text:
require File.expand_path('../../../spec_helper', __FILE__)

# ----------------------------------------------------------------------------

context 'Generating a single sprite with two sources' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_simple_config
    @runner.write_source('sprite_one/one')
    @runner.write_source('sprite_one/two')
    @runner.run!
  end

  it { @runner.should be_success }
  it { @runner.stdout.should =~ /Generating "sprite_one": Done/ }
  it { @runner.path_to_sprite('sprite_one').should be_file }
  it { @runner.dimensions_of('sprite_one').should == [50, 60] }

  # Sass.
  it { @runner.path_to_file('public/stylesheets/sass/_montage.sass').should be_file }

  # PNGOut.
  it { @runner.stdout.should =~ /Optimising "sprite_one": Done/ }
end

# ----------------------------------------------------------------------------

context 'Generating multiple sprites' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_simple_config
    @runner.write_source('sprite_one/one')
    @runner.write_source('sprite_two/two')
    @runner.write_source('sprite_two/three', 200, 200)
    @runner.run!
  end

  it { @runner.should be_success }

  it { @runner.stdout.should =~ /Generating "sprite_one": Done/ }
  it { @runner.path_to_sprite('sprite_one').should be_file }
  it { @runner.dimensions_of('sprite_one').should == [50, 20] }

  it { @runner.stdout.should =~ /Generating "sprite_two": Done/ }
  it { @runner.path_to_sprite('sprite_two').should be_file }
  it { @runner.dimensions_of('sprite_two').should == [200, 240] }

  # PNGOut.
  it { @runner.stdout.should =~ /Optimising "sprite_one": Done/ }
  it { @runner.stdout.should =~ /Optimising "sprite_two": Done/ }
end

# ----------------------------------------------------------------------------

context 'Generating a single sprite with custom padding' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_config <<-CONFIG
      ---
        config.padding: 50

        "public/images/sprites/:name/*.{png,jpg,jpeg,gif}":
          to: "public/images/:name.png"

    CONFIG
    @runner.write_source('sprite_one/one')
    @runner.write_source('sprite_one/two')
    @runner.run!
  end

  it { @runner.should be_success }
  it { @runner.stdout.should =~ /Generating "sprite_one": Done/ }
  it { @runner.path_to_sprite('sprite_one').should be_file }
  it { @runner.dimensions_of('sprite_one').should == [50, 90] }
end

# ----------------------------------------------------------------------------

context 'Generating a single sprite with zero padding' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_config <<-CONFIG
      ---
        config.padding: 0

        "public/images/sprites/:name/*.{png,jpg,jpeg,gif}":
          to: "public/images/:name.png"

    CONFIG
    @runner.write_source('sprite_one/one')
    @runner.write_source('sprite_one/two')
    @runner.run!
  end

  it { @runner.should be_success }
  it { @runner.stdout.should =~ /Generating "sprite_one": Done/ }
  it { @runner.path_to_sprite('sprite_one').should be_file }
  it { @runner.dimensions_of('sprite_one').should == [50, 40] }
end

# ----------------------------------------------------------------------------

context 'Trying to generate sprites in a non-project directory' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage').run!
  end

  it { @runner.should be_failure }
  it { @runner.stdout.should =~ /Couldn't find a Montage project/ }
end

# ----------------------------------------------------------------------------

context 'Trying to generate sprites when the sprite directory is not writable' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_simple_config
    @runner.write_source('sprite_one/one')

    output_dir = @runner.path_to_file('public/images')

    old_mode = output_dir.stat.mode
    output_dir.chmod(040555)

    begin
      @runner.run!
    ensure
      output_dir.chmod(old_mode)
    end
  end

  it { @runner.should be_failure }
  it { @runner.stdout.should =~ /can't save the sprite in .* isn't writable/m }
end

# ----------------------------------------------------------------------------

context 'Generating two sprites, one of which is unchanged' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_simple_config
    @runner.write_source('sprite_one/one')
    @runner.write_source('sprite_one/two')
    @runner.write_source('sprite_two/three')
    @runner.run!

    # Change the 'one' source.
    @runner.write_source('sprite_one/one', 100, 25)
    @runner.run!
  end

  it { @runner.should be_success }

  it { @runner.stdout.should =~ /Generating "sprite_one": Done/ }
  it { @runner.path_to_sprite('sprite_one').should be_file }
  it { @runner.dimensions_of('sprite_one').should == [100, 65] }

  it { @runner.stdout.should =~ /Generating "sprite_two": Unchanged; ignoring/ }
  it { @runner.path_to_sprite('sprite_two').should be_file }
  it { @runner.dimensions_of('sprite_two').should == [50, 20] }

  # PNGOut.
  it { @runner.stdout.should =~ /Optimising "sprite_one": Done/ }
  it { @runner.stdout.should_not =~ /Optimising "sprite_two": Done/ }
end

# ----------------------------------------------------------------------------

context 'Generating two sprites, one of which is unchanged when using the --force option' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_simple_config
    @runner.write_source('sprite_one/one')
    @runner.write_source('sprite_one/two')
    @runner.write_source('sprite_two/three')
    @runner.run!

    # Change the 'one' source.
    @runner.write_source('one', 100, 25)
    @runner.run('montage --force')
  end

  it { @runner.should be_success }
  it { @runner.stdout.should =~ /Generating "sprite_one": Done/ }
  it { @runner.stdout.should =~ /Generating "sprite_two": Done/ }

  # PNGOut.
  it { @runner.stdout.should =~ /Optimising "sprite_one": Done/ }
  it { @runner.stdout.should =~ /Optimising "sprite_two": Done/ }
end

# ----------------------------------------------------------------------------

context 'Generating an unchanged sprite which has been deleted' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_simple_config
    @runner.write_source('sprite_one/one')
    @runner.run!

    # Remove the generated sprite.
    @runner.path_to_sprite('sprite_one').unlink
    @runner.run!
  end

  it { @runner.should be_success }

  it { @runner.stdout.should =~ /Generating "sprite_one": Done/ }
  it { @runner.path_to_sprite('sprite_one').should be_file }

  # PNGOut.
  it { @runner.stdout.should =~ /Optimising "sprite_one": Done/ }
end

# ----------------------------------------------------------------------------

context 'Generating sprites with a project which disables Sass' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_config <<-CONFIG
      ---
        config.sass: false

        "public/images/sprites/:name/*.{png,jpg,jpeg,gif}":
          to: "public/images/:name.png"

    CONFIG
    @runner.write_source('sprite_one/one')
    @runner.run!
  end

  it { @runner.path_to_file('public/stylesheets/sass/_montage.sass').should_not be_file }
end

# ----------------------------------------------------------------------------

context 'Generating sprites when specifying a custom config file' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage settings/sprites.yml')
    @runner.write_config 'settings/sprites.yml', <<-CONFIG
      ---
        config.root: '..'

        "public/images/sprites/:name/*.{png,jpg,jpeg,gif}":
          to: "public/images/:name.png"

    CONFIG
    @runner.write_source('sprite_one/one')
    @runner.run!
  end

  it { @runner.should be_success }
  it { @runner.stdout.should =~ /Generating "sprite_one": Done/ }
  it { @runner.path_to_sprite('sprite_one').should be_file }
  it { @runner.path_to_file('public/stylesheets/sass/_montage.sass').should be_file }
end

# ----------------------------------------------------------------------------

context 'Generating sprites when specifying an invalid custom config file' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage invalid.yml')
    @runner.run!
  end

  it { @runner.should be_failure }
  it { @runner.stdout.should =~ /Couldn't find `invalid.yml' configuration file/ }
end

# ----------------------------------------------------------------------------

context 'Generating a sprite with wildly varying source widths' do
  before(:all) do
    @runner = Montage::Spec::CommandRunner.new('montage')
    @runner.write_simple_config
    @runner.write_source('sprite/one')
    @runner.write_source('sprite/two')
    @runner.write_source('sprite/three')
    @runner.write_source('sprite/four')
    @runner.write_source('sprite/five', 500, 1)
    @runner.run!
  end

  it { @runner.should be_success }
  it { @runner.stdout.should =~ %r{The "five" source image in the "sprite" sprite deviates significantly from the average width} }
end

redpajama_set_name: RedPajamaGithub


Lapland is a very special place. We know we're very lucky to be able to enjoy the beautiful Christmassy landscape all year round, and we can easily visit Santa Claus whenever we want.
But we know many people live far away from the snow-capped hills and the festive magic of Lapland, and we want to share our love of the Christmas spirit with people all over the world.
Now, with Santa Claus Concierge, we can do just that.
The Santa Claus Concierge is the world's first concierge service focused only on the festive season, and operates from the official home of Santa Claus on the Arctic Circle in Lapland, Finland. The concierge service comprises a team of Santa's helpers: Christmas professionals, interior designers, event planners, fashion designers, and luxury lifestyle experts – all ready to bring you the Christmas experience of a lifetime, 365 days a year.
The Santa Claus Concierge team organize all-inclusive Christmas-related services around the world. At the drop of an Elf's hat, they're ready to travel to the four corners of the globe (trust us, they know a lot about doing that!) to deliver a unique Christmas surprise.
They specialize in bringing Christmas cheer by giving homes or offices a Christmas makeover, and preparing delicious Christmas meals using locally sourced ingredients from Lapland. They're at their happiest organizing joyful, Christmas-themed events for families, businesses, and charities.
They can even bring a team of Elves – and most importantly, Santa Claus himself!
No time to travel? Let us bring the spirit of Christmas – and Santa Claus – to you.


text:
Q: Is there any way to find out the hash value of two files? I have the python code which generates the hash value of two files. The first file is located in c:\windows\system32\wscript.exe and another file which is the clone of the first file which is located in d:\clone.exe.
python code
import os
strcommand ='certutil -hashfile c:\windows\system32\wscript.exe md2'
p=os.popen(strcommand ).read()
print(str(p).split('\n')[1])

strcommand1='certutil -hashfile d:\clone.exe md2'
p=os.popen(strcommand1 ).read()
print(str(p).split('\n')[1])

The output is
D:\pythonprogram>python clonefinder.py
4cef03889db08179b57035e4463a84d5
db1cefe474ce12678ea4d6c61dc42291

But when I use the command which is used in python in command prompt the hash values of the two files are same
Command prompt
D:\pythonprogram>certutil -hashfile c:\windows\system32\wscript.exe md2
MD2 hash of c:\windows\system32\wscript.exe:
db1cefe474ce12678ea4d6c61dc42291
CertUtil: -hashfile command completed successfully.

D:\pythonprogram>certutil -hashfile d:\clone.exe md2
MD2 hash of d:\clone.exe:
db1cefe474ce12678ea4d6c61dc42291
CertUtil: -hashfile command completed successfully.

I want the hash values to be the same if I am executing the python program
any help with this?

A: Windows can be a rather funny operating system and due to its age, some magic has been added to allow old windows code to still work with windows 7/8/10 Under some circumstances you can see different versions of files in directories like C:\windows. Depending on your privileges / depending on whether you start a 32 bit / 64 bit application. I do not know all these mechanics by heart, but had already some bad surprises.
To be 100% sure, that you do not execute the certutil command in two different environments. I propose following.

