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March 2, 2018 by Brian Krasman	- 0 comments
PICK OF THE WEEK: Vile Creature's grim nuclear death doom story chars 'Cast of Static and Smoke'
The end is here. We've heard people talk about it, speculate on it, worry, and make predictions. The two minutes to midnight expired so fast, and in the aftermath, nuclear holocaust arrived, and fallout rained down over what would otherwise be a lovely, picturesque autumn day, the one that would warm the heart about the splashes of color and need to layer. All of that is gone.
That's the sentiment that greets you on Vile Creature's devastating new record "Cast of Static and Smoke," a dystopian sci-fi tale about the end of civilization brought on by nuclear devastation. The record falls at an opportune moment, when the world seems to be at a crossroads as to how we will proceed into the future, and if we even have that future at all. This ambitious release, accompanied by a 16-page book that includes the lyrics and the entire story itself, is a sludge-splashed, caustic doom metal opus created by the Canadian duo of drummer/vocalist Vic and guitarist/vocalist/percussionist KW. This record, their follow-up to 2015 debut "A Steady Descent Into the Soil" and 2016 EP "A Pessimistic Doomsayer," is a massive step forward for the band. They already were impressive on their first two releases, but this one pushes them even further ahead, as it's the band finding the path they were meant to be on and burning any previous roads. These four songs spread over a caustic 44 minutes are utterly devastating most of the time, achingly heartbreaking at others as our fate, of which we weren't even in control, is selfishly torn from our grasp.
"Water, Tinted Gold and Tainted Copper" is a 10:20 opener that details the aftermath of the nuclear terror, with narrator Erin Severson informing, "The end came swiftly," before the band is full bore into bludgeoning. Their terrifying power blasts over the fall skies they detail, with the music flooding and gut-wrenching wails bringing pain. The track pulls back its tempo, though still mauling, while Vic wails, "Got what we thought we wanted, what we thought we knew, touched the wires together." From there, gargantuan pounding erupts, as growls and noise combine, and guitars shriek before exiting. "Circuits, Bending and Breaking" starts with a steady push from the drums and tortured cries behind them. The misery is amplified further, as the track cuts through the mud, and brutality leaks from every crevice. Animalistic growls register overhead, nearly bringing your heart to a stop, while the pace then pounds relentlessly, with noise spreading before bleeding away.
"Forest, Subsists as a Tomb" is the longest cut, a 13:36 monster that starts with keys blazing, feedback stinging, and a sorrowful ambiance that extends its black arms. Drone collects before the song starts gaining steam, while growls slice through the body of the music, and the drums bash away. The band hits a thrashier pattern, delivering devastation, while the vocals shred the senses before Severson delivers another dialog, leading into the final stretch built with mashing playing, bone-splitting energy, and a finality that sends shockwaves through your body. "Sky, in Descending Pieces" brings the record to a close and is the shortest piece at a still-generous 8:52. The track has a cold, trickling start as the music unfurls slowly, with the growls sounding like they're buried under waves. Anguish is splashed over everything, from the guttural vocals, with KW howling behind all of that, and Severson again speaks as the tale draws to a close. The music is wrenching, the cries feel like they are desperate for hope, and the song ends with darkness prevailing, as all existence is rendered a memory.
Vile Creature deserve to be acknowledged as one of the true special new bands lifting doom up by its lofty tent poles, and "Cast of Static and Smoke" is an awesome show of force both musically and philosophically. This band has put up with their fair share of bullshit from people who disagree with their battle to defend their and others' sexuality, politics, and social issues, but this duo only come out of that much more galvanized. Look no further than this record that proves Vile Creature are strong as fuck, and their crushing visions and expression is enough to bring cowards to their knees.
For more on the band, go here: https://www.facebook.com/vilecreature
To buy the album, go here: http://www.halooffliesrecords.com/label-releases/halo108-vile-creature-cast-of-static-and-smoke-lp/
Or here: http://www.drycoughrecords.com/product/vile-creature-cast-of-static-and-smoke-lp
For more on the label, go here: http://www.halooffliesrecords.com/
And here: http://www.drycoughrecords.com/


OCEANSIDE — Mission San Luis Rey held a Christmas Eve midnight mass in the mission chapel for the first time in 15 years. "None of the friars that live here in the parish can remember there being a mass here," Brother James Lockman said.
The tradition of Christmas Eve mass in the Mission San Luis Rey chapel took a hiatus when the parish building opened on mission grounds and the number of parishioners soon grew to 4,700, a number 10 times what the 200-year-old chapel could hold.
This year the attendance at the midnight mass was limited to the first 400 to arrive. Families lined up at 10:30 p.m., doors opened at 11:15 p.m., and the mass began at midnight with carols and worship.


The National Snooker Expo are extremely humbled to work with Black Heart Premium Billiard Tips as a principal partner of our project.
Edgardo Banguera had a dream to make the best Billiard products in the world and in 2011 his legacy now begins. The original outlined objective is to focus on 'The Billiard Player', his / her anatomy and the physical attributes that make the player become better. So there is no better place to begin than at the front end of the most important piece of equipment every pool player requires; the pool cue. Every pool cue is designed to hit; stroke and float billiard balls with sophisticated ease. For this to happen, the pool player must trust the front end of his / her pool cue.
The pleasure we receive from making these billiard tips for pool billiard users around the world have affectionately been labelled as BLACKHEART™ ORIGINALS and more recently we have added four great new Billiard Tips to our range known as BLACKHEART™ CLASS SERIES.
#1 is the first of two premium layered leather Snooker tip.
It's soft feel allow full control for accurate, long-range Snooker shots and allows for extreme spin and manipulation of the cue ball. For the highly skilled Snooker player, #1 supports your every move around the table ensuring that heavy break building and century scoring become your normal way of play.
BLACKHEART™ #1 Made small for the big game.
The #1 Snooker Tip is available in 9, 10 and 11mm sizes.


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Michelle A. Albert, MD, MPH, Featured in TIME Magazine Special Issue on 'The Future of Medicine'
Michelle A. Albert, MD, MPH, past president of the ABC and current president of the American Heart Association, is featured in several articles in TIME Magazine's recent end of year special issue, "The Future of Medicine."
In "Where Do We Stand" by Janet Lee, in a section on "redefining health," Dr. Albert explains how social determinants of health play a significant role in chronic conditions, such as heart disease, stroke and how it can negatively impact our ability to lead healthy lives.
"Traditionally a lot of the focus for heart health has been on things like blood pressure and quitting smoking, but now we're including social determinants of health as part of our guidelines," says Dr. Michelle A. Albert, president of the American Heart Association and a professor of medicine at the University of California, San Francisco. "For example, sleep impacts blood pressure and if you live in an environment where you're under stress, sleep quality is poorer. So you just can't tell people to get better sleep."
Dr. Albert is also featured in the article, "Missing Link: Equity" by Janet Lee, in a section on "Training at Schools," where she identifies workforce diversity as a critical factor in achieving health equity.
Besides teaching medical students about the importance of social determinants of health and how to screen for them (if clinicians can't collect the data about the determinants, they don't know what the contributing factors are), medical schools and other training programs should be diverse as well, says Dr. Michelle Albert, president of the American Heart Association and admissions dean at the University of California, San Francisco.
"We need to double down on having a workforce that's representative of the demographics of the community so they can understand the lived experiences of the population they're treating," says Albert. "That's really important. Having that understanding will engender research, care and the clinical concordance [incorporating the wishes and beliefs of the patient] that's needed to address equitable health care."
In the same article in a section on "policy making," Dr. Albert states that "Health and health equity are not zero-sum games. It's not about taking from community A and giving to community B. Our challenge in the next few years is to do a better job of communicating that. A lot of awareness has been raised and that gives me optimism."
As part of the special issue, the magazine's "Straight Talk" pages shares experts' thoughts on the future of medicine and health care. Here's what Dr. Albert has to say about it.
"You can tell people to make healthy lifestyle choices, but one of the root causes of health inequities is economic adversity. We have to focus on this. Within the American Heart Association, we're addressing economic adversity as a root driver of poor health, especially cardiovascular health." — Dr. Michelle Albert, president of the American Heart Association
"The Future of Medicine" is Time magazine's special issue focused on new technology, innovative trends and the incredible breakthroughs that will help people stay healthy in the future. The issue can be purchased online.

redpajama_set_name: RedPajamaCommonCrawl


Copyright © 2012 S. Manier et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Substantial advances have been made in understanding the biology of multiple myeloma (MM) through the study of the bone marrow (BM) microenvironment. Indeed, the BM niche appears to play an important role in differentiation, migration, proliferation, survival, and drug resistance of the malignant plasma cells. The BM niche is composed of a cellular compartment (stromal cells, osteoblasts, osteoclasts, endothelial cells, and immune cells) and a noncellular compartment including the extracellular matrix (ECM) and the liquid milieu (cytokines, growth factors, and chemokines). In this paper we discuss how the interaction between the malignant plasma cell and the BM microenvironment allowed myeloma progression through cell homing and the new concept of premetastatic niche.


