The digital shopping revolution offers new opportunities to mall operators agile enough to seize them.
Shuttered stores, thinning crowds, empty parking lots, and retailers filing for bankruptcy. These are tough times for shopping malls and the major retailers who serve as their anchors. Product oversupply and the rise of e-commerce are squeezing margins, and customers are demanding unique and personalized experiences, not just the same thing every time for everybody. If you follow the headlines heralding such woes, you might think the digital age is an extinction-level event for malls.
It isn't. There is still a vast opportunity for mall operators to innovate, capture value, and stay relevant for 21st-century shoppers. This is particularly true in emerging markets, where rising incomes, higher discretionary spending, and urbanization have created an opportunity for social and commercial "destinations." As McKinsey noted in a recent article, malls of the future will be less about in-store shopping and more about giving people novel in-person experiences they can't get on their smartphones—what some call retail-tainment.
Leading mall operators have already begun transforming their properties into destinations that look, feel, and operate very differently from their predecessors. In China, malls already allocate 30 to 40 percent of their floor area to food and beverages. Certain developers, such as Wanda Commercial Properties, which integrates retail, leisure, and residential into a single large complex, allocate as much as 50 percent of their footprint to public space.1 1. Michael Cole, "China's malls go social in the face of e-commerce competition," Forbes.com, November 22, 2015. In the United States, operators are courting unexpected tenants, such as the Michigan Women's Hall of Fame, which recently relocated to Michigan's Meridian Mall. Others are considering zoning changes that will allow for medical offices or light industry.
Yet even the most innovative operators are facing economic and profitability challenges associated with all these changes. Malls with large amounts of public space tend to have poorer space utilization than traditional malls, and the shift away from the tried-and-true mix of high-paying retail tenants and loss-leading entertainment categories is generating lower mall revenues.
Footfall-based charge: Tenants pay based on either the traffic that's coming into their stores or moving through the area of the mall where they are located. This model allows mall operators to capture value from the growing trend of customers coming into stores to touch and feel products but completing the purchase online.
Online revenue sharing: In an even more direct capitalization of "browse offline, shop online" behavior, tenants pay a portion of their brand's online sales that occur within the mall's geography, normally mapped according to zip codes. A few leading-edge retailers are already pursuing this approach with their salespeople.
To be financially successful in this new era, malls will need to be creative about getting the most from their assets. Mall owners can sell tenants access to physical real estate for inventory storage, for example, since in the future many stores are likely to be smaller and lack storage capacity. Operators could also provide tenants with logistics services. Other new revenue streams might include utilizing a mall's open spaces for pop-up stores, temporary showrooms, and other events. Retailers could be charged for this on a per-traffic basis. Digital facades, hallways, and atriums also offer opportunity as flexible advertising space. Finally, technology gives mall operators enormous potential to package and sell shopper data to their tenants.
Digital technology is a threat to malls because it enables shoppers to buy online. Yet at the same time, technology presents meaningful opportunities to operators who know how to use it.
Shopper insights: Using apps, free Wi-Fi service, point-of-sales data, and security cameras, mall operators can develop a greater understanding of who exactly is shopping at their properties and what these consumers' shopping habits and preferences are. Wi-Fi analytics, for instance, can reveal what websites shoppers are visiting, thus providing insights into what people are looking at while traveling within a particular area of the mall. From its use of beacons to analyze foot-traffic patterns, the Kamppi Shopping Centre in Helsinki, Finland, learned that shoppers congregate at lunchtime, not after work, as was previously assumed.
All this data can also be analyzed to create valuable insights for tenants who want to improve their product assortments, window displays, pricing strategies, or promotions. Advanced analytics could also allow operators to optimize their mix of tenants and their leasing terms. By determining which customer segments are likely to shop next and for what products, analytics can predict tenant performance and future shopper behavior.
The omnichannel experience: There is great potential for malls to use digital technology to significantly improve the consumer journey and shopping experience. Shoppers want a seamless, frictionless experience between online and offline, with little distinction between the two channels. That could mean buying online and picking up at the store or at centrally located "collection lounges," buying online and returning to stores, getting purchases delivered to one's home, and using a mall's app to make purchases from mall stores, which Westfield has pioneered in some of its malls. Delivering this kind of omnichannel experience requires that both mall operators and retailers update their operations so that back-end systems can absorb and analyze the data coming from front-end applications.
Technology can also be used to provide visitors with a better overall experience at the mall. Mobile apps can offer personalized recommendations and promotions, itinerary planning, digital navigation, and the booking of various services, including advance food ordering so that customers find their meals ready upon arrival.
Up until now, mall operators have thought of themselves as running capital-intensive real estate businesses and have hired accordingly. Today, as malls develop apps, pursue omnichannel strategies, and draw insights from huge amounts of customer data, people with three new sets of skills will be needed.
Analytics: With data such a big part of the future for mall operators, companies will need to recruit a wealth of new data analysts, such as the data engineers who will organize, clean up, and store customer data, and the data scientists who will create the algorithms to mine the data and extract the insights. Mall operators will also want someone at a high level in the organization, perhaps a chief data officer, to oversee, prioritize, and secure the management of data. Finally, there are "translators" who sit between business leadership and the technology staff, facilitating communication and transposing business needs into algorithmic requirements.
Customer experience: Now that mall operators will be connecting more directly with shoppers, an expertise in design thinking, customer experience, and even behavioral psychology will become increasingly important to mall design and operation. The Dubai-based developer Majid Al Futtaim, for instance, has commissioned neuroscience studies to understand how conscious and unconscious brain activity drives people's emotional responses to real estate developments. Malls will also want to create tools and applications that allow them to meet all segments of shopper needs and demands in a way that makes the shopping experience frictionless, pleasurable, and memorable. Loyal mall shoppers who show up for quick trips, for instance, should be able to get free valet parking, and those who make lengthy weekend trips should have easy access to mall navigation on their app and the option to have their purchases dropped off at home.
Both design-thinking practitioners, who perform in-depth, empathy-focused research using ethnographic research and other qualitative techniques, and customer-experience designers, who create end-to-end customer experiences based on research outputs and feedback, are needed.
Agile mall operations: To improve the experience of both shoppers and tenants, operators must constantly come up with lots of new, quickly delivered, technology-driven services and products. This will require embracing agile approaches to testing new products, events, and services, and then adapting rapidly based on feedback. Mall operators will also need to extend this more agile operating model to their tenants, facilitating significant amounts of close coordination. To operate collection lounges and e-commerce tenant portals, for instance, malls will have to link to tenants' back-end logistics and inventory systems. In order to do all this, operators will want people who understand agile development, process redesign, and IT architecture and infrastructure.
Achieving this new way of working and maintaining a laser focus on the customer will require mall operators to effect a cultural shift. Long accustomed to lengthy development cycles and a low tolerance for risk, operators will need to embrace a test-and-learn mind-set in which all employees grow accustomed to a sense of permanent disruption and an acceptance of failure as a necessary precursor to success. Management will need to take the lead in articulating this vision, managing more collaborative teams and role-modeling digital behavior in a way that drives home the need for profound change.
There is no doubt that mall operators are facing a challenging environment. But those that are willing to jettison old models and build more dynamic and relevant destinations will be able to create profitable malls that today's shoppers almost won't recognize.
Pranay Agarwal is a consultant in McKinsey's Dubai office, where Raffaele Breschi is an associate partner; Sandrine Devillard-Hoellinger is a partner in the Paris office.


