text:
Bold Is Beautiful
Andy Klein October 21, 1999 4:00AM
Steven Soderbergh may have had some rocky times after his 1989 breakthrough with sex, lies, & videotape, but these days he's on a roll. Last year he produced Pleasantville and directed Out of Sight, two of the year's most praised films. This year, he has The Limey, a complex, introspective thriller starring Terence Stamp as an aging British gangster named Wilson.
The Limey opens with a black screen, over which we hear Wilson say, "Tell me. Tell me. Tell me about Jenny." Cut to LAX, where the protagonist walks into focus as the credits roll to the tune of The Who's "The Seeker." Wilson has just been released from an English prison after serving nine years. He has come to L.A., we soon learn, to investigate the circumstances surrounding the death of his only daughter, Jenny (Melissa George), an aspiring actress who was killed in an auto accident on Mulholland Drive. Nothing seems particularly fishy about the circumstances, but Wilson, for reasons more instinctive than rational, is suspicious.
Wilson may be sixtyish, but he's determined and still tough as nails. He locates Eduardo (Luis Guzman), the only one of Jenny's L.A. friends he knows about. Eduardo finds himself playing Virgil to Wilson's Dante as they descend into the Los Angeles underworld. In the movie, the moral corruption in the hills is just as bad as the blatant violence at street level, though better disguised. It's not long before Wilson knows in his gut that Jenny's final boyfriend -- wealthy music industry weasel Terry Valentine (Peter Fonda, perfectly cast) -- is somehow responsible for her death.
Terry is one of those innocuous, self-deluded fat cats who thinks he can dabble a little with Big Crime without really doing anything wrong or getting his hands dirty. In his own mind, he's still a good guy. (His easy charm and shallow self-absorption are so reminiscent of Terry Lennox in Raymond Chandler's The Long Goodbye that it wouldn't be surprising if screenwriter Lem Dobbs borrowed the name from that classic L.A. slimeball.) Terry's pipeline to ugly reality is Avery (Barry Newman), his lawyer and chief fixer. In his less-than-subtle campaign against Terry, Wilson brings himself to the attention of Avery, the Feds and a variety of thugs.
The plot may sound straightforward, even overly familiar in outline, but much of what makes The Limey effective -- outside of several perfectly tuned performances -- is the unusual style Soderbergh applies to the material. While the basic scenario is presented in standard chronological order, there are jump cuts, flashbacks, and even flash-forwards within scenes. (Some of the flashbacks show Wilson as a young gangster back in the Sixties, courtesy of black-and-white footage from one of Stamp's earliest films, Ken Loach's 1967 Poor Cow.) Soderbergh dismantles and reassembles the basic elements of film grammar in order to reflect the point of view of a character whose mind is haunted and charged with anger. There are times when the dialogue doesn't match the visuals, as though a conversation is being recalled as a jumble of impressions. It's a style that has its roots in the films of Jean-Luc Godard, Nicolas Roeg and Richard Lester, whose work Soderbergh has previously paid homage to. The combination of The Limey's crisp look, with its fractured continuity, is especially evocative of Lester's Petulia.
The director has played with these stylistic devices before. In his previous exercise in noir, 1995's The Underneath -- perhaps his least satisfying feature -- he used them to a lesser degree. In Out of Sight, he used a similar approach to cut together the scenes of George Clooney and Jennifer Lopez meeting in a bar and later making love. His wacky, underappreciated "personal" film, Schizopolis (1996), was practically a catalogue of deconstructed narrative devices. In The Limey, he takes what he played with in that movie and applies it to a more conventional, even commercial, story.
The result is a film approximation of stream of consciousness, and though it can prove confusing and disorienting to audiences at first, it is not nearly as confusing as most skittish studio execs probably think: Even if it isn't an inherent ability to adjust to nonstandard visual language, years of watching commercials and MTV have instilled us with it. In the case of The Limey, it certainly works, in part because the odd narrative style is anchored by the simplicity and directness of the central story.
While the relationship between the style on one hand and the story and characters on the other is a central pleasure in The Limey, the movie has other, more familiar, virtues. Much in the tradition of L.A.-based noir -- John Boorman's Point Blank and Jacques Deray's The Outside Man -- the film has an amusing time skewering the town's social fabric.
There are a very few minor missteps: Wilson's constant use of Cockney rhyming slang serves little purpose and grows quickly irritating. And the song selection on the soundtrack -- mostly classics from the Sixties and early to mid-Seventies -- sometimes comments on the action too closely. But these are quibbles. The Limey is more involving and intriguing than any by-the-numbers studio thriller. In large part, it holds our interest because of its stylistic boldness, not despite it.
Andy Klein
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Vampires Will Never Hurt You.
happenings that the life of Joliet Gray would change drastically.
"Vampires are after me," Gerard, Joliet's boyfriend, muttered.
This remark made Joliet giggle until she saw the serious look on his face.
"Stake my heart," he replied in a voice just above a whisper.
herself into believing that vampires and silver stakes were ridiculous.
their crypt will upset vampires.
With the thunder as a prelude, large raindrops began to trickle into a torrent. The sky grew darker than Joliet could have imagined. As she glanced out of the window, a flash of lightening bolted across the sky. The lightening illuminated a band of figures rushing across the farmland opposite Joliet's. The more the lightening flashed, the closer the figures came into the city limits. Joliet stared in horror as she realized that these were the vampires that Gerard had warned her about. Grabbing her cell phone she called her friend Alice, who knew everything about vampires, and told her the most crucial information. Several minutes later Alice came bursting through the kitchen door.
realized that the vampire in the lead was Gerard she grimaced.
Joliet glared at Alice but the other girl had already ran out of the house.
Joliet followed her friend onto the front porch.
Joliet rolled her eyes and ran into the muddy yard.
Before she had even screamed his name, he had already started running towards her, with the other vampires in tow.
As she ran, she could hear Alice behind her running in the opposite direction.
coven would perish," Gerard replied weakly as he fell to the ground.
"You killed Alice," Joliet whispered.


Mini Dots enamel stud earrings in heliotrope a warm purple colour great for everyday wear.
The copper enamel dots are 8mm in size and have a sterling silver post and scroll.
Similar items from the Dots Collection are available.
mini dots copper enamel stud earrings size 8mm with a sterling silver post and scroll.
The colour is heliotrope which is a warming mid purple shade.
handmade using kiln fired enamel.


text:
La Llotja del Cànem és un edifici construït a principis del , amb reformes del XIX, situat al carrer Cavallers n. 1 de la ciutat de Castelló de la Plana, Plana Alta, País Valencià.

Descripció
Propera a la plaça Major, la llotja es va construir a principis del . Per a la seua construcció el Consell de la ciutat va comprar la Casa Gumbau el 1603, encarregant-se de les obres Francesc Galiança.

Es tracta d'un edifici de planta quadrangular, obert pels costats exempts amb dos arcs recolzats en columnes d'ordre toscà. L'únic element escultòric de la façana és l'escut de la ciutat que es troba entre els carcanyols dels arcs que donen al carrer Colom. La fàbrica de l'edifici és de carreus.

