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Distance from L'Hospitalet de Llobregat to Rubi
Distance between L'Hospitalet de Llobregat and Rubi is 16 kilometers (10 miles).
Driving distance from L'Hospitalet de Llobregat to Rubi is 26 kilometers (16 miles).
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Distance Map Between L'Hospitalet de Llobregat and Rubi
L'Hospitalet de Llobregat, Barcelona, Spain ↔ Rubi, Barcelona, Spain = 10 miles = 16 km.
How far is it between L'Hospitalet de Llobregat and Rubí
L'Hospitalet de Llobregat is located in Spain with (41.3597,2.1003) coordinates and Rubi is located in Spain with (41.4923,2.0331) coordinates. The calculated flying distance from L'Hospitalet de Llobregat to Rubi is equal to 10 miles which is equal to 16 km.
If you want to go by car, the driving distance between L'Hospitalet de Llobregat and Rubi is 25.88 km. If you ride your car with an average speed of 112 kilometers/hour (70 miles/h), travel time will be 00 hours 13 minutes. Please check the avg. speed travel time table on the right for various options.
Difference between fly and go by a car is 10 km.
L'Hospitalet de Llobregat 41.3597, 2.1003 41° 21´ 34.8120'' N
2° 6´ 1.0080'' E
Rubi 41.4923, 2.0331 41° 29´ 32.1360'' N
2° 1´ 58.9800'' E
Estimated Travel Time Between L'Hospitalet de Llobregat and Rubí
30 mph (48 km/h) 00 hours 32 minutes
70 mph (112 km/h) 00 hours 13 minutes
L'Hospitalet de Llobregat, Barcelona, Spain
Related Distances from L'Hospitalet de Llobregat
L Hospitalet De Llobregat to Sant Cugat Del Valles 19 km
L Hospitalet De Llobregat to Sant Just Desvern 7 km
L Hospitalet De Llobregat to Sant Vicenc Dels Horts 14 km
L Hospitalet De Llobregat to Tordera 76 km
L Hospitalet De Llobregat to Barbera Del Valles 27 km
Rubi, Barcelona, Spain
Related Distances to Rubi
Mollet Del Valles to Rubi 20 km
Llefia to Rubi 22 km
Castelldefels to Rubi 34 km
Esparreguera to Rubi 28 km
Amposta to Rubi 172 km
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"Palestinian" statehood seems to be inevitable. In the past week we have seen terrorists standing at the 66th UN General Assembly asking to be recognized and rewarded for all the atrocities they've committed against the Israeli people as well as their brother Arabs.(1) After watching quite a few addresses to that world body the consensus is that the majority believe that there should be a new Muslim country in the Middle East; every delegate that spoke said something regarding this issue and they were all in favor which means it's just a matter of time.(2) Israel on Sunday, October 2, 2011 formally accepted the Quartet's agenda for the timeline of this new entity and it seems like it will be a fait accompli before the end of 2012.(3) This is not speculation but fact. There were too many yea votes at the UN for this to be postponed very much longer and this is what makes this coming year so vital to end-time understanding. No more conjecture is needed. This coming Jewish year will see the peace treaty we've all been watching for. There is no other way for what was started at the UN this September to end but in statehood for the "Palestinians" before the end of 2012.
How can Israel sell this peace treaty to the public? Liberal Israelis will applaud giving their land away to the downtrodden Arabs, secular less political Israelis will heave a sigh of relief that there is finally peace with their Arab neighbors and that they can ride the buses and vacation in safety, and religious Jews will be lulled into submission with offers of half the Temple Mount. Building of the Third Temple will commence and shouldn't take long as preparations have been in the works for decades for such a time as this.(4) Daily sacrifices would start immediately as only an altar is needed with the building of the Temple to follow.
What does this all mean regarding end-time scenarios? This is where things are not so sure but there are other facts that need to be considered. Israel became a state in 1948 and one would've assumed that the first Jubilee year would've seen the culmination of end-time prophecies. But the year 1998 came and went with nary a ripple regarding Israel. The number 70 is the next number bandied about as relevant to this situation which would make 2018 noteworthy. Another significant occurrence in the life of end-time Israel was the reunification of Jerusalem in 1967. Jerusalem's Jubilee year will be in 2017 which is a mere 5-6 full years from the signing of this peace treaty in 2011/12. How does it all fall into place? I don't know. I'm just speaking in generalities here with facts as they have been presented to us thus far.


The chair of the South- East Marine Protection Forum, Maree Baker- Galloway says she wants all submitters to have confidence that their feedback has been considered and understood.
Submissions closed on December 20 last year and the Forum was to have delivered its final recommendations to government by the end of April. However, in late March, the Forum recognised it required more time to digest public feedback before it could begin its deliberation process from a position that was well informed by the submissions.
The government agencies that support the Forum, the Department of Conservation and the Ministry for Primary Industries, are presently working with the Forum to identify a realistic timeframe for the Forum to review the submissions, deliberate and then deliver the final recommendation report.
Public submissions are intended to be published on the Forum website in the near future, once personal information is removed.
The South-East Marine Protection Forum's consultation document, PROPOSED MARINE PROTECTED AREAS FOR NEW ZEALAND'S SOUTH ISLAND SOUTH-EAST COAST, published on 25 October 2016, contains errors within Volume 1. Please view the errors by following this link. The corrected version of Volume 1 can be downloaded from the YourSay page of the website.
The South-East Marine Protection Forum's consultation document, PROPOSED MARINE PROTECTED AREAS FOR NEW ZEALAND'S SOUTH ISLAND SOUTH-EAST COAST, published on 25 October 2016, contains an error within Volume 1 on page 62.
Under the proposed site 'D – Pleasant River to Stony Creek', Figure 18 relating to Commercial Fishing Intensity contains incorrect information. Please refer to the corrected table as below.
The document has been updated online with the correct information as of 01 December 2016. This is available at https://south-eastmarine.org.nz/yoursay/. We regret any inconvenience caused.
Under the proposed site 'D – Pleasant River to Stony Creek', Figure 18 relating to Commercial Fishing Intensity contains incorrect information. Please refer to the corrected table as available in the Erratum downloadable here.
From Bluff to Christchurch, upwards of 500 people have turned out to learn more about the submission process and to further their understanding of the objectives of marine protection on the South Island's South-East Coast.
In November, the Forum conducted a series of public information sessions throughout the region. These were held in Bluff, Invercargill, Waikawa, Owaka, Balclutha, Dunedin, Port Chalmers, Otago Peninsula, Waikouaiti, Oamaru, Timaru, Christchurch and Cromwell. In addition, Forum members representing the interests of commercial and recreational fishers held a series of well attended meetings with their respective stakeholders.
The public information sessions were run on an informal basis, where members had the opportunity to talk to Forum members and project team members in a more personal one-on-one situation. Resources on hand included A3 maps of each of the 20 proposed sites, the ability to demonstrate on-line, how to use the on-line submission form and how to use the mapping tool SeaSketch.
The meetings were a great opportunity for people to clarify the nature of the Forum's proposals and to reinforce the fact that at this point none of the 20 proposed sites for marine protection are locked in, and that the feedback and information provided in submissions will be influential in shaping the Forum's final recommendations to government.
The meetings have also served to reinforce the diversity of views that are held by the community within our region, with many supporting marine protection, and many expressing serious concerns about it.
The South-East Marine Protection Forum is releasing a public consultation document and is calling for submissions on initial proposals of 20 sites for possible inclusion in a network of marine protected areas along the South-East Coast of the South Island from Timaru to Waipapa Point. The official launch date and start of the submission period is Tuesday 25 October.
Forum Chair, Maree Baker -Galloway, says she's appreciative of the public input that the Forum has already received which has helped shape the consultation document.
The Forum's work is part of New Zealand's international commitment to protecting biodiversity in order to help safeguard the long term viability of habitats and ecosystems. Since it was established in 2014 by the Minister of Conservation and the Minister for Primary Industries, the Forum has been working towards meeting the Government objective of providing protection for each marine habitat type in the south-east region.
Using a habitat classification system, 34 habitat types were mapped based on the habitat classification, and three biogenic habitats (kelp forest, bryozoan bed and seagrass).
The MPA Policy, which has informed the Forum's work, requires a network which will protect representative examples of the full range of marine habitats and ecosystems in the region and also outstanding, rare, distinctive or internationally or nationally important marine habitats and ecosystems.
One example of each habitat type is to be fully protected in a marine reserve, as well as replicated in another MPA.
The MPA Policy is underpinned by a commitment to minimise the adverse impacts of marine protection on existing users of the marine environment and on Treaty settlement obligations.
Maree Baker-Galloway says, "In our deliberations to date we have had to make some difficult choices about options for biodiversity protection. In particular, the Forum has had to carefully consider the impacts of potential marine protected areas on manawhenua and existing users.
Each proposed site is either labelled Type 1 or Type 2. Type 1 sites are being consulted on as marine reserves or 'no take' areas. Type 2 sites are proposed as marine protected areas with restrictions specific to what is being targeted for protection; 'a fit-for-purpose' set of restrictions. Type 2 marine protected areas still allow some fishing and harvesting, but restrict specific fishing methods and other activities (e.g. mining) in the interests of biodiversity protection, particularly those that cause sea bed disturbance.
The Public Consultation Document and Submission Form is available online www.south-eastmarine.org.nz, or the public can call 0800 Our Sea (0800 687 729) to request a copy. Copies will also be available for viewing at local council offices and public libraries throughout the region.
In November the Forum plans to host a series of Public Information Sessions throughout the region where people can come and find out more about the submission process.


