text:
Home WinBuzzer News Microsoft Points Office 2010 Users to Office 365 Ahead of End-of-Support
Microsoft Points Office 2010 Users to Office 365 Ahead of End-of-Support
With just a year left on free update support, Office 2010 is on its final lap. Microsoft says now is the time to migrate and points to Office 365 ProPlus as the viable solution.
October 15, 2019 7:39 pm CEST
Office 2010 has just recently entered its final year of support and Microsoft is moving to warn users to update. Redmond is urging organizations to upgrade to Office 365 ProPlus. Once Office 2010 reaches the end of its support cycle, no more updates will be issued for the platform.
No updates mean not even for security patches, bug fixes and general tech support. It is worth noting users could choose to migrate to Office 2019 on-premises. However, it is clear Microsoft would prefer organizations to move to the subscription-based Office 365 ProPlus, which is calculated on a per-user basis.
Microsoft's reasoning for steering customers to ProPlus is that the service enjoys frequent updates. Office 2019 is a license platform that has the same features that it had at launch. IN other words, ProPlus is more like an Office-as-a-service solution.
"Consider just a few benefits: AI and machine learning to advance creativity and innovation, real-time collaboration across apps, and Microsoft Teams as the hub for teamwork," said Jared Spataro, corporate vice president for Microsoft 365.
"With built-in, cloud-powered security to protect your data, Office 365 ProPlus also provides the peace of mind that comes with knowing your business will not only be productive, but safe."
In September, Microsoft confirmed it would extend the support window for Exchange Server 2010 cutoff until October 13, 2020. This was an extension beyond the original Jan 14, 2020 end-of-support.
Microsoft says it needed to make the adjustment "after investigating and analyzing the deployment state of an extensive number of Exchange customers."
It is worth noting that all end-of-support information is in reference to the free support Microsoft offers. The company will continue to offer patches to organizations for a fee after the cutoff date.
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City College Of San Francisco To Remain Accredited Pending Trial
A private commission cannot revoke the accreditation of City College of San Francisco until a trial is held to determine if the action is lawful, a judge ruled last week. The Accrediting Commission for Community and Junior Colleges had moved to strip official certification from City College effective July 2014, citing a failure to improve serious financial and governance problems. If the 80,000-student multi-campus institution loses accreditation, it could also lose state aid and could close.
San Francisco City Atty. Dennis Herrera filed a civil suit in August, charging that the accrediting panel acted with unlawful conflict-of-interest and political bias because City College leaders expressed a philosophy over the mission of community colleges that differed from the commission's.
Herrera and a group representing teachers' unions and students filed preliminary injunctions in November, alleging that the commission was using stalling tactics and that a trial might be delayed until after the July revocation deadline, irreparably harming the college. In granting a partial injunction, San Francisco County Superior Court Judge Curtis E.A. Karnow agreed with Herrera, writing that losing accreditation would be "catastrophic" for the school.

redpajama_set_name: RedPajamaCommonCrawl


text:
The Archive of the Institute preserves the working materials and papers of the Institute's founder Aby M. Warburg and of other distinguished scholars closely associated with the Institute from its days in Hamburg to the present.
Access the online database here
Only the catalogues of the collection correspondence and Warburg's index card boxes are currently accessible online
The Archive of the Institute preserves the working materials and papers of the Institute's founder Aby M. Warburg (1866-1929) and of other distinguished scholars closely associated with the Institute from its days in Hamburg to the present. The Archive also preserves papers relating to the history of the Institute as well as its academic and administrative records.
The Warburg Institute Archive holdings comprise the complete remaining papers of the former directors Fritz Saxl (1890-1948) and Gertrud Bing (1892–1964) as well as the literary estate of the cultural historian Dame Frances A. Yates (1899–1981). In addition, the Archive contains both papers and collections relating to the archaeologist Alphons A. Barb (1901-1979), the art historian Michael Baxandall (1933-2008), the historian of religion Robert Eisler (1882-1949), the art historian Leopold D. Ettlinger (1913-1989), the archaeologist Henri Frankfort (1897-1954), the art historian Sir Ernst H. Gombrich (1909-2001), the medievalist Evelyn Jamison (1877-1972), the art historian Betty Kurth (1878-1948), the art historians Otto Kurz (1908-1975) and his wife Hilde Kurz (1910-1981), the Institute's Secretary Anne Marie Meyer (1919-2004), the art historian Charles Mitchell (1912-1995), the classical scholar Roger A.B. Mynors (1903-1989), the art historian Ruth Olitsky Rubinstein (1924-2002), the ophthalmologist Siegfried Seligmann (1870-1926), the philosopher Walter Solmitz (1905-1962), the cultural historian Daniel P. Walker (1914-1985) and the historian Roberto Weiss (1906-1969).
Incorporated in the holdings of the Warburg Institute Archive are the working papers and private correspondences of Ernst H. Gombrich. To access these items permission must be obtained in advance from the Literary Estate of Sir E. H. Gombrich, 6 Celia Road, London N19 5ET. [NB: Please allow sufficient time for a response, which may not be immediate, before making travel or other plans. On obtaining permission, please contact the Institute's archivist.]
The Bilderatlas Mnemosyne
is now online.
Aby Warburg, Bilderatlas Mnemosyne
In February 1927, Aby Warburg embarked in earnest on a project that he never completed, the Bilderatlas Mnemosyne, which is now one of his most famous works. The Bilderatlas was conceived over the course of more than two and a half years, as the summa of his life's work. The project consisted of a work-in-progress series of wooden panels, covered with black cloth, on which he pinned clusters of images (photographic reproductions, photos, postcards and various kinds of printed material), developed in several stages. The selection of images, number of panels and the arrangement of images were constantly changing, and during this period the panels were photographed three times.
Description and Catalogues
Archive staff
A description of all collections held in the Warburg Institute Archive with a summary of both content and extent is available online.
The largest collection consists of Aby Warburg's working papers. The papers have been fully catalogued at file level, but the catalogue remains under revision. A hard copy of the current version is available at the Warburg Institute Archive.
The most important of Aby Warburg's unpublished or posthumously published working papers is listed in E. H. Gombrich, Aby Warburg. An Intellectual Biography, London (2nd ed.) 1986, in his 'Bibliography' under 'Unpublished Sources', pp. 343-47. A more complete summary list is published in Aby M. Warburg, Ausgewählte Schriften, ed. D. Wuttke, Baden-Baden (3rd ed.) 1992, pp. 585-97. The order recorded by Wuttke has been revised.
Only the catalogues of the collection correspondence and Warburg's card index card boxes are currently accessible online.
On Aby Warburg's work
The correspondence collection contains Aby Warburg's personal and institutional correspondence (WIA GC), and the correspondence between Aby Warburg and his family (WIA FC) from 1873 to 1929, followed by the correspondence of the Kulturwissenschaftliche Bibliothek Warburg (WIA GC), currently catalogued up to 1933. The correspondence collection is catalogued on item level. For Warburg's lifetime (up to 1929) each entry contains an abstract of the content of the item.
The collection of 104 index card boxes (WIA III.2.1.ZK) is catalogued on file level.
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The Archive is open Monday – Friday, 10 am – 5 pm, except during the week at Christmas and at Easter when the Institute is closed. Due to shortage of staff it may be necessary to restrict this timetable. Access is by appointment only.
The Archivist (Warburg.archive@sas.ac.uk), will be pleased to answer any enquiries regarding the Archive, and to provide further information.
Access to all materials in the Archive is at the discretion of the Director; considerations of working space and staffing may make it necessary to restrict the number of persons admitted at any given time. Written applications from suitably qualified persons must reach the Director at least fourteen days in advance of the beginning of any proposed visit (applications by telephone are not acceptable), and should specify as exactly as possible the material to be consulted. They must be accompanied by a letter of recommendation from an academic referee. Applicants should note that restrictions apply to materials which mention persons now living, as with materials of a clinical nature relating to the years 1918-24. Those wishing to consult archival material are advised to make preliminary contact with the Archivist (Warburg.archive@sas.ac.uk).
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We do not accept orders for reproductions of documents held in the Warburg Institute Archive, but we do accept orders for reproductions of photographs. The usual restrictions apply to photographs representing unpublished works in copyright (e.g. Aby Warburg's 'Bilderreihen' or Mnemosyne Atlas plates).
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text:
Midwest Hockey Star Danielle Strohmier Makes International Debut in Zug
As one of the national programs on the rise in women's ball hockey, Team USA is developing an exciting crop of talent that should herald an exciting future ahead. Among them is Danielle Strohmier, a 21-year old that is versatile enough to compete on both offense and defense.
Majoring in Business Communications at Trinity Christian College, the Marist High School grad holds an extensive hockey background. In addition to seven years on the ice, Strohmier has played dek/street hockey for an impressive 16 years. Currently a member of the Chicago Lady Cobras tournament team, other teams that she has competed with include the likes of the Andrew Rattlers, the Kankakee Novas and the Romeoville Rampage.
Of all the teams Strohmier has played for, the prestige of playing for the US national team was one that signified a remarkable milestone in her flourishing career. Making her international debut at the 2015 ISBHF World Championships in Zug, Switzerland, she would log her first goal as a member of the US team in a commanding 8-0 win against Great Britain, the fifth goal of the game for the US.
Earning the assists on the landmark goal was Pam Bilger. Before tournament's end, Strohmier would find the back of the net one more time, contributing to a 6-2 win against Team Italia.
"The entire experience was completely surreal. Being able to participate in something so much bigger than myself was such an awarding experience. The weight of it all did not hit me until I saw the immensity of the rink and all the different countries participating.
I just remember sitting there absorbing the fact that I was in another country to play hockey, on behalf of the USA. It was an exhilarating yet daunting revelation for me."
Hailing from Alsip, Illinois, Strohmier was not the only resident of the state to don the US colors in Zug. Among the competitors that she had chance to play alongside was Karen Levin. A native of Skokie, Illinois, the 29-year old Levin competed in NCAA women's ice hockey at Middlebury College, accumulating 100 career points.
In the aftermath of Zug, Levin served as the head coach for a group of Team USA alumnae participating at the World Outdoor Ball Hockey Championships in Barrie, Ontario, Canada from September 26-28, 2015. Her strong leadership skills made an impression on Strohmier,
"Funny enough, I met Karen through the USA program and am extremely grateful I did. She is such a solid player who always has equally solid advice to give. That is something I really enjoy about her. She is very gifted at noticing and communicating things that you can do better as a player."
Also joining Strohmier on the US roster was Chicago Ridge resident and Lady Cobras teammate Eileen Meslar. Of note, the Lady Cobras were formed in 2013 as a competing team at the Womens IDTA/ASHI US Nationals in Leominster, Massachusetts.
Since then, the team has provided a home for Midwest ball hockey players, allowing them the chance to participate in competitive play, which has included the contributions of Strohmier and Meslar. The chance to have a familiar face on the US roster in Meslar enabled a much more enjoyable transition to international play,
"It is always nice to have some familiarity on a team. So I felt very fortunate that I was able to share the experience with my good friend Eileen. She was pretty much my second mom throughout the tournament. Whether it was making sure she was equipped with bandages and Advil for scrapes and aches, or having enough trail mix to keep us fed for a month, she was on it."
While 2015 has represented a landmark year for Strohmier, including her inaugural season with Team USA, it has also been one composed of personal and competitive growth. Reflecting on such an eventful time with great pride, she does so incorporating maturity, displaying a willingness to learn and the desire to reach for even greater potential,
"I would have to say that one of my favorite parts of the whole process was playing with and against such high-caliber players. It is not only fun, but it also pushes you to do better and work harder in order to benefit your team as a whole.
The one lesson I learned while playing was that it is absolutely crucial for a team to work as a unit because at the end of the day any team can be beat, including your own."
Images obtained from: http://zug2015.com/en/teams/women/group-5/usa-united-states/ and http://chicagoladycobras.wix.com/chicagoladycobras#!players/cbky
"All quotes obtained first hand unless otherwise indicated"
Raised in the Greater Toronto Area, Mark holds an extensive writing background. A contributor to Wikipedia since 2007, his writing endeavors have included writing for Bleacher Report (2012-13), and the former CWHL (2012-15), and the Canadian division of the Legends Football League (2013-14). Also part of the team of writers for Hockey Canada at the 2013 IIHF Women's World Championships in Ottawa, Mark contributed features on Jenny Harss, Elin Holmlov, Iya Gavrilova, Kathleen Kauth, Lucie Povova, Alex Rigsby, Julia and Stephanie Marty, and Katie Weatherston, among others. In addition to composing more than 700 articles for Women's Hockey Life (since 2012), his current slate of duties includes covering female tackle football for Canada Football Chat, along with pieces for NowVIZ Magazine (digital format) since its inaugural issue. Also the publisher of allowhertoplay, a website devoted to the heroics of sporting heroines, Mark remains focused on raising awareness of the positive impact of women in sport.
Summer Travels!
Emmanuelle Blais a Key Figure in Growth of Women's Pro Hockey in Montreal


