text:
using System;
using FlatBuffers;

namespace droid.Runtime.Messaging.FBS
{
  public enum FDisplayableValue : byte
{
 NONE = 0,
 FValue = 1,
 FValues = 2,
 FVector3s = 3,
 FValuedVector3s = 4,
 FString = 5,
 FByteArray = 6,
};

public struct FReaction : IFlatbufferObject
{
  private Table __p;
  public ByteBuffer ByteBuffer { get { return this.__p.bb; } }
  public static FReaction GetRootAsFReaction(ByteBuffer _bb) { return GetRootAsFReaction(_bb, new FReaction()); }
  public static FReaction GetRootAsFReaction(ByteBuffer _bb, FReaction obj) { return (obj.__assign(_bb.GetInt(_bb.Position) + _bb.Position, _bb)); }
  public static bool FReactionBufferHasIdentifier(ByteBuffer _bb) { return Table.__has_identifier(_bb, "REAC"); }
  public void __init(int _i, ByteBuffer _bb) { this.__p.bb_pos = _i; this.__p.bb = _bb; }
  public FReaction __assign(int _i, ByteBuffer _bb) { this.__init(_i, _bb); return this; }

  public string EnvironmentName { get { int o = this.__p.__offset(4); return o != 0 ? this.__p.__string(o + this.__p.bb_pos) : null; } }
#if ENABLE_SPAN_T
  public Span<byte> GetEnvironmentNameBytes() { return __p.__vector_as_span(4); }
#else
  public ArraySegment<byte>? GetEnvironmentNameBytes() { return this.__p.__vector_as_arraysegment(4); }
#endif
  public byte[] GetEnvironmentNameArray() { return this.__p.__vector_as_array<byte>(4); }
  public FReactionParameters? Parameters { get { int o = this.__p.__offset(6); return o != 0 ? (FReactionParameters?)(new FReactionParameters()).__assign(o + this.__p.bb_pos, this.__p.bb) : null; } }
  public FMotion? Motions(int j) { int o = this.__p.__offset(8); return o != 0 ? (FMotion?)(new FMotion()).__assign(this.__p.__indirect(this.__p.__vector(o) + j * 4), this.__p.bb) : null; }
  public int MotionsLength { get { int o = this.__p.__offset(8); return o != 0 ? this.__p.__vector_len(o) : 0; } }
  public FMotion? MotionsByKey(string key) { int o = this.__p.__offset(8); return o != 0 ? FMotion.__lookup_by_key(this.__p.__vector(o), key, this.__p.bb) : null; }
  public FDisplayable? Displayables(int j) { int o = this.__p.__offset(10); return o != 0 ? (FDisplayable?)(new FDisplayable()).__assign(this.__p.__indirect(this.__p.__vector(o) + j * 4), this.__p.bb) : null; }
  public int DisplayablesLength { get { int o = this.__p.__offset(10); return o != 0 ? this.__p.__vector_len(o) : 0; } }
  public FDisplayable? DisplayablesByKey(string key) { int o = this.__p.__offset(10); return o != 0 ? FDisplayable.__lookup_by_key(this.__p.__vector(o), key, this.__p.bb) : null; }
  public FUnobservables? Unobservables { get { int o = this.__p.__offset(12); return o != 0 ? (FUnobservables?)(new FUnobservables()).__assign(this.__p.__indirect(o + this.__p.bb_pos), this.__p.bb) : null; } }
  public FConfiguration? Configurations(int j) { int o = this.__p.__offset(14); return o != 0 ? (FConfiguration?)(new FConfiguration()).__assign(this.__p.__indirect(this.__p.__vector(o) + j * 4), this.__p.bb) : null; }
  public int ConfigurationsLength { get { int o = this.__p.__offset(14); return o != 0 ? this.__p.__vector_len(o) : 0; } }
  public FConfiguration? ConfigurationsByKey(string key) { int o = this.__p.__offset(14); return o != 0 ? FConfiguration.__lookup_by_key(this.__p.__vector(o), key, this.__p.bb) : null; }
  public string SerialisedMessage { get { int o = this.__p.__offset(16); return o != 0 ? this.__p.__string(o + this.__p.bb_pos) : null; } }
#if ENABLE_SPAN_T
  public Span<byte> GetSerialisedMessageBytes() { return __p.__vector_as_span(16); }
#else
  public ArraySegment<byte>? GetSerialisedMessageBytes() { return this.__p.__vector_as_arraysegment(16); }
#endif
  public byte[] GetSerialisedMessageArray() { return this.__p.__vector_as_array<byte>(16); }

  public static void StartFReaction(FlatBufferBuilder builder) { builder.StartObject(7); }
  public static void AddEnvironmentName(FlatBufferBuilder builder, StringOffset environmentNameOffset) { builder.AddOffset(0, environmentNameOffset.Value, 0); }
  public static void AddParameters(FlatBufferBuilder builder, Offset<FReactionParameters> parametersOffset) { builder.AddStruct(1, parametersOffset.Value, 0); }
  public static void AddMotions(FlatBufferBuilder builder, VectorOffset motionsOffset) { builder.AddOffset(2, motionsOffset.Value, 0); }
  public static VectorOffset CreateMotionsVector(FlatBufferBuilder builder, Offset<FMotion>[] data) { builder.StartVector(4, data.Length, 4); for (int i = data.Length - 1; i >= 0; i--) builder.AddOffset(data[i].Value); return builder.EndVector(); }
  public static VectorOffset CreateMotionsVectorBlock(FlatBufferBuilder builder, Offset<FMotion>[] data) { builder.StartVector(4, data.Length, 4); builder.Add(data); return builder.EndVector(); }
  public static void StartMotionsVector(FlatBufferBuilder builder, int numElems) { builder.StartVector(4, numElems, 4); }
  public static void AddDisplayables(FlatBufferBuilder builder, VectorOffset displayablesOffset) { builder.AddOffset(3, displayablesOffset.Value, 0); }
  public static VectorOffset CreateDisplayablesVector(FlatBufferBuilder builder, Offset<FDisplayable>[] data) { builder.StartVector(4, data.Length, 4); for (int i = data.Length - 1; i >= 0; i--) builder.AddOffset(data[i].Value); return builder.EndVector(); }
  public static VectorOffset CreateDisplayablesVectorBlock(FlatBufferBuilder builder, Offset<FDisplayable>[] data) { builder.StartVector(4, data.Length, 4); builder.Add(data); return builder.EndVector(); }
  public static void StartDisplayablesVector(FlatBufferBuilder builder, int numElems) { builder.StartVector(4, numElems, 4); }
  public static void AddUnobservables(FlatBufferBuilder builder, Offset<FUnobservables> unobservablesOffset) { builder.AddOffset(4, unobservablesOffset.Value, 0); }
  public static void AddConfigurations(FlatBufferBuilder builder, VectorOffset configurationsOffset) { builder.AddOffset(5, configurationsOffset.Value, 0); }
  public static VectorOffset CreateConfigurationsVector(FlatBufferBuilder builder, Offset<FConfiguration>[] data) { builder.StartVector(4, data.Length, 4); for (int i = data.Length - 1; i >= 0; i--) builder.AddOffset(data[i].Value); return builder.EndVector(); }
  public static VectorOffset CreateConfigurationsVectorBlock(FlatBufferBuilder builder, Offset<FConfiguration>[] data) { builder.StartVector(4, data.Length, 4); builder.Add(data); return builder.EndVector(); }
  public static void StartConfigurationsVector(FlatBufferBuilder builder, int numElems) { builder.StartVector(4, numElems, 4); }
  public static void AddSerialisedMessage(FlatBufferBuilder builder, StringOffset serialisedMessageOffset) { builder.AddOffset(6, serialisedMessageOffset.Value, 0); }
  public static Offset<FReaction> EndFReaction(FlatBufferBuilder builder) {
    int o = builder.EndObject();
    builder.Required(o, 4);  // environment_name
    builder.Required(o, 6);  // parameters
    return new Offset<FReaction>(o);
  }
  public static void FinishFReactionBuffer(FlatBufferBuilder builder, Offset<FReaction> offset) { builder.Finish(offset.Value, "REAC"); }
  public static void FinishSizePrefixedFReactionBuffer(FlatBufferBuilder builder, Offset<FReaction> offset) { builder.FinishSizePrefixed(offset.Value, "REAC"); }

  public static VectorOffset CreateSortedVectorOfFReaction(FlatBufferBuilder builder, Offset<FReaction>[] offsets) {
    Array.Sort(offsets, (Offset<FReaction> o1, Offset<FReaction> o2) => Table.CompareStrings(Table.__offset(4, o1.Value, builder.DataBuffer), Table.__offset(4, o2.Value, builder.DataBuffer), builder.DataBuffer));
    return builder.CreateVectorOfTables(offsets);
  }

  public static FReaction? __lookup_by_key(int vectorLocation, string key, ByteBuffer bb) {
    byte[] byteKey = System.Text.Encoding.UTF8.GetBytes(key);
    int span = bb.GetInt(vectorLocation - 4);
    int start = 0;
    while (span != 0) {
      int middle = span / 2;
      int tableOffset = Table.__indirect(vectorLocation + 4 * (start + middle), bb);
      int comp = Table.CompareStrings(Table.__offset(4, bb.Length - tableOffset, bb), byteKey, bb);
      if (comp > 0) {
        span = middle;
      } else if (comp < 0) {
        middle++;
        start += middle;
        span -= middle;
      } else {
        return new FReaction().__assign(tableOffset, bb);
      }
    }
    return null;
  }
};

public struct FReactionParameters : IFlatbufferObject
{
  private Struct __p;
  public ByteBuffer ByteBuffer { get { return this.__p.bb; } }
  public void __init(int _i, ByteBuffer _bb) { this.__p.bb_pos = _i; this.__p.bb = _bb; }
  public FReactionParameters __assign(int _i, ByteBuffer _bb) { this.__init(_i, _bb); return this; }

  public bool Terminable { get { return 0!=this.__p.bb.Get(this.__p.bb_pos + 0); } }
  public bool Step { get { return 0!=this.__p.bb.Get(this.__p.bb_pos + 1); } }
  public bool Reset { get { return 0!=this.__p.bb.Get(this.__p.bb_pos + 2); } }
  public bool Configure { get { return 0!=this.__p.bb.Get(this.__p.bb_pos + 3); } }
  public bool Describe { get { return 0!=this.__p.bb.Get(this.__p.bb_pos + 4); } }
  public bool EpisodeCount { get { return 0!=this.__p.bb.Get(this.__p.bb_pos + 5); } }

  public static Offset<FReactionParameters> CreateFReactionParameters(FlatBufferBuilder builder, bool Terminable, bool Step, bool Reset, bool Configure, bool Describe, bool EpisodeCount) {
    builder.Prep(1, 6);
    builder.PutBool(EpisodeCount);
    builder.PutBool(Describe);
    builder.PutBool(Configure);
    builder.PutBool(Reset);
    builder.PutBool(Step);
    builder.PutBool(Terminable);
    return new Offset<FReactionParameters>(builder.Offset);
  }
};

public struct FMotion : IFlatbufferObject
{
  private Table __p;
  public ByteBuffer ByteBuffer { get { return this.__p.bb; } }
  public static FMotion GetRootAsFMotion(ByteBuffer _bb) { return GetRootAsFMotion(_bb, new FMotion()); }
  public static FMotion GetRootAsFMotion(ByteBuffer _bb, FMotion obj) { return (obj.__assign(_bb.GetInt(_bb.Position) + _bb.Position, _bb)); }
  public void __init(int _i, ByteBuffer _bb) { this.__p.bb_pos = _i; this.__p.bb = _bb; }
  public FMotion __assign(int _i, ByteBuffer _bb) { this.__init(_i, _bb); return this; }

