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Tag Archives: Number One Single
T.G.I.F. – Ten Rocktober Chart Toppers
Since it's Rocktober, I thought I'd revisit the charts.
When I was growing up in New York City, the local stations made a big deal about their weekly countdowns, and every week music fanatics (like me) were glued to the radio, ready to jot them down as they were played and guess which songs finished where. Forget Dick Clark and Casey Kasem, in NYC it was all about WABC and WMCA. At the end of the year they'd do their annual countdown and even mail you the final list if you sent in an envelope. Somewhere in a dusty attic box, I still have a few that I treasured as a kid.
I guarantee that when pop culture historians look at the tail end of the 1960s, they will rate that period as important to music history as the Industrial Revolution was to Western Civilization. Living through it was amazing. But even looking back on how the charts morphed over a decade, it's obvious that a seismic shift had occurred.
So this week I give you Ten Rocktober Chart Toppers – the Number One hits from the first week of October. It's only going to get stranger each Friday.
1963) Blue Velvet (Bobby Vinton) – The early 60s was crooner heaven, as well as a haven for single-named teen idols. Four lads from Liverpool changed all that the year prior, but you don't build Rome in a day. I can't listen to this song anymore without picturing Dennis Hopper.
1964) Pretty Woman (Roy Orbison) – I still can't believe that voice came out of that head. Orbison's growl on the bridge just made a cool song even cooler – even Van Halen couldn't ruin this gem.
1965) Hang On Sloopy (The McCoys) – The Ohio State National Anthem, this garage rock chestnut featured a teenage Rick Derringer and still sounds great. A very underappreciated band who cut some great pop sides and then morphed into Johnny Winter's best band. (This rare version has the extra verse)
1966) Cherish (The Association) – Not quite rock, I know, but you must have that slow grind song for the prom, and this was it – plus it covered the pain of unrequited love! And if you want to punish this great vocal group for being wimpy, you have to give them props for "Along Came Mary".
1967) The Letter (The Box Tops) – Teenage Alex Chilton hooked up with Dan Penn and Spooner Oldham and cut one of the gruffest, blusiest vocals ever recorded. Absolute killer stuff, in and out in under two minutes and always sounds fresh when you hear it.
1968) Hey Jude (The Beatles) – Beginning its nine week run atop the charts, an instant sing-along classic and one of the longest tracks in chart history. Whatever happened to those guys?
1969) Sugar Sugar (The Archies) – If he could make a gazillion dollars with four actors, how much could Don Kirschner make from four cartoon characters who wouldn't insist on playing their own instruments? This was the song that dethroned "Honky Tonk Women"…I am not making that up.
1970) Ain't No Mountain High Enough (Diana Ross) – Motown ruled the charts in the 60s but this version pales in comparison to the 1967 version by the great Marvin Gaye and Tammi Terrell – a hit three years earlier.
1971) Maggie May (Rod Stewart) – Single and album simultaneously blew up and made rooster head a star. For a couple of years he and The Faces made the best music on Earth and then Rod followed the money, which he is still doing forty years later.
1972) Baby Don't Get Hooked On Me (Mac Davis) – And you wonder why people said "rock is dead"? Other 1972 chart toppers included "Candy Man" from Sammy Davis Jr., Michael Jackson's turgid "Ben" and Melanie's screeching "Brand New Key". The year was so lame that Gilbert O'Sullivan's nasal "Alone Again Naturally" spent four weeks at the top, lost its place and then floated up again like a dead fish for two more.
Thankfully, album rock was there to save the day.
Filed under Editorials, Features and Interviews, Music
Tagged as Billboard charts, Candy Man, Casey Kasem, Dan Penn, Dennis Hopper, Dick Clark, Don Kirschner, Gilbert O'Sullivan, Hang On Sloopy, Hey Jude, Johnny Winter, Maggie May, Marvin Gaye, Melanie, Michael Jackson, Motown, Music, Number One Single, Rick Derringer, Rocktober, Rod Stewart, Sammy Davis Jr., Spooner Oldham, Sugar Sugar, Tammi Terrell, TGIF, The Archies, The Beatles, The Box Tops, The Faces, The Letter, The McCoys, Top Ten charts, Van Halen, WABC, WMCA
I Got The Knack
R.I.P. Doug Fieger
R.I.P. Doug Fieger of The Knack.
The best-selling album of 1978 was Saturday Night Fever, the zenith of popularity for guys in satin shirts (open to the waist so that the gold medallions could bounce within the prominent clump of chest hair, of course). Women were no better, focused upon inane dances with said hairy men, hopefully rendered impotent after bathing in strobe lights under satanic mirror balls and shaking what booty they thought they had to beat-pulsing stage lamps flashing primary colors like an amoral heartbeat. Surely the world had gone to Hell in a handbasket, although that handbasket now had a designer name and cost more than a week's wages.
Sadly, 1979 was no better. Those of us buying Blondie and Ramones and Sex Pistols records could not help but wonder what the hell happened to rock'n'roll, since all the attention and the money and the shelf-rack space in the record stores – our record stores, dammit! – were being glommed by Donna Summer and Chic and Andy Gibb. And then, seemingly out of nowhere, this simplest of rock songs, this most basic beat, blasted its way to the top of the charts like a lung full of oxygen in a coal mine…"My Sharona".
Video: "My Sharona"
No, it wasn't the best pop song ever written and The Knack were certainly not The Beatles despite the great pains the Capitol Records marketing department went through (the black and white cover photo and the Meet The Beatles cadence of the title Get The Knack). Nor did the bizarre decision to not do any interviews play out well; what initially inspired mystery in a band holding the Number One Single hostage for six weeks soon turned into resentment and an attitude of animosity towards four guys who were just trying to sell pop music.
But "My Sharona" did serve notice to the industry that despite disco and punk and prog and that god-awful corporate rock that Columbia Records kept spewing out its sewage pipe, there was an audience for what we refer to as powerpop music. Good melody. Great hook. Big beat. Maybe it wouldn't dominate the charts like it did in the 60s, but when given a chance, people respond to it. Sure, you might gloss a sheen of hair metal over it, maybe even countrify it, but at its core a great pop song is a great pop song.
Of course The Knack didn't last long; maybe these things aren't supposed to, although their next couple of albums weren't bad. One knock on the group was that the girls being sung about might be a tad on the younger side, which could explain the occasional leering expressions from the band members. (I'm not certain where these prudential critics were when Gary Puckett and The Union Gap were prowling school yards in the 60's in military gear, but so be it.) In subsequnet years The Knack would occasionally reform sans retired drummer Bruce Gary (who passed in 2006) with ringers like Terry Bozzio standing in alongside Fieger, guitarist Berton Averre and bassist Prescott Niles.
The Knack will never have the cred that Big Star or Badfinger or even The Romantics have earned, but "My Sharona", the biggest pop single of 1979, was the right song at the right time. Thanks, Doug (and co-writer Averre), for that lifeboat you dropped into The Sea of Disco. Rest in peace.
And R.I.P. Dale Hawkins, the rock and roll tornado
Filed under Features and Interviews, Music
Tagged as Andy Gibb, Announcement, Badfinger, Big Star, Blondie, Capitol Records, Chic, Columbia Records, Dale Hawkins, Donna Summer, Doug Fieger, garage rock, Gary Puckett and The Union Gap, Get The Knack, Meet The Beatles, Music, Number One Single, Power Pop, Prescott Niles, R.I.P., Ramones, Rock and Roll Tornado, Saturday Night Fever, Sex Pistols, Susie Q, Terry Bozzio, The Beatles, The Knack, The Romantics

redpajama_set_name: RedPajamaCommonCrawl


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In geometry, an equidissection is a partition of a polygon into triangles of equal area.  The study of equidissections began in the late 1960s with Monsky's theorem, which states that a square cannot be equidissected into an odd number of triangles. In fact, most polygons cannot be equidissected at all.

Much of the literature is aimed at generalizing Monsky's theorem to broader classes of polygons. The general question is: Which polygons can be equidissected into how many pieces? Particular attention has been given to trapezoids, kites, regular polygons, centrally symmetric polygons, polyominos, and hypercubes.

Equidissections do not have many direct applications. They are considered interesting because the results are counterintuitive at first, and for a geometry problem with such a simple definition, the theory requires some surprisingly sophisticated algebraic tools. Many of the results rely upon extending p-adic valuations to the real numbers and extending Sperner's lemma to more general colored graphs.

Overview

Definitions
A dissection of a polygon P is a finite set of triangles that do not overlap and whose union is all of P. A dissection into n triangles is called an n-dissection, and it is classified as an even dissection or an odd dissection according to whether n is even or odd.

An equidissection is a dissection in which every triangle has the same area. For a polygon P, the set of all n for which an n-equidissection of P exists is called the spectrum of P and denoted S(P). A general theoretical goal is to compute the spectrum of a given polygon.

A dissection is called simplicial if the triangles meet only along common edges. Some authors restrict their attention to simplicial dissections, especially in the secondary literature, since they are easier to work with. For example, the usual statement of Sperner's lemma applies only to simplicial dissections. Often simplicial dissections are called triangulations, although the vertices of the triangles are not restricted to the vertices or edges of the polygon. Simplicial equidissections are therefore also called equal-area triangulations.

The terms can be extended to higher-dimensional polytopes: an equidissection is set of simplexes having the same n-volume.

Preliminaries
It is easy to find an n-equidissection of a triangle for all n. As a result, if a polygon has an m-equidissection, then it also has an mn-equidissection for all n. In fact, often a polygon's spectrum consists precisely of the multiples of some number m; in this case, both the spectrum and the polygon are called principal and the spectrum is denoted . For example, the spectrum of a triangle is . A simple example of a non-principal polygon is the quadrilateral with vertices (0, 0), (1, 0), (0, 1), (3/2, 3/2); its spectrum includes 2 and 3 but not 1.

