text:
Stephen Appiah Returns To Action 5/13/2010
Black Stars\\\''Stephen Appiah has returned to club action after a two-year absence after coming on as a second half substitute for Bologna on Sunday.
He was given an emotional standing ovation as he came on for Zalayeta at half time and hardly put a foot wrong in their with Catania game that ended 1-1.
The stadium was packed in anticipation of the affable Appiah s return as Ghanasoccernet hinted on Sunday that a return was no the cards.
This is a big boost for Appiah and Ghana football coming just two days after he was named in the provisional World Cup squad.
The 29-year-old has not played since an ankle injury led to his falling out with Turkish side Fenerbahce and subsequent legal battles further delayed his return.
But in that period he has played World Cup qualifiers for the Black Stars helping him to a second unprecedented global appearance yet his trenchant critics have continued to snipe at him.
But this appearance for Bologna is likely to make his critics fall on their swords but there is a possibility they will demand more from him.
Appiah was named among Ghana s 30-man squad for the World Cup on Friday and his action for Bologna is another major coup for the influential captain.
His return to action for Bologna means he has regained his full fitness after a botched knee surgery and dispute with his former club Fenerbahce ruled him out action.
This is also massive boost for his country ahead of the 2010 World Cup to be held in South Africa which is just some few weeks away.
Another match for Bologna before the season ends will all but end the criticism over his call-up to the national team.
The former Juventus, Fenerbahce and Parma star was signed as a free agent by Bologna late last year.
The Ghanaian was previously released by the Turkish side in June 2008, but continued to feature for the Ghana national team, despite the recurrence of a knee injury.


If you want to register a domain name to make sure that nobody else is going to take it, but you have not developed the website for it yet, you could park it. That is a service that registrar companies provide whenever a domain is not linked to any web or e mail hosting service. By doing this, you can protect a brand name, for example, and you will own the domain name in question although it won't load any content. If you wish, you may choose some default template that the registrar provides, such as For Sale or Under Construction, or you can forward the domain name to another web address. Your second option is extremely helpful in case you own a number of domain names, but you want every one of them to open the same site. As an example, you could register domain.net and domain.org, then park them and forward them to domain.com. In this example, you will need hosting for the third domain only and the traffic to the other ones will be redirected to it.


Ammonia Market Size Worth $76.64 Billion by 2025 | CAGR 5.3%: Grand View Research, Inc.
Liquid ammonia segment dominated the market in 2016. It is majorly used in fertilizer and industrial & household cleaning applications. Ammonia is a colorless and pungent alkaline gas composed of hydrogen and nitrogen. It is an essential gas, which is used in various biological processes and industrial applications. It causes irritation to the eyes, skin, nose, lungs, and throat. Globally governments have established various safety-related regulations associated with the production, usage, and transportation of the product. The regulations also provide some directives for the equipment and methods used during the production process and handling of ammonia.
Globally, the gap between supply & demand of the product is gradually becoming surplus, hence resulting in continuous price fluctuations. This gap is mainly due to continuous capacity additions, especially in Southeast Asia (China and Indonesia), Middle East, Central & South America, and the U.S. The continuous increase in capacity additions and weakening of the demand owing to lower crop prices, poor economic prospects, fluctuating energy prices, and rising competition are anticipated to be the major challenges for the industry over the forecast period.


Japan is, without doubt, one of the most fascinating countries in the entire world. Combining its own unique culture with all things modern, it has something for everyone. You don't have to choose between large metropolis cities and remote mountain retreats!
Most travellers will still be saying, "Wow!" long after their holiday has finished. The images and memories flash back in your minds. It's just the sort of place, by its very nature, that amazes and inspires. We're here with five must-know things for planning your trip to Japan, the land of the rising sun.
Many people have certain images in their minds when they think of Japan. Two of the most common are hot springs surrounded by snow and, of course, cherry blossoms. Anyone intending to see these should probably avoid the summer months when it's hot and humid in Japan. Cherry trees do not blossom at this time of year, and the hot springs will be unbearable! We recommend spring (for the cherry blossoms) and autumn (for cooler temperatures).
Many Japanese schools teach English. However, finding someone who actually speaks English outside of regular tourist haunts might be a rare thing! Most younger generation Japanese have an understanding of English, but they are quite often shy to speak it. For travellers, Japanese can be quite a hard thing indeed. Learning a few basic words might encourage a response in English. A well-reviewed phrase book from Amazon is a good start.
For travellers, medical treatment in Japan can be expensive. Therefore it's very important to arrange adequate travel and medical insurance before your trip. Make sure you read the small print to ensure that you have coverage for adventure sports (which can apply to cycling), too!
Japan is often thought of as being an expensive country. However, in reality it is only as expensive as most modern capital cities such as London. Where travellers might come unstuck, though, is by trying to get some money in the first place. Although Japan seems to have cash machines on every street corner, they quite often do not take foreign cards. Don't leave it until the last minute to withdraw cash, as it might take an hour or so to find a machine that will accept your card.
Travellers from western countries such as the UK should begin to adjust to a different concept of personal space. Everything seems a little smaller, whether it is hotel rooms or even the width of the beds themselves. In terms of personal space, the Japanese train system (and in particular the Tokyo Metro) is a whole different world. During the morning rush hour, special attendants known as Oshiya are employed to push riders together with their baggage onto trains in order that the doors can close. It might feel like being a sardine but travelers to Japan should try a rush-hour journey at least once in order to experience the madness!


Do brain enhancing drugs really improve memory atripla drug contraindications with viagra focus and mental energy? Learn about their safety and effectiveness, and cognitive boosting alternatives. Roughly weather haw really growth the essay of victimization acupuncture, for model confront implants, drugs, pacemaker, and gestation. Recollect to thread your ... Adempas (riociguat) is used to treat pulmonary hypertension. Includes Adempas side effects, interactions and indications.


text:
Question: How To Get A Florida Contractors License?
1 How long does it take to become a general contractor in Florida?
2 Do you have to have a license to be a contractor in Florida?
3 What can a Certified General Contractor do in Florida?
4 How much work can you do without a contractor license in Florida?
5 How much do contractors make in Florida?
6 How much does it cost to get a contractors license in FL?
7 Can I be my own general contractor in Florida?
8 How much is a handyman license in Florida?
9 Can a contractor work under someone else's license Florida?
10 What is the difference between a certified contractor and a registered contractor?
11 Does a handyman need a license in Florida?
12 Who needs a Florida contractor license?
13 Do you need a contractors license to flip houses in Florida?
14 Can a homeowner pull an electrical permit in Florida?
How long does it take to become a general contractor in Florida?
You need to have at least 4 years of journey-level experience to be able to take the contractor's exam and apply for a contractor license to legally operate as a contractor in Florida. If you don't have any experience, join a contractor's work crew and work for at least 4 years.
Do you have to have a license to be a contractor in Florida?
In Florida, contractor licensing is done both at the state and local level. If you want to perform work anywhere within the state of Florida, you will need a Certified License, and if you want to perform work in a specific city/county, you will need a Registered License.
What can a Certified General Contractor do in Florida?
A general contractor's license in Florida ALLOWS you to: Build, repair, and remodel any type of building, regardless of size or number of stories. Remodel any type of commercial or residential property. Perform clearing, grubbing, grading, excavation, and any site work for any construction project.
You might be interested: How To Change Driver License Address In The State Of Florida?
How much work can you do without a contractor license in Florida?
General Construction Work While many states have a dollar limit of $1,000 on handyman jobs, there is no such limit in Florida. No, you can 't do structural work, like work on foundations, built new additions, or even make modifications to structural walls, but there is quite a bit you can do.
How much do contractors make in Florida?
Answer: According to the website Salary Expert, which gets its information from the Economic Research Institution, the average annual salary for general contractors as of December 15, 2020, is $115,079 per year in the state of Florida. This also means that you can make an hourly average of about $55.33 per hour.
How much does it cost to get a contractors license in FL?
License and Registration Fees Licensing fees for certified contractors are: $249 – when applying between May 1 of an even year and August 31 of an odd year. $149 – when applying between September 1 of an odd year and April 30 of an even year.
Can I be my own general contractor in Florida?
Florida State law requires construction to be done by licensed contractors. The exemption allows you, as the owner of your property, to act as your own contractor with certain restrictions even though you do not have a license. You must provide direct, onsite supervision of the construction yourself.
How much is a handyman license in Florida?
certified contractor license, you need to pay $249 when applying between May 1st of an even year and August 31st of an odd year. (The fee is prorated to $149 when applying between September 1st of an odd year and April 30th of an even year.)
You might be interested: Often asked: How To Restore A Suspended License In Florida?
Can a contractor work under someone else's license Florida?
F.S. §489.127(4) adds that licensed contractors may not allow their license to be used by another,46 nor apply for a permit for a project for which he or she does not have a contract, the latter covering those not infrequent situations in which contractors "rent out" their licenses.
What is the difference between a certified contractor and a registered contractor?
– What is the difference between a certified contractor and a registered contractor? A certified contractor passed the state licensing examination. A registered contractor is registered by a local county or municipality and receives a certificate of competency from the Electrical Contractors ' Licensing Board.
Does a handyman need a license in Florida?
The state of Florida does not license or regulate those calling themselves a handyman. Therefore a handyman is only permitted to perform minor repairs and cannot legally perform any of the work previously mentioned that requires a license.
Who needs a Florida contractor license?
Florida Contractors License Application Requirements
Be 18 years of age.
Show proof of financial solvency — Including submitting proof of a FICO credit score of a minimum of 660.
Scan and comply with an electronic fingerprint.
Provide a certificate of insurance for general liability and workers' compensation insurance.
Do you need a contractors license to flip houses in Florida?
No, you do not legally need a contractor's license to flip houses. With a license, investors may work on the individual assets themselves instead of hiring a contractor. In fact, some investors prefer working on their own properties, but doing so will certainly take a lot more time.
Can a homeowner pull an electrical permit in Florida?
Home Owner Permitting. Florida law requires that permits be issued to licensed contractors. In general, homeowners can perform only the most basic repairs on their own, without any form of license or permit. Most other electrical work requires a permit.
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redpajama_set_name: RedPajamaCommonCrawl