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Q: RHCSA Rapid Track Course (RH199) Online -vs- Classroom I just had a quick question about the differences associated with this. I understand that it is probably going to be extremely rare that a person took both, that is why I am hoping to get feedback from multiple people.
I see that online is 90 days (86 days longer).
Does this allow you to review the same material multiple times, or is it setup so that once you go over a video it is no longer accessible?

*

*If you could watch the same material multiple times over a period of time that is 20 times longer for $500 less this would seem like the obvious choice.

What are your thoughts about this?

A: I ended up calling Red Hat Support about this question. They assure me that this is possible however there is no feedback about questions that students may have whereas the classroom choice would have that.
In my mind the online option seems much better at this point.

redpajama_set_name: RedPajamaStackExchange


Before the digital age, being a producer meant you had to have access to expensive production tools like samplers or even real instruments.
Today, that's different as the cost of producing music has lowered with the existence of various digital audio workstations (DAWs) such as FL Studio (formerly Fruity Loops), Logic, Reason and many others.
A lot of today's producers, 9th Wonder and Boi-1da for example, started out using the popular FL Studio and much of today's music is still produced using the software. Hit songs like the following were all produced using FL Studio.
and many, many others (see the grid on the Beat Generals homepage for more).
Now I myself was introduced to FL Studio about 2 years ago and would love to make some beats too.
The problem is that FL Studio isn't as straightforward as just opening the software and clicking around. There is a bit of a learning curve – without some help you are going to be frustrated.
You can find tutorials online on some sites and on Youtube as well but you would still have to invest lots of time getting these organized in a way that would actually be useful in terms of getting properly structured training on using the program.
To put it simple, there aren't any real FL Studio tutorial sites that have organized, high-quality training that can get you from beginner to mastering the program.
I found Beat Generals about 3 days ago and this reignited my need to learn how to make beats within FL Studio.
I signed up using the free trial option at first and my first impression was that this is exactly what I needed. They give you a free drum kit just for subscribing and there are lots of downloads and tutorials available.
The tutorials are organized according to your level (beginner, intermediate and advanced) and very high quality. The impressive amount of downloads compliment the training and are also of very high quality.
To go a bit more in depth about the various offerings of Beat Generals, here's what I think of some important aspects of the site.
The free membership offering can get you started with the basics fast without any type of commitment. You can use it to check out the quality of the what's offered for yourself and then decide if you want to upgrade. Free membership limits you to a few videos and a few downloads so you might want to check out the premium option.
The paid membership itself is very affordable at about $20 per month and you can cancel anytime you like. They bill you through a trusted third party merchant account so you're fully protected against any type of fraud. Paid membership gives you access to all video tutorials, all downloads and monthly updates.
Nothing turns you off when you're trying to learn than low quality video training where you can't hear the sounds exactly as you should or hear clearly what the tutor is saying.
The videos on Beat General are of very high quality – picture is great and sound is clear. The videos are very professionally produced. Below you can find a sample of the screen you see when you're playing any of the vids.
It's also very important to have quality downloads to work with so your music doesn't come out sounding like chit. Beat Generals know that this is important and provide great sounding downloads in the best format to work with.
The downloads provided also compliment the tutorials as they provide FLPs and kits that are used in each training video.
They also have premium drum kits available that were custom made using the sounds of Hit-Boy and T-Minus.
Support is also a very important aspect of learning and Beat Generals promises 24/7 support via email and social media. I emailed them last night at about 12:49 am (Sunday May 26th) and they emailed me back at 4:35 pm (Sunday May 26th).
Not bad at all. They also answered a very important question I had so the support is definitely there.
There are a wide range of tutorials available from basics to how-to videos and more advanced stuff like remakes and "style" tutorials of some recent hip hop hit songs.
Nothing is perfect and this includes Beat Generals. While I do think it's a great membership that is good enough to do get you up and running, it does lack one thing.
For a membership site, I fully expected to see a forum where members can meet each other and get instant support. The support is handled by emailing the owners. Ideally, they could have a forum where they respond publicly to questions so that others can benefit and they won't have to keep answering the same questions.
Additionally, the community feel would be there and you won't feel like you're alone in your journey.
A forum would make the membership feel more complete.
It's still great value for $20 bucks and when I emailed support last night, I asked them about the forum and they did say that they're working on one and it would be up soon. So that's great news.
[Dec. 26 Edit] – It took a while but they finally added a forum to Beat Generals. Great addition to an already great service.
So just to break down my review, I think that it's a great site that is perfect for learning FL Studio. Quality downloads and tutorials galore for premium members make it great value for the price.
If you're now starting out with FL Studio, or you're stuck on what to do with the program in terms of making beats, I highly recommend Beat Generals.
I'm not the only one either. There are also some big name producers in the industry who use FL Studio, that have great things to say about the site.
Like Doughboy, who has made beats for the likes of Young Jeezy, Soulja Boy and CyHi the Prince.
You can see more endorsements by scrolling to the bottom of the Beat Generals homepage and take the free trial.
I'm not familiar with the setup for Logic Pro. The tutorials on Beat Generals are all done with focus on FL Studio so I'm not sure if you'll be able to follow along.
Beat Generals has a free trial so maybe you can get a free membership and see if its something you can use. The other alternative is finding a Logic Pro tutorial site.
Hi. It depends, the focus is FL studio yes, however there is a couple of things to notice. Middlekey in fl is c5. Its exactlly the same as c3 in all the other daws. If you understand mixing and how everything works in logic im sure you will understand what he does in fl. I dont think you would be able to work the in fl with the videos since you dont know it. But i am sure you will be able to work in logic and understand what he does. Mixing is quite universal, you will understand velocity, pianoroll, reverb, compressor and eq and all those things im sure you will understand fl studio. THe major diffrance is that you have to use logics vsts like logics parametric eq insteed of fl studios. Not that hard, And logics reverb insteed of fl. All reverbs have diffrent algorythms. If you want to use fl studio you can download all the vst from fl standalone. Remember to let the install file be defualt except you can change the vst placement. but the install should be default to work. It will work perfect.


Lakeshore Property Management Inc. provides services for owners of Rental and Investment Property throughout Holland, Zeeland, Hamilton, Allendale, and Allegan.
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Existing Property Owners: Lakeshore Property Management, Inc. offers full service Property Management for your investment property, and also offers a Tenant Placement Service to assist with vacancy. As the rental market changes it is more important than ever to make sure that proper Tenant Screening is taking place.
Investing into a New Real Estate Purchase: Lakeshore Property Management, Inc. has extensive knowledge of the remodeling and reconditioning costs associated with a new real estate investment. We offer consultations prior to a real estate purchase to give you a current market analysis of rent in that area, and also provide advice as to the necessary work that should be performed.
©2010 Lakeshore Property Management, Inc. All rights reserved.


The Bicycle Institute SA – BISA – Working to improve cycling in South Australia.
Our advocacy projects and activities.
Read our latest Newsletter as well as past issues.
BISA is a voluntary, not-for profit association that aims to advocate for a safe and pleasant cycling environment for all bicycle users in South Australia. Established in 1974, BISA has been a strong advocate for cyclists across the State for over 40 years. Read BISA's history and Constitution.
Riders unite! Whatever your passion: commuting, touring, or riding just for the joy of it. BISA is a membership based organisation – we encourage riders to sign up and join our community. By joining you add weight to our advocacy efforts, and advocating for a better world for bicycle use is what we do!
BISA has achieved a great deal for South Australian cyclists since we started out in 1974. These days membership of BISA is FREE! This does not mean it is not important or lacks value! Your membership provides BISA with a constituency – a body of opinion, collective experience and mutual support that allows us to continue important bike advocacy work and brings you together as a strong cycling community.
BISA members include young and old, regular and occasional cyclists, commuters, shoppers, cycle tourists and those interested in advocacy. So please join us!
Use the Contact Us page if you need to send a message to members of the BISA Committee.


