Dan Hamill, Australian leading man in LOVE CHILD and X-FACTOR finalist, is the Director and Principal Coach of Australia's premiere acting and singing studio DAN HAMILL PERFORMANCE COACHING.
With 15 years experience in the industry ranging from lead roles on hit TV shows and feature films, recordings with Universal Music, being a finalist in two reality TV singing competitions and frontman of the Dan Hamill Band, Dan has combined his experience and training to create this state-of-the-art school known for mentoring singers and actors to have successful careers.
Dan's passion is to create artists that are truly versatile, well-rounded and exceptional in multiple disciplines. To that end, Dan has hand-picked the best working artists in Australia and trained them in The Dan Hamill Coaching Method. The DHPC team of coaches have set a new standard in training, combining the DHPC methodology with their real-world experiences to give students a cutting edge in the entertainment industry.
Watch Olivia Sprague in the trailer for Blockbuster PREDESTINATION!
DHPC is a school for actors and singers that want an edge and tangible advancement toward their artistic goals. We provide performance tuition with proof of improvement. With master coaches and accelerated teaching model, our unique and successful program ensures your progress is on track to realizing your performance dream.
All our coaches are working artists, they bring their real world experience, technical expertise and genuine love for their craft, to coach for success, in a nurturing and progressive environment .
Private vocal and acting classes as well as group classes, as well as group (conducted in a simulated performance setting), musical theatre, choreography, songwriting, instrument tuition and recording and production.
Student Profiles - your sessions are tracked and a biannual report assessing your achievements and plan for further development is provided, to keep you on target to achieving your goals.
Recording opportunities – twice a year you will have your performances professionally recorded and filmed with performance tuition by Dan Hamill, to help you grow your portfolio and serve as 'proof' of your improvement.
Open Mic Acoustic Sessions – every six weeks you will be invited to perform before a live audience at Sister of Society, an upmarket venue in Prahran, accompanied by a guitarist or keyboard player. Gaining experience, confidence and promoting your range and versatility.
DHPC End Of Year Showcase (accompanied by a live band) and Ultimate Performance Workshops.
© 2018 Dan Hamill Performance Coaching. All Rights Reserved.
DHPC offers a variety of workshops in performance for both junior and senior students. They range from 'The Ultimate Performance Workshop' (2018), covering singing, acting, songwriting and stage craft to discipline-specific workshops that cater to students wishing to learn more about their chosen craft.
All workshops include invited industry guests sharing their years of wisdom and tips on how to break through and achieve success. These intensive one-day workshops are a great way for student to extend their capabilities and increase their theoretical knowledge base.
All workshops are run during the school holidays.
"Before I met Dan I didn't consider myself to be a singer at all and I had no confidence in my voice. Week after week I noticed improvements and I was singing songs I never thought possible. That very same year I was lead singer in the Ministry of Dance Showcase and 6 months after graduating I landed a role in the ensemble of Chitty Chitty Bang Bang the musical.
The DHPC Xmas Showcase is a special event to celebrate the year and each DHPC student's success! Each student get's the opportunity to perform with THE DAN HAMILL BAND (a live 6 piece band and backing singer).
This unique experience offers DHPC students the opportunity to work with a live band, gain professional footage for their own promotion, record of progress and celebrate their growth with their family friends and industry professionals.
Every six weeks you will be invited to perform at Sister of Society, an upmarket venue in Prahran, accompanied by a guitarist or keyboard player.
Gaining experience, confidence and promoting your range and versatility in a live professional environment.
With social media packages available to market your filmed performance and gain online content, this recorded event also offers our students and tangible way to track their growth and progress at DHPC.
Hailing from Perth, Dan began his performing career in earnest by winning STARSEARCH, the West Australian Young Performer of the Year consecutively in 2002 and 2003, . No mean feat for a 17 year old up against the state's finest up and coming performers.
In 2003 he auditioned and accepted a much coveted place in prestigious WAAPA (Western Australia Academy of Performing Arts), embarking on a Diploma of Contemporary Voice. During this time he fine-tuned his knowledge of song writing and singing pop, R&B and jazz.
In 2004 at 18 years old, Dan was a Top 10 finalist for Channel 7's Popstars Live, competing against the likes of Rickie-Lee Coulter. During the show a group album was recorded and music video with UNIVERSAL RECORDS resulting in a Gold ARIA award for the Finalist Album. Following Popstars, Dan was in heavy demand for live vocal performances and appearances.
He has appeared on the Disney Channel, Nickelodeon Kids, 110% Tony Squires and My Restaurant Rules with performances for the AFL, QANTAS, Wildcats and Hopman Cup among others. He has performed at a number of charity events with guest performances for the Channel 7 Telethon, the Red Cross, Make a Wish Foundation and the Alzheimer's Association.
After the Popstars publicity, Dan relocated to Sydney for a year to work on a pop album. Writing with the likes of Australia's legendary song writer Rick Price, he performed extensively. In 2005 Daniel came second in the MUSIC OZ Australian Song writing Awards in the R&B Division.
On screen Dan has appeared in television commercials, several short films, a feature film and a telemovie for the ABC. He has had guest lead roles on City Homicide, Neighbours and Hard Rock Medical (Canada). Daniel's performances have been included in the TV WEEK Best Neighbours Moments of 2011.
Dan is one of the founding members of the theatre company: THE KIN COLLECTIVE. His colleagues within the company include the likes of Noni Hazlehurst, Marg Downey and Michala Banas. In 2012 the theatre company debuted their original production entitled Glimpse at 45 Downstairs.
In 2011-2012 Dan was a main character in the animated international cartoon series called Shezow, which aired on Channel 10 and in the US.
In 2013 Dan finished shooting ABC's Telemovie THE BROKEN SHORE. Alongside the likes of Claudia Karvan, Don Hany, Robin Nevin and Noni Hazlehurst and directed by Rowan Woods (The Boys, Little Fish). Followed by Playing the role of Steven Morris opposite Craig McLachlan.
In 2015 Dan has Played the character Wayne Dilthey opposite screen legend Guy Pierce in the ABC series JACK IRISH and was a top 12 Finalist in Channel 7's X-FACTOR, mentored by world music sensation JAMES BLUNT.
In 2017 Dan can be seen in HOUSE HUSBANDS season 5 and as the leading man of LOVE CHILD season 4, playing the role of DR ANDREW PATTERSON.
Represented by leading Australian acting agent SOPHIE JERMYN MANAGEMENT, Dan also now debuts his new corporate band- the DAN HAMILL BAND, which is being described as Australia's answer to Michael Bublé with a Justin Timberlake twist.
Dan has been teaching singing and acting for over 10 years.
-Graduate of the 16th STREET Full-time ACTING PROGRAM.
Dan has a current Working with Children check.
Since moving to Melbourne in 2008, he has worked as a private coach and group acting and singing teacher at many of the states highly respected full-time dance schools. Including The Edge Performers School, Spectrum Dance, Rob Sturrock Industry Dance and for the past 3 years has been the primary acting and musical theatre teacher for Jason Coleman's Ministry of Dance.
For five years now DAN HAMILL PERFORMANCE COACHING has been considered Australia's premier studio for actors and singers.
Spike Leo is a multi-instrumentalist, music producer, engineer and all round performer who has recently returned from Spain after creating the show 'Sama Sama' for Cirque Du Soleil. Spike was accepted into the Victorian College of the Arts Secondary School at the age of 16 after a vigorous audition process and was involved in an innovative program which inaugurated 200 hopeful dancers and musicians to reach their full potential. After graduating, Spike was accepted into The Arts Academy where he achieved a Bachelor of Musical Theatre. Whilst touring Israel, Spike was accepted into his first company, Tararam Tour Group, later successfully auditioning for the Israeli renowned Mayumana group (Cirque Du Soleil) where he performed in the show 'Momentum'.
Mayumana had their debut tour of New York, Broadway, performing to rave reviews in the New York Times and Time Out magazine.
Spike is a sought-after music producer/mix engineer/songwriter in Australia and has worked with some major Australian acts as well as helping many independent artists get on their feet and gain radio play with his unique creative writing abilities and savvy production skills.
Yvette Lee is one of the most sought-after choreographers in Australia. Over the last ten years, Yvette has solidified a strong place in the Australian Dance Industry. From television, film, theatre and live events, her versatility has seen her choreograph in all arenas of the entertainment industry. Yvette is at the top of her game and brings this experience to the students of DHPC, helping to develop performances and create polished artists.
Melbourne singer/songwriter Sophia Brown created a storm on YouTube and as lead singer ofMelbourne band RnBabe. Sophia is an incredible vocalist specialising in R&B, Neo Soul and Pop music but is also an intuitive and masterful song writer.
Her ability to write and create mash-ups with the use of piano, guitar and loops is second to none. Sophia is a vocal and songwriting coach and imparts her experience of the music industry in a nurturing environment.
"I want students to be able to bring their own unique twist to cover renditions and inspire them in their own original writing." Sophia is the perfect coach for students wanting to take their songwriting and creativity to the next level.
Anna Burgess has had a successful professional career as an actor spanning 20 years. Anna began her career at Chanel Nine as a presenter on Postcards and went on to study acting at the prestigious Strasberg Studio for two years in New York.
Her career flourished and she has successfully won roles in theatre, television and feature films. In 2011 she filmed 'The Caretaker' which was awarded Seattle and DC Best Feature Film and she was nominated for best actress in Buffalo Film Festival, New York.
Anna followed this up with roles in 'Any Questions for Ben', Loves Brother and SMS. Anna is currently filming the role of Doctor in American feature film 'The Wheel' in the Docklands. Anna's television credits include Neighbours, Last Man Standing, Good Morning Australia, Starstruck, Screen Stars, Australian Idol and Thank God you're Here.
Her most recent television work was the role of 'Rona Newton John' opposite Delta Goodrem in Channel 7's Olivia Newton-John. Anna's stage credits are many and varied and she recently finished a successful season of Broadway hit 'Bad Jews' at the Alex Theatre to rave reviews. Anna also starred in Yasmina Reza's 'God of Carnage' playing the role of 'Annette' and won the lead role of new Australian play 'Goodbye Miss Monroe' playing multiple roles, including Marilyn Monroe, Rita Hayworth and Gwen Verdon.
Other stage credits include the female lead in the widely acclaimed British comedy 'The 39 Steps, Raimondo Cortese's play 'Inconsolable for Metanoia', Neil Cole's 'Groucho' for the Adelaide Fringe Festival, the original cast of Mel Brooks' 'The Producers', Rigoletto, Macbeth and The Barber of Seville (Opera Australia), Waiting for Godot, Memoranda, The Pursuit of Happiness, Time Warp, Karaoke the Musical, Crazy for You, Damn Yankees, Sweet Charity, 42nd Street, The Pyjama Game and Anything Goes.
Anna is the Head of Acting at DHPC and takes private lessons for not only aspiring actors, but also those already in the industry needing to brush up on skills, prepare for roles, auditions and screen-tests.
A graduate of the Western Australia Academy of Performing Arts, Zack is a Melbourne based actor, singer and voice over artist. Recently Zack returned from the Australian tour of Fiddler on the Roof staring Anthony Warlow and Sigrid Thornton.
Zack understudied and performed the role of Motel and also Perchik. Other recent roles include the role of twin brother Mickey Johnstone opposite Amanda Muggleton in Blood Brothers for Harvest Rain Theatre Company at QPAC. Other theatrical projects include It's Only Life – Accompanied by John Bucchino in NYC, Hello, Dolly!, Anyone Can Whistle, Hello Again and the National and NZ tour of My Fair Lady for Opera Australia as the understudy to Freddy Eynsford Hill.
Zack was a finalist at the Inaugural Rob Guest Endowment Concert at Her Majesty's Theatre in Melbourne. In New York City, Zack has performed It's Only Life – Accompanied by John Bucchino at the iconic jazz venue "Bird Land" and in The Good Fight by Nick Enright and David King as invited by the New York Music Theatre Festival.
R&B and Soul singer, Thando Sikwila appeared on hit television show 'The Voice Australia' and was mentored by Ricky Martin and Kylie Minogue.
After securing a position in the top 24 she received critical acclaim from will.i.am stating "you've got buckets of soul" and standing ovations for every performance on the show. She has since made her theatre debut in the role of 'Effie White' in the Australian premiere of Dreamgirls to rave reviews of her performance in the Herald Sun. She followed this up with an acclaimed portrayal of 'Shug Avery' in the sold-out season of The Colour Purple.
Thando released her much-anticipated debut EP 'Digital Love Letters' in June 2016 and music from the EP has had radio play on Triple J and Double J. She opened for Maxwell at the Palais for his BLACK SUMMER NIGHTS tour alongside DJ MzRizk and has just completed a sold-out national tour with her originals band.
Thando is a technical vocal genius with impeccable stage presence and is perfect for any artist wanting to become technically brilliant to break into the industry.
Josh Williams wrote his first song at the age of 15. In 2004 he auditioned for NZ Idol after which he chose to pursue a career in dancing. Josh joined New Zealand's internationally acclaimed dance crew 'Prestige' and they subsequently won Silver at the 2006 World Hip-Hop Dance Championshios in Los Angeles.
Josh was discovered by NZ label 'Illegal Musik' and released his debut Album 'Young Love' and followed up with popular collaborations with Scribe, Dane Rumble and international artist Maino.
Josh travelled the world sharing his music in America, Japan, Germany, Australia, New Zealand and Papua New Guinea, Rarotonga and a special highlight was touring his home island of Samoa and American Samoa in 2012.
From 2013-2016 he worked in Disney's Australian national tour of The Lion King as the understudy for the main character of 'Simba'. Josh recently released his latest album 'Virgo' with 4 singles and videos with collaborations with well-known NZ artists Brooke Duff, K One and Dane Rumble. Now teaching pop vocals and songwriting at DHPC, Josh is passionate about sharing his experience with upcoming talent and guiding them along the path to success.
We collaborate with Melbourne's finest producers, Spike Leo and RMR Productions to provide an elite industry recording package. We take your demos to the next level – ready for release! The package includes a 3 hour professional recording session with Spike Leo at The Aviary Recording Studios, full production, mixing and completing your single ready for airplay. This partnership offers an affordable way for our aspiring writers to take their demos to the highest industry standard. This partnership also entails music videos and filmed recording's.
We specialise in piano, guitar and looping (made famous by Ed Sheeran!). These classes are designed specifically for singers looking to accompany themselves in performance and songwriting. We employ the most effective, efficient and simplest methods to learn instruments making our singers multifaceted and self sufficient in an industry where playing an instrument is an enormous asset.
To know how to move properly and work the stage as an artist is essential to success. This class gives you one-on-one private sessions with one of Australia's leading choreographers, Yvette Lee, who has choreographed for Zara Larson, Adam Lambert, Dami Im, Guy Sebastian and Samantha Jade to name a few. We teach how to move in a way that unlocks our artist's personal styles by finding movements, gestures and choreography suited to their songs which brings life to their performances and creates confidence in their bodies. From ballads to up-tempo tracks, this is the finishing school class for artists wanting to give their performances the winning edge.
We teach world renowned acting techniques to arm each actor for peak performance in industry auditions and professional work, both for screen and stage. We cover voice work, accents, movement, sensory work, emotional access, script analysis, character development, audition preparation for screen tests, theatre and in-house self tapes. We teach our actors tools to self care and build resilience in the industry and guide them to nailing auditions and gaining representation.
This multi-faceted class is for singers that want to learn the craft of songwriting or need professional assessment of their current songwriting skills. Students bring a lyric or melodic idea to class and collaborate with their coach to create a full song with instrumentation. Live inclass recording and full production is available and this unique opportunity is a way to create a soundcloud account or youtube recordings for originals or covers. This approach allows our artists to create a catalogue of professional, original demos that can be presented to record companies. The adage 'the money is in the songwriting' is true and this class arms you with the tools and skills to facilitate your songwriting dreams and make you a formidable force in the industry.
We specialise in all vocal styles and run classes that cater to beginners, intermediate and working professionals. We develop technical excellence in tone variation, vocal acrobatics, phrasing, vibrato, breathing technique, dynamics, style, vowel modification, mic technique and ability to support singing while dancing. We develop leading edge acting techniques to evoke appropriate emotion in each performance. These technical elements are applied and worked into a song of choice by the artist on a weekly basis until perfected. All artists are given the opportunity to perform live in an upmarket venue in Prahran every six weeks to practice and hone public performances.
This unique experience offers singers the chance to workshop a song on a weekly basis with a DHPC coach and their peers. They perform on stage with mic and sound system and each artist receives industry feedback on their performance. This class teaches vocal technique, emotional connection, stage craft and performance skills, harmony work and improvisation. Students have the opportunity to workshop their chosen song in a safe, supportive environment, where they can push themselves weekly in a group setting.