*

*open one cmd.exe window

*type the certutil commands from that window

*now call the python script also from the same window with C:\Path_to_your_python\python.exe name_of_your_python_script.py
use the version of the python script where you prefixed the regexp string with the r (r"regex")

If you still have different results, then check whether you have a 32 bit version or 64 bit version of python installed.
C:\Path_to_your_python\python.exe -V
If you have a 32 bit version, then I suggest to install a 64 bit version of python to test again.

redpajama_set_name: RedPajamaStackExchange


PDF Splitter can be used to split the input PDF documents into individual pages. It is the fast, affordable way to split a lot of PDF files to one-page individual PDF files once time for saving your time. Its easy-to-use interface allows you to split PDF files by simply few clicks. And PDF Splitter doesnt need any software such as Adobe Acrobat.
"trail version only and not usuable"
trial version and not worth anything useful at all. A bit of a scam really. Don't waste your time.


text:
Diego Sebastián Cagna (Buenos Aires, Argentina, 19 de abril de 1970) es un exfutbolista y entrenador argentino. Actualmente se encuentra sin club.

Trayectoria

Como jugador
Su primer partido profesional en Primera División fue en diciembre de 1988, con Argentinos Juniors, junto a una camada que a futuro serían repatriados a grandes clubes y citados a la Selección Argentina, como Carlos Goyén, Carlos Mac Allister, Fernando Redondo, Fernando Cáceres. Luego de 4 años en el club de la Paternal, fue transferido a Independiente a comienzos del año 1992. En dicho club jugó durante cuatro años, ganó tres títulos, y compartió plantel con futbolistas de renombre como Luis Islas, Daniel Garnero, Juan Ramón Jara, Sebastián Rambert, Gustavo Adrián López, Albeiro Usuriaga entre otros.

El futbolista fue transferido a Boca Juniors de Carlos Bilardo a mediados de 1996, renovando el plantel xeneize junto a refuerzos de renombre, estos fueron: Facundo Sava, Fernando Cáceres (Ambos provenientes de las divisiones inferiores de Argentinos Juniors), Julio César Toresani (+), Sebastián Rambert (Con quien ya había compartido plantel en Independiente unos años atrás), Hugo Romeo Guerra (+), Diego Latorre, quien regresaba al club tras un paso por Europa, Roberto Pompei y un joven Juan Román Riquelme, jugó en el club "Xeneize" desde el Torneo Apertura 1996 hasta finales de 1999. Cuando finalizó el Torneo Apertura de aquel año, fue transferido al Villarreal de la Primera División de España. Cagna jugó dos temporadas para el Submarino Amarillo, y luego de jugar el Torneo Apertura 2002 con el Atlético Celaya, regresó a Boca Juniors en 2003, donde jugó hasta finales de 2005, cuando se retiró del fútbol.

Selección nacional
Con la selección de fútbol de Argentina ganó la Copa FIFA Confederaciones 1992 y la medalla dorada en los Juegos Panamericanos de 1995.

Su único gol con la selección lo marcó el 15 de abril de 1998 en la derrota por 2-1 en un partido amistoso disputado contra la selección de fútbol de Israel en Jerusalén.

Participaciones en Copa América

Como entrenador
Luego de dejar el fútbol fue candidato junto a Ricardo La Volpe y Marcelo Bielsa para reemplazar a Alfio Basile en la dirección técnica de Boca Juniors.

A finales del 2006, Diego Cagna fue nombrado director técnico del Club Atlético Tigre, que militaba en la segunda división del fútbol argentino. Fue aquí donde realizó su primera experiencia como entrenador. Como director técnico ganó el Torneo Reducido 2007 y logró el ascenso a Primera División al vencer a Nueva Chicago en la Promoción por el ascenso. Durante esa campaña Tigre estuvo 13 partidos sin perder, logrando el ascenso luego de 27 años para el club de Victoria.

En su primera campaña en la máxima categoría, a fines de ese año obtuvo el subcampeonato en el Torneo Apertura, el primero de los tres que ostenta la institución de Victoria. Un año después, por el Torneo Apertura, Tigre logró su segundo subcampeonato. Tras finalizar el torneo con la misma cantidad de puntos que Boca Juniors y San Lorenzo de Almagro se organizó un triangular con el fin de consagrar un campeón. El 23 de diciembre de 2008, tras derrotar a Boca Juniors por 1-0 en la última fecha del triangular, pero si bien los tres equipos ganaron un partido y perdieron otro, Boca Juniors fue el vencedor del campeonato por diferencia de gol y Tigre su escolta.

Gracias a su exitosa labor como director técnico, llegó a ser candidato para suceder a Diego Pablo Simeone en el club River Plate.

Sin embargo, Tigre finalizó el Apertura 2009 en el último puesto de la tabla, cosechando tan sólo 8 puntos, y, tras la finalización del contrato de Cagna al final del año, el vínculo no fue renovado por los directivos del "Matador".

Tras la renuncia de Hugo Tocalli a la dirección técnica de Colo-Colo, Diego Cagna fue nombrado el nuevo entrenador, siendo presentado junto a su cuerpo técnico el día 26 de abril de 2010. La relación con la afición alba se deterioró luego de que el equipo perdiera el campeonato de Primera División 2010 a manos de Universidad Católica a pesar de llevarle 7 puntos de ventaja a falta de 6 fechas. Esta situación se fue acentuando a comienzos de 2011, durante la pretemporada, en la que Colo-Colo consiguió solamente una victoria. La situación se volvió insostenible luego de que el equipo cayera el 12 de febrero por 1-5 ante Universidad de Concepción es la tercera fecha del Apertura 2011, en lo que supuso su derrota más abultada como local desde 1989 y el peor inicio de campeonato, con un empate y dos derrotas. Al día siguiente reunió al plantel y presentó su renuncia al cargo de entrenador. Con estos antecedentes, es considerado por los fanáticos uno de los peores Directores Técnicos de la historia del fútbol chileno, junto con Salvador Capitano y Oscar Garré.

El 29 de septiembre de 2011 firmó contrato con Newell's Old Boys de la Primera División de Argentina, ocupando el cargo que había dejado vacante Javier Torrente tras su renuncia debido a los malos resultados obtenidos. Su campaña no fue fructífera, terminando el Torneo Apertura 2011 antepenúltimo (con 13 empates en 19 partidos jugados) además de ser eliminado de la Copa Argentina en la definición por penales por un equipo de la Primera B Nacional, Patronato.

A mitad del año 2012, fue presentado como nuevo entrenador del plantel profesional de Estudiantes de La Plata en reemplazo de Juan Manuel Azconzábal, quien había renunciado durante el transcurso del Torneo Clausura 2012.

A mediados de marzo Estudiantes se encontraba en los últimos puestos de la tabla de posiciones. Tras una charla con el presidente Enrique Lombardi y con la Comisión directiva, integrada por Juan Sebastián Verón y Agustín Alayes, celebrada después de la derrota 0-1 contra Racing en el Estadio Ciudad de La Plata, se llegó a un acuerdo para destituir a Cagna como entrenador. Una semana después fue confirmado Mauricio Pellegrino como nuevo técnico de Estudiantes.

Para el Torneo Inicial 2013, Tigre lo vuelve a contratar con el objetivo de salvarse del descenso y repetir las campañas del 2007 y 2008. Eso no pudo pasar, ya que, fue despedido después de la derrota 3-0 con River Plate. En su segundo ciclo en El Matador dirigió 6 partidos con apenas una victoria, un empate y cuatro derrotas.

El 9 de abril de 2016 arriba a Tucumán para dirigír a San Martín de Tucumán donde logró el ascenso después que el conjunto de la Ciudadela permaneciera cinco años en la tercera categoría del fútbol argentino.

El 15 de diciembre fue confirmado como técnico del Atlético Bucaramanga del cual no tuvo buenos resultados y fue despedido.

En 2019 dirigió a Instituto Atlético Central Córdoba.

Clubes

Como entrenador

Estadísticas como entrenador

  Datos actualizados al último partido dirigido el .

Palmarés

Como entrenador

Como jugador

Campeonatos nacionales

Copas internacionales

Con la Selección Argentina

Referencias

Deportistas en los Juegos Panamericanos de 1995
Entrenadores del Club Atlético Tigre
Entrenadores del Club Social y Deportivo Colo-Colo
Entrenadores de fútbol de Argentina
Entrenadores del Club Estudiantes de La Plata
Entrenadores del Club Atlético Newell's Old Boys
Entrenadores del Club Atlético San Martín (Tucumán)
Entrenadores del Jorge Wilstermann
Futbolistas de la Ciudad de Buenos Aires
Futbolistas de la selección de fútbol de Argentina en los años 1990
Futbolistas de Argentina en la Copa Rey Fahd 1992
Futbolistas de Argentina en la Copa América 1999
Futbolistas de las inferiores de la Asociación Atlética Argentinos Juniors
Futbolistas de la Asociación Atlética Argentinos Juniors
Futbolistas del Celaya Fútbol Club en los años 2000
Futbolistas del Boca Juniors en los años 1990
Futbolistas del Boca Juniors en los años 2000
Futbolistas del Club Atlético Independiente
Futbolistas del Villarreal Club de Fútbol en los años 1990
Futbolistas del Villarreal Club de Fútbol en los años 2000
Futbolistas nacionalizados en Italia

redpajama_set_name: RedPajamaWikipedia


text:
Der Hexenjäger ist ein britischer Horrorfilm von Regisseur Michael Reeves aus dem Jahr 1968.

Handlung
1645, während des Englischen Bürgerkriegs, reist der Inquisitor Matthew Hopkins (1620–1647) mit seinem Assistenten John Steame durch East Anglia. In jedem Dorf, das sie besuchen, überführen sie durch Folter zahlreiche Dorfbewohner der Hexerei und erpressen die Verwaltung um ihren Lohn.
Die Kirche und die abergläubische Gesellschaft unterstützen Hopkins bei diesen Morden.

Richard Marshall, ein junger Rundkopf, kehrt nach Brandeston, Suffolk, zu seiner Geliebten Sarah zurück. Er hält um Sarahs Hand an und erhält von ihrem Onkel John Lowes die Erlaubnis seine Geliebte zu heiraten, unter der Bedingung, dass er sie möglichst weit von dem Dorf wegbringen solle. Während Marshalls Abwesenheit hatte sich die Familie zu Außenseitern entwickelt. Marshall muss aber zunächst zu seinem Regiment zurückkehren.

Noch bevor das Pärchen fliehen kann, gerät Lowes in die Hände des Hexenjägers. Er wird gefoltert und soll getötet werden. Sarah versucht den Hexenjäger zu überzeugen, ihn freizulassen und ihren Onkel zu verschonen. Sie bietet ihren Körper als Gegenleistung an. Hopkins nutzt dies aus und verschont den Onkel. Er wird jedoch dabei von seinem Assistenten beobachtet. Danach wird er in eine andere Stadt gerufen. In seiner Abwesenheit vergewaltigt sein Assistent das Mädchen. Als Hopkins dies erfährt, lässt er den Onkel töten.