5:1 Remember, O LORD, what is come upon us: consider, and behold our reproach.
5:5 Our necks are under persecution: we labour, and have no rest.
5:8 Servants have ruled over us: there is none that doth deliver us out of their hand.
5:9 We gat our bread with the peril of our lives because of the sword of the wilderness.
5:12 Princes are hanged up by their hand: the faces of elders were not honoured.
5:14 The elders have ceased from the gate, the young men from their musick.
5:16 The crown is fallen from our head: woe unto us, that we have sinned! 5:17 For this our heart is faint; for these things our eyes are dim.
5:19 Thou, O LORD, remainest for ever; thy throne from generation to generation.
5:20 Wherefore dost thou forget us for ever, and forsake us so long time? 5:21 Turn thou us unto thee, O LORD, and we shall be turned; renew our days as of old.
5:22 But thou hast utterly rejected us; thou art very wroth against us.


As a professional London portrait photographer I take photos of people for many different uses, most often for websites, publications and social media profiles, and sometimes for personal use. Typically I create headshots for businesses and professionals, location portraits at client premises or around London, and studio portrait photography.
I work with a wide range of clients, from business and professional people who need corporate images, to individuals who want to capture a snapshot of their lives.
Your London portrait photography session can take place at my studio or at a location of your choosing.
People look much better in photos if they are at ease and relaxed in front of the camera. In addition to knowing all about lighting, posing and camera equipment, it's the ability to work with people that I think makes me a good portrait photographer.
I try to make the session as relaxed and informal as possible because that makes shoot much more enjoyable for me and my client, and it results in better photos. Hopefully the selection of images on this page gives a good idea of the type portrait photographer I am.
Nearly everyone I work with says, "I hate having my photo taken" at some point during our time together. So do I. It's my job to make you hate it a little less.
I really enjoy photographing people. A huge part of that enjoyment comes from the challenge and rewards of working with a massive variety of people. Two main factors are important to me when I photograph someone: one is the way the person looks, and the other is the way the person acts.
The way someone looks is important to the way I photograph them because if affects the way I will light them and the way I will ask them to pose. Sometimes I need to accentuate or conceal certain features to make the person look their best. Using my knowledge and experience I use lighting which will make my subject look as good as possible. Every face reacts differently to light, and now that I've taken photos of every type of face I can quite quickly apply several lighting techniques that will work for an individual. As well as lighting it's also about posing and using flattering angles to show the subject at their best.
It's always important to consider how the person wants to look. There is no point in me thinking I've taken the worlds best photo if the person I'm photographing doesn't like the way they look in the image. So I always get feedback on the photos I'm taking throughout the shoot. Additionally I'll always use locations that are relevant to the subject, sometimes the studio is best, and sometimes other locations around London are better.
The way a person acts is equally important as the way they look. I've worked with massive extroverts and much more reserved people. Everyone needs to be treated individually while they are having their portrait photo taken. My job is to capture images which express not only the way a person looks, but also shows their personality. I may treat two people completely differently. One may require a slower more relaxed approach to gently coax the best images from them, another person may react better to a higher energy shoot. Some people need lots of support and guidance with posing, others need none at all. I've become good at quickly building a relationship with my client so that I can really capture what they are all about. I know that the first 10 minutes of a shoot are unlikely to produce the best images, so I use this time to get to know the person and observe their natural poses and movements. As I spend more time with my client I know that we'll produce a set of images that both the subject and I will be happy with.
So far I have failed only once to produce photos that my client was happy with, if you come into the studio I'll tell you about it.
– Try to arrive at the session in good time so you can relax, adjust your hair, and take some time to chat to the photographer.
– Bring two or three outfits so that the photographer can create a range of different shots. You'll then benefit from having a set of portrait photos you can use for different uses over a period of time.
– Try to have a night in before the shoot so you look your best.
– Relax and enjoy the session. A good photographer will be able to make you feel at ease and enjoy your shoot. Both you and the photographer will be more satisfied with the images if they capture something of your true personality.
– If you'd like to learn to shoot your own portraits, and bypass booking me as your photographer (not recommended of course), here are some tips on shooting portrait photography.
It's always interesting to look at portraits, they may give you ideas and inspiration for the types of portrait images that could be created for you. Much of the lighting used today by London portrait photographers is adapted from the old masters, who created stunning portrait images. Many of the same principles of lighting and posing are applied by photographers today. Check out London's National Portrait Gallery for inspiration.
If you'd like to enquire about creating some portrait photos for you, or headshots, then just send me an email using the form below, or call me on 07779 082 909. I work from a studio in Kennington, London; one stop on the Northern Line from Waterloo, or I can work on location.


text:
Q: Searchable Indented Dropdown I would like to create a dropdown menu, that can be searched and will display it's options in an indented manner. I have already built a dropdown that will asynchronously refresh based on the search query I enter. However it does not allow me, to show all children on a parent match.
For example:

Basically when I start searching for something, I would like not only the parent to show up, but also the children of a matching option. The search should also work on the children. So in the case of USA, only Austin shows up.
I attempted to look for other solutions, but I only found options to indent certain list items when added in order. Searching would still behave normally though.

A: Take a look at this Fiddle and adapt it to use a TextBox event called TextChanged.
Fiddle code:
public class Country
{
    public string Name { get; set; }
    public List<City> Cities { get; set; }
}

public class City
{
    public string Name { get; set; }
}

public static void Main()
{
    var items = new List<Country>()
    {
        new Country() { Name = "Austria", Cities = new List<City>() { new City() { Name = "Vienna" }, new City() { Name = "Linz" } } },
        new Country() { Name = "Australia", Cities = new List<City>() { new City() { Name = "Sydney" }, new City() { Name = "Melbourne" } } },
        new Country() { Name = "USA", Cities = new List<City>() { new City() { Name = "Austin" }, new City() { Name = "New York" } } }
    };
    var searchTerm = "aus";

    var filteredItems = items.Where(i => i.Name.Contains(searchTerm, StringComparison.OrdinalIgnoreCase) ||
                                         i.Cities.Any(c => c.Name.Contains(searchTerm, StringComparison.OrdinalIgnoreCase)))
                            .Select(i => new Country()
                                    {
                                        Name = i.Name,
                                        Cities = i.Cities.Where(c => c.Name.Contains(searchTerm, StringComparison.OrdinalIgnoreCase) ||
                                                                     i.Name.Contains(searchTerm, StringComparison.OrdinalIgnoreCase)).ToList()
                                    })
                            .ToList();

    Console.WriteLine("****Unfiltered:");
    Output(items);
    Console.WriteLine("\r\n****Filtered:");
    Output(filteredItems);
}

public static void Output(List<Country> countries)
{
    foreach (var country in countries)
    {
        Console.WriteLine(country.Name);
        foreach (var city in country.Cities)
        {
            Console.WriteLine("    " + city.Name);
        }
    }
}

Output:
****Unfiltered:
Austria
    Vienna
    Linz
Australia
    Sydney
    Melbourne
USA
    Austin
    New York