  public string ActorName { get { int o = this.__p.__offset(4); return o != 0 ? this.__p.__string(o + this.__p.bb_pos) : null; } }
#if ENABLE_SPAN_T
  public Span<byte> GetActorNameBytes() { return __p.__vector_as_span(4); }
#else
  public ArraySegment<byte>? GetActorNameBytes() { return this.__p.__vector_as_arraysegment(4); }
#endif
  public byte[] GetActorNameArray() { return this.__p.__vector_as_array<byte>(4); }
  public string ActuatorName { get { int o = this.__p.__offset(6); return o != 0 ? this.__p.__string(o + this.__p.bb_pos) : null; } }
#if ENABLE_SPAN_T
  public Span<byte> GetActuatorNameBytes() { return __p.__vector_as_span(6); }
#else
  public ArraySegment<byte>? GetActuatorNameBytes() { return this.__p.__vector_as_arraysegment(6); }
#endif
  public byte[] GetActuatorNameArray() { return this.__p.__vector_as_array<byte>(6); }
  public double Strength { get { int o = this.__p.__offset(8); return o != 0 ? this.__p.bb.GetDouble(o + this.__p.bb_pos) : (double)0.0; } }

  public static Offset<FMotion> CreateFMotion(FlatBufferBuilder builder,
      StringOffset actor_nameOffset = default(StringOffset),
      StringOffset actuator_nameOffset = default(StringOffset),
      double strength = 0.0) {
    builder.StartObject(3);
    FMotion.AddStrength(builder, strength);
    FMotion.AddActuatorName(builder, actuator_nameOffset);
    FMotion.AddActorName(builder, actor_nameOffset);
    return FMotion.EndFMotion(builder);
  }

  public static void StartFMotion(FlatBufferBuilder builder) { builder.StartObject(3); }
  public static void AddActorName(FlatBufferBuilder builder, StringOffset actorNameOffset) { builder.AddOffset(0, actorNameOffset.Value, 0); }
  public static void AddActuatorName(FlatBufferBuilder builder, StringOffset actuatorNameOffset) { builder.AddOffset(1, actuatorNameOffset.Value, 0); }
  public static void AddStrength(FlatBufferBuilder builder, double strength) { builder.AddDouble(2, strength, 0.0); }
  public static Offset<FMotion> EndFMotion(FlatBufferBuilder builder) {
    int o = builder.EndObject();
    builder.Required(o, 4);  // actor_name
    builder.Required(o, 6);  // actuator_name
    return new Offset<FMotion>(o);
  }

  public static VectorOffset CreateSortedVectorOfFMotion(FlatBufferBuilder builder, Offset<FMotion>[] offsets) {
    Array.Sort(offsets, (Offset<FMotion> o1, Offset<FMotion> o2) => Table.CompareStrings(Table.__offset(4, o1.Value, builder.DataBuffer), Table.__offset(4, o2.Value, builder.DataBuffer), builder.DataBuffer));
    return builder.CreateVectorOfTables(offsets);
  }

  public static FMotion? __lookup_by_key(int vectorLocation, string key, ByteBuffer bb) {
    byte[] byteKey = System.Text.Encoding.UTF8.GetBytes(key);
    int span = bb.GetInt(vectorLocation - 4);
    int start = 0;
    while (span != 0) {
      int middle = span / 2;
      int tableOffset = Table.__indirect(vectorLocation + 4 * (start + middle), bb);
      int comp = Table.CompareStrings(Table.__offset(4, bb.Length - tableOffset, bb), byteKey, bb);
      if (comp > 0) {
        span = middle;
      } else if (comp < 0) {
        middle++;
        start += middle;
        span -= middle;
      } else {
        return new FMotion().__assign(tableOffset, bb);
      }
    }
    return null;
  }
};

public struct FConfiguration : IFlatbufferObject
{
  private Table __p;
  public ByteBuffer ByteBuffer { get { return this.__p.bb; } }
  public static FConfiguration GetRootAsFConfiguration(ByteBuffer _bb) { return GetRootAsFConfiguration(_bb, new FConfiguration()); }
  public static FConfiguration GetRootAsFConfiguration(ByteBuffer _bb, FConfiguration obj) { return (obj.__assign(_bb.GetInt(_bb.Position) + _bb.Position, _bb)); }
  public void __init(int _i, ByteBuffer _bb) { this.__p.bb_pos = _i; this.__p.bb = _bb; }
  public FConfiguration __assign(int _i, ByteBuffer _bb) { this.__init(_i, _bb); return this; }

  public string ConfigurableName { get { int o = this.__p.__offset(4); return o != 0 ? this.__p.__string(o + this.__p.bb_pos) : null; } }
#if ENABLE_SPAN_T
  public Span<byte> GetConfigurableNameBytes() { return __p.__vector_as_span(4); }
#else
  public ArraySegment<byte>? GetConfigurableNameBytes() { return this.__p.__vector_as_arraysegment(4); }
#endif
  public byte[] GetConfigurableNameArray() { return this.__p.__vector_as_array<byte>(4); }
  public double ConfigurableValue { get { int o = this.__p.__offset(6); return o != 0 ? this.__p.bb.GetDouble(o + this.__p.bb_pos) : (double)0.0; } }

  public static Offset<FConfiguration> CreateFConfiguration(FlatBufferBuilder builder,
      StringOffset configurable_nameOffset = default(StringOffset),
      double configurable_value = 0.0) {
    builder.StartObject(2);
    FConfiguration.AddConfigurableValue(builder, configurable_value);
    FConfiguration.AddConfigurableName(builder, configurable_nameOffset);
    return FConfiguration.EndFConfiguration(builder);
  }

  public static void StartFConfiguration(FlatBufferBuilder builder) { builder.StartObject(2); }
  public static void AddConfigurableName(FlatBufferBuilder builder, StringOffset configurableNameOffset) { builder.AddOffset(0, configurableNameOffset.Value, 0); }
  public static void AddConfigurableValue(FlatBufferBuilder builder, double configurableValue) { builder.AddDouble(1, configurableValue, 0.0); }
  public static Offset<FConfiguration> EndFConfiguration(FlatBufferBuilder builder) {
    int o = builder.EndObject();
    builder.Required(o, 4);  // configurable_name
    return new Offset<FConfiguration>(o);
  }

  public static VectorOffset CreateSortedVectorOfFConfiguration(FlatBufferBuilder builder, Offset<FConfiguration>[] offsets) {
    Array.Sort(offsets, (Offset<FConfiguration> o1, Offset<FConfiguration> o2) => Table.CompareStrings(Table.__offset(4, o1.Value, builder.DataBuffer), Table.__offset(4, o2.Value, builder.DataBuffer), builder.DataBuffer));
    return builder.CreateVectorOfTables(offsets);
  }

  public static FConfiguration? __lookup_by_key(int vectorLocation, string key, ByteBuffer bb) {
    byte[] byteKey = System.Text.Encoding.UTF8.GetBytes(key);
    int span = bb.GetInt(vectorLocation - 4);
    int start = 0;
    while (span != 0) {
      int middle = span / 2;
      int tableOffset = Table.__indirect(vectorLocation + 4 * (start + middle), bb);
      int comp = Table.CompareStrings(Table.__offset(4, bb.Length - tableOffset, bb), byteKey, bb);
      if (comp > 0) {
        span = middle;
      } else if (comp < 0) {
        middle++;
        start += middle;
        span -= middle;
      } else {
        return new FConfiguration().__assign(tableOffset, bb);
      }
    }
    return null;
  }
};

public struct FDisplayable : IFlatbufferObject
{
  private Table __p;
  public ByteBuffer ByteBuffer { get { return this.__p.bb; } }
  public static FDisplayable GetRootAsFDisplayable(ByteBuffer _bb) { return GetRootAsFDisplayable(_bb, new FDisplayable()); }
  public static FDisplayable GetRootAsFDisplayable(ByteBuffer _bb, FDisplayable obj) { return (obj.__assign(_bb.GetInt(_bb.Position) + _bb.Position, _bb)); }
  public void __init(int _i, ByteBuffer _bb) { this.__p.bb_pos = _i; this.__p.bb = _bb; }
  public FDisplayable __assign(int _i, ByteBuffer _bb) { this.__init(_i, _bb); return this; }

  public string DisplayableName { get { int o = this.__p.__offset(4); return o != 0 ? this.__p.__string(o + this.__p.bb_pos) : null; } }
#if ENABLE_SPAN_T
  public Span<byte> GetDisplayableNameBytes() { return __p.__vector_as_span(4); }
#else
  public ArraySegment<byte>? GetDisplayableNameBytes() { return this.__p.__vector_as_arraysegment(4); }
#endif
  public byte[] GetDisplayableNameArray() { return this.__p.__vector_as_array<byte>(4); }
  public FDisplayableValue DisplayableValueType { get { int o = this.__p.__offset(6); return o != 0 ? (FDisplayableValue)this.__p.bb.Get(o + this.__p.bb_pos) : FDisplayableValue.NONE; } }
  public TTable? DisplayableValue<TTable>() where TTable : struct, IFlatbufferObject { int o = this.__p.__offset(8); return o != 0 ? (TTable?)this.__p.__union<TTable>(o) : null; }

  public static Offset<FDisplayable> CreateFDisplayable(FlatBufferBuilder builder,
      StringOffset displayable_nameOffset = default(StringOffset),
      FDisplayableValue displayable_value_type = FDisplayableValue.NONE,
      int displayable_valueOffset = 0) {
    builder.StartObject(3);
    FDisplayable.AddDisplayableValue(builder, displayable_valueOffset);
    FDisplayable.AddDisplayableName(builder, displayable_nameOffset);
    FDisplayable.AddDisplayableValueType(builder, displayable_value_type);
    return FDisplayable.EndFDisplayable(builder);
  }

  public static void StartFDisplayable(FlatBufferBuilder builder) { builder.StartObject(3); }
  public static void AddDisplayableName(FlatBufferBuilder builder, StringOffset displayableNameOffset) { builder.AddOffset(0, displayableNameOffset.Value, 0); }
  public static void AddDisplayableValueType(FlatBufferBuilder builder, FDisplayableValue displayableValueType) { builder.AddByte(1, (byte)displayableValueType, 0); }
  public static void AddDisplayableValue(FlatBufferBuilder builder, int displayableValueOffset) { builder.AddOffset(2, displayableValueOffset, 0); }
  public static Offset<FDisplayable> EndFDisplayable(FlatBufferBuilder builder) {
    int o = builder.EndObject();
    builder.Required(o, 4);  // displayable_name
    return new Offset<FDisplayable>(o);
  }

  public static VectorOffset CreateSortedVectorOfFDisplayable(FlatBufferBuilder builder, Offset<FDisplayable>[] offsets) {
    Array.Sort(offsets, (Offset<FDisplayable> o1, Offset<FDisplayable> o2) => Table.CompareStrings(Table.__offset(4, o1.Value, builder.DataBuffer), Table.__offset(4, o2.Value, builder.DataBuffer), builder.DataBuffer));
    return builder.CreateVectorOfTables(offsets);
  }

  public static FDisplayable? __lookup_by_key(int vectorLocation, string key, ByteBuffer bb) {
    byte[] byteKey = System.Text.Encoding.UTF8.GetBytes(key);
    int span = bb.GetInt(vectorLocation - 4);
    int start = 0;
    while (span != 0) {
      int middle = span / 2;
      int tableOffset = Table.__indirect(vectorLocation + 4 * (start + middle), bb);
      int comp = Table.CompareStrings(Table.__offset(4, bb.Length - tableOffset, bb), byteKey, bb);
      if (comp > 0) {
        span = middle;
      } else if (comp < 0) {
        middle++;
        start += middle;
        span -= middle;
      } else {
        return new FDisplayable().__assign(tableOffset, bb);
      }
    }
    return null;
  }
};

}

redpajama_set_name: RedPajamaGithub


text:
Progresso social é definido como o progresso de uma sociedade, o que a faz a sociedade melhor do ponto de vista geral daqueles que tentam induzi-lo. O conceito de progresso social foi introduzido nas primeiras teorias sociais do século XIX, especialmente aquelas dos evolucionistas sociais tais como August Comte e Herbert Spencer. Está presente nas filosofias da história do Iluminismo.

