…of thinking that the tiny butterfly bush I dragged home from my local garden center couldn't possibly grow to be 12 feet high as the tag described. I though that perhaps other people's butterfly bushes might get that big, but mine surely wouldn't. The hardpan Maryland clay, my relative inexperience or a host of potential perils would surely prevent 12 feet of unfettered growth.
Five years have proven me quite wrong.
I have spent three years staring at amazement as the bush that I religiously hack to about three feet of sticks in the fall burst back to life and grow to nearly 12 feet by June. The butterfly bush has been threatening to overtake the two Nikko Blue Hydrangeas planted on either side.
In fact, the butterfly bush has grown so unwieldy that I planned on having Walter, my sometimes handyman, dig up the beast and move it to a more suitable location. Unfortunately, Walter was a little late in arriving this year and the bush was already in full leaf–not a good time for a major move.
We'll be living with the monster butterfly bush again this year. The beauty of it, though, is that with all the blooms, the bush attracts dozens of butterflies at any time. The don't call it a butterfly bush without a good reason. I can look out my kitchen window and see butterflies any time of the day.
It's hard to beat that. And I'll certainly miss that nature show when the butterfly bush is finally moved to roomier quarters.
Ah, you must have thought you lived in the Midwest, where Butterfly Bush is a die back shrub that never gets that big. Neat for seeing butterflies.
Really? This one dies back in the winter, but that doesn't slow the summer growth. I know that they are also considered invasive in some places. Not in Maryland. I have never see any evidence of it spreading.
Oh my goodness! I just planted one about two feet tall a few months ago. In the midst of other bushes! And it will get that big? I didn't believe the tag!
If the tag said 12 feet, believe it!
Maybe I need to move mine too. I live in the Midwest, but I don't want to take any chances that mine can get that large. It's blooming now, but I've yet to see a butterfly on it. Hopefully soon.
If you still have the tag it's worth checking to see what the size projection is. I think that different varieties grow to different sizes.
It is odd about the butterflies though. I really didn't believe they would attract so many, but it does.
We live in Florida…and I bought FOUR???? Ack.
I'm really laughing here. i wonder if you have the 12 foot monster variety.
Hey, MINE won't get that big. I have NEBRASKA clay, much thicker and harder. Oh, yesssssirrrrreeeee.
Well, maybe you have a different kind of butterfly bush too. I wish I had kept the tag so I could tell everyone exactly what kind this is.
I put one in a four by four foot spot between two rose bushes. Total disaster.
Hoh, I can see how that can happen. You didn't say what you did. Tear it out?
Robin – replace it with the new Peacock (or Peakeep) series (only get 4′-5′ they say). Butterflies still love it.
I planted one spring 07 – it's lovely, branching and well behaved here in hot Nor Calif.
I'll look into the Peacock series. There are many other places I could put butterfly bushes. And I do love them because they are like butterfly magnets.
Seriously — TWELVE FEET? I have three of them. Not in places for 12 ft trees! Mine are a year or two old. Hmmmmm. I love them though – I have one lavender and two stunningly beautiful magenta-ish colors that take your breath away. I love that one between your hydrangeas – which, by the way, are also beautiful.
I'm thinking that not ALL butterfly bushes will get to be 12 feet. Mine is though.
If they really do grow to 12 feet I'm in trouble. Looking at the close up shot of the flowers mine look to be a different variety … let's hope so.
The hydrangea are absolutely stunning… I'm very jealous of those blue beauties.
The hydrangeas were planted the same time as the butterfly bush. They are Nikko Blue. i have so many flowers that we cut and bring them indoors.
That is one big Butterfly Bush! It does a great job of blocking your view, too! Where will it be relocated? Meems is right, those are good looking Nikko Blue Hydrangeas!
Sigh. I can only DREAM about buddleia doing this–I buy them as little plants in 4 inch pots usually each year, and they grow fairly well and flower…then die over winter. In some parts of North America, they're selfseeding and becoming a nuisance but that will never be on this end of the continent!
I love the yellow one the best, and it seems to be extra-spleeny and slow to flower here. But I keep hoping….
OH MY GOD!!! This will never happen to me–as others have commented, you live in a possible zone for this. But I am always encouraged by the way my two butterfly bushes resurrect themselves every summer.
That butterfly bush (with accompanying tiger swallowtail) is something this Zone 4 gardener can only dream about!
I have the same Hydrangea as you have beside your butterfly bush. It is probably 30 years old, and not in great shape; they're in full sun, (I live on the south west coast of Canada), and every year the flowers bloom that beautiful cerulean blue and promptly turn brown. How do you care for yours?
My white butterfly bush is about 20 feet high and 20 feet round and I love it! Its always full of bees and butterflys and hummingbirds. Robins build their nests in it every spring. I NEVER prune mine back ever. Its right off my porch and I sit and drink my tea and watch the show from my porch. The trunks or branches are 5 inches in diameter. It hangs close to the ground and my daughter wants to build a fort under its branches. I would let her except for the ticks. I live in Harrisburg, PA where we sometimes get some pretty bad ice storms and I thought for sure a couple of times I would lose my beloved bush but it bounces back every singlr time.
I have a butterfly bush, its turning brown and the leaves are starting to fall off. The bush is in its second summer and did well over the winter and spring. I planted it in my butterfly garden and with the record high temps (Maryland) I water it everyday. What should I do? Pull it out and get a new one or just ride it out and see what happens next spring? What else should I do? HELP!


text:
The Beholla pistol was developed by Becker & Hollander. During World War I, it was a secondary military pistol used by the Imperial German Army. It was manufactured from 1915 until 1918, where, at that point, about 45,000 were produced.

After the Great War, the firm of Waffenfabrik August Menz of Suhl continued to produce the Beholla as the Menta.

Users

  - Approximately 1,353 obtained circa 1919–1920

Railway guards during World War II

References

External links

1915 establishments in Germany
1918 disestablishments in Germany
Semi-automatic pistols of Germany
World War I German infantry weapons
.32 ACP semi-automatic pistols

