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Where to Spot Irony in the Attitudes of the Preachers of Human Rights
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Huda Z
Every year, the global community celebrates December 10 as the International Human Rights Day and the week it falls on as Human Rights Week to mark the anniversary of the adoption of the Universal Declaration of Human Rights by the UN General Assembly in 1948.
However, in the identities of the powers running the countries that observe it on the official level, and other countries who are vocal about human rights in general, I find something ironic. Some of the countries that are in the front line to celebrate this day are also the same countries that unflinchingly crush human rights under their feet, should the need arise.
Let us get ourselves a two-sentence history lesson before I jump to explain what I mean.
Eleanor Roosevelt, the American First Lady of the time who was representing the United States, chaired the committee that was set up to draft the UDHR. On one hand, she was heading a committee that was working for human rights and on the other; she was a strong supporter of the occupied state of Israel – where human rights were being violated all day, every day – and she remained so until her death in 1962.
Now, just the seventh of this month witnessed a statement by the president of the United States of America regarding the Human Rights Day. It is quite ironic that he proclaimed Dec. 10 as the Human Rights Day and urged the Americans to hold appropriate celebrations while during the same presidential term, he shifted the American embassy in Israel to Jerusalem and marked it as the capital of the colonialist entity, where the killing of innocent kids is a routine. All this with American aid continuing to flow into the coffers of Israel.
It is not hard to find an example of irony concerning human rights in India either, where despite all of Narendra Modi's speeches about human rights, Kashmir has seen the zenith of human rights violations. The latest victim of all the state-sponsored violence in Kashmir is a 10-month-old baby girl called Hiba, who, the doctors fear, could lose complete eyesight due to pellets fired by the Indian army.
Hiba Nasir is one of thousands of Kashmiris whose eyesight has been damaged by pellet guns, the use of which rights groups have campaigned against [Shuaib Bashir/Al Jazeera]
The hypocrisy going on under the cloak of human rights does not end here. If we look at the attitude of the Burmese human rights activist, politician and de-facto ruler of Myanmar Aung San Suu Kyi regarding the genocide of Rohingya Muslims, we can somewhat smell the western definition of human rights. The award-winning activist disregarded the genocide multiple times, which was later considered "a shameful betrayal of the values she once stood for" by Amnesty International.
There would hardly be an intellectual who would be unaware of what is happening in Yemen right now, but if we take a closer look at the list of countries supporting Saudi Arabia in its war on Yemen, we would notice that it is just a collection of the same countries that brag being the standard-bearers of human rights worldwide.
All these examples lead us to the conclusion that lifting the banner of human rights can be just another tool at the disposal of most of the world powers to reach their selfish goals.
To just celebrate and acknowledge human rights on one day or one week of the year does not summarize the duty of humans regarding fellow humans.
Rather, the biggest responsibility on our shoulders is to raise our voice against injustice when we see it, because choosing to remain silent in the wake of injustice is actually taking the side of the oppressor.
Photo: UN Audiovisual Library
In this article:Donald Trump, eleanor roosevelt, hiba nasir, human rights, human rights day, human rights week, Israel, kashmir, modi, narendra modi, pellet
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Written By Huda Z
Huda is an avid reader, writer and illustrator. She writes about politics, books, Muslim women and shares most of her work on her Instagram.
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The projects are located in the vicinity of the towns of Parkes, Griffith, Dubbo and Narromine with the combined power output of 130 megawatts.
Owned and developed by renewable energy developer Neoen, these solar farms will be in operation for the next 20 years and will assist Australia in reaching its renewable energy targets.


