text:
export CFLAGS="$CFLAGS -fno-sanitize=vptr"
export CXXFLAGS="$CXXFLAGS -fno-sanitize=vptr"

# Build dependencies.
export FFMPEG_DEPS_PATH=$SRC/ffmpeg_deps
mkdir -p $FFMPEG_DEPS_PATH

export PATH="$FFMPEG_DEPS_PATH/bin:$PATH"
export LD_LIBRARY_PATH="$FFMPEG_DEPS_PATH/lib"

cd $SRC
bzip2 -f -d alsa-lib-*
tar xf alsa-lib-*
cd alsa-lib-*
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static --disable-shared
make clean
make -j$(nproc) all
make install

cd $SRC/drm
# Requires xutils-dev libpciaccess-dev
./autogen.sh
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static
make clean
make -j$(nproc)
make install

cd $SRC/fdk-aac
autoreconf -fiv
CXXFLAGS="$CXXFLAGS -fno-sanitize=shift-base" \
./configure --prefix="$FFMPEG_DEPS_PATH" --disable-shared
make clean
make -j$(nproc) all
make install

cd $SRC
tar xzf lame.tar.gz
cd lame-*
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static
make clean
make -j$(nproc)
make install

cd $SRC/libXext
./autogen.sh
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static
make clean
make -j$(nproc)
make install

cd $SRC/libXfixes
./autogen.sh
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static
make clean
make -j$(nproc)
make install

cd $SRC/libva
./autogen.sh
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static --disable-shared
make clean
make -j$(nproc) all
make install

cd $SRC/libvdpau
./autogen.sh
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static --disable-shared
make clean
make -j$(nproc) all
make install

cd $SRC/libvpx
LDFLAGS="$CXXFLAGS" ./configure --prefix="$FFMPEG_DEPS_PATH" \
    --disable-examples --disable-unit-tests \
    --size-limit=12288x12288 \
    --extra-cflags="-DVPX_MAX_ALLOCABLE_MEMORY=1073741824"
make clean
make -j$(nproc) all
make install

cd $SRC/ogg
./autogen.sh
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static --disable-crc
make clean
make -j$(nproc)
make install

cd $SRC/opus
./autogen.sh
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static
make clean
make -j$(nproc) all
make install

cd $SRC/theora
# theora requires ogg, need to pass its location to the "configure" script.
CFLAGS="$CFLAGS -fPIC" LDFLAGS="-L$FFMPEG_DEPS_PATH/lib/" \
    CPPFLAGS="$CXXFLAGS -I$FFMPEG_DEPS_PATH/include/" \
    LD_LIBRARY_PATH="$FFMPEG_DEPS_PATH/lib/" \
    ./autogen.sh
./configure --with-ogg="$FFMPEG_DEPS_PATH" --prefix="$FFMPEG_DEPS_PATH" \
    --enable-static --disable-examples
make clean
make -j$(nproc)
make install

cd $SRC/vorbis
./autogen.sh
./configure --prefix="$FFMPEG_DEPS_PATH" --enable-static
make clean
make -j$(nproc)
make install

cd $SRC/x264
LDFLAGS="$CXXFLAGS" ./configure --prefix="$FFMPEG_DEPS_PATH" \
    --enable-static
make clean
make -j$(nproc)
make install

cd $SRC/x265/build/linux
cmake -G "Unix Makefiles" \
    -DCMAKE_C_COMPILER=$CC -DCMAKE_CXX_COMPILER=$CXX \
    -DCMAKE_C_FLAGS="$CFLAGS" -DCMAKE_CXX_FLAGS="$CXXFLAGS" \
    -DCMAKE_INSTALL_PREFIX="$FFMPEG_DEPS_PATH" -DENABLE_SHARED:bool=off \
    ../../source
make clean
make -j$(nproc) x265-static
make install

# Remove shared libraries to avoid accidental linking against them.
rm $FFMPEG_DEPS_PATH/lib/*.so
rm $FFMPEG_DEPS_PATH/lib/*.so.*

# Build ffmpeg.
cd $SRC/ffmpeg
PKG_CONFIG_PATH="$FFMPEG_DEPS_PATH/lib/pkgconfig" ./configure \
    --cc=$CC --cxx=$CXX --ld="$CXX $CXXFLAGS -std=c++11" \
    --extra-cflags="-I$FFMPEG_DEPS_PATH/include" \
    --extra-ldflags="-L$FFMPEG_DEPS_PATH/lib" \
    --prefix="$FFMPEG_DEPS_PATH" \
    --pkg-config-flags="--static" \
    --enable-ossfuzz \
    --libfuzzer=$LIB_FUZZING_ENGINE \
    --optflags=-O1 \
    --enable-gpl \
    --enable-libass \
    --enable-libfdk-aac \
    --enable-libfreetype \
    --enable-libmp3lame \
    --enable-libopus \
    --enable-libtheora \
    --enable-libvorbis \
    --enable-libvpx \
    --enable-libx264 \
    --enable-libx265 \
    --enable-nonfree \
    --disable-shared
make clean
make -j$(nproc) install

# Download test sampes, will be used as seed corpus.
# DISABLED.
# TODO: implement a better way to maintain a minimized seed corpora
# for all targets. As of 2017-05-04 now the combined size of corpora
# is too big for ClusterFuzz (over 10Gb compressed data).
# export TEST_SAMPLES_PATH=$SRC/ffmpeg/fate-suite/
# make fate-rsync SAMPLES=$TEST_SAMPLES_PATH

# Build the fuzzers.
cd $SRC/ffmpeg

FUZZ_TARGET_SOURCE=$SRC/ffmpeg/tools/target_dec_fuzzer.c

export TEMP_VAR_CODEC="AV_CODEC_ID_H264"
export TEMP_VAR_CODEC_TYPE="VIDEO"

# Build fuzzer for demuxer
fuzzer_name=ffmpeg_DEMUXER_fuzzer
echo -en "[libfuzzer]\nmax_len = 1000000\n" > $OUT/${fuzzer_name}.options
make tools/target_dem_fuzzer
mv tools/target_dem_fuzzer $OUT/${fuzzer_name}

# Find relevant corpus in test samples and archive them for every fuzzer.
#cd $SRC
#python group_seed_corpus.py $TEST_SAMPLES_PATH $OUT/


text:
Q: Swift Playground: NSXMLParser / parse() always returns false here's my code:
public class Payment: NSObject, NSXMLParserDelegate {

public var buchungsdatum:NSDate
public var valutadatum:NSDate
public var betrag:Double
public var verwendungszweck:String

public var creditorIban:String
public var creditorBic:String
public var creditorName:String

public var debitorIban:String
public var debitorBic:String
public var debitorName:String

override init() {
    buchungsdatum = NSDate()
    valutadatum = NSDate()
    betrag = 0.0
    verwendungszweck = ""

    creditorIban = ""
    creditorBic = ""
    creditorName = ""

    debitorBic = ""
    debitorIban = ""
    debitorName = ""
}

override public var description: String {
    return "Payment-Information:"
}

func beginParse() {
    let url = NSURL(fileURLWithPath: "/Users/Andi/Downloads/c53/CAMT/2015-10-06_C53_DE92300606010303502481_EUR_585142.xml")

    let xml = NSXMLParser(contentsOfURL: url)!

    xml.delegate = self
    xml.parse()

}

@objc public func parser(parser: NSXMLParser, didStartElement elementName: String, namespaceURI: String?, qualifiedName qName: String?, attributes attributeDict: [String : String]) {
    print("get an element")
}

@objc public func parserDidStartDocument(parser: NSXMLParser) {
    print("started")
}

@objc public func parserDidEndDocument(parser: NSXMLParser) {
    print("ended")
}

public func parser(parser: NSXMLParser, parseErrorOccurred parseError: NSError) {
    print("Fehler")
}
}
var aPayment:Payment = Payment()
aPayment.beginParse()

Can anyone tell me why the parse() returns false and none of the delegate methods get called. Even the parseError one doesn't. I absolutely don't understand why.
Xcode even shows that the XML-File has content and that url isn't nil (see pic)
Xcode shows the XMLContent in the playground

A: It is most likely because your NSURL is nil.

