text:
Q: What files/folders must be added to source control? I need to know what files and folders must definitely be added to source control, and what files/folders can be left out.
I know I can leave out bin/ and obj/, along with the .suo file since it's user-specific, but what about the rest of the tree?
FWIW, here's a one form + one module project:
Directory of C:\Projects\MyApp\WindowsApplication1
03/10/2011  15:04             3.040 Form1.Designer.vb
03/10/2011  15:04             5.814 Form1.resx
03/10/2011  15:08             2.903 Form1.vb
03/10/2011  13:40               194 Module1.vb
03/10/2011  13:36    <DIR>          bin
03/10/2011  13:36    <DIR>          My Project
03/10/2011  13:36    <DIR>          obj
03/10/2011  13:36               934 WindowsApplication1.sln
03/10/2011  13:36             5.678 WindowsApplication1.vbproj
03/10/2011  13:36                74 WindowsApplication1.vbproj.user

Directory of C:\Projects\MyApp\WindowsApplication1\My Project
03/10/2011  02:51             1.522 Application.Designer.vb
03/10/2011  02:51               510 Application.myapp
03/10/2011  02:51             1.199 AssemblyInfo.vb
03/10/2011  02:51             2.807 Resources.Designer.vb
30/07/2008  06:54             5.612 Resources.resx
03/10/2011  02:51             3.058 Settings.Designer.vb
30/07/2008  06:54               279 Settings.settings
               7 File(s)         14.987 bytes

Thank you.

Can we safely ignore those folders? bin/, obj/, and My Project/.
What about WindowsApplication1.sln and WindowsApplication1.vbproj.user?

A: Basically everything that was generated automatically by your toolchain (compliler, etc.) and can be re-created from your source code easily, should be left out. Anything that you wrote, source code, makefiles, etc., should be checked in.
Ask yourself this question: Do I need this file if I to compile this project on a different computer with a clean installation of my tools? If the answer is "yes", check in, otherwise not.
If you're not sure, experiment! Back up all files, then delete what you think is not necessary to check in, and see if your project still builds properly and that file is re-created automatically.

A: You need to version all the files that are either required for compilation/build or need at runtime. Here are some examples:
Compilation/Build:

*

*Source code files (.aspx, .ascx, .cs/.vb)

*Scripts (.css, .js, .xslt, .xml,...)

Runtime:

*

*Document templates (.pdf, .doc, infopath files, ...)

*Config files (app.config, web.config, custom config such log4net config files,...)

You can ignore all other files/folders like .suo, .user, bin, obj, debug/release

A: Leave out all these (credit, also documentation).

*

**.bin

**.obj

**.exe

**.dll

**.pch

**.user

**.suo

**.tlb

*TestResults (VSTS unit test directory)

Alternatively, find a visual studio plug-in for your source control system (e.g. AnkhSVN for SVN) and it will do it automatically.


text:
Zhiguli's Italian brother turned into a sports electric car
The American company Barrington specializes in the restoration of old Fiat. Now, Illinois craftsmen have discovered a new line of business – they have turned the Fiat 124 Spider into an electric car.
Fiat 124 Spider is a close relative of the Lada VAZ-2101, because it uses the same platform. However, the Pininfarina studio created an elegant body for him. At Barrington, the roadster is being restored, and its interior is lined with expensive leather and wood.
But the main thing is the power plant. Two versions are available. The base Fiat 124 Spider for $ 90 thousand is equipped with one electric motor accelerates to 100 km / h in 7 s. The option worth $ 140 thousand received two engines with a total capacity of 200 liters. from. and with a torque of 271 Nm. It starts up to a hundred in 6 seconds and develops 209 km / h.
The power reserve of the roadster exceeds 140 km. But his most interesting detail is the transmission. Fiat 124 Spider received a sophisticated gearbox, which can operate as a manual (with a clutch), but can also switch to fully automatic mode.
Ford Bronco: presentation will take place earlier
Authorities will cancel parking fines due to registry errors
Bugatti Chiron will be assembled until 2021
Ford revives the Thunderbird name
Fiat 500 2020 Electrified

redpajama_set_name: RedPajamaCommonCrawl


Loving Lord Jesus, You reached out Your arms of blessing and said, "let the little children come unto Me for of such is the kingdom of heaven" – Lord we ask You to bless each child and may each one be kept safe and secure in Your arms of love and grow in grace and come to a mature understating of the glorious gospel of grace.
May each child that has written I pray be a special jewel in Your heart and may they grow into mighty men and women of God, who love You with all their heart.
Thank You Lord for each one in Jesus name we pray.


text:
Der Odeon-Walzer ist der dritte von vier nachgelassenen Walzern von Johann Strauss Sohn ohne Opuszahl. Das Werk wurde am 16. November 1901 im Theater an der Wien erstmals aufgeführt.

Anmerkungen
Der Walzer wurde wahrscheinlich unter dem Titel Jung Wien uraufgeführt. Mangels gesicherter Quellen muss diese Angabe aber unter Vorbehalt betrachtet werden. Die Aufführung wurde zwar angekündigt und das Konzert im Theater an der Wien fand tatsächlich statt, nur dieser Walzer wird in den folgenden Kritiken, bis auf eine einzige Ausnahme, nicht erwähnt. Gesichert ist dagegen eine Aufführung unter der Leitung von Carl Michael Ziehrer am 26. Januar 1908. Im Februar 1908 wurde das Werk unter der Leitung von Robert Stolz im Theater an der Wien gespielt. Dieses Konzert, bei dem unter anderem auch Franz Lehár Strauss Werke dirigierte, war eine Benefizveranstaltung. Der Erlös wurde für die Errichtung eines Denkmals für Johann Strauss gespendet. Das Werk selbst war zum Zeitpunkt des Todes von Johann Strauss (3. Juni 1899) noch nicht vollendet. Es wurde von Adolf Müller, der auch schon andere Strauss Werke bearbeitet hat, fertiggestellt. Der Name Odeon geht wohl auf das Label der International Talking Machine CombH, Berlin-Weißensee zurück, die in einem Vermerk der Erstausgabe (des gedruckten Walzers) erwähnt wird. Gehalten hat sich der Walzer aber nicht. Er verschwand in den Archiven, bis er anlässlich der unten erwähnten CD-Einspielung wieder hervorgeholt wurde.

Die Spieldauer beträgt auf der unter Einzelnachweisen angeführten CD 7 Minuten und 48 Sekunden. Je nach der musikalischen Auffassung des Dirigenten kann diese Zeit um bis zu etwa einer Minute plus oder minus variieren.

