text:
Home » Bollywood News » After Laila Majnu, Imtiaz Ali to direct an eternal love story of Radha Krishna; announcement on Janmashtami
After Laila Majnu, Imtiaz Ali to direct an eternal love story of Radha Krishna; announcement on Janmashtami
Speed News Desk | Updated on: 2 September 2018, 11:20 IST
Radha Krishna Imtiaz Ali
These days director Imtiaz Ali is promotions his next production venture Laila Majnu, directed by his youngest brother Sajid Ali. The film is based on the famous love tale of Laila and Majnu. However, before the release of Laila Majnu, director Imtiaz Ali announced his next directorial venture based on eternal love epic saga of Radha and Krishna.
The film will be made under Reliance Entertainment and Imtiaz Ali's Windows Seat, the announcement of the film made on the auspicious festival of Janmashtami. The love story of Radha Krishna is incredible and also the famous love tale of India, even in some segments we have seen examples of their love story.
#RelianceEntertainment and #ImtiazAli to make a film on the eternal love story of #RadhaKrishna. #WindowSeatFilms
Media Release : https://t.co/AK5CePWnUN pic.twitter.com/o9j4xY7IQu
— Reliance Entertainment (@RelianceEnt) September 2, 2018
Imtiaz Ali said, "I have always been fascinated by the eternal love story of Radha and Krishna. In all of Indian folklore I know of no other story, which is so intensely personal and yet has such an epic scale. It has been my dream to step into the world of Radha Krishna."
Also Read - Andha Dhun Trailer Out: Sriram Raghavan brings another dark story like 'Badlapur' and this time with Ayushmann Khurrana
It is amazing that even after they never met together, whenever we take Krishna's names it is totally incomplete without Radha. Their love story is something that is unbeatable and classic, and in the Indian cinema, we have not seen such a big film in their love story.
IT'S OFFICIAL... On the auspicious occasion of #Janmashtami, Reliance Entertainment and Imtiaz Ali announce a film on the eternal love story of Radha and Krishna... Will be written and directed by Imtiaz... Research on the film is currently underway #RadhaKrishna...
— taran adarsh (@taran_adarsh) September 2, 2018
The film on #RadhaKrishna will be one of Imtiaz's upcoming directorial ventures... It is not the one that he will be directing next due to the extensive research and pre-production required for a project of this scale.
The film will be written and directed by Imtiaz Ali and this story is really close to his heart. However, it is being told that Imtiaz Ali will not direct this film immediately as he is targetting it for 2020, before this, he will make another film that is not confirmed yet.
Also Read - After coming out of Manikarnika, Sonu Sood targets Kangana Ranaut says 'she is playing women card'
First published: 2 September 2018, 11:20 IST
Janmashtami Imtiaz Ali Radha Krishna Ranbir Kapoor Laila Majnu
Shraddha Kapoor shares throwback picture from 'Stree' days
READ NEXT >> Shraddha Kapoor shares throwback picture from 'Stree' days


