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text:
Q: Como mostrar en JOptionPane, un tributo de un enum estoy urilizando enums y JOptioPane, y quiero mostrar el atributo del enum, (osea un string), esto es lo que tengo:
public Cities readCityOrigen() {
    Cities [] listCityOrigen = Cities.values();
    Cities city = (Cities) JOptionPane.showInputDialog(null,
            "Seleccione la ciudad de origen del vuelo",
            "CIUDAD DE ORIGEN", JOptionPane.QUESTION_MESSAGE,
            null, listCityOrigen, listCityOrigen[0]);
        return city;
}`

package models;

 public enum Cities {
  BOGOTA ("Bogota"),
  CALI ("Cali"),
  BUCARAMNAGA ("Bucaramanga"),
  CARTAGENA("Cartagena"),
  SANTA_MARTA("Santa Marta"),
  MEDELLIN("Medellin"),
  TUNJA("Tunja"),
  PEREIRA("Pererira"),
  ARMENIA("Armenia"),
  RIOHACHA("Riohacha"),
  TOKYO("Tokio"),
  CARACAS("Caracas"),
  PARIS("Paris"),
  NEW_YORK("Nueva Yotk"),
  MIAMI("Maimi"),
 MADRID("Madrid");

String  cities;
Cities(String cities){
    this.cities = cities;
}
public String getCities(){
    return this.cities;
}
}

quiero que en el JOptionPane salga el string, pero me sale el literal del atributo

A: Una solución sería dentro de su clase Cities Implementar su método toString() para devolver el nombre dado a sus constantes
public enum Cities {
 /* el resto del código */

/* Agregar el método toString*/
@Override
public String toString() {
    return cities;
}

A: Creo que podrías poner dentro del enumerado Cities, el método toString(), y modificar el método para que te reemplace todas las letras a minúscula, excepto la primera y reemplazar todas las "_" por espacios, así:
public enum Command {
    BOGOTA,CALI,BUCARAMNAGA,CARTAGENA,SANTA_MARTA,MEDELLIN,TUNJA,PEREIRA,ARMENIA,RI_HACHA,TOKYO,CARACAS,PARIS,NEW_YORK,MIAMI,MADRID;

@Override
public String toString() {
    //cambiamos todos los "_" por espacios en blanco y cambiamos las letras
    //minusculas con toLowerCase y concatenamos el resto
    String name = name().replaceAll("_", " ").toLowerCase();
    //la primer letra la ponemos en mayuscula con toUpperCase
    name = name.substring(0, 1).toUpperCase() + name.substring(1);
    return name;
   }
}

redpajama_set_name: RedPajamaStackExchange


The Floyd Rose Special is our Authentic version of a licensed Floyd Rose tremolo system manufactured in Korea exclusively for Floyd Rose. The Floyd Rose Special maintains the construction parameters and features of an Original Floyd Rose, while utilizing zinc alloy saddles in place of steel and a zinc alloy sustain block in place of brass. The design specifications and high quality materials of the Special Series Floyd Rose bridge will hold up to the demands of today's performers.


text:
ESA Science & Technology - The colour of the sky from Gaia's Early Data Release 3
A History of Astrometry
The oldest sky maps
Seeing and measuring farther
Astrometry in space
From Hipparchus to Hipparcos: A sonification of stellar catalogues
Mission Science
Galactic Structure
Payload Module
Service Module
Operations & Archive
Where is Gaia?
The role of DPAC
Towards the final Gaia catalogue
Data Release 1
Early Data Release 3
Orbit/Navigation
The colour of the sky from Gaia's Early Data Release 3
Satellite: Gaia
Copyright: ESA/Gaia/DPAC; CC BY-SA 3.0 IGO. Acknowledgement: A. Moitinho
Data from more than 1.8 billion stars has been used to create this map of the entire sky. It shows the total brightness and colour of stars observed by ESA's Gaia satellite and released as part of Gaia's Early Data Release 3 (Gaia EDR3).
Brighter regions represent denser concentrations of bright stars, while darker regions correspond to patches of the sky where fewer and fainter stars are observed. The colour of the image is obtained by combining the total amount of light with the amount of blue and red light recorded by Gaia in each patch of the sky.
The bright horizontal structure that dominates the image is the plane of our Milky Way galaxy. It is actually a flattened disc seen edge-on that contains most of the galaxy's stars. In the middle of the image, the Galactic centre appears bright, and thronged with stars.
Darker regions across the Galactic plane correspond to foreground clouds of interstellar gas and dust, which absorb the light of more distant stars. Many of these clouds conceal stellar nurseries where new generations of stars are currently being born.
Dotted across the image are also many globular and open clusters, as well as entire galaxies beyond our own. The two bright objects in the lower right of the image are the Large and Small Magellanic Clouds, two dwarf galaxies orbiting the Milky Way.
Gaia EDR3 was made public on 3 December 2020 and includes the position and brightness of more than 1.8 billion stars, the parallax and proper motion of almost 1.5 billion stars, and the colour of more than 1.5 billion stars. It also includes more than 1.6 million extragalactic sources.
A complementary image showing Gaia's density map of the stars is available here.
Gaia's all-sky colour view is also available in equirectangular projection (suitable for full-dome presentations) here.
This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 IGO License.
Last Update: 3 December 2020
https://sci.esa.int/s/wNDak48
Orbits of the nearby stars around the galaxy
Measuring the acceleration of the Solar System with Gaia
Bridge of stars
2000 x 1000 2.7MB
8000 x 4000 60.5MB
Gaia's new data takes us to the Milky Way's anticentre and beyond

redpajama_set_name: RedPajamaCommonCrawl


text:
Top-feature
Started from the bottom, now he's here
His childhood shapes the way redshirt senior Easop Winston Jr. fights for greatness
Redshirt senior Easop Winston Jr. goes in for the touch down against Stanford on Saturday afternoon at Martin Stadium.
CJ HILGAERTNER
SAM GRANT, Evergreen reporter
With the deadline to commit to a school in just days, Easop Winston Jr. was ready to give up on his dreams of playing college football at a Power-5 school.
Easop was committed to Eastern Michigan, where the coach told him he would not be wanted by any serious Power-5 team, let alone any other team, his mom Renee Winston said.
More than 100 people from California attended WSU football's matchup against Cal just for Easop because he lived in the bay area as a child.
With the Cougars, Easop has cemented himself in record books, caught game-winning touchdowns and helped put the team on the map.
But it wasn't supposed to be this way.
Despite his parents being excited for the receiver who had spent three years in junior college, Easop knew that there was something greater than Eastern Michigan.
"Easop wouldn't sign with them," Renee said, "and he said, 'Mom, God has something better in store for me.' That coach there tried to make him commit to that school."
His father, Easop Sr., noticed his son's hunger for a bigger opportunity. He said that Eastern Michigan wanted Easop badly.
"You could tell while he was talking to the coach at Eastern Michigan," Easop Sr. said. "While he was excited to get an offer, he just felt like he wanted to be playing at a bigger program."
Easop said he held on to the thought of playing for a bigger school, and he used his faith to keep his dream alive.
Renee was heavily involved with the church while Easop was a child, something that Easop said he believes put him where he is today.
"My childhood was great," Easop said. "I had both parents in my life. My mom is probably the most important person in my life."
While his mother kept him involved with his faith, his father kept him involved in sports. He played a variety of them as a child. He saw Easop's potential for football early in his life.
"Easop never really wanted to play with toys," Easop Sr. said, "so that was really the first sign. He was one of those kids where he was born to do something. He was definitely born to play football."
His mother said that Easop used to sleep with a football in his arms, and she needed to pry the ball from his hands before bed every night, and soon she started to see his potential too.
Around age 7, Easop's father enrolled him in Pop Warner football, where his career began.
"He played quarterback all along, which is funny because I played quarterback, so he kind of took after me in that aspect," Easop Sr. said.
People doubted Easop throughout his career, he said. His school asked his parents to hold him back a year so he could grow into his position.
"I had a lot of doubters over the years," Easop said. "There's people who said I wouldn't be here, they said I was too small, but that internally motivates me. I might not voice it, but I always internalize what people say."
Finally, Easop was ready to make a change with his football career. He decided it was time to move positions from quarterback to wide receiver.
"One day his dad said to try out receiver," Renee said, "and so he started playing there in his junior year, and he did so amazing. I knew then that he was going to go somewhere."
Along with his faith, Easop's work ethic and humility are what his father said helped get him to where he is today.
"He would watch tons of wide receiver footage of top wide receivers in the country when he was in high school," Easop Sr. said. "He's soft-spoken and humble and I think that will take him a long way. As good as Easop is, he never brags, he always gives the glory to God."
After his senior season, it seemed he may be done with football. He was not recruited out of high school. His mother helped him with his doubts.
"I was at a time in my life where I was going to give up football," Easop said, "just because I wasn't being recruited, but she was the number one person in my life telling me to keep playing."
And he did. He attended the City College of San Francisco for three years, where he met and developed a relationship with current WSU quarterback Anthony Gordon.
"Me and Easop go back to [junior college] days," Gordon said. "I noticed that Easop was a special talent the first time I got to throw to him. I realized he could do things that other receivers really couldn't."
Gordon has thrown to Easop over 60 times this season already, and the combination has the potential to reach over 1,000 yards by the year's end.
"Our connection through City and going through here has been a big part of my success this year as well," Gordon said.
The two have known each other since 2014 and started playing together in 2015. The duo would lead City College to win a state title that year, not knowing they would continue their careers together down the line, Easop said.
"He was out there throwing me the rock a lot," Easop said, "When you're out there catching a ball from a quarterback like that you just develop this relationship on and off the field."
Gordon would move on to WSU following his freshman year, but Easop would not, continuing his junior college career for a bit longer, but his faith persevered again.
"My faith is something that I stand on," Easop said. "I was at junior college for three whole years, it felt like I was never going to leave, but I'm here now in perseverance and faith."
After his three years, Easop finally made his visit to Eastern Michigan. He verbally committed but was still itching for a bigger opportunity.
The day before the commitment deadline WSU Athletics reached out to Easop. The coaches did not promise him anything but said they are watching him. The next day they called back and offered him a spot on the team.
"Tears came to my eyes. Literally, my dream came true that day," Easop said.
Eastern Michigan was the only visit Easop ever made. Now, he is on the Biletnikoff Award watch list, the award for most outstanding receivers in college football. He is in the WSU record books. He has helped lead the team to 16 victories.
And even after all he has done for WSU football, he still has his doubters.
Easop said he will take a stab at the NFL following this season, looking to continue his career catching the ball, and will stick to his faith no matter what happens.
Sophomore journalism and media production from Stanwood, Washington.
One Response to "Started from the bottom, now he's here"
Gail Moreno on December 4th, 2019 3:31 pm
Well done Sam!
Building from the ground up
Ready for year two
Leading team to great things
Keeper pushes her boundaries
Cougar childhood, Cougar uniform
Taylor has the "Charisma"
Lund-Hansen spreads love of golf
Duarte works for repeat year to NCAA Champs
'Women's sports are on the rise'
Kemp found her home at WSU


