Can Troy and Chris keep up with everything this week? We'll find out. This week talking about those two trailers, their exclusivity, and that new (kinda) subtitle "Answer the Call" plus some clarification as to why this might have been called Trailer 6. A little discussion about the six-minute review that's supposedly not going to lead to a review (but already was a review so, there's that). Matt Walsh talks very briefly about his role in the new Ghostbusters film. Soundtrack Talk - - News on Theodore Shapiro's Ghostbusters score coming in July as well as the RCA Soundtrack album closely following it - and will Ray Parker Jr. reprise his song? Will someone else? Activision video game details (including some discussion about it not being an online multiplayer). Ghostbusters Twitter emojis are live! Troy does a quick recap of the Nas Hstry event in West Hollywood - and the accompanying livestream that he jumped into. ThinkGeek has a statement for us to read about that awful t-shirt that happened to be missing a certain someone and doubled another. All that plus a merch round up on this week's show!


Jordan King in action in his IndyCar debut at the Firestone Grand Prix of St Petersburg.
Jordan King made headlines on his IndyCar debut, breaking the track record in qualifying and leading the Firestone Grand Prix of St Petersburg before a puncture ruined his chances of a positive result in Florida.
King headed to the 1.8-mile, 14-turn street circuit feeling positive he could impress and quickly made his mark in qualifying, briefly holding the lap record after setting a time of 60.0467sec (107.914mph) in round one and eventually qualifying in fourth place.
It meant the Harbury driver started the race from the outside of the second row and there was early drama at turn two as Will Power lost control of his Chevrolet and spun from second place.
King's pace out of the gates allowed the 24-year-old to take the fight to Matheus Leist and by the end of the second lap, the Indycar rookie had passed the Brazilian to move up into second.
The race slowed by the first full-course caution on Lap 3 for two laps and on the Lap 5 restart, King executed a textbook restart and gained momentum on Robert Wickens heading down into turn one.
As Wickens took to the inside, King went wide and passed around the outside of the pole-sitter to take the lead of his first Verizon IndyCar Series race.
On the next lap, Graham Rahal dove to the inside of Jordan's ECR teammate, Spencer Pigot, going into turn one and the two made contact. Pigot was spun and stalled, bringing out the second full-course caution.
King led the field to the green flag on the Lap 10 restart. However, Wickens was able to regain the lead when King went slightly wide at turn one. He then lost a further place to Alexander Rossi but regrouped to maintain his third position, building a 3.8-second gap to fourth.
Another full course caution came on Lap 28 while the stopped car of Leist was removed from the track.
Ahead of the restart, King was running eighth but appeared to have a puncture and before the team were able to determine if it was a leak or if a tyre pressure sensor had failed, the tyre immediately went down and the car got away from him, brushing the wall with the outside rear and bending a piece of the suspension.
The crew completed the necessary repairs and King rejoined the race three laps behind the leaders, eventually coming home in 21st place.
He said: "On the positive, I led my first Indy car race. It is nice to be able to say that. I am reserved, so I didn't actually do it, but I did have a little bit of a mental fist pump in my mind when we took the lead.
King now hands the No. 20 car over to team owner Ed Carpenter for the first oval round of the season at ISM Raceway on April 7, returning to the hotseat on April 15 for the Toyota Grand Prix of Long Beach.


Welcome to NOW Productions Company. It is our goal to provide quality service and products for our clients and customers. Video productions, graphic content and websites have become a necessary tool for many businesses to showcase their products and services. We recognize the opportunities available in the new digital marketplace and we would like to help you with your next project or event.
We capture what you want to see again!
No matter if it's digital images or video, we will capture and preserve it for you. Do you need fresh content and graphics for a project or business event, or maybe a website to showcase your products and services, we can help!
the eyeand attention of the viewer. Content in this form conveys the most of details and understanding.
Photographic images are everywhere and easy to obtain. Phones and digital cameras capture millions of images everyday. Quality images are what you want to save.
Your website is the new place of business. People expect a business to have a website showcasing their products and services.


text:
Vision for Vermont
Government Ethics
A World Class Education System
Sustainable Budgeting
What will you have to give up?
Make a Monthly Contribution
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Re-Energizing Education
Do you support a Fiscal Responsibility Checklist
Our Unique Opportunity
posted by Eric LaMontagne | 14pt
Vermont, we have a unique opportunity on our hands. When the legislative session kicks off this January, lawmakers will be asked to re-allocate funds for the newly created Ethics Committee, and in doing so take a critical step towards a foundational element of a more prosperous state. It is up to us to demand action. If we cannot trust government officials to act in our best interest, then reforms in healthcare, education, and economic development will never reach their full potential.
What was passed in 2017 under the initial legislation was only a shadow of what the public demanded, and a fraction of what a non-partisan group of organizations ( including CFV, ACLU, VPIRG, and the Ethan Allen Institute) fought for. Instead of listening to our desires, the majority of our legislators ignored our calls and side-stepped their duty to ensure strong accountability and transparency measures.
All language giving the Commission the tools it needed to be truly effective was stripped away. Legislators created an ethics body with few means to uphold accountability and a glaring lack of authority and transparency. As established, the Commission can do little more than serve as a referral group, simply taking complaints at face value, comparing them to a checklist, and sending them on in hopes that the receiving agency won't sweep it under the rug. They have no enforcement ability, nor means to compel information in support of a due diligence investigation. Even if a registered complaint is found by the commission to violate the established principals of ethical conduct, there is no guarantee that the involved person will be held accountable once the issue is handed off.
On January 15th, the Vermont Ethics Commission published its 2018 Annual Report. In it, they listed a series of recommendations that would help strengthen trust between the State and the citizens it serves. Among those suggestions were requests that the Legislature:
Bestow a level of investigative authority that allows the commission to validate and contextualize complaints.
Create a full-time examiner/investigator position.
Create a part-time administrator position.
Clarify language that requests for advisory opinions are limited to those made by executive officers, legislators, or other state employees who are subject to the VT State Code of Ethics.
These are all good recommendations and should be followed. Vermonters deserve a strong system for ethical accountability. We need a robust Ethics Commission that serves the public in a way that leaves voters with confidence and trust.
An Ethics Commission that serves the public should give citizens a line through which they can register an ethical complaint, confident that it will receive its due diligence. Those complaints need to first be reviewed in the context of the Ethical Code of Conduct. Cases confirmed as being in conflict should be passed on to an investigator whose job is to confirm their veracity, and, if they are determined to be legitimate, an official case can be built which is then adjudicated through the Office of the Attorney General.
Simultaneously it must also serve as a resource for our state officials, providing clarification and education when needed. Not only should lawmakers be allowed access to guiding advisory opinions on what is or isn't a direct code violation, but the Ethics Commission could also help advise politicians and agents on how certain actions could be perceived as negative by the public.
As we've seen, the will to make this happen does not exist in State Government. The only way we can move toward building this system is if we make them listen. You have a voice, and it matters. Use it. Call, write, and email your representative. Check-in often. If you don't hear back, do it again and again until you do. We were ignored before, but we must be loud enough that they can't turn their heads. If we just shrug our shoulders and shake our heads, we have lost. If we fall for the same illegitimate excuses – there's no need, it's too much money, it will be used as a political weapon – we have lost. The people who don't want to be held accountable, the people who don't want transparency, the people who aren't concerned with demonstrating they are, in fact, serving us Vermonters – those people will have won.
Here are three easy ways you can help us in our fight for a more prosperous and economically secure Vermont.
Make a financial contribution. Your support will go directly toward engaging an educated public in issues of vital importance and putting people in the statehouse to fight for you.
Contact your legislator and ask them what they are doing for you. Politicians work for us. In the words of Dwight D. Eisenhower, "we the people elect leaders not to rule, but to serve."
Follow us on social media. Keep up with the latest updates and opportunities for action.
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Eric LaMontagne published this page in Blog 2019-09-30 15:00:18 -0400
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redpajama_set_name: RedPajamaCommonCrawl


text:
#ifndef FXHEADER_H
#define FXHEADER_H

#ifndef FXFRAME_H
#include "FXFrame.h"
#endif

struct FXTimer;
class FXIcon;
class FXFont;
class FXHeader;

/// Header style options
enum {
  HEADER_BUTTON     = 0x00008000,     /// Button style can be clicked
  HEADER_HORIZONTAL = 0,              /// Horizontal header control (default)
  HEADER_VERTICAL   = 0x00010000,     /// Vertical header control
  HEADER_TRACKING   = 0x00020000,     /// Tracks continuously while moving
  HEADER_NORMAL     = HEADER_HORIZONTAL|FRAME_NORMAL
  };

/// Header item
class FXAPI FXHeaderItem : public FXObject {
  FXDECLARE(FXHeaderItem)
  friend class FXHeader;
protected:
  FXString  label;
  FXIcon   *icon;
  FXint     size;
  void     *data;
  FXbool    arrow;
protected:
  FXHeaderItem(){}
  virtual void draw(const FXHeader* header,FXDC& dc,FXint x,FXint y,FXint w,FXint h);
public:

  /// Construct new item with given text, icon, size, and user-data
  FXHeaderItem(const FXString& text,FXIcon* ic=NULL,FXint s=0,void* ptr=NULL):label(text),icon(ic),size(s),data(ptr),arrow(MAYBE){}

  /// Change item's text label
  virtual void setText(const FXString& txt){ label=txt; }

  /// Return item's text label
  FXString getText() const { return label; }

  /// Change item's icon
  virtual void setIcon(FXIcon* icn){ icon=icn; }

  /// Return item's icon
  FXIcon* getIcon() const { return icon; }

  /// Change item's user data
  void setData(void* ptr){ data=ptr; }

  /// Get item's user data
  void* getData() const { return data; }

  /// Change size
  void setSize(FXint s){ size=s; }

  /// Obtain current size
  FXint getSize() const { return size; }

  /// Change sort direction (FALSE, TRUE, MAYBE)
  void setArrowDir(FXuint dir=MAYBE){ arrow=dir; }

  /// Return sort direction (FALSE, TRUE, MAYBE)
  FXuint getArrowDir() const { return arrow; }

  /// Return the item's width in the header
  virtual FXint getWidth(const FXHeader* header) const;

  /// Return the item's height in the header
  virtual FXint getHeight(const FXHeader* header) const;

  /// Create server-side resources
  virtual void create();

  /// Detach from server-side resources
  virtual void detach();

  /// Destroy server-side resources
  virtual void destroy();

  /// Stream serialization
  virtual void save(FXStream& store) const;
  virtual void load(FXStream& store);

  /// Destructor
  virtual ~FXHeaderItem(){}
  };

/**
* Header control may be placed over a table or list to provide a resizable
* captions above a number of columns.
* Each caption comprises a label and an optional icon; in addition, an arrow
* may be shown to indicate whether the items in that column are sorted, and
* if so, whether they are sorted in increasing or decreasing order.
* Each caption can be interactively resized.  During the resizing, if the
* HEADER_TRACKING was specified, the header control sends a SEL_CHANGED message
* to its target, with the message data set to the caption number being resized,
* of the type FXint.
* If the HEADER_TRACKING was not specified the SEL_CHANGED message is sent at
* the end of the resizing operation.
* Clicking on a caption causes a message of type SEL_COMMAND to be sent to the
* target, with the message data set to the caption number being clicked.
*/
class FXAPI FXHeader : public FXFrame {
  FXDECLARE(FXHeader)
protected:
  FXHeaderItem **items;               // Item list
  FXint          nitems;              // Number of items
  FXColor        textColor;           // Text color
  FXFont*        font;                // Text font
  FXTimer       *timer;               // Tip hover timer
  FXString       help;                // Help text
  FXbool         state;               // Button state
  FXint          active;              // Active button
  FXint          activepos;           // Position of active item
  FXint          activesize;          // Size of active item
  FXint          off;
protected:
  FXHeader();
  void drawSplit(FXint pos);
  virtual FXHeaderItem *createItem(const FXString& text,FXIcon* icon,FXint size,void* ptr);
  virtual void layout();
private:
  FXHeader(const FXHeader&);
  FXHeader &operator=(const FXHeader&);
public:
  long onPaint(FXObject*,FXSelector,void*);
  long onLeftBtnPress(FXObject*,FXSelector,void*);
  long onLeftBtnRelease(FXObject*,FXSelector,void*);
  long onUngrabbed(FXObject*,FXSelector,void*);
  long onMotion(FXObject*,FXSelector,void*);
  long onTipTimer(FXObject*,FXSelector,void*);
  long onQueryTip(FXObject*,FXSelector,void*);
  long onQueryHelp(FXObject*,FXSelector,void*);
public:
  enum {
    ID_TIPTIMER=FXFrame::ID_LAST,
    ID_LAST
    };
public:

  /// Construct new header control
  FXHeader(FXComposite* p,FXObject* tgt=NULL,FXSelector sel=0,FXuint opts=HEADER_NORMAL,FXint x=0,FXint y=0,FXint w=0,FXint h=0,FXint pl=DEFAULT_PAD,FXint pr=DEFAULT_PAD,FXint pt=DEFAULT_PAD,FXint pb=DEFAULT_PAD);

  /// Create server-side resources
  virtual void create();

  /// Detach server-side resources
  virtual void detach();

  /// Return number of items
  FXint getNumItems() const { return nitems; }

  /// Return default width
  virtual FXint getDefaultWidth();

  /// Return default height
  virtual FXint getDefaultHeight();

  /// Return item at given index
  FXHeaderItem *retrieveItem(FXint index) const;

  /// Replace the item with a [possibly subclassed] item
  FXint replaceItem(FXint index,FXHeaderItem* item,FXbool notify=FALSE);

  /// Replace items text, icon, and user-data pointer
  FXint replaceItem(FXint index,const FXString& text,FXIcon *icon=NULL,FXint size=0,void* ptr=NULL,FXbool notify=FALSE);

  /// Insert a new [possibly subclassed] item at the give index
  FXint insertItem(FXint index,FXHeaderItem* item,FXbool notify=FALSE);

  /// Insert item at index with given text, icon, and user-data pointer
  FXint insertItem(FXint index,const FXString& text,FXIcon *icon=NULL,FXint size=0,void* ptr=NULL,FXbool notify=FALSE);

  /// Append a [possibly subclassed] item to the list
  FXint appendItem(FXHeaderItem* item,FXbool notify=FALSE);

  /// Append new item with given text and optional icon, and user-data pointer
  FXint appendItem(const FXString& text,FXIcon *icon=NULL,FXint size=0,void* ptr=NULL,FXbool notify=FALSE);

  /// Prepend a [possibly subclassed] item to the list
  FXint prependItem(FXHeaderItem* item,FXbool notify=FALSE);

  /// Prepend new item with given text and optional icon, and user-data pointer
  FXint prependItem(const FXString& text,FXIcon *icon=NULL,FXint size=0,void* ptr=NULL,FXbool notify=FALSE);

  /// Remove item at index
  void removeItem(FXint index,FXbool notify=FALSE);

  /// Remove all items
  void clearItems(FXbool notify=FALSE);

  /// Return item-index given pixel-offset from left
  FXint getItemAt(FXint offset) const;

  /// Change text label for item at index
  void setItemText(FXint index,const FXString& text);

  /// Get text of item at index
  FXString getItemText(FXint index) const;

  /// Change icon of item at index
  void setItemIcon(FXint index,FXIcon* icon);

  /// Return icon of item at index
  FXIcon* getItemIcon(FXint index) const;

  /// Change size of item at index
  void setItemSize(FXint index,FXint size);

  /// Return size of item at index
  FXint getItemSize(FXint index) const;

  /// Compute offset from the left side of item at index
  FXint getItemOffset(FXint index) const;

  /// Change data of item at index
  void setItemData(FXint index,void* ptr);

  /// Return data of item at index
  void* getItemData(FXint index) const;

  /// Change sort direction (FALSE, TRUE, MAYBE)
  void setArrowDir(FXint index,FXbool dir=MAYBE);

  /// Return sort direction (FALSE, TRUE, MAYBE)
  FXbool getArrowDir(FXint index) const;

  /// Change text font
  void setFont(FXFont* fnt);

  /// return text font
  FXFont* getFont() const { return font; }

  /// Return text color
  FXColor getTextColor() const { return textColor; }

  /// Change text color
  void setTextColor(FXColor clr);

  /// Set header style options
  void setHeaderStyle(FXuint style);

  /// Get header style options
  FXuint getHeaderStyle() const;

  /// Set the status line help text for this header
  void setHelpText(const FXString& text);

  /// Get the status line help text for this header
  FXString getHelpText() const { return help; }

  /// Save header to a stream
  virtual void save(FXStream& store) const;

  /// Load header from a stream
  virtual void load(FXStream& store);

  /// Destructor
  virtual ~FXHeader();
  };

#endif

redpajama_set_name: RedPajamaGithub


This stunning 4BR 4.5BA craftsman style, board & batten mountain home rests atop 2.5+ ac adjacent to Julian Price Park. Located in the gated community of Twin Rivers, this private setting features level yards, massive boulder & community access to great trout fishing waters! Living spaces inside & out w/ focus on surrounding mountain & National Park views! Open concept w/ living, dining, & kitchen in center of home w/ stone fireplace, bar, granite, & st. steel appliances. Private master suite w/ large BA & HUGE walk-in closet sits on main level while 2 BR/BA suites are on 2nd floor, connected by a cupola & lofted hall overlooking the great room. Over garage is BR Suite #4- use as a Rec Room, great for kids w/ bunk-room & playroom or turn into a mother-in-law suite! Amenities: Attached 2 car garage, hot tub/grilling deck, outdoor fireplace & sun deck, covered front porch/entry, mudroom, 1/2BA on main, investment/rental potential, hiking trails! Perfect for vacation or year-round!
Offered by Vincent Properties, Inc.. Copyright 2019 Carolina Multiple Listing Services. All rights reserved.
The data relating to real estate on this Web site derive in part from the Carolina Multiple Listing Services, Inc. IDX program. Brokers make an effort to deliver accurate information, but buyers should independently verify any information on which they will rely in a transaction. All properties are subject to prior sale, change or withdrawal. Neither Homes Charlotte nor any listing broker shall be responsible for any typographical errors, misinformation, or misprints, and they shall be held totally harmless from any damages arising from reliance upon this data. This data is provided exclusively for consumers' personal, non-commercial use and may not be used for any purpose other than to identify prospective properties they may be interested in purchasing. © 2019 Carolina Multiple Listing Services, Inc. Data last updated 2019-04-21T14:58:32.163.


