text:
Phnom Penh Post - Trump announces plan to scrap birthright citizenship
Trump announces plan to scrap birthright citizenship
US President Donald Trump speaks during an election rally in Illinois on Saturday. Trump plans to abolish the right to citizenship for anyone born in the US – guaranteed by the 14th Amendment to the US Constitution – with an executive order. NICHOLAS KAMM/AFP
Thu, 1 November 2018
PRESIDENT Donald Trump said he will scrap a constitutional guarantee to citizenship for anyone born on US soil in a headline-grabbing move bolstering his anti-immigration platform a week before midterm elections.
The surprise announcement, in an interview with Axios released in part on Tuesday, followed the dispatch of more than 5,000 regular troops to the Mexican border, itself a highly unusual move prompted by Trump's warnings of a migrant "invasion."
The birthright citizenship proposal was likely to prove even more controversial, given questions over whether a president can meddle with the constitution at all.
The right to US citizenship for all born in the country is enshrined in the 14th amendment. To change the constitution requires a two-thirds majority in Congress.
But Trump told Axios that he now believes a stroke of his pen will be enough.
"It was always told to me that you needed a constitutional amendment. Guess what? You don't," Trump said. "Now they're saying I can do it just with an executive order."
Trump railed against the current rule, erroneously declaring that the US is unique in granting citizenship this way.
"We're the only country in the world where a person comes in, has a baby and the person is essentially a citizen of the US for 85 years with all of those benefits. It's ridiculous and it has to end," he said.
In fact, more than two dozen grant citizenship automatically to newborns, including Canada.
Trump said he had spoken to legal counsel about the plan and that the change is already in the works.
But Trump's own fellow Republicans stressed that it was impossible to change a cornerstone of the US immigration system with a simple stroke of the presidential pen.
"You cannot end birthright citizenship with an executive order," said House Speaker Paul Ryan.
"As a conservative, I'm a believer in following the plain text of the Constitution, and I think in this case the 14th Amendment is pretty clear, and that would involve a very, very lengthy constitutional process."
Republicans have, however, repeatedly tried to question that principle.
Senator Lindsey Graham hailed Trump's announcement.
"Finally, a president willing to take on this absurd policy of birthright citizenship," he wrote on Twitter, calling birthright citizenship a "magnet for illegal immigration" to the US.
Aimed at voters
The constitutional amendment in question reads: "All persons born or naturalised in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside."
Trump's surprise policy announcement will trigger intense legal debate over the meaning of those words and how to apply the venerable constitution in a changing world.
However, while the birthright row will likely drag on, the political impact was sure to be immediate and intense – right ahead of the midterms, where Trump has made slashing immigration his signature idea.
In the final countdown to the November 6 polls, which could see opposition Democrats seizing control of at least part of the Republican-held Congress, Trump has doubled down on depicting the country as under attack by immigrants.
His order for large numbers of active duty soldiers to deploy in coming days to the border, reinforcing thousands of already deployed National Guard troops, brought the highest level of militarisation to the border with major trading partner Mexico in recent years.
Trump says the armed forces are needed in the face of a "caravan" of several thousand impoverished Central Americans who are slowly trekking north in an attempt to enter the US.
The president's increasingly hardline anti-immigration stand could help him take back the agenda after a week dominated by the massacre of 11 people in a Jewish synagogue in Pittsburgh, rocking a country already on edge after more than a dozen homemade bombs were sent to Trump opponents.
The Florida man accused of mailing the pipe bombs appeared to have been a hardcore Trump supporter and critics have claimed that the president's divisive language on immigration is at least partly responsible for encouraging extremist violence.
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In August 2016, I am giving a talk at the User Experience Auckland Group about the Tactile Astronomy Project.
En Julio de 2016 dí una plática en PLATOON Ciudad de México con la temática de El Futuro Del Trabajo.
Speaker: Capital Raising for the Roadless Economy.
As a 3-part workshop engagement with the Innovation Liberation Front, I helped co-facilitate a specific session on raising capital for UAV startups.
The session focused on IP creation, protection, understanding how a startup works and how it works in the context of UAVs and New Zealand regulations.
In March 2015, I spoke at AUT COLAB about the emergence of the New Zealand Roadless Economy.
I've been invited to speak at the June meeting of the Auckland Chapter of Junior Chamber International (JCI).


text:
Q: Missing WPF styles when using Nuget instead of Reference I have built and uploaded a nuget package from a ui solution which contains resource dictionaries, custom controls and various helper methods. I have then removed the external dll and reference to it from my main solution and added the nuget package as a dependency.
The custom controls and helper methods work fine. However all the styling is missing as if it can't find the resource dictionaries. However if I directly reference the styles with a dynamic resource they work fine.
If I reset my main solution branch and just replace the direct reference dll with the dll from inside the nuget package it works fine. It also works fine if I make a third solution and use it with a dynamic resource.
My current best guess is that it's no longer able to find inherited styles from the dictionaries but I don't understand how using a nuget package would make any difference.
Edit:
So in the package nuget dll there are a bunch of styling xaml files. They are merged into one large resource dictionary like so:
<ResourceDictionary.MergedDictionaries>
  <ResourceDictionary Source="A.xaml" />
  <ResourceDictionary Source="B.xaml" />
  <ResourceDictionary Source="C.xaml" />
<ResourceDictionary.MergedDictionaries>

And that resource is in a folder called Styles like so:
Solution
  - Project
    - Styles
      - Styles.xaml

In nuget I have packaged the output release DLL and all localisation dlls using these lines in the files section:
<file src="bin\Release\**\UISolution.dll" target="lib\net40" />
<file src="bin\Release\**\System.Windows.Interactivity.resources.dll" target="lib\net40" />

All the dependencies like Prism and Microsoft.Bcl and included under the .NETFramework4.0 group.
Before when I was using a direct dll reference my main solution had a resource dictionary inside of it that looked like:
<ResourceDictionary.MergedDictionaries>
  <ResourceDictionary Source="D.xaml" />
  <ResourceDictionary Source="E.xaml" />
  <ResourceDictionary Source="/UISolution;component/Styles/Styles.xaml" />
<ResourceDictionary.MergedDictionaries>

There is also this in MainWindow.xaml which I think was to make the inherited styles work with the direct dll reference:
Application.Current?.Resources.MergedDictionaries.Add(
    new ResourceDictionary
    {
        Source = new Uri("/Styles/Styles.xaml", UriKind.Relative)
    });

Which was working fine. However now that I have deleted the direct dll reference and installed it by nuget instead this only seems to work if I directly refer to a style using a dynamic resource. All inherited styles seem to have stopped working.

A: I ran into this same issue. The problem is that the reference to the xaml files is not going to resolve as these are not part of the package. You need to set the properties on your xaml files to "Copy if Newer" and then they will be part of the build and pulled into the nuget package. Once you do this, the method of referencing you used before, "/UISolution;component/Styles/Styles.xaml", will work.

redpajama_set_name: RedPajamaStackExchange


Code Inside Blog | There is a new GAC with .NET 4.0?
There is a new GAC with .NET 4.0?
Every .NET 4.0 or CLR 4.0 application use this GAC.
What happens to the "old" GAC?
It is still responsible for .NET 2.0 - .NET 3.5 or CLR 2.0 applications.
CLR? .NET Framework Version? Isn't that the same thing?
"In .NET Framework 4.0, the GAC went through a few changes. The GAC was split into two, one for each CLR.
The CLR version used for both .NET Framework 2.0 and .NET Framework 3.5 is CLR 2.0. There was no need in the previous two framework releases to split GAC. The problem of breaking older applications in Net Framework 4.0.
Thanks for the post. "Interference issues" was intentionally vague. At the time of writing, the issues were still being investigated, but it was clear there were several broken scenarios.
For instance, some applications use Assemby.LoadWithPartialName to load the highest version of an assembly. If the highest version was compiled with v4, then a v2 (3.0 or 3.5) app could not load it, and the app would crash, even if there were a version that would have worked. Originally, we partitioned the GAC under it's original location, but that caused some problems with windows upgrade scenarios. Both of these involved code that had already shipped, so we moved our (version-partitioned GAC to another place.
This shouldn't have any impact to most applications, and doesn't add any maintenance burden. Both locations should only be accessed or modified using the native GAC APIs, which deal with the partitioning as expected. The places where this does surface are through APIs that expose the paths of the GAC such as GetCachePath, or examining the path of mscorlib loaded into managed code.


Wireless Festival to expand in 2014, with the music extravaganza set to take place in Birmingham as well as London.
Wireless Festival organisers have announced that the annual Wireless Festival will return as a "two-site, multi-stage event" next year. The festival has been based in London since its launch in 2005, and has seen the likes of Jay-Z, Justin Timberlake and Nas pass through over the years.
Wireless Festival 2014 will be returning as a two site, multi stage event, that will see the same artists play across sites in London and Birmingham across different days over the same weekend.
The festival will be held on the weekend of July 4, 5 and 6, with the first acts being announced and tickets going on sale in January.
If you can't wait until then, though it's just around the corner, you can register for ticket pre-sale at www.livenation.co.uk.