As I've continue to speak to smart people about blockchain, a common question has come up around "hybrid architectures". Why not build an application on top of a decentralized compute layer, but relying on a centralized database? The answer to that question led me to think about a framework for investors to approach the space.
I've put together three consistent approaches for an investor.
Thesis 1: Full Decentralization. Blockchain is really about trust.
This is personally where I land. I believe a new era of computing — the decentralized era — can be as important as the PC or Internet. A return to open protocols will incentivize developers to innovate.
If you believe this thesis, the conclusion is to be open to investing in both infrastructure and in applications. The investment decision becomes more tactical about which can gain product market fit in the short term, what industries blockchain is built to disrupt, and which layer will capture more value in the long term.
In the short term, I believe that few dapps can gain product-market fit given the lack of performant infrastructure. In the medium term, the end of crypto winter is coming in the form of several high quality infrastructure projects going mainnet that could power usable apps. The ones I keep my eye on are Algorand, Thundercore, Cosmos, Polkadot, Dfinity, Harmony.one, Hashgraph, and Oasis Labs.
Thesis 2: Blockchain is only good for payments.
If you believe this, the conclusion is to invest in Bitcoin itself, Lightning Network, mimblewimble, point of sale systems, wallets, exchanges, custody, remittances, stablecoins, and identity.
The argument is that Bitcoin has captured the majority of the value so far, so ride that trend.
This is a reasonable perspective for later stage investors who prefer to invest against metrics.
Thesis 3: Blockchain is a dead end.
Decentralization is a solution in search of a problem.
Lots of research and capital has gone into scalability.
ICO era parallels the dotcom era: vision & potential outpacing practical realities.
The problem is that innovation has been stifled by the centralization of GAFA — we need a return to open protocols to level the playing field.
BTW… the answer to the question: a hybrid architecture is a perfectly fine bridge solution, but, it won't work once you've achieved product market fit. If you believe in the censorship resistance, the regulatory arbitrage, or the level playing field arguments for decentralization, then, it makes no sense for the data to be under the control of a central authority.