The report builds upon the discussion, presentations, conclusions and recommendations drawn during a Roundtable 13-14 November in Lund. The Roundtable brought together 26 participants from the public and private sector, international and regional organisations including treaty bodies, academia and civil society and statutory bodies and municipalities.
Roundtable participants discussed the connection between human rights and corruption, as well as whether human rights based approaches can add anything important to the fight against corruption. The blend of participants created a vibrant and constructive explorative exchange and resulted in a set of 29 conclusions and recommendations for participants and other stakeholders to consider in their work to promote a corruption-free, and human rights-based society.
A Human Rights-Based Approach emphasising the role of principles, standards and mechanisms for the promotion and protection of human rights can be a valuable and complementary tool in the fight against corruption.
Corruption is often perceived as victimless crime, with the result that it is not as stigmatising as other criminal activities. A change in the way corruption is perceived and dealt with is crucial.
A bottom-up approach to the fight against corruption is necessary to strengthen the popular support in this endeavor and empower victims.
Technology-based solutions can play an important role in this respect.
Promoting gender equality is key, given the perceived correlation that countries with higher levels of gender equality tend to have lower levels of corruption.
There is no need for additional standards and mechanisms for the fight against corruption. Focus should instead be on making use of the existing ones, including human rights standards and mechanisms, more effectively and to develop tools and handbooks supporting their implementation.


text:
Q: The method onOffSwitch() & checkSwitch() that turns the TV on/off I unable to switch off the tv and check switch status. Is there anything that i did wrongly?
Class TV
public class TV{

// instance variables
private int channel;
private boolean flag;
private boolean check;
// constructor
public TV()
{
    //default value
    channel = 1;
    volume =  0;
    flag = false;
}

// accessor
//The method setChannel(int channel) that sets the channel.
public void setChannel(int channel) {this.channel = channel;}

//The method viewChannel() that displays the channel.
public  int viewChannel() {return channel;}

//methods

//The method onOffSwitch() that turns the TV on/off.
public void onOffSwitch()
{

     flag = !flag;

}

//The  method  checkSwitch()  that  displays  a  message   whether the TV is on or off.
public String checkSwitch(){
    String TVState = "";

    if (flag=true)
        return  "TV is on";
    else
        return  "TV is off";
}

//to String

public String toString ()
{
    return  "Channel: " + viewChannel() + "\nVolume: " + viewVolume() +"\nTVState: " + checkSwitch()  + "\nFlag :" + flag + "\nCheck :"+ check;}
}

TVAPP
public class TVApp
{
public static void main(String args[]){
    TV t1 = new TV();

    t1.setChannel (2);

    t1.onOffSwitch();//on
    System.out.println (t1.toString ());
    System.out.println ("");

    TV t2 = new TV();

    t2.setChannel (3);

    t2.onOffSwitch();// on
    t2.onOffSwitch();//off
    System.out.println (t2.toString ());
}}

A: You need to use if(flag), or if(flag==true) instead of if(flag=true) in your check method
if(flag=true) assigns true to flag and returns true resulting in the true branch always executing

A: In your checkSwitch() method you have
if (flag=true)

