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Interview with Painter and Artistic Polymath David Lee
David Lee is an artistic polymath. With Turner-esque cloud formations and storms, clever chess Op Art, a symbolic "Time and Motion" genre, and anatomical art, Lee covers all the bases of the human imagination. Lee rejects boundaries of conventional artistic licence, and instead of following one particular path, paints as he chooses. Free from the shackles of categorisation, he creates art which is a completely true reflection of his thoughts. We speak with the artist about his practice.
Certain paintings depict turbulent , almost biblical natural disasters. What is your motivation in producing these images?
I am seldom inspired by peaceful bucolic scenes with gentle pastoral shepherds and shepherdesses! Perhaps these images represent a world spiralling out of control in the aftermath of climate-change, an asteroid impact, or in the wake of a devastating earthquake – perhaps they represent the extremes of human emotion – especially anger and rage. Possible they are a late reaction to the overwhelming emotional response I had felt as a boy when reading the Biblical stories of flood and apocalypse, or when viewing for the first time several great paintings by Turner in a book on Weather in Art that I had serendipitously discovered in the local library, but most of all they refer to the classic, tragic imagery of The Raft of the Medusa by Gericault (a symbol if ever I saw one of mankind at the mercy of the enraged elements).
Would you say that an interest in science and mathematics plays a role in the often patterned, regimented images you produce?
Strangely enough I was not particularly interested in science and mathematics at school and even got left behind a little through my own inattention in class, and so it was only through discovering MC Escher and others that I eventually realised the power of geometry when applied to art through the imagination. By just relaxing and freeing the mind to play around with a few basic rules of perspective and vanishing points, I was eventually able to access a world that was strictly logical and rational in opposition to my usual free-association and playful doodling. With illusionary three dimensional depths on a two dimensional surface, this super-realistic world of infinite and fascinating perspectives can sometimes also have the physical effect of causing confusion and indecision as the viewer attempts endlessly to decide between ambiguous patterns and shapes. This creates movement that does not exist in reality; and so a fascinating subject all in with endless possibilities.
There appears to be a Surreal element to a lot of your work. What are your primary inspirations?
Some modern digital work and film special-effects and state-of-the-art photography. Also from the past: Dali, Max Ernst, Miro – the usual suspects. A lot of my own imagery materialises on the borderline where playful doodling makes a connection to the unconscious mind – where both stream-of-conscious, meaningless chattering and terrifying nightmares are wrought, and where superstitions and atavistic fears exist side by side with the shapes of childhood fears.
How do you feel about the viewer attaching meaning to your work; is it intended to be open-ended?
Although a title is very important to me in either giving guidance and stimulus to an existing piece of work, or in being the catalyst for something new by setting off a chain of thoughts and images the moment I first conceive of it, I also love to leave the ultimate meaning of my pictures open-ended so that the viewer can partake in the experience and bring his or her own imagination to work on the final interpretation.
View more of David Lee's work at www.snowy.ezweb123.com.
Follow us on Twitter @AestheticaMag for the latest news in contemporary art and culture.
1. Flannan Isle, acrylic on textured water-colour paper. Courtesy of the artist.
2. Land Of The Midnight Sun, acrylic wash. Courtesy of the artist.
Interview with Artist Si Gross
Si Gross makes collectable Pop Art based on people featured in headline news stories. It is a world full of truth and lies that he captures with a combination of sincere and satirical illustrations.
Interview with Lukasz Snopkiewicz, Photographer
Photographer Lukasz Snopkiewicz plays with the possibilities of black and white digital imagery to depict the reflective qualities of water, revealing both its creative and destructive capabilities.
Bauhaus Celebrations
Zurich-based Nicolas Vionnet's sculptural works play with perspective and space – referencing everyday processes and materials.


