text:
Electric cars vs. suburban assault vehicles
Can Henry Ford's great-grandson win over the environmental movement?
By Jim Motavalli
For environmentalists, the automobile has served as a symbol of general planetary destruction since the
movement rose to prominence in the 1960s. But now, nearly 100 years
after Henry Ford founded the Ford Motor Co., its new chairman is trying to bridge
the gap between his industry and green activists, under the skeptical
eyes of both Ford shareholders and environmentalists.
The chairman is none other than Bill Ford, Henry's great-grandson. Seeking a diplomatic coup ` la Nixon's
trip to China, Ford has used the power of his family name to gain some
leeway with automotive purists and extend an olive branch of sorts to
environmentalists. Ford made waves at a speech in Dearborn, Mich.,
last year when he vowed to make Ford "the world's most environmentally
friendly automaker." The world's second-largest car manufacturer has
already made its sport-utility vehicles burn cleaner than federal
standards. Ford has purchased a controlling interest in a Norwegian
electric car maker, and plans to produce the small plastic-bodied
electric car for the U.S. market by 2003. The new chairman also made
waves in a recent Newsweek piece in which he mused in print about a day
when "a large portion of society is going to be driving alternative-fuel
vehicles."
Those seemingly innocuous steps have alarmed some financial analysts,
who fear, as the New York Times put it, "that the scion of a billionaire
family could put environmental causes ahead of profits and undermine the
industry's traditionally united front against pressures from
environmental groups."
But Ford's overtures of peace toward environmentalists may be a
harbinger of change throughout the industry. Carmakers are joining in
international alliances that will spend billions of dollars developing
highly efficient fuel-cell engines, which run on hydrogen and whose only
byproduct is drinkable water. While this fuel-cell technology
is still years away from being commercially viable,
Toyota and Honda are planning to introduce hybrid gasoline and electric powered cars that get up to 70 miles to the gallon into the U.S. market by the end of the year.
While promises of a green tomorrow abound, automakers, including
Ford, continue to make concessions to those who count driving cars with
poor fuel efficiency as among the inalienable rights referenced by
Thomas Jefferson in the Declaration of Independence. Earlier this year, Ford
rolled out the new four-ton Ford Excursion. Priced at over $45,000, the
19-foot truck gets only 12 miles to the gallon, and is expected to be a
serious player in the ongoing game of one-upmanship that continues to
draw soccer moms and suburban warriors to ever larger gas-guzzling
SUVs. The Excursion is expected to mean big bucks for Ford, with a
profit margin as high as $15,000 per truck.
The introduction of the Excursion brought an abrupt end to the warm,
fuzzy signs Bill Ford had been giving to environmental groups. In a sign of
just how precarious this new alliance is, Dan Becker, the Sierra Club's
director of global warming and energy programs, wasted little time in
firing back at the quasi-environmentalism practiced by Ford.
Becker called the Excursion a "suburban assault vehicle" and "a
rolling ad for improving auto pollution standards." Frank O'Donnell,
executive director of the Clean Air Trust, took the criticism a step
further, charging that "the Excursion undercuts the illusion of Ford as
a green company."
As environmentalists step up their attack on SUVs, car enthusiasts have come out swinging. The pages of the nation's leading auto magazines have featured the likes of P.J. O'Rourke launching an assault on "the green weenies" who want SUVs off the road. "They have gasoline in their veins," responded Dick Thompson, a manager at General Motors Advanced
Technology Vehicles, of the car enthusiasts. "They're not interested in electric vehicles, and don't see much of a future for them. These are
the same guys who resisted the move to automatic transmissions. They're good car guys, but they don't seem able to move on."
Still, environmentalists continue to rail against what they call the auto manufacturers' schizophrenia, a criticism not limited to Ford.
While car companies wheel out alternative fuel vehicles like Mercedes' new emission-free NECAR 4, behind the scenes, automobile manufacturers still flex their sizable political muscle to push for more lenient environmental standards -- hiding behind trade groups like the now-defunct American Automobile Manufacturers Association (AAMA), which lobbied Congress against tougher tailpipe and fuel economy standards. AAMA, working with the large oil companies, also spent hundreds of thousands of dollars on a widely successful mission to defeat what it regarded as onerous electric-car mandates in California. The California
mandate would have required that 2 percent of all cars sold in California in 1998 be zero-emissions, meaning battery-operated electric vehicles.
The modified regulation pushed that date back to 2003 and loosened the zero-emissions provision.
"There has never been anything in American history of similar government interference in the supply side of a major industry," said a rather dramatic AAMA report about the California rules. Other industry-funded, anti-green groups like the Global Climate Coalition dole out criticisms of global warming theory, and in the words of one
environmentalist, "pull down their zippers and relieve themselves" on global environmental standards reached in Kyoto, Japan, in 1997.
Meanwhile, the perception many auto companies have of environmental groups was summed up by Fred Heiler, a spokesman for Mercedes-Benz. "I
don't think we get a fair shake from them at all," Heiler said. "They have an irrational aversion to giving companies, particularly larger
companies, their rightful credit. Maybe it's the cross corporate America has to bear because of its past deeds. Certainly they should give a
fresh look at what we're doing, because it's considerable."
But the wall of distrust raised during the ongoing cold war between the two sides will not fall overnight. Environmentalists
still maintain a cautious stance when automakers make high-profile, environmentally friendly promises. Industry stunts like unveiling
electric cars at auto shows, but then not putting them into production, have only added to the environmentalists' cynicism and anger, as the
nation's 200 million cars continue to account for 25 percent of the country's global warming emissions.
Promises of a future of low-emission vehicles have done little to quell the most outspoken of the industry's environmental critics. They have been down this road before, with nothing but broken promises to show for it; it seems unlikely that either the new technological advances or increased funding for alternatives to the gasoline engine will lower the decibel level of the debate.
"I wouldn't expect us all to mute our criticism," said the Clean Air Trust's O'Donnell. "There's a cliché that says organizing environmentalists is like herding cats. It's not as if environmental
groups are a monolithic front."
MORE FROM Jim Motavalli


Veterans Manor, a 50-unit apartment complex on Green Bay's far east side, is on schedule for a late June or early July opening.
The project began accepting applications from low-income veterans Tuesday. Preference is given to Brown County veterans, but is not limited by residency. A grand opening is planned for mid-June.
"There are plenty of inquiries. I anticipate we'll fill the building up," said Joseph Thomae, asset manager for Cardinal Capital Management, which is in partnership on the project with Center for Veterans Issues. They operate a similar facility in Milwaukee.
The one-bedroom apartments range from 540- to 560-square feet. They include kitchens, bathrooms and living areas.
"For some, this will be the nicest place they've ever lived," Thomae said.
Other amenities include elevators, coin laundry, fitness center, computer center, high-speed computer access in apartments, community room with kitchen, storage units, surface and underground parking and a community patio. The building will have a full-time manager — likely a person with a military background — full-time maintenance and staffed Center for Veterans Issues (CVI) office.
Each of the four floors has wide hallways, high ceilings, large windows and a gathering area.
"You want to give easy social gathering places. Adding social contact is a very important thing for everybody," Thomae said.
Veterans will pay 30 percent of their income in rent. The rest is covered by vouchers.
The apartments are designed for independent living, but CVI will assist veterans in finding other services as needed, including for post-traumatic stress disorder; substance abuse; education; social anxiety; family, health and employment issues, and more.
The majority of the $7.4 million project was funded through the sale of tax credits granted through the Wisconsin Housing and Economic Development Authority. It also received $300,000 grants through the Affordable Housing Program and from a Home Depot charitable initiative, and $30,000 in federal funds through the Redevelopment Authority.
Thomae said Green Bay was chosen because of the nearby Milo C. Huempfner V.A. Clinic and because of support from Green Bay and Brown County.
"Both recognized the importance of this housing," he said.
For information or applications to Veterans Manor, go to veteransmanor.com or call RE Management Inc. at (920) 659-0838.
Other websites: Cardinal Capital Management at www.cardinalcapital.us and Center for Veterans Issues at www.cvivet.org.


text:
No es un adverbio de negación español y de otras lenguas romances y también cuasiprefijo.

No en español

La negación verbal no
Dentro de la gramática tradicional, no se clasifica como un adverbio de negación; sin embargo, su comportamiento morfosintáctico es más complejo que el de los adverbios convencionales. Por ejemplo, no es incompatible con algunas formas del verbo, como el imperativo:
(1a) ¡Cállate, por favor!
(1b) *¡No cállate, por favor! (se dice ¡No te calles, por favor!)
El comportamiento de (1b) es paralelo al comportamiento del complementador que en (2):
(2) *¡Que cállate! (se dice ¡Que te calles!)
Lo cual sugiere que, sintácticamente, la negación ocupa una posición fuera del sintagma verbal.

Algunos autores han analizado el no del español como un clítico preverbal que precede a los clíticos pronominales aduciendo la formación de preguntas para justificar que como clítico se desplaza con el verbo:
(Afirmación) Juan [no va a venir]
(Pregunta) ¿[No va a venir] Juan ?

Cuasiprefijo no-
Además, la partícula no en español es un cuasiprefijo cuando aparece en expresiones como los países no-alineados o los no-cristianos, pero dicho no debe considerarse un homófono del negador verbal (en otras lenguas romances los dos tipos de "no" se distinguen: francés ne/non, italiano non/no. El cuasiprefijo del español es cognado del francés non y el italiano no).

Véase también
 Sí
 Negación

Referencias

Bibliografía
 Pool Westgaard, Marianna (1997): "Sobre la morfología del no preverbal en español", en Estudios de lingüística formal, Colmex, México DF, ISBN 968-12-0721-1.

Enlaces externos

Adverbio

redpajama_set_name: RedPajamaWikipedia


text:
/**
 * @fileOverview Defines the {@link CKEDITOR.lang} object, for the
 * Galician language.
 */

/**#@+
   @type String
   @example
*/

/**
 * Contains the dictionary of language entries.
 * @namespace
 */
CKEDITOR.lang['gl'] =
{
	/**
	 * The language reading direction. Possible values are "rtl" for
	 * Right-To-Left languages (like Arabic) and "ltr" for Left-To-Right
	 * languages (like English).
	 * @default 'ltr'
	 */
	dir : 'ltr',

	/*
	 * Screenreader titles. Please note that screenreaders are not always capable
	 * of reading non-English words. So be careful while translating it.
	 */
	editorTitle : 'Rich text editor, %1', // MISSING
	editorHelp : 'Press ALT 0 for help', // MISSING

	// ARIA descriptions.
	toolbars	: 'Editor toolbars', // MISSING
	editor		: 'Rich Text Editor', // MISSING

	// Toolbar buttons without dialogs.
	source			: 'Código Fonte',
	newPage			: 'Nova Páxina',
	save			: 'Gardar',
	preview			: 'Vista Previa',
	cut				: 'Cortar',
	copy			: 'Copiar',
	paste			: 'Pegar',
	print			: 'Imprimir',
	underline		: 'Sub-raiado',
	bold			: 'Negrita',
	italic			: 'Cursiva',
	selectAll		: 'Seleccionar todo',
	removeFormat	: 'Eliminar Formato',
	strike			: 'Tachado',
	subscript		: 'Subíndice',
	superscript		: 'Superíndice',
	horizontalrule	: 'Inserir Liña Horizontal',
	pagebreak		: 'Inserir Salto de Páxina',
	pagebreakAlt		: 'Page Break', // MISSING
	unlink			: 'Eliminar Ligazón',
	undo			: 'Desfacer',
	redo			: 'Refacer',