redpajama_set_name: RedPajamaWikipedia


The peculiar China-Japan spat over a collision at sea seems to be winding down as Japan just today decided to release the Chinese fishing boat captain without trial, ostensibly bowing to Chinese pressure. But as with all disputes between these two Asian countries, this episode was not without high drama and gamesmanship. And I'm not talking about the rhetorical assertiveness on the Chinese part or the Chinese official press appealing to emotions with stories of how the boat captain's grandmother passed away during the current Moon Festival (traditionally an important holiday when families are supposed to gather).
No, one of the more interesting issues emerging from the dispute is whether China used "economic coercion" to punish Japan and escalate the matter. I'm talking about rare earth elements again, with widely reported news--most notably in the NYT--suggesting that China banned the export of the rare earth minerals to Japan specifically. As I wrote in my previous post on EVs, rare earth elements (yttrium, dysprosium, lanthanum, etc) are key ingredients in batteries for EVs as well as other high-tech components and even missiles. Given the expansive universe of Japanese high-tech sectors, Japan depends on China for the bulk of its RE supplies. Now, China produces roughly 95% of global RE supplies, but has only about 1/3 of the world's total reserves. Having such immense control over a particular resource naturally leads to suspicion, especially among buyers, that China could wield "supplier leverage" to manipulate prices and supplies, much like how a cartel would behave.
In fact, China has taken steps in that direction by continuously slashing RE export quotas, and prices have risen. But I don't believe, or it seems improbable to me, that the Chinese specifically banned exports to Japan to hurt it economically for several reasons. First, the perception that this creates of Chinese willingness to use economic instruments to seek leverage would be too risky for Beijing to stomach (think China dumping treasuries, also improbable). Second, there's probably some confusion over China simply phasing out its export quota for the rest of the year [would affect all buyers of Chinese rare earth elements] rather than a targeted squeeze on Japan because of the diplomatic row. Third, it's also possible that some have an interest in creating this perception of Chinese rare earth element policy (wouldn't be very difficult in this environment as China has painted itself into a corner) that would accelerate supply diversification by mining the minerals in other parts of the world, including in the United States.
And while this has become something of a political issue, China's supply dominance was driven by market dynamics in the first place. Other RE mines closed production, in part because of environmental issues, while China continued to produce at a low price. Now that price is rising in China, it might be more cost-effective to start mine development elsewhere. If China really is trying to be the "OPEC" of rare earth elements, then global markets would react to cartel-like behavior, probably by accelerating development, eventually undermining Chinese monopoly on supply. Problem is, development takes time, so for now, it's tough to get off Chinese supply. However, Japanese fears may be overblown even if there actually is a ban on exports to the country. Japan has significant reserves, and it seems like some of its high-tech giants have been hedging against this eventuality by recycling RE materials.


Increase boat sales with live chat and text from BoatChat.
It is estimated that 142 million Americans went boating in 2016, according to a National Marine Manufacturers Association study published in BoatingIndustry.com. The NMMA will use the 2016 Recreational Boating Participation Study to boost participation on the water, and we know that managed chat and text is a critical means to connect with shoppers on boat dealer websites.
It's no secret that most people under 40 use smartphones. And they use smartphones to shop. And communicate with retailers. And make purchases. Chat and text are the ideal website tools to make this connection. Not only do they greet shoppers on the website, which is the virtual lot or the showroom, but they offer guests a LIVE PERSON with whom to communicate. That is key. Many people are reluctant to submit a form lead or even make a call but WILL choose to engage with a communication tool.
One of the biggest reasons for someone to click through a chat or text link is that it starts out anonymous. They may be reluctant to give up information right away. But we know a well-scripted live chat operator (like ours at BoatChat) can help provide them basic information and earn trust in the dealership to share lead information for the dealer to connect.
Chat operators can help with hours, listed inventory searches, directions, key contacts, phone numbers, event information, and more. BoatChat operators have an average of four years of operator experience, and some have nearly 10 years serving customers online. In addition, they are directly supervised by BoatChat managers.
Call, text, chat, or even Facebook message us today to schedule a quick demo.


In respect to what things make a house looks beautiful, beautiful home fronts are probably amongst those things. This is because the fronts can be considered the entrance to the house. It is the first thing other people can possibly see when visiting the house. That's why, it has to look great.
As for the definition, beautiful home fronts can be considered the front parts of houses and they can include anything. For instance, the fronts can be the beautifully arranged walls or doors. It can be the greatly aesthetic big windows or passageway as well.
However, beautiful home fronts are actually not only about the houses' front parts. They can also be the settings before the house. For example, we can take green lush grass in front of a house as the example. In addition, some have also been quite brave to build pool in the front of their houses, thus, making the pools parts of their home fronts. You can also read about Beautiful lighting for houses in this site.
According to these examples, we can say that we can also easily create wonderful home fronts in our own home homes. For starter, we can start by creating an amazing home entrance design or growing a grass field or even build a pool in front of our house. It is quite easy to arrange beautiful home fronts.


This calculator can be used for IPv6 in the same way VLSM is used to plan an IPv4 network.
Remember, the size of IPv6 can be huge. This calculator can crash your browser if you attempt to have it calculate billions of subnets!
Because of this, only the first 999 subnets are displayed.
Use the above calculator to plan your IPv6 networks. Because of the huge size of IPv6, we do not care about the number of hosts in a network. Remember, that the smallest recommended subnet is a /64.


text:
package us.guihouse.projector.forms.controllers;

/*
 * To change this license header, choose License Headers in Project Properties.
 * To change this template file, choose Tools | Templates
 * and open the template in the editor.
 */

import java.net.URL;
import java.util.Objects;
import java.util.Optional;
import java.util.ResourceBundle;
import java.util.logging.Level;
import java.util.logging.Logger;

import javafx.collections.FXCollections;
import javafx.collections.ObservableList;
import javafx.fxml.FXML;
import javafx.fxml.Initializable;
import javafx.scene.control.*;
import javafx.scene.control.Alert.AlertType;
import javafx.util.Callback;
import javafx.util.StringConverter;
import us.guihouse.projector.dtos.ImportingMusicDTO;
import us.guihouse.projector.models.Music;
import us.guihouse.projector.models.MusicTheme;
import us.guihouse.projector.services.ManageMusicService;
import us.guihouse.projector.utils.ThemeFinder;

/**
 * FXML Controller class
 *
 * @author guilherme
 */
public class MusicFormController implements Initializable {
    private ManageMusicService musicService;
    private BackCallback callback;
    private String creatingArtist;
    private Music editingMusic;

    @FXML
    private TextField titleTextField;

    @FXML
    private ComboBox<String> artistCombo;

    @FXML
    private ComboBox<MusicTheme> themeCombo;

    @FXML
    private TextArea musicTextArea;

    private final MusicTheme randomTheme = new MusicTheme();

    /**
     * Initializes the controller class.
     */
    @Override
    public void initialize(URL url, ResourceBundle rb) {
        themeCombo.getItems().clear();
        themeCombo.setConverter(new StringConverter<>() {
            @Override
            public String toString(MusicTheme object) {
                if (object.equals(randomTheme)) {
                    return "Aleatório";
                } else {
                    return object.getVideoFile().getName();
                }
            }

            @Override
            public MusicTheme fromString(String string) {
                if ("Aleatório".equals(string)) {
                    return randomTheme;
                }

                return ThemeFinder.getThemeByVideoName(string);
            }
        });
        themeCombo.setCellFactory(new Callback<>() {
            @Override
            public ListCell<MusicTheme> call(ListView<MusicTheme> param) {

                return new ListCell<>() {
                    @Override
                    protected void updateItem(MusicTheme item, boolean empty) {
                        super.updateItem(item, empty);

