap's heart, Dr McKay suggested to Telford that it be donated to the Australian Institute of Anatomy in Canberra.
Debate continues today as to whether Phar Lap died of an acute infection or from arsenic poisoning.
Phar Lap's heart, bottom right, at the Institute of Anatomy
Remains dispersed
Phar Lap's remains were dispersed across the globe.
His mounted hide went to the Museum of Victoria in Melbourne, the skeleton to the National Museum of New Zealand in Wellington and the heart to the Australian Institute of Anatomy.
For many years Phar Lap's heart was on show in Canberra beside the much smaller heart of an army horse.
The Institute of Anatomy collection of wet biological specimens, including Phar Lap's heart, became one of the key collections of the National Museum of Australia in 1980.
Genetic advantage?
Other successful racehorses have also been found to have abnormally large hearts. Research has uncovered a genetic anomaly, named 'the X-Factor', which is passed down through the female line, and originates in the daughters of a racehorse named Eclipse.
Eclipse was foaled in England in 1764, and began racing as a four-year-old. He won all 18 starts, and was retired to stud, where he sired hundreds of winners. When he died in 1789 his heart was removed for burial, and was weighed. Eclipse's heart weighed 14 lbs, or 6.35 kgs, the same as Phar Lap's.
Phar Lap's race wins album
The Museum's Phar Lap collection includes the personal photograph album of Phar Lap's owner, David Davis. The album has 36 black and white photographs, documenting each of Phar Lap's race wins in Australia, with race details inscribed on the mounts. There are 18 pages in all.
This is the only photo album known that features each of Phar Lap's Australian wins. Davis died in 1959 and this album was discovered by his descendants in the attic of the family home in California in the 1990s.
The Maiden Juvenile H'cap, 1929
The Rosehill Guineas, 1929
AJC Derby, 1929
The Craven Plate, 1929
VRC Derby, 1929
VRC St Leger, 1929
VRC Governor's Plate, 1930
VRC King's Plate, 1930
The Chipping Norton Stakes, 1930
AJC St Leger, 1930
The Cumberland Stakes, 1930
The AJC Plate, 1930
Elder Stakes, 1930
King's Cup, 1930
The Chelmsford Stakes, 1930
The Hill Stakes, 1930
The Spring Stakes, 1930
The Randwick Plate, 1930
WS Cox Plate, 1930
The Melbourne Stakes, 1930
Melbourne Cup, 1930
Linlithgow Stakes, 1930
CB Fisher Plate, 1930
St George Stakes, 1931
Futurity Stakes, 1931
Essendon Stakes, 1931
The King's Plate, 1931
Underwood Stakes, 1931
Memsie Stakes, 1931
Spring Stakes, 1931
The Randwick Cup, 1931
Melbourne Stakes, 1931
The Museum's Phar Lap collection also includes:
Jockey Billy Elliott's Agua Caliente Jockey Club official race program. The 1932 program from Phar Lap's last race includes this inscription on the cover: 'To my Darling Wife with best love from Bill'.
Jockey Jim Pike's riding boots and skull cap from the 1930s. At the peak of his career, Pike was known as 'The Master'. Pike rode Phar Lap to 27 wins in 30 races, including the 1930 Melbourne Cup.
An Akubra hat that belonged to Mudburra man Pharlap Jalyirri Dixon, who was born around 1922 on a Northern Territory cattle property. The station owner nicknamed his Aboriginal stockmen after racehorses, and Dixon became known as Pharlap.
Additional parts of Phar Lap's heart discovered as part of the Horses in Australia project.
Portrait painting of Phar LapEquine artist Stuart Reid painted several portraits of Phar Lap and was given direct access to the horse in order to paint him from life. It is unclear if this portrait was a study for a larger work, or if it was a copy of a painting Reid had already completed.
Peter Pan 1934 Melbourne Cup trophy
Melbourne Cup and Queen's Plate 1867
Portrait of Jorrocks
Quail's saddlery collection
Melbourne Cup 1866
'Phar Lap: from racecourse to reliquary', reCollections journal
Flemington on Cup Day interactive
Media release: National Museum acquires historic Phar Lap catalogue
This website contains names, images and voices of deceased Aboriginal and Torres Strait Islander peoples.


text:
import lib_forgi

'''
from eden.modifier.rna.annotate_rna_structure import annotate_rna_structure
from eden.converter.fasta import fasta_to_sequence
from eden.util.display import draw_graph
from eden.converter.rna.rnafold import rnafold_to_eden

def rfam_uri(family_id):
    return 'http://rfam.xfam.org/family/%s/alignment?acc=%s&format=fastau&download=0'%(family_id,family_id)

def get_graphs(rfam_id = None):
    seqs = fasta_to_sequence(rfam_uri(rfam_id))
    graphs = rnafold_to_eden(seqs, shape_type=5, energy_range=30, max_num=3)
    return graphs

graphs = get_graphs(rfam_id = 'RF00005')
graphs = annotate_rna_structure(graphs)
g = next(graphs)
draw_graph(g,vertex_label='entity')
'''

def annotate_single(graph, position_attribute='position'):
    '''
    input is a graph that has a 'structure' attribute and the first node has id 0.
    when done all the node have an 'entity' attribute that indicates the structural element it is part of.
    in addition, attribute 'entity_short' cuts the entity down to a single letter for prettier printing.