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text:
Home/Salud/If you get up early you may have a lower risk of breast cancer
If you get up early you may have a lower risk of breast cancer
venezuela November 8, 2018 Salud, venezuela
the women who loves rise early are less likely to developing breast cancer, suggests a new study. The British researchers analyzed two databases that included more than 409,000 women to investigate the relationship between sleep patterns and the risk of breast cancer.
Compared to nightworms, women like they got up early they had a 40 percent lower risk of breast cancer, found the study.
The data also showed that women who slept longer than the seven to eight hours recommended per night had a 20 percent higher risk of breast cancer for every additional hour as they slept.
"We would like to do more work to investigate the mechanisms underlying these results, as they estimated the estimates based on questions about preferences in the morning or evenings, rather than if people actually stood earlier." Or later, "says Rebecca Richmond , a researcher in the Comprehensive Cancer Epidemiology Program at Cancer Research UK, at the University of Bristol.
"In other words, habits do not change the risk of breast cancer, it may be a more complicated issue," he said.
"The result of a protective effect of morning preference on the risk of breast cancer in our study, however, is consistent with previous research …", noted Richmond.
"We also found some evidence of causal relationship with longer sleep duration and sleep fragmentation on breast cancer," he added.
The study was presented Tuesday at the annual cancer conference from the National Cancer Research Institute (NCRI) in Britain, Glasgow, Scotland.
The study did not show a causal link between sleep patterns and the risk of breast cancer.
"They are interesting findings that provide more evidence of how our body's clock and our natural sleep preferences are involved at the beginning of breast cancer"Cliona Clare Kirwan, member of the NCRI Breast Clinical Study Group, did not attend Kirwan in the survey.
"We already know that night shift work is associated with poor mental and physical health, and this study offers more evidence that disturbing sleep patterns can play a role in the development of cancer," says Kirwan in a statement. pressure of the meeting.
The surveys presented at the meetings are considered provisional until published in a peer-reviewed journal.
Coinbase, Binance, OKex and Huobi announce the token to invest in Ethereum 2.0
STICK FOR BARÇA! The club confirms that Dembélé has left …
DIRECTLY | A SpaceX Dragon cargo ship takes off for the International Space Station
The "medicine" for a 107-year-old neighbor from Xàbia: take care of the garden every day
12 million toys arrive for boys and girls in their home country
Fernando Colunga WAITING to have children; this is the reason

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Auth all users to Firebase I have a firebase app for which I don't need or want user signup or login but I want to setup Auth to make sure database can only be accessed through my app. Is there any way to do so?

A: You can use Anonymous Authentication for that purpose. Users don't need to enter any details for sign up or login, Firebase will simply give them an uid to access your database and you can still keep your Firebase Security Rules set to auth!=null.
Go ahead, add Firebase Auth to your app and then on your Activity:

*

*Grab an instance of the FirebaseAuth Object:
private FirebaseAuth mAuth; mAuth = FirebaseAuth.getInstance();

*Sign the user in, anonymously:
mAuth.signInAnonymously()
.addOnCompleteListener(this, new OnCompleteListener<AuthResult>(){
    @Override
    public void onComplete(@NonNull Task<AuthResult> task){
        if(task.isSuccessful()){
            Log.d(TAG, "signInAnonymously:success");
        }
        else
        {
            Log.w(TAG, "signInAnonymously:failure", task.getException());
            Toast.makeText(AnonymousAuthActivity.this, "Failed", Toast.LENGTH_SHORT).show();
        }
    }
});


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text:
ARC-funded researchers take top honours at Eureka Prizes
Australian Research Council (ARC) Chief Executive Officer, Professor Aidan Byrne, has congratulated the winners of the 2016 Eureka Prizes.
The annual Eureka Prizes, presented by the Australian Museum, showcase the very best of Australian science in the four areas of: scientific research and innovation; science leadership; science communication and journalism; and school science.
Professor Byrne extended special congratulations on behalf of the ARC to a number of recipients who have been supported by the ARC in their research endeavours:
Australian Laureate Fellow, Professor Gordon Wallace, Centre Director of the ARC Centre of Excellence for Electromaterials Science at University of Wollongong, received the CSIRO Eureka Prize for Leadership in Innovation and Science.
ARC-funded researcher, Professor Ewa Goldys, Deputy Director of the ARC Centre of Excellence for Nanoscale BioPhotonics at Macquarie University, and her research partner received the ANSTO Eureka Prize for Innovative Use of Technology.
ARC-funded researcher, Professor Ross Large, and his team from the ARC Centre of Excellence in Ore Deposits at University of Tasmania, received the UNSW Eureka Prize for Excellence in Interdisciplinary Scientific Research for the Trace Elements in Past Oceans (TEPO) project, along with collaborating institutions.
ARC Australian Laureate Fellow, Professor Leann Tilley, and her team from The University of Melbourne, which includes ARC Future Fellow, Associate Professor James McCaw, received the Australian Infectious Diseases Research Centre Eureka Prize for Infectious Diseases Research.
Australian Laureate Fellow, Associate Professor Philip Bland, and his team from Curtin University, received the Department of Industry, Innovation and Science Eureka Prize for Innovation in Citizen Science for their Fireballs in the Sky project.
ARC Future Fellow, Dr Peter Czabotar, and fellow researchers from Walter and Eliza Hall Institute of Medical Research, were awarded the Johnson & Johnson Eureka Prize for Innovation in Medical Research.
ARC-funded researcher, Associate Professor Sharath Sriram from RMIT University, received the 3M Eureka Prize for Emerging Leader in Science.
ARC-funded researcher, Professor Patricia Davidson from the University of Technology Sydney, received the University of Technology Sydney Eureka Prize for Outstanding Mentor of Young Researchers.
ARC-funded researcher, Professor Alistair Forrest, is scientific coordinator of the FANTOM5 (Functional Annotation of the mammalian genome) which received the Scopus Eureka Prize for Excellence in International Scientific Collaboration.
"All of these researchers—indeed all of the finalists—are making remarkable contributions towards the advancement of science and research in Australia, and I am delighted that their efforts are being recognised with these awards," said Professor Byrne.
For more information about all 2016 prize winners, visit the Australian Museum's Eureka Prizes website. For more information about ARC funding schemes, visit the ARC website.
ARC Stakeholder Relations
0412 623 056 or communications@arc.gov.au
New Chief Research Officer to further build research excellence
8 December 2022 New Chief Research Officer to further build research excellence The Australian Research Council (ARC) has appointed Professor Christina Twomey as the ARC's inaugural Chief Research Officer (CRO), to commence in January 2023. The senior…
'Collaborative robots' working with employees
7 December 2022 'Collaborative robots' working with employees The Australian Research Council (ARC) Deputy Chief Executive Officer (CEO), Dr Richard Johnson, officially launched the ARC Training Centre for Collaborative Robotics in Advanced Manufacturing (…


text:
Home Recreation Hiking Southern extent of tamarack highlight of Cranesville Swamp
Southern extent of tamarack highlight of Cranesville Swamp
David Sibray, Editor
If you're a Canadian, chances are that tamaracks are nothing new. But if you're a West Virginian, you've probably never seen one. That's because the tree's southern natural extent is in the Mountain State's most lofty northern reach — in an obscure corner of the state in the Cranesville Swamp.
Here in a 'frost pocket" in the lee of the Briery Mountains, several species of northerly plant grow, including the tamarack (Larix laricina) or eastern larch. A conifer that sheds its needles in winter, the tree may be purposefully planted elsewhere in the cool highland regions of the state, but here in the relatively chill Allegheny climate in the midst of a sphagnum bog it reaches its southernmost natural end.
Tamarack, an Algonquin word that means "tree from which snow-shoes are made," is among the most northern species of tree native to North America and thrives from northern Indiana and New England into the Arctic Circle. It's no surprise this corner of West Virginia is often compared to New England. Here many species home in the northern Appalachians dominate the landscape, including sugar maples, which burst into brilliant reds and pinks in autumn.
Thanks to the Nature Conservancy, the tamarack and a host of other boreal plants, including carnivorous pitcher plants and sundews, are protected here in the 1,600-acre Cranesville Swamp Nature Preserve near Terra Alta, West Virginia. Looking for an afternoon getaway in the mountains? Don't miss a hike through the preserve or a stroll on its bog boardwalk. No matter the season, it's spectacular.
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David Sibray
Author, historian, and proponent of inventive economic development in West Virginia, David Sibray is the founder and publisher of West Virginia Explorer Magazine. For more information, he may be reached at 304-575-7390.
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S2, the Sounders' USL team, announced Friday the signings of defender Brandon John and midfielders Jordy Delem and Willy Kapawa.
S2, the Sounders' USL team, announced Friday the signings of defender Brandon John and midfielders Jordy Delem and Willy Kapawa. All three are eligible for Sunday night's home match against Oklahoma Energy FC. Per league and club policy, terms of the agreements are not being disclosed.
John, 21, is a native of St. Vincent and the Grenadines — as is coach Ezra Hendrickson, forward Myron Samuel and Sounders attacker Oalex Anderson — though he has Canadian citizenship and played for Canada's U-20 team. He most recently suited up for FC Erzgebirge Aue's U-23 squad in the German fifth division.
Delem, a 23-year-old defensive midfielder, has earned 29 caps and scored four goals for the Martinique national team. And Kapawa, 23, signs from Lion Blesse de Fotouni of his native Cameroon.


