text:
//				EXAMPLES of Game definition
gameExamples = function(gameNr) {
//  1) Chateau 4*4, clickOnce
	var Game1 = function() {
		var backgroundImg = new Sprite("data/background.jpg",5);
		var background = new SceneObject(backgroundImg);
		wade.addSceneObject(background);

		var token = createToken("data/ChateauWRK.png", {x: 4,y: 4});
		this.board = new Board(this, token,100,{col:4,row:4},"clickOnce");
		Layout(this.board,"shuffle");//					OK
//		this.board.setEmpty(this.board.tokens[1][2])
	};
//-----------------------------------------
	this.turnPlayed1 = function(aToken) {				// Show empty token on winning
		this.board.nextFrame(aToken)
/*
*/
	};
//-----------------------------------------*/
//  2) 1to17, clickOnce
//*-------------------------------------------------------------------------
	this.Game2 = function() {
		var backgroundImg = new Sprite("data/background.jpg",5);
		var background = new SceneObject(backgroundImg);
		wade.addSceneObject(background);

//		var token = createToken("data/from1to17.png", {x: 17,y: 1});  // KO Why ???????
    var token = createToken("data/1to17.png", {x: 17,y: 1});
		this.board = new Board(this,token,120,{col:4,row:4},"clickOnce");
		Layout(this.board,"shuffle");//					OK
		this.board.setEmpty(this.board.tokens[1][2])
  };
//-----------------------------------------
	this.turnPlayed2 = function(aToken) {				// Show empty token on winning
		var w = this.board.tokenDistance(this.board.emptyToken,aToken)
		console.log(w)
		if (this.board.tokenDistance(this.board.emptyToken,aToken) == 1) {
			this.board.switchToken(this.board.emptyToken,aToken)
		}
/*
*/
	};
//-----------------------------------------*/
//  3) Chateau 3*3, clickOnce
//*--------------------------------------------------------------------------
	this.Game3 = function() {
		var backgroundImg = new Sprite("data/background.jpg",5);
		var background = new SceneObject(backgroundImg);
		wade.addSceneObject(background);

		var token = createToken("data/ChateauWRK.png", {x: 3,y: 3});
		this.board = new Board(this,token,150,{col:3,row:3},"clickOnce",1);
		Layout(this.board,"shuffle");//					OK

		boardFrame(this.board,10)

		this.board.setEmpty(this.board.tokens[1][2])
	};
//-----------------------------------------
	this.turnPlayed3 = function(aToken) {
		var w = this.board.tokenDistance(this.board.emptyToken,aToken)
		console.log(w)
		if (this.board.tokenDistance(this.board.emptyToken,aToken) == 1) {
			this.board.switchToken(this.board.emptyToken,aToken)
		}
	};
//-----------------------------------------*/
//  4) Chateau 4*4, clickFromTo
	this.Game4 = function() {
		var backgroundImg = new Sprite("data/background.jpg",5);
		var background = new SceneObject(backgroundImg);
		wade.addSceneObject(background);

		var token = createToken("data/ChateauWRK.png", {x: 4,y: 4});
		this.board = new Board(this,token,150,{col:4,row:4},"clickFromTo",1);
		Layout(this.board,"shuffle");//					OK

		boardFrame(this.board,10)

	};
//-----------------------------------------
	this.turnPlayed4 = function(aToken) {
		this.board.switchFromTo()
/*
*/
	};
//  5) checkbord 4*4, clickFromTo
	this.Game5 = function() {
		var backgroundImg = new Sprite("data/background.jpg",5);
		var background = new SceneObject(backgroundImg);
		wade.addSceneObject(background);

		var token = createToken("data/blackAndWhite.png", {x: 2,y:1});
		this.board = new Board(this,token,150,{col:4,row:4},"clickFromTo",1);
		Layout(this.board,"random");//					OK

		boardFrame(this.board,10)