    if the ids of the node are not an indicator for the position of a nucleotide,
    you can supply an alternative position_attribute

    >>> from eden.converter.fasta import sequence_to_eden
    >>> sequence = "GAAUUGCGGGAAAGGGGUCAACAGCCGUUCAGUACCAAGUCUCAGGGGAAACUUUGAGAUGGCCUUGCAAAGGGUAUGGUAAUAAGCUGACGGACAUGGUCCUAACCACGCAGCCAAGUCCUAAGUCAACAGAUCUUCUGUUGAUAUGGAUGCAGUUC"
    >>> structur = "....((((((....((.......((((.((((.(((...(((((..........)))))...((.......))....)))......))))))))......))...)).))))......(((....((((((((...))))))))...)))........"
    >>> graph = sequence_to_eden([("ID", sequence)]).next()
    >>> graph.graph['structure']=structur
    >>> annotate_single(graph)
    >>> ''.join([ x["entity_short"] for x in graph.node.values() ])
    'ffffssssssiiiissiiiiiiissssissssisssmmmssssshhhhhhhhhhsssssmmmsshhhhhhhssmmmmsssiiiiiissssssssiiiiiissiiississssmmmmmmsssiiiisssssssshhhssssssssiiissstttttttt'
    '''

    assert "structure" in graph.graph, "Error, structure attribute of graph '{}' not set.".format(str(graph.graph))

    positions = {}
    if position_attribute is not None:
        for n, d in graph.nodes(data=True):
            positions[d[position_attribute]] = n

    # forgi can also output directly to a ssshhhhsss like string.. oh well...
    entity_lookup = {'f': 'dangling start',
                     't': 'dangling end',
                     'i': 'internal loop',
                     'h': 'hairpin loop',
                     'm': 'multi loop',
                     's': 'stem'
                     }
    # forgi gives me the node ids as (start,end) pairs...

    def make_node_set(numbers):
        numbers = map(int, numbers)
        ans = set()
        while len(numbers) > 1:
            a, b = numbers[:2]
            numbers = numbers[2:]
            for n in range(a - 1, b):
                ans.add(n)  # should be range a,b+1 but the biologists are weired
        return ans

    # get forgi elements
    bg = lib_forgi.BulgeGraph()
    bg.from_dotbracket(graph.graph['structure'], None)
    forgi = bg.to_bg_string()

    for line in forgi.split('\n')[:-1]:
        # if the line starts with 'define' we know that annotation follows...
        if line[0] == 'd':
            l = line.split()
            # first we see the type
            entity = l[1][0]
            # then we see a list of nodes of that type.
            for n in make_node_set(l[2:]):
                # we mark those nodes

                if position_attribute:
                    n = positions[n]

                graph.node[n]['entity'] = entity_lookup[entity]
                graph.node[n]['entity_short'] = entity

def annotate_rna_structure(graphs):
    for graph in graphs:
        annotate_single(graph)
        yield graph

redpajama_set_name: RedPajamaGithub


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Night Of Fear Fest – ZOMBIES!!!
Another Promo for Night of Fear Festival (oct 30th & 31st in ST. Albert at the Enjoy Centre) to help out Little Warriors!
Buy your Pre-Sale Tickets (link below) or pay at the door & help support Little Warriors!


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Investigate the beauty of the wheel-thrown form! Explore what makes a particular form exciting, new, and pleasing to both the eye and the hand. Surface decoration, glazing, and various firing techniques included. Prior wheel throwing experience recommended.


