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13 October 2000 Edition
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British cover up continues
BY LAURA FRIEL
The British government has been reported to the United Nations over gagging orders imposed on newspapers exposing British collusion with loyalist death squads. Petitioning the UN on the day the Human Rights Act came into force in Britain and the Six Counties, the British Irish Rights Watch organisation presented a petition to the UN representative on freedom of expression.
A female FRU operative set up the killing of Catholic pensioner Francisco Notorantonio in order to protect another agent. This handler, known as `Mags', ordered the withdrawal of the regular British army and RUC from the area on the night of the killing. She is still a serving member of the British army
The British government is desperately trying to prevent more details of its dirty war in the North of Ireland becoming exposed in the media. Last week, the Sunday People, the latest in an unprecedented line of newspapers and journalists currently facing censorship and prosecution, failed in its court challenge to one of a series of gagging orders recently imposed on the paper.
London's High Court slapped an injunction on the Sunday newspaper at the behest of British Defence Secretary Geoff Hoon after details of a covert unit of the British army's involvement in the killing of a Catholic pensioner were published.
Francisco Notorantonio, a 66-year-old retired West Belfast taxi driver, was killed on 9 October 1987 when masked gunmen smashed their way into his Ballymurphy home and shot him as he lay in bed. The gunman who carried out the killing was wearing a blue boiler suit. One of the men involved in the killing was wearing British army boots and a colour coded British army map was found in the house after the shooting.
Secret British Intelligence files from the British army's headquarters in Lisburn were recently seized by the Steven's team following a tip off from a former FRU agent turned whistle blower. The documents are believed to include so called ``secret books'', which detail the actions of one of the most covert units in the British army, the Force Research Unit (FRU).
The files suggest that Francisco Notorantonio was deliberately set up by the FRU to protect an informer. According to media reports, the UDA had inadvertently targeted an FRU informer within the IRA. To deflect attention away from their agent, the FRU produced false information which identified Notorantonio as a ``top provo''.
The media have identified a female FRU operative, now aged 38, as the handler who set up the killing of a Catholic pensioner in order to protect her agent. It was the handler, known as `Mags', who ordered the withdrawal of the regular British army and RUC from the area on the night of the killing. She is still a serving member of the British army and according to the media holds the rank of captain.
At the time, the dead man's family suspected British collusion in the attack. His wife Edith said that at first she had ``thought it was an army raid.'' Prior to the attack the family's home had been raided during which the front door was damaged, subsequently allowing the gunmen easy entry.
Describing Notorantonio as a good friend of his father's, Sinn Féin President Gerry Adams, commenting shortly after the shooting, said he found it ``very strange indeed that this area was crawling with Crown forces'' the day before the killing. ``They swamped the place and the local Sinn Féin Councillor was stopped twice. Yet today there was no one around and armed men were able to come in and out of the area.''
Allegations of Crown force collusion in the killing of nationalists and republicans have been surfacing since the assassination of Belfast solicitor Pat Finucane in 1989. British Chief Constable John Stevens was sent to investigate after the UDA boasted they had access to leaked British military intelligence files which provided details of their intended targets.
The first Stevens inquiry almost fell foul of the FRU when operatives trained in covert entry broke into the inquiry's headquarters and destroyed documents in a fire which gutted the offices. Stevens was later called in after Brian Nelson, who had played a key role in rearming, reorganising and providing intelligence on targets for assassination, was exposed as an FRU agent.
Eighteen months ago, the Stevens team returned to the North to investigate allegations of Crown force collusion in the killing of Pat Finucane. The team arrested a former UDA quartermaster, William Stobie, who admitted he supplied and disposed of the weapons used in the Finucane killing. Charged with murder, Stobie claimed to be an agent for RUC Special Branch. His claim was acknowledged as true during a bail hearing.
Last month, the investigation received an unexpected boost after a former FRU agent came forward to be interviewed. Information from the former operative led directly to the seizure of secret documents detailing the actions of the FRU and their relationship with the RUC and other British army units.
The precise relationship between the FRU's actions and their political masters in the British government is yet to be exposed. However what is clear is the enthusiasm with which the British government is currently pursuing newspapers, journalists and other writers about Britain's dirty war in Ireland. Earlier this year, the British government's pursuit of prosecutions under the Official Secrets Act of a number of journalist attracted criticism from the United Nations Special Rapporteur on freedom of expression.
The latest newspaper to fall foul of the British government's determination to suppress the truth about Crown force collusion, the `Sunday People', has been gagged three times in as many weeks after publishing articles revealing how members of the British army were involved in sectarian killings in the North.
British Defence Secretary Geoff Hoon initially sought substantial damages as part of the British government's case against the `People' but the claim was subsequently dropped just moments before a court challenge of the injunction stopping further revelations being published.
British Irish Rights Watch has now presented a petition to the United Nations calling on the UN representative on freedom of expression, Dato Param Cumaraswamy, to raise the issue in his next report to the UN Commission on Human Rights. The UN special rapporteur has already expressed his own concerns about the British government's current suppression of information and prosecution of journalists.
Jane Winters of British Irish Rights Watch slammed the British government's attempts to curtail press freedom. ``They would be better advised in addressing the issues that journalists are trying to raise and perhaps putting some of their energies into respecting the right of the family of Francisco Notorantonio to finally know the truth of what happened to him,'' said Winters.
Loyalists used as `operational arm' of British army
With news that the Stevens inquiry team may be about to arrest British agent and UDA quartermaster Brian Nelson, further embarrassing information detailing how British intelligence officers viewed loyalist killers gangs as `an operational arm' of the British army is emerging.
UDA killer and former Force Research Unit (FRU) agent, Brian Nelson, faces arrest and questioning by the Stevens team about dozens of deaths in the North of Ireland, it has been revealed. The British agent, who served half of a ten-year sentence after being convicted of five charges of conspiracy to murder in 1992, is currently living outside Britain under a new identity.
Intelligence records suggest that collusion became ``institutionalised'' within the British army
Detectives from the Stevens team are set to ask the British Ministry of Defence to hand over details of Nelson's new identity and location. On the eve of his trial in 1992, Nelson struck a deal after the DPP dropped the most serious charges against him. The FRU agent pleaded guilty to lesser charges in a deal which protected both his handlers and their political masters in the British government.
But the killing of Belfast human rights solicitor Pat Finucane has haunted the British government ever since. In the face of overwhelming international support for an independent public inquiry into the killing, the British government ordered a further probe by John Stevens, now one of Britain's top policemen.
Apart from the arrest of William Stobie, an RUC Special Branch informer, the Stevens team appeared to be making little headway, faced with the tight-lipped secrecy that surrounds the covert activities of one of Britain's most secret army units, the FRU.
However in recent months, the cooperation of a former member of the FRU, who approached the Stevens team after a series of media revelations, appears to have added impetus to the investigation. After a tip off, the Stevens team were able to seize secret documents which detailed the activities of the FRU, as well as just who knew what about what.
The documents enabled the team to identify 30 former members of the FRU, two of whom they have already arrested and questioned. The documents revealed details of the killing of Francisco Notorantonio, ordered by the FRU to protect one of their agents. Brian Nelson is believed to have passed information, including personal details, about Notorantonio to his loyalist killers.
But most significantly, the Stevens team is believed to have uncovered evidence that some British military intelligence officers regarded loyalist death squads as ``an operational arm'' to help them with their war against the IRA. Intelligence records suggest that collusion became ``institutionalised'' within the British army.
One British army officer and former member of the FRU, who is at the centre of the allegations, was moved out of the Six Counties as soon as the Stevens inquiry began. Known as Captain M, she was involved in handling Nelson and is to be questioned about her role in the Notarantonio killing.
According to the media, Captain M is currently working as an instructor at British military intelligence headquarters in Bedfordshire and is expected to be questioned along with Brian Nelson in the next few weeks.


A couple of weeks ago I taught you to make a personalized superhero cape, but what cape is complete with out a coordinating mask? Now you can make the set!
I let my little 4 year old pick the colors on the one he is modeling…he picked red and white with yellow accents. I was thinking lime green and black or something cool like that, but oh well. Turned out pretty great anyway.
This mask is different and more sturdy than most superhero masks you will see because it has a double layer of fabric. It seriously took me some major brain power to figure out how to do this. (Don't laugh) It won't seem all that tricky to you now, but it's quite a feat of engineering! You have to turn it through the eye holes to make it work.
First, print out your pattern pieces. Cut 1 piece of fabric from the large pattern piece and 2 from the smaller one. They can be the same color or different, it's up to you.
Sew around your eye holes about 1/4 inch outside the markings.
Now here is the really tricky part. I hope this makes sense.
If you like this and want to see more subscribe on on Facebook, Twitter or Google Plus. Or try the RSS Feed.
Too cute!! I am going to have to give this a try.
So cute. These will be so fun in the dress up box.
Amber, this is so cute! My son would love it.
Aw, too cute! I bet he loves it! I would love for you to share this (and any other creations) at Pin It and Win It Wednesday @ http://www.cheapcraftymama.com!
I made this for my grandson's birthday. The cape was a breeze and was done in 2 hours. The mask on the other hand….let's just say that the 4th attempt was successful! Your instructions were right on, it was more me. Those darn eye holes gave me fits. Love your site and I truly enjoy my emails from you. I will let you know what he thinks after his party.
I adore this, it's so cute! I would love to try and make a mask and cape each for a close friends two girls, when I click to get the pattern though, it just takes me to a website and I can see no patter for the mask. Where am I going wrong?
Got that fixed. Thanks for the heads up that it wasn't working!
I think I am too dumb to understand. I can't seem to figure out how and where to pull the fabric through to get the mask reversed and look the way they should look.
Would you be able to give me more instructions on where exactly I have to pull what through? Thanks beforehand!
It's going to go right through the eye holes. Through the center of them. Does that make sense? This seriously took me hours to figure out!
Thank you sooo much! That trick with the eye holes is just awesome. My Grandson will have a quality mask to go with his quality superhero cape.
Love the cape and mask tutorials! My nephews are going to LOVE these for Christmas. I have a question about the bias tape, though. I'm having a hard time pinning it around the rounded sides of the mask. Is there a trick to this? I've never actually used bias tape before, so any tips you can give me would be helpful! Thanks!
Just use a lot of pins all the way around to hold it in place really well.
I'm confused about the part where you sew the small pieces together after folding the front in half. How do I access it and have right sides together? Thank you in advance!
Fold the mask in half and pull that piece out so that you can just sew it and not the rest of the mask.
I have also been up at night trying to figure out how to do the eyeholes….GREAT solution! I am sewing masks for my entire department at work, and this is how I will do it.
Oh I'm working on adding videos to this site! I will add it to the list!