                        if (empty || item == null) {
                            setGraphic(null);
                            setText(null);
                        } else if (item.equals(randomTheme)) {
                            setText("Aleatório");
                            setGraphic(null);
                        } else {
                            setGraphic(item.getImage());
                            setText(null);
                        }
                    }
                };
            }
        });
    }

    @FXML
    public void onCreateArtist() {
        TextInputDialog dialog = new TextInputDialog();
        dialog.setTitle("Criar artista");
        dialog.setHeaderText("Incluir um novo artista");
        dialog.setContentText("Digite o nome do artista:");

        Optional<String> result = dialog.showAndWait();
        result.ifPresent(name -> {
            String trimmed = name.trim();

            if (trimmed.isEmpty()) {
                creatingArtist = null;
            } else {
                creatingArtist = trimmed;
            }

            populateArtists();
        });
    }

    @FXML
    public void onCancel() {
        if (editingMusic != null) {
            musicService.closeMusic(editingMusic.getId());
        }

        getCallback().goBack();
    }

    @FXML
    public void onSaveAndAdd() {
        save(true);
    }

    @FXML
    public void onSave() {
        save(false);
    }

    private void save(boolean addToList) {
        String name = titleTextField.getText();
        String artist = artistCombo.getSelectionModel().getSelectedItem();
        String music = musicTextArea.getText();

        MusicTheme theme = themeCombo.getSelectionModel().getSelectedItem();

        String themeName;

        if (theme.equals(randomTheme)) {
            themeName = null;
        } else {
            themeName = theme.getVideoFile().getName();
        }

        Alert alert = new Alert(AlertType.ERROR);
        alert.setTitle("Erro");
        alert.setHeaderText("Falha ao salvar música.");

        try {
            if (editingMusic == null) {
                Integer createdId = musicService.createMusic(name, artist, music, themeName);
                if (addToList) {
                    getCallback().goBackWithId(createdId);
                } else {
                    getCallback().goBackAndReload();
                }
            } else {
                musicService.updateMusic(editingMusic.getId(), name, artist, music, themeName);
                musicService.closeMusic(editingMusic.getId());

                if (addToList) {
                    getCallback().goBackWithId(editingMusic.getId());
                } else {
                    getCallback().goBackAndReload();
                }
            }

        } catch (ManageMusicService.MusicAlreadyPresentException ex) {
            Logger.getLogger(MusicFormController.class.getName()).log(Level.SEVERE, null, ex);
            alert.setContentText("Já existe uma música com mesmo nome e artista.");
            alert.showAndWait();
        } catch (ManageMusicService.PersistenceException ex) {
            Logger.getLogger(MusicFormController.class.getName()).log(Level.SEVERE, null, ex);
            alert.setContentText("Erro desconhecido de persistência. Verifique a base de dados.");
            alert.showAndWait();
        } catch (ManageMusicService.InavlidArtist ex) {
            Logger.getLogger(MusicFormController.class.getName()).log(Level.SEVERE, null, ex);
            alert.setContentText("Verifique o nome do artista.");
            alert.showAndWait();
        } catch (ManageMusicService.InvalidName ex) {
            Logger.getLogger(MusicFormController.class.getName()).log(Level.SEVERE, null, ex);
            alert.setContentText("Verifique o título da música.");
            alert.showAndWait();
        } catch (ManageMusicService.InvalidPhrases ex) {
            Logger.getLogger(MusicFormController.class.getName()).log(Level.SEVERE, null, ex);
            alert.setContentText("Verifique a letra.");
            alert.showAndWait();
        }
    }

    public void setManageMusicService(ManageMusicService manageMusicService) {
        this.musicService = manageMusicService;
    }

    public void setBackCallback(BackCallback callback) {
        this.callback = callback;
    }

    public BackCallback getCallback() {
        return callback;
    }

    public void init() {
        populateArtists();
        populateThemes();
        themeCombo.getSelectionModel().select(randomTheme);
    }

    private void populateArtists() {
        ObservableList<String> list = FXCollections.observableArrayList(musicService.listArtists());

        if (creatingArtist != null) {
            if (!list.contains(creatingArtist)) {
                list.add(0, creatingArtist);
            }
            artistCombo.setItems(list);
            artistCombo.getSelectionModel().select(creatingArtist);
        } else {
            artistCombo.setItems(list);
        }
    }

    private void populateThemes() {
        themeCombo.getItems().add(randomTheme);
        themeCombo.getItems().addAll(ThemeFinder.getThemes());
    }

    public void init(Integer id) throws ManageMusicService.PersistenceException {
        init();
        editingMusic = musicService.openMusic(id);

        if (editingMusic.getArtist() != null) {
            artistCombo.getSelectionModel().select(editingMusic.getArtist().getNameProperty().getValue());
        }

        titleTextField.setText(editingMusic.getName());
        musicTextArea.setText(editingMusic.getPhrasesAsString());

        if (editingMusic.getTheme() == null) {
            themeCombo.getSelectionModel().select(randomTheme);
        } else {
            MusicTheme theme = ThemeFinder.getThemeByVideoName(editingMusic.getTheme());
            themeCombo.getSelectionModel().select(Objects.requireNonNullElse(theme, randomTheme));
        }
    }

    public void init(ImportingMusicDTO music) {
        creatingArtist = music.getArtist();
        init();
        titleTextField.setText(music.getName());
        musicTextArea.setText(String.join("\n", music.getPhrases()));
    }
}