Na época, a noção de progresso social era considerada extremamente radical. Anteriormente, a ordem social era vista como imutável e inalterável, divinamente ordenada. O sistema social, bem como a posição que as pessoas mantinham neste sistema, era eterno, constante e permanente (mas cíclico, como as estações do ano). Nada mudava realmente, e quanto maiores as mudanças, mais as coisas continuavam as mesmas; a ênfase estava em ver os aspectos constantes, eternos da vida humana. Esta interpretação da sociedade era extremamente conservadora, porque mesmo se mudanças sociais ocorressem, isto era meramente um aspecto superficial de uma ordem social subjacente eterna. Das pessoas, era esperado que permanecessem em sua posição na vida, sem a opção ou chance de mudar.

Ver também

 Progresso
 Social

Ligações externas
 A ciência aplicada e o progresso social por Umberto G. Cordani em Scielo. Acessado em 10 de junho de 2007.

Sociologia
Etnologia
Antropologia
Progressismo

redpajama_set_name: RedPajamaWikipedia


THE likelihood of another interest rate cut from Federal Reserve Board chairman Alan Greenspan helped Wall Street snap back from a steep drop.
Markets, which had tumbled early on dismal economic data, surged late in the day, led higher once again by techs. The Dow Jones Industrial Average jumped 117.28 points or 1.25% to 9,462.90, its highest level since the day before the terrorist attacks on New York and Washington. The Nasdaq Index bounced 43.93 points or 2.54% to 1,775.44, above its pre-attack levels after a 6.5% advance in the past five sessions.
James Awad, of Awad Asset Management, said market action appeared to be signalling that the bad economic news had already been discounted in share prices. 'This is a way for the market to say that if this is as bad as it gets in regards to bioterrorism, poor quarterly results and the war, then we can handle it,' he said.
The economic data responsible for the early stumble showed orders for big ticket items including cars, 'planes and appliances tumbling to their lowest level in five years, sales of existing homes plummeting 11.7% in September and jobless claims rising to their highest level in nearly a decade.
'Clearly, all the numbers put together confirm the overall economic environment is becoming quite dismal,' said Anthony Karydakis, senior financial economist at Banc One Capital Markets.
Analysts said the figures gave the first comprehensive look at how the terrorist attacks and anthrax scares were hitting the world's biggest economy.
'This is really your first post September 11 number that really demonstrated how the economy was affected by that day,' said Barry Hyman, chief investment strategist at investment firm Ehrenkrantz King Nussbaum.
The bleak report card on the US economy raised the likelihood that Greenspan will cut rates for the 10th. time this year when he meets with his colleages at the Federal Reserve on November 6. Investors appear to be betting that the rate cuts, accompanied by a $100bn. stimulus package working its way through Congress, will be enough to lift America out its year-long slump.
Among techs, semiconductor giant Intel reversed an early loss to close higher by 62 cents or 1.9% to $110.66. Cisco Systems, the switching and routing giant, followed a similar trading pattern, ending the day up 51 cents or 3% to $17.74.
gained $1.24 or 2% to $62.56 on the the $1bn. launch of its Windows XP operating system which included company chairman Bill Gates sounding the opening buzzer at the Nasdaq and appearing in multiple media interviews. IBM tacked on $2.09 1.9% to $110.66.
Dow components re-bounding by day's end included American Express, which rose 68 cents or 2.3% to $30.67, and Walt Disney, up 58 cents or 3.2% to $19.02.
Chemical giant DuPont gave up another 99 cents or 2.4% to $40.30 as rival Dow Chemical reported an 84% drop in profits in its latest quarter. Dow Chemical shares were marked down 15 cents or 0.4% to $34.85..
American International Group, the big insurance and financial services firm, saw its shares close flat at $83.89 after it reported an 81% earnings drop due to claims from the World Trade Centreattacks.
Juniper Networks, which makes equipment to run the Internet, lost 63 cents or 2.3% to $23.68 after Salomon Smith Barney issued a caution on the company's outlook. Juniper shares have run up 190% since October 1.


text:
Meet Todd Stephens
Todd Stephens is a graduate of Hatboro-Horsham High School and Shippensburg University, where he earned a bachelor's degree in Government. Upon graduating from college Todd worked briefly as an insurance agent before serving as a clerk in the Montgomery
County Prothonotary's Office. In addition to working full-time in the Prothonotary's Office, Todd worked two part-time jobs and also attended law school in the evenings at the Widener University School of Law while rising through the ranks becoming the Second Deputy Prothonotary.
After graduating with his law degree and being admitted to the bar in 2000, Todd began his legal career as an Assistant District Attorney in the Montgomery County District Attorney's Office in January 2001. When Todd was promoted to the Trials Division he was assigned to the Sex Crimes Unit, where he immediately developed a passion for prosecuting crimes committed against children via the internet.
Throughout his career in the District Attorney's Office Todd spent considerable time in the community educating children and parents of the potential dangers they face while online. He also taught "Sex Crimes and the Law" at Temple University Ambler's Campus, as well as a course for Pennsylvania's Magisterial District Judges concerning the prosecution of internet sex cases.
In 2004 Todd was appointed as a Special Assistant United States Attorney with the U.S. Attorney's Office in Philadelphia. There, Todd was assigned to the Firearms Unit and focused on prosecuting Montgomery County's most violent gun offenders in federal court, where the penalties for these crimes are substantially higher.
During his tenure as a prosecutor, Todd served as the Captain of the Sex Crimes, Firearms and Major Crimes Unit. In almost 10 years as a prosecutor Todd achieved a 99 percent conviction rate, over 1,500 convictions, and 18 homicide convictions.
Outside the courtroom Todd served on the Horsham Planning Commission when Horsham was named the "15th Best Place to Live in America" by CNN/Money Magazine in 2007. He also served on the Reuse Subcommittee of the Horsham Land Reuse Authority for the Willow Grove Naval Air Station, and led the fight to ensure Willow Grove will never become a civilian or commercial airport.
Act 101 of 2019, crafted by Stephens, created the Military Installation Remediation and Infrastructure Authority (MIRIA) to help water providers address PFAS contamination. State tax revenue generated on or around the former Willow Grove Naval Air Station is redirected to the locally based authority. This was the first bill enacted in Pennsylvania to provide dedicated and recurring funding to eliminate PFAS from drinking water. Stephens serves as the chair of the MIRIA.
Todd was elected to his sixth term in the Pennsylvania House in 2020. He believes in strong fiscal discipline and is focused on improving Pennsylvania's business climate and protecting Pennsylvania's must vulnerable citizens, including our children. Todd serves on the Judiciary, Consumer Affairs, Ethics, and Children and Youth Committees.
Todd, his wife Nicole, and sons Will and Ben live in Horsham Township.

redpajama_set_name: RedPajamaCommonCrawl


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About Chapman Law Firm
Gerry Chapman has been a Board Certified Immigration Specialist since 1997. He graduated from UNC-CH in 1973 with a BA in International Studies, and in 1978 he received his JD, cum laude, from the University of Georgia School of Law.
He is a past Trustee of the American Immigration Law Foundation (2004-2008). He served as Chair of the Carolinas Chapter of the American Immigration Lawyers Association (AILA), as a member of AILA's Board of Governors from 1998-2000, and as Chair or Co-Chair of three national AILA Committees: Immigrant Investor Visa Committee (1990-1993), Committee on Intracompany Transferees and International Managers and Executives (1993-1994), and Essential Worker Committee (1999-2004) (2007-2008). He has served as a Mentor for AILA from 2003 to present in the areas of Business Immigration: Employment Based Immigrants: Labor Certification, and Business Immigration: Employment Based Non-Immigrants: E treaty Categories and Ethics. He also served on the 2008 Strategic Planning Committee to evaluate Missions, Goals and Programs for AILA National. He has been a member of AILA's H-2B committee, and he moderated AILA Silver Circle in 2012. From 2008 to 2009, he served on AILA's Liaison Committee with the DHS Executive Office for Immigration Review (EOIR).
Mr. Chapman is co-founder of the North Carolina Legal Immigration Coalition. In 2009 he served as counsel in Matter of Garcia-Arreola, in which the BIA overruled a long-standing precedent and significantly changed the rules of Mandatory Detention. Mr. Chapman has authored articles in several AILA publications, co-edited the 2007 AILA Handbook on Workplace Enforcement, has lectured at immigration seminars in the United States and abroad, and served as Immigration Commentator for Triad Business Journal in 2011. He has been heavily involved in AILA's efforts to secure immigration reform on a national level.
Mr. Chapman is included in the 2007-2019 editions of The Best Lawyers in America, in the specialty of Immigration Law. He also has been chosen for inclusion in the Super Lawyers list for immigration specialists in North Carolina since 2007. The Super Lawyer designation is restricted to the top 5% of attorneys in each state. He was one of only eight immigration lawyers in North Carolina to be chosen in 2016. He is also included in the 2013-2019 editions of The International Who's Who of Corporate Immigration Lawyers. He was recently appointed to serve a three-year term on the NC State Bar Specialization Committee for Immigration for North Carolina (2016-2019). He was a member of this committee when it first convened in 1997, and co-wrote the specialization exam with the other committee members during his tenure then.
Mr. Chapman was Co-Captain of the Men's Varsity Swimming Team at the University of North Carolina from 1971-1973. He qualified and competed in the 1970 and 1973 NCAA Swimming Championships (best finish; 17th in 1650 freestyle, 1973, Knoxville, TN). He was also an ACC Champion, 400-yard Individual Medal, 1970. He was a High School All-American, 200-yard Individual Medal. He also competes in US Masters Swimming on the state and national levels (best finish: 4th in 1000-yard freestyle at 2012 and 2016 Masters Nationals Championship 60-64 age group). In 2012 he placed in the Top 10 at the US Masters Swim National Championships in three events. He is conversant in Spanish. Mr. Chapman and his wife, Linda, have two children and five grandchildren.
Adam Roberts joined Chapman Law Firm in October of 2018. He was born and raised in Newberry, South Carolina. He graduated from Newberry College in 2014 with a BA in International Studies, and in 2017 he received his JD from Elon University School of Law. He gained experience in the courtroom through internships with the Guilford County Public Defenders' Office and the Federal Public Defenders' Office for the Eastern District of North Carolina in summer of 2016. That summer, he also wrote an article about the importance of criminal attorneys understanding the effect a client's criminal case can have on their immigration status, which was published in The Zealous Advocate. Mr. Roberts competed on the Elon Law School Competition Trial team, was awarded the International Academy of Trial Lawyer's Student Advocate Award, and was inducted into the Order of the Barristers. He was also a staff member of the Elon Law Review, which published a Note he wrote about Constitutional arguments for sanctuary cities. After graduating from law school in 2017, Mr. Roberts has been focused on assisting clients with their immigration needs. During his time away from the office, he enjoys spending time with his wife, Ashley, and their dog.


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Q: Disabling a deadline in golang TCP I want to set a deadline on client connection, he must do something within the first 10 seconds or else get disconnected, if he does do something, I want to remove the deadline.
// meConn = *TCPConn
c.meConn.SetDeadline(time.Now().Add(10 * time.Second))

But the documentation doesn't say anything about disabling the deadline.
Also, is it safe to keep changing the deadline when a certain condition is met?

A: To reset the deadline, you can call SetDeadline with a "zero" value as the docs stay. This the "zero" value can be set with:
conn.SetDeadline(time.Time{})

A: It states:
// SetReadDeadline sets the deadline for future Read calls.
// A zero value for t means Read will not time out.
SetReadDeadline(t time.Time) error

In the documentation for SetReadDeadLine
so you will need to pass in zero when a client sends what you expect.
and the SetDeadLine says it is setting both the reader and the writer, so make sure you also meant to set the writer.
   // SetDeadline sets the read and write deadlines associated
   // with the connection. It is equivalent to calling both
   // SetReadDeadline and SetWriteDeadline.

