Joshua Tucker, Making Music Indigenous: Popular Music in the Peruvian Andes. University of Chicago Press. ISBN 9780226607160. Supported by the Lloyd Hibberd Endowment.
Suzanne Aspden, ed., Operatic Geographies: The Place of Opera and the Opera House. University of Chicago Press. ISBN 9780226595962. Supported by the Manfred Bukofzer Endowment.
Tara Browner and Thomas Riis, eds., Rethinking American Music. University of Illinois Press. ISBN 978-0-252-04232-4. Supported by the Lloyd Hibberd Endowment.
Katherine Baber, Leonard Bernstein and the Language of Jazz. University of Illinois Press. ISBN 978-0-252-04237-9. Supported by the AMS 75 PAYS Endowment.
Hyun Joo Kim, Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White. University of Rochester Press. ISBN 9781580469463. Supported by the AMS 75 PAYS Endowment.
H. Colin Slim, Stravinsky in the Americas: Transatlantic Tours and Domestic Excursions (1925-1945). University of California Press. ISBN 9780520299924. Supported by the Lloyd Hibberd Endowment.
Margaret R. Butler, Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform. University of Rochester Press. ISBN 9781580469012. Supported by the Donna Cardamone Jackson Endowment.
Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde. Oxford University Press. ISBN 9780190868192. Supported by the AMS 75 PAYS Endowment.
Joseph Straus, Broken Beauty: Musical Modernism and the Representation of Disability. Oxford University Press. ISBN 9780190871208. Supported by the Otto Kinkeldey Endowment.
James Buhler, Theories of the Soundtrack. Oxford University Press. ISBN 9780199371075. Supported by the Gustave Reese Endowment.
Mary Ann Smart, Waiting for Verdi: Opera and Political Opinion in Nineteenth- Century Italy, 1815-1848. University of California Press. ISBN 9780520276253. Supported by the Otto Kinkeldey Endowment.
Katharina Uhde, The Music of Joseph Joachim. Boydell & Brewer. ISBN 9781783272846. Supported by the AMS 75 PAYS Endowment.
Angela Impey, Song Walking: Women, Music, and Environmental Justice in an African Borderland. University of Chicago Press. ISBN 9780226537962. Supported by the Gustave Reese Endowment.
François de Médicis and Steven Huebner, Debussy's Resonance. University of Rochester Press. ISBN 9781580465250. Supported by the James R. Anthony Endowment.
K. Dawn Grapes, With Mornefull Musique: Funeral Elegies in Early Modern England. Boydell & Brewer. ISBN 9781783273515. Supported by the Margarita M. Hanson Endowment.
Jennifer Ronyak, Intimacy, Performance, and the Lied in the Early Nineteenth Century. Indiana University Press. ISBN 978-0-253-03577-6. Supported by the AMS 75 PAYS Endowment.
Holly Watkins, Musical Vitalities: Ventures in a Biotic Aesthetics of Music. University of Chicago Press. ISBN 9780226594705. Supported by the Joseph Kerman Endowment.
Michael Christoforidis and Elizabeth Kertesz, Carmen and the Staging of Spain: Recasting Bizet's Opera in the Belle Epoque. Oxford University Press. ISBN 9780195384567. Supported by the Donna Cardamone Jackson Endowment.
Tina Bucuvalas, ed., Greek Music in America. University Press of Mississippi. ISBN 9781496819703. Supported by the AMS 75 PAYS Endowment.
Katherine In-Young Lee, Dynamic Korea and Rhythmic Form. Wesleyan University Press. ISBN 978-0819577054. Supported by the AMS 75 PAYS Endowment.
Jason Yust, Organized Time: Rhythm, Tonality, and Form. Oxford University Press. ISBN 9780190696481. Supported by the AMS 75 PAYS Endowment.
Joshua Walden, Musical Portraits: Composing Identity in Contemporary and Experimental Music. Oxford University Press. ISBN 9780190653507. Supported by the Manfred Bukofzer Endowment.
Michael D. Doubler, Dixie Dewdrop: The Uncle Dave Macon Story. University of Illinois Press. ISBN 9780252083655. Supported by the Dragan Plamenac Endowment.
Lee Rothfarb and Christoph Landerer, Eduard Hanslick's On the Musically Beautiful: A New Translation. Oxford University Press. ISBN 9780190698188. Supported by the Gustave Reese Endowment.
John J. Sheinbaum, Good Music: What It Is and Who Gets to Decide. University of Chicago Press. ISBN 9780226593388. Supported by the John Daverio Endowment.
Michael Maul, Bach's Famous Choir: The Saint Thomas School in Leipzig, 1212-1804. The Boydell Press. ISBN 9781783271696. Supported by the Margarita M. Hanson Endowment.
Michael Birenbaum Quintero, Rites, Rights, and Rhythms: A Genealogy of Musical Meaning in Colombia's Black Pacific. Oxford University Press. ISBN 9780199913923. Supported by the AMS 75 PAYS Endowment.
Gurminder Kaur Bhogal, Claude Debussy's 'Clair de Lune'. Oxford University Press. ISBN 9780190696061. Supported by the James R. Anthony Endowment.
Naomi André, Black Opera: History, Power, Engagement University of Illinois Press. ISBN 978-0-252-04192-1. Supported by the Manfred Bukofzer Endowment.
Patrick B. Mullen, Right to the Juke Joint: A Personal History of American Music. University of Illinois Press. ISBN 978-0-252-04164-8. Supported by the Lloyd Hibberd Endowment.
Valerio Morucci, Baronial Patronage of Music in Early Modern Rome. Routledge. ISBN 9781138235335. Supported by the Gustave Reese Endowment.
Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press. ISBN 978-0-252-04163-1. Supported by the AMS 75 PAYS Endowment.
Olivia Bloechl, Opera and the Political Imaginary in Old Regime France. University of Chicago Press. ISBN 9780226522753. Supported by the James R. Anthony Endowment.
Kimberly Francis, Nadia Boulanger and the Stravinskys: A Selected Correspondence. University of Rochester Press. ISBN 9781580465960. Supported by the Manfred Bukofzer Endowment.
Marié Abe, Resonances of Chindon-ya: Sound, Space, and Sociality in Contemporary Japan. Wesleyan University Press. ISBN 978-0-8195-7778-8. Supported by the AMS 75 PAYS Endowment.
Esther Morgan-Ellis, Everybody Sing! Community Singing in the American Picture Palace. University of Georgia Press. ISBN 978-0-8203-5204-6. Supported by the AMS 75 PAYS Endowment.
Marisol Berríos-Miranda, Shannon Dudley, and Michelle Habell-Pallán, American Sabor: Latinos in U.S. Popular Music. University of Washington Press. ISBN 9780295742618. Supported by the Otto Kinkeldey Endowment.
Gillian M. Rodger, Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage. University of Illinois Press. ISBN 978-0-252-04151-8. Supported by the Gustave Reese Endowment.
Nathan Platte, Making Music in Selznick's Hollywood . Oxford University Press. ISBN 9780199371112. Supported by the AMS 75 PAYS Endowment.
Angela Fiore, 'Non senza scandalo delli convicini': pratiche musicali nelle istitzioni religiose femminili a Napoli 1650-1750. Peter Lang. ISBN 978-3034323406. Supported by the AMS 75 PAYS Endowment.
Joanne Cormac, Liszt and the Symphonic Poem . Cambridge University Press. ISBN 9781107181410. Supported by the Claire and Barry Brook Endowment.
Katherine Preston, Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America. Oxford University Press. ISBN 9780199371655. Supported by the Claire and Barry Brook Endowment. An AMS Studies book.
Michael Gallope, Deep Refrains: Music, Philosophy, and the Ineffable. University of Chicago Press. ISBN 9780226483559. Supported by the AMS 75 PAYS Endowment.
Gerhard Kubik, Jazz Transatlantic, volume I. University Press of Mississippi. ISBN 9781628462302 . Supported by the Manfred Bukofzer Endowment.
Ellen Lockhart, Animation, Plasticity, and Music in Italy, 1770-1830. University of California Press. ISBN 9780520284432. Supported by the AMS 75 PAYS Endowment.
Daniel Chua, Beethoven and Freedom. Oxford University Press. ISBN 9780199769322. Supported by the Otto Kinkeldey Endowment.
J. Griffith Rollefson, Flip the Script: European Hip Hop and the Politcs of Postcoloniality. University of Chicago Press. ISBN 9780226496184. Supported by the AMS 75 PAYS Endowment.
Stefan Fiol, Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobilitiy. University of Illinois Press. ISBN 978-0-252-04120-4. Supported by the AMS 75 PAYS Endowment.
Richard Jones-Bamman, Building New Banjos for an Old-Time World. University of Illinois Press. ISBN 978-0-252-04130-3. Supported by the AMS 75 PAYS Endowment.
Bethany Beardslee and Minna Zallman Proctor, I sang the Unsingable: My Life in Twentieth-Century Music. University of Rochester Press. ISBN 9781580469005. Supported by the John Daverio Endowment.
Denise Von Glahn, Libby Larsen: Composing an American Life. University of Illinois Press. ISBN 978-0-252-04115-0. Supported by the Dragan Plamenac Endowment.
Christopher Doll, Hearing Harmony: Toward a Tonal Theory for the Rock Era. University of Michigan Press. ISBN 978-0-472-07352-8. Supported by the AMS 75 PAYS Endowment.
David Beach, Schubert's Mature Instrumental Music: A Theorist's Perspective. University of Rochester Press. ISBN 9781580465922. Supported by the Otto Kinkeldey Endowment.
Erinn E. Knyt, Ferruccio Busoni and his Legacy. Indiana University Press. ISBN 978-0-253-02628-6. Supported by the AMS 75 PAYS Endowment.
Marian Wilson Kimber, The Elocutionists: Women, Music, and the Spoken Word University of Illinois Press. ISBN 978-0-252-04071-9. Supported by the AMS 75 PAYS Endowment.
Andrew Flory, I Hear a Symphony: Motown and Crossover R&B. University of Michigan Press. ISBN 978-0-472-11741-3. Supported by the Dragan Plamenac Endowment.
Marianne Wheeldon, Debussy's Legacy and the Construction of Reputation. Oxford University Press. ISBN 9780190631222. Supported by the Dragan Plamenac Endowment.
Andrew Talle, Beyond Bach: music and everyday life in the eighteenth century. University of Illinois Press. ISBN 978-0-252-04084-9. Supported by the AMS 75 PAYS Endowment.
Benedict Taylor, Towards a Harmonic Grammar of Grieg's Late Piano Music: Nature and Nationalism. Routledge. ISBN 9781472456588. Supported by the Joseph Kerman Endowment.
Kelly St. Pierre, Bedřich Smetana: Myth, Music, and Propaganda. Boydell & Brewer. ISBN 9781580465106. Supported by the AMS 75 PAYS Endowment.
Jean R. Freedman, Peggy Seeger: A Life of Music, Love, and Politics. University of Illinois Press. ISBN 978-0-252-04075-7. Supported by the Manfred Bukofzer Endowment.
Johann Gottfried Herder and Philip Bohlman, Song Loves the Masses: Herder on Music and Nationalism. University of California Press. ISBN 9780520234949. Supported by the John Daverio Endowment.
Seth Brodsky, From 1989, or European Music & the Modernist Unconscious. University of California Press. ISBN 9780520279360. Supported by the AMS 75 PAYS Endowment.
Nancy Yunhwa Rao, Chinatown Opera Theater in North America. University of Illinois Press. ISBN 978-0-252-04056-6. Supported by the AMS 75 PAYS Endowment.
Sharon Ammen, May Irwin: Singing, Shouting, and the Shadow of Minstrelsy. University of Illinois Press. ISBN 9780252040658. Supported by the AMS 75 PAYS Endowment.
Sydney Hutchinson, Tigers of a Different Stripe: Performing Gender in Dominican Music. University of Chicago Press. ISBN 9780226405322. Supported by the Manfred Bukofzer Endowment.
Eva Moreda Rodríguez, Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press. ISBN 9780190215866. Supported by the AMS 75 PAYS Endowment.
Rebecca Harris-Warrick, Dance and Drama in French Baroque Opera: A History. Cambridge University Press. ISBN 9781107137899. Supported by the James R. Anthony Endowment.
Eliot Bates, Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture . Oxford University Press. ISBN 9780190215736. Supported by the Manfred Bukofzer Endowment.
Walter Zev. Feldman, Klezmer: Music, History, and Memory . Oxford University Press. ISBN 9780190244514. Supported by the AMS 75 PAYS Endowment.
Marc Gidal, Spirit song : Afro-Brazilian religious music and boundaries. Oxford University Press. ISBN 9780199368228. Supported by the AMS 75 PAYS Endowment.
Daniel Harrison, Pieces of Tradition: An Analysis of Contemporary Tonal Music. Oxford University Press. ISBN 9780190244460. Supported by the Lloyd Hibberd Endowment.
Chérie Rivers Ndaliko, Necessary Noise: Art, Music, and Charitable Imperialism in the East of Congo. Oxford University Press. ISBN 9780190499570. Supported by the AMS 75 PAYS Endowment.
Jesus A. Ramos-Kittrell, Playing in the Cathedral: Music, Race, and Social Status in Eighteenth-Century Mexico City. Oxford University Press. ISBN 9780190236816. Supported by the AMS 75 PAYS Endowment.
Markus Rathey, Johann Sebastian Bach's Christmas Oratorio: Music, Theology, Culture . Oxford University Press. ISBN 9780190275259. Supported by the Lloyd Hibberd Endowment.
Tamara Roberts, Resounding Afro-Asia: Interracial Music and the Performance of Unity. Oxford University Press. ISBN 9780199377411. Supported by the Dragan Plamenac Endowment.
Benedict Taylor, The Melody of Time: Music and Temporality in the Romantic Era. Oxford University Press. ISBN 9780190206055. Supported by the John Daverio Endowment.
Benjamin Teitelbaum, Lions of the North: Music and New Nordic Radical Nationalism . Oxford University Press. ISBN 9780190212599. Supported by the AMS 75 PAYS Endowment.
Joan Titus, The early film music of Dmitry Shostakovich. Oxford University Press. ISBN 9780199315147. Supported by the AMS 75 PAYS Endowment.
Nicholas Tochka, Audible States: The Political Economy of Popular Music-Making in Albania Since 1945 . Oxford University Press. ISBN 9780190467814. Supported by the AMS 75 PAYS Endowment.
Kofi Agawu, The African Imagination in Music. Oxford University Press. ISBN 9780190263218. Supported by the Manfred Bukofzer Endowment.
Roger Moseley, Keys to Play: Music as a Ludic Medium from Apollo to Nintendo. University of California Press. ISBN 9780520291249. Supported by the AMS 75 PAYS Endowment.
Karol Berger, Beyond Reason: Wagner contra Nietzsche. University of California Press. ISBN 9780520292758. Supported by the Joseph Kerman Endowment.
Rebecca Cypess, "Curious and Modern Inventions": Music and Instrumentality in Early Modern Italy. University of Chicago Press. ISBN 9780226319445. Supported by the AMS 75 PAYS Endowment.
Luisa Nardini, Interlacing Traditions: Neo-Gregorian Chant in Beneventan Manuscripts. Pontifical Institute of Medieval Studies. ISBN 9780888442055. Supported by the AMS 75 PAYS Endowment.
Richard Kramer, Cherubino's Leap: In Search of the Enlightenment Moment. University of Chicago Press. ISBN 9780226377896. Supported by the Otto Kinkeldey Endowment.
Emily Wilbourne, Seventeenth-Century Opera and the Sound of the Commedia dell'Arte. University of Chicago Press. ISBN 9780226401577. Supported by the AMS 75 PAYS Endowment.
Deirdre Loughridge, Haydn's Sunrise, Beethoven's Shadow: Audiovisual Culture and the Emergence of Romanticism. University of Chicago Press. ISBN 9780226337098. Supported by the AMS 75 PAYS Endowment.
Alexander Stefaniak, Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany. Indiana University Press. ISBN 9780253021991. Supported by the AMS 75 PAYS Endowment.
Donald G. Traut, Stravinsky's "Great Passacaglia": Recurring Elements in the Concerto for Piano and Wind Instruments. University of Rochester Press. ISBN 9781580465137. Supported by the AMS 75 PAYS Endowment.
Andrew R. Walkling, Masque and Opera in England, 1656-1688. Routledge. ISBN 9781472446534. Supported by the AMS 75 PAYS Endowment.
Giorgio Biancorosso, Situated Listening: The Sound of Absorption in Classical Cinema. Oxford University Press. ISBN 9780195374711. Supported by the AMS 75 PAYS Endowment.
John Wriggle, Blue Ryythm Fantasy: Big Band Jazz Arranging in the Swing Era. University of Illinois Press. ISBN 978-0-252-04040-5. Supported by The AMS 75 PAYS Endowment.
Don M. Randel (Editor), Matthew Shaftel (Editor), Susan Forscher Weiss, A Cole Porter Companion. University of Illinois Press . ISBN 978-0252081583. Supported by the Donna Cardamone Jackson Endowment.
Gavin Steingo, Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa. University of Chicago Press. ISBN 978-0226362540. Supported by AMS 75 PAYS Endowment.
Jeffrey Summit, Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism. Oxford University Press. ISBN 978-0190497088. Supported by the Dragan Plamenac Endowment.
Colleen Reardon, A Sociable Moment: Opera and Festive Culture in Baroque Siena. Oxford University Press. ISBN 978-0190496302. Supported by the Gustave Reese Endowment.
Jean E. Snyder, [title]. University of Illinois Press. ISBN 978-0252039942. Supported by the Lloyd Hibberd Endowment.
Jonathan Glasser, The Lost Paradise: Andalusi Music in Urban North Africa. University of Chicago Press. ISBN 978-0226327235. Supported by AMS 75 PAYS Endowment.
Bruce Haynes and Geoffrey Burgess, The Pathetick Musician: Moving an Audience in the Age of Eloquence. Oxford University Press. ISBN 978-0199373734. Supported by the Margarita M. Hanson Endowment.
Thomas H. Greenland, Jazzing: New York City's Unseen Scene. University of Illinois Press. ISBN 978-0252081606. Supported by AMS 75 PAYS Endowment.
Jeffrey Swinkin, Performative Analysis: Reimagining Music Theory for Performance. University of Rochester Press. ISBN 978-1580465267. Supported by AMS 75 PAYS Endowment.
Thomas Patteson, Instruments for New Music: Sound, Technology, and Modernism . University of California Press. ISBN 978-0520288027. Supported by AMS 75 PAYS Endowment.