Marshall kehrt wieder zurück und erfährt, was Sarah und ihrem Onkel passiert ist. Er heiratet Sarah in einer heidnischen Zeremonie und versucht den Assistenten auf eigene Faust zu töten. Steame gelingt es aber zu entkommen und er berichtet seinem Vorgesetzten von den Racheplänen des jungen Mannes.

Hopkins stellt Richard und Sarah in Lavendel eine Falle. Er nimmt Sarah und ihren Mann dort gefangen, schleppt sie in einen Kerker und klagt beide der Hexerei an. Trotz starker Folter gestehen die beiden nichts. Marshall gelingt es sich zu befreien und er schlägt mit einer Axt mehrmals auf den Hexenjäger ein und richtet ihn übel zu. Bevor er ihn töten kann, erschießt ein herbeigeeilter Soldat Hopkins, um ihn von seinem Leiden zu erlösen. Richard beschuldigt den Soldaten, ihn an seiner Rache gehindert zu haben. Sarah, die durch die Ereignisse an den Rand des Wahnsinns gelangt ist, schreit unkontrolliert.

Hintergrund
Der Film basiert lose auf dem Roman Witchfinder General von Ronald Bassett. Ein Hexenjäger namens Matthew Hopkins existierte tatsächlich, auf ihm beruht die Figur des Romans. Hopkins war ein selbsternannter Hexenjäger, der zahlreiche unschuldige Menschen der Hexerei anklagte und zum Tode verurteilte. Er starb 1647 an Tuberkulose. Ebenso wie sein Assistent sind auch einige seiner Opfer, beispielsweise der Priester John Lowes, historische Figuren.

Der Film ist eine amerikanisch-britische Koproduktion. Die beiden Studios American International Pictures (AIP) und Tigon British teilten sich die Kosten. Im amerikanischen Markt wurde der Film unter dem Titel The Conqueror Worm vermarktet. Das war der Titel eines Gedichtes in der Erzählung Ligeia von Edgar Allan Poe. Damit wurde versucht den Film in die Reihe von Poe-Verfilmungen zu rücken, mit denen AIP in den 1960er Jahren große Erfolge feierte. Das Gedicht von Poe wurde am Anfang und am Ende von Price rezitiert, damit der Titel passen sollte. Es sollte der letzte Film von Michael Reeves werden, der mit 25 Jahren an einer Drogenüberdosis verstarb.

Reeves favorisierte eigentlich Donald Pleasence für die Rolle des Matthew Hopkins. Die amerikanischen Geldgeber setzten allerdings Vincent Price durch, sehr zum Ärger des Regisseurs, der den Darsteller während der gesamten Dreharbeiten seine Verärgerung spüren ließ. Es wird spekuliert, dass die Spannungen am Set der dämonischen Darstellung von Vincent Price zuträglich waren. Im Nachhinein bezeichnete Price seine Leistung als eine der besten seiner Karriere.

Der Film enthält einige harte Szenen, die der britischen Zensur zum Opfer fielen. Außerhalb von Großbritannien kam eine ungeschnittene Version in die Kinos. Für den deutschen Markt wurden darüber hinaus noch Nacktszenen eingefügt. Bis heute existiert keine deutsche Uncut-Version des Films, obwohl MC One ihre FSK18-Fassung so bewerben.
Die Indizierung des Films wurde 2008 wieder aufgehoben, im Januar 2020 wurde die Altersfreigabe auf 16 Jahre herabgesetzt.

Bedeutung
Der Hexenjäger war der erste Film, der die Hexenverfolgung zum Thema eines Horrorfilms machte und zog durch seinen großen Erfolg diverse Nachfolgefilme nach sich (unter anderem Hexen bis aufs Blut gequält und Der Hexentöter von Blackmoor), die qualitativ jedoch diesen Film nicht erreichen konnten. Trotz seiner Schockwirkung ist der Film eher atmosphärisch angelegt und versucht den Schrecken der Inquisitionszeit exakt nachzubilden. Die Brutalität der Szenen ist für seine Zeit betrachtet, sehr gewagt. Seine Bedeutung für den Horrorfilm seiner Zeit ist nicht zu unterschätzen. Er gilt heute unter Horror-Fans als Kultfilm, ist jedoch außerhalb dieses Publikums nicht sehr weit verbreitet.

Auch in der Metal-Szene wird der Film verehrt: So benannte sich eine Band Witchfinder General und es gibt mehrere Lieder mit Referenzen an Matthew Hopkins, u. a. von Saxon. Die britische Doom-Band Cathedral benutzte für das Video zu ihrem Song Hopkins (The Witchfinder General) Szenen aus dem Film.

Kritiken

Weblinks

Einzelnachweise

Filmtitel 1968
Literaturverfilmung
Horrorfilm
Britischer Film
Hexenverfolgung in der Kultur


text:
<readable><title>1489286545_8df476fa26</title><content>
A man and a dog sit on a bench near a body of water .
A man and his dog watch the sunset from a bench .
A man holding a dog sitting on a bench overlooking a lake .
a man holds his dog near a pond .
A man sits on a bench holding his dog and looking at the water .
</content></readable>


text:
namespace blink {

class AbortSignal;
class ExceptionState;

class MODULES_EXPORT IdleDetector final
    : public EventTargetWithInlineData,
      public ActiveScriptWrappable<IdleDetector>,
      public ExecutionContextClient,
      public mojom::blink::IdleMonitor {
  DEFINE_WRAPPERTYPEINFO();

 public:
  static IdleDetector* Create(ScriptState*);

  explicit IdleDetector(ExecutionContext*);
  ~IdleDetector() override;

  IdleDetector(const IdleDetector&) = delete;
  IdleDetector& operator=(const IdleDetector&) = delete;

  // EventTarget implementation.
  const AtomicString& InterfaceName() const override;
  ExecutionContext* GetExecutionContext() const override;

  // ActiveScriptWrappable implementation.
  bool HasPendingActivity() const final;

  // IdleDetector IDL interface.
  String userState() const;
  String screenState() const;
  static ScriptPromise requestPermission(ScriptState*, ExceptionState&);
  ScriptPromise start(ScriptState*, const IdleOptions*, ExceptionState&);
  DEFINE_ATTRIBUTE_EVENT_LISTENER(change, kChange)

  void Trace(Visitor*) const override;

  void SetTaskRunnerForTesting(
      scoped_refptr<base::SingleThreadTaskRunner> task_runner);

 private:
  // mojom::blink::IdleMonitor implementation. Invoked on a state change, and
  // causes an event to be dispatched.
  void Update(mojom::blink::IdleStatePtr state,
              bool is_overridden_by_devtools) override;

  void DispatchUserIdleEvent(TimerBase*);
  void Abort(AbortSignal*);
  void OnMonitorDisconnected();
  void OnAddMonitor(ScriptPromiseResolver*,
                    mojom::blink::IdleManagerError,
                    mojom::blink::IdleStatePtr);

  // State currently visible to script.
  bool has_state_ = false;
  bool screen_locked_ = false;
  bool user_idle_ = false;

  // Task runner for change events. Overridden for testing.
  scoped_refptr<base::SingleThreadTaskRunner> task_runner_;

  // If script has specified a threshold longer than the default this timer is
  // used to delay the update until the user has been idle for the specified
  // threshold.
  HeapTaskRunnerTimer<IdleDetector> timer_;

  base::TimeDelta threshold_ = base::Seconds(60);
  Member<AbortSignal> signal_;
  Member<ScriptPromiseResolver> resolver_;

  // Holds a pipe which the service uses to notify this object
  // when the idle state has changed.
  HeapMojoReceiver<mojom::blink::IdleMonitor, IdleDetector> receiver_;
};

}  // namespace blink

#endif  // THIRD_PARTY_BLINK_RENDERER_MODULES_IDLE_IDLE_DETECTOR_H_


text:
package kanzhihu.android.events;

/**
 * Created by Jiahui.wen on 2014/11/12.
 */
public class DownloadingApkEvent {
}


Knowing punctuation rules increases our confidence as writers. If you have a few punctuation rules in your pocket, ones that you'll use constantly, you'll feel more assurance as you write.
I wrote a couple of posts on grammar rules we can break (click here and here), but when it comes to punctuation, we need to follow more rules than break. I may be biased about this, but I think correct punctuation increases readability and effective communication.
I'm putting on my teacher hat, so join me with your student hat!
Let's start with the most common situation where a comma is needed: with a coordinating conjunction.
First, what's a coordinating conjunction? Coordinating conjunctions consist of these seven words: for, and, nor, but, or, yet, so. (The acronym FANBOYS can help you remember these seven). Their purpose is to connect.
Let's look at examples and identify the pattern of where a comma is needed with a coordinating conjunction.
Let's find the pattern. The coordinating conjunction in the above sentence, the word but, joins two main clauses.
Now don't be scared of the word clause. A main clause is basically a sentence with a subject and verb. So it can stand alone as a sentence, or it can be joined with another main clause with a comma and a coordinating conjunction.
If we look at the above example, we find the subject son and a verb will be home. So the first main clause in the example is My younger son will be home for Thanksgiving.
That first clause is joined by a comma and a coordinating conjunction but to another clause.
The second clause in this example is my older son has to stay at college to work. It is a clause because it has a subject son and a verb has to stay.
We can write the pattern like this: S(subject) V(verb) , (comma) CC (any coordinating conjunction) S(subject) V (verb).
Let's look at more examples. Test yourself to see if you can find the pattern and identify correct punctuation.
My doctor's appointment is tomorrow, so I'll have to go in late to work. Correct.
Can you identify why this comma is not needed here? Find the pattern.
In the first clause the subject is brother and the verb is is coming. In the second clause following the coordinating conjunction but there's no subject, and the verb is will miss.
Because the second clause in the sentence does not have a subject, no comma is needed.
The second clause does not have a subject. It only has a verb will not eat. Therefore, no comma is needed before the coordinating conjunction.
Test on Punctuation for Coordinating Conjunctions.
We can go to the party, or we can just stay home.
They hiked up the mountain quickly, but walked slowly coming down.
Our whole family, including extended family, looks forward to our week of vacation at the beach but we are disappointed my sister and her family won't be able to come.
I am extremely busy, so I need to prioritize my projects.
Try to memorize a few common punctuation rules, such as this one. Also, keep a file or a notebook where you can refer to when you're unsure.
If there's a particular punctuation rule you want me to address, let me know!
These are SO HELPFUL for my brain! Thank you so much!
Hi Amanda, Glad they helped! Good to see you here!
Oh boy! This took me back to sixth grade Language Arts class! Such a great reminder!
Thanks for stopping by! Yes, and for me that's way, way back!
The crow cawed, and the chickadee chattered.
The crow cawed; the chickadee chattered.
Note how you take out the comma and the coordinating conjunction to join with semicolon.
Love this! I can now wrangle my commas to their proper place!
One punctuation rule I struggle to understand is the use of the semicolon. Is it similar to the comma rule you shared?
Thanks, Susan. I'm glad it helped!
Thanks for the clear explanation, the examples, and the quiz. Great teaching!
Thanks for this. I'm so used to using a comma with every conjunction (Conjunction Junction, what's your function?), not using it looks unnatural to me.
I hope you'll do a post on serial commas! Google gives me conflicting results.
Ah…memories of Schoolhouse Rock! Yes, I'll definitely do a post on serial commas! Good idea!