text:
Dortmund namecheck Liverpool in Bellingham statement
Borussia Dortmund chief Sebastian Kehl says Jude Bellingham is "loved" at the club, while namechecking Liverpool as he discussed transfer speculation.
Bellingham joined Dortmund from Birmingham City in 2020 for £25million and has since become one of the most highly rated young midfielders in Europe.
READ MORE: Five great players under legendary manager Walter Smith
The 18-year-old – who is now consistently named in Gareth Southgate's England squads – has been linked with some of Europe's top clubs, including Manchester United and Liverpool.
The Liverpool Echo claim that despite keeping tabs on the midfielder, 'talk of a move is premature'.
Despite that, Kehl named Jurgen Klopp's side when discussing clubs that may be interested, while insisting Dortmund can win the titles Bellingham will crave.
"He is a Borussia Dortmund player and remains a Borussia Dortmund player," Kehl told Sport1.
"There's a lot of interest around Jude Bellingham, not only Liverpool.
"But there is no bottom line and no exit clause. He is loved, he enjoys that.
"There are no signs he could leave Dortmund soon."
Kehl continued: "It's good that we talk about our players. It shows that we are doing something right.
"We can offer a lot at Borussia Dortmund. We want to win titles, but we have to keep the guys for that."
Meanwhile, Lothar Matthaus believes the "serious problems" Mohamed Salah and Liverpool experienced last season will prevent the Egyptain from winning the Ballon d'Or.
"What Klopp's superstar Salah has been delivering for a few months is of course absolutely world-class.
"It is quite possible that this will help him a lot in his choice of world footballer. But that was not the case for the whole year.
"In the spring, he and Liverpool had serious problems. Candidate Jorginho from Chelsea has been convincing for almost the entire last season and played a key role in winning the Champions League and the European Championship with Italy.
"He's not as spectacular as Lewandowski, whom I personally keep my fingers crossed for the most. This time, however, he lacks the international title. Messi won the Copa America with Argentina, but achieved nothing great with Barcelona.
"There are no top favourites."
The post Dortmund namecheck Liverpool in Bellingham statement appeared first on Football365.


Cozy VT Retreat overlooking the Ottaquechee River and within close proximity to the center of town, Quechee Club and all of the Upper Valley. This two bedroom, 1.5 bath townhome comes fully furnished and is move in ready. Within walking distance to the Quechee Inn at Marshland Farm and hiking paths to the Quechee Gorge.


Residents of Ijaw communities in Gelegele, Ovia North-East Local Government Area of Edo State, are now living in fear over the heavy presence of military operatives in the area.
It was gathered that the military men were from 19 Battalion, Koko and 4 Brigade, Benin.
Spokesperson for the community, Chief Macaulay Ayiwei, who raised the alarm on Friday while speaking with journalists in Benin, the state capital, said they woke up to see over 50 soldiers strategically positioned around the Ijaw communities.
Ayiwei alleged that the heavy presence of the military men may not be unconnected with the land dispute between the Ijaw and Benin people of Ughoton and Gelegele communities.
He further alleged that the crisis had degenerated into an issue between the Ijaw community and the Benin Palace and strained the relationship between the two groups.
Ayiwei, who said the disputed land was currently before the State High Court, wondered why the military would take over the whole Ijaw community of Gelegele.
He said, "The court is billed to sit on this matter on Monday and Tuesday but what are they (security operatives) doing here, taking over the whole community?
"If there is no sinister motive behind this, why will a large number of military men from Delta and Edo states, armed with gunboats, take over a whole community as early as 6:00am on Friday?
"While we have them around the community, about five truckloads of soldiers are stationed at Ekenwan Barracks.
"The whole Gelegele community is in confusion as to what is happening. We are also not unaware that their presence has something to do with the dispute between the Ijaw community and the Benin.
He urged the people to go about their normal businesses, adding that there was no cause for alarm.


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package dk.brics.tajs.analysis;

import dk.brics.tajs.flowgraph.AbstractNode;
import dk.brics.tajs.flowgraph.Function;
import dk.brics.tajs.flowgraph.jsnodes.BeginForInNode;
import dk.brics.tajs.flowgraph.jsnodes.BeginLoopNode;
import dk.brics.tajs.flowgraph.jsnodes.EndLoopNode;
import dk.brics.tajs.lattice.Context;
import dk.brics.tajs.lattice.ObjectLabel;
import dk.brics.tajs.lattice.State;
import dk.brics.tajs.lattice.Value;
import dk.brics.tajs.util.Pair;

import java.util.List;
import java.util.Map;
import java.util.Set;

import static dk.brics.tajs.util.Collections.addToMapSet;
import static dk.brics.tajs.util.Collections.newList;
import static dk.brics.tajs.util.Collections.newMap;

/**
 * Context sensitivity strategy determined by TAJS_makeContextSensitive instructions in the analyzed program.
 * Wraps another context sensitivity strategy while enabling custom context sensitivity for selected functions.
 * The wrapper can encode parameter-sensitivity, object-sensitivity, and closure-variable-sensitivity,
 * and uses the wrapped context sensitivity strategy as default.
 */
public class CustomContextSensitivityStrategy implements IContextSensitivityStrategy {

    /**
     * Map from (caller,callee) to set of sensitivity flags.
     * @see #makeSensitiveFromCaller(Function, int, Function)
     */
    private Map<Pair<Function, Function>, Set<Integer>> sensitiveFunctions;

    private IContextSensitivityStrategy defaultContextSensitivity;

    /**
     * Creates a new CustomContextSensitivityWrapper by wrapping the given context sensitivity strategy.
     */
    public CustomContextSensitivityStrategy(IContextSensitivityStrategy defaultContextSensitivity) {
        sensitiveFunctions = newMap();
        this.defaultContextSensitivity = defaultContextSensitivity;
    }

    @Override
    public Context makeFunctionHeapContext(Function fun, Solver.SolverInterface c) {
        Context context = makeClosureVariableContext(fun, c);
        if (context != null) {
            return context;
        }
        return defaultContextSensitivity.makeFunctionHeapContext(fun, c);
    }

    @Override
    public Context makeActivationAndArgumentsHeapContext(State state, ObjectLabel function, FunctionCalls.CallInfo callInfo, Solver.SolverInterface c) {
        Context functionContext = makeContextArguments(state, function, state.getExecutionContext().getThis(), callInfo);
        if (functionContext != null) {
            return functionContext;
        }
        return defaultContextSensitivity.makeActivationAndArgumentsHeapContext(state, function, callInfo, c);
    }

    @Override
    public Context makeConstructorHeapContext(State state, ObjectLabel function, FunctionCalls.CallInfo callInfo, Solver.SolverInterface c) {
        Context functionContext = makeContextArguments(state, function, Value.makeNone(), callInfo); // not using state.getExecutionContext().getThis() here
        if (functionContext != null) {
            return functionContext;
        }
        return defaultContextSensitivity.makeConstructorHeapContext(state, function, callInfo, c);
    }

    @Override
    public Context makeObjectLiteralHeapContext(AbstractNode node, State state, Solver.SolverInterface c) {
        return defaultContextSensitivity.makeObjectLiteralHeapContext(node, state, c);
    }

    @Override
    public Context makeBoxedPrimitiveHeapContext(Value primitive) {
        return defaultContextSensitivity.makeBoxedPrimitiveHeapContext(primitive);
    }

    @Override
    public Context makeInitialContext() {
        return defaultContextSensitivity.makeInitialContext();
    }

    @Override
    public Context makeFunctionEntryContext(State state, ObjectLabel function, FunctionCalls.CallInfo callInfo, Solver.SolverInterface c) {
        Context functionContext = makeContextArguments(state, function, state.getExecutionContext().getThis(), callInfo);
        if (functionContext != null) {
            return functionContext;
        }
        return defaultContextSensitivity.makeFunctionEntryContext(state, function, callInfo, c);
    }

    @Override
    public Context makeForInEntryContext(Context currentContext, BeginForInNode n, Value v) {
        return defaultContextSensitivity.makeForInEntryContext(currentContext, n, v);
    }

    @Override
    public Context makeNextLoopUnrollingContext(Context currentContext, BeginLoopNode node) {
        return defaultContextSensitivity.makeNextLoopUnrollingContext(currentContext, node);
    }

    @Override
    public Context makeLoopExitContext(Context currentContext, EndLoopNode node) {
        return defaultContextSensitivity.makeLoopExitContext(currentContext, node);
    }

    @Override
    public void requestContextSensitiveParameter(Function function, String parameter) {
        defaultContextSensitivity.requestContextSensitiveParameter(function, parameter);
    }

    /**
     * Makes a function context sensitive.
     *
     * @see #makeSensitiveFromCaller(Function, int, Function)
     */
    public void makeSensitive(Function function, int sensitivity) {
        makeSensitiveFromCaller(function, sensitivity, null);
    }