Many, if not most, actors and performers who are successful even in a small way, get literally hundreds of headshots done in the course of their performance careers. The reason for this is simple to understand. Your headshot is the single most important factor working for you. Its showing you off in your best light, long before they meet you, so it has to not only work, it has to work hard and if it isn't, then it's time to change it.
A headshot is quite simply a 10×8 (inches) portrait of the performer. Usually this comprises of the performer's head & shoulders, and focuses on the face. Technically, a headshot that incorporates a person's shoulders is called a 'three quarter' shot.
We cannot stress the importance of a headshot enough. The 10×8 is essentially the business card for all actors, dancers and performers and this is the main submission to casting directors to assist them in casting a role (and deciding who to call for an audition).
Although there are constant developments in what is considered a 'correct' way of having your headshot taken, it is the norm that in the UK headshots are traditionally taken in black and white, while in America they are often taken in colour. It is imperative that you instruct any photographer taking your headshot (and hopefully you've chosen a photographer who is already skilled in headshots for performers) which market you are aiming for to ensure you get the right style of headshot.
Your headshot needs to be a FULL representation of you. Don't try to cover anything up. A casting director might be looking for that very blemish you have! Your headshot should show you as you as you are (age, look, style, etc.) and reflect your best qualities. It should be natural, preferably not touched up, and should definitely represent your current look.E.g. every time you make a difference or change to your appearance (hair colour etc) you should get new headshots taken.
Ideally, wear neutral colours (usually black or white) with no distracting prints. Everything about your headshot should focus on your face. A casting director will not be happy if they are distracted by the latest zebra print or that you are an avid label fashionista.
Commercial – typically (not always) has the person smiling and projects warmth and friendliness.
Theatrical – usually serious, focused and actors are NOT smiling.
Choose your photographer WISELY. Photographers provide a wide range of services and packages (these may include: make-up, hair styling, an option of costume changes, variations on hours and number of photographs taken. Some photographers use studios (often more expensive), and some use a home studio (these are often cheaper). It is up to you to decide on a photographer that is right for you. Ideally, take recommendations from other performers – and always ensure that you are safe!
Sleep well the night before you have your headshots taken. Any tiredness will be reflected in your shoot. You want your eyes to be bright and open. You want to exude energy and professionalism. A good night's sleep will help with this. Establish a good sleeping pattern at least a week before the photo shoot.
Once you've had your headshot taken this is not the final step. Even if you personally believe that this is the best photo you've ever had taken, update it a couple times a year, or the headshot isn't going to help… When your headshot is five years old and they see the "new" you, well welcome to the real world. The job is no longer yours.
Keep close track of the amount of times that you send it versus how many times you get called in to the audition and if you aren't, then move forward and get a new photo that is going to keep you working.
Yes, they are expensive and yes, it's going to cost you but the reality is that doing business costs money, no matter what your business is.
The headshot is what you might term your professional calling card. A graphic business card if you will and it's not going to get you the calls you want to get if you don't keep the information, in this case, the photo, updated to current stuff. The only real foot in the door that you have in the acting business unless you're world renown, is your headshot.
Spending money and time on other resources first and letting that one go to pot is just a waste of your time and money.
So, is it worth your time and effort to get a new headshot, working with it till you find one that's getting you new jobs?


text:
package br.com.triadworks.financas.service;

import br.com.triadworks.financas.model.Usuario;

public interface Autenticador {

	public Usuario autentica(String login, String senha);

}


When you are fond of making people laugh and would like to take it to the next level, one thing that we could do is create ourselves a funny car which would drive you and your passengers laughing with an out of this world experience of a ride. However, this may seem crazy but the real "funny car" is the one made for car racing which was popularized during the NHRA drag racings which have forward-mounted engines and carbon fiber automotive bodies over the chassis, giving them an appearance similar to manufacturers in Detroit's showroom models.
Nowadays after some years, car sedans that have four doors have replaced the traditional two-door coupes in Funny Car. And right now, the Dodge Charger and Chevrolet Impala sedans are popularly being used in the NHRA when they are racing. And as expected, these funny cars which were highly developed and remodeled to have a high-quality and high-power specifications to make the car faster and perform highly as compared to other regular cars those we usually see.
Keep in mind though that these funny cars' key to immense power lies on the fuel and most funny cars that were developed and specified deliver five hundred to six hundred pounds-force per square inch of fuel pressure at as much as seventy-five U.S. gallons per minute. When in a single run which includes the starting, burnout, backing up, staging, 1/4 mile, these funny cars can burn as much as fifteen U.S. gallons or fifty-seven liters of gas which when you think of it is really powerful and gas guzzling.
These funny cars were built and developed during the 1960's and the front wheels have been transferred forward on the chassis for the improvement of the transfer of the weight under such great accelerations. And when you look at the cars, they really seem to be odd looking as compared to regular cars that is why it has been named as "funny cars".


Paris Saint-Germain might sign a holding midfielder during the winter transfer window in a bid to strengthen their side before their UEFA Champions League clash with Real Madrid in February.
Paris Saint-Germain might sign a holding midfielder during the winter transfer window as they pursue their dream of winning the UEFA Champions League, coach Unai Emery suggested Monday.
Qatar-backed PSG sent shockwaves through world football by luring Brazilian superstar Neymar from Barcelona for 222 million euros ($261 million) and setting up a record 180 million euros deal for teenage sensation Kylian Mbappe.
But the impressive riches of their forward line are not yet reflected in their midfield.
"Thiago Motta is a sentry for us and when he's out we don't really have a replacement," Emery told a press conference on Monday.
His side have a are runaway leaders in France's Ligue 1, but face Cristiano Ronaldo-led Real Madrid in a keenly-awaited Champions League last-16 double header in February.
Motta won the Champions League in 2006 with Barcelona and again in 2010 with Inter Milan and has been at PSG since 2012.
"Having a replacement for him if he's out would be the key area to strengthen," said Emery.
To balance the books it is thought PSG are likely to sell over the winter break with Brazil's Lucas Moura and French midfielder Hatem Ben Arfa thought to be surplus to Emery's requirements.
Meanwhile the Argentines Javier Pastore and Angel Di Maria are also believed to be potential departees.


With House of Vans happening in Sydney and the release of Vans Berle Pro. Elijah's first signature shoe, those attending had one thing on there mind? "What are those Red shoes". Clip filmed and edited by George Kousoulis.


I love spending sunny days at the park.
We all enjoy the fresh air outdoors and the kids get to burn off some of the boundless energy!
They like riding their scooters around.
Nicholas is really good on his and zips all over the place.
Rachel tries to keep up and be cool just like her big brother and she'll be able to catch up with him soon.
Sometimes Rachel gets tired and just prefers to walk along the side of her scooter. She won't let me carry it for her because it HER scooter!
When they are done scootering around, we like to walk in the woods.
Rachel was so excited to cross a little puddle on this makeshift bridge that we found...that is, until she actually stepped out on it and then she grabbed my hand and pulled me along with her.
Our friends built this awesome tree house way up in the trees. I love it!
We always love to explore the creek bed while we're there.
We've been coming here since Nicholas was really little. What sweet memories of this park.


text:
Heinrich Obersteiner (* 13. November 1847 in Wien; † 19. November 1922 ebenda) war ein österreichischer Neurologe.

Leben
Nach der 1865 am Wiener Schottengymnasium mit Auszeichnung abgelegten Matura studierte Obersteiner an der Universität Wien bei Josef Hyrtl, Carl von Rokitansky, Josef von Škoda, Theodor Meynert sowie Ernst Wilhelm von Brücke Medizin. 1870 promovierte er zum Dr. med., 1871 zum Dr. chir.

1873 habilitierte er sich als Privatdozent für Physiologie und Pathologie des Gehirnes. Mitte der 1870er-Jahre übernahm er die Leitung der ab 1860 von seinem Vater, Heinrich Obersteiner (1820–1891), und Max Leidesdorf in (Wien-)Oberdöbling, Hirschengasse 47 (später benannt: Krottenbachstraße 4; heute: Obersteinergasse 22) geführten, 1831 von Bruno Görgen gegründeten privaten Heilanstalt für Gemüths- und Nervenkranke, die während des Ersten Weltkriegs, 1917, in eine Heilanstalt für Kopfverletzte und Nervenkranke überging.

