Perfect time, perfect price! Southern charm is what its all about with this gorgeous home in the Lake Forest Country Club neighborhood with well over $100K in updates and renovations. Sitting on the par 3, 15th hole, adjacent to a lovely lake, this home captures the true essence of Louisville living. This home has four bedrooms, plus a charming kids bunk-room. The rooms were artfully planned with extensive crown molding and abundant storage. The entire first floor boasts solid plank maple floors with distressed texture in a chocolate and chestnut brown hue. Most every room has had a fresh coat of paint. The chef's kitchen is spacious with a walk-in pantry and cabinets galore. The cooktop has been updated with induction cooking and a custom matching pot rack that can hold a bevy of pots any cook might desire. The Samsung French door refrigerator with water and ice dispenser was added in 2016. The countertops are granite and the fireplace warms the heart of the home. The screened in outdoor dining room is a favorite to all as you watch golfers drive the green. The master bedroom has a beautiful lake and tree filled view, two large walk in closets, and beautiful molding. The bath has been updated with marble countertops, a stand alone soaking tub, and a fully tiled white shower. The home is great for entertaining neighbors and friends with two large living areas, both with fireplaces, a large game room, and a huge double deck overlooking the golf course and lake. Besides the formal study, the home has a darling craft room with a walk-in closet, sharing a Jack and Jill bath with an adjacent bedroom. There are two large work/storage rooms. The two heating and cooling systems have all been replaced over the last two years and the home has a HEPA filtering system and wifi thermostats. The walk-in attic has extensive flooring, and the fiberglass insulation has been removed and replaced with spray-foam insulation, making for a more energy efficient home and an attic that does not get hot in the summer. In 2016, the landscape was professionally redesigned to accommodate a new drainage system, a new irrigation system, landscape lighting, and new sod. This beautiful home is fenced in and has a 2 A½ car garage. It is a conveniently located near shopping, dining, interstates, hospitals, corporate offices, and some of the best public and private schools the city has to offer. A true must see!
Directions:Arnold Palmer Blvd. to Forest Oaks Dr. on right.
SchoolsClick map icons below to view information for schools near 14906 Forest Oaks Dr Louisville, KY 40245.
Home for sale at 14906 Forest Oaks Dr Louisville, KY 40245.
Description: The home at 14906 Forest Oaks Dr Louisville, KY 40245 with the MLS Number 1524346 is currently listed at $537,000 and has been on the Louisville market for 72 days.
You are viewing the MLS property details of the home for sale at 14906 Forest Oaks Dr Louisville, KY 40245, which is located in the Lake Forest subdivision, includes 4 bedrooms and 4 bathrooms, and has approximately 5666 sq.ft. of living area.


text:
Rosneft has licenses to three blocks in the Barents Sea. Photo: Rosneft
Rosneft starts oil and gas developments on ice edge
Russia's Rosneft plans to start exploration of three blocks in the waters between Novaya Zemlya and Franz Josef Land.
Trude Pettersen
At a public hearing in Arkhangelsk, the oil company presented its plans for exploration on three oil and gas fields it had acquired licenses to in 2013 – Albanovsky, Varneksky and West-Prinovozemelsky, the company's press service reports.
The three fields are all located in the Arctic Ocean at between 74 and 80°N. The area is covered in ice more than half of the year, according to information on the National Snow and Ice Data Center.
Rosneft licenses in the Barents Sea. Map: karaseaovos.ru
An assessment in 2009 estimated that the Albanovsky section of the shelf contained 144.2 million tons of oil, 43.3 million of which is extractable, and 1,254.4 billion cubic meters of gas. The deposits at Varnetsky are estimated to be 2,081 million tons, of which 542 million is extractable, Neftegas wrote.
Recoverable resources of the West-Prinovozemelsky block are according to Rosneft's estimates: oil and gas condensate - 1434 million tons, gas - 1893 billion cubic meters.
The exploration program will take place in one of the summer-autumn sailing seasons (June-November) in the period 2016-2020, and will include bathymetric surveys and taking samples of bottom sediments.
50 million tons of Russian Arctic oil
Full steam ahead in new Arctic oil region
Norway, Russia prepare for cross-border Arctic oil