redpajama_set_name: RedPajamaStackExchange


text:
KV sink
K-V Pharmaceutical Files For Bankruptcy Protection
K-V Pharmaceutical Co. (KV/A), a provider of women's health-care products, filed for bankruptcy after it said lax federal enforcement and state Medicaid restrictions prevented it from attaining the "full value" of a medicine intended to help pregnant women avoid premature births.
The drug company, which sought court protection along with several subsidiaries, listed debt of $728 million and assets of $237 million in a Chapter 11 petition filed today in U.S. Bankruptcy Court in Manhattan. Based in Bridgeton, Missouri, K-V said it will keep operating as it seeks to reorganize.
"The company has been unable to realize the full value of its most important product, Makena, because of a lack of enforcement of the orphan drug marketing exclusivity granted to K-V for Makena by the Food and Drug Administration," Greg Divis, chief executive officer of K-V, said in a statement. "The lack of enforcement has also led certain state Medicaid agencies to impose barriers to access to Makena on low-income pregnant women at high risk for recurrent preterm birth, despite those states' legal obligation to cover FDA-approved drugs."
http://www.bloomberg.com/news/2012-08-04/k-v-pharmaceutical-files-for-bankruptcy-protection.html?

redpajama_set_name: RedPajamaCommonCrawl


text:
Short Articles About Life and Events At Goonhilly Earth Station.
Articles available and opened as .pdf documents are listed here. Click on titles in the list to go to those of interest.
#10 What Was It?
Related By Tony James
#9 Spirit Of The Downs
by Tony James
#8 Characters On Site
by Robin Ridge
#7 Standing Up In A Hammock
by Roger Boddy
#6 A Breed Apart
#5 A Whale Of A Time
#4 Undocumented Incidents
#3 Men In Black
Name Witheld
#2 The Sky's The Limit
#1 From King Arthur To Space
by Martin Colman
Goonhilly Ghost Story No.2
Real? Or a Tale? I cannot now remember who it was on the Shift Team who told me of a strange occurrence at Goonhilly, which could have been real, and, if true, could only have one explanation……
My second project at Goonhilly whilst continuing to work with George, was to install a new TV Console and all its test and monitor equipment in the new Operational Control Area (OCA) to handle Occasional TV programme transmissions between the UK and the other countries in the Satellite environment. As time went along, the TV and new Antenna Consoles became operational, and the personnel originally in the old experimental equipment area moved into the OCA proper on a 24hr shift routine, so we got to know them well as we continued completion of the TV system. To accommodate transmission bookings, we often worked well into the evenings so inevitably knew all of the shift team members. I can't now remember how the topic came about, but one of them told me of a strange experience he had one night when on duty.
As a background to the occurrence, it is worth pointing out that the OCA was fairly central, and up a long curved corridor past new offices and to the far end of the new extension there was a Staff Restaurant which was unmanned out of normal working hours. However, to accommodate personnel on shift, there was a small preparation kitchen attached which was always open for them to prepare their evening and night meals during breaks. Overnight, the main corridor lights (as with all un-necessary lights) were turned off, so there was only dim light percolating from the two rooms at either end of the darkened corridor. With no obstructions ever in the corridor, the shift personnel were used to travelling up it without the lights on, relying on the dim glow from either end.
One night, the person who told the tale said that he was walking up for his evening meal, when he saw a shadowy figure come into view at the far end, and thinking that it was the security guard doing his rounds, approached unconcerned ready to greet him. As he neared the figure, he was surprised to see that it wasn't the expected person, so spoke a challenge as he neared it. To his surprise, far from replying, the figure faded before him and disappeared, leaving him a trifle shocked. There were no further sightings, but it had left the person rather unsettled for future possible occurrences, which since has never been reported.
Looking back, the affected person then remembered that the apparition, from what could be made out, had seemed to be dressed in a very old style of clothes, but otherwise, he couldn't remember much else…………..so, what was it? Maybe Goonhilly really has a Ghost!
Goonhilly is a sprawling complex, and at night it is largely deserted and you are unlikely to meet anyone if you have to head out of your immediate work area during night hours. In fact, it can be quite creepy wandering around if you ever had to on your own after dark, not least of which was the possibility of unsettling the shift personnel if they didn't know you were still on site. Now the Goonhilly site is large (2.1 sq. miles area), with plenty of isolated areas to go to, so it was not unheard of that some people could "disappear" for a while if they wanted to avoid something or someone, but as far as I know, no-one could "disappear" by fading in sight of others (although, I'm sure, some would like to have been able to!). It was because of the dispersal possibility that a site-wide public address system was installed and used for many years before building pass cards were introduced.
I was not present at the encounter, but it helps to visualise what the person may have experienced, so I asked for help from one of the current resident GES Ltd. personnel, Michael, to take pictures of the area concerned. His efforts were ideal, as he was working late, and was able to take truly atmospheric pictures of the corridor roughly from the reported vantage point of the sighting.
Figure as In Michael's Picture
Figure Placed In Old Corridor
Closer View Old Corridor
There has been some changes, so I have spent some time reverting the corridor to how it was around the time of the sighting without the notice boards. Strangely, though, in the distant area of the current corridor, a hazy pattern could be seen and I enlarged it to find what appeared to be a shadowy figure in the distance. Isolating it and accentuating it a bit revealed a basically humanoid shape with some dull highlights looking for the world like a person wearing a dark long coat. Was it the spectre still at Goonhilly? I was able to capture the image, rescale it to the size where it long ago was seen, and paste it back into the position reported. Whatever it was, it was opportune indeed to be just right for the tale. What would you do if presented with this situation??
There are many strange places in the Goonhilly complex, but this story looked like the "Spirit of the Downs" was expressing disapproval at our setting up the Station there……
In the 1970's, after the success of the Geostationary Satellite experiments, the then GPO had embarked on construction of a number of large antennas to expand new services and capacity. Goonhilly 2 had been constructed and made operational, and a further new antenna, Goonhilly 3 had been bought from Marconi Ltd., and constructed. Capacity had increased considerably, and demand from across the Atlantic, meant that both GHY2 and GHY3 were put onto the Atlantic Ocean Region (AOR) satellites. Everything was going well, when one day, a strange moaning sound began to be heard occasionally and loudly across the Downs. It was especially eerie if the Downs was clad in mist when it happened, like some sad Spirit expressing regret.
It wasn't long before the general source of this sound was traced. It came from the south of the site, where the new Goonhilly 3 antenna was, but where was it coming from, and why? Investigation showed no real locatable source for the sound, but it was finally decided that the cause of it was the wind. Not just the wind, however, but it seemed that at a certain air speed, the antenna dish framework could be induced to reach an acoustic resonance, and in such a large structure the output could be quite loud. Another observation of the situation was that this resonance was only induced when the wind was in a certain direction relative to the dish orientation. Attempts to dampen the sound occurrence could have been made, but I know of no concrete information about it.
However, it had only seemed to occur whilst the antenna was pointed at satellites west of south over the Atlantic, with a steady, but not brisk, wind blowing at right angles approximately to the radio beam, across the back structure of the dish. Later on a simple change seems to have banished the "Spirit", as the antenna was moved 90 degrees to look east to work the Indian Ocean Region (IOR) satellites. The sound has not occurred since, but may once again be heard if the position for another application goes back to the conditions matching the previous situation, and the "Spirit of the Downs" may again be heard………Moaning………Moaning……...
GHY3 south on AOR satellite
GHY3 east on IOR satellite
Addendum by Robin….
I had forgotten all about that. I have stood and listened to it, like a hollow growl, or an organ pipe - very eerie indeed. On the subject of the wind, the tower of Aerial 3 used to so channel the wind around it, I can remember being on hands and knees to make my way across the apron to get to the door - felt very silly.
Now we all know that if a site is big enough there is going to be characters, and Goonhilly has had its few. I'm going to talk about three of them. The good the bad and the ugly – well not quite, but I'm leaving out the names.
My stories revolve around the building of Aerial 6 in the mid 80's. The first person that comes to mind, told me having placed the stake, that Aerial 6 is not where they think it is. When they did the surveying there was thick gorse at the spot designated to be the centre, further this gorse was concealing an adders (snake) nest. Solution, put the stake somewhere else. I protested – but the reply was "What difference does it make". A strong personality, respected and pragmatic, he usually got his way. On another occasion he forced the contractors to trowel the concrete apron of the antenna along its outside diameter. A decorative feature – it took them as long as the concrete was manageable and they were not happy. "It's on the plans and I want my decorative feature" he said. I still smile when I visit the Aerial and see that feature. He had a sense of humour too; we had the Japanese Contractor principal manager in the Office wanting to know how to cash a check. The advice: Go to the bank, hold up two fingers and a thumb and say "this is a hold up, give me the money". I was sent to get him back – "he'll do it" he said.
Now a manager (character two) on the project was not happy because the feed in the Aerial 6 building was not secured at the top – with rods (this room is 2 stories high). A rigger was dispensed to do the job. A week later this manager is still not happy (not a person to upset – if you get my meaning), the feed is still not secured. The rigger protests (a character himself – three characters in this story), he was asked to secure the feed and he did. Well the securing rods are still loose. If the rods were tightened and now, they are loose, it can mean only one thing, 350 tonnes of aerial on top, are collapsing the roof. The manager - horror, panic, datums were set up, measurements by the hour ensued. Temperature inside and out measured. It was pointed out there were three aerials at Madley of similar design. So, measurements were done there as well, on the hour, every hour, for days and weeks. Meetings were held. Suits came to site to inspect the problem.
Goonhilly 6
A Feed Riser fixing rod.
Many weeks later we had suits on site again going to the aerial.
"Who are they" I inquired of person one (remember him – I started with him).
"They are here because of the collapsing roof" he said.
I enquire – "you understand the civils on this build, do you think the roof is coming down"?
"Robin" he says "those columns are 40 newton concrete, there is as many tonnes of steel in them, of course not."
"So's what's the problem" I enquire.
"It's obvious" he says. "…….. ..…… never tightened the bloody bolts.
In 1959 I started as a first-year pupil (nowadays called "Year 7"!) at West Hatch Technical High School which had opened only one year earlier. It was a new school that embraced a progressive outlook on education with a first class staff across the classic "3Rs" as well as bringing together top flight engineers and craft folk to set what was to prove to be a leading standard for future pupils.