text:
Asterisk (*) denotes a "featured" version, which includes an introduction and annotation *Letter from Thomas Ford, 17 December 1842 *Letter to Wilson Law, 16 August 1842 *Letter from Emma Smith, 16 August 1842 *Journal, December 1841–December 1842 *Discourse, 29 August 1842 *Letter from Justin Butterfield, 17 December 1842 *Letter from James Arlington Bennet, 1 September 1842 *Letter from Wilson Law, 16 August 1842 *Letter to the Church, 7 September 1842 [D&C 128] *Letter to "All the Saints in Nauvoo," 1 September 1842 [D&C 127] *Letter from Wilson Law, 17 August 1842 *Letter from Thomas Carlin, 27 July 1842 *Letter to Emma Smith, 16 August 1842 *Letter to James Arlington Bennet, 8 September 1842 *Memorandum, 2 October 1841 *Letterbook 2
[pages 40–42, donation records dated 27–31 December 1841]
December 29th The corner stone of the
was laid by President Joseph Smith. on the 2d. of October 1841. (At the commencement of the Last General conference of the church. in
. previous to the finishing of the
This parenthetical statement reflects a comment JS made 3 October 1841 during the same conference: "There shall be no more baptisms for the dead, until the ordinance can be attended to in the font of the Lord's House; and the church shall not hold another general conference, until they can meet in said house. For thus saith the Lord!" Although church leaders continued holding conferences, none was designated a "general conference" until October 1845. ("Minutes of a Conference," Times and Seasons, 15 Oct. 1841, 2:578; italics in original; "Conference Minutes," Times and Seasons, 1 Nov. 1845, 6:1008–1016; "First Meeting in the Temple," Times and Seasons, 1 Nov. 1845, 6:1017–1018.)
And the following articles were deposited therein by the president.
To Wit.—
A. Book of Mormon
A. Revelation given January 19[th] 1841.
Among other things, this revelation gave the injunction to build the Nauvoo House and instructions for building the temple in Nauvoo. The water-damaged manuscript also contains a brief revelation dated 20 March 1841, authorizing William Allred and Henry Miller to be stock agents for the Nauvoo House Association. This Allred and Miller revelation is recorded on page 15 of the Book of the Law of the Lord and under the entry of 20 March 1841 in JS's manuscript history. In addition to the two revelations, the last page of the manuscript contains a note recording that JS laid the cornerstone of the Nauvoo House. (Revelation, 19 Jan. 1841, in Revelations Collection, CHL [D&C 124]; see also Revelation, 19 Jan. 1841, in Book of the Law of the Lord, 15 [D&C 124]; and JS History, vol. C-1, 1173.)
The Doctrine and Covenants of the Church of Jesus Christ of Latter Day Saints; Carefully Selected from the Revelations of God. Compiled by Joseph Smith. 2nd ed. Nauvoo, IL: John Taylor, 1844.
The Book of the Law of the Lord, Record Book, 1841–1845. CHL.
JS History / Smith, Joseph, et al. History, 1838–1856. Vols. A-1–F-1 (original), A-2–E-2 (fair copy). Historian's Office, History of the Church, 1839–ca. 1882. CHL. CR 100 102, boxes 1–7. The history for the period after 5 Aug. 1838 was composed after the death of Joseph Smith.
The "Times & Seasons" containing the charter of the
The charter for the Nauvoo House appeared in the 1 April 1841 issue of the Times and Seasons.
Journal of
This sixty-page pamphlet, giving an account of Kimball's first mission to England, was dictated to Robert B. Thompson by Kimball and published in 1840 while Kimball was on his second mission to England. (Robert B. Thompson, Journal of Heber C. Kimball an Elder of the Church of Jesus Christ of Latter Day Saints [Nauvoo, IL: Robinson and Smith, 1840]; Crawley, Descriptive Bibliography, 1:141–143.)
Thompson, Robert B. Journal of Heber C. Kimball an Elder of the Church of Jesus Christ of Latter Day Saints. Nauvoo, IL: Robinson and Smith, 1840.
Crawley, Peter. A Descriptive Bibliography of the Mormon Church. 3 vols. Provo, UT: Religious Studies Center, Brigham Young University, 1997–2012.
The Memorial of
Lyman Wight
9 May 1796–31 Mar. 1858. Farmer. Born at Fairfield, Herkimer Co., New York. Son of Levi Wight Jr. and Sarah Corbin. Served in War of 1812. Married Harriet Benton, 5 Jan. 1823, at Henrietta, Monroe Co., New York. Moved to Warrensville, Cuyahoga Co., Ohio, ...
. To the
North American constitutional republic. Constitution ratified, 17 Sept. 1787. Population in 1805 about 6,000,000; in 1830 about 13,000,000; and in 1844 about 20,000,000. Louisiana Purchase, 1803, doubled size of U.S. Consisted of seventeen states at time ...
'. Senate.
This memorial by Wight is probably a copy of his petition describing atrocities committed against the Mormons in Missouri, addressed to "the Honorable Senate of the United States." (Lyman Wight, Petition, ca. 1839, CHL.)
Wight, Lyman. Petition, Liberty, MO, 15 Mar. 1839. CHL. MS 24547.
A Book of Doctrine & Covenants.— 1st. Edition.
Doctrine and Covenants of the Church of the Latter Day Saints: Carefully Selected from the Revelations of God, compiled by JS, Oliver Cowdery, Sidney Rigdon, and Frederick G. Williams (Kirtland, OH: F. G. Williams, 1835).
Doctrine and Covenants of the Church of the Latter Day Saints: Carefully Selected from the Revelations of God. Compiled by Joseph Smith, Oliver Cowdery, Sidney Rigdon, and Frederick G. Williams. Kirtland, OH: F. G. Williams, 1835. Also available in Robin Scott Jensen, Richard E. Turley Jr., Riley M. Lorimer, eds., Revelations and Translations, Volume 2: Published Revelations. Vol. 2 of the Revelations and Translations series of The Joseph Smith Papers, edited by Dean C. Jessee, Ronald K. Esplin, and Richard Lyman Bushman (Salt Lake City: Church Historian's Press, 2011).
No. 35. of the Times and Seasons.
"Whole No. 35," dated 1 October 1841, was the most recent issue of the Times and Seasons.
The original Manuscript of the Book of Mormon.
Warren Foote recalled, "I was standing very near the cornerstone, when Joseph Smith came up with the manuscript of the Book of Mormon and said he wanted to put that in there, as he had had trouble enough with it." (Foote, Autobiography, 2 Oct. 1841; see also Ebenezer Robinson, "Items of Personal History of the Editor," The Return, Aug. 1890, 315; John Brown, [Pleasant Grove, Utah Territory], to [John Taylor], [20 Dec. 1879], photocopy, private possession, copy at CHL; and Skousen, Original Manuscript, 5–7, 37.)
Foote, Warren. Autobiography, not before 1903. Warren Foote, Papers, 1837–1941. CHL. MS 1123, fd. 1.
The Return. Davis City, IA, 1889–1891; Richmond, MO, 1892–1893; Davis City, 1895–1896; Denver, 1898; Independence, MO, 1899–1900.
Brown, John. Letter, Pleasant Grove, Utah Territory, to John Taylor, 20 Dec. 1879. Copy. First Presidency (John Taylor) Correspondence, 1877–1887. CHL. CR 1 180, box 3, fd. 6.
Skousen, Royal, ed. The Original Manuscript of the Book of Mormon: Typographical Facsimile of the Extant Text. Provo, UT: Foundation for Ancient Research and Mormon Studies, Brigham Young University, 2001.
The persecution of the Church in the State of
, published in the "Times & Seasons"
The series titled "A History, of the Persecution, of the Church of Jesus Christ, of Latter Day Saints in Missouri" appeared in issues 2–12 in the first volume of the Times and Seasons (Dec. 1839–Oct. 1840).
1 Half Dollar) Silver Coin
1 Quarter Dollar)
2 Dimes)
2 Half Dimes)
1 copper Coin.—
Ebenezer Robinson reported that the objects placed in the cornerstone were "encased in sheet lead to protect the contents from moisture." (Ebenezer Robinson, "Items of Personal History of the Editor," The Return, Aug. 1890, 315.)
[donation records dated 2 August–6 October 1841, lines 25–34]
17 January 1842 • Monday • First of Three Entries
January 17. 1842—
O[rson] Pratt
19 Sept. 1811–3 Oct. 1881. Farmer, writer, teacher, merchant, surveyor, editor, publisher. Born at Hartford, Washington Co., New York. Son of Jared Pratt and Charity Dickinson. Moved to New Lebanon, Columbia Co., New York, 1814; to Canaan, Columbia Co., fall...
W[ilford] Woodruff
1 Mar. 1807–2 Sept. 1898. Farmer, miller. Born at Farmington, Hartford Co., Connecticut. Son of Aphek Woodruff and Beulah Thompson. Moved to Richland, Oswego Co., New York, 1832. Baptized into Church of Jesus Christ of Latter-day Saints by Zera Pulsipher,...
Geo. A Smith
26 June 1817–1 Sept. 1875. Born at Potsdam, St. Lawrence Co., New York. Son of John Smith and Clarissa Lyman. Baptized into Church of Jesus Christ of Latter-day Saints by Joseph H. Wakefield, 10 Sept. 1832, at Potsdam. Moved to Kirtland, Geauga Co., Ohio,...
. &
of the Quorum of the Twelve assembled in council at the Presidents office. and decided that Elder
Amos <B> Fielding <Fuller>
26 Mar. 1810–29 Mar. 1853. Blacksmith, farmer. Born at Stockholm, St. Lawrence Co., New York. Son of Luther Fuller and Lorena (Lovina) Mitchell. Married Esther Victoria Smith, cousin of JS, 8 Mar. 1832, at Stockholm. Baptized into Church of Jesus Christ of...
take a mission to the city of
Settled by Jean Baptiste Point du Sable, 1779. U.S. Fort Dearborn established, 1804. Town organized, 10 Aug. 1832. Incorporated as city, May 1837. Population in 1837 about 4,200; in 1840 about 4,500; and in 1844 about 11,000. Twenty-six members of Church ...
. in accordance with the Revelation Page 36.
The first revelation on page 36 of the Book of the Law of the Lord directed that Fuller be appointed to serve a proselytizing mission. (JS, Journal, Dec. 1841.)
and also, that Elder Henry Jacobs. be subjct to the council & presidency of
Bro Fuller
& accompany him so far on the mission as
Bor [Bro] Fuller
judge expedient. [p. 43]
Orson Pratt
Wilford Woodruff
Amos B Fuller
Bor Bro Fuller


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text:
Pottijärvi är den ena av två i Pottjärvet är sjöar i Finland. De ligger i kommunen Enare i landskapet Lappland, i den norra delen av landet,  km norr om huvudstaden Helsingfors. Pottijärvi ligger  meter över havet. I omgivningarna runt Pottijärvi växer huvudsakligen  Arean är  hektar och strandlinjen är  kilometer lång. Sjön

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redpajama_set_name: RedPajamaWikipedia


L'Oliphant Jewelry is a store like no other. Check out our huge gallery section featuring unique and unusual styles.
L'Oliphant Designer Jewelry has been an active member of the local community since 1982. Our founders Kenneth Elden and Bettyjo Greenfield had a vision to open a store built on the principles of uncompromising quality and superb customer service. Today, they still provide the very finest jewelry from top designers and manufacturers.