Stephen Pierce is chief HR officer of Hitachi Europe, part of a Japanese company with a vision of creating 'a better society through technology'.
Hitachi has 335,000 staff globally of which 20,000 are in Europe across a diverse range of businesses including rail, nuclear power, consulting, financial services, construction machinery and data systems. Pierce is also a board director of Hitachi Rail Europe, which has been awarded a 27 year contract to build and maintain high speed trains for the UK rail network.
Pierce leads a corporate team focusing on the growth and development of Hitachi businesses in Europe. They are introducing globally consistent HR best practices and providing HR shared services to 30 Hitachi companies across the region.
Pierce has led HR in international businesses for more than 25 years. Before joining Hitachi in 2008, he was European HR director of two US businesses and prior to that held various HR roles with an international food group.
Pierce is a regular speaker at HR conferences and an experienced coach and mentor. He has contributed to several books on talent management and has recently been appointed a companion of the Chartered Management Institute.


A combination of bureaucratic hurdles and intimidation in practice impedes the work of Togo's civil society organisations, human rights defenders and journalists. People face problems when trying to get their associations formally registered, particularly when those associations are critical of the state or stand for LGBTI people's rights. Peaceful protests are protected by law but regularly broken up by the security forces, often with disproportionate force. Togo enjoys a vibrant media but an overzealous regulatory body sometimes interferes with press freedoms. Journalists and media houses also face threats and harassment in an attempt to silence critics.


Sunday December 7th was a tough interesting day for me. It was the first birthday back in Oregon, First birthday with new friends, but first birthday away from some of my closest friends in LA. The day started with a breakthrough session here at Aim High. Recently teacher Logan Verzosa pointed out that I've developed my own distinct Tricking style. So the past few sessions have been nothing but playing around with Tricks that I knew. And saving the learning and training away from Aim High.
Without further ado, here's footage from my Birthday Session featuring myself, and students in Advanced Tricking class! Ouss!


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Hearst Strikes Deal with Apple on iPad Subscriptions
by Russell Adams
In a big win for Apple Inc., magazine publisher Hearst Corp. has agreed to sell subscriptions to the iPad editions of a range of its publications through iTunes, beginning with three of its popular magazines, the publisher said.
Starting with their July issues, apps for Esquire, Popular Mechanics and O, The Oprah Magazine, will be available through a new service from Apple that allows customers to sign up for subscriptions inside the apps and get billed automatically. Subscriptions to all three publications will be sold for $1.99 a month or $19.99 a year.
Hearst said it will eventually sell newspaper apps and other content it owns on a subscription basis through iTunes too.
Read the rest of this post on the original site »
Return to: Hearst Strikes Deal with Apple on iPad Subscriptions
URL: http://allthingsd.com/20110504/hearst-strikes-deal-with-apple-on-ipad-subscriptions/