Affine transformations of the plane are useful for studying equidissections, including translations, uniform and non-uniform scaling, reflections, rotations, shears, and other similarities and linear maps. Since an affine transformation preserves straight lines and ratios of areas, it sends equidissections to equidissections. This means that one is free to apply any affine transformation to a polygon that might give it a more manageable form. For example, it is common to choose coordinates such that three of the vertices of a polygon are (0, 1), (0, 0), and (1, 0).

The fact that affine transformations preserve equidissections also means that certain results can be easily generalized. All results stated for a regular polygon also hold for affine-regular polygons; in particular, results concerning the unit square also apply to other parallelograms, including rectangles and rhombuses. All results stated for polygons with integer coordinates also apply to polygons with rational coordinates, or polygons whose vertices fall on any other lattice.

Best results
Monsky's theorem states that a square has no odd equidissections, so its spectrum is . More generally, it is known that centrally symmetric polygons and polyominos have no odd equidissections. A conjecture by Sherman K. Stein proposes that no special polygon has an odd equidissection, where a special polygon is one whose equivalence classes of parallel edges each sum to the zero vector. Squares, centrally symmetric polygons, polyominos, and polyhexes are all special polygons.

For n > 4, the spectrum of a regular n-gon is . For n > 1, the spectrum of an n-dimensional cube is , where n! is the factorial of n. and the spectrum of an n-dimensional cross-polytope is . The latter follows mutatis mutandis from the proof for the octahedron in

Let T(a) be a trapezoid where a is the ratio of parallel side lengths. If a is a rational number, then T(a) is principal. In fact, if r/s is a fraction in lowest terms, then . More generally, all convex polygons with rational coordinates can be equidissected, although not all of them are principal; see the above example of a kite with a vertex at (3/2, 3/2).

At the other extreme, if a is a transcendental number, then T(a) has no equidissection. More generally, no polygon whose vertex coordinates are algebraically independent has an equidissection. This means that almost all polygons with more than three sides cannot be equidissected. Although most polygons cannot be cut into equal-area triangles, all polygons can be cut into equal-area quadrilaterals.

If a is an algebraic irrational number, then T(a) is a trickier case. If a is algebraic of degree 2 or 3 (quadratic or cubic), and its conjugates all have positive real parts, then S(T(a)) contains all sufficiently large n such that n/(1 + a) is an algebraic integer. It is conjectured that a similar condition involving stable polynomials may determine whether or not the spectrum is empty for algebraic numbers a of all degrees.

History
The idea of an equidissection seems like the kind of elementary geometric concept that should be quite old.  remark of Monsky's theorem, "one could have guessed that surely the answer must have been known for a long time (if not to the Greeks)." But the study of equidissections did not begin until 1965, when Fred Richman was preparing a master's degree exam at New Mexico State University.

Monsky's theorem
Richman wanted to include a question on geometry in the exam, and he noticed that it was difficult to find (what is now called) an odd equidissection of a square. Richman proved to himself that it was impossible for 3 or 5, that the existence of an n-equidissection implies the existence of an -dissection, and that certain quadrilaterals arbitrarily close to being squares have odd equidissections. However, he did not solve the general problem of odd equidissections of squares, and he left it off the exam. Richman's friend John Thomas became interested in the problem; in his recollection,

"Everyone to whom the problem was put (myself included) said something like 'that is not my area but the question surely must have been considered and the answer is probably well known.' Some thought they had seen it, but could not remember where. I was interested because it reminded me of Sperner's Lemma in topology, which has a clever odd-even proof."

Thomas proved that an odd equidissection was impossible if the coordinates of the vertices are rational numbers with odd denominators. He submitted this proof to Mathematics Magazine, but it was put on hold:

"The referee's reaction was predictable. He thought the problem might be fairly easy (although he could not solve it) and was possibly well-known (although he could find no reference to it)."

The question was instead given as an Advanced Problem in the American Mathematical Monthly . When nobody else submitted a solution, the proof was published in Mathematics Magazine , three years after it was written.  then built on Thomas' argument to prove that there are no odd equidissections of a square, without any rationality assumptions.

Monsky's proof relies on two pillars: a combinatorial result that generalizes Sperner's lemma and an algebraic result, the existence of a 2-adic valuation on the real numbers. A clever coloring of the plane then implies that in all dissections of the square, at least one triangle has an area with what amounts to an even denominator, and therefore all equidissections must be even. The essence of the argument is found already in , but  was the first to use a 2-adic valuation to cover dissections with arbitrary coordinates.

Generalizations
The first generalization of Monsky's theorem was , who proved that the spectrum of an n-dimensional cube is . The proof is revisited by .

Generalization to regular polygons arrived in 1985, during a geometry seminar run by G. D. Chakerian at UC Davis. Elaine Kasimatis, a graduate student, "was looking for some algebraic topic she could slip into" the seminar. Sherman Stein suggested dissections of the square and the cube: "a topic that Chakerian grudgingly admitted was geometric." After her talk, Stein asked about regular pentagons. Kasimatis answered with , proving that for n > 5, the spectrum of a regular n-gon is . Her proof builds on Monsky's proof, extending the p-adic valuation to the complex numbers for each prime divisor of n and applying some elementary results from the theory of cyclotomic fields. It is also the first proof to explicitly use an affine transformation to set up a convenient coordinate system.  then framed the problem of finding the spectrum of a general polygon, introducing the terms spectrum and principal. They proved that almost all polygons lack equidissections, and that not all polygons are principal.

 began the study of the spectra of two particular generalizations of squares: trapezoids and kites. Trapezoids have been further studied by , , and . Kites have been further studied by . General quadrilaterals have been studied in . Several papers have been authored at Hebei Normal University, chiefly by Professor Ding Ren and his students Du Yatao and Su Zhanjun.

Attempting to generalize the results for regular n-gons for even n,  conjectured that no centrally symmetric polygon has an odd equidissection, and he proved the n = 6 and n = 8 cases. The full conjecture was proved by . A decade later, Stein made what he describes as "a surprising breakthrough", conjecturing that no polyomino has an odd equidissection. He proved the result of a polyomino with an odd number of squares in . The full conjecture was proved when  treated the even case.

The topic of equidissections has recently been popularized by treatments in The Mathematical Intelligencer , a volume of the Carus Mathematical Monographs , and the fourth edition of Proofs from THE BOOK .

Related problems
 consider a variation of the problem: Given a convex polygon K, how much of its area can be covered by n non-overlapping triangles of equal area inside K? The ratio of the area of the best possible coverage to the area of K is denoted tn(K). If K has an n-equidissection, then tn(K) = 1; otherwise it is less than 1. The authors show that for a quadrilateral K, tn(K) ≥ 4n/(4n + 1), with t2(K) = 8/9 if and only if K is affinely congruent to the trapezoid T(2/3). For a pentagon, t2(K) ≥ 2/3, t3(K) ≥ 3/4, and tn(K) ≥ 2n/(2n + 1) for n ≥ 5.

Günter M. Ziegler asked the converse problem in 2003: Given a dissection of the whole of a polygon into n triangles, how close can the triangle areas be to equal? In particular, what is the smallest possible difference between the areas of the smallest and largest triangles? Let the smallest difference be M(n) for a square and M(a, n) for the trapezoid T(a). Then M(n) is 0 for even n and greater than 0 for odd n.  gave the asymptotic upper bound M(n) = O(1/n2) (see Big O notation).  improves the bound to M(n) = O(1/n3) with a better dissection, and he proves that there exist values of a for which M(a, n) decreases arbitrarily quickly.  obtain a superpolynomial upper bound, derived from an explicit construction that uses the Thue–Morse sequence.

References

Bibliography
Secondary sources

Primary sources

 Reprinted as

External links

Sperner's Lemma, Brouwer's Fixed-Point Theorem, And The Subdivision Of Squares Into Triangles - Notes by Akhil Mathew
Über die Zerlegung eines Quadrats in Dreiecke gleicher Fläche - Notes by Moritz W. Schmitt (German language)
Tiling Polygons by Triangles of Equal Area - Notes by AlexGhitza
Dissecting trapezoids into triangles of equal area - MathOverflow