Weblinks
 Der Odeon-Walzer auf der Naxos online CD Beschreibung

Einzelnachweise

Siehe auch
 Liste der Walzer von Johann Strauss (Sohn)

Walzer von Johann Strauss (Sohn)
Musik 1901

redpajama_set_name: RedPajamaWikipedia


I want to display my computer properties on desktop screen, as below: Computer Name: Ip Address OS Version Current User Name Computer UP time Current date and time etc.
Is it possible? If yes, What changes are required?


The US Space & Rocket Center in Huntsville, Alabama has received a $10 million economic development grant for education, to develop its Cyber Camp and to construct a new building. The new investment fund is set to have a bold impact on the lives of students within the state and beyond, who will benefit from advanced and bespoke technological know-how.
The Space Center is already seeing more than 50,000 entering the space center's camps and programs each year, and they say it's now time to expand visitor numbers from all across America.
According to Alabama news source AL.com, one of America's most important space exhibition centers and museums is pumping their investment into educating students on technologies of today as well as how to conquer space.
"In order to have a workforce that is prepared for the 21st century and can fill jobs in the 21st century, we must train our students and young people in technology, and the efforts of the US Cyber Camp do just that," Governor Kay Ivey said.
The governor said that the fund comes in light of renewed interest in the space center. Ivey revealed that the Army, Federal Bureau of Investigation (FBI), Department of Homeland Security, NASA, and National Security Agency (NSA) are all interested in participating in these programs. "The need to expand the US Cyber Camp is real, and it is important," she added.
The space center is one of America's largest tourist attractions and currently houses a Space Camp, Space Academy, and Aviation Challenge. The center held its first cyber camp in the summer of 2017 with 32 students from across Alabama who were selected by their teachers.
The University of Alabama in Huntsville and Cyber Huntsville are the Center's partners; all three are keen on ensuring the youth of today are fully educated in the latest tech innovations so they can succeed in a highly competitive job market.
As well as an increase in space camp and educational programs, the Center will benefit from the construction of a new building which will provide more space for the Center and its museum.
Governor Ivey said the funds for the grant came from Alabama's 666 Fund. The strangely-named fund was established by voters in 2000 to invest some of the royalties paid by natural gas and oil companies active off Alabama's gulf coast. A nine-person board headed by Governor Ivey approves the investment grants each year.
Not only will the Space Center have a bold impact on the lives of students all over America, but will also help educate and train the next generation of innovators to ensure the country is at the forefront of technological progression worldwide.


This Vacant Land property located within the Coalville subdivision in Wanship, Hoytsville, Coalville, Rockport is priced at $224,900.00/sq. ft. and has been on the market for 305 days. 1962 S Pine Meadows Dr is 1 square feet of living space and has 0 bedrooms and 0 baths.


text:
CrossFit Discussion Board > Community > Stuff and Nonsense
Tell a joke or just laugh.
Stuff and Nonsense For off-topic chatter. Keep it PG-13; no sex, politics or religion!
Page 4 of 6 < 1 2 3 4 5 6 >
Pearse Shields
Location: Palmerston New Zealand
Re: Tell a joke or just laugh.
Originally Posted by Josh Deets
A man walks into a bar. The guy behind him ducks.
Two blondes walk into a bar. You'd figure one of them would have seen it coming.
If it had parents, eat it till you're full My YouTube
Find More Posts by Pearse Shields
Brad Allen Jones
Location: Muskegon MI
Heard this one on comedy central and had to share it, so I looked it up, its by Jamie Lissow.
I like working out, but I can't stand the characters in the public gym. No matter what city I'm in, there's always the same people in there. There's always that one guy that's figured out the quickest way to look real big without actually training with weights is to squeeze his weird body into the smallest shirt he could possibly find. And you see him in there, and you're like, 'Damn, Bobby, you're looking huge! Wait a minute, what's that shirt say? Daddy's Little Princess?'
Typical Globo gym...
Find More Posts by Brad Allen Jones
Jeff Enge
Location: Collinsville IL
Originally Posted by Pearse Shields
What did the fish say when it ran into a wall?
"Damn!"
...That one goes better told verbally. Homophones...
Find More Posts by Jeff Enge
A guy walks into a bar with an alligator. It's about 10 feet long. The bartender flips out and says, "Hey buddy, you gotta get that son of a ***** outta here. It's going to bite one of my customers and I'm going to get sued."
The guy says, "No no no, it's a tame alligator. I'll prove it to you."
He picks up the alligator and puts it on the bar. Then he unzips his pants, pulls out his package and sticks it in the alligator's mouth. The alligator just keeps his mouth open. After about 5 minutes, he pulls it out of the alligator's mouth and zips up his pants and says, "See, I told you it was a tame alligator. Anybody else want to try it?"
The drunk down at the end of the bar says, "Yah, I'd like to try it but I don't think I can hold my mouth open that long!"
I'll be here all night folks.
Nik Nichols
Location: Quinlan TX
A blonde goes into a nearby store and asks a clerk if she can buy the TV in the corner.
The clerk looks at her and says that he doesn't serve blondes, so she goes back home and dyes her hair black.
The next day she returns to the store and asks the same thing, and again, the clerk said he doesn't serve blondes.
Frustrated, the blonde goes home and dyes her hair yet again, to a shade of red.
Sure that a clerk would sell her the TV this time, she returns and asks a different clerk this time.
To her astonishment, this clerk also says that she doesn't serve blondes.
The blonde asks the clerk, "How in the world do you know I am a blonde?"
The clerk looks at her disgustedly and says,"That's not a TV -- it's a microwave!"
49/M/5'7''/175lbs ''Take pain.'' quote: Mr Jenkins
Find More Posts by Nik Nichols
A man walked into a bar on a slow night and sat down. After a few minutes, the bartender asked him if he wanted a drink.
He replied, "No thanks. I don't drink. I tried it once, but I didn't like it."
So the bartender said, "Well, would you like a cigarette?"
But the man said, "No thanks. I don't smoke. I tried it once, but I didn't like it."
The bartender asked him if he'd like to play a game of pool, and again the man said, "No thanks. I don't like pool. I tried it once, but I didn't like it. As a matter of fact, I wouldn't be here at all, but I'm waiting for my son."
The bartender said, "Your only son, I'm guessing."
Nice one Brad.
A horse walks into a bar and the bar tender asks ''Why the long face?''
Joe C Thomas
Location: Spanish Fort AL
A man walks into a bar with a zebra. Walks up to the bar and starts pounding shots of tequila. For every shot the man took, the zebra took 3. After about an hour the zebra passes out and sprawls out on the floor. The man stands up and starts walking towards the door.
The bartender yells, "Hey! You can't leave that lyin there!"
The man says, "Dude, it's a Zebra!"
My Training Log
My blog: Joe's Fitness Bucket List My PRs: Joe's Peppers
Find More Posts by Joe C Thomas
Originally Posted by Nik Nichols
Hahah the name of this thread should now be "bar jokes".
Originally Posted by Joe C Thomas
This one...wow!
An Irishman drinks at the pub until they close.
He stands up to leave and falls flat on his face. He tries to stand one more time and falls again. He figures he'll crawl outside and get some fresh air and maybe that will sober him up.
Outside, he tries to stand up and falls flat again. He gives up and crawls the four blocks to his house, crawls up the stairs and pulls himself into bed.
The next morning, his wife stands over him shouting, "So, you've been out boozing again!"
"What makes you say that?" he asks, putting on an innocent face.
"The pub called -- you left your wheelchair there again."
Last edited by Brad Allen Jones : 11-29-2012 at 01:41 PM.
Come in for a laugh !!! Not WFS Jeff Wadholm Fitness 1 05-17-2010 01:32 PM
This is no freakin' joke... Andy Poquette Starting 9 08-31-2008 09:37 AM
Help with W/F safe joke Alain Latour Stuff and Nonsense 5 04-11-2008 08:52 AM
Cop joke Donald Woodson Community 1 03-15-2005 10:54 AM