It's perfectly normal for your baby to appear angry sometimes. Your baby probably isn't feeling anger the way adults do. She's just letting you know she's not happy about something in the only way she knows how.
You may worry her crying means she's angry with you, but she's not, she just wants her needs taken care of.
As she grows, your baby will be learning new skills and ways of playing. Your baby may get frustrated at trying to achieve a new skill, such as sitting up or crawling.
So it's only natural if she gets upset when she can't do something or she can't reach a toy she wants!
The best way to calm your baby down, or to prevent her getting distressed to start with, is to work out what's bothering her. Then try to distract her to take her mind off it. Or if she's trying to conquer a new skill, such as leaning forward from sitting to reach a toy, help her out at little.
If your baby's sleeping patterns have been disrupted, do your best to calm her by stroking or cuddling her. Then get back into her routine as soon as possible.
If your baby cries because you won't let her play with your cell phone, hold her up to the window to see what's outside. Or if she's frustrated with a particular toy, swap it for another.
You may find that with some attention from you and a new activity to divert her, she will quickly forget what caused her distress.
Get more advice about cheering up your baby when she's upset.


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New rules for political content in signatures and user profiles. See this thread for details.
AARoads Forum >
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TX: SH 289 northern extension
Author Topic: TX: SH 289 northern extension (Read 3194 times)
Location: Lewisville, TX
Last Login: Today at 12:21:05 PM
I noticed that Google Maps has been updated to show a northward extension of SH 289.
It used to terminate at SH 56 (OLD US 82), but now has been extended north to a terminus at a county road near Lake Texoma; with no possibility of being connected to anything. It makes sense to extend SH 289 up to US 82; to me that should have been done when US 82 was realigned. However, the only value of continuing the SH 289 designation up into the lake area is 1) Route number continuity and 2) Funding. It seems a little odd that a State Highway ends at a county road with no chance for extension.
http://maps.google.com/maps?hl=en&ll=33.655209,-96.512833&spn=0.380655,0.802002&t=m&z=11
Last Login: Today at 10:24:05 AM
Re: TX: SH 289 northern extension
It could be a mapo. Google maps is full of them.
This signature has been censored by the AARoads Bureau of Morality.
Location: central Florida
Last Login: January 19, 2020, 02:11:12 PM
http://www.kxii.com/home/headlines/84644697.html
Florida route log | pre-1945
I will do my best to not make America hate again.
Global warming denial is barely worse than white privilege denial.
It's no mapo. The Highway Designation Files were canged in 2009 to show this change.
txstateends
Location: north TX, not far from an interstate interchange and a US terminus
Last Login: June 05, 2019, 11:30:28 AM
Quote from: Brian556 on April 24, 2012, 07:13:44 PM
There is a bit of a mapo involved; I checked into what Google Street View shows and the state maintenance stops at the Elks Road turnoff (http://g.co/maps/2fbh7) across from Island View Park. The picture still shows FM 120 signage since Google hasn't taken a Street View trip up there since before the TX 289 extension (and FM 120 replacement north of Pottsboro) was completed. The rest of the road up to the end at Preston looks to be county or locally maintained.
From what I can tell, the TX 289 extension directly benefited North Texas Regional Airport, Pottsboro, and the Tanglewood resort (whether they had a hand in trying to get TX 289 extended or not).
There are many FM/RM roads and a few primary TX state highways that don't end at another numbered road. Unusual, sure, but not rare.
\/ \/ click for a bigger image \/ \/
Here's the link to the Highway Designation Filehttp://www.dot.state.tx.us/tpp/hwy/sh/sh0289.htm
The news story does state taht local official wanted the extension to benifit development in hte Airport area.
austrini
Collin County GIS admin
Last Login: October 10, 2019, 10:17:13 AM
I got bored last year (I was supposed to go to a kid's birthday party in Frisco but just kept going) and drove all the way to the end of 289. There wasnt a very visible end to it. One thing I did notice, though, is that the official TxDot state map doesnt show the extention at all.
ftp://ftp.dot.state.tx.us/pub/txdot-info/trv/maps/totm-mxd.pdf
Location: Collin County, TX
From what I understand, part of the new extension of 289 will eventually become an extension of the Dallas North Tollway. Part of the money used to build it came from the NTTA. Of course, that is decades away. The DNT main lanes end at U.S. 380 and one future frontage road is built out to FM 428 in Celina.
Opinions expressed here on belong solely to the poster and do not represent or reflect the opinions or beliefs of AARoads, its creators and/or associates.

redpajama_set_name: RedPajamaCommonCrawl


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Florentino Perez On Punto Pelota & Other Press Notes
Madrid's newly anointed president gave a television interview yesterday. He had plenty to say about transfer gossip and about Mourinho. Some of it was patently disingenuous; our President, we discover, has a gentle sense of humour to go with his trademark diplomacy.
By J A Marsano Jun 4, 2013, 7:26pm CEST
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Denis Doyle
With a long summer of transfers and rebuilding ahead of him, and in the market for a new coach, it's unsurprising that Florentino Perez would have so much to say. Unsurprisingly, he was diplomatic (or devious) depending on one's interpretation of his interview. Even in his evasions however, Perez showed a certain charm.
But of course of chief interest to the interviewers was something that had already happened: the departure of José Mourinho. Perez would not be baited however. He insisted the personal relationship between Casillas and Mourinho was absolutely fine. In fact, he refused to blame either and heaped scorn on the press. Casillas had been used, unfairly, by the press as someone on whom to base stories. As for Mourinho: "I have never seen anything like it" was his generous verdict on Mourinho and the way he had been presented in the press.
Rumours of "tension" were swept aside. Real Madrid, Perez said, is so huge that everything is blown out of proportion. "Nothing is allowed to be normal." And as such: even the most minor disagreements are turned into huge stories with little behind them to fill up column inches. "From a professional point of view the players valued Mourinho...I have never heard anything but praise from them."
On Neymar's transfer (taking place that afternoon) he was faintly mischievous. He had no idea how Barca paid only 57 million, he said - though he was sure their books would work out. Transfers involving so many owners were complex and, all things considered, not in Madrid's policy. His own accounting showed a higher bill of 150 million.
Shown a clip of Barcelona's vicepresident accusing him of entering negotiations only to drive the price up by 17 million (very precise calculation there!) Perez was typically diplomatic. He denied it, and congratulated Barcelona on acquiring the player and bringing one of the world's best into the league.
On Thiago Alcantara he said he had no intention of paying a buy-out clause (Alcantara's is only 18 million and has been activated) for any player because it only causes bad blood between the clubs. Madrid will make no hostile transfers this year, apparently. He also professed not to know whether or not Alcantara is for sale.
On Gareth Bale, Carlo Ancelotti and Pipita Higuain, there was plenty to say.
Perez was in no mood to hear criticisms of Tottenham's Daniel Levy, and showed a businessman's sympathies when he said a chairman is required to do the best for his club. It turns out they are acquaintances. As for the cost? Players of Bale's quality are an investment, said Perez. He shrugged as the interviewer called 100 million "madness". Perez: "He is a great player and Madrid have always liked great players."
On Ancelotti, he was evasive: that coach is still under contract, he noted. He even went so far as to say: "I don't know whether or not he'll want to come."
Zidane, coming in as a sporting director, also provided Perez with the opportunity to evade questions - quite aside from the fact that any talk of Zidane already injects his second term with some necessary glamour. On Bale, for example, he claimed he had yet to talk to Zidane and to evaluate what the team needs for the following year. "Perhaps he'll want to be a coach [of Madrid] one day" noting darkly "maybe Zizou is a masochist."
On Pipita, the interview was at its most disingenuous. Perez denied knowing the player wanted to leave. And affected a faint sense of injury, asking how Juventus could approach a player without the club's permission. He professed to be surprised Pipita wanted to leave or that he wanted to go. "Perhaps because I was just a candidate then...now I'm president." He was shown footage of Pipita claiming there had been a price-tag around his neck from the time of his arrival. Perhaps that footage made him uncomfortable.
Perez's impulse to deny knowledge of Pipita's desire to leave is unclear. Perhaps a higher transfer fee is in the offing. Perhaps this is a desire to make the transfer seem less inevitable. Perhaps it's a final courtesy to a player the fans are very fond of.
On Kaka, Perez defended his Galactico and the player's worth from a financial perspective (thanks to fellow-writer Pedro Falci for the translation of this portion of the interview) while indirectly confirming the difficulty in selling him but also a desire to see him play again if he does stay:
When we go to China or the United States, Kaka is our most acclaimed player, so on economic terms his transfer has been good for us, but on sporting terms his transfer has not been panned out well." Then he was asked what he would do with Kaka if he were in Ancelotti's shoes. Florentino laughed and said "If I were Ancelotti and I were the manager of Real Madrid, I would try to recover him.
But he was very firm on one thing: Ronaldo would stay. In response to a question that said that Madrid fans would consider him "the number one signing" he answered: "We want him to retire at Madrid. We want to win The Tenth with him."
When shown footage of Pipita and Cristiano Ronaldo horsing around during the jersey unveiling, Perez actually chuckled when Pipita was shown to call out: "Hey! Best Paid!" at his teammate. "They're joking!" he said. He sounded almost paternal.
Here is Part One
Here is Part Two
The interview was, of course, very lengthy and Spanish speakers are encouraged to watch the entirety as this summation was only able to scratch the surface.
Casillas' Verdict On The Season
In other news, Iker Casillas, the season finally behind him, said yesterday he had no personal problems of any kind with Mourinho.
I don't bear any grudges against Mourinho, nor do I feel badly treated by him. He made decisions which he felt were the best ones for the club and I personally have nothing personal against him. Unfortunately, we didn't reach our objectives in the Copa del Rey and the Champions League but I wish him the best of luck at Chelsea because he always stood up for Real Madrid.
Mesut Özil Bids Farewell
In a graceful gesture, Mesut Özil said farewell to his coach in a note-perfect post on his Facebook very similar to the one Sami Khedira posted last week. As always, he did it in 4 languages - German, English, Turkish, Spanish.
Here is the English (taken directly from his Facebook and not from any number of Spanish newspapers who incorrectly paraphrased or lazily translated the Spanish into English rather than using his own English version):
Dear José Mourinho,
in professional soccer it's normal that you stay together only for a certain period of time. Then you move on. Three years ago you brought me to Real. During the past three years you taught me a lot, trusted in me and you gave me the confidence I needed. Therefore I want to thank you very much and I wish you all the best for your further career.
Mesut