	// Common messages and labels.
	common :
	{
		browseServer	: 'Navegar no Servidor',
		url				: 'URL',
		protocol		: 'Protocolo',
		upload			: 'Carregar',
		uploadSubmit	: 'Enviar ó Servidor',
		image			: 'Imaxe',
		flash			: 'Flash',
		form			: 'Formulario',
		checkbox		: 'Cadro de Verificación',
		radio			: 'Botón de Radio',
		textField		: 'Campo de Texto',
		textarea		: 'Área de Texto',
		hiddenField		: 'Campo Oculto',
		button			: 'Botón',
		select			: 'Campo de Selección',
		imageButton		: 'Botón de Imaxe',
		notSet			: '<non definido>',
		id				: 'Id',
		name			: 'Nome',
		langDir			: 'Orientación do Idioma',
		langDirLtr		: 'Esquerda a Dereita (LTR)',
		langDirRtl		: 'Dereita a Esquerda (RTL)',
		langCode		: 'Código do Idioma',
		longDescr		: 'Descrición Completa da URL',
		cssClass		: 'Clases da Folla de Estilos',
		advisoryTitle	: 'Título',
		cssStyle		: 'Estilo',
		ok				: 'OK',
		cancel			: 'Cancelar',
		close			: 'Close', // MISSING
		preview			: 'Preview', // MISSING
		generalTab		: 'General', // MISSING
		advancedTab		: 'Advanzado',
		validateNumberFailed : 'This value is not a number.', // MISSING
		confirmNewPage	: 'Any unsaved changes to this content will be lost. Are you sure you want to load new page?', // MISSING
		confirmCancel	: 'Some of the options have been changed. Are you sure to close the dialog?', // MISSING
		options			: 'Options', // MISSING
		target			: 'Target', // MISSING
		targetNew		: 'New Window (_blank)', // MISSING
		targetTop		: 'Topmost Window (_top)', // MISSING
		targetSelf		: 'Same Window (_self)', // MISSING
		targetParent	: 'Parent Window (_parent)', // MISSING
		langDirLTR		: 'Left to Right (LTR)', // MISSING
		langDirRTL		: 'Right to Left (RTL)', // MISSING
		styles			: 'Style', // MISSING
		cssClasses		: 'Stylesheet Classes', // MISSING
		width			: 'Largura',
		height			: 'Altura',
		align			: 'Aliñamento',
		alignLeft		: 'Esquerda',
		alignRight		: 'Dereita',
		alignCenter		: 'Centro',
		alignTop		: 'Tope',
		alignMiddle		: 'Centro',
		alignBottom		: 'Pé',
		invalidValue	: 'Invalid value.', // MISSING
		invalidHeight	: 'Height must be a number.', // MISSING
		invalidWidth	: 'Width must be a number.', // MISSING
		invalidCssLength	: 'Value specified for the "%1" field must be a positive number with or without a valid CSS measurement unit (px, %, in, cm, mm, em, ex, pt, or pc).', // MISSING
		invalidHtmlLength	: 'Value specified for the "%1" field must be a positive number with or without a valid HTML measurement unit (px or %).', // MISSING
		invalidInlineStyle	: 'Value specified for the inline style must consist of one or more tuples with the format of "name : value", separated by semi-colons.', // MISSING
		cssLengthTooltip	: 'Enter a number for a value in pixels or a number with a valid CSS unit (px, %, in, cm, mm, em, ex, pt, or pc).', // MISSING

		// Put the voice-only part of the label in the span.
		unavailable		: '%1, unavailable' // MISSING
	},

	contextmenu :
	{
		options : 'Context Menu Options' // MISSING
	},

	// Special char dialog.
	specialChar		:
	{
		toolbar		: 'Inserir Carácter Especial',
		title		: 'Seleccione Caracter Especial',
		options : 'Special Character Options' // MISSING
	},

	// Link dialog.
	link :
	{
		toolbar		: 'Inserir/Editar Ligazón',
		other 		: '<outro>',
		menu		: 'Editar Ligazón',
		title		: 'Ligazón',
		info		: 'Información da Ligazón',
		target		: 'Destino',
		upload		: 'Carregar',
		advanced	: 'Advanzado',
		type		: 'Tipo de Ligazón',
		toUrl		: 'URL', // MISSING
		toAnchor	: 'Referencia nesta páxina',
		toEmail		: 'E-Mail',
		targetFrame		: '<frame>',
		targetPopup		: '<Xanela Emerxente>',
		targetFrameName	: 'Nome do Marco Destino',
		targetPopupName	: 'Nome da Xanela Emerxente',
		popupFeatures	: 'Características da Xanela Emerxente',
		popupResizable	: 'Resizable', // MISSING
		popupStatusBar	: 'Barra de Estado',
		popupLocationBar: 'Barra de Localización',
		popupToolbar	: 'Barra de Ferramentas',
		popupMenuBar	: 'Barra de Menú',
		popupFullScreen	: 'A Toda Pantalla (IE)',
		popupScrollBars	: 'Barras de Desplazamento',
		popupDependent	: 'Dependente (Netscape)',
		popupLeft		: 'Posición Esquerda',
		popupTop		: 'Posición dende Arriba',
		id				: 'Id', // MISSING
		langDir			: 'Orientación do Idioma',
		langDirLTR		: 'Esquerda a Dereita (LTR)',
		langDirRTL		: 'Dereita a Esquerda (RTL)',
		acccessKey		: 'Chave de Acceso',
		name			: 'Nome',
		langCode			: 'Orientación do Idioma',
		tabIndex			: 'Índice de Tabulación',
		advisoryTitle		: 'Título',
		advisoryContentType	: 'Tipo de Contido',
		cssClasses		: 'Clases da Folla de Estilos',
		charset			: 'Fonte de Caracteres Vinculado',
		styles			: 'Estilo',
		rel			: 'Relationship', // MISSING
		selectAnchor		: 'Seleccionar unha Referencia',
		anchorName		: 'Por Nome de Referencia',
		anchorId			: 'Por Element Id',
		emailAddress		: 'Enderezo de E-Mail',
		emailSubject		: 'Asunto do Mensaxe',
		emailBody		: 'Corpo do Mensaxe',
		noAnchors		: '(Non hai referencias disponibles no documento)',
		noUrl			: 'Por favor, escriba a ligazón URL',
		noEmail			: 'Por favor, escriba o enderezo de e-mail'
	},

	// Anchor dialog
	anchor :
	{
		toolbar		: 'Inserir/Editar Referencia',
		menu		: 'Propriedades da Referencia',
		title		: 'Propriedades da Referencia',
		name		: 'Nome da Referencia',
		errorName	: 'Por favor, escriba o nome da referencia',
		remove		: 'Remove Anchor' // MISSING
	},

	// List style dialog
	list:
	{
		numberedTitle		: 'Numbered List Properties', // MISSING
		bulletedTitle		: 'Bulleted List Properties', // MISSING
		type				: 'Type', // MISSING
		start				: 'Start', // MISSING
		validateStartNumber				:'List start number must be a whole number.', // MISSING
		circle				: 'Circle', // MISSING
		disc				: 'Disc', // MISSING
		square				: 'Square', // MISSING
		none				: 'None', // MISSING
		notset				: '<not set>', // MISSING
		armenian			: 'Armenian numbering', // MISSING
		georgian			: 'Georgian numbering (an, ban, gan, etc.)', // MISSING
		lowerRoman			: 'Lower Roman (i, ii, iii, iv, v, etc.)', // MISSING
		upperRoman			: 'Upper Roman (I, II, III, IV, V, etc.)', // MISSING
		lowerAlpha			: 'Lower Alpha (a, b, c, d, e, etc.)', // MISSING
		upperAlpha			: 'Upper Alpha (A, B, C, D, E, etc.)', // MISSING
		lowerGreek			: 'Lower Greek (alpha, beta, gamma, etc.)', // MISSING
		decimal				: 'Decimal (1, 2, 3, etc.)', // MISSING
		decimalLeadingZero	: 'Decimal leading zero (01, 02, 03, etc.)' // MISSING
	},

	// Find And Replace Dialog
	findAndReplace :
	{
		title				: 'Find and Replace', // MISSING
		find				: 'Procurar',
		replace				: 'Substituir',
		findWhat			: 'Texto a procurar:',
		replaceWith			: 'Substituir con:',
		notFoundMsg			: 'Non te atopou o texto indicado.',
		findOptions			: 'Find Options', // MISSING
		matchCase			: 'Coincidir Mai./min.',
		matchWord			: 'Coincidir con toda a palabra',
		matchCyclic			: 'Match cyclic', // MISSING
		replaceAll			: 'Substitiur Todo',
		replaceSuccessMsg	: '%1 occurrence(s) replaced.' // MISSING
	},

	// Table Dialog
	table :
	{
		toolbar		: 'Tabla',
		title		: 'Propiedades da Táboa',
		menu		: 'Propiedades da Táboa',
		deleteTable	: 'Borrar Táboa',
		rows		: 'Filas',
		columns		: 'Columnas',
		border		: 'Tamaño do Borde',
		widthPx		: 'pixels',
		widthPc		: 'percent',
		widthUnit	: 'width unit', // MISSING
		cellSpace	: 'Marxe entre Celas',
		cellPad		: 'Marxe interior',
		caption		: 'Título',
		summary		: 'Sumario',
		headers		: 'Headers', // MISSING
		headersNone		: 'None', // MISSING
		headersColumn	: 'First column', // MISSING
		headersRow		: 'First Row', // MISSING
		headersBoth		: 'Both', // MISSING
		invalidRows		: 'Number of rows must be a number greater than 0.', // MISSING
		invalidCols		: 'Number of columns must be a number greater than 0.', // MISSING
		invalidBorder	: 'Border size must be a number.', // MISSING
		invalidWidth	: 'Table width must be a number.', // MISSING
		invalidHeight	: 'Table height must be a number.', // MISSING
		invalidCellSpacing	: 'Cell spacing must be a positive number.', // MISSING
		invalidCellPadding	: 'Cell padding must be a positive number.', // MISSING

		cell :
		{
			menu			: 'Cela',
			insertBefore	: 'Insert Cell Before', // MISSING
			insertAfter		: 'Insert Cell After', // MISSING
			deleteCell		: 'Borrar Cela',
			merge			: 'Unir Celas',
			mergeRight		: 'Merge Right', // MISSING
			mergeDown		: 'Merge Down', // MISSING
			splitHorizontal	: 'Split Cell Horizontally', // MISSING
			splitVertical	: 'Split Cell Vertically', // MISSING
			title			: 'Cell Properties', // MISSING
			cellType		: 'Cell Type', // MISSING
			rowSpan			: 'Rows Span', // MISSING
			colSpan			: 'Columns Span', // MISSING
			wordWrap		: 'Word Wrap', // MISSING
			hAlign			: 'Horizontal Alignment', // MISSING
			vAlign			: 'Vertical Alignment', // MISSING
			alignBaseline	: 'Baseline', // MISSING
			bgColor			: 'Background Color', // MISSING
			borderColor		: 'Border Color', // MISSING
			data			: 'Data', // MISSING
			header			: 'Header', // MISSING
			yes				: 'Yes', // MISSING
			no				: 'No', // MISSING
			invalidWidth	: 'Cell width must be a number.', // MISSING
			invalidHeight	: 'Cell height must be a number.', // MISSING
			invalidRowSpan	: 'Rows span must be a whole number.', // MISSING
			invalidColSpan	: 'Columns span must be a whole number.', // MISSING
			chooseColor		: 'Choose' // MISSING
		},

		row :
		{
			menu			: 'Fila',
			insertBefore	: 'Insert Row Before', // MISSING
			insertAfter		: 'Insert Row After', // MISSING
			deleteRow		: 'Borrar Filas'
		},

		column :
		{
			menu			: 'Columna',
			insertBefore	: 'Insert Column Before', // MISSING
			insertAfter		: 'Insert Column After', // MISSING
			deleteColumn	: 'Borrar Columnas'
		}
	},

	// Button Dialog.
	button :
	{
		title		: 'Propriedades do Botón',
		text		: 'Texto (Valor)',
		type		: 'Tipo',
		typeBtn		: 'Button', // MISSING
		typeSbm		: 'Submit', // MISSING
		typeRst		: 'Reset' // MISSING
	},