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What does Give Me Love mean?
Ed Sheeran: Give Me Love Meaning
Tagged: Unrequited Love [suggest]
Song Released: 2012
Get "Give Me Love" on MP3:
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Give Me Love Lyrics
Play "Give Me Love"
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Give me love like her,
'cause lately I've been waking up alone,
Paint splattered teardrops on my shirt,
Told you I'd let them go,
And that I'll fight my corner,
Maybe tonight I'll call ya,
After my blood turns into alcohol,
No, I just...
1TOP RATED
Mar 11th, 2012 3:12am report
Song about really being in love with someone, however they don't feel the same - or they don't seem to be showing the same effort/feeling back to you.
"Give me love like hers" - referring to an ex, or previous partner.
"Give a little time to me or burn this out" - like an ultimatum - give me some of your time or stop leading me on/sending me mixed signals
"We'll play hide and seek to turn this around" - hide and seek is a game about being lost and found. He wants to be found by her and only her.
"blood is drowning in alcohol" he is drinking himself to drown his sorrows.
Nov 8th, 2012 11:00pm report
in my own opinion give me love by ed sherran is a love song as all of you have rightly stated but to me its more than that. Yes its bout him still in love with his ex who may have also been his first love.. and you know what they say about first loves, you can never ever forget them, no matter how much they hurt you you as an individual will always have a special place for them in your hearts. so when he goes 'give me love like her' he's in search for love as sweet as hers something that can awaken his soul again..something that can keep him searching for more and more and the one that lights a bright flaming fire in his heart once again. He is searching for this kind of love once again. Now he is in a new 'realtionship' or as i may call it a 'replacement' relaationship, trying to find what was in his ex in this new girl who has come into his life after a while of him pondering on that one girl who broke his heart. This new girl is trying to show him as much love as she can but, its just not enough. Shes complained about it.Paint splattered teardrops on my shirt,
Told you I'd let them go'. she knows he still loves his ex and the 'paint splattered teardrops' symbolise something that cannot be removed like a paint stain, the tears he cried for this one woman can never be erased orr forgotten; but he lied to this new woman that he will forget all about his ex and move on with life. Even though this is happening he loves the new girl in his life but is still holding on some sentimental parts of his past and he feels like if she gives him love that can overconme and overshadow his ex's then he'll be hers forever. All he wants is for her love to conquor through the pain.
Jan 8th, 2013 1:23pm report
This song is about desperation. I think the first verse is talking about how much the singer needs the love of one person. He tries to fill the voids with another, but "lately he keeps waking up alone."
In the chorus he is begging the girl to "give a little love to him" or just let all the feelings "burn out." He wants her to find him and give him everything that he is desperate for.
The second verse takes place after a little bit of time passes. He expresses to the listener that "it's been a while but he still feels the same." He knows that nothing is changing, so maybe he needs to let everything go. Let her go, let his fantasy of her go.
The end is just him begging her to give him everything. He keeps saying "m-my-m-my give me love," over and over again.
The pause, to me, his the singer taking his last breath of needing her and the ending stanzas are him saying goodbye to everything that has to do with her.
Sep 15th, 9:25am report
The 1st couple times I heard this song, I thought there was a radio-station problem, that it it was skipping. If you read the lyrics &/or listen to it, you can tell why. It sounds like a broken record, which can only mean he REALLY wanted to convey desperation.
May 25th, 2016 5:27pm report
I believe this amazing song is in reference to a classic story of a bad breakup. "Paint splattered teardrops on my shirt", "maybe I'll call ya after my blood turns into alcohol" which is a greaving over the breakup. The chorus is asking the former partner for time to deal with the relationship. "We'll play hide and seek to turn this around" which means they are dodging each other until they are over each other, but the character in the song is begging for more love.
And then the music video throws in a whole different vibe. Basically a story about Cupid going around making several couples fall in love. But she falls into depression because she can't fall in love. Then proceeds to go crazy with her power and begins making everyone fall in "love" before committing suicide with her own arrow. But when the medic comes in to investigate, the arrow disappears and she wakes up to her love.
Jul 6th, 2015 7:59am report
VERSE 1: I think this is him asking the girl he is in love with to give him some level of affection that he feels she isn't showing(maybe she's his ex or maybe they just have a broken relationship) To do so he references a past lover of his, who gave him that affection he craves. His evidence for her lack of affection being that she is never there. Maybe meaning she leaves before he wakes up (like a one night stand would) or just as a whole she is not there for him when he needs her. He then talks about how he's missed her and cried for her, while inferring they have talked about their problems prior to now as he tried to let go of their issues and possibly his feelings.
HOOK 1: This is again referencing a past promise he made to this girl, maybe saying that he would always fight for her. However, after all that's happened he only could feel courageous enough to talk to her after drinking enough that his life system, his very self, has "turned into alcohol" Then the final phrase of the hook is almost him discounting everything he's previously said in the song. Like he's fighting with himself over whether he needs the affection he craves or if he'd rather have her in anyway he can. Even just to hold.
CHORUS: This is him then asking her to make a decision. She either needs to try and fix whatever unhealthy relationship they have or leave him alone to "burn" her out of his system. Almost making her seem more like a drug than a person. He then continues to make suggestions as to how they could make their relationship better. Making hide and seek seem sort of symbolic, allowing them to truly find one another despite what they've previously kept hidden. Then in what almost appears to be a moment of weakness he confesses that she is all he wants. Just the "taste that her lips allow" This desire for her continues into the chanting of "My" and "Give me love" like he's pleading with her to give him what he so desperately needs.
VERSE 2: This time when he asks her to love him he clearly states that the love he wants from her is something the two of them have never experienced for one another(or quite possibly for anyone) before. Again he states that he wants more in their relationship than whatever they have. He then proceeds to state that some time has passed in their relationship, either meaning they've broken up a while back, or more likely that they have been together so long that they are past the "honeymoon phase" of their relationship. Despite the passing of time however, his love for her remains the same. He then concludes this verse by once again tacking on an inkling of doubt (both the existence of this doubt in the song and the placement are very well done as people are so rarely 100% sure of themselves on anything, and very often their doubts are sort of after thoughts they use to question what they think) This doubt being him wondering if it would be healthier for him to just let go of his feelings for her and move on.
HOOK 2: This hook begins with him once again being self assured, his doubts forgotten. The slight changes from the first hook make an impact as he switches from saying this is what he told her, to saying that she already knows he is going to do these things. Like their never was another option for him.
Jun 27th, 2015 6:52pm report
Ed Sheeran, as we all know, gets drunk pretty often. This isn't his first song about drinking. I'm guessing he's been getting too drunk too often and it very much upsets his girlfriend. I think it's n apology in a way for her because he's trying not to.
This interpretation has been marked as poor. view anyway
Jan 30th, 2015 1:28pm report
"Give me love like her"``this starting part of the the song hide its true meaning. How it should be viewed is like this "give me/love like her".. He, i mean HE is begging another GUY to love Him like how the GUY loves his girl. The desperation of the song shows that there is no way, no chances of him to be loved by the guy..this song is about a man who loves a man that loves a woman..that is how beyond heart ache, this is a death equivalent.
Jan 2nd, 2015 1:40am report
Personally I think it's about a guy who is currently in love with a girl who isn't showing the love they once had. In other words it's been a few months later and they are distant now. Give me love like her, that line indicates he knows this girl, knows how she can love, and wants that back. I have never wanted an Ex's love before so I don't think it's about an Ex it's about a girl who is currently there but their relationship to him is troubled and he is hurting. Waking up alone but still with her. This relationship took a terrible turn in his view, paint splattered tears, fighting his corner, are signs he cried yet he can give in to someone who won't fight back. Then he drowns his sorrows to find her at the bottom of the bottle making him only wanting to call her then he realizes no I actually want to hold her. They must go days without talking then touch base to only go back to not talking. The lyrics give a little time to me or burn this out we can play hide n seek to turn this around are true signs that they have a communication issue. Back n forth and he gives the space hopping absence will make her heart grow fonder or turn it around as he says.
This song hits the nail on the head for me and brings tears to my eyes. True Heart felt yearning for love of another that's simply not there. He wants to let go but fighting his coner is what he rather do. He wants what he wants and it's love like her!
Dec 26th, 2014 12:51pm report
I think this song is simply about hunger.
Hunger for love, hunger for acknowledgement, hunger for something lost that s/he never noticed until it was gone.
I think this song/video is about being hungry and eventually starving to death.
Aug 2nd, 2014 8:04am report
I believe his song describes he has found someone new but he wants parts of his old love to be inserted I to his new love. the new woman has told him he needs to let go of his ex, because it's written all over his face, the past, how hurt he was, even though it wasn't all bad. He just wants to be selflessly loved, it will be a different love and she will show a different love until he realises she will give him the love he craves when he stops beating himself up with the past, accept what what was and have faith in what will be.
I get the impression that the new woman hurts because they've argued about this raw page in his life, it's affecting her too. But he maybe doesn't realise this. And drinking doesn't help the situation.
Aug 20th, 2013 8:35am report
For me this song is about defining the line between physical love and emotional love. It is one thing to want the taste someones lips allow or not wanting to wake up alone, but it is a different kind of love if there is one person you want to give you love. There is a point where you realize how desperately you want a particular person to love you as much as you love them. You reach a point where you scream give me love!! The real kind that makes you alive and emotional and exhilerated by the fact you can give love away so completely. All you can do is hope they give their love back to you.
Apr 30th, 2013 4:07am report
The video interpretation (not the song):
The girl gets depressed because of his boyfriend cheating and halucinates that she becomes cupid. She shoots all this people and they 'fall inlove'.
She finally got very envious that other people are becoming happy so she tries the arrows to herself... She becomes really happy. She strucks the arrow to herself, then... She died. Meaning all those people didn't fall inlove. They all dropped dead.
Apr 26th, 2013 4:06pm report
I think that he just wants someone who was as perfect as she was. They were playing games and now it is over. He is lonely and doesn't know what to do, so he drinks. He is unsure if he should move on or keep trying but he is sick of the games. You can really hear the pleading in his voice near the end of the song, as all he wants is somebody to be his.
Feb 16th, 2013 2:56am report
Well i think that its about some one who just cant seem to find love watch the video
I think it is about a lover who refuses to be with him until he stops drinking. He's madly in love with her, but she wants him to 'fight his corner,' or fight his urge to drink. He wants the alcohol to 'give me love like hers' because he's 'waking up alone' since he can't get it under control. When he says 'give a little time to me or burn this out' I think he means that he needs time to recover and then they can be together, or their love will be burnt out by this barrier. All he wants is to be with her, but he is also hooked on drinking. When he says 'it's been a while but I still feel the same, maybe I should let you go', he means that after all this time he still can't stop drinking, so maybe he should just give up and let her go. By the end of the song, he becomes desperate for her love.
Oct 18th, 2012 10:42am report
He's inlove with his ex or past partner which is where the lyrics ''Give me love like hers'' comes in. ''Give me love like never before'' means he his hasn't been loved the way he would of like to have been loved. ''Pain splatterd tear drops on my shirt told you i'd let them go'' means that he has cryed and it was obviously painful and he misses that girl he has cryed for her hopeing she would come back to him. ''maybe i should let you go'' shows that he is sick and tierd of trying when he knows nothing will happen.
i think it was about a man being lonely 'give me love like never before' and then he is so depressed 'GIVE ME LOVE! GIVE ME LOVE!' and then he kills him self because the silent bit then his sayings or good byes
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A perfect healthy side dish to any Asian-inspired meal. It gets better the longer it sits, so it's perfect for potlucks too!
To make the dressing, mix all of the dressing ingredients together in a small bowl.
To assemble the salad, add the bok choy and carrots to a large bowl. Pour over the dressing and toss well to combine. You can serve it right away, but the flavours get even better if you let it sit for 20 to 30 minutes, tossing every now and then. When ready to serve, garnish with the toasted almond slices, green onions, and sesame seeds.


Another Prussian regiment augmented with extra figures and re-flagged. I love these Trident miniatures.
Absolutly superb, flags and painting...Wonderful Prussians!
Outstanding work, and vibrant colors. Well done.