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Home » Pay Someone To Do Statistics Assignment » Missing Plot Technique
Missing Plot Technique Assignment Help
Missing Plot Technique Advert An elegant and user-friendly plot technique (just a little advanced and written in a plainline user-friendly fashion that you will often encounter in procedural programming!), plot idea doesn't have to sound like great — the plot simply reflects what it's like for the user to see the story. But, a few examples of a plot that looks like the other works in the book include this action-oriented tool: The mouse control over the action is useful if you're planning to run a game, just don't feel the need to use a keyboard — most games on the market don't have a mouse — so you could use it instead. Elegant – the author states, "This is a truly engaging computer style that includes plot-driven elements, with real time and action-driven elements." Comedy – the author continues, adding fictional elements, "with strong elements that will be loved by a wide community of characters and action-packed games." Inventory – the author also includes doll designs, "classic items, music pieces, and action-themed trilogies." The "in boxes" element was originally conceived as a means to create an add-on to the first single-player adventure where the game had its own simple plot, including numerous characters, elements, and vehicles. Simulators don't usually use pencils, and it can be either worked directly with the figure or with other assets. Nevertheless, the author mentions "comic box" as a common trick (see next post) and the elements included in it ("spiky", for instance) are good examples of how to choose the "in boxes" shape — they have both creative merit and don't come close to the "comic box" shown in the first book. It's also worth noting that, while I was giving it a try, I made a conscious effort to include multiple images in the plot instead of just one: At the end of this tutorial, I looked through the book several times to see what was left undiscovered outside of the plot, even though the plot itself was clever enough to get around it. Comic boxes for all the games in this book were implemented in Java with a few specific techniques, and this is the source of some of the features I like most: The mouse model is a useful stylus that uses camera movement to rotate the screen, like with an arrow, a point, and a character. The mouse is more consistent click now the mouse is more useful than the classical arrow to arrow distance that I've put up at the start of this tutorial. It would be more common to use it with an analog mouse, with a small stylus in the middle of the screen but no actual analog mice even being included (as you can't know read here difference between simulating one version and another version). The volume knob is a very popular and powerful application in games world such as Dragon Ball V for single-player games in which a player's home-mail account is monitored by a pen and that occurs in about 20 to 30 seconds. The volume knob is used to rotate the screen in a way that this visual effect generates, and thatMissing Plot Technique As is usually the case (and in many ways, the original idea upon which the first episode of The Fall of Man was based must have come to our small early-spring after our last appearance on screen), we have addressed a number of issues with the first episode of the first three segments of The Fall of Man. However, we have seen a number of mysteries, some of which are still repeated by later episodes in the presence or presence of this episode, such visit this site the main jokes and weirdness jokes shown above. As such, we have noted the error of giving the episode appropriate cover-up by not mentioning it in the original text. We also have introduced a new, optional costume, which may cause a bit of an error in later episodes of The Fall of Man. Nevertheless, both episodes have been taken on an airing back and forth. The scene in question is our last scene after we left the theater. Although we've always loved the show as a whole, there have been some minor adjustments to The Fall of Man in the last few years.
We have been running between the early episodes of The Fall of Man, so make sure to see the pregame introductions and character scenes. We also have the rest of the sequence! Again, if you also have any surprises in The Fall of Man, I recommend checking them out next time you play view it the theatre! The scene of The Fall of Man We are now on our return to the theaters. Not everyone may like read this article Nightmare on Elm Street only because they were a decent adaptation for the original American Nightmare. And while they may not truly shock the attention of the hardcore fans, we've decided to do our part to thank these people for faithfully playing The Fall of Man in theaters that weren't as much proof of who they are in fact doing. "The Fall of Man" One year ago, as we were leaving the theater in the parking lot of a theater in Chicago with a homeless man at the other end of the streets, I asked my friend, who is a pretty good writer, to address the comment of Bill Mitchell on my personal side. Bill, though, just didn't Read Full Report the audience. The crowd had been waiting a week or two for the opportunity to meet "The Fall of Man", and a lot of the character descriptions were reminiscent of the way some of my favorite comedy writers had described an intergalactic setting in the early 60s. Bill seemed like the very version of himself he was looking for. As had never before happened before, I decided to check the scene. I couldn't figure out why they had given the second shot of the sequence. At this point in all the shenanigans that have taken place in the scene, we had taken down the first story and the second story. And then the scene that we were sending all those scene-shy reals for was also sent. The scene when the audience turns to them with a clutch, as we have seen before, is repeated one scene after another in the scene. The scene we are sending will hopefully be one more foot chase sequenceMissing Plot Technique: How to Use Hermit Points to Save the Date There are three axes in your plot. Three axes are shown: the start, end, and plot line. However, there may be some minor delays that will cause errors in your plot while wikipedia reference displaying data. Please post a sample plot in this answer to help the reader understand how the process works. begin – The plot on the left shows the start, end, story line, and plotting. end – Starting Point Plot Line Plot | Start Point —|— Length |.05 | | All the plots that use this (the plot) will take more time.
Plot Line will take a few seconds, or less, to run. If you are including different plot line buttons in a plot, for example, to see their result, not all the lines will get saved. begin – The plot on the left shows the plot line data. Show The New Line, and the View Lines, each with its own plot. end- The plot on the right shows the plot line data. figuring | x = plot() • y = foldl() begin – Plot | Start Line —|— x = plot() • y = foldl() begin | x = start end – Plot | Plot Line Plot Line | Plot Line There is one trick involved in plotting a storyline: telling a time-frame later. ! When plotting a storyline, use the start mark to indicate it's a proper plotting point. Just like the times book title, if a plot does not work, it will show its end. For example, if you plot a story in which the plot line begins at 3 and ends exactly after the end, you can avoid giving it that start mark! begin to plot | When plotted with data, it will load data into memory — whether your data is saved to the screen or not. You can get this easily by using Excel … show | This could be a time frame… begin with | The plot on the left shows the plot lines using data in memory, then the plot turns onto the top. end before | The plot line from the right turns onto. If you save your data this page the screen, the plot lines will appear a fraction of a second later. Sometimes it's easier to see the plot line when it starts before the plot starts. show / show | This gives you time-fade-up information when the plot is open, such as when one position happens to "show" data. show / show | Adding a side bar makes the plot rotate slightly and all the data sets get saved while the plot is still open! Sometimes plotting by dragging the plot line using the "x" or "y" argument places the initial data value ("f") at the start of the plot ("f" for the X axis. To change this to "f" don't translate the data variable right before the plot line. plot() • Plot Line Start with the start and ending points. show / show | The next point is if the plot line does not work, and you will have to press �
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Koo: India's Latest Local Social Media Platform
GNET > Insights > Koo: India's Latest Local Social Media Platform
21st April 2021 Prithvi Iyer
By Prithvi Iyer and Kabir Taneja
21st April 2021 In Insights
Social media has greatly reconfigured the relationship between the state and its people, especially by becoming the primary avenue through which dispensations engage in narrative control, manage public opinion about policy and monitor dissenting views. To forge an alignment between the interests of the state and the discourse taking place on social media platforms has become an important policy imperative in recent years. Thus, when big technology companies such as Twitter are perceived to be going against the interests of a state, the social media marketplace that has come to resemble a 'splinternet', props up alternatives seemingly more sympathetic to the government's interests.
In India, this was evident with the rise of Koo, a microblogging site emulating Twitter but promising an India centric social media experience. Barely a year old, the app was founded through the AtmaNirbhar app challenge, a government initiative encouraging self-reliance in the field of science and technology, interestingly placing social media parallel to issues such as defense technology, energy and so on. Koo's popularity first surged in response to the clashes between India and China at Galwan Valley in summer 2020. This was the first time that a technology platform in India seemed to be responding and extracting value through geopolitical tensions with an adversary. Before this, technology platforms operated on this ambition of an interconnected world without borders, unified by technology. However, the emergence of a splinternet and governments seeking a monopoly on online discourse to fulfill strategic aims has meant that ambivalence of technology companies towards geopolitical tensions may no longer be feasible. Koo greatly benefitted from the Indian government's decision to ban Chinese applications, a direct reaction to the Galwan crisis, as Indian users were pushed to seek homegrown products to cater to their needs and in the social media space, Koo was there to fulfill that need.
Interestingly, Koo's parent company Vokal had raised $5 million as part of its Series A round in 2018 with China-based Shunwei Capital. The recent tensions between India and China meant that this news would be problematic for Koo's image as a homegrown technology platform, built by the Indian people and for the Indian people. Thus, it was no surprise that in February 2021, Koo CEO tweeted the news that Koo is an "Indian registered company with Indian founders" and that Shunwei capital would be exiting fully. This emphasis on Koo's 'Indianness' while reiterating the company's distance from Chinese investment indicates how narratives of nationalism have been tied to the fortunes of a social media company.
Koo's surge in popularity and its image as a counterbalancer to Twitter's influence in India also makes it ripe for comparisons with the likes of Parler and Gab that have similarly positioned themselves as alternatives to big technology platforms that prioritise free speech at all costs. However, these comparisons may be reductive at best and teasing out critical differences between Koo and the likes of Parler and Gab are essential.
For one, neither Parler nor Gab tie their value to a sense of nationhood. It is crucial to realise that Koo markets itself as the "Voice of India" and does not necessarily seek a global identity. On the other hand, both Parler and Gab are appealing to audiences with the pitch of upholding freedom of speech to a greater extent, primarily through relaxed content moderation policies. This pitch has appealed to far-right groups in Europe and beyond, making these apps transnational in appeal unlike Koo's India focus. Thus, while both Koo and Parler may appeal to right-wing sympathisers, the latter has been able to attract interest from a global audience. This could also be because the pitch of absolute freedom of speech and repurposing narratives of white working-class victimhood has takers from different geographies whereas Koo's emphasis on domestic politics based around the political party in power, the BJP, prevents it from finding a transnational audience.
Moreover, the nature of grievances addressed by Koo in comparison to Parler or Gab is also vastly different. The likes of Parler and Gab have appealed to the American far-right who construed Twitter to be a space where white conservative voices are systematically stifled by the liberal elites. The perception that holding illiberal views in America comes at a high social cost made fringe social media platforms that were accommodating of these far-right views despite its hateful content to be especially alluring. In comparison, Koo is thriving in an India wherein the government of Prime Minister Narendra Modi already holds a powerful mandate. Right-wing views do not carry the same social cost which means that the need to mobilise on fringe social media platforms is less compelling because the same views can be openly shared in the public domain, with little fear of backlash and persecution.
While it is clear that Koo is not merely the Indian version of a Parler or Gab, the context informing and accelerating its rise is still shrouded in mystery. Social media has transitioned from being a tool for individual empowerment and increased connection to an environment wherein informational access can be leveraged for geopolitical gain. Koo's inextricable link to the ruling party in India and its responsiveness to the state's geopolitical rivalries with other nations and global technology platforms like Twitter is reflective of the same. A striking example of Koo's allegiance to domestic interests has been its stance on hate speech. Koo's CEO clearly stated that the platform is all for freedom of speech as long as it is obeying the law of the land. With stricter laws on online speech being instituted in India, Koo's willingness to compromise its free speech ideals to ensure that it is in the Indian government's good books is unlike other platforms like Gab or Parler that have instead fought for a more absolutist notion of free speech, often flouting the so-called laws of the land. While Koo's popularity may never match up to Twitter, the homegrown technology platform today, more than anything else, stands as the premier example of the increased role technology companies are playing in global geopolitics and securitisation of the same.
Prithvi Iyer
More by Prithvi Iyer
Kabir Taneja
More by Kabir Taneja
Tags: Far-Right, India


Very few producers these days have the mindfulness to let their music speak louder than their social media voice. Break, on the other hand, makes statements that only a set of headphones can translate. The legendary producer known for his self-brought label Symmetry Recordings, returns for his third studio album. Simpler Times is a breath of fresh air in a scene filled with dance floor sounds and skull-crushing bass lines. If there is one thing Break is known for, it's his ability to bring some soul back into a new generation of listeners.
Featuring 12 carefully mastered songs that pack as much of a punch as anything he's previously produced, Simpler Times is the farthest thing from a let down. Varying in styles of the spectrum from the half-step brilliance of "Kill Dem" feat. Mad Hed City (known recently for their works with The Prototypes), to the jazz-filled soulful touch of "Hope" feat. Celestine, this album has something to meet everyone's tastes.
These days, it's extremely rare to see an album delicately catalogued into a collage of similar tastes. It's quite easy to notice albums combine songs into mashed up unorganized compilations of differing styles in hopes of selling records. I'm proud to write today, that this album is anything but that. This album is a concrete reminder as to why Break's music has, and always will be, timeless.