	// Checkbox and Radio Button Dialogs.
	checkboxAndRadio :
	{
		checkboxTitle : 'Propriedades do Cadro de Verificación',
		radioTitle	: 'Propriedades do Botón de Radio',
		value		: 'Valor',
		selected	: 'Seleccionado'
	},

	// Form Dialog.
	form :
	{
		title		: 'Propriedades do Formulario',
		menu		: 'Propriedades do Formulario',
		action		: 'Acción',
		method		: 'Método',
		encoding	: 'Encoding' // MISSING
	},

	// Select Field Dialog.
	select :
	{
		title		: 'Propriedades do Campo de Selección',
		selectInfo	: 'Info',
		opAvail		: 'Opcións Disponibles',
		value		: 'Valor',
		size		: 'Tamaño',
		lines		: 'liñas',
		chkMulti	: 'Permitir múltiples seleccións',
		opText		: 'Texto',
		opValue		: 'Valor',
		btnAdd		: 'Engadir',
		btnModify	: 'Modificar',
		btnUp		: 'Subir',
		btnDown		: 'Baixar',
		btnSetValue : 'Definir como valor por defecto',
		btnDelete	: 'Borrar'
	},

	// Textarea Dialog.
	textarea :
	{
		title		: 'Propriedades da Área de Texto',
		cols		: 'Columnas',
		rows		: 'Filas'
	},

	// Text Field Dialog.
	textfield :
	{
		title		: 'Propriedades do Campo de Texto',
		name		: 'Nome',
		value		: 'Valor',
		charWidth	: 'Tamaño do Caracter',
		maxChars	: 'Máximo de Caracteres',
		type		: 'Tipo',
		typeText	: 'Texto',
		typePass	: 'Chave'
	},

	// Hidden Field Dialog.
	hidden :
	{
		title	: 'Propriedades do Campo Oculto',
		name	: 'Nome',
		value	: 'Valor'
	},

	// Image Dialog.
	image :
	{
		title		: 'Propriedades da Imaxe',
		titleButton	: 'Propriedades do Botón de Imaxe',
		menu		: 'Propriedades da Imaxe',
		infoTab		: 'Información da Imaxe',
		btnUpload	: 'Enviar ó Servidor',
		upload		: 'Carregar',
		alt			: 'Texto Alternativo',
		lockRatio	: 'Proporcional',
		resetSize	: 'Tamaño Orixinal',
		border		: 'Límite',
		hSpace		: 'Esp. Horiz.',
		vSpace		: 'Esp. Vert.',
		alertUrl	: 'Por favor, escriba a URL da imaxe',
		linkTab		: 'Ligazón',
		button2Img	: 'Do you want to transform the selected image button on a simple image?', // MISSING
		img2Button	: 'Do you want to transform the selected image on a image button?', // MISSING
		urlMissing	: 'Image source URL is missing.', // MISSING
		validateBorder	: 'Border must be a whole number.', // MISSING
		validateHSpace	: 'HSpace must be a whole number.', // MISSING
		validateVSpace	: 'VSpace must be a whole number.' // MISSING
	},

	// Flash Dialog
	flash :
	{
		properties		: 'Propriedades Flash',
		propertiesTab	: 'Properties', // MISSING
		title			: 'Propriedades Flash',
		chkPlay			: 'Auto Execución',
		chkLoop			: 'Bucle',
		chkMenu			: 'Activar Menú Flash',
		chkFull			: 'Allow Fullscreen', // MISSING
 		scale			: 'Escalar',
		scaleAll		: 'Amosar Todo',
		scaleNoBorder	: 'Sen Borde',
		scaleFit		: 'Encaixar axustando',
		access			: 'Script Access', // MISSING
		accessAlways	: 'Always', // MISSING
		accessSameDomain: 'Same domain', // MISSING
		accessNever		: 'Never', // MISSING
		alignAbsBottom	: 'Abs Inferior',
		alignAbsMiddle	: 'Abs Centro',
		alignBaseline	: 'Liña Base',
		alignTextTop	: 'Tope do Texto',
		quality			: 'Quality', // MISSING
		qualityBest		: 'Best', // MISSING
		qualityHigh		: 'High', // MISSING
		qualityAutoHigh	: 'Auto High', // MISSING
		qualityMedium	: 'Medium', // MISSING
		qualityAutoLow	: 'Auto Low', // MISSING
		qualityLow		: 'Low', // MISSING
		windowModeWindow: 'Window', // MISSING
		windowModeOpaque: 'Opaque', // MISSING
		windowModeTransparent : 'Transparent', // MISSING
		windowMode		: 'Window mode', // MISSING
		flashvars		: 'Variables for Flash', // MISSING
		bgcolor			: 'Cor do Fondo',
		hSpace			: 'Esp. Horiz.',
		vSpace			: 'Esp. Vert.',
		validateSrc		: 'Por favor, escriba a ligazón URL',
		validateHSpace	: 'HSpace must be a number.', // MISSING
		validateVSpace	: 'VSpace must be a number.' // MISSING
	},

	// Speller Pages Dialog
	spellCheck :
	{
		toolbar			: 'Corrección Ortográfica',
		title			: 'Spell Check', // MISSING
		notAvailable	: 'Sorry, but service is unavailable now.', // MISSING
		errorLoading	: 'Error loading application service host: %s.', // MISSING
		notInDic		: 'Non está no diccionario',
		changeTo		: 'Cambiar a',
		btnIgnore		: 'Ignorar',
		btnIgnoreAll	: 'Ignorar Todas',
		btnReplace		: 'Substituir',
		btnReplaceAll	: 'Substituir Todas',
		btnUndo			: 'Desfacer',
		noSuggestions	: '- Sen candidatos -',
		progress		: 'Corrección ortográfica en progreso...',
		noMispell		: 'Corrección ortográfica rematada: Non se atoparon erros',
		noChanges		: 'Corrección ortográfica rematada: Non se substituiu nengunha verba',
		oneChange		: 'Corrección ortográfica rematada: Unha verba substituida',
		manyChanges		: 'Corrección ortográfica rematada: %1 verbas substituidas',
		ieSpellDownload	: 'O corrector ortográfico non está instalado. ¿Quere descargalo agora?'
	},

	smiley :
	{
		toolbar	: 'Smiley',
		title	: 'Inserte un Smiley',
		options : 'Smiley Options' // MISSING
	},

	elementsPath :
	{
		eleLabel : 'Elements path', // MISSING
		eleTitle : '%1 element' // MISSING
	},

	numberedlist	: 'Lista Numerada',
	bulletedlist	: 'Marcas',
	indent			: 'Aumentar Sangría',
	outdent			: 'Disminuir Sangría',

	justify :
	{
		left	: 'Aliñar á Esquerda',
		center	: 'Centrado',
		right	: 'Aliñar á Dereita',
		block	: 'Xustificado'
	},

	blockquote : 'Block Quote', // MISSING

	clipboard :
	{
		title		: 'Pegar',
		cutError	: 'Os axustes de seguridade do seu navegador non permiten que o editor realice automáticamente as tarefas de corte. Por favor, use o teclado para iso (Ctrl/Cmd+X).',
		copyError	: 'Os axustes de seguridade do seu navegador non permiten que o editor realice automáticamente as tarefas de copia. Por favor, use o teclado para iso (Ctrl/Cmd+C).',
		pasteMsg	: 'Por favor, pegue dentro do seguinte cadro usando o teclado (Ctrl/Cmd+V) e pulse OK.',
		securityMsg	: 'Because of your browser security settings, the editor is not able to access your clipboard data directly. You are required to paste it again in this window.', // MISSING
		pasteArea	: 'Paste Area' // MISSING
	},

	pastefromword :
	{
		confirmCleanup	: 'The text you want to paste seems to be copied from Word. Do you want to clean it before pasting?', // MISSING
		toolbar			: 'Pegar dende Word',
		title			: 'Pegar dende Word',
		error			: 'It was not possible to clean up the pasted data due to an internal error' // MISSING
	},

	pasteText :
	{
		button	: 'Pegar como texto plano',
		title	: 'Pegar como texto plano'
	},

	templates :
	{
		button			: 'Plantillas',
		title			: 'Plantillas de Contido',
		options : 'Template Options', // MISSING
		insertOption	: 'Replace actual contents', // MISSING
		selectPromptMsg	: 'Por favor, seleccione a plantilla a abrir no editor
(o contido actual perderase):',
		emptyListMsg	: '(Non hai plantillas definidas)'
	},

	showBlocks : 'Show Blocks', // MISSING

	stylesCombo :
	{
		label		: 'Estilo',
		panelTitle	: 'Formatting Styles', // MISSING
		panelTitle1	: 'Block Styles', // MISSING
		panelTitle2	: 'Inline Styles', // MISSING
		panelTitle3	: 'Object Styles' // MISSING
	},

	format :
	{
		label		: 'Formato',
		panelTitle	: 'Formato',

		tag_p		: 'Normal',
		tag_pre		: 'Formateado',
		tag_address	: 'Enderezo',
		tag_h1		: 'Enacabezado 1',
		tag_h2		: 'Encabezado 2',
		tag_h3		: 'Encabezado 3',
		tag_h4		: 'Encabezado 4',
		tag_h5		: 'Encabezado 5',
		tag_h6		: 'Encabezado 6',
		tag_div		: 'Paragraph (DIV)'
	},

	div :
	{
		title				: 'Create Div Container', // MISSING
		toolbar				: 'Create Div Container', // MISSING
		cssClassInputLabel	: 'Stylesheet Classes', // MISSING
		styleSelectLabel	: 'Style', // MISSING
		IdInputLabel		: 'Id', // MISSING
		languageCodeInputLabel	: ' Language Code', // MISSING
		inlineStyleInputLabel	: 'Inline Style', // MISSING
		advisoryTitleInputLabel	: 'Advisory Title', // MISSING
		langDirLabel		: 'Language Direction', // MISSING
		langDirLTRLabel		: 'Left to Right (LTR)', // MISSING
		langDirRTLLabel		: 'Right to Left (RTL)', // MISSING
		edit				: 'Edit Div', // MISSING
		remove				: 'Remove Div' // MISSING
  	},

	iframe :
	{
		title		: 'IFrame Properties', // MISSING
		toolbar		: 'IFrame', // MISSING
		noUrl		: 'Please type the iframe URL', // MISSING
		scrolling	: 'Enable scrollbars', // MISSING
		border		: 'Show frame border' // MISSING
	},

	font :
	{
		label		: 'Tipo',
		voiceLabel	: 'Font', // MISSING
		panelTitle	: 'Tipo'
	},

	fontSize :
	{
		label		: 'Tamaño',
		voiceLabel	: 'Font Size', // MISSING
		panelTitle	: 'Tamaño'
	},

	colorButton :
	{
		textColorTitle	: 'Cor do Texto',
		bgColorTitle	: 'Cor do Fondo',
		panelTitle		: 'Colors', // MISSING
		auto			: 'Automático',
		more			: 'Máis Cores...'
	},