A principis del  l'ajuntament va vendre el dret de construir un pis superior sobre el cos de les arcades. També es va dur a terme l'ampliació del pis inferior per ambdós costats, utilitzant-se el mateix material i llenguatge arquitectònic. El pis superior s'ordena amb finestrals rectangulars rematats per frontons corbs recolzats sobre mènsules, sobre les quals se situen uns òculs el·líptics. Destaca el balcó corregut del cantó.

Hi ha notícies que la façana va estar decorada amb pintures al·legòriques de Joaquim Oliet. El conjunt es corona amb una cornisa clàssica amb oves i ampit rematat amb gerros.

En dates recents l'edifici fou adquirit per la Universitat Jaume I amb la intenció de convertir la llotja en la seu a la ciutat de la universitat, on desenvolupar activitats educatives i culturals. Així doncs, la Universitat compra l'edifici el novembre de 1999, i després d'una rehabilitació d'urgència a causa del seu mal estat, destina l'espai a sala d'exposicions entre 2002 i 2005. Finalment el 27 de febrer de 2007 s'inaugura la Llotja ja completament restaurada com a Seu de la Ciutat de la Universitat Jaume I i les oficines de la Societat d'Amics i Antics Alumnes de l'UJI (SAUJI).

Vegeu també
 Llista de monuments de la Plana Alta

Referències

 ''Aquest article pren com a referència el text de la declaració de Bé d'Interés Cultural publicat en el Diari Oficial de la Generalitat Valenciana el 5/7/2007.

Enllaços externs

 Seu de la Ciutat de la UJI
 Notícia sobre la seua restauració

Edificis de Castelló de la Plana
Castello De La Plana
Monuments d'interés cultural de Castelló de la Plana
Centres culturals del País Valencià

redpajama_set_name: RedPajamaWikipedia


text:
Josefina Cota Cota (born 3 June 1956) is a Mexican politician affiliated with the PRD. She served as Senator of the LX and LXI Legislatures of the Mexican Congress representing Baja California Sur. She previously served in the Congress of Baja California Sur from 1987 to 1991.

References

1956 births
Living people
People from La Paz, Baja California Sur
Women members of the Senate of the Republic (Mexico)
Members of the Senate of the Republic (Mexico)
Party of the Democratic Revolution politicians
Senators of the LX and LXI Legislatures of Mexico
21st-century Mexican politicians
21st-century Mexican women politicians
Politicians from Baja California Sur
20th-century Mexican politicians
20th-century Mexican women politicians
Members of the Congress of Baja California Sur


We know that setting aside time with God each day is important; reading our Bible and having consistent prayer time are needed for us to grow Spiritually.
As wives, mothers, and homemakers, we also have the responsibilities of our homes and families to take care of and sometimes those daily quiet times get tacked on to the end of our day or are forgotten altogether.
How do we fit in everything? When I made time with God a priority, my day became more productive. Were extra hours miraculously added to my day? No. But I have a theory!


text:
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redpajama_set_name: RedPajamaCommonCrawl


A lucky strike thunder egg. Photo taken in Mitchell, OR and provided by Jason Jakubos.
You may have heard of stopping and smelling the roses, but have you ever stopped to admire the rocks? If so the Oregon Umpqua Gem and Mineral Show "From Rocks to Gems" might make you feel like you're in an abstract rock hound's fantasy. If the words "rocks to gems" don't help you catch on, the Umpqua Gem and Mineral show is a non-profit show that promotes geology, rock hounding, and lapidary arts.
The Gem and Mineral Show is an event showcased by the Umpqua Gem and Mineral club, who will be celebrating their 49th annual show this year. The show is an admission-free event that the whole family should find more than delighting. The purpose of their organization and event is to advocate for the importance and interest in geology by raising funds to distribute books about new lapidary art, geology, and rock hounding to all schools in Douglas County.
The Gem and Mineral fun will be coming to Roseburg Oregon's Douglas Hall at the Douglas County Fairgrounds. The event is perfectly placed on a May weekend: Saturday May 4th and Sunday May 5th. The event will run from 9 AM to 5 PM on Saturday and 10 AM to 4 PM on Sunday. Activities will kick off on Saturday and then will begin where they left off at on Sunday. The theme of the Umpqua Gem and Mineral show is "Rock to gems" as each year the club likes to do change the theme to something different.
As the admission is free, so are plenty of the activities. There will also be food concessions provided by IdleYld Lodge. If you're looking forward to buying a gem to call your own, you're in luck. The show will include rock and gem dealers, demonstrators teaching you how they do what they do, and a museum of displays of rocks to gems. There will also be multiple prizes worthy raffles & auctions. There will be assortment of more kid-friendly activities including: three rock hunts on SAT, and two on SUN, rock painting with "Michael's," wheel of fortune, dart toss, and a kiddie area that will keep your children more than a little entertained.
The gem and mineral show cannot wait to see when you decide to venture out to their important 49th annual show. The Master Gardener's show is also being held at the fairgrounds on Saturday, so you can hit up two shows in one day! This is the perfect year to get a taste of the rock mineral showcase fun! Come on out to the Douglas County Fairgrounds the 4th and the 5th of May, you'll be left amazed by the shapes and colors of crystals reflecting in your awestruck eyes.