It didn't do the '59ers too badly either – amongst whom was a girl called Margaret Sage. Margaret was the daughter of a builder and she liked to build things. So, when it came to setting the timetables for our first year, Margaret persuaded the staff that she'd be better suited to Technical Drawing than Needlework. This was a talking point amongst us all and we welcomed "Maggie" into the world of "boy's toys" in the engineering workshops.
The West Hatch '59ers eventually left school to take up careers in the great wide world of work and we generally lost sight of one another as we went our separate ways. But, clearly, Maggie was destined to become an Engineer – it's strange the way things work out!
This is a story of surprise, coincidence and an innocent remark that caused grown men to collapse in uncontrollable hysterics.
Scroll forward to the mid-seventies. I had completed a student apprenticeship, been headhunted to teach at Leafield Training school (where we were the first school in the world to deliver training on satellite systems) which introduced me to a long term love of Goonhilly Aerial No 1 that was our "demonstration model" and was a lowly manager in the satellite operations group with special responsibility for digital systems - which included the digitalisation of services through GHY1 on which I was required to conduct a three monthly technical audit.
At its inception into service Goonhilly was state of the art and all precautions to keep the environmental atmosphere clean were taken – including the provision of a revolving entrance door. On one of my visits, as I entered the door to go in - someone else was coming out whom I thought I recognised. No, surely not, but could it be? Yes! it was Maggie. Clearly, she too was in the same state of Deja vu and we both did a complete 360° turn - and were about to go around again - but I stepped out and Maggie shortly emerged back inside the building. It was a joyous re-union but focussed on the here and now with both of us quizzing the other on why we were at Goonhilly.
I explained that I had just arrived to start a technical audit of GHY1, and Maggie explained that she was there to undertake a refit on GHY3 sub reflector and was on her way to brief her team. Before we parted, she said I must join her and her team at the pub that they were staying at in St Keverne - for a drink and supper that evening. So, it was agreed – I would be fed and watered that night - so set about my task of assessing GHY1.
Access to the Maser Cabin
When it was first deployed for access to Telstar (and that's another story!) the satellite would only be visible above the horizon for 2 hours in every eight moving from West to East. So, there was no floor in the antenna cabin. Instead you used strops to gain a foot hold as the antenna could be pointing at any angle of elevation. When my day's work was done, I took a station Land Rover to my digs, cleaned myself up and drove to St Keverne. After brief introductions we got straight to business as Maggie ordered beers for us all. There was little or no small talk, I was still blissfully unaware of what Maggie had been up to since our school days and when Mike Newell asked me how I'd got on in Aerial one's antenna cabin, I described to him that "it was like standing up in a Hammock". The whole group fell silent; anxious glances were flashed from one to another and there was a lot of sniggering and men burying their noses into pint glasses with tears in their eyes. Mike Newell broke the silence by saying "I thought you two knew each another? Roger, meet our new boss – Margaret Hammock".
I'd no idea she'd changed her name!
Post Office Stores, Post Office Storemen and the Rate Book.
Now you need to understand that there are many departments (Groups) on an Earth Station. We had a Steering Group, an SHF (Super High Frequency) Group, a Power Group, a Rigging Group, a Direct Labour Group (DL Group) and Groups named from their location, the Workshop, East Wing and West Wing. We had Drawing Offices and Secretarial Offices and Management of course. Groups had their own identities and quirks, no more so than the Stores.
Now Post Office Stores are a breed apart. No amount of training could prepare you. In my early days you could be sent to Stores for a box of OBN's (OBN stood for Out of Band Noise and was a measurement, not an item). The Storeman would pore through the Rate Book (we will come on to that) in vain looking for this item – this fool's errand, for which you have been sent was a joke set for the unwary, in part because they knew the stores culture and the resulting chaos likely to ensue.
Now on going to the store it was usual for anything that you needed to be passed to you through a small hatch around 3ft square. The Stores itself was hallowed ground; on one occasion when the storeman refused to accept they had, what I could see, I attempted to enter to be told. "This is not Tesco's you know; you can't wander around picking up what you want". On the question of having an item. I once went into the Madley Earth Station Store for a Yellow bulb. The bulb was for the end of suite alarm, which is an extremely common item. The storeman would not accept my demand for a Yellow, 24V 20W, end of suite alarm bulb, and a sample dead bulb – he required the Rate Book number. This is not printed on the item.
Horror of horrors - The Rate Book. This huge loose-leaf book normally set on a stand would have all the Post Office (BT) numbers of many thousands of items stocked by Post Office Stores. To this day a pair of 5" pliers to any BT Engineer is a pair of 81's (actually I don't believe even the Rate Book refers to them as pliers 81 in its later incarnations). A No.1 screw driver is the smallest one in your kit. Ordering items from the Rate Book could be a hazardous affair. I ordered 3 crow bars (I required a jimmy bar apparently) to open crates. A crow bar in the Rate Book is huge (some 5ft long), fortunately I was able to give them to the Riggers – Rate Book Items are not returnable. Now on one occasion wire dispensers were required. Instead of putting a broom handle through a reel of cable on a chair, x3 proper units were ordered. Many weeks later a low loaded artic appeared at the gate. On board x3 trailers designed to dispense the cable from 20ft drums for people putting cables in the road – you can't return Rate Book items!
Maybe you would like a tool box referred to in the Rate Book (obscure as ever) as Box Red No.3. We needed several for people on the group. Only the ones we already had, were yellow. Enquiries revealed that indeed you could have yellow. You just ordered on the Rate Book Box Red No.3 (Yellow). Weeks later x3 Yellow Telephone boxes (Kiosks) turn up at the main gate on a lorry – you can't return Rate Book items. To this day there is a yellow telephone box at the Fire Alarm Muster point (see photo). There have been many examples on site of mistakes made ordering stuff from the Rate Book, because of the obscure numbering and descriptions. Prices didn't help much either, because items were ridiculously cheap, no doubt priced in the middle ages!
Actually, staff in the Stores were really nice people as with the other groups. But, you must understand the culture. On my first ever visit to the Rigging group, I was told "and you can F off for a start" at first sight. I was a 16-year-old apprentice. My boss wanted to know if I had got what he sent me for. I said no, he told me to F off. And….. "Well" I said "I f'ed off".
One of the Box Red No. 3 (Yellow)........
......Used as the Fire Muster Control Box
Seeing the GHY 6 site picture in Robin's tales (#4) of Undocumented Incidents, it reminded me of the story of a feature at the Goonhilly site which is now taken for granted…
What is a rowing boat doing in the middle of the site? This has the taste of the old James Burke TV series "Connections" which was on about that time.
It started when British Telecom had decided to increase security on its sites throughout the UK, part of which leads to another story for the future. Goonhilly had been fitted with a manned Gatehouse at the entrance set back from the road, and a security perimeter fence installed. At the time, the powers that be decided that because of the restrictions on entry, it would be a good idea to hide the site buildings visibly from the road, as they were worried that tourists might stop along the road to look at the site, causing traffic problems, so they decided that something had to be done to screen the complex from view along the perimeter near the road.
However, some consideration had to be made to the aesthetics of this, as the whole of the Goonhilly Downs wild area had come under the administration of English Nature and the aim was to minimise the natural impact of the commercial operations of the site on the wild downs. The Station Manager of the time was one of those people who would try to get something beneficial out of any situation, so the idea of a raised bank of earth along the roadside which would easily naturalise came into formation. One problem, was the need to get earth from somewhere to do this, which, if transported to the site by road from elsewhere would be expensive and cause a lot of likely hold-ups whilst it was being delivered and laid out.
A creative solution was come up with, as an area of land close to the offices, which had previously been used for temporary contractor buildings. It was decided to use the area as a cost-free source of earth, with necessary transportation then being purely "on-site" a distance of ~1200 ft. The resultant hollow in the ground left when the earth was removed formed part of another plan to create a recreational feature for personnel in their breaks as a decorative pond area, and remote senior management were persuaded that the feature could double as a water catchment area to provide a fire-fighting resource in case a building fire ever occurred. Liner material was obtained and the final contouring completed before water was fed into it. Everything went well, and the newly formed pond is shown in Robin's picture in his #4 article.
A few days later, there was consternation (and perhaps amusement for some!), as what looked like a "whale hump" appeared in the centre of the pond. It was quickly identified as the pond liner which had lifted up to the surface somehow against the weight of water above it. At first it was assumed that perhaps there was air trapped under the liner, and some volunteers donned their diving wet-suits to wade out to the centre to try to move the "air pocket" to the edge, but this became a "pop-up" activity as the bulge refused to go away, and formed in various combinations whatever was tried. This was the period when the loaned rowing boat appeared on "the waves", and attempts to overcome the "whale" were unsuccessful. Initial attempts to weigh down the hump with bits of local rock, merely rendered the "whale" to look like it was covered with skin blemishes. The problem was finally identified as the water table of the Downs was almost at the surface normally, higher than the intended pond level, and rain had caused water to drain into the ground under the liner causing the middle to lift. The centre area was weighted down with larger concrete slabs, which finally evicted the "whale", and, in places, also provided bases for a number of water fountains.
The Established Pool With Fountains
Although they worked impressively for some time, they became difficult to service, costly to run and far from impressive, so, at a later date, the fountain idea was abandoned leaving the pond to naturalise.
The pond has always proven quite popular lunch and break times with people meeting up in the small seating area or on the grassy areas around it. Fish were introduced, and more wildlife began appearing. The plants laid out in garden areas around the pond slowly established making it a pleasant area for breaks or just stretching legs after a session in offices. Today it is a little overgrown in places, but is still a nice place to go on a sunny day.
I worked at Goonhilly Satellite Earth Station from 1974 as an apprentice to 2016 as a level 2 manager when I retired.
Presently GES (Goonhilly Earth Station Ltd) are doing a great deal of work to Aerial 6 in preparation for Deep Space Operations – I would refer you to their Web Site https://www.goonhilly.org/ . It reminds me of when the Aerial was built in the 80's and a couple of tales from that time. In the course of my time at Goonhilly of course there were times when things did not go to plan. Things go wrong, while funny now at the time they were anything but. I have recounted a few such incidents below.