	colors :
	{
		'000' : 'Black', // MISSING
		'800000' : 'Maroon', // MISSING
		'8B4513' : 'Saddle Brown', // MISSING
		'2F4F4F' : 'Dark Slate Gray', // MISSING
		'008080' : 'Teal', // MISSING
		'000080' : 'Navy', // MISSING
		'4B0082' : 'Indigo', // MISSING
		'696969' : 'Dark Gray', // MISSING
		'B22222' : 'Fire Brick', // MISSING
		'A52A2A' : 'Brown', // MISSING
		'DAA520' : 'Golden Rod', // MISSING
		'006400' : 'Dark Green', // MISSING
		'40E0D0' : 'Turquoise', // MISSING
		'0000CD' : 'Medium Blue', // MISSING
		'800080' : 'Purple', // MISSING
		'808080' : 'Gray', // MISSING
		'F00' : 'Red', // MISSING
		'FF8C00' : 'Dark Orange', // MISSING
		'FFD700' : 'Gold', // MISSING
		'008000' : 'Green', // MISSING
		'0FF' : 'Cyan', // MISSING
		'00F' : 'Blue', // MISSING
		'EE82EE' : 'Violet', // MISSING
		'A9A9A9' : 'Dim Gray', // MISSING
		'FFA07A' : 'Light Salmon', // MISSING
		'FFA500' : 'Orange', // MISSING
		'FFFF00' : 'Yellow', // MISSING
		'00FF00' : 'Lime', // MISSING
		'AFEEEE' : 'Pale Turquoise', // MISSING
		'ADD8E6' : 'Light Blue', // MISSING
		'DDA0DD' : 'Plum', // MISSING
		'D3D3D3' : 'Light Grey', // MISSING
		'FFF0F5' : 'Lavender Blush', // MISSING
		'FAEBD7' : 'Antique White', // MISSING
		'FFFFE0' : 'Light Yellow', // MISSING
		'F0FFF0' : 'Honeydew', // MISSING
		'F0FFFF' : 'Azure', // MISSING
		'F0F8FF' : 'Alice Blue', // MISSING
		'E6E6FA' : 'Lavender', // MISSING
		'FFF' : 'White' // MISSING
	},

	scayt :
	{
		title			: 'Spell Check As You Type', // MISSING
		opera_title		: 'Not supported by Opera', // MISSING
		enable			: 'Enable SCAYT', // MISSING
		disable			: 'Disable SCAYT', // MISSING
		about			: 'About SCAYT', // MISSING
		toggle			: 'Toggle SCAYT', // MISSING
		options			: 'Options', // MISSING
		langs			: 'Languages', // MISSING
		moreSuggestions	: 'More suggestions', // MISSING
		ignore			: 'Ignore', // MISSING
		ignoreAll		: 'Ignore All', // MISSING
		addWord			: 'Add Word', // MISSING
		emptyDic		: 'Dictionary name should not be empty.', // MISSING
		noSuggestions	: 'Sen candidatos',
		optionsTab		: 'Options', // MISSING
		allCaps			: 'Ignore All-Caps Words', // MISSING
		ignoreDomainNames : 'Ignore Domain Names', // MISSING
		mixedCase		: 'Ignore Words with Mixed Case', // MISSING
		mixedWithDigits	: 'Ignore Words with Numbers', // MISSING

		languagesTab	: 'Languages', // MISSING

		dictionariesTab	: 'Dictionaries', // MISSING
		dic_field_name	: 'Dictionary name', // MISSING
		dic_create		: 'Create', // MISSING
		dic_restore		: 'Restore', // MISSING
		dic_delete		: 'Delete', // MISSING
		dic_rename		: 'Rename', // MISSING
		dic_info		: 'Initially the User Dictionary is stored in a Cookie. However, Cookies are limited in size. When the User Dictionary grows to a point where it cannot be stored in a Cookie, then the dictionary may be stored on our server. To store your personal dictionary on our server you should specify a name for your dictionary. If you already have a stored dictionary, please type its name and click the Restore button.', // MISSING

		aboutTab		: 'About' // MISSING
	},

	about :
	{
		title		: 'About CKEditor', // MISSING
		dlgTitle	: 'About CKEditor', // MISSING
		help	: 'Check $1 for help.', // MISSING
		userGuide : 'CKEditor User\'s Guide', // MISSING
		moreInfo	: 'For licensing information please visit our web site:', // MISSING
		copy		: 'Copyright © $1. All rights reserved.' // MISSING
	},

	maximize : 'Maximize', // MISSING
	minimize : 'Minimize', // MISSING

	fakeobjects :
	{
		anchor		: 'Anchor', // MISSING
		flash		: 'Flash Animation', // MISSING
		iframe		: 'IFrame', // MISSING
		hiddenfield	: 'Hidden Field', // MISSING
		unknown		: 'Unknown Object' // MISSING
	},

	resize : 'Drag to resize', // MISSING

	colordialog :
	{
		title		: 'Select color', // MISSING
		options	:	'Color Options', // MISSING
		highlight	: 'Highlight', // MISSING
		selected	: 'Selected Color', // MISSING
		clear		: 'Clear' // MISSING
	},

	toolbarCollapse	: 'Collapse Toolbar', // MISSING
	toolbarExpand	: 'Expand Toolbar', // MISSING

	toolbarGroups :
	{
		document : 'Document', // MISSING
		clipboard : 'Clipboard/Undo', // MISSING
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		forms : 'Forms', // MISSING
		basicstyles : 'Basic Styles', // MISSING
		paragraph : 'Paragraph', // MISSING
		links : 'Links', // MISSING
		insert : 'Insert', // MISSING
		styles : 'Styles', // MISSING
		colors : 'Colors', // MISSING
		tools : 'Tools' // MISSING
	},

	bidi :
	{
		ltr : 'Text direction from left to right', // MISSING
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	docprops :
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		label : 'Propriedades do Documento',
		title : 'Propriedades do Documento',
		design : 'Design', // MISSING
		meta : 'Meta Tags', // MISSING
		chooseColor : 'Choose', // MISSING
		other : '<outro>',
		docTitle :	'Título da Páxina',
		charset : 	'Codificación do Xogo de Caracteres',
		charsetOther : 'Outra Codificación do Xogo de Caracteres',
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		charsetUN : 'Unicode (UTF-8)', // MISSING
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		xhtmlDec : 'Incluir Declaracións XHTML',
		bgColor : 'Cor de Fondo',
		bgImage : 'URL da Imaxe de Fondo',
		bgFixed : 'Fondo Fixo',
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		margin : 'Marxes da Páxina',
		marginTop : 'Arriba',
		marginLeft : 'Esquerda',
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		marginBottom : 'Abaixo',
		metaKeywords : 'Palabras Chave de Indexación do Documento (separadas por comas)',
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		previewHtml : '
This is some sample text. You are using CKEditor.
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};

redpajama_set_name: RedPajamaGithub


text:
Rugby World Cup 2019™
View All Rugby World Cup 2019™
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Home > Canterbury > Rugby World Cup 2019 > Ambassador Profile Robbie Henshaw
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Rugby World Cup 2019, Sponsored Teams, Team Canterbury
Ambassador Profile Robbie Henshaw
By Team CCC / September 2nd, 2019 / There are currently 0 comments
Position: Outside Centre
Teams: Leinster and Ireland
Caps for Ireland: 37
Rugby Career
Robbie has played for Ireland at various age levels, first pulling on the senior Ireland Jersey in 2013. Since the retirement of Brian O'Driscoll, Henshaw has risen to prominence in the outside centre position. Following his performance in the 2015 Six Nations, Robbie was selected to be part of the Rugby World Cup squad in the same year. With him named in the training squad for this year's World Cup – hopefully we'll see Robbie in Japan!
He also took part in his first British and Irish Lions Tour in 2017.
Henshaw is part of a small group that have been part of a senior international squad as a teenager, making his debut for Ireland at 19.
Like most players, Robbie can't get enough of the buzz of pulling on the green shirt. While pretty much his whole life has been rugby, and he has since played in tours and the Rugby world cup, he still says his proudest moment was getting his first international cap and walking out onto the field in the Ireland jersey.
Forget injury, losing matches or making mistakes on the pitch, Robbie says is biggest fear is spotting a big spider in his room. Surely some of the guys he has played against are more terrifying than that?
Robbie says that one of his biggest career disappointments was Ireland's loss to Argentina at the 2015 World Cup. According to Henshaw, the history of Argentina knocking Ireland out both in 2007 and 2015, sets them up as Ireland's biggest rivals this year!

redpajama_set_name: RedPajamaCommonCrawl


Sangoma Records proudly presents this mind-bending compilation by BuzZ from Japan and Daksinamurti from Germany, who will send you on a musical journey to discover the Tanuki – an ancient magical being significant to Japanese folklore. After an action filled week in Japan they decided to join forces, and this release is the result of a friendship regardless of any cultural, language or timezone barriers. A cosmic fusion between East and West, which found it's common ground in their love for psychedelic music. Playful and groovy music apart from stereotypes await you with a strong focus on crispy clear production highlighted by clean mastering by Scorb. Buzz and Daksi have gathered some of their favorite artists and new talent to showcase their interpretation of nighttime music made to be played outdoors under the moon.


In an age when researchers can access materials from around the globe from the comfort of their own homes and offices, why should we still travel to archives? How can we shed light both on the 'text' itself – written, drawn, or otherwise – and on the culture in which it was embedded by studying archival, material texts not only as vessels for words, but as objects created and put to use in everyday life? The 'Early Modern Matters' conference will bring together scholars of all disciplines whose research engages with the material textual culture of the early modern period (c. 1500-1700).
Proposals are invited from doctoral students whose universities are affiliated with CHASE (Consortium for the Humanities and Arts South-East England) for 20-minute papers, which have firm foundations in the study of material texts or, whether literary, artistic, historical, scientific, etc.
If you are interested in contributing to the conference, please submit an abstract of up to 300 words together with a short biography to: a.wyatt@uea.ac.uk by February 25 2019.
More information about this event and about how to register is available here.
A place reserved is for a Birkbeck Arts or Humanities PhD student on this fully funded CHASE doctoral training opportunity: Objects in Space, Subjects in Time: The Material Cultures of Postcolonial History.
This is a series of six workshops across the year which explore global, transnational and postcolonial pasts by engaging with material collections and texts or objects in museums and exhibition spaces across London, as well as training in creating vlogs and media projects. For full details see below.
Travel costs, participation costs and refreshments are all included and funded by CHASE.
To apply for this place, please send the following to Kat Hill (Katherine.hill@bbk.ac.uk) by Monday October 15th (Midnight).
Max. 1000 word statement explaining why you would be a suitable candidate and how it will enhance your research.
over the course of the series, you will produce a video, blogpost or other public-facing reflection, drawing on your own research and the materials in these workshops. You will receive training from the Derek Jarman Lab, Birkbeck's media department, on how to produce an effective media project and have the opportunity to contribute to a podcast with a top broadcaster, as well as present your ideas on the sessions to a non-academic audience.
The focus in all of the workshops will, therefore, be on the complex material histories of empires, as vehicles for migration, trade, translation and the imposition of political authority, and simultaneously on developing a constant awareness of the sub-structures of knowledge creation that underpin any approach to the past. They will combine to give you fresh ways to think with objects and to challenge categories and ideologies of colonialism, not only as they were historically constructed, but also as they continue to shape the world today.
What will you get from these sessions?
From Field to Page is two training days, which map the core skills required of medical humanities doctoral research and support doctoral researchers as they undertake their projects.
Are you close to a full draft of your thesis? Does it resemble a baggy monster that needs taming? If so, this two-day residential workshop is for you. Through activities and tutorials, you'll learn techniques for getting your thesis into shape. By the end of the weekend, you'll have a perfectly polished chapter and a clear strategy for tackling the rest of your thesis.