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Education, training and skills
Primary curriculum, key stage 2
Tests and assessments (key stage 2)
2016 Key stage 2: assessment and reporting arrangements (ARA)
Standards and Testing Agency
24 March 2016 , see all updates
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Section 5: Participation in the tests
How different types of schools participate in the tests, which pupils should take them and details of access arrangements
5 Participation in the tests
Participation in the tests depends on the type of school. The types of schools required to participate in the tests is detailed in section 13.
5.1 Participating pupils
The tests are designed to be used with all pupils who are working at the standard of the national curriculum. There will be some pupils who will be working below the 'expected standard' of the test, who will not achieve a scaled score of 100, but who should still take the tests. Teachers should use their knowledge of each pupil to decide whether to administer the tests to them. They may use the sample materials to inform these decisions.
Most pupils taking the KS2 tests will be in year 6 and will reach the age of 11 by the end of the school year. This includes pupils with special educational needs (SEN) who will start some aspects of the key stage 3 programme of study without having completed the entire KS2 programme of study.
All pupils who have reached the end of KS2 are included in the calculation of a school's performance measures, regardless of whether they have been entered for national curriculum tests or disapplied from the curriculum.
All pupils enrolled at maintained schools and maintained special schools who will have completed the KS2 programme of study in the 2015 to 2016 school year and all eligible pupils enrolled at academies must be registered for the national curriculum tests. This includes pupils that are working below the standard of the tests and ultimately don't take them and pupils that are working at the standard but can't access the tests.
Pupils in their final year of KS2 who attend a pupil referral unit (PRU) or hospital school but are still on the register of a maintained school or academy must also participate in the tests. The headteacher at the school where the pupil is registered is responsible for ensuring that the tests are administered according to the published guidance and that the completed test scripts are returned to their home school immediately after the tests.
Some parents may ask a headteacher not to enter their child for the tests. Parents may also ask a headteacher to enter their child for a test when the school has decided this is not appropriate. In all instances the headteacher's decision regarding participation is final. Headteachers should explain the school's decision to parents.
Pupils younger or older than 11 at the end of KS2
Pupils must only be entered for the tests before the school year in which they are 11 if they have completed the KS2 programme of study and the headteacher considers they are working at the standard of the tests.
Pupils older than 11 who have not taken the tests must be entered to take them at the end of the year in which they complete the KS2 programme of study, if the headteacher considers the child to be working at the standard of the tests.
The performance tables report pupil's results in the year in which they complete the KS2 programme of study. From 2016, where a pupil takes one test early the results will not be reported in the tables until the year in which the remaining tests are taken.
Pupils working below the standard of the tests
Pupils who are assessed as working below the standard of the national curriculum and who are not expected to reach this standard by May 2016 must be registered as below the standard during the pupil registration process. They should be marked as 'B' on the test attendance register and should not sit the test.
Pupils cannot be registered as below the standard of the test for individual components of a test. For example, a pupil cannot take Paper 1 of the English grammar, punctuation and spelling test and be marked as 'B' on the attendance register for Paper 2. In this scenario STA would correct the pupil's status to 'A' (Absent) and the child would be recorded as absent overall.
If the 2016 tests are administered to pupils working below the standard of the tests, their completed test scripts must be sent for marking. These pupils will be awarded test outcomes based on their achievements in those tests. Their test results must be included when reporting results to the department and in the annual report to parents.
If a school decides not to enter a pupil for the tests or if a teacher does not have evidence that a pupil consistently meets all the statements in the lowest standards in the interim teacher assessment frameworks, the interim pre-key stage standard(s) should be used to provide a statutory assessment outcome for the pupil and any reasonable adjustments which reflect usual classroom practice may remain for teacher assessment.
It is important to note that because the standard of the easiest questions remains the same as on previous tests, we are not expecting any significant increase in the number of pupils not sitting the tests. If pupils are able to answer the easiest questions, they should be entered for the test.
Pupils working at the standard of the tests but who are unable to access them
Schools are responsible for making arrangements to determine whether a pupil is working at the standard of the tests but is unable to access them. The headteacher can make final decisions about participation in the tests.
Some examples of pupils who may fit this category are included below.
Pupils with a physical or sensory disability.
Pupils who have spent time in hospital towards the end of the key stage.
Pupils who have been educated at home or excluded from school and need time to adjust to regular school life.
Pupils who are experiencing or have recently experienced severe emotional problems.
Specific arrangements can be put in place to enable pupils to access the tests.
Pupils who are working at the standard of the tests but who are unable to access them must be registered in the 'Pupil registration' section of NCA tools and marked as 'T' on the test attendance register.
If the 2016 tests are administered to pupils who are working at the standard of the tests but are unable to access them (for example if a pupil starts a test and is unable to complete it), their test scripts must be sent for marking. Pupils will be awarded test outcomes based on their achievements in those tests.
Pupils whose performance on the national curriculum cannot be established
Schools may not have enough time to determine a pupil's abilities before the tests, for example because a pupil has recently arrived from a different education system. Where this is the case the pupil must be registered as part of pupil registration but should not sit the test. They must be marked as 'T' on the test attendance register.
If the 2016 tests are administered to pupils whose abilities have not been established, their completed test scripts must be sent for external marking. Pupils will be awarded test outcomes based on their achievements in those tests.
5.2 Access arrangements
The access arrangements guidance explains how readers, scribes and other arrangements can be used in each test, and what schools need to do to use them.
Access arrangements are adjustments that schools must consider before the tests. They should be based primarily on normal classroom practice for pupils with particular needs. Access arrangements must never provide an unfair advantage. The support given must not change the test questions and the answers must be the pupil's own.
Access arrangements may be appropriate for pupils:
with a SEN or an Education Health and Care Plan as described in SEN Code of Practice or a local equivalent
for whom provision is being made in school using the SEN Support system and whose learning difficulty or disability significantly affects their ability to access the tests
who require alternative access arrangements because of a disability (which may or may not give rise to a special educational need)
who are unable to sit and work for a long period because of a disability or because of social, emotional or mental health difficulties
with EAL and who have limited fluency in English
Schools must make sure they have documentation to show that a pupil is eligible for access arrangements. This must include evidence that resources are routinely committed to providing this support in the classroom. Schools must be able to show the documentation if they have a monitoring visit.
If schools use access arrangements for a pupil inappropriately, the pupil's results may be annulled.
5.3 Pupils with English as an additional language
Pupils with English as an additional language (EAL) must be registered for the KS2 tests even if there is a valid reason why they will not take them.
If pupils cannot communicate in English then they will be working below the standard of the English tests and should not take them.
Mathematics tests
To establish a pupil's abilities in mathematics, teachers and language-support staff should work together to translate national curriculum work into the pupil's preferred language. Care should be taken to ensure that any translation does not provide additional support or understanding of mathematical terms.
If a pupil is working at the standard of the mathematics tests, the school should administer the tests using the access arrangements summarised in paragraph 5.2. Pupils working below the standard of the mathematics tests should not take them.
Pupils with a profound hearing impairment who are unable to access the tests
Pupils with profound hearing impairment may not be able to participate in the spelling aspect of the English grammar, punctuation and spelling test even with the full range of access arrangements. The school should apply for a compensatory mark for the test. In order for pupils to be awarded a compensatory mark they must be registered for the English grammar, punctuation and spelling tests and marked as 'A' on the attendance register for the Paper 2: spelling
5.4 Decisions on participation in the tests
Headteachers don't need permission when making decisions about participation in the tests.
As part of decision-making headteachers should:
discuss the pupil's circumstances and needs with their parents and teachers
if appropriate, consult with educational psychologists, medical officers or other specialist staff
If a headteacher decides a pupil shouldn't take 1 or more of the tests they should explain this decision to the parents. They should also write a report which:
explains why the pupil can't take some or all of the tests
refers to any action the school has already taken or special support the pupil has been offered
identifies any procedures that they've used to analyse and monitor the pupil's needs and indicate where the information is recorded
identifies whether these circumstances are likely to be long term or short term
A copy of the report must be sent to the:
pupil's parents
chair of the governing body
Details of the parents' right to appeal the decision should be included with the report. If a headteacher believes that a parent may have difficulty in understanding the report, they must offer appropriate assistance.
A copy of the report should be placed on the pupil's educational record.
5.5 Registering pupils
All pupils at participating schools must be registered for the tests, regardless of whether they will actually sit them.
Pupils must be registered on the 'Pupil registration' section of the NCA tools website. This opens on Monday 22 February. Schools should register their pupils for the tests by Friday 18 March.
Maintained schools must also register pupils for tests if they arrive at the school after Friday 18 March.
Independent schools that have not completed pupil registration by Friday 18 March will not be allowed to participate in the 2016 tests.
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The Mitsubishi Electric Power Products, Inc. (MEPPI) Transformer Plant in Memphis, TN, houses a world-class heavy electrical equipment manufacturing plant and spacious office facilities. Aesthetically, the architectural team focused on crisp lines, sharp corners and an overall machined appearance. Nearly 400,000 square feet of CENTRIA panels were specified for the project, including almost 200,000 square feet of Versawall insulated metal panels on the building's exterior.