Major outages – it was the purpose of the Station to provide uninterrupted services to its customers via Satellite. Disruptions, can be very expensive. If you were for example to turn off an entire aerial system then the many 1000's of telephone calls that were being carried at that time would be cut off. They produced a chart showing how long it takes before the traffic levels recovered, obviously when the service was re-established those 1000's of people would not instantly go back on line, all having by then hung up.
I was working on an MDF (Main Distribution Frame) in the main control room (OCA). I was soldering wires onto a block. These wires carried control and monitoring information from Goonhilly's Aerial 6 which was a new aerial only recently gone into service; it was and is today the largest antenna on the site. I still remember today the pin numbers 25a and 25b, I placed the wires on the pins and was about to solder them when I got a spark. Now that was not supposed to happen. I checked again, whoops one row out.
I set about wiring them on the correct pins when I get a call, "Robin, your boss is on the phone and wants to talk to you".
"Robin what are you doing" he says.
"Wiring tell-backs for Aerial 6 in the OCA" I say.
"Well stop doing that" he says "you have switched the entire aerial's traffic to load thereby losing the service".
Now I must tell you, in the reception was a board, every month they would amongst other information put the Stations efficiency for the previous month. This board was the most boring titbit of information going, always reporting the Station efficiency as 99.8 or 99.7 or even 99.9. That month it was in the 80's and guess who was responsible?
Not all problems are accidental, sometimes it's the consequences of an action that are not foreseen. I had a clerk of work role in the building of Aerial 6. The Prime Contractor was Marconi but the aerial itself was being built by Mitsubishi. We had a very good relationship with the Japanese subcontractor but differences in culture can take their toll. Well into the build Mitsubishi decided to place their Company flag on the Earth spike at the highest point on the structure.
Now our riggers who were also heavily involved in the build saw this as a bit cheeky, so they pushed the flag to the bottom of the spike and put the Union Jack above it. This must have been sometime late in the day. The next day the Japanese are nowhere to be seen. They are in their site hut and are not coming out. We have no idea what is going on. The Japanese are punctual, things tend to happen when they say they will. The day passes. Apparently, they are in meetings. Late in the afternoon they are ready to start work, most of the day has been lost. Why were they in their office, why have we not been testing, what has been going on? Well, we were on really good terms with the guys doing the work. It was the flag.
GHY 6 Under Construction
The Flags
Moving their flag had caused havoc, meetings resulted in the highest levels in the Mitsubishi Company. So….. well it turns out, that since we did not actually remove their flag and because our flag is a National flag and their flag is a Company one, it was decided that this was OK. I don't think BT was even aware of the incident. To this day I don't believe our management know how close we got to a diplomatic incident, not to mention the potential for disruption to the project.
A rather strange occurrence during the beginning of Goonhilly operations was found on security cameras. Whilst men were going about their normal preparations below in the equipment areas, two men appeared in black suits and dark glasses in the control tower. They spoke to no-one, monitored activity on the antenna, then disappeared without a word. Who were these men in black? Where did they come from? Where did they go to? What was their interest? Perhaps we will never know………
Interlopers in the Tower
Who were these men?
With all the recent talk in the satellite industry of the "new age" of Low Earth Orbit (LEO) constellations in space, it reminded me that we had already "been there, done that" as Telstar I & II were intended to be the first of a constellation of LEO satellites. On 11th July 2002, it was the 40th Anniversary of Goonhilly's beginning, and so it was decided to hold a special open day event commemorating it for employees, their families, and visitors. A lot was planned, and people who had been based at Goonhilly were to be given a special commemorative CD covering many of the different aspects of life and their colleagues there. I, as the volunteer historian, and a number of other colleagues at the time were tasked to compile the information.
Commemorative CD
Goonhilly 1 at Zenith
During the preliminary discussions of the day, I suggested that as we had started operations here tracking the Telstar satellite, it might be an interesting afternoon event on the day to drive Goonhilly 1 along a typical Telstar tracking pass so that everyone could get the feel of how the 870 ton antenna moved with the faster moving low orbit satellites. Bearing in mind that from 1965 onwards, all the antennas were almost stationary normally locked on to geostationary satellites with a maximum elevation angle of about 30 degrees, and the only large excursions were in Azimuth when moving to work a different geostationary satellite region, the then Operations Manager, Alan, was, at the time, reticent to move the structure much higher in elevation as it hadn't been moved that high for many years.
To my surprise on returning from an off-site trip a few days later, I became aware that Goonhilly 1's dish was now pointing skywards to zenith (straight up!), possibly the first time since construction. I made enquiry on arrival, and found that it had been decided to try to perform a Telstar track, providing that the mechanics of the antenna was working to the vertical limit OK. With trepidation, then, the antenna had been carefully driven to the vertical limit without problem, but there was a partially expected side effect which had to be safeguarded against. All personnel were prohibited from being close to the antenna whilst it was being driven – a prudent safety procedure – and as the elevation increased there was a slow rain of empty paint tins, brushes, small bits of hardware, and mislaid tools falling to the surrounding apron, left over from routine maintenance work on the superstructure over the years. Fortunately no lost Antenna Maintenance team (the Riggers) members fell out either!
It reinforced the BT safety requirement that people working around or on the large antennas should always be wearing safety helmets under normal conditions, and should always keep away from the open areas around antennas when major movements were being executed. Having tested the operation a number of times, and with the ceasing of falling items, it was decided to go ahead with the demonstration on the day, with the condition that the surrounding apron was prohibited from public access at all times.
The Author (Right) with a Work Team
The Antenna Steering Team was asked to program a simulation pass, and they successfully convinced the antenna to operate as required. Later on I found out that even following a low orbit satellite at normal speed for a tracking pass the antenna movement was barely perceptible, so the drive speed had been increased to make the operation more impressive for the watching crowd. On the day, the pass was announced and it proved to be very popular with the watchers. In fact, it was so popular, the pass was executed again later in the afternoon, rounding off a very pleasant day.
It might also be of interest that the Telstar I & II satellites, although now inactive, are still orbiting the Earth, and the occasional daily sky track referenced to your own location can be found on the web-site www.heavens-above.com maintained by Chris Peat and hosted by DLR, the German Space Operations administration.
Going back to a time when social distancing had not been heard of, travel was easy and Apollo 50 celebrations were imminent, I found myself driving to a familiar place but somewhere I had not visited in quite a while… Goonhilly.
As head of the Satcoms Innovation Group (SIG) at the time, I was on my way to meet with the people behind the Goonhilly Earth Station Limited (GES) in February 2019. The main reason was to start arranging our 2020 workshop being sponsored by GES for May the following year, however I must confess I was also keen to get back and stand in awe at the impressive site. GES had just become a member and the workshop was to showcase the work we do and the innovative resurgence of activity at Goonhilly. Talk of deep space missions, data centres, and a heady mix of technology, all with space at its heart.
This visit was also to become a new start for our group to engage with students from local schools, something that had been on our agenda for some time with only limited success.
2019 for Goonhilly was also a very special anniversary. July of that year marked the 50th anniversary of the Moon landing, with which Goonhilly played an important part, earning it a special place in history. Of course, its most famous landmark both physically and emotionally for commercial space operation was the antenna system Goonhilly 1, affectionally known as "Arthur" since the 1990's. "Arthur", once the largest satellite dish in the world and named after King Arthur, signalled the dawn of the commercial space age working to Telstar in 1962. Then helped beam images of the 1969 Moon landing to millions of homes around the world. This antenna was the grandfather of everything 'antenna' we take for granted today in space communications.
IEEE Plaque
Just to note, the great grandfather of parabolic dish antennas was of course the Lovell Telescope at Jodrell Bank in the UK, used for radio astronomy. But that is another story of how Arthur was conceived 😊
My passion for space started back in 1978 when I was being trained in operations at Madley Earth Station. It was brought into service in the September of that year by The GPO (what is known as British Telecom (BT) these days). For me, it was amazing to revisit an iconic site that first captured my interest at the very beginning of my career. Amazing weather certainly made it even better. My time at BT saw me working with a great team of people until I left in the early nineties. They were truly at the cutting edge of satellite operations and technology.
And what is best about all of this?
Some members of that team are still at it but now keeping the historical record of the site and its technology alive and well. They are the Goonhilly Heritage Society (GHS) and I had been given a special invitation to present to the group at their weekly Thursday afternoon meeting.
The day just got better…
With meetings done and the beginnings of a workshop in place and, to my surprise, a formal invite to the July Apollo 50 celebrations as well as working on a "Dragons Den" team event for local schools it was time to visit GHS!
First, what a welcome.
Second, wow, talk about stepping back in time from what I saw of GES's plans to then see working examples of equipment that I used to work with many years ago and all that enthusiasm needed to make the society viable with the commercial pressure around them. Remember, Goonhilly is not just GES, it still has a BT presence, mainly for the fibre head-end of a major international sub-sea cable and of course, it is also home to Avanti's satellite operations.
Having spent a great afternoon with the group, that generated so many stories past and present. From how they helped rescue the site from total demolition, the historic archive of information and equipment associated with Goonhilly and its Microwave Workbench (pictured) and education programmes including Star and satellite trekking activities. We also discussed working on a mentoring syllabus for GES staff and their plans for the Apollo 50 event.
The Microwave Workbench
To conclude, I now help-out where I can with the GHS team. It is now an academic member of SIG and has helped with my work with my local school here in Shaftesbury.
With COVID-19 causing its chaos we decided that if we can't have visitors then we must get the stories out. This article is the start of a series of stories all based around Goonhilly's history and future.
The team look forward to bringing you more "Tales from the Dishes" over the coming months that will hopefully be educational and interesting but with a view to everyone having a light-hearted read about our satellite industry to get a sense of the real history behind the technology.


