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Home » Tech Flash Vol 6, No. 9 -- Food Engineering's E-Newsletter
Tech Flash Vol 6, No. 9 -- Food Engineering's E-Newsletter
Source: Walmart.
Walmart Stores Inc. adding level to already strict beef safety measures
Bentonville, AR-based Walmart Stores Inc. announced recently that it will implement additional beef safety measures designed to further protect customers against foodborne illnesses. The new process controls, standards and goals are additions to a food safety program that already requires ground beef suppliers to test for E. coli O157:H7 and achieve prevention-based certification against one of the Global Food Safety Initiative (GFSI) internationally recognized standards.
"As part of our continuous improvement efforts, we go further than many US retailers in requiring leading-edge food safety standards throughout the entire food production chain," said Frank Yiannas, vice president for food safety. "In light of recent beef recalls, we determined it was prudent to require an additional layer of protection for our customers."
The new program requires Walmart and Sam's Club beef suppliers to implement controls that would reduce potential contamination levels and validate that the measures they've implemented are effective through specialized testing. Suppliers who do not operate slaughter houses must be in compliance with the new standard by June 2011. For beef slaughterhouse suppliers, a two-step approach will be implemented, with the first step to be completed by June 2011 and the second by June 2012.
"Walmart has taken steps to provide its customers with the safest possible beef products," said James Marsden of Kansas State University. "Consumers across the United States will benefit greatly from this timely food safety initiative."
The retailer is taking a progressive approach to ensure safe food products, adds Jim Dickson, professor of animal science at Iowa State University. "The lessons learned from Walmart's approach will be applicable to ground beef sold everywhere."
Tom Vilsack. Source: USDA.
USDA announces new performance standards for Salmonella and Campylobacter
Agriculture Secretary Tom Vilsack announced new performance standards to reduce Salmonella and Campylobacter in young chickens (broilers) and turkeys, fulfilling another key recommendation of the President's Food Safety Working Group. USDA's Food Safety and Inspection Service (FSIS) also released a compliance guide to help the poultry industry address Salmonella and Campylobacter and a compliance guide on known practices for pre-harvest management to reduce E. coli O157:H7 contamination in cattle.
"There is no more important mission at USDA than ensuring the safety of our food, and we are working every day as part of the President's Food Safety Working Group to lower the danger of foodborne illness," said Vilsack. "The new standards announced today mark an important step in our efforts to protect consumers by further reducing the incidence of Salmonella and opening a new front in the fight against Campylobacter." The standards are the first-ever standards for Campylobacter; they mark the first revision to the Salmonella standards for chicken since 1996 and for turkeys since the first standards were set in 2005.
The performance standards set a level in percentage of samples testing positive for a given pathogen an establishment must achieve and play a key role in reducing the prevalence of foodborne pathogens and preventing harm to consumers. The President's Food Safety Working Group has set a goal of having 90 percent of all poultry establishments meeting the revised Salmonella standard by the end of 2010.
By revising current performance standards and setting new ones, FSIS is encouraging establishments to make continued improvement in the occurrence and level of pathogens in the products they produce. FSIS developed the stricter performance standards using recently completed studies that measure the baseline prevalence of Salmonella and Campylobacter in young chicken and turkey carcasses nationwide.
FSIS has developed the third edition of a compliance guide for poultry slaughter, which includes recommendations for controlling Salmonella and Campylobacter, as well as a compliance guide on known practices for pre-harvest management to reduce E. coli O157:H7 contamination in cattle. Both documents are priorities for the President's Food Safety Working Group and are available at FSIS's Web site.
FSIS is seeking comment on the performance standards and compliance guides announced in the Federal Register Notice and expects to begin using the standards after analyzing the comments and, if necessary, making any adjustments.
"Preventing foodborne illness is the core mission of the Food Safety and Inspection Service, and today's announcement will help us reduce the incidence of Salmonella and Campylobacter," said Jerold Mande, deputy under secretary for food safety. "We welcome comments on today's announcement."
Comments regarding the compliance guides document must be received within the 60-day comment period through the Federal eRulemaking portal at www.regulations.gov, or by mail to: Docket Clerk, U.S. U.S. Department of Agriculture, Food Safety and Inspection Service, Room 2-2127, George Washington Carver Center, 5601 Sunnyside Avenue, Mailstop 5474, Beltsville, MD 20705-5474. All submissions received through the Federal eRulemaking Portal or by mail must reference the Food Safety and Inspection Service and include the docket number "FSIS-2009-0034."
Research says popcorn more effective than chocolate for curbing snack attacks
Recent research released by ConAgra Foods shows that eating a filling but calorie-controlled snack like popcorn leaves people feeling fuller than those snacking on the same caloric amount of milk chocolate.
A ConAgra Foods research team led the study, which was presented at the Experimental Biology Conference, held last month at the Anaheim Convention Center in Anaheim, CA.
The study found that participants who ate a 100-calorie portion of popcorn versus a two-nugget, 100-calorie serving of milk chocolate were significantly less hungry, had less desire for a second snack and were more satisfied with the amount of food after eating the popcorn.
"We know that feeling hungry is a barrier to weight loss. Our findings show that low-fat popcorn is a smart snack choice for managing weight because it helps people feel less hungry and more satisfied," said Kristin Reimers, nutrition manager at ConAgra Foods.
The study included 49 female participants, aged 20 to 50 years old with a body-mass index between 18 and 25 (normal weight). All participants followed the same consumption protocol in a controlled testing facility. After an overnight fast, they arrived at the testing facility, ate a controlled breakfast, and then ate a snack three and a half hours after breakfast.
In April 2009, a similar study found that subjects who ate up to six cups of low-fat popcorn - 100 calories - 30 minutes before lunch consumed the same amount of total calories from the popcorn snack and a subsequent meal as those who consumed only water before the meal. In contrast, when subjects ate a 150-calorie cup of potato chips before the meal, they ate significantly more total calories including the meal.
Turn organic waste into energy
According to the US EPA, one full-size dairy cow, depending on the breed, will put out somewhere between 120 to 150 lbs. of manure on a daily basis. Multiply this number times 6,000 cows, and the result is the amount of manure being processed by an aerobic digester at Bettencourt Dairy's B6 farm in Jerome, ID. It all adds up to 1 million kW-hours of electricity each month.
Food Engineering Exclusives
Mapping the future of food plant automation
Forces greater than commodity prices are driving change in the way food companies manufacture products, and that will affect how automation technology is deployed.
Essential guide to manufacturing software
Intelligence is power, and processors require actionable, well-rounded intelligence to remain profitable.
Old robots learn new tricks
System integrators and packaging machine builders are engineering robotic systems that address the specific needs of food and beverage companies.
Engineering R&D: Sensors to sniff bacteria
Biosensors can detect everything from shoe bombs to the mycobacteria that cause tuberculosis. Can they also detect food-borne pathogens lurking in industrial-scale batches?
People, Plants and Industry News
The Pasteur Foundation presented its annual award to chairman and CEO of Danone Franck Riboud.
Cutrale Citrus Juices USA will build a new storage and export terminal on 2.7 acres along Berth 205 at Hookers Point port in Tampa, FL. The facility will support exports of not-from-concentrate juice and is expected to be served by ten ships a year. The port will spend $1.8 million on dock improvements, and Cutrale is expected to spend $25 to $30 million. The project should be completed in 2011.
Dover Corporation's Pump Solutions Group promoted Walter Bonnett to the position of vice president of PSG Marketing.
Annik Engineering LLC, a manufacturer's representative specializing in process equipment, will market equipment from Piab Vacuum Conveyors of Hingham, MA.
Mokon, manufacturer of circulating liquid temperature control systems, appointed Premier Plastics Equipment Sales Inc. as its newest independent representative in the Midwest and Western US.
Hardy Instruments Inc. appointed Stan Modzel as North American service sales manager.
Chicago Cold Storage and the Port of Quincy started a new expedited, refrigerated intermodal "Cold Train" container rail and distribution service between Quincy, WA, and Chicago, IL. The four-day, door-to-door service will be available up to six days a week, depending on market demands.
Tech Flash Vol 6, No. 15 -- Food Engineering's E-Newsletter
J.M. Smucker wins 2020 Food Engineering Plant of the Year
The basics of cleaning and sanitation in food plants
A Guide to Sanitary Product Recovery for Food & Beverage Companies
The importance of maintaining nutritional and sensory quality in pasteurized food
Plant Openings & Expansions: January 2020
Mastering Inventory Management (and Why It's Crucial to your Business)
As the pace of change accelerates in food and beverage, real-time visibility and insight can be the difference between barely surviving and thriving. Today's dramatic market changes and constantly evolving business models are forcing food and beverage companies to re-examine their inventory management processes.
Food Automation & Manufacturing Conference and Expo
Food Engineering's Food Automation & Manufacturing Conference and Expo (FA&M) is a 2 ½ day event that brings food and beverage processors and suppliers together to gain valuable information on the latest trends and technologies in manufacturing, automation, sustainability and food safety.
Severe Weather and the Supply Chain
How will this year's severe spring weather affect your supply chain?
It will increase costs.
It will lead to commodity shortages or a need for additional suppliers.
Too early to tell.
It will have no effect.
Packaging Research in Food Product Design and Development
Packaging Research in Food Product Design and Development is the first book to comprehensively address the issues of graphics design and visual concepts, from a systematic, scientific viewpoint, yet with business applications in mind.
In the January 2020 issue of Food Engineering, we explore what processors need to know to choose the right food defense solutions without overspending.


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Ulzana's Raid is a 1972 American Revisionist Western film starring Burt Lancaster, Richard Jaeckel, Bruce Davison and Joaquin Martinez. The film, which was filmed on location in Arizona, was directed by Robert Aldrich based on a script by Alan Sharp. It portrays a brutal raid by Chiricahua Apaches against European settlers in 1880s Arizona.
The bleak and nihilistic tone of U.S. troops chasing an elusive merciless enemy has been seen as allegory to the United States participation in the Vietnam War.