text:
Home » Drama » 'Mr. Selfridge' to re-open doors 8 Jan on ITV, March 2016 on PBS
'Mr. Selfridge' to re-open doors 8 Jan on ITV, March 2016 on PBS
On: December 30, 2015, By: Bill Young
As American audiences (im)patiently await the premiere of the final series of Downton Abbey this coming Sunday on PBS, audiences in the UK will soon be aware of the fact that there is, indeed, 'life after Downton', as series 4 of Mr. Selfridge re-opens its' doors on Friday, 8 January at 9:00pm on ITV. For those in the U.S. that are (im)patiently waiting to see the next chapter in the life of Harry Gordon Selfridge, I'm afraid your Sunday nights will be full for the next 10 weeks with Downton with Mr. Selfridge premiering on Sunday, March 27, 2016.
Mr. Selfridge 101 – Series 3 recap
You may recall that when we last left Harry Gordon Selfridge, let's just say the he and Lord Loxley won't be getting together for lunch anytime soon. Remember, it was Lord Loxley who purchased the stock that Harry sold causing him to lose sole control of the store. Faced with some over-the-top scrutiny from the likes of Lord Loxley and other shareholders, Harry does his best imitation of Baldrick and comes up with a cunning plan of his own that we would call a 'massive sale' designed to increase profits to shareholders. As bad publicity ensued, Harry did survive the vote of no-confidence that was engineered by Loxley during an emergency board meeting but, come to find out, Lord Loxley has now sold his shares to a mysterious backer intent on owning the store. Now, you're all caught up, right?
Mr. Selfridge – series 4 premieres Friday, 8 January at 9p on ITV
For series 4, it's 1928, nine years after season three. We find Harry at the pinnacle of his power and public celebrity, a retail giant at the heart of the roaring twenties. A man-about-town in London and often gambling glamorously abroad, rumors of Harry's latest fling light up the social circuit at Victor Colleano's new nightspot, which is bigger and more decadent than ever.
Remember, this is the roaring 20s, a time of rapid change and progress. It's a time where nothing and nobody wants to stand still and contemplate. Fashions and musical tastes are evolving. It is a new and modern world with the crackle of radio and exciting new technologies. The mood of London is distinctly 'modern'. This is the age made for the likes of Harry Gordon Selfridge to live large.
***Mr. Selfridge series 4 spoilers ahead. Enter at your own risk***
In series 4, Harry unexpectedly receives a very special visitor. At Colleano's, Harry and Mae are among the privileged crowd that gathers to watch the spectacle: an exhibition-boxing match between an American and a British champion. Harry meets the man Victor arranged it all with, Jimmy Dillon. A sharp and confident entrepreneur, Jimmy takes a fancy to Mae but gets off on the wrong foot with a slightly defensive Harry. Meanwhile, Harry's head is turned by the presence of stunning stage sirens the Dolly sisters, Jenny and Rosie – who clearly have their sights set on Harry.
Mr. Selfridge, series 4 premieres Friday, 8 January at 9p on ITV and Sunday, March 27, 2016 on PBS in the U.S.
In: Drama
(Mr) 'Selfridge' to re-open January 25 on ITV; March 29 on PBS!
PBS' Drama Sundays return with new eps of 'Mr Selfridge' and 'Grantchester'
It's official! 'Downton Abbey' will cease-to-be after series 6.
The doors of 'Mr. Selfridge' to remain open for a 4th series!
What happens when the lights go out on 'Mr. Selfridge'?
ITV releases details on 'Endeavour' S4 as PBS prepares to premiere S3 this month
Evangeline Holland
Derryn
Discovered this on Amazon Prime and binge watched all three seasons. Darn…hate waiting for 4. Fabulous show!


