QPR new boy Joey Barton watched from the stands as Franco Di Santo served up a stark warning of the size of the task ahead for the former Magpie with a winning double at the DW Stadium.
Barton was not registered in time to play Rangers' loss as they were often overrun by a home side who shone with flair and ambition from the kick-off.
Di Santo opened the scoring with a superb right-foot finish five minutes before the break and added his second after 66 minutes when he looped a deflected shot over Paddy Kenny.
The visitors had chances themselves in a bright game and Adel Taarabt hit the post twice in the first period, but Roberto Martinez's men ran out worthy winners.
Most of the home side's purpose was inspired by Hugo Rodallega, making his first Barclays Premier League start of the season after returning from Copa America duty with Colombia.
Rodallega's trickery won the fourth-minute free-kick which Jordi Gomez squeezed over the bar, then he skipped round Bruno Perone to fire across the face of goal.
In a bright opening, the visitors had their first chance in the 10th minute when Shaun Derry blasted a long-range effort which was tipped over the bar by Ali Al Habsi.
And Rangers had a glorious chance after 14 minutes when Akos Buzsaky fed Taarabt, whose right-foot shot rebounded off the post to the clear but unprepared Patrick Agyemang, who squirted it wide.
The visitors had another chance in the 25th minute when Alejandro Faurlin found Buzsaky on the right and his cross was met at the far post by Perone, who headed over.
A quick counter-attack by Rodallega almost paid off in the 37th minute when he squeezed the ball out to Victor Moses who cut in from the right and hit a low shot straight at Paddy Kenny.
Wigan broke the deadlock five minutes before the break, when the superb Rodallega squared for Di Santo who wasted no time slamming the ball into the net.
Rangers hit the woodwork for the second time in first-half injury time when Taarabt's long-range free-kick deceived Al Habsi but rebounded for Mohamed Diame to clear.
The second half started with much the same sense of urgency but fewer clear-cut chances as the Wigan midfield did a good job snuffing out Rangers' bid for an equaliser.
The home side had the first clear-cut chance in the 58th minute when Moses found Gomez on the left and the midfielder's shot from a tight angle was deflected out for a corner.
Moments later, Di Santo came close to his second goal from an almost identical position, drilling a rising shot which was well saved by Kenny.
Di Santo finally grabbed his and Wigan's second after 66 minutes when he turned and shot from just outside the box and the ball took a slight deflection as it looped over Kenny.
The visitors refused to give up on the afternoon and came close when Perone connected with a Taarabt corner in the 75th minute to bring a fine save out of Al Habsi.
Taarabt then forced another fingertip save out of Al Habsi from an excellent free-kick after Latics captain Gary Caldwell brought down Agyemang.
Boyce booted clear a dangerous cross by Bruno Andrade then Agyemang ought to have done better in injury time but shot wide when clear in the box.
But while the final whistle brought joy for Wigan it also put Barton's arrival in sharp perspective with Rangers clearly needing his input to boost their survival bid.


Zesty and versatile, this savory balsamic is infused with rosemary, thyme, marjoram, garlic and sage. It will take your next salad, marinade, or BBQ to a new culinary level. Try drizzled over roasted vegetables, or cucumbers and tomatoes. Use to marinade poultry, or spike a Bloody Mary! Fantastic with pasta, rice, quinoa, brushed on bruschetta, or paired with creamy cheeses.


Below is a message from prof. Kondo, in charge of "View of Advanced Electrical, Electronic and Information Engineering". Please read carefully and take necessary procedures.
by e-mail to hkondo@nagoya-u.jp by Tuesday, 16th, October.
※These information will be required when entering the facility.
Break up: 17:30, Nagoya Univ.
by e-mail to hkondo@nagoya-u.jp by Tuesday, 19th, October.
by e-mail to hkondo@nagoya-u.jp by Tuesday, 26th, October.


text:
Q: filepond-plugin-image-size-metadata configuration I hope you're well, just wondering if anyone has successfully set up the filepond image size metadata plugin.
https://github.com/yoldar/filepond-plugin-image-size-metadata
The documentation, is somewhat lacking, currently I have set allowImageSizeMetadata as a parameter of the FilePond component:
<FilePond
name={file}
files={file}
allowMultiple={false}
allowImageSizeMetadata={true}
server={null}
instantUpload={false}
onupdatefiles={(fileItems) => onFileChange(fileItems)}
/>

I have imported at the top of the file as so:
import { FilePond, registerPlugin } from 'react-filepond';

import 'filepond/dist/filepond.min.css';

import FilePondPluginImageSizeMetaData from 'filepond-plugin-image-size-metadata';
import FilePondPluginImageExifOrientation from 'filepond-plugin-image-exif-orientation';
import FilePondPluginImagePreview from 'filepond-plugin-image-preview';
import 'filepond-plugin-image-preview/dist/filepond-plugin-image-preview.css';

But when i log out the output in the console i'm not seeing anything extra, which I assume I should be like the width and height metadata.
Can anyone see something I might be missing?
Thanks

A: I think you need to register it.
See for example the code snippet in the image preview plugin docs.
import * as FilePond from 'filepond';
import FilePondPluginImagePreview from 'filepond-plugin-image-preview';
import 'filepond-plugin-image-preview/dist/filepond-plugin-image-preview.css';