text:
« Pahrump casino agrees to $5,500 fine over unregistered employees
Company accused of operating slot machines without license »
Behind the scenes: How casinos prepared for the new $100 bill
There's a new Benjamin in town, and the casino companies were ready for him.
For years, Las Vegas' gaming companies had been preparing for the Oct. 8 debut of a new $100 bill. In advance of its arrival, resorts and equipment manufacturers spent thousands of hours making sure every slot machine and money-taking device would accept them without a hitch.
It worked. Bosses at the biggest gaming companies say the transition so far has been smooth.
David Kubajak was among the first to find out about the new $100 bill.
As senior director of operations at JCM Global, which supplies more than 75 percent of the country's 850,000 slot machine bill validators, Kubajak got word from the U.S. Treasury Department about five years ago that Benjamin Franklin was getting a makeover.
The U.S. Bureau of Engraving and Printing relies on industry experts such as Kubajak for feedback on bill design. The Federal Reserve wants to make sure its design is secure and difficult to counterfeit.
About three years before the government planned to release the bills, officials sent Kubajak a design concept to review.
The agency is sensitive to JCM's needs. The company deals mostly with $100 bills and partners with some of the world's largest gaming companies, including IGT and Caesars Entertainment. Updating software can takes months.
In return, Kubajak's team signed multiple security agreements promising to keep their lips sealed about the new $100. Most JCM employees were prohibited from seeing the bills, and the Bureau of Engraving conducted monthly audits to make sure no information had leaked.
"It really is a top-secret, well-controlled process," Kubajak said.
Once a final design was approved, the feds sent Kubajak bills for testing.
In February, a postman dropped off an average-looking package to JCM's Las Vegas office. Kubajak was out, so Tom Nieman, vice president of global marketing, opened it. Inside the box, he found 1,000 crisp new $100 bills.
"I thought: 'Geez, what is David getting into?'" Nieman said.
Nieman didn't know they were worthless.The bills lacked serial numbers so they weren't legal tender, but they were authentic enough that JCM could run them through bill validators to make sure their software recognized the new design.
Each updated bill includes a gold ink well and bell you can feel with your fingers. A 3-D strip occupies the lower-right corner and changes from green to gold when turned.
There also are covert, secret features that those in the know can't disclose.
"I am prohibited from discussing those because of the security agreements I'm under," Kubajak said.
Almost every casino game, with the exception of most table games, requires a bill validator that can recognize $1 bills and three designs of $5, $10, $20, $50 and $100 bills dating to 1953.
U.S. currency never expires. If you put a $1 bill in a shoebox under your bed, it still will be valid 40 years from now.
Casinos call JCM all the time asking whether bills from the 1960s still work.
"Of course it's OK," Kubajak said. "It's still valid U.S. currency."
Although older bills eventually will be destroyed by the Federal Reserve and replaced with new ones, casinos aren't responsible for separating old bills from new ones.
Gaming companies upgraded validators in their slot machines about three months before the new bill's release. Most casino operators have contracts that include software upgrades for new bills, so the work came at no additional cost, Kubajak said.
Updating a slot machine is usually as simple as plugging a USB drive into it and pressing a button to upload the data. Each upgrade takes 45 seconds to a minute.
"You don't need to be a rocket scientist," said Mike Gatten, vice president of slot operations at MGM Resorts International's Aria. Gatten's team had to update 1,900 machines.
Casino employees also had to be trained on what the new currency looks like and how to detect counterfeits.
So far, there haven't been many problems with the validators, Kubajak said.
That doesn't mean Kubajak can rest easy. More bill changes are coming down the pike.
The bills lacked serial numbers so they weren't legal tender, but they were authentic enough that JCM could run them through bill validators to make sure their software recognized the new design.
Kubajak already has information about new bills that will debut five years from now.
"We're already working on the future," he said.
clik


WHAT IS ACUPRESSURE?Acupressure is often called acupuncture without needles. Instead of needles, acupressure involves the application of manual pressure (usually with the tips of the fingers) to specific points on the body. According to the principles of traditional Chinese medicine, the body has vital energy called "chi" or "qi" that flows along invisible lines of energy flow called meridians. Believed that there are at least 14 meridians that connect our organs with other parts of our body. Acupressure points found in the meridians. If the flow of the qi is blocked at any point of a meridian, it is believed to be the cause of disease and carry the disease anywhere along the meridian. That's why a doctor can apply pressure to an acupressure point on the feet to relieve a headache. There is no scientific consensus on how acupressure could work. Some theorize that the pressure could stimulate the release of natural pain-relieving chemicals in the body, called endorphins.


text:
package ru.job4j.tracker.start;

import ru.job4j.tracker.models.Item;
import ru.job4j.tracker.models.Task;

import java.util.ArrayList;

/**
 * Class MenuTracker.
 * @author Ayuzyak
 * @since 26.03.2017
 * @version 1.0
 */
public class MenuTracker {
    /**
     * variable of input.
     */
    private Input input;