Bradley Shope, American Popular Music in Britain's Raj. University of Rochester Press. ISBN 978-1580465489. Supported by AMS 75 PAYS Endowment.
Lawrence Kramer, The Thought of Music. University of California Press. ISBN 978-0520288805. Supported by the Joseph Kerman Endowment.
Douglas Shadle, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise. Oxford University Press. ISBN 978-0199358649. Supported by AMS 75 PAYS Endowment.
Kimberly Francis, Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon. Oxford University Press. ISBN 978-0199373697. Supported by AMS 75 PAYS Endowment.
Kate van Orden, Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe. Oxford University Press. ISBN 978-0199360642. Supported by the Margarita M. Hanson Endowment.
Nina Sun Eidsheim, Sensing Sound: Singing and Listening as Vibrational Practice. Duke University Press. ISBN 978-0822360612. Supported by AMS 75 PAYS Endowment.
Paul F. Rice, Venanzio Rauzzini in Britain. University of Rochester Press. ISBN 978-1580465328. Supported by the Margarita M. Hanson Endowment.
J. Martin Daughtry, Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq Oxford University Press. ISBN 978-0199361496. Supported by AMS 75 PAYS Endowment.
Bryan Proksch, Reviving Haydn. University of Rochester Press. ISBN 978-1580465120. Supported by AMS 75 PAYS Endowment.
Judy Lochhead, Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. Routledge. ISBN 978-1138824331. Supported by the Lloyd Hibberd Endowment.
Ronnie Gilbert, Ronnie Gilbert: A Radical Life in Song. University of California Press. ISBN 978-0520253087. Supported by the Gustave Reese Endowment.
Ryan Thomas Skinner, Bamako Sounds: The Afropolitan Ethics of Malian Music. University of Minnesota Press. ISBN 978-0816693504. Supported by AMS 75 PAYS Endowment.
Sarah Gutsche-Miller, Parisian Music-Hall Ballet, 1871-1913. University of Rochester Press . ISBN 978-1580464420. Supported by AMS 75 PAYS Endowment.
Tanya Merchant, Women Musicians of Uzbekistan: From Courtyard to Conservatory . University of Illinois Press. ISBN 978-0252081064. Supported by AMS 75 PAYS Endowment.
Paul Schleuse, Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi. Indiana University Press. ISBN 978-0253015013. Supported by the Margarita M. Hanson Endowment.
Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities. University of Illinois Press. ISBN 978-0252039225. Supported by AMS 75 PAYS Endowment.
Katelijne Schiltz, Music and Riddle Culture in the Renaissance. Cambridge University Press. ISBN 978-1107082298. Supported by the Martin Picker Endowment.
Christopher Alan Reynolds, Wagner, Schumann, and the Lessons of Beethoven's Ninth. University of California Press. ISBN 978-0520285569. Supported by the Joseph Kerman Endowment.
Martha Feldman, The Castrato: Reflections on Natures and Kinds. University of California Press. ISBN 978-0520279490. Supported by the Gustave Reese Endowment.
Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet. Cambridge University Press. ISBN 978-1107039667. Supported by the Otto Kinkeldey Endowment.
Danielle Fosler-Lussier, Music in America's Cold War Diplomacy. University of California Press. ISBN 978-0520284135. Supported by the Gustave Reese Endowment.
Sharon Meredith, Tuk Music Tradition in Barbados. Ashgate Publishing. ISBN 978-1472440273. Supported by the Otto Kinkeldey Endowment.
Amy C. Beal, Johanna Beyer (American Composers). University of Illinois Press. ISBN 978-0252080722. Supported by the Manfred Bukofzer Endowment.
Jonathyne Briggs, Sounds French: Globalization, Cultural Communities and Pop Music, 1958-1980. Oxford University Press. ISBN 978-0199377060. Supported by AMS 75 PAYS Endowment.
Lauren McGuire Jennings, Senza Vestimenta: The Literary Tradition of Trecento Song. Ashgate. ISBN 9781472418883. Supported by the AMS 75 PAYS Endowment.
Michael Alan Anderson, St. Anne in Renaissance Music: Devotion and Politics. Cambridge University Press. ISBN 978-1-107-64163-1. Supported by the Martin Picker Endowment.
Paul Berry, Brahms Among Friends: Listening, Performance, and the Rhetoric of Allusion. Oxford University Press, . (AMS Studies, 12). ISBN 9780199982646.
Daniel B. Sharp, Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil. Wesleyan University Press. ISBN 978-0819575029. Supported by AMS 75 PAYS Endowment.
Lawrence Bennett, ed., Denkmäler der Tonkunst (DTÖ) Ignaz Holzbauer: Hypermnestra. Akademische Druck- u. Verlagsanstalt Graz. ISBN 979-0501072910. Supported by the Margarita M. Hanson Endowment.
Meredith Kirkpatrick, ed., Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar. University of Rochester Press. ISBN 978-1580465014. Supported by the Lloyd Hibberd Endowment.
Geoffrey Baker, El Sistema: Orchestrating Venezuela's Youth. Oxford University Press. ISBN 978-0199341559. Supported by the Manfred Bukofzer Endowment.
Mark Kroll, Ignaz Moscheles and the Changing Face of Musical Europe. Boydell Press. ISBN 978-1843839354. Supported by the Barry and Clair Brook Endowment.
Andrew Granade, Harry Partch, Hobo Composer. University of Rochester Press. ISBN 978-1580464956. Supported by AMS 75 PAYS Endowment.
Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934. Columbia University Press. ISBN 978-0231165839. Supported by AMS 75 PAYS Endowment.
Scott Messing, Marching to the Canon: The Life of Schubert's "Marche militaire". University of Rochester Press. ISBN 978-1580464383. Supported by the Endowment.
David Schulenberg, The Music of Carl Philipp Emanuel Bach. University of Rochester Press. ISBN 978-1580464819. Supported by the Otto Kinkeldey Endowment.
Ryan Raul Bañagale, Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon. Oxford University Press. ISBN 978-019997838-0. Supported by AMS 75 PAYS Endowment.
Katherine R. Syer, Wagner's Visions: Poetry, Politics, and the Psyche in the Operas through "Die Walküre". University of Rochester Press . ISBN 978-1580464826. Supported by the Otto Kinkeldey Endowment.
Ivan Raykoff, Dreams of Love: Playing the Romantic Pianist. Oxford University Press. ISBN 978-0199892679. Supported by the Otto Kinkeldey Endowment.
D. Rose Elder, Why the Amish Sing: Songs of Solidarity and Identity. Johns Hopkins University Press. ISBN 978-1421414652. Supported by the Lloyd Hibberd Endowment.
Julia Byl, Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Wesleyan University Press. ISBN 978-0819574794. Supported by AMS 75 PAYS Endowment.
Jennifer Fleeger, Mismatched Women: The Siren's Song Through the Machine. Oxford University Press. ISBN 978-019993691-5. Supported by AMS 75 PAYS Endowment.
William Cheng, Sound Play: Video Games and the Musical Imagination. Oxford University Press. ISBN 978-0199969975. Supported by AMS 75 PAYS Endowment.
Catherine Grant, Music Endangerment: How Language Maintenance Can Help. Oxford University Press . ISBN 978-0199352173. Supported by AMS 75 PAYS Endowment.
Carol J. Oja, Bernstein Meets Broadway: Collaborative Art in a Time of War. Oxford University Press. ISBN 978-0199862092. Supported by AMS 75 PAYS and the Dragan Plamenac Endowments.
Nadine Hubbs, Rednecks, Queers, and Country Music . University of California Press . ISBN 978-0520280663. Supported by the Dragan Plamenac Endowment.
Matthew McDonald, Breaking Time's Arrow: Experiment and Expression in the Music of Charles Ives . Indiana University Press. ISBN 978-0253012739. Supported by AMS 75 PAYS Endowment.
Maureen A. Carr, After the Rite: Stravinsky's Path to Neoclassicism (1914-1925). Oxford University Press. ISBN 978-0199742936. Supported by the Otto Kinkeldey Endowment.
Wye Jamison Allanbrook, The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music. University of California Press. ISBN 978-0520274075. Supported by the Otto Kinkeldey Endowment.
Silvio J. dos Santos, Narratives of Identity in Alban Berg's Lulu. University of Rochester Press. ISBN 978-1-58046-483-3. Supported by AMS 75 PAYS Endowment.
David M. Powers, From Plantation to Paradise?: Cultural Politics and Musical Theatre in French Slave Colonies, 1764–1789. Michigan State University Press. ISBN 978-1611861204. Supported by the Lloyd Hibberd Endowment.
Catherine Saucier, A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liege. University of Rochester Press. ISBN 978-1580464802. Supported by AMS 75 PAYS Endowment.
Eric Chafe, J. S. Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725. Oxford University Press. ISBN 978-0199773343. Supported by the Margarita M. Hanson Endowment.
Peter Franklin, Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds University of California Press. ISBN 978-0520280397. Supported by the John Daverio Endowment.
Joshua S. Walden, Sounding Authentic: The Rural Miniature and Musical Modernism. Oxford University Press. ISBN 978-0199334667. Supported by the Barry and Clair Brook Endowment.
Jeremy Grimshaw, Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young. Oxford University Press. ISBN 0199740208.
Kristina Muxfeldt, Vanishing Sensibilities: Schubert, Beethoven, Schumann. Oxford University Press. ISBN 0199782423.
Supported by the AMS 75 PAYS and the John Daverio Endowments.
Daniel Cavicchi, Listening and Longing: Music Lovers in the Age of Barnum. Wesleyan University Press. ISBN 0819571628. Supported by the Endowment.
Susan Boynton, Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain. Oxford University Press. ISBN 0199754594.
Supported by the Dragan Plamenac Endowment.
Christina Baade, Victory through Harmony: The BBC and Popular Music in World War II. Oxford University Press. ISBN 0195372018. Supported by the AMS 75 PAYS Endowment.
Judith A. Peraino, Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut. Oxford University Press. ISBN 0199757240. Supported by the Margarita M. Hanson Endowment.
David J. Rothenberg, The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music. Oxford University Press. ISBN 0195399714. Supported by the AMS 75 PAYS Endowment.
Steven Rings, Tonality and Transformation (Oxford Studies in Music Theory). Oxford University Press. ISBN 019538427X. Supported by the AMS 75 PAYS Endowment.
Jane Alden, Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers (The New Cultural History of Music Series). Oxford University Press. ISBN 0195381521. Supported by the Gustave Reese Endowment.
Larry Hamberlin, Tin Pan Opera: Operatic Novelty Songs in the Ragtime Era. Oxford University Press. ISBN 0195338928. Supported by the Gustave Reese Endowment.
Leta E. Miller, Music & Politics in San Francisco: From the 1906 Quake to the Second World War. University of California Press. ISBN 978-0-520-26891-3. Supported by the Dragan Plamenac Endowment.
Larry Stempel, Showtime: A History of the Broadway Musical Theater. Norton. ISBN 978-0-393-06175-6. Supported by the Gustave Reese Endowment.
Willem Elders, ed., New Josquin Edition: Volume 18, Motets on Texts from the Old Testament: Texts from the Psalms 4 (The Collected Works of Josquin Des Prez). Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 9 789063 750695.
Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981. University of California Press. ISBN 0520268970. Supported by the Otto Kinkeldey Endowment.
Peter Franklin, Seeing through Music: Gender and Modernism in Classic Holly Film Scores. Oxford University Press. ISBN 0-19-538345-1. Supported by the Otto Kinkeldey Endowment.
Todd Decker, Music Makes Me: Fred Astaire and Jazz. University of California Press. ISBN 978-0-520-26890-6. Supported by AMS 75 PAYS and the Barry and Clair Brook Endowments.
Willem Elders, ed., New Josquin Edition: Volume 5, Masses Based on Secular Monophonic Songs (The Collected Works of Josquin Des Prez). Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 9 789063 750565.
Travis D. Stimeling, Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene. Oxford University Press. ISBN 978-0-19-974747-4. Supported by NEH Matching Funds.
Sabine Feisst, Schoenberg's New World: The American Years. Oxford University Press. ISBN 978-0-19-537238-0. Supported by the AMS 75 PAYS Endowment.
Benjamin Piekut, Experimentalism Otherwise: The New York Avant-Garde and Its Limits. University of California Press. ISBN 978-0520268517. Supported by the AMS 75 PAYS Endowment.
Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. Cambridge University Press. ISBN 978-0-521-11665-7. Supported by the Margarita M. Hanson Endowment.
Nancy Newman, Good Music for a Free People: The Germania Musical Society in Nineteenth-Century America. University of Rochester Press. ISBN 978-1-58046-345-4. Supported by the AMS 75 PAYS Endowment.
David Schulenberg, The Music of Wilhelm Friedemann Bach. University of Rochester Press. ISBN 978-1580463591. Supported by the Margarita M. Hanson Endowment.
Carol Muller, Shembe Hymns. University of KwaZulu-Natal Press. ISBN 978-1869141363. Supported by the Manfred Bukofzer Endowment.
Richard C. Jankowsky, Stambeli: Music, Trance, and Alterity in Tunisia (Chicago Studies in Ethnomusicology). The University of Chicago Press. ISBN 978-0-226-39217-2. Supported by AMS 75 PAYS Endowment.
Philip Lambert, To Broadway, To Life! The Musical Theater of Bock and Harnick. Oxford University Press. ISBN 978-0195390070. Supported by the Lloyd Hibberd Endowment.
Lawrence Kramer, Interpreting Music. University of California Press. ISBN 978-0520267060. Supported by the Dragan Plamenac Endowment.
Marc Benamou, RASA: Affect and Intuition in Javanese Musical Aesthetics (AMS Studies in Music). Oxford University Press. ISBN 978-0195189438.
Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791 . Oxford University Press. ISBN 978-0195384925. Supported by the Lloyd Hibberd Endowment.
Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied. Oxford University Press. ISBN 978-0195340051. Supported by the John Daverio Endowment.
Simon Morrison, The People's Artist: Prokofiev's Soviet Years. Oxford University Press. ISBN 9780199753482. Supported by the Otto Kinkeldey Endowment.
D. R. M. Irving, Colonial Counterpoint: Music in Early Modern Manila. Oxford University Press. ISBN 978-0195378269. Supported by AMS 75 PAYS Endowment.
Benjamin Brinner, Playing across a Divide: Israeli-Palestinian Musical Encounters. Oxford University Press. ISBN 9780195395945. Supported by the Gustave Reese Endowment.
Benjamin M. Korstvedt, Listening for Utopia in Ernst Bloch's Musical Philosophy. Cambridge University Press. ISBN 9780521896153. Supported by the Otto Kinkeldey Endowment.
Laura Lohman, Umm Kulthūm: Artistic Agency and the Shaping of an Arab Legend, 1967-2007. Wesleyan University Press. ISBN 978-0-8195-7071-0. Supported by AMS 75 PAYS Endowment.
Joseph N. Straus, Twelve-Tone Music in America. Cambridge University Press. ISBN 978-0-521-89955-0. Supported by the Manfred Bukofzer Endowment.
Joanna Demers, Listening Through the Noise: The aesthetics of experimental electronic music. Oxford University Press. ISBN 978-0-19-538766-7. Supported by the Joseph Kerman Endowment.
Franya J. Berkman, Monument Eternal: The Music of Alice Coltrane. Wesleyan University Press. ISBN 978-0-8195-6925-7. Supported by AMS 75 PAYS Endowment.
Caryl Clark, Haydn's Jews: Representation and Reception on the Operatic Stage Cambridge University Press. ISBN 978-0-521-45547-3. Supported by the Otto Kinkeldey Endowment.
Peter J. Schmelz, Such Freedom, If Only Musical: Unofficial Soviet Music During the Thaw. Oxford University Press. ISBN 978-0-19-534193-5. Supported by the Manfred Bukofzer Endowment.
Ann Morrison Spinney, Passamaquoddy Ceremonial Songs: Aesthetics and Survival. University of Massachusetts Press. ISBN 978-1-55849-718-4. Supported by the Endowment.
Lily E. Hirsch, A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League. The University of Michigan Press. ISBN 978-0-472-11710-9. Supported by the Barry and Clair Brook Endowment.
Rebecca Maloy, Inside the Offertory: Aspects of Chronology and Transmission. Oxford University Press. ISBN 978-0-19-531517-2. Supported by the Manfred Bukofzer Endowment.
Glenda Dawn Goss, Sibelius: A Composer's Life and the Awakening of Finland. The University of Chicago Press. ISBN 978-0-226-30477-9. Supported by the Lloyd Hibberd Endowment.
Ron Rodman, Tuning In: American Narrative Television Music. Oxford University Press. ISBN 978-0-19-534025-9. Supported by the Lloyd Hibberd Endowment.
Jonathan D. Bellman, Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom. Oxford University Press. ISBN 978-0-19-533886-7. Supported by the Otto Kinkeldey Endowment.
Corine Schleif and Volker Schier, Katerina's Windows: Donation and Devotion, Art and Music, as Heard and Seen Through the Writings of a Birgittine Nun. The Pennsylvania State University Press. ISBN 9 78021 033693.
Sterling Lambert, Re-reading Poetry: Schubert's Multiple Settings of Goethe. Boydell Press. ISBN 9 781843 834748. Supported by the Otto Kinkeldey Endowment.
Willem Elders, ed., Motets on Non-Biblical Texts (The Collected Works of Josquin Des Prez). Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 9 789063 750763. Supported by the Martin Picker Endowment.