// Register the plugin <- this call
FilePond.registerPlugin(FilePondPluginImagePreview);

redpajama_set_name: RedPajamaStackExchange


text:
Temporary Page
Malacostraca
Other Malacostraca
Leptostraca
Stomatopoda
Decapoda
Mantis shrimps
This tree diagram shows the relationships between several groups of organisms.
The root of the current tree connects the organisms featured in this tree to their containing group and the rest of the Tree of Life. The basal branching point in the tree represents the ancestor of the other groups in the tree. This ancestor diversified over time into several descendent subgroups, which are represented as internal nodes and terminal taxa to the right.
You can click on the root to travel down the Tree of Life all the way to the root of all Life, and you can click on the names of descendent subgroups to travel up the Tree of Life all the way to individual species.
For more information on ToL tree formatting, please see Interpreting the Tree or Classification. To learn more about phylogenetic trees, please visit our Phylogenetic Biology pages.
Relationships after Ahyong & Harling 2000.
Containing group: Malacostraca
Other Names for Stomatopoda
Unipeltata
Ahyong, S. T. 1997. Phylogenetic analysis of the Stomatopoda (Malacostraca). Journal of Crustacean Biology 17:695-715.
Ahyong, S. T., 2001. Revision of the Australian Stomatopod Crustacea. Records of the Australian Museum Supplement 26: 1-326.
Ahyong, S. T. and C. Harling. 2000. The phylogeny of the stomatopod Crustacea. Australian Journal of Zoology 48:607-642.
Barber, P. H. and M. V. Erdmann. 2000. Molecular systematics of the Gonodactylidae (Stomatopoda) using mitochondrial cytochrome oxidase C (subunit 1) DNA sequence data. Journal of Crustacean Biology 20(Special Issue):20-36.
Caldwell, R. L. and H. Dingle. 1975. Stomatopods. Scientific American 234:80-89.
Camp, D. K. 1986. Observations on Nannosquilla, with descriptions of three new species from the northwestern Atlantic (Crustacea: Stomatopoda). Smithsonian Contributions to Zoology 444:17pp.
Dittel, A. 1991. Distribution, abundance and sexual composition of stomatopod crustacea in the Gulf of Nicoya, Costa Rica. Journal or Crustacean Biology 11:269-276.
Geary, D. H., W. D. Allmon, and M. L. Reaka-Kudla. 1991. Stomatopod predation on fossil gastropods from the Plio-Pleistocene of Florida. Journal of Paleontology 65:355-360.
Hof, C. H. J. 1998. Fossil stomatopods (Crustacea : Malacostraca) and their phylogenetic impact. Journal of Natural History 32:1567-1576.
Jenner, R. A., C. H. J. Hof, and F. R. Schram. 1998. Palaeo- and archaeostomatopods (Hoplocarida: Crustacea) from the Bear Gulch Limestone, Mississippian (Namurian), of Central Montana. Contributions to Zoology 67:155-185.
Kropp, R. K. and J. H. Dominguez. 1990. Mesacturus dicrurus, an unusual new stomatopod crustacean from Micronesia. Proceedings of the Biological Society of Washington 103:372-375.
Lewinsohn, C. and R. B. Manning. 1980. Stomatopod Crustacea from the eastern Mediterranean . Smithsonian Contributions to Zoology 305:22pp.
Manning, R. B. 1969. Notes on some stomatopod Crustacea from Southern Africa. Smithsonian Contributions to Zoology 1:17pp.
Manning, R. B. 1978. New and rare stomatopod Crustacea from the Indo-West-Pacific region. Smithsonian Contributions to Zoology 264:36pp.
Manning, R. B. 1978. Notes on some species of the Falcatus group of Gonodactylus (Crustacea, Stomatopoda, Gonodactylidae). Smithsonian Contributions to Zoology 258:15pp.
Manning, R. B. 1980. The superfamilies, families, and genera of Recent Stomatopod Crustacea, with diagnoses of six new families. Proceedings of the Biological Society of Washington 93:362-372.
Manning, R. B. 1986. Notes on some Stomatopod Crustacea from the Sinai Peninsula, Red Sea. Smithsonian Contributions to Zoology 433:19pp.
Manning, R. B. 1991. Stomatopod Crustacea collected by the Galathea Expedition, 1950-1952, with a list of Stomatopoda known from depths below 400 meters. Smithsonian Contributions to Zoology 521:18pp.
Manning, R. B. 1995. Stomatopod Crustacea of Vietnam: The Legacy of Raoul Serène. Crustacean Research, special number 4. The Carcinological Society of Japan, Tokyo, 339pp.
Manning, R. B. and D. K. Camp. 2001. A new genus of stomatopod from the Caribbean Sea (Stomatopoda: Squillidae). Journal of Crustacean Biology 21:202-204.
Manning, R. B., R. K. Kropp, and J. H. Dominguez. 1990. Biogeography of deep-sea stomatopod Crustacea, Family Bathysquillidae. Progress in Oceanography 24:311-316.
Marshall, N.J. 1988. A unique colour and polarization vision system in mantis shrimps. Nature 333:557-560.
Miller, A. D. and C. M. Austin. 2006. The complete mitochondrial genome of the mantid shrimp Harpiosquilla harpax, and a phylogenetic investigation of the Decapoda using mitochondrial sequences. Molecular Phylogenetics and Evolution 38(3):565-574.
Müller, H.-G. 1994. World catalogue and bibliography of the Recent Stomatopoda. Wissenschaftlicher Verlag, Berlin.
Patek, S. N., W. L. Korff, and R. L. Caldwell. 2004. Biomechanics: Deadly strike mechanism of a mantis shrimp. Nature 428:819 - 820.
Schotte, M. and R. B. Manning. 1993. Stomatopod Crustacea from Tobago, West Indies. Proceedings of the Biological Society of Washington 106:566-581.
Schram, R. F. 1977. Paleozoogeography of Late Paleozoic and Triassic Malacostraca. Systematic Zoology 26:367-379.
Information on the Internet
Stomatopoda: Families. S. T. Ahyong & J. K. Lowry.
The Lurker's Guide to Stomatopods. Alan San Juan.
Secrets of the Stomatopod. An underwater adventure. Roy Caldwell, a biologist at UC Berkeley.
Mantis shrimp shoulder their evolutionary baggage and bluff. From the Understanding Evolution web site.
Stomatopod Larva. Image Quest 3-D.
Lysiosquilla maculata
Specimen Condition
Live Specimen
トラフシャコ Lysiosquilla maculata (Fabricius, 1973)
This media file is licensed under the Creative Commons Attribution-ShareAlike License - Version 2.5.
© 2007 OpenCage
Hemisquilla californiensis (Gonodactylidae)
Photograph by Alden M. Johnson
© 2001 California Academy of Sciences
Tree of Life Web Project. 2002. Stomatopoda. Mantis shrimps. Version 01 January 2002 (temporary). http://tolweb.org/Stomatopoda/6299/2002.01.01 in The Tree of Life Web Project, http://tolweb.org/
This page is a Tree of Life Branch Page.
Each ToL branch page provides a synopsis of the characteristics of a group of organisms representing a branch of the Tree of Life. The major distinction between a branch and a leaf of the Tree of Life is that each branch can be further subdivided into descendent branches, that is, subgroups representing distinct genetic lineages.
Stomatopoda Branch Page
Stomatopoda Images
Stomatopoda Movies
Stomatopoda People