    /**
     * task tracker.
     */
    private Tracker tracker;

    /**
     * menu of actions.
     */
    private ArrayList<UserAction> actions = new ArrayList<>();

    /**
     * constructor for MenuTracker.
     * @param input for enter information.
     * @param tracker of tasks.
     */
    public MenuTracker(Input input, Tracker tracker) {
        this.input = input;
        this.tracker = tracker;
    }

    /**
     * fill menu of actions.
     */
    public void fillActions() {
        this.actions.add(this.new AddItem("Add the new item."));
        this.actions.add(new MenuTracker.EditItem("Edit the item."));
        this.actions.add(new DeleteItem("Delete the item."));
        this.actions.add(new ShowItems("Show all items."));
        this.actions.add(new FindItemByName("Find task by name."));
        this.actions.add(new FindItemById("Find task by ID."));
        this.actions.add(new AddComment("Add comment to task."));
        this.actions.add(new ShowComments("Show all comments of task."));
    }

    /**
     * method for getting array of actions.
     * @param action to add.
     */
    public void addAction(UserAction action) {
        this.actions.add(action);
    }

    /**
     * method for getting array of actions.
     * @return actions - int[].
     */
    public ArrayList<Integer> getRangeActions() {
        ArrayList<Integer> rangeActions = new ArrayList<>();
        for (int i = 0; i < actions.size(); i++) {
            rangeActions.add(actions.get(i).key());
        }
        return rangeActions;
    }

    /**
     * method for execute action.
     * @param key for select action.
     */
    public void select(int key) {
        this.actions.get(key).execute(this.input, this.tracker);
    }

    /**
     * method for show user actions.
     */
    public void show() {
        System.out.println("Choose action from 0 to 8");
        for (UserAction action : this.actions) {
            if (action != null) {
                System.out.println(action.info());
            }
        }
    }

    /**
     * Inner class to add task.
     */
    private class AddItem extends BaseAction {

        /**
         * constructor for AddItem.
         * @param name of object's.
         */
        AddItem(String name) {
            super(name);
        }
        /**
         * key for choose.
         * @return int key.
         */
        public int key() {
            return 0;
        }

        /**
         * method for execute adding.
         * @param input for enter information.
         * @param tracker for tasks.
         */
        public void execute(Input input, Tracker tracker) {
            String name = input.ask("Please enter the task's name: ");
            String desc = input.ask("Please enter the task's desc: ");
            Item item = new Task(name, desc);
            tracker.add(item);
            countAddedTask++;
            if (countAddedTask <= tracker.getAll().size()) {
                System.out.println("You have successfully added the task. Your task id is: " + item.getId());
            } else {
                System.out.println("Sorry you can't add task. List of task is full.");
            }
        }
    }

    /**
     * Inner static class to edit task.
     */
    private static class EditItem extends BaseAction {

        /**
         * constructor for EditItem.
         * @param name of object's.
         */
        EditItem(String name) {
            super(name);
        }
        /**
         * key for choose.
         * @return int key.
         */
        public int key() {
            return 1;
        }

        /**
         * method for execute editing.
         * @param input for enter information.
         * @param tracker for tasks.
         */
        public void execute(Input input, Tracker tracker) {
            String id = input.ask("Enter ID of edit task - ");
            Item item = new Task();
            item.setId(id);
            if (tracker.hasId(item)) {
                String name = input.ask("Change name of task - ");
                String desc = input.ask("Change description of task - ");
                item = new Task(name, desc);
                item.setId(id);
                tracker.update(item);
            } else {
                System.out.println("!!!There is not task with this ID!!!");
            }
        }
    }

    /**
     * Inner class to show all tasks.
     */
    private class ShowItems extends BaseAction {

        /**
         * constructor for ShowItems.
         * @param name of object's.
         */
        ShowItems(String name) {
            super(name);
        }
        /**
         * key for choose.
         * @return int key.
         */
        public int key() {
            return 3;
        }

        /**
         * method for execute showing.
         * @param input for enter information.
         * @param tracker for tasks.
         */
        public void execute(Input input, Tracker tracker) {
            System.out.println("The List of tasks: ");
            ArrayList<Item> items = tracker.getAll();
            for (int i = 0; i < items.size(); i++) {
                if (items.get(i) != null) {
                    System.out.println("Task - " + items.get(i).getName() + " with ID - " + items.get(i).getId());
                }
            }
        }
    }

    /**
     * Inner class to find tasks by name.
     */
    private class FindItemByName extends BaseAction {
        /**
         * constructor for FindItemByName.
         * @param name of object's.
         */
        FindItemByName(String name) {
            super(name);
        }

        /**
         * key for choose.
         * @return int key.
         */
        public int key() {
            return 4;
        }

        /**
         * method for execute finding by name.
         * @param input for enter information.
         * @param tracker for tasks.
         */
        public void execute(Input input, Tracker tracker) {
            String name = input.ask("Enter name of task to search - ");
            Item item = tracker.findByName(name);
            if (item != null) {
                System.out.println("Your task was found. Task ID is: " + item.getId());
            } else {
                System.out.println("!!!There is not task with this name!!!");
            }
        }
    }

    /**
     * Inner class to find tasks by ID.
     */
    private class FindItemById extends BaseAction {
        /**
         * constructor for FindItemById.
         * @param name of object's.
         */
        FindItemById(String name) {
            super(name);
        }

        /**
         * key for choose.
         * @return int key.
         */
        public int key() {
            return 5;
        }

        /**
         * method for execute finding by ID.
         * @param input for enter information.
         * @param tracker for tasks.
         */
        public void execute(Input input, Tracker tracker) {
            String id = input.ask("Enter ID of task to search - ");
            Item item = tracker.findById(id);
            if (item != null) {
                System.out.println("Your task was found. Task name is: " + item.getName());
            } else {
                System.out.println("!!!There is not task with this ID!!!");
            }
        }
    }

    /**
     * Inner class to add comment to task.
     */
    private class AddComment extends BaseAction {
        /**
         * constructor for AddComment.
         * @param name of object's.
         */
        AddComment(String name) {
            super(name);
        }

        /**
         * key for choose.
         * @return int key.
         */
        public int key() {
            return 6;
        }

        /**
         * method for execute adding comment.
         * @param input for enter information.
         * @param tracker for tasks.
         */
        public void execute(Input input, Tracker tracker) {
            String id = input.ask("Enter id of task to comment - ");
            Item item = new Task();
            item.setId(id);
            if (tracker.hasId(item)) {
                String comment = input.ask("Enter your comment - ");
                tracker.addComment(item, comment);
            } else {
                System.out.println("!!!There is not task with this ID!!!");
            }
        }
    }