We are currently getting ready for TART 2018 this coming weekend, and would love to add to our committee and volunteers for next year's tournament!
It's no small feat putting a tournament together. And we couldn't do it without each and every committee member, volunteer and sponsor!
We are currently looking for NEW committee members! We have once a month meetings, and the work involved is dependent upon position. Sometimes positions can be shared (such as tournament directors).
So if you'd like to become a full-fledged committee member or just a helpful volunteer here and there…whether you can give a lot or a little time, we would appreciate any help. Please reach out to us here!
Previous Post: Onsite Registration Begins at 5pm Friday!


In World War I (1914-1918) Italy joined forces with the allies, Britain and France, but victory was costly in lives and money. Rising Communist power spawned a counter movement from the right wing. A spellbinding orator called Benito Mussolini emerged with a black-shirted Fascist movement. When, in 1922, Italian Socialists/ Communists threatened a general strike, the Fascists used it as a pretext to seize control of transport, communications and all essential services. Within three years Mussolini had short-circuited parliamentary democracy and assumed dictatorial powers.
Mussolini was born in 1883 and was a restless, disobedient child who grew up a bully (he was expelled from school for stabbing a fellow student). In his youth he supported Socialist causes, then did a complete turnaround, and was expelled by the Socialist party.
During World War I he enlisted in the army, was wounded and returned to journalism, but this time as a right-wing rabble-rouser. His fiery speeches captivated peasants, discontented-socialists, veterans and the unemployed. After a march on Rome led by Mussolini in 1922, King Emmanuel III, thoroughly intimidated, appointed him Premier. He was only 39 years old.
Fascists demanded military order, national pride and often prejudice against other races. Facism became popular in the 1930's because it seemed to be a way out of the economic decline and the Great Depression.
Adolph Hitler brought fascism to Germany in 1933, then Spain, Portugal, Austria, the Balkan States and South America followed. It was a prelude to the greatest war in world history.
In 1935, to expand Italy's colonies in Africa, he cruelly used poison gas in his invasion of Ethiopia, but the world turned away from the appeals of the Ethiopian leader Haile Selassie.
Mussolini imagined himself an equal partner of Adolph Hitler, but finished up as Hitler's puppet. As World War II broke out in 1939 Italy attacked towns on the French Riviera but were turned back. Then Italy's forces in Africa were defeated by the British. The ineptitude of Mussolini's army was clear, when the attempt to invade Greece ended with Italian troops in full retreat. Although Italian forces later fought bravely at El Alamein, Hitler lost patience with his Italian partner and started taking control of Italy to defend it from the threat of British and American invasion.
With the military situation crumbling, Mussolini's enemies began plotting his removal from power and in July 1943 he was taken by his own people and placed under house arrest. Fascism in Italy was essentially dead.
The only person to whom Mussolini was now useful was Hitler, who needed to keep Italy on his side. The Italians realized this and in order to avoid Mussolini being rescued by pursuing Germans, they hid him in a hotel high in the mountains.
On September 8 1943, the new Italian Government surrendered to the Allies, reversed alliances and declared war against Germany. The Germans reacted by occupying Rome.
Hitler then appointed Otto Skorzeny as commander of a special commando unit to find Mussolini and bring him to Germany. Through German agents, Skorzeny found out where he was. But getting undetected to a hotel on the peak of a mountain, reachable only by cable car, and guarded by 250 Italian Police, was another matter altogether.
On September 12, 1943, German planes towed twelve gliders over the mountains and released them to circle down towards the tiny clearing next to the hotel. Eight commando-carrying gliders landed successfully, plus a light Storch airplane. With a gun pressed into his back the Germans forced a captured Italian general to approach the hotel, calling the guards not to shoot. Mussolini watching from his second floor window, also shouted for no shooting. The police gave up easily and Skorzeny rushed to Mussolini's room. At first the German was not sure he had the right man. Mussolini was unshaven and looked old and ill. Humiliated at having to be rescued by Germans, not Italians, Mussolini was a first reluctant to leave but finally agreed.
Skorzeny, a big man crowded into the tiny plane with Mussolini. With its engine screaming the overloaded plane bounced over the rough ground, dipped its nose as if to plunge down the mountain then gradually steadied clearing the next mountain peak by a few yards.
Back in Germany, Hitler persuaded Mussolini to set up a new government in northern Italy to restore Italian fascism. Mussolini made an attempt to rally the support he had once been able to command, and executed some of those who had betrayed him, including his son-in-law, Ciano.
But with the Allies bombing German positions in Italy, and normally easygoing Italians, sick and tired of grand nationalistic speeches, Mussolini's time had run out.
He attempted to retreat towards Lake Como but now armed Italian partisans, mainly Socialists, were hiding in the mountains waiting to ambush German efforts. Mussolini and his mistress were captured and shot.
On April 29, 1944, his body was taken to Milan where it was hung upside-down from a girder. All through the day, people jeered and spat at the now hated body.
With the Allies' victory in 1945, Italy started anew. The Royal Family was voted out, and went into exile. A new constitution was adopted and Italy was back in the democratic mainstream.
Without it's expensive colonies, and free from the ravages of war, Italy has emerged as an economic power in Europe.
Despite a volatile parliamentary system and constant changes in government, Italy is once again an optimistic, confident country and a respected member of the world community.