Plot
Following mistreatment by Indian agency authorities, Ulzana breaks out of the San Carlos Indian Reservation with a small Chiricahua war party. When news reaches Fort Lowell, the commanding officer sends riders out to alert the local settlers. However, both troopers are ambushed separately; one is dragged away while the other kills the European woman he is escorting and then himself. The Apaches play catch with his liver. The woman's husband, who stayed behind to protect his farm, is captured and tortured to death. McIntosh, an ageing U.S. Army scout, is ordered to bring in Ulzana. Joining him will be a few dozen soldiers led by the inexperienced lieutenant, Garnett DeBuin, a veteran Cavalry sergeant and Ke-Ni-Tay, an Apache scout. Ke-Ni-Tay knows Ulzana because their wives are sisters.

The cavalry troop soon discover the brutal activities of the Apache war party. The soldiers know they are facing a merciless enemy with far better local skills. DeBuin is shocked by the cruelty and harshness he sees because it conflicts strongly with his Christian morality and view of humanity. After failing to find Ulzana, McIntosh and Ke-Ni-Tay consider how to outwit their enemy. But DeBuin remains cautious and mistrustful of Ke-Ni-Tay because Ulzana did not let him join his war party.

Ulzana and his warriors decide to continue on foot to tire out the pursuing cavalry while their horses are circuitously led back the other way. However, after Ke-Ni-Tay notices that the tracks are of unladen ponies, McIntosh leads an ambush that kills the two Apache escorts and the horses; one of whom was Ulzana's son. Despite angry protestations, DeBuin forbids his men from mutilating the dead boy.

The war party attack another farm, burning the homesteader to death and seizing two horses. McIntosh realizes that the remaining Apaches physically and psychologically need horses and will try to obtain them by raiding the troop. A woman at the burned-out farm, instead of being murdered following her gang rape, was left alive but injured so that the cavalry will be forced to send her to the fort with an escort. By splitting the troop, Ulzana hopes to successfully attack the escort and seize its horses. McIntosh suggests a decoy plan to make Ulzana falsely believe that his tactics are successful.

Ulzana's warriors ambush the small escort detachment obtaining all of its horses and killing the sergeant and his soldiers before DeBuin can arrive with the rest of his force. McIntosh is left mortally wounded. Only the woman survives unharmed though now apparently crazed by her experiences. Ke-Ni-Tay scatters the captured horses just as bugle calls from the cavalry ineptly alert the Apaches to DeBuin's approach. Ulzana flees on foot as the remnants of his band are killed. Ke-Ni-Tay confronts him and shows him the Army bugle taken from the body of his son. Ulzana puts down his weapons and sings his death song before the Apache scout kills him. A corporal suggests that Ulzana, or at least his head, should be taken back to the fort. However, DeBuin, now hardened by what he has witnessed during the mission, sternly orders him to be buried. Ke-Ni-Tay insists on carrying out the task himself. The surviving troopers led by DeBuin pack up to leave but McIntosh knows that he will not survive the journey back to the fort, so chooses to stay behind to die alone.

Cast

 Burt Lancaster as McIntosh
 Bruce Davison as Lt. Garnett DeBuin
  as Ke-Ni-Tay (army scout)
 Richard Jaeckel as Sergeant
 Joaquin Martinez as Ulzana
 Lloyd Bochner as Capt. Charles Gates
 Karl Swenson as Willy Rukeyser (settler)
 Douglass Watson as Maj. Cartwright (CO, Ft. Lowell)
 Dran Hamilton as Mrs. Riordan
 John Pearce as Corporal
 Gladys Holland as Mrs. Rukeyser
 Margaret Fairchild as Mrs. Abbie Ginsford
 Aimee Eccles as McIntosh's Indian woman
 Richard Bull as Ginsford (settler)
 Otto Reichow as 'Dutch' Steegmeyer (Indian Agent, San Carlos Reservation)
 George Aguilar as Indian Brave
 Dean Smith as Horowitz

Production

Writing
The film is an original screenplay by Alan Sharp, who said he was inspired by John Ford's 1956 western The Searchers because he regarded it as "the best film I have ever seen". Sharp later described Ulzana's Raid as:

Apart from being my sincere homage to Ford [...] an attempt to express allegorically the malevolence of the world and the terror mortals feel in the face of it. We all have our own notions of what constitutes the ultimate in fear, from personal phobias to periods in history. [...] Three historical landscapes that I shudder most to consider are the Third Reich, Turkey during the First World War, and the American Southwest during the years 1860–86. [...] In Ulzana's Raid I am not intent on presenting a reasoned analysis of the relationship between the aboriginie and the colonizer. The events described in the film are accurate in the sense they have factual equivalents, but the final consideration was to present an allegory in whose enlarged features we might perceive the lineaments of our own drama, caricatured, but not falsified. [...] The Ulzana of the Ulzana's Raid is not the Chiricahua Apache of history, whose raid was more protracted and ruthless and daring than the one I had written about. He is the expression of my idea of the Apache as the spirit of the land, the manifestation of its hostility and harshness.

Lancaster later said in 1972 that in his entire career the only "first screenplays" that he really liked were Birdman of Alcatraz and Ulzana's Raid.

Aldrich later claimed "From the time we started to the time we finished the picture, I'd say fifty, sixty percent of it [the script] was changed. Alan Sharp, the writer, was very amenable and terribly helpful. And terribly prolific. He can write twenty-five pages a day. He couldn't agree more with my political viewpoint—so that was no problem. And fortunately, Lancaster and I felt pretty much the same about the picture. It was good that I had support from Sharp and Lancaster, because I don't have the highest regard for Carter DeHaven, the producer."

Casting
It would be the first time Burt Lancaster and Robert Aldrich had worked together since Vera Cruz (1954). Aldrich said Lancaster's character, John McIntosh, was named after John McIntire, the actor who played the Indian scout Al Sieber in the film Apache he directed in 1954. It was an "inside joke ... I'm not sure that Alan Sharp ever knew just why we did that."

Filming
The film was shot on location in the southeast of Tucson, Arizona, at the Coronado National Forest and in Nogales, as well as in the Valley of Fire State Park, Nevada.

Versions
There are two cuts of the film because Burt Lancaster helped to produce the movie. The American release was edited under the supervision of Aldrich while the European version was overseen by Lancaster. Although the overall running times are similar, there are enough differences between the 2 cuts, including several complete scenes only to find in one of the versions. A non-authorized version compiled by a German TV station in 1986 combined all scenes from both versions, with a runtime of 111 min.

Reception
Although it was not a commercial success, Aldrich said he was "very proud" of the film. Critics such as Gene Siskel wrote that the film was one of the ten best of 1972. Vincent Canby of the New York Times also said it was one of the best films of the year.

Later reputation
Although the film is considered to be a revisionist Western, it is not through the sympathetic portrayal of Native Americans that is so common in this genre; it is because of its allegorical message about America's conduct in the war in Vietnam at that time. American film critic and professor Emanuel Levy has called Ulzana's Raid one of the best Westerns of the 1970s saying it "is also one of the most underestimated pictures of vet director Robert Aldrich, better known for his sci-fi and horror flicks, such as Kiss Me Deadly and What Ever Happened to Baby Jane."

Quentin Tarantino called it "hands down Aldrich's best film of the seventies, as well as being one of the greatest westerns of the seventies. One of the things that makes the movie so remarkable is it isn't just a western; it combines the two genres that Aldrich was most known for, westerns and war films. "

See also
 Major Dundee, a 1965 western by Sam Peckinpah and starring Charlton Heston and Richard Harris
 The Stalking Moon, a 1968 more conventional American western concerning an elusive merciless Apache enemy
 Soldier Blue, a 1970 American Revisionist Western
 Ulzana (film) a 1974 East German western film about Ulzana shot in Romania and Uzbekistan

Notes

Citations

Bibliography
  Encyclopedia entry that discusses Ulzana's Raid and other westerns in the context of the then-current US-Vietnam war.
  An extended review of Ulzana's Raid in the context of Aldrich's career.

External links

1972 films
1972 Western (genre) films
American Western (genre) films
Western (genre) cavalry films
Revisionist Western (genre) films
Apache Wars films
Films shot in Arizona
Films set in Arizona
Films set in the 1880s
Films scored by Frank De Vol
Films directed by Robert Aldrich
Universal Pictures films
1970s American films
1970s English-language films

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Journeys in Sociology: From First Encounters to Fulfilling Retirements
The editors and twenty contributors to the essential anthology Journeys in Sociology use a life-course perspective to address the role of sociology in their lives. The power of their personal experiences—during the Great Depression, World War II, or the student protests and social movements in the 1960s and '70s—magnify how and why social change prompted these men and women to study sociology. Moreover, all of the contributors include a discussion of their activities in retirement.
Contexts: Personal, Political
Winter 2017 Vol. 16 No. 1
Features include "Chump Change", "Living on the Fringe in Post-apartheid Cape Town", "Love Wins", "Could There Be a Silver Lining to Zika?", and "'Straight Girls Kissing' Beyond the Elite College Campus."
Contexts Collection: On Aging
A special electronic collection of articles from the Fall 2009 and Winter 2010 issues of Contexts on the topic of aging. Featuring Vincent J. Roscigno, Phyllis Moen, Eric Utne, Deborah Carr, Stacy Torres and the MacArthur Foundation Research Network on an Aging Society. 28 pages, March 2010.
Contexts: With a Bullet
New editors Syed Ali and Philip Cohen start their tenure with a bang, including articles on carrying (and concealing) weapons, on the lessons of Ferguson, and what uprisings in France can teach us about protests in the U.S. Also: lesbian geographies, Piketty in perspective, recollections of genocide, and "velvet rope racism" at urban nightclubs.
Contexts: The Politics of Performance
Contexts: Science in Society
The social and political entanglements of science, from climate change and medical marijuana to the origins of modern American sociology.
Contexts: Suspect Evidence
Evidence is important. Even the most skeptical rely on tested and re-tested scientific certainty every day. And good sociologists hold scientific evidence suspect even as we use the best we have to make the decisions we must.
Contexts: Loving and Leaving
Feature articles include "Virginia is for Lovers", "Marijuana's Moral Entrepreneurs, Then and Now", "Commuter Spouses and the Changing American Family", "The Queer Work of Militarized Prides", "Accountability after Genocide", and "Race, Class, and the Framing of Drug Epidemics."
(-) Remove Section Officers filter Section Officers