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HomeRomanceMounam Pesiyadhe
Mounam Pesiyadhe
Mounam Pesiyadhe (Tamil: மெளனம் பேசியதே;(English: Silence Spoke) is a 2002 Indian Tamil romantic drama film, directed and written by Ameer Sultan, making his directorial debut. It stars Suriya, Trisha, newcomers Nandha and Mahaa and choreographer-turned-actor Anju Mahendra in supporting roles along with several other newcomers, while Laila Mehdin appears in a cameo role during the climax. The film, released on December 13, 2002 and turned out to be an average one at the box office.
Language:Tamil
Keywords:flirting, restaurant, misogynist,
Category:Romance
Stars:Trisha Krishnan, Suriya,
Uploader:Dat1Phit
Director:Ameer Sultan,
Writer:N/A
Misogynist falls in love with comely co-ed. . You can read more in Google, Youtube, Wiki
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Mounam Pesiyadhe torrent reviews
Sylvester K (kr) wrote: A sociopathic teacher uses extreme method to stop the "corruption" in the high school, when his plan went wrong, a night of massacre would be his only solution.The acting was simply dreadful, the story was ridiculous, even the standard of Japanese gore flicks was lost. It was really just violent for the sake of being violent.
Nat A (jp) wrote: Though possessing the promise of deeply endowed themes and plot it ultimately is unable to express the message it was trying to tell us. It's unfortunate since the film is stylistically fascinating and the characters are fairly engaging. Despite how avant-garde and post-modernist the direction is, it is nothing but an idiosyncratic bunny trail that leads into an empty pit......
Sebastin M (br) wrote: Para ser una distopa comparada con los juegos del hambre, muestra de manera ms real los problemas sociales en cuanto a racismo y segregacin actual, como por ejemplo la facciones, al igual de una trama intrigante.
Maruf I (mx) wrote: It was good... undoubtedly!
MT B (gb) wrote: Pretty good -- a movie that illustrates how the role of Canadians overseas has become so complex. It is no longer black-and-white situation for our people.
myles o (br) wrote: funny but i didn't see it all
Ryan R (ru) wrote: Though I take issue with the third act, the movie is taut and compelling for its short duration.
Nicholas N (es) wrote: Fantastic movie. Seen it about 8 years ago and forgot all about it until I saw it on Sundance (edited). I want it on dvd.
Rodney E (fr) wrote: Loved that Demi Moore in the 90's. Too bad this movie wasn't very good.
bloody w (ag) wrote: the acting makes the movie convincing. interesting premise. but horrible direction by spike "the race-baiting" lee. one of the worst most random endings in movie history that defeats the purpose of the whole film
Dave J (gb) wrote: Thursday, June 3, 2010 (1983) Lonewolf McQuade ACTION After a second or third viewing after many years, this is the best American made inspiration of Sergio Leone's "The Good The Bad And The Ugly" style of spaghetti I had ever seen so far, from the very first opening whistles shown on the introduction to the final 5 minutes, Leone would've been proud of it! When good 'whistles' appear over Norris's presence and the nasty music whenever it's on the Carradine character is just as new, athentic and original as one could ever hear it! Sometimes forgetting that it's a homage to Leone than as a Chuck Norris picture! But as first starring roles is concerned, "Code of Silence" was the best Chuck Norris film with this film coming in a close second since this one is more stylistically entertaining than most conventional action picures, that even though there is alot of action in it, it's filmed with a different style as opposed to other action films. In my opinion, it was this film and "Code of Silence" which motivated studios to put Chuck Noris into his own sydicated television show called "Walker Texas Ranger". Few of the problems are that although the "set ups" in this film are quite nice to look at, the pay-offs are not very good like for instance the end fight between Chuck Norris and real life jiu jitsu expert David Carridine of the series "Kung Fu" is not as thrilling as say Chuck and Bruce Lee in "Return of the Dragon". Some of the best scenes was Chuck (obviously using a stunt double) hanging onto the back of the ford truck while swerving Chuck around and when the bad guys cover Chuck and his partner inside the Ford Bronco with sand pounded into the ground -a scene I've never saw before about how they got themselves out using the same motor contraption as Max does in the "Road Warrior" movie to make his car go faster. The only thing that could've made this film great was that the fight scenes could've been handled in the same manner or as realistic as the one in "Return of the Dragon". This film gets a high B or 3 out of 4
Daniel T (gb) wrote: More like Timejacked. Dorff must be desperate. Lucky I was able to fast forward alot of this. Bring back another Blade spinoff or something. Freddy came back from the grave... I'll go TEAM FROST!!!
Mandela W (mx) wrote: Mike Nichols, one of the greats in this industry directed in 2004 an interesting love story with 4 people. The film is closer and it begins with the first two individuals alice played by Natalie Portman and dan played by Jude Law who meet in the streets of London. They instantly hit it off and we learn a great deal about the two including the fact that alice is a stripper. later comes in Julia Roberts character Anna whom Dan starts flirting with. Larry Gray played by Clive Owen comes into the picture later and finds his way into this 4 way ordeal. all of them confront each other some fuck each other as well but they all deal with the heartbreak, the fun and passion that comes with this thing we know as love.This is a really well written story. It's a lot like a play especially dialogue wise. the legendary mike Nichols weaves in these 4 lovers in such a fascinating fashion and makes one wonder about love in the world we live in. its quite funny how they all meet each other. Unfortunately it's something that never happens in real life but still pretty interesting to watch. Natalie Portman supplies a good amount of intrigue with Alice. I like how she owned up to being a stripper and regardless of that she manages to have enough confidence to hook certain men in. She doesn't let this profession define who she is. She was the best out of this foursome cast. Portman and Clive owen have scenes were their chemistry was fantastic. Their scene in the strip club is one of the best acting scenes you'll ever get to see. Clive owen himself is pretty damn good here. his character works an honest profession but delves in his guilty pleasures. Like Roberts character he is also honest about his feelings. Julia Roberts is great here! she is a weak fragile woman who lets her heart get pulled in many directions. the complexity about her was interesting to watch. Jude law's character seems conflicted about the kind of love he wants in his life. Strong performance from himGood cinematography and good lighting too. Nichols usage of music to tell the story and mood of scene has always been my favorite element of his directing style. If you love Mike Nichols go see this film you will enjoy it for sure.
Carroll H (nl) wrote: Nice movie, but needs some better writers. Light entertainment. Have seen better Acapella on the TV battles ...
Karen J (ag) wrote: Take this show off HBO it has been on long enough.
Jerico T (us) wrote: weird film again which signifies that a metallica rockstar is satan.
Golia K (ag) wrote: "-A victim is always a victim"
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Q: AWS ElasticBeanstalk + Ruby on Rails: Bundler `shared_helpers` error I am attempting to update my Ruby version of my Rails app and having a Bundler issue on deployment to AWS ElasticBeanstalk.
Upgrading Ruby from version 2.3.4 to 2.5.7