Hilary Poriss, Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford University Press. (AMS Studies, 7). ISBN: 978-0195386714.
Georgia J. Cowart, The Triumph of Pleasure: Louis XIV & the Politics of Spectacle. The University of Chicago Press. ISBN 978-0-226-11638-9. Supported by the James R. Anthony Fund.
Robert Carl, Terry Riley's In C (Studies in Musical Genesis, Structure, and Interpretation). Oxford University Press. ISBN 978-0-19-532528-7. Supported by the Dragan Plamenac Endowment.
Cathy Ragland, Música Norteña: Mexican Migrants Creating a Nation between Nations. Temple University Press. ISBN 978-1-59213-747-3. Supported by the Gustave Reese Endowment.
Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France. University of California Press. ISBN 978-0-520-25740-5. Supported by the Otto Kinkeldey Endowment.
Gayle Sherwood Magee, Charles Ives Reconsidered (Music in American Life). University of Illinois Press. ISBN 978-0-252-03326-1. Supported by the Otto Kinkeldey Endowment.
Roger Freitas, Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani (New Perspectives in Music History and Criticism). Cambridge University Press. ISBN 978-0-521-88521-8. Supported by the Endowment.
Timothy J. McGee, The Ceremonial Musicians of Late Medieval Florence. Indiana University Press. ISBN 978-0-253-35304-7. Supported by the Martin Picker Endowment.
John Howland, Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz. The University of Michigan Press. ISBN 0-472-03316-6. Supported by the Lloyd Hibberd Endowment.
Alejandro L. Madrid, Sounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico. Temple University Press. ISBN 978-1-59213-694. Supported by the Manfred Bukofzer Endowment.
Ron Emoff, Music and the Performance of Identity on Marie-Galante, French Antilles (Soas Musicology Series). Ashgate Publishing, Ltd. ISBN 978-0754665656. Supported by the Otto Kinkeldey Endowment.
Eric Jas, ed., Motets on Texts from the Old Testament (The Collected Works of Josquin Des Prez). koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 978 9063750688.
Jeremy Wallach, Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001. University of Wisconsin Press. ISBN 978-0-299-22900-9. Supported by the Gustave Reese Endowment.
Catherine Parsons Smith, William Grant Still. University of Illinois Press. ISBN 978-0252033223. Supported by the Otto Kinkeldey Endowment.
Kevin Karnes, Music, Criticism, and the Challenge of History. (AMS Studies, 4) Oxford University Press, 2008. ISBN 9780195368666.
Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music, Oxford University Press, (AMS Studies, 6). ISBN 9780195148886.
Nina Treadwell, Music and Wonder at the Medici Court: The 1589 Interludes for "La pellegrina". Indiana University Press. ISBN 978-0253352187. Supported by the Gustave Reese Endowment.
Philip V. Bohlman, Jewish Music and Modernity. Oxford University Press, (AMS Studies, 5). ISBN 9780195178326.
Kay Dickinson, Off Key: When Film and Music Don't Work Together. Oxford University Press. ISBN-13: 9780195326635. Supported by the Gustave Reese Endowment.
Derek Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris, and Vienna. Oxford University Press. ISBN 9780195309461. Supported by the Gustave Reese Endowment.
Judith Tick, with Paul Beaudoin, eds., Music in the USA: A Documentary Companion. Oxford University Press, 2008. ISBN 9780195139884. Supported by the Lloyd Hibberd Endowment.
Lloyd Whitesell, The Music of Joni Mitchell. Oxford University Press, 2008. ISBN 9780195307993. Supported by the Lloyd Hibberd Endowment.
Iannis Xenakis, Music and Architecture: Architectural Projects, Texts, and Realizations, transl. Sharon Kanach. Pendragon Press, 2008. ISBN 9781576471074. Supported by the Dragan Plamenac Endowment.
Vanessa Agnew, Enlightenment Orpheus: The Power of Music in Other Worlds. Oxford University Press. ISBN 978-0195336665. Supported by the Dragan Plamenac Endowment.
Richard Kramer, Unfinished Music. Oxford University Press. ISBN 9780195326826. Supported by the Manfred Bukofzer Endowment.
Halina Goldberg, Music in Chopin's Warsaw. Oxford University Press. ISBN 978-0195130737. Supported by the Dragan Plamenac Endowment.
Steven Zohn, Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works. Oxford University Press. ISBN 9780195169775. Supported by the Dragan Plamenac Endowment.
Lorenzo Candelaria, The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo. University of Rochester Press. ISBN 1580462057. Supported by the Otto Kinkeldey Endowment.
Martha Feldman, Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. University of Chicago Press. ISBN 0226241122.
Rebecca S. Miller, Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean. Wesleyan University Press. ISBN 0819568589.
Ingrid Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa, Oxford University Press. ISBN 0195128257.
Jeremy Day-O'Connell, Pentatonicism from the Eighteenth Century to Debussy. University of Rochester Press. ISBN 1580462480.
Ellen Rosand, Monteverdi's Last Operas: A Venetian Trilogy. University of California Press. ISBN 0520249348.
Nicholas Cook, The Schenker Project: Culture, Race, and Music Theory in Fin-de Siècle Vienna. Oxford University Press. ISBN 9870195170566.
Christina Bashford, The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Boydell & Brewer. ISBN 1843832984.
Deborah Kapchan, Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace. Wesleyan University Press. ISBN 081956852X.
Robert O. Gjerdingen, Music in the Galant Style. Oxford University Press. ISBN 0195313712.
Michael Veal, Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Wesleyan University Press. ISBN 0819565725.
Tilden Russell and Dominique Bourassa, The "Menuet de la Cour." (Terpsichore: Tanzhistorische Studien, vol. 4). Georg Olms Verlag. ISBN 9783487132648.
Danielle Fosler-Lussier, Music Divided: Bartók's Legacy in Cold War Culture, University of California Press. ISBN 0520249658.
Howard Pollack, George Gershwin: His Life and Work. University of California Press. ISBN 0520248643.
Marie Elizabeth Labonville, Juan Bautista Plaza and Musical Nationalism in Venezuela. Indiana University Press. ISBN 0253348765.
Claire Fontijn, Desperate Measures: The Life and Music of Antonia Padoani Bembo. Oxford University Press. ISBN 0195135385.
Heidi Feldman, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Wesleyan University Press. ISBN 0819568147.
William Kinderman, ed., The String Quartets of Beethoven. University of Illinois Press. ISBN 0252030362.
Margaret Notley, Lateness and Brahms, Oxford University Press. ISBN 0195305477.
Anna Maria Busse Berger, Medieval Music and the Art of Memory. University of California Press. ISBN 0520240286.
Leta Miller and Frederic Lieberman, Lou Harrison. University of Illinois Press. ISBN 0252031202.
Jonathan Holt Shannon, Among the Jasmine Trees: Music and Modernity in Contemporary Syria. Wesleyan University Press. ISBN 0819567981.
Mary Frandsen, Crossing Confessional Boundaries. Oxford University Press. ISBN 0195178319.
Kelley Harness, Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. University of Chicago Press. ISBN 0226316599.
Susan Boynton, Liturgy, History, and Power at the Imperial Abbey of Farfa. Cornell University Press. ISBN 0801443814.
Judith Peraino, Listening to the Sirens: Musical Technologies of Queer Identity. University of California Press. ISBN 0520215877.
Elisabeth Le Guin, Boccherini: An Essay in Carnal Musicology. University of California Press. ISBN 0520240170.
David Lewin, Studies in Music with Text. Oxford University Press. ISBN 0195182081.
Mary Davis, Classic Chic: Music, Fashion, and Transatlantic Modernism. University of California Press. ISBN 0520245423.
Scott Messing, Schubert in the European Imagination: Volume 1: The Romantic and Victorian Eras; and Volume 2: Fin-de-Siècle Vienna. University of Rochester Press. ISBN 1580462332 and 1580462138.
Russell Stinson, The Reception of Bach's Organ Works from Mendelssohn to Brahms. Oxford University Press. ISBN 0195171098.
Jeffrey Magee, The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz. Oxford University Press. ISBN 0195090225.
Kate van Orden, Music, Discipline, and Arms in Early Modern France. University of Chicago Press. ISBN 0226849767.
Annegret Fauser, Musical Encounters at the 1889 Paris World's Fair. University of Rochester Press. ISBN 1580461859.
Allan Marett, Songs, Dreamings, and Ghosts: The Wangga of North Australia. Wesleyan University Press. ISBN 0819566127.
David Beach, Aspects of Unity in J.S. Bach's Partitas and Suites. University of Rochester Press. ISBN 1580462022.
Robert Fink, Repeating Ourselves: American Minimal Music as Cultural Practice. University of California Press. ISBN 0520245504.
Beth L. Glixon and Jonathan E. Glixon, Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. (AMS Studies, 2) Oxford University Press. ISBN 0195154169.
Steven Swayne, How Sondheim Found His Sound. University of Michigan Press. ISBN 0472114972.
Nancy Toff, Monarch of the Flute: The Life of Georges Barrère, Oxford University Press. ISBN 0195170164.
Mark Katz, Capturing Sound: How Technology Has Changed Music, University of California Press. ISBN 0520243803.
Bonnie Gordon, Monteverdi's Unruly Women: The Power of Song in Early Modern Italy. Cambridge University Press. ISBN 0521845297.
Erika Reiman, Schumann's Piano Cycles and the Novels of Jean Paul. University of Rochester Press. ISBN 158046145X.
Diane Pecknold, ed., A Boy Named Sue: Gender and Genre in Country Music. University Press of Mississippi. ISBN 1578066778.
Raymond Knapp, The American Musical and the Formation of National Identity. Princeton University Press. ISBN 0691118647.
Cristina Magaldi, Music in Imperial Rio de Janeiro. The Scarecrow Press. ISBN 0810850257.
Justin London, Hearing in Time: Psychological Aspects of Musical Meter. Oxford University Press. ISBN 0195160819.
Deborah Burton et al., Tosca's Prism. Northeastern University Press. ISBN 1555536166.
Bernard Sherman and Michael Musgrave, Performing Brahms. Cambridge University Press. ISBN 0521652731.
Natalie J. Kreutzer, Zimbabwe Children's Singing Games (DVD). University of Idaho.
Michael Spitzer, Metaphor and Musical Thought. University of Chicago Press. ISBN 0226769720.
David Yearsley, Bach and the Meanings of Counterpoint. Cambridge University Press.
Sophie Fuller and Lloyd Whitesell, eds., Queer Episodes in Music and Modern Identity. University of Illinois Press.
Hugh MacDonald, Berlioz's Orchestration Treatise. Cambridge University Press. ISBN 0521239532.
Lawrence Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis. Oxford University Press, (AMS Studies, 1) ISBN 0195140230.
Eugene Wolf, Manuscripts from Mannheim, ca. 1730-1778: A Study in the Methodology of Musical Source Research. Peter Lang Publishing. ISBN 0820460052.
Richard Freedman, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. University of Rochester Press. ISBN 1580460755.
Judith Lochhead and Joseph Auner, Postmodern Music/Postmodern Thought. Garland Publishing. ISBN 0815338201.
Rebecca Wagner Oettinger, Music as Propaganda in the German Reformation. Ashgate Publishing. ISBN 0313245053.
Jeanice Brooks, Courtly Song in Late Sixteenth-Century France. University of Chicago Press. ISBN 0226075877.
Carol J. Oja, Making Music Modern: New York in the 1920s. Oxford University Press. ISBN 0195058496.
Graeme Boone, Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay. University of Nebraska Press. (AMS Monographs, 1). ISBN 0803212356.
John A. Rice, Antonio Salieri and Viennese Opera. University of Chicago Press. ISBN 0226711250.
Margaret Bent & Andrew Wathey, Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146. Clarendon Press.
Judit Frigyesi, Béla Bartók and Turn-of-the-Century Budapest. University of California Press.
Bob Gilmore, Harry Partch: A Biography. Yale University Press.
Patrick Macey, Bonfire songs: Savonarola's musical legacy. Oxford University Press.
Ralph Locke and Cyrilla Barr, eds., Cultivating Music in America: Women Patrons and Activists since 1860. University of California Press.
Jessie Ann Owens, Composers at Work: The Craft of Musical Composition 1450-1600. Oxford University Press.
Kay Kaufman Shelemay and Peter Jeffery, Ethiopian Christian Liturgical Chant: An Anthology. Recent Researches in the Oral Traditions of Music, 1. A-R Editions.
Paula Higgins, ed., Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music. Oxford University Press, 1996.
Robert L. Kendrick, Celestial Sirens: Nuns and Their Music in Early Modern Milan. Oxford University Press, 1996.
László Somfai, Béla Bartók: Composition, Concepts, and Autograph Sources. University of California Press, 1996.
Richard Taruskin, Stravinsky and the Russian Traditions: A Biography of the Works Through "Mavra". University of California Press, 1996.
Martha Feldman, City Culture and the Madrigal at Venice. University of California Press, 1995.
Steven Saunders, Cross, Sword and Lyre, Sacred Music at the Imperial Court of Ferdinand II of Habsburg (1619-1637). Oxford University Press, 1995.
Thomas Connolly, Mourning Into Joy: Music, Raphael, and Saint Cecilia. Yale University Press, 1994.
Richard Kramer, Distant Cycles: Schubert and the Conceiving of Song. University of Chicago Press, 1994.
Anna Maria Busse Berger, Mensuration and Proportion Signs, Origins and Evolution. Oxford University Press, 1993. ISBN 0198162308.
Richard Leppert, The Sight of Sound: Music, Representation, and the History of the Body. University of California Press, 1993.
Louise K. Stein, Songs of Mortals, Dialogues of the Gods: Music and Theatre in Seventeenth-Century Spain. Oxford University Press, 1993. ISBN 0198162731.
Heinrich Schenker, Beethoven's Ninth Symphony, A Portrayal of Its Musical Content, with Running Commentary on Performance and Literature As Well. Translated and edited by John Rothgeb. Yale University Press, 1992.
Ellen Rosand, Opera In Seventeenth-Century Venice: The Creation of a Genre. University of California Press, 1990.
Eric Chafe, Tonal Allegory in the Vocal Music of J.S. Bach. University of California Press, 1991.
James Webster, Haydn's "Farewell" Symphony and the Idea of Classical Style: Through-composition and Cyclic Integration in His Instrumental Music. Cambridge University Press, 1991.
Allen Perdue Britton, Irving Lowens and Richard Crawford, American Sacred Music Imprints 1698-1810: A Bibliography. 1990 American Antiquarian Society.
Analyzing Opera: Verdi and Wagner. Edited by Carolyn Abbate and Roger Parker. University of California Press, 1989.
E. Eugene Helm, Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. Yale University Press, 1988.
Alan Tyson, Mozart: Studies of the Autograph Scores. Harvard University Press, 1987.
Gary Tomlinson, Monteverdi and the End of the Renaissance. University of California Press, 1987/1990.
Wayne Howard, Veda Recitation in Varapasi. Motilal Barnarsidass, Delhi, India, 1986.
Ralph P. Locke, Music, Musicians and the Saint-Simonians. University of Chicago Press, 1986.
Women Making Music. The Western Art Tradition 1150-1950. Edited by Jane Bowers and Judith Tick. University of Illinois Press, 1986.
Douglas Johnson, Alan Tyson & Robert Winter, The Beethoven Sketchbooks: History, Reconstruction, Inventory. Edited by Douglas Johnson. University of California Press, 1985.
Mendelssohn and Schumann: Essays on Their Music and Its Context. Edited by Jon W. Finson and R. Larry Todd, Duke University Press, 1984.
Elliott Antokeletz, The Music of Béla Bartók. University of California Press, 1984/1990.
Nino Pirrotta, Music and Culture in Italy from the Middle Ages to the Baroque. Harvard University Press, 1984.
Frederick Hammond, Girolamo Frescobaldi. Harvard University Press, 1983.
H. Wiley Hitchcock, The Works of Marc-Antoine Charpentier: Catalogue Raisonné. Picard, 1982.
Hans Tischler, The Earliest Motets (to circa 1270): A Complete Comparative Edition. Three volumes. Yale University Press, 1981.
Haydn Studies. Edited by Jens Peter Larsen, Howard Serwer, and James Webster. W.W. Norton & Co., 1981.
Report of the Twelfth Congress of the International Musicological Society, Berkeley, 1977, ed. Daniel Heartz and Bonnie Wade. Bärenreiter, 1981.
Heinrich Schenker, Free Composition (Der Frie Satz). Volume III of New Musical Theories and Fantasies. Translated and edited by Ernst Oster. Longman, 1979.
Alejandro Enrique Planchart, The Reportory of Tropes at Winchester. Two Volumes. Princeton University Press, 1977.
Newell Jenkins and Bathia Churgin, Thematic Catalogue of the Works of Giovanni Battista Sammartini. Published for the American Musicological Society by Harvard University Press, 1977.
Triodium Athoum (Monumenta Musicae Byzantinae, Volume IX). Edited by Enrica Follieri and Oliver Strunk, Hauniae, Munksgaard, Copenhagen, 1975.
Jacobi Arcadelt, Opera Omnia. Edited by Albert Seay. Ten volumes. Corpus Mensurabilis Musicae 31. American Institute of Musicology, in collaboration with the American Musicological Society, 1965-1970.
The Commonwealth of Music. Edited by Gustave Reese and Rose Brandel. The Free Press, 1965.


