THE PSYCHOLOGY OF HAPPINESS!.....THIS truly is the name of the book I am reading. OY!
Laughing Your Way To Happiness...This seemed an appropriate reading for the scrapbook page I am doing for my daughter's book of her travels around the world. My posts will be sporadic, as scrapbooking takes me much longer than card making.
The First Page and the Last Page (below) of Ayla and Eric's Adventures Around The World!
This is my favorite part of the entire page...I love the textures and even found the cutting enjoyable and relaxing, surprisingly!
Well, this proved itself to be right!
Oh, to be young again! And in water so beautiful!
I'm dyslexic, so I have to start with the last page and work backward (I'm A Messianic Jew as well, so the Torah works well for me!)...so here I have the last page below to match up with the first page. In between you will see pages all across Canada, through the US and all through the Middle East and Europe and below. I hope you enjoy my daughter's travels, and hers and Eric's expression of THEIR LOVE!
AND THIS WAS A TOUGH JOB!!!
Congrats to all of you. If you scroll down, you will see my yesterday's post, and what this award is about. With THE STYLISH BLOGGER AWARD, we are getting to really know each other! Nice!
Have fun hopping over to the blogs...these women, in my eyes, are FANTASTICAL~!
WAITS FOR NO ONE....BUT LOVERS!
1. I am a nut bar! Some people will agree this is for real, lol, but other's will merely think I live just off the map! I live my life in likely the most spontaneous way possible for someone of my age (54) and quite proud of it, I might say - hee hee - see what I mean! Humble too...kidding.
2. I am crazy in love with my 3 children! They have taught me more in this last week than likely in the 25 years that I started having them. They are the ones that "bring me home" when I have wandered too far off into space and sit me down and tell me to "get my feet back onto planet earth" and wisen up! They are also the ones that "bring me home" to the greatest love I have ever felt in my entire life...the only greater but very different being G-d, of whom they were created anyway!
3. I am unable to navigate my way through the day without "color." All the technicolor commercials, I swear, were made directly for me to see! My eyes live in colors, as does my heart and head. When I see colors, my heart races and all kinds of creative things happen to the neurons in my brain. The synapses begin and go a bazillion miles an hour. One time I looked at a painting I had of Arizona. It was an "Op Art" painting. I said "I wish I had a shirt in every color!" I trotted off to the second hand store (which is item 4) and came home with 5 sweaters, one in EXACTLY the hue, saturation etc. of each color in the painting. Color is what makes me tick and what I can memorize and how I see and navigate. Lay down crumbs of colors and I'd follow it anywhere! I'd wilt in a world of Black and White.
4. I am totally and always "out of style!" ...it annoys me to be "in style." Thus, I LOVE shopping at second hand stores and places I know are NOT "with it". My tiny town in the country makes THAT effortless!!! Besides, I'd be running around naked because I can't afford first hand stores.
5. I love living in the country and walking around on my property in the pitch dark. My son (25 year old Jordan) taught me to "love the stars" and appreciate their beauty as seen in the country without street lights and not in the city where he lives, Toronto. I can't resist seeing them now, and his name comes into my heart when I look up. I remember he and I going out on my porch one evening and his complete amazement at what he saw. That brought new eyes into me....his!
6. I am a complete INTROVERT. An off-the-edge introvert! YUP...believe it or not. Shocker ey...for everyone. Throughout my life I've been tested many times and same professional result, whether for a job, school, or psychological testing. Complete and total introvert and complete and totally socialized (but reluctantly so) extrovert. I LOVE being alone.
7. In the native culture I am a Dog! That doesn't sound too good! haha. But true. I'd rather sit on the floor like my 2 labs, am COMPLETELY kinesthetic, tactile (pretty much the same thing), love eating out of bowls and not plates (always) and truly - not kidding, curl up on pillows when I sleep, loyal to a fault, deep from the heart, (but silly from the head - not SO dog), am at total ease with using the woods as my "natural facilities" (too much information), and can lay still (or sit) for hours (meditate) for hours. I had to do a 30 day silent retreat, yearly, as part of the requirement for my job, so the "hours" part is a snap!!!! I must assure you I don't fetch bones, pee on carpets or lick people's faces (much) lol.
Oh, I have to add a 9th.
9. My Grandfather, Mr. George Grant - Ship Builder - who died when I was 12 and he was 94, was and still is (on my shoulder) my HERO!
Please email me for further details if you like.
It is the ingratitude that blinds us.
on the way to something greater.
from ourselves and from You.
on the way to something better.
Honor of "Stylish Blogger Award."
and VALENTINE'S DAY and very ambitious!
Stampin' Up! and Stampin' Up! and Stampin' Up!
Please email me, if desired, for specific information re: cards.
I finally added a 2011 New Year's "FOLLOWERS" gadget at the top of my blog!
Thank "YOU" for visiting me!


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From time to time, any outdoor garment needs to be refreshed and revived. Jackets, jumpers, trousers, gloves and hats can all benefit from treatment to make sure they remain waterproof. Wash, reproof and treat your outdoor gear with these clothing treatments. Specially designed treatments from Nikwax and other top performing brands to help make your clothing last longer!
Some of the clothing treatments we offer will not only wick moisture away, but will remove odours to make sure you're comfortable when out and about. Whether machined washed or spray on, our treatment products are really easy to use!
Protect your garments by choosing one of our treatment products that will help keep you dry, warm and comfortable. Cotton, 'down', wool and many other materials can benefit, enhancing performance and helping garments to last longer! Our Nikwax TX Direct wash in and Nikwax Tech Wash allow you to make sure products are water proofed and cleaned for that great look - without damaging your favourite items!
Caring for your outdoor gear can be time consuming and even costly if the wrong product is used. For help and advice on how to maintain your outdoor clothing, footwear and accessories, check out our product care guides.


text:
Home > Society > Legislation - UK, England & Wales > Public Bodies & Nationalised Industries
Public Bodies & Nationalised Industries
Public Bodies & Nationalised Industries All Bookshop
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Date Title Author
The Public Bodies (Abolition of Her Majesty's Inspectorate of Courts Administration and the Public Guardian Board) Order 2012
Author: Great Britain
The Inland Waterways Advisory Council (Abolition) Order 2012
The Localism Act 2011 (Commencement No. 6 and Transitional, Savings and Transitory Provisions) (Amendment) Order 2012
The British Waterways Board (Transfer of Functions) Order 2011
The Advisory Committee on Hazardous Substances (Abolition) Order 2012
The Public Bodies (Abolition of the Commission for Rural Communities) Order 2012
The Public Bodies (Water Supply and Water Quality Fees) Order 2012
The Government Resources and Accounts Act 2000 (Estimates and Accounts) (Amendment) Order 2012
Published: 19 Dec 2012
The Public Bodies (Abolition of the Railway Heritage Committee) Order 2013
Legislation - UK, England & Wales
Statutory Instruments
Representation of the People

redpajama_set_name: RedPajamaCommonCrawl


Save a year of tuition (and time) without missing a moment.
At Hartwick, we believe you were meant for more, and that you should be able to get to it earlier. That's why we offer the Three-Year Bachelor's Degree Program. Available for most majors, it's a full degree that you can earn a year ahead of the typical schedule, without summer or online study required.
You'll save time and money while getting the full college experience. Be an athlete, lead a club, complete an internship (or two), conduct research with a professor, study abroad. Our Three-Year Bachelor's Degree students do it all, just faster.
You'll sharpen your creative and critical thinking skills and learn how to apply them to make a lasting impact — in three-fourths the time, for three-fourths the cost.
Download the Three-Year Bachelor's Degree application.
** Completion of AP Calculus credit or equivalent required for acceptance into the program.
*** Admission to the Nursing three-year degree Program is based on additional criteria. Students must have at minimum an 88 out of 100 high school grade point average to be considered for the Nursing Three-Year Degree Program. Nursing program requires completion of two summer courses.
^Pre-Medical Studies and Hartwick's Three-Year Degree Program: Hartwick welcomes students interested in a career as a physician to consider its Three-Year Degree Program, whether in Biology or in other majors that offer the Three Year option. Because of changes in the Medical College Admission Test (MCAT) that go into effect starting in Spring 2015, pre-medical students will need to take additional coursework to best prepare them for the exam. In most cases, Three-Year Degree students will not be able to complete all coursework until the end of their third year at the College. Thus, these students will not be fully prepared to take the MCAT before that time, i.e., at about the time they graduate from Hartwick. Because the MCAT is required for medical school admission, this means that most Three-Year Degree students will not be able to start medical school in the fall immediately following their graduation from Hartwick. We advise such students to use the year immediately after completing a Hartwick degree to engage in experiential activities in the realm of health care to strengthen their records and commitment to a career in medicine.


text:
Beyond the Debate: Women and 2016
Home > AIT Insights > Articles by Courtney > Beyond the Debate: Women and 2016
as seen on the Huffington Post Politics
With Hillary Clinton, the most serious female Presidential candidate in election history headlining tonight's Democratic debate, (and Carly Fiorina's standout performance in the last Republican debate) the influence and interests of women voters will be a major factor in the Presidential campaign. If the trends of the past 35 years hold, women will make up the majority of voters in 2016. It's a little appreciated fact that every presidential candidate, male or female, should keep top of mind over the next year. When it comes to Presidential politics, women voters wield incredible power, voting in extraordinary numbers and at higher rates than men in every election since 1980. The fact is, without women, no candidate of either party can win the Presidency.
Hillary has not shied away from embracing her gender in this campaign and has made it clear that advocating for women will be a top priority. The reality, like with many campaign promises, is much more complicated. Women do have huge influence in elections, but when it comes to passing legislation that impact women's lives or issues, the prospects are bleak. A recent paper by University of Chicago Law Professor Nicholas Stephanopoulos found that women's opinions on policy have significantly less influence than men's on policy outcomes — at both the state AND federal levels. In Stephanopoulos' words: "Despite their large population share and the range of laws protecting them from discrimination, women continue to be alarmingly powerless relative to men."
How can this be? One key reason of course is that political leadership in Congress is not reflective of the population it serves (the "record breaking" representation of women in Congress is still only 20 percent) — and male representatives (from both parties), are not endorsing the positions of their female constituents. Ensuring women are better represented at all levels of government is essential. It's notable that not one women has emerged as a candidate for Speaker of the House. But it's also important to hold legislators, of both parties, accountable from representing their female constituents.
For this to happen, women will need to do more than just support Hillary or Carly (or anyone else) for President. Compared to men, women remain under engaged in almost all other facets of political engagement – from demonstrating interest in politics, to writing to their representatives, to donating to political campaigns. Women overwhelmingly want to make a positive impact in their communities, but the majority choose to give back through charities or non-profits rather than engage in change making through policy.
Changing this reality will take time but we need to encourage women to speak up about the issues that matter to them, connect them with policy makers and with their representatives, and give them the tools and resources to engage in politics in ways that work for their lives.
It is hugely important that women continue to wield their power at the ballot box, but they must also speak up for their interests once they have sent their representatives, be it Presidential or Congressional, to Washington. No matter who becomes President, that will be essential.
You can access the original article on the Huffington Post Politics website.