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Music Box, Albums, Discography, Hot Albums
Studio album by Mariah Carey
August 1992 - May 1993
Pop & R&B
Walter Afanasieff
Dave Hall
Robert Clivillés
Daryl Simmons
Studio albums chronology
1. "Dreamlover"
Released: July 27, 1993
2. "Hero"
3. "Without You"
4. "Never Forget You"
5. "Anytime You Need a Friend"
This article is about the album. For its title track, see Music Box (song).
Music Box is the fourth album and third studio album by American singer Mariah Carey, released in the United States on August 31 1993 by Columbia Records. The release of the album marked the beginning of Music Box Era.
Carey co-wrote and co-produced all of the tracks on the album, her co-writers/producers being Walter Afanasieff, Clivilles & Cole, and Babyface.
It is largely composed of ballads such as "Hero" and "Anytime You Need a Friend", with a few up-tempo songs including "Now That I Know" and "I've Been Thinking About You". Carey was nominated for Grammy Award for Best Female Pop Vocal Performance for lead single "Dreamlover" at the 1994 Grammy Awards, losing to Whitney Houston's "I Will Always Love You."
Music Box entered the U.S. Billboard 200 chart at number two and ascended to number one fifteen weeks after its release, where it stayed for eight non-consecutive weeks. It remained in the top twenty for forty weeks and on the Billboard 200 for 128 weeks (more than two and half years), making three separate re-entries.
It also topped Billboard's Top R&B/Hip-Hop Albums charts and proved to be a huge success worldwide, reaching number one in the UK, Australia and Japan. It was certified ten times platinum by the Recording Industry Association of America (RIAA) in November 1997, making it Carey's first diamond-selling album. It is her most successful album to date worldwide, and has sold around 30 million copies.
Music Box yielded Carey's seventh and eighth U.S. number-one singles: "Dreamlover" and "Hero". "Dreamlover" spent eight weeks at number one and has become one of Carey's most popular songs to date, continuing the trend of all Carey's debut singles from each studio album topping the U.S. charts (which would last until the turn of the decade). "Hero" spent four weeks at number one, and has arguably become one of Carey's best known works.
The album's third and fourth singles, "Without You" (a cover of the Badfinger song) and "Anytime You Need a Friend" were slightly less successful in the U.S. The former did not reach number one but it became Carey's first single to top the UK charts and was very successful worldwide, while "Anytime You Need a Friend" failed to make the U.S. top ten (Carey's first single to do so).
1 Album Background
2 Album Reception
3 Track listing and credits
4 Charts
Album Background[edit | edit source]
In 1988, Carey was discovered by Tommy Mottola, CEO of Columbia Records, and was promptly signed to the label. Carey's self-titled debut studio album, released the following year, focused on re-recording and mastering several songs she had already written in high school alongside classmate, Ben Margulies.
Aside from the seven songs taken from Carey's demo tape, four other tracks were written and produced by the former and an array of famed record producers. The album was complimented by critics, who called it a mature debut, full of various genre influences ranging from pop, R&B and soul.
The album became a commercial success, selling over fifteen million units globally. While making a strong impact on pop music, Carey became interested in altering her sound, and deviating from pop music for her second studio effort, "Emotions." Following the success of her debut, Columbia allowed her to take more control over her musical departure, enabling her to change her genre infusions, melodies and production. During the album's recording, Carey worked with several different musicians and producers, aside from Walter Afanasieff, the only hold over from her debut.
"Emotions" contained influences from mostly 1950s, 1960s and 1970s balladry and gospel, as well as her continued work of R&B and soul. The album, while praised by some as more mature and raw, failed to reach the critical or commercial heights of her debut effort, while selling far less and failed to introduce Carey into a different market.
Following these events, Columbia decided to try to market Carey in a similar fashion to her debut, only having her produce a more commercial and radio-friendly album. Their plans were to tone down Carey's vocals, and soften the album's production, leaving a more contemporary pop/R&B record.
Agreeing to the change, Carey and Afanasieff began writing and recording material for her third studio effort, "Music Box." On the album's first track, "Dreamlover", Carey worked with Dave Hall throughout the song's entire production. In order to help with some of the song's arrangements, Mottola enrolled the help of Walter Afanasieff, who took on the completed track and transformed it into a more commercial hit.
With Carey in the captain's chair, having more control than she had on any other album, she took the album in a new direction, alongside Afanasieff. For Carey's third studio effort, she enrolled the help of a range of songwriters, as well as record producers Aside from Afanasieff, Kenneth "Babyface" Edmonds, a man who would collaborate with Carey often in the near future, also took part in the project.
Babyface, who helped produce much of the album, also co-wrote a track with Carey titled "Never Forget You", a song that was released as a B-side to "Without You" exclusively in the United States.
The album, which consisted mostly of slower ballads (with the exception of "Dreamlover" and "Now That I Know"), contained collaborations with some carry-on producers and writers from "Emotions." Of these were Clivillés & Cole (of C+C Music Factory), who co-wrote the track "Now That I Know", a danceable pop ballad, which used similar formulas and synthesizers from tracks on Emotions. Another writer–producer that worked on the album was David Hall, who with Carey wrote the U.S. single "Dreamlover."
One of the noticeable differences from Music Box and Carey's previous albums was its sound. The album was described by Afanasieff as a softer and more pop-oriented album, "filling the songs with air" and allowing far more space in the overall sound. Another noticeable change was in the album's production.
When Mariah Carey was released, critics took notice of its "overly produced" and "studio perfect" quality, where in comparison, "Emotions" maintained a "raw, live sound." Music Box however, fell in between the two, a decision made by Carey during the album's production. She would layer each track with live backing vocals, so not to sound too overly produced, but still kept the inclusion of musical synthesizers.
Album Reception[edit | edit source]
Upon release, the album received mixed reviews from critics, with positive attention given to its lyrics. The album's energy level and Carey's vocal style, however, were almost unanimously criticized. Critics felt Carey became "too mellow" and "somewhat lazy" on the album, especially in comparison to her previous work, with Ron Wynn writing, "sometimes excessive spirit is preferable to an absence of passion."
Bill Lamb from About.com gave the album a generally positive review, calling it "another good collection of dance music and ballads" and writing that "the songwriting is generally high quality, and Nilsson's 'Without You' is a good choice for a cover."
On a more critical note, however, Lamb described the album as a "toned down" album, and that Carey's upper registers aren't accessed as often as in previous releases, writing, "Mariah toned down the vocal gymnastics here, but she seemed to lose a lot of her energy as well. There are still strong songs here, but the overall effect is of a formula wearing a bit thin."
Ron Wynn from Allmusic gave the album 4 out of 5 stars, Roc Wynn of Allmusic said that Carey's "octave-leaping" voice was downplayed in favor of the demonstration of "her ability to sing softly and coolly."
Although favorably stating that Carey lowered the volume on her vocals, he said that the energy had declined, with the exception of personality-injected songs like "Hero" and "Dreamlover." Overall, however, he claimed the album's "different" approach was wise.
Ashley S. Battel from Billboard gave the album a positive review, writing, "While Carey tones down the predominance of her tremendous vocal range throughout much of this release, there is no question that she remains the driving force behind yet anoth[e]r collection of heavy-rotation Top-40 successes."
David Browne from Entertainment Weekly gave the album a mixed review. He said that due to Carey's lower energy level, her voice no longer soars above the backup chorus, instead it only "drip[s] over them like syrup instead of overpowering them; she lets the melodies speak for themselves." Browne awarded the album an unenthusiastic score of C+.
Stephen Holden of Rolling Stone complimented Carey's vocals, but found her lyrics "made up entirely of pop and soul clichés" and stated: "Music Box is so precisely calculated to be a blockbuster that its impact is ultimately a little unnerving."
However, in his review for The New York Times, Holden wrote that the album "takes aim at the commercial pop mainstream with an even sharper focus" than Carey's previous albums, while noting: "If huge ballads like 'Hero,' 'Anytime You Need a Friend' and a gospel-flavored remake of Harry Nilsson's 1971 hit, 'Without You,' traffic in pop cliches, they are the top-of-the-line in generic 90's pop." In his consumer guide for The Village Voice, critic Robert Christgau gave the album a "dud" rating, indicating "a bad record whose details rarely merit further thought."
In a retrospective review, "The New Rolling Stone Album Guide" noted a "soft-rock slump" and stated: "While there's nothing wrong with Carey singing relatively straight for 10 songs, there is a sore lack of power here: baleful soaring ballads, pop optimism along the lines of smiling through the tears and believing in yourself (or him, or Him), and hardly a decent tune in the lot."
Track listing and credits[edit | edit source]
U.S. edition (Released on August 31, 1993. All songs co-written and co-produced by Mariah Carey; names of other writers and/or producers are in brackets.)
"Dreamlover" (Dave Hall, Afanasieff) — 3:53
"Hero" (Afanasieff) — 4:19
"Anytime You Need a Friend" (Afanasieff) — 4:25
"Music Box" (Afanasieff) — 4:57
"Now That I Know" (Robert Clivillés, David Cole) — 4:19
"Never Forget You" (Babyface, Daryl Simmons) — 3:46
"Without You" (Ham, Evans) — 3:36
"Just to Hold You Once Again" (Afanasieff) — 3:59
"I've Been Thinking About You" (Clivillés, Cole) — 4:48
"All I've Ever Wanted" (Afanasieff) — 3:51
Non-U.S. edition
11. "Everything Fades Away" (Afanasieff) — 5:25
12. "Heroe" (Afanasieff) — 4:19
U.S 1 (8 weeks)
New Zealand 1 (13 weeks)
Netherlands 1 (12 weeks)
Austria 1 (11 weeks)
Germany 1 (11 weeks)
UK 1 (6 weeks)
Switzerland 1 (1 week)
Retrieved from "https://mariahcarey.fandom.com/wiki/Music_Box?oldid=9974"