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VA Shows You Must See This Week: February 5 – February 11
Marilyn Drew Necci | February 5, 2020
Topics: Andy Jenkins, Bandito's, Billy Varela, Black Dirty, Black Mass Gathering, Capital Ale House Music Hall, Cary Street Cafe, Children Of The Reptile, Colpa Mia, Community Witch, Craigslist Jerry, Daughter Of Swords, Emily Wolfe, events in richmond va, events near me this weekend, events richmond va, Faucet, Fredo Disco, Have Mercy, Horse Jumper Of Love, Hotspit, Humungus, Keep, Leach, Lobby Boy, Manatree, Mega Colossus, Mortal Man, music, must see shows, Night Idea, Pain In The Yeahs, Poor Boys, richmond events, richmond va, richmond va bands, Righter, RVA, Selfish Things, shows this week richmond, shows you must see, Taphouse Grill, The Camel, The Canal Club, The Dead Tongues, The Reign Of Kindo, things to do in richmond va, things to do richmond va, Tom West, Whistler's Mother, Wonderland, Young Culture, Zara, Zima
Thursday, February 6, 8 PM
Cary Street Cafe's 25th Anniversary & Big Ol' Whoopty Doo feat. Whistler's Mother, Craigslist Jerry @ Cary Street Cafe – Free!
This column is ostensibly about music, but if you want to get technical about it, it's really about shows. And sometimes the best, most important show of the week is about way more than just the music. Such is the case with the 25th anniversary "Big Ol' Whoopty Doo" being thrown by Cary Street Cafe this Friday. Oh, there'll be music — more on that in a minute — but the most important aspect of this event is just the occasion of celebrating a constant source for live music in Richmond over the past quarter century, and the work of founder Robyn McManis to bring it to us, especially in light of the fact that McManis is in the process of selling the place.
If you've been a longtime Cary Street Cafe regular, the music on offer this Thursday night should please you; the two groups that will be performing two sets each represent both the early and recent eras of this venue's standard fare. Whistler's Mother were one of the first bands to play the place, and had a Friday night residency in the cafe's early days that lasted years. Having since evolved into projects like the Harrison Deane Band and the Tin Can Fish Band, they'll be coming back together to rock Cary Street Cafe once again. Craigslist Jerry, who currently perform during happy hour every Friday at Cary Street Cafe, will offer two sets focusing on the Grateful Dead and Dead-inspired material that has been the place's stock in trade since day one.
Make no mistake, the music on offer on this night should be a real treat, especially if you're tastes are inclined to bring you to Cary Street Cafe on a regular basis anyway. But what this evening is really about is giving thanks for a venue that, in a constantly-changing landscape of short-lived venues for live music, has remained a consistent source of live performances since the early 90s — a time before a good many of our readers were even alive! Spend your Thursday night showing your appreciation with a night of celebratory jams.
Wednesday, February 5, 7 PM
Emily Wolfe, Tom West, Righter @ The Camel – $10 in advance/$12 at the door (order tickets HERE)
Let's rock! Austin-based singer-songwriter Emily Wolfe is coming to town, and while you may be used to hearing that term as a coded signifier for "dignified Americana-folk sounds played on acoustic instruments," Wolfe is quite a different prospect, using her loud n' proud electric guitar and her wailing voice to create quite the storm of distorted blues-rock riffology. Her self-titled debut LP, released about a year ago, finds her at the head of a storming power trio that has much more in common with Jack White's solo work than that of Carole King. Follow-up single "Ghost Limb Gambler," released last week, has much the same fighting spirit, and thank god for that.
But Wolfe sometimes performs solo as well, letting her guitar, some effects, and her magnificent voice dominate the stage. Which version of her live performances we'll get when she hits the Camel tonight isn't something I can predict, but the fact that it'll be great fun to watch is a sure thing. Wolfe will be joined on this gig by Australian singer-songwriter Tom West, who does hew a bit more closely to that whole folk thing, though "Americana" would surely be a misnomer for a troubadour from the land down under. Local indie-folk project Righter will get this whole evening kicked off, and it certainly should be a blast.
Humungus, Mega Colossus, Children Of The Reptile, Mortal Man @ Wonderland – $10
While they've been around for pretty much a decade now, Richmond thrash-metal throwbacks Humungus have never been all that prolific a band — which just makes it that much more exciting when they do release new material. They did so back around Christmastime, bringing their second full-length, Balls, into the world via Killer Metal Records. The fact that most people have already picked their faves of the year by the time December rolls around might have led to this album flying under some people's radar, but as always with Humungus, missing out on it would be a very big mistake.
This quintet does thrash in a manner not often heard in the modern era, keeping alive not only the incredible leads and galloping riffs of the genre's prime 80s era, but also the high-pitched vocals and occasional goofy subject matter in a manner that shows how good these metalheads are at deadpan humor. No matter how tongue-in-cheek Humungus are being at any moment, though, their thrashing ability is always serious as a heart attack, and their live performance at Wonderland this Thursday night is sure to get you headbanging with abandon — even if the fans they're known to bring with them onstage (to get the hair blowing around just so) are still pretty silly. A trio of Raleigh shredders — Mega Colossus, Children Of the Reptile, and Mortal Man — will pack this bill with a ton more metal mastery, but any true Richmond metalhead knows that Humungus is what it's all about.
Friday, February 7, 8 PM
Leach, Black Dirty, Night Idea @ Poor Boys – $5
It's always fun to head over to Poor Boys and spend an evening in the Voodoo Room, rocking out in a site that established a noble tradition of great music during previous days under the auspices of Bogart's, Balliceaux, and Flora. Prsmcat Presents has been bringing some great locally-focused sounds into the place since Poor Boys took it over, and this Friday night is no exception. This evening will be headlined by Leach, who are celebrating the release of their latest EP, A Machine, It Seems, at this event.
If you haven't checked out what this band, featuring former members of Imaginary Sons, are bringing to the table, the fact that their bandcamp URL labels them "Leach rock band" should be some guide. These guys have a decidedly 90s-style take on rocking, one that reminds me of driving around in my Chevette during my college days blasting Urge Overkill and Dig tapes. They'll be joined on this bill by Philadelphia's Black Dirty, who despite the name actually have a pretty clean and delightful math-damaged alt-pop sound. They're certainly musically simpatico with Night Idea, the Richmond mainstay who rounds out this bill. With the aid of these three excellent bands, you're sure to have a delightful Friday night.
Saturday, February 8, 7 PM
The Reign Of Kindo, Manatree, Colpa Mia @ Capital Ale House Music Hall – $15 (order tickets HERE)
This one kinda came out of nowhere for me, y'all. A band of at least half a dozen musicians who are big enough to tour on the performance of an early release in its entirety, whom I have also somehow never heard of? Well, in truth, that seems to be The Reign Of Kindo's whole thing. While they've been around for nearly 15 years, this New York band has never had a high profile in the mainstream, instead releasing all of their albums independently and focusing on the internet and social media as their path to success. What's really wild is that it has worked out so well — for the past few years, they've been releasing new songs monthly on Patreon, and have racked up nearly 1000 supporters who contribute over $3000 to them each time they release a new song. Not bad, right?
And so, therefore, The Reign Of Kindo (or just Kindo, depending on where you see their name) are definitely worth looking into if, like me, you've never encountered them before. Their music could certainly be described as alternative rock, but between the incredible talent of their entire ensemble and the fact that they bring such a wide variety of influences to bear on their creative process, it seems a woefully inadequate description. Genres like jazz, soul, and prog also have to be part of the conversation, and of course you can't ignore the way frontman Joseph Secchiaroli's voice takes the whole thing to another level entirely. Even if you've never heard of them — heck, especially if you've never heard of them — The Reign Of Kindo is a group you should really dig into. You can start this Saturday night at Capital Ale House.
Daughter Of Swords, The Dead Tongues, Andy Jenkins @ The Camel – $15 (order tickets HERE)
Where live music in Virginia is concerned, y'all, it's all about Richmond. That fact is driven home to me at times like this week, when I hunt high and low for non-Richmond VA shows to tell you about and can't even come up with two — and meanwhile, I'm having a hell of a time narrowing the Richmond picks down to eight. This week I threw up my hands and decided to work with what I've got, which is why you're getting this ninth Richmond show instead of a second elsewhere-VA show. I work with what I've got, folks, and in the end, you the live music fan are the one who benefits.
For example, there is this Saturday night show at the Camel featuring Daughter of Swords. I almost didn't manage to get this one in here, which is remarkable in light of how good the latest project from North Carolina folk singer Alexandra Sauser-Moning really is. Last year's Dawnbreaker demonstrated Sauser-Moning's flawless ability to come up with a series of heartfelt, memorable tunes and deliver them in the most minimal of settings. But this tour, on which she's backed by members of Megafaun, Dirty Projectors, and Hiss Golden Messenger, will present her with a more fleshed-out but just as brilliant musical canvas. They'll come to town in the company of the Dead Tongues, a folk project from the mind of sometime Hiss Golden Messenger sideman Ryan Gustafson. The fact that the two picked Richmond as the place to start their current American tour just proves the point I was making a paragraph ago — where live music in VA is concerned, Richmond is what it's all about.
Sunday, February 9, 9 PM
Faucet, Zima, Zara @ Bandito's – Free!
Round out your weekend with this triple bill of noise-punk awesomeness at Bandito's, featuring a couple of new groups consisting of members whose talents have already been well established. To begin with, there's Faucet, who land firmly on the noise end of the spectrum, with an out-of-control raging approach that evokes classic 80s reprobates like Flipper and No Trend. Featuring members of Ceremonial Scissors, Gumming, Fat Spirit, and Among The Rocks And Roots, this band's pedigree alone makes them worth looking into — but rest assured, their sounds are intense enough in their own right to warrant your continued attention.
Then there's Zima, a band whom I'm guessing are named after a clear malt beverage that was quite the trend when I was coming of age in the 90s and is probably totally forgotten by the younger readers among you. What actually inspired their name isn't something I can tell you, but I can tell you that this project, which features 4/5 of Richmond punk ragers Haircut on different instruments but going off just as hard, is absolutely worth your time. If you enjoy being devastated by raw, aggressive punk fucking rock, that is — and who doesn't? The bill is rounded out by Zara, an ambient electronic project with the most history of any of these three — certainly a great way to start a musically delicious evening.
Monday, February 10, 7 PM
Horse Jumper Of Love, Keep, Lobby Boy, HotSpit @ The Camel – $8 in advance/$10 Day of show (order tickets HERE)
Is it me, or are there a lot of horse-themed bands running around these days? Just last week I wrote about Brooklyn's A Deer A Horse and locals Horse Culture. And now, this week, I find myself discussing Bostonians Horse Jumper Of Love. As any journalist will tell you, three of anything is a trend. But it's not a strictly musical one, by any means — all three of the mentioned bands have very different sounds.
The one we're discussing at the moment, Horse Jumper Of Love, have revived the slowcore genre that was all the rage in the 90s, when bands like Red House Painters, Low, and Duster were big on the scene. On Horse Jumper Of Love's 2019 sophomore album, So Divine, they show themselves as capable inheritors of the tradition, knowing when to keep it quiet and when to flip the dynamic switch to loud and crushing… but throughout, always keeping things slow and moody in a manner making their music a perfect soundtrack for listening late at night with the lights off. You can do exactly that at The Camel this Monday night, and we humbly suggest you do so… no matter how you feel about horses.
Tuesday, February 11, 6:30 PM
Have Mercy, Fredo Disco, Selfish Things, Young Culture @ The Canal Club – $17 (Order tickets HERE)
I must say, I really dug the third Have Mercy album, Make The Best Of It, back when it was released in 2017. That album came just after singer-guitarist Brian Swindle had replaced his entire backing band with a new lineup, and I remember thinking at the time "I wonder if that guy's hard to work with." Now, after one more equally excellent album, 2019's The Love Life, Swindle and co. are calling it quits entirely, which only reinforces my previous wonderings. The music was totally great, though, so regardless of what sort of lingering tension may be present onstage for this Have Mercy farewell tour, it's still well worth showing up at The Canal Club and seeing them one last time.
Baltimore-based Have Mercy existed in an adjacent space to the emo revival, but their sound was always entirely their own, drawing equally from 90s alt-rock and pastoral indie sounds and creating wonderful, enduring tunes with strong, heartfelt lyrics about real, important aspects of interpersonal relationships. They're the kind of band that it's easy to let into your heart, and therefore, it'll be tough to let them go. Hopefully Brian Swindle keeps making music in some capacity after this, but even if he does, this will be our last opportunity to see Have Mercy play their many classic tunes. I suggest you make the best of it.
Pain In The Yeahs, Community Witch, Billy Varela, Black Mass Gathering @ Taphouse Grill (Norfolk) – $?
The Tidewater area of Virginia has always been a good source for dark gothic industrial dance sounds, and with Pain In The Yeahs operating in that area, this will certainly remain true for the foreseeable future. Brand new single "Animal Within An Animal" shows that bandleader James K. Ultra still has a deft touch with the postpunk spookiness he's established through his and the group's last several years' worth of work.
There is a strong undercurrent of the goth sound of the mid-80s UK, with Cure and Sisters Of Mercy vibes undeniable in their music, but the new single shows that Ultra and co. bring a pop sensibility to what they're doing as well; surprisingly catchy choruses and occasional synth-pop hooks add a darkly gleaming shine to the mood Pain In The Yeahs creates. Fear not, it'll still lend itself perfectly to storming the dance floor in a velvet cape, black lipstick, and shiny polished Doc Martens, in classic Norfolk tradition. Get gloomy, y'all.
VA Shows You Must See This Week: November 6 – November 12