1880 wurde Obersteiner an der Universität Wien zum außerordentlichen Professor für Physiologie und Pathologie des Zentralnervensystems ernannt. 1882 gründete er das (internationalen Ruf erlangende) Universitätsinstitut für Anatomie und Physiologie des Zentralnervensystems (heute Klinisches Institut für Neurologie am Medizinischen Universitätscampus Wien), ab 1900 Neurologisches Institut, mit morphologischer Hirnforschung als Schwerpunkt. 1885 wurde er in die Deutsche Akademie der Naturforscher Leopoldina aufgenommen.
1898 erfolgte die Ernennung zum Ordinarius für Physiologie und Pathologie des centralen Nervensystems. 1906 wurde ihm der Titel Hofrat verliehen, 1919 trat er in den Ruhestand.

Obersteiner, Eigentümer der von seinem Vater übernommenen privaten Heilanstalt in Oberdöbling, wohnte mit seiner Familie bis zum Verkauf der Liegenschaft (um 1916) im Anstaltsgebäude, wo er über Jahrzehnte eine zigtausend Bände umfassende, von Fachkollegen zu nutzende Bibliothek aufgebaut hatte (und die er letztwillig dem Institut für Neurologie überließ). Infolge des Ersten Weltkriegs verlor Obersteiner fast sein gesamtes Vermögen. Nach seinem Tode musste die neben der Privatklinik errichtete, kaum bezogene Villa veräußert werden, um der Witwe, Helene († 1941), einer Tochter Leidesdorfs, eine würdigere Existenz zu sichern.

Obersteiner war u. a. 1909 Gründungsmitglied und 1909–15 Mitglied des Schirmherrengremiums (Patronats) der Zeitschrift "Epilepsia" der Internationale Liga gegen Epilepsie (ILAE). Er verfasste u. a. die erste deutschsprachige Publikation zum Status epilepticus.

Heinrich Obersteiner wurde am 22. November 1922 auf dem Döblinger Friedhof in einem von der Stadt Wien ehrenhalber gewidmeten Grab (Gruppe 6, Nr. 1) zur letzten Ruhe bestattet.

Im Jahr 1938 wurde in Wien-Döbling (19. Bezirk) die Obersteinergasse nach ihm benannt.

Schriften (Auswahl)
 Die Harnblase und die Ureteren. In: Salomon Stricker: Handbuch der Lehre von den Geweben des Menschen und der Thiere. Band 1. Engelmann, Leipzig 1871, S. 517–521. – Volltext online

 David Ferrier, — (Übers.): Die Functionen des Gehirnes. Vieweg, Braunschweig 1879. – .

 (Hauptwerk). Anleitung beim Studium des Baues der nervösen Centralorgane im gesunden und kranken Zustande. Toeplitz & Deuticke, Leipzig/Wien 1888. – .
 Die Bedeutung einiger neuer Untersuchungsmethoden für die Klärung unserer Kenntnisse vom Aufbau des Nervensystems. In: Arbeiten aus dem Institut für Anatomie und Physiologie des Centralnervensystems an der Wiener Universität. Hrsg. von Heinrich Obersteiner. Deuticke, Leipzig/Wien 1892, S. 130–147. – Volltext online
 Die Lehre vom Hypnotismus. Eine kurzgefasste Darstellung. Breitenstein, Leipzig/Wien 1893.
 —, Emil Redlich: Ueber Wesen und Pathogenese der tabischen Hinterstrangsdegeneration (mit Tafel VII und einer Abbildung im Texte). In: Arbeiten aus dem Institut für Anatomie und Physiologie des Centralnervensystems an der Wiener Universität. Hrsg. von Heinrich Obersteiner. Deuticke, Leipzig/Wien 1894, S. 158–172. – Volltext online
 Ueber vergleichende pathologisch-anatomische Untersuchungen des Nervensystems. In: Arbeiten aus dem Institut für Anatomie und Physiologie des Centralnervensystems an der Wiener Universität. Hrsg. von Heinrich Obersteiner. Deuticke, Leipzig/Wien 1894, S. 171–179. – Volltext online

 Die Variationen in der Lagerung der Pyramidenbahnen. Mit fünf Abbildungen im Text. In: Arbeiten aus dem Institut für Anatomie und Physiologie des Centralnervensystems an der Wiener Universität. Hrsg. von Heinrich Obersteiner. IX. Heft. Deuticke, Leipzig/Wien 1902, S. 417–427. – Volltext online
 Zur vergleichenden Psychologie der verschiedenen Sinnesqualitäten. Grenzfragen des Nerven- und Seelenlebens, Band 37, . Bergmann, Wiesbaden 1905. – .
 Emil Redlich, —: Die Krankheiten des Rückenmarks. In: Wilhelm Ebstein (Red.), Julius Schwalbe: Handbuch der praktischen Medicin. Enke, Stuttgart 1906.
 Richard von Krafft-Ebing, —: Die progressive allgemeine Paralyse. Zweite Auflage. Auf Grund der Darstellung von weiland R. v. Krafft-Ebing neu bearbeitet von —. S. n., Wien/Leipzig 1908.
 Makroskopische Untersuchung des Zentralnervensystems. In: Emil Abderhalden (Hrsg.): Handbuch der biologischen Arbeitsmethoden. Abteilung 8, Teil 1: Theodor Fahr: Methoden der experimentellen Morphologie. Urban & Schwarzenberg, Berlin/Wien 1924.

Literatur

 Otto Marburg: Heinrich Obersteiner. (…) Gedenkrede anlässlich der am 5. Dezember 1922 stattgehabten Trauersitzung des Vereines für Psychiatrie und Neurologie in Wien. In: Arbeiten aus dem Neurologischen Institute (Österreichisches Interakademisches Zentralinstitut für Hirnforschung) an der Wiener Universität. Band XXIV, Leipzig/Wien 1923, , S. V–XXXII. – Volltext online (PDF; 22 MB).

 Franz Seitelberger: Heinrich Obersteiner and the Neurological Institute: Foundation and History of Neuroscience in Vienna. In: Brain Pathology, 2 (2008) 163–168.

Weblinks

 www.whonamedit.com
 Walter Mentzel: Leihgaben. Obersteiner Heinrich (1847–1922) Gründer des weltweit ältesten Neurologischen Institutes. In: ub.meduniwien.ac.at.
 Obersteiner, Heinrich. In: Julius Pagel: Biographisches Lexikon hervorragender Ärzte des neunzehnten Jahrhunderts. Berlin/Wien 1901, Spalten 1219–1220.

Einzelnachweise

Anmerkungen

Neurologe
Hochschullehrer (Universität Wien)
Mediziner (19. Jahrhundert)
Mediziner (20. Jahrhundert)
Absolvent der Universität Wien
Mitglied der Leopoldina (19. Jahrhundert)
Person (Cisleithanien)
Österreicher
Geboren 1847
Gestorben 1922
Mann

redpajama_set_name: RedPajamaWikipedia


Here is a great 14-page guide and summary for those studying (Theological) French, especially those using Janet Ritch's, Reading French: A Guide for Students of Religion and Theology. Put together by one of my classmates and friends, Sue Lubinksas, this aid covers many of the basics needed to get a grasp on French. Again, this is another FREE resources!!! Anyway, check it out and when you're done, if you haven't already, look at the 6 parts of my "Getting Theological French" notes in the table below. Also, keep your eyes peeled for the launch of the "Getting (Theological) French" website!


Collective exhibition at Galerie Via Julianus in Tongeren (BE), organized by Global Art.
Exhibition "De Posthoorn": Lange Voorhout 39A 2514 EC Den Haag Netherlands Vernissage: Saturday 1st of March 2014 at 17.00 Due to it's success, the exhibition is extented until the 7th of June 2014!
Publication of book with the collection: "Les Bohèmes de Paris"
"Lover's Prayer" in the Dubai Kahleel Times.
MARCO POLO - AMBASSADOR OF ART 2015"


Sorry, no review of Super Treasure Arena yet.
• 6 thrilling, fantasy-themed maps!
• 5 playable characters: Warrior, Rogue, Mage, Mystic, and Ninja - each with their own special ability!
• 2 action-packed game modes!
• Supports TV mode, Tabletop mode, and Handheld mode!
• Classic - Collect coins from monsters and treasure chests, and beat them right back out of your opponents!
• Treasure Run - Stay alive while carrying loot-filled treasure chests back to your home base!


