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Structuurbodems komen voor in een periglaciaal milieu. Ze worden gekenmerkt door een bepaald patroon, zoals cirkels, polygonen of strepen en door een sortering van het materiaal, waarbij de stenen vooral geconcentreerd zijn in de randen van de polygonen. De afmetingen van de polygonen variëren van 0,1 tot 10 m.

Rol van scheuren in de grond
Mogelijk is de aanwezigheid van scheuren in de grond bij de vorming van structuurbodems met gesorteerd materiaal bepalend geweest. Op deze plekken kan namelijk de vorst sneller in de grond dringen en zullen stenen in de richtingen van deze plekken 'op'vriezen, waardoor plaatselijk een aanrijking met stenen plaats vindt. Op de stenenrijke plekken dringt de vorst, in een komend koud seizoen, sneller in de grond dan elders, zodat het vermelde proces voortgang vindt. Het uiteindelijke resultaat is de vorming van steenkransen om een wat hoger liggende kern. De stenen die in de kern opvriezen, zullen naar de rand afglijden.

Langgerekte vormen
Bij een geringe terreinhelling komt de met water oververzadigde opdooilaag in beweging, waardoor de bovenvermelde cirkels en polygonen zich op de duur niet kunnen handhaven en via tussenvormen overgaan in steenstrepen die min of meer loodrecht op de hoogtelijn en verlopen.


The thought of working from home naturally appeals too many – not having to even leave the house to do a day's work and earn a living. No need for the smart dress, no commute to work and an extra half hour in bed!
With such a poor economic climate in recent years, many companies and businesses have had to look at cutting their costs where possible, with large overheads such as offices/ premises often being a key financial outlay but not always a necessity to the operation of the business.
In the franchise/ business opportunities sector, the rise in businesses offering opportunities to work from home, with a flexible business model has been noticeable. Not only does it allow people to work for themselves in starting their own proven business, it ensure that they can do this for a fraction of the cost. This has encouraged more people to work for themselves, who perhaps never before realised of the opportunities to do so.
As well as the working environment, many such businesses allow you to operate your business full time or part time, within hours that suit you, making them extremely flexible and therefore appealing to those of us who have busy lifestyles and other commitments alongside our work. As well as the convenience, many opportunities such as these hold huge earning potential for the right business owners.
These types of opportunities appeal to those already in employment, perhaps looking for additional income streams, someone looking for a part time businesses that they operate when suits them, or those with families, struggling juggling getting back into employment and their demanding home commitments.
With the internet such an integral part of the overall operation of businesses in numerous sectors, this means that often, a suitable room to work in, a laptop and broadband connection are all that you need to get started, and there's presumably not too many of us that don't have those.
So with the ease of set up, the flexibility and the convenience of starting your own home based business, the attraction is obvious and this lends itself to the huge rise in popularity of such opportunities in recent years.
that could just offer you the self-employed career opportunity you have been looking for.


My husband and I would like to express our deepest gratitude to all of you. Especially Dr Burke who's exam of Kitty and gentle manner with her will always be remembered. She was here 18 wonderful years and will always be remembered as the best. To receive from you her footprint, kind words of sympathy and poems remain in our heart. Thanks to all of you for such kindness!
Thank you. There aren't words enough to express my gratitude to each and every one of you for the many years of excellent service for my beloved dog Rosie but most of all your caring ways. Dr Bill, I thank you not only for excellent care, but for the compassion & kindness during my Rosie's last moments.


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ALICE (A Large Ion Collider Experiment) è un rivelatore costruito per LHC presso il CERN di Ginevra in Svizzera. È un progetto portato avanti da una collaborazione di un migliaio di ricercatori appartenenti a 86 istituti di 29 paesi che ha come fine la costruzione di un rivelatore di ioni pesanti che consenta di esaminare gli effetti delle interazioni fra nuclei pesanti alle energie ottenibili con il Large Hadron Collider.

Obiettivi

Lo scopo scientifico è quello di studiare urti tra nuclei di piombo a un'energia del centro di massa di  per coppia di nucleoni. Si prevede che la temperatura e la densità di energia risultanti siano abbastanza per produrre una fase di materia chiamata plasma di quark e gluoni (acronimo inglese QGP), nel quale i quark e i gluoni sono liberi. Si crede che simili condizioni siano esistite una frazione di secondo dopo il Big Bang, prima che i quark e i gluoni si legassero per formare gli adroni.

L'evidenza sperimentale di questa fase e le sue proprietà costituiscono questioni centrali per la cromodinamica quantistica (QCD) ai fini della comprensione del confinamento di colore e della restaurazione della simmetria chirale. Per questo motivo il progetto ALICE si propone di portare avanti uno studio ad ampio raggio degli adroni, degli elettroni, dei muoni e dei fotoni prodotti nella collisione dei nuclei pesanti. ALICE studia anche collisioni protone-protone per confrontarle con le collisioni piombo-piombo nelle condizioni fisiche alle quali questo progetto è competitivo con altri esperimenti che saranno condotti con LHC.

