He called for oversight, diversity and adding mental health workers.
St. Paul mayoral candidate Melvin Carter proposed a policing plan Wednesday aimed at increasing oversight of officers, adding mental health workers and creating a more diverse police force.
Flanked by former Police Chief William Finney and Clarence Castile, the uncle of police shooting victim Philando Castile, Carter said officers need to be trained in de-escalation and there needs to be more oversight of situations where an officer points a gun at someone.
"All over our country and certainly throughout our city there's a sense that we want greater relationships, we want greater trust," Carter said, adding that he would hire diverse St. Paul residents who know the city's neighborhoods to work for the Police Department.
Carter offered his policing plan outside of City Hall. He backed the removal of police from the oversight commission that reviews complaints of officer misconduct and called for more details to be included in the annual public report on police complaints and outcomes.
Council Member Dai Thao noted that he was one of the driving forces behind the removal of police from the board last year. Thao said much of what Carter proposed is already occurring. Ramsey County mental health staff members often go out with police on calls, officers get de-escalation training and a new academy was launched this year to diversify the force.
Carter also said the city should address crime by investing in communities. Many mayoral candidates, including Elizabeth Dickinson, Tom Goldstein and Pat Harris, also shared that idea at a candidate forum Tuesday night. They said the city could reduce crime by providing more services to support families and get youth jobs.
Harris, whom the police union endorsed, issued a policing plan last week that includes monthly meetings between the community and public safety leaders. He also wants to fully fund the department, spend more money on mental health and implicit bias training, and increase diversity on the force.
"Public safety should be every public official's top priority, but it is also essential that every member of our community feels safe calling the police," Harris said in a statement.
Harris plans to give more specifics on how he would prevent gun violence at a news conference Monday at the police department's eastern district station.
Thao said Wednesday the city needs to add six to 10 officers a year to reach the right ratio of residents to police in the growing city.
"What we don't see in here is providing additional funding for our police officers," Thao said of Carter's plan.
Carter said he would work with the police chief and the community to determine the proper size of the department.


The Problem: Naturalistic interventions for children with developmental disabilities are effective in well-resourced countries (like the US). However, by 2050 just under half of the world's children will live in Africa. Therefore, we need interventions which are effective in resource-constrained countries. Enhanced Milieu Teaching (EMT) has been used in over 50 research studies to help many children with developmental disabilities, like ASD, learn new language. Trained adults use play and everyday routines to teach children new words, and how to use them correctly. We think that, with a few adaptations, EMT may be effective in a developing country context, like South Africa.
The project: Together with EMT developer Dr Ann Kaiser and her team at KidTalk, Vanderbilt University, this project will determine how we need to adapt EMT so it is appropriate to use in South Africa. In 2016 the first three South African children with ASD received EMT intervention. After 10 hours of therapy, all children showed improvements in the number of different words they used correctly in play activities. The next step of the project is to ask parents and speech-language therapists, what adaptations they think we need to make, so they are comfortable using the intervention with children with developmental disabilities.


You can save your credentials (and inherit them down the hierarchy), which is not the recommended way to use them, though.
And, after all, all the RDP-related settings. To sum up: if I didn't have a license for vRD then I would be definitely a grateful user of this console. Therefore, if you do not want to pay or you do not need all the extra features then I recommend you to use the RDC Management console.
This entry was posted in Tools on August 19, 2010 by Alexander Trofimov.


Saturday night's closing banquet on March 12 stood out as WAI celebrated awarding $10,000,000 in scholarships since the inception of its scholarship program in 1995. During this year's conference alone more than $661,000 in scholarships were awarded. British aviatrix Amy Johnson; Brenda Robinson, the U.S. Navy's first African-American female pilot; Gen. Janet C. Wolfenbarger; and the women of the U.S Air Force Undergraduate Pilot Training Class 77-08 were all inducted into WAI's International Pioneer Hall of Fame.
WAI's Fast Pass program continued to be enhanced so that preregistered attendees have a timeslot for their interviews, thus minimizing long lines in the exhibit hall. At this year's conference, 4,640 Fast Passes were issued to 2,064 members. The WAI Fast Pass allows conference-goers to sign up in advance for interviews and briefings by airlines which are held in meeting rooms rather than in the exhibit hall.
Elsewhere in the exhibit hall, a record number of companies and organizations remained busy fielding questions, showing off products, signing up new clients, renewing relationships with existing clients, and making connections with conference-goers. General sessions were held on Friday and Saturday with both afternoons reserved for a selection of education sessions.
Overall, nearly 5,000 conference attendees—including 91 international attendees representing 16 countries—came together to create another energizing International Women in Aviation Conference. Look for complete coverage in the May/June issue of Aviation for Women magazine.


text:
Q: WiFi connection is up but doesn't work: code or android bug? I wrote an app that use Alarm manager to execute a service (that hold a wakelock to perform the entire execution) every minutes to upload data on net, and it works perfect....sometimes.
Infact using Logcat (on phone) i saw that sometimes the WiFi connection doesn't work. The icon on the status bar it's ok, and i had set "never" for wifi standby.
Sometimes the app is running ok for more than 20 hours, some other times just 40 minutes and then wifi seems to be down (but there is still icon and configuration rigth set).
Doing a last test i tried to open the browser and it doesn't work too! Torestart the upload i need to disable and enable wifi...So i think that the problem is in android.
My device is Samsung Galaxy ACE with Android 2.2

A: Right now, the question is too broad to answer. Perhaps you can post the code that you mention?
Also, for further debugging,

*

*did you try over a different wifi network?

*does the wi-fi work if you never start your app?

Update:
Sounds like it could be a DNS issue on your network. When the wi-fi is "down", can you check if DNS resolution works on other devices in the same network (that use the same DNS server)?

A: I have solved only doing a disable and enable connection bettween the operation.
//disable connection
android.provider.Settings.System.putInt(getContentResolver(),android.provider.Settings.System.AIRPLANE_MODE_ON,1);
// Post an intent to reload
Intent intent1 = new Intent(Intent.ACTION_AIRPLANE_MODE_CHANGED);
intent1.putExtra("state", 1);
sendBroadcast(intent1);
//connection disabled

//enable connection
android.provider.Settings.System.putInt(getContentResolver(),android.provider.Settings.System.AIRPLANE_MODE_ON,0);
// Post an intent to reload
Intent intent4 = new Intent(Intent.ACTION_AIRPLANE_MODE_CHANGED);
intent4.putExtra("state", 0);
sendBroadcast(intent4);
//Connection enabled

redpajama_set_name: RedPajamaStackExchange


text:
Q: Template's member typedef use in parameter undeclared identifier in VS but not GCC I'm looking at some codes which makes heavy uses of templates. It compiles fine on GCC, but not on VS (tested on 2003 - 2010 beta 1), where it fails during syntax analysis. Unfortunately I don't know enough of the code structure to be able reduce the problem and reproduce it in only a few lines, so I can only guess at the cause. I'm hoping someone here can point me in the right direction.
We have
template< class UInt, typename IntT,
    bool is_signed = std::numeric_limits<IntT>::is_signed >
struct uii_ops_impl;

// ....

template<class UInt>
struct uii_ops_impl< UInt,
    typename make_signed<typename UInt::digit_type>::type, true >
{
    typedef UInt unbounded_int_type;
    typedef typename make_signed< typename unbounded_int_type::digit_type >::type
        integral_type;

    // ...

    static void add(unbounded_int_type& lhs, integral_type rhs);

    // ...
};

template<class UInt>
void uii_ops_impl<
    UInt, typename make_signed<typename UInt::digit_type>::type,
    true >::add(unbounded_int_type& lhs, integral_type rhs)
{
    // ....
}

When compiled on VS, the first error message (among many) it returns is

: error C2065: 'unbounded_int_type' : undeclared identifier

I mean, point at the typedef huh? :-S
EDIT:
It seems there's something to do with
typename make_signed<typename UInt::digit_type>::type

being used as a template parameter. Throughout the rest of the codes, similar typedefs being used in the member function parameter compiles fine. The only difference I can see so far is that none of the other cases have the above line as a template parameter. make_signed is from Boost.TypeTraits.
EDIT:
Okay, maybe that's not it, because the exact same thing is done in another file where it compiled fine. Hmm...
Bounty EDIT:
Okay, I think it's obvious at this point the problem is not actually where the compiler is complaining about. Only the two member functions definition at that particular point fail. It turns out that explicitly qualifying the parameter still doesn't compile. The only immediate solution is to define the function inline. That passes syntax analysis. However, when trying to instalize the template VS now fails because std::allocator<void> doesn't have a size_type member. Turns out VS have a specialization of std::allocator<T> for T=void that does not declare a size_type. I thought size_type is a required member of all allocators?
So the question now is, what could possibly foul up VS so much during syntax analysis that it complains about completely unrelated non-problem as errors, and how do you debug such codes?
p.s. For those that have too much time to spare, the code I'm trying to make work in VS is Kevin Sopp's mp_math in Boost's sandbox, which is based on libtommath.

A: I think this can be caused by a few circumstances

*

*unbounded_int_type is a non-dependent type (defined at 14.6.2.1)

*Its declaration appears in the class template. Because it's non-dependent, its name has to be resolved to a declaration at the time the member function is defined.