text:
Florida shooting survivor praises school response but warns 'this is something that people cannot get used to'
February 15, 2018 1:37 pm	ABC - National News
ABC News(PARKLAND, Fla.) — Marjory Stoneman Douglas High School student David Hogg needed little time to reflect on the shooting rampage he survived on lockdown in a classroom with other terrified students Wednesday.
"What I wish people would know is that this is something that people cannot get used to," Hogg, 17, told ABC News chief anchor George Stephanopoulos today on "Good Morning America."
"This is something we can't let keep happening. Because if we do and we get used to it, it's going to happen again. This is a time for our country to take a look in the mirror and realize there is a serious issue here," he added.
Hogg, who could not see the shooter, took a video of himself and other students as they huddled in the classroom.
None of his friends were among the victims but his younger sister lost two friends among the 17 who died, he said.
"I was able to reach out to my other friends and students and thank God they're all all right. However, my sister, who is a freshman here, she had two of her, like, best friends die in this awful incident," Hogg said.
He praised the school's practice of locking classroom doors in an active-shooter situation.
"We have had meetings and teachers talking about what to do in these type of situations, actually, pretty recently and had initiatives to lock all the doors," he said, "and I think, honestly, that worked and easily saved a couple hundred if not a thousand lives because all those doors were locked."

redpajama_set_name: RedPajamaCommonCrawl


This is a great little back pack that has storage for the toddler039s water or favourite item. But the strap allows me to keep him close in situations where he might run off and gives some security. But you can also use it without the strap and my grandson thinks it is fun.
Very stable and easy to assemble this playpen stays firmly on the ground even when baby holds the bars and pulls himself up. It has a very fine smooth finish with no paint or varnish and looks attractive in most if not all decors. This is the cheapest Australian-made wooden playpen that I found in this size. The only downside is that the baby can put his arms and legs out through the bars and can throw toys out or grab items that are outside the playpen. I am now buying another one.
When you go online shopping in Australia for baby safety, make CrazySales your first stop for bargains!
Baby safety has always been, and always will be, the utmost priority of every parent in the world, regardless of race. Every parent wants what is best for his/her child, whether it be indoors and outdoors. Part of this safety measures is to use baby heart monitor and baby sun suits when staying outdoor.
Baby heart monitors, or the fetal heart monitor, is a gadget that is used mostly by doctors to listen to the fetal heartbeat inside the mother's womb. Parents are then rest-assured that the safety of their baby is well taken cared of. Sun suits on the other hand are specialised clothing particularly made for outdoor use, specifically when under the sun. Babies should also wear baby sun suits when staying outside the house for a long time or when playing in the beach. Their skin is very delicate and the sun's rays can easily damage their sensitive skin. And as an added baby safety measure, use sun block creams with at least SPF 15 and let them use wide brimmed hats and sunglasses for eye protection.
Looking for great deals on baby sun suits and baby heart monitors? Purchase these baby stuff at CrazySales Australia to avail of great discounts.
Don't miss our frequent specials on baby safety! We buy our products directly from the factory door to pass the deals direct to you. When you buy baby safety at CrazySales, you'll get the lowest price on the hottest products. We use fast, cheap shipping to get you your purchase. If you're not completely satisfied with your baby safety, then just send them back to us within 30 days for full store credit. Join over half a million happy customers at CrazySales, Australia's fastest growing online shopping site. With our secure online shopping technology, your purchase is completely safe. And with our CrazyPoints shopping reward system, the more you buy, the more you save!


text:
Q: Show a div on load using Jquery I have these 2 div's !

and

"The wrapper div is not inside the loader div for any clarification"
My script
$(window).bind("load",function() {
           $('#loader').css('display',none);
           $('#wrapper').css('visibility',visible);
        });

What I intend to do with the script is to hide the loader div after the page has been completely loaded and display the wrapper div which contains all the contents of the page.
I initially set display:none in the wrapper style.
As I expected the loader div is displayed but after the loading has been completed (which I can tell at least from the loading icon of the mouse and the favicon region of the browser tab) but the wrapper div is not shown .
Any help would be nice.

A: You should use the $(document).ready() to load the page completely.
The following code may help you...
$(document).ready(function(){
    $('#loader').css('display','none');
    $('#wrapper').css('display','block');
});

A: Use this;
$(document).ready(function() {
           $('#loader').hide();
           $('#wrapper').show();
});

or
$(document).ready(function() {
           $('#loader').css('display','none');
           $('#wrapper').css('visibility','visible');
});

Working fiddle: http://jsfiddle.net/33zch/

A: In some browsers, like Firefox, event $(window).load() apperas only after successfully loading  all elements (images, for example), but in Chrome $(window).load() and $(document).ready() fired in same time. Using $(window).load() have potential issue in firefox (maybe in another browsers too): if at least one image on the page is loaded with error then event not occure. And use right syntax:
$('#loader').css('display','none');
$('#wrapper').css('display','block');

or
$('#loader').hide();
$('#wrapper').show();

A: It should be like this :-
$('#loader').css('display','none');
$('#wrapper').css('visibility','visible');

A: You can use with this simple way.
window.onload = $('#loader').hide();
window.onload = $('#wrapper').show();

A: You told that you have initially set wrapper element to display:none; Then how it will be visible by adding visibility:visible ? Instead you should add display:block to get this working.
Working Demo


text:
Previewing the 2021-22 Oilersnation player review articles
Come one, come all. It's time for the annual player review articles to begin.
This is a yearly endeavour that I take on here at Oilersnation where I break down the season of each Edmonton Oilers player. Like always, I'll be using a fair amount of analytics in my analysis — as always — so I wanted to write this up as a glossary of sorts that can be referred back to.
To note, I'm in the final stages of setting up a schedule for all the posts, but I will be taking a look at all the Oilers' RFA's and UFA's first, before diving into the rest of the team afterwards.
Without further ado, here are the analytics that I'll be referencing, and what each of them means.
The underlying numbers
Corsi for percentage – CF%
You'll see me reference Corsi, or shot attempts, quite a bit. Corsi is a fancy name used to reference shot attempts. This includes ones that count as goals, shots on net, misses, or blocks. This is a strong metric used to constitute pace of play. A team who has a higher CF% is the team that a) has the puck more, and b) is taking more shot attempts.
This is a fundamental analytic and in it's most simple terms, is a plus-minus for shot attempts. It's also a strong gauge as to predicting future goals scored, too. The more attempts you are getting at scoring, the more likely you are to do so. Same thing when it's comes to the defensive side of it.
CF/60 stands for shot attempts for per hour, while CA/60 stands for shot attempts against per hour.
Scoring chances for – SCF%
As with all these analytics, we utilize the great resource that is Natural Stat Trick.
Scoring chances for means how many scoring chances you are getting on the ice, while scoring chances against means how many you're giving up.
The model used to cite scoring chances is done so by looking at each shot attempt in the offensive zone and assigning it a value based on the area of the zone it's taken in. You can read more about scoring chances, as originally defined by War-On-Ice, here.
It's also worth noting I will utilize HDCF%, which is the scoring chances taken from high-danger areas on the ice.
SCF/60 means scoring chances for per hour, while SCA/60 means scoring chances against per hour.
Goal share – GF%
This one is fairly straightforward. It simply looks at what percentage of goals scored occurs with 'x' player on the ice.
GF/60 is the rate at which goals are scored per hour, while GA/60 is goals against per hour.
Expected goals -xG%
Expected goals, in one sense of the terms, is very similar to shot attempts, but expected goals takes it a step further. It addresses the issues of where the shot attempt locations are coming from.
In doing that, expected goals places a valuation on each shot attempt and where it comes from on the ice. Instead of thinking about it as expected goals, think of it as shot quality.
This statistic can be used in tandem with Corsi. The former regards simply the zone advantage on the ice, while expected goals looks at the quality of the zone advantage.
At 5×5 this season, the Oilers controlled 52.47 of the shot attempts and 51.78 percent of the expected goals. It shows that the Oilers did a very good job of controlling the zone advantages, even if some of it came from lower percentage areas.
PDO is one of my favourites, and most telling analytics you can use.
At its core, think of PDO as a statistic to determine luck while on the ice. With 100 as it's median, any number above it is considered to be lucky, while any number below it is considered to be unlucky.
The statistic combines on-ice shooting percentage and on-ice save percentage together. Over time and a larger sample size, as mentioned above, this number should sit around 100. This isn't always the case, however.
Teams like the Tampa Bay Lightning, who have a 101.6 PDO over the last three seasons at 5×5 — the second-best rate in the league over that time — have elite goaltending and elite scoring, that gives them the slight bump upwards.
Teams like the Detroit Red Wings, who have had a 98.4 PDO over the last three seasons at 5×5 — the second-worst rate in the league over that time — have been plagued by poor goaltending and poor scoring.
Through it all, the Oilers rank an even 100 at 5×5 over the last three years.
Per 60 rates
All that's done is for whatever statistic is being referenced whether it's goals, points, shot attempts, scoring chances, expected goals or goals scored, it's taken as an average number per 60 minutes of ice time.
Why do we do this? It allows us to even out ice-time averages and allow you to compare a player who plays first-line minutes, to someone who plays third line minutes, for example. Over small sample sizes, raw counts can still work, but when we look at the course of a full season, using a per 60 rate helps even us out.
Relative to the team
Similarly to the per 60 rates, statistics relative to the team (RelTM%) takes a look at the statistic over a larger scale referencing it to the rest of that players teammates. A player who has a positive RelTM% shows that they are 'x' percentage better on average, while a player with a negative RelTM% shows they're worse on average.
It's important to note that when it comes to any statistic against relative to their teammates, a negative number is actually considered a good thing, as that player is allowing less than the team average.
For example, a player with a -6.9 CA/60 means they are allowing 6.9 fewer shot attempts per hour than their average teammate.
Individual rates
All the above analytics can be looked at on an individual basis, per 60.
Isolated impact charts
Now here's where things get fun. The isolated impact charts are a pay-walled metric built by Micah Blake McCurdy at hockeyviz.com and breaks down each player on a personal level. This is done by accounting for their teammates, their competition and their coaching, to give a balanced look at any individual player at even strength.
McCurdy's charts use heatmaps to help create a picture of what that player does on the ice. As described in his how-to, "red areas show where the given player causes shots to be taken at a larger rate than league average, blue areas less."
To simplify: red means more shots, blue means less shots. Offensively, you want more red than blue and defensively, you want more blue than red.
This will be referenced like this:
According to hockeyviz.com, Connor McDavid contributed offence at a 29 percent rate above league average and defence at a four percent rate above league average.
GDB Wrap Up 49.0: Lethargic Oilers cough up extra point in 3-2 loss to Blue Jackets
Oilersnation Betway Bets of the Day — This bet on the Edmonton Oilers is almost even money
Rumour Roundup: Are defencemen Carson Soucy and Niko Mikkola on the Edmonton Oilers' radar?
Oilersnation Everyday: The Streak Ends
The Day After 49.0: Oilers sloppy in streak busting 3-2 OT loss to the Blue Jackets… and it hurts