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InterviewsOp-Eds
Innovation as a Way of Working: A case study of 3 organizations (Part Two)
By Kelsye Gould
This is Part Two of a two-part guest post by Kelsye Gould. For some context, you may read Part One of the series here. We are delighted to be able to support her coursework as well as invite a different perspective as we look back at our learnings from the national Innovation Labs for the Arts. For the complete case studies Kelsye embarked on, you can download the full paper.
Part 2: Implications & Connections
What are the adaptive muscles needed to respond nimbly and efficiently to complex challenges? Instilling an innovative mindset and culture of adaptive change looks different for each organization; however, through these case studies, some common threads begin to emerge:
Below, I highlight three of the connections that I have identified with regards to instilling innovation into a nonprofit arts organizational culture. (For discussion of the complete list, download the full paper.)
Common language is especially important when dealing with issues that are already complex in nature. Heifetz, et al., expand on the value of common language with regards to adaptive change: "When people begin to use the same words with the same meanings, they communicate more effectively, minimize misunderstandings, and gain the sense of being on the same page, even while grappling with significant differences on the issues.[1]"
When Mississippi Museum of Art Director Betsy Bradley hired a social activist artist to the museum's Education Department, one of the main challenges they experienced was that of language: "Social activist artists use a whole different language than the traditional arts educator uses, but living with that kind of tension has been really healthy for us. It has helped us build bridges in the community that didn't exist before."
In addition, the Lab also provided a common language of innovation and adaptive change. For example, Springboard has found that EmcArts' framing of innovation and adaptive change, as well as the language used to describe this work, has not only helped them better understand their work internally, but has also helped them explain their work—and why they do it the way they do—to people outside of their organization. This has facilitated more effective communication (and coherent and successful implementation) of their work and intentions.
Taking this one step further, Edmonton Symphony Orchestra and Winspear Centre have institutionalized a process of sharing the language and culture of innovation with new employees. Created with support from their Lab facilitator, the Adaptive Leadership Circle is a self-directed group of new staff members who meet monthly to learn about and discuss adaptive leadership and innovation.
In a conversation on design thinking for social innovation, Jeff Wishnie (Digital Impact Alliance) notes that, especially for nonprofits and NGOs, "The best way past the fear [of design] is to do the work. Not only do people learn that there is structure and process, but critically, the[y] experience firsthand how the process consistently and reliably hones those raw ideas (opinions) into effective programs.[2]"
Similarly, the Lab served as a protected container in which participants could move beyond their fear of failure and begin to gain confidence in their adaptive capacities. This safe and isolated space was also important in allowing fragile ideas to incubate and develop before being exposed to a wider audience as a prototype.
Following the Lab experience, each of the three profiled organizations found various ways to continue innovating by institutionalizing elements of time, space, and structure into their cultures.
At the Mississippi Museum of Art, Bradley restructured the staff into cross-disciplinary teams to encourage productive dialogue from perspectives across the organization. Though this process of collaboration takes more time, Bradley argues that the end results are much richer.
Interestingly, Edmonton Symphony Orchestra and the Winspear Centre have found a solution to one of the Mississippi Museum of Art's major challenges—passing on institutional knowledge gleaned from the Lab in light of staff turnover. Through the Adaptive Leadership Circle, not only do new employees learn the language and culture of innovation, but they also devise their own small experiments within the context of their individual work and share their learnings back with the group.
And, at Springboard, their "Go Fund" has allowed them to build up some financial reserves for research and development. This nimble financial structure is hugely important in enabling the organization to innovate and experiment.
By interpreting the organization's mission and guiding its strategy according to its values, nonprofit leaders can have a huge influence on an organization's ability to be innovative and responsive. Thus, creating a culture of innovation starts at the top with leaders, at both the board and staff level, who recognize the need and advocate for adaptive change.
As champions of change, these leaders consistently invite and expect the rest of the board and staff to think creatively and question the status quo, not for the sake of change, alone, but for the sake of better meeting the organization's mission. Without a champion to continuously bring up these conversations, the organizations risk returning to their old habits and ways of working.
Edmonton Symphony Orchestra and the Winspear Centre's leadership have made consistent efforts to keep innovation and adaptive change in the forefront of their board members and employees' minds by bringing it up regularly in meetings and writing it into their strategic plan. In addition to support from the Executive Director, Associate Executive Director Meghan Unterschultz has also become somewhat of an innovation cheerleader to ensure that resources for experimentation remain a priority.
Likewise, former Springboard Board Member Erik Takeshita described "the invitation and the charge as a Board Member to be an energetic questioner of the status quo and not holding [anything] precious."
In addition, leaders can encourage an environment of experimentation and strategic risk-taking wherein failure is a learning opportunity. One of the Mississippi Museum of Art's biggest challenges when it comes to innovation is unlearning old habits and being open to experimental ways of working, particularly for staff who, by profession, are trained to be perfectionists. Bradley's leadership in creating a culture where staff are more comfortable with taking risks and accepting failure as a learning opportunity has been crucial.
Innovation Mindset = Way of Working?
In looking at these three case studies, although innovation is not always a way of working (nor does it have to be), I would argue that it should be a mindset we embrace more. When we engage in an ongoing act of questioning, exploring and doing, we get closer to fulfilling the potential of our organization's mission.
All illustrations by the author.
[1] Ronald Heifetz, Alexander Grashow, and Mary Linsky, The Practice of Adaptive Leadership (Boston, MA: Harvard Budiness Press, 2009), 9.
[2] Jocelyn Wyatt and Jeff Wishnie, "Diving In: Nonprofits, NGOs, and Design," excerpted from LEAP Dialogues: Career Pathways in Design for Social Innovation, Stanford Social Innovation Review, Jul. 27, 2016.
Innovation as a Way of Working: A case study of 3 organizations (Part One)
About Kelsye Gould
Kelsye A. Gould is a strategic designer working at the intersection of community, creativity, and change. Fueled by a desire to use design as a catalyst for positive change, she recently completed her M.S. in Nonprofit Management at The New School with focuses in design thinking and change management. Her academic and professional interests revolve around applying a creative, cross-disciplinary design lens to organizational and community challenges. kelsyeagould.com
Tags: Edmonton Symphony Orchestra, Mississippi Museum of Art, Springboard for the Arts
Making Innovation "Stick" with an Adaptive Leadership Circle
By Louise Brooks
Springboard Responds: This Is What An Adaptive Board Looks Like
Springboard for the Arts Asks: How Do Our Artist Selves Change the Organization?
By Laura Zabel


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Q: How to serve static images from /tmp in Apache How do you serve images from Apache that exist outside the document root?
I have a devops process that runs builds for a UI testing build, which generates screenshots and stores them to /tmp/images.
When a build fails, the screenshot identifies where in the UI the error occurs. So to help developers see the failure, I want my build server (running on Apache), to be able to serve these png screenshots so everyone can easily access them. Because the images are associated with build records that only last for a day or two, storing the images in /tmp is fine, and I have a separate cronjob for cleaning them out based on timestamp.
According to the docs, to serve files outside the document root, all I need to do is add something like:
Alias "/images" "/tmp/images"

to my site configuration file. However, after adding that to the end of my <VirtualHost> tag, and restarting Apache, I still can't access any png files stored in /tmp/images from Apache, and it just returns "No Such Resource".
Apache's mostly just working as a proxy for a Buildbot server, so my site config file looks something like:
<VirtualHost *:80>
    ServerName mydomain.com
    ServerAdmin sysadmin@mydomain.com

    <Location />
        AuthType Basic
        AuthName "admin"
        AuthUserFile /var/www/htpasswd
        Require valid-user

        RewriteEngine On
        RewriteCond %{LA-U:REMOTE_USER} (.+)$
        RewriteRule . - [E=RU:%1,NS]
        RequestHeader set REMOTE_USER %{RU}e
    </Location>

    <Location /ws>
      ProxyPass ws://127.0.0.1:8010/ws
      ProxyPassReverse ws://127.0.0.1:8010/ws
    </Location>

    ProxyPass /ws !
    ProxyPass / http://127.0.0.1:8010/
    ProxyPassReverse / http://127.0.0.1:8010/

    SetEnvIf X-Url-Scheme https HTTPS=1
    ProxyPreserveHost On

    Alias "/images" "/tmp/images"

</VirtualHost>

Why isn't Apache able to serve anything from /tmp/images?

A:
Why isn't Apache able to serve anything from /tmp/images?

Several possible reasons.
/tmp traditionally has been a shared space for all local services and users. Over the years it has also been a big source of security problems for all kinds of services. Symlink attacks and DoS vulnerabilities due to guessable /tmp temporary files are common.
That's why systemd introduced the PrivateTmp=yes setting.

If true, sets up a new file system namespace for the executed processes and mounts private /tmp/ and /var/tmp/ directories inside it that are not shared by processes outside of the namespace. This is useful to secure access to temporary files of the process, but makes sharing between processes via /tmp/ or /var/tmp/ impossible. If true, all temporary files created by a service in these directories will be removed after the service is stopped. Defaults to false.
It is possible to run two or more units within the same private /tmp/ and /var/tmp/ namespace by using the JoinsNamespaceOf= directive

IN other words, the /tmp/images that your devops process writes to can't be seen by apache httpd because it runs a in a namespace with a private /tmp.
Solution: write your images in  different directory, but not in /tmp.
Alternatively: have the devops process also run in a name space, where your join the name spaces with JoinsNamespaceOf=
There may be other reasons as to why Apache httpd can't access /tmp , selinux, apparmor etc.

ProxyPass / http://127.0.0.1:8010/

Alias "/images" "/tmp/images"

The ProxyPass directive may have precedence over the Alias directive.
You might need to do for /images as you already did before with /ws, exclude that path from the ProxyPass /
Alias "/images" "/tmp/images"
ProxyPass /ws !
ProxyPass /images !
ProxyPass / http://127.0.0.1:8010/


