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Woodrow "Woody" Charles Herman (ur. 16 maja 1913 w Milwaukee, zm. 29 października 1987 w Los Angeles) – amerykański muzyk jazzowy, klarnecista i saksofonista.

Lider znanego na świecie big bandu grającego w różnych stylach. Z orkiestrą Hermana współpracowali czołowi aranżerzy jazzowi, kompozytorzy i instrumentaliści (Igor Strawinski napisał dla zespołu Woody'ego Hermana Ebony Concerto I w 1946).

W jego orkiestrze debiutował w 1949 Stan Getz. Razem nagrali przebój Early Autumn.

Przypisy

Urodzeni w 1913
Zmarli w 1987
Amerykańscy klarneciści jazzowi
Amerykańscy saksofoniści jazzowi
Laureaci Nagrody Grammy
Amerykańscy muzycy swingowi
Ludzie urodzeni w Milwaukee


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Q: Emacs find-tag in class scope The project I'm working on has a huge number of source file. When I browse through the source files and search for function definitions, I use find-tag. The problem is that there are lots of different classes' member functions have the same name. Let's say class A's header looks like this:
class H {
    ...
    long updateInfo();
    ...
}

when I move my cursor onto updateInfo, and use find-tag on updateInfo, it will take me to class A's updateInfo first (if there is one), then I will have to cycle through the list to get to class A's updateInfo() definition. I could, howerver, when doing a tag-search, search for H::updateInfo, and get the result directly. My coworker who uses Eclipse teases me about how lame it is, so I'm wondering if emacs comes with a feature that is able to detect the class name and go to the that class's function definition.

A: With CEDET, semantic-analyze-proto-impl-toggle should do what you want (it also fades out the highlighted method/declaration in a rather neat fashion).  It's mentioned in a tutorial here.

redpajama_set_name: RedPajamaStackExchange


Consumer news and deals in Baltimore, Maryland.
There's a three-day weekend on the horizon and I've got a huge list of retail coupons to save at Presidents Day sales. Have a great long weekend and keep on saving!
AT&T will offer an unlimited data plan, matching No. 1 carrier Verizon's plan announced days ago.


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THE tale of love, warfare and reconciliation between several women of different generations. Young Joo, a genius with an IQ of 200 along with the youngest editor of a leading fashion magazine, is continuously embarrassed by her dim-witted mummy, who has an IQ connected with 56. Ashamed of your ex mother's intellectual disability and also suffocated by her kindness, Young Joo runs away to get married and leaves the woman mother behind. Young Joo, in turn, gives birth to her own daughter and finds herself in the different position.


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HomeTheatre ReviewsREVIEW: The Last Five Years (Last Tapes)
REVIEW: The Last Five Years (Last Tapes)
March 4, 2012 James Wenley Theatre Reviews
The Last Five Years
A show to fall in, and out of love.. [by James Wenley]
In the middle of Musical The Last Five Years, Jamie and Cathy pledge their loves and their lives in the song The Next Ten Minutes, which features both a tender proposal ("Will you share your life with me / For the next ten minutes? / …. And if we make it till then can I ask you again for another ten?", and the wedding vows ("Will you share your life with me / Forever / For the next ten lifetimes?"). It's a love song full of dreams and beautiful sentiment in its lyrics, but melodically it's slow, heavy, with a hint of the sinister. With a real sense of musical foreboding, not the soaring love song the lyrics suggest – this love, and its platitudes, are doomed.
But you don't have to wait to the end of the show to find this out, nor even this middle. Right at the beginning, Cathy (Cherie Moore) tells it blunt: "Jamie is over and Jamie is gone / Jamie's decided it's time to move on… And I'm still hurting". Her story starts at the end, and moves backwards, from this moment of finality through to the first faltering beats of her heart. Jamie's (Tyran Parke) story meanwhile goes from start to finish – from puppy dog eyes to the jaded brow. It's a gimmicky device (See also, Harold Pinter's Betrayal), but knowing at least the start and end of one of the stories makes us focus on all that goes on in between, trying to fit together the pieces of why and how.
Written and composed by Jason Robert Brown, the musical has achieved cult success, premiering in Chicago in 2001 and playing off-Broadway the following year. Brown drew from his own failed marriage in writing the material, which led to threats of a legal challenge from his ex-wife which saw Brown rewrite one of the songs to less overtly mirror his own life. Whether the creation of the show was therapy or otherwise, and there certainly seems to be a hint of introspection, the end product is an articulate look at relationship stages, dynamics, and mutual destruction.
With none of our major companies in Auckland jumping on the rights to the show, this local production comes from new company Last Tapes, who make an impressive debut, with Jennifer Ward-Lealand directing, and Robin Kelly musical director.
The Herald Theatre stage is given a sleek wood floor, suggesting New York sophistication. The three piece band (Piano, Guitar and Bass Guitar) are packed tightly into the corner. The few other accoutrements are a moveable bed, desk, chairs and shelf. The stage walls are white washed, forming mountain peeks at the top. Above that, lit stars. There's something of the transcendental, the Musical Theatre Factory dream working here, at odds with the relationship reality, a clever set in an intimate space from designer Jessika Verryt. Geometric shapes on the walls however look out of place – noticeable, but not distinct enough to seem to represent anything. Lighting designer Andrew Potvin shines some beautiful colour into the space, and lights under the rostra at the back are a nice touch, though there's a tendency to draw attention to the lighting changes, rather than drawing us into the action.
The love story between Jamie and Cathy is one that emotionally we want to believe in. Jamie's enthusiasm in his opening song, praising his Shiksa Goddess, is infectious and catches the excitement of first love that we've all experienced. The catchy Schmuel Song, when the couple are celebrating christmas, sees Jamie write a story for Cathy for as a way of inspiring her to go for her dreams of acting ("Cathy, you get to be happy!"). It's a genuinely lovely gift – having someone believe in you – and in this moment we really can see Jamie's love for Cathy. But it's all tempered by our memory of Cathy's pain and heartache. Why does it all go wrong?
The cracks for Jamie appear immediately after the wedding, and that foreboding Next Ten Minutes, as he transitions into married life. In A miracle would happen, he complains that all the woman that he wants to sleep with find him attractive now that he's married. The terminal phrase "I'm fine" has also crept in. He becomes more consumed with his career as published author and book tours. Meanwhile, we now see Cathy regressing more and more in love with Jamie, and it's tragic.
I've enjoyed regular Australian ditch-jumper Tyran Parke's performances before, but here, in apparently something of a dream role, he really shines. His rich voice brings us with him on Jamie's five year journey, capturing the heights of love, and then maneuvering into Jamie's less than sympathetic conflicted character in the second half. Newcomer Cherie Moore's voice is rawer, but there's an honesty in her performance that carries the character through. Her wistful performance of I can do better than that is a standout moment in the show. Cherie's stage experience is less extensive than Tyran's and it does show – Tyran's Jamie dominates the stage.
Jason Robert Brown is very a clever lyricist, his words convincing as the idiosyncratic thoughts and speech of the characters. The music is memorable, and is especially great as different rhythms and moods are played against each other based on the different timeframes of Jamie and Cathy. With merely three musicians, the band brings the music vividly to our ears.
Five years is a long time to be in a relationship. As we go forward, and back, we see that there's nothing decisive that ends Jamie and Cathy. Its death by a thousand cuts. She's suspicious, always on his case. He gives into his temptation, and is unfaithful. Even so, the greatest betrayal seems to be when Jamie considers loving someone else: "Since I need to be in love with someone / Maybe I could be in love with someone like you". Both Jamie and Cathy are revealed to be vapid, self-interested, bringing out the worst in each other. In other words, they turn out to be not very nice people. Maybe they rushed into to it too fast, promising impossible things (Cathy: "You don't have to change a thing", Jamie: "Just tell me what to do"). What they say they want, and what they really want, doesn't match up.
But isn't that true for us all? It's dressed up with musical panache, but it feels like a pretty true exploration of the mess that is relationships. They'll be a lot of indentifying going on I'm sure.
A familiar and bittersweet look at relationships, warts and all… with a great score!
The Last Five Years is presented by Last Tapes Theatre Company and plays at The Herald Theatre until 17th March. More details at THE EDGE.
SEE ALSO: Theatreview review by Melisa Martin
Cherie Moore
Herald Theatre
Jason Robert Brown
Jennifer Ward-Lealand
Jessika Verryt
Last Tapes Theatre Company
Robin Kelly
Tyran Parke
REVIEW: Perplex (Silo)
REVIEW: Wicked (The Civic) [The Girl from Kansas Edition]
REVIEW: That Bloody Woman (Auckland Theatre Company)

redpajama_set_name: RedPajamaCommonCrawl


See Appendix for information about data sources, methods, ICD codes, and limitations.
Mortality multiple cause-of-death data from National Center for Health Statistics, National Vital Statistics System. Population estimates from U.S. Census Bureau.
NIOSH 2014. Work-Related Lung Disease Surveillance System (eWoRLD). 2014-759 U.S. Department of Health and Human Services, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, Respiratory Health Division, Morgantown, WV. Available at: <https://wwwn.cdc.gov/eworld/Data/759> April 20, 2019.