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5 exciting projects our media, journalism and photography students have worked on
Updated: 26.07.21
1. Thomas Hird short films
Media Production graduate, Thomas Hird, won 'best silent film' at Beyond the Curve Festival!
The film was a second-year project with a crew of four students and also starring one of our performing arts degree students!
Thomas took some time out of education before coming back to study a Foundation Degree in Film and Media Production, before progressing on to our top-up degree.
He's loved it ever since and now has some short films being shown at film festivals around the world
Click here to view Thomas's work https://sheffcolshowcase.com/students/thomas-j-hird
2. Harriet Massey photography award
Harriet Massey who studies photography was awarded joint second place in this year's Sheffield Park Hill Student Photography Competition run by Photo North. Harriet has getting some incredible experience as a photographer at Sheffield Wednesday Football Club over the last few years and her entry, The Story of Football, focuses on the people who make up the community of a football club.
Harriet said: "This is a really proud moment for me, and without The Sheffield College, none of this would've been possible."
Harriet's some advice for others keen to break into the industry. "Please don't give up!" she added. "Becoming a better photographer is not something that happens overnight. My images have progressed over a course of four years, through trial and error and focusing on improving a different aspect each game.
Click here to view our photography courses.
3. Tokyo 2020 Paralympic Draw
In May 2021, our media production students had an incredible, once of a lifetime opportunity to play their part in this summer's Tokyo 2020 Paralympic Games.
The International Wheelchair Rugby Federation needed a location and technical support so they could host the draw to decide which countries would play against each other in the Tokyo 2020 Paralympics Wheelchair Rugby.
Our students provided technical support and operated the cameras at our Hillsborough Campus TV studio which allowed the event to be live streamed via the IWRF YouTube's channels across the world to officials in Japan and Australia! Talk about global experience!
Interested in media production? Click here to find out more.
4. Getting creative with Final Major Projects
One of the beauties of being a creative is getting the license to look at the world from another angle and be judged on it accordingly.
With that in mind, nothing cheered us up more than the additional project that one of our Access to HE: Photography students, Carl, set himself the challenge of completing during lockdown.
Carl decided to recreate iconic film and album covers using his wife as a model, then photographing then for staff and students to try and identify.
We absolutely loved the freedom, commitment and execution of completing these when times were tough. Genius!
Click here to find out about our Access to Higher Education courses.
5. Journalism students hitting the news
If you're training to be a journalist, the very best thing you can be doing – other than training with us – is landing yourself some opportunities with local and national media.
Over the last couple of years, you might well have seen our students all over the place!
Just the other week, one of our students, Lucy, was on BBC News talking about the England game at Euro 2021, and we've also had multiple students shortlisted for the BBC Young Reporter of the Year.
In fact, the winner of the competition in 2020 was our very own Niamh Brownhill who wonderfully documented the struggles her mum has had with alcoholism. Her story was featured on the BBC website and even made an appearance on tv!
Former student, Ricky, now works for the Daily Mirror, focusing his writing on the English Football League, and Ellen Beardmore is now the Deputy Editor for The Sheffield Star.
Some serious pedigree, there!
To find the right course for you and to apply today, visit https://www.sheffcol.ac.uk/subject-areas/media-journalism-and-photography
The Sheffield College to launch free digital skills training for adults
Adults who want to develop their digital skills to get into employment and progress in their career are being offered free training.
How can I fund my Access to Higher Education qualification?
Have you got your eye on an Access to Higher Education qualification but not sure how you will be able to pay for your tuition fees?

redpajama_set_name: RedPajamaCommonCrawl


Hólmavík is a small village located in Steingrímsfjörður on the east coastline of the West Fjords. For those who are interested in traveling the Strandir, which is a common name for the east coast of the West Fjords, it is quite convenient to start the trip at Hólmavík and begin the trip to places like Norðurfjörður or Ingólfsfjörður early in the morning. The road on Strandir is one of few that you must travel back and forth, but not a ring road, as the main Ring Road and the circle you can travel around the West Fjords.
Hólmavík is not an old village. The first settlement was in the late 19th century and developed around a small trading post. In the second decade of the 20th century, only eight houses had formed a cluster. It wasn't really until the forties and the fifties that Hólmavík began to develop as a village. At that time, the Magistrate for the County of Strandir was located at Hólmavík and other government-related services.
When the town started to develop in the early fifties, it was mainly fishing and fish processing that built the village's economy, like most Icelandic villages on the coastline. Traditionally Hólmavík has from that time been big in prawn and prawn processing.
Today the town's economy depends on fishing and fish processing. There are still government related services that serve the larger county located in Hólmavík. Like most places in Iceland, tourism is also growing, as more and more visitors are interested in traveling to Strandir and the most isolated places on the east shore of the West Fjords.
Hólmavík offers all the necessary services and facilities for a town to function properly. It has a preschool, primary and secondary school, a sports center and a swimming pool. The town also has an excellent camping site, lovely café, and a restaurant. Although transportation and isolation were often difficult in the past, the village is quite well connected today.
If you are going to visit the Westfjords in Iceland you might be looking for a places to stay. Here you can book from a selection of accommodationin the Hólmavík region.