    /**
     * Inner class to show comments of task.
     */
    private class ShowComments extends BaseAction {
        /**
         * constructor for ShowComments.
         * @param name of object's.
         */
        ShowComments(String name) {
            super(name);
        }

        /**
         * key for choose.
         * @return int key.
         */
        public int key() {
            return 7;
        }

        /**
         * method for execute showing comments.
         * @param input for enter information.
         * @param tracker for tasks.
         */
        public void execute(Input input, Tracker tracker) {
            String id = input.ask("Enter id of task to show comments - ");
            Item item = new Task();
            item.setId(id);
            if (tracker.hasId(item)) {
                ArrayList<String> comments = tracker.showComments(item);
                if (comments.size() > 0) {
                    for (int i = 1; i <= comments.size(); i++) {
                        System.out.println("Comment #" + i + " - " + comments.get(i - 1));
                    }
                } else {
                    System.out.println(("This task is not got comments yet"));
                }
            } else {
                System.out.println("!!!There is not task with this ID!!!");
            }
        }
    }
}

/**
 * Outer class to delete task.
 */
class DeleteItem extends BaseAction {
    /**
     * constructor for DeleteItem.
     * @param name of object's.
     */
    DeleteItem(String name) {
        super(name);
    }

    /**
     * key for choose.
     * @return int key.
     */
    public int key() {
        return 2;
    }

    /**
     * method for execute deleting task.
     * @param input for enter information.
     * @param tracker for tasks.
     */
    public void execute(Input input, Tracker tracker) {
        String id = input.ask("Enter id task to delete - ");
        Item item = new Task();
        item.setId(id);
        if (tracker.hasId(item)) {
            tracker.delete(item);
            System.out.println("Item deleted.");
        } else {
            System.out.println("!!!There is not task with this ID!!!");
        }
    }
}

redpajama_set_name: RedPajamaGithub


And of course Percy's there so...bonus!!!
I could totally see you as being Athena's daughter!
YES. I could never be related to Zues, but YES.
Hahaha!!! Same here! But I am an Athenain!!!!
Haha! I can see you as more of Apollo or even Hermes than Poseidon, but I don't judge the god!