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Civil War Book Reviews
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Review: The Rebel and the Rose
by Jim Miller on August 22, 2009 · 1 comment
The Rebel and the Rose: James A. Semple, Julia Gardiner Tyler, and the Lost Confederate Gold
By Wesley Millett & Gerald White
Did you know that John Tyler, the 10th President of the United States, was a member of the Provisional Congress of the Confederate States of America, and was later elected to the Confederate House of Representatives but died before he could take office? Did you know his widow, Julia Gardiner Tyler, former First Lady of the United States and New York socialite, was a Confederate sympathizer? Or also a number of John Tyler's sons held prominent positions in the Confederate government and fought in the Confederate Army? I must confess my historical ignorance on these topics, and ask myself why didn't I learn these things in my high school American History class or even in my American History survey classes in college? The answer is of course obvious, they weren't taught, or for that matter even mentioned. Little nuggets of knowledge like these are often what make history so much fun. Which leads me to my next question: "Why isn't this stuff taught in high school and college American History survey courses? Can you imagine how much more excited students of history would be if they knew a former President and his family took up arms against the United States?
So, how then, you may be asking yourself, did I come to learn about these gems of historical minutia? I'm glad you asked! I read "The Rebel and the Rose: James A. Semple and Julia Gardiner Tyler and the Lost Confederate Gold," written by Wesley Millett and Gerald White. "Lost Confederate gold???" you ask. Ah, yes I see I've gotten your attention. And yet the story of what happened to the Confederate Treasury after the fall of Richmond is another subject not touched on in history classes, but also barely mentioned in many books written about the Civil War. But an Indiana Jones movie it is not. Tracking down a lost treasure isn't as glamorous or dangerous as Hollywood would have you believe.
Wesley Millett and Gerald White, the authors of "The Rebel and the Rose," spent twelve years researching their book in attics, archives, and libraries, and searching the internet to piece together the story of the end of the Confederacy, and the collapse of its government, all the while keeping meticulous track of what happened to the Confederate treasury. Their book reads much more like an adventure novel than a history text, and it is filled with tales of treasure and defeat, an illicit and forbidden love affair, and the desperation of the Confederate Government on the run, which as it travels south and west slowly begins to disintegrate until finally Jefferson Davis himself is captured by the Union Army.
"Okay you've got my interest," you say, "But who is James A. Semple, what does he have to do with the lost Confederate gold and what is his relationship with Julia Gardiner Tyler?" I'm glad you asked. James A. Semple was a very efficient & competent Bureau Chief in the Confederate Navy. Semple's estranged wife, Letitia, was the daughter of John Tyler and his first wife, Letitia Christian. James & Letitia Semple spent most of their married lives apart, and permanently separated during the Civil War, though they never divorced. Letitia hated her step-mother, Julia Gardiner Tyler, and while the two of them shared an antagonistic relationship, Julia never held it against James. James Semple and Julia Tyler grew very close and the evidence indicates they may have had a brief love affair.
As I read the book, I began taking notes on who was related to whom. Eventually I ended up creating a genealogical chart to keep track as the Tyler, Gardiner & Semple families are all inter-related to each other in a number of ways, and the more I delved into the genealogy the more fascinating and complex this story gets.
During the Confederate government's flight from Richmond, Semple was eventually put in charge of the Confederate treasury. He successfully avoided capture by the Union Army, and for the next two years would travel between various points in the South to New York and Canada.
Millett & White have done an exemplary job tracking the movements of the Confederate government after it left Richmond and of the treasury and the various disbursements from it, accounting for nearly all of it. "So what happened to the Confederate Treasury and where exactly is it now?" you may ask. Is there a little bit of Indiana Jones lurking inside you? Take off that fedora, put down that whip, brush the sand off your clothes, then read the book and find out for yourself.
ISBN 978-1581825831, Cumberland House Publishing, © 2007, Hardcover, 336 pages, Photographs, Map, Endnotes, Appendix, Bibliography & Index. $24.95
Reading Aid: The Tyler, Gardiner & Semple Families
Article by Jim Miller
Jim has written 11 intriguing articles.
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Jessica James August 23, 2009 at 11:17 am
Sounds like a book I want to put on my To Be Read list! Thanks for the review.
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Mississippi Marine Brigade – Part 9
Brett Schulte
Civil War Book Review: Lincoln Takes Command: The Campaign to Seize Norfolk and the Destruction of the CSS Virginia by Steve Norder
Civil War Book Review: The Real Horse Soldiers: Benjamin Grierson's Epic 1863 Civil War Raid Through Mississippi by Timothy B. Smith
Fred Ray
James Durney
April 2014 Civil War Book Notes
Civil War Book Review: Bloody Autumn: The Shenandoah Valley Campaign of 1864
Jim Epperson
Civil War Book Review: The Last Battle of Winchester: Phil Sheridan, Jubal Early, and the Shenandoah Valley Campaign, August 7–September 19, 1864
Ned B.
Return to Snake Creek Gap – October 1864
Grant & The Red River Campaign, Part 7