text:
Nemrud Dagi
The Hierothesion of Antiochus I of Commagene - Results of the American Excavations Directed by Theresa B. Goell Volume 1: Texts Volume 2: Illustrations
Edited by Donald H. Sanders
These two volumes chronicle the pioneering efforts of Theresa Goell and international teams to record accurately and comprehensively the material remains of Nemrud Dagi, to interpret their meaning, and to provide access for the scholarly community to the wealth of data heretofore unavailable. Donald Sanders has here brought those efforts to fruition by publishing the results of the survey and excavations in the first comprehensive report on the site in more than a century. Volume 1 contains the written reports on excavations, edited and supplemented by Sanders. Volume 2 contains more than 600 illustrations, including many line drawings and photos never before published. This publication will provide researchers with much information pertinent to the art, history, and religion of Hellenistic Asia Minor and the Seleucid dynasty.
EDITOR'S PREFACE
INTRODUCTION - T. Goell
ACKNOWLEDGMENTS - T. Goell
FOREWORD: A Personal Story about My Sister - K. Goell
CHAPTER 1. GEOGRAPHY
1A. Introduction - H. G. Bachmann
1B. Site Description - D. H. Sanders
1C. Topography - T. Goell
1D. Geology - H. G. Bachmann and T. Goell
1E. Mineralogy - H. G. Bachmann, T. E. Brown, and W. T. Chase
1F. Fossils - D. H. Sanders
1G. Flora and Fauna - H. G. Bachmann and D. H. Sanders
CHAPTER 2. ANCIENT SOURCES AND PREVIOUS SCHOLARSHIP - T. Goell
2A. Late Hittite and Assyrian Sources
2B. Post-Assyrian History
2C. Roman Sources
2D. Nineteenth- and Early Twentieth-Century Investigations
APPENDIX: Compendium of Ancient Roman Sources
CHAPTER 3. INVESTIGATIONS AND EXCAVATIONS OF THE 1950s, 1960s, 1970s, AND 1980s
3A. 1950s and 1961 - T. Goell
3B. 1963 and 1964, Geophysical Explorations - J. R. Hutt
3C. 1970s and 1980s - T. Goell and D. H. Sanders
APPENDIX: List of Personnel
CHAPTER 4. ARCHITECTURE - T. Goell, O. Neugebauer, D. H. Sanders, and J. H. Young
4A. Dating of Nemrud Dagi and of the Life of Antiochus I, King of Commagene - T. Goell and O. Neugebauer
4B. The Mound: Approaches, Site Circulation, Tumulus Construction - T. Goell and D. H. Sanders
4C. Detailed Site Description: East Terrace, West Terrace, North Terrace - T. Goell, D. H. Sanders, and J. H. Young
4D. Function and Use of Antiochus' Hierothesion - T. Goell and D. H. Sanders
4E. Affiliations of the Architecture at Nemrud Dagi - T. Goell and D. H. Sanders
EDITOR'S CONCLUSION TO PART I
CHAPTER 5. SCULPTURE AND INSCRIPTION CATALOGUE - F. K. Dorner and J. H. Young
5A. Editor's Introduction
5B. Authors' Introduction
5C. The Propylaia Odoi
5D. The Colossial Statues (the Synthronoi Theoi)
5E. The Nomos Inscriptions
5F. The Dexiosis and Investiture Reliefs
5G. The Lion Horoscope Reliefs
5H. The Paternal Ancestors of Antiochus
5I. The Maternal Ancestors of Antiochus
5J. Miscellaneous Figures and Inscriptions
Miscellaneous Inscriptions
ADDENDA. The 1973 Finds
CHAPTER 6. EPIGRAPHY ANALYSIS - F. K. Dorner
6A. Reconstruction of the Paternal Ancestors Sequence
6B. Reconstruction of the Maternal Ancestors Sequence
CHAPTER 7. SCULPTURE ANALYSIS - D. H. Sanders and J. H. Young
7B. Iconographical Index
7C. Motif Index
7D. Commentary
7E. The Nine Basic Figural Types of Commagenian Sculptures and the Variations within Them
CHAPTER 8. SMALL FINDS
8A. Coins - T. Goell, D. H. Sanders, and The American Numismatic Society
8B. Metal Finds - D. Stronach
APPENDIX A. RUBBER SQUEEZES - D. H. Sanders
APPENDIX B. MUSEUM LOCATION OF NEMRUD DAGI FRAGMENTS - D. H. Sanders


Drop safes, also known as depository safes, work well for cash businesses that have employees managing the cash flow during the day or night. While the manager or owner is off site, the employees can periodically empty their cash register or cash box into the drop safe. Once the money or paperwork is dropped in, only managers and owners will have access to the deposit through the safe door.
The most common drop safes are those that work like a mailbox drop, or the rotary hopper drop safe that spins a special cylinder designed for deposits. The difference is simply a matter of preference. Retail stores, grocery stores, and other cash businesses benefit greatly from safes like these.
It is extremely important to know that a lot of these drop safes are not meant to keep large amounts of cash stored away overnight. Many are designed for businesses that will either have the money taken to the bank, or removed by an armored carrier.
For an overnight storage drop safe, perhaps for a nightclub or bar, it is recommended that you consider high security burglary rated safes that have drop systems built into them. Original offers Armored Carrier K9T's and Double Door Drop safes at TL30 and TL30X6 burglary ratings.
Email [email protected] for more information on high security drop safes.


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Luis Valenzuela
Originally from Guadalajara, Mexico-born Luis Valenzuela had a passion for food at an early age. Luis immigrated to Toronto in 2001 to study the culinary arts at George Brown College where he quickly developed his own unique style and flair, embracing traditional methods while staying true to his Latin roots. He then went on to Toronto's notable North 44 and Bymark restaurants, working with renowned Chef Owner Mark McEwan and Executive Chef Brooke McDougall and Andrew Ellerby.
Luis continued to work under influential leaders who helped shape his culinary style. His travels took him to Europe where he worked under Chef Bruno Barrbieri in Verona, Italy and Chef Adolfo Munoz in Toldeo, Spain. After returning to Toronto, Luis became Head Chef at Café Cinquecento in 2006, and quickly rose through the culinary scene and became Executive Chef at Torito Tapas Bar in 2007. Throughout these experiences, Luis has been able to create balance by contributing back to the community through meaningful charitable causes and campaigns.
In 2012, he became Co-Owner and Executive Chef of Carmen Cocina Espanola, offering Toronto Spanish-inspired cuisine paired with Luis' bold influence. In 2013, Carmen received a nomination as one of Canada's Best New Restaurants by Enroute Magazine.
Luis' culinary philosophy reflects the rich diversity of Toronto. He articulates global flavours while also honouring the land, working with southern Ontario producers and farmers to seek out the finest regional ingredients. Outgoing and devoted to craft, Luis is also passionate about mentoring young chefs to discover their talents in the same way that he was encouraged. He is proud to foster strong and dynamic teams that are continuously learning and striving for excellence. Luis is passionate about making a difference to cuisine in Canada, one dish at a time


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Otávio Guilherme Cardoso Alves Velho (São Paulo, 30 de setembro de 1941) é um antropólogo brasileiro, Professor Emérito da Universidade Federal do Rio de Janeiro e pesquisador da área de Antropologia da Religião.

Carreira
Bacharel em Ciências Políticas e Sociais pela PUC-RJ (1964), é mestre em Antropologia Social pela UFRJ 1970, doutor em Filosofia pela Universidade de Manchester 1973, com pós-doutorado pela Stanford University (1981). professor titular (1993) e professor emérito (2005) de Antropologia Social da Universidade Federal do Rio de Janeiro, é também pesquisador emérito do Departamento de Antropologia/Museu Nacional/UFRJ.

Em 2014 foi aclamado Presidente de Honra da Sociedade Brasileira para o Progresso da Ciência SBPC, tendo sido membro da diretoria da SBPC por três mandatos, ocupando os cargos de secretário (1983-1985), vice-presidente (2007-2009 e 2009-2011) e membro do conselho, também por três mandatos (1979-1983, 1985-1989 e 1995-1999). Desde 2014 é Membro Titular da Academia Brasileira de Ciências.

Otávio Velho também é membro do Conselho Superior da Fundação de Amparo à Pesquisa do Rio de Janeiro (Faperj). Presidiu a Associação Nacional de Pós-Graduação e Pesquisa em Ciências Sociais (Anpocs) entre 1986 e 1988. Foi também presidente do Instituto de Estudos da Religião - ISER (1989-1990).

Foi editor científico da revista Ciência Hoje da SBPC e membro do Conselho Diretor do Projeto Ciência Hoje, de 1997 a 2001.

É irmão do também antropólogo Gilberto Velho.

Prêmios
Detentor da Grã-Cruz da Ordem Nacional do Mérito Científico, da Medalha Roquette Pinto de Contribuição à Antropologia Brasileira outorgada pela Associação Brasileira de Antropologia e da medalha Carlos Chagas Filho de Amparo à Pesquisa do Estado do Rio de Janeiro.

Publicações
Além de artigos em periódicos especializados e obras coletivas nos Estados Unidos, Grã-Bretanha, Argentina, Peru, Holanda, Suécia, Suíça, Portugal e Itália, Otávio Velho publicou os seguintes livros:

Besta-Fera: Recriação do Mundo. Relume-Dumará, 1995;
Sociedade e Agricultura. Zahar, 1982;
Capitalismo Autoritário e Campesinato Difusão Européia do Livro, 1976, 1979;
Frentes de Expansão e Estrutura Agrária Zahar, 1972, 1981.
Mais realistas do que o Rei – Ocidentalismo, religião e modernidades alternativas. Topbooks, 2007. ISBN 978-8574751351
Circuitos Infinitos. São Paulo, Attar, 2015. ISBN 978-8585115210
Antinomias do Real, Editora UFRJ, 2018. ISBN 978-8571084247

Ligações externas

Antropólogos de São Paulo
Cientistas sociais do Brasil
Nascidos em 1941
Ordem Nacional do Mérito Científico
Professores da Universidade Federal do Rio de Janeiro
Membros da Academia Brasileira de Ciências
Alunos da Pontifícia Universidade Católica do Rio de Janeiro
Alunos da Universidade Federal do Rio de Janeiro
Alunos da Universidade de Manchester


text:
Q: How can I read the lines on my code without including spaces? C# int cont1 = 0;
string[] LOC = this.txtCodigo.Text.Split('\n');
foreach (var item in LOC)
{
    if (item != "\r")
    {
        cont1++;
    }
}

So I have this. If I could get a better answer than this that would help, because it's not working!

A: Instead of splitting just on the \n character you can use the Split overload that allows to split on more than one string and, if some empty lines are produced, ask Split to remove them
string[] LOC = this.txtCodigo.Text.Split(new string[] { "\r", "\n" }, StringSplitOptions.RemoveEmptyEntries);

At this point your LOC array doesn't contains any \r to skip and you can get the count just from the LOC.Length property
count1 = LOC.Length;

A: Alternatively, using Linq
txtCodigo.Text.Split(new[] { '\r', '\n' }).Count(x => !string.IsNullOrWhiteSpace(x));

redpajama_set_name: RedPajamaStackExchange


The internet is where the majority of people now look for new businesses and services. If you can't be found, what they do find doesn't impress them, or they are not interested with the content then they will just go somewhere else.
Corona Dental specialise in designing business websites which are not only visually stunning but also generate real responses as part of an overall online marketing campaign.