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Navy's blueberries to give way to green cammies starting next month
Tyler Hlavac
• September 7, 2017
A two-year rollout should put the green, pixelated, camouflage work uniforms known as "green cammies" in every sailor's wardrobe by October 2019. They're replacing blue outfits that have been the Navy's only authorized work uniform since July 2010. (Lauren Spaziano/U.S. Navy)
YOKOSUKA NAVAL BASE, Japan — Some sailors will be able to trade in their blueberries uniforms for the new green cammies starting next month, the Navy said in a message to the fleet last week.
A two-year rollout should put the green, pixelated, camouflage work uniforms — called the Navy Working Uniform Type III — in every sailor's wardrobe by October 2019, the message said. They're replacing blue outfits — nicknamed blueberries — that have been the Navy's only authorized work uniform since July 2010.
The first sailors to get the new uniforms will be at the Navy's Recruit Training Command in Great Lakes, Ill., at Officer Candidate School in Newport, R.I., and in the Southwest Region, the Navy said in its message.
The old gear is being phased out partly because of sailors' complaints, former Secretary of the Navy Ray Mabus said last summer. Sailors have panned the blue outfits as uncomfortable, heavy and a fire hazard.
"They want uniforms that are comfortable, lightweight, breathable … and they want fewer of them," Mabus said at the time.
Sailors have been welcoming the upcoming wardrobe change.
Petty Officer 2nd Class Jessie Bohannon, an information systems technician at Yokosuka, said the blue uniforms made sailors stick out like a sore thumb.
"[The green cammies] look more professional," he said. "A lot of people did not like the blue camouflage."
Seaman Andre Spain, an aviation boatswain's mate aboard the USS Ronald Reagan, said he likes the unique look of the new uniform.
"When we're out to sea, all we see is blue," he said. "I don't want to see blue anymore."
Black-leather safety boots will remain standard for the green uniform, but commanding officers may authorize Navy-certified desert-tan or coyote-brown boots when safety boots aren't required, the Navy said in last week's message. Sailors are allowed to wear a coyote-brown command ball cap in lieu of a blue cap.
Enlisted sailors will get extra clothing allowance money to pay for the new uniform, the Navy said.
Green cammies are already sold at base exchanges in Hawaii, Newport, R.I., Europe, Africa and Southwest Asia. Exchanges in Japan and Guam will start selling the uniforms by January 2019, and they will be on sale at every base exchange by July 2019, the Navy said.
hlavac.tyler@stripes.com


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Volunteer Week: Meet Valerie
Valerie Purcell
National Volunteer Week runs from April 18-24, 2021 and we're honoured to recognize the community of individuals who have given the gift of time to help First United over the years. Their skills and generosity help us carry out our mission of serving the Downtown Eastside.
A long-standing volunteer we're proud to highlight is Valerie Purcell. Valerie has been volunteering for nine years, and if you've ever made a donation to First United you've likely received a call from Valerie thanking you for your support!
Valerie is an invaluable member of the team whose contributions have made a measurable difference. Read on for our brief interview with Valerie about how she got started volunteering with us and why she continues nearly a decade later:
How long have you been volunteering with First United?
Since 2012. My original shift was for 2 hours once a week but because I drove in from White Rock it made more sense to do a longer shift of 4 hours. My effort is minor to the effort that the staff makes.
What inspired you to start volunteering?
I volunteered with the local food bank when I lived in Pennsylvania, which I enjoyed, so when we moved back home [to BC] I decided to continue with volunteering. My girls were older, and I felt I had the time to spare. I happened to skim through Craigslist and came across Natalie's [former Development Manager] request for volunteering.
What type of volunteer work have you done with first?
I have worked mainly with Development team doing thank you calls, filing, mailings or anything staff needed a hand with.
I have also worked at the Community Help Desk on the days they needed help, as a greeter for their Open Houses, collected and delivered donated items from donors and churches in my area, and also with First United's Golf Tournament.
What impact do you see First United having?
First United offers services that aren't available out on the street. So many generous people bring in clothing and food to pass out but First United offers showers, beds, legal advice, help with taxes, bins to safely store possessions*, mailing addresses, housing, and more. These are offered to anyone that needs it, no questions asked. First United gives people help to re-establish themselves.
What do you like about volunteering at First United?
The staff! They have all been appreciative of my contribution and have been really good to work with. If I can take some of the load off Mhairi [Development Operations Manager] then she can focus critical things.
What's kept you volunteering for as long as you have?
I have learned every person has their own story and for me not to be judgemental. It reminds me that people deserve to have their dignity respected. I see this in the behaviour of the staff at First United.
"Valerie has been a rock for our team and First United for so long. As the organization has grown and developed, as the neighbourhood's needs have shifted, Valerie has been there to help every step of the way. We're so grateful for her heartfelt support" – Mhairi Murray, Development Operations Manager
Our in-person volunteer opportunities are currently on hold because of the ongoing COVID-19 pandemic but we're looking forward to welcoming volunteers again when it's safe to do so. If you want to be kept up to date about volunteer opportunities via email please sign up here!
*We unfortunately discontinued the storage program in 2019 but are proud to have been able to offer this important service to the community for as long as we did
Tagged volunteer