	};
//-----------------------------------------
	this.turnPlayed5 = function(aToken) {
		this.board.switchFromTo()
/*
*/
	};
//-----------------------------------------*/
//Layout models
/*--------------------------------------------------------------------------
/*
		// Layout(this.board,"random");//					 OK
		// Layout(this.board,"sequence");
		// Layout(this.board,4);//									OK
		// Layout(this.board,[[1,0,2,0,3,0],
		//									 [0,4,0,5,0,6],
		//									 [7,0,8,0,9,0]]);//		 OK
*/

  this.clearGame =function() {
    if (this.board && this.board.frame) {wade.removeSceneObject(this.board.frame)}
    if (this.board) {
      for (aRow in this.board.tokens) {
        for (aTokenIx in this.board.tokens[aRow]) {
          wade.removeSceneObject(this.board.tokens[aRow][aTokenIx]);
        }
      }
    }
  }

//  wade.clearCanvas(5);    //???????????????????????????????????????
//  wade.removeLayer(4);
	switch (gameNr) {
		case 1: {this.clearGame();Game1(); break}
		case 2: {this.clearGame();this.Game2(); break}
		case 3: {this.clearGame();this.Game3(); break}
		case 4: {this.clearGame();this.Game4(); break}
		case 5: {this.clearGame();this.Game5(); break}
	}

this.turnPlayed = function(aToken) {
	switch (gameNr) {
		case 1: {this.turnPlayed1(aToken); break}
		case 2: {this.turnPlayed2(aToken); break}
		case 3: {this.turnPlayed3(aToken); break}
		case 4: {this.turnPlayed4(aToken); break}
		case 5: {this.turnPlayed5(aToken); break}
	}
}

}
//# sourceURL=gameExamples.js

redpajama_set_name: RedPajamaGithub


I recently met a young man from the plastic industry who talks about the need to add value to everything – products, knowledge, experience and relationships. He is direct, calm and, from what I could make out in my first meeting, articulate and tolerant. He was educated at the University of Massachusetts in Lowell – an institution well known for chemical plastic engineering.
He tells me that the U of Mass Lowell connection to the PlastIndia University coming up in Vapi in Gujarat will mean a huge upgrade for the industry and for the quality of experience of the students. He talks about science and research and development and allowing young engineers just off the campus work on projects that are completely new and that do not have any immediate financial returns. Something that has stayed on my mind, apart from all this, is that he is off on a trip across Nepal on a Triumph motorcycle.
I am looking forward to the 7th Elite Speciality Films and Packaging Conference in Mumbai, which starts tomorrow and which is mammoth in its audience and number of presentations. As I wrote last month, it seems that the Indian plastic industry is no longer in denial of all the implications of plastic waste and recycling.
To a large extent this new realism was evident at the Elite Conference on plastic injection and blow molding in July of this year, when several sessions addressed the issues of waste collection from the point of view of individual and industry responsibility apart from that of the brand owners and government. Maharashtra government officials, who were also present, must be given credit for waking up the industry with their bans, however much in need of refinement. This augurs well for the upcoming event on 4 and 5 September 2018 in Mumbai.
The new realism and more sensible talk was evident at the ProPak India 2018 exhibition and conference in Greater Noida. The first exhibition and conference were small (alongside UBM's larger and well-established Food and Ingredients Show) but interesting. Organized in a short time frame, the conference was aimed at being a knowledge event and this was demonstrated in several sessions. Andrew Manly's presentation on Active and Intelligent Packaging was outstanding and relevant.
There were a couple of sessions that directly addressed the issues of plastic waste collection and recycling. It was refreshing to hear speakers from very large and leading companies admit (on behalf of the industry) that all the stakeholders collectively missed the bus on the PWM order of 2016, and only woke up this year when it was imminently going to take effect and finally when the shoe dropped with the Maharashtra state ban on plastics.
Useful outcomes of these discussions from my point of view were the more realistic plans for implementation of waste collection and recycling – an actual workflow that is being planned by brand owners and industry was shown. The second useful outcome was that of costs of waste management and how these would be allocated – it was implied that brand owners will absorb these costs, which of course ultimately means the consumer.
The third useful discussion outcome was the suggestion that we need to move from 5 R's to 7 R's, with the seventh R being research. The implication is that not all the data being bandied about is perfect and not only industry and waste data but basic materials and recycling technology research are part of the cost of growing up.
Next articleDigital, Disruptive and Smart!