redpajama_set_name: RedPajamaGithub


The aim of this thesis was to investigate the mechanisms that mediate the effects of beta-adrenergic agonists (BA) and Growth Hormone (GH) in sheep, by examining the changes in skeletal muscle transcriptome and blood metabolome in order to identify the predominant metabolic mechanisms by which muscle hypertrophy was mediated.
Male lambs (120 days old) were all fed a high protein/energy feed ad-libitum, with the GH group (n=10) receiving a single subcutaneous injection of bovine GH (3.75mg/kg body weight, POSILAC, Monsanto) on day 1; the BA group (n=10) receiving BA (cimaterol) at 10mg/kg feed, whereas the control group (CO, n=11) only had the ad-libitum feed. After 6 days sheep were slaughtered, plasma and samples of the Longissimus dorsi (LD), Supraspinatus (SS) muscles and liver were collected. The effect of treatments on the LD transcriptome was assessed on a subset of samples (n=3 from each treatment) via a cross-species approach using the Affymetrix Human U133+2 GeneChip array (47K human microarray). Verification of identified differentially expressed genes and proteins was by quantitative RT-PCR or western blotting, respectively, on all animals. Metabolomics analysis of plasma samples was carried out by Metabolon Inc. (USA) using GC/MS and LC/MS/MS platforms.
BA, but not GH, significantly (P<0.05) increased muscle weights and this was associated transition to large fast-glycolytic muscle fibre types. In GH, but not BA treated animals, there was an increase in liver weights (P<0.001). This was associated with an increase in the whole liver content of glycogen (P<0.001), protein (P<0.01), and lipid (P<0.05) content.
Analysis of the LD transcriptome of the treated sheep identified 477 and 316 transcripts were significantly altered (P<0.05 and 1.5 fold change) by BA and GH respectively, relative to controls. This muscle was selected as it is a commercial valuable muscle and is commonly used for muscle biochemical studies therefore this would allow us to make comparisons to other studies, including our own. In addition it is a fast glycolytic muscle fibre type there could be compared against SS muscle (oxidative muscle fibre type). BA decreased the expression of genes involved with oxidative phosphorylation and upregulated those serine biosynthetic pathways. Subsequent qRT-PCR analysis showed a BA induced increase in expression of phosphoglycerate dehydrogenase (PHGDH) (P<0.05) and phosphoserine-aminotransferase (PSAT) (P<0.05) mRNA in both LD and SS but not liver. In LD there was also an increase (P<0.001) in PHGDH protein in muscle from BA treated sheep relative to GH treated sheep. Up-regulation of this pathway has been previously reported in cancer cells which has a tendency to be associated with an increase in gene expression of a specific isoform of the glycolysis enzyme pyruvate kinase (PKM2) which has reduced activity. Total PKM and PKM1 and PKM2 isoforms were increased in the SS and LD of BA treated sheep (P<0.05). Previous studies in cancer cells have suggested that increases in serine synthesis are mediated by changes in PKM2 expression and associated enzyme activity. The lack of a differential increase in PKM2 suggested that the regulation of muscle PK in BA treated animals was not critical to the potential increase in serine synthesis capacity. No clear change in PKM gene expression suggested this was not the mechanism by which the serine synthesis pathway was stimulated. There was an increase (P<0.05) in the expression the mitochondrial form of phosphoenolpyruvate carboxykinase (PCK2) in the LD of BA treated sheep, which might be expected to increase gluconeogenic potential thereby increasing intermediates that could be used for serine synthesis. There was no effect of this gene on sheep treated with GH. An increase in the gene expression of asparagine synthetase (ASNS) was also seen in the muscles of BA but not GH treated sheep (P<0.001) and there was no effect on their livers, which further suggested that BA was influencing the production of nonessential amino acids.
Metabolomics analysis showed that products of triacylglycerol breakdown, glycerol and free fatty acids, were all elevated in the plasma of both BA and GH treatments, indicating lipolytic effects but the increase in the free fatty acid profile were more pronounced with GH treatment (P<0.05). Likewise GH rather than BA had a greater impact on elevating plasma glucose and associated metabolites such as pyruvate (P<0.05). There was no effect of either treatment on plasma serine or asparagine concentrations. However there was a decrease in glycine (P<0.05) and glutamine (P<0.05) in GH relative to control, with BA decreasing histidine (P<0.05) and methionine (P<0.01) relative to control.
Cell culture experiments were carried out in the myogenic C2C12 cell line to determine if the genes associated with the GH and BA response in sheep were affected during myogenesis and whether there was an effect of des (1-3) IGF-I and dibutyryl cyclic adenosine monophosphate (dbcAMP) that stimulates GH and BA signalling pathways respectively. During differentiation, without treatment, gene expression of PHGDH and PSAT enzymes declined (P<0.05), which might be expected as cells move from a proliferative to a terminally differentiate state. There was no clear effect of treatment on genes associated with the serine synthesis pathway suggesting that the effects of BA, in particular, are on muscle fibres rather than differentiating cells.
Of the two growth promoters examined in this thesis BA appears to be the most potent in skeletal muscle. A clear effect of this agent was an increase in the gene expression of the serine biosynthetic pathway, which has been shown to be upregulated in various cancers and, in this pathology, is thought to be a novel mechanism for hyperplastic growth. The associated changes in the expression of genes such as ASNS and PCK2 indicate that their co-ordinated upregulation could be mediated via endoplasmic reticulum stress response mechanisms. Unlike GH, BA does not appear to have a major effect upon the systemic mobilisation of nutrients, but instead seems to targets muscle fibres, activating muscle biosynthetic pathways that potentially provide the substrates required for growth.


text:
Stanley Tucci and S.Pellegrino Celebrate the Italian Way of Life
Fans of Stanley Tucci and the Italian way of life will be excited to hear that the Academy Award-nominated actor, author and committed Italian food enthusiast will be further cementing his place in Italian culture via a new partnership with S.Pellegrino.
The multi-year partnership will see Tucci embark on a series of collaborations with the brand celebrating life's perfect moments, kicking off with a limited edition 'Stan Pellegrino' bottle set based on Tucci's look, including a bottle engraved with his signature.
"S.Pellegrino has long been a staple in my kitchen and at my dinner table, two places where so many treasured moments come to life," says Tucci. "I'm thrilled to partner with S.Pellegrino to spread our mutual endearment for all-things Italian."
Tucci recently paid a visit to the source of the sparkling natural mineral water in San Pellegrino Terme, a picturesque town in Northern Italy, where he got a further taste for the ethos of the brand. Take a look at the video below to find out more.
Born and raised in New York, Italian American Tucci has published several books on food, most recently his memoir, Taste: My Life Through Food. In 2021 he was awarded an honorary doctorate by the American University of Rome for his role as a global ambassador for Italian life, culture and food.
Nominate a Chef for the 'Heart of House' Celebration
Celebrate the Holidays with Chef Nyesha Arrington in 'Kitchen Reunion'
Join Claude Bosi's Live Cooking Masterclass Here
Claude Bosi Talks Trifle Ahead of EE BAFTAs Cooking Class
Introducing the S.Pellegrino Young Chef Academy
Kristen Kish Presents 'Our Food, Our Stories' with S.Pellegrino
S.Pellegrino celebrates its 120 years in Taipei enhancing female talents
S.Pellegrino Sapori Ticino 2019: The Haute Cuisine Dinner Series Returns!
Bocuse d'Or Finale 2019: The Running Order
The Eat Out Restaurant Awards 2018: The Nominees

redpajama_set_name: RedPajamaCommonCrawl


text:
Stephen Tokan "Steve" Hagen, Rōshi, (born 1945) is the founder and former head teacher of the Dharma Field Zen Center in Minneapolis, Minnesota, and a Dharma heir of Dainin Katagiri-roshi. Additionally, he is the author of several books on Buddhism. Among them as of 2003, Buddhism Plain & Simple was one of the top five bestselling Buddhism books in the United States. In 2012, Hagen updated and revised How the World Can Be the Way It Is and published it as Why the World Doesn't Seem to Make Sense—an Inquiry into Science, Philosophy, and Perception.

Early life
Hagen grew up in Duluth, Minnesota where he was first drawn to Buddhism when he was seven or eight years old. He later told Linda Hanson of the Duluth News Tribune, "I wanted to know what's going on and to not be fooled. I wanted to know what was real and genuine and true."