This is assignment and not comparison i.e = is an assignment operator whereas == is a comparison operation. So when you say
if (flag=true)

flag is set to true every time. As this assignment is true every time your TV will always be on. Change it to
public String checkSwitch(){
    String TVState = "";

    if (flag == true)
        return  "TV is on";
    else
        return  "TV is off";
}

redpajama_set_name: RedPajamaStackExchange


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text:
Hope I Die Before I Get Old?
30 is not the new 20. 40 is not the new 30. Yall should be so lucky.
OK, forgive me one last post about this whole aging thing and then I will write about it no more. Not until my next birthday.
One of the topics that came up at the Berkeley panel, and that I raised again last week at Duke is this: when generations speak to each other, what are we supposed to say?
At the 2004 National Hip-Hop Political Convention, it was clear that even after all these years and books and screaming matches and Congressional hearings, those of us who came of age in the 80s and 90s still hadn't figured out how to communicate with those of us who came of age in the 60s and 70s. Not barely close.
When I sat in the audience at Cal's Pauley Ballroom last week, I got a weird flashback. Two decades before, I had been a student listening to my heroes in the same room urging us to fight for UC divestment from South Africa and an Ethnic Studies requirement. I was a twenty-something listening to then-late thirty-, forty- and fifty-somethings talking about the unfinished struggles of the 60s and 70s they were hoping to marshal the energies of young folks to continue to fight.
It was a little disconcerting to see my peers up there, in the place of my Baby Boomer heroes, and have a sudden pimp-slap of self-recognition. Ouch.
Davey D raised a point about the lack of media for people of color in their mid-30s to mid-40s these days. It's a point I've made myself, but didn't realize the full implications of til he broke it down.
I'll explain it like this: you can be a fan of rock, and have a classic rock station if you came of age in the 60s or 70s, an "adult alternative" station if you came of age in the 80s, an "adult alternative contemporary" if you came of age in the 90s, and another if you're 20 right now. There's no similar continuity–never has been–if you're a fan of Black music. There's a station aimed at 20 year olds and a station aimed at 50+ year olds.
I know Davey talks from experience. He literally hit the age ceiling at the end of the 90s at Clear Channel. It's like: time's expired, you're in Logan's Run and you've just hit 30, baby. And just you wait, young'n, for you too will have your Logan's Run moment before too long.
(BTW that's why Jay-Z lied, yall, about 30 being the new 20. But now I understand where it comes from–he, just like all of us, wants to continue the conversation, and he's got something to say that, odds are, most people wouldn't hear if it weren't for all the money around him and that message.)
So where would one even begin to go if you wanted to hear a Chuck D or a Yo-Yo these days? If you wanted to hear a fortysomething and a twentysomething come together and talk like adults, like grown women and men, about what's good and what's next?
Joan answered the question at Duke: most likely, you'd have to go to a college. Tune in a college radio station, take a hip-hop studies course, check out a panel discussion at a university.
Now, in the past, this nostalgia would have come back as kitsch. (Anyone remember "The Last Dragon"? Of course not!) These days, seems like history is forgotten until it comes back as a Wax Poetics article or a musicblog entry. You ever wonder why hip-hop heads had to "rediscover" soul jazz during the 90s and why hip-hop heads have to "rediscover" Large Professor now?
The answer is a lot deeper than you think: It's just the way American culture works. Maybe the generation gap isn't just a development of getting older, maybe it's a product of the way things are set up around here.
So, back to Davey's point: what if one wanted to have a real intergenerational dialogue these days? Where would you do it?
The answer is that there is nowhere to do it. We gonna entertain the kids over here, and all the adults can gather over there and talk about how mad they are at the kids these days, what the kids don't know about what we've been through, what the kids don't appreciate about what we did, how spoiled are them kids, what is this racket they're listening to anyway.
So instead, the lack of intergenerational discussion pops up in different ways–in all these anti-intellectual conversations amongst young folks about how pompous all this hip-hop-in-the-university stuff is, in–haha–blog discussions about what old folks ought not to wear, in old folks angrily claiming 'hip-hop is dead'. Even ridiculous ways–bloggers saying they're proud never to have read a book about hip-hop, young folks wearing pastel polo shirts with the collars up (still a bad look, fellas), young folks who only buy cassette tapes from the 80s.
I say all this to say that if we were really to get real about changing things, we might recognize that we've been niched, penned, and branded by age. We're like cows sitting in our own filth cursing out the cows on the other side of the fence for their filthiness of their filth.
Alright. Back to life, back to reality.
posted by Jeff Chang @ 6:58 pm | 11 Comments
11 Responses to "Hope I Die Before I Get Old?"
Good points all around. The blogosphere and internet in general may provide an initial arena for intergenerational dialogue. I'm 20 and I would go to work if there were elder/experienced leaders who spoke a similar language to me. With heads entering their 30s and 40s it could happen.
great post, spot on. Though a lot of it is specific to your scenario in the States, there is also some universal truth in there too.
Zentronix says:
j + j, thanks for the poz so far. i still think maybe hip-hop is actually that lingua franca we've all been saying it is.
Dj Triple Threat says:
have a sudden pimp-slap of self-recognition. Ouch.
Don't you hate when that happens.
Not so shameles self promo>>>I have a de.li.cious post up on banning gangsta rap.
Another point that should be made is the rappers that are in that age bracket continually try to go after that younger generation instead of trying to make stuff for the folks that got them where they're at…
I was talking to Slick Rick not too long ago and he said his next album will be for the adults… the folks that are his age. Why don't more emcees do this?
q, you know that if you're playing in the pop cultural space now, the incentives are overwhelmingly loaded towards 30- and 40-somethings not acting their age. i think if the culture were to open up space for them, it would be much different.
i also think a lot of older rappers do make music for folks their age, but the perception is folks their age aren't buying. but i think that has to do with distribution and marketing issues, with the way the game is loaded.
how do you take a 38 year old to the market these days? answer: look at the way jay-z did it. he was marketed into every crossover niche you can imagine, from nascar to budweiser. even age niches: he did hp commercials for the late 30s and 40s set, he did dipset diss mp3s for the teenage set.
james brown made a lot of his most popular and best music when he was in his late 30s. "sex machine" came out when he was 37, "soul power" when he was 38. he didn't have to market differently to a million different niches. the structures of distribution and promotion were much different back then.
on the other hand, if there were to be a legends of hip-hop tour right now, would we go? guess rock the bells might help answer that.
so it's a complicated question, and certainly no one here expects media monopolies to suddenly become enlightened. on the other hand, i think this is also why the media justice movement is among the most age-diverse of progressive movements.
Ninoy Brown says:
i'm pretty sure there's been a couple legends of hip-hop tours that have been attempted. not sure how well they went.
right before i left san diego in december, i remember one of the bigger venues, 4th & b, started to do a monthly "foundations" show, where "golden era" rappers performed. i'm not sure if they still do it, but when special ed came, they ended up making the show free cause they weren't able to sell enough tickets cause there wasn't much interest. it could have just been san diego though, since the scene out there is struggling.
The thing is, watching the success of rock bands like The Rolling Stones, Bruce Springsteen, and Aerosmith in their old age, how come hip-hop can't have the same thing?
I feel like the last albums from Jay-Z and Nas were both directed towards my age group (I'm 32)… and both of those albums were successful. I believe that 30 and 40 year olds would still buy hip-hop music if there was an artist that was making something they related to…
Folks in their 30s and 40s aren't going to the clubs anymore, they're not living in the streets anymore… so why would they buy music that speak on that? they're raising families and working… it's just everyone else is scared to try to rhyme or sell something different… something they can even share with their children. I know parents who have sworn off hip-hop because of the language and message because of their children, even though they were banging NWA and Ice Cube back in the day…
Hopefully with the success of Nas and Jigga's last joints, we can get more mature content (and I'm not talking about sex & violence)… just need a label to invest in it…
Nate P. says:
When I was writing my EMP piece (about the way the RZA used vintage Southern R&B in the Wu-Tang Clan's music), I was working under the impression that this sort of "kill your parents" thing wasn't as prevalent in the hip hop and R&B worlds as it was in rock, where the "rock'n'roll is supposed to scare your parents, man" impetus is a lot more prominent. Things like Nas' "Where Are They Now" tracks, the Isley Brothers' recent crossover success, singers like Ne-Yo going retro '70s (i.e. "Get Down Like That"), the '60s/'70s/'80s pop song as standard in American Idol and the ever-present self-awareness in using old-school R&B samples in hip hop might be masking some underlying generational conflicts, but I haven't seen a lot of shut-up-old-man tendencies in the music itself.
Nate, I think it happens less lyrically than in terms of sound. The battle aesthetic has moved from the stage to the studio. To the extent that the battle aesthetic hasn't been killed by the major labels–this is a whole other discussion–it has to do with the tendency of new sounds to take over every couple of years. Perhaps this is the one place where big money and the infrastructure of the industry still actually backs innovation–even if it's only coming from a smaller number of producers than in the past.
Brother OMi says:
what i would do? i would grab a few beers, sit down and build. We do it all the time around these parts… just build.
but like you said, its really American Culture. I run into so called movie afcionados who don't know what "logan's run" is. I speak to young historians who never read the declaration of independence and choose not to. I can go on and on.
we are all guilty of it. I was one of those cats who rediscovered jazz and soul in the early 90s.
african underground :: depths of dakar
lifesavas :: gutterfly: the original soundtrack
chuck brown :: all about the business
k'naan :: dusty foot philosopher
tracey thorn :: out of the wood
the good the bad and the queen :: the good the bad and the vice president's fall guy
el-p :: i'll sleep when you're dead
arcade fire :: neon bible
antibalas & john mcentire :: security
omar sosa & greg landau :: d.o.-a day off
richie spice :: in the streets to africa
vijay prashad :: the darker nations
cormac mccarthy :: the road
brian coleman :: check the technique
justice for dr. antwi akom
benn loxu du taccu, africa talks
bloc, activist networking resources
b plus and coleman
clamor mag
Add me to the Can't Stop Won't Stop email list for updates and thangs:
For a complete list of Jeff's appearances, check Dates.