    /**
     * Makes a function context sensitive, but only when it is invoked from a specific caller.
     *

     * If the specific caller is null, then the function is always context sensitive.
     *

     * The sensitivity flag can be:
     *

     *
-2: sensitive in closure variables that are context sensitive parameters of the enclosing function

     *
-1: sensitive in the receiver (== object sensitivity)

     *
non-negative: the position of an argument to be sensitive in

     *

     *
     * @param callee      the function to make sensitive.
     * @param sensitivity indicates what kind of context sensitivity that should be used.
     * @param caller      the caller that is required for context sensitivity to be enabled.
     */
    public void makeSensitiveFromCaller(Function callee, int sensitivity, Function caller) {
        addToMapSet(sensitiveFunctions, Pair.make(caller, callee), sensitivity);
    }

    private Context makeClosureVariableContext(Function fun, Solver.SolverInterface c) {
        // "inherit" parameter sensitivity of outer function parameters that are used as closure variables
        State state = c.getState();
        Function outerFun = state.getBasicBlock().getFunction();
        Context outerFunArgs = state.getContext();
        if (outerFunArgs == null) {
            return null;
        }
        if (sensitiveFunctions.keySet().stream().noneMatch(e -> outerFun.equals(e.getSecond()))) {
            // disallow inheriting from non-customized function
            return null;
        }
        Map<String, Value> closureVariableValues = newMap();
        c.getFlowGraph().getSyntacticInformation().getClosureVariableNames(fun).forEach(n -> {
            Value parameterValue = outerFunArgs.getParameterValue(n);
            if (parameterValue != null) {
                closureVariableValues.put(n, parameterValue);
            }
        });
        if (closureVariableValues.isEmpty()) {
            return null;
        }
        return Context.makeFreeVars(closureVariableValues);
    }

    /**
     * Attempts to make a context for a call, but only for callees that have been made context sensitive.
     */
    private Context makeContextArguments(State edgeState, ObjectLabel calleeObj, Value thisval, FunctionCalls.CallInfo callInfo) {
        Function callee = calleeObj.getFunction();
        Context calleeContext = calleeObj.getHeapContext();
        Map<String, Value> closureVariables = calleeContext != null ? calleeContext.getFreeVariables() : null;
        Function caller = edgeState.getBasicBlock().getFunction();
        Pair<Function, Function> key = Pair.make(caller, callee);
        if (!sensitiveFunctions.containsKey(key)) {
            key = Pair.make(null, callee); // try the default caller
        }
        if (sensitiveFunctions.containsKey(key)) {
            return reallyMakeContextArguments(sensitiveFunctions.get(key), edgeState, callee, closureVariables, callInfo, thisval);
        }
        return null;
    }

    /**
     * Creates a context for a call.
     * The context can encode parameter-sensitivity, object-sensitivity, and closure-variable-sensitivity.
     */
    private Context reallyMakeContextArguments(Set<Integer> arguments, State edgeState, Function callee, Map<String, Value> closureVariables, FunctionCalls.CallInfo callInfo, Value thisval) {
        List<String> parameterNames = callee.getParameterNames();
        List<Value> args = newList();
        //noinspection OptionalGetWithoutIsPresent
        int max = Math.max(callee.getParameterNames().size(), arguments.stream().max(Integer::compare).get());
        for (int i = 0; i <= max; i++) {
            Value qualifier;
            if (arguments.contains(i)) { // enables parameter-sensitivity
                if (!callInfo.isUnknownNumberOfArgs() && callInfo.getNumberOfArgs() > i) {
                    qualifier = FunctionCalls.readParameter(callInfo, edgeState, i);
                } else {
                    qualifier = Value.makeUndef();
                }
            } else {
                qualifier = null;
            }
            args.add(qualifier);
        }
        Map<String, Value> nonArguments = newMap();
        if (arguments.contains(-1)) {  // enables object-sensitivity
            nonArguments.put("this", thisval);
        }
        if (arguments.contains(-2)) { // enables closure parameter sensitivity
            if (closureVariables != null) {
                closureVariables.forEach((n, v) -> {
                    if (!parameterNames.contains(n)) {
                        nonArguments.put(n, v);
                    }
                });
            }
        }
        return Context.make(null, parameterNames, args, nonArguments);
    }
}

redpajama_set_name: RedPajamaGithub


text:
Big Apple Herpetological New York New York Review
I recently placed an order with Big Apple Herpetological, an online pet supply company specializing in reptile (herpetological) related items. nI ordered some lighting equipment for my snakes from their online catalog, but when I received these items, I discovered that they were misrepresented in the company's online catalog, as they were of inferior quality. Since the lighting equipment was cheaply made, and not worth what I had paid for it, I decided to return it for a refund. nAs per the company's return policy, I called up the company for a return authorization number, but I was given a hard time by the person who I spoke with. They tried to talk me into keeping the items, and when I told them no, I was told that I would have to pay for return shipping, and a 10% "restocking fee"" would be deducted from my order. I told them that I would accept their terms for the return of the item
and I sent the item back to them via UPS. nThe company received
and signed for my return 2 days later
but after two weeks had gone by and my credit card still had not been credited for the return
I once again called the company. At first
Northsight Management Florida Review
Hales Global Group, Bad Consulting
AVA'S flowers Burke South Dakota Review
socal watersmart rebate program RESEDA California Review


Gift Message for your CandyBox. max length 160.
Sometimes things aren't easy, funny or sweet and its not about spoiling someone, its about just letting them know they are being thought of, whatever they are going through.
FREE Delivery nationwide, Sweet as!
Message on box: Sometimes there simply aren't the right words! Just wanted to send you these tiny gems of colourful candy to let you know you are being thought of lots.


Almost one in every five Americans suffers due to seasonal allergies. You can find out about the various seasonal allergies and their symptoms. The allergy here in question is more specifically, Hay fever, also called seasonal allergic rhinitis. This happens when the immune system of a person overreacts sue to allergens like pollens.
These seasonal allergies are less common during the winter but since the different plants give out respective pollens during different seasons of the year, the symptoms of hay fever can effect the patient year-around. Since the pollen of insect pollinated plants cannot remain in the air for long, the most common source of this problem is wind pollinated plants like weeds, trees and grasses. These allergies are usually lesser common during winter.
There are lesser common symptoms like shortness of breath, wheezing, coughing and head ache.
Springtime allergies are mostly caused by trees. Birch is the main offender. Apart from that, there are horse chestnut, polar, cedar, alder and willow trees that cause allergies.
Here is where Hay fever gets its name – most people are afflicted in the same time as during the historical hay cutting season that takes place during summer. The actual culprits of summertime allergies are usually ryegrass, certain weeds and timothy grass. Around 90% of the sufferers of hay fever react to pollens from grass which makes them the most annoying allergens of all.
Autumn is basically a ragweed season and is also called Ambrosia as over 40% of ragweed is found in South and North America. This kind of invasive weed is tough to control and the symptoms of this allergy can be rather severe. Autumn allergies are also caused by pollend dropped by trees like mugworts, fat hens, sorrels, nettles and plantains.
Get rid of all upholstered furniture and carpets.
Covering pillows ad bedding with covers that are allergen proof.
Fix water leaks and clean ay water damage that might produce mold.


Many professional and aspiring poets are necessarily interested in getting published. They write poems and seek to get published so that their words and ideas might be read. Many of them give public readings, but by and large, they understand that career advancement in the field means having one's poems published, read, and recognized for awards.
The first-year black women in one of my literature courses have a different imperative for writing poetry, I was recently reminded. Many of them write poetry so that they can read the poetry out loud and be heard. Yesterday, after we read Maya Angelou's "Still I Rise," a young sister raised her hand and asked "Are we going to get to write and read our own poetry in this class?"
"Yeah!" others chimed in. "Can we?"
People then began sharing that they've written poems and would like to share them out loud with the class. I was intrigued that they were less interested in having their poems published and read. They were primarily focused on having what they had written heard.
One of the students pointed to another student and said, "she has some poems the people here [all first-year black women] need to hear, and we probably need to invite some of the guys you know, because I have some poems that men need to hear." Obviously, I'm interested in what those poems that folks "need to hear" sound like.
As someone who wants more people to study poetry (as printed and audio texts), I couldn't resist joking the young sisters about how everybody wants to write poetry, but no one wants to study it. Nonetheless, the difference between writing poetry to be read and published vs. writing poetry to be heard did send my mind in multiple directions.


text:
#include "camera_interface.h"

/**
 * @file camera_interface.cpp
 *
 */

CameraInterface::CameraInterface()
{
}

CameraInterface::~CameraInterface()
{
}


Nominative Case What are the main contexts in which the nominative case is used? What are the forms of the nominative case for nouns in the singular and plural? The nominative case is the naming case. It is not a complicated case in terms of its meaning and usage. The nominative is the dictionary form or base form of any noun. The nominative names people, places, and things. A typical …... Similarly, the nominative form of deus shows that the god is the actor (agent) in the sentence, not the object of the verb. The inflection of nouns is called declension .
Worksheets are Function of nouns, Functions of nouns, Circle the nouns in the remember that a noun, Oral practice using pronouns as predicate nominatives, Singular and plural nouns, Identifying nouns, Work on nouns pdf, Answer key.
tence and can be divided into two groups: nominative and objective . • Nominative personal pronouns can act as the subject of a sentence (I, you, he, she, it, we, they).