Marilyn Drew Necci | November 6, 2019
Topics: Alluvion, Alpha Romeo, Amala, BBX, Bejxy, Bingo Beer Co, Cadillac Cat, Capital Ale House Music Hall, CAPTCHA, Chameleons Vox, Chauncey De Giant, Christopher Tignor, Colin Phils, Colpa Mia, Cop/Out, Cut The Architect's Hand, Days N Daze, Distant Dee, Don Chase, Dre King, Ellen Siberian Tiger, Fan Ran, Future Teens, gallery 5, Genosha, Hex Machine, Hotspit, Illa Styles, Jay Aston, Jimmy and the Delay, Kidd Khy, Lair, Leftover Crack, Lil Grits, Limbs, Lisa Prank, Magic Wand, Manzara, Murdersome, Nhibitions, Noah O, O-Z, Oceanator, Papi Majae, PT Veil, Pump Fake, Queen Elephantine, Riffhouse Pub, SAE, Sentius, Sharptooth, She, shows you must see, Site Of Suffering, Slim Kartel, Strangeways Brewing, Tavishi, The Bunker Brewpub, The Camel, The New Mutiny, Theatre Of Hate, This Will Destroy You, Tone Redd, Unmaker, Van Silke, Vulcanite, Wonderland, Wristmeetrazor, Yung Apollo
Saturday, November 9, 5 PM
Thrashgiving IV, feat. Vulcanite, Genosha, The New Mutiny, LAIR, Murdersome (Photo by Dennis Williford), Alluvion, Site Of Suffering, Cut The Architect's Hand, Sentius @ Strangeways Brewing – $10 cash, or $5 with canned/non-perishable foods
OK, y'all, Halloween is over, which means we're officially into the holiday season, for better or for worse. Right now it's for better, at least for me, because in spite of all it's terrible cultural baggage, Thanksgiving as it exists in 2019 is my favorite holiday. Sleep late, eat a big meal, watch football… what's not to love? We hit the "for worse" part along about 8 PM when Mom starts getting antsy and wanting to hit the Black Friday sales (these days a good many of them start as soon as the sun goes down on Thanksgiving, and whoever's idea that was needs to be put on trial for their crimes against humanity).
Anyway, Thanksgiving itself is still a few weeks away, but over at Strangeways Brewing, they're getting into the giving spirit a little early, as this Saturday brings about the fourth annual Thrashgiving celebration, put together by Metal Teresa Productions as a benefit to help feed the hungry and house injured military veterans and their families. These good causes are well worth your support, and if you bring some canned or non-perishable food items to donate, you'll get half off admission, so that rules as well!
In return for your five bucks and your cans of beans, you'll get a veritable showcase of the best Virginia's metal scene has to offer. From grunge-metal ragers Vulcanite to mournful doom sludgers Lair — who have a brand new self-titled album out as of last week — and from bloodthirsty thrashers Murdersome to brutal hardcore mosh maniacs Genosha, this show has a ton of headbanging awesomeness to offer. In addition to those four, there are half a dozen more excellent groups on the bill, and considering how cheap the price of admission is, it's really quite the bargain if your tastes run toward headbanging. This one gets our highest possible recommendation.
Wednesday, November 6, 8 PM
Future Teens, Oceanator, Colpa Mia, Pump Fake @ The Camel – $10 (order tickets HERE)
Despite the name at the top of the bill, as far as I know, none of the bands playing at The Camel tonight have any members under 13 years old. However, Boston's Future Teens do have a new album called Breakup Season, which is full of melancholy, heartfelt indie rock tunes of the sort the band aptly labels "bummer pop." These days it seems like that whole twentysomething malaise that descends when you get out of college and don't know where you're going to go next can last well into your 30s and beyond, and it can be comforting to hear a band sing poignantly and relatably about it over some amazing pop melodies.
That's what Future Teens has to offer, and I think we could all use a night of that — maybe a bit more than we want to admit. Along with it, we'll also get a set from New Yorkers Oceanator, who have a similar sort of emotional vibe but add a good deal more bottom-end crunch to their harder-hitting alt-rock tunes — which is always nice. Richmond's own Colpa Mia will add their own indie sound to the mix, and brand new local emo duo Pump Fake will get things started at The Camel tonight. Get down there and soothe your troubled soul with music.
Thursday, November 7, 7:30 PM
Chameleons Vox, Theatre Of Hate, Jay Aston, Unmaker @ Capital Ale House Music Hall – $20 (order tickets HERE)
The Chameleons were incredibly important to the development of UK postpunk in the 80s. While other guitar-based bands like Echo And The Bunnymen, The Cure, and The Jesus And Mary Chain are a bit more well-known today, any listen to 21st century exponents of music like this shows an indelible influence from the sound The Chameleons expertly crafted during their initial 80s run. The mix of Mark Burgess's insightful, poetic lyrics, thundering basslines, and dramatic baritone vocals combined perfectly with the glittering twin guitar lines of Reg Smithies and Dave Fielding to create a legacy that still endures after four decades.
The Chameleons did briefly reform and release three more albums in the early 00s, but these days, Mark Burgess soldiers on as the sole original member, performing classic Chameleons tunes under the name Chameleons Vox. While his backing band has featured a variety of different musicians over the past decade, Burgess has always recruited excellent guitar players to recreate Smithies and Fielding's gorgeous spiraling melodies, and his own vocal and bass talents ensure that the songs retain their proper gravity. Basically, if you love the Chameleons — and if you've enjoyed bands like Interpol, Shadow Age, or Soft Kill in recent years, you definitely do — you're sure to have a wonderful night seeing Chameleons Vox bring legendary songs like "Swamp Thing" and "Thursday's Child" to full, glorious life.
Friday, November 8, 8 PM
Ellen Siberian Tiger, HotSpit, She, CAPTCHA @ Bingo Beer Co – Free!
Don't panic, folks — I've done some research and learned that despite their band name, Ellen Siberian Tiger is just as human as you and me. This trio from Philadelphia dishes out some pretty excellent grungy alt-rock in the vein of Hop Along or Speedy Ortiz, and I for one am digging it. I also can't help but love the powerful, confrontational feminism espoused on tracks like "Kitchen Knife" and "When Men Explain Things To Me." We need more of these sorts of lyrics in the world.
Ellen Siberian Tiger will be rocking the halls of Bingo Beer this Friday night in a manner my punk rock friends always wanted to back in the 90s, so I can't help but be excited, and I'm just as excited for the trio of excellent Richmond groups that are sharing this bill with them. The outstanding HotSpit are at the top of that list, and while they've still only released a few demos online, their live performances around town over the past year or so have shown that this band has a ton of talent on offer, from their excellent vocal harmonizing to the gorgeously downbeat melodies they seem never to run out of. She, who've excellently evolved from a solo project into a trance-inducing atmospheric indie combo, will also bring some lovely sounds to your ears on this evening, and CAPTCHA are certainly far more pleasant than any gridded image demanding you click on the portions of the screen that feature crosswalks. Get down with this one.
Queen Elephantine & Tavishi, Hex Machine, Manzara @ Wonderland – $10
In a world that tends to be overfilled with doom metal bands these days, it's rare to find one that's approaching the genre in a manner previously unheard. But with Queen Elephantine, who were originally formed in Hong Kong and now make their home in Philadelphia, just such a band may have come along. Granted, new LP Gorgon is heavy and gloomy as fuck, but it's hard to say that this is really "metal" in the conventionally understood sense. Instead, it seems to combine astral-travelling psychedelia, apocalyptic drone, spooky occult atmosphere, and noise experimentation, all with a massive dose of sludgy heaviness.
The result, at least on Gorgon's 13-minute opener, "Mars," is like some sort of strange crossbreed between Acid Mothers Temple, Corrupted, and Sunn O))). It certainly should come to mind-expanding full-volume life at Wonderland this Saturday night, and if we're reading this correctly, local experimental noise musician Tavishi will be lending additional texture to Queen Elephantine's set for what's sure to be a fascinating and unmissable experiment in dark, crushing noise. Local noise-rock powerhouse Hex Machine will open up, along with quietly devastating Richmond postpunk group Manzara, making this an evening sure to blow your mind. Be there.
Sunday, November 10, 8 PM
Rice God & Friends Fall Festival, feat. Noah-O, Fan Ran, Illa Styles, BBX, Amala, Yung Apollo, Alpha Romeo, Papi Majae, Dre King, Bejxy, Kidd Khy, Slim Kartel, Chauncey De Giant, Don Chase, Van Silke, SAE, O-Z, Lil Grits, PT Veil, Distant Dee, Tone Redd, Cadillac Cat @ The Camel – $8 in advance/$10 at the door (order tickets HERE)
It's been about a month now since Noah-O and Fan Ran got together once again to unleash a new installment of Dirty Rice on the world. Dirty Rice: Deux, which dropped just over a month ago, is yet another piece of evidence in the argument that Noah-O's at his best when he works with one really talented producer for the entire length of a project. See also The Rain with DJ Mentos (a project that led directly to the formation of Analog Suspects), or Face/Off with Cadillac Cat, or All Souled Out with the late Kleph Dollaz… and that's not even all the examples I could mention.
This Sunday night at The Camel, Noah-O and Fan Ran will be teaming up to lay some dirty rice on y'all in the live environment, and they'll be doing it up right by turning the whole thing into a Fall Festival that will feature over a dozen other hip hop talents from both RVA and the surrounding region. In addition to top-level local powerhouses like Illa Styles, Slim Kartel, Distant Dee, and the aforementioned Cadillac Cat, there's also a whole crew coming through from the Kentucky/Ohio area, including Yung Apollo and Alpha Romeo, plus a whole bunch more from all over! If you love hip hop, this is going to be hours of the dopest rhymes and sickest beats imaginable, with Noah-O and Fan Ran at the center of it all. So hey, you know what to do.
Monday, November 11, 7 PM
Lisa Prank, Magic Wand, Jimmy And The Delay @ Gallery 5 – $7 in advance/$10 day of show (order tickets HERE)
I love the band name Lisa Prank — and it's not because I'm old enough to have actually had a Lisa Frank Trapper Keeper. Well, OK, it's not JUST because of that. Anyway, Seattle singer-songwriter Robin Edwards struck gold when she named her indie-pop project, to the point that I'm amazed no one else has done it first. And on brand new LP Perfect Love Song, she also struck gold by getting production help from Rose Melberg, whose work in Tiger Trap, The Softies, Go Sailor, and others has been instrumental in creating and developing the exact sort of indie-pop milieu that Lisa Prank is working within today.
If you're a fan of any of those bands, or if you're too young to remember them but do enjoy bands like Speedy Ortiz and The Worriers, Lisa Prank is sure to be right up your alley. If they were 5 percent heavier or noisier, I'd call them pop-punk, but as it is, this is just simple, catchy pop music — and it's great at being exactly that. It'll put a big smile on your face, as will opening sets from local newcomers Magic Wand and Jimmy And The Delay. This will be a great way to end a really tough back-to-work Monday, so be there and let this show ease you into a better rest of your week.
Tuesday, November 12, 7 PM
This Will Destroy You, Christopher Tignor, Colin Phils @ The Camel – $15 (order tickets HERE)
In the wake of Explosions In The Sky's Friday Night Lights-fueled early-00s success, a rising musical tide lifted all instrumental post-rock boats, and that of This Will Destroy You was definitely one. However, almost fifteen years after the release of their rapturously received debut, Young Mountain, This Will Destroy You have proven themselves to be more than just another post-rock combo writing epic instrumental after epic instrumental, all of which start to sound the same after a while.
Last year saw This Will Destroy You release two new albums in the space of a month, New Others Part One and New Others Part Two. Both show this quartet to be focused on different goals than one might expect; their songs are focused less on the sort of emotional escalation that, after a while, tends to feel like a gimmick repeated once too often. Instead, they build a musical mood and then live within it for several minutes, allowing the textures of their music to become the focus. It's proggy, yes, and it's also a bit nerdy, but there's not a damn thing wrong with intelligent music, especially when it is able to be moving without being cliche. This Will Destroy You accomplish all that with aplomb on their albums, and seeing them pull it off live is sure to be quite the treat.
Sharptooth, Limbs, Wristmeetrazor, Nhibitions, Genosha @ RiffHouse Pub (Chesapeake) – $10 in advance/$12 day of show (order tickets HERE)
As metallic hardcore shows go, this one is sure to be top-notch. Maryland's Sharptooth are an absolutely ferocious quintet full of anger and fury of an incredibly political nature. 2017 LP Clever Girl features a song called "Fuck You Donald Trump," but if anything, the title track's condemnation of men who act as insincere allies, or "No Sanctuary"'s vitriolic condemnation of anti-LGBTQ bigotry, ring even more bold and true and real to me. Singer Lauren Kashan has used her platform to be a strong advocate for issues relating to abuse and oppression, and as awesome as her band is, the kind of heart she puts into her lyrics and onstage presence makes Sharptooth that much better.
So if you're the kind of metal/hardcore fan who wishes more bands would take a stand for issues that matter, this is the show for you. And it features a bunch of other great bands as well — Florida's Limbs refer to themselves as "post-hardcore" but on 2018's Father's Son, they lay out a brutal, metallic sound that still feels HC as fuck to me, even if it's not Negative Approach. Wristmeetrazor, who are sorta-kinda from Virginia, arise from the screamo scene but have a strong metalcore attack on their latest LP, Misery Never Forgets. And of course, Genosha and Nhibitions hold it down for the heavy hardcore scene in Tidewater and Central Virginia with skill and panache. This one's gonna rule.
Leftover Crack, Days N Daze, Cop/Out @ The Bunker Brewpub (Virginia Beach) – $16 (order tickets HERE)
I admit it — for the longest time, I never gave Leftover Crack a chance. As a straight edge kid, their name wasn't exactly appealing to me, and their reputation as simultaneously the crustiest of squatter punk bands (their Wikipedia page features a section entitled "Venue bans, criminal records, and visa restriction") and a straight-up ska band seemed totally incoherent. But recently I went ahead and listened to some of their music, and it turns out that they're actually pretty goddamn talented. Instead of having goofy horns all over the place, they play catchy, hard-charging punk tunes. And while they do often use those catchy off-beat bounce riffs that we all identify as ska, they also incorporate touches of metal and hardcore. In the end, they are clearly first and foremost a punk band, in the same way Operation Ivy always was.
So hey, maybe going to see Leftover Crack on their latest tour isn't such a bad idea if you like some good punk rock fun. One thing's for sure, there won't be a dull moment from a band that's known for writing unapologetic, provocative songs about shooting cops and doing drugs — and for having an audience full of even bigger reprobates than the members themselves. You might want to steer clear of the pit if the stories we've heard about mid-set barf are true, but the tunes will make up for any suspect stenches that might invade the room over the course of the set.