****Filtered:
Austria
    Vienna
    Linz
Australia
    Sydney
    Melbourne
USA
    Austin

redpajama_set_name: RedPajamaStackExchange


text:
Sunday Times breached 'harassment' clause of Editors' Code by contacting murderer's sister
Bristol Post relaunch promises to accentuate the positive as paper stops payment for reviewers
Business Journalism
After 279 years in print - shipping industry daily Lloyd's List to go digital-only
By Gavriel Hollander Twitter
After 279 years of continuous publishing, one of the oldest newspapers in the world is to go digital-only before the end of the year.
Lloyd's List, the daily newspaper serving the shipping industry, will axe its print edition from 20 December following months of research into reader habits carried out by publisher Informa Business Information.
"We are very proud to take this next step in the evolution of Lloyd's List," said editor Richard Meade. "Lloyd's List first started in 1734 as a notice pinned to the wall of a coffee shop in London offering customers trusted shipping news and information. That aim has not changed, but the technology has and our customers are now accessing the industry's most sophisticated intelligence source in any coffee shop, anywhere in the world 24 hours a day."
Meade told Press Gazette that there were no plans to cut any jobs at the title, which currently employs around 20 full-time editorial staff around the world.
Production staff working on the daily print edition will be expected to migrate across to the title's digital products. These will include a daily briefing using responsive design that can be accessed on smartphones and tablets. A beta version of the briefing is due to be trialled in November.
"It's a question of reskilling a few people who have got digital skills but are currently having to lay out a print edition every afternoon," said Meade.
A customer survey in June 2013 by Informa found that more than 97 per cent of respondents preferred to access information online, with fewer than 2 per cent of Lloyd's List readers using print exclusively. According to Meade, only 25 people subscribe to the Lloyd's List print edition with no access online. The title's website has 88,000 monthly unique users and more than 16,000 subscribers.
"In a sea of stories about media companies failing to make a profit, we are a success story," added Meade. "We already have paying subscribers.
"We are the oldest newspaper in the world. This is part of securing our future for the next 300 years."
SIGN UP HERE FOR
Press Gazette's weekly email providing strategic insight into the future of the media
Gender pay gap figures in full: Conde Nast, Telegraph and Economist groups among worst offenders for pay disparity in UK media
Revealed: Regional press group's plan to hide £51.3m in profits from staff and competitors
Journalists at Leicester Mercury condemn 'cavalier attitude to axing editorial staff'
Super injunctions, Milly Dowler, Johann Hari, Andy Coulson, the end of the NotW...Press Gazette's 10 biggest stories of 2011


text:
Emily Adams Bode Aujla Launches The Long-Awaited Bode Women's Line
By Robert Sullivan
MATERIAL GIRLS
Emily Adams Bode Aujla with singer-songwriter Gracie Abrams, wearing a muslin dress by Bode and a 1920s crepe paper hat.Photo: Courtesy of Bode
Though Emily Adams Bode Aujla, founder of Bode, has now designed her very first line of clothing for women (which debuts on Saturday at the Paris menswear shows), it's not the first time she has designed women's clothes. Students of Bode's short but wildly successful history will note that while at school—simultaneously studying fashion at Parsons School of Design and philosophy at Eugene Lang College—Emily and her roommate routinely designed their own clothes for the weekend ahead. "On Fridays, we would stay up late and make a skirt out of crushed velvet or something," Emily remembers. Making women's clothes, it seems, wasn't so much a challenge as a natural occurrence. "It just came so naturally to me that I wasn't as inspired by it."
Other factors steered her early direction too: At Parsons, after one design assignment ("Astronauts, maybe?"), a professor suggested she had a knack for menswear. And then there was the prevailing teaching on fashion at the time (and especially women's fashion), which could emphasize design over material. Emily, however, was fascinated by fabrics and cloth, particularly by textiles that were less inventive than historically pragmatic—textiles that had been worn by people, or many people. "I was more obsessed," she says, "with something that was steeped in history and came from somebody's closet."
All of which led to that day in 2016 when Emily made her very first fit sample for Bode, refashioning a favorite vintage quilt top into high-waisted trousers, thereby kicking off what has become her game-changing trademark: clothing that is ostensibly for men, though practically for any body at all. In our hypercharged culture, Bode's pieces stand out for their quiet politics, for taking their energy from the thrill of thrift shopping—and, in an overwhelmingly virtual world, for the charge of the handmade. Her first menswear show, in a loft in Tribeca, evoked deep emotions, with pieces managing to viscerally reflect on the loss of an old family home. "My theory is, if you have an emotional connection to something, other people will too," she says.
Now, seven years later, she has at long last arrived with what her fans have been waiting for: dresses and skirts, silk tops, and her version of lingerie. The Crane Estate, as Bode is calling this collection, includes everything from a form-fitting and floor-length gown sparkled with emerald green sequins to a berry-print chiffon day dress, loose and light, from a summer picnic in the past. Cardigans are Bode-like in their quiet, complicated textures and patterns, the colors seemingly from a 1970s film: olive and brown and high-powered reds. There are bolero jackets, blazers, and a black satin camisole, buttoned and fitted. On a sheer dress, beaded flowers run along a vine; a bias-cut windowpane dress is accented with flounces and fringes. Like Bode mens, it's not old pieces remade—it's great ideas reimagined for the present, in fabrics that communicate various pasts.
LA-based singer-songwriter Gracie Abrams—her debut album, Good Riddance, is out next month—was among the first people to not only see but experience the new women's line when she was asked by Bode to sit for a shoot. "There's such confidence and security and stillness in Emily's pieces," says Abrams, who was already a Bode fan. When the singer met the designer, Emily talked not so much about fashion as about life. "She gave me a history lesson on the women in her family," Abrams says. Then she tried things on. "When I saw and felt the clothing, it genuinely is so her—and the woman that I want to be—in clothing."
Emily Bode's mother Janet, center, barbequing on the Cape on a long-ago fall. Courtesy of Bode.
Photo: Courtesy of Bode
For the record, Emily was in no rush to produce a women's line: She already had her work cut out for her as she played with the genders culturally ascribed to particular fabrics and cuts and the highlighted histories of American craft. In the latter case, Bode connected with factories and hardware that didn't just make more of the same pieces—fashion's modern tendency—but more different ones: detailed, unusual, often hand-sewn with old techniques. Her recent pearly shirts, which reference working-class London's pearly societies, were refashioned by Bode with deadstock buttons from Muscatine, Iowa, where circa 1910 Mississippi River clamshells were transformed into one third of the world's pearl buttons.
It's this highlighting of craft that appeals to her friends in the arts, like Tyler Mitchell, the photographer and owner of a navy blue Bode cropped charm jacket who, in his own work, reimagines the past to inspire new ways forward. "They're really trying to get to the root of what their clothes are about," he says. "They can contain histories and stories, and they can be personal rather than about style or a trend." Another Emily Bode theory: "If you know where something comes from, you care for it more."
Along the road to Bode women, there was also a small empire happening in and around the part of Lower Manhattan that was, in the 19th century, the center of the apparel trade: a Bode store on Hester Street, adjacent to a Bode tailor shop that doubled as Aujla's Indian Coffee House, named for Emily's husband and business partner, Aaron Aujla. Another Bode store opened in LA—one is now in the works for London, another in Paris—as did The River, a speakeasy in the shadow of the Manhattan Bridge. All the sites are designed by Green River Project, the design firm of Aujla and Benjamin Bloomstein that began when the two artists were searching for a professional groove and Emily said: "You guys are crazy—you should be doing interiors!"
At Bode, Aaron is Emily's business partner, along with Aaron's brother Dev, the CEO of both Bode and Green River, in what has become a family business that works hard to grow slowly. But to an outsider, the Bode-Aujla partnership seems to have kicked off back when Emily was still in college and living around the corner from the couple's current Chinatown apartment, a small but spacious set of rooms where fabrics seem like your favorite corduroys and the wood is reminiscent of the Pacific Northwest where Aaron grew up. It was in this very apartment that, around the time Bode's men's line began to take off in 2020, Emily—already feeling the pressure to design for women and trying to ignore it—turned to Aaron and said, "I think I have a few more years…"
The Bride Wore Custom Vivienne Westwood to Her Lush Garden Wedding Overlooking the Tuscan Hills
By Alexandra Macon
By Hayley Maitland
Phil Oh's Best Street Style Photos From the Spring 2023 Couture Shows in Paris
THE RIGHT NOTE
"There's such confidence and security and stillness in Emily's pieces," says Abrams. Bode top and wool twill trousers.
"Ever since I've known Emily, she has known what she wants to do and when she wants to do it," Aaron told me when he arrived at Bode's Brooklyn studios recently, meeting up with Emily as she worked out the new women's collection. All around us, pieces were being sewn in rooms filled with stacks of gorgeous deadstock fabrics, vintage quilts and coverlets—materials of myriad provenance to make one-of-a-kind pieces. I spotted remnants of the pre-fall 2022 men's line, based on their wedding that September, and if you know the details of the Bode-Aujla partnership you can see them in that collection: part New England, with a splash of the South (Emily grew up in Atlanta); part Punjabi culture as it adapted to British Columbia, just before WWII, when Aujla's father's family arrived in North America, his mother's in the late 1800s. The women's line began to make its way into the world around the time of the wedding, the timing a surprise even to Aaron. What was Emily waiting for? A particular muse or muses—an inspiration somehow distinct, she stresses, from what inspires her to make Bode men. "The people who are my muses are, quite frankly, my husband, and my family," she says. "They shape who I am, so I am inspired to make things that they cherish."
As time passed and fans clamored—women, especially, who wanted dresses for events that seemed to call for dresses—the obvious became unavoidable. And, as Aaron sees now, even more obvious. "When Emily decided she was going to do women's, there was no doubt that her mom and her sisters would be the foundation," he says. Janet, Diane, Nancy, and Jackie—"the sisters," as Emily and Aaron refer to them—are four women who among them are mother and artist, advertising executive, photographer, and non-profit director, relatives whom Emily speaks of first as real people and then as muses.
"At first," Emily told me, thinking back over the past few years, "the aunts made their way into the men's store, but then when you're dressing the aunts as themselves..."
Aaron interjects. "Can I just say something? It's the hair," he says. "It always had to do with the hair." Emily is nodding, and looking toward the sisters, pinned up in old photos, each easily mistaken for Ali MacGraw on the Cape in 1978.
"I totally agree," says Emily. "It's interesting when you have a group of people who essentially kept the same hairstyle throughout their lives."
"It forms an identity," says Aaron.
"Yes," says Emily, "and it says these are real women who were who they are now—the same that they were when they were 16. The sisters have changed, but their identities have stayed very true."
Emily Bode, age three, with her mother, Janet, on the Cape. Courtesy of Bode.
Which brings us again to the birth of the Bode women's collection, for which Emily goes back in time with her mom, Janet, to a summer on Cape Cod in 1976, and a true story. Janet is working at the Crane Estate, a big old house, living in the servants quarters. A swan lives in a cranberry bog, and she serves dinner to the elegant homeowner, a pianist and horticulturalist born at the turn of the 19th century, taking her seat each evening in the formal dining room wearing gowns from the 1920s. The results, for Emily, are a dialogue between two pasts, the '70s and the '20s, with elegant silk dresses, the sheer lightness shaped with strings of glass beads and gold sequined shorts paired with a quintessential '70s turtleneck. Sailor pants that might have sailed in WWI stand alongside a sweater that Emily's grandmother wore during Watergate.
Janet herself talks about that summer with her dressed-to-the-nines employer as if it just happened—or so it seemed when we spoke. "I learned her history, what her life was like," she says. The designer's mom also remembers the childhood version of Emily not only as someone just as vintage-interested as she was—growing up, Janet and her sisters shopped on Elm Street in Worcester, Massachusetts, buying old pieces and fabrics—but also as both quietly confident and supremely attentive, especially to older generations; a listener. "It's almost like Emily feels that connection," she continues.
When Emily goes through the collection, she notes the influence of costume-making, references to the time when clothing was made with lace or trim, or with materials used in upholstery. "In the '70s, there was more of this idea that if you couldn't buy it, you'd make it," she says, "so there are lots of pieces that are like that dress that you make for a competition, or a costume party, or something like that—I want to keep that home element, that domestic and emotional element as part of the collection." Success, for Emily, is when a customer is asked if they made what they're wearing—or, as she said to me toward the end of my studio visit, "Is that your family's tablecloth?"
For his part, Aaron enjoys the surprises, one of which happened after they had photographed some of Bode's women's clothes worn by a model who, naturally, had long brown hair, like the sisters. When the film came back, Aaron did a double take. "There was this photo, and I looked at it, and there's Emily at 20 years old, when I met her in the winter in New York City, with that braid, that wool hat on," he said. "I swear I took this photo of Emily when she was in college. It's almost like everything comes full circle."
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The good, the bad, and the ugly side effects.
I personally Do not recommend Smoking Marijuana for Fitness or Performance reasons unless it is for a Health orientated reason like anxiety, cancer etc. Then again I think a lot of people with Mental Health issues need to speak out more. Share and speak with family, friends and their mentors/ trainers.
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Elizabeth Kolbert
Elizabeth Kolbert is the author of Field Notes from a Catastrophe: Man, Nature, and Climate Change and The Sixth Extinction, for which she won the Pulitzer Prize. For her work at The New Yorker, where she's a staff writer, she has received two National Magazine Awards and the Blake-Dodd Prize from the American Academy of Arts and Letters. She lives in Williamstown, Massachusetts, with her husband and children.
Elizabeth Kolbert: Cleaning Up America's Filthy Rivers May Be a Neverending Job
"First you reverse a river. Then you electrify it."
March 9, 2021 By Elizabeth Kolbert