the interrupt I increment the 32-bits global variable _ticks_high.
The idea is simple (and stolen from a post appeared on this newsgroup).
the overall software counter could be wrong.
manages communication over a bus.
specify is that bus_task() is called continuously in the main loop.
frozen for a time. After that it restarts the normal activity magically.
the bus stall time lasts exactly 1h 21', the overflow period of hw counter.
near the overflow, the code doesn't work as I expect.
overflow of the hw counter.
Do you see where is the problem?
Does changing the optimisation level change the problem ?
the interrupt flag being set ?
being set yet when INTFLAG is examined.
have to wait for the rare event that could happen after a week.
and the increment of _ticks_high isn't done.
There's an if and the increment of _ticks_high wouldn't be done.
access to _ticks_high must be volatile.
not necessary (the ISR can't be interrupted).
Don Y suggested other improvements in the same thread.
contexts - it is neither necessary nor sufficient to make such sharing work.
that /all/ accesses to it must be volatile accesses.
it does not matter one way or the other.
do in this case. It won't solve the OP's problem though.
Watchdog timer driver for iMX-21?
You say you agree with me - then it looks like you completely /disagree/.
than properly considering the situation.
often be part of the solution - but no more than that.
"Good artists copy, great artists steal", as someone famous once said.
problem I noted above in ticks().
timer overflow at a lower bit count - say, 12 bits rather than 32 bits?
That will force overflows and _ticks_high counts to run much faster.
You will need to check the hardware overflow flag to make this work.
chip supports chaining of timers in hardware, use that.
and can hopefully help other developers.
Split H-Bridge: Will this work?
RS232 modem-side driver - does it exist ?
TC2/TC3 to have a hardware 64-bits counter/timer.
been a long time since I used Atmel ARM controllers (SAM7).
timers. Only that any TC channel can be configured in 8, 16 or 32 bit mode.
Am I looking at the wrong datasheet or section?
peripherals. TC0 is paired with TC1, and TC2 is paired with TC3.
TC4 does not support 32-bit resolution.
IMHO this means TC is a 16-bits counter.
sync wait loop after writing the read command to CTRLB register.
the 1000+ page datasheet to see this 'detail', sorry.
Good you found the cause.
don't, you can't read the correct COUNT value.
functions are called only in normal background (not interrupt) code.
This means ticks() always runs in a lower priority than TC0 ISR.
Moreover, I never disable interrupts in any part of the code.
hw counter value (0x00000003) and a not incremented _ticks_high?
sure... IMHO. So h2 should contain the incremented value.
This doesn't solve the problem you described.
ticks() could be that is completely wrong.
If you don't check the timer flag, the led will switch on at random times.
Yes, I will try your ideas.
interrupts are handled quickly - but not immediately.
Yes - hence my follow-up post.
(either 32-bit, or 64-bit, or split lo/hi 32-bit - whatever suits).
most of the time, it is enough to just use the low 32-bit part.
source of the problem, and the solution!
wasn't sufficient in this case.
done (TC0 is on the bus) while interrupt request is pending?
can change from "not expired" to "expired".
soon as they expire), but with one-shot timers.
incredibly the problem is the opposite.
delay between the reply and the next request).
roll-over again. Indeed I see the bus blocked for 75ms.
wrong time in the *future*.
possibility happens really, so it's better to find another method.
roll-over during the entire lifetime of the device.
sure that it /cannot/ happen, I prefer to assume the worst is possible.
True. But perhaps that can be baked into your "Set" and "Expired"
and sw counter, joint in ISR code.
ideas to this approach and he read this ng in the past days).
time. So the system time appears frozen for this short time.
case, a periodicity of 10 years).
see the problem in my lab during testing and not in the user hands.
SLD920X radar detector/jammer - does it actually work??


