text:
resourceone.info Biography Pretty Little Liars Book 2 Flawless Pdf
PRETTY LITTLE LIARS BOOK 2 FLAWLESS PDF
Flawless · Read more Pretty Little Liars #2: Flawless a pretty little liars novel SARA SHEPARD For MDS and RNS An eye for an eye and the whole world. Downloads PDF Flawless (Pretty Little Liars, Book 2) (TV Tie-In), PDF Downloads Flawless (Pretty Little Liars, Book 2) (TV Tie-In), Downloads. Editorial Reviews. From the Back Cover. Four pretty little liars have been very bad girls. Part of the Pretty Little Liars: Books 1 to 4.
Author: ERASMO CLUGSTON
Language: English, Spanish, Portuguese
Uploaded by: AMANDA
Pretty Little Liars #2. Flawless. Foro Purple Rose. Foro Purple Rose. P agin a. 3. "Flawless Consulting is not just a practical, useful, and inviting book for. Word Buy and download the Pretty Little Liars #2: Flawless Study Guide PDF The following version of this book was used to create the guide: Shepard, Sara. Ali's Pretty Little Lies (#) Pretty Little Liars (#1) Flawless (#2) Perfect (#3) Unbelievable (#4) Pretty Little Secrets (#) Wicked (#5) Killer (#6).
He was sent to boarding school, and Jenna went to a school for the blind. The girls decided to go to a park and talk things over in private. On the way over, Spencer felt guilty because she knew more than the other girls. The night of the fire, she had seen Toby confronting Alison because he had seen her light the firework.
Also read: LITTLE RED RIDING HOOD BOOK
Alison had blackmailed him into taking the blame by threatening to reveal seeing something he had done to Jenna. At the park, the girls decided to keep in contact about A, but at the end of the chapter they all left, and Spencer got a text from A about keeping her information about Toby a secret from her friends. Hanna left the park with her best friend, Mona, and the girls talked about Foxy, the biggest charity ball in Rosewood.
She went home and found her father, who she had not seen in years, waiting for her. He was there because she had been getting in trouble and her mother had called him. Emily went to the Gray Horse Inn where Maya was staying. Last week, the two girls had kissed, but Emily was frightened of her feelings and did not want to admit to being gay.
Buy for others
She went upstairs with Maya, and the girls kissed again, but then Emily got a threatening text from A and she ran away, telling Maya they could only be friends. Aria went home and discovered her parents were in a fight.
Aria knew that her father had had an affair when she was in sixth grade. Aria and her brother Mike went out together and snuck into a bar.
They had fun, until they spotted their father with his old mistress, Meredith, on a date. Spencer had kissed him last week, and her family had found out about it and emotionally disowned her. Spencer ignored the message and went downstairs to try and apologize again to her sister, Melissa, but it was helpless. She tried to call Sean, but he would not answer her. While cleaning the rooms, she found some prescription pills in a cabinet and stole them.
Emily went to swim practice and tried to quit the team, but her coach made her captain and she decided to stay. Her ex-boyfriend Ben, who caught her kissing Maya the week before, attacked Emily in the locker room. Toby, who was swimming for a rival team, chased Ben off.
Aria drove her brother to lacrosse practice, and on her way home her car broke down. She started having a panic attack, but then Sean showed up and gave her a ride. Hanna could not get ahold of Sean, so she went to the abstinence club he was a member of and talked to him there. They got along well, and she asked him to save her a dance at Foxy.
Emily ran into Toby and fell off her bike, then fainted from the blood. Toby carried her to his car and gave her a ride home, and Emily started to suspect that she might have feelings for him.
Emily kissed Toby at their swim meet, and liked it. She decided to ask him to Foxy. As she arrives at boot camp, she discovers Vince and Dinah kissing, revealing that Dinah only pretended to be friends with Hanna to have Hanna let down her guard.
Hanna flees the scene, devastated, and is confronted by Kate, who, after receiving a tip-off, followed Hanna around, taking unflattering photos of her at boot camp, which she threatens to put on Facebook. Hanna counterattacks by showing Kate the pictures of her and Santa, causing Kate to back off.
Some of what Dinah said may be true such as she knew Alison. But it is likely she made most of it up to get Hanna's trust.
Pretty Little Liars (Book)
Aria: Aria goes with her father and Mike to Bear Claw Resort, but leaves to go back home after finding out that Byron invited Meredith along as well. Upon arriving at home, Aria's surprised to see Halbjorn, an old boyfriend of hers from Iceland. Halbjorn tells her that he's running from the Icelandic police who're after him because he protested against the demolition of a puffin sanctuary.
Unfortunately, his travel visa only lasts for a week. Aria proposes the idea of marrying him, and the two head off to Atlantic City to elope.
List Chapter or Page:
At the hotel, they attend a magic show involving two panthers, which greatly angers Halbjorn, who cares a lot about the environment. After getting married the following day, which requires Aria to forge her mother's signature and lie about her age, they go to the place where the panthers are kept. After convincing Halbjorn not to release the panthers, they go back to the hotel. The next morning, Aria wakes up to find Halbjorn gone and his clothes missing as well.
On the lobby's TV, Aria sees that Halbjorn ended up releasing the panthers anyway.
Aria goes to the courthouse and confesses to lying about her age and forging her mother's signature, making the marriage null and void. Upon returning to Rosewood, she is joined by Mike and Byron, who know nothing about her marriage. As they watch TV, it shows that Halbjorn has been caught, and it also reveals that he's done these sorts of things in the past, including trying to blow up a demolition office. Aria's satisfied with breaking up with him, but is paranoid about someone following her.
In Wicked, it's briefly stated that Aria and Meredith did converse about the baby. The book ends with a sign-off from the new "A," as always who says that the Liars' lives are going to get a lot worse.
All of which comes trueEnglish ISBN: In the end, they all have a fun vacation, but Spencer worries that someone has been following her. Alison insisted that they ought to get revenge, and the other girls reluctantly agreed. The Lying Game.
Related Post: SPONGEBOB LITTLE YELLOW BOOK
Hanna arrived and confronted Aria and Sean, and then ran into the bathroom to throw up.
LITTLE BLACK BOOK OF PROJECT MANAGEMENT PDF
THE LITTLE BROWN HANDBOOK 11TH EDITION PDF
BIG FAT LIAR BOOK
THE MACHINE THAT CHANGED THE WORLD EPUB
FINGERPRINT TREE GUEST BOOK
ALL EPF FORMS PDF
ATLAS MRAKU PDF
MANUALUL ELECTRICIANULUI PDF
WORDPRESS BANGLA PDF
OS REINOS DO CAOS EPUB
THE 5 LOVE LANGUAGES GARY CHAPMAN PDF
TAMIL ENGLISH BIBLE PDF
IL SIMPOSIO DI PLATONE PDF
PHP ARCHITECT MAGAZINE PDF
API 685 PDF


text:
Park half the size of Ashton Court promised as part of housing development on edge of Bristol
It'd be the size of 206 football pitches
Heather PickstockNorth Somerset reporter
Updated 19:24, 2 SEP 2018
A major new park - nearly half the size of the Ashton Court Estate - will be created as part of plans to build three new villages on the fringes of Bristol.
The park is being proposed as part of a scheme by developer Taylor Wimpey.
The developer wants to build up to 4,500 houses on green belt land between Barrow Tanks and the A370 at Long Ashton which would be known as 'The Vale'.
Approximately half of the development - 360 acres - would become new public parks and other public open spaces on what is currently privately-owned land.
The park - the size of 206 football pitches - would be the biggest park in North Somerset outside of the Ashton Court Estate and 11 times larger than Ashcombe Park in Weston-super-Mare and 30 times the size of Nailsea's Trendlewood Park.
How The Vale development could look
Some of the proposed park would be transformed into formal parkland while some retained as open countryside with access across existing public rights of way.
It would also include extensive new playing fields and other leisure facilities for a wide range of sports.
'The Vale' development
'The Vale' better than expanding village
New schools promised
People against will 'fight to the death'
Plea to remove land from greenbelt
The Vale will be made up of three distinct new villages, each connected and surrounded by parkland.
The Vale's landscape designers are trying to ensure the park is visible from all parts of the development – and that every home is within a short, safe and easy walk of the park.
Taylor Wimpey chiefs say the development has been designed to ensure that there is still a green buffer between the new housing and the village of Long Ashton.
The park would be half the size of Ashton Court (Image: BristolLive)
They say existing woodland, groups of trees, individual trees and hedgerows would all be protected, where possible.
The existing ecology would be enhanced by creating wildlife corridors and species-rich habitats, harnessing and celebrating the distinctive watercourses that cross The Vale.
New images reveal plan for 1300 flats and Bristol's biggest school next to Temple Meads
Currently the land includes an underused golf-course, a former land-fill site and is crossed by a number of main roads and a railway line.
'Vital to have green, open space'
Project director Gareth Hawke said: "We all know there is a corrosive housing shortage, but – when new communities are being designed and built – it is also vital that there is plenty of green, open space.
"This has a direct impact on the quality of life for all residents.
"The Vale is the perfect opportunity to build up to 4,500 much-needed new homes, while setting aside the same amount of land for new parkland and open space.
"The new park at The Vale would be one of the region's largest parks.
"It will help create a beautiful environment and will be at the heart of this community.
"This land is currently almost entirely closed off to the public, but The Vale will open most of it up for the wider community – both existing and new - to share and enjoy."
Green belt land The Vale in North Somerset which is being considered for homes in the Joint Spatial Plan (Image: Google Maps)
A planning application for the development has yet to be submitted.
The site has also been excluded from the Joint Spatial Plan, the blueprint which sets out how the Bristol region should develop over the next 20 years.
Most of the land for the planned new development lies in the green belt, something which North Somerset Council says it will vehemently protect.
Hero driver runs across three lanes of M5 at night to rescue motorcycle crash victim
The authority says there is enough land available to meet Government housing targets without encroaching onto land with the protected status.
Villagers in neighbouring areas say they will fight any plans to develop the site, saying it will have a detrimental affect on the area and put a strain on local services.
Extinction RebellionWhy police vans were seen in Queen Square todayThere's an increased police presence throughout Bristol city centre

redpajama_set_name: RedPajamaCommonCrawl


Hello, everyone! My name is Tim and i`m a freelance concept artist. I specialize in science fiction but am also willing to work in other genres. Can make weapon, character, vehicle, prop and mood concept art.
You can find some examples below and if you need any additional information, please let me know through PM or e-mail (timothy@zanconato.org).
Available to work again next week.