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Dancing With the Stars - Archive
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More Reality TV!
Dancing With The Stars ~ U.S. Season 19 Episode 5
By cassondra0222
September 30, 2014 in Dancing With the Stars - Archive
cassondra0222
Location:Virginia Beach, Virginia
Interests:Taking care of my 5 wonderful children, photography, doing puzzles, crafting, writing, posting to Facebook, Tweeting, and learning new things on-line.
It's "Movie Night" on Dancing With The Stars. The stars are paying tribute to movies. Everyone is asked to take their seats by the announcer overhead. We see the audience, and a movie screen. Professional dancers open dressed like Marilyn Monroe. Professional dancers come out with guys dressed in baseball uniforms. The stars and the professionals all come to the stage, dancing their way out. Tom welcomes everyone to Dancing With The Stars. Erin says hello to everyone. Tom introduces the guest judge Kevin Hart, and he dances on stage with the professionals.
Tom says Kevin Hart was dancing his way into our lives. Kevin sits at the judges table. Phone numbers are posted for the dancing couples. Tom says by the end of tonight, one of the couples will go home, based on judges scores and viewer votes. Randy and Karina are in jeopardy, and they are dancing first. We see highlights of them from their practice sessions.
Tom says by the end of tonight, one of the couples will go home, based on judges scores and viewer votes. Randy and Karina are in jeopardy, and they are dancing first. We see highlights of them from their practice sessions. Randy and Karina are doing the Paso Doble to Eye Of The Tiger by Survivor. Tom says they are the first ones out of the gate on Movie Night. Julianne asks what happened to the strong, charming, leading man from week1? She says it was lacking the strength it needed. Bruno says, all the raging and muscle power can make mince meat of him. He says, the timing was behind, and he really needs to learn to shape the moves. Carrie Ann says he was tossing, and doing things, but wants him to bring back the finesse. Kevin Hart says, he doesn't know what they were talking about. He says, he pulled off a great dance. He says, it was a hell of a performance, and he embraced it. They go upstairs for their scores. Erin asks how they think they did. Randy says they were prepared. Karina says they nailed it, and she's hoping they don't have to strip down very quickly. Judges scores: Carrie Ann - 7; Kevin- 7 Julianne - 6 Bruno - 6, Total 26. Erin tells them good job.
We come back to Tom dancing to the music, and he welcomes everyone back to Movie Night with guest judge, Kevin Hart. Alfonso and Witney are safe. Betsey and Tony are safe too. The audience gives loud applauses. Tom says, Afonso and Witney trained for a routine by Austin Powers. They show highlights of them for this week and practice sessions. Alfonso and Witney dance a Quickstep to Hey Goldmember by Foxxy Cleopatra Feat, Devin and Solange. Tom says, Alfonso, Witney, and mini-me Alfonso, and Bruno starts by acting like Dr. Evil, and says he's pleased. He says, he has such an individual style, and he can sell anything. He tells him to use his diaphragm to give him the lift he needs. Carrie Ann says very very good, and tells him, she is so impressed with him. She says, there was no bounce in his step, and he was smooth. She tells him not to go over his time. Kevin says he murdered that brother. He says you don't put a black man in a velvet suit and tell him to dance, and he murdered it, murdered it, murdered it. Julianne says, how can she follow that? She says, she is going to give them something to work on next week. She tells him to get low, and shows him what she means. They go upstairs, and Erin talks to the mini-me Alfonso. He says he would give them a 10 across the board. Judges scores: Carrie Ann - 8, Kevin - 8, Julianne - 8, Bruno - 8, Total 32. Alfonso says he's sweating in his costume.
Dancing With The Stars comes back with Kevin Hart dancing on stage with the professional dancers. They get a standing ovation, and loud applause from the audience. Carrie Ann flashes a 10 on her paddle, and Julianne and Bruno make an 11 with their paddles. Betsey and Tony are next to dance, and we see highlights for them, and practice sessions. Betsey and Tony are dancing Contemporary to Unchained Melody by The Righteous Brothers. They have a standing ovation throughout their dance, and the crowd gives them loud noises, and applauses. Carrie Ann says, it's confusing to watch her, because she says at times, she looks like one of their dancers, and she did every lift beautifully. She tells her to point her toes a little more. Kevin says, tell that 21 year old girl he just saw, he has the hots for her. He says, when she did the splits, she dropped it like it was hot. Julianne says, she agrees, and she is flexible. She tells her to point her toes more as well. Bruno says, no one can bend it like Betsey. He says, she's wonderful, and she dances in one continuous motion. They go upstairs to Erin. Judges scores: Carrie Ann - 7, Kevin - 9, Julianne - 6, Bruno - 7, Total 29. Erin asks how it feels to get a 9 from Kevin Hart? Tony says, thank you to Kevin.
Tom welcomes everyone back to Movie Night. Erin says, let's find out what's going to happen next. The next couple that is safe is Michael and Emma. Erin says, also safe from elimination this week is Sadie and Mark. Antonio and Cheryl are safe. Lea and Artem are safe, and are dancing next. We see highlights and practice sessions. Lea and Artem are dancing the Cha Cha to The Power Of Love by Huey Lewis and The News. The crowd roars and gives them a standing ovation. Kevin says, he loves the fact she was smiling through this whole thing, and it was forced. He loves it. Julianne says she's so bummed, because she had a little hand slip. She congratulates her on how she changes with the dance each week. Bruno says, it was the power of Lea on splendid display. He says, she can do the different characters, and displays them well. Carrie Ann says, this was not her best dance at all. She says, her head was over her feet, and she was holding to much. She tells her she's a fabulous dancer, and should have nothing to worry about.
Erin welcomes everyone back to Movie Night, and has Lea and Artem upstairs. She tells Lea that she looks a little discouraged. She says it was fun to revisit Lorainne McFly. Carrie Ann - 7, Kevin - 8, Julianne - 8, Bruno - 8, Total 31. Tom says, he thinks they were pleasantly surprised by their scores.
Practice sessions and Highlights are shown for Michael and Emma. They dance the Waltz to I Do It For You (Everything I Do) by Bryan Adams. The crowd goes wild and are on their feet. Julianne has Michael go to her, and she tells him, that was his best dance, and she's so proud of him. She says, that was so technical, and everything was great. Bruno says, it's the prince of thieves and his maiden. He says, it really shows how hard they worked. Carrie Ann says, she was mesmerized, and was pulled into their world. She says, there is a lot to work on, but she was drawn in to their story. Kevin says, good job, and he saw him signaling to him. Erin tells Michael she wants to see his eyes. He says this is really important to him. Judges scores: Carrie Ann - 7, Kevin - 7, Julianne -7, Bruno - 7, Total 28. Erin says the best part of it, is they are getting better.
Tom says that one couple will be sent on their way at the end of tonight.
Dancing With The Stars comes back with the judges taking selfies of themselves. Tom says Antonio and Cheryl are next, and we their highlights and practice sessions. They dance the Foxtrot to Ain't No Mountain High Enough by Marvin Gaye and Tammi Terrell. The crowd goes wild for them, and are on their feet. Bruno says, when he changes direction, he doesn't need to use his whole body. He tells him, to lift and turn, from the waist. The crowd goes wild. Carrie Ann tells him he is looking good out there, and she knows dancing doesn't come naturally to him. She says, he's stiff in places that are weird, and he needs to breath more when he dances. The crowd gives boos. Kevin tells him, he's killing the tux. He says, he can't Foxtrot to save his life, and he says, he executed what he's practiced, and did good. They go upstairs for their scores. Erin says, she loves what Kevin said, and she tells him this is one of his best dances so far. He says he's having a good time. Judges scores: Carrie Ann - 7, Kevin - 7, Julianne - 7, Bruno - 8, Total 29. Erin thanks Bruno, and says one couple will be eliminated at the end of the show.
We see highlights and practice sessions for Sadie and Mark. They dance the Viennese Waltz to Married Life by Michael Giacchino. Tom says, Sadie and Mark, a dance to the music from, Up. Carrie Ann says, so far tonight, that was her favorite dance. She compliments them. Kevin says, that was seamless, flawless, and made him want to do it. Julianne tells Mark that he did well with the choreography. She tells her, to work on her loosey goosey arms if she's there next week. Bruno says, he right up there in the clouds with her, and is totally and utterly charmed. They go upstairs for scores. Erin tells them all the compliments they got, and she was worried about it. Sadie says, she loved it. Judges scores: Carrie Ann - 8, Kevin - 8, Julianne - 8, Bruno - 8, Total 32. Tom says the two couples in jeopardy are Randy and Karina and Antonio and Cheryl. He will tell the four remaining couples their fates when the show returns.
Tom welcomes us back to Movie Night. Erin says we need to tell the four remaining couples their fate. The next couple safe is Janel and Val, and Bethany and Derek. Tommy and Peta are safe, and Jonathan and Allison are in jeopardy, and are dancing next. We see the highlights and practice sessions for Jonathan and Allison. They dance the Tango to Back to Black (Explicit) by Beyonce and Andre 3000. The crowd gives them a standing ovation, and is applauding. Kevin says, he likes how the dance wasn't a traditional Tango, and he loved it from start to finish. Julianne says, she was going to say the same thing about the traditional Tango, and she says they did the best they could, with what they were given. She tells him to work on his frame a little more. Bruno says, it was hard to do, and he did it. Carrie Ann says, they are there to encourage everyone, and look what they came back with. They will find out their scores after the break, and one couple will be eliminated, Live, tonight.
Erin comes back with Jonathan and Allison upstairs for their scores. She asks Allison how she was able to package it all? She says, she worked how for Jonathan. Judges scores: Carrie Ann - 8, Kevin - 8, Julianne - 8, Bruno - 8, Total 32. Erin asks Jonathan how he feels? He says, it was so hard, and his elbows hurt, but he feels great.
Tom says that Janel and Vals dance almost didn't happen. We see highlights and practice sessions for Janel and Val. They were told they can't use any of the moves from the movie West Side Story. They dance Jazz to America, Original Soundtrack from West Side Story. The crowd goes wild, and are on their feet, including the judges. Julianne says, she thought she was watching a full-on Broadway Musical, and says, that was perfecto. Bruno says, that was her star making turn. Carrie Ann says, she turned the beep out, girl. She says she gives good everything, including sexy dancing. Kevin says, he bows down, and it was amazing. He says, he loved the story. Tom says, scores will be revealed after the break, and one couple will be eliminated tonight, Live.
Dancing With The Stars returns with professional troop dancers dressed all in blue, and dancing. Erin comes back with Janel and Val, and Janel says she grabbed Kevin Hart, and kissed him on the cheek. Val says it was an honor and a privilege to dance to West Side Story. Judges scores: Carrie Ann - 10, Kevin - 10, Julianne - 10, Bruno - 10, Total 40. Erin says, the first perfect score of the season, and tells them to go and enjoy this.
We see highlights and practice sessions for Tommy and Peta. They dance the Argentine Tango to Por Una Cabeza by Carlos Gardel. The crowd goes wild, and gives them a standing ovation. The crowd is screaming to them. Bruno says, it was sensual, and it stems from the life experience. He says, this story could not have been better told. Carrie Ann says it was like watching Yoda dance. She says, it was authentic, and he is the real deal. Kevin says, some people fold under pressure, but he stayed poised. He says, he wasn't shook up at all, and he killed it. Julianne says, anyone who can lead Peta is excellent. She says, that was flawless. They will get their scores after the break. Tom says, unfortunately, one couple will be eliminated, Live.
Erin welcomes everyone back to Movie Night. She says, before the break we saw a lovely Argentine Tango. She asks Tommy how he drew it all in, and he says, from the crowd. Erin asks Peta if that was the first time he remembered all of it, and she says, yes, that's the first time they've gotten through the entire dance. Judges scores: Carrie Ann - 8, Kevin - 10, Julianne - 8, Bruno - 8, Total 34. Erin tells everyone to get their votes in to save their favorite couples.
We see highlights and practice sessions for Bethany and Derek. They met Gene Kelly's wife during their practice session. They dance Jazz to Singin' In The Rain by Gene Kelly. They get a standing ovation form the crowd and the judges. Carrie Ann says, mission impossible, mission complete. She says, let's here it for our production team for making it rain in here. The crowd goes while. Kevin says, it's nice when you pay homage to someone like this, and he says, it was amazing. Julianne says, she knows the wrath of Derek. She says, it was so well done, and she didn't miss a step. They go upstairs with Erin. Erin asks Bethany how much pressure it was, and she says, so much pressure with Derek. They show a video of Derek at 4-years-old dancing to Singin' In The Rain. Judges scores: Carrie Ann - 10, Kevin - 10, Julianne - 10, Bruno - 10, Total 40. Bruno says, Gene Kelly's smiling on you, kid. Bethany says, this isn't really happening. Erin says, it's happening, and the viewers need to get their votes in. Tom says, one person will be eliminated after the break, Live.
Tom says, we are back, and what a night it has been. All dancers are standing on stage. The next couple safe is, Antonio and Cheryl. Jonathan and Allison or Randy and Karina is about to be eliminated. The couple leaving right now is Randy and Karina. Erin says, by the reactions, she is shocked, and says, Tom is shocked also. Erin asks Randy how he feels, and he says he's o.k., it was great experience. Karina says, she hopes she made a friend for life, because it was a priceless experience, and she wouldn't change anything. They go to dance floor, and everyone hugs them. Tom tells viewers to vote for their favorite couples. He says, Randy and Karina will be on GMA tomorrow, from New York. The Season Premier of Castle comes on right now.
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Choose the right fragrance this Summer!
As the weather changes so does your wardrobe, your eating habits and your skincare regime, so why not your fragrance? A scent is not just a fragrance, it embodies you and is your signature. And as you change your appearance as per the season, so should your fragrance.
A fragrance empowers, comforts and calms you, and as you wouldn't wear a trench coat in summer, you shouldn't wear a heavy, woody fragrance when the sun shines bright outside, In Dubai, blazing would be the right word to use.
In winter, one would be drawn towards spicier fragrances, complicated bouquet that warms you up as the temperature drops outside. Summer, however, calls for light airy notes that instantly refresh and evoke the feelings of an airy beach walk or a dip in cooling aqua.
A scent that refreshes, no just you, but the ones around, that's what you should be looking for. Floral, Citrusy, Fruity and Aquatic notes are the most prominent notes to keep cool throughout summer.
Aquatic: It signifies theessence of water that cools you the instant it touches your skin. A unique mixture of fresh, clean, translucent and airy scent in which, a traditional fresh & floral scent is enhanced by aquatic notes during evaporation process.
Floral: One of the most sought after fragrances, whether you prefer soft floral fragrances or a fruitier variety, that's a personal choice. Few notes would be rose, jasmine, lily, hibiscus, etc.
Fruity: Ideal for summer, fruity perfumes tends to be a bit lighter than floral fragrances. You won't be hot and sticky or overpowering on those hot, humid nights.
Aromatic: A magnificent mixture of rosemary, lavender, sage, cumin and other plants, which hold a very intensive grass-spicy fragrance, usually packed with citrusy and spicy notes. Aromatic scents are unique blend that work great for summer.
Wood-based perfumes are hard to find for summer, but the scents like sandalwood, smell better, last longer, and also keeps you cool.
In summer, perfume evaporates faster and then scents with complex notes can mix in an unpleasant way. The best option is simpler scents that contain only one or two notes.
Finally, stay away from layering, while doing that for scents will help them stay on longer, but in summer, would you want that? Once you have selected your best summer scent, don't forget to apply a little on the back of your ears, in the grove at the base of your neck and a small spritz at the back of your knees and ankles. This will have you enjoying a refreshing and cooling fragrance all day.
Renad and Palomino from Lootah are such fragrances, perfect to beat the summer heat in the UAE. While Renad refreshes with Neroli & Bergamot and sweeten the moment with Rasberry, Palomino is the perfect harmony of spicy cinnamon and fruity apricot, blended with black orchid for him & for her.