I suspect that Visual C++ is not able to do this lookup, and errors out instead. As someone else mentions, you can explicitly qualify the type-names in the member function definition. The types are then dependent, and this will trigger the compiler's mechanism to delay name lookup until instantiation.
template<class UInt>
void uii_ops_impl<
    UInt, typename make_signed<typename UInt::digit_type>::type,
    true >::add(typename
                /* repeat-that-beast uii_ops...true> here */
                   ::unbounded_int_type& lhs,
                typename /* and here too */::integral_type rhs)
{
    // ....
}

A: Here's something funny - this guy

*

*Why is the use of typedef in this template necessary?
ran into a bug with MSVC that's very similar to what you're seeing - except that using a typedef worked around the problem for him.
I still don't know what to make of the problems he ran into (or that you're running into). As you say, the small snippet you posted doesn't repro the error (given a simple make_signed<> template that lets make_signed<>::type compilable).

A: Which line causes the first error?
Does the use of unbounded_int_type in this definition:
template<class UInt>
void uii_ops_impl<
    UInt, typename make_signed<typename UInt::digit_type>::type,
    true >::add(unbounded_int_type& lhs, integral_type rhs)
{
    // ....
}

need to be fully qualified:
template<class UInt>
void uii_ops_impl<
    UInt, typename make_signed<typename UInt::digit_type>::type,
    true >::add(uii_ops_impl<UInt, etc ,true>::unbounded_int_type& lhs, integral_type rhs)
{
    // ....
}

?

A: You must help the compiler a bit on this one. You have to use the typename keyword because you have a qualified name that refers to a type and depends on a template parameter.
Think in this terms how can you be sure that unbounded_int_type::digit_type is a type? It depends on which type is unbounded_int_type. So you remove the ambiguity by adding the typename keyword.
template< class UInt, typename IntT,
bool is_signed = std::numeric_limits<IntT>::is_signed >
struct uii_ops_impl;

// ....

template <class T>
struct make_signed
{
    typedef T type;
};

template<class UInt>
struct uii_ops_impl< UInt,
    typename make_signed<typename UInt::digit_type>::type, true >
{
    typedef UInt unbounded_int_type;
    typedef typename make_signed< typename unbounded_int_type::digit_type >::type
        integral_type;

    // ...

    static void add(unbounded_int_type& lhs, integral_type rhs);

    // ...
};

template<class UInt>
void uii_ops_impl<
UInt, typename make_signed<typename UInt::digit_type>::type,
true >::add(unbounded_int_type& lhs, integral_type rhs)
{
    // ....
}

The only change is here - I added the typename keyword.

typedef
typename make_signed< typename unbounded_int_type::digit_type >::type             integral_type;


text:
/ Technology
Cramer: Don't Buy Either AT&T or Time Warner on Merger News
Regulatory issues will weigh on this deal, because of populist politics.
By JIM CRAMER
Oct 24, 2016 | 07:24 AM EDT
Stocks quotes in this article: T, TWX, BHI, HAL, LRCX, KLAC, DD, DOW, BAYRY, MON, S, TMUS, VZ, YHOO, NFLX, GOOGL, FB, CMCSA
AT&T (T) sure doesn't like being AT&T. That's the first thing I think of when I see the $85 billion the company's paying to buy Time Warner (TWX) after just shelling out for $67 billion, including debt, for Direct TV just two years ago.
Really, can one company spend $152 billion in two years and not be thinking "our real business must be going away?"
It does seem to smack of an existential crisis, doesn't it?
First, let me just say that the regulators are in no mood for this deal. Once again, AT&T's lawyers are looking at the deal through textbooks and the regulators are looking at it through politics, mainly the politics of something that could somehow cause your already high phone bill go higher.
I write that because, of course, there is no real overlap at all. But it is easy to make the political case that this could hurt people and the concessions to be made would be too great.
Hasn't that been the pattern? The acquirer gets advised that there are no real issues because, traditionally, there might not have been, but we are in a different political environment, one where it is just easier to say no and then offer some sort of credible reason to not let it happen.
Why not? Who gets "in trouble" if they just say no? And think of the deals where the lawyers on the side of the acquirers made easy assertions that deals would get done recently, deals like Baker-Hughes (BHI) -Halliburton (HAL) , Lam Research (LRCX) -KLA Tencor (KLAC) . Or the ones where we had plenty of insight "not to worry", like Du Pont (DD) -Dow Chemical (DOW) and Bayer (BAYRY) -Monsanto (MON) .
These not-to-worry insights come from old text books about concentration, not new populist backlashes that come from deals like those in the airline industry that ended up raising fares.
In truth, there really isn't any obvious reason to block the deal. Does anyone really believe that any entity that supplies to these two companies will be squeezed? Does anyone think that your cable bill or phone bill will naturally go up? But it doesn't matter. It's the perception and that's what I think will matter.
How about what it says about AT&T? I think the company's management liked how its stock performed post the Direct TV deal. But I wonder if that weren't simply the case of a good dividend vs. low fixed income returns.
This deal is a twofer along those lines. With the Fed about to raise rates, that dividend doesn't seem so enticing -- hence the stock's decline from $43 to $37, just like many of the higher-yielding stocks. So why not take advantage of what the decline is saying and load up on debt to buy Time Warner?
Naturally, though, one has to wonder if the mountain of debt now on AT&T will be too much to pay that dividend or at least to grow it, which should put the stock out of favor.
In that sense, it seems like a bad read of what the shareholders want from AT&T. But then again, maybe AT&T's management sees the writing on the wall: four energized cut-throat competitors are now vying for subs, with the reinvigoration of Sprint (S) to go with the aggressive nature of T-Mobile (TMUS) .
Those last two seem to be winning-look at how Verizon (VZ) missed its projections for 800,000 sign-ups by about half, a stunning figure--so this deal could make it so AT&T has more to offer customers. That's the "they had to do it" to grow in an environment where Sprint's Marcelo Claure and T-Mobile's John Legere just can't be stopped without something special in the arsenal.
If that's the case, and it works because Randall Stephenson has a master plan to re-capture lost subs, than there will be growth and income if you own the stock even if the income seems iffier than Verizon's yield.
Could all of this be desperation, as my colleague Jack Mohr writes elsewhere? The price tag says yes: it's just too much money vs. what I think that AT&T gets out of Time Warner. The jeweled asset is HBO, which can be offered with the NFL package as some sort of distinguishing reason to go with AT&T over the other guys.
But I just can't see what else T gets. A weird sports package? A developer of programming, a business it knows nothing about? How complementary is it to the NFL ticket, which is the real asset of Direct TV?
That's a hard one to sell.
But phone companies are insular. I think AT&T looked at what Verizon was doing with AOL and Yahoo (YHOO) , looked at how ell its stock had been doing with Direct TV and didn't want to be left behind with the idea that there wouldn't be an asset left to buy. Sure, I hear people saying why not just buy Netflix (NFLX) , but remember Time Warner is much cheaper on earnings and much easier to justify to shareholders -- that is, if Randall Stephenson, the CEO, cared.
Now, let's take the other side. Time Warner has done great for its shareholders. So many had written this company off as one of the most vulnerable in a cord-cutting world and while CEO Jeff Bewkes was able to show convincingly in the last two years that the stock was undervalued now that it has cleaned itself and gotten rid of cable and magazines and AOL, there really wasn't that much more to do. A premium multiple would always now elude them. It was selling a little less than 13x earnings even after all that Bewkes had done. So let's just say that he was able to say no to Fox a couple of years back because he knew there was more value, he got the more value, he's 64 and it is time to ride off into the sunset.
The timing is pretty perfect.
Now, I think that Stephenson and Bewkes are like are like oil and water. That's not a match at all. We know Bewkes will be out soon enough, all the better for both, I have to imagine.
So my initial take: AT&T knows rates are going higher. It has the same kind of non-political advisers as everyone else. They don't recognize the tenor of the moment any more than the other antitrust lawyers advising all of the other challenged deals. So it's kind of what the heck, the business could be going away, they could be up against Action Alerts PLUS portfolio names Google (GOOGL) and Facebook (FB) in addition to T-Mobile, Verizon, Sprint as well as potentially Comcast (CMCSA) so why not try to get it done? Comcast's stock has been a winner post the acquisition of NBC -- having gone form $16 to $64 -- why can't AT&T's stock be a winner, even if it means the dividend can't grow? Comcast only yields 1.7% and it's had a big run. AT&T could do the same with Time Warner.
In the end, though, I come back to the regulatory issues. AT&T thought about buying T-Mobile in March of 2011 and got it wrong that time because of worries about competition lessening. I think AT&T will get it wrong this time because of worries of too much concentration -- nothing they teach you in antitrust law, but everything the populist political environment says.
So, my conclusion: don't buy either stock. Get income from steadier companies, get growth from faster growers. Both companies have now taken themselves out of the running for either.
Get an email alert each time I write an article for Real Money. Click the "+Follow" next to my byline to this article.
Action Alerts PLUS, which Cramer co-manages as a charitable trust, is long DOW, GOOGL, FB, CMCSA.
TAGS: Investing | U.S. Equity | Consumer Discretionary | Technology | Telecom Services | How-to | Markets | Mergers and Acquisitions | Stocks
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redpajama_set_name: RedPajamaCommonCrawl


text:
Anssi Ville Karttunen, född 30 september 1960 i Helsingfors, är en finländsk cellist.

Efter studier vid Sibelius-Akademin bedrev Karttunen fortsatta studier för bland andra William Pleeth och Tibor de Machula. Efter att 1980 ha segrat i Royal Tunbridge Wells-tävlingen i England har han haft en internationell karriär med särskilt fokus på den samtida musiken.