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Board index Contests & Games The Quad
GRIDIRON PICK'EM -- 2017-2018 BOWLS EDITION
The gathering place for daily and weekly contests such as "Pick 'Em", "Predict the Score", and "Create the Caption".
AGinNEIowa
2015, 2016, & 2017 WTHCG Pick'em Champion
Joined: January 10th, 2003, 12:00 am
Location: northeast Iowa
Been liked: 1 time
Post by AGinNEIowa » December 3rd, 2017, 5:50 pm
WELCOME TO BOWL PICK'EM! This year I am again including the FCS Bowl - SWAC vs MEAC champions face off in the Celebration Bowl, so we have 40 Bowls plus a Championship Game, and all 41 games are on the board.
Picks for the 40 Bowls and the Tiebreaker must be made before the first bowl kickoff - 10:00am on Saturday 16 December. The worksheet and this thread will be locked at about 10:15am. After the Sugar Bowl, the Championship Game participants are decided, the thread and worksheet will be unlocked for choosing the championship game.
GOOD LUCK, and HAVE FUN!
Preferred Entry method - Enter your Picks on GOOGLE DOCS, USUFANS.com 2017-18 BOWL PICK'EM sheet
Secondary Entry method - reply to this thread with each game picked (either retype game # and team - or copy/paste the games and bold the winner - prefer bold, rather than just colors, easier to read).
THE BOWLS - - All times MST
Celebration Bowl - Grambling State Tigers (11-1) vs. North Carolina A&T Aggies (11-0) 10:00am ABC
New Orleans Bowl - Troy Trojans (10-2) vs. North Texas Eagles (9-4) 11am ESPN
Cure Bowl - Western Kentucky Hilltoppers (6-6) vs. Georgia State Panthers (6-5) 12:30pm CBSSN
Las Vegas Bowl - Boise State Broncos (10-3) vs. Oregon Ducks (7-5) 1:30pm ABC
New Mexico Bowl - Marshall Thundering Herd (7-5) vs. Colorado State Rams (7-5) 2:30pm ESPN
Camellia Bowl - Middle Tennessee Blue Raiders (6-6) vs. Arkansas State Red Wolves (7-4) 6pm ESPN
TUESDAY 19 December
Boca Raton Bowl - Akron Zips (7-6) vs. Florida Atlantic Owls (10-3) 5pm ESPN
Frisco Bowl - Louisiana Tech Bulldogs (6-6) vs. Southern Methodist Mustangs (7-5) 6pm ESPN
Gasparilla Bowl - Temple Owls (6-6) vs. Florida International Panthers (8-4) 6pm ESPN
Bahamas Bowl - Alabama-Birmingham Blazers (8-4) vs. Ohio Bobcats (8-4) 10:30am ESPN
Idaho Potato Bowl - Central Michigan Chippewas (8-4) vs. Wyoming Cowboys (7-5) 2pm ESPN
Birmhingham Bowl - Texas Tech Red Raiders (6-6) vs. South Florida Bulls (9-2) 10am ESPN
Armed Forces Bowl - San Diego State Aztecs (10-2) vs. Army Black Knights (8-3) 1:30pm ESPN
Dollar General Bowl - Appalachian State Mountaineers (8-4) vs. Toledo Rockets (11-2) 5pm ESPN
SUNDAY 24 December
Hawai'i Bowl - Fresno State Bulldogs (9-4) vs. Houston Cougars (7-4) 6:30pm ESPN
Heart of Dallas Bowl - utah utes (6-6) vs. West Virginia Mountaineers (7-5) 11:30am ESPN
Quick Lane Bowl - Duke Blue Devils (6-6) vs. Northern Illinois Huskies (8-4) 3:15pm ESPN
Cactus Bowl - Kansas State Wildcats (7-5) vs. UCLA Bruins (6-6) 7pm ESPN
Independence Bowl - Southern Mississippi Golden Eagles (8-4) vs. Florida State Seminoles (6-6) 11:30am ESPN
Pinstripe Bowl - Iowa Hawkeyes (7-5) vs. Boston College Eagles (7-5) 3:15pm ESPN
Foster Farms Bowl - Arizona Wildcats (7-5) vs. Purdue Boilermakers (6-6) 6:30pm FOX
Texas Bowl - Texas Longhorns (6-6) vs. Missouri Tigers (7-5) 7pm ESPN
Military Bowl - Virginia Cavliers (6-6) vs. Navy Midshipmen (6-5) 11:30am ESPN
Camping World Bowl - Virginia Tech Hokies (9-3) vs. Oklahoma State Cowboys (9-3) 3:15pm ESPN
Alamo Bowl - Stanford Cardinal (9-4) vs. Texas Christian Horned Frogs (10-3) 7pm ESPN
Holiday Bowl - Washington State Cougars (9-3) vs. Michigan State Spartans (9-3) 7pm FS1
Belk Bowl - Wake Forest Demon Deacons (7-5) vs. Texas A&M Aggies (7-5) 11am ESPN
Sun Bowl - North Carolina State Wolfpack (8-4) vs. Arizona State Sun Devils (7-5) 1pm CBS
Music City Bowl - Kentucky Wildcats (7-5) vs. Northwestern Wildcats (9-3) 2:30pm ESPN
Arizona Bowl - UTAH STATE AGGIES (6-6) vs. New Mexico State Aggies (6-6) 3:30pm CBSSN
Cotton Bowl - Southern California Trojans (11-2) vs. Ohio State Buckeyes (11-2) 6:30pm ESPN
Taxslayer Bowl - Louisville Cardinals (8-4) vs. Mississippi State Bulldogs (8-4) 10am ESPN
Liberty Bowl - Iowa State Cyclones (7-5) vs. Memphis Tigers (10-2) 10:30am ABC
Fiesta Bowl - Washington Huskies (10-2) vs. Pennsylvania State Nittany Lions (10-2) 2pm ESPN
Orange Bowl - Wisconsin Badgers (12-1) vs. Miami (FL) Hurricanes (10-2) 6pm ESPN
Outback Bowl - Michigan Wolverines (8-4) vs. South Carolina Gamecocks (8-4) 10am ESPN2
Peach Bowl - Central Florida Knights (12-0) vs. Auburn Tigers (10-3) 10:30am ESPN
Citrus Bowl - Notre Dame Fighting Irish (9-3) vs. Louisiana State Tigers (9-3) 11am ABC
Rose Bowl - Georgia Bulldogs (12-1) vs. Oklahoma Sooners (12-1) 3pm ESPN
Sugar Bowl - Alabama Crimson Tide (11-1) vs. Clemson Tigers (12-1) 6:45pm ESPN
CFP Playoff Championship - participants TBD - come back after 1 January to enter your pick
Tiebreaker -
Total Points Scored in the "New Year's 6 Bowl Games AND the CFP Playoff Championship. Total points, both teams all 7 games - must be entered before the first bowl game on 16 December (PEACH, FIESTA, ORANGE, COTTON, ROSE, SUGAR + Championship)
For reference, last year was 388, 2015 was 440 and 2014 was 497
BOWL PICK'EM Entry Form
Weekly & WTHCG Standings
2018 Kickoff Pick'em Standings & Results forms
USU78
2016 Weekly Pick'em Champion
Joined: November 3rd, 2010, 6:43 am
Location: Sandy
Been liked: 68 times
Re: GRIDIRON PICK'EM -- 2017-2018 BOWLS EDITION
Post by USU78 » December 5th, 2017, 5:02 pm
For reference, last year was 388, 2015 was 440 and 2014 was 497: 425
You keep using that word. I do not think that word means what you think it means.
aggies22
2018 Kick-off Pick'em Champion
Location: Smithfield, Utah
Contact aggies22
Post by aggies22 » December 15th, 2017, 9:12 am
For reference, last year was 388, 2015 was 440 and 2014 was 497 442 points
Billonut
Post by Billonut » January 24th, 2018, 11:50 pm
I watch the race almost every day. I like to watch him race. It's really good
Return to "The Quad"


I'm a bit disappointed by the idea that they can't be bothered to theme the ride in reality, so they'll stick a screen in front of your eyes and convince you that it's better themed. It's a dire future for theme parks if everything is plain steel and concrete with "virtual theming".
Lots of bits on there about storyline etc.
In theory the VR will have a similar system to the vests on the swarm. I can imagine they are pulled down from above your head on strap like belts, where they then rest on your head, but if you have had enough you just push them up and they're off.
Very exciting. Probably one of the most cinematic trailers I've seen from merlin, nothing tacky about it and it looked incredibly professional. I am very excited!
I'm still quite disappointed. The idea seems quite naff but at lest it's a USP. Seeing the video and concept art has made me slightly more optimistic. The graphics look great and the futuristic vibe is appealing.
However, from an off ride perspective, surely it will look like the same light blue, tame, under themed flying coaster - with the addition of people wearing bulky black goggles.
Just to confirm, the straps are sort of what I thought, but if you take them off I imagine the goggles float on the strings tension around the neck area or rest on your chest. It'll be interesting to see how the goggles deal with the inversions, especially if taken off.
I think this may just be the future for VR.
Oculus rift have a long way to go!
I'm glad there's going to be theming on the tunnel or "space portal". It looks like it is filled with fog which should enhance the experience for those not using VR.
Also, anyone realised that Kepler 9 is earth?
I still don't know what to think about all this. All the reviews I've read about Alpen Express' VR treatment have been good (in that, it's a nice, novel, way to experience a coaster). And I'd be lying if I said I wasn't a bit excited to try this out.
But then all the standard worries crop up. How will throughput be affected? How will the VR vs non-VR work? How will the cleaning (of the goggles) work? Why on earth do we have to now have a blooming green screen photo point in the queue? What's this mean for Forbidden Valley? Is Air the right coaster to be doing this on? Is it really worth it? Will it have return appeal?
As I say, I'm excited to try this out, and I'm sure that it'll be a good thing to experience at least once. But, at this stage, I have so many niggling concerns that just make me fear for this..
Looking at the website, it's themed around a tour, so maybe the green screen point will be for your family to pose for their tour photo or space ID card or something? That's all I can come up with.
I'm excited about this new change, though I did like the original Air.
It's more the fact that there will be a green screen photo point that annoys me. Even if the reason for the photo works perfectly within the story for the ride, I just hate the idea of having to stand in front of a blank screen, maybe with the odd prop, and having my photo taken.
It is annoying, and my family often refuse to do them at various Merlin attractions, and it's an excuse for money.
I suppose as you're using VR in most cases, ORPs won't be very good.
Very true about the ORP thing and I have no doubt that people will put their money in their pockets for them, but I just don't like them all that much.
Also, the April opening thing is a bit of a weird one. Not having the big new thing open for the Easter weekend is a very strange decision to be honest, especially when this has been planned for so long?
Looks like we'll be getting a good theming element! LEGO Dimensions - The Ride anyone?
Station looks meh I suppose. I'm assuming the screens will be the preshow?
I feel like you're looking for things to complain about frankly. If the media decide to say it's a new rollercoaster then that isn't Alton Towers problem and frankly Galatica for all intents and purposes will be completely unique and different to Air. Before I did VR on Alpen Express I was extremely cynical but I came off of that very happy and satisfied with the experience. It breathed new life into an old ride.
The public are still hooked on the Smiler crash, for the majority Galatica will be a new experience. And that is all that matters and what Galatica will be sold on. Why do you worry about what the public think. Worry about what you think more then disliking how its been reported.
It's Air but with goggles on your head, it's not new. If they were advertising it as what it is, which is an idea bolted onto an existing ride then I wouldn't have an issue, but they are blatantly trying to sell it as a new ride - the track in the advertising pictures is completely different.
As for the public, they make up the majority of the park's visitor numbers so I think that their views are fairly important.
Thats it, I'm out. Tom had the right idea.
I've seen a considerable amount of comments on this on social media from the 'general public'. However it's being reported, it looks like it's done a decent job.
I hope you never have aspirations to work in Marketing.
They are making a multi million pound investment, with the goggles on it will be a totally different experience and they are right to sell it as a new attraction.
At best it's a "new experience", not a new attraction - that suggests that the ride is brand new, which it isn't.
I don't want to work in marketing, but when they misadvertised Thirteen people went expecting too much and it backfired on them.
I think this could be similar - if people go expecting a new coaster then it could cause a negative reaction, something which could have easily been avoided.
As for using the wrong coaster track, I know they always do it but that doesn't stop it being misleading in this instance.
I think they're playing the safe card with this. The general public will still be thinking about the smiler accident. If they are not constructing a new ride then there will be less for the GP to worry about due to the fact that they have already ridden air for over 10 years.
A Daily Mail article would probably question why it was only the women that lost limbs and how they'd be fine if they'd just stayed at home in the kitchen. Then, lets face it, the comments would say this is a good enough reason to shut our borders/leave the EU/ blame all immigrants.