text:
Anya Taylor-Joy talks 'The Queen's Gambit': Finding Beth Harmon within herself, and her character's signature style
By Amanda McDougall
The worldwide bonafide Netflix phenomenon 'The Queen's Gambit' has audiences gripped like no other television series this year. Vogue Singapore sat down with its star, Anya Taylor-Joy, to discuss why no one can stop talking about the show or its protagonist, fictional redheaded grandmaster Beth Harmon
Beth Harmon is remote and aloof, a woman of few words, and marches in a time measure that's just slightly out of sync with the rest of the world—a peculiar gait that is the source, perhaps, of her complete domination at her one true love, the game of chess. Anya Taylor-Joy, on the other hand, is warm, cheerful, and more than willing to tell you what's on her mind. However, Beth's oddball energy is Taylor-Joy's, too, and maybe that's what has led to Taylor-Joy's mastery of her own arena: the screen. Certainly, that's never been more clear than in The Queen's Gambit, the new seven-part Netflix miniseries.
Raised in an orphanage, Harmon is left with two things: a crippling reliance on tranquilisers and a marrow-deep, abiding need to play chess. Learning the basics of the game in the orphanage's dank basement, Harmon comes to play chess like everyone around her breathes. Her seemingly effortless game takes her from Lexington, Kentucky across the world over, and her breath only truly hitches when she comes up against the cold-blooded Russian champion, Borgov.
Chess is Harmon's refuge, a solitary universe that she can control and use to hide from other people and her demons. To achieve complete victory over the Russian and that universe, however, as in Tevis' novel, Harmon must face and make peace with the rest of the world and—more importantly—herself.
Based closely on Walter Tevis' 1983 novel of the same name, The Queen's Gambit charts a new course through the tried-and-tested conventions of the 'destructive genius' show. Part of that is Taylor-Joy's doing; Harmon is imbued with a vulnerable stoicism that makes you want to reach through the screen and give her a hug (though she'd probably freeze up, unsure of how to respond). But creators Scott Frank and Allan Scott and production designer Uli Hanisch have also somehow distilled the essence of the genre and injected the world of The Queen's Gambit with it. The show's muted, hazey suburbia—blunted further by the effects of constantly "refurbishing [one's] tranquility" (read: numbing oneself in a distinctly '50s manner)—is interrupted by the swooping, ritzy trappings of Vegas, Paris, and Moscow, where Harmon trounces some of the most cunning sportsmen in the world, until it all comes spiralling down.
A strange introspection isn't the only trait that Harmon and Taylor-Joy share. Both are, at the risk of fawning, utterly charming. Taylor-Joy calls the people she speaks to "my love" and "darling." When she hears a question she finds particularly intriguing, she lets loose a contemplative, "Ooh," and looks off to the side, as if the answer were scrawled just off-camera, rather as her chess-playing alter-ego looks to the ceiling during matches for her next move. Speaking with Vogue Singapore over Zoom, Taylor-Joy revealed that the same prim thoughtfulness and bewitching (no Eggersian pun intended) intensity is as innate to her as it is to Harmon.
On what draws her to the offbeat loner-type roles she chooses…
"I guess that's kind of how I identified for the majority of my childhood and into my young adulthood. I only really found my community when I started making films. And I only started working when I was 18. So there were 18 years of being that lone wolf, offbeat individual. And I guess these characters—I feel like I have the perspective to be able to tell their story, but it's also a form of catharsis for me. I don't overthink it that much when I take on the roles, but whilst filming-slash-post-wrap, I'm like, 'Ah. I clearly had to purge some stuff through that. That was good therapy for me.'"
On who she had in mind when she was preparing to play Harmon…
"Weirdly, myself, actually. I present, I think, a lot more bubbly and, "I love everything," but Beth is definitely a voice I've had in the back of my head for a long time. A kind of deadpan, not socially cognisant little voice has been in my head. Because of that, from the first second I read the book, I didn't really have to do a lot of preparation in terms of finding the character. She was just there."
On how close she became to her character…
"More than anything, something that was important whilst we were filming was learning to disconnect what were Beth's feelings and what were my own. Because we were so close that many times, when Beth was having a bad day, I would find myself having a bad day. You then have to go, 'Wait. There's nothing wrong with me. There's nothing wrong with this situation. It's fine. It's just the character.'"