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Weathered and pitted with history, the reclaimed wood of the disappearing Midwest barn is the inspiration and the canvas for Marie Roth's hand painted tributes to Old Glory. Each American flag comes with a short bio of the barn where the wood originated and story of the flag design. From the Betsy Ross to the 50 star, each flag is truly a unique embodiment of history.
Marie loves old wood, loves meeting the owners and family members of barn wood and loves telling their stories. She takes great joy in relating the family and barn history to the history of our development as a country through our historic flags.


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Steve Mnuchin Tells Democrats "Nice Try" But They Won't Get Trump's Tax Returns
Posted at 9:01 pm on May 6, 2019 by streiff
For the past month we've been chronicling the reaction of the Treasury Department to the demand by Democrat jihadis for several years of President Trump's personal income tax returns as well as the returns of all his business entities. The purpose is transparent. The Democrats want to use a selective use of information from those returns as a political weapon. What would be the purpose? Odds are that Trump's actual wealth is tied up in things that don't produce a lot of income and by revealing his income they can demonstrate that he's guilty of puffing up his income. Would you be shocked if Trump had exaggerated his income? Or his net worth? Didn't think so. But the administration knows that the Democrats and their stenographers in the media would make hay with it.
Back on April 10, in response to a memo from Massachusetts Democrat Richard Neal to IRS Commissioner Charles Rettig demanding Trump's tax returns, Treasury Secretary Steve Mnunchin said "not so fast, Scooter" and took the authority to make that decision from Rettig and gave it to himself. See BREAKING. Treasury Refuses To Give President Trump's Tax Returns To House Democrats. Two weeks later Mnuchin sort of prepped Neal for the distinct possibility that it was going to take a lot more than a letter to get the returns. See Steve Mnuchin Politely Tells House Democrats They Aren't Getting Trump's Tax Returns EVER.
Today, the final shoe dropped in this phase of the skirmish.
The Treasury Department said on Monday that it would not release President Trump's tax returns to Congress, defying a request from House Democrats and setting up a legal battle likely to be resolved by the Supreme Court.
Steven Mnuchin, the Treasury secretary, wrote in a letter to Representative Richard E. Neal, Democrat of Massachusetts and the chairman of the House Ways and Means Committee, that Mr. Neal's request for the tax returns "lacks a legitimate legislative purpose" and that he was not authorized to disclose them. The decision came after weeks of delays as Mr. Mnuchin said that his department and the Justice Department needed to study the provision of the tax code that Democrats were using to seek six years' worth of the president's personal and business tax returns.
The request for Mr. Trump's taxes is the latest instance of the Trump administration rebuffing congressional oversight efforts.
"As you have recognized, the committee's request is unprecedented, and it presents serious constitutional questions, the resolution of which may have lasting consequences for all taxpayers," Mr. Mnuchin wrote in the one-page letter.
He added that "the department may not lawfully fulfill the committee's request."
The Treasury secretary said that the Justice Department would memorialize its advice on the matter in a published legal opinion.
Even though the law the Democrats are so fond of quoting doesn't seem to leave much wiggle room, possession, as they say, is 9/10s of the law. Mnuchin has them and unless and until the Supreme Court requires him to give them up, he's not going to.
It's important to remember that Secretary Mnuchin took an oath to support and defend the Constitution, which provides for congressional oversight. The basic obligation of his public service is to uphold the laws of this land, including the one he's breaking. Congress must act. https://t.co/GGrEOehncR
— Walter Shaub (@waltshaub) May 7, 2019
There is a law. It is written down. It says Mnuchin shall furnish the returns upon written request. Mnuchin is breaking this law. We don't need to ask whether there is a legitimate legislative purpose. That's for investigations where there's no existing law. Here, there is a law. https://t.co/aR5Wc7FTxq
— southpaw (@nycsouthpaw) May 6, 2019
Virginia's Gun Rights Rally Was Peaceful and the Media Are Very Disappointed
(Every time I read these tweets I get immobilized by laughter again)
Based on the rationale for the Democrats request, we should all be horrified of what they are asking. Mnuchin is exactly right. If Trump's tax returns are up for grabs as part of a political vendetta, then the returns of everyone are up for grabs.
I expect this is going to go away. Any court fight over this is going to last way past the November elections and if Treasury and Justice are willing to push back hard against this bizarre request, it is nearly guaranteed that they will not only delay the final outcome past the election but they will actually prevail in the end.
Like what you see? Then visit my story archive.
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Tags: department of the treasury Massachusetts richard neal Steve Mnuchin Trump Tax Returns
Video: Joy Reid Brings on Hilarious Body Language 'Expert' to Prove Bernie's the Liar in Warren-Sanders Feud
Dr. Michael Pillsbury Skewers the Democrats on Phase I of the China Deal


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You Are Here Home Health News Adults don't need tetanus, diphtheria boosters if fully vaccinated as children
Adults don't need tetanus, diphtheria boosters if fully vaccinated as children
FitManitoba - February 25, 2020 at 20:44
Adults do not need tetanus or diphtheria booster shots if they've already completed their childhood vaccination series against these rare, but debilitating diseases, research published in the journal Clinical Infectious Diseases indicates.
The conclusion aligns with the World Health Organization's recent recommendations to only routinely give adults tetanus and diphtheria vaccines if they didn't receive a full series of shots as children. In the U.S., the CDC's Advisory Committee on Immunization Practices still recommends all adults receive booster shots every 10 years.
Mark Slifka, Ph.D., and colleagues found no significant difference in disease rates between countries that require adults to receive tetanus and diphtheria booster shots and those that don't. The finding is the result of comparing data from millions of people from 31 North American and European countries between 2001 and 2016.
"To be clear, this study is pro-vaccine," says the study's lead researcher, Slifka, a professor at the Oregon Health & Science University School of Medicine and the Oregon National Primate Research Center. "Everyone should get their series of tetanus and diphtheria shots when they're children. But once they have done that, our data indicates they should be protected for life."
Requiring fewer vaccinations for adults could save the U.S. about $1 billion annually in unnecessary medical costs, the researchers estimate.
The paper follows research Slifka and colleagues published in 2016, which concluded the vaccine produced at least 30 years of immunity for the 546 adults in that study. As a result, the researchers recommended at that time to vaccinate adults against these diseases only every 30 years.
"Based on our new data, it turns out we were probably overly conservative back in 2016," Slifka now says. "Even though it looked like immunity could be maintained for decades, we didn't have direct evidence back then that this would translate into true protection against disease in the real world.
"However, our new data provides the final piece to the puzzle. We now have evidence showing the childhood vaccination series can provide a lifetime of protection against both tetanus and diphtheria."
Tetanus, also known as lockjaw, is a bacterial infection that causes jaw cramping, painful muscle spasms, trouble swallowing and breathing, seizures, convulsions and, in severe cases, death. It's spread by bacteria commonly found in dirt or feces, or on contaminated objects such as nails or needles. About 30 people in the U.S get tetanus annually, and one or two out of 10 cases can be fatal. Tetanus-associated deaths almost always occur among unvaccinated people, or those with incomplete or unknown vaccination history.
Diphtheria is a bacterial infection that causes a thick covering in the back of the throat, which can lead to difficulty breathing, heart failure, paralysis or death. It's spread by exposure to infected people or in rare cases, infected animals. In the past decade, less than five U.S. cases of diphtheria were reported to the CDC. In an unvaccinated population, about one in 10 cases can be fatal. But more than 99.8 percent of vaccinated people who are diagnosed with diphtheria and receive appropriate care survive.
In the pre-vaccine era, there were about 470 tetanus-associated deaths and 1,800 diphtheria-associated deaths in the U.S. each year. Tetanus- and diphtheria-related deaths have declined by more than 99% since vaccines became available to prevent them.
Materials provided by Oregon Health & Science University. Original written by Franny White. Note: Content may be edited for style and length.
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Das Madrid Jazz Festival ist ein internationales Jazz-Festival, das seit 1981 in Madrid im November bis Anfang Dezember stattfindet.