Discrete geometry
Affine geometry
Geometric dissection

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Frans de Waal | Mama's Last Hug: Animal Emotions and What They Tell Us…
Frans de Waal | Mama's Last Hug: Animal Emotions and What They Tell Us about Ourselves
Thu, March 14, 2019 7:30 P.M.
Parkway Central Library
Esteemed primatologist Frans de Waal is the author of The Bonobo and the Atheist, a "tour de force" (Nature) exploration of the biological roots of human morality found in primate social emotions, including empathy, reciprocity, and fairness. One of Time's 100 Most Influential People, de Waal is a member of the National Academy of Sciences and the Royal Dutch Academy of Sciences, directs the Living Links at the Yerkes National Primate Research Center, and is the C. H. Candler Professor in Emory University's psychology department. Positing that humans are not the only species capable of love, hate, and everything in between, Mama's Last Hug explores the profound emotional lives of animals.
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Home • Events & news • News • New recommendations for councillors from Committee on Standards in Public Life
Cases NewsBack to Cases & News
New recommendations for councillors from Committee on Standards in Public Life
On 30 January 2019, the Committee on Standards in Public Life published its long-awaited report on local government ethical standards, reflecting evidence obtained via a consultation exercise carried out from January-May 2018.
The report makes 26 recommendations. Below we highlight the top five that will be of interest to local authorities, in particular to monitoring officers. Some of the recommendations could be implemented quickly without the need for primary legislation – most important of these is the recommendation concerning amendments to registrable interests.
The wide-ranging report, which runs to over 100 pages, finds that while the majority of councillors and officers maintain high standards of conduct, there is clear evidence of misconduct by some – mostly bullying, harassment or other disruptive behaviour. The report also raises concerns about risks to standards under the current rules governing declaring interests, gifts and hospitality.
The report provides an excellent review of the current framework governing the behaviour of local government councillors and executives in England and then makes a number of recommendations to promote and maintain the standards expected by the public. While it identifies numerous points of best practice, it makes 26 separate recommendations for improvement.
Top five recommendations
The top five recommendations, likely to be of most interest to those in local government, are:
1. Updating the model code and extending it to Parish Councils: the report finds considerable variation in the length, quality and clarity of local authority codes of conduct. It therefore recommends enhancing quality and consistency by requiring the Local Government Association to create an updated model code. In a bid to help ease the burden on principal authorities (who must investigate code breaches by parish councillors), the report also recommends requiring parish councils to adopt the code of conduct of their principal authorities or the new model code.
2. Presumption of official capacity: perhaps the most arresting suggestion, the report recommends combatting poor behaviour by presuming councillors to act in an official capacity in their public conduct, including statements made on publicly-accessible social media. This arises from the perennial concern that the current understanding of public and private capacity is too narrow, undermining public confidence.
3. Extending the list of registrable interests: the report considers that current arrangements for declaring councillors' interests are too narrow and do not meet public expectations, so it suggests refining the arrangements for declaring and managing interests, including extending the list of registrable interests to include two categories of non-pecuniary interest: (1) relevant unpaid commercial interests such as unpaid directorships; and (2) trusteeship or membership of organisations that seek to influence opinion or public policy. As this does not require primary legislation to be implemented, this is one recommendation which may soon be acted upon. We are particularly pleased to see written evidence submitted by members of Cornerstone Barristers was cited in relation to recommendation (iii): see more below.
4. A new "objective" test for when councillors must withdraw or not vote: monitoring officers will be particularly interested in the discussion in the report about the need to update the test for when councillors are forbidden from voting or participating in discussion on matters in which they have an interest. The report recommends the test be overhauled and that councillors be required to refrain from voting or withdraw whenever they have any interest at all – whether registered or not – that a member of the public would reasonably regard as so significant as to likely prejudice the councillor's decision-making.
5. Strengthening the sanctions system: the report considers the current sanctions insufficient and so recommends allowing local authorities to suspend councillors without allowances for up to six months, with suspended councillors enjoying a right of appeal to the Local Government Ombudsman for investigation and a binding decision on the matter.
Other conclusions and recommendations
The report further concludes that there is no need for a centralised body to govern and adjudicate on standards and that various benefits exist to local authorities maintaining their responsibility for implanting and applying the Seven Principles of Public Life.
A number of other recommendations are likely to be of interest, including:
Assisting local authority Monitoring Officers, the "lynchpin of the arrangements for upholding ethical standards" (p 81), by extending disciplinary protections and offering additional training for the statutory officers who support them.
Giving local authorities a discretionary power to establish a standards committee to advise on standards issues and decide on alleged breaches and/or sanctions for breaching the code of conduct.
Abolishing the current criminal offences in the Localism Act 2011 relating to disclosable pecuniary interests, which are said to be disproportionate in principle and ineffective in practice.
Requiring local authorities to take a range of steps to prevent and manage conflicts of interest that can arise when decisions are made in more complex and potentially less transparent contexts such as Local Enterprise Partnerships and joint ventures.
Fostering an ethical culture and practice by requiring councillors to attend formal induction training by their political groups, with national parties adding the same requirement to their model group rules.
The report recognises that many of its recommendations would require primary legislation and therefore be subject to parliamentary timetabling. The remaining recommendations – in particular those relating to registrable interests (as mentioned above), statutory officers and formal training for councillors – could however be implemented relatively quickly. The Committee intends to monitor the uptake of its suggestions in 2020.
Robin Green, Estelle Dehon and Dr Alex Williams, all members of the Cornerstone Planning and Government teams, submitted written evidence item 281 to the committee. Their evidence was cited at p 45 of the report in relation to recommendation (iii) above, on registrable interests.
Robin and Estelle are also contributors to Cornerstone on Councillors' Conduct (Bloombsury Professional, 2015), which identifies and explains the law following the changes implemented by the Localism Act 2011 in relation to the standards system governing the conduct of elected members in local government.
Back to Cases & News
Clare Bello joins Cornerstone Barristers as new CEO
Jonathan Clay and Dr Ashley Bowes will appear in the Supreme Court next week
Gerard Forlin QC in court representing the Shoreham air crash families
Secretary of State rejects plans for up to 1600 dwellings in Braintree, NPPF para 170 on valued landscapes is considered
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Al Mirqab  is owned by Qatar's former Prime Minister and Foreign Minister Hamad bin Jassim bin Jaber Al Thani. The yacht was built at Peters Schiffbau Wewelsfleth yard in Germany. The yacht's architect was Tim Heywood, while the interior design was done by Andrew Winch Designs. During construction, the yacht was known as Project May.

Design

The Al Mirqab was completed in 2008. The yacht has a length of 133 meters and a beam of 19 meters. The summer deadweight of the yacht is 1,440 DWT, while the gross tonnage is 9,518 GT. She is built of steel and can cruise at 21 knots with a maximum speed of 23 knots. The yacht spends most of the year around the Faliro coastal area of Athens, Greece.

Interior and entertainment
The yacht can accommodate 24 guests in 10 guest suites with two VIP suites for the yacht owner. The suites are large; each with their own bathroom, living room and double bedroom. The yacht has a crew of 60.

The amenities on board include a cinema, outside bars, inside swimming pool and outside jacuzzi and a helicopter pad.

See also
 List of motor yachts by length

References

External links

2006 ships
Motor yachts


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Hot Streaming: "Love Interruption," Jack White's Newest Single
by Drew Morgan in Acoustic, Alternative Rock, Blues, Feature, Folk, Garage Rock, Hot Streaming, News, Rock, Singles
Jan 31, 2012 Feb 1, 2012 0 Comments0 LikeLike 1,407
Jack White, former frontman of the garage-rock duo The White Stripes and current member of The Raconteurs and The Dead Weather, has just unveiled the first single off his debut solo album Blunderbuss. The single, "Love Interruption," is currently streaming at Third Man Records' website, and will be released as a 7″ single February 7th.
This leading single is a bluesy acoustic track, with a soft jazz organ and clarinet playing in the background. Jack White's singing is complimented by Ruby Amanfu, a fellow Nashville-inhabiting musician whose voice matches his style well. I'm (obviously) not sure if this is how the rest of Blunderbuss will sound, but I wouldn't be disappointed if it did. Pretty much anything Jack White is involved in turns out amazingly, so let's all stay tuned!
Tagges: BlunderbussGarage RockJack WhiteLove Interruptionnew singleThe Dead WeatherThe White StripesThe-RaconteursThird Man Records
By Drew Morgan
Drew Morgan has been blogging for about four years. When he's not thinking way to much about other bands, he plays guitar and bass for his own musical endeavors.
View all articles by Drew Morgan
So Bruce Springsteen put a new single out this morning
Jack White releases new video: Lazaretto - Jun 5, 2014
Jack White streams new album: Lazaretto - Jun 3, 2014
Jack White shares information about upcoming album: Lazaretto - Apr 2, 2014
Peter Darling – Uh Huh Huh - Sep 26, 2013
Bon Jovi just released his newest single: Because We Can - Jan 7, 2013
[VIDEO] The Strokes back at SNL live!
Metallica and The Stooges among Rock and Roll Half of Fame nominees
Cloud Nothings Detail New Album
Let's get to know Juni Järvi a lot better
Bob Dylan plans record, joins forces with Jack White


Kristen Myers holds a Classical Studies and History (B.A.H) degree from Queen's University and a Post-Degree Major in Political Science from King's University College at Western University. Her academic background also extends into the areas of economics and social justice and peace studies.
She has work and volunteer experience in the development field, including working with a corporate social responsibility program in Zimbabwe, where she worked on a socio-economic development project in support of orphaned children affected by the HIV/AIDS pandemic, and most recently while completing Global Affair's Canada's International Youth Internship program in central Uganda, where she worked with a civil society organization on projects in support of women, one of which was shortlisted for the UNDP, UNEP, and IUCN supported SEED Award.
She has also had the privilege of taking part in Canada's Youth Consultation on Developing Canada's International Assistance Review with Global Affairs Canada, and has also assisted with two international relations books, one evaluating the role of the African Union on the governance of the African continent, and the other on Africa's role in the establishment of international norms.
Her areas of interest include international political economy, recently conducting research in Geneva, Brussels, and Paris on the role of increased GVC integration and participation to global poverty alleviation, global development governance, sustainability and social governance. She has international volunteer and travel experience in 14 different countries including South Africa, Zambia, Zimbabwe, Uganda, Rwanda, Tanzania, Britain, France, Spain, Holland, Belgium, Switzerland, Germany and Italy.