VA Shows You Must See This Week: September 4 – September 10
Marilyn Drew Necci | September 4, 2019
Topics: Apex Manor, Charlie's American Cafe, Cloud Rat, Colpa Mia, Coolzey, COQ, Dad, Dead Animal Assembly Plant, Deli Kings, DJ Billy Nguyen, Easter Island, Fallout, Flamingosis, Fuzzy Cactus, Gothic Lizard, Iron Reagan, Kaelan Mikla, Kississippi, Listless, Majjin Boo, Mas Y Mas, Material Girls, Melvl, Nickelus F, Of Virtue, Photosynthesizers, Seasons, shows you must see, Slump, Speaking With Ghosts, Strand Of Oaks, The Camel, The Canal Club, The Destruct Principle, The Midnight, The National, The Southern Cafe, Upon A Burning Body, Wonderland, WoR
Thursday, September 5, 9 PM
Iron Reagan, Nickelus F, Slump @ Fuzzy Cactus – $10
I've been doing this column for nearly six years now (I know, time flies), and sometimes I worry that I'm getting a little predictable. I see a show on my exhaustively-compiled master list of upcoming shows and immediately think, "Oh damn, that's feature this week for sure." But then I think, "Wait a minute. Is me picking that show a total cliche? Do I need to branch out, lest everyone figure out that I really am just an aging hipster with a strong nostalgic streak?" I don't know, I'm probably thinking too much.
So let's put all those thoughts aside and just embrace the most RVA-Mag-catnip show that's come down the pike in a while: this Thursday-night bill mingling diverse genres under one roof at Brookland Park's newest hotspot, Fuzzy Cactus. If I gave Shows You Must See awards at the end of every year (what would I call that, the Showies? LOL maybe I'll start doing that), these guys would already be a lock for Best New Venue. This three-band bill (the perfect length) only further solidifies their hold on that honor — and this is still their first month of operation!
At this point, Iron Reagan's become just as well established in the Virginia thrash/crossover scene as the longer-lived bands from which they spawned (Municipal Waste, Darkest Hour, Mammoth Grinder), and last year's split EP with Gatecreeper shows that they continue to evolve their sound in more brutal, more epic directions. If they were going to share a bill with a hip hop artist, Richmond legend Nickelus F is the perfect one. An institution in his own right, he recently followed up last year's breakthrough LP, Stuck, with a two-volume collection of archival recordings called The Gold Mine. It's just further proof that, whether you're listening to his newest banger or songs he recorded a decade ago, Nickelus F's talent knows no bounds. This show is rounded out with a set from Slump, a psych-noise/hardcore band with a unique sound and a new LP coming on Feel It Records any minute now. Show up at this show and enjoy yourself. Take it from one who knows — life's too short to think so much.
Wednesday, September 4, 9 PM
Easter Island, Majjin Boo, Colpa Mia @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
It's been a long road to bring Georgia's Easter Island to Richmond tonight, but at the end of it, they're a stronger, better band, and they're sure to charm all comers when they take the stage. Having broken up back in 2014, the band's main creative forces, brothers Ethan and Asher Payne, found themselves coming back together a couple of years ago with renewed inspiration and a clutch of excellent new tunes that expand on the band's sound. They aptly refer to their genre as "post-rock dream pop," and whether you're more into Slowdive, The Cure, or Explosions In The Sky, you're sure to get a boost from their strong yet beautiful music.
While Easter Island haven't released an actual record in over five years, they're currently prepping a brand new album entitled Island Nation for release later this year. Preview singles make clear that it's a new height of excellence for the band, one that you should absolutely experience in the live environment. And with Richmond's Majjin Boo on the bill as well, this show is twice as nice. Under the name Cardinal, this band released one of my favorite EPs of the year so far back in the spring. They've now returned to their original name, and have a bunch more new material to bring us all in the near future. Get a preview tonight — it'll be worth it! Local indie-pop up-and-comers Colpa Mia kick this one off. Be there.
Kaelan Mikla (Photo by Debi Del Grande), Cloud Rat, Listless, Melvl @ Wonderland – $10
Iceland, the tiny North Atlantic island country in which a sparse population descended from Vikings lives amongst glaciers and active volcanoes, carries an undeniable allure for Americans trapped in our country's endless suburban sprawl. That allure has been enhanced by the country's excellent musical exports, including Bjork, Sigur Ros, and chaotic hardcore quintet Minus. Kaelan Mikla is the latest of these, and — true to Icelandic form — sounds nothing like any of them. Instead, this trio uses synthesizers, programmed beats, and layered vocals to create a dark, atmospheric sound that may be closer musically to gothic postpunk, but has an undeniable appeal to metalheads around the globe.
Perhaps this explains their current American tour, which finds them paired with long-running Michigan grindcore group Cloud Rat. This prolific, ferocious band brings a dynamic approach to the short-fast-loud formula, and on advance singles from their forthcoming fifth LP, Pollinator, they introduce epic riffs and harsh ambience to a sound that is still both fast as hell and heavy as fuck. I'd tell you to bring your earplugs, but the fact is that this trio is gonna rip your head right off. Excellent opening sets will be provided by the brutal metallic crust sextet Listless and the dark ambient solo act Melvl, both of which hail from right here in VA. Get stoked.
Friday, September 6, 9 PM
Material Girls, COQ, Dad @ Wonderland – $10
Atlanta quintet Material Girls is coming to town, and it's time for all of us to get down — to Shockoe Bottom's own Wonderland, that is. Despite the name, Material Girls bear no resemblance to Madonna's classic mid-80s material, and instead are much more likely to remind listeners of New York in the postpunk early 80s. Their scratchy, minimalist grooves draw clear inspiration from groups like the Bush Tetras and ESG, while their creative use of saxophone is most reminiscent of early 80s UK noise-punk freaks Essential Logic.
On their 2018 LP, Leather, this group lays down a ferocious clatter, and it's sure to draw you straight toward the dance floor, even if you don't quite know what sort of dances to do once you get there. No matter how herky-jerky and frenetic your moves are, though, they're sure to be perfect. Richmond's own COQ are on this bill as well, and they eschew groove in favor of some straight-up clangor. Fans of No Wave leading lights like Mars and DNA are sure to appreciate the damaged noise this group dishes out. Locals Dad open this one up with some raw, dark indie sounds, complete with a strong political thread running throughout. This show will give you all the feels.
Saturday, September 7, 9 PM
Photosynthesizers, DJ Billy Nguyen @ Fuzzy Cactus – $10
Though it's been a while since I've heard it, Photosynthesizers is a name that's been around the Richmond music scene for a long time now. Formed by rapper BarCodez and guitarist Joshua Bryant, this group has featured quite a few different Richmond music notables over the years, and has actually been pretty close to inactive for the past few. But Photosynthesizers are decidedly back, with a newly solidified seven-piece lineup, and are preparing to celebrate the 11th anniversary of their band with the release of their first proper LP, Apollogy.
The album's first single, "Terms and Agreements," finds BarCodez's rhymes in top form as ever, atop a bed of melodic, soulful music that simultaneously evokes D'Angelo and Radiohead. Clearly this band's time away has not hurt their ability to nail their unique, memorable sound. It's good to have them back, and this Saturday night, you could do a whole lot worse than heading over to Fuzzy Cactus and catching the full album release show by this returning powerhouse. Photosynthesizers turntablist Billy Nguyen will kick off the evening with a DJ set; then you're in the band's capable hands for the rest of the evening. It's a good place to be.
Sunday, September 8, 8 PM
Dead Animal Assembly Plant, The Destruct Principle, Gothic Lizard @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
I love a good fictional origin story, and Portland's Dead Animal Assembly Plant's got a great one — something about a German slaughterhouse owner in the days leading up to World War I who snapped and started feeding the townspeople to the livestock, instead of the other way around. A gory horror story like that gives you a very good idea of what you'll get when you listen to the music of this industrial metal ensemble of costumed maniacs.
On most recent EP OFH: Prime Cuts, Dead Animal Assembly Plant deals out a brutal, pounding sound that lands somewhere between Slipknot and Killing Joke, or maybe Machines Of Loving Grace jamming with White Zombie inside a currently-in-operation automobile factory. It's heavy, but it's also metallic in the sense of large sheets of metal clanging into each other. And of course, you can't neglect the always-present element of gory terror. This band is sure to liven up a Sunday night at Fallout; get ready for some serious headbanging at the goth club.
Monday, September 9, 6 PM
Upon A Burning Body, Of Virtue, Speaking With Ghosts, Seasons, WoR @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
The week has just started, and already it's time to headbang once again, as Upon A Burning Body rolls into Richmond with fire in their eyes. This Texas metal band has been raging for nigh-on 15 years now, and it absolutely shows on their latest LP, Southern Hostility. While this ten-song collection of brutal mosh grooves definitely lands on the metal side of the metal/core divide, it's closer than you might expect, and fans of Killswitch Engage, Pantera, and Sworn Enemy are all going to hear things they enjoy out of this Texas quartet.
Indeed, this is the sort of metal show where you're just as likely to see spin-kicking mosh pits of doom as you are to see lines of longhairs banging their heads with glee. Upon A Burning Body have a particular skill with brutal breakdowns, so limber up before their set if you don't want to pull a tendon. They'll be joined on this bill by Michigan ragers Of Virtue, who have a definite appeal for the Suicide Silence/Whitechapel fans out there, and Chicago's Speaking With Ghosts, whose new EP finds them blending Sworn In-style gothic moshcore with an eerie electronic undercurrent. This show's got a lot of variety, but it's all heavy. Sink your teeth into this one.
Tuesday, September 10, 7:30 PM
The Midnight, Flamingosis @ The National – $20 in advance/$23 at the door (order tickets HERE)
The retro synth wave continues to rise, and LA-based duo The Midnight are riding high on a crest of moody yet melodic gloriousness. The neon-lit nights and pastel bright spots of prime 80s-movie Los Angeles is this band's metier, and they wield it exceptionally well, creating soundscapes that appeal to the many fans of the Drive soundtrack but also touches a deeper wellspring of emotion that their sound has in common with Euro indie-popstars M83.
On 2016's Endless Summer and 2017's Nocturnal, Tim MacEwan and Tyler Lyle struck electro-dance gold with their combination of retro-style production, outstanding melodies, and unabashedly 80s instrumental touches like saxophone solos and vocoder vocals. And this sound is sure to move everyone who takes to the National's dancefloor this Tuesday night to while away their cares. The 80s weren't nearly as glamorous a time as our culture remembers it to be, but on this night, you can enjoy that quintessential 80s glamour that previously existed only in movies. Take a trip with The Midnight, and find your own perfect wave.
Friday, September 6, 6:30 PM
Strand Of Oaks, Apex Manor @ The Southern Cafe (Charlottesville) – $18 (order tickets HERE)
There's a really strong vibe to Strand Of Oaks, one that hits a serious sweet spot — at least for me. The solo project of Indiana singer-songwriter Timothy Showalter, Strand Of Oaks is simultaneously steeped in acoustic folk and awash in post-rock grandeur, like early My Morning Jacket (whose members back Showalter on brand new sixth album, Eraserland) at their spaciest, combined with the late, lamented Secret Machines. Eraserland finds Showalter and co. exploring themes of depression, emotional struggles, and the search for a greater purpose from one's life. God knows we've all had those struggles.
Fortunately, Strand Of Oaks is able to spin melodic gold from feelings of despair, and at Charlottesville's Southern Cafe this Friday night, they'll help us all to contemplate those moods while still enjoying some beautiful music. It'll take the edge off, that's for sure. Fans of Iron And Wine, Band Of Horses, and Sturgill Simpson will also find a lot to enjoy at this show, even if life's somehow going really well for you these days. Don't get us wrong, we're happy for you — just try not to rub it in.
Kississippi, Mas Y Mas, Deli Kings, Coolzey @ Charlie's American Cafe – $10 in advance/$13 day of show (order tickets HERE)
I like to keep tabs on the music scene down in Norfolk, but if I'm honest, I've probably been to less than a dozen shows in that lovely Tidewater city. So I'm not going to pretend that I know exactly what role TBA Productions has played in that city's music scene over the past four years. However, I'm glad to have any sort of celebration that includes such excellent music on the bill. And if this is the kind of musical taste they show in their work, I'm sure they deserve every bit of celebratory accolades they get.
Philadelphia's Kississippi top the bill at this musical party, and they have a lot to offer, as they displayed on last year's Sunset Blush LP. Fans of Mates Of State or The Anniversary will find a lot to love in this band's gorgeous indie pop tuneage, which shows the perfect ratio of keyboard-to-guitar sound in order to accentuate the melodic beauty of their tunes while still retaining a strong alt-rock bite. Basically these guys rule, and are worth the price of admission all on their own. Which only makes it that much more special that longrunning Norfolk indie rockers Mas Y Mas, along with sandwich-loving Richmond rock n' rollers Deli Kings and Iowa hip hop group Coolzey, are filling out the bill with their own excellent sounds. Let's rock.
VA Shows You Must See This Week: January 30 – February 5
Topics: 30 Year Sick, Aesthetic Barrier, Alfred, Billy Neptune, black liquid, Boathouse Live, Boy Harsher, Brian Jones Trio, Capital Ale House Music Hall, Cold Choir, Colpa Mia, Doug Richards Orchestra, Fallout, Garden Grove Brewing, Gemini Love, Gothic Lizard, Illiterate Light, Joel Worford, JR Wolf, Khrundo, Loxias, Midlife Pilot, Minor Poet, Nightcrwlr, Piranha Rama, Rayland Baxter, Rebekah Rafferty and The Wakes, Renaissance Ballroom, Return To Sender, shows you must see, Sweet Potatoes Music, The Camel, The Canal Club, The Goodbye Forevers, The Heart Stompers, The Josephines, The Renaissance, The Vulgar Bulgars, Them Evils, Toast, Trapcry, Tyler Meacham, Unmaker, Vanilla Summit, WRIR, Zack Mexico
WRIR's 14th Anniversary Party, feat. Unmaker, Black Liquid, Trapcry, Alfred, Minor Poet, Rebekah Rafferty and the Wakes, The Vulgar Bulgars, Sweet Potatoes Music, Jr Wolf, RVA Comedy showcase, and more @ The Renaissance Ballroom (107 W. Broad St) – $15 (order tickets HERE)