text:
class RegistrationsController < Devise::RegistrationsController

	private
# Gets the params that we need to update from the forms and updates them.
# Called the same as the devise one  but done in here and added this ' :controllers => { registrations: 'registrations' }' in routes
# Should be able just to add more if needed and on the form
# I am great!!!
# YOLO!
# This took ages to figure out but it works.
	  def sign_up_params
	    params.require(:user).permit(:email, :first_names, :surname, :start_date, :course_path, :bio, :avatar, :password, :password_confirmation, :current_password)
	  end

	  def account_update_params
	    params.require(:user).permit(:email, :first_names, :surname, :start_date, :course_path, :avatar, :bio, :password, :password_confirmation, :current_password)
	  end
	end

redpajama_set_name: RedPajamaGithub


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Colau, is it so difficult to assume some responsibility?
Barcelona. Monday, 27 September 2021. 17:24
The images of the last few nights in the city of Barcelona, with the annual Festes de la Mercè as a backdrop, are of a city that is depressing, out of control and, quite frequently, unrecognizable for its savage and criminal vandalism. The response of those in charge of the city, evading all responsibility, is a narrative that has been heard often in the Catalan capital since Ada Colau came to power in 2015, and it is even more disturbing because we have got to the point where we feel that what happened is something normal when a city has a party.
There has been looting, destruction of shops, vehicles burned, people arrested, stabbings, sexual assaults and mass booze parties involving tens of thousands of people that the police were unable to control and limited themselves to moving to areas where the damage could be absorbed.
The Colau effect as a synonym for the loss of the city's prestige is alarming. The silence of her Socialist partners on the municipal government is worrying. And the inability to reach agreements with the pro-independence forces throughout the term, simply disturbing. Barcelona needs to know that an alternative to the current disaster is possible after six years - there are still two to run, if there is no political earthquake in the middle - of walking steadily towards the precipice.
From that irresponsible manoeuvre by the Upper Diagonal lobby supporting Ada Colau to prevent a pro-independence mayor come these consequences. As for the imposter Manuel Valls, who was brought from Paris as a king by the Barcelona bourgeoisie, to end up being only a city councillor - today, he is already back in the French capital, a caricature of impotence. And in the support for his re-election from the so-called press of reference - the same dailies that now criticize him - one finds an explanation for his unstoppable decline.
Barcelona residents need to know that their city has a future and that the current situation will change. That the city will once again be that prestigious urban core that existed under Pasqual Maragall - also under Xavier Trias. That the criticisms of Barcelona's squalor will not be dismissed, as if they were jokes or, worse still, contempt, saying that it's due to a heat wave. That the current lack of law and order does not harden into something that lasts for years. That the Guardia Urbana - the city police - will act as the city police should and that their functions will also include the law and order of the city. That entrepreneurs and retailers will find appropriate frameworks to allow them to develop businesses. And this also means not passively accepting acts of authoritarianism such as last week's blocking off of Plaça Sant Jaume in order to keep away the chants of those protesting against the mayoralty, at the beginning of the Festes de la Mercè.
The 2023 municipal elections will surely reverse the current situation. But how the city gets to those elections is the responsibility of all parties across the city's political spectrum. Of those who have the most councillors, first of all. The idea of "The worse it gets, the better for us", is no longer valid, because some of the capital's emergencies cannot wait for some attention. The risk of losing Barcelona for a decade is real and that is the worst thing that could happen.
Street crime


Why nose breathing will make you a better athlete – and might save your marriage!
Breathing is normally something we don't consider much. It's an automatic involuntary function, but does it make any difference to breathe through our nose or mouth? Do we all just breathe the same? How we breathe really does make a difference!
On average, a person takes approximately 20 breaths per minute, equating to over 28,000 breaths a day. We generally inhale between 4 to 6 litres of air per minute. There is a common misconception that taking bigger breaths results in more air and oxygen reaching our cells and muscles. This is not correct. Due to a phenomenon known as the Bohr Effect, 'over breathing' can reduce the oxygen levels that reach our cells, including the brain. Hyperventilation (faster breaths) is argued to contribute to respiratory complications including asthma.
Our noise is more than just an attractive (or not) feature on our face. It is essential for warming air and adding moisture when we inhale. The internal nasal cavities and sinuses provide 90% of the required 'air conditioning' of inhaled air, and also recovers a third of exhaled heat and moisture ( Elad et al 2008).
Mouth breathing leads to 42% less moisture, accelerating dehydration and fatigue. As the mouth and upper airways dry out, the risk of shallow breaths and inflammation, and even infection increase.
Nitric oxide is a gas released in the nasal cavity. As a powerful neurotransmitter, it has a number of important functions. Not only does it sterilise incoming air, it also splints open airways and enhances oxygen blood absorption in the lungs.
Breathe through your nose. This helps use your diaphragm (most important breathing muscle). Nasal diaphragmatic breathing results in deeper breaths.
Take light nasal breaths, not big mouth breaths. This helps switch on the diaphragm.
Breathe lightly in and out through the nose, so gently that the nose hairs don't move.
Aim to quieten your breath during practice drills, and deliberately take shorter quieter breaths during practice.
Big mouth breaths are more common when we are unfit, or under stress (huffing and puffing).
Breathe first in your lower belly and lower back, the ribs shouldn't expand at all.
Healthy nasal breathing should be hardly noticeable. Aim to keep breaths light and relaxed.
Generally up to half of all adults breathe through their mouth during the day. This means that they inevitably also breathe mostly through the mouth at night. At night, mouth breathing results in lighter sleep with more apnoea and easier arousal. Snoring is more common in mouth breathers, which isn't ideal if it's your partner!
McKeown argues that nasal breathing not only improves sporting performance and breathing efficiency, but can also improve sleep quality. It has evidence-based benefits for those with complaints such as sleep apnoea, anxiety, excessive tiredness and rhinitis.
The art and practice of nasal breathing is nothing new. For centuries, yoga and especially pranayama (control of breath), have placed a large focus on isolating the nostrils to breathe more effectively, in order to improve energy and facilitate meditation and mindfulness. Today, aspiring yogis all over the world incorporate nasal breaths and pranayama into their yoga practice for stress relief and relaxation. Many high profile public figures have also adopted this practice, including Hillary Clinton. She advocates an alternate nostril yogic breathing technique (Nadi Shodhana) for anxiety relief.
Stress increases our sympathetic nervous system response, leading to a dry mouth and less saliva (not ideal during public speaking). Scientific evidence has highlighted that by deliberately regulating nasal breaths, we change our heart rate, which can improve parasympathetic nervous system health.
Aim to practice breathing through your nose at rest and during light activity, this slows the speed and frequency of our respiratory rate. It can improve sleep quality for yourself and your partner, leading to happier relationships! Pay attention to your pets, as all animals are nose breathers apart from when they are trying to cool themselves down! Breathe lightly and from the lower belly rather than the upper chest. In the long term, nasal breathing will improve blood oxygenation and overall lung volumes, leading to benefits for the entire body and improved health and wellness.
For more info, or some more handy tips contact us now!
Hugh is a keen sports enthusiast with a passion for musculoskeletal, spinal and sports injuries. Hugh has a special interest in treating neck pain, headaches and sporting related injuries.
Couch to 5k or C25K is a great program to introduce people to running. It suits people who have never run before, or are getting back into running after injury, illness or an extended holiday from running.
We all know that posture is important, but often sitting up 'straight' feels like hard work. Unfortunately, the reality is that sitting upright might actually be causing or contributing to your neck or back pain!
Collins Street physiotherapist Cara Peake went along to Park Run, free every Saturday!