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Relativity & the Search for ETs
Date Tuesday - March 18 2014 Host George Noory
Guests Jeffrey Bennett, Craig Hulet
Author, astronomer, and educator, Jeffrey Bennett, discussed his new work exploring Einstein's theory of relativity as well as the search for ET life throughout the universe. "Relativity is our modern scientific theory about space, time, and gravity," he said, "and that means it tells us about our whole foundation of the universe." He noted that Einstein's theory of relativity actually consisted of two parts which were published ten years apart. The first, known as the 'special theory of relativity' seemed to solve all the "known problems" facing theoretical physicists, despite ignoring the role of gravity. However, Einstein went on to pen the 'general theory of relativity' and solved scientific holes in the original publication by including gravity. This development, Bennett marveled, "really took us, probably, a couple of decades beyond where we would have been had he not been around."
While Einstein was quickly lauded in scientific circles for his groundbreaking work, Bennett recalled how the acclaimed physicist did not earn his mainstream fame until four years after publishing the 'general theory of relativity." He explained that the theory contained a prediction for how gravity would "bend light in very specific ways." The prediction was subsequently tested and confirmed during a total solar eclipse, which led to Einstein becoming a household name after "every newspaper in the world reported on it." Although Einstein's concepts have been "challenged constantly" over the years, Bennett noted that, every time alternative suggestions have been able to be tested, they have fallen apart.
Regarding the search for intelligent life in the universe, Bennett observed that the Kepler mission has revealed that "at least 20 percent of all stars have an Earth-sized planet orbiting them." Additionally, he pointed out that the Milky Way galaxy has a whopping 100 billion stars, which makes the number of potentially inhabitable worlds even more plentiful. In light of humanity's relatively recent technological achievements, Bennett opined that, if there is life 'out there,' they are likely far more advanced that us. However, he also lamented that the ability to travel in space also allows for knowledge of how to create destructive weapons, which means that advanced races may have suffered similar planetary strife as humans and caused their own demise before visiting Earth.
Flight 370 & Ukrainian Upheaval
In the first hour, analyst of geopolitics and foreign policy, Craig Hulet, talked about the missing Malaysian Airliner as well as the upheaval in the Ukraine. He expressed concern that Flight 370 could have flown over the island of Diego Garcia, described as the "launchpad" for all Pentagon operations in that region of the world, which may indicate some form of nefarious American intelligence involvement in the disappearance. Beyond that, Hulet noted that twenty of the passengers on the plane worked for a technology company which may have contracts with the intelligence agencies and that their presence could have been what led to the plane disappearing. On Russia's annexation of Crimea, Hulet argued that the people there have the "right to self-determination," but he worried that it could set the stage for World War III as a means of attempting to halt an economic collapse in America.
News segment guests: Katherine Austin Fitts & Steve "Dr. Sky" Kates
jeffreybennett.com
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craigbhulet.com
Book(s):
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Beyond UFOs
The Hydra of Carnage
Using over 10,000 photos taken by the Lunar Reconnaissance Orbiter, NASA has created an amazing interactive map of the moon's North Pole. The remarkable program functions similar to Google Earth and allows users to zoom in on specific areas of interest or simply roam the virtual lunar landscape. You can check it out at the Lunar Reconnaissance Orbiter website.
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Author Don Jeffries discussed the dire economic impact of the Covid-19 lockdowns on the middle class. Open Lines followed in the second half of the program.
Jan 16 Saturday - Remote Viewing Experiment / Pi & Mystical Language
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Grigori Illarionovich Tjor (; Podlipnoe, 28 de septiembre de 1903—Nuremberg, enero de 1943) fue un aviador soviético, voluntario de la guerra civil española, de la segunda guerra sino-japonesa; y general de división de la Fuerza Aérea Soviética. Fue capturado durante el curso de la Batalla de Kiev (1941). Fue encarcelado en varios campos de concentración y también torturado repetidamente, hasta su ejecución por un pelotón de fusilamiento en enero de 1943. Fue condecorado póstumamente con el título de Héroe de la Unión Soviética.