Karttunen har varit engagerad som konstnärlig ledare för orkestern Avanti! 1994–1998, för Sommarmusik i Borgå 1994–1997 och för biennalen i Helsingfors 1995. Han är medlem av ensemblen för samtida musik Toimii!. Sedan 1999 är han solocellist i London Sinfonietta, som han samverkat med redan dessförinnan. Karttunens cd-inspelningar omfattar verk av bland andra Magnus Lindberg, Kaija Saariaho och Esa-Pekka Salonen, dessutom verk av Bach, Beethoven, Debussy och andra.

Källor

Finländska cellister
Män
Födda 1960
Levande personer
Musiker från Helsingfors

redpajama_set_name: RedPajamaWikipedia


text:
Foreword by Rudi Fuchs
Essay by Timothy Druckrey
Introduction by Rene Coelho
Interview with Rene Coelho
"Time/Piece"
"Borealis"
"O.T.S"
"I/Eye"
"The Logic of Life"
"Atlas of the Interior"
"Witness"
"Face Shopping"
"Credit Art"
"Foundling"
"Les Baigneuses"
"The Skipping Mind/A Film About Forgetting"
"Re-Animations"
"Maracaibo, Ships that pass in the night"
"Heaven"
"Sacrifice"
"Retorica"
Participation Artist's
November 13 (Fri.) - December 27 (Sun.),1998 [Finished]
Steina Vasulka
Technical Details: 2 projectors, 4 projection screen, 2 mirrors, 2 laser discs, 1 disctator
The Vasulkas Inc. stands for the married couple Steina & Woody Vasulka, artists who, in the world of media art and electronic music, have been well-known for more than 30 years - they are the founders of the famous New York Media Theater "The Kitchen" - and are still breaking new ground in these fields. As true pioneers in the area of the electronic media, they design and construct their own machines, such as the Vasulka Imaging System and the Digital Image Articulator, with which, in particular, they investigate the intrinsic characteristics of electronic image and sound, and explore the space 'behind' the lens and the microphone.
The Vasulkas not only make art together, but, during the course of time, have also built up substantial individual oeuvres, with their own characteristics of form and content. Steina Vasulka is more interested in the optical aspects of the electronic image and the visualization of a 'total space'. Her musical background - she was originally trained to be a violinist at the Music Conservatory in Prague - combined with her fascination for the natural landscape, has to a large extent determined the aesthetics and conceptual intentions of her video work.
For Voice Windows (1986), an interactive vocal and video work, Steina worked together with the composer and media artist Joan de la Barbara. Thanks to an interactive system developed by the Vasulkas, De la Barbara's experiments with vocal techniques could be visualized as video images. In Voice Windows, the sound patterns influenced the images of moving landscapes created by Steina, and image and sound intertwined into an interactive unity. Steina's installation Geomania (1989) was a pyramid of ten monitors showing images of landscapes and natural phenomena, such as geysers and volcanos, filmed in her native Iceland. Steina turned these rough, uncivilized geological images of nature into a dynamic and spatial collage, in which the rhythm of the montage ensured a contemplative alternating flow, full of symbolic and perceptual variations.
For Pyroglyphs (1994), twelve monitors were placed in a circle in a dark area: they showed close-ups of a glowing fire and sputtering sparks, filmed at a forge, and accompanied by an earthly concert of hammers, metal saws, welding apparatus and oxyacetylene cutters.
With Borealis, Steina created a 'magic environment' by means of four free-standing and vertically placed projection screens - each showing images on both sides - two video projectors, and an ingenious mirror system. The two mirror constructions duplicate the video projections, which are reflected onto the other screens. The images surrounding the viewer are close-ups of running water, seascapes from Iceland - occasionally you are also surprised by images of flowers. The images overwhelm you with their movement and their, technologically processed, sound. The water moves vertically and alternately forwards and backwards, by which Steina makes the endless, primaevally driven, flow of the natural movement of water take a different turn, and time a different direction. You become totally immersed in, and absorbed by, the rhythm of the images and the spatiality of Borealis. Because the only light in the room comes from the images themselves, there is virtually no 'outside world' to distract you, and you vanish temporarily into a space governed by its own order of space and time.
Jorinde Seijdel


text:
How USPTO's First Emerging Tech Director Is Approaching the Nascent Role – Nextgov
The United States Patent and Trademark Office is deliberately applying innovative technologies across many complex processes, particularly as its filings and examinations are trending up and reaching new records lately.
With sights set on a more modernized future necessary to meet those increasing customer demands, the agency recently named Jerry Ma as its first-ever director of emerging technology.
Drawing from experience at Harvard, Facebook, consulting and beyond, Ma advises USPTO's chief information officer and other leaders on how the agency can best implement automated digital technologies like artificial intelligence and blockchain to improve and accelerate its operations.
"There are so many folks at USPTO who are already engaging in awesome emerging technology projects, but at the point that they're sort of ad hoc, decentralized, sort of people going for the most impactful projects, which is great," Ma explained to Nextgov. "And so the next step on top of that is to bring in some central oversight, central expertise to be able to keep tabs of everything to make sure we're able to prioritize, that we're continually focusing on the maximum impact areas for emerging technology—and ultimately, craft from many pieces a coherent emerging technology vision for the agency at-large."
In a recent interview, Ma shed light on landing the first-of-a-kind position and what his early months in it have entailed.
A Unique Path to USPTO
Ma was born in China but moved to the U.S. at a very young age. He came of age in northern Indiana and identifies as a Midwesterner. Growing up, he was most interested in "video games, ancient Roman history and Chick-Fil-A," but ultimately chose to study economics as his primary academic interest.
"I still sometimes reflect on just how perfectly the USPTO matches up with my background," he noted. "I'm sort of an economist by training, AI researcher by practice, occasional manager and also amateur intellectual property nerd by night."
As the technology sector started to take off, Ma began "studying up on computers" on the side of his central intellectual pursuits. He found it incredibly fortunate that high-quality, free educational resources started proliferating on the internet in the early 2010s.
"I was able to pick up enough things early last decade, such that I was hired by Facebook a year before college to build the first machine-learning training pipeline for something called Sigma at Facebook," he explained. "And Sigma eventually grew into Facebook's predominant spam and abuse detection system."
Ma's primary technical expertise in AI lies in optimization, and since his time at and after the social media giant, he's kept a foot in both economics and technology. He assumed a range of managerial roles supporting an array of research and development work and had to navigate several intellectual property issues from both scientific and managerial angles.
Peaked by his own curiosities, several years ago Ma began diving deeper into the American IP system.
"I really wanted to learn about how the system works," he explained. That aim ultimately led him to pursue taking USPTO's patent bar exam to prove—to himself—how well he understood relevant processes. During his last-minute preparations studying for that test, a random Google search resulted in him spotting a post online expressing the agency's aim to hire its new and first emerging tech director, a role that serendipitously seemed to align many of his interests.
"Again, sometimes I just stare at the wall and sort of reflect on how perfect this role has been, and how lucky I think I've been and we've all been that folks at the agency had the foresight to see the need for this sort of position to take a holistic view of all of the emerging technology-related efforts going on," he noted.
Ma said it was incredibly interesting onboarding in the midst of a once-in-a-century pandemic, but USPTO's welcoming and remote-friendly culture made it easy to hit the ground running. His early days have been all over the place, from interacting with stakeholders to reviewing code for AI models and steering considerations around technology governance.
So far, he said his focus at USPTO spans three categories: assessing existing projects in the agency's emerging tech portfolio; developing a coherent strategy around deploying and procuring innovative tech-based solutions, and leading outreach with the broader IP and innovation community.
"We're one of the few federal agencies that have AI running—as we speak—to solve real business problems," Ma said. "My aim is really to make sure that these projects realize maximum value for our agency, our staff, and stakeholders."
American innovators and businesses depend immensely on the agency to issue patents for inventions and register trademarks for product and intellectual property identification. So, people generally think of USPTO in terms of those patents and trademarks it exists for.
"But another way to view the USPTO is as perhaps the only agency in the government to really have three distinctive channels of involvement within the emerging technology ecosystem," Ma explained.
The first channel is its constitutional and statutory role. USPTO helps foster the formation and growth of emerging technologies by providing firm IP grants and promoting sound IP policy. The second channel is as a consumer of emerging technology, through which the agency identifies modern tools to improve its operational efficiency. Channel number three, according to Ma, is as a contributor to the emerging technology landscape.
"This is honestly something that I think really gets overlooked when people think about the USPTO, but it's such a compelling way we interact with emerging technology," he said. "We give back to the AI community as one of the leading open data agencies, with hundreds upon hundreds of terabytes of scientific and technical data made just freely available to researchers and technologists."
On top of thinking through such complex topics like how USPTO fits in and contributes to the nation's emerging tech-centered realm, Ma's also been engaging in hands-on, practical efforts on the ground since joining the agency. For instance, USPTO recently sent a delegation to the inaugural AI and Patents Workshop at the International Conference on AI and the Law.
There, Ma moderated a panel discussion involving representatives of global IP offices, exploring collaboration as governments contend with greater involvement of AI in their proceedings.
Among a range of other pursuits, the agency also continues to develop and validate AI-based auto-classification mechanisms for patents to meet internal needs and international requirements, as well as capabilities to support a broader range of patent classification requirements.
And as he and others work to introduce and implement ambitious new efforts to streamline and advance emerging technologies within the agency, Ma said it's important to remember that there's no need to build anything from scratch.
"Everything we do at the USPTO is sort of standing on the shoulders of giants—standing on the shoulders of the many people who have been working on emerging technology matters for the past number of years stretching back even multiple administrations. So we're not just burning everything down and then coming up with something new," he said. "It's really about bringing together what we're doing at the agency and all the different places that emerging technology is being used or valued—and then sort of figuring out how to take an agency-wide approach to it."