On how Harmon has influenced her personal style…
"Ooh. I grew up quite a tomboy. It's not that I didn't like clothes… It's just that I wasn't really aware of them. And I really like how Beth puts together an outfit. I now pay more attention to the whole thing rather than just: 'Oh, I'll wear this shirt, and I don't really care what else is around it.' I pay more attention to how an outfit comes together. And I thank her for that."
On saying goodbye to the character, and what Harmon has given her…
"Truthfully, I was completely heartbroken saying goodbye to Beth. I was so glad that I had seven hours with her. If it had been a movie, I would have been destroyed. It would not have been enough time for me to process our experience together. What Beth learns—you don't get brownie points for hating yourself. Nobody applauds you for thinking that you're not a good person, or thinking that you're not enough or worthy. And I'm still working on that. But, you know, everyone's a work-in-progress, and I'm definitely better at being kinder to myself since playing Beth."
On what people can learn from Harmon's independence…
"Ooh. I think people—not just for women, but specifically it applies to women—love to put other people in a box, and they're not comfortable if you are in any way outside of that. And that's reductive. Human beings are so complicated and messy, and it's more enjoyable if we go through life embracing everybody's weirdness. Embracing the fact that, for instance, someone loves chess and nice clothes and has a bit of a thing for boys. It's more important to accept yourself as a whole individual."
On why The Queen's Gambit has resonated with audiences…
"I think every human being has a part of themselves, big or small, that believes they don't belong. Or believes that there is something different about them. What's beautiful about Beth is that she finds a place where she belongs, but then ultimately has to learn that unless she makes a home within herself, she's never going to be happy or content. I think the show also has a beautiful element in the idea that working together gets you further than working by yourself. And when we're all so isolated, it's nice to remember that."
On The Queen's Gambit's hairstyling…
"Daniel [Parker, hair and makeup designer] and I got on like a house on fire. We were a lot of trouble together; he's wonderful. When we first discussed it, the baby bangs were particularly important because we just wanted her to not fit. We wanted her to be an easy target. Even though she kind of rocks them! After that, we came up with the idea that she looks at women in film and TV when she's deciding what to do [with her look], because she doesn't have one sole mother figure. And so with that first little cut, which was more 'fifties,' we called that 'sexy kitten,' which is ridiculous, but fun. And then the Natalie Wood one; that was a picture that came up in our first-ever meeting. We knew where we wanted to end up."
On her favourite makeup looks…
"I loved the eyeliner under the eyes. I know that that's Beth at her worst. But I was like: 'Girl! This is a good look! We should rock this a bit more!' We had a lot of fun with it. Oh! And the lipstick; that was really important. In the sixties, paler lipsticks were more of a thing, but because of Beth's connection to Alma, we wanted to make sure that when she went to Russia, she was wearing Alma's lipstick shade. That was her way of paying homage to her."
On being allowed to take anything she wanted from the wardrobe after wrapping…
"So, true story: because so much of the shopping was vintage, and because Gabrielle [Binder, costume designer] worked so closely together, she at the end was like, 'This is your wardrobe. So just come into the wardrobe truck. Pick whatever you want. Take it home.' I got on the bus; I picked my stuff. I was like, 'This is amazing. I never have to shop again.' Because shopping really stresses me out. Anyway, the show has done so well that all of the clothes are now in a museum in Brooklyn. [Laughs] Which is obviously wonderful. So I hope to get them back after they're done—being in a museum."
Celebrities Netflix The Queen's Gambit Anya Taylor-Joy Beth Harmon Daniel Parker celebrity interviews gabrielle binder
Why Beth Harmon was made a redhead on The Queen's Gambit
By Tish Weinstock
The Queen's Gambit costume designer reveals the hidden meanings behind Anya Taylor-Joy's winning on-screen style
By Julia Hobbs
"It's going to be big": 'Stranger Things' star Natalia Dyer talks season four, female sexuality and gen-Z Hollywood
By Natalie Evans-Harding
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Inside Aston Martin's first luxury home in Japan
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By Radhika Seth