Faith & Baseball: Who Goes to Church on Wednesday, Anyway?
Who Goes to Church on Wednesday, Anyway?
It's bizarre, you know, if you think about it. I mean, sure, you know, and I know, that there are people that are attending church every time the door opens. But, why? Who is this person, or these people, that are attending church on this type of basis? What could they possibly get from being there all the time? Is it, if you will, that they feel more holy? Do they think being there is simply what gets them closer to God?
I have no idea what motivates every single person who does so to attend church on Wednesday night. Going on a hunch, however, I'm going to say that they simply want to be closer to God. They don't feel like they're any better than you or I, on average (save from the outlier(s) who do feel 'holier than thou'). We all know that lessons come from that with which we surround ourselves. I think that people who attend church on Wednesday night are trying to make sure those lessons are coming from Him.
I wish I had been there on Wednesday night. I know it's crazy, but I wish I had been there. I wasn't, I was in a private home where we basically held church. Matthew 18:20 says, "Where two or three are gather in my name, there I am with them." Although I was not in that church, I was at "church." Ezekiel 22 verse 30, talks about standing in the gap. "I looked for a man among them who would build up the wall and stand before me in the gap on behalf of the land so I would not have to destroy it, but I found none." This verse is about intercession. It's about being the one to block the evil from that which is good. As it relates to the story from which it came, God was going to have to destroy the land because there was no one to stand in the gap and save it from the overcoming evil. The verse can also be a means for standing in the gap to protect the innocent from the harm that is in the world in which we currently live.
When a tragedy happens like what happened in Charleston, SC last week, sometimes we let outside factors (such as media) decide what the issues are; like who we should blame, how mad we should be, and even what we have to do to stop it. First of all, I'm not mad. I'm sad. I'm heartbroken. It's painful to me that there is this kind of evil in the world. I was very emotional yesterday, Father's Day, while sitting in church thinking about the mourning in South Carolina. I don't even know who to blame for this. I mean, I know who carried out the act, but that doesn't necessarily mean he was the only perpetrator. I don't know who filled his mind with the kind of evil that made him commit mass murder. Nor do I know what we should do to stop it. News outlets have ideas of what to do but, I don't think they have the right answers. More rules and regulations will not work. Rules and regulations, whether we like it or not, will not stop evil. I wonder if the young man who carried out this heinous act even knows about my Savior. I bet not. I can't guarantee that, but I bet not. He may have attended church and heard people quote verses and seen people play out their own version of Christianity, but if he knew the Savior I know, he wouldn't have been able to carry out his plan.
I was also overjoyed. I know, that seems odd. How could I be happy about anything involving tragedy? As Wednesday night turned into Thursday, which turned into the weekend, families of victims began to speak out. These are typically the kind of people who are angry and want vengeance. They're usually too hurt to think about the consequences of the hate they might now carry in their own heart. But these people of Charleston, South Carolina are special people. Some of them attended the hearing of the young man who committed atrocities against their loved ones. They were there, less than forty-eight hours later, to let him know that they have forgiven him.
It's hard to know a person's motives. You can't simply look at someone and see whether their outward appearance is similar to what is in their heart. Having seen the temerity of the victims and their acquiescence of God's wishes by forgiving this young man, I think I can say that they know my Savior. I wish I had been there that day. I wish we could have been there to stand in the gap. That's what brothers and sisters do for one another.
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Foxygen - We Are the 21st Century Ambassadors of Peace & Magic
Foxygen – We Are the 21st Century Ambassadors of Peace & Magic (3/5)
Contemporary rock music has been decried as an anachronism in the world of hip hop and electronica, the sonic equivalent of literature's "dead white men." All the trendy blogs and publications (or wannabe trendy blogs and publications) have produced at least one article attacking modern rock music for being stuck in the past. But these same publications also happen to reward rock musicians who have an uncanny ability to ape past rock luminaries. I won't go too far down the rabbit hole on the subject of "originality," but I will suggest that if you make music using a computer instead of a guitar this doesn't make you any less indebted to those who came before you. (I'm often surprised by how much electronic dance music sounds like it could have been made fifteen or twenty years ago). The problem with Foxygen's album, We Are the 21st Century Ambassadors of Peace & Magic, isn't that the band wears its influences on its sleeves. It's that the musicians have yet to figure out how to smoothly integrate their influences into a satisfying sound.
Foxygen's songs can be divided into two camps: one, contained pop songs and two, messy rock collages. I'll start with their smart, bite sized tracks first, because they are the most immediately satisfying moments on the record. The album opener, "In the Darkness," melds the melodies of the Kinks with the horn section borrowed from Sgt. Peppers. It's a memorable and satisfying beginning, and it foreshadows the album's fulcrum, "San Francisco." (It seems as if a band like Foxygen is almost contractually obligated to name check San Francisco). With call and response lyrics like the following, "[boy:] I left my love in San Francisco / [girl] That's okay, I was bored anyway," Foxygen gets to showcase some humor and suggest that the band can fit both homage and caricature into the same song.
By contrast, Foxygen's longer, more freewheeling songs are both more ambitious and messier. It doesn't help that it's on these tracks that vocalist, Sam France, tries his best to channel his rock and roll heroes. There's a moment on "No Destruction" that sounds less like a shout out to Bob Dylan than it does a Saturday Night Live impression gone wrong. At their worse, these longer songs sound like snippets of ideas haphazardly strung together without thought to transitions or continuity. On the song, "Oh Yeah," Foxygen splice a Jackson 5 song into the middle of a T. Rex number, a combo that should work, but here it sounds random, like they're flipping back and forth between two radio stations.
Foxygen's intense knowledge of rock and roll's back catalogue is at times reminiscent of sampling in hip hop. But where the best hip hop DJs manage to take disparate sounds that have no business inhabiting the same song and yet somehow make them sound like perfect compliments, here Foxygen takes sounds that should work together and somehow manages to make them clash. The exception is perhaps "On Blue Mountain," which moves from one idea to the next, taking unexpected detours when necessary, but all the while building towards something greater than its parts. This song represents the Platonic ideal of Foxygen in practice. Obviously, this band is talented, and they might even turn in a masterpiece if only they could harness their gifts for the greater good of rock and roll.
Labels: music, review
Soundgarden - King Animal
Soundgarden – King Animal (4/5)
I'll admit to more than a little trepidation when Soundgarden announced that they would be hitting the 90s nostalgia circuit and eventually release a new album. Despite the fact that a number of classic bands over the years have in the past decade started recording new material that has actually strengthened their legacy – from Mission of Burma to Dinosaur Jr. – I still didn't have the same hopes that Soundgarden would follow in their footsteps. There are two seemingly contradictory reasons for this. One, Soundgarden stands as one of the most commercially and creatively successful bands from the 90s, and they arguably never put out a bad album. Even Chris Cornell said he worried about tarnishing their legacy, and I was inclined to agree with him. Two, by the time he, now infamously, teamed up with Tambaland for his last solo album, Cornell, who had become the most visible face of the band, had all but destroyed his goodwill. It always struck me as odd that Cornell would sink so low. After all, he was a principle songwriter in the band and his first solo album turned out to be strong effort. I was content to just listen to Soundgarden's handful of albums over and over again.
But I'm happy to announce that all fears have been swiftly vanquished by Soundgarden's triumphant reunion album, King Animal. If King Animal doesn't have the same impact as Soundgarden's one two punch, Badmotorfinger and Superunknown, then that's a testament to the impossible quality of those two albums than a reflection on the latest album. In fact, listening to King Animal is a little like falling back in love with grunge music, a genre that rock radio has done its best to water down with helpings of imitators. But the fact that King Animal handily decimates memories of Creed and Nickleback tells you all you need to know about the album.
Unlike other grunge contemporaries, like Nirvana or Mudhoney, Soundgarden was less devout to punk. Instead their music felt like the natural inheritors of 70s arena filling rock gods, Led Zeppelin. But unlike some of those bands in the 70s and 80s, Soundgarden always knew to avoid excess when necessary. At a time when garage rock is making something of a small resurgence, it's actually refreshing to hear a band that sounds like its aiming for those sitting the cheap seats. And there are plenty of songs on King Animal that have that epic feel, as if Thayil is conjuring a symphony out of his six strings. During songs like "A Thousand Days Before" each band member seems completely in sync with one another until the final horn crescendo. The album reminded me that Soundgarden really understood how to do big without tipping over into bombast.
King Animal is also a testament to Soundgarden's ability to paint in the corners. While the band has always been able write pop hooks and to go heavy when necessary, they also are comfortable in the studio, adding layers to their music without diminishing its impact. When a chorus spins around again, the band might use a slight effect on Cornell's vocals or let the song devolve into chaos during the bridge. There are always more details for a listener to sift through, and their ability to match an attention to detail with heavy hooks has always made Soundgarden's music just as appropriate for your car's stereo as it is for an expensive pair of headphones.
That's not to say the band hasn't changed in the intervening years. (Although the fact that "Non-State Actor" sounds like a caged animal trying to get free shows they've maintained some of their rough edges). Cornell's voice isn't as piercing as it once was, even if it has held up surprisingly well. The songs themselves sound like they were written by veterans rather than young bunks. But instead of running from age, the band has come to embrace growing older. Singing about wallowing in "mud and blood" and searching with his "good eye closed," Cornell's lyrics often had a suitably Old Testament heaviness that matched the band's predilection for the lower end. But here Cornell finds the space to ruminate on impending middle age. On "Bones of Birds" he sings, "Time is my friend 'til it ain't and runs out / And that is all that I have 'til it's gone," suggesting that Cornell is aware that everything we have, our talents, our relationship, and our lives all come with an expiration date. Tellingly, the album closes on the song "Rowing," which relies on the harmonies of old time work songs. Together the band sings, "Don't know where I'm going, I just keep on rowing / I just keep on pulling, gotta row." And if that isn't a perfect approach to doing what you love and living your life, then I don't know what is. Let's hope it means that King Animal is just the first step in a new era for Soundgarden.
Foxygen - We Are the 21st Century Ambassadors of P...