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UFC in Chicago: The champ and 'The Carpenter'
Demetrious "Mighty Mouse" Johnson, UFC flyweight champion, and Clay "The Carpenter" Guida, Illinois native, take a break from training to chat with the press about the anticipated UFC on Fox 6 at the United Center on Jan. 26, 2013.
By Dan Hyland Nov 29, 2012, 4:01pm CST
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At UFC on Fox 6, Clay Guida (29-13 MMA, 9-7 UFC) will fight in his native Illinois for the first time in seven years against Hatsu Hioki (26-5-3 MMA, 2-1 UFC) in the main event on the FX prelims telecast. Demetrious Johnson (16-2-1 MMA, 4-1-1 UFC) will be putting his belt on the line in the main event on the Fox telecast against former Ultimate Fighter reality star John Dodson (14-5 MMA, 3-0 UFC).
"Chicago is a great place because thousands of fans are going to pack this place (United Center)," said Guida. "You're going to get fans from Missouri, Iowa, Indiana, Minnesota, Wisconsin; it's not only going to be Illinois fans."
Johnson and Guida have much in common besides fighting on the same card. They are likable characters and smaller fighters, and they each worked grueling construction jobs while moonlighting as MMA fighters.
But even with obvious similarities, the individuals are leading very different fighting lives. Guida is dropping to featherweight and is coming off an injury and two losses. Johnson is set to defend the UFC flyweight championship for the first time and on a nationally televised broadcast on Fox.
Johnson seemed calm, cool and collected. He dodged some questions with politically correct answers like: "I don't give myself any pressure, as long as I do what I do and just fight," "Dodson is a great competitor" and "every opponent is dangerous."
Guida was more vocal.
"We haven't seen (Hioki's) full potential in the UFC yet, and you're not going to see it on January 26," said the Round Lake native. "Once the onslaught starts, the ground-and-pound is going to take over, and (Hioki) realizes that he's in Chicago."
After two substandard Chicago UFC events in 2008 (Cote/Silva) and 2012 (Davis/Evans), the UFC has put together a pay-per-view type card for its UFC on Fox show at the UC. The other notable fights include Quinton "Rampage" Jackson vs. Glover Teixeiri and Anthony "Showtime" Pettis vs. Donald "Cowboy" Cerrone. Local kid Ricardo Lamas will fight Eric Koch and Chicago Police officer Mike Russow will take on Shawn Jordan.
"The card is stacked from top to bottom," said Guida of the January UFC event. "The Rashad Evans and Phil Davis was a good card, but this one will deliver."
Guida would not divulge his walkout music in his return to Chicago. His music should be either "Goin' to Chicago" by T-Bone Walker, "Sweet Home Chicago" by The Blues Brothers, "Subterranean Homesick Blues" by Bob Dylan or "Welcome Home (Sanitarium)" by Metallica.
Guida also gave a Cutler-like PSA announcement: "Don't ask fighters for tickets."


Today is the final day for entrepreneurs to apply for i/o Ventures' upcoming startup class.
i/o is a mini-incubator in San Francisco's Mission District that's also sort of a startup clubhouse. It has loads of natural light, a coffee shop and a flood of young entrepreneurs and investors flowing in-and-out of the space at all times.
The vibe is so good that PandoDaily calls it home with some temporary desk space that we hope becomes permanent.
Bragiel says they work hard to help the companies raise money too. So far they have a pretty good track record: Eleven companies have gone through the program, three have been acquired, seven have gotten follow-on funding and one is break-even.


After an almost five-year journey to the solar system's largest planet, NASA's Juno spacecraft successfully entered Jupiter's orbit during a 35-minute engine burn. Confirmation that the burn had completed was received on Earth at 8:53 pm. PDT (11:53 p.m. EDT) Monday, July 4.
Confirmation of a successful orbit insertion was received from Juno tracking data monitored at the navigation facility at NASA's Jet Propulsion Laboratory (JPL) in Pasadena, California, as well as at the Lockheed Martin Juno operations center in Denver. The telemetry and tracking data were received by NASA's Deep Space Network antennas in Goldstone, California, and Canberra, Australia.
The Juno spacecraft launched on Aug. 5, 2011, from Cape Canaveral Air Force Station in Florida. JPL manages the Juno mission for NASA. Juno is part of NASA's New Frontiers Program, managed at NASA's Marshall Space Flight Center in Huntsville, Alabama, for the agency's Science Mission Directorate. Lockheed Martin Space Systems in Denver built the spacecraft. The California Institute of Technology in Pasadena manages JPL for NASA.


I have an IPV6 6RD tunnel with my ISP (centurylink). It works just fine, however the gateway does not respond to ping. I set this gateway to monitor the IPV6 address of one of the google dns that I can ping just fine from the pfsense box, however the gateway status remains as "Unknown"
Yup same issue. My wan_stf too gets an IP but it is still "tentative".
Just pointing out stuff as I come across them.


New Zealand Handmade: Share and Read Great Creative Blog Posts Here at our Blog Hop!
Share and Read Great Creative Blog Posts Here at our Blog Hop!
Open for submissions from 13 November through to 10am 21 November - but readable always. You can view past Blog Hops here.


Were Gwen Stefani's date night shoes inspired by her boyfriend, Blake Shelton? Well, seeing that he's a country singer and she stepped out sporting sandals that look like cowboy boots, it's definitely possible.
The 49-year-old "Just A Girl" singer, who met Shelton in 2016 while they were judges on NBC's "The Voice," was captured leaving Craig's restaurant in West Hollywood, Calif., Sunday night wearing Dsquared2 cowboy boot sandals from the brand's fall '18 collection.
Gwen Stefani and Blake Shelton leaving Craig's restaurant on Sunday.
The style, which was originally priced at $2,357 but is now marked down to 30% off, features a brown and tan leather upper with silver-tone stud detailing. The unique sandals, which come with a nearly 5-inch stiletto heel, appear like actual cowboy boots around the ankle.
The mother of three also wore a biker jacket courtesy of the Dsquared2, which was founded by Canadian twins Dean and Dan Caten. She styled the blue denim, black leather and olive design over a sheer black top with gold polka dots and a denim miniskirt.
Gwen Stefani wearing a Dsquared2 jacket with a denim miniskirt and Dsquared2 fall '18 cowboy boot sandals.
Fishnet stockings, an assortment of jewelry, a Chanel clutch and her signature red lip pulled things together.
A closer look at Gwen Stefani's brown and tan leather Dsquared2 cowboy boot sandals featuring silver-tone stud detailing.


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« Clock ticks on City's historic bells
St. Michael's Church presents Celtic holiday concert »
Rotary completes Haiti Water Truck Project
November 13, 2014 | Author GW Editorial Staff
Pastor Rigaud (l.), with the reunited members of the Club's 2012 Haiti Work Team, including (l. to r., from front) Christine Wilson, Melande Antoine, Helen Belisle, Ed Plourde, Gerry Gelinas (kneeling), Stephanie Gelinas, Claire Durgin, Amy Laverdiere, John Belisle, Adam Dow, Phil Nadeau, Don Grant, Kari Grant-Gagnon and Charlene O'Clair. (Not pictured is Shawn Wright).
Widely known as "Pastor Rigaud," Dr. Jean Rigaud Amilcar Antoine, Past President of his Rotary Club in Port Au Prince Haiti, was the guest speaker at a recent Lewiston-Auburn Rotary Club dinner to celebrate the successful completion of the L-A Club's Haiti Water Truck Project. With nearly 100 people in attendance, Club President Christine Wilson, International Committee Chair Stephanie Gelinas and Pastor Rigaud discussed the development and results of the effort.
Following a visit to Haiti in the aftermath of its devastating 2010 earthquake, the Lewiston-Auburn Rotary Club decided to raise over $40,000 to purchase a water truck for the orphanage and school Rigaud oversees in Port Au Prince. Since drilled wells could not be employed because of the proximity of the orphanage to sea level, its administrators had been forced to rely upon transported water – at a cost of $45 every three days – to meet the daily bathing, laundry and other needs of their charges. The new truck, which is equipped with a tank and other parts needed to deliver water, now operates as a micro-business to serve the orphanage, school and local community.
Pastor Rigaud presented L-A Rotary Club President Christine Wilson with a rotary club flag and spoke of his hope to raise funds for a similar truck that could supply the area with drinking water. This project would cost around $60,000. For more information about the project, see www.haitiinternationalalliance.org.
The L-A Rotary Club believes in Service Above Self in the community, workplace and throughout the world. The club has committed itself to helping local and international organizations and annually awards $7,000 in scholarships and thousands more to local area non-profits. In addition to the Haiti Water Truck Project, club members have also assisted in the building of a library in the Philippines. The club meets each Thursday from noon to 1 p.m. at the Ramada Inn. For more information, see www.lewistonauburnrotary.org.


Sheena Devitt carves into stone and slate to create site specific sculptural artworks. The designs are inspired by and respond to the site's topography and history, its orientation and present inhabitants. The process of designing the sculptures starts with layers of drawings on paper. The transferred design takes on a new life as the work moves from a graphic image to a sculptural piece about shape, texture and light.
A training in drawing and painting, combined with a one to one apprenticeship in stone letter carving, has given Sheena an excellent grounding in using drawing to develop ideas, and the ability to practice a very specific craft to a high level.
Works are sited permanently in both private gardens/interiors and public spaces in the UK.
Sheena has also created sculptures in response to group exhibitions in the UK and USA.