redpajama_set_name: RedPajamaCommonCrawl


Then Saturday we had stopped for propane on our way out of Austin when I checked my email. In my inbox was a message from a couple who really wanted to see our RV which I had listed on Craigslist a few days before not really thinking I'd get a response. Posting the ad was kinda of a "let's just see what happens" sort of thing.
Undecided if we should just keep on driving, we sat in the parking lot of the propane place discussing whether I should call the number in the email. My first response was no let's just keep going. Afterall, we just had 10 wonderful days at our friend's house and had spent the morning packing, cleaning, and saying our goodbyes. We were ready to move on and get to our next destination, New Orleans. Then Brent said I could call the number and just explain our situation and they could meet us on our way out of town, assuming, of course, they wouldn't want to do that.
I called the number and the person who answered told me it was the wrong number. I sent an email explaining I tried calling but the number was wrong and we were headed out of Austin. I mentioned if they got the email soon they could call me back. Then we headed on our way.
A few minutes later my phone rang and a woman explained she and her husband were really interested and they could meet us right away. Thirty minutes later, after a mad cleaning spree, we were showing the RV. Thirty minutes later they made an offer.
That was Saturday and they couldn't get a check until Monday or Tuesday so we went back to my best friend's house. Sunday morning the buyers sent over a deposit. Today, we spent the day trying to pack up all of our stuff into a much too small U-Haul trailer.
Now here we are still in Austin waiting and wondering….what have we done?!?!?! Yes, we wanted to sell this RV. It's been on our radar since we found out we were having another baby and deciding to stay on the road. The back bedroom is a little cramped for Thing One and Thing Two. We want a double slide out in their room so they can have their own space to study, create, and play. We'd also love a little more counter space and a second bathroom. If budget wasn't a limiting factor, we'd also have a washer and dryer, bathtub, and kitchen island. A girl can dream! Right now our priorities are a bigger back bedroom and a space where Brent can work.
What's next? Unless we find a new rig here in Texas in the next few days we are going to head to Florida with our stuff in a U-Haul. We'll stay at my parent's place until we find a new home.
Even though we have wanted a new RV for a few months, I'm still sad. Really sad actually. This RV is our home where created incredible memories and tomorrow we will say goodbye.
I realized this weekend as I was cleaning the RV up getting her ready to go I never shared pictures of our RV redecorating makeover project.
Like most RVs, ours was lacking in decor. If we were going to use our RV for the occasional weekend trip we would have kept our RV interior design as it was but this was our home. Brent and I wanted to feel like we were in our home and not staying at a hotel. So we spent the next month and a half sanding, painting, sewing, and doing some minor remodeling. It was a lot of work but I don't regret a minute of it.
This was our home and how we brought it to life.
You know you have good friends when they spend 12 hours at your house helping you reupholster your RV couch. I got the fabric for the couch, dinette, and most of the curtain fabric in the LA Garment district, one of the most fun places in LA!
Since we have a small fridge I try to buy lots of fruits that will keep at room temperature.
LEFT: Apron hooks from World Market. MIDDLE: Map garland was a gift from a friend who I met for the first time in person when we hit the road. RIGHT: Bird curtains and wall sconce. We painted the metal of the sconce and glued a little trim around the bottom of the shade to give it character.
LEFT: This is the moulding around the slide. It was covered in the same fabric as the couch. Instead of taking all the fabric off, I took of the wood trim and stapled burlap over the fabric and painted the wood. TOP RIGHT: Key holder from Urban Outfitters. BOTTOM RIGHT: Glass knobs on all the kitchen cabinets. I really liked these because I had the same knobs in a different color in my sticks and bricks kitchen so they felt "homey".
In place of the headboard we painted with help from another friend a silhouette of the London Bridge. We were engaged in London and that morning after I said "yes" we walked along the Thames River where we took this picture. The quilt was made by my grandmother using an Amy Butler pattern and fabric.
Across from the bed is our dresser, office, and shower. When we bought the RV there was a sink where the desk is now. We bought an small Ikea sink and put it in the water closet (toilet room).
My friend, the same one who helped with the couch, helped me sew (Okay…she did most of the sewing.) new curtains for every window in the RV but these turned out to be my favorite.
LEFT: I didn't keep many things from our old house but couldn't part with this metal cat that I found at a thrift shop. It opens up and I store jewelry in it. RIGHT: The knobs and drawer pulls were on sale at Anthropologie and I love having impressions of nature inside since a big part of this trip is about exploring the outdoors.
We didn't do much to this room except paint and add the the Ikea sink. Changing the sink plumbing was much easier than you would think!
The photo frames are a mixture of Ikea purchases and painted thrift shop finds.
Thing One wanted to keep all the cabinetry its original color but we painted the room and made new curtains.
Two years and 48 states later, I never got tired of nor regretted our RV makeover. It made it home.
Now it's time to say goodbye and move on to a new chapter and another blank canvas.
I never really post, but just had to say how beautiful you're RV remodel is! Thank you for sharing. I enjoy so much reading about your adventures and feel so excited for what's in store next! Much love and many blessings to your beautiful (and growing) family!
Oh how I love following along on your adventure!!
So get ready for the next makeover! Can't wait to see what happens next. Sounds like another great adventure! Congrats on the new addition! Cheers!
Jenn!! I've been waiting two years to see these pics and you certainly did not disappoint. I'm so impressed by all the work you and Brent did to transform your home on wheels. And as a long-time RV lover (it's been my "dream home" since the age of like, 10) I live vicariously through you – and these pics just made it all so much more real. Thanks for sharing. And good luck on the next transition!
Wow, it doesn't even look like an rv! It's fantastic. I'm sure your next one will have plenty of memories and will feel just as much like home. Best of luck!
Oh Jenn – It's so fantastic. So excited to hear where the rest of your adventure takes you. Say Hi if you're ever back in the Seattle area.
Wow, I forgot about all the little details.. I LOVE that RV!! 🙂 What a blessing to the next owner.. I am looking forward to seeing/reading the next chapters of what life has in store for your growing family my friend..
Your pictures and posts always bring a warmth to my heart.. I am so glad that God has kept us cconnected over all this time and distance..
Love it! Great job showing us that even a small space can really be made into a home!
I love your home and can hardly wait to see the next one.
Love the before and after pictures. The transformation is amazing. The new owners made an excellent choice. Can't wait to see your next rig and to read about those adventures as well. Been wondering where all your critters are going to ride until you get your new home. Safe and happy travels.
You guys did a wonderful job with the RV! I'm sure selling it was exciting yet scary at the same time! I know you'll find the right RV for your growing family soon!
Wow, you have fantastic style. I LOVE what you did to your RV. The colour and homey touches really creates a beautiful space. Lucky people who bought it! I wish you all the best on your next adventure (and growing family) and really enjoy reading your blog. My dream is to hit the road with my family one day.
Awww!!! OMG so shocked about how quickly you sold it, but not really as it's 110% fabulous (LUCKY LUCKY new owners!!!) I can see why you're sad, but I know that you'll remodel the next one as beautifully and make many many more wonderful memories there as well.
Gah either way I'm excited for you!
No wonder it sold so quickly! Gorgeous! Fabulous style! I know it's sad because there are so many memories there, but there will be so many more to come in your new bigger home. I love all of your special touches – especially the Lego I love u!! Too cute. I can't wait to see your new home and it's transformation. Hate that you have to cram everything in the tiny uhaul. I bet MeowCow is wondering what the heck is going on?!
Be careful on way to Florida!
Congratulations on selling your RV! I found you guys through "Gone with the Wynns" site. I think you two of my favorite RV blogs. By the way, if you still haven't bought an RV by the time you're in Florida, our dealership is located in South East, Florida. We carry the Prime Time RV brand that is especially nice…particularly The Sanibel and Crusader. But we carry the Cardinal too. Though, I'm not sure if you're still planning on doing another remodel with whatever you buy as we have some used ones too. 🙂 Sorry for being "salesy"…I really do love your website! Let me know if you have any questions.
We spent the past 2 years remodeling a 1966 Airstream for full-timing. We love the little Land Yacht buts its pretty drafty and we have a bun-in-the-oven + a toddler so we need a bit more space.
Thanks for the inspiration! Would love to know what your ideal setup would be!
Our ideal setup would be a bunk room with 2 slides so we could build desks under each bed for the boys. We want them to have their own study/creative/being spaces especially as they adjust to having a lithe one around. The next priority is a space where we can set up an "office" for Brent. He's a web designer and it's important that he has a space where he can work peacefully. Other things we'd love but aren't necessary are 2 slides in the main room with a large kitchen counter, a 12 cubic foot fridge (our 8 is tight with 4 people with big appetites!), a enclosed bathroom (our last one was split), and less than 40′ in length. However, we've looked and looked and nothing fits the bill perfectly. There is a used rig we love but it's 41′ feet. Another one is around 35′ which would be ideal but the office space isn't that great and the counter is teeny tiny.
I feel like we are being too picky but we sold a rig we loved to get something that would fit our growing family better so it's important that it have as many features as possible to fit our individual family member's needs. Also we have no idea how long we are going to be in it. We thought we were just going to travel for a year and hear we are coming up on two and half years.
Your RV renovation looks amazing! Very impressed!! Great job making things "homey". My hubby and I are diving head first into full time RVing. We're excited but boy do we have a lot to learn! I'm curious about two things…One: did you remove the old window borders when you installed the curtains or did you put the curtains over the top? Two: The wall paper in our used RV that we bought has ripples in it (from moisture I think)…I'm wondering if it is truly wall paper that I can just tear out or if it's actually some sort of a veneer. I'm interested in re-doing the wall paper or maybe even painting but I'm very unsure what I'm going to be dealing with if I pull that paper off my walls. Any feedback you have for me would be awesome! Thanks!
Hi Suzanne. Thanks for stopping by and how exciting about your upcoming RV adventures. Regarding your questions. Are you talking about the hard window borders that are sort of like curtains? If so, yes we removed them and filled in the screw holes with filler before we painted. Second, no we didn't removed the wall paper.I don't really think it's wall paper in the traditional sense. I think it's more like you said some sort of veneer and I'm fairly certain it isn't put on like a traditional wall paper. I think it would have been a mess had we tried to remove it. We did remove a border that was put on like traditional wall paper. That was very easy. To paint we cleaned the walls very thoroughly and painted over them with a latex based paint. It held up very very well on our rig. Good luck and thanks again for stopping by!
Yes, the hard window borders – I've always thought they were so ugly! And for some reason, putting my own curtains up has always been the first task to make me feel at home in my new place. Thanks for the thoughts on the wall paper too. I figured as much but was hoping it really was just wall paper. Not sure what I'm going to have to do about the ripples…maybe they won't show as much with fresh paint. Thanks for the reply!
Can I ask where you got the flooring and what kind of flooring (vinyl sheets, peel and stick, etc)? Would love to know where i can purchase this. love the wood/wood look. Very nicely done.
Did you include the curtains and all that when you sold it? I LOVE that curtain fabric. I think I told you that already.
Also, when are you coming back to visit?!?!
I'm not sure if someone has asked you this question. You added a loveseat, how did you get it in?
I love what you did to it! It looks so homey and we are going to do ours, too, soon.
Hi Cynthia. I'm a bit behind in replying to comments. That loveseat was already in the RV we just recovered it. However, when we recovered it we took it apart and it fit *sort of* easily without the cushions through the door.
Congratulations on your pregnancy! I love everything about this blog! hope you are feeling good and have a safe and happy(as can be) delivery.
Hello. Loved getting a tour of your old rig. Thanks. How do you secure things before travel? Is it a huge process to pack everything up? You don't drive with that nice big iMac loose on the desk, do you?
Wow. Y'all turned this RV into a cool, modern, comfy house. Amazing! What about the new RV?! Tell me y'all did the same to it?!
thanks for sharing… I plan on redoing a travel trailer soon..and I like some of your ideas.
What a truly lovely RV makeover! This is post going straight to my Pinterest board! The bright colorful fabrics really make it "happy-homey"! And your idea to put that Ikea sink in the toilet closet is pure G.E.N.I.U.S. !!!!
Wow! What a makeover this was! AMAZING!
How did you prep the walls for painting? Did you remove any wallpaper or paint over it?
So I just saw your comment and figured I would answer it 8 months later. Sorry about that! We just painted over wall paper after it got a good scrub down.
Please tell us about flooring.
And name of paint colors would be so appreciated.
I am about to start a big overhaul and love what you did.
Hi just saw this comment. The flooring was left overs from a friend's project and I'm sorry but I don't remember at all the names of the paint colors. I saved the chips but passed them along to the new owner.
I am looking into my options as far as a tiny home vs. renovating a 5th wheel. Can you tell me approximately how much you spent on the 5th wheel and renovations?
Hi there Jen have you guys done any remodels in.your gateway 3650bh?
We sold it last spring. If you search (top right corner kinda hard to see the bar) for heartland gateway you'll find my old for sale post where you can see pics of the mods we did. They were pretty minor.
So exciting that your family got to travel and see the country!!! I would love to have done that when my girls were younger!!
Over the River and Through the Wood to Washington We Go!


The spectrum of a prediction-error filter (PEF) tends toward the inverse spectrum of the data from which it is estimated. I compute 2-D PEF's from known ``training images'' and use them to synthesize similar-looking textures from random numbers via helix deconvolution. Compared to a similar technique employing Fourier transforms, the PEF-based method is generally more flexible, due to its ability to handle missing data, a fact which I illustrate with an example. Applying PEF-based texture synthesis to a stacked 2-D seismic section, I note that the residual error in the PEF estimation forms the basis for ``coherency'' analysis by highlighting discontinuities in the data, and may also serve as a measure of the quality of a given migration velocity model. Last, I relate the notion of texture synthesis to missing data interpolation and show an example.