text:
2018 Stephen Bulger Gallery, "Rosalind Fox Solomon, Liberty Theater"
2018 Colgate University, Picker Art Gallery, "THEM"
2016 Bruce Silverstein Gallery, New York, NY, "Got to Go"
2015 Salon d'Honneur at Paris Photo, Grand Palais, Paris, France, Portraits in the Time of AIDS, 1988
2013 Bruce Silverstein Gallery, New York, NY, Portraits in the Time of AIDS, 1988
2010 Bruce Silverstein Gallery, New York, NY, "Ritual"
2008 Bruce Silverstein Gallery, New York, NY, "Inside Out"
2006 Foley Gallery, New York, New York, "American Pictures from Chapalingas 1976-2000,"
2005 Musee Nicephore Niepce, Chalon sur Saône, France, "Rosalind Solomon: American Photographs 1974-2001″
2005 The Willy-Brandt-Haus, Berlin, Germany, "Close and Distant – Poland"
2003 Galerie Thomas Zander, Cologne, Germany, "Eleven Portraits of Eggleston"
2003 Die Photographische Sammlung, Cologne, Germany "Chapalingas", Photographs and texts by Rosalind Solomon, catalogue essays by Susanne Lange, Ingrid Sischy and Gabriel Conrath-Scholl
1996 Museo de Arte de Lima, Lima, Peru, El Peru y Otros Lugares, "Peru and Other Places," catalogue text by Natalia Majluf and Jorge Villacorta
1995 Port Washington Public Library, Port Washington, New York, "Rosalind Solomon: Photographs"
1995 Beth Urdang Gallery, Boston, Massachusetts; "Rosalind Solomon: Photographs"
1992 Instituto de Estudios americanos, Badalona and Bilbao Cultural Center, Bilbao, Spain, "Rosalind Solomon: Disconnections." Curated by Jeff Rosenheim. Catalogue text by Jeff Rosenheim, with Spanish and Basque translations
1991 PGI Photo Gallery International, Tokyo, Japan, "Rosalind Solomon: Photographs"
1990 Museum of Contemporary Photography, Chicago, Illinois, "Rosalind Solomon: Rites and Ritual"
1989 Winfisky Gallery, Salem, Massachusetts, "Rosalind Solomon"
1988 Museum Voor Volkenkunde, Rotterdam, Holland "Rosalind Solomon: Earthrites"
1988 Grey Art Gallery and Study Center, New York University, New York, New York, "Rosalind Solomon: Portraits in the Time of AIDS," catalogue text by Thomas Sokolowski
1988 Etherton Gallery, Tucson, Arizona, "Rosalind Solomon, Photographs 1976-1987," catalogue text by Arthur Ollman
1987 Catskill Center For Photography, Woodstock, New York, "In A New Light"
1986 Museum of Photographic Arts, San Diego, California, "Rosalind Solomon: Earthrites," catalogue text by Arthur Ollman
1986 Museum of Modern Art, New York, New York, "Rosalind Solomon: Ritual, Photographs 1975—1985," Peter Galassi
1986 Espace, Union des Banques a Paris, Paris, France, "Rosalind Solomon Photographies," Ghislaines Richard-Vitton, catalogue text by Ben Lifson
1984 American Center, New Delhi, India, "Rosalind Solomon: India," catalogue text by Will Stapp
1982 George Eastman House, Rochester, New York, "Rosalind Solomon: India," Marianne Fulton, (Tour included Smithsonian American Art Museum)
1982 Film in the Cities, Minneapolis, Minnesota "Rosalind Solomon: Peru"
1982 Ikona Gallery, Venice, Italy, "Rosalind Solomon: Peru," ed. Živa Kraus, catalogue text by Ljerka Mifka
1980 Sander Gallery, Washington, D.C., "Selected Images"
1980 Corcoran Gallery of Art, Washington, D.C., "Rosalind Solomon: Washington," catalogue text by Jane Livingston
1978 Sander Gallery, Washington, D.C., "Rosalind Solomon"
1978 The Photographers' Gallery, London, England, "Southern Portraits"
1975 Birmingham Museum of Art, Birmingham, Alabama, "First Mondays in Scottsboro"
2018 Bruce Silverstein Gallery, "We are the subject: Model, Arbus, Solomon"
2018 Ogden Museum of Southern Art, New Orleans, LA, "One Place Understood: Photographs from the Do Good Fund Collection"
2017 Library of Congress, Washington, D.C., "A Century of Creativity, The MacDowell Colony 1907—2007"
2017 Fondazione Museo d'Art della Svizzera Italiana, Lugano, Italy, "On the Paths of Enlightenment: The Myth of India in Western Culture 1808—2017"
2016 Brooklyn Museum, Brooklyn, NY, "This Place"
2016 The Bronx Museum of the Arts, Bronx, New York, "Art AIDS America"
2015 MoMA PS1, Long Island City, NY, "Greater New York"
2015 Norton Museum of Art, West Palm Beach, FL, "This Place"
2015 Contemporary Arts Center, Cincinnati, OH, "After The Moment: Reflections on Robert Mapplethorpe"
2015 Ricco Maresca Gallery, New York, NY, "ME: Photographic Self Portraits"
2015 Tel Aviv Museum of Art, Tel Aviv, Israel, "This Place", Charlotte Cotton
2014 Haverford College, Ardmore, PA, "The Female Gaze: A Survey of Photographs by Women from the 19th to the 21st Centuries"
2014 DOX Centre for Contemporary Art, Prague, Czech Republic, "This Place", Charlotte Cotton
2013 Tang Museum, Skidmore College, Saratoga, NY, "The First 15: Photography from the Meredith S. Moody Residency at Yaddo"
2010 Museum of Modern Art, NY, "The Original Copy: Photography of Sculpture, 1839 to Today"
2010 Museum of Modern Art, NY, "Pictures by Women: A History of Modern Photography"
2010 Bruce Silverstein Gallery, New York, NY, "Discoveries"
2009 Mt. Holyoke College Art Gallery, MA, "Lisette Model and Her Successors"
2007 Aperture Foundation, New York, New York, "Lisette Model and Her Successors"
2006 Sepia Gallery, New York, New York, "Sepia at Seven"
2006 Salle d'exposition du quai Antoine ler, Monaco, "La Trajectoire de regard: Une exposition de photographies du Xxe siecle"
2006 Rubin Museum of Art, New York, New York, "Holy Madness: Portraits of Tantric Siddhas"
2006 Photo Gallery International, Tokyo, Japan, "American Photographers: Fine Prints"
2006 Paris Photo, Foley Gallery Booth
2006 Museum of Modern Art, New York, New York, "Person, People, and Place"
2006 MUSA Museum auf Abruf, Wien, Austria, part of the "European Month of Photography/Monat der Fotografie"
2006 Kunsthalle Wien, Vienna, Austria, "Americans," Curated by Peter Weiermair
2005 Museum of Modern Art, New York, New York, "Inaugural Installation of the Steichen Gallery"
2004 Best of, Die Photographische Sammlung, Collection of the Foundation, Cologne, Germany
2003 The Gallery at Mumm Napa, Rutherford, California, "Wanderers, Travelers and Adventurers: Images of Exploration from the Permanent Collection of the Museum of Photographic Arts"
2003 Museum of Photographic Arts, San Diego, California, "Wanderers, Travelers and Adventurers: Images of Exploration from the Permanent Collection of the Museum of Photographic Arts"
2003 Bibliothèque nationale de France, "Portraits/Visages 1853 – 2003″
2003 Art Cologne. Sepia International Inc., New York, "Faces"
2002 Umbrage Editions and the United Nations, Barcelona, Spain, "Pandemic: Facing AIDS"
2002 The Asia Society, New York, New York, "Banaras The Luminous City"
2002 Sepia International, Inc., New York, New York, "Dream Street"
1999 Wessel + O'Connor, "Female," Vince Aletti
1999 Sepia International, Inc., New York, New York, "Rosalind Solomon and Linda Connor: India"
1999 Robert Mann Gallery, New York, New York, "Thirteen"
1999 Galerie Zabriskie, Paris, France, "Au revoir Paris"
1999 California Museum of Photography, Riverside, California, "Photography by Women from the Collection"
1997 Philadelphia Museum of Art, Philadelphia, Pennsylvania, "India: A Celebration of Fifty Years of Independence"
1996 New York Public Library, New York, New York, "Women in Photography" (organized by the Akron Museum, Ohio)
1996 Institute Francaise d'Ecosse, Edinburgh, Scotland, "Portrait of my Mother," Viviane Esders
1996 Brooklyn Museum of Art, New York, New York, "Photography in Latin America: A Spiritual Journey," Barbara Milstein