Georgia Ave. Ramp Closed in Md.
You might want to think about taking another route if you normally take Georgia Avenue from Maryland into the District.
Crews are working to repair a 10-inch water main break in the Aspen Hill area, but the effort will take several hours -- throughout the Monday morning rush hour, reported News4's Megan McGrath.
The dedicated turn lane from southbound Georgia Avenue to southbound Connecticut Avenue is closed due to a water main break.
Drivers wanting to turn onto Connecticut will instead have to wait for the traffic lights and then take a hard right onto Connecticut.
Drivers should take Norbeck or Layhill roads as alternate routes, or avoid the area completely.


How much does a Field Service Engineer make in Calgary, AB?
The average salary for a Field Service Engineer is $36.25 per hour in Calgary, AB, which is 48% above the national average. Salary estimates are based on 66 salaries submitted anonymously to Indeed by Field Service Engineer employees, users, and collected from past and present job advertisements on Indeed in the past 36 months. The typical tenure for a Field Service Engineer is 2-4 years.


text:
Calling for Big Action on Antibiotics in the Big Apple
Last week, we were in New York City, where the United Nations General Assembly spent an entire day discussing antibiotic resistance, "the biggest threat to modern medicine." Experts estimate that more than 700,000 people worldwide die from antibiotic-resistant infections each year, including 23,000 in the United States—a number that could grow to 10 million globally by 2050.
Prior to the meeting, we delivered a letter to the U.S. Delegation to the United Nations signed by leaders in the medical and public health community, like Dr. Anthony So of ReAct-Action and Dr. Lance Price, Director of the Antibiotic Resistance Action Center at George Washington University Milken Institute School of Public Health. The letter urges them to push for international action to stop the misuse of antibiotics on livestock and poultry. On the day of, our staff and volunteers staged an event outside the UN, passing out educational literature to hundreds of people, mostly delegates entering the building.
cca82aad-fd43-409b-9570-3be6001f4091.jpg
be6f51d1-bdb5-4a2f-ab3a-9f9ac41a5464.jpg
eaae3fa2-5ee9-4929-bae2-f1f3d90354b2.jpg
Staff and volunteers distribute literature to UN delegates, including champions on the issue from the Dutch delegation (bottom left). Photos: Austin Donohue.
On Wednesday, the General Assembly passed a declaration requiring countries to make two-year plans to take action to keep antibiotics working. Previously, the U.N. has only met on a handful of health issues, such as HIV and Ebola, so this historical declaration lays the groundwork for major, coordinated global action.
This follows a year of unprecedented public attention on antibiotic resistance, as our successful campaigns calling on McDonald's and Subway to take action to combat antibiotic overuse have spurred other change in the marketplace. Tyson, one of the nation's largest producers of chicken, committed to ending antibiotic overuse in its entire operation, and other restaurants such as Wendy's, Taco Bell, and Pizza Hut have followed suit. Dr. Anthony So points to our efforts when working with international decision makers to show that the tide is shifting and they should get on board now.
These marketplace actions are changing the industry in the U.S. and laying the groundwork for change on a global scale.
Rebooking airline tickets: How to sort out various vouchers and credits for future flights
Stimulus payments: Watch out for scams, and learn how to get your money if you didn't get a check in 2020
Online shopping tips: Don't let last-minute desperation make you careless
Did your auto insurance company refund you enough for driving less this year?
Gift Guide: How to avoid toxics in beauty products
Ohio PIRG Education Fund
605 N. High St, #640
HOME | ABOUT US | CONTACT | DONATE
Ohio PIRG Education Fund is part of The Public Interest Network, which operates and supports organizations committed to a shared vision of a better world and a strategic approach to social change.


I always have a hard time dialing in coffee roasted beyond a medium roast with any method except cold brew. However, if you've been following me on Instagram, you've probably heard me talk about a new Aeropress recipe I put together. Thanks to some brewing trickery, I've finally been able to brew some delicious results from darker roasted coffees and I'm stoked about it!
I generally don't like coffee roasted past City or Full City. Those are the industry terms for medium roasted coffees pulled between the middle and end of the first crack in the roasting process. As the roast moves beyond the first crack and into the second, it starts to secrete oils to the surface of the bean. Visually, I know that if the bean starts to show patches of oil, I probably won't prefer it. Whenever I try to dial these coffees in, I fail and overpower the subtleties with burnt and toasted flavors. So I'd throw them in a cold brew and call it good.
Cold brew uses a much softer style of extraction utilizing low temperature surface erosion. The slow and steady process results in a much smoother and often syrupy coffee that lacks the acidity and complexity of its hot counter part. For some reason that I don't fully understand, cold brewing bypasses the solubles that contribute to those charcoal like notes I dislike in darker roasts. I always assumed it all boiled down to the use of heat, until I came across Wade Preston's recipe on the Fellow Products blog.
Wade Preston of Prevail Coffee, a Montgomery, AL roaster, recently won first at the New Orleans Brewers Cup Qualifier with his Aeropress recipe that utilizes the Fellow Prismo. Wade explains that the low temperature pre-infusion allows you to isolate the surface erosion extraction, like in a cold brew, and then safely introduce heat and turbulence to extract the inner cell solubles that contribute to complexity. It blew my mind. I immediately wondered what that would do with a darker roasted coffee and got to experimenting.
Wade's recipe produces a remarkably sweet and dense (like really dense) cup, that you definitely need to experience. But it wasn't working with those darker roasts like I had hoped. I began adjusting the recipe, thinning it out to my personal taste. That brought me to the 1:17 ratio, but it came at the cost of some of that complexity and sweetness. So I started introducing more and more agitation. The more I stirred, the more those characteristics returned. All of sudden I was drinking a delicious cup of dark roasted coffee, syrupy sweet and complex flavors that overpowered the roasted flavors.
Honestly, I don't have a definitive answer as to what's happening in that plastic brew chamber. Here's my current theory, based on what I learned from Wade's theory. The difference between the decadent flavors of cold brew and the unpleasant roasted flavors is one of over-extraction. Since high temperature brewing extracts faster, it only makes sense that the surface solubles would over-extract before the water could begin to extract the inner solubles. In this method, the long low temperature bloom allows for a softer extraction of the surface solubles and allows the high temperature water to go straight to the inner solubles to pull out the complexity.
You'll notice that I'm using my Fellow Prismo for this recipe, you do not have to have one to make this work. The Prismo gives me easy control over the steep time thanks to it's no-drip seal. You can just as easily use the inverted method. I'd suggest doubling up on the paper filter if you do.
Allow to settle and enjoy!
Thanks for reading! Give this one a try and see if it works for you! If you have a better idea of what's going on with the brew method, I'd love to hear about it! Drop a comment below, shoot me an email, or DM me on Instagram!
This side-project provides supplemental income that basically just feeds my coffee habits, and in turn helps me provide even more quality coffee content. Using the links below don't cost you anything extra, but they swing me a little commission from whatever you buy.


WHEN is a quote given for your car not the price you will actually receive for your car?
But Stalybridge dealer Steve Pearson is intent on turning those frowns upside down with a new scheme that will see him and his staff go to an owner's house and give a price after a thorough inspection.
Many online services may have the headlines but the thing they are missing is that personal touch. That will all change as he will take your car.
Steve, whose dealership is on Acres Lane, said: "We here would come out to the owner's house, really inspect the car and then give the price we feel after inspecting it properly.
"We can go and have a look at the car, we can value it and you don't have any need to go anywhere else.
"Why go to an online company? Ring us and we can come to you and value it properly.
"It's gives more clarity, more transparency and more flexibility. We're not going to say, 'Your car is worth £1,000,' when it's not.
"They're not as thorough as people make out. Often what happens is someone gets a value for their car online, they then take it to a depot for inspection and the price decreases – not all cars are the same.
With Steve and his staff in front of your face, there is no chance of any dishonesty if you choose to use the service.
As Steve puts it, it would be self-defeating.
He added: "We're trying to provide a service and we're always honest.
"You can't not be honest people as if you look after people, they will come back to you.