The STUBBY is a bit different then other boards. It has a lower entry rocker and wider outline with wide point back around 2 inchs. It has more volume then the Whip, but not short and thick like the Fly or Nitro fish models. You can ride the STUBBY 2 inches shorter then your standard shortboard and 1/4 to 1/2 inch wider. If your shortboard is 6'1 x 18 3/8 x 2 1/4 you would ride a 5'11 x 18 5/8 x 2 1/4 Stubby. We found the Whip was such a good all round rocket we just had to try it shorter and wider, and it works its super fast fun board for waist high to little over head. Being shorter then the Whip helps you do tighter arcing turns in small waves.
Features single to double concave to vee in tail and best in Squash or swallow tail.
Scott Dennis // AKA Whip from Jordan Jaffrey on Vimeo.


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History of the Henrico Sheriff's Office
History of the Henrico Sheriff's Office
The Henrico County Sheriff's Office is one
of the oldest sheriff's offices in the United States.
The "Old Jail" at 22nd and Main in Richmond was built in 1880. It remained in use for 100 years until Jail West was built at the Western Government Complex in 1980.
The sheriff has its origins in Anglo-Saxon England of 700-900 A.D. When England began exploration and settlement of the Virginia colony they brought the sheriff style of keeping the peace with them. The "shire-reeve" or sheriff as we know today, was the principal military and judicial officer of the "shire" or county and could call upon all able-bodied men for help. He held this power through "posse comitatus" or power of the county. An example of this power is the old west sheriff deputizing a posse to track down lawbreakers. It is interesting to note that in the northeastern United States the constable system was used and the southern states used the sheriff system. When the nation began stretching west, both the constable and sheriff were used as police. The citizens often made these offices elective to prevent the abuse of power. From these humble beginnings the modern sheriff's office's and police departments were born.
THE HENRICO SHERIFF'S OFFICE IS BORN
In 1611 Sir Thomas Dale sailed upriver from Jamestown and established the second permanent English settlement in the New World, "Henricus" (the city of Henrico), which was named after Henry, Prince of Wales, the oldest son of King James I of England. He was in charge of the militia and also was the first law enforcement officer in Henrico, making him Henrico's first Sheriff. In 1634 Henrico became one of the eight original "shires" (counties) in Virginia. The Henrico County Sheriff's Office was born.
In 1821 land was donated to the county at the site that would become 22nd & Main Streets for the construction of a courthouse and jail. During the 1880's this building was constructed and housed the Sheriff's Office and Jail until 1980. Over crowding and the need for more advanced technology brought about the construction of Jail West at the Henrico County Government Complex on Parham Road in 1980.
In 1996, Henrico's Sheriff's Office opened Jail East in New Kent County. This progressive, new generation jail is unique as the first campus style, direct supervision correctional facility in the Commonwealth and the only one of its kind in the nation. The Henrico County Sheriff's Office has a long tradition of innovation and a commitment to progress which continues today.
ROLE OF THE SHERIFF IN PRESENT DAY HENRICO
The sheriff was the traditional head of law enforcement in Henrico County until 1938 when the Board of Supervisors placed control of the Division of Police under the County Manager. The Sheriff's Office now shares concurrent jurisdiction with the Police Department but generally defers matters of law enforcement to them. The Sheriff of Henrico County is a constitutional officer and is elected by the citizens to serve 4-year terms. There are no term limits. The current role of the Sheriff in Henrico County is the safety and security of the jails and courthouses, and the service of civil process. The Sheriff of Henrico County presides over one of the largest, most densely populated counties in Virginia and safely manages a jail population of over 1200 inmates and serves more than 100,000 court papers a year.
Regional Jail East
Regional Jail West
Jail Phone Numbers
Vine (Victim Notification Program), VA
Locate a Henrico Inmate
ICE Victim Notification Program
Bounce Back from Addiction
Meet Michael L. Wade, Sheriff
Meet the Command Staff
Office Phone Numbers
Sheriff's Office Careers
Non-Consecutive Sentences (Weekends)
Questions About Alternative Sentencing
Civil Process Services
Inmate Services
Visitation Procedures for Jails
East Visitation Form
West Visitation Form
Henrico Faces Overcrowded Jails
Inmate Population Rising Medical Budget Shortfall Widens
Pinning Ceremony 2018
Sheriff Wade Retirement
PREA Statement & Reports
Sheriff's Office Human Resources
How to Apply for Civilian Position
How to Become A Deputy
How to Become a Jailor
Transitional Programs
The O.R.B.I.T. Program
The R.I.S.E. Program


text:
Montrose is funded by the Department of Education (DoE) to deliver Specialist Disability Support in Schools (SDSS).
The SDSS program is designed to support schools to enhance learning outcomes for students who require significant educational adjustments.
It does this through the engagement of therapy supports. These supports and how they are delivered are directed by the school, in conjunction with the therapist.
Funded supports include Physiotherapy, Occupational Therapy and Speech Pathology.
Download our information sheet (pdf) which includes examples of the services our therapists can provide.
Services are able to be tailored to the student and schools needs. Examples of services include: –
Collaboration with school staff to set goals and measure outcomes
Individual student observation, assessment, therapy and reports
School programs and practical strategies
Staff meetings, education and training
SDSS funded therapists are able to work holistically with DoE therapists, to ensure approaches and goals are complimentary.
Key benefits of the SDSS Program
This program is delivered at no cost to the school or student.
The SDSS program allows schools to access therapists to support engagement of students at school.
How supports are delivered is flexible, and is able to be tailored to the school and student's need. Services can be delivered via TeleTherapy if that is more efficient for the school and student.
Can my child receive therapy in school?
To receive SDSS funding, students need to obtain a completed School Request for Support form – parents should discuss this directly with the school or call Montrose on 1800 193 362 for more information on this process.
Support in school with SDSS funding is separate from NDIS funding.
Find out more about Montrose Therapy services here.
Referrals from Schools
Referrals can be made for students with a verified disability who require significant levels of educational adjustments. A referral must be made by the child's school with the consent of the parent or caregiver.
Download our SDSS School Therapy Referral Form by clicking the button below or call us on 1800 193 362 for more information. Alternatively, send us an email here.
DOWNLOAD REFERRAL FORM (PDF)
DOWNLOAD REFERRAL FORM (Word)


text:
The Legend of Zelda: Breath of the Wild review round-up
By Alessandro Barbosa
The Legend of Zelda: Breath of the Wild is arguably the only game at launch that is really going to ship Switch consoles like hotcakes, so it's no surprise that Nintendo is letting the good news out of the gates sooner rather than later. Last week critics were allowed to share some initial thoughts on their experience, but today is all about those full reviews. Numbers, scores, opinions, they're all below.
The real question is whether Breath of the Wild is possibly the revolution the series has been waiting for, and a new bar for fans to compare every other title in the series against. Does it stand up to that?
Polygon – 10/10
I guess, in the end, it's not just that Breath of the Wild signals that Zelda has finally evolved and moved beyond the structure it's leaned on for so long. It's that the evolution in question has required Nintendo to finally treat its audience like intelligent people. That newfound respect has led to something big, and different, and exciting. But in an open world full of big changes, Breath of the Wild also almost always feels like a Zelda game — and establishes itself as the first current, vital-feeling Zelda in almost 20 years.
IGN – 10/10
The Legend of Zelda: Breath of the Wild is a masterclass in open-world design and a watershed game that reinvents a 30-year-old franchise. It presents a wonderful sandbox full of mystery, dangling dozens upon dozens of tantalizing things in front of you that just beg to be explored. I've had so many adventures in Breath of the Wild, and each one has a unique story behind what led me to them, making them stories on top of stories. And even after I've spent more than 50 hours searching the far reaches of Hyrule, I still manage to come across things I haven't seen before. I'll easily spend 50 to 100 more trying to track down its fascinating moments.
Gamespot – 10/10
No matter how gorgeous its environments are, how clever its enemies are, and how tricky its puzzles get, the fact that Breath of the Wild continues to surprise you with newfound rules and possibilities after dozens of hours is by far its most valuable quality. It's a game that allows you to feel gradually more and more empowered yet simultaneously manages to retain a sense of challenge and mystery–which, together, creates a steady, consistent feeling of gratification throughout the entire experience. Breath of the Wild is a defining moment for The Legend of Zelda series, and the most impressive game Nintendo has ever created.
Giantbomb – 5/5
This sense of wonder is something that I haven't felt so strongly since I played A Link to the Past when I was seven years old. Ocarina of Time was able to capture some of that same magic in my teenage years. Now that I'm in my thirties, I don't think that I expected it to be possible for a game to make me feel like that again. I've been reviewing video games for twelve years now, and I'm used to describing games in a certain way. "This game controls well. This mechanic is innovative. The graphics are stunning. The skill tree feels limited." That type of language doesn't adequately convey how Breath of the Wild made me feel. Nintendo may have changed so many long-standing traditions of the Zelda franchise, but the spirit of discovery is as strong as it's ever been no matter your age. I didn't think I'd feel the Zelda magic this strongly ever again, but I couldn't be happier to be proven wrong.
Destructoid – 10/10
This isn't your typical boiler plate open world cash grab, rife with to-do lists and busywork. Zelda: Breath of the Wild is an evolution of the formula for both eastern and western philosophies alike, and a new blueprint.
I don't think there's much else to be said. Seems Breath of the Wild is a masterpiece. It's out tomorrow.
Previous article Nintendo Switch cartridges taste awful, and it's entirely intentional
Next article Tron 3 would have been (and could still be!) an invasion movie
Alessandro Barbosa
Writer, Game Designer, Co-Host on the Checkpoint Chat podcast.
Breath of the Wild on PC? Just play Genshin Impact, it's basically the same thing.
Chinese developer miHoYo seems to have taken a little more than pure inspiration from Nint…
San Diego Comic-Con starts tonight! Here's what we're excited to see!
You'll never stop making important decisions in Cyberpunk 2077 thanks to seamless Lifepaths
Gears 5 is using its new Arcade mode multiplayer to create a hero shooter experience


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Q: How can you get the height of an element with height:auto? I'm trying to set the height of one element to the height of another by using javscript, and I've tried using the jquery height() method but it doesn't work because one of the element's has height set to auto:
#content
{
    background-color:#F2F2F2;
    width:1000px;
    margin:0px auto;
    text-align:left;
    min-height:900px;
    height:auto;
    border-top:5px solid #032F76;
    border-bottom:5px solid #032F76;
    overflow:auto;
}

So is there any easy way to get the height of an element who's height is set to auto?