Biografía
Tjor nació el 28 de septiembre de 1903 en el pueblo de Podlipnoe, Raión de Konotop. Pertenecía a una familia de agricultores de etnia ucraniana. Después de graduarse de una escuela de quinto grado, pasó a trabajar en la granja de su padre. En 1923 se alistó en el Ejército Rojo. En 1924 se graduó de una academia de infantería, y posteriormente comandó varias formaciones de infantería. En 1931 se graduó de una escuela de pilotos navegantes, en 1935 se convirtió en piloto. Estuvo al mando de varios escuadrones hasta 1937, cuando fue ascendido a mando de una brigada perteneciente a la 64.º División de Bombarderos Pesados.

Tjor luchó en la Guerra Civil Española, volando 102 misiones de combate en apoyo de las fuerzas republicanas. Luego se desempeñó como subcomandante de la fuerza aérea del Distrito Militar de Transbaikal. A finales de abril de 1938, el escuadrón de bombarderos pesados de Tjor abandonó Irkutsk para unirse al Grupo de Voluntarios Soviéticos que luchaba en el lado chino en la Segunda Guerra Sino-Japonesa. La unidad hizo paradas en Mongolia, Suzhou y Lanzhou antes de llegar a su destino final, Hankou. En China, Tjor se distinguió como un piloto capaz que podía volar en una variedad de aviones que los pilotos chinos habían descartado previamente como inservibles. Simultáneamente actuó como asesor sénior en la Fuerza Aérea de la República de China. El 4 de agosto de 1939 se le concedió el rango de Kombrig.

A su regreso de China, Tjor fue trasladado al Distrito Militar de Kiev, donde ocupó el cargo de subcomandante de la 62.º División de Bombarderos Pesados con el rango de mayor general. En mayo de 1941, se graduó de la Academia Militar del Estado Mayor de las Fuerzas Armadas de Rusia. Cuando estalló la Operación Barbarroja, participó en la defensa de la frontera con Ucrania. Su avión fue derribado en una pelea en la etapa final de la Batalla de Kiev (1941), aterrizó detrás de las líneas enemigas y una patrulla alemana lo encontró inconsciente. Inicialmente fue llevado al centro de detención de Moabit, donde se negó a convertirse en un traidor a pesar de haber sido sometido a tortura. Posteriormente fue detenido en Oflag-XIII D, una prisión de Nurenberg y el campo de concentración de Flossenbürg. Durante este período de tiempo fue interrogado regularmente, a menudo regresaba en camillas empapadas de sangre. Fue ejecutado por un pelotón de fusilamiento en enero de 1943. Los detalles sobre su cautiverio y muerte fueron desclasificados 15 años después del final de la guerra.

Reconocimientos
Tjor fue galardonado con la Orden de la Insignia de Honor en 1936. Había sido condecorado con la Orden de la Bandera Roja en tres ocasiones (1937, 1937, 1938), recibió la Orden de Lenin en 1939. El 26 de junio de 1991, Mijaíl Gorbachov le otorgó póstumamente el título de Héroe de la Unión Soviética, citando su valentía durante el transcurso de la Segunda Guerra Mundial.