IRRV in Scotland is pleased to announce this important workshop that will cover subsidy and maximising local authority income training for benefits and revenues managers.
Over the last 10 years John has delivered more than 30 workshops for IRRV Scotland and over 95% of delegates have rated them as very good or excellent.
This workshop is for Heads of Service, Benefit Managers, Team Leaders and other relevant staff.
We are delighted that Anne Cairns of Audit Scotland is contributing to the day.
There will be some facilitated discussion around management checking to deliver continuous improvement and to provide local assurance around better compliance with the Subsidy Order.
The seminar represents excellent value for money, with seminar fees starting at only £145 + VAT. This includes lunch, refreshments, and training materials.


Designed with the youngest in mind, Fontainebleau's poolscape offers several shallow pools for kids to splash around in. The Family pool is the perfect place for guests of all ages to dive into a carefree day. Join us for Dive-in Movies this summer season.
Set up camp for your family with a Miami Beach cabana at the children's pool. Relax on lounge chairs in the shady cabana with ceiling fan while keeping a close eye on the kids as they play on the waterslide and spray canopy or splash in the 18" deep pool with its gradual beach style entry. Keep snacks and drinks cold in the mini-fridge. Family cabanas accommodate up to 4 guests.
To reserve your cabana call 305-538-2000 or dial 3450 from your guestroom.


text:
Harriet Lane, former President Buchanan's "First Lady," marries Baltimore banker Henry Elliot Johnson
In a quiet wedding at Wheatland in Pennsylvania, Harriet Lane, the niece of James Buchanan who had served the bachelor president as his hostess at the White House during his tenure, married Baltimore banker Henry Eliiot Johnston who she had first met in 1850. She was thirty-five years old and eventually had two sons, who both died tragically of disease in their teens. Her husband died in 1884 and she lived as a very wealthy widow and philanthropist till 1903. (By John Osborne)
Robert P. Watson, Affairs of State: The Untold History of Presidential Love, Sex, and Scandal, 1789-1900 (New York: Rowan and Littlefield Publishers, Inc., 2012), 243.
Edward T. James, Janet Wilson James, Paul S. Boyer, (eds.), Notable American Women, 1607-1950: A Biographical Dictionary (Cambridge, MA: Belknap Press, 1971), II:283.
Johnston, Harriet Lane
Wheatland, PA
White House, Washington, DC
How to Cite This Page: "Harriet Lane, former President Buchanan's "First Lady," marries Baltimore banker Henry Elliot Johnson," House Divided: The Civil War Research Engine at Dickinson College, http://hd.housedivided.dickinson.edu/node/45355.


text:
<?php

namespace Xsanisty\Admin\Menu;

use Exception;
use InvalidArgumentException;
use Xsanisty\Admin\Contracts\MenuRendererInterface;

class MenuContainer
{
    /**
     * List of menu item.
     *
     * @var array array of Xsanisty\Admin\Menu\MenuItem
     */
    protected $items = [];

    /**
     * The menu renderer for rendering the collection.
     *
     * @var Xsanisty\Admin\Menu\MenuRendererInterface
     */
    protected $renderer;

    /**
     * The collection name.
     *
     * @var string
     */
    protected $name;

    /**
     * Nested menu level.
     *
     * @var int
     */
    protected $level = 0;

    /**
     * Currently active menu item.
     * @var Xsanisty\Admin\Menu\MenuItem|null
     */
    protected $activeItem = null;

    /**
     * Build the MenuCOntainer instance.
     *
     * @param string $name The menu collection name
     */
    public function __construct($name)
    {
        $this->name = $name;
    }

    /**
     * Get the current level of nested menu container, default is 0.
     *
     * @return int
     */
    public function getLevel()
    {
        return $this->level;
    }

    /**
     * Set the current level of menu container object.
     *
     * @param int $level The current level of menu container object
     */
    public function setLevel($level)
    {
        $this->level = $level;
        foreach ($this->items as $item) {
            $item->setLevel($level);
        }
    }

    /**
     * Create new MenuItem object inside the MenuContainer.
     *
     * @param string $name       MenuItem name
     * @param array  $attributes MenuItem attributes
     *
     * @return Xsanisty\Admin\Menu\MenuItem
     */
    public function createItem($name, array $attributes)
    {
        $attributes['name'] = $name;

        $menuItem = new MenuItem($attributes);
        $options  = isset($attributes['options']) ? $attributes['options'] : [];

        $this->addItem($menuItem, $options);

        return $menuItem;
    }

    /**
     * Add new MenuItem object into container item lists.
     *
     * @param Xsanisty\Admin\Menu\MenuItem    $menu       MenuItem object
     * @param array                         $options    Menu options
     * [
     *     'position'   => 'first' | 'last' | 'before:item' | 'after:item'
     * ]
     */
    public function addItem(MenuItem $menu, array $options = [])
    {
        $position   = isset($options['position']) ? explode(':', $options['position']) : ['last'];

        switch ($position[0]) {
            case 'first':
                $this->items = array_merge([$menu->name => $menu], $this->items);
                break;
            case 'before':
            case 'after':
                if (!isset($position[1])) {
                    throw new InvalidArgumentException("'before' and 'after' position require specified menu id, e.g: 'after:somemenu'");
                }

                $keys   = array_keys($this->items);
                $index  = array_search($position[1], $keys);

                $index  = ('after' === $position[0]) ? $index+1 : $index;

                $firstChunk     = array_slice($this->items, 0, $index, true);
                $secondChunk    = array_slice($this->items, $index, null, true);
                $this->items    = array_merge($firstChunk, [$menu->name => $menu], $secondChunk);

                break;
            case 'last':
            default:
                $this->items[$menu->name] = $menu;
                break;
        }
    }

    /**
     * Get MenuItem object from the item list or from the child container.
     *
     * @param string $name MenuItem name
     *
     * @return Xsanisty\Admin\Menu\MenuItem menu item object
     */
    public function getItem($name)
    {
        $names      = explode('.', $name);
        $firstItem  = array_shift($names);

        if (!isset($this->items[$firstItem])) {
            throw new Exception("Can not find menu with name: $name");
        }

        $item = $this->items[$firstItem];

        foreach ($names as $itemName) {
            $container  = $item->getChildContainer();
            $item       = $container->getItem($itemName);
        }

        return $item;

    }

    /**
     * Check if current menu container has item in it.
     *
     * @return bool
     */
    public function hasItem()
    {
        return count($this->items) !== 0;
    }

    /**
     * Get all registered item inside the container.
     *
     * @return array array of MenuItem object
     */
    public function getItems()
    {
        return $this->items;
    }

    /**
     * Remove MenuItem object from the container item lists.
     *
     * @param string $name MenuItem name
     */
    public function removeItem($name)
    {
        if (isset($this->items[$name])) {
            unset($this->items[$name]);
        }
    }

    /**
     * Set current active menu in container item list, this will deactivate the currently active menu.
     *
     * @param string $name MenuItem name or dot sparated for multi level menu item
     */
    public function setActive($name)
    {
        if ($this->activeItem) {
            $this->activeItem->setActive(false);
        }

        $names      = explode('.', $name);
        $firstItem  = array_shift($names);

        if (!isset($this->items[$firstItem])) {
            throw new Exception("Can not find menu with name: $name");
        }

        $item = $this->items[$firstItem];

        if (!$names) {
            $item->setActive();
            $this->activeItem = $item;
        } else {
            foreach ($names as $itemName) {
                $container  = $item->getChildContainer();
                $item       = $container->getItem($itemName);
            }

            $container->setActive($item->getAttribute('name'));
        }
    }

    /**
     * Get current active item in the list.
     *
     * @return MenuItem
     */
    public function getActiveItem()
    {
        return $this->activeItem;
    }

    /**
     * Check if the menu container has active item.
     *
     * @return boolean
     */
    public function hasActiveItem()
    {
        return !is_null($this->activeItem);
    }

    /**
     * Render menu item list based on registered MenuRenderer.
     *
     * @return string rendered item list
     */
    public function render()
    {
        if ($this->renderer) {
            return $this->renderer->render($this);
        }
    }

    /**
     * Set menu renderer to render menu into specific format.
     *
     * @param MenuRendererInterface $renderer The menu renderer class
     */
    public function setRenderer(MenuRendererInterface $renderer)
    {
        $this->renderer = $renderer;
    }

    /**
     * Get the menu renderer
     *
     * @return [type] [description]
     */
    public function getRenderer()
    {
        return $this->renderer;
    }
}


text:
Q: Scheduler called asyncronously RTOS and time measuring In order to shorten follow up latency I am forcing task scheduler to run form ISR. By doing so I found that those tasks that are blocked are sooner woken up. That is because scheduler tick counter was incremented not only by tick timer but form ISR as well.
Is there any other method to block task for exact amount of time even though scheduler is being called asynchronously without relaying on other hardware such as timers?