text:
Who Owns Coca Cola 2022 : Know all about Coca Cola Company
November 9, 2022 by ItsKnows Team
Coca-Cola is a method of stimulating to social interaction, and has spurred the development of new ideas from the beginning at the soda fountain within downtown Atlanta, Georgia, in 1886. It was Dr. John Pemberton, at Jacobs' Pharmacy in downtown Atlanta was the first to sell the first Coca-Cola drink on May 8th 1886. Coca-Cola was a revolutionary drink in the early days serving 9 drinks daily in its initial year. It is the Coca-Cola Company manufactures, markets and sells low-alcohol beverages like sparkling, sugary drinks, and water and augmented water, juices, sports drinks, dairy – and plant-based drinks including coffee and tea as well as energy drinks. Coca-Cola, Diet Coke, Coca-Cola Zero, Fanta, Sprite, Minute Maid, Georgia, Powerade, Del Valle, Schweppes, Aquarius, Minute Maid Pulpy, Dasani, Simply, Glaceau Vitaminwater, Bonaqua, Gold Peak, Fuze Tea, Glaceau Smartwater, and Ice Dew are among the well-known products of the company. In this article, we will know about Who Owns Coca Cola.
What is Coca Cola?
The Coca-Cola Company produces Coca-Cola, or Coke, a carbonated soft drink. It was conceived in the late 19th century by John Stith Pemberton as a temperance drink and intended as a patent medicine, and was bought out by businessman Asa Griggs Candler, whose marketing strategies propelled Coca-Cola to domination of the globe soft-drink industry throughout the 20th century.
The name of the drink comes from two of its raw ingredients: coca leaves plus kola nuts (a source of caffeine). Coca-present Cola's formulation is a trade secret, however a number of alleged formulations and attempted replicas have been revealed. The drink has spawned imitators and spawned a new category of soft drink: colas.
When was coca cola invented? Who Owns Coca Cola?
The Coca-Cola Company is an American firm founded in 1892 that specializes in the production and marketing of syrup and concentrate for Coca-Cola, a sweetened carbonated beverage that has become a cultural icon in the United States and a global emblem of American preferences. Other soft drinks and citrus beverages are also produced and sold by the corporation. Coca-Cola is the world's largest beverage maker and distributor, with much more than 2,800 varieties operates in more than 200 countries. It is also one of the largest firms in the United States. Atlanta, Georgia is where the company's headquarters are located. Thus, Coca-Cola Company owns Coca Cola.
Who invented coca cola? Who owns Coca Cola?
John Stith Pemberton was a pharmacist and Confederate States Army veteran best remembered for inventing Coca-Cola. He invented an early form of what would become Coca-Cola in May 1886, although he surrendered his rights to the drink soon before his death. Frank Robinson, Pemberton's bookkeeper, came up with the term Coca-Cola as a recommendation.
The name Coca Kola was easy to come up with because the syrup's formula called for coca leaf extract and caffeine from the kola nut. Robinson, who was known for his impeccable calligraphy, however, believed that utilizing two Cs in the name would stand out in advertising. As a result, kola was renamed cola, and the brand was formed. Robinson is also credited with designing the original written "Coca-Cola" logo, which has the flowing letters that are still used today. Thus, you know now who owns coca cola initially.
When did coca cola stop using coke?
Coca-Cola was created while cocaine was legal and widely used in medicine. It was deemed to be safe to use in tiny doses. In 1892, Asa Candler, an Atlanta pharmacist, bought Coca-Cola from Pemberton and founded the Coca-Cola Company. Coke was still a trace of cocaine when Candler began selling it as a beverage and made it available at lunch counters across America.
Obviously, today's Coca-Cola does not include cocaine, but it was nevertheless a component in the 1900s. However, by 1929, the corporation had been compelled to eliminate any traces of cocaine due to public criticism and the full force of Prohibition against alcohol. Coke quickly gained popularity as a "soft drink," a non-alcoholic alternative to alcoholic beverages.
Coca Cola Wallpaper
What does coca cola own? Who Owns Coca Cola?
The Coca-Cola Firm (NYSE: KO) is a global beverage company with more than 500 brands distributed in over 200 countries and territories. Our portfolio includes some of the world's most valuable beverage brands, including AdeS soy-based beverages, Ayataka green tea, Dasani waters, Del Valle juices and nectars, Fanta, Georgia coffee, Gold Peak teas and coffees, Honest Tea, innocent smoothies and juices, Minute Maid juices, Powerade sports drinks, Simply juices, smartwater, Sprite, vitaminwater, and ZICO coconut water, in addition to the company's Coca-Cola Since its re-entry into India in 2011, the Coca-Cola system has already invested $2 billion.
Until 2020, the corporation plans to invest another $5 billion. In India, the Coca-Cola system directly employs about 25,000 people, including contract workers. Through its massive procurement, supply, and distribution chain, the system has indirectly employed over 1,50,000 individuals in allied sectors.
How much caffeine in coca cola?
People are frequently shocked to hear that the caffeine content of Coke or Diet Coke is far lower than that of a similar-sized cup of coffee. The caffeine amount of a 12-ounce can of Coke is 34 milligrammes, whereas Diet Coke contains 46 milligrammes. That's three to four times less expensive than a cup of coffee! A cup of coffee with the same size, in this example a 12-oz cup, has 140mg or more.
What did coca cola do?
The Coca-Cola Company is an American firm founded in 1892 that specialises in the production and marketing of beverages and concentration for Coca-Cola, a sugar sweetened beverage that has become a cultural icon in the United States and a global emblem of American preferences.
When the firm initially launched in 1886, it advertised on painted wall signs, napkins, and clocks with coupons for free drinks to generate interest in the product. The company's advertising spend had risen to more than $1 million by 1911.
As per Forbes, Coca-Cola will be the sixth – largest most successful franchise in 2020.
The Coca-Cola Company will celebrate its 135th anniversary on May 8, 2021. With a history spanning more than a century, it's no wonder that the brand has seen several transformations since its inception. Thus, the Coca-Cola Company has evolved over the decades, and how the evolution has influenced its business, from offering nine drinks a day at Jacobs' Pharmacy in Atlanta, Georgia, to distributing more than 1.9 billion bottles in more than 200 countries and regions every day.
Who Owns Volvo 2022 Know all about Volvo Interesting things about Volvo
Our blog itsknows tells you who owns what so that it may help you in increasing your awareness and general knowledge.
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Who owns Lifelock 2022 : Everything About Lifelock.
Who Owns CBS 2022 : What Channel Is CBS?