A: jQuery's .height() method still returns the numerical height value even if it's set to auto. BUT make sure you take margin, padding and borders into consideration.
I ran a test with your CSS just to make sure and .height() works fine.
http://jsfiddle.net/ysMge/8/
jQuery has 3 height calculating functions that take the margin, padding and border values into account differently.
Please review:
$("#content").height()
$("#content").outerHeight()
$("#content").innerHeight()

http://api.jquery.com/height/
http://api.jquery.com/outerHeight/
http://api.jquery.com/innerHeight/

A: You can use getComputedStyle:
var elem = document.getElementById('content');
var height = window.getComputedStyle(elem,null).getPropertyValue('height');

Which should return the computed height, in pixels, of the element.
A somewhat contrived JS Fiddle example.

A: Just use this code
$('#content').height();

A: heres a sample of my code:
$(document).ready(function() {
  CenterFrameSizer();
});

function CenterFrameSizer(){
  // Sets the left box and the center box the same height.
  if ( $("#leftbox").height() > $("#contentbox").height() ) {
    $("#contentbox").height($("#leftbox").height());
  } else {
    $("#leftbox").height($("#contentbox").height());
  }
}

function GalleryResize(){
  if ( $("#leftbox").height() > $("#gallery").height() ) {
    $("#gallery").height($("#leftbox").height());
  } else {
    $("#leftbox").height($("#gallery").height());
  }
}