text:
Home » Reviews » Off West End » The Ones Who Kill Shooting Stars, White Bear Theatre
The Ones Who Kill Shooting Stars, White Bear Theatre
Author: Everything Theatre in Off West End, Reviews 23 October 2012	0 347 Views
Conall Quinn
Directed by Alice Malin
Pros: A funny and beautifully poetic script with some fantastic characters.
Cons: The action is occasionally too loud and grandiose for such a tiny venue and some of the accents are not quite right.
Our Verdict: A fairly decent (ish) production of an excellent script.
Courtesy of The Public Reviews
The White Bear is an intimate theatre hidden at the back of a lovely, cozy pub near Kennington tube station in South London. It is a venue which tends to champion new writing and has won several coveted awards in recent years. This play is a newish work from Conall Quinn, a promising Irish playwright who recently won the Stewart Parker Bursary Award for his play The Death of Harry Leon. Much of Quinn's work and characterisations have faint echoes of a few late, great Irish playwrights – particularly Flann O'Brien, Beckett and Synge.
The Ones Who Kill Shooting Stars is set in Ireland during World War II when the beaches along the east coast were littered with watchmen and lookouts hired to report any signs of a German invasion. One of these watchmen is Henry (Gregory Finnegan) – a rather demented, romantic, alcoholic pyromaniac with a penchant for setting off flares without due cause. This kind of behaviour leads to unnecessary widespread panic followed by angry phone calls from the parliament offices in Dublin. Part of Henry's job is to keep a log of all suspicious sightings but instead his logbook is filled with the ramblings of a deranged alcoholic with very serious daddy issues.
Joining our trigger-happy Henry is a pretentious, sexually repressed and annoyingly middle-class watchman named Edward, played with suitable pomposity by Damien Tracey. The razor-sharp dialogue between the two is most enjoyable and some of the one-liners are very memorable indeed. One criticism I have of the delivery is that both actors are a bit shouty considering the small size of the venue. The characters are supposed to be outside on a beach so I could understand the volume to a degree but it all became a bit deafening at times which seemed entirely unnecessary. Quinn's play is quite word-heavy and in this production sadly some of the meaning was lost in hasty delivery. If the actors could pace themselves a bit more it would give the audience a better chance to really savour the beautiful details in Quinn's work.
Keeping the two watchmen company is a free-spirited, lustful local girl called Alice (Clare Fraenkel) who runs away from home several times, even when there is no one left to run away from. Fraenkel is a strong actress who brings great charm and plenty of energy to her role. Unfortunately, an unsuccessful attempt at an Irish accent diminishes the illusion of an authentic Irish setting for much of the play but this is the only fault I can find in an otherwise engaging performance. Her wistful character falls in love with a dead US air pilot who washes ashore one day (and this is where the story skims around the controversial area of necrophilia). The fact that she sees his corpse as a living, breathing man who fulfils her every fantasy gives another interesting aspect to this multi-faceted script.
There are a couple of dramatic and physically demanding moments within the piece which didn't quite ring true particularly in the moment where Edward slaps Alice in a fit of anger and later when she beats him repeatedly over the head with a rock. Both of these actions felt a little staged and unfortunately didn't quite work.
Some of the stronger elements of the show include really good set design – a sparse, sandy beach with a couple of props scattered about complimented by great sound and lighting (especially when the flares go up and the whole theatre is drenched in deep red). The costumes too were as authentic and well thought-out as anything you're likely to see in a big budget west end play.
Overall, this is not a bad production and the script is good enough comically, dramatically and poetically to carry the audience through some flaws in the direction and performance. The main issue here is that the director seemed to choose continuous high energy over any kind of real intimacy and given the size of the theatre and the top class script, this is a terrible shame.
Please feel free to leave your thoughts and opinions in the comments section below!
The Ones Who Kill Shooting Stars has now finished its run at the White Bear Theatre.
Alice Malin Clare Fraenkel Connall Quinn Damien Tracey Gregory Finnegan The Ones Who Kill Shooting Stars White Bear Theatre	2012-10-23
Tagged with: Alice Malin Clare Fraenkel Connall Quinn Damien Tracey Gregory Finnegan The Ones Who Kill Shooting Stars White Bear Theatre
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You are here: Home Reports & data Children & youth Australia's children
Go to Children & youth
Australia's children
Last updated: 25 Feb 2022
Topic: Children & youth
Australian Institute of Health and Welfare (2022) Australia's children, AIHW, Australian Government, accessed 01 February 2023.
Australian Institute of Health and Welfare. (2022). Australia's children. Retrieved from https://www.aihw.gov.au/reports/children-youth/australias-children
Australia's children. Australian Institute of Health and Welfare, 25 February 2022, https://www.aihw.gov.au/reports/children-youth/australias-children
Australian Institute of Health and Welfare. Australia's children [Internet]. Canberra: Australian Institute of Health and Welfare, 2022 [cited 2023 Feb. 1]. Available from: https://www.aihw.gov.au/reports/children-youth/australias-children
Australian Institute of Health and Welfare (AIHW) 2022, Australia's children, viewed 1 February 2023, https://www.aihw.gov.au/reports/children-youth/australias-children
Background - expandBackground - collapse
Australian children and their families
Health - expandHealth - collapse
The health of Australia's children
Smoking and drinking in pregnancy
Birthweight
Chronic conditions and burden of disease
Asthma prevalence among children
Children with diabetes
Cancer incidence and survival
Children with mental illness
Children with disability
Social and emotional wellbeing
Breastfeeding and nutrition
Smoking and drinking behaviour
Infant and child deaths
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Child learning and development
Early learning: reading to children
The transition to primary school
Attendance at primary school
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Parental health and disability
Income, finance and employment
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Family economic situation
Material deprivation
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Housing stress
Justice and safety
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Children and crime
Neighbourhood safety
Children exposed to family violence
Children in non-parental care
Children under youth justice supervision
Aboriginal and Torres Strait Islander children
Data gaps - expandData gaps - collapse
Overarching data gaps
Topic-specific gaps
What could be done to improve the evidence?
Where do I find more information?
Data sources - expandData sources - collapse
Survey data sources
Administrative data sets
Data updates
25/02/22 – In the Data section, updated data related to teenage mothers are presented in Data tables: Australia's children 2022 - Health. The web report text was last updated in December 2019.
In 2017, births to teenage mothers made up 2.2% of all live births.
Births to teenage mothers decreased by more than 40% between 2006 and 2017 from 17.6 to 9.2 live births per 1,000 females aged 15–19.
Motherhood for women under the age of 20 can be a positive and maturing experience. For many young people, becoming a parent can have a transformative impact, particularly with changing unhealthy behaviours and relationships (AHRC 2017; Rhys Price-Robertson 2010).
Recent findings also show some positive birth outcomes for teenage mothers compared with mothers aged 20–24 with teenage mothers:
more likely to have a spontaneous labour (and less likely to have a caesarean section)
less likely to have diabetes
less likely to have gestational diabetes (AIHW 2018).
However, mothers who give birth under the age of 20 are also a vulnerable population group, who may experience lower education and reduced employment. This may increase the risk of socioeconomic disadvantage for both child and mother (Marino et al. 2016). Children of vulnerable young parents are also at risk of becoming teenage parents themselves (Gaudie et al. 2010; Marino et al. 2016).
Teenage motherhood is associated with a number of poorer health and wellbeing outcomes for both mother and baby. In the short-term, babies born to teenage mothers are at greater risk of being born pre-term, with a low birthweight, stillbirth and neonatal death (AIHW 2018; Marino et al. 2016). Children of teenage mothers may go on to have behavioural, emotional and cognitive disadvantages (Marino et al. 2016). Depression is more prevalent among pregnant teenagers than adult pregnant women or teenagers in general, and teenage motherhood can have a long-lasting effect on mental health (Marino et al. 2016).
Box 1: Data source on teenage mothers
Data on teenage mothers is sourced from the National Perinatal Data Collection (NPDC). The NPDC is a national population-based cross-sectional collection of data on pregnancy and childbirth. The data are based on births reported to the perinatal data collection in each state and territory. Rates are calculated using denominators based on the ABS estimated resident population of females aged 15–19.
How many children are born to teenage mothers?
In 2017, around 6,600 babies were live-born to teenage mothers—a rate of 9.2 live births per 1,000 females aged 15–19. Births to teenage mothers made up 2.2% of all live births.
Have birth rates to teenage mothers changed over time?
Births to teenage mothers decreased by more than 40% between 2006 and 2017 from 17.6 to 9.2 per 1,000 females aged 15–19 (Figure 1).
Figure 1: Births to teenage mothers, 2006–2017
Chart: AIHW. Source: AIHW NPDC.
In Australia, this decrease has been attributed to greater personal control over fertility rather than an increase in terminations (Marino et al. 2016).
In the 10 years to 2015, there was also been a change in the age distribution of teenage mothers. The proportion of mothers aged 16 decreased from 8.7% to 6.9% while the proportion of mothers aged 19 increased from 42% to 46% (AIHW 2018).
Are teenage births rates the same for everyone?
Teenage birth rates differ across population groups (Figure 2). In 2017, teenage mothers aged 15–19 were more likely to:
live in Remote and very remote areas (21 births per 1,000) than in Major cities (3.2 births per 1,000)
live in areas of greater socioeconomic disadvantage (21 births per 1,000compared with 1.7 births per 1,000 in areas of least disadvantage).
be born in Australia (9.9 births per 1,000) than overseas (5.6 births per 1,000).
Differences were also evident between Indigenous teenage mothers (46.4 births per 1,000) and non-Indigenous women (7.1 per 1,000). However, Indigenous teenage birth rates decreased considerably from 70 births per 1,000 Indigenous women aged 15–19 in 2006, to 46 births per 1,000 in 2017. See also Indigenous children.
Note that not all these categories are mutually exclusive. It is likely that some of these associated factors overlap.
Figure 2: Births to teenage mothers by selected population groups, 2016
How does Australia compare internationally?
Internationally, Australia's birth rate for mothers aged 15–19 was lower than the national Organisation for Economic Co-operation and Development (OECD) average, according to the most recent OECD report on births to teenage mothers (Figure 3). Australia's birth rate for these mothers (11.9 births per 1,000) was lower than the OECD average of 36 countries (12.4 births per 1,000). Korea had the lowest teenage birth rate (1.3 births per 1,000) while Mexico had the highest (66 per 1,000) (OECD 2018).
Figure 3: Births to teenage mothers by selected OECD countries and rankings, 2016
Data for Canada refer to 2013, for Australia and the United States to 2015.
Data in this graph are for OECD member states only.
Graph reflects top 3 countries, English-speaking background countries, and bottom-ranked country.
Chart: AIHW. Source: OECD Family Database.
Data limitations and development opportunities
The teenage birth rate includes only live births to teenage mothers, and is therefore lower than the pregnancy rate, which would include stillbirths, miscarriages and terminations.
National data are not currently available on termination, with South Australia and Western Australia the only states to have data publicly available. Pregnancy termination rates in these states have declined since the late 1990s (Hutchinson & Ballestas 2018, SA Health 2018). In South Australia, the rate decreased from 23.6 to 8.3 per 1,000 women aged 15–19 between 2001 and 2016, respectively. While in Western Australia, the rate decreased from 23.1 to 9.1 for the same age group between 2002 and 2015, respectively.
For more information on:
teenage mothers for Indigenous children, see: Indigenous children
births to teenage mothers, see: Teenage births in Children's Headline Indicators.
selected indicators disaggregated by maternal age, including teenage mothers, see: National Core Maternity Indicators data visualisations, Demographics of mothers and babies: Maternal age in Australia's mothers and babies data visualisations and Australia's mothers and babies 2017—in brief.
teenage motherhood, see: Teenage mothers in Australia 2015 and Australia's mothers and babies 2017—in brief.
AHRC (Australian Human Rights Commission) 2017. Children's rights report 2017: National Children's Commissioner. Sydney: AHRC.
AIHW (Australian Institute of Health and Welfare) 2018. Teenage mothers in Australia 2015. Cat. no. PER 93. Canberra: AIHW.
Gaudie J, Mitrou F, Lawrence D, Stanley F, Silburn S & Zubrick S 2010. Antecedents of teenage pregnancy from a 14-year follow-up study using data linkage. BMC Public Health 10(1):63.
Hutchinson M & Ballestas T 2018. Induced abortions in Western Australia 2013–2015. Fifth report of the Western Australian Abortion Notification System. Perth: Department of Health, Western Australia. Viewed 20 September 2019.
Marino JL, Lewis LN, Bateson D, Hickey M & Skinner SR 2016. Teenage mothers. Australian Family Physician 45:712–17. Viewed 21 February, 2019.
OECD (Organisation for Economic Co-operation and Development) 2018. OECD Family Database. Paris: OECD. Viewed 21 February 2019.
Rhys Price-Robertson R 2010. Supporting young parents. Child Family Community Australia Practice Sheet—November 2010. Melbourne: AIFS. Viewed 7 May 2019.
SA Health 2018. Pregnancy outcome in South Australia 2016. Adelaide: SA Health. Viewed 21 February 2019.
Technical notes Expand
AIHW National Perinatal Data Collection
Numerators include a small number of births to mothers aged under 15.
Numerators include non-residents, residents of external territories and records where geographic area of usual residence was not stated (with the exception of remoteness and socioeconomic status categories).
For maternal Indigenous status, rates are calculated using ABS population estimates and projections of Indigenous populations (series B) for females aged 15–19 (ABS Cat. no. 3238.0). Indigenous status data excludes births to mothers for whom Indigenous status was not stated.
For maternal birthplace, rates are calculated using the estimated resident population of females aged 15–19 from the 2016 Census (ABS Cat. no. 3412.0).
For 2017, Remoteness area derived by applying ABS 2016 Australian Statistical Geography Standard to area of mother's usual residence.
For 2017, Socioeconomic status derived by applying ABS 2016 Socio-Economic Indexes for Areas Index of Relative Socio-economic Disadvantage to area of mother's usual residence.
Estimated resident populations, used in the calculation of rates for this indicator, are subject to revision over time. The data presented are based on the latest available estimates at time of publication and may differ slightly from those published in previous and subsequent releases.
For more information on data quality, see the National Perinatal Data Collection Data Quality Statement.
For more information, see Methods.