*

*Ruby: 2.3.4 -> 2.5.7

*Rails: 5.1.7

*Bundler: 1.17.3

*Puma: 3.12.1

My ElasticBeanstalk Environment is running Ruby-2.5.7 and I am able to successfully deploy the application.
In my logs I am encountering an error when attempting to load the website.
=== puma startup: 2019-10-22 20:41:56 +0000 ===
=== puma startup: 2019-10-22 20:41:56 +0000 ===
[22501] - Worker 0 (pid: 22504) booted, phase: 0
[22501] - Gracefully shutting down workers...
shell-init: error retrieving current directory: getcwd: cannot access parent directories: No such file or directory
shell-init: error retrieving current directory: getcwd: cannot access parent directories: No such file or directory
/opt/rubies/ruby-2.5.7/lib/ruby/site_ruby/2.5.0/bundler/shared_helpers.rb:71:in `getwd': No such file or directory - getcwd (Errno::ENOENT)
    from /opt/rubies/ruby-2.5.7/lib/ruby/site_ruby/2.5.0/bundler/shared_helpers.rb:71:in `pwd'
    from /opt/rubies/ruby-2.5.7/lib/ruby/site_ruby/2.5.0/bundler/shared_helpers.rb:71:in `block in pwd'
    from /opt/rubies/ruby-2.5.7/lib/ruby/2.5.0/monitor.rb:235:in `mon_synchronize'
    from /opt/rubies/ruby-2.5.7/lib/ruby/site_ruby/2.5.0/bundler/shared_helpers.rb:70:in `pwd'
    from /opt/rubies/ruby-2.5.7/lib/ruby/site_ruby/2.5.0/bundler/shared_helpers.rb:272:in `search_up'
    from /opt/rubies/ruby-2.5.7/lib/ruby/site_ruby/2.5.0/bundler/shared_helpers.rb:155:in `print_major_deprecations!'
    from /opt/rubies/ruby-2.5.7/lib/ruby/site_ruby/2.5.0/bundler/cli.rb:23:in `ensure in start'
    from /opt/rubies/ruby-2.5.7/lib/ruby/site_ruby/2.5.0/bundler/cli.rb:23:in `start'
    from /opt/rubies/ruby-2.5.7/lib/ruby/gems/2.5.0/gems/bundler-1.17.3/exe/bundle:30:in `block in <top (required)>'
    from /opt/rubies/ruby-2.5.7/lib/ruby/site_ruby/2.5.0/bundler/friendly_errors.rb:124:in `with_friendly_errors'
    from /opt/rubies/ruby-2.5.7/lib/ruby/gems/2.5.0/gems/bundler-1.17.3/exe/bundle:22:in `<top (required)>'
    from /opt/rubies/ruby-2.5.7/bin/bundle:23:in `load'
    from /opt/rubies/ruby-2.5.7/bin/bundle:23:in `<main>'

How can I resolve this issue with my ElasticBeanstalk environment?

redpajama_set_name: RedPajamaStackExchange


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Human Rights Day 2010 - Ahet: Nation Murder
Date: Friday, December 10, 2010 - 7:00pm12/10/2010 7:00pm Human Rights Day 2010 - Ahet: Nation Murder In honor of this year's Human Rights Day, the Institute of Politics and Carr Center for Human Rights Policy spread awareness of the 1915-1923 Armen America/New_York public
Embedded video for Human Rights Day 2010 - Ahet: Nation Murder
In honor of this year's Human Rights Day, the Institute of Politics and Carr Center for Human Rights Policy spread awareness of the 1915-1923 Armenian genocide in Turkey by hosting a screening of the documentary Aghet: Nation Murder and a discussion on how international relations have prevented wider recognition of the incident. Panelists Eric Friedler, director of the film, Carr Center Executive Director Charlie Clements, and President of the Syriac League of Lebanon Habib Afram, focus on the genocide's recognition in the world and its relationship to other human rights issues such as China's denial of Liu Xiaobo's Nobel Peace Prize in 2010.
Speaker(s): Eric Friedler, Habib Afram
Co-Sponsors: Carr Center for Human Rights Policy


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OPINION: Sharing what we learned to help move Alaska forward
By Les Gara and Jessica Cook
Updated: December 9, 2022 Published: December 9, 2022
Jessica Cook answers questions from reporters during a press conference where she was announced as Les Gara's running mate in the Alaska gubernatorial race on Monday, Feb. 14, 2022 in Anchorage. (Loren Holmes / ADN)
We congratulate Gov. Mike Dunleavy and our new lieutenant governor, Nancy Dahlstrom, on their election. That gives them, and a new Legislature, the right to craft solutions to the state's problems. We wish them strength as they address major education, mental health, affordable housing and child care problems people face across this state.
From more than a year of conversations with people of all walks of life across Alaska, we heard concerns and solutions we'll share. Many of the concerns and problems we heard most loudly are shared across the state. That will hopefully build consensus for action.
There is one undebatable truth I hope leaders will recognize. These are major problems that can't be solved for free. Since 2014, Alaskans have been forced to battle for inadequate funds, and to fight between education support, a strong Permanent Fund dividend, public safety or support for needed infrastructure like harbors, roads and the modern renewable energy projects needed across the state.
Progress will be impossible if Alaskans are again forced to fight each other for what they need, whether it's strong schools, a strong PFD, or needed infrastructure and erosion prevention projects necessitated by global warming and increasingly violent storms. We can't keep pitting Alaskans against each other.
Our ideas on revenue to solve these problems — ending $1.2 billion in unaffordable oil company tax subsidies — are not the only options. The governor won this election. He and the Legislature have the right to work on the fiscal plan they feel is appropriate.
Rural Alaskans have shared problems that don't get heard loudly in much of the state, including that more than 50 communities have no police at all, in a state with high rates of sexual assault. That needs to be solved.
There's an education crisis in nearly every community in the state. The problems facing education and public safety call for some similar policy responses.
Schools cannot attract and keep teachers as school funding, and therefore salaries have lagged. That's compounded when it makes housing unaffordable for educators and their families, especially in smaller communities with housing crises that are worse than in larger communities also facing acute affordable housing shortages.
Almost every public safety and education official we've met says they lose teachers and police to states that offer a pension benefit Alaska uniquely doesn't offer. Alaska can't compete for teachers and police anymore.
It's convenient, but in most cases dishonest, to blame local school boards for our education crisis. State school funding has lagged by roughly $150 million behind inflation since 2014. Under state statute local school funding is capped at a percentage of state funding. The more state funding lags, the less money local communities are allowed to contribute to help their students and schools. Students bear the brunt of this in lost opportunity.
With uncompetitive pay and benefits we get teacher and police tourism. People come here for a few years, fish, hunt and hike, and then leave for better pay and benefits in the Lower 48.
Alaska's foster care system is harming children and families worse than ever. The state now starts new Office of Children's Services caseworkers at $25 per hour and has lowered job qualifications, so workers need no relevant education or work experience. That leads to damaging mistakes and more trauma for children. We understand this has been an attempt to save money. Let's admit it's not working.
We're losing needed foster parents. Foster parent recruitment has come to a standstill even though it's required by statute. Many foster youths remain in hospital rooms because there is no available home for them. That's inhumane.
Low-wage, inexperienced child and family protection workers cannot be expected to know what children and families need. Today, roughly 60% of these low-wage workers quit within a year.
Perhaps the most silent problem facing Alaskans is the lack of a needed mental health workforce. That harms children suffering from life-damaging problems, and those battling addictions and other life-threatening crises.
Finally, most Alaskans live on the road system. From damaged fish runs and the damage caused by Outside factory trawlers, to schools and mental health, the problems faced off the road system are in many cases more pressing.
These problems beg for strong "grow your own" solutions. Police, teachers and mental health professionals from Nome, Bethel, or Kodiak, for example, are better for the community, and for creating local job opportunities, than seeking Outside workers who don't know these communities.
We wish Gov. Dunleavy and Lt. Gov. Dahlstrom well in navigating a road ahead that would be difficult no matter who won this election.
Les Gara and Jessica Cook were Democratic candidates for governor and lieutenant governor, respectively, in the 2022 Alaska general election.
The views expressed here are the writer's and are not necessarily endorsed by the Anchorage Daily News, which welcomes a broad range of viewpoints. To submit a piece for consideration, email commentary(at)adn.com. Send submissions shorter than 200 words to letters@adn.com or click here to submit via any web browser. Read our full guidelines for letters and commentaries here.
Alaska's top-funded earmark is a $99M gym at Fort Wainwright. Officials say it will promote military mental health.
What's in the $1.7 trillion government spending bill for Alaska? Lots.