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By Liam Moran
Interactive Tools Make Classroom Video More Active Than Passive
A phase shift appears to be underway in the realm of educational video technology. On one side of this transformation, the central challenges of educational video are basic and existential: How do I make it and where do I put it? On the other side are questions pitched through the wheelhouse of a professional teacher: How do I present the material in a way that captures the students' interest and encourages them to think their way through the instructional video?
Start-ups and established vendors are cooking up clever solutions to enable interactivity with educational videos. It is helpful to categorize them in terms of those that are teacher-driven and those that are student-driven. Does this solution require a visionary teacher to painstakingly anticipate student needs while preparing a lesson around an instructional video? Then call it teacher-driven. Does that solution require students to put themselves out there in the platform enough to drive that most powerful force in all schools—peer pressure? If so, it is learner-driven.
One time-honored approach is to allow teachers to construct choose-your-own-adventure-style lectures. These provide students with branching paths through the material that depend on how they answer questions that the teacher posed within the lecture to probe for common misunderstandings and to guide students through remedial materials they need to cover before they proceed. Two platforms are notable for taking that general lesson-construction idea and building a video experience that can support it: Eko and Rapt. Eko is an impressively powerful and free-to-use platform for making infinitely complicated, choose-your-own-adventure, interactive videos and for showcasing its stable of solid-quality entertainment programming using it. Eko doesn't target education, however: Its primary income stream moving forward is rumored to be a partnership with Walmart to build an online video service to compete with Amazon and Netflix. Rapt is similar in functionality and significant in that the company was acquired by Kaltura, a hosting platform with a large footprint in the educational video market.
Taking a step down in sophistication, there are in-video quizzes that provide a similar experience for the student, but without any branching logic. Everyone sees the same video regardless of how they answer the questions, although they usually will get some feedback from the in-video question tool. Questions are typically used to prime students to be mindful of what comes next or to assess understanding of what came before the question. PlayPosit and Edpuzzle are two companies specializing in tools for adding in-video quizzes to YouTube or other videos. Many video hosting platforms used by schools natively support in-video quizzes, including Kaltura, MediaSite, and Ensemble.
The trend in the learner-driven approach is to take cues from how students interact socially online and attempt to incorporate those behaviors into how students watch their instructional videos. A prime example is Arc Media, the video hosting platform built by Instructure, the company behind the Canvas learning management system (LMS). Arc implements interactive capabilities akin to Soundcloud and Facebook Live: Every video incorporates a time-based chatroom, with threaded discussion posts by the class popping on as the video progresses. Since Arc was designed by an LMS vendor, it was made with the needs of the classroom in mind. An example of a detail the company got right is in making it easy to cloister comments within each term that the video is used: A video including annotations and chatter from a previous years' students would seem inauthentic and stale.
Finally, there are the Snapchat-for-education platforms that leverage short videos to facilitate online video class discussions. In these, the teacher prompts students with a topic and the students respond with video. One example is Recap, offered for free by the makers of the Swivl camera platform. Flipgrid is another such platform, also available for free since its acquisition by Microsoft. Both are useful in offering your students a chance to connect with you and the material closer to their terms and comfort zone.
I'm agnostic as to whether either approach is superior. All classroom technology delivers the most benefits when both teachers and learners are deeply invested, but each will suffer when one or the other is taken away. It is fortunate is that these specialized tools are now available for teachers to reach different types of students with video.
[This article appears in the October 2018 issue of Streaming Media magazine as "Setting the Focus Back on Teaching and Learning."]
360 Video and Ed Tech: What Are the Best Use Cases for Distance Learning?
In distance learning, 360 video for its own sake--no matter how cool it is--rarely goes over well; what are the use cases where it really adds to the mission? DiscoverVideo's Rich Mavrogeanes and Ohio State's Scott Nelson discuss real-world use cases where 360 video delivers unique experiences that wouldn't otherwise be possible with elearning, and others where it falls flat in this clip from Streaming Media East 2022.
How to Design a Hybrid Classroom
In-person or virtual? It's no longer one or the other, and schools and universities need to have clear strategies for delivering hybrid education to their students.
Video Helps Keep Schools Secure
The use of security cameras in schools is growing. Look for educational institutions and vendors to creatively squeeze value from fixed camera systems in schools by expanding the audience for the video footage while avoiding critical safety or privacy problems.
7 Essential Tools for Every Creator's Streaming Toolbox
Stream live with low latency. Collaborate on edits. Distribute to multiple platforms. Analyze data to make better choices. Here are the innovation leaders every streamer needs to know about.
The Caliper Framework Fills a Need for Classroom Video Analytics
Video learning systems are taking off in schools, but teachers have so far lacked a way to bring that data into their learning management systems. Enter Caliper.
Online Educators Enjoy Generous Copyright Exemptions for Video
Schools are covered by different copyright measures than the mass public, making it easy for streaming classrooms to get around access controls.
Find a Place for Live Video and Audio Streaming in the Classroom
Today's students grow up in a conflict-free echo chamber created by on-demand entertainment. Live streaming is a place for diverse opinions to come through.
Shooting 4K Video in the Classroom: What's the Big Hurry?
For educational video, some choose to shoot in 4k so they can zoom and enhance in post, but stream in mobile-friendly 720p. However, there's no reason to rush to 4K just yet.
From the Classroom to the Athletic Fields: Streaming in Educational Institutions
There are numerous uses for live and on-demand video streaming in educational institutions, including sporting events, commencements, concerts, debates, and flipped classrooms.
Companies and Suppliers Mentioned


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Fredric Brandt was something of a trailblazer among cosmetic dermatologists, but he also had a sensitivity that enabled him to make patients feel better about themselves.
Brandt, who died last Sunday at his home in Miami, at the age of sixty-five, had small, deft hands and a sure touch. Considering that his procedures caused a certain amount of discomfort or pain, I was always struck by the party atmosphere he brought to the proceedings. When he finally arrived in the examining room, he would greet his patients gleefully, asking, "What are we going to do today?" Once he got under way, he would sing show tunes, dropping in a bit of Yiddish—"A bissel of Bo!"—to distract them from the onslaught of needles. It was as if he had figured out that the best ways to approach the whole fraught business of treating women's appearances, in a culture that both fetishized looks and mocked women for obsessing about them, was through humor and self-deprecation. For anxious patients, this attitude was reassuring in more ways than one: it dispelled feelings of guilt at being vain enough to seek out Fred's ministrations, and it conveyed that he was cognizant that what he did wasn't all that serious—it wasn't brain surgery, for instance, although to some women it might have felt as important.
His modest, slightly geeky manner notwithstanding, Brandt was something of a trailblazer among cosmetic dermatologists. Thanks, in large part, to his innovative ideas about aging and facial structure, using fillers to add volume to the face came to be seen as an adjunct to—and, in some cases, a replacement for—going under the knife. Beneath his happy-go-lucky persona, Brandt was a dedicated researcher. He was instrumental in getting certain fillers approved by the F.D.A., and he found new methods of using them, such as injecting Botox to tighten the neck. He was committed to discovering and combining anti-aging agents, both natural and manufactured, and he devised instruments to more accurately and less painfully deliver subcutaneous fillers. He also oversaw an ever-expanding skin-care line, with products that sought to duplicate some of his methods in a topical form.
I still remember our initial encounter, which took place at E.A.T. café, on Madison Avenue, more than a decade ago. From his intimate conversational style to his raucous, uninhibited laugh, I found him out of the box in every way. At the time we met, I was writing an article about the vicissitudes of aging. He had been recommended as a good person to talk to about staving off wrinkles and sagging jawlines. Although Brandt was involved in what many might see as a frivolous process of beautification, he immediately struck me as unsuperficial—as someone in touch with the deeper currents of life. There was also something vulnerable, even fragile, about him that I responded to—a sense that he had fought hard to get where he was, and that success hadn't calcified him but, on the contrary, made him all the more modest about himself, and generous about other people's travails.
As I got to know Fred better, I saw sides of him beyond the driven, relentlessly cheerful person he was at the office. We talked about his lonely-sounding childhood in New Jersey; the early deaths of his parents, with whom he had not been close; and his sense, while growing up, that he was different from other kids. He was thin-skinned about his own appearance, and he tinkered with it continually. His increasingly bizarre looks invited snide comments in the press well before Martin Short parodied him on the TV show "Unbreakable Kimmy Schmidt" (an event that has been linked to his suicide), and he could be driven to tears by a slight or insult, personal or professional. I think this sensitivity served him well as a doctor who saw women at their most vulnerable. It enabled him to make his patients feel better about themselves, not just through his technical skill but also through his inherent kindness. But it also left him wide open to the slings and arrows.
For people who didn't know Brandt beyond his perky persona, it must seem puzzling that someone so vivacious and accomplished would take his own life. Fred had thriving practices in Florida and New York, a globally popular product line, a sparkling white home in Coral Gables that housed a dazzling art collection as well as the three rescue dogs he slept with at night. He had drivers, cooks, private yoga teachers, and a vast collection of friends, which included regular folk as well as the glitterati who numbered among his patients. What he didn't have in the end, I think, was enough of the armor that keeps life from feeling like a too-painful business.When I first heard the news of Brandt's sudden death last Sunday evening, from a publicist friend who had represented him for a number of years, I was told that the cause was an unspecified, long-standing illness. I immediately blurted out my first thought—that he had killed himself—and I was sad but not surprised when my hunch was confirmed the next morning. The man who was so good at making women look and feel beautiful never left off feeling like a wallflower himself—overlooked at the dance, ever alert to the snickers of passersby.


The Blaine Festival Volunteer Committee greatly appreciates the partnership of the following businesses and organizations. Please show them your support by patronizing them.
Blainbrook Entertainment Center and Maxx Bar & Grill!
C & C Machine Tool Inc.
City of Blaine Park & Rec.
© 2019 Blaine Festival Committee. All Rights Reserved.