text:
KEVIN HARVICK – 2017 Las Vegas Race Report
Event: Kobalt 400 (Round 3 of 36)
Series: Monster Energy NASCAR Cup Series
Location: Las Vegas Motor Speedway (1.5-mile oval)
Format: 267 laps, broken into three stages (80 laps/80 laps/107 laps)
Start/Finish: 19th/38th (Accident, completed 68 of 267 laps)
Point Standing: 8th (91 points, 41 points out of first)
Race Winner: Martin Truex Jr. of Furniture Row Racing (Toyota)
Stage 1 Winner: Martin Truex Jr. of Furniture Row Racing (Toyota)
Stage 1 Recap (Laps 1-80):
Kevin Harvick started 19th, finished 38th.
The Mobil 1 pit crew gained one position on pit road during the lap 20 caution and restarted 10th.
Harvick was able to get a strong restart after the first caution period racing as high as fifth by lap 26.
He reported a loose-handling condition throughout the majority of Stage 1.
Harvick cut a tire on lap 68 which saw him make significant contact with the outside wall, ending his day.
This is the first race Harvick has not finished at Las Vegas.
Kevin Harvick, driver of the No. 4 Mobil 1 Annual Protection Ford Fusion for Stewart-Haas Racing:
"It started vibrating about four or five laps there and I was just trying to ride it to the end of the stage. Obviously, it didn't make it. All in all, our Mobil 1 Annual Protection Ford was running good. We were just too loose right there. It's not like we were even tight, so it either just cut the tire, or came apart or melted the bead."
The next event on the Monster Energy NASCAR Cup Series schedule is the Camping World 500k on Sunday, March 19 at Phoenix International Raceway. The race starts at 3:30 p.m. EDT with live coverage provided by FOX.
Author Kellye ArningPosted on March 12, 2017 March 12, 2017 Categories Post-Race Reports
COLE CUSTER – 2017 Las Vegas Race Report
KURT BUSCH – 2017 Las Vegas Race Report


text:
package net.sourceforge.plantuml.tim;

import net.sourceforge.plantuml.json.JsonArray;
import net.sourceforge.plantuml.tim.iterator.CodePosition;

public class ExecutionContextForeach {

	private final String varname;
	private final JsonArray jsonArray;
	private final CodePosition codePosition;
	private boolean skipMe;
	private int currentIndex;

	private ExecutionContextForeach(String varname, JsonArray jsonArray, CodePosition codePosition) {
		this.varname = varname;
		this.jsonArray = jsonArray;
		this.codePosition = codePosition;
	}

	public static ExecutionContextForeach fromValue(String varname, JsonArray jsonArray, CodePosition codePosition) {
		return new ExecutionContextForeach(varname, jsonArray, codePosition);
	}

	public void skipMeNow() {
		skipMe = true;
	}

	public final boolean isSkipMe() {
		return skipMe;
	}

	public CodePosition getStartForeach() {
		return codePosition;
	}

	public final int currentIndex() {
		return currentIndex;
	}

	public final void inc() {
		this.currentIndex++;
		if (currentIndex >= jsonArray.size()) {
			this.skipMe = true;
		}
	}

	public final String getVarname() {
		return varname;
	}

	public final JsonArray getJsonArray() {
		return jsonArray;
	}

}

redpajama_set_name: RedPajamaGithub


text:
Q: Android : LongClickListener not working I don't know whay when i setting longClickListener to my a view , it is not fire,It is my layout :
<?xml version="1.0" encoding="utf-8"?>
<RelativeLayout
    xmlns:android="http://schemas.android.com/apk/res/android"
    android:layout_width="match_parent"
    android:layout_height="match_parent">

    <include
        android:id="@+id/toolbar"
        layout="@layout/toolbar" />

    <RelativeLayout
        android:layout_width="match_parent"
        android:id="@+id/map"
        android:layout_below="@+id/toolbar"
        android:layout_height="match_parent">

    </RelativeLayout>
    <TextView
        android:layout_margin="5dp"
        android:layout_width="wrap_content"
        android:layout_height="wrap_content"
        android:textAppearance="?android:attr/textAppearanceSmall"
        android:text="16"
        android:id="@+id/zoom_level"
        android:layout_alignParentBottom="true"
        android:layout_alignParentLeft="true"
        android:layout_alignParentStart="true"/>
    <RelativeLayout
        android:layout_alignParentBottom="true"
        android:layout_alignParentRight="true"
        android:layout_marginBottom="5dp"
        android:layout_marginRight="5dp"
        android:layout_width="wrap_content"
        android:layout_height="wrap_content">

        <ImageView
            android:padding="10dp"
            android:background="@drawable/zoom_in_bg"
            android:layout_above="@+id/zoom_out"
            android:src="@drawable/ic_add_black_24dp"
            android:layout_width="wrap_content"
            android:id="@+id/zoom_in"
            android:layout_marginBottom="1dp"
            android:layout_height="wrap_content"/>

        <ImageView
            android:padding="10dp"
            android:background="@drawable/zoom_out_bg"
            android:id="@+id/zoom_out"
            android:layout_alignParentBottom="true"
            android:src="@drawable/ic_remove_black_24dp"
            android:layout_width="wrap_content"
            android:layout_height="wrap_content"/>
    </RelativeLayout>

</RelativeLayout>

and it is fragment
 public class MapFragment extends BaseFragment implements View.OnLongClickListener
{

    private View rootView;
    private org.mapsforge.android.maps.MapView mapView ;

    @Nullable
    @Override
    public View onCreateView(LayoutInflater inflater, ViewGroup container, Bundle savedInstanceState)
    {
        rootView = inflater.inflate(R.layout.fragment_navigation, container, false);
        mapView = new org.mapsforge.android.maps.MapView(getContext());
        mapView.setOnLongClickListener(this);
        RelativeLayout relativeLayout = (RelativeLayout) rootView.findViewById(R.id.map);
        relativeLayout.addView(mapView, new RelativeLayout.LayoutParams(RelativeLayout.LayoutParams.MATCH_PARENT, RelativeLayout.LayoutParams.MATCH_PARENT));
        return rootView;
    }

    @Override
    public boolean onLongClick(View view)
    {
        KLog.error("Long Click called");

        return true;
    }
}

i have tried SetClickable(true) , setLongClickable(true), setFocusable(true) but i cannot solve this problem.what is the solution?
please advise

A: You can add this code to your class:
mapView.setLongClickable(true);

Or add android:longClickable="true" to xml.

A: Put android:longClickable="true" in your Relative layout where you want to add onLongClickListener:
   <RelativeLayout
    android:layout_width="match_parent"
    android:id="@+id/map"
    android:layout_below="@+id/toolbar"
    android:layout_height="match_parent"
    android:longClickable="true">

   </RelativeLayout>

Try with set long click listener on Relative layout instead of mapView:
    RelativeLayout relativeLayout = (RelativeLayout) rootView.findViewById(R.id.map);
    relativeLayout.setOnLongClickListener(this);