This wine is startlingly deep garnet black in color.
Upon first whiff are scents of musky earth, followed by hints of graphite. Rich cherry & currant flavors, along with a distinctive presence of balsamic fill the mouth.
Smooth & spicy, with hints of pepper and lively, earthy fruits of cranberry and huckleberry, like a dance flamenco! Herbacious bay leaf and coffee liqueur become apparent in time, adding subtle layers. These notes may not be noticeable all at once. Give this some time! For myself, I would love to be sipping a glass of this at a little table in a Spanish Mesón with tapas and live flamenco players, singers, dancers ... Ola!
For tapas ... charcuterie, mussels w/tomatoes, garlic & herbs, sautéed mushrooms on toasts or semi-hard, nutty, earthy cheese like manchego. For entree's, great with holiday ham or pork loin!
This unique wine is produced from the rare Mencía grape, estate owned and organically grown by the Ladera Sagrada vineyard in the appellation of Valdeorras in Galicia (northwest Spain). Founded in 1920, the vineyard is now owned and managed by winemaker Jose' L. Sotos. The bodega makes wine using only the best 20% of its grapes (the rest sold to neighboring producers). Vines are grown in granite and slate soil and 100% unoaked. The estate also grows a white varietal called Godello. More on that one in another article, as I love that one too! During Roman times Valdeorras was known for its gold, hence its name, the Valley of Gold. High elevations of this small part of Galicia produce Mencía grapes different from other Galician wine regions. The flavors tend to be bright with great aromatic expression, also due to the cool temperatures of the Atlantic-influenced climate and longer ripening period.
Bottom line – exceptional value! Comes to us through Ole' Imports and National Distributors here in Maine. In Greater Portland find it at Old Port Wine Merchants on Commercial St. for an amazing $13.99. I had also picked it when writing the wine list for Cantina el Rayo on York St. Last I knew it was there as well. You can always ask your local wine purveyor/retail store if they could order it for you!


Login to your PayPal account. Under My Account , click Profile . In the My Selling Tools section (left side), click on Update next to Custom payment pages .... Login to your PayPal account. Under My Account , click Profile . In the My Selling Tools section (left side), click on Update next to Custom payment pages .
Why PayPal account is necessary? To start working in online jobs, every person should have an account with PayPal payment processor. The sites usually we register will be situated at a very far distance, sometimes another country which causes some practical issues in money transactions between borders.
You can add the VISA DEBIT CARD to your PayPal merchant account, post which PayPal will verify the card if its in your name or not and will add it to your PayPal merchant account. Once you complete the process you will then be able to withdraw money which you will receive in your PayPal merchant account.


I've learned to not take things for granted at trial. I had a case once where a witness was going to testify about something, the defense lawyer objected, and the judge sustained (agreed with) that objection. I explained the the judge the objection was improper, that the evidence was allowed under Maryland law, and that my client should have been allowed to testify. He didn't even spend a second reconsidering, but denied my request.
[It's not important for the purpose of the story, but the judge ruled that the witness could not testify about what she heard an employee of the defendant corporation say immediately after an accident on company property. The judge ruled that the employee was not the corporation, so the statement did not qualify as an admission by party-opponent. Therefore, it was hearsay and forbidden. This is dead-wrong on the law].
So, I've learned that judges are people, too. They don't always have all of the answers. It must be hard to be a judge–they have to know a little about the law for criminal cases, family/domestic cases, and civil cases. Of course they will get things wrong from time-to-time. I was caught off-guard because I thought the evidence rule was a basic one that everyone knew. I never made that mistake again.
When I go into court, now I prepare Trial Memoranda to give to the judge, with copies of caselaw, to make sure that the judge is aware of the law on any issue on which the outcome could hinge (and to make sure the record is clear if I need to appeal the case). A few weeks ago I had one such case. Here's the story.
My client was stepping onto a bus. The bus driver refused to lower the bus (they have pneumatic mechanisms to help injured or disabled people get on so the steps are not so high). It was icy out, and my client was afraid of falling. After asking the driver twice, and being twice refused, my client attempted to board the bus and fell.
In Maryland, taxis and buses are known as "common carriers." Common carriers have a higher duty of care than the rest of us. I needed the judge to know that, in this case, the bus driver had a higher duty of care toward my client. I couldn't assume that the judge knew it, particularly where my client had not even completely boarded the bus. So I submitted a trial memoranda, which the judge read while on the bench. In his ruling, he specifically noted that he also read one of the cases I cited in the memoranda, and that I was correct. Maybe he would have gotten the law right on his own–he's a smart judge. But maybe not, and I didn't want to take the chance.
If you are interested, here are the main points of the memo. When you go into trial, make sure your lawyer is prepared for the unexpected–ask what research he or she is going to give the judge.
Common Carriers Have A Heightened Duty To Provide Safe Entrance for Their Passengers.
It is axiomatic that common carriers, including commercial buses, taxi cabs and trains, have a heightened duty to their passengers. A common carrier: "…must employ the utmost care and diligence which human foresight can use. It is required to use the utmost degree of care, skill, and diligence in everything that concerns its passengers' transportation but is extended further and requires the carrier to provide a safe means to enter and exit the bus." Leatherwood Motor Coach Tours Corp. v. Nathan, 84 Md.App. 370, 376 (1990) (emphasis added).
This duty applies when vehicle is in motion, but it also applies when the vehicle is stopped. A common carrier "owe[s] a duty to be watchful and alert at all times." Jacobson v. Julian, 246 Md. 549, 559 (1967).
Maryland courts have defined passengers, to whom this heightened duty of care is owed: "[a] person becomes a passenger when, with the implied consent of the carrier, the person enters upon the bus, but actual entry upon the bus is not necessary to create a relationship of carrier and passenger in which one may become a passenger." Leatherwood, 84 Md.App. at 375-376. Further, "the duty begins when a passenger who has paid his fare or a prospective passenger intending to do so starts to enter upon the conveyance or upon the carrier's station, platform, waiting room, or other facility maintained by the carrier for the passage and convenience of its passengers…." Leatherwood, 84 Md.App. at 379 (emphasis added).
Common carriers that pick up or drop off passengers must ensure that the location selected by the driver is reasonably safe. In Baltimore Transit Co. v. Brooks, the plaintiff alleged that the driver of a trackless trolley stopped directly in front of an isolated patch of sheet ice, which the plaintiff stepped on when exiting the vehicle. 224 Md. 242 (1961). The plaintiff prevailed at trial, and the Court of Appeals agreed that the case was properly submitted to the jury to determine "whether the driver either saw, or in the exercise of the care required of him for his passenger about to leave the vehicle, should have seen the relatively large sheet of ice, and either driven onto it so the plaintiff could have stepped on the dry pavement, or have stopped short of it on the dry street." Baltimore Transit Co., 224 Md. at 245.


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South Florida Showcase
VC-backed Side expands to Florida
San Francisco-based firm raised $35M this month
Miami /
Nov.November 14, 2019 09:00 AM
By E.B. Solomont
From left: Donnie Pingaro and Guy Gal
On the heels of raising $35 million, a San Francisco-based brokerage that provides white-label tools to agents has set its sights on Florida.
Side, the venture-backed brokerage founded in 2017, launched in Florida this week, the company said.
Unlike traditional firms, Side offers back-office and marketing support to agents who run their own businesses.
"It's filling the void that the top-producing brokers have been looking for from their brokerage," said Donnie Pingaro, Side's managing broker in Florida, who previously ran his own boutique firm. "Tech is a big word in our industry, and I've not really seen any brokerages that connect it from end-to-end to let brokers do what they do best."
Ben Bacal's new rodeo
Before joining Side, Pingaro said he spent a "tremendous" amount of time on back-office work for Ocean Insiders, a firm he founded in the 1990s to focus on Fisher Island real estate. Now, he said he's able to focus on building client relationships.
Pingaro said he's actively talking to brokers in Miami, Tampa and Orlando, as well as in Central Florida and the Panhandle.
Side currently does yet have a physical office in Florida. Typically, the firm doesn't open brick-and-mortar locations, although individual agents may elect to lease space for their teams, said Vicki Bartholomae, Side's chief of agent success.
In Los Angeles, Side recently recruited Ben Bacal from Rodeo Realty. The firm currently has 500 agents in California and Texas and 68 branch offices leased by agents. Side's agents are on track to close $8 billion in deals next year, the company said.
Earlier this month, Side announced a $35 million funding round to fuel its national expansion. The Series C was led by Sapphire Venture's Paul Levine, a former president and COO of Trulia. The round brings Side's total funding to $60 million since it launched in 2017.
Trinity ventures' Patricia Nakache and Matrix Partners' Dana Stalder also invested in the round.
Past investors have included MetaProp, the New York City-based venture investor and proptech accelerator. Last month, co-founder Clelia Peters (who is also president of Warburg Realty) joined Side's board.
expansionprivate equity
Property management startup DoorLoop raises $20M
Dream, Live, Pay up? Ex-DLP exec alleges Florida firm owes him millions
PE firms LarrainVial, DaGrosa Capital invest in Miami real estate companies
Historic Brickell Avenue building listed for sale
Private equity firm picks up Hialeah Gardens trucking facility
Extending its reach: Limousines of South Florida picks up car dealership in Lauderdale Lakes for $7M
Elliman expands to Texas, Beckham's Miami stadium plans hit a snag: Daily digest
Toronto asset manager pays nearly $10M for Palm Beach home
3050 Biscayne Boulevard, Suite 604, Miami, FL 33137
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Magnesium plays an essential role in every single organ in the human body. We already get it from a large part of our diet yet scientists estimate that a worrying number of us are deficient, how can that be? Magtein looks to solve that problem by offering the most bioavailable form of this essential mineral yet.
What is Swanson Ultra Magtein Magnesium L-Threonate?
Magnesium is essential to your heart, teeth, bones, kidneys and muscles (to name but a few!), it sounds a little trite to call it an essential mineral. If it weren't for the fact that the term 'essential mineral' actually refers to any nutrient that we cannot synthesise inside our bodies. In other words, we have to get it from our diet.
Given that Magnesium is widely available in whole grains, nuts and green leafy vegetables, it doesn't sound like it should be too hard to get our fill. Unfortunately, recent research points to the contrary. Increasing quantities of sugar and caffeine in our diets are actually inhibiting our body's ability to absorb Magnesium properly from our diets.
Which is why, if we choose to supplement our bodies with Magnesium, the bioavailability of that supplement is so important.
Roughly half of the US population is Magnesium deficient.
The RDA is between 350-400 mg per day.
Magnesium is normally found in whole grains, beans, nuts and green leafy vegetables.
There have been a number of different Magnesium supplements in the market in recent years and each boasts different ways in which they can help you better absorb this vital mineral. However, until now, none have been able to boast the incredible technology behind Swanson Ultra Magtein Magnesium L-Threonate.
Technology created and patented by a group of scientists from MIT, one of whom is a Nobel Laureate.
What is Swanson Ultra Magtein Magnesium L-Threonate used for?
Magnesium plays a number of roles in your body, most of which are based on the mineral's ability to activate enzymes that contribute to energy production. It also helps to regulate levels of other vital nutrients in your body such as copper, calcium, potassium, zinc and vitamin D.
What Swanson Ultra Magtein Magnesium L-Threonate really focuses on though, is Magnesium's effect on the mind.
As we grow older, our brains naturally degenerate. Traditional cognitive support has involved attempting to stimulate the neurons to promote peak brain function. Sadly, over time, this can have an equally negative effect, burning us out.
Swanson Ultra Magtein Magnesium L-Threonate works by nourishing the brain to help hold those neurons in a relaxed state of readiness. This process further facilitates the free exchange of those electrical impulses which transfer information in our brains.