1996 ACA Galleries, New York, New York, "Spirit Witness, Hillman, Maron, Solomon"
1995 Victoria and Albert Museum, London, England, "Recent Acquisitions for the Photography Collection"
1995 Howard Greenberg Gallery, New York, New York, "Animal Attractions," ed. Diana Edkins
1995 G. Ray Hawkins Gallery, Los Angeles, California, "Kissing"
1995 Centro Cultural de Arte Contemporaneo, Mexico City, Mexico, "Twentieth Century Photographs From the Permanent Collection"
1994 National Gallery of Australia, Canberra, Australia, "Do Not Leave Me This Way: Art in the Age of AIDS," catalogue text by Ted Gott
1994 Museum of Modern Art, New York, "American Politicians," catalogue text by Susan Kismaric
1994 Institut Francais d'Ecosse, Edinburgh, Scotland, "Portrait of my Mother," Viviane Esders
1994 Independent Curators Inc., New York, New York, "From Media to Metaphor: Art about AIDS, 1992—1994," catalogue
1994 Directors' Guild, Los Angeles, California, "The Magic of Play," Diana Edkins
1993 Museum of Modern Art, "Photographs from the Permanent Collection"
1993 Museo Tamayo, Mexico D.F., "Mexico Through Foreign Eyes," INdependent Curators Inc., New York
1992 Tokyo Metropolitan Museum of Photography, Tokyo, Japan, "American Documents in the Fringe," catalogue
1992 Blue Sky Gallery, Portland, Oregon, "Rosalind Solomon and Marc Riboud"
1990 International Center for Photography, New York, New York, "The Indomitable Spirit," catalogue text by Marvin Heifferman and Carol Kismaric
1990 Basel Art Fair, Basel, Switzerland, "Photography: The Eighties," Joshua Smith
1989 University of Minnesota Art Museum, Minneapolis, Minnesota, "Recaption: Recontext"
1989 Museum of Art, University of Oklahoma, Norman, Oklahoma, "The New Expeditionary Photographer," catalogue
1989 Ikona Gallery, Venice, Italy, "Group Exhibition," catalogue text by Živa Kraus
1989 Henie Onstad Museum, Oslo, Norway, "Selected Works from the Permanent Collection"
1989 George Eastman House, Rochester, New York, "Professional Visions"
1989 Center for Book Arts, New York, "Photo Journals" Peter Beard, Bill Burke, ed. 1989 Grazda, Rosalind Solomon," David Lee
1988 Stephen Wirtz Gallery, San Francisco, California, "Children of Our Times"
1988 Museum of Photographic Arts, San Diego, California, "Viewpoints: An Exhibition from the Permanent Collection"
1988 George Eastman House, Rochester, New York, "The Cow in Photograph and Folktale"
1987 Nelson Atkins Museum, Kansas City, Missouri, "Wanderlust, Work by 8 Contemporary Photographers"
1987 Hallmark Collection, Keith Davis, Kansas City, Missouri
1987 Galerie Zabriskie, Paris, France, "Tenth Anniversary Photography Exhibition"
1987 Centro de Arte Reina Sofia, Madrid, Spain, "American Dreams," catalogue text by Belinda Rathbone
1987 Burden Gallery, Aperture Foundation, New York, New York, "Mothers and Daughters"
1985 National Museum of American Art, Washington, D.C., "New Acquisitions"
1985 Museum of Modern Art, New York, New York, "Opening Exhibition from the Permanent Collection"
1985 Library of Congress, Washington, D.C., "Recent Acquisitions"
1985 Corcoran Gallery of Art, Washington, D.C., "Photographs from the Collection"
1985 Addison Gallery of American Art, Andover, Massachusetts, "Traveling"
1983 The Mednick Gallery, Philadelphia College of Art, Philadelphia, Pennsylvania, "Bob Mahon/Rosalind Solomon"
1983 The Carpenter Center, Harvard University, Cambridge, Massachusetts, "From the Archives"
1983 National Portrait Gallery, Washington, D.C., "New Acquisitions"
1983 Museum of Modern Art, New York, New York, "Selections from the Permanent Collection"
1983 Light Gallery, New York, New York, "New Women/New Work"
1983 Galerie Zabriskie, Paris, France, "Apres Cinq Ans"
1983 Galeria Carles Poy, Barcelona, Spain, "Members Only"
1983 Centre Georges Pompidou, Paris, France, "Work from the Collection of the Bibliothèque nationale"
1982 The Photographers' Gallery, London, England, "Floods of Light: Flash Photography 1851—1981″
1982 Seibu Museum of Art, Tokyo, Japan, "Twentieth Century Photographs from the Museum of Modern Art," catalogue text by John Szarkowski
1982 Joseloff Gallery, Hartford Art School, University of Hartford, Connecticut, "Flash"
1981 Museum of Modern Art, New York, New York, "American Children," catalogue text by Susan Kismaric
1981 Corcoran Gallery of Art, Washington, D.C., "Photographers by Photographers"
1980 Ikona Photo Gallery, Venice, Italy, "Arnold Kramer, Joan Salinger, Rosalind Solomon"
1979 Museum of Modern Art, New York, New York, "Works from the Permanent Collection"
1979 Corcoran Gallery of Art, Washington, D.C., "Still Life Photographs"
1978 Sander Gallery, Washington, D.C., "Eliot Porter, Ellen Auerbach and Rosalind Solomon"
1978 Museum of Modern Art, New York, New York, "Mirrors and Windows," catalogue text by John Szarkowski
1977 Galerie Zabriskie, Paris, France, "Diane Arbus, Lisette Model, Rosalind Solomon"
1977 Centre Georges Pompidou, Paris, France, "Works from the Collection of the Bibliothèque nationale"
1976 Museum of Modern Art, New York, "Photography for Collectors," John Szarkowski
1976 Galerie Zabriskie, Paris, Dix Photographes Americains
1975 Neikrug Gallery, New York, "There is no Female Camera"
1975 Lyman Allyn Museum, New London, Connecticut, "Women Look at Women"
1974 Hunter Museum of Art, Chattanooga, Tennessee
Monographs & Catalogues
Liberty Theater, Published by MACK, 2018. 128 pages, 77 tritone plates
Got to Go, Published by MACK, 2016. 144 pages, 79 tritone plates
THEM, Published by MACK, 2014. 144 pages, 56 tritone plates
Polish Shadow, Published by Steidl, 2006. 80 pages, 60 tritone plates
Chapalingas, 464 pages with 204 photographs by Rosalind Solomon, includes essays by Susanne Lange, Ingrid Sischy and Gabrielle Conrath-Scholl. Co-published by Steidl, Göttingen, Germany and Die Photographische Sammlung / SK Stiftung Kultur, Köln, Germany, 2003 (English, German and French)
Museum of Photographic Arts, San Diego, California, 1986, Earthrites, Arthur Ollman
The Grey Gallery and New York University Study Center, New York, 1988, Portraits in the Time of AIDS, Thomas Sokolowski
Museo de Arte de Lima, Peru, 1996, El Peru Y Otros Lugares, Peru and Other Places, Natalia Majluf and Jorge Villacorta
Bilbao Bizkaia Kutxa, Bilbao, Spain, 1993, Desconnections
Etherton Gallery, Tucson, Ariz., Rosalind Solomon, Photographs 1976-1987
Ikona Photo Gallery, Venice, Italy, 1982, Rosalind Solomon, Peru, Ljerka Mifka
The Corcoran Gallery, 1980, Rosalind Solomon: Washington, Jane Livingston
United States Information Service, 1984, Rosalind Solomon: India, Will Stapp
AWARDS, HONORS, FELLOWSHIPS, RESIDENCIES
Lucie Foundation Award for Outstanding Achievement in Portraiture, 2016
Banff Center, Banff, Alberta, Canada, 2013
Djerassi Resident Artist, Woodside, CA, 2012
Meredith S. Moody Residency, Yaddo, Saratoga Springs, NY, 2005
Ray and Abraham Gottlieb Fellowship, MacDowell Colony, Peterborough, NH, 2003
National Endowment for the Arts Fellow, MacDowell Colony, Peterborough, NH, 2002
Blue Mountain Center, Blue Mountain Lake, NY, 2002
John D. and Catherine T. MacArthur Residency, Yaddo, Saratoga Springs, NY, 1999
National Endowment for the Arts, 1989
American Institute of Indian Studies Fellowship, 1981-1984
John Simon Guggenheim Foundation Award, 1979
Women Photographers: From Julia Margaret Cameron to Cindy Sherman, Boris Friedewal, Prestel, Germany 2014
Male, Vince Aletti, published by Andrew Roth, 2008