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Q: ORA-06550: line 1, column 7: PLS-00201: identifier 'PAYMENT_UPDATE' must be declared ORA-06550: line 1, column 7: PL/SQL: Statement ignored I have a procedure to insert values into one table and update rows of another table. The procedure compiled without any errors. If I manually call it within PL/SQL codes, the tables are updated.
CREATE OR REPLACE PROCEDURE payment_update
      (bId IN number, pType IN varchar2, pAmt IN number )
AS
BEGIN
    INSERT INTO payment
     VALUES (PID_SEQ.NEXTVAL,
              bId,
              pType,
              (SELECT CURRENT_DATE FROM DUAL),
              pAmt);
    UPDATE booking
        SET payment_status = 'FP',
          paid = pAmt
    WHERE booking_id = bId;
END;
/

I am trying to call this stored procedure in a Java class, through the click of a button. The user enters values into a text field of the GUI frame, those values need to be sent to the stored procedure.
This is my Java code -
private void payButtonActionPerformed(java.awt.event.ActionEvent evt) {
    int i = unpaidJTable.getSelectedRow();
    int bookingId =Integer.parseInt(bIdText.getText());
    String pType = pTypeText.getText();
    double pAmt = Double.parseDouble(pAmtText.getText());
    CallableStatement callableStatement = null;
    String paymentUpdateRecord = "{call payment_update(?, ?, ?)}";
    try{
       callableStatement = conn.prepareCall(paymentUpdateRecord);
       callableStatement.setInt(1, bookingId);
       callableStatement.setString(2, pType);
       callableStatement.setDouble(3, pAmt);
       callableStatement.executeUpdate();
       conn.commit();
       System.out.println("Successfully updated!");
   }
    catch(SQLException e){
       System.out.println(e.getMessage());
   }

On clicking this button, I get an error pasted above as the question.
Can someone please help me out? I can't figure out what I need to declare.

A: I faced same problem and figured out the solution.
Actually, When I searched for answer, other post mentioned that 'there could be permission issue'. Which is quit the case here. As a workaround or solution need to do following:
-Drop you SP.
-Recreate SP with Parameter (i.e. your final SP)
You might have created SP first and later did some changes in Parameter section.
See if this helps. However, it did in my case.

A: PLS-00201: identifier 'PROC_NAME' must be declared
ORA-06550: line 1, column 7:
I was able to resolve the issue by creating synonym for the procedure.

redpajama_set_name: RedPajamaStackExchange


A lame duck county commissioner proposed $2M in cuts to the office.
Two prominent Hennepin County officials are squaring off with each other in their final weeks in office.
Outgoing and longtime county Commissioner Peter McLaughlin will propose Wednesday that the board cut nearly $2 million from the Sheriff's Office's 2019 budget. He also had planned to slash nine new detention officer positions, but changed his mind Tuesday.
Sheriff Rich Stanek, who lost his election to David Hutchinson by 2,340 votes, questioned why a lame duck commissioner would offer up cuts that would take effect when he's out of office. The funding reduction would mostly affect jail staffing and a program that has successfully increased the office's diversity, he said.
"This is all politics and that's unfortunate," said Stanek. "He's trading in public safety for the county to fund a transportation project."
McLaughlin said none of the money from the budget cuts would go to transit projects.
If passed by the board, McLaughlin's proposal would eliminate $1 million for overtime and adjust the office's vacancy factor by $850,000. The factor is money saved when an employee leaves before a replacement is hired.
McLaughlin also wants to drop a water patrol deputy that would be assigned to the Mississippi River, a position he said doesn't rise to a top priority. The salary savings would be $78,402. Stanek said county administration promised his office the job and that marina owners have been asking for more patrols for years.
McLaughlin said he suggested cutting the nine detention deputies depending on the outcome of a recently released study of the county's jail population. The move would have saved $637,000, but the study included several long-term cost saving measures, he said.
Much of the overtime expenses comes from jail staffing when inmate populations run high. While the numbers have declined in recent months, the jail had record inmate levels last spring.
"The study found that the jail is now down to its functional capacity and we can keep those numbers down," said McLaughlin. "The new budget numbers reflects that we don't need funding for a full jail."
The number of jail beds available daily is 755, and Stanek said the jail staffs for 680 inmates. On Monday there were 735 inmates, so he had to force deputies to work overtime "because you just can't say the inn is closed."
The Sheriff's Office's budget for 2019 is expected to be around $114 million. With the nine new detention officers, the office will employ 807 people.
Hutchinson wants commissioners to hold off with any changes until next year "when I have a better idea of what's going on,"
"The overtime money needs to be there for things like the Final Four basketball tournament in April," he said. "I need money to do the things I promised in my campaign, and I need to have all the available resources to keep people safe."
Hutchinson said he's willing to work with the board on the budget but would also like some time to find where he could make cuts. One idea: Use only detention deputies and a few sworn deputies. Detention deputies aren't licensed peace officers and can't carry a weapon. Sworn deputies should be used for community engagement and lowering violent crime, he said.
The budget decreases would cost the Sheriff's Office 17 sworn deputies, said Stanek. They help patrol the county's 45 cities outside of Minneapolis, work in the jail and the crime lab and respond to emergencies and protests, he said.
"This is unfortunate because McLaughlin only represents one city in his district and that's Minneapolis," said Stanek. "I can't believe the board would capitulate to a lame-duck commissioner."
Stanek is also upset at the effect the cuts will have on his diversity efforts, especially the office's "Pathways" program. It hires a large number of diverse people as detention deputies, gives them flexible schedules for school and raising families and works to keep them as sworn deputies, he said. The new budget constraints would freeze the program for several years, he said.
"In my 12 years, diversity officewide had grown from 7 to 17 percent," he said. "I don't get upset when a diverse deputy goes to another law enforcement agency because it's good for everybody."
Hennepin County isn't alone with its budget cuts. Last week, the Minneapolis City Council took more than $1 million from the Police Department's budget next year for initiatives to reduce violence. Ramsey County is making minor increases to its Sheriff's Office's budget.
"This is nothing personal to the old or new sheriff," said Mark Thompson, assistant Hennepin County administrator for public safety. "If you have the opportunity to save money, you do it."


Many plants will set seed in the bountiful waterwise garden. Lavender dentata often sets seedlings around the garden and salvia chameadryoides spreads by underground runners and seeds. These plants can be transplanted to appropriate areas or potted up for friends, or a plant swap. Succulents also pup readily and are very useful for colonizing bare ground while other plants become established. The succulents can be removed later, rather easily as most of them are shallow rooted. However, some agaves, such as the giant Americana, put out offsets very close to the mother plant making them difficult to remove and therefore invasive. Aloes make much better colonizing plants as the thorns are blunter and they flower at least once a year.


Ferdinand I Gonzaga (26 April 1587 – 29 October 1626) was Duke of Mantua and Duke of Montferrat from 1612 until his death.
Born in Mantua, he was the son of Vincenzo I and Eleonora de' Medici.
He was appointed a cardinal at the age of 20. A few years after his elder brother, Duke Francesco IV, died in 1612 without heirs, he renounced the ecclesiastical career and succeeded his brother in both the Duchy of Mantua and the Duchy of Montferrat.
In 1616 he secretly married Camilla Faà di Bruno, whom he divorced in the same year. Their son Francesco Giacinto Teodoro Giovanni Gonzaga, although accepted at court, was not made Ferdinando's heir. He died of the plague—or was murdered—during the 1630 siege of Mantua. On 16 February 1617 he married Catherine de' Medici (1593–1629), the daughter of Ferdinand I, Grand Duke of Tuscany.
Ferdinand Gonzaga died in 1626. His younger brother Vincenzo II inherited the duchy.
Francesco Giacinto Gonzaga (4 December 1616 – 1630), Lord of Bianzè since 1624, benefited Priest of St. Benedict Polirone.
This page was last edited on 20 April 2019, at 10:32 (UTC).


text:
Persone
 Mecia Simson – modella inglese
 Robert Simson – matematico scozzese
 Sergei Hohlov-Simson – calciatore estone

Altro
 Simson – azienda tedesca produttrice di armi da fuoco, automobili, motociclette e ciclomotori.
 Retta di Simson – concetto della geometria

redpajama_set_name: RedPajamaWikipedia


Trinity Christian graduate Andre Smith is headed to the Panthers.
Trinity Christian alum Andre Smith was selected by the Carolina Panthers during the seventh round of the NFL Draft on Saturday.
The University of North Carolina linebacker was picked with the 234th overall selection in the draft.
The Jacksonville native produced 187 tackles (8.5 for loss), two interceptions, seven pass breakups and two sacks during his three-year tenure with the Tar Heels. The 6-foot, 237-pound linebacker is likely to play on special teams as a rookie.