text:
Galaxy turn to Sigi Schmid after firing coach Curt Onalfo
Sigi Schmid was the only coach the Sounders knew until they fired him in the middle of last season.
(Ted S. Warren / Associated Press)
By Kevin BaxterStaff Writer
A year ago the Seattle Sounders were floundering.
They had six wins through 20 games, were near the bottom of the MLS Western Conference standings and had shown little heart under Sigi Schmid, the only coach the franchise had never known. So they fired Schmid, signed midfielder Nicolas Lodeiro and went on to win the MLS Cup for the first time.
Now Schmid, 64, hopes to work the same magic with the struggling Galaxy, who picked him to replace Curt Onalfo, who was fired Thursday with the team in its longest losing streak in a decade.
The winningest coach in MLS history took over the Galaxy at Thursday's morning training session and will be on the sideline Saturday when they play the Sounders at the StubHub Center. Schmid said the deal came together in less than 72 hours.
"We certainly had been evaluating things for some time," Galaxy President Chris Klein said. "The decision to go with someone like Sigi, if you look at his history and his track record and look where we're at now, we felt that he was the best hire for us."
Although Schmid will inherit a Galaxy team in a situation similar to the one he left in Seattle last summer, it will be a different team than the one Onalfo guided to a 6-10-4 record. The team signed Mexican national team player Jonathan dos Santos, reuniting him with older brother Gio dos Santos to provide the midfield spark the team has been lacking.
Jonathan dos Santos is expected to take part in his first training session Friday and could make his MLS debut next week.
"The reality of being at this club is results do matter," Klein said. "And as we build through this, we have to take steps so that we continue to move forward. In the end that's what this was about."
The Galaxy paid a $5.8-million transfer fee to Spanish club Villarreal for the rights to Dos Santos, 27, then signed him to a multiyear designated-player contract worth more than $2 million a season. He'll join brother Gio, 28, and Romain Alessandrini, 28, to give the Galaxy a trio of designated players just entering the prime of their careers.
Including the playoffs, Schmid has won 254 games, two league titles and a record five U.S. Open Cups in 17 seasons with the Galaxy, Columbus Crew and Seattle. He also won three NCAA titles during 19 years at UCLA.
He was fired last July with the Sounders struggling under his leadership. Longtime assistant Brian Schmetzer took over and that same week Seattle signed Lodeiro, who led the Sounders to the playoffs and spearheaded an improbable postseason run that ended with a title.
"Certainly the example that they set is the example that this club needs to look at," Schmid said. "It's just a matter of getting into the playoffs and then anything's possible. So we need to now get it together and continue to grow our team."
Schmid will retain Onalfo assistant Rob Becerra and goalkeeper coach Daniel Gonzalez but assistant Ante Razov, who spent two seasons on Schmid's staff in Seattle, will be transferred to another job with the Galaxy.
Schmid, who grew up in Torrance and was a four-year starter at UCLA, said he followed MLS closely during his year away from coaching and believes he knows where the Galaxy need to improve.
"When you look at the numbers and when you look at the statistics, certainly in the last series of games, the issue has been just goals allowed," he said. "We need to make sure that we solidify ourselves defensively and give our offense a chance to show what it can do and produce the goals that it is able to produce.
"You can't give up three goals a game and expect to win."
Onalfo, a defender on the Galaxy's first team in 1996, returned to the franchise in 2011 to first coach the reserve team, then the franchise's USL affiliate, Galaxy II, before replacing Bruce Arena as the first-team coach when Arena left to coach the U.S. national team last fall.
But the team was decimated by injuries from the start of the season, forcing Onalfo to rely on young, unproven products of the club's player-development system for nearly 40% of the minutes played this season.
"I've been very honest about the changeover that we've had to go through … transitioning an older roster," Klein said. "And we are building. So certainly this doesn't lay at anyone's feet."
The team did not make Onalfo available for comment.
The Galaxy played well in stretches, putting together an eight-game unbeaten streak in May and June. But with Onalfo struggling to win the support of many players, the team imploded over the last month.
"I don't think there was a lack of belief or effort," Klein said. "We just felt that now was the right time for a different voice in this locker room. A voice like Sigi Schmid's and the success that he's had in our league and understanding this club was very important. We just felt it was the right change for now."
Onalfo previously coached in the MLS for DC United and the Kansas City Wizards, leading Kansas City to the playoffs in 2007. He has an MLS record of 36-51-29 with three teams.
kevin.baxter@latimes.com
Follow Kevin Baxter on Twitter @kbaxter11
Kevin Baxter
Kevin Baxter covers soccer for the Los Angeles Times, where he has worked for 23 years.


A Shifting Conversations EXCHANGE//PART III: Kathleen MacQueen responds to Raqs Media Collective's previous post: OF TRAVELERS, TRUANTS, AND TROLLS.
Just as your performance of The Last International brought a broad smile to my face so this response drew tears such that I had difficulty reaching the end of your letter. How is it you discern so well my struggles? Or is it that we find in an exchange not necessarily what we seek but what we need? You reminded me of disillusionment, loss of faith, discouragement, and, yes, "being shafted." And I think of failure and its resulting chaos and one's precipitous efforts to make amends without the benefit of detachment, inevitably adding to confusion and increasing a sense of impotence.
Pergamon Museum display, Berlin, 2012 © Kathleen MacQueen.
Although we know that we die and are reborn a thousand times even in a single lifetime. When you think this way, you are not waylaid by the history of a few defeats. You know that the life-time of a dream or an idea, like the Last International, passes through many twists and turns, through many 'births' if you like.
A: DVHDMZY, MZNKZXOZY, VIY GJQZY OCZ VMODNO QZMD HPXC WPO CZ MVS NGDUNCJY JQZM KZJKGZN AZZGNSBN. Apologies were for him like dangling participles lost on the page disconnected from their proper pronoun.
A: I trusted him and considered him a mentor but, ultimately, we parted company in grave misunderstanding and haven't spoken since.
A: As Proust would say: "What does it matter? It means nothing." (His descriptions, however, speak otherwise.) These are the vanities of inner narratives far removed from what goes on in the outside world.
A: CZVYCJMZN OJKMJOZXODQZ RVQQNVIY VMHJM; DOMPNO DIVRDGG OJPIYZMNOVIY. He was Wittgensteinian, believing that understanding ends at the surface of the skin. I am Bakhtinian, believing it worthwhile to return to interrupted conversations.
A: OCZMZ RZMZ OCJNZ RMJ RZMZJM XTPGY WZVI VNNZOOJ CDNRJMF, OCJNZ KMZNZIOV OCMZVO, VSYOCJNZ RCJRZWZ DSYDAAZMZIO.
Illustration for a poem by Giovanni Giacomo Penni published in Rome in July 1515. (Biblioteca Colombina, Seville). Source: Wikipedia.
But how useful is the image of the rhinoceros? Why not a chameleon? Or a snake? Isn't it better to alter our color or shed our skin and change in this way? Ideally, I would like to have skin that is more opaque and colorful…less transparent and melancholic. One could be almost acrobatic, twisting and turning, flipping and flying through life, defying defeat as one defies gravity!
That's precisely how Peter Brook staged A Midsummer's Night Dream – on trapeze with no actors touching the floor of the stage. It was 1970. He had done his protest and now would imagine spontaneity, freedom, and delight! If we cannot manifest our dreams through culture, then we can never hope to change the systems governing our lives. It's not enough to expose the inequities of life; art might also propose new ways of being in relation to one another.
A: Failure brings us to stasis; it interrupts momentum and demands a halt to life as usual. Eventually we become restless once again, begin to move, and, though hesitant, to reach out. As we regain muscle, we discover momentum.
A: How does momentum become a movement? Ah, yes, that is your question, isn't it? It is perhaps the most critical question because it implies the joining of hands and linking of arms. It brings us back to arms akimbo and linked in defiance and solidarity.
Construction barricades, Yerevan, Armenia, 2012 © Kathleen MacQueen.
Of course he felt that this love, this blind love was a passion, something extremely human, that it was samsara, a muddy wellspring, a dark water. And yet, at the same time he felt it was not worthless, it was necessary, originating in his own being. Even this pleasure must be atoned for, even these pains must be experienced, even these follies committed.
Chairs, New York Public Library, 2013 © Kathleen MacQueen.
Of course Ionesco also wrote a play entitled "The Chairs" in 1952. Intent on upsetting logic with absurdity, the play ends in silence with only the audience remaining to fill the space of sound. When you produced The Last International at the Connelly Theatre in New York's East Village, on the first night just as there was no distinct beginning to the event, the audience was unsure if the performance had ended and so we too filled the space of sound. "The last decisive moment of the play should be the expression of … absence," Ionesco is said to have written in a letter to Sylvain Dhomme, director of the first production. 1952 is also the year that John Cage created his best-known and most controversial composition, 4'33", which David Tudor performed as silence.
The Last International, though not quiet, speaks of friendship. However, an earlier work – Whenever the heart skips a beat (2012) – is all of what Cage intends. For this you created billboard displays of analog clocks that tell time through the placement of disconnected words and phrases: "Try" "Me" – one clock invokes Alice's sample of the mysterious vial or the plea of a would-be lover – "Where else?" "Disappear" – while another clock scatters presence within a politics and an intimacy of intimidation. Elsewhere, the hour hand points to "Blood" while the minute hand indicates "Noise" in a silent duet reminiscent of Felix González-Torres Untitled (Perfect Lovers) (1991). Such pairings of non-sequiturs become modest koans of dislocated experience fused lovingly into meaning.
Berlin, 2012 © Kathleen MacQueen.
So after a breach of trust, like a hermit in search of salvation, I took a vow of silence, maintaining it for six months, yet without secluding myself from public view.
When an artist stood his ground in Taksim Square, he made space for others to stand next to him. This is the way the world finds room for itself.
Woodworker's tools, Yerevan, Armenia, 2012 © Kathleen MacQueen.
 Eugène Ionesco, Present Past, Past Present, 1998, 149.
 When I think of chairs, I am reminded of sculptor Charles Ross's collaboration with the Judson Dance Theatre production of November 1963 and of Pina Bausch's Café Müller from 1978.
 John Cage (1959) "Lecture on Nothing" in Silence (Middletown: Wesleyan University Press, 2011), 117.
 Jacques Derrida (1994/97) The Politics of Friendship, trans. George Collins (London and New York: Verso, 2005), 52-3.
The generosity with which you write, and share your writing, is mind blowing… or perhaps it is that you are such a tremendous conjuror of words that each line merely feels like you are laying bare your most vulnerable thoughts, whilst to you, it remains just words 'strung together with the utmost grace'! In either case, it is utterly exquisite.