redpajama_set_name: RedPajamaStackExchange


text:
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Unadilla Village
Otsego County, New York
Unadilla Village Hall is located at 193 Main Street, Unadilla NY 13849.
Phone: 607‑369‑3421.
Unadilla Village Historic District
Beginnings [1]
The Settlement and Development of the Village of Unadilla: ca. 1790-1865
Prior to the American Revolution only scattered small settlements appeared within the upper Susquehanna River valley. Four small settlements occurred in the area of the present-day Village of Unadilla, including three known collectively as Unadilla located along both sides of the Susquehanna River near its confluence with the Unadilla River, approximately 6 miles southwest of the present village location. While the possibility exists that the present site was occupied prior to the Revolution, no concrete proof has surfaced to date.
During the American Revolution the area was the scene of widespread and repeated raids, first by Tories and their Iroquois Nation allies, then by American patriot soldiers, until along the upper Susquehanna Valley there remained nothing but burned-out desolation. Permanent settlement in Otsego County began again in the years between 1780 and 1800. Otsego County was formed in 1791, being set off from Montgomery County. At its creation the county contained but two towns, Cherry Valley and Otsego. The Town of Unadilla was one of three towns first organized after formation of the county, being set off from the township of Otsego in April of 1792. The site of Unadilla Village encompasses nine lots of the Wallace (or Banyar) Patent.
While the earliest known deed transfer records date to 1791 with the formation of Otsego County, it is known that settlement of the village site began during the 1780s. But even before the arrival of the early settlers, the location of the future village had generally been determined by the establishment of a ferry across the Susquehanna River near the mouth of Ouleout Creek (just east of the present corporate limits of the village) by Nathaniel Wattles of Lebanon, Connecticut. His arrival, and that of his cousin, Sluman Wattles, in the mid-1780s, signaled the beginning of a tide of Connecticut migration which followed an old primitive road west from Catskill on the Hudson to the Susquehanna. Until the first bridge was constructed in 1804, Wattles Ferry provided the strategic transportation link for westward-bound settlers. Early arrivals, after scouting the area, determined that the village should lie on the northerly side of the river, where a fast-moving, multi-channel stream flowing into the Susquehanna provided sufficient power for the mills they were to establish. A stone monument with bronze plaque commemorating the general location of Wattles Ferry and its importance in the founding of the village is located near the river, just east of Corwin (Hayes) Park, at the east end of the village.
Unadilla's early history is closely associated with the development of turnpikes in New York State's central and southern tier regions. The turnpike system, made up of a number of major overland routes, was the primary means of transporting goods and people through New York's interior during the early decades of the nineteenth century, prior to the development of canals and railroads. Between Catskill to the east and Ithaca to the west, the Mohawk Valley to the north and Binghamton to the south, Unadilla's strategic location at the intersection of two vital early turnpike systems contributed to its commercial prominence in the region during the first half of the nineteenth Century. The major road was the Catskill Turnpike which linked the Hudson and Susquehanna Valleys. The Susquehanna Turnpike, beginning in the Mohawk Valley, passed through Unadilla and continued to Binghamton, where it connected with the Delaware River Road to Philadelphia.
Building design and construction in the new village during its first 25 years strongly reflected the traditions of its transplanted New England settlers. Permanent residences appear to have been built, with only several exceptions, of frame construction, following standard center hall, side hall, or Cape Cod configurations. Some of these buildings were plainly detailed, including the ca. 1790 house of Dr. Gurdon Huntington (now demolished), while others including the 1804 Hayes and Noble Houses, the 1805 Abijah Beach House, and the 1815 Cone House (locally known as the White House) reflect the Federal style taste in their fine proportions and classically derived details. Clapboard siding, twelve-over-twelve windows, and attenuated cornices are particularly characteristic of these first generation buildings. Bridge-building technology also reflected New England practice. Ambitious covered bridges were constructed across the Susquehanna River in 1804 with a replacement constructed in 1817 following a flood, and in 1823. The 1817 and 1823 structures survived into the 1890s.
Lumbering quickly emerged as one of the community's earliest industries. Spafford's 1813 Gazetteer reported a total of 16 sawmills in the Town of Unadilla, five of which had accompanying grist mills. Within the village, mills were established near the mouth of the Binnekill and along Mill (then called Water) Street, sometime before 1800; and along Martin Brook as early as 1790. The earliest industrial (mill) center in the village, however, was concentrated along Mill Street and its cul-de-sac.
The most significant period of growth in the region occurred during the first half of the 19th century, paralleling improvements in overland transportation. Between 1800 and 1820 the population of Otsego County more than doubled, and between 1820 and 1860 it doubled again. Unadilla paralleled this growth, and rapidly developed into a rural commercial center distinguished by stores, churches and residences along its primary thoroughfare. From the beginning the development of the village was linear in nature, paralleling the Susquehanna River for nearly 1 1/2 miles. There never developed the true central core or village square seen in numerous other rural village in New York and New England. Rather, there grew up an intense rivalry between the "uptown" and "downtown" commercial factions, which exerted a great influence on the development of the village throughout the nineteenth century. This rivalry saw the private development of at least one road leading directly to the "uptown" business center (Martin Brook Road), and the private financing of the second bridge spanning the Susquehanna River and a short road leading to the "downtown" business core. The two business centers remain today, separated by several blocks of residences.
By the 1820s and 1830s, the architectural character of the burgeoning village began to reflect a degree of taste and sophistication characteristic of some of the more prominent and permanently established centers of trade and transportation in Central New York. The wealth and status of the merchant families were expressed in large and stylish homes lining both sides of Main Street. Frame construction remained the preferred manner of building, however, several significant buildings were constructed of locally-fired brick or native stone toward the end of the 1830s. The majority of the residences built during this period were designed in variations of the Federal style, differing slightly from earlier examples of the style in their larger scale and more elaborate detailing. Toward the end of the 1830s, the Greek Revival style became manifested in new construction, achieving its greatest popularity in the 1840s and 1850s.
Stylistic considerations aside, most of Unadilla's second generation of houses conformed to one of two standard house plans of the period; the two-story side hall house with a three-bay facade, and the two-story center hall house with a symmetrical five-bay center entrance facade. Prominent examples of the side hall house type of this period include the Federal style 1823 Roswell Wright House (National Register listed 1988) with its Composite order portico, and the John Eells House, built of brick ca. 1835. Greek Revival style examples of this house form include the ca. 1837 Joel Bragg House and the ca. 1840 Frederick Sands House. Surviving center hall examples include the ca.1825 Charles Noble House and the original portion of the ca. 1825 Arnold Sherman House. The Hotel Bishop, built of brick in 1832 as a residence and later expanded, was originally designed with a five-bay center entrance facade and parapet wall at the gable ends. Its Federal style facade is still discernible within the larger, late nineteenth century composition. Pictorial evidence of two elaborate Greek Revival style residences from this period demolished in the twentieth century, the ca.1840 Ca. D. Fellows House, and the ca.1850 Arnold B. Watson House, reinforce the impression that Unadilla remained affluent and keenly aware of trends in architectural style well into the mid-nineteenth century.
Unadilla continued to function as a prosperous local market and business center through the 1850s and 1860s despite a decline in the relative commercial importance of the turnpikes. Local services ranging from milling to banking continued to fulfill a vital economic function in the immediate region, allowing the village a modest growth despite its indirect access to New York's canal network and early railroad lines. Architecturally, construction in the village began to reflect the influence of nationally popular picturesque and romantic styles, including variations on the Gothic Revival and Italianate styles. Significant examples of the former style, marked by steeply pitched roofs, scroll sawn bargeboards and applied details derived from Gothic sources include the ca.1850 Vanderlip residence on Cottage Lane, the ca.1850 Cramer House at the corner of Bridge and Fellows Streets, and the elaborate Gothic Revival remodeling of St. Matthew's Episcopal Church, completed between 1845 and 1854. The Italianate style, distinguished by its cubic massing and broad, bracketed cornices, is represented in the village by "Northwood," the residence of Col. S. S. North, banker and developer of the Unadilla Water Works, and the ca.1850 residence of Rev. Lyman Sperry. The Italianate style remained popular in Unadilla and other New York villages through the 1870s. The octagon fad of the 1850s, inspired by the publications of Orson Squire Fowler, is represented in Unadilla by "Lily Vale," a small but largely intact Octagon house built for Selek Fancher ca.1855.
The Social and Economic Development of the Village of Unadilla During the Railroad Era: 1865-1941
The 1851 charter for the construction of the Albany and Susquehanna Railroad provided the means for a strategic link between the two major trunk lines through the State, the Erie Railroad at Binghamton, and the New York Central at Albany. With it came the potential for a highly profitable line carrying coal from Pennsylvania to the industrial centers of the upper Hudson valley and Champlain basin. By 1865 construction of the 142-mile line reached Unadilla; the railroad was complete by 1869 with the construction of the extensive tunnel at Beldon, 25 miles southwest of Unadilla. The original stone freight depot, constructed in 1866 survives; the original small stone passenger depot was replaced with the present larger frame structure in 1903.
Although the major industries of the area continued to revolve around farming and to some extent lumbering, the coming of the railroad provided the means for diversification within those industries. Notable in this diversification was the building of the H.Y. Canfield Condensery at the end of the Mill Street cul-de-sac. H.Y. Canfield was a local inventor who developed one of the first processes for condensing milk; a thriving business was operated from this site for many years. The three-story brick industrial building he constructed for the condensery in the 1880s is extant, presently a part of the York Modern complex, which has operated a road rake manufactory at this location since 1921. This enterprise has since taken over all of the old mill buildings at the Mill Street cul-de-sac.
Other industries to locate along the rail line included the J.W. Van Cott & Son Company, which began business as a feed store at the corner of Clifton & Sperry Streets in 1892. Retail lumber and associated materials were soon added; the associated Unadilla Silo Company was incorporated in 1909 and has produced distinctive silos used across the state and the country to the present time. Another industry long associated with Unadilla was cigar making. John Viney was a long-time cigar maker; later the firm of W. Mulford & Son operated for many years, from the late nineteenth century through the early decades of the twentieth, located in the Mulford & Siver Block on Main Street. Reported to have been one of Unadilla's largest employers, the featured product was the "Chauncey Olcott" brand, selling for 10 cents. The Tie Company was founded by Marzy Ward who about 1887 originated the idea for a quick releasing reusable device used with a rope for securing bundles. This company, located at several sites since 1887, has been located on Depot Street since 1937.
The Catskills and the surrounding area long have been a favorite vacationing area for city-dwellers, and the advent of the railroad brought the tourism industry to the Unadilla area. While the two largest resort hotels were located outside the village proper, two major hotels are located along Main Street, the Bishop Hotel (earlier known as Kingsley's), and the Unadilla House. Smaller hotels sprang up near the depot; and several private tourist homes were in operation during the early decades of the 20th century. The increase in tourism gave rise to several photography studios, of which the Jordan Photo Studio on Watson Street is the only surviving example.
The railroad and accompanying increase in manufacturing facilities fostered a period of growth in the village and an increased population and demand for housing in the latter decades of the nineteenth century. The vernacular or "folk" Victorian housing which sprang up along the streets north of the railroad line reflect vernacular manifestations of the late nineteenth century styles. Some are of gable front and wing plan; some exhibit elements of the Italianate, Queen Anne, Stick, or Gothic styles in their detailing.
A continued pattern of growth through the early decades of the twentieth century also took place along Main Street and the side streets south of Main. The building program in this portion of the village continued the established pattern of large gracious homes associated with the wealthier residents. These homes reflect the national architectural styles popular during the Victorian era, particularly the Italianate, Queen Anne and Shingle styles. Early twentieth century styles are also represented, most notably the Colonial Revival, the American Foursquare, and Craftsman Bungalow styles.
Major fires during this period devastated both the downtown and uptown business areas. The Great Fire of 1879 destroyed five downtown business blocks and several residences and barns, but resulted in the construction of brick commercial blocks with iron supported storefronts, richly detailed with arched window openings, richly-corbelled parapets, and cast iron cresting. Individually the buildings exhibit various combinations of the Italianate and Victorian Gothic styles, but together they contribute to a cohesive and highly distinctive ensemble of period commercial buildings of regional architectural significance.
Brick blocks also replaced two of the commercial buildings destroyed in the 1903 fire, which demolished nearly a block of commercial and residential structures.
As a consequence of the fire of 1879, the Unadilla Water Works was established in 1886 by Col. S.S. North to provide water for both domestic use and fire protection. Constructed in two phases, the system was comprised of reservoirs, dams, filtering and distribution lines, and had an eventual storage capacity of 5 million gallons. The stone dams of the Martin Brook Division were famous as specimens of engineering skill and fine workmanship, withstanding several major floods since their construction. The Water Works in general were acknowledged as the best state-of-the-art system of any village in the state.
Multiple Resource Listing, Nomination Document, 1992, prepared by Patricia Sheret, Village Historian, Village of Unadilla, Historic and Architectural Resources in the Village of Unadilla, Otsego County, New York, National Park Service, National Register of Historic Places, Washington, D.C.
Nearby Towns: Unadilla Town •
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Wedding Preparation Tips for Canberra Brides!
Throughout my career, I have attended 100's of wedding morning preparations and experienced countless awesome and not so great planning to make sure it runs smoothly (or not!). It is really important when planning your hair and makeup the morning of your wedding to understand how much time it takes to get ready, from waing up to leaving for the ceremony! So here are my top 5 tips to a smooth wedding preparation!
An organised hairstylist and Canberra makeup artist should be able to put together a mini timeline when you book them to give you advanced warning to how much time they need. Typically I take 45minutes per person and that includes 5min of cleaning and sanitizing between clients. I usually find hairstylists take the same or a little longer depending on the hairstyle requested. I usually like to add 15min 'emergency time' every 2-3rd client to ensure I don't go overtime in case unexpected interruptions occur (visitors, flowers arrive, lunch time, flower girl crying etc). I also highly recommend finishing all hair and makeup at least 1.5 hours prior to your wedding ceremony, or 1 hour prior to leaving for the ceremony. This hour is spent organising little things that don't seem to be thought of until the big day, talking to visitors who arrive, eating, drinking, getting into a lace up dress (which can take up to 20 minutes sometimes!) and of course your Canberra wedding photographer taking photos.
Make sure you factor in these times when you book, ask your photographer when they want you to be fully ready and stick to a timeline!
If your favourite Canberra Hairstylist is only able to do the brides hair at the salon, and your Canberra makeup artist is mobile, this can be done! When creating a timeline, make sure you give yourself generous travel time to and from the hair salon. It is a great idea for a bigger bridal party to go in groups of 3 first then 2 or more after. This will allow the Canberra makeup artist to complete a few bridal party members then smoothly transition to the rest when they return from the hair salon. It is also recommended to book your hair to start earlier rather then at the same time as the makeup artist so if there is a time emergency, it won't run into your ceremony time.
When the Canberra bride is in the hairstylist or makeup artist chair, this is the brides time to relax! Therefore, it is highly recommended to delegate jobs to the bridal party. Whether it be making some lunch, ironing dresses, baby sitting the young ones – let yourself relax and enjoy being pampered!
4) Have your wedding dress, wedding rings, wedding shoes ready!
Make sure before anything starts in the morning to have all your wedding outfits and accessories out ready for the photographer to photograph. This includes: wedding dress, wedding rings, wedding shoes, perfume, veil, jewellery and flowers. Have your dresses hanging up to flatten the material and out of the storage bags to make sure they don't crumple. As you are all busy getting your hair and makeup done, you can relax when the photographer arrives as it is there ready for them!
5) Dressing for the occasion!
It is a great idea to make sure everyone is wearing something that is fit for getting hair and makeup done. There is nothing worse then trying to pull a tight tank top over your head after having a beautiful hairstyle done! Kimonos and robes are a great idea and can be purchased from etsy quite cheaply! This way all you need to do is slip it off your shoulders to get dressed. I also recommend if the bride and bridesmaids are wearing a strapless dress to put on the appropriate bra in the morning. Strap marks look awful in the photographs and are very obvious!
I hope these wedding preparation tips have given you ideas to help your morning be less stressful, more beautiful and more organised! With a few lists, delegations and beauty preparations – you will be walking down the isle stress free before you know it!
© 2019 Estella Artistry|ProPhoto Photographer Site Cambria by The Shoreline Collection | Designed with love by Seaside Creative.


What a wonderful National Volunteer Day!
Bluegrass Care and Rehabilitation is incredibly blessed as we celebrated and recognized our volunteers today! Thank you for all that you do!
Signature's annual Chopped Competition took place today at Bluegrass Care & Rehabilitation. Everyone had a blast either baking or just watching. Congratulations to the winner's The "Duo"- Jeanie(DON) and Ralph!


Welcome guests inside but keep dirt and debris outside! This fantastic welcome mat features woven coir fibers that help trap dirt, and the decorative geometric black rubber frame makes it a stylish statement.
Weight 3.3 pounds. 30" x 18" x 0.875". Rubber, Coir. UPC Number: 849179030711.


Why is (914)236-0629 Calling Me?
914-236-0629 often shows up on caller ID as (914)236-0629, is located in the 914 area code. Click here to call 9142360629 and ask them why they keep calling your phone or submit a report on a caller from crags list akron today on our form.


Kevin White honed his skills as a technology coordinator for the University of Kentucky, where he achieved Ultimate Guru status. Using these powers for good, he roams the countryside sharing his knowledge of the "Apple way." Since 2002, he has inspired throngs of Macintosh devotees at every stateside Macworld Expo to rise up against the Redmond hegemony. As Mac mercenary for hire, he answers to no one—except for his employers at ITInstruction and MacTown. Kevin lives on the road, but many suspect he has a secret lair somewhere in Louisville, KY.


text:
Q: How to proxy 127.0.0.1:8000/wordpress/ to www.domain.com/ in Nginx and Wordpress? How to proxy 127.0.0.1:8000/wordpress/ to www.domain.com/  in Nginx and Wordpress?
And make sure the site resouce path and  redirection is correct.
And for example , when the user opening www.domain.com, it will show the result of 127.0.0.1:8000/wordpress that runing in the server.