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Ascent by Jed Mercurio
Michael Froggatt
Issue: 21 May 2007
The Soviet space programme has always provided fertile ground for urban myths, conspiracy theories, and tall tales. The secrecy which surrounded it, in comparison to the blaze of publicity which accompanied the Mercury and Apollo projects, does much to encourage such speculation. Soviet cosmonauts remained anonymous until they returned safely to Earth and any accidents along the way (even if they resulted in several hundred deaths) could be discreetly erased from history. The most prominent recurring story to emerge from behind this fog of deception is "the Soviets got there first," an idea which inspired the recent Russian "documentary-drama" film Pervye na Lune ( First on the Moon , 2005). Now the theme is taken up by an author somewhat closer to home, Jed Mercurio, writer of the TV dramas Cardiac Arrest and Invasion: Earth .
The book opens in 1946: following the devastation wrought upon the Soviet Union during the Great Patriotic War, Yefgenii Yeremin has been left without parents or prospects. He finds refuge in an orphanage, only to discover that his troubles have only just begun: the only means of escape from this hell-on-earth is to win the sole scholarship to an aviation academy. Determined to secure this prize by brutalising the competition, the leader of a gang of Yeremin's fellow-orphans bullies and repeatedly rapes him. Yeremin soon sees that his sole means of salvation is to secure the scholarship for himself: through a combination of ruthlessness (brutally blinding his tormentor) and natural ability, he achieves his goal, and with it access to a privileged elite. Having reached the academy, Yeremin soon graduates with flying colours and joins the Red Air Force. He finds himself posted as a fighter pilot in Korea, fighting in a war which the Soviet Union dare not even admit it is involved in. While Yeremin quickly wins the respect of his fellow-pilots, any hopes of wider recognition are quickly dispelled. A year of combat, confronting enemies who will eventually go on to crew the American space programme, sees Yeremin notch up kill after kill, eventually becoming the highest-ranked Soviet ace of the war. Amongst Soviet air crews he becomes an unofficial hero, while to the Americans he remains an urban myth, the dreaded "Ivan the Terrible."
However, a final botched sortie in the dying days of the war sees him reduced to an official nonperson, exiled to serve the remainder of his career on a Soviet airbase in the Arctic Circle. It is only a chance shooting-down of a stray American U-2 that rescues Yeremin's career, and his sanity: finally receiving the recognition he deserves, he is posted to Star City to train as an astronaut. Here he throws himself into his training with abandon, even half-starving himself in order to reach the desired weight. However, Yeremin has joined the Soviet space programme after Gagarin's pioneering flight, when it is clear that the Americans are moving into the lead. It becomes increasingly evident that if a radical solution cannot be found, then they will be the first to set foot on the Moon. Determined to claim his place in the history books, Yeremin recklessly volunteers to man a solo flight to the Moon.
There's no denying that Mercurio has done his homework: he previously received flying training with the RAF with the intention of becoming a physician-pilot. The semidocumentary style in which he tells his story, with its self-conscious interweaving of historical and fictional events, does add to the feeling of authenticity. The descriptions of the drudgery and frustration of everyday life in the Red Air Force certainly ring true, and Mercurio's feeling for the camaraderie, one-upmanship, and petty jealousy characteristic of fighter pilots is also natural, at times evoking the atmosphere of Tom Wolfe's The Right Stuff (1979). Even the Soviet jokes are spot on. The descriptions of aerial combat, and of the mechanics of early spaceflight, are extremely technically detailed and evidently benefit from both personal experience and hours of laborious study. Unfortunately, the author does not wear his learning lightly: the data dumps in which either he, or his characters, feel obliged to encapsulate the history of the Soviet air force come thick and fast. Authenticity is also not necessarily conducive to good storytelling: I may be alone in this, but I'm inclined to think that once you've read one loving description of an aerial dogfight over Korea, you've read them all. A further annoying side effect of Mercurio's chosen style is that, during the scenes set during the Korean War, American astronauts regularly pop up as "guest stars," for no reason other than to demonstrate the comprehensiveness of the author's research.
These are, perhaps, not fatal flaws; a more serious problem with Ascent lies with its central character, or rather, its lack of one. Yeremin is a man who lives to fly, and displays little or no interest in anything else. This is not to say that such a character is unbelievable or inaccurate: cosmonauts were, after all, selected for their physical fitness and political reliability, not their sparkling conversation. However, it is extremely hard for the reader to sympathise with a character whose sole distinguishing feature is his single-minded determination to fly farther, higher, and faster than his peers. Yeremin falls short of being a heroic or tragic figure, because such figures must sacrifice something along the way to achieve their goals; we never for a moment believe that Yeremin has anything meaningful to sacrifice in the first place. The protagonist's tunnel-vision comes across in the writing: the skies are described in loving detail (I've never seen clouds described in so many different ways: as coral, as anvils, as slugs, as snails etc.etc., and don't get me started on vapour trails), while the scenes on solid earth are deliberately described extremely sparingly. Yeremin's colleagues therefore come across as little more than ciphers, one-dimensional characters straight out of a Soviet Boy's Own . The lack of any sense of empathy is most exaggerated within Yeremin's own family: his wife ("the widow") and his children are never even given names, and he himself admits to seeing them as "no different from animals. " After his first, sterile, sexual encounter with his future wife, Yeremin ponders on his lack of emotional engagement:
He wondered why he'd acted like this with her. The answer was because it was on the ground. By his actions on the ground he would not be known and therefore they weren't worth troubling over. (pp. 77-8)
This passage sums up both the attitude of the character, and the novel as a whole. It should be said that Yeremin's one-dimensionality is not down to bad writing, but is a deliberate attempt by the author to suggest the type of man he is. The problem is, the resulting character provokes no emotional response from the reader, and hence none of the events in the book have any sense of drama. This becomes even more evident in the climactic section of the novel, as Yeremin departs for the Moon, and almost certain death. This solo mission (cut off even from flight control) deprives Yeremin of anyone to argue with, console himself with, or even panic with, and he is not a man whose internal monologues are of any inherent interest. Ultimately, we are left with a hollow man in a hollow metal box, going to a hollow death.
Michael Froggatt is Teaching Associate in Modern European History at the University of Durham. His book, The Future's First Love: Science in Soviet Propaganda and Popular Culture , will be published by Oxford University Press next year.
© Copyright 2007 Michael Froggatt
About Michael Froggatt
Michael Froggatt lives in Oxford, UK.