text:
News Oct. 17, 2016
ExxonMobil asks federal court to invalidate New York Attorney General's subpoena
IRVING, Texas — ExxonMobil today asked a federal court to invalidate a subpoena issued by New York Attorney General Eric Schneiderman, calling investigations by New York and Massachusetts biased attempts to further a political agenda for financial gain.
The request came in the form of a motion to amend a pending action to invalidate a similar civil investigation demand issued by Massachusetts Attorney General Maura Healey.
"Attorney General Schneiderman has publicly accused ExxonMobil of engaging in a 'massive securities fraud' without any basis whatsoever, and Attorney General Healey declared, before her investigation even began, that she knew how it would end: with a finding that ExxonMobil violated the law," said the company's amended complaint, in federal court in Fort Worth, Texas.
"The improper political bias that inspired the New York and Massachusetts investigations disqualifies Attorneys General Schneiderman and Healey from serving as the disinterested prosecutors required by the Constitution."
ExxonMobil has cooperated with the New York investigation of its nearly 40-year history of climate research since it began last year and has turned over more than 1 million pages of documents.
However, increasingly political and biased statements by Schneiderman and his office -- as well as revelations from third-party disclosures about secret and deliberately concealed collaboration with anti-oil and gas activists and a private law firm -- have confirmed that he and Healey are incapable of impartial investigations and are attempting to silence political opponents who disagree on the appropriate policies to address climate change.
The company cited recent statements by Schneiderman and his office that confirmed it abandoned the original pretext for the investigation -- into ExxonMobil's historic climate research -- and is now evaluating the so-called stranded asset theory about whether ExxonMobil's oil and gas reserves can be produced in the future because of global efforts to address climate change.
"It is now apparent that Attorney General Schneiderman is simply searching for a legal theory, however flimsy, that will allow him to pressure ExxonMobil on the policy debate over climate change."
The investigation of the stranded-asset theory is "particularly egregious because it cannot be reconciled with binding regulations issued by the SEC, which apply strict guidelines to the estimation of proved reserves," said ExxonMobil's filing.
The SEC is the appropriate entity to examine issues related to reserves and other communications important to investors. ExxonMobil is fully cooperating with an SEC request for information and is confident its financial reporting meets all legal and accounting requirements.
ExxonMobil addresses the potential for future climate change policy, including the potential for restrictions on emissions, by estimating a proxy cost of carbon, which seeks to reflect potential policies governments may employ related to the exploration, development, production, transportation or use of carbon-based fuels.
ExxonMobil Climate Position Outlined in Filing
ExxonMobil stressed in the filing that for more than a decade, it has widely and publicly confirmed that it recognizes the risk of climate change and its potential impacts on society and ecosystems.
ExxonMobil's filing said numerous statements illustrating bias were made during and following a highly publicized March press conference hosted by Schneiderman and attended by Healey, other attorneys general and former vice president Al Gore.
It has been revealed through freedom of information law disclosures that prior to the press conference, the attorneys general were secretly briefed by Matthew Pawa, a lawyer who has unsuccessfully sued oil and gas companies over climate change, and Peter Frumhoff, director of science and policy for the Union of Concerned Scientists, an activist organization that has been targeting ExxonMobil for nearly a decade.
"Frumhoff and Pawa have sought for years to initiate and promote litigation against fossil fuel companies in the service of their political agenda and for private profit," said the ExxonMobil filing.
"The attorneys general in attendance at the press conference understood that the participation of Frumhoff and Pawa, if reported, could expose the private, financial and political interests behind the announced investigations. The day after the conference, a reporter from The Wall Street Journal contacted Pawa. Before responding, Pawa dutifully asked [the] Chief of Attorney General Schneiderman's Environmental Protection Bureau, '[w]hat should I say if she asks if I attended?' [The Chief] -- the [same] Assistant Attorney General who had sent the New York subpoena to ExxonMobil in November 2015 -- encouraged Pawa to conceal from the press and the public the closed-door meetings. He responded, '[m]y ask is if you speak to the reporter, to not confirm that you attended or otherwise discuss the event.'"


text:
Niger, employment, greenhouse gas emissions , investment requirements , land targets, statistics, sustainable livelihoods, youth unemployment
(-) youth unemployment (21)
(-) employment (18)
(-) greenhouse gas emissions (11)
(-) statistics (8)
(-) sustainable livelihoods (7)
(-) investment requirements (3)
(-) Niger (1)
How does the amount of land that youth stand to inherit affect their migration and employment decisions?
How does the amount of land that youth expect to inherit affect their migration and employment decisions? We explore this question in the context of rural Ethiopia using a 2014 cross-sectional dataset indicating whether or not youth household members from a previous 2010 survey had migrated by 2014…
Youth Migration and Labour Constraints in African Agrarian Households
Using panel data from Ethiopia and Malawi, we investigate how youth migration affects household labour, hired labour demand, and income, and whether these effects vary by migrant sex and destination. Labour shortages arise from the migration of a head's child. However, the migration of the head's…
Climate change: extreme heat will decrease rural employment and increase migration in Mexico
Study is the first to evaluate the effect of extreme heat on the probability of local work in rural Mexico, write Katrina Jessoe, Dale Manning and Edward Taylor
Rethinking Urban Sprawl Moving Towards Sustainable Cities
This report provides a new perspective to the nature of urban sprawl and its causes and environmental, social and economic consequences. This perspective, which is based on the multi-dimensionality of urban sprawl, sets the foundations for the construction of new indicators to measure the various…
New article: 'Decoupling' land productivity and greenhouse gas footprints: a review
A major challenge of our time is to produce sufficient nutrient‐rich food for the ever‐growing human population with limited land resources. There is a huge gap between current yields and genetic potential in many crops, which can be narrowed by enhancing land productivity. High‐input cropping…
Atlas of Migration in Northern Central America
The report titled, 'Atlas of Migration in Northern Central America,' was launched on 11 December 2018, in Marrakech, Morocco, on the sidelines of the Intergovernmental Conference on the Global Compact for Migration. It seeks to contribute to the design of public policies, programmes and efforts to…
Combating Desertification and Drought Eat Plants, Save the Planet
While the modern agricultural system has helped stave off famines and feed the world's 7 billion residents, the way we eat and produce food is posing a threat to future populations' food security. With an expected increase in population to 10 billion in 2050, ensuring food security is more important…
Youth and the 2030 Agenda for Sustainable Development
While all the Sustainable Development Goals are critical to youth development, this Report focuses primarily on the areas of education and employment, underlining the realization of targets under these Goals as fundamental to overall youth development. Issues related to other Goals—including gender…
Guidance on Data Integration for Measuring Migration
The publication titled, 'Guidance on Data Integration for Measuring Migration,' highlights the far-reaching influence of migration on societies, and emphasizes the need for accurate data on migrants to inform policy making. The guide aims to help policy makers, researchers and statisticians produce…
Global Trends to 2030: Challenges and Choices for Europe
Roughly a third of the five hundred million people living in the European Union is younger than 30 years old. According to a new EU report, demography is one of the three mega-trends that will shape Europe's future up to 2030. Demographic trends show that Europe's population is growing too slowly…
OECD Employment Outlook 2019
The 2019 edition of the OECD Employment Outlook presents new evidence on changes in job stability, underemployment and the share of well-paid jobs, and discusses the policy implications of these changes with respect to how technology, globalisation, population ageing, and other megatrends are…
Work to make the world a better place: 5 things you need to know about 'green jobs'
For the UN, these "green jobs," play an important role in realising the vision of the future that practically all countries signed up to when they adopted the landmark Paris Agreement in December 2015, an international commitment to combat climate change, and significantly reduce human activity…
What'll be your best investment decision in 2019? Restoring degraded land has the potential to become big business
Entrepreneurs are taking advantage of market opportunities and government incentives to restore and manage farmland and forests sustainably. From tree-based crops to organic fertilizers to timber alternatives, these businesses are breathing new life into unproductive land. The Land Accelerator is…


text:
Fixing The Apprentice Compensation For Sports Administrator Migrants
Original Language Title: Festsetzung der Lehrlingsentschädigung für Sportadministrator/inn/en
Read the untranslated law here: https://www.global-regulation.com/law/austria/2997620/festsetzung-der-lehrlingsentschdigung-fr-sportadministrator-inn-en.html
91. Regulation of the Federal Agreement Office in the Federal Ministry of labour, Social Affairs and consumer protection, with the apprentice compensation for sports administrator migrants shall be
The Federal Agreement official at the Federal Ministry of labour, Social Affairs and consumer protection is in accordance with § 26 para 1 Labor Constitutional Act, BGBl. No. 22 / 1974, as amended by Federal Law Gazette I no. 111/2010 authorised to assess the apprentice compensation at the request of a collective agreement-enabled corporate, if no collective agreement is in effect for the sector concerned.
The Federal Agreement official at the Federal Ministry of labour, Social Affairs and consumer protection has set following apprentice compensation decision of March 27, 2012, after a Senate hearing:
Apprentice compensation for sports administrator migrants
L 1/2012/XXI/95/1
1. space: for the territory of the Republic of Austria.
2. professionally and personally: teaching authorized within the meaning of the vocational training Act, which technically trained apprentices in the teaching of sports administration and use in the course of this training, as well as apprentices in the teaching of sports administration, who are employed by these authorised.
The apprentice compensation
§ 2. The monthly apprentice compensation is:
1. in the 1st year of training: €488,10 per month;
2. in the 2nd year of apprenticeship: €638,10 per month;
3. in the 3rd year of training: €893,30 per month.
Establishment of special payments
3. (1) every apprentice receives due upon arrival a holiday grant in the amount of monthly apprentice compensation once in the year. Holiday in several parts consumed, when consumption of the longer part of the holiday, but not later than on June 30. During the academic a - or escaping apprentices receive the aliquot part of the holiday grant.
(2) every apprentice receives once due at the latest on 30 November in the year of training, a Weihnachtsremuneration in the amount of monthly apprentice compensation. During the academic a - or escaping apprentices received the aliquot part of Weihnachtsremuneration.
Basis for the calculation of overtime in accordance with § 1 para 1a Z 1 KJBG
§ 4. Is there in an operating sense no relevant skilled workers wage § 1 par. 1a Z 1 KJBG, so is for overtime pay of apprentices who have reached 18 years of age, with regard to the calculation of the basic hours salary and award section IX A section 7 of the collective agreement for employees and trainees in businesses by November 30, 2011, to attract KV 43/2012,.
§ 5. The fixing of the apprentice compensation shall enter into force 1 March 2012.