The statue of Saint Andrew and the story of Daly's Club. | Come Here To Me!
The statue of Saint Andrew and the story of Daly's Club.
Passing St.Andrew's Church recently, which today is home to the Dublin Tourism Centre, a statue in the car park grabbed my eye. Going in for a look, a badly weathered statue stood in the very corner of the church car park, forgotten by time. I took a few photographs and decided I'd investigate it at a later date.
The badly weathered statue is of Saint Andrew himself, and is all the remains of an older version of the church. Saint Andrew's has a long and interesting history, once serving as the parish church for the Irish Parliament, an institution so rotten it succeeded in abolishing itself in very dubious circumstances in 1800. Since 1996, the building has been home to the Dublin Tourism Centre.
Next to the Irish Parliament on College Green, Daly's Club thrived in the eighteenth century. Daly's was a private members club with a notorious reputation which had first been housed at numbers 1-3 Dame Street, before making the move to 3 College Green in the 1790s. It was said to be named after Denis Daly, a Galway politician, wealthy landowner and friend of Henry Grattan.
On the northside of College Green stands Daly's Club House, a very neat building, constructed of hewn mountain stone. It is appropriated for the accommodation and entertainment of noblemen and gentlemen, composing this fashionable and expensive club.
the new edifice, designed by Francis Johnston, extending from the corner of Anglesey-Street to Foster Place, was opened, for the first time, with a grand dinner, on the 16th of February 1791.The house was furnished in a superb manner, with grand lustres, inlaid tables, and marble chimney-pieces; the chairs and sofas were white and gold, covered by the richest "Aurora silk".
The proximity of the eastern side of the club at Foster Place to the Irish Parliament is clear from this fantastic image in the National Library of Ireland collection.
So, what connects this one time Buswell's Hotel (I couldn't resist!) to the statue of Saint Andrew? A Dublin legend, which could be fact or fiction, has it that the statue was used for target practice by members of the infamous establishment. Frank Hopkins in his classic Hidden Dublin recounts how "there were even tales of club members using the statue of St. Andrew in St. Andrew's Church for target practice", while the tourism centre themselves make a similar claim,noting in their history of the church that "now eroded due to the ravages of time, and as a result of its use as a pistol practice target by the members of Daly's Social Club".
How much of the legend of Saint Andrew being fired upon by the drinking, gambling politicians of Daly's Club is fact and how much is fiction? It's a great Dublin story regardless, and the badly weathered statue on the edge of the car park is something worth taking the time to check out if you're in that part of town.
Nice one DF. I've often had a look at that statue and wondered what is was doin' there.
great post. always enjoy the blog. thank you.
Thanks for the article, I was here a few months ago and meant to find out more about the church and statue. Just a few meters away from the statue in your photo, against the beige coloured wall, there's a parking space with a gravestone at the end of it. Any idea whose it is? It's most unusual.


At 3.30pm every day – rain, hail or shine, local pelicans flock to The Entrance waterfront for their free feed of fish. Run by passionate volunteers this heart-warming presentation provides a wealth of information on the pelicans and their way of life.
The comical looking pelicans flap their wings, walk freely amongst the crowd and flick pieces of fish onto those in the front row – be warned!
It is amazing to get up close and personal to these magnificent creatures. There are some great photo opportunities but please don't touch the pelicans or harass them for selfies.
Get to the waterfront next to Memorial Park by 3pm to secure a good vantage spot on the rows of semicircular steps. The presentation takes about 20 minutes which gives the volunteers time to check each pelican for injuries from fishing lines and plastic. The attraction is free, but consider a donation to the local Marine Rescue volunteers.


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At Home, Home & Decor June 13, 2017
Colors to Covet: Go Green in 2017
The Pantone Color of the Year for 2017, Greenery, comes to us with a promise of renewal and rejuvenation. Just saying the name evokes images of spring, the outdoors and new beginnings. Indeed, this verdant shade was selected for its implications in bringing forth feelings of promise, hope and renewal, according to Leatrice Eiseman, executive director at the Pantone Color Institute. Eiseman is none other than the woman in charge of choosing the color of the year.
How is the color of the year chosen?
"We look at lots of indicators," says Eiseman. "We're at tradeshows worldwide, and we look at what we think are ascending colors." These are what color forecasting groups look for in terms of what's hot. "The fashion industry is always a big indicator," Eiseman adds, noting that greens have been growing in popularity over the last year. Other indicators are signage, brand image, even stage lighting, in industries such as arts and entertainment. "We look for the symbolic meaning of color, and the fact that Greenery has been on the rise indicates a general feeling of 'going green,' or nature, or that of 'fresh.'"
Judith van Vliet of the Color Marketing Group (CMG) agrees. "CMG's collaborative color tribe had predicated and announced at the 2015 San Diego International Summit how important green would be for 2017, so we were not surprised by Greenery," she says. Based in Alexandria, Virginia, CMG is a nonprofit color forecasting association that focuses on color trends in four global areas: North America, Europe, Asia and Latin America.
According to CMG's executive director, Sharon Griffis, CMG holds color forecasting events throughout the year in global locations. Participants from all industries discuss color trends and influences and how these will impact color directions. The results from these events are curated by CMG members to form CMG's World Color Forecast™ which is revealed annually at the International Summit. The World Color Forecast™ comprises 16 colors from each region that CMG members believe will trend two years out.
So what does all this mean for interior design in New England? That, according to Nina Farmer of Boston-based Nina Farmer Interiors, ultimately comes down to the client's own personal taste. "It's always interesting to me to see where color choices are going. But ultimately, it's up to my client what they want to surround themselves with." She adds that her Boston clients are more apt to decorate with classic colors than the "hottest new thing." With many greens such as emerald and hunter green being on the "classic" side, Farmer can see Greenery being used as an uplifting accent color.
Connecticut-based interior designer Lynn Morgan of Lynn Morgan Design echoes Farmer's sentiments. "It can be a great accent color to those classic greens and blues," she says. She's enthusiastic about Pantone's choice of Greenery. "It's fresh and new, and it speaks to everyone, whether it be about being outdoors, gardening or 'going green.'" Color of the year or not, Morgan says that she happens to like Greenery, and has used it often in creating styles with splashes of color, pairing it with blues, whites and creams.
"We look to the symbolic meaning of color," Pantone's Eiseman says. "Greenery, again, is symbolic of nature.
It's fresh, it's being outdoors at a park. If a person can't get out too often, for instance, they can bring Greenery into the home." Splashes of color add a touch of brightness and inspiration for 2017.
"Green stands for a refreshing new start," concurs CMG's van Vliet. "Maybe we have finally arrived to this tipping point and real change is at the horizon."
Written by Marina Davalos
home decorinterior designPantone Color of the Year
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It's easier than you might think to turn your kitchen or bathroom into an Instragram-worthy space without taking out a second mortgage. With the…


Made under the banners of Zee Studios and Dharma Productions, Dhadak was produced by Karan Johar, Hiroo Yash Johar and Apoorva Mehta. Earlier, Student Of The Year, which grossed 7.52 crore nett in 2012, was the best opening for a film starring new faces. "India biz", market analyst Taran Adarsh said on Twitter. Rarely does a film starring absolute newcomers open so well... Fri Rs 8.71 cr.
"Glad to have our own record broken previously held by SOTY! Thank you to all the beating hearts for giving this beating heart so much love!" The film earned an impressive Rs 19.25 crore in its first two days of release. That obviously says it all because lately, Hollywood has been trumping Hindi films on a regular basis at the box office. She wrote, "Sairat was set in rural Maharashtra, and takes its young leads to a slummy outpost in Hyderabad". Although the storyline of both the films remains somewhat the same - of two college students falling in love who are torn apart by differences in social status - the characters only draw inspiration from those in the original film.
Directed by Shashank Khaitan of Humpty Sharma ki Dulhania and Badrinath ki Dulhania fame, Dhadak also stars Ashutosh Rana. If not for the comparisons with the classic "Sairat", "Dhadak" would have seemed to be a regular Bollywood entertainer, at least.


What Good is a Little Bit of Yeast?
HomeBlogThe BibleWhat Good is a Little Bit of Yeast?
Yeast is used symbolically to represent influence, usually negatively. Just as a little bit of yeast, permeates dough and produces a noticeable result, so to does influence, be it good or bad.
The Bible contains many references to not using yeast in various religious practices, which symbolically shows the removal of sin.
Paul compares false teaching to yeast.
Another negative connotation is when Jesus says, beware of the yeast of the Pharisees (which is hypocrisy) and also the Sadducees and Herod.
In seemingly the only positive usage of yeast in the Bible, Jesus says that the Kingdom of God (that is, the Kingdom of Heaven) is like yeast.
In a final reference to yeast Paul uses it as a metaphor for boasting.Paul talks about getting rid of bread with old yeast (malice and wickedness) and using new bread without yeast (sincerity and truth).