redpajama_set_name: RedPajamaCommonCrawl


If you're an entrepreneur, then you would already know how imperative it is to outsource your marketing strategy to a successful SEO company. After all, it is the collaboration between you and the SEO company that will make your company grow online and overcome with the competition at ease.
With the annoyingly increasing amount of spam and disreputable companies circulating online, it can be frustrating and intimidating to find the top Digital marketing agency for you. After all, SEO is a long-term investment and can really make or break your presence on the internet depending on how the strategy is handed out and dealt with.
So going by common logic it would be obvious that you would be tempted to select an agency just by Googling in keywords like 'top SEO agency in Kerala or best SEO company in Calicut' thinking that if they are as good as they claim to be they would obviously pop up as the first organic search result. After all its their playing field and they need to be on top of their game, right? WRONG.
While coming up on that list would be no small feat but selecting an agency solely based on that would be the wrong approach. What might be happening is that most of the good agencies, the ones that are in high demand, the ones that do consistently great work and get great referrals, they don't actually need to rank here.
They are often overwhelmed with clients all the time as their clients refer them to people and lots of people in their network refer folks to them. They might also be having a high retention of clients. They're incredibly busy, and hence don't spend any work hours optimising their own website to get new clients.
Most of the startups and small/medium/large business entrepreneurs' don't do their homework well before hiring an SEO company.
This post would help them understand 5 things that you would look for before signing your next deal with an SEO company.
a. Assign them a brief task/assignment to come up with the pros and cons of your website structure.
b. What is missing from your website with an SEO standpoint.
a. Testimonials are like rewards on record, ratings provided by various clients will cement your deal with this SEO company.
b. Case studies are a great way to know how much of an impact the agency was able to have on a particular brand and if that is closer to your vertical that's a bonus.
3. Meet the team in action to see if they are well-skilled employees who have enough experience in managing major projects. The project scale handled by the team is an important factor to determine if they can handle the same and deliver the results in time.
4. Realistic offerings – Sometimes if you hear things that are too good to be true, they probably are.
Look for companies who offer realistic results and don't make random guarantees. SEO is an ongoing process, and no one has the ability to guarantee rankings 100% since the search algorithms keep changing and are beyond an agency's control. Any promises for overnight rank changes or guaranteed rankings should sound suspicious enough. Similarly, watch out for under-priced quotations as well.
5. Point of contact – This is one of the biggest questions that people usually forget to ask. Check if you can get a dedicated account manager who would be in constant touch with you from the agencies side. It is always important to learn with them what they are doing so that you can be better equipped when making plans or giving feedback.
Above points are imperative to assess before you decide the SEO agency to outsource your work . As the work that you assign should be faithfully addressed to produce the best results for your company.
I used to be recommended this blog by my cousin. I am no longer sure whether this post is written through him as nobody else understand such distinctive about my trouble. You are wonderful! Thanks!


text:
Posts published in "Day: July 13, 2019"
New York City blackout causes the lights to go off on Broadway
Authorities say a transformer fire caused a power outage in Manhattan and left businesses without electricity – including many of the theaters of the Great White Way.
Climber arrested after more than 21 hours on Bethlehem SteelStacks
A man is now under arrest after police say he climbed to the top of the Bethlehem SteelStacks and stayed there for more than 21 hours.
7 shot during basketball game in West Philadelphia; 2 suspects sought
Seven people were injured after police say two gunmen opened fire into a large crowd on Saturday night in Philadelphia.
Madison Square Garden evacuated during Jennifer Lopez concert during NYC blackout
A power outage that knocked out Times Square's towering electronic screens, darkened marquees in the theater district and left businesses without electricity also forced the evacuation of Madison Square Garden during a Jennifer Lopez concert.
Crime Fighters: July 13 – Who killed Satario Natividad?
Cynthia Jacobs feels the loss of her son everyday.
'Stuber' stars talk 80's film inspiration, Oscars hosting
The new movie "Stuber" centers on the hijinks when an Uber driver and detective team-up.
Barry upgraded to Category 1 hurricane, threatens Louisiana coast
Barry had strengthened into a Category 1 hurricane by Saturday morning, with maximum sustained winds of 75 mph, the National Hurricane Center said.
Hurricane Barry approaches Gulf Coast: PHOTOS
Barry had strengthened into a Category 1 hurricane by Saturday morning, with maximum sustained winds of 75 mph.
Shelter Me: Pig Placement Network
In this week's episode of Shelter Me, 6ABC's David Murphy spotlights the Pig Placement Network, a nonprofit organization in Bucks County dedicated to the pet pig.
Man climbs to top of blast furnace at Bethlehem SteelStacks
Authorities are working to coax a man down who climbed hundreds of feet up an old blast furnace at the Bethlehem SteelStacks Friday night.