A: /etc/nginx/sites-available/
 server {
        listen   80; ## listen for ipv4; this line is default and implied
        #listen   [::]:80 default ipv6only=on; ## listen for ipv6

        root /var/www/example.com/public_html;
        index index.html index.htm;

        # Make site accessible from http://localhost/
        server_name example.com;
}

A: Use this
 server {
        listen 8000;
        server_name localhost;

        location /wordpress {
            proxy_pass http://www.example.com;
            proxy_set_header Host $host;
            proxy_set_header X-Real-IP $remote_addr;
            proxy_set_header X-Forwarded-For $proxy_add_x_forwarded_for;
            proxy_set_header X-Forwarded-Proto $scheme;
        }

}


The 2018 US Hickory Golf event was held last month here in Greensboro at Sedgefield Country Club. I had the pleasure of documenting this special event as 80+ players took the field with their vintage hickory stick clubs and full on 1920's attire.
The Society of Hickory Golfers (SOHG) puts on this event along with many other tournaments each year all over the country. Men and women of many ages come out to compete and catch up with their fellow golf traditionalists. I have been an avid golfer most of my life and it was very interesting to document this event for the SOHG and Sedgefield CC. Check out some of my favorite images below from that cold morning in late October.


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    border-left-color: #757575;
    border-bottom-color: #828282;
    color: @insensitive_fg_color;
}

GtkSpinButton.button:active {
	border-top-color: #575757;
    border-right-color: #6b6b6b;
    border-left-color: #6b6b6b;
    border-bottom-color: #7b7b7b;
}

GtkSpinButton.button:hover {
	border-top-color: #858585;
    border-right-color: #7e7e7e;
    border-left-color: #7e7e7e;
    border-bottom-color: #757575;
}

spinbutton.button:first-child {
    border-radius: 3px;
    border-top-right-radius: 0;
    border-bottom-right-radius: 0;
}

.spinbutton.button:last-child {
    border-radius: 3px;
    border-bottom-left-radius: 0;
    border-top-left-radius: 0;
}

.spinbutton.vertical .button:first-child {
    border-width: 1px;
    border-bottom-width: 0;
    border-radius: 3px;
    border-bottom-right-radius: 0;
    border-bottom-left-radius: 0;
}

.spinbutton.vertical .button:last-child {
    border-width: 1px;
    border-top-width: 0;
    border-radius: 3px;
    border-top-left-radius: 0;
    border-top-right-radius: 0;
}

.spinbutton.vertical.entry {
    border-width: 1px;
    border-style: solid;
    border-radius: 0;
}

/************
 * Switches *
 ************/
GtkSwitch {
	font: bold condensed 9;
	border-width: 1px;
	border-style: solid;
	border-radius: 3px;
	background-image: -gtk-gradient (linear,
		left top, left bottom,
		from (@button_gradient_color_a),
		to (@button_gradient_color_b));
	border-top-color: #5c5c5c;
    border-right-color: #6c6c6c;
    border-left-color: #6c6c6c;
    border-bottom-color: #7c7c7c;
	-unico-border-gradient: -gtk-gradient (linear,
		left top, left bottom,
		from (@theme_border_color_a),
		to (@theme_border_color_b));

	-unico-inner-stroke-style: custom;
	-unico-inner-stroke-gradient: -gtk-gradient (linear,
		left top, left bottom,
		from (alpha (@theme_base_color, 0.9)),
		to (alpha (shade (@button_bg_color, 1.26), 0.0)));
}

GtkSwitch:insensitive {
	border-top-color: #6e6e6e;
    border-right-color: #757575;
    border-left-color: #757575;
    border-bottom-color: #828282;
}

GtkSwitch.trough {
	background-image: -gtk-gradient (linear,
		left top, left bottom,
		from (shade (@progressbar_through_a, 1.0)),
		to (shade (@progressbar_through_b, 1.0)));
	border-top-color: shade (@progressbar_through_border, 1.0);
    border-right-color: shade (@progressbar_through_border, 1.1);
    border-left-color: shade (@progressbar_through_border, 1.1);
    border-bottom-color: shade (@progressbar_through_border, 1.15);
	-unico-border-gradient: -gtk-gradient (linear, left top, left bottom,
		from (shade (@theme_border_color_b, 1.00)),
		to (shade (@theme_border_color_a, 1.00)));
	-unico-inner-stroke-style: custom;
	-unico-inner-stroke-gradient: -gtk-gradient (linear,
		left top, left bottom,
		from (alpha (@theme_fg_color, 0.2)),
		to (alpha (shade (@button_bg_color, 1.26), 0.0)));
}

GtkSwitch.trough:active {
	background-image: -gtk-gradient (linear,
		left top, left bottom,
		from (shade (@theme_selected_bg_color, 0.9)),
		to (shade (@theme_selected_bg_color, 1.0)));
	border-color: shade(@theme_selected_bg_color, 0.8);
	-unico-border-gradient: -gtk-gradient (linear, left top, left bottom,
		from (shade (@theme_border_color_b, 1.00)),
		to (shade (@theme_border_color_a, 1.00)));
	-unico-inner-stroke-style: custom;
	-unico-inner-stroke-gradient: -gtk-gradient (linear,
		left top, left bottom,
		from (alpha (shade (@theme_selected_bg_color, 0.6),0.2)),
		to (alpha (shade (@theme_selected_bg_color, 1.26), 0.0)));
	color: @theme_base_color;
}

/*******************
 * Notebook & Tabs *
 *******************/
.notebook {
	padding: 3px;
	border-radius: 4px;
	border-width: 1px;
	border-style: solid;
	border-color: #5f5f5f;
	background-color: shade (@theme_bg_color, 1.05);
	background-clip: border-box;
	/*box-shadow: inset 1px 1px #f4f4f4,
				inset -1px -1px #f4f4f4,
				inset 0px 0px #f4f4f4,
				inset -0px -0px #f4f4f4;*/
}

.notebook tab {
	border-radius: 4px;
	padding: 0;
	border-color: #6b6b6b;
	background-image: -gtk-gradient (linear, left top, left bottom,
		from (shade (@theme_bg_color, 1.02)),
		to (shade (@theme_bg_color, 0.95)));
}

.notebook tab:active {
	border-color: #5f5f5f;
	background-image: -gtk-gradient (linear, left top, left bottom,
		from (shade (@theme_bg_color, 1.05)),
		to (shade (@theme_bg_color, 1.05)));
}

.notebook tab.top {
    padding: 2px 4px 2px 4px;
    box-shadow: inset 0px 1px alpha(#919191, 0.6);
}

.notebook tab.top:active {
    padding: 3px 4px 2px 4px;
    box-shadow: inset 0px 1px alpha(#919191, 0.9);
}

.notebook tab.right {
    padding: 3px 4px 3px 0px;
    background-image: -gtk-gradient (linear, left top, right top,
		from (shade (@theme_bg_color, 0.95)),
		to (shade (@theme_bg_color, 1.02)));
	box-shadow: inset -1px 0px alpha(#919191, 0.6);
}

.notebook tab.right:active {
    padding: 3px 4px 3px 2px;
    background-image: none;
    box-shadow: inset -1px 0px alpha(#919191, 0.9);
}

.notebook tab.bottom {
    padding: 2px 4px 2px 4px;
    background-image: -gtk-gradient (linear, left top, left bottom,
		from (shade (@theme_bg_color, 0.95)),
		to (shade (@theme_bg_color, 1.02)));
	box-shadow: inset 0px -1px alpha(#919191, 0.6);
}

.notebook tab.bottom:active {
    padding: 2px 4px 3px 4px;
    background-image: none;
    box-shadow: inset 0px -1px alpha(#919191, 0.9);
}

.notebook tab.left {
    padding: 3px 0px 3px 4px;
    background-image: -gtk-gradient (linear, left top, right top,
		from (shade (@theme_bg_color, 1.02)),
		to (shade (@theme_bg_color, 0.95)));
	box-shadow: inset 1px 0px alpha(#919191, 0.6);
}

.notebook tab.left:active {
    padding: 3px 2px 3px 4px;
    background-image: none;
    box-shadow: inset 1px 0px alpha(#919191, 0.9);
}

.notebook tab GtkLabel {
    padding: 1px;
}

/* middle button */
.linked .entry,
.linked .button,
.linked .button:active,
.linked .button:active:hover,
.linked .button:focus,
.linked .button:focus:active,
.linked .button:insensitive,
.toolbar .linked .entry,
.toolbar .linked .button,
.toolbar .linked .button:active,
.toolbar .linked .button:active:hover,
.toolbar .linked .button:focus,
.toolbar .linked .button:focus:active,
.toolbar .linked .button:insensitive {
    border-image-width: 7px 0 7px 0;
}

/* leftmost button */
.linked .entry:first-child,
.linked .button:first-child,
.linked .button:active:first-child,
.linked .button:active:hover:first-child,
.linked .button:focus:first-child,
.linked .button:focus:active:first-child,
.linked .button:insensitive:first-child,
.toolbar .linked .entry:first-child,
.toolbar .linked .button:first-child,
.toolbar .linked .button:active:first-child,
.toolbar .linked .button:active:hover:first-child,
.toolbar .linked .button:focus:first-child,
.toolbar .linked .button:focus:active:first-child,
.toolbar .linked .button:insensitive:first-child {
    border-image-width: 7px 0 7px 7px;
}

/* rightmost button */
.linked .entry:last-child,
.linked .button:last-child,
.linked .button:active:last-child,
.linked .button:active:hover:last-child,
.linked .button:focus:last-child,
.linked .button:focus:active:last-child,
.linked .button:insensitive:last-child,
.toolbar .linked .entry:last-child,
.toolbar .linked .button:last-child,
.toolbar .linked .button:active:last-child,
.toolbar .linked .button:active:hover:last-child,
.toolbar .linked .button:focus:last-child,
.toolbar .linked .button:focus:active:last-child,
.toolbar .linked .button:insensitive:last-child {
    border-image-width: 7px 7px 7px 0;
}

/* linked single button */
.linked .entry:only-child,
.linked .button:only-child,
.linked .button:active:only-child,
.linked .button:active:hover:only-child,
.linked .button:focus:only-child,
.linked .button:focus:active:only-child,
.linked .button:insensitive:only-child,
.toolbar .linked .entry:only-child,
.toolbar .linked .button:only-child,
.toolbar .linked .button:active:only-child,
.toolbar .linked .button:active:hover:only-child,
.toolbar .linked .button:focus:only-child,
.toolbar .linked .button:focus:active:only-child,
.toolbar .linked .button:insensitive:only-child {
    border-image-width: 7px 7px 7px 7px;
}