This diabolical effect from the creative mind of John Bannon is one of magic's all time best-sellers. With a clear and incredibly powerful effect and a method ingenious in its simplicity, this will simply blow your audience away. And, what migh be best of all, this outstanding effect requires absolutely no or sleight-of-hand to successfully perform.
Here's an in-depth description of the effect: The performer displays two packets of face-down cards, each packet containing four cards. One packet is red-backed and the other is blue-backed. The packets are tabled, and a spectator is allowed to select either the red or blue packet. Whichever packet he selects is used. There is no magician's force. The spectator is asked to imagine that his packet consists of four face-down queens. Once this is done, he is to think of any one of the four queens - hearts, clubs, spades or diamonds. Again, this is totally free choice! A second spectator is now directed to concentrate on the remaining four-card packet, and like the first spectator, is allowed to think of a different queen.
Now, without touching the cards, the performer claims he has caused the two selections to trade places. The first spectator names his card, the performer spreads his packet, and the queen he merely thought of is reversed face up in the packet. This astounding feat is repeated with the second spectator's queen! And there's more! The performer points out that if each of the spectator's queens really traveled across, then the backs of the selected queen would also have traveled across. The face-up queen in the red packet is turned over - it has a blue back! Now the face-up queen in the blue packet is turned over - it has a red back! The effect is truly unbelievable. And there is still more! The performer points out that it is very interesting that the two spectators selected the particular two queens they did. BECAUSE THE REST OF THE CARDS ARE NOT EVEN QUEENS AT ALL - THEY ARE JOKERS! And you turn them all face up to prove it!


Our premium craft sangria is made with 100% real, unfiltered fruit juice and premium red wine, for a true homemade taste! Ingredients include blood orange, acaí, pomegranate juice and lemon. Shake before opening, the good stuff is at the bottom!
Mija Sangria (MEE-HA) is a natural, refreshing bottled sangria made exclusively with premium dry red wine and 100% real, unfiltered fruit juice for a true homemade taste. Crafted without any artificial additives or preservatives, Mija Sangria is packed with antioxidants found in popular super fruits, such as pomegranate, acaí and blood orange.
Mija is a ready-to-drink beverage. We recommend serving it straight from the bottle over ice. Or, use Mija in a cocktail or give it a splash of Prosecco to make a sparkling sangria!
Best Sangria I have ever tasted. It is one of those that you can't stop drinking.
I highly recommend this product. It's as close to homemade as you'll find. I especially love that it contains no additives!
Bought this sangria as a gift for my sister's birthday, had it shipped to Massachusetts. The sangria is outstanding, she loved it so much. The best tasting sangria she has ever had. From the product to the delivery, everything was perfect.


Morneau: My ability to stay calm in challenging situations.
Morneau: I grew up with four younger sisters and was the prankster, much to their chagrin.
McQuaig: Indecision. Or is it?
Morneau: I tip generously, especially for friendly and effective service.
Morneau: A few months ago, two of my kids graduated from high school, which was a particularly joyful moment for my wife Nancy and I.
McQuaig: It's literally my middle name.
Morneau: My mom tells me I wore a cape around the house. So maybe Superman.
Morneau: I'm focused on building a better future. I'm excited to live in the present and see our plan to grow the economy and the middle class have an impact on future generations of Canadians.
McQuaig: The 1830s—although I wouldn't like dentistry without anaesthetic.
Morneau: I share some qualities with Monica and Ross.
McQuaig: Not sure about Friends, but I wouldn't mind being Arya in Game of Thrones.
Morneau: Vanilla Girl Guide Cookies. The old-fashioned ones.
Morneau: My wife, Nancy. She's my biggest supporter and my kids get all of their great qualities from her.
Morneau: Of the 7 books on my nightstand, the most dog-eared is My Best Stories, by Alice Munro.
McQuaig: Kill the Messengers: Stephen Harper's Assault on Your Right to Know, by Mark Bourrie.
Morneau: The real embarrassing stories will never make it into print! But a couple of weeks ago, premier Kathleen Wynne and I went for a run through Toronto Centre, which was immediately followed by a media availability. This meant that I had to quickly change out of my sweaty running gear. Having the Premier of Ontario see me shirtless was not part of the plan.
McQuaig: I once had a boyfriend called the Beast.
Morneau: Not having time to spend with my family.
McQuaig: A Friday when my basketball game is cancelled.
Morneau: I'm hooked on a couple of apps that help me plan my running routes. The apps work well for finding new and interesting 10-kilometre routes through Toronto Centre.
Morneau: I try my best not to swear, so I guess you could say I don't have a favourite.
Morneau: Time is the thing I have in shortest supply!
McQuaig: My coffee mug, although not if there's a Conservative candidate around.
Morneau: I hope this is a long time from now, and that the inscription makes my future grandchildren smile.
McQuaig: Really, must I choose?


text:
Watch Amy Schumer Meet a Smile Consultant
By Olivia B. Waxman
In a sneak peek at Tuesday night's episode of Inside Amy Schumer, the comedian meets with a smile consultant after a coworker calls her smile "garbage" and an online poll votes that a dog dressed like her is more attractive than the actress herself. During a grueling session, the consultant, David, repeats "smile please," "no," and "again" over and over until he likes her smile — which is basically not a smile.
Karlie Kloss Says She Will Vote Against Trump in 2020
The sketch pokes fun at the absurd ways women try to change things about themselves that don't need to be changed just to be liked more by men or random people on the Internet. It also jibes with her goal to make women "feel beautiful in their own skin" and "empower them to use their voice and not apologize," as she explains in Glamour's August 2015 cover story.
See the 20 Most Successful Romantic Comedies
20. The Break-Up - $118,703,275
19. 50 First Dates - $120,908,074
18. Something's Gotta Give - $124,728,738
17. Mr. Deeds - $126,293,452
16. Sleepless in Seattle - $126,680,884
15. My Best Friend's Wedding - $127,120,029
14. Sweet Home Alabama - $127,223,418
13. Coming to America - $128,152,301
12. Silver Linings Playbook - $132,092,958
Weinstein Company
11. Bringing Down the House - $132,716,677
10 As Good as It Gets - $148,478,011
9. Knocked Up - $148,768,917
8. Runaway Bride - $152,257,509
7. Sex and the City - $152,647,258
6. The Proposal - $163,958,031
5. There's Something About Mary - $176,484,651
4. Pretty Woman - $178,406,268
3. Hitch - $179,495,555
2. What Women Want - $182,811,707
My Big Fat Greek Wedding is back!
Write to Olivia B. Waxman at olivia.waxman@time.com.