Note

Altri progetti

Collegamenti esterni

Large Hadron Collider
Esperimenti del CERN

redpajama_set_name: RedPajamaWikipedia


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Axel (The Netherlands)
Terneuzen municipality, Zeeland province
Keywords: axel |
Axel [former] municipality
Axel Coat of Arms
Axel [former municipality] before 1970
Axel old Coat of Arms
Westdorpe
Zaamslag
Zeeland Province - The Municipalities
Terneuzen municipality
On 1 July 1970 Axel, Koewacht, Overslag and Zuiddorpe merged to form the new municipality of Axel, the flag in use is the same as the former municipality of Axel. On 2 Jan 2003 Axel merged, together with Sas van Gent with Terneuzen municipality.
image from the Axel municipal website.
The Coat of Arms was adapted slightly after the merger in 1970. The lion got dressed up a bit, by giving him a golden crown and golden nails, he know has a red tongue and a golden collar with a cross around his neck. The Coat of Arms was approved by Royal decree on 17 June 1970.
Franc van Diest, 16 Aug 2001
See International Civic Arms : http://www.ngw.nl/
Approved by Royal decree on 31 July 1917.
Westdorpe [former municipality]
Zaamslag [former municipality]

redpajama_set_name: RedPajamaCommonCrawl


a. Eligible to compete under SAL rules - viewable at http://uka.org.uk/competitions/rules/ - and willing to abide by those rules.
b. Aged 18 years or over on the day of the race.
c. Physically fit to run 26.2 miles.
2. Runners may enter representing their second claim club.
3. All runners participate entirely at their own risk. The race organisers (Strathearn Harriers) and their associates shall not be liable for any accident, injury, loss or damage arising as a consequence of any runner's participation in the race.
4. All runners participate on the understanding that the race is organised and resourced to take place within a six hour timeframe, which means that any runners still on the course six hours after the race has started cannot rely on the continuing availability of race officials, marshals, water stations or finishing line facilities.
5. By entering the race, you agree that we may use for promotional purposes pictures of you taking part in the Event or prize-giving.
8. Customers have the right to cancel and receive a refund for any entry made over the Internet as long as that is done within 14 days of the original entry date.
9. No other refunds will be made except in the event of the organisers deciding to cancel the race.


The devGroup training today covers the power of Signal Switching... Counter Trend traders LOVE the Reversal trader with Cluster2 Stacked and Cluster2 signals. MOMO traders might prefer the OR10 signal... Why not trade both????
Part Time Trading for a supplemental income?
Today we discussed the Power of Backtesting in devGroup. We covered Rules of Engagement / Trading Filters and Looked at the evidence showing fantastic profits over a 5 month period.
OR Trade winner and how to….


Mettler Toledo has announced the launch of digital sensors with ISM (Intelligent Sensor Management) technology, which helps reduce installation, maintenance and calibration efforts — thereby improving process reliability, productivity and system availability.
Mettler Toledo's digital sensors with ISM technology are equipped with an integrated chip in the sensor head that stores all relevant sensor parameters and algorithms for enhanced sensor diagnostics. The sensor stores all relevant data to enable fast start-up when connecting it to a transmitter. When a connection is made, the sensor is automatically detected and the system parameterizes itself. When making adjustments, calibration data from the sensor is imported for adjustment purposes, and typical threshold values are set for the sensor diagnostics. The measurement signal is evaluated directly in the sensor, which then allows for a smooth transfer of all measured values from the sensor to the transmitter by means of a low-impedance signal.
The ISM technology also allows for predictive maintenance. Its goal is to perform maintenance work only as often as necessary, i.e. to calibrate, service and replace parts only when actually required. This necessitates a precise understanding of the behavior of sensors under a range of process conditions. Mettler Toledo has also developed algorithms for predictive maintenance. This means that actual process conditions — namely pH value and temperature, among other measurements — are monitored continuously, allowing for a wear matrix to be established for a particular sensor. This simplifies diagnostics in the event of measurement problems, while also providing information about the timing of the next required calibration or adjustment, and the remaining lifetime of the sensor.
Calibration values and calibration history are stored in the integrated chip in the sensor head. This allows sensors to be pre-calibrated in the controlled environment of a maintenance shop or laboratory, and then stored ready for use. This means that untrained personnel can replace sensors, while skilled lab technicians can concern themselves with using ISM diagnostic tools to determine whether and for how long the sensors can continue to be used following cleaning, conditioning and recalibration — leading to improved process efficiency and resource optimization.
Mettler Toledo's digital sensors feature the K8S connector, which has IP68 degree of protection, making it ideal for harsh, humid environments. Also, the measuring instrument used with the sensor, the M700 transmitter, allows integration of up to three modules for pH/redox, oxygen and conductivity. The system is backward- and forward-compatible, meaning that transmitters with ISM functionality can also handle conventional analog sensors. Data transfer between the sensor diagnostics and transmitter can take place over long distances via a coaxial cable, due to the low-impedance signal that is used.


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Stanford és una població dels Estats Units a l'estat d'Illinois. Segons el cens del 2000 tenia una població de 670 habitants.

Demografia
Segons el cens del 2000, Stanford tenia 670 habitants, 236 habitatges, i 190 famílies. La densitat de població era de 680,8 habitants/km².

Dels 236 habitatges en un 43,6% hi vivien nens de menys de 18 anys, en un 62,3% hi vivien parelles casades, en un 14,8% dones solteres, i en un 19,1% no eren unitats familiars. En el 16,1% dels habitatges hi vivien persones soles el 7,2% de les quals corresponia a persones de 65 anys o més que vivien soles. El nombre mitjà de persones vivint en cada habitatge era de 2,84 i el nombre mitjà de persones que vivien en cada família era de 3,14.

Per edats la població es repartia de la següent manera: un 29,9% tenia menys de 18 anys, un 10,4% entre 18 i 24, un 30,3% entre 25 i 44, un 20,3% de 45 a 60 i un 9,1% 65 anys o més.

L'edat mediana era de 33 anys. Per cada 100 dones de 18 o més anys hi havia 88,8 homes.

La renda mediana per habitatge era de 49.375 $ i la renda mediana per família de 52.639 $. Els homes tenien una renda mediana de 35.500 $ mentre que les dones 27.813 $. La renda per capita de la població era de 18.687 $. Aproximadament el 2,3% de les famílies i el 3,7% de la població estaven per davall del llindar de pobresa.

Poblacions més properes
El següent diagrama mostra les poblacions més properes.