text:
Issue #516 07 Apr 2019
Newsletter Issue #516: 07 Apr 2019
MUZIC.NET.NZ - 20 YEARS
Muzic.net.nz is celebrating it's 20th anniversary by throwing a rock-fuelled party with proceeds going to charity.
The concert will feature some of the country's most well-known rock acts - Skinny Hobos, Coridian, Written by Wolves, Dead Favours and Rebel Sound Radio - and will be held at Neck of the Woods in Auckland on Saturday, May 4.
-- Get your tickets here --
The not-for-profit website Muzic.net.nz has supported Kiwi music since 1999 and has long enjoyed the reputation of being the go-to site for all local music news.
All proceeds raised from the May 4 show will be donated to the Crescendo Trust of Aotearoa. Founded by Kiwi rock stalwart Marcus Powell ( Blindspott, City of Souls), Crescendo provides young people in Auckland with opportunities to succeed within the creative arts industry.
We'd love to see you all there!
Alt-rock four-piece powerhouse Coridian are known for their hard-hitting, grooving rock vibe and powerful performances. Their latest single, Better Off, produced by Zorran Mendonsa (Blacklistt/City of Souls), has clocked tens of thousands of streams on Spotify and signals a new chapter for the band, as they gear up to release their debut album later this year. We spoke to them about their name, style of music and their favourite places to play:
How did you originally form as a band? Where are you guys from originally?
Coridian officially began January 2015 but we have all played in bands together on and off for years and used to be instrumental trio Chuck Norris before Dity joined on vocals. The Raven bros hail from the North Shore of Auckland whilst Dity is originally from Fiji but has been in Auckland's North Shore for years as well.
How long has your band been together? How did you come up with the name Coridian?
4 years now, which has gone super quick.
We did the names in a hat and then picked out the top 3 out of like 30. It seemed like a cool name with a super rad meaning-
A Coridian is an ancient vessel that was used to hold and house a particular soil. This soil was believed to be the ashes from souls with certain powers, strengths and magical abilities that had passed into another world. It was fused with the roots and dirt from ruins and previous battlegrounds. The Mayans believed that this soil when mixed with herbs and a special water found within a cave that they could attain the powers and abilities, and some believe that this was the birth and uprising of the vampire.
Which artists have been your most influence to you as a band? And how did you come up with your style of music?
Artists that have directly influenced our music would be Arcane Roots (RIP), Incubus, Karnivool & Tool. Our style was born out of being an instrumental progressive rock band and we still carry that influence, but we have definitely found our sound and style on our 2nd release Caldera which is a blend of Alternative rock and metal.
What are your favourite venues and cities to play on tour? What's the weirdest experience you've had on tour?
Our favourite venue would be Auckland's Powerstation or Kings Arms (RIP). We love playing at the Mount, the Cabana in Napier, Valhalla in Welly. Really just love touring everywhere we can.
Where can people find your music?
Pretty much all the social medias, Spotify, iTunes, Bandcamp. Anywhere we can get it on it's gonna be there. And if not, hit us up and we will get you some music!
What's coming up music wise in the near future for Coridian? What inspires the music you make?
We are gonna start recording our next release which is always exciting, dates tbc, but expect a new single, video and then a bunch of new songs this year. And we will follow with more and awesome shows.
Are you looking forward to the tour with Skinny Hobos and Dead Favours?
Absolutely, we always love playing and hanging with those dudes, we have been mates since both our bands started up, playing shows at Ding Dong together. They have always been so good to us and we loved touring with them in 2018 and again soon!
Where are you playing? We are playing in Invercargill, Dunedin and Christchurch at GrooveFest. These are our first ever South Island shows, and we are incredibly grateful to Skinnies & Tim from Tombstone for having us on board!
What is it like touring with other bands?
It's always good times, most of the time haha. We have been lucky to tour with some incredible bands, learning new things, making friends and travelling all around.
What advice would you give new musicians starting in the music industry?
It's a hard industry, be prepared to play in front of no one, be good to your fans, respect people, make good connections with venue owners, promoters etc, have as much fun as possible and look after yourself and your band mates.
Coridian is Dity Maharaj (vocals), Mike Raven (guitar), Kris Raven (drums) and Nick Raven (bass).
iTunes Page
Spotify Page
With a gritty, full rock sound two-piece Skinny Hobos are New Zealand's answer to Royal Blood. Big Riffs, Big Drums! They make more noise than any two people should. They're also undoubtedly one of the most charismatic live bands on the Kiwi rock scene. With a new recently released EP, they're a must-see! We spoke to them about how they originally formed, their influences and Lucifer:
Skinny Hobos are Alex Elvis (vocals/guitars) and Texas Holdom (drums/vocals). We formed in Auckland in 2014 but really got stuck into gigging in 2015. Alex is originally from Canada but has been living in New Zealand on and off for the last 15 years. Tex is Kiwi, born and bred. Alex and Tex met in high school playing in competing Rockquest bands but lost touch for a number of years when Alex moved back to Canada. Fate through them back together in 2014 when unbeknownst to each other they ended up both working for the same music shop. We had a jam in the shop one night after work and Skinny Hobos was born. Amusingly, some of the songs we jammed that day remain Skinny Hobos songs to this day. Queen Street (off our debut album) and Black Key Dish (off our most recent release The Lucifer EP) were both played in our first ever jam.
We both have a fairly diverse array of musical influences, many of which are barely related to what our band sounds like, so this is actually a fairly complicated question for us to answer. I suppose Queens of the Stone Age is probably why the band started. Alex had been playing in a more progressive, post-hardcore instrumental band but went out to see QOTSA one night and came home incredibly inspired and needing to write a bunch of groovy, simple, riff-heavy songs. Also being a big fan of Death From Above 1979 gave Alex the drive to someday start a two piece band. The style of music has evolved fairly organically though.
We have over time attempted to sound like this or sound like that, but every time we try to sound like something specific we have been unhappy with the results. The best outcome for Skinny Hobos has been just improv jamming in the practice room and seeing what happens. We record as much as we can so we can remember what we've done, and then we attempt to arrange those jams into songs. Skinny Hobos is really just the sound of Texas Holdom and Alex Elvis playing what comes naturally in the jam room.
What are your favourite venues and cities to play on tour? What's the weirdest experience you've had on tour?
This is a loaded question as our niche is that we gig pretty much constantly so by now we've played pretty much everywhere there is to play in NZ. Of course, we love playing in our hometown of Auckland because we're at home in front of our friends and family who've been with us since we started the band. We particularly miss the Kings Arms Tavern but Galatos has been a great replacement home. Wellington is always a stand out city, we love Ben and the team at Valhalla for how supportive they are of the local music community, and we've always had great experiences at San Fran as well.
We'd also like to shout out the Gov at Cabana in Napier and Ivan at Nivara Lounge in Hamilton. Most recently we played at Smash Palace in Gisborne last weekend. That was such a cool quirky venue with a bloody airplane used as a canopy in front of the outdoor stage. Honestly there are so many more, I'm afraid to leave anyone out but this answer's getting a bit long...
Albums are available from JB Hi-Fi and heaps of other music retailers in NZ. You can also find us on all the normal online platforms, Spotify, Apple Music, iTunes, Google Play, Bandcamp, etc. etc. etc. Also loads of other places I don't even know about lol
Big ups on the new EP released recently! What inspired the lead tune Lucifer and what's the energy behind it?
That was a pretty cool one. We'd finished rehearsals for the day and were about to start packing up when I started just playing the riff. Sam came in and 5 minutes later the song was done. Vocals and everything. It pretty much wrote itself. We played it at 2 shows that weekend and recorded it the following week. That recording is what was released on this EP. So, I suppose the energy behind it was really just how raw, organically and quickly it came together.
How's your current tour going with Dead Favours and Coridian?
The tour is half done as we speak. We have already played an All-Ages Auckland show, Palmerston North, Wanganui, New Plymouth, Homegrown in Wellington, Hamilton, Napier and Gisborne. By the time this interview is published, we will have also played Invercargill, Dunedin and Christchurch for Groovefest (Coridian are joining us for those shows). After this interview comes out we'll have our R18 Auckland Show, Raglan, Tauranga and Whangarei shows still to come.
We get asked this all the time and we always give the same answer. Firstly, what works for some people won't work for other people, so make plans, but don't be afraid to change them. You need to be flexible and keep an open mind when navigating the music industry. Secondly, take every opportunity that comes your way, big or small. The more chances you get to play, and the more people get to hear your music, the more you'll learn, the more you grow, the more exposure you'll get and the farther you'll go.
Skinny Hobos are Alex 'Elvis' Ferrier (vocals, guitar) and Sam 'Texas' Holdom (drums, vocals).
Photos courtesy of Matt Henry Photography
WRITTEN BY WOLVES
Written by Wolves are one of New Zealand's fastest rising rock acts, with a growing international fanbase. Their hits Elastic Heart, Not Afraid To Die and Genius have clocked millions on Spotify, with their videos doing similar damage on YouTube. Their recently-released EP Prologue has also earned the band critical acclaim. We spoke to them about how they formed, how long they have been together and what's coming up for Written by Wolves:
Davie, Bahador, Karl and I had all been friends for a long time and had always talked about starting something together, but timing had never worked out. In late 2014 after both, 5Star Fallout and Shotgun Alley had been finished for a while we all got together to talk about starting something new and immediately got excited about what everyone wanted to try and do. After a year or so we were looking at adding a 5th member to bump up the percussion and electronic side of our live show and that is when we met Oli - we asked him to join without even seeing him play. Huge mistake, but we are stuck with him now... I'm joking, we got super lucky that he is awesome...
I grew up in Taupo, Oli in Dunedin and Davie, Bahador and Karl grew up in Auckland - the latter two via various exotic birthplaces....
How long has your band been together? How did you come up with the name Written by Wolves?
We first talked about starting the band in 2014 but released our first track in May of 2015. No one is completely in agreeance as to how the name came about, however, I am pretty sure it came from one of our early writing sessions at Davie's home studio. He has these cute as hell dogs that kinda look like mini wolves and they wandered into the studio, jumped up on the chair and looked as though they were about to run the show...
A big part of the band's inception was about taking a real cinematic approach to the music and building soundscapes and one of our big influences for this was, Hans Zimmer. We all have vast and varied influences that have helped to hone our sound to where it is today but the idea of trying to approach the songs from a cinematic perspective and to also include aspects from all of our favourite genres is the driving force behind the band and it's sound.
We have been lucky enough to have played some amazing shows in some amazing places around the country - we are always surprised and so stoked when we get to a town we haven't played before and there are people in the crowd singing along at the top of their lungs and giving it everything. All of the venues on the Devilskin and Blindspott tours last year were amazing but it is hard to go past the Powerstation and Logan Campbell Centre for bucket list stages. In saying that The Royal in Palmerston North was amazing on the Devilskin Tour. One of the smaller venues on the tour but an epic crowd and huge energy.
We have had some pretty funny moments on tour so far, we stayed at this insanely dodgy motel in Lower Hutt on the Devilskin tour where we were approached by a resident while getting in some post gig drinks and told it wasn't safe and we shouldn't be outside without knives... We decided to risk it without knives and luckily enough, all lived to tell the tale... But the best one so far was probably in Nelson on the Blindspott tour, it was a pretty epic night that ended in both Karl and I being punched out of nowhere and then all of us being escorted out of the bar... Not sure of the logic the bouncer employed there but it definitely made for a hilarious night...
Spotify, YouTube or Facebook are pretty good places to start but if you search our name in whatever platform tickles your fancy then you should find us pretty quickly...
What's coming up music wise in the near future for Written by Wolves? What inspires the music you make?
We are currently writing and recording our debut album which will be out this year! Look out for the first single from that coming very soon...
Inspiration for writing can be pretty varied and vast - especially when we are in writing mode and writing a lot of music over a short space of time. Lyrical inspiration for me generally comes from things that are happening in my life or observations I make of the world around me, however one of our tunes is about a cowboy in a shoot-out and I have never actually been one of those...
What tours do you have coming up? And what is it like touring with other bands?
We don't currently have tour dates set in stone, but we will definitely be touring this year once the album drops... Touring with other bands is such a great part of being in a band - they generally result in lifelong friendships and hilarious stories to tell...
Be prepared to work your ass off... Music is something we do because we love it and the industry can be incredibly exciting and, at times, glamorous - however it can also be a shit ton of hard work and about as far from glamorous as you can get - i.e. Knife Party Motel, Lower Hutt. Make sure you always keep your love for music and work as hard as you possibly can.
Written by Wolves are Michael Murphy, Davie Wong, Bahador Borhani, Karl Woodhams and Oli Lyons.
DEAD FAVOURS
Combining a mix of huge fuzzy and sometimes quirky riffs, groove-laden drums, beautiful falsetto vocals mixed with arena commanding screams and a level of songwriting that some say has been missing from rock for some time, Dead Favours have been quick to grab the attention of the New Zealand music scene and are going from strength to strength in a very short time.
Since their formation in early 2016, the band have released a string of singles, the most notable to date being Dig (produced by Shihad's Tom Larkin), a riff-centric banger that quickly grabbed the attention of both audiences and radio programmers alike, spending an impressive 27 weeks in the charts. The success of this debut single lead to a nationwide tour alongside the already popular Skinny Hobos, Decades and Bakers Eddy which saw the band increase momentum and pick up an army of new fans all around the country.
The band quickly followed with the singles High Flying and Better The Weather (produced again by Tom Larkin) which has seen the band go on to be invited to perform at festivals such as Jim Beam Homegrown, Demon Energy Rock The Park and share the stage with international acts Royal Blood and Rise Against which was received with rave reviews.
Dead Favours have become regular favourites on both Radio Hauraki and The Rock FM and their new single Lost On You is out now. They recently welcomed new bass player Will Kearney into the fold, and a debut album is also set to be released during 2019.
Dead Favours are Jared Wrennall (guitar, vocals), Charlie Smith (drums), Will Kearney (bass)
and Kyle Wetton (guitar).
REBEL SOUND RADIO
Rebel Sound Radio was formed early 2015 in Hamilton. The three-piece makes wild, untamed rock 'n' roll, bringing new meaning to the word 'rebel'. We spoke to Jessie James about their influences, style of music and advice for new musicians:
Rebel Sound Radio came together pretty organically, I had taken a bit of a hiatus from playing after my old band had finished up and the same went for Craig. I've known Craig for years and for the life of me I can't remember how we got in touch again, but we started jamming and we really liked the sound and feel. Ashley joined a short while after and we started working on songs. We are all Waikato natives for the most part.
How long has your band been together? How did you come up with the name Rebel Sound Radio?
Roughly around 2014/2015 or thereabouts ... We spent a long time writing and polishing songs before playing gigs or getting out there, initially we wanted to be more of a studio band and focus on writing and recording over anything else but playing gigs is lots of fun and we always look forward to it.
I had been working on a song before the band started that had a working title of Rebel Sound Radio, I thought it would make a really cool band name and I think for the most part it mirrors our ideology as band and what we stand for.
Our influences are very rock based, we are all into the same bands for the most part, but we tend to lean more towards the 90's era of rock and the Grunge/Punk/Metal movements that were happening at that time.
I enjoyed the pop punk and Nu-metal bands of the early 2000's as that's what was big when I was a young musician, but I always felt that it never had quite the same instrumental flair as some of the older stuff (being a guitarist anyway).
We regularly pay homage to some of our influences by throwing the odd cover into our sets here and there - Nirvana, Black Sabbath, and Motorhead have all made their way into our live shows,.
I think our sound reflects this pretty well as we tend to combine the new with the old and incorporate some of those old school tenancies.
We really love playing out of town and in the other city centres, Auckland and Welly are really cool as there is a bit more going on culture wise than say, Hamilton - where there doesn't seem to be a big emphasis on going out to watch live original music.
Nivara lounge here is really rad in catering to those that do but I don't think we are alone in having a lack of venues that provide a home for music lovers as we have seen the same up and down the country.
I don't know if we had had too many weird experiences on tour (or experiences that are safe to share in this format?) but ... I'll throw strippers and chicken nuggets out there, and people can create their own narrative.
We don't have a massive body of recorded work but our debut EP Regret Nothing is on Spotify and iTunes and the whole EP and video for the single Liberation are on YouTube.
Alternatively, you can come and pick up a copy wherever we are playing live. Or just bootleg our show and share it with your friends, we're easy.
What's coming up music wise in the near future? What inspires the music you make?
It's hard to say, we are three really busy guys, and this is our way to blow off steam after a long hard week. We all have demanding lives outside of music and families etc plus we regularly take long extended breaks and go right off the grid entirely haha!
We do have a bunch of really cool new songs that we want to record and a potential single and I can definitely see another E.P / Album on the horizon but when this takes place and what that looks and sounds like we are not so sure.
We have always been pretty laid back about what we do because we do it for ourselves first and foremost and if anyone likes what we do then that's a bonus! It's nice not having any pressure or overbearing expectations in our camp, we are like a band of the people, for the people. The Rebel Sound Radio way.
Now this sounds deep (and it is) but I feel that it needs to be said.
Speaking from personal experience, don't let ego fuel your personality and take the time to be honest with yourself.
I remember how it felt to be young, headstrong and ready to take on the world at a million miles an hour but the old saying of "check yourself before you wreck yourself" is so annoyingly accurate.
I used music as a crutch for years to justify some pretty negative and damaging behaviour and now that I am older I regret both how I treated myself and others around me at the time.
Some of it I can write off to being young and stupid, but I didn't do an overwhelmingly great job of looking after myself early on, being a musician sometimes only provided me with a big old can of petrol to add to that fire.
It's a small family that we have so we have to look out for each other and have each other's backs, this industry can provide the greatest of times but there are many pitfalls along the way.
I think the younger Muso's are already a lot better on this front due to general societal changes but some of us still need to know it's okay to tell a fellow band mate to slow down or that their behaviour is out of line.
Take the time to make sure that everyone is doing okay and offer help to those around you if they need it. Don't wait for them to ask for help as some never will.
Secondly - always offer to buy the soundie a beer at the beginning if the night! - It's the accumulation of small things that will propel you forward.
Be an all-around awesome person to all our industry brothers and sisters, you never know where that one off interaction will lead.
And lastly. Practice, practice and practice. No one enjoys a lazy and sloppy performance.
Rebel Sound Radio are Jessie James Hanright (guitar, vocals), Craig Tuner (bass) and Ashley Goodare (drums).
Bearhat Cruddy
The Settlers Milpool
Bad Sport Lacuna
Annie J The Wake Up
Kyd X Taco Joint
Cashek Stars and the Underground
Three Feathers Neutrikk
Blistered Fingers, The Adam McGrath
Armchair Insomniacs Caroline Easther and the Cinnamon Girls
Lou'ana Chaii
Diggy Dupe Moonflower
The Narcs Second Prize
ZÖ
Our next newsletter is going out on Monday, 6 May!