text:
Special Services Unit
Jail Info
Today, more than ever, law enforcement agencies need religious guidance, counseling and assistance to officers, their families, and their communities. No one is confronted with more situations that demoralize and create emotional, mental and spiritual burdens than a law enforcement officer. The burden also affects the officer's family. Each day, a law enforcement officer is faced with potentially dangerous situations as they come into contact with the baser elements of society. The officer may have to make split-second decisions that are just and right. Many times, an officer has a need to express his or her frustrations and problems to one who fully understands the circumstances of the law enforcement world. An officer may need to discuss his/her problems with someone who understands what (s)he is up against, yet is detached enough not to be emotionally involved or in a position that might affect the officer's career. The officer's own clergyperson or religious advisor, although trained in the ministry, is not necessarily abreast of the particular problems of a law enforcement officer. In such cases, a chaplain could listen with empathy, advise calmly, and offer assistance when such assistance is appropriate.
What law enforcement chaplains do:
Counsel members of the law enforcement community, sworn and non-sworn, as well as their families
Assists officer with making death notifications
Assist at suicide incidents
Provide assistance to victims
Serve as a member of the Crisis Response Team
Instruct officers in areas such as stress management, ethics, family life, and pre-retirement
Visit sick and injured officers and departmental personnel at home or at the hospital
Provide answers for religious questions (does not proselytize)
Offers prayers at special occasions such as recruit graduations, award ceremonies, and dedication of buildings.
DUTY, INTEGRITY, COURAGE
242 PARKER ROAD
MOULTON, AL 35650
Alacourt
Bankhead National Forest
City of Moulton
Lawrence County Commission
Lawrence County Map
Lawrence County Chamber of Commerce
Sex Offender Database
PHONE (24 HOUR)
PROBATION/PAROLE
Copyright © Lawrence County Sheriff's Department


Will Korver is married to his wife, Kasey, whom he first met in Tulsa in 2010; they have an energetic Mini-Australian Shepherd named Ellie and an ornery (yet loving) American Snowshoe called Athena. They attend Asbury United Methodist Church. Will graduated from Broken Arrow High School. While attending Oklahoma Baptist University, Will earned his BA by double-majoring in history and English; he also minored in creative writing. At Northeastern State University (Oklahoma), Will earned his MA with a primary emphasis in literature and a secondary emphasis in composition and rhetoric. In 2010, Will penned his Thesis: The Indebtedness of J.R.R. Tolkien's Elves to the Fairies of William Shakespeare. He continues to work on his dissertation in order to complete his Ph.D. In addition to his previous experiences as an English teacher and as a tutor, he has also mowed lawns for his Dad's lawn-care company, worked as a delivery driver, salesman, and assembly-line worker at Fizz-O Water Company, penned articles for the website BroadbandCensus.com, and helped to install pharmacy shelving and cabinets with Pharmacy Design Group in the past as well.
After learning to improve my ability to read and speak because of the mentorship of my parents and because of the efforts of two reading and speech therapists in Broken Arrow, I began to envision my current mission: to "give back" by helping students improve their reading and writing, in particular, and their ability to communicate, in general. My passion is to teach students the spiritual implications of literature, in addition to teaching them about the historical sources of, intertextual allusions within, and contemporary parallels to various works of literature.
"For it is by Grace that you have been saved, through faith—and this is not from yourselves, it is the gift of God—not by works, so that no one can boast. For we are God's artisanship, created in Christ Jesus to do good works, which God prepared in advance for us to do" (Ephesians 2:8-10).


I am a French student performing a 6 months internship at the European Union delegation to New Zealand in Wellington. Back in france, I studied 3 years in prep school, then i passed a master's Degree in English studies (I Wrote a 60 page research papaer in English). This year i am studying at the Political Studies Institute in Grenoble (Sciences Po). French is my mother tongue and I passed the Cambridge Certificate of Proficiency in English.
I believe into adopting a very didactic learning approach, in which the student is helped, but manages to find the answer himself in the end.


Detected in testis and sperm.
Temporally regulated transcription and translation of several testis-specific genes is required to initiate the series of molecular and morphological changes in the male germ cell lineage necessary for the formation of mature spermatozoa. This gene is a member of the SPANX family of cancer/testis-associated genes, which are located in a cluster on chromosome X. The SPANX genes encode differentially expressed testis-specific proteins that localize to various subcellular compartments. This particular gene maps to chromosome X in a head-to-tail orientation with SPANX family member B1 and appears to be a duplication of that locus. The SPANXB genes are unique members of this gene family, since they contain an additional 18 nt in their coding region compared to the majority of family members. Although the protein encoded by this gene contains consensus nuclear localization signals, the major site for subcellular localization of expressed protein is in the cytoplasmic droplets of ejaculated spermatozoa. This protein provides a biochemical marker for studying the unique structures in spermatazoa, while attempting to further define its role in spermatogenesis.


text:
Asteroids carrying bacteria may spread life into far reaches of universe: Study
DNA India
A bacteria-carrying asteroid ejected from the centre of the galaxy into the far reaches of space may be "captured" by a distant solar system, potentially bringing life to a new world, scientists say.
The study makes the most comprehensive calculation ever of the likelihood of that process -- known as "panspermia" --
Asteroids may play key role in spreading life: Study
BOSTON: A bacteria-carrying asteroid ejected from the centre of the galaxy into the far reaches of space may be "captured" by a distant solar system, potentially bringing...
The Times of India 2019-07-10
Planet Seeding and Panspermia
The first detection of an interstellar asteroid/comet-like object visiting the Solar system two years ago has sparked the ideas about the possibility of interstellar...
Hubble spies something mysterious around a supermassive black hole
(CNN)There's something unusual happening at the center of the spiral galaxy NGC 3147, and the Hubble Space Telescope caught a good look. Photos: Wonders of the universe...
CNN 2019-07-11
Five reasons future space travel should explore asteroids
Alexyz3d/Shutterstock On the same day that the Earth survived an expected near-miss with asteroid 367943 Duende, Russian dashcams unexpectedly captured footage of a...
The Conversation 2019-07-05
Astronomers missed enormous 3,300ft asteroid circling near Earth for DECADES – and blame its strange orbit
ASTRONOMERS have made the rare discovery of a new asteroid circling the Sun and whizzing past Earth every 151 days. The space rock is called 2019 LF6 and it has remained hidden from cosmic experts until now despite being 0.6 miles wide and orbiting near the Earth. 2 The newly discovered asteroid has the shortest orbit of any known asteroid. It was spotted by astronomers from...
Asteroids may play key role in spreading life, says study
Calculations showed there may be as many as 10 trillion asteroid-sized objects carrying life, according to Idan Ginsburg, a postdoctoral scholar at the Harvard University in the US. ......
5 things to know for July 2: Border crisis, 2020 Dems, Hong Kong, EU, Antarctica
(CNN) Can't make it to South America to watch this afternoon's total solar eclipse? Here's how you can watch it from anywhere. Here's what else you need to know to Get Up to Speed and Out the Door. (You can also get "5 Things You Need to Know Today" delivered to your inbox daily. Sign up here.) 1. Border facilities Reports of lewd and cruel social media posts about migrants...
What are intermediate-mass black holes?
We've detected puny, stellar-mass black holes. And we've detected giant, supermassive black holes. But what about those in the middle? RELATED TOPICS: BLACK HOLES | COSMOLOGY Black holes have long served as fodder for science fiction — and for good reason. These unimaginably dense objects contain so much matter trapped in such a small volume that their gravity is strong enough...
What are primordial black holes?
Birthed in the first second after the Big Bang, these as-yet-unseen objects could offer answers to astronomers' outstanding questions. RELATED TOPICS: BLACK HOLES | COSMOLOGY | BIG BANG All the black holes that astronomers have seen fall into one of three categories: stellar-mass black holes, intermediate-mass black holes, and supermassive black holes. Each is more massive than...
Fungi can withstand the high radiation doses of outer space, scientists find
These two species of fungi could potentially survive space travel. RELATED TOPICS: INTERNATIONAL SPACE STATION Anywhere humans go, we bring companions along, in the form of bacteria and mold. Some of them, like gut bacteria, are essential for healthy living. Others are mere tagalongs. As hospitals well know, even the spaces meant to be most clean still teem with microbial life,...