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天天文库 > 资源分类 > 其他资料 > 其他文档 > 【英语口语培训】英语范文背诵精选
【英语口语培训】英语范文背诵精选
阳 朔 新 起 点 英 文 书 院 Yangshuo New Start English College A perfect wife A great many people, when they speak of home, tend to associate it with a certain atmosphere, certain physical surroundings, and certain emotional attitudes within themselves. This sentimentality toward home is something that has come down to us from the past. Many modern people do not have it, and I think it is a good thing that they do not. In the old days life was difficult. Enemies could attack you and kill or rob you, and you had little protection against them. People did not live in well-built houses where doors could be locked. They did not have the protection of an organized police force or telephones which could summon the police instantly. How did this influence the way people felt about home? Small family groups clung tightly together for protection against beasts and against other men. Only the bravest went beyond the small family area. Even in the Middle Ages only the most daring went to lands beyond sea. The human pursuit of security conditioned men to love their homes. I am sure that this feeling must have been very strong among the early settlers of the United States who were obliged, by famine and oppression, to take the plunge and go to the new land where they knew no one and where they were subject to Indian attack. We can see this even today in the attitudes of minority groups who, because of a feeling of insecurity, still preserve cohesive family ties. Today, thanks to modern transportation and well-organized societies, thousands of people willingly and eagerly leave the surroundings where they were born, and the oftener they do so, the less sentiment they are likely to have for those surroundings. I lived in England for three years, and I noticed that boys and girls left their parents' homes and lived in dwellings of their own. There they could just telephone and ask an agency to provide them with a house or an apartment, which was their home. How has the meaning of this word home been altered by such activity? What does home mean to those people or to families who often move about, living in first one hotel and then another? I believe that for them home means a place where they can have privacy. This idea of home as being a place of privacy is emerging in my country, Saudi Arabia, where the young are abandoning their parents' homes to live their own life. As for me, the atmosphere and surroundings of the place where my parents live have no sentimental attachment. Home is where I can shut the door and be by myself. At the moment it is a room in Eaton Hall. When I left my parents several years ago, I was anxious to leave. You might call it unfeeling, but that was the way I felt. On the day of my departure for the United States, my grandmother sobbed and wept. My father, however, indicated that he understood how I felt. "Son," he said, "I am not sorry that you are leaving us. I only hope that you make the most of your time. Please let me have a little world Please let me have a little world,please my dear husband.Be so generous as to Let me have a little of my own.If you find me scrawling on a piece of newspaper.please don t piple over my shoulders.It may be that I m inventing some paintful feelings long denied description,or trying to compose a little poem.Not yet for the time being,or attempting to scrath out something visual lights from my childhood memories.Which glows my mind like ribble. When I m in such mood.Please leave me alone,and let me write as the pen dictates. Don t disturb me,my dear.When I get this starter over some old photos,or letters which bring tears to my eyes,or smiles on my lips.For those things happen to me before I met you. The joys and sorrows,partings and reunions that taste like green oil or glitter like scattered purls. They my cherished memories which ready as I am sure with you . I would like to endow in by myself for a while,I hope you won t mind when I go with out you for a nice chat with the close friends of mine.You are my bursy friends.But you can not take the place of other friends any more than they can do yours.I need their care ,encouragement and so bring criticisms just I do yours.A star sky with the salitary blue will bedowe uncherish .Why not let them be a move at night with splendid twin stars.I mean occasionally want to make a tour far away places.Please don t hold back when I start packing for it .You are the center of my life.But certainly not the whole of it.I ear to see mistrys and wonders the world miles away be on the mountains .So let me have a chance to explore my alsess wonder minds as a lone riger.Sometime later,When I come back to you with exhaust,experiences and fresh insights. I m sure you will look me in a new light.My dear husband ,So long as you let me have such a little little world .I ll be very much indentitle. Males and females roles In all societies, male and female roles are regarded differently. The mother role is universally carried out by women, which is biologically based. Roles defined by sex also characterize the economic sphere so that the tasks men perform are different from those women perform. This difference is not any outgrowth of the biological differences between men and women. A specific task may be associated with men in one society and with women in another. Milking herd animals, for example, may be women's task in some societies and a man's task in others. Males and females are each associated with different kinds of behavior. These concepts of male and female behavior extended to how people walk, sit, talk and dress. In our society, as in all others, men walk and talk in certain ways and until recently dressed very differently from women. In some societies, different spatial areas are associated with males and females. Women in many Middle Eastern societies are restricted to certain parts of the house and may only come into contact with the males who are members of their family. In such societies, the coffee house and the market are defined as male domains. In contrast, in some West African societies, women most often appear in the marketplace. Sometimes, men choose to carry out female rather than male roles. In some cases, some men dress like women and perform female tasks. On the other hand, females who carry out male roles usually dress and act like men. Because of women's association with mothering and the home, women are associated with the domestic affairs and men are associated with the public affairs. In a number of New Guinea societies, men are associated with the men's house in which they eat and sleep while women are associated with their own dwelling houses. In our own and other Western societies this division was true until the beginning of the 20th century. Politics, the courts, businesses, banks, and so forth were male areas, and so too were the social clubs where real business was carried out. At the beginning of the 20th century, women began to question the assignment of the male and female role. They formed social groups and began to demand the right to vote. They began to move into the business and professional worlds as well. Men regarded the women pioneers in this movement as very manlike. Even today women in business, law or banking wear very tailored, conservative suits to work. As these changes occur in female roles in contemporary American society, men are increasingly taking on child care and domestic tasks. Freedom in dying The process of dying imbues fewer and fewer choices available to us. Even in dying, however, we still have choices concerning how we handle what is happening to us. The following account deals with the dying of Jim Molock, a student and close friend of mine. Jim is 25 years old. He is full of life, witty, bright, honest, and actively questioning. He had just graduated from college as a human service major, and seemed to have a bright future when his illness was discovered. About a year and a half and ago, Jim developed a lump on his forehead and underwent surgery to have it removed. At that time, his doctors believed that it was not a cancer .later, more tumors appeared and more surgery followed. Several months ago, Jim found out that the tumors had spread throughout his body and that even with treatment, he would have a short life. Since that time he has steadily grown weaker, and has been able to do less and less, yet he has shown remarkable courage in the way he has faced this loss and his dying. Some time ago, Jim came to California, and took part in a weekend seminar that I had with a review of this book. On this chapter, he commented that, "although we may not have choices concerning the losses we suffer in dying, we do retain the ability to choose our attitude toward our death. Jim has taught me a lot during these past few months, about this enduring capacity for choice. Even in extreme circumstances. Jim has made many critical choices since being told of his illness. He chose to continue taking a course of the university because he liked the contact with the people there. He worked hard as a but dog to support himself. He decided to undergo treatment even though he knew that it most likely would not result in his cure because he heard that it would reduce his pain. It did not. And Jim has suffered much agony during the past few months. He decided not to undergo chemical treatment, because he didn't want to prolong his life if he couldn't really live fully. He made a choice to accept god and his life, which gave him a full sense of peace. Before he became bedridden, he decided to go to Hawaii, and enjoy his time in luxury. Jim has always disliked hospitals, so he chose to remain at home in more personal surroundings, as long as he was able, he read widely, and continued to write in his diary about his thoughts and feelings on living and dying. With his friends, he played his guitar, and sang songs that he had written. He maintained an active interest in life and in the things around him without denying the fact that he was dying. More than anyone I have known or heard about, Jim has taken care of unfinished business, he made it a point to gather his family and tell them his wishes. He made contact with all his friends and said everything he wanted to say to them, he clearly stated his desire for cremation, he wants to burn those shamans, and then have his ashes scattered over the sea, a wish that reflects his love of freedom and movement. Jim has very little freedom and movement now, for he can do little but lie in his bed wait for his death to come. To this day, he has chosen to die with dignity, and although his body is getting weaker and weaker, his spirit is still very much alive. He retains his mental sharpness, his ability to say a lot in very few words and his sense of humor. He has allowed himself to grief over his losses, as he puts it, "I sure like to hang around to enjoy all those people that love me." Realizing that this is impossible, Jim is saying goodbye to all those who are close to him. Throughout his suffering, Jim's mother has been truly great. When she told me how remarkle Jim has been in complaining so rarely despite his constant pain. I reminded her that I never heard her complain during her month of caring for him. I have been continually amazed by her strength and courage. And I have admired her willingness to honor Jim's wishes and accept his beliefs, even though at times, they have differed from her own. Jim has been showing me that his style of dying would be no different from his style of living. By his example and by his words, Jim has taught me how to evaluate my own life. Love of Life Two men walked slowly, one after the other, through the low water of a river. It ran cold over their feet. They had blanket packs on their backs; guns, but no bullets; matches, but no food. Suddenly the man behind fell over a stone, hurt his foot badly and called: "Hey, Bill, I ve hurt my foot." Bill continued without looking back. The man was alone but not lost in the empty land. He knew the way to camp, and its food and bullets. He struggled to his feet and limped on. He had not eaten for two days. He picked some small round, tasteless fruits. They did not satisfy, but he knew he must eat them. In the evening he built a fire and slept like a dead man. When he woke up, he took out a small bag weighing fifteen pounds. He wasn t sure he could carry it any longer. But he couldn t leave it behind. He had to take it with him. He put it back into his pack, rose to his feet and continued. His foot hurt, but it was nothing compared with his hunger, which made him go on until darkness fell. His blanket was wet, but he knew only he was hungry. In his troubled sleep, he dreamed of rich meals. He woke up cold, sick and lost; the small bag was still with him. As he pulled himself along, the bag became heavier and heavier. He opened the bag, full of small pieces of gold. He left half the gold on a rock. 1. ______ Eleven cold, rainy days passed. Once he found some animal bones with no meat on them. He broke them and ate them like an animal. Would he, too, be bones tomorrow? Why not? This was life. Only life hurt. There was no hurt in death. To die was to sleep. Then why was he not ready to die? He, as a man, no longer desired. Life in him, unwilling to die, drove him on. One morning he woke up beside a river. Slowly he followed it with his eyes and saw it emptying into a shining sea. When he saw a ship, he closed his eyes. He knew there could be no ship, no sea, here. An imagined picture, he thought. Hearing a noise, he turned around. A wolf(狼), old and sick, was coming slowly toward him. This was real, he thought. He turned back; the sea and the ship were still there. He didn t understand. Had he been walking north, away from the camp, toward the sea? He started slowly toward the ship, knowing full well the sick wolf was following him. In the afternoon, he found the bones of a man. Beside the bones was a small bag of gold, like his own. Bill had carried his gold to the end; he would carry Bill s gold to the ship. Ha-ha! He would have the last laugh on Bill. His laughing sounded like the low cry of an animal. The wolf cried back. The man stopped suddenly and turned away. How could he laugh about Bill s bones and take his gold? 2. ______ 3. ______ He was very sick, now. He inched about on hands and knees, having lost everything— his blanket, his gun, and his gold. Only the wolf stayed with him hour after hour. At last he could go no further. He fell. The wolf came close to him, but the man was ready. He got on top of the wolf and held its mouth closed and bit it with his last strength. The wolf s blood flowed into his mouth. He held the wolf with his teeth and killed it; then he fell on his back and slept. 4. ______ 5. ______ The men on the ship saw a strange object lying on the beach. It was moving toward them — perh
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text:
Labour frontbencher Kate Green has been slammed for remarks she made about the pandemic during the party's virtual conference on Sunday. The Shadow Education Secretary said Labour should exploit the pandemic: "I think we should use the opportunity, don't let a good crisis go to waste". Listen below.
While Green has not responded to the backlash, one of her colleagues was forced to apologise on her behalf this morning. Lisa Nandy was doing the media rounds to discuss the pandemic and looming round of fresh restrictions. However, her interviewers were keen to discuss Green's comments. Nandy apologised on behalf of Green and their party, while simultaneously making various excuses for her colleague, who she told Piers Morgan she expected would apologise shortly.
At the time of writing - two days after her remarks - Green has said nothing.
Lisa Nandy apologises on Good Morning Britain
Lisa Nandy apologises on Politics Live
Labels: coronavirus, Good Morning Britain, Kate Green, Lisa Nandy, videos