redpajama_set_name: RedPajamaCommonCrawl


text:
import _curry2 from './internal/_curry2';
import _dispatchable from './internal/_dispatchable';
import _xfindIndex from './internal/_xfindIndex';

/**
 * Returns the index of the first element of the list which matches the
 * predicate, or `-1` if no element matches.
 *
 * Acts as a transducer if a transformer is given in list position.
 *
 * @func
 * @memberOf R
 * @since v0.1.1
 * @category List
 * @sig (a -> Boolean) -> [a] -> Number
 * @param {Function} fn The predicate function used to determine if the element is the
 * desired one.
 * @param {Array} list The array to consider.
 * @return {Number} The index of the element found, or `-1`.
 * @see R.transduce
 * @example
 *
 *      var xs = [{a: 1}, {a: 2}, {a: 3}];
 *      R.findIndex(R.propEq('a', 2))(xs); //=> 1
 *      R.findIndex(R.propEq('a', 4))(xs); //=> -1
 */
var findIndex = _curry2(_dispatchable([], _xfindIndex, function findIndex(fn, list) {
  var idx = 0;
  var len = list.length;
  while (idx < len) {
    if (fn(list[idx])) {
      return idx;
    }
    idx += 1;
  }
  return -1;
}));
export default findIndex;


As your original Farmers® Agent in the Edgewood/Milton area our office is located across the street from historic Nyholm Windmill in Edgewood, WA,We are here to make insurance easy to understand. Our agency staff has more than 40 years of experience and expertise in the local insurance industry and all of us live in our local community and our children proudly attend the Fife Schools. We are here to help you better understand your coverage options for all your insurance needs.
Give me a call at (253) 941-9800 and I'll be happy to answer any questions you might have.


China's efforts to build 'nodes' of influence in the Indian Ocean Region have been increasingly discernible in recent years. This endeavour, many argue, is driven by Beijing's military-strategic ends. However, such an argument remains a speculation, backed by frail and somewhat disjointed evidence. At least in the public domain, it may be too early to marshal tangible evidence to prove or dismiss the hypothesis. An assessment is nonetheless crucial because notwithstanding China's legitimate interests in the Indian Ocean, its naval presence in these waters would bear strongly upon the security calculi of India in particular and those of other major powers. From the study of available information, this paper attempts to derive China's objectives in the Indian Ocean, its approach and the attendant security ramifications for India.