text:
Posted by: Andrew Rogers
Andrew is a staff writer at the "The Hudsucker". He is a 30 year old lawyer living in Ottawa. Besides legal jargon, his brain capacity is taken up by reality show trivia, video game walk-throughs and room escape strategies. Andrew is also happily in a long-term, long-distance relationship. Follow him on Twitter as @sublymonal.
Posted in: Film & Television, Music, Television
You are here: Home » American Idol XV: Auditions Come to a Close
American Idol XV: Auditions Come to a Close
Another chapter has closed in the final book of the American Idol series. Or should I say the "farewell" book? During the Television Critic's Association Press Tour last Friday, Seacrest, Lopez and Urban all corrected themselves after calling the show's 15th season it's "final" season. Whether that means the show will return down the road or in a different form remains to be seen, but according to some sources it could be because the series ratings have remained steady over last season rather than dropping, as other shows have seen this year.
Either way, the farewell season chugs on as the judges continue to look for "the bookend to Kelly Clarkson." Even after three weeks of auditions, many questions remain. How will the judges narrow down all the talent we've seen to just 24 contestants? Will the good auditions we've seen translate to even better performances down the road? Is our winner a young 15-year-old or an older, more experienced contestant like last season's winner? Are they male or female? Do they sing country, pop, rock, or soul? But that's what Idol is all about: variety. And so, I've listed a handful of the best talent we saw this week that might just have a shot at that title…
Wednesday's show:
Talented pianist Jenna Renea delivered one of Wednesday night's best auditions. [Credit: FOX Entertainment]
Amelia Eisenhauer, "Many Rivers to Cross" (Annie Lennox) – This redhead came armed with a violin, but the most impressive part of her was her voice which grazed the low notes like a manta ray along the bottom of an ocean. Definitely has potential at 15.
Mackenzie Bourg, Medley of the Songs by the Judges – Another voice alumni rears his head and makes some smart song choices while channeling his endearing geek-chic side reminiscent of Season 8 winner Kris Allen. The question is whether America is still buying that particular fashion seven seasons later.
Jenna Renae, "She Don't Love You" (Eric Paisley) – Perhaps less memorable than other contestants we saw, but not for lack of trying. She brought emotional depth in spades and the sweet voice to match. She might be under the radar, but her winsome personality coupled with her talent might do it for her.
Emily Brooke, "Careless" (RaeLynn) – Returnee shows she's learned something with better vocal decisions and an ease about her that made it impossible for the judges to deny her another go-around in Hollywood… and maybe she'll finish the job this time.
Adam Lasher, "Knocking on Heaven's Door" (Bob Dylan) – Another comeback story. Lasher's new look is more marketable, for sure, but his rejig of a classic tune was less-than-impressive. Leave the melody alone and let your vocals speak for themselves next time.
Thursday's show:
Manny Torres, "This Love" (Maroon 5) – Idol's final audition didn't disappoint. As if in response to the judges critiques about "affected tones," Manny restrained his affect and otherwise let his unique funk infuse a well-known pop song.
Avalon Young, "XO" (Beyoncé) – Tomboy Avalon has, as Harry said, something unique about her. She owned up to it in her audition, turning a Beyoncé jam into a softer acoustic tune, but can she maintain her persona under the bright lights of Hollywood?
Jessica Cabral, "Brand New Me" (Alicia Keys) – Green-painted-faced lead singer has talent, for sure, but the judges pointed out a dilemma unique to her: how will she balance her "band" persona with the girl we saw in the second half of her audition, who showed she doesn't need a band behind her?
Stephany Negrete, "Who's Lovin' You" (The Jackson 5) – J Lo hit it on the mark for me: Stephany is pretty, no doubt, but her entire audition felt so stiff and rehearsed that it took away from her otherwise pretty voice. She needs to ditch the heels and the over thinking in Hollywood week and really bring a rough-and-ready performance to prove her worth.
Caroline Byrne, "Unaware" (Allen Stone) – Quirky Emma Stone-esque redheaded nanny with a surprisingly good voice. I particularly liked the finish on her audition where she flexed her vocal muscles and show that she's got the range to compliment her smart vocal decisions.
It's hard to believe that now we've seen everything there is to see. Somewhere in the grab bag of contestants we saw over the past three weeks is the person who will cap it all off with a victory under a shower of confetti, but who?
Idol 12's talented top three from left to right: Candice Glover, Angie Miller and Kree Harrison. [Credit: FOX Entertainment]
Back in Season 12, that person was South Carolina native Candice Glover. Season 12 began with a tension in the air: A girl hadn't won since Jordin Sparks triumphed back in Season 6 and, although the past five seasons had their share of successful winners and non-winners, the producers felt it was time for a girl to win. So they rejigged the format, added two talented but controversial judges to the panel (Mariah and Nicki, anyone?) and stacked the deck and, sure enough, we ended up with five talented women at the end of it all. The question is, why did the whole thing feel so unsatisfying even with a talented trifecta of women: Candice and her cohorts Kree Harrison and Angie Miller, in the Top 3? Hard to say, but perhaps it's because Idol is always at its best when the eliminations feel organic rather than targeted to meet a particular agenda.
Since her win, Candice released her surprisingly infectious album "Music Speaks" that feels current while still borrowing from Candice's classic Mary J. and Mariah influences. Candice has also posted on twitter that she's currently working on a second album and honing her acting chops on stage in Paul D Hannah's "The Love Shack" in LA on February 20th and 21st. Runner-up and Texas native Kree Harrison has been fairly mum on her first record, but back in December posted a picture of her famous friend Kacey Musgraves recording background vocals for the album. After Boston-native Angie Miller took home third place, she set to work on her EP, "Weathered," which borrows from fellow Idol alum Colton Dixon's catchy Christian-rock style. Definitely worth a listen. 5th place contestant Janelle Arthur, who delivered a heartfelt rendition of "You Keep Me Hangin' On" during the season, also released a self-titled EP back in November 2015. It seems the talented ladies of Season 12 have been keeping themselves busy since the season wrapped up back in 2013.
Next week, Idol's dramatic Hollywood week begins and we see whether the talent that made it past the auditions will sink or swim. I'll be back next Friday morning with a recap of Wednesday and Thursday nights' shows.
Until then, let me know in the comments who your favorite auditioners were from this week or the past three weeks and what you think about the possibility that Idol might not be gone for good…
Tags: american idol, featured, harry connick jr., jennifer lopez, jlo, keith urban, reality tv, TV
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34-year-old wunderkind chef Ryan Hardy, a southwest finalist for the 2008 James Beard Awards, lists his olive oils on the menu like wine, and cooks up his delicacies with produce and meat—for instance a juicy lamb sausage with rapini and mustard—from his own nearby organic farm. The dinner menu changes nightly (rather than twice a year, as before), house-cured salumi is a standard, and pastas made with Hardy's own farm-raised eggs approach transcendence. Even the wine list is superb. Gems such as Napa's 1991 Dominus ($375) cost less than elsewhere and are worth the indulgence.


"The Iowa Homemaker vol.4, no.11" by Alice Ericson, Julia B. Whiteside et al.
Ericson, Alice; Whiteside, Julia B.; Duffey, Avis; Westrom, Anne; Herbst, Adele; Forbes, Florence; and Crain, Agnes (1924) "The Iowa Homemaker vol.4, no.11," The Iowa Homemaker: Vol. 4 : No. 11 , Article 1.


text:
Alfredo Massüe (* 19. September 1860 in Paris, Frankreich; † 17. Dezember 1923 in Barcelona, Spanien) war ein französisch-katalanischer Architekt.