text:
COVID-19 Saftey Guidelines
COVID-19 Saftey Guidelines | Photos & Videos | Contact
Please Read Prior to Participation!
Jump to: Directors | Competition | Routines | Levels | Ages | Time Limits | Music | Judging | Scoring | Props | Title Entry | Awards | Additional Info
Competition Schedule & Requests / Conflicts
Approximately 10 days before competition, studio directors will receive an email including the preliminary performance schedule. When directors receive the schedule it is their responsibility to inform Turn It Up Dance Challenge VIA EMAIL of any necessary changes, fixes or TBA titles by the deadline given. No changes will be taken over the phone. Performance times and routine numbers may vary SLIGHTLY once you receive the final schedule via email by the end of the business day on the Monday before competition weekend. If your studio has not paid in full, your entries will not be included in the schedule.
If there are major scheduling conflicts, ie. proms, weddings, within your studio, the requests due to the conflicts should be included with your online registration. If you find out after registration has been submitted, we must be informed VIA EMAIL of your scheduling requests no less than TWO WEEKS ahead of competition to appropriately schedule the routines. Any requests that come in after two weeks in advance can not be guaranteed.
No changes can be made to the schedule after the final schedule has been sent out the Monday before competition nor can any changes be made to the schedule during the weekend of competition.
Routine Categories
Classical ballet style and technique with the use of ballet slippers.
Classical ballet style and techniques with the use of Pointe shoes.
Creating syncopated rhythms with the use of tap shoes.
Tap style where the dancer's tap strikes the heel and toe to create audible percussive rhythms, usually to the downbeat with the heel keeping the rhythm.
Classical jazz style and techniques.
Street dance with isolated movements to contemporary music.
Movements should interpret the lyrics of the music.
Must have both singing and dancing. No lip syncing.
Majority of singing with minimal dancing. See additional information below.
Inventive movements incorporating different styles with classical foundation.
Portraying any easily recognized character such as a doll or a clown etc.
Irish Step
Roots in traditional Irish dance. May be performed with hard or soft shoes. Stiff upper body while performing quick intricate footwork.
Emphasis on the elements of movement such as centering, posture, spacial awareness, and imagery.
Any category not pertaining to the above categories.
Any routine containing a combination of tumbling movements and passes incorporated with dance movements.
Any routine displaying precision marching and sharp choreography with the use of pom pons. Must utilize pom-pons for at least 50% of the routine.
Any style of dance interpreting a song from Broadway, movie, or musical.
A maximum of 4 acrobatic tricks may be done in any category except acro and open which may have an unlimited number of tricks. A trick is defined as any head over heel full rotation. To assist with calculation, a pass of round off back handspring, back tuck is 3 acrobatic tricks, however, if an entire group executes one cartwheel at the same time that is considered 1 trick.
Any routine that is placed in the incorrect category will be changed to the correct category and noted on score sheet.
Vocal Routines will have their own set of high scores. There must be a minimum of 5 entries in a competitive age group to be eligible for scholarships or cash prizes** 1 wireless microphone and 1 lapel microphone/headset are available for use. Studios can chose to use up to 2 devices total, 1 wireless mic and either the lapel mic OR the headset. If a studio needs more than 2 devices, they can bring their own but must contact the office at least a week prior to the competition. Turn It Up Dance Challenge cannot guarantee quality of sound from microphones.
Turn It Up Dance Challenge recommends contestants enter this level if they have little to no competition experience and take 1 to 2 hours of class per week. NEW for 2019! Solos are allowed in the novice category.
Turn It Up Dance Challenge recommends contestants enter this level if they have limited competition experience and take 5 hours or less of class per week.
Turn It Up Dance Challenge recommends contestants enter this level if they have significant competition experience and take 5 or more hours of class per week. If you are a competitive level dancer, you cannot perform in a novice routine unless it is a line or production.
Pro-Amateur
Any routine that contains 50% or more full time teachers or professional dancers must enter at the Pro-Amateur level. A professional dancer is one who is currently being paid to perform either on Broadway or television professionally. If a contestant is a paid actor only, they are not considered a professional dancer. If they are paid to be a dancer on a reality series they are not a paid professional dancer.
High scores will be given in the Novice, Intermediate, and Competitive categories for tiny, mini, junior, teen, and sr. teen ages. Pro Amateur, Adult, and Adult+ routines are ineligible for high scores.
Only competitive and intermediate routines can be invited to participate on the Turn It Up National Dance Team.
ROUTINE PLACEMENT – The majority of the group determines the level of the routine. All soloists must compete in the specific level they fall under. For duo/trios, the highest level dancer will determine the placement of the routine.
NATIONALS – Routines are allowed to move to a higher performance level from regionals to nationals.
For a routine to drop from competitive to intermediate, it must have scored a high gold or less at regionals (268.5 or lower). For a routine to drop from intermediate to novice, it must have scored a gold or less at regionals (253.5 or lower).
**Level changes can only be made on site if there was an actual error made during the registration process. All on site level changes MUST be approved by the show director.
5 years & under
Senior Teen
Adult+
Ages will be recorded as of January 1st which is the start of the season. Age categories for all entries will be determined by taking the average age of all participants in that entry dropping the decimal point. Each contestant must compete in the age division that the age or age average comes to. If a protest regarding age arises, competitors must be prepared to present proof of age. All protests must be made in writing and signed by the protester within 30 minutes of the incident and passed to the director of the competition. At that point proper IDENTIFICATION WILL BE REQUIRED by the contestant in the form of a Birth Certificate, Passport or License.
Time Limits & Number of Dancers
(1 dancer)
Duo/Trio
(2-3 dancers)
(10-19 dancers)
(20+ dancers)
Production*
(Excludes Solos/Duos/Trios)
*Additionally a production uses sizeable props and scenery to convey a story or theme throughout their performance.
One point will be deducted for every 5 Seconds over time limit. Timing will begin when music starts (if no music, once dancers take first step) and will stop when last performer is off the stage. This does not include prop removal.
Extended time can be purchased for group routines only. Contact our office for pricing information.
Studios are now required to upload their music online after completing their registration. Music must be uploaded in the online registration portal at least two weeks prior to your scheduled event. Please contact our office if you have any issues while uploading. We still ask that you bring a back up option (CD, iPod, or iPad) to the competition in case there is an issue with the uploaded music. A UBS is NOT an acceptable backup form. If you bring CDs for backup, each CD must contain only one song that is properly labeled with the studio name and routine name. Please write directly on your CD. Do not place any adhesive labels as labels can cause CD's to skip.
If music skips or fails at anytime during a performance due to faulty music supplied by the studio, Turn It Up Dance Challenge can not allow that routine to perform again. This rule must be strictly enforced in order to give everyone an equal opportunity and to keep the schedule running on time. If music fails to work on the first try, before dancers perform, that routine may be placed on hold until music is found. It is the responsibility of the studio to bring a backup music. Turn It Up is not responsible for any CDs, Ipods, Ipads, etc. that are not collected after an event.
Judging / Deductions
Each entry will be judged by a highly qualified panel of judges. All judges' decisions will be final. Contacting or speaking to judges is strictly prohibited at all times in order to give a fair chance to all participants.
Routines will be scored out of a possible 300 points (100 points from each judge). Judges will consider technique, execution, stage presence, choreography, and difficulty while scoring.
DEDUCTIONS:
ROUTINES MUST BE APPROPRIATE FOR FAMILY VIEWING: Any routine that a judge feels is not appropriate is subject to a deduction or even disqualification.
Props must be moved on and off dance floor in a timely manner. If a judge feels that the removal of a prop takes too long points may be deducted. No dangerous props allowed. Dangerous props include but are not limited to knives, swords, anything thrown directly at the judges table that may be harmful, anything that could alter the surface of the dance floor, any prop that is plugged in. Any routine that uses a dangerous prop will receive a max of a 10 POINT deduction or may be disqualified.
Points may be deducted if a routine contains more dancers than were registered.
Scoring Grid
Competitive & Intermediate Grid
Platinum-Pro Total Score of 285-300
Platinum Total Score of 269-284.9
High Gold Total Score of 254-268.9
Gold Total Score of 239-253.9
High Silver Total Score of 201-238.9
Silver Total Score of 200.9 and under
Novice Grid
Platinum Total Score of 267-300
Props must be moved on and off dance floor in a timely manner. If a judge feels that the removal of a prop takes too long points may be deducted.
NO DANGEROUS PROPS ALLOWED Dangerous props include but are not limited to knives, swords, anything thrown directly at the judges table that may be harmful, anything that could alter the surface of the dance floor. Any routine that uses a dangerous prop will receive a max of a 10 POINT deduction or may be disqualified.
HUMAN PROPS A Human prop is a person acting as a prop and one that can be seen clearly by the audience, but does not dance with the group. Human props must pay as a participant, however they will NOT be factored into the age level of the routine. If a person enters stage simply to hold up a prop from the back and cannot be seen by the audience they are NOT considered a human prop and do NOT have to pay as a participant.
PROPS MAY NOT BE PLUGGED IN. MUST BE BATTERY OPERATED Each venue is equipped with a calculated amount of power and plugging props in could cause a fuse to be blown severely delaying competition.
MANY VENUES PROHIBIT THE USE OF HELIUM BALLOONS. HELIUM BALLOONS MAY NOT BE USED IN A ROUTINE UNLESS IT IS SECURED TO A DANCER OR COSTUME.
IF YOU HAVE A LARGE PROP THAT IS OVER 10FT HIGH PLEASE CONTACT OUR OFFICE AS CERTAIN VENUES HAVE LIMITATIONS ON CEILING HEIGHT.
Title Entry Information
Title awards are given out at both regional and national competitions. Title contestants must be entered in the "competitive" category and must submit 1 SOLO to be considered for the title. These routines must already be entered for competition.
Each title contestant must take center-stage and introduce themselves to our judges panel. Their introduction can include saying their name, age, hometown, and performance piece as well as any other information they would like to share. NOTE: PLEASE DO NOT MENTION YOUR STUDIO NAME. This introduction should be no shorter than 15 seconds and no longer than 30 seconds. Please practice and time your introductions.
Contestants must submit 1 (only one) recent and professional headshot in color. Headshots must be emailed to joelle@turnitupdance.com AT LEAST 1 WEEK PRIOR TO COMPETITION. All headshots MUST be submitted digitally. We will no longer accept hard copies of headshots. If we do not receive a title photo, unfortunately a score of 0 will be given for that portion of the title score.
The title score will be a combination score of the contestant's solo score, their headshot and their introduction for a combination score of up to 600 points (300 for their performance, 150 for their introduction, and 150 for their photo)
Please note, regional title winners may not compete for another regional title in that same season. Only regional title winners will be invited to compete for the national title.
There will be a Mister and Miss Turn It Up Dance Challenge awarded in Mini, Junior, Teen and Senior Teen age groups as well as 2nd and 3rd runner up. Any title contestant must score at least 525 to place for title. Dancer in the Tiny age category are not eligible to run for title.
High Score Awards
After each routine receives their adjudicated award, high scores will be given at every regional and national competition! At each competition we will recognize top scoring awards in each age category in the Novice, Intermediate, and Competitive levels! Turn It Up Dance Challenge will award a top 5 for all group routines and a top 10 for all solo routines in each category and age group. The high score in each age group will win the following cash prizes and scholarships.
Regional Competition - High Score Awards
SM GROUP
LG GROUP
*Scholarship dollars will be awarded in the Novice, Intermediate, and Competitive levels.
National Competition - High Score Awards
*Scholarship dollars will be awarded in the Novice & Intermediate levels. Cash will be awarded in the Competitive level.
ADDITIONAL NOTES/ RULES:
• Soloists may only win high scores one time in each age category. TOP TEN given for all solo age categories!
• There must be at least 5 routines in each age group and category to be eligible for cash or scholarships excluding lines and productions.
• For LINES & PRODUCTIONS ONLY – There must be at least 5 routines in each age group and category -OR- you must score a platinum or higher to be eligible for cash prizes.
• Overall Highest Scoring Solo and Overall Highest Scoring Duo/Trio will receive a trophy and a full Convention Scholarship.
• Pro-Amateur and Adult routines will be adjudicated but are not eligible for high score awards.
Turn It Up Dance Challenge is not responsible for any lost or stolen items during any competition. Please take extra precaution.
Turn It Up Dance Challenge realizes that much effort is placed on the art of choreography and costuming. Therefore, we protect our choreographers and dancers by prohibiting photography and video of any kind. TAKING PHOTOS OR VIDEO IS PROHIBITED DURING PERFORMANCES and may lead to disqualification.
All participants are expected to demonstrate good sportsmanship and treat students with respect. Also, participants are expected to be respectful of dressing rooms making sure to leave it the way you found it upon arrival. When in the audience, please stay seated and keep talking to a minimum during all performances. We look forward to having a great competition!
TURN IT UP DANCE CHALLENGE
36 Finnell Drive, Unit 11
Weymouth, MA 02188
Privacy Policy | Terms and Conditions | Return Policy | Disclaimer | ©2021 Turn It Up Dance Challenge, Inc., All Rights Reserved.