text:
1st Generation
For centuries flat solar panels were the simplest, and at the same time the most basic way that man used to collect solar radiation directly. It later asserted itself as an attractive source of energy as it was economical, non-pollutant, rational and available to everyone. The improvements to the collector which has occurred in recent decades, rather than sorting out the problem of its low performance, introduced more fragile components into the equipment:
Protection glass;
Absorption plates and/or transfer tubes in metals with a high risk of corrosion;
Paints whose durability was questionable;
Sealants sensitive to degradation by solar radiation;
Unsafe or even dangerous defrost systems.
Owing to said fragilities and the condensation which occurs inside, as a general rule a panel installation does not have a working life of more than six years which is why it was almost totally abandoned in the 1980's.
In the last two decades, with the constant increase in fuel prices and the appearance of a new environmental awareness, there has also been demand for new solar radiation direct collection processes.
The vacuum tubes and the concentrating collectors (CPC) were two examples of this drive. Both outperform those of the 1st generation but maintain, or even exacerbate, the factors which reduce their durability. With usage conditions which were the same as those of the 1st generation, as a rule these collectors have an even shorter working life, with the exception of the vacuum tubes which were the sole feature to evolve technologically.
No system from this generation can resolve – except with enormous collection areas – some of the following whims of nature:
No sun at night;
Average of 7-hour days in the winter;
Only 3 to 4 hours of Sun per day in the winter.
3rd Generation – ENERGIE Thermodynamic Solar Energy
Energie thermodynamic solar energy represents a great leap forward in the development of the collection of Energy from the Sun. With high reliability and efficiency rates, the Energie Solar System has overcome all the existing constraints of traditional systems. With simple, high-performance solar panels without glass, they work by means of an ecological fluid (refrigerant), immediately collecting the solar radiation, both direct and diffuse, as well as heat from the surrounding atmosphere by natural convection; also increasing the level of energy collected which allows the Energie solar systems to operate continually in:
Cloudy sky
The high performance of the system also allows a reduction in the working area of the panels compared with traditional systems. The ENERGIE system affords the most economical solution for Domestic Hot Water, Central Heating, Swimming Pool Heating or Large Volume Water Heating, making this system the latest generation of solar energy.


This is a placeholder page for Keith Brabant, which means this person is not currently on this site. We do suggest using the tools below to find Keith Brabant.
You are visiting the placeholder page for Keith Brabant. This page is here because someone used our placeholder utility to look for Keith Brabant. We created this page automatically in hopes Keith Brabant would find it. If you are not Keith Brabant, but are an alumni of East Hampton High School East Hampton, NY, register on this site for free now.


Situated near the North-Western corner of Gandhi Maidan, and at a throw away distance from Golghar, Gandhi Sangrahalaya is an important landmark which highlights the role of Gandhiji in Bihar during the Independence movement. The Sangrahalaya was formally established in 1967 in the present location, some 8 year after the formation of Gandhi Smarak Sangrahalaya Samiti. The Sangrahalaya was a unit of the Central Gandhi Sangrahalaya Samiti till 1971 , when the decision was taken to make the existing 5 Sangrahalaya as autonomous one. Thus , since 1971, Patna Gandhi Sangrahalaya is an autonomous body.
Set up in a very peaceful environment, it provides a glimpse of life of Mahatma Gandhi, the father of the nation. His life has been beautifully depicted in the big photographs.All the major events in his life has been told here. There are close to a dozen odd photographs of his childhood.A replica of his room is also placed in the hall.
The calm environment gives ample peace to visitors to look into the life of the the Mahatma.The building houses a library which has a rich collection of books,magazine,literature & audio-video material related to the life of Mahatma Gandhi. There is a book store also in the compound , where books related to the life of Gandhi and other eminent persons are kept for purchasing. A small park adjoins the hall,where few moments can be spend in peace.The Gandhi idols are placed throughout Sangrahalaya. Each idol has a message to spread.
How to reach : Situated on the periphery of Gandhi Maidan , it is easily reachable by autos or private vehicles.
Though, it is not high on the popularity chart, but its worth visiting. An hour or two spend in the calm campus understanding the life of a great person has a nice overall experience.
Copyright © 2019 go4patna.com - Web Portal on Patna.


The Pervasive Parenting Center will present Sensitive Santa in Stigler and other towns in eastern Oklahoma, according to a media release from the non-profit organization.
This is an opportunity for anyone with sensory issues or disabilities to meet Santa without standing in the long lines, the release states.
For some families with children on the autism spectrum, or with other sensory problems, the holiday season can be overwhelming. The long lines at stores to get a couple seconds with Santa, which may or may not work out, can be frustrating for a child with autism and the families.
There is an alternative to those lines and hotbeds for meltdowns. The Pervasive Parenting Center will be holding Sensitive Santa. The event is a great way for children with disabilities and sensory issues to enjoy the holiday season.
Toney said that Sensitive Santa is soft spoken and he won't touch the children unless they come up to him. They don't have to sit in his lap unless they want to, he added.
The children are treated to milk and cookies while they wait, there are games and activities, and someone is on hand to read a book as well. This gives them something to do instead of standing around in a long line, the media release states.
Santa will be at the KIBOIS Community Action building in Stigler at 6 p.m. on Tuesday, Dec. 11.
He will also be at the Senior Citizen's Center in Wilburton on Tuesday, Dec. 4; Carl Albert State College in Sallisaw on Thursday, Dec. 6; and Carl Albert State College in Poteau, on Thursday, Dec. 13. These events will begin at 6 p.m. each night. The event is held by appointment only.
Sensitive Santa is open to all children with disabilities, not just those on the spectrum, according to Toney. "The only thing we ask is that this is for just the children with disabilities; no siblings," he explained.
For more information or to make an appointment, contact Toney at ktoney@pervasiveparentingcenter.org, or 918-647-1255. The organization also can be contacted on Facebook at Pervasive Parenting Center.