Massüe war stilistisch zunächst der Beaux-Arts-Architektur verbunden und wandte sich seit der Jahrhundertwende verstärkt dem Jugendstil zu. Zwischen 1889 und 1914 wirkte er vor allem in Buenos Aires. Dort schuf er unter anderem gegenüber der Plaza Lavalle den Palacio Costaguta sowie das Edificio Molinuevo an der Kreuzung der Avenida Corrientes und der Calle Pasco. Als sein bedeutendstes Werk wird das Mirador Massue angesehen. Zu seinen Bauten in Montevideo zählen der Palacio Uriarte de Heber und das Casa del Fauno.

Einzelnachweise

Architekt (Frankreich)
Architekt (Katalonien)
Franzose
Geboren 1860
Gestorben 1923
Mann

redpajama_set_name: RedPajamaWikipedia


text:
Gran Turismo 5 Prologue
PlayerOne Games, Playstation 3, Racing Gran, prologue, PS3 Racing Games, Turismo
The award-winning Gran Turismo franchise returns with its 5th installment, Gran Turismo 5 Prologue, exclusively for PlayStation 3. With its signature realism and unrivaled physics, this highly anticipated precursor to Gran Turismo 5 continues to blur the line between simulation and reality.
"Prologue" is defined as an introductory or preceding event or development, and true to every letter, Gran Turismo 5: Prologue treats both long-time fans of the Gran Turismo franchise as well as those coming to it new, with a generous sampling of what they can expect to see in Gran Turismo 5 later in the year and further releases on the PS3.
The new direction of Grand Turismo
Take your ride online for the first time.
View larger.
Race across six international tracks.
Customize your ride in the garage.
Developed By the Best
Polyphony Digital is the developer of the Gran Turismo franchise, led by creator Kazunori Yamauchi. Polyphony Digital is known for pushing the limits of the PlayStation hardware, and with its realistic graphics and physics, Gran Turismo 5: Prologue is no different. In addition to receiving CAD data from the auto manufacturers, they have taken thousands of photos to model each car (and track). As an example of the level of detail, a car in Gran Turismo 4 has the same number of polygons as a headlight in Gran Turismo 5: Prologue.
Race more than 60 meticulously detailed cars from worldwide manufacturers, including Ferrari, BMW, and Nissan in stunning 1080p at 60 frames per second.
Each car features an all-new interior dash view with driver animations and gauges that track vehicle performance in real-time.
In addition to racing with up to 16 players online, it features Gran Turismo TV, a new dedicated online channel that delivers motorsport and automotive content from around the globe.
Get a jump on the competition. You can transfer your Gran Turismo 5 Prologue progress to Gran Turismo 5 when it releases.
If you're looking for the most recommended PS3 Racing Games, then this product is a great option. Many good reviews have already proved the quality of this product.


text:
Copper Mountain crew assists with Rangley wildfire
Crime and Public Safety | June 20, 2013
Joe Moylan
jmoylan@summitdaily.com
Firefighters with Copper Mountain Fire Department were deployed early Thursday morning to an 850-acre wildfire burning on public land in Rio Blanco County.
Responders include five members of CMFD and the department's Type 6 wildfire engine. A Type 6 engine features four-wheel drive, a water tank and a pumper, making it an ideal truck to fight wildfires, which often spark in rugged terrain, said Dan Moroz, public information officer for the fire department.
The practice of assisting other agencies is common in Colorado, Moroz said.
"We responded in an assistance capacity," Moroz said. "We not only go to help with the fire, but also to receive valuable training and we hope these folks will come help us when a fire ignites in Summit County."
The Wild Rose fire is burning on Bureau of Land Management property near Texas Mountain in southwest Rio Blanco County outside of Rangely. The fire stands at 850 acres with no containment.
Lynn Barclay, PIO for the Northwest Colorado Fire Management Unit in Craig, said three Type 1 fire crews are on the scene and working to develop an anchor point from which to begin fighting the fire.
Firefighting efforts have been slowed due to several factors, Barclay said, including limited access to water, rugged terrain and spotting of up to one mile ahead of the fire. Spotting is a term used to describe hot embers that are blown great distances by the wind.
Spotted embers have been known to ignite additional wildfires as far as two miles away from the host fire.
Air resources have twice been called to drop fire retardant, but were grounded on both occasions due to high winds in the area, Barclay said. Air resources were expected to make another effort Thursday afternoon.
The Rocky Mountain Incident Management Team, a Type 2 incident command crew, also was en route to the fire Thursday afternoon. They are expected to assume command of firefighting efforts this morning.
No injuries, fatalities or property damage were reported Thursday, but the fire is threatening a youth camp and oil and natural gas facilities about a mile from the fire.
Employees of Encana Corp., a natural gas producer based in Calgary, Alberta, Canada, were safely evacuated from the area, as were an undisclosed number of children and adults from the nearby youth camp.
The Wild Rose fire is believed to be a holdover fire, also known as a sleeper fire, and may have been caused by a lightning strike several days ago, Barclay said. The fire was first reported at about 1:45 p.m. Wednesday.
Man injured in 2016 Summit County police shooting pleads guilty to assault
Woman accused in fatal Colorado Highway 9 crash pleads not guilty; trial date set for June
Silverthorne pushes CDOT to act on Exit 205 bottleneck, looks for temporary traffic relief
Colorado child abuse hotline has taken more than 1 million calls in first 5 years
Anatomy of a DUI: What happens when you get pulled over?
Do you think Dillon should accept a long-term partnership with the Ice Castles?


Let's get the circus going for you!
Do you need communication tools as sharp as the knives of a knife-thrower? Throw us your question and let the drum roll begin. We make sure our creativity and know-how help you reach your goals.


It's so fun to photograph families as they grow. I was lucky enough to photograph this couple's wedding, and now they have an adorable little boy. He has the cutest expressions. Seriously. So cute. And so smiley.


Freezing firm or extra-firm tofu gives it a chewy, even meaty consistency and turns it into a marinade-loving sponge. Some people love the texture, some people don't, so try it once before you load up your freezer with a dozen packages of tofu.
Place the unopened package in the freezer for at least 24 hours (and up to several months).
The day before you plan to eat it, remove the package from the freezer, place it in a shallow bowl in the refrigerator, and let it thaw overnight.
Open the package and drain, then either squeeze out as much liquid as you can, or – preferably – press the tofu.
Marinate or follow your recipe's directions.
You don't always have to freeze tofu that you plan to marinate; I find that for many recipes, including baked tofu, pressed tofu absorbs marinade just fine.
If you have a block of tofu that is nearing its "best before" date but aren't ready to use it, or there's a great sale and you find yourself with more tofu than you can eat in a reasonable amount of time, freezing is a great option to save it for later.


text:
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		#nav #h-wrap.active {-moz-border-radius: 9px; -webkit-border-radius: 9px; border-radius: 9px;}
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		#nav #h-wrap.active .inner {-moz-border-radius: 6px; -webkit-border-radius: 6px; border-radius: 6px;}
		#nav #h-wrap .h-ico {background: 0 50% no-repeat;}
		#nav #h-wrap .h-ico span {display: block; padding-left: 50px;}
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--------------------------------------*/

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.msg-warn {border-color: #d7e059; background: #f3f7aa url("/images/themes/msg-warn.png") repeat-x; color: #6c6600;}
.msg-info {border-color: #9fd1f5; background: #c3e6ff url("/images/themes/msg-info.png") repeat-x; color: #005898;}
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.msg-error p {background: url("/images/themes/led-ico/cross_octagon.png") 0 50% no-repeat;}
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.msg-info p {background: url("/images/themes/led-ico/exclamation.png") 0 50% no-repeat;}
.error {color: #b70b0b;}
/* forms */
form {padding: 18px;}
form.plain {padding: 0;} /* plain forms - used in tabular and grid data structures, TAKE CARE of it, please */
form.plain fieldset {border: 0 !important; padding: 0 !important;}
form.basic dl {width: 100%; overflow: hidden;} /* basic layout for forms */
form.basic dl dt,
form.basic dl dd {float: left;}
form.basic dl dt {padding: 3px 5px 3px 0; width: 20%;}
form.basic dl dd {padding: 3px 0 3px 5px; width: 76%;}

label { margin-right: 4px }

label.check,
label.radio {margin-right: 5px;}
form small {color: #999;}
input.txt,
textarea {
	border-radius: 5px; -webkit-border-radius: 5px; -moz-border-radius: 5px;
	border: 1px solid #999; background: url("/images/themes/txt.gif") repeat-x; padding: 5px 2px;
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form.fields fieldset {
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form.fields label,
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form.fields label.check,
form.fields label.radio {display: inline; margin-top: 0;}
form.fields span.loading {margin-left: 10px;}
/* lists for actions (remove, modify) */
ul.actions {margin: 0;}
ul.actions li {display: inline; margin-right: 5px;}