When we're young, our bodies naturally produce collagen which keeps skin plump and firm. But as we age, our natural collagen production tapers off, resulting in lost volume in the face. Cosmetic fillers restore the lost volume by filling in the sallow areas via injection.
Wrinkle or dermal fillers work like collagen and can be used to fill in lines and help lift .


Confidence solvers are necessary building blocks for arriving at BloodHound's final output. They detect fundamental conditions in price action and indicators. There are many different solvers included with BloodHound, some of which analyze indicator behavior (such as slope or cross-over events between indicators), price bar characteristics, closing price against support and resistance, or price swing patterns. All solvers perform an evaluation for both the long and short side for each incoming tick and price bar. These evaluations result in a number between 0 and 1.0.
Solvers provide the source data for your logic. Typically you would employ multiple solvers, each examining various aspects of your charts. Solvers can also be assigned to different time-frames other than the one that BloodHound is actually running on, allowing you to include factors from charts outside the current time-frame. For more information on how solvers fit in the big picture, review the article on How BloodHound Works, or review our Quick Start Guide video.
Before implementing anything in BloodHound, it is often best to first articulate which aspects of your chart and indicators influence your desired output; be it trade signals, setups, filters or whatever your main goal may be. For example, when designing a trading system, start by writing out in detail your signal rules on paper. From that set of rules you will then be able to determine which aspects of your chart, or charts are pertinent to your signals.
It is important to be specific, for example if your system requires the use of a EMA(50), you need to articulate what aspects of the EMA(50) are of interest to you. Is it the change in slope? Is it the relationship to the current price? Is it used as some form of support or resistance? Articulating its specific use will help you determine which solvers are actually required for your analysis.
For the purposes of constructing an example, let us consider the statement "slope of the Stochastic D Indicator is good" as one of your criteria. Suppose that "good", for the purposes of your system means a positive slope for the long side, and negative slope for the short side. Recall that solvers make evaluations on both the long and short side. To accomplish this, we can configure an Indicator Slope Solver to give us a favorable output value (that is a high number) when the "slope of the Stochastic D Indicator is good" for a particular side. This can be done by configuring an Indicator Slope Solver (with the Stochastic D indicator selected) to produce an output of 1.0 when the slope is positive when evaluating the long side, and produce an output of 1.0 when the slope is negative when evaluating the short side. Indeed the default behavior of the Indicator Slope Solver is already configured to do this.
While you were articulating your criteria, you should also list the various time-frames you need to examine, if applicable. Additional time-frames are charts that you need to examine other than the chart you will actually be running BloodHound on. To add time-frames to your analysis, open up the BHT dialog by first adding or selecting the SiBloodHound indicator under the NinjaTrader Indicator selection dialog (right click on your Chart and select Indicators). Note: additional time-frames can only be added to your BHT in this setup mode (i.e. before BloodHound is actually activated by NinjaTrader). Navigate to the solvers tab which should already be open by default. For every additional chart needed (other than the current chart you are adding BloodHound to), click the button and specify the chart type in the right hand pane (much like you would when opening up a new chart in NinjaTrader).
Once you have finished adding charts, you will need to add the appropriate solver(s) by comparing your requirements to the list below. Note, sometimes a single criteria may require an aggregation of solvers to represent it. If that is the case, simply add all the solver's needed, and you can "wire" them together in the logic template appropriately.
Click the dropdown menu and select a solver, then click Add to add it to your BHT. Add as many as you like and move them under the appropriate time-frame, if applicable by using the up and down arrow buttons. The order that you add the solvers is otherwise unimportant. You can also add a solver directly to a specific time-frame by selecting the time-frame first in the left hand list before adding the solver.
Determine if the direction of the current (or a particular past bar) is in the desired direction.
Look for a set number of bars going in a desired direction before taking a trade.
Measure the length of the current (or past bars) over a certain period.
Incorporate intra-bar volatility as a favorable or unfavorable factor.
Observing an indicator's slope characteristics by examining it's past slope in concert with its current change in direction.
Pick up early signs of weakness or strength by determining the direction an indicator appears to want to go.
Compare the values of two indicators against each other.
Detect if an indicator is above or below another indicator. Detect if the current price is above or below another indicator.
Identify when an indicator crosses above or below another indicator.
Identify when an indicator's slope has reversed.
Identify early signs of a reversal in trend using an indicator's slope.
Examine the degree of slope of an indicator.
Identify the overall directional trend of the market.
Compare an indicator value against a number of set values (thresholds).
Identify when indicators that use non-price scaled output (such as Stochastics, ADX, RSI etc.) go above or below a certain level. Identify when indicators that use boolean plots such as CandleStickPattern produce a positive result.
Classify the position of the current price against a regression channel of specified width.
See if the current price is at the bottom, top or middle of the regression channel and use that as a bias to favor a direction for your trade signal.
Examine the width of the regression channel.
Interpret the width of the regression channel as a measure of market volatility.
Measure the current price against a support and resistance level defined by an indicator, swing low/high, or regression channel.
Detect when the market is heading into a support/resistance zone and will act as a force against your trade (headwind mode). Detect when the market is bouncing off a support/resistance zone to provide extra strength in the direction of your trade (tailwind mode).
Determine if the market is making lower highs and lower lows or higher lows and higher highs.
Determine the overall trend by looking at price action.
Measure the length of a past number of price swings (from swing highs to swing lows).
Measure the amount of past price movement as an indication of volatility.
The name allows you to specify a friendly identification or purpose of a solver. This name will be used to help you identify the solver in the logic template and when you add the node to the work-space.
You can use the description to create a custom comment for your solver. Descriptions are used to remind you what your chosen solver's intended purpose is. Liberal use of descriptions is recommended to help keep a complex configuration manageable.
Please note, this feature is currently disabled for the time being. Solvers can be assigned a plot color which will allow you to plot the value of this solver on the BloodHound output panel. This is useful for seeing how an individual solver computes its output without the influence of any logic. Note: if the solver was added in real-time mode, the plot will not appear until you press F5 to refresh the NinjaTrader chart.
Solvers can be enabled or disabled only when used on the Solver tab. When disabled, the solver will not affect the output. BloodHound will behave as if the node does not exist. You can use the disable feature if you need to remove solvers from the output to analyze how BloodHound is producing an unexpected result. When a Logic template (Logic tab) is created this setting no longer has any effect and permanently behaves as set to True. In this case, to disable a solver on a Logic template, delete the leader. A less preferred way to enable/disable a solver is use the Weight Slider Controls.
Solvers can be configured to evaluate only one side (the long side or short side), instead of evaluating both sides simultaneously for every bar (the default behavior). This is useful if you have criteria for the long and short side which are very different or you need to implement the long and short logic separately. This may be necessary if your long and short logic is very different from each other.
The inversion setting allows you to invert the output of the Solver to give you the opposite effect of its regular behavior. The inversion option performs a fuzzy logic inversion taking the original output and apply the formula (1 – x, where x is the original output) to it. It is the equivalent of applying a NOT fuzzy logic hedge to the solver node.
The symbol defines a short-hand abbreviation for the solver for easier identification. It is used in other products that integrate with BloodHound (to be released in the future), and currently does not have a purpose.
Each of these solvers has at least one section labeled Input A followed by a selectable drop down labelled Type. By default, this is set to Indicator Value allowing you to use an indicator's plot as the input data to analyze. However, by clicking the drop down you will see there are actually 6 choices in total: Fixed Value, Price, Volume, Indicator, Swing Point Prices, & Linear Regression Channel.
Fixed Value allows you to specify a single value that never changes. This may be useful for instances when you require a fixed threshold, particularly with the Indicator Comparison, for detecting low volume. Say for instance, 100 shares per bar. 100 would be the fixed value to compare against the Volume indicator. Note: using Fixed Value setting does not make sense with slope based solvers such as Indicator Inflection, Indicator Slope or Indicator Change In Slope.
This option allows price data to be used by the solver. The price data can be manipulated by the various settings before it is used by the solver.
Select which price (Open, High, Low, Close, etc) to use for evaluating the Long output/signal.
Select which price (Open, High, Low, Close, etc) to use for evaluating the Short output/signal.
Select how to process the price data in the Lookback Period. This process is used for calculating the Long output only.
Single Value: This returns the price from a historical bar referenced by the Lookback Period. No data processing is done. This makes the Lookback Period behave just like the Displacement parameter.
Select how to process the price data in the Lookback Period. This process is used for calculating the short output only.
Average Values: This mode returns the average of the Price Type Short prices within the Lookback Period.
Max Values: This mode returns the highest selected price within the Lookback Period. It searches the Lookback Period historical bars and returns the highest value found. I.E. This is used when you want to use the highest Low price of the previous 10 bars by setting Price Type Short = Low and Lookback Period = 10.
Min Values: This mode returns the lowest selected price within the Lookback Period. It searches the Lookback Period historical bars and returns the lowest value found. I.E. This is used when you want to use the lowest Low price of the previous 10 bars by setting Price Type Short = Low and Lookback Period = 10.
Volume will feed the current bar volume (and total volume for historical bars) into the solver.
This is the default setting and most commonly used. This allows the selection of any installed indicator that has one or more of the following data types; the standard Plot method, a DataSeries, or a BoolSeries. A Plot method is the plotted line values seen on the chart. A DataSeries and BoolSeries can not be seen on the chart, but can be read by BloodHound. A DataSeries can contain the indicator's main value, extra sub-data, or sometimes a signal which typically is a value of 1 or the instrument's Close price.
In order for BloodHound to read 3rd party indicators the developer must follow NinjaTrader's Best Practices for 3rd Party Developers > Expose Indicator States. This video will help you determine if your favorite 3rd party indicator is readable by BloodHound… How to analyze custom indicators in BloodHound.
The Displacement parameter works the same way as the NinjaTrader Displacement parameter. It is used to analyze indicator plot values from previous bars back. Setting Displacement to 5 will set the solver to use the indicator's value from the 5th bar back. In effect, this shifts the indicator plot from 5 bars back to the current bar. For instance, suppose you want to analyze an indicator's value 5 bars ago. Set the Displacement value to 5 and the solver will always use indicator data that is 5 bars in the past. The Displacement operates on the chart/time-frame the solver is set to.
Selecting swings allow you to harness price swing points as input. Using Swings will feed the price at which a top or bottom occurred in the past to the solver. This is useful for when you need to factor in the lowest low, or highest high from past swing point prices.
You can use the bundled indicator called SiSwings to help you visualize how BloodHound is identifying swing prices on your chart. To do this, add the SiSwing indicator to your chart directly (using the NinjaTrader Indicator dialog).
Start by specifying how many price swings you would like to analyze in the past. When utilizing the Swings setting, you can specify the type of swing data you are after by selecting Tops or Bottoms, and Widest or Tightest Swing for both the long and short side evaluations.
Note: using the Swing Point Prices setting as input for a solver does not make sense for slope related solvers such as Indicator Slope, and Indicator Change in Slope.Regression ChannelSelecting Regression Channel allows you to use the Regression Channel's Upper, Middle or Lower line as input to the solver. This may be useful if you need to compare an indicator or the current price to one of the Regression Channel's lines. You can imagine that the the NinjaTrader Regression Channel is overlaid on your chart with the Period set as Regression Period and Width set as Width in Deviations. You can select which channel line to use as input for the long and short evaluations separately, with a choice of the Upper Channel Line, Middle Channel Line and Lower Channel Line.Note: selecting Regression Channel for slope related solvers such as Indicator Slope, Indicator Change in Slope andIndicator Inflection will not provide a channel selection since the slope of Upper, Middle and Lower channel line is always the same. As you may expect, the slope of the Regression Channel will be considered as the input instead.
BloodHound allows you to use various units ways to measure length or distance. When you specify a distance, you can elect your measurement to be in points, ticks, ATR's or Renko Bricks.
Points are the base unit of the underlying instrument, and thus are the most straight forward unit. For example if you wanted to express a measurement of $0.50 in the crude oil futures (CL), you would simply use a value of 0.50 and set Measured In to Points.
To express this same value in ticks, you would set the value to 50 and Measured In to Ticks (since CL futures have a tick size of 0.01, and $0.50 is 50 ticks).
Both the Renko Brick and ATR setting for Measured In is useful for expressing a value in terms of number of bars. For example, suppose your trading criteria required you to find moments where two particular indicators where 5 "bars" apart in distance. You could accomplish this by using either the Renko Brick (if you were using a Renko Chart) or ATR setting for Measured In.
Setting Measured In to Renko Bricks only applies to the Renko Chart's and allow you to express a value in terms of the number of bricks. For example, suppose you had a Renko chart open with the brick size set to 5. A measurement of $0.50 therefore is actually 10 bricks (since each brick is 5 ticks, and as we established earlier, $0.50 is equivalent to 50 ticks). Thus to express $0.50 the preceding example, you would set value to 5, and Measured In to Renko Bricks. Note, the behavior is unpredictable if you use the Renko Brick measurement on a non-Renko chart!
Similar to Renko Bricks, setting the Measured In to ATR's allows you to express a measurement in terms of the average bar size (determined by the Average True Range). Since all chart types other than the Renko Chart have undefined bar sizes, ATR's are often used as a viable alternative to gauge bar size. The ATR setting works the same as the Renko Bricks setting with one exception – you can also specify the ATR Period that is used to arrive at the Average True Range value. The longer the ATR Period, the more bars are considered when calculating the average bar size. A period that is too large may incorporate bars that are not typical of current market conditions, and a period too short may not include enough bars to get an accurate sample to calculate an average.