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Australian Rock Show
Australia's loudest and proudest rock n roll podcast !
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Episode 140 - John Waite Interview 0
With the release of his stunning new album 'Wooden Heart - Acoustic Anthology' - John Waite reminds music fans of his class and talent, weaving his beautiful voice through a stripped-back collection of songs. Waite possesses one of the most recognizable voices in rock n roll and in a career spanning over four decades, has written, recorded and amassed a back-catalogue of musical riches. On episode #140 of The Australian Rock Show, John Waite joins us to look over the new album. We also chat about his early days in Lancashire, his time in London, The Babys, his solo career, album artwork, Johnny Thunders, AC/DC, his 2018 Australian tour and much much more ! Essential listening.


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Gliss Riffer – Dan Deacon
I saw Dan Deacon open for the Arcade Fire in August, and I was entirely nonplussed. It wasn't what I expected, it wasn't what I wanted, and I was completely baffled as to what the thought process was behind having him as a prelude to the Arcade Fire. He was goofy, and quirky, and a little bit embarrassing. You could see, clearly, that Dan Deacon was still trying to find himself musically and as a personality onstage. All the pieces just hadn't fallen into place yet.
So, obviously, I wasn't looking forward to this album. And then I was nonplussed again, because I liked it.
Gliss Riffer is quirky and eccentric and it's definitely the Dan Deacon we've come to know from his previous work through the last handful of years, but the electro-buzz beats and Dan Deacon's vocals – he does the female ones too – combine to wicked effect. There's a lot of pop influence on there, and it's also pretty reminiscent to me of Gary Numan and The Human League. The difference, to me, is how well it all works. When I saw Dan Deacon, he was just a guy standing in front of a keyboard in sweatpants and a hoodie, who sort of bounced around a little bit and maybe hit a few buttons and made a couple of sounds. There was no cohesive image, or audible direction. On Gliss Riffer, there definitely is. Dan Deacon's found it now – whatever 'it' is – and it's impressive.
'Feel The Lightning' is a standout track, but the album is fun all the way through. Gliss Riffer drops February 24th, check it out.
2015 album review Dan Deacon Gliss Riffer
Dylan Vasiloff
Dylan is a writer from Toronto who enjoys rock and roll and comic books, and who is currently working on his debut graphic novel, The Star Child. You can catch him on Twitter @dylthewriter.
Nickelback at Budweiser Gardens
Win Tickets to Sleater-Kinney in Toronto


any help for emerald ash borer?
We have several ash trees we would like to prevent from this pest if there is anything we can do? We have heard the insect is in Cedar County though we haven't seen it on our farm. We would like to either take preventative action or remedy if it comes. We've heard that there is something to do though it's costly. If it isn't too expensive we might be able to act. Thanks.
A publication on emerald ash borer management options can be found at the following website.


The Primex True-Flow Ceiling Diffusers (WGX Series) are durable, highly-adjustable air supply or exhaust vents. The ceiling mountable Series provides whisper-quiet airflow in an unobtrusive and aesthetically pleasing housing. Pair the 4-inch model with the EB4x90 for installation in tight spaces.
• Dual flow: whisper quiet air supply or exhaust with four-wing screw to adjust air flow from 0-100%.
• Increased air flow over the WG Series.
• Added security of mounting screws through base flange.
• Snap-on trim ring to hide mounting screws and hole trim is included.
• Long-lasting durability with UV-protected, impact resistant, Polymer resin.
• WGX4S vent (with shorter collar) is compatible with Primex's squeeze elbow accessory (EB4x90) and 4-inch diffuser sleeve (DS Series).


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Queen Elizabeth 2 (QE2) Home Page
Queen Mary 2 Home Page
Queen Elizabeth Home Page
Queen Victoria Home Page
QE2 In Bermuda
QE2 in the Caribbean
QE2 in the Falklands
QE2 1000th voyage
QE2 aground off Martha's Vineyard
CRUISE PICTORIAL
THE CARIBBEAN
St. Maarten was another port that was usually on the schedule. Before the construction of the Dr. A.C. Watley Cruise Port, all the ships calling in Phillipsburg had to tender (above) including small ships such as Cunard Countess (below).
Rounding out the ports that were typically on a QE2 Caribbean cruise was Barbados. Here, QE2 could dock in the large man-made port near Bridgetown.
Usually there would be one or two cruise ships in port such as Cunard's Caronia on the eve of the turn of the Millennium. (Y2K night).
Cruise photo feature - - Cunard Line - - Queen Elizabeth 2 in the Caribbean - - page two


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By visiting the Site or submitting your personally identifiable information to us, you accept the terms described in this Privacy Policy. From time to time we may modify these rules. We will notify you of any significant change by posting a notice on our home page and information collection forms. Your continued use of the Site after any modification indicates your agreement to the new terms.
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When you register as a member and order our materials, request information, we will use our registration screens and online forms to collect personally identifying information such as your name and e-mail address ("personal data"). In addition, if you send us an e-mail or communicate with us offline, we may collect the personal data that you voluntarily provide us at that time.
We may use your personal data in the following ways:
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We use your anonymous data to obtain general statistics regarding the use of the Site and its specific Web pages and to evaluate how our visitors use and navigate our website on an aggregate basis. We do not link your anonymous data with your personal data.
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An analysis of willy loman in the book in death of a salesman by arthur miller
Writing a letter of complaint pdf
History of terrorism by the ku klux klan history essay
An analysis of the importance of communication systems in society
For example, datasets are most often provided to researchers without direct identifiers such as name and Social Security number. With guidance from the information system, you can streamline your operations. A recent United Kingdom report on the use of personal data in health research concluded that public involvement in research is necessary for the success of information-based research, and that a public informed about the value of research is likely to have greater enthusiasm and confidence in research and the research community AMS, Thirty-two species are found in European waters, including twenty-five toothed and seven baleen species.
Advances in information-based medical research could also facilitate the movement toward personalized medicine, which will make health research more meaningful to individuals.
But patients often lack information about how research is conducted and are rarely informed about research results that may have a direct impact on their health. Other fields introduce less precisely defined notions of complexity: At the 26th International Conference on Information Systems in Las Vegas, Frederico Fonseca, assistant professor in the School of Information Sciences and Technology ISTand James Martin, a professor emeritus of the Penn State psychology department, presented their argument for having designers and users act as teammates during the development process.
This policy led to a 73 percent increase in trial registrations of all intervention types from around the world Zarin et al. When patients consent to the use of their medical records in a particular study, health researchers should make greater efforts at the conclusion of the study to inform study participants about the results, and the relevance and importance of those results.
The framework for achieving the goal of protecting human subjects is based on two foundational requirements: Key members of the quality improvement community attended, and short- and long-term solutions to this problem were proposed.
Some members of the health care community have proposed requiring that all prospective quality improvement activities go through external review Bellin and Dubler,while others have outlined specific criteria to differentiate quality improvement activities from research.
Below the caudal vertebrae is the chevron bone. The committee affirms the importance of maintaining and improving health research effectiveness. Species can be identified at a distance using this characteristic. Surveys show that people are more supportive of research that is relevant to them and their loved ones.
Weaver perceived and addressed this problem, in at least a preliminary way, in drawing a distinction between "disorganized complexity" and "organized complexity". Reference will be made to recent trends in data mining and "big data" management issues. Although little is known about the attitudes of individuals who have actually participated in medical research, the available evidence suggests that most research participants have positive experiences.
The surveys reviewed in this chapter focus on interventional clinical trials. You can use such information to prepare cost estimates and forecasts and to analyze how your actions affected the key company indicators. Blood oxygen is distributed effectively throughout the body.
To read the entire article, click here. The objectives and deliverables planned for such a system is well structured and the user, i. Representative samples are essential to ensure the validity and generalizability of health research, but datasets will not be representative of the entire population if some people withhold access to their health information.The Career s economic development.
Each program is aligned to a career cluster and is detailed in curriculum frameworks. With partners from education, busines. The Importance of Play in Promoting Healthy Child Development and Maintaining Strong Parent-Child Bonds.
In the process, Leydesdorff, develops a general sociological theory of communication, as well as a special theory of scientific communication designed to analyze complex systems such as the Euroean Information Society. Systems theory has long been concerned with the study of complex systems (in recent times, complexity theory and complex systems have also been used as names of the field).
These systems are present in the research of a variety disciplines, including biology, economics, social studies and southshorechorale.comly, complexity has become. General Systems Analysis Links.
Systems and Systems Thinking Definition of a System A system definition courtesy of the Pentagon. This is the actual image used by Gen. Stanley A. McChrystal, the leader of American and NATO forces in Afghanistan, to portray the complexity of American military strategy.
"Recording The World Since " History About Us Testimonials News Service Contact; GOVERNMENT DIVISION ⇒ (Password Protected) NATURE DIVISION ⇒ (Public) Corporate Mission Since our inception inSaul Mineroff Electronics, Inc. (SME) has worked hard to build mutually beneficial, long term relationships.
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Thanks to Priority Safety Services' onsite team, emergencies and mishaps don't need to cause alarm when you and your staff work in the oil or forest industry away from the safety net of city life and easy access medical services. We offer emergency medical services and industrial first aid in Grande Prairie and the surrounding regions so you don't have to worry about potential consequences if processes and projects go awry. Plus, with our team already onsite at your worksite, you won't have to wait to get the assistance you require in your moment of need.
Our motto, "Your safety is our priority," guides all our actions and decisions when it comes to creating an emergency response package for you, your company, and your employees. It's also why Priority Safety Services provides 24/7 emergency medical services in Grande Prairie. Our team can respond to emergency situations and provide onsite supervision at remote locations when a disaster occurs in order to minimize the magnitude of the situation and maximize the health and wellbeing of your employees. Even with hazardous equipment in oilfields and power generating plants, you can feel safe knowing that we will be with you anytime, anywhere.
No matter what you need and where you are, Priority Safety Services will work with you to ensure you receive your order as soon as possible to mitigate or eliminate future emergencies.
Contact our staff to order our products and services today.
You shouldn't have to jeopardize or constantly worry about your safety in order to work in your field of choice. When you choose Priority Safety Services, our onsite medical staff and range of products and services will protect your health in case of an emergency. You can go to work every day feeling safe, secure, and in good hands.
Contact our emergency response team to reserve an onsite medic.