Zakaya Wright is part of a essay on my town in french bright future for EOTO. Watch for her and her teammates to make steps forward in years to come.
Coach Ken Huffman has guided EOTO into a program that develop players and gives them the exposure that they need. In the six years that his organization has been together, his teams have become a fixture at Peach State Basketball events. The standard that his organization has created continues to attract some of the top talent from North Georgia and beyond.
Since it's inception, EOTO boasts of two of the best individual success stories in that time. Huffman helped develop point guard Jasmine Jenkins of Gainesville, Ga., who is headed into her Junior season at Vanderbilt University this year. He also coached wing forward Morgan Jackson of Gainesville, Ga., who also is going into her Junior year at Georgia State University. Huffman helped provide the platform for both of these young ladies to show that they could compete at the highest levels in the sport.
Other players who stepped in big moments this year were class of 2015 forward Ashley Parker and class of 2016 swing forward Karlie Bearden and both of Dawsonville, Ga. Parker gave her verbal commitment to North Georgia before the month of July began. Her reputation as essay prompt for college a shooter earned her a spot on the roster for the Lady Nighthawks in years to come. The 5-11 Bearden is a player of skill who has also gained interest from North Georgia as well as several other schools in the region.
Other individuals who have come on late for Huffman's squad have been class of 2016 forward Breanna Locke of Flowery Branch, Ga., and class of 2017 prospects Pamela Johnson of Buford, Ga., and Endia Banks of Duluth, Ga. All of these players had their moments this summer where they stepped up in critical situations. Huffman looks for these players to carry the torch in years to come for EOTO.
Coach Pamela Johnson took the leadership role for this team this year and helped guide several promising players in the right essay writing service vancouver bc direction. Continue to watch the development of class of 2016 guard Maddie Hetzel of Flowery Branch, Ga., who Huffman calls a "gym rat." Also class of 2017 guard Hannah Grogan of Gainesville, Ga., is a player that is making strides. She has been a part of the EOTO organization since she was in fourth grade.
Huffman also mentioned younger players such as class of 2017 forward Zakaya Wright of Buford, Ga., who uses energy and hustle to be productive. He also speaks highly of point guard Lexie Xsengkhammee of Braselton, Ga., who's love of the game is evident every time she steps on to the floor.


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Home Lifestyle Yamaha YBR125 Features & Price in Pakistan
Yamaha YBR125 Features & Price in Pakistan
Ahsan Mirza
The Yamaha YBR125, Yamaha's light motorcycle, has been in production for a decade now and has come leaps and bounds in terms of engine efficiency, sporty looks, and quality riding experience.
Usually offering a premium feel while riding, the Yamaha YBR125 comes equipped with a four-stroke, air-cooled, SOHC and a forward-inclined single cylinder engine that supports two valves.
The 125CC bike can produce a maximum power of 7.5kW at around 7,800 RPM, and a torque of roughly 9.6Nm at about 6,000 RPM. It offers a Constant Mesh, five-speed transmission system and a wet, multiple-disc coil spring clutch. A balancer installed on the side of the engine minimizes engine vibrations.
The YBR 125 body boasts a diamond-shaped frame, an Ergonomic Handle Switch, and a monocross rear-suspension system that is perfectly suited for the rough Pakistan roads, that helps balance its hardness in that it is not too soft when moving over speed-breakers, and not too hard that it becomes uncomfortable.
The Hydraulic single disc front brake and the drum rear-brake allow great stopping power. The sporty seat ensures maximum comfort for long distances.
A smoked shield, air scoop, cast wheel, and a stylish chain case completes the look of the bike, which has a 35W Halogen Head Light that is one of the brightest bike lights in the market. The YBR125 comes in three colors – bright blue, red, and black, and sports a massive 13-liter fuel tank.
The Yamaha YBR125 comes at a hefty price of around PKR 129,400 in Pakistan.
See some real images of YBR125 in Pakistan:
Yamaha Motors Pakistan
Yamaha YBR Price
Yamaha YBR125
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An engineer by profession, Ahsan likes science, football, and words. His work is creative yet simple. Mirza lives to eat and his love for food knows no boundaries.
ICC Suspends Zimbabwe's Cricket Team Over Violation of the Constitution!


A huge number of teachers work in faith schools. Their salaries are paid entirely by the taxpayer. But without amendments to the equality bill, which is currently passing through the Lords, they will remain uniquely vulnerable to religious discrimination.
Although a private Christian charity will have to show that a decision to prefer a religious job applicant is "required", "legitimate" and "proportionate", the governors of a state-funded faith school can discriminate with no such justification. The consequence is that voluntary aided faith schools – most of them – can require any and every teacher to be religious, not just those who teach RE or are in leadership roles. In reality, that doesn't mean that every teacher in a faith school practises its religion – there are simply not enough religious teachers to go around. But if a governing body decides to rate religious devotion higher than numerical felicity when appointing a maths teacher, then nothing in the law can stop them.
And if a lucky teacher manages to get a job in a faith school despite his or her beliefs, their problems may not be over. Schools can decide levels of pay and promotion on the basis of the beliefs of teachers, meaning that there can be a de facto ban on senior posts for those of the "wrong" beliefs.
Perhaps worst of all, teachers can be dismissed for conduct which is "incompatible with the precepts, or with the upholding of the tenets" of the school's religion. This clause drives a coach and horses through the idea of fair employment rules for teachers and, according to schools minister Vernon Coaker, it is up to the governing body to define the "precepts" of the school's religion, and what forms of conduct are "incompatible" with it. The mind boggles to imagine what forms of conduct could be considered cause for reprimand or dismissal.
It is hard to know the extent to which teachers are punished for "incompatible" conduct since teachers are unlikely to want to publicise the fact they have been reprimanded and would find it hard to take a case to tribunal under the current law. So it is unsurprising that a recent case in which a head was forced from his job in a Catholic school for remarrying only came to light after a petition was organised by parents to support him.
To be clear, teachers in faith schools that are almost 100% state-funded can be appointed, disciplined, paid, promoted and dismissed according to their beliefs, with fewer legal protections than would apply to the chief executive of a religious charity or business. If more proof were needed that the law as it stands is rotten, then it is significant that both the Equality and Human Rights Commission and the joint committee on human rights think that it may contravene European law.
The government has made no coherent or principled defence of this situation. It can't, as one does not exist. Even those most strongly in favour of state-funded faith schools would struggle to justify the extent of discrimination allowed against teachers. The only reason that this shocking anomaly is not being tackled by the bill is fear of a religious lobby that has already placed itself in shrill opposition to equality in other areas.
Yet there is broader lobby that the government would do well to listen to. 72% of people believe that schools should not discriminate by religion in employment and organisations such as the Accord Coalition bring together religious and non-religious people to campaign for reform. For the sake of teachers it is vital that the government listens.


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Immigration ban backlash: American players stuck in Dubai
It did not take too long, but Donald Trump's 90-day immigration ban from Iraq, Syria, Iran, Sudan, Libya, Somalia, and Yemen has already caused a backlash. Iran has responded in kind with their own ban. This "reaction" has resulted in two American players, J.P. Prince (203 cm, Tennessee'10) and Joseph Jones (206 cm, Texas A&M'08), being "stranded" in Dubai. Both players are teammates at Azad University Tehran, from Iran's Superleague. They were on break and spent their time in Dubai. Iran's ban is now preventing them from rejoining their team in Iran.
Both players stand to lose over $100,000 if they cannot return to their team and play this 2016-17 season. Their agent, Eric Fleischer made this statement regarding their situation.
"We are waiting for clarity from the team," Fleisher said. "It's tough. It doesn't look like they can finish the season in Iran. It's not good to be out of a job. Secondarily, all their things are in Iran. They can't go back and get them. It's been difficult."
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The astute readers out there might have noticed a new addition to the link list on the right: 'What I'm Reading'. I spent last night thinking about ways to integrate more live and updated content to the blog and found a way to pull in the data I've entered in Goodreads.
So, from now on a constantly (!) updated list of what I'm reading will appear on the right hand side. It's NOT Big Brother(ish), he says, thinking about the Orwell that he's currently re-reading. it's sharing!