/* middle button (vertical) */
.linked.vertical .entry,
.linked.vertical .button,
.linked.vertical .button:active,
.linked.vertical .button:active:hover,
.linked.vertical .button:focus,
.linked.vertical .button:focus:active,
.linked.vertical .button:insensitive,
.toolbar .linked.vertical .entry,
.toolbar .linked.vertical .button,
.toolbar .linked.vertical .button:active,
.toolbar .linked.vertical .button:active:hover,
.toolbar .linked.vertical .button:focus,
.toolbar .linked.vertical .button:focus:active,
.toolbar .linked.vertical .button:insensitive {
    border-image-width: 7px 0 7px 0;
}

/* leftmost button (vertical) */
.linked.vertical .entry:first-child,
.linked.vertical .button:first-child,
.linked.vertical .button:active:first-child,
.linked.vertical .button:active:hover:first-child,
.linked.vertical .button:focus:first-child,
.linked.vertical .button:focus:active:first-child,
.linked.vertical .button:insensitive:first-child,
.toolbar .linked.vertical .entry:first-child,
.toolbar .linked.vertical .button:first-child,
.toolbar .linked.vertical .button:active:first-child,
.toolbar .linked.vertical .button:active:hover:first-child,
.toolbar .linked.vertical .button:focus:first-child,
.toolbar .linked.vertical .button:focus:active:first-child,
.toolbar .linked.vertical .button:insensitive:first-child {
    border-image-width: 7px 7px 0 7px;
}

/* rightmost button (vertical) */
.linked.vertical .entry:last-child,
.linked.vertical .button:last-child,
.linked.vertical .button:active:last-child,
.linked.vertical .button:active:hover:last-child,
.linked.vertical .button:focus:last-child,
.linked.vertical .button:focus:active:last-child,
.linked.vertical .button:insensitive:last-child,
.toolbar .linked.vertical .entry:last-child,
.toolbar .linked.vertical .button:last-child,
.toolbar .linked.vertical .button:active:last-child,
.toolbar .linked.vertical .button:active:hover:last-child,
.toolbar .linked.vertical .button:focus:last-child,
.toolbar .linked.vertical .button:focus:active:last-child,
.toolbar .linked.vertical .button:insensitive:last-child {
    border-image-width: 0 7px 7px 7px;
}

/* linked single button (vertical) */
.linked.vertical .entry:only-child,
.linked.vertical .button:only-child,
.linked.vertical .button:active:only-child,
.linked.vertical .button:active:hover:only-child,
.linked.vertical .button:focus:only-child,
.linked.vertical .button:focus:active:only-child,
.linked.vertical .button:insensitive:only-child,
.toolbar .linked.vertical .entry:only-child,
.toolbar .linked.vertical .button:only-child,
.toolbar .linked.vertical .button:active:only-child,
.toolbar .linked.vertical .button:active:hover:only-child,
.toolbar .linked.vertical .button:focus:only-child,
.toolbar .linked.vertical .button:focus:active:only-child,
.toolbar .linked.vertical .button:insensitive:only-child {
    border-image-width: 7px 7px 7px 7px;
}

/* middle button */
.primary-toolbar .button.raised.linked,
.primary-toolbar .button.raised.linked:active,
.primary-toolbar .button.raised.linked:focus,
.primary-toolbar .button.raised.linked:focus:active,
.primary-toolbar .button.raised.linked:insensitive,
.primary-toolbar .raised.linked .button,
.primary-toolbar .raised.linked .button:active,
.primary-toolbar .raised.linked .button:focus,
.primary-toolbar .raised.linked .button:focus:active,
.primary-toolbar .raised.linked .button:insensitive,
.inline-toolbar.toolbar .button,
.inline-toolbar.toolbar .button:active,
.inline-toolbar.toolbar .button:focus,
.inline-toolbar.toolbar .button:focus:active,
.inline-toolbar.toolbar .button:insensitive,
.inline-toolbar.toolbar GtkToolButton .button,
.inline-toolbar.toolbar GtkToolButton .button:active,
.inline-toolbar.toolbar GtkToolButton .button:focus,
.inline-toolbar.toolbar GtkToolButton .button:focus:active,
.inline-toolbar.toolbar GtkToolButton .button:insensitive {
    border-image-width: 7px 0 7px 0;
}

/* leftmost button */
.primary-toolbar .button.raised.linked:first-child,
.primary-toolbar .button.raised.linked:active:first-child,
.primary-toolbar .button.raised.linked:focus:first-child,
.primary-toolbar .button.raised.linked:focus:active:first-child,
.primary-toolbar .button.raised.linked:insensitive:first-child,
.primary-toolbar .raised.linked .button:first-child,
.primary-toolbar .raised.linked .button:active:first-child,
.primary-toolbar .raised.linked .button:focus:first-child,
.primary-toolbar .raised.linked .button:focus:active:first-child,
.primary-toolbar .raised.linked .button:insensitive:first-child,
.inline-toolbar.toolbar .button:first-child,
.inline-toolbar.toolbar .button:active:first-child,
.inline-toolbar.toolbar .button:focus:first-child,
.inline-toolbar.toolbar .button:focus:active:first-child,
.inline-toolbar.toolbar .button:insensitive:first-child,
.inline-toolbar.toolbar GtkToolButton:first-child .button,
.inline-toolbar.toolbar GtkToolButton:first-child .button:active,
.inline-toolbar.toolbar GtkToolButton:first-child .button:focus,
.inline-toolbar.toolbar GtkToolButton:first-child .button:focus:active,
.inline-toolbar.toolbar GtkToolButton:first-child .button:insensitive {
    border-image-width: 7px 0 7px 7px;
}

/* rightmost button */
.primary-toolbar .button.raised.linked:last-child,
.primary-toolbar .button.raised.linked:active:last-child,
.primary-toolbar .button.raised.linked:focus:last-child,
.primary-toolbar .button.raised.linked:focus:active:last-child,
.primary-toolbar .button.raised.linked:insensitive:last-child,
.primary-toolbar .raised.linked .button:last-child,
.primary-toolbar .raised.linked .button:active:last-child,
.primary-toolbar .raised.linked .button:focus:last-child,
.primary-toolbar .raised.linked .button:focus:active:last-child,
.primary-toolbar .raised.linked .button:insensitive:last-child,
.inline-toolbar.toolbar .button:last-child,
.inline-toolbar.toolbar .button:active:last-child,
.inline-toolbar.toolbar .button:focus:last-child,
.inline-toolbar.toolbar .button:focus:active:last-child,
.inline-toolbar.toolbar .button:insensitive:last-child,
.inline-toolbar.toolbar GtkToolButton:last-child .button,
.inline-toolbar.toolbar GtkToolButton:last-child .button:active,
.inline-toolbar.toolbar GtkToolButton:last-child .button:focus,
.inline-toolbar.toolbar GtkToolButton:last-child .button:focus:active,
.inline-toolbar.toolbar GtkToolButton:last-child .button:insensitive {
    border-image-width: 7px 7px 7px 0;
}

/* single button */
.primary-toolbar.toolbar .button:only-child,
.primary-toolbar.toolbar .button:active:only-child,
.primary-toolbar.toolbar .button:focus:only-child,
.primary-toolbar.toolbar .button:focus:active:only-child,
.primary-toolbar.toolbar .button:insensitive:only-child,
.primary-toolbar.toolbar GtkToolButton:only-child .button,
.primary-toolbar.toolbar GtkToolButton:only-child .button:active,
.primary-toolbar.toolbar GtkToolButton:only-child .button:focus,
.primary-toolbar.toolbar GtkToolButton:only-child .button:focus:active,
.primary-toolbar.toolbar GtkToolButton:only-child .button:insensitive,
.inline-toolbar.toolbar .button:only-child,
.inline-toolbar.toolbar .button:active:only-child,
.inline-toolbar.toolbar .button:focus:only-child,
.inline-toolbar.toolbar .button:focus:active:only-child,
.inline-toolbar.toolbar .button:insensitive:only-child,
.inline-toolbar.toolbar GtkToolButton:only-child .button,
.inline-toolbar.toolbar GtkToolButton:only-child .button:active,
.inline-toolbar.toolbar GtkToolButton:only-child .button:focus,
.inline-toolbar.toolbar GtkToolButton:only-child .button:focus:active,
.inline-toolbar.toolbar GtkToolButton:only-child .button:insensitive {
    border-image-width: 7px 7px 7px 7px;
}

/******************
 * linked buttons *
 *****************/
/* set up shadows for visual separation */
.linked .button,
.inline-toolbar.toolbar .button,
.inline-toolbar.toolbar GtkToolButton .button,
.inline-toolbar.toolbar GtkToolButton > .button {
    box-shadow: inset -1px 0 shade(@theme_bg_color, 0.7),
                inset 1px 1px alpha(@light_shadow, 0.4);
}

.linked .button:active,
.inline-toolbar.toolbar .button:active,
.inline-toolbar.toolbar GtkToolButton .button:active,
.inline-toolbar.toolbar GtkToolButton > .button:active {
    box-shadow: inset -1px 0 shade(@theme_bg_color, 0.7),
                inset 1px 1px alpha(@dark_shadow, 0.06),
                inset -1px -1px alpha(@dark_shadow, 0.06);
}

.linked .button:insensitive,
.inline-toolbar.toolbar .button:insensitive,
.inline-toolbar.toolbar GtkToolButton .button:insensitive,
.inline-toolbar.toolbar GtkToolButton > .button:insensitive {
    box-shadow: inset -1px 0 shade(@theme_bg_color, 0.9),
		inset 1px 1px alpha(@light_shadow, 0.2);
}

/* remove box shadow from last-child and only-child */
.linked .button:active *:insensitive:last-child,
.linked .button:active *:insensitive:only-child,
.inline-toolbar.toolbar .button:active *:insensitive:last-child,
.inline-toolbar.toolbar .button:active *:insensitive:only-child,
.inline-toolbar.toolbar GtkToolButton:last-child > .button:active *:insensitive,
.inline-toolbar.toolbar GtkToolButton:only-child > .button:active *:insensitive {
    box-shadow: none;
}