text:
Home News High-Ability Students With Financial Need Require More Su...
High-Ability Students With Financial Need Require More Support
Despite signs of progress, state policies nationwide are falling short in supporting the needs of high-ability students with financial need, a report from the Jack Kent Cooke Foundation finds.
The report, Equal Talents, Unequal Opportunities, Second Edition (58 pages, PDF), a follow-up to the first edition published in 2015, measures the extent to which states are addressing the needs of high-ability students from low- and moderate-income backgrounds. The report assessed states on two measures: excellence, defined by the extent to which states achieve advanced learning outcomes for all students; and the closing of excellence gaps, determined by the degree to which low-income students are equally likely to achieve high levels of academic excellence as other students. According to the report, fourteen states received a grade of a B or better for their work supporting excellence, while no state received a B or better for closing excellence gaps.
With the goal of addressing both issues, the report recommends that states maximize their efforts to identify students in a position to receive advanced learning opportunities; ensure that all high-ability students have access to advanced educational services; address barriers that prevent high-ability students from moving through coursework at a pace that matches their achievement level; hold local education agencies (LEAs) accountable for the performance of high-ability students from all economic backgrounds; and create comprehensive talent development plans that help guide advanced students through their educational careers from kindergarten through high school.
"Year after year, in every state and community in our nation, students from families with financial need are less likely than their peers to reach advanced levels of academic performance, even when demonstrating the potential to do so," said Cooke Foundation executive director Harold O. Levy. "Our country needs to develop every child's talent to their full potential. To do so, we must start by ensuring that all students have access to advanced educational offerings."
(Photo credit: As I See It)
"State Report Card Shows Most State Struggle to Support High-Achieving Students With Financial Need." Jack Kent Cooke Foundation Press Release 03/20/2018.
Subjects: education; elementary / secondary education
People: harold o. levy
Organization: jack kent cooke foundation
Location: national
August 22, 2017	Report Calls on Top Colleges to Expand Access for Low-Income Students
June 25, 2017	UNC-Chapel Hill Wins Cooke Prize for Equity in Educational Excellence
January 13, 2016	Report Argues for 'Poverty Preference' for College Admissions
April 8, 2015	Vassar College Wins Cooke Prize for Equity in Educational Excellence
March 30, 2015	JKCF Awards $1.6 Million for STEM Education for Low-Income Students
February 8, 2015	'Breaking Down Walls: Increasing Access to Four-Year Colleges for High-Achieving Community College Students'


text:
How to Regift: 3 Tips for Successful Regifting
By Mike Foster
Read more about Regifting
Surprisingly many holiday shoppers think regifting is an acceptable practice, according to a CreditDonkey.com survey. The act of handing off a gift that you have received to someone else has been considered tacky in the past, as in the infamous Seinfeld episode when Elaine incredulously notes that a character "regifted" a label maker she had given him. That episode also introduced the verb "regift" into the modern vernacular as a derisive and possibly dishonest act.
Times have changed, both culturally and economically, and more and more consumers seem to accept the idea that sometimes it makes sense to regift a gift. When asked if it is okay to receive a regifted gift, an overwhelming 83% of survey respondents said yes.
Although more tolerant of the practice, few respondents have actually tried to pass off an old gift as a new one – or were willing to admit it. Only 34.3% said "yes" when asked if they have regifted something they have received in the past. At the same time, roughly half (49.7%) of respondents said that they suspected that they had been given a regifted gift.
Have you regifted a gift to you, to give to somebody else? © CreditDonkey
Tips on How to Regift
If more people are willing to give regifting a pass, maybe we will see present exchanges in the future. Until then, regifting is still a controversial practice, and any attempt to regift could quickly transform into an embarrassing faux pas. Here are some easy tips to help you regift successfully this holiday season and post-holiday season:
1. Know your network – If you're going to regift, make sure the person you're regifting to doesn't show off the gift to the person who originally gave it to you in the first place. This was the mistake that sparked the hilarious tension in that old Seinfeld episode – if Elaine had never found out, there'd be no harm done. If you're going to regift, make sure the first giver and the recipient don't know each other. That's easier said than done in today's social media world, so this may be the hardest aspect of regifting.
2. Be a good matchmaker – Regifting should be done as carefully as shopping itself. If you get a gift that just doesn't fit you for whatever reason, are you sure it's going to fit the person you pass it on to? And if that person gets the gift, will she or he be happy enough to keep it instead of regifting it on again? Whether you paid for the gift or not, some careful thought and planning should make it easy to match the right gift with the right person, and make everyone happy in the end.
What do you want to receive this holiday season? © CreditDonkey
3. Take it in stride – Perhaps the biggest danger in regifting is the potential for shock. If someone finds out you regifted, that could be embarrassing, but it could also be quite shocking to discover that the lovely present you got this season was actually a hand-me-down from someone else. Either way, learn to take it all in stride – whether your regifting is discovered or you found out you've been given a gift that someone else didn't want. 'Tis the season for kindness and (for)giving, after all.
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Regifting


City made it nine League wins in succession with a 3-1 victory over Crystal Palace, but Guardiola has told his team they cannot afford any slip-ups.
Raheem Sterling scored twice and substitute Gabriel Jesus once to keep the pressure on Liverpool, but City face Tottenham Hotspur and Manchester United in their next two League games. Liverpool returned to the top of the table by beating Chelsea and City are two points adrift with a game in hand.
"The Premier League is still in our hands," said City manager Guardiola. "We have to win every game if we want to make back-to-back titles, we know that, and the players have shown they want to do it. No doubts.
Sterling now has 21 goals in all competitions for City this season and Guardiola was impressed with how he reacted to his early miss.
"His miss at Burnley last season was worse than today," said Guardiola. "Mentally, in football, the most important action in a game is the next one. If you miss, you have to get over it and finish the next one.
Palace manager Roy Hodgson coached Sterling for Liverpool and England, and added: "He deserves a lot of credit as an individual, for doing the work he needed to do on his game to take him to the next level.
"I'm pretty sure he's had a lot of assistance from his manager, coaching staff and the quality of the players he has around him. It's been a factor in his development. He has developed so well.
"It's interesting for us to see what effort players like him will put into their game not only when they are on the attack, but for doing some of the things that a lot of quality players don't want to do.


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Carrie Daut
Hometown: Louisville, KY
About Carrie Daut
I'm Carrie, and I was a senior (ahhh!!!) in the spring of 2009 at William & Mary. When I wasn't blogging, on campus I was an Economics Major and History Minor, I taught Group Fitness classes at our Rec Center (Boxilates, anyone??), I was Co-Editor-in-Chief of W&M's campus newsmagazine, The DoG Street Journal, I was a Tour Guide for the Admission Office, and I overdosed on enthusiasm for five days every August when I worked at Freshman Orientation.
I spent quite possibly the most incredible four months of my life studying abroad in Athens, Greece, and I will be the first to admit that I'll talk your ear off about the experience if you ask me about it.
I love making lists, I changed my mind nearly every day about my post-college plans, and I'm really bad at picking a "favorite" anything, so you'll find none of that here.
I, however, really really like cookie dough, 10 Things I Hate About You, γυροs and τζατζικι (compliments of that delicious Greek cuisine), maps and travel books, dancing, and road trips to the lake.
I'm from Louisville, Kentucky, and I loved the solo drives along I-64 between home and the College.
Posts by Carrie Daut
The Last Blog
By Carrie Daut On May 16, 2009
I'm leaving in about 15 mintues to go to what is known as Senior Candlelight. Every year on the Saturday night before William and Mary's graduation,
An Adventure Games Photo Blog!
By Carrie Daut On May 2, 2009
Adventure Games. A 1-credit Kinesiology class. Two words for you: TAKE IT.
90 Degrees and Sunny
By Carrie Daut On April 25, 2009
This weekend Williamsburg is reaching record high temperatures! It's 90 degrees outside, and campus is strangely empty. That's because everyone has headed off to
The 4-Year Roommate Luncheon
I've already told you about the fantabulous relationship I have with my roommate, so I won't repeat all that again. But, I will take a
Sweet Home Alab…I Mean Williamsburg
Hey blog-followers, I'm blogging right now from a hotel in Birmingham, Alabama. I'm also heading to bed soon so that I can wake up for
Same School, New Tour
By Carrie Daut On April 6, 2009
As part of our job in the Admission Office this summer, Tom, Sam and I were commissioned to become...the Programming Project Team! Our task: redesign
In College You Get to Have Lunch with Famous People
By Carrie Daut On March 20, 2009
Today I had a FREE and delicious lunch of chicken-topped salad and berry-topped cheesecake. For a poor college student, this would b exciting enough
SB2K9: Another Reason I Love William and Mary
In Student Blogs, Traditions & Events
Last week was Spring Break, and as a senior, this was my LAST OFFICIAL COLLEGE BREAK EVER. Wow. Weird. The next break from classes is called
Finally! Zip Line Over Lake Matoaka!
By Carrie Daut On February 16, 2009
Today was awesome. It was the long-awaited day when my Adventure Games class got to zip line across Lake Matoaka. OH. MY. GOSH. SO. EXCITED. At 1:40 p.m.


brush shoulders with sheltered lice at the Feast of St. Francis.
standing dead-eyed beyond the spill of crimson lanterns.
that lingers like candlelit flutters on a young girl's face.
nimbus-rimmed on a night of canticles and spells.
as the blithe weave in and out of jasmine-scented halos.
now he hovers like a halo on her hair, not yet tangled in the strands.
Jeanne Scroggs is a poet, essayist, and artist currently residing in Winterset, IA.


text:
Types of Cats
What Is the Personality of Maine Coon Kittens?
Your Maine coon kitten is a sweet-natured little bundle of love. Wait a few months, and he'll be a big love bundle. Maine coons grow up to be very large cats, but while your kitten's size will inevitably change, his basic personality won't. He'll retain that easy-going, friendly, curious disposition.
The history of a breed can hold clues to characteristics such as personality. All domestic cats are the product of centuries of selection for traits such as hunting prowess and temperament. While the origin of the Maine coon has long been the topic of speculation, it is not considered an exotic breed, like the Siamese or Persian. Rather, this cat developed naturally in Maine, where its plush fur suits the cold climate. There's a good argument that the breed's ancestors arrived in early America on merchant ships, where cats provided rodent control. The Maine coon greatly resembles the Norwegian Forest Cat, an ancient Scandinavian breed, and the Maine coon also is considered a forest cat. Whatever its origins, the cat's beauty, outstanding disposition and work ethic gained it a following among cat fanciers. The Maine coon was the first American breed recognized by the cat fancy, winning top prizes at 1890s cat shows.
Maine coon kittens typically are friendly and good-natured. They like to be with people, and as a result they have become the second most popular registered cat breed in the U.S., after the Persian. If someone in your household isn't crazy about kitties, a Maine coon could change his tune. The American Cat Fanciers Association describes the Maine coon as "a dog in cat clothes." Some learn to walk on a leash or play fetch.
If you have other cats or dogs in the house, the Maine coon is a good choice. The breed is well-known for its amiability. The Maine coon makes a good playmate for children, once the kids are old enough to understand how to treat Kitty. Remember, that little kitten of yours might easily top 20 pounds when grown. He'll be bigger than a small dog. Even if Fido is medium-sized, he might think twice about trifling with a Maine coon.
Choosing a Kitten
Purchase your Maine coon kitten from a reputable breeder. The breeder should provide individual information about your kitten, including whether he is shy or outgoing. You also should see this for yourself. Observe how the kittens in the litter behave with each other -- who's the boss, which kittens are passive or aggressive, and other traits. You'll probably have a tough time making a choice. You can generally bring your kitten home when he's between 3 and 4 months old. By the age of 12 weeks, kittens should have their initial shots. They're ready for their new homes and people.
Petfinder: Maine Coon Cat
VetStreet: Maine Coon
VetStreet: What You Need to Know About Maine Coon Health
American Cat Fanciers Association: Maine Coon Breed Synopsis
VetStreet: The History of Maine Coons
Types of Mild-Mannered Cats
Types Of Akita
Differences Between Javanese & Balinese Cats
About a Maltipoo Dog
What Kind of Cat Is a Black Cat With Gold Eyes?
Are Lhasa Apsos Good With Other Dogs?
Miniature vs. Toy vs. Standard Aussie Dog Breed
The Cats That Look Like Bobcats
Fun Facts About Labradoodles
Are Ragdoll Cats Related to Siamese Cats?
5 Types of Large Cats
Behavior & Personality Traits of the American Shorthair Cat


Diary of a Short Girl: PROM!
xoxxo hope you have fun!
Sooooo cute!!!! I love it!!! Have fun at your prom!
Those shoeees<3 where did u get them? Have fun at your prom!
I got my shoes from urbanog.com!
Such a cute dress, and I love the shoes! You should post pictures!