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If you stare into her eyes, you may just fall in love!
This is Guada from the SPCA of Southwest Michigan and she is beautiful! Guada is a 12 year old Siamese cat that was owner released and before that taken out of a hoarding situation. She has stunning blue eyes and gets along with kinds of animals. She may just be the kitty you have been longing for!


BlackStar2X DamianHays livejasmin. ChristinneNoir. ldanaFell. HotSesamin.
NathalieHuffLussiahot10HotSesaminGirlInTheOffice .vetinaMicheeleSexyGayperdoGirlInTheOffice .foxykinkyPhebee22DominicGoldToughxTSxBoner .BelleIsabelle18XWonderfulTinaIloveHARDSHAYANAXSTYVEN .OrchidDea02PRINCESsexCUMCoupleLatinBoysMikele .KevinLotCumsharitaloveJustinStars001NastyBGtits4u .AishaDuffGirlInTheOfficeAlesiaCherYoungLadyy .LOGANASHANDYARCESHAYANAXSTYVENLOGANASHANDYARCEAmberS .Lussiahot10AmberSwildprincess18cheriecurie .DonatellaBigAss02PRINCESsexCUMCatelynVersRebeccaPerry .sharitaloveOrgasMeNowCoupleLatinBoysRebeccaPerry .
AmiraDollyOrgasMeNowMaturBlondeAmberHotDoll .AelitaaaEnyaGoldTommycumsforyouCarrieRedCherry .KendraReesekristyxCatelynVersMiaSinn .BadBoyClarkvivianneRKevinLotCumfoxykinky .AliceCatGirlsharitaloveOrchidDeaToughxTSxBoner .1roleplayslutyBadBoyClarkIloveHARDwildprincess18 .MaturBlondeKarenOcean001NastyBGtits4ucriscoors .AliceCatGirlelenasorinaFalconandSwallowjhefxxx .jewelbrightLOGANASHANDYARCEAwesomeChrissDeusaJuze .OrchidDeaSexyGayperdoDominicGold02PRINCESsexCUM .WonderfulTinaOrgasMeNowShirleyLovveArianasins .


The new version of SAP Hybris Cloud for Customer (17.08) was just released this August. The enhancements affect the areas of mobility & user experience, workflow or Sales and Service reporting.
Check out this short videos to navigate through the main enhancements of SAP Hybris Cloud for Customer, Sales and Service functions.