Referències

Comtat de McLean (Illinois)
Viles d'Illinois


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Environment, nature, TheHerringman - May 04, 2022
The Herring Man and the Sargasso Sea
The Sargasso Sea is characterised by its golden brown floating sargassum seaweed. Located in the North Atlantic Ocean the Sargasso Sea is the only sea without a land boundary and is instead bounded by a series of rotating currents on all sides. This open-ocean ecosystem plays a crucial role, acting as a haven to a multitude of marine species, providing habitats, spawning areas, migration pathways and feeding grounds to a diverse range of flora and fauna.
The sargassum seaweed itself is holopelagic; never attaching to the seafloor during its lifecycle and instead matting together and creating floating seaweed beds. During early encounters with the sargassum, sailors feared that they would become entangled in the seaweed and dragged down to the depths of the ocean. These fears inspired many fantasy stories and became entrenched in the lore of the Sargasso Sea. The intrigue and beauty of the Sargasso is featured in modern day fable The Herring Man by Cyril James Morris.
Photo Credit: Lindsay Martin, Sargasso Sea Commission
"The Herring Man is a small but beautiful book that will linger long in your memory." - Western Mail
A story of hope, dealing with grief and the importance of memory intertwined with the human connection to the ocean and the need for its conservation.
Gwyn Evans is the only living relative to tell the tales of the notable Herring Man. A sailor who travelled across the seas, sketching down his experiences and leaving his adventure stories as a legacy. However his grandson Gwyn now spends his days in silent isolation, fixing damaged fishing nets. Who will be left with the legacy of the Herring Man?
When a young boy becomes interested in his broken boat and offers to help, Gwyn is given hope and begins to unravel the legacy of the adventure stories.
And so he started, found his voice and softly told the room the very first tale he'd heard from his grandfather. The one about crossing one of the Seven Seas, the North Atlantic, through that magical place the Sargasso Sea where strange creatures never seen anywhere before crawled on floating seaweed. He said their black eyes blinked as they waved their antennae and claws at him as he sat at the tiller and slowly sailed past great rafts of coloured seaweeds in reds, yellows, greens, blues, pinks and browns. Like a miniature forest in autumn was how he'd described it. He'd had that way of saying things that conjured up the images so that they were easily re-membered. Could he do that? - Extract from The Herring Man
The Sargasso Sea Commission was established to play a stewardship role over the Sargasso Sea and to promote the international recognition and the importance of it within our ecosystem. Biodiversity within the area has been threatened by human interference including fishing waste, ship noise pollution and climate change.
In March 2014, governments of Azores, Bermuda, Monaco, the UK and the US came together to sign the Hamilton Declaration to "encourage and facilitate voluntary collaboration toward the conservation of the Sargasso Sea".
Photo credit: Pyramid Atlantic 'The Sargasso Sea Scrolls'. Created to celebrate and mark the signing of the Hamilton Declaration, which established the commission in 2014.
Parthian recognises the importance of intertwining creativity and culture in order to shine a spotlight on today's issues. So we were thrilled that the Sargasso Sea Commission reached out to include The Herring Man in their creative responses.
The role of our oceans are vital to our climate and the role and work of organisations like the Sargasso Sea Commission are so important to maintaining its biodiversity and longevity.
Parthian HQ itself is situated on the fringes of Cardigan Bay, a diverse marine ecosystem including several large pods of bottlenose dolphins, and many other marine species. We are definitely a team of coastal walkers, wild swimmers and hobby fishermen.
To learn more about the Sargasso Sea and the work of the Sargasso Sea Commission head over to their website.
The Herring Man by Cyril James Morris is available now!