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Leeds United v Blackburn Rovers: We are a better team this season, insists Mateusz Klich
Leeds United's Mateusz Klich scores his side's second goal at Barnsley.
Are Leeds United making progress this season?
Many supporters are frustrated the Whites have not kicked on since losing last season's play-off semi-final. The view from Marcelo Bielsa's bucket on the touchline, and from the heat of battle, is that they have. The numbers back it up – just – but numbers do not always tell the whole story.
Having lost at Blackburn Rovers last season and squeezed through the reverse fixture with an uncomfortably tight 3-2 win, Saturday's Championship match at Elland Road will be another opportunity to compare where Leeds are against 2018-19.
Fifteen matches into it, Leeds were second in the Championship with 27 points, two behind leaders Sheffield United. This season they are third, still two off the summit, but with 28 to their name. Their goal difference is three poorer, having tightened up defensively without scoring as many.
"We're a better team," insists midfielder Mateusz Klich, whose goal threat has also diminished. "People think we haven't started as well as last season but we have more points. It is funny. I think we've grown as a team.
"Maybe it doesn't look like we're playing better but on the pitch we can feel we're better, more confident at the back. It gives us confidence for the attack."
That defensive security is undeniable. Only Sheffield United and Leicester City have conceded as few as Leeds's eight goals this season, and they have played four fewer matches. That Liam Cooper, Luke Ayling and Barry Douglas have missed a combined 27 matches already makes it even more impressive. Ben White's loan from Brighton and Hove Albion has made light of Pontus Jansson's sale.
"I think we defend better. I have no idea (why) but we're harder to beat," says Klich. Bielsa thinks it is a sign his team are learning from the mistakes of 2018-19.
Although Leeds have lost three games this campaign, compared to two at the same stage of last, there appears to be a greater resolve.
"In the Championship you can't win every game but I think we're more aware (of that) than last season," argues Klich. "Last season after 10 or 15 games everyone was so happy that we had a good start, very enthusiastic about how it's going to be in the Premier League, who we were going to play against, and after 30 games we thought we were already there.
"This season it's basically the same team so we know the season doesn't end in March, we have to play until May and I hope the ending is going to be better."
Bielsa's take is that: "It's a team that is growing and keeping the level (it showed last season) defensively. The team has improved offensively, but the efficiency is worse now."
That efficiency is the most important thing, though. The game is all about goals, after all.
Championship transfer news RECAP: Huddersfield Town linked to ex-Premier League winner, Eddie Nketiah update
Kemar Roofe's two stoppage-time goals were decisive the last time Blackburn were at Elland Road, and his sale to Anderlecht has heaped responsibility on Patrick Bamford. While the 26-year-old's all-round game has stood up to it, his goals output has not. A burst of four in August has not been added to. The on-loan Eddie Nketiah has been more ruthless, but was only just starting to change Bielsa's scepticism about what else he brought to the table when he picked up a training-ground injury.
With Pablo Hernandez's guile badly missed, Klich failing to score since mid-September, on-loan winger Helder Costa yet to settle, Jack Clarke still waiting for his first league start this season and Ezgjan Alioski needed as an emergency left-back until his most recent injury, last week's win over Queens Park Rangers was the first time Leeds had scored more than once since their September 15 win at Barnsley.
The Championship has changed too, and Klich thinks the Whites have lost an element of surprise.
"The teams are fitter than last season," he believes. "Last season we took a lot of teams by surprise, they said, 'Listen, they're going to press you for 20 or 30 minutes and then they will have no power,' but we pressed for 80 and they didn't realise we could do that.
"But this season teams are playing differently against us and sometimes they change formation just for our game.
Many teams have their best games against us.
That's why I'm proud of the team because we're doing better than last season."
For now, the jury is out on that.