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Home › News › Ventura, California: Review of the film 'La Misma Luna', at the Outdoor Movie Series in Ventura, California
Ventura, California: Review of the film 'La Misma Luna', at the Outdoor Movie Series in Ventura, California
by Caleb Mitchell February 19, 2009
In the fall of 2008, the City of Ventura in California hosted an outdoor movie series in Ventura's beautiful parks. One of these outdoor films was "La Misma Luna" (or, "Under the Same Moon"), shown in Spanish with English subtitles. After a standing ovation at the Sundance Film Festival, this film has gone on to become popular in the indie/foreign film circuit. The following is a review of "La Misma Luna" by James Berardinelli of ReelViews. You can read the original blog post about the outdoor movie event in Ventura here. It would be easy to get hung up on the illegal immigration issue when discussing Under the Same Moon. Indeed, the filmmakers don't make a secret of their feelings about it; they believe the current policy to be repressive and biased. However, there's more to this movie than that, and dwelling on the subject makes it possible for the viewer to lose sight of the film's successful aspect: the effort of a mother and son to be reunited. When all is said and done, that's what Under the Same Moon is about - the love of a woman for her child and the need for that child to search for his mother. There's a universality to this theme - one that crosses borders and trumps positions. As the movie develops, political issues fade into the background as the story focuses on the familial bond and the courage of the nine-year old boy in undertaking a journey that many adults would find daunting. Under the Same Moon is about the separation of a boy, Carlitos (Adrian Alonso), from his mother, Rosario (Kate del Castillo). Four years ago, she stole across the border into California to earn enough money to forge a better life for her son. She misses him desperately and constantly thinks of returning to Mexico. Every Sunday at 10 am without fail, she calls him from the same pay phone. Carlitos, who lives with his grandmother, carries the burden that he has been abandoned. His father never wanted him and he has not seen his mother in a long time. Then his grandmother dies and he makes the fateful decision to travel to Los Angeles to find Rosario. Under the Same Moon tells parallel stories over a one-week period. Rosario's internal struggles reach a pinnacle and she must decide which is the lesser of two evils: return home to be with her son or marry the considerate and doting Paco (Gabriel Porras) and gain the legal status that would allow her to bring Carlitos to America. Meanwhile, her son has embarked upon a road trip in which he meets a variety of people, some kind, some not-so-kind. He eventually pairs up with the dour Enrique (Engenio Derbez) and the story turns into a form of a buddy movie. Meanwhile, every night, Carlitos gazes at the nearly full moon and recalls something Rosario told him: when he's lonely, look up and know that she is looking at the same moon and thinking of him. Some might think it disingenuous to disregard the movie's perspective about illegal immigration, as if this element should overrule everything else. I would argue, however, that one need not agree with the position taken by director Patricia Riggen and screenwriter Ligiah Villalobos to be moved by the human story their film tells. It's not possible to review the film without addressing the subject on some level but it is possible to enjoy the movie even if one's position is in opposition. Under the Same Moon builds momentum with every passing minute. The first half-hour moves slowly as viewers grope to connect with the characters and understand their situations but, as they become more familiar, events take on a greater immediacy. The film's appeal is primarily emotional; it doesn't pass all the intellectual tests. This makes sense because the goal of Under the Same Moon is not to provide a detailed primer on the life of an illegal immigrant but to afford an understanding of the longing and sense of loss that results from the prolonged separation endured by Rosario and Carlitos. They are both sympathetic characters; viewers yearn for their reunion. The most emotionally potent scene occurs in Tucson when circumstances force Carlitos to take stock of his life and circumstances. Up to this point, the narrative is a patchwork of well connected clichГ©s. It's in this moment that the filmmakers find their voice, the characters gain depth, and the movie begins to achieve what it's striving for. The strong final third counterbalances the weaknesses of the first half. I prefer films that build to something worthwhile rather than collapse short of the finish line. Under the Same Moon accomplishes the former, providing viewers with a testimonial of the enduring strength of the love between mothers and sons. Source: "Under the Same Moon" by James Berardinelli -ReelViews. Read the full article at: http://www.reelviews.net/php_review_template.php?identifier=665.


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HomeStephen Fry's Key To The CityJuly 11, 2016
Stephen Fry's Key To The CityJuly 11, 2016
Stephen Fry discovers the hidden mysteries of the City of London, from the huge amount of cash in the Bank of England vaults to the terrors of Dead Man's Walk at the Old Bailey.
Stephen Fry's Key To The City was broadcast on ABC at Monday 11 July 2016, 23:30.
Stephen Fry's Key To The City
Episode of December 18, 2014
Stephen Fry's Key To The City catch up
Catch up TV on Stephen Fry's Key To The City. Watch the latest and all other episodes of Stephen Fry's Key To The City now online, broadcast on ABC1. Catch up on your favorite ABC1 TV show: Stephen Fry's Key To The City. Replay tv on its best! Stephen Fry discovers the hidden mysteries of the City of London, from the huge amount of cash in the Bank of England vaults to the terrors of Dead Man's Walk at the Old Bailey.


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Tag Archives: Infinity Ward
Rumor: Modern Warfare 3 Will Be a Ghost-Centric Prequel
According to the UK edition of Official Playstation Magazine, the next Call of Duty game, "Modern Warfare 3", will actually be a MW prequel to the series revolving around supporting character Ghost. Fans of the series have been clamoring for more of Ghost since MW2, and rumors of a spin-off or prequel starring Ghost began circulating since January. In their rumors section, OPMUK mentions "insider whispers" alleging that; "Infinity Ward's next Modern Warfare title will be a prequel, with Ghost in the lead role."
Tagged Activision, Call of Duty, E3, E3 2011, FPS, Ghost, Infinity Ward, Modern Warfare 2, Modern Warfare 3, Modern Warfare Prequel, Modern Warfare: Ghost, Prequel, Rumor
Modern Warfare 2: Surplus Pack Screenshots
So by now you may have heard that Activision plans to release a second set of "Modern Warfare 2" maps. The "Surplus," like it's predecessor, the "Stimulus" Pack, features five new maps – three original maps and two updated versions of maps from the original "Modern Warfare." The map pack will run you 15 bucks, (1200 MS points) also just like the original. Can't wait? Well, here are a few images showing off the maps for you to drool over until the DLC is released on Xbox Live on June 3rd.
Unfortunately for those of us playing MW2 on PS3 or PC, the wait is a little longer. Due to an exclusivity agreement between Activision and Microsoft, "Surplus" won't be released for PS3 or PC users right away. Assuming the agreement is similar to the one made for "Stimulus", PS3 and PC gamers should expect to get their hands on "Surplus" until early to mid July: "Stimulus" was exclusively available on Xbox Live for 34 days before being released for other forms of download.
As for the maps themselves – Activision is bringing back "Strike" and "Vacant" from MW, and adding three new and decidedly unorthodox locations for the originals. The names "Carnival" and "Trailer Park" pretty much speak for themselves, don't you think? The last map, "Fuel", well it isn't actually so unorthodox – it's set on an oil rig. Woo Hoo.
Posted in Industry News, Screens
Tagged Activision, DLC, FPS, Infinity Ward, Modern Warfare 2, PSN, Screens, Surplus Pack, Xbox Live
Bungie and Activision Sign 10-Year Publishing Contract
Halo developer Bungie had made it quite clear in recent months that Halo: Reach would be the last game in the Halo franchise for the foreseeable future.
If you didn't believe them… Well, now you have proof.
Bungie has agreed to give Activision-Blizzard exclusive publishing rights to all games the studio develops for the next ten years. Though the terms of the deal were not fully disclosed, The agreement seems to revolve around the establishment of a single AAA franchise, to be published across multiple platforms; "Activision will have exclusive, worldwide rights to publish and distribute all future Bungie games based on the new intellectual property on multiple platforms and device." It was also made explicitly clear that the deal calls for a "partnership", rather than a merger or aquisition: Bungie will remain completely independent and retain complete creative control of their projects. When asked why they chose to work with Activision, Bungie president Harold Ryan said that the studio was looking for a producer with "global reach" and experience publishing games on multiple platforms. If nothing else, Activision has both of those things in spades.
The question everyone's asking now is; "What is the new IP"? No one knows, but according to Activision COO Thomas Tppl,"Bungie has been working on this project for awhile." Bungie staff are keeping tight-lipped about everything not Halo: Reach related, but have indicated that the series will be something completely new (Sorry Marathon fans), it will be big and it may or may not be a shooter. When asked what genre this new series would fall into during an interview with Kotaku, Bungie Community Manager Brian Jerrard said; "Looking back on our pedigree we'll definitely be building on the strengths that have helped Bungie to get where we are today." Technically, that could mean a lot of things: Realistically, it means the game is going to be an FPS. Meanwhile, other rumors are already surfacing, such as the idea that the new series may be subscription-based, but both companies are keeping quiet about what's in store.
On a different front, this news only strengthens recent the likelihood that Activision will seek to dissolve Modern Warfare 2 developer Infinity Ward, which has been the cause of series of problems for them in recent months. With a strong new franchise from Bungie, there seems little reason to keep the studio open, seeing as it is a shadow of what created the most-successful game of all time.
Games For Thought will keep you posted as details of the deal and the new franchise arise. Given that the series is already being developed, it's totally possible that we get a little taste – or at least a name – during E3 this June.
UPDATE: Remember what I said about the possibility of getting more info about Bungie's new series at E3? Well, apparently it ain't gonna happen. Bungie community manager Brian Jerrard, speaking with Edge this time, says that there will be absolutely no new information about the project this year's show. Jerrard emphasized the fact that Bungie is still working on Halo: Reach, which won't actually be finished until this fall.
Tagged Activision, Bungie, E3, FPS, Halo, Harold Ryan, Infinity Ward
Rumor: Activision to Dissolve Infinity Ward After Next MW2 Map Pack
In an interview with CVG, Janco Partners analyst Mike Hickey predicted that Activision will shut down "Modern Warfare" developer Infinity Ward after the launch of the second "Modern Warfare 2" map pack. Infinity Ward – a subsidiary of Activision – has been at the center of a major industry scandal, beginning with Activision firing the team's creative leaders, Jason West and Vince Zampella. Since then, approximately a quarter of the 100-man development team have left the studio, many of them leaving to join West and Zampella's new EA-Sponsored studio, Respawn Entertainment. Between that and a pair of lawsuits aimed at them, one from West and Zampella and another from Infinity Ward's employees, it would come as no surprise if Activision decided that cutting their losses was the prudent decision.
Hickey predicted that Activision will divide the development of "Modern Warfare 3" between multiple studios. Though he didn't mention the non Modern Warfare Call of Duty developers Treyarch and Sledgehammer, they are certainly the likely candidates. Then again, looking at Treyarch's track record, let's hope Activision decides to hand their flagship series over to more… prestigious developers.
Tagged Activision, Infinity Ward, Jason West, Modern Warfare 2, Respawn, Rumor, Sledgehammer, Treyarch, Vince Zampella
Jason West and Vince Zampella Form Respawn Entertainment
Modern Warfare fans were confused and upset they heard when Activision bounced developer Infinity Ward's creative leaders, Jason West and Vince Zampella in March. Now, while still handling two lawsuits with their former employers, West and Zampella have announced the creation of their new studio, "Respawn Entertainment." Currently, the firm has no concrete project, but West says the project is going to like a "Summer Blockbuster". The duo also announced that Respawn has agreed to join the "EA Partners" program, giving EA exclusive rights to produce and distribute their projects. EA has also disclosed that they have supported Respawn with "several million dollars" in seed money.
Other than that, very little is publicly known about Respawn. For example, the studio's Website is a blank page with the name and an e-mail for sending job applications; even with the presumed addition of two high-level Infinity Ward walkouts, lead designer Todd Alderman and lead software engineer Francesco Gigliotti, the company is still looking to build a new design team, which means designers, artists, programmers and so on.
That's it for now, but there will undoubtedly more on Respawn, Infinity Ward and Activision in the future
UPDATE: Two more members of the Infinity Ward team announced their resignations from the studio tonight. Veteran programmer Jon Shiring and lead designer/writer Mackey McCandlish both said they said were leaving the studio. Shiring worked at Infinity Ward for almost six years, McCandish was with the studio for eight; That's 14 years between the two of them.
Clearly, this is not a coincidence.
Tagged Activision, EA, Infinity Ward, Jason West, Modern Warfare 2, Respawn Entertainment, Vince Zampella
Rome is Burning: Will the Infinity Ward Scandal Ruin Modern Warfare?
This past week has been an emotional roller-coaster for "Modern Warfare" fans. First, a confusing security "incident" on Monday at the offices of developer Infinity Ward ended with rumors that Infinity Ward masterminds Vince Zampella and Jason West leaving the company they built up. As things began to settle, Call of Duty producer Activision announced that they had, in fact, fired the two for "insubordination": By Activision's account, West and Zampella were in breach of their contracts when they, according BingeGamer, contacted other producers about working on a new non-COD game. The next day, West and Zampella fired back, announcing that they will be suing Activision for the rights to the "Modern Warfare" franchise. The dejected developers said they were fired after a biased investigation by the company that wanted the two out after years of conflict and the studio's desire to work on other projects before developing "Modern Warfare 3".
The question is now; how will this scandal affect the future of the "Modern Warfare" series?
Truthfully, the falling out may very well kill the series. Assuming that Activision produces the next Modern Warfare title, they'll be forced to fully re-evaluate the series for the first time since it's inception. West and Zampella were the creative forces behind the most successful entries in the Call of Duty series; Call of Duty, Call of Duty 2, Modern Warfare and Modern Warfare 2. (Plus, before forming Infinity Ward the duo oversaw development of Medal of Honor: Allied Assault, which was easily the best game in the series.) Meanwhile, other COD games, made by alternative developer Treyarch, have been well-made but are generally based on the Infinity Ward games: (If you don't believe me, play COD 2 to the end and then start COD3; it feels more like an expansion pack then a separate game.) Rumors have already begun swirling about whether the current IW team will co-operate with Activision for MW3. It's safe to assume that West and Zampella will start a new firm, giving the rest of the team reason to walk away.
There is still plenty of room for failure, however, if Zampella and West somehow win the rights to "Modern Warfare". While it is definitely the better option for gamers, the disruption from the lawsuit, the transfer from company to company and the influence of another producer would all effect the game in some way. That's not to say that those changes would be bad, but such drastic environmental changes will have some kind of effect on the game. Ultimately though, the biggest issue with Modern Warfare 3 as imagined by West and Zampella is that, between the lawsuit and the actual development, it would take at least five years for the game to be made, probably more.
So what can we do, as gamers, to make sure that the Modern Warfare series remains the gold standard of the FPS genre? Absolutely nothing. All gamers can do is play, which is fine. It's what we want to do. For now, the best indicator of how the series will fare will be Treyarch's upcoming entry in the series. The new game is looking to distinguish itself, at least in terms of its story, by setting the game in Vietnam. Maybe the developer will step up to play and make a game that features original mechanics to match its new localé, maybe it won't. The main point we can take away from this series of events is that, for better or worse, Infinity Ward, and by extension the COD series, will never be the same.
Posted in Industry News, Op-Ed
Tagged Activision, Call of Duty, Infinity Ward, Jason West, Modern Warfare, Op-Ed, Treyarch, Video Games, Vince Zampella