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Movie Anna Sibyl Cin Deresi: Müsfer Escape Plan: The Extractors The Secret Life of Pets 2 Fast Furious Presents Hobbs Shaw The Corrupted The Lion King Məhəllə 3 Qaragöz Spider-Man: Far from Home The Dead Dont Die Heilstatten
Cinema Park Bulvar Metro Park Flame Towers Zaqulba Masallı Quba Mingecevir
Date Thursday, 18 July Friday, 19 July Saturday, 20 July Sunday, 21 July Monday, 22 July Tuesday, 23 July Wednesday, 24 July Thursday, 25 July Thursday, 01 August Friday, 02 August Saturday, 03 August Sunday, 04 August Monday, 05 August Tuesday, 06 August Wednesday, 07 August Thursday, 08 August
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(3D) 01:10 (3D) 01:10 (3D) 01:10 (3D) 01:10 (3D) 01:10 (3D) 01:10 (3D) 01:10 (3D) 01:10 (3D) 01:10 (3D) 01:10 (3D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:10 (2D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:20 (3D) 11:25 (3D) 11:25 (3D) 11:25 (3D) 11:25 (3D) 11:25 (3D) 11:25 (3D) 11:25 (3D) 11:30 (2D) 11:40 (3D) 11:40 (2D) 11:40 (3D) 11:40 (2D) VIP 11:40 (3D) 11:40 (2D) 11:40 (2D) VIP 11:40 (2D) 11:40 (3D) 11:40 (2D) 11:40 (3D) 11:40 (2D) VIP 11:40 (2D) 11:40 (3D) 11:40 (2D) 11:40 (3D) 11:40 (2D) VIP 11:40 (2D) 11:40 (3D) 11:40 (2D) 11:40 (3D) 11:40 (2D) VIP 11:40 (2D) 11:40 (3D) 11:40 (2D) 11:40 (3D) 11:40 (2D) VIP 11:40 (2D) 11:40 (3D) 11:40 (2D) 11:40 (3D) 11:40 (2D) VIP 11:40 (2D) 11:40 (2D) 11:40 (2D) 11:40 (2D) 11:40 (2D) 11:40 (2D) 11:40 (2D) 11:40 (2D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 11:55 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 12:00 (3D) 01:20 (2D) 01:20 (2D) 01:20 (2D) 01:20 (2D) 01:20 (2D) 01:20 (2D) 01:20 (2D) 01:20 (2D) 01:20 (2D) 12:15 (3D) 12:15 (3D) 12:15 (3D) 12:15 (3D) 12:15 (3D) 12:15 (3D) 12:15 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:20 (3D) 12:30 (3D) 12:30 (3D) 12:30 (3D) 12:30 (3D) 12:30 (3D) 12:30 (3D) 12:30 (3D) 12:35 (3D) 12:35 (3D) 12:35 (3D) 12:35 (3D) 12:35 (3D) 12:35 (3D) 12:35 (3D) 12:35 (2D) 12:35 (2D) 12:35 (2D) 12:35 (2D) 12:35 (2D) 12:35 (2D) 12:35 (2D) 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Client Affiliations
Sandra C. Howard
Location: Beaumont Office
Sandra C. Howard is a Golden Triangle native who graduated summa cum laude with a Bachelor of Science in Political Science from Lamar University in 1993. She received her Doctor of Jurisprudence degree from South Texas College of Law in 1998, graduating with honors. Sandra was named Best Oralist in the 1997 Spurgeon Bell Moot Court Competition. She received first place in the 1997 Starr Insurance Law National Moot Court Competition, and was a semi-finalist in the 1998 Craven Constitutional Law National Moot Court Competition. Sandra is a member of the Phi Kappa Phi Honor Society and the Phi Delta Phi Law Fraternity. Howard Sandra C. practiced with Zeleskey, Cornelius, Hallmark, Roper & Hicks, L.L.P. in Lufkin, Texas before joining Germer in 1999 where she is now of counsel. She is a member of Jefferson County Bar Association, State Bar of Texas, and Texas Association of Defense Counsel. Sandy was selected by her peers as a "Texas Rising Star", a Thompson Reuters publication, in 2007 and 2008. She has been appointed Municipal Judge for the City of Lumberton.
Mediation / Arbitration
Toxic Torts / Chemical Exposure
Joined Germer in 1999
State Bar of Texas – 1998
Admitted to practice before the following courts:
Texas State Courts
United States District Court for the Eastern District of Texas
Certified Mediator
Certified Family Law Mediator
Juris Doctor – with honors – 1998
Lamar University
Bachelor of Science – summa cum laude – Political Science – 1993
Professional Memberships and Affiliations
Jefferson County Bar Association
State Bar of Texas (admitted 1998)
Texas Association of Defense Counsel
Alternate Municipal Court Judge, Lumberton, Texas
Woodcrest United Methodist Church, Board of Trustees (3 terms)
Foster mother for the Southeast Texas Humane Society
Contact the Attorneys at Germer PLLC for a consultation today. We provide services for clients in Beaumont, Austin, Houston and surrounding areas.
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Haus Rules
Award winning executive chef, Fabian Sebastian Francis, talks to BTM about his journey to Haus and what the restaurant is all about.
Growing up on the Caribbean island of St Lucia, chef Sebastian had never imagined where life's journey would take him. "My mother, a single parent, worked two jobs and it was my older sister who had to make us dinner," he reminisces. "I never ate what she made, so I went into the kitchen to try my hand at cooking and found a passion in my love for it. At 22, I studied culinary arts at London's Westminster College, which enabled my character and passion to align."
Specialising in Pan Asian, French, Japanese and Modern European cuisine, chef Sebastian is grateful to have had many great opportunities to work alongside talented chefs. Starting, in London, as executive sous at the Bank restaurant, which boasts three-rosette fine dining, he stayed in the UK capital progressing to prestigious five-star property, The Sanderson, and renowned restaurants Chino Latino, Roka and Inamo, winning numerous awards for the latter.
This proved that the years of hard work and studying had paid off. "There were times that I wanted to give up this hard chef's life of long hours, stressful environment and family neglect for a normal life, but I kept true to myself and my passion," he says.
His Middle Eastern trajectory began when he was offered an opportunity to oversee the kitchen at Toko in Dubai. "Toko provided a great platform and stepping stone to my career in Dubai, and I have since consulted for numerous restaurants and hospitality groups, and also been head chef at a VIP residence."
He then took up the role of executive chef at Haus, which is "a full-service dining experience inspired by homegrown flavours from the world's best cuisines.
"It is an all-in-one concept featuring an 'upscale casual' restaurant, lounge and bakery with something for everyone. We are committed to offering sophisticated, yet not 'fussy', food in an innovative menu to the well-travelled customer, while maintaining an affordable price point."
Chef Sebastian admits an initial hesitance to living in Bahrain has disappeared and that the island has grown on him. "The people are friendly and genuine; it's what's kept me here for two years and it's a pleasure to make it my home."
He has been involved with Haus since the idea was conceived. "I could not have found a better project where I can create and develop not just staff, but also cuisine to a standard of what and where Bahrain should be on the culinary spectrum," he says.
After 25 years in his field, chef Sebastian has had the opportunity to work with brilliant chefs who influenced him to become the person he is and what he creates as a chef. He says: "I try to take all those experiences, whether it is management, creativity, menu development or innovation, to help me create something unique and amazing on a plate to satisfy my customers' appetites. I research quite a lot to stay abreast of the latest culinary developments and trends to stay on top of my game."
All the dishes on Haus's menu get great reviews but the spinach salad, mushroom arancini, tomato avocado salad, truffle marble beef, strip loin and sea bream are always in demand. And chef Sebastian aims to add some more prime items such as Wagyu, lobsters and truffles, while trying his best to support the local markets for fresh produce.
He says: "Haus is a collaboration of inspirational ideas for creating a hybrid by combining homegrown food and fine dining, and losing the stiff restaurant atmosphere. It differentiates itself from other restaurants, in that it provides a much-needed unpretentious cuisine and atmosphere directed to its dining, lounge and bakery. The aim is simple – to provide patrons with a perception of higher value than the rest, through its dedication to first-class food, service and the relaxed feeling of hanging out in someone's 'Haus'."
I am partial to home- cooked fare without the fuss and extra effort. Outside, always order something simple on the menu; you can tell a lot from a restaurant that can create a simple dish and execute it properly.
#BAHRAIN BEST CHEFS #DINING #CHEF #BTM JUNE 2019