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How to Wash Dollar Bills In Nigeria
Is Wet money still usable?
If your money is water logged beyond all hope, there's still a chance its full value can be redeemed. The Bureau of Engraving and Printing (BEP) in the Department of Treasury accepts mutilated currency claims, which include wet money. However, there a few requirements that need to be met before placing a claim.
How do you clean paper money?
Steps to clean banknotes
Unfold the notes one by one. Then wash with soap/dish soap or baby laundry detergent Do not soak for a long time because it can affect the paper texture.
Use the cloth to dry one by one.
Sunlight until completely dry on both sides before storing it in a dry and closed container.
How do you clean dollar bills at home?
Can you wash dollar bills in the washing machine?
Most bills will remain intact in the washer and dryer. But while a wash cycle may make your money look untainted, it nonetheless ruins the bills; hot water can damage security features, and detergents change the way cash reflects light, which currency-sorting machines detect.
How do you clean a dirty dollar bill?
Wash the bills in cold water on a gentle cycle.Set the washing machine to a gentle wash cycle and turn it on. Place the lingerie bag containing the money in the washing machine as it fills. Add a very small amount of detergent to the load. Let the money complete the cycle in the wash.
How dirty is cash?
Money can spread germs from person to personMoney can carry viruses, protozoa, and bacteria. Depending on where it's been, it could carry almost anything. One old and widely-cited study even found that 79% of one-dollar bills contain traces of cocaine.
Should you wash your hands after touching money?
Instead, it reiterated that you should wash your hands, including after handling money, especially if you're eating or touching food. If youwant to wear disposable gloves, it's still a good idea to change them and wash your hand between touching money and preparing food, according to the New York Department of Health.
Is money dirtier than a toilet seat?
Paper money can carry more germs than a household toilet. They provide hospitable environments for gross microbes. Viruses and bacteria can live on most surfaces for about 48 hours and paper money can transport a flu virus for up to 17 days. After handling money, we recommend washing your hands or using hand sanitizer.
Is money dirty or clean?
Paper money can reportedly carry more germs than a household toilet. And bills are a hospitable environment for gross microbes: viruses and bacteria can live on most surfaces for about 48 hours, but paper money can reportedly transport a live flu virus for up to 17 days. It's enough to make you switch to credit.
How dirty is a dollar bill?
Dollar bills tend to circulate for about 6.6 years, according to the Federal Reserve, so there's plenty of opportunity to pick up germs. A 2002 study from Wright-Patterson Air Force Base in Ohio tested 68 bills and found that 94% were contaminated with bacteria.
What is the dirtiest item in your house?
These Are the Dirtiest Things in Your Home(Which You Should Clean Immediately)
Your kitchen sink.
The areas surrounding your toilet bowl.
Your cleaning sponges and rags.
Any kids' toys lying around.
Your cell phone.
Your computer's keyboard.
Doorknobs and light switches.
What is the dirty thing in the world?
In fact, that sponge is likely the dirtiest item in your home, Gerba says. "It's probably home to hundreds of millions of bacteria," he says. NSF agrees. Its researchers found that 75% of home dish sponges and rags contained Coliform.
What is the dirtiest country?
World air quality report
2020 AVG
1 Bangladesh 77.10
2 Pakistan 59.00
3 India 51.90
4 Mongolia 46.60
What is the dirtiest thing in a restaurant?
Sugar clocked in at the lowest average bacteria count, with 2,300 organisms. Ketchup, mustard and salt all fell generally in the middle. Pepper is second-highest on the list, with nearly 11,600 organisms. Menus top the list with a whopping 185,000 bacterial organisms.
Is Paris a dirty city?
No, Paris is not a dirty city.
Which city has the cleanest air?
Cleanest Cities | State of the Air
Altoona-Huntingdon, PA
altoona-huntingdon-pa.html
Tupelo-Corinth, MS tupelo-corinth-ms.html 1
Urban Honolulu, HI urban-honolulu-hi.html 1
Utica-Rome, NY utica-rome-ny.html 1
Virginia Beach-Norfolk, VA-NC virginia-beach-norfolk-va-nc.html 1
What is the cleanest city in the world?
The world's cleanest cities
#1: CALGARY. Calgary in Canada is the world's cleanest city, and with a population of more than a million, that's quite something.
#2: ZURICH. Zurich in Switzerland attracts thousands of tourists every year, especially those who enjoy the winter snow.
#3: LUXEMBOURG.
#4: ADELAIDE.
#5: SINGAPORE.
Is living in a city unhealthy?
Living in a city can also affect your sleep quality and cardiovascular health. Not only can city lifeaffect our mental well-being, it can also affect our physical health as well. A 2017 study suggests too much exposure to air pollution and city noise may cause damage to a person's cardiovascular health.
How Clean Is Japan?
Japan remains to be one of the cleanest places to live in despite having some of its own environmental issues. One of which is the problem they face when it comes to putting away garbage such as the situation in the Seto Inland Sea (瀬戸内海). However, overall, it is a pretty clean country.
Will the bank take washed money?
Banks can exchange some mangled money for customers. Typically, badly soiled, dirty, defaced, disintegrated and torn bills can be exchanged through your local bank if more than half of the original note remains.
Should you clean old paper money?
If you're planning on saving your paper money or coins as an investment, it's not a good idea to clean them. This could hurt their value in the future by scratching the surface or removing the outer coating from the mint.
How to Avoid Glare on Glasses in Video in Nigeria
by Chinedu Okeke · Published August 17, 2022
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text:
if [ -z "$OPENSHIFT_NODEJS_IP" ]; then
    OPENSHIFT_NODEJS_IP="127.0.0.1"
fi

if [ -z "$OPENSHIFT_NODEJS_PORT" ]; then
    OPENSHIFT_NODEJS_PORT="8080"
fi
curl $OPENSHIFT_NODEJS_IP:$OPENSHIFT_NODEJS_PORT"/api/1/events/r/remind/"

redpajama_set_name: RedPajamaGithub


text:
namespace uLocate.Models
{
    /// <summary>
    /// Defines an address
    /// </summary>
    public interface IAddress
    {
        /// <summary>
        /// Gets or sets the address 1.
        /// </summary>
        string Address1 { get; set; }

        /// <summary>
        /// Gets or sets the address 2.
        /// </summary>
        string Address2 { get; set; }

        /// <summary>
        /// Gets or sets the locality - generally the city name
        /// </summary>
        string Locality { get; set; }

        /// <summary>
        /// Gets or sets the region - generally the state or province
        /// </summary>
        string Region { get; set; }

        /// <summary>
        /// Gets or sets the postal code.
        /// </summary>
        string PostalCode { get; set; }

        /// <summary>
        /// Gets or sets the two letter ISO country code.
        /// </summary>
        string CountryCode { get; set; }

    }
}


Brexit delay until June 30?
Are China and the US getting closer to trade deal?
The good news is that the South Korea KOSPI continues to rise, and that is likely a positive sign for this exporter's economy. The index is getting very close to having a pretty big move higher.
The Russell 2000 continues to trend higher with a target of 1,593 coming.
The SMH semiconductor ETF looks as if it preparing to break out and move higher towards its all-time high of $114.60.
In yet another sign that perhaps global growth may be on the rise, FedEx shares have broken out rising above critical resistance at $184.50. It could result in stock rising to around $201.
McDonald's price target increased today to $210 from $195. I still don't understand this stock. I don't think I ever will either. I wish all my companies could have the same performance of this stock. It amazes me how revenue can fall so sharply, but the shares continue to rise. Beats me.
Intel was downgraded today to market perform from outperform at Wells Fargo (NYSE:WFC). Intel has come along way, and I still think it has further to climb testing the highs of last spring.
Boeing continues to rise, and the stock continues to move higher working to fill the gap up at $420.
Acadia continues to consolidate at approximately $27, and a break out appears to be coming. We have said now for the past two weeks, but you can see the triangle is contracting. The RSI is still trending nicely higher; there is a giant gap to fill to around $31.50. All the signs are there.
Well to no surprise the 10-year yield is back to around 2.54%. I'm not sure that it gets through this time around. I think we need to at the very least retest those lows.


text:
Joe Biden retreats from angry crowd in Ukraine
Joseph R. Biden
Petro Poroshenko
By Dave Boyer - The Washington Times - Friday, November 21, 2014
Vice President Joseph R. Biden retreated from an angry crowd in Kiev Friday when his Secret Service agents decided the situation was not safe.
Mr. Biden was to meet with Ukrainian President Petro Poroshenko at a site in central Kiev where demonstrators were killed earlier this year during the country's revolution. But his motorcade encountered a large and "unruly" crowd, many of whom were shouting "shame" at Mr. Poroshenko for failing to prosecute those responsible for the killings.
According to a pool reporter traveling with Mr. Biden, the Secret Service "decided [it] wasn't a good idea for Biden to wade in" to the crowd.
"A crowd of about 100, mostly elderly men and women, had gathered around a collection of photographs, placed on the ground in front of a large wooden cross," the pool report said. "These, they said, were pictures of their slain children."
The vice president's motorcade turned around and met Mr. Poroshenko a short while later after the Ukrainian president emerged from the crowd.
Mr. Biden was to have laid flowers at the site of the memorial. He later met with Ukrainian Prime Minister Arseniy Yatsenyuk.
Later in the day, Mr. Biden paid tribute to the fallen of the revolution at a different memorial near the Ukrainian Parliamentary Library in Kiev. He asked to be accompanied to the site by Voice of America correspondent Miroslava Gongadze, a Ukrainian journalist who is part of the traveling press aboard Air Force Two with Mr. Biden.
Mrs. Gongadze's late husband, an investigative journalist, was killed by government police in Kiev more than a decade ago.
Mr. Biden set down a bouquet of flowers, and the two stood together at the memorial for about five minutes, after which Mr. Biden invited her to join him in his limousine for the brief ride to his next stop.
• Dave Boyer can be reached at dboyer@washingtontimes.com.


Royals captain Paul McShane dropped in at Reading College this week to take part in a football-themed session with some young students.
The skipper looked like he was having as much fun as the students, teaching them some new skills and tricks.
After the practical activities, the students took the opportunity to ask McShane a variety of questions.
The students were later impressed with the skipper naming Roy Keane and Cristiano Ronaldo as the two best players he had played alongside.