Hello! I'm back with another card that I made using the Taylored Expressions August Stamp of the Month, Sending Smiles!
I started by making my colorful background with the Ray of Sunshine Cutting Plate (trimming part of the length and alternating strips of woodgrain patterned paper). I used the coordinating dies, This Way to Smiles, to die cut the flowers, leaves and the chevron arrow.
Accessories: Taylored Dies: This Way to Smiles, Ray of Sunshine Cutting Plate (TE); Standard Circle Nestabilities - SM (Spellbinders), Chino pearls (Kaisercraft), Foam tape, Thread, Sewing machine.
Beautiful card Stephanie! Love the pretty layered blossom and creative background!


text:
Q: Python Chat Client not Remaining Open I have recently started developing a server-client chat protocol for learning purposes (later I would like to do more with this communication, but for now this suffices. Needless to say, I am still early into the learning phase of this portion of Python, but I have modified some examples to a server and a client that I found online. The communication works well from what I've seen so far, but I have to relaunch the client every time I want to send a message to the server.
Here is the code:
server:
from twisted.internet import reactor, protocol
from twisted.protocols import basic

class Echo(protocol.Protocol):

    def dataReceived(self, data):
        "As soon as any data is received, write it back."
        self.transport.write(data)

class MyChat(basic.LineReceiver):
    def connectionMade(self):
        print "Got new client!"
        self.factory.clients.append(self)

    def connectionLost(self, reason):
        print "Lost a client!"
        self.factory.clients.remove(self)

    def dataReceived(self, data):
        print "received", repr(data)
        for c in self.factory.clients:
            c.message(data)

    def message(self, message):
        self.transport.write(message + '\n')

def main():
    """This runs the protocol on port 8000"""
    factory = protocol.ServerFactory()
    factory.protocol = MyChat
    factory.clients = []
    reactor.listenTCP(8000,factory)
    reactor.run()

# this only runs if the module was *not* imported
if __name__ == '__main__':
    main()

client:
from twisted.internet import reactor, protocol

# a client protocol

class EchoClient(protocol.Protocol):
    """Once connected, send a message, then print the result."""

    def connectionMade(self):
        self.transport.write("hello, world!")

    def dataReceived(self, data):
        "As soon as any data is received, write it back."
        print "Server said:", data
        self.transport.loseConnection()

    def connectionLost(self, reason):
        print "connection lost"

class EchoFactory(protocol.ClientFactory):
    protocol = EchoClient

    def clientConnectionFailed(self, connector, reason):
        connector.connect()
        print "Connection failed - goodbye!"
        reactor.stop()

    def clientConnectionLost(self, connector, reason):
        connector.connect()
        print "Connection lost - goodbye!"
        reactor.stop()

# this connects the protocol to a server runing on port 8000
def main():
    f = EchoFactory()
    client = EchoClient()
    reactor.connectTCP("localhost", 8000, f)
    reactor.run()

# this only runs if the module was *not* imported
if __name__ == '__main__':
    main()

What am I forgetting to add so that I can have multiple clients connected to the server and stay connected?
I looked here and here (the first one seems to be the same type of question) but I'm still confused as to how to fix this issue. Any suggestions are appreciated. Thanks!

redpajama_set_name: RedPajamaStackExchange


How can fingers so slight—even frail—make music that is so voluptuous? The answer may never be known, but happily this is true of pianist Leslie Pintchik and it all comes together on her aptly entitled album In The Nature of Things. At its finest, Ms. Pintchik's music is full of emotional suggestion—far removed from that which is melodically literal and obvious. Moreover her touch is light; notes are never forced down and yet she can also be firm yet angular in her phrasing. Melodic lines are beautiful and undulating. There is also a kind of beautiful yin-yang movement in the rising swell suggested in the manner in which Leslie Pintchik plays off her bassist, Scott Hardy. Their exchanges are magnificent and come alive with sensuous musical moments that seem to embrace each musician as the songs unravel. Ms. Pintchik is also blest with the percussion colourings of Satoshi Takeishi; the spectral pings of the triangle, the gentle rustle of shells and the vanishing strumming on a guïro like instrument inform his almost ghostly performance. And on In The Nature of Things Ms. Pintchik has added additional colours and tones from brass and woodwinds to embellish the already gorgeous soundscape that emerges with each phrase and each line.
Leslie Pintchik's musicianship is informed by deep, soulful emotion as well as bristling intellect. But there are times when such seriousness is tempered by a sense of puckish humour. It is at times like these that she comes close to suggesting her admiration of the music of Thelonious Monk. Although Mr. Monk was deadly serious about what he was doing, he could take wildly humorous romps into the infinite and beyond. So also does Ms. Pintchik. The pianist responds to the promptings of mind and body with sudden rushes of emotion; musical gravitas via phrases and lines that are erudite and leap from elevated planes onto more lofty ones, pirouetting and gamboling as they seem to float through the air before landing where they absolutely should, as planned. Ms. Pintchik also plays melodic lines, that seem to hang in the air at a certain point and just when it appears that they have nowhere to go, she tugs at the notes and urges that line to make an abrupt about turn; or she routes the line at an angle so sharp and unexpected that all seems lost until the music appears seemingly from behind a cluster of notes where it had wrapped itself. Ms. Pintchik's music is replete with these little surprises that always find the listener catching his or her breath.
"With You in Mind" is one of those songs that begin with gentleness that suggests nary a ripple in its ocean of sound. Just as things are getting comfortable the pianist pulls out the stops and the music begins to unfurl in all its complex beauty. "I'd Turn Back If I Were You" and "There You Go!" are Ms. Pintchik's reverential homages to the ubiquitous Mr. Monk. And a thoroughly beautiful one it is. A standard from the Alan Jay Lerner and Frederick Lowe, "I've Grown Accustomed to Her Face" was hardly expected and the manner in which Ms. Pintchik plays it is most edifying and absolutely her own. Much of the music on the album is breathtaking in scope and beauty because of the presence of this ensemble. While her bassist and drummer Michael Sarin perform with remarkable exquisiteness, as does the percussionist Satoshi Takeishi, so does saxophonist Steve Wilson, a winds specialist of immense charm and virtuosity, and trumpeter Ron Horton, who warms the music's hearth. All of this musicianship, plus of course the immense beauty of Leslie Pintchik's playing makes this album one that is hard not to listen to over and over again.
Track List: With You in Mind; I'd Turn Back If I Were You; I've Grown Accustomed to Her Face; Luscious; Sparkle; Terse Tune; Ripe; Ready!; There You Go.
Personnel: Leslie Pintchik: piano; Steve Wilson: alto and soprano saxophones (1, 2, 4–7); Ron Horton: trumpet and flugelhorn (1, 2, 4–7); Scott Hardy: bass; Michael Sarin: drums; Satoshi Takeishi: percussion (1–8).
In the ensuing years, Pintchik formed her own trio with bassist Scott Hardy, and a series of drummers, including her current band-mates Michael Sarin and Satoshi Takeishi. Her trio performs regularly at New York City jazz venues such as the Kitano, Smalls Jazz Club, Bar Next Door, the Blue Note, Knickerbocker, and 55 Bar. Her trio was one of four finalists in the Cognac Hennessy Jazz Search, and more recently, they performed as part of the JVC Jazz Festival at the Kitano Hotel in Manhattan.
In the fall of 2010, Leslie released two new projects: her 3rd CD, We're Here To Listen, and a DVD/CD combo Leslie Pintchik Quartet Live In Concert. Both projects again feature bassist Hardy, drummer Dodge and percussionist Takeishi. Jim Wilke, creator of the nationally syndicated "Jazz After Hours" radio show included We're Here To Listen on his "Best CD's of 2010" list, and the jazz journalist and scholar W. Royal Stokes included both projects in his "Best of 2010" list.
Leslie recently recorded her upcoming CD In The Nature of Things, with a stellar band: saxophonist Steve Wilson, trumpeter Ron Horton, bassist Scott Hardy, drummer Michael Sarin and percussionist Satoshi Takeishi.
Another heartfelt and insightful review. Thanks so much, Raul da Gama!