text:
Engineers say self-driving cars may arrive in 2025
On Behalf of Johnston Law Offices P.C. | Apr 16, 2013 | Car Accidents
Many Edwardsville residents may be following the news about the technologies that are being developed that may someday allow cars to drive themselves. In fact, back in November we discussed crash avoidance technology that was being tested by Toyota. The technology would give some of a driver's responsibilities to the vehicle itself, by allowing motor vehicles to communicate with each other to avoid car accidents.
While such technologies may conjure up images of "The Jetsons" and their cartoon flying cars, the technology is actually very real. Semi-autonomous vehicles, with camera and radar technologies that help keep cars within their own lanes and recognize pedestrians and hazards, could be on the market in just a few years, according to a news report.
Completely autonomous motor vehicles–those that drive themselves with no need for a human driver–could be available in 2025, according to many people in the automotive industry. This was a major topic at the Society of Automotive Engineers 2013 World Congress this week, according to a news report.
While these technologies are very intriguing, some people and agencies do have concerns about what might happen in the technologies fail. Although the National Highway Traffic Safety Administration has said that it believes driverless cars could save thousands of lives, as with any technology one wonders whether it might malfunction from time to time.
If autonomous cars malfunction, car accidents might ensue and lawmakers need to figure out how that issue might be navigated. Under today's model, drivers are generally responsible for car accidents. If a driver is distracted or negligent and causes a collision, injured parties can hold that driver and his or her insurance company accountable for damages.
NHSTA is reportedly in the midst of a research project that it hopes will help it to determine some ways of regulating autonomous cars in order to deal with these complicated issues.
Source: The Detroit News, "Expert says self-driving cars won't arrive until 2025," Karl Henkel, April 16, 2013
Our personal injury law firm in Edwardsville helps victims of car accidents seek compensation for their injuries and other damages.


text:
Home News Human Rights Iranian political prisoner barred from release at end of five-year sentence
Iranian political prisoner barred from release at end of five-year sentence
Regime official's claim he is still facing charges of anti-government propaganda dating back to the summer of 2012 – which had previously been told had been dropped.
Mr Madadzadeh and his sister Shabnam were each sentenced to five years in prison on February 19, 2009. He served his sentence at Rajaie Shahr prison in Karaj and had been set for release on January 23.
His friends and relatives were waiting for him at the prison gates last week, but prison guards have so far refused to release him.
Previous articleIran : Three Iranian university students lashed in public
Next articleUK Parliamentary Committee meets Iranian opposition leader in Paris
Political Prisoners in Iran's Behbahan and Sheiban Prisons
Urgent Calls Made to Human Rights Organizations To Protect the Lives of Iranian Political Prisoners
Political Prisoners Facing New False Charges, While Student Activist Is Recalled to Prison
Baktash Abtin Died but Augmented the Chants for the Dictator's Demise
Iran's Officials Terrified of Retaliation for Their Human Rights Abuses Records


on September 13, 1995 by S.L.
Premiered at the Sundance Film Festival.
Bring your jacket and mittens to this Japanese/Icelandic co-production, which grasps tight with an icy, sure visual hand and rarely lets go. Director Fridrik Thor Fridriksson leads the audience through a quirky, bitter landscape of snow and ice, of family and forgiveness, and he so successfully captures the beautiful, unique aura of a frozen Iceland that the viewer almost finds him or herself shivering in sympathy for Atushi (Masatoshi Nagase of "Mystery Train"), the reluctant, all-suffering hero on his lonely trek across barren country.
Stone-faced Atushi is the hardest working man in Japan. His first big vacation plans are waylaid when his grandfather requests he perform a Japanese ritual for his dead parents on the spot where they died--a river in Iceland. So instead of sunny golf courses in Honolulu, Atushi faces the Nordic cold. This "fish out of frozen water" finds himself stranded in a strange world of friendly, albeit inconsistent, Icelandic folk and sticky situations.
Fridriksson, an Icelandic filmmaker, rarely explores the common homespun myths of his homeland beyond the boundaries of colorful, indiginous cliches. Peripheral characters shuffle through the episodic story briefly and then are gone, like spirits on the wind. Atushi's odyssey comes complete with the requisite disturbed American couple (Lili Taylor--in an almost cameo appearance despite co-star billing--and Fisher Stevens, sporting a beard and his usual schtick) who bring only a vague sense of random violence to the piece. Eventful but unfocused, haunting but empty, the movie ultimately fails to sustain the weight of the intended story. Frid-riksson's film engages the intellect but not the emotions, offering little more than tourist bureau trivia (Iceland sports more nobel prize and beauty pagent winners per capita than any other country) and effective visuals. In "Cold Fever," it is the golden glow of distant windows which seems so inviting, drawing Atushi and the audience in, hoping for a fire, a friendly face and someplace warm and dry and safe. Starring Masatoshi Nagase, Lili Taylor, Fisher Stevens. Directed by Fridrik Thor Fridriksson. Written by Jim Stark and Fridrik Thor Fridriksson. Produced by Jim Stark. An Artistic License Film. Drama. Unrated. Running time: 85 minutes.


Join artists mayfield brooks and Karen Nelson at Open Space for Arts and Community on February 10 at 1pm for an exclusive Sunday afternoon performance Improvising While Black on Vashon Island. The spontaneous approach in this performance will tackle the poetics of racial justice, and dancing as a radical act. Tickets at the door are by donation and will benefit taking this work into the community. The show will be followed by an audience talk back.
Improvising While Black on Vashon Island brings together New York-based African American performer and dance innovator Mayfield Brooks and Vashon-based international touring dance mutator Karen Nelson, who is white, together in collaboration within mayfield's ongoing project IWB/Improvising While Black. IWB is composed of dance, movement, storytelling, singing, and visual imagery used to express and raise awareness about embodied racial justice. The work provokes action and engagement with issues of identity, diversity, and community accountability. IWB intends to create a culture of support and beloved community for BIPOC (Black, Indigenous, People of Color) and white allies.
Supported by a 4 Culture grant, the purpose of this project is to offer the Vashon community new experiences outside of the prevailing culture, and provide a context for the necessity of racial justice work through an artistic lens. The presentation, which is co-sponsored by Vashon-Maury Showing Up for Racial Justice/ SURJ and generously supported by Open Space, is an on-going call to action, and hopes to foster racial understanding and connection in our community.
What is dance improvisation? What is Blackness in a world where most things Black and/or African are reviled, demonized, erased while at the same time desired, coveted and appropriated? What is a Black Aesthetic? Is it all made up? These are some of mayfield's questions that collaborate with Nelson's long standing body of work exploring dance as a place to unravel personal identity, narrative, and whiteness. For both artists, spontaneous movement and dance improvisation offer a vital frame in which representation can be questioned, fear and hate investigated, and skepticism and self-preservation explored.
Improvising While Black on Vashon Island will be the first live performance to come out of the cross-continental collaboration between brooks and Nelson, who met five years ago on Lasqueti Island in British Columbia. Since meeting they have made videos, published collaborative interviews in Contact Quarterly and have negotiated BIPOC + allies spaces in workshop settings, and continue to research together intermittently across geographic hurdles. This upcoming reunion in February is an especially vital and heart-felt boost to their collaboration.