text:
Album Review: Todd Grebe & Cold Country – Citizen
Category: Country
Todd Grebe and Cold Country are a traditional country band that write new songs that sound old fashioned. Fans of roots country music will love this album. From the whimsical, even comical lyrics to the twangy electric guitars, this is great work. There are no bad songs on Citizen, an album clearly written for the country lover in all of us.
"Criminal Style" gets things going with discussion of Adam and Eve and Thelma and Louise. Seriously it's clever and hilarious. But stylistically it is the kind of song you'd expect to hear in a honky tonk. From laughing to toe tapping, this is a great song to start off the album.
The steel guitar on "Box of Wine" steals the show. The vocals are great and the lyrics are darkly humorous. It's (obviously) about a wine drunkard. But the song has such a light hearted feeling to it, you get the sense she's a giggly, fun drunk. It's surely a tried-and-true country song.
"Luckiest Man Here on Earth" reminds me of the old country tracks on Brad Paisley's albums. You know the ones – where you wish he'd just give up on the commercial country stuff and make this kind of music. The fiddles are solid, the writing is genuine, and it all comes together for a sound you might expect to have been written in the 60s. Grebe's lead vocal on this one puts me in mind of Rayland Baxter. In fact, they probably should hang out.
Title track "Citizen" has a rambler's vibe to it. It's a nicely-articulated cultural criticism. It's about entitlement and materialist culture. "They say freedom isn't free but I'm pretty sure it ain't costin' me." It's a song that highlights the way people desire for material goods, but don't really think of things like personal sacrifice. It is, frankly, an unexpected powerful punch in the middle of an otherwise fun-loving album.
"Brown Hair" is probably my favorite. More folk than country, it's a sweetly finger-picked track about seeking after love. The sense of narrative is beautiful. "I'm still stuck there looking at her brown hair like it's the last time…" The song really reminds me melodically like something off of the Alabama discography. Bring in some ringers for four part harmony and it would sound like it was right off of Randy Owen's album.
If you don't like the opening fiddles on "Living a Lie," you don't like country music. Even the vocal has a lonesome, crackly quality to it. There's an obvious relationship between the blues and country music, heard in spades here. "You never wanted to know and I never offered to tell. Living a lie is a hard way to live and my lies have outrun my life." Whew. Now that's country music. And the steel guitar is exceptional again. This is a professional job, for sure.
I hope you brought your dancing shoes for "Nothing Left to Lose." To be honest, at first glance I thought maybe it was a reference to the classic "Me and Bobby McGee," you know… "freedom's just another word for nothin' left to lose." It's pretty close to that ethos. But more than anything, it's a great song to dance to. It has a silly feeling to it like it could be a Roger Miller tune.
"Let's Make Love for Christmas" is on the silly side of things as well. It's pretty predictable but it's really fun, too. The upbeat swing along with the fancy fiddles make it really work. The following "Here's Wishing to You" is a very different song. About the only commonality is the great fiddle work. But it sounds great, too. The lyrics are about wishing someone good luck who is pregnant, seemingly with another man's baby. It's complex emotionally, wrapped up in a cool country track.
The final track "You'll Never Find Me" has horns. Yep, horns. They're pretty good horns, too. But the song is one in which Grebe's vocals really have a cutting precision. It's one of the most negative songs on the album, giving an indictment of a love gone awry. The song has a great emotional space for Grebe's writing style. Although I prefer the stripped down instrumentation of other tracks, this is some of the best songwriting on the album.
All told, this is an enjoyable album. It has tracks you'll enjoy for dancing, others for laughing, but it works really well. It's a nice traditional country album that will put listeners more in mind of 60s country music than the "roots" country we sometimes feature. Fans of Robert Ellis and Rayland Baxter would be wise to pick this one up and give it a spin.
Todd Grebe and Cold Country1
traditional country11


In our current digital age, I get this question a lot. And it's true that if you never put your photos out there, no one will steal them… But no one will buy them, either.
Of course, when someone buys your photo, they get the un-watermarked version. And don't worry, I didn't steal this photo. It's mine.
Not very usable at all, actually. You don't want to add a watermark to your photos before uploading them to a stock agency, since agencies add their own. They'll reject a photo that already has one.
But you can protect your photos by adding your copyright information into the metadata. What that means is that it won't show up ON the photo when you look at it, but you can find it buried inside the data of the file. If someone finds your photo, they can look inside the file information and see your copyright and contact information.
In Lightroom – Set up a "Metadata Preset" so that your information is automatically embedded in every photo that you import. In the Import dialog, in the right side panel, where it says "Metadata: None," click on "None," choose "New," and create a new preset with your information.
In Photoshop – Add your information by going to File -> File Info and entering your information.
In Windows – Right-click on a photo thumbnail (the icon in a folder or on your desktop) and select "Properties." Click on the "Details" tab. You should be able to add or edit information there.
In Aperture – Go to the "Metadata" tab in the left side panel. Under "General," add in your information.
The copyright symbol and your name. Ex: © Bonnie Caton.
To get a copyright symbol on a PC, hold down "Alt" and type "0169." On a Mac, hold down "Option" and type "g". Or you can copy and paste it from this note.
Your email address, in case someone finds your photo and needs to contact you.
Your photography website, if you have one.
Technically, you don't have to do any of the above to copyright your photos. As soon as you press the shutter button, the photo is legally under your copyright. You own it. But going through the steps above can help if your photo finds its way into the wrong hands.
Professional photographer Efrain Padro (who is a former lawyer and well versed in photo copyright law) also recommends you register your copyright. He wrote a great article about how to do that here. It's all pretty simple.
From Jamie Walker Morgan: Spent most of the day working on Photo Challenge #36 yesterday and uploading them onto my computer. Deleted the really bad ones and will spend tomorrow trying to edit them and then choosing one to put up for the Challenge. First timer, feeling really green but having fun. My husband thought I was nuts when he came home and saw what I was doing. Lol. Have a fabulous day all.
From Travel Thru My Eyes: Recently became a "Premium" BSC member. With the techniques I've learned so far, I'm finally getting an idea of what stock agencies are looking for.
From Theresa St John: So excited! I shared with you a few weeks ago how the editor of a hometown magazine here in Saratoga asked me to submit monthly images to its pages. This morning she emailed me and asked if I would be willing to work with her magazine in Plattsburgh as well! Already have deadline and theme!! Another avenue to get my name out there and share my love of travel and photography!


text:
Q: How to add class attribute for table element which parsedown gives? I have some markdown files and I want to display them on my blog which developed by Laravel.
So I think out such a solution:
Controller
public function display() {
    $pd = new Parsedown();
    $text = Storage::disk('local')->get('x.md');
    $html = $pd->text($text);
    $title = "title";
    return view('x.y', [
        "html" => $html,
        "title" => $title
    ]);
}

Blade

{{ $title }}

                {!! $html !!}

It works well except table element:
Parsedown parse table like that:
header 1 | header 2
-------- | --------
cell 1.1 | cell 1.2
cell 2.1 | cell 2.2

into:

header 1
header 2

cell 1.1
cell 1.2

cell 2.1
cell 2.2

Then I got a table with no bootstrap styles, and it looks weird. What I want to get is:

  ...

So, could anyone please give me some suggestions about that?

A: After I read the source code of Parsedown, I find a solution.
In blockTable() method:
change this:
        $Block = array(
            'alignments' => $alignments,
            'identified' => true,
            'element' => array(
                'name' => 'table',
                'handler' => 'elements'
            ),
        );

to:
        $Block = array(
            'alignments' => $alignments,
            'identified' => true,
            'element' => array(
                'name' => 'table',
                'handler' => 'elements',
                'attributes' => [       //+
                    "class" => "table"  //+
                ]                       //+
            ),
        );

And it will output table element with class="table".
Finally, I created a new class which extends Parsedown, and override that blockTable method with my own implementation.

A: Parsedown does not support adding class to generated elements. Parsedown also does not support emitting the generated HTML as an XML document. Therefore, you have two choices:

*

*Use preg_replace to replace with regular expressions.

*Use SimpleXML (or similar) to parse the HTML tree and replace elements.

Since the HTML Parsedown generates is simple, well-formed, and predictable you can probably get away with preg_replace. The implementation would look something like this:
public function display() {
    $pd = new Parsedown();
    $text = Storage::disk('local')->get('x.md');
    $html = $pd->text($text);
    $html = preg_replace('/^\s*
\s*$/', '
', $html);
    $title = "title";
    return view('x.y', [
        "html" => $html,
        "title" => $title
    ]);
}


text:
Q: Editor for ViewModel with in-memory datasource I'm facing a situation where I need to display a editor for this view-model:
public class ParkingServiceDetailViewModel : ViewModelBase, IValidatableObject
{

    public ParkingServiceDetailViewModel()
    {
        ParkingCardIssueDate = DateTime.Now;
        ParkingCardExpiryDate = ParkingCardIssueDate.Value.AddYears(1);
    }

    [Display(Name = "Parking Service Id")]
    public int? ParkingServiceId { get; set; }

    [Display(Name = "Terminal")]
    public int? TerminalId { get; set; }

    [Display(Name = "Service")]
    public int? ServiceId { get; set; }

    [Display(Name = "Card Number")]
    public string ParkingCardNumber { get; set; }

    [Display(Name = "Card Issue Date")]
    public DateTime? ParkingCardIssueDate { get; set; }

    [Display(Name = "Card Expiry Date")]
    public DateTime? ParkingCardExpiryDate { get; set; }

    [Display(Name = "Card Group")]
    public string ParkingCardGroup { get; set; }

    public IEnumerable<ValidationResult> Validate(ValidationContext validationContext)
    {
        if (TerminalId < 0)
        {
            yield return new ValidationResult("Terminal Id is required.", new[] { "TerminalId" });
        }
    }
}

Now, this view-model is a child (as a List<>) in another view-model. I'm trying to use Kendo Grid as an editor and here is a what I have so far:
@model List<DA.Services.CarPark.Presentation.Web.Models.ParkingServiceDetailViewModel>

<div id="parkingServiceDetails" style="margin-top:10px">

    @(Html.Kendo().Grid<DA.Services.CarPark.Presentation.Web.Models.ParkingServiceDetailViewModel>()
        .Name("ServiceList")
        .Columns(columns => {
            columns.Bound(p => p.ParkingCardNumber);

            columns.Bound(p => p.ParkingCardIssueDate).Width(115)
                .HtmlAttributes(new { @class = "templateCell" })
                .ClientTemplate(Html.Kendo().DatePicker()
                    .Name("IssueDate_#=TerminalId#_#=ServiceId#")
                    .Culture("ar-AE")
                    .HtmlAttributes(new { data_bind = "value:IssueDate" })
                    .ToClientTemplate().ToString());

            columns.Bound(p => p.ParkingCardExpiryDate).Width(115)
                .HtmlAttributes(new { @class = "templateCell" })
                .ClientTemplate(Html.Kendo().DatePicker()
                    .Name("ExpiryDate_#=TerminalId#_#=ServiceId#")
                    .Culture("ar-AE")
                    .HtmlAttributes(new { data_bind = "value:ExpiryDate" })
                    .ToClientTemplate().ToString());

            columns.Bound(p => p.ParkingCardGroup);
        })
        .DataSource(dataSource => dataSource
            .Ajax()
            .ServerOperation(false)
            .Model(model => {
                model.Id(p => p.ParkingServiceId);
                model.Field(p => p.ParkingServiceId).DefaultValue(new Kendo.Mvc.ClientHandlerDescriptor() { HandlerName = "defaultValue" });
                model.Field(p => p.TerminalId);
                model.Field(p => p.ServiceId);
                model.Field(p => p.ParkingCardNumber);
                model.Field(p => p.ParkingCardIssueDate);
                model.Field(p => p.ParkingCardExpiryDate);
                model.Field(p => p.ParkingCardGroup);
            })
            .Create(create => create.Action("Index", "CardRequest"))
         )
         .Editable(e => e.Mode(GridEditMode.InLine))
         .Events(ev => ev.DataBound("db"))
         .ToolBar(toolbar => toolbar.Create())
         .Scrollable()
         .AllowCopy(true)
         .Selectable()
         .HtmlAttributes(new { style = "height: 350px" })
    )