The Theatre of the Face: Portrait Photography Since 1900, Max Kozloff, Phaidon Press, London 2007
Americans [1940-2006], Kunsthalle Wien, Gerald Matt, Peter Weiermair. Published by Verlag Damiani Editore, Bologna 2006
La Trajectoire de regard: Une exposition de photographies du XXe siecle, Salle d'exposition du quai Antoine ler, Monaco, February 2006
Holy Madness: Portraits of Tantric Siddhas, Rubin Museum, Winter 2006
Fotografia, 2005, published by Televisa, Mexico, DF, and printed by Los Talleres de Artes Graficas, Palermo, Madrid, 2005
"Visages/Portraits," Bibliothèque nationale de France, Paris, France, October 2003
The Social Scene, an Anthology, Max Kozloff, Ralph Parsons Foundation Photography Collection, Museum of Contemporary Art, Los Angeles, California, 2000
Photography in New York, Inc., New York, New York, March/April, May/June, January/February, 2000, back page
Photography in New York, Inc., New York, New York, November/December, 1999
A Sampling of Innocent Documents, "Making Women More Visible," ed. Diana Mara Henry, Bettye Lane, The Arthur and Elizabeth Schlesinger Library, Radcliff College, Cambridge, Massachusetts, 1999, pp. 26-27
Our Grandmothers, "Your Ever Adoring Gammon," ed. Linda Sunshine, Welcome Enterprises, Inc., New York, New York, 1998, pp. 82-83
Hope, ed. Alice Rose George and Lee Marks, Thames and Hudson, New York, New York, 1998, pp. 126. 139, 148
India, A Celebration: Fifty Years of Independence, The Aperture Foundation, New York, New York, 1997, pp. 158 – 164
Leg, ed. Diana Edkins, Betsy Jablow, General Publishing Group, Los Angeles, California, 1997
Our Mothers, Portraits of 72 Women Photographers, Viviane Esders, Stewart, Tabori & Chang, New York, 1996
Wedding Days, Marla Hamburg Kennedy, Hiro Ikera, H2O Co. & Graystone Books, Japan, 1996, p. 28
World Photo Art Exhibition and Auction, Kobe Aid Fund, Asahi Shimbun, Tokyo Institute of Polytechnics, Tokyo, Japan, 1996
Luz y Tiempo, Manuel Alvarez Bravo, Fundacion Cultural Televisa, Mexico City, Mexico, 1995
Animal Attractions, Diana Edkins, Harry N. Abrams, Inc., New York, 1995
Black and White Washington, Thomasson-Grant, Charlottesville, Virginia, 1995, pp. 35, 41
The Body and the Lens, "Photography Since 1839: Gender Politics and the Postmodern Body," John Pultz, Harry N. Abrams, Inc., New York, 1995, pp. 58-159
Fathers and Children, ed. Charles Sullivan, Harry N. Abrams, Inc., New York, 1995, p. 147
Mortal Remains, ed. Ricardo Bloch and Don Celender, Macalester College, St. Paul, Minnesota, 1995
Twentieth Century Photographs From the Permanent Collection, Centro Cultural de Arte Contemporaneo, Mexico City, Mexico, 1995
The History of Women in Photography, Naomi Rosenblum, Abbeville Press, New York, New York, 1994
Do Not Leave Me This Way: Art in the Age of AIDS, Compiled by Ted Gott, National Gallery of Australia, Thames and Hudson, Melbourne, Canberra, Australia, 1994, p. 145
American Politicians, Photographs from 1843 to 1993, Susan Kismaric, Museum of Modern Art, Harry N. Abrams, Inc. New York, 1994
Mexico Through Foreign Eyes, ed. Carole Naggar & Fred Ritchin, W.W. Norton & Co., New York, 1993, pp. 164-6
Members Only, ed. Ruth Turner and Lola Estrany, Galeria Carles Poy, Barcelona, Spain, 1993, p. 116
Blue Sky #2, Blue Sky Gallery, Portland, Oregon, 1992
From Media to Metaphor: Art About AIDS, Independent Curators Inc., New York, 1992, p.57
American Documents in the Fringe, Tokyo Metropolitan Museum of Photography, Tokyo, Japan, 1992
Parkett, "Not Vital: Frei Konvertibel" Rosemarie Trockel and Christopher Wool, Parkett-Verlag AG, Zurich, Switzerland, 1992, p. 147
The Indomitable Spirit, Marvin Heifferman and Carol Kismaric, The International Center of Photography, New York, New York, 1990
Women Photographers, Connie Sullivan, Harry N. Abrams, New York, 1990
Aperture, "Grief and Anger, Self and Shadow: Photographing People with AIDS," Robert Atkins, New York, New York, Spring 1989
Recaption: Recontext, University of Minnesota Art Museum, Minneapolis, Minnesota, 1989
The New Expeditionary Photographer, Museum of Art, University of Oklahoma, Norman, Oklahoma, 1989
Wanderlust, Work by 8 Contemporary Photographers, Keith Davis, Nelson Atkins Museum, Hallmark Collection, Kansas City, Missouri, 1987
Mothers and Daughters, Burden Gallery, Aperture Foundation, New York, 1987
American Dreams, ed. Belinda Rathbone, Centro de Arte Reina Sofia, Madrid, Spain, 1987
Tenth Anniversary Photography Exhibition, Galerie Zabriskie, Paris, France, 1987
India: Ritual and the River, Aperture Foundation, New York, Winter 1986
Festival of India, "Rosalind Solomon: India," Will Stapp, Harry N. Abrams, New York, 1985
Traveling, Addison Gallery of American Art, Andover, Massachusetts, 1985
Apres Cinq Ans, Galerie Zabriskie, Paris, France, 1982
Twentieth Century Photographs from the Museum of Modern Art, John Szarkowski, Seibu Museum of Art, Tokyo Japan, 1982
American Children, Susan Kismaric, Museum of Modern Art, New York, 1980
Mirrors and Windows, John Szarkowski, Museum of Modern Art, New York, 1978
Sander Gallery Catalogue I 20th Century Photography, Sander Gallery, Washington, D.C., 1979, pp. 59-60
Akron Museum of Art, Akron, OH
Alkazi Collection, New York, NY
Arkansas Fine Arts Center, Little Rock, AK
Bibliotheque nationale, Paris, France
Brooklyn Museum of Art, New York, NY
Canadian Center for Architecture, Montreal, Canada
Carpenter Center, Harvard University, Cambridge, MA
Centro Cultural de Arte Contemporaneo, Mexico City, Mexico
Center for Creative Photography, Tucson, AZ
Cleveland Museum, Cleveland, OH
Corcoran Gallery of Art, Washington, D.C.
Davis Museum & Cultural Arts Center, Wellesley, MA
Die Photographische Sammlung, Cologne, Germany
Do Good Fund, Columbus, GA
FotoMuseum Provincie Antwerpen, Belgium
Frances Young Tang Teaching Museum & Art Gallery, Skidmore College, Saratoga Springs, NY
George Eastman House, Rochester, NY
Hallmark Collection, Kansas City, MO
Harvard Art Museums, Harvard University, Cambridge, MA
Haverford College, Haverford, PA
Henie Onstad Museum, Oslo, Norway
High Museum of Art, Atlanta, GA
Hunter Museum of American Art, Chattanooga, TN
Instituto de Estudios Norteamericanos, Barcelona, Spain
Israel Museum, Jerusalem, Israel
Jewish Museum, New York, NY
Kiyosato Museum of Photographic Arts, Kiyosato, Japan
Library of Congress, Washington, D.C.
Los Angeles County Museum, Los Angeles, CA
Metropolitan Museum, New York, NY
Milwaukee Art Museum, Milwaukee, WI
Museé de la Ville de Paris, Paris, France
El Museo de Arte de Lima, Lima, Peru
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Houston, Texas
Museum Folkwang, Essen, Germany
Museum of Modern Art, New York, NY
Museum of Photographic Arts, San Diego, CA
Museum voor Volkenkunde, Rotterdam, The Netherlands
National Gallery of Art, Washington, D.C.
National Gallery of Canada, Ottawa, Canada
National Museum of American Art, Washington, D.C.
National Portrait Gallery, Washington, D.C.
New Orleans Museum of Art, New Orleans, LA
Rijksmuseum, Amsterdam, The Netherlands
Schlesinger Library, Cambridge, MA
San Francisco Museum of Modern Art, San Francisco, CA
Sheldon Memorial Art Gallery, Lincoln, NE
Smart Museum of Art, University of Chicago, Chicago, IL
St. Louis Museum of Art, Saint Louis, MO
Tokyo Metropolitan Museum of Photography, Tokyo, Japan
UCR/California Museum of Photography, Riverside, CA
Vassar College, Poughkeepsie, NY
Victoria and Albert Museum, London, England