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You are here : India » Uttar Pradesh » Varanasi » Varanasi » Lamhi
Lamhi Village
Lamhi Village, with population of 1841 is Varanasi sub district's the 293rd most populous village, located in Varanasi sub district of Varanasi district in the state Uttar Pradesh in India. Total geographical area of Lamhi village is 1 km2 and it is the 305th smallest village by area in the sub district. Population density of the village is 3610 persons per km2.
Nearest town of the village is Varanasi and distance from Lamhi village to Varanasi is 2 km. The village has its own post office and the pin code of Lamhi village is 221007. The village comes under Lamhi panchayat. Varanasi is the sub district head quarter and the distance from the village is 3 km. District head quarter of the village is Varanasi.
The village is home to 1841 people, among them 946 (51%) are male and 895 (49%) are female. 98% of the whole population are from general caste, 2% are from schedule caste. Child (aged under 6 years) population of Lamhi village is 12%, among them 57% are boys and 43% are girls. There are 308 households in the village and an average 6 persons live in every family.
Caste wise male female population 2011 - Lamhi
1,841 1,795 46 0 228
Population of the village has increased by 81.9% in last 10 years. In 2001 census total population here were 1012. Female population growth rate of the village is 83.4% which is 2.9% higher than male population growth rate of 80.5%. General caste population has increased by 86%; Schedule caste population has decreased by -2.1% and child population has increased by 34.9% in the village since last census.
Growth of population (percent) 2001 to 2011 - Lamhi
82 86 -2 0 35
As of 2011 census there are 946 females per 1000 male in the village. Sex ratio in general caste is 949, in schedule caste is 840. There are 740 girls under 6 years of age per 1000 boys of the same age in the village. Overall sex ratio in the village has increased by 15 females per 1000 male during the years from 2001 to 2011. Child sex ratio here has decreased by 159 girls per 1000 boys during the same time.
Change in sex ratio 2001 to 2011 - Lamhi
15 15 -40 0 -159
946 949 840 0 740
Total 1291 people in the village are literate, among them 715 are male and 576 are female. Literacy rate (children under 6 are excluded) of Lamhi is 80%. 88% of male and 72% of female population are literate here. Overall literacy rate in the village has increased by 5%. Male literacy has gone up by 2% and female literacy rate has gone up by 9%.
Change in literacy rate 2001 to 2011 - Lamhi
Lamhi has 29% (530) population engaged in either main or marginal works. 48% male and 8% female population are working population. 48% of total male population are main (full time) workers and 0% are marginal (part time) workers. For women 8% of total female population are main and 0% are marginal workers.
Percentage of working population - Lamhi
Overview of Lamhi Village
Panchayat Lamhi
Sub District HQ Varanasi (3 km)
District HQ Varanasi
Nearest town Varanasi (2 km)
Population density 3610 per km2
Growth of Population 81.9%
Sex Ratio Child 740


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text:
Research ArticleArticle
Differential Influences of Ethanol on Early Exposure to Racemic Methylphenidate Compared with Dexmethylphenidate in Humans
Kennerly S. Patrick, Arthur B. Straughn, Owen T. Reeves III, Hilary Bernstein, Guinevere H. Bell, Erica R. Anderson and Robert J. Malcolm
Drug Metabolism and Disposition January 2013, 41 (1) 197-205; DOI: https://doi.org/10.1124/dmd.112.048595
Kennerly S. Patrick
Department of Drug Discovery and Biomedical Sciences, Medical University of South Carolina, Charleston (K.S.P., O.T.R., G.H.B., E.R.A.); Department of Pharmaceutical Sciences, University of Tennessee Health Sciences Center, Memphis, Tennessee (A.B.S.); Department of Psychiatry and Behavioral Sciences, Medical University of South Carolina, Charleston, South Carolina (H.B., R.J.M.)
Arthur B. Straughn
Owen T. Reeves III
Hilary Bernstein
Guinevere H. Bell
Erica R. Anderson
Robert J. Malcolm
https://doi.org/10.1124/dmd.112.048595
American Society for Pharmacology and Experimental Therapeutics
Received August 23, 2012
Accepted October 25, 2012
Published online December 20, 2012.
Earlier version (October 25, 2012 - 07:31).
Kennerly S. Patrick,
Arthur B. Straughn,
Owen T. Reeves III,
Hilary Bernstein,
Guinevere H. Bell,
Erica R. Anderson, and
Address correspondence to:
Dr. Kennerly S. Patrick, Department of Drug Discovery and Biomedical Sciences, 280 Calhoun St., QF218, P.O. Box 250140, Charleston, SC 29425. E-mail: patrickk{at}musc.edu
Article usage: August 2017 to January 2023
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Dexmethylphenidate versus Methylphenidate-Ethanol Interactions
Kennerly S. Patrick, Arthur B. Straughn, Owen T. Reeves, Hilary Bernstein, Guinevere H. Bell, Erica R. Anderson and Robert J. Malcolm
Drug Metabolism and Disposition January 1, 2013, 41 (1) 197-205; DOI: https://doi.org/10.1124/dmd.112.048595
Authorship contributions:
Identification of payload-containing catabolites of ADCs
PK Interactions of Licorice with Cytochrome P450s
Biotransformation of Trastuzumab and Pertuzumab


NEWSROOM (ADV) – Ahmad al-Mismari, spokesman of Libya's eastern-based army, said on Friday that five soldiers were killed in clashes with the forces of the Tripoli-based government, as the army is trying to take over the city.
Military units lost five members on Thursday and Friday and is progressing toward the capital Tripoli, the spokesman told local TV channel Libya al-Hadath.
"We have complete control over Tripoli international airport. We also took over Azizia and Swani (southern Tripoli towns). Therefore, we have complete control over southern Tripoli," al-Mismari said.
"Tomorrow, another operation will be launched to progress to the entries of Tripoli. We are stationed 20 km south of Tripoli," the spokesman said.
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I am looking for a script that prevent people from changing their name. Example: If you join my server with the name : Tom Mitchel, and later you try to connect with another name, the server will return an "end of mission" saying that you need reconnect with your old name "Tom Mitchel" or contact an administrator.
Soory for my bad english and I really hope you guys can help me for this.
I know it's possible, i've found Arma Life's scripts that can do that but i didn't manage to adapt them for exile mod.