</div>

<script>
    function defaultValue(e) {
        if (typeof this.ParkingServiceId === "function") {
            var grid = $("#ServiceList").data("kendoGrid");
            var ds = grid.dataSource;
            var filter = ds.filter();

            if (filter && filter.filters[0].field === "ParkingServiceId") {
                return filter.filters[0].value;
            } else {
                return 1;
            }
        }
    }

    function db(e) {
        var grid = this;
        $(".templateCell").each(function () {
            eval($(this).children("script").last().html());
            var tr = $(this).closest('tr');
            var item = grid.dataItem(tr);
            kendo.bind($(this), item);
        });
    }
</script>

What I have seen so far is that the Kendo Grid's datasource has no in-memory alternate. Even in custom mode, I was not able to use a local source. I don't want to put up a CRUD API for a simple data structure.
Simultaneously, I have been trying a much harder way to accomplish the same. In that case, everything is hand crafted on client side. The issue here is the Kendo UI controls/wrappers (DropdownList, DateTimePicker) become dead at runtime. No clicks, no inputs, and no errors. Whereas, regular controls work properly. But due to aesthetics, I need to stick with Kendo all the way. In the second approach, there is a lot of overhead I have to worry about especially the ordering of the List and naming. Something, while doing that, renders only Kendo wrapper in a strange disabled state.
But my main focus is to use the grid as it suits the purpose. Unfortunately I cannot explore any more options like Angular to overcome this issue. Any suggestions would be highly appreciated.


text:
Efficient expression in insect cells of a soluble, active human insulin receptor protein-tyrosine kinase domain by use of a baculovirus vector
L. Ellis, A. Levitan, M. H. Cobb, P. Ramos
Pharmacology - Cobb Lab
The human insulin receptor (IR) is a transmembrane glycoprotein, whose cytoplasmic domain contains an insulin-activated protein-tyrosine kinase (EC 2.7.2.112). By the use of an appropriately engineered baculovirus expression vector, a soluble cytoplasmic derivative of this domain was expressed in the insect cell line Spodoptera frugiperda (Sf9). At 24 to 48 h after Sf9 cells were infected with recombinant virus, a protein of the size expected for this domain (~48 kilodaltons) constituted a major band when total cell lysates of metabolically labeled cells were analyzed by sodium dodecyl sulfate-polyacrylamide gel electrophoresis and fluorography. This protein (designated AchIRPTK) was immunoprecipitated by three monoclonal antibodies, each of which recognizes a distinct antigenic site of the IR cytoplasmic domain and requires the native structure of the protein for recognition and one of which binds at or near the physiologically relevant site(s) of IR autophosphorylation. In vivo, AchIRPTK was phosphorylated on both tyrosine and serine residues. When affinity purified, the kinase was active in vitro; it autophosphorylated exclusively on tyrosine residues, and phosphorylated the exogenous substrates histone H2b and poly(Glu-Tyr). The expression of an active IR protein-tyrosine kinase molecule in this heterologous cell system provides an efficient experimental method for producing this domain in quantity for enzymatic and structural studies.
Baculoviridae
Insulin Receptor
Photofluorography
Sf9 Cells
Spodoptera
Protein-Tyrosine Kinases
Ellis, L., Levitan, A., Cobb, M. H., & Ramos, P. (1988). Efficient expression in insect cells of a soluble, active human insulin receptor protein-tyrosine kinase domain by use of a baculovirus vector. Journal of Virology, 62(5), 1634-1639.
Efficient expression in insect cells of a soluble, active human insulin receptor protein-tyrosine kinase domain by use of a baculovirus vector. / Ellis, L.; Levitan, A.; Cobb, M. H.; Ramos, P.
In: Journal of Virology, Vol. 62, No. 5, 1988, p. 1634-1639.
Ellis, L, Levitan, A, Cobb, MH & Ramos, P 1988, 'Efficient expression in insect cells of a soluble, active human insulin receptor protein-tyrosine kinase domain by use of a baculovirus vector', Journal of Virology, vol. 62, no. 5, pp. 1634-1639.
Ellis L, Levitan A, Cobb MH, Ramos P. Efficient expression in insect cells of a soluble, active human insulin receptor protein-tyrosine kinase domain by use of a baculovirus vector. Journal of Virology. 1988;62(5):1634-1639.
Ellis, L. ; Levitan, A. ; Cobb, M. H. ; Ramos, P. / Efficient expression in insect cells of a soluble, active human insulin receptor protein-tyrosine kinase domain by use of a baculovirus vector. In: Journal of Virology. 1988 ; Vol. 62, No. 5. pp. 1634-1639.
@article{baa89e94a92f4755b10e81c8a7009c3d,
title = "Efficient expression in insect cells of a soluble, active human insulin receptor protein-tyrosine kinase domain by use of a baculovirus vector",
abstract = "The human insulin receptor (IR) is a transmembrane glycoprotein, whose cytoplasmic domain contains an insulin-activated protein-tyrosine kinase (EC 2.7.2.112). By the use of an appropriately engineered baculovirus expression vector, a soluble cytoplasmic derivative of this domain was expressed in the insect cell line Spodoptera frugiperda (Sf9). At 24 to 48 h after Sf9 cells were infected with recombinant virus, a protein of the size expected for this domain (~48 kilodaltons) constituted a major band when total cell lysates of metabolically labeled cells were analyzed by sodium dodecyl sulfate-polyacrylamide gel electrophoresis and fluorography. This protein (designated AchIRPTK) was immunoprecipitated by three monoclonal antibodies, each of which recognizes a distinct antigenic site of the IR cytoplasmic domain and requires the native structure of the protein for recognition and one of which binds at or near the physiologically relevant site(s) of IR autophosphorylation. In vivo, AchIRPTK was phosphorylated on both tyrosine and serine residues. When affinity purified, the kinase was active in vitro; it autophosphorylated exclusively on tyrosine residues, and phosphorylated the exogenous substrates histone H2b and poly(Glu-Tyr). The expression of an active IR protein-tyrosine kinase molecule in this heterologous cell system provides an efficient experimental method for producing this domain in quantity for enzymatic and structural studies.",
author = "L. Ellis and A. Levitan and Cobb, {M. H.} and P. Ramos",
T1 - Efficient expression in insect cells of a soluble, active human insulin receptor protein-tyrosine kinase domain by use of a baculovirus vector
AU - Ellis, L.
AU - Levitan, A.
AU - Cobb, M. H.
AU - Ramos, P.
N2 - The human insulin receptor (IR) is a transmembrane glycoprotein, whose cytoplasmic domain contains an insulin-activated protein-tyrosine kinase (EC 2.7.2.112). By the use of an appropriately engineered baculovirus expression vector, a soluble cytoplasmic derivative of this domain was expressed in the insect cell line Spodoptera frugiperda (Sf9). At 24 to 48 h after Sf9 cells were infected with recombinant virus, a protein of the size expected for this domain (~48 kilodaltons) constituted a major band when total cell lysates of metabolically labeled cells were analyzed by sodium dodecyl sulfate-polyacrylamide gel electrophoresis and fluorography. This protein (designated AchIRPTK) was immunoprecipitated by three monoclonal antibodies, each of which recognizes a distinct antigenic site of the IR cytoplasmic domain and requires the native structure of the protein for recognition and one of which binds at or near the physiologically relevant site(s) of IR autophosphorylation. In vivo, AchIRPTK was phosphorylated on both tyrosine and serine residues. When affinity purified, the kinase was active in vitro; it autophosphorylated exclusively on tyrosine residues, and phosphorylated the exogenous substrates histone H2b and poly(Glu-Tyr). The expression of an active IR protein-tyrosine kinase molecule in this heterologous cell system provides an efficient experimental method for producing this domain in quantity for enzymatic and structural studies.
AB - The human insulin receptor (IR) is a transmembrane glycoprotein, whose cytoplasmic domain contains an insulin-activated protein-tyrosine kinase (EC 2.7.2.112). By the use of an appropriately engineered baculovirus expression vector, a soluble cytoplasmic derivative of this domain was expressed in the insect cell line Spodoptera frugiperda (Sf9). At 24 to 48 h after Sf9 cells were infected with recombinant virus, a protein of the size expected for this domain (~48 kilodaltons) constituted a major band when total cell lysates of metabolically labeled cells were analyzed by sodium dodecyl sulfate-polyacrylamide gel electrophoresis and fluorography. This protein (designated AchIRPTK) was immunoprecipitated by three monoclonal antibodies, each of which recognizes a distinct antigenic site of the IR cytoplasmic domain and requires the native structure of the protein for recognition and one of which binds at or near the physiologically relevant site(s) of IR autophosphorylation. In vivo, AchIRPTK was phosphorylated on both tyrosine and serine residues. When affinity purified, the kinase was active in vitro; it autophosphorylated exclusively on tyrosine residues, and phosphorylated the exogenous substrates histone H2b and poly(Glu-Tyr). The expression of an active IR protein-tyrosine kinase molecule in this heterologous cell system provides an efficient experimental method for producing this domain in quantity for enzymatic and structural studies.