Saratoga was admitted to the Century as a stand alone game and has since had a number of "sister" games published. The designer and GM, Mark Miklos, wants to treat them all as equal parts of a Battles of the America Revolution event requiring players to play them all to win the event. Not everyone is familiar or comfortable with all the games in the series though. In such situations, a "default" game is chosen that can be substituted as the game of choice in any round.
John Miklos (left) does battle with Dale Long in the Final of Saratoga. Dale's preference for Saratoga as the default version in each round was seen as a matter of some controversy by some. Others sympathize with Dale's position -- that a player should not be forced to play a version of the game with which he is not well versed. The issue has relevance for a number of WBC events where different versions of a game or similar game systems exist and cannot be resolved to everyone's satisfaction.
Saratoga or Battles of the American Revolution?
A new attendance record was set this year in the Battles of the American Revolution tournament. The event, formerly know as "Saratoga," had never drawn more than 28 players. That record was convincingly broken as 34 protagonists met to contest for King or Congress.
A "Century" event since 1999, this year's tournament was relegated to "Trial" status as a result of low turnout (20 players) in 2006. In an effort to regain Century status, this year's 34 players logged a total of 70 player-starts and 172 hours of playing time.
A Mulligan Round was offered for the first time this year and 16 players took advantage of that flexibility. The scenario was "Knyphausen's Feint" from the game Brandywine. American players won two contests including the tournament's only decisive victory by John Miklos. British players won four matches including substantial victories by Mark Miklos and Jeff Lange Sr. In the remaining two games players opted for the default game, Saratoga, and both of those contests were marginal American victories.
24 players entered Round 1, including five of the eight who had been defeated in the Mulligan Round. All five either won or fought to a draw in their second try, earning the right to advance to Round 2. Nathan Trent, a winner from the Mulligan Round, returned to play in Round 1 but was eliminated by Derek Miller. The game in Round 1 was Saratoga. There were six British victories and five American, including substantial victories by Chuck Stapp and Jim Tracy. Teddy Lange and Bill Alderman fought to a draw.
21 players were eligible to advance to Round 2. Of those, 16 chose to play on while five opted out. The scenario was "Washington's Stand" from the game Monmouth, the newest game in the BoAR series. The British won three including a marginal victory by Rob McCracken on the last turn over perennial BoAR powerhouse Bruno Sinigaglio. The Americans also won three, including a substantial victory by Jim Tracy. Saratoga was used in the other two contests where an American marginal victory by Andy Maly and a draw between Dale Long's British and Mark Miklos' Americans occurred.
Nine players advanced to Round-3. This number of contestants was perfect since the game chosen for the round was Savannah, to be played 3-handed. When Derek Miller dropped out, however, it left eight players. Dale Long again chose the default game. That left two tables of three players each to contend for victory at Savannah while he and his opponent, Jeff Lange Sr., played Saratoga. Dale's third Saratoga victory earned him the right to be one of the four semi-finalists. The other three were going to be determined by the two winners from the Savannah games plus the defeated Savannah player with the highest VP total. At one table, Jim Tracy's British defeated Andy Maly's French and Tommy Miklos' Americans. At the other table, John Miklos' Americans defeated Rob McCracken's British and Mark Miklos' French to earn the right to advance. Andy Maly ended up as the defeated player with the best VP total and thus became the fourth semi-finalist.
Three-handed Savannah presents interesting challenges for the Allies. Even though they must share resources and work together to defeat the British, they know that only one of them can actually "win" the game. Of course, if they fail to defeat the British player it's moot. This "game within a game" is especially challenging in a tournament format where more is at stake than winning the game at hand. The consensus among many players in this year's BoAR event is that Savannah would make an interesting Final event in future tournaments. Three players could advance to the Final and the inherent jealousies between the French and the American players will certainly cause Napoleon's words to ring truethat allies are their own worse enemies.
In the semi-finals, top seeded John Miklos met Andy Maly in the historical scenario from the game Guilford while second seed Dale Long met Jim Tracy. Dale again opted for the default scenario Saratoga. Dale won his fourth of five Saratoga games and advanced to the Final. Meanwhile, John Miklos' Americans destroyed Andy Maly's British in a record setting 25-minute game. With his British army wavering, Andy surrendered with 0 VPs and Army Morale of 5 while John had six VPs and a maximum Army Morale of 15.
The stage was set for a Final between Dale Long and John Miklos. The scenario was to have been "Eutaw Springs" from the game Guilford, arguably the most balanced of all the games and scenarios in the BoAR system. Again, however, Dale opted for the default game and so Saratoga was set up. Very few players to this point had resorted to bidding to determine sides. Since both Dale and John preferred the British, however, they secretly bid Army Morale points. The first bid was a tie with each bidding zero. In the second bid, John won the British with a bid of 1 and he adjusted the at-start British Army Morale down by one point accordingly.
The early game was one of maneuver, limited initially by moderate fog. In the middle turns, the British successfully took Freeman's Farm and also caused a casualty to an American unit for a narrow lead. In the end, the British fate was sealed when a marksman killed Burgoyne and British units were unable to win in a few key combats. Dale Long's fifth Saratoga victory out of six games played earned him the 2007 BoAR championship.
Of the 34 games played, 15 were American wins, 17 were British wins, and two games were a draw. From a play balance standpoint one cannot get much better than that. In all, six different scenarios were scheduled while five scenarios were actually played. On eight occasions, (23%), the default game Saratoga was played in place of the stipulated scenario. Five of those eight "defaults" were at the request of Dale Long who went on to win the tournament. One of the remaining three default games occurred because there was a shortage of copies of Monmouth for Round 2. Most players eagerly acceded to the structure and spirit of the event as it attempted to challenge players with the battles of the American Revolution in chronological order.
The 2004 Saratoga PBeM Tournament ended in September 2007 with a Final game of Saratoga that pitted Jim Tracy against Terry Coleman. The British and Americans did not have their hearts in the battle and both sides played with a reluctance to carry the day. However, toward mid-day the Americans rallied with confidence and resolve to attack the British and followed it up immediately pushing their new found confidence. The British were taken aback and became demoralized as they ran from the battlefield. The Americans with Greene in command had seized the day. 22 players had started back in 2004. Round 1 was a game of Guilford Courthouse. Round 2 was Eutaw Springs. Round 3 was Brandywine. In all, 22 games were played by email using Cyberboard. Also scoring laurels were Jeff Lange, Mauro Faina, Rob McCracken and Rod Coffey in third through sixth respectively.