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Movies to Watch this Weekend: Unknown Origin, Rogue, Hard to Kill
Posted on Thursday September 3, 2020 by KingNebx
It is another weekend and here is our lineup of movies to see this weekend. No boring moment, simply relax and watch.
Unknown Origin
A serial killer is spreading chaos. Anonymous people with no apparent connection are being murdered while imitating the first appearances of the most famous superheroes.
Download it here
Two cops, two brothers. One is out for justice, the other revenge. They may kill each other before capturing the bad guys.
One Night in Bangkok
ix Hours. Five Hits. Who Will Survive?
The best assassin in the business makes his 500th kill-and decides to retire. Instead, he finds himself involved in a fierce battle of wits with the perfect enemy.
The Binge
In the not-so-distant future, all drinking and drugs have been made completely illegal by the government, except for one night a year. High school seniors Griffin, Hags, and Andrew make a pilgrimage to get to the best party in town where all their dreams will come true. They will have to avoid their crazed principal, violent siblings, and the wild animals roaming the streets.
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War With Grandpa
Sixth-grader Peter is pretty much your average kid-he likes gaming, hanging with his friends, and his beloved pair of Air Jordans. But when his recently widowed grandfather Ed moves in with Peter's family, the boy is forced to give up his most prized possession of all, his bedroom. Unwilling to let such an injustice stand, Peter devises a series of increasingly elaborate pranks to drive out the interloper, but Grandpa Ed won't go without a fight.
Yet to fulfill their rock and roll destiny, the now middle-aged best friends Bill and Ted set out on a new adventure when a visitor from the future warns them that only their song can save life as we know it. Along the way, they will be helped by their daughters, a new batch of historical figures, and a few music legends – to seek the song that will set their world right and bring harmony in the universe.
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Attack of the Unknown
A SWAT team transporting a vicious crime syndicate boss must fight their way out of a county detention center during a catastrophic alien invasion.
An optimistic, talented teen clings to a huge secret: she's homeless and living on a school bus. When tragedy strikes, can she learn to accept a helping hand?
Centigrade
A young American couple journey to the arctic mountains of Norway. After pulling over during a snowstorm, they wake up trapped in their SUV, buried underneath layers of snow and ice.
In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl, and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle.
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Battle-hardened O'Hara leads a lively mercenary team of soldiers on a daring mission: rescue hostages from their captors in remote Africa. But as the mission goes awry and the team is stranded, O'Hara's squad must face a bloody, brutal encounter with a gang of rebels.
The work of billionaire tech CEO Donovan Chalmers is so valuable that he hires mercenaries to protect it, and a terrorist group kidnaps his daughter just to get it.
A soldier and his team battle hordes of post-apocalyptic zombies in the wastelands of the Korean Peninsula.
You can explore the Netflix Mod Premium app to see some of the latest movies you haven't seen yet. Let us know if you have any challenge downloading from the app.
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