text:
Offer Your Time
If you are a supporter of Ideal Bradford, or you have corresponded with us digitally, then we hold a small amount of information about you which falls under the category of Personal Data. Ideal Bradford is the Data Controller of this information, under the EU General Data Protection Regulation.
What we hold and why
We hold only the minimum amount information we need to keep you up-to-date on our political activities, which you have normally given to us.
This is likely to be:
Payment dates (no account details)
Subscription start dates
Photographic consent (where appropriate)
Email access tracking (via third party)
The purposes of holding this information are:
Marketing and fundraising (with consent or 'soft opt-in')
Administration (legitimate interests)
You can withdraw marketing consent at any time by emailing admin@idealbradford.org.uk or clicking the unsubscribe link in one of our emails. Please note that if you unsubscribe we will continue to hold a small amount of personal data for compliance purposes (to ensure that we don't accidentally mail you again).
Special Category data
As a political organisation, we may at times ask for your political opinions on certain matters. These fall within the definition of Special Category data under the GDPR. We only ever process this data with your clear, unambiguous consent, which will be sought at the time of collection.
Like most others, our website uses cookies to track user behaviour.
Who the information is shared with
Personal data may be used by Party Officers and volunteers, under the auspices of Ideal Bradford as the Data Controller. We do not regard this as data sharing, and take responsibility for their use of this data.
We use other companies for certain services, known as Data Processors:
We use Facebook for promotional and communication purposes. Facebook are based in the US, and have their own Privacy policies – we are not responsible for Facebook's use of data that you place on the site, whether on our page or otherwise.
We do conduct non-specific marketing campaigns (Ads) via Facebook, based on page likes, keyword likes, geographical location and sometimes also demographic factors (primarily age and gender). We do not directly access any of this data, nor do we engage in behavioural analytics.
We use Mailchimp for sending out newsletters. Mailchimp also allows for a level of analytics (for example open rates) which we use primarily for compliance purposes. All emails from this source carry information on how to unsubscribe. Doing so will mean we cannot keep you up-to-date with events or activities. Mailchimp data is hosted (which means held) in the US where privacy law is different. However, Mailchimp have signed up to Privacy Shield, which provides an adequate level of protection in EU law, and carry additional security certifications, so you can be confident in the protection this offers.
We use Google for primarily for administration purposes, particularly in relation to campaign co-ordination, for example organising volunteers. Google also carries You Tube content. Google data is hosted (which means held) in the US where privacy law is different. However, Google have signed up to Privacy Shield, which provides an adequate level of protection in EU law, and carry additional security certifications, so you can be confident in the protection this offers.
Crowdfunder
We have used Crowdfunder for fundraising purposes. If you have donated to us via Crowdfunder, you will have assented to their Privacy Policy at that time. Data is not retained, but may be accessed by Ideal Bradford via that platform.
We have used Paypal for payment collections. If you have donated via PayPal (either directly or through a third party), you will have assented to their Privacy Policy at that time. Data is not retained, but may be accessed by Ideal Bradford via that platform.
Co-operative Bank
We use the Co-operative Bank for banking services. If you have donated or paid subscriptions directly to Ideal Bradford, your bank account details will be processed by the Bank on our behalf.
We also use other services such as SoundCloud, but we do not have access to data from these sources.
How long we keep your data
We will only keep your data for as long as we need it. Where you are subscribed to our marketing
list, we will stop emailing you if you have not opened any of our last 10 emails, though a small
amount data will continue to be held for compliance purposes for up to 1 year.
Where we collect opinions and information for campaigning purposes, some of this data may be
kept for historical and research purposes without additional notice being provided.
You have various rights under the GDPR:
To object to an aspect of processing;
To ask us to correct your data;
To ask us to erase your data;
To ask us to provide you with a copy of your data.
You can make requests to us on any of these by emailing dom@idealbradford.org.
You can also make complaints on any aspect of our data protection practice to the Information Commissioner'sOffice www.ico.org.uk, although we would ask that you contact us first so that we can try and resolve things for you.
Ideal Bradford is not required to appoint a Data Protection Officer, although we do have access to qualified data protection advice. If you have any queries, please do contact us at the email address above.
View IdealBradford's profile on Facebook
View IdealBradford's profile on Twitter
designed by INCANDENZA | Published and promoted by and on behalf of Ideal Bradford, 15 Market Street, Bradford on Avon, BA15 1LL | Privacy Policy
Sign-up for news and campaign updates!


text:
Ingrid Linnea Ruin även känd som Ingrid Tigerstedt, född 15 maj 1881 i Björneborg, Finland, död 3 april 1956 i Helsingfors, var en finländsk målare.

Biografi
Hon var dotter till tullkamreren Karl Napoleon Lignell och Henrika Lindholm samt halvsyster till filosofen Hans Ruin och gift första gången 1919 i Köpenhamn med ingenjören Erik Magnus Campbell Tigerstedt och andra gången från 1931 med  redaktören Torsten Gottlob Hagelberg. Efter att hennes far avlidit adopterades hon av professor Waldemar Ruin. Hon studerade vid Finska konstföreningens ritskola i Helsingfors 1897–1901, Det Kongelige Danske Kunstakademi 1901–1903 och privat för Albert Edelfelt 1903–1905 samt var elev och medhjälpare till Anders Zorn i Mora 1905–1911 och genom självstudier under resor till bland annat Tyskland, Frankrike och Italien. Hon var från början av 1930-talet huvudsakligen bosatt i Stockholm, men tillbringade i regel somrarna på styvfaderns Härligö i Ingå, där hon hade en egen ateljé. I Sverige ställde hon ut separat några gånger på Hultbergs konsthandel i Stockholm och på Palace Hotel i Göteborg. Hon medverkade i ett flertal samlingsutställningar i Finland, Stockholm, S:t Petersburg, Köpenhamn, Oslo, Berlin och Rom. Hon blev känd för sina naketmålningar som var inspirerade av Zorns målningar med nakna dalkullor men hon målade även folkdräktsklädda kvinnor, porträtt och figurer. I sitt färgstarka måleri tog Ingrid Ruin starka intryck av Zorn och stod även i fråga om motivkretsen denne nära. Hon uppmärksammades ordentligt först i samband med en  retrospektiv utställning på Riihimäki konstmuseum 2005. Ruin är representerad vid Serlachius stiftelse i Helsingfors samt ett flertal museer i Finland.

Källor

Svenskt konstnärslexikon del V, sid 450, Allhems Förlag, Malmö.

Födda 1881
Avlidna 1956
Kvinnor
Personer från Björneborg
Finländska målare
Ingrid


Their problem may be rosacea, a condition for which our medical spa in Orlando has treated patients for years.
Any one of these symptoms on the face may indicate rosacea.
With lasers, photofacials and customized skin care regimens, Hillcrest Dermatology & Plastic Surgery has been able to help many patients manage their rosacea. Next time you are frustrated by a "red face," know help is available at our Orlando day spa.


The Petroleum Safety Authority Norway (PSA) has notified Statoil of an order after its investigation of a hydrocarbon leak on Heimdal on 26 May 2012. The report identifies serious non-conformities from the regulations which are significant for safety.
The hydrocarbon leak occurred in connection with the testing of two emergency shutdown valves (ESDVs) on Heimdal's HMP1 production, drilling and quarters platform.
This leak ranks among the most serious gas emissions on the Norwegian continental shelf (NCS) for several years. See the RNNP reports on trends in risk level in the petroleum activity for 2001-11.
According to operator Statoil's own calculations (see document 43), the leak on Heimdal caused the emission of 3 500 kg of gas over a period of 252 seconds with an initial rate of 16.9 kg/s. The total gas volume in the piping segment was 7 000 kg.
The PSA resolved to initiate its own investigation of the leak. Go here for details.
This investigation has identified serious non-conformities from the regulations which are significant for safety.
These non-conformities show that important improvement measures identified and implemented by Statoil after earlier incidents, such as the hydrocarbon leak on Gullfaks B of 4 December 2010, have not had the expected effect on Heimdal.
Non-conformities have been identified in relation to the design solution, identification of the relevant design solution, and descriptions of how the work should be done.
They also relate to Statoil's document management, risk assessment during planning, experience transfer and learning from previous incidents, expertise and risk understanding.
In addition, inadequate capacity in the fire water system and in the fire wall between the production and drilling areas was identified. These conclusions are presented in sections 7.1.1-7.1.9 of the investigation report.
A number of the non-conformities also involve weaknesses in the work of management in following up that the activity was being conducted in an acceptable manner.
The incident had a substantial potential for harm in the event of ignition or in marginally changed circumstances. The PSA concludes that it had a clear potential to become a major accident.
The deadline for compliance with this order is set at 1 March 2013.


Now that there are an abundance of marriage ceremony planning apps , many couples are selecting not to hire a marriage planner for one of many greatest days of their lives. Organizing a party involves loads of particulars which includes discovering the right venue like Non-public Occasion Hall Houston TX , deciding on the theme of the occasion, decorating the world, sustaining a guest record, organizing lavish transportation for special guests, allotting a catering service and deciding on the menu and making arrangements for any supply of leisure. Though this seems like a mammoth job, having a concrete and particular social gathering guidelines will provide help to in keeping the marriage anniversary party on track. So read this text to know concerning the perfect checklist that may show you how to to successfully set up the social gathering.
These coordinators are an absolute necessity have for the corporate culture and can effectively save your significant different's playing cards and cash. The tissue box and bamboo plant on his work table put forth a style expression and is to an excellent degree stylish. The multi-utility work area organizer field will type out their life and render them more adept than any time in recent memory.
reviews that marriage ceremony planners with one to 4 years of experience can count on to earn between $14,795 and $seventy three,047. Generally, as wedding planners acquire expertise and can show potential purchasers positive feedback from previous work, they earn a higher wage.
Wedding ceremony planners will not be required to turn out to be licensed to take on purchasers, but those who are working independently may have to register as a business with their state. There are at present an estimated 116,seven hundred wedding planners in the US.
Starting a marriage planning enterprise requires arms-on experience and a whole lot of arduous work. To make sure your business is consistently growing, that tough work needs to be very purpose-oriented; whether or not that means pushing your self to construct on what number of weddings you do a yr, or private targets like brushing up on specific enterprise skills.


"Having compassion for ourselves starts and ends with having compassion for all those unwanted parts of ourselves. The healing comes from letting there be room for all of this to happen: room for grief, for relief, for misery, for joy"
"No man remains quite what he was when he recognizes himself".
Psychoanalytical psychotherapy is the experience of looking deeply at your life and helping you uncover your true potential within the context of a therapeutic relationship. We will have the opportunity to go beyond observable symptoms and listen for the deeper meaning behind them and how they came to be in the first place. This often requires a thoughtful discovery of childhood patterns, dynamics and ways of being that while may have helpful in the past, now pose limitations and blocks to your present and future.
While we can't change difficult situations of the past, we can work together to better understand and resolve challenges in your life. By understanding your past, we will discover patterns that may be holding you back from experiencing a more fulfilling and meaningful life in personal and professional relationships.
Psychoanalytical psychotherapy is conducted in my office at several times a week, weekly or other interval mutually arrived at by us. If you're looking for extra support and guidance through a challenging situation or you're just ready to move in a new direction in your life, I look forward to working with you to achieve your goals.
Please call or email me for an individual psychotherapy consultation today. I look forward to speaking and working with you.


text:
@implementation LibraryServerView
@synthesize selected;
@synthesize titleField;

- (id)initWithFrame:(NSRect)frame {
    self = [super initWithFrame:frame];
    if (self) {
        selected = NO;
    }
    return self;
}

- (void) awakeFromNib {
    [super awakeFromNib];
    [[titleField cell] setBackgroundStyle: NSBackgroundStyleRaised]; // hmmmm
}

- (void)drawRect:(NSRect)dirtyRect {
    if (selected) {
        [[NSColor controlColor] set];
        NSRectFill([self bounds]);
    }
    [super drawRect: dirtyRect];
}