text:
APARTMENTS IN ZAHARA DE LOS ATUNES
PLOTS IN ATLANTERRA
PROPERTIES IN VEJER DE LA FRONTERA
UNDER 160.000€
LUXURY VILLAS FOR SALE
VILLAS FOR SMALL GROUPS
VILLAS FOR BIG GROUPS
PET FRIENDLY VILLAS
LIVE STREAM WEBCAMS
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text:
is a type of Japanese pottery traditionally from Kyoto. It is therefore also known as Kyoto ware.

History
Pottery in Kyoto dates back to the late 5th century.

In the 17th century, Nonomura Ninsei set up a kiln opposite the Ninna-ji. He established a specific style of Kyō ware.

Clay that was suitable for the production of porcelain was not easily available in the region. The potters of Kyoto therefore had to concentrate on developing elegant forms and originality.

In the 17th century, Kyō ware and Japanese tea ceremony had a close relationship. The use of China instead of earthenware became more popular. In 1771 Kiyomizu Rokubei I opened his own studio in the Gojōzaka district of Kyoto, near Kiyomizu-dera.

The Gojōzaka district near Kiyomizu has a large Chinaware market with around 400 shops, which makes it one of the largest in Japan. Every summer a large market is held which sells Kyō ware.

A contemporary artist is Nanzan Ito.

Characteristics
The term Kyō ware is more of an umbrella term to describe a wide variety of styles that were produced in Kyoto.

One of the more known styles is the one with distinctive design and flamboyant colouring.

The pigments contain large amounts of glass. The colours are vivid and seem transparent. Not a wide range of colours are used for one vessel, but the aim is to use the right one to suit the design. The pieces are then fired in the kiln at a low temperature.

There is one kind of Kyō ware which is very delicate and fine and less than a millimetre thick, which makes it translucent against light.

Kiyomizu ware is a subcategory and refers to products traditionally made in the direct vicinity of Kiyomizu temple.

Rengetsu ware in contrast has a very rustic look, is however also considered a subcategory of Kyō ware.

External links

 Kyoto Ceramic Center (In Japanese)
 Seigado.jp (In Japanese)
 Kyo-yaki at Britannica.com

Culture in Kyoto Prefecture
Japanese pottery

redpajama_set_name: RedPajamaWikipedia


To further its mission and invest in students and communities statewide, the Georgia Music Foundation awards grants of up to $5,000 each year to music education, preservation and outreach programs. Since 2015, Georgia Music Grants totaling nearly $300,000 have been distributed to schools and non-profit organizations across the state.
The next grant application period to consider funding for projects taking place in 2010 is July 15 – Sept. 1, 2019. Applications will be available online during those dates.
Applications will only be considered from Georgia-based non-profit organizations with IRS 501(c)3 status, or from public, private or charter schools in Georgia serving grades K-12.
Education: Provide opportunities to participate in music through classroom instruction, after-school programs, or summer camp programs. Public, private and charter schools are eligible, as are non-profit organizations that provide music education programs or partner with schools to provide their music education programs.
Preservation: Projects preserve Georgia's music heritage by documenting, archiving or restoring materials that will be made publicly accessible through a Georgia-based museum, archive, or library. Examples include, but are not limited to, academic research projects, oral and video histories and restoration or digitization of historically significant materials.
Outreach: Outreach projects interpret and foster an appreciation for Georgia's music heritage through publicly accessible materials or programs. Examples of projects include exhibitions, documentaries, books, lectures, workshops and digital media.
The application period for projects taking place in 2019 has ended. Applications for projects taking place in 2020 will be accepted July 15 – Sept. 1, 2019. The application will be available online during those dates.
Examples of eligible expenses include music instructor and teaching artist fees; instruments and music equipment; instructional materials; recording, production and engineering services; software; research and development; costs of exhibit curation, design and fabrication.
Funds will not be considered for expenses incurred before or after the year in which the funded project takes place. Additional non-eligible expenses include: general administrative or operating expenses; marketing and fundraising expenses; food or beverage; or accumulated deficits or debt.
The maximum amount for a Georgia Music grant request is $5,000.
Grant applications are reviewed by Georgia Music Foundation board members who consider the merits of the application including the capacity to implement the program with available budget and personnel, as well as organizational history and prior achievements. Preference is given to projects demonstrating critical need and providing accessibility to underserved audiences and students.
The Review Panel reserves the right to request Applicant Interviews.
Grant awardees will be notified no later than December 15, 2018. Grant awardees will be provided a contract with the Georgia Music Foundation detailing the terms and conditions of the award. Upon receipt of the contract executed by an authorizing official of the grantee and a completed W-9 form, the Georgia Music Foundation will disburse awards in January 2019.
Final reports for grants funding projects taking place in 2019 are due within 30 days of completion of the project or no later than Jan. 31, 2020. Final reports must demonstrate briefly that the project was completed within the terms and conditions of the contract. Grantees who do not submit final reports by the due date will not be eligible to apply for future Georgia Music Foundation grants.
Please direct questions to: info@georgiamusicfoundation.org.


3 story, vinyl sided office building with approx. 3890 finished sq. ft. on .755 acre in downtown Shepherdsville. Could be divided into 4 offices on 1st and 2nd story. There is a Bathroom on each floor. 3rd story is being used as an Apartment. Approx. 15 parking spots. Within walking distance of Bullitt County Court House, Library, Kart Country & within 1 mile from I-65.


So...a few days ago I realized something about myself...money isn't what drives me. Isn't that funny? Independence does...then money...simply because I need to money to maintain my complete independence and quality of life.
When I moved out when I was 18 I did it for my own happiness my own sanity if you will. I worked 20-25 hours a week making crap when I was in college so I wouldn't have to live with her. Don't get me wrong, I love my mother, but I hate feeling like I can't do what I want to do.
People don't always understand my fascination with the books I enjoy reading...it is because those books make me really happy. I feel free...it reminds me of what I want to really do with my life to become a writer. I know it doesn't mean I will be successful but I sure as hell want to give it a try...I just wish people wouldn't be so negative about it. It's what would make me happy, but who cares what makes me happy as long as I am making a ton of money.
I fully support your decision to try your hand at writing. But please don't make it a full time job until you become successful.
Answer your phone sometime today..