/* add back the inset shadow effect */
.linked .button:last-child,
.linked .button:only-child,
.inline-toolbar.toolbar .button:last-child,
.inline-toolbar.toolbar .button:only-child,
.inline-toolbar.toolbar GtkToolButton:last-child > .button,
.inline-toolbar.toolbar GtkToolButton:only-child > .button {
    box-shadow: inset 1px 1px alpha(@light_shadow, 0.4),
                inset -1px 0 alpha(@light_shadow, 0.4);
}

.linked .button:insensitive:last-child,
.linked .button:insensitive:only-child,
.inline-toolbar.toolbar .button:insensitive:last-child,
.inline-toolbar.toolbar .button:insensitive:only-child,
.inline-toolbar.toolbar GtkToolButton:last-child > .button:insensitive,
.inline-toolbar.toolbar GtkToolButton:only-child > .button:insensitive {
    box-shadow: inset 1px 1px alpha(@light_shadow, 0.2),
                inset -1px 0 alpha(@light_shadow, 0.2);
}

.linked .button:active:last-child,
.linked .button:active:only-child,
.inline-toolbar.toolbar .button:active:last-child,
.inline-toolbar.toolbar .button:active:only-child,
.inline-toolbar.toolbar GtkToolButton:last-child > .button:active,
.inline-toolbar.toolbar GtkToolButton:only-child > .button:active {
    box-shadow: inset 1px 1px alpha(@dark_shadow, 0.06),
                inset -1px -1px alpha(@dark_shadow, 0.06);
}

/* middle button */
.linked .entry,
.linked .button,
.linked .button:active,
.linked .button:active:hover,
.linked .button:insensitive,
.inline-toolbar.toolbar .button,
.inline-toolbar.toolbar .button:active,
.inline-toolbar.toolbar .button:insensitive,
.inline-toolbar.toolbar GtkToolButton .button,
.inline-toolbar.toolbar GtkToolButton .button:active,
.inline-toolbar.toolbar GtkToolButton .button:insensitive {
    border-width: 3px;
    border-radius: 0;
    border-right-width: 0;
    border-left-width: 0;
}

/*leftmost button */
.linked .entry:first-child,
.linked .button:first-child,
.linked .button:active:first-child,
.linked .button:active:hover:first-child,
.linked .button:insensitive:first-child,
.inline-toolbar.toolbar .button:first-child,
.inline-toolbar.toolbar .button:active:first-child,
.inline-toolbar.toolbar .button:insensitive:first-child,
.inline-toolbar.toolbar GtkToolButton:first-child .button,
.inline-toolbar.toolbar GtkToolButton:first-child .button:active,
.inline-toolbar.toolbar GtkToolButton:first-child .button:insensitive {
    border-width: 3px;
    border-radius: 5px;
    border-right-width: 0;
    border-bottom-right-radius: 0;
    border-top-right-radius: 0;
}

/* rightmost button */
.linked .entry:last-child,
.linked .button:last-child,
.linked .button:active:last-child,
.linked .button:active:hover:last-child,
.linked .button:insensitive:last-child,
.inline-toolbar.toolbar .button:last-child,
.inline-toolbar.toolbar .button:active:last-child,
.inline-toolbar.toolbar .button:insensitive:last-child,
.inline-toolbar.toolbar GtkToolButton:last-child .button,
.inline-toolbar.toolbar GtkToolButton:last-child .button:active,
.inline-toolbar.toolbar GtkToolButton:last-child .button:insensitive {
    border-width: 3px;
    border-radius: 5px;
    border-left-width: 0;
    border-bottom-left-radius: 0;
    border-top-left-radius: 0;
}

/* linked single button */
.linked .entry:only-child,
.linked .button:only-child,
.linked .button:active:only-child,
.linked .button:active:hover:only-child,
.linked .button:insensitive:only-child,
.inline-toolbar.toolbar .button:only-child,
.inline-toolbar.toolbar .button:active:only-child,
.inline-toolbar.toolbar .button:insensitive:only-child,
.inline-toolbar.toolbar GtkToolButton:only-child .button,
.inline-toolbar.toolbar GtkToolButton:only-child .button:active,
.inline-toolbar.toolbar GtkToolButton:only-child .button:insensitive {
    border-width: 3px;
    border-radius: 5px;
}

/* linked button shadows (vertical) */
.linked.vertical .button,
.inline-toolbar.toolbar.vertical .button,
.inline-toolbar.toolbar.vertical GtkToolButton > .button {
    box-shadow: inset 0 -1px shade(@theme_bg_color, 0.7),
		inset 1px 1px alpha(@light_shadow, 0.4),
                inset -1px 0 alpha(@light_shadow, 0.4);
}

.linked.vertical .button:active,
.inline-toolbar.toolbar.vertical .button:active,
.inline-toolbar.toolbar.vertical GtkToolButton > .button:active {
    box-shadow: inset 0 -1px shade(@theme_bg_color, 0.7),
                inset 1px 1px alpha(@dark_shadow, 0.06),
                inset -1px -1px alpha(@dark_shadow, 0.06);
}

.linked.vertical .button:insensitive,
.inline-toolbar.toolbar.vertical .button:insensitive,
.inline-toolbar.toolbar.vertical GtkToolButton > .button:insensitive {
    box-shadow: inset 0 -1px shade(@theme_bg_color, 0.9),
		inset 1px 1px alpha(@light_shadow, 0.2),
                inset -1px 0 alpha(@light_shadow, 0.2);
}

/* remove box shadow from last-child and only-child */
.linked.vertical .button:active *:insensitive:last-child,
.linked.vertical .button:active *:insensitive:only-child,
.inline-toolbar.toolbar.vertical .button:active *:insensitive:last-child,
.inline-toolbar.toolbar.vertical .button:active *:insensitive:only-child,
.inline-toolbar.toolbar.vertical GtkToolButton:last-child > .button:active *:insensitive,
.inline-toolbar.toolbar.vertical GtkToolButton:only-child > .button:active *:insensitive {
    box-shadow: none;
}

/* add back the inset shadow effect */
.linked.vertical .button:last-child,
.linked.vertical .button:only-child,
.inline-toolbar.toolbar.vertical .button:last-child,
.inline-toolbar.toolbar.vertical .button:only-child,
.inline-toolbar.toolbar.vertical GtkToolButton:last-child > .button,
.inline-toolbar.toolbar.vertical GtkToolButton:only-child > .button {
    box-shadow: inset 1px 1px alpha(@light_shadow, 0.4),
                inset -1px 0 alpha(@light_shadow, 0.4);
}

.linked.vertical .button:insensitive:last-child,
.linked.vertical .button:insensitive:only-child,
.inline-toolbar.toolbar.vertical .button:insensitive:last-child,
.inline-toolbar.toolbar.vertical .button:insensitive:only-child,
.inline-toolbar.toolbar.vertical GtkToolButton:last-child > .button:insensitive,
.inline-toolbar.toolbar.vertical GtkToolButton:only-child > .button:insensitive {
    box-shadow: inset 1px 1px alpha(@light_shadow, 0.2),
                inset -1px 0 alpha(@light_shadow, 0.2);
}

.linked.vertical .button:active:last-child,
.linked.vertical .button:active:only-child,
.inline-toolbar.toolbar.vertical .button:active:last-child,
.inline-toolbar.toolbar.vertical .button:active:only-child,
.inline-toolbar.toolbar.vertical GtkToolButton:last-child > .button:active,
.inline-toolbar.toolbar.vertical GtkToolButton:only-child > .button:active {
    box-shadow: inset 1px 1px alpha(@dark_shadow, 0.06),
                inset -1px -1px alpha(@dark_shadow, 0.06);
}

/* middle button (vertical) */
.linked.vertical .entry,
.linked.vertical .button,
.linked.vertical .button:active,
.linked.vertical .button:active:hover,
.linked.vertical .button:insensitive {
    border-width: 3px;
    border-radius: 0;
    border-top-width: 0;
    border-bottom-width: 0;
}

/* top button (vertical) */
.linked.vertical .entry:first-child,
.linked.vertical .button:first-child,
.linked.vertical .button:active:first-child,
.linked.vertical .button:active:hover:first-child,
.linked.vertical .button:insensitive:first-child {
    border-width: 3px;
    border-radius: 5px;
    border-bottom-width: 0;
    border-bottom-right-radius: 0;
    border-bottom-left-radius: 0;
}

/* bottom button (vertical) */
.linked.vertical .entry:last-child,
.linked.vertical .button:last-child,
.linked.vertical .button:active:last-child,
.linked.vertical .button:active:hover:last-child,
.linked.vertical .button:insensitive:last-child {
    border-width: 3px;
    border-radius: 5px;
    border-top-width: 0;
    border-top-left-radius: 0;
    border-top-right-radius: 0;
}

/* linked single button (vertical) */
.linked.vertical .entry:only-child,
.linked.vertical .button:only-child,
.linked.vertical .button:active:only-child,
.linked.vertical .button:active:hover:only-child,
.linked.vertical .button:insensitive:only-child {
    border-width: 3px;
    border-radius: 5px;
}

/* linked toolbar buttons */
.primary-toolbar .button.raised.linked,
.primary-toolbar .raised.linked .button,
.toolbar .button.raised.linked,
.toolbar .raised.linked .button,
.toolbar .linked .button,
.header-bar .button.raised.linked,
.header-bar .raised.linked .button,
.header-bar .linked .button {
    box-shadow: inset -1px 0 shade(@theme_bg_color, 0.7),
		inset 1px 1px alpha(@light_shadow, 0.4);
}

.primary-toolbar .button.raised.linked:active,
.primary-toolbar .raised.linked .button:active,
.toolbar .button.raised.linked:active,
.toolbar .raised.linked .button:active,
.toolbar .linked .button:active,
.header-bar .button.raised.linked:active,
.header-bar .raised.linked .button:active,
.header-bar .linked .button:active {
    box-shadow: inset -1px 0 shade(@theme_bg_color, 0.7),
                inset 1px 1px alpha(@dark_shadow, 0.06),
                inset -1px -1px alpha(@dark_shadow, 0.06);
}