I've spent the last year working on ASP.NET MVC3 and feeling good this year on MVC4. I got some new exciting features after updating to MVC4, Web API is one of those exciting features. I have read a lot on this feature and have read a lot of good articles on the web. But I didn't get any article that covers all the concepts in one place. So I tried to combine those in one place for beginners. Please don't consider this article as my own invention.. everything is taken from several articles. Please navigate the links in the History section for further details.


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Woven with a cotton/polyester blend, this intriguing wall hanging depicts a beautiful scene of Lake Como. It measures 36 inches tall x 84 inches wide and features tones of blue, sage and olive greens, and white, which were modeled after an original painting by famed artist Howard Behrens. With a 5-inch border for well-finished detail and a 5-inch hanging loop, this affordable tapestry will make a wonderful addition to any room.


"Pro bono" comes from the Latin phrase "pro bono publico" which means "for the public good". In the legal context it generally means the provision of legal services on a free or significantly reduced fee basis, with no expectation of a commercial return.
While there is no universally accepted definition of what is meant by "pro bono", the Centre's definition is widely accepted in Australia, with 93 percent of the respondents to the Fifth National Law Firm Pro Bono Survey indicating that they use this definition.
For further guidance on 'pro bono legal services' see our Guidance Notes.
For guidance on calculating pro bono hours for the purpose of the Target please refer to our Guidance Notes.
work done without any reference to the capacity of a pro bono client to pay for pro bono services.
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When you're trying to solve a web application performance issue, you don't really care what product the data comes from. You just need insight about what's working on your site and what went wrong.
New Relic understands this, which is why we are working to break down the silos that separate our products and how they display data. Step one is comparative charting, a new way to view real user information along with synthetic monitoring information between New Relic Browser and New Relic Synthetics.
This new comparative charting feature is a big step toward making this silo-less vision a reality. Comparative charting makes Browser and Synthetics data available in both contexts in a single chart. That means you can now see real user activity from New Relic Browser and proactive baseline data from New Relic Synthetics, together at the same time.
With comparative charting, you can view both real user page views via Browser and Page views via Synthetics.
Comparative charting reduces the need to jump between products when you want to view Browser or Synthetics data, and it supports a more intuitive understanding of where performance issues may lie. Think of it as a differential diagnosis for your application.
In an effort to ship fast and learn from our customers, we kept the first iteration of comparative charting lean, focusing on leveraging currently available data. In the future we may consider additional tools for filtering and faceting in useful ways as well as expanding this sort of comparative visualization across other parts of the New Relic Digital Intelligence Platform.
There are many possible use cases for comparative charting. Operations managers might use comparative charting to compare trends revealed in Synthetics to Browser data during a period of performance degradation. This could make it easier to see if the issue is more likely to come from its origin, the content delivery network (CDN), or the "last mile" to the browser. Figuring out where to look first can help reduce the time it takes to diagnose the issue and therefore shorten the mean time to resolution (MTTR).
Using New Relic Browser and New Relic Synthetics together like this can help provide a more complete understanding of frontend performance than real user monitoring (RUM) or synthetic monitoring can provide alone. Bringing both views together into a single chart was a no-brainer in our mission to help our customers enjoy the most complete customer experience monitoring possible.
Comparative charting will be available soon in-product for all current New Relic Synthetics and New Relic Browser users. Learn more about out comparative charting feature by reading our documentation and by visiting the New Relic Online Technical Community.
This post contains "forward-looking" statements, as that term is defined under the federal securities laws, including but not limited to claims regarding the future availability of Comparative Charting between New Relic Browser and New Relic Synthetics and any features or benefits related thereto. The achievement or success of the matters covered by such forward-looking statements are based on New Relic's current assumptions, expectations, and beliefs and are subject to substantial risks, uncertainties, assumptions, and changes in circumstances that may cause New Relic's actual results, performance, or achievements to differ materially from those expressed or implied in any forward-looking statement. Further information on factors that could affect New Relic's financial and other results and the forward-looking statements in this post is included in the filings we make with the SEC from time to time, including in New Relic's most recent Form 10-Q, particularly under the captions "Risk Factors" and "Management's Discussion and Analysis of Financial Condition and Results of Operations." Copies of these documents may be obtained by visiting New Relic's Investor Relations website at http://ir.newrelic.com or the SEC's website at www.sec.gov. New Relic assumes no obligation and does not intend to update these forward-looking statements, except as required by law.