text:
Category: Who knows? Certainly not I . . .
If it's Friday, it must mean leftovers . . .
Published on July 5, 2019 July 10, 2019 by PoietesLeave a comment
forgot to hit publish . . .
Friday afternoon, stormy and muggy, 84 degrees.
Something that I did not know (or did not remember that I knew at one time) that I really should have known because it's so blatantly obvious: The red markings on a metal measuring tape every 16 inches indicate the traditional placement of wall studs, so if you don't have a stud finder, you're still good to go . . .
I know. It's the small things . . .
The Des Moines Register, Iowa, July 16, 1939
Intelligencer Journal, Lancaster, Pennsylvania, August 25, 1913
True story: When I first started working at Dillard's a lifetime ago, I came off a double shift, and my feet were aching. The next day before work, I used some pain cream that my mom had given me, having no idea that it contained capsaicin. I was only at work about an hour before the pain in my feet became so extreme that I had to sit down in the floor. By the time that I made it home my feet were bright red and blistered.
Moral of the story: Never use anything containing capsaicin on your body unless you want more pain than the pain you're trying to alleve.
Categories All Come Tumbling Down, Being Brutally Honest, Bloglovin', blogsurfer.us, If It's Friday, It Must Mean Leftovers, It's All Just Jabberwocky, Lessons Learned, Life or Something Similar, Poietes, Stormy Weather, Too stupid not to be true . . ., Who knows? Certainly not I . . ., wordpress.com, You're Kidding, Right?•Tags If it's Friday it must mean leftovers, Susan B. Anthony that rebel, the more you know, ultrafacts.com, vintage ads
Sunday Afternoon Saudade
Published on June 9, 2019 June 9, 2019 by PoietesLeave a comment
Sunday afternoon, more rain and mud, 72 degrees.
Inspiration: Fields and rivers; pigs and cows; object relations theory; Texas Hill Country; silence and solitude; Carl Jung; farming manuals; mystic traditions; conversations with my sister; dreams.
Writer's block remedy: I remind myself that language isn't my job. Writing a poem isn't my job. My job is the human job of waiting and listening, and language is just what poets use—like wind chimes—to catch the sound of the larger, more essential thing. Wind chimes themselves are not the point. The point is the wind."
~ Jenny George, from "Wilder Forms: Our Fourteenth Annual Look at Debut Poets" in the January/February issue of Poets & Writers Magazine (2019)
Categories Bloglovin', blogsurfer.us, Creative Paralysis of the Soul, Expectation Versus Reality, Lessons Learned, Licking honey off a thorn, Lola's Curmudgeonly Musings, Poets and Writers, Poietes, Sunday Afternoon Saudade, Who knows? Certainly not I . . ., wordpress.com•Tags Jenny George, Lola's Curmudgeonly Musings, Poets & Writers magazine, Poietes, Sunday Afternoon Saudade, Wind Chimes
"The heavenly solitude, the pacifying trees, the blue night that was a good counsellor, the peace of wild animals—" ~ Colette, from Claudine and Annie
Published on May 27, 2019 by PoietesLeave a comment
Orage vu de Petit-Croix by Thomas Bresson (FCC)
But this is the very condition of existence. To become spring, means accepting the risk of winter. To become presence, means accepting the risk of absence . . ." ~ Antoine de Saint Exupéry, from The Little Prince
Monday afternoon, partly sunny, 82 degrees.
Well yesterday was interesting. Temperatures in Roanoke were hotter, and the AC in the truck doesn't work; by the time we got home, my eyes were dry and hurting from the wind coming in the windows. We picked up the two female Nubian goats. They already have names: Sylvia and Roberta. Sylvia I can handle, but Roberta? Never liked that name. She's young enough that maybe we can switch her name to Bobby. We'll see.
Unfortunately, Sylvia had her babies prematurely, and neither survived. One died on Saturday, and the other died before we got there yesterday. Bobby is still pregnant, so we're hoping that everything goes okay with her. The woman from whom we bought them says that she thinks it may have been a mineral deficiency. As Bobby is Sylvia's daughter, we know that Sylvia can have successful pregnancies, so at least there's that.
All of the animals were worked up by the time we got home. Tillie and Bailey went for each other, but luckily, Corey and I were both on hand to break it up. Roland is hoarse today, so he must have been bleating for hours, which makes me feel guilty, but we couldn't take him with us because we thought we'd be bringing a baby goat home. At the moment, Roland thinks that he's one of the dogs; it will be interesting once he's bigger to see if he still acts the same way—i.e., wanting to take an afternoon nap on the couch.
"Not only rational and irrational, but even inanimate creatures have a voice, and speak loudly to men, and it is our duty to learn their language, and hearken to them." ~ Ralph Austen, from The Spiritual Use of an Orchard or Garden of Fruit Trees
We've learned that the temperatures here on the ridge tend to be a bit cooler than surrounding areas. I think that it's because we're pretty much situated in a bowl, so we always have a good breeze. The downside is that breeze can really be a fierce wind at times. We've been discussing shelter issues for the outside animals, and we had talked about one of those metal buildings, but I'm afraid that if it isn't fixed properly, the wind will just pick it up and drop it.
Thunderstorm in Victoria by Ryk Neethling (FCC)
More than once we've wished that we could have a barn building like the Amish. Remember that beautiful scene from the Harrison Ford movie Witness? But we're missing one or two of the key components for such a thing: people and lumber.
Ah me . . .
Yesterday, just as we were getting ready to leave for Roanoke, Dallas showed up. I knew that he would because Corey had slipped and told him that we were going to Roanoke. I was afraid that he'd come while we were gone to try to take Sassy back, but he didn't bring the horse trailer. Instead, he said that he was coming to fish in the ponds, which is fine, as long as he doesn't try to take back the last horse that we have.
"I must wash myself clean with abstract thoughts, transparent as water." ~ Jean-Paul Sartre, from Nausea
I took the opportunity of having him in front of me to confront Dallas about still having Napoleon, but he claims that he still needs him for stud. Originally, he had told me that he'd only have Napoleon for two weeks, but I should know by now that he just tells you what he thinks you want to hear and that the truth rarely escapes his lips. I did tell him that Sassy is lonely as horses need the company of other horses, and I pointed out how overgrown the pasture is getting, so he ultimately agreed to bring over some more horses. We'll just have to see, I suppose.
Storm over Cayuga by Adam Baker (FCC)
Look, I know that technically, the horses belong to him; I'm not unaware of the reality. But we take much better care of the animals that are here than he ever could, not to mention the fact that when he first brought the horses here, he said that he was giving them to me. But again, it's the matter of him saying one thing while meaning something completely different. We've learned that he has a habit of taking things back when he gets mad at someone; he's done it repeatedly with different people—he giveth and then he taketh away.
Dallas is a prime example of being both a boon and a curse. And quite frankly, we've had way to many curses in the last few years. I tire of them. I tire of never getting ahead, never making forward progress.
"Animals, at least, don't experience fear until it's upon them, immediately. But our nerve reactions can convey worry about the future, until the fear insinuates itself into the present, into everything." ~ Sylvia Plath, from a letter to Eddie Cohen, September 11, 1950
We hit rain on the way home even though the forecast had not called for any, and then as we neared the ridge, it was apparent that there had been a big storm while we were gone. I think that's part of the reason the dogs were so riled when we got home. Tillie is very afraid of storms, especially if no one is around to comfort her, and I think that Bailey senses that unease.
Storm by Jim Sorbie (FCC)
As we came down the drive, the trees were heavy with rain. So everything was close to the sides of the drive, almost as it was the first time that we came to the ridge, and everything was so overgrown. At least the gas company fixed the part of the drive that had washed out, but they just cut into the side of the mountain, which is essentially compacted soil, so it's a temporary fix at best. The next big wind and rain storm will undoubtedly wash out more. It would be nice if they'd build up the embankment with rock, but unfortunately, we have no control over what they do with the drive.
I saw the big excavator that the company had parked on the side after carving more of the mountain side on the drive, and I told Corey that it's too bad that we don't know how to hot wire it and use it for a few days. We could scoop up some of the loose gravel that's around the wells and dump it on the drive. Or we could dig out a hole for an in-ground pool. I've always wanted to drive something like an excavator—how awesome would that be? It's an interesting fantasy.
"The sky is lowering and black, a strange blue-blackness, which makes red houses pink, and green leaves purple. Over the blowing purple trees, the sky is an iron-blue, split with forks of straw-yellow. The thunder breaks out of the sky with a crash, and rumbles away in a long, hoarse drag of sound." ~ Amy Lowell, from "Before the Storm (III)"
This morning the dogs were doing their fierce, alert barks, and Corey looked out the window to see a bear in the pasture again. Oddly enough, Sassy didn't seem to be afraid of it. She was at the trough and took a few steps towards the bear. I'm hoping that it's the same bear and not another one. Knowing that one bear is nearby is unnerving enough; I'd hate to have to wonder about several.
I do wonder, though, where he or she was hibernating; I'm hoping the bear is male because a female with cubs can be very vicious when in protection mode. We haven't really come upon any caves in our walks, but I would imagine that there have to be some around here. Here's hoping the dogs will be enough to keep the bear from coming too close. Corey says that Llamas and Alpacas are good to have for herd protection. That's something to think about for the future.
Thunderstorm over Nevada by Stuart Seeger (FCC)
The future is something I don't really want to think about at the moment. We find ourselves in a precarious position yet again, and truthfully, I'm really tired of living this way, never really knowing how we're going to survive, pay the bills. The fear of losing everything yet again never seems to be far away, and the really weird aspect of all of this is that I know that we make more money than many people around here, and trust me when I say that living on my disability is not making a lot of money.
Again, I know that if we can survive the year, that things will change, that getting started on a farm is precarious at best, but damn I'm tired of precarious. I'm tired of always worrying. I suppose I'm just tired, but who isn't any more?
Music by Welshly Arms, "Legendary"
—and he cried with a loud voice:
Hurt not the earth, neither the sea, nor the trees—
(Revelation)
They are cutting down the great plane-trees at the end of the gardens.
For days there has been the grate of the saw, the swish of the branches as they fall,
The crash of the trunks, the rustle of trodden leaves,
With the 'Whoops' and the 'Whoas,' the loud common talk, the loud common laughs of the men, above it all.
I remember one evening of a long past Spring
Turning in at a gate, getting out of a cart, and finding a large dead rat in the mud of the drive.
I remember thinking: alive or dead, a rat was a god-forsaken thing,
But at least, in May, that even a rat should be alive.
The week's work here is as good as done. There is just one bough
On the roped bole, in the fine grey rain,
Green and high
And lonely against the sky.
(Down now!—)
And but for that,
If an old dead rat
Did once, for a moment, unmake the Spring, I might never have thought of him again.
It is not for a moment the Spring is unmade to-day;
These were great trees, it was in them from root to stem:
When the men with the 'Whoops' and the 'Whoas' have carted the whole of the whispering loveliness away
Half the Spring, for me, will have gone with them.
It is going now, and my heart has been struck with the hearts of the planes;
Half my life it has beat with these, in the sun, in the rains,
In the March wind, the May breeze,
In the great gales that came over to them across the roofs from the great seas.
There was only a quiet rain when they were dying;
They must have heard the sparrows flying,
And the small creeping creatures in the earth where they were lying—
But I, all day, I heard an angel crying:
'Hurt not the trees.'
~ Charlotte Mew
Categories Being Here, Bloglovin', blogsurfer.us, it's raining . . . It's pouring . . ., Just Keep Breathing, Lessons Learned, Life or Something Similar, Lola's Curmudgeonly Musings, My Menagerie, Photography: Flickr Creative Commons, Poietes, Rainy Days and Mondays, Slow Dancing in Quicksand, Stormy Weather, Who knows? Certainly not I . . ., wordpress.com•Tags a literal bear in the woods, Amy Lowell, Antoine de Saint Exupery, Charlotte Mew "The Trees are Down", Colette, FCC (Flckr Creative Commons), Jean-Paul Sartre, Lola's Curmudgeonly Musings, Nubian goats, Ralphy Austen, storms, Sylvia Plath, Welshly Arms "Legendary"
"Sometimes we suffer too much reality in the space of a single night." ~ Alejandra Piznarik, from "Sex, Night"
Published on May 4, 2019 May 4, 2019 by PoietesLeave a comment
Image from Elephant's Dream (cc)*
" . . .they would walk home in