Yesterday after shopping in Judy's Vintage Fair and then going through Brick Lane to take new street art photos popped up there, it looked like a nice idea to make a stop in A.Gold, a beautiful traditional British food shop next to the Old Spitalfields Market.
A.Gold in 42 Brushfield Street, is not just a little shop who sells old style jams, candies, treats, some kitchen accessories, good quality coffees, teas, etc, is also a place where you can enjoy a nice cup of Monmouth coffee, a cold bottle of Victorian lemonade or a freshly made sandwich.
Even the sandwich's taste was pretty basic and nothing special, glad to visit this cozy and old style shop. A.Gold is open Monday-Friday 10.00-16.00 and weekend 11.00-17.00.
In Turkey, the people is resisting since 31 May 2013 to protect their park, democracy and human rights. Court refused Gezi Park demolition. Yesterday, thousands went to their park with the court decision and the police attacked them with tear gas, watercannon, plastic bullets.
Resist Gezi Park! Resist Turkey!
Yesterday we went to The Tea House in Covent Garden to buy some jasmin tea but the type which we buy normally was sold out. Then we decided to go to Postcard Teas in Dering Street, next to Bond Street and near Oxford Circus, another tea shop which we heard about it before moving to London.
When you compare with The Tea House you find less variety of tea and tea accessories maybe in Postcard Teas but at least the jasmin tea we bought smells and taste really good. Another thing we liked very much about this little elegant shop -and which is missing a lot in The Tea House- , was the attitude and smiling face of the gentleman who helped us to choose our tea. If you are tea addict like us and if you are around Oxford Circus, don't forget to say hello to Postcard Teas.
Our first and favorite bookshop in London. When we were living in Marylebone, we were visiting more often this neighboor shop and almost every day stopping in front of the shop's window.
Daunt Books is one of the most beautiful bookshops we saw around the world. You can find here every kind of book but they are specialised on travel books and they have a huge collection of travel books where you can spend hours. If you are around London, don't miss to visit Daunt Books, you gonna love it!


text:
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#include "Winsock2.h"
#include <windows.h>
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#include <tchar.h>
#include <list>