text:
Paramount Pictures, 81m 17s
In his first featured role, Alan Ladd portrays Philip Raven, a hard-boiled contract killer. Introduced in a fleabag rooming house in San Francisco, Raven reveals a fondness for stray cats, who survive much the way he does. That fondness, however, absolutely does not extend to humans. He shows a quick temper when he backhands the maid Annie (Pamela Blake), but demonstrates a more calculated manner when completing that day's major assignment: the elimination of chemist Albert Baker (Frank Ferguson), who had become a threat to the anti-American activities of LA-based Nitro Chemical Corporation. With a no-choice second killing, Raven takes out Baker's secretary (Bernadene Hayes) in a prototypical film noir murder, suggested by the sound of a lifeless body hitting the floor after Raven fires his weapon through a closed kitchen door. Mission accomplished, Raven is paid for his services via marked tens from Nitro executive Willard Gates (Laird Cregar), who promptly reports the money stolen, thus causing Raven to seek revenge. Meanwhile, elegant blonde night club entertainer Ellen Graham (Veronica Lake) is recruited to spy on Gates, and her fiancé Michael Crane (Robert Preston) is the lawman in pursuit of Raven.
Philip Raven (Alan Ladd) is ready to become THIS GUN FOR HIRE
An adaptation of Graham Greene's 1936 novel A GUN FOR SALE, co-written for the screen by Albert Maltz and W.R. Burnett, THIS GUN FOR HIRE is one of the early noir films that mapped out the territory of an emerging American film movement. The Raven character in many ways is the definition of the classic alienated noir protagonist, a complete outcast who lives by a moral code that makes sense to him. "I'm my own police," he observes. His tough-cookie moments are plentiful: he rancorously shoves Gates's adjutant Tommy (Marc Lawrence) down a basement staircase (noir staircases tend to be dangerous), at one point prepares to shoot Graham in the back, and later in self-preservation mode, kills a cop.
Branded with a troubled past, Raven was among the first of many dispassionate loners to surface during the WWII-noir era, a time when many returning US vets would find adjustment to civilian life difficult. A Freudian angle is used to explain Raven's temperament; he endured vicious beatings from the aunt who raised him. One particularly nasty incident left the young Raven with a badly deformed left wrist emblematic of deep psychological scars; notice Raven shows a certain kinship with a young girl (Virita Campbell) restricted by leg braces who asks for his help. The film's other cripple is far less sympathetic. Nitro president Alvin Brewster (Tully Marshall) is the devil in a wheelchair, a man selling out his country. The crippled male would become a common noir trope (i.e. DOUBLE INDEMNITY [1944], THE BIG SLEEP [1946], GILDA [1946], THE LADY FROM SHANGHAI [1947]). Wheelchairs, crutches and canes imply that the men dependent on them are effectively impotent.
So, what, or who, is to blame for all of these hobbled men? Frequently, a woman is responsible, such as Raven's cruel aunt. In THIS GUN FOR HIRE's crucial noir moment of fate, Raven takes a train seat next to the femme fatale who will finalize his condemnation. The danger associated with the noir female, well embodied here by Lake, is suggested during her first musical interlude (dubbed by Martha Mears), when Graham sings, "next moment, instead of her heart, the ace of spades is there." This somewhat comical performance might be overlooked as harmless fun, and of course the female club singer would become a tiresome Hollywood trope; it is a chore to name a significant amount of important film noirs that do not feature a female character who is a night club performer of some sort. But Graham is no ordinary entertainer—she's working as an informant for Senator Burnett (Roger Imhof), and while forced to stick close to Raven, she cleverly leads police to him with her monogrammed playing cards. Raven is not alone in his fascination with Graham—like Raven and so many other male noir characters, the cultivated man Gates has what proves to be a fatal weakness for complex women like Graham (Gates hires her for his Neptune Club, but obviously is more interested in wining and dining her). Graham closes the film with one of the greatest "WTF" lines in cinema history. After Raven takes his final breath, she responds with, "Oh Michael, my darling, hold me!" THIS GUN FOR HIRE makes a strong appeal to the viewer's sense of patriotism, and the necessity of human sacrifice for the greater good. Graham really is speaking to the audience when she says, "This war is everybody's business, yours too."
Ellen Graham (Veronica Lake) on the run with Philip Raven (Alan Ladd)
Rather oddly with hindsight, Lake shared top billing with the incredibly bland Preston, who brings an annoying textbook-acting quality to each scene in which he is featured. Stranger still, director Frank Tuttle had given thought to casting Preston to play the Raven character. Lake and Ladd worked well together and became Paramount's most bankable couple, paired in two other noir classics: THE GLASS KEY (1942) and THE BLUE DAHLIA (1946). They also appeared in STAR SPANGLED RHYTHM (1942), DUFFY'S TAVERN (1945), VARIETY GIRL (1947), and SAIGON (1948), all Paramount productions.
Studio and LA location footage are blended well by cinematographer John F. Seitz, who went on to lens some of the most well-regarded of all noir films, including the great DOUBLE INDEMNITY (1944), THE BIG CLOCK (1948), NIGHT HAS A THOUSAND EYES (1948), SUNSET BOULEVARD (1950) and APPOINTMENT WITH DANGER (1951, with Ladd). Tuttle also helmed other noir films, i.e. SUSPENSE (1946), HELL ON FRISCO BAY (1955, again starring Ladd), and A CRY IN THE NIGHT (1956).
THIS GUN FOR HIRE is available on a no-frills DVD as part of the Universal Noir Collection. It was remade in 1957 as SHORT CUT TO HELL, the only film James Cagney directed. A made-for-television version was broadcast in 1991, with Robert Wagner cast as Raven.
Labels: THIS GUN FOR HIRE (1942)
RKO Radio Pictures, 73m 11s
WWII veteran Stephen Randall (Steve Brodie) is happily married to Anne (Audrey Long); so much so that a 4-month anniversary demands celebrating. The couple's plans for the evening take a detour when Reynolds (William Challee) pledges $50 for Randall's immediate attention as a truck driver. It turns out Randall has been recruited for a warehouse robbery masterminded by Walt Radak (Raymond Burr). When Randall is able to alert police while the crime is in progress, an ensuing shootout claims the life of a cop, and Radak's little brother Al (Larry Nunn) is left behind—deservedly— to take the murder rap. Soon Randall and his pregnant wife find themselves on the run. Sleazy PI Pete Lavitch (Douglas Fowley) is enlisted by Radak to track down the Randalls, and Detective Lieutenant Louie Ferrari (Jason Robards Sr.) also becomes connected.
Stephen Randall (Steve Brodie) and wife Anne (Audrey Long) in DESPERATE
In the tradition of Fritz Lang's M, the film noir DESPERATE follows the movements of a man wanted by both police and criminals. As often is the case of the "wrong man" noir, unfortunate occurrences have a cascading effect. For instance, a used car dealer (Cy Kendall) reneges on his deal with Randall, who in an act of desperation steals the vehicle he had restored to working order. After the clunker dies, the couple-on-the-run accepts a ride from a pleasant man who just happens to be the local sheriff (Dick Elliott). When the sheriff's car crashes, suddenly the hapless couple is off in another stolen ride.
In a further convention of the noir form, the traditional family struggles to find its place. When a man on a train comments that the Randalls behave like honeymooners, the man's shrewish wife replies "They'll soon get over that." That statement applies well to the Randalls, who find themselves in one unenviable situation after another. A turning point takes place at a Minnesota farm, the antithesis of the tumultuous urban scene, where Aunt Klara (Ilka Grüning) insists the Randalls be married more officially than they had been. The upbeat conclusion emphasizes a new beginning for the featured couple, made possible through the elimination of the evil family represented by the Radak brothers.
Walt Radak (Raymond Burr) belongs behind bars in DESPERATE
DESPERATE is strikingly stylish noir, rich in sinister atmosphere, perhaps highlighted by a climactic stairway shootout. Cinematographer George E. Diskant stresses an appropriately hazy environment when focused on Walt Radak and his cohorts, particularly when the unsavory thugs mercilessly beat down Randall. Diskant's skill set was put to good use in other noteworthy noir stories, including THEY LIVE BY NIGHT, THE RACKET, ON DANGEROUS GROUND, and THE NARROW MARGIN, to name just several.
1947 was an exceptional film noir year for the principals. Director Anthony Mann also helmed two other terrific examples of the genre: RAILROADED! and T-MEN. Brodie appeared in CROSSFIRE and OUT OF THE PAST, and Audrey Long starred in BORN TO KILL.
DESPERATE is part of Warner Home Video's 4-disc Film Noir Classic Collection: Volume Five.
Labels: DESPERATE (1947)
An overlooked film noir entry, BLAST OF SILENCE deserves more recognition. My review of the Criterion Collection DVD release from 2008: BLAST OF SILENCE
Posted by Eric Somer at 12:09 PM No comments:
Labels: BLAST OF SILENCE (1961)
Allied Artists Pictures, 79m 56s
Film noir criminals are not always the notorious gangster types. Frequently they are unremarkable personalities; working-class stiffs who view themselves as unfairly condemned to society's oppressed underbelly. Often they come to the erroneous conclusion that a heist of some kind will provide a way out.
Herman Tate (Don Beddoe, HOODLUM EMPIRE, THE NIGHT OF THE HUNTER) is the type of noir character referenced above. In the hope of securing the long-term attention of blonde bombshell Vera (Mary Beth Hughes, INNER SANCTUM), the milquetoast Tate devises a plan to pose as a bank examiner and rob a teller's drawer of nearly $50,000. The man caught short is Mike Donovan (Barry Sullivan), who not only must cope with being completely discredited, but also endure the old-school approach of bulldog investigator Gus Slavin (Charles McGraw), a cynical ex-cop determined to recover the missing funds so his bonding company does not have to cover the national bank's loss. LOOPHOLE illustrates how quickly our lives can be turned upside down, and how difficult it can be to make things right again.
Gus Slavin (Charles McGraw) is difficult to discourage in LOOPHOLE
Forty-something at the time of filming, top-billed Sullivan (THE BAD AND THE BEAUTIFUL, CAUSE FOR ALARM!) cannot pass for a 35-year-old, but delivers an otherwise convincing performance in this "wrong man" noir film. Donovan's heart-of-gold wife is portrayed by Dorothy Malone, the book store babe from THE BIG SLEEP. The gravel-voiced McGraw (THE THREAT, SIDE STREET) is well-cast as the omnipresent force determined to make life hellish for Donovan. Slavin is a relic, a dirty badge iconic of a maturing noir movement. By the mid '50s, the investigator who had quit the police force in disgust was less moral and less reliable than he was depicted in the '40s. Slavin's instincts are dead wrong, and he is too stubborn to consider alternative viewpoints. This character anticipates similarly flawed protagonists who would emerge (and ultimately sink) in KISS ME DEADLY and TOUCH OF EVIL.
Directed by Harold D. Schuster, LOOPHOLE is set in LA and utilizes a fair amount of location footage. The flat compositions of cinematographer William A. Sickner (KIDNAPPED, CRY VENGEANCE) were the order of the day at this point in noir history. Screenwriter Warren Douglas (CRY VENGEANCE, FINGER MAN) relies a bit much on coincidence, but the end result is entertaining enough, even if the film's title is never put to use.
The DVD available via the Warner Archive is framed at 1.78:1 and looks good.
Labels: LOOPHOLE (1954)
The tense stakeout noir PUSHOVER deposits Fred MacMurray in the middle of the same minefield of temptations he navigated without success a decade earlier in DOUBLE INDEMNITY. Each film features a duplicitous blonde who embodies both sexual and monetary desires, as well as a no-nonsense authority figure with excellent instincts. MacMurray is pitch-perfect in his practiced performance, looking increasingly distraught as things get overly complicated.
In an early scene that sets up the remaining narrative, LA police detective Paul Sheridan (MacMurray) recalls his parents fought constantly over irresolvable money problems. He vowed never to be caught short of cash, thus equivocating financial freedom with a lifetime of happiness. It's a telling expositional sequence, especially given the presence of MacMurray, already noted for playing characters whose sleazy inner workings are concealed behind a façade of straight-laced righteousness in DOUBLE INDEMNITY and THE CAINE MUTINY. In this outing, MacMurray's cop gets romantically involved with a moll named Lona McLane (Kim Novak in her official screen debut). Sheridan hopes to nail down the whereabouts of McLane's bank-robbing beau Harry Wheeler (Paul Richards). Predictably enough, McLane suggests she and Sheridan make off with Wheeler's satchel full of stolen loot. At first uninterested, it isn't long before Sheridan's base instincts kick in. We instantly know how things will turn out, just as we know alcohol will somehow get the best of Paddy Dolan (Allen Nourse), who is one slip-up away from losing his pension, yet cannot resist the magnetic pull of a nearby pub while on duty. Director Richard Quine never allows predictability to detract from the suspense, though, as the mise-en-scène gradually caves in on Sheridan with fatalistic precision. Most of the key sequences are engulfed in darkness and shadows captured skillfully by director of photography Lester White (WOMEN'S PRISON, 5 AGAINST THE HOUSE).
Paul Sheridan (Fred MacMurray) and Lona McLane (Kim Novak) keep it on the down low
Problematically for Sheridan, he is assigned to a surveillance team dedicated to keeping tabs on McLane. While he remains focused on his secret lover, his stakeout partner Rick McAllister (Phil Carey) takes a voyeuristic interest in McLane's neighbor Ann Stewart (Dorothy Malone). This arrangement firmly establishes basic noir oppositions: the working-girl brunette vs. the kept blonde, the honest cop vs. the corrupt cop. PUSHOVER concludes by cancelling out the negative components of those equations: the "bad couple" is deleted, and the "good couple" walks away from the scene, with the "good" man reinstated as altruistic protector of woman. Police Lt. Carl Eckstrom (E.G. Marshall), the film's highest ranking authority figure, makes it official by overseeing the resolution, reminiscent of the way Barton Keyes (Edward G. Robinson) presides over the closure of DOUBLE INDEMNITY.
Paul Sheridan (Fred MacMurray) in a real fix
PUSHOVER is available as part of Columbia Pictures Film Noir Classics II 5-disc DVD set.
Labels: PUSHOVER (1954)
THE THREAT (1949)
When Arnold "Red" Kluger (Charles McGraw, ARMORED CAR ROBBERY, THE NARROW MARGIN) breaks out of Folsom State Prison, LA police immediately go into high-alert mode. Particularly concerned are Detective Ray Williams (Michael O'Shea, VIOLENCE, THE UNDERWORLD STORY) and D.A. Barker MacDonald (Frank Conroy, THE NAKED CITY, LIGHTNING STRIKES TWICE), the two Kluger blames for his abbreviated time in the joint. With the less than genteel assistance of Nick (Anthony Caruso) and Lefty (Frank Richards), Kluger captures Williams and MacDonald, as well as Carol (Virginia Grey, HIGHWAY 301, CRIME OF PASSION), the ex he suspects ratted him out.
Nobody is safe when Kluger (Charles McGraw) escapes in THE THREAT
This is psycho-noir at its toughest, featuring a vicious protagonist whose mean streak only gets worse as time passes. Kluger resorts to violence intuitively and without any notion of self-restraint, routinely dishing out impatient slaps whenever he gets the wrong answer. He orders MacDonald to be tortured with pliers, repeatedly manhandles Carol's slight frame, and, most chillingly, attempts to crack open the skull of the defenseless Williams. Kluger even fires repeatedly on an empty chamber at a target who clearly is down for the count. Perhaps Quentin Tarantino had Kluger in mind when Freddy (Tim Roth) cannot stop pulling the trigger at Vic (Michael Madsen) in RESERVOIR DOGS.
THE THREAT was received well by critics and led to a 7-year deal with RKO for McGraw. Director Felix E. Feist helmed the equally gritty THE DEVIL THUMBS A RIDE starring Lawrence Tierney in the badass role. Feist stages suspense quite effectively, especially when a moving truck causes a motorcycle cop to become suspicious. The Iverson Movie Ranch serves nicely as the desert setting for the final act, where the sweat on the characters is emphasized by notable noir cinematographer Harry J. Wild (MURDER, MY SWEET, CORNERED, THE WOMAN ON THE BEACH, PITFALL, WALK SOFTLY, STRANGER, THE LAS VEGAS STORY).
That distinctly noir moment of recognition has arrived for Kluger (Charles McGraw)
THE THREAT is available via the Warner Archive and demands placement in any serious film noir collection.
Labels: THREAT (1949)
Twentieth Century-Fox, 70m 6s
One of the best one-word film noir titles, SHOCK opens in San Francisco, where Janet Stewart (Anabel Shaw, HIGH TIDE, GUN CRAZY) plans to reunite with her husband Paul (Frank Latimore, THE RAZOR'S EDGE, 13 RUE MADELEINE), who was a POW for two years. Before Paul returns, Janet's attention is called to the neighboring apartment in which a man and his wife are having a heated discussion. The man grabs a candlestick and silences his wife. Horrified to have witnessed murder, Janet is unresponsive when her husband arrives on the scene. A well-meaning physician (Selmer Jackson) recommends local psychiatrist Dr. Richard Cross (Vincent Price, LAURA, LEAVE HER TO HEAVEN), who unsurprisingly happens to be the wife killer. Cross quickly deduces the probable cause of Janet's condition, and recommends that she be carted out to his isolated sanitarium.
Janet (Anabel Shaw) under the very questionable care of Dr. Cross (Vincent Price)
As John Stanley asserts in the Fox Film Noir DVD's audio commentary track, that Janet and Dr. Cross should become acquainted is best explained as fate, not coincidence. Cross is the classic noir protagonist, haunted by an inescapable past. He has done something terribly wrong that cannot be undone, and sooner or later, he's got to pay. Where did he go wrong? Devotion to the wrong woman leads to deceit, murder, more deceit, and more murder. Nurse Elaine Jordan (Lynn Bari, THE AMAZING MR. X) is the spider woman who compels Cross to consistently do the exact opposite of the right thing.
Janet (Anabel Shaw) is kept in a vegetative state
Director Alfred L. Werker (HE WALKED BY NIGHT) gets a lot out of the 20th Century Fox backlot where SHOCK was filmed. The noir atmosphere is evident in the early going, with a surreal dream sequence that confirms Janet was unstable before witnessing murder. The Cross lodge appears as much a prison as his sanitarium, with low ceilings nicely accentuated by camera placement. Co-cinematographer Joe MacDonald's formidable noir credentials would expand with THE DARK CORNER, CALL NORTHSIDE 777, THE STREET WITH NO NAME, PANIC IN THE STREETS and PICKUP ON SOUTH STREET. Screenwriter Eugene Ling went on to co-write other noir films of interest, including BEHIND LOCKED DOORS, PORT OF NEW YORK and SCANDAL SHEET.
Labels: SHOCK (1946)
THE PRICE OF FEAR (1956)
Especially when there is an opportunity for wrongdoing to go unnoticed, people tend to make immoral decisions. This is probably generally true in the real world, and particularly true in the film noir. At least in the noir universe, poor judgment calls of the past almost always have a way of catching up with people.
A dog displays more loyalty than a hit-and-run driver in THE PRICE OF FEAR
In a plot structure that has served Hollywood well, fate brings characters who don't know each other together. Dave Barrett (TARZAN veteran Lex Barker) learns he suddenly has a new business partner in known gangster Frankie Edare (Warren Stevens, THE BAREFOOT CONTESSA, FORBIDDEN PLANET). After threatening the former partner (Tim Sullivan) who sold out, Barrett finds himself being followed. Meanwhile, after living it up at the Domino Club, successful investment counselor Jessica Warren (Merle Oberon, WUTHERING HEIGHTS, BERLIN EXPRESS) mows down a man (Ken Terrell) with her convertible. In a rather unlikely coincidence, Barrett becomes the hit-and-run suspect after he opportunistically borrows Warren's car. If that series of events were not problematic enough, the ex-partner Barrett threatened earlier that night is shot to death. Barrett's friend Pete Carroll (Charles Drake, HARVEY, WINCHESTER '73) is on the case, but Barrett does some investigating of his own that draws him closer to Warren.
Directed by Abner Biberman, who would go on to direct episodes of numerous television shows including THE TWILIGHT ZONE, THE VIRGINIAN, and IRONSIDE, this is a "wrong man" style film noir, with the protagonist forced to untangle himself from a network of confusing elements. Money or alcohol is the driving force behind all issues that arise; in one of the truest noir moments, a woman (Mary Field) admits that the right amount of money more than makes up for the loss of her recently departed husband (Stafford Repp). Irving Glassberg's cinematography favors low and sometimes oblique camera angles that are commonplace in noir visuals, and sometimes objects in the frame are positioned to appear larger or more significant than the protagonists. The good woman Nina Ferranti (Gia Scala) is distinguished visually from the evil Warren woman by their difference in necklines.
A telephone takes on added significance in THE PRICE OF FEAR
Wooden performances by the two leads detract from an otherwise enjoyable, well-paced film. The source material is in outstanding condition; I did not notice a single flaw. It is part of the Women in Danger: 1950s Thrillers 4-disc DVD set available at shop.tcm.com.
Labels: PRICE OF FEAR (1956)
THE STRANGE LOVE OF MARTHA IVERS (1946)
Paramount Pictures, 115m 54s
One of the dominant themes of the film noir is the lack of fulfillment from the traditional marriage. As this film's title implies, there is nothing good about the featured marriage in THE STRANGE LOVE OF MARTHA IVERS. It's a sexless marriage based on murder, deceit, and greed.
Alcohol complicates the relationship between Martha and Walter in THE STRANGE LOVE OF MARTHA IVERS
The noir narrative often develops from a key past event that a character or characters cannot extricate themselves from, and such is the case here. As a small-town problem child in 1928, Martha Ivers bumps off her domineering aunt (Judith Anderson, REBECCA, LAURA). The cruel Ivers matriarch earns her fate with ease after callously beating her niece's beloved cat. The death is witnessed by young Walter O'Neil, whose father (Roman Bohnen) eyes the Ivers family fortune that Martha stands to inherit. That set-up leads to the adulthood union of Martha (Barbara Stanwyck, DOUBLE INDEMNITY, SORRY, WRONG NUMBER) and Walter (Kirk Douglas in his feature film debut). As fate would have it, Martha's childhood friend Sam Masterson (Van Heflin, THE PROWLER, PATTERNS) inadvertently returns 18 years later to an Iverstown that has blossomed under the leadership of Martha and Walter. The other person present at the Ivers estate the day Mrs. Ivers died, Sam presents a confusing element to the town's most prominent couple.
In the course of viewing THE STRANGE LOVE OF MARTHA IVERS, a downbeat conclusion feels inevitable. The air is thick with the possibility of blackmail along the way, as the town's top employer Martha and her alcoholic husband have to figure out what exactly Sam has up his sleeve. While the drifter Sam is in town, a further complication emerges in the form of Toni Marachek (Lizabeth Scott, DEAD RECKONING, TOO LATE FOR TEARS), another person with a troubled past.
Toni has some explaining to do to Sam in THE STRANGE LOVE OF MARTHA IVERS
The narrative really clicks as directed by Lewis Milestone (ALL QUIET ON THE WESTERN FRONT, OCEAN'S ELEVEN), particularly when scenes involve some combination of Douglas, Heflin, and Stanwyck, who makes a terrific cold-hearted dame. Scenes limited to Scott and Heflin drag and feel like a failed attempt to create some Bacall/Bogart style sexual tension. The screenplay was written by Robert Rossen, who would direct BODY AND SOUL the following year. Victor Milner (THE LADY EVE, IT'S A WONDERFUL LIFE, DARK CITY) handled the cinematography. Assistant director Robert Aldrich later would direct the noir classic KISS ME DEADLY. Blake Edwards appears in an uncredited role.
Note: This film fell into the public domain and has been the subject of a great many inferior home video versions. The Paramount DVD is acceptable, but the source material is marred by significant scratches and surely would benefit from some attentive restorative work.
Labels: STRANGE LOVE OF MARTHA IVERS (1946)
SORRY, WRONG NUMBER (1948)
Today I happened upon this review I wrote of SORRY, WRONG NUMBER after watching it for the first time in 2006. Whether you are new to the genre or a longtime fan, this is one of the definitive noir films of its era and well worth your time. Here is a link to the review:
SORRY, WRONG NUMBER
Labels: SORRY WRONG NUMBER (1948)
HIGH TIDE (1947) and CHICAGO CALLING (1951)
NOIR CITY 5
Music Box Theatre (Chicago, IL)
For reasons that escape me, I have failed to attend any of the great NOIR CITY presentations of recent years. I vowed this year would be different, and made it for an entertaining two features last night, both directed by John Reinhardt. The Film Noir Foundation's Alan Rode was present to introduce each film.
Lee Tracy and Don Castle face HIGH TIDE
HIGH TIDE (1947) was a special treat to see resurrected in 35mm thanks to the combined efforts of The Film Noir Foundation, UCLA Film & Television Archive, and The British Film Institute. The 74-minute B-picture opens at the scene of an automobile accident, where Hugh Fresney (Lee Tracy, BOMBSHELL) and Tim Slade (Don Castle) appear to be doomed. Most of the remaining film unfolds via flashback, and we learn that Slade was brought in by the hard-nosed news editor Fresney as a little protection against a mobster (Anthony Warde) Fresney has been investigating. Things get awkward quickly since Fresney's boss has a wife (Julie Bishop, SANDS OF IWO JIMA) anxious to resume her past romance with Slade. What transpires only can be described as one of the nastiest double-crosses the wonderful world of noir has to offer. Let's hope this worthy little Monogram Pictures title eventually finds its way onto DVD.
The other presentation, CHICAGO CALLING (1951), already is available for purchase at the Warner Archive (CHICAGO CALLING DVD). The lone Arrowhead Pictures production, this 75-minute docudrama is typical of early '50s noir, filmed on location. William Cannon (Dan Duryea, SCARLET STREET, WINCHESTER '73) is a photographer turned drunk, and his wife Mary (Mary Anderson, LIFEBOAT) has had it. She packs her bags and leaves town with the couple's young daughter Nancy (Melinda Plowman). After getting some tough news, Cannon realizes he must come up with some cash quickly to keep his phone from getting disconnected. He finds some unlikely help from a boy named Bobby (Gordon Gebert). This is a memorable story of redemption, tragedy, and a hard-earned second chance. In non bitch-slapping mode, this may be Duryea at his most sympathetic. According to Rode, Duryea agreed to take the part without salary other than profit sharing (which never materialized).
Dan Duryea is fit to be tied in CHICAGO CALLING
Labels: CHICAGO CALLING (1951), HIGH TIDE (1947)