Malaika Arora's Item Song in Gabbar Singh?
Malaika Arora's Item Song in Gabbar Singh?
Pawan Kalyan's upcoming film "Gabbar Singh" shooting is going on in brisk pace and the film unit is not taking any break for Pongal also.Gabbar Singh is a official remake of Hindi super hit film "Dabangg". We all know that the item song "Munni Badnam Hui" from Dabangg was a huge hit.
Gabbar Singh film makers are in confusion to whom to rope for this item song in Telugu Version. Earlier we heard many actress names like Parvathi Melton, Anushka, Bipasha Babu and Ileana for this item song in the film. Now the latest buzz is that the film makers are in plans to rope the Bollywood actress Malaika Arora Khan for this item song.In Dabangg movie she did that item song. So now she is going to do the same item song in Telugu also.
If it is true, Pawan is going to shake his legs with Malaika in Gabbar Singh for an hot item number!!


Super Seal Paint Sealant - This is the original car paint sealant Sealer Wax. Paint sealants are the final coat applied by hand or auto buffer to clear coat auto painted surfaces. Lane's Super Seal Paint Sealant creates a dazzling shine and long-lasting protection. This car paint sealant car be removed by hand and will not leave any white residue on plastic moldings or trim.


"Democrats are now calling it a special counsel himself to testify and they're still fighting for the full unredacted version of his report Senator Bernie Sanders agrees. I think the American people have right to know. What's in the report? The presidential candidate during a town hall meeting on Fox News Monday night, the president blasting on Twitter what he calls the special counsel team of eighteen angry Democrats in Paris, art experts expressing horror a fire that ravaged the Notre Dame cathedral. Firefighters say most of the conic building. Although the infernal destroyed much of the roof"


text:
Dmitri Nikolàievitx Kossiakov (en rus Дмитрий Николаевич Косяков) (Vorónej, 28 de febrer de 1986) és un ciclista rus, professional des del 2008 fins al 2014.

Palmarès
 2008
 Vencedor d'una etapa al Tour de l'Avenir
 2009
 1r al Tour de Loir i Cher i vencedor d'una etapa
 Vencedor d'una etapa al Circuit de les Ardenes
 2010
 Vencedor d'una etapa al Friendship People North-Caucasus Stage Race
 2011
 1r al Memorial Oleg Diatxenko
 Vencedor d'una etapa al Gran Premi de Sotxi
 Vencedor d'una etapa a la Volta a Bulgària

Enllaços externs
 Fitxa a sitiodeciclismo.net
 Fitxa a cyclebase.nl
 Fitxa a museociclismo.it

Ciclistes de Vorónej
Naixements del 1986

redpajama_set_name: RedPajamaWikipedia


Download R2Bees Yesterday, Talented Ghanaian music singer R2Bees drops a new song titled Yesterday.
Yesterday by R2Bees was dropped off R2Bees 3rd studio album tagged "Site 15". Where the album comprises of 15 Tracks.
R2Bees Yesterday mp3 is available to stream or download below. Don't forget to share on Facebook or Twitter.


6 Core Technologies on Jaw Crushers Frame separation avoids stress concentration and cavity optimization releases greater crushing stroke. Wedge adjustment helps more efficient operation.
steen crusher te koop - babynatur.eu. distribution mobile crusher romania te koop cone crusher jaw crusher in romania what is the quarry stone crusher mobile stone crusher price in kenya. buy . distribution of coal mining Get Price service. we are committed to providing timely, rapid, and efficient services for each of our customers.
crushers / screeners buy now, worldwide shipping available, various types jaw crushers, cone crushers, your number one for quarry equipment in ireland & uk crushers and grinders used in bauxite processingmobile cone crusher; gebruikte bauxite crusher crusher and grinder used,stone crushers mineral processing dept. features.
Jaw Crusher te koop - Coal Crushing plant. Crushing Plant,Mobile Crusher,Grinding Plant,Mineral Ore ... The XSM mechanical products keyword:Jaw Crusher te koop,Ore Crusher,Grinding mill equipment,Crusher plant.
U bent hier: Mascus Nederland > Tweedehands bouwmachines > Afvalverwerking / recycling en groeve - machines en installaties > Vergruizers > Constmach > Constmach 1100 x 850 mm JAW CRUSHER ... CONSTMACH Jaw Crushers with its heavy-duty construction offers low cost-per-ton crushing.
tweedehands jaw crusher rossogroup. List Of Jaw Crusher Stone Crushers Xls marble mobile jaw crusher rental Zambia More attention is 11800 mobile jaw crusher . Tweedehands nl. Mobile Jaw Crusher For. impact crusher vergruizer gebruikte anyaresort.
Crusher Mills, Cone Crusher, Jaw ... Tweedehands Sand Dredging ... coventry victor (Te koop op marktplaats) - YouTube. Apr 06, 2010 · Te koop:Victor stationaire diesel water gekoeld. Is lopend weggezet maar loopt nu niet omdat de tank ontbreekt. Furniture - Marktplaats.cw.


Financial reporting fraud can prove costly for investors and other capital market stakeholders. This webcast will explore a new Anti-Fraud Collaboration report, The Fraud-Resistant Organization: Tools, Traits, and Techniques to Deter and Detect Financial Reporting Fraud. The report takes a fresh look at best practices for fraud deterrence and detection, highlighting the critical importance of collaboration on this issue between and among the key players in the financial reporting supply chain.
Join our panel of experts as they bring life to the three central themes of The Fraud-Resistant Organization—strong "tone at the top," skepticism, and robust communications—and explain how financial supply chain participants can incorporate these important techniques into their respective roles.
Panelists will also address the challenges that multinational companies face in executing effective fraud deterrence and detection programs. As discussed in The Fraud Resistant Organization, these challenges include language barriers, differing cultural norms, and conflicting regulatory requirements.
We encourage all of the key players in the financial reporting supply chain—audit committee members, financial executives, internal auditors, and external auditors—as well as compliance professionals, to register for this informative program.
Learning Objectives: Provide perspective on the three central themes of the Anti-Fraud Collaboration's recently published report, The Fraud-Resistant Organization. Panelists will share their insights into how successful organizations establish and reinforce an ethical tone at the top, the exercise of skepticism, and robust communications in an effort to mitigate the risks of financial reporting fraud. The panelists will also address some of the challenges that multinational companies face in executing effective fraud deterrence and detection programs.
This event also qualifies for 2 NACD Skill-Specific Credits. Please check this box if you wish to earn NACD Skill-Specific Credits for attending.
Cindy Fornelli is the Executive Director of the Center for Audit Quality. The Center for Audit Quality was founded to serve investors, public company auditors and the capital markets through its involvement in audit-related policy making and outreach. Cindy is responsible for carrying out the mission and vision of the Center's Governing Board, which is comprised of eight leaders from public company audit firms, the American Institute of CPAs (AICPA) and independent public members.
Ken Daly is the president and CEO of the National Association of Corporate Directors (NACD), a position he has held since May 2007. As head of the nation's largest member -based organization for board directors, Daly is a recognized expert on corporate governance and board transformation. Under his leadership, NACD has grown in size and in scope, more than doubling its revenue and increasing membership by nearly 100 percent.
Karl Erhardt is the Senior Vice President & General Auditor for MetLife. In this capacity, Karl has an independent relationship with the Audit Committee of MetLife's Board of Directors. He manages a team of audit professionals responsible for providing objective evaluations and advice on the system of internal controls and advocating for a global risk management framework. He joined the company in October 2002.
Tracy is the Vice President, Research and Accounting Policy at Financial Executives International (FEI). In this role she directs the activities of the association's accounting policy initiatives and oversees the work of its Committee on Corporate Reporting, Committee on Governance, Risk and Compliance, Committee on Finance and Information Technology, and the Committee on Private Company – Standards. Tracy has over twenty years of accounting, finance and compliance experience spanning the financial services, insurance, broker/dealer and cooperative energy industries.
Rick is the managing partner of U.S. audit services at Crowe Horwath LLP. In this capacity, he is responsible for all personnel who are performing audits, including audits of a substantial number of public companies. Crowe's U.S. audit services are delivered by close to 1,000 professional through more than 25 offices. He currently serves as a member of Crowe's Management Committee, and has served two elected terms on the Executive Committee, which is Crowe's Board of Directors.


My research interests include some sub-fields of Artificial Intelligence: Machine learning, Pattern recognition and Data mining .
Yu-Yin Sun, Michael K. Ng and Zhi-Hua Zhou. Multi-Instance Dimensionality Reduction. In: Proceedings of the 24th AAAI Conference on Artificial Intelligence (AAAI'10), Atlanta, GA, 2010.
06/23/2011: I graduated from LAMDA group.
Last modified by Yu-Yin Sun on 06/24/2011.