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College of Humanities and Sciences /Department of History
Lockridge Workshop
Faculty in the Department of History
Linda S. Frey
Office: LA 252
Email: linda.frey@mso.umt.edu
T/R 6-8AM
Personal Summary
Linda Frey specializes in the development of international law and 18th century Central Europe and France and welcomes graduate students who wish to work in those areas. Do not hesitate to contact her by email if you are interested in working with her.
Early Modern European History, particularly France and Germany; International Law and the International State System; The French Revolution
PhD, Ohio State University, 1971
Daily Lives of Civilians in Wartime Europe, 1618-1900. Westport, CT: Greenwood Press, 2007. (with Marsha Frey)
The French Revolution. Westport, CT: Greenwood Press, 2004. (with Marsha Frey)
The History of Diplomatic Immunity. Columbus, OH: Ohio State University Press, 1999. (with Marsha Frey) *Awarded the best subsequent book prize by Phi Alpha Theta.
The Treaties of the War of the Spanish Succession: A Historical and Critical Dictionary. Westport, CT: Greenwood Press, 1995. (with Marsha Frey)
Societies in Upheaval: Insurrections in France, Hungary, and Spain in the Early Eighteenth Century. Westport, CT: Greenwood Press, 1987. (with Marsha Frey)
Women in Western European History. Westport, CT: Greenwood Press, 1986. (with Marsha Frey and Joanne Schnieder)
Friedrick I. Preussens erster Konig. Vienna: Verlag Styria, 1984.
Observations from The Hague and Utrecht: William Henry Harrison's Letters to Henry Watkins, 1711-1712. Columbus, OH: Ohio State University Libraries, 1979. (wtih Marsha Frey and John C. Rule)
Hours: 8am-noon & 1pm-5pm


text:
Мірзоалі́ Ва́йсов (; *1914 року, кішлак Сурхадара) — таджицький радянський політичний діяч, міністр торгівлі (1961—1963) та міністр фінансів (1963—1972) Таджицької РСР, депутат Верховної Ради Таджицької РСР.

Мірзоалі Вайсов народився 1914 року у кишлаку Сурхадара Восейського району у родині селянина. Має вищу освіту, член ЦК КП Таджикистану з 1939 року, у 1941 році служив у лавах Червоної армії.

З 1933 року працював учителем початкових класів Сари-Хасорського району. З 1938 року був секретарем Сари-Хасорського райкому ЛКСМ Таджикистану, з 1939 року — голова виконкому Сари-Хасорської райради, з 1941 року — перший секретар Кулябського обкому ЛКСМ, з 1944 року — завідувач організаційним відділом Сари-Хасорського РК КП(б) Таджикистану, з 1945 року — знову голова виконкому Сари-Хасорської райради. У 1946—1948 роках був слухачем ВПШ при ЦК КП(б) Таджикистану, після чого повернувся на попередньо займану посаду, 1950 року став заступником та завідувачем фінансового відділу Кулябської облради. У 1952—1955 роках був слухачем Всесоюзної вищої фінансової школи Мінфіну СРСР у Москві, після чого повернувся на попередньо займану посаду. 1955 року став начальником відділу праці та фінансового плану Радміну Таджикистану, з 1957 року — першим секретарем Аральського РК КП Таджикистану, з 1960 року — завідувачем відділу адміністративних, торгово-фінансових та планових органів ЦК КП Таджикистану, 1961 року — першим секретарем Ленінського РК КП Таджикистану, того ж року став міністром торгівлі Таджицької РСР, а з 1963 по 1972 роки — міністром фінансів Таджицької РСР.

Нагороджений орденом Трудового Червоного Прапора, орденом Знак Пошани, медалями, на його честь був названий один із джамоатів Восейського району.

Примітки

Уродженці Восейського району
Народились 1914

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Nobody Loves Me Like You
by Chris Tomlin
Album: Holy Roar (2018)
This anthem of praise was written by Chris Tomlin's producer Ed Cash and his brother, Scott.
Story, I could've had a really different story
But You came down from heaven to restore me
Forever saved my life
The song's message is that you can't outrun the love of God.
Tomlin explained to NewReleaseToday that the song captures the essence of the Christian faith. "Where would we be without the grace of God? Personally, I'm reminded of where I would be today if I was left to my own vices," he said. "The song's message brings out the humanity in all of us. Sometimes our hardships in life point us to how Jesus can change our stories. That could push people to the grace of God. That's what I love about this song."
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Myth: The more extracurriculars, the better.
Truth: Admissions officers are looking to build a well-rounded class, not a class of well-rounded students. Colleges want students who are passionate and excel at what they do, even if they aren't involved in everything. Activities that show leadership and dedication to community look particularly good on an application.
Myth: Grades speak for themselves.
Truth: Out of context, grade point average (GPA) means very little. For one, admissions officers pay attention to the difficulty of classes–getting Bs in hard classes will look better than getting As in easy ones. Secondly, admissions officers consistently work with the same geographic areas over time so they can get to know local high schools and watch for grade inflation. Admissions officers also like to compare class rank with GPA, though many high schools have eliminated this measurement.
Myth: You need to know your major when you apply.
Truth: The most popular major among applicants is "undecided." Most colleges, especially liberal arts schools, don't expect incoming students to know what they want to study. If a school just started offering a major, however, it will probably be looking for students to fill it. Conversely, declaring a major that is too popular might even hurt an applicant.
Myth: You need to attend an elite private high school to get into a good college.
Truth: Colleges want high enrollment from underrepresented minorities and first- generation college students, who tend to come from public schools. So even though some private schools are thought of as feeders to top universities, applicants from public schools who have worked hard and have good grades are even more desirable. Colleges also consider the relationships they have built with high schools. If students from a particular high school have excelled at a college in the past, the college will be more likely to accept more students from that high school.
Myth: You must list the other schools where you are applying.
Truth: Don't lie, but avoid the question if you can. Colleges don't want to admit students who aren't going to matriculate. It lowers their yield ratio–one of the statistics used in many annual college rankings. If the admissions office thinks you are likely to enroll elsewhere, it is less likely to accept you. College admissions coach Bev Taylor says none of her students have ever been penalized for not answering the question, so she advises them to steer clear of it.
Myth: You don't need to interview.
Truth: When possible, students should take advantage of interviews as a chance to share parts of themselves that didn't fit in the application. Depending on the school, interviews are optional, recommended or required. They can also be either informational or evaluative. Students should practice for evaluative interviews, and consider skipping them only if they don't come across well in person.
Myth: The SATs and the ACTs are the same.
Truth: It is true that colleges will accept scores from either test and consider them equally. But different types of students tend to do better on different tests. The student who does better on ACT, says college admissions coach Bev Taylor, is the overachiever–a hard worker with good grades who doesn't do as well on standardized tests. On the other hand, a naturally intuitive student who may not have high grades may fare better on the SAT. Taylor recommends students take both SAT and ACT practice-tests and see which score is higher.
Myth: Athletes are always advantaged.
Truth: An athlete's edge depends what the school is looking for that year. While the admissions office may offer to help the track team one season, it could be focused on the lacrosse team the next. Even the best swimmer may have trouble currying favor at a school that admitted a lot of swim recruits the year before. Just because you're the first choice for a coach doesn't mean you're at the top of the dean of admissions' list.
Myth: Admissions offices are need blind.
Myth: It doesn't matter who writes the letter of recommendation as long as it says good things.
Truth: Recommendations should be written by teachers of core courses from junior year of high school–English and math, not art and gym. Students should pick teachers from classes where they worked the hardest, not necessarily got the best grades.