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Have you gotten an ORA-00942 error? I'll explain the cause and the solution of the error in this article.
You're running Oracle 12c, using a sequence as a default value, but don't have select privileges on the sequence.
The cause of the error should be the same in each database version. It shouldn't matter if you're getting this "table or view does not exist" error in Oracle 10g, Oracle 11g, or Oracle 12c.
The only difference is the sequence-related cause mentioned above, because one of the new features in Oracle 12c is the ability to use a sequence as a default value.
Let's take a look at some of the solutions, depending on the cause.
There are several solutions for this error, depending on the cause.
Substitute the word OBJECT_NAME with your table name. It must be in upper case as well.
If your table does not show, then it does not exist, and you'll need to look into why it doesn't exist.
Or, if you're using SQL Developer, you can check the table exists by expanding the Tables section on the left side of the screen. If you see the table there, it means it exists and you're the owner.
Next, check the owner of the table.
If the table exists, and you're getting this error, then check the owner of the table.
You can use the same query as above, and take note of the owner of the table.
If the owner is not you, then you'll need to contact the database administrator to request privileges to select from the table (or to perform whatever operation you were trying to do).
Finally, check your query to ensure it refers to the correct schema.
If the table or view exists, and you have the privileges you need, then it could be an issue in your query.
Let's say your username is "bob". You have a set of tables under the "bob" schema.
You might get the ORA-00942 error at this point. This is because Oracle is looking in your schema, or "bob", for an employee table. But, it doesn't exist in your schema – it's in the "mary" schema.
So, you'll need to change your query to include the schema name.
This query should run without the error.
However, you can get this error if you're querying this table and don't have select privileges on the sequence.
You'll get an ORA-00942 error here.
The reason for this is that "mary" doesn't have SELECT privileges on sequence_book_id. She has INSERT privileges on the table, but as a result of inserting into the table, a SELECT on the sequence is called, which causes this error.
To resolve this, grant SELECT privileges to the second user.
I hope this article has helped you resolve the ORA-00942 error.