OK, OK- actually NONE of these are like the others.
At first glance all of these wash dresses look very similar to each other.
HOWEVER, on close examination it will become obvious each was made in a different time frame.
Everyday dresses such as these can be especially hard to discern time frame because they don't obviously show things you might have seen in fashion magazines. To date them you need to go back to the very most basic of patterning rules for that particular period.
In this blog post I am going to attempt to show you some of the things that might fool you into placing them in the WRONG time frame, as well as some of the things to look for to make sure they are placed in the RIGHT time frame. Are YOU ready to play Dress Detective?
We will start from left to right and examine each dress in detail.
 tell you how I arrived at that time frame.
Click on photos to enlarge them.
The first dress we will look at is a brown cotton print lined with a coarsely woven cotton fabric similar to flour sacking.
4 of these panels are cut on the straight- selvedge edge to selvedge edge, but the center front panel has a slight taper at the top being only 21 inches wide.
Shoulder seam length is 4.5 inches long from neck to armscye.
Bodice shows front piece with two darts, underarm piece, side back to armscye, and back with a center back seam. Brown shell buttons.
There is no collar only a bias binding from the scraps of another dress.
Dress has attached note- "Dress worn by Jane Ward over 40 years ago"
The skirt is attached by hand. The dress is mostly machine stitched, including the hem. The skirt opens with a dog leg opening to the left as you are looking at it (the right side as you are wearing it) The bottom of the bodice is finished with the same scrap fabric as the neckline.
The hem seems to be the scraps from another wash dress (cotton print) There is no hem binding. But the outer fabric turns to the back about a quarter inch.
To help you see the sleeve patterning, I have carefully pinned ribbon using fine silk pins along where the seamlines would lie. The orange follows the under piece of the two piece sleeve, while the yellow ribbon shows where the upper pattern would look like if it were unpicked from the armscye and the under sleeve piece.
Have you made your guess on this dress?
The basic pattern for the bodice could place it anywhere from the early 1880's to the 1890's. A separate underarm piece started appearing in fashions from the very late 1870's, but by the 1880's it was firmly ensconced. Look first at your bodice seams when dating a dress- when photographing it opening it up where you can see all the seamlines clearly is a definite plus when someone is attempting to help you date a piece and can not be there in person. The tucked or as the 1882 Butterick catalog calls it "plaited" waist was fairly popular, and fits well into my original estimate.
The sleeves and shoulder length are your other big clue. The shoulder length is very short which means it has moved past the late 1870's and well into the 1880's when the armscye was closer to the hinge point of the arm rather than the outer shoulder as it had been just before. To accommodate this shorter shoulder the sleeve patterning had to be changed to add more fullness to the sleeve cap. The top of the sleeve is eased into the armscye, leaving only a few small wrinkles but no real fullness or gathering. By 1886 most dresses were showing more fullness at the shoulder with at least a slight gather so I am placing it before this time frame. The image at left shows Professor Moody's sleeve pattern from 1885. The "old style" coat sleeve is one in use from the late 1870's through the early 1880's.
These are two sleeve patterning systems from the same maker at different dates, Both William's Perfection system. The one on the left is 1879 while the one on the right is 1885. You can see how the sleeve cap portion is starting to grow higher as the armscye moves up the shoulder.
Did you guess the same?
1. No collar. Most people think of 1880's dresses as having high collars. IN reality 1880's has more styles of collars, heights of collars and collar attachments than any other time frame I study regularly. You may see wash dresses with no collar, fold over collars, shaped stand up collars, or curved patterned stand up collars.
2. Skirt attachment. In the 1880's there is a wide variety of ways skirts are attached, everything from stroked gathers, to gauging, to pleating.
3. No overskirt. Fashion plates of the 1880's tend to show longer waistlines and overskirts. Remember wash dresses and work dresses aren't going to look like fashion plates except for bare bones of the seamlines.
4. Dog-leg waistline opening. Sometimes people automatically think civil war era when they see a dog leg opening (where the bodice opens down the front but the skirt opens to the side front at a seamline) This style of closure can be found into the 1900's and really depends on the seamstress.
Chocolate brown cotton print lined with a fine brown twill.
and a gored front that is 23 inches at the bottom and 17 inches at the top.
Shoulder length is 7 1/2 inches and there is a fine self piping at the armscye and a heavier self piping at the bottom of the waist.
The dress is mostly machine sewn with a chainstitch machine.
"note of mother,I think she made this dress before I was born about 1883 she was tall."
Shoulder length is 7 1/2 inches and there is a fine self piping at the armscye and a heavier self piping at the bottom of the waist (shown left).
The bodice has a back with a center seam, and the front bodice piece extends to the back of the dress forming a curved seam at side back. (note the spliced in fabric on the lining to get enough width.
Center front opening in the skirt that has been slashed and turned back under to form about a half inch placket. (no separate placket pieces sewn on) A topstitched pleat at the bottom of this placket reinforces it.
The collar is about one inch tall and "mandarin" style- not meeting in the front and curving off slightly at the top. The collar is applied both sides at once and the the raw edge on the inside is covered with self bias.
The sleeve is a two piece coat style sleeve with very little difference in the shaping of the upper sleeve and the under sleeve.
Let's start with the cut of the bodice. The lining is fitted with darts and seams to the waistline while the outside has slight gathers to fit it to the waistline. We first look at the cut of the lining. If you drew a line to just the waistline you would see the cut is VERY much like the 1873 polonaise below right. The front bodice extends toward the back, and the back is cut with a center back seam and fairly wide at the bottom. The sleeve style is very close, but even closer to the pattern below left on the paletot. The applied ruffle and band on the sleeve is very common in the early 1870's through about 1877 on wash dresses.
a fairly wide coat style sleeve. Because the armscye on an early bustle dress extends to the edge of the shoulder, you do not need the higher upsweep in the sleeve head to accommodate the upper arm.
Another clue on this dress is the chainstitch machine stitching. Chainstitch machines are one of the early styles of sewing machines- as a general rule I see chain stitching on early bustle dresses and before- BUT this is not a hard and fast rule, there will be exceptions.
The use of heavier piping at the waistline. Where fine piping for strength was the rule in the 1860's the 1870's sometimes made it heavier and used it for its decorative function. The Sylvia Koester dresses from 1875-78 in Manhattan Kansas have some great examples of this.
The facings on the fashion fabric turn back separately from the lining fabric. (there is a gap between the lining and the fashion fabric at front between buttons/buttonholes) I have another dress from the early bustle time frame that has this feature as well.
2. Skirt attachment. Most people think civil war or earlier on the cartridge pleated, folded over top that this dress shows. I have dresses as late as the mid 1880's with this style of skirt finish/attachment a the top.
3. Sleeve piping. You might guess it is earlier(1860's) from the fine piping at the sleeveline, however the cut of the bodice lining and the heavier waistline piping push it to a later period.
4. Gathered front and back fashion fabric. Without seeing the fitted lining this dress might fool you into thinking it was from an earlier era. The lining pattern tells the true period of the dress.
Black and white print cotton dress.
The lining is a woven plaid with some texture.
Bodice pieces include back with center seam, side back, and front bodice that extends past center side. It is fitted with two darts on each side of front that go through the lining and fashion fabric.
The skirt is neatly gathered by hand and attached to the bodice with a machine stitch.
The upper and under sleeves are fairly slim and are much the same shape with the exception of the slight taper of the undersleeve at the top front.
The collar is a straight of grain folded over band about an inch wide finished that is machine sewn over the raw edge of the neckline.
By 1874, while the sleeve shape at the top had not changed much, it was starting to slim down from the fuller style of coat sleeve of the early 1870's. The shoulder length was starting to become a bit shorter as well, but it had not yet hit the point where you needed a higher sleeve cap to accommodate the short length of shoulder seam. This dress does not yet show the underarm seam or dart that would become more more popular as the dresses were fitted tighter and lower to the form. The sideback form still curves to the armscye- sometime in 1876 you see the appearance of the side back form extending instead to the shoulder line, but by the early 1880's that had mostly disappeared. The textured fabric found in the lining was also something that seemed to be was popular in mid 1870's. This dress has no piping at waistline or armscye and the sleeves are put in by machine. Dresses made more on machine were losing armscye piping by around 1874. By 1876 piping was usually no longer a reinforcement, but instead a design/decorative choice.
1. Mostly Machine stitched. By the mid 1870's MANY of the everyday dresses you see have very very little handwork in them. Buttonholes are still made by hand, as is much of the gathering for skirts, but a hand stitched dress has become the rarity rather than the rule. Because of the amount of machine stitching you might guess later.
2. Short front waistline. When I drafted this dress out for Domestic Lady's dressmaker I was very surprised to realize that it actually scooped up at center front bodice. By all appearances this was likely a maternity dress. The small upward sweep in the front would allow the fullness of the skirts to hide a rounding belly that might otherwise be starting to be obvious in this fashion time frame.
Neckline finished with bias band, and cotton lace hand whipped on edge (lace may have been added later).
Front with dart from armscye to waist forming underarm piece.
The skirt is hand gathered then machine stitched on, seams are machine stitched and hand overcast to prevent raveling out. On the right you can see the two front bust darts, and the dart that forms the underarm bodice piece.
The Sleeve is much fuller than it first appears to be when it is pinned out on the board. The high sleeve cap line was measured and extended by ruler while placing the pattern line because fuller sleeves are harder to pin flat at the upper edge.
There are a couple of things going on here- first and foremost are the sleeves. Sleeve patterns didn't really reach the shape shown on the dress until about 1893. The sleeve patterning system on the left below is from 1892- you can see the sleeves are becoming fuller, but were not "quite" there yet. On the right below is the Square Inch Tailor system published in 1900, just before the sleeves would collapse again. The shape is very similar to our sleeve on the dress, and would first be seen about 1893. Also notice that the shoulder seam length is very short- this is an 1882-1902 trait.
The number of pieces in the bodice are another clue. The extra "dart" that forms an underarm bodice piece, gives you the standard bodice shape from about 1882-1902. The fact that it extends past the waistline point makes it more likely to be 1890's than early 1900's as bodices were more likely to end at natural waistline from about 1899 onward. Something that is harder to tell from the photos is the fabric itself is also not as high a quality as fabric from earlier eras. The weave is not quite as tight and the fibers are not as durable. Cheapness of fabric allowed for interlining the bodice with self fabric, but it also showed as the bodice has split along one of the front bust darts from strain.
1. It's hard to see the sleeve fullness on the mannequin. Honestly, I didn't mount these pieces "properly" before photographing them for this blog post on purpose. Most of the time when I see people asking "What time frame is this dress?" it is draped on a bed, put on a ill fitting mannequin and without any inner bodice photos. As you may have noticed I rely heavily on prevailing patterning trends to help date tricky dresses, and sleeves are one of the points that can make or break support for a certain date. Some fine silk pins and a cardboard cutting board can really help your dress identification process.
2. Collar height. We expect collars from the 1890's to be very high from most fashion plate images. The image from the 1897 butterick catalog for a work dress shows, both a stand up collar and a fold over "shirt collar". Some dresses from this time frame have nothing but a bias binding at the neckline. Trying to date a dress only by the collar style can easily lead you off track.
So, how did you do? I hope you enjoyed my little game.
I have been studying Victorian and Edwardian dress for many years, and when my interest turned early on to everyday clothing I knew fashion plates were going to be of little help to me and started my two favorite collections. Butterick pattern catalogs and dressmaking systems. Using these two collections my third collection- extant Work/At home/Wash dresses started to make more sense to me. The more original pieces that came to be in that third collection, the more I realized what things covered larger time spans than I originally realized, and what would help place a dress in a specific time frame. For example, my current opinion is there is no wrong way to attach a wash dress collar from 1870-1900. I have seen nearly every way possible in nearly every fashion period in that timespan to the point there are very few collars I would call out as specific to a time frame. (There ARE some- but that is another lecture.) With the advent of reasonably priced paper patterns in the 1860's, and fashion magazines publishing patterns within their pages, most women had access to current basic pattern shapes for bodice and sleeves.
ALL images in this blog post are from my personal collection.
Please do not copy and use as your own- but feel free to share the blog post as much as you like.
You have to flip through the whole book to see that 1881 was a pretty transitional year and several cutting styles were being used.
and select by date published early to late.