How much is Dmitry Ananyev Worth?
Dmitry Ananyev Net Worth: Dmitry Ananyev is a Russian businessman who has a net worth of $2.1 billion. Dmitry Ananyev rose to riches along with his brother Alexei Ananyev as they started making money by importing computers to Russia. Following an initial success with the import business, they went on to set up a bank. Even though becoming seriously rich, their wealth couldn't fill the gap that they felt due to a deficiency in education. Thus, in 2005, the Ananyev brothers took executive MBAs from the University of Chicago. Also active in real estate and media, the siblings now own the Novospassky Dvor and Alfa Arbat Center, property that they bought for $230 million. One more of their bankable possessions was the telecom company Synterra, which the brothers sold to Megafon for $745 million in 2010. Married with four children, Dmitry Ananyev is a very religious man.


text:
Published on April 4, 2014	by Tanstaafl in Blog
This month's special program was transcoded from The Best of Wagner. It will be broadcast each Wednesday and Friday starting at 9PM ET, streaming continuously until the next scheduled program.
The Mastersingers of Nuremberg, I: "Overture"
The Mastersingers of Nuremberg, Act III: "Prelude" ( 10:44 )
The Mastersingers of Nuremberg, Act III: "Dance of the Apprentices" ( 16:37 )
Lohengrin, WWV 75, I: "Prelude" ( 19:00 )
Lohengrin, III: "Prelude" ( 27:57 )
The Valkyrie, WWV 86B, III: "The Ride of the Valkyries" ( 30:21 )
The Valkyrie, III: "Magic Fire Music" ( 36:20 )
Parsifal, WWV 111: "Overture" ( 39:52 )
Parsifal, III: "Good Friday Spell" ( 42:02 )
Rienzi, the Last of the Tribunes, WWV 49, I: "Overture" ( 46:00 )
Tannhäuser, WWV 70, I: "Overture" ( 51:17 )
The Flying Dutchman, WWV 63, I: "Overture" ( 1:06:22 )
Tristan and Isolde, WWV 90, I: "Prelude" ( 1:16:53 )
Quite imperceptibly the "Creditor of Kings" has become the King of Creeds, and we really cannot take this monarch's pleading for emancipation as otherwise than uncommonly naïve, seeing that it is much rather we who are shifted into the necessity of fighting for emancipation from the Jews. According to the present constitution of this world, the Jew in truth is already more than emancipate: he rules, and will rule, so long as Money remains the power before which all our doings and our dealings lose their force.
– Richard Wagner, Judaism in Music, 1850
Total runtime: 1:27:38
http://thewhitenetwork-archive.com/data/audio/tWn_The_Best_of_Wagner.mp3
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Enoch Powell – Rivers of Blood/The Great Betrayal
Published on March 5, 2014	by Tanstaafl in Blog
This month's special program is a reading of the momentous speech delivered by Enoch Powell at the Midland Hotel in Birmingham on 20 April 1968. It will be broadcast each Wednesday and Friday starting at 9PM ET, streaming continuously until the next scheduled program.
Though is has been described as "the most controversial speech in modern British history", there is apparently no complete recording available on the internet. A BBC documentary (1, 2, 3, 4, 5, 6), produced circa 2008, starts with a reporter, Reg Harcourt, describing how he was there with a camera team. The BBC documentary intersperses snippets of the black and white film of the speech with "anti-racist" spin attempting to explain that Powell was wrong.
Powell's speech serves as a reminder and lesson to Whites: However bad you may believe the situation is, or may yet become, you are likely underestimating. Looking back, we find many sober expressions of fear and foreboding such as Powell's. Always they are countered with the same fraud and trickery. What our enemies initially deride and dismiss as a stupid, crazy, or evil vision invariably metastasizes into an even more disgustingly degenerate reality, which they then celebrate.
Our program was transcoded from "Rivers of Blood" The Great Betrayal. Full speech., read and posted by Martin Willett. The description attached to the video reads:
The 1968 speech given by Enoch Powell known as The Rivers of Blood speech. In full. No editing, cuts, omissions, spin, commentary, propaganda or tricky sound effects. Just the speech.
These are words written in 1968, and not by me. Don't shoot the messenger, just listen to the message and judge for yourself.
The FULL TEXT of this speech can be found here:
http://right2think.org/index.php/politics-main/68-rivers-of-blood-speech
If you want to debate this matter in depth join my debate forum:
http://right2think.org/index.php/forum/
Total runtime: 20:09
http://thewhitenetwork-archive.com/data/audio/twn_Enoch_Powell_Rivers_of_Blood_The_Great_Betrayal.mp3
Dresden – Call of the Blood
Published on February 5, 2014	by Tanstaafl in Blog
This month's special program is the music of Dresden. It will be broadcast each Wednesday, Friday and Sunday starting at 9PM ET streaming continuously until the next scheduled program.
The Legacy of Dr. William Pierce: Call of the Blood album reviewed (1995) has links to high-quality audio downloads, lyrics, and this brief review:
Dresden is Joseph Pryce and Knut Pedersen.
All songs by Joseph Pryce except Horst Wessell Song paraphrased by Joseph Pryce.
Dresden's new album, Call of the Blood, is a new kind of music for White people. Crafted with jewel-like care; with haunting, poetic lyrics; beautiful yet powerful arrangements and instrumentation; and soaring vocals; Call of the Blood combines the best elements of rock and traditional European music. Call of the Blood includes a lyric sheet to help you fully experience the impact of these new, masterfully written and produced songs. Call of the Blood will open a gateway in the minds of Aryan youth to a new and brighter future. – Kevin Alfred Strom
The Archives for Joseph Pryce at The Occidental Observer links three articles from 2010, including Jakob Friedrich Fries and the Intellectual Origins of Anti-Judaism in Europe. The author's bio reads:
Joseph Pryce (email him) is a writer, poet and translator. He is the author of the collection of mystical poems Mansions of Irkalla. Mr. Pryce was born in Brooklyn and studied for the Roman Catholic priesthood for three years (Redemptory's Order) and then attended Brooklyn College. He says for himself; "I was a musician for many years and recorded several CDs, but literature has always been my first love (especially poetry). I live with my wife, 30,000 books, and a dog and four cats on Long Island." His translation of the German philosopher Ludwig Klages' work will be published shortly by Arktos publishing company http://www.arktos.com/ [Ludwig Klages: The Biocentric Worldview].
(Note: There is no audio download for this program – please tune in via the MP3 Stream.)
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Jack Pershing on Aryan Spirit and Virtue
Published on January 1, 2014	by Tanstaafl in Blog
This month's special program is a speech made by Jack Pershing in 1983. It will be broadcast each Wednesday and Friday starting at 9PM ET streaming continuously until the next scheduled program.
The Warrior and the Poet: J.E.B. Stuart and Ezra Pound at National Vanguard:
For the first time in written form, we present a profoundly inspirational speech by Jack Pershing, delivered 30 years ago this month at the General Convention of the National Alliance. (By clicking on the embedded player you can listen to the original recording.) This is one of my very favorite essays and speeches. — Kevin Alfred Strom
Pershing's conclusion:
It's going to be a long war. At times each of us will feel the clammy fingers of despair clutching at his throat and hear an insistent voice, clamoring, "Give up, it's no use." Help one another. When one weakens, another must be strong. In the midst of the wreckage of a dying civilization take your inspiration from your heritage and from each other. Nietzsche said that we should love war. I believe that — for only in struggle can we develop to our maximum potential.
Rejoice, then, for it has been given to us to be soldiers in the greatest war of them all. As Zarathustra said, "I do not exhort you to peace; I exhort you to victory. What good is long life, what warrior wants to be spared? I do not spare you; I love you from the very heart, my brothers in war." Thank you.
Listen to JEB Stuart and Ezra Pound (via flawlesslogic.com).
Total run time: 43:39
It is not part of this special broadcast, but what called my attention to Pershing's speech was Kevin Strom's recent announcement at National Vanguard, American Dissident Voices: Renewal and Rebirth:
On this, the twenty-second anniversary of the first American Dissident Voices broadcast, a group of those who worked closely with William Pierce over many decades is gathering together to do something about it. Not only are we re-starting ADV, we are re-forming the National Alliance and building a headquarters and media center in a new redoubt in Dr. Pierce's beloved Appalachian mountains.
The National Alliance's long-time Membership Coordinator, former Green Beret Will Williams will manage the new Alliance; I will direct its media. Both we and others who will be assisting us behind the scenes worked directly with Dr. Pierce, some of us on a daily basis, for decades.
Listen to the broadcast (via nationalvanguard.org).
http://thewhitenetwork-archive.com/data/audio/pershing1983_JEB_Stuart_and_Ezra_Pound.mp3
20 Christmas and Winter Solstice Songs – 2013
Published on December 4, 2013	by Tanstaafl in Blog
Once again the White Network wishes you and yours a very white Christmas and happy New Year. Between December 4th and the 27th we'll be running a special program that we first ran last year. The following festive, seasonal music will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program. Enjoy.
1. Deck the Halls by James Taylor
2. Hark the Herald Angels Sing by Amy Grant
3. Celtic Winter Solstice by Arthur Fiedler & Boston Pops
4. Joy to the World by Anne Murray
5. Jingle Bells by Michael Buble
6. Winter Solstice Song by Lisa Thiel
7. Silent Night by Susan Boyle
8. Carol of the Bells (for 12 cellos) by ThePianoGuys
9. Deck the Halls and Wassail Song by unknown
10. O Come All Ye Faithful by Martina McBride
11. Ring Out Solstice Bells by Jethro Tull
12. O Holy Night by Charlotte Church
13. Twelve Days of Christmas with Ernie Ford
14. Yule Song by Katerina El Haj
15. Silent Night by Michael Buble
16. Hark the Herald Angels Sing by Charlotte Church
17. What Night Is This? By Katerina El Haj
18. Winter Solstice by The Tea Party
19. Deck the Halls by Bing Crosby
20. We Wish You A Merry Christmas by Enya
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Revilo Oliver – What We Owe Our Parasites
Published on November 1, 2013	by Tanstaafl in Blog
This month's special program comes from Speeches and Broadcasts by Professor Revilo P. Oliver and other selected speakers. It will be broadcast each Wednesday and Friday starting at 9PM ET and streaming until the next scheduled program.
What We Owe Our Parasites — Speech given to the Lorelei Club; 9th June, 1968, Hamburg, New York: Dr. Oliver's brilliant exposition of the present plight of our race and what it is about us that has made us such easy dupes of our enemies. His best and most comprehensive short work and a necessary part of every patriot's education. (Also available in text form.) 76 minutes, 22 kHz, 13294 kb. listen now or download.
Revilo P. Oliver at Metapedia.
The Revilo P. Oliver Collection at Stormfront.
Revilo P. Oliver › The life and works of a great American writer and thinker at www.revilo-oliver.com.
http://thewhitenetwork-archive.com/data/audio/rpo19680609_What_We_Owe_Our_Parasites.mp3
Skrewdriver
Published on October 2, 2013	by Tanstaafl in Blog
This month's special program is a Skrewdriver mix. It will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program.
LOUD and PROUD. These are forthright, defiant, inspirational anthems extolling blood and soil nationalism and racialism for Europeans.
Skrewdriver, Metapedia:
Skrewdriver were a White Power band formed by Ian Stuart Donaldson in 1977 in Blackpool, United Kingdom.
The program was transcoded from 1 Hour Skrewdriver Mix at YouTube. The songs in the mix are (some of these are alternate versions):
Hail the New Dawn
Land on Fire
Our Pride is Our Loyalty
Before the Night Falls
Their Kingdom Will Fall
Race and Nation
If There's a Riot
Sick Society
Europe Awake
Smash the I.R.A.
Shove The Dove
Voice Of Britain
The Land is Ours
The Warriors Song
Power From Profit
Where Has Justice Gone
We Can't Be Beaten
This Feeling
Tomorrow Belongs to Me
The spirit of Skrewdriver is well captured by WHITE POWER (not included in the mix):
I stand watch my country, going down the drain
We are all at fault, we are all to blame
We're letting them takeover, we just let 'em come
Once we had an Empire, and now we've got a slum
White Power! For England
White Power! Today
White Power! For Britain
Before it gets too late
Well we've seen a lot of riots, we just sit and scoff
We've seen a lot of muggings, and the judges let 'em off
(Repeat Chorus)
Well we've gotta do something, to try and stop the rot
And the traitors that have used us, they should all be shot
Middle Eight:
Are we gonna sit and let them come?
Have they got the White man on the run?
Multi-racial society is a mess
We ain't gonna take much more of this
Well if we don't win our battle, and all does not go well
It's apocalypse for Britain, and we'll see you all in hell
(Repeat Chorus) x2
Saga's Son of Britain (not included in the mix) is an ode to Ian Stuart Donaldson:
From the once so Great Britain, a warrior came to us
He brought us Blood & Honour, The man that we all trust
Ian Stuart has now fallen, but his music still lives on
So it will continue, when all the filth has gone
Our ranks are filled with comrades,
marching down the street
We are hunting down the enemy,
let's force them to retreat!
Ian Stuart is still marching, walking by our side
His music is still clear and loud, his spirit full of pride!
Ian Stuart's weapon, was his battle songs
His music filled my backbone, and there it still belongs
A messenger of justice, a man who made us see,
Eternal laws of nature, in the songs for you and me
When the new empire rises, we won't forget the man,
Who took a stand for Europe, when everybody ran
Fulfilment of his mission, is now our destiny
To purify our nations, and to set our people free
See also Blood and Honour and Blood and Honour Radio Archive.
Total run time: 1:00:14
http://thewhitenetwork-archive.com/data/audio/tWn_1_Hour_Skrewdriver_Mix.mp3
Published on September 1, 2013	by Tanstaafl in Blog
This month's special program is a selection of recordings of Dr. William Luther Pierce. It will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program.
From the William Luther Pierce page at Metapedia:
Dr William Luther Pierce III (September 11, 1933 – July 23, 2002) was the leader of the White survival organization the National Alliance and a principal ideologue of the white nationalist movement. First educated as a physicist, he later worked with George Lincoln Rockwell, the founder of the American Nazi Party. Pierce became well known as the author of a novel, The Turner Diaries (1978), written under the pseudonym Andrew Macdonald. He founded the religion of Cosmotheism, an admixture of panentheism, and promoted White nationalism, and White survival world-views.
These recordings are a small sample taken from the Dr. William Pierce Audio Archive at Internet Archive, which has over 300 audio files available for download.
For more information see also The Legacy of Dr. William Pierce.
Pierce-19770313 – Human Dignity – A Racial Ethic, 17:32
Pierce-19960420 – Men of Valor, 23:12
Pierce-19970301 – The Jewish Problem, 21:47
Pierce-19970802 – The Psychology of Political Correctness, 23:35
Pierce-19980711 – Thinking about a White Future, 22:38
Pierce-20020413 – Tiptoeing around Our Problems, 23:22
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Voices of Music
Published on August 2, 2013	by Tanstaafl in Blog
This month's special program is based on performances that Voices of Music, the Early Music ensemble, has made available on YouTube. It will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program.
From the Voices of Music home page:
Voices of Music performs both renaissance and baroque music, drawing upon the many and varied sources for historical performance practice. Based in San Francisco, our venue in St. Mark's Lutheran provides one of the finest concert experiences in the Bay Area. Performances are one on a part, with an emphasis on combining both instrumental and vocal styles of interpretation and ornamentation. Our ensemble is the first Early Music Ensemble in America to broadcast highlights from our performances in High Definition Video.
In most cases the visuals make these selections worth watching as well as listening to. During transcoding I took the liberty of trimming off most of the applause and silence. The notes below are excerpts of the YouTube descriptions for each video.
Pachelbel Canon in D Original Instruments (4:14)
About the performance: the canon is played using not only the instruments but also the bowing techniques from the time of Pachelbel. As you can see from the video, especially if you look at the high definition version, the string instruments are not only baroque, but they are in baroque setup: this means that the strings, fingerboard, bridge and other parts of the violin appear just as they did in Pachelbel's time. No metal hardware such as chinrests, clamps or fine tuners are used on the violins, allowing the violins to vibrate freely. A good example of baroque bowing can be seen in the extended passage of repeated notes: the musicians play these notes on one bow—the shorter & lighter baroque bow—to created a gliding effect. The players also hold the bow very differently which affects the balance and touch. Both the style and the amount of vibrato are based on baroque treatises which describe the methods for playing, bowing & articulation in the late 17th century. The narrow, shimmering vibrato blends with the baroque organ. The organ used is made entirely of wood, based on German baroque instruments, and the pipes are voiced to provide a smooth accompaniment to the strings, instead of a more soloistic sound. The large bass lute, or theorbo, provides a complement to the organ not only in the texture of the chords but also the long strings which occasionally sound the bass notes an octave lower. The continuo players play supporting chords and voices to the canon, carefully avoiding parallels and doublings of the parts.
Another feature of the video is the subtle differences in not only the sound and color of the instruments, but also the different techniques of the players. All three are playing baroque violins with baroque bows, yet each person has her own distinct sound and bowing style—each bow has a different shape and balance. If you look at paintings of 17th century players you will see that they are all different, because that individuality of sound and technique was highly valued. This allows the players and the listeners to hear and appreciate the "Voices of Music."
More about Pachelbel's Canon at Wikipedia.
J.S. Bach: Air on the G String (5:08)
Bach under the Stars.
More about Air on the G String at Wikipedia.
J.S. Bach: Jauchzet Gott in allen Landen BWV 51 (4:26)
Bach's cantata is Italian in nature and makes extensive use of ritornello form within the larger framework of the Da Capo Aria. The original manuscripts are unusual in that they have "doublets" or extra parts for the strings, along with minimal solo and tutti markings.
Jauchzet Gott is the only cantata by Bach for both solo trumpet and solo soprano, and the highly virtuosic solo parts are demanding even by Bach's standards. The soprano part covers two octaves and extends to high C. It is not known for whom the solo parts were composed; presumably the trumpet part was penned for the brilliant trumpeter Gottfried Reiche, and it is tempting to assume, as previous scholars have noted, that the solo soprano part was written for a visiting singer, as there was no known local singer at that time with a similar repertory. The first noted performance of the cantata was on the 15th Sunday after Trinity, on 17 September 1730; the ms. is also marked "et in ogni tempo", meaning that it could be performed at any time during the year. Although some scholars have drawn comparisons to music composed for the court at Weißenfels, the style and the scoring of the work seem most closely related to Italian composers such as Alessandro Scarlatti who composed many works for virtuoso singers and trumpet players . There is also the slim chance that Nicola Porpora, who had connections in Germany and visited in 1724, just prior to the date of BWV 51, or Caldara may have presented similar works. Nonetheless, at its core, the cantata is fashioned with Bach's signature contrapuntal style.
J.S. Bach: Concerto for Two Violins in D Minor, Largo BWV 1043 (5:48)
The entrancing slow movement from the Concerto for Two Violins in D Minor by J.S. Bach (BWV 1043), accompanied by a montage of HD images from the ESA.
Bach: Toccata and Fugue in D Minor for organ BWV 565 (9:45)
Bach's signature work for organ solo, performed on a Flentrop organ by Rodney Gehrke, as part of the Voices of Music "Great Works" series. One of the most brilliant and creative compositions ever written for the organ, the Toccata and Fugue are characterized by a grand, cathedral-like architecture. Pedal points provide the foundation, strettos engrave recurring design motifs on the architraves that join immense columns of sound, quirky modulations form spandrels at the ends of phrases, blue notes spout from the gargoyles guarding the rails of free-form episodes–episodes that form a fan-vault over the chords; subject and counter-subject weave rood-screens between the main formal sections, the fugue rules square the structure in balanced harmony, and striking modal colors provide illumination through the clerestory windows of Bach's imagination.
The work is unique in many respects, and these unique qualities–for example, the solo statement of the fugue subject in the pedals at 6:50 is unprecedented in any work of the baroque–have led some musicologists (not us) to speculate that the work may not be by Bach, or that it is an arrangement drawn from a work for another instrument. But what instrument besides the organ could build a cathedral of sound?
Dandrieu: La musète et double de la musète (2:55)
The musète (musette) from the Suite in C from Book I of the French organist and composer Jean-François Dandrieu (Paris, 1705).
Lully: Chaconne from Phaeton, with baroque dance (4:22)
The Chaconne from the Opera Phaeton by Jean-Baptiste Lully (LWV 61, 1683)
Antonio Vivaldi: La Follia, with baroque dance (9:40)
In 1705, eager to make his mark as a composer of both opera and instrumental music, the young Vivaldi published his first set of twelve trio sonatas as Opus 1. The last sonata, which is a highly virtuosic set of variations on the "La Follia" dance pattern (titled only "Follia" in the print), is one of his most famous works; Vivaldi takes Corelli's variations on the same theme-and-bass pattern from Corelli's Opus 5 (1700), which was already a famous work, and adds figuration of even greater complexity.
Antonio Vivaldi: In turbato mare RV 627 (16:19)
Antonio Vivaldi is known primarily as a composer of concertos, but in his own time he was an opera impresario, hastily dashing off concertos for cash (sometimes in coach trips from one production to another) to fund his lavish productions. For special occasions, or special patrons–such as the orchestra in Dresden–Vivaldi brought the full force of his compositional abilities to the table, and crafted masterpieces of counterpoint, in stark contrast to many of his hastily composed works. Vivaldi's sacred works are nearly as compelling as his best concertos, and the motet "In turbato mare irato" combines typical operatic melismas, recitatives and Da Capo arias, as well as a challenging vocal range of two octaves. Composers of the baroque period (especially Handel) often used a number of compositional tricks to speed the process of churning out music, such as recycling large pieces of thematic material, or piling all of the instruments onto one part to avoid the complexity of full counterpoint. In turbato, in contrast, is composed with a four-part harmony throughout. The fully-allegorical text can be read as an odyssey towards spiritual or intellectual light, but the verses are suffused with secular sensuality, paralleling the Italian art and religious architecture of the same period.
The original score contains a brief recit with continuo, we have turned this into an accompagnato piece in which the strings play the harmonies.
Heinrich Biber: Sonata IV in C Major for Trumpet and Strings (4:53)
Although Biber gives the title "Sonata" for the works in this collection, "Sonatae tam aris quam aulis servientes" (Salzburg, 1676), stylistically, this work is in many respects one of the earliest trumpet concertos. Virtuoso parts are provided for the trumpet and first violin, and the rich accompaniment results from the blend of the two violas and the continuo group.
Pergolesi: Stabat Mater (39:03)
In his short life, Giovanni Pergolesi composed a wide variety of music in the major genres of the time. His primary compositions were also operas, especially the new Opera Buffa (comic opera). His highly influential mini-opera, La Serva Padrona (1733) was the subject of a fierce debate in France over the future of opera, and was one of the most popular operas of the mid-18th century. The Stabat Mater, written in 1736, may have been composed for members of the secular nobility, the Cavalieri della Vergine dei Dolori, that met in Naples and commissioned a setting of the Stabat Mater every year. A few years earlier, Alessandro Scarlatti set the same text for members of the same group. Pergolesi's Stabat Mater was an immediate hit, and was copied, imitated, arranged and reprinted many times throughout Europe. When it was engraved in London in 1749, it quickly became the most frequently printed musical work in the 18th century.
Henry Purcell: Pavan in B Flat (4:04)
Henry Purcell's sumptuous Pavan in B Flat
Johann Kapsberger: Toccata Arpeggiata (5:25)
The Toccata Arpeggiata from Johann Kapsberger's Book I (Venice, 1604). Performed on the theorbo by David Tayler. Live video from the SF based Early Music Ensemble Voices of Music, from the Great Artists Series 2012.
Musicological Notes:
My reconstruction of the style of playing the lute in the first decade of the 17th century is based on a study of the many different musical genres from the time, including the keyboard and lute toccatas, the violin sonatas and the wide variety of vocal music, including the Littera Amorosa. Early keyboard and lute music reveals a dizzying array of arpeggiation patterns, with very few written-out works that use a relentless or uniform approach. Another feature of this early 17th century style is that the music almost always has contrasting sections, and this feature is present in both vocal and instrumental works. Chord patterns, arpeggios and melodic fragments are combined to form these sections, as well as provide small ritornellos. Echo, piano and forte effects, which were just starting to be used (Monteverdi, 1607) are added with gradations, within the small but present dynamic range of the lute.
Literary influences for my interpretation center around the poetical forms in vogue 1600-1610, including the sonnet and especially the freer and rhythmically complex form of Gabriello Chiabrera: rhymes, lines, line breaks, chiasmus and caesuras are woven into the musical fabric.
Lastly, my approach tries to recreate a more improvisatorial style that provides a kind of musical antecedent to the unmeasured preludes of Louis Couperin, Jacquet de la Guerre and Chambonnieres, as I imagine that such a style must have existed in order for later composers to imitate it. There are many ways to interpret Kapsberger, and I hope to see many more versions by my colleagues.
Oswald Mosley
Published on July 3, 2013	by Tanstaafl in Blog
This month's special program comprises three audio tracks of Oswald Mosley. It will be broadcast each Wednesday, Friday, and Sunday starting at 9PM ET and streaming until the next scheduled program.
Oswald Mosley, via Metapedia:
Sir Oswald Ernald Mosley, 6th Baronet (November 16, 1896 – December 3, 1980) was a British politician and founder of several nationalist organizations, the most notable being British Union of Fascists and Union Movement. Educated at Winchester and Sandhurst he fought with the 16th Lancers on the Western Front during the First World War. He later transferred to the Royal Flying Corps but was invalided out of the war after a plane crash in 1916.
The first selection is Mosley Set to Music, via National-Socialist Worldview:
Sir Oswald Mosley (1896 -1980) was the leader of the British Union of Fascists, and a friend of National-Socialist Germany. (He was also an hereditary baronet and fourth cousin of the mother of Queen Elizabeth II.)
The Westminster Gazette in the 1920s called Mosley "the most polished literary speaker in the Commons, words flow from him in graceful epigrammatic phrases that have a sting in them for the government and the conservatives. To listen to him is an education in the English language, also in the art of delicate but deadly repartee. He has human sympathies, courage and brains."
The original message was recorded by Mosley (without musical backing) in 1938. The original text appears below. Notably omitted from the musical adaptation is Mosley's reference to the national-socialist and also every specific reference to Britain.
In this brief speech Mosley advocates a revolutionary spirit and calls for revolution by Britons.
The audio itself is blood axis – sarabande oratoria, on YouTube. The length is 4:05, including music.
The second selection is Oswald Mosley Speaks for European Unity, from YouTube. The length is 10:08. The audio is of relatively poor quality, including a few lengthy drop outs. The uploader's description:
Oswald Mosley Leader of Union Movement speaks for EUROPE A NATION in 1951.
At the start Mosley identifies his opponents:
I speak for Union Movement. We stand for a change in this country. For that reason we are either abused or boycotted by those who want to keep things as they are. The financiers, the vested interests and the old parties who serve them hate our movement and use their money power to destroy us. They control directly or indirectly the press, the cinema and the radio. That is why you hear nothing of union movement except silly abuse which has no relation to truth.
The third selection is Oswald Mosley – Make Europe A Nation 1964, from YouTube. The length is 44:29. The uploader's description:
Oswald Mosley gives a firey speech in 1964 about his vision for a united Europe. This speech was given some 18 months after the Venice Conference and his meeting with the heads of numerous European political parties which called for the formation of a National Party of Europe.
According to Metapedia, the National Party of Europe was created by the Declaration of Venice, an initiative undertaken by a number of political parties in Europe during the 1960s to help increase cross-border co-operation and work towards European unity. The idea of an NPE began when Oswald Mosley launched his Europe a Nation campaign after World War II.
More information about Mosley is available from oswaldmosley.com. Most notable is the special emphasis placed on Mosley's attitudes regarding jews. Near the top of the list of Top 10 Lies about Oswald Mosley:
2. Oswald Mosley and his supporters were anti-Semitic.
Oswald Mosley never criticised anybody for what they were born. But he didn't believe that Jews were the only people in the world immune from criticism. Oswald Mosley criticised some Jews for what they did, not all Jews for what they were. That's why Jews like John Beckett (British Union Director of Publications), Bill Leaper (Editor of the Blackshirt) and Harold Soref (later Tory M.P. for Ormskirk), and the Jewish boxer Kid Lewis had no problem supporting him.
This item links to an article titled Antisemitism – British Union and the Jews. It is without attribution and not dated, but presumably represents Mosley's position at some time after World War II. It begins:
More drivel is talked about the Jews than most subjects; both ways. The views that all Jews are born wicked, or that all Jews should be the sacred objects of the system, seems to me equal nonsense. I am neither an anti-Semite, nor a sycophant of Semites. The attitude of our movement has been both consistent and intelligible throughout. We have never attacked any man on account of race or religion, and we never shall. But we attack any man, whatever his race or religion, who acts against the interests of Britain or Europe; particularly Britons who ought to know better than to serve alien interests. It is a straightforward attitude, which has been formed by clear principles.
Why then have we been involved in clashes with Jewish interests, and why are so many Jews violently against us? The answers again are clear. Before the war I believed that certain great Jewish interests were trying to involve us in war, not in a British, but in a Jewish quarrel: I still believe it. The reasons for our belief and for the Jewish action are equally intelligible. It is true that a considerable number of Jews were having a bad time in Germany, and it can also be argued that if a similar number of Englishmen had been having an equally bad time in Germany, there would have been a demand among many Englishmen for war against Germany. But it is beyond question from the evidence of the period, that powerful Jewish interests were trying to produce war between Britain and Germany. They made it their business to start a war in the Jewish interest. I, and my friends, made it our business to stop that war, in British interest. That led to a head-on clash, and I still think that we were right in doing our utmost to prevent that war.
The issues between us, and those Jews before the war, were therefore quite simple and clear. They wanted to make a war, and we wanted to stop it. That is the long and the short of the whole matter. There was no question of racial persecution on our part. That was entirely contrary to our principles, which I put on public record at the time. We British were running a great Empire composed of many different races, and any suggestion of racial persecution would have broken it up. For practical, as well as moral reasons, it would have been the gravest error for us to pursue a policy of any kind of racial persecution. The Germans had entirely different national problems, as well as in some respects, a different national character, which was derived from a diversity of historic experience.
Our duty then, was to hold together and develop a multi-racial Empire.
This is doublethink. Mosley presented (and perhaps imagined) himself as neutral regarding jews, yet in the very act of doing so demonstrated a special regard for them and recognition of their special antagonism for himself and his movement.
Another example of Mosley's attitudes about jews is captured in the article William Buckley Interview, which took place four years after Mosley published his autobiography, My Life. The text of the interview is also available (in Microsoft Reader eBook format) via archive.org, which describes it as a transcript of the Firing Line television program broadcast on 9th April 1972.
Buckley's very first concern is to explore how Mosley's fascism relates to the jews.
MR. BUCKLEY: . . . I was instantly struck by the especially laudatory notices given to [the book] in England by members of the left; for instance, Mr. Michael Foot, who called the book, "a dazzling gleam across the whole century. What Mosley so valiantly stood for could have saved this country from the hungry Thirties and from the Second World War"; and from R. H. Crossman, intellectual leader of the Socialist party (laughter), or so he is regarded, "Mosley was spurned simply and solely because he was right." I think it would be instructive to explore the current and historical meaning of fascism, something we have yet to do on this program, and I want to begin with the understanding that we shall not devote anything like the entire program to it. By touching on racism and fascism, specifically on anti-Semitism and British fascism, I'd like to ask Sir Oswald: do you believe there is a nexus between the two ? anti-Semitism and fascism?
SIR OSWALD: No, none whatever. That was a purely German phenomenon and that really made the whole complication. Germany, of course, under Hitler, was definitely anti-Semitic. There's no doubt about that whatever — none whatever. That's all –
MR. BUCKLEY: You're not going to dispute that?
SIR OSWALD: – too painfully clear. But in the other countries where fascism occurred, in very different national forms, there was no question of it in the origin of the movement. Fascism was, essentially, a national creed — both its strength and its weakness – and, therefore, it took, in every country, a completely different form. And if you are running, as we hope to run, a multi-racial empire, you obviously cannot have a racialist policy. And the quarrel with certain Jewish interests, not with all, by any means, arose on quite different and much later questions.
As with Mosley's article regarding "anti-semitism", the substantial, very earnest expressions of deference to or concern for the best interests of jews collectively, as jews, contradicts the very idea that the jews can or should be treated as individuals.
This portion of the exchange is particularly cringe-worthy:
MR. BUCKLEY: Well, now, is it your point that a national minority, whether religious or racial, does not have the right to attempt to mobilize national energy to come to the rescue of a persecuted people in other parts of the world?
SIR OSWALD: I think he's absolutely, perfectly right in stating his opinion. Anybody should be allowed to state his opinion, but the answer must be allowed to be put. And my answer was that I was against a war with Germany, and I think most of the English were at that time. I quite understood why they were agitating in favour of a war, but the interest of the majority was against it and, therefore, I pointed out that certain Jewish interests were trying to produce a war, which was against the interests of Great Britain.
MR. BUCKLEY: Well, why would you say that it was their Jewishness that was a factor? Why wouldn't it simply be their humanitarianism? Why shouldn't a Jew say, "We have reason to believe that this madman in Germany is not only going to threaten the peace in Europe, but is also going to engage in large-scale genocidal ventures which have already been adumbrated, and it is the responsibility of a free and humanitarian people to do what they can to stop him"? Does this become Jewish sectarianism?
SIR OSWALD: No, you're perfectly right.
Buckley argues that jews are motivated to fight by their jewishness but also that it is the responsibility of "free and humanitarian people" to fight for them too.
The oxymoronic term "national minority" is indicative of this doublethink. In the context of nations and nationalism it is especially obvious that jews think of themselves as jews first and foremost, that jews are naturally distinct from every other nation and, because they are self-obsessed and parasitically bent on infiltration and manipulation of others, are ultimately hostile to everyone else's nationalism. From their own behavior it is clear that every member of the political elite understands this, more or less. Some, like Mosley, believe they can ignore or finesse this inconvenient fact. Others, like Buckley, explicitly embrace and defend and excuse jews for their hostility.
That non-jews behave so obsequiously with regard to jews – either minimizing their part or joining with them – is an indirect but telling measure of jewish power.
Mosley's autobiography is available as a PDF via nazi.org.uk. Kerry Bolton reviews Sir Oswald Mosley's My Life at Counter-Currents Publishing.
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text:
package org.isisaddons.module.publishmq.fixture.scripts.scenarios;