It's kind of amazing to look up every February and realize that it's been another year with the awesomeness of WRIR right here in our city. From one unicorn to another, we certainly must admit that the cards tend to be stacked against the kind of radio station WRIR is — a community-run, volunteer-operated radio station that manages, despite its low 42-watt broadcast power, to reach a wide range of local listeners and to connect strongly with the Richmond musical community. What's more, it's a great place to learn more about the issues of the day, from right here in Richmond to around the country and the world.
So yeah, it's a little tiny miracle to see WRIR holding on for another year — 14 so far, and here's to many more. It's also a cause for celebration, and that's what the station and its community will be doing when they gather once again at the Renaissance Ballroom this Friday night for the latest edition of a yearly party that never fails to deliver the goods. This year's edition features all kinds of excellent music, covering the wide spectrum of local talent. Unmaker are at the top of the bill, and their dark, heavy, metallic postpunk is sure to bring down the house at the end of a long happy night — especially considering their always-active live performance style.
But that's just the beginning, really. The music on offer runs the gamut from the cerebral hip hop of Alfred to the indie rock of Minor Poet and from the klezmer (jazz-influenced Eastern European/Jewish folk dance music) sounds of the Vulgar Bulgars to the melodic alt-rock of Rebekah Rafferty and the Wakes, this show has seriously got everything the curious music fan could desire. Plus, it brings the kind of adventurous programming you can expect from WRIR into real life before your eyes, as Black Liquid coordinates a hip hop showcase that'll recreate the kind of improvised rhyming excellence that often graces his Saturday night radio shows, and Jameson Babbowski brings a talented slate of local comedians to his own non-musical showcase. And of course, all your favorite WRIR DJs will be in the house, spinning tunes and making friends. Best of all, your ticket price goes toward helping WRIR bring us another year of awesomeness. What could be more worthwhile than that?
Wednesday, January 30, 8:30 PM
Vanilla Summit, Khrundo, Return To Sender @ Vagabond – Free!
Now that we're out here in the world moving on after the loss of Strange Matter, there's definitely been some urgent searching (at least on my part) for another reliable local venue to fill in the mid-week holes in the Richmond live music schedule. What I'm fast learning is that on Wednesday nights, Vagabond is likely to deliver the goods. Their Jazz Wednesdays series is a great place to be pretty much every single week if you want to learn more about the community of excellent jazz musicians existing in Richmond. Their scene may not get as much attention as punk, metal, or hip hop, but that says nothing about what the local players have to offer — which, it turns out, is a lot.
Vanilla Summit are a five-piece jazz group who've been grabbing spots on live dates around town for a while now, and their 2017 Green Session EP shows exactly why — this dual-drumming quintet creates some excellent funky grooves while also bringing the introspective melodies we so often want from jazz. They may not be joined live by the ever-talented McKinley Dixon, who graces one of the tracks on their EP, but they will be performing along with a couple of intriguing ensembles, also hailing from the world of local jazz. Khrundo is a group led by guitarist Jake Adams, which is apparently going to feature nine members on this Wednesday night, all coming together to kick some ferocious grooves. Plus there's Return To Sender, a bass-less trio led by Vanilla Summit sax player Nate Clark, to kick things off right. If you don't know, you're gonna learn.
Thursday, January 31, 8 PM
Zack Mexico, Piranha Rama, Billy Neptune @ Capital Ale House Music Hall – $8 in advance/$10 day of show (order tickets HERE)
Zack Mexico isn't one guy, it's a band — and a full one at that, featuring eight members, two of whom are drummers who each play full kits. And this group doesn't hail from the country across our controversial Southern border; instead, they come to us from the much closer region of North Carolina's Outer Banks, which must be a pretty wild place to be if you're not a tourist or a vacationer. The music Zack Mexico makes is certainly wild, and hard to pin down as well; what sort of sound you get from them depends significantly on which track you listen to.
However, one thing can be determined for sure — there's a psychedelic sensibility that underpins everything this band does, and an unorthodox approach to music that lands them pretty far outside of what we expect from "indie" in 2019, though it always seems to result in catchy tunes that get your feet tapping and put a smile on your face. In that way, they're a perfect musical companion to one of the best new bands to come out of Richmond in the last year. I'm speaking here of Piranha Rama, of course, whose music can just as easily be said to be catchy unorthodox psychedelic genius — as you know, if you heard their excellent LP from last year. Openers Billy Neptune will get this show started right, and Piranha Rama and Zack Mexico will come together to take care of the rest. Get on board.
Midlife Pilot, Joel Worford, Colpa Mia, Tyler Meacham @ Garden Grove Brewing – Free!
Here in Richmond, the kids really are all right. This show is a good opportunity for all of you to find that out, assuming you haven't already been paying attention to the many mini-waves of talented singer-songwriters bringing out excellent music around this wonderful city over the past couple years or so. Midlife Pilot are at the top of this particular list, and they've certainly shown sufficient merit to justify that position — this group, the brainchild of singer-guitarist Casey Graham, released an excellent EP of emotionally-oriented melodic alt-rock tunes late last fall.
While Midlife Pilot demonstrated an outstanding full-band sound on that EP, Ready To Be That Way, it's hard to say exactly how it'll translate live, since Graham himself played everything but drums on the record. Can we expect an Into It. Over It.-style solo performance? Or will there be a full band onstage? Either way, based on Graham's track record, we're sure to get some awesome songs out of it. Colpa Mia is more clearly a full-band effort, and recent single "Atlas" shows them dabbling in both the emotional melodies of the alt-rock world and dipping into synthesized postpunk/indie sounds. Live, their multi-layered sound is sure to captivate. More definitively solo singer-songwriters Joel Worford and Tyler Meacham will round out this excellent bill of up-and-comers, which you can partake of for no money down! How can you pass that up? Be there.
Them Evils, Gemini Love, Loxias, The Goodbye Forevers @ The Canal Club – $10 in advance/$13 day of show (order tickets HERE)
I don't know where we as a society stand on loud, noisy rock n' roll in this day and age. It seems like if you check out festival lineups it's the indie bands who get the most acclaim, and when the occasional band manages to rise above the fray and get a reputation for rocking hard, they draw more hate from the tastemakers than anything else. So are all y'all gonna think I'm a behind-the-times middle-aged lady for sending you to see Them Evils on a Saturday night?
You'll be either frustrated or relieved to know that I really don't care how you judge me on this one. I'm over here rockin' out, blissfully ignorant of any judgment that might be coming my way. And you'll be in much the same position if you make your way to the Canal Club Saturday night. Because while the hipsters may all be allergic to distorted guitars and hard-hitting good-time grooves these days, it's always such a relief to cast off that albatross of manufactured coolness and let yourself enjoy something sincerely. Them Evils are primed to provide you with some sincere enjoyment, and in all seriousness, you cool kids who enjoyed Wolfmother and Red Fang at one time or another are gonna dig this just as much as your Greta Van Fleet-loving little brother will. Stop with the excuses and show up already.
30 Year Sick, Cold Choir, Gothic Lizard @ Fallout – $5 in advance/$8 at the door (order tickets HERE)
30 Year Sick is a pretty evocative name for a band, even if any contemplation of the concept behind the name just makes you (or at least me) think, "There's no way you'd stay sick for 30 years and not die." I mean, unless we're talking "siiiick!" in the modern-slang sense of the term, in which case we just end up down a rabbit hole of talking about which bands that have been around since the late 80s still legitimately rule (spoiler: not many, that's for sure). But seriously, we're not here to talk about that — we're here to talk about the show that's coming to Fallout, everyone's favorite Shockoe Bottom fetish bar, on Sunday night.
30 Year Sick, the band, who hail from North Carolina, have a pounding synth-goth sound, which is definitely on the rockin' end of things where that genre is concerned. Their 2018 EP, Postpunks, has an intriguing title that certainly invites rock-crit types like myself to use lazy genre terms, but I'm trying really hard not to take the bait. Instead, I'll tell you that 30 Year Sick mingle a gloomy rumbling rhythm section with ominous guitar and synth melodies, all of which is topped by the true star of the show: Akmeraj Niroc's incredibly powerful voice, which is strong enough to raise the tiny hairs on the back of your neck. And then the whole band will rock you out in a manner sure to thrill fans of Sisters of Mercy and Killing Joke alike. Don't be afraid — explore the darker corners of Fallout for this one. It'll do you no harm.
Monday, February 4, 7 PM
Boy Harsher, Nightcrwlr, Aesthetic Barrier @ The Camel – $13 in advance/$15 day of show (order tickets HERE)
It's a good week for dark, gothic sounds. Spooky electronic duo Boy Harsher are releasing their latest LP, Careful, this Friday, and then on Monday, they'll be here in town to play it live for us all. Careful was clearly born out of some pretty hard times, from loss of loved ones to difficulties in relationships, and singer Jae Matthews puts all of that into Boy Harsher's music, combining as always with electronic musical genius Gus Muller to create an album's worth of foreboding synthesized soundscapes.
Boy Harsher's dark melodies and unnerving lyrical conceits have been compared (even by members of the group) to a David Lynch movie, and sonically, their work lands closest to a diabolical combination of Suicide and Yaz, with a strong dose of Nitzer Ebb-style severe European dance music. The kids in gleaming black Doc Martens will be stomping on the dance floor to this one, for sure; meanwhile, Matthews and Muller's riveting presence is sure to keep you focused on the stage. Local electro-freaks Aesthetic Barrier will kick this all off, and we'll get a bonus appearance from Nightcrwlr, yet another identity of the shapeshifting Kristina Esfandiari (King Woman/Miserable). It's all going to be so amazing.
Tuesday, February 5, 9 PM
Brian Jones Trio, Doug Richards Orchestra @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
RVA jazz really is a solid ticket for your midweek musical jones in 2019, and that's probably why our week is bookended by shows that fall under that category. This one brings us the latest appearance of a Brian Jones-led ensemble here in Richmond, and as local jazz heads know, the presence of Brian Jones in any group is a sign of top quality musicianship. Of course, we're not talking about the original Rolling Stones guitarist who died in the late 60s, we're talking instead about the local drummer who has played with everyone from Agents Of Good Roots to Jandek to Randy Brecker.
The Jones trio on display this time will include fellow RVA jazz luminaries Daniel Clarke (piano) and Randall Pharr (bass), but one of Jones's most frequent collaborators, saxophonist JC Kuhl, will also be on the bill — but performing with the other group. The Doug Richards Orchestra will contain around 18 different musicians on this Tuesday night, including local jazz luminaries like John D'Earth, Bryan Hooten, Stefan Demetriadis, and the aforementioned JC Kuhl, as well as all three members of the Brian Jones Trio. Doug Richards, who founded VCU's Jazz Studies program in 1980 and recently retired after four decades at the university, has a robust pedigree of his own, and what he brings to this formidable ensemble is sure to be intriguing and delightful. Don't miss a moment.
The Josephines, The Heart Stompers @ Toast – $10 (order tickets HERE)
If you like to rock but also identify strongly with the Southern sound with which all of us from this state are intimately familiar, the music of The Josephines is sure to call to you on a deep, primal level. This group — yet another in which a feminine name belies the all-masculine lineup — hails from Kentucky and will definitely remind you that that state, like Virginia, is very much a part of the South no matter what latitudinal parallel Bowling Green sits on. They've got loud rockers in their repertoire that are sure to have you stomping, raging, and headbanging, but they've also got a big dose of bluegrass in their sound, ensuring that you'll never forget what state they hail from.
The Josephines' 2017 EP Sober Up certainly lets you know the musical headspace where these guys are coming from. Likewise, Hampton Roads local country ensemble The Heart Stompers lets you know where they're coming from right in their name. Formerly known as Gina Dalmas and the Cow-Tippin' Playboys — certainly an evocative name in itself — this group taps into the outlaw country sound of the 70s and 80s with a modern punk edge and an amazing voice out front, courtesy of Gina Dalmas herself. If you can get down with some honky-tonk partytimes, Toast is the place to be for you on Friday night.
Rayland Baxter, Illiterate Light @ Boathouse Live – $15 in advance/$18 day of show (order tickets HERE)
You Tidewater residents are sure to have a fun Tuesday night at the Boathouse with Rayland Baxter. This alt-country singer-songwriter comes from a music family (his dad played on REM and Bob Dylan albums), and certainly has his feet planted in that tradition, as his more alt-country/folk-Americana tunes make clear. But on his latest album, Wide Awake, Baxter showed that he's capable of the sort of widescreen pop that made the Beatles and the Byrds legendary figures that influenced a generation. Baxter taps into that psychedelic power-pop sound rooted in Americana dirt that is so au courant in 2019 United States of America, evoking the Beach Boys, the Grateful Dead, and other powerful musical touchstones with aplomb… and just a splash of post-Mac DeMarco slacker irony.
But we shouldn't focus only on our headliner here — tourmates Illiterate Light hail from right here in VA, Harrisonburg to be exact, and have been making a powerful impact on the commonwealth's music scene for a couple of years now. For a guitar-drum duo, they make strong, deep music, which connects power-pop, alternative rock, and the melody-uber-alles alt-country approach of My Morning Jacket or Band Of Horses. They show off all this and more on brand new EP Sweet Beast, which is an excellent calling-card to present to music fans of all stripes who find themselves wondering whether they should take the plunge on these local boys striving to make good. Message from us: dive in. You'll be glad you did.
Top Photo: Unmaker, by David Morton
Email me if you've got any tips for me about upcoming shows (that take place after the week this column covers -– this week's column has obviously already been written): [email protected] [and yeah, there's plenty more of my writing to read over at GayRVA — come say hey.]