redpajama_set_name: RedPajamaStackExchange


text:
SEACOR Holdings Inc. Announces Key Executive Appointments
Seacor Holdings Press Release Apr 25 2014
Richard J. Ryan Announces Retirement
Matthew R. Cenac Appointed to Chief Financial Officer
FORT LAUDERDALE, FL -- (Marketwired) -- 04/25/14 -- SEACOR Holdings Inc. (NYSE: CKH) (the "Company") announced that Richard J. Ryan, the Company's Senior Vice President, Chief Financial Officer, has communicated his intention to retire from the Company, effective as of August 1, 2014, after a highly successful seventeen year career with the Company. The Company named Matthew R. Cenac as Mr. Ryan's successor as Senior Vice President, Chief Financial Officer. Mr. Cenac began his career at the Company in 2003 as Corporate Controller. In 2005, he became the Company's Chief Accounting Officer.
Charles Fabrikant, the Company's Executive Chairman, stated, "I would like to acknowledge Richard's outstanding contribution to SEACOR both in his early roles within our Offshore Marine Services group and, since 2005, in his capacity as the Company's Chief Financial Officer. He successfully navigated us through the various challenges presented to public companies in the modern era in terms of corporate governance, risk management, and public reporting. He has laid the groundwork for our continuing growth and development." Mr. Fabrikant added, "I would also like to congratulate Matt on his appointment. Matt has done an outstanding job as our Chief Accounting Officer, and I am certain he will continue to maintain the high standards that have become a hallmark of SEACOR under Richard's diligent stewardship."
SEACOR and its subsidiaries are in the business of owning, operating, investing in and marketing equipment, primarily in the offshore oil and gas, shipping and logistics industries. SEACOR offers customers a diversified suite of services and equipment, including offshore marine, inland river storage and handling, distribution of petroleum, chemical and agricultural commodities, and shipping. SEACOR is dedicated to building innovative, modern, "next generation," efficient marine equipment while providing highly responsive service with the highest safety standards, and dedicated professional employees. SEACOR is publicly traded on the New York Stock Exchange (NYSE) under the symbol CKH.
Certain statements discussed in this release as well as in other reports, materials and oral statements that the Company releases from time to time to the public constitute "forward-looking statements" within the meaning of the Private Securities Litigation Reform Act of 1995. Generally, words such as "anticipate," "estimate," "expect," "project," "intend," "believe," "plan," "target," "forecast" and similar expressions are intended to identify forward- looking statements. Such forward-looking statements concern management's expectations, strategic objectives, business prospects, anticipated economic performance and financial condition and other similar matters. These statements are not guarantees of future performance and actual events or results may differ significantly from these statements. Actual events or results are subject to significant known and unknown risks, uncertainties and other important factors, including decreased demand and loss of revenues as a result of additional safety and certification requirements for drilling activities in the U.S. Gulf of Mexico and delayed approval of applications for such activities, the possibility of U.S. government implemented moratoriums directing operators to cease certain drilling activities in the U.S. Gulf of Mexico and any extension of such moratoriums (the "Moratoriums"), weakening demand for the Company's services as a result of unplanned customer suspensions, cancellations, rate reductions or non-renewals of vessel charters or failures to finalize commitments to charter vessels in response to Moratoriums, increased government legislation and regulation of the Company's businesses could increase cost of operations, increased competition if the Jones Act is repealed, liability, legal fees and costs in connection with the past provision of emergency response services, including the Company's involvement in response to the oil spill as a result of the sinking of the Deepwater Horizon in April 2010, decreased demand for the Company's services as a result of declines in the global economy, declines in valuations in the global financial markets and a lack of liquidity in the credit sectors, including, interest rate fluctuations, availability of credit, inflation rates, change in laws, trade barriers, commodity prices and currency exchange fluctuations, the cyclical nature of the oil and gas industry, activity in foreign countries and changes in foreign political, military and economic conditions, changes in foreign and domestic oil and gas exploration and production activity, safety record requirements related to Offshore Marine Services and Shipping Services, decreased demand for Shipping Services due to construction of additional refined petroleum product, natural gas or crude oil pipelines or due to decreased demand for refined petroleum products, crude oil or chemical products or a change in existing methods of delivery, compliance with U.S. and foreign government laws and regulations, including environmental laws and regulations, the dependence of Offshore Marine Services and Shipping Services on several customers, consolidation of the Company's customer base, the ongoing need to replace aging vessels, industry fleet capacity, restrictions imposed by the Shipping Acts on the amount of foreign ownership of the Company's Common Stock, operational risks of Offshore Marine Services, Inland River Services and Shipping Services, effects of adverse weather conditions and seasonality, the level of grain export volume, the effect of fuel prices on barge towing costs, variability in freight rates for inland river barges, the effect of international economic and political factors on Inland River Services' operations, sudden and unexpected changes in commodity prices, futures and options, global weather conditions, political instability, changes in currency exchanges rates, and product availability in agriculture commodity trading and logistics activities, adequacy of insurance coverage, the potential for a material weakness in the Company's internal controls over financial reporting and the Company's ability to remediate such potential material weakness, the attraction and retention of qualified personnel by the Company, and various other matters and factors, many of which are beyond the Company's control as well as those discussed in Item 1A (Risk Factors) of the Company's Annual report on Form 10-K. In addition, these statements constitute the Company's cautionary statements under the Private Securities Litigation Reform Act of 1995. It should be understood that it is not possible to predict or identify all such factors. Consequently, the preceding should not be considered to be a complete discussion of all potential risks or uncertainties. Forward-looking statements speak only as of the date of the document in which they are made. The Company disclaims any obligation or undertaking to provide any updates or revisions to any forward-looking statement to reflect any change in the Company's expectations or any change in events, conditions or circumstances on which the forward-looking statement is based, except as required by law. It is advisable, however, to consult any further disclosures the Company makes on related subjects in its filings with the Securities and Exchange Commission, including Annual Reports on Form 10-K, Quarterly Reports on Form 10-Q and Current Reports on Form 8-K (if any).
Date released: Apr 25 2014


In an increasingly competitive business environment, the adoption of eBusiness technologies is critical to business survival. In this module, students examine how organizations can use all aspects of eBusiness to create new products and services, reduce the cost of existing business processes and improve the efficiency and effectiveness of their operations. The module then explores the typical revenue models that can be adopted, the key role of eMarketing, the development of business-to-business strategies and the increasing importance of online auctions and virtual communities. It investigates the various security threats that can be posed to eCommerce systems and the appropriate countermeasures that can be adopted. The module also considers various electronic payment systems and concludes by reviewing the main components of a business plan for implementing eCommerce successfully.
Schneider, G.P. (2007). Electronic Commerce, 7th Edition. Course Technology Inc.
Beynon-Davies P. (2012) eBusiness 2nd edition. Palgrave Macmillan.


text:
Саундтрек Grand Theft Auto IV, як і саундтрек попередніх ігор, переважно складається з пісень, які звучать на внутриігровому радіо. Ці пісні можна почути якщо сісти в транспортний засіб, в меню гри, а також в деяких локаціях. На радіостанціях звучить ліцензована музика, пісні спеціально створені для гри, репліки діджеїв, пародійна реклама та випуски новин. В грі представлені 23 радіостанції з близько 360 піснями, 19 з яких є музичними, на кожній з яких представлений певний жанр, 3 є розмовними, і на одній (Independence FM) звучать пісні завантажені користувачем. В іграх Grand Theft Auto: The Lost and Damned та Grand Theft Auto: The Ballad of Gay Tony деякі радіостанції зникли, а до тих, які залишились, були додані ще пісні.

На відміну від попередніх ігор, де все що звучить на радіостанції було одним великим файлом, і де всі пісні звучали в певній послідовності, в Grand Theft Auto IV всі пісні зберігаються в окремих файлах і вони звучать в довільному порядку. При сіданні головного персонажа в транспортний засіб, пісня звучить з довільного моменту, не обов'язково з початку. Також це дозволяє вставляти випуски новин, які залежать від дій гравця, між піснями. Радіостанція, яку почує гравець, залежить від транспортного засобу, в який сідає головний персонаж.

Діджеями на деяких радіостанціях є реальні знаменитості: музиканти Іггі Поп, Фемі Куті, Джиммі Гестапо і Руслана, дизайнер Карл Лагерфельд та ведучий на реальному радіо Лазло Джонс. Ведучі щотижневого комічного шоу "Суботнього вечора у прямому ефірі" Білл Гейдер та Джейсон Судейкіс з'являються на розмовних радіостанціях представляючи позиції лібералів та консерваторів відповідно. Також з'являвся Фред Армісен з того самого шоу. У грі присутня одна пісня українською мовою - "Дикі танці" Руслани.

Музичні радіостанції
Назви радіостанцій представлених тільки в Grand Theft Auto IV позначені курсивом.