Watch full movie online Underdogs (2013) in HD quality. Movie Underdogs (2013) was released in April 6, 2013 in genre Drama. Movie Underdogs (2013) is movie directed by Doug Dearth. and starring by D. B. Sweeney. Movie Underdogs (2013) tell story about Set in rural Ohio, the birthplace of football, UNDERDOGS is the story of a small-town high school football team destined to play their cross-town rival, a perennial powerhouse, while standing up for an entire community.


Read eBook The Lounger, Vol. 1 of 2: A Periodical Paper, Published at Edinburgh in the Years 1785 and 1786 (Classic Reprint) [MP3 AUDIO] 100% free!
Qualifications required in a country clergyman by his patron and his patron's family. Amiable picture of the clergyman of Colonel Catt/he's parilh.


text:
Here I Am Don't You See Me: Mary T. Smith at SHRINE in New York
By Madeleine Seidel
Mary T. Smith, Untitled (three figures with blue on white), ca. 1980s, house paint and enamel on wood, 24 by 48 inches.
You should know that Mary T. Smith displayed her art in her yard.
Her property in rural Copiah County, Mississippi, was filled with small huts and sculptures she constructed from the scraps of wood and tin from the junkyard next door. Her evocative, gestural paintings—made using house paint and the same junkyard metal sheets—were propped against these buildings and hung on fences. In the same Southern folk tradition exemplified by Lonnie Holley, Eddie Owens Martin (St. EOM), and Joe Minter, she used art as a means to create an oasis in an otherwise cruel world that ostracized her because of her gender, skin color, and severe hearing impairment, all of which lead her to end her schooling in the fifth grade. The sculptures, paintings, and buildings she constructed in her yard are a vast visual account of her life, hometown, and beliefs. Acknowledging that Smith's work was both a fixture and a result of her local environment provides understanding of not only the art but the artist herself.
You should know that Mary T. Smith displayed her art in her yard, but there is no indication of this anywhere in Smith's exhibition I WE OUR, which runs through July 28 at SHRINE, a lower Manhattan gallery specializing in showing the work of folk and self-taught artists. The show features a small collection of Smith's sheet metal paintings from the 80s and 90s, displayed here on pristine, white gallery walls. The paintings feature human figures outlined in thick strokes of color, often surrounded by short sayings that are misspelled. The overall visual content of these paintings is up for interpretation, but her thematic preoccupation with spirituality and her neighbors is clear. In The Lord Is For Me, there are multiple small portraits, all painted in different colors with markings that suggest halos. It is a hopeful view of a community united by belief and, considering that Smith lived in still-highly-segregated Mississippi, a bittersweet portrayal of a utopia that Smith may not have ever experienced but still had the grace to imagine. The namesake painting of the exhibition, I WE OUR, features two simple figures outlined in black—one detailed with unnerving red marks—and a tree on a yellow background, with the painting's title scrawled in the upper-left corner. Another standout painting is AMA, which is unframed and grouped with other smaller paintings. AMA shares a similar composition with I WE OUR, but the smaller scale of the sheet metal pushes the figures and text together, adding an underlying sense of urgency and discomfort that is not present in Smith's other paintings.
Mary T. Smith, The Lord is For Me, ca. 1980s; house paint and enamel on metal, 25 1/2/ by 69 inches.
A sense of life—a hectic, troubled, and joyful one—is nearly palpable in these paintings. Despite this obvious presence in the paintings' content and expressive strokes, there are no wall texts, labels, nor any biographical information displayed alongside the paintings. While this is typical of a commercial gallery, the absence of information here feels jarring since Smith's work is enriched when her life story is considered. In SHRINE's press release, they state that "while it is common to focus on the biographies of self-taught artists, the most striking aspects of Mary T. Smith's paintings are their effortless confidence, originality and competence, which make them strong examples of American contemporary art. Her images are bold, vibrant, and relate much more to those of better-known artists such as Jean-Michel Basquiat or Georg Baselitz than they do to anything in the traditional folk art category, to which her work has typically been relegated until recently." Placing the work of a long-neglected folk artist in conversation with more established artists is a fine and admirable goal in a world where all things are equal, but all things are not equal.
Elements in Smith's paintings, such as the misspelled words and her use of sheet metal as canvas, that are directly linked to the inequality she faced on a daily basis and her precarious economic situation. Although Smith did sell many of her paintings in the height of her career, she had next to no income at the time of her passing in 1995 and faced varying levels of poverty in her lifetime. Both her father and second husband were sharecroppers, and Smith worked as a maid before she devoted herself to her art in her mid 60s. When she died, distant friends and admirers volunteered to pay for her funeral costs when her family couldn't afford a proper burial. [1] Decades after her death, self-taught art has become more popular with institutions and collectors, making Smith's work much more commercially viable now than it was when she was alive. Her art is included in the permanent collections of The Metropolitan Museum of Art, the Smithsonian American Art Museum, and the High Museum of Art, largely due to donations on behalf of William Arnett and the Souls Grown Deep Foundation. Most of Smith's work has been privately sold at auction, but many of these sales come from the estates of collectors such as the late Tuscaloosa collector Robert Cargo, not from an estate set up on her behalf. Despite her growing popularity, Smith's family or any other beneficiaries likely receive very little of any financial security she could have provided from the grave.
Mary T. Smith, I WE OUR, ca. 1980s; house paint and enamel on wood, 24 by 36 inches.
Smith's powerful work deserves careful attention and critique on its own formal merits, but this must be accomplished without anonymizing the unique context of an artist who is still an unknown to most even within the art world. Aesthetically, her work is in conversation with not only other prolific folk artists but other luminaries of late twentieth-century contemporary art. Other writers such as Edward M. Gómez of Hyperallergic have correctly compared Smith's vibrant use of color to that of the aforementioned Basquiat and American painter Al Held. [2] And while there are merits to presenting Smith's work without it being solely defined by personal narrative, the artist's own story needs to be shared, especially while museums, galleries, and academia tend to neglect artists of color and artists from the Global South. Smith is an important artist in both the folk movement and the entire ecosystem of twentieth-century Southern art, and it is important to reckon with the systematic racism, ableism, and misogyny that influenced not only her artistic output but the way it is received now. One of the best ways that institutions can do this is by amplifying the stories of artists like Smith so that they are not further anonymized by the very places that have the ability to preserve their lifework. Therein lies the issue with I WE OUR and other exhibitions like it that neglect the personal struggles and social factors that lead to an artist being considered a "folk" or "outsider," thus allowing for misrepresentation and fetishization of the artist and their work. Seeing representation of Southern folk artists—especially such artists who were Black women from the South—in gallery spaces like SHRINE is a sign of growing equity in the arts, but ethical representation is just as important. We need to create context that explains the motivations and struggles behind artworks while also acknowledging why art like Smith's has been kept in the margins for so long. Smith cannot literally speak for herself in the way that contemporary artists now can, but her art still sings loud and clear. Unfortunately, SHRINE's presentation of I WE OUR failed to showcase Smith's voice by not representing who she was outside of her now commodified artistic output.
Today, you can walk into SHRINE, see fantastic paintings by an artist who may as well have been anonymous, and purchase one of these paintings for more money than this artist ever saw in her lifetime. But you should know that this artist is Mary T. Smith, a disabled Black woman who lived and died in rural Mississippi with a fierce love of Jesus and without a penny to her name. Her art was her life, her diary, her primary coping method. She displayed her art in her yard.
I WE OUR is on view at SHRINE in New York through July 28.
[1] William Arnett, "Her Name is Someone." Souls Grown Deep Foundation.
[2] Edward M. Gómez, "The Bold, Blessed Paintings of a Sharecropper's Daughter," Hyperallergic. June 8, 2019.


We are back from our vacation. We were on a 9-day Mexican Riviera Cruise that took us all over Mexico. We visited Manzanillo, Puerto Vallarta, Cabo San Lucas and Ensenada. It was a wonderful trip filled with shore excursions, shopping, lots of eating and enjoying the cruise ship entertainment.
I will be back-dating the cruise vacation recap when they are posted.
On our Embarkation Day for our cruise, the weather was gloomy and rainy. It made us look forward to our Mexican Riviera cruise even more knowing there will be sunshine for the rest of our trip.
We boarded the ship early knowing we won't be able to check-in until after 2pm. Our first meal on the cruise was a lunch buffet. I was happy to find a lot of healthy options on the buffet.
Check-in time came around and we were happy to settle in. I'm glad we decided to upgrade our room and reserved a stateroom with a balcony. It made our room feel larger and more open.
Once our luggage were delivered, we unpacked and then explored the cruise ship and our home for the next 9 days.
Our cruise ship sailed away from the Port of Los Angeles in San Pedro, CA.
It had been raining on and off all day long. The skies cleared as we sailed away and a beautiful rainbow appeared to bid us a good trip 🙂 We admired the beautiful rainbow from the top deck of the cruise.
We also watched the sunset as we sailed away.
We choose late dining option for this cruise. Which meant an 8:15pm seating at the Empire Restaurant every night for dinner.
I already know that I am going to be indulging in a lot of delicious desserts on this trip. I kept my dinner light so I have some room to enjoy their famous molten lava cake.
Our official cruise photo for Day 1.
First day on the cruise went well. I felt a little sea sick and took some medicine. It usually takes me a full day to get used to the ship swaying back and forth. Once I get past the first day, I feel fine afterwards.
I didn't even know you were away! I thought you were just taking a little break blogging ; ) well I guess you were, but its because you were out on a cruise!
Your first day looked so fun and your room look likes a really decent size, especially for a cruise! I can't wait to read more about PV, my favorite place ever!!!
Wow everything looks wonderful Lea!
Tofu Steaks yummm it's great to hear that there are more Veg*n friendly places out there! That makes me happy!