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Home » Posts made in June, 2020
International Business School of Washington (IBSW)-College De Paris Is Ready To Welcome Students From India
Covid-19 has forced universities across India, and the world indeed, to suspend physical classrooms and shift to online classes. Due to the global lockdown measures implemented and its commitment to delivering value to its students, International Business School of Washington (IBSW) is now offering a hybrid model which offers students the opportunity to continue their education online through its LMS (Learning Management System) and online webinars. As such, this new hybrid model affords students more flexibility by enabling them the options of completing their academic semesters on campus or 100% online. Through this new initiative, IBSW continues sparing no efforts to engage with and facilitate the process of pursuing degrees in the fields of fashion, design, business, technology and hospitality for its current and prospective students.
Furthermore, France has declared on Monday that it was making every effort to address the logistical and planning challenges posed during this pandemic in welcoming Indian students in the next academic year. France has highlighted that this move is motivated by its strong people-to-people ties and strategic partnership between the two countries.
As the COVID-19 pandemic brings about enduring lockdowns and suspended events globally, IBSW-College De Paris continues proposing several innovative ways to foster cooperation and welcome its current and new students across India and the world.
New students will also benefit from IBSW-College de Paris' commitment to enable the commencement of their academic year without any delays by leveraging their LMS and virtual classrooms wherever necessary.
France has also augmented its proportion of scholarships by 50% – equivalent to 10 crore rupees – for the upcoming academic year. These scholarships will be awarded regardless of whether a student starts the semester in India or France, as Indian students remain keen on gaining international exposure and expertise in France.
https://www.collegedeparis.com/international-business-school-of-washington/
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Choreographer Sandip Soparrkar Shoots for A Magazine Cover Amid Lockdown
Amid the Coronavirus lockdown, Bollywood celebrities are keeping their fans updated with their daily lives. They are doing their bit to keep their fans entertained and motivated through these tough times. During The lockdown Bollywood and Hollywood Choreographer Sandip Soparrkar had started online Dance Classes for dance lover. Now he had recently shared a post on his social media account Featuring on Two Magazine cover page Mystique June Edition and Loud Applause March – April edition during the lockdown. The actor dancer shot for the cover while in quarantine.
Sandip Soparrkar Said, "I am humbled and truly honoured that both Loud Applause and Mystique Magazines had me grace their cover during lockdown time. Through dance we can uplift our soul and also create positivity and remain happy during such testing phase of our life."
Ms Neha Muthiyan, Publisher and Editor, Loud Applause Dance Magazine Said, "Our is privileged to have Mr. Sandip Soparrkar on its cover page for the March-April 2020 issue. The reason for choosing him for the cover page is multifold. This year, the magazine's cover page theme was to feature dancers from various styles. Since he is an internationally known dancer, people from all dance styles instantly connect with him. His views regarding maintaining the authenticity of the dance styles matches with the magazine's motive too".
When the picture went up on Sandip Soparrkar social media handles, fans flooded it with their comments. Ms Muthiyan further added, "Regarding the particular picture, the digital art created by Mr. Binnoy Roy featuring actress Dipannita Sharma & Mr Soparrkar is extremely eye-catching and brings out the flavour of the dance style and the charismatic personalities of the dancers."
The cover of men's exclusive issue of Mystique magazine had the dashing dancer pose in hot red lying on an airbed and had the dance lover praising the choreographer for his handsome looks.
Ms. Juveria Nusrat editor Mystique said, "We always promote good Health and Fitness, I believe Dance to be one of the best forms of getting Fit by keeping our mind calm and happy. We chose Sandip Soparrkar for this month as our Cover story as he is a Dance Maestro. He inspires everyone to stay fit even during this pandemic. We have chosen an interesting and One of the coolest pictures of his for cover till date. All in red as it depicts passion, romance, positivity, power, strength and a dynamic persona."
So if you are a dance enthusiast and a lover of fashion and lifestyle then go and grab a copy of Loud Applause and Mystique right away and stay calm and positive until life gets back to normal.
Miss World Washington Shree Saini Received Heart Warming Message From Indian Orphanage
Miss World Washington Shree Saini and her family helps underprivileged children around the World get a better education and healthcare facilities. During this Lockdown, she received heart-warming messages from many India Based NGOs, including Child Help Foundation.
While expressing her feelings she said, "I love these kids and can't wait to visit them when our world becomes a safe place. Stay home and stay safe." The children in the picture are seen holding thank you signs.
Shree notes "look at their hearts behind even the Thank You signs they made. They added flowers, clouds, hearts, leaves at the outline of my name." Shree expresses that seeing others suffer continues to pain her, but she chooses to turn that pain into her purpose to serve. This purpose was instilled in her when she was a little girl and watched Miss World on TV.
Shree continues to pass her gratitude to her international judges by writing in her post "Thank you Mrs. Julia Morley , Mr. Eric Douglas, Mr. Steve Douglas founders of Miss World for creating this international women empowerment organization 70 years ago."
NAFIH MOHAMMED NASER INSPIRES YOUTHS THROUGH HIS SUCCESSFUL JOURNEY TO THE POLITICS
Nafih Mohammed Naser is the new youth icon for the Indian National Congress. He was brought up in Kasargod district of Kerala, on the 13th of December 1988. Mohammed Naser completed his schooling from Saadiya Senior Secondary school, and he was graduated from PA College, Mangalore, with Bachelor's in Commerce. He is recently appointed as the Social Media cordinator of the Youth congress, in Bangalore.
Nafih Mohammed believes that, " Power does not corrupt people, it is corrupted by the people only." This is one of the many reasons behind him joining the Politics, when the young generation detests the niche. Youngsters hate the corruption surrounding politics, which favours the powerful man but not the poor people of the country, though we are living in democracy.
He is a zestful personality who is attracted by many of his followers due to his active engagement in Public Service, Powerful and impactful positive influence. He wants to follow the duty of social reformer. It is better to be well done, than well said.
His Instagram handle @nafinmn has 110k followers. He is loved for his enthusiasm and realistic approach which can be idealised by the young generation. He trusts the phrase by Dalai Lama, " If you think you cannot make any change in the world, you should try to sleep with a mosquito." The motivational quotes from the great people inspired him a lot to transform his mindset.
Nafih Mohamed Naser has been actively involved in efforts to promote, or impede, direct, or intervene in economic, social, political, reform to make desirable changes in society, to make it a good place for the current and coming generation.
He is conscious about the social impact on the youth. Nafih, being a renowned social activist in Bangalore, has participated in many campaigns and rallies related to Anti Drug and other issues to increase awareness among the people about its abuse and harsh effect in society. He wants to eradicate all these anti-social activities by standing out of the crowd. He has learned from the great phrase which states that, "Government is established for the common good which includes the prosperity, safety, happiness, and protection of the people, not the personal profit, honor, or private interest of certain number of people, class, or family."
Mohammed Naser is actively involved in political campaigns, meetings, propaganda, and rallies of Indian National Congress, and also spreads the news about their contribution to the welfare of the society in his social platforms, and print media. His hard-working nature has brought him on the spotlight of the party members.
He has become a youth icon within less time span after joining the digital world. His 110k family can see behind the scenes of the political lifestyle. His down to earth personality , helps him not to think before breaking the stereotype mentality of the society. His lifestyle inspires youths to follow him.
He solely believes that change will not come if we rely on some other person or wait for the perfect time and place. We are the one who are capable of changing everything. We can make a better world if we want. Our voices and our activities will bring the change.
Nafih Mohammed Naser wants to spread the good will and motives through his work and wisdom.
He is an inspiration to youth due to his optimistic mindset as well as energetic enthusiasm. Young generation should learn from the path of his success which includes prosperity as well as respect. It takes a lot of courage to stand out of the mass and become an iconic figure whom people would follow. Nafih Mohammed has done great job to influence people by his job of social awareness, and urge to change the system.
The burden of working as a great influencer makes a person over conscious about his actions. He needs to talk, think and maintain everything, so that people can follow his actions, and bring the golden days.
He believes that our life will end on the day, when we will choose to remain silent on the topics that matter, and Politicians are the people who seek for opportunity, freedom, and ideas. If they see a ray of light inside a tunnel, they will make a journey to that light to find more tunnels. It is a chain process of the system which we need to maintain for the betterment of society and our life.
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A Thought Of Pratush Mishra Need A Promote To New Talent Then Start A New Era In Bollywood After Sushant Untimely Death
प्रत्युष की कलम से , दोस्तों भारत अंग्रेजों से स्वतंत्र हो गया लेकिन आज भी मानसिक रूप से हमारी आत्मा गुलाम ही है, क्यों की हिंदुस्तान – भारत में प्रतिभा को रोका जा रहा है , आज अपने देश को उन्नत के शिखर में ले जाने वाले जितने भी साधन हैं स्वतंत्रता के पश्चात वो आरक्षित हो चुके हैं , मेरा ऐसा मानना है की जिस देश में प्रतिभाओं को मौका न दिया जाये या योग्यता के अनुरूप आपको परिणाम न मिले वहाँ की प्रतिभाओं की आत्माएं गुलाम है और ऐसा करके कोई राष्ट्र सफल नहीं हो सकता बल्कि एक नई क्रांति को जन्म देगा ।
हमारे बीच से ऐसी ही एक प्रतिभा सुशांत का जाना जो की एक पोस्टर बॉय थे ये हमें दो बातों को दर्शाता है, या तो इस इंडस्ट्री में कुछ लोगों के गुलाम बन जाओ या जो मिले उसी में खुश हो जाओ, मैं मानता हूँ की आत्महत्या गलत है लेकिन सुशांत जिस बुलंदी पर थे उन्हें लगा होगा की मैं अब इससे ज्यादा नहीं जा सकता , क्यूंकि कुछ चंद बॉलीवुड की कंपनी बॉलीवुड को काफी समय से अपने अनुसार चला रही हैं, चाहे वो फिल्म सेक्टर हो या टेलीविज़न सेक्टर , ये जिन्हे चाहती हैं उन्हें स्टार बनाती हैं , या लोगों को नाकारा सिद्ध कर देती हैं बस यही एक डर जिसे बॉलीवुड से संपर्क न रखने वाले लोग डर समझते हैं सुशांत को ये यथार्थ दिखने लगा होगा इस वजह से ऐसा निर्णय लेना पड़ा होगा, लेकिन उनका ये आत्मबलिदान हम जैसे आने वाले एक्टर या प्रोडूसर को नए तरीके से पूरी तरह से आत्म निर्भर होते हुए और सजग होकर चलने की प्रेरणा दे गए हैं ।
इसलिए जल्द हम अपनी म्यूजिक कंपनी सोल-नोड और एक OTT प्लेटफार्म YD ला रहे हैं, हमारी कोशिश रहेगी की हम नई प्रतिभाओं को मौका दें ताकि दुबारा किसी प्रतिभावान व्यक्ति को इस रास्ते पर जाने का विचार न कर सकें, ऐसा नहीं की मेरा ये निर्णय इन्ही चंद दिनों का निर्णय है, ये निर्णय मैं तभी ले पाया जब मैं बॉलवुड की प्रतष्ठित कंपनियों जैसे BR प्रोडक्शन, हैरी बवेजा प्रोडक्शन, संजय लीला भंसाली जैसी कई कम्पनिओं में मैंने इंडस्ट्री के कई फील्डों में काम किया तभी मुझे ये एहसास हो चुका था की यहां सफल होने के लिए आपको हर तरफ से मजबूत होना होगा, नहीं तो यहां के कुछ लोगों की आँखों में आपकी सफलता खटकने लगती है और फिर आपको कही और किसी भी तरह से उलझा दिया जाता है ।
मेरा इस तरीके से कहना एक कल्पना नहीं हमारे १२ वर्षों का संघर्ष है , मै इन संघर्षों को देखते हुवे उनसे प्रेरणा ली और फिर तीनो भाईओं (प्रत्युष, सुमित, जय ) ने मिलकर अपनी प्रोडक्शन कंपनी PSJ MEDIA VISION डाली और एक मराठी फिल्म पिंगा का निर्माण शुरू किया लेकिन अभी कुछ दिनों का शूट कोरोना के चलते बैलेंस ही है ।
इस पर भी हम नहीं हारे और म्यूजिक कम्पनी SOUL – NODE और OTT – YD के लिए दिलो जान से लग चुके हैं और जल्द ही आप सबको कुछ अच्छे प्रोग्राम देखने और गीत सुनने को मिलेंगे आशा करते हैं हमारी ये कोशिश आपको ज़रूर पसंद आएगी।
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R Madhavan Starrer 7TH SENSE And Jimmy Shergill Starrer LINE OF FIRE To Start Filming In UAE Next Month
Producer Gaurang Doshi to arrive along with a cast & crew of 100 members under the patronage of His Excellency Suhail Mohd. Al Zarooni
To be shot first, the murder mystery '7th Sense' features superstars R Madhavan, Ronit Roy, Chunky Pandey, Tanuj Virwani, Aashim Gulati, Sana Saeed, Ahsaas Channa, Dibyendu Bhattacharya, Sajjad Dela Frooz and Manuj Sharma among other popular Bollywood actors.
The second web series "Line of Fire" features Prakash Raj, Jimmy Shergill, Mohammed Zeeshan Ayyub, Tanuj Virwani, Vijay Raaz, Tannishtha Chatterjee, Kabir Singh, Sana Saeed, Manu Rishi and Tanvi Azmi.
26th June 2020; Mumbai: After a brief lull in the wake of Covid-19, the glittering world of Bollywood productions will be back in action and that too in the UAE. Renowned Bollywood producer Gaurang Doshi of blockbusters Aankhen and Deewaar fame is bringing an ensemble of over 100 crew members for the filming of their star-studded magnum opus Hindi web-series '7th Sense' and "Line of Fire". The Big budget web-series are being produced under the patronage of His Excellency Suhail Mohd. Al Zarooni, an Emirati businessman, Guinness Book World Record holder and Ambassador at Large, Dubai, United Arab Emirates.