text:
Q: Variable selection with tree-structured covariates? Let's say I want to do regression and that there's a categorical variable which has an inherent tree structure.
Using an example from my field of linguistics, let's say I'm trying to predict a binary response (say, passive vs. active voice use), and one of the predictors is the semantics of the agent (is it human or nonhuman, animate or inanimate, etc.). Instead of using known factors from the literature (the traditional way that linguists approach this problem), I'd like to infer the relevant semantic information using WordNet, a database that stores semantic relations. Hypernomy/hyponymy structure in the database would create a tree structure. I'd like to know the optimal amount of granularity in the agent's lexical semantics that will allow me to best predict whether a sentence uses the active or the passive, so I'm trying to do variable selection. For example, it might turn out I need a hugely complicated model where every single agent affects the log-odds of passivity in some way, or it might turn out all I need is an animate/inanimate binary distinction, or perhaps an animate/inanimate distinction followed by a human/animal distinction under animate.*
How would I go about doing this problem? One thing that immediately comes to mind is that I would have to remove all the 'only children' in the tree, since they would have perfect collinearity with their parent node. Then perhaps, instead of one-hot encoding, I can do the dummy-coding in a way that reflects the tree structures. (For example, if there's something shaped like this (A is not the root; this is a subtree):
      A
    /   \
   B    C
  /|\
 D E F