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2018 Top Ten List #2 You Were Never Really Here
Director Lynne Ramsay
Lynne Ramsay on the set with actor Joaquin Phoenix
Award winners Ramsay and Phoenix at Cannes
YOU WERE NEVER REALLY HERE A
Great Britain France USA (95 mi) 2017 'Scope d: Lynne Ramsay Official site
It's an absolute pleasure to become reacquainted with this filmmaker after such a long absence, as it's been seven years since We Need to Talk About Kevin (2011). She's especially gifted in conveying mood and atmosphere, where flashbacks frequent her films, allowing deeper insight into character, where this is a deeply probing character study. Adapted from the Jonathan Ames novel, the film was actually released in competition at Cannes (while still a work in progress, now with fewer flashbacks and the sound design is finally completed) a year before the book was published, earning a seven-minute standing ovation afterwards while winning best screenplay and best actor for Joaquin Phoenix, which is surprising, as this is largely a wordless film. It is unfathomable how Sofia Coppola won Best Director at Cannes for The Beguiled (2017) , a sexually repressed costume drama and compromised period piece over this film, which is dense and magisterial in comparison, accentuated by Ramsay's superb directing, easily one of the better directed films in any film year. One can only conclude that it was all about the privilege of being a Coppola, which carries plenty of weight on the festival circuit, though every single one of Ramsay's films have been a directing sensation, as it is her most distinguishing characteristic as an artist and filmmaker, where she conveys a fiercely uncompromising spirit in every release. So while she was awarded for special distinction, it was in the wrong category, a problem that plagues nearly all film festivals, but especially Cannes in recent years. Hopefully this does not deter Ramsay from getting work, only her fourth film in the last 18 years, as she's developed a reputation for being difficult, but this is a sexist smear, as she was completely discredited by none other than Hollywood mogul Stephen Spielberg after Ramsay was hired to adapt a screenplay from the 2002 Alice Sebold novel The Lovely Bones and direct the film, working for a year in preparation, only to be fired by producer Spielberg in favor of fellow blockbuster filmmaker Peter Jackson, who made a positively dreadful film in 2009 accentuating a brightness of tone for a film about rape and serial killings, even dismemberment, leaving out the dark edge that Ramsay specializes in. Her reputation in the industry has never recovered, where only true cinema aficionados, apparently, understand and appreciate her worth, as she's simply never made a bad film and is among the most superlative directors working today, but damn if she can find work after that earlier incident, which caused her considerable heartache. Spielberg has never apologized or even recognized the error of his ways, but it's the worst thing that could have happened to this rising star, excluding her from the old boys club where in the past decade men direct more than 95% of all Hollywood films, basically putting the squeeze on her career, making it that much more difficult to find work. As if to compound that problem, Ramsay walked away from the western JANE GOT A GUN in 2013 after a standoff with producer Scott Stendorff over delays and his refusal to relinquish control of the final cut, claiming they wanted a completely different film than the one she intended to deliver.
A tense film noir thriller in every respect, with a command for editing and texture, opening with a fragmented piece of experimental cinema, what stands out is the disorienting camera work by Thomas Townend juxtaposed against Jonny Greenwood's abrasive electronic score, one of the more unusual in his repertoire, featuring evocative sound effects that may have viewers squirming in their seats. Joaquin Phoenix has a history of playing damaged souls, but has never been in a film made by Ramsay, who pays particular attention to his hulking physique, a man plagued by traumatizing war flashbacks and suicidal impulses, where the focus is on his inner turmoil, creating a kaleidoscopic portrait of his fractured psyche, where he remembers the lifeless feet of children that he saw while he was stationed overseas as a soldier and repeatedly sees ghosts of the past. Perhaps it takes a man with his deeply disturbing history, having survived the atrocities of war, and a career in the FBI, along with an abusive and tormenting father, which all have a debilitating effect on him, literally replaying in his mind as he's carrying out his assignment, which is rescuing underaged girls kidnapped in sex rings. While that sounds admirable, we quickly learn the extent of what he's willing to do, where he resembles a one-man wrecking crew, a RAMBO-like assassination team that destroys with amazing efficiency. Alone in an alleyway after completing a job, he's accosted by an assailant, making short work of him with a quick headbutt that has the intruder wailing on the ground, unable to come to their senses, while he calmly walks away. He lives with his elderly mother (Judith Roberts) in his childhood home, an unpretentious apartment in Queens, tenderly looking after her between jobs, where we catch a glimpse of them singing old familiar songs together as he helps her out polishing the silverware. His next assignment is a tricky one, as it involves the abducted teenage daughter of a New York State Senator, Albert Votto (Alex Manette). As we see him go about his routines, hiring a car, going shopping, buying tape and a hammer, while also having a sauna to get his mind right, he surveils the brothel property, watching who comes in and out, grabbing one of them, obtaining layout information, including the front door lock combination. As