The Baby Bible Storybook offers twenty-three favorite Bible stories, like Noah and the Animals, David and Goliath, and Daniel in the Lions Den.
Baby Bible Storybook for Girls by Robin Currie was published by David C Cook in December 2009 and is our 5237th best seller. The ISBN for Baby Bible Storybook for Girls is 9781434767837.
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We provide exceptional service and product to our new and loyal customers. We strive to provide a successful, positive and safe work environment for our employees and give back to the communities that contribute to our success.
Visalia Ceramic Tile, INC was established in 1985 by Tony Martinho, however its roots began 26 years before. Tony began working in the tile industry in 1959. He obtained his contractor's license under the name Martinho Ceramic Tile in 1974. His operations began from his milk barn, with all 11 of his children helping in some way as they were kids. Due to a lack of a local tile supply store, Tony open the very first tile store in Tulare & Kings Counties in 1977, American Ceramic Tile & Supply, INC. To date Visalia Ceramic Tile has been recognized throughout California and the United States as a highly skilled and qualified tile contractor and continues to give an unbeatable service that began with Tony Martinho.
In 1985 Tony began contracting again with 5 employees under Visalia Ceramic Tile. With 11 kids growing up in the tile business he figured he start putting the oldest kids to work. Projects began locally in the Tulare and Kings Counties and now has expanded to Central & Northern California. Today Visalia Ceramic Tile employs over 90 hard working men and women from all areas of California.
In 1993 Tony passed from cancer. Visalia Ceramic Tile continued business operations under 2nd generation ownership of Karen Martinho-Acquafresca, Robert Martinho, Michael Martinho and Eddie Martinho. Daughters Marla Perez and Diane Ramirez are also part of the business as well as numerous son in-laws, grandchildren and nephews.
In 2005 Visalia Ceramic Tile became strictly a commercial and industrial contractor as Visalia Tile was created to conducts all the residential operations.
In 2014 Visalia Ceramic Tile was recognized as one of the leading Tile Contractors in the nation by becoming an NTCA (National Tile Contractors Association) 5 Star Tile Contractor. Only 60 tile contractors in the United States have been recognized with this honor. In this same year many of Visalia Ceramic Tile's tile setters became Certified Tile Installers a recognition that is given by the CTEF (Ceramic Tile Education Foundation), which consist of a written and hands on test of skills and knowledge. In 2016 Visalia Ceramic Tile became the largest employer of Certified Tile Installers in the United States with 30 Certified Tile Installers.
Visalia Ceramic Tile has been noted throughout areas of California for its ability to deliver an exceptional product with the highest level of customer service in every aspect of a project. With Quality, Pride, Experience and Service Visalia Ceramic Tile pursues to "Surpass Tile Industry Standards" just as Tony Martinho worked to achieve since 1959.


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(Reuters) – Uber Technologies Inc is set to offer over $3 billion to buy Dubai-based rival Careem Networks FZ, two sources familiar with the deal told Reuters.
Uber's offer could be unveiled during the early part of this week, a third source added.
Uber will pay $1.4 billion in cash and $1.7 billion in convertible notes, which will be convertible into Uber shares at a price equal to $55 per share, Bloomberg had earlier reported, citing a term-sheet.
Careem declined comment while Uber did not immediately respond to a request from Reuters to comment.
Uber has been preparing for an initial public offering, and its bankers have indicated that it could be valued at as much as $120 billion.
The U.S.-based global logistics and transportation company has been seeking new avenues of growth even as it faces severe competition in its core business of ride hailing from rivals like Lyft Inc.
The IPOs of Lyft and Uber represent a watershed for Silicon Valley's technology unicorns, which for years have snubbed the stock market in favor of raising capital privately, with investors happy to back their frothy valuations.
r/Health – Housework could keep brain young: Even light activity such as household chores might help to keep the brain young, suggests a new study (n=2,354), which found every extra hour of light physical activity per day was linked to 0.22% greater brain volume, equal to just over a year's less brain ageing.
Is Spider-Man: Into the Spider-Verse the Greatest Comic Book Film?


In this tutorial you will learn how to declare variables in php. Php has different types of variables Integer, float, String and etc we will talk about this later. This is the sample declaration of variables.
As you can see in the above example, every time you declare a varible you must terminate them so that the browser will know that your variable declaration ended well as we go along youll understand everything.
$myboolean is an example of a Boolean variable. This variable can only hold true or false.
$myfloat, myinteger is a number type (float and integer).
$mystring , $mystring2 is a string type variable.
Note: String type variables are that variable that contains name, place or any other letters. Numbers can be string but letters cannot be converted into a number type.


text:
Artemisia – Artemisinin
[color-box]Download pdf[/color-box]
Farmers Affected: 100,000 [1]
Volume: 200 Metric tonnes/year [2]
Market Value: Artemisinin:$76 million Aretemisinin-based drugs: $340 million [3]
Uses: Malaria Medication
Syn bio Companies: Amyris
Hotspots: China (approx. 10,000ha); Vietnam. (approx. 1000ha); Madagascar.
Also Grown In: India, Nigeria, Mozambique, Kenya, South Africa, Tanzania, Uganda, and Zimbabwe.
Cultural Importance: Use derived from 2000 years of Chinese herbalism.
Biodiversity Considerations: Supplements income of small farmers, acts as a break crop.
Quality Concerns: Artemisinin is a single compound. Excludes other important compounds.Although semisynthetic artemisinin was approved by the World Health Organisation concerns were raised by chemists that WHO changed its standards to allow high levels of additional impurities in the Syn Bio derived version. [4]
Products: Artemisinin Combination Therapies (ACTs)
Feedstock: Sugar
Commercialization: On the market, sold by Sanofi Aventis.
Artemisinin, the active ingredient from the Chinese herbal shrub Artemisia annua, or sweet wormwood, is the principal ingredient in a range of anti-malarial drugs authorized by the World Health Organization. By 2013, an estimated 100,000 small farmers in Asia and Africa were planting enough artemisia to meet world demand. Artemesia is grown primarily as a cash crop for sale to pharmaceutical companies.
In April 2013 a "semi-synthetic artemisinin" (SSA) entered the market, produced via synthetic biology. This synthetic version was created by Amyris Biotechnologies in collaboration with Sanofi Aventis using $64 million dollars of philanthropic funds donated by the Bill & Melinda Gates Foundation. [5] It was initially supposed to replace a third to a half of global supply, although key researchers expressed their ambition to take over the entire global market. Suspiciously, the arrival of SSA coincided exactly with a crash in the price of naturally-derived artemisinin. Research suggests that many farmers have since stopped planting the crop in response to this price drop. Sanofi Aventis has shut down its Syn Bio factory for SSA- also because of the low price. The state of the future supply of this important anti-malarial compound is now unclear – and so are the livelihood implications for the farmers that grow it.
What is Artemisinin?
Artemisia annua, or sweet wormwood, has been used by Chinese herbalists to treat malaria for over 2000 years. Since 1967, its active ingredient artemisinin has seen widespread use as the principal ingredient in a range of anti-malarial drugs authorized by the World Health Organization. These drugs are collectively known as Artemisinin Combination Therapies (ACTs), and are currently considered the most effective treatment against this very widespread and dangerous disease. Artemesia is also widely used in herbal tea form as a traditional protection against malaria and whole powdered versions of the leaf also appear to be effective. [6]
Artemisinin as a Natural Product
Until as recently as 2013, natural artemisinin was sourced entirely from an estimated 100,000 small farmers in Asia and Africa, as well as wild harvesters of the crop in China. [7] Currently 80% of all artemisinin derived from artemisia crops is produced in China. Vietnam is a distant second (around 10%), with the remainder coming from Madagascar, Kenya, Tanzania and Uganda. A small amount is grown in India. Farmers have also been growing trial crops of Artemisia in Zimbabwe, South Africa and Nigeria. The average crop area per farmer in China and Africa is around 0.2 hectares. [8]
Cultural and Biodiversity Considerations
Artemesia is highly prized as a Chinese national treasure for its long history of use in curing malaria-like symptoms. Although difficult to grow in some areas, Artemesia has been widely adopted by tropical farmers, particularly in malarial regions of East Africa, where it can also be consumed as a herbal tea for medical benefits or transformed into other 'whole plant therapies'. Artemesia makes a good break or rotation crop for food crops such as rice and potatoes.
Synthetic Biology Production
The production of SSA, Semi-Synthetic Artemisinin, had been presented as a poster child for the field of Synthetic Biology, and is closely associated with Professor Jay Keasling – a serial biotech entrepreneur from the University of California at Berkeley. Artemisinin was chosen by Keasling and his start-up Amyris Biotechnologies as a demonstration molecule for proving out a synthetic biology process to develop isoprenoid chemicals (a class of 55,000 different molecules, many of them valuable). Artemisinin was interesting as a first candidate because its connection to a serious disease could attract philanthropic funds. [9] Supported by a $64-million grant from the Bill & Melinda Gates Foundation, the researchers engineered yeast to produce artemisinic acid (a precursor) and convert that to artemisinin. [10] Sanofi (Sanofi Aventis) announced in April 2013 that they had manufactured 35 metric tonnes (MT) in its first batch. It indicated plans to annually produce enough Semi-Synthetic Artemisinin (SSA) to meet between a third and a half the global demand. [11]
Although Sanofi's production was slated to increase to 60 MT per year, it appears that in reality Sanofi were unable to sell this first run of SSA to any ACT (Artemesia Combination Therapies) manufacturer because their price was above market cost; and in 2015 they produced no SSA at all. This was linked to a collapse in artemisinin prices. They have decided to sell the plant to their contractor, HuvePharma. HuvePharma told Nature magazine that they may switch back to botanically-derived artemisinin if they can't make the process cheaper. [12]
Implications and the Future
A 2006 report from the Netherlands-based Royal Tropical Institute had predicted the effects of introducing synthetic sources of artemisinin: "pharmaceutical companies will accumulate control and power over the production process; artemisia producers will lose a source of income; and local production, extraction and (possibly) manufacturing of ACT in regions where malaria is prevalent will shift to the main production sites of Western pharmaceutical companies." [13] Additionally, artemisinin experts warned against the human cost of disrupting the recently stabilized botanical market with a synthetic version. "If it's brought in too fast it could create huge shortages, because people will stop producing the natural stuff," [14] said Malcolm Cutler, technical adviser to the A2S2 initiative.
That may indeed have been the initial impact of introducing SSA. Upon the arrival of the syn bio version, 2014 prices of botanical artemisinin dropped to a decade low; and subsequently plantings reportedly fell by two-thirds. The price fell so low that even SSA was overpriced and that's the reason Sanofi couldn't sell theirs. Farmers looked elsewhere for income. Far from calming market volatility, SSA may have helped fuel price volatility and undermined a valuable income source for tens of thousands of farmers.
Worryingly, Jay Keasling meanwhile has indicated that the team behind semisynthetic artemisinin hope to switch entire global production of artemisinin away from botanical artemesia towards syn bio-derived artemisinin. At a conference in Cambridge on the eve of launching SSA commercially, Keasing said "There are moves afoot to replace the entire world supply with this source" adding "Early on, it was not about replacing the agricultural form. In part that was politics too. If I went out into the public and said we are going to replace this they might stop planting and now I think its nearly inevitable that it will shift over". [15] Switching entire global production to SSA would be a highly dangerous move. If there were to prove a problem with synthetic production, drugmakers would have lost the botanical supply for a needed medication.
[1] Global estimate of 100,000 artemesia growers provided by Charles Giblain, CEO Bionexx, Madagascar. Personal communication Jun 17th 2013
[2] Provided by Charles Giblain, CEO Bionexx, Madagascar. Personal communication Dec 18 2014.
[3] Estimate based on average prices for artemisinin of $380kg – source Charles Giblain, Bionexx – see http://www.a2s2.org/upload/5.ArtemisininConferences/4.2014China/Day1/11.MadAfCountryReportGIBLAIN.pdf
[4] Bhupinder P Kambay, Presentation to A2S2 conference Nairobi, Kenya "proposed Changes to Specifications for Artemisinin as an API and Starter Material" 16th January 2013 – see http://www.a2s2.org/upload/5.ArtemisininConferences/1.2013Kenya/Presentations/Day2/6.ProposedChangesARTSpecificationsKamtech.pdf
[5] Mark Peplow, "Synthetic biology's first malaria drug meets market resistance" Nature News 23 Feb 2016 – http://www.nature.com/news/synthetic-biology-s-first-malaria-drug-meets-market-resistance-1.19426
[6] Janet Lathrop, "Whole Plant Therapy Shows Promise to Beat Malaria Parasites' Drug Resistance" jan 5th 2015, UMass Amherst – https://www.umass.edu/newsoffice/article/whole-plant-therapy-shows-promise-beat
[7] Global estimate of 100,000 artemisinin growers provided by Charles Giblain, CEO Bionexx, Madagascar. Personal communication June 17th 2013
[8] Assured Artemisinin Supply System (A2S2), Production Cycle: from Artemisia to ACT, 26 January 2012:
http://www .a2s2.org/index.php?id=50
[9] In person Interview with Vincent Martin, former chief Scientist Amyris Biotechnologies –Montreal, Feb 2 2012
[10] Mark Peplow, "Synthetic biology's first malaria drug meets market resistance" Nature News 23 Feb 2016 – http://www.nature.com/news/synthetic-biology-s-first-malaria-drug-meets-market-resistance-1.19426
[11] Sanofi news release, "Sanofi and PATH announce the launch of large-scale production of semisynthetic artemisinin against malaria" April 11 2013 – http://www.path.org/news/press-room/422/
[13] Heemskerk, W . et al., The World of Artemisia in 44 Questions, The Royal Tropical Institute of the Netherlands, March 2006, p. i-ii: http://www.kit.nl/health/wp-content/uploads/publications/879_The%20world%20of%20Artemisia%20in%2044%20questions.pdf
[14] Mark Peplow, "Malaria drug made in yeast causes market ferment" Nature News. 13 February 2013 – http://www.nature.com/news/malaria-drug-made-in-yeast-causes-market-ferment-1.12417
[15] Presentation by Jay Keasling at The Future of Nature conference, Cambridge UK April 2013. Partial transcripts provided in presentation by Charles Giblain, Bionexx – see http://www.a2s2.org/upload/5.ArtemisininConferences/4.2014China/Day1/11.MadAfCountryReportGIBLAIN.pdf
Vetiver Natural Products Map