// TODO: reference additional headers your program requires here

redpajama_set_name: RedPajamaGithub


text:
Newspaper DISCOVER THE ART OF PUBLISHING
Home Super Natural The Mystery of Streetlight Interference
The Mystery of Streetlight Interference
One fine evening, you're returning home after a long day's work. As you stroll down the footpath of the street a block away from your house, no one else is around, and you only have the street lamps illuminating your path towards home. Oddly, the street lamp you just walked by suddenly switched off, only turning on again once you've passed it. Being the level-headed person that you are, you shrug off what happened as mere coincidence and think nothing more to it. However, three days later, you passed the same row of street lights, and the phenomenon happens again. Even weirder, this time around, three successive lamps are affected, each one suddenly turning off as you approach, only to switch on again as soon as you step away.
What just happened? Was this another random coincidence you should dismiss? Or did you somehow influence the street lights with a hidden energy or power you didn't know you had?
Many people have personally experienced – or at the very least, witnessed – a streetlight suddenly turning off as someone passes under it. While some may think that this is mere chance, there are also others that suggest this to be an unknown phenomenon caused by a few individuals who supposedly possess an incomprehensible ability to influence electrical devices. Over the years, more and more people have become more open with sharing their unusual experiences involving street lamps, and this phenomenon came to be known as "Street Light Interference" or SLI.
WHAT IS STREET LIGHT INTERFERENCE?
"Street Light Interference" is a term coined by paranormal scholar and author Hilary Evans to denote the claimed ability of individuals to turn street lights or outside security building lights on or off when passing near them. Experience of this nature are quite common, with many people all over the world claiming that they involuntarily and usually spontaneously cause street lamps to go out. Typically, "the effect is intermittent, infrequent and is without an immediately discernable sequence of cause and effect."
Although there are many personal anecdotes involving SLI experiences, the circumstances of each case are not always the same as with other instances. Some people report that they have only encountered switching off a single street light close by, while others claim to have influenced as many as a row of street lights in a single instance. There also those that possess the capacity to randomly affect only specific street lights, which makes it difficult to discern a testable pattern in studying SLI. Moreover, though the majority of SLI cases happen while walking, others say the phenomenon also occurs for them while they ride on bicycles, motorbikes, or even the bus.
However, the SLI phenomenon is not limited to streetlights alone. There are also reports of people who supposedly can spontaneously and intermittently affect other electronic devices, which varies from battery-operated wristwatches to railroad crossing to aircraft navigation equipment. Some people also claim to affect volume levels on TVs, radios, and music players, and cause credit cards and other magnetically encoded cards to get damaged and erased while in their possession. There are also those who often experience problems with compasses, causing them to stop or malfunction.
People who supposedly experience the SLI phenomenon are referred to as "SLIders." Many "SLIders" suffer from a lack of validation for their skeptical family members and friends unless the time comes that they witness the repeated occurrences firsthand. Without sufficient explanation for the phenomenon they experience and with no one to turn to confirm them, SLIders are mostly left with their own devices in imagining and speculating regarding the nature of their supposed power to influence street lamps and other items and devices.
STUDIES RELATED TO STREET LIGHT INTERFERENCE
In a modern world where empirical research decides the validity of a theory or a hypothesis, any attempt in determining the main cause of the Street Light Interference phenomenon without thorough scientific investigation is dismissed as mere speculation and intensely rejected by the academic community. This is where the problem with studying SLI arises. As with other reported psychic or paranormal phenomena, SLI is very difficult – if not impossible – to reproduce in a laboratory setting. They seem to occur spontaneously and sporadically without the deliberate intention of the SLIder.
However, there are some informal tests that have been conducted involving this phenomenon, and some of the data gathered in some research and studies are based heavily or solely on the personal anecdotes and subjective reports of the people who claim to have witnessed or experienced SLI for themselves. Even then, these tests and studies have shown that SLIders are usually unable to recreate the SLI effect on demand.
Prior to his death in 2011, the British paranormal scholar Hilary Evans was the foremost authority on SLI. Aside from being a pictorial archivist and authoring numerous books on the Fortean, Evans also helped found the Association for the Scientific Study of Anomalous Phenomena or ASSAP in 1981. And after receiving numerous reports from different people claiming that street lights respond to their presence in an inexplicable manner, Evans decided to uncover the truth behind the mystery. He collected hundreds of accounts of SLI through his research which he referred to as Street Lamp Interference Data Exchange or SLIDE. The culmination of this research was the publication of his final book titled, "SLIDERS: The Enigma Street Light Interference."
EXPLANATIONS FOR STREET LIGHT INTERFERENCE
According to Evans, it is theoretically possible that every person who claims to have experienced SLI could be lying. However, since the majority of SLIders have "no ostensible motivation apart from a natural and commendable desire to resolve" this mystery, we can probably set aside deliberate deceit for the time being. And so, based on various research, studies and assumptions from experts that are supportive or skeptical about the validity of the Street Light Interference phenomenon, possible explanations for witness claims of SLI can be grouped into three broad categories – psychological, paranormal, and mechanical.
PSYCHOLOGICAL EXPLANATION
In his book about Street Light Interference, Evans raised this primary question: "does SLI occur at all, or are the alleged witnesses deluding themselves?" According to Evans, a decisive answer to this question cannot be produced until the SLI phenomenon is scientifically tested. However, he also mentioned the possibility that SLI could be a shared delusion, much like the widespread delusion that has taken place in the past – such as the witchcraft mania that took place in the 16th and 17th centuries – and even in our more enlightened era – such as the on-going alien abduction mania. However, Evans also noted that SLI does not have the same psychological pay-off as witchcraft or abductions. Those who seek to enhance their special gift of influencing street lamps will not find much to flatter themselves with achieving such a feat. In short, while its possibility cannot be disregarded, it seems highly unlikely that all SLI experiences are delusions.
There are also those that suggest that that the SLI phenomenon might be attributed to people's tendency to see patterns in "random noise." Because it is unusual for a light to turn itself on or off when you walk past it, it catches your attention when it does happen. And when it occurs several times consecutively, people have the tendency to think that there is some kind of mechanism at work that makes it possible. And so, some argue that SLI can trace its roots in the power of suggestion, which requires a mix of different factors to work. As such, SLI could be brought about by the normal behavior of bulbs getting older, the witness's observer bias, and some other important factor that is unknown to the person which would help in making sense of the situation.
PARANORMAL PHENOMENON
Street Light Interference as a paranormal phenomenon is considered by skeptics to be the least likely possibility. By "paranormal," we are pertaining to what occurs outside the conventionally recognized "normal" scientific parameters. It doesn't have to mean that a supernatural force or an occult process is involved. If SLI really does occur as SLIders claim, then this phenomenon cannot be confined to the parameters of conventional science. Until now, there is no scientific recognition that the human mind can cause physical effects at a distance, which is what SLIders allege to be the case in SLI. However, the problem with SLI being a paranormal phenomenon is that it will be difficult to conduct experiments to test SLI since the phenomenon happens only at random and it is not produced by the person willing for it to happen.
There are also those who believe that what is causing street lamps to turn off or on could be some kind of "energy" that is emitted by the human body. SLIders report that the instances they spontaneously influence street lamps usually occur while they are tired, stressed, furious, or sad. Others, on the other hand, believe that street lamps are affected by some kind of static electricity that is produced by the body. There are also speculations that SLI might have something to do with the electrical impulses of the brain. At present, these electrical impulses are known to only have an effect within the body of an individual, but if it could somehow have an effect outside the body, then it could be the unconventional remote control that turns street lights off and on for these SLI eyewitnesses.
MECHANICAL EFFECT
According to Evans, "The fact that a mechanical device is involved logically suggests that a mechanical explanation should be looked for." This is precisely why some skeptics suggest that SLI occurs as a consequence of lights nearing the end of their life. Typical modern street lamps are of the low-pressure sodium-vapor variety, which emits red glow at startup and turn into a steady monochrome yellow once they're fully operating. The lamps automatically switch on at sundown through the activation of a light-sensitive cell or a photocell. When sunlight returns at dawn, the photocell is triggered again, switching the lamps off.
These bulbs take three to four minutes to light up and have a lifespan of 8,000 hours or approximately two years. When a bulb reaches the end of its life, it manifests a behavior that could explain the SLI phenomenon. This behavior is called ���cycling," which entails street lamps turning on and off every few minutes until the time comes that a technician comes along to replace the bulb. It is also possible that the bulb becomes slightly dislodged from its socket. If that is the case, even a minor vibration – such as that caused by a passing car, bike, or person – is enough to make the lamp blink for a brief moment.
The Street Light Interference is a phenomenon that remains to be a genuine and fascinating mystery to those who believe it, and to those who are open to reserve judgment on it until such a time comes that sufficient empirical evidence is presented that completely disproves it or verifies it. Should it be proven true later on, SLI carries profound and exciting implications for science as well as for our knowledge about human potential.
But speculations aside, we also must not lose sight of the fact that at least some, if not all, incidents of SLI can be attributed to entirely mundane causes. It could simply be a natural event that could be explained by logical reasons, but we are unable to conclude as such because of insufficiency in tangible or verifiable evidence and the influence of psychological factors.
https://en.wikipedia.org/wiki/Street_light_interference_phenomenon
http://www.profilingtheunexplained.com/psychics_mediums/sliders.html
http://www.messagetoeagle.com/mystery-of-streetlight-interference-are-you-also-a-slider-2/
http://mysteriousuniverse.org/2013/05/streetlamp-interference-a-modern-day-paranormal-mystery/
https://www.thoughtco.com/sliders-and-streetlight-phenomenon-2596547
http://www.theepochtimes.com/n3/109503-exploring-the-phenomenon-of-street-light-interference/
http://www.csicop.org/si/show/curious_case_of_street_lamp_interference
http://www.assap.ac.uk/newsite/Docs/sli.pdf
human consciousness
street lamps
streetlight interference
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20 of the Most Visually Stunning Films of the 20th Century
Increasingly I hear people referring to any film made in the last century as old. Nobody likes "old" movies. It seems that most people don't even really like black & white. I used to be like that, but of course you can't call yourself a real cinephile and not have a basic knowledge of the great classics. I'm here to help you. How? I've selected 20 of my favorite films of the 20th century. My hope is that these films will help you appreciate the fact that there are gorgeous looking pictures throughout any decade. Moreover these films aren't just pretty to look at, but they're also some of the best movies ever made.
Of course this is just a narrow portion of all the great looking films made in the 20th century. One reason is that obviously I haven't seen all the films made from 1900-1999. Another reason is that I've decided only to include one film per director, in order to avoid featuring three Michelangelo Antonioni films. For more beautiful films you can always check out my personal top 50 (there's some overlap), a top 10 list of post-1960s black & white films I love (again: overlap alert) and what I thought were the 13 most visually stunning films of 2013. But enough self-promotion, let's take a look at the list (in chronological order).
20. Citizen Kane (1941, Orson Welles). Cinematography by Gregg Toland.
Gregg Toland is still considered one of the most influential cinematographers of all time. Aside from photographing what is considered to be the best film of all time, he worked on both Wuthering Heights (1939) and The Grapes of Wrath (1940). Welles went on to direct sumptuous looking films like The Magnificent Ambersons (1942) and The Touch of Evil (1958).
19. Le Notti Bianche (1957, Luchino Visconti). Cinematography by Giuseppe Rotunno.
Giuseppe Rotunno started his career as a cinematographer with Luchino Visconti and worked with him on several pictures. Visconti's visual style is never too showy, but here he's almost bragging. Rotunno then went on to work with Federico Fellini: Fellini Satyricon (1969), Amarcord (1973), Fellini's Casanova (1976) and others. He also shot The Adventures of Baron Munchausen.
18. The Seventh Seal (1957, Ingmar Bergman). Cinematography by Gunnar Fischer.
Ingmar Bergman certainly needs no introductions. This is his masterpiece. A true classic. It looks absolutely fantastic and we have Gunnar Fischer to thank for it. Fisher worked with Bergman on several films including Summer with Monika (1953), Smiles of a Summer Night (1955) and Wild Strawberries (1957). If you're just getting into art house cinema Bergman is a good place to start.
17. The Apartment (1960, Billy Wilder). Cinematography by Joseph LaShelle.
Joseph LaShelle won an Academy Award for his cinematography on Laura (1944) and his work with Otto Preminger. However I think he should have won for this amazing Billy Wilder film. I can only imagine how spectacular this must look on the big screen. Since I'm not too familiar with LaShelle's work I'll just go ahead and recommend my favorite Billy Wilder film: Sunset Blvd. (1950).
16. L'Avventura (1960, Michelangelo Antonioni). Cinematography by Aldo Scavarda.
Michelangelo Antonioni is a director that I consider a visual artist first and then a storyteller. Before being promoted to director of photography Aldo Scavarda was a camera operator on Antonioni's Story of a Love Affair (1950), I Vinti (1953) and The Lady Without Camelias (1953). This isn't only one of the most beautiful Antonioni films, but just one of the best Italian films of all times.
15. Last Year at Marienbad (1961, Alain Renais). Cinematography by Sacha Vierny.
Okay, this is actually the only film on this list I picked mostly for the eye candy. It's incredible. The definition of visually arresting. So far I haven't seen many Alain Renais films, but they all looked great, I doubt he topped this one. Although Renais and Sacha Vierny did a fantastic job on Hiroshima Mon Amour (1959). Another great Vierny photographed film is Bertrand Blier's Beau-père (1981).
14. 8 ½ (1963, Federico Fellini). Cinematography by Gianni Di Venanzo.
It's no surprise that my favorite Federico Fellini film (aesthetically) is the one that was shot by Michelangelo Antonioni's longtime collaborator Gianni Di Venanzo. Two years later Di Venanzo also shot Fellini's Juliet of the Spirits (in color), but my favorites are Antonioni's: Le Amiche (1955), Il Grido (1957), La Notte (1961) and L'Eclisse (1962). Bonus: Big Deal on Madonna Street (1958).
13. Woman in the Dunes (1964, Teshigahara Hiroshi). Cinematography by Segawa Hiroshi.
I discovered this Criterion gem a couple years ago and found myself thinking about it a lot. Segawa Hiroshi's images really stick with you. This is some of the most exquisite looking Japanese New Wave films. Like Kishida Kyôko (Woman) the beautiful pictures lure you into a dreadful world. Segawa also worked on Teshigahara Hiroshi's The Face of Another (1996) which is equally tense.
12. 2001: A Space Odyssey (1968, Stanley Kubrick). Cinematography by Geoffrey Unsworth.
Every list praising best cinematography should have at least one Stanley Kubrick film on it. Any of his films will do. Kubrick started out as a photographer, so it's no surprise that he had an eye for visuals. 2001 is a great classic and it was shot by Geoffrey Unsworth known for Superman (1978) and Murder on the Orient Express (1974). Tess (1979) however is the one near and dear to my heart.
11. Manhattan (1979, Woody Allen). Cinematography by Gordon Willis.
Woody Allen's love letter to his beloved Manhattan is one of the best romantic comedies of all time, but also one of the most immaculate black & white pictures I've ever seen. Allen has worked with some of the best cinematographers in the industry including the recently deceased Gordon Willis. He's had a splendid working relationship with Allen, but he also shot The Godfather (1972).
10. Rumble Fish (1983, Francis Ford Coppola). Cinematography by Stephen H. Burum.
I was tempted to feature Francis Ford Coppola's The Godfather (1972), but everyone has seen that one, so I'll recommend a lesser known film, shot by an equally talented DP: Stephen H. Burum. Burum also worked with Coppola on The Outsiders (1983), but you might know him better for his work with Brian De Palma: Body Double (1984), The Untouchables (1987) and Carlito's Way (1993).
9. Blue Velvet (1986, David Lynch). Cinematography by Frederick Elmes.
I absolutely adore this film. If you can see past all the violence and sex, you'll realize that there's and incredibly sweet and romantic story at heart. Not only it's one, if not the best David Lynch film, but it's also one you'll remember for his striking visuals, courtesy of Frederick Elmes, who also worked with Lynch on Eraserhead and Wild at Heart. Other recs.: The Ice Storm and Night on Earth.
8. Down By Law (1986, Jim Jarmusch). Cinematography by Robby Müller.
It was though to pick just one Jim Jarmusch film, because they all look fantastic and I love them all, so I went with my favorite of his early works. Robby Müller (best known for his work with Wim Wenders) shoots this crispy clean black & white film, but you owe it to yourself to check out his work in color as well: Paris, Texas (1984), Mystery Train (1989) and Breaking the Waves (1996).
7. Wings of Desire (1987, Wim Wenders). Cinematography by Henri Alekan.
This film was love at first sight. There's nothing quite like it both in terms of story and aesthetic. It's a near perfect film. Certainly it's Wim Wender's best film. French DP Henri Alekan (best known for Roman Holiday and La belle et la bête) creates some of the most stunning black & white images you'll ever see. You could pick any random frame of this film and hang it on your bedroom wall.
6. The Last Temptation of Christ (1988, Martin Scorsese). Cinematography by Michael Ballhaus.
I'll go ahead and try to be as controversial as this film when it came out. I think this is Martin Scorsese's most gorgeous film. His collaboration with Rainer Werner Fassbinder's cinematographer Michael Ballhaus definitely translated into some of the Italian-Amerian auteur's most beautiful imagery. Naturally, another reason why I love this movie so much is Willem Dafoe (Jesus Christ).
5. Edward Scissorhands (1990, Tim Burton). Cinematography by Stefan Czapsky.
Tim Burton and Stefan Czapsky went on to work on Batman Returns (1992) and Ed Wood (1994) after this film, but they never quite topped it in terms of quality or aesthetic. There's something beautiful and yet sad about this film. The images are perfect, but they're also almost sterile somehow in their perfection. Until this day it's my favorite Tim Burton film, along with Big Fish (2003) of course.
4. The Double Life of Veronique (1991, Krzysztof Kieslowski). Cinematography by Sławomir Idziak.
If you're looking for something sexy you can't go wrong with this one. Granted a lot of it has to do with Irène Jacob, but Sławomir Idziak's picturesque framing and lighting is just to die for. Most people will probably know his work from blockbusters like Black Hawk Down, King Arthur and Harry Potter and the Order of Phoenix, but I prefer the films he did with Krzysztof Kieslowski.
3. Bitter Moon (1992, Roman Polanski). Cinematography by Tonino Delli Colli.
This film really opened my eyes in a lot of ways. It solidified for me that Roman Polanski is one of my favorite filmmakers and it also made me realize what a visual eye he has and how meticulous and visually immaculate his films are. Tonino Delli Colli (Pier Paolo Pasolini's go-to cinematographer) creates an eerie and nightmarish atmosphere that is both haunting and absolutely gorgeous.
2. Schindler's List (1993, Steven Spielberg). Cinematography by Janusz Kamiński.
Well, this is a bummer, but at least it looks good. If you're going to pick a film about the Holocaust you can't go wrong when it's Steven Spielberg, in what I consider to be one of his finest films. It's also Spielberg's first collaboration with Polish DP Janusz Zygmunt Kamiński. He went to work with Spielberg and create many other beautiful pictures like Munich or Lincoln.
1. Chungking Express (1994, Wong Kar-wai). Cinematography by Christopher Doyle & Andrew Lau.
Wong Kar-wai paints a beautiful, kinetic and relentless Hong Kong in this beautiful romantic film shot by his long time collaborator Christopher Doyle and Andrew Lau. Doyle went on to photograph what I personally consider one of the all time greatest looking film: Wong Kar-wai's In the Mood for Love (2000). In fact pick any film by Wong or Doyle and just soak in the beautiful imagery.
These are some of my favorite and most visually stunning films (1900-1999). What are yours?
Written by Davide Perretta Posted in Autres Choses, Lists	Tagged with art, Best Directors, Best Movies, Black & White, Cinema, Cinematorgraphy, Classic Films, DP, Photography, Top Lists, Visually Stunning Films
June 26, 2014 - 12:40 pm Annie Oakley
There are so many beautiful films around, I LIKE YOUR CHOICES 🙂
June 29, 2014 - 4:18 pm Anna (Film Grimoire)
What an excellent list! I've only seen about half of these so now I have some film-watching to do. Absolutely loved the cinematography of Chungking Express though. The use of colour was amazing.
June 30, 2014 - 6:43 pm Alina (literaryvittles)
Well, I've only seen 4 of these, but that's actually better than I expected! Time to get watching…
July 1, 2014 - 4:09 pm Pingback: June 2014 Favourites | FILM GRIMOIRE
August 24, 2014 - 9:48 pm Hera Syed
I love this. I definitely need to watch some of these.
Mini-Review: Mifune (1999). The Third Dogme Film and Already Breaking the Rules.
Mini-Review: Jason Bateman's Bad Words (2013) is a Solid Directorial Debut and a Funny Black Comedy