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Wyn Davies
Wyn Davies Suggest updates
Conductor.
Wyn Davies studied music at Christ Church, Oxford before joining the music staff at Welsh National Opera. With them he conducted a eide range of operas including Monteverdi, Mozart and Verdi. He also spent two years as assistant conductor at the Metropolitan Opera, New York, and two seasons in Canada at the Banff Centre for the Performing Arts.
In Britain, he has worked with most of the opera companies, and prepared an edition of The Beggar's Opera for Opera Northern ireland and the Buxton Festival. At Buxton he conducted Verdi's Un giorno di regno and Rossini's Turk in Italy. He was also Musical Director for the Carl Rosa company, where his repertoire included The Mikado and Die Fledermaus. Performances with ENO include works by Mozart and Rossini. With Opera North he has conducted The Barber of Seville and rare musicals including Of Thee I Sing (Gershwin) and Love Life (Weill). For Scottish Opera he has conducted Kátya Kabanová, The Magic Flute, The Cunning Little Vixen, Iolanthe, Die Fledermaus and The Italian Girl in Algiers.
He has worked several times in New Zealand, including on Falstaff and The Italian Girl. Concert appearances abroad include Brussels, Belgrade and Auckland.
Kátya Kabanová 1979
Zauberflöte 1979
Cunning Little Vixen 1982
Iolanthe 1986
Fledermaus 2002
Italiana in Algeri 2009