Certificated and Classified employees who have served for 10, 15, 20, 25, 30 35, 40 and 50 years will be honored at the annual Dessert Social event to be held on September 17, 2018, 3:30pm, at Gladstone High School's cafeteria.
To be held on September 17, 2018, 3:30pm, at Gladstone High School's cafeteria. Congratulations to all 2018 honorees, and thank you for your many years of dedicated service to the students of Azusa Unified!
was held September 12, 2017, hosted by Gladstone Street Elementary.
Classified: Denise Barcelo, Vernon Chavira, Suzanne Coronel, Jo Gomez, Elsa Hernandez, Aydee Hinojos, Rosa Reyes, Yolanda Rojas, Sonia Romo, Telca Scruggs, James Zimmer, Jr.


text:
Q: WCF - send context info with each request / message Is there any possibility to send some contextual information with each request / message? E.g. to automatically inject preferred language the user has been chosen in FrontEnd and to have it available for any request, without being necessary to send it parameter for each operation call.
Any idea is appreciated.

A: On client-side, add an endpoint behavior:
public class AddHeaderBehavior : IEndpointBehavior
{
    public void Validate(ServiceEndpoint endpoint)
    {
    }

    public void AddBindingParameters(ServiceEndpoint endpoint, BindingParameterCollection bindingParameters)
    {
    }

    public void ApplyDispatchBehavior(ServiceEndpoint endpoint, EndpointDispatcher endpointDispatcher)
    {
    }

    public void ApplyClientBehavior(ServiceEndpoint endpoint, ClientRuntime clientRuntime)
    {
        clientRuntime.MessageInspectors.Add(new HeaderMessageInspector());
    }
}

public class HeaderMessageInspector: IClientMessageInspector
{
    public object BeforeSendRequest(ref Message request, IClientChannel channel)
    {
        var typedHeader = new MessageHeader<string>("my custom info");
        var untypedHeader = typedHeader.GetUntypedHeader("myKey", "myNamespace");

        request.Headers.Add(untypedHeader);
        return null;
    }

    public void AfterReceiveReply(ref Message reply, object correlationState)
    {
    }
}

On server-side, add a service behavior:
public class AddHeaderBehavior : Attribute, IServiceBehavior
{
    public void AddBindingParameters(ServiceDescription serviceDescription, System.ServiceModel.ServiceHostBase serviceHostBase, System.Collections.ObjectModel.Collection<ServiceEndpoint> endpoints, BindingParameterCollection bindingParameters)
    {
    }

    public void ApplyDispatchBehavior(ServiceDescription serviceDescription, System.ServiceModel.ServiceHostBase serviceHostBase)
    {
        foreach (var channelDispatcherBase in serviceHostBase.ChannelDispatchers)
        {
            var cDispatcher = (ChannelDispatcher)channelDispatcherBase;
            foreach (var eDispatcher in cDispatcher.Endpoints)
            {
                eDispatcher.DispatchRuntime.MessageInspectors.Add(new OrganizationHeaderMessageInspector());
            }
        }
    }

    void IServiceBehavior.Validate(ServiceDescription serviceDescription, System.ServiceModel.ServiceHostBase serviceHostBase)
    {
    }
}

public class HeaderMessageInspector : IDispatchMessageInspector
{
    public object AfterReceiveRequest(ref Message request, IClientChannel channel, InstanceContext instanceContext)
    {
        var header = request.Headers.GetHeader<string>("myKey", "myNamespace");

        if (header != null)
        {
            OperationContext.Current.IncomingMessageProperties.Add("myKey", header);
        }

        return null;
    }

    public void BeforeSendReply(ref Message reply, object correlationState)
    {
    }
}