The Beat 102.7
Діджей: Mister Cee, DJ Green Lantern, Funkmaster Flex та Statik Selektah
Жанр: хіп-хоп, гангста-реп, R&B

The Classics 104.1
Діджей: DJ Premier
Жанр: хіп-хоп

Grand Theft Auto IV

Electro–Choc
Діджей: François K иа Crookers
Жанр: електро-хауз, постпанк, хіп-хауз

Fusion FM
Діджей: Roy Ayers
Жанр: джаз-рок, ейсид-джаз, ню-джаз

Grand Theft Auto IV

IF99 – International Funk
Діджей: Femi Kuti
Жанр: фанк,

Grand Theft Auto IV

JNR – Jazz Nation Radio 108.5
Діджей: Roy Haynes
Жанр: джаз

Grand Theft Auto IV

The Journey
Діджей: комп'ютер
Жанр: ембієнт, чилаут, downtempo, мінімалізм, нью-ейдж

Grand Theft Auto IV

K109 The Studio
Діджей: Карл Лагерфельд
Жанр: диско, фанк

LCHC – Liberty City Hardcore
Діджей: Jimmy Gestapo та Макс Кавалера
Жанр: хардкор, треш-метал, екстремальний метал

Liberty Rock Radio 97.8
Діджей: Іггі Поп
Жанр: класичний рок, поп-рок, альтернативний рок, метал

Massive B Sound System 96.9
Діджей: Bobby Konders
Жанр: , регі

Grand Theft Auto IV

Radio Broker
Діджей: Джульєтт Льюїс
Жанр: альтернативний рок, інді-рок, електро-рок, денс-панк

San Juan Sounds
Діджей: Daddy Yankee та Henry Santos Jeter
Жанр: реггетон, латиноамериканська поп-музика, рок,

Tuff Gong Radio
Діджей: Carl Bradshaw
Жанр: регі, даб

Grand Theft Auto IV

The Vibe 98.8
Діджей: Vaughn Harper
Жанр: соул, R&B, фанк

Grand Theft Auto IV

Vladivostok FM
Діджей: Руслана та DJ Paul
Жанр: східноєвропейська поп-музика, російський рок, російський хіп-хоп, прогресивний хаус, танцювальна музика

RamJam FM
Діджей: David Rodigan
Жанр: регі, даб

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Self–Actualization FM
Діджей: Audrey
Жанр: ембієнт, чилаут, downtempo, нью-ейдж

Grand Theft Auto IV

Vice City FM
Діджей: Fernando Martínez
Жанр: поп-музика 1980-их, рок-музика

Grand Theft Auto IV

Independence FM
Діджей: Gary Sheen

Ця радіостанція присутня в версії гри для ПК та на ній звучать пісні завантажені користувачем. Щоб додати до ціє радіостанції пісні, треба розмістити їх в папці My Documents\Rockstar Games\GTA IV\User Music, в грі зайти в налаштування та просканувати пісні. Підтримуються формати .wma, .mp3 та .m4a. Користувач може вибрати три режими програвання: всі пісні по порядку, пісні в довільному порядку, пісні в довільному порядку з коментарями діджея, рекламою та новинами.

Розмовні радіостанції

Integrity 2.0
Ведучий: Lazlow
Тема: розмови

Ця радіостанція розповідає про тур Лазло по Ліберті-Сіті, де він розмовляє з різними людьми. Радіостанція починає працювати тільки коли гравець відкриє острів Алгонквін. До цього можна почути оголошення, що станція скоро відкриється. Під час ефіру Лазло часто згадуює свої минулі радіостанції: V-Rock в Вайс-Сіті, WCTR в Сан Андреасі та Chatterbox FM в Ліберті-Сіті. Лазло згадує Ріда Такера, над яким жартував в 2001 році, рок-гурт Love Fist, який виступав в Вайс-Сіті. Лазло бере інтерв'ю в збоченця, латиноамериканського постачальника хот-догів, водія таксі, художника, який знімає музичне відео про дощ. Лазло сперечається декількома людьми, серед яких інтернет-залежний підліток, який називає його старим, компю'терник, який хоче зробити сайт щоб продавати речі пов'язані з Лазло.

В The Ballad Of Gay Tony в Лазло з'являється супутник на ім'я Хорхе. Хорхе подорожує разом з Лазло по Ліберті-Сіті, Лазло показує йому місто. Хорхе не говорить англійською. Лазло каже, що студія "погрузилась в темряву" через нестачу коштів, що також пояснює відсутність нового контенту в The Lost And Damned.

PLR – Public Liberty Radio
Програма: Спіритичний сеанс
Ведучий: Beatrix Fontaine
Тема: Програма, в якій фальшивий екстрасенс Беатрікс відповідає на звінки слухачів, дає їм дивні поради та постійно просить від них грошей. Її прізвище може бути посиланням на Даріуса Фонтейна, який розповідав на радіо в Сан-Андреасі як стати багатим.

Програма: Кардіостимулятор
Ведучий: Ryan McFallon
Тема: Програма, в якій обговорюється охорона здоров'я. Ведучий Раян МакФеллон бере інтерв'ю в трьох людей: в пресс-секретаря фармацевтичної компанії Betta Шейли-Штаффорд, яка сказала, що залишила жінку помирати, тому що боялась що в неї нема страховки; в представника страхової медичної організації Вілсона Тейлора старшого; в прихильника холістичної медицини та домашнього лікування Вейлона Мейсона.

Програма: Інтелектуальний порядок денний
Ведучий: Mike Riley
Тема: Програма, орієнтована на ліву політику. Ведучий Майк Райлі бере інтерв'ю в трьох людей: в пресс-секретаря фармацевтичної компанії Betta Шейли-Штаффорд, яка сказала, що залишила жінку помирати, тому що боялась що в неї нема страховки; в представника страхової медичної організації Вілсона Тейлора старшого; в прихильника холістичної медицини та домашнього лікування Вейлона Мейсона.

WKTT – We Know The Truth
Програма: Шоу Річарда Бастіона
Ведучий: Richard Bastion
Тема: Програма, орієнтована на праву політику. під час шоу Річард Бастіон обговорює з гостями що не так в америці.

Програма: Справедливо чи не справедливо
Ведучий: суддя Grady
Тема: Судове радіошоу, де суддя Грейді (пародія на суддю Верховного суду США Кларенса Томаса), який э мізогінічним, ідеологічним та упередженим, виносить рішення. Він постійно ображає та нападає на жінок-гостей. Він завжди займає сторону чоловіка в сімейних справах. В його промовах багато праворадикальних висловлювань, які не завжди мають стосунок до справи. В кінці кожного шоу щоб вирішити на чию користь винести рішення, суддя влаштовує поєдинок між сторонами: дуель, гладіторський бій або канібалістичний поєдинок.

Програма: Fizz!
Ведучий: Jane Labrador, Marcel LeMuir, Jeffron James
Тема: Програма пліток про зірок. В програмі з'являються гумористи Рікі Джервейс та Кетт Вільямс.

Програма: Шоу Мартіна Серіоса
Ведучий: Martin Seriou, Lisa Lynn, Mark the Manager, Smithy the Stunt Boy
Тема: Пародія на .

Програма: Розмови
Ведучий: John Smith
Тема: Пародія на  та Шоу Алекса Джонса.

Інша музика в грі

Музика в певних локаціях
 "Come Into My Life" (Rick James) - грає в стрип-клубах під час приватного шоу
 "Shake Ya Ass" (Mystikal) - грає в стрип-клубах під час приватного шоу
 "Ooh La La" (Goldfrapp) - грає в стрип-клубах під час приватного шоу
 "A Real Real" (Niall Toner) - грає в ірландському пабі в Брокері
 "Celtic High Step" (Killian's Angels) - грає в ірландському пабі в Брокері
 "Hustlin'" (Rick Ross) - звучить коли гуморист Кетт Вільямс виходить на сцену

Заставки радіостанцій
 "Dead in Hollywood" (Murderdolls) - заставка Liberty Rock Radio
 "I Don't Wanna Be Me" (Type O Negative) - заставка Liberty Rock Radio
 "No Way" (Korn) - заставка Liberty Rock Radio
 "Another Part of Me" (Майкл Джексон) - заставка Vice City FM

Рингтони
В грі є можливість скачувати та встановлювати рингтони на внутриігровий мобільний телефон. Більшість з них є піснями з попередніх ігор серії.