Emily Chou is a senior tax professional at The McNulty Group. She has extensive knowledge offinancial management and taxation. Throughout her career, Emily has provided comprehensive accounting and tax services to multi-state and high net-worth businesses and individuals, along with trusts and estates. Her clientele represents a broad range of industries, including professional sports, high-end photography, media & entertainment, and real estate.
Emily is focused on the continued analysis and development of strategies designed to maximize tax savings for clients across the board. She is also a veteran of representing clients at federal and state government tax examinations, including cases involving income, TEFRA, as well as sales and use tax audits.
Prior to joining The McNulty Group, Emily served as a staff accountant at a New York accounting firm and quickly rose to the position of Tax Manager. Her success reflects her commitment to provide clients with the highest quality of service; and to conduct herself with integrity and accountability, abiding by the highest professional and ethical standards.
Emily holds a Bachelor's Degree in Business Administration from Hofstra University, Hempstead, NY. She is a member of the New York State Society of CPAs (NYSSCPA). She is licensed to practice in New York State. Emily has conversational fluency in Mandarin and Spanish.


The eyes have long been considered the windows to the soul, but sometimes those windows need a bit of cleaning up and enhancing.
In this tutorial, we'll create amazing looking eyes in Photoshop. I will show you 7 different techniques you can use to enhance anyone's eyes.
You can use the Spot Healing Brush Tool to easily remove distractions from the white eyes like red veins.
You can add Sharpness to eyes by using the Sharpen tool or the Smart Sharpen filter.
In this video, we will use a 50% gray layer that is set to the Overlay Blending Mode to add highlights and shadows using the Dodge and Burn tools.
We will use a simple selection to add a highlight to the bottom of the eye.
You can add contrast to eyes by using the Curves adjustment layer or the Selective Color adjustment layer.
In this tutorial, we will use the Hue/Saturation Adjustment later to change eye color.
We will use the Camera Raw filter to remove the purple (Chromatic Aberration) found in the highlights of the eye.
We will use a Gradient Fill layer to apply a cool multi-color eye effect.
You may not use all 7 in the same image, but using one or a combination of techniques will give you great results.
leave any comment or questions below, or send me a Tweet!
* To watch the original version of this tutorial released in 2012, you can go here.
Press CTRL (Mac: Command) on the layer thumbnail to select the opaque pixels of that layer.
I was not too clear on that in the video, but I hope this helps you out.
Wow – you're a wonderful teacher and this is an awesome collection of eye treatments. I'm saving this one to watch again. Excellent work. And… THANK YOU!!!
I can't find the Photoshop files, where can I get them?
I don't provide the Photoshop files for tutorials, only images that are required to complete the tutorial. If you're referring to the image of the woman's eyes, then it's not necessary for you to complete this tutorial. Just use any image you like that has a face! It shouldn't be too hard for you to find one!
Looks great! Can this be done in elements also?
Deborah, I believe some of the effects in this tut can also be done in Elements.
There's really a huge difference now that you enhance the eyes. It looks nice and attractive.
I enjoyed your PTC video on Enhancing Eyes in Photoshop. Trying to master the technique over 2 days I feel I am using the correct procedure with the 2 ellipses but when I release my mouse, and then the keys, the trimming does take place but but I loose areas on both sides of the eyes. Using PS CS6 on a current iMac. The enclosed 30 second video show my results. Any thoughts on what I am doing wrong?
Bob, It looks like you may have feather set to a high value on the options bar. Make sure it's set to 0.
Not so many can speak clearly without making everyone bored in a tutorial like this. Not only you did it nicely, but your results are fare above most that can be seen on the net. I really appreciate your techniques and I am very happy of my first try. Thanks for having spent this time making the tutorial, to help everyone reaching a higher level in our art.
Thank you so much, Bernad!
Jesus, your tutorials are just the best! Thank you so much for doing them.