.primary-toolbar .button.raised.linked:insensitive,
.primary-toolbar .raised.linked .button:insensitive,
.toolbar .button.raised.linked:insensitive,
.toolbar .raised.linked .button:insensitive,
.toolbar .linked .button:insensitive,
.header-bar .button.raised.linked:insensitive,
.header-bar .raised.linked .button:insensitive,
.header-bar .linked .button:insensitive {
    box-shadow: inset -1px 0 shade(@theme_bg_color, 0.9),
		inset 1px 1px alpha(@light_shadow, 0.2);
}

/* remove box shadow from last-child and only-child */
.primary-toolbar .button:active *:insensitive.raised.linked:last-child,
.primary-toolbar .button:active *:insensitive.raised.linked:only-child,
.primary-toolbar .raised.linked .button:active *:insensitive:last-child,
.primary-toolbar .raised.linked .button:active *:insensitive:only-child,
.toolbar .button:active *:insensitive.raised.linked:last-child,
.toolbar .button:active *:insensitive.raised.linked:only-child,
.toolbar .raised.linked .button:active *:insensitive:last-child,
.toolbar .raised.linked .button:active *:insensitive:only-child,
.toolbar .linked .button:active *:insensitive:last-child,
.toolbar .linked .button:active *:insensitive:only-child,
.header-bar .button:active *:insensitive.raised.linked:last-child,
.header-bar .button:active *:insensitive.raised.linked:only-child,
.header-bar .raised.linked .button:active *:insensitive:last-child,
.header-bar .raised.linked .button:active *:insensitive:only-child,
.header-bar .linked .button:active *:insensitive:last-child,
.header-bar .linked .button:active *:insensitive:only-child {
    box-shadow: none;
}

/* add back the inset shadow effect */
.primary-toolbar .button.raised.linked:last-child,
.primary-toolbar .button.raised.linked:only-child,
.primary-toolbar .raised.linked .button:last-child,
.primary-toolbar .raised.linked .button:only-child,
.toolbar .button.raised.linked:last-child,
.toolbar .button.raised.linked:only-child,
.toolbar .raised.linked .button:last-child,
.toolbar .raised.linked .button:only-child,
.toolbar .linked .button:last-child,
.toolbar .linked .button:only-child,
.header-bar .button.raised.linked:last-child,
.header-bar .button.raised.linked:only-child,
.header-bar .raised.linked .button:last-child,
.header-bar .raised.linked .button:only-child,
.header-bar .linked .button:last-child,
.header-bar .linked .button:only-child {
    box-shadow: inset 1px 1px alpha(@light_shadow, 0.4),
                inset -1px 0 alpha(@light_shadow, 0.4);
}

.primary-toolbar .button:insensitive.raised.linked:last-child,
.primary-toolbar .button:insensitive.raised.linked:only-child,
.primary-toolbar .raised.linked .button:insensitive:last-child,
.primary-toolbar .raised.linked .button:insensitive:only-child,
.toolbar .button:insensitive.raised.linked:last-child,
.toolbar .button:insensitive.raised.linked:only-child,
.toolbar .raised.linked .button:insensitive:last-child,
.toolbar .raised.linked .button:insensitive:only-child,
.toolbar .linked .button:insensitive:last-child,
.toolbar .linked .button:insensitive:only-child,
.header-bar .button:insensitive.raised.linked:last-child,
.header-bar .button:insensitive.raised.linked:only-child,
.header-bar .raised.linked .button:insensitive:last-child,
.header-bar .raised.linked .button:insensitive:only-child,
.header-bar .linked .button:insensitive:last-child,
.header-bar .linked .button:insensitive:only-child {
    box-shadow: inset 1px 1px alpha(@light_shadow, 0.2),
                inset -1px 0 alpha(@light_shadow, 0.2);
}

.primary-toolbar .button:active.raised.linked:last-child,
.primary-toolbar .button:active.raised.linked:only-child,
.primary-toolbar .raised.linked .button:active:last-child,
.primary-toolbar .raised.linked .button:active:only-child,
.toolbar .button:active.raised.linked:last-child,
.toolbar .button:active.raised.linked:only-child,
.toolbar .raised.linked .button:active:last-child,
.toolbar .raised.linked .button:active:only-child,
.toolbar .linked .button:active:last-child,
.toolbar .linked .button:active:only-child,
.header-bar .button:active.raised.linked:last-child,
.header-bar .button:active.raised.linked:only-child,
.header-bar .raised.linked .button:active:last-child,
.header-bar .raised.linked .button:active:only-child,
.header-bar .linked .button:active:last-child,
.header-bar .linked .button:active:only-child {
    box-shadow: inset 1px 1px alpha(@dark_shadow, 0.06),
                inset -1px -1px alpha(@dark_shadow, 0.06);
}

/* middle button */
.primary-toolbar .button.raised.linked,
.primary-toolbar .button.raised.linked:active,
.primary-toolbar .button.raised.linked:insensitive,
.primary-toolbar .raised.linked .button,
.primary-toolbar .raised.linked .button:active,
.primary-toolbar .raised.linked .button:insensitive,
.toolbar .button.raised.linked,
.toolbar .button.raised.linked:active,
.toolbar .button.raised.linked:insensitive,
.toolbar .raised.linked .button,
.toolbar .raised.linked .button:active,
.toolbar .raised.linked .button:insensitive,
.toolbar .linked .button,
.toolbar .linked .button:active,
.toolbar .linked .button:insensitive,
.header-bar .button.raised.linked,
.header-bar .button.raised.linked:active,
.header-bar .button.raised.linked:insensitive,
.header-bar .raised.linked .button,
.header-bar .raised.linked .button:active,
.header-bar .raised.linked .button:insensitive,
.header-bar .linked .button,
.header-bar .linked .button:active,
.header-bar .linked .button:insensitive {
    border-width: 3px;
    border-radius: 0;
    border-right-width: 0;
    border-left-width: 0;
}

/* leftmost button */
.primary-toolbar .button.raised.linked:first-child,
.primary-toolbar .button.raised.linked:active:first-child,
.primary-toolbar .button.raised.linked:insensitive:first-child,
.primary-toolbar .raised.linked .button:first-child,
.primary-toolbar .raised.linked .button:active:first-child,
.primary-toolbar .raised.linked .button:insensitive:first-child,
.toolbar .button.raised.linked:first-child,
.toolbar .button.raised.linked:active:first-child,
.toolbar .button.raised.linked:insensitive:first-child,
.toolbar .raised.linked .button:first-child,
.toolbar .raised.linked .button:active:first-child,
.toolbar .raised.linked .button:insensitive:first-child,
.toolbar .linked .button:first-child,
.toolbar .linked .button:active:first-child,
.toolbar .linked .button:insensitive:first-child,
.header-bar .button.raised.linked:first-child,
.header-bar .button.raised.linked:active:first-child,
.header-bar .button.raised.linked:insensitive:first-child,
.header-bar .raised.linked .button:first-child,
.header-bar .raised.linked .button:active:first-child,
.header-bar .raised.linked .button:insensitive:first-child,
.header-bar .linked .button:first-child,
.header-bar .linked .button:active:first-child,
.header-bar .linked .button:insensitive:first-child {
    border-width: 3px;
    border-radius: 5px;
    border-right-width: 0;
    border-bottom-right-radius: 0;
    border-top-right-radius: 0;
}

/* rightmost button */
.primary-toolbar .button.raised.linked:last-child,
.primary-toolbar .button.raised.linked:active:last-child,
.primary-toolbar .button.raised.linked:insensitive:last-child,
.primary-toolbar .raised.linked .button:last-child,
.primary-toolbar .raised.linked .button:active:last-child,
.primary-toolbar .raised.linked .button:insensitive:last-child,
.toolbar .button.raised.linked:last-child,
.toolbar .button.raised.linked:active:last-child,
.toolbar .button.raised.linked:insensitive:last-child,
.toolbar .raised.linked .button:last-child,
.toolbar .raised.linked .button:active:last-child,
.toolbar .raised.linked .button:insensitive:last-child,
.toolbar .linked .button:last-child,
.toolbar .linked .button:active:last-child,
.toolbar .linked .button:insensitive:last-child,
.header-bar .button.raised.linked:last-child,
.header-bar .button.raised.linked:active:last-child,
.header-bar .button.raised.linked:insensitive:last-child,
.header-bar .raised.linked .button:last-child,
.header-bar .raised.linked .button:active:last-child,
.header-bar .raised.linked .button:insensitive:last-child,
.header-bar .linked .button:last-child,
.header-bar .linked .button:active:last-child,
.header-bar .linked .button:insensitive:last-child {
    border-width: 3px;
    border-radius: 5px;
    border-left-width: 0;
    border-bottom-left-radius: 0;
    border-top-left-radius: 0;
}

/* linked single button */
.primary-toolbar .button.raised.linked:only-child,
.primary-toolbar .button.raised.linked:active:only-child,
.primary-toolbar .button.raised.linked:insensitive:only-child,
.primary-toolbar .raised.linked .button:only-child,
.primary-toolbar .raised.linked .button:active:only-child,
.primary-toolbar .raised.linked .button:insensitive:only-child,
.toolbar .button.raised.linked:only-child,
.toolbar .button.raised.linked:active:only-child,
.toolbar .button.raised.linked:insensitive:only-child,
.toolbar .raised.linked .button:only-child,
.toolbar .raised.linked .button:active:only-child,
.toolbar .raised.linked .button:insensitive:only-child,
.toolbar .linked .button:only-child,
.toolbar .linked .button:active:only-child,
.toolbar .linked .button:insensitive:only-child,
.header-bar .button.raised.linked:only-child,
.header-bar .button.raised.linked:active:only-child,
.header-bar .button.raised.linked:insensitive:only-child,
.header-bar .raised.linked .button:only-child,
.header-bar .raised.linked .button:active:only-child,
.header-bar .raised.linked .button:insensitive:only-child,
.header-bar .linked .button:only-child,
.header-bar .linked .button:active:only-child,
.header-bar .linked .button:insensitive:only-child {
    border-width: 3px;
    border-radius: 5px;
}

redpajama_set_name: RedPajamaGithub


I made these sometime ago. I've completely updated the colours, disabled for random and corrected the colour tags.
Your clothing is great and works well in game. I hope I can make a suggestion about the tags. Your really need a top tag and maybe a general clothing tag for quicker navigation.
Hi Memory :) Thank you for your suggestion. We actually have a top tag but it seems I forgot to add it to the navigation menu. I'll add it now. I'm so glad you like my clothing.