Interested in licensing the music of Kate Morgan?
Kate Morgan is a risk taker. At 16, she left Kamloops, BC and headed to Vancouver to follow her dreams to do what she was born to do: sing. At first, she spent her days waiting tables and her evenings finishing her education - but then her dream manifested into reality.
Since 2016, Canadian export Kate Morgan, more commonly known as Aria Hennessy, has been busy in LA penning tracks and working with the production teams of some of the industry's biggest pop acts. At only 24 years old, Aria could be considered a music industry vet, penning songs such as Illenium's "Crawl Outta Love" and Ashe's "Used To It." The last few years have found her co-writing songs with The Futuristics, Grace, Charlie Handsome, Samm Henshaw, Hit Boy, Olivia O'Brien, Needlz, Daniel Skye, Lophiile, George Reid of AlunaGeorge, SG Lewis and Delacey.
Most recently, Aria has recently began honing her own alt R&B leaning sound, and putting together a collection of songs slated for release throughout 2018. Following the success of her first two singles and garnering more than 550,000 streams on Spotify alone, Aria released "Soul in Your Pocket" this summer and caught the attention of industry vet Tom Sarig, who will be releasing Aria's next batch of singles in 2018.


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This set includes 1 * mini aluminium handle, 2 * OP021 / 2 * OP022 roller and 4 * CR-V bits.
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Expertly crafted in India from beautiful and strong, dark-hued sheesham wood, the table in this set will look lovely in your kitchen or dining room and is ideal for everyday dining and all the other activities we use them for these days. And it will really look something with a set of our complementary dining chairs. Choose from our supremely comfortable bonded leather chairs in red, brown or beige, or our more minimal Cuba Sheesham High Back Slat Chairs. Or to go a bit more decorative, opt for our Jali Sheesham High or Low Back Ironwork Chairs.