Саундтреки Grand Theft Auto
Grand Theft Auto


I find it odd that Bob Tisdale doesn't know that there are currents and upwelling and all sorts of movement of water in the world's oceans. He's written before about how he rejects the fact that oceans have currents that run deep and long.
The reason it is strange is that Bob regards himself as WUWT's resident expert on oceans. Yet he doesn't understand what is surely fundamental to an understanding of oceans - and how they influence climate. He wrote an article with a wrong headline: "Ocean 'Global Warming' is not actually 'global' at all". Well, I don't know quite what he means by Ocean 'Global Warming' - the term global warming is normally applied to the globe - the land and the oceans and the atmosphere. Still, if he thinks that the oceans aren't warming he's very wrong. He even puts up charts that show they are warming.
Alarmists are having a grand time trying to scare their readers with their chicken-little end-is-near proclamations. Example: see the post titled "The oceans are warming so fast, they keep breaking scientists' charts" at SkepticalScience here and The Guardian here. Also see Joe Romm's post 'Hottest Year' Story Obscures Bigger News: Ocean Warming Now Off The Charts at ClimateProgress.
Down to 2000 m the oceans have broken the 20 x 1022 Joules barrier.
Of course, the alarmists present the ocean heat content data, not the vertically averaged temperature data. Why? The oceans have an extremely large heat capacity, so a very slight increase in the temperature of the oceans to depths of 2000 meters represents a very large uptake of heat when placed in terms of 10^22 Joules…the units used by the NODC.
So to counter the alarmists, we present the NODC data in terms of deg C (data here), because people are more familiar with temperature. We also break the data down into basins and subsets to show that the warming rates are not uniform, which is tough to explain with greenhouse gas-driven human-induced global warming. So here's a general introductory discussion of that NODC temperature data to depths of 2000 meters.
Bob pretends that he's only using temperature because deniers are too dumb to understand joules. Some of them probably are, but quite a few deniers, you may be surprised to know, did study a bit of science at school and have heard of joules before.
You'll also have seen what I meant when I wrote that Bob rejects the fact that the oceans are not static pools of water. Nor does he seem to be aware that the air above them has a tendency to blow about a bit too. He thinks that greenhouse warming means that the oceans should all warm evenly and to depth. He's probably never heard of terms like thermohaline circulation. He might not be aware that the water in the ocean can move sideways and up and down. Nor that an awful lot of energy is being stored when you see the oceans are warming way down to two kilometers deep.
Bob's article is very short by Bob's standards. That could be because he's written almost identical articles before. He only put up one chart of vertical mean temperature to 2000m and a great big pie chart. I did some charts too, if you're interested.
I don't know what he did with his anomalies. They aren't those reported by NODC. He screwed it up somehow. He seems to have aligned them all at zero for 2003, almost. If you look at the chart I did for 0-2000m you'll see he got that wrong.
Nor can I fathom why Bob Tisdale would be so sanguine about this. The oceans really are getting a lot hotter and this has to have an impact on the land, where most of us live. Just what that impact will be I don't know, but I expect that it will continue to get hotter. Precipitation will change - maybe more intense downpours and maybe shifts in rainfall patterns.
Another thing I noticed is that Bob Tisdale restricted his charts to the period since 2003 and said how the North Atlantic and Pacific haven't warmed much in the last 12 years. It's true. They haven't. But look at the Atlantic overall. And see the chart below for what happened in the North Atlantic in the period just beforehand.
If you look at the 2000 m chart above, it's the Pacific Ocean that's hasn't heated up quite as quickly lately, not the Atlantic so much. However the South Pacific has got warmer recently catching up to the North Pacific.
So despite what Bob Tisdale will have his readers believe, all the oceans are warming. And taking them altogether the oceans are warming up a helluva lot.
The Argo temperature profiles are accurate to +/-0.002°C, according to the FAQ.
Nick Stokes explains why heat content is the more commonly used measure.
There was a long debate about whether or not infrared radiation can heat water, with mpainter arguing it couldn't. There was no discussion of what is causing the the oceans are heating up if not for the increased IR, except for one rather silly person - emsnews who seems to think the deep cold ocean is hotter than the surface. Weird.
So it has zero to do with CO2..
First, there is no absence of warming to 2000 m. There's already been a lot of warming to depth. Secondly, the fact that the oceans aren't still and static is exactly why you'll see different warming in different parts of the ocean. Bob isn't just ignorant, he's dense.
Which is a good note to end on.
Every denier site has the world's expert on at least some aspect of climate who is without a doubt more knowledgeable than everyone else in the world on the subject. Their audience will assure you of this.
lets keep the list going shall we?
Matt Ridley, DPhil (pheasant mating) and banker extraordinaire.
Q: But you were wrong?
MR: We were hit by an unexpected and unpredictable concatenation of events.
Oh yes. "Middle of the road" Matt.
Bob's misunderstanding of how the oceans work reminds me of Goddard's ignorance of how freshwater lakes work (he never heard of the term "limnology" before). He wrote an article on why Lake Superior was so cold. He didn't understand that Superior turns over, didn't know about the epiliminon, didn't know about the thermocline, etc.
It was an embarrassing piece even by his standards---I notice that his piece has now been chopped down to remove evidence of his ignorance (it was still intact about six months after originally posting so I assume he'd been doing his own digging for answers instead of relying on the hordes of folks who told he exactly where he'd gone wrong). Grumbine Science had a bit of a take down to his original post.
I see that in a different post, Bob demonstrates that he knows how to use the verb "admit" in a misleading way just like David Rose.does.
I don't understand the science, but I can recognize a bad faith argument when it is that blatant.
"Dana Nuccitelli has finally admitted something we've been discussing for more than 6 years [...] he admitted that during a decade-long (or multidecadal) period(s) when El Niño events dominate (when El Niños are stronger, last longer and happen more frequently), the El Niños enhance global warming, and during periods when La Niña events dominate (when there are weaker, shorter and fewer El Niño events), the absence of El Niño events suppresses the warming of global surfaces."
Where in the hell is Tisdale's head? He's just gone and scored an own goal with this one and neither he nor the WUTTers seem to realize it. rooter seems to be on it: "Perhaps Tisdale could define what 'long-term' is?"
Three times Bob avoided my direct questions about what other SST products show vs. CMIP5 in the absolute. And of course he and his merry band "missed" the point that this is why we do properly baselined anomalies, not absolute temps, in general ... but especially for model comparisons to measured estimates of reality.
And how does that hot atmospheric air warm the oceans in the first place? 105 F air in Phoenix doesn't warm that swimming pool especially enough to counter the massive latent heat of evaporation. It's the water vapor cycle, clouds, precipitation and ocean floor geothermal heat flux that heat/cool the oceans and power the climate. CO2/GHGs are nothing but bee farts in a hurricane."
It amazes me that these people who, until very recently, argue "It's the sun" to explain any warming can't see that it really is the sun when it matters.
When the sun's radiation hits the surface of land, that's exactly what it does. Hit the surface. Any warming has to happen right there on the top and only gets to (very limited) depth by conduction.
When the sun's radiation hits the surface of the ocean it just keeps right on going. That's why people can go diving in tropical lagoons without lights or just look at coral reefs through glass-bottomed boats and why filmmakers can work without additional lighting for 10s of metres under the surface. Any warmth in the air above the water is a minor player as far as heating within the body of water goes.
Of course, CO2 in the atmosphere affects how much of that accumulated energy can be radiated away. But the oceans are heated directly by radiation and that heat is distributed by both convection and a bit of conduction (though that's probably confined mostly to small bodies of water, like lagoons separated from the wider ocean and minimally affected by tides). The poor old land on the other hand is stuck with direct absorption only at the surface and whatever conduction can do through rocks. No radiation or convection at any depth.
The one and only time they can legitimately use "It's the sun" and they fluff even that.
I don't know what he did with his anomalies. They aren't those reported by NODC. He screwed it up somehow. He seems to have aligned them all at zero for 2003, almost.
Sorry, Bob. When you try to match a line's slope, but then shift that line upward, choosing the intercept deliberately to make the prediction look as bad as possible, that's dishonest.
When unconstrained by physics and reality, you can do anything you like.
I don't see why all those epithets of innocence re climate revisionist Bob 'Drivel' Tisdale.
The man is a thug who knows perfectly well what he is doing. He is NOT 'puzzled'. He is a deliberate liar and a thug. Then call him that.
cRR, not to be too picky, but he can be both a liar and an idiot.
emsnews: "Just below the surface, Water is heated by volcanic activity in the various tectonic plate divisions. So it has zero to do with CO2."
Sou: "There was no discussion of what is causing the the oceans are heating up if not for the increased IR, except for one rather silly person - emsnews who seems to think the deep cold ocean is hotter than the surface. Weird."
It's even weirder than you think, Sou. Mr. News knows there is undersea volcanic activity. He's probably seen some news coverage on the array of life being found at deep sea hydrothermal vents. THAT's how ocean water is heated. Apparently atmospheric temperatures have nothing to do with it.
This can be proven with a simple experiment. Notice that when you put ice in your drink at home, it never melts. There is no heat source in your drink to warm the liquid, and that's how water is heated.


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This Site Will Make You More Knowledgeable About Genealogical Resources for South Texas, Coahuila, Tamaulipas, and Nuevo Leon, Mexico.
Even if you are an experienced family historian or genealogist and think that you know about all the resources that are out there, think again.
My name is Moises Garza and I have been doing genealogy research on my family since 1998. We Are Cousins is where I post records about my ancestors and resources for anyone with roots in South Texas and Northeastern Mexico.


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Favorites was a sermon series for First United Methodist Church of Mansfield that focused on people's favorite Bible verses. I really enjoyed hand-lettering all the different Bible verses and creating a very unique graphic. Graphics for the series included PowerPoint slide, banner for website, and bulletin image.