The sleek and very stylised web-series promise to be fantastic viewing with a celebrity cast, picturesque locales, gripping storylines, and the larger-than-life intriguing mysteries.
"7th Sense" is a crime thriller/murder mystery that promises to keep viewers at the edge with its gripping plot and a well-executed screenplay. The series is being directed by Karan Darra and the story and screenplay are by Gibran Noorani. The thriller features superstars R Madhavan, Ronit Roy, Chunky Pandey, Tanuj Virwani, Aashim Gulati, Sana Saeed, Ahsaas Channa, Dibyendu Bhattacharya, Sajjad Dela Frooz and Manuj Sharma among other popular Bollywood actors. Shooting for Season 1 and 2 would be completed in about 140 days with most of the action happening in Dubai and Abu Dhabi, United Arab Emirates.
The prep work for the espionage fast-paced action thriller, "Line of Fire" would also begin simultaneously. The web series will comprise of two-seasons and boasts of superstars like Prakash Raj, Jimmy Shergill, Mohammed Zeeshan Ayyub, Tanuj Virwani, Vijay Raaz, Tannishtha Chatterjee, Kabir Singh, Sana Saeed, Manu Rishi and Tanvi Azmi. The story for the web-series is written by Shayak Roy and Ankul Singh, Directed by Shayak Roy, the screenplay writers include Ankul Singh, Nikhil Mishra and Sanjay Kumar Chadwara.
HE Suhail Mohd. Al Zarooni commented, "Indian cinema holds a very special place in our hearts, both for the entertainment value and the art of story-telling. Its popularity is evident from the overwhelming following it enjoys at a global level.Gaurang Doshi has created the masterpieces in Indian cinema, is an iconic filmmaker and is known to tackle subjects that are unique in nature. I'm superbly excited to be associating with him and confident that both the web-series will be a huge success being a combination of a fantastic story-line, a star cast, a producer and directors who know their job well, and of course the picturesque locales of the United Arab Emirates that add beauty to any movie they're part of. In these challenging times when industries across all countries need to support each other now more than ever, I feel proud to do my part".
Madhu Bhandari, Amey D. Nargolkar and Munir Awan are the Associate Producers for both the web series while Parag Parekh and Ronak are the Financial Advisors.
The beginning of the shooting for the web-series is a testament to the great strength, vision and path-breaking progress of UAE, which has shown to the world how one can conquer and come out a winner in the worst of the situations. Media partners for the web-series include the International brand Franck Muller, Consta Group and You Turn.
Franck Muller is the official timekeeper for both the web series.
Commenting on the two projects, producer Gaurang Doshi said: "I'm a firm believer in the motto that the show must go on and instead of losing the spirit in this pandemic situation one should become a pioneer. Keeping true to this sentiment we are the first team to begin shooting during the COVID pandemic. I'm also super excited to be in the UAE which offers such a beautiful variety of locations and a perfect backdrop for the brilliant and mind-blowing show that the series promises to be. I'd like to thank H.H. Sheikh Theyab Bin Khalifa Bin Hamdan Al Nahyan's family and HE Suhail Mohd. Al Zarooni for their constant support, Dubai DFTC for organising permissions, and the UAE government for their help in granting special visas to the entire team and for arranging a chartered flight for us.
"To bring such a big-ensemble under one roof in the current situation is also creditable and I thank all my actors and crew for their support. This shows the great spirit of our film industry and helps to boost it back in action," added Doshi, the man who excels in creating off-the-beaten-track content.
Both the web series will be completed by February 2021 and will be released on one of the popular OTT platforms, the name yet to be revealed.
About Gaurang Doshi:
The three-time Limca Book record winner and the man behind Bollywood hits Aankhen, Deewaar- Let's Bring Our Heroes Home and Bawandar- Sandstrom, producer Gaurang Doshi believes in taking the road less travelled. His company, Gaurang Doshi Production's logo explains him best: 'Veni Vidi Vici', meaning 'I came, I saw, I conquered'. His movies speak of subjects rarely explored in the Bollywood realm and which he executes to perfection. He is also instrumental in launching several actors in Bollywood who now enjoy an A-list status, while successfully lending a helping hand to those who want to re-launch their acting careers. The producer's upcoming projects include Aankhen Returns, Happy Anniversary and Indians in Danger.
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The Efforts Of Actress Kanak Pandey And Saikat Kumar Made The Return Of Purvanchal Residents Possible
एक्ट्रेस कनक पाण्डेय और सैकत कुमार की कोशिशों से पूर्वांचल वासियों की घर वापसी संभव
पूर्वांचल प्रवासी मिलन संस्था ने कराई मजदूरों की सकुशल देशवापसी
स्वदेश वापसी अभियान के तहत सैकड़ों पूर्वांचल के भारतीयों को सयुंक्त अरब अमीरात से वापस भेजा गया
पूरी दुनिया इस समय बहुत कठिन दौर से गुजर रही है, विश्व भर में लोग कोरोना की मार से बेहाल हैं, ऐसे में श्रमिकों का हाल किसी से छुपा नहीं है। देश और विदेश में फैले पूर्वांचलवासी श्रमिक बहुत परेशान और बेहाल हैं। दुबई में लगभग ५ लाख पूर्वांचली श्रमिक कार्यरत थे, पर कोरोना की मार ने उनकी नौकरियां छीन ली, उसके बाद सभी घर वापसी के लिए परेशान हो गए। परदेस से अपने देश लौटने की बेचैनी बढ़ने लगी, पर कोई फ्लाइट न होने के कारण सभी अपने घर नहीं आ पा रहे थे और दर दर भटक रहे थे। ऐसे में दुबई की संस्था पूर्वांचलियों के दुःख-सुख की साथी "पूर्वांचल प्रवासी मिलन" और भोजपुरी अभिनेत्री कनक पांडेय एक मसीहा बनकर सामने आई। उनसे अपने देशवासियों का दुःख देखा नहीं गया और जुट गई मजबुर हिन्दुस्तानियों की सकुशल घर वापसी के अभियान से।
जबसे लॉक डॉउन शुरू हुआ कनक पांडेय काफी वर्कर्स को रोज़ खाना खिलाती आ रही हैं। वह इस नेक काम मेे अब भी लगी हुई है। जब वह मजदूरों को खाना देने जाती थी, तो उनका दर्द उनसे देखा नहीं जाता था, लोग अपना हाल सुनाते सुनाते रोने लगते थे, फिर कनक पांडेय ने उन्हें उनके घर वापस भेजने का सोच लिया। जब कनक पांडेय ने पूर्वांचल प्रवासी मिलन (पी पी एम) के चेयर मैन सैकत कुमार से मजदूरों का दर्द बयान किया और अपनी सोच को सामने रखा तो उन्होंने कनक का पूरा सहयोग दिया। उनके साथ मिलकर कनक पांडेय ने इस मिशन को कामयाब बनाया और सैकड़ों मजदूरों और उनके हजारों घरवालों की दुआएं पाईं। कनक पांडेय सैकत कुमार की कंपनी की पार्टनर भी हैं और इस नेक पहल को करके उनके दिल को जो सुकून मिला वो अद्वितीय है। कनक पांडेय कहती हैं "सैकत कुमार जी का जितना भी शुक्रिया अदा किया जाए वो कम है।उनके इस योगदान के बिना इतना बड़ा काम संभव नहीं था। सैकत कुमार पूर्वांचल प्रवासी मिलन के चेयरमैन होने के साथ साथ स्काई कैप इन्वेस्टमेंट मैनेजमेंट लिमिटेड दुबई यूएई के सीआईओ और फाउंडर भी हैं।
आपको बता दें कि कनक पांडेय ने सैकत कुमार जी के सहयोग से स्वदेश वापसी अभियान के तहत ३५० पूर्वांचल क्षेत्र के भारतीयों को सयुंक्त अरब अमीरात से वापस लखनऊ और जयपुर १९ तथा २० जून को आईके इंटरनेशनल एयरपोर्ट से स्पाइस जेट की फ्लाइट से भेजा गया। भारत के अन्य शहरो जैसे गया, गुवाहाटी, कोलकाता के लिए भी उडान जल्द ही उड़ान भरेंगी| उनकी वाराणसी की फलाइट 29 June ko उड़ान के लिए तैयार है।
ये सब जो पॉसिबल हुआ उसके पीछे कुछ और लोगो की भी बहुत ही महतवपूर्ण भूमिका रही है, जिनमे प्रमुख नाम श्री विपुल जी, भारत के कांसुलेट जेनेरल, श्री अजय सिंह, स्पाइस जेट के चेयरमैन, श्री संजय खन्ना, आईके इंटरनेशनल एअरपोर्ट के सीइओ और श्री अवनीश कुमार अवस्थी उत्तर प्रदेश के चीफ सेक्रेटरी, श्री बाबूलाल मरांडी, नेता विपक्ष, झारखण्ड, श्री सुनील तिवारी, रांची झारखण्ड के विपक्ष के नेता के पोलिटिकल एडवाइजर के नाम उललेखनीय है। साथ ही कुछ और नाम का ज़िक्र भी जरूरी है जैसे, विकास, मनोज सिंह, रवि, मानस, गुरमीत, अशीम भाई, शाहीन भाई और प्रदीप शुक्ल जी।
कनक पांडेय का कहना है कि पूर्वांचल प्रवासी मिलन संस्था ऐसे लोगो की मदद हमेशा ही करती रहेगी तथा कोई भी किसी प्रकार की मदद के लिए हमें संपर्क कर सकता है । पूर्वांचल प्रवासी मिलन की स्थापना का उदेश्य ही बिहार, झारखण्ड तथा उत्तेर प्रदेश के लोगो के बीच एक अच्छे सम्बन्ध को स्थापित करना है , खासकर वो लोग जो इन प्रदेशो से आकर सयुंक्त अरब अमीरात में रह रहे है I
कनक पांडेय के इस जज्बे को सलाम, कि उन्होंने परेशान हाल और मजबुर मजदूरों का दर्द समझा और उन्हें उनके परिवार वालों से मिलवाया।
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Film Actor And Youth President Of Karni Sena Surjeet Singh Rathore Defends T series Owner Mr Bhushan Kumar
फ़िल्म अभिनेता ओर करनी सेना के युवा अध्यक्ष सूरजीत सिंह राठौड़ ने टी सीरीज़ के मालिक श्री भूषण कुमार का बचाव
फ़िल्म अभिनेता ओर करनी सेना के युवा अध्यक्ष सूरजीत सिंह राठौड़ ने टी सीरीज़ के मालिक श्री भूषण कुमार का बचाव करते हुए सोनू निगम पर उनके ही दिए हुए बयान को दोहराते हुये कहा है की सोनू निगम अब्बू सलीम को कैसे जानते हैं? इसकी जांच होना चाहिये,आपको बता दे कि कुछ दिन पहले सोनू निगम ने एक वीडियो बनाया था जिसमें उन्होंने बताया था की भुसन कुमार उनके पास आये थे ओर अबू सलेम से बचाने का गुहार लगा रहे थे, सूरजीत सिंह राठौड़ ने सोनू निगम से पूछा है कि सोनू निगम जी आप अबू सलीम को जानते थे तभी तो भूषण कुमार आपके पास आके बचाने का गुहार लगा रहे थे?, सोनू निगम के बोले गये सब्दो पे धयान देते हुये महारष्ट्र सरकार को जांच करानी चाहिये, सूरजीत सिंह राठौर ने आगे बताया की टी सीरीज़ को पूरी दुनियाँ जानती है श्री भुसन कुमार के पिता स्वर्गीय श्री गुलशन कुमार जी जो हमेशा नये सिंगर को प्रमोट करते थे उन्होंने हिंदी पंजाबी भोजपुरी गुजराती राजस्थानी सभी अलग अलग भसायें गाने वाले नए सिंगर को चांस दे कर उनको एक मुकाम पर पहुंचाया था, उसमें सोनू निगम भी शामिल है सोनू निगम को स्वर्गीय श्री गुलशन कुमार जी ने दिल्ली से अपना पैसे पे सोनू निगम को मुम्बई बुलाया था, और आज सोनू निगम जिस मुकाम पर है उसका सारा श्रेय टी सीरीज़ को जाता है,पर आज अपने लालच के वजह से सोनू निगम टी सीरीज़ को बदनाम कर रहे हैं क्योंकि उनके पास कोई काम नहीं है तो वह चाह रहे हैं कि वह टी सीरीज़ पर दबाव बनाये ताकी उनका दाल रोटी चले,सूरजीत सिंह राठौड़ ने भुसन कुमार और टी सीरीज के सपोर्ट करने सामने आगये है,उनका साफ साफ़ कहना है,वो भुसन कुमार के साथ हैं और रहेंगे
उन्होंने महाराष्ट्र सरकार से सोनू निगम की जांच की मांग की है,सूरजीत सिंह राठौड़ ने साफ़ साफ़ टी सीरीज़ ओर भुसन कुमार के सपोर्ट में आ खड़े हुये है,,अब देखना ये है कि महारष्ट्र सरकार सुरजीत सिंह राठौड़ के दिये हुए बयान को कितना गम्भीरता से लेती है, आगे उन्होंने सुशांत सिंह राजपूत के लिए भी जांच की मांग की है, सूरजित सिंह ने सुशांत सिंह राजपूत के आत्महत्या है या हत्या है इसकी सरकार सी॰बी॰आई॰ जाँच किस लिए नही करवा रही है उन्होंने बोला कि ये करनी सेना की माँग है CBI जाँच हो जो दोसी होगा उसको सजा मिले,
IFTPC – CINTAA – FWICE Resolve Issues For Shoots To Commence
IFTPC, CINTAA and FWICE have today amicably resolved the outstanding issues which paved the way for the immediate resumption of shootings. These understandings were reached in virtual meeting held between IFTPC, FWICE and CINTAA.
IFTPC agreed to provide two sets of insurance coverage i.e Death Cover of 25 lacs due to Covid-19 and also hospitalization cover of Rs. 2 lacs uniformly across all hierarchy of the cast & the crew. Apart from the insurance, IFTPC also assured that every precautions as per the government's guidelines will be put in place to ensure utmost safety for the entire cast & crew.
Also a decision was taken to reduce the period of credit for cast and crew from existing 90 days to 30 days for at least the first three months; mutually negotiated pay cuts without actors facing any sanctions, and continued dialogue with all parties for easing working conditions were also agreed to, without delaying the resumption of shootings.
IFTPC acknowledged the contributions of CINTAA and FWICE who in these extra ordinary situations showed exemplary understanding and maturity in the workers and the national interest. In total solidarity and bonhomie, the stakeholders IFTPC, CINTAA, FWICE and the Broadcasters announced that the shooting will begin immediately and a new saga will unfold in every household soon.
Sajid Nadiadwala, President IFTPC, CINTAA, FWICE and the Broadcasters expressed their gratitude to Hon. Chief Minister of Maharashtra, Shri Uddhav Thackeray, Hon. Amit Deshmukh, Minister of Culture, Cultural Secretary Dr. Sanjay Mukherjee, & Shri Aadesh Bandekar for their exemplary cooperation.
In the marathon discussion Shri JD Majethia, Chairman TV &Web, Shri Shyamashish Bhattacharya and Shri Nitin Vaidya from IFTPC, Shri B.N Tiwari -President, Shri Ashok Dubey – Gen Secretary, Shri Gangeshwar Srivastava – Treasurer from FWICE, and Shri Manoj Joshi – Sr Vice President, Shri Darshan Jariwalla – Vice President, Shri Amit Behl – Senior Joint Secretary, Shri Sanjay Bhatia Executive Committee member from CINTAA participated.
For further details contact
Naarad PR and Image Strategists
M: 9820535230, 8007476464
A 4-Line Poem Retorting Back To Enemy Lovers
The 4-line poem "Enemy Worshippers" opposing the moves to politicize the clash with China at the border is going viral on social media platforms. Hollywood Director and poet Dr. Sohan Roy wrote this poem and shared it on social media.
In the clash that happened in eastern Ladakh's Galwan where India shares border with China, 20 Indian soldiers had lost their lives for the nation. Even in this situation when each Indian citizen has to stay together to fight against the enemy beyond the border, a tendency to make the issue political, regional and social was evident in the arguments raised by a group of people. This poem got released in the circumstance where various controversial incidents like the odd ways in which many medias pictured the brave demise of the soldiers and the interviews of some political leaders. Lines in the poem are openly lashes out against the people who degrade the value of brave soldiers who readily lost their lives to uphold the dignity of their motherland.
Into the poem…
Enemy worshippers
For the soldier who sheds his life from chest
To uphold the dignity of motherland
Heinous beings abusing without garlanding them
Should be the ones to be exiled first
The poem was shared on social media with the tagline meaning that the termite inside causes more harm to wood than the woodpecker outside. Doctor of Chennai's major cricket team also came forward expressing remorse for the controversial comment he made on twitter.
"Enemy Worshippers" has gained much applause from various nooks of the globe. B.R Bijuram, who had also done music direction and background music for different mainstream movies like Black Jew and Aickarakkonathe Bhishaguaranmar, has done the music direction and orchestration of the English and Malayalam versions of this poem. The English version was recited by Bindya Bashi, a tenth-grade student in Rajagiri school in Kochi.
Posted by admin in Indywood | 0 comments