Company B had grown steadily for a number of years and the number of employees had increased significantly. This had brought with it a number of challenges, the need for clarity regarding who was responsible for what and the need for managers to emerge who could manage people effectively.
Lonsdale Consulting worked with Company B for several years, helping to introduce an appropriate corporate structure, clarify roles and responsibilities, introduce a professional performance management system and train managers in people management. Company B went from strength to strength.


The Raider R30 rack fits to seatposts with a diameter of 25.4mm-31.8mm. IT is particularly well-adapted for full suspension mountain bikes. Made entirely from aluminium, the Raider R30 is durable, lightweight and highly resistant to corrosion.
It is fully adjustable so it can suit several different types of bikes. Installation and fitting is quick and easy due to it not needing any tools to set up. The side structures are strong and well thought out meaning that they hold bags of a high weight.


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Winchester, Virginia, is a small city set in the beautiful hills of the Shenandoah Valley. The Old Town Mall along Loudon Street in the heart of downtown has a number of coffeehouses, bakeries, and restaurants, most between Boscawen and Piccadilly streets.View contact info, business hours, full address for Restaurants in Winchester, VA.
Listings of wait staff, chef, cook, server jobs, dishwasher jobs and more.Located in Winchester, Virginia it is conveniently located at 805 North Loudoun Street Suite 102.
Vegan and vegetarian restaurants in Winchester, Virginia, VA, directory of natural health food stores and guide to a healthy dining. Get reviews and contact details for each business including videos, opening hours and more.Violino Ristorante Italiano offers made-from-scratch, creative, culinary dishes by Italian chefs Franco and Marcella Franco.
Okinawa Japanese Restaurant, Winchester, VA 22601, services include online order Japanese Food, dine in, Asian food take out, delivery and catering.Results listings related to Greek Restaurants in Winchester on US-business.info. See contacts, phone numbers, directions, hours and more for the best Greek Restaurants in Winchester, VA.
One Block West got the current top restaurant ranking for Winchester.If you know a Restaurants - All You Can Eat in Winchester, VA, please share this page with them.Results listings related to Seafood Restaurants in Winchester on US-business.info. See contacts, phone numbers, directions, hours and more for the best Seafood Restaurants in Winchester, VA.
Best Steak Restaurant in Winchester, Virginia - Menu, Photos, Ratings and Reviews of Restaurants serving Best Steak in Winchester, Virginia. Best Dining in Winchester, Virginia: See 14,714 TripAdvisor traveler reviews of 336 Winchester restaurants and search by cuisine, price, location, and more.
Find local coupons and deals for Lebanese Restaurants in Winchester, VA.
Browse the best Winchester restaurants, menus, ratings and reviews, coupons, and more.A Winchester Virginia getaway or day trip offers tasty dining and craft beer, beautiful scenery, interesting history, and unique fun for every age group.
Now with a second location near Apple Blossom Corners, you have even.
Read the Lunch near I-81 betrween Winchester and Harrisonburg, VA discussion from the Chowhound Restaurants, Mid Atlantic food community.


Dear chairman, the road from the Lynden Pindling International Airport is the first visual experience that thousands of arriving tourists see from the airport to their resorts for the duration of their vacation, whether it be at Atlantis, Baha Mar or an Airbnb.
And the question is what do they see? Well the answer is in plain sight (no pun intended): billboards lining the streets from soft drink, beer, television, news and real estate companies. It's a blight for us locals, so I can imagine what it must look like for tourists arriving here for the first time.
Unless the laws have changed, I recall that signs of that size had to be approved by the relevant authorities; either they have been approved or the owners of these billboards have taken the law into their own hands and have erected these monstrosities without seeking permission.
Some time ago the former director of town or physical planning went on a rampage and removed all the real estate signs on public property, including one that was listed by our brokerage on private land. Although it was a wee sign – like 2 feet by 4 feet – it was taken down and we had to collect it from his office.
In addition to these gigantic billboards you drive along the beach headed into town and there are mounds of garbage left over by persons using the beach. I would hasten to cast blame on my fellow Bahamians for being nasty by leaving their mess, perhaps it was some other persons littering our beach, because most Bahamians have been exposed to keeping our islands clean and pristine.
Our waters are so beautiful, but it is being spoiled by these nasty folks who continue to give our country a black eye by continuing to leave their garbage behind.
Mr. chairman, I see your folks trying to keep up with cleaning the beaches. Perhaps you should concentrate on the hot spots and get receptacles that can be emptied on a daily basis. We must win this war on litter and those that are found dumping indiscriminately must be hauled before the courts and get the maximum penalties under the law. The time for joking is over, we are now being overrun by rats and I mean really big rats, almost the size of my cat and hopefully we won't have health issues with these rodents.
Back to my signs issue: driving along the Cable Beach strip is comparable to the strip in Vegas, with luminated signs cluttering the streets. It is almost like the whole place has gone mad with advertising signs slamming us at every turn. I am surprised that more accidents are not happening with more drivers being distracted, especially at the entrance to Super Value on Cable Beach and the six-legged roundabout at Oakes Field. Something has to give, someone needs to do their job and get these signs down!
This is how things get out of hand, it starts with one person, then others follow and before you know it it's a free for all! I believe it is time for the authorities to step in before it is too late!


text:
Caucasus Report
Conflict Between Georgian Parliament, President Intensifies
By Liz Fuller
Giorgi Margvelashvili insists that the Georgian people have the right to elect the president.
Over the past several weeks, the long-standing tensions between Georgian President Giorgi Margvelashvili and the ruling Georgian Dream party have reached a new level of hostility.
Having declared three months ago that he would not participate in the work of the commission tasked with drafting a new constitution because he was not named to co-chair it, Margvelashvili recently launched his own campaign to solicit citizens' views on what that constitution should look like -- even though the draft the commission is currently working on will be published for nationwide discussion.
Central to the dispute is how Georgia's president should be elected: in a nationwide ballot, or by the parliament. Georgian Dream, which has a constitutional majority in the parliament elected in October 2016, favors abolishing direct elections for the post. This would be in line with constitutional amendments enacted in 2010 by its rival and then ruling United National Movement, under which many presidential powers were transferred to the prime minister, who thus became the country's most powerful official.
True, the president remains nominal head of state and commander in chief of the armed forces, but he no longer formulates domestic or foreign policy, and has been stripped of the right of legislative initiative and the power to convene an emergency parliament session or schedule a referendum.
Margvelashvili, however, whose term in office expires in late 2018, insists that the Georgian people have the right to elect the president. So too do the two factions into which the United National Movement recently split, and which routinely seek to disparage and where possible undermine any initiative by Georgian Dream.
Margvelashvili was selected as Georgian Dream's presidential candidate in spring 2013 by then-Prime Minister Bidzina Ivanishvili, and was duly elected president in October of that year with 62 percent of the vote, compared to 22 percent for the United National Movement's Davit Bakradze. It was only after that ballot that the constitutional amendments passed three years earlier took effect.
Ivanishvili resigned shortly after that election, and was succeeded as prime minister by Interior Minister Irakli Garibashvili, who is 13 years younger than Margvelashvili. Relations between them proved tense and difficult. Giorgi Kvirikashvili, who was named prime minister in December 2015 following Garibashvili's sudden resignation, has sought to establish a congenial relationship with the president despite Margvelashvili's sometimes inappropriate statements and erratic behavior.
Even before the parliament's constitutional commission convened for its first session in late December, the possibility of abolishing direct elections for the post of president was under discussion. Margvelashvili repeatedly criticized that proposal as unwarranted. He was quoted by Interpressnews.ge on February 7 as telling Iberia TV that the Georgian people should be able to elect their president, and that "I still have not heard a single cogent argument why that right should be taken from us and given to someone else."
Georgian Dream then came up with a compromise proposal. Parliament speaker Irakli Kobakhidze announced that "in order to preclude speculation, the ruling party considers it expedient" that in 2018 the president should be elected by a direct nationwide vote, and the transition to an indirect election should take place only in 2023. Given the constitutional limit on any individual serving more than two consecutive presidential terms, Margvelashvili will not be eligible to run in that ballot.
That proposed compromise only served to exacerbate the situation, however. Margvelashvili publicly attributed that compromise proposal to public pressure to retain direct elections. At the same time, he continued to protest that the proposed abolition of direct elections is directed against him personally. Presidential-administration head Giorgi Abashishvili similarly suggested in early March that the creation of the constitutional commission was simply a smokescreen for making "a specific decision," clearly meaning abolishing direct elections for the post of president.
Kobakhidze responded with a categorical denial that the proposal to postpone the abolition of direct elections was made under pressure from the public at large, saying that the commission had taken Margvelashvili's position into account. He went on to warn that if Margvelashvili continued to make "incorrect comments," the commission might withdraw that proposal and opt instead for the indirect election of the president in 2018.
That injudicious statement is likely to haunt Kobakhidze for some time. Levan Bezhashvili, a leading member of the United National Movement, described it as "the reaction of an angry and outraged child," while Abashishvili sarcastically queried the rationale for tailoring constitutional amendments in response to statements by the president.
Even veteran lawmaker Vakhtang Khmaladze, a member of the constitutional commission and one of the co-authors of the 1995 constitution, conceded that Kobakhidze's statement was not entirely appropriate -- although he was even more critical of Margvelashvili.
Then, on March 10, Margvelashvili convened a special press conference, to which NGO representatives and foreign diplomats were invited, at which he announced his The Constitution Belongs To All campaign. Civil.ge quoted him as stressing that the campaign was not intended as an alternative to the parliamentary commission's deliberations, but to further that process by democratic means. Whether by oversight or design, that press conference was scheduled to coincide with a plenary parliament session; consequently, Georgian Dream parliament members failed to show up.
Kobakhidze, who unlike Margvelashvili is a trained constitutional lawyer, construed Margvelashvili's initiative as deliberate defiance of both the parliament and the constitutional commission, and as demonstrating regrettable lack of respect for the parliament as an institution. He recalled that the parliament alone is empowered to conduct the process of public review of the proposed constitutional amendments, and appealed to Margvelashvili to "set aside his narrow political interests" and involve himself in the constitutional commission's work.
Margvelashvili has not yet responded to that appeal, or commented on a new proposal floated by Khmaladze last week. That proposal, namely, that the president should be selected by the 150 lawmakers plus 150 representatives of local government, represents a retreat from the commission's offer to postpone the abolition of direct elections for president. Khmaladze said it would give greater legitimacy to the election process.
The dispute over electing the president is likely to resurface in early April, when Margvelashvili is scheduled to deliver his annual address to parliament. Meanwhile, it is likely to be eclipsed by his veto on March 20 of the revised law on electronic surveillance the parliament passed in the third and final reading three weeks ago.
The views expressed in this blog post do not necessarily reflect those of RFE/RL
This blog presents analyst Liz Fuller's personal take on events in the region, following on from her work in the "RFE/RL Caucasus Report." It also aims, to borrow a metaphor from Tom de Waal, to act as a smoke detector, focusing attention on potential conflict situations and crises throughout the region. The views are the author's own and do not represent those of RFE/RL.