the evenings when the light was soft, anything bad sliding
off them, and they would feel owned, completely owned,
in a good way, by the air, which would touch them constantly,
sometimes urgently, sometimes lightly, just to let them know
it was there, and they would think maybe this is what being
alive is" ~ Emily Berry, from "No Name"
Saturday afternoon, cloudy, 74 degrees.
I think that today would be a good day for a walk with the dogs mostly because I was walking everywhere in my dreams last night. I frequently walk in my dreams—to my imaginary jobs, to school, to the doctor's office—it's weird. Last night I was walking home (in Norfolk) down Shore Drive, which is definitely not a street for pedestrians. I was walking when I realized that it was getting dark, and there was no one around. I started to pick up my pace until I was running, but then I found myself running on all fours, but it felt completely natural, and I was able to run quickly, like some kind of animal.
I've had the being on all fours dreams before, but last night's was one of the first times in which I felt myself moving. I've dreamt that I've been walking to and from a primary school in which I was teaching, but my walk takes me through a sketchy part of town, and I have to keep looking down alleys. Those are always strange as I've never really lived anywhere that had a lot of alleys.
I remember that in part of last night's dream I was trying to remember if I had ever gone walking completely naked, and my dream mind remembered a time in which I went to school completely naked. I know—the naked dreams are all about being vulnerable—but in this particular naked dream I didn't feel at all vulnerable, just incredibly free. I sent to school (college), but no one was especially surprised or concerned, and I felt very at home in my naked body. Go figure that one out because I've never been able to translate that one.
"Night opens itself only once. It's enough . . . And I am well aware what night is made of." ~ Alejandra Piznarik, from "Sex, Night"
Lately my dad has been making many appearances in my dreams. Last night he was bailing some of us out of jail (unsure as to who exactly was there), and it cost him $1500, and I was worried about how I would ever be able to pay him back. Funnily enough, though, he wasn't mad; he was smiling. If you ever met my dad you would know that he was not a big smiler, which is probably where my antipathy towards smiling comes from.
But last night he was smiling, and it unnerved the me in the dream because I couldn't quite figure out if it was a happy smile or a mad smile, if that makes sense. I have a vague memory of him appearing in my dreams the night before last as well, but now I cannot quite grab the thread of the dream, even though I awoke from it thinking that it was so powerful that I would definitely remember everything, but of course, I cannot. The only part that I can remember is that I was in the military, which is very, very weird.
For some strange reason, Brad Pitt was in part of my dream: I was sitting across from him in some kind of restaurant, and he was telling me why his marriage failed, and it was the most natural scenario, which it definitely would not be. I was also back at my old pain management doctor's office so that I could get trigger point injections, but instead of the neurologist, it was another doctor that I saw for a while before him, and I was very confused. Oh, and Jennifer Aniston made an appearance as well.
I don't have many celebrity dreams, and if any do appear, it's not usually in a casual setting, but last night, this dream seemed to be populated with famous people. In another part I was in a movie theater, and I was watching a documentary. The strangest part was that I knew that the person sitting next to me was not who he claimed to be, and I knew that the scene involving the primates (?) would reveal who he really was, and I knew that Brad Pitt would be angry at the charade.
When the truth was revealed on the screen, a loud argument erupted, and we were all asked to leave the theater, which meant going up an aisle filled with chaise lounges because those are always in theaters . . .The whole sequence was truly bizarre.
". . . each of us
joins night's ongoing story" ~ Li-Young Lee, from "Black Petal"
Sorry to go on so much about my dreams, but I always find them fascinating. I've never actually bothered to try that whole lucid dreaming thing, mostly because my dreams are already to full. I've found over the years that not everyone dreams like this, though, which is definitely a shame for those people because dreams that are so vivid are actually pretty cool, that is, until they aren't, like the ones in which I awake screaming or yelling or crying.
I have wondered if my vivid dreaming is part of what makes my sleep so fractured. Apparently, not everyone awakens two to three times a night. That whole seven or eight hours of uninterrupted sleep only happened in my youth. Once I got married (the first time) and began to worry about adult problems like bills and rent and everything else, my ability to sleep uninterrupted ceased, and then with the birth of babies, sleep at night became even more fractured.
I suppose the dogs replaced the children at some point because I now awaken instantly when I sense a dog stirring and moving towards the front door. When my children were babies, the same thing would happen: Something in me would cause me to awaken instantly when a baby or child stirred, even once they were in their own rooms. Maybe that's just an innate mother thing because I did it with Olivia as well.
"Tell me what you feel in your room when the full moon is shining in upon you and your lamp is dying out, and I will tell you how old you are, and I shall know if you are happy." ~ Henri Frédéric Amiel
In other news . . .
I've been reading the Mueller report because, well, democracy you know. Amazingly, it's not filled with a lot of legalese, making it fairly easy to go through, but I've been taking my time, going back and forth so that I don't end up giving myself an aneurysm from being so angry.
Trust me. It's better this way, well, better for my blood pressure, plus, I really don't need yet another thing to keep me from being able to sleep. I'm really trying not to allow the state of the union to move to the top of my worry list.
I'd really like to print the report, but I think that I'll wait until we see an unredacted version. Overall, though, I really want to hear from Mueller himself. His letters to and interactions with the pseudo attorney general only confirmed my initial suspicions about the entire Mueller investigation and the blatant bullshit of the administration's declaration of total exoneration.
I'm so tired of all of this, the constant breaking news because there's never a day in which something else stupid or illegal or evil happens. How did our country get to this point? But more importantly, why aren't more people upset? I truly don't understand. No, not everyone out there gives a whit about politics, but this is our entire system of government, people. This is our Constitution being blatantly ignored, and need I remind everyone that democracies die in countries all of the time, and the U.S. is not immune, no matter how superior we all feel to the rest of the world.
"We heard of nights lit
with lightning bugs and cigarettes. With rumflame
and tonguefire. We needed none of it. The nights were
black puzzleboxes and we solved them. It was easy—
in the darkness, our minds sparked like flint." ~ Catherine Pierce, from "The Geek Girls"
And now for something completely different . . . (I really miss Monty Python).
Last night Bill Maher made a Carpenters' reference, and very few people in the audience got it. As the Dump would say, "sad." You know that you are aging when you make cultural references that no one else in the room understand and/or appreciates.
Anyway . . . Corey bought me a small bottle of Maker's Mark a few weeks ago, and I've been parceling it out like it's gold, which it is actually akin to, considering the cost. I've just been having a weird craving for bourbon the last few months; it's especially weird as I rarely drink any more, probably more as a reaction to being around a drunken Dallas.
Who knows. Certainly not I. But there really was a point to this: Even though the driveway is still in precarious shape because of the section that washed out, Corey met Dallas coming up the driveway yesterday pulling the horse trailer with the tractor. He (Dallas, not Corey) was sloppy drunk and talking about loading Sassy in the trailer and what he'd do to her if she wouldn't get inside. Corey reminded him that the driveway was damaged, and actually convinced Dallas to turn around.
There was a lot more to the episode, but I just don't want to get into it. Suffice it to say that Corey locked on of the gates on the driveway, which is good as Dallas actually came back up the drive after Corey left, and if Dallas had made it all the way here and tried to scare Sassy into the trailer, I'm really not sure how I would have reacted. As it was, Corey's retelling of everything left me shaken. I'm really beginning to hate a lot of what is going on around here, the constant threats of lawsuits, and jail and violence, even though we're not actually in the midst of it. But we're close enough that it's affecting us.
I had wanted to get away from people, away from neighbors, but I suppose you truly cannot get away from such things unless you are physically unreachable. I mean, we're pretty isolated on our property, but these people can still reach us. Several years ago I wrote a post about hermits and hermitages; I remember it fondly. The irony is that when Corey first met Dallas, we thought that it was so great to have a contact who knew everyone and knew a lot about our property. That boon has become my bane.
Ah me . . . I just need to spend more time writing and practicing my piano, more said than done.
*All images are taken from the short movie Elephant's Dream, which is the world's first open movie, made entirely using open source graphics software and presented under a Creative Commons license. To see more images or to watch the movie, go to Blender Foundation | www.blender.org
Music by Disturbed (yes, again), "Sound of Silence"
Falling Water (section one)
I drove to Oak Park, took two tours,
And looked at some of the houses.
I took the long way back along the lake.
The place that I came home to—a cavernous
Apartment on the East Side of Milwaukee—
Seems basically a part of that tradition,
With the same admixture of expansion and restraint:
The space takes off, yet leaves behind a nagging
Feeling of confinement, with the disconcerting sense
That while the superficial conflicts got resolved,
The underlying tensions brought to equilibrium,
It isn't yet a place in which I feel that I can live.
Imagine someone reading. Contemplate a man
Oblivious to his settings, and then a distant person
Standing in an ordinary room, hemmed in by limitations,
Yet possessed by the illusion of an individual life
That blooms within its own mysterious enclosure,
In a solitary space in which the soul can breathe
And where the heart can stay—not by discovering it,
But by creating it, by giving it a self-sustaining
Atmosphere of depth, both in the architecture,
And in the unconstructed life that it contains.
In a late and very brief remark, Freud speculates
That space is the projection of a "psychic apparatus"
Which remains almost entirely oblivious to itself;
And Wright extols "that primitive sense of shelter"
Which can turn a house into a refuge from despair.
I wish that time could bring the future back again
And let me see things as they used to seem to me
Before I found myself alone, in an emancipated state—
Alone and free and filled with cares about tomorrow.
There used to be a logic in the way time passed
That made it flow directly towards an underlying space
Where all the minor, individual lives converged.
The moments borrowed their perceptions from the past
And bathed the future in a soft, familiar light
I remembered from home, and which has faded.
And the voices get supplanted by the rain,
The nights seem colder, and the angel in the mind
That used to sing to me beneath the wide suburban sky
Turns into dreamwork and dissolves into the air,
While in its place a kind of monument appears,
Magnificent in isolation, compromised by proximity
And standing in a small and singular expanse—
As though the years had been a pretext for reflection,
And my life had been a phase of disenchantment—
As the faces that I cherished gradually withdraw,
The reassuring settings slowly melt away,
And what remains is just a sense of getting older.
In a variation of the parable, the pure of heart
Descend into a kingdom that they never wanted
And refused to see. The homely notions of the good,
The quaint ideas of perfection swept away like
Adolescent fictions as the real forms of life
Deteriorate with manically increasing speed,
The kind man wakes into a quiet dream of shelter,
And the serenity it brings—not in reflection,
But in the paralyzing fear of being mistaken,
Of losing everything, of acquiescing in the
Obvious approach (the house shaped like a box;
The life that can't accommodate another's)—
As the heart shrinks down to tiny, local things.
~ John Koethe (rest of the poem here)
Categories Being Here, Bloglovin', blogsurfer.us, Curmudgeonly Comments, I Just Hurt All Over, In Dreams, Is Pain Management an Oxymoron?, Lessons Learned, Life or Something Similar, Poietes, Politics and Strange Bedfellows, Rantings of an Insomniac, Things that make you go hmm . . ., Those Whacky Republicans, Who knows? Certainly not I . . .•Tags Alejandra Piznarik, Catherine Pierce, Creative Commons license, cultural references, Disturbed "Sound of Silence", Elephant's Dream, Emily Berry, Henri-Frederic Amiel, In Dreams, John Koethe "Falling Water", Li-Young Lee, Monty Python, Poetry Foundation