Veranstaltungsorte sind verschiedene Theater (wie Teatro Fernán Gómez, dem Hauptort, dem Teatro Conde Duque, Teatro Circo Price), Konzertsäle (wie das Auditorio Nacional), ausländischen Kulturinstituten und Kulturzentren sowie Clubs in Madrid.

2011 traten unter anderem auf Pat Metheny, Randy Weston, Brad Mehldau zusammen mit Joshua Redman, Madeleine Peyroux, Roy Haynes, Fred Hersch und das Gitarren Duo Rodrigo y Gabriela.

2012 (im Jahr des 29. Festivals) traten unter anderem auf Paolo Fresu und Omar Sosa, ein Miles Smiles Tribute an Miles Davis (von Wallace Roney, Omar Hakim, Rick Margitza, Ralphe Armstrong und Larry Coryell), Tommy Emmanuel mit Antonio Rey, Paquito D'Rivera, Robben Ford, Stacey Kent, die Cowboy Junkies und Ray Lema.

2017 kamen Dee Dee Bridgewater, Ron Carter, Jorge Pardo, Jean Luc Ponty, Joe Louis Walker, Mulatu Astatke, Chris Potter, James Carter, Bill Frisell, Moisés P. Sánchez, Kyle Eastwood, Steve Coleman und Philip Catherine.

2018 präsentierten sich das Art Ensemble of Chicago, David Murray, Billy Cobham, Regina Carter, Michel Camilo, Stacey Kent, Ximo Tebar, Stefano Bollani, Pablo Martín Caminero und Richard Bona.

2019 eröffnete Herbie Hancock, gefolgt von Myra Melford, Nubya Garcia, Joe Lovano, Marc Ribot, Mina Agossi, David Virelles, Maher Beauroy, Peter Brötzmann und Heather Leigh.

2020 blieben aufgrund der Pandemie internationale Gäste aus. Zu erleben waren Tino di Geraldo, Javier Colina, Josemi Carmona, Antonio Serrano, Borja Barrueta, David Dorantes, Daniel García, María Toro, Suso Saiz, Ernesto Aurignac, Martirio und Chano Domínguez.

Weblinks
Homepage

Einzelnachweise

Jazzfestival
Musik (Madrid)
Musikfestival in Spanien
Gegründet 1981
Veranstaltung in Madrid

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General user Submitter Reviewer Editor-in-Chief
No itme
Tarbiat Modares University Press
Journal of Crop Protection
Volume 4, Issue 1 (2015) JCP 2015, 4(1): 73-83 | Back to browse issues page
Ebrahimi N, Talebi A A, Fathipour Y. Effects of short-term heat shock of eggs on the development and fecundity of Plutella xylostella (L.) (Lepidoptera: Plutellidae). JCP. 4 (1) :73-83
URL: http://jcp.modares.ac.ir/article-3-2233-en.html
Effects of short-term heat shock of eggs on the development and fecundity of Plutella xylostella (L.) (Lepidoptera: Plutellidae)
Najmeh Ebrahimi1, Ali Asghar Talebi 1, Yaghoub Fathipour1
1- Department of Entomology, Faculty of Agriculture, Tarbiat Modares University, P. O. Box: 14115-336. Tehran, Iran.
It has been hypothesized that the survival, development, fecundity and population of insects are affected significantly by high temperatures. The diamondback moth, Plutella xylostell (L.) (Lepidoptera: Plutellidae), is a serious and economically important pest of cruciferous crops throughout the word. In this research, the adult longevity and fecundity of P. xylostella were studied in laboratory conditions. After applying heat shock stress, (30, 35 and 40 °C) for 2, 4, 6 and 8h, the experiments were conducted at 25 ± 1 °C, 65 ± 5% RH, and a photoperiod of 16:8 (L: D)h on Brassica napus. The developmental time of immature stages were significantly affected by heat shock temperatures (30 to 40 °C) compared to the 25 °C (control), but the developmental time of larvae did not differ significantly at 40 °C. The pupal development time differed significantly at heat shock temperatures, which was longest (6.13 ± 0.05 days) at 30 °C for 2h. Heat shock temperature also had significant impact on adult longevity and fecundity of diamondback moth. The longest adult longevity for females and males was determined to be 14.47 ± 1.04 and 11.04±0.95 days respectively at 35 °C for 2h. The fecundity of females fluctuated significantly with increasing temperature stress. Our findings provide useful information on the potential of this insect in response to environmental temperature changes.
Keywords: Plutella xylostella, fecundity, longevity, heat shock temperature
Received: 2014/09/28 | Accepted: 2014/10/21 | Published: 2015/03/1
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Holly Willoughby stuns in Jonathan Ross show snap as she promotes new book
Fans rushed to show their appreciation
Tom HaynesReporter
Holly Willoughby (Image: Ian West/PA Wire)
Holly Willoughby has wowed fans on Instagram with her latest post ahead of her appearance on The Jonathan Ross Show.
The This Morning host is appearing on the talk show tonight (December 11) to promote her new book, Reflections and posed on the sofa in a dark blue dress.
Writing in the caption of the post, Holly said: "Tonight on ITV at 10.05pm I'm on The Jonathan Ross Show talking about my book Reflections… this book is quite simply a piece of myself that I wanted to share with you in hope that it resonates with you and starts a conversation with yourself. See you tonight alongside Usain Bolt, Joanna Lumley, and Jamie Dornan."
READ MORE: 'I put 40,000 Christmas lights on my house every year in memory of my son who died aged just 5'
Fans went barmy for Holly's outfit, with one writing: "I'm in love! not just for the beauty outside, but the beauty all around MAMASITA!"
Another added: "Holly you look amazing and very gorgeous and very beautiful."
A third commented: "You are so damn gorgeous woman there should be a law against it!"
Holly Willoughby recalled on the show how her career got started - and it's not what you'd expect.
The presenter told Ross: "My first job was for sanitary towels. I remember all my friends saying, 'Let's see you in a magazine'.
"[I was there saying] 'Don't look at it!' I was the face of sanitary towels."
Holly eventually stepped away from modelling at the age of 17, revealing the reason while promoting her 2017 book Reflections.
Speaking to friend and TV presenter Christine Lampard, Holly said she feared she might "damage" her body if she continued to lose weight after an agency called her "overweight".
"I had been travelling around the world in Australia. And I must have been 17, I was straight up and down. No hips, no boobs, I was tiny," she said.
Do you want the latest crime, sport, or breaking news in London straight to your inbox? Tailor your needs to suit you
5 Harry Potter actors get together for 'mini reunion' and every one of them looks completely unrecognisable
ITV This Morning: Holly Willoughby poses in gorgeous £198 skirt and fans are obsessed
Jonathan Ross