he enters, viewers watch security footage as the throbbing music takes on its own mindset as we hear a 60's pop tune playing throughout the dingy hotel-like premises, Rosie & The Originals - Angel Baby (1961) - YouTube (2:45), reminiscent of David Lynch's BLUE VELVET (1986), quickly dispatching of guards and customers alike, leaving them in a heap on the floor, with a blip on the soundtrack quickly jumping ahead like a record skip, with a sense of dread looming down the hallways, creating extraordinary levels of suspense with the camera simply following as he explores room to room, finally coming upon Nina (Ekaterina Samsonov). Whispering to her "Close your eyes" as he finishes off yet another, lifting her in his arms as he carries her to safety. Identifying himself as Joe, likely a made-up name, he's surprisingly gentle and careful of her fragile mental state as he puts her up in a hotel room awaiting contact from her father.
Like the best laid plans, this one goes awry, with Nina aghast at watching television news clips of her father jumping off a 20-story hotel ledge to his death. Without any time to process what happened, heavily armed police officers storm through the door, overpowering them and taking the girl, blood splattered across Joe's face, with a bullet lodged in his teeth, where Joe is left to wrestle with the one officer left behind, where he manages to escape, extracting the bullet on his own afterwards, like something we might have seen in graphic westerns. But all his previous contacts wind up dead, including his beloved mother, all part of a corrupt scheme between local and federal agents, where assassinations are part of an upended political power struggle, an internalized coup d'état that effectively shifts the power in someone's direction, all done behind the scenes without public scrutiny, where Joe is left on his own to try to figure things out. With agents already waiting for him at home, he sneaks in, killing one and wounding the other, expressed simultaneous to flashbacks of his father's brutally inflicted violence, eerily extracting information from the dying man that Nina is the favorite of Governor Williams (Alessandro Nivola). Completely ostracized and utterly demoralized, he buries his mother in a peaceful lake ritual that includes his own suicide as well, putting an end to his worries, yet with visions of Nina he has second thoughts, deciding he has unfinished business, becoming a Charles Bronson-style vigilante, a larger-than-life figure who is more mythic that real, an avenging angel in the Travis Bickle mode, vowing "Someday, a real rain will come and wash all this scum off the streets." Inevitable comparisons will be made to Martin Scorsese's Taxi Driver (1976), and rightly so, as there are few other films that demonstrate this sustained level of brilliance, where the meticulous attention to detail resembles the miraculous artistry of Scorsese, yet Ramsay has her own nihilistic vision on display, creating an impressionistic, psychologically rooted revenge saga with subliminal suicidal triggers that flare-up along the way, yet this portrait of such a deeply wounded soul is outrageously on the mark, where the quirky physicality of Phoenix takes hold, revealing a body riddled with scars, a roadmap of deep turmoil, as bruised and battered as his mind, yet completely unafraid of the moment. As we hear the familiar refrains of "Angel Baby" echoing throughout the immense corridors of the Governor's private retreat, the exquisite cataclysmic finale feels apocalyptic, otherworldly, almost unbearably intense, largely because of the recalled brilliance of the earlier rampage montage. Ramsay leaves out significant portions of the storyline, creating a minimalist, streamlined version, with most of the horror taking place off camera, while an interior psychological mood dominates the screen, which plays out so effortlessly, as we return to what is essentially familiar territory, where the mindset of the viewer is completely in simpatico with what's playing onscreen. Phoenix's powerful presence lends itself to a heroic finale, but he's matched by the vulnerability of Samsonov, who tames the beast, so to speak, with her innocence, despite the tragic ordeal she's been through. Still carrying the weight of the world on his shoulders at the end, we shudder to think how this might all play out, becoming almost comedic with a surreal daydream sequence, as both damaged figures are an absurdly matched pair. The portrait of Phoenix, including Ramsay's earlier film Kevin, with hints of Taxi Driver, are unglamorous views of toxic masculinity that are prevalent not just in America but around the world. This has become a driving force in contemporary global politics, Putin and Trump, including negative views of women, blacks, and immigrants (or anyone who doesn't think like us is fake), and the lack of social justice that exists because of it. By choosing a traumatized war veteran, with suicidal flashbacks and flaws galore (yet who sings silly songs with his mother!), Ramsay's getting at the heart of hero worship, a complete contrast to Eastwood's American Sniper (2014), which is all myth and bravado. Despite a Charles Bronson-style vigilante revenge drama genre, she humanizes him at every turn and makes him just as fragile as the damaged girl, where they are mirror images of each other at the end. End credit thanks to French filmmaker Jacques Audiard, maker of Dheepan (2015) and 2010 Top Ten Films of the Year: #10 A Prophet (Un Prophète), suggest a kinship of spirits, both advocates of ferociously uncompromising filmmaking.
Labels: criminality, Ekaterina Samsonov, film noir, Jacques Audiard, Joaquin Phoenix, Jonathan Ames, Jonny Greenwood, Judith Roberts, Lynne Ramsay, nihilism, pedophilia, sex abuse, suicide, Thomas Townend, thriller, trauma
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Pawel Edelman