redpajama_set_name: RedPajamaCommonCrawl


text:
The AbleGamers Charity
The Worlds Largest Charity for Gamers with Disabilities.
History Of Adaptive Tech
Peer Counseling
Community & Inclusion
Developers – Make Your Game More Accessible
Players With Disabilities – Get into the Game
AbleGamers Knowledge Base
Level Up-Donate Monthly
Donate Your Game Equipment
Mark Barlet, Founder
Looking Ahead – 2022 and Beyond
AbleGamers Player Panels
Are you a gamer with disabilities?
Do you want to help shape the accessibility of the games industry?
AbleGamers Player Panels is a community of players with disabilities who are interested in participating in play-testing and user research on games.
AbleGamers connects these players with game companies and other organizations test games and participate in research and development to make games more accessible.
If you are a player with disabilities interested in helping to make games more accessible, you can find additional information about registering for Player Panels here: accessible.games/join-ablegamers-player-panels/
With the AbleGamers Player Panels, we have partnered with the top publishers, AAA and indie game companies and leading researchers to create a platform for giving players a voice in accessible game design and development. Here are a few Frequently Asked Questions
Q: What happens after I fill out this form?
A: We will send you a screening questionnaire which will help us know more about you and about how we should work with you. We aim to do this as quickly as we can.
Q: How do organizations get in contact with me?
A: When an organization requests players with particular attributes (e.g. users alternative controllers, plays multiplayer games), we notify players meeting those attributes will be asked if they want to participate with the company. We then ask you to indicate through a legal waiver that we can hand over your contact information to the organization. Similarly, we have organizations sign a waiver saying they will not share or use the data for reasons other than the ones they have indicated to us.
Q: How else does AbleGamers manage my data?
A: We endeavour to follow best practices of the General Data Protection Regulation (GDPR). This include but is not limited to the fact will never sell your data, we will always tell you what your data will be used for, and always give you the opportunity to withdraw your data with each contact. We will never identify you individually publicly through your data.
Q: What kinds of emails will I receive?
A: You will receive notifications of opportunities you qualify for to work with game companies and other organizations working on game accessibility. You will receive emails about opportunities for accessibility research and development with partners with whom we have collaboration agreements. You will receive requests for information from AbleGamers through which we collect data to inform our advocacy, training, and research and development.
Q: Do I have to do all of those things?
A: You will be as engaged as you want to be. For each opportunity or request, you will have the chance to agree or decline to participate. You will never be dropped from the Player Panels for declining.
Q: How often will I be contacted?
A: We cannot predict how often opportunities will come to you through Player Panels. Organizations impose different constraints including the number of players, locations of players and the options players use. However, we recognize that all players who sign up want to contribute to game accessibility. In order to give those players a voice, we aim to run a request for information every 1-2 months in order to get players involved and get hard data about players with disabilities that we can share with developers.
Q: What will I be paid?
A: Each notice of an opportunity will include an indication from the organization offering it of what you will be reimbursed for your time.
Q: So are you employing players with disabilities?
A: No. We are providing a service to match players with particular attributes with companies who want to work with them. AbleGamers does not employ any of the people on Player Panels.
Q: I have a legal guardian (e.g. under 18), can I still participate?
A: Anyone over the age of 13 with a disability is welcome to join the panel. For those who have a legal guardian we will seek your legal guardian's permission to participate after you complete the screening questionnaire.
Q: How did you set up Player Panels?
A: We set up Player Panels through a collaboration with the University of York (UK) working with partners in their Justice and Equality Research theme.
Q: I'm having trouble with the screening questionnaire or another issue I need to ask about, who can I contact?
A: Any questions can be sent to [email protected].
Back to top ↑ You are here: ABLEGAMERS/ AbleGamers Player Panels
AbleGamers Legal
See Our Charity Navigator Rating
Our GuideStar Platinum Status
ABOUT ABLEGAMERS
Our mission, creating opportunities that enable play in order to combat social isolation, foster inclusive communities, and improve the quality of life for people with disabilities.
We're using the power of video games to bring people together, improving quality of life with recreation and rehabilitation.
AbleGamers is an IRS 501c(3) Public Charity
© 2022 The AbleGamers Foundation Inc.
"AbleGamers", "Accessible Player Experience" and the AbleGamers Joystick logo are all Registered Trademarks of the AbleGamers Foundation, Inc., All Rights Reserved


text:
Robert George Winsor (1876 – June 1, 1929) was a fisherman and political figure in Newfoundland. He represented Bonavista Bay from 1913 to 1924 and Bonavista North from 1928 to 1929 in the Newfoundland House of Assembly as a member of the Fishermen's Protective Union.