Oshua Bengio never sideline. As one of the three leading figures in the depth of learning the depth of the artificial intelligence, he has become a superstar to some extent. Artificial intelligence is an emerging field, and if you bring people from technology companies, multinational corporations and even the Department of Defense to a room, everyone will want to share their views on this topic.
But the other two leaders have long been engaged in the industry, Yann LeCun and Geoffrey Hinton had joined Facebook and Google, and now 53-year-old Yoshua Bengio chose to continue his third floor in the Montreal University campus teaching and learning. "I want to keep a neutral position," Bengio said, drank a bit of licorice water, his desk filled with a wide range of documents, it seems chaotic.


Interpretive Summary: The Varroa mite is a serious pest of honey bees in most countries of the world, and has become widely resistant to certain insecticides, particularly fluvalinate. Coumaphos, another pesticide, has received emergency registration in the U. S. to combat Varroa mites, but no residues in hive products are allowed. Coumaphos would be expected to accumulate mostly in the wax in a hive, rather than the honey. We investigated the transfer of coumaphos from experimentally-contaminated wax into syrup and honey, and found that there was a small but detectable amount of coumaphos transferred from wax to honey or syrup over a period of a few months. This is an important factor in designing a treatment program using coumaphos, requiring precautions to prevent contact of coumaphos with combs used for extracted honey. This finding is important to beekeepers using coumaphos to control hive pests.
Technical Abstract: The organophosphate insecticide coumaphos has been used in Europe or the control of Varroa mites, and has received emergency registration in the United States for control of fluvalinate-resistant Varroa and the newly introduced small hive beetle. In order to investigate the transfer of coumaphos from wax into syrup and honey, we used an analytical method involving adsorption of coumaphos from diluted syrup/honey onto a solid-phase extraction cartridge, elution, and subsequent analysis. Coumaphos in syrup could be quantitated using HPLC using UV detection, and we found that coumaphos migrates from wax into syrup or honey, with concentrations increasing over a period of a few months. The resulting concentration is low, however, with only 200¿300 ppb in 100 g of syrup in contact with 10 g of wax containing 1000 ppm of coumaphos. Syrup in contact with wax containing 100 and 10 ppm of coumaphos also contained detectable amounts of coumaphos, but only 30 and 10 ppb, respectively. Determination of coumaphos extracted from wax into honey was complicated by the impurities in the honey, making HPLC determination difficult, but coumaphos could be extracted from honey with a similar solid-phase extraction, and then analyzed by gas chromatography/mass spectrometry. Concentrations in honey were similar to those in syrup for higher concentrations of coumaphos in wax, reaching 430 ppb after 26 weeks, but could not be determined in honey in contact with wax containing only 10 ppm.


text:
<?xml version="1.0" encoding="utf-8" ?>
<c2layout>
    <name>Layout 1</name>
    <sid>4313580796926886</sid>
    <event-sheet>Event sheet 1</event-sheet>
    <size>
        <width>640</width>
        <height>400</height>
    </size>
    <margins>
        <horizontal>640</horizontal>
        <vertical>400</vertical>
    </margins>
    <unbounded-scrolling>0</unbounded-scrolling>
    <layers>
        <layer name="Layer 0" sid="9323869874827051">
            <initially-visible>1</initially-visible>
            <background-color>255,255,255</background-color>
            <transparent>0</transparent>
            <parallax>
                <x>1</x>
                <y>1</y>
            </parallax>
            <zoom-rate>1</zoom-rate>
            <opacity>1</opacity>
            <force-own-texture>0</force-own-texture>
            <blend-mode>0</blend-mode>
            <effect-fallback>0</effect-fallback>
            <instances>
                <instance type="Board" uid="6">
                    <properties>
                        <initial-visibility>Visible</initial-visibility>
                        <initial-animation>Default</initial-animation>
                        <initial-frame>0</initial-frame>
                        <collisions>Enabled</collisions>
                    </properties>
                    <instance-variables>
                        <X0>156</X0>
                        <Y0>365</Y0>
                    </instance-variables>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>320</x>
                        <y>200</y>
                        <z>0</z>
                        <width>640</width>
                        <height>400</height>
                        <depth>0</depth>
                        <hotspotX>0.5</hotspotX>
                        <hotspotY>0.5</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="DrNinetyBrains" uid="7">
                    <properties>
                        <initial-visibility>Visible</initial-visibility>
                        <initial-animation>Default</initial-animation>
                        <initial-frame>0</initial-frame>
                        <collisions>Enabled</collisions>
                    </properties>
                    <instance-variables>
                        <Position>0</Position>
                        <HasPotion>false</HasPotion>
                    </instance-variables>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>156</x>
                        <y>365</y>
                        <z>0</z>
                        <width>32</width>
                        <height>32</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>1</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="Hedgeromeanr" uid="8">
                    <properties>
                        <initial-visibility>Visible</initial-visibility>
                        <initial-animation>Default</initial-animation>
                        <initial-frame>0</initial-frame>
                        <collisions>Enabled</collisions>
                    </properties>
                    <instance-variables>
                        <Position>99</Position>
                        <HasPotion>false</HasPotion>
                    </instance-variables>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>156</x>
                        <y>68</y>
                        <z>0</z>
                        <width>32</width>
                        <height>32</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>1</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="Die" uid="9">
                    <properties>
                        <initial-visibility>Visible</initial-visibility>
                        <initial-animation>Default</initial-animation>
                        <initial-frame>0</initial-frame>
                        <collisions>Enabled</collisions>
                    </properties>
                    <instance-variables>
                        <Positive>true</Positive>
                    </instance-variables>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>562.053161621</x>
                        <y>84.602340698</y>
                        <z>0</z>
                        <width>32</width>
                        <height>32</height>
                        <depth>0</depth>
                        <hotspotX>0.5</hotspotX>
                        <hotspotY>0.5</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="Player" uid="10">
                    <properties>
                        <initial-visibility>Visible</initial-visibility>
                        <initial-animation>Default</initial-animation>
                        <initial-frame>0</initial-frame>
                        <collisions>Enabled</collisions>
                    </properties>
                    <instance-variables>
                        <Moving>false</Moving>
                        <Up>true</Up>
                    </instance-variables>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>562.190734863</x>
                        <y>51.912490845</y>
                        <z>0</z>
                        <width>24</width>
                        <height>32</height>
                        <depth>0</depth>
                        <hotspotX>0.5</hotspotX>
                        <hotspotY>0.5</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="RollTheDie" uid="11">
                    <properties>
                        <type>Button</type>
                        <text>Roll The Die</text>
                        <tooltip></tooltip>
                        <initial-visibility>Visible</initial-visibility>
                        <enabled>Yes</enabled>
                        <auto-font-size>Yes</auto-font-size>
                        <id-optional></id-optional>
                        <checked>No</checked>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>514</x>
                        <y>106</y>
                        <z>0</z>
                        <width>96</width>
                        <height>24</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>0</hotspotY>
                    </world>
                </instance>
                <instance type="Plus" uid="12">
                    <properties>
                        <type>Button</type>
                        <text>+</text>
                        <tooltip></tooltip>
                        <initial-visibility>Invisible</initial-visibility>
                        <enabled>Yes</enabled>
                        <auto-font-size>Yes</auto-font-size>
                        <id-optional></id-optional>
                        <checked>No</checked>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>586</x>
                        <y>139</y>
                        <z>0</z>
                        <width>24</width>
                        <height>24</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>0</hotspotY>
                    </world>
                </instance>
                <instance type="Minus" uid="13">
                    <properties>
                        <type>Button</type>
                        <text>-</text>
                        <tooltip></tooltip>
                        <initial-visibility>Invisible</initial-visibility>
                        <enabled>Yes</enabled>
                        <auto-font-size>Yes</auto-font-size>
                        <id-optional></id-optional>
                        <checked>No</checked>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>514</x>
                        <y>139</y>
                        <z>0</z>
                        <width>24</width>
                        <height>24</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>0</hotspotY>
                    </world>
                </instance>
                <instance type="Potion" uid="5">
                    <properties>
                        <initial-visibility>Visible</initial-visibility>
                        <initial-animation>Default</initial-animation>
                        <initial-frame>0</initial-frame>
                        <collisions>Enabled</collisions>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>453</x>
                        <y>200</y>
                        <z>0</z>
                        <width>32</width>
                        <height>32</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>1</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="Explain" uid="16">
                    <properties>
                        <text>Hedgeromeanr went to Dr Ninety Brains' secret cloud lair to grab the potion. Dr Ninety Brains went to Hedgeromeanr's secret Mars crater lair to grab the potion, but both were fooled! The potion is now in between them. Each player must try to grab the potion and return home.</text>
                        <initial-visibility>Visible</initial-visibility>
                        Arial,-13,400,0
                        <color>0,0,0</color>
                        <horizontal-alignment>Left</horizontal-alignment>
                        <vertical-alignment>Top</vertical-alignment>
                        <hotspot>Top-left</hotspot>
                        <wrapping>Word</wrapping>
                        <line-height>0</line-height>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>488.191772461</x>
                        <y>164.715118408</y>
                        <z>0</z>
                        <width>149.108764648</width>
                        <height>217.026824951</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>0</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="UpDown" uid="17">
                    <properties>
                        <text>Press + to move up or - to move down. Hedgeromeanr's super hero friends have secret crater tunnels that send you down. Dr Ninety Brains' super villain friends have secret cloud tunnels that send you up.</text>
                        <initial-visibility>Invisible</initial-visibility>
                        Arial,-13,400,0
                        <color>0,0,0</color>
                        <horizontal-alignment>Left</horizontal-alignment>
                        <vertical-alignment>Top</vertical-alignment>
                        <hotspot>Top-left</hotspot>
                        <wrapping>Word</wrapping>
                        <line-height>0</line-height>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>488.192016602</x>
                        <y>164.714996338</y>
                        <z>0</z>
                        <width>149.10899353</width>
                        <height>187.764511108</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>0</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="PotionChase1" uid="18">
                    <properties>
                        <text>Oh my! Hedgeromeanr has the potion! If Dr Ninety Brains goes past him he will snatch the potion. Can Hedgeromeanr make it down to his secret Mars lair in time?</text>
                        <initial-visibility>Invisible</initial-visibility>
                        Arial,-16
                        <color>0,0,0</color>
                        <horizontal-alignment>Left</horizontal-alignment>
                        <vertical-alignment>Top</vertical-alignment>
                        <hotspot>Top-left</hotspot>
                        <wrapping>Word</wrapping>
                        <line-height>0</line-height>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>488.191986084</x>
                        <y>164.714996338</y>
                        <z>0</z>
                        <width>149.10899353</width>
                        <height>217.026992798</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>0</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="PotionChase2" uid="19">
                    <properties>
                        <text>Oh my! Dr Ninety Brains has the potion! If Hedgeromeanr goes past him he will snatch the potion. Can Dr Ninety Brains make it up to his secret Cloud lair in time?</text>
                        <initial-visibility>Invisible</initial-visibility>
                        Arial,-16
                        <color>0,0,0</color>
                        <horizontal-alignment>Left</horizontal-alignment>
                        <vertical-alignment>Top</vertical-alignment>
                        <hotspot>Top-left</hotspot>
                        <wrapping>Word</wrapping>
                        <line-height>0</line-height>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>488.191986084</x>
                        <y>164.714996338</y>
                        <z>0</z>
                        <width>149.10899353</width>
                        <height>217.026992798</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>0</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="PotionChase3" uid="20">
                    <properties>
                        <text>Oh my! What a hero! Hedgeromeanr has stolen the potion from Dr Ninety Brains! Now Hedgeromeanr just needs make it down to his secret Mars lair.</text>
                        <initial-visibility>Invisible</initial-visibility>
                        Arial,-16
                        <color>0,0,0</color>
                        <horizontal-alignment>Left</horizontal-alignment>
                        <vertical-alignment>Top</vertical-alignment>
                        <hotspot>Top-left</hotspot>
                        <wrapping>Word</wrapping>
                        <line-height>0</line-height>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>488.191986084</x>
                        <y>164.714996338</y>
                        <z>0</z>
                        <width>149.10899353</width>
                        <height>217.026992798</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>0</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
                <instance type="PotionChase4" uid="21">
                    <properties>
                        <text>Oh my! What an evil super villain! Dr Ninety Brains has stolen the potion from Hedgeromeanr! Now Dr Ninety Brains just needs make it up to his secret Cloud lair.</text>
                        <initial-visibility>Invisible</initial-visibility>
                        Arial,-16
                        <color>0,0,0</color>
                        <horizontal-alignment>Left</horizontal-alignment>
                        <vertical-alignment>Top</vertical-alignment>
                        <hotspot>Top-left</hotspot>
                        <wrapping>Word</wrapping>
                        <line-height>0</line-height>
                    </properties>
                    <blend-mode>0</blend-mode>
                    <effect-fallback>0</effect-fallback>
                    <world>
                        <x>488.191986084</x>
                        <y>164.714996338</y>
                        <z>0</z>
                        <width>149.10899353</width>
                        <height>217.026992798</height>
                        <depth>0</depth>
                        <hotspotX>0</hotspotX>
                        <hotspotY>0</hotspotY>
                        <angle>0</angle>
                        <opacity>1</opacity>
                    </world>
                </instance>
            </instances>
            <effects />
        </layer>
    </layers>
    <nonworld-instances>
        <instance type="Tunnels" uid="4" />
    </nonworld-instances>
    <effects />
</c2layout>