Leader Photo by Lee Pulaski Benjamin Grignon, who teaches traditional arts at Menominee Indian High School, works with students on their projects in the advanced beadwork class. Grignon's work teaching students about Menominee art forms, language and culture earned him a fellowship from the Herb Kohl Educational Foundation.
Benjamin Grignon grew up in a traditional Menominee household. He knew the native tongue, and he practiced the traditional arts.
Now, Grignon spends most of his days teaching what he knows to students at Menominee Indian High School as the traditional arts teacher. Besides teaching, Grignon also heads up the school's gardening and language clubs, and he works with the community to run summer culture camps.
His hard work to keep the Menominee culture alive has not gone unnoticed. Grignon will be receiving a fellowship from the Herb Kohl Educational Foundation on April 28 at Denmark High School, one of 100 in the state and one of only three in CESA 8 so recognized.
Grignon started his career at MIHS 10 years ago as the school's librarian. About five years ago, the position for the traditional arts teacher opened up, and he got the job.
Leader Photo by Lee Pulaski Shawano Community Middle School students, from left, Alexis Cherney, Jasmine Soto, KK Rohr, Emily Spreeman, Elise Pyatskowit and Alex Bellingrath chat back and forth as they work on crafting denim pieces with sexual assault awareness messages and art during a session of the Helping Hands Club on Monday. The club has 26 students on average participating, but some projects have seen 40 to 50 students participate.
At one time or another, everyone needs a helping hand.
Shawano Community Middle School has plenty to go around.
The school started the Helping Hands Club at the beginning of the school year, and already it has conducted two dozen service projects that help local organizations. Among the projects are making pet treats for Safe Haven, Shawano Area Matthew 25 and the Shawano County Humane Society; making supplies for autism awareness activities; making valentines for the veterans home in King and traveling there to play bingo with them; ringing bells in Green Bay for the Salvation Army; and helping to run the school's Santa Shop.
Using fundraisers, community donations and Thrivent funds, Helping Hands has put over $3,000 into the community, according to Trish Berg, the club's adviser.
Leader Photo by Lee Pulaski Annie Sullivan, played by Alana Krolow, left, struggles to teach Helen Keller, played by Emma Etten, in a scene from "The Miracle Worker." The show opens Thursday at the auditorium at Shawano Community High School.
Most of the students at Shawano Community High School are fortunate enough to have eyes to see, ears to hear and the gift of their own voice.
That didn't stop some students from diving into the amazing story of Helen Keller as they bring "The Miracle Worker" to life this week.
The play follows along the lines of Keller's autobiography, "The Story of My Life." As an infant, she suffered an illness that left her both blind and deaf, and she became mute as a result of losing two of her senses. Keller's parents took pity on her and never taught her discipline, resulting in her becoming a wild child by the age of 6.
The Keller family hired Annie Sullivan to be Helen's governess and teacher but were surprised by Sullivan's no-nonsense methods. Having once been blind herself, she saw the potential in unlocking the box that Keller had been trapped in and turning her into a functioning member of society.
Contributed image Artist rendering of PCSD baseball/softball complex is provided by Point of Beginning.
A groundbreaking ceremony is set for 11 a.m. Thursday at the future site of the Pulaski Community School District's baseball/softball complex, east of Saputo Stadium.
The first portion of Phase II includes two baseball fields and two softball fields at Pulaski High School, a press box and storage area, concession stands and bathrooms.
The baseball/softball portion of Phase II is expected to cost $2.3 million, with about $1.5 million yet to be raised. The remaining Phase II work will occur after the baseball/softball portion of Phase II is completed.
Area students have a few weeks to complete their entries for the 2018 Packers Student Art Contest, the winners of which will receive a $5,000 donation for their school and have their artwork displayed on Lambeau Field's club levels next season.
The theme of this year's contest is "100 Seasons of Packers Football." Students are asked to create a piece that tells the story of the NFL team's history — such as its victories, defeats, comebacks, traditions, generations of fans, etc. Submissions of paintings, drawings, prints, digital art, mixed media or collage will be accepted through April 19. The final artwork size must be 16-by-20 inches and fit comfortably inside a standard frame.
Gresham Community School will be taking theater lovers south for its next musical, far enough south that they might feel the wind sweeping down the plain.
The school will bring the classic musical "Oklahoma!" to its stage next week with three shows from March 22-24.
The show is set in Oklahoma in 1906, when it was a territory and one year before it became a state. It is based on the play "Green Grow the Lilacs," written by Lynn Riggs.
However, the musical itself was written by Richard Rodgers and Oscar Hammerstein, their first, and debuted in 1943. It is the second consecutive year that Gresham has performed a Rodgers and Hammerstein musical after performing "The Sound of Music," the final collaboration between the two.
This year's musical performance features 19 students from grades 6-12.
Bowler High School hosted a solo and ensemble competition Feb. 17. Bowler had 26 entries receiving a first rating, of which 15 qualified for state. Twenty entries received a second rating, and one received a third.
Contributed Photo Pulaski Community School District superintendent Bec Kurzynske, left, and Fairview Elementary School principal Niki Napralla, right, were among a group to surprise Fairview Elementary School third-grade teacher Megan Santi that she is the winner of this year's outstanding early career educator award by the Wisconsin Association of Teacher Education.
She will be among other WACTE honorees at an upcoming awards tea held in Madison on April 8.
Santi, a second-year teacher and a 2016 graduate of St. Norbert College with a major in middle childhood/early adolescence education and a minor in language arts, said she was speechless and surprised when a group consisting of Pulaski Community School District superintendent Bec Kurzynske, Fairview principal Niki Napralla, Reid Riggle and Tynisha Meidl, both St. Norbert College associate professors of teacher education and co-chairs of teacher education, and Santi's parents, entered the school library to give her the surprise news.
Contributed photo Stefan Fuhrman's photo with his training certificate was used in Schneider's recruitment materials.
Seventeen area men have become ready for trucking industry employment since summer 2016, thanks to training at the College of Menominee Nation in partnership with Fox Valley Technical College and Menominee Job Center. Employment is the program's goal, and the success rate among the corps of graduates is strong, according to Miranda Gollnow, career services specialist at the center.
Gollnow added that for one recent graduate, success has not only meant work with a premier trucking and logistics firm, but also being featured in company recruiting materials.
When Gresham resident Stefan Fuhrman completed Schneider National's orientation training earlier this year, he ended up in the right place at the right time for an impromptu photo session. The picture of Fuhrman holding his certificate of training was snapped and shared widely by Grailing Jones, Schneider's director of employment network development.