If blogging seems like an overwhelming task, your right. Blogging can be overwhelming at times from figuring out what to post, to sitting down and writing the content. However there are many reasons blogging can help your business, no matter what stage your business is at.
Humanizing your brand allows your business to connect with it's customers and clients in a more personal way. If your business is in an industry that uses industry specific terms, people can easily get lost. Writing a blog allows your business to explain industry terms more in-depth. You can also let your customers and clients see behind the scenes of operations and processes they otherwise won't have the chance too.
Social Media is another great tool to stay in touch, hear feed back, and inform your customers of upcoming events and other general happenings in your business. Currently you might be sharing other people and business articles. That's great however if you have a blog you could be having some of that traffic come back to your site.
By sharing the knowledge your business has, it increases your authority in your industry. Publishing multiple helpful, accurate, and valuable blogs posts also builds trust with your customers and clients. It let's them know that you are know what your talking about, your reliable, and you care.
A blog is another way for someone to find out about your business. It gives new customers and clients a way to find you, and interact. Blogging also gives both potential and current customers and clients a reason to keep coming back to your website. More traffic, means more sales.
In April you might have heard the saying, April showers bring May flowers. The saying gives you something to look forward too, when your stuck inside because of the rain or other bad weather. While your stuck inside why not start working on a blog. You know four ways blogging can help your business. If your a business without a website Netsonic can help you by, registering domain name, and installing WordPress hosting. Already have a website, but want to add a blog? Netsonic can help by installing WordPress hosting.


text:
Police: LeSean McCoy's Ex-Girlfriend Was The Victim Of A Targeted Home Invasion [Updates]
Filed to:lesean mccoy
Photo: Jeffrey T. Barnes (AP)
Earlier today Bills running back LeSean McCoy was accused of beating his ex-girlfriend, Delicia Cordon. The accusation was made by a friend of Cordon's in a since-deleted Instagram post that included a picture of Cordon's battered face. Now, police in Georgia are saying Cordon was the victim of a targeted home invasion.
LeSean McCoy Accused Of Domestic Violence, Denies Accusations
This morning, a friend of a woman named Delicia Cordon, who has previously been known to be Bills…
Public records show that Cordon and McCoy at one point shared an address in Alpharetta, Ga. We reached out to local police departments in the area seeking any information related to any incidents involving McCoy or Cordon, and received this statement from the Milton County police department:
On July 10, 2018 at approximately 3:18 A.M., Milton Police responded to a home invasion at a residence on Hickory Pass near the Cherokee County line. The preliminary investigation indicates that this residence was specifically targeted by the suspect or suspects, and not a random incident.
When officers arrived they found one victim who had been physically assaulted by a lone intruder. During the altercation, the suspect demanded specific items from the victim. An adult female victim was treated and released at North Fulton Regional Hospital. A second adult female victim also sustained a minor injury during the incident.
Update (4:47 p.m. ET): TMZ reports that in June, McCoy attempted to have Cordon removed from the home in Alpharetta by court order. According to the court documents cited by TMZ, McCoy asked the judge to order Cordon to leave the house and return to him various items that were in her possession.
Update (5:30 p.m. ET): The Heavy obtained a court document that was filed by Cordon's attorney on June 22 in response to McCoy's attempt to have Cordon removed from his home.
According to the document, Cordon and her 16-year-old son have been living at the house since October 2016. The document claims that while Cordon was out of town to attend her sister's graduation on June 1, McCoy sent friends and family members to the house to remove Cordon's belongings without her knowledge. The document says Cordon became aware of this by checking the a feed house's security cameras, and called the police to stop the removal of her belongings.
You can read the full court filing below:
Meanwhile, another woman named Cicely Billups, who claims to be friends with Cordon, made a post on her Facebook page claiming someone sent "dudes in [Cordon's] house to pistol whip and rob her!!"
We'll update as more information becomes available.
More from Deadspin
DA: LeSean McCoy Won't Be Charged In Bar Fight
Report: District Attorney And Police Department At Odds Over LeSean McCoy Case


TASCAM has unleashed the US-2000, a new 16-input audio interface condensed into only one rackspace. Eight studio-grade microphone preamps welcome condenser microphones, and two of the mic inputs are on the front panel for easy access. An additional six balanced 1/4″ line inputs are provided, as well as four balanced line outs and stereo digital I/O. The front panel features a 100-LED meter bridge for setting input and output levels. The US-2000 connects to a computer through high-speed USB 2.0, and is priced about the same as less-capable 8-channel FireWire interfaces.


Performance Pulsation Control™ specializes in the design and manufacture of maintenance free and gas charged pulsation control equipment. Our engineering team can provide field and acoustical analysis to guide you in achieving the highest performance from your reciprocating pumps. The PPC team consistently receives high marks from our customers. Our goal is to add value to our products and services by continuously providing timely responses and superior technical solutions. We are your solution, and we are committed to giving you Solutions with PERFORMANCE!
Performance Pulsation Control is a Texas-based corporation founded in August, 1996. From engineering, to design, to quality control, to manufacturing, we offer our clients over 125 combined years of expertise in the pulsation industry. Our years of experience allows us to provide a Family of Solutions with assurance of high quality products.
In August, 2007, Performance Pulsation Control became one of the few companies that manufactures both Gas Charged and Maintenance Free units by its acquisition of Status Flow, Inc. Today Status Flow operates out of Odessa, TX, as a division of Performance Pulsation Control and ensures that any application or project requirement can be met by our range of products.


text:
Берл Сенофски, иногда Бен Сенофски (, Ben Senofsky; 19 апреля 1926, Филадельфия — 21 июня 2002, Балтимор) — американский скрипач и музыкальный педагог. Сын выходцев из России.

С шестилетнего возраста занимался у Луиса Персинджера, затем учился у Павла Стасевича и в Джульярдской музыкальной школе у Ивана Галамяна. В 1947 г. выиграл Наумбурговский конкурс молодых исполнителей, а в 1955 г. — Конкурс имени королевы Елизаветы в Брюсселе, в дальнейшем на протяжении многих лет был членом его жюри. В 1951—1955 гг. помощник концертмейстера в Кливлендском оркестре. В 1965—1996 гг. преподавал в Консерватории Пибоди, в 1983 г. мастер-классами в Шанхае заложил основание местной скрипичной школы.

Скрипачи США
Академические музыканты США
Преподаватели консерватории Пибоди
Лауреаты конкурса имени королевы Елизаветы


LIMA – The Village of Lima is dealing with water main issues that have caused problems with the village's water supply.
According to our news partner News10 NBC, several Lima residents have contacted News10 NBC to say they have not been able to get water in the village.
Village of Lima Highway Superintendent Ben Luft confirmed that the water main issue has caused low water pressure.
Luft says that they are aware of the issue and currently trying to resolve it.
Continue to follow the GeneseeSun.com as further information becomes available.


Meet sweet baby girl Josie. Isn't she just beautiful!! She was 6 pounds, 8 oz at birth and 20 inches tall! LOVED her eyelashes and her peachy soft skin! She slept through her entire session until the very end when she finally opened her eyes! I hope you enjoy this little peek into her gallery.
Thank you A and Grandma for bringing your gorgeous baby girl for her session- I hope you love her images!
Mindy - Sigh…stunning, peaceful, soulful, all at once! You are amazing Shannon!!!
Amanda - Everyone loves the pictures!! I'm linking this to everyone I know!
Jessica Washburn - You've outdone yourself again, Shannon! Love the softness in these. The first shot is divine and I love the toe shot!
Kristin Rachelle - Wow wow wow! You are amazing shannon! Gorgeous baby!


Exciting news! Our St Louis based company is growing therefore we are looking to add a part-time administrative assistant to our team.
We have engaged an employment search firm to help us identify and hire the right candidate. If you have an interest please submit your resume directly to Executive Business Solutions to the attention of Amy Whitten.
We are not taking phone calls or resumes directly at Clark Hourly Financial Planning because we are busy helping our wonderful clients. Thank you for understanding.
Are we a match? Here is a little bit about us and a little bit about the type of person we are looking for.
We are located in Chesterfield Missouri.
We are Fee-Only Financial Advisors which puts us in a select group. We are paid only by our client. We do not accept any other compensation such as commissions or referral fees. Our independence ensures no outside influences affect our recommendations. We don't just offer investment management . We also create highly customized financial plans on an hourly planning / project basis, a rare, but sought after service.
That's enough about us, what about you?
This is a part time position, for 15 to 21 hours per week, depending on the candidate' s availability. We will work with you to set up a fixed schedule with your input. Perhaps you would like to work 3 days a week. Or maybe you would like to come into the office after you put your children on the bus and be home when they get off the bus; in that case you might want to spread your hours over 4 days. Or perhaps you are thinking of retirement and looking to work part time so you can spend time with grandkids, friends, and hobbies. The idea is to work together to create a schedule that fits your needs and takes care of our clients.
For more details about this position and/or to submit a resume go the page set up for this open position by clicking on Executive Business Solutions . Submissions should be directed to the attention of Amy Whitten.
If this is not the right fit for you, please spread the word. Thank you!