redpajama_set_name: RedPajamaGithub


text:
🍿 Desai Movie Reviews
Dunkirk- Movie Review
[image-gallery]
Credit: Warner Bros.
Set during World War II, Dunkirk is about the real-life story of the evacuation of British soldiers from the beaches of Dunkirk, France, when they were surrounded by German forces.
How is it? 8.2/10
Dunkirk is a harrowing, realistic, and intense film that's both a technical marvel and a depiction of heroism in the most desperate of times. However, it faces a sometimes confusing narrative that does take away from the film.
The Ups
Christopher Nolan is a remarkable director in all of his films, and Dunkirk proves no exception. Nolan crafts a truly realistic, bleak film, that still has awesome visuals and a feeling of ongoing tension throughout. This movie is, visually, beautiful. It looks really just spectacular, whether it's dealing in grand, sweeping shots of war or claustrophobic moments of its characters being trapped in tight spaces. Dunkirk never ceases to awe, and its aerial dogfights are very well-done, boasting impressive practical effects. To get the biggest kick out of Dunkirk, watch it in IMAX. Nolan shot the majority of the film with IMAX cameras, to great result. It's quite an immersive experience, and both the audio and visuals stand out more in IMAX.
The cinematography here is fantastic. There's excellent camera work throughout that never feels choppy. The sound design also stood out to me when watching. Everything from gunshots to planes are unflinchingly loud and lifelike here. Hans Zimmer's score is used very well here, and his work is (as always) brilliant. His score, combined with the never-ending sound of a ticking clock that plays throughout the movie, build suspense, tension, and even fear. It keeps the audience absolutely enthralled from the very beginning.
Speaking of which, Dunkirk is a THRILL RIDE from moment 1 onwards and keeps your heart pounding. It's super intense, especially the first half an hour of it. The very first gunshot you hear throws you directly into this war and you feel truly scared for the film's characters.
The movie's not as long as other Nolan movies and is a little more than an hour and a half. It leads to Dunkirk never feeling overlong or dragged, and the pacing's pretty solid. Additionally, this movie is unflinchingly realistic. It portrays the many horrors of war and its impact on those taking part in it. This includes the lack of dialogue in Dunkirk. The film acknowledges that these soldiers, in the situation given, wouldn't sit down or talk about their pasts. In doing this, it doesn't give you much characterization or dialogue and is totally invested in the battle, and that alone.
Not to say that the movie doesn't have emotion, either. It's quite moving near the end and shows how these people, some even civilians, are forced to respond to this situation.
Dunkirk has an ensemble cast, that's used very well here. All around there are great performances: Harry Styles had a somewhat controversial casting choice, but he acts excellently. Other highlights include Mark Rylance and Cillian Murphy, who both provide emotionally powerful, superb performances.
My main problem with Dunkirk is its structure and non-linear form of telling its story. That is, it jumps back and forth between three story threads that all span different amounts of time and intertwine at points. Although this is an ambitious choice, there are some problems raised by this, the first of which is a lack of clarity. Even though everything eventually comes together, the structure causes a lot of confusion, especially as it zips back and forth between intense sequences. It's often hard to tell what's happening. Other times, you have to witness the same event from different perspectives. You know what happens at the end of this event, as you've seen it before, from someone else's eyes. This not only adds confusion, but also removes some tension.
I mentioned before how there's not much characterization here. Although it's realistic to an extent, this still cuts away from how much you care about the characters. For example, many you don't even learn the first names of. You still feel fear for them, but won't be as invested in what happens to them because you don't know much about them.
Overall, Dunkirk is a spectacular war film. It masterfully builds tension, both through score and sound design, looks truly gorgeous in terms of cinematography, and manages to be both realistic and emotional. However, it has a disjointed structure and minimal character work, which detracts from the overall experience.
4 thoughts on "Dunkirk- Movie Review"
Arvind says:
Nice Review! Have been waiting to watch a good movie in IMAX.
I heard that Hans Zimmer used a watch he owns to record the ticking sound… pretty cool!
Will Dunc says:
Wow, great review! Looking at the pics it seems like the whole movie has a dark feel to it…very interesting. Will check out the movie soon!
John D. Oe says:
Nice. You should add a section if the movie contains any inappropriate scenes. Check out Common Sense Media and search Dunkirk for a good example.
© 2021 Desai Movie Reviews


On Monday, September 24th, Fr Edwin Palka of Epiphany of Our Lord Catholic Church in St Petersburg, Florida, will offer Mass according to Divine Worship: The Missal for the feast of Our Lady of Walsingham, in pastoral response to some canonical members of the Ordinariate of the Chair of St Peter. This will be the first Mass of its kind in the Diocese of St Petersburg. While Epiphany of Our Lord was designated as the center for the Traditional Latin Mass by Bishop Emeritus Robert N. Lynch in 2015, the celebration of the Mass according to the rite used in the Ordinariate is in absolute continuity with the mission statement of the parish, which is (in part) "to encourage all men to be fully, faithfully, joyfully and unapologetically Catholic in all aspects of life; and to bring about, through the mercy of God and the intercession of the Blessed Mother and all the Saints, the conversion of sinners and the salvation of souls." It is our hope that this Mass will contribute to the sanctification of our parish and diocese, and whose grace will lead the Church Universal to greater unity. The church is located at 2510 East Hanna Avenue; the Mass will begin at 7 pm.
On the same day, September 24, the Cathedral Basilica of Ss Peter and Paul in Philadelphia will host a solemn Mass offered according to Divine Worship: The Missal for the feast of Our Lady of Walsingham. Fr David Ousley, pastor of St. John the Baptist Church in Bridgeport, the Ordinariate parish in the Philadelphia area, will celebrate the Mass, with the assistance of Fr Eric Bergman as deacon and homilist, and Fr Albert Scharbach as subdeacon. The faithful will be able to hear sacred music from the Anglican tradition, including Oldroyd's Mass of the Quiet Hour, motets by Elgar and Stainer, Anglican chant, and a chancel choir rendering English adaptations of the Gregorian Proper antiphons. Clergy and seminarians are most welcome to attend in-choir. The Mass will begin at 7pm, and be followed by a reception; the basilica is located at 1723 Race Street.
St Therea's Catholic Church in Ottawa, Ontario, will keep the same celebration in the Ordinariate Rite, also starting at 7 pm. The church is located at 95 Somerset Street West.


text:
Q: How to send product details using ajax call from custom javascript file in magento 1.9? I am learning Magento 1.9 and want to send some of the product details to node server via JQuery ajax call but I am getting following error on console.