text:
Q: Regarding the proof of Gauss's law I know that this question has already been asked multiple times but I´m still not getting on the mathematical details behind the answers... So I hope that this question doesn´t get closed.
First I will consider the case of discrete charges
(I suppose that there are $M$ charges inside the volume and $N-M$ charges outside the volume; hence a total of $N$ charges):
$$\begin{align}
\oint_{\partial\Omega}\vec{E}\cdot\vec{dA} & =\int_{\Omega}\nabla\cdot \vec{E} dV \\
& = {1\over 4\pi\epsilon_0}\sum_{k=1}^{N}q_k\int_{\Omega}\nabla\cdot({\vec{r}-\vec{r_k}\over |\vec{r}-\vec{r_k}|^3})dV \\
& = {1\over 4\pi\epsilon_0}\sum_{k=1}^{M}q_k\int_{\Omega}\nabla\cdot({\vec{r}-\vec{r_k}\over |\vec{r}-\vec{r_k}|^3})dV +  {1\over 4\pi\epsilon_0}\sum_{k=M+1}^{N}q_k\int_{\Omega}\nabla\cdot({\vec{r}-\vec{r_k}\over |\vec{r}-\vec{r_k}|^3})dV
\end{align}$$
Note that in the second term of the last equality is zero because we are just integrating over $\Omega$ and in this term the charges are outside $\Omega$ hence: $\int_{\Omega}\nabla\cdot({\vec{r}-\vec{r_k}\over |\vec{r}-\vec{r_k}|^3})dV=0$
Know we can compute the first term of the last equality using the fact that: $\nabla\cdot({\vec{r}-\vec{r_k}\over |\vec{r}-\vec{r_k}|^3})=4\pi\delta(\vec{r}-\vec{r_k})$
$${1\over 4\pi\epsilon_0}\sum_{k=1}^{M}q_k\int_{\Omega}\nabla\cdot({\vec{r}-\vec{r_k}\over |\vec{r}-\vec{r_k}|^3})dV={1\over \epsilon_0}\sum_{K=1}^{M}q_k\int_{\Omega}\delta(\vec{r}-\vec{r_k})dV={1\over \epsilon_0}\sum_{k=1}^{M}q_k$$
(In the last equality I´m not sure that I can use the fact that $\int_{\Omega}\delta(\vec{r}-\vec{r_k})dV=1$ because I´m not integrating over all the space)
Now if we want to derive the differential form: $$\int_{\Omega}\nabla\cdot \vec{E}dV={1\over \epsilon_0}\sum_{k=1}^{M}q_k={1\over \epsilon_0}\sum_{k=1}^{M}q_k\int_{\Omega}\delta(\vec{r}-\vec{r_k})d^3\vec{r}={1\over \epsilon_0}\int_{\Omega}\rho(\vec{r})d^3\vec{r}$$
And then we conclude that $$\nabla\cdot E={1\over \epsilon_0}\rho$$ (becuase the equality of integrals is valid for all region $\Omega$)
So if everthing is right then that is gauss law for discrete charges; Now what happens if a have a continuous charge that is inside $\Omega$? (for example a solid charged cone inside a sphere) this is the part where I´m having trouble:
The electric field of a continuous dsitribution is given by $$E(\vec r)={1\over 4\pi\epsilon_0}\int_{\Omega´}\rho(\vec s)({\vec{r}-\vec{s}\over |\vec{r}-\vec{s}|^3})d^3\vec{s}$$
where $\Omega´$ is the charged region in the space we have that
$$\begin{align}
\nabla\cdot{E(\vec{r})} & = {1\over 4\pi\epsilon_0}\int_{\Omega´}\rho(\vec s)\nabla \cdot({\vec{r}-\vec{s}\over |\vec{r}-\vec{s}|^3})d^3\vec{s} (\text{differentiation under the integral sign})\\
& = {1\over \epsilon_0}\int_{\Omega´}\rho(\vec{s})\delta(\vec{r}-\vec{s})d^3\vec{s} \\
& = {1\over \epsilon_0}\rho(\vec{r}) (\text{shifting property of delta function})
\end{align}$$
(I have a big issue in this part becuase the density $\rho$ is just defined in the charged solid region $\Omega´$ so it doesn´t make sense to talk about the density in all the space;also i´m not sure if the last equality is valid because I´m not integrating over all the space)
Know assuming that it makes sense to talk about $\rho$ in all the space then if we want to obtain the integral form we use the divergence theorem:
 $$\oint_{\partial \Omega}E\cdot \vec{dS}=\int_{\Omega}\nabla\cdot\vec{E}dV={1\over \epsilon_0}\int_{\Omega}\rho(\vec{r})dV={Q_{int}\over \epsilon_0}$$
I would really appreciate if you can help me with the "details" of the proof, also any comments or suggestion would be highly appreciated.