"Ladyfest London is an arts festival which celebrates female creativity in all its many forms. We aim to provide a platform for women's talents in music, art, comedy, photography, film, debate, written and spoken word, etc. Ladyfests have been taking place all over the world in the past few years and Ladyfest London will be taking place from 9th- 11th May 2008.


text:
Manual reporting
================

The `Err` class in the client library is the main API for reporting errors with Coderr.

In its simplest form reporting is done by using the `Err.Report(exception)` method.

```csharp
try
{
    SomeLogic();
}
catch(SomeException ex)
{
	Err.Report(ex);
}
```

The exception should appear in your server instance shortly after being reported. If you click on it it will be available as follows:

![](/screens/features/reporting/first-error.png)

If you run the code multiple times you'll see that the "Report count" counter will increase, but you will not get multiple errors as you would have in a log file.

## Attaching context information

An exception, by itself, does not contain much information. Look at this example when trying to access a non-existent key in a `Dictionary<TKey, TValue>`:

`'The given key was not present in the dictionary.'`

The message tells you the type or error, but not which key was missing. In contrast, the automated reporting includes all information that you need.

However, when you have your own try/catch blocks, it might make more sense to attach relevant context information manually.

Here is how you do it manually by using a second parameter:

```csharp
try
{
    _repository.Create(forumPost);
}
catch (Exception ex)
{
    Err.Report(ex, forumPost);
}
```

![](/screens/features/reporting/forum-post.png)

The second parameter supports the `dynamic` keyword and complex structures.

```csharp
try
{
    // some example
}
catch (Exception ex)
{
    Err.Report(ex, new
    {
        User = new
        {
            Id = 5,
            LastName = "Perik",
            Address = new
            {
                City = "Falun"
            }
        },
        Discount = new { Id = 4848 }
    });
}
```

![](/screens/features/reporting/complex.png)

# Adding multiple collections / Naming collections

If you want to add multiple collections, or naming them, you need to use the `ContextCollectionDTO` as the second argument.

It's possible to structure the attached data by passing an array of `ContextCollectionDTO` to the second argument:

```csharp
try
{
    //some stuff that generates an exception
}
catch (Exception ex)
{
    var model =  new ContextCollectionDTO("Model");
    model.Properties.Add("UserId", "10");
    model.Properties.Add("PostId", "30");

    var user =  new ContextCollectionDTO("LoggedInUser");
    user.Properties.Add("UserId", "32");
    user.Properties.Add("UserName", "gustaf");

    Err.Report(ex, new[]{ model, user });
}
```

![](/screens/features/reporting/multiple-collections.png)

To make that less cumbersome, Coderr is providing an extension method, `ToContextCollection()`.

```csharp
try
{
    //some stuff that generates an exception
}
catch (Exception ex)
{
    var model = viewModel.ToContextCollection("ViewModel");
    var user = User.ToContextCollection("User");
    Err.Report(ex, new[]{ model, user });
}
```

# Using tags

Tags are used to make it easier to find a specific type of error reports. You can for instance have tags like "backend", "performance", "sql" and similar.

Tags are attached by using the second parameter.

```csharp
try
{
    // some example
}
catch (Exception ex)
{
    Err.Report(ex, new { ErrTags = "sql,performance", UserId = 10});
}
```

You can add `ErrTags" to any context collection and the server will automatically pick it up.

# Attaching data to exceptions

Sometimes, you just want to rethrow exceptiosn instead of handling or reporting it.
When doing so, it might help to attach more information.

```csharp
try
{
    // some example
}
catch (Exception ex)
{
    Ex.Data["Err.User"] = user;
    throw;
}
```

All data properties prefixed with  `Err.` will automatically be picked up by Coderr when the integration library kicks in to collect the exception.

# Attaching data to every report

You can also create context collections which will be automatically included with every reported error.

[Read more](/client/extending/contextprovider/)

redpajama_set_name: RedPajamaGithub


text:
#include <common.h>
#include <asm/io.h>
#include <asm/arch/armada100.h>

DECLARE_GLOBAL_DATA_PTR;

/*
 * ARMADA100 DRAM controller supports upto 8 banks
 * for chip select 0 and 1
 */

/*
 * DDR Memory Control Registers
 * Refer Datasheet Appendix A.17
 */
struct armd1ddr_map_registers {
	u32	cs;	/* Memory Address Map Register -CS */
	u32	pad[3];
};

struct armd1ddr_registers {
	u8	pad[0x100 - 0x000];
	struct armd1ddr_map_registers mmap[2];
};

/*
 * armd1_sdram_base - reads SDRAM Base Address Register
 */
u32 armd1_sdram_base(int chip_sel)
{
	struct armd1ddr_registers *ddr_regs =
		(struct armd1ddr_registers *)ARMD1_DRAM_BASE;
	u32 result = 0;
	u32 CS_valid = 0x01 & readl(&ddr_regs->mmap[chip_sel].cs);

	if (!CS_valid)
		return 0;

	result = readl(&ddr_regs->mmap[chip_sel].cs) & 0xFF800000;
	return result;
}

/*
 * armd1_sdram_size - reads SDRAM size
 */
u32 armd1_sdram_size(int chip_sel)
{
	struct armd1ddr_registers *ddr_regs =
		(struct armd1ddr_registers *)ARMD1_DRAM_BASE;
	u32 result = 0;
	u32 CS_valid = 0x01 & readl(&ddr_regs->mmap[chip_sel].cs);

	if (!CS_valid)
		return 0;

	result = readl(&ddr_regs->mmap[chip_sel].cs);
	result = (result >> 16) & 0xF;
	if (result < 0x7) {
		printf("Unknown DRAM Size\n");
		return -1;
	} else {
		return ((0x8 << (result - 0x7)) * 1024 * 1024);
	}
}

#ifndef CONFIG_SYS_BOARD_DRAM_INIT
int dram_init(void)
{
	int i;

	gd->ram_size = 0;
	for (i = 0; i < CONFIG_NR_DRAM_BANKS; i++) {
		gd->bd->bi_dram[i].start = armd1_sdram_base(i);
		gd->bd->bi_dram[i].size = armd1_sdram_size(i);
		/*
		 * It is assumed that all memory banks are consecutive
		 * and without gaps.
		 * If the gap is found, ram_size will be reported for
		 * consecutive memory only
		 */
		if (gd->bd->bi_dram[i].start != gd->ram_size)
			break;

		gd->ram_size += gd->bd->bi_dram[i].size;

	}

	for (; i < CONFIG_NR_DRAM_BANKS; i++) {
		/* If above loop terminated prematurely, we need to set
		 * remaining banks' start address & size as 0. Otherwise other
		 * u-boot functions and Linux kernel gets wrong values which
		 * could result in crash */
		gd->bd->bi_dram[i].start = 0;
		gd->bd->bi_dram[i].size = 0;
	}
	return 0;
}

/*
 * If this function is not defined here,
 * board.c alters dram bank zero configuration defined above.
 */
void dram_init_banksize(void)
{
	dram_init();
}
#endif /* CONFIG_SYS_BOARD_DRAM_INIT */


A first of its kind, induced draft (ID) heat recovery steam generators (HRSG) have been in service at a cogeneration facility since 1991. A preliminary engineering study considered a forced draft (FD) fan to supply combustion air to the HRSG duct burners (when the combustion turbine (CT) is out of service) as a traditional design; however, the study indicated that the FD fan may require the HRSG duct burner to be shut off following a CT trip and re-ignited after the FD fan was in service. Although the induced draft HRSG design cost more than the FD fan design, the induced draft design has improved the cogeneration facility's steam generation reliability by enabling the HRSG to remain in service following a CT trip. This paper briefly summarizes the preliminary engineering study that supported the decision to select the ID fan design. The paper also discusses the control system that operates the fresh-air louvers, duct burners, HRSG, and ID fan during a CT trip. Startup and operating experiences are presented that demonstrate the effectiveness of the design. Lessons learned are also summarized for input into future induced draft HRSG designs.
Beasley OW, Hutchins EC, Predick PR, Vavrek JM. Induced Draft Fan Innovation for Heat Recovery Steam Generators. ASME. J. Eng. Gas Turbines Power. 1994;116(2):402-405. doi:10.1115/1.2906834.