text:
package sample.javafx.java;

import griffon.core.artifact.GriffonService;
import griffon.core.i18n.MessageSource;
import griffon.metadata.ArtifactProviderFor;
import org.codehaus.griffon.runtime.core.artifact.AbstractGriffonService;

import static griffon.util.GriffonNameUtils.isBlank;
import static java.util.Arrays.asList;

@ArtifactProviderFor(GriffonService.class)
public class SampleService extends AbstractGriffonService {
    public String sayHello(String input) {
        MessageSource messageSource = getApplication().getMessageSource();
        if (isBlank(input)) {
            return messageSource.getMessage("greeting.default");
        } else {
            return messageSource.getMessage("greeting.parameterized", asList(input));
        }
    }
}

redpajama_set_name: RedPajamaGithub


In the early part of the twentieth century, a campaign against midwifery began, which was led by the allopathic establishment. At that time, 95% of deliveries happened in the home with midwives present. The young medical industry was campaigning that midwives were unclean, and that midwives were the last option, reserved for those who could not afford real medicine. The industry jealously spied birthing as a potentially profitable option, so began a massive marketing blitz. Hospitals were being presented as the cleaner and safer option, with supposedly better trained professionals. Every one of these statements was untrue. What made these assertions most disturbing is the fact that doctors in those days received no hands-on training in birthing at all. The attacks against midwives continued for 30 years, despite the statistical proof that midwife-assisted births were categorically safer than those conducted in hospitals. Home birthing is still safer, over a century later.
When preparing for a birth in the United States, doctors present a wide range of choices for the mother, but these options do not materialize on the day of labor. In fact, the great majority of doctors in the United States have never witnessed a completely natural birth. Hospital policies encourage American doctors to always intervene in the birthing process, for the sake of making it as fast and profitable as possible. Thus, American doctors typically seek excuses to intervene, and unnecessary interventions are always dangerous.
During a natural birth, the mother's brain releases a hormone called oxytocin. It is nicknamed "the love hormone", because it fosters a loving emotional bond. It may equally affect the child as much as the soon-to-be mother, but this is impossible to know. This hormone is also believed to induce the contractions that are necessary for vaginal birth.
The chemical marketed as petocin is the drug industry's closest equivalent to oxytocin, but as is usual with synthetic imitations, the body does not react to it in the same way. The pharmaceutical version causes more pain, and as usual for chemical therapies; it comes with an array of side-effects. Petocin is used to induce deliveries prematurely, and such premature births have intentionally been made the norm in the United States.
The Hospital Birthing Procedure in the U.S.
Petocin is used to induce the delivery prematurely (for doctor's convenience and golf schedule).
The petocin causes exaggerated unnatural pain.
An epidural is needed to reduce the agonizing pain caused by the unnecessary pharmaceutical that was previously administered.
The epidural then impairs the delivery, so even more petocin is given.
The double dose of petocin causes contractions to be much more severe, and last for longer periods of time.
This combination begin compromising the oxygen and blood flow to the baby.
Women are placed on their backs, in the legs-in-stirrups position, making labor even more difficult for both mothers and babies, but it is more convenient for the doctors.
As the baby is increasingly harmed by all of these things, sometimes an emergency C-section becomes necessary.
When it is finally over, the doctors then applaud themselves concerning how great their interventions were at saving a child who would have never been in danger in the first place without their "help".
At some American hospitals, up to 70% of infants are delivered by way of cesarean section. These unnecessary interventions are the reason why so many American newborns die at birth, or within the first months of life. Despite the overwhelming army of specialized doctors and neonatalogists, the United States has never had "the best health care system in the world", as many Americans so love to believe.
"The United States has more neonatologists and neonatal intensive care beds per person than Australia, Canada and the United Kingdom, but its newborn [death] rate is higher than any of those countries."
C-sections continue to rise in popularity for several reasons. The first reason is that the natural birthing process has been demonized and mocked by the entertainment industry. It has driven terror into expectant mothers. Modern women often expect, and even hope for a C-section well before they enter the delivery room. If women demonstrate discomfort with the prospect of having a C-section, or with any other interventions, then they are told that such interventions are in the best interest of the baby. These are lies in most cases, but doctors know that mothers will always stop questioning when implied threats and guilting about their child's safety are issued.
Statistically, vaginal births are much less dangerous than cesarean sections. C-sections are a major surgery, which often cause infections that do not respond to antibiotics. Despite this, they are the most common surgery performed on women, because they help doctors to avoid lawsuits. In the event of a lawsuit, the use of a C-section supposedly proves to juries that the doctor "did everything he could" to assist the baby and mother. More often than not, juries believe it, and another doctor gets away with murder.
After a C-section, women are told that they must continue getting C-sections for every birth thereafter. Thus, each birth doubles the hospital's profit. Each subsequent birth is more dangerous for both the mother and child too.
Insurance companies often refuse to cover home births, because supporting the alternatives would eventually eliminate our need for their health insurance. In other words, the American medical system's prices are kept artificially high, so that customers are forced to buy insurance, which has policies ensuring that medical prices continue being high for the sake of perpetuating its own wealth-generating existence. Insurance companies have an incestuous relationship with the medial establishment, and neither would support anything that might decrease our dependence upon them, or decrease cost. Insurance agents have a tendency to seek only advice from in-system doctors, who predictably claim that home births are dangerous. The statistical evidence overwhelmingly proves the opposite. For example, America has the most births performed in hospitals, but it has the highest infant mortality rate in the industrialized world. Statistics prove that the more medical care a child receives, the more likely he is to die.
"Designer Birth" is a new term in which a caesarian-section is scheduled for a certain day and time, and then a tummy tuck is done immediately after a delivery. The only part missing is a drive-through. These have become more popular, due to their use by celebrities such as Victoria Beckham and Britney Spears. Such unnecessary interventions are madness, and they decrease the chances of a healthy mother and child. Regardless, this irresponsible practice is being adopted by a new generation of rich women, who favor glamor over the welfare of their own children.
In the 1930's, X-rays were used on pregnant women. It was later discovered that these gave the unborn children cancers, and the practice was stopped.