It took a little while before I understood it all. I was actually a little confused when I started feeling the urge to sell my apartment in Stockholm. Hadn't I wanted 2 homes? Hadn't I wanted to become Bi-Continental? And now that was so close, how could I just 'give that up'? I think other people were confused too. I had been talking about this forever and then suddenly, I was just ready to change my mind. How could that be? Didn't I need that home to fulfill that Bi-Continental Life dream?
The most amazing thing was that this decision was NOT a hard one for me. It was actually one of the most clear choices I have made in my life. And I can say I have struggles with a large number of choices—making pro and cons lists, talking to people over and over, deliberating back and forth. There was NONE of that this time. I was unsure for a while, but I just let it be that way.
Once I did KNOW, I knew that it would be emotional to let go of my apartment, to let go of my job, to let go of an extremely comfortable daily life with a great number of friends and colleagues who I love. I also realized that although I knew that would be emotional, it also felt right so it wasn't that hard. The hardest part, actually, was letting go of the IDEA of the Bi-continental Life. I had dreamed of it for so long. How could I just suddenly let it go?
And then it hit me one day. I realized that all along I had been so rigid with my definition of Bi-Continental that I didn't know that really I HAD been living it for years. Not just KIND of living it, but REALLY living it. I AM Bi-Continental. And it has NOTHING to do with HAVING a home in two places. It has, instead, EVERYTHING to do with the fact that I FEEL at home in two places. So no wonder it was easy to see my apartment. I have already achieved my dream. I had just forgotten to hit that essential refresh button so I was using the right definition.
What does this story bring up for you? Is there somewhere in your life that you are living with an old definition of what you want or who you want to be?


text:
Warwick Infectious Disease Epidemiology Research
Info & Impact
Animal Infections
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MEMVIE
MEMVIE: Mathematical & Economic Modelling for Vaccination and Immunisation Evaluation
Immunization is a key and highly successful tool in the fight against a range of infectious diseases, but is associated with a considerable cost, with the UK spending in excess of £200 million per year on vaccines and vaccine delivery. Infectious disease and health economic models are therefore necessary to assess whether any change in the immunization programme is cost-effective; that is, whether the value placed on health benefits or improvements in social welfare that ensue are less than the incremental cost associated with the change in programme.
The University of Warwick has considerable experience and expertise in this area, with the assembled team serving on the several government advisory boards associated with public health. The team brings cutting-edge research techniques in mathematical modelling and health economics to provide a complementary second opinion on the work undertaken in this area by the Health Protection Agency (soon to be Public Health England, PHE). Warwick has a strong international reputation for work on a range of infectious diseases and providing measured policy advice to a number of government agencies.
Through regular meetings with the Department of Health (DH) and PHE we ensure that our programme of dynamic and health economic modelling on infectious diseases meets the needs of DH, and reports are presented in a way that is of immediate use to policy-makers. In particular, we outline assumptions made, highlight gaps in the necessary data and define how these affect the interpretation of the results. Two other methods are being used to validate our conclusions: firstly, we seek to publish our findings in appropriate journals thereby opening our results to peer-review by the wider international academic community; secondly, we compare our predictions to changes in disease incidence and other health outcomes that follow changes in vaccine policy.
Human Papillomavirus (HPV)
The first disease that we have been investigating is HPV, a sexually transmitted infection (STI) that can lead to cervical cancer in women, and genital warts in both sexes. There are multiple strains of the virus, with types 16 and 18 being strongly correlated with cervical intraepithelial neoplasmia (CIN) in women, and types 6 and 11 shown to cause genital warts.
There are currently two HPV vaccines available commercially, a bivalent vaccine (Cervarix) protecting against the cancer-causing strains, and a quadravalent vaccine (Gardasil) which additionally protects against the main warts-causing strains. The UK NHS originally vaccinated teenage girls (aged 12-13) with the bivalent vaccine, starting in 2008, although has recently switched to the quadravalent vaccine. A nonavalent vaccine (protecting against 9 HPV strains, including the four mentioned above) is currently in development, and a cost effectiveness analysis will be undertaken by the MEMVIE team in due course.
The work Warwick has undertaken is to evaluate the current vaccination strategies employed, and to test the cost-effectiveness of a suite of alternative strategies. The first step is to accurately capture the dynamics of HPV transmission, by developing novel mathematical models simulating sexual partnerships between individuals. To aid with this we are employing the three NATSAL (National Survey of Sexual Attitudes and Lifestyles) surveys undertaken in the UK in 1990, 2000 and 2010, which asked a subpopulation of the UK a variety of questions related to their history of sexual partnerships, along with attitudes towards a variety of sexual practices (for example, homosexuality, and polygamy within relationships). We are using available empirical studies on pre-vaccination HPV levels to fit our model to, and once we are conrident of capturing the salient aspects of HPV transmission, we will test a variety of vaccination strategies, including the current NHS policy (teenage girls). For this we will use economic models that accurately estimate costs to the NHS for each case of HPV and, where appropriate, cervical cancer caused by HPV), and compare this to the cost of distributing the HPV vaccine and its efficacy (current estimated to protect individuals for 20 years).
Pertussis (whooping cough)
Pertussis is a highly infectious respiratory illness, caused by the bacterium Bordetella pertussis. Its main symptom is bouts of uncontrollable, violent coughing, giving it the nicknames "whooping cough" and "the hundred-day cough". It is particularly dangerous for infants, and can be fatal for newborn babies. A vaccination program has been in place in the UK for sometime now, the vaccine given along with those for tetanus and polio, as the DTP vaccine.
There was a large spike in the number of pertussis cases in 2012; it is thought that this was caused, at least in part, by a reduction in childhood vaccination in the 1970's, following a vaccine scare over the possible side-effects of the vaccine. Following this a maternal vaccination scheme was implemented in 2012/13, to confer vertical immunity to newborn babies from the mother.
The UK government is now considering a "cocooning" strategy to provide additional protection to newborn babies, by vaccinating other household members (i.e. fathers and siblings). We have performed a cost-effectiveness analysis of this strategy, compared with the maternal vaccination program already in place. We are currently preparing a manuscript for publication with the results of this analysis.
We are currently doing scoping work on a number of diseases for which there are active vaccination programs in the UK, and that the Department of Health are particularly interested in independent modelling work. These include the pneumococcal vaccine (PCV) and influenza.
A 5-year project, funded by the UK Department of Health.
Researchers involved:
Matt Keeling (Professor, joint between Warwick Mathematics Institute and School of Life Sciences)
Stavros Petrou (Professor in Health Economics, Warwick Medical School)
Graham Medley (Professor, London School of Hygiene and Tropical Medicine)
Sophie Staniszewska (leader of Patient and Public Involvement, Warwick Medical School)
Martin Underwood (Director of Clinical Trials Unit, Warwick Medical School)
Ed Hill (postdoctoral researcher, Warwick Mathematics Institute)
Tinevimbo Shiri (postdoctoral researcher, Clinical Trials Unit, Warwick Medical School)
Samik Datta (moved to New Zealand)
Page contact: Matt Keeling
Last revised: Tue 8 May 2018


The MBT CX1603 is a feature packed 16 channel DMX dimming controller at a very affordable price!. Channels 1-8 are controlled via 8 sliders and 8 bump buttons. Channels 9-16 are controlled via 8 on/off latch buttons as well as 8 bump buttons. This works very well for applications that have par cans that you need dimming capability for and effects units that you need on/off only control. It has 30 pre-programmed chase patterns which can chase to the user selected speed, audio control or with a tap/sync button. A unique remote footswitch allows you to step away from the console and control full-on standby, pattern-up and pattern-down. This feature makes it great for people in bands and houses of worship that might not have their hands free..


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In this Forum article, Brian Langerman takes an in-depth look into the evolution, functionality and purpose of technology user groups, while comparing them to their association counterparts. Click to read more.
To improve the overall attendee experience of InSight's Annual Conference, the organization collected volunteer input and undertook an education needs assessment, resulting in the creation of a new education strategy that significantly increased "C-level" executive attendees.


A Friday evening in September saw nearly 30 members of the Society gather at Mortonhall Golf Club for the social evening that traditionally opens our winter season. We were pleased to welcome four visitors, both bringing down the average age of the audience and (to the obvious delight of the President) increasing the percentage of Gogs!
Members gather in the bar … where else?
The right table won Hywel and Pamela's competition!
Are we really going to have to sing this?
After the usual splendid refreshments, Pamela and Hywel Williams conducted a closely-fought quiz, which had a very good balance of questions, before the company engaged in (well, fairly) close harmony with some favourite songs, before setting off home as usual with "Mae hen wlad fy nhadau" ringing in our ears.