Photoshop Elements includes an remarkable photograph organizer in conjunction with a complete featured picture editor for the quality of both worlds. The user interface is pleasant to beginners, but not "dumbed-down" to the point that it frustrates skilled customers. Elements makes use of a effective, key-word-based totally device of tagging pics that lets in you to discover unique images very quickly. In addition, you could create albums, carry out quick fixes, and percentage your images in a variety of photo layouts.
Apple's image cataloging answer become evolved completely for Mac OS X. It comes pre-mounted on Macintosh structures or as a part of the Apple iLife suite. With iPhoto, you can organize, edit, and proportion your snap shots, create slide shows, order prints, make image books, add online albums, and create QuickTime films.
ACDSee Photo Manager packs a variety of punch for the price. It's rare to find a image supervisor with this many capabilities and options for browsing and organizing files. In addition, it has integrated photograph editing tools for some of the maximum commonplace duties inclusive of cropping, adjusting basic image tone, casting off red-eye, including textual content, and so forth. And after organizing and modifying your pix you may proportion them in a number of ways including slideshows (EXE, screensaver, Flash, HTML, or PDF formats), Web galleries, published layouts, or by means of burning copies onto CD or DVD.
Zoner Photo Studio Free is a multi-faceted free photo enhancing and control device. It offers users 3 operating environments, specifically the Manager, Viewer and Editor windows. The motive of each factor of Zoner Photo Studio Free is quite self explanatory and breaking down the interface into this tabbed surroundings is quite powerful in use.
FastStone Image Viewer is a loose picture browser, converter, and editor that is fast and really strong. It has a pleasing array of features for picture viewing, management, evaluation, crimson-eye elimination, emailing, resizing, cropping and color changes. FastStone offers the maximum common picture enhancing functions you will need, along side a few particular functions for a loose photograph viewer such as a creative frame mask tool, get admission to to EXIF information, drawing equipment, or even uncooked digicam file aid.
If you have got a favorite digital photograph organizer that I disregarded to encompass here, add a comment to permit me recognize. Please only advise virtual photograph software program and no longer pixel-stage picture editors.


Friday July 27, 2012 9:15 a.m.
The unsettling chatter about the "cliff" will intensify in coming months as debate about tax increases and spending cuts is hyped by the press and political spinners. I am not a bear, but think lower prices are likely before a fall recovery. The housing market is improving. Its 2007 – 2008 demise dragged the economy and stock market lower, so its recovery stands to bump it back up. What's more, the European crisis appears to have limits with assurances that the euro will be saved.
Yesterday, I warned not to buy the open, that I expected a "spike" in early trading. The risk in chasing a strong open is that an investor stands to "pay-up" for stocks, possibly catching the high for the day, even for days following.
It looks like the Street is banking on the Fed to introduce a dynamic stimulus for a sagging economy. Otherwise we would be seeing lower prices.
The estimate for the annual rate of growth for Q2's GDP this morning was a plus 1.5% vs. an increase of 1.0% in Q1. I was always told not to "fight the Fed." If they want to goose the economy or stop it in its track, don't go contrary. I don't always do as I am expected to do. I don't see where more money circulating at lower interest rates will help. After the worst economic slump since the 1930s, I think an economic recovery simply needs more time to recover.
Not only have low interest rates not prompted lending and spending. They have deprived fixed income seekers of a vital source of income.
Recoveries after a severe economic/stock market slump TAKE TIME – don't fight it !
Facebook (FB) No change here. Obviously, FB needs to work off sellers who got bagged by the IPO and collapse of the stock before it can mount any sustainable upmove. Currently it is in the kind of tailspin that can produce a selling climax, possibly a smidge below $20, most likely in the low 20s.
Let's face it. FB shareholders are most likely becoming more scared that there is no end to this carnage. As fear mounts, selling accelerates leading to a washout where investors simply dump their stock at any price, ergo lower prices. As this happens, new investors, institutions and the BIG money take an interest waiting for the big flush, or for investors to say, "I can't stand it anymore" and sell en mass. I see that happening here – a big selling climax.


We help you with home delivery of: Furniture & appliances. Most often, we are also cheaper than the store's own solution so you do not book repatriation in the shop but you can book it with us. It's just that you notify the BudXpress collect the goods. If a receipt must be talking with the staff.
Customer collects the goods at the car and carry yourself in goods.
Driver carries the goods at the designated place. But not on other floors than the customer's entrance door.
At bulky goods should the customer be helpful to wear.
other floors than the customer's entrance door.
We can even unpack, install / mount and the packaging for recycling, but it is recommended that the board be saved.
If you can not be at home, you can give us a warrant to leave at the designated place.
Booked via customer web (Login). However, you must have received permission for the furniture and white goods bookings.