In the 1940's through the 1960's, morphine and scopolamine were administered successively to induce "Twilight Sleep". It was believed that this would change the experience of labor forever, by eradicating pain. It merely produced amnesia afterward, so that mothers had no recollection of the traumatic events, and the drug furthermore caused women to lose self-control. Women were routinely placed in straight jackets and strapped down to beds, in order to stop them from hurting themselves. It was common for doctors to leave the new mothers strapped to beds during the drug-induced psychoses, screaming in terror for hours at a time -- sometimes laying in their own feces and urine.
In the 1960's, the drug thalidomide was given to pregnant women, which resulted in infants who were born without arms and legs, and others with more random deformities. Thus, it too was eventually stopped.
In the early 1990's, Cytotec (misoprostol) was used to induce labor in women who previously had C-sections. This resulted in thousands of women with ruptured uteruses. This practice was abandoned in 1999, and the drug is now used for abortions.
The track record for Big Medica's interventions with the birthing process is miserable. The doctors still treat pregnancy as a disease, and the unborn children are treated like tumors needing extraction. Perhaps eventually they will stop experimenting on human beings and tampering with God's handiwork. Such a day is unlikely to come until parents start refusing to allow their children to be the test subjects for the industry's current fad, or whatever it finds most profitable.
Unless I am mistaken, I believe that the issue of using "Twilight Sleep" was one of the many horrors of medical practice that Michael Crichton wrote about in his autobiography, Travels. In case you aren't familiar with that book, Crichton started out wanting to be a doctor, but what he saw in medical school and his internship and residency horrified him so that he realized that he could never morally work as a doctor. He finished medical school so that he could say he had not quit, but he never practiced medicine and instead, became a filmmaker (probably the most known for his scripts of "Jurassic Park" and "The Andromeda Strain". but there many others, as well).
According to Crichton, there was an irony regarding the Twilight Sleep; women who were in the hospital where he worked as an intern who were unwed mothers were "punished" by the system by not being given any drugs of relief at all, which meant that they escaped the Twilight Sleep and therefore ended up experiencing a more natural birth experience than the "non-punished" mothers undergoing the horrors of Twilight Sleep, whom he described as elegant Boston women screaming and swearing like sailors.
By the dates you listed of when this was used, I know that at least with my birth in 1948 and my sister's birth in 1951, my mother must have had the Twilight Sleep. She was told after my birth that the birth was so difficult that the next one would kill her. She went on to have three more children, although the third one in 1954 and the fourth one in 1960 were Caesarian births. They surely didn't use Twilight Sleep on Caesarian births, did they? If so, then they were guilty of performing no worse tortures than the Japanese did to prisoners in World War II in their unit 731 with its non-anesthetic medical experimentation war crimes.
Referring back to your wonderful radio show about hypnotherapy, I would say that every single woman in the United States giving birth under Twilight Therapy would need to undergo hypnotherapy healing of their giving-birth traumas. I feel like having that therapy, myself, from simply having undergone a transesophageal echocardiogram and the subsequent shocks of electro cardioversion (which corrected my atrial fibrillation for only about a week before it came back again). They used some kind of "not an anesthetic but you will forget" drug for that and by the time I was back home after those procedures, my tongue looked like Shamu the Whale, nearly totally back and filled up my oral cavity completely. I was driven to the ER in a panic and taken in right away due what this (different hospital) immediately declared a life-threatening emergency. The ER doctor said my tongue was so badly traumatized that combined with the heavy shots of anticoagulant caused me to bleed heavily into my tongue. I cannot imagine what level of pain, fear, panic, suffering, and screaming I must have gone through to endure all of that. My conscious mind may not remember, but SOMETHING does--my subconscious, my body, my soul, maybe even a portion of my brain. Any system that subjects any patient to things like that must be pure evil, obviously.
I am actually amazed that there are no comments on this article.
Labor and Childbirth have become dirty words in America, and are to be avoided at all cost - doctors are encouraging their patients by scheduling inductions (that goes hand-in-hand with epidural anesthesia) or even routine primary C/Sections. All done between 9 and 5, Monday thru Friday.
Patients who may have optioned for a VBAC (vaginal birth after caesarian) - following C/Section for breech or fetal distress in an earlier birth, are being turned away by doctors and hospitals claiming liability. A hospital in Northern Arizona threatened a former patient with a court order if she showed up in labor and refused a Caesarian, even though she had previously given birth via VBAC there. She ended up relocating with her three young children for the remaining months of her pregnancy - in order to avoid unnecessary surgery.
Thalidomide was routinely given to pregnant women for nausea and insomnia in Europe, Canada, Africa, South America, the Far East and Great Britain, after it was marketed in Germany in 1957. It was billed as a wonder drug - pain reliever, cold medicine, tranquilizer and antiemetic. When the drug was pulled from the market between 1961 and 1962, more than 10,000 babies had been born world wide, most with life threatening birth defects, due to the prenatal use.
The drug was never authorized for sale in America, thanks to the efforts of pharmacologist and M.D. Frances Oldham Kelsey - Kelsey refused to give FDA approval to the Richardson-Merrell company, claiming further studies were needed - but millions of tablets were distributed to physicians during clinical testing. It is unknown how many pregnant women took the drug to help alleviate morning sickness, or as a sedative.
Cytotec is marketed to be used with non-steroidal anti-inflammatory drugs (NSAIDs), to decrease the chance of developing an NSAID-induced gastric ulcer. It was determined that patients who became pregnant during it's use were at high risk of birth defects (use during the first trimester of pregnancy caused skull defects, cranial nerve palsies, facial malformations, and limb defects) also spotting, cramping and miscarriage.
The vaginal administration of Cytotec, OUTSIDE OF IT'S APPROVED INDICATION, is being used when the cervix is not ready for labor (UNRIPE) - prior to administering Pitocen. Hyper-stimulation is a serious adverse effect that causes pain, maternal and fetal distress, impairment of the blood flow to the placenta, fetal bradycardia, amniotic fluid embolism and uterine rupture - irregardless of prior uterine surgery.
Severe pain, uterine tetany causing hemorrhage, retained placenta, shock, fetal and maternal death - have all been reported. Obviously the presence of a uterine scar, only adds to the risk. Approximately 1/3 of the patients given vaginal Cytotec have no response - IMO that is a lot of risk - for very little possible gain.
Misoprostol can be purchased on line, allowing women to perform an abortion thru the 8th week of pregnancy - in the privacy of her own home - the possibility of retained products of conception (incomplete TAB) can then treated like an incomplete miscarriage - (spontaneous abortion) or even bleeding of unknown cause - all treated by a D & C.


You know when sometimes is so weird that it becomes cool? That was the case with this pink granny sweater. While I was in Paris for the weekend, my friend took me to this really cool neighbourhood to check out some vintage shops.


text:
@interface SCBubbleCoordinator : NSObject<NavigationCoordinator>
@end

#endif  // IOS_SHOWCASE_BUBBLE_SC_BUBBLE_COORDINATOR_H_


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