BRINKMANN Nyquist DAC/Streamer 32/384 DSD256 Roon ready MQA enabled w/ gran base | Audio Reference Co.
Digital So Good, Only An Analog Expert Could Make It Elegance. Precision. Heirloom Build Quality and State-of-the-Art Performance.
German Stereoplay Magazine: "Undoubtedly, the Nyquist offers a tonal fascination and outstanding naturalness at a level that is probably unique."
These are the hallmarks of Brinkmann Audio. Now, thirty years after the introduction of their first Digital-to-Analog Converter, Brinkmann Audio proudly introduces "Nyquist", the world's most advanced DAC. Authored by the newly expanded Brinkmann design team, "Nyquist" sets new standards in convenience, sonic excellence and lasting value.
Although Brinkmann is justly renowned as a designer and manufacturer of State-of-the-Art analog components, the company's first DAC, "Zenith", debuted in 1986 and still enjoys a devoted cult following. For Helmut Brinkmann, the development of "Zenith" demonstrated the importance of analog circuitry and passive filter implementation in the design of high end digital components. Everything Brinkmann learned with "Zenith"-combined with three decades of subsequent engineering experience-has resulted in "Nyquist": the culmination of our vast audio design expertise.
An entirely new design, "Nyquist" has been optimised to accommodate the latest digital formats including MQA™ (Master Quality Authenticated) streaming and playback, PCM up to 384 kHz/32 bits (including DXD)as well as DSD64, DSD128 and DSD256. Given that future formats will inevitably appear, both the Hardware and Software of "Nyquist's" Digital Module are easily user-replaceable. This field-upgradable architecture assures unprecedented longevity and enables "Nyquist" to remain on the cutting edge of digital technology. "Nyquist" virtually eliminates obsolescence, making it audio's first-and-only "Investment Quality" digital component.
Proprietary high voltage power supply technology-unique among digital source components-delivers marked improvements in digital circuit performance as do custom filters in the digital domain. In a nod to Brinkmann's renowned "Marconi" Line Preamplifier and "Edison" Phono Stage, the "Nyquist" employs hybrid circuit topology, with tubes used in the output stage due to their instantaneous response to voltage changes.
Because today's music connoisseurs demand the ultimate in convenience and versatility, "Nyquist" offers outstanding connectivity, including USB, SPDIF, Optical and Ethernet inputs. Balanced, Single-ended and Headphone outputs are all standard. "Nyquist" offers RoonReady™ network playback and music management and supports several streaming services while optimised, pre-selected filters have been carefully tailored for every digital format. A comprehensive remote handset offers control of volume, input selection, mute and phase.
Thanks to our obsessive attention to each of these details, "Nyquist" achieves a level of user-friendliness unprecedented in High End Audio. Given its ease of use, matchless craftsmanship, total upgradeability and, of course, sonic superiority, "Nyquist" is simply the finest digital component available today…and tomorrow!
The Nyquist is modular in design, future upgrades can be done in the field with a simple hardware/software swap. Inside resides a hybrid circuit topology employing tubes in the output stage, leveraging their "instantaneous response to voltage changes."
Digital fInputs include USB, S/PDIF, AES, and Ethernet while outputs include Balanced, Single-ended and Headphone. Brinkmann has loaded up Nyquist with custom filters "tailored for every format."
Output voltage: maximum 3,5 V eff.
Alex Gorouvein of "Mono & Stereo" reveres the Brinkmann Audio Nyquist Mk II Streaming DAC as "a prime example of how to properly handle digital formats without sacrificing sound quality and presenting music with a natural uncolored sound that would appeal even to the most zealous analog proponent." He highly recommends Nyquist as THE choice for those looking to upgrade their digital source or to "Take the digital plunge" without the fear of losing the warm and natural sound of analog.
MQA is becoming a reality; the company has a new partner under Brinkmann Audio who despite being a world-class leader in turntable design has a history on digital audio as well with the "Zenith", a DAC introduced back in 1986!
In Munich they presented the all new MQA ready, tube output Nyquist DAC, capable of 32bit/384KHz PCM and dual rate DSD, available as of Q4 2016. Paired to the in-house electronics (Brinkmann produces a complete line of quality electronics including mono power amps, pre, stereo, integrated and the fabulous Edison phono stage) all sitting on top of HRS racks while speakers were courtesy of Vandersteen, his second from top Model 5A carbon (US$29.900) along with the dedicated M7-HPA amplifiers (US$52.000).
Bob Stuart gave us a demo session comprising of various tracks in MQA, sourced mostly directly from the original masters, and I must admit, there is something to this new format. Not saying it is better than the same files in hi-res PCM or DSD; my experience is still very limited and in order to draw any conclusions I would like to do some proper A-B in my system, preferably with less than 30 folks sitting in the room. What I am saying is that it sounds a bit different, and given the huge advantage of a lower bit rate, chances are it will be the next logical step in quality streaming for the not so distant future. Still, I am not sure how it is going to do as a format; discussing a bit further with Bob, I came to understand that we are talking of a lossy compression, only that with MQA the vital 20-20KHz range remains untouched (protected is the word he used) and the lossy part of the compression happens at higher frequencies, inaudible for the human ear.
Year after a year Brinkmann always manages to produced outstanding sound and it was no different this time. Actually, the digital medium sounded better than ever.
I must give credit to Brinkmann's new Nyquist DAC. Brinkmann is mainly known as a manufacturer of State-of- the-Art analog products, not digital. However, did you know that the company's first DAC "Zenith" debuted in 1986, 30 years ago?
Helmut Brinkmann's development of the Zenith demonstrated the importance of analog circuitry and passive filter implementation in digital components. Everything Brinkmann learned from Zenith, and three decades of experience has culminated in the "Nyquist".
The Nyquist has been optimized to accommodate the latest digital formats including MQA (Master Quality Authenticated) streaming and playback, PCM up to 384 kHz/32 bits (including DXD). The Vandersteen Audio 5A Carbon loudspeakers (US$29,900/pair) sounded impressive driven by their M7-HPA mono amplifiers (US$52k).
As I listened I heard sound that was open, transparent and very natural with nice musicality.
a rave review of our Nyquist Streaming DAC.
Tone Audio has just published a rave review of our Nyquist Streaming DAC. Publisher Jeff Dorgay's first paragraph closes "…Brinkmann Nyquist has magic, in spades." Not only does Jeff admire Nyquist's performance and versatility, he also loves the "One-Box Simplicity" of our digital source component and deems it "…an incredible value proposition." We agree. We also wish to point out that Tone Audio reviewed the original Nyquist. We're sending Jeff a Mk II which, we expect, he'll love even more.
EXTENDED REVIEW: HiFi reviewers and enthusiasts often talk about "analog magic," but that term is seldom if ever used when discussing digital gear. Considering the progress made in the digital arena, it's somewhat puzzling. I submit the Brinkmann Nyquist has magic, in spades.
Joni Mitchell's voice (and self-backing vocals) in her classic "Car on a Hill" are smooth and scrumptious. If I didn't know better, I'd swear I was listening to vinyl – and that's the point.
Some of us have been arguing about the validity of digital versus analog for about 35 years now. Granted, those first compact disc players sounded pretty harsh, but things have come a long way since then. Despite the sniping of analog aficionados, digital designers keep improving the breed, and though often fashionable to bash digital, it's pretty damn good.
On one level, who better to make an incredible digital to analog converter than a man who makes great turntables? Helmut Brinkmann is that man. I've been using his Bardo turntable (with optional RoNT power supply) for over a year now and couldn't be happier with it – deciding to purchase the review sample took all of about 30 seconds worth of listening.
Mr. Brinkmann's DAC is equally engaging and impressive, even more, when the tubes stabilize thermally – usually about 30 minutes. Prepare to be impressed. Really impressed. The Beatle's "Penny Lane" begins this magical mystery tour, as it's a well-worn demo favorite. McCartney's bass line comes through with an unmistakable strength – the pace is fantastic. The sonic picture presented is so natural, it reminds me of the Bardo/Koetsu Jade Platinum combination, which offers an equally organic experience. The music escapes the speakers with a level of depth, texture and ease not reached by the other digital hardware in my three listening rooms.
I've been intrigued with mega-digital playback for over a decade now, and as much progress continues to be made in the analog world, I'm equally stunned at what the world's finest audio engineering minds continue to extract from the 16/44.1 files that we've all been told are unacceptable. DSD and high res PCM files are certainly intriguing when the content lives up to the hype, but really, how many albums in DSD format do you own? 50? 100? 3? Me too. The few hundred albums in high-resolution format reside on my NAS, still compete with about 12 thousand CDs ripped over decades, and thousands more streaming from TIDAL.
The Nyquist unfolds MQA files and is a ROON endpoint, so there is no digital scenario you are unprepared for. There's nothing worse than a five-figure component requiring excuses. None are necessary with the Brinkmann Nyquist.
The Nyquist does a fantastic job decoding high resolution, audiophile files. If that is your quest, you will not be disappointed in the least, but if you are a music fan wanting maximum musicality out of your legacy digital collection, I suspect you'll value the Nyquist even more.
The Nyquist offers inputs for every digital source imaginable: Toslink optical, RCA/SPDIF, XLR-AES/EBU, USB, and Ethernet. With a combination of a Mac Book Pro, OPPO 205, dCS Rossini and even a Sony PlayStation, rest assured the Nyquist works well with anything you can throw at it. After auditioning a number of transport options, the bulk of my listening was done via the Ethernet connection and a 12TB QNAP NAS.
Again, thanks to the Nyquist being Roon compatible, it makes combining the digital files in your library, with anything you'd like to seek out via TIDAL (or whatever music streaming service you happen to use) a seamless experience. Thanks to the Nyquist being a single box solution, a plethora of extra cables aren't required. Balanced XLR and single-ended RCA outputs are also available and have no issues driving 30 feet of interconnects so that you can place the Nyquist on a rack with the rest of your gear, or in a remote location with ease.
A wide range of inputs and outputs is one thing, but there's more. The Nyquist is a modular DAC so that it can be easily upgraded as technologies change, and in essence, future proof. This is an excellent thing when you are spending USD $18,000 (excl sales tax) on a DAC. For my money, there are too many expensive DACs built around a fixed architechture. The Nyquist's modular design is field-upgradable, making it a much safer bet as a long term digital investment.
Finally, the Nyquist has a level control to help match its gain to your other sources, and it acts as a full volume control for the built-in headphone amplifier. More on that later.
Some will (and have) argue that the Nyquist lacks the final few molecules of resolution that the top dogs from dCS, Gryphon, and MSB offer. That may be true, and again this is a complete matter of personal taste. None of these other DACs are rubbish in any sense, yet the Nyquist has a way of pulling you in just a little bit further, allowing your fussy audiophile gland to shut off that much quicker. It's almost hard to describe this complete lack of fatigue that the Nyquist offers.
There is a fairly high amount of vitriol in the discussions surrounding MQA these days, so I tip my hat to Mr. Brinkmann for including MQA capability on the Nyquist. Grooving on David Byrne's latest, (In MQA) American Utopia sounds inviting, though I have no non – MQA file to compare it to. Unlike a few DACs I've tried that make audible clicks, or pause when switching between resolutions, the Nyquist fluidly skates between formats effortlessly, with no audible glitches. Personally, I fear that the MQA format is misunderstood, (and that's all the further I'll go down this rabbit hole) so as a big TIDAL/Roon user, I'm glad I can stream MQA on the Nyquist. All of the MQA files played sounded fantastic.
Thanks to what amounts to a separate DSD decoding section, DSD files are not converted to PCM in the Nyquist. DSD and high-resolution PCM files are handled separately and with equally high fidelity, as you would expect with an $18,000 DAC. But again, cool as that is, the Nyquist does such an incredible job with standard CD-quality digital files, this is what will keep you in the listening chair for days on end.
CD quality files played through the Nyquist offer the same analog-like ease and presence that high-resolution files do. So much so, that it was tough to tell at times what I was listening to. I can't think of higher praise for a DAC. Taking this approach a step further, streaming performance of low-quality 320kb/sec files sound better than they have a right to. The lack of air, dynamics, and tonal richness inherent in these files is well managed in the Nyquist.
The Nyquist would stand on its own, even if it were just a premium DAC for $18k, but it's streaming capabilities make it an incredible value proposition. Mr. Brinkmann takes this further, including a massive granite base to place under the Nyquist as well as a high-quality power cord – the kind you'd probably pay a third-party vendor at least a thousand dollars for. Brinkmann suggests plugging the Nyquist directly into the AC line, eschewing power conditioning. He's never steered me wrong in the past, so that's how we played it for this review; directly into the AC line with zero regrets.
Personal audio fans will appreciate that the Nyquist includes a top-notch headphone amplifier as part of the package. We've been reviewing a number of top headphone amplifiers; and feel the one built into the Nyquist delivers such a high level of performance you will never need an outboard headphone amplifier.
Finally, this all comes wrapped in a single box solution (other than the outboard power supply) which doesn't require a loom of cables to go about its business. If you have room for a two-four box design that a few other manufacturers offer, no worries, however, if you want high performance only requiring a single rack space, the efficiency of the Nyquist cannot be ignored. Oh yeah, it has a transparent glass top too, so those of you that appreciate the sheer beauty of the internal design can bask in it, daily.
Keep in mind for your reference; my own bias is for overall system balance to be ever so slightly on the warm/natural/neutral side of straight-up neutral. I like as much detail as I can get without the overall presentation getting harsh, yet I crave as much warmth as possible before things become slow, or sloppy. Tracking through the original Chicago Transit Authority, the enormous sonic landscape painted is tremendous, with a smoothness to the layers of drums and percussion incredible.
So it goes with Brinkmann's Nyquist; named after the famous digital engineer Harry Nyquist. This elegantly built DAC has a sound, unlike any other DAC I've heard – it's more analog. Using a pair of new old stock Telefunken PCF803 tubes for the output stage, which Brinkmann claims "were built to last ten years in color TV applications," should last even longer in the Nyquist. A quick search on eBay reveals these tubes to be very inexpensive, so I'd suggest buying a matched set from your Brinkmann dealer so that you are prepared. Long life be damned, we both know you're going to lose a tube on Friday night, just when you planned on a weekend's worth of listening. Be a good Eagle Scout, buy a spare set and rest prepared.
If after all these years, digital has still left you slightly cold, I assure you the Brinkmann Nyquist will not. It offers top digital performance for about what you'd pay for one of Mr. Brinkmann's Bardo turntables with a top phono cartridge. But you never know, a few days listening to the Nyquist and you might not even want to be bothered spinning those black discs! It's that engaging.
Turning to digital sources, the press conference announcing the MQA-compatible Nyquist DAC from Brinkmann was preceded, by a matter of minutes, by the announcement by Warner Music that the label would be supporting the MQA format. The timing added a dramatic twist to the Brinkmann event. Warner is the first major label to announce support for MQA.
Although Brinkmann is known today primarily for its turntables, the company introduced its first DAC in 1986 and has been making digital sources since. In addition to decoding MQA, the Nyquist DAC is compatible with PCM up to 384kHz/32-bit and DSD128.
The modular design includes user-replaceable cards and provides for firmware updates to accommodate future formats. The output stage is a hybrid design that combines tubes and transistors fed from very high voltage supply rails. The two-box unit offers balanced and unbalanced outputs, a headphone amplifier, and Roon-ready network playback. The Nyquist will be available in Q4 2016.
The system in which the Nyquist was demonstrated sounded fabulous—Vandersteen Model 5A Carbons driven by Vandertsteen's own liquid-cooled power amplifiers.