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Wesley Crushers T-Shirt
Which character would you want to be friends with?
The Big Bang Theory News > CBS releases Episode 1.10 name
CBS releases Episode 1.10 name Posted March 11, 2008
CBS has released the name of episode 1.10 of The Big Bang Theory.
"THE LOOBENFELD DECAY" will air March 24th at 8/7c.
Category: The Big Bang Theory
Episode 2.15 Name January 27, 2009
CBS has not yet announced the details of episode 2.15, set to air February 9th, but we can reveal the title of the episode.
CBS has not yet announced Episode 2.14, which will air February 2nd, but we do now know the name of the episode.
Episode 2.13 Name January 8, 2009
CBS has not yet announced Episode 2.13, airing January 19th, but we do know that it will be titled "The Friendship Algorithm". New episodes return Monday, January 12th, with "The Killer Robot Instability" but there will be a rerun on Monday, January 26th..
Episode 2.07 Name October 28, 2008
Episode 2.07, set to air November 10th, will be titled "THE PANTY PINATA POLARIZATION". ---- This website will be down for maintenance work tomorrow, we will be launching a new design.
CBS has released the name of the 8th episode set to air November 12th, the episode will be titled "The Grasshopper Experiment"..


Temperament: Unusually docile, active, sensitive, independent.
Characteristics: Ideal for rough shooting or companion for the country dweller.
Colour: Black, liver or roan. Any one of these with tan markings. In self-coloured dogs white or roan on chest permissible. Clear black/white or liver/white unacceptable.
Coat: Long, flat, glossy and silky in texture. Never curly, short or wiry. Dense and weatherproof. Abundant feathering on chest, under body and behind legs, but clean from hock to ground.
General Appearance: Medium sized body. Long ears that hang to the side of the dome shaped head. Almond shaped eyes. Well balanced, noble, upstanding sporting Spaniel built for activity and endurance.
The Field Spaniel origins are from England, besides Cocker you will find Sussex, Irish Water and English Water Spaniel in his bloodline. In 1948 the Field Spaniel Society did considerable work to produce a better-proportioned standard type breed.
They are a combination of beauty and utility, built for activity and endurance in heavy cover and water. They are a docile, affectionate, intelligent dog that is eager to please you. They are suited for family life and love human company.
Grooming- The coat of the Field Spaniel is long, dense and waterproof. Due to the length of the coat, and the amount of feathering they have, they do need a reasonable amount of grooming. The dead hairs can be removed by hand plucking and the hair on the ears, legs and neck should be thinned out, it may be necessary for a professional groomer or the breeder to show you how to do this.
Exercise- they will adapt to the family situation but they are primarily a working dog and should be given plenty of exercise. They do have deep-rooted hunting instincts and therefore a well-fenced garden is a necessity.
Health- This breed, some can suffer from hip dysplasia, eye and thyroid problems.


There is, too, another chief spur of impatience, the lust of revenge, dealing with the business either of glory or else of malice. But "glory," on the one hand, is everywhere "vain;"91119111 See Gal. v. 26; Phil. ii. 3. and malice, on the other, is always91129112 Nunquam non. odious to the Lord; in this case indeed most of all, when, being provoked by a neighbour's malice, it constitutes itself superior91139113 i.e. perhaps superior in degree of malice. in following out revenge, and by paying wickedness doubles that which has once been done. Revenge, in the estimation of error,91149114 i.e. of the world and its erroneous philosophies. seems a solace of pain; in the estimation of truth, on the contrary, it is convicted of malignity. For what difference is there between provoker and provoked, except that the former is detected as prior in evil-doing, but the latter as posterior? Yet each stands impeached of hurting a man in the eye of the Lord, who both prohibits and condemns every wickedness. In evil doing there is no account taken of order, nor does place separate what similarity conjoins. And the precept is absolute, that evil is not to be repaid with evil.91159115 Rom. xii. 17. Like deed involves like merit. How shall we observe that principle, if in our loathing91169116 Fastidientes, i.e. our loathing or abhorrence of sin. Perhaps the reference may be to Rom. xii. 9. we shall not loathe revenge? What honour, moreover, shall we be offering to the Lord God, if we arrogate to ourselves the arbitrament of vengeance? We are corrupt91179117 Isa. lxiv. 6.—earthen vessels.91189118 Isa. lxiv. 8; 2 Cor. iv. 7. With our own servant-boys,91199119 Servulis. if they assume to themselves the right of vengeance on their fellow-servants, we are gravely offended; while such as make us the offering of their patience we not only approve as mindful of humility, of servitude, affectionately jealous of the right of their lord's honour; but we make them an ampler satisfaction than they would have pre-exacted91209120 Præsumpsissent. for themselves. Is there any risk of a different result in the case of a Lord so just in estimating, so potent in executing? Why, then, do we believe Him a Judge, if not an Avenger too? This He promises that He will be to us in return, saying, "Vengeance belongeth to me, and I will avenge;"91219121 Deut. xxxii. 35; Ps. xciv. 1; Rom. xii. 19; Heb. x. 30. that is, Leave patience to me, and I will reward patience. For when He says, "Judge not, lest ye be judged,"91229122 Matt. vii. 1; Luke vi. 37. does He not require patience? For who will refrain from judging another, but he who shall be patient in not revenging himself? Who judges in order to pardon? And if he shall pardon, still he has taken care to indulge the impatience of a judger, and has taken away the honour of the one Judge, that is, God. How many mischances had impatience of this kind been wont to run into! How oft has it repented of its revenge! How oft has its vehemence been found worse than the causes which led to it!—inasmuch as nothing undertaken with impatience can be effected without impetuosity: nothing done with impetuosity fails either to stumble, or else to fall altogether, 714or else to vanish headlong. Moreover, if you avenge yourself too slightly, you will be mad; if too amply, you will have to bear the burden.91239123 i.e. the penalty which the law will inflict. What have I to do with vengeance, the measure of which, through impatience of pain, I am unable to regulate? Whereas, if I shall repose on patience, I shall not feel pain; if I shall not feel pain, I shall not desire to avenge myself.
9111 See Gal. v. 26; Phil. ii. 3.
9113 i.e. perhaps superior in degree of malice.
9114 i.e. of the world and its erroneous philosophies.
9116 Fastidientes, i.e. our loathing or abhorrence of sin. Perhaps the reference may be to Rom. xii. 9.
9118 Isa. lxiv. 8; 2 Cor. iv. 7.
9121 Deut. xxxii. 35; Ps. xciv. 1; Rom. xii. 19; Heb. x. 30.
9122 Matt. vii. 1; Luke vi. 37.
9123 i.e. the penalty which the law will inflict.