Studies
His childhood desire to know truth eventually led him to Zen Buddhism in 1967. In 1975 Hagen became a student of Zen master Dainin Katagiri and he was ordained a Zen priest in 1979. Katagiri Roshi gave Hagen Dharma transmission (endorsement to teach) in 1989. Katagiri gave Hagen the name "Tokan" which means "breaking through barrier into peace and understanding."

Dharma Field
Before opening Dharma Field, Hagen took frequent road trips to Menomonie and Eau Claire, Wisconsin to give workshops and to lead sesshins. Hagen married Jean Forester, a piano teacher who died in 2010. Forester sold her home to help purchase St. Andrew's Lutheran Church in the Fulton neighborhood in the Southwest community of Minneapolis, where Hagen founded Dharma Field in 1997.

James Ishmael Ford wrote that Dharma Field under Hagen had "...an independent sensibility that parallels Charlotte Joko Beck's teaching".

Dharma Field offers foundational Buddhist studies as well as advanced courses. Among the latter, Hagen taught a yearlong course on Nagarjuna.

Norm Randolph who is also a dharma heir of Katagiri is a teacher at Dharma Field. Lee Register who received dharma transmission from Hagen in 2011 is a former teacher. Bev Forsman was ordained by Hagen in 2007 and received dharma transmission in 2010. Forsman became head teacher in June 2012 and served until May 2014.

Dharma heirs
 Bev Forsman
 Lee Register

Publications

Bibliography

Other books

 (Introduction by Steve Hagen)

Notes

Further reading

External links
 Dharma Field Meditation and Learning Center

Zen Buddhism writers
Soto Zen Buddhists
American Zen Buddhists
Living people
1945 births


text:
Fraport to represent Europe in the Intercontinental cup
Aris Barkas
Until last season the Euroleague champion was the team representing Europe in the intercontinental cup but this year, FIBA announced that the game will be played between Fraport Skyliners of Germany and Guaros de Lara of Venezuela on the 18th September.
By Eurohoops team/ info@eurohoops.net
The game will be played in Frankfurt, home of the FIBA Europe Cup winners, Fraport Skyliners. Guaros are the defending Americas champions – the first Venezuelan club in history to lift the trophy, after overcoming Brazilian club Bauru in the Final Four of Liga de las Americas.
Tags FIBA


The Globe Theatre, 1576. Photo: Wikipedia.
The first European book with pictures and text as methodology for education was written by Jan Amos Comenius (Komenský in Czech, 1592-1670). With this book he sought to champion for world peace through education by combining visualization and texts. The title of the book, orbis sensualium pictus, means the visible world. By the time of publication in 1658, ten years after the end of the Thirty Years War, Comenius initiated a new order of universal world knowledge. Pictures and texts aimed at employing sensual, pictorial observation to arrive at an understanding of concepts and thus to an extensive system of knowledge.
Around the same time the concept of theatrum mundi (the world as stage) entered the stage again as metaphor for viewing the world. Both the concepts of Comenius and the theatrum mundi are a reflection of globalization. Printing, discoveries of new territories, inventions and above all secularization of world politics led to new visions and curiosity. The devastating consequences of the Thirty Years War, the visions and writings of contemporaries and his own background as Moravian Brethren inspired his writings.
The concept is closely related to the present use of internet and the globalization of knowledge. It is striking that globalization is not an restricted to the modern world, but is a as old as mankind. Globalisation is not just a consequence of liberal world economy, but a natural process that pervades and fundamentally alters all areas of human coexistence.
The concept of theatrum mundi can also be taken more literally. What is the historical perspective on the interrelation between world, picture and theatre under the conditions of globalization ? The theatricalization of society started by Greek theaters, but it was in particular during the last days of the Roman Republic and the first emperors of the Principate that the theatre became institutionalized as political medium. Theatre and politics are inseparable ever since (Sources: B. Anderson, Imagined Communities Reflections on the Origin and Spread of Nationalism' London 1985) and www.theatrummundi.com).


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This is an exclusive business profile of Sports World located in , Gangtok. From this Page, you can directly contact Sports World from the enquiry form provided on the right. On the left you can get the Verified Mobile Number of Sports World – feel free to call us to know more about our products & services. We will soon update our Catalog which you can download to get latest information about all our products & services and latest deals & offers by Sports World. Do check out our Job Openings section to know about all the vacancies in Sports World. You can also check out our Photo Gallery section to see latest photos of Sports World. Before leaving, do not forget to give us your review and rating if you have been a customer of Sports World in the past.
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Born in Siracusa (Syracuse) in 1577, Mario Minniti was one of the better known and more distinguished pupils of Caravaggio (Michelangelo Merisi), who was just a few years older, and in many respects his work shares the same characteristic style. At the age of fifteen, following the death of his father, Minniti apprenticed in Rome, where he soon met Caravaggio. The two became friends and collaborators. Minniti learned Caravaggio's style and techniques, and shared the elder master's passion for adventure --often in violent incidents on the streets and at taverns. It appears that they sometimes flirted with other men's wives or girlfriends, or insulted people who challenged them in discussion. Minniti is studied as much for his wild reputation as for his painting. In fact, he used Caravaggio's opaque beeswax and oil technique to great effect, creating stunning shadows and light in portraiture, particularly in works rendered around 1625. His style evolved over the years, eventually achieving a bold, lively Baroque realism. In truth, Minniti's work was much in demand by the Counter Reformation Church, and his career in Sicily was an exceptionally successful one. (Not that the Reform Movement itself stirred many sentiments in conservative, Catholic Sicily that had to be countered, as the Holy Inquisition was in full swing --nor is it thought that Minniti himself entertained reactionary theological opinions; we only wish to say that this artistic theme was part of a general trend.) He spent much of his time in Siracusa and Messina, as well as Palermo, with several commissions in Malta.
Among Minniti's better known surviving works are the Miracle at Nain (a detail is shown here; regional art gallery at Messina), the Martyrdom of Saint Lucy, Miracle of Saint Clare, (both at the regional art gallery in Palazzo Bellomo, Siracusa), Saint Benedict, Madonna with Child and Saints Cosimo and Damian (Church of Saint Mary, Modica), and Saint John the Baptist (Messina). His work was usually faithful to sources; the miracle of Nain is described in Luke 7, 11-17.
In 1606, Caravaggio spent some time in Sicily, having fled Rome following a brawl he probably instigated. Minniti hosted him at his home in Siracusa. Caravaggio, who later fled some problems in Malta and returned to work in Sicily in 1608, died in 1610 while returning to Rome.
Mario Minniti was one of the most distinguished Sicilian painters of his era. Indeed, he is one of the few Sicilian painters of the early seventeeth century whose work is still preserved and may be viewed today. Much of the painting to be seen in Sicilian churches today actually dates from the eighteenth century, or at all events the years following the era of Caravaggio and Menniti. Mario Minniti died at Siracusa in 1640.
About the Author: Antonella Gallo, who teaches art in Rome, has written numerous articles on arts and artists for Best of Sicily.