text:
Q: How to find index of Json nested array in jquery? I'm creating an image uploader using Codeigniter3 and jQuery / Ajax.
Issue:  I don't understand how to find the index of the array that I get from the ajax response as below result.
Here is the result when images upload
{
    "res": true,
    "img_pro": {
        "upload": {
            "file_name": "web_page-_500_x_420px-06s1.png",
            "file_type": "image\/png",
            "file_path": "/uploads\/",
            "full_path": "/uploads\/web_page-_500_x_420px-06s1.png",
            "raw_name": "web_page-_500_x_420px-06s1",
            "orig_name": "web_page-_500_x_420px-06s.png",
            "client_name": "web_page-_500_x_420px-06s.png",
            "file_ext": ".png",
            "file_size": 233.79,
            "is_image": true,
            "image_width": 563,
            "image_height": 420,
            "image_type": "png",
            "image_size_str": "width=\"563\" height=\"420\""
        }
    },
    "token": "e291d9b7176d23647470083f7ccfd166"
}

And I used $.ajax for sending images to the server

Thanks for help

A: Just use the old fashioned way..
success: function (data) {
    var image;
    if(!data.img_pro || !data.img_pro.upload) {
        return;
    }
    image = data.img_pro.upload;

    if(image.file_size > 2M) {
        //Do something..
        return;
    }

    ..other checks..
}

A: Use the "key" parameter which you assigned to the function (together with the "val" parameter):
    $.each(data, function (key, val) {

A: jQuery has the $.inArray() method, which is similar to indexOf() method of JavaScript. Basically, it returns -1 when it didn't find any index.
For example:

<!doctype html>

  <meta charset="utf-8">
  <title>jQuery.inArray demo</title>

"John" found at

4 found at

"Karl" not found, so

"Pete" is in the array, but not at or after index 2, so

(Source)

This example is from the jquery api website.


text:
Related Bios Paul D'Angelo Vincent Papageorgiou Phil Schoeniger Alex Elia '14
Joe Calabrese
Title: Head Coach
Email: jcalabre@endicott.edu
Office: Post 110A
Head Coach at Endicott (2011-present)
89-53-24 (.608) overall record, 44-14-13 (.711) in-conference record at Endicott
3x CCC Coach of the Year (2015, 2016, 2017)
NCAA Appearance (2017)
CCC Tournament Champions (2017)
CCC Finalist appearance (2015, 2017)
Five CCC Semifinalist appearances (2014, 2015, 2016, 2017, 2018)
Seven CCC Tournament Quarterfinalist appearances (2011-2017)
4x CCC Regular Season Champions (2015, 2016, 2017, 2018)
Coached Gulls to program record in single-season wins (16), points (120), goals (43) in 2015
2015 ECAC Division III New England Finalist
2014 ECAC Division III New England Champions
2012 ECAC Division III New England Semifinalist
2011 ECAC Division III New England Quarterfinalist
Coached 41 All-CCC players, including 2012 CCC Rookie of the Year Jordan Daniel, 2015 CCC Co-Defensive Player of the Year Carter Ocko, 2016 Defensive Player of the Year Nick Weinstein, 2016 Rookie of the Year Evan Couchot, 2017, 2018 Defensive Player of the Year Conner Couchot
Coached 7 NSCAA All-New England Region student-athletes
26 student-athletes named to CCC Academic All-Conference Team (3.3+ GPA, sophomore and above)
Gregory Capece '12 named CoSIDA Capital One Academic All-America First Team in 2011
Gregory Capece '12 named CoSIDA Capital One Academic All-District First Team in 2011
Carter Ocko named NSCAA Athletic All-America Third Team in 2015
Ryan Cohane named 2016 NSCAA NCAA Division III Men's Scholar All-East Region Third Team
Head Coach at Utica (2008-10)
15-17-2 (.471) overall record, 3-9-2 (.250) in-conference record at Utica
Empire 8 Semifinalist in 2010
Coached Pioneers to school records in wins (12), goals scored (55), and points (153)
Assistant Coach at Western New England (2005-08)
Assistant Coach at Westfield State (2004)
Played at Westfield State (2000-03)
Bachelor of Science, Business Management and Master of Education, Sport Management from Springfield
Four-year letter winner and two-year captain
Two-time MASCAC All-Conference player
MASCAC Championship and NCAA Division III Tournament appearance in 2000
In his ninth year at the helm of the Endicott men's soccer program in the 2019-20 season, Head Coach Joe Calabrese believes his philosophy on not just soccer, but life, is starting to rub off on his players.
"We believe and know Endicott College is becoming one of the most special places in the country at any level to play college soccer. It's been created through hard work, time spent together, and the belief in our team culture," says Calabrese. "We're creating a special culture through a shared vision by our players, coaching staff, and alumni. We recruit excellent student-athletes, competitive guys, and young men who embody a mindset of service, self-discipline, and are committed to exceeding our program values, standards, and goals."
The team culture, Calabrese says, encompasses not just soccer, but spiritual beliefs, family, academics, community service and good relationships. "We hold our guys accountable for everything, whether it's their studies or their play on the field. I want them to see the big picture of their college experience because if they do, it will be that much better."
The soccer experience at Endicott is competitive, especially considering the parity in Commonwealth Coast Conference opponents year-in and year-out. Calabrese brings that competitive environment from game day into his practices, which run from intense 90-minute sessions to pregame walk-throughs, hoping to prepare his team for a late postseason run.
"At practice, we'll track wins and losses, and at the end of the session, a champion will emerge. We hold 2 v 2, 4 v 4, or 8 v 8 championship formatted tournaments throughout the fall season, which we believe creates a competitive practice environment preparing our squad for a deep run into the CCC playoffs."
Offseason training is equally imperative for the success of the program.
"Players aren't required to be in the weight room 3-to-4 days a week, but the returners have shown that they want to put the work in if they want to be a force not only in the region but at the national level as well," says Calabrese. He also emphasizes the need to work on technical skills throughout the year to improve the simple parts of the game that will seem natural come game day.
Additionally, building team chemistry is a year-round focus for the men's soccer program through community service and some creative programming.
"We believe in doing the extras as a soccer program. Our players play futsol in the Post Center field house during the offseason. They lift weights and complete speed workouts during the winter months and begin those workouts as early as 6:00 a.m. As a program, we've been recipients of the NSCAA Team Academic Award on numerous occasions. Our players are expected to set a new team best for overall team cumulative GPA on a yearly basis. Our team leaders organize our community service projects and collaborate with each other on new ways to serve the North Shore community and the Endicott community."
Calabrese believes team chemistry is best formed by spending time together. "The members of our team live together in the residence halls throughout their playing careers. Our players eat meals together daily in the Callahan Dining Hall, attend professional games, attend Bingo nights at Endicott, go to the local cinema to watch movies, and play video games together in the residence halls."
When it comes to future players, Calabrese admits that he is just looking for recruits that can pass the "good-dude test."
"Are you willing to make the daily sacrifices to achieve success? Are you willing to give back to the community? Are you going to get the job done in the classroom? Are you willing to put the work in on the field?"
"That's the standard for our program every single year," says Calabrese.
Page last updated: 5/16/19