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Q: Focus ring inconsistency when icon on right I have the following problem. I have input and on left on it I want to have icon. Everything looks fine until I focus on the input. In such case right border (probably shadow in fact) seems to be smaller than other ones (no idea why?)
Code for this is:

      Password

      <input type="password"
              class="flex-1 appearance-none block w-full border border-gray-300 rounded-l-md focus:ring-cyan-500

          focus:outline-none sm:text-sm">

            Some icon

However when I switch order of elements (first icon and then input and switch some classes) then on focus it looks fine.
So the questions are:

*

*How to fix it (without changing markup much as it's simplified comparing to real usage scenario)

*Why border seems to be different on focus

*Why switching order of elements make the difference

Working example comparing 2 cases on TailwindPlay

A: You can fix it by adding the class relative to the input.
The outline ("border") is actually the same in both examples. In the second example, the icon element covers the outline. As you can see in this interactive example, elements that appear later in the dom, are "higher" than the elements before them.
Adding position: relative; activates z-index automatically and puts the element on top of the elements around it.

z-index will only work on an element whose position property has been explicitly set to absolute, fixed, or relative

The Z-Index CSS Property: A Comprehensive Look

redpajama_set_name: RedPajamaStackExchange


Below you will find a list of the department stores & malls in San Luis Obispo, CA. These 5 department stores & malls are organized by their distance from San Luis Obispo. The closest businesses to San Luis Obispo are Ross on Higuera St (San Luis Obispo) in the category Clothing, Kohl's Department Store San Luis Obispo on Madonna Rd (San Luis Obispo) in the category Womens Clothing, Madonna Plaza on Madonna Rd (San Luis Obispo) in the category Shopping Centers & Malls, Sears Optical on Madonna Rd (San Luis Obispo) in the category Department Stores and Penney JC Catalog Merchant Catalog Telephone Shopping Order Pickup Information on (San Luis Obispo) in the category Retail Stores.


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Home Latest News Appointments and Honours Ivy Lynn Bourgeault inducted into the Canadian Academy of Health Sciences
Ivy Lynn Bourgeault inducted into the Canadian Academy of Health Sciences
Tags: healthcare, Research, impact, Faculty
Congratulations to Ivy Lynn Bourgeault on becoming a Fellow of the Canadian Academy of Health Sciences (CAHS). Fellows elected to the academy are recognized by their peers nationally and internationally for their contributions to the promotion of health science. They demonstrate leadership, creativity, distinctive competencies and a commitment to advance academic health science. Professor Bourgeault and 35 other Canadian researchers were welcomed as CAHS Fellows at the induction ceremony in Montreal on September 15, 2016.
Ivy Lynn Bourgeault is a Professor at the Telfer School of Management and is the Canadian Institutes of Health Research (CIHR) Chair in Gender, Work and Health Human Resources. She has been a consultant to various provincial Ministries of Health in Canada, to Health Canada and to the World Health Organization. Her recent research focuses on the migration of health professionals and their integration into the Canadian healthcare system.
Professor Bourgeault is the Scientific Director of the Ontario Population Health Improvement Research Network and the Ontario Health Human Resource Research Network, both housed at the University of Ottawa with funding from the Ontario Ministry of Health and Long-term Care. Professor Bourgeault also leads the Canadian Health Human Resources Network (CHHRN) with funding from Health Canada and the CIHR.
The Canadian Academy of Health Sciences (CAHS)
CAHS provides timely, informed and unbiased assessments of urgent issues affecting the health of Canadians. These assessments, which are based on evidence reviews and leading expert opinion, provide conclusions and recommendations in the name of CAHS. More about CAHS


As a studio owner I am privileged to see many different photographers working in my studio space. I have a chance to observe their individual working styles and to see what results in success. Over the past couple years I have noticed some rather interesting trends. Let me give you some insider tips after observing how some of the top photographers work.
I want to start off by saying that the difference between a photographer you perceive as "great" and yourself often comes down to some very small details. I opened up my first studio space nearly 2 years ago, and in that time I have had hundreds of photographers passing through my doors. I have had the opportunity to meet photographers of all skill levels. For some of them my studio will be their first ever in studio experience. I walk them through the entire process and even show them how to use the equipment. Then on the flip side you have the ultra experienced photographers that jet set around the world and pass through my studio for a day or two while doing massive international campaigns.
Skill levels around here really run the gamut. I remember when I first opened up my studio to the public I expected to find those in the upper echelons to have some sort of secret knowledge or natural ability that would be plainly visible. Even though I have some moderate success in my own photography career I still have those that I look up to and idolize. After being on various sets however, including some of my idols, it became very obvious that there were no big secrets. What I ended up finding instead was an interesting trend in personality traits among those who performed well in the industry.
Lets take a look at three personality traits which I have found to appear in most successful photographers.
Communication on set is vital when it comes to creating strong work. You have to know how to quickly build rapport with a group of people, that in some cases, you have never met before. Getting everyone on set comfortable is crucial for a productive and creative work environment. You can see in these behind the scenes images of me and model Dane Halo as we take time to chat and giggle before taking pictures.
Of all the traits I have noticed this one sticks out the most. Comfort is the name of the game. The best photographers I have observed are the ones who have this uncanny ability to relax their subject to a point of complete indifference. The person who is being photographed no longer feels that anyone in the room is judging them and that if they do something silly people will only laugh with them, not at them.
I have seen a lot of photographers struggle with that level of communication and unfortunately the results are often less than expected because of it. If there is any air of awkwardness or tension it will show through in the image. Models and subjects that are in a complete state of comfort are much easier to direct and pull looks out of. They also translate as much more confident and happy overall in their images.
In some really worst case scenarios I have actually seen some photographers lose complete control of their set when they were not effectively able to communicate with their models. The models ended up taking control and directing everything.
If you are finding yourself struggling with images where models seem uncomfortable, if you have a hard time pulling looks, or if you are losing control on set, evaluate your communication as that is often where the problem lies.
Conceptualizing is in essence the planning process. Before you even come into the studio you should have an idea of what you want to shoot and how you will achieve it. This doesn't need to be a plan that you can't deviate from, and often times you will have to improvise on set, but having a framework within which to work is crucial to developing a strong look and a cohesive message.
For years this was my biggest issue, and it pains me to watch others going through the same thing. Many photographers create images without putting any thought into the concept. They simply show up and shoot whatever is in front of them. This kind of spontaneous shooting can be refreshing, and a neat challenge once in a while, but if you are looking to create work that has some production value you will need to put some thought into it before hand.
I see many photographers comparing their work to that of the pro's and they wonder why they seem to be missing the mark. Even if they have solid technical ability and a good rapport with the model, something will seem a bit off when looking at the final image. That something is the lack of pre-planning.
Getting the right pose, the right styling, the right palette, the right model, and every other aspect of your image just perfect takes a lot of planning. There may potentially be a circumstance where everything aligns just right and it all happens to work, but is that the kind of chance you really want to take? If you plan to turn photography into a career, thats not the kind of chance paying clients will want to take. Clients have to know that you not only come with experience but the ability to pre-plan their entire production.
The pro's know this and will often have entire mood boards created, they will have carefully picked their teams to play to everyone's strong suit, and they will even go so far as to pre-light their sets the day before. The less you leave to chance the better.
When starting out in photography a lot of people will try and find a style that works for them as quickly as they can. While it is good to have a defining style often times people end up using it as a crutch. They rely on that one particular style to carry them and they will literally beat the horse dead. I can't tell you the amount of times that I see photographers come to my studio and no matter what the concept is, they will use the exact same light setup on every set. It is always some light setup they learned, got comfortable with, and stuck to because it worked. Rarely do they venture outside of these parameters.
The really great photographers are the ones that take chances and experiment with different setups. They are not afraid to try new things and to expand their repertoire. These photographers come into the studio and they light with purpose. They understand that ever model, every mood, and every setting is unique. They all require different lighting to bring out the intended vision.
They don't always succeed but by pushing themselves to try new things they are developing a greater understanding about how things work. Maybe they get a better feel for a particular modifier. Maybe they try new color palettes in their styling. Maybe they play with new textures. Maybe they try new focal lengths or angles. Whatever it is that they are exploring, it is always something, and that is the important thing. The greats never stop learning. The greats are not afraid of failure.
Every time I make a mood board before a shoot I feel 100% more confident on set.
Technical skills can be learned by anyone. Really.
However, the way you ARE is hardly to be changed. It's what defines "you".
You must have this natural feeling with people, this ability to communicate or the power to connect to someone you didn't knew 2 minutes ago.
Human skills are the tough part.
You are right that it is hard to change, but the way you ARE can be learned. It just requires strong will, especially that failures in social interaction can be very painful and it takes social interaction to practice it.
In case of learning anything else you can practice many hours nonstop. When it comes to social interaction you have only few seconds to make first impression, and few minutes to build report. After that you are done. You need to meat new person to repeat that practice.
Social people were on good track since childhood. They were not born with that natural ability. They just had a lot of practice.
Great tips, particularly when you are just starting out.
Belgian Trance and let them have a toke...great results guaranteed, though I appreciate thats not going to work for everyone.
Music makes things work everytime!
Great article. I experiment as often as I can with new backgrounds, techniques and lighting. I can't always say theyre a success as often as I'd like however the failures sometimes lead to new ideas that I may not have though of prior to the experiment.
When you say "studio photographer" are you strictly talking about shooting in an actual studio or just a photographer who happens to shoot in a studio as needed? Just wondering cause I shoot both but right now prefer on-location work more than anything.
"Concept" is subjective I think. If you say concept to an established commercial photographer that rarely needs to or gets a chance to do personal projects and on commercial jobs have an art director generally take over all the conceptualization vs. an inspiring commercial photographer who is doing all of the art direction and more on all personal projects.
I find the communication between model and photographer to be the most important point which can make or break your whole shoot. Music and good team definitely help to make everything flow.