Notas

Referencias

Héroes de la Unión Soviética
Orden de la Bandera Roja
Militares soviéticos de la Segunda Guerra Mundial
Fallecidos en 1943
Nacidos en 1903
Miembros del Partido Comunista de la Unión Soviética

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Look for an online contest like from Myhero. The cultural insights from the culture capsule can be further illustrated by role playing. Where will I go from here? For example, on an overhead transparency she shows a sketch of herself stirring cookie batter while on vacation.
Spotlight language and use group brainstorming to help students create poetry. How Teaching writing strategies you get your students writing? Additional information is made available with each episode, but the precise cause of the misunderstanding does not become apparent until the last scene.
I almost needed to read it again the way you ride a roller coaster over again because it goes too fast. This is a fun way for students speak what they want to say versus actually printing it. Oftentimes, students can impart You might also ask students to describe what you were thinking about as you wrote a challenging part of the writing.
There is a time and a place for writing lessons. Jaguars also have very powerful legs for leaping from branch to branch to chase prey. She asked them to brainstorm language related to the sea, allowing them time to list appropriate nouns, verbs, and adjectives.
It is imperative that the teacher plan what issues the discussion of each option should cover. Reports on the reasoning and the differences can be made in a following class session.
Encourage students to think of more details about their character that they created, like where they work, if they have a family, or any other details that they can think of. Prepare for the lesson by writing your own short texts and developing awareness of your own decision-making while you write.
Meeting Common Core Standards, GradesMarch In this chapter the authors explain the critical role of narrative writing in the Common Core State Standards and in helping English learners develop their English and succeed in English Language Arts coursework in the secondary grades.
She writes the words who, where, and when. Writing to Create Community English Journal, July Deborah Dean, a professor of English education at Brigham Young University, and Adrienne Warren, a teacher-consultant with the Central Utah Writing Project, describe informal writing assignments that have helped their students develop communal bonds with their classmates and learn more about writing well.
Joni Chancer, teacher-consultant of the South Coast Writing Project Californiahas paid a lot of attention to the type of questions she wants her upper elementary students to consider as they re-examine their writing, reflecting on pieces they may make part of their portfolios. While I was reading your piece, I felt like I was riding a roller coaster.
For example, the critical incidents listed in the appendix to this chapter all deal with the issue of time, promptness, and scheduling. Then the students are grouped into small groups to discuss their decisions and why they made them they way they did. I made a small frame out of a piece of paper and placed it down on one of her drawings — a sketch she had made of a visit with her grandmother.
Written copies of the discussion issues can be handed out to students although they do not have to be. Making Room for What Works. The syllables creep through her teeth.1. Photographs Can Be Used as Teaching Strategies Challenge students to search their family photos, and look through magazines, books, newspapers, or even the Sunday funnies to find a little writing.
Writing Teaching Strategies The following teaching strategies are in Portable Document Format (PDF). This free Adobe Acrobat Reader allows you to view, navigate, and print PDF files across all major computing platforms.
The Teaching Center has created this collection of strategies, tips, and teaching commentaries to address common pedagogical challenges—and to share.
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Os Jogos Pan-Americanos (também conhecidos coloquialmente como Pan) são um importante evento multiesportivo para atletas de nações do continente americano, celebrado a cada quatro anos, no ano anterior aos Jogos Olímpicos de Verão.

A Organização Desportiva Pan-Americana (ODEPA) é o órgão que rege o movimento dos Jogos Pan-Americanos, cuja estrutura e ações são definidas pela Carta Olímpica. Nos Jogos, são disputados esportes incluídos no Programa Olímpico e outros não disputados em Olimpíadas.

O Pan teve sua primeira edição realizada em Buenos Aires, capital da Argentina, em 1951, a próxima edição está prevista para ocorrer, pela primeira vez, em Santiago do Chile, em 2023. Em 1990 realizou-se a única edição dos Jogos Pan-Americanos de Inverno ocorrida até hoje. Em 2021 ocorreu a primeira edição dos Jogos Pan-Americanos Júnior (Juvenis ou Juniores), focada em jovens atletas. Desde 2007, as cidades-sede são contratadas para administrar os Jogos Pan-Americanos e Parapan-Americanos, nos quais atletas com deficiências físicas competem entre si. Os Jogos Parapan-Americanos são realizados logo após os Jogos Pan-Americanos.

História

Primeiros jogos

Após a Olimpíada de 1932, inspirados pela realização dos Jogos Centro-Americanos e do Caribe, alguns membros latino-americanos do Comitê Olímpico Internacional propuseram uma espécie de "competição regional" entre as Américas, com o intuito de desenvolver o esporte na região. A ideia acabou por concretizar o I Congresso Esportivo Pan-Americano, no ano de 1940, no qual ficara definido que os primeiros Jogos Pan-Americanos seriam realizados na capital da Argentina, dois anos mais tarde. Em virtude do ataque japonês a Pearl Harbour (Havaí), em dezembro de 1941, e da entrada dos Estados Unidos na Segunda Guerra Mundial, que durou de 1939 até 1945, eles não puderam ser disputados.

Encerrada a Segunda Guerra Mundial, após a Olimpíada de 1948, um novo congresso confirmou Buenos Aires como a primeira sede dos Jogos, que se realizariam no ano de 1951. Esta edição teve sua abertura em 25 de fevereiro e contou com a participação de 2 513 atletas advindos de 21 países, que disputaram provas em dezoito esportes. A Argentina, anfitriã, conquistou 47% das medalhas de ouro. Quatro anos mais tarde foi criada a Organização Desportiva Pan-americana (ODEPA), com sede na Cidade do México. Formada por 42 países do continente, A ODEPA passou a ser a responsável pela realização dos Jogos Pan-Americanos.

Edições recentes
Enquanto os primeiros Jogos de 1951 organizaram 2 513 participantes representando 14 nações, os mais recentes Jogos Pan-Americanos, de 2019, envolveram 6 668 competidores de 41 países. Durante os jogos, a maioria dos atletas e oficiais fica alojada na vila dos Jogos Pan-Americanos. Esta aldeia destina-se a ser uma casa independente para todos os participantes. É complementada com lanchonetes, clínicas de saúde e locais para expressão religiosa.