my variables would be I(word is under A), I(word is under B), I(word is under D), I(word is under E).) Finally, after fitting the model with LASSO or elastic net for selecting variables, I take the dummy variables which remain and construct a decision tree for the effect of agent semantics (for better interpretability). (I'm not sure if this is the best way though.)
Both theory books/papers and actual case studies of similar problems (not necessarily linguistic) will be well appreciated. Thanks!
*That's simplifying how WordNet works of course; it's not a structuralist binary features dictionary but a database of lexical relations.

redpajama_set_name: RedPajamaStackExchange


text:
Great Lakes Ledger
Doomed Exoplanet Is Heading Toward Its Host Star
By Anna C. Mackinno , in News Sci/Tech on January 12, 2020 . Tagged width: Exoplanet , Star
It is no secret that the Sun will expand, its surface eventually will be passed where Earth's orbit is now. So the expanding star will engulf and destroy the Earth; however, it will happen in about 5 billion years. Not the same can be said about the exoplanet WASP-12b.
The exoplanet is located 600 light-years away in the constellation Auriga and is more unlucky than our home planet. A Princeton-led team of astrophysicists has discovered that this exoplanet is spiraling in toward its Sun, heading toward its destruction in about 3 million years. Exoplanet WASP-12b is a giant gaseous planet similar to Jupiter, orbiting its host star in just 26 hours. Compared to Earth, we take 365 days to orbit, which is significantly a lot slower.
"Ever since the discovery of the first 'hot Jupiter' in 1995 — a discovery that was recognized with this year's Nobel Prize in Physics — we have wondered how long such planets can survive," said Joshua Winn, a professor of astrophysical sciences at Princeton and one of the authors of the paper.
"We were pretty sure they could not last forever. The strong gravitational interactions between the planet and the star should cause the planet to spiral inward and be destroyed, but nobody could predict how long this takes. It might be millions of years, it might be billions or trillions. Now that we have measured the rate, for at least one system — it's millions of years — we have a new clue about the behavior of stars as fluid bodies," Winn said.
"If we can find more planets like WASP-12b whose orbits are decaying, we'll be able to learn about the evolution and eventual fate of exoplanetary systems," said first author Samuel Yee, a graduate student in astrophysical sciences. "Although this phenomenon has been predicted for close-in giant planets like WASP-12b in the past, this is the first time we have caught this process in action."
"These new data strongly support the orbital decay scenario, allowing us to firmly say that the planet is indeed spiraling toward its star," said Yee. "This confirms the long-standing theoretical predictions and indirect data suggesting that hot Jupiters should eventually be destroyed through this process."
Anna C. Mackinno
The Milky Way Is Hiding a Strange Star From Another Galaxy
Astronomers Discover A Potentially Habitable Exoplanet 30 Light Years Away
Anxiety is an Emotional and Physical Condition
Fascinating Facts About The Brain
NASA Finds a New Type of Exoplanet Beyond Our Solar System
What's the Biggest Animal That Can Be Eaten by a Snake?
Scientists Discover a New Type of Galaxy, Revealing More Details on Galactic Lifecycle
Sleep Patterns In Urban Areas Are Changing
Arctic Warming Accelerates due to the Greenhouse Gas That Depletes the Ozone Layer
Potentially Hazardous Asteroid Caught On Camera By Astronomers
Mysterious Blobs Beneath Africa and the Pacific Were Found — How They Affect the Environment
Astronomers Spotted Earth-like Exoplanets That Could Support Alien Life
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Decopatch Paperpatch Glue Varnish is a brilliantly versatile product for creating and finishing any papercraft item.
It's a glossy glue designed to work well with Decopatch's huge range of papers.
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Decopatch Paperpatch Glue Varnish is suitable for adults and for children aged three and up.
8th December 2016 Reviewed by Pippa Meddings Great that it's safe for young children to use, and also a good quality product. We bought to use with Daz Modelling Clay.
19th December 2014 Reviewed by missavasmillinery Nice and easy to use and easy to clean from brushes. Plus dries fairly quickly, but not too fast to inhibit using it.


Unicorns, mermaids, dragons, oh my!
You will have 2 partners to send a postcard featuring something mythical and/or magical on it. Postcards are to be sent naked and stamped.
Your postcards of choice can feature anything that relates to the mythical or magical [think mermaids, unicorns, dragons, lochness monster..! etc.etc.etc.] - as well as any type - art, realism, of/related to the theme, etc. Postcards should be store-bought. Zazzle/Postcard Fair okay. No ad/free/handmade.