He was born in Wesleyville, the son of George Winsor. Winsor ended his schooling at the age of twelve to become a fisherman, later becoming captain of a schooner working in the Labrador fishery. He served as chairman of the FPU council in Wesleyville and for the Bonavista district. Winsor married Alice Whiteway. He was manager of the Union Trading Company at Newtown from 1912 to 1919. In 1919, he opened his own business, including a sawmill, near Wesleyville. Winsor retired from politics in 1924, but ran unsuccessfully in a 1924 by-election held after two elected representatives for Bonavista Bay were named to the Executive Council. Winsor was elected again in 1928, defeating William C. Winsor. He died in office in St. John's the following year.

References

Fishermen's Protective Union MHAs
1876 births
1929 deaths
Dominion of Newfoundland politicians

redpajama_set_name: RedPajamaWikipedia


text:
Q: Hide your IP when connecting remotely I was wondering how some people is able to hide their IP when they connect remotely to a server for example. I'm connecting frequently to a linux server and I can see that when using the $who command, it shows from where is everyone connecting to the server, but sometimes it doesn't tell the IP nor the domain or anything, and somebody told me that is because he is hiding his ip using Tor or something similar. My question is: how can I hide my IP when I use a terminal emulator such as PuTTY so that the server doesn't knows my IP?

A: Connecting through Tor or some other mechanism to hide your true IP has nothing to do with why the who command doesn't show the IP or hostname.  Even if connected to an SSH server over Tor, it would show the Tor exit IP rather than nothing.
It may be like Pekka, said, they are connected locally, or another possibility is that their connection timed out and who still shows the login but they aren't actually connected.
If you want to run Putty over Tor to "hide" your IP from the server, just run Tor locally and configure Putty to use Tor as a SOCKS proxy.
You could also run ProxyChains to use Tor or other SOCKS proxies and then run either proxychains putty or proxychains ssh user@host.org to connect through the proxy which will prevent the server from seeing your actual IP.
Configure PuTTY to use Tor

redpajama_set_name: RedPajamaStackExchange


text:
<?xml version="1.0" encoding="UTF-8"?>
<definitions id="definitions"
             xmlns="http://www.omg.org/spec/BPMN/20100524/MODEL"
             targetNamespace="Examples">

  <process id="process" isExecutable="true">

    <startEvent id="start" />
    <sequenceFlow id="flow1" sourceRef="start" targetRef="caller" />

    <callActivity id="caller" calledElement="throwException" />
    <sequenceFlow id="flow2" sourceRef="caller" targetRef="userTask" />

    <userTask id="userTask" />
    <sequenceFlow id="flow3" sourceRef="userTask" targetRef="end" />

    <endEvent id="end" />

  </process>

</definitions>

redpajama_set_name: RedPajamaGithub


text:
Requesting Interior IG Investigate Bernhardt's Decision to Stack Bears Ears Monument Committee With Monument Opponents
We requested that the Interior Inspector General investigate whether Sec. Bernhardt violated the law by stacking a committee designed to protect Bears Ears monument with individuals intent on shrinking it.
Advisory Committees Energy and Environment
Next: Uncovering Details on Abrupt Cancellation of Grants to Help Human Trafficking Victims
(AP Photo/Rick Bowmer, File )
Interior Secretary Bernhardt stacked the Bears Ears National Monument Advisory Committee with individuals determined to strip territory and critical protections from the Utah monument. The Committee is explicitly tasked with providing recommendations for conserving the Bears Ears monument as described in its founding Proclamation, but Secretary Bernhardt has filled the majority of Committee seats with opponents of public lands conservation generally, and the Bears Ears Monument specifically.
The Bears Ears Monument was established in 2016 by Presidential Proclamation, which also called for the creation of the Committee as a "fair and balanced representation" of interested stakeholders, including State and local governments, tribes, and recreational users. In April 2019, the Trump administration appointed the Committee's membership and installed a majority that had been openly critical of the Monument's creation and supportive of President Trump's decision to shrink its territory by 85%.
Committee members recently endorsed policies for the Monument that would contain fewer protections for Bears Ears resources. The plan is widely opposed by conservation and tribal advocates, and is inconsistent with the Committee's charter.
We requested that the Department of Interior Inspector General investigate whether Secretary Bernhardt's Bears Ears Monument Advisory Committee violates the Federal Advisory Committee Act and/or constitutes the improper use of his office. The Committee is subject to the Federal Advisory Committee Act, which requires among other things that committees be fairly balanced and contain provisions to ensure that committees are not unduly influenced by the financial interests of its members.
In violation of FACA and its implementing regulations, at least three of the administration's appointees have financial conflicts of interests with BLM's stewardship of public lands, such as the Bears Ears Monument, because they or their immediate family members hold public grazing allotments. The administration has not released these members' required ethics disclosures.
Secretary Bernhardt has a questionable record of compliance with federal advisory committee laws. In August, a federal judge ruled that the Trump administration unlawfully formed the Royalty Policy Committee—a body stacked with fossil fuel reps—and blocked the Interior Department from using the Committee's recommendations. In late September, a federal judge in a separate case rejected the Trump administration's efforts to shield the Department of Interior's unlawful trophy hunting council from judicial scrutiny.
Letter (10/8/19) (pdf / 83 KB)
Aman George
Legal Policy Director
Former law firm associate working with the policy team to identify high impact legal actions.
Read the Bio
Travis Annatoyn
Litigating against the unfaithful application of the nation's environmental laws.
Previous Lawsuit
Healthy Gulf v. Bernhardt
Next Lawsuit
Uncovering Details on Abrupt Cancellation of Grants to Help Human Trafficking Victims