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May I request some advice please.
If I wanted to sell CDs online, what are the copyright implications? They would be CDs recorded by other people, and I would just be providing an online sales outlet on my own web site.
I'm thinking that there might be two issues.
Firstly, if they themselves had breached any copyright, I suspect I would also be in breach of copyright - is that correct? There's no way I can actually check the copyright on all the music on their CDs - would I be covered if they signed a contract stating that all the music on the CDs is not in breach of any copyright?
Secondly, if the recording artists haven't breached any copyright, does that mean that there are no copyright implications I need to worry about?
First of all, a warning. This is an extremely complicated area and I cannot possibly cover all the details here, so if you are in any doubt about your legal position, you should contact a good lawyer with experience of the music business. Do not use any old High Street solicitor because chances are they won't have the expertise to assist you. You will become a publisher and that has some serious responsibilities.
I assume you will have the permission of the artists and more importantly the producers to sell these CDs. As you are probably aware there are (generally) three separate sets of rights in a music cd: copyright in the song (writer/composer), the performance rights of the artist/band and the copyright in the recording (owned by the producer).
From what you say, it appears that 2 and 3 are not the problem, just whether the artist/band have the necessary licence to perform other people's songs.
This is where it starts to get complicated. There are two separate rights that a song writer/composer can license: the performing* right and the mechanical right. Performing right allows an artist to perform the song in public, and mechanical right allows a recording to be made. Both of these rights attract separate royalties which are collected by two separate copyright collection societies, PRS and MCPS, although they now operate jointly as PRSforMusic. You should spend a bit of time exploring their site.
If you have taken reasonable steps to satisfy yourself that there is no infringement of the writer or composer's copyright, then you should be able to claim this defence if it later transpires you were deceived. If there is to be a contract then, yes, they should state that not only do they have the necessary licences to perform and record the music, but also that they indemnify you against all claims for secondary infringement. Furthermore, if you are not dealing directly with the artist/band, make sure that the contract also covers the artist's performance rights. These performance rights cover several forms of exploitation including the basic agreement to allow the performance to be recorded, then for copies of the recording to be sold, lent or otherwise issued to the public, and following on from that, synchronisation ('sync') rights and 'grand' rights. The latter two concern the use of the recording on the radio, on television or in film or for dramatic performances such as stage shows or musicals etc. Again, if there is to be a contract make sure you are indemnified against any claim arising out of the producer's failure to secure these rights.
And when you sell these CDs you will be responsible for paying the royalties due from the sales back to the various beneficiaries, namely the composer/lyricist, the artist and the producer.
* Note that 'performance' right and 'performing' right are two completely separate things. The former belongs to the performer(s) and the latter to the composer/lyricist.
Last edited by AndyJ on Sat May 05, 2012 12:27 pm, edited 1 time in total.
Many thanks for your reply, and for the links. It was very helpful and I'll also spend some time studying the links. It does sound as if I'll have to be extremely careful about covering myself. Thanks again.
PS. Sorry for the late response to your reply - I would have responded sooner but I didn't get an email notification of a reply this time so it must have gone astray.
What if I wanted to sell CD's through an affiliate like Amazon on my site? I reckon that is okay right?
In view of music CD's themselves being merely manifestations of original licences, do the sales of secondhand CDs infringe the original creators copyrights if no royalties are paid - Usually due to a retailer dealing in secondhand music CDs not being registered or having a structured relationship with PRSforMusic or similar?
Last edited by RedRobin on Mon Feb 11, 2013 11:26 pm, edited 1 time in total.
There are no royalties due on the physical sales of second-hand CDs (or any other copyright work except art works - see below) due to the principle of the exhaustion of rights. In the US this is known as the first sale doctrine.
This principle means that the author's or producer's right of publication (ie issuing a book or CD etc for sale) ends with the sale of the physical item, and so the new owner of the book/CD is able exercise the right to sell on, lend or otherwise dispose of (including by destruction) the article. The one thing he can't do is copy it because that infringes the author's/producer's reproduction right which has not been exhausted.
The current debate centres on whether the same principle should apply to all digital downloads such as those from the iTunes store or eBooks from Amazon. Because there is no tangible object associated with the download, the purchaser is not buying a chattel, but instead they are buying a licence to play the music or read the words, and in most cases, the buyer/licensee does not have the automatic right to sell on his licence as he would if he owned a physical object. Decisions in the European courts (eg Usedsoft v Oracle) relating to software licences suggest that there is an exhaustion of rights for licences, but in other jurisdictions the decisons have favoured the rights owners. The law in this area is still developing.
I can see how things can get mighty complicated and how so much depends on testing issues in actual court cases and hence court judgements.
It might be argued that because a download is a copy, it therefore potentially infringes copyrights in spite of it being secondhand (beyond the first sale).
A download isn't a transfer or moving of an original digital item but is a direct and 100% faithful copy thereof.
Yes a download is a copy, but assuming your bought a track from iTunes then it would be a legal copy. That of course is entirely different to downloading the song from a torrent site where there is no legitimate licence attached to the transaction.
The point of difference lies in the fact that most legitimate downloads are accompanied by licences, but the terms of these licences are not standard concerning to the rights of the licensee over the download he has purchased. Most users don't know/care until it comes time to consider getting rid of any tracks which they no longer want. This was exemplified by the - as it happens, untrue - story that Bruce Willis wanted the right to leave his digital record collection to his kids.
The Usedsoft case was interesting because it appears to support the view that a licence of this sort should be transferable, but clearly the difficulty lies with ensuring that the original download is removed once the 'right' to it has been transfered to a new owner. A company in the US have a business plan which attempts to address this issue but the record companies are opposing them. As I say this story has some way to go.
UsedSoft is effective really only in the case of software - thanks to an EU Directive on that particular issue. It also relies upon the licence being perpetual, and not a rental.
To bring music into the scope of this judgement one would need to persuade a court that digital downloads are in fact software. I think you can try that argument, but I'm not sure you'd get anywhere.
But, I agree that this is a question that has some time to run yet, and I think it is likely that a solution will come via EU Directive.
typonaut wrote: UsedSoft is effective really only in the case of software - thanks to an EU Directive on that particular issue. It also relies upon the licence being perpetual, and not a rental.
....Yes, "software" is a rather generic term. It's usual for software programs aka software Apps (Applications) to have a licence which ends when passed on to another user. This other user is then expected to register their ownership of the licence but very few people accept why they should pay to do so when they have bought a secondhand computer with such software already installed.
It's not commonly realised that each font (typeface family) is a software program even though you can't program it without additional software.