Sarah x This semi-naked wedding cake is a drool-worthy combo of delicious salted caramel, vanilla and almond, raspberry and Amaretto jam layers. Made by Norfolk-based Victoria Jane Bakes it was designed to complement a magical woodland wedding theme. View the whole magical shoot involving other local suppliers and captured by Vicky Plum Photography in the April/May issue out now! www.youreastanglian.


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Q: jQuery DatePicker not showing Hello I'm trying to create a simple textbox with a datepicker that appears when a user clicks inside of the it.  I have the following loaded in my header:
<link rel="stylesheet" href="css/start/jquery-ui-1.8.13.custom.css">
<script src="js/jquery-1.5.1.min.js"></script>
<script src="js/jquery-ui-1.8.13.custom.min.js" type="text/javascript"> </script><!-- Was missing closing tag
<script>
    $(function() {
        $( "#datepicker" ).datepicker();
    });
</script>

And in my body, I have the following textbox:
<body>

    <input id="datepicker" class="hasDatepicker" type="text">

</body>

My problem is that when I try to click inside the text box, nothing happens.  I'm not sure what the problem might be.  Any suggestions are appreciated.
UPDATE:
Tried the CDN and also downloaded the entire jQuery UI package and still won't show.  Tried in both IE and Firefox.
UPDATE 2:
Was hoping that syntax error I corrected above would fix it, but no dice.

A: Please remove the class hasDatepicker from input tag and it should work fine.
class = 'hasDatepicker' //Need to remove

A: I had a similar problem.
Open the stylesheet and find .ui-helper-hidden-accessible.
If there is a duplicate line for clip: rect(1px,1px,1px,1px);, remove it (you may need to remove both).  This fixed the problem for me.

A: jQuery UI adds the "hasDatepicker" class to the input after it is clicked. Try removing the hasDatepicker class. If you are using a jQuery selector such as $('.hasDatepicker') to select the input(s), try giving it another class name.

A: Use the CDN to test to make sure you have the complete jQuery UI.  Your calling it right...
<script type="text/javascript" src="http://code.jquery.com/jquery-latest.js" charset="utf-8"></script>
<script type="text/javascript" src="http://ajax.googleapis.com/ajax/libs/jqueryui/1.8.5/jquery-ui.min.js" charset="utf-8"></script>

A: If you have multiple instances of the date picker try using a class rather than the ID, the reason being is the ID needs to be unique to the element or calling jQuery cannot run the function, this is because the function wont know what specific element on the page to place the script into.
The script would look like this
<script>
    $(function() {
        $( ".datepicker" ).datepicker();
    });
</script>

And the element would look like this
<input id="myInput" class="datepicker hasDatepicker" type="text">

I hope this helps

A: I'm pretty sure you'll have fixed this by now but here are a few things I would have tried:
Ensure you are grabbing jQuery followed by jQuery UI and a stylesheet for .datepicker exists.
Change it from looking for an ID to a class as datepicker puts its own ID in.
If it was on a click event make sure that a datepicker has not previously been applied to the element (so a new datepicker for each new element). E.G:
$(".addOffer").click(function(){
    //Code to add an offer (ensuring it has the class .latest)
    $("#offers").append("<input type='text' name='datePicker' class='datepickerNew latest' />");

    //Add date picker
    $("#offers .latest.datepickerNew").datepicker().removeClass('latest');
});

A: I had the similar issue.
My resolution was to add z-index in .date-picker of datePicker.css
.date-picker {
position: absolute;
z-index:1000;/*********** MY Change *************/
font-size: 1em;
color: #CCC;
text-align: center;
cursor: default;

border: 1px solid #444;
border-radius: 2px;
margin: 6px 0;
background: #222;
box-shadow: 8px 8px 12px rgba(0, 0, 0, 0.2);}

And with this change the Date Picker started displaying.

A: find and remove it if you has something like this!
.ui-datepicker-calendar {
    display: none;
}

A: This is super old but I ran into the issue and came up with an elegant solution based on the jQuery documentation. Using the onClose event built in the datePicker api, I just remove the hasDatepicker class.
 $(".datepicker").datepicker({
    changeMonth: true,
    changeYear: true,
    dateFormat: "yy-mm-dd",
    onClose: function() {
    $(this).removeClass("hasDatepicker");
 }});

Keep in mind, that ideally you have a unique id for each element, sometimes this is not possible.


text:
Libra (Facebook Coin)
UnFavorite	Get Whitepaper
Libra is a project that will allow access to financial instruments of 1.7 billion people in developing countries and will improve rather than destroy the traditional financial system. Libra coin price is not public yet because Facebook coin is not trading yet.
The company received support from Visa, Mastercard, PayPal, Uber, eBay, Farfetch and other financial and technology companies. Libra coin global launch will take place in the first quarter of 2020, testing will begin at the end of 2019, reports the BBC.
Facebook does not plan to make money on Facebook coin - the payment system has no commission, and the company will pay users itself for operations with cryptocurrency, financial analysts say.
Initially, the BBC assumed that the cryptocurrency would be called GlobalCoin and Libra Coin release date had not been revealed, but The Information and TechCrunch talk about a different name - Libra. In May 2019, Facebook registered Libra Networks, a financial company in Switzerland, and bought the brand from a startup of the same name.
Facebook cryptocurrency will be a "stable coin" - it is tied to the currency basket and low-risk securities, and not to a single currency. This will eliminate course jumps, like other cryptocurrencies and libra coin price will be stable.
This was confirmed by the head of Facebook for financial services and payment partnerships in Northern Europe Laura McCracken in a conversation with the German magazine WirtschaftsWoche.
The company integrates Libra cryptocurrency not only in Facebook, but also in Messenger and WhatsApp, as well as in partner sites. Employees of the company will be given the opportunity to receive part of their salary in cryptocurrency.
In December 2018, the Bloomberg edition reported that Libra coin would be used to transfer money between users in instant messengers. In February 2019, The New York Times told about the change of plans and the desire of Facebook to sell coins to users, as well as to negotiate with cryptobirds.
The company plans to launch "cryptomatics" - ATMs for the sale and purchase of Libra offline.
The company takes into account its negative reputation in the field of personal data processing and understands that the project's ambitions to control online payments can scare users away.
Libra (Facebook Coin) will end in 167 days
American online social media and social networking service company
192	of	485


Villa Nova's popular Malmo weave is re-launched for 2015. A modern, textured weave with a two-tone colour effect that adds depth and interest. Malmo is malleable, drapes perfectly and is suitable for severe domestic (SD) upholstery.


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http://www.w3.org/TR/html4/loose.dtd">

<title>HelloJersey</title>
<meta name="date" content="2016-03-13">
<link rel="stylesheet" type="text/css" href="../../stylesheet.css" title="Style">

JavaScript is disabled on your browser.

Skip navigation links

Overview

Package

Class

Use

Tree

Deprecated

Index

Help

Prev Class

Next Class

Frames

No Frames

All Classes

Summary:

Nested |

Field |

Constr |

Method

Detail:

Field |

Constr |

Method

webmon.core

Class HelloJersey

java.lang.Object

webmon.core.HelloJersey

@Path(value="/hello")
public class HelloJersey
extends java.lang.Object

The Class HelloJersey.

Field Summary

Fields

Modifier and Type
Field and Description

(package private) javax.ws.rs.core.Request
request

The request.

(package private) javax.ws.rs.core.UriInfo
uriInfo

The uri info.

Constructor Summary

Constructors

Constructor and Description

HelloJersey()

Method Summary

All Methods Instance Methods Concrete Methods

Modifier and Type
Method and Description

java.lang.String
getHelloJersey()

Sanity check method for JAXRS.

Methods inherited from class java.lang.Object

clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait

Field Detail

uriInfo

@Context
javax.ws.rs.core.UriInfo uriInfo

The uri info.

request

@Context
javax.ws.rs.core.Request request

The request.

Constructor Detail

HelloJersey

public HelloJersey()

Method Detail

getHelloJersey

@GET
 @Produces(value="text/plain")
public java.lang.String getHelloJersey()

Sanity check method for JAXRS.