IIC is a 100% invisible*, deep insertion hearing aid that is customized to fit your ear's canal and is 100% digitally programmable. IIC is removed daily to maintain the health of the ear.
*Invisibility may vary on your ears anatomy.


As a member of the Grid ASP.NET MVC team, I discovered a cross-browser way to access data pasted in an HTML <div> element. I was wondering whether this could be replicated in our Syncfusion grid control to paste data from Excel, and gave it a try. It actually works!
The following procedure illustrates how to perform this operation in the grid control.
For the purpose of this demo, I have used a simple grid configuration. The following code example illustrates how to define the grid in the view page and controller.
// Passing Data to View.
// Parsing pasted data to Actual type.
// Getting data from repository.
The HTML markup and jQuery scripts play a vital role in getting clipboard Excel information and converting it to JSON. Also, for this purpose, I have written the jquery.pastable.js file in the jQuery plug-in style.
Note: The jquery.pastable.js file is attached with the sample at the end of this post.
The final script and HTML markup are as follows.
// Binding the paste-able jQuery plug-in.
// Ensuring the pasted information is Excel data or HTML table data.
// Acquiring grid object and updating data source.
As seen here, the client-side and server-side libraries of Essential Grid for ASP.NET MVC are flexible and can be used for all programming needs of yours.
You can also download a sample on this here.
is it also possible to bind dynamic columns. Like I don't know the exact excel file structure as user can select any excel file to import into grid. In above sample, Columns are fixed. but in real scenario it is possible that columns are dynamic. so is this possible?
This is great – is this possible with Asp.Net?
Yes we can achieve the same behavior in ASP.Net Webform Grid also. The new Asp.Net Webform Grid control(ASP.Net wrapper of JS Grid) will be included in our upcoming Volume 2, 2014 release. We will share the sample once our Volume 2, 2014 release is rolled out.


Rizolin FSm- is PREMIUM CLASS material. It is made of durable reinforcing fiberglass cloth impregnated with bitumen-polymeric compound with a protective copper foil layer.
The material is absolutely waterproof, resistant to rapid temperature changes. Due to protective copper foil layer the material is resistant to ultraviolet impact and corrosive environment that allows to maintain its waterproofing properties permanently. During the usage, the copper surface will be covered with a patina that gives the building a noble look.
The material is easy in application and does not require any special equipment. To apply Rizolin FSm one must only take off the release film, place the material onto a dry, dust-free surface and roll it down with a roller.
ATTENTION: Self-adhesive material properties retain at an air temperature above +15 °С. At lower temperatures a little heat must be applied to the adhesive side till the appearance of high luster in order to ensue the adhesiveness.


With a 22 year history of attracting all the major players within the power and electricity industry, from senior decision makers, vendors and manufacturers, to end users, we are dedicated to creating a meeting place for the entire industry.
Where else can you sit down with senior executives of government authorities and operators from across Africa and the rest of the world? These interactive sessions are designed to discuss innovative trends and technologies, as well as learn about the latest developments in regional projects.
Take control of your time at the show by proactively contacting fellow attendees and arranging meetings in advance through our networking app. With a built-in matchmaking feature, it's easier than ever to find who you need to meet at the show and prearrange those vital meetings.
After a busy day of networking and business at the show, we like to build in some time to unwind, situated in a beautiful location surrounded by good food and great company. It's a good opportunity to make connections in a more informal setting and enjoy what South Africa has to offer.