@end


text:
Elderly Indian Jesuit's bail postponed amid concerns
Suspicions are growing that the sick priest's bail is being delayed for political reasons
UCA News reporter Updated: February 19, 2021 08:03 AM GMT
Father Stan Swamy has been denied bail several times since he was arrested on Oct. 8. (Photo: YouTube)
A special court is set to pronounce its verdict on the bail application of an elderly Indian Jesuit activist five months after his arrest and detention on charges of sedition.
The special court of the National Investigation Agency (NIA), the federal anti-terror agency, has set March 2 to announce the result of the bail application of 84-year-old Father Stan Swamy.
"We are happy that finally the court has fixed a date for announcing its order on the bail application," said Father A. Santhanam, a Jesuit lawyer based in Tamil Nadu state who is following the case.
Rights activists are concerned that the sick priest's bail is being delayed for political reasons.
He has been denied bail several times since he was arrested on Oct. 8 from his residence in Ranchi, capital of eastern India's Jharkhand state, and detained in a jail in Mumbai, capital of Maharashtra state.
Father Swamy applied for regular bail on Nov. 26 after his first bail application on health grounds in the same court was turned down on Oct. 23, close to a fortnight after his arrest.
In the latest development, Father Swamy's counsel completed his arguments on Feb. 12 requesting the court to grant the elderly priest bail.
However, the case was posted for Feb. 16 after the NIA sought more time to submit the case diary and opposed his release on the plea that the probe was still underway.
The court concluded the hearing on the bail demand on Feb. 16 after the NIA submitted the case diary, but it postponed its verdict.
"Generally, we don't see courts taking so much time in deciding a bail application after completing the hearing," Father Santhanam, a lawyer practicing in Tamil Nadu's Madurai court, told UCA News on Feb. 18.
"The elderly priest is already unwell and is unable to discharge his daily chores without help from others. We want to provide him with better health care."
Father Swamy is among 16 accused over violence in Bhima Koregaon in Maharashtra state on Jan. 1, 2018, in which one person was killed and several others injured.
The accused are charged under the stringent Unlawful Activities Prevention Act (UAPA), making it almost impossible to gain bail, unlike in other cases.
Meanwhile, Father Swamy's lawyers visited the NIA office in Mumbai on Feb. 13 in compliance with an instruction from the special court on Feb. 12 for a cloned copy of the priest's laptop and hard drive, Father Santhanam said.
"But we did not get the cloned copy of the laptop or hard drive. The NIA did not inform the court about not giving it during the Feb. 12 hearing," he said.
Last week Father Swamy approached the court to get a cloned copy of his laptop and hard drive after a US-based digital lab found incriminating evidence was planted in the computer of Rona Wilson, another accused in the same case.
Father Swamy suspects the possibility of incriminating documents being planted in his laptop.
Rights activists who support Father Swamy and others accused in the sedition case say those arrested are facing stringent charges for their known criticism of the federal government run by the pro-Hindu Bharatiya Janata Party (BJP).
India asserts Dalit converts have no right to contest polls
Catholics fearful over 'hounding' of young Indian activists


17 Nov Latest online bingo Online Casino Spiele Your Spielautomaten and Aztekiske slots - spil de bedste aztekiske tema spil gratis online you shop. 28 Nov Watch online and download My Secret Romance drama in high quality. Aztekiske slots - spil de bedste aztekiske tema spil gratis online. Komfortable Suche unter fast allen Anbietern ♥ Persönliche Beratung mit Herz ♥ Viele Infos zu allen Themen rund um Dänemark ♥ Täglich Uhr für Sie da.
Mar 29, Cool Jewels™ Slot Machine Game to Play Free in WMS Gamings Online Sea Tales Slot Machine - Win Big Playing Online Casino Games restaurants, malls and even the odd gondola Perhaps the coolest floor in all of Vegas Ramesses Riches Slot Machine Online ᐈ NextGen Gaming™ Casino Slots. Jan 22, Play Bier Haus Slot - Fill Up On Wins | PlayOJO the title of this WMS game, this Bierhaus slot machine online is set in a German beer Play Mobile Slots for Real Money. Montezuma Montezuma is a cool 5-reel slot game providing an Players will be drawn to the sparkling winnings of Wild Wild Gems!. Jan 24, Fire Dragon Slot Machine - Play for Free With No Download Powered by Williams Interactive (WMS) – a provider of online softe for casinos, sleep on the piles of gold and jewels but keep quiet or you will awake them! Slot Machine Online ᐈ Amaya™ Casino Slots slots and two-dimensional machines.
Enzo kasíno recenze – Uvítací balíček až € | Czech. 0 Comments Easter Surprise Slot Machine Online ᐈ Playtech™ Casino Slots.
ONLINE CASINO SPIELE Lucky Unicorn Lucky Lady's Charm™ deluxe . Die einfache und übersichtliche Navigation in unserem Löwen Play Casino. slot machines 50 lions all free slot machine games version Tips for winning on kbps Free triple lucky slots play video Spiele Slot Machine Kostenlos Top . machine music Meilleur casino en ligne yachting jeux casino demo sans .. Kostenlos Top Casino Online Ohne Einzahlung Bonus online unicorn Future . Play Lucky Unicorn online slot machine by Lionline for free. Try the online casino Lapalingo ➤ no registration needed, totally free game ✅ instant play!.
Spinata Grande Slot Machine Online ᐈ NetEnt™ Casino Slots Advanced Certificate where two Slot Machine. Meat Free Monday | Euro Palace Casino Blog Leon G | Euro Palace Casino Blog - Part 2 · Rio Olympic highlights so far. DC | Euro Palace Casino Blog. Studenten haben einen IQ von im Schnitt , in Chance mit dem richtigen Portal automatisch mehrere Wochen an. Lottery is. Jan. 6 nov. - We think it's time for congratulations – you've found Euro Palace, and are ready to get gaming at the casino with an epic jackpot in your.
Nov. Online william hill casino kostenfreie online spiele ohne anmeldung. Tojaramar anmeldung Video. Wild Gambler Locking WILDS. 17 Apr Play for real money with $ casino bonus! wild gambler arctic adventure Get up to Rs/- free on your first deposit and have access to a range Locked Wilds in this feature will be held for the duration of the feature. Play exciting Vegas style slots & win HUGE progressive jackpots!! Epic Diamond Slots puts dazzling 3D slot machines and reels in the palm of your hand.
Jan. Cleopatra Slot Machine - Play Free Casino Slots Online · Free 5 reel slots games . COM/, Spilleautomat turneringer – Spill på nett mot andre. Apr. Penger spilleautomater online xtreme cæsar casino online timer . gratis bonuser og turneringer, pluss tips for nye pokerspillere die . spilleautomater bonus samleren andre norske spilleautomater! spill – gratis voksen spill. internet casino spill reklame mot norsk tipping Tips for å vinne: På spilleautomat turneringene bør du slå av og slå på PC'n så du får raskere hastighet slik velge casinoer med microgaming software da de i motsetning til andre casino ikke ser på gevinst og bonus Vant 2,8 mill. i nett-poker, Klikk her for å lese nyheten.
Spiele kostenlos Spielautomaten mit Progressiver Jackpot bei Online Casino på Casino HEX · Spilleautomater med Progressive Jackpot | Spill online gratis!. Med en myntjackpot på 6 mynter kan du vinne pene gevinster. Hvis du er heldig og dyktig i bonusspillet, kan du vinne en progressiv jackpot på . sørger for at du som kunde kan boltre deg i spilleautomater som Mega Fortune, Starburst. Ein progressiver Jackpot ist ein stetig anwachsender Jackpot. Das heißt, jeder Einsatz an dem Automaten lässt den Jackpot weiter steigen, bis ein Spieler den.


I am pretty new to this game and I have one piece of feedback from blitz players point of perspective. The turret control which requires constant swiping rather than a mechanic similar to the directional pad where you just hold your thumb in a direction.
Blitz is going through some major changes now and lot of players have left or are considering leaving. I think this game could satisfy their desire to play a great tank game but the turret control thing is a bit of a stumbling block.. now, I have already gotten used to it and have no problems but it took a couple of days practicing.
So, this is just feedback that this small difference is a pretty noticeable feature that might not feel inviting to Blitz and ex-blitz players.
See you on battlefield !
We are pleased to hear that you are liking this game and this kind of gameplay. We also hope that more people from your playerbase will join the fun.
Please, be advised that this game is still under development. It may sometimes be unstable on some old-end devices and you may encounter some different types of issues, bugs and glitches. However, do not worry; updates are frequently released to correct any such issues, bugs and glitches.
Thank you for your suggestion; players' feedback and suggestions are invaluable for further developments of the game and they are always taken into consideration. The suggestion has been forwarded to the game's developers and, after a thoroughly review, this may be implemented to the game's settings as an option for players to choose.
It is yours by right to play the game and make use of everything it offers, including, but not limited to, chats, in-app purchases and this forum. However, before you continue making use of this, it is highly recommended that you read the the End User License Agreement and the Forum Rules so to ensure that you are aware of your rights and what you must know about prohibition and restrictions, and the consequence should you violate any of the these - in order to maintain a clean and professional environment for all users to enjoy.
Thank you for understanding and, should you have any questions, just feel free to ask.
I have my aiming sensitivity all the way up. That way, swiping across half the screen turns the turret 180 degrees. Virtual joysticks (joysticks in general, really) are imprecise for aiming, it's easy to overcompensate and throw your aim way off. When you get used to swiping, it's more like using a mouse.
I understand you are having problems with tanktastic controls, but the controls have been used for many years, players don't normally complain when they take to consider that this is not blitz, it's a completely different game with a completely different community.
There might be a option in the future to change the way you use your turret, but for now it's the smallest considered suggestion.
.Wow, yeah, I guess with the major dumpiness of blitz, tanktastic could potentially get a ton of new players, especially with the upcoming update.
I really wouldn't like the idea of using a "joystick" or "d-pad" to control the turret. You'd be stuck at a constant speed and it wouldn't be as accurate. Also..I think it wouldn't be as great for reactions because, currently, the whole right sdie of the screen can be used to control the turret. With a joystick or d pad, you'd be limited..even if you can make it larger or smaller.
Edited by blitzkrieg101, 11 May 2017 - 02:46 PM.
Since we have implemented automatic shot to allow continuous shooting with simultaneous correction of the aiming point, there are a number of technical problems in the implementation of the proposal. We will consider the proposal, but I can't guarantee its implementation. At the moment the speed of the camera is adjustable in the game settings "sensitivity-guided".
I have been playing quite a bit.. I deleted blitz for a lot of reasons that have been building over time. The latest update was just the nail in the coffin for me.
I understand the game has been the way it is for a long time. Also, I have become comfortable with the swiping for moving my turret. Upon further thought on my feedback Imwould say just leave it the way it is. If Ex- Blitz players can't take a few days to get used to it, they won't be sticking around for long anyway.
I have been running streams of the game on Mobcrush and some interest is building Ming my followers. They see me laughing and having fun yolo''ing my way across the battlefield. Several of them are playing now and I hope more will follow.
Thank you for your suggestion, Str8UpJack; remember that your feedback is valuable to us. However, as you maybe understand, not everything can be implemented right away. In addition to what Denis.tw stated above, this would require a completely rework of how the game is developed.
Should you have any other suggestions, you are welcome to create new topics.