It is quite difficult to top classic meat lasagna made from layers of slow cooker beef ragu, topped with oodles of cheese and béchamel sauce. That said, if there is something that could give epic lasagna a run for its money, it is our vegetarian lasagna.
It is a great and simple way to get your veggie fix!! With layers of yummy roasted vegetables, ricotta and spinach, as well as a homemade tomato sauce, the vegetarian lasagna is certainly one of those special foods that are fantastic made fresh and it reheats incredibly well. It is meat free for all carnivores!
Boil a large pot of salt water and cook lasagna noodles as per the directions in the package.
You can add a few teaspoons of fresh olive oil to the water. This will make sure that the noodles don't stick together.
Drain the noodles and lay them flat on a sheet of clean aluminum foil.
Heat your oven to 350 F and lightly oil a 9-inch by 13-inch baking dish.
Then add the onion and cook. Keep stirring regularly until translucent for three to five minutes.
Now add red pepper flakes, garlic, and zucchini, a pinch of salt and squash and then cook.
Stirring it occasionally until it is softened but still has a little crunch for five to eight minutes.
Then stir in the crushed tomatoes and roasted red peppers.
Bring it to a light simmer and keep cooking until the mixture has thickened. It will take five to eight minutes.
Now add the basil and you can season to taste with extra salt and pepper.
Stir eggs, ricotta, and a half-teaspoon of salt in a bowl until well blended.
Spoon sufficient vegetable mixture into your baking dish so that it lightly covers the bottom. Arrange 4 noodles side by side and lengthwise to properly cover the bottom. Carefully spread out half of your ricotta cheese blend over your noodles. Then sprinkle one third of your parmesan cheese and one third of your mozzarella cheese. Top it off with one third of the vegetable mixture.
Now add the second layer of 4 noodles and repeat the process with remaining vegetables and cheese. Finish with another layer of noodles, parmesan cheese, vegetables, and mozzarella cheese.


The only thing better than wearing sweaters in the fall is wearing sweater dresses. I mean sweaters in general are just so effortlessly cute, but then you make them into a dress and it gets 10x cuter and 10x easier! The comfort of a sweater, but with no pants haha! I know this dress has been featured quite a bit in the blogging community, but I couldn't resist the urge to post an outfit post because it's just so perfect! I mean the sleeves are so cute and it's pretty soft!
The model at Nordstrom is wearing this sweaters with pants so I want to try to style them that way too, but I am not super tall so I am worried it will look like too much on me. That's why I just paired the look with some riding boots! Which by the way, I am in the market for another pair of cute tall boots for fall – but don't want to spend too much. If you have any suggestions please leave them below!
This outfit would have been really cute with a blanket scarf to make it a bit more fall! Or imagine this with a cute faux-fur vest! I decided to throw on my monogram necklace instead, but when it gets a bit colder I will definitely be wearing this more bundled up! I love outfits like this that are simple, but can be worn to work, school, or running errands!
I am getting so excited for halloween! I was texting my friend about costume ideas today and cracking up at all the funny ones I was finding. I am going to my friend Lily's date party for her sorority this weekend and I am super excited! I went with her Freshman year too and it was so fun to just have a girls night and not care about dates! The theme is "opposites attract" so she is going as a nerd and I am dressing up as a cheerleader. Luckily ALL of my high school friends were in cheer so it wasn't hard to find an outfit. I'll posts pics soon! Then next weekend I am going to another halloween date party with my friend Matt and we talked about going as a country club/tennis player couple – it's going to be so fun 🙂 I love dressing up!
Other life updates, I finally leveled up in pilates Monday night and my legs are KILLING me! I didn't think the harder classes would be that much different, but I seriously feel it today haha (it's Tuesday when I am writing this)! There's something so satisfying about being sore after a good workout. Usually pilates doesn't make me too sore though, I love that about it because they really teach you how you are supposed to do the workouts (like how to move your body and different posture and spine tips) – so most of the time you aren't too sore unless you are really pushing yourself on weights. My mom and I go together and it's so fun to have something to do with just her!
I love this dress! I feel like sweater dresses are the perfect compromise between being cold and not being too warm. I've never tried pilates, but I go to barre class every week with my mom, and we have so much fun!
The color of that dress is perfect! I have never been able to find a sweater dress I love but I'm gonna have to give this one a try!
Loving this dress! Perfect for fall weather right now and will look so cute paired with your scarves as it gets colder!


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Resurrect Beer Project: Deer Lodge Brewery
What Is Dry January? And Should I Participate?
10 Trends in the Beer Industry to Watch in 2021
The 20 Best Brewery Instagram Accounts of 2020
Photography by PJE
Written by: PJ Engel
Beer in Design
How to Shoot Beer
5 Beautiful Cans
10 Best Beer IG Accounts
The solo beer gets stigmatized, but we'll take one any day.
In early 2017, we heard about a gentleman from Upstate New York who was beginning an ambitious project. With "Resurrect Beer," designer PJ Engel is creating new branding and packaging for a defunct brewery from each state. The project is a fascinating lesson in history, design, and culture.
This week in the #ResurrectSeries I examine Deer Lodge Brewery from Deer Lodge, Montana. Opened for ten years from 1874–1884, Deer Lodge left no breweriana to indicate what they may have looked like, or brewed. So I gave the brand a slightly rustic look to fit the identity of the state, which is an outdoorsman's destination. I purposely left out antlers to lead the hipsters elsewhere, leaving Deer Lodge to the purists.
Absaroka Ale
Style: Pale ale
ABV: 4.9 percent
Description: During the New Deal era, a group of residents got fed up with FDR. They banded together with the goal to secede and form a new state called Absaroka. The area was part of southeastern Montana, southwestern South Dakota, and northern Wyoming. Named after a local mountain range, this new group went so far as making an official flag (rendered on the can) and license plates. The movement lost steam and Absaroka was never actualized as the 49th state in the U.S. I will give them some props on the flag, though.
Great beer, delivered straight to your door. By clicking the link, you are helping Hop Culture pay the bills. CLICK ME
Shadow Casting
Style: Steam Beer
Description: "Keeping his line above water long enough and low enough to make a rainbow rise". Today's design is a reference to the movie A River Runs Through It, which grounds itself in the fly fishing of Montana. The Blackfoot River in Missoula is where the Maclean family enjoy what is called the contemplative man's recreation. I have yet to fly fish, but it's on the list. As I've learned in researching for this theme, the Bitterroot River is a hot spot for fly fishing in the U.S. The steam beer style complements recreation. Traditionally brewed with a high temperature fermentation due to no refrigeration methods, steam beers traveled west with the gold rush and surely made its way into the hands of settlers in Montana. Nowadays, the cans would stay nice and cold in the river while you cast away for dinner.
Double…Ditch
Style: Session IIPA
Description: If you bend your elbow for an adult beverage or two while in Montana, you may hear someone order a drink with the surname "ditch". Whiskey ditch is a common way to order a whiskey and water. I've heard of using the term branch — meaning water — when ordering a drink, but ditch is new to me. This idea of watering down a drink, reminded me of weakening a beer, which lead to the idea of a session IIPA. So here you have it, a heavily hopped lawnmower beer.
Scofflaw Witte
Style: Witte
Description: Queue up Judas Priest for today's topic. Just like every state, Montana has some weird laws. It's illegal for married women to fish alone on Sundays. For unmarried women, it's illegal to fish alone at all. Threatening arrest is a great excuse to mingle with the ladies, especially when there are more cattle than people in the entire state (may the laws be ever in your favor). In Helena, it is illegal to throw something across the street. But then why I'd include the sheep in a flatbed? It's illegal to leave a sheep in the cab of your truck without a chaperone. Besides predators eating your livestock, I'm not sure what the penalties are for such an offense. I'd like to imagine a public shaming ceremony where you relinquish your herding staff.
St. Urho Brew
Style: Black lager
Description: The story of the patron saint of Finland — St. Urho — is not well known throughout the world. Those who have heard of him know him for driving the grasshoppers out of Finland in order to save the grape crop for winemaking. He is celebrated on the 16th of March with a festival in Butte, Montana. Grasshopper foods are prepared and non-grasshopper foods are made to fit the theme of green and purple to represent the grapes and the insects. If this story sounds very similar to St. Patrick and the snakes, well it is. It was created by Richard Mattison, a Finnish-American who grew tired of hearing the Irish-Americans sing the praises of their saint every year. Originally in Mattison's tale, Urho drove frogs out of Finland. As the story caught on and the midwest experienced grasshopper plagues in the 19th century, the frogs were changed to grasshoppers. The celebration is popular throughout the midwest from Minnesota to Montana. The date may stand out as well because it was also chosen to beat out the Irish celebration by one day.
Next Week: Atlanta, Georgia


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Biała (do 1931 Brwilno; od 1973 Stara Biała) – dawna gmina wiejska istniejąca do 1954 roku w woj. warszawskim. Siedzibą władz gminy była Biała.

Gmina powstała 11 lipca 1931 roku w powiecie płockim w woj. warszawskim w związku z przemianowaniem gminy Brwilno na Biała.

Po wojnie gmina zachowała przynależność administracyjną. Według stanu z 1 lipca 1952 roku gmina składała się z 23 gromad. Według stanu z 1 lipca 1952 roku gmina składała się z 37 gromad.

Gminę zniesiono 29 września 1954 roku wraz z reformą wprowadzającą gromady w miejsce gmin. Z jej obszaru powstała wówczas m.in. gromada Biała Stara.

Jednostki nie przywrócono 1 stycznia 1973 w związku z reaktywowaniem gmin, utworzono natomiast jej terytorialny odpowiednik, gminę Stara Biała, początkowo z  siedzibą w Starej Białej, następnie w Białej.