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VIDEO: Michelle Williams Honors Mary Beth Peil During Gotham Award Acceptance Speech
Williams revealed that Peil had inspired her to pursue theatre.
by Michael Major Nov. 29, 2022
Michelle Williams, who received a performer tribute at this year's #GothamAwards, commended her #DawsonsCreek co-star Mary Beth Peil during her speech. https://t.co/Zr7PrBepzi pic.twitter.com/Vwpz27onai
Variety (@Variety) November 29, 2022
Last night, Michelle Williams received a Performer Tribute Award at the 2022 Gotham Awards. During her speech, Williams honored Tony nominee Mary Beth Peil, who she had met while filming Dawon's Creek. Watch a video clip from Williams' Gotham Award acceptance speech now!
« Back to the Story
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Stephanie J. Block Unpacks Norma Desmond
Norma's back! And it's as if she never said goodbye. The John F. Kennedy Center for the Performing Arts is getting ready to present Andrew Lloyd Webber's Tony Award-winning Best Musical, Sunset Boulevard. Watch this video as Stephanie J. Block tells us all about her take on Norma Desmond. (more...)
Billy Porter & James Corden Do 'Toddlerography' to Harry Styles
Billy Porter appeared on a new episode of The Late Late Show with James Corden for a new sketch. In the video, Porter and Corden attend a dance class taught by some 'fierce' and 'ruthless' instructors: a group of toddlers. Watch Billy Porter and James Corden do 'toddlerography' to 'As It Was' by Harry Styles now! (more...)
Stephanie J. Block, Derek Klena & More Get Ready to Bring SUNSET BOULEVARD to the Kennedy Center
The John F. Kennedy Center for the Performing Arts is presenting Andrew Lloyd Webber's Tony Award-winning Best Musical, Sunset Boulevard. In this video watch as Stephanie J. Block, Derek Klena and more give us a sneak peek! (more...)
THE PHANTOM OF THE OPERA Celebrates 35th Anniversary
The Phantom of the Opera celebrated 35 years on Broadway last night, January 26, at the Majestic Theatre. Following the show, a special curtain call was held, featuring a performance and speech from members of the cast. BroadwayWorld was there to capture the big moment and you can check out the video here! (more...)
A BEAUTIFUL NOISE Wishes Neil Diamond a Happy Birthday
Watch footage of Will Swenson calling Neil Diamond via Facetime and the crowd singing "Happy Birthday" to him! (more...)
WICKED's Dan Micciche Dishes On How He Transitioned From Broadway Actor to Broadway Conductor
In this video, Jason A. Coombs and Samantha Tuozzolo are back with the incredibly talented, funny and charismatic musical director and conductor, Dan Micciche, who shares how he transitioned from working as an actor to the musical director of one of the most iconic shows in Broadway history! (more...)
Watch Reneé Rapp Duet With Jennifer Hudson
'Mean Girls' star, "Sex Lives of College Girls" actress, and musician Reneé Rapp sat down with Jennifer Hudson on The Jennifer Hudson Show. The conversation ended in the two singers covering Jazmine Sullivan's 'In Love with Another Man.' Watch the video clip from their interview now! (more...)
Ben is a Smooth Criminal with the Choreo from MJ
In this video of Dance Captain Dance Attack!, Ben gets hit by a smooth criminal as he dances to Christopher Wheeldon's Tony-winning choreography from MJwith the help of Dance Captains Kamille Upshaw and Kali May Grinder. Can you keep up? (more...)
Bowen Yang Discusses His History With WICKED
Bowen Yang appeared on Late Night With Seth Meyers last night where he discussed his upcoming role as Pfannee in the film adaptation of Wicked! Yang talked about his history with the musical, and how he was 'obsessed' with it when it first opened. (more...)
Nathan Lane Talks His PICTURES FROM HOME Wig on COLBERT
Nathan Lane appeared on The Late Show with Stephen Colbert last night to discuss returning to Broadway in Pictures From Home. Lane told the hilarious story of when he and his co-star Danny Burstein tried on their wigs in the play for the first time. Watch the video of the interview now! (more...)
Corey Cott Sings '671,000,000 MPH' From REBEL GENIUS
Watch Matthew Puckett's "671,000,000 MPH," a new music video featuring Broadway's Corey Cott, from his new musical Rebel Genius inspired by the early life of Albert Einstein and Mileva Maric. (more...)
Viral MATILDA Singer Surprised By Kristin Chenoweth on TODAY
11-year-old Nathan Broxton went viral after a video of him singing 'Naughty' from Matilda the Musical went viral on TikTok. After seeing the video, Delta sent Broxton and his family to New York City to see his very first Broadway show. Watch him be surprised by Kristin Chenoweth after his interview on The TODAY Show now! (more...)
Watch Rachel Zegler, Zachary Levi & Helen Mirren in the SHAZAM! Trailer
The trailer for "Shazam! Fury of the Gods" has been released, featuring Rachel Zegler, Helen Mirren, and Zachary Levi. The film also stars Lucy Liu, Asher Angel, Jack Dylan Grazer, Adam Brody, Ross Butler, Meagan Good, D.J. Cotrona, Grace Caroline Currey, Faithe Herman, Ian Chen, Jovan Armand, Djimon Hounsou, and more. Watch the new video now! (more...)
LEOPOLDSTADT Cast Members Discuss Their Faith on TODAY
David Krumholtz, Jenna Augen, and Brandon Uranowitz from Leopoldstadt on Broadway appeared on The TODAY Show on Sunday to discuss exploring their faith in the acclaimed play. The cast also discussed their family's faith, fighting against antisemitism, and more. Watch the new interview video now! (more...)
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Improvements on the maison à énergie propre.
We are securi-vie, an association of six primary and secondary schools with the collective objective of saving at least one life.
· Allowing students to invent and create.
of primary school to the end of secondary school.
· Integrating road safety into school programs.
· Organising public actions towards road safety in schools .
· Creating the first worldwide school network on road safety.
Trip in 2013 to the Automobile Museum and Showroom in New York, America, to organise a future participation there and to reward the hard working students of our association.