A ODEPA permite que nações que não atendem aos requisitos estritos de soberania política que outras organizações internacionais exigem, compitam mesmo assim. Como resultado, as colônias e dependências podem criar seus próprios Comitês Olímpicos Nacionais. Exemplos disso incluem territórios como Porto Rico e Bermudas, que competem como nações separadas, apesar de estarem legalmente sob a jurisdição de uma outra nação.

Símbolos

Tocha

Desde os primeiros Jogos Pan-Americanos, a tocha é acesa como nos Jogos Olímpicos e nas demais competições continentais, como os Jogos Asiáticos e os Jogos Pan-Africanos. Na primeira edição, a tocha percorreu o caminho saindo de Olímpia, Grécia. Desde a edição posterior, passou a ser acesa pelo povo asteca, em templos antigos, exceto na edição de 1963, quando os índios carajás a acenderam em Brasília.

Mascotes
Apesar da tocha ser acesa desde a primeira edição, a aparição das mascotes só se deu na edição de 1979, em San Juan, Porto Rico. Na ocasião, Coqui homenageou um tipo de sapo, comum no país. Na edição seguinte, o leão Santiaguito, a mascote de Caracas, Venezuela, simbolizou a força dos países americanos. Em 1987, o papagaio Amigo representou uma ave típica, comum em toda a América, inspirando fraternidade entre as nações. Em Havana - 1991, Tocopan, representou a ave nacional cubana, o tocororo. Já em 1995, Lobi, o leão-marinho simbolizou a cidade de Mar del Plata, na Argentina. Em Winnipeg, Canadá, usou-se de duas mascotes pela primeira vez, o Pato Pan-americano e a Lorita Pan-americana. Na edição posterior, em Santo Domingo, Tito, um peixe-boi, representou a consciência ecológica para as espécies em extinção e serviu de alerta aos povos da América. No Brasil, em 2007, o sol Cauê, que teve o nome escolhido em votação popular e significa "homem bondoso", fez parte de uma lenda que mistura as raças e a história do Rio de Janeiro, a cidade-sede.

Países participantes
Participam ou já participaram dos Jogos um total de 45 nações ou territórios do continente americano:

  (1979–)
  (1955–2011)
  (1951–)
  (1987–)
  (1955–)
  (1963–)
  (1967–)
  (1959, 1967–)
  (1967–)
  (1951–)
  (1955–)
  (1951–)
  (1951–1955, 1967–)
  (1951–1959, 1967–)
  (1951–)

  (1995–)
  (1951–)
  (1951, 1959–)
  (1951–)
  (1987–)
  (2003)
  (1951–)
  (1959–)
  (1951)
  (1951–1959, 1971–)
  (1975–)
  (1979–)
  (1967–)
  (1983–)
  (1951–)

  (2003)
  (1951–)
  (1951, 1959, 1967–1975, 1983–)
  (1951–)
  (1951–1955, 1967–)
  (1951, 1959–)
  (1955–)
  (1955–1959, 1971–)
  (1995–)
  (1995–)
  (1991–)
  (1971–)
  (1951–1955, 1963–)
  (1951–)
  (1951–)

Edições

 a. Cuba conquistou dez medalhas de ouro a mais do que o segundo colocado, os Estados Unidos, mas teve 87 medalhas a menos na soma geral.

Modalidades

Já foram ou são disputadas quarenta e oito modalidades:

Quadro geral de medalhas

Atualizado após a edição de Lima 2019

Doping
Entre os casos de doping já registrados nas edições, o de 1983 contabilizou dezenove casos, a maioria por anabolizantes. Anteriormente, doze norte-americanos desistiram de competir e posteriormente, dos dezenove competidores, dez haviam conquistado medalhas e as perderam. Dentre todos os esportes, o levantamento de peso e o atletismo são os que mais contabilizam casos, em um total de 51 até a edição de Santo Domingo em 2003. Entre os brasileiros, até a edição de 2007, nenhum caso fora registrado em Pan. Neles, contudo, a ODEPA confirmou que os exames antidoping da nadadora Rebeca Gusmão e do halterofilista Fabrício Mafra indicaram resultados analíticos adversos. Como resultado, ambos perderam suas medalhas.

Ver também
Jogos Parapan-Americanos
Jogos Pan-Americanos de Inverno
Jogos Pan-Americanos Juniores

Ligações externas


text:
It's part of a day of interviewing, so it includes a bunch of people other than myself who write short fiction and blog, such as Benjamin Rosenbaum, Jeff VanderMeer (vanderworld), Doug Lain (douglain), Nick Mamatas (nihilistic_kid), and Eugie Foster (eugie, among others.
I, however, am the only one claiming to be cooler than Jesus.
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Interview (Tiny, but Surrounded by More Intelligent People)
I did a small interview over a bloggasm ( bloggasm) over here.
It's part of a day of interviewing, so it includes a bunch of people other than myself who write short fiction and blog, such as Benjamin Rosenbaum, Jeff VanderMeer ( vanderworld), Doug Lain ( douglain), Nick Mamatas ( nihilistic_kid), and Eugie Foster ( eugie, among others.
You can read the whole lot here.


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"HEINRICH NAUEN 1880 in Krefeld - 1940 Kalkar Harrier Oil on canvas. 70.5 x 54 cm. Signed and dated lower left 'H. Nauen; o. 21'. Part. with color loss. Frame. The work is registered in the August-Macke-Haus (Bonn). Provenance: private possession, Rhineland (gift of the artist)."