Monday's all-new "Pretty Little Liars" ranked as the series' #2 telecast on record in Adults 18-34 (1.3 million/2.0 rating), Women 18-34 (1.1 million/3.4 rating), Adults 18-49 (1.7 million/1.4 rating) and Women 18-49 (1.4 million/2.2 rating), standing as the #1 scripted cable telecast for the day in the key demos, and was TV's #1 telecast overall for the day in Viewers 12-34 (2.3 million/2.5 rating), Females 12-34 (2.0 million/4.4 rating) and Female Teens (923,000/3.8 rating).
·	"Pretty Little Liars" dominated its time period, ranking as TV's #1 telecast in the hour in Women 18-34, Viewers 12-34 and Females 12-34, and the #1 scripted cable telecast in Women 18-49.
·	Season 2B to date is pacing as "Pretty Little Liars'" most-watched season on record in several key demos, including Adults 18-34 (1.2 million), Women 18-34 (1.0 million), Adults 18-49 (1.6 million), Women 18-49 (1.3 million) and Females 12-34 (1.9 million), out-performing its 2A averages by hefty double-digit percentages across the board.
In a most impressive feat and bucking the trend, "The Lying Game" hit series highs for the 4th consecutive week in Adults 18-34 (706,000/1.0 rating) and Women 18-34 (603,000/1.8 rating), and delivered its #2 telecast on record in Adults 18-49 (879,000/0.7 rating), Women 18-49 (723,000/1.1 rating), Viewers 12-34 (1.2 million/1.3 rating) and Females 12-34 (1.1 million/2.3 rating), behind only last week's series high.
At 9 o'clock, "The Lying Game" ranked as the #1 scripted TV telecast in Females 12-34, the #1 scripted cable telecast in Women 18-34 and Women 18-49, and was TV's #1 telecast in Female Teens (454,000/3.9 rating). In fact, in Female Teens, "The Lying Game" stood as Monday's #2 TV telecast for the 4th week in a row, behind only "Pretty Little Liars."
·	Season to date, "The Lying Game" exceeds 1A averages by huge double-digit percent margins, including by 31% in Total Viewers (1.7 million vs. 1.3 million), by 53% in Women 18-34 (545,000 vs. 356,000), by 45% in Women 18-49 (697,000 vs. 482,000) and by 39% in Females 12-34 (1.0 million vs. 721,000).
Source: NTI, 1/23/12, Live + Same Day. Season to date series averages: most current.


In the Food Science concentration, students integrate chemistry, biology, engineering and food systems to create and market new foods, enhance food safety and manage food supply chains. Students complete an approved program to become leaders in the food industry, pharmaceutical and personal care products industries as well as government research institutions.
A qualitative sensory scientist guides product developers and project teams to design products based on consumer expectations. This includes facilitating sessions with consumers to gather feedback on sensory attributes of products, facilitating internal idea sessions to identify future product opportunities, and partnering with chefs to guide product developers.


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SIFMA Cuts 2014 U.S. Growth Forecast
By Dunstan PrialFOXBusiness
An influential securities industry trade group has cut its 2014 growth forecast for the U.S. to 2.2% from 2.7%, citing geopolitical concerns and uncertainty tied to monetary policy.
Slower growth, the Securities Industry and Financial Markets Association (SIFMA) said in a report released Tuesday, could force the Federal Reserve to push back its timetable for raising interest rates.
"The forecast suggests that the falling budget deficit and emerging geopolitical risks could delay a rise in interest rates," said Diane Swonk, chief economist and managing director at Mesirow Financial Holdings and chairman of SIFMA's Economic Advisory Roundtable.
SIFMA said economic growth should bounce back somewhat in 2015, predicting the economy will grow 3.1%.
Geopolitical concerns and monetary policy uncertainty, combined with the negative impact of severe winter weather in the first quarter, contributed to a lowered outlook for 2014, compared to the Roundtable's previous prediction of 2.7%, according to the report.
SIFMA said in a statement that accompanied the release of the report that the policy-setting Federal Open Market Committee will continue to scale back the pace of its asset purchases and has begun shifting its focus to "a more nuanced view of labor market conditions."
Respondents to a SIFMA survey were unanimous in their opinion that the FOMC would end its asset-purchase program known as quantitative easing in the fourth quarter of 2014, with the median expectation that the Fed's balance sheet would reach $4.5 trillion once QE expires.
One survey respondent said the Fed "needed to be aware of possible financial market reactions… [t]he rest of the world is expected to be sensitive to what the Fed does and how rapidly it moves."
The median forecast called for 2014 gross domestic product (GDP) growth to be 2.2% on a year-over-year and a fourth quarter-to-fourth quarter basis. Survey respondents agreed that the unusually harsh winter played a significant role in the year's weak first quarter, but GDP growth is expected to climb to 3.7% in the second quarter before falling to 3.1% in the third quarter and 3% in the fourth quarter.
For the full year 2015, GDP growth was expected to climb to 3.1%.
Unemployment is expected to continue to improve in 2014, according to the SIFMA report.
Survey respondents expected the full-year average unemployment rate to decline to 6.3% in 2014 and further decline to 5.8% in 2015. Non-farm payroll gains were expected to reach 2.4 million jobs in full-year 2014 and 2015.
Business capital investment for the full-year 2014 weakened to 3.6%, down from the 5% forecast at year-end. In 2015, it is expected to strengthen to 5.7% growth.
The median forecast for "headline" inflation, measured by the personal consumption expenditures (PCE) chain price index, is expected to be 1.5% growth for full-year 2014, and 1.8% for full-year 2015. The median forecast for the core PCE chain price index was at 1.4% for full-year 2014, with a 1.8% rise forecast for full-year 2015.
"The 2014 outlook for inflation remains moderate, with economic slack/employment being the dominant factor, followed by global economic conditions, with the Federal Reserve's balance sheet and fiscal policy/deficit trends ranked third and fourth in importance," SIFMA said in its statement.
The FOMC is expected to maintain its 0.0% to 0.25% target federal funds rate throughout 2014 and the first half of 2015. The median forecasts for 10-year U.S. Treasury is expected to rise quarterly, reaching 3.26% in June 2015 with inflation or inflationary expectations, FOMC interest rate policy, and credit mark risk aversion/flight to quality cited as being the "greatest impacts."