A: I'd have preferred to answer through a comment, but I'm not yet allowed to do so. Your proof is entirely correct. The $n$-dimensional delta distribution is in fact defined as follows:
$$
\int_{\Omega}\ d^{n}x\ \ \delta^{(n)}(\vec{x}-\vec{x}_{0})=\begin{cases}1&\vec{x}_{0}\in\Omega\\0&\vec{x}_{0}\notin\Omega\end{cases}
$$
and it acts on functions as
$$
\int_{\Omega}\ d^{n}x\ \ f(\vec{x})\ \delta^{(n)}(\vec{x}-\vec{x}_{0})=\begin{cases}f(\vec{x}_{0})&\vec{x}_{0}\in\Omega\\0&\vec{x}_{0}\notin\Omega\end{cases}
$$
so it doesn't matter whether or not you are integrating over all space. Good job writing all in detail anyway.

redpajama_set_name: RedPajamaStackExchange


text:
Statehouse Rock edition
Reading is fundamental! Let's see what we learn this week.
Better than a scholarship: Connecticut lawmakers have just approved raising the state's hourly minimum wage to $10.10 by 2017, the highest of any state. Democratic Gov. Dan Malloy is excited to sign the bill into law.
So maybe we can take a hint that guns and schools don't mix. Or not: In Indiana, it just became legal to have guns in school parking lots.
Dropping science: Just take another study hall, maybe.
Lawmakers in the heavily Republican Wyoming legislature have blocked a new set of national science standards because of the associated expectation that students understand that climate change is totally real and is the result of human activity.
A Republican state Senator is trying to squelch an eight-year-old girl's dream of establishing the woolly mammoth as South Carolina's state fossil by appending a passage of the Genesis creation story to the proposal.
In Missouri, a bill requiring parental notification of intent to teach evolution is advancing through the House.
Poor attendance at polling places is almost a certainty if (who are we kidding? when) a new restrictive voting measure in Wisconsin becomes law. The bill, passed on a party-line vote (well, except for this guy) in both chambers, eliminates early voting on weekends and limits early voting hours on weekdays to between 8 a.m. and 7 p.m.
This isn't the first time the GOP-controlled legislature has made voting more difficult for Wisconsinites; right after they swept into power in 2011, Republicans cut early voting drastically, from three weeks (including three weekends) to two weeks (including one weekend).
Dropping out: GOP state Senator and notorious moderate Dale Schultz can't take it any more. He's retiring this year, but he's not going quietly. "I'm not willing to defend them any more," he said about his colleagues when asked about the new voting restrictions, accusing Republicans of "trying to suppress the vote."
But you can still buy birthday cupcakes for your class, probably: Backers of an Oregon ballot measure that would allow businesses to refuse to serve gay weddings are super mad that the the approved ballot language makes their discriminatory proposal seem... discriminatory. They've gone to court to try to change the "politically charged" language ("Religious belief" exemptions to anti-discriminatory laws for refusing services, other, for same-sex ceremonies, "arrangements").
After the ballot language is finalized, proponents of the measure have until July 3 to gather 87,213 signatures.
Better than iodine and a band-aid: New Hampshire Gov. Maggie Hassan is about to sign the Medicaid expansion bill that just passed the legislature into law. About 50,000 Granite Staters are poised to get covered.
More fun than programming Pong on your TI-84: The guys who brought us .gop (who also happen to be in charge of electing Republican state legislators, secretaries of state, and lieutenant governors) are spending money on building websites, which is maybe a way to pass the time when they're not working with the RSLC's "affiliate" 501(c)(4) group, the State Government Leadership Foundation (bonus: they're Article V-ers!).
Cartography 101: Nebraska state senators are considering a measure that would take legislative and congressional redistricting out of their own hands and give it to an independent, bipartisan commission.
Law school. Ugh. My favorite former law school classmate who's now a state legislator (just because he's my only former law school classmate who's now a state legislator) is pushing an measure in Florida that would impede the media's ability to access (and scrutinize) the application of the state's terrifying "stand your ground" law.
But wait! There's more...
For the Week of March 26, 2014
The following 32 state legislatures are meeting actively this week: ALABAMA, ALASKA, ARIZONA, CALIFORNIA, CONNECTICUT, COLORADO, DELAWARE, FLORIDA, HAWAII, ILLINOIS, IOWA, KANSAS, KENTUCKY, LOUISIANA, MAINE, MARYLAND, MASSACHUSETTS, MICHIGAN, MINNESOTA, MISSISSIPPI, MISSOURI, NEBRASKA, NEW HAMPSHIRE, NEW JERSEY, NEW YORK, OHIO, OKLAHOMA, RHODE ISLAND, SOUTH CAROLINA, TENNESSEE, VERMONT and WISCONSIN.
Also meeting: DISTRICT OF COLUMBIA, PUERTO RICO
The State Legislative Leaders Foundation will hold its Annual Leadership Summit-From the White House to the State House: Lessons in Presidential Leadership March 27-29 in Little Rock, Arkansas.
The Assembly Committee on Human Services met March 25 to discuss A.B. 1819, which prohibits the smoking of tobacco in a private residence that is licensed as a family day care home.
The Senate Governmental Organization Committee held a hearing March 25 to discuss S.B. 912, which relates to nutrition standards for vending machines in state facilities.
The Senate Health Committee will hold a hearing March 26 to discuss S.B. 1381, which requires the labeling of genetically modified foods.
Voter Registration bill SB 1105 is set to be heard by the Senate Education Committee on April 2, 2014. This bill would require the standardized student financial aid application, if the application is submitted online, to permit the applicant to apply to register to vote online by submitting an affidavit of registration electronically on the secretary of state's website.
The Senate Commerce and Tourism Committee met March 24 to consider S.B. 1524, which provides additional consumer protections, timely notifications of potential security breaches and creates a barrier for consumers from identity theft and fraud.
The Senate Community Affairs Committee met March 25 to consider S.B. 900, which provides for partnerships between state universities and private entities for construction or improvement by private entities of facilities or projects used predominantly for public purposes.
Omnibus election bill SB 1660 was scheduled to be heard today by the Senate Committee on Ethics and Elections on March 17 at 4:30 p.m. This bill makes various changes to the election law. Among other things, this bill would establish online registration; with certain exceptions including voters aged 65 and older and military voters, first-time voters who are online registrants would not be permitted to vote by mail. Absentee ballot requests by online registrants would be required to give the reason meeting the exception. The bill also limits the sites at which supervisors can accept or receive completed absentee ballots. Amendments filed would add potential early voting sites under certain circumstances.
Early Voting bill SB 1566 was introduced. The bill would delete the enumerated list of locations allowed to be designated as early voting sites and would allow the Supervisor of Elections to designate any location as an early voting site.
Early Voting bill HB 1307 was referred to Ethics and Elections Subcommittee; Local and Federal Affairs Committee; State Affairs Committee. The bill would delete the enumerated list of locations allowed to be designated as early voting sites and would allow the Supervisor of Elections to designate any location as an early voting site.
Felon Voting Rights bill HJR 1339 was referred to Criminal Justice Subcommittee; Ethics and Elections Subcommittee; Judiciary Committee
The bill would amend the Florida constitution to restore eligibility to vote and to run for office to persons convicted of most felonies upon completion of sentence. Individuals convicted of a felony involving homicide or of a felony of a sexual nature would still require the restoration of civil rights. The bill would also restore rights to those adjudicated mentally incompetent upon removal of disability.
Felon Voting Rights bill SJR 1612 was introduced. The bill would amend the Florida constitution to restore eligibility to vote and to run for office to persons convicted of most felonies upon completion of sentence. Individuals convicted of a felony involving homicide or of a felony of a sexual nature would still require the restoration of civil rights. The bill would also restore rights to those adjudicated mentally incompetent upon removal of disability.
The Senate Labor and Commerce Committee will meet March 26 to discuss S.B. 2789, which requires employers to provide paid sick time to their employees; S.B. 2943, which provides that bullying is prohibited in the workplace and S.B. 3105, which provides that an employer must provide up to 12 weeks of unpaid family medical leave to an employee to care for a grandparent or a grandchild.
The House Committee on Transportation, Highways and Public Works met March 24 to discuss H.B. 896, which prohibits the use of photo speed enforcement devices on state maintained roads.
The Senate Finance Committee will meet March 26 to discuss H.B. 229, which prohibits importation, selling or offering for sale any child care product containing TDCPP flame-retardant chemicals.
The House Energy and Technology Committee met March 25 to discuss H.B. 5184, which addresses renewable portfolio standards.
The House Environment, Natural Resources and Agriculture Finance Committee met March 25 to discuss H.F. 605, which addresses protecting children from harmful chemicals.
The Senate Commerce Committee held a hearing March 25 to discuss H.B. 1407, which prohibits an employer from requiring an employee or prospective employee to disclose his or her social media or e-mail passwords.
The Office of Energy and Planning will hold a meeting March 28 to discuss the development of a state energy strategy.
The Senate Environment and Energy Committee will meet March 27 to hear S.B. 151, which addresses the states required participation in Regional Greenhouse Gas Initiative.
The Senate Environment and Energy Committee will meetMarch 27 to hear S.B. 1376, which would establish a moratorium on hydraulic fracturing for the purpose of natural gas exploration or production until certain federal laws are changed.
Voter ID bill SB 1284 is scheduled to be heard by the House Rules Committee on March 26 at 10:30 a.m. This bill provides that an expired driver license and expired passport cannot be used for identification purposes when voting.
The Higher Education Commission will accept comments through March 27 regarding proposed rule amendments related to the authorization and regulation of postsecondary institutions.
via Stateside Associates, Project Vote.
Posted by cfidd at 10:56 PM
Beware The Ides edition
In Like A Lion edition

redpajama_set_name: RedPajamaCommonCrawl


Hand poured soy wax candle decorated with ashberries and bilberry leaves from Latvian meadows and forests. Using only natural all-soy wax and fragrances, the finest lead-free all-cotton wick and recyclable unbleached cardboard packaging. Candle burns creating a tunnel to illuminate the herbs.


EZ Letter Maker is a simple yet advanced application for creating professional business letters. The app automatically formats your letter based on industry standard formatting. It will store contacts and automatically fill out address information, headers, footers, and salutations for you. Quickly create identical letters for multiple recipients.
With EZ Letter Maker, you can print your finished projects from within the app, or export your files in multiple formats, including PDF, plain text, or Microsoft Word document (.doc) format.
In addition, EZ Letter Maker will store contacts for you so you can quickly use them again in future letters. You can also import contacts into the app from the industry standard vCard format (.vcf). Supports single-contact vCards as well as multi-contact files, tested with specification versions 2.1, 3.0, and 4.0. You can also use the app to export your address book as a multi-contact vCard file.
If you sign in to EZ Letter Maker with an Ape Apps Account, you can also sync your address book and letter projects between devices, so you can compose letters on the go or from the comfort of your desk.
In conclusion, EZ Letter Maker makes it simple to create and edit professional, standards compliant business and personal letters without the need for complicated word processing software. Give it a try, and leave feedback on features you would like to see added or improvements you would like to have made!


text:
Q: Not scroll android? I'm trying to making a scroll with relative and LinearLayout but does not work? I am new to developing for android'm missing some parameter

<LinearLayout
    android:id="@+id/contentSobre"
    android:layout_width="fill_parent"
    android:layout_height="fill_parent"
    android:orientation="vertical" >

    <RelativeLayout
        android:id="@+id/imageContent"
        android:layout_width="match_parent"
        android:layout_height="wrap_content" >

        <ImageView
            android:id="@+id/structImageOne"
            android:layout_width="wrap_content"
            android:layout_height="wrap_content"
            android:layout_alignParentLeft="true"
            android:layout_alignParentTop="true"
            android:src="@drawable/exemple_sobre" />

        <ImageView
            android:id="@+id/structImageTwo"
            android:layout_width="wrap_content"
            android:layout_height="wrap_content"
            android:layout_alignParentRight="true"
            android:layout_alignParentTop="true"
            android:src="@drawable/exemple_sobre" />
    </RelativeLayout>

    <TextView
        android:id="@+id/titleSobre"
        android:layout_width="wrap_content"
        android:layout_height="wrap_content"
        android:layout_marginTop="10dp"
        android:textSize="20sp"
        android:textColor="#53390e"
        android:text="SANTO GRÃO - OSCAR FREIRE" />

    <TextView
        android:id="@+id/numberContact"
        android:layout_marginTop="3dp"
        android:layout_width="wrap_content"
        android:layout_height="wrap_content"
        android:textSize="10sp"
        android:textColor="#565656"
        android:text="TELEFONE(s): (11) 3082-9969" />

    <TextView
           android:id="@+id/descriptionSobre"
           android:textSize="13sp"
           android:textColor="#4a4a4a"
           android:layout_marginTop="10dp"
           android:layout_width="wrap_content"
           android:layout_height="wrap_content"
           android:maxLines="200"
           android:singleLine="false"
           android:text="it does not ghave any brea this is a very long text. so long that it does not it does not ghave any brea this is a very long text. so long that it does not it does not ghave any brea this is a very long text. so long that it does not it does not ghave any brea this is a very long text. so long that it does not it does not ghave any brea this is a very long text. so long that it does not it does not ghave any brea this is a very long text. so long that it does not ghave any brea this is a very long text. so long that it does not ghave any brea  this is a very long text. so long that it does not ghave any brea this is a very long text. so long that it does not ghave any brea this is a very long text. so long that it does not ghave any brea this is a very long text. so long that it does not ghave any brea this is a very long text. so long that it does not ghave any brea this is a very long text. so long that it does not ghave any brea" />

    <RelativeLayout
        android:id="@+id/buttonContent"
        android:layout_width="wrap_content"
        android:layout_height="wrap_content"
        android:layout_marginTop="10dp" >

        <ImageButton
            android:id="@+id/buttonCall"
            android:layout_width="97dp"
            android:layout_height="30dp"
            android:scaleType="fitEnd"
            android:layout_alignParentLeft="true"
            android:layout_alignParentTop="true"
            android:background="@android:color/transparent"
            android:src="@drawable/button_call_sobre" />

        <ImageButton
            android:id="@+id/buttonMaps"
            android:layout_width="97dp"
            android:layout_height="30dp"
            android:scaleType="fitEnd"
            android:layout_marginLeft="10dp"
            android:background="@android:color/transparent"
            android:layout_toRightOf="@+id/buttonCall"
            android:src="@drawable/button_maps_sobre" />

        <ImageButton
            android:id="@+id/buttonTwitter"
            android:layout_width="34dp"
            android:layout_height="34dp"
            android:layout_alignParentRight="true"
            android:layout_alignParentTop="true"
            android:background="@android:color/transparent"
            android:src="@drawable/button_twitter"
            android:onClick="onTouchMenu" />

        <ImageButton
            android:id="@+id/buttonFacebook"
            android:layout_width="34dp"
            android:layout_height="34dp"
            android:layout_toLeftOf="@+id/buttonTwitter"
            android:background="@android:color/transparent"
            android:src="@drawable/button_facebook"
            android:onClick="onTouchMenu" />

    </RelativeLayout>
</LinearLayout>

I'm trying to making a scroll with relative and LinearLayout but does not work? I am new to developing for android'm missing some parameter

A: THe question isnt clear... but if you need to scroll the linear layout, you need to wrap it with scrollview.. is that what you need?