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The Treepenny Opera
On-line Ticket Sale
Ticket informations
Program galleries
Theatre under the Stars in Cathedral Square
The Szeged Open-Air Festival's new season starts with dance titeled Waving World. This co-production with the National Dance Ensemble plays triubute to the city of Szeged. The first part, People of Szöged, commemorates the events of the great flood that devastated the city 140 years ago, while Rowdyworld evokes the era of famed bandit Sándor Rózsa. It will be shown on 21 and 22 June.
A sensational Queen muscial, We Will Rock You is coming to the Szeged Open-Air Festival, with a total amount of 24 of the band's hits played throughout the show, including unforgettable numbers like Radio Ga-Ga, Somebody To Love, Bohemian Rapsody, We Are The Champions and naturally the title song, We Will Rock You. The musical first premiered in Hungary last year, courtesy of PS Produkció, in a production directed by Cornelius Baltus, with set and costume designs from Kentaur, coreographies by Lajos Péter Túri and Hungarian lyrics by Tibor Miklós. This musical will unfold on the Szeged Open-Air Stage on 28,29,30 June and 5,6 July.
The Shakespeare series continues with a popular romantic comedy! Adapted from the film of the same title, which won seven Oscars, the stage play Shakespeare in Love invokes the figure of the giant dramatist while bringing to life the love story that inspired Romeo and Juliet. This guest performance on 12 and 13 June, directed by Madách Theatre is being directed by Tamás Szirtes, who is also credited with other successful Szeged Open-Air Festival productions like Cats and Mamma Mia!.
The importance of Aida extends beyond music history: Verdi's marvellous opera also occupies an eminent spot in the history of Szeged Open-Air Festival, as the piece will be celebrating a special anniversary in 2019. It will have been exactly 80 years earlier, in 1939, when the work was first presented on Cathedral Square with the usual rich visual design and a cast of top performances singing in Hungarian. The audience can experience this historical opera on 26 and 27 July.
Everyone knows the story from more than a cetury ago which continues to excite our imaginations: the Szeged Open-Air Festival will be hosting the Hungarian premiere of the musical Titanic on 9,10,11 and 16,17,18 August. Acclaimed on Broadway, this show was nominated for five Tony awards and won all of them including the one for best musical. The Szeged Open-Air Festival's own production is being staged by Szilárd Somogyi, who is responsible for other audience favourites like Gone with the Wind and Singin' int he Rain.
In the 2019 season audience have the possibility to discover a completely renewed scene surrounded by shady paths and giant plane trees. The Újszeged Open-Air Stage again awaits lovers of summer theatrics with seating for 1200 and performances like The Threepenny Opera, Don Juan and Snow White and the Seven Dwarfs.
Coming to the Újszeged Open-Air Stage is another gem of a comedy from Molière: Don Juan. This classic story will bear the same hallmarks that have stamped all the previous pieces in the Molière series: the subtle – but never precious – humour and the author's insight, which ensure that this comedy will never lose its relevance. This first show on the new Open-Air Stage will appear on 19,20 and 21 July.
Soaked through with humour and irony, Bertolt Brecht's play with music The Threepenny Opera will be making it to the Újszeged Open-Air Stage for the first time on 2,3 and 4 August. This piece brought Brecht his first real breakthrough, and its popularity has never faded. Some of the tunes, such as Mack the Knife, which is also the name of the male protagonist, will be familiar to many viewers. Brecht's most popular musical piece is being staged by Jászai Mari Award-winning László Bocsárdi, director of the Tamási Áron Theatre in the Transylvanian city of Sepsiszentgyörgy (Sfântu Gheorghe).
Visitors to the Opean-Air Festival have a true family experience waiting for them when Snow White and the Seven Dwarfs come to the Újszeged Stage, this time as a fairy-tale ballet. Tibor Kocsák and Gyula Harangozó's Snow White is enormous popular wherever it plays – in Hungary or abroad. Its secret is to not just enchant the children with the well-known fairy tale, but also captivate adults with a story told with all the beauty of modern ballet. Considering the children's presence, this family performance will begin at the Újszeged Stage an hour earlier than usual, at 8 pm. on 16,17,18 and 19 August.
Ticket sales have started for the 2018 season of the Szeged Open-Air Festival
Productions of Sister Act, Fiddler on the Roof, Romeo and Juliet and Rigoletto will all premiere on Dóm Square in the coming season. The Hunchbank of Notre Dame will also be returning to Szeged's stage under the stars.
Theatre under the Stars
Over the course of three weeks each summer, Hungary's largest theatre springs up on the bare cobblestones of Szeged's Dóm Square. Ever since its founding in 1931, the Szeged Open-Air Festival has been the most popular open-air stage in the country.
The most beautiful palace of Szeged
Read about the history and architecture of Szeged's one of a kind building, Reök-palace.
June	Thu 20 Fri 21
Zoltán Zsuráfszky - Zsuzsa Zs. Vincze
July	Mon 01 Tue 02 Wed 03 Thu 04 Fri 05
The Threepenny Opera


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At present, the Chief Financial Officer holds unclaimed property accounts valued at more than $1 billion, largely from dormant accounts in financial institutions, insurance and utility companies, securities and trust holdings. Irrespective of how a lot money you have got, there's charm in coming throughout some you have been unaware of. However discovering a forgotten invoice in a pocket or on a sidewalk is small change compared to what typically happens with unclaimed money Folks commonly lose observe of property, together with old financial institution accounts and security deposit packing containers, payouts from insurance and trusts, stocks, escrow accounts, and different sources.
The place a solicitor holds money in a trust account and the individual that the money is being held for cannot be discovered, then the solicitor could pay the money to the Inland Income Division (IRD). We keep this database solely in our capability as supplier of unclaimed money administration providers. ASIC holds money from life insurance policies from insurance companies or pleasant societies which have been unclaimed for 7 years after the policy matures.
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After the war the process of release of such property to its house owners started. This site may also be helpful for executors of estates who are attempting to trace down unclaimed money on behalf of a cherished one or deceased individual. The record exhibits the name of the proprietor or owners of the money, the quantities held, and how the money might be claimed. Unclaimed property usually consists of inactive checking or savings accounts, uncashed payroll checks, inventory certificates, insurance funds, utility deposits, present card balances, money orders and life insurance proceeds.
After the conflict the method of launch of such property to its owners began.
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The final settlement worth is the closing value of the underlying inventory.
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text:
Q: JSON file with jquery I am doing one project for a NGO. They do not have any database. For their address list of 150 and above, I have created an json file and the details are arranged as below. The JSON file :  "details.json"
{
"details": [
    { "Name":"            ",
      "Age":"             ",
      "Company":"         ",
      "Address1":"        ",
      "Address2":"        ",
      "Address3":"        ",
      "Address4":"        " ,
      "Pincode":"         ",
      "Email":"           ",
      "Fax":"             ",
      "Phone1":"          "
      "Phone2":"          ",
      "Type":"            "
    },
    { "Name":"            ",
      "Age":"             ",
      "Company":"         ",
      "Address1":"        ",
      "Address2":"        ",
      "Address3":"        ",
      "Address4":"        " ,
      "Pincode":"         ",
      "Email":"           ",
      "Fax":"             ",
      "Phone1":"          "
      "Phone2":"          ",
      "Type":"            "
    }
]

}
The  type of address is = " New, Regular, Old, Rare, Not_Respond".
Can any body guide me how to design the JSON file with jquery? Also for each results, max ten address to be appeared on one page.