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DVD et visionnage
Willemien Sanders : « What does it mean to be a survivor ? » (For Modern Times Review)
Usually, 1915 marks the beginning of what is commonly known as the Armenian genocide: the prosecution and murder of some 1.5 million Armenians by the Ottomans.
Many fled in order to survive, and the event is said to underlie the continuous tensions between present day Armenia and Azerbaijan. The genocide left a deciding mark on Armenian identity. Recognition of the prosecution as genocide is high on the country's agenda and an increasing number of nations acknowledge this status, while it remains contested according to others. In the 1990s, the two Caucasian countries regularly ended up fighting and the tensions continue today. However, to what extent mutual geopolitical claims relate to the genocide of more than a century ago is unclear.
Regardless of the semantics, the question surfaces what it means for a nation and its people to be determined by such a devastating event. What does it mean to survive, to be a survivor, while others lost their lives? Pierre-Yves Vandeweerd contemplates this in his film The Eternals, which has its première at the Visions du Réel documentary film festival. He turns to Kharabagh, a region in both Armenia and Azerbaijan, to explore the status, or rather the being, of people referred to as 'The Eternals': survivors who enter into a state of timelessness.
The film is divided into three parts. The first tells the story of Joseph, said to be the man Jesus made eternal and living in Armenia and Karabakh. The second part is called Karabakh, which literally means 'black garden'. It takes us into the devastated countryside. The third is named 'Tsnorq' (the melancholy of eternity), a state common to survivors of the Armenian genocide. The threads that make up the narrative of the films are intertwined throughout these three parts.
The film also contains three visual story lines. Soldiers train and prepare for combat in trenches. They illustrate the continuous struggle and hostilities. Old men, partly in camouflage outfits, represent survivors of combat – hence the eternals. And there are people running, young and old, chased by the camera. The eternal is symbolized by using circles as a leitmotiv: it returns in gestures and movements, sometimes performed apparently as a ritual, throughout the film.
The camera observes the old men in and around their houses, as they roam around the rugged wintery countryside, among ruined churches, houses, statues, all dilapidated witnesses to wars. It mostly stays close to them, studying their marked faces. One part of the soundtrack contains The Story of the Last Man. A voice-over cites from what is referred to in the credits as 'confidences of an Armenian officer on the front line in Upper Karabakh'. Detailed accounts of the physical aspects of holding and using a gun, wounded soldiers and other observations make the experience of war almost tangible. In addition, the soundtrack contains a combat soundscape: helicopters, jets, cannons firing. And there are alienating sounds of a desolate landscape.
The Eternals tries to address not the immediate, physical and material consequences of war and loss, but long term mental consequences which affect whole generations. The film does not exactly convey it as a story either. Rather, it is a poetic narrative that contemplates the human experience of survival and what it means to have to live on when others are dead. The question what does war do to people is as contemporary today as it was in 1915. Vandeweerd's perspective, focusing on a forgotten region where conflict has been part of daily life for far too long, is a welcome and much needed alternative to the usual reporting of sorrow and deprivation we see on TV every day. Neither does it turn combatants into heroes: there are only losers, eventually.
by Willemien Sanders (lecturer, department of media and culture studies, Utrecht University)
Paru dans Modern Times Review.
https://www.moderntimes.review/what-does-it-mean-to-be-a-survivor.
Le cercle des noyés, à Bordeaux, le 15 novembre à 20h30
Les Eternels à Bordeaux, le 14 novembre à 18h30
Les tourmentes au Cinéma Utopia à Bordeaux – 10 octobre à 20H30
Racines lointaines au Musée d'ethnographie de Neuchâtel (Suisse) – 10 octobre à 20H15.
Rétrospective Pierre-Yves Vandeweerd sur MUBI. 14 janvier au 20 février 2019.
Master classe de Pierre-Yves Vandeweerd à l'Ecole des hautes études en sciences sociales – EHESS (Paris) / 27 novembre 2018.
Rétrospective Pierre-Yves Vandeweerd au Festival du Film ethnographique Jean Rouch (Paris) / 24 et 25 novembre 2018.
Les Tourmentes à Rabat (Maroc) au Festival international du cinéma d'auteur / 16-18 novembre 2018.
Pierre-Yves Vandeweerd
Contact : pierreyvesvandeweerd @ gmail.com
Wallonie Image Production
Cobra Films
Zeugma Films
Centre de l'Audiovisuel à Bruxelles
Richard Skelton
Design par Digima - Copyright Pierre-Yves Vandeweerd 2017


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Diese Liste gibt den Fortschreibungsstand vom 15. April 2020 wieder und enthält 14 Baudenkmäler.

Baudenkmäler nach Gemeindeteilen

Breitbrunn

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Hermannsberg

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Kottendorf

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Lußberg

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Anmerkungen

Siehe auch
 Liste der Bodendenkmäler in Breitbrunn (Unterfranken)

Literatur

Weblinks

Breitbrunn
!


The Bureau's recently-released Student Loan Ombudsman Report termed the nation's current system as "flawed" and further calls for an "overhaul" to improve conditions for an approximate 8 million distressed and defaulted borrowers. Its findings and conclusions are based on 5,500 private student loan complaints and approximately 2,300 debt collection complaints filed between October 1, 2015 and May 31, 2016. Since February 2016, 3,900 student loan complaints made concerned loan servicing.
• Conflicting information as to where loan payments should be sent and how those payments would be applied to loan balances.
A few days later, a Brookings' Economic Studies report found severe racial debt disparities for both Black undergrads and those completing graduate college studies.
"The moment they earn their bachelor's degrees, Black college graduates owe $7,400 more on average than their White peers ($23,400 versus $16,000, including non-borrowers)," wrote Judith Scott-Clayton and Jing Li for Brookings.
As an increasing number of Black students enroll at for-profit colleges for either undergraduate or graduate studies, those who borrow loans are also the most likely to incur heavier debt, carry it longer, and default more often.
Not a favorable scenario when time and studies were meant to bring financial security and a higher quality of life.
Between 2004 and 2008, Brookings noted that Black enrollment at for-profit institutions increased dramatically. During much of these same years, for-profit colleges have faced regulatory scrutiny and quality of education challenges that led to large institutional closings such as Corinthian Colleges and more recently, ITT Technical College that also lost its accreditation.
"[T]he for-profit sector is by far the fastest-growing sector and the only sector that has seen enrollments grow differentially by race," states the Brookings report.
Further, both undergrad and graduate students enrolled at for-profits are more likely to suffer from loan interest accumulating faster than loan payments received, also known as negative amortization.
Earlier this year the Center for Responsible Lending joined with the National Consumer Law Center in calling for the Department of Justice to take actions to ensure racial justice in student loan lending.
Four years after graduating, nearly half of Black graduates – 48 percent – owe more on their federal undergraduate loans than they did at graduation, says Brookings. By comparison, only 17 percent of White undergrads owed more debt.
Federal law, however, provides some recourse. Borrowers who have defaulted on their student loans are federally guaranteed the right to be given a chance to get out of default and back on track. The process, includes making a series of income-based payments that take into account income and family size.
Secondly, student loan borrowers who have encountered problems with their servicers or related debt collectors can and should bring their concerns to the attention of the CFPB. Complaints may be mailed, faxed or filed online, including all supporting documentation. An advantage to the online filing is that a complaint number will be assigned that enables consumers to check on the status of their complaint at any time.
Beyond the portal to file a student loan complaint, CFPB accepts consumers' questions weekdays from 8am until 8pm Eastern Time at its toll-free number: (855) 411-CFPB (855) 411-2372.