A: You should use a ScrollView as Top Wrapper Layout.ScrollView only supports vertical scrolling. For horizontal scrolling, use HorizontalScrollView.
<ScrollView xmlns:android="http://schemas.android.com/apk/res/android"
 android:layout_width="fill_parent"
 android:layout_height="fill_parent"
>
   <LinearLayout>
        <RelativeLayout>
        </RelativeLayout>
        <RelativeLayout>
        </RelativeLayout>
   </LinearLayout>

</ScrollView>

A: You need to add a ScrollView aroud the content which will be scrallable.

A: You are not missing a parameter. You should be using a ScrollView.

A: Make the top Layout as ScrollView.
The ScrollView is a Layout container for a view hierarchy that can be scrolled by the user, allowing it to be larger than the physical display.
<ScrollView xmlns:android="http://schemas.android.com/apk/res/android"
android:layout_width="fill_parent"
android:layout_height="fill_parent"
>

    Your other layout goes here and remember it can take only one child

</ScrollView>


The South African rockers of Seether came to Streetfest this year to rock and did they ever! From the moment the band stepped on the stage, the audience was captivated by their performance. There performance became a sing-along for the entire crowd, belting out the lyrics to their hits "Country Song," "Fake It" and more. Check out these amazing photos of their performance here. Fingers crossed we can see them again soon in the Sun City.


Movie director Spike Lee says he will not wear Gucci or Prada clothing until the brands hire black designers.
Lee went online to say after "blackface" fashion fails from the Italian fashion houses: "It's Obvious To Da Peoples That They Don't Have A Clue When It Comes To Racist, Blackface Hateful Imagery."
The African-American's boycott comes after the labels suffered backlashes for designs evoking racist images.
Lee wore Gucci on the Venice Film Festival red carpet in September and went to a Prada show in Milan later in the month in a black Prada suit.
Gucci has apologized for a black wool sweater that featured bright red lips when pulled over the face. And Prada said sorry for a monkey bag charm resembling blackface in December. Both have withdrawn the offending pieces from sale. In doing so Prada said it "abhors all forms of racism," while it was "a powerful learning moment for the Gucci team."
Blackface images resonate in the United States just now with the governor of Virginia and his attorney general mired in a scandal over blackface incidents from college days.


text:
"Hurricane" is a protest song by Bob Dylan co-written with Jacques Levy and released on the 1976 album Desire. It was also released as a single in November 1975. The song is about the imprisonment of boxer Rubin "Hurricane" Carter.  It compiles acts of racism and profiling against Carter, which Dylan describes as leading to a false trial and conviction.

Background
Carter and a man named John Artis had been charged with a triple murder at the Lafayette Grill in Paterson, New Jersey, in 1966. The following year Carter and Artis were found guilty of the murders, which were widely reported as racially motivated. In the years that followed, a substantial amount of controversy emerged over the case, ranging from allegations of faulty evidence and questionable eyewitness testimony to an unfair trial.

In his autobiography, Carter maintained his innocence, and after reading it, Dylan visited him in Rahway State Prison in Woodbridge Township, New Jersey.

"Dylan had written topical ballads such as 'The Lonesome Death of Hattie Carroll' and Bob wasn't sure that he could write a song [about Carter]... He was just filled with all these feelings about Hurricane. He couldn't make the first step. I think the first step was putting the song in a total storytelling mode. I don't remember whose idea it was to do that. But really, the beginning of the song is like stage directions, like what you would read in a script: 'Pistol shots ring out in a barroom night.... Here comes the story of the Hurricane.' Boom! Titles. You know, Bob loves movies, and he can write these movies that take place in eight to ten minutes, yet seem as full or fuller than regular movies".

After meeting with Carter in prison and later with a group of his supporters, Dylan began to write "Hurricane". The song was one of his few "protest songs" during the 1970s and proved to be his fourth most successful single of the decade, reaching #33 on the Billboard Hot 100.  Billboard declared that it was "probably the most powerful song Dylan has recorded in a decade, combining the 'sensible hate' he showed in 'Masters Of War' with a perfect expression of the kind of injustice heard in 'The Lonesome Death Of Hattie Carroll.'"  Record World said that "The story is true and the names haven't been changed to protect the innocent."

Controversy and re-recording
Dylan first recorded the song in late July 1975; it featured Scarlet Rivera on violin and Vinnie Bell on Danelectro Bellzouki 12-string guitar. Dylan was forced to re-record the song, with altered lyrics, in October 1975 after concerns were raised by Columbia's lawyers that references to Alfred Bello and Arthur Dexter Bradley (the two star witnesses of the case) as having "robbed the bodies" could result in a lawsuit. Bello and Bradley had never been accused of such acts. Because there was too much leakage on the multitracks to make a vocal "punch in," Dylan decided to re-record the entire song. At this time, he was already rehearsing for his upcoming tour, and the musicians from the Rolling Thunder Revue were still at his disposal. Dylan took violinist Rivera, guitarist Steven Soles, bassist Rob Rothstein, drummer Howie Wyeth, and percussionist Luther Rix back into the studio, and a new, faster version of "Hurricane" was recorded with Don DeVito again producing, and Ronee Blakley providing a harmony vocal. (There is a noticeable mistake in the 8-minute recording at 4:02 where the backing singer (Blakley) gets her line wrong. She sings: "Remember you saw (said) you saw the getaway car.") The final version of the song, which runs over eight minutes, was spliced together from two separate takes completed on October24, 1975.

Even though some offending lyrics were removed, the song still drew legal action from eyewitness Patricia Graham (Patty) Valentine, who believed that it portrayed her as part of a conspiracy to frame Carter. However, her lawsuit was dismissed by a federal district court, and the United States Court of Appeals for the Eleventh Circuit affirmed the dismissal. More generally, even with the revised lyrics, "Hurricane" was accused of factual errors. The song included a description of Carter as the "number one contender"; according to the May 1966 issue of The Ring, he was ranked ninth around the time of his arrest and had never been ranked higher than third. Reporters for the Herald News, a New Jersey newspaper published not far from the scene of the crime, questioned Dylan's objectivity at the time of the song's release and accused him of excessive poetic license. Dylan biographer Howard Sounes praised the song but noted "there was no reference to his antagonistic rhetoric, criminal history, or violent temper."

Benefit concert and new trial
The song was released on the album Desire in January 1976, making the Carter case known to a broader public. "Hurricane" is credited with harnessing popular support to Carter's defense.

During the fall tour preceding Desires release, Dylan and the Rolling Thunder Revue played a benefit concert for Carter in New York City's Madison Square Garden, raising $100,000. The following year, they played another benefit at the Houston Astrodome. Dylan met with managers Richard Flanzer and Roy Silver, who provided Stevie Wonder, Ringo Starr and Dr. John for the concert. After expenses were paid, however, the Houston event failed to raise any money.

Despite winning the right to a new trial, Carter and Artis were once again found guilty when the prosecution argued that the defendants committed triple murder at the Lafayette Grill in revenge for the killing of an African-American tavern owner earlier during the same night. In 1976, Carter was sentenced to two consecutive life terms. Dylan, and the other high-profile supporters, did not attend the trial. Artis was paroled five years later.

In 1985 Federal Judge H. Lee Sarokin of the United States District Court for the District of New Jersey, who declined to hear the song when it was offered to him by his family, ruled that Carter had not received a fair trial and overturned the conviction, resulting in Carter's release and the granting of a writ of habeas corpus to Carter, commenting that the prosecution had been "based on racism rather than reason and concealment rather than disclosure". In 1988, after the prosecution said they would not seek a third trial and filed a motion to dismiss, following their failed appeal to the Supreme Court which declined to hear the case and upheld Sarokin's ruling, a Superior Court judge dropped all charges against Carter and Artis.

Certifications

Cover versions
The song has been covered by Ani DiFranco, Furthur, Middle Class Rut, the Milltown Brothers and Iain Lee when he sang it on his Late Night Alternative phone in show on Talkradio in January 2018.

In the season three premiere of the Showtime TV Show, Our Cartoon President, the song was parodied as a proclamation of Donald Trump's innocence during the 2020 impeachment trial of Donald Trump. The parody was performed by cartoon variants of Fox & Friends hosts Steve Doocy (On harmonica and acoustic guitar, a reference to Dylan's most commonly played instruments), Ainsley Earhardt (On cello), and Brian Kilmeade (On violin).

References

External links
 Lyrics at from Bob Dylan's official site

1975 singles
Songs written by Bob Dylan
Cultural depictions of boxers
Protest songs
Songs based on actual events
Songs against racism and xenophobia
Bob Dylan songs
Songs written by Jacques Levy
Song recordings produced by Don DeVito
Columbia Records singles
1975 songs
Rubin Carter

redpajama_set_name: RedPajamaWikipedia


team small dog: One of the family.
So right. This is kind of a creepy dog family photo. All it needs is a sad clown puppet to make the leap to really creepy. Nobody looks very happy about posing with the puppy. Poor Banksy. They are accepting her more every day, but she's still an outsider. We are working on this. She wants them to love her. She kisses them and grovels at their feet. She gets her own stick instead of borrowing Otterpop's. There are happy moments, but mostly the team seems to have taken a secret vote of Let's Pretend the Puppy is Invisible. Three against one. But the puppy is still! She is still for a photo! I declare victory.
We had the our first day at home since Banksy arrived. This has been some weeks of no days off. So yesterday we played a bunch with the tuggy. I got us all lost in the forest. Then we played some with the tuggy. I cleaned the most puppy hurricane hoarder filth part of the house. Played with the tuggy. Taught Banksy to ride the skateboard. Played with the tuggy. Taught her to be cool with the vacuum. Played with the tuggy. Took her on a walk through the neighborhood to Tash and AA's house, where she was a model citizen puppy on her first visit to somebody's clean house. We all played with a tuggy. Taught Banksy to like a dremel manicure. Played with the tuggy. Rewalked that forest loop before dark, this time with no lost. Played with the tuggy.
I suspect our training regime is a little bit heavy on the tuggy part. We are working on clicker training, but this only works in tiny little bits. So we do tiny little bits. Mostly we are having an awesome time having her as part of the family. Well, I am at least. How did we ever live without a border collie puppy before? I may answer this question different than the rest of the team. But I know she'll win them over eventually. Hooray for Banksy!
This is Frenzy's mom (Banksy's sister)...I love reading your blog!!!!
Congrats on the EARS being level this week! LOL!