$.ajax is not a function

I am using Magento's default jquery version.
I have added my custom Javascript in skin folder and configured it in page.xml in layout.
What is the recommended and efficient way to do it?

redpajama_set_name: RedPajamaStackExchange


text:
function drawchart(){
//labelsset
var startnum = Number(document.getElementById("startnum").innerHTML);
for (i = startnum; (i <= (startnum+iPageSize-1))&&(i <= dataarr.length); i++) {
var ctx = document.getElementById("myChart"+i).getContext("2d");
var linedata = {
	labels : labelsset,
	datasets : [

		{
			fillColor : "rgba(151,187,205,0.5)",
			strokeColor : "rgba(151,187,205,1)",
			pointColor : "rgba(151,187,205,1)",
			pointStrokeColor : "#fff",
			data : dataarr[i-1]
		}
	]
};

var myLineChart = new Chart(ctx).Line(linedata,{
					 scaleOverride: true,
					 scaleSteps: 3,
					 scaleStepWidth: 2,
					 scaleStartValue: 0,
                     scaleFontFamily : "Microsoft Yahei",
                     scaleFontSize : 10,
                     scaleFontStyle : "bold",
                     scaleFontColor : "#ffa45e",
                     scaleLineColor : "blue",
                     scaleLineWidth : 1,
                     scaleShowGridLines : true,
                     scaleGridLineColor : "rgba(0,0,0,.05)",
                     animation : true,
                     animationSteps : 60,
                     animationEasing : "easeOutQuart",
         });

 }
  }


Guys aren't the only ones who. I Honestly Love You — Olivia Newton-John Released in September 1974. The First Time Ever I Saw Your Face by Roberta Flack This chart-topper was originally written by Ewan MacColl for his future wife, making it one of the best courtship gifts in history. He doesn't respect you, and likely doesn't care about your well being. Why would you want to stay in a relationship with someone you fear? It's not going to get better if that's what you are hopeing for.
Nobody has the right to lay their hands on another person. Enlist friends and family for help. You might want to revisit this list at some point and think about either expanding it or revising it. It is one of the highlights from her 2008 debut album 19, and the piano lets her soulful voice steal the spotlight. Even in death, even with just a moment of passion, her love follows him.
I'm so sorry because it sounds like you are pretty attached to this guy -- but he is a habitual abuser, meaning its very unlikely to stop and actually very likely to get even worse. It's obvious he's beaten you so bad you can't even type properly anymore. Trust me, when a guy wants you, and really loves you, he would never lay a hand on you. Even in death, even with just a moment of passion, her love follows him. But in saying that, things do eventually get better over time.
Bless the Broken Road by Rascal Flatts A cover of the Nitty Gritty Dirt Band's country love song that sold over two million copies. It charted in both the United States and the United Kingdom, then went on to be covered by the likes of Charlotte Church and Hue and Cry. She regularly shares tips and information on a wide range of topics, including: fashion, beauty, travel, health, and autism. It can be hard to find the perfect love song to express your love, though. No sympathy for him from me he can rot, even animals know better.
This means the longer you stay on that flight and embark on the journey together, the more fruit the process with bare. So please, take my word for it. The Power of Love by Celine Dion A cover of Jennifer Rush's chart-topper, which appeared on Dion's 1993 The Color of My Love. The First Time Ever I Saw Your Face — Roberta Flack Released in March 1972. It is featured on their 1979 album The Game and went on to top the charts for four straight weeks. The rhythm of the music sets the pace, slow yet hypnotic, pulling the listener in and sure to impress your man. Lean On Me — Bill Withers Released in April 1972.
Always — Bon Jovi One for when you are looking at photos of when you were both together and you miss the smile of your lost love. He will get more violent until he kills you, gets thrown in jail, or both. Remember, love can be shown in numerous ways, expressed in different words. This song is about a woman torn between love and hate for her man, but no matter what happens she keeps falling back in love with him. You are unable to control your feelings for him, the attraction is so strong. You can choose your song that perfectly shows the sweet, romantic nature of your relationship as a couple.
So if you've been through a break-up or if your loved one is no longer with you, here's our definitive playlist of songs to help you through the heartache. Love Story by Taylor Swift The muse for this honest and heartfelt tune was Swift's former beau, with a little help from Shakespeare. Sometimes it is hard to express your feelings, especially when they are wrapped up in so much emotion. Another thing you need to do is keep seeing the counsellor for a while, even after your relationship is well and truly over. Regardless of what he may say, every guy loves it when his woman makes the effort to dedicate a love song to him. She finds great satisfaction in reviewing products because she knows doing so helps her readers make better buying decisions.
It first appeared on the 1999 album Lonely Grill, and immediately rose to the top of the Billboard charts. Remember, love can be shown in numerous ways, expressed in different words. Those feelings were expressed through popular music. He is still the only one in her life. Most people remember this from Robin Hood: Prince of Thieves soundtrack, but it is also featured on the 1991 Waking Up the Neighbors album. And if he is to ever change, only he can do it.


This is a picture of an orphan from a third world country whose mom died of starvation. No dad in her life.
When this picture was taken this baby was starving and had been eating clay to survive.
You can't see them in this photo but her body is covered with bites where intense insects were eating her alive.
She has a bloated stomach from starvation and her ribs are almost sticking through her skin.
Stick arms and stick legs.
When her 18-year-old mom died of starvation, this baby's cousin at 16 was trying to keep her alive. The cousin was starving so she traveled away from her village and gave the baby to some missionaries saying, "Please save this little girl, she is very special.
The little girl in this picture is almost two.
Do you know any two-year-olds or have you within the last few years. I have. It seems like just yesterday my nephews were two.
Two-year-olds know whats going on. This little girl realized that her closest friend and source of love was gone when her mom died. She was left alone.
She was without a family.
My oldest son Josh was eight when this picture was taken. At the tender age of eight, he had orphans on his little mind.
I know this because he asked me what our family was going to do about it.
The little starving girl in this picture became Joshua's baby sister.
Yes. She is our beautiful daughter Mareah.
The missionary woman who saved her life called us her Forever Family.
It took a long time before Mareah began to heal from the brokenness of the trauma she experienced. There were some very rough years for Mareah, Carol and me.
Now that we are starting to see the other side of the mountain of suffering, Mareah has told me many times that she is so grateful for parents who love her like we do.
Through her years of brokenness, anger, and pain we have told her time and time again that there is nothing she can ever do to push our love away.
Carol agreed with me several months ago and said that Mareah is a different person these days and laughs a lot.
Because we are imperfect parents, there are still days that we grate on her nerves and get under her skin. And there are days that Mareah would admit that she is not a day at the beach.
However, this forever family is here to say Satan will not have the final word in the story of the little girl he tried to destroy.
There are more smiles than frowns these days on her beautiful Haitian face and the truth is, she just needed to really know that there was nothing she could do to push our love away.
Mareah has told me she believes we will never push her away. She believes these days that she is the daughter of a Forever Family.
There are millions of orphans who need a family.
If this Tip is stirring something in your heart God may be trying to get your attention.
Be motivated by God's invitation to love, never by a sense of guilt.
Do you have a loving environment in your home?
Do you have room in your family to add a son or daughter?
Are you able to adopt? Not everyone is.
Is God stirring your heart to adopt?
If the answer to those four is yes, then there may be a little boy or girl somewhere in the world waiting for you to make the first move.


I graduated with a degree in pure Mathematics from the University of York (1992). This was followed by an MSc in Mathematical Biology from the University of Dundee (1993) led by Professor Brian Sleeman. In1997 I completed a PhD at the Department of Plant Sciences, University of Cambridge, modelling crop growth and disease dynamics under the supervision of Professor Chris Gilligan and Dr Rik Werker. I then worked at VLA-Weybridge where I developed models to investigate the dynamics of scrapie and the likely efficacy of control policies. In 2000 I returned to Cambridge where I took up a postdoctoral position in the Department of Veterinary Medicine modelling farm animal diseases. I currently lecture on the part IA Mathematical Biology course at the University of Cambridge and on the Wellcome Trust 'Mathematical Models for Infectious Disease Dynamics' course.
I am developing resources to support computational biology teaching in MATLAB.