text:
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Mariano Gago Ecsite Awards
The Mariano Gago Ecsite Awards encourage those people and organisations who demonstrate innovation, creativity and who through their work actively show how they are making an impact. They are a source of inspiration for others.
Encouraging participation, fostering curiosity, engaging minds, having fun.
Created in 2015, the Mariano Gago Ecsite Awards encourage creative and impactful work within the informal science education sector.
Open to all Ecsite members, they provide a prestigious incentive and reward, and contribute to the development of excellence in science engagement.
The awards are named after José Mariano Gago (1948 - 2015), a key figure of European science engagement. He was a founder of the Portuguese Ciência Viva network of science centres and an active contributor to Ecsite activities over the years. "In a few decades Mariano Gago was able to build a modern scientific community deeply rooted in Portuguese society, implementing his vision that science is source of both technical and human progress. Mariano Gago was also the founder of LIP," explained Mário Pimenta President of the LIP laboratory, generous contributor to the Mariano Gago Ecsite Awards.
How to apply for the Responsible and Responsive Award
How to apply for the Beacon of the Year Award
Brochure - the Ecsite Mariano Gago Awards in short
LIP - Laboratory of Instrumentation and Experimental Physics
Browse through past editions: categories, winners, jury members...
Submissions are now closed. The winners will be announced at the 2022 Ecsite Conference, taking place in Heilbronn, Germany on 2-4 June.
Beacon of the Year
The Beacon of the Year Award celebrates inspirational individuals who have been contributing to our field and to the Ecsite network. The Award recognises innovative visionaries who are empowering and motivating their peers to reach a common goal: emboldening citizens to engage with science.
Your candidate is…
a key figure in mobilising, guiding and empowering others
a strategic and innovative visionary
adaptable and has outstanding problem solving skills
someone who contributes significantly to the Ecsite network and the science engagement field
Responsible and Responsive
The Responsible and Responsive Award has been specifically created for 2021, in order to reflect the response of Ecsite member organisations during the Covid-19 pandemic. The award aims to recognise institutions not only for their resilience, but for original, creative ideas that have had positive impact for communities at a time of crisis. Initiatives that have created methodologies that can be replicated in other organisations and which have demonstrated support and care in such a challenging period will be positively received.
Creative: respond in innovative ways to difficult situations
Bold: thinking big beyond the limitations of the moment
Shareable: provide lessons others can learn from beyond the confines of Covid
Caring: seeking to support those most affected by the pandemic
I have spent my career in science-driven organisations from wildlife conservation to natural history museums. I am passionate about the power of engaging people with science and societal issues, now as Director of the Museum of London I am concerned with urbanism and the development of global cities and global citizens. I am a long-time advocate of the awards' idea, which I championed when I sat on the Ecsite Board in the name of the Natural History Museum.
Log in to see contact person's details
Chairperson of the Jury
Director of Medical Museion, Professor at Copenhagen University & Creative Director at Wellcome
Since June 2016, Ken Arnold has been Director of Medical Museion and Professor at Copenhagen University. He also continues as Creative Director at Wellcome, where he oversees international cultural projects. He arrived at Wellcome in 1992, where he spearheaded a number of multidisciplinary cultural initiatives, culminating in 2007 with the establishment of Wellcome Collection, in which he directed the programmes for a decade. He regularly writes and lectures on museums and on contemporary intersections between the arts and sciences. His book Cabinets for the Curious (Ashgate, 2006) explored what we can learn from looking back at England's earliest museums. He is currently researching a book about the increasingly significant cultural role played by these enduringly curious institutions.
Professor of Technosciences, Materiality, & Digital Cultures
Department of Science and Technology Studies, University of Vienna
I am a scholar of science and society. I have worked in the UK, US, Norway, and Denmark, where I was an Associate Professor at the University of Copenhagen. I am now based at the Department of Science and Technology Studies at the University of Vienna. My work includes the books Hackerspaces (2017, Polity) and Science Communication (with Maja Horst, 2016, Palgrave).
Former Senior Vice President of Exhibition, American Museum of Natural History.
David Harvey Design, LLC
I am a planning and design consultant for museums, historic houses and architects and remain a consultant for the American Museum of Natural History (AMNH), where I occupied several functions for 20 years including Senior Vice President. I am motivated by a passion for creating exhibitions that have both an emotional and intellectual impact--perhaps changing the way visitors see their world - while actively blurring the line between art and science. Before joining AMNH I was the designer of approximately one hundred exhibitions and permanent galleries as Senior Designer at the Metropolitan Museum of Art.
Quintanilha
Physicist, Member of the Science and Technology Advisory Council for the President of the European Commission
Founder and Consultant
Resonant Partnerships
Eric is a scientist and educator who creates strategic partnerships and systemic transformation in science and society. He received his Ph.D. in applied physics from UC San Diego and began his career in nanoscience and the exploration of electronic materials as research staff member at IBM. He then went on to dedicate his career to supporting public engagement with science at a broad variety of organizations. First, at IBM, he launched the international IBM Reinventing Education initiative. Eric then served as Curator of the Creative World at the California Science Center and, subsequently, Vice President of Strategic Partnerships and Innovation at the New York Hall of Science/NYSci. There, he created TryScience and global partnerships to bring the best experiences from science museums to millions around the world. Most recently, Eric served as Vice President of Public Engagement and Prizes at The Kavli Foundation, a non-profit philanthropic organization dedicated to advancing science for the benefit of humanity, promoting public understanding of scientific research and supporting scientists and their work. He led the foundation's efforts to better connect science and society by strengthening the professional fields and networks engaging the public with science. He also oversaw foundation communications and the international Kavli Prize programs, which honor and celebrate great scientists and their work.
Halevy
Bloomfield Science Museum
The Bloomfield Science Museum Jerusalem
2020 Beacon of the Year
more about the jury
2021 Mariano Gago Ecsite Awards are open
Ecsite Awards 2020 - the winners
Mariano Gago Ecsite Awards: get thinking
#EcsiteAwards: Sustainable Success & Beacon of the Year
89/7, Avenue Louise, Louizalaan
B-1050, Brussels
info@ecsite.eu
Ecsite connects, inspires and empowers science engagement organisations and professionals, extending the reach and strengthening the impact of their work.


So I tried something new. I tried a colored mascara yesterday. Gasp. If you know me I like my lashes black, thick and luscious. I rarely ever try a colored eyeliner, let alone mascara! I recently received the YSL Vinyl Couture Mascara to try. Imagine my surprise when I opened the box to find the shade I received was I'm the Excitement, a vivid emerald green.
My first thought was, I have no idea how I'm going to pull this one off. Swatching the color on my hand, the color looks almost garish. I felt like I was going to wind up looking like the Green Goblin.
Just look at it, can you blame me?
The brush was a pretty normal looking mascara wand. I love the packaging of this product though, it looks so chic!
Surprisingly, when I started applying the mascara, it wasn't as bright as I thought it would be. I could actually still see most of my dark lashes under the color.
In my bathroom lighting, my lashes still looked pretty black. I even did a purple shadow routine with this mascara, because I know purple usually brings out green. So my next step was to go in the natural light to see if that would make my green lashes pop!
After standing in every angle imaginable and getting a couple different lights, my lashes still looked black to me. In fact, nobody else picked up on any green unless I was standing in direct sunlight. I was a little disappointed seeing as I was expecting a little something, but I got nothing in terms of color really unless I'm crazy and just can't see it!
I really love the formula of this mascara. It went on super smoothly, no clumping and it made my lashes look so long! Downside, the color wasn't what I was expecting. To be honest, I would love to repurchase this in the Clash Black shade, so I can get the same effect but with actual black mascara.
There are 9 other shades of Vinyl Couture Mascara. I would definitely recommend trying the color before you buy to make sure it looks like what is in the tube. For most of the brighter colors, I'm sure the color shows way better.
Have you tried YSL Vinyl Couture? What do you think about switching it up with a colored mascara?
Disclaimer: I received this product complimentary for testing purposes.
So amazing! Have to try!
Yes it was definitely worth a try! Like I said, I really wish the green would've shown a little more but I like the formula and would love to get the black one!
Your lashes really do look super long and defined! I think I'm going to try this one!


Cory Burr has released version 3.008 of his simulator for Windows. There have been numerous updates including revisions of the disk manager and assembler applications. There is also a new document included that describes the technical aspects of developing code for Win994a.
A list of updates and the download link can be found on the Win994a Page.


text:
Pier Giorgio Frassati
From Wikiquote
Pier Giorgio Frassati (6 April 1901–4 July 1925) was an Italian Roman Catholic social activist and a member from the Third Order of Saint Dominic.
Quotes about Pier Giorgio Frassati[edit]
He didn't want a life of spiritual mediocrity, he didn't want mere worldly success, he wanted the heights of intimacy with Christ and service to the poor.
Robert Barron, Reflections on Pier Giorgio Frassati (April 23, 2013)
Pier Giorgio is proof that it is also possible to be holy while living entirely with the world, having fun with friends, drinking a glass of wine, going to theater, at school … his living with the world, enjoying the beauties of the world; but that didn't lessen the spiritual part of his life — on the contrary.And he had the exact same problems and concerns as so many young people today. He used to have difficulties with exams, which weighed down on him a lot. This is why many students identify themselves with him. He also had problems with his parents, who didn't get along and who were about to separate. He also secretly loved a young woman that he decided to let go. His joyful faith and his freedom are also a great source of inspiration for youth. Pier Giorgio instilled the idea that faith is not something that limits you; on the contrary, it frees you; it gives you wings. He used to have an incredible freedom in his opinions, choices — in everything. He believed that freedom is the greatest gift that God gave to his creatures.
Wanda Gawronska, Blessed Pier Giorgio Frassati Is First Modern Lay Saint, According to Niece (July 4, 2019)
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Mallika Sherawat's television stint was rather short-lived. The actress, who was judging dance reality show "Chak Dhoom Dhoom", has been shown the exit door by the channel and Urmila Matondkar will replace her.
"Mallika's tantrums were increasing day by day. We used to shoot two episodes in a single day and she used to become very cranky. She used to keep cribbing about less time for lunch and the amount of working hours. In fact, she was always ready to rush home," a source from the channel Colors said.
"Even the production team had a hard time dealing with her. So, finally the decision of replacing her was taken," added the source.
Now Urmila will step into Mallika's shoes and will judge the show along with Terance Lewis and Jaaved Jaaferi. She is expected to start shooting in the coming week.
The show that went on air Jan 14, is a competition between group dancers from India and abroad.