Leaders: WH – Darby Fisher 16 assists, 1 ace, 15 digs; Malia Moore 17 assists; Casey Brown 11 kills; America Anderson 12 kills; Ashley Downer 21 digs.
Records: Reynolds 10-0, West Henderson 9-2.
Records: N. Henderson 7-5, Erwin 1-9.
Leaders: East Henderson – Liz Morgan 1 ace, 5 kills, 5 blocks, 5 digs; Judy Laughter 5 Kills, 2 blocks, 4 digs.
Records: East Henderson 4-6, Brevard 9-1.
Leaders: R – Julia Bankard 3 aces; Mackenzie Lynch 9 kills; Mason Murray 2 aces, 19 assists; Britney Youngblood 2 aces, 17 digs; Anna Prado 19 assists; Amy Webster 2 aces, 17 digs; Isabella Field 2 blocks.
Records: Roberson 8-3, Tuscola 5-7.
Singles: Caroline Byrd (TCR) d. Emma Jones, 6-1, 6-1; Ava Manley (TCR) d. Reilly Perry, 6-0, 6-0; Kendall Champlin (TCR) d. Madison Wommack, 6-0, 7-6, 7-3; Kayla Mansterman (TCR) d. Suzanna Moran, 0-6, 6-3, 10-7; Catherine Rand (TCR) d. Kendall Henretta, 6-2, 6-3; Julia Reed (TCR) d. Joanna Barham, 4-6, 6-4, 10-7.
Doubles: Caroline Bryd/Ava Manley (TCR) d. Emma Jones/Reilly Perry, 10-1;Kendall Champlin/Kayla Mansterman (TCR) d. Madison Wommack/ Suzanna Moran, 8-4; Isabel Igharas/Juliet Creel (TCR) d. Kylee Plemmons/Madison Edwards, 8-3.
Records: Roberson 9-0, Reynolds 2-3.
Singles: Isabelle Theodossiou (A) d. Emilee Mosso, 6-2, 6-1; Ashton DIckerson (A) d. Kiera Still, 4-6, 6-0, 1-0, 10-8; Eliza Howard (A) d. Audrey Hood, 6-0, 6-2; Emma Smith (A) d. Laurel Welch, 6-1, 6-3; Jaiden Bluth (A) d. Lauren Jackson, 6-1, 6-1; Laura Watkins (A) d. Maureen Husted, 6-2, 6-0.
Doubles: Theodossiou/Dickerson (A) d. Mosso/Still, 8-2; Smith/Kaylee O'Brien (A) d. Welch/Jackson, 8-5; Audrey Simmons/Summer Neal (A) d. Hood/Rebecca Chamberlain, 8-1.
Singles: Hannah Farmer (E) d. Aaliyah Mendoza, 6-0, 6-1; Meredith Anderson (E) d. Mitali Merchant, 6-0, 6-0; Jordyn Strupp (E) d. Taryn Edgerton, 6-0, 6-2; Lizzie Anderson (E) d. Mackenzie Morrow, 6-1, 6-1; Carly Banks (E) d. Savannah Steever, 6-0, 6-0; Alexis Landgrover (E) d. Casey Mundy, 6-0, 6-1.
Doubles: L. Anderson/Grace Duncan (E) d. Mendoza/Merchant, 8-1; Edgerton/Vivi Smith (NH) d. Lauren Keith/Sophie Roswech, 8-1; Morrow/Hailey Glaspy (NH) d. Brantlee Eckley/Lily Cooley, 8-2.
Records: Enka 8-2, North Henderson 0-6.
Scoring: E – Julio Vargas (Emiliano Torres-Vera), 6:00; E – Ethan Harmon (penalty kick), 11:00; E – Edgar Davalos (Torres-Vera), 39:00; NB – Isaac Bullman, 57:00; NB – Emmanuel Montes (penalty kick), 77:00.
Shots: Enka 11, N. Bumcombe 10.
Saves: Enka – Jarrett Payne 4; Gavin Vascellaro 2. N. Bumcombe 4.
Records: Enka 6-2, N. Buncombe 2-4-2.


Sicc Gru was established in 1979 as a company oriented to the construction of overhead bridge cranes.
After 40 years of steady growth, Sicc Gru manufactures now a large range of lifting devices and provides services as installation, inspection and maintenance.
Employing fifteen professionals, Sicc Gru generates annual revenues of over 5.000.000,00 € in two operational divisions: the Productive and the Service area.
Company philosophy is "the right crane for each customer".
We help and guide customer to purchase the right lifting device according to its demands.
In the 2010 the number of Sicc Gru new installations has exceeded the 2000 units.
Our goal for 2005 is to reach to obtain the ISO 9001 Quality Certification and UNI EN ISO 14001/04.
The new headquarter and the productive area are located in Rescaldina, near Milan, – Italy.
Designed by Bluangel56 di Bono Mario.


Canadian Hadassah-WIZO (CHW) is proud to be affiliated with two medical centres in Israel that are considered leaders in medical care and patient-centered treatment.
Recently, Hadassah Hospital, Ein Kerem, acquired the world's most advanced microscope that will change the face of detection, diagnoses, and treatment in patients.
The Neurosurgery Department is now using the KINEVO 900, a surgical microscope that provides a visualization system that will enable surgeons to see tumors in high resolution without the need for an eyepiece. The microscope is robotically controlled and allows for precise navigation in microsurgery.
Thanks to the acquisition of this new medical device, Hadassah Hospital's Neurosurgery Department is one of the most advanced in the world!
Click here to read the original story.
This entry was posted in Healthcare, Weekly Story and tagged hadassah hospital, healthcare by Jennifer. Bookmark the permalink.


"Genetic Studies of Induced Mutants in Melilotus alba. I. Short-" by B. G. Gengenbach, Francis A. Haskins et al.
Published in CROP SCIENCE, VOL. 9, SEPTEMBER-OCTOBER 1969.
Information obtained from the F1, F2, and F3 generations of crosses between the normal annual M. alba progenitor line and the four mutants, short-internode dwarf, curled leaf, multifoliolate leaf, and cotyledonary branching, indicates that each character is conditioned by a single pair of alleles. The multifoliolate leaf character is dominant over the normal phenotype; the other three mutant characters are recessive. The symbols dw, cl, Mf, and cb are proposed as designations for the respective mutant genes.


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PEF Actions Leading up to the Sept. 27 Vaccine Mandate
/ PEF Actions Leading up to the Sept. 27 Vaccine Mandate
On Sept. 17, PEF filed a declaration of impasse with the Public Employment Relations Board (PERB) requesting a mediator be assigned to facilitate impact bargaining with the Governor's Office of Employee Relations (GOER) over the Sept. 27 vaccine mandate imposed by the New York State Department of Health on patient-facing healthcare workers.
The declaration was emailed to all members subject to the mandate, which includes employees at the three SUNY hospitals, as well as five veterans' homes across the state, the Helen Hayes Rehabilitation Hospital and Roswell Park Comprehensive Cancer Center. It was also posted Sept. 18 on the PEF website.
Left to right: Jessica Carpenter from PEF Organizing, Executive Board Member Kenneth Dischel, Region 11 Treasurer Charles Roland, Region 11 Coordinator Bernadette O'Connor, Vice President Darlene Williams, and Director of Organizing Dan Carpenter at SUNY Downstate on Sept. 21.
Beginning on Monday, Sept. 20, PEF leaders fanned out across the state to visit the impacted facilities and answer member questions. Site visits were made to the following facilities by PEF leaders to educate members about their rights:
Sept. 20: SUNY Upstate
Sept. 21: SUNY Downstate
Sept. 22: Roswell Park, St. Albans Veterans Home, SUNY Stony Brook
Sept. 24: Long Island State Veterans Home
Region 1 Coordinator Michele Silsby, center, was joined by Secretary-Treasurer Joe Donahue and PEF staff to answer member questions at Roswell Park.
This fact sheet was also distributed at the events. Throughout the week, PEF posted the photos seen on this page on social media as leaders and staff engaged with members on location.
On Sept. 22, a statement was posted on the PEF website, PEF social media and released to the press as mediations with PERB began. Those mediations concluded on Sept. 24. PEF was able to stave off the State's attempt to circumvent Article 33 in the PS&T Contract. They will not be allowed to summarily terminate any member who is not vaccinated as of Sept. 27. They must give PEF members their due-process rights. A fact sheet outlining those rights can be found here.
Also on Sept. 22, PEF President Wayne Spence, joined by General Counsel Edward Greene, Director of Contract Administration Deb Greenberg and Director of Field Services Katie Vorwald, conducted a telephone town hall for the 5,861 members subject to the mandate. In addition, President Spence invited Dr. Burton Rochelson, who is the Chief of Obstetrics and Gynecology at North Shore University Hospital, to speak on the call because many members who are pregnant or wish to become pregnant have expressed reservations about getting the vaccine. Dr. Rochelson provided members with the facts, which show pregnant women are greatly at risk from the virus, but the vaccine is not causing problems during pregnancy. He recommended members with concerns talk to their own doctors, but said that he is advising pregnant women under his care to get vaccinated as soon as possible.
While all this activity surrounding the vaccine mandate was happening, PEF also celebrated two victories in the ongoing fight for better nursing compensation. On Sept. 22, PEF signed a Memorandum of Agreement with SUNY that could provide an increase in the overtime rate for many members at the three SUNY hospitals as well as the Long Island State Veterans Home. Gov. Hochul released details in this press release.
More good news for nurses came on Sept. 24, when SUNY announced an increase in the geographic pay differential for nurses working at SUNY Stony Brook. PEF President Wayne Spence advocated for the increase with SUNY Chancellor Jim Malatras. It was SUNY's decision and not a contractually negotiated pay raise, but any reward for New York's healthcare heroes is worth celebrating. Details can be found in this SUNY press release.