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The Mill on the Floss Introduction | Shmoop
Home » Park Introduction. Mill 180 Park is truly a park for the 21st Century, designed to emulate all of the great urban parks – Central Park in New York City, Hyde Park in London and Ueno Park in Tokyo - reimagined for an indoor space. Through the use of hydroponics, computerized sound, and HVAC systems, we've brought the outside in ...
Mini-Mill Introduction
Liberty John Stuart Mill 1: Introduction that is, the •majority, or •those who get themselves to be accepted as the majority. So 'the people' may desire to oppress some of their number; and precautions are as much needed against this as against any other abuse of power. Thus, the limitation of govern-
On Liberty: Chapter 1, Introduction, page 2 | SparkNotes
John Stuart Mill, English philosopher, economist, and exponent of Utilitarianism. He was prominent as a publicist in the reforming age of the 19th century, and he remains of lasting interest as a logician and an ethical theorist. Learn more about Mill's life, philosophy, and accomplishments in this article.
Millstones, An Introduction
Introduction. Aurigma Graphics Mill 5.5 for .NET is an image processing component developed for .NET platform. This component is indispensable when you create applications that work with images. Whenever you create a photohosting website, an application which applies preprint preparation to images, a script which generates web graphics, or whatever else imaging application, Graphics Mill …
On Liberty John Stuart Mill - pixel-online.org
The Page Begins Here. Millstones, An Introduction, Notes by Charles Howell . Millstones, An Introduction Notes by Charles Howell. The grinding of grain by primitive hand stones can be traced back even further than recorded civilization, although the methods used in prehistoric milling are a matter of some conjecture and speculation.
Introduction - Inicio
6/John Stuart Mill Chapter 1 Introductory The subject of this Essay is not the so-called Liberty of the Will, so unfortunately opposed to the misnamed doctrine of Philosophical Ne-cessity; but Civil, or Social Liberty: the nature and limits of the power which can be legitimately exercised by …
James Mill, Scottish philosopher, historian, and economist. He was prominent as a representative of philosophical radicalism, a school of thought also known as Utilitarianism, which emphasized the need for a scientific basis for philosophy as well as a humanist approach to politics and economics.
Electric Grain Mill – An Introduction – Farm Fresh For ...
An Introduction to John Stuart Mill's On Liberty. Mar 20th, 2020. On Liberty is not merely a political text explaining the intricacies of how the state ought to act. It is a love letter to the individual virtues of intellectual curiosity, tolerance, and open‐ mindedness.
Milling (machining) - Wikipedia
On Liberty is a philosophical essay by the English philosopher John Stuart Mill.Published in 1859, it applies Mill's ethical system of utilitarianism to society and state. Mill suggests standards for the relationship between authority and liberty.He emphasizes the importance of individuality, which he considers prerequisite to the higher pleasures—the summum bonum of utilitarianism.
On Liberty - Wikipedia
Mill's introduction is one of the most important parts of his essay, as it contains the basic structure of his argument, as well as some of his major presuppositions. Mill describes civilization as a struggle between society and the individual about which should have control over the individual's actions.
Introduction to Milling Tools and Their Application
Milling is the process of machining using rotary cutters to remove material by advancing a cutter into a work piece. This may be done varying direction on one or several axes, cutter head speed, and pressure. Milling covers a wide variety of different operations and machines, on scales from small individual parts to large, heavy-duty gang milling operations.
Liberty - John Stuart Mill
Hot Strip Mill - an overview | ScienceDirect Topics
Methods of Retaining an End Mill . Spring Collets. To remove a tool, move the quill to the highest position and lock it in place. Then, engage the brake while loosening the draw bar with a wrench. Ensure that the draw bar's threads are still engaged in the collet. Tap on …
Meek Mill - Intro (Championships) - YouTube
Jun 03, 2020· John Stuart Mill, who has been called the most influential English-speaking philosopher of the 19th century, was a British philosopher, economist, and moral and political theorist.
Utilitarianism – Introduction to Philosophy: Ethics
Remains of an earlier mill dated at 619 were also found at the site. Survey of industrial mills. In a 2005 survey the scholar Adam Lucas identified the following first appearances of various industrial mill types in Western Europe. Noticeable is the preeminent role of France in the introduction …
John Stuart Mill > By Individual Philosopher > Philosophy
A summary of Part X (Section1) in John Stuart Mill's On Liberty. Learn exactly what happened in this chapter, scene, or section of On Liberty and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
John Stuart Mill - Utilitarianism, Philosophy & Books ...
G. Engberg, L. Karlsson, in Fundamentals of Metallurgy, 2005. 11.5.1 Hot rolling. Mill data from the hot strip mill has been used to calculate the mean flow stress in each pass, assuming the material to be elastic – ideally plastic. The roll force model used was a classical slab method with constant friction assumed in the roll gap.
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An Introduction to Mill's Utilitarian Ethics: West, Henry ...
Electric Grain Mill – Introduction & instructions. I don't know what life would be like without an electric food mill. I have been milling things in my kitchen since 2004. Grains, Wheat, Oats, Corn, Beans, Rye, Millet, Barley… Many kernels have passed through my mill to become flour. Why?
James Mill | Scottish philosopher, historian, and ...
Introduction . 1 . The unbreakable fetters which . bound down the Great Wolf . Fenrir had been cunningly . forged by Loki from these: the . footfall of a , the roots of a . rock, the beard of a woman, the . breath of a fish, the spittle of a . . The Edda . Toute vue des choses qui n'est. pas étrange est fausse. VALERY . THIS IS meant to ...
Mill justifies this claim by saying that between two pleasures, although one pleasure requires a greater amount of difficulty to attain than the other pleasure, if those who are competently acquainted with both pleasures prefer (or value) one over the other, then the one is …
Introduction to Utilitarianism
John Stuart Mill defended the provision of social welfare for the poor and of freedom of speech. He was the second MP in the UK Parliament to call for women's suffrage 12 and advocated for gender equality more generally. In his essay The Subjection of Women 13 Mill argued that
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Teen Late Night Programs @ WS Community Centers (check listing for locations)
OPEN Late Nights on Fridays and Saturdays: Chill, relax, shoot hoops, cook, Flex-This, watch the latest movie releases, salon treatments, karaoke and much more… If you haven't checked out Late Night lately, stop in and see what you've been missing!
Fridays/Saturdays 7 pm-Midnight NOTE: May not be available on holiday weekends. Please call or visit the Community Center near you for a complete list of upcoming activities:
Southwest Teen Life Center (206) 684-7438
High Point Community Center (206) 684-7422
South Park Community Center (206) 684-7451
Late Night is a safe and supportive environment for teens ages 13-19. This recreation based program is held on Fridays and Saturdays from 7pm – Midnight with a focus on Positive Teen interactions and engagement where all teens are welcomed. The Late Night program is aligned and supportive of the City's Race and Social Equity framework, including education and employment readiness programs. Come to your local Late Night and explore more of what we have to offer! Photo ID required.
Seattle Parks & Recreation Citywide Teen Programs' goal is to impact the life trajectories of teens, by providing opportunities for community involvement, building positive relationships, and learning experiences that build skills, while embracing stewardship to ensure confident leadership roles in society.
Sponsored by Seattle Parks & Recreation Teen Programs.
Categories: Teen Stuff
All Ages Free Open Mic @ Skylark Café & Club
Seattle's Best Open Mic- All Ages Version at Skylark Café & Club:
All ages open mic every last Sunday of the month. The best open mic in the city is open for musicians of all ages. We offer a full backline, sound engineer to dial you in, 16 track mixable recording, and the full stage experience! Signup at 3, music at 4. Full bar with ID.
No host to hog the spotlight, just bands/solo acts and a friendly, experienced sound engineer
Full 16 track recordings of your set available for purchase ($10 for solo acts, $20 for bands), make a demo!
Full menu and bar available with 12 beers on tap
All genres welcome: solo, acoustic, electronica, full bands, and comedy of any type 15 minutes/3 songs each (sometimes touring acts get a little extra time) Gretsch house drums, Vox AC30 guitar amp, Yamaha G50410 guitar amp, Ashdown ABM500 bass amp, Shure mics, DIs, etc.
You are welcome to bring more gear, just talk to the sound engineer beforehand to make sure it is compatible.
PLEASE NOTE: Please be courteous of those that were there before you. While this is free to sign-up, please do purchase something as we want to keep providing the opportunity and keep it free.
Categories: Music Open Mike Teen Stuff
Apr 3 @ 7:00 pm – 11:59 pm
Apr 10 @ 7:00 pm – 11:59 pm
May 1 @ 7:00 pm – 11:59 pm
May 15 @ 7:00 pm – 11:59 pm
Jun 5 @ 7:00 pm – 11:59 pm
Seattle Modern Orchestra Presents "Ipsa Dixit" @ BASE: Experimental Arts + Space
Seattle Modern Orchestra (SMO) presents Kate Soper's Ipsa Dixit on two nights in June 2020 at BASE: Experimental Arts + Space near West Seattle.
A "twenty-first century masterpiece" (Alex Ross, The New Yorker), Kate Soper's Ipsa Dixit is a semi-staged, evening-length chamber music theatre work for voice, flute, violin, and percussion exploring the intersections of language and music, emotion and meaning, expressivity and truth. SMO welcomes notable local director Bobbin Ramsey in her operatic directorial debut to help bring to life a staged performance of this moving work for Seattle audiences.
Tickets are $30 for general admission, $20 for seniors, and $10 for students.
Categories: Music Performance Theater