In the previous part of this series, we created the frontend, a small Universal Windows Platform game that accesses our backend. Finally, we'll be deploying the whole application to the cloud.
In the previous part of this series, we learned how to�persist state to a scalable database. Next, we'll be creating the frontend, a small Universal Windows Platform game that accesses our backend.
In the previous part of this series, we added the web service that acts as interface between the frontend and the actual backend services. In this post, we learn how to persist state to a scalable database.
In the previous part of this series, we've started to create a small cloud backend with a single�actor. In this post, we are adding the web service that is acts as interface between the frontend and the actual backend services.
Getting started with cloud development can be overwhelming at first. In this blog series, I'm walking you through the basics of getting your gaming backend up and running in the cloud and storing your player data in a scalable cloud storage.


text:
Razorcake 108, featuring Amyl And The Sniffers, Steve Ignorant of Crass, No Love, and One Punk's Guide to Free Jazz
January 31, 2019 Announcement, Home
Cover design by Eric Baskauskas
Cover photo by Dan Monick
Amyl And The Sniffers: Interview by Todd Taylor
Amyl And The Sniffers—live or on record—are like getting struck by lightning. You may not know what just happened, you may lose a shoe from the impact, but you won't soon forget them.
A stark and brilliant contrast, a little bit out of nowhere, Melbourne's Amyl And The Sniffers play the type of punk that's primitive, sharp, and uncomplicated but incredibly effective. If you want difficult literature set to music, or music that needs to be explained, look elsewhere. If you crave live wire, chew toy-simple contemporary punk and want to sing along to songs about stolen bicycles, lost love, munchies, and self-empowerment, their songs will make your ears glow blue and your eyes to spring out of their sockets.
Due to their Australian pedigree, I hear a through-line of Cosmic Psychos, Bits Of Shit, Ooga Boogas, and early Eddy Current Suppression Ring with one important difference. This band-gang is fronted and led by a woman, Amy. There are more than just common punk weather patterns when Amy sings, "I'm not a loser." As the backups kick in, The Sniffers form a united front and refrain, "She's not a loser!" It's 2019 and it sucks that Australia's history of wonderful punk music has largely been bereft of strong female musicians. (Thankfully, this is changing.) What you hear and see of Amyl And The Sniffers is directly from their brains and fingers out into the world without the capitalism-calculated gloss and predatory slime of the music industry. Self-representation makes all the difference in the world.
Turning gutters into butter and lightning into electrifying music, say hello to Amyl And The Sniffers. They're folks you can trust. –Todd Taylor
Steve Ignorant: Interview by Nardwuar the Human Serviette
Crass. What a band and the quintessential anarcho punk music collective. Over forty years after their formation and they still elicit strong reactions, ranging from unfettered and well-deserved fandom (gauged by the number of tattoos and butt flaps worldwide and my worn-out copy of Penis Envy), to the entire spectrum of critical appreciation as one of England's most important bands and on down to outright dismissal as "unlistenable noise." In comparison, their musicianship made the Sex Pistols sound like ELO and, to me, that's a thing of absolute beauty.
There's something to be said of a band that, for a time, sold more records than AC/DC, was being monitored by Margaret Thatcher (previously classified documents were released in 2014), and bypassed roadies in favor of giving out homemade sandwiches and tea to folks who helped lug their gear at shows. Crass lived their slogans of anti-capitalism by attempting to control the price of their records on their own record label by putting "Pay no more than…" on the cover, opted to play community halls and non-conventional places instead of established clubs, and paid fanzines out of their earnings while shunning—and deliberately fucking with—the national media.
A young Nardwuar first discovered Crass while listening to the Flex Your Head punk show on CiTR in Vancouver years ago. Crass made him smile. They had short songs. The seed was planted. Thanks go out to Melanie Kaye for connecting the dots between Crass singer Steve Ignorant and Nardwuar and getting them in touch. Since Steve has never been to Vancouver, he called into Nardwuar's radio show and patiently answered over an hour's worth of questions.
I think Nardwuar puts it best when considering the band: "Everything has been done before, but there will never be another Crass." –Todd Taylor
No Love: Interview by Vincent Chung
For the past two decades, the punk windfall in Raleigh, N.C. catalyzed a hotbed of activity: house shows everywhere, an explosion of punker imports, and lots and lots of bands. A few of those acts garnered recognition outside this cluster of sleepy college basketball towns: Double Negative, Whatever Brains, ISS, and Davidians.
No Love is a story about five divergent personalities and a cat. All of the band's players have lingered around this prolific punk scene for awhile, enough to warrant some veteran hype upon No Love's advent. Singer Elizabeth Lynch cut her teeth promoting events and DJing at local clubs. Guitarist Daniel Lupton founded and operates Sorry State Records—a punk-minded record store and label that is a central hub of the scene's infrastructure. Guitarist and Elizabeth's husband, Seth Beard, was in Logic Problem and works at the aforementioned Sorry State. Chris is in the local staple indie-noise duo Naked Naps. Osamu was in Antibubbles. Tobio is the muse.
Hype isn't always a blessing. No Love took time to find its voice, and, for a while, carried the stigma of the perpetual opener for all the good punk shows. Once traction started sticking, the band immediately took off—its five brains firing on all pistons. Five years later, all this culminates on their debut LP, Choke On It, a relentlessly potent jolt of hardcore that careens manically without wasting riffs. With a glut of ideas, the band takes lots of chances, but never loses a sense of fury. –Vincent Chung
One Punk's Guide to Free Jazz by Mike Faloon
Emerging at the dawn of twentieth century, no one knows exactly who started jazz or precisely when it started. But all paths lead to African-Americans, specifically black Creoles, living in Jim Crow New Orleans. Using rhythms and melodies from Africa and the Caribbean, they drew on ragtime, blues, marches, work songs, spirituals, and waltzes.
As with any great leap forward, particularly one emanating within an oppressed and ostracized community, jazz met with resistance from the outset. Opponents spewed racist and classist arguments, decrying the music's "bad taste" and claiming this African-American art form posed a threat to "middle class" (nay, white) values. Meanwhile, a number of white musicians formed their own bands, co-opting the sounds of their African-American contemporaries. Some went a step further and had the audacity to claim credit for creating jazz.
But as we'd later see with rock'n'roll, punk, and hip hop, the gatekeepers didn't wield all the power. Jazz spread rapidly: Chicago, New York, Kansas City, Philadelphia, Los Angeles, and countless cities in between. Across the decades, attempts to denigrate jazz and its creators persisted (and persist), but over time a jazz cannon emerged. Jelly Roll Morton. Louis Armstrong. Duke Ellington. Billie Holiday. Charlie Parker. Miles Davis. John Coltrane. These iconic figures and many others faced countless obstacles as they defined and refined America's greatest artistic contribution to world culture.
And they're just the start of the story. Jazz has evolved in many directions since. I would argue the most compelling of these subgenres is free jazz. Most renderings of jazz history give short shrift, if any consideration at all, to free jazz. Most read like a history of punk that skips from the Sex Pistols to Nirvana and ends with Green Day. Much of the best punk exists beyond the common narrative. The same holds true for jazz. –Mike Faloon
Donna Ramone samples the roasted goat. (instagram)
Jim Ruland knows that if our guts have shit for brains, then our brains can have shit tons of guts. (instagram, website, twitter)
Kiyoshi Nakazawa ain't willing to pay extra. (instagram, website)
Ben Snakepit is still big in the funny pages. (instagram, website)
MariNaomi will have whatever you're having. (instagram, website)
Rev. Nørb and the pee marinated bell-bottoms. (website)
Designated Dale reflects on the finest films of 1979 and doesn't smash a single pumpkin.
Art Fuentes resists the orange nightmare. (instagram)
Bianca dusts off her cargo shorts and remembers what friends are for.
Puro Pinche Poetry: Gritos Del Barrio (Edited by Ever Velasquez (instagram) and Eugenia Nicole (instagram)
A selection from:
"I live in a BROWN NEIGHBORHOOD
Where I don't wake up to an alarm like most… instead it's the sweet call of TAMALES!! CHAMPURRADO!! any day of the week. Uno elote por favor! Con crema y queso fresco. Breakfast a la mano."
–Ever a.k.a. the girl about town
Rhythm Chicken rocks out in his basement. (facebook)
Ollie Mikse isn't even with The Evens. (instagram)
Sam Grinberg gives philosophical one-liners. (instagram)
And photos from the lovely and talented:
Dan Monick (instagram, website, twitter)
Chris Boarts Larson (instagram, facebook, website)
Rachel Murray Framingheddu (instagram, website)
This issue is dedicated to the memories of Pete Shelley and Kat Arthur
The best way to never miss an issue of Razorcake is to get a reasonably priced subscription delivered to your door. Click the link below.
Amyl And The Sniffers, Art Fuentes, Ben Snakepit, Chris Boarts Larson, Dan Monick, Designated Dale, Donna Ramone, Jim Ruland, Kiyoshi Nakazawa, MariNaomi, Mike Faloon, Nardwuar The Human Serviette, No Love, Ollie Mikse, One Punk's Guide to Free Jazz, Puro Pinche Poetry, Rachel Murray Framingheddu, Rev. Nørb, Rhythm Chicken, Sam Grinberg, Steve Ignorant