Przypisy

Bialxa (województwo warszawskie)


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In this article we shall further explain the concept of Navagraha and it's importance. Jagadguru Swami Sathyananda Saraswathi Maharaj had created and implemented the concept of Jyothi Prayanam. 501 lamps from 501 temples and pilgrimage spots from all over India were collected and brought unextinguished to Trivandrum. H H Swami Krishnananda Saraswathi brought Jyothis from the birth places of Swami Nityananda, Gnaneshwar Maharaj, Gautam Budha , Mahavira, from the Jyothirlingas and many other such important and holy places and combined them into one divine Jyothi. That Jyothi burns 24 hrs a day in Ramagiri Ashram. The same concept has been extended to the Navagrahas as Navagraha Jyothi. The eternal lamp sheds a light of divinity that extends upto the Navagrahas and removes all evil effects. Navagraha Pooja, Havan and Parikrama of the Navagraha Jyothi removes all Navagraha Doshas from one's life. All are invited to come and partake of its blessings.


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memorial university of newfoundland. extension service (47)
memorial university of newfoundland. educational television centre (41)
andrews, emir anne (24)
maddigan, richard ian, 1951- (24)
andrews, emir anne (teacher) (22)
maddigan, richard ian, 1951- (teacher) (22)
memorial university of newfoundland. educational television centre (producer) (22)
health sciences library, faculty of medicine, memorial university of newfoundland (18)
memorial university of newfoundland. division of extension service (18)
faculty of medicine, memorial university of newfoundland (16)
1990-01? (11)
video/mp4 (177)
application/pdf (74)
text/xml (25)
8.5 x 11 in (4)
memorial university of newfoundland -- 20th century -- periodicals (70)
veterans -- newfoundland and labrador -- 20th century -- periodicals (46)
job, robert brown, 1873-1961 (35)
migration/settlement (31)
All fields: Introduction
Numbered Peattie (B)
The Muse, vol. 41, no. 17 (1 March 1991)
LibQUAL+ 2007 Survey Memorial University of Newfoundland [Canada]
Academic libraries--Administration; Academic libraries--Evaluation; Academic libraries--Use studies; College students--Attitudes--Statistics; Memorial University of Newfoundland. Libraries--Statistics; Memorial University of...
The LibQUAL+ survey was conducted by Memorial University of Newfoundland Libraries from March 12th through April 9th, 2007 to assess user perceptions of how well the libraries are meeting the needs of students, faculty and staff. 5,024 LibQUAL+™...
Heritage Planning Guide for Natural and Cultural Heritage Projects in Newfoundland and Labrador.
A guide intended for community based groups who are planning a natural or cultural heritage project.
1891-04-06, vol. 02, no. 78, Evening Herald
Story, George
This fonds consists of the personal and professional papers of George Morley Story. It includes personal - correspondence and curriculum vitae; professional correspondence; course notes pertaining to his - studies at McGill and Oriel College,...
Home Vegetable Gardening. Tape 01. An introduction - why organic?
Vegetable gardening--Newfoundland and Labrador; Organic gardening--Newfoundland and Labrador;
The Book of Newfoundland, vol. 3
Newfoundland and Labrador; Labrador (N.L.)
Smallwood's The Book of Newfoundland, totaling 6 volumes published between 1937-75, was a precursor to his Encyclopedia of Newfoundland and Labrador project. Well illustrated, it contains articles on every aspect of the island's history and...
Pathways : Introduction to interview with Gordon Pinsent.
Pinsent, Gordon
Rosenberg, Neil V.
The fonds consists of records created and received by Neil V. Rosenberg as a professor of Folklore and as a writer between 1960 and 2018. Material includes extensive correspondence with musicians, scholars, writers, editors and readers; interviews...
Canadian newspapers--Newfoundland and Labrador--Harbour Grace--19th century
The Harbor Grace Standard was published from December 1859 to 1936[?], providing coverage of the Conception Bay area as well as other news. The frequency was weekly save for a brief semiweekly interlude between 1888-94 and there is a publication...
Psychology 1000. Introduction to Psychology. No. 01. Introduction.
Psychology--Study and teaching (Higher)
"An ETV Colour Production"
Libraries 1601. Introduction to Libraries : Library Issues
Business 1101. Principles of accounting. Program 01. Introduction
Accounting; Financial statements
Irving Layton Collection Bibliography
Irving Layton Collection; Layton, Irving, 1912-2006--Bibliography; Poetry, Modern--20th century; Canadian poetry;
Bibliography of the approximately 260 items by and/or associated with Canadian poet Irving Layton collected by John Metcalf. Includes every English language edition of Layton's work as well foreign language editions, limited editions, reprints,...


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Factors influencing arsenic concentrations and species in mangrove surface sediments from south-east NSW, Australia
S Hettiarachchi, Bill MAHER
Arsenic concentrations and speciation of 55 mangrove surface sediment samples from the south-eastern coast of NSW, Australia, have been measured. Arsenic concentrations were in the range 1.6–8.6 μg/g dry mass. All arsenic concentration values were well below 20 μg/g, the ANZEC/ARMCANZ interim sediment quality guideline-low trigger value. The bulk sediment pH was 6.0–7.3 and Eh −80 to −260 mV. The sediments contained variable silt–clay (2–30 % w/w), iron (668–12721 μg/g), manganese (1–115 μg/g), sulphur (70–18400 μg/g) and carbon (5–90 mg/g) concentrations. Arsenic concentrations correlated with silt and clay content, iron and manganese concentrations, indicating silt–clay particles covered and coated with iron and manganese (oxy) hydroxides scavenged arsenic. Arsenic extracted with 0.5 M phosphoric acid (68–95 %) was present only as inorganic arsenic (55–91 %), indicating that other arsenic species such as arsenobetaine derived from marine animal tissues rapidly degrade in sediments. The unextractable arsenic was correlated with increases in organic carbon, iron and manganese content. In conclusion, the cycling of arsenic in mangrove sediments is essentially the cycling of inorganic arsenic and primarily controlled by the redox cycling of carbon, sulphur, iron and manganese.
Environmental Geochemistry and Health
hydroxide
Coastal zones
Hettiarachchi, S., & MAHER, B. (2017). Factors influencing arsenic concentrations and species in mangrove surface sediments from south-east NSW, Australia. Environmental Geochemistry and Health, 39(1), 209-219. https://doi.org/10.1007/s10653-016-9821-5
Hettiarachchi, S ; MAHER, Bill. / Factors influencing arsenic concentrations and species in mangrove surface sediments from south-east NSW, Australia. In: Environmental Geochemistry and Health. 2017 ; Vol. 39, No. 1. pp. 209-219.
@article{838bbcc8fabd4acf8c1633e37df5a363,
title = "Factors influencing arsenic concentrations and species in mangrove surface sediments from south-east NSW, Australia",
abstract = "Arsenic concentrations and speciation of 55 mangrove surface sediment samples from the south-eastern coast of NSW, Australia, have been measured. Arsenic concentrations were in the range 1.6–8.6 μg/g dry mass. All arsenic concentration values were well below 20 μg/g, the ANZEC/ARMCANZ interim sediment quality guideline-low trigger value. The bulk sediment pH was 6.0–7.3 and Eh −80 to −260 mV. The sediments contained variable silt–clay (2–30 {\%} w/w), iron (668–12721 μg/g), manganese (1–115 μg/g), sulphur (70–18400 μg/g) and carbon (5–90 mg/g) concentrations. Arsenic concentrations correlated with silt and clay content, iron and manganese concentrations, indicating silt–clay particles covered and coated with iron and manganese (oxy) hydroxides scavenged arsenic. Arsenic extracted with 0.5 M phosphoric acid (68–95 {\%}) was present only as inorganic arsenic (55–91 {\%}), indicating that other arsenic species such as arsenobetaine derived from marine animal tissues rapidly degrade in sediments. The unextractable arsenic was correlated with increases in organic carbon, iron and manganese content. In conclusion, the cycling of arsenic in mangrove sediments is essentially the cycling of inorganic arsenic and primarily controlled by the redox cycling of carbon, sulphur, iron and manganese.",
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author = "S Hettiarachchi and Bill MAHER",
journal = "Environmental Geochemistry and Health",
Hettiarachchi, S & MAHER, B 2017, 'Factors influencing arsenic concentrations and species in mangrove surface sediments from south-east NSW, Australia', Environmental Geochemistry and Health, vol. 39, no. 1, pp. 209-219. https://doi.org/10.1007/s10653-016-9821-5
Factors influencing arsenic concentrations and species in mangrove surface sediments from south-east NSW, Australia. / Hettiarachchi, S; MAHER, Bill.
In: Environmental Geochemistry and Health, Vol. 39, No. 1, 2017, p. 209-219.
T1 - Factors influencing arsenic concentrations and species in mangrove surface sediments from south-east NSW, Australia
AU - Hettiarachchi, S
AU - MAHER, Bill
N2 - Arsenic concentrations and speciation of 55 mangrove surface sediment samples from the south-eastern coast of NSW, Australia, have been measured. Arsenic concentrations were in the range 1.6–8.6 μg/g dry mass. All arsenic concentration values were well below 20 μg/g, the ANZEC/ARMCANZ interim sediment quality guideline-low trigger value. The bulk sediment pH was 6.0–7.3 and Eh −80 to −260 mV. The sediments contained variable silt–clay (2–30 % w/w), iron (668–12721 μg/g), manganese (1–115 μg/g), sulphur (70–18400 μg/g) and carbon (5–90 mg/g) concentrations. Arsenic concentrations correlated with silt and clay content, iron and manganese concentrations, indicating silt–clay particles covered and coated with iron and manganese (oxy) hydroxides scavenged arsenic. Arsenic extracted with 0.5 M phosphoric acid (68–95 %) was present only as inorganic arsenic (55–91 %), indicating that other arsenic species such as arsenobetaine derived from marine animal tissues rapidly degrade in sediments. The unextractable arsenic was correlated with increases in organic carbon, iron and manganese content. In conclusion, the cycling of arsenic in mangrove sediments is essentially the cycling of inorganic arsenic and primarily controlled by the redox cycling of carbon, sulphur, iron and manganese.
AB - Arsenic concentrations and speciation of 55 mangrove surface sediment samples from the south-eastern coast of NSW, Australia, have been measured. Arsenic concentrations were in the range 1.6–8.6 μg/g dry mass. All arsenic concentration values were well below 20 μg/g, the ANZEC/ARMCANZ interim sediment quality guideline-low trigger value. The bulk sediment pH was 6.0–7.3 and Eh −80 to −260 mV. The sediments contained variable silt–clay (2–30 % w/w), iron (668–12721 μg/g), manganese (1–115 μg/g), sulphur (70–18400 μg/g) and carbon (5–90 mg/g) concentrations. Arsenic concentrations correlated with silt and clay content, iron and manganese concentrations, indicating silt–clay particles covered and coated with iron and manganese (oxy) hydroxides scavenged arsenic. Arsenic extracted with 0.5 M phosphoric acid (68–95 %) was present only as inorganic arsenic (55–91 %), indicating that other arsenic species such as arsenobetaine derived from marine animal tissues rapidly degrade in sediments. The unextractable arsenic was correlated with increases in organic carbon, iron and manganese content. In conclusion, the cycling of arsenic in mangrove sediments is essentially the cycling of inorganic arsenic and primarily controlled by the redox cycling of carbon, sulphur, iron and manganese.
KW - Arsenic
KW - Australia
KW - Geochemical controls
KW - Mangroves
KW - Sediments
KW - Speciation
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JO - Environmental Geochemistry and Health
JF - Environmental Geochemistry and Health
Hettiarachchi S, MAHER B. Factors influencing arsenic concentrations and species in mangrove surface sediments from south-east NSW, Australia. Environmental Geochemistry and Health. 2017;39(1):209-219. https://doi.org/10.1007/s10653-016-9821-5
http://www.mendeley.com/research/factors-influencing-arsenic-concentrations-species-mangrove-surface-sediments-southeast-nsw-australi