/* content boxes */
.box {float: left; width: 960px; margin: 0 20px 20px 0;}
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	.box-50 {width: 470px;} /* 50% box */
	.box-75 {width: 715px;} /* 75% box */
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		background: #3d3d3d url("/images/themes/headerbox.png") repeat-x;
		border-top: 1px solid #444;
		border-radius: 5px 5px 0 0;
	   -moz-border-radius-topleft: 5px;
	   -moz-border-radius-topright: 5px;
	   -webkit-border-top-left-radius: 5px;
	   -webkit-border-top-right-radius: 5px;
		position: relative; margin: -1px -1px 0 -1px; padding: 7px 0 9px 20px;
	}
	.altbox .header {border-top-color: #60912b; background: #61922b url("/images/themes/green/altheaderbox.png") repeat-x;}
	.box .header h3 {position: relative; top: 2px; display: inline; font-size: 150%; color: #fff; text-shadow: #151515 0 1px 0;}
	.altbox .header h3 {text-shadow: #2c5500 0 1px 0;}
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	   -moz-border-radius-topright: 5px;
	   -webkit-border-top-left-radius: 5px;
	   -webkit-border-top-right-radius: 5px;
		background: #777; border: 0; float: left; margin: 0 0 0 5px; padding: 8px 13px 6px; color: #fff;
	}
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	.box .header ul a:hover,
	.box .header ul a:focus,
	.box .header ul a:active {background: #fff url("/images/themes/headertab.png") repeat-x; color: #444;}
	.altbox .header ul a {background-color: #a0d04a;}
	.altbox .header ul a.active,
	.altbox .header ul a:hover,
	.altbox .header ul a:focus,
	.altbox .header ul a:active {background: #fff url("/images/themes/green/altheadertab.png") repeat-x; color: #386b00;}
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	.box .content table th,
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	.box .content table th {text-align: left; font-weight: normal;}
	.box .content table tr.even th,
	.box .content table tr.even td {background: #f5f5f5;}
	.altbox .content table tr.even th,
	.altbox .content table tr.even td {background: #f2fae3;}
	.box .content table th.first,
	.box .content table td.first {padding-left: 20px;}
	.box .content table thead th,
	.box .content table thead td {border-left: 1px solid #f2f2f2; border-right: 1px solid #d5d5d5; background: #ddd url("/images/themes/thead.gif") repeat-x; text-shadow: #fff 0 1px 0;}
	.box .content table tbody tr.first th,
	.box .content table tbody tr.first td {border-top: 1px solid #bbb;}
	.altbox .content table tbody {color: #2b5200;}
	.box .content table a.ico-comms {border: 0; background: url("/images/themes/green/ico-tablecomms.gif") 50% 60% no-repeat; padding: 10px; color: #fff;}
	.box .content table tfoot th,
	.box .content table tfoot td {border-top: 1px solid #ccc; background: #fff url("/images/themes/tfoot.gif") repeat-x;}
	/* boxes' content types – simple list */
	.box .content ul.simple li {clear: both; padding: 10px 20px 8px 20px; overflow: hidden;}
	.box .content table tr.even th,
	.box .content ul.simple li.even {background: #f5f5f5;}
	.altbox .content table tr.even th,
	.altbox .content ul.simple li.even {background: #f2fae3;}
	.box .content ul.simple strong {float: left; font-weight: normal;}
	.box .content ul.simple span {float: right;}
	/* boxes' content types – grid */
	.box .content .grid {}
	.box .content .grid .line {border-bottom: 1px solid #ddd; width: 100%; overflow: hidden;}
	.altbox .content .grid .line {border-bottom-color: #cfe1ad;}
	.box .content .grid .even {background: #f5f5f5;}
	.altbox .content .grid .even {background: #f2fae3;}
	.box .content .grid .item {float: left; width: 50%;}
	.box .content .grid .item .inner {padding: 17px 15px 12px 20px;}
	.box .content .grid .firstline {border-top: 0 !important;}
	.box .content .grid .lastline {border-bottom: 0 !important;}
	.box .content .grid .item a.thumb {border: 0; float: left;}
	.box .content .grid .item .data {margin-left: 165px;}
	.box .content .grid .item h4 {margin: 0 0 10px 0; font-size: 110%; font-weight: bold;}
	.box .content .grid .item h4 span {margin-right: 5px; font-weight: normal; font-size: 90%;}
	.box .content .grid .item p {margin: 0 0 5px 0; color: #666;}
	.box .content .grid ul.actions {margin-top: 8px;}
	/* boxes' pagination */
	.pagination {border-top: 1px solid #999; background: #fff url("/images/themes/pagination.gif") repeat-x; text-align: center; color: #333 !important;}
	.pagination ul {position: relative; top: -1px; padding: 12px 10px 6px;}
	.pagination ul li {display: inline;}
	.pagination a {
		border: 0; background: #ebebeb url("/images/themes/pagination-item.gif") repeat-x; margin: 0 5px; padding: 6px 10px; color: #333 !important;
		border-radius: 3px;
	   -moz-border-radius: 3px;
	   -webkit-border-radius: 5px;
	}
	.pagination a:hover,
	.pagination a:active,
	.pagination a:focus {color: #59aa00 !important;}
	.pagination strong {background: url("/images/themes/pagination-arrow.gif") 50% 0 no-repeat; padding: 15px 10px 8px;}
	/* calendar */
	table.calendar {width: 100%;}
	table.calendar thead {zoom: 1;}
	table.calendar thead tr {zoom: 1;}
	table.calendar thead th.month {border-bottom: 1px solid #bbb; font-weight: bold; font-size: 120%; zoom: 1;}
	table.calendar thead th.month a {border: none; position: relative; top: 5px; margin: 0 10px; zoom: 1;}
	table.calendar tbody td,
	table.calendar tbody th {border: 1px solid #ddd; border-top-color: #fff; border-left-color: #fff;}
	table.calendar strong {font-size: 140%;}
	table.calendar .inactive {color: #aaa;}
	table.calendar div.items a {border: 0; margin: 0 1px;}

/* login page */
#login {background: #222; padding: 100px;}
#login .box {float: none; margin: 0 auto;}
#login .boxin {box-shadow: #111 0 0 10px; -webkit-box-shadow: #111 0 0 10px; -moz-box-shadow: #111 0 0 10px; border: 0;}
#login .header {padding-top: 20px; padding-bottom: 15px; margin: 0;}
#login table {width: 75%; margin: 0 auto;}
#login th,
#login td {padding: 0 0 5px 0;}
#login th {width: 60px;}
#login td.proceed {padding-right: 0;}
#login td.proceed input {margin: 0;}
#login input.txt {width: 260px;}

.timeitem { width: 50px; }
.timeitem p { border: 1px solid #999; background-color: #FDFDFD; width: 50px; height: 18px; text-align: right; padding-right: 4px;}

form.simple { padding: 0; margin: 0; }

div.fields fieldset {
	border-radius: 5px; -webkit-border-radius: 5px; -moz-border-radius: 5px;
	border: 1px solid #ccc; margin-bottom: 15px; padding: 10px 15px 15px 15px;
}

td.itemtype {
    width: 80px;
    padding: 2px 4px 2px 2px !important;
}

td.slim {
    padding: 2px 4px 2px 2px !important;
}

.timelog-edit tr { height: 26px; }
.timelog-edit td { vertical-align: top; }
.timelog-edit th { padding-right: 10px; font-weight: bold; }
.timelog-edit { margin-top: 10px; }

#edit-modal-form fieldset { padding:0; border:0; }
#edit-modal-form form { padding: 0;}
#edit-modal-form #form-amount { width: 70px }
#edit-modal-form #form-type { width: 180px }

redpajama_set_name: RedPajamaGithub


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This Will End in Tears is the first ever and definitive guide to melancholy music. Author Adam Brent Houghtaling leads music fans across genres, beyond the enclaves of emo and mope-rock, and through time to celebrate the albums and artists that make up the miserabilist landscape. In essence a book about the saddest songs ever sung, This Will End in Tears is an encyclopedic guide to the masters of melancholy—from Robert Johnson to Radiohead, from Edith Piaf to Joy Division, from Patsy Cline to The Cure—an insightful, exceedingly engaging exploration into why sad songs make us so happy.