text:
Q: C++ Stack cookie buffer overrun on UE4 with DLL I'm trying to include a dll into unreal engine 4. So until now, I'm just trying to print a string coming from the DLL. But when i try to use the function of the DLL i immediatly got this error:
Exception thrown at 0x00007FFACC964C80 in (UE4Editor-Prototype.dll)  in UE4Editor.exe: stack cookie instrumentation code detected a stack-based buffer overrun
I've check that the issue really come from the function call, if i remove it, I don't get the error.
I've try to put it in a char, string or even nothing but it didn't do anything.
I've tried to catch the error but it never succeed, unreal just crash. I succeed to get the error with visual studio debugger. When i go step by step. i can see, the DLL is found but after BeginPlay, it crash.
Here is the code in unreal which is not working:
void UMyTestComponent::BeginPlay()
{
Super::BeginPlay();
//It's just some test code, i know it's executed once, this code appears
//inside the log
UE_LOG(LogTemp, Warning, TEXT("TEEEEEEEEEEEEEEEEEST1"));
try {
    //Call to the DLL, this call make UE4 crash
    Test_init();
}
catch (std::exception e) {
    //Nothing is ever written here
    UE_LOG(LogTemp, Warning, TEXT("%s"), e.what());
}
}

here is my Dll file .h
#pragma once
#include <string>

#define PARSER_API __declspec(dllexport)

 extern  PARSER_API std::string Test_init();

and here is my Dll file .cpp
#include "pch.h"
#include <utility>
#include <limits.h>
#include <iostream>
#include "Test.h"

std::string Test_init()
{
return std::string("DLLLLLLLL");
}

I'm working on windows 10, UE 4.22.3 and visual studio 2019
The goal would be to catch the string and to print it in an :
UE_LOG() to print it.
So i will print "DLLLLL" just to check the correct linkage
Edit:
I've tried several formatting with __declspec(dllexport). but none is working, the C linkage too.