Iconsets, Skins and Languages are all packaged as Addons, therefore their installation steps are the same.
If the downloaded addon is in "xpi" format or includes an *.xpi file you can simply drag the xpi file onto Komodo and follow the installation steps.
Once installed restart Komodo for the addon to be properly loaded.
The steps below are only relevant if installing via an .xpi file is not possible for you.
If these steps are not working or you want to try a different approach you can try manually creating an .xpi, but this is not guaranteed to work for every addon.
To install toolbox items simply open up your Komodo toolbox and drag and drop the downloaded *.komodotool onto your toolbox.
Alternatively you can choose to import items right from inside Komod. Simply open your toolbox and click the "gear" icon at the top right of the Toolbox widget. Then select the import option that applies to the type of file you are currently importing.
Sometimes you will find a Macro or Snippet that isn't packaged in a format Komodo understand, eg. you simply have a snippet of code that you want to use in Komodo. To use this, simply open your Komodo toolbox and create a tool (eg. Macro, Snippet, Command) by either clicking the "gear" icon at the top right of the Toolbox widget, or by right clicking the folder to which you want to add your tool.
Then simply copy and paste the code you wish to import into the tool creation dialog.
To install color schemes simply drag and drop the downloaded *.ksf file onto Komodo.
If for whatever reason the Drag and Drop solution does not work you can manually install the color scheme by copying the *.ksf file to your schemes folder, which is located within your profile folder.
Once you have copied the *.ksf file to this folder, restart Komodo and follow the Usage steps below.
Once installed you can select (and tweak) your color schemes under Preferences > Fonts and Colors.
You can install keybindings by copying the *.kkf file to your schemes folder, which is located within your profile folder.
Once you have copied the *.kkf file to this folder, restart Komodo and follow the Usage steps below.
Once installed you can select (and tweak) your keybindings under Preferences > Editor > Key Bindings.
If the package you are trying to use is not covered under the steps given on this page, please either check for a readme or install file included with your package, or check the Github repository for the package in question.
If none of this gives you the answer you need please post on our forums.


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<?xml version="1.0" encoding="utf-8"?>
<resources>
    <string name="app_name">ResideMenuDemo</string>
</resources>

redpajama_set_name: RedPajamaGithub


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Inter Miami could play matches at Marlins Park
By Daniel KarellNov 18, 2018, 8:44 AM EST
David Beckham's new MLS side Inter Miami CF could follow in the footsteps of Manchester City's sister club New York City FC when it begins life in MLS.
Inter Miami co-owner Jorge Mas told MLSSoccer.com in an interview that while the club builds its new soccer-specific stadium, it could play games at Marlins Park, home of Major League Baseball's Miami Marlins. Marlins Park has hosted numerous international friendly matches in the past, including one involving Mexico, and was reportedly designed with soccer in mind, enabling teams to play on a bigger pitch, unlike the tight confines at Yankee Stadium.
"It's a contender," Mas said. "From the beginning I've said that our options are Marlins Park, Hard Rock Stadium, [Florida International University]. We've looked at potentially playing some games up at FAU [Florida Atlantic University, in Boca Raton], more maybe geared towards a broader fanbase in terms of South Florida. This is a beautiful facility here; we're in conversations with all of the groups involved. Personally, I like this facility, I wouldn't mind being here. The big advantage here is we're a Miami team and this is in the city of Miami."
With Inter Miami likely to start as an expansion side in 2020, it will still be reportedly a year and a half before they move into a stadium of their own. Beckham and his ownership team earned a huge win last week as Miami voters approved a referendum for the team to negotiate a lease with the city to use land at Melreese Country Club, Just north did Marlins Park in Little Havana and bordering the Miami International Airport grounds.
With a stadium likely to be completed by 2021, Inter Miami wouldn't have to spend much time at Marlins Park or another local site, but it's still a bit embarassing for MLS to have teams playing in baseball stadiums, especially NYCFC. The team and league said the stay at Yankee Stadium would be temporary, but there's been little movement on the stadium front and it looks like NYCFC could sped a decade or more in the house that Ruth built.


text:
Horror gortastic – Peacock Theatre: Horror
acting, Blood, Breathtaking, Chilling, Creepy, Dead, Evil, Evil Dead, Family, Frightening, Ghost, Guts, Horror, Jakop Ahlbom, Mime, murder, Nightmare, Oculus, Parents, Possession, Scary, Show, Sister, Stage, The Exorcist, The Peacock Theatre, The Ring, The Shining, Theatre
Shock horror! Horror is the most spine-tingling most intense knife edged horror show that I have ever seen played out at any theatre "Oh yes, there will be blood".
Jakop Ahlbom's show is full of dance, mime, acrobatics and magical illusion making this the most truly outstanding but unsettling piece of theatre keeping you the edge of your seat all the time.
SPOILER ALERT from this point on…..
Even though the main stage does not really change that did not matter. The main stage is set out as a living room and behind up some stairs there is a kitchen area but this room changes only once for one scene to a bathroom area. The story is about a lady who returns to revisit her deserted home in where she once grew up. She brings along two of her male friends on the trip "Think you're alone? Think again". However something terrible had happened to the woman's sister here, and sooner rather than later the ghost of her sister soon makes herself known "Who will survive and what will be left of them?". The whole play shows supernatural scenes of the females brutal childhood from start to finish with many horror moments from mysteriously moving objects to murders. Most moments were taken from past horror movies for example the possessed and crawling sawn off hand 'Evil Dead II', Sadako from 'The Ring', the spider walk and 360 head turn in the 'The Exorcist' along with hints from other films such as 'The Shining' and 'Oculus'. The ghost of her sister is not the only ghost to appear as the ghosts of her parents also appear. The whole play shows that the two females had a very strict Christian upbringing with her sister always being whipped for misbehaving which eventually she is murdered by her own parents "Forgive me father, for I am sin". Eventually throughout the play after many spine shining moments possessions happen and murders of her friends take place "Ding dong. You're dead." She is now left alone with her ghost family and possessed dead bodies of her friends whom try to kill her. At this point a pair of newlyweds arrive looking for a place to shelter but I bet they wished they never discovered the house. They find the young lady crying in a cupboard all upset and they try to comfort her but this is then eventually interrupted when the dead friends and the ghosts come out to play and you guessed it eventually they also come to a grizzly death. The last scene shows you the young lady and her ghost sister walking off but did she die I am unsure this is the only part of the play I was confused about. All the acting is mimed no talking whatsoever but this did not matter as it really did not need it and in fact probably made the whole play even more creepier and scarier especially when the young dead sister played by Gwen Langenberg who creaks, ticks and whirrs like an insect as she jerks and scuttles around the stage.
This show is only on for a short run (23 May to 10 June) which is a pity as I would of gone and SAW it again as I am a massive horror fan. So my advice is to you if you are a massive horror fan yourself then this is the most certainly the best horror play that you can ever see at a theatre so go and see it don't miss it before it vanishes.
"If this movie doesn't make your skin crawl … it's on too tight"


text:
Bad news as four Manchester United players out for Huddersfield clash: Official
February 2, 2018 Aswin First Team, News, NewsNow 0
Manchester United will be without four first-team players ahead of Saturday's Premier League clash versus Huddersfield Town. The Red Devils produced an underwhelming performance during the midweek defeat at the hands of Spurs, and Jose Mourinho will be seeking a strong response at Old Trafford with no major injury concerns in the club's ranks.
Speaking to MUTV, Mourinho confirmed that Marouane Fellaini has joined the treatment room after his rather unfortunate injury which happened just 30 seconds into his substitute appearance on Wednesday night. The Belgian has not suffered any rupture in his knee, but Mourinho could not provide a suitable return date for the 30-year-old, he said: "Probably we are going to lose him for a few weeks, but I cannot say if it's two, three, four or five [weeks]. I cannot say at this moment."
Meanwhile, Eric Bailly and Zlatan Ibrahimovic also remain out of contention, but the manager is hopeful that they can return prior to their Champions League tie, having begun their individual training regime over the couple of days, he added: "They are working on the pitch but not yet with us as a group so they are not very close to a return. But I want to believe that by Champions League time, around the end of the month, they will be back."
Mourinho did not give a mention on Daley Blind during his interview, but he is deemed to be undergoing his rehabilitation on a mild ankle ligament damage at the club's Carrington AON training complex.