text:
Brooke Anne Dittmar would love your feedback! Got a few minutes to write a review?
Maybe Just One More
Brooke Anne Dittmar 8 stories
Chapter 17. Is This Illegal?
Stormie
"Stop being a wimp," Avery teased.
"It's so big, though," I muttered.
"Come on. It's not that big," he said and laughed.
"It's fucking huge, Avery," I argued.
"Just get on," he said. "It won't hurt."
"Until you hit a tree with it," I muttered. I wasn't happy about it, but I got onto the back of his motorcycle to please him.
"Remember what I told you?" he asked.
"Yes, if you lean right, I lean to the right. If you lean to the left, I should do the same," I repeated quickly.
"This helmet is heavy," I grumbled. "You know if you were so confident that you weren't going to wreck this damn thing, why do I need to wear this?" I asked. I pointed at the black helmet on my head. "Is this what you put all your dates through?"
He snorted. "What dates? You're the only passenger I've ever had. That helmet is kind of like reassurance."
"Then why don't you wear one too?" I challenged.
He bit his lip and looked back at me. "I always wear a helmet..." he trailed off. "But that is the only one that I have." There wasn't a trace of humor in his eyes.
"Oh," I breathed.
"Keep your feet up," he said sternly.
"No problem," I agreed. Like, I want to lose a leg at sixty miles an hour by touching my foot to the ground.
He kicked the bike to life and let his feet off the ground as the bike moved forward. He chuckled when I held onto him tighter.
Every nerve in my body woke out of a coma and shook with excitement or fear; I wasn't sure which. Everything sped by quickly, and the wind fought against us and the bike. The motorcycle rumbled louder as Avery accelerated.
When we got into town, Avery weaved in and out of traffic.
I giggled.
He looked back at me and smiled. "Not bad, huh?"
"Watch the road," I muttered.
He laughed and sped forward.
We started to drive out of Granbury. I wasn't sure where we were going because he refused to tell me. It was driving me crazy.
"Babe, where are we going?" I asked.
"You'll find out when we get there," he said.
"You don't even know, do you?" I teased.
"I know exactly where we're going," he said and chuckled.
I huffed and rested my chin on his shoulder. "I hate surprises," I muttered.
"I know, but I love your reactions," he said.
I rolled my eyes but smiled.
"It's getting dark, Avery. You're not taking me clear to Dallas, are you?" I asked.
"We're almost there," he promised.
The streets were dark, but the traffic was heavy. People that were getting off work were flooding the streets. Fort Worth was a hundred times the size of Granbury. The wind blew harder against us. I was glad that Avery talked me into wearing a coat.
We slowed down and turned into a parking lot. I looked up to see the name of the building. My eyes widened in shock.
Avery killed the bike.
I climbed off the bike and stared at the building for a moment. I turned back to Avery.
He was watching me curiously, probably waiting for my reaction. "Are we just going to stand here, or are we going to go inside?" he teased.
I opened my mouth to speak, but I couldn't find words. My gaze flickered back to the building and back to him again. "Avery, I lost that bet. This wasn't the deal," I said.
"What bet?" he challenged.
The seriousness in his voice sent a shiver down my spine. I understood what he meant.
"I'd much rather do things your way," he murmured. He gripped my chin between his thumb and finger. He pressed his lips to mine. "Come on," he said. He grabbed my hand and pulled me to the entrance.
"It looks closed," I said and stopped.
He turned back to me. "It is," he said.
"Avery, oh my god. Are you insane?" I laughed. "We can't break into a trampoline park."
"We're not," he said and rolled his eyes. "I called in a favor." Avery winked at me.
I stared at him, confused. "What?"
The door opened. My head snapped up. A man in his late twenties or early thirties appeared in the door frame. He was tall, and his brown hair was identical to Avery's. His eyes were the same shape but brown instead of green. A realization came over me; this man looked almost identical to Cory, Avery's dad.
"Don't make a mess and don't break anything," the man said.
"Thanks," Avery said.
"Call me when you're done," he said.
"Sure," Avery agreed.
The guy turned around and left.
"Is this illegal?" I asked.
Avery laughed. "No, of course not. I'm an angel. I would never–"
"Avery," I said sternly.
He chuckled. "I definitely would."
"I know," I said.
"Relax, baby. This isn't, I promise. That was my uncle, Rob," Avery said. "He owns this trampoline park. I know you said something about going to Dallas, but I figured you would rather come to where we could be alone than have a bunch of people around. This place gets busy as hell, trust me."
"He's your dad's younger brother, isn't he?" I asked.
"Yeah," Avery said. Avery turned around and headed toward the counter. He turned on all the lights and turned on the music.
"Do you get along with him pretty good?" I asked.
"I got us in here alone, didn't I?" Avery raised a brow.
I pursed my lips and nodded. "You just haven't mentioned him before."
"He reminds me of my dad the most. It's hard to see him most of the time," he said. "It's getting easier." He smiled. "Come on."
We kicked our shoes off and climbed onto a big trampoline. We jumped from one side to the other, laughing as we went. Avery did a front flip and beat me to the end.
"Show off," I muttered.
He laughed and sat down.
"What are you doing? You're not tired already, are you?" I teased.
"That flip was rough," he yawned.
"Whatever." I nudged his foot with mine and laughed. "Get up."
"Let me smoke this first."
"You brought weed?" I gasped. "What if there is a camera?"
"Rob smokes too," he said and chuckled. "Want some of my weed?" he wiggled his eyebrows.
"You're such a goofball," I told him and sat down. I took the blunt from him.
"Hey," he whined.
I reached over and snatched the lighter. "Thanks," I said and smiled.
"Only you could get away with snatching my blunt and lighter like that," he said and chuckled. "I don't usually share my weed. Your brother doesn't even get free weed."
I exhaled and fell over laughing. "See, now that part would be what would really piss him off if he knew," I said.
"Yeah, let's like leave that part out," Avery said thoughtfully.
"What is it like to jump on a trampoline when you're high?" I wondered.
"It's scary as fuck," Avery said and chuckled.
"Really?" I asked worriedly.
"Definitely," he said.
"Have you tried it?" I asked.
"Yeah," he said and chuckled. "How else would I know? I think you need to give me that blunt back."
I laughed and handed him the blunt back. We shared it and laughed and talked about ridiculous things, which is what we usually did when we were high.
"Ew, you ate it," I said.
"Well, I can't throw it away. It's just a roach. I've eaten them before. You can eat weed," he said and shrugged.
"Interesting," I murmured.
He crawled toward me with an expression I recognized.
"Does that weed go straight to your dick?" I teased.
He laughed. "I just kind of wonder what it would be like to have sex in a trampoline park."
I arched my head back and laughed.
"Come on, strip for me," he teased. "This is a way better idea than skinny dipping." Avery placed himself between my legs and hovered over me.
"I still have rug burn on my knees from four days ago," I reminded him. "I don't need it on my back too. Besides, I'm pretty sure that nobody believed me about how I got rug burn on my knees. Thanks very much."
He gave me a devious smile and pressed his lips to mine. "You didn't even notice that rug burn until the next day," he teased.
"Mm," I hummed. "I might have been a little distracted."
"A little?" he smirked.
"A lot, okay? Stop bragging," I said and chuckled.
He kissed up my jaw and down my neck. "You think I'm distracting?" he whispered. "Imagine things the other way around. I can't even throw a damn football the right way when you're watching."
"You play good all the time," I said and rolled my eyes.
"Right, except for when you're angry at me. That never happens except with you," he said and looked into my eyes.
"Are you saying I mess your head up?" I arched a brow.
"Definitely," he agreed.
"Why the hell would you want to be with me then?" I asked. All joking was gone between us. I propped myself up on my elbows and stared into his eyes. My nose was nearly touching his. Both our breathing was erratic.
"It's hard to explain," he murmured. "Maybe, I like that you mess my head up. You make me feel a way that nobody else does. With you, it's like this constant adrenaline rush, and you're so unpredictable. I never know if what I say or do will make you laugh or make you mad."
"People say that opposites don't usually work out," I said. Sadness seeped into my voice.
"I don't believe that," he argued. "You balance me out. We don't always agree, and that keeps it interesting. You hate it when I don't take things seriously, and I've gotten better at being serious. When I'm angry, you make me laugh, which is hard because I got a bad temper."
"I know," I chuckled.
"You're not easily amused, so I'm always trying to think of ways to keep you amused," he said and looked around.
I threw my head back and laughed. "So, all this to keep me interested?"
He shrugged. "If it wasn't interesting, what reason would you or I have to stick around? It's the boring couples that don't work out," he said and smiled. "I love chasing you."
"You're crazy," I murmured. I tangled my fingers in his hair and pressed my lips to his.
"Get me a Pepsi," Mason said.
"Get it yourself, lazy ass," I said and threw a pillow at my brother. I kept my phone up to my nose and continued to read. I had kindle and used it often to read books.
"Are you reading again?" Mason scoffed. "Is it fun for you?"
"You know if you weren't such a dumb big jock and tried it sometime instead of making fun of people for reading, you might actually realize it's fun, okay? Okay," I snapped and rolled my eyes.
"What got into you?" Mason asked.
My imagination ran wild when he asked me that question. I considered what he would do or say if I told him Avery was what got into me. I chuckled and shook my head at the thought.
"You're a little weirdo," Mason said and shook his head.
There was a knock on the door. Neither of us moved.
"Are you going to get that?" Mason asked.
"Of course, why not? God knows you're not walking five feet to the damn door!" I jumped up and stomped over to the door. I threw it open, and my eyes widened. "What are you doing here?" I murmured.
He took a deep breath and stepped inside. "I need a favor," he said.
"Hey," Mason said to Avery.
Avery didn't look at Mason as he spoke. "Hey," he paused. "I need you to watch Austin for me." Avery's eyes swept over my body.
I bit my lip and took a step back. I was surprised by how he was acting. "Uh, oh, okay?" I stuttered.
"What's going on?" Mason asked.
Avery finally broke our stare and looked over at Mason. "Mom had to work a double shift, and I didn't know. I have to go to Dallas tonight. I'm completely out, and people need more by tomorrow."
"Do you want me to come?" Mason offered.
"No, man, that's fine. I have to help my uncle package some of it. It's not ready," he explained. "I might not even be back tonight." Avery looked back down at me. "You might have to stay."
"Sure," I said and shrugged. "Just let me grab an extra set of clothes."
"Sure," he said.
When I came back downstairs, Avery was gone. "Where did he go?" I asked Mason.
"Probably in the truck waiting for you. He walked out when you went upstairs. Do you know what is up with him lately?" Mason asked.
Me–I thought to myself, but there was no way I would say that out loud. I knew I had to think quickly, and I had to have the correct reaction, or it would make Mason more suspicious. I scoffed, "Shouldn't it be your job to know what crawls up Avery's ass? He's your friend. How the hell should I know?" I rolled my eyes. "I guess I'll see you tomorrow."
"Whatever, see ya," Mason said and shrugged.
It wasn't unusual for me to watch Austin. It was unusual for Avery to brush my brother off like that. It was unusual for Avery to ask me to watch Austin instead of Rachel. I climbed up into the truck and stared at Avery in disbelief.
"What?" he asked.
"Have you hit your head too many times playing football? What the fuck was that?" I asked. My eyes searched his for the answer.
He shrugged. "I don't know what you mean," he said, confused.
"Just drive," I muttered and leaned back in the seat.
Avery sighed and threw the truck in reverse. He drove up to the house and put it into park. "I really have to go. I'll see you later," he said.
"Fine," I said. I jumped out of the truck and shut the door harder than necessary. Maybe there really was something up with Avery.
17. Chapter 17. Is This Illegal?
1 Chapter 1. Are All Jocks Morons?
2 Chapter 2. Maybe Just One More
3 Chapter 3. A Girly Tomboy
4 Chapter 4. Slut
5 Chapter 5. Driver's Test
6 Chapter 6. You
7 Chapter 7. Disappointed
8 Chapter 8. You Smell Like Pepperoni
9 Chapter 9. Bend Over
10 Chapter 10. Good Luck
11 Chapter 11. Is That What We're Doing?
12 Chapter 12. Wimp
13 Chapter 13. Mommy For A Day
14 Chapter 14. Apologize
15 Chapter 15. Possessive
16 Chapter 16. Don't Do This
17 Chapter 17. Is This Illegal?
18 Chapter 18. Babysitting
19 Chapter 19. Exactly What It Looks Like
20 Chapter 20. Distractions
21 Chapter 21. Maybe Just One More
22 Chapter 22. A One-Eighty
23 Chapter 23. The Honest Game
24 Chapter 24. Dirty Laundry
25 Chapter 25. Vengeful
26 Chapter 26. How Could You?
27 Chapter 27. My Faults
28 Chapter 28. Stubborn
29 Chapter 29. I Want To Keep My Nuts
30 Chapter 30. Hormones
31 Chapter 31. What's Going To Break?
32 Chapter 32. It Won't Change Anything
33 Chapter 33. I Had A Better Idea
34 Chapter 34. They're Mine Too
35 Epilogue: Six Years Later
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Welcome to The Mondrian! Carfree Living as you are steps to cafes, restaurants, the ocean, Cook Street Village, shopping and all the amenities right in the Heart Victoria. Quartz counters, stainless appliances, Italian cabinets w/soft-close drawers, under-mount sinks, plank laminate, in-suite laundry. Includes Murphy Wall-bed pkg & Blinds. This Unit comes with storage locker and access to bike lockers. Gently lived in, very efficient layout, well priced for rent replacement, great investment opportunity, or cozy home for yourself. STEEL & CONCRETE 10-stories with two high-speed elevators. UNRESTRICTED rentals, no age restrictions, BBQ's and pets allowed (for details please see bylaws). This 9th floor unit is on the quiet side of the building with urban & mountain views from inside and patio. Book your private viewing soon!!
Year Built 2013 Lot Shape Squ.