text:
Fresh observations on Doctor Who – in random order.
About Johnny
Commentary, conscience and The Savages (1966)
Date: June 16, 2017Author: johnnyspandrell 0 Comments
Ah, Season 3. The season of politically incorrect inversion. It started with Galaxy 4, which imagined a world where beauty was bad and ugly was good, and in doing so created a race of evil women up to no good. Then there's The Ark, where the repressed underclass outfox their human overlords but prove to be a bunch of nogoodniks when they do. Then there's The Savages (working title: The White Savages) which suggests that blacked up people as masters and white people as oppressed primitives is such a reversal of the natural order of things that it's a sufficiently novel idea to hang a Doctor Who story on.
The origins of The Savages are so obscure that we can only guess at the true intent of the production team. Although The Fact of Fiction in DWM505 does a good job of demonstrating that it's a critique of apartheid era South Africa. How far we can stretch this rubber band is hard to say. But it's interesting that the story's Elders don't just imprison and repress the savages, they vampirically suck the very life essence out of them.
If writer Ian Stuart Black is saying something about apartheid, he isn't just saying, "ooh, isn't it awful?" He's saying there's a deliberate pillaging of all that's good from one race and to enrich the fortunes of another. It could be a metaphor for cultural appropriation.
But I think The Savages is too slight a piece of work to attribute too much lofty ambition to. It's fairly standard sci-fi material, presenting the familiar trope of a society full of beautiful civilized people which seems idyllic but is harbouring a terrible secret. Any claims it has to social commentary are shouted down by the sheer cliche of it all.
It's interesting how far William Hartnell's cantankerous old Doctor has come by the time of The Savages, one of his final clutch of stories. Once he was a figure of mystery. Now, his fame precedes him. The Elders know of him "light years" before he touches down on their nameless planet. They have tracked his journeys through time and space, a feat only the Daleks had previously managed.
It's a tangential point, skipped over within the story, but the Doctor has been noticed. Since the show began, he's been a cosmic nobody, landing in places by chance, nameless, homeless and unheard of. Yes, the Monk knew him, but they were of the same race. The Elders know of him by his travels and travails. The Doctor even acknowledges it himself, when he asks to know the secret behind the Elders' scientific advances, before he endorses their society. "After all," he says "there's my reputation to think about." Last episode, he didn't even have a reputation.
All this started back at The Dalek Invasion of Earth, when, as we noted, the Doctor stopped being a wandering traveller getting himself into random scrapes, and became a hero. Since then, his adventures have been a mixed bag. In the futuristic stories, he tends to be a righter of wrongs and a fixer of things. But in the historicals, he's still being swept along by the tides of time, striving only for his and his companions' escape.
From The Savages on, however, he's all hero, righting wrongs wherever he goes. Even the remaining historicals are variations on the norm. In The Smugglers, he makes a conscious decision to eschew escape in the TARDIS and prevent the murder of the local villagers. And in The Highlanders, he sets about rescuing the enslaved men aboard Trask's ship. Under the guidance of new producer Innes Lloyd and script editor Gerry Davies, Doctor Who becomes a show about a good man going to war with the bad guys, every week.
He even has a battle cry:
DOCTOR: Indeed I am going to oppose you, just in the same way that I oppose the Daleks or any other menace to common humanity!
So that's his mission statement now: to oppose menaces to common humanity. He's conveniently failing to mention that time he once threatened to brain a savage himself, when fleeing from the Tribe of Gum. The sly old fox.
Incidentally, the Elders are surprised when the Doctor condemns their exploitation of the Savages as protracted murder, but I don't know how they thought this was going to go down.
EDAL: Jano, you're sure the Traveller from Beyond Time won't have a problem with us extracting the life force from the Savages and leaving them for dead?
JANO: Of course not, Edal! We have followed his travels across the universe! (I particularly liked the one about the Sea Beggar. That was educational as well as entertaining.) He's never resisted anything like this before! No, I can't see why he'd object to our oppression and slaughter of our fellow men and one scantily clad girl.
EDAL: Maybe best not mention it, though. Just in case.
JANO: Perhaps it won't come up?
The additional element of novelty in The Savages is when Jano (Frederick Jaeger) absorbs the life energy of the Doctor, goes the full Jon Culshaw and delivers a natty impression of him. The vocals alone are impressive, but I bet the body language was full of lapel grabs and imperious stares down the nose too. Let's hope the episodes rematerialise one day and we can see it in full.
With a slug or two of Doctor in him, Jano's a changed man, and not just because he can out Hartnell Hartnell (he even gets his lines right). Suddenly, he's on the side of the angels. "It's all very simple," gloats the Doctor. "You wanted my intellect. You got it, and along with it, you received a little conscience." Which is certainly a change from the Doctor we met in Totters Lane, who didn't seem to have a conscience… at least not until he nearly killed himself and his companions by pressing the wrong button.
The Savages tells us something quite different. It unequivocally says the Doctor has a conscience and that it's an essential element of him, as is a determination to rail against injustice and persecution. It's part of his life force, indivisible from him. So strong it can influence others.
This, then, is the Doctor as Lloyd and Davis sees him: a force for good in the universe, and one who's renowned for it. A hero in a frock coat. It doesn't start here, but it's confirmed here and that's how it has stayed ever since.
LINK TO The Dæmons. Both directed by Christopher Barry.
NEXT TIME… Your train awaits! We have a date with a Mummy on the Orient Express.
dodofirst doctorHartnellseason 3steven
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UN-RANDOMED! All posts in broadcast order
Hartnell:
The pilot episode
100,000 BC
The Daleks
Inside the Spaceship
The Keys of Marinus
The Sensorites
The Reign of Terror
Planet of Giants
The Dalek Invasion of Earth
The Web Planet
The Crusade
The Space Museum
The Time Meddler
Mission to the Unknown
The Myth Makers
The Daleks' Master Plan (except The Feast of Steven)
The Massacre of St. Bartholemew's Eve
The Celestial Toymaker
The Gunfighters
The Savages
The War Machines
The Smugglers
The Tenth Planet
Cushing:
Dr. Who and the Daleks
Daleks – Invasion Earth 2150 A.D.
Troughton:
The Power of the Daleks
The Power of the Daleks (animation)
The Underwater Menace
The Moonbase
The Macra Terror
The Faceless Ones
The Evil of the Daleks
The Tomb of the Cybermen
The Abominable Snowmen
The Ice Warriors
The Enemy of the World
The Web of Fear
The Wheel in Space
The Dominators
The Mind Robber
The Invasion
The Krotons
The Seeds of Death
The Space Pirates
The War Games
Pertwee:
Spearhead from Space
The Silurians
The Ambassadors of Death
Terror of the Autons
The Mind of Evil
The Claws of Axos
Colony in Space
The Dæmons
Day of the Daleks
The Curse of Peladon
The Sea Devils
The Mutants
The Three Doctors
Carnival of Monsters
Frontier in Space
Planet of the Daleks
The Green Death
The Time Warrior
Invasion of the Dinosaurs
Death to the Daleks
The Monster of Peladon
Planet of the Spiders
Tom Baker:
The Ark in Space
The Sontaran Experiment
Genesis of the Daleks
Revenge of the Cybermen
Terror of the Zygons
Planet of Evil
Pyramids of Mars
The Android Invasion
The Brain of Morbius
The Seeds of Doom
The Masque of Mandragora
The Hand of Fear
The Deadly Assassin
The Face of Evil
The Robots of Death
The Talons of Weng-Chiang
Horror of Fang Rock
The Invisible Enemy
Image of the Fendahl
The Sun Makers
The Invasion of Time
The Ribos Operation
The Pirate Planet
The Stones of Blood
The Androids of Tara
The Power of Kroll
The Armageddon Factor
Destiny of the Daleks
City of Death
The Creature from the Pit
Nightmare of Eden
The Horns of Nimon
The Leisure Hive
Meglos
The Keeper of Traken
Logopolis
Davison:
Four to Doomsday
Earthshock
Time-Flight
Arc of Infinity
Snakedance
Mawdryn Undead
The King's Demons
The Five Doctors
Warriors of the Deep
Frontios
Resurrection of the Daleks
Planet of Fire
The Caves of Androzani
Colin Baker:
The Twin Dilemma
Attack of the Cybermen
Vengeance on Varos
The Mark of the Rani
The Two Doctors
Timelash
Revelation of the Daleks
The Mysterious Planet
Mindwarp
Terror of the Vervoids
The Ultimate Foe
McCoy:
Time and the Rani
Paradise Towers
Delta and the Bannermen
Remembrance of the Daleks
The Happiness Patrol
Silver Nemesis
The Greatest Show in the Galaxy
Ghost Light
The Curse of Fenric
McGann:
The TV Movie
Eccleston:
The Unquiet Dead
Aliens of London/World War Three
The Empty Child/The Doctor Dances
Bad Wolf/The Parting of the Ways
Tennant:
Rise of the Cybermen/The Age of Steel
The Idiot's Lantern
The Impossible Planet/The Satan Pit
Love & Monsters
Army of Ghosts/Doomsday
Daleks in Manhattan/Evolution of the Daleks
The Lazarus Experiment
Human Nature/The Family of Blood
Utopia/The Sounds of Drums/Last of the Time Lords
The Sontaran Stratagem/The Poison Sky
The Doctor's Daughter
Silence in the Library/Forest of the Dead
The Stolen Earth/Journey's End
Smith:
The Eleventh Hour
The Beast Below
Victory of the Daleks
The Time of Angels/Flesh and Stone
The Vampires of Venice
Amy's Choice
The Hungry Earth/Cold Blood
Vincent and the Doctor
The Lodger
The Pandorica Opens/The Big Bang
The Impossible Astronaut/Day of the Moon
The Curse of the Black Spot
The Doctor's Wife
The Rebel Flesh/The Almost People
A Good Man Goes to War
Let's Kill Hitler
The Girl Who Waited
The God Complex
The Wedding of River Song
The Doctor, the Widow and the Wardrobe
Asylum of the Daleks
Dinosaurs on a Spaceship
A Town Called Mercy
The Angels Take Manhattan
The Snowmen
The Bells of Saint John
The Rings of Akhaten
Journey to the Centre of the TARDIS
The Crimson Horror
Nightmare in Silver
The Name of the Doctor
The Time of the Doctor
Capaldi:
Into the Dalek
Robot of Sherwood
Time Heist
Kill the Moon
Mummy on the Orient Express
In the Forest of the Night
Dark Water/Death in Heaven
The Magician's Apprentice/The Witch's Familiar
Under the Lake/Before the Flood
The Girl Who Died
The Woman Who Lived
The Zygon Invasion/The Zygon Inversion
Face the Raven
The Husbands of River Song
The Return of Doctor Mysterio
The Pyramid at the End of the World
Empress of Mars
The Eaters of Light
World Enough and Time/The Doctor Falls
Whittaker:
The Woman who fell to Earth
The Ghost Monument
Arachnids in the UK
The Tsuranga Conundrum
Demons of the Punjab
Kerblam!
The Witchfinders
It takes you away
The Battle of Ranskoor Av Kolos
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© 2021 Randomwhoness: a Doctor Who blog by Johnny Spandrell.


text:
www.xyonline.net
men, masculinities, and gender politics
Michael Flood
Men's & fathers' rights
Race, Ethnicity, Difference
Working with Boys and Men
Men and the Man Box: A commentary
The notion of the 'Man Box' names influential and restrictive norms of manhood. The 'Act Like a Man' box or 'Man Box' has been a common teaching tool in efforts over the past three decades to engage men and boys in critical reflections on men and gender (Kivel, 2007). The 'box' names the qualities men are expected to show, the rewards they earn for doing so, and the punishments they are dealt if they step 'outside' the box. It emphasises that these dominant standards are restrictive and limiting for men, as well as harmful for women. Individual qualities in the Man Box are not necessarily bad, and indeed some may be useful or desirable in some contexts. On the other hand, some of the qualities are negative in themselves, the range of qualities available to men is narrow, and men are expected not to deviate from them. The Man Box norms also sustain forms of privilege or unfair advantage for men, and men's attitudes and behaviours that underpin inequality between men and women. The reference to 'acting like a man' makes the point that masculinity is a 'performance', a set of qualities and behaviours practised in particular contexts.
Gender equality: Engaging men in change
I have been working on issues of men, masculinities, and gender for 32 years, and it looks to me like men's roles in building gender equality are now part of the public agenda to an unprecedented extent. Almost every day, there are new stories and initiatives on how men can support women's participation in medicine and science, end domestic and sexual violence, share the load of fathering and housework, and more. This focus has a compelling rationale. Above all, we will not make much progress towards gender equality without change among men—and men themselves will benefit from this progress.
Pornography: Ten Points in Ten Minutes
2. Most users of pornography are heterosexual men. 3. Pornography's content often is sexist and violent. 5. Pornography has undeniable effects on the sexual lives of men and women, boys and girls. 6. Pornography's effects are complex. 7. Existing efforts to shift men's porn use are limited. 9. We must appeal to and engage boys and men. 10. There are dilemmas here.
Engaging Male Students and Staff on Campus in Violence Prevention
We're going to focus this morning on how to engage male students and staff on campus in violence prevention.
So I want you to think for a moment about the young men you see every day on your campus. The young men in your classrooms, in the cafeteria, in the college residences, and so on.
Anti-sexist men's groups: An XY collection
Anti-sexist men's groups are a valuable strategy for both personal and collective change. In this XY collection, we bring together some key resources on men's groups: discussions of their political value and potential, guides to how to form and run them, and wider explorations.
New book, Engaging Men and Boys in Violence Prevention
Across the globe, violence prevention initiatives focused on men and boys are proliferating rapidly. The new book Engaging Men and Boys in Violence Prevention highlights effective and innovative strategies for the primary prevention of domestic violence, sexual violence, and other forms of harassment and abuse. It combines research on gender, masculinities, and violence with case studies from a wide variety of countries and settings.
The Man Box: A study on being a young man in Australia
The Man Box: A study on being a young man in Australia is the first comprehensive study that focuses on the attitudes to manhood and the behaviours of young Australian men aged 18 to 30. It involved an online survey of a representative sample of 1,000 young men from across the country, as well as focus group discussions with two groups of young men.
Pornography, violence prevention, and the White Ribbon Campaign (NZ)
White Ribbon New Zealand's 2016 campaign focused on giving fathers in New Zealand the skills and confidence to talk about respectful relationships, including respectful sexual relationships, with their sons. One significant influence on boys' and young men's sexualities is pornography, and White Ribbon NZ addressed this in their campaign materials.
Is gender equality good for men?
There has been progress towards gender equality in countries around the world. And increasingly, men are being invited to help build gender equality. There is a growing belief that men have a vital role to play in working with women to create a world of gender justice, in campaigns such as HeForShe and in programs addressing domestic violence, parenting, and health. But is gender equality good for men? What do men gain from more gender-equal relationships, families, and communities? What do men lose? Does feminism need men, and do men need feminism?
When profeminist men are alleged to have perpetrated abuse or harassment
When profeminist men are alleged to have perpetrated abuse or harassment: How should the alleged abuser respond? How should friends and colleagues respond? Does this change how we see the alleged abuser's work? Can the alleged abuser stay in public roles?
Subscribe to Michael Flood
Compilation © XYonline.net. All rights reserved. Used with permission.