We are digging some new tunnels at the RMED website. Stand by for an update in a bit.
To conduct earthdog performance events for small working terriers and dachshunds in accordance with the rules and regulations as adopted by AKC. And in the event of American Working Terrier Association trials, to comply with the rules and regulations of that organization.
To encourage and to do all that is possible to preserve the natural working instinct of these earthdogs, which is to fearlessly enter an underground earth and react in a positive manner so as to bolt or hold at bay any quarry that may be encountered.
To assist breed specialty clubs and all-breed clubs in holding AKC-approved earth dog events.


Dr. Lande Ajose is the Executive Director of California Competes. In this role, she spearheads the organization's work calling for innovative solutions for coordinating the state's education and workforce challenges. An expert in education and job training of low-income adults, Lande has extensive experience in developing effective change strategies through her work at Informing Change where she directed complex client projects related to education, poverty alleviation, workforce development and issues of inequity. Community college success was a major focus of Lande's previous work both at MDRC, where she managed a comprehensive evaluation of the Achieving the Dream initiative, and during her tenure at the James Irvine Foundation. Lande has served on the California Student Aid Commission, appointed by Governor Jerry Brown.


text:
Special Start Time For Wrestlemania XXX Live On WWE Network
Wrestlemania 30 will have a special start time of 7 PM EDT and will be a four-hour pay-per-view on the WWE Network.
">@Wrestlemania XXX will in fact start at 7 PM EDT and will be a 4-hour PPV. No surprise but
.@Wrestlemania XXX will in fact start at 7 PM EDT and will be a 4-hour PPV. No surprise but @MichaelCole announced it, so I'll Tweet #Raw
— Richard Gray (@wnwdotcom) March 11, 2014
">@MichaelCole announced it, so I'll Tweet #Raw
The show will go live on Sunday, April 6, 2014 from the Mercedes-Benz Superdome in New Orleans, Louisiana. We'll have exclusive live play-by-play coverage here at WrestlingNewsWorld.com.
We posted the updated lineup at this link.
Wrestlemania XXX
WWE excepted to announce location for the 2023 Summerslam Premium Live Event


Bargain Booze is a shop forming a part of Bargain Booze brand. It is open on: Monday 7:00 - 22:00, Tuesday 7:00 - 22:00, Wednesday 7:00 - 22:00, Thursday 7:00 - 22:00, Friday 7:00 - 22:00. At weekends its opening hours are: on Saturday 7:00 - 22:00, on Sunday 7:00 - 21:00. This shop's address is: 26 Marsh House Lane, Warrington, Cheshire, WA1 3QY. Bargain Booze is frequented by many people living in nearby towns like Town Centre, Woolston, Paddington, Bruche, Birchwood.


Facebook has users on a massive level around the globe and its increasing by each passing days in fact now Facebook is the part of life for many users globally for personal professional uses but when you share your information on Facebook you need to keep in mind that your data on Facebook may not be 100% secure.
You need to be careful while sharing your sensitive information on Facebook. Facebook is being targeted by the different individual, community and individual for mishandling their data not only that there is n number of news and reports about hackers claiming to have control of the Facebook data, so it's better to be safe than sorry.
Facebook has been the favorite of controversy since its inception, as per the recent news, Facebook has reportedly been sued by a Chinese technology firm that claims the social networking giant has stolen its new timeline feature. Facebook recently made it mandatory for people to use Timeline, the new-look profile, which allows people to tell the story of their lives on a single page.
Cubic Network, a four-year-old Chinese technology company, however, claimed the timeline feature is their own, The Telegraph reports.
The network claimed they launched the same layout in 2008, which shows people's activity in chronological order.
Xiong Wanli, the founder of Cubic Network, conducted a talk about the timeline feature at Stanford University, which Facebook founder and alumni of the American University, Mark Zuckerberg, is believed to have attended.
Zuckerberg unveiled its 'Timeline' in 2011, some three years after Cubic Network showcased the feature.