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PCB Shipments Surge 24% in August, Says IPC
The IPC—the Association Connecting Electronics Industries–announced its August findings from its monthly North American Printed Circuit Board (PCB) Statistical Program.
Rigid PCB shipments were up 24.3 percent while bookings increased 22.1 percent in August 2010 from August 2009. Year to date, rigid PCB shipments were up 20.4 percent and bookings have grown 33.2 percent. Compared to the previous month, rigid PCB shipments increased 5.4 percent and rigid bookings increased 1.5 percent. The book-to-bill ratio for the North American rigid PCB industry in August 2010 remained positive, but fell off slightly to 1.08.
Flexible circuit shipments in August 2010 were up 35.7 percent, and bookings were up 61.8 percent compared to August 2009. Year to date, flexible circuit shipments increased 9.2 percent and bookings were up 22.6 percent. Compared to the previous month, flexible circuit shipments decreased 7.6 percent, but flex bookings increased 12.9 percent. The North American flexible circuit book-to-bill ratio in August 2010 remained positive, but fell to 1.01.
For rigid PCBs and flexible circuits combined, industry shipments in August 2010 increased 25.2 percent from August 2009, as orders booked increased 25.0 percent from August 2009. Year to date, combined industry shipments were up 19.5 percent and bookings were up 32.3 percent. Compared to the previous month, combined industry shipments for August 2010 increased 4.1 percent and bookings increased 2.5 percent. The combined (rigid and flex) industry book-to-bill ratio in August 2010 slipped to 1.07.
"Year-on-year sales growth continued in the double digits in August," said IPC President & CEO Denny McGuirk. "The the book-to-bill ratio is positive for the 16th consecutive month, which indicates solid sales growth for the rest of 2010," he added. "Book-to-bill ratios have been trending downward since reaching a peak last May, especially in the flexible circuit segment, mainly due to strong sales growth."
http://www.ipc.org/default.aspx< /a>
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First time attending a yoga session. Loved it. Claire is such a lovely gentle person.
Wonderful Yoga Class and Teacher! Positive vibrations and advices!
This retreat was an enchanting and divine experience from beginning to end (sadly – it had to end!). From the initial booking with Claire I immediately felt comfortable, at ease and excited to be attending the retreat. Claire provided excellent information prior to the retreat and organised everything from airport transfers to payment so effectively. Upon arriving at the Mlyn, the tranquil surroundings, wonderful nature and location literally took my breath away and I instantly felt calm and content. Claire is an authentic and attentive Yoga teacher, assisting with poses when required and really helped us connect with the practice. She was patient, engaging and graceful and I am extremely grateful to her for creating such a revitalising experience. I left the Mlyn feeling invigorated, strengthened and renewed.
Claire has a lovely style of teaching and really works well at modifying the poses to suit all levels in her class. For someone with a history of back injuries I really felt comfortable and safe in her class. She knows how to pace the class very well and instills the right amount of positive energy in a relaxing environment. I would highly recommend her class to any new or more experienced yogis.
I really loved your teaching style and the classes. I'll definitely be looking to join your classes when I get back to Cork.


Written by Scott Joseph on 03 July 2012 on 05 July 2012 .
Next up in the roster of great area restaurants participating in the James Beard Foundation Silver Anniversary Scholarship Drive is Cress. And speaking of drives, Cress, in downtown Deland, is a bit of a distance from downtown Orlando. But this is a wonderful restaurant, one that anyone who loves good food should visit.
Chef Hari Pulapaka, who, along with his wife, Jenneffer, owns Cress, has a creative touch, but he bases all of his dishes on classic culinary principles.
That's evident in his two Beard dishes. One is the Cress seafood sampler of fresh black fin grouper, jumbo lump crab cake served with sauce remoulade, jumbo shrimp, with a sauce creole, and grits with bits of andouille sausage, mushrooms and thyme. The fish sat on al dente sauteed squash, and everything was topped with freshly made potato chips. Although the dish was comprised mainly of seafood, each component had a distinct flavor, and all of the tastes and textures played very nicely together.
I especially liked the crab cake for the buttery notes in the crisp crust that held the lump meat together. And the firm texture of the black fin grouper was very pleasant.
The other dish offered in the promotion is a breast of Grimaud Farms duck, served with an orange sauce and a dollop of blackberry sauce tinged with a bit of habanero for just a spark of spice. It was accompanied by roasted seasonal vegetables and pommes puree. The potatoes had a terrific bit of saltiness. The duck was served medium-rare and it had a delightful gaminess. And I loved the sprig of flash-fried sage with its delicate and fleeting texture.
Pulapaka used recipes from "James Beard's American Cookery" cookbook, and even gives page numbers on the menu for those who would like to look them up.
I was also lucky enough to be treated to an amuse bouche of egg salad made with Lake Meadow Farms eggs, served on a crostini with flash-fried basil. Can't remember when I've had egg salad that yummy.
Cress occupies what was likely an old storefront. There is a small bar off to one side, and the dining room is furnished with tables covered with black cloths and large, comfortably padded leather chairs. Light fixtures overhead that look as though they might adorn the head of Medusa give a bit of a modern touch. Light jass plays in the background.
Once you've been to Cress, it's easy to see why others include it on the list of the area's best restaurants -- and why Pulapaka was a semifinalist for a Beard Award. And once you know how good the food is, the drive doesn't seem nearly as long.
Cress is at 103 W. Indiana Ave., Deland. It is open for dinner Tuesday through Saturday. This is a link to cressrestaurant.com. The phone number is 386-734-3740.