text:
Wawa poised to expand in central Pa. with up to 40 convenience stores
The suburban Philadelphia Wawa chain said it's planning to expand west to central Pennsylvania.
Sue Gleiter | sgleiter@pennlive.com
Some thought it would never happen, but Wawa is pushing closer to central Pennsylvania and competitor Sheetz's turf.
The suburban Philadelphia-based convenience store chain known for hoagies, coffee and breakfast sandwiches announced on June 23 it's expanding closer to the center of the state.
Wawa, the eastern rival in the Keystone State convenience store wars to Sheetz, said it plans to double its store count over the next three to five years in the region with the first store opening as early as 2024. It said it aims to potentially open 40 stores in central Pennsylvania.
"With a commitment to fulfilling lives, we're thrilled to continue our growth and expansion in our existing markets to provide quality fresh food, beverages and support to the community," said John Poplawski, vice president of Real Estate for Wawa, in a press statement. "In addition, Wawa's continued expansion will mean even more convenience and new jobs in the central Pennsylvania community."
Wawa operates stores on the eastern side of Pennsylvania with none located west of the Susquehanna River. A Wawa store is coming to a retail and residential development in Mount Joy Township, just east of Elizabethtown in Lancaster County.
Right now, the chain is concentrating on expansion in the Florida Panhandle, southern Alabama and North Carolina. Its newest prototype focuses on drive-thru only locations.
In Pennsylvania, one of the most heated debate centers around Sheetz vs. Wawa. Some believe the two powerhouses signed a gentleman's agreement to not encroach on each other's territory but that has largely been unfounded.
The Altoona-based Sheetz and Wawa have been building stores along the Lancaster and Berks county lines. But Sheetz remains dominant in the Harrisburg region. Wawa operates stores in Pennsylvania, New Jersey, Delaware, Maryland, Virginia, Florida and Washington, D.C.
Wawa is asking for help to find potential sites for stores. Those with ideas can submit them to Wawa via an online form.
READ MORE: Clash of convenience stores: Sheetz, Rutter's and Wawa, among others, compete in central Pa.


Judges Cave near Marianna, Florida, contains one of the five largest nursery colonies of bats in eastern North America. With help from BCI and the Florida Game and Fresh Water Fish Commission, the Florida Nature Conservancy has purchased this critical site. Arrangements for protection soon will be complete, and bat emergence watches and interpretive activities are planned. We thank those generous BCI members who helped make this possible.


text:
KIIS-FM (102.7 FM) es una estación de radio en Los Ángeles, California, Estados Unidos basado en un formato musical Top 40 (CHR). Es propiedad de iHeartMedia. Conocido como "102.7 KIIS-FM" y como una de las estaciones Top 40 de mayor audiencia en Estados Unidos, KIIS, que se pronuncia como "beso" en inglés, es el origen de la marca nacional "KISS-FM". Sus estudios están ubicados en Burbank entre la Warner Bros. Studios y NBC, y tiene un sitio de transmisión en el Monte Wilson con la mayoría de las estaciones de televisión y radio que sirven a Los Ángeles.

KIIS-FM es actualmente la estación de radio número 1 en Los Ángeles, su área metropolitana, y toda la costa oeste, con un promedio de 3,6 millones de oyentes. KIIS-FM fue nombrada la estación del Año 2007 en la categoría radio contemporánea top 40 para el tamaño de mercado de 1 a 25 en la radio nacional y convenciones Records. La estación se encuentra, de acuerdo con Radio & Records, como la de mayor facturación de ingresos del país, con $ 66.3 millones logrados en 2008.

La ortografía del indicativo de la estación, K-I-I-S, deriva de la frecuencia de su anterior estación hermana AM KIIS (actualmente KEIB), 1150 AM. El numeral "115" se parece "IIS".

KIIS-FM fue una vez el hogar de Rick Dees (1981-2004) y recientemente Ryan Seacrest.

KIIS Top 102
El 31 de diciembre, KIIS-FM cuenta atrás las 102 mejores canciones del año, conocidos como "KIIS Top 102".

 2008: "With You" de Chris Brown
 2009: "Boom Boom Pow" de The Black Eyed Peas
 2010: "Airplanes" de B.o.B feat. Hayley Williams
 2011: "Give Me Everything" de Pitbull feat. Ne-Yo, Afrojack y Nayer
 2012: "Where Have You Been" de Rihanna

Conciertos
 Wango Tango
 Jingle Ball
 JoJo Jam

Expersonal al aire
 Humble Harve 1975-1977
 Jay Stevens 1975-1977
 Gary McKenzie, 1977-80
 Larry Hayes,
 Ed Shane,
 Frank Jolley,
 Jeff Salgo,
 Billy Pearl,
 Magic Matt Alan 1989-1991, 1996
 Joe Cipriano
 Rick Dees, 1981–2004
 Allison Macofsky , 2002–2005
 Sean "Hollywood" Hamilton,
 Casey Kasem
 Fabrice Morvan 1998-2000
 Jeff Serr 1982-1983, 1985–1986
 Shadoe Stevens
 Charlie Tuna 1973-1977
 Suzy Tavarez, 2004–2007
 Paul Freeman 1976-1989
 Bruce Vidal 1981-1996
 Tim Kelly 1982-1987
 Ed Mann 1983-1987
 Brother Bill 1979-1993
 "Big" Ron O'Brian 1982-1987 1992
 Raechel Donahue 1984-1987
 M. G. Kelly 1987-1988
 Whitney Allen 1991-1994
 Sean McNeill
 Liz Fulton
 "The Coach" Charleye Wright
 Banana Joe
 Dave Sebastian (Williams)
 Todd Kelly 2001 - 2002
 Sean "Valentine"
 Larry Morgan

Referencias

Enlaces externos

Emisoras de radio de Estados Unidos
Emisoras de radio fundadas en 1948


Almost any software you might want to use is available for use in a hosted environment. Listed below are some of the more popular software applications that we offer and can support. And, if you need something unique to your business or do not see what you need in this list, please contact our Sales team at (775) 434-2030 and we will provide current pricing for you.


Dwell Uk Sofa Beds from Pisa Sofa Bed, Take it with you when buying drapes or another designing components impression downloaded from: thesofasite.co.
Pisa sofa Bed as Your Reference » Try to use functional furnishings anytime decorating a smaller measured place. An ottoman is a great choice. It can be used for chairs or even a kitchen table, and you could even store products within, whether it opens. Items which have numerous uses are efficient place savers for any small place.
Draw on your Pisa Sofa Bedimaginative part if you are redesigning your kitchen. Granite is always a common option, but timber, cork and also other materials work fantastic. Some other choices cheaper, and may make your cooking area special Pisa Sofa Bed from other individuals.
We hope you can find what you need here. We always effort to show a picture with HD resolution or at least with perfect images. Pisa sofa Bed » Inviting Dwell Uk sofa Beds can be beneficial inspiration for those who seek an image according specific categories; you can find it in this site. Finally all pictures we have been displayed in this site will inspire you all..