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March 22, 2010 By Richard C. Young
March 2010 Week 4
When critics refer to Sinatra's Capitol albums, their highest praise is usually reserved for the dark melancholy of Wee Small Hours or Only the Lonely. But the upbeat "Swinging" records should not be ignored. Probably the finest of these albums is Come Fly with Me. The first of Sinatra's albums with arranger Billy May (whose arrangements have been overshadowed by Nelson Riddle's), Fly is the conceptual equal of Lonely-a carefree, romantic musical travelogue. From the opening invitation–one of Sinatra's most rollicking vocals–to the tender invocations of "Autumn in New York" and "April in Paris," and the serene seductiveness of "Moonlight in Vermont," Sinatra personified the modern traveler–jaunty, cosmopolitan, irrefutably cool. –Steven Mirkin
Audio CD (September 8, 1998)
Original Release Date: 1957
Format: Original recording reissued, Original recording remastered
Label: Capitol
Buy the CD here
1. Come Fly With Me (1998 Digital Remaster)
2. Around The World (1998 Digital Remaster)
3. Isle Of Capri (1998 Digital Remaster)
4. Moonlight In Vermont (1998 Digital Remaster)
5. Autumn In New York (1998 Digital Remaster)
6. On The Road To Mandalay (1998 Digital Remaster)
7. Let's Get Away From It All (1998 Digital Remaster)
8. April In Paris (1998 Digital Remaster)
9. London By Night (1998 Digital Remaster)
10. Brazil (1998 Digital Remaster)
11. Blue Hawaii (1998 Digital Remaster)
12. It's Nice To Go Trav'ling (1998 Digital Remaster)
13. Chicago (1998 Digital Remaster)
14. South Of The Border (1998 Digital Remaster)
15. I Love Paris (1998 Digital Remaster)
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Where I Come From
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Richard C. Young
Richard C. Young is the editor of Young's World Money Forecast, and a contributing editor to both Richardcyoung.com and Youngresearch.com.
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Two weeks have passed and I am still processing my NYCC (New York Comic Con) 2015 experience. It was fun to be sure but definitely was "one to grow on" so to speak.
I mean look at that crowd. Quite overwhelming to say the least. And this is just the entryway.
I had individual Friday-Saturday-Sunday tickets but ultimately bailed on the last day (previous engagement). Upon reflection, you realize that is one of the ways you are "had" – not in a bad way – the time gap between ticket sales and the actual event almost requires that you purchase a multi-day pass or individual tickets for multiple days. The reasoning being (of course) that you never know what is going to happen and when. In the lead up to the actual event, NYCC planners stagger the release of information of screenings, panels and other entertainment appearances.
Also important to note, that, unlike its older sister/cousin, SDCC, there is not a whole lotta movie-related stuff going on here. This is a convention dedicated to comic enthusiasts, with a bunch of sci-fi fantasy/TV/gaming opportunities and tie ins thrown in for good measure. So set your expectations right.
My first day was spent mostly walking the convention floor to get a lay of the land. I have to say it was definitely packed but after you take it all in – it is quite fun. There are giveaways galore. Sure you will probably get home with a "swag bag" wondering why the hell you have TWO posters of the cover art for Dark Horse Comic's Fight Club 2, remember all part of the experience.
My last day was a bit shorter. I walked the floor (rather quickly) and headed straight to my two panels. Still felt it was well worth the time spent on a lovely Saturday.
Speaking of panels …. for the big ones, arrive EARLY. Sure the doors officially open at 10:00AM, but if say there is an X-Files panel at 1:00PM, you may want to get there is the 7:30AM-8:00AM window to guarantee a seat. Trust me on this one.
A last item about panels … the Main Stage (where the aforementioned X-Files event took place) clear out after panels, the other smaller rooms do not. So … I am not saying I did this … but you could theoretically look at the schedule (plan ahead!) and if you feel like a panel you want to attend might reach capacity, just attend a panel (or two) before and park yourself in for the day.
When purchasing tickets – go for the 3 or 4 day pass. There is an economic reason for it (cheaper per day, assuming you attend all days). But it is also simply convenient. If these are not available I would definitely target Friday and Saturday next in the queue.
Oh yeah did I mention PLAN AHEAD. While the meat of the event takes place in Javits Center, I noticed that there were quite a few events that took place at other venues. The panels that took place here had a decidedly TV theme to them.
If you want a photo op/autographs, be sure to bring your checkbook. This is not really my thing, but the prospect is appealing to others. If you decide to forgo this one-on-one experience, you can still walk around the autograph area to catch a glimpse of your favorite celebrity. But hope you have a photographic memory — because photos are not allowed to be taken in the area.
The signs are everywhere but as a reminder, you are not allowed to take pictures of cosplayers unless you are granted permission to do so by said cosplayer. Sounds obvious but I guess it needs to be said (they even have signs posted around the convention reminding us of this). Most of them do not mind at all; but for me, it was enough to simply sit back and watch the passing parade.
Bring your walking shoes – especially if you plan to camp out for several hours or all day (not my recommendation personally), you will do a LOT of walking. Seating is scattered to say the least so you may even find yourself aimlessly wandering around the convention floor while waiting for that panel that you are dying to see.
Don't like what is on offer to eat at the Con site? Well you have bring your own food and bevvies, but know that you can venture off during the day if you are there for a spell. Your badge grants you re-entry on the convention grounds (until 8:00PM). So no worries – take a two hour break eat at your favorite Midtown (?) spot, or just chill for a bit, and come back to enjoy the fun!
So there you have it – I could try to be clever and round out this list at a "top ten," but I am tired and still recovering from a late night last night (Blur was worth it though).
Did any of you attend NYCC, 2015 edition? Share your experiences with all!
This past Saturday I had the pleasure of attending the kick off event for BAMcinematek's Ingrid Bergman Film Retrospective. Created and written by Ludovica Damiani and Guido Torlonia (also the director), the evening featured live performances by Bergman's daughter, Isabella Rossellini and Academy-Award winner Jeremy Irons.
What a creative way to mark the centennial of Bergman's birth – combining personalized, "autobiographical" narratives of her life and work with featured clips of those seminal works, including Casablanca (of course), Anastasia, and The Bells of St Mary's, to name a few. The audience was also treated to home movies from Ingrid Bergman's personal collection, including (amazingly) several stills and moving images from her early childhood.
Most striking and resonant for me? The irreverence and honestly her personal accounts were given – the triumphs were given equal weight with the tragedies and controversies … it was a refreshingly honest insight into the world of a performer, an artist, a human being. Equally poignant was that fact that her own daughter, who bears a striking resemblance to her, is uttering these words.
It is a wonder that all of this took place over the course of a breezy, uninterrupted 90 minutes. Unfortunately we were restricted from photographing any of the event; hopefully there will be a recording somewhere for those who wish to see it.
If you missed this extraordinary event, have no fear – from now until the 29th, BAM will be showing 14 of the cinematic icon's greatest performances.
ILC's recommendations: Notorious (1946), Journey to Italy (1954), Gaslight (1944).
In association with the Writer's Guild of America (WGA), this event was part of the Sundance Institute's Screenplay Reading Series of Works in Progress. The star of the show on this evening was the screenplay for a film entitled Franny, written and directed by 2013 Screenwriters Lab Fellow Andrew Renzi.
Over the succeeding 90 minutes, audience members were treated to a live reading of Mr. Renzi's story of a young married couple moving back to the wife' native Philadelphia and their relationship with the larger-than-life but clearly damaged man, who them is trying to recreate the past relationship he had with her late parents.
ILC's Take: this event was a wonderful insight into how screenplays come together. It is equally delightful to see the actors slide into their roles.
I encourage anyone who has the opportunity to attend a live reading of a screenplay to do so. It is more exciting than you can imagine!