text:
Q: Adding scrollbar to right rotated JTextArea I am trying to add a scrollbar to a jtextarea which is right rotated on loading. However the scrollpane does not work as expected. The need is to get a scrollpane added to the right rotated jtextarea. Any suggestion for the same is welcome.
Original code snippet is attached
import javax.swing.*;
import java.awt.*;
import javax.swing.border.BevelBorder;

public class InhibitScreenRightRotated extends JPanel {
    public InhibitScreenRightRotated() {
        try {
            jbInit();
        } catch (Exception ex) {
            ex.printStackTrace();
        }
    }

    public static void main(String[] args) {
        InhibitScreenRightRotated inhibitScreenRightRotated = new InhibitScreenRightRotated();
        JFrame f = new JFrame();
        f.setSize(450, 450);
        f.setDefaultCloseOperation(JFrame.EXIT_ON_CLOSE);
        f.getContentPane().add(inhibitScreenRightRotated);
        f.setVisible(true);
    }

    public String inhibitList() {

        String str = null;

        for (int i = 0; i < 100; i++) {
            str = str + "Room door is open. Close door to continue." + i + "\n";
        }
        return str;

    }

    public void jbInit() throws Exception {
        this.setBounds(0, 0, 400, 375);
        this.setLayout(null);
        this.setBorder(new BevelBorder(0, new Color(255, 255, 255, 255), new Color(182, 182, 182, 255),
                new Color(62, 62, 255, 255), new Color(89, 89, 89, 255)));
        this.setBackground(new Color(47, 61, 110, 255));

        rotatingLabel.setBounds(new Rectangle(334, 2, 40, 399));
        rotatingLabel.setForeground(new Color(255, 255, 255, 255));
        rotatingLabel.setText("System Inhibits");
        rotatingLabel.setFont(new Font("Dialog", 1, 14));
        rotatingLabel.setName("INHIBITS_LIST_HEADER");

        jButton1.setBackground(new Color(141, 152, 190, 255));
        // jButton1.setBorder(new CuiBorder());
        jButton1.setFocusPainted(false);
        jButton1.setText("Close");
        jButton1.setName("INHIBITS_LIST_CLOSE");

        jTextArea1.getCaret().deinstall(jTextArea1);
        jTextArea1.setEditable(false);
        jTextArea1.setBounds(new Rectangle(9, 42, 382, 275));
        jTextArea1.setWrapStyleWord(true);
        jTextArea1.setLineWrap(true);
        jTextArea1.setBackground(new Color(186, 193, 218, 255));
        jTextArea1.setText(inhibitList());
        jTextArea1.setName("INHIBITS_LIST_TEXTAREA");
        // setDocument... needs to be done

        jButton1.setBounds(new Rectangle(15, ((jTextArea1.getWidth() + 9) - 83), 30, 83));

        this.add(rotatingLabel);
        this.add(jTextArea1);
        this.add(jButton1);

    }

    public void paint(Graphics g) {
        super.paint(g);
        Graphics2D g2d = (Graphics2D) g;
        g2d.translate(340, 10);
        g2d.rotate(Math.toRadians(90));
        jTextArea1.setVisible(false);
        jTextArea1.update(g2d);
        g2d.dispose();

    }

    JTextArea jTextArea1 = new JTextArea();
    JScrollPane scrollPane = new JScrollPane();
    public static final Font FONT_MSEC_LABEL_VALUE = new Font("Arial", Font.BOLD, 16);
    RotatingLabel rotatingLabel = new RotatingLabel(Math.toRadians(90), FONT_MSEC_LABEL_VALUE, "System Inhibits", 0,
            -170);
    IUIRotatedButton jButton1 = new IUIRotatedButton();

    public class IUIRotatedButton extends JButton {
        private String str = "";

        public void paint(Graphics g) {
            super.paint(g);
            Graphics2D g2 = (Graphics2D) g;
            g2.setRenderingHint(RenderingHints.KEY_ANTIALIASING, RenderingHints.VALUE_ANTIALIAS_ON);
            int iX = getWidth() / 2;
            int iY = getHeight() / 2;
            g2.rotate(+Math.PI / 2, iX, iY);
            g2.drawString(str, iX - 15, iY + 5);
        }

        public void setText(String str) {
            this.str = str;
            repaint();
        }
    }

    public class RotatingLabel extends JLabel {

        private Font font = null;
        private String sText = null;
        private double dThetaInRadians = 0;
        private int iXExtra = 15;
        private int iYExtra = 25;
        private Icon icon = null;

        public RotatingLabel(double dThetaInRadians, Font font, String sText, int iXExtra, int iYExtra) {
            super();
            this.font = font;
            this.sText = sText;
            this.dThetaInRadians = dThetaInRadians;
            this.iXExtra = iXExtra;
            this.iYExtra = iYExtra;
            this.setHorizontalAlignment(SwingConstants.CENTER);
            this.setVerticalAlignment(SwingConstants.CENTER);
        }

        protected void paintComponent(Graphics g) {
            super.paintComponent(g);
            Graphics2D g2 = (Graphics2D) g;
            g2.setRenderingHint(RenderingHints.KEY_ANTIALIASING, RenderingHints.VALUE_ANTIALIAS_ON);
            g2.setFont(font);
            int iX = getWidth() / 2 + iXExtra;
            int iY = getHeight() / 2 + iYExtra;
            g2.rotate(dThetaInRadians, iX, iY);
            if (sText != null)
                g2.drawString(sText, iX, iY);
            if (icon != null) {
                g2.drawImage(((ImageIcon) icon).getImage(), iX, iY, this);
            }
        }

        public void setText(String sText) {
            // uncomment it for testing only.
            // super.setText(sText);
            this.sText = sText;
            repaint();
        }
    }
}

In the above code block , I added JScrollPane for the JTextArea, however the scrollpane is not working as expected
        import javax.swing.*;
import java.awt.*;
import javax.swing.border.BevelBorder;

public class InhibitScreenRightRotated extends JPanel {
    public InhibitScreenRightRotated() {
        try {
            jbInit();
        } catch (Exception ex) {
            ex.printStackTrace();
        }
    }

    public static void main(String[] args) {
        InhibitScreenRightRotated inhibitScreenRightRotated = new InhibitScreenRightRotated();
        JFrame f = new JFrame();
        f.setSize(450, 450);
        f.setDefaultCloseOperation(JFrame.EXIT_ON_CLOSE);
        f.getContentPane().add(inhibitScreenRightRotated);
        f.setVisible(true);
    }

    public String inhibitList() {

        String str = null;

        for (int i = 0; i < 100; i++) {
            str = str + "Room door is open. Close door to continue." + i + "\n";
        }
        return str;