Ever tried dandelion ice cream or creamy ramendert? In Wellington County we are fortunate to have some wonderful artisian farm fresh dairies. Visit some of Guelph-Wellington's and taste flavours like never before!
Grass-based sheep dairy making hand crafted and packed ice cream with local organic and Fair trade ingredients.
Must Taste Item: Chocolate sheep milk gelato!
Visit All Sorts Acre's Partner Profile.
Wellington's only sheep milk dairy, Best Baa works a cooperative of over ten local sheep milk producers to create an excellent line up of products. These include hard and soft cheeses, yogurt, sour cream, ice cream milk and whey. But there's more to this business than just great dairy products: In 2015 the dairy received the Premiers Innovation Award for working with their predominantly Amish and Mennonite farm suppliers for developing and 'off the grid cooling unit' to refrigerate sheep milk without compromising Amish traditions around accessing electricity.
Visit Best Baa's Partner Profile.
Devoted to the craft of making homemade small batch ice creams, creamed ices and ices in seasonal and creative flavors, using local farm fresh ingredients.
Visit Bluewater Creamery's Partner Profile.
A family run farm and dairy business, Mapleton's Organic Dairy has certainly 'scooped out' a niche for itself. They may be best known for their excellent variety of ice cream flavours, but there are so many interesting components to their business. Products include ice cream as well as fresh and frozen yogurt. Their on-farm cafe serves home-made lunches, fresh and frozen farm products and of course, ice cream cones! Visitors are encouraged to visit their modern dairy barn or spend some time with the goats, pigs, chicken and donkeys in the demonstration barn.
Must Taste Items: All of their ice cream flavours, but especially seasonal ones, such as lavender and dandelion.
They produce a variety of products such as milk, cream, butter, smoothies, kefir, cream cheese, sour cream, cottage and organic cheese, and ice cream.
Visit Organic Meadow's Partner Profile.


How did it feel,How did it feel?
When he said if you're afraid.. I beg your parden.
But you're the one to bear God's son.
Tell me how did it feel?...How did it feel?
O Mama,MamaMary,your little boy,your little boy, Soon to be our Saviour.
Hello! I too would love to get a copy of the music and lyrics from this song. I remember it from Christmas Eve Mass when I was little. Please email me at [email]tsmoen@mchsi.com[/email] with any sources you have for this piece---Mama, Mama Mary. We Wish You Joy!
Me too! I would be very happy to know of a source for the score & lyrics of this song. I remember hearing it rendered by a male quartet... Pretty awesome! Do mail me at [email]unknown_indian30@yahoo.com.[/email] Thanks.
Tell me how did you feel when the angel came into the garden?
How did you feel? How did you feel?
but you're the one to bear god's son."
we wish you joy, we wish you joy.
Soon to be our saviour.
"No food no table, save in the stable"
Tell me how did you feel when the wise men came to see him?
How did it feel? How did it feel?
it had begun, here was the one.


text:
Q: Convert Tex document with pdf images I've found thousands of posts and articles describing how to convert Latex documents into HTML or odt.
I tried everything but it seems my problem is peculiar.
I have 250 pages of compiled document which uses pdflatex to build. No problem at all.
A lot of pictures are produced exporting PDF+LaTeX in Inkscape, which produce a PDF + LaTeX file.
Please, refer to: How to include SVG diagrams in LaTeX?
Other pictures are produced with octave in the same format.
An empty graphics pdf.

And a LaTeX file with labels info.
% Title: glps_renderer figur
% Creator: GL2PS 1.3.8, (C) 1999-2012 C. Geuzaine
% For: Octave
% CreationDate: Thu Mar  3 23:22:20 2016
\setlength{\unitlength}{1pt}
\begin{picture}(0,0)
\includegraphics{TensaoCorrente3_4kW-inc}
\end{picture}%
\begin{picture}(720,360)(0,0)
\fontsize{22}{0}
\selectfont\put(70,33.5081){\makebox(0,0)[t]{\textcolor[rgb]{0,0,0}{{0}}}}
\fontsize{22}{0}
\selectfont\put(179.245,33.5081){\makebox(0,0)[t]{\textcolor[rgb]{0,0,0}{{0.5}}}}
\end{picture}

I include the file using:
\begin{figure}
    \centering
    \resizebox{1\columnwidth}{!}{\input{img/TensaoCorrente3kW.tex}}
\end{figure}

The final result is:

When I try to use Latex I got many errors about bounding boxes in my figures which are pdf. No problem since pdflatex works fine.
The problem is that my professor only use Word to review my document, so I must convert my LaTeX document in to a readable word format.
Latex2HTML prints ugly pictures and equations.
So I tried htlatex which complains about same errors as latex compiler.
There is no way I can manually add bb option to every picture.
I tried with 8 page paper and it took the whole day.
I don't think layout matters. I just need to convert my LaTeX to Word to be editable.
Please check the full example on the link.
https://drive.google.com/file/d/0BwVP4AzXV_MqWExva0xIa0hkOGM/view?usp=sharing

A: Your sample file includes packages which are incompatible with tex4ht and which aren't useful in HTML mode anyway: transparent and pst-pdf. You can enable them only in PDF mode using:
\ifdefined\HCode\else
  \usepackage{pst-pdf}
  \usepackage{transparent}
\fi

Your document can be compiled without these packages.
There is then question of image inclusion. You use two ways, first is direct PDF inclusion, the second is using TeX files with drawing commands exported by Inkscape.
The first way:
\begin{figure}%
 \centerline{\psfig{figure=img/fluxomagnetico_modelofabricado_axis_label.pdf,width=3.34in}}
  \centering
        \caption{Final model of total flux density inside the electric generator}
  \label{fig:densidade_fluxo_maquina}
\end{figure}

use \includegraphics instead:
\begin{figure}%
  \centering
  \includegraphics[width=1\columnwidth,bb=0 0 394 334]{img/fluxomagnetico_modelofabricado_axis_label.pdf}
  \caption{Final model of total flux density inside the electric generator}
  \label{fig:densidade_fluxo_maquina}
\end{figure}

The Inkscape generated files must be converted to PDF first and then included using \includegraphics as well. For each file create driver TeX file in this form (bencada.tex):
\documentclass[preview,margin=5pt]{standalone}

\usepackage{graphicx,xcolor}
\begin{document}
\input{img/bancada_geracao.pdf_tex}
\end{document}

compile the driver files to pdf and include them in the main document:
% \input{img/bancada_geracao.pdf_tex}
\includegraphics{bencada.pdf}

You need now configure tex4ht to support PDF images. It can be done using a config file, mycfg.cfg for example:
\Preamble{xhtml}
\makeatletter
\Configure{graphics*}
   {pdf}
   {\Needs{"convert \csname Gin@base\endcsname.pdf
                               \csname Gin@base\endcsname.png"}%
\expandafter\getImgFile\expandafter{\Gin@base}{.png}
\Picture[IMG]{\imgBase.png \ifx\noBoundingBox\UnDefined
   svg:width="\the\Gin@req@width"
   svg:height="\the\Gin@req@height"
\fi
 }
\special{t4ht+@File: \csname Gin@base\endcsname.png}
 }
  \makeatother
\begin{document}
\EndPreamble

you can compile your document now using
mk4ht oolatex Example mycfg

command. You may need to run it twice for the first time, because pdf files are converted in the first run and they will be used only in the consecutive runs.
Result opened in LibreOffice:

Full modified Example.tex:
\documentclass[twocolumn,10pt]{article}

\usepackage{epsfig} %% for loading postscript figures
\usepackage{graphicx}

\graphicspath{{img/}}
\ifdefined\HCode\else
  \usepackage{pst-pdf}
  \usepackage{transparent}
\fi
\usepackage{tikz}
\usepackage{amsmath}