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If Hong Chau isn't a familiar name to audiences just yet, then her turn in Downsizing, director Alexander Payne's peculiar sci-fi comedy venture, is about to put her on the map.
Chau's performance as Ngoc Lan Tran, a Vietnamese political activist who is jailed and shrunken against her will, has already garnered her a Golden Globe nomination, and with supporting roles in the likes of Inherent Vice, Treme and Big Little Lies already under her belt, 2018 looks set to propel her in to the mainstream.
Paul Weedon caught up with her at the London Film Festival back in October to discuss her work on the film and the importance of an authentic representation of Asian characters often sorely under-represented in the mainstream.
How are you finding the press tour?
Well, it's my first time doing this much press because it's only my second movie, but I'm so grateful that it's this one and something that I'm proud to talk about.
Talk me through how you initially came to be involved in the project.
I read the script just out of curiosity about what Alexander was working on because I was a big fan of his and I didn't know that there was going to be a role for an Asian woman in it, so that was a big surprise. I didn't know anything about it other than it was a sci-fi satire and I read it in one sitting and I just felt buzzed afterwards.
When the character first appears on the page I kind of had to stop myself for a second and cut off my actor brain because I just wanted to read it as another character in the story and just kind of keep a distance from it. So that was a little bit hard to be disciplined about because it was just so exciting to see this character at all on the page, because it's a character that I've never seen before in any movie. I've never seen a character like this.
What is it about being human that creates this sort of chaos...?
What was it for you that stood out about her particularly?
She is an intersection of so many different groups. And I don't think that that was a conscious thing on [writers] Jim Taylor and Alexander's part when they were writing it. I don't think they had a social agenda that they were working on. I think they took the premise and thought about it logically.
Well, if we have this technology and some people are using it for good and some people are using it for bad, what would the bad reasons be? And, of course, every choice that they make is so grounded in reality and it's a truthful one, so nothing feels contrived, even though this is a sort of bonkers premise where you shrink people down to five inches tall. But as a humanistic story, it's about, what sort of human traits do we have where, because of them we just keep repeating certain things over and over collectively in certain situations that really aren't very good for us? What is it about being human that creates this sort of chaos that seems so unnecessary a lot of times?
She's an incredibly complex character. How much scope did Alexander give you to experiment with what was already written?
I felt like I had a lot of freedom with it, but not in any kind of improvisational way, because I just loved what was already on the page. I didn't have any problem with anything. I didn't have to have any difficult discussions about the character with Alexander. It was just about reading and re-reading the script. I generally don't like to have big discussions, either with the other actor in the scene or the director. I find also that they're allergic to it as well – that they don't like to do it.
I guess it's a much more internal process. You have to suss it out for yourself.
Yeah… But with the character, it is a character that is potentially provocative, but I don't think that it was intended that way. That comes in with whatever baggage the audience brings in to the movie-viewing experience… There have been so many other movies where an Asian character has been under-served or just been sort of a background character… And that's not what's happening in Downsizing.
Before we started, he was like, 'Yeah. You can change your character's name if you'd like to'. And I was like, 'No, we're gonna to keep it, because I don't wanna change it in to something that's super easy for English-speakers,' because with Asian characters it's usually something easy to pronounce, like 'Lin', or 'Mai' or 'Kim', or something like that.
I said, "No, we're gonna do Ngoc Lan" and it's a beautiful name in Vietnamese, but Americans have a wonderful way of butchering people's names.
This isn't the first time you've represented people from your own background because you worked with David Simon on Treme.
Having grown up in New Orleans, how important was it for you to be part of that show?
Oh, amazing. I was living in Los Angeles when I auditioned for Treme and I did not think they were gonna bother to fly an actor from another city in because they have a tradition of hiring non-actors, and so I thought they were going to hire a local person. And when I auditioned I didn't know how big the character was going to be or what the arc was. We had to two pages and it was a very short scene, so it didn't imply that the character was going to grow in the way that she did. It was so wonderful because I was a fan of The Wire.
My parents, when I was growing up, had a bodega across the street from the projects in New Orleans, so that show and all the characters felt very familiar and authentic to me and what I loved the most about that show was not so much about – I know that everybody loves Omar and I know that everybody loves Bunk, I appreciated all that, but what gutted me was when you would go in to their home life and you would see the relationship between Bunk and his wife and the kids. And the season that was all about the kids. My God.
His brand of storytelling changed the standard for TV, because you just don't get that additional context. He gives these additional titbits that he doesn't necessarily need to give you.
No, it's the very not obvious choices. And I feel like Alexander's the same way. When he's making the mundane very exciting.
Ngoc Lan is an amputee. How did you prepare for the physicality of the role?
I had an amputee consultant. We shot in Toronto and she was based out of Toronto. She was also a below-the-knee, left-leg amputee – because that's how specific we wanted to be. And she took me to the rehabilitation center where she had all of her physical therapy.
I felt very nervous going in to it because I'm an able-bodied person going in to this facility where there are actual people who are disabled and they're doing very difficult, personal work and I thought that I'd be very nervous going in to it. But everyone was so welcoming and so nice and so I felt very honoured and grateful and I know that it takes a lot of generosity to open up about your experience like that for a stranger.
And, for me, as an actor, I never am attracted to just playing a physicality or a bit – just having a disability or an accent or something isn't attractive to be because it can kind of be like a party trick. When you're dealing with a character who's disabled, that's somebody's life. That's somebody's reality, so you need to treat it with a lot of respect and profundity and not to turn it in to a gimmick, like a 'bit'.
It's so funny - I never wanted to be an actor. I never intended on it.
It's integral to the character.
Yeah. I don't just want to wear an eye patch just to give a character some kind of outline or a point of interest. It really needs to be that this is who this person is. It's integral to the character and to the story and what we're trying to say and what we want people to see.
One final question for you – I understand that you originally studied film with a view to a career behind the camera. Is that something you'd still like to go back to?
Yeah. It's so funny - I never wanted to be an actor. I never intended on it. And even I after I did Treme and even after Inherent Vice I was thinking about quitting acting and getting back on track because I remember, I think after Treme I was still sending out cover letters to be an assist for a producer... I mean, I still think that that could be something I would like to do and there are definitely stories that I don't necessarily see myself acting in, but that I would like to help get made, but we'll see.
Downsizing is in cinemas everywhere now.


text:
Lagoa dos Índios är en lagun i Brasilien.   Den ligger i delstaten Rio Grande do Sul, i den södra delen av landet,  km söder om huvudstaden Brasília. Lagoa dos Índios ligger  meter över havet. Arean är  kvadratkilometer. Den högsta punkten i närheten är  meter över havet,  km norr om Lagoa dos Índios. Den sträcker sig 0,9 kilometer i nord-sydlig riktning, och 0,9 kilometer i öst-västlig riktning.

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