text:
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redpajama_set_name: RedPajamaGithub


Mumbai (Maharashtra) , Aug 29 : Filmmaker Subhash Ghai has said everyone should respect the Kapoor family's decision to let go of patriarch Raj Kapoor's famous RK Studios.
It was reported that the family has collectively decided to sell the sprawling landmark, which was built 70 years ago by veteran actor Raj Kapoor.
"We should respect the family's decision as they have collectively taken it. There's no dispute. And I trust their decision. RK Studios has been an institution. When time changes, things change too. Even single theaters have been demolished to make way for digital theatres, multiplexes," said the veteran producer-director.
Reacting on the same, acclaimed filmmaker Imtiaz Ali also said that with changing times there has to be adjustment.
"Raj Kapoor, their films, the studio; everything is extremely special to me. I felt really bad when fire had broken out at the iconic studios. But we have to adjust to changes. It is a cult place and it's a matter of distress," said the 'Jab Harry Met Sejal' director.
Many hit films including 'Barsaat', 'Awaara', 'Jagte Raho' 'Shree 420', 'Sangam', 'Bobby' and 'Prem Rog' were shot at the RK Studios. Last year in September, a massive fire broke out at the studio, leaving a part gutted.


text:
Beirneola pensilis är en insektsart som beskrevs av Young 1977. Beirneola pensilis ingår i släktet Beirneola och familjen dvärgstritar. Inga underarter finns listade i Catalogue of Life.

Källor

Dvärgstritar
pensilis


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National Flower of India | Symbols of India
The National flower of any country should some connection with its culture, history, and heritage. It is meant to reinforce the country's image to the world and play a part in upholding the qualities that the nation holds true. Lotus is the National Flower of India. Its scientific name is Nelumbo Nucifera Gaertn. It belongs to the Nelumbonaceae family.
The Indian Lotus is an aquatic-type flower-like water lily. In Sanskrit, it calls the Padma and in Bangla it is Kamal. If we go through the history of southeast Asia, the National Flower of India, Lotus plays a vital role in history and has been featured in architecture, literature, and art of Buddhism and Hinduism.
It has been an integral part of Indian culture from time immemorial. A prominent feature of Indian mythology, the lotus is one with the Indian identity and represents the core values of the Indian psyche. The Lotus symbolizes spirituality, fruitfulness, wealth, knowledge, and illumination. The most important thing about lotus is that even after growing in murky water it is untouched by its impurity. On the other hand, the lotus symbolizes purity of heart and mind.
Indian authority embraced the Lotus as the India National flower in 1950. It is also the National flower of Vietnam. The Lotus is found in all the parts of India and it is native to South Asian countries. It is also famous in Japan, Australia, Europe, and the USA. The Lotus is considered sacred in Hindu and Buddhist mythology. Devi Saraswati, Devi Laxmi, and Dev Brahma are illustrated to seat on Lotus. The National Flower Symbol of India is the symbol of purity of soul and divine beauty.
Facts About India National Flower
Common Name: Indian Lotus, Padma, Kamal, Sacred Lotus
Genus: Nelumbo
Species: NelumboNucifera
Adopted in: 1950
Found in: All over India and native south Asian countries.
Color: Blue, White, Pink, Red, Purple and yellow
Number of petals: Many
Number of Sepals: more than 30
Habitat: Stationary water bodies like ponds, lakes, and artificial pools.
Average Dimensions: 1.5 cm long; horizontal spread of 3 m
Average Diameter: Leaves – 0.6 m; flowers – 0.2 m
Average Number of Petals: 30
Time of blooming: from 7 a.m. to 5 p.m.
Period of blooming: All around the year, mostly in the rainy season
Purpose: Decoration, Food, and herbal value
Symbolism: Purity of soul and unity
The Lotus grows in Ponds, lakes, and shallow water beds. It is rooted in the muddy soil underwater. Each and every leaf and flower has one stalk that is upward from the root. They both flower and leaf stand 2-3 cm higher than the water surface through their stalk. Lotus blooms mostly in the rainy season. It has a lot of health and nutritious value. Many herbal medicines are made from lotus roots.
The lotus stalks contain vitamins, (B1, B2, B6, and C), Minerals (Potassium, Copper, Phosphorous, and manganese). Southeast Asian people eat it as a vegetable. The people of India and native countries eat Lotus seeds in raw. It is consumed as a sort of popcorn which is locally named PhoolMakhana also made by lotus seed.
Nutrition Facts of Lotus
Lotus Root: Raw Nutrition Value per 100 g
Energy: 74 KCal
Carbohydrate 17.23g
Protein 2.60g
Riboflavin 0.220mg
Pantothenic Acid 0.377mg
Copper 0.257mg
To sum up, the Indian Lotus is one with the national identity and it represents the core values of the Indian psyche. It is an inseparable part of Indian culture, history, and heritage. The Lotus flower Is The Symbol of Goddess Laxmi and Symbolises Wealth, Prosperity, and Fertility. The Lotus Symbolises Purity, Achievement, Long life, and Good Fate.
TOPICS > india national flower, list of National Flower all the Country, National Flower list for all the Country, National flower of india?, National flower symbol of india, National Symbols Of India, Which is the national flower of india? | Symbol, What | India
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