    }

    public void jbInit() throws Exception {
        this.setBounds(0, 0, 400, 375);
        this.setLayout(null);
        this.setBorder(new BevelBorder(0, new Color(255, 255, 255, 255), new Color(182, 182, 182, 255),
                new Color(62, 62, 255, 255), new Color(89, 89, 89, 255)));
        this.setBackground(new Color(47, 61, 110, 255));

        rotatingLabel.setBounds(new Rectangle(334, 2, 40, 399));
        rotatingLabel.setForeground(new Color(255, 255, 255, 255));
        rotatingLabel.setText("System Inhibits");
        rotatingLabel.setFont(new Font("Dialog", 1, 14));
        rotatingLabel.setName("INHIBITS_LIST_HEADER");

        jButton1.setBackground(new Color(141, 152, 190, 255));
        // jButton1.setBorder(new CuiBorder());
        jButton1.setFocusPainted(false);
        jButton1.setText("Close");
        jButton1.setName("INHIBITS_LIST_CLOSE");

        jTextArea1.getCaret().deinstall(jTextArea1);
        jTextArea1.setEditable(false);
        jTextArea1.setBounds(new Rectangle(9, 42, 382, 275));
        jTextArea1.setWrapStyleWord(true);
        jTextArea1.setLineWrap(true);
        jTextArea1.setBackground(new Color(186, 193, 218, 255));
        jTextArea1.setText(inhibitList());
        jTextArea1.setName("INHIBITS_LIST_TEXTAREA");
        // setDocument... needs to be done

        scrollPane.setViewportView(jTextArea1);
        scrollPane.setBounds(new Rectangle(69, 10, 275, 382));
        scrollPane.setBackground(Color.white);
        scrollPane.setVerticalScrollBarPolicy(ScrollPaneConstants.VERTICAL_SCROLLBAR_AS_NEEDED);
        scrollPane.setHorizontalScrollBarPolicy(ScrollPaneConstants.HORIZONTAL_SCROLLBAR_AS_NEEDED);

        jButton1.setBounds(new Rectangle(15, ((jTextArea1.getWidth() + 9) - 83), 30, 83));

        this.add(rotatingLabel);
        this.add(scrollPane);
        this.add(jButton1);

    }

    public void paint(Graphics g) {
        super.paint(g);
        Graphics2D g2d = (Graphics2D) g;
        g2d.translate(340, 10);
        g2d.rotate(Math.toRadians(90));
        jTextArea1.setVisible(false);
        jTextArea1.update(g2d);
        g2d.dispose();

    }

    JTextArea jTextArea1 = new JTextArea();
    JScrollPane scrollPane = new JScrollPane();
    public static final Font FONT_MSEC_LABEL_VALUE = new Font("Arial", Font.BOLD, 16);
    RotatingLabel rotatingLabel = new RotatingLabel(Math.toRadians(90), FONT_MSEC_LABEL_VALUE, "System Inhibits", 0,
            -170);
    IUIRotatedButton jButton1 = new IUIRotatedButton();

    public class IUIRotatedButton extends JButton {
        private String str = "";

        public void paint(Graphics g) {
            super.paint(g);
            Graphics2D g2 = (Graphics2D) g;
            g2.setRenderingHint(RenderingHints.KEY_ANTIALIASING, RenderingHints.VALUE_ANTIALIAS_ON);
            int iX = getWidth() / 2;
            int iY = getHeight() / 2;
            g2.rotate(+Math.PI / 2, iX, iY);
            g2.drawString(str, iX - 15, iY + 5);
        }

        public void setText(String str) {
            this.str = str;
            repaint();
        }
    }

    public class RotatingLabel extends JLabel {

        private Font font = null;
        private String sText = null;
        private double dThetaInRadians = 0;
        private int iXExtra = 15;
        private int iYExtra = 25;
        private Icon icon = null;

        public RotatingLabel(double dThetaInRadians, Font font, String sText, int iXExtra, int iYExtra) {
            super();
            this.font = font;
            this.sText = sText;
            this.dThetaInRadians = dThetaInRadians;
            this.iXExtra = iXExtra;
            this.iYExtra = iYExtra;
            this.setHorizontalAlignment(SwingConstants.CENTER);
            this.setVerticalAlignment(SwingConstants.CENTER);
        }

        protected void paintComponent(Graphics g) {
            super.paintComponent(g);
            Graphics2D g2 = (Graphics2D) g;
            g2.setRenderingHint(RenderingHints.KEY_ANTIALIASING, RenderingHints.VALUE_ANTIALIAS_ON);
            g2.setFont(font);
            int iX = getWidth() / 2 + iXExtra;
            int iY = getHeight() / 2 + iYExtra;
            g2.rotate(dThetaInRadians, iX, iY);
            if (sText != null)
                g2.drawString(sText, iX, iY);
            if (icon != null) {
                g2.drawImage(((ImageIcon) icon).getImage(), iX, iY, this);
            }
        }

        public void setText(String sText) {
            // uncomment it for testing only.
            // super.setText(sText);
            this.sText = sText;
            repaint();
        }
    }
}

redpajama_set_name: RedPajamaStackExchange


text:
Q: Enable - SP Feature fails to find the configuration section in the web apps config I have a site for which i want to activate feature using powershell
When i run the following command :
enable-spfeature FEATURE NAME -url http://URL

it throws an error :value cannot be null parameter name section.
it basically fails to find the configuration section located under the web application configuration.If i create a file with name powershell.exe.config and place it under the
powershell folder ,it works fine but i dont want to touch the system folder.
Is it possible to give powershell a path of config located int some other folder and ask it to use that while activating feature.
I have tried something like this but with no luck
$configpath = "C:\DevTools.exe.config"
 [System.AppDomain]::CurrentDomain.SetData("APP_CONFIG_FILE",$configpath)
enable-spfeature Feature name -url http://url

A: Why arn't you putting the configuration information in the web application web.config file?

A: @Lee Activating the feature from powershell expects the configuration to be under the hosting process which is powershell in this case.
The solution to my problem was to load the configuration at run time as shown below and using windows powershell instead of using sharepoint management shell :
[System.AppDomain]::CurrentDomain.SetData("APP_CONFIG_FILE",$configpath)
add-type -path C:\Windows\Microsoft.NET\Framework\v2.0.50727\System.Configuration.dll
Add-PSSnapin Microsoft.Sharepoint.PowerShell
enable-spfeature $FeatureName -url http:\\url