text:
Q: Variables assigned in chromedp.ActionFunc cannot be inputted by SendKeys I want to assign strings to a variables, after some processes, in chromedp.ActionFunc.
Refer to below example.
However, chromedp.SendKeys after chromedp.ActionFunc couldn't input the variable to a form.
I confirmed the above with chromedp.CaptureScreenshot.
package main

import (
    "context"
    "fmt"
    "io/ioutil"
    "log"
    "time"

    "github.com/chromedp/chromedp"
)

func main() {
    ctx, cancel := chromedp.NewContext(
        context.Background(),
        chromedp.WithLogf(log.Printf),
    )
    defer cancel()

    ctx, cancel = context.WithTimeout(ctx, 15*time.Second)
    defer cancel()

    var value string
    var buf0 []byte
    var buf1 []byte
    err := chromedp.Run(ctx, chromedp.Tasks{
        chromedp.Navigate(`https://stackoverflow.com/users/login`),
        chromedp.WaitVisible(`//*[@id="submit-button"]`),
        chromedp.CaptureScreenshot(&buf0),
        chromedp.ActionFunc(func(c context.Context) error {
            value = "apple"
            return nil
        }),
        chromedp.SendKeys(`//*[@id="email"]`, value),
        chromedp.CaptureScreenshot(&buf1),
    })
    if err != nil {
        log.Fatal(err)
    }
    fmt.Print(value)
    ioutil.WriteFile("./capture0.png", buf0, 0644)
    ioutil.WriteFile("./capture1.png", buf1, 0644)
}

It succeeds if chromedp.SendKeys be included in chromedp.ActionFunc as below.
There is no problem with this method.
But I was wondering why the above approach didn't work.
If you have some knowledge of chromedp, please let me know.
        chromedp.ActionFunc(func(c context.Context) error {
            value = "apple"
            chromedp.SendKeys(`//*[@id="email"]`, value).Do(c)
            return nil
        }),

A: The first approach doesn't work cause at the moment
chromedp.SendKeys(`//*[@id="email"]`, value)

is called, the value of variable value is empty, so effectively it creates SendKeys action with the empty string. If the variable is initialized before calling chromedp.SendKeys the behavior would be as it was intended, see the fixed code:
package main

import (
    "context"
    "fmt"
    "io/ioutil"
    "log"
    "time"

    "github.com/chromedp/chromedp"
)

func main() {
    ctx, cancel := chromedp.NewContext(
        context.Background(),
        chromedp.WithLogf(log.Printf),
    )
    defer cancel()

    ctx, cancel = context.WithTimeout(ctx, 15*time.Second)
    defer cancel()

    var value string = "apple"
    var buf0 []byte
    var buf1 []byte
    err := chromedp.Run(ctx, chromedp.Tasks{
        chromedp.Navigate(`https://stackoverflow.com/users/login`),
        chromedp.WaitVisible(`//*[@id="submit-button"]`),
        chromedp.CaptureScreenshot(&buf0),
        chromedp.SendKeys(`//*[@id="email"]`, value),
        chromedp.CaptureScreenshot(&buf1),
    })
    if err != nil {
        log.Fatal(err)
    }
    fmt.Print(value)
    ioutil.WriteFile("./capture0.png", buf0, 0644)
    ioutil.WriteFile("./capture1.png", buf1, 0644)
}

EDIT:
This will also work as you expected.
    err := chromedp.Run(ctx, chromedp.Tasks{
        chromedp.Navigate(`https://stackoverflow.com/users/login`),
        chromedp.WaitVisible(`//*[@id="submit-button"]`),
        chromedp.CaptureScreenshot(&buf0),
        chromedp.ActionFunc(func(c context.Context) error {
            value = "apple"
            return nil
        }),
    })
    if err != nil {
        log.Fatal(err)
    }

    err = chromedp.Run(ctx, chromedp.Tasks{
        chromedp.SendKeys(`//*[@id="email"]`, value),
        chromedp.CaptureScreenshot(&buf1),
    })


text:
2010 Oscar Recap
Kam Williams Special to The Skanner
Kathryn Bigelow and The Hurt Locker emerged victorious in what had been touted as a David vs. Goliath showdown with her ex-husband James Cameron and Avatar, the biggest moneymaker in box-office history. Each entered the competition with 9 nominations, with Bigelow's Iraq War saga netting 6 Academy Awards, including Best Picture, Director and Original Screenplay, as well as a trio in technical categories. Meanwhile, Avatar had to settle for just 3 Oscars, in Cinematography, Visual Effects and Art Direction.
Bigelow made history as the first female ever to be named best director. An obvious hint that she was about to triumph, the supposedly sacrosanct secret ballots notwithstanding, was the fact that the presenter in the category was Barbara Streisand who had herself won a golden Globe but not an Oscar for directing Yentl way back in 1984.
There were no surprises in the lead acting categories with veteran thespians Jeff Bridges (Crazy Heart) and Sandra Bullock (The Blind Side) both winning more for their body of work than for this particular role. Bridges, in his heartfelt acceptance speech, thanked his late parents "for turning me on to such a groovy profession." And the self-effacing Bullock was equally-gracious, thanking her mom, and acknowledging each of her fellow nominees by name. Sandra was most effusive about Gabby Sidibe (Precious), about whom she gushed, "I love you so much. You are exquisite. You are beyond words to me."
As for supporting roles, prohibitive favorites Mo'Nique (Precious) and Christoph Waltz (Inglourious Basterds) prevailed as expected. Mo'Nique got the last laugh after having been subjected to considerable criticism during awards season for not campaigning or kissing the ring of the Hollywood establishment. This explains why she began her acceptance remarks with, "First, I would like to thank the Academy for showing that it can be about the performance, and not the politics."
In terms of upsets, the biggest surprise arrived when Geoffrey Fletcher and Precious won for Best Adapted Screenplay over Up in the Air. However, the evening's most shocking incident was undoubtedly the reverse Kanye West moment when Roger Ross Williams, who is black, was rudely interrupted during his acceptance speech as the director/producer of Best Documentary Short Film-winner Music by Prudence.
For midway in, this ostensibly-inebriated white woman appeared out nowhere to give him the bum's rush, just like Kanye did to Taylor Swift. Then she started rambling into the microphone like a mental patient until her voice was drowned out by the orchestra. As it turns out, Elinor Burkett apparently wasn't a complete lunatic, but a former co- producer of Music by Prudence, who had abandoned the movie over a year ago but now wanted back in to bask in the glory when the project turned out to be a tremendous success.
Among other Oscar lowlights were Sean Penn's mumbling presentation of the Best Actress award, a sleep-inducing, interpretative dance number choreographed to musical selections from the Best Score nominees, and Tom Hanks' failure to introduce the 10 nominees before opening the envelope to announce the Best Picture. So much for dramatic effect.
Overall, the 82nd Academy Awards Show was rather entertaining and engaging, especially how it devoted time to intimate introductions of the acting nominees, and to detailing the contributions made by a variety of craftsmen to the magic that is moviemaking. The festivities were capably co-hosted by Alec Baldwin and Steve Martin, whose hilarious, offhand introduction of Sandra Bullock with, "Please welcome my longtime dear friend, and by that, I mean I've never met her," was nothing short of brilliant.
COMPLETE LIST OF ACADEMY AWARD WINNERS
Motion Picture: The Hurt Locker
Actor: Jeff Bridges (Crazy Heart)
Actress: Sandra Bullock (The Blind Side)
Supporting Actor: Christoph Waltz (Inglourious Basterds)
Supporting Actress: Mo'Nique (Precious)
Director: Kathryn Bigelow (The Hurt Locker)
Foreign Film: El Secreto de Sus Ojos (Argentina)
Adapted Screenplay: Geoffrey Fletcher (Precious)
Original Screenplay: Mark Boal (The Hurt Locker)
Original Score: Michael Giacchino (Up)
Original Song: The Weary Kind (Theme from Crazy Heart) by Ryan Bingham and T-Bone Burnett.
Animated Feature Film: Up
Documentary Feature: The Cove
Art Direction: Avatar
Cinematography: Avatar
Sound Mixing: The Hurt Locker
Sound Editing: The Hurt Locker
Costume: The Young Victoria
Makeup: Star Trek
Film Editing: The Hurt Locker
Documentary Short Film: Music by Prudence
Animated Short Film: Logorama
Live Action Short Film: The New Tenants
Depreist Family Jazz to Perform on Saturday
Historic Church Destoyed
City Hall's Celebration of Black History Month
Mayor Potter Proclaims Black History Month


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Q: combine machine learning with monte carlo i am working on a consulting assignment where we are developing a system that generates credit scores for borrowers w.r.t. their eligibility for micro loans of different tenures and amounts (South Asia)
Repayment rates for these borrowers differ based on geographies and seasons (given that post monsoons, rural populace have higher disposable incomes and pre monsoons most of the money is spent in procurements).
I have a bunch of attributes and a fairly large amount of borrower data stretching over multiple years. A very basic approach (and a decent first pass) is to construct a decision tree (or use tree bagging approaches to avoid overfits) or use neural nets to train and test the data.
Queries
a) all the approaches are going to give me a probabilistic classification of whether the borrower deserves a loan or not. Can i use different labels rather than a simple YES / NO ? For instance for a combination of some factors a borrower is eligible for a 4,000 - 8,000 rupee loan, while in other cases she is eligible to get a 8k-10k loan etc. I can simply code them as labels A.B and C or whatever and still be able to do a multi label classification right ?
b) given that repayment is going to be heavily dependant on weather patterns (so if monsoons are good, chances of repayment on time are higher), can we combine the output of the ML algo with a monte carlo simulation of probability distribution of monsoon success / failure ? because the model might say a borrower has high odds of repayment but the algo DOESN'T know that the MET has forecasted 10% deficient rainfall