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Storming of the Capitol: The Working Class Has its Own Battles to Fight
(Statement of the Internationalist Communist Tendency) · The picture we're getting from the US is shocking and serious. The formal institutional events are the least important. Only two things matter. The first is that, even knowing that there's no possibility of invalidating the election, Trump has fully mobilised the worst of the American reactionary world which has always seen him as the strong...
In Times of Lockdown: How to Contact and Work Towards Joining the CWO
The Covid lockdowns and restrictions have produced a very unusual situation for the ICT. We've almost stopped face-to-face meetings, though we have managed to attend and address some demonstrations and had a small number of suitably socially-distanced meetings in various places. We've cut back on our physical publications, because we don't have as many opportunities at the moment to distribute...
Coronavirus - Axe Falls on the Working Class
Capitalism's continuous plunder and destruction of the natural environment is forcing animals such as bats, rodents and other small creatures into our cities. They bring their diseases with them and pass them on to humans. We have no immunity to these new viruses and the result is epidemics like SARS, MERS and the present pandemic Covid-19.
The Election is Over: The Capitalist Class has Won
(Statement from the Internationalist Workers' Group, affiliate of the ICT in the USA.) · With the election of Biden to the post of lord of the free world, many are celebrating. No government policies will change. Indeed the more identical the two candidates are in their policies the more sectarian rancor there is between the supporters of the two teams of bourgeois America.
Against Police Reform - For the Abolition of Capitalism
(Just as this piece was ready to go online, yet another blatant police shooting of a black US citizen in full sight has triggered angry protests in Kenosha, Wisconsin. Jacob Blake has been left paralysed from the waist down. Added to the re-run of nightime curfews, tooled-up police and National Guard lining up against protesters came a follower of "Blue Lives Matter": 17 year old Kyle...
Wealth Tax: Expropriation of the Rich or Capitalist Smokescreen?
Part One · A spectre is haunting Europe: the 'Wealth Tax' (known in Italy as the Patrimonial). This joke sums up what has now become a stock demand of so many of the "left", both inside and, above all, outside parliament and not just in Italy. By definition, a wealth tax is a form of taxation aimed at the rich, particularly the very rich, via a progressive rate that increases with the level of...
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Party and Class in 1918: Vladimir Sorin on Soviet Power
The translation which follows is our latest offering from the pages of the Left Communist journal Kommunist 4 which appeared in June 1918.(1) The writer is the 25 year old Vladimir Sorin.(2) Less is known about him than many of the other contributors. Robert Daniels does not mention him at all in The Conscience of the Revolution whilst Ronald Kowalski in his The Bolshevik Party in Conflict: The...
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New Year, Same Crisis
The COVID-19 pandemic has left the entire working class living with a new level of uncertainty. There have now been cases reported on every continent after researchers and military personnel on Antarctica recently reported their first cases. As of 29 December 2020, there have been over 81.2 million COVID-19 cases and 1.77 million deaths.
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An Introduction to the Work of the CWO and ICT
(The article which follows is a transcript of an introduction to an online meeting of CWO members and sympathisers on 21 November 2020.) · What Distinguishes the ICT? · The world is full of organisations claiming to be revolutionary, communist or even internationalist. The majority of these have a theory and practice that we would not recognise in any of those categories.
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Vladimir Smirnov's Contribution to the Debate on the Soviet Economy
This is the first signed article by Vladimir Smirnov in the Kommunist project. It appeared in issue 4 in June 1918. Smirnov was of the same revolutionary generation as fellow Kommunist contributors Bukharin and Ossinsky whom he met at Moscow University. Joining the Bolsheviks in 1907, he distinguished himself in 1917 by leading the artillery assault on the Kremlin and forcing the officer cadets...
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Malignant Ulcers of Capitalism: The Proletarian Struggle for Reproductive Freedom (Part 2)
In our first part ( on reproductive struggles in class society, we highlighted some of the facts and dangers surrounding abortion and contraception. We also commented on the family unit and prostitution – two phenomena Marxists deem to be flipsides of one another and inseparable from the struggle for reproductive freedom.
Read more about Malignant Ulcers of Capitalism: The Proletarian Struggle for Reproductive Freedom (Part 2)
The Illusion of State Intervention in the Economy: The Eternal Anti-Working Class Weapon of Reformism
With each new jolt to the capitalist structure its crisis deepens. The disruption of production and distribution caused by the coronavirus pandemic has only added to the existing woes of the system. And, as ever, the working class is being fed illusions about the beneficial effect that state intervention would bring to their conditions and to the "community" in general, irrespective of class.
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The US Election is Over: The Capitalist Nightmare Continues!
With the election of Biden to the post of "leader" of the so-called "free world", many are celebrating. The US ruling class are, of course, delighted to see the back of Trump whom they accuse of having made a complete mess of protecting US interests. The embarrassment of the previous four years can now be swept under the carpet and business as usual can recommence.
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Turning the Planet into an Uninhabitable Hell
While capitalism's latest child, Covid-19, rains death down on us, capitalism's destruction of the planet is actually taking us down a path towards human extinction. According to a United Nations report published in September, the world has failed to meet any of the targets set in 2010 to protect biodiversity and one fifth of all countries are at risk of their ecosystems collapsing.
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200 Years On: Engels and his Revolutionary Contribution
(Today marks 200 years since the birth of Friedrich Engels. For this occasion we reproduce an article from Revolutionary Perspectives 1 (Series 3), originally published back in 1995 for the 100th anniversary of Engels' death. It's not a "celebration" or potted biography, it's an attempt to evaluate his contribution to the development of Marxist method and the workers' movement in the 19th...
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Revolutionary Perspectives #17
Out this January
Winter/Spring 2021 (Series 4)
Communist Work in a Covid Crisis
Mythology about the Middle Class and the Class Struggle
Class Consciousness and Working Class Emancipation
1871-2021: Vive la Commune!
Journal of the Communist Workers' Organisation -- Why not subscribe to get the articles whilst they are still current and help the struggle for a society free from exploitation, war and misery? Joint subscriptions to Revolutionary Perspectives (3 issues) and Aurora (our agitational bulletin - 4 issues) are £15 in the UK, €24 in Europe and $30 in the rest of the World.
Aurora #2020-11-19
Aurora is the broadsheet of the ICT for the interventions amongst the working class. It is published and distributed in several countries and languages. So far it has been distributed in UK, France, Italy, Canada, USA, Colombia.
Gramsci between Marxism and Idealism
Written by Onorato Damen
The present volume is the product of Damen's considerations on Gramsci's shortcomings as an analytical and practical Marxist which he evidently wrote over a period of years. The structure is loose because he died before he completed it and the draft chapters were only discovered posthumously and eventually published in 1982.
The book can be ordered by emailing us at uk@leftcom.org and asking for our banking details, by donating the cost of the publications required via Paypal using the "Donate" button, or via Amazon (amazon.co.uk).
Bordiga Beyond the Myth
The originality and importance of this volume – in a expanded edition including new documents and editorial notes, from the two previous editions: 1971 and 1977 – mainly lies in the documents that throw permanent light on the distinctive development and perspectives of the "Italian Left" over decades (among the most tragic in modern history) in the history of international communism.
The book can be ordered by emailing us at uk@leftcom.org and asking for our banking details, by donating the cost of the publications required via Paypal using the "Donate" button, or via Amazon.co.uk (amazon.co.uk). Don't go to Amazon.com as it says "unavailable" there.
Class Consciousness and Revolutionary Organisation
The issue of "consciousness" is one of the most important for the working class and for revolutionaries. Our approach is unashamedly historical and attempts to draw out the real experience of the working class in its struggles of the last two centuries.
Intransigence
Marxists archive - Libcom.org
Left Wing Communism - Sinistra.net
Collectif Smolny
Art to the People - Gerd Arntz


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Hawaiian Bracelets have become a cherished Island keepsake.
Our Hawaiian Bracelets are molded and plated in metal, and covered in gold foil with black, embossed design and protected with clear enamel. Our bracelet measures 70mm dia. x 18mm w. (2-3/4" x 7/10"). Each Hawaiian bangle bracelet is engraved on the inside of the bracelet with "Mauna Kai by Island Heritage".


When World War I broke out in August 1914, it was decided to change the name of the Russian capital from St.Petersburg to Petrograd. The old name sounded too German for contemporary Russians. Germany was now the enemy of Russia and all the forces had to be employed to ensure her defeat. The main part of the city's industry began to work to support the war effort and many of Petrograd's buildings, including a large portion of the Winter Palace, were turned into hospitals. Most construction work in the city has stopped. The war did not go too well for Russia. The tsar's government had discredited itself and political tensions started rising. To make things worse, the food supply of the Russian capital deteriorated significantly towards the end of 1916.


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How Many Times India Has Won Cricket World Cup Scenario of Indian Sports Arena
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Sport is an essential part of a healthy daily routine. Sports not only exercise the muscles of the body, but also provide freshness and keep active. India has a great sports history as there are many sports like Kabaddi, Wrestling, and Swimming etc., which are important elements of Indian culture. Sports are basically of two types – indoor and outdoor. Indoor sports include games like Billiards, Chess, etc. and the outdoor games have Cricket, Football, and Wrestling etc. In ancient times the people of India had many interesting sports for their entertainment and refreshment, especially outdoor sports. In fact, some sports have their origins in the roots of Indian culture like Kabaddi, Kho-Kho, and boat racing etc.
In the current Indian sports scenario, Cricket is the dominant sport in which India has an excellent history. Football is another popular game in some parts of India, but Cricket is more popular among the Indians. There are some world level sporting events in India, but most of them are dedicated to Cricket. There are also events for other games such as Premier League Hockey. India has hosted many international sporting events such as the Hockey World Cup, Asian Games, and the Commonwealth Table Tennis Championship in the past.
Apart from Cricket, Indians have achieved some outstanding knocks in International sports. Indians have won many medals in the Commonwealth and Asian games. In fact, Indians are the world champions in the games like Chess, Billiards etc. They were also World Hockey champions for several times in the past. In tennis and shuttle there are some great talents in India. Delhi is currently going to host its first Commonwealth games in 2010. The Indian Premier League is a well-known sporting event in India, which is among the most successful domestic events at the international level.
Many sports authorities are working towards the welfare of sports in India. Sports bodies get aids from the Indian government for developing the infrastructure and nurturing the growing talent. India has some world level stadiums like Jawaharlal Nehru Stadium, Major Dhyanchand stadiums etc which have standard facilities for the sports people of the world. These bodies are supposed to arrange the basic requirements for their sports in question. Some legendary players from India made a big impact on the world stage. Major Dyanchand of hockey, Sachin Tendulkar of cricket, Pulela Gopichand of shuttlecock, Abhinav Bindra of shooting, Geet Sethi and Pankaj Advani of Billiards, V Anand of chess are some of the sports players who left a big impact in the international sports field.
As India has some world level athletes and sports people, they are very few compared to other countries and India's population. Sports authorities should focus on developing new talent from the grassroots. More sporting events should be organized to promote the sport at low levels. Sports people have to move to big cities to get better facilities, as towns lack basic requirements. However Indians have to prove their abilities in Olympics, the biggest sporting event in international scenario. Indians have won very few individual medals in the Olympics. Lack of basic requirements, basic facilities and promotional sports events at the grass root level are the main reasons behind the failure of Indian athletes in the big events like Olympics.
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