A: I think this is a question for Stackoverflow, but in the meantime I can point you to an intersting tutorial. It's pretty comprehensive.

We use jQuery's getJSON function, which, by definition, loads "JSON-encoded data from the server using a GET HTTP request."

redpajama_set_name: RedPajamaStackExchange


(MAHWAH, N.J.) – August 14, 2014 – Following its global introduction at the 2014 Goodwood Festival of Speed, the U.S. version of the production F-TYPE Project 7 will debut at the 2014 Monterey Car Week. Aptly named to reflect seven Jaguar overall wins at the 24 Hours of Le Mans, F-TYPE Project 7 is inspired by the Jaguar D-Type which celebrates its 60th anniversary this year.
Created by the Jaguar Land Rover Special Vehicle Operations team, the F-TYPE Project 7 will be a limited production all-aluminum, fully road-legal two-seater roadster with bespoke aerodynamic aids. To further emphasize the Jaguar racing heritage, the vehicle will feature a 575hp 5.0 liter supercharged V8 engine with a 0-60mph acceleration time of 3.8 seconds and an electronically-limited top speed of 186mph.
The F-TYPE Project 7 will come to market in two standard color schemes – Glacier White, a metallic white which is the feature color for the model and Ultra Blue, a metallic take on French Racing Blue and the signature color of the Jaguar Land Rover SVO team. British Racing Green, Ultimate Black and Caldera Red will also be available as optional upgrades.


The Government has announced moves to offer extra protection for people booking package holidays, saving consumers tens of millions of pounds a year.
The Business Department said it was closing loopholes which have emerged because of the growing trend for booking holidays online.
A Package Travel Directive is being launched which ministers said will give new consumer protections for 10 million holidays a year and save people tens of millions of pounds.
Under the directive, people who book holidays online through travel sites will have the same rights as those using traditional travel agents.
Business Minister Andrew Griffiths said: "Britain is a nation of travellers and we each put aside around £23.10 per week to go towards package holidays.
"Given that commitment, when we are booking holidays it is reasonable for all of us to expect that if something goes wrong we are protected financially.


We've been keeping Chicago smiling for over 150 years. Our Midwinter Meeting has grown to be a world class three-day program of continuing education and commercial exhibition. Join us at Chicago's McCormick Place West for the Midwinter Meeting. It promises to be A Midwinter Celebration.


Stevenage supporters wishing to travel down to Exeter for our midweek clash against the Grecians must order their tickets direct from St James' Park to buy at advance prices.
The clash kicks off at 7:45pm on Tuesday 2nd October 2018 and tickets are slightly cheaper if bought before the day.
Call the Exeter City Ticket Office on 01392 411243 (Option 2) to book your place now.
The Supporters Association Coach leaves the Lamex Stadium at 2pm and costs £25 for both SA members and non-members.
Can't face the journey? Don't worry, we don't blame you. Get behind the boys from wherever you are with an iFollow Match Pass, available for just £10.
Click here to order your Match Pass now.


text:
{% extends "layout.html" %}

{% block title %}Top Organizations{% endblock %}
{% block body %}

  {{ org }}

                {% from 'list.html' import repositories %}
                {{ repositories(results) }}

{% endblock %}

redpajama_set_name: RedPajamaGithub


text:
Solo vacations
Couples vacations
Unusual vacations
Adventure vacations
Safari vacations
Currency $
Get a whole new take on the 'Big Five' as you explore some of our favorite corners of South Africa, before winding down on the beautiful beaches of Benguerra Island in a trip that ties together culture, wildlife and luxury.
Ease yourself into laid-back luxury as you hop from the beachside seclusion of Mustique to the private paradise of Petit St Vincent and onto the iconic glamor of Barbados.
Nowhere inspires wanderlust quite like India. A nation bursting with color, epic landscapes and architecture so impossibly beautiful it has to be seen to be believed – and this luxury experience will leave you speechless.
Home / Destinations / Nira Caledonia
Nira Caledonia
The Jacuzzi Suite
The hotel's picturesque Georgian exterior
Your elegant suite at Nira Caledonia
Edinburgh by night
The acclaimed Blackwoods Bar & Grill
In Edinburgh's atmospheric heritage area of New Town, rich in period architecture, lies Nira Caledonia in a building that's true to its roots on the outside but smart, modern and stylish on the inside. A boutique central retreat with elegance befitting of its history and the warm hospitality typical of Scotland's capital, this is where to put your feet up after a day's wandering over the cobblestones.
Just a ten minute walk from Princes Street, Nira Caledonia stands on the cobblestoned streets of New Town area of central Edinburgh, a UNESCO World Heritage site thanks to its elegant neo-classical and Georgian period architecture. Just a 20 minute drive from the city's airport and a five-minute walk from Waverley train station, the hotel is easily accessed and lies only a short stroll away from Edinburgh Castle, Holyrood Palace and most of the city's major attractions – 'prime position' would be an understatement.
From its exterior of Georgian sandstone, black iron railings and long windows, Nira Caledonia's interior is a pleasant surprise of chic modern design, complimented by original period features. Rooms are richly furnished in muted tones of gold and black with ornate mirrors and closets, flooded with natural light from the floor-to-ceiling sash windows. All 28 rooms have 42-inch televisions and Wi-Fi, with some overlooking the pretty streets and others facing the leafy private garden.
Nira Caledonia is an impressive exception to the rule that city center hotels and tranquil surroundings don't normally go hand-in-hand. A protected Grade A building occupying two Georgian townhouses and built in the early 19th century by famous Scottish architect, William Playfair, a stay here brings its own slice of history and means you're never too far from the characteristic Edinburgh atmosphere.
Black Tomato
16 Madison Square West, 12th Fl, New York, NY 10010