Credit Bureaus - Rudy Professional Services, Inc.
Here at Rudy Professional Services, Inc., we are happy to provide assistance and support for all buyers - whether you are a first-time homeowner or a seasoned purchaser. In general, there are three (3) main credit bureaus that are commonly used when making finance decisions. Whether one wants to get a credit card, new vehicle, or a home loan, the following credit bureaus are used in making credit decisions. Click on each graphic to learn more about each of the credit bureaus below (links open in a new window).
Please note that there are a number of factors that are taken into consideration when credit decisions are made for home financing. Information provided on these websites are for illustrative purposes only and how you purchase may affect decisions made for financing. Thank you.


text:
The area has had 66 new cases in the last seven days,
New data released by the Scottish Government today breaks down the number of positive covid-19 cases in each area in the Falkirk and Grangemouth area.
By Scott McCartney
Wednesday, 12th January 2022, 4:57 pm
The new data shows the highest numbers recorded of positive cases in each area – in ascending order – recorded between January 3 and 9.
Where a neighbourhood has fewer than three positive cases, it is presented as 0-2 to protect patient confidentiality.
1. Carse and Grangemouth Oldtown
The area has had 68 new cases in the last seven days
Photo: Google
2. Fankerton, Stoneywood and Denny Town
3. Bo'ness - Douglas
4. Falkirk - Middlefield
FalkirkGrangemouthScottish Government


We bestow the title of 'TY Masterchef Français' as carefully as the Americans choose a president so it should be no surprise that it takes three rounds to pick our winner. But now it is all over except for the tallying of votes and the licking of spoons. The grand announcement of the winner will be made on TY Night but below you see our four finalists and some of their classmates and teachers enjoying the student chefs' culinary creations.


text:
The Aging Population in China
Asian Wars and Battles
How will China handle its population growing old?
Matteo Colombo/Getty Images
by Charles Custer
Charlie Custer is a writer, editor, and video producer focusing on China. He directed a documentary film about human trafficking in China.
China's famous one-child policy had an aftereffect of creating a larger elderly population. Westerners often hear about how much regard the Chinese have for the elderly, but as China grows old, a number of challenges potentially await the emerging superpower. With this review of the elderly in China, better your understanding of how old people are treated in the country and the impact of a rapidly aging population there.
Statistics About the Aging Population
The population of the elderly (60 or older) in China is about 128 million, or one in every 10 people. By some estimates, that puts China's sheer number of senior citizens at the largest in the world. It is estimated that China could have up to 400 million people over 60 years of age by the year 2050.
But how will China address its masses of senior citizens? The country has changed dramatically in recent years. This includes the changing of its family structure. In traditional Chinese society, the elderly used to live with one of their children. But today more and more young adults are moving out, leaving their elderly parents alone. This means that the new generation of elderly people may not have family members to tend to their needs, as young people in the country traditionally have.
On the other hand, many young couples are living with their parents because of economic factors and not because of tradition. These young adults simply cannot afford to buy a house of their own or rent an apartment. Experts say family-based care is now impractical because most middle-aged children have little time to take care of their parents. So, one of the things the elderly have to face in 21st century China is how to live out their twilight years when their families can't take care of them.
Older people living alone is not an anomaly in China. A nationwide survey found that about 23 percent of China's seniors over the age of 65 live by themselves. Another survey conducted in Beijing showed that fewer than 50 percent of elderly women live with their children.
Housing for the Elderly
Since more and more elderly live alone, homes for the elderly aren't enough to meet their needs. One report found that Beijing's 289 pension houses could accommodate only 9,924 people or 0.6 percent of the population above age 60. To better serve the elderly, Beijing adopted regulations to encourage private and foreign investment in "homes for the elderly."
Some officials believe that the problems facing China's elderly can be solved through combined efforts from family, the local community, and society as a whole. China's goal is to establish a support network for senior citizens that provides medical care and helps them avoid loneliness through scholarly pursuits and entertainment. The network would also encourage senior citizens to continue serving society after retirement age by using the knowledge they've acquired over the years.
As China's population ages, the nation will also have to take a hard look at how this shift will affect its ability to compete on the world stage.
Here's How Much Info One Basic Graph Can Show About a Population
In the Year 2050, Which Countries Will Have the Most People?
Senior Citizen Population by State Per 2010 Census
Chinese Birthdays: Traditions and Taboos
How Much Do You Know About Mongolia's Religion, Facts, and History?
Why Do People Kill Baby Girls in Some Asian Countries?
Living Past 90 in America is No Decade at the Beach
China's Boxer Rebellion in Photos
Tourism Development in China
How the Chinese Celebrate Birthdays of Elderly People
10 Facts on the Geography of Beijing China
The Long and Unusual Life of China's Last Emperor, Puyi
See How the U.S. Population Has Grown Throughout History
The Earthquake That Shook up Maoism in Tangshan, China
Is Christmas Celebrated in China?
Biography of Mao Zedong, Father of Modern China


The JM Sethia Charitable Trust invites applications from individuals of Classes 9 to 12, Graduates and Post graduates for Merit Scholarship awarded every year to students pursuing full-time courses only. The aim of the scholarship is to stop drop-out of students from schools and colleges.
A. The merit list is discussed and analysed for final selection by a high level selection panel, constituted by the trust management. The decision of this committee shall be final.


text:
Little Clouds
Hey 2010
american idol story
Wet Pizza
guess we're back
What the Hell?: Video Game Movies
listy-poo
music attahced
Bradford Lynn
I am fuel, you are friends
lack of command
ninepoems blog
Rochelle Michael
Rock Cookie Bottom
About Little Clouds
This is the blog of Johnny and Marissa. We are a couple in our twenties in Colorado. We like to rant about video games (johnny), music (marissa) and anything else we can think of.
yeah yeah yeahs-it's blitz! review and more
Filed under: music attahced, review | Tags: conor oberst, it's blitz!, outer south, yeah yeah yeahs
it's blitz!
Yeah Yeah Yeahs-It's Blitz!
My grade: C+
I had really low expectations for "It's Blitz", for the most part the album met them and at points exceeded them. From the get go, when I heard "Head's Roll", I was skeptical, or rather negative, about the synths and disco beats saturating this release. I was right, the disco songs on the album, "Head's Will Roll", "Dragon Queen", "Dull Life" and "shame and fortune" are the worst songs on the album. "Zero", the album's opening track, also falls under the mediocore dance song category. "Runaway" begins nice enough but ends up too dramatic, and then kind of just sounds like "Lover I Don't have to love" or something.
They're trying to be something they're are not, and while synth dance may be in, and the YYYs may be a good band, they fail at making interesting synth dance music. It's like they're trying to be glass candy- but ending up as the killers. When really, we just wanted the yeah yeah yeahs.
However, this album isn't all horrible. There are some really great tracks. I like every ballad on the album. "Skeletons" is beautiful, and Karen O's voice sounds great on it. "Soft Shock" is also really, really good. "Soft Shock" and "Skeletons" are both performed acoustic as the album's bonus tracks, and in my opinion, thats how they sound their best.
All around, this album has high points and low ones. And it's no worse then the Yeah Yeah Yeahs last record. In general, for me, with the YYYs they have about two or three really great songs on their LPs and the rest are take it or leave it. The bonus tracks alone make this album a worthwhile listen.
Yeah Yeah Yeahs-Soft Shock (Acoustic Version)
Yeah Yeah Yeahs-Skeletons (Acoustic Version)
Conor Oberst- Slowly (oh so slowly) song review
This new song, from Oberst's May 5th release "Outer South", is streaming on his website.
stream of new song
It's really bad. that's all I have to say about it.
-marissa
well EXCUSE ME MISSY. I actually love all the dancy ones you hated and thought the ballads were more on mediocre side of the scale. I was disappointed too. And I like "Dull Life" but it sounds strangely a lot like my song "Black Dawn" and so now I feel like I can never publish that song.. "Dragon Queen" makes me wanna do a load of basket off a stripper's puss, and I really like the music in it. "Zero" grows on me. But I do love the song "Hysteric", I think it's totally cute. Alas this album is the reaosn I might not fork over for Coachies.. So I dunno. Kind fo agree, but I don't want to.
Comment by PHILIP March 27, 2009 @ 3:32 pm
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