Taekwondo is a Korean martial art that has grown in popularity, especially among children who are learning how to move their bodies and engage in sports for the first time. Exposing children to a variety of activities and cognitive training from a young age has been proven effective for future sport performance and overall health. Outside of the physical benefits there are also social, emotional, and cognitive benefits from participating in physical activity.
In the spring of 2017 a study looking at taekwondo (TKD) in particular as a physical activity to enhance cognitive function in children aimed to identify certain aspects of how that process occurs. Su-Youn Cho et al states that TKD is effective for improving cognition amongst children. The researchers wanted to understand changes in neuro-plasticity growth factors within blood, cerebral blood flow velocity, and how those two factors effect cognition in children.
Participating in the study were 30 healthy children in elementary school split into two groups of 15. The TKD training lasted 60 minutes 5 times a week over 16 weeks. A Rate of Perceived Exertion (RPE) Scale was used to assess intensity of the class and maintain consistency (RPE was set to 11-15). Blood samples and Doppler ultrasonography were used to assess the changes in growth factors and blood flow.
The blood sample measures captured following the 16 week intervention showed differing results amongst the control and experimental groups. The control experienced no significant change in neuroplasticity- related growth factors. However, the group participating in TKD found all three growth factor increased their concentration within the blood sample. Both group did not experience any increase in blood flow velocity following the Doppler ultrasonography post-intervention.
Results of the cognitive tests followed suit with the blood sampling. The TKD group found an enhanced score in the Color-Word test. In both the experimental and control groups there was no significant difference in any of the other cognitive tests completed.
This study was a small, focused, initial experiment in this specific area of exercise and cognitive training. Next steps would be to identify other exercises that have proven cognitive benefits. The researchers state that it was difficult to distinguish how large the impact of TKD had in addition to other exercise activities the subjects were participating in.
If anything this can stand as another piece of evidence to the benefits of physical activity in the youth population. Consistent activity through various forms of exercise creates a platform for a healthy lifestyle. Whether or not the activity is complex requiring specific training or natural human movement such as swimming or running the basic benefits of staying engaged in an active lifestyle decreases risk factors for future health problems.
SMARTfit systems combine brain fitness with body fitness improving physical, sensory, and cognitive performance creating an engaging, multisensory experience for all ages and abilities. Our SMARTfit™ exercise technology utilizes the latest in Brain Body Exercise Science to bring you a unique solution that improves mental and physical fitness. To learn more contact us at 1-800-900-8542 x 110.
Next Next post: SMARTfit Dual Tasking is part of a multi-year study on Aging.


Prime Day 2017 vs. Prime Day 2016: Which Has the Best Deals?
Prime Day 2015 was kind of a bust. The deals were there, but they were largely on items few people wanted. Prime Day 2016 showed improvement, but some shoppers wanted more. So, how will Prime Day 2017 shake out?
In some ways, we won't know until it's over. Amazon has only announced some of the deals it plans to offer. But an apples to apples (well, Echoes to Echoes, to be precise) comparison of some prices gives a clue as to how this year may shape up.
BestBlackFriday.com, which typically tracks deals in the holiday season, has studied the preview deals Amazon is offering this year to see how they compare to the 2016 shopping event. And, since it's Black Friday site, it also examined how the deals stood up to the post-Thanksgiving retail frenzy.
The verdict? On Amazon products, we're seeing some notable discounts. On others, it's a mixed bag so far.
The Amazon Echo, which has dropped to $90, is $40 cheaper than it was on Prime Day 2016 and $50 better than Black Friday 2016. The Echo Dot, at $35, was a less enticing deal, but still a good one —coming in at $5 less than Prime Day 2016 and Black Friday.
The Kindle Paperwhite, at $90, costs the same as it did on Prime Day last year, but it's still $10 better than Black Friday.
For those in the market for a TV, though, Prime Day may not be your best friend. Of the HDTVs Amazon has announced pricing on, the site's actually posting a number of price increases.
An Element 55-inch 4K Ultra HD smart LED TV, for example, is selling for $400 on Prime Day 2017. That's $120 more than an equivalent TV on Black Friday. And a 40-inch 1080p TCL TV for $200 is $60 more than last year's Prime Day and $75 more than Black Friday.
Bottom line? Don't buy just because it seems like a lower than usual price. Check sites like CamelCamelCamel and be sure to track the deals carefully using these tools.


Please pray for our many camps in India and Nepal coming up, and for staff strengthening during this busy season. We are strengthening our follow up initiatives for our campers who attend our Camp Deccan summer camps. We are launching Family Camps in Cambodia this month! Please pray for our many camps in India and Nepal coming up, and for staff strengthening during this busy season. We are strengthening our follow up initiatives for our campers who attend our Camp Deccan summer camps. We are launching Family Camps in Cambodia this month! Please pray for our many camps in India and Nepal coming up, and for staff strengthening during this busy season. We are strengthening our follow up initiatives for our campers who attend our Camp Deccan summer camps. We are launching Family Camps in Cambodia this month! Please pray for our many camps in India and Nepal coming up, and for staff strengthening during this busy season. We are strengthening our follow up initiatives for our campers who attend our Camp Deccan summer camps. We are launching Family Camps in Cambodia this month!
LCMI is a Christian organization that is on a mission – a mission to impact the lives of children, teens, and families in India by teaching them the good news of Jesus Christ. LCMI works with young people year-round, providing Christian camping opportunities for children and teens.
Christian Camping is an experience that gives many young people their first chance to hear the Gospel, the eternal word of God, which changes lives forever.
Life Change Ministries International exists to help children See, Know, and Experience the Lord Jesus Christ.


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When you improve your SEO, you improve your digital visibility in a way that does not assault the customers in the form of mass advertisements or emails. Instead, the settings are responding to what potential customers are already searching for. A company offering professional SEO services, like Online Performance, has a team who are well-versed in how to best enhance your customer base using all of these methods, and figuring out which work best for your company. Choosing a top SEO agency in London will give you the best advantages for improving your website.
Some companies bring unique challenges to the table when they begin the SEO process, and it takes time to develop the best strategy to solve these issues. However, when a solution is found, companies can see solutions that bring about the promised results of a strong SEO strategy.
Catering to a wider variety of audiences is a strong feature of any website, and that includes audiences of different nationalities.
Going international is a positive step for any business because it widens your potential markets. However, it also means working with different search engines, or the same search engine in different languages. Content that is being searched for in one language but needs to be redirected to a website that is written in another, is not always compatible in search engines.
Leumitech is a branch of Bank Leumi in Israel, and offer resources to high-tech companies around the world. Because they are based in Israel, most of their searches go through Google.co.il, a site where the content is in Hebrew. However, the website for Leumitech is mostly in English, so there were a lot of issues in making the searches work while crossing the language barrier. However, once the experts at Online Performance developed a strategy that would allow Hebrew search terms to lead to an English website, Leumitech saw increased traffic to their site and an improvement through online searches.
When your company is based in a highly concentrated and competitive field, SEO is necessary for making your company stand out. With keywords, you can focus on adding different language to pages that already exist, adding more pages such as issue-related blogposts, and just clarifying your mission in general.
One great strategy is to use sites that generate search terms based on your website's subject. That way, you can see what people are searching for in terms related to your topic, and choose which terms best search your needs.
Saleslogic is a sales recruitment company in London. Sales recruitment is a highly competitive field, and your website needs to stand out to be successful. Online Performance used keyword research to find out which words the audience was looking for and used those keywords to enhance the search engine rankings and the strength of the text on the site.
There is also an aesthetic element involved, because customers respond to what they see immediately on your website. If your opening text targets the keywords that your audience is searching for, and your site has the correct balance of text and graphics, you are going to have a reduced bounce rate and more potential customers/users willing to explore the site.
The content people see on your website is just as important as how they see it. If your website is coded wrong (and this could be something as simple as your menus not aligning correctly or not being directed to a correct page), it provides the potential customer with a bad user experience right from the start and decreases the likelihood that they will continue browsing on your website.
When you get a website audit from a top SEO agency in London, it should not only evaluate the website from the customer's perspective, but also from the technician's perspective. This includes identifying pages that are no longer active or are outdated, missing security protocols, or finding that the site map does not work well with how search engines identify terms.
When Online Performance worked with Walkme, a step-by-step customer experience platform, it was found that the pages within their website were organized by subdomain rather than a root domain. Instead of focusing on one central page, Online Performance had to work with a number of different pages, all directed in different ways. Subdomains follow a different SEO than standard websites, and therefore the technical focus had to be constructed differently. Once that structure was determined, Online Performance created the SEO for each of the subdomains that made it easier for them to be found on the Internet.
Once you get your website technically up-to-date, changes to the front pages will be easier and more direct, and your page will become more attractive to the potential audience.
SEO is not a one-size-fits-all practice. Each business has its own priorities, and it's up to the experts to identity how to best meet those needs and goals. Customizable services offered by a top SEO agency in London like Online Performance can figure out which elements are keeping your company from achieving great success, and help you widen your customer base by targeting customers through different methods.


text:
Q: Image partition according to contours I want to extract contours from following image or
I am wondering how to partition following image:
line image looks like:

This question is linked:
How to superimpose contour lines on transformed image

A: i = Import["http://i.stack.imgur.com/agPO0.png"];
(mc = MorphologicalComponents[ColorNegate[i], CornerNeighbors -> False]) // Colorize
Grid@Partition[ Image /@ (Replace[mc, Except[#] -> 0, {2}] & /@ Range@Max@mc), 4]