Returns:

Hello Jersey

Skip navigation links

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Constr |

Method


text:
Q: TypeError: array[i] is undefined I load a multidimensional array in php
for($y = 0; $y< $totaleventosaldia; $y++ ){

$arraynombres[$y] = array($arrayeventosaldia[$y][1]);

}

Pass the array to the javascript method
echo "<button id = '".$year."-".$month."-".$i."' type='button' class='btn-default' style=' border-style: solid; border-image: url(imagenes/rainbow.jpg) 30 round;' onclick='mostrarModal(".$idboton.",".$arraynombres.");' >".$i."</button>	";

I keep getting array[i] is undefined i dont get it,

Help plz, have been couple hours with this.

A: You are not allowed to put a PHP array directly to JavaScript.
Please try to json_encode it:
onclick='mostrarModal(".$idboton.",".json_encode($arraynombres).");'

Regarding your JavaScript I would suggest to directly use eventos instead of copying the elements to array:
for(var i =0; i < eventos.length;i++) {
    acumuladordenombres = acumuladordenombres +' '+ eventos[i][0];
}


Brushing your teeth plays an important role in maintaining a healthy smile. This is something that most people know and understand today. However, one thing that often gets overlooked is the toothbrush itself.
Many people simply walk in their bathroom and use the same toothbrush day after day. They don't think about changing their toothbrush, let alone when to do so. We have some recommendations here that you shouldn't ignore though.
The American Dental Association (ADA) recommends that you change your toothbrush every three or four months. This is true regardless of whether you're using a manual or an electric toothbrush.
When you're sick, you should also change your toothbrush after you're healthy again. This is important because the flu virus, staph bacteria, E. coli, yeast fungus, and the strep virus hang out on used toothbrushes.
You can get sick from continuing to use a germy toothbrush because their bristles don't kill the bacteria that's in your mouth, protect you against disease, or prevent you from getting sick.
Another time you'll want to change your toothbrush sooner is if the bristles grow frayed. This is because frayed bristles will lose their effectiveness.
Changing your toothbrush at any of these times isn't a waste of money. Clinical research shows that new toothbrushes remove more plaque than old, worn out toothbrushes.
This means that a new toothbrush is more effective in helping you keep your teeth clean and healthy. It's also a matter of good hygiene, regardless of what type of toothbrush you're using.
When you have a question about your toothbrush, make sure you ask us when you come in for your routine checkup. We understand that this can be confusing until you get into a routine. Let us help clear things up for you.


Here is the best way to spend $20 in Seattle right now: Walk downtown at 4 p.m., whether through an unbelievably drenching downpour or the equally unbelievable springtime sunshine. Direct your feet to Le Caviste, on Seventh between Stewart and Virginia. Have a seat, preferably at the small, slate-topped central bar. Tell the gentleman behind it that you are interested in the poisson en papillote—any pronunciation will do, or you can just say "the trout." (This is half of the $20.) Then say you would like whatever wine he thinks you should have with it—what would he recommend? He will likely get a glint in his eye and say, "Well, the white Burgundy loves the butter in the trout..." He will talk about the white Burgundy like it is a friend who has a crush on another friend. He will also offer you another choice or two. You should probably take the white Burgundy. (Burgundy is "Bourgogne" on the chalkboard menu; this one is Domaine Matrot 2011, and, at $10 a glass, it is the other half of the $20. Okay, yes, you'll need six dollars more for tax and tip.) Now just drink and eat. I promise you will be unbelievably happy.
To pass the unbelievably happy time, you can also ask the man behind the bar—he is David Butler, of Campagne, Le Gourmand, and Le Pichet, which is a trifecta of local French greatness—about the white Burgundy, or the lightbulbs, or what's wrong with espresso shots in this town, or pretty much anything. He is a man of excellent taste, a storyteller extraordinaire, and funny as hell, too. If you think a wine bar sounds at best like an anachronism, at worst like a pretentious drag, prepare to have your mind changed. David Butler's Le Caviste—a caviste is a man who runs a wine cave or cellar, a man with a happy job indeed—is simple but stylish, urbane without self-importance. It is just great.
Up above your head at Le Caviste, three multitiered light fixtures celebrate the endangered incandescent lightbulb: There are 102 of them, 25 watts each. If that sounds fancy or overly designed or retro-too-cute, it is not so. The walls are a difficult-to-describe very pale green: not exactly mint, nor cucumber, definitely not sage. Butler says it's insane-asylum-wall green; you might not even notice it, but once you do, you may lose your mind. The tables are small, simple cafe-style ones. During the daylight (now once again available after 4 p.m.), the high ceilings and huge windows give the narrow space a tremendous airiness; at night, candles make everything effortlessly friendly, or romantic if you like. And why not? Spring is in the air!
When it's hot outside, Le Caviste will be ideal for drinking rosé. Right now, for the sunbursts, there's a sparkling one to tide you over for $9 a glass—it's crémant, which you should also drink as needed to get you through the pouring rain. Don't be intimidated by the French-only wine list in Butler's continental handwriting; you are thoroughly encouraged to ask for a recommendation or more information (then you will be treated to Butler's brief bursts of poetic description, maybe with something about violets). It would also be hard to go wrong with the dartboard method here, and glasses of wine range from just $5 to $10 each, so nothing ventured, nothing gained. Butler prefers wines made organically and sustainably by independent farmer-producers; you can also buy them by the bottle to improve your life back at home.
Butler downplays the role of food at Le Caviste—the menu (again on chalkboards, again all in French) is short, the napkins are paper, the silver is mismatched. There are only two hot dishes on offer. But the two chefs who trade off days in the minuscule kitchen, Maya Frame and Tamsyn Steel, come from Renee Erickson's excellent Boat Street Cafe, and their food may be simple, but it's pretty much perfect. That trout cooked in parchment paper is shockingly good. It's steamy-soft-delicate, with some bites more salty, some with more fresh-herb sauce, some more lemony, exciting to eat and balanced overall. Underneath are the thinnest slices of tenderest potato. The compound butter bathing it all, which Butler will urge you to mop up with slices of baguette (complimentary), is of the sort you'll find escargot immersed in, rich with shallot, garlic, and parsley. The portion is notably generous for $10: a whole half-fish, more than enough for a filling supper. You should share the lentil salad, too ($6).
Then there are three plates with different kinds of smoked fish, various pâtés, slices of duck sausage, and cheese, $15 for small (which isn't that small), $25 for large. More cheeses are available by the ounce—beautiful cheeses that sometimes were in Paris 36 hours ago. There's a dish of verdant Lucques olives ($6). That's it. And that's all you need for a marvelous hour, or two, or three.
How Much Would You Pay for a Slice of Browned Bread?


text:
2020 Whitney M. Young Jr. Award
Gabrielle Bullock, FAIA
2020 Whitney M. Young, Jr. Award Recipient
Named for civil rights leader Whitney M. Young Jr., this award distinguishes an architect or architectural organization that embodies social responsibility and actively addresses a relevant issue, such as affordable housing, inclusiveness, or universal access.
A consummate innovator in areas of equity and inclusion, Gabrielle Bullock, FAIA, has forged a new path for the future of the profession. Her voice as a leader has reverberated throughout her firm and the design community, leading to palpable changes and the realization that a more just and equitable profession is within reach.
"As former staff of AIA National and responsible for equity, diversity, and inclusion, I have relied upon Gabrielle Bullock to provide support, advocacy, and speak for the advancement of a more diverse profession," wrote Damon Leverett, AIA, in a letter supporting Bullock's nomination for the Whitney M. Young Jr. Award. "While being highly engaged in the culture of the profession, she maintains a progressive career as an architect and designer, leading socially responsible projects across the country and globally."
Bullock was inspired to become an architect in order to positively affect the lives of African-Americans and other people of color. She was the first African-American and first woman to assume the role of managing director at Perkins and Will and, since 2013, has served as the firm's director of global diversity. In that position, she has been charged with broadening the firm's culture of inclusion and reshaping society as a whole by confronting issues of equity through meaningful work. While she has helped Perkins and Will achieve equilibrium in its gender diversity, she works tirelessly to address the more ambitious goal of shifting the firm's ethnic diversity through tactics such as scholarships and a visiting scholar program with Tuskegee University.
As a compelling role model, Bullock also champions diversity throughout the entire profession. Her efforts have led to her role as the first female African-American president of the International Interior Design Association (IIDA) and speaking engagements and committee roles for AIA and other allied organizations. Bullock has been an important voice for AIA's Equity in Architecture Commission and its Diversity Council, driving the implementation of critical program and policy changes such as AIA Resolution 18-3: Diversity Pipeline and National Representation. She has been a captivating speaker at engagements such as the 2019 AIA Women's Leadership Summit, 2019 ENCOMPASS: Inclusive Architecture conference, and AIA 2015 POWERFUL: Women Leading Design symposium.
"Clearly, as attested by her wide-ranging and multiple accomplishments and honors to date, Gabrielle is indeed the embodiment of 'role model,'" Cheryl S. Durst, executive vice president and CEO of IIDA, wrote in a letter supporting Bullock's nomination. "Yet I feel her greatest strength is that of being distinctly human and humane. This woman of substance has approached every challenge—personal, professional (and everything in between)—with clear-headed, honest, pragmatic realism. She is not interested in sugar-coating an issue or soundbite-ing a solution."
Bullock is passionate about exposing minority youth to the profession in an effort to strengthen its talent pipeline. A member of the National Organization of Minority Architects (NOMA) since 1993, she has led a number of the organization's important initiatives, such as its Project Pipeline Architecture Summer Camp, which encourages potential architects to explore design through hands-on experiences. She's also bolstered NOMA in areas where member representation is low, supporting the development of chapters in cities such as Minneapolis.
Her beliefs are clearly reflected in her design work, too, and her projects have helped ethnically diverse communities amplify their voices. Her focus on socially responsible work is evident in Destination Crenshaw, where an open-air museum along the 1.3-mile stretch of Crenshaw Boulevard in Los Angeles celebrates the surrounding African-American community through permanent and rotating art exhibitions. In Jeddah, Saudi Arabia, King Saud bin Abdulaziz University for Health Sciences represents the country's first coed university. Bullock facilitated open discussions with the international design team and contractors in an effort to instill in them the importance of cultural sensitivity and social responsibility for the project.
"Having her advocating for architects of color, of which I am one, and others marginalized within the profession has been and will continue to be extremely valuable," Carlton T. Smith, FAIA, wrote in support of Bullock's nomination. "Using the international platforms made available to her through her innate desire to serve has increased awareness not only within the profession, but also to a much larger audience. Her message will continue to resonate for years to come."
Timothy C. Hawk, FAIA (Chair), WSA Studio, Columbus, Ohio
Lawrence Scarpa, FAIA, Brooks Scarpa, Hawthorne, California
Peter MacKeith, Assoc. AIA, University of Arkansas, Fayetteville, Arkansas
Oswaldo Ortega, AIA, Gensler, Chicago, Illinois
Julia Laue, AIA, Bureau of Architecture, San Francisco Public Works, San Francisco, California
Noah Pylvainen, Perkins and Will
Hedrich Blessing
Collaborative and Professional Achievement
Whitney M. Young Jr. Award


Enjoy your Saturday morning with City Market and Phoenix Books, and join us for a reading of the children's book The Popcorn Book, by Tommy DePaola. After we read together, we will have a fun and delicious activity!
Join Pat Esden to celebrate the release of her new novel, His Dark Magic.
ABOUT THE BOOK: Its power is legendary. It can fulfill every impossible magical desire. But for one young witch seeking redemption, the Northern Circle coven will challenge her skills - and her heart - beyond measure.
Join the inimitable and former Cartoonist Laureate of Vermont, Ed Koren, for a talk on his new book, Koren: In the Wild.
Join Judy Chaves for a talk on her new book, Secrets of Mount Philo.
Join Jeremy Holt for a talk on his new graphic novel, After Houdini.
ABOUT THE BOOK: Harry Houdini, master magician and covert spy for the United States, has been kidnapped. The only man who can save him is his estranged son Josef, who, like his father, knows the power of magic—and how it can be more than just an illusion.
Join Coach Dana Cavalea for a talk on his new book, Habits of a Champion.