at the Farm Bureau Ag Center on Grady Mertz Road in Tennille. There are many categories that you may enter entries in to compete for prize money and ribbons. These categories include: art, needlework, canned goods, baked goods, fruits, vegetables, nuts, ornamentals & horticulture and wildlife foods.
All exhibits (except baked goods and student art work) should be brought to the Ag Center on Grady Mertz Road on Sunday, September 30, 2018 between 2:00 p.m. and 4:00 p.m. Baked goods (anything in Class VI) should be brought to the Ag Center Tuesday morning, October 2, 2018 between 7:30 a.m. and 9:00 a.m. NO EXCEPTIONS PLEASE!
There will be a special art exhibit for students grades Pre-K through 12th. Each school will be responsible for their art exhibits. See individual principals/art teachers at your school for details. Home school students should bring their art exhibit to the Extension office by Friday, September 28, 2018, between the hours of 8:00 a.m. - 12:00 noon and 1:00 p.m. - 5:00 p.m.
Participation ribbons will be awarded to all student entries. In addition to these prizes there will also be special ribbons and cash prizes awarded for the "Best of Show" in the categories listed in the "Fair Entry Categories (pdf)" download below.
Cash prizes will be awarded to 1st, 2nd and 3rd place only: Participation ribbons will be awarded to all student entries. Only one entry per person may be made under each class, category, and lot.
A food exhibitor must enter a whole cake, five or more cookies, or a whole pie. All baked goods will be used to treat the Fair volunteers donating their time during the Fair. Baked goods should be on or in disposable containers. All baked goods become property of the fair committee.
Exhibit all clothing items on clothes hangers. Judging will be conducted on four points: quality, appropriateness, cleanliness and workmanship.
Judging in Food Preservation will be done according to: appearance, texture, uniformity, pack and container. Food preservation should be entered in standard glass canning jars and sealed. Exhibit items will ONLY be accepted at locations and times listed above. If you have questions, call 552-2011 or come by the Extension Office.
In addition to your fair entries, we are inviting anyone who has a rooster to bring him to the fair for our exhibit and popularity judging contest.
You can also win at Fair Ad Trivia! All you have to do is pick up a fair ad trivia form at the main entrance and find the hidden clues on the Fair Ads located in and around the Ag Center Building. There is a $50 winner each night with a $100 grand prize winner drawn on Sunday.
The citizens are what make the County Fair a success. The larger and better our exhibits, the more entertaining, educational and fun the fair will be for the whole family. Decide on what your entry will be and get busy! We are looking for a great response.


before he died.  Only one person could make that wish come true.
presidential limo pulled up to the country home of that small boy.
President Eisenhower got out of the car and knocked on the door.
beyond him and saw that boy. He called him by name.
President Eisenhower visited with him for the next hour and left.
IF you are not ready...do it today. HE may come back...TODAY!!!


text:
Sarah Hart
Festival Overviews
NEA Arts Journalism Institute for dance journalists now accepting applications
by Sarah Hart
adf@americandancefestival.org
1697 Broadway, Room 900
The National Endowment for the Arts and the American Dance Festival announced that the festival is seeking applicants for the 2009 NEA Arts Journalism Institute
for Dance Criticism for professional print, online, radio, and television journalists. With support from the National Endowment for the Arts, the program offers journalists immersion in one of the
world's premiere modern dance festivals, held on the campus of Duke University from June 20 to
Acting NEA Chairman Patrice Walker Powell joined ADF Director Charles Reinhart in encouraging journalists to apply for the program. "The NEA is pleased to partner with ADF by offering the fifth annual Arts Journalism Institute for Dance," Powell said. "This institute is unique in that it offers journalists a three-week total immersion in dance. The writers and broadcasters who attend will connect their bodies and minds with the art form, not just their eyes. In times of severe media cutbacks, the NEA remains committed to providing support and professional development for arts journalists."
The NEA Arts Journalism Institute for Dance Criticism is designed for professional journalists interested in refining their skills in writing about dance and analyzing choreography. "The NEA dance critics conference has been a valuable asset in helping critics look at the dance world," ADF Director Charles Reinhart said. During the 2009 institute, fellows will write reviews, observe classes, participate in movement sessions, meet with choreographers, funders, and other dance professionals, and analyze the role of today's dance critic.
The list of world-class performances participants will see includes premieres by Shen Wei, the choreographer whose work was featured at the Beijing Olympics Opening Ceremonies; Emanuel Gat, a 2006 chosen artist of the Israeli Cultural Excellence Foundation; and Pilobolus, the innovative American company that will once again work with an outside collaborator. In addition, participants will attend a festival within the festival focusing on the work of Israeli choreographers. As members of the ADF community, accepted applicants will have ample opportunity to converse with the festival's special guests, teachers, faculty, and choreographers. The institute covers most expenses, including tuition, room, board, transportation, and tickets to performances.
Directing the fifth annual program is dance critic and historian Suzanne Carbonneau, whose writing has appeared in the Washington Post and the New York Times. Carbonneau holds a Ph.D. in performance studies from New York University.
Since 2004, more than 250 journalists from all 50 states have attended one of three NEA Arts Journalism Institutes: the dance institute at ADF, the institute for music and opera at Columbia University Graduate School of Journalism in New York, and the institute for theater and musical theater at USC Annenberg School for Communication in Los Angeles. Funded by a multimillion-dollar NEA initiative, the institutes offer intensive training for arts reporters and their editors, especially those who live and work outside the major cultural centers.
To apply, applicants must submit the following materials: a letter specifying reasons for wishing to attend the institute, a résumé, three samples of dance criticism, and two references with names, addresses, and phone numbers. All applications must be received by Wednesday, April 1, 2009.
For more information on the dance institute at ADF, please see:
www.americandancefestival.org/projects/artsJournalism.html
About the National Endowment for the Arts: The NEA is a public agency dedicated to supporting excellence in the arts—both new and established—bringing the arts to all Americans, and providing leadership in arts education. Established by Congress in 1965 as an independent agency of the federal government, the Arts Endowment is the nation's largest annual funder of the arts, bringing great art to all 50 states, including rural areas, inner cities, and military bases. For more information, please visit
www.arts.gov.
About the ADF: Founded in 1934 in Bennington, Vermont, the ADF remains an international magnet for choreographers, dancers, teachers, students, critics, musicians, and scholars to learn and create in a supportive environment. ADF's wide range of programs include performances, artist services, humanities projects, publications, community outreach, educational programs and classes, archives, media projects, and national and international projects. ADF has been presenting the best in modern dance for over
75 years. www.americandancefestival.org


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