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text:
Airport – flygplatsen () är en amerikansk katastroffilm från 1970 i regi av George Seaton och Henry Hathaway. Filmen är baserad på romanen Airport av Arthur Hailey. I huvudrollerna ses Burt Lancaster, Dean Martin, Jean Seberg, Jacqueline Bisset och George Kennedy. Filmen hade biopremiär i USA den 5 mars 1970.

Handling
Historien utspelar sig på den fiktiva flygplatsen "Lincoln International Airport" i Illinois. Snöstorm råder och ett flygplan blockerar den största landningsbanan. Dessutom försöker en självmordsbombare spränga ett flygplan av typen Boeing 707 under flygning. För flygteknikern Joe Patroni blir det svettigt, och han måste slita hårt i cockpit för att få undan planet i tid, innan det nödlandande flygplanet behöver banan.

Om filmen
Airport regisserades av George Seaton, med hjälp av Henry Hathaway. Seaton skrev även filmens manus, som baserades på bestseller-romanen Airport från 1968, skriven av Arthur Hailey. Filmen hade premiär i USA den 5 mars 1970, och med den blev katastroffilm väldigt populärt.

Filmen fick tre uppföljare Katastroflarm (1975), Haveriplats: Bermudatriangeln (Airport '77, 1977)
och Airport '79 – Concorde (1979).

Filmen vann en Oscar för bästa kvinnliga biroll (Helen Hayes) vid Oscarsgalan 1971 och även en Golden Globe Award för Maureen Stapletons biroll. Den Oscarnominerades även för bl.a. bästa film.

Anmärkningsvärt är att båda flygplanen är av typen Boeing 707, och någon av den konkurrerande typen DC 8 syns inte. Boeing tros ha bidragit till inspelningen.

Rollista i urval

 Burt Lancaster – Mel Bakersfeld, flygplatschef
 Dean Martin – Vernon Demerest, flygkapten
 Jean Seberg – Tanya Livingston
 Jacqueline Bisset – Gwen Meighen, flygvärdinna
 George Kennedy – Joe Patroni, underhållschef
 Helen Hayes – Ada Quonsett, fripassagerare
 Van Heflin – D. O. Guerrero
 Maureen Stapleton – Inez Guerrero
 Barry Nelson – Anson Harris, flygkapten
 Lloyd Nolan – Harry Standish, tulltjänsteman
 Dana Wynter – Cindy Bakersfeld
 Barbara Hale – Sarah Demerest
 Gary Collins – Cy Jordan, flygpersonal
 Whit Bissell – Mr Davidson, passagerare som sitter bredvid Ada Quonsett

Referenser

Fotnoter

Externa länkar

Amerikanska filmer 1970
Engelskspråkiga filmer
Italienskspråkiga filmer
Amerikanska dramafilmer
Amerikanska katastroffilmer
Amerikanska thrillerfilmer
Chicago på film
Flygplan på film
Filmer i regi av Henry Hathaway
Amerikanska filmer baserade på romaner
Filmer från Universal Studios


Rebecca Addison of Central Ontario was the winner of the ladies short program with 43.41 points. The 16-year-old displayed an easy flow and lightness in her routine to The Umbrellas of Cherbourg, showing very good expression throughout. She landed a triple Salchow-double toeloop combination, a double loop, and a double Axel. The 2007 Novice silver medalist also produced a good level 3 straightline footwork sequence and level 4 combination change spin.
Less than a tenth of point behind is Kelsey McNeil with 43.33 points. The teen from New Brunswick showed exceptional spins in her routine to I Could Have Danced All Night, and expressed the character and flow of the music beautifully. The 15-year-old executed a triple toeloop-double toeloop combination, a double Axel, and a double loop, as well as a good level 4 spiral sequence and level 3 straightline footwork.
Vanessa Grenier of Quebec is in third place with 42.75 points after her performance to The Way Old Friends Do. The 15-year-old produced two good level 4 spins, but struggled with her triple Salchow-double toeloop combination. The 2007 Novice bronze medalist otherwise delivered a double Axel, a double loop, and nice level 3 layback spin.
Amanda Velenosi, who is also competing in the Senior Pairs division with Mark Fernandez, placed fourth in the short with 42.63 points. The 16-year-old nailed her opening double Axel, but then made mistakes on her triple toeloop-double toeloop combination. The teen from Quebec also had problems with her flying sit spin, but otherwise produced a beautiful level 3 layback spin.
Kirsten Moore-Towers (WO) opened her soft and lyrical routine with a very good triple Salchow-double toeloop combination followed by a good double loop and double Axel. However, the 15-year- old received low levels on her spins and footwork and is currently in fifth place with 41.90 points.
Jessica-Amy Sergeant is in sixth (40.72 points), followed by Vanessa Juteau (QC) who has 40.49 points.
The top five Junior ladies are all first year Juniors.
Vanessa Crone, who is currently in 12th place, is also competing in the Senior Ice Dance division with Paul Poirier (who is skating in the Junior's men division).


Who are your favorite ladies?
Characters, historical figures, or just a shout out to friends, colleagues, or admired women -- tell us in the comments, or tweet your answer with the hashtag #RoadTripWednesday. We'll share the love with all of our followers!
I'm impressed with Chelsea Clinton and all that she's doing with the Clinton Foundation. As a kid, it was cool to see her in the White House because we're the same age and both only children.
As an Arkansas girl, I fully support this answer.


text:
Q: Extend object with properties from another object I want to extend Combobox and Multicombobox with a new custom property. I know, I can do it with metadata like this:
sap.ui.define([
    "sap/m/MultiComboBox"
], function(MultiComboBox) {
    var Box = MultiComboBox.extend("U9.MultiComboBox",{
        metadata: {
            properties: {
                filterType: {
                    type: "string",
                    defaultValue: "default"
                },  ...

And for Combobox:
sap.ui.define([
    "sap/m/ComboBox"
], function(ComboBox) {
    var Box = ComboBox.extend("U9.ComboBox",{
        metadata: {
            properties: {
                filterType: {
                    type: "string",
                    defaultValue: "default"
                },  ...

As I am very lazy person and as I have many custom properties, I do not want to repeat myself, so I would like to create a separate object, and extend combobox with the properties from this object. Might look like this:
sap.ui.define([
    "sap/ui/base/ManagedObject"
], function(MO) {
    var Filterable = MO.extend("U9.Filterable",{
        metadata: {
            properties: {
                filterType: {
                    type: "string",
                    defaultValue: "default"
                },  ...

sap.ui.define([
    "sap/m/ComboBox","U9/Filterable"
], function(ComboBox,Filterable) {
    var Box = ComboBox.extend("U9.ComboBox",Filterable...

Is it possible to get something like this working?
I have vague idea that I can override a constructor and add some extra coding there. Do you know if it will work? Is there any examples in openUI5 source I can use?