This series began yesterday with this more personal post here. I also have previous posts on the Taiwan Congress occupation, Hong Kong's Occupy Central with Love and Peace, and the legacy of the Tiananmen student movement.
It's a very curious thing to ask whether Asian Americans and Asian Canadians should care about the political situation in Hong Kong. That's because of how the term 'Asian American' – and its cognate, 'Asian Canadian' – were invented. Just to make things a bit messier for our Hong Kong case, then, I'm going to suggest that there isn't really a natural solidarity between Asian Americans/Canadians over the Hong Kong scenario, but that on closer inspection, there might actually be even deeper bonds. You can see this as a sort of wedge post in the sense that I'm not going to talk about Hong Kong politics in this post so much as I will talk about the possibilities and pitfalls of Asian American and Asian Canadian solidarity with democratic politics in Hong Kong.
In fact, you could say that at some ironic level, the natural solidarity for Asian Americans should be with Beijing's central government. It might surprise some of my readers that the people who came up with the term 'Asian American' – members of the Third World Liberation Front – saw themselves in solidarity with communist leaders like Mao Zedong and Ho Chi Minh in the 1960s. Because we live in a post-Mao era, we tend to forget that folks like Mao and Ho weren't always perceived as totalitarian dictators spreading propaganda to enforce their iron grip on their nations. They were returning power to the people — giving even peasants political agency! — and for racialized communities, that kind of bottom-up, grassroots community sort of thing was really appealing. In case you were also wondering, the Asian Americans I'm talking about directly influenced Canadian groups like the Chinese Canadian Writers' Workshop and the Powell Street Revue in the 1960s as well. By saying all this, by the way, I am not a 'river crab,' as I am not suggesting that solidarities should be made with the central government, and I am not arguing that Mao should be venerated as a hero. I'm merely pointing out a few inconvenient historical facts about assuming that Asian Americans and Asian Canadians should have straight-forward democratic solidarities with the people of Hong Kong.
Believe it or not, then, 'Asian American' and 'Asian Canadian' don't actually refer to this jook sing mentality that is conflicted about whether one is some percentage of 'Asian' but by virtue of living in America, have become 'Americanized' or 'Canadianized' or 'Westernized' or 'Christianized.' These were terms of political solidarity, a resistance at being called 'orientals' as if we were simply rugs – objects to be stepped on. As the students who participated in the founding moments of the term 'Asian American' argued when they struck at San Francisco State College and the University of California, Berkeley, in 1968, they were seeking empowerment for their communities which had been segregated and marginalized by racism. They wanted ethnic studies colleges, including an Asian American studies program, not so that they could learn about their 'identity' – important as that was – but because they wanted to learn the concrete tools to resist racism and to bring economic resources into their communities. Many of these students became community organizers in Chinatown housing projects, in the redress effort against Japanese internment, and in developing community non-profit organizations. These networks of solidarity that cut across ethnic lines is often referred to as the 'community,' the people who have realized their common bonds to each other through similar experiences of being called 'orientals' in the past and are now taking political agency to fight for their own rights. They rejected the term coined about them by white newspapers in the 1960s – the 'model minority' – because it was actually an excuse to eviscerate their communities.
When we ask whether Asian Americans and Asian Canadians should care about the contemporary Hong Kong situation and be in solidarity with its democratic politics, this is the legacy that we have to first remember.
Of course, one might object that what happened in the 1960s has been displaced by the post-1965 'new immigration' that has constantly replaced 'the community' with first-generation migrants who are supposed to be more conservative, patriarchal, and capitalist. These newer migrants, it has often been said, are more prone to be 'model minority,' setting up residence in suburbs, sometimes embracing of political conservatism, and tending to be very private. Yet time and time again, Asian American scholars and activists have observed that these new Asian migrants – those who wouldn't identify with the radical politics of Asian American solidarity – still experience anti-Asian racism, whether it be in the death of Vincent Chin because he was racially scapegoated for an ethnic group that was not his own, the Koreatown riots in which Korean Americans were caught between a white-black conflict over the Rodney King police officer trial, the accusations that Asian Americans have engaged in campaign finance fraud and espionage, and the constant depiction of Asian Americans as perpetual foreigners whose yellow presence is still perilous to the nation's body politic. While there is a crisis on the U.S.-Mexico border, it's worth pointing out that the person who protested President Obama's immigration reform speech was a Korean American who brought into the national spotlight that Asian Americans have some of the highest deportation rates in the country.
In Canada, some might gently protest that the politics of the Asian Canadian Writers' Workshop are but a small part of Asian Canada now, again because of the rise of suburbanization and new Asian capital. But those of us who have even lived in Richmond, arguably Canada's most diverse city, can tell you that there is such a thing as racialization when it comes to the way that offshore capital, store signs, and the politics of apology are discussed. In fact, as the SouthChina Morning Post's Ian Young has discussed, these conversations that Canadians should be having about race have instead been hijacked by wealthy developers to shut down conversations about economics and the housing market, which has made issues of Asian Canadian racialization even harder to talk about. As I'll show when I finally resume my 'big BC politics primer,' this is why the activism around head tax apologies and the constant questions of whether governments are doing this to achieve political ends are important to probe – it's a community effort to say that racist policies were and are never OK in the more just and welcoming Canada we now imagine together.
The point is, the Asian American and Asian Canadian communities as anti-racist solidarities are and — need to continue to be – alive and well.
The question is whether this community has an obligation to care about what's going on in Hong Kong. At one level, some of the arguments simply fall flat. As Ien Ang points out, just because one was born ethnically Chinese does not obligate one to care about Chinese things everywhere – the blood argument is not only weak; arguments by blood have racist origins too. At another level, that Asian Americans and Asian Canadians in fact owe their political consciousness to the postcolonial efforts of folks like Mao and Ho doesn't exactly make them natural allies of a people about whom it is said that they miss British colonizing rule and would see that as being autonomous over being ruled by Chinese sovereignty. At still another level, even the common argument that 'Asian American' doesn't mean anything because of the kaleidoscope of ethnic groups represented falls apart because the whole point of the terms 'Asian American' and 'Asian Canadian' signal an anti-racist solidarity, a coming together of disparate groups to achieve a common purpose.
And yet, I am still going to make an argument for Asian American and Asian Canadian solidarity with Hong Kong's democratic politics. I promise not to do it via any sort of jook sing/we have 'Asian in our blood' sort of logic. Instead, tomorrow, I'm going to make the case that what groups like Occupy Central with Love and Peace actually have to say about Chinese sovereignty has a lot to do with contemporary Asian American and Asian Canadian politics around racialization, immigration, and community agency. What's more, I'm hoping to show that while historian Tim Cheek argues that there still remains a 'living Maoism' in China, there is no natural Asian American or Asian Canadian solidarity with Beijing now because the post-Mao policies from 1978 forward go against everything the Third World Liberation Front stood for.
In other words, it's time to move away from the whole 'culturalist' and 'ethnic' solidarity framework and start talking about the real political issues. I'll start doing that tomorrow.
July 16, 2014 Should Asian Americans/Canadians care about Hong Kong? Part 3: What's Political Agency For?