\title{Example}

\begin{document}

\maketitle

\section{Images}

Convert this document to word

\begin{figure}[h]
% \centerline{\psfig{figure=img/processo_termodinamico.pdf,width=3.34in}}
\centering
\includegraphics[width=1\columnwidth,bb=6 1 503 141]{img/processo_termodinamico.pdf}
\caption{}
\label{fig:processo_termodinamico}
\end{figure}

\begin{equation}
P_{Fe} = K_h B^2 f + K_c \left( Bf \right)^2 + K_e \left( Bf \right)^{3/2}
\label{eq:formula_perdas}
\end{equation}

\begin{figure}
    \centering
    % \resizebox{1\columnwidth}{!}{\input{img/BHCurve.tex}}
  \resizebox{1\columnwidth}{!}{\includegraphics{bh.pdf}}
    \caption{BH curve obtained from experimental evaluation from three different electrical steel materials at $1200~Hz$}
    \label{fig:BHCurve}
\end{figure}

\begin{figure}
%   \centerline{\psfig{figure=img/fluxomagnetico_modelofabricado_axis_label.pdf,width=3.34in}}

    \centering
    \includegraphics[width=1\columnwidth,bb=0 0 394 334]{img/fluxomagnetico_modelofabricado_axis_label.pdf}
    \caption{Final model of total flux density inside the electric generator}
    \label{fig:densidade_fluxo_maquina}
\end{figure}

\begin{table}[h]
    \caption{Total losses from three different electrical steel materials}
    \begin{center}
        \label{tab:machine_simulated}
        \begin{tabular}{c c}
             & \\ % put some space after the caption
            \hline
            Parameters & Value \\
            \hline
            Induced voltage & $220~V_{RMS}$ (16 coils) \\
            Ratted speed & $70000~RPM$\\
            Ratted current & $9.2~A$ \\
            Ratted power & $3.5~kW$ \\
            Stator length & $100~mm$ \\
            PM diameter & $21~mm$ \\
            \hline
        \end{tabular}
    \end{center}
\end{table}

\begin{equation}
\dot{W}_{T} = \dot{m} \, c_p \, \eta_{T} \, T_{Tin} \left[ 1 - \left( \frac{P_{Tout}}{P_{Tin}} \right)^{\frac{\gamma -1}{\gamma }}  \right]
\label{eq:formula_potencia}
\end{equation}

\begin{figure}
    \centering
    \def\svgwidth{\columnwidth}
    % \input{img/bancada_geracao.pdf_tex}
    \includegraphics{bencada.pdf}
    \caption{Schematic representation of the electric power bench}
    \label{fig:bancada_geracao_eletrica}
\end{figure}

\end{document}


If you want a glamorous kitchen, there are a few things you might have to change. The kitchen is one of the most important rooms in the house, for many people. You cook in there, but you may also entertain guests in there, work in there, and do a number of other tasks. If you want to feel great when you spend time in your kitchen, here's how you can make yours more glamorous step by step.
If you want a glamorous kitchen, first decide on a glamorous colour scheme. This means choosing jewel colours, such as turquoise and purple. Darker colours tend to give a richer, more luxurious feel. However, you want to make sure you're careful not to close your kitchen off and make it feel smaller.
Adding metallics to your current scheme is a great way to bring it to life and make it look fancy. You could add a metallic vase, for example, or even metallic appliances. Metallic accessories with jewel colours will help you to instantly glam up your kitchen.
If you've had your sink a while, selecting a new one could be a good idea. Ceramic sinks can look very elegant, but you can get many different kinds and sizes depending on your lifestyle.
If you want to add personality and interest to your kitchen, consider creating a feature wall with pretty wallpaper. Just ensure this isn't near the sink or the cooker, as you don't want water and steam to peel it and damage the area.
You don't need to buy new cabinets to have a glamorous kitchen. You could simply refinish your cabinets, either reworking them to get the real wood look, or adding a different finish on top. This could take a few weekends, but you'll save money over buying brand new cabinets.
Take off your old hardware and add new hardware. You could go for brass, silver, gold, or even rose gold. There are all kinds of styles you can choose too. For contemporary glam, you could go for something more modern looking. Then you have vintage glam. There's something to suit every style, so decide which kind of glam you want to emulate in your kitchen.
Spotlighting in the kitchen looks good, but it isn't necessarily glamorous. By adding an oversized light shade or pendant, you can create a far more glamorous look. However, just make sure you don't place them in a way people will bang into them as they move around. You might even like to add a chandelier for the ultimate glam look!
No matter the size of your kitchen or the current style, you can use these tips to make it look more glamorous. You'll love spending time in there, and so will your guests. If you have tips of your own, make sure you leave them below!


text:
Архієпархія Божої Матері в Москві — одна з єпархій Римо-католицької церкви у Росії з кафедрою у Москві, що охоплює північний захід Росії. Налічує 103 приходи і близько 200 тисяч вірних.

До утворення СРСР, територія сучасної московської архієпархії входила до складу Могильовської архієпархії, що існувала з 1783 року. В радянські часи в умовах жортского переслідування католиків комуністами, з 1926 по 1991 формально існувала як апостольська адміністратура у веденні Могильовській митрополії, налічуючи лише один храм у Москві — Храм Святого Людовика Французького, настоятелем якого призначався капелан посольства США у Москві.

З розпадом СРСР 1991 року адміністратура відновила свою діяльність як «Апостольска адміністратура для католиків латинського обряду Європейської Росії», 2002 року отримала статус Архієпархії.

Кафедральним собором Архієпархії є Собор Непорочного Зачаття Пресвятої Діви Марії у Москві.

Джерела
 Сайт архієпархії

Єпархії Римо-католицької церкви в Росії

redpajama_set_name: RedPajamaWikipedia


Posted by A Yahoo Local User on November 08, 2005. Brought to you by yahoolocal.
Olympic Engineer can be found at Avco Rd 65. The following is offered: Metal Industries. The entry is present with us since Sep 8, 2010 and was last updated on Nov 14, 2013. In Haverhill there are 29 other Metal Industries. An overview can be found here.


This is a placeholder page for Radell White, which means this person is not currently on this site. We do suggest using the tools below to find Radell White.
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Villa 329 is a heavenly 4 bedroom villa perfectly located within Seminyak, just a few hundred meters from the heart of the famous Oberoi area. Sleeping 8, guests will enjoy open living areas, games/bar room, luxury ensuite bedrooms.
The moment you step through the front door you are greeted by the amazing private pool and hugh fish ponds that surround the villa.


CANON PIXMA MX532 Driver Download-Supplies stamping, scanning, fax, and in addition duplicating functions your possessions or small business office. It provides high res color stamping employing a resolution all the way to 4800 situations 1200 dpi in addition to data transfer charges regarding 9. 7 dark-colored ipm and in addition 5. 5 coloring ipm. Additionally, that inkjet printing device provides automotive duplex stamping and in addition Wi-Fi connection, rendering it a good choice for many different.MX532 may begin using a 100-sheet document feeder equipped to manage paperwork approximately 8. 5 situations 14″, or legal-size. Regarding scanning, there is obviously the option regarding while using 8. 5 situations 11. 7″ flatbed about high res 1200 situations 2400 dpi reads, or even a new 30-sheet automatic record feeder with duplex features. This feeder is additionally employed for duplicating and in addition faxing, where by perhaps it will create illegal copies for a price regarding 4. 7 ipm and in addition transmit dark-colored & whitened faxes with concerning 3 seconds.
The Pixma Mx532 gives Wi-Fi for associating which has a system, which may be helpful for offering the printer inside double part associated with home and home office utilization. It's more radical that you'll should impart it in an office, notwithstanding, due to the pitiful 100-sheet paper limit. An alternate intent behind interfacing by Wi-Fi to a right to acquire entrance point over a system is to be able to exploit the printer's The search engines Cloud Print assist and Canon's Cloud-based World wide web administrations, which offers you a chance to print from a mixed bag associated with sites, including Picasa World wide web Albums and Myspace. Both peculiarities oblige a primary association between the printer and a system that is linked to the Internet.
Other portable publishing gimmicks incorporate support for Airprint (for printing by way of a Wi-Fi association from an Apple cell phone), and Canon's cost-free ios and Android applications that permit you to both print to be able to, and filter through, the printer. Additionally, Canon's Access Position mode, which lives as much as expectations the similar route as Wi-Fi Direct, gives you an opportunity to join your telephone or tablet specifically for the printer no matter the possibility that you've related the printer for your PC by USB link.
the Pixma Mx532 consists of duplexing (two-sided printing) and also the capacity to output to a USB key. Contrasted and also the Canon Mx522, it offers portable printing, yet it does not remember an Ethernet port for the wired system. It likewise can't print from a USB key. Together that, it substitutes a new two-line content based LCD with the Canon Mx522's colour LCD, since not having the capacity to print from a USB key means there are no pictures to see before printing.


Carry and protect your Alcatel HERO 2 with this leather carry case. Stylish Alcatel HERO 2 case lets you carry your Alcatel HERO 2 wherever you go. Protects your Alcatel HERO 2 from bumps and scratches. Store, protect, and carry your Alcatel HERO 2 with this jacket leather case. The Leather Case holds the Alcatel HERO 2 in place and allows for comfortable using. Leather interior insures protection from scratches. This handy Alcatel HERO 2 jacket case lets you carry your Alcatel HERO 2 anywhere, conveniently and safely.