With Cyclone Ockhi expected to make landfall in south Gujarat later on Monday or early Tuesday, Maharashtra went on a state of high alert.
The Railways owes over Rs 366 crore to the Brihanmumbai Municipal Corporation (BMC) towards water supply bills, reply to an RTI query has revealed.
A massive fire broke out around 3 pm at Garibnagar slums in Bandra east on Thursday. The fire broke out near the east side of Bandra railway station.


From Juneau head just over 12 miles north on Glacier Highway, turn left on Amalga Harbor Rd. The road is just over a half mile long to the boat launch/harbor.
on W shore of Favorite Channel, 1 mi. N of Pearl Harbor and 19 mi. Nw of Juneau, Coast Mts.; 0.2 mile wide.
Amalga Harbor has an easy access boat launch north or Juneau. The harbor is fairly well protected by Kishbrock Island, and other smaller islands, as waves in Favorite Channel generally run north-south.
Local name derived from the former settlement of Amalga at the Eagle River Mine 5.5 mi. to the N. The mining company had a wharf and warehouse here about 1905 (DeArmond, 1957).
Naming: Amalga Harbor is a local name derived from a former settlement of Amalga at the Eagle River mine 5.5 miles north. The mining company had a wharf and warehouse here around 1905.
Pictures of, from, or near Amalga Harbor.
Let us know how you think this page on Amalga Harbor could be improved, what questions were left unanswered.
If you have concerns about Amalga Harbor, send those in and we will forward those on to proper care takers.


First of all, I'm not playing Rockabilly, nor did I want to play Brian Setzer. I'm not a blues, not a jazz. I wanted a Gretsch, I wanted a hollowbody. For ages, I've sneaked around the G5420T, first around the Special Run, then the "normal". In the end, this has won, simply because I found the 2016 version with the modified headstock and the new binding more beautiful. And yes, I liked the sound of the Blacktop FilterTrons rather than the TV Jones. Why, I found him smoother. After a week inclusive bandeinsatz in the area Pop-Rock / Indie I must say: I am thrilled. The Gretsch sounds fantastic, she plays great and who thinks she is a one trick pony, is wrong. She's a hollowbody and she'll always be, she's a real Gretsch with her twang, but boy, can she rock!
The guitar came perfectly set, the workmanship is impeccable. Yes, at the binding she has one, two small quirks, especially at the neck / body transition, which you could grind even better, but: This is a Gretsch for 929 euros, not for 3000th But she does not have to hide. On the contrary, she is a jewel. In every sense.
Just love the guitar !! It's bad to play on. Bigsby does not match the guitar and when playing acoustically, it's a very good sustain in the guitar. I'm very happy with my purchase and hope that many more will buy this guitar.
ID: 388542 © 1996–2019 Thomann GmbH Thomann loves you, because you rock!


text:
Getting from Paris to Marseille
The French national anthem La Marseillaise was actually written by revolutionaries marching on foot from Marseille to Paris. Fortunately, we now live in an age where cars, trains and planes are all the chosen modes of transportation, which means getting from Paris to Marseille is a whole lot easier than it used to be.
Considered to be the "melting pot" of France, Marseille is a dynamic city located on the shores of France's Mediterranean coast. It's the third largest city in France by population (after Paris and Lyon), and Marseille has long served as an important port city in France. It's also one of the oldest cities in Europe, being established by the Phoenicians sometime around 600 B.C. Here is a run down on various transportation options when headed to the colorful Mediterranean city of Marseille from Paris.
>>Need to know where Bordeaux is, exactly? Check out this informative map of France.
>>Read more about getting around France.
>>Thinking of using Marseille as a base as you travel around Provence or the Cote d'Azur? Check out our picks for hotels near Marseille's Vieux Port.
I will almost always recommend you travel by train when in France. France has an extremely well connected high speed train network (TGV), which can whisk passengers from one end of the country to another at speeds of more than 200 mph. This means that taking the train will almost always be faster than driving.
The TGV connects Paris to Marseille via several trains leaving daily from Paris' Gare du Lyon. Trains arrive at Marseille St-Charles train station. The journey takes 3 hours.
>>Read more about Train Travel in France and the TGV: France's high-speed train.
>>Traveling by Eurail pass? Read more about your Eurail options.
While taking the train will for sure save you time, if you decide to rent a car in France and make the drive to Marseille (preferably at a leisurely pace with stops along the way) the journey should take about 7 hours (note this is more than twice the amount of time it takes by train). It is about 776 km (482 miles).
From Paris, take the A6 south to Lyon and then continue on the A7 to Marseille. Keep in mind that you will also be paying tolls and gas is much more expensive in Europe. You can make a trip planner, estimate gas and toll costs and get specific directions on the Via Michelin website.
>>Read more about Renting a Car in France and Driving in France
>>Check out some ideas for summer road trips through France that include Marseille.
Because the French government encourages people to use the rail system, there is no national bus system in France. Because of this, ti is nearly impossible to travel inter-regionally in the country by bus. While buses connect towns and cities within regions, there are no buses that connect regions. While you may be able to arrange hopping off a Eurolines bus on one of its longer international routes, there is simply no easy way to travel between Paris and Marseille by coach or bus. You are better off on the train.
>>Read more about Bus Travel in France.
You are probably better off taking the TGV from Paris to Marseille, but if you choose to fly it is fairly easy to get affordable flights in between the two cities. Marseille has an airport (MRS), which is located 27 km northwest of Marseille. While Air France has the most daily flights between the two cities, major discount carriers EasyJet and Ryanair also fly into Marseille.
Keep in mind while the flight time is certainly shorter than the plane, by the time you factor in transportation to and from the airport, security etc. flying will probably take more time than taking the train.
>>Read more about flights in France, airports in France , cheap flights to Marseille and budget airlines that fly to Marseille.


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