Now that we have created a working library-module which gives us the possibility to store information about all our books, we might find ourselves in a situation where we want to rent those books out and keep track of our friends who currently hold them. Because we read our books from time to time we also want to know if its currently available or not.
Next thing is to find out if the book is available or not, but we don't want to manually set the state each time we rent out a book. Tryton has some handy field-functions to offer so we can automate this task.
Field-functions are always executed on the server, but they may also be triggered from the client.
decorate the function with @fields.depends(*keys) containing all keys to be updated or required for calculation. this ensures that all the fields get submitted by the client.
So we have that problem solved.
After a while, we recognize that whenever there is a new book in our library, we want to read it first. We don't want to rent it out by accident, so by default we should be the renter on a new library-entry.
It turns out that actually there is a lot more than just a hand of forename-friends who want to rent our books, so we want to store a bit of additional information with our renters. We have a good run and find out that tryton already has a useful Party Module to offer, so all we have to do is to extend our book model by a new field to reference a party who currently rents the book from our library.
The One2Many field requires a Many2One field to be referred in the related Model.
Now create the file book.odt inside your module. In this file add the following lines by adding a placeholder in your odt file.
In case you are dealing with ods file. For adding a placeholder you have to add a hyperlink.
A wizard is a fine state machine.
Wizard(session_id) This is the base for any wizard. It contains the engine for the finite state machine. A wizard must have some state instance attributes that the engine will use.
Class attributes are: Wizard.__name__ It contains the unique name to reference the wizard throughout the platform.
It contains the name of the starting state.
It contains the name of the ending state.
Register the Wizard model name in __init__.py and add the xml files in tryton.cfg file.


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text:
The doorstep mile
Cycling in Southern Norway
Friday March 12th - Värmland
Zoë takes the map out of the drawer, points her compass at the mountain hut, aligns the vertical lines of the compass with the map and reads the degrees. She checks that the direction is roughly correct and says, "That way today." Usually Olivier is the road captain and route planner, but this time Zoë is at the command. We go for a two-day snowshoe hike into the mountains. Our goal is an old firehouse on top of a mountain, right on the border of Värmland and Dalarna, two provinces in central Sweden. We have no route, but that is not necessary in the winter landscape, the whole world is accessible. On the map Zoë looks for obstacles along the way. There are a few lakes and two big rivers we have to cross. There are bridges over the rivers, the lake is hopefully frozen thick enough. "A little less than twenty kilometers, if we go in a straight line," Zoë concludes. Olivier nods approvingly and then gathers the food supplies.
At the end of January, we agreed to do at least one micro-adventure a month. For us, a micro-adventure means a short trek of at least two days on human power. Olivier barely said the words or he was already planning the first adventures. For him, it takes absolutely no effort to turn the words into action. He opens the front door and starts without a problem. For Zoe, that step is a lot bigger. She needs someone like Olivier to go with her and motivate her to really do it. It's not the lack of motivation and desire for the micro-adventures, it's the action to actually leave. In Norwegian they have a wonderful word for this threshold: dørstokmilla, the doorstep mile. It is the psychological threshold that we have to get over in order to go outside, to leave the comfort of the house behind, and set foot into nature. For some people this dørstokmilla is very short, for others the distance is much longer. Olivier said to Zoë, "You are organizing five micro-adventures this year. Bet you already want to leave next weekend." With the compass around her neck, the distance to the front door is particularly small for Zoë this time.
Wolverine tracks
We hike through forests, across vast plains and frozen swamps. Our companions are the countless footprints of the animals we don't see. We know they are there, the footprints are proof, but they hide from the two strange hikers. We see tracks of moose, foxes, rabbits, wolverines and wolves. We feel part of nature, a bit like a wild animal, with the big difference that they have a compass in their heads and we get lost without one in our hands. Zoë walks ahead like a guide, regularly checking the direction, and is proud at every landmark we encounter on the map. She thoroughly enjoys the adventure where she is in charge of the route. At six o'clock in the evening we arrive at the fireman's hut. It is a beautiful hut with a fireplace, a table and two wooden benches on which we can sleep. In the evening we sit with our feet close to the fire. We try to dry our shoes and socks while enjoying the warm radiation. "Good huh, that we are doing this?" says Zoë. Since the beginning of February, this is the fourth micro-adventure. This is part of the life we envision with the right balance between work and adventure.
After two days in the mountains, we return to the warmth of "our" little red cabin. Tomorrow we have an important video call on the agenda. We call Mo-Media, a small publisher from Rotterdam who is interested in publishing our book. Going with the compass into the wilderness, with wolves and bears, no trails and -10 degrees during the day, feels like peanuts compared to the excitement we feel before the call. If the publisher is really interested, we might reach another milestone in our book. Uncertainty would turn into certainty, doubt into perspective. We crawled into our bed at eight o'clock, exhausted by two days of hiking, but also hoping that the morning would come sooner.
The tension and fear were not justified at all, just as fear is always greater than reality. We talk to a very interested publisher who would like to work together. When we leave the virtual meeting room, we look at each other, grinning for a moment. No contract has been signed yet, but we are confident that our compass is pointing in the right direction.


We come together as a community to remember the six million Jews that were murdered in the Holocaust.
The Phoenix Holocaust Survivors' Association puts on the only community-wide Yom HaShoah Commemoration in Greater Phoenix.
Over 450 individuals attended the 2017 Yom HaShoah Commemoration & Community Gathering on April 23, 2017 at Temple Chai in Phoenix, Arizona.
The 2017 Yom HaShoah Commemoration was, as in past years, meaningful and moving for those who attended. The director of the Martin-Springer Institute at Northern Arizona University, Björn Krondorfer, PhD, spoke during the event as well as Oskar Knoblauch, a survivor, who shared his moving message with the entire community.
Kol Chai (Temple Chai Youth Choir), the Greater Phoenix Jewish Community Choir and several Cantors shared their voices and passion with the community through classic Hebrew songs and prayers.
Hannah Miller, who was awarded The Bronia and Sam Bronkesh Jewish Spirit Prize, presented her award-winning essay, "Sharing Their Stories".
Amy L. Drake, M.Ed., a teacher in the Chandler Unified School District, was the 2017 recipient of the Shofar Zachor Award. She was presented this award for her ongoing efforts that have developed the community's knowledge, remembrance, and respect for the Shoah.
During the Candle Lighting Ceremony, six survivors with their lit candles in memory of the six million Jews murdered in the Shoah. After which the community joined together to sing the National Anthem of Israel, "Hatikvah" (The Hope).


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Q: Bootstrap HTML5 Document Outline Algorithm I am trying to build a website with bootstrap and native HTML5 tags. However, I'm running into several issues.
Take this website as an example. If you are viewing this with the Google Chrome Outliner you can see that there are two untitled things:

This is caused by the following HTML:

      <button type="button" class="navbar-toggle collapsed" data-toggle="collapse" data-target="#bs-example-navbar-collapse-1">
        Toggle navigation

      </button>
      Spirit8

Home

About

Team

Services

Portfolio

Testimonials

Contact

But this website is built with Bootstrap and is using the the default bootstrap markup.
What is going on here and how can the code be adjusted to generate a correct outline? Bootstrap does not need a heading inside  or , so what is the correct behaviour to generate a correct outline for SEO purposes?

A: You have no heading elements to title those sections. That is why they are listed as "Untitled". If you put a
Headline
 in the body or in the nav, you'll see the change.