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text:
Sounds Better Together
VISIT VICTORIA AND MUSHROOM GROUP PROUDLY PARTNER FOR 2021 SOUNDS BETTER TOGETHER.
A CELEBRATION OF LIVE MUSIC IN THE STATE OF MUSIC FIVE NEW DATES ADDED TO CONCERT SERIES KICKING OFF ACROSS METRO & REGIONAL VICTORIA THIS WEEKEND.
ALL TICKETS UNDER $50* ON SALE TODAY AT 12NOON
On Monday, Mushroom Group and Visit Victoria turned the lights back on in the State of music, announcing 2021 SOUNDS BETTER TOGETHER, a concert series spanning eight days at some of Victoria's most spectacular venues.
Today, a further five gigs have been added to the program between Saturday 23 and Saturday 30 January, taking in iconic venues around the State from the stunning Forum Melbourne to Castlemaine's Theatre Royal, Warrnambool's The Whalers Hotel, San Remo's Westernport Hotel and St Kilda's famous Prince Bandroom and Esplanade Hotel.
Kicking off in a matter of days, the just-announced shows will star a selection of Australia's finest talent; Something for Kate with Hayley Mary, The Living End with Bakers Eddy, Ross Wilson with Fergus James, Pierce Brothers with Shannen James, Alex Lahey with Scott Darlow, and Didirri and Mia Wray. These great lineups join already announced artists Jimmy Barnes, Tones And I, Missy Higgins, The Teskey Brothers, James Reyne, Daryl Braithwaite, Vika & Linda, Deborah Conway, Gordi, D'Arcy Spiller and Darlinghurst.
Tickets to attend these newly announced intimate concerts are on sale today at 12 noon AEDT, and are priced between an incredible $20 to $49.90*.
Michael Gudinski, Mushroom Group Founder & Chairman said: "We're thrilled to be taking 2021 Sounds Better Together to even more venues and regions around this great state. Music lovers will be able to catch incredible performances from some of our country's greatest artists, and with all tickets under $50, these shows really are going to be something special that I hope everyone can make it along to".
Victorian audiences showed exactly why they've been dubbed the State of music, with tickets to Something for Kate's show at St Kilda's Prince Bandroom this Sunday selling out within minutes of going on sale on Tuesday.
Appearing at Monday's press conference in Melbourne, Something for Kate's frontman Paul Dempsey said, "We are overjoyed to be a part of this series, the opportunity to play an intimate club show in our hometown is something we have been dreaming of for a year now and it's going to be very special to take the stage at the legendary Prince of Wales. We can't wait!"
One of the country's most respected artists, Ross Wilson is a cornerstone of Australian rock music. With an illustrious career spanning over 50 years, Wilson has been twice inducted into the ARIA Hall of Fame; both as a solo artist and as a member of Daddy Cool. From his acclaimed solo work, to fronting Daddy Cool and Mondo Rock, Wilson's work stands the test of time and with explosive on-stage charisma, he's set to blow the roof off Castlemaine's Theatre Royal on Wednesday 27 January.
He's toured with Ed Sheeran, hit the stage at Splendour In The Grass and sold out headline shows around the country; Fergus James is a star on the rise. With his latest single 'Good Man', James delivers a world class pop anthem, emerging as a multi-faceted artist ready to take on the world.
Prior to his performance with Ross Wilson at the Theatre Royal on Wednesday evening, Fergus James will play a special pop-up show at Castlemaine's Bridge Hotel. It will be first in, best dressed, so Castlemaine locals, get in quickly from 6pm!
Alex Lahey is joined by Scott Darlow at The Espy on Monday. The singer-songwriter has a sardonic streak and flair for crafting relatable pop-punk anti-anthems, which has garnered her fans the world over. She broke through in 2016 with the guitar-based 'You Don't Think You Like People Like Me', which serves up equal portions of hooks and attitude, and followed up with two acclaimed studio albums, 2017's I Love You Like A Brother and 2019's The Best Of Luck Club.
Since entering the Australian music scene in 2003, Yorta Yorta descendent Scott Darlow has been a mainstay of Australia's Indigenous and independent music industry. The versatile singer-songwriter, guitarist, and didgeridoo player, who signed to Mushroom's Reclusive Records last year, has sold more than 50,000 albums worldwide and has toured extensively through Australia, Asia and the USA. His just-released single 'Forgotten Australia', is a reminder for Australians to embrace their togetherness and come together to celebrate the things that make our country and its people special.
"I'm stoked to be playing with Alex Lahey at the Espy on January 25! The Espy was THE venue I wanted to play as a teenager coming up. To be playing there with an artist as amazing as Alex is unreal, and I can't wait to get on stage next week! It's gonna be rad!", said Scott. Australian punk rock royalty, The Living End take on Melbourne's stunning Forum next week, alongside Bakers Eddy. The trio has released eight studio albums, most recently 2018's Wunderbar, have an APRA Award and multiple ARIA Awards under their belt, and have notched up multi-Gold and Platinum singles and chart-topping albums. Known for their infectious energy, they'll bring the heat when they hit the stage on Wednesday 27 January.
The Living End's Chris Cheney said, "To say we are delighted at having an actual real life Victorian show booked is an understatement! This is going to be a very special gig for many reasons and we're thankful to the '2021 Sounds Better Together' folks who made this happen. See you at the gig next week and it will get loud!"
Formed in Wellington, New Zealand, Bakers Eddy's fun and fast sound quickly grew them a fanbase off-shore. Relocating to Melbourne in 2017, they've covered the festival circuit – NYE on the Hill, Festival Of The Sun, and Party In The Paddock to name a few – and shared stages with the likes of The Rubens, Gang of Youths, The Bennies and many more. Bakers Eddy are gearing up for the release of their highly anticipated debut album in 2021.
Bakers Eddy said, "Proper excited to be supporting such an iconic Australian band, The Living End, at The Forum – a venue we have had on our goals list for a while now!" As well as appearing at the Mt Duneed Estate and Mallacoota shows respectively, exciting emerging Victorian artists Didirri and Mia Wray join forces to play at Warrnambool's The Whalers Hotel on Thursday 28 January.
Returning to his hometown for a special evening of music, Didirri captivates with his live performance. His ethereal vocals, and poetic, candid songwriting are garnering him global attention from fans and critics.
In 2020, Mia Wray made a grand debut with her single 'Work For Me'. Her soulful voice has drawn comparison to the likes of Lorde and Meg Mac, but Mia Wray is carving her own path. Released yesterday, Mia's new single 'Never Gonna Be The Same' is a no-holds-barred ode to empowerment, reinforcing her as a talent to watch in 2021. For years now twin brothers Jack and Patrick Pierce's high energy duo Pierce Brothers has been a staple of the Australian indie-folk/blues and roots scene, captivating festival goers and headlining sold out venues the world over. Exploding onto the world stage in 2014, the brothers started their journey as buskers before building audiences and touring the world. Their anticipated sophomore album Into The Great Unknown is due for release on March 5, 2021.
Pierce Brothers said, "We're thrilled to be back onstage playing music after such a massive forced hiatus, and we're so lucky that we've been given the opportunity to do so. It's amazing that we've come together as a community so well to finally be able to put on COVIDSafe events safely and it's something we don't take for granted. We'll also be able to finally play some of the new tunes from our upcoming album which is just so exciting!"
Quickly establishing herself as one of the country's most exciting new songwriters, Shannen James takes listeners on a dreamy pop journey through the sparkling emotions of youth. Her latest EP Arrows has been embraced by fans and industry alike with radio play across the likes of triple j, triple j unearthed and a combined 2 Million Spotify streams.
Shannen said, "Really looking forward to being a part of the Sounds Better Together series along with the Pierce Brothers and playing live again! I'm sure I speak for everyone in saying we've all been hanging out for live music to start back up and think it's going to make for a really special year of shows."
For all 2021 SOUNDS BETTER TOGETHER events, a COVIDSafe event plan has been approved by the Victorian Public Health Advisory Panel, Chief Health Officer (CHO) and the Major Events Taskforce.
2021 SOUNDS BETTER TOGETHER – outdoor venues:
To ensure a COVIDSafe event the following will be implemented:
Reduced capacity shows
Digital tickets – this ensures all contact details are recorded even when a ticket is forwarded or sold to another patron
Regular touchpoint cleaning
Additional Bar, Food & Sanitary facilities – to minimise queuing
Additional Staffing – Security and Event staff to help manage social distancing onsite
COVIDSafe officer to ensure compliance
Increased communications to patrons and staff
Event staff health check and training
Additional medical facilities and staffing
"Buy together to stay together" – Shows will be reserved allocated seating only (we have increased the row widths to ensure social distancing between groups)
2021 SOUNDS BETTER TOGETHER – indoor venues:
Events will be operating in a COVIDSafe environment. For full details please contact the individual venues directly.
Important COVID Information: Given the current locations of outbreaks in the NSW region, anyone coming into Victoria from the NSW border region should check the NSW Health website and follow the instructions listed. Individuals can not attend if they have been outside the NSW bubble region.
Tickets to attend these special 2021 SOUNDS BETTER TOGETHER concerts are priced between an incredible $20 to $49.90* with the new shows on-sale from Thursday 21 January 12noon AEDT.


text:
Ms. Thelma Ekiyor
Ms Thelma Ekiyor: Ms Ekiyor has served as the First Executive Director / CEO of the TY Danjuma Foundation. She was the Executive Director of the West Africa Civil Society Institute (WACSI) in Accra Ghana. She has also served as Senior Manager for Conflict Intervention and Peace build support at the Centre for Conflict resolution.
She has acted as the Director of Programmes for the West Africa Nigeria for the Peace building (WANEP) where she co-founded the Women in peace building network (WIPNET) serving as its first regional coordinator. She's also the Founder and Executive Director of Afrigrants Resources Ltd. A member of several boards, locally and internationally, resource person / expert in International organizations .She authored and co-authored books on security and peace building in Africa especially on the roles of Women in peace and security.
Thelma is a Nigerian from Delta State with a LLB Honours in International Law from University of Buckingham and a Fellowship from Stanford University USA. She holds a MBA on Entrepreneurship from Imperial College London.
← Mrs Yewande Zaccheaus
Pastor Nomthi Odukoya →


text:
@implementation PGDownloadSettingsRequest

- (instancetype)initWithHash:(NSString *)hash {
    if (self = [super initWithType:RequestType_DownloadSettings]) {
        DownloadSettingsMessage *message = [DownloadSettingsMessage message];
        if (hash != nil) {
            message.hash_p = hash;
        }
        self.rawRequest.requestMessage = message.data;
    }
    return self;
}