import org.apache.isis.applib.fixturescripts.DiscoverableFixtureScript;

import org.isisaddons.module.publishmq.fixture.dom.PublishMqDemoObject;
import org.isisaddons.module.publishmq.fixture.dom.PublishMqDemoObjects;
import org.isisaddons.module.publishmq.fixture.scripts.teardown.PublishMqDemoObjectsTearDownFixture;

public class PublishMqDemoObjectsFixture extends DiscoverableFixtureScript {

    public PublishMqDemoObjectsFixture() {
        withDiscoverability(Discoverability.DISCOVERABLE);
    }

    @Override
    protected void execute(final ExecutionContext executionContext) {

        // prereqs
	    executionContext.executeChild(this, new PublishMqDemoObjectsTearDownFixture());

        // create
        create("Foo", executionContext);
        create("Bar", executionContext);
        create("Baz", executionContext);
    }

    // //////////////////////////////////////

    private PublishMqDemoObject create(final String name, final ExecutionContext executionContext) {
        return executionContext.addResult(this, publishmqDemoObjects.create(name));
    }

    // //////////////////////////////////////

    @javax.inject.Inject
    private PublishMqDemoObjects publishmqDemoObjects;

}


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text:
Future of global health funding uncertain during time of great need, panelists say
By Rabita Aziz on May 3, 2017 .
While lawmakers have indicated they may reject cuts to U.S. global health funding, the Trump Administration's proposed cuts to the U.S. Agency for International Development and the National Institutes for Health, among other agencies, "should be looked at as a clear direction of where U.S. policy towards global health is going," Jen Kates of the Kaiser Family Foundation said at a panel discussion on the future of global health funding last month. Even the suggestion of cuts, she said, could have "dramatic and permanent global implications."
Steven Morrison, Tim Evans, Christopher Murray, and Jen Kates
The Trump administration's proposed cuts come at a time when, globally, development assistance for health is at an all-time low since the rise of that funding began. Then, Joseph Dieleman of the Institute for Health Metrics and Evaluation said, the annual growth rate for global health funding was 5 percent. Between 2000 and 2010, that rate jumped to an 11 percent increase every year for global health assistance. Now, annual growth is just 2 percent.
Already, the IHME's latest global health funding report, estimates international HIV funding has decreased by $100 million per year since 2010. Maternal and child health are the only global health areas that have seen funding increases in recent years.
While donor funding is decreasing, Tim Evans of the World Bank said, healthcare costs are increasing at an exponential rate. "The global healthcare economy will more than double from $9 trillion today to $24 trillion by 2040," he said. Most of that spending, however, will occur in high- and middle-income countries, he said, while the poorest countries will not be able to keep up. In fact, he said, health spending in low- and middle-income countries is likely to decrease.
Currently, only 0.6 percent of healthcare spending globally is development assistance, but that assistance accounts for 36 percent of health spending in low-income countries, according to the IHME's report on rising disparities in global healthcare.
"Now there's a very real potential for a decrease in development assistance for health, unlike ever before," Christopher Murray of the IHME said.
A "pretty dystopian vision" lies ahead for three-quarters of a billion people who will reside in low-income countries by 2040, Steve Morrison of the Center for Strategic and International Studies said, if development assistance for health further decreases. As healthcare costs rise and global health assistance falls, people in low-income countries will increasingly have to pay out-of-pocket for healthcare, which, Evans said, will only buy them inadequate and poor services.
Now, with the "dramatic populist assault on USAID and the value of foreign assistance," Morrison said, "even if half of the cuts proposed are accomplished and continued as a yearly impulse and logic, that leaves very little" for the people who most need assistance.
"There is no substitute for sustained U.S. leadership in global health," Morrison said. "No one else, including the private sector, can fill the gap if the U.S. contracts."
This entry was posted in Uncategorized, U.S. Policy and Funding on May 3, 2017 .
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