text:
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Dr. Francis Severin: Dream big but dream wholesome ...
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Dr. Francis Severin: Dream big but dream wholesome dreams
Dr. Francis Severin
Although the environment has an impact on someone's goals and eventual achievements, one's decisions and choices play the fundamental role in life's journey.
Dr. Francis Severin, the head of The University of The West Indies Open Campus, told graduates of the Castle Bruce Secondary School last week that they have no one to blame if they make wrong decisions.
"I have asked you to ignore for the moment the social environment because the brutal truth is that, as much as you may want to blame others in the future – whether your parents, or your politicians, your government, your teachers, and so on (all of whom are important) – such dispensing or dishing out of blame will not lessen or mitigate the bitterness, regret, sorrow and despair you will feel if you do not resolutely make your own decisions based on integrity, honesty, graciousness and hard work as opposed to dishonesty, indolence (laziness) and a sensibility of dependency and spinelessness," Dr. Severin said.
Delivering the feature address at the school's graduation ceremony on 29 June 2017, Dr. Severin told the graduates that he was not ignoring the fact that the field of play is usually unequal and unfair.
"I am also fully aware that the metaphoric playing field or starting line in the race, is unequal. You know that too," he said. "For example, you know that in our society, the rewards (e.g., employment, scholarships, and other "products") do not always depend on your merit or diligence but on the connections you have, or, as they say, who you know."
But in spite of these inequalities, Dr Severin said, "you must never lessen or reduce your diligence and resolve" to achieve their dreams; he advised that because of these inequalities "you must push even harder when the forces of injustice, unfairness and iniquity against you increase".
"Herein resides the fundamental challenge that will test your mettle, your essence and your soul," he said.
Speaking to the school's graduation theme "Go confidently in the direction of your dreams", Dr. Severin told the graduates that they may have to stay home to achieve whatever dream they create because it is becoming increasingly difficult to migrate.
"Yes, you may run to the USA, or the United Kingdom or Europe and so on, for rescue, but you will not be welcomed with open arms," he said. "In short, there is nowhere to hide now".
He added: "Graduates, this is bad news for you but it also poses exciting challenges. How are your DREAMS going to come true? Is it an option to say, "Well I do not care what happens to Dominica anymore because my uncle, or big brother or sister, or cousin will send for me" Trust me, they have problems of their own and, surely, you cannot survive in sub-zero temperatures all your lives".
Dr. Severin suggested that to the graduates that a sound education is essential to the attainment of their dreams.
Stating that education may be viewed as a means to an end, a vehicle for self-development and advancement of our communities and country, Dr. Severin added: "Our education must be the framework within which we dream, and when you listen carefully to what I believe dreams are, you will appreciate why your continuing education is essential if you are to press on inexorably towards your dreams".
But for dreams to become reality it must be the focus of their lives, Dr. Severin told the Castle Bruce Secondary School.
The UWI Open Campus director told the graduants that their dreams must not be a "some vague, unclear or imprecise wish" but must be constructed on the basis of "present realities and future prospects".
He continued: "I want to suggest that you should think of short-term dreams, medium-term dreams en route to accomplishing your long-terms dream," he said. "Your dreams must be consistent with good and wholesome values …You may have been told in the past to dream big. Today, I say to you, not only should you dream big, but be certain that your dreams can stand up to the scrutiny of integrity, honesty and legitimacy.
"Your attitude should not be to accomplish your dreams at all cost. What you dream must not be at the expense of or do harm to others. So dreaming of fame, money, an unusually large house, controlling hundreds of employees, or thousands of people, may provide you with temporary comfort if such a dream comes true, but may not necessarily result in lasting peace of mind, and certainly might cause you to not experience what you may have really hoped for in the first place.
"Cheating at all levels and in any sphere of life is wrong and you will experience the emptiness of your victory or your dreams if you have accomplished them through illegal and unjust means. Your tiny Kia Ray gives you more comfort if it is legitimately earned than the next person's Toyota Land Cruiser, if it is stolen.
"I wish to also add the element of moral intelligence in terms of the context in which you accomplish your dreams. Your dreams will endure when they have been accomplished with the attributes or principles of integrity, responsibility, compassion and forgiveness, the hallmarks of a morally intelligent person".
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