- (instancetype)init {
    if (self = [super initWithType:RequestType_DownloadSettings]) {
        DownloadSettingsMessage *message = [DownloadSettingsMessage message];
        self.rawRequest.requestMessage = message.data;
    }
    return self;
}

@end


text:
GTA V Is 5 Years Old But Grand Theft Auto 6 When Will be Announced?
January 5, 2022 by Floyd Sherman
Next September 17th, Grand Theft Auto V will celebrate its first 5 years. Indeed, in 2013, just a few days before the autumn of that year, Rockstar Games launched simultaneously on Playstation 3 and Xbox 360 what would become the best-selling video game in history thanks also to the following releases on PS4, Xbox One and PC.
GTA V was not only the biggest selling videogame in history with almost 100 million copies sold, but it also broke other astonishing records as the fastest intellectual property to reach a billion dollars in entertainment profits as well as the work of art that obtained the biggest profit in the history of entertainment and therefore including also cinema and music.
Rockstar Games has also invested the highest amount ever spent in a video game, that is to say 260 million dollars, but profits now have already reached 6 billion dollars.
To make a comparison let's take as an example the huge movie success of Avatar. For James Cameron's film, almost $230 million have been spent and 2.8 billion have been cashed out, thus, less than half of what Grand Theft Auto 5 has achieved.
A success that even today seems unstoppable with sales still important in various markets around the world and the many players that populate GTA Online servers, the important added value of the game that has greatly expanded an already very high longevity given by the single player component.
We can only praise the work done by Rockstar Games with GTA V with a more phantasmagorical success than a win at 888sport new jersey, but this great success is increasing in a very unusual way, first the announcement and then the release of the sequel, obviously Grand Theft Auto VI.
Taking as a reference GTA IV and GTA V, the two games were released less than 5 years from each other, while today after five years not even the official announcement of the highly anticipated sequel has arrived yet.
Now Rockstar Games is very busy with the launch of Red Dead Redemption 2, the western game coming on Playstation 4 and Xbox One.
To be optimistic, the first official news on Grand Theft Auto VI will arrive in 2019 and, given the current times of the gaming industry, the game will probably be available in stores not before 2020.
We will therefore have to wait a long time and probably the hypotheses made in the previous paragraph are even overly optimistic. Waiting for official news, obviously the web and in particular the social networks are triggered in rumors and rumors.
Some are aiming at London as next location, some others are talking about a map that includes all the cities of the United States of America. Obviously everything makes noise and interest but we know that until it is not Rockstar Games itself to say something official, we will not know the truth about GTA VI.
One question, however, is legitimate as of now: will the sixth chapter of the most successful series in the history of videogames succeed in beating the incredible records of its predecessor? In a few years (who knows how many), we'll find it out!
Categories Games Tags Grand Theft Auto, Grand Theft Auto 6, GTA 5, GTA V, GTA VI, Rockstar Games Post navigation
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text: __all__ = ['ttypes', 'constants', 'TutorialService']


text:
import chalk from 'chalk';
import {readdirSync, readFileSync, statSync} from 'fs';
import {IMinimatch, Minimatch} from 'minimatch';
import {join} from 'path';

/**
 * Script that lints the CODEOWNERS file and makes sure that all files have an owner.
 */

/** Path for the Github owners file. */
const ownersFilePath = '.github/CODEOWNERS';

/** Path for the .gitignore file. */
const gitIgnorePath = '.gitignore';

let errors = 0;
const ownedPaths = readFileSync(ownersFilePath, 'utf8')
  .split('\n')
  // Trim lines.
  .map(line => line.trim())
  // Remove empty lines and comments.
  .filter(line => line && !line.startsWith('#'))
  // Split off just the path glob.
  .map(line => line.split(/\s+/)[0])
  // Turn paths into Minimatch objects.
  .map(path => new Minimatch(path, {dot: true, matchBase: true}));

const ignoredPaths = readFileSync(gitIgnorePath, 'utf8')
  .split('\n')
  // Trim lines.
  .map(line => line.trim())
  // Remove empty lines and comments.
  .filter(line => line && !line.startsWith('#'))
  // Turn paths into Minimatch objects.
  .map(path => new Minimatch(path, {dot: true, matchBase: true}));

for (let paths = getChildPaths('.'); paths.length; ) {
  paths = Array.prototype.concat(
    ...paths
      // Remove ignored paths
      .filter(
        path =>
          !ignoredPaths.reduce(
            (isIgnored, ignoredPath) => isIgnored || ignoredPath.match('/' + path),
            false,
          ),
      )
      // Remove paths that match an owned path.
      .filter(
        path =>
          !ownedPaths.reduce((isOwned, ownedPath) => isOwned || isOwnedBy(path, ownedPath), false),
      )
      // Report an error for any files that didn't match any owned paths.
      .filter(path => {
        if (statSync(path).isFile()) {
          console.log(chalk.red(`No code owner found for "${path}".`));
          errors++;
          return false;
        }
        return true;
      })
      // Get the next level of children for any directories.
      .map(path => getChildPaths(path)),
  );
}

if (errors) {
  throw Error(
    `Found ${errors} files with no owner. Code owners for the files ` +
      `should be added in the CODEOWNERS file.`,
  );
}

/** Check if the given path is owned by the given owned path matcher. */
function isOwnedBy(path: string, ownedPath: IMinimatch) {
  // If the owned path ends with `**` its safe to eliminate whole directories.
  if (ownedPath.pattern.endsWith('**') || statSync(path).isFile()) {
    return ownedPath.match('/' + path);
  }
  return false;
}

/** Get the immediate child paths of the given path. */
function getChildPaths(path: string) {
  return readdirSync(path).map(child => join(path, child));
}


text:
Q: Correct scope reference to object within window object Since my previous question was not answered i thought i give it another try only formulated better.
(function() {

    var ns = {};

    for(var i = 0; i < 2; i++){

        ns['someName'] = 'na' + i;

        //Logs ns0 and ns1 like i want
        console.log(ns["someName"]);

        window.addEventListener('load', function(){

            //Logs ns1 twice
            console.log(ns["someName"]);

        });

    }

})();

So the question being how to keep the correct scope within the window eventListener.
Thanks!

A: You can use the magic of closures
(function(value) {
    window.addEventListener('load', function(){

        //Logs ns1 twice
        console.log(value);

    });
})(ns["someName"]);

Defined an inline function and called it inmediatly using the current value for ns["someName"]

A: (function() {
    var ns = {};
    for(var i = 0; i < 2; i++){
        ns['someName'] = 'na' + i;
        console.log(ns["someName"]);
        (function(value){
           window.addEventListener('load', function(){
                console.log(value);
           });
        }(ns['someName'] ));
    }
})();

A: I simplified the code to show how you can 'preserve' the scope within each load-callback-function. You can use a self-execution function to return a closure:
(function() {

    for(var i = 0; i < 2; i++) {

        window.addEventListener('load', (function(i){
            return function(evt) {
                // i is as expected: 0 and then 1
                console.log(i);
                // the variable 'evt' contains the event-object
            };
        })(i));

    }

})();

A: You can achieve it with the help of closures
(function() {
    var ns = {};
    for(var i = 0; i < 2; i++){
        ns['someName'] = 'na' + i;
        console.log(ns["someName"]);
        (function(value){
           window.addEventListener('load', function(){

                   return (function(){
                        console.log(value);
                      })()
           });
        }(ns["someName"]));
    }
})();

This will do the trick :)

A: thank you all for your input much appreciated! ive been battling this for a two days now and i was about to pull out my hair.
here is the final code:
(function() {

  for(var i = 0; i < 2; i++){

    var ns = {};

    ns['someName' + i] = 'ns' + i;

    //Logs ns0 and ns1 like i want
    console.log(ns);

   (function(value) {

        window.addEventListener('load', function(event){

            //Logs ns0 and ns1 like i want
            console.log(value);

            //preseved my events
            console.log(event);

        });

    })(ns);

  }

})();


The Fuller Center of Greater Atlanta's dedication of a renovated home this Saturday at 2534 County Line Road in Atlanta won't be just another Save a House/Make a Home success story for FCH Greater Atlanta President Mark Galey.
After all, he was one of the driving forces behind the whole concept of putting vacant houses to use, and the house they'll be dedicating Saturday was obtained a couple years ago, well before the Save a House initiative officially launched this year.
The small, three-bedroom, brick, ranch-style house that will now become home for Celeste McFadgen and her two young children – along with her brother John Beal and his infant daughter – was donated to The Fuller Center by Chase Bank. Among the many who have contributed to the success of this project are Team Home Depot, Atlanta Home Improvement magazine and ReClaim-It Atlanta, which has made reclaimed building materials and rescued paint available.
The Saturday's dedication is set for 9-11 a.m. and will feature KISS 104's Sasha the Diva as emcee.
Galey said having so many people come together in this effort is the result of continuing to charge ahead with The Fuller Center's work.