Every Friday afternoon, four undergraduates from Columbia University put on military uniforms and travel to the Bronx campus of Fordham University. There, the students -- cadets in the Army's Reserve Officers Training Corps, a military leadership program that has been banned from Columbia's own campus since 1969 -- study topics not listed in the course catalog, including land navigation and marching in formation.
But their commute could soon be as short as a walk across campus. Emboldened by a high-turnout student referendum two years ago that put support for ending the R.O.T.C. ban at 65 percent, a politically eclectic group of undergraduates has raised the program's profile.
The debate has done more than expose predictable fault lines over the Pentagon's "don't ask, don't tell" regulations and the war in Iraq. It has also signaled a shift in student attitudes toward the military and encouraged vigorous conversation on campus.
"From the point of view of a veteran of '68 here, which I am, it's a different world," said Allan A. Silver, a professor of sociology, referring to the year that student protests convulsed the campus. Mr. Silver, who has taught at Columbia for more than four decades, favors the R.O.T.C.'s return. "There is very little overt antimilitary sentiment. The major issue is the 'don't ask, don't tell' policy on the service of open homosexuals in the military." That is a far cry from the atmosphere of Vietnam era, when police once battled protesters at an R.O.T.C. awards ceremony, and many students and faculty members at Columbia rejected any hint of accommodation with the "military-industrial complex."
More than three decades after the Vietnam War drove a wedge between America's military and many of its elite colleges, the divide is beginning to narrow, and not just at Columbia. In recent years, several Ivy League universities have begun revisiting policies put in place during the late 1960's to prohibit or limit R.O.T.C. programs.
"There certainly is opposition, and there are issues that need to be dealt with," said Michael M. Segal, a neurologist and Harvard alumnus who runs Advocates for R.O.T.C., an umbrella group for campus R.O.T.C. supporters. "But there's more interest now than there has been at any time since the early 1960's."
The interest has been greatest by far at Columbia, where the original decision to phase out a Navy R.O.T.C. unit followed several years of sit-ins and building takeovers linked to protests over Vietnam, the university's research for the Pentagon and other issues.
But that began to change in 2003, when Sean Wilkes, a soft-spoken Columbia undergraduate who trains with the R.O.T.C. unit at Fordham, began organizing an effort to change how his fellow students viewed military life and culture.
"All they could think of was people marching back and forth like in Monty Python," recalled Mr. Wilkes, now a junior and the head of Advocates for Columbia R.O.T.C. "We got them to think about the importance of having college-educated officers in the military, and that Columbia should be part of that."
He and his fellow advocates soon found support not only from alumni who had served in the military, but also from many fellow students. That April, Mr. Wilkes and his group persuaded the student council of Columbia College, the university's largest undergraduate division, to include on its election ballot a question about whether the university "should prohibit R.O.T.C. from having a chapter at Columbia." Most students who voted opposed the prohibition, and the following year, the university senate -- a body of faculty members and students who help set policy -- agreed to form a task force to look into the matter.
Last month , the task force's 10 members deadlocked on whether to favor letting the R.O.T.C. return to campus next year. But significantly, all but one voted in favor of inviting the program back should Congress reverse the military ban on service by people who are openly gay. "I don't think this is a partisan issue," said Nathan C. Walker, a doctoral student and a co-chairman of the task force. Mr. Walker voted against the R.O.T.C.'s immediate return; like many students, he feels that the arguments favoring it do not outweigh the potential violation of the university's nondiscrimination policies. But, he says, "I think reasonable people have come to all different conclusions based on different rationales."
Many students and faculty members, for example, point to Sept. 11 and the war in Afghanistan as events that promoted growing sympathy on campus for military men and women.
"People were certainly more willing to speak up in favor of military service during the war in Afghanistan and even during the war in Iraq," said Shane Hachey, an Army veteran who graduated from Columbia last May and was active in Advocates for Columbia R.O.T.C. "They might not respect the Bush administration or its motives there. But they still respect soldiers."
That sentiment is echoed among today's young people, a generation that was weaned on volunteerism and has never faced a military draft. In July 2001, according to national surveys conducted by the Pew Research Center, 29 percent of respondents aged 18 to 29 had a "very favorable" opinion of the military. By June 2004, that number had risen to 45 percent.
Some partisans in the Columbia debate focus on the responsibility they say the university owes to the country; others say reviving the R.O.T.C. could help liberalize the ranks and promote acceptance of service by homosexuals.
The thousands of dollars in financial assistance that the R.O.T.C. provides cadets is also a major factor in the debate at Columbia, where tuition and board came to $39,276 this year.
"Two values which are important to Columbia students -- nondiscrimination and open educational opportunities for everyone -- are put into opposition," said Matthew Harrison, president of the student council of Columbia College.
The military has its own concerns about a potential move to bring R.O.T.C. to those Ivy League schools that do not have a program on campus, which besides Columbia are Harvard, Yale, Brown and Dartmouth.
"We want to be represented in every segment of our society, and to have all those segments represented in the military," said William Carr, the Defense Department's deputy under secretary for personnel matters. "But when a campus is less than interested in the military, it shows up in student enrollment and in turn makes the school less attractive to the military."
That was one reason the Pentagon did not put up much of a fight against anti-R.O.T.C. protests during the Vietnam era; instead, it opened more R.O.T.C. units in the South, and instituted cross-enrollment arrangements elsewhere.
"It became obvious that many small liberal arts colleges were not going to be economically viable as R.O.T.C. units, both because they were producing relatively few officers and because these students didn't need the money," said Michael Neiberg, author of "Making Citizen-Soldiers: ROTC and the Ideology of American Military Service."
But soaring tuition, along with the emotional appeal of service, has helped boost the R.O.T.C.'s attractiveness at elite schools like Columbia and Harvard, where student participation is strong in the Army R.O.T.C. battalion at the Massachusetts Institute of Technology.
"We have access to campus and quite a good working relationship with the president of the university," said Lt. Col. Brian L. Baker, the unit commander, referring to Lawrence H. Summers of Harvard, who has attended the R.O.T.C.'s commissioning ceremonies and hired a bus line to shuttle Harvard's cadets to M.I.T.
Dartmouth has also taken steps to strengthen its relationship with the R.O.T.C.
Students there are formally attached to the R.O.T.C. unit at Norwich University, but Dartmouth provides classroom and meeting space to reduce the cadets' travel. The R.O.T.C. instructor now attends monthly meetings with other student advisers, and Dartmouth has even begun pushing to increase the cadets' scholarship amounts.
Though a decision on R.O.T.C. has yet to be made at Columbia, small gestures have made life easier for its cadets. Columbia's financial aid Web page now includes information on R.O.T.C. scholarships, and in 2003 the school began listing R.O.T.C. classes on the transcripts of Columbia students cross-enrolled at other schools, though the classes do not earn course credit.
The senate will hold a nonbinding vote this month, leaving the issue before the university president, Lee C. Bollinger, and the trustees.