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Zespół Easter Egg donosił na początku roku, że pracuje nad nowa wersja R-Type na komputer Amstrad CPC, ponieważ istniejąca gra to tylko kiepski port z ZX Spectrum. W kóncu się doczekaliśmy i zespół opublikował ukończoną grę!
Vintage gamers, near 25 years after its arcade release, Easter Egg is proud to announce to you that R-Type is finally back for your Amstrad / Schneider CPC 128K. Yes, CPC like Colour Personal Computer, no more like Crappy Port Compomise… So, don't miss your last chance to blast off and strike the evil Bydo empire!
R-Type display 16 colours sprites and maps, converted from the arcade graphics. Move your R-9 spacecraft through improved stages with starfields, animated background, parallax scrollings and more.
Choose from three audio modes for playing R-Type.
«music» for listening the hi-fi arcade soundtrack port, «effects» to enjoy the full 3 channels sound effects with external stereo speakers and «mixed» for a better experience. Last but not least, a «sound test» is waiting you… What else?


The girl I've been involved with for years is still sleeping with her ex, who betrayed her with her best friend! He eventually married this friend and my girl was really bitter when we met. Gradually, she got over the betrayal, or so it seemed, until I ran into her ex's wife and she told me what was going on.
My girlfriend was more concerned about this woman bad-mouthing her after she snatched her man than about how I felt. I love her and would love to make the relationship work. But how could it, when her ex still has a grip on her?
Actions speak louder than words. Your girl still sleeps with her ex because she still has feelings for him and would love things to be the way they were, mainly because she wants to get back at the rival who stole her man.
She obviously still feels angry, mistrustful and disinclined to forgive the betrayal of the two people she once trusted, but she needs to come to terms with her loss.
Though an affair is never reason enough to end a loving relationship, your girl's problem is her obsession with her ex.
She needs to accept that her ex is out of her life for good, otherwise she'll never lose the desire to sleep with him.
You need to leave her to make a choice. I'm sure if she sees how futile her obsession is, she will come to her senses.