None of the medicine worked so far, as the product did from multicare international. I am very happy and satisfied and happy using this product.
Aloe Vera is a plant that has proven rejuvenating, healing and soothing properties. M Care Aloe Vera contains more than 20 amino acids and vital minerals such as Calcium, Magnesium and Sodium to meet your daily requirements.
AloeVera is a plant that has proven rejuvenating, healing and soothing properties. M Care Aloe Vera contains more than 20 amino acids and vital minerals such as Calcium, Magnesium and Sodium to meet your daily requirements. It also contains enzymes, vitamins, polysaccharides, nitrogen and other components, which truly make M Care Aloe Vera a miracle product.
Aloe Vera is cooling and soothing and acts as a demulcent to the digestive system, useful in case of constipation, acidity, liver weakness and dyspepsia. It also helps treat skin disorders and is apt for all hair related problems. It is originated from "Brun plan" and is believed that it is mostly found in sudan and has been using since 600 yrs. Benefits of Mcarre Alovera are given below.
It is used in constipation(aloin and barbaloin ) because it has lubricative effects.
It improve skin and help prevent wrinkles which is proved by Indian journal of dermatology.
It also lower blood sugar levels in diabetes.
It helps to treat mouth ulcer.
Aging effect of sunlight is control by this.
It will protect from sun damages after radiation therapy which is proved by university Naples of Italy.
It is clinically controlled trials in china, Japan, Greece, Egypt and Mexico.


Get Revising - Discussions - Revision Tips & Techniques - I really need help! How do I make good and effective chemistry notes for C2 Additional Edexcel?
Home > Discussions > Revision Tips & Techniques > I really need help! How do I make good and effective chemistry notes for C2 Additional Edexcel?
I really need help! How do I make good and effective chemistry notes for C2 Additional Edexcel?
I am tried so many things, from posters, to flash cards and now just bullet pointing stuff. I get tired of trying to make my notes get smaller and smaller. That my time gets wasted on one subject when I have loads to do. How shall I balance my time revising for Maths and Chmistry? A really need A's in both of them.
Have you tried making a timetable? That could help you revise equally for each subject.
I have tried making a timetable and currently following it now. It's just that when I am struggling on something in chemistry I need full understanding of it inorder to move on. Like that time goes by and I don't have enough time for maths because it gets too late.
Have you got appropriate times on your timetable to study for each subject in depth? I've noticed that its better to wake up early and do work because then you get more work done. Thismay not be the case for you but it now works for me. Even on schooldays, you should try to wake up quite early, get some work done and then get ready for school.
Oh, and if you really need the time you could try studying for a little while in your lunchbreak at school.
Or, if you have lunchtime clubs for the subjects you are struggling on, then go to those.
Make a timetable and strictly stick to it.
Make a list of a range of fun revising methods and pick one from the list to do. This will give you variety in the work that you do.
Thank you for all the reply's and help. I am doing all those things, but I guess I need to carry on what I'm doing. Never know I might find it later on useful.


In a faraway land, where the Indian team will show the world whether or not they still belong to top echelons, Rahul Dravid spoke like no Indian cricketer ever has. Pradeep Magazine writes.
Indian cricket has many facets and this week a few of them revealed themselves, in all their beauty and ugliness. In a faraway land, where the Indian team will show the world whether or not they still belong to top echelons, Rahul Dravid spoke like no Indian cricketer ever has.
Asked to deliver the Bradman Oration lecture, he underlined what is so inspiring about cricket in India. It is just not about greed, money, television rights and a few pampered stars, but a symbol of cultural and social diversity that unifies on the cricket field as one entity. It is a melting pot, where dreams are seen and fulfilled.
Like a true lover of the sport, Dravid spoke with passion and feeling but did not mince words when it came to senseless commercialisation at the expense of its core - many would say, its soul - Test cricket. He appealed to the custodians of the game, and that would mean India more than any other country, to be sensitive to the needs of the fans and create a healthy balance so that the excesses done in the name of free market did not destroy the very edifice of the game.
He even went to the extent of telling his own colleagues to submit themselves to all sorts of troublesome scrutiny so that the suspicion of corruption hanging over the game is removed.
Nearer home, not a single word that Dravid was saying reflected in the aftermath of another Board meeting that showed the greedy and non-transparent way in which the game is run in the country.
First, a television deal was cancelled as the broadcaster was not paying the board on time, proving that cricket has perhaps been oversold in India. Then, Anil Kumble quit as the head of the National Cricket Academy because the board disagreed with his vision for the academy, which included an injury management system to be monitored by Infosys at a huge cost. Given his credentials, there should have been an outcry at Kumble being denied what he believed was right thing to do. But so mired are administrators in conflicts of interest, and that includes a few of our great players, even Kumble, that no one was sure how to react.
Finally, Sunil Gavaskar's spat with the Board over what he says is the non-payment of Rs five crore promised to him to promote the IPL (he was getting more than a crore a year for being in the IPL governing council) showed how trade-offs are done by the administrators. To be fair to Gavaskar, he kept every word of his deal, as Lalit Modi has endorsed from London, by promoting the IPL with vigour and passion through his columns and on television channels. It is understandable why he must feel cheated.
Dravid's view of Indian cricket may be nuanced and profound, pragmatic at one level and idealistic at another; to be applauded and appreciated. But, clearly, it does not match with what is really happening at home.


I would like to take this opportunity to sincerely thank Modular Backdrops, on behalf of the Better Boards team, for providing us with the gorgeous Honey Wall backdrop. It has been an absolute please to work with you and your team, we were very please with the level of support from you and the team.
Once again, thank you very much for providing an amazing backdrop for our event, the Better Boards team and I look forward to an opportunity to work with you again in the future.
We were extremely happy with the Honey Wall, it absolutely made our event! Everyone was talking about how effective and professional it looked. I'd like to also pass on our gratitude for having such outstanding customer service. I'd love to work with you for the next Residential conference and use the 3D effects!


I travel a lot so I know a lot of ways to say goodbye – ciao, adios, peace out – but it's never easy no matter what the language. This is my last day at Seattle Children's before I start my next adventure. I'm sad to go but also excited because it means Building Hope is almost done.
I can't believe it's been almost two years since Sellen Construction invited me to join the crew working on the new building. Every day they sent me somewhere different on the construction site. I'll never forget playing "Where's Waldo?" with all the kids and families at the hospital. Do you remember spotting me perched on the construction crane? Or peeking out of the Port-A-Potty? Good times!
Thanks, Sellen, for asking me to be part of your team. I look pretty buff after all that construction work. Nobody's laughing at my beanie now! And thanks, Children's, for asking me to write about all the things I saw and people I met here. After all this blogging, I should write books. Psych! I've already have.
Before I go, I have a favor to ask all you Waldo fans. Keep an eye on things after I leave. There's a good chance I'll be back when Children's starts its next construction project and I'll want to know everything that happened while I was gone.
Adieu, sayonara, later dude. Waldo has left the building.


Synchrony Bank offers competitive rates on CDs from three months to 60 months. If the early withdrawal penalty seems too daunting to you, you can opt for other short-term CDs at lowered APY rates. For example, a 1-year CD offers an APY rate of 2.45 percent, which is still fairly commendable for a 12-month bond. You can even use the growth calculator on the bank's website to calculate how much your money will grow based on the amount you can deposit and the term of your CD.
You can even withdraw the interest during the current term of the CD at any time, without any penalty. The bank allows you to add to your CD, if you wish to, until the 10 day grace period from the day your CD has matured. Beyond that period, you will have to wait for your CD to mature. The bank is also a member of the FDIC so your money is insured up to $250,000 per ownership category. You can also access your CD through the mobile banking app.
Ally offers high-yield CDs ate a competitive APY rate of 2.90 percent. If you want an APY rate of 3 percent, the minimum balance is $25,000. With Ally, you can enjoy mobile and online banking. The bank is also a member of FDIC so your money is insured. While there is no fixed minimum opening deposit, there are higher APY rates for a higher opening deposit. For example, you can open a 5-year-term CD with $4,000 and get an APY rate of 2.75 percent. But if you open it with $1,000 more, the rate goes up to 2.90 percent.
While you cannot make changes to your CD until the day of maturity, you can schedule a transfer up to one year before the date of maturity. The transfer usually happens on the date of maturity. Once your CD matures, you have a 10-day grace period to either transfer funds or make changes to your CD. The bank charges no fees for opening or maintaining a CD.
Capital One online CDs offer one of the highest rates in the market. You can choose several terms based on how early you may want to make a withdrawal. The bank offers CD term options from six months to five years. So if you feel you don't want to commit to a five-year term, you can always go for a shorter term for a lesser APY rate. The APY rate for a six-month term is 0.60 percent. The CD product rates are fixed upon opening of the account.
While you cannot make changes to your CD account during the term, there is a 10-day grace period after your CD has matured for you to make additions, transfer funds or manage the terms of your CD.
Marcus, unlike the other banks mentioned in this list, offers a 30 day grace period from the day of the account opening, to add funds to your CD. Once that period is over, however, you can no longer make changes until the date of maturity. You can also withdraw interest from your CD account without any penalty. If you think five years is too long a commitment for you to make, you can choose shorter terms. The terms start from six months and go up to six years. The APY rate, of course, increases if you choose a longer term. The minimum balance of $500, however, remains standard across all terms.
Citizens Access offers online accounts which you can access 24/7 through your mobile application. You can fund your online CD through online fund transfers or by depositing a cheque. Being a digital bank, with no physical branches to maintain, Citizens Access can offer much higher rates than its competitors. You can receive interest from your online CD by crediting the interest payment to your CD principal or by transferring it to another account. The interest is calculated on the basis of daily balance. It is compounded daily and paid monthly.
On the maturity date, your CD will automatically be renewed unless the bank has received prior notification from you to do otherwise. There is also a 10-day grace period from the day of maturity for you to deliver new instructions to the bank. The bank also does not offer partial withdrawals. If you want to terminate the CD before its date of maturity, you will have to withdraw the entire amount and be subject to an early withdrawal penalty. The balance can be invested in a new CD.
Finally, these were five CD plans from different banks that offer some of the highest interest rates. At each of these banks, you can opt for a CD ladder plan, that is, open multiple CDs of different terms at the same time. This way you can keep compounding interest in different accounts and also make withdrawals without worrying about choosing a longer term for higher APY rates.